Dante
By
Benjamin Louis Paul G-odard
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^=M ASTER PI EC ES
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pRE]MCH * Opera.
Illustrated and Musical.
■^^iSi
Lvrical Drama in 4 acts.
Text b}- Edouard Blau.
Music by Benjamin Godard.
First rei>reseiited at tlie Opera Comique, Pitris, in 1888. Heals with tlio war
between Giielfs and Gliibelins, and makes Dante a young an. 'u-tive ])articipaiit.
Beiijauiiu Godard whose Dante, is the first work ever ■•esented before aa
ameriean imblic, was bom in Paris, AngnstlS, 1840, and is stib viug.
Mr. B Godard besides being one of tbe most notewoith;\ representatives
g the young french composers, of the tendency inaugurated L\ Berlioz, is also
tinguishtd violinist and a pupil of Vieuxtemps.
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CATALOGUE OF OPERAS TO BE PUBLISHED.
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Le Dante, i^t time iu tMa Oity.
Huguenots.
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Rigoletto.
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La Muette de Portici.
IVlirelle, i^t ^ime in this City.
Robert the Devil.
PEaSOHMGES.
Dante Alighieri, le Poëte Florentin.
Béatrice Portarini, liancée à Bardi.
Gemma, confitlenfe de Béatrice.
Simeone Bardi, gentilhomme Florentin.
Vieri, gentilliomme Florentin.
Chefs Guelfes et Gibelins.
Hommes et Femmes du Peuple. Ecoliers.
Religieuses, etc.
PERSONNAGES DU EEVE.
Dante.
L'ombre de Virgile .
1 TJgolin.
. ... ! Paolo et Francesca.
Apparitions > . „ „
* ^ j Anges.
3 Damnés -
Le ler^et 2e actes se passent h Florence.
Le 3e acte au tombeau de Virgile.
Le 4e acte dans un Couvent de Naples.
CHABACTEHS.
Dante Alighieri, the Florentine poet.
Beatrice Portarini, engaged to Bardi.
Gemma, confident of Beatrice.
Simcone Bardi, Florentine nobleman.
Vieri. Florentine nobleman.
Gnelfs and Ghibelline chiefs.
Men and women of the people, stu-
dents, nuns, etc.
Persons of the dream.
Dante.
The Shade of Virgil.
Spirits— Ugoliu.
Paolo.
Angels.
Damned.
The 1st and 2ud arts arc located at Florence.
The 3rd act at the grave of Virgil.
The 4th act in a convent of Naples.
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The Scene of tbis Oppra is laid in Florence about the year 1300. U|
Two factious divide the City of Florence and fight for its IT
Government, the Guelfes and the Gibelins. \S
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ACT I.
Opens on a public place in Florence. In tlie distance the Gov-
ernment's palfice. On the riijht'tho entrance to a church. Groups
of Guelfes and Gibelins led, the formers by Corso, the latter by
Vieri threaten and defy one another. Thev are surrounded by meli
and women of the people. The day is that of the election of the
Chief Magistrate of the <. ity, aud both parties are confident
of their success. Enters Dante who re])roaches them with their in-
cessant quarrels and begs thom, ius'ead, unite their efforts against
the enemies of their country. Guelf.s and Gibelins laughVat him,
but the people listen aud advises Dante to present himself as a can-
didate at the election. They all enter the ])alace except Daule.
Dante then meets Simeoue jianli, an old friend of his, who re-
]^roaehes him for his long absence and informs him that he is be-
trothed to a lovely maiden, whose charms he exalts .so much that
Dante's criosity is awakened, he asks B.irdi who she is and learns
that she is Beatrice Portarini, whom her father has promised him
for a signalled service rendered, whom he loves and by whom lie
kuew he was loved before he left Floreuce. Dante gives way to
despair and leaves the scene. Enters Beatrice and Gemma her
friend. Beatrice confesses to Genniia that she has always loved
Dante and would rather die than be married to Bardi. She has
scarcely uttered these word», when tlie people return from the
palace and shout the name of Daii'e who has been elected Prior of
the City. Dante appears brought back by Bardi and is seen by
Beatrice. The poet refuses the honor proferred but Beatrice appeals
rohini and tells him that it is his duty to devote himself to his
country and that he will find his reward in love. Dante understands
that Beatrice loves him yet, he accepts the dignity of Grand Prior,
and after exhorting the Florentines to cease their quarrels and unite
against their enemies, and he is vested with the rich mantel of the
Pri'T of Florence.
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ACTE I.
SCENE I.
1* ih(':1trc M pr(^seufo Inplaco ]iiibli(|ne :\rioren-
00. All fond lo iiahiis du goiiveriieineiit. A
droite rentri'^o iVii. o chajullp. An lever tin ri-
deau, deux fjrouiwa de (.aicllcs rt do CiUeliiis
conduits, l'un p;ir ' orso < t l'aiitic par Vieri so
d<'fient ct se nu'uai i nt. I'<Trii lo eux et do cha-
que côt(S grouiied do gLUs du iionplo.
Ch<i;i'u les GiiïEi.ixs et Cikkuu vis Guklfks,
allenKilircinciit
ilallipur i'l vous dont. I'andare
No\is insulte I't nous nu-uace
Ah! votre jKuivoir s'clt'aco
C'est votre dernier ett'oi t!
A nous fortune et ]miS!sau<'P,
A vous l'exil et la mort.
Quand la ville de Florence
Aura dieté sa .sentence
A vous l'exU, à vous la mort
Malheur à vous! à vous la mort.
Lis (Hek.s Gliîi i.ins.
Aux amis deCdsar la victoire est promise,
O Guelfes nous avons avec nous l'Empereur.
Les Ciiees Giei.i-e.s.
Le Ciel est favoralile aux amis de l'Es'ise.
Gibelins, le >Saint-Siè!;e est notre protecteur.
Les ''iiefs Ghîei.ixs.
Qnand Floi'cneo aujourd'hui va nounner lePrieur,
Le (ionf.-ilo iiiior de justice
]'ensez-\ (tus <iu'el!e cht)isissi5
Ailleurs (|H0 dans notre parti î
Le.s Chefs (iLELFi;s.
Le Prieur sortira des rangs des Dunati.
EXSK.MELE.
llallicur à vous dont, etc.
SCENE IL
Jiriit <t Cutililhir.
D.VNTE, Li:s Puecedexts.
DANTE.
Guelfes ou Gibelins, (in'importe la baiinière,
lilanos ou noirs, lils ingrats, vous frappez votre
[mère,
La Patrie est en diMiil lors(|ue vouscombattei!.
CiUKiit Ge.\i:i!al.
C'est Dante AligUieri, c'est lo luaitre, écoutez !
UANTK.
Mes fr^^es, mes amis, qu'elle est votre démence?
Lo ci(4 est si bleu sur Floreuce
Son azur a taut de douceurs
yu'iiu chant d'amour ct d'espérance
l'eviait monter de tous les cœurs.
Mais la brise frémissante
ACT I.
SCENE I.
Tho theatre represents the PnWic Square »i
Florence. In tlie rear the Government palaee.
When the curtain i ises two gronjis of Gnelplis
and (ihibellines, led (Uio bj (. orso and theothcr
by Vieri dare and threaten each oilier. Be-
hind them and on each side groups of tfc«ï
pco)iIe.
Ciioitis ofGlllliELLiNFs and Chornsof Guelfb»
uiteriKttilij
Death to you whom daring
Insults and menaces n.<j
, Ah! your ]io\ver vanishes
This is your last etl'oit!
Fortune and power are ours
For you exile and death.
When the < ity of Floienee
Shall have dictated the sentence
For you exile and death.
Death to you, death to yon .
The GiiiiiEi.Li.N' Chiefs.
Tn the friends of Corse victory is promised,
I ih, Guelphs, we have with ns the Emperor.
The GtELPH Chiefs.
Heaven is pro]>itious to the friends of the Church
Ghibelliues! 'I'he Holy !^ee is our protector.
The Ghihei.i.i.ne Chiefs.
When rioreuce, to-ilay, names the prior,
The Gonfalonier of Justice,
Do you think she will choose
Gutside of our party ?
The Ghei.1'11 Chiefs.
Tlie i>r'or comes from tln^ ranks of the I'ounti.
To(J1;thi;k.
De.ith to you whom, etc.
SCENE II.
Vreit and Cantilene.
DANTE, the same.
DANTE:
Guelphs or (ihibelines what matter the banner.
While or black, ingrate sous, you strike your
[in other
The country is in danger when you combat.
(iEXEKAI, Ciiouus.
It is Dante Alighieri, it is tho master here.
DANTE.
My brothers, my friends are you demented
Heaven is so blue over Floreuce
Its azure is so sweet
That a song of love and hope
Should arise from all hearts
But the treniblirg breeze
^r^
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G-ents' FixT-rLislxe-rs ^- HatteTs.
N'cmpoito aux clairs firuiameuts
Quo la viimiMir {>iaudi.ssaute
li'cteiuuls ïcsocutiuieuts
Ze« Clicfa Guelfes et Cihelins aceiieHlenf ces 2'"''0^''^
arec des {/estes rfe th'duin et de eulire, mais ceux qui
les entourent haisseut la tête; queUpies-una remel-
tnent leur epee au fiiurreuu. Le peuple a entendu
les paroles de Dante arec émotion.
Chœur du Peuple.
Il a raison . l'onr(iuoi (loue taut do lialue ?
Kous pourrions être liriiieux eu nous teudant la
Les Chefs Gibelins. [ukum
La politique ost notre affaire,
l'otite passe tou cliemiu.
Les CiiKF'ï Guelfes.
I>oute nu avis tout contraire!
llu Prieur on va faire chois,
Mets-toi doue sur les raugs
Je te i>rouiets ma voix.
Cii'EUit General.
Les collèges du Peuple an Palais se rasseniljleut.
Chefs Guelfes.
Voyez couinio ils ont peur,
A^ainqùeurs ce soir, maîtres demain.
Chefs Gibelins.
Regardez connue ils Iremblcnt,
Vaiuiiiieurs ce soir, maîtres demain.
Chœur General.
Pourrinoi donc tant de haluc.
Nous pourrions être licuroux, etc. . . .
'J'ous entrent au J'aliiis ejcepté Dante.
SCENlî III.
DUO.
DANTE, B.VRDI.
l)>N"rF,.
Ali ! pui.«se la vjiix populaire
Choisir pour INeuvre tnti laire
ITu homme ([ui la comprendra !
{liévant) i.e fardeau sera lourd à qui l'acceptera.
Simeone Hardi parait. Il fuit f/neh/ues ]nis dans la
direction du Palais, mais il roit Jianic, s'appraihe
et le r< connaît .
HARDI.
A'oMs! (lier Dante, c'est vous.
DAXTK.
Siuuîoue.
BARDL
Plorenre retrouve enfin
A]ircM si longue absence,
,^on lils très onlilienx
l'oiirtant Très regretté.
DANTE.
A Bologuo .... à l'adone. . . .
l",t il.-ins tonte cité
Dont j'allais l'onsnltaiit I'li'-^toiro et le génie,
.lamais de la terre b'iiii^.
1.0 souvenir ne m'.i quitté.
li.VRDt, nr'c. eriuinsion.
•l'aurai dime pour t -moin île ma félicùté
1,'ami de ma Jeunesse.
liante Vinlerrngc du (/este et du ri'jard.
On me donne pour femme
Carries to the c ear lirmameut
But the swelliug rumor
Of eternal reseutmeuts.
Tlie Gnelphsnud Chihelliue chiefs reecire these words
uith sirins of dixduin, but thouc surrounding them
hoic their head; some sheathe their uorda. Tin
people hare heard the words of Dante leiih emo-
tion.
Chorus of the People.
He is right,. Why then so much hate?
Wo might bo happy did we join hands
'I HE (iiiibELi.iNK Chiefs
Politics are our atlair.
Pool, go your way.
The GtELiMi CriiEFs.
Hear a (|iuto contrary advice
A ])rior is to be ehosi-n,
Eeter then the list >
I promise thee my vote.
General Chorus.
Tho coUegesof the people are assenibliug at the
(iUELi'H Chiefs. [palace.
See how they are [ifraiil,
Victor this eveuiug, masters to-morrow.
Giiibelline Chiefs.
Look how they tremble,
Victors this evening, masters to-morrow.
General Cnor.us.
Why then so nnich, etc.
Jll enter the palace except Dante.
SCENE III.
Dfo.
D.AN'TE— BARDL
DANTE.
-Mil may the popidar voice
I lioose fertile («rotecting work
A man who will understHUd it!
(Drcamiuij) Tlie task will bo heavy, for wlioever
[may accept it.
Sinieone Bardi apjienrs. He aArance tawardi the
pala.e, but sees Dante, approaches and recognize»
hi 111
,B.\R1)I.
You! Hear Dante, itisvouf
DANTE.
Simeoue !
n.\RDi.
Florence at last linds again,
After so long an alisence.
Her very forgetful son.
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D\VTK.
At I'olo'jna at Padua,
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(If whicli I consulted the history and the goulus.
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P \T^DI— n'ith expression .
I shall then liave as a wituess of my felicity.
The friend of my youth.
( Dauie looks askance at him.)
I am soon lo \v.:d
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To the Anti-Chauve Co., loi Caual Street, wp*.* î^r^s? "iS
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[^ Résissour Gén6ral du Tlicâtru do l'Opéra' i-'ranyais, Direction": A.'.DUIUEU, Saison 1890-91?
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DANÏE. '' 5~
Celle que f^^s loiijitenips,
r.t (le touti' mciii âme
J'adoi'ilis tu Mcret!
L'AXTE, en eoiiriaiit,
TA la fpiuine, il paraît,
Kii iiniM puiuts est parfaitef
BAKDI.
I'oiir lii II la (li^jieimlvi', ô ])oi'te.
C'est ton langajte (jn'il f:ni<liail.
Ou xie Raurait (|uelles choses
]jui comparer iei-Iias;
Si Dieu n'avait fait les rests'^,
Si le lys n'existait ])as !
Tant (l'innocence et de grâce
Illumine ses quinze a -s
Qn'ou sourit (juand elle passe
Comme ou sourit aux enfants.
Et cependant anpn s d'elle
Ou vient parfois il trembler
De la voir ouvrant son aile
Comme uu auge s'envoler I
DANTE.
Dis-moi son nom !
BARDI.
Jadis vous deviez la connaître;
C'est la lille de maître Portinari.
DANTE, à jiarl arte douleur.
Qu'ai-je entendu, f^ei<;nenr !
Beatrice, (à l^inicoiie. ) AU ! ce cœur
Comment l'as-tu gagn<^?
BARDI.
Par la recoiinaissance :
A ce puissant parti (pii rèi^ue sur l'iorenee
Son pire avait fait une oflense,
Hais j'ai i>u l'arracher aux mains des Douati.
DANTE, arec amertunu:
L'eufaut est le prix du service,
(àj)art.) O Béatrice,
Pourquoi suis-jo parti ?
BARDI, s'aâressaiit à Dante en noiiriaiil.
Mais en étant aniaut fidîlo
Ou )ieut rester bon citoyen.
Pardonnez-moi, jo vais oh le devoir m appelle.
Il rentre au J'alaia Dante reste attéré sur le devant
de la Scène
DANTE, arec dénespoir.
Ail! de tous mes espoirs il ne me reste ]dus lieu !
En vaiu l'avenir rayonne,
Qu'importe uu nom glorieux!
De ([uoi seraije envieux
Quand mou amour m'abandonne !
(avec uccuhlemeiit.) Tout est fini
Ponr moi sur la terre !
Comn;e un l>;nini
.Te fuirai solitaire.
Par les chendus où je marchais vain<]neur
Plus de bonheur,
D'ivresse promise :
Mou triste cœur
A jamais se brise!
Rêve menteur.
O teudresse (^phéra^re.
£nvoles-toi d'uu éternel essor!
'l'iie oiie whom long
Auil \, ilh i.il ni\ biMil
1 ailuied iu Kecrel !
DANTE— SBiifJHj.
And the woman, it seems,
Js jieifeet in allimiiis?
BAKDI
To Weil deiiict her, oli. jinet,
1 sliouM borrow your laiij^uage
I would not know w hat things
Here below to c(mipare her to,
If God had not made the roses,
If the lily did nut exist!
So much innocence and race
Illiniiinates her tit'teeu years.
All smile wiirn Khe]i;isses
Asone smiles to children.
And \vhoe\traî>]>roache.s her
JSometiiue» tremlile
To see her open her wings
To fly away lii-e a:i angel!
DANTE.
Tell me her name!
KARDI.
Formerly you must have known her!
She is the daughter of master Portinari
DAXTE — Aside, with sorrow.
"What did 1 hear, ( )h Lord.
Beatrice \. . ..(To Siineone) Ah ! this heart.
How didst thou wiu it?
BARDi.
Through gratitude;
To that powerful party, which reign overFlorenco
Her father had done some olfense.
But I saved him from the hands of the Donati,
DANTE— nilh bittcrnesn.
The child is the price of the service.
{aside) Oh Beat i<e!
Why did I depart f
BARDI — Addressinfi Dante sniUinq .
But while being a faithful lover
due may remain a good citizen
Pardon me. I go where duty calls me.
He enters the palace. Dante remains sadli) ia
front of the scene.
DANTE— 7» despair.
Ah! of all my ho]ies nothing remains.
In vaiu the future sparkles
What value a glorious name!
AVhatliave I to envy.
When my bive forsakes me!
( With despair) All is finished
For me in this world,
Like one ba: islied
I shall solitary fly
By the path J walked a victor
No more h:i)ipine.ss.
Nor the promis>eil bliss
My sad heart
BrealiH forever !
Lying dream
Ephemeral tenderness,
Ely a way with an eternal flight!
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Music taught in all its branches. Able professors in each department Six free
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Two for piano and four for vocal music. WILIAM H. PILCHER,
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s Chiirih,
t;
DANTE.
Tout est fini
Pour moi sur la terre
Ilrlas!
Mais non ! Je ne vliix pas di'scsjn rcr enror !
11 faut que je la voie, il fautquoju lui parle!
A m'eutundre va tressaillir son cceur ;
Ali ! je saurai reprendre il qui l'osait ravir ce cœur,
Mon seul trésor!
// eorl firvnifitl.
SCENE IV.
BEATRICE, GEMMA.
{Ik'atrice et Gemma sortent de la ehapelle, Beatrice
s'avance la première, la tête inclinée arec un air
d'accablement profond. )
GEMMA.
