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LIBRARY
• ESTABLISHED 1872
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THE DIAL
A Fortnightly Journal of
Literary Criticism, Discussion, and Information
( Pub'ic Library
x^»
VOLUME LVIII.
JANUARY 1 TO JUNE 10, 1915
CHICAGO
THE HENRY O. SHEPARD CO.
1915
INDEX TO VOLUME LVIII.
PAGE
AMERICAN DISSENTERS, SOME Frederic Austin Ogg 114
AMERICAN LITERATURE, AN 37
AMERICAN PRESIDENT, A HALF-FORGOTTEN W. II. Johnson 262
ARCHITECTURAL CRITICISM, AN ICONOCLAST IN .... Sidney Fiske Kimball 18
ARCTIC LANDS FORLORN, IN Lawrence J. Burpee 117
ART, STUDIES IN THE HISTORY OF Sidney Fiske Kimball 80
ART AND HISTORY H. M. Kallen Ill
AVEBURY, LORD, THE VARIOUSLY ACCOMPLISHED .... Percy F. Bicknell 74
BELGIUM, THE POETS OF Arthur L. Salmon 69
BROWNING'S WOMEN Clark S. Northup 258
CANADIAN STATESMEN, Two Lawrence J. Burpee 380
CHARACTER-READING THROUGH THE FEATURES M. V. O'Shea 149
€HINA, RECENT VIEWS ON Olin Dantzler Wannamaker ... 19
€OSMIC SOUL, THE Henry M. Sheffer 421
CRITIC'S CREDO, A Herbert Ellsworth Cory .... 375
DARKENED FOREGROUND, THE Charles Leonard Moore 191
DOSTOIEFFSKY George Bernard Donlin 5
DRAMA MOVEMENT, THE Grant Showerman 76
DRAMATIC PRESENTATION, THE NEW MOVEMENT IN ... Edward E. Hale 199
EDUCATIONAL CHINA-SHOP, A BULL IN THE 445
ELIZABETHAN TRAGIC TECHNIQUE Garland Greever 335
ENGLAND AND THE AMERICAN REVOLUTION Laurence M. Larson 14
ENGLISH DRAMA, A SKETCH OF THE Raymond M. Alden 151
ENGLISH LITERATURE, A COMPENDIOUS HISTORY OF ... Lane Cooper 15
ENGLISH LITERATURE IN THE ROMANTIC PERIOD .... Lane Cooper 205
EYE-WITNESSES AT THE SHAMBLES Wallace Rice 208
PICTION, RECENT Lucian Gary 52, 118
FICTION, RECENT William Morton Payne
211, 263, 304, 344, 383, 424, 462
FRANCE, THE NEW James W. Garner 78
FRENCH EXPLORATION IN AMERICA, THE EPIC OF .... Archibald Henderson 417
GENIUS, THE QUALITY OF T. D. A. Cockerell 203
GERMAN IMPERIALISM, THE ARCH-PRIEST OF James W. Garner 256
GERMANY, THE CASE AGAINST W. K. Stewart 302
HURRICANE LAND, Two YEARS IN Percy F. Bicknell 201
INDIAN, JUSTICE FOR THE Frederick Starr 458
LITERARY LIFE, CROWDING MEMORIES OF A Percy F. Bicknell 456
MAGIC, OLD, IN A NEW CENTURY Thomas Percival Beyer 301
METRICAL FREEDOM AND THE CONTEMPORARY POET . . . Arthur Davison Ficke 11
MITFORD, Miss, AS A LETTER-WRITER Percy F. Bicknell 415
Music, INTERPRETERS OF Louis James Block 82
NAMES, GOOD, A COMMODITY OF Charles Leonard Moore .... 325
NAPOLEON: How HE ORGANIZED VICTORY H. E. Bourne 259
NATURALIST, FRIENDLY LETTERS OF A WANDERING .... Percy F. Bicknell 294
OCCULT, THE NEW LITERATURE OF THE Charles Leonard Moore 405
ONE WHOM THE GODS LOVED Percy F. Bicknell 143
PAINTER, OUR, OF THE SEA AND THE SHORE Edward E. Hale 333
PLAY OR PAMPHLET? Charles Leonard Moore 287
PLAY-MAKING, CLASSICS ON THE ART OF H. C. Chatfield-Taylor 145
PLAYS OF TO-DAY AND YESTERDAY Homer E. Woodbridge 47
PRESENT GENERATION, THE Edward E. Hale 365
PSYCHOLOGY, SOME VARIED CONTRIBUTIONS TO Joseph Jastrow . . . . . . . 340
REED, " CZAR," SOME LESS AUTOCRATIC ASPECTS OF ... Percy F. Bicknell 42
INDEX
PAGE
SHAKESPEAREAN ACTORS, A VETERAN DRAMATIC CRITIC ON
FAMOUS Percy F. Bicknell 373
SHAKESPEAREAN CRUXES, FANTASTIC SOLUTIONS OF SOME Samuel A. Tannenbaum 297
SOCIALISM, A DEFENCE OF Alex. Mackendrick 377
SOLDIER-SURGEON'S REMINISCENCES, A Percy F. Bicknell 109
SOUTH AMERICA, THREE BOOKS ON P. A. Martin 381
SOUTHERN HISTORICAL WRITING, THE NEW SPIRIT IN . . Benj. B. Kendrick 422
TAGORE : POET AND MYSTIC Louis I. Bredvold 459
THEATRE, DEMOCRACY AND THE 3
THREE-PLY THREAD OF LIFE, THE Charles Leonard Moore 101
TRAVEL, AMERICAN, FROM CANOE TO AEROPLANE IN ... Percy F. Bicknell 254
TRAVEL, EUROPEAN, IN THE EIGHTEENTH CENTURY . . . Clark S. Northup 147
VERBOTEN Z. M. Kalonymos 448
WAR, AMERICA AND THE GREAT Frederic Austin Ogg 337
WAR, IN PRAISE OF T. D. A. Cockerell 295
WAR, NEW BOOKS ABOUT THE Frederic Austin Ogg 44
WAR AND POETRY William Morton Payne 133'
WELLS, MR. H. G., AND RECONSTRUCTION Edward E. Hale 247
WEST, A SCIENTIFIC BAEDEKER OF THE Charles Atwood Kofoid .... 461
WEST, FAR, AMERICAN EXPANSION IN THE William E. Dodd 336
WILLIAM II. OF GERMANY W. K. Stewart 418
WORRY AND MODERN LIFE M. V. O'Shea 5©
"YELLOW BOOK, THE" 67
YOUNG OF THE " NIGHT THOUGHTS " Homer E. Woodbridge 81
ANNOUNCEMENTS OF SPRING BOOKS — 1915 219
CASUAL COMMENT . . . . 7,39,71,103,135,193,250,289,327,368,408, 450
NOTES ON NEW NOVELS 85,264,305,346,385,425, 466
BRIEFS ON NEW BOOKS 20,53,86,120,152,213,266,306,347,386,426, 467
BRIEFER MENTION 25,59,89,216,269,390,430, 471
NOTES 25,59,90,122,156,217,270,311,350,391,431, 472
TOPICS IN LEADING PERIODICALS 26,90,158,272,351, 473
LISTS OF NEW BOOKS . 26,60,91,123,159,233,272,312,352,393,432, 474
CASUAL COMMENT
PAGE
Advertising Page, Humors of the 105
Anecdotes, The Periodicity of 195
Artist, An, for Art's Sake 8
Arts and Letters, A Generous Benefaction to 104
Authorship, The Boundlessness of the Field of 253
Authorship, The Pride of 453
Authorship, The Road to 135
Battles and Books 104
Belgian Relief, Mark Twain's Contribution to 411
Bibliography, Common Sense in 138
Bibliopathology 40
Biography, A Pleasing Prospect in 253
Book-borrower, A Delinquent 9
Book-dealers, Encouraging to 196
Book-lovers, A Promising Profession for 290
Book-reviewer's Chief Function, The 453
Books, New, for Old 252
Books, Second-hand Knowledge of 370
Books as Food for the Flames 138
Books for Specialists 194
Books "Never In" 139
By Way of Parenthesis 250
Canada's Contribution to Polite Literature 292
Carlyle Manuscript, A Forgotten 196
Centenaries, Neglected 412
Classic Author, A, in His Own Lifetime 454
Classics, The Lost, of Ancient Greece 368
PAGE.
Colonel Carter of Cartersville, The Creator of 291
Copyright Differences, An Adjustment of 369
Criticism, Textual, The Passion for 136 •
Criticism, The Place of 137
Culture, A Get-Rich-Quick 261
Culture, Aids to 105
Culture, The Increasing Cost of 106
Culture, The Popularization of 73
Drama, The, as an Instrument of Reform 73
Edition de Luxe, The Lure of the 140
Editor, A Self-congratulatory 72
Editor with an Ideal, An 252
Editorial Retrospect, An 106
Educational Problem, An 71
English, Underdone 194
Engrossing Theme, The 71
Essay Competition, A Notable 409
Fiction, The Catholicity of Popular Taste in 72'
Fiction, The Improbabilities and Impossibilities of 329
Fictive Tears, The Fount of 328
" Fortnightly," Fifty Years of the 450
French Appreciation of English Literature 289
French Literature, A New Light in 71
French Poetry and German Poetry 137
French Press, A Renovated and Ennobled 410 •
Gown to Khaki, From 331
Hispanic Society, The Late Librarian of the 193-
INDEX
PAGE
Illinois Public Libraries 292
Indexers' Jdiosyncracies 290
Information, Seekers after Curious and Rare Bits of.... 135
Ireland, Reading in 290
John Carter Brown Library, The New Head of the 369
Journalist's Art, A New Variety of the 253
Juvenile Disrespect for Literary Property 136
Lawsuits of Fiction, One of the Famous 138
Library as Pacificator, The 139
Library Building for Children, The First 409
Library Laws, Obstructive 453
Library Support, A Plea for 103
Literary Diplomats 139
Literature, Great, A Definition of 370
Literature, Laxative 451
Lumber-camp Libraries for Wisconsin 106
Man of Infinite Variety, A 195
Mark Twain of the Ghetto, A 40
Mind's Gambol, The 39
Moribund Art, A Plea for the Revival of a 452
Nature-study Transmuted into Literature 39
Nonagenarian, A Versatile 8
Novel-writing, After Forty Years of 292
Obligation, An Embarrassing 136
Periodical, A Broad-gauge 104
Playfulness, The Perils of 452
Poem, A Potent 370
Poet, One Who Lived the Life of a ^27
Poetry and Efficiency 103
Poetry in Wartime 73
Political Pamphlet, A Famous 252
Printer, A, with the Spirit of an Artist 329
Public Library, One Year's Work of Our Largest 329
PAGE
Reader's Appetite, Whetting the 330
Readers, Greedy 330
Readers behind the Bars 137
Reading, Heavy 291
Reading in the Trenches 196
Reference Room, One Day's Activities in a Busy 369
Rejection, Sugar-coating the Pill of 195
Reprints, Cheap, The Publisher's Risk in 410'
Retrospects of a Quarterly Reviewer 411
Review, An Exiled 291
Russell, Clark, A Follower in the Footsteps of 251
Russian Genius, A New 411
Russian Language and Literature, Revived Interest in . . 9
School Children, The Reading of 32&
Scottish Logician, A 8
Shakespeare, Germany's Appreciation of 328
Shakespeare, The Children's Need of 412
" Shakespeare Every Day " 2501
Short-story Harvest of 1914, The 368
Simplified Spelling, A Set-back to 139
Speech-acquiring Years, The 408
State Archives, A New Department of 453-
Style, The Quality of Naturalness in 7
Travesty in the Form of Fiction 451
University Printing House, A 140-
Vermonters, Literary Likings of the Serious 105-
War, A Voltairean View of 7
War, An Addition to the Ephemeral Literature of the.. 412
War-historians, Data for Future 9
Washington Irving Anecdote, A 330
Williams, Ephraim, In Memory of 410
Williams College Library, A Notable Gift to 412
Yiddish Literature, A Renaissance in 2921
AUTHORS AND TITLES OF BOOKS REVIEWED
Abercrombie, Lascelles. The Epic 306
Adams, H. P. The French Revolution 214
Allen, J. W. Germany and Europe 303
Aljen, James Lane. The Sword of Youth 211
"American Colleges and Universities Series" 214
Andrews, Mary R. S., and Murray, Roy I. August First 306
Andreyev, Leonid. Savva and The Life of Man 49
"Art and Craft of Letters, The " 306
Artzibashef, Michael. Sanine 118
Atkinson, Eleanor. Johnny Appleseed 306
Bailey, H. C. The Gentleman Adventurer 304
Bailey, Temple. Contrary Mary 386
Bainbridge, W. S. The Cancer Problem 155
Baker, Arthur E. Concordance to the Poetical and
Dramatic Works of Alfred, Lord Tennyson 59
Baldwin, Elbert F. The World War 340
Bancroft, Hubert H. History of Mexico, revised edition. 154
Bancroft, Hubert H. Retrospection, revised edition 430
Bancroft, Hubert H. The New Pacific, revised edition . . 430
Barnard, Charles I. Paris War Days 209
Barr, Amelia E. The Winning of Lucia 425
Barrie, J. M. Half Hours 49
Bartlett's Familiar Quotations, tenth edition, revised and
enlarged by Nathan Haskell Dole 25
Beck, James M. The Evidence in the Case 339
Bedier, Joseph. Romance of Tristan and Iseult 216
Begbie, Harold. Kitchener, Organizer of Victory 388
Benson, Arthur C. Hugh: Memoirs of a Brother 426
Benson, E. F. Arundel 265
Benson, Hugh. Loneliness 346
Beresford, Admiral Lord Charles, The Memoirs of 87
Bindloss, Harold. The Secret of the Reef 264
Birkhead, Alice. Destiny's Daughter 264
Bordeaux, Henry. The Awakening 346
Bordeaux, Henry. The Will to Live 425
Boulenger, E. G. Reptiles and Batrachians 429
Bourdon, Georges. The German Enigma 45
Bradley, Mary H. The Splendid Chance 465
Brady, Cyrus T. The Eagle of the Empire 386
Bridges, Horace J. Criticisms of Life 308
Brown, Alice. Children of Earth 269
Brown, Helen D. Talks to Freshman Girls 59
Brownell, Atherton. The Unseen Empire 47
Brownell, W. C. Criticism 375
Browning, Robert and Elizabeth B., New Poems of 268
Bruce, H. Addington. Psychology and Parenthood 39Q
Brunetiere, Ferdinand. The Law of the Drama 145
Bryant, Edward A. The Best English and Scottish
Ballads 390
Buckrose, J. E. Spray on the Windows 466
Burr, Amelia Josephine. A Dealer in Empire 347
Burr, Anna R. Religious Confessions and Confessants. 343
Burroughs, John. The Breath of* Life 468
Burton, Richard. How to See a Play 76
Calhoun, Mary E., and MacAlarney, Emma L. Readings
from American Literature 471
Calthrop, Dion Clayton. Clay and Rainbows 86
Campbell, Oscar J., and Schenck, Frederic. Comedies
of Holberg 20
"Can Germany Win?" 340
Canfield, Dorothy. Hillsboro People 385
Cannan, Gilbert. Satire 306
Cannan, Gilbert. Young Earnest 119
Cannon, W. B. Bodily Changes in Pain, Hunger, Fear,
and Rage 468
Carey, Arthur E. New Nerves for Old 50
Carter, Huntly. The Theatre of Max Reinhardt 199
Castle, Agnes and Egerton. The Haunted Heart 264
Chamberlain, George A. Through Stained Glass 263
Chambers, 'Robert W. Who Goes There 1 345
" Channels of English Literature " 151
Chapman, John J. Deutschland iiber Alles 303
Chapman, John J. Memories and Milestones 266
Chase, J. Smeaton, and Saunders, Charles F. The Cali-
fornia Padres and Their Missions 471
Chatterton, E. Keble. The Old East Indiamen 429
Cheney, Sheldon. New Movement in the Theatre 76
Chesterton, G. K. The Appetite of Tyranny 267
Chittenden, Hiram M. The Yellowstone National Park,
revised edition 430
Christie, Dugald. Thirty Years in the Manchu Capital. 20
Chubb, Edwin W. Masters of English Literature 154
Chubb, Edwin W. Sketches of Great Painters 470
Cobb, Irvin S. Paths of Glory 208
" Columbia University, Publications of the Dramatic
Museum of " 145
INDEX
PAGE
Comfort, Will Levington. Red Fleece 304
Comstock, Harriet T. The Place beyond the Winds 85
Conrad, Joseph. Victory 383
Cooper, Clayton S. The Modernizing of the Orient 268
Corbin, John. The Edge 466
Corson, Geoffrey. Blue Blood and Red 384
Coulevain, Pierre de. The Wonderful Romance 470
Cox, J. Charles. The English Parish Church 216
Cox, Kenyon. Winslow Homer 333
Coxon, Stanley. And That Reminds Me 349
Cramb, J. A. Origins and Destiny of Imperial Britain. 295
Cressy, Edward. Discoveries and Inventions of the
Twentieth Century 391
Croly, Herbert. Progressive Democracy 114
Crocker, Joseph H. Shall I Drink? 310
Cross, E. A. The Short Story 89
Curtiss, Philip. The Ladder 384
Davis, H. W. C. Political Thought of Heinrich von
Treitschke 256
Davis, Richard Harding. With the Allies 209
Dawson, William H. What Is Wrong with Germany?.. 303
Deeping, Warwick. Marriage by Conquest 424
" Dehan, Richard." The Man of Iron 212
Dell, Ethel M. The Keeper of the Door 424
Devine, Edward T. The Normal Life 469
Dickinson, Asa Don. The Kaiser 419
Dickinson, G. Lowes. An Essay on the Civilizations of
India, China, and Japan 429
Dickinson, Thomas H. Chief Contemporary Dramatists. 430
Dimnet, Ernest. France Herself Again 78
Doncaster, L. Determination of Sex » . . . . 428
Douglas, George M. Lands Forlorn 117
Doyle, Arthur C. The Valley of Fear 425
Dugmore, A. Radclyffe. Romance of the Beaver 311
Dunbar, Seymour. A History of Travel in America.... 254
Durand, Ralph. Handbook to the Poetry of Rudyard
Kipling 216
Dyer, Walter A. Pierrot, Dog of Belgium 467
Eaton, A. W. H. The Famous Mather Byles 56
Eaton, Walter P. The Idyl of Twin Fires 306
Elliott, Francis P. Pals First 466
Elwood, Walter. Guimo 265
Embury II., Aymar. Early American Churches 53
Erskine, Payne. A Girl of the Blue Ridge 385
Ervine, St. John G. Eight O'clock, and Other Studies.. 428
Ervine, St. John G. Mrs. Martin's Man 265
Fabre, J. H. The Mason-bees 22
Fansler, Harriet E. Evolution of Technic in Elizabethan
Tragedy 335
Farquhar, J. N. Modern Religious Movements in India. 388
Finley, John. The French in the Heart of America 417
Fitch, Albert P. The College Course and the Prepara-
tion for Life 122
Fleischmann, Hector. An Unknown Son of Napoleon.. 261
Foerster, Norman. Outlines and Summaries 471
Foord, Edward. Napoleon's Russian Campaign of 1812. 260
Forbush, William Byron. Manual of Play 390
Fosbrooke, Gerald E. Character Reading through Anal-
ysis of the Features 149
Foster, George. Canadian Addresses 381
Fowler, Edith Henrietta. Patricia 346
Francis, J . O. Change 47
Freeman, R. Austin. A Silent Witness 467
Freud, Sigmund. Psychopathology of Everyday Life. . . 341
Frobenius, H. The German Empire's Hour of Destiny. . 45
Frost, Robert. A Boy's Will, American edition 430
Frost, Robert. North of Boston, American edition 430
Galsworthy, John. The Little Man, and Other Satires . . 427
Gardiner, John Hays. Harvard 214
Gaunt, Mary. A Woman in China 20
Gauss, Christian. The German Emperor as Shown in
His Public Utterances 418
Gehrts, M. A Camera Actress in the Wilds of Togoland 122
George, W. L. The Second Blooming 52
" Germany's War Mania " 303
Gerould, Katherine F. The Great Tradition, and Other
Stories 466
Gerstenberg, Alice. The Conscience of Sarah Platt 386
" Getting a Wrong Start " 390
Gibbons. Herbert Adams. The New Map of Europe. ... 46
Gibson, Rowland G. Forces Mining and Undermining
China 19
Gilman, Lawrence. Nature in Music . 84
PAGE
Goddard, Henry H. Feeble-mindedness 342
Goddard, Henry H. School Training of Defective Chil-
dren 342
Gowans, Adam L. Selections from Treitschke's Lec-
tures on Politics 44
Gowans, Adam L. The Twelve Best Tales by English
Writers 390
Gray, W. Forbes. Some Old Scots Judges 153
Greene, Francis V. Present Military Situation in the
United States 338
Gretton, R. H. History 306
Grey, Zane. The Lone Star Ranger 264
Griffiths, Arthur. Life of Napoleon 261
Haggard, H. Rider. Allan and the Holy Flower 386
Hale, E. E., and Dawson, F. T. Elements of the Short
Story 269
Hall, Holworthy. Pepper 426
" Handy Volume Classics " 390
Harrison, Henry Sydnor. Angela's Business 344
Hart, Albert Bushnell. The War in Europe 46
Hausrath, Adolf. Treitschke 44
Henderson, Archibald. The Changing Drama 76
Herzog, Rudolf. Sons of the Rhine 85
Heyking, Baroness von. Lovers in Exile 425
Hollander, Jacob H. Abolition of Poverty 23
Holt, Henry. On the Cosmic Relations 421
Hooker, Brian. Fairyland 348
Hopkins, Florence M. Allusions, Words, and Phrases.. 391
Hornaday, William T. Wild Life Conservation 309
Hosking, W. H. The South African Year Book, 1914... 89
Hovgaard, William. The Voyages of the Norsemen to
America 21
Howard, Bronson. The Autobiography of a Play 145
Howe, Frederic C. The Modern City 266
Howe, Winifred E. History of the Metropolitan Museum
of Art 215
Hull, W. I. The Monroe Doctrine 469
Hunt, Gaillard. Life in America One Hundred Years
Ago 349
Hunt, Gaillard. The Department of State 86
Hutchinson, Horace G. Life of Sir John Lubbock, Lord
Avebury 74
Hutchinson, W. E. By-ways around San Francisco Bay. 350
Hutchinson, Woods. Civilization and Health 121
Jane, L. Cecil. The Nations at War 121
Jepson, Edgar. Happy Pollyooly 347
Jones, Henry Arthur. The Theatre of Ideas 389
Jones, John P. India, new edition 471
" Kaiser, The Real " 44
Kauffman, Reginald W. In a Moment of Time 349
Kilpatrick, James A. Tommy Atkins at War 210
King, Charles. The True Ulysses S. Grant 391
Kittredge, George L. Chaucer and His Times 467
Koldewey, Robert. The Excavations at Babylon 347
Lange, Algot. The Lower Amazon 382
Lawrence, D. H. The Widowing of Mrs. Holroyd 48
Leacock, Stephen. Arcadian Adventures with the Idle
Rich 86
Learned, W. S. The Oberlehrer 58
Lee, Elizabeth. Mary Russell Mitford 415
Lehmann, Lilli. My Path through Life 87
Le Queux, William. At the Sign of the Sword 464
Lieder, Paul Robert. Tegner's Poems 21
Lippmann, Walter. Drift and Mastery 116
" Loeb Classical Library " 89
Loti, Pierre. On Life's By-ways 155
Lowell, Amy. Sword Blades and Poppy Seeds 12
Lund, Kathleen A. Oliver in Willowmere 467
Macaulay, Fannie C. The House of the Misty Star 385
McCabe, Joseph. Treitschke and the Great War 256
McCall, Samuel W. Life of Thomas B rackett Reed 42
McElroy, Robert McNutt. The Winning of the Far West 336
Mach, Edmund von. What Germany Wants 46
McKeever, William A. Industrial Training of the Girl. 58
Mackenzie, Compton. Sinister Street 53
MacManus, Seumas. Yourself and the Neighbours 85
MacMechan, Archibald. The Life of a Little College... 24
Maeterlinck, Maurice. The Unknown Guest 120
Mair, G. H. Modern English Literature 15
Markham, Edwin. California the Wonderful 386
Markham, Edwin. The Shoes of Happiness 310
Marsh, Richard. The Woman in the Car 466
Martin, Helen R. Martha of the Mennonite Country... 385
INDEX
PAGE
Matthews, Nathan. Municipal Charters 387
IHawson, Douglas. The Home of the Blizzard 201
Mayne, Ethel C. Letters of Dostoevsky 88
Mayne, Ethel Colburn. Browning's Heroines 258
Mead, William E. The Grand Tour in the Eighteenth
Century 147
.Melvin, Floyd J. Socialism as the Sociological Ideal.... 377
Merwin, Samuel. The Honey Bee 463
Miller, Elizabeth. Daybreak 425
Millicent Duchess of Sutherland. Six Weeks at the War 210
JUills, Enos A. The Rocky Mountain Wonderland 469
Moderwell, Hiram K. The Theatre of To-day 199
-Monroe, Harriet. You and 1 12
Montagu, Violette M. Napoleon and His Adopted Son.. 261
Mony penny, W. F. Life of Disraeli, Vol. Ill 308
Moorehead, Warren K. The American Indian in the
United States 458
Morgan, Morris H. Vitruvius 156
Moses, Irene E. P. Rhythmic Action 471
Moth, Axel. Glossary of Library Terms 216
Munsterberg, Hugo. Psychology 344
Miinsterberg, Hugo. The Peace and America 340
Muir, John. Letters to a Friend 294
Muirhead, W. A. Practical Tropical Sanitation 470
JMunn, Charles C. The Heart of Uncle Terry 386
Mursell, Walter A. Byways in Bookland 23
" My Ideas and Ideals " 418
JSTansen, Fridtjof. Through Siberia 387
"Nature and Science on the Pacific Coast" 461
Newman, Ernest. Wagner as Man and Artist 21
Newmarch, Rosa. Russian Opera 56
-Nexo, Martin A. Pelle the Conqueror: Apprenticeship. 53
Nivedita, Sister. Footfalls of Indian History 348
" Northern Patagonia " 381
Norton, Richard. Bernini 80
Ogden, R. M. Introduction to General Psychology 344
Onions, Oliver. Mushroom Town 306
Oppenheim, E. Phillips. The Double Traitor 463
Oppenheim, James. The Beloved 466
""Oxford Editions of Standard Literature" 89
Palmer, John. Comedy 306
Pankhurst, Emmeline. My Own Story 57
Park, Roswell. Selected Papers, Surgical and Scientific 214
Parker, G. H. Biology and Social Problems 88
Parker, William B. Edward Rowland Sill 143
Parrott, Thomas M. George Chapman's Plays, Vol. II.,
new edition 25
Pemberton, Henry, Jr. Shakespere and Sir Walter
Raleigh 89
Pepperman, W. Leon. Who Built the Panama Canal?.. 310
Peterson, William. Canadian Essays and Addresses 390
Phelps, William Lyon. Essays on Books 24
Phillipps, Lisle March. Art and Environment, revised
edition Ill
Phillpotts, Eden. Brunei's Tower 385
Pinero, Arthur Wing. Robert Louis Stevenson as a
Dramatist 145
Poe, Works of, Stedman-Woodberry edition, revised 216
Pollak, Gustav. International Perspective in Criticism. 426
Poole, Ernest. The Harbor 211
Powell, E. Alexander. Fighting in Flanders 209
Powell, E. Alexander. The End of the Trail 88
Powys, John C. The War and Culture 25
Prentice, E. Parmalee. Pericla Navarchi Magonis 348
Priest, George M. Germany since 1740 429
Reilly, Joseph J. James Russell Lowell as a Critic.... 388
Rhys, Ernest. Rabindranath Tagore 459
Richardson, Ernest C. Biblical Libraries 57
Ridge, W. Pett. The Happy Recruit 264
Rinehart, Mary R. The Street of Seven Stars 85
Robertson, J. M. Elizabethan Literature 24
Robinson, Edwin A. Van Zorn 48
Rohmer, Sax. The Romance of Sorcery 301
Rohrbach, Paul. German World Policies, trans, by
Edmund von Mach 303
Rolland, Romain. Musicians of To-day 82
Roosevelt, Theodore. America and the World War 337
Roy, Basanta K. Rabindranath Tagore 459
Royce, Josiah. War and Insurance 215
Russell, Bertrand. Scientific Method in Philosophy 65
Sadler, William S. Worry and Nervousness 60
Sarolea, Charles. How Belgium Saved Europe 389
Saunders, George. Builder and Blunderer 45
PAGE
" Scandinavian Monographs " 20
Schelling, Felix E. English Drama 151
Schreiner, Olive. Woman and War, pocket edition 269
Scott, Geoffrey. The Architecture of Humanism 18
Seawell, Molly E. The Diary of a Beauty 306
Selborne, John. The Thousand Secrets 426
Seltzer, Charles A. The Boss of the Lazy Y 467
Shand, Alexander F. The Foundations of Character.... 340
Shaw, Stanley. The Kaiser, new edition 419
Sheehan, P. A. The Graves at Kilmorna 347
Shelley, Henry C. Life and Letters of Edward Young.. 81
Shortt, Vere. Lost Sheep 385
Sibree, James. A Naturalist in Madagascar 155
Sihler, E. G. Cicero of Arpinum 22
Singmaster, Elsie. Katy Gaumer 265
Sladen, Douglas. The Confessions of Frederick the
Great and Treitschke's Life of Frederick the Great. 309
Sladen, Douglas. Twenty Years of My Life 456
Snaith, J. C. Anne Feversham 86
Spencer, M. L. Practical English Punctuation 23
Sterling, George. Beyond the Breakers 13
Stevenson, Burton E. Little Comrade 346
Stewart, Charles D. Some Textual Difficulties in
Shakespeare 297
Stockton, Richard, Jr. Peace Insurance 307
Stoothoff 's, Ellenor. The Nightingale 346
Stringer, Arthur. Open Water 11
Stringer, Arthur. The Hand of Peril 424
Strunsky, Rose. Abraham Lincoln 152
Strunsky, Simeon. Belshazzar Court 22
" Studies in Southern History and Politics " 422
Sukloff, Marie. The Life Story of a Russian Exile 54
Tagore, Rabindranath. Songs of Kabir 459
Tagore, Rabindranath. The King of the Dark Chamber 48
Tarkington, Booth. The Turmoil 265
Thomson, J. Arthur. The Wonder of Life 213
Thorndyke, Russell. Dr. Syn : A Smuggler Tale of
Romney Marsh 425
Thorne, Guy. The Secret Service Submarine 464
" Three Modern Plays from the French " 48
Thurstan, Frederick. Romances of Amosis Ra 347
Tipper, Harry, and Others. Advertising 430
Todd, Millicent. Peru: A Land of Contrasts 383
Topham, Anne. Memories of the Kaiser's Court 419
Treitschke, Heinrich von. Germany, France, Russia,
and Islam 256
Trevelyan, George O. George the Third and Charles
James Fox, Vol. II 14
Trevena, John. Sleeping Waters 265
Tiirck, Hermann. The Man of Genius 203
Tupper, Charles. Recollections of Sixty Years 380
Tupper, Frederick and James W. Representative En-
glish Dramas from Dryden to Sheridan , . 269
Tuttle, Florence G. The Awakening of Woman .... 471
Tyler. Therese. The Dusty Road 264
Upton, George P. The Song 427
Usher, Roland G. Pan-Americanism 338
Vachee, Colonel. Napoleon at Work 259
Van Vorst, Marie. Mary Moreland 462
Veer, Willem de. An Emperor in the Dock 305
Vega, Lope de. The New Art of Writing Plays 145
Vickers, Kenneth H. England in the Later Middle Ages 215
Villard, Oswald G. Germany Embattled 302
Vizetelly, Ernest A. My Adventures in the Commune. . 58
Wallace, William. The Musical Faculty 153
Wallas, Graham. The Great Society ' 343
Wallin, J. E. W. The Mental Health of the School Child .. 342
Walling, William English. Progressivism — and After. . 117
Ward, A. W., and Waller, A. R. Cambridge History of
English Literature, Vol. XI 205
Warren, Maude Radford. Barbara's Marriages 305
Watson, John B. Behavior 341
Wead, Katharine H. List of Series and Sequels for
Juvenile Readers 216
Weatherley, Cecil. Routledge's New English Dictionary,
second edition 430
Wells, Carolyn. The White Alley 467
Wells, H. G. Bealby 304
Wheeler, Howard D. Are We Ready ? 338
Whelpley, James D. American Public Opinion 121
Whipple, Wayne. Story-life of Napoleon 261
Whitridge, Frederick W. One American's Opinion of the
European War 340
INDEX
PAGE
"Who's Who" (in England), 1915 269
Wiley, Harvey W. The Lure of the Land 120
Williams, Charles R. Life of Rutherford Birchard Hayes 262
Williams, Jesse L. " And So They Were Married " . . . . 48
Williams, Sidney. A Reluctant Adam 305
Willsie, Honore. Still Jim 466
Wilson, Harry Leon. Ruggles of Red Gap 345
PAGE
Winter, William. Shakespeare on the Stage, second
series 373
Wolseley, Viscount. Decline and Fall of Napoleon, third
edition 261
Wright, Willard H. What Nietzsche Taught 267
Wyeth, John Allan. With Sabre and Scalpel 109
Young, F. E. M. Valley of a Thousand Hills... .. 305
MISCELLANEOUS
Adams, Charles Francis, Death of 271
Anti-German Misconceptions Corrected, Some. Edmund
von Mack 198
Appleton, Inc., Robert, New Publishing House of 157
Author's Protest, An. Kate Stephens 9
Cawein, Madison, Death of 25
Christian Women's Peace Movement, Prize Contest of the. 392
Coman, Katharine, Death of 90
Cook, Edward, Death of 431
Correction, A, and Some Other Matters. Louis C. Marolf. 331
Crane, Walter, Death of 271
Drama, " Literary " versus " Commercial." Helen McAfee 108
Dunlap Society, New Publications of the 123
Explanation, A Word of. Arthur E. Bostwick 253
Flecker, James EIroy, Death of 90
French Feminist of To-day, A. Benj. M. Woodbridge. . . . 140
Genius Unawares, Entertaining. Robert J. Shores 41
" German " and " American." Wallace Rice 106
Henderson, Charles R., Death of 270
Index Office, One Year of the '. . 432
Japanese Poetry, Imperial. Ernest W. Clement 142
Jefferson's Architectural Work. Fiske Kimball 332
John Crerar Library, Twentieth Annual Report of the. . . 473
Journalistic Jest, An Ancient. Walter Taylor Field 372
La Salle, A Spurious Derivation Attributed to. J. Sey-
mour Currey 370
Latin Americas, Literary Reciprocity with the. C. L. M. 332
" Le Museon " 432
London, A Blast from. Ezra Pound 40
Lounsbury, Thomas R., Death of 312
Meyer, B. M., Death of 25
Milton, A Textual Difficulty in. Louis C. Marolf 197
Milton — Did He Nod ? W. F. Warren 142
Mommsen and the War. F. H. Hodder 10
" Mommsen and the War." O. E. Leasing 73
Muir, John, Death of 26
New Rochelle, Library of 270
New York Public Library Lists of Noteworthy Books.... 218
Novel — When It Is Not a Novel. W. M. P 142
" Peace Insurance," The Fallacies of. Richard Stock-
ton, Jr 371
Pickard, Samuel T., Death of 157
Present Generation, Some Thoughts on the. A. 0 414
Ritson, Joseph. Henry A. Burd 1ft
Ruskin and War. Ralph Branson 141
Shakespearean Commentator, An Aggrieved. Charles D.
Stewart 454
Slavonic Publishing Co., Publications of the 351
Sophocles, A Quotation from, in Meredith's Letters. Wm.
Chislett, Jr 332
" Special Libraries " 472
" State Documents for Libraries " 472
" Stickeen," John Muir's 158
" Studies in Philology " 271
Thomases, In Praise of. Thomas Percival Beyer 413
" Tristram Shandy," " The Doctor " and. Russell Osborne
Stidston 293
War and Poetry. Ralph Bronson 197
War Poetry in Germany. Arthur Howard Noll. . . . . 414
THE DIAL
i/7 SEMI-MONTHLY JOURNAL OF
€ntuism, ffimnasian, anfr Jftrfcrrmaftcrn
FOUNDED BY
FRANCIS P. BROWNE
Volume LVI1I.
No. 685.
CHICAGO, JANUARY 1, 1915.
•> ctt. a copy . I PUBLISHED AT
$2. a year. ' 632 SHERMAN ST.
THE LIFE OF
THOMAS B. REED
By
Samuel W. McCall
From a three-column review in the Boston Transcript
" The best thing to say about McCalFs ' Life of Thomas B. Reed ' is that everyone
should read it. It is quite impossible to dissect and analyze the work. As a whole, it
gives a complete picture of the man and compels the reader to feel a sense of personal
acquaintance and friendship with him. Very likely a biography of Thomas B. Reed
more detailed and exhaustive will at some time be written and very likely his speeches
will be put before the public with some measure of completeness, but it is not too much
to say that ' Tom ' Reed will be known by McCall's book rather than by any other work,
however complete. Mr. McCall had many advantages for the undertaking of this work
and his selection to prepare it for the Statesmen's Series was not only a happy but
almost an inevitable one. He knew Mr. Reed well and intimately — very likely called
him ' Tom ' — certainly he himself was called ' Samuel,' for Mr. Reed eschewed the
abbreviated form by which his biographer is best known. He served in Congress with
him for eight years, delivered the oration at the unveiling of his statue at Portland, and,
being selected by the family for the writing of the book, has had free access to the
family papers. The great temptation for a man of Mr. McCall's scholarship and knowl-
edge of the history for the last four decades must have been to overweight the book
with the story of public affairs and to lose sight of the work as a biography. This
temptation has been resisted. The running story of parties and politics and measures
during Mr. Reed's public life is admirably but succinctly told, but the main purpose of
the book is everywhere in evidence and current affairs are used only as a setting of the
picture. Moreover, the author has allowed the subject to tell his own story and to create
his own impression. It would have been an easy matter to cull from letters and
speeches of Mr. Reed and from the numberless anecdotes told about him or attributed
to him a book of quadruple the size of the present volume, and it would have been of
distinct interest. The value of this work, however, is in the admirable selections which
have been made and the way in which they illustrate the life story which is being told.
Nothing is dragged in merely because it is eloquent or witty, but everything is placed
in its true position and perspective in the narrative. . . . The intimacy between Mr.
Reed and Mr. Long during the long years of their acquaintance is deliciously brought
out, and the picture of the table at The Hamilton, at which they both sat, is one to stir
the imagination of every lover of fun. ... It would be possible to extend this
review almost indefinitely, but it cannot be done without injustice to the work itself.
It should close as it began, with advice to read the work itself. To those whose knowl-
edge of public affairs embraces the eighties and nineties, the book will be of delightfully
reminiscent value. In reading it they will live over two decades in the crucial life of the
nation. To those who come later, there is history which should not be forgotten and the
life-size portrait of a great and many-sided actor in it."
BOSTON
Fully illustrated. $3.00 net. Postage extra.
HOUGHTON MIFFLIN COMPANY
NEW YORK
THE DIAL
[Jan. 1, 1915
THE WORKS OF RABINDRANATH TAGORE
"Rabindranath Tagore, the mystic poet of India, who in 1913 was awarded the Nobel Prize for Literature, more than
any of the preachers, teachers or writers of Europe or America, has given expression to deep philosophical and religious
insight, which is quickened with intellectual honesty and scientific clearness. Son of Abanindranath Tagore, a teacher
and artist, and brother of Dwijendranath Tagore, a philosopher, he belongs to a family which for generations has pro-
duced great men. In his youth he was surrounded by the influences of literature^ and music, and in his maturity he has
written prose and verse of amazing strength and lyrical beauty. He does not in his poetry set the themes of life to great
music; he speaks them in a soft voice to the heart with all the simplicity and directness of power. He takes the little in-
timate things which comprise life, and fashions them into pearls which reflect the color of the sky, the mightiness of love
and life. He has vision; he has intelligence in love, the last test of a man '* nature. ' ' — The Observer.
— Rabindranath Tagore 's Two New Books
"One of the most important of Tagore' s Works."
THE SONGS OF KABIR
Translated from the Original Bengaliby RabindranathTagore.
In this volume, Rabindranath Tagore renders in his
peerless English, and with deeply sympathic interpretation,
a selection of the songs of Kabir, the Hindu religious reformer
and conciliator whose teachings exercised an important
influence in upper India in the fifteenth and sixteenth
centuries. This book is one of the most important of
Tagore's works. Ready shortly. $1.25
"The most perfect expression of Tagore's geniits."
THE KING OF THE DARK
CHAMBER
Translated by the author from the Original Bengali.
"The most careless reader can hardly proceed far into
these inspired pages without realizing that he is in the
presence of holy things — of an allegory of the soul such as
has not before been told in the English tongue. . . . Happy
will be those readers whom the King of these pages does
not elude." — Chicago Evening Post. $1.25
Rabindranath Tagore's Other Works
" My eyes strayed far and wide before I shut them and said . . . Here art Thou! . . . Life of my life, I shall ever try to
keep all untruths out from my thoughts, knowing that thou art that truth which has kindled the light of reason in my mind.
I shall ever try to drive all evils away from my heart and keep my love in flower, knowing that thou hast thy seat in the
inmost shrine of my heart. " — Gitanjali.
"A book of supreme beauty; rare and wondrous." — The Express.
GITANJALI
(Song Offerings)
Translated by the author from the Original Bengali with
an Introduction by W. B. Yeats and a portrait by W. Rothen-
stein.
"Of trance-like beauty. . . . The expanding senti-
ment of some of the poems wins, even through the alien
medium of our English prose, a rhythm which in its strength
and melody might recall familiar passages in the Psalms or
Solomon's Song." — The Athenaeum. $1.25
'One of the great messages of modern times." — Pall Mall Gazette.
SADHANA
The Realization of Life.
Essays.
" Contains with a commendable freedom from decoration
the essence of Mr. Tagore's message to the Western world.
. . . Nothing could be clearer, more sensible, or more
generally illuminative." — The Daily Telegraph. "The
beauty of the language in which Tagore's philosophy is
enshrined defies analysis. " — Pall Mall Gazette. $1.25
"An unparalleled vision of childhood." — The Nation.
THE CRESCENT MOON
Child Poems.
Translated by the author from the Original Bengali.
With 8 illustrations in color.
_"A_ revelation more profound and more subtle than
'Gitanjali.' He opens to us the child-mind. . . . His
revelation of the child-mind is richer, more complete, more
convincing, than any of which we have had previous knowl-
edge. "—The Globe. $1.25
"Flowers of poetry as fresh as sunrise." — The Daily Mail.
THE GARDENER
Lyrics of Love and Life written in his youth.
Translated by the author from the Original Bengali,
with portrait.
"One cannot tell what these lyrics may have lost in the
translation, but as they stand they are of extreme beauty.
. . They are simple, exalted, fragrant — episodes and
incidents of everyday transposed to faery. — "The Daily Mail.
$1.25
"An allegory of love's meaning clear as a sunlit pool."
— The Observer.
CHITRA
Translated by the author from the Original Bengali.
"In 'Chitra' there is the exquisite grace of the best of
Mr. Tagore's other work, linked to the fragrance of an old
tale." — Country Life. $1.00
"A play from the heart." — Boston Advertiser.
THE POST OFFICE
Translated by the author from the Original Bengali.
"A story of pathetic beauty ... a touching vision
of childhood, its simple appeal is like that of a minor song."
— Boston Advertiser. $1.00
No one who cares for the best in modern literature should fail to become acquainted with the works of
Rabindranath Tagore, the new Eastern poet. Get your Bookseller or the Librarian to show you all of Mr.
Tagore's books and select for reading the one you think most likely to interest you. No one should be
ignorant of his work.
PUBLISHED AT
64-66 5th Ave., N.Y.
The Macmillan Company
ON SALE AT
ALL BOOKSTORES
THE DIAL
Semt'iiHonthljj Journal of Hiteratg Criticism, Discussion, anb Information.
THE DIAL (founded in 1880) is published on the 1st and
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Published by THE HENRY O. SHEPARD COMPANY,
682 So. Sherman St., Chicago.
Entered as Second-Class Matter October 8, 1892, at the Post
Office at Chicago, Illinois, under Act of March 3, 1879.
Vol. LVIII. JANUARY 1, 1915. No. 685.
CONTENTS.
DEMOCRACY AND THE THEATRE .... 3
DOSTOIEFFSKY. George Bernard Donlin . . 5
CASUAL COMMENT 7
A Voltairean view of war. — The quality of
naturalness in style. — A versatile nonogena-
rian. — -An artist for art's sake. — A Scottish
logician. — Data for future war-historians. —
Revived interest in Russian language and lit-
erature.— A delinquent book-borrower.
COMMUNICATIONS 9
An Author's Protest. Kate Stephens.
Mommsen and the War. F. H. Hodder.
Joseph Ritson. Henry A. Surd.
METRICAL FREEDOM AND THE CONTEM-
PORARY POET. Arthur Davison Ficke . 11
Stringer's Open Water. — Miss Lowell's Sword
Blades and Poppy Seed. — Miss Monroe's You
and I. — Sterling's Beyond the Breakers.
ENGLAND AND THE AMERICAN REVOLU-
TION. Laurence M. Larson . . . . .14
A COMPENDIOUS HISTORY OF ENGLISH
LITERATURE. Lane Cooper ..... 15
AN ICONOCLAST IN ARCHITECTURAL CRIT-
ICISM. Sidney FisTce Kimball 18
RECENT VIEWS OF CHINA. Olin Dantsler
Wannamaker . .19
BRIEFS ON NEW BOOKS ........ 20
Scandinavian literature in English. — A new
portrait of Wagner. — Insect biographies, new
and old. — An ambitious book on Cicero. —
Observations of a flat-dweller. — A useful book
on punctuation. — The adventures of a book-
lover. — A thoughtful discussion of poverty. —
A brief survey of the Elizabethans. — Essays
academic and literary. — Literary talks by
Professor Phelps.
BRIEFER MENTION 25
NOTES 25
TOPICS IN JANUARY PERIODICALS ... 26
LIST OF NEW BOOKS . 26
DEMOCRACY AND THE THEATRE.
We all wish art to be appreciated by every-
body. The chief difference of opinion is over
the question whether art should be brought
down to the many or the many brought up to
art. Most artists are earnest propagandists
of beauty, especially of the beauty they are
best able to see and record, but they rarely
believe that it is given to more than a few to
see beauty in any form. They are only less
cynical than those popular purveyors of
"amusement" who despise the public in order
that they may not despise themselves. But
occasionally there comes an artist, or, if not
an artist, a playwright, or a critic of the
drama, who believes not merely that art and
democracy can meet and understand each
other but that they have already done so.
Mr. "William C. de Mille, the author of a num-
ber of popular melodramas, is such a one. In
the current issue of "The Yale Review" he
maintains the thesis that the drama is a demo-
cratic art, "whose first essential is the power
of reaching the mass," and, hence, that the
receipts of the box-office are a measure of the
playwright 's skill and power :
" Other arts are for the select few, each appeal-
ing to its own comparatively small circle of fol-
lowers. But the drama is for the many ; it is born
not in the academy but in the heart of the great
social centre; it is shaped not by the critic but by
the demands of the audience; it is supported not
by endowment and private subscription but by
the people acting collectively; it is housed not in
the museum but in buildings maintained by the
public for this one purpose. It is the only art
which the people themselves control, and, through
that control, direct; it is essentially of the people,,
by the people, and for the people; and we should!
take this function into consideration in any dis-
cussion of the art; for if the drama is to fulfill
this basic condition it must be expressed in a form
that the mass will accept and support.
"... Because the drama is the art of the
whole people, it is the art of all arts which can1
act most strongly upon the people for their devel-
opment; the one art which can really be a great
force in the social and intellectual progress of the-
race. Indeed, the efficiency of drama to accom^
plish results is absolutely conditional upon its
being directed and governed by the mass; and it
follows necessarily that any influence which tends
to take the government of drama away from the-
THE DIAL,
(Jan. I
whole people is an unhealthy influence in that it is
undemocratic."
It seems perfectly clear that Mr. de Mille
believes that the drama is not only relatively
democratic, as compared with such other arts
as prose fiction or music, but absolutely
democratic. The only danger to the theatre
that concerns him is the presence in the com-
munity of a class which, "were it powerful
enough, would menace the democracy of dra-
matic art as any hierarchy of brains tends to
limit progressive thought :
" The ' highbrow ' would take from the people
its right of democratic suffrage to compel the pub-
lic to vote for plays nominated by the ' machine ' ;
and this method of selection would undoubtedly
corrupt drama as it does politics."
We are surprised that Mr. de Mille 's politi-
cal metaphor does not in the least remind him
of the actual conditions which prevail in what
he ironically calls the "commercial" theatre.
A play is seldom presented on the commercial
stage in this country unless one of the two-
score producing managers in New York is
persuaded that it will pay him to spend
$10,000 on it. Mr. de Mille may believe that
these gentlemen, whose decision is so gener-
ally absolute that exceptions to it may be ig-
nored as irrelevant, are peculiarly repre-
sentative of the American democracy. But
they suffer no such illusion ; they are frank to
admit in their reflective moments that they
cannot foretell the fate of a play one time out
of three ; in a word, that when their sole con-
cern is to choose the plays that the public
wants they fail far more often than they
succeed.
We might go on to ask Mr. de Mille how he
knows that the box-office receipts of a play
are an index of the public's favor; how he
can be certain that the money in the house is
a tribute to the skill of the playwright and
not to a matinee idol, or the leading lady's
gowns, or a whim of public opinion. But
there is a less doubtful point to consider.
When a play has been accepted by a manager
for production it is almost invariably pre-
pared in New York and presented to a New
York audience — those familiar visits to New
Haven or Atlantic City being in the nature
of a dress rehearsal rather than of a pre-
miere. The first-night audience is notoriously
a special one; and the audiences immediately
succeeding, which determine whether a play
is to continue in the theatre or leave it for-
ever, are only less special ; those who are not
the guests of the management are chiefly citi-
zens of New York who are willing and able to
pay $2 to see a play about which very little is
known. No one imagines that these persons
are representative of America, of a democ-
racy in which the average head of a family
enjoys an income of perhaps $600 or $700 a
year.
Can anyone contemplate the process by
which a play finally reaches a considerable
number of the more prosperous of those
Americans who live in or near the cities, and
seriously argue that it is a democratic process
by which is determined what sort of drama
the American people most want?
The case for the democracy of prose fiction,
or of music, is a good deal stronger. A novel
is so much more readily accepted for publica-
tion than a play for production that many
young men who would rather be writing plays
turn to fiction on that account alone. For
one thing, a novel requires only one-tenth the
investment on the part of the entrepreneur.
A novel has a year, or even more, in which to
find its audience as against the play's two
weeks, or three. A novel, when the fact that
a copy can be read by several persons is
taken into account, costs the consumer far
less than seats in the theatre. For that mat-
ter, the magazines have made entertainment
in the form of prose fiction quite as cheap as
entertainment in the form of moving pic-
tures. The case of music is equally striking.
Music in the form of grand opera visits only
the half-dozen largest cities, and even there is
offered only to those who have comfortable
incomes ; but music travels wherever a piano,
or a gramophone, or a flute may go. It might
well be argued that music is the most demo-
cratic of all the arts, and the one in which
the masters are most generally appreciated.
But no true art is in our day truly democratic.
Some day a great art and the great multi-
tude may come together in the theatre, which
has now so little of either. In the meantime
it ought to be understood that no art which
requires the expenditure of any but the small-
est sums on the part of those who enjoy it, can
be truly democratic in its appeal. The art of
the theatre among us is not of this descrip-
tion and for that reason alone it does not
exist for the majority of Americans. It is
now, as it has always been except under the
most extraordinary conditions in the past, the
privilege of the few to go to the theatre.
1915]
THE DIAL.
DOST01EFFSKY.
Those of us who feel that the best modern
fiction has been written in Russia are pro-
foundly grateful to Mrs. Garnett. She has
given us Tourguenieff and Tolstoi ; she is now
at work on Dostoieffsky, offering us the first
version in easy, idiomatic English that we
have seen. Four volumes have appeared;
others are promised, and we hope that she will
not weary of her task until she has enabled us
to enjoy a complete view of this disturbing
and impressive figure, the most deeply Rus-
sian of the Russians. Tourguenieff and Tol-
stoi we accepted at once, finding little to quar-
rel about in our critical estimates; but with
Dostoieffsky the case has been different. The
interval between those who praise and those
who depreciate is greater than with other
writers ; nor is this the most puzzling aspect
of the affair. We cannot foresee the reaction
of a given temperament. Thus, we hear
Nietzsche (obviously a little bewildered) con-
fessing that the chief exemplar, -in our time,
of his "slave morality" is the only man who
can teach him psychology. Yet Mr. Henry
James, who is a psychologist or nothing, finds
"Crime and Punishment" so little to his mind
that he cannot finish it. If we turn to Amer-
ica, we hear Professor Phelps asserting that
"of all masters of fiction, both in Russia and
elsewhere, he is the most truly spiritual. ' ' On
the other hand, Mr. Paul Elmer More plunges
us at once into the abyss by simply recording
the impression he carried away from "Crime
and Punishment. ' '
" Filth, disease, morbid dreams, bestiality, in-
sanity, sodden crime, these are the natural pathway
to the emancipation of the spirit; these in some
mysterious way are spirituality. And the same les-
son runs through Tolstoi and Strindberg and a
dozen other moralists who are, as it were, the
Prophets of our young."
Mr. More not only brackets Tolstoi with
Strindberg but throws in Mr. Shaw and Mr.
Galsworthy also, by way of good measure.
His looseness gives us a clue. This, we see, is
no mere aesthetic protest; it is a moral judg-
ment, delivered with all the heat our Amer-
ican critics so often reserve for purely moral
judgments. It may occur to us that this is
only the story of Ibsen over again. Not in the
least, since Dostoieffsky is orthodoxy itself, so
thoroughly in the tradition that Nietzsche
places him beside Pascal, "the only logical
Christian. ' ' And if we turn to a Continental
critic like Herr Otto Julius Bierbaum, we find
him in an entirely different quandary. How
is it possible, he asks, for us modern men to
read this "primitive Christian" with sympa-
thy? What ideal does he offer us? Passion-
ate humility; utter renunciation of the self;
the Christian virtues, in short! But we west-
ern peoples have travelled by a very different
road. We have achieved our destiny by an
active, not to say ruthless, assertion of the
will ; and this seems to us necessary and even
right. We must admit that Dostoieffsky 's
philosophy is deeply antipathetic. Only an
art comparable to that of the Greeks and of
Shakespeare can induce us to read him.
The paradox involved in this vehement con-
flict of opinion is not, after all, very difficult
to resolve. We do not need to chatter of art
for art's sake. As it happens, the group to
which Dostoieffsky belonged never claimed
the least license on the ground that they were
artists. They only approached the moral prob-
lem in the peculiar Russian way, which is
vastly different from ours. It often occurs to
us as we read the Russians that they would
make uncommonly awkward dinner guests.
They have not learned our caution, our conven-
tional reserves. Their conversational taboo
covers an amazingly small area. They are
infinitely curious, and there is no question
they will not put to themselves and to others.
Nor do they see the least reason why the truth,
once discovered, should be smuggled out of
sight like a shameful thing.
This stubborn integrity of the Russian soul
strikes us at once in Tolstoi and in Dostoi-
effsky. Tolstoi, in his old age, turns preacher.
Very well, but Tolstoi the novelist remains to
the end a vigorous truth-teller. He envisages
every form of meanness, lust, cupidity, in-
trigue, hypocrisy. His vision for these things
is not less sure than De Maupassant's. His
testimony, in other words, is not in the least
invalidated by his peculiar notions of what
constitutes a "good man." In Dostoieffsky,
too, we find this supreme disinterestedness of
the artist, co-existing with a genuinely fanati-
cal view of things. His sense of evil is pro-
found ; it obsesses and tortures him ; he cannot
rest until he has sketched every detail of it
into his macabre design. Yet it requires no
power of divination to see how he loathes it.
He is appalled and sickened, but he persists.
Even a careless reader can see that he is not
content to remain, like Balzac, the literary
secretary of society — Balzac into whose com-
plex nature there was kneaded, along with
transcendent genius, so much of the common
Paris mud. We feel, as we read, how power-
fully Balzac was seduced by wealth, luxury,
worldly success, the glittering and empty show
of things. Dostoieffsky is not under the
dominion of such thoughts; but his intuitive
understanding of how they work upon and
alter the minds of others is profound and even
THE DIAL
[Jan. 1
unique. Perhaps this is not wholly intuition,
either. Knowledge may have come to him by
more personal and direct ways, but with that
we are not concerned. It is not easy to convey
the peculiar quality of Dostoieff sky 's work,
though it is easy enough to feel it. After read-
ing a single novel, you say at once : Here is a
writer who gives us something thrill ingly
strange and new, a new kind of excitement of
the nerves even — for the effect of his work is
not wholly psychic. He communicates to us
the fever that so often tortures his characters,
and something, too, of their uncanny sense of
being on the verge of fresh and alarming spir-
itual discoveries. An ambiguous look, a sig-
nificant silence, a chance word — these carry
us at once out of our sunlit world into the
crepuscular depths of his strange creations.
Below the smooth surface, so familiar to our
eyes, there lurk unguessed and awe-inspiring
possibilities, as monsters lurk in the depths of
the sea.
For Dostoieffsky there are no commonplace
souls ; nor for us either, — while we read. His
people are rarely sophisticated in our western
sense; they are often incoherent, wild, the
victims of a fixed idea, unable in spite of their
incredible volubility to explain themselves
rationally. They live in their emotions with
an intensity that seems strange to our intellec-
tualized habit. If we learn from them, it is
rather new ways of feeling than of thinking ;
and that, at least, we do learn. The vulgar
and brutal murderers Dostoieffsky meets in
Siberia teach him. secrets, so that penologists
listen to him with respect. Each convict is an
individual in more than the statistical sense.
Neither cunning nor swagger deceives him.
The real man, he knows, lurks uneasily below
and is something quite different from the
morose mask he wears. Well, it is for this real
man that he lies in wait. The composite pic-
ture of the criminal appears, in some sort, in
' ' Crime and Punishment. ' '
In its machinery, this is but a sensational
police novel. Many persons, we are told, can
see in it nothing more. Raskolnikov, the
youthful murderer of two old women, carries
on his endless duel of wits with the police.
For some, possibly, the interest lies solely in
the external problem. Will Raskolnikov suc-
ceed in extricating himself? Will he ulti-
mately be caught in the cunning web that the
police magistrate (surely a great figure of his
kind) has spun ? One ventures to say that, for
those who know how to read, the drama of
"Crime and Punishment" is an inner drama
wholly, a drama of almost unendurable in-
tensity. Easkolnikov exhibits to the full the
singular insensibility which Dostoieffsky ob-
served in the murderers of Siberia. He is as
unlike Bill Sikes as possible; he knows no
remorse. But always there is the consuming
fear of detection, the terror of the law. And
above and beyond that, there is the fear of his
own inadequacy to meet the test of character
he has imposed ; for his crime is, in a way, an
experiment he is conducting on himself. He
can continue to believe in himself only so long
as he finds the courage and the skill to defy
society. His pride fails; his life crumbles
about him, and he is obliged to reconstruct it
on another plane. Siberia is thus but an epi-
sode in the tale of his regeneration.
If we turn from "Crime and Punishment"
to ' ' The Brothers Karamazov, ' ' we find a book
at once more formidable and more truly typi-
cal. Dostoieffsky here makes no concessions
to our laziness. It exhibits all his character-
istic faults, of which we hear so much, on a
gigantic scale. It is appallingly prolix, and
contains material (some of it superb) that is
wholly extraneous. It exposes to our view
such an inferno of vice, squalor, bestiality, and
disease as Dante never imagined. The Kara-
mazovs are a group of a father and three sons.
The father and the eldest son are deeply
marked with the characteristic Karamazov
taint : sensuality has reached in them almost
the pitch of insanity. The book opens on the
struggle of these two to possess a prostitute;
murder is clearly in the air and is presently
realized. The second son is at once subtler and
more sophisticated than most of Dostoieffsky 's
people, but he, too, is evil. Only the youngest
has escaped the Karamazov taint, and he, with
the "Idiot" of another novel, serves to give
us his creator's idea of a "good man. "
The method is that of drama; there is no
description of motive, no explanation. Dostoi-
effsky simply unrolls before us in a succession
of superb scenes the epic conflict in this tragic
family. After a few chapters, we fancy we
know his people; but this is an illusion fos-
tered by the shallow judgments we allow our-
selves. Dostoieffsky has a profounder sense
of spiritual values. Little by little, these
wretches reveal themselves, turning out under
our eyes the last secret folds in their depraved
souls. They are appalling, and yet they are
not that alone. They must know the truth
about themselves, for they are tortured both
by what they already know and by what they
only suspect. The candor with which they
confess the worst, has about it, after all, some-
thing not ignoble. The eldest brother calls
himself an "insect," one of the noxious crea-
tures cursed by God with the very delirium of
desire. He rails at himself endlessly ; his self-
contempt is boundless ; he exists in a perpetual
1915]
THE DIAL,
hell. Is it possible that he is at bottom a
hypocrite, shielding himself from the bitter-
ness of ultimate self-knowledge? And the
fierceness with which the second son lays hold
of his conscience is a revelation in subtlety, for
Dostoieffsky brings to bear on the problem of
moral casuistry an intellectual energy that
tries the brain like dialectics.
It has been urged that in all this we hear
not the talk of average men, but the inexorable
whisperings of the accusing conscience. And
there are those wrho complain that this is not
realism. But if realism is to concern itself
with surfaces only, how can it minister in any
satisfying way to our curiosity? Surely the
easiest way for it to become false and mislead-
ing, is to restrict its play too narrowly. At all
events, Dostoieffsky has justified, for some of
us, both his method and his material. The
world he reveals to us may be peopled with
creatures mean, diseased, abnormal, drunken,
the prey of every evil passion and perversity
— it does not matter. We feel, as we read,
that they are proper subjects for tragedy, and
even for the greatest tragedy.
One comes from this great Russian writer
with an uneasy realization of the superficiality
of our average judgments, the thinness of our
spiritual experiences. He increases our sense
of wonder and our capacity for awe. And he
adds immeasurably to our understanding of
the pathetic dignity of the downtrodden and
oppressed. He has found for their dumbness
a voice, poignant in its brooding sorrow and
lovely in its rich compassion. He touches both
the heights and the depths, remaining indif-
ferent only to that middle ground on which
most of us choose, for our comfort, to live out
lives.
GEORGE BERNARD DONLIN.
CASUAL COMMENT.
A VOLTAIREAN VIEW OF WAR may be of in-
terest at this time. Some one has called atten-
tion to the illuminating discourse between
Micromegas, gigantic dweller on one of the
planets revolving about Sirius, and a company
of our philosophers, as reported in the seventh
chapter of the amusing fantasy bearing the
name of the above-mentioned Sirian visitor.
A free translation of a part of this conversa-
tion is here offered. After congratulating his
terrestrial hearers on being so small and add-
ing that, with so manifest a subordination of
matter to mind, they must pass their lives in
the pleasures of intellectual pursuits and
mutual love — a veritable spiritual existence
— the stranger is thus answered by one of the
philosophers: "We have more matter than
we need for the accomplishment of much evil,
if evil comes from matter, and more mind than
we need if evil comes from mind. Do you
know that at the present moment there are a
hundred thousand fools of our species, wear-
ing caps, who are killing a hundred thousand
other animals wearing turbans, or who are
themselves being massacred by the latter, and
that almost everywhere on earth this is the
immemorial usage?" The Sirian, properly
shocked, demands the reason of these horrible
encounters between creatures so puny. "It
is all about a pile of dirt no bigger than your
heel," is the reply. "Not that any one of
these millions of men marching to slaughter
has the slightest claim to this pile of dirt ; the
only question is whether it shall belong to a
certain man known as Sultan or to another
having the title of Czar. Neither of the two
has ever seen or ever will see the patch of
ground in dispute, and hardly a single one of
these animals engaged in killing one another
has ever seen the animal for whom they are
thus employed." Again the stranger ex-
presses his horror, and declares he has half a
mind to annihilate with a kick or two the
whole batch of ridiculous assassins. "Don't
give yourself the trouble," is the rejoinder;
"they will accomplish their own destruction
fast enough. Know that ten years hence not a
hundredth part of these miserable wretches
will be left alive ; and know, too, that even if
they were not to draw the sword, hunger,
exhaustion, or intemperance would make an
end of most of them. Besides, they are not the
ones to punish, but rather those sedentary
barbarians who, from the ease and security of
their private apartments, and while their din-
ner is digesting, order the massacre of a mil-
lion men, and then solemnly return thanks to
God for the achievement." The visitor from
Sirius is moved with pity for a race of beings
presenting such astonishing contrasts.
• • •
THE QUALITY OF NATURALNESS IN STYLE is
something that defies analysis. Let one writer
express himself with a certain degree of what
may be called elegance, and the artificiality
of it is at once apparent, whereas the same
measure of rhetorical finish and ornament in
another writer will seem entirely natural.
The first writer calls up the image of a per-
son dressed in his seldom-used and carefully
brushed best clothes; the second represents
the man who is habitually well-dressed and
always at ease in his perfectly fitting raiment.
Just what it is that constitutes the ' ' Sunday-
go-to-meeting " character of the one suit of
clothes, and the every-day-in-the-week look of
the other, even though both be equally correct
and stylish, it is impossible to say. Probably
THE DIAL
[ Jan. 1
there is something in the manner of wearing
the clothes that makes the difference. Dr.
Garnett makes use of this sartorial simile in
closing his interesting "Remarks on American
and English Fiction" in the December "At-
lantic Monthly. ' ' He says : ' ' Another simile
that obtrudes itself in reading many Ameri-
can novels is that of a visit from kindly folk
who have come to a gathering in Sunday
clothes and with Sunday manners. The peo-
ple's week-day spontaneity is replaced by a
cautious preoccupation with their deport-
ment, as to how they are expected to behave,
and everything that they say is a little forced.
Even in the admirable novels of Mrs. Wharton
and Anne Douglas Sedgwick the conflict so
often depicted between the idealism of the
characters and their ordinary earthly motives
gives one an odd feeling that both their morals
and their manners are like tightly cut clothes
in which people cannot be quite at ease."
Whether or not this is harsh criticism, it is
enforced by an almost ludicrously apt quota-
tion from one of our leading novelists.
• • •
A VERSATILE NONOGENARiAN, remarkable for
the range and variety of his scholarly tastes
and literary accomplishments, died recently at
Pittsfield, Massachusetts. The Rev. Dr. Addi-
son Ballard, who was born at Framingham
ninety-two years ago last October, held from
first to last so many professorships in so many
colleges and universities, east and west, that
a list of them would only be a bewilderment
to the reader. Suffice it to say that at Wil-
liams College, where he took his bachelor's
degree at the age of twenty, he taught rhetoric
in his early life, and at the New York Uni-
versity he held the chair of logic in the last
years of his teaching, from 1893 to 1904, with
professorships of mathematics, astronomy,
Latin and Greek, moral philosophy, and other
branches scattered in between. His long
course of teaching furnished him with mate-
rial for a book entitled "Arrows, or Teaching
a Fine Art." and his experience as pastor of
churches in his native state and Michigan
qualified him to write "From Talk to Text"
and "From Text to Talk," also "Through the
Sieve," and other contributions to serious lit-
erature of a reflective or moral tone. A val-
iant pedestrian, he accomplished the feat of
climbing Monument Mountain (which in-
spired Bryant's poem of that name) in his
eighty-ninth year, and up to the very end he
set a pace in the streets of Pittsfield that many
a younger man might have found it difficult to
equal. One likes to hear of his daily walks
and his daily practice of memorizing some
classical phrase or some bit of verse. Daily,
too, he made it a point to write something, not
necessarily for publication, we infer, but
rather to keep his pen from rusting. For the
last eight years he had lived with his son, Mr.
Harlan H. Ballard, librarian of the Berkshire
Athenaeum, which is Pittsfield 's public library.
• • •
AN ARTIST FOR ART'S SAKE is revealed, unex-
pectedly to some, in the banker, philanthro-
pist, and veteran of our Civil War, Major
Henry Lee Higginson, as briefly portrayed in
Mr. M. A. DeWolfe Howe's history of "The
Boston Symphony Orchestra." In his early
twenties this octogenarian lover of music and
generous provider of the best in that art for
his city wrote to his father from Vienna, after
referring to the possibility of adopting music-
teaching as a calling: "But the pleasure,
pure and free from all disagreeable conse-
quences or afterthoughts, of playing and still
more of singing myself, is indescribable. In
Rome I took about eight lessons of a capital
master, and I used to enjoy intensely the
singing to his accompaniment my exercises
and some little Neapolitan songs. My rea-
sons for studying harmony are manifest. I
cannot properly understand music without
doing so; moreover, it is an excellent exercise
for the mind. As to writing music, I have
nothing to say ; but it is not my expectation.
It is like writing poetry; if one is prompted
to do so, and has anything to say, he does it.
But I entirely disavow any such intention or
aim in my present endeavor, — and this I wish
to be most clearly expressed and understood,
should any one ask about me. / am studying
for my own good and pleasure. ... It is only
carrying out your own darling idea of making
an imperishable capital in education. My
money may fly away; my knowledge cannot.
One belongs to the world, the other to me."
The accident, a bodily injury grievous for the-
young man to bear, which later led to Mr.
Higginson 's devoting himself to business
rather than to music, adds a pathetic interest
to the too-brief biography forming the open-
ing chapter of Mr. Howe's book.
A SCOTTISH LOGICIAN of more than Scottish
fame, successor to Sir William Hamilton as
professor of logic and metaphysics in Edin-
burgh University, and author of many books
relating to his department of study, died a
few weeks ago, rich in honors and full of
years. Alexander Campbell Fraser was born
September 3, 1819, and finished his education
at the university where he was to help educate
others for almost half a century. He was pro-
fessor of logic at New College, Edinburgh,,
1915]
THE DIAL
from 1846 to 1856 ; editor of the ' ' North British
Review" from 1850 to 1857 ; professor of logic
and metaphysics, in succession to Hamilton,
who had just died, from 1856 to 1891 ; profes-
sor emeritus after closing his active labors in
the university; and throughout his years of
maturity he wrote philosophical essays, biogra-
phies of noted philosophers, and other books
of some note. His ' ' Life and Letters of Berke-
ley," published in 1871, was his first consid-
erable work, and he also wrote the life of
Thomas Reid, contributed the volumes on
Locke and Berkeley to the series of "Philo-
sophical Classics," put forth a two-volume
"Philosophy of Theism," and at eighty-five
gave to the wrorld his "Biographia Philo-
sophica, a Personal Retrospect." His recrea-
tions, says "Who's Who," were "country life
and visits to scenes of biographical or histori-
cal interest. ' ' A fine example he certainly was
of the scholarship of the northern Athens.
• • •
DATA FOR FUTURE WAR-HISTORIANS are being
•systematically collected and preserved by the
Harvard University Library, which appeals to
alumni and others to aid in the work. Books,
of which already there are more than a few,
war maps, files of newspapers from the war
zone and from neutral countries, official de-
spatches, and other like material are included
in the collection, which already is at the
service of students. Among newspapers, the
library is receiving the London "Times,"
Westminster "Gazette," the Paris "Temps"
and "Figaro," the Milan "Corriere della
Sera," the Vienna "Neue Freie Presse," the
Berlin "Allgemeine Zeitung, " and the Mu-
nich "Neueste Nachrichten. " The American
•colony at Munich, or some of its members,
made notes of the earlier events of the war,
and these notes have been given to the library,
together with daily papers from Lucerne,
Zurich, and Geneva. These and other for-
eign journals are regarded as especially im-
portant sources of information. But what a
mass of mutually contradictory and often
unblushingly false information the future
historian will have to sift as he wades through
all this accumulation of reading matter !
• * •
REVIVED INTEREST IN RUSSIAN LANGUAGE AND
•LITERATURE seems to be indicated by recent
action at the University of Chicago, where,
under the terms of a gift from Mr. Charles
R. Crane, instruction in these branches is
about to begin. In other words, Mr. Samuel
Northrup Harper, eldest son of the late Presi-
dent Harper, and graduate of the University
in the class of 1902, has been called from his
post as lecturer in the School of Russian Stud-
ies at Liverpool University, and has been made
an assistant professor at his home university,
with the Russian language and institutions as
his special department. The new courses will,
it is expected, begin with the winter quarter,
and in the spring there will probably be
offered courses in Russian literature and his-
tory. Books and periodicals relating to all
these courses will be added to the library, and
additional lecturers from Russia will be en-
gaged. Mr. Harper has devoted himself since
graduation to Russian studies, much of the
time in Russia itself, and has edited a Russian
reader, a substantial volume of about four
hundred pages issued by the University of
Chicago Press.
• • •
A DELINQUENT BOOK-BORROWER is the heavi-
ness of the too-trusting lender. From West-
boro, Massachusetts, comes the report of a
library book taken out more than a century
ago — in 1811, to be exact — and only the
other day returned, whether by the great-
grandchild or great-great-grandchild (or still
more remote descendant) of the borrower, we
cannot say. But there is cheer to despairing
librarians in this remarkable recovery of what
must have been long ago entered on the rec-
ords as a hopelessly lost volume. Paraphras-
ing the good old hymn, the worried head of
the circulation department can henceforth
comfort himself (or, more often, herself)
with the assurance that while the lamp holds
out to burn, the long-lost volume may return.
COMMUNICATIONS.
AN AUTHOR'S PROTEST.
(To the Editor of THE DIAL.)
In a recent issue of THE DIAL, in a paragraph
speaking of my book, " The Greek Spirit," are
many misrepresentations in point of fact. Four
of the misrepresentations prompt me to send you
the following:
First : Your reviewer writes, " We find an
American thumb-print in the use of humans in the
sense of men and women." Humans, " in the sense
of men and women," is an old English word. I
have met it, I think, in a black-letter Holinshed
printed in London in 1584-5; certainly in other
old English books. The reason of the use of the
word in old times and now is clear — it has the
advantage of connoting what no other word in our
noble English speech explicitly connotes. If your
reviewer will turn to the word in "A New English
Dictionary," edited by Sir James Murray, he will
find a quotation from Lowell to the effect that
George Chapman, contemporary of Shakespeare
and Ben Jonson, habitually used " humanes," in
its common meaning, in his translation of Homer.
Your reviewer will also find humans, " in the sense
of men and women," in writings of the Scottish
10
THE DIAL
[Jan. 1
Robert Louis Stevenson and of Englishmen of our
day.
Second : Your reviewer also finds " an unhy-
phened, half-German locution in the ugly words
their art gift." Most excellent publications in
England as well as in this country have used such
words as art, race, without hyphen, adjectively,
these past fifty years; centuries longer, if the
phrase art magique is included. Art, has even
come into such popular uses as " art union," " art
squares."
Third : " Subjects and predicates do not gener-
ally play hide-and-seek with the reader as in this:
' Cereals grew in sunlit tillage, the grape sacred
through its use in the religions of many peoples,
the gray-green olive, other esculent fruits, and
horned cattle grazed in meadows dotted by bene-
factive forest trees.' " Subject and predicate play
no hide-and-seek in this quoted sentence. It is
plain, legitimate, parsable by a schoolboy.
Fourth: Your reviewer speaks of competition
with others. My book strives with none. Its plan
and its philosophy, its content determining dis-
tinctive features of a race spirit and tracing the
evolution of that race spirit from earliest begin-
nings to the end, show that the book is different
from what he terms my, or its, " dangerous rivals."
As to Professor Basil Gildersleeve's beautiful
" Hellas and Hesperia," your reviewer should re-
call that, upon its publication, a paragraphing
fellow of his pronounced upon it with all the
fatuous impertinence of incompetents of his craft.
KATE STEPHENS.
New York City, Dec. 15, 1914.
MOMMSEN AND THE WAR.
(To the Editor of THE DIAL.)
Much has been written of the influence of
Nietzsche, as adapted and popularized by Treit-
schke, in creating the conditions out of which
sprang the present war. While that influence
undoubtedly has been great, it by no means marks
the beginning of German aspirations to world
hegemony. When the development of this motive
shall have been traced, I venture to predict that
Mommsen's glorification of Roman imperialism
will be found to have been an important factor.
From many passages in his "History of Rome,"
which might be quoted in illustration of this point,
I select three, which may be found on pp. 3, 6,
and 440, respectively, in Vol. V. of the American
edition of 1900 :
" By virtue of the law, that a people which has
grown into a state absorbs its neighbors who are in
political nonage, and a civilized people absorbs its
neighbors who are in intellectual nonage — by virtue
of this law, which is as universally valid and as much
a law of nature as the law of gravity — the Italian
nation (the only one in antiquity which was able to
combine a superior political development and a supe-
rior civilization . . .) was entitled to reduce to sub-
jection the Greek states of the East which were ripe
for destruction, and to dispossess the peoples of
lower grades of culture in the West. . . ."
"There was a direct political necessity for Rome
to meet the perpetually threatened invasion of the
Germans . . . beyond the Alps, and to construct a
rampart there which should secure the peace of the
Roman world. But even this important object was
not the highest and ultimate reason for which Gaul
was conquered by Caesar. When the old home had
become too narrow for the Roman burgesses and they
were in danger of decay, the senate's policy of Italian
conquest saved them from ruin. Now the Italian
home had become in its turn too narrow; once more
the state languished under the same social evils re-
peating themselves in similar fashion upon a grander
scale. It was a brilliant idea, a grand hope, which
led Caesar over the Alps — the idea and the confident
expectation that he should gain there for his fellow-
burgesses a new boundless home, and regenerate the
state a second time by placing it upon a broader
basis."
" For Rome alone history not merely performed
miracles, but also repeated its miracles, and twice
cured the internal crisis, which in the state itself was
incurable, by regenerating the state. There was
doubtless much corruption in this regeneration; as
the union of Italy was accomplished over the ruins of
the Samnite and Etruscan nations, so the Mediterra-
nean monarchy built itself upon the ruins of count-
less states and tribes once living and vigorous; but
it was a corruption out of which sprang a new
growth. . . . What was pulled down for the sake of
the new building, was merely the secondary nationali-
ties which had long since been marked out for de-
struction by the levelling hand of civilization."
Much could be said in comment upon these ex-
tracts but their application is sufficiently obvious.
Repeatedly does Mommsen assert the right of con-
quest that belongs to the union of superior organi-
zation in the state and superior " kultur " in the
people. The relation of the war to the subjective
desire to check the growth of social democracy I
leave to the reader. Mommsen's " History " was
completed in 1857. In his later life he deprecated
the growth of militarism, but the harvest was the
legitimate fruit of the seed that he had himself
sown. At -the annual meeting of the American
Society of International Law last April, Mr.
Charles Francis Adams quoted the first of the
passages given above and christened its content
" Mommsen's law." He remarked that it mas-
queraded under various aliases, such as " manifest
destiny" and "benevolent assimilation," and he
might have added " peaceful penetration " and
" international right of eminent domain." As
Viscount Bryce has recently said : " The war is a
struggle between ideals — the ideal of a military
state resolved to dominate all the neighboring
countries and the ideal of peaceful communities
dwelling in tranquillity under the protection of
treaties." The fact that British interests are bound
up in the triumph of the latter ideal does not alter
the case. So are the interests of civilization.
. F. H. HODDER.
Lawrence, Kan., Dec. 19, 1914.
JOSEPH RITSON.
(To the Editor of THE DIAL.)
I am preparing what I hope to make an exhaus-
tive treatment of Joseph Ritson's life and work.
If any of your readers have knowledge of unpub-
lished letters to or from Ritson, or of any Ritson
manuscript whatever, I should esteem it a great
favor if they would communicate with me.
HENRY A. BURD.
University of Illinois, TJrbana, Dec. 18, 1914.
1915]
THE DIAL,
11
METRICAL, FREEDOM AND THE
CONTEMPORARY POET.*
Poets have grown either less bold or more
courteous than they were in the days when
the authors of ''The Dunciad" or of "English
Bards and Scotch Reviewers" blackened
many a fellow- writer's face with adroit mud.
One need hardly bemoan the fact, since the
admirable wit of those productions barely
compensated for their execrable taste. But
enthusiasm for even impersonal literary con-
troversy seems lacking to-day; and differ-
ences of opinion so sharp that they might once
have divided the poets into two hostile camps
now scarcely serve to embroil them with their
next-door neighbors.
Only thus can one explain the fact that open
warfare has not broken out between the pro-
ponents of the lately resurrected theory of
vers libre and the adherents of the orthodox
type of regularly rhythmical metres. A genu-
ine difference of opinion and of temperament
is involved. On the one side stand the writers
who demand complete freedom of rhythm as a
requisite for expressing the free and irregular
contours of emotion; and on the other side
stand those who regard metrical regularity as
the sole instrument by which high emotion can
be given successful expression.
Mr. Arthur Stringer, in the Foreword of his
new volume, "Open Water," states the first
of these positions with some elaboration. The
traditional technique of rhythm and rhyme is,
he believes, as hampering and anachronistic as
the chain-armour of the Middle Ages would
be to a modern soldier ; the poet of to-day is
unable to achieve natural expression under
such a handicap. Mr. Stringer points out
very truly that the almost boundless liberty
afforded by blank verse is not available to the
poet except for large, almost epical, themes;
therefore, in actual practice, rhymed verse
alone remains to him for "the utterance of
those more intimate moods and those subjec-
tive experiences which may be described as
characteristically modern." But rhymed
verse forces him to "sacrifice content for
form," and has "left him incapable of what
may be called abandonment. ' ' Even regular-
ity of rhythm, where no rhyme is present,
"crowds his soul into a geometrically designed
mould."
* OPEN WATER. By Arthur Stringer. New York : John
Lane Co.
SWORD BLADES AND POPPY SEED. By Amy Lowell. New
York : The Macmillan Co.
You AND I. By Harriet Monroe. New York : The Macmillan
Co.
BEYOND THE BREAKERS. By George Sterling. San Fran-
cisco: A. M. Robertson.
The objection to Mr. Stringer's plausible
theory lies in his own admission that formal
rhythm and rhyme supply "definiteness of
outline" and "give design to the lyric."
Without the agency of a fixed rhythm, it is
almost impossible to achieve those recurrences,
pulses, waves, and echoes whose function in
poetry is no adventitious or superfluous one.
A fixed cadence alone can serve as a base for
all the musical variations that the poet may
wish to employ ; and his success here is vital.
Deprive "Lycidas" of its antiphonal organ-
roll of sound, its great succession of mounded
harmonies, — and it would be nothing. The
design is the poem. The metrical form is the
very condition, the true means, of the poet's
success. That spontaneous expression of emo-
tion for which Mr. Stringer pleads is not
likely to result in poetry at all; what turns
raw feeling into poetry is precisely the com-
pression of the material into an artful pat-
tern, an expressive structure, an intelligible
design. Not sobs, but music whose tone has
sobs buried in it, — not laughter, but the song
that dances with winged feet, — come within
the categories of art. In the process of turn-
ing emotion into art, some loss has to be suf-
fered ; but the loss is not so large as Mr.
Stringer would have us believe. To sacrifice
content for form, as he tells us we now do,
would indeed be lamentable ; but on the other
hand, to sacrifice form for content means sim-
ply to break the bottle that might have held
at least a part of the wine. The competent
craftsman does not, however, have to choose
between these evils. Form is his opportunity,
not his prison, — as some of Mr. Stringer's
own earlier lyrics prove. Most writers would
agree that the exigencies of rhyme suggest
felicitous excursions of thought far more fre-
quently than they inhibit the exact statement
of an idea in all its original integrity. The
practiced poet learns not to formulate his idea
too rigidly in advance, but to let it develop
and grow like an unfolding vine over and
through the lattice of his metrical trellis.
After all, the sole criterion by which any
artistic theory can be judged is its success in
practice. Mr. Stringer's practice of vers libre
is not a convincing exemplification of the vir-
tue of his theory. One of the best, and also
one of the most regular, of his poems is the
following, entitled "The Wild Swans Pass":
" In the dead of night
You turned in your troubled sleep
As you heard the wild swans pass ;
And then you slept again.
" You slept —
While a new world swam beneath
That army of eager wings,
12
THE DIAL
[Jan. 1
While plainland and slough and lake
Lay wide to those outstretched throats,
While the lone far Lights allured
That phalanx of passionate breasts.
" And I who had loved you more
Than a homing bird loves flight, —
1 watched with an ache for freedom,
I rose with a need for life,
Knowing that love had passed
Into its unknown North ! "
It is hard not to feel that even this finely con-
ceived picture needs the melody of a more defi-
nitely patterned form, — that we shall forget
this nebulous strain to-morrow, but that if it
had been woven through the rhythm of a true
music, however hesitant its beat, we could
never forget it.
Miss Amy Lowell, also, has provided her
volume, "Sword Blades and Poppy Seed,"
with a Preface in which she raises the question
of metrics. "Unrhymed cadence," as she
prefers to call vers libre, differs from the
rhythms of ordinary prose "by being more
curved, and containing more stress." This
statement justly suggests that it is to prose
and not to regularly rhythmical verse that we
must look for the prototype of vers libre. Miss
Lowell has used "unrhymed cadence" for
many, but not all, of her poems ; and she ex-
pressly disclaims being an exclusive partisan
of either form. Technique of versification is
only one of many techniques that interest her.
Her most notable quality appears in the open-
ing passage of the volume.
" A drifting, April, twilight sky,
A wind that blew the puddles dry,
And slapped the river into waves
That ran and hid among the staves
Of an old wharf. A watery light
Touched bleak the granite bridge, and white
Without the slightest tinge of gold,
The city shivered in the cold.
All day my thoughts had lain as dead,
Unborn and bursting in my head.
From time to time I wrote a word
With lines and circles overscored.
My table seemed a graveyard, full
Of coffins waiting burial . . ."
The sharply etched tones and contours of this
picture are characteristic of the author's work.
Sometimes, however, an extreme carelessness,
very different from that painstaking care
which she praises in the "clear-eyed French-
men," mars her verse. "Were" does not re-
spectably rhyme with "where," nor "vault"
with "tumult," nor "Max" with "climax,"
nor "time" with "thyme"; yet this entire
group of deformities occurs within the space
of nineteen consecutive lines. This is no mere
breaking of technical rules ; it is the destruc-
tion of beauty. If the requirements of rhyme
so irk a writer, it would be better to follow
Mr. Stringer's example and use vers libre
only. In ' ' unrhymed cadence, ' ' Miss Lowell 's
cadences are sometimes extremely delicate, as
in "The Captured Goddess":
" Over the housetops,
Above the rotating chimney-pots,
I have seen a shiver of amethyst,
And blue and cinnamon have flickered
A moment
At the far end of a dusty street.
" Through sheeted rain
Has come a lustre of crimson,
And I have watched moonbeams
Hushed by a film of palest green.
" It was her wings,
Goddess !
Who stepped over the clouds,
And laid her rainbow feathers
Aslant on the currents of the air. . . ."
But to some readers, this passage will be
merely an added proof of the fact that good
vers libre is absolutely not so expressive as
good rhythmical verse. Several passages on a
similar theme in Shelley's "Prometheus Un-
bound" confirm such an opinion; nor is the
comparison an unfair one, since every writer
must endure the rivalry of the whole body of
his predecessors. "Unrhymed cadence" at its
best can hardly convey that intensity of effect
which is poetry's peculiar function; certain
clear emotional heights are as impossible of
attainment by it as by prose.
Not so pliant, not so accurate, not even so
free a medium for expression as the old
rhythms ! To say a thing directly, — to cry it
out, — is not necessarily to express it. The
complexities of rhythm and rhyme are not
always a hindrance to the expression of com-
plex thoughts. The poet's need is sometimes
best served by that great world of musical
signals and emotional calls which is at the
disposal of him who accepts the convention
that governs rhythmical verse, and employs
this very convention as the instrument for
evoking emotions that could never be evoked
by naturalistic means. The supreme element
of poetry comes into being only with that
peculiar lift and flight which the disembodied
imagination can take on the wings of formal
geometrical beauty.
Miss Harriet Monroe, in her newly collected
volume, "You and I," experiments with vers
libre; but the pieces written in this style are
few in number. Modernity in other than
metrical matters chiefly marks her ambitions.
In many of her poems she attempts with
seriousness and devotion to consecrate poetry
to the task of expressing modern industrial
life. "The Hotel," "Night in State Street,"
1915]
13
' ' The Turbine ' ' are the titles of the first three
poems in the book; and their names indicate
something of the author's aim. It is not
wholly demonstrable that so specifically pur-
posed an interest in the concrete and not
always significant aspects of modernity is the
best way of attaining this end. There is in
such an effort too much of the conscious intel-
ligence and too little of those blind tides of
passionate understanding which alone pour
greatness into poetry. Yet these are rather
well-known poems, which have given pleasure
to many "people of high degree"; and it is
perhaps a work of supererogation, — or worse,
of arrogance, — to criticize unfavorably cer-
tain conceptions that find place in them. The
critic must, however, unsociably go his own
chosen way, lighted by his own lantern. In
some instances he may find himself unable to
follow Miss Monroe. To view the turbine, —
its purring revolutions, its hidden lightnings,
its moods and rebellions, — as a proud tempes-
tuous woman, seems an example of that kind of
poetic imagination which does not interpret
but rather encumbers the true essence of its
theme. In the poem "Our Canal," also, the
lines
" 0 Panama, 0 ribbon twist
That ties the continents together."
are surely a bad, a false, a really unimagina-
tive way of seeing the world of things as they
are.
Miss Monroe's best work is not in this vein.
Here she seems like a Christina Rossetti led by
an infelicitous chance into an alien and un-
mastered world of modern mechanics, where
her very genuine powers are largely useless.
Her best accomplishment is in the vein of less
ambassadorial utterance, — in personal poems
where she subdues a smaller world more per-
fectly to the service of poetry. Take the fol-
lowing sonnet:
" Look on the dead. Stately and pure he lies
Under the white sheet's marble folds. For him
The solemn bier, the scented chamber dim,
The sacred hush, the bowed heads of the wise,
The slow pomp, the majestical disguise
Of haughty death, the conjurer — even for him,
Poor trivial one, pale shadow on the rim,
Whom life marked not, but death may not despise.
Now is he level with the great; no king
Enthroned and crowned more royal is, more sure
Of the world's reverence. Yesterday this thing
Was but a man, mortal and insecure ;
Now chance and change their homage to him bring
And he is one with all things that endure."
This dignified passage, written probably some
time ago, may serve to remind the reader once
more of the value of the very old and, as Miss
Monroe herself now believes, "exhausted"
sonnet form. In "The Wonder of It" also,
Miss Monroe has no difficulty in aptly turning
conventional rhyme and rhythm to her own
fantastic and original uses :
" How wild, how witch-like weird that life should
be!
That the insensate rock dared dream of me,
And take to bursting out and burgeoning • —
Oh, long ago — yo ho ! —
And wearing green ! How stark and strange a thing
That life should be !
" Oh, mystic mad, a rigadoon of glee,
That dust should rise, and leap alive, and flee
Afoot, awing, and shake the deep with cries — •
Oh, far away — yo hay !
What moony masque, what arrogant disguise
That life should be!"
Mr. George Sterling, an experienced metrist,
trained in the great lyric tradition of the past,
is wholly faithful to rhythmical verse in his
new volume "Beyond the Breakers." All the
freedom that he needs he takes for hims_elf
within the compass of regular rhythms. How
little cramped he is, a passage from his
"Browning Centenary Ode" may attest:
" 0 vision wide and keen !
Which knew, untaught, that pains to joyance are
As night unto the star
That on the effacing dawn must burn unseen.
And thou didst know what meat
Was torn to give us milk,
What countless worms made possible the silk
That robes the mind, what plan
Drew as a bubble from old infamies
And fen-pools of the past
The shy and many-colored soul of man.
Yea ! thou hast seen the lees
In that rich cup we lift against the day,
Seen the man-child at his disastrous play —
His shafts without a mark,
His fountains flowing downward to the dark,
His maiming and his bars,
Then turned to see
His vatic shadow cast athwart the stars,
And his strange challenge to infinity. . . ."
It is interesting to speculate as to how the
devotee of vers libre would have gone about'
attaining this lift and soar of flight. It may
be doubted if he could possibly do so except by
falling back upon that fairly regular variety
of free metre which Matthew Arnold and
Milton sometimes employed. To achieve that
peculiar thing which we call poetry, a sus-
taining, emotion-heightening recurrence of
rhythm is as indispensable as music is to opera.
The sole debatable question is, how regular
must the recurrence be to produce the desired
trance-like effect? Vers libre often comes
perilously near to the less insistent rhythms of
prose, and loses the characteristic power of
poetry thereby.
ARTHUR DAVISON FICKE.
14
THE DIAL
[Jan. 1
ENGL.AXD AXD THE AMERICAX
REVOLUTION.*
In 1834 George Bancroft published the first
volume of his ' ' History of the Colonization of
the United States," which was followed eigh-
teen years later by a " History of the Revolu-
tion in North America. ' ' For a long time the
spirit of George Bancroft animated the writing
of American history, and even after two gener-
ations the influence of his early pioneer work
is still to be reckoned with. Bancroft came
well prepared to his work and while in the
diplomatic service had unusual opportunities
to collect materials for the continuation of his
great undertaking ; but in the first half of the
nineteenth century, when the memories of two
wars with England were still fresh in the
popular mind, it was scarcely possible to view
the events of the later colonial period in their
true light. In recent years the researches of
Professor Osgood, Mr. G. L. Beer, and others
have in a large measure discredited the con-
clusions that Bancroft stated with such patri-
otic fervor : it has come to be seen that there
were deeper causes than the quarrel over taxa-
tion for the separation from England, and
that it was probably the complexities of the
imperial problem rather than mean-spirited
politics that led the English government to
take the unfortunate course of action that it
followed in 1765 and the succeeding years.
It is therefore strange to find Bancroft's
discredited viewpoint taken by a most re-
spectable historian from across the seas.
About a dozen years ago Sir George Otto
Trevelyan began to write a history of the
American Revolution, of which the sixth and
last volume has just been published. For no
very good reason, it seems, the last two vol-
umes have been called ''George III. and
Charles James Fox." George III. is no more
prominent in these than in the earlier ones
and the same may be said of Charles Fox. It
' is true, however, that Sir George regards the
English phase of the conflict as a struggle be-
tween the opposing political systems that
these two stood for; and in tracing this con-
flict the author does not attempt to conceal the
fact that his sympathies are wholly on the side
of Fox and the Whigs. Whatever the merits
'of the American Revolutionary movement, and
Sir George believes in the essential justice of
the American cause, the Revolution, and espe-
cially its outcome, had great importance for
the history of constitutional government by
rendering impossible the plans of George III.
* GEORGE THE THIRD AND CHARLES JAMES Fox. Being the
Concluding Part of " The American Revolution." By the
Right Hon. Sir George Otto Trevelyan, Bart. In two vol-
umes. Volume II. New York : Longmans, Green & Co.
The cause of English liberty was victorious —
on American battle-fields.
A work of this type would naturally meet
with much criticism from both English and
American reviewers. American reviewers
have insisted that the work is really a history
of England during the period of the American
war ; and that on the American side it shows
little originality, being chiefly a compilation
from older American sources. These critics
feel that the author has not attempted to
fathom the deeper problems of our history
during and immediately before the Revolu-
tion. English reviewers, on the other hand,
have insisted that, while the American patriots
may have had the right on their side, they
were not so virtuous (nor the English states-
men so villainous) as Sir George would have
us believe. It has also been charged that his
statements are not always accurate and that
his emphasis is often misplaced. There is
some truth in the charge that the author does
not always distinguish nicely between impor-
tant and unimportant matters: in his last
volume, for instance, he describes in great
detail two duels, one between Fox and Adam
and the other between Shelburne and Fullar-
ton, — "affairs "which may have furnished in-
teresting gossip at the time but seem to have
had no appreciable influence on the course of
English history.
It seems quite evident that the author feels
that in these fearful days of 1914 there will
be those who will feel that his work and par-
ticularly the last volume, containing, as it
does, much bitter criticism of the administra-
tion of the Lord North regime, is wanting in
patriotic spirit. In an inserted "address to
the reader" (clearly an after- thought) Sir
George informs us that the volume "was
already in print some weeks before the out-
break of the German war" and that there is
' ' no allusion whatever to passing events. ' ' He
also assures us that "there is nothing in the
book which the author desires to correct or
alter; and the subject-matter is not inappro-
priate to the soul-stirring period in which we
are living." Continuing he says,
" The story of the manly and chivalrous spirit in
which, four generations ago, the two great English-
speaking nations fought out, and ended, their
famous quarrel is a story that an Englishman need
have no scruple about telling even at a moment
when his country, with a steadfast and grounded
belief in the justice of her cause, is in the throes of
war."
In this connection one is tempted to quote
from his characterization of Frederick II. of
Prussia, some of the sentences of which might
also be used in giving expression to the aver-
1915]
THE DIAL
15
age Englishman 's view of the present German
Kaiser. The author believes that Americans
generally have an unwarranted opinion of the
services that the great Frederick rendered to
the Revolutionary cause.
" The gratitude of Americans toward Frederick the
Great was cheaply earned, and has lasted to this
very hour. He ran no risks, and made no sacrifices,
for their cause, and he was apt to forget their very
existence as soon as they had ceased to serve his
purpose; and yet room has been found for his
statue at Washington, while tlie unfortunate King
of France, who went to war for America with con-
sequences which ultimately were fatal to his own
life, and his own dynasty, has no monument erected
to his memory in any American town or city."
In his estimates of American generals and
statesmen Sir George is as a rule very favor-
able, sometimes using stronger terms than an
American writer would care to use. In a
casual reference to General Philip Sheridan
he speaks of him as "the greatest captain of
mounted infantry that the world has seen."
He is much impressed with the strength and
abilities of the Adams family :
" For there is perhaps no other instance on record
of a family which, over the space of a century and
a half, has produced, in direct descent from father
to son, four generations of men of such strong and
sterling character, such remarkable and recognized
talents, and such vigorous longevity."
We are reminded of recent events when the
author tells us that John Adams
"scrupulously returned the visits made to Passy
by American gentlemen resident in Paris, who had
already begun to complain, as American gentlemen
have complained ever since, that they did not re-
ceive due attention from the diplomatic representa-
tives of their country in a foreign capital."
His estimate of the military abilities of Gen-
eral Greene is probably somewhat lower than
that of some American historians: "Nathan-
iel Greene was not a general of the first order
but he had mastered the practice and had
sedulously and clearly thought out the princi-
ples of war. ' '
The volume covers in a general way the last
two years of the war, beginning with a dis-
cussion of the state of English opinion after
it was understood that the European powers
were preparing to fight England and closing
with the downfall of the Lord North ministry
a few months after the surrender of Corn-
wallis at Yorktown. On the American side
the work gives fairly satisfactory accounts of
the activities of the American diplomats
abroad, of the war in the Carolinas, and of the
siege of Yorktown. The bulk of the volume,
however, is devoted to English affairs: the
Irish volunteer movement, the menace of the
League of Neutrals, the parliamentary situa-
tion, the county associations, the Gordon riots,
and the movement for economical reform are
some of the larger topics that the author has
discussed. While Sir George can scarcely find
terms strong enough to express his condemna-
tion of the ministry, especially Lord North,
Lord Sandwich, and Lord George Germaine,
the last two having charge of the admiralty
and the war office respectively, he is very chari-
table in his treatment of the British generals.
Howe, Clinton, Cornwallis, Carleton, Rawdon,
were all excellent soldiers; their failure to
conquer the Continentals the author attributes
chiefly to the blunders of the English war
office, from which they received iron-clad and
impossible instructions. Howe and Clinton
also lost ground through their failure to ap-
preciate the value of civil government in the
conquered or loyal sections ; the military gov-
ernment that they did provide Sir George
finds to have been unspeakably corrupt. Of
General Burgoyne he has this to say :
" Seldom, except indeed in the legend of Belisarius,
was a general worse used by his official superiors
than John Burgoyne. Acting under iron-bound in-
structions, with a far less than sufficient force of
troops, he had displayed on several occasions the
professional skill of a veteran commander, and on
every occasion the heroic courage of a perfect
soldier."
Aside from his estimate of men and meas-
ures Sir George has contributed little that is
new or original. Whether his opinions will
find a very wide acceptance is a matter of
great doubt. All historians are willing to
grant that the government of England during
the first two decades of the reign of George III.
was most of the time as corrupt and inefficient
as Sir George asserts it to have been ; but the
causes of the American Revolution probably
lay in America rather than in Westminster:
the forces that work for nationality were at
work in the western world, and America could
not be expected to continue much longer as
the willing subject of a distant government.
But whether the author's conclusions be ac-
cepted or rejected, all will admit that he has
produced a work of singular charm; our
only regret is that his style and his art have
enshrined a mistaken view of American his-
LAURENCE M. LARSON.
A COMPENDIOUS HISTORY OF ENGLISH
LITERATURE. *
Teachers and publishers are ready to wel-
come the effort of that scholar who shall pro-
duce an ideal history, in one volume, or at
most two, of English literature from Beowulf
* MODERN ENGLISH LITERATURE, from Chaucer to the Present
Day. By G. H. Mair. New York : Henry Holt & Co.
16
THE DIAL
[Jan. 1
down to the present time. Nor are signs alto-
gether wanting that the appearance of the
desired book is near at hand. Good models are
to be had in works of the right proportion on
other literatures both ancient and modern.
One thinks of the "Abridged History of Greek
Literature" by Alfred and Maurice Croiset,
with its relation to their larger French work
in five volumes, this latter being perhaps the
best history of any literature in any language.
Or one thinks of Mr. J. Wright Duff's most
admirable "Literary History of Rome," mar-
vellous for its fulness, accuracy, and conden-
sation, and for a grace and interest that never
fail ; or of Lanson 's ' ' History of French Lit-
erature," which merits a similar description.
Indeed, we may recall the noble work of Ten
Brink on English literature itself, regretting
that no one has seen fit to revise the transla-
tion, and to complete the whole, in English, in
the light of our present knowledge — in which
case the demand for an ideal book would be
satisfied. Wiilker's volume ("Geschichte der
Englischen Litteratur von den Aeltesten
Zeiten bis zur Gegenwart"), so far as I am
aware, is the only work on the subject, by a
recognized scholar with a technical training,
that is intended to be popular, and at the same
time follows the entire course of English
literature from the beginnings down to Tenny-
son and Browning. Wiilker was not an in-
spired literary critic, as Ten Brink was; his
illustrations, and his estimable motives,
hardly make up for the lack of attractiveness
in his pages; nevertheless in scope his book
supplies a model.
In addition to models, the trained linguist
and literary student, who alone could produce
the desired work, would have a few literary-
histories of particular epochs to rest upon,
among them the exceptionally good account of
Middle English literature by Professor Brandl
in Paul's ' ' Grundriss " ; and he would have
at his command the "Cambridge History of
English Literature" (with its bibliographies),
though the several parts of this must not be
employed without discrimination. Nor should
one forget Professor Northup's forthcoming
bibliography of bibliographies for the study
of English, which will be indispensable to
every scholar in this and related subjects.
But the ideal historian of English literature
will not possess every advantage enjoyed by
Lanson, Duff, and the brothers Croiset: he
will not find the wheat for his cake so thor-
oughly ground and bolted as are the materials
for a literary history of France or Rome or
Greece. Much scholarly attention, it is true,
has of late been devoted to the period, or
periods, subsequent to the accession of Eliza-
beth, which Ten Brink some twenty years ago
felt unprepared to treat with precision, and so
omitted from his plan. Yet from the Eliza-
bethans on, the historian will find many serious
gaps in our knowledge, and more than one
well-nigh incredible defect in the necessary
apparatus. The prose of Milton, for example,
has never been properly edited ; and there is
no satisfactory edition of Burke. Under these
conditions, the historian must divine the hid-
den course of events through the force of a
trained sympathetic insight; an insight into
the nature and genius of the English language
and literature as a whole; an insight nour-
ished in the best traditions of English scholar-
ship, and rigorously disciplined in those parts
of the subject — for example, in Old English —
where the need of precision is most obvious, if
not also most attainable. To those who know,
it is obvious that the first requisite in the way
of external acquirement for the historian of
English literature is a thorough knowledge of
Old and Middle English.
Mr. Mair's book, in spite of more than one
excellence, is not of the sort we have in mind.
It is the outgrowth of his handy little volume,
' ' English Literature : Modern, ' ' in the ' ' Home
University Library," which followed a supe-
rior work in the same series, "English Lit-
erature: Mediaeval," by Professor Ker. Mr.
Mair 's present work begins with Chaucer, and
the author undertakes to defend what is not
defensible, the old notion that English litera-
ture begins with "The Canterbury Tales."
He is at some pains not to be caught saying
just that, but it is the idea he would like to
convey. "For the scholars," he remarks,
"our literature may begin earlier; for the
poets it began with him [Chaucer]." Is Mr.
Mair also among the poets? And does he
think that students of Old English have no
feeling for literary and historical values?
Does he forget, too, that, among the poets, Ben
Jonson, Milton, Wordsworth, and Tennyson
showed some interest in the earliest stages
of the language and literature, and were
variously indebted to the study of it? His
general mistake, perhaps, lies in uncritically
following Professor Legouis, and in coming by
'himself to project Chaucer on a French and
Italian background ; — on this rather than on
the entire background of mediaeval ideas, En-
glish as well as Continental, and in Latin as
well as in the vernacular literatures. But
in particular one cannot agree with him when
he says that, if we go no farther back in
England than Chaucer, "we shall certainly
lose nothing which affects what is to come
afterwards." We should miss the Old En-
glish "Battle of Brunanburh, " which seems to
1915]
THE DIAL
17
have affected Tennyson, since he modernized
it. And when Mr. Mair says that Old English
is as distinct from Modern as Modern English
is from German, he must mean superficially —
as it were, to a schoolboy's vision. Neither
a scholar nor a poet who really knew and loved
Old English would say so. We suspect Mr.
Mair's attainments in this part of the field
from the time he alludes in his Preface to ' ' the
philologist" (meaning student of linguistics)
and "the professor of dead dialects"; and we
therefore suspect his ability to judge after the
fashion of Ten Brink whether the study of
Chaucer is much or little dependent upon the
study of Old and Middle English.
Before proceeding to the praise which on
some accounts we wish to accord to Mr. Mair's
volume, let us attend to a few other strictures.
His plan, he says,
" aims at maintaining an individual point of view,
at laying stress on ideas and tendencies rather than
at recording facts and events, and it does not hesi-
tate to draw generously on standard works of criti-
cism and biography with which students are
familiar."
If in several cases the author derives his
opinions from excellent studies, such as the
work on Chaucer by Professor Legouis, never-
theless he cannot be termed discriminating in
the matter of authorities. Thue he is capable
of naming as the "two best critics" of Milton
one who is good, but not best, Mark Pattison,
and "Professor" Walter Raleigh, who is
negligible. Where in his hierarchy would Mr.
Mair put Addison and Dr. Robert Bridges?
And where would Osgood, Masson, and Verity
come in? This lack of discrimination as to
books is on a par with several other uncritical
utterances. For example, Milton "never vio-
lates the harmony of sound or sense." Is that
an echo of Matthew Arnold's description, "In
the sure and flawless perfection of his rhythm
and diction ...... ."1 It was Huxley, was it
not, who imagined that Herbert Spencer's
definition of tragedy would be, "a generaliza-
tion killed by a fact"? Enter Mr. Mair's un-
guarded "never" followed by this irrecon-
cilable fact from the Ninth Book of "Paradise
Lost" (11.41. ff.):
" Mee of these
Nor skilld nor studious, higher Argument
Remaines, sufficient of it self to raise
That name, unless an age too late, or cold
Climat, or Years damp my intended wing
Deprest, and much they may, if all be mine."
Yes, the good Milton sometimes nods, as his
best critic, Wordsworth, frankly admits,
stating the matter thus :
" I could point out to you five hundred passages in
Milton upon which labor has been bestowed, and
twice five hundred more to which additional labor
would have been serviceable; not that I regret the
absence of such labor, because no poem contains
more proof of skill acquired by practice."
Nor would better critics, I believe, go so far as
to say with Mr. Mair that Milton ' ' devised his
own subjects, and wrote his own style," or
that "he stands alone, and must be judged
alone"; Mark Pattison, indeed, says some-
thing different. Granting that Milton's soul
was like a star, and dwelt apart, we cannot
judge the poet by himself, since there is no
astronomy, or other science, of the individual.
His subjects were the common property of
England, Holland, and Italy, and his treat-
ment of them was profoundly influenced by
the Italian interpretation of ancient poetical
theory.
To tell the truth, Mr. Mair, as his over-
praise evinces, is not in sympathy with Milton,
but with traditional notions about the poet,
unrectified by scholarly observation and com-
parison of the facts. As a result, coming to
the point in Milton 's biography where sympa-
thy is most needed, he rashly declares that
"Milton always argued from himself to man-
kind at large," and falls into the vulgar error
of associating the Miltonic writings on divorce
too closely with Milton's private life. Are
they not, rather, singularly objective, and is
there anything better on the subject in En-
glish? The spirit of them is altogether in
keeping writh the ideal of good manners rep-
resented in the speeches of Adam and Eve,
almost constantly, in "Paradise Lost," and
constantly in the words and actions of the
Hero in "Paradise Regained." "Manners,"
we recall, are one of the gifts which Words-
worth, good poet and scholar, thinks to be in
Milton 's keeping for England.
Turning to Shakespeare, we again find Mr.
Mair using that dangerous word "never":
"A study of the plots of either the comedies or the
tragedies will convince the reader that the orderly
faculty of marshalling events has never been so
completely shown in the work of any other writer."
What about Sophocles? But perhaps we are
to understand: any other English writer.
Well, what about Thackeray in "The Rose and
the Ring," or Fielding in "Tom Jones"?
"What a master of composition Fielding
was!" says Coleridge. "Upon my word, I
think the 'Oedipus Tyrannus,' 'The Alchem-
ist,' and 'Tom Jones' the three most perfect
plots ever planned." No Shakespearean
scholar would have expressed himself as does
Mr. Mair; in the first place, none would put
most of the comedies, in the matter of con-
struction, on as high a level as most of the
tragedies. And to sum up in the words of
Mr. A. C. Bradley on Shakespeare :
18
THE DIAL
[Jan. 1
" Nine-tenths of his defects are not . . . the errors
of an inspired genius, ignorant of art, but the sins
of a great but negligent artist."
Turning to the pages on Wordsworth, we
discover the same bent for overstatement,
and for essentially the same sort of thread-
bare comment as is passed along in certain
handbooks of criticism and biography with
which students are familiar. Thus: Words-
worth is "a complete innovator"; "he found
his subjects in new places"; in his earlier
years he had a vision of "nature," which
eventually faded, so that only "a few fine
things fitfully illumine the enormous and
dreary bulk of his later work " ; " if we lost all
but the 'Lyrical Ballads,' the poems of 1804
[misprint for 1807], and the 'Prelude,' and
the 'Excursion,' Wordsworth's position as a
poet would be no lower than it is now. ' ' Does
Mr. Mair realize that he has included three-
quarters of the poet 's work ? The bulk of what
is left is not enormous. The other assertions
also need reconsideration. Wordsworth is not
a complete innovator : in part he harks back to
his favorite "elder poets" — more especially
to Spenser and Milton. Substituting England
for Sicily and the Mediterranean, one may say
that Wordsworth finds his subjects where The-
ocritus found them; and that is just what he
tells us in the Eighth Book of the "Prelude."
In his earlier period his imagination was
tinged with a neo-Platonism which, while not
very good of its kind, still counts as "poetry"
with the average reader of the present. That
is, when Wordsworth talks about a motion and
a spirit "rolling" through various things, peo-
ple think him inspired, though they may not
care for his translation of Michael Angelo's
address "To the Supreme Being," which
contains a very different form of teaching.
Wordsworth gradually outgrew his crude
naive philosophy, and, drawing his inspira-
tion less and less from neo-Platonism, and
more and more from Christianity, produced a
body of verse that in workmanship is superior
to his earlier attempts. Much of it is likely to
attract well-educated readers of subsequent
generations, when the doctrine of divine imma-
nence gives way, as it gave way in Words-
worth, to a more artistic conception of the
universe. There are not "a few," but many
"fine things" in the "Ecclesiastical Sonnets,"
that most important of his later writings ; it
is a body of work that naturally falls into its
place with the writings of Herbert and Keble ;
and a critic who aims at maintaining an indi-
vidual point of view (which means observing
and comparing for himself) cannot afford to
treat it as it is treated in ordinary books of
criticism and biography.
Though he now and then lapses into an
overfamiliar style, and though, as we have
seen, his judgments lack finality, Mr. Mair on
the whole is naturally alert, and expresses
things for himself, often with vigor, and
sometimes with felicity. He duly insists upon
looking at the history of literature in the light
of fundamental principles, and on occasion
enunciates such doctrine as the following
(pp. 47-48) :
" The unit of all ordinary kinds of writing is the
word, and one is not commonly quarrelled with for
using words that have belonged to other people.
But the unit of the lyric, like the unit of spoken
conversation, is not the word but the phrase. Now
in daily human intercourse the use, which is uni-
versal and habitual, of set forms and phrases of
talk is not commonly supposed to detract from or
destroy sincerity. In the crises, indeed, of emotion
it must be most people's experience that the natural
speech that rises unbidden and easiest to the lips is
something quite familiar and commonplace, some
form which the accumulated experience of many
generations of separate people has found best for
such circumstances or such an occasion. The lyric
is in the position of conversation at such a height-
ened and emotional moment . . . This is not to say
that there is no such thing as originality ; a poet is
a poet first and most of all because he discovers
truths that have been known for ages, as things that
are fresh and new and vital for himself."
•
A word of praise must be given to the six-
teen portraits scattered through the volume.
The one of Wordsworth (p. 220), reproducing
the sketch by Pickersgill in the Library of St.
John's College, Cambridge, though not well
known, is a fortunate choice.
LANE COOPER.
AN ICONOCLAST IN ARCHITECTURAL,
CRITICISM.*
Mr. Geoffrey Scott's "The Architecture of
Humanism: A Study in the History of
Taste" breaks sharply with the traditions
of English criticism by attacking the formulas
on which the apotheoses of Greek and of
Gothic art have been based and boldly cham-
pioning the architecture of the Renaissance.
In the mind of the author the book is an at-
tempt to formulate the chief aesthetic princi-
ples of classical design in architecture, and to
trace the history of our critical canons; in
reality it is a violent polemic against earlier
opinions and a dogmatic apologia for a style
deified in advance.
In so far as the author makes clear the
development and points out the inadequacies
of nineteenth century critical theory he does
* THE ARCHITECTURE OF HUMANISM. A Study in the History
of Taste. By Geoffrey Scott. Boston : Houghton Mifflin Co.
1915]
THE DIAL
a needful service. The working belief of the
contemporary artist and critic of art is too
often a jumble of incongruous fragments from
earlier systems, patched together without ap-
preciation of their inconsistency or true his-
torical relations. The text in hand brings
order into this confusion, distinguishing, very
justly, successive phases in the development
of critical dogmas. On the academic method
of imitation of the antique and search for per-
fect mathematical proportions, followed the
romantic idealization first of Greece and then
of the Middle Ages, passing over into the cult
of the natural and the picturesque. Then fol-
lowed the ethical evaluation of styles by
Ruskin and his followers, the mechanical or
structural evaluation of Violet-le-Duc, and
finally the biological, evolutionary explana-
tion of compulsion from environment which
still dominates criticism. Obviously any of
these interpretations singly, or all of them
together, cannot exhaust the aesthetic values
of architecture. There will still remain purely
spacial relationships, eluding even the aca-
demic formula?. To call all previous views
"fallacies" out of hand, however, as does Mr.
Scott, betrays a failure to realize their par-
tial validity, as well as a lack of historic
modesty.
The substitute which he has to offer, the
"humanist" evaluation, is not, we find, the
theory of the humanists themselves, but a
modern psychological doctrine, humanist only
in a curious sense — Professor Lipps's theory
of Einfuhlung. This familiar hypothesis,
which Mr. Bernhard Berenson has already ap-
plied to Renaissance painting, explains our
aesthetic sensations as unconscious projections
into the external world of our own bodily
movements and tensions. To illustrate, arches
seem to "spring," domes to "swell," and
spires to ' ' soar, ' ' because we identify ourselves
with their apparent states. If one were dis-
posed to jest, one might say that Mr. Scott's
own fallacy had been added in advance, by his
own arch-villain, Ruskin, to the romantic, the
ethical, the mechanical, and the biologic falla-
cies which he himself has condemned. It is
the pathetic fallacy, a poetic animism, digni-
fied by a modern and philosophic garb. "With-
out entering seriously upon its merits, we may
suggest that its truth or falsity is really irrele-
vant to Mr. Scott's more concrete propositions
that mass, space, line, and coherence are the
true language of architecture, and that Renais-
sance architecture, which speaks this language
with least restraint, is the style in which archi-
tectural principles can most fruitfully be
studied.
The importance of abstract qualities like
mass, line, and space is recognized by aesthetic
philosophers whose systems are most diverse
or antagonistic. Even one who has given such
a wide extension to the aesthetic field as Signor
Benedetto Croce sees in them the channels for
those expressions peculiar to architecture, in-
capable of translation into other media. The
idea that they exhaust its values, however, is
an intolerable limitation, and one which, un-
just to other styles, does Renaissance archi-
tecture itself less than justice. We must turn
against the author's dogmatic assertions, his
own protest against earlier apologies : ' ' Con-
ducted without impartiality, arguments such
as these are but the romance of criticism;
they can intensify and decorate our preju-
dices, but cannot render them convincing."
It is true that a sympathetic estimate of
Renaissance architecture must depend on an
appreciation of abstract, spacial qualities, but
it is equally true that an extension of the
abstract criterion to other styles as the one
principle of judgment would be as illegiti-
mate as similar extensions of mechanical or
biological criteria.
Perhaps Mr. Scott's brilliant and forceful
rhetoric, in spite of the over- emphasis which
arouses protest at almost every page, is the
only weapon by which popular prejudices,
themselves partly rhetorical in origin, can be
beaten down. It is a pity, though, if the
rhetorical bias of English criticism is so strong
as to deprive us permanently of discussion
which is measured and temperate.
SIDNEY FISKE KIMBALL.
RECENT VIEWS or CHINA.*
The conflagration now consuming the visi-
ble fabric of civilization in Europe, from
which brands have already been carried by
Japan to the northeast corner of China, gives
increased importance to all questions concern-
ing the future of the Chinese people. Consti-
tuting so large a fraction of the population of
the globe, and inhabiting territory immensely
wealthy in undeveloped resources, this people
seems to be destined to play either a great or
a very pitiable role in the history of the pres-
ent century. The decision of Fate between
these two possibilities rests upon external and
internal forces still difficult to gauge. If the
present stupendous conflict in Europe deter-
mines whether the leading nationalities of the
world are to be military and conquering in
* FORCES MINING AND UNDERMINING CHINA. By Rowland G.
Gibson. New York : The Century Co.
THIRTY YEARS IN THE MANCHU CAPITAL. By Dugald Chris-
tie. New York : McBride, Nast & Co.
A WOMAN IN CHINA. By Mary Gaunt. Philadelphia : J. B.
Lippincott Co.
20
THE DIAL,
[Jan. 1
temper, or commercial and increasingly fra-
ternal, it will turn the scales one way or the
other for China. But the internal forces to
be estimated are complex, subtle, and in
transition, so that they are now scarcely capa-
ble of certain analysis and are treacherous
material for prophecy. With all that has been
written about China and the Chinese, the
Occident is by no means of one mind concern-
ing the traits of the race and its capabilities.
There is need just now for much thorough-
going study of the Chinese.
Three recent books add each something of
worth to the material upon which we must
base our forecast of China 's future world rela-
tionships. The three authors, fortunately, see
their subject from three distinct points of
view. Mr. Gibson is a "military interpreter
in the Chinese language"; Dr. Christie is a
medical missionary who has spent thirty years
in Mukden, Manchuria ; Mrs. Gaunt is a pro-
fessional writer of fiction and stories of travel.
"Forces Mining and Undermining China"
is, we regret to say, lacking in that orderly
analysis and mastery of material which wins
the confidence of the reader in the judgment
of the writer. The book contains valuable
information concerning mining, railways,
labor, finances, and concessions in China, and
is well worth a rapid survey; but it lacks
maturity of judgment and dignity of expres-
sion.
"Thirty Years in the Manchu Capital" is,
on the other hand, a work of unusual merit.
A simple, unpretentious account of events that
have come under the author's personal ob-
servation and experiences through which he
has passed, the book throws much light upon
two wars fought on Chinese territory — the
Chino-Japanese and Russo-Japanese conflicts
— and gives the reader definite impressions of
Chinese character through sketches of various
individual Chinese known to the author. The
method and style of the book are natural and
entertaining. The author wins without effort
the confidence and respect of the reader, and
his kindly and favorable estimate of the Chi-
nese carries a high degree of conviction. There
is, however, very little effort at generalizing,
so that the book furnishes evidence rather
than argument in connection with the problem
of China.
Among recent publications dealing with
this problem no book we have seen possesses
the literary merit of Mrs. Gaunt 's "A Woman
in China. ' ' Entering the country by the Sibe-
rian Railway in mid-winter shortly after the
Revolution, the author spent some weeks in
Peking observing and studying, and then trav-
elled without companion by cart to Jehol,
Inner Mongolia, the ancient hunting palace
and grounds of the Manchu emperors. Her
opportunity for forming an independent im-
pression of the Chinese was, thus, very differ-
ent from that of the ordinary tourist, and her
training as a writer has enabled her to pro-
duce one of the most entertaining and pleas-
ing of books on the subject. Artistic by tem-
perament, Mrs. Gaunt has filled her pages
with sketches from life, vivid and delightful.
Her appreciation of Chinese architecture and
landscape gardening is more earnest and out-
spoken than that of any writer we recall. In-
deed, "A Woman in China" is a rather
unusual blend of keen observation, humor,
sympathy, and artistic sense.
An artist, however, is a delineator and in-
terpreter of the static present, not a guide or
a prophet. Possessed completely by the sem-
blance before the eyes and concerned in its
reproduction through the medium of art, the
artist lacks a sense for the future, as yet invisi-
ble and wholly unpicturesque. In spite of her
evident good judgment, Mrs. Gaunt is, first of
all, an artist. The China which seemed to her
antique and static, ancient Babylon still sur-
viving in the midst of a novel and alien world,
does not thus appear to Dr. Christie, who has
witnessed the changes of only three decades.
Even the most gifted observer may be so
engrossed by the quaint and outre in features,
costume, manners, and age-long habits that he
requires years, rather than weeks, to penetrate
behind these veils which conceal the essential
human spirit. Diversity in outward mani-
festations does not disprove the unity of the
human soul in all the races of men. The civ-
ilization of any race may be slowly trans-
formed by the working of new forces brought
to bear upon it, and such forces are now at
work in China.
OLIN DANTZLER WANNAMAKER.
BRIEFS ox NEW BOOKS.
c ,. .
Scandinavian
literature in
One of the main purposes of the
. .^
American-Scandinavian b oun-
dation, established in 1911 by
the generous bequest of Niels Poulsen, is to
publish English translations of important
Scandinavian literary works. That purpose
has now become achievement to the extent of
three interesting volumes that offer us the
first fruits of this aspect of the Foundation's
enterprise. Two of the volumes, devoted to
Holberg and Tegner, are entitled "Scandina-
vian Classics"; the third, "The Voyages of
the Norsemen to America," is the first issue
of a series of " Scandivanian Monographs."
The Holberg volume is singularly welcome
1915]
THE DIAL
21
and opportune. It offers three of the come-
dies, in a translation made by Dr. Oscar
James Campbell and Mr. Frederic Schenck.
Dr. Campbell, it will be remembered, gave us
last spring a study of Holberg which was the
first work in the English language upon the
greatest of all Scandinavian authors. We
now have three comedies representing the
playwright who completes the great trinity of
modern writers of comedy — Moliere, Goldoni,
and Holberg. The selection is the best pos-
sible— "Jeppe paa Bjerget," "Den Poli-
kiske Kandstober," and ''Erasmus Mon-
tanus, ' ' a selection in striking contrast to that
made a year or two ago by a retired English
army officer, who gave us three of the least
•significant and characteristic of the comedies
in a singularly wrooden translation. Dr.
Campbell's three represent Holberg at his
best, and his version is nervous, colloquial,
and faithful. — The Tegner volume, edited by
Mr. Paul Robert Lieder, offers a reprint of
old matter — Longfellow's "The Children of
the Lord's Supper" and W. L. Blackley's
^'Frithiof's Saga" — the latter first printed
in 1857. This is a fair translation — no bet-
ter than several others of the score or more
that exist, but it has the distinction of having
been the first to be printed in this country. —
Commander William Hovgaard's treatise on
"The Voyages of the Norsemen to America"
is planned on a large scale, and makes a vol-
ume of three hundred pages, abundantly illus-
trated. So much work has been done in this
field of recent years that a comprehensive
statement of the theories and conclusions of
modern scholars is a very desirable thing to
have, and the author is well equipped for the
performance. He treats of his subject as an
historical critic, a naturalist, an archaeologist
and ethnologist, and especially as an expert
in nautical matters and geography. The
treatment of all these matters is minute and
exhaustive. With regard to controverted
points, it may be said that he regards the
saga narratives as essentially historical, in
opposition to Nansen's belief in their legen-
dary character; that he believes the Skrael-
ings in some instances to have been Indians
and not Eskimos; that he holds the vinber
to have been grapes rather than currants or
cranberries, and Vinland (with the long
vowel) to have really meant Wineland; and
he offers evidence that the site of Leif 's set-
tlement may well have been as far south as
the coast of Massachusetts. Perhaps the most
valuable part of the work is its detailed de-
scription of the Atlantic coast from Baffin
Land to the Hudson, and its attempts to
identify the shores described in the sagas
with actual parts of the American continent.
The whole question is bewildering and baf-
fling, and Commander Hovgaard has probably
done all that is scientifically possible to shed
light upon it. He has no hobbies, and this is
perhaps the most important prerequisite for
the handling of the whole complex problem.
Mr. Ernest Newman in his book
it tl Wagner as Man and Artist"
(Dutton) gives us a full length
painting of the remarkable musician and
dramatist. He says in his Preface: "In
spite of the size of this volume, many readers
will no doubt feel that it either discusses
inadequately several aspects of Wagner's
work and personality or it passes them over
altogether. I plead guilty; but to have fol-
lowed Wagner up in every one of his many-
sided activities — in all his political, ethical,
economic, ethnical, sociological speculations —
would have necessitated not one book but
four." And yet he says farther on : "While
there is at present no adequate life of Wag-
ner, there is probably more biographical mate-
rial available in connection with him than
with any other artist who has lived; and on
the basis of this material it seems justifiable
now to attempt — what was impossible until
the publication of Mein Leben in 1911 — a
complete and psychological estimate of him."
We do not feel that the two statements can
be made to agree, and we find, indeed, that in
the long discussion of "Wagner as a Man/'
there are principally presented the relations
of Wagner with his wife, Minna, and the
other women who contrived to make his life
disappointing and miserable until Cosima
Wagner made her appearance. A treatment
of Wagner's relations to politics, government,
economics, might have been undertaken with-
out detriment to a subject like friendships
with the other sex, which ought in every case
to be kept within the limits which belong to
it. Mr. Newman could have compressed the
love episodes, and enlarged the consideration
of other sides of Wagner's character without
becoming prolix or lessening the value of his
picture. He could have led up to his superb
summary by a completer exposition of the
varied interests of this restless and cosmopoli-
tan artist. We also question the advisability
of considering the form, to the exclusion of
the content, of Wagner's works. We see this
course taken and advocated in the second
part of the book, "The Artist in Theory."
It would seem that a discussion of Wag-
ner's power of character representation, his
mastery of material, his immense advances
in technique, would be enhanced by adequate
22
THE DIAL
[Jan. 1
statements of his intent and purpose. Such
was undoubtedly the opinion of the com-
poser, and the reproduction of his idea in
completely congruous music was his great
effort and purpose. It is unquestionably in
the third part of his volume, "The Artist in
Practice," that Mr. Newman finds himself
most at home, and it is here that the reader
will find him most convincing and authorita-
tive. Whatever our views may be of Wagner
and his work, we must take into account this
book of Mr. Newman's. All the great ques-
tions in regard to Wagner's achievement are
here considered with insight. We may not
agree with Mr. Newman's conclusions, but we
must concede his knowledge, his depth of
appreciation, his eloquence of expression. No
book on the subject will appeal to a larger
circle of readers, nor give a more vivid con-
ception of the whole movement.
Insect biog-
raphies, new
The charm of M. J. H. Fabre's
. , . ,
Souvenicr Entomologiques,
published in 1882 and now
translated by Mr. Alexander Teixeira De
Mattos, has its origin in the author's enthusi-
asm for his researches, in his skill in building
up the reader's interest in his observations
and experiments, and in a certain naive un-
sophisticated simplicity. The translator has
preserved the latter admirably in "The
Mason-bees" (Dodd, Mead & Co.) the latest
volume in the series of translations of M.
Fabre 's work. This deals with the habits and
instincts of certain solitary mud-working
bees of southern Europe and touches upon the
operation and origin of such fundamental bio-
logical phenomena as the homing instinct in
bees, ants, and cats, and the origin of the semi-
parasitic habits of those bees which, like the
cuckoos among birds, lay their eggs in nests
not their own. The author is a keen observer,
with an experimental turn of mind, and puts
to test his theories of sight and memory as
guiding factors in the homeward movements
of insects. The translation is excellently done
save for a few lapses into archaic terms. —
While M. Fabre depends wholly upon word
pictures to charm his reader, Ward's "Insect
Biographies with Pen and Camera" (Stokes)
supplements these by plates in color and
heliotype and excellent half-tones. The book
aims to present the life histories of certain of
the representative insects, such as the lace-
wing fly, various moths and butterflies, the
"death watch" beetles, the hover-fly, and the
flea, and adds to these some account of mites
and spiders. The photographs are nearly all
from life, and the attitudes of the subjects por-
trayed are therefore normal. Both the pho-
tographer and the engraver have succeeded
exceptionally well in their work. Intensive
study directed to a few carefully selected
types and carried to a high degree of com-
pleteness characterizes this work and lifts it
above the level of the ordinary "nature
study" treatment of entomological topics.
It is always an unwelcome task
An ambitious ^o question the value of an ex-
OOOK on Ctcero. 5 _ .
tended work written by a con-
scientious scholar of mature years; but a
dutiful reviewer is bound to ask what useful
end can be served by Professor E. G. Sihler's
large volume on "Cicero of Arpinum" (Yale
University Press). The gifted Tully, so
unanimously lauded as an orator, so bitterly
debated as a statesman, has been the subject
of many pens, and a new treatise on a large
scale can be justified only by unique historical
acumen or some singular felicity of presenta-
tion. To the latter qualification our volume
can make no claim whatever ; in fact, a rigor-
ous effort is necessary to hold oneself to the
task of reading it, so dispiriting is the style
even to the most loyal student, so painful to
any reader with the least literary feeling. If
the editors of a great university press, like
that of Yale, cannot ensure a passably good
general presentation, they might at least pre-
clude annoying violations of elementary gram-
mar and punctuation. Naturally, however,
almost any failure in English would be gladly
forgiven if the work were distinguished by an
unusually keen sense for human character
and motives, by some fine gift of perspective,
some compelling profundity of judgment,
some comprehensive faculty of grouping the
particular and universal together, in short,
by some exceptional power of dealing with
history in biography. But, unfortunately,
one misses these high essentials, and finds in-
stead average ability, unsparing toil, and
meticulous scholarship. However, we are glad
to accord most unstinted praise to one noble
quality, — an absolute honesty of purpose
that shines from every page. There is a care-
fully arranged bibliography, followed by an
index.
That quality of lyric poetry
observations of which lies in the unquestioning
a flat-dweller. . ,•*..•, j •
assumption that the reader is as
much interested in the poet's private affairs
as the poet himself, reveals itself quite en-
gagingly on every page of Mr. Simeon
Strunsky's "Belshazzar Court" (Holt), the
supposed account of the family affairs and
certain other intimate concerns of a young
married couple and their two children in their
1915]
23
life on the third floor of a mammoth apart-
ment house in the far up-town regions of
New York. As in Mr. Edward S. Martin's
"Reflections of a Beginning Husband," which
the book strongly resembles in some of its
features, it is the young head of the family
who acts as scribe, and who realistically pic-
tures the pleasures and a few of the vexations
of domestic life in a household just a little less
prosperous, pecuniarily, than its tastes, its
refinement, its ideals, might have rendered
desirable. The entrance hall of Belshazzar
Court has handsome electroliers in imitation
cut glass, a magnificent marble fireplace in
which the effect of a wood fire is simulated by
electric bulbs under a sheet of red isinglass,
while the heat is furnished by a steam radiator
close by, and the floor has two large Oriental
rugs of American manufacture. What the
humorously communicative young father has
to say about his irrepressible son Harold and
the latter 's baby sister, about his wife Emme-
line, and, not least of all, about himself, his
interests and diversions, his views of things
metropolitan and cosmopolitan and miscella-
neous, will be found entertainingly set forth
in the eight discursive chapters of the book,
which, it will be discovered by magazine read-
ers, is not an entirely new production, though
none the worse for that fact. Mr. Strunsky has
in the last few years made a name for him-
self as a humorist of decidedly original qual-
ity, and "Belshazzar Court" sustains this
reputation.
Mr. M. L. Spencer's "Practical
English Punctuation" contains
much more matter than its title
implies; it is really a compendium of direc-
tions for the preparation of almost any kind
of manuscript. It has no discussion of the
principles of punctuation, and presents noth-
ing new in organization or arrangement; for
the sake of brevity the directions are usually
given as dogmatic rules. The basis of these
rules is the practice of the more conservative
magazines and the more careful writers of the
present day, and wherever usage varies, what
appears to be the preferred practice is indi-
cated. Of course the first edition of such a
compendium provokes some adverse criticism.
The specimen sheet of corrected proof with
the accompanying explanation is not so ser-
viceable as it should have been made, some of
the statements are very awkwardly phrased
or are capable of misinterpretation, and occa-
sionally the rules are too broadly stated. But
such defects are not numerous. The rules are
generally sound and clearly illustrated, the
material is made readily accessible through a
fine index, the presswork is very satisfactory,
and typographical errors are notably absent.
The volume should largely realize the hope
expressed in the Preface that it "may be
found to be a compact, convenient, and rea-
sonably full compendium of rules for the
guidance of all persons who have need to
write. ' ' ( Menasha, Wisconsin : The Collegiate
Press. )
Mr. Walter A. Mursell knew
TZSSBSE himself at the age of ten to be
a book-lover, and at twelve be-
gan to be a book-buyer, taking delight in
browsing about old bookshops. To him "they
are what form and outline and color are to the
artist, what beauty is to the poet, what
springtime is to the lover, what summer
meadows are to the child. ' ' That such a person
should write well about books is no cause for
surprise. "Byways in Bookland" (Hough-
ton) consists of a series of "confessions and
digressions," informal and intimate and alto-
gether delightful. In a chatty, autobiograph-
ical fashion Mr. Mursell tells us of the birth
of a book-lover, his first footsteps in bookland,
the comradeship of books, the green pastures
and still waters of bookland, its valley of twi-
light, the spurs of Parnassus, a brown study,
a recent byway, and, finally, emerging from
byways, he pays tribute to two great writers
who hold first place in his heart, — Dickens
and Stevenson. After a page of almost ex-
travagant eulogy of Mr. Ambrose Bierce, and
more especially of his book, "In the Midst of
Life," he shows his imperfect acquaintance
with that author by saying, ' ' I believe this is
his solitary book : at any rate, on this side the
Atlantic." One might object to his spelling
in the chapter where he glows with enthusi-
asm for "The Arabian Nights" and writes of
"Sinbad" and " Scheherezade. " Mr. Mur-
sell's "confessions and digressions" are all
excellent, largely because they are sincere and
unpretentious, and are written, not to make
a book, but because the mere writing is a
pleasure.
A thoughtful
discussion of
poverty.
"Now, in our own day, the
conquest of poverty looms up as
an economic possibility, defi-
nitely within reach — if only society desire it
sufficiently and will pay enough to achieve
it." Such are the heartening words that
close the tiny volume, ' ' The Abolition of Pov-
erty" (Hough ton), wherein Professor Hollan-
der of Johns Hopkins University treats the
problem that he regards as the heart and
centre of social disturbance. He believes that
poverty is needless, and this hopeful tenet
24
THE DIAL
[Jan. 1
brightens a sane and succinct discussion of
such topics as ' ' The Distribution of Income, ' '
"The Rate of Wages," "The Underpaid,"
and "The Unemployable." On the whole
our economist is "unwilling save as a last
resort to venture upon the uncharted sea of
socialism," and seeks a solution of the prob-
lem in constructive social regulation. Here-
with he proposes to "retain the competitive
system of industry, both as to production and
distribution, but to impose thereon, by re-
straint of law and by pressure of public opin-
ion, such limitation and control as experience
demonstrates to be necessary for the largest
social interest." However, the academic
socialist, at least, need worry but little over
this formal repudiation; for our author
really believes in drastic measures, and with
reasoned warmth expresses approval of not a
few specific remedies that would have been
decried as the rankest of socialism only a
decade or two ago. If you get old-age pen-
sions, a minimum wage, insurance against
unemployment, and half a score other amen-
datory measures, and if these operate success-
fully along with state postal systems, state
telegraphs and telephones, state canals, state
education, and what not, it will rapidly become
less difficult to look upon the ever chang-
ing proposals of socialistic thinkers with fear-
less eyes. In any event, such books as the
modest study before us deserve the warmest
welcome. In fact, we are even prepared to
hope that some day "The Abolition of Pov-
erty" will be available at about a third of the
present price, although this is by no means
unreasonable.
A brief survey "Elizabethan Literature" by
of the Mr. J. M. Robertson has just
been added to the "Home Uni-
versity Library, ' ' published by Messrs. Henry
Holt & Co. It presents logically and as com-
prehensively as the two hundred and fifty
pages will permit the multiform activities of
the age. Mr. Robertson has a first-hand ac-
quaintance with Elizabethan writers. Apart
from Middleton, whom he barely mentions
among the later dramatists, he slights none of
them; and he gives much space, too much
perhaps, to the smaller fry. In a work of
this kind, do Phaer, Twine, Fleming, and
Stanyhurst, those wretched translators of
Virgil, deserve attention? Will not Surrey
suffice for the man whose university is at
home? In matters of opinion Mr. Robertson
is nearly always safe and usually forceful.
He argues vigorously, for example, that "the
vital divergence" between English and
French drama is not "an expression of the
divergent minds or temperaments of the two
nations"; but that "the very freedom of
action in the French popular drama, trans-
gressing all bounds of decency, . . . made
possible the reaction to strict classicism."
Sometimes Mr. Robertson is incautious in
statement, however, as when he says that
Marlowe ' ' was more than audacious in his
free thinking," and that Lyly "showed the
way" in delicate lyrics. And when in his
bibliographical note he refers to the "careful
texts" of the Globe and Craig editions, but
ignores the Neilson edition, we wonder
whether he is really unaware of so notable an
achievement of American scholarship.
Under the title "The Life of a
?ndaiit£ardemic Little College" (Houghton),
Professor Archibald MacMechan
has collected a number of papers dealing
with such themes as, "Little College Girls,"
"The Vanity of Travel," "Tennyson as
Artist," "Child of the Ballads," "Every-
body's Alice," and "Virgil." All of the
essays are pleasing for their reflection of a
well stocked mind and amiable personality,
as well as for their well ordered English,
which a college instructor would characterize
as having an agreeable literary flavor with no
disturbing smack of pedantry. Probably the
most valuable chapter bears the caption
"Evangeline and the Real Acadians"; al-
though old Toronto men will enjoy the pic-
ture of the unique bedel, McKim, and the
full-hearted eulogy of Professor Young in
"This is Our Master." To one who remem-
bers the less mature views of Professor
MacMechan on the worthlessness of classical
studies, it is joyous to read his graceful
palinode in the closing pages. Most of the
papers have appeared before, and we have
enjoyed many of them as they are now pre-
sented ; but it would be too much to say that
there is enough matter of exceptional value or
profundity in the individual essays to com-
pensate for their lack of unity and make them
widely acceptable to the reading public in
their collected form.
A new collection of essays by
Literary talk* by professor William Lyon Phelps
rrojessor 1 neips. . , rn^ .
is always welcome. The latest
one, "Essays on Books" (Macmillan), though
perhaps less solid than some of its predeces-
sors, makes quite as pleasant reading. The
opening chapter, "Realism and Reality in
Fiction," enforces with apt concrete illustra-
tion a distinction that ought to be, but is not,
a literary platitude ; realism represents a frac-
tion of life, reality represents life as a whole.
1915]
THE DIAL,
25
All of the dozen essays that follow have to do
with single writers, six English writers, two
American, four German. The most preten-
tious are those on Richardson and Jane Aus-
ten; the slightest are those on Whittier and
Paul Heyse. Almost all of the essays may be
termed insubstantial but highly agreeable.
One of the most agreeable is that entitled
"Conversations with Paul Heyse," in which
Heyse is recorded as saying that he "read
with the most conscientious attention every
word of ' Huckleberry Finn. ' I never laughed
once. I found absolutely not a funny thing
in the book."
BRIEFER MENTION.
The second volume of the new edition of George
Chapman's plays and poems, published by Messrs.
Button in the "Library of Scholarship and Let-
ters" series, contains eleven comedies, of which
three are not included in the edition of 1873 and
one, " Sir Gyles Goosecap," originally published
anonymously, has never before appeared under
Chapman's name. The editor, Dr. Thomas Marc
Parrott, has edited the text with great care, and
furnishes elaborate notes and cross-references, the
latter being particularly valuable in determining
disputed or anonymous authorship of the comedies
in question.
Mr. John Cowper Powys has written " The War
and Culture : A Reply to Professor Miinsterberg,"
(Valhalla, N. Y. : G. Arnold Shaw) for the purpose
of pointing out the essential differences in the ideas
behind the great war, rightly considering these
fundamental in any consideration of the struggle.
Germany embodies itself in the conception of a
state machine, the Allies in that of human liberty
and the freedom of little states. Behind the
English-speaking nations stands also the idea of
law, not to be lightly cast aside lest all civilization
be imperilled. One extended chapter, which deals
with " German vs. Russian Culture," is especially
enlightening.
Unrevised for twenty-three years and passing
through nine editions, Bartlett's " Familiar Quo-
tations: A Collection of Passages, Phrases, and
Proverbs Traced to Their Sources in Ancient and
Modern Literature " has become accepted as the
standard reference book of its kind. Now, nine
years after the compiler's death, a tenth edition,
revised and enlarged by Mr. Nathan Haskell Dole,
has been issued from the press of Messrs. Little,
Brown & Co. About three hundred additional
pages are included; selections from Matthew
Arnold, Keats, and many others are judiciously
amplified by twice the original space; names like
Ibsen, Tolstoi, Nietzsche, Maeterlinck, Rostand, or
George Meredith (names that, naturally enough,
are unfamiliar in the original edition) here appear.
A revision, bringing the work to date, was essen-
tial, and Mr. Dole's faithful effort to preserve the
spirit of the original will ensure for his compila-
tion a warm welcome from those who are familiar
with the work of Bartlett.
XOTES.
Mr. Enos A. Mills is the author of " The Rocky
Mountain Wonderland," which Messrs. Houghton
Mifflin Co. announce.
Sir James Barrie's new play " Der Tag," which
was produced in London December 21, 1914, is
announced as immediately forthcoming by Messrs.
Charles Scribner's Sons.
" The Second Blooming," by Mr. W. L. George,
"The Turbulent Duchess," by Mr. Percy J. Breb-
ner, and "Mr. Grex of Monte Carlo," by Mr. E.
Phillips Oppenheim, are three novels which Messrs.
Little, Brown & Co. announce for publication next
week.
Dr. Harvey M. Wiley's new book, " The Lure of
the Land," will be published early in the year by
the Century Co. This company also announces a
book on " Child Training," by Mr. V. M. Hillyer,
head master of the Calvert School, Baltimore, and
Mr. Harvey J. O'Higgins's " Detective Barney."
A series entitled " The American Books,"
which will deal with contemporary American prob-
lems, is announced by Messrs. Doubleday, Page &
Co. Among the titles soon to be issued are " The
University Movement," by Dr. Ira Remsen ; " The
American Indian," by Mr. Charles A. Eastman;
"A History of American Literature," by Profes-
sor Leon Kellner; " The Cost of Living," by Mr.
Fabian Franklin ; " Socialism in America," by
Mr. John Macy ; " The Drama in America," by
Mr. Clayton Hamilton ; " The American College,"
by Mr. Isaac Sharpless; "The American School,"
by Mr. Walter S. Hinchman, and " The American
Navy," by Rear Admiral French E. Chadwick.
Madison Cawein, who died December 14, 1914r
at the age of forty-nine, was a poet richly endowed
with the gift of interpreting nature in verse. The
aspects of nature presented in his verse were
those of his native State of Kentucky, where he
lived all his life. Exuberantly productive from
his early manhood to the time of his premature
death, Cawein published more than a score of
books of verses. Eight years ago a complete edi-
tion of his poems, which was published with an
Introduction by Mr. Edmund Gosse, required five
substantial volumes. Since then the additions to
his poetic produce have been considerable. A se-
lection of his poems with a sympathetic Preface
by Mr. William Dean Howells was recently pub-
lished.
In the recent death of Professor B. M. Meyer
of the University of Berlin, literary scholarship
lost one of its most brilliant exponents. He began
his career in 1886 by a study in comparative lit-
erature : " Swift und Lichtenberg." In the same
year appeared his " Grundlagen des Mittelhoch-
deutschen Strophenbaus," and three years later
"Altgermanische Poesie." From the study of the
older period he now turned to modern times, pub-
lishing in 1896 his famous Goethe biography which
established him in the front rank of historians of
modern German letters. A collection of essays,
" Deutsche Charaktere," proved merely a prelude
26
THE DIAL,
[Jan. 1
to what was perhaps the most important of
Meyer's works : " Die deutsche Literatur des
neunzehnten Jahrhunderts."
John Muir, who died December 24 at Los Ange-
les, was a geologist, naturalist, and explorer whose
personality endeared him to a large circle of
friends, as well as to the many who knew him only
through his books. He was born at Dunbar, Scot-
land, April 21, 1838, and came to America with
his parents in 1850, to settle in the Wisconsin
wilderness near the Fox River. Muir's first
botanical and geological excursions were made in
the Great Lakes region, in Wisconsin, Indiana,
Michigan, and Canada. His first trip to Califor-
nia, where he arrived in April, 1868, was made by
way of Cuba and the Isthmus of Panama. There-
after he devoted himself chiefly to a study of the
Sierras, though he made more than one journey
into arctic regions, and discovered in Alaska the
great glacier which bears his name. Muir worked
hard for forest preservation and it was largely as
a result of his writings that the present national
parks and reserves were established. Among his
books are " The Mountains of California," " Our
National Parks," " The Yosemite," and, of especial
interest, his autobiographical chapters published
under the title of " The Story of My Boyhood and
Youth." ^====_====__
TOPICS ra LEADING PERIODICALS.
January, 1915.
Action, Training for. H. W. Farwell Pop. Sc.
Albert, King, of Belgium. Granville Fortescue Metropolitan
America — On Guard ! Theodore Roosevelt . . Everybody's
America's Achievement — Europe's Failure. J. A.
Macdonald Rev. of Rev.
America's Future Position. Joseph H. Choate Rev. of Rev.
Antwerp, The Fall of. E. E. Hunt .... Metropolitan
Antwerp, The Taking of. E. A. Powell .... Scribner
Balkans, The, and Peace. A. W. Spencer Am. Pol. Sc. Rev.
Belgian vs. German Efficiency. Emil Vander-
velde Metropolitan
Belgians, Helping the. J. M. Oskison . . . World's Work
Belgians, Literature of the. C. C. Clarke Yale
Belgium, Impressions of. N. M. Hopkins . World's Work
Belgium, Last Ditch in. Arno Dosch . . . World's Work
Botanical Station, The Cinchona. D. S. Johnson . Pop. Sc.
Brumbaugh, Governor, of Pennsylvania. E. P.
Oberholtzer Rev. of Rev.
Capitalization versus Productivity. F. A.
Fetter Am. Econ. Rev.
Censorship, Our Prudish. Theodore Schroeder . . Forum
China, The Parliament of. F. J. Goodnow Am. Pol. Sc. Rev.
City Manager Plan, The. H. G. James . Am. Pol. Sc. Rev.
College and Society Unpopular
Dancing Mania, The Unpopular
Darwinism, Ethnic Unpopular
Defence, National. Harrington Emerson . . Rev. of Rev.
Delcasse, Theophile. W. M. Fullerton . . . World's Work
Delusions. S. I. Franz Pop. Sc.
Democracy, Academic Superstition and. Florence V.
Keys Yale
Democratic Party, Decline of the. E. E.
Robinson Am. Jour. Soc.
Diplomatic Service, Our. David J. Hill .... Harper
Disarmament, International. Arturo Labriola . . Forum
Divorce Laws, Our Chaotic Unpopular
Dollar, A Compensated. Irving Fisher . . Am. Econ. Rev.
Drama, Our " Commercial." William C. de Mille . . Yale
Dramatic Art. Thomas H. Dickinson Forum
Dramatic Mob, Parables of the Unpopular
Ductless Glands. Fielding H. Garrison .... Pop. Sc.
Educated Man, The Passing of the Unpopular
Education, The Nation's Adventures in ... Unpopular
England, France, Russia, Germany — What You
and I Owe to Them. William Hard . . . Everybody's
Escapes. Arthur C. Benson Century
Europe's Dynastic Slaughter House. W. J. Roe . Pop. Sc.
Expansionist Fallacy, The Unpopular
Experimentation, Animal — What It Has Done for
Children. H. D. Chapin Pop. Sc.
Feminism and Socialism ......... Unpopular
French, Soul of the. Samuel P. Orth ..... Century
Front, My Day at the. Henry Beach Needham Everybody's
Geological Methods in Earlier Days. J. J. Stevenson Pop. Sc.
German Economics and the War. H. C. Emery . . Yale
German Point of View, The. J. H. Robinson . . Century
Germany, In. Frederick Palmer ...... Everybody's
Germany and Islam. Ameen Rihani .... World's Work
Good Feeling, A New Era of. L. Ames Brown . Atlantic
Harbor Voyages around New York. W. M. Thompson Harper
Hawthorne, Fifty Years of. Henry A. Beers . . . Yale
Hoof and Mouth Plague, The. R. W. Child . . Metropolitan
Hunt, W. M., Works of. Philip L. Hale .... Scribner
Irish Literary Movement, The. Padraic Colum . . Forum
Japan, Our Relations with. J. H. Latane Am. Pol. Sc. Rev.
Lithuanians in Chicago. Elizabeth Hughes Am. Jour. Soc.
" Movies," Class-Consciousness and the. W. P.
Eaton ............... Atlantic
Municipal Affairs, Current. Alice M.
Holden ............ Am. Pol. Sc. Rev.
Nature, From the Book of. W. K. Stone and
C. L. Bull .............. Century
Naval Conflicts, The. J. M. Oskison . . . World's Work
Nietzsche in Action ........... Unpopular
Nikolas, Grand Duke. Basil Miles .... World's Work
Panama, South of — III. Edward A. Ross .
Papua: Cannibal Country. Norman Duncan
Paris in Wartime. Estelle Loomis
Paris in War Times. Mary K. Waddington .
Pasha, Enver, of Turkey. A. R. Bey . . .
Peace, Democracy and. Elihu Root ...
Profession, The Choice of a. Robert L. Stevenson Scribner
Progress — What It Is .......... Unpopular
Psychical Research — II .......... Unpopular
Public Service Commissions. C. S. Duncan . . . Forum
Reform, America and. Walter Lippmann . . Metropolitan
Syo. New York: Graphic Text Book Co. Paper.
Religion and the Schools. Washington Gladden
Rheims during the Bombardment. R. H. Davis
Russia and the Open Sea. E. D. Schoonmaker .
Russia's Armies, Leaders of. Charles Johnston Rev. of Rev.
Russian History, Geography in. William E.
Lingelbach .............. Pop. Sc.
Russian Problem, The. P. Vinogradoff ..... Yale
Sanitation, World, and the Panama Canal. R. P.
Strong ................. Yale
Shakespeare, Worst Edition of. C. S. Brooks . . . Yale
Shaw, Anna Howard, Autobiography of — III. Metropolitan
Slavonic Ideals. C. G. Shaw ......... Forum
Socialism and War — II. Morris Hillquit . . Metropolitan
Sociology, Scientific Method in. F. S. Chapin Am. Jour. Soc.
Southey as Poet and Historian. T. R. Lounsbury . . Yale
State, An Endowment for the. Alvin S. Johnson . Atlantic
Trade Commission Act, The. W. H. S.
Stevens ............ Am. Econ. Rev.
Transportation Companies. H. G. Brown . Am. Econ. Rev.
Treitschke, Political Teachings of. A. T. Hadley . . Yale
Tsingtau, The Sequel to Port Arthur. Gustavus
Ohlinger ............... Atlantic
Turkey and the War. Roland G. Usher . . World's Work
Turkish Army, The. George Marvin . . . World's Work
Unemployed, Problem of the ....... Unpopular
Variability of Sexes at Birth, Comparative. Helen
Montague and Leta S. Hollingworth . . Am. Jour. Soc.
Wages, Trend of Real. I. M. Rubinow . . Am. Econ. Rev.
War, After the. G. Lowes Dickinson ..... Atlantic
War, America and the. " Norman Angell "...-. Yale
War and the Artist. R. F. Zogbaum ..... Scribner
War, British Policy and the. H. W. Massingham Atlantic
War, Christianity and. Agnes Repplier .... Atlantic
War, Course of, in December. Frank H. Simonds Rev. of Rev.
War of 1914, The Peace of Ghent and. D'Estournelles
de Constant ............ Rev. of Rev.
War, Philosophy of the ......... Unpopular
War, Physical Geography of the. C. F. Talman Rev. of Rev.
War, Scientific. H. G. Wells ....... Metropolitan
War, The Press as Affected by. O. G. Villard Rev. of Rev.
War — " Thou Shalt not Kill." W. M. Collier . . Forum
Weather, Work and. Ellsworth Huntington . . . Harper
Working-man, The. Hayes Robbins . . . Am. Jour. Soc.
Century
. . Harper
Century
. . Scribner
World's Work
Rev. of Rev.
Atlantic
Scribner
Century
LIST OF
BOOKS.
[The following list, containing 114 titles, includes books
received by THE DIAL since its last issue.]
BIOGRAPHY AND REMINISCENCES.
fimile Verhaeren. By Stefan Zweig. With photo-
gravure portrait, Svo, 274 pages. Houghton
Mifflin Co. $2. net.
Life of Sir John Lubbock, Lord Avebury. By Hor-
ace G. Hutchinson. In 2 volumes; illustrated
in photogravure, Svo. Macmillan Co. $9. net.
The Life of Thomas B. Reed. By Samuel W. Mc-
Call. Illustrated in photogravure, etc., Svo, 303
pages. Houghton Mifflin Co. $3. net.
1915]
THE DIAL
27
GENERAL LITERATURE.
Letters of Fyodor Mlchailovitch Dostoevsky to His
Family and Friends. Translated by Ethel Col-
burn Mayne. With portrait, 8vo, 344 pages.
Macmillan Co. $2. net.
The New Movement in the Theatre. By Sheldon
Cheney. Illustrated, large Svo, 303 pages. Mit-
chell Kennerley. $2. net.
The Relations of Shirley's Plays to the Elizabethan
Drama. By Robert Stanley Forsythe, Ph.D. 8vo,
483 pages. Columbia University Press. $2. net.
The Oxford Book of American Essays. Chosen by
Brander Matthews. 12mo, 508 pages. Oxford
University Press. $1.25 net.
The Phases of Criticism: Historical and Aesthetic.
By George Edward Woodberry. Svo, 70 pages.
Published for the Woodberry Society.
The Triple Ply of Life, and Other Essays. By
Minnie B. Theobald. 12mo, 207 pages. Mac-
millan Co. $1.25 net.
DRAMA AND VERSE.
Four Plays of the Free Theater. Translated, with
Introduction, by Barrett H. Clark. 12mo, 257
pages. Stewart & Kidd Co. $1.50 net.
Children of Love. By Harold Monro. 12mo, 31
pages. London: The Poetry Bookshop. Paper.
Singsong's of the War. By Maurice Hewlett. 16mo,
23 pages. London: The Poetry Bookshop.
Paper.
Remember Loiivain! A Little Book of Liberty and
War. Selected by E. V. Lucas. 16mo, 86 pages.
Macmillan Co. Paper, 40 cts. net.
Oxford Garlands. Selected by R. M. Leonard. New
volumes: Poems on Life; Echoes from the
Classics; each 16mo. Oxford University Press.
The Wayside Shrine, and Other Poems. By Martha
Elvira Pettus. With portrait, 12mo, 154 pages.
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THE DIAI,
[Jan. 16
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THE DIAL, 35
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THE DIAL,
[Jan. 16, 1915
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THE DIAL
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Published by THE HENRY O. SHEPARD COMPANY,
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Entered as Second-Class Matter October 8, 1892, at the Post
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Vol. LVIII. JANUARY 16, 1915 No. 686
CONTEXTS.
PAGE
. 37
AN AMERICAN LITERATUEE . . .
CASUAL COMMENT 39
Nature-study transmuted into literature. —
The mind's gambol. — A Mark Twain of the
Ghetto. — Bibliopathology.
COMMUNICATIONS . . 40
A Blast from London. Ezra Pound.
Entertaining Genius Unawares. Robert J.
Shores.
SOME LESS AUTOCRATIC ASPECTS OF
"CZAR" REED. Percy F. Biclcnell . . 42
NEW BOOKS ABOUT THE WAR. Frederic
Austin Ogg 44
Gowans's Selections from Treitschke's Lec-
tures on Politics. — Hausrath's Treitschke. —
The Real Kaiser. — Saunders's Builder and
Blunderer. — Frobenius's The German Empire's
Hour of Destiny. — Bourdon's The German
Enigma. — Von Mach's What Germany Wants.
— • Hart's The War in Europe. — Gibbons's The
New Map of Europe.
PLAYS OF TO-DAY AND YESTERDAY. Homer
E. Woodbridge 47
Brownell's The Unseen Empire. — Francis's
Change. — Lawrence's The Widowing of Mrs.
Holroyd. — Williams's "And So They Were
Married." — Robinson's Van Zorn. — Tagore's
The King of the Dark Chamber. — Clark's
Three Modern Plays from the French. —
Andreyev's Plays. — Barrie's Half Hours.
WORRY AND MODERN LIFE. M. V. O'Shea . 50
RECENT FICTION. Lucian Gary 52
George's The Second Blooming. — Mackenzie's
Sinister Street. — Nexo's Pelle the Conqueror.
BRIEFS ON NEW BOOKS 53
A richly illustrated history of Colonial
churches. — Autobiography of a woman terror-
ist.— The promise of Mr. Bertrand Russell's
philosophy. — An American Tory and wit. — The
music of Russia. — Mrs. Panknurst's apologia
pro vita sua. — Book-collections in earliest
times. — Paris in time of anarchy. — The
teacher of the German secondary school. — •
The education of girls.
BRIEFER MENTION 59
NOTES 59
LIST OF NEW BOOKS , . 60
AN AMERICAN LITERATURE.
Professor Brander Matthews is of the opin-
ion that American literature has no existence
apart from English literature. His opinion,
since he is nothing if not orthodox in his view
of literature, is probably that of the majority
of those who have considered the point. We
are inclined to agree with him as to the fact.
But Professor Matthews offers an explanation
which is something more than an interpreta-
tion of history. It is a bold prophecy of the
future. And who agrees with a prophet?
Professor Matthews says, in his Introduc-
tion to "The Oxford Book of American
Essays," that:
" Of course, when we consider it carefully we
cannot fail to see that the literature of a language
is one and indivisible and that the nativity or the
domicile of those who make it matters nothing.
Just as Alexandrian literature is Greek, so Amer-
ican literature is English; and as Theocritus de-
mands inclusion in any account of Greek literature,
so Thoreau cannot be omitted from any history of
English literature as a whole. The works of
Anthony Hamilton and Rousseau, Mme. de Stael
and M. Maeterlinck are not more indisputably a
part of the literature of the French language than
the works of Franklin and Emerson, of Hawthorne
and Poe are part of the literature of the English
language."
In other words, American literature is a part
of English literature and must always and
inevitably continue to be so — unless we on
this side of the Atlantic should develop a new
language.
It is only fair to add that after having thus
denied the possibility of nationality in litera-
ture (within the same language), Professor
Matthews goes on to admit that owing to a
slight difference in the social atmosphere and
the social organization of the United States
there is "an indefinable and intangible flavor
which distinguishes" Franklin, Emerson,
Walt Whitman, and Mark Twain from Steele,
Carlyle, Browning, and Lamb ; that the writ-
ers of this country "cannot help having the
note of their own nationality." But it is evi-
dent that he considers the difference subtle
rather than important.
Whether the difference is important or not
depends on whether it is now as great as it
will ever be. It has not in the least occurred
38
THE DIAI,
[Jan. 16
to Professor Matthews that the time may come
when life in the United States will be as differ-
ent from life in the British Isles as life in
Russia now is. But that is among the possi-
bilities of the future.
An identity of language may be the strong-
est connection between two nations. Language
is the mother of ideas; indeed, words are
ideas. To own the same language has always
meant to own the same feeling about funda-
mental things. However greatly the next cen-
tury may change either the Americans or the
English, they will tend strongly to remain
together in their conception of life, not
merely because many of the same forces will
act upon both but because each will so easily
communicate and exchange with the other.
Nevertheless, there are political, geograph-
ical, and racial factors which may profoundly
modify our present likeness to England. The
case of politics, particularly of international
relations, has been discussed so much that we
need only mention it. The great war in Eu-
rope may not affect us in any direct or impor-
tant way ; it may not greatly affect the future
of the British Isles. But the possibilities are
obvious enough. The effects of geographical
conditions on national character have only
begun to be studied, and are little understood ;
but the idea that the climate of the United
States is producing an American type, distinct
from the British, may be something more than
an academic theory; and climate is only one
of several aspects of geography. The part
which race plays in making national character
is, of course, the most important ; and nothing
is clearer than that the blood of the American
people is no longer the blood of the British
Isles.