Courage Bi^atrice,
Celui que nous venons de ])rier tontes deux
Saura te soutenir au jour du saciihee.
BEATRICE.
Si le ciel exauçait mes vœux,
Lorsque Tiendra ce jour je franchirais ces portes
Avec le voile blanc qu'on met au front des mortes.
GEMMA.
Ah! tais-toi, c'est afifreux !
BEATRICE.
Tu sais bien, chi"^re confidente,
Que j'aimerai toujours celui qu'on nomme Ali-
gne moi j'appelais: Dante. [ghieri,
GEMMA.
Qne cet amour soit loin de toi comme de lui.
BEATRICE.
Il n'était qu'un enfant, j'i'tais toute petite
Lorsque je l'ai connu pour la premiere fois.
8auB doute plus heureux, il oublia plus vite. . . .
Ce temps loin de sou cœnr, toujours je le revois !
Comme deux oiseaux que leur vol rassemble
Nous allions ]iar le grand jardin
Sans savoir pour(pu)i, joyeux d'être ensemble.
Mais i)arfoi8 au.ssi rougissant sondaiu,
Et juiis je venais, sons les lauriers roses.
Près de lui m'ass(M)ir atiii d'écouter
Les récits chariiKiiits et les douces choses
Qu'il savait déjà si bien lacouter.
Ensemble.
BEATRICE.
Nous allions tous deux par le grand jardin, etc.
GEMMA.
Qne cet amour soit loin de toi comme de lui.
Jlêalrire baiKse le front; Gemma l'attire tendrement
sur sa poitrine.
Ah! pleure librement, plenre, et de ta «ouffranco
Verse ou nu)U âme le secret.
Qui doue, mieux c|'de luui, hélas, la comprendrait!
SCENE V —Final.
BEATRICE, GEMMA, D.\.NTE, BARDI, Guel-
fes KT (illîKLlNS.
Des elamenrs sortent du Palais; de tous côtés sur la
place arrivent de» groupes animés.
Ail is finished
Ir'or me ou earth
Alas! l)nt no
I will not vet despair!
1 must see iicr
I must speak to her!
Her heart will oofteu at hearing me.
Ah I shall know how to win back that heart
From the one who (hired ravish itfrommc.
My ouly treasure ! ( He ijoes out rapidly.)
SCENE IV
BEATRICE, GEMMA.
lieairieeand Gemma i.tsitc from the chapel. Beatrice
approaehn.'i Jirst, her head boieed, \eith an air of
profound discouraijment .
GEMMA.
Courage, Beatrice.
The one whom we both prayed just now
Will know how to siistaiu thee ou the day of the
[sacrifice .
BEATRICE.
If heaven heard my prayer
When this day shall come I should issne from
[these gates
With the white shroud put on the dead.
GEMMJi^.
Ah! silence, this is awful!
BEATRICE.
Thon knowest well dear confident.
That I shall ulwavs love the one they call
Whom I tailed Dante, [Alighieri.
GEMMA.
Let this love be far from thee, as from him.
BEATRICE.
He -was but a child, I was quite small
When 1 first kueAv him.
Without doubt, bciug more happy, he forgot
more quickly.
That time which is far from his heart.
I still forever see it
Like two birds united by their flight
We went through the great garden,
Without kuowiug why, joyous to be together,
But souietiines also suddenly blushing.
.\nd then 1 used tocoiuc in the rosy laurels,
To sit near him so as to hear
His charming tales and the sweet things
He knew already so well how to tell.
TOGETHEK.
BEATRICE.
We both wont through the great garden ....
GEMMA.
Let this love be far. etc.
Beatrice botes her head, Gemma rfrdir.i her tenderlg
to her heart.
Ah! weep freely, weep in thy distress.
Pour iuto my heart thy secret.
Who better than iue, alas, would uuderstandit.
SCENE v.— Final.
BEATRICE, GEMMA, DANIE, BARDI,
GuKLPii.s and GimiKLLlSES
Chorus are heard from the fialace From all sides
animated groups arrive vn the square.
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DANTE.
Chœur du Pkuple.
Le peuple a rendu sa sentence !
Salut à Dante Alighieri .
BEATRICE, iressaille.
Gemma, ce nom. Que disenl-ilsf
GEMMA.
C'est Duuto qu'on nomme !
CIKEUU.
Le peuple a rendu sa sentence,
Salut, honueur, gloire it Dante,
Salut, honneur, gloire au Prieur.
Dante paraît sur la place, lii'atrice Vnperçuit.
BEATRICE.
Lui !
Bardi ta au deiuiit de Dante et l'amène sur la scène.
BARDI.
Venez écouter le peuple de Florence .
DANTE.
O peuple ! Que veux-tu de moi f
ClIŒUR.
Eu toi nous avous confiance.
Commande et nous suivrons ta loi.
DANTE.
Quoi ! vous voulez que j-e me jette
Dans la bataille et la tempête.
Au sein des partis furieux.
Non. Non,
Je ne sais, rêveur tranquille
Qne m'en aller, lisant Virgile,
Par les sentiers emplis du chants mystérieux.
ClIŒUU.
O Dante, sauve nous des xiartis furieux.
BARDI.
Entends ce peuple qui te prie,
Il met en toi tout son espoir;
Florentin, défends ta patrie.
Pour être grand, fais ton devoir.
DANTE.
Ma force est inégale à la tâche imposée.
Et mouàme aujourd'hui,
Défaillante et brisée.
Plutôt que d'eu prêter aurait besoiu d'appui.
BARDI.
Entends ce peuple etc.
ClIŒUlî.
En toi noua avons confiance etc.
Béatrice sort lentement de la foule et ^avance rers
Dante qui la contemple, muet et comme fasciné par
ion regard.
BEATRICE.
Quand ils vont aux dangers sans ^lombre,
Réclamés des peuples ravis,
Par d'autres cœurs cachés dans l'ombre.
Les vaillants sont parfois suivis.
Ce doux cortège de tendresses
Autour de toi t>i peux l'avoir;
Vas sans regrets, sois s.ius faiblesse.
Pour être aimé fais ton devoir.
CUORUS OF TiiK in:oi'LK
The people has given its verdict.
Hail to Dante Alighieri!
BEATRICE.
{tremblintj) Gemm.T, vvhosename!
What are they saying?
GEMMA.
It is Dante who is elected!
Ciiouus.
The people has given its verdict.
Hail, honor, glory to Dante
Hail, honor, glory to the prior.
Dante appears o» the square, Hcatrice sees him.
BEATRICE.
He!
Bardi ijoes to meet Dante and leads him lu the scene,
BARDI.
Hear the people of Florence .
DANTE.
Oh people! What dost thou want of me t
Chorus.
In thee we h.ave confideu(^c.
Command and we will follow thy law.
DANTE.
What! you want that I should throw myself
Into the battle and the storm.
Into the bosom of the furious parties !
No! No!
I a quiet dreamer, who knows
Only to walk along, reading Virgil,
By the paths tilled with mysterious melodies.
Chorus
Oh Dante, save us from the furious parties, etc.
BARDI.
Hear this people wliicli begs thee
It puts all its hojio in thee.
Florentine, def<iHl tliy oouutry.
To be great, perform thy duty.
DANTE.
My strength isnuequal totll(^ ta.sU imposed,
And my soul to-day.
Wavering and broken
Instead of giving, would require supjiort.
BARDI.
Hear this i)cople......etc.
CHOurs.
In thee we have conliilence, etc.
Beatrice issues slowly from the crowd ana adranees
towards Dante who conlvmptales her, silently and
as fascinated hy her look.
BEjVTRICE.
When they go to numberless dangers,
At the call of excited people,
By others heait, hidden in the shahow,
The valiaut »re sometimes followed.
This sweet cortege of tendernesses,
Around thee thoa willthavo; be without weak-
Go without regret ; [ness.
To be loved, do thy duty 1
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DANTE.
DANTE. A part, comme un rêve.
Pour étro aimé
(uupeupU) Je veux tcuter l'ccuvre suprême.
A vous mou bras et mou esprit,
(regardant Béatrice) et mon cœur.
GEMMA.
Il l'aime, il l'aime encore.
BEATRICE.
11 m':
Toc
.Salut au Maitrc. Salut au Protecteur.
t'iiKKs GiUKi.i.Ns— .l/o»(/-n«< leur drapeuu.
Voici notre drapeau.
CllKi-s GUKLl'K.s — DvsignanI leur haniiièn.
C'est le nôtre.
Tois— .^ Dante. Lequel sera le tien.
DANTE.
(Saisiumnl le gonfalon et le déployant.)
Le drapeau de Florence.
Oui, ce ])euiile (jui incten moi sou espdrauce.
No doit plus voir (|ue lui, flottautsous notre ciel.
(On revêt Dante thi riche manteau îles l'rieurs de
Florence.)
DANTE.
Plus de discorde criminelle.
Que nos vains dcbats soient Jinis;
Soyons à, jamais réunis
Dansuuedt ciu:e fraternelle.
A notre voix, noble cité
Que ton front penché se relève.
Tous tes enfanisn'ont qu'un teul rive.
Ta grandeur et ta liberté
HE.\TRICE, F.ARDI, et Tovs-lUprenant.
Pins de discorde, etc.
Salut, Uoûneur, au Protecteur.
ACTE II.
[Le théâtre représente une salle du Palais des
Seigneurs. Kilo est éclairée ])ar de grandes
baies vitrées. Au fond uu rideau de tapis.se-
rie. Portes i\ droite et à gauche. Vers la gau-
che, nu grand fauteuil, jucs d'une table char-
gée de pipiers. BARDI, seul eu scene. Au
lever du rideau il est a.ssis d ms le fauteuil et
)>arcourt les jiapiers qui sont sur la table.]
SCENE I.
I3ARDI.
Nos généreux espoirs seront-ils vains? Je tremble
A voir comme sur nous s'est ii assombri le ciel :
Les chefs des doux partis .ja'uu a jiroscritsen-
„ , , „ . [semble
bnseniblo ont fait appel.
A Charles de Valois, frère du roi de France. .
Il ne lire.
Qu'on ouvre ;\ l'étranger les portes do Florence
O maitrc, c'en est fait d'un reste do pouvoir.
(// marche rêvenr.)
DANTE — Aside, as in a dream .
To be loved !
To the people) I will try the supreme task.
Yours is my arm, and my head aud my heart.
Looking at Beatrice.
GEMMA.
He loves her, he loves her still.
BEATRICE.
He loves me. . .
CHORUS.
All hail to the master! Hail to the Protector.
Ghibkllixh Chiefs — Showing their banners.
Here is our eusign.
GuKLi'H Chiefs — Showing theirs.
Here is ours.
All (^0 Dante) which will be thine!
DANTE.
{(Irasping the gonfalon and displaying it.)
The banner of Florence !
Yes, this people, which puts in it its hope,
Shall only see that, Uoatiug under our heaven.
Dante is invented with the rieli mantle of the jirim-»
of Florence.
DANTE.
No more criminal discord.
Let our vain dis])utea bo ended :
Let us forever be united
In a fr.aterual cuibrace.
At our voice noble city
Let ihy doomed frout be redressed.
All thy children have a sole dream,
Thy grealuess aud thy freedom .
BEATRICE, BARDI, a.vd Am..
No more discord, etc.,
llail, honor to the Protector.
ACT II.
The theatre represents a hall in the jialace of th*
noblemen. It is lighted by large V>ay window.s.
In the rear a tapestry curtain. Doors on th»
right and on the left. To the left a largo arm
chair near a table covered with |)a|)ers. Bardi
alone on the scene. When the curtain rises h<«
is seated in the armchair and looks over tho
papers on the table.
SCENE I.
BARDI.
Will our gênerons hopes be vain f I tremble
To see how the sUy has darkened over us.
The chiefs of the two parties who were proscrib-
Hero together ajjpealed (cd together
To Charles de Valois brother of the king of
(lie risen.) [France.
To open to the str.'vngers the doors of Florence.
Oh masters ! This cud» tho remains of our power.
(He walks dreamily.)
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Dante.
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1- g 1 g-
Le ciel est si bleu sur Flo - re» - ce Son a
The heavens are so blue a- bove Florence, Their a
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CHOICE WINES AND LIQUORS,
A Superior liunch daily from 10 to 1^ o'clock.
A. Hoffmann, Proprietor.
DANTE.
Ca n'est pas seulement sur nous que tout est noir.
Ah! c'iîst en moi.
Ces mots, ces mots, je les entends s.ans cesse :
"Va sans regrets, sois sans faiblesse,
Pour être airai5 fois ton devoir.
Quelle flamme alors j'ai cru voir d.ins ses yeux.
Non ! à triililr sa promesse
K'Ie n'a pu snugor.
Et je n'ai jias cucoro d'abiindon à venger.
Qu'on ouvre ;\ IV-tranger le» portos de Florence.
O maître, et c'en est faitd'un reste de pouvoir.
(Il a'asKÎed de niiiirmn cl continue à parcourir le»
papîiT» qui ^■(^/// .v,7r la tablf.)
SCENE II.
GKMMA. BAKDI. (Cimma entre par la droite.)
BAKDl. (Jllavf firemenf rcrs Gemma.)
Gemmai La elière Itoatriee.
A-t-oUe eutin lise le jour de notre liymeu T
GEMMA.
Je viens voua demander un cruel sacritiee.
( Tri'vail leme» t de Hardi.)
ilai.s digne d'un grand cœur. Kenoneez ?i km tiKiiij
BARUI.
.le l'atteudni» cette parole.
Ma tendresse n'est pas si fi>lle
Qu'elle n'ait vu la trahisou.
GEMMA. .
AU! vous accusez s.ms raison ;
Héatriee il cette heure
Ignore ce que je fais mais elle pleure..
Et je revois sou front plus pâle chaque jiiiir.
Oiil)liez sa jiromesse.
BARDI.
Oublier cet amour.
// «e rapproche de Gemma et Jui parte ocec une ra;/e
nnnienue.
Oui, si je la délie.
Dès «pie j'aurai parle.
Sur sa lèvre pâlie
.le sais quo reviendra le sourire envolé.
Oui, SCS yeux dont les eliiirmes
Ont piis UKUi faible cœur,
Si je taris s-s laniii's,
Retrouveront bientôt leur première doueeiir.
Mais tu l'as bien compris docile rao.ssagiTe.
Alors, nous la verrous radieuse et légère,
Courir à son amant et tomber dans ses bras.
(^sourdement) Et cet amant, c'est Dante, n'est-ce
[pas f
GEMMA.
A lu', dès son enfance, elle s'était donnée,
Et ne pouvait le revoir saus émoi.
Par vous qu'elle soit p irdouuée.
BARDI.
P.ardonner! On vois bien que tu u'aimes iias.
GEMMA.
Hélas! mon âme est blosséo
(îommo la vôtre J'ai le même tourment,
Et c'est Dante que j'aime.
BARDI.
Et tu veux insensée
Jeter ma Beatrice aux bras de ton amaut.
GEMMA. — Jxec «ne expression très douce.
Si ma douleur est amère.
Pourtant, je le snis aussi
Par le bien que l'on peut faire,
It is not alone for us that all looks dark,
Ah! In lue, too.
These words, these words, I ever hear them :
"Go without regret, bo without weakness,
To be loved, do thy duty."
^Vhat a flame I thouglit to ece in her eyes-
No! to betray her promise.
She could not have thought of it.
And I have not yet her abandonment to revenge.
Let the gates of Florence be open to the strangers.
Oh! masters, and that ends the remains of your
[power.
He sits himsetf aqain and continues to peruse tlie pa-
pers oil the table.
SCENE II.
(tEMMA, BARDI. (Gemma enters from the ri/jht.)
BARDI — Goinij towards Gemma.
fiemma. Has the dear Beatrice
.\t last appointed the day forournupti tl t
GEMMA.'
I come to ask yon a cruel sacrifice,
(Itardi is riolenttii moved.)
iint worthy of a great heart. Renounce lierhand
BARDI.
I expected this word !
My tenderness is not so insane.
That it has not seen the treason!
GEMMA.
Ah ! You accuse without reason !
Beatrice at this hour
Is ignorant of what I do. but she weeps,
.\nd I sec her face growing paler every day
Forgot her promise !
BARDI.
Forget this love !
He approaches Gemma and speaks leith contained rage»
Yes, If I release her.
As soon as I shall have spoken
On her palcil lips
The last smile will return.
Ye-s, her eyes whose charms
Have conquered my weak heari.
If I dry their tears.
Will soon recover their pristine sweetness!
Hut thou hast well understood it, faithful uicsen-
Then we shall see her radiant and light hearted,
Running to her lover and falling into his arms.
(amirilii.) And this lover, it is Dante, is it not
[so t
GEMMA,
To him she gave her heart in her childhood.
And could not see him again without emotion .
Then let her be pardoned by you !
PARDI.
To pardon ! Oh one can see that thou Invest not.
GEMMA.
Alas! My soul is wounded,
' Like yours, I have the sanii' torment
And it is Daute whom 1 love.
BARDI.
And thou wantest mo to madly
Throw my Beatrice into the arms of thy lover.
GEMMA — With a very soft expression .
If my pain is gretter,
I stiil also kuow '
By the good one may do
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10
DANTE.
Xotre m.al est adouci.
I7u i'.ayou doit encore luire
D.an.s l'ombre où jo resterai,
Si j'entrevois lo soiuiro
i)o ceux iiar qui j'ai pleuré.
Apaisez votre colère,
Et pardonnez noblement;
Conuui) vous je désospêre,
C'oiumo moi soyez clément.
BARDI.
Folle et lâche femme,
l'ardonuer la, douleur
Est facile a ton âme.
Hais je n'ai que la haine et l.i veugeance au
Oui, je veux me venger. [c(cur.
GEMMA— BARDI.
Pitié pour eux, piti.! seigneur, etc.,
Folie et làelie fuuiiue, etc. (lia aorlenl.)
SCENE III.
jAt tapi»»erif du- fond t'ccarte, Béeatriet apparaît.
BEATEÎICE.
l'arole» de haine, aven de tendresse,
.J'ai tout euteuilu.
Pour tous je saurais tenir ma promesse ;
Mou deruier espoi., cher Daute, est perdu.
Air.
Comme un doux nid sons la ramée,
\ l'ombre de ta renommée
Une autre cachera son paisible bonheur.
O cruelle douleur!
Quand tu voudras, lassée
Du labeur glorieux,
En des regards aimants reposer ta pensée,
Ce n'est pas vers les miens que s'en iront tes
O cruelle douleur ! [yeux .