It is true that the English, Scotch, and Irish
founded the republic ; and their ideas — politi-
cal, social, and moral — still dominate it. The
twenty or thirty American essayists whom
Professor Matthews has included in his an-
thology are those of men whose ancestors came
from the British Isles. And if twTo of the most
inexcusable defects of his choice wrere cor-
rected, the omission of Mark Twain and the
inclusion of Mr. Nicholas Murray Butler, this
fact would not be altered. Indeed, it is a typi-
cal fact. American writers have so far been
quite as English in blood as they have been in
language. The same could be said of nineteen
out of twenty Americans distinguished by
other than literary achievement from 1776 to
now. It could almost be said of the educated
classes. The proportion of English names in
a list of the undergraduates at Dartmouth or
Princeton or Harvard is still large, though not
as large as it was. It is only when one exam-
ines the roll of Columbia, where Jewish names
are very numerous; or of Wisconsin, where it
is German names ; or of Minnesota, where it is
Norse names, that the coming change is appar-
ent. The immigrants from the south of
Europe, even the Russians, will be slower to
send their sons and daughters to the universi-
ties than the immigrants of Teutonic stock
have been. But whether they send them or
not, they will need only to remain here to
modify us.
The battle of ideas is never still. We think
of the German citizens of this country as
differing with the older American stock only
in respect to the institution of beer, of the
Norse peoples as distinguished by no differ-
ence of custom or ideas, of the Jews as a race
peculiarly adaptable ; and as for the Italians,
the Greeks, the Slavs — we think they do
not count at all. We should know better.
We should realize that when "Who's Who"
no longer presents a preponderance of Brit-
ish names, American institutions will have
changed.
But in addition to the battle of ideas there
is the struggle of blood, which is only occasion-
ally fought out with rifles as it is now being
fought out in Europe. All the wrhite races
represented in America are beginning to in-
termarry. But biology does not promise that
the result will be a composite type in which
the characters we call Anglo-Saxon will
predominate. We in America may remain
descendants of British ancestors in those char-
acters which we care most about, we may
continue our present institutions — though it
is to be hoped that we shall be able to ex-
change some of them for better ones — but we
have no guarantee that this is in the nature of
things. Indeed, we know that there is no
assimilation of races without modification.
We cannot be certain that so much as the
language will remain to us. Our vernacular
may be so modified that there will be more
difference between the speech of an American
and an Englishman than there is now between
the speech of an Italian and a Spaniard.
But long before that happens we shall have
begun to produce an American literature dis-
tinct from English literature.
1915]
THE DIAL
39
CASUAL COMMENT.
NATURE-STUDY TRANSMUTED INTO LITERA-
TURE is what the reader finds, to his delight,
in the books of such gifted naturalists as
White of Selborne, Richard Jefferies, Tho-
reau, Professor Fabre, Mr. John Burroughs,
and that other John so commonly associated
with "John of the birds," namely, John
Muir, or "John of the mountains." Wide-
spread is the regret caused by the death, on
the day before Christmas, of the famous dis-
coverer of glaciers, explorer of the wilds of
many lands, geologist, naturalist, and writer
(of too few books). Mr. Muir was born at
Dunbar, Scotland, April 21, 1838; received
a Spartan upbringing at the hands of a
father who belonged decidedly to the old
school; migrated with that parent and a
brother and sister to this country in 1849,
rural Wisconsin being the goal of their pil-
grimage ; won for himself a university educa-
tion, or such branches thereof as appealed to
him, at Madison; and thereafter became a
wandering student of the wonders of the uni-
verse as displayed in more or less accessible
quarters of this planet. Honorary degrees
and society memberships and other distinc-
tions came to him unsought, in sufficient
abundance, and his name as author is at-
tached to "The Mountains of California,"
"Our National Parks," "Stickeen, the Story
of a Dog," "My First Summer in the
Sierra," "The Yosemite," and the extremely
interesting account of his boyhood and youth
which was the last book to come from his
hand, though his fertility in magazine and
other periodical articles continued to a later
•date. But he wras too restless, too eager to be
doing and seeing, to submit willingly to the
drudgery, as he regarded it, of authorship.
Perhaps he acquired an early distaste for the
printed page, as contrasted with the mar-
vellous book of nature, under the harsh
discipline of his Dunbar schoolmaster, who
compelled him to learn Latin and French and
English grammars by heart, and of his father,
who piled on top of that an immense amount
of Bible-reading, making the boy commit to
memory so many verses every day that, as
the victim himself says, in terms that are
hardly credible, by the time he was eleven
years old he "had about three-fourths of the
Old Testament and all of the New by heart
and by sore flesh. I could," he continues,
" recite the New Testament from the begin-
ning of Matthew to the end of Revelation
without a single stop" — which, if true, would
put even Macaulay's feats of memory in the
shade. But all this was a weariness and a vexa-
tion to the outdoor enthusiast who, when his
father told him and his brother Davy that
they need not learn their lessons for the next
day, for they were "gan to America thel
morn," looked forward with ecstasy to the
land where there was ' ' no more grammar, but
boundless woods full of mysterious good
things, trees full of sugar, growing in ground
full of gold; hawks, eagles, pigeons, filling
the sky; millions of birds' nests, and no
gamekeepers to stop us in all the wild, happy
land." . .. .
THE MIND 's GAMBOL is not the least of intel-
lectual recreations. It is a pastime in which
many a nimble-witted writer has found keen
delight, to the no small enjoyment of his
readers. Walter Bagehot confessed his love
for playing with his mind, as he phrased it.
Emily Dickinson's wit was what her sister, in
writing of her soon after her death, called
"a Damascus blade gleaming and glancing in
the sun." Colonel Higginson, her correspon-
dent and trusted friend for a quarter of a
century, wrote of her fondness for "phrases
so emphasized as to seem very wantonness
of over-statement, as if she pleased herself
with putting into words what the most ex-
travagant might possibly think without say-
ing." Her niece, in selecting and editing
some passages of intimate correspondence for
the current "Atlantic," says that "the joy of
mere words was to Aunt Emily like red and
yellow balls to the juggler," and speaks felici-
tously of ' ' the gambol of her mind on paper, ' '
and of her pen "scarcely hitting the paper
long enough to make her communication intel-
ligible." One might liken her style to the
humming-bird, come and gone with a flash
and a whir — "a resonance of emerald, a rush
of cochineal," as she herself expresses it in
some exquisite lines on that coruscating epi-
tome of life and fire. Characteristic was her
shy way of communicating by little scraps of
letters with her brother's family next door,
"a hedge away," as she put it, and separated
by a lawn ' ' crossed by a ribbon path just wide
enough for two who love." From the above-
mentioned epistolary fragments a few spark-
ling bits may here be not out of place. Their
epigram sometimes verges on obscurity; but
to be obscure, argues Coleridge, is sometimes
complimentary to the reader. Here is a cryp-
tic passage: "To do a magnanimous thing
and take one's self by surprise, if one is not
in the habit of him, is precisely the finest
of joys. Not to do a magnanimous thing,
notwithstanding it never be known, notwith-
standing it cost us existence, is rapture her-
self spurn." And again: "To the faithful,
absence is condensed presence. To the others
— but there are no others." To an absent
THE DIAL
[Jan. 16
friend she writes: "So busy missing you I
have not tasted Spring. Should there be
other Aprils we will perhaps dine." Her
oddly apposite choice of adjectives is almost
startling. A little nephew is told by her that
"Vinnie and Grandma and Maggie all give
their love, Pussy her striped respects." Often
her little message takes the form of verse.
Here is a picture of ineluctable fate :
" It stole along so stealthy,
Suspicion it was done
Was dim as to the wealthy
Beginning not to own."
• • •
A MARK TWAIN OF THE GHETTO — Solo-
mon Rabinowitz is his name, Sholom Alei-
chem his pseudonym — is writing for the
Yiddish press of New York stories that are
said to be the delight of their readers; but
Yiddish is so little familiar to the majority of
New Yorkers, and of Americans in general,
that it grieves one to think of the number of
laughs and chuckles that will die unborn for
the lack of a wiser choice, on Mr. Rabinowitz 's
part, in selecting his literary vehicle. From
his home city comes the report that he found
himself interned (to all practical purposes)
in Germany last summer by the outbreak of
the war, and it was only when his admirers
on Manhattan Island, learning of his plight
and bewailing the enforced suspension of his
contribution to their merriment, clubbed to-
gether and effected his deliverance, that he
was able to return to these shores and resume
his literary activities. In a passage, ostensi-
bly autobiographic, translated for the Boston
"Transcript," he says: "I am a Droschnar,
which means I came from Droschna, a small
town of the Poliver district — a very small
town. To-day Droschna is already a city,
with trains and a railroad station. When it
became a railroad station the whole world
envied us. Just think ! a railroad ! Every-
body thought it was a godsend, a chance of
making a living. We would all grow rich, all
begin shovelling gold. Jews from the sur-
rounding villages began pouring into the city.
The inhabitants began rebuilding their houses
and enlarging their stores; the tax on meat
was raised. We began to think of getting a
new butcher, of building a new synagogue,
and of putting aside another field for a ceme-
tery. All in all, it was a great time." A
touch of Mark Twain makes itself felt in the
cemetery enterprise, but probably this author
would like better to be commended for his
own merits than for any borrowed (even un-
consciously borrowed) excellence. His fun
seems to be all his own, at times not over-
refined, but what great humorist has escaped
that criticism?
BIBLIOPATHOLOGY, if the word is allowable,
was the subject of some characteristic re-
marks from Dr. Samuel McChord Crothers in
a recent talk before the Springfield (Mass.)
Women's Club. Playfully posing as the
mouthpiece of his friend Bagster, founder of
the Bibliopathic Institute for the Book Treat-
ment, the speaker discoursed entertainingly
and wittily on "The Therapeutic Value of
Literature." A new definition of literature
was, in passing, struck out somewhat as fol-
lows : ' ' Literature is a vast stock of thoughts
in a variety of forms that have been thought
over by interesting people and have become
so organized that they are not only food but
medicine for others." Considering a book as
a literary prescription put up by a competent
person, the lecturer goes on to say that "a
proper prescription contains four constitu-
ents,— a basis, or chief ingredient, an adju-
tant to assist the action, a corrective to lessen
any evil effects, and a vehicle to make it suit-
able for administration and pleasant to the
patient. These constituents may be used to
test the literary style of books. For instance,
Henry James, one of whose sentences may be
read at one sitting, has a sound basis, with
parenthetical clauses to provide the vehicle, a
corrective to lessen any evil effects, but lacks
the adjutant to quicken the action." In
similar pleasant vein the speaker observes that
"the young people of each generation are the
poison squad for the new books. If they sur-
vive, then the older people, whose maxim is
'safety first,' begin to take up the same books.
Then there are the counter-irritants, often
confused with true stimulants. A counter-
irritant makes the patient forget irritation in
one part of the body by creating disturbance
in another part. In medicine, mustard and
turpentine are counter-irritants; in literary
values George Bernard Shaw is the best
counter-irritant. This is the type of book that
makes you feel bad in a new spot. They
make you see yourself as those see you who
don't like you."
COMMUNICATIONS.
A BLAST FROM LONDON.
(To the Editor of THE DIAL.)
It is interesting, as it is perhaps flattering, to see
myself bracketed with the late Lord Tennyson (in
your leader of November 1 on " The Younger Gen-
eration " as a sort of alternate cock-shy for warring
poets, but I cannot admit that you have accurately
denned the issue. This issue as I see it is not
whether young poets " believe " in me or in Tenny-
son, but whether or no they believe that poetry had
traditions, even traditional freedoms before, say,
1876 ; whether poetry is good or bad according to
1915]
THE DIAJL
41
some standard derivable from the full mass of
poetry of Greece and China and France and the
world generally, or whether poetry is good or bad
according to the taste of American magazine editors
of 1876.
I still preserve the illusion that there once were
American magazine editors who cared for litera-
ture, as they conceived it. It may be that I am
wrong, and that they have uniformly held the com-
mercial viewpoint, Avhich some of them now openly
hold. It may be sheer idiotic idealism to contend
that the editors of papers like "Harper's Magazine"
and " The Century Magazine " are in positions of
some power, and that their position entails some
responsibility both to the public and to creative
genius. In actual working I find that there can be,
apparently, no truce between any of the honest
men of my generation and these magazines. One
finds editorial ignorance, and callousness to any
standards save the fashion of 1876. One finds a
rooted prejudice, a sheer cliff of refusal, against
"matter too unfamiliar to our readers." That
phrase is used over and over again. A public that
took as much interest in good literature as it takes
in the tariff on wool, would drive out any editor
who thus should set himself against all invention,
all innovation, and all discovery.
There is no culture that is not at least bilingual.
We find an American editor (whom it would, of
course, be a breach of confidence to name) who
in 1912 or 1913 writes of Henri de Regnier and
M. Remy de Gourmont as "these young men."
The rest of his sentence is to say that their work is
unknown to him. Note that this lacuna in his
mental decorations does not in the least chagrin
him. He has no desire to add to his presumably
superabundant knowledge. To say that the letters
of a certain editor now admitted incompetent
(even in America) and after long years dismissed,
used to be handed about London as examples of the
incredibly ridiculous, is putting it mildly.
No, cher m.onsieur, you put it wrongly when you
say the young poets seem to care whether one
believe in me or in Tennyson. You should write,
they care whether or no one has considered the
standards of excellence to be found in Villon and
the Greek anthology ; they care whether the editors
who criticize them have ever heard of Stendhal;
whether one believe that verse should be as well
written as prose ; whether an author should be him-
self or a mimicry.
Anent which, take two sentences from the edito-
rials of " The Century Magazine." Note that the
<!new editor" of this magazine has been recom-
mended to me as a "progressive." Here are his
words :
" We wish to make the fiction in this magazine come
as near to truth as circumstances permit . . ."
Shades of Flaubert, and Stendhal, and of every
honest creator in letters ] I
Second example:
" The contributors make the magazine and the
magazine makes the contributors."
There's another nice chance for literature to come
through the magazines. Has any first-class work
of any sort ever been done to the specifications of a
machine? And a machine for pleasing the popu-
lace at that I
No, cher monsieur, leave my name and my per-
sonal reputation out of it. Ask whether the
younger generation wants America to produce real
literature or whether they want America to con-
tinue, as she is at the present moment, n joke, a
byword for the ridiculous in literature, and the
younger generation will answer you.
Investigate the standards and the vitality of the
standards of the "best editorial offices," and see
what spirit you find there. See whether they
believe that art is, in any measure, discovery. See
whether there is any care for good letters, even if
they care enough for good letters to be in any way
concerned in trying to find out what makes, and
what makes for, good letters.
Bej'ond this it seems to me that you make a mis-
take in dubbing Mr. Henry James, for instance, an
European. A deal of his work is about American
subjects. Is a man less a citizen because he cares
enough for letters to leave a country where the
practice of them is, or at least seems, well-nigh
impossible, in order that he may bequeath a heri-
tage of good letters, even to the nation which has
borne him?
It is not that the younger generation has not
tried to exist " at home." It is that after years of
struggle, one by one, they come abroad, or send
their manuscripts abroad for recognition; that
they find themselves in the pages even of the
" stolid and pre- Victorian ' Quarterly ' " before
"hustling and modern America" has arrived at
tolerance for their modernity. EzRA PouND
London, December 26, 1914.
ENTERTAINING GENIUS UNAWARES.
(To the Editor of THE DIAL.)
An employer, in search of clerks, looked through
the " situations wanted " column of a New York
newspaper the other day and remarked, " When I
see the number of men who advertise for a position
' at anything ' and urge as a reason for their
employment, the fact that they speak three or more
languages, I feel less ashamed of the fact that I am
a man of one tongue." This is American reasoning
right enough. If an accomplishment can not be
converted into dollars and cents, it seems to us a
useless possession. We prefer to read our foreign
books in translation, and there is no doubt but that
the professional translator usually gets more out of
a foreign author than we ourselves could extract
with the aid of a phrase-book and a bi-lingual dic-
tionary. There are times, however, when our igno-
rance of foreign literature becomes so obvious as to
be embarrassing. When Senor Ruben Dario ar-
rived in New York not long ago, we went about
asking one another, " Who is this Dario, and what
has he done?" And this same Dario is the fore-
most poet in the Spanish tongue to-day, author of
some twenty-odd books of poetry and prose, and
acknowledged a classic writer by all Spanish-
speaking peoples. ROBERT j gH()REg>
New York City, January 2, 1915.
42
THE DIAL,
[Jan. 16
SOME LESS AUTOCRATIC ASPECTS OF
"CzAR" REED.*
It is twelve years since Thomas B. Reed's
sudden and too-early death, and a few years
more since he ceased, by his own choice, to be
a conspicuous figure in our national govern-
ment; but popular interest in his decidedly
original yet typically American personality
is still strong enough to ensure a welcome to
Mr. Samuel W. McCall's biography of the
man, which has just appeared under the
sanction and with the cooperation of sur-
viving members of the Reed family. Mr.
McCall's twenty years in Congress and the
Maine statesman 's term of service in the same
legislative body overlapped by six years;
the two represented the same political party
and had much in common in their political
views and their high ideals of national policy ;
and therefore the younger is by no means
unqualified to give a genuinely appreciative
account of the other's achievements in public
life. It is this public rather than the more
personal and private side of Mr. Reed that
receives especial attention in the book, and
such a survey naturally involves some discus-
sion of the more important political questions
with which he was concerned, though the
biographer has shown commendable restraint
in subordinating his own opinions to the
presentation of those held by the subject of
his biography.
Reed's large and richly endowed nature
had qualities that remind us now of one and
now of another illustrious character of his
own or of an earlier time. In Yankee shrewd-
ness, the apt use of homely illustration, readi-
ness with a timely Biblical phrase or allusion,
and, with it all, a sturdy advocacy of fair
play, he was not unlike Lincoln, whom he was
fond of quoting, on occasion, as when, in argu-
ing against our Philippine policy, he cited
Lincoln's "government of the people, by the
people, for the people." Like Lincoln, he
first made his mark as a country lawyer, and
he sat in his state legislature before passing
to a more honored seat in Congress. Like
Lincoln, too, he served his country in time of
war — though it was in the navy, as acting
assistant paymaster on board a gunboat, not
in a land campaign against the Indians —
and he likewise indulged in subsequent
humorous reference to his martial exploits.
In certain other aspects, not those of the
statesman, he irresistibly suggests Mark
* THE LIFE OF THOMAS BRACKETT REED. By Samuel W.
McCall. Illustrated. Boston: Houghton Mifflin Co.
Twain, with whom he enjoyed a close friend-
ship in his last years. He had Mr. Clemens 's
habit of making his wife his confidant and
adviser in the larger affairs of his calling.
"She became his best critic, whose judgment
he sought and followed, ' ' says his biographer.
"It was his habit to rehearse to her what-
ever he wrote or proposed to speak upon
important occasions. Among his unpublished
manuscripts is one, brilliant but rather de-
nunciatory in tone, which bears upon it the
note in his handwriting, 'Not published, by
order of madam.' ' How many a Mark
Twain manuscript met with a similar fate at
the hands of the judicious Mrs. Clemens!
Curiously alike, also, the two men seem to
have been in some of those minor preferences
that betray character. Mark Twain's fond-
ness for his pet cats and kittens is notorious.
Reed's relish for certain characteristic quali-
ties in Tabby and Tom was evident. A paper
prepared by him on "Our Cat" (Anthony,
originally called Cleopatra, until it was dis-
covered that this name was inappropriate)
has passages that might have been written by
his illustrious contemporary. Like the au-
thor of "The Innocents Abroad," Reed was
"an indefatigable sightseer," with a lively
interest in foreign lands and a zest for for-
eign travel. On one occasion at least the two
men enjoyed an extended cruise in each
other's company in domestic waters, at the
invitation of their common friend, H. H.
Rogers, owner of the yacht ' ' Kanawha. ' ' For
details see Mr. Paine 's biography of Mark
Twain, and chapter twenty-two of the book
under review.
The record of Reed's college course at Bow-
doin shows him to have been a good scholar
without strenuous effort, and a participant in
all wholesome student activities, a member of
his class crew, one of the editors of the college
paper, active in a local chess club, and mighty
in debate, being one of the leading spirits in
the Bowdoin Debating Club as well as a
prominent member of the Peucinian Society,
where this form of intellectual athletics was
cultivated. Thrown partly upon his own
resources for the payment of his college bills,
he used to teach district school in the winter
vacation, as was then the approved custom of
impecunious and ambitious collegians. But
even with the best of will to make his way
through and win his diploma, he found him-
self so nearly stranded toward the end of his
senior year that he had accepted the necessity
of leaving college without a degree when
assistance was offered by "William Pitt Fes-
senden, father of Reed's room-mate, and
gratefully accepted. This timely provision of
1915]
THE DIAL,
43
funds was, of course, not forgotten by the
beneficiary, who early repaid the loan with
interest. School-teaching, law-study, and
naval service filled the first few years after
his graduation, but in 1865 he established
himself in his native city of Portland as a
practising lawyer, and less than three years
later entered upon that course of political
activity which was destined to extend nearly
to the end of his life. Successively repre-
sentative in the Maine legislature, senator in
the same body, and attorney-general, he re-
ceived the nomination and election to Con-
gress from his district in 1876, and continued
to represent that district until 1899. when the
action of the administration in taking on the
"last colonial curse of Spain" found him so
little in sympathy with so un-American a
course that he resigned his seat and retired to
private life. Referring to the proposed plan
of subjugating the Filipinos, he said to his
trusted friend and secretary, Mr. Asher C.
Hinds: "I have tried, perhaps not always
unsuccessfully, to make the acts of my public
life accord with my conscience, and I can not
now do this thing." This, too, when he had
just been re-elected by the customary over-
whelming majority to the succeeding Con-
gress, and was sure of a renewal of the speak-
ership, an office of which he had once declared
that it had but one superior and no peer.
That one superior, of course, was the presi-
dency, to which he came near being nominated
by the convention that finally gave its vote to
McKinley in 1896.
Without following more in detail the rise
of Reed from a position of local to one of
national if not worldwide fame, let us add a
few characteristic utterances of his, as re-
corded by his faithful biographer, and thus
fix in mind more clearly what manner of man
he was in his thought and word and action.
From an address delivered at Portland in his
earlier life, we select, partly for the benefit
of young college graduates, the following:
" Perhaps the most useless piece of furniture on
the footstool for the first two or three years is the
college graduate, whose scholarship was a comfort
to the professors and an annoyance to his com-
petitors. These years are a worry to the scholar
himself. He has to take all that time to get right
with the world, to find the other standards by
which he must measure his efforts, and to realize
the nothingness of the honors he has won."
To about the same period, or to one a little
earlier, belongs a vigorous assertion of his
religious beliefs and disbeliefs, addressed to
the pastor of his church in Portland. There
is something rather refreshing in such pas-
sages as this, for example :
" I do not believe in an Atonement, because I
cannot see its necessity. The whole idea strikes
me as artificial. If all our sins and their effects
are to be washed away by vicarious suffering and
we are to find ourselves pure and perfect when we
touch the other shore, the problem of 'Recognition
in Heaven' is going to be terribly complicated. It
is needless perhaps to say that I am not persuaded
of the 'fall of man' j and as for that apotheosis of
lounging, the life in the Garden of Eden, I believe
in it as little as I do in the Saturnia Regna. If
that Paradise had ever existed and man had grown
up in it, it would have been merely a Paradise of
fools. It is only by fighting the devil that we ever
get to be anything."
In an address on the tariff question, given
at Philadelphia in 1884, occurs a passage in
somewhat the same tone as the foregoing,
which is separated from it by twenty-one
years in time.
" The forces of evil are as continuous and deter-
mined as the forces of right, and I am sorry to say
that right is only right by a very small majority
that has got to be kept up every day. This world
is one where we cannot always have our own way.
There have been times when I have not been able
to have mine. Therefore a good many men that I
would have liked to punish are still flourishing
upon the earth. Life is a perpetual source of dis-
appointment. You can never do what you would
like to do. You have always to do the best thing
you can do."
Among Reed's papers after his death was
found one on the subject of Imperialism, ap-
parently written, says Mr. McCall, during the
negotiation of the Treaty of Paris and while
McKinley was touring the West and deliver-
ing orations on "Destiny." Here is a frag-
ment of that paper :
" Human selfishness pervades all human life. It
is the mainspring of human action. Any man's
selfishness would wreck all his surroundings were
it not for the antidote, which is the selfishness of
all the rest. Therefore if men are to be justly
governed they must participate in government.
Do I mean to say that all men are of equal power?
No, they cannot be. But give every man equal
rights, and intellect and wisdom will justify them-
selves by persuading where they have no power to
command."
A good, what may even be called a breath-
ing, likeness of one eminent statesman by
another is offered to the fortunate reader of
this book. A more "intimate" biography
will perhaps some day be prepared by another
hand ; but meanwhile we are grateful for this
excellent presentation of the eminent Speaker.
PERCY F. BICKNELL.
The fifth volume of " The Dramatic Works of
Gerhart Hauptmann " will be published this month
by Mr. B. W. Huebsch.
44
THE DIAL
[Jan. 16
BOOKS ABOUT THE WAR.*
It is not too much to expect that the present
war in Europe will afford inspiration and fur-
nish subject-matter for a large number of very
good books and for a few really great ones.
None, however, of the second category, and
very few of the first, have as yet made their
appearance. In recent weeks there have come
into the hands of the reviewer more than a
dozen books whose publication is to be
ascribed, with but an exception or two, en-
tirely to the war. There is not in the lot one
volume which does not bear evidence of haste
in preparation, or in publication, or in both.
Some are written in English of which a good
journalist would be ashamed. Some are in-
complete and utterly superficial treatises upon
their respective subjects. Not one of them
contains that useful and in these days not
uncommon device known as an index.
The country which to date has attracted the
attention of writers and publishers chiefly is
Germany. Whether or not the Germans are
responsible for the war, their purposes, meth-
ods, and exploits comprise the most dynamic
and interesting factors in the situation. Fur-
thermore, the war literature which is printed
in America or despatched across the Atlantic
for American consumption emanates mainly
from English or other quarters where the de-
sire is to describe the ambitions, real or
assumed, of Germany in all their iniquity and
to portray the German menace in all its sup-
posed seriousness. Of authoritative and read-
able English and American books on Germany
there were already, when the war began,
many. There were studies of German policy,
surveys of German history, monographs on the
Kaiser, printed collections of the Kaiser's
speeches, and works on German sea-power,
militarism, socialism, government, and a host
of other concerns. The general reader who
would know Germany accurately — in so far
at least as a country can be known accurately
through the reading of books about it — can-
* SELECTIONS FROM TREITSCHKE'S LECTURES ON POLITICS.
Translated from the German by Adam L. Gowans. New
York : Frederick A. Stokes Co.
TREITSCHKE: His Doctrine of German Destiny and of Inter-
national Relations. By Adolf Hausrath. New York: G. P.
Putnam's Sons.
THE REAL KAISER. An Illuminating Study. Anonymous.
New York : Dodd, Mead & Co.
BUILDER AND BLUNDERER. A Study of Emperor William's
Character and Foreign Policy. By George Saunders. New
York : E. P. Dutton & Co.
THE GERMAN EMPIRE'S HOUR OF DESTINY. By Colonel H.
Frobenius. With Preface by Sir Valentine Chirol. New
York : McBride, Nast & Co.
THE GERMAN ENIGMA. By Georges Bourdon. New York:
E. P. Dutton & Co.
WHAT GERMANY WANTS. By Edmund von Mach. Bostdn :
Little, Brown & Co.
THE WAR IN EUROPE: Its Causes and Results. By Albert
Bushnell Hart. New York : D. Appleton & Co.
THE NEW MAP OF EUROPE (1911-1914). By Herbert Adams
Gibbons. New York : The Century Co.
not be admonished too strongly to use the
books of the past ten years liberally and those
of the past three months sparingly.
There is an opportunity for some one to
write a substantial book in which shall be
traced the origins and development of the
spirit of militarism in modern Germany.
Until this task shall have been performed, per-
sons interested in this subject will be obliged
to search out the information they desire in
masses of documents, and especially in the vol-
uminous writings of great German militarists
of the type of Nietzsche and Treitschke. Al-
ready the stimulation of interest in the subject
has been considerable; and to meet the de-
mand for information which has arisen, enter-
prising publishers have put on the market a
number of books consisting of translated pas-
sages from the writings of Treitschke. Of two
at present on the reviewer's desk, the lesser in
size and importance is "Selections from
Treitschke 's Lectures on Politics," translated
by Mr. Adam L. Gowans. The selections here
given have the merit of following the original
very closely, and they cover a range of topics
sufficiently representative to enable the hur-
ried reader to obtain from them a very fair
idea of the trend of Treitschke 's thought.
More important, however, because fuller and
accompanied by an extended study of Treit-
schke's life and work, is Hausrath 's "Treit-
schke : His Doctrine of Imperial Destiny and
of International Relations." The extracts
here given relate exclusively to military and
international affairs, and, being fairly copious,
they serve very well to exhibit the great
apostle of Pan-Germanism at his best. Haus-
rath was an intimate friend of Treitschke, and
his biographical sketch has the advantages and
disadvantages which may be expected to arise
from such authorship. He depicts with
marked success the colorful personality of his
hero and incidentally gives a very good ac-
count of the life of German university pro-
fessors a generation ago. But his enthusiasm
for his subject leads to an estimate of Treit-
schke's scholarship which is hardly borne out
at every point by the facts.
Of the making of books about the Kaiser
there is no end. One of the many issued in
recent weeks bears the title ' ' The Real Kaiser :
An Illuminating Study" and has been pub-
lished anonymously, first in England and sub-
sequently in the United States. We are told
that the author has had exceptional oppor-
tunities to study his subject at close quarters.
This may be true; and it cannot be denied
that here and there he has a shrewd inter-
pretation and employs telling phrases. He
relates a number of episodes that have not
THE DIAL
45
hitherto reached English readers. But inaccu-
racies are numerous, notably in the chapter in
which an attempt is made to describe the
structure and operation of the imperial gov-
ernmental system; and the book is further
marred by an occasional unnecessary expres-
sion of anti-German sentiment.
A better piece of work is Mr. George Saun-
ders 's ' ' Builder and Blunderer. ' ' The author
of this book was for many years Berlin corre-
spondent of the London "Morning Post" and
of the London "Times," and his opportunity
to go behind the scenes was without doubt
exceptional. The book opens with a reason-
ably accurate description of the German posi-
tion at the Kaiser 's accession, and of the events
attending the accession ; but the major portion
of it is devoted to an analysis of the Kaiser's
foreign policy and of his "German world-
policy." It is maintained that, despite con-
trary appearances which deceived many, the
Kaiser has been at all times since his accession
the principal menace to the peace of the world,
and in substantiation of the view a long chain
of incidents in the diplomatic and political
history of the past quarter-century is re-
counted. The world, it is affirmed, has been
supremely disappointed in the development of
a character which originally seemed uncom-
monly promising.
Only a few days before the outbreak of the
present war there was published in Germany
a book written by Colonel Frobenius and bear-
ing a title which may be translated as "The
German Empire's Hour of Destiny." The
book won the unreserved praise of the German
Crown Prince, and of the Prussian militarists
generally. The author took as the basis of his
work a book written a few years ago by an
American student of politics, namely Mr.
Homer Lea's "The Day of the Saxon." In
this volume Mr. Lea pictured the dangers
which threatened the British Empire, arising
from its decline in fitness for war,- coupled
with the growing ascendancy and lordliness
of Germany and Japan. Germany was con-
ceived to be the most dangerous opponent, and
the somewhat fantastic idea was exploited that
England's original mistake lay in her permit-
ting the unification of Germany to take place.
Mr. Lea's practical proposition was that Great
Britain should create an adequate army and
proceed to the annihilation of her chief con-
tinental rival. Colonel Frobenius similarly
maintained that a titanic conflict between
Great Britain and Germany was inevitable,
and he placed at the head of his first chapter
the statement that "the British world empire
can be saved only by Germany's overthrow,"
the inference being that Britain 's natural pol-
icy would be the subversion of Germany. It
was his opinion, however, that the British
would see the expediency of sparing the Ger-
man army, to the end that Russia might be
held in bounds, and that the conflict between
Britain and Germany would be exclusively, or
at least primarily, naval. British troops
might be expected to operate on land only for
the purpose of driving the German warships
from protected ports to the open sea where
they could be engaged by British vessels.
That war with both England and France was
coming was expressly predicted. Indeed, one
chapter was written to demonstrate that as a
military measure France must declare war
against Germany in 1915 or 1916, and another
to show that the hour of the German Empire
and its allies might come as early as the spring
of 1915. That the conflict had not broken
much earlier, that "so favorable an oppor-
tunity as the war in the Balkans did not fire
the powder," and that it was only England
who held back her threatening allies, was
attributed principally to the "cold-blooded
British commercial spirit. ' ' There is nowhere
in print — not even in General von Bern-
hardi's writings — a more frank and forceful
statement of the point of view taken by the
German authorities in the present conflict.
In the autumn of 1913 one of the editors of
the Paris ' ' Figaro, ' ' M. Georges Bourdon, paid
a visit to Germany with the express purpose
of ascertaining the actual sentiment of repre-
sentative Germans toward the French govern-
ment and people. Interviews were held with
high officials, party leaders, university profes-
sors, literary men, and representatives of mili-
tary and patriotic organizations, and the re-
sults were published in a series of articles in
"Figaro." In English translation, these arti-
cles, with additions, have lately been brought
out in London in book form under the title
' ' The German Enigma. ' ' M. Bourdon tells us
that on his departure for Germany he made a
determined effort to shake off all his precon-
ceived opinions, and he confesses freely that
his experiences showed him the error of some
of the opinions which, in common with other
Frenchmen, he had cherished. "We know
nothing of Germany," he exclaims, "neither
does she know anything of us." Few books
are written with loftier purpose, and it must
be said that the spirit of fairness and of altru-
ism with which the author begins is sustained
to the end. The result is an objective, impar-
tial, and impersonal study. In only the last
chapter does the author obtrude his private
views and seek to draw conclusions. His great
objective is an eloquent, although restrained,
plea for a Franco-German rapprochement on
THE DIAL
[Jan. 16
the basis of continued German possession of
Alsace-Lorraine and the engagement of the
Berlin authorities to govern the Alsatians as a
free, rather than a subjugated, people. Such
a solution, it was maintained, would involve
no sacrifice of pride or of dignity by either
nation, yet it would heal a festering wound
and would deliver the whole of Europe from
the crushing burden of military expenditure.
The picture drawn was roseate, but events
have proved it only a fleeting vision. The
book is of interest because it was written from
a viewpoint seldom assumed in recent years
by European publicists.
In ''What Germany Wants" Dr. Edmund
von Mach has undertaken to supply a con-
servative answer to a query which in these
days is on every one's lips. Dr. von Mach is
an American and a graduate of Harvard, al-
though of Prussian birth and, in the main, of
Prussian training. He knows his America
rather better than do certain other German
apologists in this country, and the temperate-
ness of his arguments ought to ensure his book
a wide and thoughtful reading. The essential
desire of Germany he defines as follows :
" Germany wants to keep the confines of her
home-land inviolate, but is not desirous of joining
to them new lands of unwilling people. She wants
to develop her colonies and invest her money in the
building of extra-territorial railways which will
ultimately bring her into relation with new mar-
kets. She wants to develop her home commerce
and industry, and increase the usefulness of her
agriculture that she may give employment to a
population growing at the rate of about a million
a year. . . . Over and above these desires she has
the very natural and proper ambition to be worthy
of her great past and to make her own contribu-
tions to the civilization of the world. She wants
social justice, and she wishes to remove from her
laboring classes the ills of poverty. Germany wants
peace, for in peace only can she do what she has set
out to do. She wants an honorable and a stable
peace, and in so far as the defects of her character
have been contributory causes to misunderstand-
ings she wishes to eradicate these defects. She
desires the good will of the world."
A convenient handbook for Americans who
wish to follow the course of the war intelli-
gently is Professor Albert Bushnell Hart's
"The War in Europe." This book falls into
two parts. The first is devoted to a crisp
description of the general international situa-
tion in Europe on the eve of the war. The
second contains an account of the outbreak of
the war, with chapters on the psychology of
the war, the question of neutrality, modern
methods of warfare, the effect of the war on
the United States, and the possible terms of
peace. Evidence which has come to light since
the date of publication would probably cause
the author to give some of his statements to-
day a different turn, but of course this was
inevitable, and on the whole the book remains
a very fair and substantially accurate piece of
work. Eminently sensible are the suggestions
which are offered concerning the necessary
basis of a true and final peace. Stated briefly,
they are: (1) Europe must recognize the
blood kinship of people of the same race, and
must cease trying to destroy the language and
traditions of race groups; (2) She must give
up the idea of compelling large racial units to
accept a government which is hateful to them ;
(3) A larger portion of the people must be
admitted to a share in decisions as to their own
destiny; (4) No peace can be durable that
does not provide in some way against the
causes which have brought about the present
war, chief among them being the feeling, fos-
tered by great armaments, that war is a proper
and manly way of settling national differ-
ences; and (5) War can be prevented only by
some sort of world federation in which every
nation shall have an armed force upon a fixed
proportion, to be used as part of a contingent
of a world police.
It is just conceivable that the war may go
on undecisively until the nations, from sheer
exhaustion, shall become willing to terminate
hostilities and to restore, as nearly as possible,
the conditions of July, 1914. But it is much
more likely that one side or the other will be
definitely victorious, and in this event the map
of Europe will undoubtedly have to be re-
made. Dr. Herbert A. Gibbons 's "The New
Map of Europe" was written in part before
the outbreak of the war. But chapters were
appended after the war began, and nowhere
in English will one find as yet a fuller or better
discussion of the political and geographical
changes which the war is capable of pro-
ducing. Dr. Gibbons has been for some years
a member of the faculty of Roberts College,
Constantinople, and he has had varied oppor-
tunity to acquaint himself with the political
and military affairs of Europe, especially of
Europe east of the Adriatic. His present
chapters cover a wide range — from the pass-
ing of Persia and the problem of the Bagdad
railway in the east to Alsace-Lorraine and
Luxemburg in the west. The best are the
half-dozen or more recounting the military
and political happenings of southeastern
Europe since the Turkish revolution of 1908.
for the author has been an observer of, and
even a participant in, many of the events of
which he here writes. In his discussion of the
present conflict Dr. Gibbons takes the ground
that Germany forced war on Russia and
France, that German ambition has long been
1915]
THE DIAL,
47
a menace to all Europe, that Great Britain
was fully justified in entering the contest, and
that the violation of the neutrality of Bel-
gium was not the cause, but only the occasion,
of British participation. The only way in
which war could have been avoided last Au-
gust, we are told, would have been "to allow
Germany to make, according to her own de-
sires and ambitions, the new map of Europe."
FREDERIC AUSTIN OGG.
PLAYS OF TO-DAY AXD YESTERDAY.*
If we compare the publishers' lists of to-
day with those of fifteen or even ten years
ago, it is surprising to see how many more
plays are now getting into print. And these
are not only plays which have been or might
be successfully acted; many of them are in-
tended merely to be read, and could not be
staged with any hope of interesting an audi-
ence. Not only does the printed play serve
as a platform, or at least a soapbox, for peo-
ple who have a social or political message to
deliver to the world; it has been seized upon
even by the lyric poets as a medium for the
expression of personal emotion. Thus we find
in our list not only Mr. Brownell preaching
pacificism, Mr. Francis preaching syndical-
ism, and M. Andreyev preaching nihilism, but
Mr. Eobinson and Mr. Tagore translating
their favorite types of lyric, the puzzle lyric
and the mystical lyric, into what purports to
be dramatic form.
It is perhaps our misfortune that we live
in an age when nothing can be taken for
granted. Of course our field of speculation is
considerably widened ; but this is a poor com-
pensation for the artistic formlessness and
poverty which the dissolution of tradition
involves. We may smile at the simple-mind-
edness of Aristotle, who thought a play was
an imitation of action, or of Shakespeare,
who thought a playwright ought to hold a
* THE UNSEEN EMPIRE. By Atherton Brownell. New York :
Harper & Brothers.
CHANGE. By J. O. Francis. " The Drama League Series of
Plays." New York : Doubleday, Page & Co.
THE WIDOWING OF MRS. HOLROYD. By D. H. Lawrence.
" Modern Drama Series." New York : Mitchell Kennerley.
" AND So THEY WERE MARRIED." A Comedy of the New
Woman. By Jesse Lynch Williams. New York: Charles
Scribner's Sons.
VAN ZORN. A Comedy in Three Acts. By Edwin Arlington
Robinson. New York : The Macmillan Co.
THE KING OF THE DARK CHAMBER. By Rabindranath
Tagore. Translated into English by the Author. New York :
The Macmillan Co.
THREE MODERN PLAYS FROM THE FRENCH : Lavedan's The
Prince D'Aurec, Lemaitre's The Pardon, Donnay's The Other
Danger. Translated into English by Barrett H. Clark and
Charlotte Tenney David, with Preface by Clayton Hamilton.
New York : Henry Holt & Co.
SAVVA and THE LIFE OF MAN. Two Plays. By Leonid
Andreyev. Translated from the Russian, with Introduction,
by Thomas Seltzer. " Modern Drama Series." New York :
Mitchell Kennerley.
HALF HOURS : Pantaloon, The Twelve-pound Look, Rosalind,
The Will. By J. M. Barrie. New York: Charles Scribner's
Sons.
mirror up to nature. But the out-of-date
dramatists who were expected to give pleasure
by imitating human life in a manner presenta-
ble on the stage had an immense advantage in
knowing what was expected of them, and in
general how they were expected to do it.
Whether the modern dramatists, unguided by
a tradition in these respects, will succeed in
working out a satisfactory artistic form, is a
hard question. There is no doubt that the
drama, which had been slumbering in a sort
of coma of conventionality, has been vitalized
through the widening of its scope; and
though many of the playwrights seem to
struggle vainly with their material, though
their utterance is stammering and eccentric,
most of them have something to say and are
striving toward a comprehensible form.
Events have made a cruelly sardonic com-
ment on the rather saccharine optimism of
' The Unseen Empire." The youthful hero-
ine, Friderika Stahl, has been left sole owner
of the Stahl Gun Works, the great manufac-
turing centre of war material in Germany.
Absorbed in philanthropic projects among
her workmen, she has never realized the mean-
ing of the vast establishment built up by her
father. Her eyes are opened through the
attempts of the Emperor to gain more direct
control of the works, first by marrying her to
a prince, then, when this fails and war is
imminent, by forcibly seizing the plant. She
defeats the second plan by the help of her
chief electrician, who is also her lover. The
result is that the Emperor, who, it appears,
has always objected to war, heads a movement
for a federation of Europe, and bestows the
Order of the Red Eagle on the young man
who thwarted the war plans. The lightning
change of Emperor and Chancellor from lion
to lamb would be merely comic if history had
not made it into a bitter caricature of pacifi-
cist dreams.
Mr. Francis's "Change" has for its theme
the tragic clash of the new and the old in a
Welsh mining village. In 1911 it won a prize
offered for the best play by a Welsh author
dealing with life in Wales. As is often the
case with prize plays and stories, it is sincere,
respectable, and rather dull. The action
moves very slowly; there are three or four
moderately interesting characters, but none of
compelling interest; the play lacks focus.
The writer seems to have been more inter-
ested in a social condition than in any of his
characters; and this is to say that as a dra-
matist he has failed. It is not hard to see
why the play, to quote the Introduction, "met
with a most deplorable and undeserved re-
ception ' ' in New York and Chicago.
48
THE DIAL
[Jan. 16
With a somewhat similar setting — the
mining region of Derbyshire — Mr. D. H.
Lawrence has written a vastly better play.
In "The Widowing of Mrs. Holroyd" he has
no social theories to expound, but he is pro-
foundly interested in Mrs. Holroyd, her chil-
dren, her drunken husband, and her sober
and hard-working lover, Blackmore. A de-
cent woman with ideals of her own, she at
first gives Blackmore no encouragement; but
things come to such a pass that she finally
consents to run away with him, taking her
two children. Then comes an accident in the
mine, in which her husband is killed. A
revulsion of feeling sweeps over her; her
early love for him returns, and with his old
mother she weeps passionately over his body.
The final scene, grimly realistic and of extraor-
dinary power, shows the two women wash-
ing the body for burial. The best evidence of
the author's tact and skill is that the effect
neither of this scene nor of the play as a
whole is sordid or depressing ; it is rather, in
the true sense of the word, tragic. The fault
of the play is its inconclusiveness, which would
handicap it on the stage ; but, from the read-
er's point of view, this is more than redeemed
by keen insight into character and firm grasp
of situation. Mr. Lawrence is still a very
young man; he will be well worth watching.
From a first-hand study of life we turn to
a literary echo. Mr. Jesse Lynch Williams 's
"And So They Were Married" may be best
described as an American imitation of Mr.
Shaw 's plays. Surely a man of genius should
pray thrice daily to be delivered from his
imitators. They are sure to "show him up,"
magnifying his faults and weaknesses till the
public turns from him in disgust. No hostile
criticism can be half so damaging as the
imitation of the faithful disciple. The reac-
tion against Mr. Shaw was bound to come;
and the appearance of a follower like Mr.
Williams suggests that it is upon us. His
heroine well knows that by the law of her
nature she must compel the man with whom
she is in love to propose to her ; she struggles
bravely against it, and when in spite of her-
self she has most obviously forced him into a
declaration, she says, "in an awed whisper,
stepping back slowly, ' I 've done it ! I 've done
it ! I knetv I'd do it ! ' ' But of course she
will not let a poor scientific man ruin his
prospects by marrying her. They will
"belong to each other" without marriage, and
this she announces to her assembled and
astounded relatives. To do her lover justice,
it must be said that at first he objects to this
programme ; but the ' ' Life Force ' ' has got hold
of him too; and besides, in defending Helen
from her incensed family, he has to defend
her plan. A clever old uncle who is a judge,
taking unfair advantage of their excitement
and of the easy-going law of the state, mar-
ries them on the spot in spite of their teeth ;
but at the same time he warns Society -that
a general overhauling is inevitable. Various
minor characters and incidents make it too
plain that Mr. Williams is not intentionally
writing burlesque.
As the reader begins to turn the pages of
Mr. Edwin Arlington Robinson's "Van
Zorn," various questions rise in his mind.
Who is Van Zorn? Who is Villa Vannevar,
the heroine? What have been their past rela-
tions with each other? with George Lucas?
with Farnham? There is no exposition to
gratify his curiosity; but he consoles himself
with the thought that as he goes on these
matters will become clear. On the contrary,
he becomes more and more bewildered.
There is a good deal of more or less clever
dialogue ; there develops a kind of emotional
tension, involving the transference of the
heroine's affections; but Mr. Robinson keeps
his secrets, or reveals them only in riddles.
The reader's curiosity is teased very much as
it is in some of Mr. Robinson's poems. He
feels that if he could learn something about
these people they might prove to be interest-
ing. But perhaps after all they are not peo-
ple; perhaps they are symbols. The play
will be a good subject for some future doc-
tor's thesis; until that appears it will be safe
to reserve our judgment.
Mr. Tagore's "King of the Dark Chamber"
is frankly symbolical; the characters could
by no possibility be mistaken for real per-
sons. Lecturers who expound the beauties of
Tagore before women's clubs will probably
have no difficulty in explaining that the play
is an allegory of the conquest of the soul (the
Queen) by Love (the King), with the help of
Humility (Surangama), and the discomfiture
of the King's chief rival, Practical Sagacity
or Efficiency (Kanchi). The symbolism is
rather clearer than is usual in Maeterlinck;
the style is noticeably reminiscent of his.
There is a good deal of the material of poetry
floating around in a rather nebulous state,
and there are some pretty lyrics, one, for in-
stance, beginning:
" Open your door. I am waiting.
The ferry of the light from the dawn to the
dark is done for the day.
The evening star is up."
It is in a way refreshing to turn to the
"Three Modern Plays from the French."
Here is no recondite or symbolical meaning,
no prophet or lyricist disguised as a play-
1915]
THE DIAL,
49
wright. "We go back with a certain sense of
relief to the good old triangle. It encloses
nothing of extraordinary interest, but at least
we know what to expect. It is odd to see how
these plays, produced in 1892, 1896, and
1902, already sound like voices from a past
generation. Heavens! they seem written
merely to entertain! In M. Lavedan's
"Prince D'Aurec" the chief interest is in the
husband, a fine type of the useless and orna-
mental French nobleman. Jules Lemaitre's
"The Pardon" is remarkable as a tour de
force. The triangle, if I may mix the mathe-
matical metaphors, is reduced to its lowest
terms; there are in this three-act comedy
only three characters. As a piece of techni-
cal sleight of hand it would be hard to equal.
In M. Donnay's "The Other Danger" inter-
est centres in the woman who has a lover with
whom her innocent daughter falls desperately
in love. If we take the situation seriously, as
M. Donnay wishes us to, we can hardly be
satisfied with his solution. Mme. Jadain
heroically resigns her lover, commanding him
to marry Madeleine, and he, though he pro-
tests a good deal, seems not indisposed to
consent.
It must be a grim humorist indeed who
could find anything amusing in the two plays
of M. Leonid Andreyev published in the
' ' Modern Drama Series. " In " Savva ' ' we find
ourselves in the company of a group of luna-
tics and idiots. Considerable ingenuity is
shown in distinguishing various types of men-
tal alienation; thus we have the drunken
idiot, the playful idiot, the maniac who has
committed the unpardonable sin, and the mild
melancholiac. There is only one really sane
person in the play. The hero is a young
nihilist who wishes to destroy every mark and
sign of civilization and the past, — literature,
art, cities, even clothes, — so that the human
race may begin over again au naturel. If
they then show any signs of relapsing into
anything resembling our present civilization,
he plans to massacre them all. Very appro-
priately he is torn to pieces by a mob ; but it
is evident that M. Andreyev regards him as a
martyr. "The Life of Man," published in
the same year as ' ' Sawa, " is a far more note-
worthy performance. It is a sort of morality
play, in a prologue and five scenes. If the
philosophy of Mr. Thomas Hardy's novels
were to be summed up in a short dramatic
allegory, the result would be something like
"The Life of Man." The characters are
Man, his Wife, Father, Relatives, Neighbors,
Friends, Enemies, etc. Interspersed with the
dialogue are long choral passages uttered by
groups of people speaking individually but
indistinguishably, and headed merely "The
Drunkards' Conversation," or "The Old
Women's Conversation." In the form of
familiar talk, these passages often furnish the
most poignant comment on the action where
they seem most irrelevant or frivolous.
Speaking the prologue, and dominating the
whole piece, is the dread figure, "Someone in
Gray called He." He is present in the back-
ground of every scene, holding in his hand
the candle which burns gradually lower. He
listens with equal apathy to the rejoicing of
Man and his Wife over their first success, to
their agonizing prayers for the life of their
child, and to Man's curses when the child
dies. He is a God of stone.
It is interesting to compare this twentieth-
century morality with a morality of the fif-
teenth century. The message of "Every-
man" is that the soul of man is a thing of
infinite value, and that man's life on earth
has infinite significance. The message of
' ' The Life of Man ' ' is that the soul of man is
a trivial toy, and that man's life is infinitely
meaningless. The fifteenth-century play is
filled with a sense of the reality of the past,
of the reality of the future, and of the cru-
ciality of the present that divides them. In
the twentieth-century play all are alike empty
and unreal.
To turn from these powerful and melan-
choly productions is like coming out from an
asylum or an operating-room. Under such
circumstances, what can be more wholesome
than to go to a Punch and Judy show ? Some-
thing of the sort, touched with graceful fancy,
Sir James M. Barrie (we have not yet become
accustomed to that "Sir," and it sounds al-
most as queer as "Sir Mark Twain" would)
has provided for us in " Pantaloon. ' ' The sec-
ond of the ' ' Half Hours, " " The Twelve-pound
Look," is a portrait of an egoist considerably
less refined than Meredith's hero. In intro-
ducing him, the author politely but unkindly
says, "If quite convenient (as they say about
cheques) you are to conceive that the scene is
laid in your own house, and that Harry
Sims is you. ' ' No doubt Harry would be glad
to be you or anyone else before his interview
with Kate is over. Kate is his former wife,
now a "new woman," but not of the type
familiar in the new drama. Perhaps it would
not be a bad guess that Sir James and Dr.
Crothers, who are not afraid of the new
woman and do not seem to think she will
prove as destructive as some suppose, are
nearer right than the alarmists. "Rosalind"
is a delightful little sketch of the contrast
between an actress incognita, on a vacation,
and frankly middle-aged, and the same lady
50
THE DIAL
Jan. 16
in her professional character and appear-
ance. The change is accurately and charm-
ingly registered in the countenance and
words of young Charles Roche, just out of
college and much in love with the beautiful
actress. The last of the "Half Hours,"
"The Will," is a bit of the tragedy of life as
it appears in a lawyer's office. It simply
presents three visits, years apart, made by
the hero to his lawyer; but one can recon-
struct the man's whole life from those three
visits. Philip Ross's experience is not so
very different from that of M. Andreyev's
"Man"; yet in total effect the two plays are
as wide asunder as the poles. In the back-
ground of the "Life of Man" there are only
spectres gibbering and flitting through
vacancy, and the blank and stony stare of the
insane God. In the background of "The
Will" is the whole huge and various earth,
with its forces of good and evil, and its rich-
ness of real human sorrow and joy. It is
interesting to speculate as to what would be
the effect upon M. Andreyev if he could look
out upon everyday life for an instant through
Sir James Barrie's eyes. If he survived the
shock, he would probably suppose, depending
on his early training, that he had been trans-
ported either to fairyland or to heaven. Later
he would reason that he must have been sub-
ject to a hallucination. Yet the result of such
a glimpse, even on a logical and unhumorous
mind, would surely be enlightening. Per-
haps it would even teach M. Andreyev
humility. HOMER E. WOODBRIDGE.
WORRY AXD MODERN I/TFE.*
The belief is widespread that there are
more "nervous" people in America than in
all the other countries of the world taken
together. But the term, as popularly used,
does not imply serious disease and usually no
organic difficulty; it refers rather to mental
strain and tension, and to that vast brood of
troubles commonly described by the term
worry. There is general agreement among
laymen as well as physicians that American
life is becoming continually more complex,
Avith the result that as a people we are "hit-
ting up the pace ' ' faster and faster as the
years go by. Take a man of affairs in almost
any community in this country; he is re-
quired to adapt himself to a greater number
of situations and respond to more varied
stimulations this year than he did last. He
* WOBBY AND NEBVOUSNESS ; or, The Science of Self-
Mastery. By William S. Sadler, M.D. Chicago : A. C. McClurg
& Co.
NEW NEBVES FOR OLD. By Arthur A. Carey. Boston: Lit-
tle, Brown & Co.
has more problems to solve, and more pres-
sures to equilibrate or perhaps to resist. If
things go on as they have been going, he will
have more adjustments to make next year than
he has this year. Even in the school, which
was originally a place of quiet for the purpose
of encouraging reflective attitudes, there is
constantly increasing tension because there
are more subjects to study and tasks to per-
form each succeeding year. The demands
upon the schools have already become so
numerous and burdensome that the chief
problem discussed to-day in educational meet-
ings is the pruning of the curriculum so that
pupils will not be crowded so hard.
Think of the number of things which a fam-
ily even in modest circumstances must buy
to-day in order to keep pace with their neigh-
bors ! Think of the ' ' amusements ' ' they must
patronize, the books and periodicals they must
read, the ' ' functions ' ' they must attend ! And
then consider especially the burdens imposed
upon those who are on the firing-line, and
must furnish the funds for all this unrest and
striving and struggle !
The above reflections are incited by reading
the books under review. In purpose and gen-
eral point of view they resemble other books
that have appeared in America during the past
decade. It is probable, however, that Dr.
Sadler's "Worry and Nervousness" is the
most important and attractive contribution
that has yet been made to the discussion of
this subject. It is the work of a scientist, to
begin with; and its thoroughgoing presenta-
tion of all aspects of nervous disturbances
that give rise to worry and that are the out-
growth thereof is based upon an accurate
knowledge of the physical and mental laws
involved. A number of recent writers upon
this subject have approached it from the
standpoint of religion — Mr. Carey's "New
Nerves for Old" is written from this point of
view — or hypnotism or morbid psychology;
but Dr. Sadler writes as a physician, and con-
sequently one feels that his analysis and sug-
gestions for the treatment of worry are a little
more securely grounded than are most of the
expressions on these topics which one hears or
reads to-day.
"Worry and Nervousness" discusses every
phase of nervousness and its hygiene and!
treatment; and the discussion throughout is
presented in a clear, graceful style. The
varied forms of nervousness are classified
under seven heads: (1) chronic fear, or
worry, (2) neurasthenoidia, or near-neuras-
thenia, (3) neurasthenia, or nervous exhaus-
tion, (4) psychasthenia, or true brain fag,
(5) hysteria, the master imitator, (6) hypo-
1915]
THE DIAL.
51
chondria, or chronic blues, (7) simple melan-
cholia. Each of these types of nervousness is
analyzed, and their relations toward one
another pointed out. The largest general con-
clusion to be derived from these analyses is
that under the stress and strain of modern
life, alike in the case of the worker and the
social "climber," the vitality of the nervous
system is lowered, and there follows a host of
troubles, all springing out of or giving rise to
fear or wrorry. Dr. Sadler cites a large num-
ber of concrete examples of the various fears
he describes, — and they are very numerous.
Modern students of this subject have had to
develop an extensive vocabulary to describe
the fears which have been differentiated out
of the common attitude of worry or dread.
There is "aerophobia," the dread of fresh
air, especially night air; "aichmophobia,"
the dread of pointed tools; "kenophobia,"
the fear of emptiness; " brontophobia, " the
fear of thunder; "acrophobia," the fear of
high places ; ' ' agoraphobia, ' ' the fear of open
spaces; "misophobia," the fear of dirt;
"pathophobia," the fear of disease; "zoopho-
bia, ' ' the fear of animals, and so on ad libitum.
Then there are nervous states which are not
quite of the nature of dread or fear, but which
nevertheless give rise to the worrying attitude,
such as the magnification of trifles, worrying
about the weather, the chronic "kicking"
habit, and so on through a long list.
And what is the cause of all these abnormali-
ties? In some cases, lowered vitality; in
other cases, strain and stress in maintaining
existence ; but in most cases in American life
it is the struggle for more and more things
and experiences. The results are social mal-
adjustments which produce sooner or later
nervous irregularities and mental strains and
crises. Through twenty interesting chapters,
the author analyzes and describes typical
everyday types of worry and fear and
nervousness, and he gives concrete examples
of every type. He also presents diagrams
giving the results of modern research on the
relations between bodily states and nervous
and mental reactions. He drives home some
of his principles by presenting photographic
and pictorial illustrations of fear, worry, and
especially of "going the pace" in American
life.
But what can be done about it all ? Part II.
of "Worry and Nervousness" is devoted to a
discussion of how these troubles may be alle-
viated. The sum of the whole thing is: let
the neurasthenic reduce his wants. Let him
give up thinking about himself, and become
interested in some other person, or some cause
of an impersonal character. But fundamen-
tally he must live a simple, hygienic life. He
must cut out every form of stimulant and
narcotic. Alcohol, tobacco, tea, coffee, and
the whole list of narcotic drinks are deadly
in their effect upon the nervous system. Dr.
Sadler says that any physician who is thrown
in contact with a large number of nervous
cases has it borne in upon him every day that
the chief enemies of the health and stability
of the nervous system and the mind are the
popularly used poisons, — alcohol, tobacco, tea,
and coffee. Tobacco stands foremost among
the causes of increased blood pressure, which
drags a whole train of evils in its course.
Alcohol is next, and then come tea and coffee.
The author quotes Richardson of England to
the effect that excessive tea drinking among
the women of that country has produced a sort
of semi-hysterical condition. They try to
relieve this condition by resorting to alcoholic
stimulants, so that one evil intensifies thei
other. He also quotes Dr. Bock of Leipzig,
who has observed the same effects among
women who are addicted to the use of coffee.
Even the use of condiments, as pepper, mus-
tard, vinegar, and the like, is a source of
nervous irritation and instability.
Next to hygiene in order of therapeutic
value in the treatment of nervousness and
worry is faith — simple, trusting faith. Here
is the physician, looking at the whole matter
from the physician's point of view, who con-
cludes that nervous health without faith, is
impossible. Dr. Sadler and Mr. Carey are in
agreement in respect to the value of faith in
preserving healthy nerves. Most of "New
Nerves for Old" is devoted to impressing this
view. It would not do to pass over this point
without quoting a paragraph from "Worry
and Nervousness" (p. 50) :
"All faith tendencies are toward mental happi-
ness and psychical health. All people, good or
bad, get the physical rewards of faith, regardless
whether the objects of their faith and belief are
true or false. Faith reacts favorably upon the
body independent of the trueness of the object or
the correctness of the thing believed. Faith is the
natural, normal, and healthy state of mind for
man. Faith is the state of mind that ever tends to
make a man better, stronger, happier, and
healthier."
Dr. Sadler discusses the modern use of
psychotherapy and therapeutic suggestion,
and indorses these means in many cases. He
also considers educational therapeutics, the
strengthening of the will, the value of recrea-
tion, study, play, work, and social service. In
particular cases these are all of great value,
because they relax the tense nerves of the
neurasthenic and substitute wholesome and
upbuilding ideas for narrow, self-centred,
52
THE DIAL
[Jan. 16
and hypochondriacal ones. Mr. Carey ad-
vances substantially the same views, though
he does not base his principles upon physical
and mental laws as Dr. Sadler does. As a
summary of all his suggestions, Dr. Sadler
makes self-mastery the supreme aim, which is
in effect the conclusion reached by Mr. Carey
and most of the others who have written upon
this complicated subject in recent times. The
real secret of nervous and mental health is
after all to get hold and keep hold of one's
self in the midst of all the strains and stresses
of an increasingly complex life.
The reviewer may perhaps add an opinion
of his own which seems reasonable in view of
the principles developed by Dr. Sadler and
others. Nervousness in all its morbid phases
seems to show nature's attempt to destroy the
individual who is not living in accord with her
laws — physical, intellectual, social, and re-
ligious. And in order to escape from this
trouble, all remedies must come back in the
end to simple, rational living — first physical,
then social — to live in harmony and good
will with one's fellows — and religious — to
have faith that back of the universe and sup-
porting it is an all-wise and all- just power and
personality. Most people who study human
nature come to this conclusion sooner or
later- M. V. O'SHEA.
RECENT FICTIOX.*
The argument is sometimes made that the
novelists of our day have, and can have, noth-
ing really new to tell us. Men and women are
pretty much the same everywhere, it is said,
and their passions have been recorded in all
their variety by the long procession of poets
and dramatists and story-tellers. In particu-
lar we are assured that we should be better off
reading the great Victorians than the novel of
the season, simply because they did all that
any of our contemporaries can do and did it
better. Many of us who are interested in
novels give this advice lip-service by passing
it on and — do not follow it. One reason is to
be found in fashion. To the mind which re-
joices in the "Saturday Evening Post's"
serials, Thackeray and Dickens are as hope-
lessly old-fashioned as the clothes of their
day ; the same is only less true of a more criti-
cal mind. But there is another reason. It is
that in certain living writers one may satisfy
(or only whet?) a curiosity of which Thack-
* THE SECOND BLOOMING. By W. L. George. Boston :
Little, Brown & Co.
SINISTER STREET. By Compton Mackenzie. New York:
D. Appleton & Co.
PELLE THE CONQUEROR: Apprenticeship. By Martin Ander-
sen Nexo. Translated from the Danish by Bernard Miall.
New York : Henry Holt & Co.
eray and Dickens knew very little and of
which they did not always tell what they
knew. There is one obvious retort to Mr.
Frank Harris's sneer at Thackeray because he
did not dare to give Becky Sharp a soul ; it is
that Becky Sharp exists. There is an equally
obvious retort to the charge that Dickens saw
nothing in the lower classes except what was
funny. It is that the lower classes are funny.
The fact remains that women quite as wicked
as Becky Sharp have souls and that the poor
are a great deal more than amusing.
It is the fashion just now to belittle science,
especially the less exact sciences. But science
does count, even toward the novel. Darwin
and Karl Marx did not live in vain. Science
can tell us more about the two great motives
of human conduct, the erotic and the economic,
than it once could ; and one of the results of
the scientific method is a tremendously in-
creased curiosity about the things it has only
partially revealed to us. The merest hint of
new knowledge is enough to create an active
dissatisfaction with the old. It may be a long
time before any novelist compels us to under-
stand what the socialists like to call "the
working-class mind, ' ' but we can no more rest
with Dickens 's sense of it than we can rest
with Thackeray's ideas about women.
"The Second Blooming" is an example of a
novel that could hardly have been written a
generation ago. David Graham Phillips — a
writer whose merits seem to have been hidden
by his crudity from all but a few critics, like
Mr. Arnold Bennett — dealt often with the
same general theme: the futility of the lives
of leisure-class women. But he never worked
it out as subtly as Mr. George has. The story
is of three sisters, all of whom are frustrated
by the lives they lead as the wives of well-to-
do men. Grace found her only real happiness
during the three years she conducted a liaison;
Mary found a certain contentment in many
children • Clara expended most of her surplus
energy in helping her husband's political
career. It looks as if Mr. George had set out
to demonstrate in fiction the feminist theory
which he has previously expounded in argu-
ment. But there is more to it than that. Most
of his interest is in Grace, and her love for
Enoch Fenor. He tells what went on in her
mind frankly, honestly, and without preaching
about it ; so that while one may disapprove of
Grace, or pity her, or respect her, one can
neither hail Mr. George as one who perceives
that love justifies irregularity of conduct nor
damn him as one who confuses moral values.
There are some weak places in the story.
Mr. George has avoided telling just why it was
that Grace found herself out of love with her
1915]
THE DIAL
53
husband; it wasn't, as he would have us be-
lieve, just because she had nothing interesting
to do and he bored her with his interest in
what he had to do, which was to follow the law.
Some of the unhappiness of these three sis-
ters, more than Mr. George admits, was due to
that eternal disparity between the dream and
the accomplishment which afflicts every hu-
man being. But we must not quarrel with
Mr. George. He has written an excellent
novel, and one much more readable than the
clever one he published last year, "The
Making of an Englishman." He has done
more. He has exhibited a kind of imagination
which is too rare in English fiction, an imagi-
nation that has enabled him to see (and to tell
us) how it was with Grace. Because his inter-
est is always in understanding her rather in
moralizing about her he succeeds in arousing
our sympathy for a woman who was unable to
find any better use for her courage or any more
complete expression for her adventurous spirit
than a brief and secret love-affair. To do that
is as much finer as it is more difficult than
merely to play upon our sense of our own vir-
tue by presenting us with a properly chastised
sinner.
Mr. Compton Mackenzie has rounded off
what we had expected was to be a trilogy
with his second volume. "Sinister Street"
apparently tells all that we are to know of
Michael Fane, whose acquaintance we made in
"Youth's Encounter." Mr. Mackenzie asks,
in an epilogue, that we regard his volumes as
the story of "the youth of a man who pre-
sumably will be a priest" rather than "as an
idealized or debased presentation of his own
existence up to the age of twenty- three. ' ' But
we cannot freely grant his request, even
though we do not know how much of an
aesthete Mr. Mackenzie was when he was at
Oxford. At any rate these two novels give a
more complete account of the mind of a young
man of our day than has been written pre-
viously in English, an account which presents
some of the things that Thackeray meant when
he complained that his public would not per-
mit him to tell all he wished about Pendennis,
and a good many more besides. For Michael
is of a kind of sensitiveness that would not
have interested as full-blooded a man as the
creator of Colonel Newcome, and Michael's
experience with the Miss Fotheringay sort of
person is very different from anything that
was omitted by tacit request from Pendennis 's
history. We mean to suggest that if ' ' Sinister
Street" is worth reading, and we think it is,
the fact is not wholly owing to its free use of
material which, as Mr. Henry James has put
it, the Victorian novelist "dodged."
Perhaps there is no living writer who is
more at home in the description of peasant and
working-class life than Mr. Martin Andersen
Nexo, or one of a finer spirit. There can
hardly be one who is dead, because his point
of view is too new. But we hesitate to men-
tion socialism in connection with "Pelle the
Conqueror," although it is mentioned once or
twice in "Apprenticeship," because the word
is so likely to call up memories of propagan-
dist novels which had no merit except their
intention to improve the world. Perhaps Mr.
Nexo is not an orthodox socialist. One of the
most illuminating and fascinating chapters in
this second of the four volumes of Pelle 's his-
tory tells of a vagabond workman, the most
skilful of cobblers, who came back to the little
shop where he was a legend and gave the others
a glimpse of his romantic journey through
the world, and of that vision which makes
labor artistry. Would an orthodox socialist
have put that passage in his novel? Doubt-
less anybody would have put it there who
could, and the point is that Mr. Nexo could.
It may be that the half of the story which
we have still to read, and which we know deals
with Pelle 's experience as a labor-leader, will
reveal the characteristic weakness of the propa-
gandist, but we shall be surprised if it does.
For so far Mr. Nexo seems always the artist,
the man of feeling who is bound to give us
what he has lived, and only what he has lived.
LUCIAN GARY.
BRIEFS ox NEW BOOKS.
A richly aius. In ' ' Earlv American Churches ' '
trated history of (Doubleday) Mr. Aymar Em-
Colonicd churches, -i TT j' A.' • -L i
bury II., a distinguished prac-
tising architect, attempts the history and
description of the most important group of our
early monuments. Undertaken primarily for
brother-architects, it places at their disposal
the richest collection of photographs of Colo-
nial churches yet assembled. In the one hun-
dred full page half-tones are illustrated the
exteriors and interiors of all the existing
buildings of first importance, and a repre-
sentative selection of others, from the coloni-
zation down to the abandonment of Georgian
traditions, about 1830. The text, — with archi-
tect, antiquarian, and general reader all in
view, — lacks fixity of purpose and uniformity
of method. In general the effort is to recover
the history and the successive forms of the
buildings discussed, but the limits of rele-
vancy in ecclesiastical episode and historical
anecdote are frequently passed. The lack of
an alphabetical index is a serious hindrance;
frequent misprints and slips in the spelling of
54
THE DIAL
[Jan. 16
proper names force the reader to be on his
guard. The author shows a commendable in-
terest in contemporary documents, and adds
to the published stock a number which he has
encountered in several years of correspon-
dence and travel, notably for the churches at
New Haven. Other documents are repub-
lished from parish histories and previous par-
tial treatments, and much oral tradition is
gathered up, relating both to the original struc-
tures and to their transformations. The case
of the church at Sag Harbor, built in 1843, of
which the original builder was still alive in
1912, shows the occasional possibilities in this
direction. Too often, however, documentary
evidence is not sought insistently enough or
not even demanded; vague comparisons of
unsupported assertions with estimates of
probabilities take the place of methodical
criticism. The section covering Trinity
Church at Newport, "reported to have been
built in 1726," is particularly flagrant in this
regard. "Peter Harrison is reported to have
been the architect of this building, but as
Peter Harrison has also been given as the
architect of King's Chapel, Boston, and other
churches built toward the latter end of the
eighteenth century, it seems improbable that
he was designing at this early date, nor does
the building itself bear any internal evidence
of being his design." The importance of in-
ternal evidence, of course, is very great, but
such evidence should be verified, wherever
possible, and relied on exclusively only when
other testimony is found to be lacking. In
the case in hand we know very well that Peter
Harrison, whom Mr. Embury elsewhere de-
scribes as an amateur, was our first trained
architect, who came over with Dean Berkeley
in 1729 and designed the Eedwood Library in
Newport in 1748, a building which, like his
other authenticated works, exhibits a schol-
arly correctness of detail quite removed from
the naivete of the church in question. In
his concluding summary of development, as in
some of the interpretations of single build-
ings, the author is led astray by current
misconceptions of architectural history and
apparent lack of knowledge of earlier discus-
sion. The renaissance of classic architecture
in England had scarcely begun when the first
Virginia colonists left the mother country, and
it was the seventeenth century rather than the
sixteenth in which English Gothic dragged out
its moribund rural exile. The first London
church with a colonnaded portico was St.
Paul's, Covent Garden, built by Inigo Jones
in 1631, so that it is small wonder that St.
Luke's, Smithfield, Virginia, 1632, does not
show more academic feeling. The statement
that in New England the earliest church
buildings resembled no English buildings at
all, ignores their exact prototypes in the chap-
els of English dissenters which Mr. Ronald P.
Jones has recently described in his little book
"Non-conformist Church Architecture." Mr.
Embury's treatment of the Classical Revival,,
especially, reflects the habitual lack of sympa-
thy with this pervasive movement. The ques-
tion is larger than personal predilection; it
involves recognition of the historical bases of
the neo-classic tendency and willingness to
criticize its representatives by the canons of
their own age. Only by such historical de-
tachment can the superstition of a death of
traditional art be replaced by a belief in its.
unending vitality.
Within the brief space of two-
Autobiography n£, TI/T-
of a woman hundred and fiity pages, Miss
Marie Sukloff, a Russian Jew-
ess of twenty-nine years, has conveyed to En-
glish and American readers in "The Life
Story of a Russian Exile" (Century) an
astonishing wealth of vivid information con-
cerning Russian despotism and the efforts
that are being made toward its overthrow.
Miss Sukloif was born in a two-roomed hut —
one room devoted to the domestic animals —
in a village of thirty such huts. Inured from
infancy to hardship, grinding poverty, and
tyrannical oppression, she was apprenticed at
the age of eleven, first to a woman grocer and
then to a tailor. Even at that age the sor-
rows of the peasants had entered into her
soul. She had seen the fate of her aunt, out-
raged and then beaten brutally and buried
while still alive by the son of the neighboring
country gentleman, and she had witnessed the
continual desperate struggle of her own
parents. Imbued with the new aspirations of
the period, she joined in a strike and lost both
her position as a tailor's apprentice and
nearly a year's earnings, whereupon she im-
mediately began devoting herself with youth-
ful ardor to the propaganda of the Social
Democrats. She was sent by her parents to
Odessa to a poor uncle to secure employment,
but became increasingly active as a revolu-
tionist, and was selected to set up a secret
printing press in Kiev, where she was arrested
and thrown in prison. After more than two
years in close confinement, she was exiled for
life to eastern Siberia. From this remote re-
gion, she escaped and brought back to Russia
the baby of an exiled couple, thus avoiding
recognition herself, and rendering the escape
of the parents a future possibility. Embit-
tered by her own sufferings and filled with
pity for the oppressed people of her country,
1915]
THE DIAL,
55
she joined the headquarters of the Social
Revolutionists at Geneva, and was appointed
to assassinate several prominent and cruel
officials, finally succeeding in killing with a
bomb the terrible Governor Khvostoff. She
was condemned to death, but was exiled in-
stead to a distant region of Siberia. After
suffering for some years physical and mental
hardships which threatened to unsettle her
reason, she finally escaped through a daring
and brilliant strategem and with the faithful
assistance of devoted fellow revolutionists
outside the prison. This escape took place
from the prison at Irkutsh, where Miss Suk-
loff had been taken for an operation, the long
deferment of which by the heartless neglect
of the officials had almost caused her death.
It was almost by miracle that she escaped the
permanent ruin of her health by the terrible
experiences through which she had to pass
after getting outside the prison walls. She
was never safe from reimprisonment until she
sailed from Shanghai. The vivid descriptions
of prison interiors and prison life in the many
prisons occupied by the writer, the thrilling
narrative of experiences and emotions, the
portrayal of numerous officials and revolu-
tionists from intimate knowledge render the
book a human document of the highest value.
It illuminates dark and dreary Siberia with
a lurid brilliance. Scarcely conceivable are
the cruelties and abominations so realistically
reported that the reader cannot doubt their
actuality. The book may well make one hold
one's breath in suspense, as the primitive and
cruel government it exposes hurls its myriads
across the frontiers of Germany. But there
is also another and very moving revelation in
the little book. So spontaneous seem the
many instances related of kindness, gener-
osity, self-abnegation, and lofty heroism that
one's admiration of the Russian people rises
in proportion to the indignation aroused
against the tyranny of the Russian govern-
ment. The world has surely much to antici-
pate from the long deferred liberation of the
Russians, and among these people none will
give a finer account of themselves than the
Jews, if we may judge from the gifts and the
spirit of such Jewish women writers as Marie
Sukloff and Mary Antin.
The promise of Mr. Bertrand Russell has pub-
RusKpht lished Iris Lowell Lectures of
losophy. 1914 in book form under the
title of "Scientific Method in Philosophy"
( Open Court Publishing Co. ) . He begins with
the statement that little progress has been
hitherto discernible in philosophic specula-
tion. Philosophy has made larger claims and
achieved fewer results than any other branch
of learning. The great systems of the past are
of no vital concern to us. They are interesting
only as hypotheses, as aids to the imagination.
Mr. Russell then surveys the field of present-
day thought and discusses three chief tenden-
cies. There is first of all the classical tradition
which descends in the main from Kant and
Hegel. Though still well entrenched academ-
ically, this represents on the whole a decaying
force. It is based on the omnipotence of rea-
soning. Its world is constructed by logic with
little appeal to concrete experience. Then
there is, in the second place, evolutionism, still
associated with the name of Herbert Spencer,
who in turn derives from the earlier English
empiricists. Its modern representatives are
Nietzsche, William James, and M. Bergson.
This philosophy, which is based on biology,
has a predominant interest in the question of
the destiny of life. But philosophy, if it is to
be a genuine study, must have a province of
its own and aim at results which the other
sciences can neither prove nor disprove. In-
tuition, insight, mysticism may carry convic-
tion to the favored recipient, but, untested and
unsupported, they cannot constitute a suffi-
cient guarantee of truth. The third tendency
is the one which the author himself favors and
to which he has given the somewhat unpre-
possessing name of "logical atomism." This
has gradually crept into philosophy through
the critical scrutiny of mathematics. It is
akin to the "new realism" which has recently
been developed at Harvard and other Amer-
ican universities. It represents the substitu-
tion of piecemeal, detailed, and verifiable re-
sults for large untested generalities. The true
function of the mathematical logic which it
employs is analytic rather than constructive.
It shows the possibility of hitherto unsus-
pected alternatives. It liberates the imagina-
tion as to what the world may be while refus-
ing to dogmatize on what it is. Mr. Russell's
chapter on the positive theory of infinity
shows the indebtedness of his method to the
mathematical investigations of two of the Ger-
mans, Frege and Cantor, and of the English
scholar, Dr. Whitehead. Such apparent para-
doxes as that an infinite number cannot be
increased by adding to it are made plausible
to the layman by a non-technical demonstra-
tion. The last chapter is on the notion of
cause, with application to the question of free-
will. The author finds that freedom, in any
valuable sense, demands only that our voli-
tions shall be the result of our own desires and
not of an outside force. Thus philosophy, in
the author's opinion, is becoming scientific
through the simultaneous acquisition of new
56
THE DIAL
I Jan. 16
mercan
Joryandwit.
facts and logical methods. It has suffered
much in the past from lack of modesty in
wanting to attack the larger problems at once.
But now it is ready to abandon all claims to
gratify mundane desires. It does not even
presume to prophesy about the future of the
universe. This unpretentiousness is achieving
its reward. The new method has already been
successful in such time-honored problems as
number, infinity, continuity, space, and time.
It may be counted upon to proceed slowly from
success to success. Mr. Russell is one of the
many English academic writers who possess
an- enviable gift of expression. The lucidity,
precision, and elegance of his style are so
compelling that even the unphilosophically
minded will find no stumbling blocks in his
exposition. __
Dr. Arthur "Wentworth Hamil-
ton Eaton's interest in the na-
n .-, »
tive Tories of the American
Revolution has rendered him well fitted for
the preparation of "The Famous Mather
Byles" (Boston: W. A. Butterfield). Dr.
Byles's relationships with the Mathers, his
alliance by marriage with several of the patri-
cian families of New England, his long pas-
torate of a fashionable Boston church, his
far-famed wit, and his persistent Toryism, with
the resulting loneliness and privation of his
old age, all help to make him a picturesque
character. His tradition is of the sort that is
likely to grow by accretion, and particularly
is this true of the stories of his wit. It is
hard to believe that the man who was capable
of some of the best things that have been
ascribed to him could be guilty of some of the
worst. Dr. Eaton repeats .all the usual anec-
dotes, generally without citing authorities,
and, one is tempted to feel, without careful
winnowing. In other biographical matters he
has been thorough and apparently exact. He
outlines the early history of the Byles family
in America; he cites the will in which In-
crease Mather bequeathed to his grandson,
Mather Byles, his wearing apparel, excepting
his chamber cloak, and, on condition that the
legatee entered the ministry, one-fourth of
his library; and he has unearthed the record
of an interesting squabble between young
Byles and James Franklin of the New En-
gland "Courant." He traces in some detail
Dr. Byles's long career as pastor of the Hollis
Street Church — one of the many careers that
remind us how much social position and fam-
ily connections signified in the early life of
supposedly democratic Boston. After the
Doctor openly espoused the loyalist cause the
voices that speak of him are mostly hostile,
and although the biographer has given to
these only their due weight the record of the
later years is necessarily a trifle unsatisfac-
tory. It is notable that Dr. Eaton remarks,
without mentioning his authorities, that
Joseph Green, the Boston humorist and dis-
tiller who parodied some of Dr. Byles's
poems, "had none too amiable a feeling"
toward the Doctor. It has usually been sup-
posed that the two men, who were fellow-
students at Harvard, fellow-contributors to a
collection of poems, and later fellow-loyalists,
were perfectly friendly in their combats of
wit. The author has a fondness for odd col-
locations of words, such as "It is not to any
one difficult in these days to see why," but
aside from frequent sentences of this sort the
book reads pleasantly. It contains a number
of interesting portraits, a bibliography of Dr.