Comme un doux nid sous la ramée
Oà le printemps met sa sp.endeur,
A l'ombre de ta renommée,
Uu autre cachera sou paisible bonheur.
Ah ! que la mort soit prompte à délivrer mes
peines.
SCENE IV.
BEATRICE. DANTE.
Ku <<■ moment Dante, ouvrant la porte de gniivhe,
Karaure le front hahué, et sans apere^'rnir d^tbord
iiéatriee qui trensaille doidoureuacnient à «a vue.
BEATRICE,
(■'est lui, Seifçneur, eu ce cruel instant soutenez-
DAÏf TE — .{percevant Beatrice. [moi.
Béatrice! .Vpies taut ilo messages et de prières
vailles.
Enfin, c'est vous que je revois.
HEATTICE.
Dante, vous me voyez pour la dernière fols.
DANTE.
Sur ta levre est l'adieu
Et non dans ta jieiisée.
BEATRICE.
Je suis la (ianeée
D'un liomuus à qui je dois
In de lueM jours heureux.
Et je n'eu eumiiti guère,
DA.VI'E.
Ah! celui qui naiiuÎTe
De ta doulei'I ;.busait lAiheiueiit
Dur pain is allievatcd
A ray shall yet pierce
Into the shadow, where I shall remain
If I see the smila
Of those for whom I have wept.
Abate your anger
And nobly pardoul
Lilie you I dispair
Like mo be forgivin"
BARÛI
Foolish and cowardly woman!
To pardon tlie pain
Is easy to thy soul
But I have only liate and vengeance in my heartl
Yes I want revenge.
GEMMA
Pity for them, mv God, etc.
BARDI
Foolisli and coward woman, etc. Theif g« «Kt,
SCENE III
The lapeatri/ in the rear opens, Beafric* appmrt,
BE-ilTRICE
Words of hate I avowal of lov»
I heard it all!
For all I shall know to keep my promts».
My last hope, dear Dante, is lost.
AIR
Like a sweet nest under the foliage
In the shadow of thy fame
Another will hide her peaceful happiness.
Oh cruel pain!
When thou willst, tired
Of glorious labors.
Repose thy thought in loving eye».
I'hine eyes will not look towards mine
Oh cruel paiu.
Like a 8w<«t nest under the foliage
Where spring puts its splendor
In the sliadow of tliy fame
Another will tiile her peaceful happineaa.
All! may death be quick to deliver me from my
(sorrow
SCENE IV
BEATRICE, DANTE
.it th'ix moment Dante, ojirninft the door lo the left,
advanceK ivlih boired head, wilhoul at first perceit-
inij Beatrice, who trembles painfully on seeing him
BEATRICE.
It is him, Lord! At ihis cruel instant sustain me.
D.VNTE, (perceirinfi Jleatrice)
.Vfter so mauy messages and vain prayers
-\.t last I see you again!
BEATRICE.
Dante, you see mo for the last fiiuo
DANTE
In thy words is tlie farewell
But not in thy thought .
BEATRICE
I am the betrotlied
Of a man to whom I owe
Oneof iny ha py days.
And I do not conn» many of them!
DANTE.
Ah! He who then
Vilely look advantage of thy sorroir
CONFECTIOHHRY
IE mm ¥8RK§,
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All orders for Weddings, Balls, Parties, Dinners, Sappers, &c., carefully attended t».
Restaurant opened until after the Opera.
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140
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Agents for WILLER'S PATENT SLIDING BLINDS.
DANTE.
11
N'a droit qu'à lou oiibli.
Ton (^jioiix, tou aiiiaiit,
^ C'est iiioi, c'est moi seul.
BEATRICE— TiiHlemeiil .
Poète, la gloire
Du bout (11! son ailp, eu votre mi^inoire
EH'acera bicutùt mou uoin.
DANTE.
Non, Nou,
Demain, .si tu m'abaiulonnea
Pourrais-.je eucor chanter :
Je n'ai ehurtln^ des courouues
Que pour te les ajjjiorter.
8au8 toi )non a'uvre est tiuic
Et n'aura duré (ju'uu.jour.
C'est nie prendre mou {;<^nie
Que me ravir mou amour.
BEATRICE — A part, avec extaxe.
L entendre ainsi parler, quell« ivresse profonde.
DANTE — .Se rapprochant d'elle.
Sur mon frout l'orage gronde,
Chaijue heure aminé un danger;
Il n'est (lue toi seule au monde,
Qui puisse m'encourager.
Ton ■'îme aux douceurs céleste.'»
De la mienne est la moitié ;
Par amour si tu ue restes.
Reste au moins par amitié.
EXSEMULE.
Tu le veux que mon sort à ton sort lié.
Je t'aime. Echos du premier jour
Jusqu'à l'heure sui)rème
Doit vivre notre amour;
Je suis à toi, je t'aime.
(Elle se laisse aller dans les hra» de Dante.)
SCENE \.— Final.
BEATRICE, DANTE, BARDI, VIERI, Chefs
GfKLl-KS KT GUiKMXS.
La porte de gauche s'oitrre et satts être rus de Dante
et de lléatricf, perdus dans leur extase, entrent et
se tronreiit debout sur le seuil Vieri et ses compa-
gnons.
CiiKKs Ginr.LiNS— 7f(tt7/ciir.v.
Cher Giuifalonnier do Justice, '
Daignez ici nous recevoir. l
Dante fuit un mourement pour emmener Jjf'atrice,
mais yicri et ses piirtisaus lui barrent le passage et
le saluent ironiquement.
I5AKDI.
S'il vous plaisait «[u'on nous banisse,
Il nous plaisait do vous revoir.
Dante entraîne liéatriie rvrs la porte de droite, mais
il se troui^e arrêté pur Doualo qui entre «iiiri de
ae8 2)arti8ans.
Lks GiRfXixs — HaiVeurs.
, Illustre Prieur de Florence,
Nous réunir nous semble doux.
Mais seulement. . . . c'est coutie vous.
D.VNTE.
Quel traître vous ouvrit ce palais t
BEATRICE.— J part.
Je frissonne. . ..
(,Sllt ^élance rers le fond de la salle en appelant)
A l'aide Au secours !
Has a riglit only to be l'orgottou!
Thy spouse, thy lover
It is I, I alone.''
BEATRICE, Sadly.
Poet, glory
With tlio tip of her wing in your memory
Will .souu cli'aie my name.
DANTE.
No! No!
To-morrow, il' llion aboudonest me
Could I siug again f
I have sought tar crowns
But to bring tlieui to thee.
Without thee my work is ended
And will have lasted bui, one day.
It is robbing rae of my gouious
To rob me of tliy love
BEATRICE, Aside, with enthusiasm.
What a joy!
To hear liim speak so,
DAN IE, approaching her.
On ray head the storm is gathering.
Every hour bring a danger.
Only tliou in the world
Can encourage me!
Thy soul of heavenly sweetness
Is one half of mil, e!
If thou must not love me
At least remain from pity
Pity
Thou willst it, let my fate to thine be linked
1 love thee. Born of the lirst day
Until the supreme hour
Our love must live.
I am thine ! I love thee-
She falls into Dante arms
SCENE \— final
BEATRICE, DANTE, BARDI, VIERI, Guklph
and Ghiuhllink Chikfs
The door to the left opens and without being seen by
Danle and Jlratricc, lost inextasy, l'ièri and his
companions en ter and remain standing on the threa-
Itold.
GHinEi.i.iXK CHIEFS, Ironically.
Dear Gonfalonier of Justice,
Deign to receive us.
Dante makes sign to lead Beatrice off, but rieri and
his partisans prevent his passage, ironicalhj salut-
ing him.
BARDI
It pleased you to banish us.
It pleases us to see you again
Dante drau-s Beatrice to the door at the right, but {«
stopped by Douato, who enters with his partisans.
The Ghibem.ixe.'S, ironically.
Illustrious Prior of Florence
It seemed sweet to us to unite.
We have made this alliance.
But solely .against you !
DANTE.
What traitor has ojiened to von this palaoeT
BEATRICE, aside.
I tremble.
She runs to the rear of the hall, crying :
Help! ....Help!....
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12 DANTE.
X^ rideau se lîve. Hardi ae dresse derant Béatriee
qui pousse un cri de terreur.
Lui
BARDI— rriK froid.
N'appelez pas! l'ersonne no doit venir.
Jl s'avance en scène.
Ceux que vons r(^claniez
Sont avec nous ou bien sont désarmes.
Guelfes i:t Gihelin.s.
La résistance est inutile.
De ton palais et du la ville
Nous sommes m.utres aujourd'hui.
DANTE — Fièrement aux deux groupes ennemis qui
Vont entouré.
Que demandez-vous doncT
HARDI — Aux partisans.
J'ai votie parole f
Tous.
Oui.
iSur iiK signe de Bardi tuns tirent leurs épée.
DAXTi:.
Assassins !
BEATRICE— .l/o7<V, à Bardi.
<irAce, grâce pour lui.
BARDI.
>'a grâce est dans vos mains.
BEATRICE.
■Que faut-il que je fassi-, f
BARDI— /)<«i;/HU«( Dante.
Pour lui la mort
Ou pour vous le couvent.
BEATRICE— DANTE.
Le couvent.
DANTE.
Béatrice,qu« je meure
Plutôt (jne te pleurer vivant !
MARDI — Fait un signe aux partisans qui sont rcn
Dante.
Alors ....
BEATRICE.
Non, je vous ou conjure. . . .
BAKDI.
Jurez donc par le ciel imjilacablo au parjure
De jeter à ce moiido iiu éternel adieu,
Et n'étant plus à moi de n'être plus qu'à Dieu.
Dante est toujours entouré par les épies
DANTE.
Ne j ure pas . . . .
Jiardifait un nouceau signe aux partisans qui s'ap-
prêtent à frapper liaitlc.
BEATRICE.
Par le ciel, je le jure. . . .
Ensembi.k.
DANTE et BEATRICE.
C'en est fait. . . .sépares sa s i)iti< , sans retour,
Nous avons devant nous 1'* tcrnelle Nouffrauee. . .
Nos l>onLeurs, Dieu jaloux te sont-ils Miuiotreiiso,
Four songer comme un crinui :\ punir tant d'amour.
BARDI.
C'en est fait, mou bonheur s'est enfui sans re-
[tour,
Uaifl je iuissans remords. D'une juste vengeance
The curtain rises, Bardi appears before Beatrice »*•
utters a cry of terror.
He! He!
h.Knni— very coldly .
Do not call. No one will come. _
He advances to tie front.
Those whom you wouhl call
Are either with us or disarmed.
GrELPHS A.ND GHIBELIJNK.S.
Resistance is useless,
Of thy palace of the city,
We are master-) to-day .
DANTE — proudly to the tiro hostile grouji» ich»
hai-e surronnùed him.
What then do you want f
BARDI — to the partisans
1 have your word Î
Yes.
All.
At a sign from Bardi all draw their swords..
DANTE.
Assassins.
BEATRICE— /ifxirfc /if/-.,f//.
Pardon, pardon fur him .
BARliI.
His pardon is in your hand».
BEATJîICE.
What must I do t
BARDI — pointing at Dante.
I'or him death. . . .
Or for you the cloister.
BEATRICE— DANTE.
The cloister.
DANTE.
Beatrice. let mo die '
Rather than to mourn thee living.
BARDI — yires a sign to the partisans who advance «
step towards Dante.
Then .
BEATRICE.
No, I beseech you.
BARDI.
Swear then by heaven, uupardoninc to perjurj.
To say an eternal firewcll to this man,
And being no lontrer mine to belong only to God.
Dante is always surrounded bv «irorrf».
DANTE.
Do not swear.
Bardi repeats his sign to the partisans who prepare
to strike Dante.
BEATRICE.
By heaven, I swear it.
TotiETIIEK.
DANTE AND BEATRICE.
'Tis done. Separated without ]>ity or return,
We have before ns eternal snflerings
Our hapjiiness. jealous Cod, is it an offense toyom
To punish so much love like a crime.
BARDI.
'Tis done, my happiness has flown without re-
[luru,
But I am without remome uf a just vengeance,
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O
Q
ACT II. §
•
A hall iu the jiahice, lighted Ijy immense bay windows ; in the .
back grouud a rich tapestiy haugiug. Doors on both sides. Table Bj
and seats. Uardi, seated, is reading S(mie docnineuts. He deplores T
tile measure» t.ikeu by Dante iu sending in e\liile the leaders of the £
rival ])artie» who have made ajipeal to Lbailes, brother of the king 'jj
of France, but what incenses him nioie is that he has understood P
Beatrice's words anil sees that she loves Dante. Enters (Jeinnia who ^
comes to beg Bardi to give back her woid to Ueairiee, who loves m*
' Dante since, liardi declare-^ that he will not give her np and shall S
win her love back. Kather give her u\< and pardon her, says Gem-
• nia, — Von. then, do not know what is Love! says Barili. — Gemma Q_
a iheii cimfesses that she also snti'crs fiom unrequiitcd love, for she "
3 loves Dante, but knowing that Dan(e can be made hapjiy only by m,
^ Beatrice's luve, she kee]>s her love secret. 'Ihey depart and lieatrice TH
g who has heard all from behind the tapestry hangings enleis. Like P
o< lier friend Gemma, she is leady to sacrifice her love to Dante's hap- 2<
■ ()iiies8, when the latter enters, bhe tel s him that she is here to bid Pi
Uim a last adieu, but Dante declares that he cann it live without *
lie , and that without the inspiration other love his genius will die P
mil he shall fo.sake ]ioutry. Moved liy so much love Beatrice P
t'.ills ill Dame's arms. In their extase they have not seen enter ^^
Hardi and the Gibelins 'eaders whom Daute has banished. They ^
come to avenge themselves, and tiardi exacts from Beatrice that she ^
shall give up Dante and swear to enter a convent or else she will (D
see him slain before her. In spite of Dante's gen nms devotion in •
declaring that he would rather die than see her thus buried alive
Beatrice swear to enter a convent, and Dante's life is spared bu he
is e-N-iled iu his turn as he had exiled the Gibelins. |Dante th.eateu
to have them punished as soon as he is let free, but at the same
moment are.heard trumpe s announcing the entrance of (Jharles of u
Valois in Florence, unil heralds iiroclaim Dante's banishment. ^H
OBi
ACT 111.
The stage represents the grave of the ]ioet Virgil, shaded by laurel
tiees in lull bloom. Near th.- grave is a moss-eovered r.iek, used as
a seat. At the rising of the cm lain are seen gracefully groujied
shepher.is and women bearing sheaves of whe.it. Young men and
young girls, dance in yroujis and form a charming iiictiire. They
are about to leave the stage, when enter a {jioup of siiidents who
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DANTE.
13
J'aurais vu leur ivresse insulter ma souffrance,
Et trahi sans pitié je les irappe à mon tour.
Guelfes et Gibelins.
C'en est fait, il n'est plus notre maître d'un jour.
Sa grandeur est finie et la uAtre commence ;
Il perdra son orgueil en perdant sou amour.
BABDI.
Maintenant vous jjouvez remettre
Amis, votre épée au fourreau.
A Dante) Vous êtes libre, maître.
DANTE.
Ah ! fais donc jusqu'au bout ton métier de bour-
{aux partisanx) [reau.
Vous êtes insensés de me laisser la vie.
Ici je suis encore puissant.
Et de tout votre sang,
Infâmes, vous paierez sa tendresse ravie.
Sires ironiques des partisans.
Chœur.
Puissant encore tu le crois. Ah .... Ali ....
BARDI.
Entends-tu cette rumeur ijui graudit et qui
[monte f
DANTE ,
Qu'est-ce donc f
Bardi s'est avancé à la croisée et a regardé dehors.
BARDI.
Charles de Vallois est entré dans Florence.
DA'JTE.
O l'effroyable honte. . . .
NoureUes rumeurs plus fortes. Trompettes. Je-
clamations.
BARDI.
Ecoute encore, c'est son premier édit
Qu'on proclame et qu'on applaudit.
Trompettes.
La Voix du Hérault.
"Au nom du Roi de France, notre frère.
Et par licence du Saint Phre,
Qui nous fait son représentant.
Nous, Charles de Valois enjoignons qu'à, l'instant
Dante Alighieri soit banni de la ville.
Et ne puisse v rentrer sous peine de la mort."
DANTE.
Proscrit! Je suis proscrit
Guelfes et Gibelins, railleurs.
Dès qu'on est le plus fort on exile,
C'est vous, Seigneur, qui noua l'avez appris.
DANTE.
Misérables ....
Béatrice est sortie de son accablement et chancelante
elle se dirige vers Dante.
BEATRICE.
Dante. . ..
Les partisatis tout en riant se retirent peu. à peu ifii
fond de la salle en répétant le chœur.
DANTE, à mi-voix à Beatrice.
Tu l'as compris.
Par la force arrachée une promesse est vaine.
Si loin qne le destin m'entraîne
Tn me suivras fidèle à nos amours .
BEATRICE.
Vous suivre.... J'ai juré, Dante, adieu pour
[toujours.
Should I bave seen their joy insult my suffering»
And, betrayed without pity, I strike them in my
[turn .
GUELPHS AND QhIBEI.LINES.
'Tis done, he is no longer our master of a day.
His greatness is ended and ours commences,
Feeble heart, which foolishly dreamed of power;
He will lose hi» pride, losing his love.
BARDI.
Now you may return
Friends, your swords to their scabbards.
( To Dante.) You are free, master.
DANTE.
Oh ! Do to the end thy work executioner !
{To the Partisans .) Vou are insane to let me live,
Here I am still powerful
And with all your blood
Infamous men, you shall pay my lost love.
Tie partisans laugh ironically.
Choru.s.
Still i)owerful ! Thou believest it ! Ah ! Ah !
r.ARDI.
Doest hear this noise increasing and rising.
DANTE.
What is it then ?
Bardi advnntcs to the window and looks out.
BARDI.
Charles de Valois has entered Florence.
DANTE.
Oh, the frightful shame.
yew cries and acclamations, louder.
BARDI.
Listen still, it is his first edict
Which is proclaimed and applauded.
Trumpets.
The Voice of the Herald.
"In the name of the Kingof France, our brother,
And by authority of the Holy See
Who creates us his representative
We, Charles of Valois, enjoin that instantly
Dante Alighieri be banished from the city
Not to reenter it under puin of death !"
DANTE.
Proscribed, I am proscribed.
Guelphs and Ghibelline.s — ironically.
As soon as one is the strongest, one exiles,
It is yon, my Lord, who have taught us that.
DANTE,
You curs !
Beatrice has recovered and staggers towards Dante.
BEATRICE.
Dante.
The partisans, while laughtng retire gradually to the
hall, repeating the chorus.
DANTE — in a loto voice to Beatrice.
Thou hast understood,
A promise wrung by force is null.
However far destiny may bring me
Thou wilt follow me, faithful to our love.
BEATRICE. *
Follow you! I have sworn ! Dante, farewell for-
[evac !
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144 GRAVIER STREET,
Bet. St. Charles and Oanip.
New Orleans.
14
DANTE,
DANTE.
Adieu mes amours.
GuKLFES et Gibelins, BARDI.
C'en est fait etc.
Fin du Deuxième Acte.
ACTE m.
Le théfitre représente le tombeau de Virgile.
Tout-à-fait à gauche du spectateur, uu tom- ■
Taeau ombraj;é par de grands lauriers roses.
Près du tombeau, uu bloc do rocher couvert
de mousse formant uu siège. Au lever du
rideau, grouiies divers de Pasteurs et des
femmes portant des gerbes de blé. Des
jeunes gens et des jeunes liUes daussent et
"formeut un tableau tris gracieux et très
animé.
Ballet.
SCENE II.
ir.N- ViELLARD. CHŒUK.
Le Vieillari>.
Partons, enfants. Déjà grandit sur la montagne
L'ombre du Pausilippe au déclin du soleil.
Voici la tin du jour, il est temps ijn'on regague
La chaume où nous attend le bienfaisant som-
[meil .
Ensemble.
Voici la tin du jour. . . . etc.
Le Vieillard.
Par le sentier de la montagne
Je vois monter vers nous deux jeunes (-avaliers.
Ce sont des écoliers
Qui viennent de la ville
Au toml)eau de celui qu'ils appellent Virgile.
Jintrent les écoliern qui portent des palmes et des
eouroiines. Ils vont se ranyer de vhaqiw côté de
la tombe.
SCENE IV.
ODE A VIRGILE.
Ecoliers, Pays-vks.
Vu Ecolier.
O maître, dont la gloiie eni)dit tout l'univers,
Et dons la ci ndre ici repose,
La paisilile demeure où nous bercent tes vers,
Demain pour nous doit f'tro close.
Lks Ecolieks.
Demain pour nous doit être close.
Vs Ecolie:i.
Mais le temps plein do toi ne peut être oublié.
Et ton œuvre est notre Evangile.
Dans uu conunnu accord, scellant noue amitié,
Nous restons frères en Virgile.
Les Ecolier».
Nous restons frères en Virgile.
Un Ecolier.
O doux pasteurs,
Garilieunes des troupeaux,
Semeurs de la moisson doréa
Il disait vos labeurs
En sa langue sacrée,
Ainsi que nous honorez son repos.
DANTE.
Farewell niy love.
GUELPHS AND GlIIBELLlNES, BARDI .
'Tis doue, etc.
End 0/ the Second Act.
ACT III.
The theatre represents the tomb of Virgil. To
the left of the spectator, a tomb shaded by
great red laurel trees. Near the grave, »
rock covered with moss forming a seat.
When the curtain rises divers groups of
shcjiherds and women carrying sheafs of
grain. Young men and girls dance and form
an animated and pleasing tableau.
Ballet.
SCENE II.
Ax Old Man. Chorus.
Old Man.
Let us go, children,
.\lreadj lengthens on the mountain
Thesliado of Pausilippe as the sun sinks.
The close of day is here, it is time to return
To our huts, where beneficent sleep awaits us.
Together.
The close of day is here, etc.
Old Man.
By the mountain path
I see young cavaliers coming towards us.
They are students
Coming from the city
To the tomb of him they call Virgil.
The students en ter carrijinii jialms and crowns. Theif
yrotip themselros on cither side of the tomb.
SCENE IV.
ODE TO VIKGIL.
Studknt.i. Pea.sants.
A Sti'DKXt.
oh, nnister, whose glory tills the universe,
And whoso ashes hero repose
The peaceful dwelling where thy verses inspired
Is to be closed to us to-mono w. [us,
Students.
Is to be closed to us to-morrow.
A Student.
But the time spent with thee cannot be forgotten.
And thy work is our gospel,
In a common accord, sealing our friendship
We remain brothers in Virgil.'
Students.
We remain brotliers in Virgil.
A Student.
Oh gentle shepherds.
Guardians of the lusrds,
Sowers of the golden harvests
He sang your labors
In his sacred ttmgue
Like us, honor his repose.
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Formerly with Vonderbanck. Formerly With Kodwitz Saloon.
Froprietors.
^ ROYAL RESTAURANT A
59 .ST. CHARLES STREET,
NEW ORLEANS, LA.
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The best of a bountiful marlc<'t will be served in
t!ie best style. The i)roprietors have had ex-
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can give entire satisfaction.
L^We remain 02)en until after the French
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Regular Breakfast, 50 cents
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BOARDERS TAKEN by the MONTH.
mPEîîEiEiiED lîîEwii. m m millidï crain!'
Louisiana State Lotteiy Company
I'iicm'i>oi"it('i| by tiio Le.uislature lor l'.ducatioiial au'l (.'h.inuible ]mriios«s. ami ils fiauL'hise
œade a part of the i>reseut state Constitution, in l'Un, b.y imUVEivWHEL.MlXU VOl'ULAK VOTE.
TO CONTINUE UNTIL JANUARY 1, 18î>5.
Its GRAND EXTRAOKDINARY DRAWINGS tafee place Semi-annuallv f Jiiiie ami Dec«ml>er)
iind its GRAND SINGLE NUMBER DRAWINGS take pbice in earli of th.*(»tlier ten nuaitiis of
the year, and are all drawn in public, at the Academy of Music, New OrleaB«>. La.
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ineut of Prizes, Attested as follows :
"We do hereliy certify that we supervise the arrange-
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Louisiana State Lottery Comjiany, and in person niauage aud •-■ ^ Ti^^^
control the Drawings themselves, and that the same are con-
ducted with honesty, fairness and in good faith toward all par-
ties, and we authorize the Company to use this certificate witli
fac similes of otir signatures attached, in its advertisements."
C 0.n.7tIASi ~.\ EKS.
We tlie undersigned Banks and Bankers will pay all Prizes drawn in the Louisiana Stat»
Lotteries, which may be presented at our counters.
R. M. WALMSLEY, Près. La. Nat'I Bank. P. LAXAUX, Près. State Nafl Bank.
A. BALDWIN, Pre. N.O. Nat'I Bank. CARL KOHN, President Union Nat itoal Bank.
WILL TAKE rL.\CK AT THE
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NEW ORLEANS, TUESDAY, DECHMBEK 16, 1S90.
CAPITAL PRIZE, - - $600,000
100,000 Tickets at .$40; Halves .«;:iO ; Quarters $10; Eighths $5; Twentieths AL'; Fortieths %\.
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1 Prize of $600,000 is ÇiW^OOO
1 Prize of 200,000 is '.'00,000
1 Prize of 100,000 is 100,(X)0
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999 Prizes of 200 arc $199,S00
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We pay all charges on Orders» of Five Dollars and upwards.
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ATTENTION.— The present charter of the Louisiana State Lottery Coui])any, which i»
part of the Con.stitntion of the State, and l>y decision of the Supreme Court of the United States, i"
an inviolable contract between thr .State and the Lottery Companv, will remain in force under any
circumstaucesPlVE YEARS LONOEK, UNTIL 185)0.
The Louisiana Legislature, which ,-<djouined .Inly lOtli, voteil by two-thirds m.ijority in each
]lo\i8e, to let the people decide at an elect io", whether the I.otterv shall idutinui' from IXC» until
1919. The general impression is that PEOPLE WILL FAVOK CONTIN T.-VNCE.
GEORGE iAiMGNER.
■!l
-DEALER IN-
SIGN OF THE RED BOOT.
Cor. Dauphiae & TJrsulines Sts.,
New Orleans.
DANNIE,
15,
LKa Ecoliers.
Aiusi quo nous etc.
I'ASTEfKS.
Hotorons son repus.
Zes e'colien déposent leurs ptilmcs snr Ic fovibraa et
les pii»tews viennent à tour de rôle en s^lnclitUtint
placer dus Jlearn et des épu.
Un EcoLiEit.
O niiiltreAjnt le uoni ne peut ètro ouljlié.
Oui ton ttaivie est uotre Evnugile.
ÏOUS LKS ECOLIEBS.
JDasB un commun amour scellant notre amitié.
Nous restotts frères en Virgile.
Le VlElLLAKI).
Piirtons enfants, voici la fin ilu jour.
VlELLAHl) et Chœlk.
Voici la tin du .jour etc.
Tous s'éloignent peu à peu.
SCENE V.
Dante apparaît, revitu du co-stume liistorirufe.
Il s'avance somlire, la tète inclinée sur la
poitrine. Le jour baisse de plus en plus.
D.WTE.
Encore un jour i|iii tombe
Dans le gouHie infini,
Sans laisser un rayon sur le front du banni.
Oîi donc est Béatrice If A l'heure oil je succombe
N'a-t-elle pas perdu jusqu'à uiou souvenir ?
A ree a eeah lent en t.
Je suis si triste et las qu'il me faut une tombe
Pour ([u'un peu de repos me puisse encor venir.
Il s'ajiproehedit luniheiiii.
O maître, lève- toi, dans l'ombre oîi je me penche.
Couronné de lauriers.. . Dans ta tunique blanche
Dicte-moi le poème idéal et rêvé ;
Gloire et bonheur j'aurai tout retrouvé.
Jl ra n'asseoir sur h- roeher voisin de la tombe. La
nuit rient peu à peu.
Folio chimère !
Mai.s je me sens ii(c-al)lé. . . . Ma ])aupi(Te
.S'abais.se. . . . nu voile est sur mes yeu.x.
AU! soi.ç béni .sonnneil (|Ui de la vie amère
Doit me faire oublieux.
LE HEVE DU DANl'E.— PREMIERE PARTI !•:.
L'ENFER.
.\l>I'ARITION DE VinGlI.E.
JJante s'endort. — La nuit eut tout à fait venue. —
Lente nu-ut la pierre dit, tombeau se sou 1ère. —
Cunronnc de lauriers, retu d'une lonijue rvhe
blanche, Virgile apparaît, ecluirii-2)ar un rayon
de lune.
\"IR(jILE, parlant à Dante endormi.
Dante, c'est cliose bien fragile
yue le bonheur humain
Le tien va se briser
Mais la iluso est lidele et viendra t'apaiser.
Dante a tressailli, il ourre à demi Us yeux, il aper-
çoit l'ombre et essaie de se lever. Mais l'ombre
étend la main et le poète retombe, ses yeux se fer.
ment de nouveau.
DANTE.
Virgile ! ■
Students.
Like us, etc.
Shepherds.
Let us honor his repose.
Tim students deposit the palms on the //rave and the
shepherds one by one deposit Jtowers or ears of
eorn .
A .Student.
Oh master, whose luime cannot be forgotten.
Yes, thy work is our gosi)el.
All the Students.
ÏU a common love sealing our frieudsliiji,
We remain brothers in Virgil.
Old Man.
Let u» go, children. The close of day is here.
OldManand Choius.
The close of day is here, etc .
All (JO out yradualUj
SCENE V.
Dante appeals, clothed in the historic co.stume.
He advances sad, the head inclined on his
breast. The daylight disapjiears gradually.
DANTE-
Another day which falls
Into the intiuitc abyss
Without leaving a ray on the forehead of the
[banished one.
Where is Beatrice ? At the hour of my fall
Is she not lost even to my memory ?
IV'ith despair.
I am Bo sad and tired that I must find a tomb
to enjoy a little repose.
lie adranees to the tomb.
Oh master, rise, in the shadow in which I bow,
Crowned with laurels, in thy white tunic
Dictate to me the dreamed and ideal poem,
Glory and happiness, I shall have fouud all again.
He sita down on the roek near the tomb. Xif/ht falls
(jraduallij.
Foolish fancy !
But I feel prostrated. . . . Jly eyelids
Fall. . . .a veil is over my eyes.
Ah! be blessed, sleep, which of bitter life
Makes me forgetful .
DANTE'S DREAM— FIRST PART.
HELL.
Apparition oe Vntcii..
Dante falls asleep . It is fully niqht . Slowly the
ifravefttone is lifted. Laurel-rvowned, elothedin.
alunij white robe, Virijit <ip/irars, illuminated
by a ray of the moon.
VIRGIL, speakiny tosleepimi Dante.
Dante, it is a very brittle thing
Human happinens
Thine will be liroken.
But the Muse is f.;ithl'ul and will come to console
[thee.
Dante has shuddered, he half opens his eyes andper-
eeiring the shade trie» to vine. But the shade ex-
tends his hands and the poet falls baek, his ey€$
closiny atjain.
DANTE.
Virgil !
Teinturerie Parisienne.
JULES FAUCONNIER
117 EUE ROYALE, entre Orléans et Ste Anne.
Teinture et Nettoyage à Neuf des Costumes (hommes, dames, enfants, sans rien
découdre) nouveau système perfectionné de Paris.
30
Blankets cleaned by Snlpltur Process.
BAISTE.
\ » A'IRGILE.
Avant que de tes jours sVteigno le flainlieau,
! Je veux que ton œuvre «'.achève,
Kt s'il est le pln.s sombre, il sera le ])lu8 beau.
Visiteen ton sommeil, dont.je };"i<le le rêve
Le monde où l'on no vaqn'cnsortautdn tombean.
Dante, jo veux que ton œuvre s'achève.
La NriT.
I'll i-iiliiiii ih- iiiiar]es se lîrr U'iitcniinl lirrriirf rii.r.
DANTE.
L.T. nuit! L'horrible nuit!
Lee nuafies montent toujoim. Il refiaide dans le ride
arec une ej:pression d'effro^..
Ces longs eris de souffranee. . . .
Et tes mots que je vois traces : ' Vous qui venez
[i'-i.
Laissez toute espérance. '
Chœur des Damnis.
Le rideau de vnages a confinné «on tiKeennion et a
diupani. (In a]ierçoH l'enfer. Carer'nes mim-
hre» dont les ronle» ont par instants des effets
sanfilante. Derrih-e des b toes de roehers noirs,
(irouiltent et se tordent des ombres confuses.
Des Damnes.
Toujours J.onjours
< > donletirs .sans trêve ;
<!hi"itiment suus recou's.
l'n cri s'élève
Des enfers S(nirds,
Maudits toujours.
DANTK.
L'enfer {arec terreur. ) Non .... non ....
11 cache son risaqe dans ses mains rum nie jiniir erlmji.
per an terrililc spectacle.
Damnes.
Ah,...
VITîdlI.K.
Niim Ills, poursuit ton rêve.
.\rr.\urrioN i>'i(;iii.i v.
DANl'E.
r ii'nii ces malheureux.
Il en est un plus somlxe et )>ln.s farouche.
.\!i ! c'est alî'reux. . . .
Du sail','..., à sus mains. . .. à sa bouche. .
VlKtJILP:.
I'll supjilico sans lin
Chàlie un crime sans exemple,
Celui (|ue loti effroi coiitem])lo
Est l'hoiunic ijui luoiiriit dans la tour de la faim.
DANTE.
l'golill ....
VIUC.ILE.
Loin de nous cncor, sombre, sinistre immense,
.Sillonné par instant
De livides éclairs, nu nuage s'étenil
Kt grandit el s'avance.
TOl.llUULLON INEEKN VI..
Damnes.
.All!
DANTE.
Oui l'air gronde et mugit coiiimi' la mer
A riicure des tempêtes.
VIUGIL.
Before the light of thy days shall be estingnislied
1 want thy work to bo aceomiilished, [forever.
And if the darkest it shall be the most beautiful
Visit in thy sleep, the drcant of which I guide.
The world where uoue go but after leaving their
[tombs.
D.inte T will that thy work be aecomplLshed.
Ni(;iir.
.1 riirttiin of clouds ri.ies slowli/ behind them.
DANTE.
The night ! The horriblo night 1
The clouds continue to rise, he looks into space irilh
an expression of terror in his face.
The.sc long cries of distress,
.\nd these words I see traced . "You who come
[here leave hope behind."
CnoRr.s (u- rnr. Damned.
The curtain of clouds eontinnes its ascension and has
di»appeured . Hell is si en . Darlne.is invades the
ranlls irhirh inomeutnriln ijire bloodi/ reflec-
tions. Jleliind the black rocks confused shades
roll and crawl .
DAMXi<;r>.
Always ! .\lw;iys !
Oh pain without end,
runishiucMit without ri'ccuirse.
A cry I iscs
I'roui the deaf hells
Cur.scd forever.
DANTi:,
Hell {with terror) Su. no I
//c hides his face in his hands as if tii eseupe from the
horrible spectacle.
i)\MXKl>,
Ah :
VIRC.IL.
My sou, pursue thy dicini.
Al'I'ARlTIllN- OK U(iill.l\.
DANTK.
Among these unfortunates.
There is one more somber and more troubled.
All ! This is awful,
Hlood ... oil his hands. .. . on his moulli,
VIliClL.
A torture without end
I'linislies a crime without exaiiqih-.
The one at whom thy terror looks.
Is the one who died in the Tower of Starv ition,
DANTE.
I'goliii !
VIUOII..
Far from us .still, somber, sinister, immense,
.Sometimes t ra versed
Hy livid lightning, a cloud spreads
And becomes l.irger anil aUvauces.
IXEESNAI; TEMPEST.
Damnkii.
Ah !
DANTE.
Yes, the air rumbles and roars like the soi
lu the hour of storms.
THEATRICAL COSTUMEE
Costumes for Private Theatricals,
Operas, Tableaux, Soirées,
Parades and Masquerade Balls.
DoHiiiK)cs, Masks, Koses,
Wigs and Beards to hire.
47 & 49 BOURBON STREET.
Cor. Bienyille. NEW ORLEANS, LA.
No. ,29 Royal Street, New Orleans, La.
-AGENT FOR THE-
Iriberly Irisarariee Eempariy,*
^"^ OF NEW YORK. ^ ^
Cash ■ -.pital, $800,000 dO. Total Assets, S1,377,6S2 49-
f^Losse. >!iid promptly in cash as soon as adjusted.
Insurers would do well to call on the Liberty before contracting
elsewhere.
That breatlies upon a bed of Violets,
Stealing* and g-iving* odor.
The most delightful perfumes made and by thtir delicacy and
lasting fragrance reminding one of the Sunny South.
SWEET SOUTH,
EDEN BOUQUET.
LTS DES INCAS.