Byles's principal works, and copious notes,
though these last are sometimes silent just
where a citation of authority is most to be
desired.
The music
of Russia.
No one who wishes to under-
stand Russian music will fail to
familiarize himself with the
writings of Mrs. Rosa Newmarch. Her book
on Borodin and Liszt, her monograph on
Tschaikowsky, and the volume here reviewed
on the Russian opera all demand attention be-
cause ,of her intimate acquaintance with the
land, the people, and the literature of Russia,
as well as because of her critical knowledge of
the music of Russian composers. Her book
on "Poetry and Progress in Russia" should
be mentioned in this connection because in
Russia the musician has worked side by side
with the poet, and the advancement of the
fatherland has been an interest dear to both.
In "Russian Opera" (Dutton) Mrs. New-
march covers the whole field of operatic his-
tory in that singular and somewhat myste-
rious country. A great part of this account,
especially that of the earlier periods, has
merely an historical interest. The Russian
opera became important only in the nine-
teenth century. It was then that the great
composers appeared, that the great operas
were written, that the peculiarly national
character of Russian music was made mani-
fest, and that the strength and weakness of
Russian music became known to the musical
world in the work of such cosmopolitan
musicians as Rubenstein and Tschaikowsky,
and of such nationalistic composers as the
"Invincible Band," or "The Mighty Five"
(Balakirev, Moussorgsky, Rimsky-Rorsakov,
Borodin, and Cesar Cui). We find the two
great critics, Serov and Stassov, obscuring as
1915]
THE DIAL
57
well as illuminating musical controversies. We
are introduced to the somewhat antagonistic
musical circles of Balakirev and Balaiev. We
learn of the production of the operas that
make Russian music perhaps the most con-
spicuous body of purely national music in
existence. Mrs. Newmarch has lived in Rus-
sia, has met the principal protagonists in this
drama, has sympathized with their efforts and
intentions, has throughout been on the patri-
otic side of controversies, and yet has main-
tained a judicial attitude toward everything.
Her book is therefore authoritative and con-
vincing in its utterances. Perhaps she makes
too much of the national aspects of this music
and does not emphasize sufficiently the lim-
itations of all merely national music, but the
value of her criticisms and interpretations is
not thereby seriously impaired and her view
of the movement as a whole does not disregard
the region where the national shows its rela-
tions to the substantially human and univer-
sal. The book is provided with portraits, as
well as a number of other illustrations, and
the index is satisfactory. Treating, as it does,
of a subject which has by no means had the
consideration that belongs to it, the book be-
longs in every musical library.
Mrs.p«nkhurst', This breathing spell in the
apologia pro woman suffrage agitation in
England is a good time to re-
view what that agitation has effected and to
consider briefly its hopes for the future.
Mrs. Emmeline Pankhurst's book, "My Own
Story" (Hearst's), gives an excellent even
though warmly partisan account of the move-
ment, especially of that part in which she has
been concerned, and closes with hopeful
prophecies of the future. Addressing herself
to American readers and appealing for their
sympathies, she writes with a very telling
directness of speech about the attitude and
methods of the English government in seek-
ing to withhold from women the rights to
which it will be difficult for any candid
reader of her book to maintain that they have
no just claim. Even of the violent means for
obtaining them which she so notably advo-
cates, she makes not a bad defence — if
violence is ever defensible. Certainly as mate-
rial for a book, her stormy experiences of the
last few years are rich in incidents of an
unusual and not seldom a startling nature.
And all this vehemence and hardihood, so lit-
tle in harmony with accepted traditions of
what is most excellent in woman and most
truly characteristic of her, we find to be mani-
fested not by one disappointed in early hopes
of domestic happiness, soured by the repulse
of her affection, denied the privilege of moth-
erhood, but by a woman gently nurtured in a
happy home, wedded in young womanhood to
the man of her choice, with whom she enjoyed
nineteen years of sympathetic and loving com-
panionship, and to whom, as she relates, she
bore five children. A most interesting and
gifted personality is this that is presented so
frankly in "My Own Story," and at the same
time the book is a clear and readable account
of an important movement in English public
life by the person most ardently devoted to
the success of that movement. In closing her
last chapter she feels encouraged to hope that
further militancy on the part of women will
be unnecessary, that past governmental mis-
takes in the treatment of woman suffragists
will not be repeated, and that it will be recog-
nized how impossible is the task of "crushing
or even delaying the march of women towards
their rightful heritage of political liberty and
social and industrial freedom." The book is
well illustrated, even to the point of including
certain views of its writer in situations not
exactly enhancing her dignity.
' ' Biblical Libraries, ' ' as used by
Book-collections j)r Ernest Gushing Richardson
in earliest times. . i • •• •• ,1 L*ii.t j» .a
in his book thus entitled, does
not mean collections of bibles, or libraries
mentioned in the Bible, but book-collections
worthy of the name of library "in Biblical
places in Biblical times"; and, quite unlike
the snakes of Ireland, they were, he believes,
very numerous — "thousands or even tens of
thousands, containing millions of written
books or documents." As in his immediately
preceding book, "The Beginnings of Libra-
ries," the author gives to the name "library,"
perhaps wisely, a more inclusive meaning
than, for example, the Assyriologists might
be inclined to allow. "Archives" might well
enough be the term used by them instead of
"libraries," he admits, if they were writing
only for one another; "but their case is a
little different in this matter from the case of
metaphysicians or crytographers [cryptog-
raphers?], for the books of these men, unlike
those of metaphysicians and mathematicians,
are keenly desired to be read by ordinary mor-
tals, the field is one of general interest and the
works of these men the very best work done in
the field." This keen desire on the part of
ordinary mortals to read the writings of
Assyriologists has not before been generally
noted; its existence is a hopeful sign in the
world of letters. Mr. Richardson's diligence
has gathered material from the works of
archaeologists, epigraphists, Egyptologists, and
others, to fill a book of more than two hundred
58
THE DIAL
[Jan. 16
pages, and a score and a half of helpful illus-
trations are interspersed. The work is well
done, and one is the more willing to commend
it because of the author's modest preliminary
remark concerning his necessarily somewhat
desultory chapters, that "such value as they
have lies chiefly in the fact that those who
could do the work better do not do it at all. ' '
As is already known to many, Dr. Richard-
son is librarian of Princeton University ; and
so it naturally follows that the Princeton
University Press issues his book.
Paris in time
of anarchy.
Such scenes of tumult as may
possibly be repeated before long
in one or more of the capitals of
Europe are stirringly presented by Mr.
Ernest Alfred Vizetelly in "My Adventures
in the Commune" (Duffield). At the close of
the siege of Paris, he returned with his father
and brother to the harassed and disorganized
city, and the three were present during the
weeks of turbulence that followed. Both
things actually seen and things learned on
good authority are recounted by this expe-
rienced chronicler of rather exciting personal
adventure. Among other excesses of the
Communists he witnessed,, for example, the
burning of the guillotine in what is now the
Place Voltaire, and the conflagrations, as he
calls them, of the Prefecture of Police and
the Palais de Justice. Indeed, he gave some
hours to pumping and to the passing of buck-
ets at the latter fire. He also remembers
listening to a public speech from Louise
Michel, the so-called Red Virgin of the Com-
mune. These and numerous other personal
touches give life to his detailed account of
Parisian events in these memorable months.
Narrow escapes, too, from personal injury or
even death are not wanting, as where he de-
scribes his casual conversation with a plumber
near the Gare Saint-Lazare, and its abrupt
termination by the entrance of a bullet into
the workman's temple and the whistling of
others in the immediate vicinity. The duties
of a journalist seem to have made necessary
the author's exposure of himself to the perils
of the time and place, and to this necessity
the book is indebted for much of its stirring
quality. In one sense a sequel to the same
writer's earlier volume, "My Days of Adven-
ture," which tells the story of the famous
siege, the work is nevertheless well able to
stand on its own merits and can be read with
entire satisfaction independently of that pre-
vious narrative. Many illustrations from'*
contemporary prints and photographs enliven
its pages.
The teacher of ^n Oberlehrer is a teacher in a
the German German secondary school, that
secondary school. ^ ^ & claflsical "gymnasium,"
or its modern scientific equivalent. The evo-
lution of this class of German school-master
is traced in concise, clear outlines by Dr. W.
S. Learned of the Carnegie Foundation for
the Advancement of Teaching (Harvard
University Press). The book is based to a
great extent on the late Professor Paulsen's
"Geschichte des gelehrten Unterrichts. "
The author shows how the Oberlehrer was but
a functionary of the church until the latter
part of the eighteenth century, and how since
his emancipation from ecclesiastical control he
has gradually developed collective conscious-
ness until his profession now ranks in dig-
nity and importance, if not in emoluments,
with the higher branches of law and medi-
cine. The changes in educational outlook are
also fully discussed, more especially the
broadening curriculum of the last several
decades since the monopoly of the classics
was broken. Dr. Learned has a vision of the
time when American teachers shall be even
more rigorously selected, more amply and
purposefully trained than are our lawyers
and doctors. He finds in German educational
conditions many features which we may
profitably imitate. America, he believes, is
greatly inferior in basal education and speci-
fic training. Our teachers are more loosely
organized and are too prone to regard their
occupation as a stepping-stone to other
things. But with German solidarity goes
much deadening routine. The freedom,
initiative, and responsibility which the Amer-
ican teachers possess constitute a . priceless
asset. The author believes further that the
segregation of the sexes in the German schools
has been carried too far, though he admits
that the elementary schools in America have
been excessively feminized.
The education
of girls.
A more accurate title for Pro-
fessor William A. McKeever's
"The Industrial Training of
the Girl" (Macmillan) would be "Training
the Girl for the Home." The author ignores
all other types of industry in which the girl
might engage, and devotes his attention al-
most wholly to the training of the girl for
domestic occupations. The most remarkable
characteristic of the book is the author's
unqualified faith in the happy results which
he believes will follow the adoption of his
rather general programme for the instruction
of the girl. Take, for instance, the optimistic
statement: "Plain cooking, plain sewing,
plain serving, and plain every-day living —
1915]
THE DIAL
59
once the ordinary girl has had her life well-
defined and grounded in the principles of
these common things, she has certainly made
all the necessary beginnings of a beautiful
and happy career." Again, in another chap-
ter, he suggests a plan whereby the teacher
would grade the girl in her monthly report on
all the ordinary subjects taught in the school,
and the parent in the same report would
grade her on washing dishes, sweeping and
•dusting, preparing meals, darning and mend-
ing, plain sewing, tending the baby, etc.
Leaving aside the question of the practica-
bility of such a plan, it is doubtful whether
the results would justify the author's enthu-
siastic statement that "Thus the personality
of the ordinary young woman of the future
will have been made rich and deep in sym-
pathy and service, full and strong in force
and magnanimity, serene and poised through
the inclusion of the higher things of the
spirit."
BRIEFER MENTION.
Uniform in size with Mr. Sonnenschein's " The
Best Books " and Dr. Ernest A. Baker's " Guide
to the Best Fiction in English " is the stout volume,
"A Concordance to the Poetical and Dramatic
Works of Alfred, Lord Tennyson" (Macmillan),
•compiled by Mr. Arthur E. Baker, F.R.Hist.8.
About 150,000 quotations and references are given,
alphabetized on the keyword and classified accord-
ing to its context or grammatical function. That
the list of omitted words (words for which no
quotation is furnished) includes less than two hun-
dred fifty entries, in itself bespeaks the compre-
hensiveness of the compiler's plan. Over eight
years ago Mr. Baker, then in touch with public
library activities in the north of England, felt the
need of a reference work like this, and started the
task of compilation which, completed after years
of fruitful industry, will be of great value to the
librarian, the student of English literature, and the
public speaker.
Most of Miss Helen Dawes Brown's little book,
"Talks to Freshman Girls" (Houghton), is com-
posed of advice and suggestions about the very
things that are emphasized especially in the talks
of deans and instructors to girls in their first year
in college — the art of reading, the use of the pen,
and studies " for delight, for ornament, and for
ability." Such advice, when as well expressed as it
is in these .. brief essays, serves for momentary
inspiration to the college girl, but it does not really
get at the heart of the most pressing problems of
her freshman year. At the end of the book, how-
ever, in her last and shortest chapter, which she
entitles " Everyday Living," the author touches
briefly upon some topics that really come home to
the girl in a vital way. An entire volume in which
each one of these questions could be elaborated
and thoroughly discussed would probably prove of
much more practical and lasting value to the col-
lege girl than the present book.
A translation of M. Arzibashef's notorious novel,
" Sanine," is announced by Mr. B. W. Huebsch.
The good news comes from London that Profes-
sor Gilbert Murray will soon be ready to publish
his translation of Euripides's "Alcestis."
" Memories of Forty Years " by the Princess
Catherine Radziwill is announced for immediate
publication by the Funk & Wagnalls Co.
A translation of the historical works of Treit-
schke, edited by Mr. William Archer, will be pub-
lished by Messrs. McBride, Nast & Co. The work
is expected to be complete in six volumes.
A new edition of Mrs. Gertrude Atherton's
" Resanov " and " The Doomswoman " is to be
published this month by Messrs. Frederick A.
Stokes Co. under the title of " Before the Gringo
Came."
Twenty-nine poems by Robert Browning and six
poems by Mrs. Browning not hitherto published
will be included in a volume to be published next
week by the Macmillan Co. under the title of
" New Poems."
Mr. H. G. Wells's novel, "Bealby," which ran
serially in " Collier's Weekly." is announced for
early publication by the Macmillan Co. Among
other novels which this house will bring out shortly
are Mr. Winston Churchill's "A Far Country " and
Mr. St. John G. Ervine's " Mrs. Martin's Man."
"Possession," a fourth volume of Mr. George
Middleton's plays, is announced for publication in
February by Messrs. Henry Holt & Co. This house
will also bring out Miss Constance D'Arcy Mack-
ay's book " How to Produce Plays for Children "
and Miss Maud Frank's " Short Plays about
Famous Authors."
The first volume of the " Graphic Art Series "
edited by Mr. Joseph Pennell, which Mr. Fisher
Unwin has announced in London, is to be " Lithog-
raphy and Lithographers: Some Chapters on the
History of the Art," by Mrs. Elizabeth Robins Pen-
nell. The second volume, " Etching," will be writ-
ten by Mr. Pennell.
Mr. Gilbert K. Chesterton's novel, " The Wisdom
of Father Brown," will be published this month by
Messrs. John Lane Co. simultaneously with Mr.
Horace W. C. Newte's "A Pillar of Salt" and
Miss Alice Birkhead's "Gabrielle." Later this com-
pany will publish Miss Anne Warwick's story
" The Chalk Line " and a new novel by Mr. Ford
Madox Hueffer.
A volume entitled " Essays on Chaucer," by
Professor George Lyman Kittredge, is one of sev-
eral books announced for early publication by the
Harvard University Press. These include " The
History of Allegory in Spain," by Mr. Chandler
Post ; " The Poems of Giacomo da Lentino,"
edited by Mr. E. F. Langley ; " The Super-
natural in Tragedy," by Mr. Charles Edward
Whitmore ; " Some Aspects of the Tariff Prob-
lem," by Professor Frank Taussig; "The Trust
Problem," by Mr. E. Dana Durand; and "An
Approach to Business Problems," by Mr. Arch
Wilkinson Shaw.
60
THE DIAL
[Jan. 16
LIST OF NEW BOOKS.
[The following list, containing 89 titles, includes books
received by THE DIAL since its last issue.]
BIOGRAPHY AND REMINISCENCES.
Life of Benjamin Disraeli (Earl of Beaconsfield).
By William Flavelle Monypenny and Georgo
Earle Buckle. Volume III., 1540-1855^ Illustrated
in photogravure, large 8vo, 591 pages. Macmillan
Co. $3. net.
A Walloon Family in America: Lockwood de Forest
and His Forbears, 1500-1848. By Mrs. Robert W.
de Forest. In 2 volumes; illustrated in photo-
gravure, etc., large 8vo. Houghton Miffiin Co.
$5. net.
Sir George Etienne Cartier, Bart: His Life and
Times. By John Boyd. Illustrated in photo-
gravure, etc., large 8vo, 439 pages. Macmillan Co.
Personal Memoirs of John H. Brinton. With photo-
gravure portrait, 8vo, 361 pages. Neale Pub-
lishing Co. $2. net.
Life of Turner Ashby. By Thomas A. Ashby, M.D.
With portrait, 8vo, 275 pages. Neale Publishing
Co. $1.50 net.
Diary of Nelson Kingsley: A California Argonaut
of 1849. Edited by Frederick J. Teggart. 8vo.
179 pages. Berkeley: University of California.
Paper.
The Story of Wendell Phillips: Soldier of the Com-
mon Good. By Charles Edward Russell. 16mo,
185 pages. Charles H. Kerr & Co. 50 cts. net.
HISTORY.
The Revolutionary Period in Europe (1763-1815).
By Henry Eldridge Bourne. 8vo, 494 pages.
Century Co. $2.50 net.
A History of the Peninsular War. By Charles
Oman. Volume V.; illustrated, large 8vo, 634
pages. Oxford University Press. $4.75 net.
A History of Old Kinderhook. By Edward A. Col-
lier, D.D. Illustrated, large 8vo, 572 pages.
G. P. Putnam's Sons. $5. net.
A History of the Civil War in the United States.
By Vernon Blythe, M.D. With map, 8vo, 411
pages. Neale Publishing Co. $2. net.
The Balkan "Wars, 1912-1913. By Jacob Gould
Schurman. Second edition; 12mo, 140 pages.
Princeton University Press. $1. net.
From Bull Run to Appomattox: A Boy's View. By
Luther W. Hopkins. Illustrated, 12mo, 311
pages. Baltimore: Fleet-McGinley Co.
Croscup's Historical Chart of the European Na-
tions: Their Origin and Development. Large
8vo. New York: Graphic Text Book Co. Paper.
GENERAL LITERATURE.
Publications of the Dramatic Museum of Columbia
University. First volumes: The New Art of
Writing Plays, by Lope de Vega, translated by
William T. Brewster, with Introduction by
Brander Matthews; The Autobiography of a
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THE DIAL
[Jan. 16, 1915
COMPLETE REVIEWS OF
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THE ROSIE WORLD
By Parker Fillmore
Illustrated, $1.30 net
(from The New York Evening Post)
Many of the chapters 9f this book have appeared as
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piecemeal and enjoyed their rich humor and keen insight into
human nature will be glad to read them all again, linked up as
they are in the book. The amazing thing is how a mere_ man
can so understand the vagaries of several kinds of femininity,
from forty-or-so-year-old Maggie O'Brien down to little
Geraldine, in the throes of teething during the mid-summer
heat of New York. At least, if he does not really understand,
in his own mind, he gives such a good imitation of it that
most women who read will have a little prick of self-con-
sciousness behind their smiles. Rosie herself is one of the
sweetest creations in present-day fiction. She has no more sense
of humor then John Shand himself, but when one has not a
tear in the eye over her bigheartedness, her earnestness in
doing what she believes to be her duty, he has tears in both
eyes over the Irish humor of the situations that her earnest-
ness and lack of humor so often call out. To one who enjoys
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BELSHAZZAR COURT
Or Village Life in New York City
By Simeon Strunsky
$1.25 net
(From The Nation)
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theatre or at the baseball park.' To the cosmopolitan these
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will seem a brilliant review of familiar but unregarded phases
of his own existence. For they are indeed packed with shrewd,
often penetrating, observation of public manners and homely
customs. Most readers may be more taken with the writer's
fresh, quaint, witty, or hyperbolical way of putting things,
since he has made his chief bid for popularity as a humorist.
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insincerities of both our conduct and our ideals, and it must
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ing remarks. But his pleasantry is not the jolly English
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nor is it the hearty American humor of exaggeration, artfully
leading up to some surprising or grotesque conclusion. It
is an intellectual humor that plays around ideas, finding an
unexpected truth in apparent absurdity. In all likelihood,
therefore, the discriminating conner of Mr. Strunsky's para-
graphs will set greatest store by the restless light of reason
that flashes upon or lingers about every topic considered.
By Matthew Arnold his lucubrations would surely be pro-
nounced literature, for the criticism of life is always just
beneath the rippling, eddying surface of the style. His is
far from being the easy paradoxical scintillation of the social
revolutionist. On the contrary, the author plays the doubting
Thomas with regard to most of the educational, theatrical,
and other fads with which our progressive age is rife. He even
complacently pokes fun at Bernard Shaw — with roguish incon-
sistency, seeing that in his own volume the pages have to be
cut at the bottom. In fine, the rare quality of the book is
not so much the humor as the suggestive quality of the thought.
PELLE THE CONQUEROR
Boyhood, Apprenticeship
By Martin Andersen Nexo
$1.40 net, each volume
(From The New Republic)
A Danish Epic
From the moment when the Swedish boat lands little
Pelle and his old father Lasse on the shores of _ the island
of Bornholm, our imaginations are caught in this northern
world which, strange as it is in its primitive simplicity, is
yet made glowingly real by the sympathy of genius. Few
foreign stories place you more seductively in the very heart
of the life they depict than this epic of a workingman's life
in modern Denmark. Only a rare spiritual fidelity to per-
sonal experience could produce the color and movement and
wisdom and good will of this story. We are told that the
author was himself a shoemaker's apprentice in the Baltic
island, and then, like Pelle, was sucked away into the many-
towered capital. Here he worked as a bricklayer until
he was rescued by one of the "people's high schools," those
wonderful Danish popular universities scattered about the
land, where farmers and bricklayers, kitchen-maids and
clerks, come to spend a few arduous and fascinated months
of their lives in the study — oh, these sober northern people! —
of history and literature. This education permitted him to
become a teacher, then the author of short stories and a book
of reminiscences of a bright Spanish trip, and now there
comes from him this four-volume story of his own life or
the lives of such as he, the first volume of which, appearing
in 1906, has already become almost a Danish classic.
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glish take Pelle to the time when he leaves his island to seek
nis fortune in Copenhagen. The life of the boy and his simple,
patient old father as farm laborers at Stone Farm, with its
background of wind-swept heath and the distant sea; the rough,
jovial society of milkmaids and stablemen, with the fierce
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the drunkenness and the lovemaking; the mystery of the old
farmhouse with its kind, sensual master and the woe of the
jealous mistress; the grim old Protestant superstitions of _the
community; the life of the small farmers lived so hardily against
a cold and niggardly nature; the reiterated themes of peasant
life, the wresting of a homestead from the moor, the seductions,
the fatalistic waiting of the old people for death; all this,
seen through the aimless play and riotous imagination of
childhood, makes "Boyhood" a book of such charm that one
scarcely knows whether to admire it most for its poetry or its
realism, its imaginative power or its loyalty to life.
Just Ready
OUR KNOWLEDGE OF
CHRIST
An Historical Approach
By Lucius Hopkins Miller
Professor Biblical Instruction, Princeton
$1.00 net
Discusses from a modern point of view
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Vol. LVIII. FEBRUARY 1, 1915 No. 687
CONTENTS.
PAGR
. 67
"THE YELLOW BOOK"
THE POETS OF BELGIUM. Arthur L. Salmon 69
CASUAL COMMENT 71
The engrossing theme. — An educational prob-
lem.— A new light in French literature. — A
self-congratulatory editor. — The catholicity
of popular taste in fiction. — Poetry in war-
time.— The drama as an instrument of re-
form.— The popularization of culture.
COMMUNICATION '. . . . . 73
" Mommsen and the War." O. E. Lessing.
THE VARIOUSLY ACCOMPLISHED LORD
AVEBURY. Percy F. Bicknell .... 74
THE DRAMA MOVEMENT. Grant Showerman 76
THE NEW FRANCE. James W. Garner ... 78
STUDIES IN THE HISTORY OF ART. Sidney
Fiske Kimoall 80
YOUNG OF THE "NIGHT THOUGHTS."
Homer E. Woodoridge 81
INTERPRETERS OF MUSIC. Louis James
Block 82
NOTES ON NEW NOVELS 85
BRIEFS ON NEW BOOKS ........ 86
The Department of State. — A British ad-
miral's retrospect. — The life of a great singer.
— The mind of Dostoieffsky. — Wonders and
riches of the Pacific coast. — The biological
basis of human action. — Sir Walter Raleigh
and Shakespeare.
BRIEFER MENTION 89
NOTES 90
TOPICS IN FEBRUARY PERIODICALS ... 90
LIST OF NEW BOOKS , . 91
THE YELLOW BOOK."
The notion that the years from 1891 to 1898
were a period of decadence in English letters
is already a legend. The London c ' Times ' ' hit
it off very well when it called them "the yel-
low nineties. " It is a new word, in its present
sense, is it not ? Perhaps it goes back farther
than 1891, but we doubt it. Whistler made
the color fashionable about that time, and pos-
sibly it came to have a vague connection in the
mind of the day with his personality, so vivid,
so contemptuous, and so little understood. It
is the fate of all such spirits, careless of the
morality of security and ruthless in the prac-
tice of that virtue of which mediocrity is inno-
cent, to be regarded by their contemporaries as
strange, then morbid, and, finally, wicked.
But Whistler's fondness for yellow probably
did little more than to suggest by indirection
the title of "The Yellow Book." Nothing
more was required to give a name to the lit-
erary and artistic character of the decade.
The adjective has come to describe irresponsi-
ble sensationalism in the newspapers. But it
calls up very readily sensationalism in art;
and "The Yellow Book" seems likely to be
remembered as an epitome of the exotic, the
bizarre, the wicked, of "art for art's sake,"
and the fin de siecle.
A certain humor, bitter enough to those who
care passionately about the art of literature
but not unpleasant to the ironic spirit, attaches
to the legend of ' ' The Yellow Book. ' ' For the
thirteen volumes of that quarterly still exist
and may be compared with the fable that has
grown up about them.
The first number, that of April, 1894, led off
with a design by Sir Frederick Leighton, than
whom there was no more respectable artist liv-
ing. This page was immediately followed by
a story, "The Death of the Lion," by Mr.
Henry James, who had not then written
' ' What Maisie Knew. ' ' One of the poems was
by Mr. A. C. Benson and one of the essays by
Mr. Edmund Gosse. An article by Arthur
Waugh on "Reticence in Literature" de-
fended, though rather on behalf of art than
on behalf of morality, the Victorian tradition
68
THE DIAL
[Feb. 1
as to the representation of passion in fiction
and poetry. Was it then so very devilish ?
Philip Gilbert Hamerton, who will be re-
membered by some readers as the author of
"The Intellectual Life" and by others along
with Harry Quilter as the victim of Whistler
but by no one as anything but representative
of Victorian appreciation in art and litera-
ture, did not think so. He was invited by
Henry Harland, who must have been almost
as astute as some contemporary magazine edi-
tors, to write for the second volume of "The
Yellow Book" a review of the first. He found
two contributors whom we have not so far
mentioned, Aubrey Beardsley and Mr. Arthur
Symons, to complain of. He recognized
Beardsley 's quality, while objecting to his
morbidity. He resented Mr. Symons 's poem,
"Stella Maris," observing that it was of the
fashion set by Eossetti's "Jenny." And he
thought badly of an editor who permitted a
defence of reticence to contain, even as an
example of what should be avoided, three
stanzas of Swinburne's "Dolores." But Mr.
Hamerton concluded his criticism with this
sentence :
" On the whole, the literature in the first number
of ' The Yellow Book ' is adequately representa-
tive of the modern English literary mind, both in
the observation of reality and in style."
Of the illustrations he wrote :
" On the whole, these illustrations decidedly pre-
suppose real artistic culture in the public. They
do not condescend in any way to what might be
guessed at as the popular taste."
In the three years that followed, "The
Yellow Book" was never more shocking than
in that first number. A contemporary reader
is struck, in looking through "The Yellow
Book," with the number of serious and re-
spectable names in the tables of contents.
Mr. Enoch Arnold Bennett and Mr. H. G.
Wells are there, as well as Mr. James. Mr.
Harland was himself a frequent contributor.
So was Ella D'Arcy. There is even an essay
on Stendhal — of all subjects — by our own
Mr. Norman Hapgood.
Is not the legend of the yellow "Yellow
Book" a little absurd?
Perhaps there is more reason in it than
appears. The Victorian spirit may have been
as commonplace as the artistic spirit imagines
it to have been; but it was not blind to its
•enemies. It saw Beardsley in "The Yellow
Book" and sensed, if it did not know, that Sir
Frederick Leighton was no match for him. It
saw very little of Mr. Symons 's verse. But it
may very well have felt the man behind that
little, the man who was so fundamentally
opposed in his view of art and letters to all
that, in the cliche of our own day, was "sane."
What it sensed or felt we have recorded for us
in the meaning which attaches to "yellow."
It did not matter that Symons and Beardsley
left "The Yellow Book" in order to create, in
"The Savoy," a more genuine magazine.
Their names and their view were first asso-
ciated with the earlier publication ; or, rather,
the earlier publication was first associated with
their names and their view. It did not matter
that Oscar Wilde never contributed to either
magazine. The smash-up of his career as a
personality was widely regarded as proof that
the influence of "The Yellow Book" on litera-
ture was evil.
The irony, of course, is not so much that
everybody who cared for beauty and truth in
art should have suffered for the scandal which
swallowed Oscar Wilde. Anything else would
be too much to expect. The irony is to be
found rather in the predicament of criticism.
Whistler thought criticism was merely stupid.
It has sometimes been worse ; it has sometimes
been cowardly. Criticism was intelligent
enough to know that the men of the nineties
had done work that was fine and strong. It
knew that, after all, the immortal music of
"Non sum qualis eram bonae sub regno
Cynarae ' ' was infinitely more important in the
consideration of Ernest Dowson than the
morality of his way of life. It knew that
Beardsley 's mastery of design was the signifi-
cant thing and the pre-occupation which was
revealed in his romance ' ' Under the Hill ' ' the
insignificant thing. It knew how much more
important it is to literature that Oscar Wilde
wrote "The Ballad of Reading Gaol" than
that he should have been put in prison. But
criticism had not the courage of its knowledge.
Compelled, on the whole, to sympathize with
the art of these men and those whose names
are associated with theirs, it has paid its re-
spects to public opinion by emphasizing always
their physical and moral weakness and never
their artistic strength.
If we were all so moral that we were always
ready to recognize that which is moral and to
flee from that which is of ill-repute, we should
have created a very different legend about
"The Yellow Book." It is all very well to
1915]
THE DIAL
69
draw away from men who seem to have little
responsibility in their personal relations. But
it is not good to be blind to a supreme virtue.
And there is no denying that men like Beards-
ley and Dowson had a supreme virtue.
If they were not true to everything to which
we demand allegiance they were true to the
best thing in them. It is no piece of rhetoric
that furnishes the refrain to Dowson 's poem:
" I have been faithful to thee, Cynara, in my
fashion."
It is the precise truth. He was faithful to an
ideal of art. And so was Beardsley. They
literally died for it.
TEE POETS OF BELGIUM.
Belgium, though lately she has lain crushed
and bleeding under the heel of a ruthless
invader, has nevertheless won for herself a
proud position among the peoples of Europe.
She has justified her intense nationalism ; she
has vindicated her claim to live her own life ;
she has carried into the battle-field the ardor
and intelligent energy that had already
brought her to the forefront of literary na-
tions. It is no new thing to find a great
literary renaissance coincident with other
more material manifestations of national
spirit; and the Belgium that delayed the
progress of the most powerful army in the
world is the Belgium that had already given
us Maeterlinck, Verhaeren, Rodenbach, Fon-
tainas, Elskamp, and Mockel.
Since the death of Ibsen and Tolstoi there
can be little question that the foremost lit-
erary reputation of to-day is that of M. Mau-
rice Maeterlinck; his work has made a
profound impression on the reading public of
Europe and America. But though M. Maeter-
linck has achieved the wider popularity, his
fame must not blind us to others of the small
nation that gave him birth. This little coun-
try has been like a nest of singing-birds. The
song of many may not have been strong
enough to pierce to the outside world; but
we have to remember that it takes much to
break through the barriers of a foreign
tongue, and that poetry in special suffers
from difficulties of translation. Belgian poets
also have often been taken to be Frenchmen
by casual readers, because for the most part
French in their literary language: so that
against the advantage of gaining an im-
mensely widened audience has to be set the
disadvantage of some veiling of their nation-
ality. It is true that some of them could have
written equally well in Flemish — M. Maeter-
linck for instance, who is a pure Fleming;
and a limited number have done so. But
Flemish is simply a variant of Low-German
or Dutch, and it offers no compensating bene-
fits to counterbalance its narrowing of the
audience. In spite of their writing in French,
which is at least as much their native tongue
as English is the native tongue of an Irish-
man, M. Maeterlinck and M. Verhaeren may
be claimed as entirely for Belgium as Shakes-
peare for England, Goethe for Germany, or
Dostoieffsky for Russia.
M. Verhaeren has used the phrase les
forces tumultueuses, and these are the best
words to describe the vitality of modern Bel-
gium. The country has been seething with
tumultuous forces, intellectual unrest, vigor-
ous animal spirits, pulsing life. Borrowing
something of impulse and inspiration from its
two great neighbors, France and Germany,
something also from its own Flemish tradi-
tions and from Holland, Belgian life has had
the abundant virility so often found in things
largely hybrid. "In no other part of Eu-
rope," says Herr Zweig, "is life lived with
such intensity, such gaiety. In no other coun-
try as in Flanders is excess in sensuality and
pleasure a function of strength." But the
sensuality, if we must use that word, has not
been neurotic or morbid; clearly it has not
sapped the vigor of the people — late events
have shown them robust, heroic, strong. It is
about thirty years since the literary new-
birth of the people began, its centre of origin
being the now devastated University of Lou-
vain. It began in a spirit of licence and re-
volt, of rebellion against authority in most
things, not easily to be crushed by the forces
of inertia and convention. Journals were
started, such as "La Semaine" and "Le
Type," only to be suppressed; and little vol-
umes of verse began to appear, suggesting the
influences of Verlaine and Baudelaire, and
suggesting also that there were new voices
quite able to speak for themselves. .
The finest of these voices, undoubtedly, was
that of M. Emile Verhaeren, who has lately,
in French and British periodicals, been pour-
ing forth the fierce anguish of his outraged
patriotism. He was born almost sixty years
since at St. Amand, a village in the centre of
the recent war-district. Like M. Maeterlinck
and Rodenbach, he was educated at the Jesuit
college of Sainte-Barbe in Ghent. "We have
the local scenery of his boyhood, its broad
levels and fine atmospheric effects, its peasan-
try, everywhere pervading his poetry. Later
he studied law at Louvain, and had a share
in publishing the aggressive little weekly ' ' La
Semaine." A brief attempt at legal practice
convinced him that literature, not law, was
70
THE DIAL
[ Feb. 1
his true mistress; and he threw himself into
his vocation with passionate and brave ardor.
Both plastic art and music had a powerful
share in forming him. It is a narrow soul
that can only be reached through one avenue,
and M. Verhaeren's is so sensitive that at
times there has almost seemed a lack of bal-
ance. His first book, "Les Flamandes," was
an outburst of crude realism ; it was a positive
orgy of realistic detail, full of the grosser
qualities of the old Flemish painters but pos-
sessing also their exuberant vitality. This
was followed in 1886 by "Les Moines, " deal-
ing with the romantic and picturesque fea-
tures of monasticism rather than with its
spiritual depths. He did not go further, like
Huysmans (who also was of Lowland de-
scent) , to a full reconciliation with the Church.
Humanity was his subject-matter; the monk
was but one among the many living men and
women that attracted him. From this time he
passed into a spiritual "storm and stress"
period, fighting his way through a conflict
with material realities to a more assured
clearness and repose of soul. It is impossible
even to name all his volumes. In 1891 we
find him exclaiming, "I have been a coward,
and I have fled from the world into a great
futile egotism"; but,
" L'aube ouvre un beau conseil de confiance,
Et qui Fecoute est le sauve —
De son marais, ou nul peche ne fut jamais lave."
This is the true Verhaeren ; he has come to
himself ' ' out of the marsh in which no sin was
ever yet cleansed"; he has made his way
toward mysticism, and toward a nobler han-
dling of his material. He is still realistic, and
never shirks ugly detail; but he has truly
emerged from haunts of the noisome. He has
breathed a purer and more serene atmos-
phere ; the far horizons of his native land have
shown him something better than mere curl-
ing fog or driving rain. He has found that
there is a possible loveliness, a spiritual sig-
nificance, in the stress and toil and soil of
human life; he has seen the magic of the
sunset and the undying hope in the heart of
man.
Georges Rodenbach, M. Verhaeren's school-
fellow, born in the same year, though he
early left Belgium for Paris, in spirit never
really left his beloved Bruges. He had nothing
of his companion's bounding vitality, and his
poetry, though graceful, is always subdued.
We chiefly remember him for his prose
"Bruges la Morte," whose title reminds us
how the living and the dead have jostled
together in modern Flanders — a land not
only of vast activities but of dreamy, deserted
old towns, sweeping rain and solitary sunsets,
lingering faiths and haunted ruins. Such
was Belgium a year since; of its future we
know nothing except that much of its charm
has been robbed for ever, and that at present
its glory is the thorny crown of martyrdom.
There is great diversity in the spirit and tone
of the poets who have sung for her; some
have had the daring that questions every-
thing, others are conservative and Catholic.
Such is M. Braun, born in 1876, who has drawn
a beautiful symbolism from the rites of his
Church, and has written of the benediction of
the wine, the benediction of the cheeses — a
quite typical blending of the mystical and the
realistic. Greater than M. Braun is the lyrist
van Lerberghe, whose verses are pure music.
With daring imagery he tells us how
" the sun Avitli golden hair
Dries the bare
Feet of the rain."
M. Andre Fontainas, though a romantic
symbolist, has dreamed that the joys of mad
battle and carnage are better than dream-
ing ; he has thought it would be fine to tread
the grass of roads down-trodden and red-
dened by the feet of fugitives. Perhaps now
he could tell us what he really thinks; for
elsewhere he says that life is cloudless, calm,
and passionless. His poems have a beauty
of the inner life. Peace also is the key-note of
M. Max Elskamp, with his idealizations of
religious phrase and symbol. It is a very real
aspect of Flemish life that he depicts. In
contrast, writers such as M. Gilkin and M.
Giraud are frank Satanists. in the manner of
Baudelaire, dealing with wild excesses of the
flesh, the visible, the real. It would be pleas-
ant to linger over the thoughtful poems of
M. Fernand Severin, or those of M. Paul
Gerardy (who writes in German as well as in
French) with their touch of Heine; there
might also be much to say of M. Georges Mar-
low, of M. Isi-Collin, of Mme. Jean Domin-
ique. It is not to be denied that in some of
these poets, such as M. Mockel and M. Ver-
haeren, there are aspects to be regretted, too
free a prodigality of sensuous coloring, too
free indulgence in profitless realism : but we
have to take these things as features of the
national life from which they have sprung,
and we should not truly understand Belgium
without them. We have also to remember
that the writings we have been considering are
chiefly the work of young men. Youth often
says too much; discretion, restraint, come
later. The notable fact is that Belgium's
amazing virility on the field of battle had
already manifested its intensity in the domain
of literature. • ARTHUR L. SALMON.
1915)
THE DIAL
71
CASUAL COMMENT.
THE ENGROSSING THEME which at present
renders it difficult for either writers or read-
ers to give undivided attention to what we are
wont to call pure literature, is of course the
war. In some quarters a commendable effort
is made to ignore so harsh a fact. One notes
with approval the calm disregard of present
disturbances shown by the staid and venerable
"Harper's Magazine," while to an old-time
reader of "The Atlantic Monthly" the readi-
ness of that esteemed publication to subordi-
nate literature to discussion of the topic of the
day might seem more than a little surprising
and regrettable. One distinguished member
of the "Harper's" staff, however, no other
in fact than the genial occupant of the
"Easy Chair," has favored the public — not
ex cathedra., it is true, not from the chair he
has so long adorned, but in a newspaper inter-
view— with some well-considered observa-
tions on the relations of war to literature.
' ' War stops literature, ' ' he affirms. " It is an
upheaval of civilization, a return to barbar-
ism ; it means death to all the arts. Even the
preparation for war stops literature. It
stopped it in Germany years ago. A little
anecdote is significant. I was in Florence
about 1883, long after the Franco-Prussian
War, and there I met the editor of a great
German literary weekly — I will not tell you
its name or his. He was a man- of refinement
and education, and I have not forgotten his
great kindness to my own fiction. One day I
asked him about the German novelists of the
day. He said: 'There are no longer any
German novelists worthy of the name. Our
new ideal has stopped all that. Militarism is
our new ideal — the ideal of Duty — and it
has killed our imagination. So the German
novel is dead.' ' Russia Mr. Howells does
not regard as militaristic in the sense that
Germany and the German people are milita-
ristic. "Whatever the designs of the ruling
classes may be, the people of Russia keep their
simplicity, their large intellectuality and spir-
ituality. And therefore their imagination
and other great intellectual and spiritual
gifts find expression in great novels and
plays. ' ' This from the one who introduced to
us the author of "Spring Floods" is signifi-
cant. One more observation of his must here
be noted: "Of all the writings which the
Civil War directly inspired I can think of
only one that has endured to be called litera-
ture. That is Lowell's 'Commemoration
Ode.' ' This would exclude the immortal
"Battle Hymn," as well as the romances of
Weir Mitchell and Mr Thomas Nelson Page.
AN EDUCATIONAL PROBLEM of a novel char-
acter is puzzling some of our foremost educa-
tors. Is it for the best interests of culture
that the war be taught in our schools, or
should it be ignored? "In all the history of
education," declares President G. Stanley
Hall in a current article on "Teaching the
War, " " I cannot find that pedagogy was ever
subjected to such a test." Never since the
general extension of popular education has
there been anything resembling the present
world war, and to shut one's eyes and the eyes
of one's pupils to its significance would seem
to be extremely foolish, if indeed it were
humanly possible. The pupil who is taught to
bury his nose in his Latin grammar and see
nothing of what is going on about him is being
instructed in the ways of the ostrich. But,
it is urged, war is wicked and hateful, and
even mental contact with the things of mili-
tarism is corrupting. Seen too oft, familiar
with Avar's face, we first endure, then pity,
then embrace. Such teaching bears obvious
resemblance to the anxious mother's coun-
sel to her daughter to carry on her exer-
cises in natation without approaching the
water. Adopting Tolstoi's wise advice, the
instructor might well enliven his pupils' study
of history by teaching it backward, tracing
present world-shaking events to their more or
less remote beginnings and causes. Professor
Cramb of London, some time before his death,
and many months before the explosion of last
August, called attention to the manner in
which the old German Empire rose on the
ruins of the ancient Roman Empire, and
pointed out certain present conditions that
portended, to him at least, the rise of a great
modern German Empire on the decaying
structure of the British Empire. Thus the
linking of current events with past history
gives unity and a very living significance to
the study of the world's progress. Inciden-
tally, too, object lessons in geography and
ethnology, in manners and customs, in pecul-
iarities of speech and costume, and in sundry
other interesting things, are being impressed
on alert young minds in a manner that has
never before been possible. Small wonder
that Dr. Hall is in favor of getting as much
out of the war as is educationally possible.
• • •
A NEW LIGHT IN FRENCH LITERATURE rises
to cheer the world in these sad days. An
inevitable excess of enthusiasm, such as
greeted, for example, those rather earlier
luminaries on the horizon, Mr. Rabindranath
Tagore, M. Romain Rolland, Mr. John Mase-
field, and Mr. Stephen Phillips, is here to be
noted, by no means disapprovingly, for we
72
THE DIAL,
[Feb. 1
have it on Wordsworth's authority that we
live by our enthusiasms. M. Paul Claudel,
hailed by some of his admirers as ranking with
JEschylus, Goethe, Dante, yes, even with
Shakespeare, comes to English-speaking read-
ers in a small collection of sketches entitled
"The East I Know," translated with evident
taste and skill, and introduced by a sympa-
thetic fellow-countryman, M. Pierre Chavan-
nes. "A strange phenomenon, the Christian
poet," he says of the devout author of the
volume, "passionately, uncompromisingly,
almost fanatically Catholic, in the country
where Anatole France, the bantering and dis-
illusioned master, holds sway, where Renan
and Voltaire reigned, and with them hard rea-
son distrustful of the supernatural." As
illustrative of M. Claudel's style, here is a
passage from a sketch called "Tombs and
Rumors. ' ' The author, who has strolled out to
a suburban cemetery, is listening to the dis-
tant sounds of a great city. "Chinese cities
have neither factories nor vehicles. The only
noise that can be heard, when evening comes
and the fracas of trade ceases, is the human
voice. I come to listen for that; for, when
one loses interest in the sense of the words that
are offered him, he can still lend them a more
subtle ear. Nearly a million inhabitants live
here. I listen to the speech of this multitude
far under a lake of air. It is a clamor at once
torrential and crackling, shot through with
abrupt rips like the tearing of paper. . . .
Has the city a different murmur at different
times in the day ? I propose to test it. At this
moment it is evening. They are volubly pub-
lishing the day's news. Each one believes
that he alone is speaking. He recounts quar-
rels, meals, household happenings, family
affairs, his work, his commerce, his politics.
But his words do not perish. . . . Guest of
the dead, I listen long to the murmur, the
noise that the living make afar." Probably
the laurels of Goethe, Dante, Shakespeare, are
safe enough; nevertheless, this modern
Frenchman, who has seen something of the
world in the consular service of his country,
knows how to describe what he has seen.
• • •
A SELF-CONGRATULATORY EDITOR, indulging
in a pleasing retrospect upon something
attempted, something done, invites his read-
ers to celebrate with him the first anniversary
of the birth of "The Unpopular Review."
Infant mortality among magazines and other
periodicals is far greater, proportionally, than
among human beings; hence the pardonable
exultation with which this fond parent of a
vigorous and promising one-year-old an-
nounces to the world: "We have survived
the most dangerous period of infancy, and
though of course we can't see into our own
mouth" — the parent here identifies himself
with his offspring — "and are too young
effectively to handle a looking-glass, we infer
from some remarks we've heard, that we've
cut some teeth ; we have had some pains that
felt like it. ' ' Contrary to the usual rule, one
is glad to learn, this lusty young quarterly
has elicited from subscribers and others far
more testimonials of hearty appreciation than
letters of complaint and fault-finding. In the
most distant and unlikely quarters it has
raised up to itself friends and admirers. May
it not be that the fate-defying title of the
magazine, piquing curiosity as it does, has
had more than a little to do with this initial
success? But however that may be, it is a
success not to be grudged to the able and
alert men and women of letters who are
making "The Unpopular" so readable if not
exactly "popular" in the "best-selling"
sense of that term. To the pardonably com-
placent editor we say, in the words of the
poet already quoted in this paragraph, happy,
thrice happy, every one who sees his labor
well begun, and not perplexed and multiplied
by idly waiting for time and tide.
• • •
THE CATHOLICITY OF POPULAR TASTE IN FIC-
TION shows itself in the range and variety of
imaginative literature that has been success-
fully adapted to the uses of the cinemato-
graph. In the "Branch Library News"
published monthly by the New York Public
Library is printed a list of the works of fiction
that have been thus translated from the liter-
ary into the pictorial form. Thirty-nine such
works are enumerated, from Mrs. Barclay's
novel, "The Rosary," at the head of the list,
to Mr. Owen Wister's presentation of a quite
different set of characters and incidents in
"The Virginian." Strong indeed is the con-
trast in literary excellence between the first
book named and two half-way down the list. —
"The House of Seven Gables" and "The
Scarlet Letter. " " The Vicar of Wakefield, ' '
too, must not be overlooked in naming the
masterpieces now offered to the millions fre-
quenting the "movies," nor Dickens 's works
(to the number of eight novels or stories),
Stevenson's "Treasure Island," Mrs. Jack-
son's "Ramona," Hugo's "Les Miserables,"
Mr. Sienkiewicz's "Quo Vadis," Mrs. Shel-
ley's "Frankenstein," and, of course, Mrs.
Stowe's "Uncle Tom's Cabin." Though the
list does not profess to be complete, it ought
to have included "The Pilgrim's Progress,"
which has found favor as exhibited on the
screen, appealing as it does to somewhat the
1915]
THE DIAL
73
same taste as the Biblical story of Joseph,
which has a place on the list. New titles are
of course being added to these thirty-nine,
with accelerating rapidity.
• • •
POETRY IN WARTIME is holding its own cred-
itably in this country at least, as Mr. William
Stanley Braithwaite makes evident by the
second annual issue of his "Anthology of
Magazine Verse and Yearbook of American
Poetry," a work compiled and published by
him with admirable industry, taste, and, not
least of all, courage. Ten years ago, when
interest in American poetry was nearly at its
lowest, and consequently much of that poetry
was but little worthy of serious attention, Mr.
Braithwaite took it upon himself to examine
critically, but not in a destructive spirit, the
magazine verse of the calendar year, and to
report upon it in an enlightening and on the
whole encouraging summary which appeared
in the Boston "Transcript." This labor of
love he continued year after year until his
annual report became an influential contribu-
tion to the cause of better poetry in this coun-
try and even beyond its borders ; and now for
two years he has expanded this report and
compilation to the dimensions of a modest vol-
ume. This year, more than ever before, we
have reason to feel gratified with the results of
his studies, for they show that war's alarms
and excitements have not diverted our poets
from their high calling, nor even concentrated
their attention upon martial themes. Mr.
Braithwaite maintains that the general excel-
lence of the last twelve months' products of
American magazine verse is higher than ever
— a most encouraging pronouncement.
• • •
THE DRAMA AS AN INSTRUMENT OF REFORM,
not as a form of art or a means of recrea-
tion, was discussed in characteristic fashion
by M. Eugene Brieux in his recent lecture and
reading at Smith College. His visit to Amer-
ica has been called an "informal, amicable
ambassadorship," and his public addresses
have shown him to be quite as much a humani-
tarian and reformer as he is a playwright.
The lover of art for art's sake, pure and
simple, must find little use for such ideas as
this distinguished Frenchman is ventilating
among us. He talked at Northampton on the
subject of the problem play, called by many
the boring play, and insisted that most of the
notable comedies, including even the lighter
ones of Moliere, are really problem plays.
He read from his own play, "Le Berceau,"
the lesson of which seems to be that married
persons having children should not be allowed
to be divorced; and from "Les Rempla-
cantes," which is directed against the custom
of importing wet-nurses from the country to
minister to the needs of Paris infants, often
at the expense of these peasant women's own
children. That the stage should be devoted to
higher uses than mere amusement was the doc-
trine preached from first to last by M. Brieux,
who perhaps is too much inclined to lose sight
of the fact that the highest of all possible
uses may at times be served by an inspired
work of pure art.
• • •
THE POPULARIZATION OF CULTURE progresses
apace. In Massachusetts, already not the
least cultured of our States, the establish-
ment of a state university, in addition to the
excellent agricultural college at Amherst, is
under consideration. A bill for the creation
of such an institution was presented in the
last legislature, and was referred to the board
of education for careful consideration. In
connection with it an alternative plan is un-
der advisement for paying the tuition fees of
all Massachusetts students attending existing
colleges, universities, and scientific schools of
a certain standard. This would be a rather
startling as well as questionable application
of the patriarchal idea in government. But
the tax-payers, through their delegated
spokesmen, will have a word to say about
free Latin and Greek to the youth of the
commonwealth.
COMMUNICATION.
" MOMMSEN AND THE WAK."
(To the Editor of THE DIAL.)
In your issue of January 1 you publish a com-
munication from Mr. Hodder, " Mommsen and the
War." It seems indeed strange that the discovery
of Mommsen as one of the fathers of German
Imperialism has come so late. I sincerely hope
that this is only the beginning of a long series of
similarly startling discoveries. In the meantime I
beg to ask a few questions of you and Mr. Hodder
for my enlightenment (I am only a plain American
citizen of German descent and therefore naturally
slow in understanding Anglo-Saxon logic) :
(1) What does the "Declaration of Indepen-
dence" mean? Independence of English rule or
German rule?
(2) Who has wronged Ireland in the past, En-
gland or Germany?
(3) Who has conquered India, Egypt, and the
Boer Republics in South Africa? England or
Germany ?
(4) Who controls the sea?
(5) Who is older, Nietzsche or Treitschke? My
teachers in school said Treitschke was ten years
older than Nietzsche; have you more accurate
information?
Urbana, III., January 17, 1915.
0. E. LBSSING.
74
THE DIAL
[Feb. 1
gooks.
THE VARIOUSLY ACCOMPLISHED
liOUD AVEBURY.*
To his thousands of readers and admirers
the late Lord Avebury will always remain Sir
John Lubbock, of "St. Lubbock 's Day" fame,
author of many delightful Lubbock books, and
especially associated with certain entrancing
chapters on ants, bees, and wasps, with sun-
dry inspiring volumes on the pleasures and
the uses of life, and, more recently, with a
widely accepted list of the hundred best books
in all literature. A playful rhymester in
"Punch" years ago put into four lines the
popular conception of the man's chief claims
to renown, and even now, after a third of a
century, they have not lost their epigram-
matic appropriateness. They were appended
to a " Fancy Portrait ' ' of Sir John under the
semblance of a huge bumble-bee, and ran as
follows :
" How doth the Banking Busy Bee
Improve the shining hours,
By studying on Bank Holidays
Strange insects and wild flowers."
Like many another versatile genius before
and since, Lubbock suffered in his reputation
with specialists from the great variety of
channels through which he allowed his super-
abundant energies to flow. Among bankers,
as it was rather cruelly and not quite accu-
rately said of him, he was known as a famous
scientist, and among scientists as an eminent
banker. His introduction of the highly suc-
cessful Bank Holiday into English business
life does indeed link his name lastingly with
London banking, as his popular treatises on
insects associate him with the entomologists;
but his device of a system of cooperative clear-
ing for checks and notes received by London
banks from the country, instead of the labo-
rious and time-consuming individual treat-
ment of such commercial items that gave place
to it, showed him to be both expert and origi-
nal in the sphere of banking, just as, for
example, his early researches in the vitelli-
genous glands of insects proved him to be not
lacking in capacity for independent observa-
tion and discovery in natural science.
Born in 1834, his adolescent years fell at a
rather fortunate time and amid rather favor-
able surroundings for the development of his
peculiar tastes and aptitudes. Darwin lived
at Down, about a mile from the Lubbock
home at High Elms, and to the influence and
* LIFE OF SIR JOHN LUBBOCK, LORD AVEBURY. By Horace G.
Hutchinson. Tn two volumes. Illustrated. New York : The
Macmillan Co.
encouragement of the great naturalist he owed
much. Acquaintance too was made with such
contemporary men of science as Lyell, Huxley,
Tyndall, and Spencer. Though his formal
education did not extend beyond Eton, be-
cause both he and his father, a banker with a
bent for mathematics, had a poor opinion of
the almost exclusively classical curriculum of
that day, and though he was called from his
books at fifteen to take a place of responsibility
in the paternal banking house, yet his extraor-
dinary industry and mental activity made it
possible for him to achieve the sort of intel-
lectual training that really counted in his case
and that was probably the best possible one
for the work that lay before him.
The story of that work, branching out in
many directions and rich in the astonishing
variety of things attempted and carried
through, is what the reader finds presented
in attractive detail in Mr. Horace G. Hutchin-
son 's "Life of Sir John Lubbock," a biog-
raphy filling two considerable volumes and
undertaken with the sanction and assistance
of Lady Avebury and other members of the
family. Letters, diaries, and other private
papers have been placed at the author's dis-
posal, and they have been of great service in
making possible a full and accurate chronologi-
cal account of Lubbock's achievements in
science and in public life, in authorship and in
banking, as a legislator and reformer and
zealous promoter of multitudinous good
causes; but, unfortunately for the best inter-
ests of biography as a fascinating form of
literature, these papers have not, as the biog-
rapher admits, proved to be of much help in
conveying any intimate sense of what man-
ner of human being Lord Avebury really was.
Huxley's letters are far more characteristic
of the writer, far more enjoyable and sug-
gestive in the reading, than any but a few of
the earlier ones from the pen of his more ver-
satile younger contemporary. However, it is
perhaps impossible for a man to put the best
of himself into a series of books too numerous
even to count without weariness, besides leav-
ing his impress on the laws of his nation and
on the public life of his day and generation,
and at the same time draw his own likeness
with speaking fidelity in his daily correspon-
dence. Certainly Lubbock has not done so,
and therefore to the number of those biogra-
phies whose chief excellence lies in their being
little short of autobiographies Mr. Hutchin-
son's work, however admirable in other re-
spects, cannot belong.
On the title-page of the book one notes the
rather conspicuous insertion, to the length of
fifteen lines in small print, of Lord Avebury 's
1915
THE DIAL
75
many society memberships and honorary de-
grees, just as in the later published works
from his own pen these innumerable adjuncts
to his name have not failed to make their
appearance, somewhat to the surprise of those
who like to imagine the author of ' ' The Pleas-
ures of Life" a person of simple tastes and
unaffected deportment. The reason of this
parade of personal distinctions we are now
glad to find set forth with some care by the
biographer. It is worth quoting.
" He was honorary member and fellow of an
extraordinarily large number of learned societies,
both home and foreign, and bearer of distinctions
as various as his talents. Some surprise has been
expressed at the conscientiousness with which he
gave at full length, after his name on the title-
pages of his books, the initial letters indicating
these degrees, etc. Certainly Lord Avebury's very
simple character, without a touch of cynicism in its
composition, made him highly appreciative of the
recognition of his fellows, but one of his publishers
has explained to me what he believes to have been
his real motive in inscribing at full the initials sig-
nifying his dignities. Lord Avebury, in his opin-
ion, was influenced by the feeling that if any let-
ters of the kind were affixed to a name, a certain
slight was cast on the institution which had hon-
oured him if the distinguishing initials of that
institution were omitted. His idea was that all or
none should be given, more especially as many of
the distinctions were of foreign origin, and it was
particularly imperative, by all laws of courtesy,
not to hurt foreign feelings. It is a motive per-
fectly in accord with Lord Avebury's peculiar
kindliness and sensitive consideration of other
people."
In this connection there is an amusing bit of
correspondence given by Mr. Hutchinson
which perhaps may help to explain this punc-
tiliousness in the use of titles. An East Indian
scholar once exchanged some letters with the
author of "The Pleasures of Life" on the sub-
ject of a proposed translation of that book
into one of the dialects of India; and in the
latter part of the correspondence occurs this
reproachful passage from the pen of the Orien-
tal: "Formerly your Lordship used to ad-
dress ' Mr. ' or ' Esquire, ' but I don 't know why
your Lordship have omitted in the last two
letters. Although I did not gain or lose any-
thing by it, but still I wonder. ' '
Lubbock's power of getting things done,
both in his own person and through others,
argues unusual energy and the strictest
economy of time. Indeed, among his early
papers there are various schemes or schedules
assigning its particular task to each hour or
half-hour of the day with a painful particu-
larity hardly surpassed by "Queed" himself
in the prime of his priggishness. An anecdote
very much to the point is as follows :
" One of his sons told me that on the day that
his father first took him into the City, to introduce
him to the partners of their business house, Lord
Avebury drew a book out of his pocket as soon as
they were seated in the ' tube,' and said, ' I think
you will find it a good plan always to have a book
with you, in your pocket, to read at odd times,' and
therewith he became at once so absorbed in his
reading as to be quite unconscious of his fellow-
travellers and their conversation."
A pleasant personal touch and also an inci-
dental testimony to the popularity of Lub-
bock's books are to be found in another
passage that offers itself for citation. The
eldest boy by his second marriage had just
been sent away to school at Rottingdean.
" Sir John affectionately notes the sorrow of
himself and of Lady Lubbock in parting with him,
but from the very first the school seems to have
been a success. The boy was happy there, his
reports were good and, for his age, he took a high
place. His father and mother went down to see
him. Sir John writes that Harold conducted him
to the school library and pointed out with pride to
the father that all the latter's books were ' out ' —
boys were reading them. He said they were always
out and were among the most popular. In this
year both the Pleasures and the Use of Life were
translated into Greek, Arabic, and Japanese."
It is the first of the above-named books that,
of all his works, has won for its author the
largest number of readers, being now in its two
hundred and seventy-second thousand (in
Part I.) and in its two hundred and thirty-
second thousand (in Part II.). Of the some-
what less popular kindred work, ' ' The Use of
Life," the author noted seventeen years ago
that, beside editions in English, the book had
appeared in French (seven editions), German,
Dutch, Polish, Bohemian, Spanish, Italian,
Greek, Arabic (five editions), Marathi, Gujer-
athi, Japanese (six editions), Danish, Rus-
sian, Armenian, and Esthonian.
As a zealously active member of Parliament
and, after 1900, an energetic participant in
the less momentous proceedings of the House
of Lords, Lubbock advocated successfully
many needed reforms and improvements. In
a single parliamentary session we find him
introducing three important bills, — one for
the earlier closing of shops, one for amending
the public-library law, and one to facilitate
the forming of open spaces in large cities.
The first was blocked, says his biographer ; the
other two were passed. He held, first and
last, a great number of chairmanships, includ-
ing that of the London County Council, and
he served the causes of science and humanity
and education in various capacities, official
and unofficial. In fact, the list of his activities
is much too long to be given here. Mr. Hutch-
inson makes an impressive showing of these
76
THE DIAL
[Feb. 1
varied interests and occupations, and has pro-
duced a useful and not uninspiring biography.
It is a record such as the late Dr. Samuel
Smiles would have taken delight in pointing
to as a most helpful one for eager and ambi-
tious youth. Its lessons in the value of econ-
omy of time, making the most of one's
resources, controlling one's temper under
provocation, and so on, are many and obvious.
Lord Avebury's qualities seem to have been
admirable without exception, and these quali-
ties are well depicted by his biographer. Two
portraits of the man and views of two country
houses belonging to him adorn the volumes.
PERCY F. BICKNELL.
THE DRAMA MOVEMENT.*
The new drama is still young, still youth-
fully and vigorously uncertain, still the sub-
ject of prophecy; but it seems nevertheless to
have reached age and reliability enough to
warrant the attempt to define it and to esti-
mate the significance of its achievement and
its tendencies. Among the most recent books,
Mr. Sheldon Cheney's " The New Movement
in the Theatre " is a broad survey of strictly
contemporaneous dramatic activity, especially
in England and the United States, and " The
Changing Drama, ' ' by Mr. Archibald Hender-
son, an already well-known writer on the
European dramatists, is a critical account of
the contributions and tendencies of the past
sixty years. If the lover of the stage will add
to these two Mr. Richard Burton's "How to
See a Play," he will possess the means of
greatly increasing his capacity for enjoyment
of the contemporary drama, whether as reader
or witness.
While Mr. Burton's volume shares the char-
acter of the other two in containing a measure
of historical and critical matter, it is first of all
a practical work, whose concern is the need of
the play-reader or theatre-goer. It discourses
vigorously and sensibly on the structure of
the play and the method of its composition,
upon the qualities which make it real drama,
upon its value as a cultural opportunity, and
upon its possibilities as a factor in social im-
provement. It recites the principal facts in
the history of the drama, leads up to and char-
acterizes the modern school, and helps the
reader to the means of making its literary as
well as its stage acquaintance. Mr. Burton's
immediate purpose is the enlightenment of the
* How TO SEE A PLAY.
The Macmillan Co.
THE NEW MOVEMENT IN THE THEATRE.
New York : Mitchell Kennerley.
THE CHANGING DRAMA: Contributions and Tendencies.
Archibald Henderson. New York: Henry Holt & Co.
By Richard Burton. New York :
By Sheldon Cheney.
By
play-lover for his own sake; but he has the
ulterior purpose, as befits the President of the
Drama League of America, of encouraging
good drama by helping to provide the ideal
audience.
Mr. Cheney divides his time about evenly
between characterization of the play- writer's
work and characterization of the new stage-
craft. He has a great deal to say in praise of
the new drama, especially in England, as "the
drama of sincerity." In America he sees the
movement as "hardly more than a promise,"
in England and on the Continent as "both a
promise and a vital, lasting achievement."
He is especially enthusiastic for Mr. Gordon
Craig and the "a?sthetic theatre movement,"
and hostile to naturalistic stagecraft, which
he assails under the name of "Belascoism" as
the "theatre producer's perfect realization of
a false ideal." Recognizing the tyranny of
play-house commercialism in the United
States, for real progress he looks to such
smaller centres of drama interest as the uni-
versities and colleges, and the "art" theatres
in the larger cities. The authority of Mr.
Cheney's otherwise excellent book is impaired
by repetition and careless expression. The
last chapter, especially, on "Gordon Craig's
Service," contains a great deal that is already
said in earlier chapters. There is too much
of "gripping" and "sincere" and "vital," to
say nothing of lapses like ' ' chief protagonist, ' '
"such protagonists as Gordon Craig, etc.,"
' ' touches were infused, ' ' and ' ' refreshing reti-
cence of touch." This, however, is perhaps to
be charged to the New Education rather than
to the author. There are not a few who suspect
that the "new and broader universities that
are so splendidly maintaining their place at
the forefront of American progress," to use
Mr. Cheney's words, are doing rather less to
preserve the ideal of the English language
than the " old hidebound institutions, with
their set academic standards," that come un-
der his condemnation.
Mr. Henderson's book is primarily critical,
and is exceedingly stimulating. Such chapter
headings as ' ' The New Criticism and the New
Ethics," "Realism and the Pulpit Stage,"
"The Battle with Illusions," "The New
Technic," "The New Content," and "The
Newer Tendencies," indicate at once its com-
prehensiveness, its philosophic character, and
its pugnacious tone. Ibsen and Shaw are its
main figures, and the social significance of the
drama is the theme that runs through the
whole discussion. Many indeed will think the
theme too prominent. "The great discovery
of modern life ... is ... that society has
become the tyrant of the universe"; "the
1915]
77
deterministic pressure of social institutions,
the tyranny of capital"; "the curved backs
of oppressed humanity"; "the tocsin of re-
volt"; "an age that fought with dragons and
an age that fights with microbes"; "the dra-
matic artists of to-day, of all races and all
climes, have a sense of common purpose, a cer-
tain unity of aim," that "may best be de-
scribed as the intention of advancing the cause
of civilization" — there is an abundance of
these familiar expressions, and theatre-goer
and play-writer begin to wonder as they read
whether one more tyrant has not been set over
dramatic art in the shape of sociology. There
are drama-lovers who, while recognizing the
fact of human suffering and sympathizing
with it, cannot agree that social tyranny has
spread to the stars, or that the fault is never in
ourselves that we are underlings, but always
in society, or that a social drama will prove
the means of regeneration. These people
would like the privilege of sometimes wit-
nessing, reading, or writing plays for pure
pleasure — plays which they dare to think
may be made by the real artist as efficacious
as the drama of "social conscientiousness"
and ' ' moral propagandism. ' ' In spite of over-
emphasis of the social theme, however, and in
spite of needless protests against the poor old
unities and ' ' art for art 's sake, ' ' which no one
has insisted on for a long time now, and
against a really no longer tyrannous "person
called Aristotle," in Mr. Granville Barker's
phrase, Mr. Henderson's volume is full of
thoughtful and illuminating criticism on the
drama as art, and deserves high praise.
The reading of Mr. Cheney and Mr. Hen-
derson— for Dr. Burton's book is different in
purpose and character — begets a number of
impressions in regard to the new drama. In
the first place, it is clear that there is really
something being achieved, and that the some-
thing has to do with art as well as propa-
gandism. In the second place, there exist a
striking number and variety of stage repre-
sentations claiming recognition as dramatic
art, and there is a great deal of fruitful ex-
perimentation in process. Mr. Cheney, after
removing farce, melodrama, musical comedy,
and vaudeville, carefully divides what is left
into aesthetic drama, represented by Mr.
Gordon Craig's marionette-drama, Herr Rein-
hardt's mimo-drama, and the Russian dance-
drama; the drama of emotion, where "the
appeal to the eye and the ear is merely a very
small aid to the effectiveness of the whole";
and the drama of thought, where more empha-
sis is placed on the theme. Mr. Henderson
defines a play as ' ' any presentation of human
life by human interpreters on a stage in a
theatre before a representative audience, ' ' and
a drama as " a particular kind of a play. ' '
Mr. Henderson's definition seems at first
sight handsomely liberal, though it doesn't
provide for the dance and marionettes; but
the next sentence, which begins three pages of
interpretation by saying that "the play in-
trinsically, and its representation by the
interpreters, must be so effective, interesting,
and moving as to induce the normal individual
in appreciable numbers to make a sacrifice of
money and time, either one or both, for the
privilege of witnessing its performance,"
would go a long way toward keeping the
classics outside the definition. Who is the
normal individual ? At least the normal indi-
vidual of American theatrical commerce does
not go to classic plays in appreciable numbers.
But one receives the impression, too, that
the classics, both ancient and less remote^
count comparatively little with either Mr.
Henderson or Mr. Cheney. Like other valiant
champions of the New, their first impulse is to
dispose of the past, and the past in these pro-
gressive days is more or less defenceless.
They don't have to prove the ignorance and
tyranny of the past ; they simply admit these
and all its other vices and incapabilities, and
go on. Mr. Cheney "has very little respect
for what is commonly taken (like medicine) as
authoritative criticism." Mr. Henderson
laments that "our critics of the drama
are unfortunately classic in predilection."
Shakespeare didn't love the common manr
Moliere sympathized with society rather
than the individual, and the Greeks missed
the social point utterly. "The false assump-
tion, which has persisted from the time of the
Greeks to the present day, " is a phrase which
can be applied with ease and comparative
safety to anything the modernist wishes to
remove from the path of his argument. Along
with other things New there seems to be a
New Logic, which is almost capable of saying
what it really means : ' ' The world up to our
day has thought thus-and-so; we think other-
wise ; therefore, the world up to our day has
thought wrong. ' ' The statements of Aristotle,
we are told, are incomplete and ridiculous,
and he is guilty of gross and exaggerated dis-
tortions of the truth. To prove Aristotle's
comparative mediocrity as a critic of the
drama by assuming that he knew nothing
beyond what he says, is of course no worse
than to prove his infallibility by assuming that
what he says implies everything he doesn't
say. It is the principle that is objectionable
— the use of an ancient and helpless person
to prove anything or everything, as if he were
mere statistics, or, let us say, the "facts"
78
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[ Feb. 1
connected with the immediate beginning of a,
great war.
Yet in spite of this independence and self-
sufficiency in the partisans of the New Drama,
it can hardly fail to strike the attention of the
reader familiar with the classics that many of
the virtues claimed for the drama of to-day
are precisely the classical virtues, and the
ancient classical virtues at that. Compact-
ness, simplicity of plot and omission of sub-
plot, breadth of character-drawing, the re-
turn to the purely human, the use of scant
and simple scenery, the open-air performance,
the relief-theatre, the reconciliation of litera-
ture and the stage, the tendency toward relig-
ious drama — enumerate these things to one
acquainted with the whole course of the
drama, and it will be Sophocles that he thinks
of, not Ibsen or Shaw. Even the much-
abused unities are being made welcome, in the
one-act drama now so frequent. Gather all
these virtues together, add nobility of lan-
guage, without which drama can only by
exception be other than local and ephemeral,
and ' ' the sense of the nobility of life, ' ' which
Mr. Cheney says the dramatists of the new
movement lack, insist less on ' ' the mystery and
immensity of little things" and "the apotheo-
sis of the insignificant," and more on univer-
sals, and we shall possess again the ideal of
twenty-five hundred years ago, the departure
from which, as Martin Schanz has said, never
fails to bring its own revenge. Then get a
national theatre and cultivated audiences, and
the acting and writing of great drama will
depend upon the presence of genius among us.
But we do not possess all these virtues,
either in America or abroad. The new drama,
like all youth, is too confident, and claims too
much. A little more modesty and a little less
combativeness would be as well for the cause
we all have at heart. The classics are not so
dead, nor the new drama so "vital and last-
ing," as the new critics think. Ibsen, who
receives so much attention from Mr. Hender-
son, is already recognized by the new English
artists, according to Mr. Cheney, as "not of
their country, or their time (for the world has
taken mighty strides forward since he ceased
to write)." The social themes of to-day may
easily prove to have been neither for all time
nor for all places, and the ' ' symbolic romance,
extensive, vast," which in Mr. Henderson's
thinking ' ' bids fair to express best the artistic
sense of the coming century," may have its
own ' ' new content. ' ' As to national theatres,
in America we have none, and are not likely
to have them under popular government until
the popular idea of the usefulness of literature
and the fine arts has undergone a change.
The opportunity to hear good drama comes
rarely to all but a very few places, and when it
does come costs the price of a half barrel of
flour for the Belgians. Art drama at cost,
produced by our dramatic societies, is con-
demned beforehand as "highbrow," and is
poorly patronized. In all but a few journals,
criticism of the drama is either identical with
advertising or the best is like the worst. Even
the Drama League of America puts the pro-
hibitive price of seventy-five cents on its pub-
lished single plays by contemporary authors.
It was possible at one time in the long ago to
get a play of Shakespeare for six cents, and
the difference is not explainable wholly on the
ground of Shakespeare's inferiority.
GRANT SHOWERMAN.
THE
FKAXCE.*
For many years it has been the fashion
among superficial observers to regard France
as a decadent nation. It is true that for some
time her population has been stationary and,
indeed, the last census (1911) disclosed an
excess of deaths over births; but the phe-
nomenon of a declining birth rate is by no
means peculiar to France — it exists in most
countries and is symptomatic of our so-called
higher civilization. The situation in France
differs from that in England, Germany, and
the United States only in degree, and it seems
only a question of time when the populations
of these countries will cease to increase.
There has also been a popular belief that the
mental and physical vigor of the French, their
national spirit, their patriotism, and their
capacity to govern themselves have all been
on the decline. To whatever degree this belief
may have been well founded in the past, no
well-informed person regards it as true to-day.
In a book entitled ' ' France Herself Again ' '
M. Ernest Dimnet, a professor in the College
of St. Stanislaus, Paris, and a distinguished
scholar who writes in perfect English, dwells
upon the far-reaching transformation which
the national spirit of France has undergone in
recent years. That a remarkable change has
come over France since the beginning of the
twentieth century, he says, cannot be denied
or doubted, for everybody has felt it or heard
of it. To present a picture of this change in
its true perspective M. Dimnet starts out with
a review of the intellectual and moral deterio-
ration of France which set in during the
Second Empire and continued steadily until
the Tangier incident of 1905, an event which
seemed to awaken the French to a realization
* FRANCE HERSELF AGAIN. By Ernest Dimnet. New York :
G. P. Putnam's Sons.
1915]
THE DIAL
79
of their national consciousness and kindle in
the nation an esprit nouveau. After fifty
years of fruitless and often foolish experi-
mentation, distracted and gradually corrupted
by false ideals and low morals, during which
her precious hours and resources were wasted,
France now desires to be a nation once more :
" She is like a man whom philosophy or science
— mere intellectual pursuits — have absorbed until
some great sorrow makes him feel that he has a
heart as well as a brain and has to live as well as to
think in a way that will fit him for life."
At the beginning of the Second Empire,
France had only one rival in Europe — that
was England. The feeling of national su-
premacy was expressed in a speech of the
Emperor shortly after his accession in 1852
when he said, ' ' France is happy, Europe may
now live in peace." This was no mere boast
but an absolutely true statement of French
supremacy on the Continent. To-day all is
changed. France no longer has it within her
power to impose her will upon Europe. The
German Empire, Italy, and Austria have risen
oy her side to dispute her old time suprem-
acy. The deterioration began, as has been
said, in the midst of the outward splendors
of the Second Empire, when the seeds of
materialism, the decadence of morals, the un-
wholesomeness of literature, the hatred of
Christianity (under the guise of anti-clerical-
ism) were planted; and these seeds produced
their full fruition during the Third Republic.
During this period the French lived on illu-
sions as on pleasure. Everyone seemed bent
on deceiving himself. Everywhere the spirit
•of ideology and self-satisfaction was dominant.
France was weakened by ideas which obscured
Tier reason and enervated her moral powers.
She could have quickly recovered from the
losses of 1870 had it not been for the intellec-
tual deterioration which a harmful philosophy
and a lawless literature produced. "Within
twenty years, we are told, after Napoleon's
boast that France was the arbiter of Europe,
she had "fallen in power, influence, popula-
tion and moral energy behind a rival whose
greatness her own monarch had helped and
practically made." The chief cause of the
moral and political decadence of France under
the Third Republic and the "state of dis-
order" in which the country found itself after
the retirement of Thiers, according to M.
Dimnet, is to be found in the character of the
constitution. It is, he says, a mere makeshift
and is ' ' not only democratic but demagogic in
its principles." The President of the Repub-
lic is a mere dummy without real authority.
He presides without governing, he attends
inaugurations, opens expositions, distributes
the grand prix, and hunts rabbits. He cannot
exercise a single one of the numerous and
important powers which the letter of the writ-
ten constitution gives him. The Radicals have
for a long time advocated the abolition of the
Presidency, but the great majority of the peo-
ple desire a President who shall be a leader
and a real executive like the President of the
United States. When M. Poincare was elected
the people believed and hoped that he would
be something more than a figurehead, but he
too, like his predecessors, has adopted a policy
of self-effacement. Under the operation of the
constitution, as it has developed, he could not
do otherwise. The whole trouble lies in the
attitude of the parliament, which insists on
subordinating every other power in the state
to itself. It is not content with legislating
and controlling the ministers in respect to
their general policies, but it insists on govern-
ing and administering as well. The result is
short-lived ministries (there have been about
fifty-five since the establishment of the Third
Republic) and a President who plays only a
ceremonial role. In its colonial and foreign
policy, the Republic, we are told, has failed;
in education the results have been unsatisfac-
tory and the education of the schools is mak-
ing the country a nation of atheists. The
bourgeois democracy is a fraud and the coun-
try has been cursed with petty, low-born, God-
hating politicians who, not content with secu-
larizing the schools, have broken up the
religious orders, confiscated their property,
dispersed poor monks and nuns 'who had
grown gray in the service of philanthropy,
education, and charity, persecuted the church,
and abrogated a solemn compact with the
papacy that had endured more than a hundred
years. Not stopping with this, the Radicals
have tried to drive Catholics from the army
and the civil service. M. Dimnet 's indictment
of the Radicals for their anti-clerical policy is
severe, but there is another side to the ques-
tion which naturally, because of his clerical
affiliations, he entirely ignores. He makes no
reference to the opposition of the church to
the Republic, and its well-known activities in
favor of the monarchy ; nothing is said of the
persecution of the greatest of French scholars
and statesmen who were too liberal for the
church, of its fight against Dreyfus, of its
championship of MacMahon in the great crisis
of 1877, of its sympathy for Boulanger, and
of its opposition to science and liberal educa-
tion. The Republicans of France believed,
and the evidence is not lacking, that the
schools, which until recently were under the
control of the church, were teaching the chil-
dren to hate the Republic. For these and
80
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[Feb. 1
other reasons which cannot be discussed here,
the Republicans of France were compelled to
do what they did, and although there may
have been unnecessary harshness and severity
in their methods, the general principle of their
legislation is what Americans have always
stood for.
France, according to M. Dimnet, had
reached a state bordering on degradation when
the Tangier affair of 1905 came like a flash of
lightning after which the clouds lifted. It
was one of those events, we are told, which
rapidly destroys a whole system of thought.
Since that time France has entered upon an
era of regeneration, she has awakened from
her apathy, and is beginning to return to her
own. A great change has occurred in the
national spirit, in the mode of thinking, in the
character of the national literature, and even
in the attitude of the Radical party, which
seems disposed to adopt a policy of greater
conciliation toward the church.
In a concluding chapter written after the
outbreak of the present war, the author re-
marks that while France has been the victim
of politicians and while the history of the
Third Republic has been a history of radical
blunders, recent events have shown that the
nation has remained sound at the core. Ani-
mated by a new spirit, conscious of her power,
France is ready to meet her duty. What she
now needs most is not a conversion of mind or
soul but a transformation of her institutions.
With better institutions and the kind of lead-
ers she desires, the beginning of the century
will soon appear as one of the greatest turning
points in her history.
With much of what M. Dimnet has to say in
criticism of the French constitution and of the
class of politicians that have governed the
country since the advent of the Third Re-
public, well-informed Americans will agree,
although there will be a difference of opinion
concerning his reproach of the Republicans
for their anti-clerical policy. Most of us will
feel that his rather gloomy picture of French
democracy and his indictment of the Republic
have been overdrawn, but we all will share
with him the pride which he feels in the birth
of a new France, and his optimism for the
future. JAMES W. GARNER.
STUDIES IN THE HISTORY or ART.*
Of the essays in Mr. Richard Norton's luxu-
rious volume, "Bernini, and Other Studies in
the History of Art," some continue the lit-
erary tradition of English criticism, others
* BERNINI, AND OTHER STUDIES IN THE HISTORY OF ART. By
Richard Norton. With sixty-nine plates. New York: The
Macmillan Co.
the scientific tradition of exact scholarship.