MANDAEIN OEANGE BLOOM,
IMPERIAL PINK,
DOUSSAN VIOLET,
PICCIOLA,
JAPAN HYACINTH
LOUISIANA MAGNOLIA
ORIENTAL ROSE
ROUSSEL ROSE,
PERSIAN heliotrope;
For sale by all Druggists, and
Doussan French Perfumery
COMPANY,
46 CHARTRES ST., New Orle ans
LOUIS A.ICA.Rr>I,
mj.
fonfeetionary, fee Jream and ■gysteF galoon,
^è^^ L. I QUO R s .::^^ê^
Cor. lioijal and Frenchmen Street, o2)2fosite Wasliington Square.
Peace Makers from 15 Cents Up>
i
DANTE. ( Cautiléue.) Concluded.
\M ^ — »-
^ g
-**-i
ceurs q' un chant d'à - mour d d'es-pé- ra/i - ce de vrait mon-
that songs of love and hope sliould a -
-1 f P^ -I 1 .s"?"
|N 1 1 --r
s, — r^ -^
.S-1 ~ > -.-^
9^
r*--
:]^
2252=^
g? .
-p-1;
"!»-:
"^i^'
•t 1 J
Lrt
^
5r
H^— t^
/cr, mon- ter de tous les cœurs;
rise, from all hearts;
Le ciel est si bleu sur Flo -
The heavens are so blue above Flo -
: I
ren - ce q'unchant d'amour ... .
reuce that sonsrs of love
et d' es -pi'- ran - ce De-vrait mon-
and hope should u -
5?=S=z±3
^
rail.
'w» -»•»» w»^
3cfc
-^ — =1-
rall.
È
i
m
-« — =1-
ier de tous les cœurs.
rise from all hearts.
O". IDrJ33
c
^
(1)
CO
>
QD
c
1 o
o
-♦-•
*DD
<D
c:
-4-»
Q.
«
D.
«s
-C
o
œ
Q.
o
C/5
ULtclXOTT
s-«r
STEAMSHIPS, SHIPS, STEAM150ATS SUPPLIED WITH
AM> EVERYTHING THE MARKET AFFORDS.
i
-o
> <
m m
314 ST. CHARLES AVENTJE, Corner CLIO.
MmesGODIN & MARTINET,
s UCO ESSORS TO Mme GOILARD.
^KOIIEwS & CONFECTIONS,^
No. 17 BOURBON STREET, near Canal.
J. B. VINET,
PLATED WARE
MD HOUSE FURNISHING GOODS,
168 Canal St. NiiW OKHiâNis.
lib.
90
5 lbs.
$3.75
CANDY Exp. Paid I
GILL, 142& F. Street, Washington D. C.
—IMPORTER OF—
lea.tii:ejjeis ^jsrn FiNuiNas,
— AKD MANUFACTURER OF—
BOOT AISTJD SHOE TJT>I>ER©.
198 P0YDEA8 STREET, NEW ORLEANS.
p. O. Bos 219.— Telephone 1134.
MERCAUTILE!
SHORT HAND
AXD
TYPE-WRITING Office
Miss A. A. McNALLY,
Boom 35, 3d Floor, Equitable Bnihliug
182 GRAVIER ST.,ct»r. Carondelet
Elevator in BuiUUuj; NEW ORLEANS, LA.
Ail Uinds of ('opying Kscoiited with Neatness,
Promptnesa and l^ispjitcli.
Papils lapitUv Qiialilieil in Tînth liranclies
at KEASONAIiLE TRICES.
ELECTRICITY IS LIFE !
DrlCSPRIl'S
Wonderful Electric Belts,
"Write for Descriptive Pamplilet,
— TO-
l)r, J. C. ^5PRING, Hot Springs, Ark.
OK TO
M. O. SPRING,
raotory , 109 Gravier Street
New Orleans, La.
General Job Work^
iDumbered Tickets f*^
J. B. Gfi]VIERO]C,
131 POYDRflS ST.,
fiet. Camp and St. Chafles,
flEW ORLEANS.
MRS. M. PFISTER,
fflilllnery and Dress Making,
596 MAGAZINE STREET,
Bet. .losephine & St. Andrew, New Orleans.
PARISACCORDION PLEATING DONE
f^Every Quality, Color and Texture
of Goods Pleated.
UPHOLSTERER,
Furniture Repai ed
VARNISHED, PACKED or MO /ED.
MATTRESSES
Renovated and Made to Order.
Loose Covers Cut, Carpets and
Matting Laid, Carpets taken up,
Cleaned and Renovated.
245 Josephine Street, near Camp.
NKW OliLK.ANS.
Orders Ijy iiiiiil iiiDiiiptly attoiulod to.
Gouaux's Asthma Remedies
GU.VUANTEED.
List of persons, in New Orleans, having nsed
(iouaux's Asthma Koniedics and who are
willing to give any iulornuitiou desired.
Leon Levy, of <!l,ind(it & Levy, Cor. Chartres
and St. J>(uiis Streets.
(}. TiijaKUo, 2i;{ Decatur, corner Bnmaine.
Maj. Leon Qneyronze, 17 St. Lonis Street.
.1. i.assalle, 11« Vill.Te Street. ,
Mrs. Tiilly, ôl5 Oanphine Street.
Cyrns W. Keyner, Sii^ar Helinery.
K. I'arnientel, Duniaiiie and Claihorno.
.\njr. Daliezies, Ml Toiilonse Street.
Mrs. \\ )\iiliard, IjO St. Charles Avenne.
.Mine Lewis, Sill Canal and Prieur.
M. Ileineniann, Wliole.sale Shoe Store, Canal .St.
Lsaac Schwartz, 202 Haronno Street.
Miss MaKsie Kyan, 111* «tli .St. Cor. Constance.
A. G. Lastrapes, 28 Magazine Street.
ETC., ETC., ETC.
tyWritc for free samples and boo'- to F.
GOirAUX, Hoiima, La.
Wiifii g"'"g :""l VL'tuiiiitig t'loin tlic ()]>('r;i, STOP At' ÏIIE
119 CUSTOMHOUSE ST-
OPEN DAY AND NIGHT.
VINCENT DEL VALLE, Proprietor.
Dante. ( Romance.)
Aivlanlt tranquille.
BQathce
^^ — ' ^^ — — ■
* ^^ ^_ m—^»
W^^ f -^
(leur A
Spring In
^ ' — ^ : >- -s
L'om - bre de ta re - nom -
the rays of your glo - ry,. . .
m 9 J ■ 1 ^ 1 1,"1
A\ r^^ r^ 1 ■'■^■^ — r"'*^
P^^^9 ^w^^^t^ &«-
3=«-t3 »-*îJE^FiE,p5fc-i~^
^^=r-^-- r- T^^ ^—
feJ. J.
^'-^ ^ \
-U .t^, J
rb-^m-T-
=?=:;
* *
B
W
$
■^*-^t^
g=F
=gr:f=
An -
oth
<;¥ cfls - che
er woman will lire.
3Ï^
3^
*=«:
^^
w-
^s^f-^-t
-If ««J
^
=5ri
-r^
-• -*
•\7V3va:.
Importer and Dealer in FOREIGN & DOMESTIC BIRDS,
'«> monkeys and all kinds of t^are Animais. «
ENGLISU 1 ANCY CANAKIKS A SPECIALTY.
SOLE AGEST for MACKLET BBOS., yOBWICn, E.
All kinds of FanrTSinsini; Tiiiila, (lolil Fish, GloliM. Small and Largo Allisator» Fine Talkine
I'anots All kiilis of lii.i lood an.l Seeds. A lar-e raiiety of JJiiil Ca-e^i constantly on hand.
47 CHARTRES STREET, New Orleans, La.
PriBCioal Store, 133 LÎBEBTY STKEET, MEW YOltK.
DANTE.
17
Damnks.
Ah!
VIRGILE.
Cost le touibillou rouluut sur nos tfites,
Meurtris, éiierdus.
Ceux fjui par la chair out (lié perdus !
Damnes.
Ah! Ah !
DANTE.
Ces cris de rage et de douleur
Ah! maître défeuds-moi j'ai peur!
Virgile Vapaise du génie.
Damnes.
Toujours.
DANTE.
Uu soulHe moins hnilaut effleure mou visage.
AiTAKiTioN un Paolo kt Fkajjcesca.
VIRGILE.
Deux êtres vont l;\-ljas, se tenant eiiibrassés,
Si pilles et si beaux <iu'ou dirait le passage
De colomiu's volant vers les uids délaissés
Et si tu veux savoir de ([uel nom sur la terre
Ou les nommait naguère
Et quel «rime, eu eux est puni,
Va demander à Rimini !
DANTE.
Taolo ! 1 raucesca ! Dieu !
l'ut ehimi'ur déchirante d'angoisse et de douleur s'é-
lève. Les carêmes sont incendiées par mie im-
mense lueur ronge. Un ange se dresse, tenant
une torche fiambo liante qu'il necoue sur les nuiu-
dit«.
Damnes.
PititS ! Grâce ! Le feu !
?lti de la première partie du rêve.
SECONDE PARTIE DU REVE DE DANTE-
LE CIEL.
Divines Clautes.
VIRGILE.
Du goiitVre oîi le maudit se tord sous l'anathftme,
CJue ton esprit s'envole au séjour bienheureux,
.>^éiour hélas l'ermé à ceux
Qui n'ont pas. conmic moi, reçu l'eau du
[baptCmo.
DANTE.
Les merveilleux concerts.
Aux lèvres duu mortel
(,>url liyinnc jamais 011» ces douceurs étranges?
La voix lies anges ; le ciel
Je vois le ciel.
CiKEi'ii Celeste.
Gloire h celui qui rayoïiuo
D'inelVable splendeur.
Vous ipiil récompense ou jiardonne.
Ames des bienheureux allez vers le Seigneur.
Gloire au Dieu juste, au Dieu bon.
Gloire au Dieu sauveur.
Ari'AHITION DE Be.\tkice.
lUiATRICE.
,Te vais dans l'aznre sans voiles,
Oil les anges de leurs malus
Reeenillent les pleurs humains
Pour les changer on étoiles.
AU!
Damned.
VIRGIL.
It is the teniiiest rolling over our heads.
Crushed^ desperate,
Those who by flesh have been lost.
Damned.
Ah! Ah!
DANTE.
These cries of rage and sufleriug.
Ah, master defend me. ... I am afraid.
Virgil tnniijuillizcs him bg a sign.
Damned.
Forever !
DANTE.
A less burning breath brnslies my face.
AiU'AKiTioN oE Paolo and Fuance.sca
VIRGIL.
Two beings walk down there, holding each other
[embraced,
So pale and so beautiful, one would say the pas-
Of doves tlying to abandoned nests, [sago
And if thou wilt know by what name whih> on
They were cal'ed, [earth
And what crime is punished iu tlu'in
Ask it at Uiniiui.
DANTE.
Paolo ! Fraucesca ! (iod !
.1 heartrending clamor of anguish and pain rises.
The carerns are huriied bg an immense red light.
.In angel rises holding a flaming torch, irhilc he
shakes over the accursed.
Damned.
Pity ! Pardon ! The tire !
The angel with the bnruiug sword !
End of the First l'art of the J>reaiii.
SECOND PART OF DANTE'S DREAM,
HEAVEN.
Divine Light.
VIRGIL.
I'rom the abyss where the aecursed writhes un-
[der the anathema.
Let thy spirit fly up to the realms of the blessed,
A sojourn, alas, clo.sed to those
Who, like me, have not receive il the water of
[liaptisni.
DANTE.
Miraculous Concerts!
From the lips of a mortal,
What liyinn had ever sni-h strange softness,.
Tlie voice of I lie angels, heaven — ,
1 see heaven !
Celestial Ciiours.
Gli'ry to him who shine,-»
With inciMuparable S])lendor !
You, whom ho rewards or pardons,
.^ouls of the bles.sed, go to the Lord.
Glory to tlui j nst God ! to the good God f
Glory to God the Savior!
.\ri'.vmTiox OE Beatkice.
ISK.VI'KICE.
1 go to the azure withcmt sails.
Where tlie augels with their haud-s
(iather the human tears
To change them into stars.
Saloon, Grocery, Wines, Liquors and Feed Store,
CORNER N. RAMPART & FRENCHMEN STREETS.
Feed Store 469 North Rampart Street.
Warehouses: 142 & 144 Elysian Fields and 514 aud 516 St. Chiude Street.
Telephone No. 508. Goods delivered free of charge.
JOHN JACOBS Proprietor.
18
DANTE.
DANTE.
La voix de Beatrice aux célestes chemins.
C'HŒiK Des Ancks.
Gloire à celui qui rayonne !
BEATRICE.
Si la tâche n'est pas finie
Que doit remplir le l)icn-aim<5,
Le Maître sera désarme
Par sa constance et son génie
Et nous serons réunis au séjour d'adieux
D'allégre.s.'-e infinie
Et d'éternel amour.
DANTE.
Béatrice! Entends-moi !
CH(Etl!.
Gloire à celui qui rayonne.
Zavoix liimineuse s'tleint. Le rideau de nuages re-
monte, r obacurcité envaliit dt noureaii la scène.
DANTE.
Ah, plus rien ! Dans l'espace
Tout se tait ! Tout s'etiace,
Tout est noir
Oui ! tu l'as dit Béatrice
Je pourrai te revoir.
Fin du troisième acte et du rêve de Dante.
ACTE IV.
Même décore qu'à l'acte précédent. Au lever du
rideau Dante est toujours endormi prés du
tombeau de Virgile. Le jour commence à,
venir.
Chœur daxs la Coulisse. DANTE, BARDI,
Ux Patke.
Ah!
Chœuk.
Bardi parait à droite. Un petit p.ltro qui le pré-
cède lui désigne du doigt Dante, toujours
endormi, et s'éloigne. Bardi l'ait ([UeUiues
pas, puis s'arrête, n'osant l'aboider. Dante
se réveille. Il promène d'abord un regard
étonné autour de lui. Puis, se retournant, il
se redresse et lève les yeux vers le ciel teint
de rose .
DANTE.
Voici que l'aurore se lève.
Le brouillard matinal se dissipe dans l'air.
Soudain il se rappelle. Sa figure s'illumine.
Ah! le merveUleus rêve
Que j'ai fait.
Vante aoerçoit Hardi et recvle d'un pas.
Lui suis-ie encore en enfer? ^
BARDI.
Pardonnez-moi. ..je sui| indigne et coupable.
D'aveugle colère^nvahi
J'ai tout blessé, j'ai tout trahi
Du courroux qui m'accable
Trop juste est la rigueur.
Pouitant, pardonnez-moi. Le repentir est entré
[dans mon cœur.
DANTE .
The voice of Beatrice in tlie celestial paths.
C'lIOItUS l)V ANliELS.
Glory to him who shines!
BEATRICE.
If the task is not ended
That the loved one must accomplish.
The master will be disarmed
By his constancy and genious.
And we shall be reunited in the resplendent
Of infinite joyfulness [realms.
And eternal love.
DANTE.
Beatrice, hear me !
Chouus.
Glory to him who shines l
The ^uminou■^i r-inion disappears. The curtain of
clouds rises again and the scene resumes its ob-
scurity.
DANTE.
Ah, no more ! In space
All is silent! All is effaced,
All is black !
Yes, thou hast said it Beatrice,
I may see thee again .
End of Act HI and of Daniels Dream.
ACT IV.
f^ame scenery as in the preceeding act. As the
curtain rises Dante stUl sleeps near Virgil's
tomb. Day commences to break.
Chorus Behind the Scenes, DANTE, BABDI,
A Shepiiei:d.
Chorus.
Ah!
Bardi appears on the right. A little shepherd
boy who precedes him designates the sleep-
ing Dante with his finger and departs,
liardi advances some steps aud stops, not
ilariug to accost him. Dante awakes. He
first casts a surprised look around him. Then,
turning around , he straightens himself and
lifts his eves to the roseate sky.
DANTE.
Aurora is rising;.
The morning mist is dispelled in the air.
Suddenlij he remembers. His face brightens.
Ah ! "The miraculous dream
I have had.
Dante perceives Hardi andrecoils a step.
He! Ami still in hell?
BAEDI.
Pardon me ! I was unworthy and guilty
Carried away by blind anger,
I have wounded all, I have betrayed all !
Of the blame which crushes me,
The rigor is but too just.
Yet pardon me. Repentance has entered my
[heart.
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DANTE.
19
Mais
A Nai)les '
DANTE.
All mistf^ruble !
Taut dc toimueuts Houli'erts
Et taut de pleurs verses,
Par tes remords seront-ils efl'acés.
La parole consolatrice
Aujourd'hui saurais-tu me la dire '
BAKDI.
Oui....
DANTE.
Tu poux lue rendre mes amours. . . . Ma Béatrice.
BARDI.
Je le puis, je le veux .
DANTE.
.,Vh ciel !
BARDI.
Gemma qui ne l'a pas uue heure abaudounée
Amapitictit un suprême appel.
.l'ignorais où la destinée
Vous entraînait. Je l'appris. ... Me voici.
DANTE.
Béatrice où est-elle ?
BARDI.
Près d'ici.
DANTE.
?
Hardi fait un nigiie affiiniatif.
Ah ! Gourous vite !
Mais du lieu (jui la tient l'entrée est interdite.
BAKDI.
.l'ai confessé ma faute, et pour la réparer
On m'a dans le couvent permis de pénétrer.
DANTE.
\h'. viens, viens, courons vite.
BARDI, Varrétaiil.
Vous me i>ardounc/
DANTE.
Si je te dois l'ivresse
De revoir cuiiire sur les miens.
Lus yeux de lu j)ure maîtresse
Non tu u'es pas absous. .. . tu seras béni.
Viens Viens.
DEUXIEME Tableau.
A Naples. Le jardiu d'un couvent. A gauche la
chiipelle ; à droite, l>anc de pierre, et iiorte
donnant sur les cours d'un couvent. Au le-
ver du rideau, les icligieuscs ])assput lente-
nu^nt deux jiar deux, se dirigeant vers la
chapelle. Gcuuiia entre. Kilo regarde le
détilés des nonnes en restant à l'rcart. Ré.-i-
tricc marche dans le cortège. Elle est très
l).11e et semble se souleuir avec peine.
SCENE I.
(JEMMA
Elle 80 rend à la cha)pelle
Ma pauvre aimé(^ Eu arrivant.
Chaque matin, dans ce convent
Je UM^ sens ticssaillir d'une angoisse mortelle.