To the first group belong the estimate of
Bernini, the "Art of Portraiture," the
"Phidias and Michael Angelo," and, essen-
tially, the "Head of Athena from Gyrene."
Not claiming to add to our stock of knowledge,
they seek to clarify it or to modify our critical
judgments.
The most powerful of these, and the most
necessary, is the essay on Bernini. Since
Ruskin, and in the English-speaking world,
Bernini, like all the artists of the Baroque, has
lain under the condemnation of a prejudice
at once irrelevant and unjustified. An ethical
criterion, itself not germane, has been invoked
against them, without appreciation of their
own moral sincerity. More serious, because
more philosophically supported, is the notion
that they represent a time of purely artistic
decay, inevitably following periods of growth
and maturity. The analogy with organic life
which this view presupposes, however, like-
wise has failed of demonstration, and the his-
tory of art, if subjected to any metaphor,
seems rather a succession of beats of a pendu-
lum, or an alternating crescendo and diminu-
endo, at any point of which greatness may
appear. Mr. Norton finds Bernini's greatness
in merits characteristic of his own time and
individuality — spiritual intensity, artistic
crescendo, dramatic power — as well as in per-
sonal and moral qualities common to the
titanic spirits of all ages. It is primarily with
Bernini's work in sculpture that the author
has concerned himself, passing lightly over
equally distinguished work in architecture,
yet in the field of sculpture alone he makes
good his claim that Bernini is to be ranked as
one of the world 's greatest masters.
The other essays of this group, dealing with
less controversial material, lead to less striking
conclusions. Portraiture, Mr. Norton sug-
gests, has two possible modes, and but two : the
embodiment of thought, as exemplified by the
Greeks and Venetians, and the embodiment of
action. Michael Angelo, though like Phidias
in so many respects, and like him a supreme
master, was less fortunate in his background,
and his works are in the main monuments of
thwarted purpose. The head of Athena from
Gyrene, the work of a local sculptor, illus-
trates how pervading were the fundamental
characteristics of the Greek genius — human-
ism and directness.
More promising are those portions of the
book which are descriptive or scientific in their
aim, the richly illustrated catalogues of Ber-
nini's clay models and his designs for the
Piazza of St. Peter's, and the two essays deal-
ing with Giorgione. The sketch book for the
1915]
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81
Piazza, to be sure, has been already twice pub-
lished by foreign scholars, yet it might have
been made to give up further secrets relative
to the gradual development of the project in
Bernini's mind. The author's idea, however,
seems rather to have been merely to adduce
the drawings as illustrations of Bernini's mys-
ticism in conception, grandiose power, and
care in study. For a similar purpose, appar-
ently, the superb collection of sculptor 's mod-
els owned by Mrs. Brandegee is illustrated and
described without any study of their relations
to the completed figures to which they corre-
spond.
It is the essays on Giorgione which most
repay the scholar. They summarize the at-
tributions made by previous writers, and
attempt a new and corrected list of his works,
based not only on a "combination of the best
points of the work of these very differently
endowed critics," but on personal acquaint-
ance with the originals as intimate as theirs.
Agreement or disagreement with his conclu-
sions will depend mainly on one's principles
of historical criticism. Mr. Norton reacts
against what he considers an excessive atten-
tion to externality and detail in Morelli's
methods, at the same time protesting against
Mr. Berenson's occasional affirmations of mys-
tical faith. From a similar impressionism, in-
deed, Mr. Norton is by no means free. In-
stances could be multiplied from the book in
hand of ascriptions made or denied without
any assignment of logical grounds. Without
pressing the argumentum ad hominem, how-
ever, we may raise the question whether
another method which Mr. Norton 'employs by
preference is superior to those of his prede-
cessors. It is based on the assumption that an
artist postulated as great can never repeat
himself, or fall below the standard established
for him. Such a doctrine of infallibility, read-
ily maintained in a case like that of Giorgione
by casting doubt on the authenticity of every-
thing inferior, falls to the ground in any case
where a great number of works are authenti-
cated, as in the case of Bernini. Mr. Norton
has to deprecate among the known works of
Bernini failures exactly similar to those which
he cites as impossible in Botticelli and Gior-
gione, yet to him Bernini is a master of coor-
dinate rank and equal inspiration. Although
his purgations of this sort are of doubtful
value, Mr. Norton's suggestions on the posi-
tive side must be very seriously considered.
He adds to the list of Giorgione 's works the
"Gypsy Madonna" in Vienna, ascribed to
Titian, the "Pieta" of the Correr Museum
(perhaps a copy), ascribed to Bellini, the
"David and Solomon" in the National Gal-
lery, ascribed to the school of Giorgione, and,
under reserves, a portrait of a youth in
Vienna (copy). For the "Madonna," espe-
cially, he gives solid grounds for his belief, in
an analysis which is a model for such discus-
sions.
The book is written with a positiveness of
expression which may alienate those to whom
its conclusions are unpalatable, but it is a posi-
tiveness to be respected as the result of in-
dependent study and personal conviction.
Dwarfing the loose compilations on artistic
subjects with which we have usually to con-
tent ourselves in America, the book comes as a
reassuring testimony of faith that painstaking
scholarship and concentrated thought may
still receive a hearing.
SIDNEY FISKE KIMBALL.
YOUNG OF THE " NIGHT THOUGHTS." *
It is strange that a poet so popular and
influential in his day as the author of ' ' Night
Thoughts" should have had to wait a hundred
and fifty years for an adequate biography in
his own language. This has been the fate of
Young; and therefore Mr. Shelley's substan-
tial "Life and Letters of Edward Young"
fills a real need. For the first time we have in
English a full-length portrait of that "polite
hermit and witty saint," as Mrs. Montagu
called him. But there already existed in
French an accurate and exhaustive study of
Young's life and works, by W. Thomas, pub-
lished at Paris in 1901. Incredible as it may
seem, Mr. Shelley appears never to have heard
of this admirable biography. If he had been
able to consult it, he would have avoided a
number of minor errors and some really
serious ones, and could have filled certain gaps
in his narrative. Thus he tells us (p. 2) that
"one other child was born of the marriage"
of Young's parents; Thomas shows from the
parish records of Upham that Young had
three sisters, two of whom, to be sure, died in
childhood. Mr. Shelley, repeating earlier
writers, says that Lady Young died in Janu-
ary, 1741; Thomas cites an entry from the
Welwyn parish register showing that she died
January 29, 1739 or 1740. The mistake is
serious, because upon the date of Lady
Young's death depends the interpretation of
a famous passage in the "Night Thoughts,"
involving the identification of the central
characters, and, to some extent, the whole
question of the sincerity of the poem. The
matter is too complex to be discussed here;
but it may be said that Mr. Shelley's wrong
* LIFE AND LETTERS OF EDWARD YOUNG. By Henry C. Shel-
ley. Boston: Little, Brown & Co.
82
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[Feb. 1
date leads him to suppose that Young left his
wife in her last illness to pay a visit to the
Duchess of Portland, and that he listened to
the Duchess's suggestion of a second mar-
riage at a date indecently near that of his
wife's death. Mr. Shelley's friendliness to
the poet causes him to gloss over these sup-
posed delinquencies; but an examination of
the Welwyn records would have shown him
that Young needed no excuses.
The great value of Mr. Shelley's biography
of Young is in the abundance of new mate-
rial which it presents, consisting chiefly of
a series of letters from the poet to Margaret,
Duchess of Portland. This correspondence
covers the last twenty-five years of Young's
life; it began in 1740, when the poet was
fifty-seven and the Duchess twenty-five, and
ended only a few weeks before his death in
1765. The letters show Young at his best, as
a man of the world, courtly, witty, and sensi-
ble; deeply religious, and grave on occasion,
but more often gay. Incidentally they give
us a high opinion of the charm and goodness
of the lady who inspired them. Her letters
to Young are unfortunately lost; by the
direction of his will, all his papers were
destroyed. It is thus partly his own fault
that he has waited so long for a biographer,
and has been generally thought of as the mel-
ancholy type of a "grave-yard poet." Mr.
Shelley has very properly emphasized the
other side of Young's temperament. We see
the poet entertaining friends at his home,
amusing the Duchess with lively stories, or
rallying her on her failure to appreciate his
friend Richardson's "Clarissa"; "your great-
grandchildren," he tells her, "will read, and
not without tears, the sheets that are now in
the press." We see him at the age of sixty-
two making friends with that aged butterfly,
Colley Gibber, and delighting in his company.
Reproached for this intimacy, he defends
himself: "As for poor Colley, his impu-
dence diverts me, and his morals shall not
hurt me, though, by the way, he is more fool
than knave, and like other fools is a wit."
In another letter he complains humorously of
the insincerity of one of his fair admirers:
"Lady Andover does me honor in remember-
ing that I exist. Yet 'tis all compliment;
there is no sincerity, or she had not disap-
pointed my assignation with her. Why go to
town! Dishonorable creature! She is gone
only with her husband!" Another letter of
half- jocose moralizing ends as follows : ' ' Your
Grace will wonder what all this means, and
what gives occasion to such random stuff.
Why, Madam, I am now in a coffee-house
waiting for a rascally attorney, who, having
robbed me already of all my money, would
now rob me of my time; and rather than do
nothing, which is very tedious, I was deter-
mined to write nothing to your Grace." This
is the Young of the satires, who could hit off
so aptly the hypocritical church-goers :
" And when their sins they set sincerely down,
They'll find that their religion has been one,"
or the ignorant librarians :
" Unlearned men of books assume the care,
As eunuchs are the guardians of the fair."
But Mr. Shelley does justice also to the
serious Young, the Young of the '''Night
Thoughts," who placed in his garden a
"painted bench, a mere optical deceit." and
inscribed on it the motto, "Invisibilia non
decipiunt, ' '
As a portrait of the man Mr. Shelley's book
is in many respects excellent. Apart from his
inaccuracies as to fact his chief weakness is on
the critical side. His estimate of Young's
work is not always discriminating; for in-
stance, he rates the turgid tragedies much too
high. Little or nothing is said of literary
influences on Young, and almost nothing of
Young's own great influence. His popularity
on the Continent, for example, signalized by
translations into a dozen languages, is an ex-
tremely interesting matter to which Mr.
Shelley scarcely alludes. These are grave
omissions; and here again the French study
would have furnished invaluable aid. When
all deductions are made, however, we must
remain grateful to Mr. Shelley for his sym-
pathetic and attractive portrait of a poet
nowadays neglected, and above all for the
delightful series of letters which he has made
available. HOMER E. WOODBRIDGE.
INTERPRETERS OF Mrsi< -.*
That inspiring novel, "Jean Christophe,"
has given M. Romain Rolland an international,
and, from present appearances, an enduring
fame. He holds the chair of musical criticism
in the Sorbonne and shares with his colleague,
M. Combarieu, the foremost position in the
ranks of writers on music in France. The
present volume, which is admirably trans-
lated by Miss Mary Blaiklock, is the initial
publication of a series to be called "The Musi-
cian's Bookshelf." M. Claude Landi, who
furnishes an Introduction, gives some inter-
esting biographical details of M. Rolland, who
won, at the age of twenty-nine, the grand
prix of the French Academy for a work on
"The History of Opera in Europe before Lulli
* MUSICIANS OF TO-DAY. By Romain Rolland. Translated
by Mary Blaiklock. New York : Henry Holt & Co.
NATURE IN Music. By Lawrence Oilman. New York :
John Lane Co.
1915
83
and Scarlatti," and who has since gone on
accumulating laurels until his place among the
leading men in musical interpretation and
literature is almost equivalent to a final and
positive verdict of posterity.
We have here a number of essays, some of
which have seen the light before, dealing with
the deeper aspects of music in Germany and
France. One paper, however, is devoted to the
Italian composer of oratorios, Don Lorenzo
Perosi. The author attempts to some extent a
comparison of recent German and French
composers, and makes no very profound secret
of his predilection for the men of his own land
and time. This statement is not meant to be
disparaging, but to indicate the point of view
from which the work is written. Our author
also seems to be an eloquent advocate of music
with a programme as the highest form of
music, a position which makes him something
of a reactionary. This view may be a recoil
from the extreme views of Wagner and
Strauss, and is perhaps shared by many musi-
cians of to-day; but it is always difficult to
take the step backward, and history, after all,
never repeats itself.
The French composers of whom M. Holland
speaks are Berlioz, Saint-Saens, d'Indy, and
Debussy ; the German composers are Wagner,
Strauss, and Hugo Wolf. He has a separate
essay in which he compares German and
French music; and there is an elaborate
account of the musical movement in Paris
since 1870, which he calls ' ' The Awakening, ' '
a title which leads to some consideration on
the reader's part. The date 1870 has its con-
notations, and one may ask oneself what may
become of French and German music after the
sinister years of 1914 and 1915.
The essay on Berlioz is especially note-
worthy. M. Holland is frank in revealing
Berlioz's weakness of character, and in our
opinion gives altogether too much attention to
that side of the case. The close connection
between character and achievement is indis-
putable, but art has mostly to do with the lat-
ter, and in the lapse of the years the misdoings
of exceptional intelligences are lost in the
record of service to the advancing destinies of
the race. His view of Berlioz, and indeed his
view of music as a whole, may be gathered
from the following paragraphs :
" Before Berlioz's time there was really only one
master of the first rank who made a great effort to
liberate French music; it was Rameau; and de-
spite his genius, he was conquered by Italian art.
By force of circumstances, therefore, French music
found itself moulded in foreign musical forms —
as most men speak more than they think, even
thought itself became Germanized, and it was diffi-
cult to discover, through this traditional insin-
cerity, the true and spontaneous form of French
musical thought. But Berlioz found it by instinct.
From the first he strove to free French music from
the oppression of the foreign tradition that was
smothering it."
" Berlioz is thus the true inheritor of Beetho-
ven's thought. The difference between a work
like the 'Romeo and Juliette ' symphony of Berlioz
and one of Beethoven's symphonies is that the
former, it would seem, endeavors to express objec-
tive emotions and themes in music. I do not see
why music should not follow poetry in getting
away from introspection and try to paint the
drama of the universe. Shakespeare is as good as
Dante. Besides, one may add, it is always Berlioz
that may be discovered in his music ; it is his soul,
starving for love and mocked at by shadows, which
is revealed through all the scenes of Romeo."
The above quotations indicate the trend of
M. Holland's thought, and the method of his
procedure. When he comes to treat of Ger-
man music, it must be said at once that he is
eminently just, and generous in his admira-
tion. We may point to the essay on Hugo
Wolf, in which genuine appreciation of the
musician vies with sympathy for the un-
toward fate which overwhelmed the great tal-
ent at so many places and times in its career.
In the comparison between French and Ger-
man music, it must be conceded that his bias
in favor of the music of his own country shows
itself fully and clearly. Art, however, de-
mands allegiance for its own sake, and it is
certainly time that we should outgrow na-
tional prejudices in matters of universal
concern. Nobody talks about French mathe-
matics ; why make so much of French hiusic,
or German music, or Italian music? The
realm of art is above national limitations, it is
its own creator, its own arbiter, its own
appreciator. In it we become conscious of
universal humanity, and nations are like shad-
ows of the night disappearing in the splendor
of the daytime. In the essays on Strauss and
Wagner we see reflected M. Holland's pre-
disposition for the symphony with the pro-
gramme; he finds it somewhat objectionable in
Strauss when in the "Sinfonia Domestica" he
omits the programme altogether, and he evi-
dently prefers Wagner in the concert room to
Wagner in the theatre. He says :
" There are dilettanti who pretend that at a con-
cert the best way to enjoy Beethoven's last works —
where the sonority is defective — is to stop the
ears and read the score. One might say with less
of a paradox that the best way to follow a per-
formance of Wagner's operas is to listen with the
eyes shut, so perfect is the music, so powerful is its
hold on the imagination that it leaves nothing to be
desired ; what it suggests to the mind is infinitely
finer than what the eyes may see. I have never
84
THE DIAL
[Feb. 1
shared the opinion that Wagner's works may be
best appreciated in the Theatre. His works are
epic symphonies. As a frame for them I should
like temples; as scenery, the illimitable land of
thought; as actors, our dreams."
We have no space to tell of the appreciation
of d 'Indy, which is intense, or of the idealiza-
tion of Debussy, who represents to M. Holland
in their highest form some of the salient char-
acteristics of the French, or of the sincere
rhapsody on the theme of Saint-Saens. There
is not a page of the book without arresting
thought or insight; there is the enthusiasm of
the genuine lover of his art; there is no un-
reasoning admiration, but the analytical ten-
dency of the modern critic. Coming from
such a source, the book is, of course, authorita-
tive, and to those who love music it will prove
an opportunity to gain not only pleasure but
an outlook fine and high.
Mr. Lawrence Oilman's book, "Nature in
Music," follows in the main the same direc-
tion as M. Holland's. The first essay gives the
title to the volume. It is a history of the
growth of nature expression in music. Mr.
Gilman says :
" The strongest appeal of natural beauty has
always, then, been chiefly to people of emotional
habit, and especially to those of untrammeled
imagination and non-conformist tendencies; in
other words, to poetically minded radicals, in all
times and regions. It is probable that the curious
and enlightened enquirer, bearing in mind these
facts, would not be surprised to find, in studying
the various expressions of this attraction, as they
are recorded in the arts, that the uniquely sensi-
tive and eloquent art of music has long been the
handmaid of the Nature lover; and he would be
prepared to find the Nature lover himself appear-
ing often in the guise of that inherently emotional
and often heterodox being, the music maker."
The transcriptions of nature in music date
back to very early periods. The earlier at-
tempts at nature description, however, were
merely imitative or sentimental ; that is, they
were subjective ; the painting of nature objec-
tively belongs to recent times; the further
advance to the use of nature expression as a
symbol of spirit or intelligence, belongs to the
latest composers, Debussy, MacDowell, Loeffler.
An example of the earlier nature music is
Mendelssohn's "Hebrides" overture, which
gives us the emotions of the composer in view-
ing natural scenery. An example of the later
nature music is Debussy's "La Mer."
The essay, while here and there amenable
to the charge of being overburdened with lan-
guage, gives, nevertheless, a really satisfac-
tory view of the contention of music in the
matter of nature transcription, and contains
a strong defence of programme music, which is
repeated in more than one other place in the
book, showing how near the subject is to the
author's heart, and how important he con-
siders it.
Mr. Gilman is evidently a mystic of the
highest type. He has been a student of the
oriental literatures, and he bathes his subject
everywhere in the light which never was on
land or sea. This gives a unique quality to
his writing, and leads him everywhere to posi-
tive conclusions. In an age of prevalent
negation and materialistic nihilism, this is a
fine faith and assurance. So in his essay on
"Death and the Musicians" he makes; his
climax with Schubert's "Death and the
Maiden," Wagner's "Isoldens Liebestod"
and Strauss 's "Tod und Verklarung," in all
of which there is imaged a region wonderful,
over which destroying time has no control.
With the defence of Herr Hugo von Hoff-
mannsthal as given in the essay on "Strauss
and the Greeks," apropos of the modernized
' ' Electra, ' ' we are less inclined to be satisfied.
There is certainly no objection to poet or
musician making such use of the myth as he
sees fit, filling it with a modern significance
and giving it splendors which it never had
before. The utterance, musical or otherwise,
belongs to him who does it best. But for the
introduction of unnecessary disagreeable de-
tails, and the lowering of tone in a drama
there seems no adequate excuse. The music
of Strauss, however, to the "Electra," is in
the heaven of all its desires, "it is full of his
typical qualities — he never halts or fumbles ;
he has a superb assurance. His mastery of
his imaginative material and of his technic is
absolute. ' '
Mr. Gilman has a reasonable word to say in
regard to opera in English. He comes in gen-
eral to the conclusion that an opera should be
sung in the language which its composer gave
to it. He considers this country lucky over
European nations in that it can always hear
an operatic work in the language in which it
was produced. He instances the unhappy
translations with which we are all familiar,
in which the music does not fit the words ; he
thinks that it is hopeless to expect that a talent
spanning both music and words so completely
as to be able to make a suitable translation
could be induced to devote itself to so thank-
less a task as the pouring of the liquor of
thought from one vessel to another. It would
be irresistibly led to creation, either in the
drama or the opera. Therefore it behooves
the English-speaking public to encourage the
bringing forth of English operas which will
have the importance of Wagner and Strauss
and Debussy in their respective mediums.
1915]
THE DIAL
85
We cannot close this notice without refer-
ence to the essay called a "Musical Cosmopo-
lite," which deals with the German- American
composer, Mr. Charles Martin Loeffler, who,
although born in Alsace, has done all his work
in our own country, and takes place as an
American composer, for which let us be duly
thankful, as we have need of many recruits in
the department of music. Mr. Loeffler has now
found his place on programmes everywhere,
and in the opinion of our author, is one of the
greatest masters living to-day, with a message,
sombre, perhaps, but high and noble, and with
great control of musical resources.
The book has some of the qualities of the
music of which it treats; it has its enthusi-
asms and its repugnances ; it is full of knowl-
edge, both of music and literature ; it gives to
music its place among the great and serious
arts ; it recognizes that music, like every art,
is expressive of the World Ideal ; and it must
add to the genuine understanding of music
wherever it is thoughtfully read.
Louis JAMES BLOCK.
NOTES ON NEW NOVELS.
Until the outbreak of war the nearer capitals of
continental Europe held important colonies of
American students, many of them youthfully eager
and impecunious. Remoteness and growing differ-
ences in standards between these temporary exiles
and their fiction-reading compatriots at home sug-
gest possible reasons why American writers have
not utilized material so seemingly fitted for their
purposes to any notable extent. It is, perhaps, as
well, since it has remained for Mrs. Mary Roberts
Rinehart to open the way with a book of unusual
interest, " The Street of Seven Stars " (Hough-
ton). The leading characters are an American
girl, studying the art of the violin in Vienna, and a
physician, her fellow-countryman, seeking wider
knowledge. They are given the attributes we like
to think of as American, satisfying admirably our
idealists, though all suspicion of exaggeration is
removed by the use of an eminently undesirable
person or two and the sympathetic treatment of the
Viennese introduced. A wide range of emotions is
successfully depicted and the love story is tender
-and true, and hopelessly impractical, as ideal love
stories may well be.
A refreshing novel, " Sons of the Rhine " (Des-
mond FitzGerald), has been translated by Miss
Louise T. Lazell from the German of Herr Rudolf
Herzog's " Die Wiskottens." The scene is laid in
the province of the Rhine where the valley of the
river Wupper is given over to manufacturing, and
the title of the work in the original is the family
name of the manufacturers, a father, mother, and
six sons, with whose fortunes the pages are con-
cerned. The elder sons inherit the business abilities
-of their parents, the founders of a growing ribbon
factory, while the two younger are of poetic and
artistic bent, and one intermediate is a scientist.
The most aggressive of the number is wedded to a
wife of tendencies which Americans will recognize
as Puritan in the less worthy sense of the word,
and her coldness leads to an estrangement which
ends with her complete surrender to the facts of
life as her husband lives it. The youngest boy
makes an earlier failure as a painter after running
away from home to study, but his designs for new
ribbons go far toward saving the business from
the effect of a relentless competition. It is one of
those artificially artless stories in which everything
that has been wrong turns right at the best possible
moment, and is likely to appeal to a large follow-
ing. The character studies are well done and the
translation excellent, except for the numerous
scriptural quotations, where Miss Lazell might
have used the English authorized version to advan-
tage. The book is free from militarism; indeed,
from Germanism, with the exception of an extraor-
dinary line from Von Moltke, " In its own strength,
in that alone, lies the strength of a nation." The
italics are the author's, and the sentiment fairly
astounding.
" Yourself and the Neighbours " (Devin-Adair)
is made up of a series of brief descriptions of life
in Ireland among the peasantry, chiefly among
their small sons and daughters, written by Mr.
Seumas MacManus and illustrated by Mr. Thomas
Fogarty. As in others of Mr. MaeManus's books,
the knowledge displayed has been gained at first
hand, and is treated with complete comprehension
and sympathy. The same may be said of the pic-
tures, which lack nothing of the wit of the text.
It is such stories as these that interpret racial spirit
and bring to foreigners the assurance of a common
humanity which is the truest internationalism.
Excellent melodrama makes up Mr. J. C.
Snaith's "Anne Feversham" (Appleton), a story
of Elizabeth's time in which the author has had the
daring to introduce Shakespeare and his theatrical
associates as subordinate though important char-
acters. A beautiful youth is condemned to death
most unjustly. A lovely girl has just been soundly
whipped by her irate father for disobedience and
cast into a dungeon where she is neighbor to the
beautiful youth. They effect their escape and have
the most astonishing adventures, eventually falling
in with the Lord Chamberlain's Players at Oxford,
she disguised as a boy and both as gypsies. The
part of Rosalind, which she had originally inspired,
is created by her before the Queen, and a happy
ending, virtue rewarded and vice rebuked, crowns
the story.
"The Place beyond the Winds" (Doubleday)
is Mrs. Harriet T. Comstock's newest adventure in
fiction. Its scene is laid near the Canadian border
and its characters are tough pioneers and woods-
men and their gentler teachers and offspring. The
girl leaves a most unhappy home with her name
under a cloud, and becomes a trained nurse in New
York. Once there, the interest becomes largely
medical and the most difficult of all problems con-
fronting the practising physician she solves by cut-
ting the knot. This divided interest does not add
to the artistic value of the work, but it will surely
serve the cause in which M. Brieux conceived and
86
THE DIAL
[Feb. 1
wrote more than one of his plays. The characters
of the book are strongly differentiated, and the
narrative diversified enough to appeal to many
tastes. Practically impossible as it is for the author
to be more explicit in stating the terms of her
problem, it strikingly lacks definition.
Irony and hyperbole combine with a very pretty
wit to make Mr. Stephen Leacock's "Arcadian
Adventures of the Idle Rich" (Lane) that rare
bird in contemporary English literature, a success-
ful satire. The treatment of our plutocrats is
episodic, though many of the characters appear in
several of the tales. Nearly all of these are of pre-
posterous wealth, which the men are striving to
increase, only such persons of average possessions
being admitted to the pages as tend to enhance the
evidences of conspicuous waste. The reader will
probably find the note rather shrill for continuous
reading, much as the work deserves to be read.
The merger of two fashionable churches, one Angli-
can and the other Presbyterian, along the lines of
the most approved methods of high finance is one
of the best bits of witty sarcasm in recent print.
The heroine of Mr. Dion Clayton Calthrop's
"Clay and Rainbows" (Stokes) is about as disa-
greeable a piece of feminine flesh as has appeared
in recent fiction, quite degenerate, even to the point
of suggesting that she would certainly be held a
moron in any morals court. Incapable of con-
stancy, she contrives to keep one fairly good man
and several others who are not so good in a state of
more or less complete unhappiness from one cover
of the book to the other. Before the tale is com-
pleted, not one of the characters has retained the
reader's sympathy, being thoroughly committed as
lacking in elementary morality, good taste, or com-
mon sense.
BRIEFS oisr NEW BOOKS.
It is a curious and regrettable
o!ls^te.artment fact that the great executive de-
partments of our Federal Gov-
ernment have not received from students and
writers a measure of attention commensurate
with their interest and importance, or in fair
proportion to the amount of study which has
been devoted to the presidency, the houses of
Congress, or even the courts. Until very
recently there was not one book in which the
organization and working of any one of the
departments was described adequately, for
either the expert or the general reader. There
is, of course, Ingersoll's "History of the War
Department," Gushing 's "Story of Our Post
Office," Swank's "Department of Agricul-
ture," and Easby-Smith's "Department of
Justice." not to enumerate a considerable list
of histories of the navy. But all of these
works (except that of Mr. Easby-Smith, pub-
lished in 1904) are antiquated, or are mere
popular sketches, or are histories rather than
descriptive treatises. And the several excel-
lent monographs which have been written
upon various individual bureaus or adminis-
trative services make no pretense of covering
the field. To the student of political science,
therefore (and doubtless to many people who
lay no claim to such designation) , Mr. Gaillard
Hunt's "The Department of State" (Yale
University Press) is highly gratifying, first be-
cause in its plan and execution it so closely ap-
proximates the ideal piece of work of its kind,
and secondly because the preparation of it has
fallen to a writer of such exceptional qualifi-
cations. For many years- Mr. Hunt occupied
the post of chief of the Bureau of Citizenship
in the State Department, and his knowledge
of the Department is the product not only of
prolonged and painstaking historical investi-
gation but of personal observation and of act-
ive participation in the Department's activi-
ties. His book is technical rather than popular
in character, and it is at the same time histori-
cal and descriptive. It is not a history of
diplomacy, or a series of biographical sketches
of the secretaries of state. It abounds, fur-
thermore, in lengthy citations from laws, cir-
culars, and regulations. But, as the author
rightly says, these documentary passages tell
the story more accurately than a paraphrase
could do, and unquestionably their use will
contribute to a realization of the expressed
desire to make the book, so far as it goes, defini-
tive. The first three chapters recount suc-
cinctly the history of the varying arrange-
ments made for the conduct of foreign affairs
by the Continental Congress and by the Con-
gress of the Confederation, supplementing ad-
mirably the chapters of Mr. Learned in his
"President's Cabinet" dealing with the gen-
eral administrative aspects of the period, and
leaving apparently little or nothing further
to be said. Two chapters are devoted to the
creation and organization of the State Depart-
ment in 1789, two others to the functions once
exercised by the Department but now with-
drawn, together with those which are still
exercised only on occasion, and two more to
the Department's past and present internal
organization. Seven chapters serve for an
analytical discussion of the Department's
present functions. And the volume closes
with an interesting account of the buildings
and rooms utilized for the work of the Depart-
ment throughout the past century and a quar-
ter. With respect to the allotment of space
one criticism only may be suggested. The
diplomatic and consular services are covered
together in a single chapter of but twenty
pages. More space might well have been given
them, even at the sacrifice of some details pre-
sented upon other and less important subjects.
1915]
THE DIAL
87
A British
admiral's
retrospect.
Caustic comment from Admiral
Lord Charles Beresford on naval
and other matters of current
interest has obtained some publicity of late,
and shows him to be as incisive in speech as
he has proved himself unhesitating and vigor-
ous in action during his long and distinguished
service afloat and ashore, in the navy and in
parliament, and in whatever rank or capacity
it has been his lot to serve his country. In ' ' The
Memoirs of Admiral Lord Charles Beresford"
(Little, Brown & Co.) he does not fail to
reveal a mastery of his native tongue such as
few sailors can claim. Very early in his sea-
faring life, which began when he was but thir-
teen years old, he demonstrated the sufficiency
of his vocabulary in an amusing manner. He
was asked to be coxswain of a racing crew
belonging to the "Marlborough," the first ship
of war to which he was assigned as naval
cadet, and the invitation was extended in
these words by the spokesman of the deputa-
tion entrusted with the business : ' ' Well, sir,
it's like this here, sir, if you'll pardon me.
Yew be young-like, and what we was thinking
was whether you have the power of language
that du be required. " "I said I would do my
best," relates the one thus honored. "I did.
I astonished myself." In his enthusiasm for
his calling, he rises almost to the realm of
poetry in an early chapter, which opens thus :
"I wish I could convey to my readers some-
thing of the pride and delight which a sailor
feels in his ship. But who that has never had
the luck to be a deep-water sailor, can under-
stand his joy in the noble vessel, or the uplift-
ing sense of his control over her matchless and
splendid power, born of a knowledge of her
every rope and sail and timber, and of an
understanding of her behavior and ability.
For every ship has her own spirit, her own
personality." Admiral Beresford comes of
illustrious and gallant Irish stock, one mem-
ber of which, Admiral Sir John Poo Beres-
ford, achieved both unusual glory and uncom-
mon length of years, dying in 1884 at the ex-
treme age of one hundred and sixteen. Lord
Charles himself, as we learn, but not from his
own narrative, has in the course of his strenu-
ous life broken his breast-bone and parted
with a piece of it, broken his right leg, right
hand, right foot, five ribs, one collar-bone
three times, the other once, his nose three
times, and one of the bones of the pelvis ; but
though he was in youth marked for an early
grave by the wiseacres, his energy of will has
carried him through to a well-preserved ma-
turity, for not yet can he be called old, being
still on the sunny side of seventy. His two-
volume autobiography is packed with events
of interest, sometimes of thrilling interest, and
often of great historic importance. His life
is, in very truth, a part of his country's his-
tory. Mr. L. Cope Cornford provides the book
with useful Introduction and notes, and many
illustrations are interspersed.
The life of
a great singer.
There is an undeniable fascina-
tion about the men and women
who have won a prominent place
in the theatre, where we go to see life moving
before us in a sort of dream. The applause
which they receive, the splendor in which they
appear, the idealization which we give to their
character and attainments, set them apart
from the ordinary human being, and give
interest to them in every aspect in which they
manifest themselves. We like especially to
know about them as simple human beings, and
an opportunity to gaze into their daily life
away from the glamour of the stage is gladly
seized upon. Madame Lilli Lehmann Kalisch
in her book, "My Path through Life" (Put-
nam), presents us with an autobiography
singularly minute and agreeable. She begins
with her girlhood days and passes on to the
period of her extraordinary triumphs, when
she was almost without question the greatest
singer of her time. Her book shows her to be
a woman of remarkable insight and intelli-
gence; her aims are, and have been, as high
as those of the art which she made grander
and nobler by her efforts ; wre doubt whether
any singer ever lived who brought to her art
sincerer devotion. Lilli Lehmann came of a
musical family. Her mother, Marie Loew,
was a distinguished singer in opera, and her
father, Carl August Lehmann, was one of the
famous tenors of his day. The father proved
a wayward person and his death released the
family from considerable embarrassment.
The mother, who had left the stage, became
harpist in the orchestra of the theatre in
Prague, and maintained herself and two
daughters thus, and by giving lessons in sing-
ing. Both girls followed their mother in their
careers, and Lilli Lehmann seems to think that
her sister Marie was a greater artist than her-
self. The account of these youthful days is
very entertaining, and the young girls soon
had many chances of appearing in public,
securing thus an education which subse-
quently proved invaluable to them. Richard
Wagner comes into their life very early. He
was a friend of the mother, and at one time
made a serio-comic proposition for the adop-
tion of Lilli. After some effort a professional
engagement for the elder daughter Lilli was
obtained at the Prague National Theatre, and
the life-work began in earnest. The book will
88
THE DIAL
[Feb. 1
be found enjoyable by musicians and laymen
alike ; for it is the story of a grand woman and
a great artist at her best. The translation by
Mrs. Alice Benedict Seligman is in the main
well done and the portraits and other illustra-
tions add to the value of the book.
The mind
of Dostoievsky.
Miss Ethel Colburn Mayne's
translation of the "Letters of
Dostoevsky" (Macmillan) is a
book that will interest all admirers of the Rus-
sian novelist. The letters contain much that
our reading of the novels had prepared us for
and a little that was less to be expected. The
extraordinary preoccupation of the young
Dostoieffsky with European literature, for
example, will be somewhat surprising to many
of his American readers. • On the other hand,
his characteristic enthusiasms are set down
here at the greatest length, with a fullness,
indeed, that is a little trying to the patience.
He was the most fanatical of Slavophils, find-
ing little to admire and much to condemn in
the civilizations of the West. He was a mystic
in politics as in religion, and the efficiency of
modern Germany desolated his soul, while
France seemed to him decadent and immoral.
The hope of European civilization appeared to
him to lie in ' ' holy Russia, ' ' though he found
it difficult to convey this hope in intelligible
terms. His unfortunate quarrel with Tour-
guenieff was intensified by the latter 's con-
tempt for Russian pretensions. Throughout
the letters, as in the novels, one is struck by
the singular confusion that characterized;
Dostoieffsky as thinker. His grasp of abstract
ideas was always uncertain, and he was never
able to discipline himself by a rational con-
sideration of any subject that had deeply
engaged his sympathy. The letters, although
illuminating to those already familiar with the
novels, should not be read as an introduction
to Dostoieffsky 's works; they should be read
only by those who have already gained some
knowledge of the strength and the weakness of
the man who wrote them.
w . .
Wonders and
riches of the
Enamoured of our youthful and
. ^ . ,-, i i •
vigorous Far West, though him-
self a resident of the effete East,
Mr. E. Alexander Powell, F.R.G.S., writes
with both enthusiasm and knowledge concern-
ing the manifold attractions and possibilities
of the vast domain stretching from the Mexi-
can border to Puget Sound, and even beyond,
to the Alaskan boundary line. This region he
has traversed in a motor-car, being, he be-
lieves, the first to make the journey in that
manner. ' ' The End of the Trail ' ' ( Scribner ) ,
describes in vivid style and with a wealth of
pictorial accompaniment the incidents of the
undertaking, with such items of geographical
and agricultural and miscellaneous informa-
tion as naturally include themselves in a nar-
rative of this kind. Especially impressive is
the change recently wrought in the desert
regions of the Southwest by the introduction
of artificial irrigation, whereby the sandy
wastes of New Mexico and Arizona are made
to develop unsuspected fertility and the face
of nature is marvellously transformed. Mr.
Powell's chapter-headings indicate the tone of
his book; he chooses such picturesquely de-
scriptive captions as "Conquerors of Sun
and Sand," "Chopping a Path to To-mor-
row," "The Land of Dreams-Come-True,"
"Where Gold Grows on Trees," "The Coast
of Fairyland," and "The Valley of Heart's
Delight." Allowing himself a sufficiency of
rhetorical exuberance to preserve his style
from dullness, he perhaps carries to excess the
familiar devices of exaggeration and allitera-
tion, as where he describes1 the road from
Phoenix to the Roosevelt Dam, which he calls
' ' the trail of a thousand thrills, ' ' and says
' ' its right-angle corners and hairpin turns are
calculated to make the hair of the motorist
permanently pompadour." This last expres-
sion is a favorite of his in emphasizing the
startling character of far-western scenery. As
in his preceding volume, "The Last Fron-
tier," the author gives evidence of much expe-
rience as a "gentleman rover" (to use a term
of his own) and an alert observer. There is a
wealth of entertainment and information in
his pages.
„,.... . , The William Brewster Clark
The biological . * i . n n
basis of human Foundation at Amherst College
aims to throw light in a genu-
inely scientific spirit upon the relations which
research and scientific discovery of to-day
bear to individual attitude and social policy.
The second series of lectures, "Biology and
Social Problems," was given by Professor
G. H. Parker of Harvard and they admirably
carry out both in letter and spirit the purpose
of the enterprise. The first lecture deals with
the fundamental conceptions and discoveries
of modern biology regarding the structure and
action of the nervous system, in its relation to
reflexes, freedom, and memory. The second
concerns itself with the secretions of the duct-
less glands and those mysterious chemical sub-
stances known as hormones, which profoundly
affect and control the activities of organs, de-
velopmental processes, and secondary sexual
characters. The third lecture discusses the
wonderful revelations of the secrets of repro-
duction and heredity and their practical ap-
1915]
THE DIAL
89
plication in genetics. The closing lecture is a
conservative estimate of the present status of
our knowledge of the factors of organic evolu-
tion, consisting of a frank recognition of the
profound inadequacy of our present proved
ground, a relegation of Darwin 's natural selec-
tion to a place of secondary importance, and a
confident belief that experiment and analysis
will ultimately place in man's hands a fuller
knowledge of the factors which have brought
about his existence. Lucidity, definite prog-
ress to conclusions, frankness, and breadth of
view characterize this book and make it one of
the best brief statements of current biological
thought so far published for the general
reader. (Houghton Mifflin Co.)
Sir Walter
Raleigh and
Shakespeare.
A person who believes that Sir
Walter Raleigh wrote Shake-
speare's plays is not quite so
crazy as a Baconian. Raleigh had far more
than Bacon of the Elizabethan versatility ; he
had also more imagination, and a very pretty
talent for poetry. Still no one with any sensi-
tiveness to style could suppose that the author
of "Give me my scallop-shell of quiet" could
have written the tragedy of Lear or "The
Tempest." Nothing so imponderable as lit-
erary quality, however, is noticed by Mr.
Henry Pemberton, Jr., in his "Shakespere
and Sir Walter Raleigh" (Lippincott). He
applies, as he tells us in his Preface, methods
to which he has ' ' been accustomed in the study
of physical sciences. ' ' Perhaps it is this scien-
tific training which leads him to find profound
significance in the fact that on the title-pages
of some early editions the name of the author
is spelled with a hyphen, "Shake-speare."
Surely it is not the scientific method which
leads Mr. Pemberton to repeat from Charles
Kingsley an outrageous calumny on Richard
Burbage, based on a passage from one of
Jonson 's masques ; for if Mr. Pemberton had
looked up the reference, even he must have
seen that Kingsley entirely misunderstood the
passage. In justice to Mr. Pemberton, how-
ever, it should be said that he discovers no
acrostics or cryptograms, but relies for his
evidence upon a number of "topical allu-
sions" in the plays and sonnets, which can be
explained as referring to various circum-
stances in Raleigh's life. Some of these ex-
planations are neat and by themselves plausi-
ble. But the book exhibits beautifully the
three fundamental weaknesses characteristic
of its class. Practically all such books are
based in great part upon (1) a literary stu-
pidity which cannot distinguish between
sharply contrasted styles, (2) a form of snob-
bishness which, in defiance of literary history,
assumes that no work of the highest merit can
be done by an author of obscure social stand-
ing and irregular education, and (3) an
encyclopaedic ignoring of all the facts which
do not fit into the writer 's theory.
BRIEFER MENTION.
"The Short Story" (McClurg), by Professor
E. A. Cross of the State Teachers' College of
Colorado, is a well selected collection of eighteen or
twenty prose narratives with an Introduction and
brief notes. Unlike many recent books on the
same subject it gives no directions to the pros-
pective writer of short stories, but aims to help the
thoughtful reader to a better understanding of
this literary form.
Five new volumes in the Greek section of the
" Loeb Classical Library " have come to hand, as
follows : the second and final volume of Mr. Walter
Miller's translation of Xenophon's " Cyropaedia,"
two volumes of a ten-volume translation of
" Plutarch's Lives " by Mr. Bernadotte Perrin, the
first volume of Mr. H. B. Dewing's translation of
Procopius, and the third volume of Mr. E. Gary's
translation of Dio's Roman history.
" The South African Year Book, 1914," edited
by Mr. W. H. Hosking and published by Messrs.
E. P. Button & Co., is the first issue of an annual
publication of collated information regarding the
Union of South Africa. The data have been
secured from official sources, chiefly from the
Union, Provincial, German, and Portuguese gov-
ernments, and a wide variety of matters regarding
the country is considered, such as, its orography,
hydrography, climate and meteorology, races and
language, minerals, public health, agriculture, tar-
iffs, harbours, or finance.
As excellent as their predecessors in every re-
spect of printing and editing and serviceable bind-
ing are the additions to the " Oxford Editions,"
which include the following titles : Newman's
" The Dream of Gerontius, and Other Poems " ;
"The Poetical Works of George Crabbe," edited
by Messrs. A. J. Carlyle and R. M. Carlyle with
the poet's notes and the text of his own edition;
Keble's "The Christian Year," including "Lyra
Innocentium," and other poems, together with his
sermon on "National Apostasy"; the poems of
William Cullen Bryant; and the poems of Charles
Kingsley, including " The Saint's Tragedy,"
"Andromeda," and other verse. In the pocket
series of " World's Classics " recent additions com-
prise : " Dreamthorp, with Selections from Last
Leaves," by Alexander Smith, with an Introduction
by Mr. Hugh Walker, LL.D. ; " Lorna Doone," by
R. D. Blackmore, with an Introduction by Mr. T.
Herbert Warren ; " Goblin Market, The Prince's
Progress, and Other Poems," by Christina Rossetti ;
" The Mutiny and Piratical Seizure of H. M. S.
Bounty," by Sir John Barrow, with an Introduc-
tion by Admiral Sir Cyprian Bridge ; " The De-
fence of Guenevere, Life and Death of Jason, and
Other Poems," by William Morris ; and " Selected
English Short Stories (Nineteenth Century),"
with an Introduction by Mr. Hugh Walker, LL.D.
90
THE DIAL
[ Feb. 1
A book by M. Emile Verlmeren, " The Belgian
Spirit," is announced by Messrs. Houghton
Mifflin Co.
Mr. W. B. Maxwell's new novel, " The Ragged
Messenger," will be published immediately by
Messrs. Bobbs-Merrill Co.
A play by Mr. Edward Sheldon, " The Garden of
Paradise," and one by Mr. Israel Zangwill,
" Plaster Saints," will be published immediately by
the Macmillan Co.
" James," a novel by " W. Dane Bank " which
was announced in the autumn but which was de-
layed, will be published immediately by Messrs.
George H. Doran Co.
Mr. Cecil Chesterton, brother of Mr. G. K. Ches-
terton, has written " The Prussian Has Said in His
Heart,'.' which Mr. Laurence J. Gomme announces
for publication on this side.
A novel by Mr. Booth Tarkington, " The
Turmoil," which has been running serially in
" Harper's Magazine," is announced for publica-
tion on February 11 by Messrs. Harper & Brothers.
Mr. Henry Sydnor Harrison's new story,
"Angela's Business," which is being published
serially in the " Metropolitan Magazine " will be
issued in book form shortly by Messrs. Houghton
Mifflin Co.
Four new volumes of the " Home University
Library " will be published by Messrs. Henry Holt
& Co. next week. They are : " The Navy and the
Sea Power," by Mr. David Hannay ; " The Ancient
East," by Mr. D. G. Hogarth; "The Negro," by
Mr. W. E. DuBois; and "Russian Literature," by
Mr. Maurice Baring.
Mr. Samuel Parsons is the author of " The Prin-
ciples and Practice of Landscape Gardening,"
which Messrs. Putnam announce for immediate
publication. The book is understood to be an
attempt to state a theory of landscape gardening
and contains a considerable body of matter from
foreign writers on the subject whose work has not
hitherto been translated into English.
Professor Leo Wiener of Harvard is the author of
"An Interpretation of the Russian People " which
will be published shortly by Messrs. McBride, Nast
& Co. Professor Wiener was born in Russia and
spent his youth there. Since he came to America he
has taught in a number of schools and colleges. He
is the translator and editor of an edition of Tol-
stoi's complete works. Altogether his experience
should have qualified him in a peculiar degree to
explain Russia to America.
Katharine Coman, professor emeritus of eco-
nomics and sociology at Wellesley College, died on
January 11. Miss Coman was called to the chair
of history at Wellesley in 1883, shortly after her
graduation from the University of Michigan. In
1900 she became professor of economics. Ill health
compelled her to retire from active teaching in
1913. Miss Coman was the author of " The Growth
of the English Nation," an " Industrial History of
the United States," and " The Economic Begin-
nings of the Far West."
A circular to members of the Fifth International
Congress of Philosophy which was to have been
held in London next September announces that the
war has made it impossible to carry through the
arrangements for the meeting. The members of the
organizing committee express " the earnest hope
that the confederacy of the entire philosophical
world, which has subsisted since the inauguration of
the series of congresses in 1900, will not be set
aside for a longer time than untoward circum-
stances render absolutely imperative."
A " College of Arts " especially for American
students is announced in London. Among those
who have promised to conduct classes are Mr. and
Mrs. Arnold Dolmetsch, Mr. Gaudier-Brzeska, Mr.
Wyndham Lewis, Mr. Reginald Wilenski, Mr.
Alvin Langdon Coburn, Mr. Edmond Dulac, Mr.
Charles T. Jacobi, and Mr. Ezra Pound. Besides
sculpture, painting, music, dancing, and literature,
it is proposed to teach crafts, including printing,
bookbinding, furniture-making, and work in silver,
enamel, and pottery. The secretary is Mr. Vaughn
Baron, 5 Holland Place Chambers, Kensington,
London, W.
James Elroy Flecker, who died recently at Davos
Platz after a long illness, was one of the most dis-
tinguished of the younger English poets. The
author of several volumes of verse, he was best
known by the collections entitled " Forty-two
Poems " and " The Golden Journey to Samarkand."
A novel, " The King of Alsander," was published
in this country only last autumn. A wanderer, a
student of Oriental languages, a resident for a
considerable period of Stamboul, Flecker was not
intimately associated with any of the three or four
groups of poets in London. Poems of his were,
however, included in " Georgian Poetry," the brief
anthology which introduced his name and that of
Mr. Rupert Brooke in connection with those of
Mr. T. Sturge Moore and other men of more estab-
lished reputation.
TOPICS ix LEADING PERIODICALS.
February, 1915.
American History and American Democracy. A. C.
McLaughlin Am. Hist. Rev.
American Literature. H. St. G. Tucker So. Atl.
American Poetry. Dorothea L. Mann Forum
Borneo, Botanizing in. D. H. Campbell Pop. Sc.
Brann, William Cowper. H. E. Rollins So. Atl.
Browning, Qualities of. Harry T. Baker .... Mid-West
California. James D. Phelan Rev. of Revs.
Canal, Meaning of the. B. I. Wheeler . . . Rev. of Revs.
Chile and Argentina. E. A. Ross Century
Church, Apparent Collapse of the. E. D. Schoon-
maker Century
Church, Social Mission of the. J. H. Melsh . . . Atlantic
Churches, Social Service and the. B. I. Bell . . . Atlantic
Civil War, Plantation Memories of the. P. A. Bruce So. Atl.
Civil War Reminiscences — VI. A. R. H. Ransom Sewanee
Civilization and Courage. H. M. Aubrey Forum
Climate and Civilization. Ellsworth Huntington . Harper
Coast Defence, Our. M. H. Thompson .... No. Atner.
Colorado, Conditions in. George Creel . . . Everybody's
Contraband, Question of. Arthur Willert .... Atlantic
Cosmic Evolution, Theories of. G. D. Swezey . . Mid-West
Country, In the Deep. Arthur C. Benson .
Criticism, The Acid of Higher. Hugh Black
No. Amer.
Everybody's
Culture. R. D. O'Leary Sewanee
Diplomatic Service, Needs of Our. David J. Hill . Harper
Dramatist, The Uncommercial. E. A. Boyd
Economic Opportunity, New. Witt Bowden
Forum
Forum
Economics of the Sixteenth Century. L. M. Sears Sewanee
England, Chant of Love for. Helen G. Cone
Atlantic
1915]
THE DIAL,
91
England : Imperial Opportunist. S. P. Orth . . . Century
England and Contraband Cargoes. R. G. Usher . Century
England's Naval Supremacy. W. Morgan Shuster . Century
Eugenics, Misconceptions of. S. J. Holmes . . . Atlantic
Facts, Evanescence of. Jonathan Wright .... Pop. Sc.
Family, The, and the Individual. Henry Bordeaux Atlantic
Feminism. The New, in Literature. H. H. Peckham So. Atl.
Fit, The Arrival of the. John Burroughs . . . No. Amer.
France, A Love Letter to. John Galsworthy . . . Atlantic
France: La Grande Nation. J. O. P. Bland . . . Atlantic
French Revolution, The — IV. Hilaire Belloc . . Century
German Spy System, The. Sydney Brooks . . . Atlantic
Germany's Answer. Hans Delbruck Atlantic
Glands, Ductless. Fielding H. Garrison .... Pop. Sc.
Goethals, George W. Joseph B. Bishop .... Scribner
Government Ownership. Samuel O. Dunn . . . Atlantic
Granville, Lord, and Carolina. A. J. Morrison . . So. Atl.
Hay, John, From the Diaries of. W. R. Thayer . . Harper
Hindu Student, American Impressions of a. Sudhindra
Bose Forum
Holland, Two Revolutions in. H. M. Allen . . . Sewanee
Initiative and Referendum, Reforming the. E. S.
Potter Rev. of Revs.
Johnson, Lionel. T. K. Whipple Mid-West
Julian the Apostate. Sidney J. Cohen .... Sewanee
" Karluk " Survivors, Rescue of the. B. M. McConnell Harper
Kiao-chau Situation. The. Adachi Kinnosuke . . Century
Laborer, The, and His Hire. Ida M. Tarbell . . American
Liberal Education, Defence of. R. B. Perry . . . Forum
Lions, Hunting. Stewart Edward White . . . American
Literature and Cosmopolitanism. H. D. Sedgwick Atlantic
Literature and the New Anti-Intellectualism. P. M.
Buck, Jr Mid-West
Meade, George Gordon. Gamaliel Bradford Am. Hist. Rev.
Merchant-Marine Problem, The. W. C. Redfield . Atlantic
Militarism and Democracy in Germany. O. G.
Villard Scribner
Military Training in Colleges. J. G. Schurman Everybody's
Millet, Jean Francois. George M. Gould . . . Mid-West
Morals, Control of. Durant Drake Forum
Motor in Warfare, The. Charles L. Freeston . . Scribner
Motoring, Women and. H. L. Towle Scribner
Motorirg in the High Sierras. C. J. Belden . . Scribner
Musical Primitive, A. James Huneker Forum
National Defence. Arthur Bullard Century
National Societies, Foreign Associates of. E. C.
Pickering Pop. Sc.
Naval Expenditures and Waste. G. V. L. Meyer No. Amer.
Neutral Rights and Duties. C. T. Revere . . . No. Amer.
Neutrality: Legal vs. Moral. Paul Fuller . . . Atlantic
Normandy under Henry II. C. H. Haskins . Am. Hist. Rev.
North Carolina's Taxation Problem. C. L. Raper . So. Atl.
Novel, Social Relations in the. Louise M. Field . . Forum
Novels and Vitality. J. B. Cabell Sewanee
Panama Canal, Opening the. Agnes C. Laut . Rev. of Revs.
Panama-Pacific Fair, Architecture at the. Ernest
Knaufft Rev. of Revs.
Paris in Etching. F. Weitenkampf Scribner
Pater the Humanist. Augustus Ralli .... No. Amer.
Peace — What It Will Be Like. Yves Guyot . . No. Amer.
Peace and Disarmament. W. Morgan Shuster . . Century
Peirce at Johns Hopkins. E. W. Davis .... Mid-West
Physical Valuation, Ethical Principle in. E. W.
James Pop. Sc.
Plato's Political Ideas. P. H. Frye Mid-West
Poland, Russian Fighting in. Stanley Washburn Rev. of Revs.
Progressivism — True and False. R. T. Ely . Rev. of Revs.
Public Opinion, Organization of. A. T. Hadley . No. Amer.
Referendum and Recall among Romans. Frank F.
Abbott Sewanee
Republican Confidence, Bases of. George Harvey No. Amer.
Retrospect, In. Thomas Hardy No. Amer.
Rural School, Problem for the. J. B. Sears . . . Pop. Sc.
Saloon, War against the. F. C. Iglehart . . Rev. of Revs.
Scandinavian Situation, The. Edwin Bjorkman Rev. of Revs.
Science, Thought in. B. C. Gruenberg Pop. Sc.
Servia's Struggle. Michael I. Pupin. . . . Rev. of Revs.
Sevigne, Madame de. Gamaliel Bradford . . . Sewanee
Snow, Treasures of the. Richard Le Gallienne . . Harper
Spy, Adventures as a. Robert Baden-Powell . Everybody's
Stafford, Sir Edward. Conyers Read . . . Am. Hist. Rev.
Tahiti, A History of. Alfred G. Mayer Pop. Sc.
Tapestries, Story and Texture Interest of. G. L.
Hunter Century
" Thanatopsis " in the Review. W. L. Phelps . No. Amer.
Tsing-Tao, Japanese Capture of. G. L. Harding Everybody's
Turks, Egypt and the. S. Nahas Rev. of Revs.
Undergraduate Background, The. H. S. Canby . . Harper
War, United States and the. Sydney Brooks . No. Amer.
War Revenue Act of 1914. H. E. Smith .... So. Atl.
Weather, Misconceptions about the. A. H. Palmer Pop. Sc.
Whitman in Whitman's Land. Herman Scheffauer No. Amer.
Woman Suffrage. Matilda H. Gardner .... Atlantic
Womankind. May Tomlinson Forum
Wordsworth's Poetry, Growth of the Classical in.
James W. Tupper Sewanee
World War, A Half Year of. F. H. Simonds . Rev. of Revs.
LIST OF NEW BOOKS.
[The following list, containing 70 titles, includes books
received by THE DIAL since its last issue.]
DRAMA AND VERSE.
Songs of Kabir. Translated by Rabindranath Ta-
gore, with the assistance of Evelyn Underbill.
12mo, 145 pag-es. Macmillan Co. $1.25 net.
Anthology of Magazine Verse for 1014, and Year
Book of American Poetry. By William Stanley
Braithwaite. 8vo, 205 pages. Cambridge, Mass.:
Privately Printed.
The Great Galeoto. By Jos6 Echegaray; translated
from the Spanish by Jacob S. Fassett, Jr. 12mo,
202 pages. "Contemporary Dramatists Series."
Richard G. Badger. 75 cts. net.
Stage Guild Plays. New volumes: Ephraim and
the Winged Bear; Back of the Yards; each by
Kenneth Sawyer Goodman. 16mo. New York:
Donald C. Vaughan. Paper, each 35 cts. net.
GENERAL, LITERATURE.
Shakespeare's Environment. By Mrs. C. C. Stopes.
Svo, 369 pages. Macmillan Co.
Locb Classical Library. New volumes: Plutarch's
Lives, translated by Bernadotte Perrin, Vols. I.
and II.; Dio's Roman History, translated by-
Earnest Gary, Ph.D., Vol. III.; Caesar's The Civil
Wars, translated by A. G. Peskett; Xenophon's
Cyropsedia, translated by Walter Miller; Proco-
pius, translated by H. B. Dewing, Vol. I. Each
16mo. Macmillan Co. Per volume, $1.50 net.
Handy Volume Classics. New volumes: The Best
English and Scottish Ballads, selected by Edwara
A. Bryant; The Twelve Best Tales, by English
Writers, selected by Adam L. Gowans, M.A. Each
with frontispiece, 16mo. Thomas Y. Crowell Co.
Shakespeare Study Programs: The Tragedies and
The Comedies. By Charlotte Porter and Helen
A. Clarke. Each 12mo. Richard G. Badger.
Per volume, $1. net.
FICTION.
The Wisdom of Father Brown. By Gilbert K. Ches-
terton. 12mo, 324 pages. John Lane Co. $1.30 net.
A Set of Six. By Joseph Conrad. 12mo, 356 pages.
Doubleday, Page & Co. $1.35 net.
Sanlne. By Michael Artzibashef; translated from
the Russian by Percy Pinkerton, with Preface by
Gilbert Cannan. 12mo, 315 pages. B. W. Huebsch.
$1.35 net.
God's Country — and the Woman. By James Oliver
Curwood. Illustrated, 12mo, 347 pages. Double-
day, Page & Co. $1.25 net.
The Adventures of Detective Barney. By Harvey
J. O'Higgins. Illustrated, 12mo, 305 pages. Cen-
tury Co. $1.30 net.
A Pillar of Salt: A Story of Married Life. By
Horace W. C. Newte. 12mo, 320 pages. John
Lane Co. $1.35 net.
Broke of Covenden. By J. C. Snaith. Revised edi-
tion; 12mo, 467 pages. Small, Maynard & Co.
$1.35 net.
PUBLIC AFFAIRS POLITICS, SOCIOLOGY,
AND ECONOMICS.
The Modern City and Its Problems. By Frederic C.
Howe, Ph.D. Svo, 390 pages. Charles Scribner's
Sons. $1.50 net.
Police Practice and Procedure. By Cornelius F.
Cahalane; with Introduction by Arthur Woods.
Illustrated, 12mo, 241 pages. E. P. Dutton & Co.
$1.50 net.
Studies in Southern History and Politics. Inscribed
to William Archibald Dunning, LL.D., by his
former pupils. Large Svo, 394 pages. Columbia
University Press.
Eros: The Development of the Sex Relation through
the Ages. By Emil Lucka; translated from the
German, with Introduction, by Ellie Schleussner.
Svo, 379 pages. G. P. Putnam's Sons. $1.75 net.
Readings in Political Philosophy. By Francis Wil-
liam Coker, Ph.D. Svo, 573 pages. Macmlllan
Co. $2.25 net.
Peace Insurance. By Richard Stockton, Jr. Illus-
trated, 12mo, 214 pages. A. C. McClurg & Co.
$1. net.
The Anthracite Coal Combination in the United
States: With Some Account of the Early De-
velopment of the Anthracite Industry. By Eliot
Jones, Ph.D. Svo, 261 pages. Harvard Uni-
versity Press.
A Short History of Women's Rights: From the
Days of Augustus to the Present Time. By
Eugene A. Hecker. Revised edition; Svo, 313
pages. G. P. Putnam's Sons. $1.50 net.
92
THE DIAL
[Feb. 1
BOOKS ABOUT THE WAR.
America and the World War. By Theodore Roose-
velt. 12mo, 277 pages. Charles Scribner's Sons.
75 cts. net.
Germany's War Mania: The Teutonic Point of View
as Officially Stated by Her Leaders. 12mo, 272
pages. Dodd, Mead & Co. $1. net.
The Round Table: A Quarterly Review of the Poli-
tics of the British Empire. With maps, 8vo, 302
pages. Macmillan Co.
An Open Letter to the Nation with Regard to a
Peace Plan. By James Howard Kehler. 12mo,
25 pages. Mitchell Kennerley.
A Plain Tale from Mallnes: Being the Authentic
Story of Florimond Cleirens. Translated by
R. W. B. Pugh. Illustrated, 8vo, 47 pages.
Oxford: B. H. Black well. Paper.
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1915] THE DIAL, 99
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By RABINDRANATH TAGORE. Sympathetic
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Ready in March. $1.50
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And Other Poems
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Entered as Second-Class Matter October 8, 1892, at the Post
Office at Chicago, Illinois, under Act of March 3, 1879.
Vol. LVIII. FEBRUARY 16, 1915 No. 688
PAGE
THE THREE-PLY THREAD OF LIFE. Charles
Leonard Moore 101
CASUAL COMMENT 103
Poetry and efficiency. — A plea for library
support. — Battles and books. — A generous
benefaction to arts and letters. — A broad-
gauge periodical. — Aids to culture. — Lit-
erary likings of the serious Vermonters. —
Humors of the advertising page. — An edito-
rial retrospect. — Lumber-camp libraries for
Wisconsin. — The increasing cost of culture.
COMMUNICATIONS 106
" German " and ."American." Wallace Bice.
" Literary " versus " Commercial " Drama.
Helen McAfee.
A SOLDIER-SURGEON'S REMINISCENCES.
Percy F. Bicknell 109
ART AND HISTORY. H. M. Kallen V ^'' ;;; . Ill
SOME AMERICAN DISSENTERS. Frederic
Austin Ogg 114
IN ARCTIC LANDS FORLORN. Lawrence J.
Burpee 117
RECENT FICTION. Lucian Gary ..... 118
BRIEFS ON NEW BOOKS ... .> 120
M. Maeterlinck on subliminal phenomena. —
Farming as the finest of professions. — The
war as a prelude to a nobler era. — Health in
its social aspects and significance. — Varied
aspects of American public life. — A camera
actress in West Africa. — Talks on life and
character by a college president.
NOTES 122
LIST OF NEW BOOKS . . 123
THE THREE-PLY THEE AD OF LIFE.
Mankind is always within six months of
starvation, and therefore it must work — that
is, act. And when it gets a day off and turns
to play it generally chooses a play of action.
Action is as universal as the casing air. . And
this action, — the action of stokers and steve-
dores, of locomotive firemen and ironworkers,
of doctors facing contagious disease or lawyers
fighting graft and injustice, of women in
childbirth or the charge of families,- — is full
of heroism and dignity. Nine-tenths of us,
probably, deserve the Iron, Cross. But the
decoration would have no value if so profusely
bestowed. We have to have representatives in
glory. Real distinction in the active life is
only for the chosen of a few favored classes.
Thucydides, describing the return of Bra-
sidas, the Spartan general, , after a victorious
expedition, says: "He was received almost as
if he had been an athlete. ' ' "We suppose that
the player who kicks a goal or makes a home
run does receive applause more tumultuous
and dizzying than falls to the lot of any other
mortal. But the fame of a Brasidas is rather
more permanent. Of all men of action, in-
deed, the final and most satisfying -award goes
to the soldier. Statues are erected for them,
histories are written around them, they live in
legend and the memory of the people. The
world recognizes that they risk more than other
men, and as a rule from more unselfish mo-
tives. Generals of course do not to-day lead
picturesque charges ; but before they get to be
generals they have to chance their lives again
and again. They are the most concentrated
examples of that heroism which is the ideal -of
the race. Explorers, discoverers, pioneers of
various kinds, deserve to and do attract the
admiration of mankind.
Statesmen are far less deep in our affec-
tions. For one thing their actions are not so
open and straightforward. They mine like
moles in the dark. For another thing, they are
a protected class, and do not much risk life or
limb. But they have great issues in their
hands, and genius and devotion will make
their memories sacred. Opportunity, how-
ever, plays a great part in their success. We
102
THE DIAL
[Feb. 16
are all potentially politicians. Probably every
third man one meets on Broadway or Chestnut
street would make a tolerably decent Presi-
dent of the United States. As they say of
Hamlet, the part plays itself. The nation
speaks and acts through its representative.
It is a mere truism to say that the men of
action are the servants of the men of thought.
The contemplators, the meditative minds, are
the real dynamos that move the world. They
are the earthquakes, the volcanoes, which
every now and then break up the crust of
formulas that is always tending to thicken
over human life. Gautama, profoundly dis-
satisfied with his palace and his princeship,
puts on the yellow robe, takes up the begging
bowl, and becomes a guide to a quarter of the
human race. Christ, born in a manger, con-
fronts the Roman Empire, and in time it van-
ishes before him. Socrates, amid the most
brilliant civilization the world has ever known,
starts questionings about the soul and the good
of life which after a while tumble that civ-
ilization down. Luther looks at the Roman
Catholic creation of Europe and sees that it is
not good, and it is shaken by his breath. Rous-
seau sees the horror of the ancien regime and
finds watchwords and formulas for the new
age. The latest example of a thinker's power
has been so much discussed that it is hardly
worth while to advert to it, except to say that
it is a revolt against Rousseau's revolt. The
doctrines of liberty and equality had been car-
ried so far that it seemed to him time for the
ideas of rule and superiority to assert them-
selves.
All these thinkers drew after them vast
agitations, changes, revolutions. Probably
more than half the wars which the historic
world has known can be directly traced to
them or their like. The struggles between the
Eastern and Western Roman Empire, the
Mohammedan invasions, the Crusades, the
Thirty Years' War, the French Revolution and
Napoleonic Wars, all these conflicts and many
more received their impetus from thinkers
who desired only the good of man.
And undoubtedly they have wrought his
good. The clash of ideas and ideals has kept
humanity fluid. Even if it could be cast in a
mould of perfection, that would only be a liv-
ing death. But full of imperfection as it is,
too much rest means decay and degeneration.
If the ocean were still it would stagnate ; but
the winds and waves that send ships to the
bottom, and eat away the confining coasts,
keep the waters salt and sweet.
The thinkers, then, are at once destroyers
and saviors. The destruction they work is so
frightful that men instinctively sense them,
before their theories get into operation, and
offer them the cross, the hemlock, the prison
cell. If they escape these things it is because
they seem so harmless that their fellows think
them of no account. Mrs. Darwin once called
her cook into consultation to provide some
dainty to tempt her husband's appetite, which
was failing. "Begging your pardon, Mum,
but if Mr. Darwin would do a little work he
would have an appetite. " ' ' But Mr. Darwin
does work," objected her mistress. "Him
work ! ' ' said the cook. ' ' Why, I see him with
my own eyes this morning sitting for two
hours in the garden, looking at an anthill."
The only work Darwin did was to tear down
the dam-wall of tradition and let out on the
world a ravaging, but possibly a fertilizing,
flood.
But we cannot be soldiers in the war of ideas
all the time. We must have rest, recreation,
happiness. There must come halcyon days,
hours of charm and effortless exaltation. And
that is what the creative minds give us.
Theirs is an almost flawless bestowal. Shake-
speare does not declare war, Rembrandt does
not bombard cathedrals, Beethoven does not
starve out populations. They give us the keys
to another world, — a world enough like ours
to be intelligible to us, but fairer, more glo-
rious, more perfect, and infinitely more amus-
ing. And our residence in that world is not
merely a refined kind of lotus-eating, which
lifts us up as gods for the moment only to drop
us back on the hard stones of reality ; it is not
only "the world's sweet inn of rest from
troublesome annoy"; no, — it is a school of
virtue. The precepts of the prophets do not
really do us as much good as the examples of
the poets. The great, the magnificent, the
lovely, are there for us to admire and imitate ;
and the evil, the horrible, the grotesque, are
there for us to avoid or laugh at. All art must
have its shadow to make its light stand out.
The deeper the shadow the more vivid the
light ; but it is the light which attracts.
Being so rich and almost blameless in their
gifts to man, one should think that the poets
in words and sounds and colors and forms
would be welcomed, or at least would escape
being stoned as the prophets are. But the
1915]
103
generality of them are starved in life and pur-
sued with malignant rancor after death.
What fables are existent about Shakespeare
and Moliere! What pitiful picayune gossip
about Coleridge and Shelley and Poe and Car-
lyle! The eternal whipper-snapper is like
Gulliver perched upon the shoulder of Glum-
dalclitch, and only sees rugosities and sores in
what to equal eyes is the complexion of health
and goodness. The hand of mediocrity gravi-
tates inevitably towards the mud. Anything
shining only attracts it as a target. The
scandal-mongers ought to have their mouths
washed out with soap and an odorless excava-
tor put to work on their minds.
It is a three-ply existence which we possess,
and we ought not to follow exclusively any one
of the strands. Absolute devotion to the active
life brings us out at a pretty low level of intel-
ligence. The contemplative mood is divorced
from practicality, and is likely to make us
persecute and kill one another because of dif-
ferences of opinion on points of theology or
about the summum bonum. We can lose our-
selves in art; but there, too, we get out of
touch with reality, and lacking knowledge of
the world will not even know what is good art.
The wise thing is to exercise all our facul-
ties; but unfortunately in order to do any-
thing important we must concentrate. We
must save all our oil for one lamp. Hence the
men of action will continue to persecute the
prophets whom sooner or later they must obey ;
and both will brush aside the creative artists
who do the least harm, and who add some-
thing of permanent value to the common stock
of the world.
CHARLES LEONARD MOORE.
CASUAL COMMENT.
POETRY AND EFFICIENCY — dare we name the
two in the same breath, or even on the same
day? And will the poet and his dream ever
be subjected to the indignity of the efficiency
test, ever be brought so low as to have their
efficiency curve plotted by some efficiency ex-
pert? Heaven forbid! Yet in these days
when economics, linguistics, ethics, and even
politics, are being brought into line with
mathematics and the other exact sciences, can
one hope that poetics will escape the general
doom ? Already, if we mistake not, some ambi-
tious candidate for a Ph.D. degree has devoted
a laborious thesis to the discovery of an alge-
braic formula that shall express the degree of
emotional effectiveness in any given piece of
poetry. A keen observer of the spread of effi-
ciency standards in all departments of human
activity gave an address, not devoid of humor,
before a recent gathering of educators. From
this address, now printed in "The School
Review," a brief passage is pertinent here.
Professor Fred Newton Scott is the speaker.
"In every field of knowledge — in economics,
in psychology, in linguistics, in sociology, in
ethics, in short in all the looser- woven 'ics'
and 'ologies' — somebody is setting the screws
a little harder. In every one of these depart-
ments of instruction some stern, wall-eyed
thinker, rising stiffly and frowning upon his
shamefaced colleagues, has announced that in
his book or brochure or syllabus the subject
has at last been elevated to the status of mathe-
matics, physics, chemistry, and astronomy.
Nay, even in such irresponsible, Ariel-like
subjects as literature, music, and the arts gen-
erally, the same motive is seen at work.
Within the past few years a book by the
brother of an eminent scientist, himself a
scientist of some note, professes to have raised
to the dignity of an exact science the whole
subject of poetry." This evidently refers to
Mr. Hudson Maxim's work, "The Science of
Poetry and the Philosophy of Language."
But it is not too much to hope that the Ariel-
like spirit of poetry will not be found to have
been caught and imprisoned for all time
within the definitions and rules of that scien-
tific treatise.
• • •
A PLEA FOR LIBRARY SUPPORT is put f Orth in
what should prove an eloquently persuasive
form by the administrative officers of the Chi-
cago Public Library. It brings to prominent
notice some significant facts not very credita-
ble to those who have the apportionment of the
city's annual income. Spending last year only
1.26 per cent of its total tax receipts on its
public library, while in the same period it
spent, wisely enough, nearly fifty per cent on
its schools, Chicago is found to rank, in respect
to library support, with cities having approxi-
mately only one quarter of its population and
area. In other words, Boston and Cleveland,
in proportion to their size, are four times as
liberal in their treatment of their public
libraries. But even with its present inade-
quate resources the Chicago institution man-
ages to take no lower than second place, among
our ten largest cities, in its circulation of
books and in the number of library-users.
The number of volumes that it owns, however,
places it third in a similar scale of rank, while
in the number of volumes per inhabitant it
stands at the foot, and in the per capita cost
of its library service, under the present parsi-
104
THE DIAL
[Feb. 16
monious policy, it holds the same unenviable
position. In its number of branch library
buildings the city likewise leads the class at
the lower end. The shame of Chicago may be
stated in still other and more definite terms, if
the foregoing be not humiliating enough. In
a table of annual per capita expenditures for
library purposes embracing the same ten larg-
est cities, we find Pittsburg heading the list
with fifty- three cents for each inhabitant, Bos-
ton following as a close second with fifty-one
cents. New York coming fifth with thirty-
three cents, and the metropolis of the middle
West contenting itself with the last place and
an expenditure of but fifteen cents for each
member of its population. The whole situa-
tion is put graphically before one. by means of
diagrams with accompanying figures, in the
printed appeal referred to above. It ought to
succeed in starting something, to the benefit of
the third largest public library in America
and its long-suffering users.
• • •
BATTLES AND BOOKS represent two very dif-
ferent kinds of human activity — so different,
in fact, as to be mutually antagonistic. Nev-
ertheless, as is shown by the "Publishers'
Circular" in a review of England's book-pro-
duction for the year recently closed, it is not
impossible for a powerful nation to carry on
warfare and publication at the same time.
For the twelve months there was a decrease of
less than seven per cent, as compared with the
preceding twelve months, in book-publishing,
or a fall from 12,379 to 11,537; and in the
rather panicky months just after the outbreak
of hostilities the difference was not so great as
might have been expected. August produced
427 books, against 703 in August, 1913 ; Sep-
tember 853 instead of the 1203 in the same
month of 1913; and October rallied to the
extent of 1244, not a serious decrease from
the 1696 of the year before. November's
record exactly equalled that of November,
1913, and December exceeded by 135 the num-
ber credited to the last month of the preceding
year. Significant of the seriousness of men's
minds in these trying days is the increase of
religious books, from 889 to 969, in the British
book-trade of 1914 as compared with 1913.
Perhaps there is an equally obvious signifi-
cance in the lessened production of philosophi-
cal works — 179 as compared with 280 — a
partial exclusion of German-made philosophy
being probably responsible for some of this
decrease. Sociological discussion seems also
to have been somewhat restricted, the fine arts
are not quite so flourishing, travel falls off a
little, and even biography wanes — all, pre-
sumably, on account of the war. On the other
hand, however, a new department of literature
is admitted to the statistical tables, a depart-
ment of naval and military works, which cer-
tainly owes its present prominence to the
existing belligerent state of Europe. Four
hundred and two books are classed under this
new head, and many of them have had large
sales. It would be interesting now to learn
what effect the war has had on the book-trade
of Germany, hitherto the foremost of book-
producing nations.
• • •
A GENEROUS BENEFACTION TO ARTS AND LET-
TERS comes to public notice in Mr. Archer M.
Huntington 's gift of a site, in upper Manhat-
tan, for a building to serve as a home for the
American Academy of Arts and Letters and
the National Institute of Arts and Letters.
The situation is suitable though not, to an
architect, ideal. It is at Broadway and 155th
and 156th streets, where other learned socie-
ties have their habitations, and where there-
fore the openness of space requisite to give
dignity to a fine building is lacking. The
Hispanic Society, the Numismatic Society,
and the Geographical Society are already here
installed, and their presence will help to coun-
teract the less dignified aspect of the monster
apartment houses that hem in the proposed
site on two sides. How to erect something
less than a sky-scraper that shall not be
dwarfed by these pretentious rookeries will
be a problem for the resourceful architect to
wrestle with. A brief backward glance shows
interestingly at this time that the Institute
will ere long be rounding out its second
decade, having come into existence in 1898,
while the Academy, its offspring, has six fewer
years of useful activity to its credit. Of the
original seven chosen by the Institute as a
nucleus to the proposed Academy, Mr. How-
ells, the Academy's President, is the only one
now living, Clemens, Stedman, Hay, Saint-
Gaudens, and La Farge having all paid their
debt to nature. Our Immortals, it will be
noted, number fifty, and not forty; but our
Academy embraces all the arts, whereas the
French Academy is, ostensibly at least, one of
letters. Our Academy will, in its proposed
home, front no River Seine, have as an ap-
proach no Pont des Arts, but it is always pos-
sible that it will build more stately mansions
as the swift seasons roll.
• • •
A BROAD-GAUGE PERIODICAL, representing
what at first might be regarded as a rather
narrow range of interests, but which is easily
demonstrated to be the very reverse of narrow,
is "The Newarker," now widely and favor-
ably known as ' ' the house organ of the Newark
1915]
THE DIAL
105
Free Public Library." A recent issue, con-
taining articles on civic beauty, clay and its
uses, old New Jersey pottery, and other sub-
jects less distantly related to library work, has
also an editorial utterance in able and ener-
getic defence of the periodical's liberal policy
in relation to printable matter. So admirable
in its make-up (its typography, paper, illus-
trations, and general attractiveness) is "The
Newarker," that one is glad to aid in giving
further currency to its editor's enlightened
views in respect to library publications. Of
his own monthly periodical he truly says that
it "does not to most libraries look like the
publication of a library, its organ and pro-
moter. This is because most libraries do not
realize that a new day of print is upon us;
that their books and journals may continue to
be used to ' broaden, ' to ' uplift, ' to ' spiritual-
ize,' to entertain, to refresh and to wait upon
scholarship, and yet may at the same time be
useful to the tinker, the tailor, the candle-
stick-maker, the brick-layer, the salesman and
the farmer, in their homely tasks of earning a
living, finding a market and cheapening their
products. . . . THE NEWARKER goes against
library traditions in the things which it
prints," as the briefest glance at its varied
pages will show ; and this is well, for perhaps
there is no set of traditions that can so well
endure a little courageous smashing as the
traditions of the public library.
• • •
AIDS TO CULTURE, of a less doubtful efficacy
than modern warfare, received timely con-
sideration the other day from Professor Henri
Liehtenberger, Harvard exchange professor,
at the third meeting of the Alliance Franchise
in Boston. European culture was his theme,
which he admitted might be thought a rather
inopportune subject to discuss at this time
when national sentiment and national ideals
are so predominant over any larger and more
inclusive conceptions. But even now the
European nations are betraying their uneasy
consciousness of not being, any one of them,
wholly sufficient unto itself. The belligerent
states thirst for the approval of their neutral
neighbors. Among the factors contributing
to a more enlightened European culture the
speaker named the development of rational
science, whether historical or natural, to which
all large universities lend a helping hand, and
the promotion of a higher civilization through
commerce. Stress was laid upon the need of
developing a European spirit, as distinct from
a national spirit. Why not aim rather at a
cosmopolitan spirit and a world culture?
Asiatic and European ideals are sure to clash
if each continent remains content to develop a
culture exclusively adapted to its own tastes
and needs. In violent contrast with the
French savant's liberal programme for all
Europe stands the recent utterance of a Prus-
sian publicist, Herr Maximilian Harden, who
makes bold to declare: "We do not stand
before the judgment seat of Europe. We
acknowledge no such jurisdiction. Our might
shall create a new law in Europe. It is Ger-
many that strikes. When she has conquered
new domains for her genius, then the priest-
hoods of all the gods will praise the god of
war." What a departure, in this representa-
tive of modern Germany, or of a certain part
of it, from the aims and ideals of Goethe and
Schiller and Lessing !
• * •
LITERARY LIKINGS OF THE SERIOUS VERMONT-
ERS come interestingly to view in the "Tenth
Biennial Report of the Free Public Library
Commission of the State of Vermont. ' ' With
only two decades of organized library effort
to look back upon, the Green Mountain people
already have 198 free libraries, twenty-seven
not free, and 267 stations to which travelling
libraries are sent, so that only twenty-nine
towns remain unprovided with library facili-
ties of some sort, and only fifty have no per-
manent libraries. In the record of travelling
collections of books it is noteworthy that
thirty-six per cent of the adult reading is of
the class known as non-fiction, while the
juvenile reading of a similar serious character
attains the handsome total of fifty-six per cent.
The average of non-fiction circulation in pub-
lie libraries is supposed to be about twenty-
five per cent. Thus the Vermonters show
themselves to be considerably less frivolous
than the majority of their fellow-countrymen,
and the Vermont children far less light-
minded than their elders. But the tremen-
dous seriousness of childhood is proverbial
everywhere. In fact, the theory was long ago
advanced by certain wise men of the East that,
whereas the body is born young and grows
every year older, the soul is born old and gains
in youthfulness with the passage of time.
Hence, doubtless, our devotion to ephemeral
fiction in our toothless and tottering old age.
• • •
HUMORS OF THE ADVERTISING PAGE come
nowhere more frequently or more amusingly
to notice than in the columns of the sober and
sedate London "Times." Some weeks ago
that journal published an advertisement in-
serted by a gentleman who signified his will-
ingness to accept the free use of a touring car
and accompanying chauffeur for week-end
excursions as a restorative from exhausting
labors in connection with the present interna-
106
THE DIAL
[ Feb. 16
tional conflict. And now a more recent issue
contains this specimen of advertising humor:
"Gentleman, 30, perfect health, magnificent
physique, absolutely fit, offers himself for
vivisection experiments to any one who would
care to infect him with complaint known as
the embarrassment of riches. ' ' One is tempted
to search for the motive that prompts these
anonymous and obviously futile exhibitions of
facetiousness at a considerable cost to the
humorist himself. It must be a purely artis-
tic impulse, a love of art for art's sake, an irre-
sistible desire to cut an intellectual caper, just
as the armadillo and the wombat are known to
execute in the night solitudes certain ridicu-
lous gambols that serve no purpose whatever
except to give a moment's free play to the
animal's creative instincts as an artist in
antics. It is the innate necessity of self-
expression in each case.
• • »
AN EDITORIAL RETROSPECT of a not ungrati-
fying character is indulged in by "Public
Libraries" on the occasion of its entrance
upon its twentieth year of increasing use-
fulness. When that excellent monthly was
started there was, says its editor, "but one
other periodical devoted exclusively to library
matters," and the new venture was regarded
as extremely hazardous. But the magazine
has handsomely vindicated its right to exist-
ence, and has doubtless served to encourage
the founding of the now sufficiently numerous
kindred publications that were not dreamt of
twenty years ago. In library development it
has witnessed the increase of states giving aid
to library extension from a meagre two or
three to a widely beneficent thirty-seven. Not
more than half a dozen library associations
had struggled into being when ' ' Public Libra-
ries" drew its first breath; now there are
seventy such local organizations with an esti-
mated membership of more than six thousand.
In fact, the great things and the new things
that have come to pass in the library world
within the lifetime of this monthly survey of
that world are far too numerous to mention —
' ' all of which, ' ' it might, in classic phrase, not
immodestly add, "I saw, and a part of which
I was."
• • •
LUMBER-CAMP LIBRARIES FOR WISCONSIN fol-
low quite promptly the establishment of such
antidotes to ennui in the forests of Minnesota.
Of course these libraries have no costly and
permanent Carnegie buildings; indeed they
have no buildings at all, but are housed in
boxes that travel thither and yon as need re-
quires. It is said by those who have had expe-
rience in supplying literature to the "lumber
jacks" that many of these artisans in timber
are men of education, and they all prefer good
books to trash. There is a tradition of a cer-
tain lumber camp where the hunger for read-
ing-matter was so gnawing that a stray copy
of "The Atlantic Monthly" was thumbed un-
til its contents were committed to memory.
On the other hand, the cheap illustrated
magazines are commonly rejected with dis-
gust by the sturdy axemen. The "Wisconsin
Library Bulletin" invites the assistance of
public libraries in that State in supplying
books and periodicals for the lumber camp
travelling libraries. Communications should
be sent to the Library Commission at Madi-
son, and it is safe to infer that even assistance
from beyond the borders of Wisconsin would
not be unwelcome.
• • •
THE INCREASING COST OF CULTURE, or at least
of the culture bearing the college or university
label, is unmistakably indicated by the an-
nouncement, in President Lowell's latest
annual report, of a considerable deficit in the
year's finances at Harvard, and in his recom-
mendation of an increase in the rate of tuition.
Several professors have generously returned
their year's salaries to the treasurer, while
others have relinquished a part of their pay.
The president is said to have handed back his
salary in full. Significant at this time is the
report of the Massachusetts Board of Educa-
tion, just sent in, advising against the found-
ing of a State university — a project for some
time under consideration — but suggesting as
a less expensive partial substitute for such
action the annual appropriation of a certain
sum for scholarships for deserving pupils in
the existing colleges and universities and tech-
nical schools of the commonwealth. The cost
of higher education throughout the country
has greatly increased since many, not yet old,
received their college diplomas; but this is
only another phase of the increased cost of
living.
COMMUNICATIONS.
" GEEMAN " AND "AMERICAN."
(To the- Editor of THE DIAL.)
Mr. 0. E. Leasing asks a series of questions in
your issue of February 1, to which I beg to be
allowed a partial response. In his introduction to
these questions, Mr. Lessing announces himself to
be " a plain American citizen of German descent " ;
I, using the words in precisely the sense in which
Mr. Lessing uses them, am a still plainer American
citizen of American descent, as are rather more
than fifty millions of my countrymen. By that I
mean to say that, just as Mr. Lessing points with
pride to a father or grandfather born in Germany,
so do I and the fifty million others like me point
1915]
THE DIAL
with pride to a grandfather's grandfather who
fought for American independence against a Ger-
man king who was endeavoring to foist ideas upon
England, and so upon America, which bear a
marked family resemblance in method and content
to the ideas which Germany is seeking to intrude
at this moment upon Belgium.
The difference in point of view between us is a
remarkable one, and one which most Americans of
ancestry and habits of thought similar to mine
could not have been convinced existed eight months
ago. The chief difference, it seems to me, lies in
the fact that there is no phase of the present war
which we Americans are viewing with a European
squint; there are few phases of it which the Ger-
mans in America are viewing with an American
squint. Note that I do not say " German-
Americans." William the Greatest settled that bit
of bastardy once and for all. " Germans I know,"
he said, "and Americans I know; but I do not
know German-Americans." I see no use in pre-
tending to be more German than William the
Greatest; I merely assert that I and those like me
are Americans.
This brings me to the first question : " What
does the ' Declaration of Independence ' mean ?
Independence of English rule or German rule ? "
The answer is rather pitifully obvious: Indepen-
dence of both English and German rule, even
though an English king was attempting to enforce
upon the freeborn Englishmen of the old colonies
ideas which were no more characteristically Ger-
man then than they are at this moment. Read the
Declaration. It is directed against whom? Until
the next paragraph before the last it speaks of one
individual only, " the present King of Great Brit-
ain." And who was he? George III., of German
descent so pure that one has to go back seven
generations to find a suspicion of contaminating
''Anglo-Saxon" blood. His government of the
colonies was typically German, as exemplified in
the government of Alsace-Lorraine to-day — gov-
ernment without representation. The friends of
the rebelling Americans were, quite characteris-
tically, the English Whigs, political ancestors of
the Liberal party which found itself compelled to
declare war against Germany last August. The
friends of George III., quite characteristically,
were those obliging fellow German sovereigns who
lent him their soldiers to put down the American
rebellion, when free Englishmen refused to recruit
his armies for service against us. Read from as
obvious a source as the Encyclopaedia Britannica,
a paragraph about George III. :
" He would have given England that dangerous
position of supremacy which was gained for France
by Lewis XIV. in the seventeenth century, and by
Napoleon in the nineteenth century. He would
have made his country still more haughty and
arrogant than it was, till other nations rose against
it, fis they have three times risen against France,
rather than submit to the intolerable yoke."
Has not this a certain familiar sound? What
Americans fought for and what the Declaration of
Independence sets forth is the ideal of the English-
speaking peoples, and not the ideals of any of the
German-speaking peoples made effective in history.
It is the world-old conflict between that fine old
Bourbon maxim, even more effective in Germany
in the twentieth century than it was in the
eighteenth, " Everything for the people, nothing
by the people"; and the English maxim finally
crystallized in Lincoln's "A government of the
people, for the people, by the people." It is the
difference exemplified between the governments of
the English-speaking peoples and of the German-
speaking people to-day, whether, as Jefferson,
author of the Declaration, said, governors are to
be in moral fear of the governed, or the governed
in physical fear of their governors. We Amer-
icans owe much to England and English laws and
ideals. We owe much to Americans like Francis
Lieber and Carl Schurz, who chanced to be of
German birth, and to the immigrants of '48 and
'49, who rebelled against the Prussian and other
German constitutions of that day, which stand
practically unchanged at the present moment. But
we have no criticism quite as effective as the pres-
ence in this free country of what we are told are
twenty-five millions of Germans — the greater the
number the more effective the criticism — who are
here because life was unendurable to them in the
Fatherland. Moreover, we expect many more mil-
lions to add to the weight of this criticism and
bring it down to date when this frantic war is over.
We Americans find ourselves criticized for our
Americanism by certain of these transplanted but
unrooted Germans, chiefly in periodicals mori-
bund or non-existent at the opening of the war.
These find it logical to offset their devotion to
German governmental ideals as exemplified by
William the Greatest by savage criticism of Amer-
ican government as exemplified by the President
of the United States, a Jefferson-minded man;
apparently unaware that the very freedom of the
press they are exercising makes possible their live-
lihood here as against life in jail and suppression
of their organs in Germany. We can at least wel-
come their appreciation of their new opportuni-
ties and their quickness in taking advantage of it.
But we are inclined to resent any implication that
we as Americans would leap to the command of a
British official, as so many Germans in this coun-
try have come to heel at hearing their master's
voice echo through Dr. Richard Dernburg; and
many of us have read Dr. Dernburg's arguments
in favor of mental reservations in oaths, or of ends
justifying means, with a curiously baffled sense
that those questions were disposed of in the
English-speaking world during the reigns of the
Stuarts.
Coming to Mr. Lessing's second question, it
seems easy enough to admit that England, rather
than Germany, has wronged Ireland in the past,
but it still appears to us that this is largely due
to the fact that Germany had no chance; surely
England may plead Home Rule in extenuation.
But what can Germany and Austria plead in
extenuation of their treatment of the Poles; and
what has Germany to say for Alsace-Lorraine,
whose representatives in the Reichstag are not
even elected by its people?
Certainly, too, answering the third question,
England and not Germany conquered India,
108
THE DIAL
Feb. 16
Egypt, and the Boer Republics. But again En-
gland can plead the results to-day in justification
more or less complete. She has no frightful
slaughters on her mind like that of the Hereros in
German Southwest Africa, nor exhibitions of
Scbrecklichkeit such as were given by the German
expeditionary force in China. Parenthetically it
may be observed that Americans, fighting Indian
savages across a continent, have been familiar with
this particular quality in warfare since the first
settlements, just as Ross's destruction of the Con-
gressional Library in Washington in the reign of
George III. lent us comprehension of Belgian feel-
ing, when the Louvain library was fed to the flames.
American's are able to see a vital difference
between British " navalism " and German mili-
tarism, responding to the fourth question, " Who
controls the sea ? " We see Germany, for exam-
ple, quite as infected with " navalism " as Great
Britain, while Great Britain was hardly touched
by militarism at all before the outbreak of the
war, as unexpected by Britons as almost complete
unpreparedness proves it to have been. We see,
too, that the navy of England performs its func-
tions on the seas, and that its officers in no pos-
sible sense dominate the daily thought of the
British people. If it is an evil, it is at worst a
cutaneous one, not a cancer eating out the nation's
vitals. Furthermore, the position of the British
;Isles makes starvation only too easy without con-
trol of the seas, while Germany has never had that
excuse to pleacL Even now, had it not been for
that almost inevitable blundering that seems to
go .with, arrant militarism, whether under George
III. or William the Greatest, America would be
supplying Germany with food for her civilian
population. But, just as the question was about
to be settled to that effect, the German govern-
ment/proclaimed all food supplies as the property
, of the .State, leaving discrimination between food
, for civilians and food for the military impossible.
Finally, it may be urged that Great Britain's con-
trol of the sea has been beneficent, with that per-
fect restraint which comes with accustomed power,
ever since America gaye up its control of the seas
after, the Civil War; while there is nothing in
German history ;since 1870 to lead us to believe
that the same control could pass to other hands
with equal security tp civilization.
. I have no doubt that Mr. Lessing is right about
Treitschke's being older than Nietzsche. When
German scholarship is not speaking about mili-
tarism and its consequences, it is generally right.
Every American must regret that any German
can, sneer at Anglo-Saxonry with a good con-
science. We find it occasion for pride that we
belong to a great family of self-governing nations
framed upon Anglo-Saxon ideas of individual
rights and constitutional liberty, hardly touched at
all until this war began with militarism and lax
conceptions of treaty obligations. We take no less
pride in a mighty literature which embodies these
ideas and ideals, and has seldom been false to them
at any point; and we should like to have the Ger-
mans proud of them, too, as we are proud of
Goethe. WALLACE RICE.
Chicago, February 4, 1915.
"LITERARY" VERSUS "COMMERCIAL"
DRAMA.
(To the Editor of THE DIAL.)
. Your recent criticism of an article by Mr. W. C.
de Mille in the January " Yale Review " puts sev-
eral questions to Mr. de Mille as to his conclusions
about our " commercial " drama. I should like to
go a step farther and ask a question about his
premises. What does he mean by " commercial "
drama anyway; and how, according to his defini-
tion, does it differ from that which he patroniz-
ingly refers to as " literary " ? All through his
article, we find assumed, a distinction between the
two forms, and always to the discredit of the lat-
ter. What, then, are the requirements that Mr, de
Mille makes for the " commercial " play ? On
looking through the article, we find that the " com-
mercial " play must provide " entertainment,"
must " tell a story which finds its best expression
through acting ';; it must be " a splendid piece of
craftsmanship " ; it must " reflect to a large degree
the point of view of its audience " and " get its
hands on their hearts." Now by a strange coinci-
dence, these — and no others — have always been
considered the requirements of the " literary "
play, which Mr. de Mille nowhere clearly defines.
Thus we may conclude that, under favorable cir-
cumstances, " commercial " drama and " literary "
drama are one, — or rather become one through the
simple medium of the box-office. That these
favorable circumstances once existed as they do
not exist to-day, no student of stage history would
deny. In Elizabethan London, prices of theatre
seats were such that the drama was indeed a
"democratic" art; and, further, no despotic cen-
sor or trust magnate intervened between public and
playwright. This was the great period of the; lit-
erary play, which, because it met the requirements
of " commercial " drama, drew crowded houses.
On the other hand, when we get down to the
early part of the nineteenth century in England, we
find that the " literary " play and the " commer-
cial " play have become two different things, — not
necessarily through any fault of either public or
dramatist, but through the outside interference of
official censor and theatrical manager. On the
commercial side, we have tawdry stage successes
which would not at all answer Mr. de Mille's re-
quirements for " commercial " drama, in that, for
one thing, they fail signally to reflect the viewpoint
of the great era succeeding the French Revolution.
On the literary side, we have the closet-dramas of
Byron and Shelley, which, although they breathe
the fiery spirit of the social awakening, do not
wholly obey generally accepted laws of technique.
Let us hope that the time is approaching when
" literary " drama and " commercial " drama will
again be one. Perhaps Mr. de Mille means to
prophesy this when in the cause of the " commer-
cial " play, he appropriates all the " literary "
play's qualities. If this is so, one can only say
that he appears to be confusing the issue when he
exalts " commercial " drama thus endowed to so
high a seat and leaves " literary " drama, thus
robbed and stripped, to lie by the roadside.
HELEN MCAFEE. .
New Haven, Conn., Feb. 6, 1915.
1915
THE DIAL
109
Bcto
A SOLDIER-SURGEON'S IlEMIXISCENCES.*
An autobiography richer in varied interest,
more diversified with pictures of life amid all
sorts of surroundings and in many dissimilar
fields of activity, and in the rehearsing of it
re-lived with keener zest and, if one may add
it without offence, greater complacency, of a
justifiable sort, than the life-story of Dr. John
Allan Wyeth, is. not offered to the reader
every month in the year or every year in the
century. "With Sabre and Scalpel" he calls
this "autobiography of a soldier and sur-
geon, ' ' but in addition to his dashing exploits
as a Confederate trooper in the Fourth Ala-
bama Cavalry, and his subsequent notable
achievements in medicine and surgery, he has
been a farmer, woodsman, cotton-planter,
cattle-buyer, river-pilot, telegraph-operator,
land-speculator, building contractor, lecturer
in his profession, twice president of the New
York Academy of Medicine, founder of the
New York Polyclinic School and Hospital,
which is the first institution of its kind in
this country to offer post-graduate courses,
and author of numerous works both of tech-
nical and more general interest, including a
life of General Nathan B. Forrest and an his-
torical sketch of the settlement of Oregon.
No mean talent is his also for the turning of
graceful verse, as he is pleased to remind the
reader by appending to his latest book a half-
score of what may be styled occasional pieces,
some if not all of which have already seen the
light in magazines or elsewhere. If it be per-
missible, for variety 's sake, to give the present
review a certain topsy-turviness, let us begin
by bespeaking the reader's favorable opinion
of Dr. Wyeth the poet, and to this end quoting
from his appendix the first stanza of some
animated and pleasing verses that may be
read in full in Bryant's "New Library of
Poetry and Song." They are entitled "My
Sweetheart's Face," and begin, with rather
original as well as felicitous imagery, as
follows :
" My kingdom is my sweetheart's face.
And these the boundaries I trace:
Northward her forehead fair;
Beyond a wilderness of auburn hair;
A rosy cheek to east and west;
Her little mouth
The sunny south,
It is the south that I love best."
That a man capable of such flights of song
is, other things being equal, a man likely to
* WITH SABRE AND SCALPEL. The Autobiography of a Sol-
dier and Surgeon. By John Allan Wyeth, M.D., LL.D. Illus-
trated. New York : Harper & Brothers.
interest one in his other than poetic capaci-
ties, may not unreasonably be assumed. And
other things are not unequal, for the same
impress of a distinctive personality stamps
itself on all his heterogeneous activities and
saves his recital from any touch of triteness
or monotony. A rather sure index to a man's
character is commonly thought to be found by
a study of the mother's mental and moral
endowment. Therefore it may be possible to
throw a sidelight if not a full-face flash of
illumination on the subject of our inquiry by
relating in the author's own words the story
of how he "discovered" his maternal parent
when he was well advanced in his seventh
year.
"The discovery came about in- this fashion:
a boy playmate lost his temper at something that
happened between us, and in anger gave me a slap
which I did not resent. At this juncture I heard
a voice from a near-by window, and, turning, I
saw my mother leaning out, her eyes flashing s6
that I could almost see the sparks flying and her
cheeks as red as fire. . In a tone about which there
could be no misinterpretation, even by one who
instinctively preferred peace to war, she asked me
if the boy struck me in anger; and when I told
her he had, she blazed up and said, 'And you
didn't hit him back ? ' My response was that
father had told me it was wrong to fight, and that
when another boy gave way to anger just to tell
him it was wrong and not fight back. At this the
blue bonnet of Clan- Allan [the mother's maiden
name] went ' over the border,' and she fairly
screamed : ' I don't care what your father told
you; if you don't whip that boy this minute I'll
whip you ! ' And she looked on, and was satisfied
when it was over. I date my career from that
eventful day; for I had come to the parting of
the ways."
Thus sprung of Old Testament and New
Testament parentage, so to speak, the Ala-
bama boy, who was sixteen years old when the
Civil War broke out, yielded to the prompt-
ings of the less pacific strain in his blood and
soon, with his noble mare, Fanny^ whose sad
end forms a touching episode in the narrative,
joined a troop of cavalry and played a spir-
ited if inconspicuous part in the national
drama before he was taken prisoner in the
autumn of 1863 and confined for a year and
a half at Camp Morton, Indiana, after which
there was no more fighting for him to do.
Not to convey a false impression of the pacific
father, it should be added that even his dis-
inclination to violence did not keep him at
home when the call to arms reached him. As
a matter of fact, he was earlier in the field
than his son.
Interesting and enlightening are the views
which this loyal Southerner takes of sundry
questions that once were burning issues be-
110
THE DIAL
[Feb. 16
tween the North and the South. His pictures
of the negro slave's not unhappy lot, of the
evils of abolitionism, of the splendid patriot-
ism of those to whom state rights meant more
than national unity, and of southern condi-
tions in general as he intimately knew them,
are not to be passed over with cursory and
unsympathetic glance, whatever the reader's
preconceptions and predilections. From the
opening pages of the book the following
vehement utterance may be taken as char-
acteristic and significant:
" I am firmly convinced that if instead of the
nagging, irritating, insulting, and finally insurrec-
tionary and murderous meddlesomeness of the
Northern abolitionists, the conservative and better
portion had united in earnest and friendly co-
operation with their brothers of the South, who
proved their zeal and devotion to principle by the
wholesale sacrifice of wealth and ease, the humane
scheme of emancipation and colonization as set
forth in the ' Virginia Resolutions ' would have
been carried out and chattel slavery would have
disappeared by peaceful means."
In a subsequent chapter we find the portrait
of that hero of anti-slavery days, John Brown,
drawn with no flattering touches. The fea-
tures are delineated with strokes like this :
" Out of this turmoil emerged a weird, red-
handed specter in human form whose name but for
his lawless deeds in Kansas would never have
crossed the boundaries of that fair State had he
not become the agent in one of the most nefarious
plots recorded in history. A group of men of
intelligence, position, and wealth aided him in the
armed invasion of a peaceful and law-abiding com-
munity. Brown's purpose was the treasonable
capture of the United States arsenal and the
appropriation of government property to an un-
lawful purpose, the robbery of the houses of law-
abiding citizens, and murder. He sought to incite a
wide-spread slave insurrection and the consequent
massacre of thousands of helpless women and chil-
dren. This wicked deed, known as the ' Harper's
Ferry Raid,' made secession possible and brought
on tbe Civil War."
No gleam of admiration for a martyr's hero-
ism is to be discerned in the glowing terms
with which the author paints the deeds of
this remarkable man. On another page he
further writes in his dispraise that "having
failed at every one of a half-dozen different
vocations to make a living for his family and
himself, a rolling stone so mossless that at the
age of fifty-five he was absolutely bankrupt
in fortune, and no less so in honorable reputa-
tion, John Brown turned up in Kansas in
October, 1855, in the role of a professional
Free-soil agitator." If one wishes a view of
the Kansas occurrences of that day quite dif-
ferent from the accepted northern presenta-
tion of those historic events, let one read
Dr. Wyeth.
The chapters devoted to memories of the
war have the lively interest belonging to all
well-written accounts of personal experience
in battle and in camp and on the march. The
narrative of prison life at Camp Morton has
the one fault of brevity, which cannot be
said of the author's term of imprisonment
itself. A larger view of things military is
found in the portion of the book devoted to
the battle of Chickamauga, where the author
indulges in speculation as to what might have
been. ' ' In my opinion, ' ' he says, ' ' the South-
ern Confederacy was won here by desperate
valor and lost by the failure of the command-
ing general to appreciate the magnitude of
his victory and to take advantage of the great
opportunity which was his for the capture or
destruction of the entire Union army in
Georgia and Tennessee. Chickamauga, as I
interpret it from personal observation and
from careful study, marked the high tide of
the Confederacy."
Making an abrupt transition now, let us get
a glimpse of Dr. Wyeth in one of his many
non-military aspects. Toward the end of his
book, where the practice of medicine supplants
the sterner occupations of war, he shows him-
self interestingly in a character not unlike
that of Sherlock Holmes. After relating a
Holmes-like incident in Dr. Weir Mitchell's
professional experience, he details a similar
occurrence in his own.
" Spending the summer near New York, I made
it the rule to be in my office in the city at a certain
hour on two days of each week. As I was nearing
my door I noticed a man a few feet ahead of me
who turned to ring my bell. He had on a long
frock-coat which fitted well and wore a soft felt
hat. At first glance I took him to be from the
South; but as he was pulling at the bell-knob, he
having not yet seen me, I noticed on the rim of one
ear a well-marked epithelioma, a form of cancer
which occurs only after frost-bite. I then placed
him from the Northwest, for his coat and hat were
not of the East. As I came up the stoop just
behind him I said, ' You want to see Dr. Wyeth? '
He turned quickly and said, ' Yes.' I continued in
an off-hand manner as I was getting my key into
the lock and not looking toward him, 'About that
cancer? ' He said, ' Yes.' ' From the Northwest? '
'Yes.' 'Nebraska or Iowa?' 'Why? Iowa!'
' What regiment did you serve in during the war? '
(He had a small Grand Army button on the lapel
of his coat collar.) ' I was major of the Thir-
teenth Iowa.' . . . By this time we were standing
within the hallway, and he said: 'All right; but
before we go any further I'd like to know how
much you will charge me for the operation.' I
told him ; and then he exclaimed : ' Well, my
goodness ! What kind of a man are you, anyway ?
You never saw me before in your life; you knew
I was looking for you; knew what was the matter
with me; knew what state I was from; knew I
1915]
THE DIAL,
in
was in the Union army; and d
me if you
haven't named exactly the amount I made up my
mind to pay for the operation.' "
Thus having, it is hoped, indicated in some
measure what kind of a man Dr. Wyeth is,
and stirred some interest in the book that pre-
sents him more in detail and with far greater
fidelity, the reviewer will close with a word of
commendation for the attractive appearance
of the autobiography. Its matter is enter-
tainingly and conveniently grouped in two-
score chapters or more, with an abundance of
pictorial accompaniment, including two por-
traits of the author at widely separated
periods in his life and a process-print repro-
duction of his bust, recently unveiled at the
Polyclinic Hospital which he founded.
PERCY F. BICKNELL.
ART
HISTORY.*
"My desire," writes Mr. Lisle March Phil-
lipps, in his book on "Art and Environment,"
"has been to confine myself to the considera-
tion of art as an expression of human life and
character. Selecting some of the great periods,
or creative epochs, in the art of the world, I
have endeavoured to deduce from them the dis-
tinguishing qualities, limitations, and points
of view of the races which produced them."
These, Mr. Phillipps thinks, are revealed
chiefly by architecture, and only secondarily
by sculpture and painting and such minor arts
as furniture-making; consequently he devotes
the bulk of his book to an interpretation of
various architectures.
Mr. Phillipps 's treatment is both lively and
persuasive. Like all intelligent persons, he
has strong preferences and reasons for them
that he believes in, so that his epithets for what
he dislikes are striking, even though his com-
mendations of what he prefers do not appear
excessive. So far as we are aware, no one
since Taine has expounded with so much vigor
and good sense any phase of the principle that
works of art are to be understood in terms of
race, time, and place. On the whole, Mr. Phil-
lipps succeeds in ignoring time and place, par-
ticularly when considering those types of art
that have his approval ; environment seems to
matter chiefly in determining the works of the
Egyptians, the Arabs, and the eighteenth cen-
tury aristocratic French, which he dislikes.
An innocent reader is led to wonder why the
word "environment" and not "race," ap-
pears in the title ; all the more, in view of the
author's avowed intention to deduce the quali-
ties of races from their gesthetic creations.
* ART AND ENVIRONMENT. By Lisle March Phillipps.
vised edition. Illustrated. New York : Henry Holt & Co.
Re-
Soon, however, the reader begins to wonder
whether "race" would have been the better
term. He observes the whole book permeated
by another and more general distinction, a
distinction based on the presence of certain
qualities of the human spirit, and transverse
to the distinctions of race. The qualities are
notably intellectuality and passionate energy.
With them, he finds, Mr. Phillipps coordinates
aesthetic traits. Thus, predominant horizon-
tality in architectural line is said to reveal
intellectuality in the people that use it, while
predominant verticality or obliquity is said to
reveal energy. The one is the expression or
effect of the other, so that Greek and Renais-
sance builders built as they did because they
were intellectual; and they were intellectual
because they built as they did. And Arabs
and Goths built as they did because they were
energetic; and they were energetic because
they built as they did. This is the skeleton of
Mr. Phillipps 's "deduction"! With it the
division of mankind into races is superseded
by the division of mankind into psychological
groups, — sub-intellectual, intellectual, and
post-intellectual: the qualities of the arts be-
come coordinated with these qualities of mind ;
the monotony of the Egyptian, the energy and
elan of Arabian, the activity of the Gothic with
the sub- or un-intellectual ; the unity and
definiteness of the Greek and the Renaissance
with the intellectual ; the realism and expres-
siveness of Hellenistic sculpture and Renais-
sance sculpture and painting, intent on
catching the fleeting details of expression with
"spiritual emotion" which is post-intellectual.
And there you are !
As a "deduction," Mr. Phillipps 's argu-
ment begs the question. But whatever may be
said of his argument as a deduction, nothing
but good can be said of it as an interpretative
vision of life and art. Indeed, he might retort
that in this field all arguments beg the ques-
tion, since they are really nothing more than
an exhibition of analogies and similarities
which are identical only to belief, and depend
for their force on persuasiveness rather than
on logical cogency. And we must grant that
we have read nothing in recent years that ex-
hibits so persuasively the opinion that race,
human quality, rather than time and place is,
in art, the dominant agency of control and
creation. If, very frequently, other factors,
particularly environment, seem to displace
race in his account, the displacement should
be credited, not to Mr. Phillipps 's inadvertence
or fallibility, but to his unusual intellectual
honesty, — the rarest thing in "art-criticism,"
— and his eagerness to tell the truth as he
sees it.
112
THE DIAL
[Feb. 16
What is the truth which he sees? The
great tradition of the Occident has its historic
roots in Egypt. Mr. Phillipps begins, therefore,
with the analysis of Egyptian art. The Egyp-
tians, in his opinion, were sub-intellectual.
Theirs was a case of arrested development, —
arrested by the Nile. The river's monotonous
routine held them until their life and its
changes flowed as one; it fixed their habits,
dominated their thoughts, and ordained their
behavior. Victims no less than beneficiaries
of their environment, they manifested its
overwhelming influence on them nowhere so
clearly as in their art. This is seen to be as
unvaried as the Nilotic floods, whose vegeta-
tion supplies them with their model for orna-
ment and design, — a perennial repetition of
the primitive same, a childish reproduction of
forms not seen but recollected as a child recol-
lects, an accumulative repetition and reproduc-
tion, technically perfected through practice,
spiritually inane. "Perfect yet primitive,
young yet old, its hoary infancy defies time.
It is the image of routine, of deadly monotony
and unthinking iteration. ' '
To this ' ' hoary infancy ' ' Greek art presents
an absolute contrast. Natural, observant,
realistic, its essence is intellectuality, and in-
tellectuality of a unique sort. Mr. Phillipps
describes realism as an expression of intellec-
tuality; for intellectuality is definitive, and
realism defines. Sculpture is, he thinks,
uniquely the art of the Greeks because ' ' sculp-
ture is definition. The sculptor undertakes to
express his ideas in a hard material, in curt,
distinct lines, in concrete and exactly articu-
lated forms." Hence his themes are neces-
sarily ' ' finite ' ' ; his art refuses, if he is a. Greek,
to deal with the unknown ; it cannot express
"spiritual emotion" (whatever that may be) ;
it is, for example, incapable of treating death
as the Christian treats it. It is marked by
limitations, as is all intellectuality; and this
mark pervades the whole spiritual content of
Greek life, no less than its representative art.
The limitation of Greek spirit differs from
that of the other intellectualist races of
Europe in a particular way, however. It is
unique, and its uniqueness springs from the
fact that the Greeks were an eye-minded peo-
ple. In them the faculty and preferences of
seeing infected and suffused the residuum of
consciousness. Consequently, the needs of the
eye determine for them the principles of life
and art; nay, life is art, and the consumma-
tion of art the inspiration of life. In the Doric
temple the Greek genius expresses itself with
organic completeness. The laws of vision de-
termine the details of its construction, and the
construction is such that it is abstract, inde-
pendent of time and place, self-containing
and self-contained, unvaried and unvarying
through the ages, like a syllogism, or a god of
the Epicureans. This self-sufficiency, this
"unity and repose," are ordained by the eye's
inertia and attained by the harmonious devel-
opment of a central structural theme. It is
most conspicuous where the theme is un-
Hellenic; consequently, to see the essence of
the Greek mind in architecture, see it as it
handles the Roman arch in the church of
S. Sophia. That is the tour de force of the
logical Greek genius.
This summary falls, we are afraid, far short
of justice to Mr. Phillipps 's brilliant chapters
on the Greeks. Perhaps this is because we
cannot help being quite as much impressed by
what they fail to say as by what they say.
They make no mention of the possible influ-
ence of an immemorial environment, of an in-
tense and even feverish social activity during
the most brilliant period of Greek history, of
possible imitative response and compensatory
reaction to nature and society. Yet can it be
that the Greek eye learned nothing from the
sharp, clean outlines of the low Greek hills
against the intensely blue Greek skies, from
the barren landscapes definite as silhouettes in
outlining the low and almost geometric for-
estation? Why should the Greek have been
less susceptible to definiteness and articula-
tion in Nature's shapes than the Egyptian to
the rank jungles and tepid hazes of the Nilotic
lotos-land which were Nature's face to him?
And is it quite logical to say that the Greek
was eye-minded because he built Doric temples
as he built them, and then to say that he built
Doric temples in the lovely Doric manner be-
cause he was eye-minded? On the contrary,
the strenuosity of Greek life, its athleticism
and militarism, its emphasis on the impor-
tance of music in education, in the significant
dynamism attributed by its most representa-
tive philosopher, Plato, to its most charac-
teristic philosophic conception, the "Platonic
idea" (so distinctly visual a conception to
the layman ! ) might easily lead to the opinion
that the Greek was motor- or muscle-minded,
and that his works of art, far from being an
expression of his nature, were a compensation
for it. Just as desires unfulfilled in fact are
satisfied in imagination and in dream, so, it
may be, a disorganized and embattled state
may imagine unity and repose, and a torn
mind may dream of peace. Such dreams and
imaginings, realized in art, are not an ex-
pression of a people's actual character, but
rather a compensation for it. So, the esthetic
mood of a people may be the direct opposite
of its natural and political mood, even as the
1915]
THE DIAL
113
vaudevillian tastes of the American man of
affairs are the direct opposite of his puri-
tanical acquisitiveness and devout republican-
ism. Mr. Phillipps has not shown that this was
not the case with Greece.
Nor, for that matter, is it the case with any
of the people he deals with, — certainly not
with the Arabs, with whose works he next
invites our souls. Mr. Phillipps offers good
reasons for not liking the Arabian creation,
but he invokes environment, which with him
acts like charity, to cover and explain the mul-
titude of its sins. The Arab lives in the desert,
and his soul reproduces the desert's traits. He
is possessed of "the desert's fiery elan and
restless inconstancy." His art is "a strange
mingling of frailty, fickleness, and poetic
energy," which throws together any kind of
material in any way that will hold for the
moment, which disintegrates the trabeated and
arcuated solidities of the Greek and Roman
buildings into unstable and fanciful forms,
which multiply as the shifting sands of the
desert multiply, all to no end. The whole of
Arab life has the fancifulness and irrelevancy
of Arab architecture, — its science gets lost in
magic, its philosophy in mysticism, its social
order in confusion, its military prowess in
chaos. It is without reason and without con-
tinuity, and before these it fades away like a
mirage. All that Mr. Phillipps says about
the Arabs is, we think, true; but here again
the truth is only half-truth. What would
have been the fate of Arabian civilization if
Christian had not conquered Moslem in Spain,
and Ottoman barbarism had not thrown
Arabian culture back to its own level? What
is to be said of the persistence of the Arab
conversion to Mohammedanism, and the sta-
bility and articulation of the new order that
revelation prescribed? If Arabian philosophy
is predominantly mystical, German is so no
less; and as for fancifulness, — the German
content may be different, but the irrelevance
to reality is the same. Mir. Phillipps 's account-
ing for the Arab in art is beautifully simple,
but Arabs are human, and with respect to the
characterization of human beings the simple
is too near the untrue.
It becomes dangerously near being identical
with the untrue in the discussion of Gothic
architecture. To explain this, Mr. Phillipps
disposes at a swoop of the various alternative
accounts of its origin. That the conditions
of labor determined the material, and the
material determined the structural form, he
denies; as he denies its appearance as the solu-
tion of the structural problems of Romanesque
builders who had difficulty in roofing their
naves and aisles. Of environment he makes
no mention whatsoever. The origin of Gothic
forms is to be found, he insists, in the genius
of the Goth, at work in France and in En-
gland. The Goths "were what they were
making." Their unconscious ideal, when
they entered European history, was a life of
action. "They valued exclusively, or at least
primarily, such qualities as took effect in
action." When in the twelfth century they
have become civilized enough to express them-
selves consciously in art, the form that comes
spontaneously to their hand is the pointed
arch. This is because the essence of the arch
is its energy, — it "never sleeps"; the strong
"lateral thrust" tends to disintegrate it, and
it must be repressed by a buttressing and
whatnot. Gothic, says Mr. Phillipps bril-
liantly, is not a style but a fight.
All of which may be so, and much of which
no doubt is so. But are the factors which
Mr. Phillipps either completely sets aside or
ignores deprived of potency because it is so?
Is the relation not much more likely to have
been reciprocal? After all, Gothic is the solu-
tion of a structural problem ; after all, Gothic
does make use of small stones because the con-
ditions of labor were such as to make this use
inevitable. These conditions might, of them-
selves, have generated the Gothic style: they
are sufficient for its origin. If, indeed, race
alone were potent, North European archi-
tecture should still be Gothic. In point of
fact, the relation is reciprocal : purpose, need,
modifies material ; but material, and most par-
ticularly in the art of building, limits purpose.
It is still impossible to make a silk purse out of
a sow's ear, while a very excellent one may be
made in forms appropriate to pigskin. A
thousand years hence a Mr. Phillipps of the
thirtieth century studying our art of the twen-
tieth may point to an exclusive causal connec-
tion between American sky-scrapers and the
' ' natural ' ' strenuosity of the American ' ' race. ' '
On the principle that verticality expresses
energy, he might demonstrate that the United
States of the twentieth century was franti-
cally energetic and proportionally irrational.
He might gather innumerable accessory data
from our political and economic life, our re-
ligion and our art. But he would neglect in
all this the real causes of the development of
the sky-scraper. These are, first of all, the
unnaturally high rate of ground-rent in our
American cities, and secondly the use of the
steel-girder and concrete as the architectural
materials. Prevented for economic reasons
from spreading horizontally, American archi-
tecture rises vertically. It could not have
become vertical without the use of structural
steel. The limitations of material are ultimate.
THE DIAI,
[ Feb. 16
That Mr. Phillipps knows all this, but is
unconscious of it, may be seen in the uncon-
scious paradox in which his analysis of the
Gothic style culminates. The essence of that
style is the pointed arch. The arch alone,
of all architectural forms, is energetic. The
lateral thrust, pushing outward and down-
ward, would unless checked disintegrate, by
force of the energy it lets loose. Gothic con-
struction consists of check and counter-check
of this energy. Withal, "it may be we sel-
dom enough realize how strenuous and alive
are the forces which are here engaged." It is
"difficult to connect the idea of activity with
such rigid immobility."
But the rareness of this realization, the
difficulty of this connection, are a rareness
and difficulty which depend on a contrast be-
tween the structural and cesthetic tendencies
of Gothic architecture. It is an engineer's,
not an artist's, analysis of the Gothic arch
Mr. Phillipps here gives us; it has reference
to the material. An aesthetic analysis would
have reference to the form. And here the
paradox begins to appear. For the Gothic
form is, as Mr. Phillipps says, an aesthetic
expression of energy; but it is energy in the
reverse direction from the structural energy.
Mechanically, the energy of the arch moves
downward and outward : it is the energy of a
push or thrust ; festhetically the energy moves
upward and outward : it is the energy of a
linear pull. Mr. Phillipps 's own language
unconsciously expresses this fact. "Gothic
has been called the linear type of architecture.
. . . The web of interior lines . . . seem to
uphold the structure ... it is in these that
the strength and vigour appear to reside.
. . . fit] is the most recognizable and salient
trait of the style. These light and sinewy
lines pervade the whole structure. They dart
in sheaves from the floor . . . diverge and
spread fanlike over the vault-surface . . . '
In sum, the total effects is that of a lateral lift.
Inside, the lines that "uphold" "dart in
sheaves from the floor" ; outside, the shadowed
peaks and curves of buttress against arch, and
arch against buttress, rising in intricate linear
tracings against the sky, — what is there in
nature for analogue, that might so impress
the mind of a people that their own significant
building would tend unconsciously to assume
its forms'? What is there but the primeval
forest of great trees, whose long, rising shafts
are literally an upward lift against a down-
ward pull ; literally alive with energy ; whose
meeting branches form natural Gothic arches,
with intricate traceries in long avenues we
have learned from novels to know as Gothic?
For generations the northern peoples lived
among them and with them, seeing them daily
and hourly, summer and winter, until their
generic contours, their dominant shapes, must
have become part and parcel of the uncon-
scious funded mentality of the race. If
Egyptian temperament and architectural
forms are determined by the Nile, if Arabian
temperament and architectural forms are the
effects of the desert, why may not Gothic be
the outcome of immemorial association with
the primeval forest? But Mr. Phillipps does
not even consider this possibility. Goth, like
Greek, is represented by him as altogether
uninfluenced by environment.
There are many things still to say, if space
permitted, about Mr. Phillipps 's account of
the art of the renaissance and its relation to
the recrudescence of intellectuality in Eu-
rope; about the influence upon this art of
what he calls "spiritual emotion," and its
connection with the philosophical ideas of
infinity. We should like even more to dis-
cuss his brilliant and perspicacious chapter
on the art of the French aristocracy of the
court of Louis XV. We should like to show
in detail how unified and articulate his view
is, — a vision, in fact, of the march of history
in terms of art. We should like to show how,
like all things unified, it attains its unity
always by minimizing or ignoring factors
which an adequate account of art must con-
sider; and how, therefore, one always must
agree with Mr. Phillipps, but agree with
reservations. One thing, however, readers
may agree in without reservation, namely,
that in recent years there has appeared no
general book on the arts which so well repays
the reading. H. M. KALLEN.
SOME AMERICAN DISSENTERS.*
The capital fact in the political history of
the United States in the past ten years has
been the growth of dissent. Not, of course,
that dissent was unknown until the fateful
days in which we live. For there have been
many periods in which, in this country as
elsewhere, it has flourished. It was, indeed,
dissent which first gave the nation being. And
one calls instantly to mind the epoch of
Jeffersonian criticism of Federalist adminis-
tration, the decades of Abolitionist denuncia-
tion of a national government palsied by the
grip of the slaveholder, and the Mugwump-
Granger-Populist-Socialist era of the eighties
and early nineties.
* PROGRESSIVE DEMOCRACY. By Herbert Croly. New York :
The Macmillan Co.
DRIFT AND MASTERY. An Attempt to Diagnose the Cur-
rent Unrest. By Walter Lippmann. New York: Mitchell
Kennerley.
PROGRESSIVISM — AND AFTER. By William English Wall-
ing. New York: The Macmillan Co.
1915]
THE DIAL
115
The dissent of the most recent years, how-
ever, has been peculiarly comprehensive in its
scope, penetrating in its criticism, and relent-
less in its methods. It began to gather
strength even before the turning of the cen-
tury. It won its earlier triumphs in the estab-
lishment here and there of the initiative and
the referendum, in the enfranchisement of
women in a number of the western states, and
in the widespread substitution of the direct
primary for the nominating convention. It
found expression in the rapid growth of trade
unionism, socialism, and the demand for in-
dustrial democratization. It obtained, in
time, its most illustrious and influential pro-
tagonist in Mr. Roosevelt. And, finally, it
acquired a name to conjure with, — namely,
progressivism.
The future historian of our period will have
as one of his principal tasks the interpretation
of the progressive movement. He will have
the advantage of a perspective which is, of
course, unattainable at the present day. In
the meantime, we are being supplied with
some highly ingenious and interesting, even
though tentative and incomplete, interpreta-
tions from a group of young and keen students
of American society who have been themselves
numbered among the sympathizers with, or
the active participants in, the movement.
Conspicuous among these men are Mr. Croly,
Mr. Lippmann, and Mr. Walling, all of whom,
in recent months, have published books de-
scriptive of progressivism as they see it. Mr.
Croly is concerned chiefly with an explanation
of the rise and growth of progressivism, and
with a sympathetic exposition of the multifold
character which it bears to-day. Mr. Lipp-
mann portrays the semi-chaotic state in which
the break with the past has involved us, and
considers the means by which the sure mas-
tery of the people is to be established. Mr.
Walling, approaching the subject as a social-
ist, seeks to demonstrate that the progressiv-
ism of to-day is but a step in the direction of
the ultimate social democracy and the social-
istic state.
Mr. Croly 's book must be pronounced a
work of first-rate importance. It is admirably
written, and we are not likely soon to have a
discussion of the subject with which it deals
that will be better informed, of fairer spirit,
or more deeply philosophical. It is in no sense
a brief for the Progressive Party as such. The
progressivism with which it deals transcends
the bounds of party. It may be described
more nearly as a state of mind than as a party
programme, and its antecedents are to be
traced to successive stages of the nation's his-
tory from a period as early as that of the
formation of the Constitution.
The fundamental proposition of progressiv-
ism, as Mr. Croly describes it, is that the
injustice and wastage of our American indus-
trial and social order are too deep-seated to be
overcome by ordinary expedients of reform;
and the process by which, as this conviction
has grown, reform has given way to insur-
gency and insurgency to progressivism is
sketched with keen insight into both the
psychology and the economic environment of
the American people. Reforms, whether in
the civil service, in municipal politics, or in
other branches of public affairs, were always
(so we are told) half-hearted and ephemeral ;
insurgency was largely obstructionist and
negative; only progressivism takes the long
view and seeks to build from the foundations.
There are, Mr. Croly admits, various brands
of progressivism, and the comparison which is
drawn between the progressivism of Mr.
Roosevelt and that of President Wilson is illu-
minating, if not at every point convincing.
Roosevelt progressivism, it is admitted, "can
fairly be charged with many ambiguities."
But in one essential respect, it is contended,
its meaning is unmistakable. "Its advocates
are committed to a drastic reorganization of
the American political and economic system,
to the substitution of a frank social policy for
the individualism of the past, and to the
realization of this policy, if necessary, by the
use of efficient governmental instruments."
The progressivism of President Wilson is
characterized as "vague in precisely this essen-
tial respect," and its vagueness is said to be of
a kind that is elusive and secretive rather than
merely flexible. While Roosevelt progressiv-
ism considers the existing order fundamen-
tally unsound, so that no mere loppings off
here and tonings up there will meet the social
need, the tendency of the Wilson school is to
emphasize those aspects of progressivism
which "can be interpreted as the emancipa-
tion of an essentially excellent system from
corrupting and perverting parasites." The
progressivism which results is scrupulously
careful not to be too progressive, and, like the
reform movements which have been super-
seded, it poses as a "higher conservatism."
In its emphasis upon the restriction of gov-
ernmental regulation, the "new freedom"
harks back to Jeffersonian individualism. It
voices no desire "to substitute for an auto-
matic competitive economic regime one in
which a conscious social purpose, equipped
with an adequate technical method, was to
play a decisive part." Mr. Croly recognizes
that Mr. Wilson's version of progressivism,
116
THE DIAL
Feb. 16
"whatever its underlying tendency and mean-
ing, is a high and serious doctrine, which is
the outcome of real elevation of purpose and
feeling, and which up to date has had on the
whole a beneficial effect on public opinion."
He recognizes, too, that as a matter of prac-
tical politics Mr. Wilson, in his capacity of
party leader, has been obliged to lay emphasis
upon any possible analogies between pro-
gressivism and the historic tradition of his
party. He feels, none the less, that the Presi-
dent's progressivism has in too large a degree
the backward look. It is not a new birth of
public spirit; it is a rebirth. It is not an
awakening of public opinion to something
novel ; it is a reawakening. It is not aiming
at an unprecedented vitalizing of democracy,
but at its revival along traditional lines.
Were it not for the trammels of his party and
official connections, Mr. Croly suggests, Mr.
Wilson would probably place the emphasis
differently. But as it is, his progressivism
must be adjudged partial, halting, and inade-
quate to meet the needs of the times.
Mr. Croly recognizes the value of the con-
servative spirit in a society, and he freely
admits the general sincerity of that portion of
the American people which is, whether or not
it calls itself such, conservative. He agrees
that men cannot reasonably be expected to
break with an old system until they can see
what is to be put in its place. The providing
of a substitute for the existing order in the
United States is the peculiar and indispensa-
ble task of progressivism; and not merely a
new order, but a new faith, "upon the rock of
which may be built a better structure of indi-
vidual and social life." The object of the
present volume is to consider "whether any
substitute is needed for the traditional system,
and whether progressivism offers any prospect
of living up to the manifest requirements of
the part." The answer to both questions is,
of course, affirmative; and whatever one's
opinion of the conclusions reached, it must be
conceded that the spirit in which the inquiry
is made is altogether commendable.
The vital defect of the existing system is
conceived to be the indirectness of popular
control over the national government. The
Constitution is too difficult to amend; the
workings of the government are controlled too
much by legalism rather than by the public
will ; the courts have become the irresponsible
interpreters of the Constitution, and therefore
the irresponsible makers of law under the
Constitution. The best, and only real, remedy
is declared to be direct government by the
people, "entered into with wisdom and cau-
tion." That direct government — taking ex-
pression chiefly in the initiative, the referen-
dum, and the recall — is retrogressive, merely
because its methods exhibit certain analogies
to those used in city and tribal states, is
denied; and in a chapter under the title
"Direct versus Representative Government"
will be found an argument as masterful as
has been put in print in favor of the direct
system. The nationalizing of our democracy,
while preserving in state and city vigorous
agencies of local self-government; the break-
ing of the paralyzing grip of legalism, while
preserving the respect of the people for law ;
the extension to the body politic of unre-
stricted and immediate control over its gov-
ernmental institutions, while perpetuating the
practical conveniences of the representative
system, — these are the supreme ends toward
which, we are assured, all true progressivism
moves.
The cardinal proposition of Mr. Lippmann 's
book is that in the present era of unrest there
is too much aimless drifting, too much futile
beating of the waves, and not enough mastery
of the situation such as the people are capable
of if only they be well-informed, courageous,
and ably led. That the epoch in which we
live is one of unrest is a condition not of our
choosing. The case against absolutism, com-
mercial oligarchy, and unquestioned creeds
has been made out. "The rebel program is
stated. Scientific invention and blind social
currents have made the old authority impos-
sible in fact, the artillery fire of the iconoclasts
has shattered its prestige. We inherit a rebel
tradition." In this situation, , the battle for
us, we are admonished, lies not against crusted
prejudice but against the chaos of a new free-
dom. The danger is no longer from unreason-
ing conservatism, but rather from the anarchy
of untried, unorganized, combative radical-
ism. There must somewhere be mastery, and
under twentieth century conditions and ideas
the only possible master is the people. This
means democracy. But democracy must be
conceived as something more than the absence
of czars, more than freedom, more than equal
opportunity. "It is a way of life, a use of
freedom, an embrace of opportunity." It is
positive, virile, fundamental.
But the proper mastery of their own affairs
by the people is conditioned upon several
things. It involves intelligence, alertness, and
strong civic sense. ' ' A servile community will
have a master, if not a monarch then a land-
lord or a boss, and no legal device will save it.
A nation of uncritical drifters can change
only the form of tyranny, for, like Christian's
sword, democracy is a weapon in the hands of
those who have the courage and the skill to
1915]
THE DIAL
117
wield it; in all others it is a rusty piece of
junk. ' ' The mastery of the people involves
also a new .industrial emancipation. No one
unafflicted with invincible ignorance, we are
told, desires to preserve our economic system
in its existing form. The thought is that
there can be no true political democracy unless
there is a much closer approach than at pres-
ent to an economic democracy. Men must be
reasonably well-to-do and accustomed to self-
mastery before they can achieve a stable and
masterful social or political democracy.
Recognizing that the day is past when any-
body can pretend to have laid down an inclu-
sive or final analysis of the democratic prob-
lem, Mr. Lippmann seeks in his book to diag-
nose the current unrest and to ' ' arrive at some
sense of what democracy implies." As he
frankly explains, his chapters touch upon the
American problem at only a few significant
points. Of special interest is his discussion of
the problem of ' ' big business, ' ' the labor move-
ment, the trusts, the woman's movement, and
the contemporary processes of intellectual and
social emancipation. But the book is notable
for its points of view and for its penetrating,
often caustic, observations upon the phenom-
ena of our time, rather than for systematic
discussion of any subject or group of subjects.
It is not a book of information, but one of
suggestion. If it preaches the doctrine of
progressi vism, it does so by the general tenor
of its philosophy, not by the grosser method
of direct argument. It could not more deftly
supplement Mr. Croly 's book if it had been
written expressly for the purpose.
In his " Progressivism — and After" Mr.
Walling has given us, from the point of view
of a socialist, an economic interpretation of
contemporary American politics. That poli-
tics in our day has well-nigh become a mere
exercise in applied economics, is a fact known
to every competent observer. Three-fourths of
the time Mr. Croly and Mr. Lippmann are
writing in their books about matters which are
distinctly economic, or which involve impor-
tant economic relationships. Progressivism is
itself builded upon the unrest which arises
principally from economic conditions. It is
not unnatural, therefore, that Mr. Walling
seeks to follow out in his thought the prepon-
derating economic trend and attempts to iden-
tify certain phases of present political and
industrial development as stages in the his-
toric process whose ultimate product, as he
views it, is to be the socialistic state. That a
complete and absolute social democracy is to
be the eventual outcome of past and present
developments, he never for a moment doubts.
The rule of privileged minorities is to give
way to that of privileged majorities, and by
assisting in the establishment of true majority
rule, albeit at first in the domain of govern-
ment only, progressivism is playing directly
into the hands of socialism. Of course Mr.
Walling does not expect the triumph of social-
ism immediately. On the contrary that event
is, he admits, a long way off. The capitalistic
regime will hold out yet awhile, and it will
even be constrained to extend to the wage-
earning masses certain further improvements
in conditions of life and labor, although only
as an expedient to increase productivity and
profits, not at all from considerations of altru-
ism or of patriotism. Eventually, however,
this will fail to satisfy and, the way having
been prepared by the reforms carried through
by progressivism, private capitalism will be
succeeded by state capitalism; that in time
will give way to state socialism, or laborism;
and from this it will be but a step to the social-
istic society in its final and idealized form.
FREDERIC AUSTIN OGG.
ARCTIC LANDS FORLORN.*
Under the happy though cheerless title of
"Lands Forlorn," Mr. George M. Douglas
tells the story of his expedition in 1911-12
through a portion of the Barren Grounds of
Northern Canada to the mouth of the Copper-
mine River. The ostensible object of the jour-
ney was to report on the copper-bearing rocks
of the Coppermine; but, although scientific
data of value were obtained, one gets the im-
pression throughout the narrative that the
underlying motive was exploration pure and
simple. Mr. Douglas had been engaged for
years as an engineer in the hot and arid re-
gions of the Southwest; and when oppor-
tunity came for a holiday he naturally chose,
being of an adventurous and resourceful
disposition, the practically unexplored wilder-
ness of the extreme north. The journey in-
volved a certain amount of hardship, and
enough danger to give spice to the adventure ;
but what one finds peculiarly refreshing is the
entire absence of that heroic pose that marks
so many narratives of more or less original
exploration. Mr. Douglas makes it clear that
a small party of white men, accustomed to
roughing it, with a suitable equipment, and
without the embarrassment of native guides,
can not only travel practically anywhere in
Northern Canada, but may winter there with
no very serious danger or even discomfort.
The route was by rail to Edmonton, thence
* LANDS FORLORN. The Story of an Expedition to Hearne's
Coppermine River. By George M. Douglas. With an Intro-
duction by James Douglas, LL.D. Illustrated. New York :
G. P. Putnam's Sons.
118
THE DIAL
[ Feb. 16
by stage to Athabaska Landing on the Atha-
baska, thence by canoe and scow to Fort Mc-
Murray, and by the steamers of the Hudson's
Bay Company to Lake Athabaska and Great
Slave Lake and down the Mackenzie to Fort
Norman at the mouth of Bear River. Here
the expedition really began, Mr. Douglas and
his companions being henceforth thrown upon
their own resources. They made their way up
Bear River, and through Great Bear Lake, not
without a good deal of difficulty by reason of
the ice; and finally reached Dease River,
where they built a comfortable log cabin to
serve as headquarters. From this point to the
Coppermine was no very great distance as the
crow flies, but the intervening country pre-
sented serious difficulties, not the least of
which was the fact that very few white men
had passed this way since Hearne discovered
the Coppermine in 1771, and even these had
left most imperfect descriptions of the route.
Nevertheless Mr. Douglas managed before the
close of the season of 1911 to make his way
over the height of land and down to the Cop-
permine. Feeling that the way was now clear
to their more ambitious expedition planned
for the succeeding spring, he and his compan-
ions settled down for the long winter at Hodg-
son's Point, their main camp.
The chapter devoted to this winter in the
Arctic makes exceedingly interesting reading.
An ample supply of the right kind of provis-
ions had been brought up from Edmonton,
and systematic hunting added more than suffi-
cient caribou and ptarmigan to keep the party
in fresh meat, and for variety big lake trout
could be got through the ice at any time ; dead
spruce trees kept them in firewood. The work
was so distributed that each man had it in
turn to hunt, cook, and collect firewood; the
first and last gave them outdoor exercise,
while cooking offered endless opportunities
for culinary experiments not always favorably
received. Bird life was remarkably abundant
for this rigorous country; ptarmigan were
plentiful all the time, usually in large flocks,
ravens were occasionally seen, as well as sev-
eral kinds of hawks, whisky-jacks, chickadees,
and once a big snow-white owl. The only
really serious drawback seems to have been
the absence of a convenient circulating library.
Their stock of literature was naturally small.
Mr. Douglas had borrowed Michelet's ''His-
tory of France" from the Hudson's Bay Com-
pany's factor at Fort Simpson, and this
proved a godsend to the party. It was read
and re-read, though in a manner that was
surely somewhat original. "It was in two
volumes, ' ' says Mr. Douglas, ' ' and the Doctor
would read one while I pored over the other;
then we would exchange, and re-exchange
them. Whether he knows less about the early
history of France now than I do I. would hesi-
tate to conjecture. I don't think Lion ever
tackled this book; had it been in three vol-
umes he might have done so. ' ' These winter
quarters were some twenty-five miles within
the Arctic Circle; the sun was seen for the
last time on December 9, and for the first time
on New Year 's day ; the temperature in Janu-
ary ran down to 56°, 57°, and 59° below zero.
That men inexperienced in travel in the far
north could spend a winter on Great Bear
Lake, not merely in comfort but with appar-
ent enjoyment, upsets many popular impres-
sions as to the hardships of this region.
The spring journey was in every respect
successful. Thanks to their careful planning,
and the knowledge of the route acquired the
previous autumn, the explorers reached the
Coppermine without serious difficulty, and
made their way down to its mouth, spending
some time in an examination of the copper
deposits. Whether or not profitable ore exists
in this country cannot be determined without
a more thorough survey. Throughout this
part of the narrative one obtains exceedingly
interesting glimpses of the Eskimos.
The book is illustrated with reproductions
of nearly two hundred photographs taken in
the course of the journey, all interesting and
some remarkably so. One that has rather a
tragic interest represents Radford and Street
of the Mounted Police in their canoe, at Fort
Simpson, as they started out on the expedition
from which they never returned.
LAWRENCE J. BURPEE.
RECENT FICTION.*
The publication of an English version of
M. Artzibashef's "Sanine" is bound to at-
tract attention. The book has been widely
regarded as an expression of the despair into
which the Russian intelligentsia degenerated
after the failure of the last attempt to obtain
a truly constitutional government, a despair
which substituted doubt for faith and self-
indulgence for self-sacrifice. It created a
furore in Europe. Saninism became a cult
which spread rapidly through young Russia.
The idea behind it was that the only happi-
ness in life is to be found in the satisfaction
of one's immediate desires — an idea which
the book upholds by precept rather than by
example since, with the exception of the hero,
* SANINE. By Michael Artzibashef. Translated into En-
glish by Percy Pinkerton, with a Preface by Gilbert Cannan.
New York : B. W. Huebsch.
YOUNG EARNEST. By Gilbert Cannan. New York : D. Apple-
ton & Co.
1915]
THE DIAL
119
unhappiness is visited alike on those who
yield to their instincts and those who do not.
Until now "Sanine" has been regarded as
unsuitable for translation into English, not
merely because of its scenes of passion (which
could, and to a degree have been, eliminated)
but because of its point of view, so alien to
the Anglo-Saxon in its acceptance of sex-
hunger. Professor William Lyon Phelps
takes M. Artzibashef seriously, assuring us
that while the tendency of this novel is to be
deplored its art proves the author a man "to
be reckoned with." Mr. Gilbert Cannan, who
has made out as good a case for the book as is
possible, takes rather the opposite view. He
remarks in his Preface to the present version :
" It has been objected to M. Artzibashef 's work
that it deals so little with love and so much with
physical necessity. That arises, I fancy, because
his journalistic intention has overridden his artis-
tic purpose. He has been exasperated into frank-
ness rather than moved to truth. He has desired
to lay certain facts of modern existence before the
world and has done so in a form which could gain
a hearing, as a pure work of art probably could
not. He has attempted a re-valuation where it
was most needed, where the unhappy Weininger
failed. Weininger demanded, insanely, that hu-
manity should renounce sex and the brutality it
fosters; Artzibashef suggests that the brutishness
should be accepted frankly, cleared of confusion
with love, and slowly mastered so that out of pas-
sion love can grow."
We suspect that M. Artzibashef will find some
little difficulty in understanding what Mr.
Cannan is talking about, if he ever reads the
English Preface to his novel ; but no matter.
It is hard to believe that "Sanine" would
have gained less of a hearing if it had been
true instead of merely frank, like one of M.
Brieux's plays, but there is no question about
the justice of Mr. Cannan 's adjectives.
"Sanine" is journalistic and frank rather
than artistic and true. M. Artzibashef is
hardly more to be "reckoned with" than any
one of a dozen contemporary American nov-
elists. He has set out to smash certain roman-
tic notions about the sex motive, but in so far
as he is successful he has only substituted one
sentimentality for another. His admiration
for Sanine, the strong, healthy, natural man
who always takes what he wants and never
regrets, who always says exactly what he
means and who is as free from illusions as he
is from doubts, is almost as naive as the
adolescent boy's admiration for Jesse James.
Sanine is the kind of dream of strength and
beauty one might expect a highly introspec-
tive, unhappy, and physically weak man to
construct for himself. Those who are much
given to the torture of doubt, and especially
those who, lacking vitality, exaggerate the
satisfactions of physical strength, are as sus-
ceptible to this sort of romanticism exactly as
vulgar, brutish people are susceptible to a
kind of fine sentiment that amuses or disgusts
persons of a critical sensibility. Those who
thunder against such a book and those who
hail it with a glad cry are perhaps equally
mistaken. Its capacity to do good and its
capacity to do harm are alike limited. But
whatever its defects it is a sincere work.
Mr. Cannan 's "Young Earnest" is very
much in the vein of its predecessor, "Old
Mole." It is better organized, but there are
not so many good bits in it. No one can possi-
bly take exception to it on the same grounds as
exception has been taken to M. Artzibashef 's
book. Rene Fourmy, the "young Earnest"
of the title, is an instructor in economics at a
provincial university who runs away from
his classes and his wife to adopt driving a
taxi-cab as a profession and to take a Lon-
don factory girl as a mistress. Mr. Cannan
is still vigorously engaged in attacking bour-
geois society. It is characteristic that the
struggle in his hero 's mind, which is the strug-
gle to "escape from sleep and death," should
take him from a university instructorship to
taxi-driving. It is characteristic, also, that
Mr. Cannan should be much more convincing
about the sleep and death than about the
escape from it. The story of how Linda
Brock, clever, pretty, conscienceless, set out
to capture Rene Fourmy is well done; the
story of Ann Puddick is well done ; and even
the story of Catherine, whom he finally mar-
ried, is well done. But somehow or other,
though the women are well sketched in, the
man, who should be something more than a
sketch, is never put before us. The book
remains amusing, and sometimes moving, but
it is not very real. Mr. Cannan has so much
to say about his people that he has to save on
the space he uses in presenting them. In the
endeavor to put the material of a very long
novel into a minimum of pages he skips too
much. There are conversations between Rene
and his mother, Rene and his father, and
Rene and the three women with whom he
successively lives, of which one feels that peo-
ple don't say such things. Mr. Cannan is
aware of it. He has tried to give us the essen-
tials of their talk, having lent his people his
own expressiveness in order to save our being
bored with their inexpressiveness, but he sac-
rifices too much of the illusion. We feel, as
we have felt before of Mr. Cannan 's novels,
that this book is the artistic experiment, im-
mensely interesting, of a talent both "young"
and "Earnest." LUCIAN GARY.
120
THE DIAL.
Feb. 16
BRIEFS ox KEW BOOKS.
If not his best book. M. Maeter-
M. Maeterlinck ,.,,// m1 TT i /^i A. »
on subliminal linck s The Unknown Guest
(Dodd) is certainly one of the
most readable and stimulating works which he
has yet produced. The clearness of his style,
even in an English translation, is nothing
short of amazing and a revelation to English
readers accustomed to the cumbersome and in-
tricate subtleties of other writers in similar
fields. William James and M. Bergson have
brought modern philosophies out of the clos-
ets ; but an infinitely more difficult task is his
who brings mysticism into the light of com-
mon day and makes of it the most triumphant
sort of common sense. Of the five chapters in
the present book, three have already appeared
in as many different magazines : ' ' The Knowl-
edge of the Future, ' ' ' ' The Elberf eld Horses, ' '
and "The Unknown Guest." The other two
chapters, "Phantasms of the Living and the
Dead ' ' and ' ' Psychometry, ' ' are new. The
book is the second of a trilogy: the first was
an essay on death, entitled "Our Eternity";
the present volume, dealing with veridical
apparitions and hallucinations, psychometric
manifestations, and all manner of subliminal
phenomena, is to be followed by a third which
will "treat of the miracles of Lourdes and
other places, the phenomena of so-called
materialization, of the divining-rod and of
fluidic asepsis." In his chapter on "The
Knowledge of the Future," M, Maeterlinck
presents a brief but trenchant scientific
critique of the mightiest of all mysteries,
psychological or theological. His investiga-
tion at Elberfeld of Herr Krall and his won-
derful "denkende Tiere," Muhammed, Zarif,
and the rest, leaves little to be desired from
the standpoint of scientific criticism, and cer-
tainly nothing at all from that of artistic
presentation. M. Maeterlinck sees in these
animals indubitable indications of clairvoy-
ancy, and so thinks it proper to discuss their
miracles of rapid calculation and spontaneous
thought-origination along with the other mul-
tiform and restless travailings of "the un-
known guest. ' ' There is within us, he writes,
"a strange, inconsistent, whimsical and dis-
concerting" entity that "seems to live on
nothing but nondescript fare borrowed from
worlds to which our intelligence as yet has no
access. It lives under our reason, in a sort of
invisible and perhaps eternal palace, like a
casual guest, dropped from another planet,
whose interests, ideas, habits, passions have
naught in common with ours ... It knows
everything, perhaps, but is ignorant of the
uses of its knowledge. It has its arms laden
with treasures . . . Lastly, even at its best
moments, it behaves as though the fate of the
being in whose depth it dwells interested it
hardly at all, as though it had but an insignifi-
cant share in his misfortunes, feeling assured,
one might almost think, of an independent and
endless existence." This "unknown guest"
pervades the book, and gives to its several
chapters a gripping unity.
If you don 't believe that agricul-
F arming as * . .. ... ° , .
the finest of ture is a noble calling, ranking
high among the learned profes-
sions, read Dr. Harvey W. "Wiley's book, "The
Lure of the Land" (Century), in which the
former Chief Chemist of our national Depart-
ment of Agriculture, now a scientific farmer
in Virginia, ably and at the same time with
much charm of manner defends the thesis that
"farming requires the greatest industry, the
keenest intellect, and the best training of all
of the professions." Though waiting until
comparatively late in life before furnishing
the most convincing possible proof of his faith
in farming as the worthiest of mortal pursuits,
Dr. Wiley was born and bred on a farm and
was from childhood familiar with the praises
of farming life from his father's lips. A
favorite story often told by that wise father
was as follows: "A farmer with three sons
was asked what he purposed to make of them.
He replied: 'John is the brightest of my
boys, the most industrious, anxious to work,
and quick to learn. I am going to make a
farmer of him. Sam would rather talk than
work, and is fond of telling all he knows and
much that he imagines. I am going to make a
lawyer of him. Thomas is the laziest one of all
my boys. In fact, he is so lazy that he never
gets into any trouble of any kind. I am going
to make a preacher of him.' ' One could
hardly be better qualified than Dr. Wiley both
to engage intelligently in scientific farming
and to write instructively and entertainingly
about it. Going "at a plump age," as he
expresses it, to till the soil, he has both a stock
of useful technical knowledge in agricultural
chemistry and a good supply of apt idioms
wherewith to communicate his knowledge and
the results of his experience to intending
farmers and to those other readers who must
content themselves with enjoying his book
without yielding to "the lure of the land."
Comparatively few are those who can wisely
and successfully follow his example in taking
up "farming after fifty," but there are thou-
sands of younger men, already tilling the soil
or about to engage in that industry, who
should be able to profit by the admonition and
advice of this expert agriculturist.
1915]
THE DIAL
121
The war as war wiH nOt last
« prelude to f orever, and it is not too soon to
forecast its effect upon society.
Among those who have sought to pierce the
veil of the future is Mr. L. Cecil Jane, whose
volume entitled "The Nations at War: The
Birth of a New Era" (Button) is a strangely
optimistic prophecy. If one half of the bless-
ings that Mr. Jane categorically states will
follow in the train of this war should actually
ensue, the nations would have secured them at
a bargain. The author believes that this war
will usher in an age of toleration to supersede
intolerance in the recognition of nationalism,
and of voluntary assent in place of coercion in
government. These two substitutions will ful-
fil all the law and the prophets ; arbitration
will settle international and domestic disputes ;
militarism will perish, because the fallacy of
entrusting the maintenance of peace to an
armed camp has been exposed; the work of
the French Revolution will be consummated
in the triumph of democracy; strikes will be
no more, because employer and employee will
approach each other as friends with common
interests ; the sexes will be on a legal equality ;
the agencies of culture, religion, and govern-
ment will all press forward with new ideals of
tolerant cooperation ; statesmen will be sought,
rather than party-men, by an electorate which
has a new sense of values. Few readers will
go all the way to his Utopia with Mr. Jane, but
one may catch something of his enthusiasm,
and be the better for it. If the world is going
to be better after this war, as it must be, not
one man but millions of men must have the
faith and the optimism of Mr. Jane. The only
way that one may sit in the present darkness
with any comfort is to believe that the light of
a better day is about to break in men 's hearts.
It is encouraging that such a book as this
should find a publisher at the present time.
Health in its The socialization of medicine in-
social aspects volves not only the application
lce- of the discoveries of biological
and medical sciences in the fields of public
and social hygiene, sanitation, and preventive
medicine, but also the creation of a sound pub-
lic opinion based on a knowledge and appre-
ciation of the discoveries of the past few years
which are revolutionizing medical science and
practice. One of the main factors in the crea-
tion of such a public opinion is the ability to
command a hearing in this day of health fad-
dists and of negations. Dr. Woods Hutchin-
son wields so trenchant a pen that his readers
are always interested and entertained, if not
convinced. Unstilted, untechnical, versatile,
and rich in allusion to affairs past and pres-
ent, he challenges the mind of his reader by
the brilliancy and piquancy of his attack, the
wealth of his material, and the forcefulness
with which he repeatedly drives home the sig-
nificant conclusions regarding diseases and
their social consequences. His latest volume
of essays, "Civilization and Health" (Hough-
ton) , is a rapid-fire defence of the new science
of preventive medicine, of the utilization of
guinea pigs in medical research, and of the
feminist movement in so far as it offers a
wider field of action for women and is based
on a candid recognition of the physical differ-
ences between men and women in their nervous
organization and limitations. He also takes up
the cudgels for the employer's interest in the
employee's health, the regulation of industry
from the standpoint of hygiene and health,
personal and national, lends a hand to the
"swat the fly" and pure milk campaigns, and
has a good word to say for the vacation habit
and the out-of-door life. Such books make for
intelligent citizenship, and for efficiency in the
hygienic functioning of the body politic.
Varied aspects In Mr- JaKleS Davenpqrt Whelp-
of American ley s volume entitled Amer-
ican Public Opinion" (Button)
there are presented fourteen essays upon
varied aspects of the public affairs of this
country. All save two have appeared pre-
viously in English or American magazines.
Five deal with subjects of a domestic nature,
including two in which there are some observa-
tions upon the character of public opinion in
this country. The other nine deal with phases
of foreign policy — the handicaps of the diplo-
matic service, the Monroe Doctrine, food as an
international asset, and the relations of the
United States with Mexico, with the Balkan
States, with Russia, with Japan, and with the
Far East in general. There is not in the essays
much that is new or anything that is profound.
There is a good deal that is inaccurate. For
example, in the opening paragraph of "The
Overtaxed Melting-Pot" we are told that the
immigration measure vetoed in 1913 by Presi-
dent Taft imposed a literacy test upon every
alien coming to the United States, when as a
matter of fact large numbers of newcomers
(relatives of admissible aliens) were specifi-
cally exempted. And one wonders by what
sort of prescience the author came to the
knowledge that this measure, re-introduced in
the present Congress, would "in time become
a law with the sanction of President Wilson. ' '
The work of the Immigration Commission of
1907 is unjustly criticized, and the essay is in
other respects at fault. All in all, one cannot
repress the observation that if these papers
were to be reprinted, they should first have
been revised and corrected.
122
THE DIAX,
[Feb. 16
A camera
actress in
West Africa.
The cinematograph is playing
no small part in undermining
the reading habit and lessening
the demand for printed books, particularly
among the rising generation. It is therefore
somewhat refreshing to discover from the pen
of a "movie" actress a serious book devoted to
the writer's experiences in West African
wilds while collecting films depicting native
life, and when posing as the white heroine in
Anglo- African cinematograph dramas in con-
junction with Major Schomburgk. Miss M.
Gehrts's "A Camera Actress in the Wilds of
Togoland" (Lippincott) is written with little
stress on the professional aspects of the au-
thor's remarkable trip into the remotest cor-
ners of this German colony. It is, rather, an
extensively illustrated narrative of the jour-
ney of a very observant woman, — observant
especially of German efficiency in matters of
health and sanitation, of the development of
commerce and industry, and discipline of the
native peoples under their control. She is
chiefly interested in human nature, and as a
result her narrative is concerned more with
the incidents of the expedition than with the
natural features of the country she explored.
Her excellent photographs and interesting
chapters tell us little of the wild life of the
jungle, but are replete with accounts of the
native tribes.
Talks on life "The College Course and the
lliCcMwer Preparation for Life" (Hough-
president, ton) is a series of eight talks
delivered at Williams College by Dr. Albert
Parker Fitch, president of the Faculty of
Andover Theological Seminary. The volume
is heartily to be recommended for its sane,
stimulating, and vivid discussion of the life
and the ideals of college students. President
Fitch writes with a candor and an undeviating
directness which must appeal to even the most
blase of young men. Fearlessly, nobly, and
with good will for all youth, in his chapter
entitled "The Fight for Character" the au-
thor searches with explicit analysis the very
heart of the temptations of college life, and
offers wise counsel to those who are dwarfed
and cramped by unworthy standards. Whether
read by collegians or by others, the book will
prove an ardent and undidactic call to higher
ideals. The chapters on religious experience,
as well as those on "The Distaste for the
Beautiful" and "Is Learning Essential?" re-
veal much that is profoundly significant in
the trend of modern life. Here, and through-
out the book, the keen idealism of a tolerant
yet critical observer gives special zest to all
that President Fitch has to say.
Sir J. G. Frazer's selection of Addison's Essays,
which Messrs. Macmillan have in press, will be
published in two volumes in the " Eversley Series."
Professor Roland G. Usher's " Pan- American-
ism: A Forecast of the Inevitable Clash between
the United States and Europe's Victor " appears
among the March announcements of the Century
Co.
" Chaucer and His Poetry," by Professor George
Lyman Kittredge, and " Mediaeval Spanish Alle-
gory," by Dr. Chandler B. Post, are two volumes
announced for immediate issue by the Harvard
University Press.
" The Healing of Nations " is the title of Mr.
Edward Carpenter's new volume of essays which
is announced for early issue. In the volume are
essays on " Psychology of War and Recruiting,"
" War and Lust," and " Conscription."
Mr. Stephen Graham's articles on the Russian
Empire of to-day, and its share in the Great War,
will be republished in a new volume entitled
" Russia and the World." The work will be illus-
trated with a series of photogravure plates.
Mr. Henry Arthur Jones's volume of three short
plays, which Messrs. George H. Doran Co. have in
press, is entitled " The Theatre of Ideas." In the
Introduction the author satirizes the peace move-
ment and prevalent freak theatre movements of
the day.
A collection of "African Adventure Stories "
will be published almost immediately in this coun-
try and England. The author is Mr. J. Alden
Loring, who was field naturalist to the Roosevelt
African Expedition, and Mr. Roosevelt contributes
a foreword.
Miss Evelyn Underbill, who has recently collabo-
rated with the Indian mystic, Mr. Rabindranath
Tagore, in the translation of his latest volume,
" Songs of Kabir," is now at work on a book to be
entitled " Practical Mysticism," which Messrs. But-
ton will publish.
A critical biography of Mr. Edward Carpenter
has been written by Mr. Edward Lewis, and will be
one of the books of the early spring. It will con-
tain a systematic exposition of Mr. Carpenter's
teaching, together with some personal touches
which are only possible from the pen of an inti-
mate friend.
" The Message of Japan to America," recently
published by Messrs. Putnam, is to be followed by
a companion volume entitled, " The Message of the
United States to Japan," written by several repre-
sentative citizens of the United States. The same
publishers announce a study of James Russell
Lowell as a critic, by Mr. Joseph J. Reilly.
Among the unusually large number of names of
prominent English and American novelists repre-
sented on the spring announcement lists are those
of Messrs. H. G. Wells, William Locke, E. F.
Benson, Maurice Hewlett, W. L. Comfort, Arthur
Bullard ("Albert Edwards"), Frank Harris,
Joseph Conrad, Eden Phillpotts, and Theodore
Dreiser.
1915] .
THE DIAL
123
Mr. Francis Gribble, who was in Luxemburg at
the outbreak of the war, and is now held by the
Germans as a prisoner, has a new book coming
out very soon dealing with " The Royal House of
Portugal." The author traces the history of the
House of Braganza back from its earliest days to
the revolution which resulted in its exile in this
country.
Under the title of " The Lonely Nietzsche," the
Sturgis & Walton Co. will soon publish the second
and concluding volume of the authorized life of
Friedrich Nietzsche, written by his sister, Mrs.
Forster-Nietzsehe. The first volume, " The Young
Nietzsche," dealt with the years of childhood and
adolescence of the philosopher; the present book
recounts the later half of his career.
The Drama League of America announces a
prize of one hundred dollars, offered by Miss Kate
Oglebay, National Chairman of the Junior Work,
for the best play for children from six to sixteen
years of age, submitted to the National Committee
by June 1, 1915, and meeting the requirements out-
lined in their recent Bulletin. The prize- winning
play will be published by Messrs. Macmillan, the
author of it receiving the usual royalties from
publication.
The Rev. Fr. C. C. Martindale, S.J., has ac-
cepted the invitation of Cardinal Bourne and
Mr. A. C. Benson to write the authorized Life of
Monsignor R. Hugh Benson. He will be glad to
receive letters written by Monsignor Benson from
any who are kind enough to lend them. They may
be sent to him at Stonyhurst College, Blackburn,
England, and will in all cases be returned. No
other biography will be authorized by Monsignor
Benson's representatives.
A complete translation of Treitschke's history
of modern Germany, in five volumes, running to a
million and a half words, is being arranged by a
London publisher. It is expected that the first
volume will be ready in April, and that the work
will be completed at the rate of one volume every
three months. For this edition a supplementary
volume will be written for publication after the
present war, carrying the narrative from the point
at which it was left by Treitschke down to the
declaration of peace.
Mr. Frederick W. Jenkins, librarian of the
Russell Sage Foundation Library, wishes other
librarians to know of his collection of duplicate
publications on applied sociology. These are
available for distribution, and full information on
the subject, together with the first instalment of a
list of these offered duplicates, will be found in the
January "Library Journal," which continues the
list in subsequent numbers. Care has been taken to
exclude worthless matter from the list, so that Mr.
Jenkins's offer is something better than an appeal
for congestion-relief.
The undertaking of a concordance to the Poeti-
cal Works of Robert Browning was announced at
the annual meeting of the Concordance Society of
America, held at Columbia University, December
30, 1914. This new work is under the editorship of
Professor L. N. Broughton of Cornell University
and Professor B. F. Stelter of the University of
Southern California, who wish to make this fur-
ther announcement of their undertaking in order
to avoid any possible duplication of their labors.
Communications regarding the work may be ad-
dressed to Professor L. N. Broughton, Ithaca, N. Y.
" Fairyland," the opera by Messrs. Brian
Hooker and Horatio Parker which was awarded
first prize by the National Committee of the San
Francisco Exposition, will be published this month
by the Yale University Press. Other February
books of this house include a new translation of
Dante's " Divine Comedy," prepared by Professor
Henry Johnson ; " Yale Yesterdays," by the late
Clarence Deming ; " Centenary of the Yale Medi-
cal School," edited by Dr. William H. Carmalt;
" Critical Essays of the Eighteenth Century,"
edited by Dr. Willard H. Durham, and the first
volume of Bracton's " De Legibus et Consuetudini-
bus Anglise," edited by Professor George E.
Woodbine.
The Dunlap Society of New York has planned
the publication of books and prints relating to the
American stage. The first publication of the so-
ciety will be "An Authentic and Impartial Record
of the Career of Dion Boucicault" by Mr. Town-
send Walsh. Other volumes soon to be issued
include "A Memoir of Steele MacKaye," by Mr.