Au milieu de vous dans ce monastère,
Filles du Seigneur no l'aceneillez jias
11 tant, pour bénir le devoir austère,
l'u iciur bien guéri des anciens combats.
A son cher .imonr ravi par la terre
Elle songe encore en pleurant tout bas.
Loin d'elle écarter votre voile sombri;
DANTE.
Ah, miserable man!
.So much t(Uiuent suflered.
So ni.iny tears shed,
Can they be eji'accd by thy remorse t
The c(uisoliug word
Canst thou tell it ine to-day ?
BARUL
Yes.
DANTE.
Thou canst restore mv love, uiv Beatrice.
BAKDI.
I eai). I will !
DANTE.
Ah, heaven.'
BAKDI.
(ieiuma who has not left her for an hour
Has made a supreme appeal to my pity,
I kuew iK)t where di stiiiy
Had carried you. I learned it. . . .1 am here.
DANTE.
But Beatrice, where is she ?
BARDI.
Near liy.
DANTE.
At Nai)le8 ?
liarili makes an uffirmatire sign.
.\h! Let us hasten! [bidden.
But entrance to the sjiot where .she is is for-
BAKDI.
I have confessed my fault, and to repair it
I have been permitted to cuter the cloister.
DANTE.
Ah ! come, come, let us hasten.
B.\RDI, slopping him.
You forgive mef
DANTE.
If I owe thee the happiuess
To see again on niiue
The eyes of my pure mistress.
Xo thou art not absolved . . . thuu «halt be l)le88ed,
Come, come.
Taiu.eai- II.
At Na]des. The garden <if a c(uivcnt. To the
left the chai)el, to the right a stone bench
and a door leading to the courtyards of a
couvent. .As tlu< curtain ri.ses the nuns pas»
slowly two and two tiiwaiils the <-liapel.
(Jeiiuua enlcrs. .*^he hioks at llie passage of
the nuns while remaining on one side. Ben-
trice wa'ks in the procession. She is very
jiale and seems hardly able to staud up.
SCENK I.
GEMMA.
Slie goes in the chajii 1,
My poor friend. . . .on arriving.
Kvcry uiorning, at tins convent
I ieel a shudder of nuirtal .-luguish,
lu your midst in this nionash'ry,
Daughters of tlie Lord do not accept her
I'o hiess the austeii' duty thi're nuist be
X heart wi^ll cured of (dd combats,
Of her «bar Uivc, rajjshcil liy thi' cartli
She still t'duUs whi"weeiiing in secret,
Keep far fruui her your somber veil
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DANTE ii^
(■(Miif l)<-:iiiii;; li:iliiis ;ni(l \viv;itlis t<> ili;i-or;itc the piii't's grave. Oiif g*
oftluiii iviiti^s !iii oitc to \'iij;ik'. Wlien slieretiie at the lull fday. u
Dante enters ilvessed in the hi.-itorienl c■o^tllIlle. Ho is (IreaniiiiL- ot' »
r.e:itric-e. wlioni he has not seen siilee his hanis'iimeut, .wouderin'j
wetlier she loves of reineiiihers hiiu yet. Arrivin.s;- near the jioet 8 g
grave he iuvcdies him and :isl;s thi^ Crent Poet's sli:.de to insiiire him ^
some iliviue poetry. Tim nif;ht has tlieu come and tlie shade of ^
Viiiiil is seen risins; fiom the ■jrave. ""J
Dante's Dream.
A'iiuil address Dante aslee]) and tells him, that liiiniau liapidness
is a thing very frail, his will break, hnt from his bleodini; heart
will arise the Divine inspiration. Night has eome and from the
baek ground arises thi' \ ision of " H(dl." Vagne forms ai'e seen,
who ery in agony. From the multitude of them Dante distingnislies
first the vision of t'g<din, wlio Imried alive in the Tower of Honger
fed im the eorps of his own sous ; then ajipear Paola and Kraucesea
da Kiniiui. — The horrible vision disappear and is replaced by that
id' Heaven. — Choruses of angels are lieard, the scene is lighted by a
divine splendor. In the midst of the splendor appears Beatrice.
Dante recognizes her voice, she sings of the capture of angels and
exhorts Dante to continue his task of Poet, which God will leward
The vision disappears. — Dauto wakes up, aud recalls his dream
when appeals Bafdi who a<lvauees trembling to asks Dante's for
giveness aud tell him that he knows in what convent Beatrice is
aud that he has obtained from the cluirch her release from her vow
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9
ACT IV
The garden of a convent near Xai>les. On the left a chapel. On
t lie light a stone bench, a door leading to the interior of the ccm- ^
vent, (ieinuia .seated on a beiidi deplores the sail fate of ISeatrice, kd
whom she sees dying ; .she liojies that lier friend will not pronounce ~i
the final vows. Imt live to see her Dante again. — Nuns ar^. .seen 9
coming from tlie cliajiel. hi tlieir ranks are Be:itriee, who leaves ^
them ai .seeing Gemma. Gemiiiii tries to comfort her but Beatrice ^
hojies that her martyr will soim end iu death. At this moment JJ
some one calls out Uemnia. Beatrice alone prays to God to take her JQ
awiiy from this valley of tears, Imt to grant her see Dante before i^
she dies. When Gemma returns Beatrice sees that she is muclv P;
moved and asks her the reason. Some one wants to see yon, and
beg yon forgive him, says (îeninia, it is fsimeone Bardi. — I can for-
>
o
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20
DANTE.
Linceul des tr<?sors à jamais perdtis. . . .
Assez de lys blancs sont ouverts dans l'ombre,
Qu'importe A l'autel une fleur do plus.
Le ciel ue saurait reprendre à. son Ame
Ce qui peut rester de bonheur humain
. Pour moi ses regards ont si pure flamme
J'ai tant de douceur à presser sa main,
O toi qu'en secret sa douleur ri^clame,
Ange de la mort poursuis ton chemin !
Ne fais pas si tOt ses paupières closes,
Son beau front baigné de pleurs superflus.
Les champs de repos ont assez de roses,
Qu'importe à la tombe une fleur de plus.
SCENE IL
Entre Béairici-.
BEATRICE, GEMMA.
Gemma court au deranl de Beatrice.
BEATRICE.
Je viens te retronv.tr.
Gemma diriije Béatrice en la soutenant, rem li banc
situé à droite.
Ta pauvre Béatrice
Ne saurait sans qu'elle faiblisse.
Demeurer bien loutemps ù, genoux
Et lo vœu
Qui devait me lier à Dieu
Est remis jusqu'au temps où je serai plus forte.
GEMMA, ehayant de sourire.
C'est-jl-dire ù. bientôt.
Séatriee se lève brusquement arec une expression d'ef-
froi sur le visage comme si nue vision sinistre
apparaissait })uis elle retombe sur le banc et sa
figure reprend un air doux et résigne.
BEATRICE.
Oui bientôt
Je serai tout à. lui Mais là-haut.
GEMMA.
Ah, que tu me fais mal à parler de la sorte !
Ton cœur ne doit pas se fermer
A l'espoir dos jours qui vont suivre,
Conserve eiicor désir de vivre
Pour qui toujours saura t'aiiner,
Non — ton cœnrue doit pas se fermer.
BEATRICE.
Ah! C'est trop pleurer c'est trop soutt'rir
L'espoir, le courage en moi tout s'tqiiiise
Mon dme agonise
Lai.sse moi mourir,
Pourquoi me plaindre et t'al.armer
De nos maux la mort nous délivre
Mon cœur no peut plus vivre
Puisqu'il n'a pas hélas ! le droit d'aimer.
C'est trop pleurer.
C'est trop souftrir!
Ab< Gemma laisse-moi mourir.
GEMMA.
Oui, c'est troj) souffrir.
Dieu prendra pitié.
Tu ne poux mourir.
De.ath cover of treasures forever lost!
There are enough wliite lilies open in the shade,
What matter to the Lord for one more flower.
Heaven cannot take from lier soul
What may remain of human happini^'is
For me her eyes have so pure a flame.
I am so happy to jircss her hand !
Oh thou whom her sorrow iu se<ret demamis,
Angel of death pass on your way,
Do not have so soon her ovelids close.
Her beautiful forehead crowned with superfluous
The fields of repose have enough roses [flowers.
What matters to the tomb one flower more.
SCENE II.
Enters /Un trice.
BEATRICE, GEMMA.
Gemma mus to meet Beatrice.
BKATRICE.
I come to mei't thee again.
Gemma support» llcutrice to the bench on the right.
Thy poor Beatrice
Cannot without fainting.
Remain very long on her knees
Anil the vow
AVhich was to give me to (iod
Is postponed until I shall be strong,
GEMMA, trying to smile.
Which will be soon.
Beatrice rises snddenTij with an expression of terror
on her face as if a sinister rision appeared to
her; then she fulls back on the bench and her
figure resumen a gentle and resigned air.
BEATRICE.
Yes soon .
I shall be all his.... But above.
GEMMA.
Ah, how thou grievest me to speak thus.
Thy heart must not close
To the hope of the days which will follow,
Keep still the wish to live
For him who will always love thee,
No. . . .thy heart must not close.
BEATRICE.
Ah ! This is too much weeping and suffering,
Hope, courage, all are exhausted in me,
My soul is agonizing
Lot me dii'.
Why complain and alarm thee.
Death delivers us from our sorrows.
My heart can no longer live
Since it lias not, al.is, the right to love.
This is too much wecjting,
Too iiiiuh to sntfer.
Ah ! Gemma let me die.
GEMMA.
Yes this is tuo much to suffer, '
God will take pity.
Thou canst not die.
a. uâbks.
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TELErnOXE 159,
DANTE,
21
SCENE m.
Les Mêmes .
iaperte du courent s'oiwre de noureau. Une reli-
ffieuBe paraît sur le seuil, Gemma Vapcrço'U.
GEMMA, à Beatrice.
Cest moi que l'on appelle.
Gemvia arec un dernier geste affeetneux à Béatrice
ifarancc vers la religieuse, et, après mi mot
iehangé à roix basse, dispuraît arec elle. Béa-
trice regarde tristement Gemma s'éloigner.
BEATRICE.
Va compagno lidile,
Tn n'as plus bien loiifrtems à faire i<ni devoir.
Daiitc. . . . Woiiiir saus te revoir.
De l'cteruel sorami-il je n'ai pas r.|>ouvante.
Sons ta loi je m'incline, 6 8ci{;niMir triomphant,
Mais quand je iiiesouviens quo.je suis ta servante
Dois-tu dime oubliar que. je suis ton enfant
Tois (lui nio 8oi)arais do celui (jnoj'adore,
Rends-le moi pour un jour, une heure, un seul
[moment.
De mon dernier regard le contemplant encore.
Laisse-moi »ur son cœur m'endormir doucement.
De l'iternel sommeil je n'ai pas l'épouvante ;
Sons ta loi je m'incline, 6 Seigneur triomphant.
Alil si tu me gardais ces extases suprcnu's.
Je m'en irais vers toi d'uu vol si radieux.
Que tes anges eux-mêmes
En seraient (éblouis dans la splendeur des cieux.
Atto décourai/ement. RAve insensé
Que mou sort, s'accomplisse. . . . Dante,
Mourir sans te revoir ô Dante.
SCENE IV.
BEATRICE, GEMMA, puis DANTE, BARDI.
GEMMA rende ere «cène — apart.
Je n'ose lui parler,
8a faiblesse est si grande. . . .
BEATRICE, regardant Gemma.
<}ni peut à ce point te troubler T
GEMMA, hésitant.
Quelqu'un que tu connais demande
6 tu veux le recevoir.
BEATRICE.
Et qui donc T
GEMMA.
Simeone qui vient implorer ton pardon.
BEATRICE, douloureusement.
Ah! folle entre les folles
J'espérais un autre nom,
Pardonner. . . je le puis. . . mais le recevoir, non !
GEMMA,
n n'est pas seul, et [lonr son compagnon,
ïu pourrais bien avoir de meilleures paroles.
BEATRICE.
Ah ! Dieu ... Je n'ose croire .... et pourtant, ton
Ta uiain qui tr.-mble dans la mienne, [émoi.
Ceat lui. . . . C'est Dante qu'il vienne.
GEMMA.
Je t'en prie. . . . calme toi.
HanttparaU, ^élance ver» Béatrice et la prend dant
sel brat.
SCENE III.
TiiB Samk.
The convent gate opens again. A nnn appears
on the threshold. Genuna perceives her.
GEMMA, to Beatrice.
It is I -nho am called.
Gemma wUh a last affectionate sign to Beatrice ad^
ranees toicards the nun and after exchanging a
vordin alow roiee noes out withher. Beatrice
sadly sees Gemma go.
BEATRICE.
Go faithful coinpauion
TUou hast not much longer to perform thy duty.
l):intc. . . .To die without .seeing thee again,
I do not fear eternal Bleci>
Under thy law I bow, oh triumphant Lord,
But when I remembertliat 1 am thy servant,
Slionldst tliou forget thnt I am thy child,
Thou who separated mo from him whom I adore,
Give him back to me for a day, an hoiir, only a
[moment.
With my last look contemplating him still.
Let me gently fill asleep on his heart.
I do not fear eternal sleep ;
To the law I bow, oh triumphant Lord,
Ah if thou for nie ha.st kept these supremo joy
I would go to thee so r.uliantiy flying,
That thy angels themselves
Would admire in the splendor of the heavens,
{Discouraged.) Oh.' fooli.sh dream
Let my f:i to be accomplished .... Dante
To die without seeing thee again. . . .oh Dante.
SCENE IV.
BEATRICE, GEMMA, afterwards DANTE,
BAKDI.
GEMMA, returning, aside,
I dare not speak to her,
Her weakness is so great.
BEATRICE, looking at Gemma.
What can trouble thee so much /
GEMMA, hesitating.
Somebody whom thou knowe.st, . . .
Asks whether thou wilt receive him 1
BEATRICE.
And who then I
GEMMA.
Simeone comes to implore his pardon.
BEATRICE, sorrowfully.
Ah, foolish one among the foolish, I nearly hoped
[for another name.
To i>ardon I can bnt receive him, no I
GKMMA.
He is not alone and for his companion
Perhaps thou wouldst liave better worda
bi:atrice.
Ah I God! I dare no! believe and still thy
Thy hand which tremliics in mine, [emotion.
It i» him! It is Dante let him come !
GEMMA.
I pray thee bo calm.
Dante appears, rushes towards Beatrice and laket
her in his arme. ' '
JVo. ^09 JVord Remjpœrts,
(Etablie en 1853 . ;
TBLEPOONE 1188.
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22
DANTE.
DANTE.
B(^.it-ice....
Genimo va ait devant de Bardi qui est entré derrière
Vante et io.isdcuxse tienuent un peu à l'écart
de» deux amant».
BEATRICE.
^> Ohl mou buule, c'est toi,
DANTE.
Ma Béatrice c'est uioi. Tout à toi.
Quatuor.
BEATRICE, DANTB.
O l'inni'fable et pure ivresse,
D'un c<niir brisé toujours aimant.
Je (le, la) levois, j'ai sa tcm'.resse
£o}'ez béui, Seigueur climeut .
GEMMA.
O l'inn^'fable et jmeivresoe
D'un ciiMir b is.5 toujours aimant J
Voici I.i liu tie sa di-tnsic.
Soyez béui, Seigneur cKment.
bai;di.
Je les frapais dans leur tendresse
Par un indi-tneéç^aremeut
J 'o uiou reiMords vieut leur ivresse. . . .
Paruouuez-moi, Seigneur clém..ut.
DANTE.
Ma bien aimée, il n'est plus rien qui nous sc-pare.
BEATRICE.
Que dis-tu f
Dante d'^^ijne Lardi que Béatrice n'a pas encore
apcri II .
DANTE.
Celui qui fit le mal aujourd'hui le répare.
JBéatrU.e tcod latuain à Simeone qui y depose vn
baiser Sùna pouvoir dire une parole, puis il s'c-
loijne avco Gamma, la'isaant seuls les deux
amants.
SCENE V.
DANTE. e::atrice.
Duetto.
DANTE.
Nona allons partir tous deux.
BEATRICE, avec une joie craintive et presque en-
fautive.
Partir tous deux . . . .
DAN'IE.
Ainsi que des amoureux
Que U0U9 sommes.
BEATRICE.
Partir tous deux ... .
DANTE.
Et bientrtt sera trouvé
Le ibir asile rêvé
Loin des hommes.
BEATulUE, DANTE.
Sans jamais nous ett'rayer.
Le monde peut non» railler,
?'ou8 maudire.
Sur noire étiruel aven
Nous aarims du graud ciel bien
Le sourire,
Et notre uuique souci
£era de lui voir ainsi
DANTE.
Beatrice.
Gemma goes to meet Hardi wh> has entered behind
J)aii!e, and both remain at a little distance from
the two lovers:
BEATRICE.
Oh my Danie, it is thee.
DANTE.
My Beatrice, it is me I All thiue.
Quatuor.
BEATRICE, DANTE.
Oh the inexpressible and final joy
Of a broken but always loving heart,
I see (bim, her) ajjain, I have (his, her) lovo,
Be blebsud, gracious Lord.
GEMMA.
Oh the inexpressible and pure joy
Of a brolven but always loving heart,
Here is the end of her distress, ,
Be blessed, gracious Lord.
BARDl.
I struck them in their love
By iin unworthy misdeed.
My remorse has caused their joy,
Pardon me, gracious Lord.
DANTE.
My loved one, nothiug any longer separates us.
BEATRICE.
What sayest thou Î
Dante points to Bardi whom Beatrice has net yet
seen.
DANTE.
He who did the evil to-day repairs it.
Béatrice gives her hand to Sitneone who kisses if,
tv'.thout being able to say a word, and then goes
out with Gemma, leaving the two lovers alone.
SCENE V.
DANTE, BEATRICE.
Duets.
DANTE.
We shall depart both together.
BEATRICE, with a mixture of Joy and fear.
Depart together.
DANTE.
Like lovers,
As we are !
BEATRICE.
Depart together. . . .
DANTE.
And soon will be found
The asyltmi dreamed of
Far from mankind.
BEATRICE. D.\NTE.
Without ever fearing
The world may laugh at nt,
, Curse us I
For our eternal vow
We shall h ive of the great blue beaTen,
The smile.
And our only care
Will be to see it tbua
^ — T»-«=r A i=n%/r A.OISIT. — 5
I No. 152 ELYSIAN FIELDS STREET, Corner St. Glande, |
C ISeepa AU Classes oi Dn"0"0-S, ^
I AUQFATIY, lOlSQPâTlY, SQSÎMIfBîC asi ail Otàeîs, Itc, St©.*
HUaiPHREY'S SPECIFICS. ■$
Prescriptions carefully compounded at all houis of day or night. j*
tfe js-Jz-jrti-rfr rf? rfy rf>j<? x^' rfr v^-^-^ t^t?^ \fa..rf7 v^^_^fa:^-j^ tV,^ x^j^A' rît^rfr .rfzjrtz -5fa-&
DAJSTE. ' 23
L
Tant de flamme
A l'instant qne nona croyons
Enfermer tous ses rayon»
Dans notre âme.
Ah! non» allons partir tous deux
Ijoiu des hommes.
Partons Partons.
SCENE FINALE.
Les Precedets, GEMMA, BARDI.
Elle fait qnelqiies pas mais soudain elle tressaille
et porte la main il son creur comme si elle le
sentait se briser. KUe chancelle, sa tftte
tombe sur l'épaule de Dante qui la soutient.
BEATRICE.
Ah ! Dieu ! Pardonne ami .
Je ne puis.
DANTE, arec épouvante.
Qn'est-ce donc 1 Cher auge !
Soigneur
{Silence de Uéatrice éranouie . Oemma et Sardi ac-
courent.)
Veuez voyez cette pâleur étrange,
Et ces yeux fermés à dimi.
Tous Titois.
Béatrice entends-nous !
Beatrice revient peu à peu à elle.
BEATRICE, a i»on/e.
Le rêve était trop beau pour q'i'ici bas
Le ciel permette qu'il s'achève... Je vais mourir,
Mais dans tes bras.
\ DANTE.
Mourir toi ... . non. ... je no veux pas
Ma Béatrice.
Béatrice rappelant 8C8 forcet rcfjarâe autour d'elle,
puis fuit quelques pas rera la ehapelie; elle joint
ses mains, son risage prend vue expression exta-
tique, son reyard est leré vers le ciel, elle semble
déjà ne plus appartenir à la terre.
BEATRICE.
Je vais dans l'azur sans vo les,
Oit les anges de leurs mains
Becueillent les pleurs hmnains
Pour les ch.anger en étoiles.
D.\NTE, se rappelant son ri)re.
La parole entendue aux célestes chemiiis.
BEATRICE, d'une voix entrecoupée..
Et nous seront unis. . . . Au radieux séjour,
Dans l'extase supremo et l'éternel amour.
DANTE, sanglotant.
Elle est morte ô nu» t.
Emporte aussi mon Ame.
GEMMA, à Dante.
Hélas ! ta blessure est cruelle,
.S ais la muse e^t fidèle.
Et s';.ura l'apaiser.
DANTE, «« redressant illuminé.'
Oui, je dois vivre cncor.
Je dois cliauter pour elle. . . .
Dieu l'a f lite iiiimortello.
Moi, jo vais l'immortaliser.
Mn du Qiwtrième Acte et de VOpéra.
So much flame.
At the instant wlien we believe
To look np ;'.t its rays
In our soul I
Ah I we shall both depart together,
Far from mankind.
Let us depart ! Let us depart I
FINAL SCENE.
The Sasie, GEMMA, BARDI.
Beatrice vralks some steps, but suddenly' she
shudders a d places her hand on her heart
as if she felt it break. She totters, her hc:td
falls on the shoulders of Dante, vrho sup-
ports her.
BEATRICE.
Ah, God! Pardon friend
I cannot.
DANTE, terrified.
■\\1iat is it Î Dear angel, Lord.
Silence of Beatrice, trho lias fainted; Oemma and
Bardi run to her.
Come — .''eo this str.ange pallor,
Aud these half-closed eyes!
All Thuee.
Beatrice, hear us!
Beatrice gradually recovers her senses.
BEATRICE, to Dante.
The dream was too beautiful, that here below,
Heaven would permit it to be accomidished. . ..I
But in thy arms ! [am going to die
DANTE.
Die! thon no, I cannot suffer it.
My Beatrice!
Beatrice, calling hack her strength, looks around,
then makes some steps towards the chapel ; she
joins her hands, her face assumes an eeytatic cx-
l>ression, her eyes are raised to hearen, she
already looks as if' no longer belonging to earth.
BEATRICE.
I go into the azure without sails
■Where the angels with their hands
Collect the human tears
To change them into stars.
DANTE, renicmhering his dream.
The words I heard in the celestial regions 1
BEATRICE, in a broken voice.
And we shall be united. . .in the radiant sojourn.
In supreme ectasy aud eterual love!
DANTE, weening.
She is dead. Oh Death,
Carry off also my soul!
GEMMA, to Dante.
Alas ! Tliy wound is cniel.
But the Muse is f.iitliful
Aud will know how to console thu«.
DANTE, rising, inspired.
Yen, I must still live,
I must sing fur lur !
Ooil has 1 reali'd lier immortal !
I, I shall immortalise her.
End of Act IV and of the ojiera.
IK
SilYer,Brass,Glass,Woo(l,etc
Stained Airfc Glass,
(Sew Process Superior to Leaded Glass)
IN DESIGNS FOR
J. FHAZEE,
28 Union St. New Orleans.
FLOWERS
AND-
Floral -^^ Designs
TO ORDER,
Gfias. EBLEi,
The Artist in Flowers,
9 BARONNE STBEET,
VEW ORLEANS.
Miss M. MURPHY
183 CANAL ST.
Second Floor. New Orleans, La.
Those of our Lady readers needing
Dresses uiade should call on Miss MUB-
PHY, and be convinced for themselves,
that she has learned and practiced in
the best Houses of the leading cities of
the Biist and is a thorough master of her
art. Miss Murphy's talent in Fitting
and Draping are fully acknowledged.
Her prices are reasonable for first-class
work, and will ai all times render com-
plete satisfaction to herpatrons.
-CARRIAGE EMPORIUM.
Dealer in all kinds of ~
CamageSjCarriageMaterials,
Bnggies, Harness, Wliips,
LAMPS, Etc.
95 North Rampai't Street,
and 100 North Basin Street,
New Orleans -
magasin de Seconde (Dain
Le plus assorti dans tous les genres
et principalement en
Confcetions pour Hommes,
Le magasin qui traite le plus
consciencieusement.
j. m. cnsTRifiG,
Coin Bourbon et Ste-Annb
GO TO
G. D. LAFFERRANDERlEi,
New and Second -Hand
Glothiog # House,
Con Conli ail Bmpdr.
Jewelry, Old Gold and Silver, Bought
and Sold.
Mrs. A. TESSON,
Dealer in
BoMiDet, Cross Bar Mflslia i Nettiiii
Sheets, Pillow Cases, Drawers, Shirts,
Jumpers, Waiter's Ajirons, etc.
79 Chartres St.
We send to residence of parties wishing
Bars made to order an experienced
clerk who submits samiiles and prices.
DEALERS IN
ÀL.SO iisr
HflV, COt^N, OflTS, B^Afl, ETC., ETC.
331 & 333 ESPLANADE AVENUE, Cor. Galvez. New Orleans.
PUBLIC TEL.KPHONE 8TATIOV.
b <^-
m
-(• — •-
DANTE. (Romance.) Continued.
tempo. ^
1 1 X
ra
(1^^
son pai-si-ble bon - heur.
in tran - qnil hap-pi-ness.
:t
^^«±r«
I
> dim. r
te^^^^s^
rail.
'^^^^BS'W
i7(r3 ■
5?C3J
^==ffi
gfezir:
±^
$
Quand
vou - (iras
tired by
i^
=^^^i=«Tt^F
te
i
!&==:>:
3crgii
^ ^ — ^
s/ - « Z)m /« - beur glo - ri - eux En
glorious work you wish
f. T » t-frS:
:^^^
(les re - gards ai-mants
to rest your wea - ry
ERNEST C. VILLERE,
15 Carondelet Street, New Orleans.
IMPORTER OF
S^ » .A. JJP ♦— TpsS
— •••«-s-»— 5tf—
CHAMPAGNKS of Vve Clicquot, (Yellow Label), Roederer, Delbeck & Go.»
G. U. Muuim & Co., etc.
NARTIGUE & BIGOURDAN, Bordeaux, Clarets and White Wines.
WKSTENBEKG, Bordeaux, Clarets and White Wines.
A. V. MEUKOW & Co., Cognac, Brandies.
BARTON & GUESTIEB, Bordeaux, Clarets and White Wine.
SUEUIilKH, of Saudeman, Buck & Co.
PORT WlNtS, of W. & J. Graham & Co., Oporto.
SyLE AUBMT FOR
The GALLFG08 WINE COMPANY. Irvinp:ton, Alameda Co., Cal.
J. HCHWEPPK & CO., L'd, London, «inger Ale and Mineral Water,
The BUSHMILLS OLD DISTILLERY CO-, Limited, Co. Antrim, Ireland.
■^The Clxeœpest Spot in the City/^
CAN BE FOUND AT
m
In Qfie daY than elsewhere in a rnGnlh.
All the J^OVEIiTIES OF 1890-91.
JSfo'vv Ope ft fo7' Tnsj)ectioTh.
A Complete Line of SILKS,
An elegant asaortment of DRBS3 GOODS.
The latest Novelties in TRIMMINGS.
Eveivtbing that is made in NOTIONS.
The Lowest Prices for GENTS' GOODS.
And any amount of others, that space won't permit us to mention.
VISIT OUR STORE IN YOUR OW^ INTEREST.
145 OANAL and 7 & 9 BOURBON STS.
OXXS. I^. CSrOI^THIESn..
'AMTÎ^T TAILOR
je-TÎT
IMPORTED GOODS, CORSECT STYLES, PERFECTION ifl FIT, All New Patlenis,
145 Common Street, Opposite St. Charles Hotel,
PRICES REASOPTABLE. New Orleans.
■3 I
1 DANXE
g
S live, but not see hira says Beatrice. Von miftlit at least sec some
"§ one els- who accomjijinios him. l):nito! exclaim J?oatiice. and tin
2 two lovers are in each o'hcr arms. — Their ra|)iiirc i» inliuite ami
« tiiey will never end. United at last they will live happy. Bnt.
^ .lias! lieatrico's lonj; siiirtM-in^s have taken away all her - trcn-ith
a mid .she falls dyiiii; ill Dante's arms, rcpeaiinj; the w rds he heair
'a> her sin . iu his dream, ."^lie dies lie^fjnip; I'ante to O' tinne his di |
g vine i)oeni9, as the Mnse of Poeliy alone will console him Yes.
■^ Liinst live yet, exclaims Dante, God has taken thee,into His Eternity
g I shall make thee Iimnyrtal iu my songs.
THE END.
9?
=^^^01^^
BUREAU, 20 RUE CARONDKLET,
Ilcnmi lie Cnroiur-Ki fi 11 A. M. ot 3 .'k 4 1'. M. Bolto de Poste aSO .
PROriilÊTÉS FONCIÈRES DE TOUS GENRES ACHETEES ET VENDUFiS.
'Iri-.B grand.s soins consacras <\ 1» gestion dos affaires do personnes doniiciIi(^es iV IVtmngor.
Kësidcnce — 254 N. RAMPAICT, Cola Ursuliucs.
p. 0. Box
1154.
'iVii'jiiiiHie
loaa.
i
C. E, SflP^HflZir^ St Bro.
FUMEZ ET CHIQUEZ LE
Le Seul Tabac Katnrel Fabri(iuc.
275, 277 DEOATUR & 13, 15, 17 & 19 URSIJ LINES, Rem Orleans
DANTE. (Romance) Continued.
crese.
zt
=2*:
-• — »m-
Re - po ser - ta pen - s/ • e Ce n'est pas
mind in the eyes of the loved one. It will not
Vers les miens
be towards mine
_. _ _ __ ^.^ •^
SgZE^B
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Que
that
s en
your
t - ro?it tes
eyes will
yeux.
turn.
0 cru
0 crn
el
el.
le dou -
8uf -
^
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S^'
5SE
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PETBH F. PHSGOD, Successot» to Bat»kct» A pesenrf
188GKAVIEUSI. EET, Xew Orleans ^'^seaa.
GEN^ERA.L INSURi^TSTCE AGENT,
'TStna Tnenronce Company, Hartford... .»— < a- 1 _i 7
Home IcHurance Company of New York '.,'/.'.
Hartford Insurance Cimipanv, Hartford .*.*.*.*.*.'!!!'.*
flprin^tield Fire and M.ari ne Insurance Company, Maasachuset ta !*.!!!!!'.'.!.*!."'.', i'."
3U>udon and IjancashiroIuBuraiice Company, Livt^rpool iu Uuiti-U Status!!!!"*'
Lion Insurance Company, Lcmdon •• •• *"'" ••■
Orient Insurance Company, Hartford '
Georgia Home Insurance Company, Columbus !!!!!!!!!!!!!!!!
Conuuercial Insurance Company of California ' •••••!
Employera Liability (Accident^ LoQd<m '..in Cuiled Statea!'.!!!!!!!!!!!',!
Hctt-opulitau PlateGlaaa Company. New York
LosSBS HSjpsTBS lij^^ T-Hi'é "iX-"Jv-'i'}r"oiizE'A'.Ys"'
$10.071.509 00
8 931.159 00
6,U2,4.->i 0»
3.')1U,9«2 00
2,104,079 00
7t;:i.lM4 00
1, 915,063 00
919.022 00
40S.U03 00
842.282 00
319,051 00
DANTE. (Romance) Continued.
m
Oû le prin-temvs
All a - glow with
met sa splen - deur
the splen-dor of Spring;.
A
In
^E
^^^
-±=^
^ — ^-
Vom - hre
the shade
de
of
ta re - nom - ot/
your fame
iPEr=
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^
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au
other
ire ca - che - ra
woman will live in quiet.
son pai - si - hie bon -
happiness
^^
^F^=^-
heur.
0 dou - leur!
0 sniïeringsl
tranquille.
âE:^rj-^-itf?^=^^^=^^
G. J<]'OBL.'ET,
PATTERN MAKER & TERNER
STAGI3 MACHIÎflST FRENCH OPERA nOUSE.
Address, UNDEU THE FRENCH OPEKA HOUSE.
MODEL WORK MADE TO ORDER.
La Bohémienne, azueena
■)
Le TrowtlTê.
ftzDMna
Allegretto.
tr.
tr.
a=
im
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The flames spar
tr.
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loin la fou
far, the mob
tr.
It-^ -_-
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runs.
court sem - hla
like un
tr.
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Pure Drugs, Choice Chemicals, Select Medicines,
TOILET ARTICLES AND PERFUMERY. ^^BOGEL'S OPERA tOLOGNB.
Ill Canal Street, New Orleans.
LA BOHEMIENNE. Continued.
i
L* Troiivèn.
w
aci._^
I
pH - ce elle.
death she.
9 ^
est
is
trai
led,.
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l'è - la7i - ce $'è • Ian - w aw del. . .
and rise to the skies,.
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rise to the skies.
=i*=F
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SCpOOk Op fll^T. - " Artists' Association of l^em Orleans.
203 CAMP STREET.
CIJiSSES
Antiqne,
life, Oil PaintlDK.
Water color.
Modelling. ]
Elementary.
Leotare, on Perspective. ^^^^^^^^ ^^ ^^^
The AsBOoiahon also maintain an ArtGallery-Opêa dailyfromQ A. M. to 4 P. M. FEEE.
For circulars and further informations apply at custodian.
INSTRUCTORS
MB. P. POINCY.
tin. A. MOLINARY.
MB. B. A. WIliSTROM.
MK. A. PKKELLL
MISS EDITH SANSUM. „»««Tif
MISS JULIA M. MASSIE
Romanee de la Favorite.
"Ange si pur."
DONIZETTI.
Larghetto. ^ ^ ~.^^
PIAIO. '^
— ts^^ ■
U^"
i
-^_
-V vL
yi-^
-0 — »-
-^0-
■V 5''—!-
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An - ge si pur, que dans un son - ge ■ j'ai cru trou- ver.
An - îrel so nure. whom î in a dream I tho't I saw
An - gel so pure,
^^m
Vmis que j'ai -mais i A • vec l'espoir tris • te men- son -ge
you, whom I loved, | With all hope's sad il - lu - sions.
f
SPECIAL AGENT FOR LOUISIANA AND MISSISSIPPI,
356 CHESTNUT ST., New Orleans.
Manufacturer of the Artie Soda Water Apparatus,Bottling MacLinerjr
Extracts for Bottlers' and Dispensers' use, &c.
ROMANCE DE LA FAVORITE. ('• Ange si pur.") Continued.
--^-
-f-^f^
-&-
-V ^ u^-
Ld±z:V— if
■•_•_
5=P
JF» - vo - lezvous et pour jamais
Take your flight. and for ev-er
En - w Ze« vous Et pour jamais
Fly from me aad for ev-er.
fe
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=^=f=
-*^-^-g-
^=5=t:
Vi^
JS^» mot par Va - «lowr d'Mwe fem - me
From my heart,the love of a worn - an,
de
had
-^•♦^
/^='=»^^
g-^-^-
Ê^^lE
i
Vir^g'y
\i
-r±zt
Ef
?=f
■tr
f
i
:te=f:
-y-
=?2^
■V— y-
^
-h H
i^-
ZJiew /'a - mour a - vaitfai - hU.
driven the love of God.
Pi - tie je t'ai ren du mon
Mer - cy, I have given thee bad
J
^i
m
•r— »— T
Ï
é jé
J
:t==
^^^ES^^
•=i
r
r-i- rd
CHOICE CIGARS, WINES, LIQUORS,
IMPORTED AND DOMESTfO,
— And FINE BON BON S
Orders for Parties, Soirées and Balls carefully attended to. Jgsé F. FERRER»
Comer Eainpart and St. Peter Streets.
ROMANCE DE LA FAVORITE. ("Ange si pur. ") Continued.
* Pressez. .--~^'
te^=i
*-f-
ibi
-'H
:f=?c
1»-^ ta- r^ i#-k
iTy
-^^
-*^^-
X_.L_
d - me Pi - ti/ Sei-gneur rends mot I'ou-bli. Pi- tic', Pi - tie,.
my heart. Mer - cy, 0 Lord, make me forget her. Mercy, nior-cy, .
(I
<i
r
ttl^
n\
>^-5--^-
P
TT*"
::t=i
-•-•=;
■y)-r
-K_«-
^M - jté! St pur que dans tin son - ge J'ai cru trouver
An - gel so pure, whom in a dream, I tho'c I saw,
Pi
• f9-
3ZS-
-• •— #-<K:
Vous que j'aimais
You whom I loved,
A - vec l'espoir
with my hope,
(i^
#-•-'
-r*r-
i
.(i!ll <»-»
-t-#+-
••-t— H
-t— « iï
m
tris • te men son - ge
8ad il - lu-sions,
-«7
■•-•- .