Percy MacKaye, "A Short Account of the Earlier
Activities of the Dunlap Society, with a Descrip-
tive List of Its Publications," by Messrs. Brander
Matthews and Evert Jansen Wendell, "A History
of Mitchel's Olympic Theatre " by Mr. Thomas J.
McKee, and a history of the New York stage from
1900 to date, of which the first volume will appear
in the autumn.
OF NEW BOOKS.
[The following list, containing 57 titles, includes books
received by THE DIAL since its last issue.]
BIOGRAPHY AND REMINISCENCES.
Glass: A Biography of Henry William
Stiegel and an Account of the Method Employed
by Him in the Manufacture of Glass. By Fred-
erick William Hunter, A.M. Illustrated in color,
etc., large 8vo, 272 pages. Houghton Mifflin Co.
$10. net.
Some Old Scots Judges: Anecdotes and Impressions.
By W. Forbes Gray. With portraits, 8vo, 317
pages. E. P. Dutton & Co. $3. net.
Nathan Hale, 1776: Biography and Memorials. By
Henry Phelps Johnston. Revised and enlarged
edition; illustrated, large 8vo, 296 pages. Yale
University Press. $2.35 net.
The Life of Cervantes. By Robinson Smith. With
frontispiece, 12mo, 121 pages. E. P. Dutton &
Co. |1. net.
GENERAL LITERATURE.
Fantastic*, and Other Fancies. By Lafcadio Hearn;
edited by Charles Woodward Hutson. 12mo, 242
pages. "Limited Edition." Houghton Mifflin
Co. $5. net.
The Villa for Coelebs. By J. H. Yoxall. 8vo, 344
pages. E. P. Dutton & Co. $2. net.
The Plays of Eugene Brleiix. By P. V. Thomas.
12mo, 111 pages. John W. Luce & Co.
The Orchard Pavilion. By Arthur Christopher Ben-
son. 16mo, 136 pages. G. P. Putnam's Sons.
$1. net.
NEW EDITIONS OF STANDARD LITERATURE.
The Song: of Roland. Translated into English verse
by Leonard Bacon. 8vo, 160 pages. Yale Uni-
versity Press. $1.50 net.
The Small Hymn-book: The World-book of the
Yattendon Hymnal. Edited by Robert Bridges.
16mo. Oxford: B. H. Blackwell.
124
THE DIAL
[ Feb. 16
The Works of Edgar Allan Poe. Collected and
edited by E. C. Stedman and G. E. Woodberry.
New edition; in 10 volumes, illustrated in photo-
gravure, etc., 8vo. Charles Scribner's Sons.
$20. net.
The English Poems of Henry King, D.D., 1592-1669.
Collected and edited by Lawrence Mason, Ph.D.
Illustrated, 12mo, 226 pages. Yale University
Press. $1.35 net.
The History of England: From the Accession of
James the Second. By Lord Macaulay; edited
by Charles Harding Firth, M.A. Volume V.
Illustrated in color, etc., large 8vo. Macmillan
Co. $3.25 net.
DRAMA AND VERSE.
New Poems. By Robert Browning and Elizabeth
Barrett Browning; edited by Sir Frederic G.
Kenyon. With photogravure portraits, 12mo,
186 pages. Macmillan Co. $1.25 net.
The Free Spirit: Realizations of Middle Age, with
a Note on Personal Expression. By Henry Bryan
Binns. 12mo, 175 pages. B. W. Huebsch.
$1.50 net.
Possession: One-act Plays of Contemporary Life.
By George Middleton. 12mo, 217 pages. Henry
Holt & Co. $1.35 net.
The \VItchmaId, and Other Verses. By Dorothea
Mackellar. 12mo, 99 pages. E. P. Dutton & Co.
$1. net.
The Conquest, and Other Poems. By Richard Os-
borne. 12mo, 271 pages. Richard G. Badger.
A Page of Dreams. By George Klingle. 12mo, 126
pages. Richard G. Badger. $1. net.
FICTION.
Mrs. Martin's Man. By St. John G. Ervine. 12mo,
312 pages. Macmillan Co. $1.35 net.
James. By W. Dane Bank. 12mo, 320 pages.
George H. Doran Co. $1.25 net.
Three Gentlemen from New Caledonia. By R. D.
Hemingway and Henry de Halsalle. 12mo, 437
pages. G. P. Putnam's Sons. $1.35 net.
The Hqunted Heart. By Agnes and Egerton Castle.
Illustrated, 12mo, 396 pages. D. Appleton &
Co. $1.35 net.
The Dusty Road. By Therese Tyler. With frontis-
piece, 12mo, 326 pages. J. B. Lippincott Co.
$1.25 net.
Sheep's Clothing. By Louis Joseph Vance. Illus-
trated, 12mo, 279 pages. Little, Brown & Co.
$1.25 net.
The Romances of Vmosis Ra. By Frederic Thurs-
tan. 12mo, 388 pages. J. B. Lippincott Co.
Homebnrg Memories. By George Fitch. Illus-
trated, 12mo, 302 pages. Little, Brown & Co.
$1.25 net.
The Magic Tale of Harvanger and Yolande. By
G. P. Baker. 12mo, 358 pages. George H. Doran
Co. $1.35 net.
TRAVEL, AND DESCRIPTION.
The Home of the Blizzard: Being the Story of the
Australian Antarctic Expedition, 1911-1914. By
Sir Douglas Mawson, D.Sc. In 2 volumes; illus-
trated in photogravure, etc., large 8vo. J. B.
Lippincott Co. $9. net.
Antarctic Adventure: Scott's Northern Party. By
Raymond E. Priestley. Illustrated, large 8vo,
382 pages. E. P. Dutton & Co. $5. net.
The Old East Indiamen. By E. Keble Chatterton.
Illustrated in color, etc., large 8vo, 343 pages.
J. B. Lippincott Co. $3. net.
PUBLIC AFFAIRS. — POLITICS, SOCIOLOGY,
AND ECONOMICS.
"Welfare as an Economic Quantity. By G. P. Wat-
kins. 12mo, 191 pages. Houghton Mifflin Co.
$1.50 net.
The Law and the Poor. By Edward Abbott Parry.
8vo, 314 pages. E. P. Dutton & Co. $2.50 net.
The Middle West Side and Mothers Who Must Earn.
By Otho G. Cartwright and Katharine Anthony.
Illustrated, 8vo, 223 pages. Survey Associates,
Inc. $2. net.
Conciliation and Arbitration in the Coal Industry
of America. By Arthur E. Suffern, M.A. 8vo,
371 pages. Houghton Mifflin Co. $2. net.
Italy's Foreign and Colonial Policy. By Senator
Tommaso Tittoni; translated by Baron Bernardo
Quarunta di San Severino. With portrait, 8vo,
334 pages. E. P. Dutton & Co. $2.50 net.
Boyhood and Lawlessness, and The Neglected Girl.
By Ruth S. True. Illustrated, 8vo, 143 pages.
Survey Associates, Inc. $2. net.
The Essence and the Ethics of Politics: Individual
Messages to the Public Conscience. By S. Arthur
Cook. 12mo, 348 pages. The Abingdon Press.
$1.25 net.
The Creation of Wealth: Modern Efficiency Methods
Analyzed and Applied. By J. H. Lockwood.
12mo, 225 pages. Cincinnati: The Standard
Publishing Co. $1. net.
BOOKS ABOUT THE WAR.
Germany and Europe. By J. W. Allen. 12mo, 133
pages. Macmillan Co. $1. net.
The Nations at "War: The Birth of a New Era.
By L. Cecil Jane. 12mo, 228 pages. E. P.
Dutton & Co. $1. net.
Austria-Hungary and the War. By Ernest Lud-
wig; with Preface by Konstantin Theodor
Dumba. With frontispiece, 12mo, 220 pages.
J. S. Ogilvie Publishing Co.
Aug-ust, 1914: The Coming of the War. By Spenser
Wilkinson. 12mo, 89 pages. Oxford University
Press.
The Economic Strength of Great Britain. By Harold
Cox. 12mo, 8 pages. Macmillan Co. Paper,
10 cts. net.
BOOKS OF REFERENCE.
"Who's Who (in England), 1915. Svo, 2375 pages.
Macmillan Co. $3.75 net.
Encyclopaedia of Religion and Ethics. Edited by
James Hastings and others. Volume VII., 4to,
911 pages. Charles Scribner's Sons.
The Desk Standard Dictionary of the English Lan-
guage. Abridged by James C. Fernald, L.H.D.
Illustrated, large Svo, 894 pages. Funk & Wag-
nails Co. $1.50 net.
The Englishman's Pocket Latin-English and En-
glish-Latin Dictionary. By S. C. Woodhouse,
M.A. 16mo, 491 pages. E. P. Dutton & Co.
75 cts. net.
Classified Catalogue of the Carnegie Library of
Pittsburgh, 1907-1911. Part X., Svo. Pitts-
burgh: Carnegie Library. Paper.
MISCELLANEOUS.
Efficiency in the Household. By Thetta Quay
Franks. Svo. Doubleday, Page & Co. $1.50 net.
A Handbook of American Pageantry. By Ralph
Davol. Illustrated, Svo, 236 pages. Taunton,
Mass.: Davol Publishing Co.
Law and Usage of "War: A Practical Handbook of
the Law and Usage of Land and Naval Warfare
and Prize. By Sir Thomas Barclay. 12mo, 245
pages. Houghton Mifflin Co. $1.50 net.
Some Staccato Notes for Singers. By Marie Withrow.
16mo, 111 pages. Oliver Ditson Co. $1. net.
A Decade of American Government in the Phil-
ippines, 1903-1913. By David P. Barrows, LL.D.
With portrait, 12mo, 66 pages. World Book Co.
Report of the Smithsonian Institution, for the Year
Ending June 30, 1913. Illustrated, large Svo,
804 pages. Washington: Government Printing
Office.
The New Chivalry. By Henry E. Jackson. 12mo,
122 pages. George H. Doran Co. 50 cts. net.
Makers of America: Franklin, Washington, Jeffer-
son, and Lincoln. By Emma Lilian Dana. With
portraits, 12mo, 205 pages. New York: Immi-
grant Publication Society. Paper.
MRS. RACHEL WEST CLEMENT
Experienced Authors' Agent, Reader and Critic, Specializing in Short
Stories. Reading lee, $1.00 for 5,000 words or under, includes short
criticism. Circulars on request.
6646 Germantown Ave., Philadelphia, Pa.
WILLIAM DOXEY
AUTHORS* AND PUBLISHERS* LITERARY AGENT
535 S. WABASH AVENUE, CHICAGO
MANUSCRIPTS READ AND REPORTED. ... MANUSCRIPTS PREPARED FORTHE
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1915]
THE DIAL
125
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130
THE DIAL
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1915]
THE DIAL
131
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132
THE DIAL
[ March 4, 1915
Mr. Ernest Poole's New Novel Published February 3
Third Edition Now Ready
THE HARBOR
By Ernest Poole
Mr. Poole has written a novel of remarkable power and 'vision in
which are depicted the great changes taking place in American life,
business and ideals in the present generation. Under the tremendous
influence of the great New York harbor, with its docks, warehouses,
its huge liners and its workers, a young writer passes, in the devel-
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efficiency to a deeper knowledge and understanding of humanity.
N. Y. Times
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ing and very significant novel. "
N. Y. Post
11 Many and varied as are the
themes that have been woven
together to make the whole,
each one is clean cut and fits
into its right place. 'The Har-
bor' is well worth reading, both
for what it gives and the manner
in which that is given. "
N. Y. Tribune
"This is a remarkable book,
... an achievement in itself.
It is one of the ablest novels
added to American fiction in
many a year. . . The first
really notable novel produced
by the new democracy, . . .
a book of the past and the
present and the future, not only
of New York and of this
country, but of all the world.
. . Mr. Poole is an author of
exceptional gifts, of ideas and
convictions. Let us hope that
the American reading public,
which has neglected so many
new talents among us, will give
him in fullest measure the recog-
nition which he so fully de-
serves."
Brooklyn Eagle
"Mr. Poole is thoroughly in
earnest, very much in love with
his subject and he has written a
sincere and ... an extremely
vivid story ... a great deal
of the living New York is in it. "
N. Y. World
"A fine new American story,
in the spirit of the hour. . .
A work which must be placed at
once among the rare books that
count — which may prove quite
possibly to be the distinctive
American novel of the year. . .
He finds in the harbor the glory
and the wretchedness of the
world, together with a new, vast
breadth of outlook and a new
depth of thought. . . The New
York it presents is no limited
city, but a vast world centre of
ideas, ideals, hope, passions and
struggles."
- N. Y. Globe
"Mr. Poole' s story is interest-
ing on many counts. . . The
whole is admirably written. . .
One can say of it what he quotes
another as giving as his ideal,
'one more fellow has done his
best — by telling of life as he
has seen it — his changing life
through his changing eyes.' "
"•THE HARBOR' IS THE FIRST REALLY NOTABLE NOVEL
PRODUCED BY THE NEW DEMOCRACY."— New York Tribune.
Price $1.40. On sale at all bookstores.
PUBLISHED
BY
THE MACMILLAN COMPANY
64-66 5th AVENUE
NEW YORK
THE DIAL
Jfortmgfjtlp journal of Hiterarp Cnttctem, Btecussion. ana information.
THE DIAL (founded in 1880) is published fortnightly —
every other Thursday — except in July and August, in which
one issue for each month will appear. TERMS OF SUBSCRIP-
TION, $2. a year in advance, postage -prepaid in the United
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per year extra. REMITTANCES should be by check, or by
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Published by THE HENRY O. SHEPARD COMPANY,
632 So. Sherman St., Chicago.
Entered as Second-Class Matter October 8, 1892, at the Post
Office at Chicago, Illinois, under Act of March 3, 1879.
Vol. LV1IL MARCH 4, 1915 No. 689
CONTEXTS.
WAE AND POETRY 133
CASUAL COMMENT 135
The road to authorship. — Seekers after
curious and rare bits of information. — An
embarrassing obligation. — The passion for
textual criticism. — Juvenile disrespect for
literary property. — French poetry and Ger-
man poetry. — Eeaders behind the bars. —
The place of criticism. — Books as food for
the flames. — Common sense in bibliography.
— One of the famous lawsuits of fiction. —
Books " never in." — Literary diplomats. —
The library as pacificator. — A set-back to
simplified spelling. — The lure of the edition
de luxe. — A university printing house.
COMMUNICATIONS 140
A French Feminist of To-day. Benj. M.
Woodbridge.
Ruskin and War. Ralph Branson.
When Is a Novel not a Novel? W. M. P.
Did Milton Nod? W. F. Warren.
Imperial Japanese Poetry. Ernest W. Clem-
ent.
ONE WHOM THE GODS LOVED. Percy F.
Bicknell 143
CLASSICS ON THE ART OF PLAY-MAKING.
H. C. Chatfield-Taylor 145
EUROPEAN TRAVEL IN THE EIGHTEENTH
CENTURY. Clark 8. Northup .... 147
CHARACTER-READING THROUGH THE
FEATURES. M. V. O'Shea 149
A SKETCH OF THE ENGLISH DRAMA.
Eaymond M. Alden 151
BRIEFS ON NEW BOOKS 152
Lincoln the apostle of democracy. — Humors
of the Scottish law-courts. — A study of musi-
cal psychology. — Twenty great British writ-
ers.— The land of the Aztecs. — Impressions
of things out of the ordinary. — Fifty years
in Madagascar. — An unsolved problem in
modern medicine. — The bible of Renaissance
architects.
NOTES , . 156
TOPICS IN MARCH PERIODICALS
LIST OF NEW BOOKS ,
. 158
. 159
WAR AND POETRY.
A German visitor came to the United
States not long ago for the purpose of sound-
ing American sentiment upon the subject of
the great war. After some weeks of investiga-
tion, during which he interviewed many peo-
ple in the various walks of life, and read his
fill of newspaper and magazine comment, he
became a very despondent and chastened per-
son. In conversation one day, the discussion
turned upon the bankruptcy of German diplo-
macy in the weeks preceding the outbreak of
hostilities, and it was suggested to him that
the capital error of his country was to be found
in its failure to understand the psychology of
the English people. He admitted the justice
of the criticism, and added with a sigh : "We
did not know how they hated us," — thereby
affording an illustration more striking than
any argument in its illumination of the charge.
Now we knew very well how the Germans
hate the English. The passion is expressed in
thousands of sayings, both private and official,
that have of late found issue from the German
mind, and is a national attitude merely crys-
tallized in Herr Ernst Lissauer's "Hassge-
sang, ' ' which has been so adroitly turned into
English and so widely read. When this truly
hateful poem came to the attention of the
English public, it was accompanied (in a letter
to "The Spectator") by an expression of
naive surprise that it should have been first
published in "Jugend," which from its title
would seem to be "a magazine for boys and
girls." So even the most ghastly subjects are
sometimes lighted up by flashes of unconscious
humor. Probably no German in these heated
days could grasp the simple and obvious truth
that an outburst against Germany in Herr
Lissauer's violent strain could not possibly be
a product of the English mind. We can read-
ily imagine an Englishman of the type, say,
of Mr. Galsworthy or Mr. Watson or Mr. Hew-
lett, countering with an entirely sincere and
heartfelt "Liebesgesang" for the country of
the enemy — although such an expression
would of course be addressed to the Germany
of Goethe and Schiller, of Beethoven and
Wagner, of Kant and Schopenhauer, the coun-
134
THE DIAL
[ March 4
try of the soul cherished in countless English
hearts, rather than to the Germany of
Treitschke and Bernhardi and the Prussian
Kaiser, or of the excited German professors
whose manifesto last autumn was such a
shock to the moral consciousness of the world's
commonwealth of ideas. In very truth, no one
who has the least understanding of the En-
glish psychology believes that its attitude
toward the Germans is one of hatred. It hates
the evil of the German policies and pedantic
methods of warfare, but it retains a deep and
genuine sympathy for the German people, and
does not withhold from them its meed of praise
for their valor in arms, for their self-sacrifice
and devotion to the Fatherland, and for the
beau geste that occasionally shines out through
the murk of the strife. Those who imagine
that Englishmen hate the Germans are of the
purblind tribe who find in the "Divine
Comedy" merely a record of Dante's personal
hatreds, and the expression of his vindictive-
ness toward his enemies. Meanwhile, a differ-
ent sort of counter to the attack is provided
from America in Miss Helen Gray Cone's
beautiful "Song of Love for England," pub-
lished in "The Atlantic Monthly" a month
ago.
The relations between poetry and war have
long been a subject of literary discussion and
even of controversy. There are some who hold
that such a flowering of a nation's passion as
is manifested by its participation in war is
bound to arouse and stimulate the poetical
faculty to unwonted exaltations of expression.
By a careful process of selection, the facts may
often be made to fit in with this thesis, and
give it plausible support. On the other hand,
a broader view will tend to dislodge such a
conclusion, and lead us back to the proposition
that the wind of the spirit of genius ' ' bloweth
where it listeth, " and that no historical syn-
thesis can establish a sure relation (except for
Tyrtaean strains) between the agony of war
and the agony whereby the poet's mind is
impelled to teach in song what it has learned
in suffering.
" Vex thou not the poet's mind
With thy shallow wit,"
is an injunction that may profitably be laid
upon the theorists who are disposed to formu-
late rules upon which the poetic faculty per-
force must act.
Our own Civil War, one of the greatest in
history until all comparisons were dwarfed by
the horror of last autumn, now still upon the
world, affords a case in point. It must be ad-
mitted that Browne's "Bugle Echoes," which
represents the best possible gleaning from that
field of endeavor, is a work that contains very
little poetry of enduring value. We who knew
the poems of the Civil War period when they
came white-hot from the heart and imagina-
tion of their singers, are still reluctant to
acquiesce in any appraisal that allows them
no more than their eternal and objective value,
but there remain, after all, very few pieces
that belong to the world's golden treasury.
Lowell's "Commemoration Ode" and Whit-
man's "When lilacs last in the dooryard
bloomed," are about all that we are sure of.
to which, for our inglorious little war of a
later date, must be added Moody 's "Ode in
Time of Hesitation." Mr. Stedman seems to
have said the last word of wisdom upon this
subject:
" The late Civil War was not of itself an incen-
tive to good poetry and art, nor directly productive
of them. Such disorders seldom are; action is a
substitute for the ideal, and the thinker's or dream-
er's life seems ignoble and repugnant. But we shall
see that the moral and emotional conflicts preceding
the war, and leading to it, were largely stimulating
to poetic ardor; they broke into expression, and
buoyed with earnest and fervid sentiment our
heroic verse The Civil War was a general
absorbent at the crisis when a second group of
poets began to form. The conflict not only checked
the rise of a new school, but was followed by a time
of languor in which the songs of Apollo seemed
trivial to those who had listened to the shout of
Mars."
We cannot, then, predict with any assurance
that the world war of this year will bear
the fruit of a poetical renascence. If it should,
the ripening will be slow, and the harvest long
delayed. There is no indication that the poet
for the occasion now exists anywhere — unless
he be M. Verhaeren — as the poet was found
in 1870-71 in the person of Victor Hugo, who
forged "L'Annee Terrible" in the white heat
of his passionate indignation. No one seems
capable just now of getting the right perspec-
tive, or striking a deeper note than that of
vehemence and outraged sensibility. Probably
the finest poem occasioned by the Franco-
Prussian war was George Meredith's "France
in December, 1870," written at the time, it is
true, but with so deep and comprehensive an
understanding of its theme that it now reads
like the verdict of the ages. But we scan the
horizon in vain for a Meredith in this super-
terrible year.
1915]
THE DIAL
135
All this does not mean that the poets, such
as they are, have been silent during the past
half-year. They have risen promptly, even too
promptly, to the appeal, and dashed off com-
positions innumerable showing their hearts to
be in the right place (Tipperary or else-
where), but not often reaching the heights of
which their previous performances have shown
them capable. The flow of their rhymes has
too often been turgid, and its waters anything
but crystal-clear. Now and then, indeed, as in
Mr. Barry Pain's lines on "The Kaiser and
God," we get a really impressive bit of verse:
" Impious braggart, you forget ;
God is not your conscript yet;
You shall learn in dumb amaze
That His ways are not your ways,
That the mire through which you trod
Is not the high white road of God,
To Whom, whichever way the combat rolls,
We, fighting to the end, commend our souls."
But it must be admitted that the poetry of the
war has thus far proved a disappointment.
The output of English verse upon this theme
seems to deserve, as a whole, the treatment
given it in these lines by a London journalist :
" Has Robert Bridges's success with fighting
Been such as to encourage emulation?
Or Dr. Watson's ' bit them in the Bight '-ing?
Or the same author's other lucubration
(Yet one more blow for a disthressful nation)
In which, dead gravelled for a rhyme for ' Ireland,'
He struggled out with ' motherland and sireland ' ?
" Did even the voice from Rudyard Kipling's shelf
Say anything it had not said before?
And was not Stephen Phillips just himself?
And was not Newbolt's effort on the war
Distinctly less effective than of yore?
And would not German shrapnel in the leg be
Less lacerating than the verse of Begbie ? "
After all, poets exist by the grace of God,
and neither war nor any other fortuitous cir-
cumstance can create them. If they are on
hand in a great spiritual crisis like the pres-
ent, well and good; but we must not expect
them to be struck off from the mint of human
potentiality even by such a struggle as the
present, in which all the interests and ideals
that civilization holds dear are at stake. The
real singers of the present cataclysm may be
yet unborn, and that Weltgericht which it is
the peculiar mission of the poet to pronounce
upon it may not find expression until the hor-
rors of this war have become as
" Old, unhappy, far-off things,
And battles long ago."
WILLIAM MORTON PAYNE.
CASUAL COMMENT.
THE ROAD TO AUTHORSHIP is of varying
length. Some writers produce books in their
early 'teens, while others, not less endowed
with the vision and the faculty divine, yet
want the accomplishment of book-writing,
and die with only a meagre magazine article
or two to their credit. An instance not at all
belonging in this latter class comes to our
attention. In 1890 a young colored man of
Alabama w.as so fortunate as to find himself
in the neighborhood of Tuskegee and yielded
to the impulse to seek an interview with Mr.
Booker Washington, in the hope of gaining
admittance to the Institute under the latter 's
superintendence. In answer to certain ques-
tions put to him as an entrance examination,
the young man was unable even to tell the
county or the state or the nation in which he
lived, and when interrogated as to the parts
of speech he answered that they were the lips,
teeth, tongue, and throat. Nevertheless he
was admitted to the Tuskegee Institute and
was put to work at stripping fodder from
sorghum cane. It is this member of our large
negro population who now comes before the
book-reading public as author of "The Black
Man's Burden," evidently a not insignificant
piece of work, to which the Principal of Tus-
kegee contributes an introduction, and which
one critic pronounces to be "among the six
greatest works by members of the negro race"
that he has read. Mr. William H. Holtzclaw
— for he is the author — was graduated from
Tuskegee in 1898, and has since then founded
and built up the Utica Normal and Industrial
Institute, at Utica, Mississippi, which to-day
has more than five hundred pupils, taught by
thirty-five instructors, and owns 1700 acres of
land, with fourteen buildings. And less than
twenty-five years ago the head of this great
school and the author of the notable book that
has served as text to these rather desultory re-
marks did not know the parts of speech.
• • •
SEEKERS AFTER CURIOUS AND RARE BITS OF
INFORMATION furnish more occupation to ref-
erence-room attendants than all other persons
combined. Experience in library work has
proved that there is almost no imaginable
query that may not at any time be sprung
upon the supposedly omniscient librarian or
some member of his staff. For instance,
earnest inquiry was once made, in our hearing,
at a certain public library, concerning the
color of the Due de Reichstadt's hair and eyes,
and as to whether his hair was curly or
straight; and another inquirer wished to-
know how much port wine was consumed m
136
THE DIAL
March 4
England in the year 1716. No veteran library
worker would be surprised or very much dis-
concerted at being abruptly asked whether
Queen Elizabeth was in the habit of putting
her right shoe on before her left, or the re-
verse ; or whether dentistry was known to the
ancient Egyptians; or what proportion of
those wounded in the battle of Hastings died
of their injuries. In order to meet with smil-
ing confidence such manifestations of extraor-
dinary thirst for knowledge, libraries are now
more and more following the practice of index-
ing and classifying their available stores of
out-of-the-way information. The Chicago
Public Library has begun a "Facts and Fig-
ures Index" of this nature. From a week's
list of inquiries it publishes a few sample ques-
tions on the preparation of peanuts for mar-
ket, the number of buildings erected in large
cities in 1913, the regulations for packing
motion-picture films for shipping, the rise in
real-estate values, the amount of food con-
sumed by the nations at war, the number
of deaths attributable to alcohol, and other
equally interesting matters. If one would
learn the vast range and variety of his own
ignorance, let him serve for a week as refer-
ence librarian in a large library.
AN EMBARRASSING OBLIGATION that has often
made itself felt outside the library world is
the subject of some editorial remarks in the
"Library Occurrent" the quarterly publica-
tion of the Indiana Public Library Commis-
sion. After giving suggestions for district
meetings of library workers, the writer refers
to two reasons that "clearly seem to have
deterred some districts from meeting oftener :
difficulty in finding an easily accessible meet-
ing place, and fear of social obligations con-
nected with the meeting." As to the latter
reason, — "District meetings are professional
meetings, and, though there is properly a so-
cial atmosphere when friends meet, there
should be no attempt on the part of the host
to furnish refreshments or entertainment.
Unquestionably, such hospitality adds much to
the pleasure of the meeting, but the expressed
opinions of many librarians make as unques-
tionable the fact that many librarians whose
boards are unwilling to pay for such entertain-
ment and who themselves cannot afford to do
so, feel it impossible to invite the district to
meet with them. Either such entertaining
should be entirely omitted or the district itself,
if it so votes, should contribute towards the
expense." Possibly a useful hint might here
be conveyed by citing the example of the
charming Mrs. Ware (wife of the author of
"Zenobia," "Julian," and other books now
too little read) who by her graces and accom-
plishments as hostess could so delight those
who gathered about her rather meagre board
that they became unaware whether they were
partaking of simple bread and butter and tea
or were feasting on ambrosia and nectar, but
with a subsequent impression that it had been
ambrosia and nectar.
• • •
THE PASSION FOR TEXTUAL CRITICISM has un-
doubtedly been indulged in with less restraint
by German scholars than by the scholars of
any other country, and the stock illustration
of this passion raised to its highest power is
the traditional but unauthenticated instance
of the learned Teuton who devoted a lifetime
to the study and explanation, of a certain
punctuation mark in an ancient manuscript,
only to discover at the very end that it was
nothing but a fly-speck after all. A conspicu-
ous example of industry and zeal in textual
criticism was the late Ingram Bywater, for-
merly Regius Professor of Greek at Oxford,
who died in one of the last days of the past
year, and whose titles and honors and list of
scholarly publications make a most impressive
showing. He edited with microscopic care the
fragments of Heraclitus, the works of Pris-
cianus Lydus, Aristotle's "Nicomachean
Ethics" and "Poetics," and wrote a treatise
on the textual criticism of the "Ethics." But
it was his work on the ' ' Poetics ' ' that consti-
tuted his magnum opus, though that frag-
mentary disquisition itself is but an opuscule,
an inconsiderable item in the list of Aristotle 's
works. Years of painstaking research were
devoted to this task, and it was not until 1897,
when Bywater was fifty-seven years old, that
he ventured to give to the world his recension
of the text, with critical commentary. Then
followed a dozen years of further study of the
Aristotelian text, after which, in 1909, he
issued his final enlarged and emended work
on the "Poetics," accompanied by a transla-
tion and elaborate commentary. From that
time until his death he had lived, more em-
phatically than before, the life of a scholarly
recluse among his books, in his home at Onslow
Square, London.
• • •
JUVENILE DISRESPECT FOR LITERARY PROP-
ERTY, or, in plainer language, young people's
tendency to steal books, has compelled the
trustees of the Cambridge (Mass.) Public
Library to discontinue, so far as the children
of that city of culture are concerned, the free-
dom of access to bookshelves which is the glory
and the pride of those library workers who like
to believe that the great public is becoming
more and more intelligently and conscien-
1915]
137
tiously responsive to the increasing opportuni-
ties and privileges extended to it by those who
purvey to its literary needs. An inventory,
the first one in five years, has lately been com-
pleted in the juvenile department of the Cam-
bridge library, and it reveals a loss, by theft
or otherwise, of more than a thousand vol-
umes. Hence the trustees' action in enclosing
the formerly open children's shelves. "The
new arrangement," reports the librarian, "is
working admirably from the point of view of
both the children and the attendants. Its
economic, administrative and educational ad-
vantages seem already assured. It makes
practicable the keeping of the books in better
condition, and the room in better order. It
enables the attendants to know that a book not
in its proper place on the shelves is really out
and not merely misplaced. It tends, by empha-
sizing our own care for the books, to make the
children more reverent and careful of them.
Above all, it obviates the moral risk involved
in an arrangement which, because of the struc-
tural plan of the room, permitted among chil-
dren frequent and undetected thefts." It
may be that these children will value their
later and less restricted library privileges the
more highly for this early curb to their law-
lessness. ...
FRENCH POETRY AND GERMAN POETRY were
once compared, or contrasted, by Edward
Rowland Sill, in humorously realistic phrase,
in one of his familiar letters. He said : "I am
coming to believe the Germans an unpoetic
people — even their greatest poets are pretty
wordy and dull and clumsy. But there is a
school of modern French poets worth trans-
lating. I have been doing some of Sully Prud-
homme, for instance. It is — to the Germans
— as cloud-fluff to cheese. ' ' In the same vein
one of his published bits of prose has this:
"Perhaps the best topics on which to feel the
difference are those two immemorial inspirers
of song, war and love. "When the German poet
sings of war, it is with the solemnity of
Korner's 'Gebet wahrend der Schlacht. '
When the French poet sings of it, it is with
the ' Gai ! Gai ! ' of Beranger. In the one, you
hear the heavy tread of men, a dull, regular
beat, which, after all, is not very distinguish-
able to the ear, as to whether it be an advanc-
ing column or a funeral march. In the other
you hear only the bugles ringing and shouts of
enthusiasm and excitement." In what fol-
lows the Germans seem to have the better of
it; or are the French here, too, more truly
poetic? "In their treatment of love there is
even sharper contrast. The German word
Liebe has quite a different atmosphere of sug-
gestion from the French amour. The German
poet sings of love and home; you feel that
there is at least a possibility that the passion
of to-day will outlast the year, or the years.
Constancy is one of its very elements. When
the French poet sings of love, it is very deli-
cate, rosy, beautiful, but we do not hear of
home." These quotations are from the just-
published biography of Sill, reviewed on an-
other page.
READERS BEHIND THE BARS of prison cells
make a peculiar appeal to the library worker,
and library-extension activities in our penal
institutions are increasing at an encouraging
rate. Stone walls do not a prison make, nor
iron bars a cage, to a convict absorbed in a
good book. To the old school of penologists
this would seem to be an argument for with-
holding the good book, but luckily the ten-
dency now is to lessen the rigors of incarcera-
tion in various reformatory ways, including
the influence of wholesome literature. In the
"Seventh Biennial Report of the Nebraska
Public Library Commission" a very readable
section treats of the Commission 's supervision
of libraries in State institutions. Here is a
passage : "In writing of his library work with
the men at the penitentiary, one of our former
librarians says, 'A prison library can be the
drive wheel on the engine of discipline. ' This
same man, whose first introduction to a library
was in our state prison, after his release sent
in from one of our far western counties for a
traveling library for the girls and boys of the
community. The books had to be hauled thirty
miles from the railroad. This fall he sent for
another library and sent an additional request
for books for the nearest school. Still later,
another request was received from this same
district. "We are' proud indeed of the work
this man is voluntarily doing and to know
that his interest in libraries is a permanent
one." It needs but a glance at a library map
of Nebraska, where whole counties are still
library-less, to demonstrate the opportunity
there offered for an unlimited amount of such
library-extension work as this ex-convict is
now so zealously doing.
• • •
.THE PLACE OF CRITICISM in the scheme of
things is one to which the critics themselves
are, naturally enough, prone to ascribe too
much importance. In a current magazine
article on "The Acid of Criticism" the Rev.
Hugh Black says some things that apply not
only to Bible criticism, which is his main
theme, but also to literary criticism in general
and, in fact, to criticism in a still more inclu-
sive sense. It is well to be reminded, now and
then, that criticism commonly, though not
138
THE DIAL,
[ March 4
always, "deals with the fringe, the methods
and the outward manifestations of life. There
is room for criticism, for thought, for reason
in the unfathomable depths of divine truth,
but these do not generate the truth. It is
intuitive. The child, the ignorant, the un-
learned may see it. It is to be seen, not argued
about. Men spoke before the laws of gram-
mar were propounded. Men reasoned before
Aristotle built up logic. Men sang before the
theory of music was dreamed of. Men ate
before the chemistry of edibles was studied.
Men believed before the theology was built up
into a system to formulate their faith. The
explanation may be difficult, but the thing
itself is simple. The science of it may be im-
perfect and hard, but the thing itself is intui-
tive — a flash, a gleam, an inspiration, an act. ' '
Those who believe that the first duty of criti-
cism is to be constructive and not destructive,
positive and not negative, sympathetic and
generously appreciative rather than antipa-
thetic and grudgingly laudatory, will enjoy
reading in full the utterance here fragmen-
tarily cited. It is to be found in the February
number of "Everybody's Magazine."
• • •
BOOKS AS FOOD FOR THE FLAMES are expen-
sive fuel. The number of valuable libraries
that, partly or wholly, have in recent years
gone up in smoke is larger than most people
would suspect. The fire in the Wisconsin
State House destroyed several department
libraries and the travelling library collections
there in store. The Maryland Institute lost by
fire a rich collection of works on art and archi-
tecture, more than twenty thousand volumes
in all. McGill University suffered a like de-
struction of its medical library; the Spring-
field (Mass.) City Library has experienced a
serious loss by damage to its books by fire;
Turin's ancient university had one hundred
thousand volumes of its library reduced to
ashes; a branch of the St. Louis Public
Library was wiped out by fire ; San Francisco
lost its public library by earthquake and fire ;
the Equitable Life Insurance Society of New
York, after forming what was esteemed a
unique library in its special department, saw
it fall a prey to the flames; the Paterson
(N. J.) Public Library was totally destroyed
by fire ; the library of the University of Vir-
ginia suffered a like fate ; and, to cap the cli-
max, the State Library at Albany, N. Y., the
most important collection of its kind in the
country, fed to the flames nearly half a million
volumes, more than quarter of a million manu-
scripts, and three hundred thousand pam-
phlets. These rather startling proofs of
"hindsight" in the fireproofing of libraries are
cited by the Michigan Library Association in
an appeal to the State Legislature to provide
safe quarters for the Michigan State Library
at Lansing.
COMMON SENSE IN BIBLIOGRAPHY needs to be
preached to the enthusiastic bibliographer.
Here is a wise word from the current number
of ' ' The Papers of the Bibliographical Society
of America," the writer being Mr. Frederick
W. Jenkins : "To my mind the greatest need
is not more of the mechanical records of every
good, bad, and indifferent publication, but an
indication of really important articles and
pamphlets, as well as books. In using such
records I find nine-tenths of the entries only
an annoyance. The scholarly tendency to put
down every conceivable thing is like the crazy
librarian who saves everything in type. The
real service to the public is to make a list of
the things one really needs to read. It is a
mighty unimportant thing practically to peo-
ple to see a catalogue of everything that has
been printed on a certain point; 99 per cent,
of the value rests in finding what there is that
is worth consulting. ' ' This is from an article
on "Bibliography and its Relation to Social
Work" — a not very obvious relation at first
thought, but still existent, else Mr. Jenkins
could not have filled four octavo pages on the
subject. Other papers in the same issue are
a "Bibliographical Outline of French-Cana-
dian Literature," by Mr. James Geddes, Jr.,
a short article on the proposed check-list of
Canadian public documents, by Mr. Lawrence
J. Burpee, and an account of the Durrett Col-
lection in the Library of the University of
Chicago, more especially its newspapers, by
Mr. Edward A. Henry.
• • •
ONE OF THE FAMOUS LAWSUITS OF FICTION IS
recalled to the novel-reader's mind by the
recent death of David Jennings in the work-
house at Wolverhampton, England. He was
of rather more than local celebrity as the
claimant to the ' ' Jennings millions, ' ' a Bir-
mingham estate long held in rather precarious
possession, and at an immense cost for legal de-
fence, by the descendants of Lady Andover and
Earl Howe ; or at least that is the current ac-
count of the matter. Dickens 's famous case of
" Jarndyce vs. Jarndyce" in "Bleak House,"
the wearisome Chancery suit "never ending,
still beginning," is said to be taken from the
Jennings controversy over the Birmingham
property. William Jennings, or Jennens,
known as "William the Rich," accumulated
wealth to the extent of about eight million
dollars, and also owned extensive tracts of
1915]
139
land in what is now the centre of Birming-
ham. He died in 1798, and the greater part
of this handsome property passed to the two
persons named above, who claimed to be the
next of kin. From that time until about forty
years ago there was almost constant litigation
over the disputed millions, and a goodly share
thereof was spent in keeping them out of the
avid Jenningses' hands — which, for aught
one knows, may have been the hands rightly
entitled to them. But with the death of poor
David in the workhouse the likelihood of fur-
ther legal dispute over the famous property
seems to have disappeared.
• • •
BOOKS "NEVER IN" are naturally regarded
by many disappointed library-frequenters as
nothing but a snare and a delusion. The latest
quarterly bulletin of the Carnegie Library of
Atlanta prints some observations and direc-
tions in regard to these elusive works of litera-
ture, remarking with truth that "nothing is
more discouraging than to go to the library
several times in a vain attempt to find a book, ' '
and informing the reader how, at the expense
of one cent for a postal card, to secure the
reservation of such book, unless it be a novel
not in the rent collection, at the earliest pos-
sible moment. Some libraries undertake to
reserve for applicants all novels except recent
accessions ; others go so far as to reserve even
these upon request ; and we recall one library
where instruction was issued from high quar-
ters to the desk attendants to make a note of all
books, of whatever kind, applied for unsuccess-
fully, with names and addresses of the appli-
cants, and to reserve these books as fast as they
came in, at the same time notifying the appli-
cants that the books asked for were now avail-
able. Any library worker can easily imagine
the rapidly increasing congestion and confu-
sion that speedily resulted in the department
undertaking this record. Only a quiet and dis-
creet disobedience of the rule, in all its rigor,
saved the desk attendants from insanity and
the circulation department from paralysis.
• * •
LITERARY DIPLOMATS from the United States
of America are at present filling positions call-
ing for the greatest practical sagacity and
untiring energy as well as the utmost tact and
diplomacy. A more difficult task than that
imposed for the past six months on our Bel-
gian minister could hardly be imagined.
Probably Mr. Whitlock's previous "forty
years of it" will seem as child's play to him
when contrasted with this subsequent shorter
period, which ought to furnish a supplement
to that earlier narrative far more thrilling
than anything recorded in those noteworthy
chapters. Dr. van Dyke, too, at The Hague,
must have been acquiring a store of raw mate-
rial for future literary use such as falls to the
lot of few writers. Mr. Walter Page, also,
trained to the labors of the pen before he
essayed those of the ambassador, is in the very
heart of things at London, and may be reck-
oned upon to give some interesting account of
himself one of these days. Our other Ambas-
sador Page, at Rome, is somewhat removed
from the crash and the din ; but even his sit-
uation is not without its possibilities, and
something in the form of fiction, or perhaps of
most interesting diary or reminiscence, will be
expected from him to show how far he has
been awake to his enviable opportunities.
• • •
THE LIBRARY AS PACIFICATOR has a duty to
perform, as we are reminded by an editorial
note in the current "Quarterly Booklist" of
the Pratt Institute Free Library, second only
in importance to its duty as educator. Or
perhaps the order of importance should be
reversed. At any rate, the Pratt Institute
librarian holds that ' ' the Library is an instru-
mentality for peace," and continues: "Our
recently published list of books dealing with
the historical, social and economic issues that
led to the European eruption is intended to be
an argument for peace. Without infraction
of 'neutrality,' the exercise of private judg-
ment as to the righteousness of the opposing
contentions is encouraged by the extensive
literature the Library affords on both sides of
the case. We invite open-minded reading that
may lead to the ultimate conviction of the
unrighteousness of war upon any pretext, and
the futility of it as a means of deliverance
from the ills of the world." The writer opti-
mistically expects the forthcoming peace
(when it does come) to be "not a truce under
arms, a calm of suspended hostilities, the
quiet of exhaustion, the silence of repression,
but the permanent abolition of warfare with
all its paraphernalia. ' ' If abundance of read-
ing matter on subjects of war and peace could
insure that desirable end, even a cursory
glance at the array of such literature exposed
to view in most of our public libraries would
encourage hopes of a speedy dawn of a new
era in the world's history.
• • •
A SET-BACK TO SIMPLIFIED SPELLING, in En-
gland at least, is what the war seems in some
measure to be, if one may judge from an
"editorial noet" in the latest issue of "The
Pioneer ov Simplified Speling." Until the
return of "pees" (good Chaucerian orthog-
raphy, by the way) the paper will be published
bi-monthly instead of every month. As a pos-
140
THE DIAL
[ March 4
sibly interesting curiosity, and as a lesson in
the trans-oceanic form of unorthodox spelling,
and also as an announcement which its author
may like to see enjoying such publicity as we
can give it, the "editorial noet" is here re-
printed in full :
"It haz been desieded tu publish THE PIONEER
everi uther munth until pees iz restord. The Edi-
tor'z adres iz 45 Ladbroke Grove, London, W.
THE PIONEER iz sent graitis tu aul Memberz ov the
Simplified Speling Sosieti. The anyual subskrip-
shon for Asoeshiait Memberz iz a minimum ov wun
shiling, that for Aktiv Memberz a minimum ov
fiev shilingz. Mor muni meenz mor pouer tu kari
on the kampain. Memberz ar urjd tu aplie for
leeflets seting forth the aimz ov the Sosieti. Theez
and aul uther informaishon wil be gladli sent bi
the Sekretari ov the Simplified Speling Sosieti, 44
Great Russell Street, London, W.C."
• • •
THE LUEE OF THE EDITION DE LUXE, despite
repeated warnings from those who know the
perils and pitfalls awaiting the innocent vic-
tims, still shows itself to be irresistible in a
surprising number of instances. The federal
district court at New York has recently found
guilty two men engaged in the sale of books
alleged to be of great rarity and value, the
charge brought against the defendants being,
of course, that of illegally using the mails for
the advertising and sale of their spurious
goods. More than ten million dollars, it is
believed, has been thus fraudulently obtained
by these culprits and others from too credu-
lous buyers, who were assured that, if they
desired, their purchases would be resold for
them at a handsome profit to European book-
lovers eager to secure such precious examples
of the art of book-manufacture. In vain the
net is spread in the sight of any bird, but the
very obvious snare of the edition de luxe needs
no concealment when so many foolish persons
show such a predilection for being caught in
its toils.
A UNIVERSITY PRINTING HOUSE is to be added
to the equipment of Columbia University, says
report. The Columbia "Spectator," first of
college journals to own and operate its print-
ing plant, has transferred this to the uni-
versity, and it will form the nucleus of the
new Bureau of Printing which is at last assum-
ing definite shape after several years' tenta-
tive discussion. Here, then, instead of outside
the academic bounds as hitherto, the product
of the literary activity, or a considerable part
of it, of the professors and other university
members addicted to writing, will be put into
printed form ; and for the present, at least, the
bursar will superintend the work, having al-
ready gained experience in the conduct of a
small printing office in East Hall, where much
of the incidental printing of the university
has been done. The basement of the school of
journalism will be used as quarters for the new
establishment.
COMMUNICATIONS.
A FRENCH FEMINIST OF TO-DAY.*
(To the Editor of THE DIAL.)
The novels of Madame Marcelle Tinayre have
received little notice from American critics, but
have aroused considerable discussion in France.
She is hailed by the feminists as a champion of
their cause, a fact which may give her some title
to interest on this side of the water. At least it is
interesting to note the trend of her theories of
woman's rights. " The only feminism possible,"
says a reviewer of her first work, " Before Love "
(1897), "would be that which strives to keep
woman in the unique religion of Love." Mme.
Tinayre seems to have accepted the views of her
critic, for her novels are a justification and glorifi-
cation of feminine passion. The most interesting
of her characters are her heroines. She says she
has " dreamed them in accordance with the ideal of
an ancient poet, — feminine body, heart of man,
and head of angel." The reader may be inclined to
regard them as romantic titans with a super-
abundance of feminine body.
Marianne, in " Before Love," demands " her
place in the sun, and her right to love," by which
she understands little more than the elemental
privilege given by nature. Jacqueline Vallier in
" The Ransom " is a frivolous young woman
aroused by illicit love to a sense of her responsi-
bilities as wife and mother. The reader is a bit
startled to see adultery seriously proposed as a
school of ethics, and, contrasting the work with
" The Princesse de Cleves," in which the character
of the heroine develops ^through her victory over
passion; one is inclined to agree with Miss Repplier
that our age is marked by a " loss of moral nerve."
" The Storm Bird " is the author's weakest attempt.
One critic has observed that it is the counterpart
of " Madame Bovary," apparently because Mme.
Tinayre treats her erring provincial heroine with
all tenderness, while Flaubert applies the sternest
logic to Emma Bovary. " Helle " is the story of
the niece of a distinguished Hellenist who has edu-
cated her according to principles of his own. His
aim was to give to her, a woman, what the Renais-
sance had brought to the men of the sixteenth cen-
tury,— liberation of the spirit from the chains of
convention, social and religious. She is deeply
read in the masterpieces of antiquity, and is thus
led to an ideal of complete and harmonious devel-
opment of character. She has been trained to be
the peer and comrade of her husband, who is to be,
as her uncle puts it, one who has known how to
create in himself a demi-god. Introduced to Pari-
sian society, she scandalizes the dear old ladies of
another generation by revolting against the idea of
* A detailed study of Mme. Tinayre is to appear shortly in
the " Bulletin " of the University of Texas.
1915]
THE DIAL
141
effacing her personality in love. She is at last
united to a high-minded though rather pedantic
social reformer, whose work she shares. Very
much a woman and perhaps the most attractive of
the author's heroines, she is yet more a rebel than
any of them, as her battle is for intellectual
equality.
Mme. Tinayre's masterpiece, " The House of the
Sin," is not a thesis novel, though some critics
would make it a diatribe against Christianity. It
relates the struggle betAveen human passion and a
fanatical Jansenism ; but the action rises naturally
from the characters, and both sides receive fair
treatment. Nowhere has the author succeeded in
giving such a variety of uniformly convincing and
well-drawn portraits. " The Amours of Francois
Barbazanges " is a charming idyll which presents
amid pathetic and comic incidents two clashing
images of love, — that of the so-called idealists
(the scene is laid in the seventeenth century), and
that of the realists " The Rebel " is the maturest
work of the author in the literature of revolt.
Josanne Valentin is an older sister of Marianne,
and a relative at least of Helle; she pleads her
cause more passionately than either. She demands
equality with man, and freedom in both emotional
and intellectual spheres ; but in the working out of
the story the emphasis is on liberty in passion. A
question similar to that of " Tess of the D'Urber-
villes " is posed, but the conclusion is very different
from Mr. Hardy's : " Victory remained with love
which had not despaired, with love strong as life."
The best of the novel is the description of humble
quarters of Paris, with their picturesque denizens,
and of Josanne's work as reporter for " Le Monde
Feminin," where the author seems to be drawing
on her own experience as a journalist. The fault
of the book is its over-stress on the thesis; one
feels that the characters, however living, are forced
into subordination to it. The social order combat-
ted by Mme. Tinayre as the universal one, is
reversed in her novels: woman holds the strings
and man dances to her music. Slave of his slave
becomes his doom, and the reader cannot escape
the impression of a decidedly abnormal state of
society.
The author's latest books seem to be drawing
away from " problem " studies. "Mourning Love "
is a collection of short stories relating the suffering
imposed by passion in different situations. Love is
represented as an' all-conquering force for whose
loss there is no consolation but death. " The
Shadow of Love " takes us to the author's native
province, Limousin, and charming descriptions of
this out-of-the-way region serve to lighten a dis-
agreeable story. Mme. Tinayre is at her best in
portraying picturesque characters and landscape;
here Limousin gives her ample opportunity. The
background of " The Sweetness of Living " is
Naples; the subject is the effect of the voluptuous
Italian sky on visitors from the north. The last
book, " Madeleine at the Mirror," is not a novel,
but the reveries of a young widow. It is written in
a rich poetic style, and, best of all, portrays a
woman's character so simply that we almost forget
its complexity. Madeleine, not being a heroine of
fiction, is permitted her share of sound judgment
and some sense of humor.
It is interesting to note that many of the author's
ideas will seem less revolutionary in America than
in France of to-day. We are rapidly consenting to
the re-division of social privilege, and are giving
woman an equal part with man ; she receives prac-
tically the same education, and can thus enter life's
struggle on equal terms with him. Marriage is
more or less a partnership, in which both parties
retain to a large extent their right of individual
development, and in which sacrifices are divided.
Other claims on which Mme. Tinayre insists more
may be less acceptable. She regards passion as an
universal and irresistible force, perhaps stronger
in woman than in man. She comes perilously near
demanding the application in favor of her sex of
the " wild oats theory." Herein lies a curious con-
tradiction in her thought. Her heroines are con-
stantly enslaved by the very passion they demand
freedom to gratify. It is written of the rebel her-
self : " She is no longer Josanne Valentin, she is
woman before man," and she returns to elemental
instincts in the embrace of her lover. If it is all to
end thus, why so much ado?
Mme. Tinayre's work shows some striking points
of resemblance to that of George Sand. In both
are found the passionate rebel, the socialist and the
lover of picturesque landscape with its humble toil-
ers. It may be hoped that this new titan, like her
predecessor, will abandon theses, choosing defi-
nitely to present new corners of Limousin and
above all to portray character without bias. In her
thesis novels, to put it brutally, there is too much
that recalls Rabelais's " Et tout pour les tripes ! "
BENJ. M. WOODBRIDGE.
University of Texas, Feb. 18, 1915.
BUSKIN AND WAE.
(To the Editor of THE DIAL.)
Those who hold to the belief, urged in your pages
recently by Mr. Charles Leonard Moore, that war
and cultural progress are somehow inseparable are
often fond of citing Ruskin as a conspicuous cham-
pion of their theory. And it is true that Ruskin
did believe that in the past war had been " the
foundation of all the high virtues and faculties of
men." But of modern war, of war as it is being
waged to-day, let us hear what he has to say. (The
passage is to be found in the lecture on War re-
printed in " The Crown of Wild Olive.")
" If you have to take away masses of men from
all industrial employment, — to feed them by the
labour of others, — to move them and provide them
with destructive machines, varied daily in national
rivalship of inventive cost; if you have to ravage
the country which you attack, — to destroy for a
score of future years, its roads, its woods, its cities,
and its harbours; — and if, finally, having brought
masses of men, counted by hundreds of thousands,
face to face, you tear those masses to pieces with
jagged shot, and leave the fragments of living crea-
tures, countlessly beyond all help of surgery, to
starve and parch, through days of torture, down
into clots of clay — what book of accounts shall
record the cost of your work; — what book of judg-
142
THE DIAL
[ March 4
ment sentence the guilt of it? That, I say, is mod-
ern war, — scientific war, — chemical and mechanic
war, worse even than the savage's poisoned arrow."
When one considers the hellish perfection to
which " chemical and mechanic " war has been
brought since Ruskin's time, one cannot but feel
that even that supreme master of language would
have been at a loss for words forcible and fiery
enough to express his abhorrence of the " insensate
devilry " of modern war. I, for one, cannot but
believe that he would have preferred to see all the
great cultural treasures of the past perish like the
manuscripts of Louvain or the painted glass of
Rheims rather than that Europe should be devas-
tated and tortured and impoverished and brutalized
as is being done to-day. RALPH BBONSON.
Wyoming, N. Y., Feb. 23, 1915.
WHEN IS A NOVEL NOT A NOVEL?
(To the Editor of THE DIAL.)
Having been occupied with the reviewing of
novels for some thirty years past, I may claim a
certain acquaintance with the subject-matter of the
above query. A circulating library called the
" New Fiction Library," having branches in many
cities, publicly advertises its readiness to supply its
customers in the following language: "Any book
of new fiction not in stock will be secured on the
following day." For several weeks now I have
been asking to be supplied with Nexo's " Pelle the
Conqueror," and have been refused. At last comes
a letter from the New York headquarters of the
concern, stating as the reason for refusal that
" Pelle " is not a work of fiction. This assertion is
not only a ridiculous falsehood, but it comes with
comical effect from a concern which supplies its
customers with " Jean-Christophe " and " The Re-
volt of the Angels." A second reason adduced (as
in the old story of the stolen kettle), is that
" Pelle " is in two volumes, " which in itself would
bar it from being placed in our library." But how
about " Jean-Christophe," in three volumes ? Last
of all, the real reason for the refusal is given:
" Pelle is not a popular book of fiction, and would
only be read once or twice." But this does not seem
to be in accordance with the advertised promise, as
above quoted. -^ ^ p
Chicago, Feb. 20, 191?.
DID MILTON NOD?
(To the Editor of THE DIAL.)
In the tenth book of " Paradise Lost " there occurs
a textual difficulty to which I have never seen atten-
tion called. It is in the account of Satan's second
interview with Sin and Death, and has to do with
the cosmic locality in which the poet would have his
reader picture the parties. At the moment of the
meeting Satan is represented as " now returned to
hell," 1. 346; and as being "near the foot" of
the upright structure just completed by Sin and
Death, 1. 348. His location, therefore, as at or
near Hell-gate, seems doubly indicated : (1) he has
returned from Earth to his own abode; and (2)
he is at the foot of a structure which rises from
Hell to a point hard by the gate of Heaven. But
in spite of this, some lines further on, as Satan is
closing his speech, he is evidently not at the bottom,
but at the top of the new viaduct. On it he pro-
poses to descend to Hell, 1. 394; on it he does
descend to Hell-gate, 1. 414; furthermore to reach
the terrestrial paradise Sin and Death must de-
scend, 1. 398 ; — all three of them are " near Heav-
en's door " 1. 389. Has the poet in closing the
scene forgotten where he began it? That seems
incredible. Have we then just here evidence of
inadvertence on the part of some amanuensis'?
This also seems incredible, for there is no one word
or phrase failure to catch which would account for
the inconsistency.
This passage (330ff.) is of the greater impor-
tance because of its bearing upon the problem of
the correct location of the head of " the new won-
drous pontifice." Dr. Stopford A. Brooke, in his
" Milton Primer," p. 87, makes the structure ter-
minate at " the base " of the newly created cosmos,
while Professor Masson and Dr. Orchard carry it
higher, even to the summit, hard by the foot of the
Golden Heaven-stair. The parallelism in function
between the celestial stair and the infernal bridge
favors Dr. Brooke's interpretation, but the passage
before us is clearly against it. If any reader of
THE DIAL will harmonize the data of this problem,
he will surely place many students under obliga-
tion. Even a conjecture should be of value.
"W. F. WARREN.
Brookline, Mass., Feb. 19} 1915.
IMPEEIAL JAPANESE POETRY.
(To the Editor of THE DIAL.)
The late Emperor, Meiji Tenno, as he is posthu-
mously known, and the late Empress, were both
proficient and prolific in the production of the
famous Japanese short poem. The present Em-
peror and Empress seem to be following in the
footsteps of their predecessors. The following
translations of some of their recent poems will
indicate how their minds are occupied at the pres-
ent time. The first three are by the Emperor; the
remaining two by the Empress.
" If life, for country's sake men give,
How shall dependent loved ones live?"
" The fortress hard to take !
Alas! the children, wives,
Set mourning for the sake
Of those who gave their lives! "
" As monuments sublime war trophies stand.
Their cost? The lives of men throughout the land."
" See! Skilled of hand and brave of heart,
Kind women into service press,
From homes and little ones apart,
The soldiers' ills to heal and bless."
" The widowed ones, how shall they spend their years?
Their keepsakes, soldiers' letters, stained with tears! "
I might add that the work of translation and
versification has been done by Mr. D. Miyake, of
the Japanese Navy, and Professor Philip Henry
Dodge. ERNEST W. CLEMENT.
Tokyo, Japan, Feb. 2, 1915.
1915]
THE DIAL
143
Deto Socks.
ONE WHOM THE GODS TJOVEI>.*
Not having a heart " dry as summer dust,"
Edward Rowland Sill was not one of those
who are suffered to ' ' burn to the socket, ' ' but
rather did he belong among those favorites of
heaven to whom an early death is benign an tly
granted. Five and forty years was his allotted
span, and it sufficed him for such rare and
exquisite self-expression in word and deed, in
prose and verse and daily conduct, as will long
be an inspiration to those qualified to appre-
ciate what his too-short life and his too-modest
contribution to literature stood for. Of these
discerning few is his present biographer, Mr.
William Belmont Parker, who is also the editor
of his collected poems, and who, as he tells us,
more than ten years ago, in a burst of enthu-
siasm and admiration, entered upon this more
important task now so happily completed.
When half-way through his work as originally
planned, the author came under the influence
of that master-biographer, Leslie Stephen, and
turned back to make his book as far as possible
an autobiography of Sill, drawing largely
upon the latter 's correspondence and other
writings for the purpose. For it was a dictum
of Stephen's that "nobody ever wrote a dull
autobiography," and that though "the biog-
rapher can never quite equal the autobiog-
rapher," yet "with a sufficient supply of
letters he may approach very closely to the
same results." Thus, while no one can tell
how good Mr. Parker's work as first con-
ceived would have been, it is certain that the
actual production, with its copious extracts
from Sill's unpublished manuscripts, epis-
tolary and other, gives a clear and vivid im-
pression of what manner of human being here
confronts us.
"Like most American men of letters,"
the opening chapter begins, "the author of
'Opportunity' and 'The Fool's Prayer' was a
native of New England. ' ' Windsor, Connect-
icut, was his birthplace; April 29, 1841, the
date of his birth. He was a descendant of
Presbyterian and Congregational ministers on
his mother's side, of physicians and surgeons
on his father's, and his ancestral tree is rich
in Walcotts, Grants, Edwardses, Ellsworths,
Rowlands, Allyns, and representatives of
other good old New England families. Early
left an orphan, Sill had no very permanent
place of abode in all his life. An uncle 's house
at Cuyahoga Falls in Ohio was always open to
him. and it was there and at another uncle's
* EDWARD ROWLAND SILL. His Life and Work. By William
Belmont Parker. Illustrated. Boston : Houj?hton Mifflin Co.
in Pennsylvania, and finally at Exeter, that he
spent the years devoted to preparation for
Yale, whence he was graduated at twenty.
A voyage to California then followed, and half
a dozen years of changing occupations in that
new land, after which came marriage, a brief
taste of theological study at the Harvard
Divinity School, six weeks of journalism in
New York, two years of high-school principal-
ship and superintendency of schools at Cuya-
hoga Falls, twelve of teaching in California,
including nine years in the chair of English
at the State University, and, finally, from
1883 until his death in 1887, literary pursuits
at Cuyahoga Falls with no daily grind of reci-
tations and lectures. But from his college
days to the end Sill was addicted to writing,
with brilliant success in competition for aca-
demic honors, biat apparently never with any
consuming desire to see himself in print. On
this point he said of himself in later life, in
writing to an editor and friend :
" I don't think other people feel the way I do
about that. When a thing is written, they have a
trembling hope, at least, that it is good, and any-
how wish to have it used. But you should see the
equanimity with which I write thing after thing —
both prose and verse — and stow them away, never
sending them anywhere, or thinking of printing any
book of them, at present, if ever. Sometimes I do
think I will leave a lot of stuff for some one to pick
out a post-humorous volume from — but more and
more my sober judgment tells me that other people
have seen or will see all that I have, and will state
it better."
This lack of eagerness for public fame both
contributes to the charm he exerts over us and
helps to account for the veil of anonymity he
chose to throw over much of his best literary
work. It was in the unpretentious ' ' Contribu-
tors' Club" of the magazine edited by his
friend Aldrich that he most frequently ap-
peared in his choice bits of unsigned prose,
and it was in the same monthly periodical that
he first came somewhat conspicuously into
public view as a poet. Even as a poet of whose
merit Aldrich delighted to regard himself as
the discoverer, Sill would fain have remained
unknown by name. He writes to the editor:
" I like the anonymousness of the Contribu-
tors' Club. Would you not as soon print
poems for me unsigned ? ' ' Occasionally he was
permitted to use a pen-name, partly to avoid
any seeming excess of his verse in the maga-
zine. On the subject of pseudonymity occurs
this characteristic utterance in one of his let-
ters to Aldrich :
" It may be said — but a man would be in danger
of printing (or offering for print) things that he
would have made better if his own name were to go
with them. No, I think not. If he had a perma-
144
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[ March 4
nent mask he would be more sensitive about this
even than his own proper face, and would do his
best for it."
Significant of his modesty and of his un-
willingness to bear the responsibility of any-
thing short of the best possible in his art, is
the fact that only one slight volume, "The
Hermitage, and Other Poems," was given by
him to the public ; what else we have from his
pen in book form is of the posthumous sort
which he wittily but not quite accurately chose
to regard as "post-humorous." This anxious
concern about the products of his pen appears
again and again in his correspondence — so
often as possibly to arouse a suspicion of mock
modesty, unjust though such a suspicion must
be held by his admirers — and it is found in
an amusing form in a letter to Aldrich that is
worth quoting, in part, at this point, largely
because it shows how far the writer had
strayed from the rigid orthodoxy of his Pres-
byterian ancestors. He writes, under date of
June 9, 1885 :
" Do you want to do me a great favor? I don't
know in the least what your proclivities (or declivi-
ties) are in the way of religious matters, but I am
going to assume that yours are not far away from
mine — enough to ask you, if you are naturally in
the way of seeing manuscripts, submitted to the
firm for publication, to look into an essay I sent
them (with some others) entitled ' The XlXth Cen-
tury ' — along toward the end of it — and purloin
certain pages treating of the Christian Church as a
nuisance and a fraud — if it is likely, otherwise, to
be read by some members of the firm (I don't in
the least know who or what they are) — some very
conservative, elderly, religious, sensitive, choleric,
old-fashioned gentleman with gold-spectacles and
high collar, and a pew in church and gold-headed
cane — who hates George Sand and Herbert Spen-
cer (by reputation) and loves Joseph Cook. Is
there such a fearful catastrophe imminent as that
such a man should read my essay and be made
really ill by it?"
Almost twenty years earlier the conviction
had begun to force itself upon Sill that he
could never be other than a non-conformist,
that he must live his own life and think his
own thoughts in entire independence. Hence,
in part at least, the severing of his connection
with the University of California, where in his
day a free-thinker was not exactly a persona
grata. Hence also, still earlier, his departure
from Cambridge and his farewell to the study
of theology. "There could be no pulpit for
me after going through there," he says, "ex-
cept as an independent, self -supported minis-
ter, which of course is open to any one with a
purse. I came reluctantly to that conclusion.
Another person, even with my opinions in
theology, might have judged differently. It
is no sentimentalism with me — it is simply a
solemn conviction that a man must speak the
truth as fast and as far as he knows it — truth
to him. I may be in error — but what I
believe is my sacred truth, and must not be
diluted. When I get money enough to live on
I mean to preach religion as I believe in it.
Emerson could not preach, and now I under-
stand why." Hence, once more, his inability,
as a mere youth, to conduct himself as a model
student at the hide-bound Yale College of his
day ; and in the light of his subsequent devel-
opment one is not surprised to find him chafing
under meaningless restraint, breaking arbi-
trary rules, and rusticated at the end of
Freshman year for neglect of college exercises,
which included perfunctory and undevotional
chapel attendance sixteen times a week.
Of Sill's variety and brilliancy of endow-
ment we get a hint from the testimonies of
classmates printed in the biography. Gov-
ernor Baldwin, of Connecticut, finds written
in his diary of those student days: "We
haven't got much of a class, but Sill is some-
what of a genius, to be sure." Before his first
year of college was half completed this was
the general verdict concerning him. Another
classmate recalls that "despite his slight fig-
ure, he had a beautiful rich bass voice; and
he had, of course, as lyric poets must have, a
genius for music. He could play on any in-
strument he took a notion to, with very little
practice. Yet I don't remember that he sang
in the choir. Perhaps he would have been apt
to refrain in those rebellious years, because of
distaste for the service." It appears that at
one time he thought seriously of training him-
self to become an organist. That was in the
first California period, when also he came
within a little of adopting the stage as his
profession, and when too he made trial of the
law (or gave some thought thereto), of ranch-
ing, of bank-clerking, of post-office work, for a
season coquetted with the notion of studying
medicine, and doubtless turned his eager and
active mind in many other more or less prom-
ising directions besides. As an actor or as a
musician there is reason to believe he might
have won distinction ; as an expounder of the
' ' nice sharp quillets of the law ' ' he would have
been a ludicrous misfit; and as a healer of
the sick he would, despite his gentleness, his
sympathy, and his tenderness, have rebelled
against the monotony and the drudgery of the
calling.
As already intimated, the author has done
well to let Sill tell most of his own story, and
to withhold, so far as the present work is con-
cerned, such excursions in "essay and criti-
cism" as had been included in his first plan.
The real Edward Rowland Sill was what his
1915]
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145
lovers were waiting for, and this is what Mr.
Parker's book, written with the sanction and
help of Sill's relatives and friends, and well
provided with portraits and other illustra-
tions, now faithfully presents.
PERCY F. BICKNELL.
CLASSICS ox THE ART OF PLAY-MAKING.*
When the new Hall of Philosophy at
Columbia University was opened in 1911, two
rooms were allotted to Professor Brander
Matthews in which to house the dramatic
museum it had long been his ambition to
establish. The larger of these rooms now con-
tains a dramatic library of several thousand
volumes; a considerable proportion of which
are the gift of Professor Matthews himself,
while the smaller has been set apart for the
exhibition of an historical series of models,
illustrating the successive stages in the devel-
opment of the drama from the days of the
Greeks to the present time. Many of these
models have already been installed; a few,
such as the Palladian Theatre at Vicenza and
the theatre built by Richelieu in the Palais-
Cardinal, await a patron's bounty, all the
models displayed being the gifts of individ-
uals. Although still incomplete, this excep-
tional museum contains in miniature the
Athenian Theatre of Dionysus, a platform of
a French mystery play, a pageant-wagon of
an English mystery, a platform in a Tudor
inn yard, a stage-set of the Italian comedy of
Masks, a multiple-set at the Hotel de Bour-
gogne and the Fortune Theatre, a fairly com-
plete historical series with which to make
plain to the student the development of the
drama from the days of the Greeks to the time
when Moliere, inspired by Italian mask com-
edy, created the modern drama.
No true student of the stage will gainsay
the practicality of this museum. Indeed, as
Professor Matthews says in his prefatory note
to its catalogue':
" In so far as the drama is within the limits of
literature it can be studied in a library; but in so
far as it is outside the limits of literature, it needs
for its proper understanding a gallery and a
museum, containing the graphic material which will
help the student to reconstruct for himself the
conditions under which the masterpieces of the
great dramatists were originally performed — the
* PUBLICATIONS OF THE DRAMATIC MUSEUM OF COLUMBIA
UNIVERSITY. Comprising : The New Art of Writing Plays,
by Lope de Vega, translated by William T. Brewster, with
Introduction by Brander Matthews : The Autobiography of a
Play, by Bronson Howard, with Introduction by Augustus
Thomas ; The Law of the Drama, by Ferdinand Brunetiere,
with Introduction by Henry Arthur Jones ; Robert Louis
Stevenson as a Dramatist, by Arthur Wing Pinero, with
Introduction by Clayton Hamilton. New York : Dramatic
Museum of Columbia University.
conditions in conformity with which they were
composed."
With this pronouncement all those who really
know the stage and its functions will agree;
for although we may read dramatic master-
pieces while sitting in a comfortable library
chair, we should not forget that they were
written to be seen, on the stage. In other
words, unless we can visualize the size and
arrangement of the theatres in which they
were played, as well as the character of the
audiences to which they made appeal, we can-
not rightly estimate the work of such masters
as Sophocles, Shakespeare, Moliere, and Gol-
doni. As an aid to this necessary visualiza-
tion, Professor Matthews 's museum stands
unique. The Comedie Franchise possesses
certain models illustrating plays it has pro-
duced; while at the Clara-Ziegler Haus in
Munich, there is a museum showing the his-
tory of the German stage; yet neither of
these chauvinistic collections, nor the Museo
Teatrale in the Scala Theatre at Milan, shows
the successive stages in the development of
the drama throughout the world.
To perform this latter function is the aim
of the Dramatic Museum of Columbia Uni-
versity,— an institution which should right-
fully have been called the Brander Matthews
Museum, so entirely is it the creation of its
founder. The Professor of Dramatic Litera-
ture at Columbia has not been content, how-
ever, to confine his efforts to those of the
librarian or curator; the same reverence for
professional stage-craft which led to the estab-
lishment of his museum as a laboratory for
his students having inspired the publication
of several series of papers to be known as the
Publications of the Dramatic Museum of
Columbia University. The first of these, re-
cently published by subscription in an edition
of three hundred and thirty-three copies, con-
sists of four neat little volumes on the art of
play-making, comprising respectively: "The
New Art of Making Plays," by Lope de Vega,
translated by Professor William Tenney
Brewster, with an introduction and notes by
Professor Brander Matthews; "The Auto-
biography of a Play," by Bronson Howard,
with an introduction by Mr. Augustus
Thomas; "The Law of the Theatre," by M.
Ferdinand Brunetiere, translated by Mr.
Philip M. Hayden, with an introduction by
Mr. Henry Arthur Jones ; and ' ' Robert Louis
Stevenson as a Dramatist," by Sir Arthur
Wing Pinero, with an introduction and a
bibliographical appendix by Mr. Clayton
Hamilton. Although his name appears here
solely as author of the introduction to one of
these booklets. Professor Matthews is as en-
146
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[ March 4
tirely the originator and editor of these pub-
lications as he is the founder and curator of
a dramatic museum in the catalogue of which
he is not recorded as functioning in any
capacity whatsoever, — a self-effacement nota-
ble in an age when the rays of the lime-light
are sought even by college professors.
Turning from this exceptional modesty to
the four enlightening volumes Professor Mat-
thews has edited, it may be said forthwith
that here is both solid shot and canister with
which to rout the ardent enthusiasts whose
self-imposed task is to "uplift" the drama.
Indeed, with the exception of M. Brunetiere,
the authors of these papers on play-making
may be classed as commercial dramatists, who
believe that the function of the theatre is to
please and not to preach. As Mr. Henry
Arthur Jones writes the introduction to this
single exception to Professor Matthews 's rule
that papers on play-making should be written
by makers of plays, the voice of the practical
man may be said to be raised even here.
Moreover, Mr. Jones's scintillant introduction
quite eclipses in interest M. Brunetiere 's
didactic holding of his pet thesis that a play
"is the spectacle of a will striving toward a
goal, and conscious of the means which it
employs." In contravention of this theory,
Mr. William Archer has insisted that a play is
a crisis not a conflict. But Mr. Jones frames
a law of his own. "Drama arises," he says,
"when any person or persons in a play are
consciously or unconsciously 'up against'
some antagonistic person, or circumstance, or
fortune."
Whether a drama be a conflict, a crisis, or
a case of "up against it," is of minor impor-
tance, the elusive art of play-making being to
hold the interest of an audience. To place a
person or persons in a play "up against"
something that will get over the footlights is
the problem that confronts the dramatist, and
it matters little whether that something be
defined as a conflict or a crisis, provided it be
novel enough to excite interest or human
enough to inspire sympathy. Moreover, the
test of the box-office is also the test of time,
since a play that does not appeal to its own age
sufficiently to gain at least a respectable hear-
ing will not live long enough for posterity to
become aware of its existence.
Knowing his contempt for the closet-drama,
one suspects Professor Matthews of having
published these instructive papers on play-
making in order to confound the "high-
brows," for the voice of the successful dra-
matist inevitably conjures up the spectre of
'Commercialism. Listen to Lope de Vega, as
.commercial a dramatist as ever wrote :
" True it is that I have sometimes written in
accordance with the art which few know; but, no
sooner do I see coming from some other source the
monstrosities full of painted scenes where the
crowd congregates and the women who canonize
this sad business, than I return to that same bar-
barous habit, and when I have to write a comedy
I lock in the precepts with six keys, I banish Ter-
ence and Plautus from my study that they may
not cry out at me; for truth, even in dumb books,
is wont to call aloud; and I write in accordance
with that art which they devised who aspired to the
applause of the crowd; for since the crowd pays
for the comedies, it is fitting to talk foolishly to it
to satisfy its taste."
The authorship of some two thousand or more
plays is attributed to this same Lope de Vega.
yet his name spells Spanish drama. As Pro-
fessor Matthews says, in his introduction to
Lope 's ' ' New Art of Writing Plays, " "it was
he who made the pattern that Calderon and
all the rest were to employ. ' ' Here is the pat-
tern drawn by this master craftsman :
" Do not spend sententious thoughts and witty
sayings on family trifles, . . . But when the char-
acter who is introduced persuades, counsels, or dis-
suades, then there should be gravity or wit . . .
If the king should speak, imitate as much as possi-
ble the gravity of a king; if the sage speak,
observe a sententious modesty ; describe lovers with
those passions which greatly move whoever listens
to them . . . Let him [the playwright] be on his
guard against impossible things, for it is of the
chiefest importance that only the likeness of truth
should be represented . . .
" In the first act set forth the case. In the sec-
ond weave together the events, in such wise that
until the middle of the third act one may hardly
guess the outcome. Always trick expectancy; and
hence it may come to pass that something quite far
from what is promised may be left to the under-
standing."
To study further the laws of dramatic con-
struction, except in practice, is largely futile ;
since, in the words of the late Bronson How-
ard, "when all the mysteries of humanity
have been solved, the laws of dramatic con-
struction can be codified and clearly ex-
plained; not until then." Yet this lamented
American has himself framed a vital law of
construction in his edifying "Autobiography
of a Play." "A dramatist," he holds,
"should deal so far as possible with subjects
of universal interest, instead of with such as
appeal strongly to a part of the public."
Realizing, as have all successful dramatists,
that a stage appeal must not be made to
"hearts here and there," but to "a thousand
hearts at once, ' ' he reaches the logical conclu-
sion that ' ' love of the sexes is most interesting
to that aggregation of human hearts we call
the audience."
1915]
THE DIAL,
147
To Lope de Vega's epitome of the art of
play-making and Bronson Howard's sane rule
of selection should be added Sir Arthur Wing
Pinero's definition of strategy as "the general
laying out of a play," and tactics as "the art
of getting the characters on and off the stage,
of conveying information to the audience and
so forth." To complete this vade-mecum for
the playwright, it is necessary to turn to La
Critique de I'ficole des Femmes, a dramatic
polemic written by Moliere to confound the
"high-brows" of his day. In scorn of their
"rules made only to embarrass the ignorant
and deafen the rest of us," Moliere thus
frames the one universal law, not only of the
drama, but of every art :
" I should like to know whether the great rule
of all rules is not to please, and if a play which has
attained that end has not travelled a good road?
Can the entire public be mistaken, and is not
each one capable of judging of the pleasure he
receives ? "
The drama is the most democratic as well as
the most contemporary of the arts ; its appeal
being made not to people of the future but to
those of the present, not to one class but to all.
If a play pleases the public of its own time,
has it not, as Moliere says, travelled a good
road ? Moreover, can the entire public be mis-
taken? This question is answered by Sir
Arthur Wing Pinero in his paper on ' ' Robert
Louis Stevenson as a Dramatist." "The in-
stinct," he says, "by which the public feels
that one form of drama, and not another, is
what best satisfies its intellectual and spiritual
needs, at this period or that, is a natural and
justified instinct. ' '
A dramatist may rise to a moral plane as
high as the ideals of his public, or debase his
talents to the limit of police toleration; but
he cannot disregard the instinct of which Sir
Arthur speaks, without failure as the penalty.
It should be apparent, therefore, that if in a
particular age this instinct is either vicious or
crass, the public, rather than the stage, needs
"uplifting," a 'task for the accomplishment
of which a cohesion of all the moral elements
in the community, rather than the ardor of
a few zealots, is required.
Another pertinent lesson in stage-craft is
taught by Sir Arthur Wing Pinero in his
analysis of the failure as a dramatist of so
dramatic a novelist as Robert Louis Stevenson.
The prizes of the dramatist were to Steven-
son's thinking "out of all proportion to the
payment of the man of letters" ; therefore the
theatre was "a gold mine," upon which to
keep his commercial eye. However, he failed
to secure its ingots, because, as Sir Arthur
says, "he played at being a playwright."
The art of play-making, which the eminent
dramatist just quoted so aptly defines as
"compressing life without falsification," is
too serious an art to play with. Stevenson
approached the dramatic gold mine believing
he had only to scratch the earth in order to
disclose the ingots. These, alas! lie far be-
neath the surface. Only by infinite patience
and skill may they be unearthed.
To the novelists who share Stevenson's con-
tempt for the drama, as well as to the enthu-
siasts engaged in elevating it, the admirable
booklets Professor Brander Matthews has
modestly issued in the name of his pet achieve-
ment are recommended as pertinent reading.
Papers on the art of acting by Talma, Coque-
lin, William Gillette, etc., are to be added in
the autumn to these publications of the Dra-
matic Museum of Columbia University. That
they may prove as illuminating as the present
group on play-making should be the wish of
all who have the welfare of the drama at heart.
H. C. CHATPIELD-TAYLOR.
EUROPEAN TRAVEL, IN THE EIGHTEENTH
CENTURY.*
If not quite a pioneer in the rich field of
early European travel, Professor Mead is one
of the first to work systematically therein.
Miss Howard's "English Travellers of the
Renaissance," Mr. Bates 's "Touring in
1600," and most other detailed studies have
dealt mainly with the sixteenth and seven-
teenth centuries. Babeau's "Les Voyageurs
en France," though covering about three cen-
turies, is limited to one country. Professor
Mead has therefore limited himself to the
eighteenth century, with an occasional glance
backward and forward, and. in the nature of
things, to those countries (France, Italy, Ger-
many, and the Low Countries) which were
generally included in the conventional grand
tour.
Foreign travel for the avowed purpose of
education — of becoming "the complete gen-
tleman"— may be said to have begun in
Elizabethan times, and owing to the heavy
expense involved was limited to the upper
classes. With occasional interruptions due to
war, the stream of Continental travel contin-
ued, and in the eighteenth century travelling
became, relatively, so easy that large numbers
of young Englishmen were constantly to be
found in the great centres of the countries
chiefly visited. So numerous, indeed, did they
become that it was not easy for a Briton to
* THE GRAND TOUR IN THE EIGHTEENTH CENTURY. By
William Edward Mead. Illustrated. Boston: Houghton Mif-
flin Co.
148
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March 4
get away from his countrymen for the pur-
pose of acquiring the language. This, however,
did not seriously trouble many Englishmen,
who cared little about learning foreign lan-
guages. The indifference of Englishmen to
the Continental vernaculars has always been
marked.