3c:â:
:^'^^
-#-♦-
^^
ffl
t— r-
-#-•
♦-.•i-^
OmOB - - BOURBON STREET, 173, NEW ORLEANS.
Pictures enlarged from Life or Copied from Photos . Portraits in
Crayon, Pastel or Oil Paintiug iu the most approved manuer kuown to the Art.
Positively no Bromide Prints. PRICES MODERATE
ROMANCE DE LA FAVORITE, (" Ange si pur.') Concluded.
Pressez.
f
--^-
-s>-
*:
rail.
+-
En - vo - lez vous
fly far from me
Et pour ja-mais. En vo - lez votes, en - vo - lei
and for ev-er, a - way, for ev - er.
II
7 ^-«^ — ^-^=à f "^"
^^^
-"M-'^
•r— tX
(^
*T rail.
^
^-
ic
Î
rail.
/CS
-A-*' * • #-
-i-
::*==£
-•=^-
vous
for
^-
et pour- j a
ev - er,. . . .
mat*
far
loin de mon cœur 6
from my lieart, yon
vous que J ai -
whom I loved.
_L
X
J:
=f=ffl
:g^=^
j^-^
-A-*?-
i
ÎÎP=I=
:f— #;
•— •-
^
#=»:
v=î^
-JJ*=P=
I^Sil
• — I — /— 5-
2z:
/^
;fl
fnats. En - ro - ?ez vous en-vo- lez vous et pourja - mais.
a - way, a - way and for ev • er. . . .
<P\
-f--^'
:5
^^^Sè
^-:^-i^
mÈ^É^fA
f^'i-'t
^T\
"7 ^ 1 • -? — fi-*f-
/TN
35
:1=^=
/T\
ti^
C7:S^By J. A. LACR0iX,^£^O
COBMBR FKENCHMEN & DJiCATUK STREET. New Orleans
Ladies, Gents, ffisses and Children's BOOTS k SHOES of al! Descriptions.
Always on baud a full assortmeiiC of tirst-class ffools at pryxw which dei^
competition. My Motto : Quick iSaltn and Umall Profits .
Hamlet.
Chanson Baehigue.
^
-^ — ^ — =4-
Ô vin
O wine
^
dis • si - pe la trig - tes. . .
diB ■ pel. . . . the sad - ness..
m
r^=?
^^1 — m—^m —
r*:
=f^?=d^
I
-J^
^Eï^r
}g 1 -1
i/ 1 1
^^^
1 1
f
1^
^
qui pe - ae svr
which weighs on
mon tour.
my heart:
To
mot
me
Ï
18 1 1
i«« ré - CM - (?e Vi
the dreams of e
0^ — -^
^=^^
^r~^
^^
13;
^
St3z
^^
>r^ 1 1
^
-M
S
:p:^r
1> ' ■
tirie
^
^^=:^
«t te ri - »* CTO ■ 9«e«r,
and the mock - ing laugh.
0
O
^P^=l=jt:
^^
en
^SE
1 1
{w
:r
*.r^
It
=î=»=t^
r
1 -1
-^«*^
dim.
e
It
>^ »» ^
qvewr e» ■ ehan ■ ti
chanting U - qnor,
^
^^
-^ ^-
:^
■^ =1-
wr • te r» - vresae et I'ou • bit dans mon
pour e - briety and oblivion in my
-*i =i =r
SseSeeè
1
J. A.. BILLAUD,
-DEALER IN-
-FiyE WINES AND LIQUOES,-
Corner Rampart and St Philip Streets»
O. T. DUGAZON, Manager. XEÏF ORLEAXS, LA.
Orders promptly attended to. Special attention given to Wi7ies and Liquors.
HAMLET. (Chanson Bachique.) Continued.
m
AJÊzl
cœur..
heart.
dou • ce
sweet
li - queur.
liq • uor. . .
1^
^!=^
mm
u
Obg*:
^
-j^ ^f ^ , ^
^^f^T^
é
W:
ver • »t I'i ■ vreaae et I'ou • bit dan» mon cœur.
pour. ... e • briety and oblivion in my heart.
4=
i
X-
:^
^s
P
ANTOINE BURGH,
CONFECTIONER,
Oor. N. Kampart and Bayou Road
ysw osLEAys.
Orders fo» Weddings, Christenings,
Parties, Soirees, Balls, Etc., Etc.
PROMPTLY ATTENDED TO.
mum & SIGR PAlNT^EiR,
105 BOURBON STREET,
Bet. Toulouse and St. Louia, next to the Oper»,
MEW OBI.EAN8, L.A.
Marbling, Graining, Kalsomining
and Paper Hanging
HAMLET. (Chanson Bachique.) Continued.
^
zi2:
^
=Sa^
=S^=
I I »
J- -i Ti^
■^-f
'/
PE^E3
B
--t^
un peu amme.
I7m\'n tt
^
^
^ ^- =i
• m ^ . ^
^¥ ■
t^
-î:; — -1 1 f-
1^ —
^^rz^^-- =^
ï^=^^-^!^=î^=^
n +• tt
Z<z t»t«
- . Life
esi som
bre les ans sont
/ y i-Y '
^ _
m^ — F
-^-1 — ^
~T i~
-F^
--1 ^^i ^ -1-
' T 1
— f— ii — 1 — -^ ^ — ,
-=— • — •-
:f^
-« •— s — •—
TT
-^ — ai — » — iT— ^—
-m- -m- -m-
•^ m m ". M
[p¥^«r
« — *-
=^
'-• —
-w — « *—
•
•'f
* * • '
m
-rT=^
=p=ï
i
1 1 — =1 — =1-
-t*==^
courts
short. .
de nos beaux jours.
of our bright days, .
Dieu sait le
Qod knows the
(^
^j-^î-f"
^g-^-^-j^.^^ipi— ^i^^g;=f=j
F — F
IF. J". ^XjEI22:.
No. 137 GEAVTEK STEEET,
(Up-Staibs.) new ORLEANS
^^^^^IVIONEY LOANED ;i^^)^
Acts executed in English, German, Spanish, French and ltalia)i.
HAMLET. (Chanson Bachique.) CoDtinned.
iS
-4=3^
• f*
-^^
ba»
world.
*o lour - lif dial
his heav y chain.
cni el da -
poco rit
m
'^ '^
^^=^
tieg,
fo»j» de» - e» - pains
long de - spair»
<i^ l'âtM hw - mai
oftho ha - nuiD aoai.
15=3^
3:
(^
-rr-^»* -I- — -
iff .il ^ ^
c«-«:
' f>P -S^
n
^=^
l=^=t=^
EfEEfE^pqi^fEÏ
K
--r ' — ■ ■■-^ ^ OT
1 I»" ^
1°^
Far from ub
I.
noirs pri ■ sa
dark prog -nos
^r^
*<:
;t3"t
f 1 -1
r
^=f
'**
-^=v — ^
r g gii
g,.* g
^ -g-f: ^^:g:£^^-^,
-^-y-t^
3rr
I
^-•.
^^
=t^
i:
^e», Joî'n de Turns noir» pré -sa - ges, le» plus ta ■ get sont les fou», Ahl .
tics, far from u» dark prog-nos tics, the wisest tre the great -est fools. Ah!.,
53^
à
y, 1 1 X-
^^—v
1 1
*
-^^-^x-
ro riplomaa and One Certificate at the Loniniana State Fnir, 1872, for Finest Nongata &■ PjnMmU^
JE3L. J^.'VJELj^jc^ID,
SUCCESSOK TO A. I.EMANB.
r-*&— _.2>To. QQ :Ei:o3ral Street, ©^
All orders ezecated with oar« and at very modernte price*.
HAMLET. (Chanson Bachique) Continued.
« — *-
^^E^^
^
m St ^-
-^i^=SL
qui p^ - se nir man eceur. .
which weighs on my heart. ,
à moi
to me
les rê - e« de Fi
the dreams of e
I
b — ,-*
r=i
» *.
?*=?:
a =9
iTBZ
- I I I I I rv -< I ! ' i*iiN^
^:^
* »"
■^ »»-
:^|:f^
-> ^
nre*
brie
et le ri - re
moqueur!
ty-
and the mock - ing laui^h!
O en -
E^^E
ï-^^^i:
^; — ^
fe^
I ! I I I
i^i^—^
n*- »
.' 1 1
N#"
S
EscoDa! lobacco Manufactory,
205, 207, 209 CHARTRES STREET.
HSCOBAL'8 YIROINIA EXTRA CIGARETTES.
ESC ORAL' 8 FINE CUT TOBACCOS.
ESCOBARS CELEBRATED NANCY SNUFFS.
We place these goods before the public " Squarely on their Merits."
t HAMLET. ( Chanson Bachique ) Coochided.
— ?— -:
totur. .
heart.
don -
sweet
H • queur,
liq - uor. . .
Ô
U queur en - chan ■ te - res
en- chant - ing liq - uor!
se; ver
pour.
I'i
e
briety.
dam
in
mon
my
trfc
heart, O
i
queur en - chan - te -
en- chant • ing liq - uor..
^-^Ti^ t^:f^-^ ^.•,^.
^^-f-« — ;-*-*-*— gj»-^^»—!
mf
ZTJITI
l»-T»-ig-
^^
1
-tr
Ê
II
fefc=t
-5-— X-
r«s - se.
ter • se I'i ■ presse et l'ou ■ bit dans mon cœur.
pour e - briety and oblivion in my heart.
The H. Weston Lumber Co.
G. W. ADAHIS, General Ag^ent,
LUMBER, SHINGLES, LATHS, SASH, DOORS, BLINDS,
Plantation Cabins, Eto., ttc.
Office, 356 Hoirard Airentie, New Orleans, L,a.
CABLE ADDRESS, NEW ORLEANS.
TELEPHONE JSo. 637.
Romance du Tenor. ( Manrique.)
Anaante
Le Trouvère.
Piaiio.
1^ -••••-■••-••
$
Manriqce.
■t? ^^j*
f^^'^*=^
-fe.^
^
=2«i
Ex - i - le sur la ter
Ex - iled ... on earth
m
S=z
re quand il gé - mit so - H
where a - lone he....
I
mÈ
:f^^=v:
f=^=^^^^^
-3«l-
"^"^r"
iit
:t^q=^:
te
gfc? — ^ ^t=l=
^
31=^=^
ÎZ2.-
Jif=:f
=^==-^
^=±=21
i^
J~ >■ I*
^EE
■»i K K — 1<-
-^ ^ — ^ — ^
tai
sighs, .
/- C02<< - ez ?<?* -l'ws tant
lis - ten an in-stant to
—rz g — g — K — K D
Ze trou - ha dour chant-
the trou - ba-ilour sins -
li
=^-^
:=^«=
=M:
5»^
iti=irt*
its:^^
-&g: qg"'^"y
e
Èit
J.
M":
.^
?±:
^
"f
ir
^
3ç=:fi:
^^É
*Je
ant
ing,
/- coM< ez
lis - ten
un ins - tant . .
an in - stant.
le trou - ba- dour chant ant.
to the trou - ba - dour sing - ing.
:!±
-«s ïV-
l^^t
^^=^
-^^
=^=FÎ?
^
TIJ
«;Jj
i O < — R — !-■« »> — — —
"y~~i"
£&
/'
V "' I
^
i
ft^t
rr^
♦^NEW ORLEANS MERCHÏÏNT THILORING CO.^
Story Bnilding, COENER CAMP & COMMON STREETS.
Only Imported Woolens and eyerything made to measure.
One Dollar per -week to join Cr>nibination.
SUITS IVORTH $40.
? f
i
ROMANCE DU TENOR Concluded.
J>-^
i
Le Trouvire.
^^1
^
ïlfc
5ac
^
P=^=^
,LJl
y -1
1 0
1 *
^"-^f-
^^^
^
r
Mahriqub.
j^^'^'^-fra
Ah, que Va - woMr fi - de
Ah, let a faithful love....
^m
J?*^V#i-
^
h
touche ton cœur ma
touch your heait. mj
^-^
Ëfc^
-f^T — V-
m
«=
^
^.iT--^
-6*-
^
■^«-
&^
5it:
iN=
b^
2:^t
t
EÈ
1 1 ■!
H
!Eû
jZ^t-
-^^-^M
Ï
^=^
-1-b-
* * (*r=g:
i^ i<
> >
^ ^ — s» — ^ — ?►—
tilt trou -ba dour pas
of the troubadour passing
M
love.
et re - con-nais Toe - cent
and rec - og-niae the voice
B=^
h-1 f
tt*=^
tl$— 4-H:r
^-^ ^ j I
t^^^^XSB|
it^^
•"i» I c-
-g- ÎI r
fflr:
1
&J£
H^^-i-f.
s
=t=
sont!
by.
aA re - con-nais Vac - cent. .
and rec - og-nize the voice.
du trou - ba- dour pas - sunt.
of the trou - ba - dour passing.
l»^T~Mt:
i^rît
^11
:te=fc
-V—^
j-^^-^
Ï5^
!»;
/"
^
Î
6 O
J 6
S o
JL -^
ê I-
^ •
CD' « «
O o ^
■g «8
TPHo Old X^ell£il3le.
ESTABLISHED 1867.
CISTERN and TANK FACTORY,
Corner Carondelet and St. Joseph Sts., New Orleans.
Crallons Capacity— Length of Stave in feet U inches thick.
6
«
7
8
9
lO
11
12
13
14
5
675
$10
800
$12
940
$14
1050
$16
1210
$18
1350
$20
1480
$22
1620
$24
1750
$26
1890
$28
6i
800
$12
970
$14
1130
$16
1290
$18
1458
$20
1615
$23
1680
$25
1940
$27
2100
$29
2260
$32
6
970
$14
1160
$17
1360
$19
1550
$21
1750
$23
1940
$26
2139
$28
2330
$30
2515
$32
3175
$36
6i
1225
$17
1350
$20
1585
$23
1800
$26
2040
$27
2250
$29
2490
$31
2720
$33
2940
$35
3175
$38
7
1325
$20
1590
$22
1855
$25
2120
$27
2380
$29
2650
$32
2920
$34
3190
$36
3450
$39
3710
$42
7i
1500
$23
1810
$25
2U5
$27
2415
$29
2720
$32
3020
$35
3320
$38
3629
$41
3920
$45
4234
$49
8
1728
$26
2074
$29
2419
$32
2765
$35
3100
$38
3460
$41
3800
$46
4145
$52
4493
$56
4834
$60
8i
1944
$28
2331
$31
2722
$35
3110
$39
3499
$13
3888
$48
4277
$51
4666
$57
5055
$61
5442
$65
A IB
p a
B a
•^
p »
a •
5 „ 3.
<» fi SP
O "
00 S. „
•^ 22- W
• B -d
EP O
1°
cr i.
a »
3 Q
» OD
2 •
AIX^OKK WAltRANTED TO GIVE ENTUtE SATISFACTION.
More Dandruff,
No More Bald Heads,
No More Wigs,
THjbJ CELEBRATED
R\\Tl CHAUVE.
NEVER KNOTV^lSr TO ïT-âLlL.
From last certiflcatea received wo extract the following
New Orleans, Soptembcr 3:1, 1S90.
To the Anti-Chanve Co., 154 Canal Street.
Gentlemen — Sis raontha .aj;o, my hair, thron^b some niiknowa cause, was fulling rapidly and
. none of till» iiijçroilionts I us«<l was of any avail, until 1 IkmiiI of your itrejiaratlou.
Al'irr a fo^v applications of the Aiti-Onauve a li'^Iit dawn apiieairfl «a tlia bald spots of my
fiend which areu:iw coverod by astron;; and hoal'hy «innvth of hair. In witrn-ss of sacli a ir.snlt it
all'ord:) ino the greatost pleasuio to leuojuiucud lUo Autl-tJhauvo to all person» einiilaily alloutej.
Yours, truly, CAZELLKS,
RéscisseoT Géudral du Thdiljre do l'Optîra ''rançais. Direction : A. DlTIilEU, Raison 1890-91.
MIllIONS TO INVEST IN LOUISIANA
KEndooiment BoildiDQFand
-OP THB-
LIFE ASSURANCE COMPANY of Virginia.
^^m-
-#A I Strong I Liberal I and IProgessivel Corporation.^-
iwc
The only Building and Loan Association in the South that is backed by »n oM
and wealthy Company.
Every Share of Stock (or certificate) issued is guaranteed by the Life Insnrano».
Company of Virginia. The full par value of $100 per share can be borrowed.
No Premiums on Loans. The interest six per cent per annum charged on the
actual amount loaned. By snbscribiug for shares in the Endowment Building Fund,
you can have the use of money to purchase a home, extend your business, or yoa
may receive the results of a most profitable inv^ijimeiit .
The Plan is the SAFEST and BEST both for BORROWER and INVESTOR.
NEW ORLEANS BOARD OF DIRECTORS.
A. A. Woods, President, Financial Manager Equitable Life Insurance Co.
Gael KoiiN, Vice Presidi nt President Union National Bank.
A.M. IlANK.MANN Of Wm. Blake & Co., Cottoii Factors .
L. C. I'^ALLON President Mutual Kaliouiil Bank.
Jules a. Blanc Capitalist.
Geouoe B. Lawbason I'hysician.
T. L. Macon Of Macon, Paul & Denis, Real Estate Agents.
J. AV. Phillips Of I. L. Lyons & <"o., Wholesale Drungista.
Gus. Lehman, ."-R Of A. Lehman & Co, Wholesale Tiy Goods.
James MoConnell, Jr Attorney-at-Law.
Robert Bleakley, Secretary and Treasurer. . .Secretary Chamber of Commerça.
3rannbe' will be Established at Different Points in Louisiana.
GOOD MEN WANTED AS AGENTS-
•lu iMiCouiv a subscriber or obtain an agency, call on or write to
ROBERT BLEAKLY, State Manager,
Louisiana NaUoual Bank Building, 120 & 122 COMMON ST^
NFW ORLEANS.
-r^ ^, ... ,,.„ MT."ICLl6R.«Jcv.y „.
This book IS due at the on
the last date stamped under "Date Due." If not on hold, it may
be renewed by bringing it to the library.
ill
i i
°*]| RETURNED
°^J^ RETURNED
■fft.=i:ë^
-%i/r/jp
io ILL
— f t- 'I u^
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