It was of course a far different Europe that
the eighteenth century tourist saw from that
of to-day. It was the Europe of pre-Revolu-
tionary days, before the social order had been
transformed. France had not yet got away
from the fatal centralizing policy of Louis
XIV. Spain was "in full decadence." Italy
was at the lowest ebb of her decline ; ' ' no man
could take pride in the name of Italian."
Germany was slowly recovering from the
Thirty Years' "War, and was "inert and un-
progressive, feudal in spirit and practice, and
everywhere divided against itself. ' ' The Low
Countries alone were on the whole free and
prosperous; except Belgium, whose commer-
cial expansion was blocked by Holland and
England.
The impression left by Professor Mead's
chapters on Water Travel, Roads, Carriages,
and Inns is that tourists were courageous to
travel at all. The railways have completely
revolutionized travel; by making it easy to
get over the country they have vastly in-
creased the number of travellers, and thus
have forced an improvement in accommoda-
tions and — at least a partial — change of
heart on the part of innkeepers, who now real-
ize how essential it is to make travellers
comfortable. Before the advent of steam, how-
ever, travel both by land and by water was
"no unmixed delight." In 1787 Arthur
Young spent fourteen hours between Dover
and Calais. On the Continent travel by
water was much more common than now. One
could go from Paris to Lyons by water (ten
days, thirty-five livres, or about $6.75) ; the
water journey from Lyons to Avignon alone
required three days. To avoid the Alps, many
preferred the Mediterranean trip from Mar-
seilles or Nice to Genoa, even with its possi-
bility of sea-sickness and its danger of capture
by the dreaded Barbary pirates. In Ger-
many the Rhine, the Elbe, and the Danube
were utilized as far as possible, and in the
Low Countries water travel was well organ-
ized. James Edward Smith says that the con-
venience and pleasure of travel in Holland
and Flanders "can hardly be conceived from
description."
Land travel was scarcely less difficult than
in former times, and was vastly more tedious
than now. French roads were better than
Italian. Naples had practically no roads at
all except that which led to Rome, and this
was in winter so bad that "one ran great risk
of being swallowed up in the mud-holes."
German roads were notoriously bad ; improve-
ments did not begin till 1753. In Nugent 's
time (about 1756) post wagons made about
eighteen miles a day. 'In Hanover, as late as
1826, John Russell reports, scarcely outside
the gates the wheels of the coach sank up to
the axle-tree.
Unless one could afford one's own vehicle,
one travelled in the diligence — a vehicle
which grew in massiveness until those used by
Fenimore Cooper were " as large as an ordi-
nary load of hay, carried twenty or thirty
passengers, and weighed five tons." Many
preferred the post-chaise, which was more
expensive. From Calais to Paris (thirty- two
posts) a single post fare in 1756 cost about
$21.75 ; two could do it for $31.50. Private
coaches were very expensive. In Italy one
could travel "with post-horses; with a vet-
tura or hired coach or calash in which they
do not change horses; and, finally, with a
procaccio or stage-coach that undertakes to
furnish passengers and necessary accommoda-
tions on the road." The German post wagon
was much more clumsy and unwieldy than the
French, and went only about three miles an
hour.
The inns left much to be desired, and their
wretched condition compelled travellers to
take much more luggage (both linen and pro-
visions) than is necessary to-day. Beds were
likely to be damp and dirty ; there were only
the most primitive sanitary arrangements. In
Italy and Germany especially the food, except
in the large towns, was often poor or ill
cooked; and as Smollett remarks, a common
prisoner in the Marshalsea or King's-Bench
was more cleanly and commodiously lodged
than travellers were in many places between
Rome and Florence.
Yet in spite of these drawbacks, the attrac-
tions of travel proved too strong to be re-
sisted. In the ' ' Letters Concerning the Present
State of England" (1772) it is said that
"where one Englishman travelled in the
reigns of the first two Georges, ten now go on
a grand tour." The number who travelled
chiefly for the purpose of improving their
minds and gaining} intelligence, however,
does not seem to have been relatively very
great. Few were well prepared to reap the
maximum advantage from foreign travel.
At the university a man "could not avoid
picking up the rudiments of Latin and Greek
and some bits of information about ancient
Rome and a few other cities, but of the topog-
raphy, the history, the government, the art,
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THE DIAL,
149
the architecture, the social conditions of the
countries he intended to visit, he was . .
often disgracefully ignorant." Many still
favored the plan of sending boys abroad in
care of a tutor ; but the number of competent
tutors was small indeed.
Attempting some generalizations, Profes-
sor Mead thinks that the average English
tourist was incompetent to form a judgment
of the people of the Continent. ' ' Perhaps the
most striking characteristic of the ordinary
run of English travellers was their insularity
and their unreadiness to admit the excel-
lence of anything that was unfamiliar." Yet
Englishmen who chose to be popular on the
Continent were often remarkably so. They
"had a reputation for fair dealing, and for
keeping their promises."
Likewise Englishmen were unable to esti-
mate fairly the art and architecture of the
Middle Ages. "To many an Englishman
Italy was interesting chiefly as a vast museum
of antiquity which enabled him to vivify his
recollections of the classics." Addison at
once occurs to those familiar with his travels,
as of this class. On such men the glories of
mediaeval Gothic made no impression.
The change of attitude which took place
toward mountain scenery in the eighteenth
century has been often commented upon. St.
John's view, as late as 1787, is typical of
many:
" Far off lay the mountains of Switzerland,
forming a most awful and tremendous amphithea-
tre. When first I turned my glass upon them, if I
may so express myself, and brought their terrors
closer to my eye, I started with affright ! . . . Per-
haps on approaching, and having them continually
in view, they would not appear so dreadful as at
first; but even yet at so great a distance, I could
not behold them through a glass without terror."
Gray was one of the first to admire mountain
scenery, and there seem not to have been
many who followed him, at least for a long
time. The failure to appreciate the Alps, the
Pyrenees, and -the Apennines was probably
due to two things: first, men's preoccupa-
tion with "the proper study of mankind";
and secondly, the difficulties experienced in
traversing these barren and forbidding re-
gions. As these difficulties gradually dimin-
ished, Gray's delight in the sublimity of
mountain scenery found an echo in many
hearts. William Coxe wrote to his friend
William Melmoth in August, 1776 :
" I have now visited the sources of three great
rivers in Switzerland, and traced their impetuous
progress through a tract of country, in which
nature has exhibited the grandest and most august
of her works. But it is impossible adequately to
describe these majestic and astonishing scenes ! In
description they must all appear nearly the same;
yet, in fact, every river, cataract, rock, mountain,
precipice, are respectively distinguished by an infi-
nite diversity of modifications, and by all the possi-
ble forms of beauty, magnificence, sublimity, or
horror. But these discriminating variations, though
too visibly marked to escape even the least observ-
ing eye, elude representation, and defy the strong-
est powers of the pen and pencil."
Yet with all his obtuseness and his inability
to make the most out of his opportunities, the
Englishman must have got more out of his
travels than we generally give him credit for.
We are accustomed, following Matthew Ar-
nold and some others, to think of John Bull
as a singularly obstinate and conservative
person. Yet we shall have to admit that in
Britain new ideas have made steady if slow
progress. The most flexible of British minds
— Shakespeare, Burke, Arnold himself —
have been leaders of many. The success of
British colonial policy in these latter days
shows that Burke 's view has at length pre-
vailed; and we cannot help thinking that
something of this change of attitude is due to
the observing British travellers who have
penetrated to the ends of the earth. And if
for a few years following the present war the
English and the Germans could frankly ex-
plore each other's country (forgetting all
about spies), it is safe to say that there would
never be a repetition of the crime that is now
being perpetrated on the innocent bystanders
of Europe.
Professor Mead has succeeded in producing
a volume which is both entertaining and of
high scholarly value. Typographically the
book leaves nothing to be desired; and the
eleven illustrations have been well chosen.
We dislike to have all the notes relegated to
the back; nothing of importance is gained,
and hunting for the notes where they are
wastes too much time. There is an adequate
bibliographical note (supplementing Pinker-
ton) , and a good index.
CLARK S. NORTHUP.
CHARACTER-READING THROUGH THE
FEATURES.*
Since Aristotle's day, at least, men have
diligently searched for a key with which to let
themselves into the inner life of their fellows ;
and no subject of study seems to have been so
fascinating and at the same time so elusive as
this one. The ancients sought to solve the
great mystery by comparing the features of
man with those of animals,' on the principle
that likeness in features denoted similarity in
* CHARACTER READING THROUGH ANALYSIS OF THE FEATURES.
By Gerald Elton Fosbrooke. Illustrated by Carl Bohnen.
New York: G. P. Putnam's Sons.
150
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[ March 4
intellectual and temperamental traits. They
assumed, for instance, that a man with a
leonine brow must have a lion's characteris-
tics, while a man with a canine brow must
have the traits of a dog. This mode of ap-
proach to the secrets of character has been the
favorite one, though not the only one, all the
way down to our own day. Mr. Fosbrooke's
"Character Reading through Analysis of the
Features" is based in part on this conception,
and in part on the doctrine that a particular
formation of features denotes a special sort of
intellect and type of character. But the au-
thor does not depend entirely on analysis of
the features in a strictly anatomical sense. At
times he bases his "reading" on the expres-
sion of the features, rather than on their form,
size, and relation. The frontispiece is a pic-
ture of a woman, and bears the title, ' ' Con-
centration." It is evident that the author
intended the reader to get the idea of concen-
tration from the expression of the woman's
face, — the lines of strain in the brow and
about the eye, — and from the attitude of her
body ; and not from the size and shape of her
nose, ears, or chin, the color of her eyes and
hair, the construction of her lips, or any other
anatomical characteristic.
The sketches for the various types of each
feature are unusually good. The impression
which a hasty turning of the leaves makes
upon one is that there will be some interesting
secrets revealed in this book, and that stu-
dents of human nature will get suggestions
from it which they can utilize in classifying
people. But the critical reader will be disap-
pointed when he comes upon Plate I., for this
is a reproduction of the conventional phreno-
logical chart in which all the varied faculties
of the soul are localized in the left hemisphere
of the brain. What the right hemisphere is
used for is a mystery about as profound as
the other mysteries discussed in the book.
A dozen or so of the faculties, such as "lan-
guage," "form," "size," "weight," "color,"
"order," and "calculation," are located over
the left frontal sinus and below the left eye.
The author says that the "bump" theory in
character-reading was exploded years ago;
and yet he endorses this phrenological chart,
and relies upon it in his analysis of concrete
cases in the latter part of the book. It seems
extraordinary that in the light of modern
research on the brain anyone should locate
"ideality," "sublimity," "hope," " spiritu-
ality," "veneration," and "conscientious-
ness" in the upper middle region of the left
hemisphere. It has been shown literally hun-
dreds of times that this is the general motor
region which regulates the movements of the
dextral half of the body. If one should be
injured in the left hemisphere where the
chart localizes ' ' spirituality, ' ' he would be
paralyzed in the right leg. He probably
would not have any more or any less spiritu-
ality than he had before. If one should ex-
pose this area and stimulate it, the right leg
of the subject would respond; but there
would be no spiritual demonstration whatever.
But the most amazing feature of this phreno-
logical chart is the location of the language
faculty underneath the left eye. Modern
research has shown that the vocal language
centre is in the middle motor region of the
left hemisphere. The visual language centre
is in the occipital lobe. The graphic language
centre is differentiated out of the general
right-hand centre in the left hemisphere, and
the auditory language centre is in the audi-
tory region of the brain. How anyone in
these times can continue to befuddle the lay-
man by pretending to read linguistic ability
from an examination of the topography of the
region below the left eye is inconceivable.
There are many conflicting statements in
the book, — although no more than in any
book which attempts to delineate character on
a physiognomical basis. One may read that a
certain face shows in the forehead "reflective
and perceptive formation, ability to reason
from cause to effect, good comparative powers,
natural knowledge of human nature, construc-
tive and executive ability, reverence, firmness,
and a love of approbation, a desire to learn,
power of judgment as to size and weight,
mental order well developed resulting in a
good memory. Eyebrows show indications of
irritability, the eye shows observation, pene-
tration, and intellect. Upper eyelids show
selfishness, self will, and self satisfaction. ' '
What little progress psychology has made
in trying to differentiate the characteristics
and powers of individuals has led to the view
that the strongly reflective type of person, one
who has marked ability in reasoning from
cause to effect, is likely to be lacking in execu-
tive ability. Again, the psychologist has been
able to show that there are as many kinds of
memory as there are kinds of perceptions and
ideas, and to say that the forehead shows that
one has a good memory is indeed humorous.
Often in this book one reads that the forehead
shows lack of concentration, while the nose
shows just the opposite, the lips something
else, and the chin still something different.
What kind of a theory of mind can a person
have who believes that mental characteristics
are revealed in anatomical traits, when differ-
ent traits suggest diametrically opposite
abilities *
1915]
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151
If those who are engaged in an attempt to
develop a science of character-reading would
take their cue from Darwin, they might in
time give us something which would be of
service ; but when they base their ' ' readings ' '
upon phrenology and physiognomy, they are
certain to lead their followers into blind
alleys. Darwin showed that the fundamental
emotions are revealed in characteristic muscu-
lar movements and adaptations of the body as
a whole, and of the more mobile parts of the
face, hands, etc. These muscular activities
were once of service in the struggle for exist-
ence, and they have persisted even down
through human life in more or less modified
and complicated forms. Darwin also showed
that certain of the very general intellectual
traits, such as attentiveness and concentra-
tion, are revealed in specific muscular adapta-
tions; and the frontispiece in Mr. Fosbrooke's
volume illustrates this very well. But no man
has ever shown any connection whatever be-
tween the expression of the eyes, the lips, etc.,
and particular types of thinking, as in phys-
ics, chemistry, psychology, philosophy, his-
tory, etc. And still there are many persons
who imagine that every intellectual activity is
revealed in some kind of characteristic tension
or adaptation of some or all of the features.
A large proportion of American people
have apparently not yet grown out of their
superstitious feeling about the reading of
character. They still think that someone has
discovered the connection between every
"attribute of the soul" and the construction
and expression of the features. Superstitious
people of this sort read the analyses of fea-
tures such as appear in books like the one
under review, in which a great multitude of
the most general activities, abilities, and
attributes are enumerated ; and they will feel
that they are in the presence of a great revela-
tion of subtle truth, when they are really only
being plunged deeper and deeper into confu-
sion. The author is probably not under as
great an illusion as his readers will be, for in
his chapters on "How to Read Faces" and
"The Knowledge of Physiognomy and Its
Uses" he does not make a definite statement
applying his own principles, though he does
this for the concrete types presented in the
last chapters of the book. But how can any-
one test the accuracy of his analyses when
they concern only imaginary persons designed
by the artist?
It may be added that the artist has done
his work admirably, and that the book is at-
tractively made on the physical side.
M. V. O'SHEA.
A SKETCH OF THE ENGLISH DRAMA.*
Professor Schelling is so well known as an
authority on Elizabethan drama that one ap-
proaches his treatment of that field with
assurance, knowing that even if it were noth-
ing more than a condensation of his large
work on the subject it would be well worth
while. The chief question concerns his treat-
ment of the later periods, in which the whole
subject of English drama is so much less at-
tractive, and has been so much less put in
order by scholarship, than in its greatest age.
Here, also, it may be said at once, there is
little but praise called forth either by Profes-
sor Schelling 's judgments in themselves or by
his frank but urbane manner of pronouncing
them. In respect to the matter of proportion,
however, some greater doubt may be felt. Ad-
mitting the immensely preponderant interest
of the Elizabethan and Jacobean periods, the
dreariness of English drama in the neo-
classical age, and the still tender youth of the
fresh growth of the form in our own time, yet
to give substantially two hundred pages out
of 330 to the matter from Lyly to Davenant,
and but forty to the entire eighteenth cen-
tury, with some sixteen for the nineteenth, is
open to question. The really large product
of the eighteenth century in serious literary
drama, while of course of no corresponding
intrinsic excellence, leads the student to de-
sire some careful consideration of it, if for no
other reason than to explain its limitations.
The great value of the important portion of
the book, that dealing with what may be called
Professor Schelling 's own period, is the topi-
cal analysis of the rich material it affords,
according to which the several types, such as
romantic comedy, the "drama of everyday
life," and the like, are separately accounted
for with brevity and sureness. This is the
method of the author's large work, "Eliza-
bethan Drama," and in that instance it has
sometimes been found troublesome because of
the effect in separating rather widely matters
chronologically akin; but in a book of the
present compass there can be little question
of its usefulness. And the writer has not
permitted himself, even where so great con-
densation was demanded, to make his chapters
mere lists and summaries, without distinction
and individuality of style. On the contrary
his agreeable personality is almost always
present. Witness such an obiter dictum as
this:
" In our own time the example of Everyman has
begotten a progeny of contemporary plays, and
created, even on the popular stage of England and
* ENGLISH DRAMA. By Felix E. Schelling. " Channels of
English Literature." New York: E. P. Dutton & Co.
152
THE DIAL
March 4
America, a wholesome diversion from the dismal
problems and trivial improbabilities that for the
most part rule there."
Or this :
" The pathos of Shylock is totally of 19th cen-
tury manufacture, and as absurd as it is gratuitous.
It is referable, like our modern shudder at the
robust punishment meted out to the Jew, to our
emasculated contemporary sentimentality that hab-
itually meddles with clumsy hand to interpose
between human acts of folly and criminality and
their logical consequences."
Another fine passage is on the relation be-
tween Ford and that modern romanticism
whose faith is "in the divine guidance of
passion ' ' ; but there is the less need to quote
this because it is found in substantially the
same form in the earlier and larger work.
Readers familiar with Professor Schelling's
criticism will be prepared to guard themselves
— unless they be of the same school — against
his disposition to teach that Shakespeare
could do no wrong. This is evidently not due
to mere traditionalism, but to a truly devout
and — one must admit — an intelligent faith
in the methods of the great master 's art. Yet
it sometimes leads to results dubious at best.
If Professor Schelling, for instance, finds the
conclusion of "Measure for Measure" ethi-
cally satisfying (see page 100), he differs not
only from Coleridge, who called it "a hate-
ful work," but surely from very many of us.
In ' ' Othello ' ' he seems to find a certain poetic
justice of the old-fashioned sort (page 133),
which again is at least questionable. And
once more he refuses assent (page 186) to that
view of Shakespeare's latest plays which
recognizes a certain falling off in dramatic
power, though this may now fairly be called
the orthodox view, and to the present writer
seems indisputable.
The bibliographical material in this volume
is by no means so rich as in the author's sim-
ilar volume on the Lyric, in the corresponding
American series; but this is due to no fault
of his, but to the plan of the general editors.
Despite this, he has managed to include, in a
number of valuable footnotes, apparatus sure
to be very useful to the serious reader. The
index is of the wholly mechanical and almost
wholly useless sort ; but this again is obviously
the fault of the publishers. Nor is the proof-
reading impeccable, though better than in
Mr. Rhys's volume in the same series. Par-
ticularly distressing is the punctuation,
whether due to unusual theories on the part
of author or printer one cannot say.
When all is said of such details as these,
whereon we critics thrive, this book remains a
really notable achievement in the packing into
small compass, by methods at once scholarly
and humane, of much riches. Few living men
— doubtless no one else in America — could
have done this special task so well. And it
may be observed that while certain of these
type-subjects — the lyric for instance, — are
rather ill adapted to consecutive historical
treatment, in the manner of the present series,
the drama is of just the opposite character.
It thrives in some sense as an organism,
rather than in isolated individuals. The
study of causes, effects, and quasi-biological
relations, is nowhere more significant. It
would be well if we could have, one day, a
new edition of this volume, including a study
of the recent development of English drama
made with the same care which has been be-
stowed on the golden age of its youth.
RAYMOND M. ALDEN.
BRIEFS ON NEW BOOKS.
Lincoln the Believing that ' ' we have had no
apostle of life written of Abraham Lin-
democracy. -, ,-, «. , •• , ,
coin worthy of that great man,
Miss Rose Strunsky courageously essays the
task of worthily picturing to us the veritable
Lincoln, the man of the people, "the apostle
of true democracy," and of placing in a new
and true historical perspective both the man
and his time. "While it is beyond dispute that
Lincoln is so great a man, so noble a figure in
history, and from manifold points of view so
attractive a personality, that we can hardly
have too many faithful and well-written ac-
counts of his life, it is also not to be denied
that already more than one able pen has
traced without serious distortion the features
of this perennially interesting man and shown
with some clearness his abiding significance in
our national history. Although Miss Strun-
sky declares that "the truth is we have not
been taught how to tell of his life," many of
us were of the impression that no ignoble
attempt to achieve that end was to be found
in the ten volumes of Nicolay and Hay 's great
work, as well as in such less elaborate under-
takings as Miss Tarbell's careful book, Mr.
William E. Curtis 's account of "The True
Abraham Lincoln," and, by no means least of
all, the late Francis Fisher Browne's capti-
vating volume, "The Every-Day Life of
Abraham Lincoln." What Miss Strunsky
would lay emphasis on, however — and it is
an aspect of the subject not to be overlooked
— is the moulding influence of his environ-
ment and his time in the production of the
leader demanded at that particular period
and in those peculiar circumstances. "We
cannot tell his life by speaking of his life
alone," she truly says. "We were looking for
1915]
THE DIAL
153
our old-time hero of the sagas, and here came
along one who made the people hero," she
further tells us, and again: "We speak of
one who was no more or less than the execu-
tive and administrator of the will of the peo-
ple. Whatever were the ideals and desires and
faults of the common people of his day were
the ideals and desires and faults of Abraham
Lincoln." This is paring down his native
genius and force, his distinct individuality,
rather unduly, and is making of Lincoln an
opportunist and a time-server instead of a
leader and the champion of a cause. The
writer makes not slavery but "property in
land" the real cause of the Civil War. Yet
the southern plantation system would have
been impossible without slavery, and thus the
latter must still bear the responsibility com-
monly ascribed to it. Speaking of what the
present-day American is striving for, the au-
thor closes her book with this reading of the
signs of the times: "Behind the aegis of
Lincoln he is advancing towards the new order
of social control — small capitalistic and
closely-knit together." Is it so certain that
the day of large industrial and financial
operations is near its sunset? The book, in-
telligently planned, agreeably written, and
provided with half a dozen appropriate illus-
trations, is a welcome though hardly an
epoch-making addition to the literature of its
inexhaustibly fertile theme. (Macmillan.)
Humors of peculiarities of the Scottish
the Scottish character show themselves no-
where more unmistakably than
in the clash of wits that takes place in a Scot-
tish court of law. Hence the fund of amusing
anecdote and character-sketch that such a
book as "Some Old Scots Judges" (Button),
by Mr. W. Forbes Gray, is likely to contain.
It is not a work of laborious biographical re-
search, but rather an entertaining compilation
from such sources as Cockburn's "Memorials
of his Time," Ramsay's "Scotland and Scots-
men," Kay's "Edinburgh Portraits," and
Knight's "Monboddo and his Contempora-
ries," with such editorial touches as serve to
set the several characters in their proper per-
spective and give a sufficient unity and pro-
portion to the volume. Here we have, for
instance, the bluff, unpolished Lord Braxfield
airing his broad humor and his broader dia-
lect on the judicial bench. ' ' Hae ye ony coon-
sel, man?" he asks of Maurice Margorot,
brought before him on a charge of sedition.
' ' No, ' ' was the laconic answer. ' ' Dae ye want
to hae ony appointit?" he continues. "No,"
is the sarcastic rejoinder, "I only want an
interpreter to make me understand what your
lordship says." It was the same incorrigible
Caledonian who said of young Francis Jeffrey,
fresh from Oxford and beginning his profes-
sional practice at the Scottish bar, ' ' The laddie
has clean tint his Scotch and fund nae En-
glish." To Jeffrey himself, in due time
raised to the bench, the author devotes one of
his most readable chapters. It is significant
to find the man who, as first editor of the
"Edinburgh Review," misjudged the poetic
genius of others, equally at fault in estimating
his own endowment as a writer of imperish-
able verse. "I feel," he wrote to his sister,
"I shall never be a great man unless it be as
a poet. ' ' In addition to the celebrities already
named, the book has sketches of Lords Kames,
Monboddo, Gardenstone, Hailes, Eskgrove,
Balmuto, Newton, Hermand, Eldin, and Cock-
burn — all of the later eighteenth and earlier
nineteenth centuries. Portraits of all are pro-
vided, and an unusually full index closes the
book, which may be confidently commended to
the lover of biographical anecdote and well-
considered terse characterization.
A study
of musical
psychology.
In his clearly written and en-
tertaining book, "The Musical
Faculty" (Macmillan Co.). Mr.
William Wallace endeavors to consider, in its
abstractness as a part of the musician's inner
equipment, the conscious activity which pro-
duces music. The noun in the title indicates
the point of view from which the book is writ-
ten. We had supposed that this was a phase
of speculation somewhat overworn. The iso-
lating of a section of the consciousness, and
the elaborate treatment of this abstraction,
leads generally to rather shadowy results.
We are inclined to believe that there is no such
thing as a musical faculty ; but that the whole
man, his entire development and achievement,
all that he is and knows, go to the produc-
tion of his aim, — in this case, an expres-
sion in sound of some profound insight or
some overmastering experience. Nevertheless,
this is a book full of interesting if not new
analyses of various aspects of musical phe-
nomena. Mr. Wallace maintains that the ear-
lier composers had no individual development ;
they showed no growth in their compositions ;
their later works, like their earlier ones, were
built upon the same model, and showed the
same tonal characteristics. With Beethoven
the break with the old was made; he aban-
doned his forerunners, and set sail upon the
unfathomed sea on which the argosies of the
bold musicians of to-day are navigating,
bound for ports never dreamed of before. The
question appears in every art form to-day, and
yet the orthodox sonata in Beethoven 's hands
154
THE DIAL
[ March 4
was the medium of utterance for ideas not sur-
passed by any of his successors. Mr. Wallace
analyzes the intellectual equipment of the
"wonder child" who seems to know every-
thing in music when wholly immature in all
other directions. He concludes that there is
something occult here which as yet entirely
exceeds our understanding. He describes the
nervous apparatus at the basis of music; he
deals with the mental hearing of music, as in
the case of a deaf musician ; the extraordinary
power of inhibition or concentration required
of the musician; the character of musical
memory ; and the vast command of multitudi-
nous resources demanded of the modern leader
of the orchestra. He discusses at length the
problem of musical heredity, and has small
respect for the theories usually advanced on
the subject. He considers the great musician
as a representative person at the highest point
of human development, and combats the no-
tion that the so-called "genius" invariably
possesses a diseased consciousness and is al-
ways an abnormality. The book is provided
with a useful bibliography, a satisfactory in-
dex, and contains a great deal of material that
is valuable.
A score of great names are
. selected by Professor Edwin
"Watts Chubb, in his "Masters
of English Literature" (McClurg), to repre-
sent seven of the eight periods into which he
conveniently divides that literature. Those
periods are: the Anglo-Saxon or Early En-
glish, the Middle English, the Elizabethan,
the Puritan, the Restoration, the Age of
Classicism, the Age of Romanticism, and the
Victorian Age. The Anglo-Saxon period he
leaves unrepresented, for obvious reasons, in
a popular treatise such as he has prepared;
to illustrate the others we have Chaucer,
Shakespeare (whose name Professor Chubb
prefers to write in almost its briefest possible
form), Milton, Dryden, Swift, Pope, Johnson,
Burns, Byron, Shelley, Keats, Wordsworth,
Scott, Dickens, Thackeray, George Eliot, Car-
lyle, Ruskin, Tennyson, and Browning. A
brief biographical sketch and a generously
appreciative rather than severely critical
account of his works are given under each
writer's name, the whole being preceded by a
brief Preface and an introductory outline of
English literature as divided into the fore-
going periods, and interspersed with frequent
short quoted passages, while bibliographical
references at the end of each chapter point
the student to more extended sources of in-
formation. George Eliot, the one woman
writer on the list, has a compliment paid to
her apophthegmatic quality which is not paid
even to Johnson or Carlyle; that is, a selec-
tion of pithy sayings — beginning with,
"Blessed is the man who, having nothing to
say, refrains from calling attention to the
fact" — is made from her books and ap-
pended to the section headed by her name.
In his opening paragraph the scholarly author
allows himself a little indulgence in what
seems not exactly like scholarly restraint, the
scholar's preference for understatement, when
he says that "one could collect several hun-
dred definitions of literature or religion." It
would be a task for most of us to collect a
dozen of each. What one likes most in this
attractive book from an ardent lover of "the
best that has been said and thought in the
world" is the contagion of enthusiasm for
that "best" which its pages spread.
Mr. Hubert Howe Bancroft's
fheAztdecl. "History of Mexico" (Bancroft
Co.) is a revision, with exten-
sion to the summer of 1914, of his work pub-
lished twenty-eight years ago, "A Popular
History of the Mexican People." The im-
penetrable obscurity enveloping the origin and
early history of the Mexican aborigines is
acknowledged at the outset by this sixty-years
student of the subject, and he claims little
that is new for his opening section on the pre-
Spanish period of Mexican history. The re-
maining five sections of the work deal with the
Spanish conquest, the viceregal or colonial
period, the war for independence, the period
of national existence to the downfall of Maxi-
milian, and the later course of events to the
abdication of Huerta, with a concluding chap-
ter on the country's general conditions and
natural resources. Not wanting in contemp-
tuous sarcasm is the historian's treatment of
recent American policy toward Mexico, but he
formulates no alternative course as a remedy
for existing ills, though he does say toward
the close : ' ' Out of the predicament there ap-
pears for the United States one of two courses :
open, inglorious retreat, or conquest, protec-
tion, and dismemberment." The latter mode
of cure, however, he hardly seems to favor
when he says, a little earlier : ' ' Three special
years of infamous treatment they had had at
the hands of their own countrymen, and now
the foreign invader is at their door to bring
them happiness in the form of thirty years
more of war and bloodshed, for without this
and more the promised pacification will never
come to pass." It would have added to the
book's value as a handy work of reference, and
would have made its substance easier of mas-
tery, if dates had been given in the table of
contents, or in the chapter-headings or page-
1915]
THE DIAL,
headings, or occasionally in the margin —
year dates, we mean, as some avoidable uncer-
tainty arises from too frequent mention of
months and days of the month in the text,
with no year at the top of the page or else-
where for ready reference. This fault, it
should be added, is partly corrected by the
appending of a "chronological table of the
rulers of Mexico, and dates upon which they
assumed office." Maps and illustrations
abound, and in general the work is very ser-
viceable and also agreeably readable.
impressions ^ selection of M. Pierre Loti's
of things out of slighter sketches, of various
dates, appears in excellent trans-
lation under the title "On Life's By-ways"
(Macmillan). The book presents in pleasing
form the French naval officer's impressions of
things seen in different parts of the world to
which ' ' the exigencies of a seafaring life, ' ' as
he expresses it, have at various times called
him, together with a brief chapter on Alphonse
Daudet as man and friend, and another on
Michelet's book, "The Sea." With exquisite
art the gifted Frenchman makes one expe-
rience with him the varied and novel sensa-
tions evoked by varied and novel sights and
sounds in divers quarters of the globe — in
Senegal, on Easter Island, in the Basque coun-
try, in Madrid, and under the shadow of the
great Sphinx. Of unusual interest to an
American are the pages written at the Spanish
capital soon after the outbreak of our war for
the liberation of Cuba, or, as this sympathizer
with Spain phrases it, in "the early days of
the American aggression." The charges of
perfidy and atrocity there brought against us
bear an interesting likeness to the charges now
so vehemently urged against one or another of
the belligerent nations by the opposite side.
Warmly espousing the cause of his hospitable
entertainers, the writer paints a touching pic-
ture of the sad-eyed Queen Regent in those
distressing days. Now and then, through the
impressionism of these vividly descriptive
chapters, one gets a glimpse of the author's
philosophy of life, a philosophy not always so
admirable as the style in which it is clothed.
After witnessing, with proper loathing, the
abhorrent spectacle of a Spanish bull-fight,
the writer thus lightly dispels the shameful
vision : ' ' Then, remembering that only what
constitutes physical beauty, the charm and
delight of the eye, does not prove deceptive,
I turned my gaze away from the arena and
looked up at the beautiful senora, dressed in
light blue, and wearing on her head a white
mantilla and in her breast a bunch of tea
roses." A description of the barren dreari-
ness of Easter Island, taken from a notebook
of early youth, but subjected to some needed
revision, is the most remarkably arresting
piece of writing in the book. It alone would
justify the volume's existence. The compe-
tent translator of these well-selected sketches
is Mr. Fred Rothwell, who also contributes a
finely appreciative preface.
Africa's largest island is a thou-
in Madagascar, sand miles long, three hundred
and more broad, and contains
230,000 square miles — somewhat larger than
all the Atlantic States north of the Carolina
line. ' ' A Naturalist in Madagascar : A Rec-
ord of Observation, Experiences, and Impres-
sions Made during a Period of over Fifty
Years' Intimate Association with the Natives
and Study of the Animal and Vegetable Life
of the Island" (Lippincott) contains this in-
formation, and a great deal more. It is the
work of the Rev. James Sibree, F.R.G.S., a
missionary who has written extensively about
his theatre of operations. The book is in-
tended rather to be enjoyed than to be studied,
and is made up of informal accounts of a num-
ber of journeys made in the island. Precise
scientific terms are little insisted upon, native
names are given wherever possible, numerous
reproduced photographs heighten the interest
of the text, and result in a substantial octavo
packed with knowledge imparted cheerfully.
As the principal haunt of the interesting
lemurs and of most of the chameleons, with
a fauna and flora sufficiently distinct from
that of the mainland to heighten investiga-
tion, as well as being the home of several sorts
of humankind, apparently compounded in
various degrees of Melanesians and Negroes,
the island is abundantly worth the time and
space here devoted to it, and is rapidly assum-
ing importance since its conquest by the
French nearly twenty years ago. Told as it
is in an intimate and gossiping manner, the
volume makes excellent reading, and conveys
the idea that the author has led a long, happy,
and interesting life, crowded with strenuous
duties cheerfully performed.
. . In Dr. W. S. Bainbridge's "The
An unsolved , ,, . ° .,, .
problem in Cancer Problem (Macmillan)
modern medicine. Qf
greategt menaces of
human life is dealt with in a competent man-
ner. Medical research in ever-increasing vol-
ume is being directed to the solution of this
problem ; but it remains a problem as yet un-
solved, both as to the cause of cancer and to
any effective cure. The less technical conclu-
sions thus far arrived at indicate that inheri-
tance of cancer holds no special element of
THE DIAL
[ March 4
alarm, that the contagiousness or infectious-
ness of cancer is far from proved, that danger
of its accidental acquirement is slight, and
that care and attention to diet and hygienic
surroundings are of utmost importance; that
cancer is local in its beginning, and when
accessible it may in its beginning be removed
so perfectly by radical surgical operation that
the chances are overwhelmingly in favor of its
non-recurrence. The book is abundantly illus-
trated, has an extensive bibliography, and
holds a mine of technical information on the
theories as to the cause of cancer, the course of
the various types of the disease, and the
various methods of treatment and so-called
"cures." There is also a plea for scientific)
statistics and a campaign of public education
to protect sufferers from the dread disease by
prompt surgical treatment. We note the
omission of Boveri 's very important contribu-
tion (possibly too recent for inclusion) to the
etiology of cancer derived from the study of
abnormal cell divisions. Dr. Bainbridge's vol-
ume is a standard reference work, for both the
practitioner and the patient, concerning all
the more general relations of this paramount
medical problem.
The bible of
Renaissance
architects.
Professor Morris Hickey Mor-
gan's posthumous translation of
Vitruvius (Harvard University
Press) hardly calls for comment on the origi-
nal—the bible of the architects of the
Renaissance, which still profoundly influ-
ences our classical architecture. Besides sev-
eral score of Latin editions and translations
into foreign languages, there have been three
previous translations into English, — those of
Newton, 1791, of Wilkins, 1813 (three books
only), and of Gwilt, 1826. None of these,
naturally, can show the ripeness of classical
scholarship or the benefits of modern archseo-
logical research which the present version
enjoys through Professor Morgan, through
the editor (Professor A. A. Howard), and
through Professor Warren, who has prepared
the illustrations. These advantages, together
with the picturesque and characteristic En-
glish in which Professor Morgan has managed
to preserve the flavor of the original, make it
doubtless the definitive translation. The illus-
trations show a comparison of the prescrip-
tions of Vitruvius with actual classic exam-
ples, usually those which correspond most
nearly to them. The notes which Professor
Morgan had intended, both textual and ex-
planatory, he did not live to supply, but the
translation and illustrations by themselves are
sufficient to be of very great interest both to
architects and to scholars.
NOTES.
Mr. Kudyard Kipling's articles on " The New
Army in Training " are to be republished as a
booklet.
Mr. Jethro Bithell has written a volume on " Con-
temporary Belgian Literature " which will be pub-
lished this spring.
Miss Constance Smedley is bringing out a new
novel with Messrs. Putnam this spring entitled
" On the Fighting Line."
A new volume by Mr. Joseph Conrad, containing
three stories, will be published shortly. The tales
include " The Planter of Malata," " The Partner,"
and " The Inn of the Two Witches."
Mrs. Payne Erskine's new story of the mountain
people of North Carolina will be called "A Girl of
the Blue Ridge." It will come from the press of
Messrs. Little, Brown & Co. before long.
" The Origins and Destiny of Imperial Britain
and Nineteenth Century Europe," by the late J. A.
Cramb, author of " Germany and England," is
promised for early publication by Messrs. E. P.
Button & Co.
A new volume of essays on art entitled " Form
and Colour," by Mr. Lisle March Phillipps (whose
important work on "Art and Environment " was
reviewed in our previous issue), will be issued dur-
ing the spring.
Still another book on the Shakespeare-Bacon
question is promised in Mr. James Phinney Bax-
ter's historical and critical study, " The Greatest of
Literary Problems," which the Houghton Mifflin
Co. will publish.
Rambling essays on the pleasures of spring walks
and of whimsical hobbies, written by Mr. Charles
S. Brooks and entitled " Journeys to Bagdad," will
appear next month with the imprint of the Yale
University Press.
A second series of lectures on " Germany in the
Nineteenth Century," edited by Professor C. H.
Herford with a prefatory note by Professor T. F.
Tout, will be published immediately by Messrs.
Longmans, Green & Co.
The first biography to appear in English of Mr.
Rabindranath Tagore has been written by Basanta
Koomar Roy, a friend of the Bengali poet and
philosopher, and is promised for early publication
by Messrs. Dodd, Mead & Co.
A new edition of the poems of M. Emile Ver-
haeren, translated by Miss Alma Strettel, is prom-
ised by the John Lane Co. The biographical
introduction has been brought up to date, and
recent work of the poet has been added.
Several letters written by the late John Muir are
now in the hands of his publishers, Messrs. Hough-
ton Mifflin Co., and will be brought out some time
during the spring. Mr. Muir left manuscript mate-
rial, practically completed, for an important book
on Alaska.
Mr. George Agnew Chamberlain, United States
Consul at Lourenco Marquez, Portuguese East
Africa, has ready a new story, " Through Stained
1915]
THE DIAL
157
Glass," which the Century Co. will issue this month.
His first novel, " Home/' was published about a
year and a half ago.
Mr. Arthur Waugh has a little volume of essays
in the press, under the title of " Reticence in Lit-
erature." The essays include a series of papers
upon the leading " movements " in Victorian
poetry, and seven short " sketches for portraits,"
ranging from Crashaw to George Gissing.
A collection of Cowley's " Essays and Other
Prose Writings," edited by Dr. Alfred B. Gough,
with a biographical and critical introduction, is
being issued by the Oxford University Press. All
the known prose writings of Cowley 'are included,
except the preface to the juvenile volume,
"Poeticall Blossoms," and some letters of little
interest.
"America and the New World-state " is the title
of a forthcoming volume by " Norman Angell,"
which Messrs. Putnam have in train for pub-
lication. In it is elaborated the thesis that the
American people are above all others, by situation
and " the happy circumstances of their history,"
fitted to become "leaders in the civilization of
Christendom."
A series of medical handbooks, the " Mind and
Health Series," edited by Mr. H. Addington Bruce,
is being projected by Messrs. Little, Brown & Co.
The first three volumes, to appear this spring, are :
" Human Motives," by Dr. James Jackson Putnam ;
" The Meaning of Dreams," by Dr. Isador H.
Coriat; and "Sleep and Sleeplessness," by the
editor of the series.
" North of Boston," a volume of poems by Mr.
Robert Frost which received favorable comment
upon its publication in England, will be issued im-
mediately in this country by Messrs. Henry Holt
& Co. From the same house will come Mr. Barrett
H. Clark's " British and American Drama of To-
day," a companion volume to the same writer's
recently published "Continental Drama of To-day."
An official guide book for scientific travellers in
the West is being prepared under the auspices of
the Pacific Coast Committee of the American Asso-
ciation for the Advancement of Science, and will
be published this month by Messrs. Paul Elder &
Co., of San Francisco. The articles, popular in
form but written with scientific precision, will
appear under the title of " Nature and Science on
the Pacific Coast."
Among the announcements of the Oxford Uni-
versity Press are: "The Letters of Sidonius,"
translated by Mr. 0. M. Dalton; "Some Love
Poems of Petrarch," translated by Mr. W. D.
Foulke; "A Bibliography of Samuel Johnson,"
prepared by the late W. P. Courtney and seen
through the press by Mr. D. Nicol Smith ; and the
second volume of " Select Early English Poems,"
edited by Professor I. Gollancz.
Samuel T. Pickard, biographer and literary
executor of John Greenleaf Whittier, died last
month at the Whittier homestead in Amesbury,
Mass., at the age of eighty-seven. He was editor
and proprietor of the Portland (Maine) " Tran-
script " from 1852 to 1894. In addition to numer-
ous monographs, reviews, and literary articles, he
wrote "Hawthorne's First Diary," "Whittier
Land," and "Life and Letters of John Greenleaf
Whittier."
Mr. G. H. Perris is writing a narrative of " The
Campaign of 1914 in France and Belgium," which
Messrs. Hodder & Stoughton hope to have ready
next month. The author was in Brussels at the
outbreak of the war, and, leaving there with other
refugees for Paris, afterwards acted as special
correspondent of the " Daily Chronicle." The first
book on the war by a Belgian officer is coming from
the same publishers — "Fighting with King
Albert," by Capitaine Gabriel de Libert de
Flemalle.
A Danish correspondent to the London "Nation"
writes that the war is leaving its mark on interna-
tional publishing. After mentioning that, before
the war, Germany had shown an almost insatiable
appetite for translations of foreign books, he adds
that a leading German publisher has just an-
nounced that he has done with Gabriele d'Annun-
zio. According to this publisher, d'Annunzio has
attacked Germany merely out of hatred, and he has
not even the excuse that his country has suffered
through the war.
A new publishing house has been incorporated in
New York City, under the name of Robert Apple-
ton, Inc., by Mr. Robert Appleton, grandson of the
founder of the house of Messrs. D. Appleton & Co.
The first work announced is " Intercollegiate Ath-
letics in America," a chronicle of collegiate sport
in the United States to be completed in five vol-
umes. Among the contributors will be Messrs.
Samuel Crowther, Parke H. Davis, Romeyn Barry,
Harry A. Fisher, Raymond D. Little, James A.
Babbitt, and Richard M. Gummere.
Lord Cromer has written a supplementary vol-
ume to his "Modern Egypt," which will be pub-
lished this month by Messrs. Macmillan. It is
called "Abbas II.," and it covers the fifteen years
between the death of Tewfik Pasha, in 1892, and
Lord Cromer's departure from Egypt in 1907.
Lord Cromer's view of Abbas's character was
obtained at close range, and was quite as unfavor-
able as its subject deserved. Lord Cromer and
Abbas never " got on," for, indeed, it was hard to
respect the ex-Khedive either as a man or as a
ruler.
The work of Stijn Streuvels, the Low-Dutch
author who is regarded both in Belgium and Hol-
land as among the most distinguished writers of
our time, is to be introduced to English readers by
Mr. A. Teixeira de Mattos in a volume of sketches
and stories which he has translated from the West-
Flemish dialect under the title of "The Web of
Life." Stijn Streuvels's real name is Frank
Lateur. Until ten years ago his home was at Avel-
ghem, close to Courtrai and the Lys, where he
earned his living as a baker. " The Web of Life "
belongs to that period.
Mr. H. Noel Williams has already a considerable
number of biographies of famous Frenchwomen to
his credit. He is about to add to the number by
" The Life of Margaret d'Angouleme." This time,
158
THE DIAL,
[ March 4
at least, Mr. Williams has chosen a subject that
abounds in literary interest. Margaret was not
only the author of the " Heptameron " but the
patroness of a group of men of letters that included
Rabelais, Clement Marot, and Bonaventure des
Periers, and the influence of her Court makes one
of the most fascinating chapters in the history of
the Renaissance in France.
If any of the friends of John Muir have missed
his Alaskan dog story, " Stickeen," they should by
all means look it up. Its general circulation would
go a long way in reducing the residuum of cruelty to
animals which man seems to have brought down
with him from primitive savagery. Since its origi-
nal publication, a few years ago, the Houghton
Mifflin Co. have included it in their " Riverside
Literature Series," printed in large type and neatly
bound in cloth, for only twenty-five cents. It is a
story which children and grown-ups alike will read
with intense interest, and all friends of dumb ani-
mals ought to assist in promoting its circulation.
Professor Gilbert Murray, in addition to his new
verse translation of the "Alcestis " of Euripides,
has in preparation a revised edition of " Carlyon
Sahib," the play which, originally written in 1893,
was first produced by Mrs. Patrick Campbell in
the summer of 1899, and published in book form
in the following year. " ' Carlyon Sahib ' and
'Andromache,' " writes the author, " were really
companion studies of two views of life, the two that
we now associate with the names of Nietzsche and
Tolstoy respectively, although at that time I do not
think I had heard of Nietzsche. 'Andromache'
shows a Tolstoyan heroine living and eventually
prevailing in a primitive society based upon re-
venge and force ; ' Carlyon ' a kind of superman
hero trying, and eventually failing, to find scope in
modern civilization."
" Like many other readers," says a writer in the
London " Nation," " I have been trying to keep up
with the deluge of books about the war, or at any
rate, to miss nothing of importance which would
help to a better knowledge of the greatest event in
contemporary history. But a glance through
Messrs. Lange & Berry's annotated bibliography,
' Books on the Great War,' just published by
Messrs. Grafton, has almost driven me to give
up the attempt. I find that, excluding reprints,
pamphlets, poetry, sermons, and so forth, more
than a hundred and eighty books on the struggle,
all of them with some claims to attention, have been
published since the beginning of August. And if a
reader had gone through all these, he would still be
faced by the heading ' Poetry, Songs, and Plays,'
with nearly fifty entries ; ' Religion, Sermons,
Prayers, and Hymns,' with more than seventy;
and ' Humor,' with a score, to say nothing of the
mountain of pamphlets. If the output continues
at this rate — and it shows no signs of slackening —
future historians who take account of all the mate-
rial will need to be long-lived men. Historians, by
the way, have lost no time. More than a score of
histories are chronicled by Messrs. Lange & Berry,
the most important being M. Gabriel Hanotaux's
' Histoire Illustree de la Guerre de 1914,' which is
appearing in monthly parts."
TOPICS IN LEADING PERIODICALS.
March, 1915.
Albert, King of the Belgians. D. C. Boulger . . Scribner
American Literature. James Bryce ..... No. Amer.
Americans Abroad. F. G. Peabody ..... No. Amer.
Arabia, Young. Ameen Rihbani ........ Forum
Art, The New American. Birge Harrison .... Scribner
Australian Wages Boards. M. B. Hammond Quar. Jr. Econ.
Belgium, The Soul of. Abbe Noel ....... Hibbert
Book-collecting Abroad. A. Edward Newton . . Atlantic
Brieux, Eugene, Plays of. W. D. Howells . . . No. Amer.
Carillo, Julian. Maria C. Mena ....... Century
Civilization, The Unity of. F. S. Marvin .... Hibbert
Class Distinctions. Seymour Deming ..... Atlantic
Cohan : An Appreciation. Harrison Rhodes . Metropolitan
Commercial Recovery, America's. C. F. Speare Rev. of Revs.
Congress, Sub-committees of. B. L. French Am. Pol. So. Rev.
Coroners and Inquests. H. S. Gilbertson . . Rev. of Revs.
Costumes, Early American. Mary H.
Northend ......... Am. Homes & Gardens
Cotton, Improved Outlook for. Richard Spillane Rev. of Revs.
Crow, Characteristics of the. W. P. Eaton . . . Harper
Dairy Cattle, Three Kinds of. W. J. Fraser . Rev. of Revs.
Deep Sea Wonders. Cleveland Moffett .... American
Defence, National. Lindley M. Garrison .... Century
Delbriick's " Germany's Answer." Agnes Repplier Atlantic
Democracy, Religion of. H. W. Wright ..... Forum
Democracy, The Essence of. Wilhelm
Hasbach ........... Am. Pol. Sc. Rev.
Disarmament, Difficulties of. R. M. Johnston . . Century
Dutch Farmhouse, A Typical. Harriet S.
Gillespie ......... Am. Homes & Gardens
Earthquake, The Italian. John L. Rich . . . Rev. of Revs.
English, Pronunciation of. R. S. Menner .... Atlantic
English, Pure — What It Is. Brander Matthews . Harper
Ethics Made in Germany. C. B. Brewster . . . No. Amer.
Eugenics, Scientific Claims of. L. T. More . . . Hibbert
Europe after the War. Ivan Yovitchevitch . Rev. of Revs.
Farm Animals, Health of. C. F. Carter . . . Rev. of Revs.
Federal Trade Commission, The. J. A.
Fayne ............ Am. Pol. Sc. Rev.
Flower Garden, Planning the. Gardner
Teall ........... Am. Homes & Gardens
Food Supply, The World's. B. E. Powell . . Rev. of Revs.
Frank, Leo, and " Justice." Arthur Train . . Everybody's
German France. John Reed ....... Metropolitan
Germans and Tartars. D. A. Wilson ..... Hibbert
Gottingen in the Sixties. James Sully ..... Hibbert
Hardy, Thomas. Louise C. Willcox ..... No. Amer.
Henry Street Settlement, The — I. Lilian D. Wald Atlantic
Humanity, War's Cost to. H. H. Horwill
Ibibios, The, of Nigeria. Dorothy A. Talbot
Atlantic
Harper
Japanese, The, in Korea. Theodore Roosevelt Metropolitan
Jew, The, in America. Abram S. Isaacs . . . No. Amer.
Jews and Romans. Herbert Strong ...... Hibbert
.Toffre, General. Ernest Dimnet ....... Hibbert
Justice, Experiments in. Ida M. Tarbell . . . American
Kaiser, The, and His Court. Infanta Eulalia . . Century
Labor and Business : Organized. P. G. Wright Quar. Jr. Econ.
Law and Organization. J. B. Moore . . Am. Pol. Sc. Rev.
Literacy Test, The. J. A. O'Gorman ...... Forum
London in Time of War. Elizabeth R. Pennell . . Atlantic
" London Times," A Letter to the. George Harvey Ne>. Amer.
Meredith and His Fighting Men. James Moffatt . Hibbert
Mexican Policy, Our. Theodore Roosevelt . . Metropolitan
Motherhood, Unlawful. G. B. Mangold ..... Forum
Napoleon — How He Looked. Camille Gronkowski Harper
Pacificism, Thoughts on. G. H. Powell .... Hibbert
Panama Canal, Building the — I. G. W. Goethals . Scribner
Panama, South of — V. Edward A. Ross .... Century
Peace, Permanent — Is It Possible? Bertrand Russell Atlantic
Peace, Problems of. E. Lyttelton ....... Hibbert
Peace Treaty, United States and the. O. G. Villard No. Amer.
Pewter, Chinese. D. Eberlein . . . Am. Homes & Gardens
Physiological Views of Life. D. Noel Patton . . . Hibbert
Plants and Animals. J. C. Bose ....... Harper
Poets, The New. Arthur C. Benson ...... Century
Prize-Fight, A Woman at a. Inez H. Gillmore . . Century
Pyrenees, The, as a Barrier. Hilaire Belloc . . . Harper
Red Cross at Work, The. W. D. Lane . . . Rev. of Revs.
Regnier, Henri de. Havelock Ellis ..... No. Amer.
Religion? Bondage of Modern. P. G. Duffy . . . Century
Religion and Labor. George Haw ....... Hibbert
Russians, The Democratic. E. D. Sehoonmaker . . Century
Russians and the War. Stephen Graham .... Atlantic
Scandinavia and the War. Julius Moritzen . . No. Amer.
Scandinavia and the War. T. L. Stoddard . . . Atlantic
Scientific Management in Practice. C. B.
Thompson ........... Quar. Jr. Econ.
Self-defence. Rights and Duties of. J. H. Choate No. Amer.
Shaw, Anna H., Autobiography of — V. . . . Metropolitan
Shaw. Bernard. The German. H. F. Rubinstein . . Forum
Shaw, George Bernard. John Palmer ..... Century
Slavophile Creed, The. Paul Vinogradoff .... Hibbert
Socialism and War — IV. Morris Hillquit . . Metropolitan
Submarines and International Peace. Simon Lake Century
Submarines in the War. Henrv Reuterdahl . . Everybody's
1915]
THE DIAL
159
Sunday, Billy, and Salvation. P. C. Macfarlane Everybody's
Supreme Court Decisions. Emlin McClain Am. Pol. Sc. Rev.
Trust Policy, Governmental, Basis of. Robert
Lieimann Quar. Jr. Econ.
Turkey and Germany. H. G. Dwight Scribner
Twilight Sleep, The, in America. Mary Boyd and
Marguerite Tracy Metropolitan
Unemployment, Guilty of. William Hard . . Everybody's
Vegetable Gardens. C. S. Delbert . Am. Homes & Gardens
War, Causes of the. E. R. Turner . . . Am. Pol. Sc. Rev.
War, Culture, Ethics, and the. J. A. Leigh ton . . Forum
War, German Equipment for. J. F. J. Archibald . Scribner
War, New Alignments of the. F. H. Simonds Rev. of Revs.
War, The, and America's Future. G. B. McClellan Scribner
War, The, and Protestantism. Edward Willmore . Hibbert
War against War, The. W. D. Sheldon Forum
Women's Work and Wages. C. E. Persons . . . Harper
Youth, Understanding. George F. Kearney . . . Forum
Zeppelin, Ferdinand von. T. R. MacMechen . Everybody's
LIST OF NEW BOOKS.
[The following list, containing 156 titles, includes books
received by THE DIAL since its last issue.]
BIOGRAPHY AND REMINISCENCES.
The Life of Edward Rowland Sill. By William Bel-
mont Parker. Illustrated, 8vo. Houghton Mifflin
Co. $1.75 net.
The German Emperor as Shown in His Public Utter-
ances. By Christian Gauss. With portraits,
12mo, 329 pages. Charles Scribner's Sons.
?1.25 net.
The Confessions of Frederick the Great, and The
Life of Frederick the Great. By Heinrich von
Treitschke; edited, with Introduction by Doug-
las Sladeri, and Foreword by George Haven Put-
nam. 12mo, 208 pages. G. P. Putnam's Sons.
$1.25 net.
Kitchener: Organizer of Victory. By Harold Beg-
bie. With portraits, large 8vo, 112 pages.
Houghton Mifflin Co. $1.25 net.
Saint Clare of Assiwi: Her Life and Legislation.
By Ernest Gilliat-Smith. With frontispiece in
photogravure, 8vo, 305 pages. B. P. Dutton & Co.
$3.50 net.
A Playmate of Philip II.: Being the History of Don
Martin of Aragon, Duke of Villahermosa, and of
Dona Luisa de Borgia, His Wife. By Lady More-
ton. Illustrated, large 8vo, 224 pages. John
Lane Co. $3. net.
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den.' ' — Springfield-Republican.
$1.50 net; postage extra.
ON THE TRAIL
By LINA and ADELIA B. BEARD.
The first practical camp book for
girls. It should be of the greatest help
to members of "Camp Fire Girls," or-
ganizations, girls' camps, etc., etc.
$1.25 net; postage extra.
CAMP CRAFT
Modern Practice and Equipment
By WARREN H. MILLER, Editor of "Field
and Stream."
With an introduction by Ernest
Thompson Seton. With many illustra-
tions.
#1.50 net; postage extra.
BASEBALL
Individual Play and Team Play in
detail.
By W. J. CLARKE, Head Coach of the
Princeton Varsity Baseball Team,
and FREDERICK T. DAWSON, Captain
of the Princeton Baseball Team, 1911.
A complete presentation of the game.
Of particular value to school and college
players. $1.00 net; postage extra.
PETS FOR PLEASURE
AND PROFIT
ly A. HYATT VERRILL.
A thorough, complete and practical
account of all kinds of pets and of their
habits and care.
$7.50 net; postage extra.
CHARLES SCRIBNER'S SONS
CHARLES SCRIBNER'S SONS
172
THE DIAL
[ March 18
IMPORTANT BUTTON PUBLICATIONS
The Little Mother Who Sits at Home
UNUSUALLY SIGNIFICANT AND TIMELY.
A little volume of tender, intimate let-
ters expressing a mother's influence
Practical MystlClSm By EVELYN UNDERBILL
over her growing son. Men fully as
deeply as women will feel the subtle
spell of Its wisdom and rare beauty.
By the author of the best modern book on " Mysticism. " Significant of
that vital movement which is deepening religious life both within and apart
Net $1.00
from the churches. Net $1.00
Edited by the Countess BARCYNSKA .
JeSUS and Politics By HAROLD B. SHEPHEARD
NEW NOVELS.
With an Introduction by Vida D. Scudder. A book for the citizen, the
By MARJORIE BOWEN.
politician, and the preacher. Net $1.00
Prince and Heretic
A brilliant romance based on the ex-
The Archbishop's Test By E. M. GKBEN
traordinary career of William the
Silent Net SI. 35
A suitable book for a Lenten gift, showing how the work of the Church
may be done by simple spiritual means without tangling red tape of societies
By Lt.-Col.IG. F. MACMUNN.
and organizations. Net $1.00
A Freelance in Kashmir
Packed with the romantic atmosphere
of the days when a roaming adventur-
er could carve him a kingdom In
Upper India.
Origins and Destiny of Imperial Britain By Prof. j. A. CRAMB
NINETEENTH CENTURY EUROPE traces the growth of Imperialism,
shows the influences to which it has been subject, including religion, forecasts
Net $1.50
the future of Britain and compares her national ideal with those of other
By the BARONESS VON HEYKING.
peoples and times. Net 9 1.60
Lovers in Exile
Into Its poignant story Is woven a
By the Same Author Germany and England
picture of German officialdom deeply
'As was foreseen by such men as the Hon. Joseph H. Choate and the late
interesting. Net $1.35
Lord Roberts, this has been accepted as the ablest book of the deep-lying
The Letters Which Never Reached Him
causes of the war. 130th thousand. Net $1.00
New Edition.
RECENT AND FORTHCOMING BOOKS OF EXCEPTIONAL WORTH
The hot discussion over Its first issue
has matured into a permanent demand
for this most unusual human docu-
Who Built the Panama Canal? By LEON PEPPERMAN
ment. Net $1.35
A vigorous out-spoken book on the men who made possible and actually
By HENRY BORDEAUX.
built the Panama Canal. With 22 photogravures from drawings by JOSEPH
The Awakening
PENNELL, 5 portraits and 2 maps. Net $2.00
To understand the new France one
must read the novels of M. Bordeaux.
The Story of Bethlehem Hospital By EDWARD G. O'DONOGHUE
The versatility of force and sincerity
Even now in some of these United States exist methods of caring for the
living questions has carried this work.
insane so little better than those of Old Bedlam, that they must soon claim
for example, through over a hundred
federal attention. This record of six centuries' progress is therefore par-
editions.
Net $1.35
ticularly valuable. 140 illustrations. Net $5.00
By H. G. WELLS.
Reptiles and Batrachians By E. G. BOULENGER
The World Set Free
The author is Director of the Reptile House of the London Zoo, an un-
The most striking program yet offered
for a reconstruction of world politics
after a catastrophic world war.
questioned authority who supplements his classification of his subjects
with interesting details of their life histories and habits. Net $6.00
Net $1.35
LENTEN READING
Antarctic Adventures By RAYMOND PRIESTLEY
Religious Classics from Everyman's
Librflrv
The extraordinary experiences of Scott's Northern Party of six men cut off
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set out to do. Net $5.00
35c in cloth, 70c in leather
A Kempls' Imitation of Christ.
Bede's Ecclesiastical History.
Modem Germany By J. ELLIS BARKER
Edward VI. First and Second Prayer
A new edition, with a new Introduction and important additions, of the best
Books.
New Testament.
George Herbert's The Temple.
work in print on Germany's political and economic problems, her policy,
her ambitions, and the causes of her successes and failures. Net $3.00
Hooker's Ecclesiastical Poetry. 2 vols.
Keble's Christian Year.
William Blake: His Mysticism and Poetry By PIERRE BERQER
Law's Serious Call to a Devout Life.
A translation of the brilliant study which, when it first appeared in French
Maurice's Kingdom of Christ. 2 vols.
was pronounced by Swinburne "the last word on the subject of Blake."
Mlllman's History of the Jews. 2 vole.
Net $5.00
Neale's The Fall of Constantinople.
Newman's Apologia pro Vita Sua.
Robertson's Sermons. 3 vols.
MeatleSS Cookery By MARIA MCILVAINE GILLMORE
Wade Robinson's Sermons.
St. Augustine's Confessions.
The Little Flowers of St. Francis.
An aid to the prolongation of life, since it provides nutritious, pleasant
substitutes for the meat dishes which are frequently responsible for blood-
Seeley's Ecce Homo.
pressure, auto-intoxication and diseases of the heart. Introduction by
Smith's Life of William Gary.
Stanley's Eastern Church.
Louis Faugeres Bishop, M.D. Net $2.00
— Memorials of Canterbury.
Swedenborg's Heaven and Hell.
The Human German By EDWARD EDGEWORTH
— Divine Love and Wisdom.
VUlehardouin's History of the Crusades.
John Wesley's Journal. 4 vols.
A very entertaining precise statement of the daily life of the much governed
German in his home, business, factory or place of amusement. Net $3.50
YOUR OPPORTUNITY TO POSSESS AN UP-TO-DATE ADEQUATE REFERENCE WORK
$6SNcDLiSEH Everyman Encyclopaedia $10E^BER
<T»Q IN CLOTH Complete in twelve volumes. Saves a man's money, increases his <£ 1 Q QUARTER
3)O REINFORCED earnings, saves his time and saves him from the weakness of being u> 1 ^ PIGSKIN
vague or ignorant.
E. P. DUTTON & CO., Publishers 681 Fifth Ave., NEW YORK
1915] THE DIAL 173
Dor an Company New Books
THE VALLEY OF FEAR ™*07r//Kr* By A. Conan Doyle
The first Sherlock Holmes story in ten years; half the scene of action laid in America. All the features which
have made Holmes the most popular fiction-hero in the world with a new and surprising sort of mystery, which
will keep the reader intensely absorbed. Sherlock Holmes at his best. Illustrations in color by Arthur I. Keller.
Net, $1.25
RED FLEECE By Will Levington Comfort
The noble romance of a great-souled woman told with the vision and originality which distinguish all work by
Mr. Comfort, and by a new and happy "popularity." The story of the Russian advance into Germany, the
Russian revolutionists who risk execution by preaching peace, and a white-browed woman. Net, $1.25
PATHS OF GLORY w17tnr/e^K^'"<n By Irvin S. Cobb
"The first book of the war; the first account of the fighting that gives us a real picture of the conflict. There
is a great deal more than the roar of battle in his story; there is that crying out of the heart when it cannot be
comforted." — Portland Telegram. Net, $1.50
MUSHROOM TOWN By Oliver Onions
Towns have personalities not less fascinating than those of persons. Here Oliver Onions, with all the sharp
drama and realism of his The Story of Louie, chronicles in a highly original novel the growth of a boom town.
Net, $1.25
THE WOODEN HORSE By Hugh Walpole
"The author of The Duchess of Wrexe and Fortitude has nowhere shown a greater grip upon life's realities, a stronger
appreciation of the elusiveness of man-made conventionalities and a better artistic sense of the dramatic value
of contrasts. " — Public Ledger. Net, $1.25
THE THEATRE OF IDEAS By Henry Arthur Jones
The premier English dramatist, in a burlesque allegory preceding three new interesting short plays, tells wittily
how idiotic are most fads to the seeing mind. Net, $1.00
ARUNDEL ByE. F.Benson
Love may be destructive as well as creative,
stuffy family there was a dramatic destructic
HERE'S TO THE DAY!
By Charles Agnew MacLean and Frank Blighton
A thrilling story of an American man and girl caught in the mill of the Great War. "Aviation plays an important
part and it is particularly realistic because of Mr. Blighton 's own experiences as an aviator. " — Boston Transcript.
Net, $1.25
THE VEILS OF ISIS By Frank Harris
"A volume with s"uch stuff as the work of genius is made of. We have many fine short- story writers, but none
so great as Mr. Frank Harris. And he is full of that divine charity we call love; the crowning glory of his rare
and beautiful art." — London Bookman. Net, $1.25
JAMES By W. Dane Bank
"A novel of delicious entertainment; a book of surprises, with an irrepressible hero; and a novelty in that it deals
with 'get-rich-quick' schemes. " — St. Louis Republic. Net, $1.25
NEIGHBOURS By Herbert Kaufman
Little pictures from real life that make living beings out of that unknown race of people — the men and women
in the crowd through which you pass daily. Net, $0.75
AT ALL BOOKSELLERS
GEORGE H. DORAN COMPANY, 38 W. 32nd St., NEW YORK
PUBLISHERS IN AMERICA FOR HODDER & STOUGHTON
Love may be destructive as well as creative. When love with its utmost passion came to a man smothered by a
stuffy family there was a dramatic destruction of his comfortable dullness — and glory was born. Net, $1.25
174
THE DIAL
[ March 18
Important Spring Books
J. B. LIPPINCOTT COMPANY
PUBLISHERS
PHILADELPHIA
SIR
DOUGLAS
MAWSON'S
Own Account of the
Now Famous
Australian- Antarctic
Expedition, 1911-14
THE HOME
OF THE
BLIZZARD
Two volumes with 300 re-
markable photographs, 16
color plates, drawings, plans,
maps, etc. $9.00 net per set.
Philadelphia Record:
"There are thrills in the
story that surpass any that
fictionists can create and it
is a tribute to strong men
who went forth to meet
perils and even death itself
that the world might know
something of the long un-
known and almost forbidden
land.
Boston Evening Transcript:
"A treasure house of
facts."
HOW BELGIUM SAVED EUROPE
By DR. CHARLES SAROLEA. Cloth. $1.00 net.
A thrilling, moving chronicle as intensely interesting as the greatest fic-
tion. An epic tale of Belgium's heroic defense against great odds by one who
was there. It explains many things that you can not learn from newspaper
or magazine accounts. It is unbiased, and presents the facts in a new light.
PRODUCTIVE ADVERTISING
By H. W. HESS, Professor of Advertising, Univ. of Penn. Profusely illus-
trated. Octavo. $2.00 net.
A practical manual for the advertising man, the business man, and the
student, covering the entire field, both in practice and in theory.
CHEMISTRY OF FAMILIAR THINGS
By SAMUEL SCHMUCKER SADTLER, S.B. 23 Illustrations and 6
figures in the text. Octavo. $1.75 net.
Science has entered daily life, and here is a work by an authority for the
average man and woman. It contains much valuable information bearing
upon everyday life.
SPENCER FULLERTON BAIRD A Biography
By WILLIAM HEALEY BALL, D.Sc. With 19 Illustrations. Octavo.
Buckram, gilt top, uncut. $3.50 net.
A notable biography of a remarkable man associated in his life-work
with Professor Louis Agassiz, together with selections from his correspon-
dence with famous men of his time.
THE OLD EAST INDIAMEN
By E. KEBLE CHATTERTON, Lieut. R.N.V.R. 33 Illustrations. Octavo.
$3.50 net.
Another of this author's entertaining and authoritative volumes on
sailing ships, splendidly illustrated.
FAMOUS DAYS AND DEEDS IN
HOLLAND AND BELGIUM
By PROP. CHARLES MORRIS. 16 Illustrations from famous paintings.
Cloth. $1.25 net.
Striking stories drawn from Dutch and Belgian history.
A DOG OF FLANDERS
BY "OUIDA. " Illustrated in color by Maria L. Kirk. Cloth. 50 cents net.
The famous tale of peasant life in Flanders, printed in uniform style
with Mrs. Lewis' simplified editions of George Macdonald's stories for children.
A New Volume in LIPPINCOTT'S FARM
MANUALS— PRODUCTIVE FEEDING OF
FARM ANIMALS
By PROF. F. W. WOLL, Univ. of Cal. 96 Illustrations. 375 pages. Octavo.
$1.50 net.
POULTRY KEEPING
By HARRY R. LEWIS, B.S., N. J. State Agric. Exp. Station. 181 Illus-
trations. 365 pages. $1.00 net.
An Elementary Treatise Dealing with the Successful Management of
Poultry.
AGRICULTURE AND LIFE
By ARTHUR D. CROMWELL, M.Ph. 143 Illustrations. Cloth. $1.50 net.
A Text Book for Normal Schools and Teachers' Reading Circles.
METHODS FOR ELEMENTARY AND
SECONDARY SCHOOLS
By E. L. KEMP, Sc.D., Litt.D. 312 pages. $1.25 net.
1915]
THE DIAL
175
Successful Spring Fiction
J. B. LIPPINCOTT COMPANY
PUBLISHERS
PHILADELPHIA
FOR MARCH PUBLICATION—
By the Author of "Betty's Virginia Christmas"
THE DIARY OF A BEAUTY
By MOLLY ELLIOTT SEAWELL. 12 Illustrations by Frederick Dorr
Steel. Cloth. $1.25 net.
Miss Sea well has never written a more charming _ romance, and at the
same time one which shows such skill in character delineation and develop-
ment of plot through a series of unusual and striking incidents. This is
certain to be one of the Spring's best sellers. Beautifully bound and deco-
rated.
THE WOMAN IN THE GAR
By RICHARD MARSH. $1.35 net.
The author of "The Beetle" has here written a murder mystery intensely
exciting, with something happening on every page. The scenes are laid in
London, and it would be impossible to enumerate on this page the many
incidents, climaxes and anti-climaxes which go to make up this wonderfully
thrilling story.
FOR APRIL PUBLICATION-
MIRANDA
By GRACE L. H. LUTZ. Illustrated, in color and Hack and white by E. L.
Henry, N.A. $1.25 net.
The author of "Phcebe Deane," "Marcia Schuyler, " "Lo Michael,"
"The Best Man," etc., has written a delightful story about the character of
Miranda, who figured in the author's earlier novels. She was so brimful of
jollity, and so overflowing with pleasant optimism and happiness that her
further annals easily makes a new volume that will unquestionably prove one
of Mrs. Lutz's most popular sellers.
THE WHITE ALLEY
By CAROLYN WELLS. Frontispiece in color by Gayle Hoskins. $1.25 net.
The reader who solves the mystery of "The White Alley" must indeed
be as clever as Fleming Stone, the great American detective who plays such
an important part in discovering the criminal and in furthering the tender
romance which runs through this best of Miss Wells's detective stories.
NOW SELLING—
THE DUSTY ROAD
By THERESE TYLER. Frontispiece by H. Weston Taylor. $1.25 net.
Philadelphia Press:
"Preeminently calculated to whet the interest and provoke a storm of
discussion. That it has already achieved this is abundantly demonstrated
by the fact that it has promptly become a best seller."
THE FINAL VERDICT
Six Stories of Men and Women
By SIDNEY L. NYBURG. $1.00 net.
Baltimore American:
"Each gripping tale refers to the verdict of the law court and justice —
how often do they coincide? The stories are clean cut and decisive — they
make the reader think."
THE ROMANCES OF AMOSIS RA
By FREDERICK THURSTAN. $1.35 net.
A remarkably virile and striking story of Egyptian life at the time of
Moses, around whom the story is centered.
The Novel
They Are All
Talking About
SECOND PRINTING
THE ROSE
GARDEN
HUSBAND
By
MARGARET WIDDEMER
Three illustrations by
WALTER BIGGS
$1.00 net.
Boston Transcript:
"The beauty and strange-
ness that go to make romance
are combined in the little
tale of 'The Rose Garden
Husband.' The reader .
. becomes immediately
interested in the personality
of the gay little 'Liberry
Teacher' who realizes that
no one wants to hear the
'cryside' . . . It is the
manner in which the author
tells her story and the charm
she infuses into her heroine
that make it such delightful
reading."
176
THE DIAL
March 18
] A SELECTION
Fiction Spring 1915
GPPS
War
The Keeper of the Door
Ethel M. Dell
Author "The Way of an Eagle," "The Rocks of Valpre," etc.
12°. 600 pages. $1.40
Revolves around the act of the Heroine, who puts into
practice her belief that in case of hopeless suffering, to put the
sufferer out of the way is the only kind course, the effect on the
physician whom she loves, and one who seeks revenge. Prob-
ably the best of this author's remarkably popular novels.
Three Gentlemen
from New Caledonia
R. D. Hemingway and
Henry de Halsalle
12°. $1.35.
"Cunning criminals, plots and counterplots, the Paris
police, a shifting scene from cannibalistic New Caledonia to
Paris dives, from the placid English country estate to the
sinister little alley in Amsterdam — this is the most exciting
novel published in many and many a day. "
"My Heart's Right There"
Florence L. Barclay
Author of " The Rosary," " The Wall of Partition," etc.
12°. $0.75.
Mrs. Florence L. Barclay, the most popular of living authors,
has here written a tender, patriotic story of the war, and the
cottage homes of England, and the wives who are left behind.
A glimpse is given of what a woman undergoes while the husband
is in the field and of her subordination, though not without
many a tug at the heartstrings, of self to country.
On the Fighting Line
Constance Smedley
12°. $1.35.
Not a story of the European War — a vivid portrayal of the
every-day struggle for existence, and of the girl who has to fight
her battles alone. A dramatic picture of the present and of
woman's economic value, but also an uplifting love story that
rings true.
Patrioia
Edith H. Fowler
Author "For Richer or Poorer," etc.
12°. $1.35.
Avid for success, needy of money, the heroine is tempted to
publish the letters of a diplomat with whose son she subsequently
falls in love. Strong in plot, just avoiding tragedy, dramatic
and virile. A rare and absorbing book, with a fine moral tone.
The Evidence
in the Case
James M. Beck, LL.D.
2d Edition, with much added
material and an Introduction by
Hon. Joseph H. Choate.
12°. 280 pp. $1.00.
Alsace and Lorraine
From Caesar to Kaiser. 58
B. C.-1871 A. D.
Ruth Putnam
Author of " Charles the Bold, " etc.
8°. 8 Maps. $1.25.
Confessions of
Frederick the Great
and Treitschke's Life of Frederick
Edited by Douglas Sladen.
12°. $1.25.
Germany, France,
Russia and Islam
Heinrich Von Treitachke
12°. $1.50.
Origins of the War
J. Holland Rose
Author " Personality of Napo-
leon," etc.
12°. $1.00.
Can Germany Win?
"An American"
12°. $1.00.
The Monroe
Doctrine
National or International?
William I. Hull
72°. $0.75.
America and
the World-State
Norman Angell
Author "The Great Illusion,"
"Arms and Industry," etc.
12°. $1.25.
The World Crisis
and the Way to Peace
E. E. Shumaker
Author "God and Man."
$0.75-
Why Europe
is at War
Intro. Gen'l F. V. Greene
Contrib's: Frederic R. Coudert,
Prof, von Mach, F. W. Whitridge,
Dr. lyenaga.
12°. $1.00.
NEW YORK
2-6 W. 45th St.
G. P. Putnam's Sons
LONDON
24 Bedford St.
1915]
THE DIAL
177
] A SELECTION
Out -Doors Spring 1915 General
In the Oregon Country
George Palmer Putnam
Author "The Southland of North America.'1 Introduction by
James Withycombe, Gov. of Oregon.
12°. 53 Illus. $1.75
Out-doors in Oregon, Washington and California. Some
legendary lore, glimpses of the Modern West in the making,
descriptions of trips along the forest and mountain trails, on
foot and horseback; and with gun, rod, and camera; of the ascent
of peaks, and of long canoe excursions, all replete with incidents
of interest and rich in word-pictures of the glorious country
traversed. The volume is beautifully illustrated from the
author's photos.
Field Book of American
Trees and Shrubs
F. Schuyler Mathews
1 6°. 1 20 Illus., 16 in color, and 43 Maps. Cloth, $2.00.
Flexible Leather, $2.50.
Mr. Mathews's former Field Books, " American Wild Flowers "
and "Wild Birds and Their Music," have won him a secure
place in the hearts of all nature lovers, who have found his
guides an invaluable aid. This volume embraces the entire
United States, and will be found to be the most thorough,
authentic and simple guide to the trees and shrubs yet published.
The Art of Landscape
Architecture
Its Development and Its Application to Modern Landscape
Gardening.
Samuel Parsons
Fellow of the American Society of Landscape Architects. Author
of "Landscape Gardening,1' etc.
8°. 48 Illus. $3.50.
Mr. Parsons, to whom was intrusted the greater part of
designing and building Central Park, New York City, and who
designed the great 1,400 acre park at San Diego, Cal., has
written a most important book setting forth the underlying
principles of the practice of landscape gardening, and to sustain
the exposition of these principles he cites passages from at least
one hundred well-recognized authorities in various ages and
countries.
An American Fruit Farm
Its selection and Management for Profit and Pleasure.
Francis N. Thorpe
8°. Illus. Probable price, $2.50.
The biography of any well-conducted fruit farm is a chapter
in the history of success. The author's fruit farm has yielded
that success; a careful perusal and application of the author's
recommendations may enable other cultivators to achieve a
similar success.
Out of Work
Frances A. Keltor
Author" Experimental Sociology. ' '
12°. 584 pp. $1.50.
A study of unemployment in
America, with a program for
dealing with it.
The Tuberculosis
Nurse
Ellen La Mott*, R.N.
12°. $1.50.
A practical handbook for
nurses, settlement workers and
all having to do with the fight
against the "white plague."
Tabular Views of
Universal History!
George Palmer Putnam
Revised to 1915. 8°. $2.50.
Chronological tables in par-
allel lines, showing events in the
history of the world from earliest
times. Invaluable.
Color Vision
J. Herbert Parsons, D.Sc.,F.R.C.S.
An introduction into the
study of a subject on which
much has been written — little
proven.
Popular Stories!
of Ancient Egypt
Sir G. Maspero, D.C. L., Oxon.
Entertaining, illuminating,
simple translations by the
Director-General of Antiquities
in Egypt.
Vanishing Roads
Richard Le Gallienne
Essays on nature, the manners
of men, etc., in the author's most
delightful style.
John Shaw
Billings
Fielding H. Garrison
8°. $2.30.
A fascinating memoir of a man
who devoted his time and energy
to his city and country.
Is Death the End?
John Haynes Holmes
72°. #7.50.
An examination of the subject
of Immortality, by the well-
known minister of the Church
of the Messiah, New York.
NEW YORK
2-6 W. 45th St.
G. P. Putnam's Sons
LONDON
24 Bedford St.
178
THE DIAL
[ March 18
Important Fiction and General Books
^jgffc. Through Central Africa,
JHB Sab From Coast to Coast
iv/^^^vn
By James Barnes
I KI-JlUvHKqjci
A graphic description of an African hunting trip taken by the author
Havana
and a photographer, as companion, and following the same trail
V&J^SX
taken by Stanley on the Emin Pasha Relief Expedition. The
VVRflB^rfy
illustrations are remarkably interesting and represent animals and
other life, truthfully and unstaged. $4.00 net.
WORTH WHILE FICTION
Sanitation in Panama
By Gilbert Cannan, author of "Old Mole,"
"Round the Corner," etc.
By William Crawford Gorgas, Major General in
Young Earnest
The story of a young man's revolt against the
moral atmosphere of industrial England. In
his attempt to reconstruct the unsatisfactory
the United States Army.
In this volume the author tells of the sanitary work at Havana and
Panama through which he was able to exterminate that dreaded
of all tropical plagues, yellow fever, and thereby make the Panama
conditions in his own life, he abandons a prom-
Canal a possibility. It is one of the most fascinating stories in
ising career and takes refuge in London where
the annals of scientific research, showing as it does one of the
he has many interesting experiences. A splen-
did character portrayal of a man in search of
his place in life. $1.35 net.
greatest triumphs of the medical profession.
Illustrated, $2.00 net.
By Compton Mackenzie, Author of
"Carnival," etc.
A History of Latin Literature
Sinister Street
By Marcus Dimsdale, Professor, University of
The story of Michael Fane, his life at Oxford,
Cambridge, England.
and his experiences in London's moral by-
A volume in the Appleton's Literature of the World Series. It is
paths. Mr. Mackenzie is a master of words
and his character delineations of the men and
women who people this new story reveal an
artist in the realm of literature whose imagina-
written in a comprehensive manner and is the work of a scholar.
It may be used as a text or reference book in colleges, and will
undoubtedly be an authority on the subject for English-reading
tion seems to have no limitations. $1.33 net.
people. $2.00 net.
By Agnes and Egerton Castle, Authors of
'The Pride of Jennico," etc.
Americans and the Britons
The Haunted Heart
By Frederick C. de Sumichrast.
The story of a great love into which comes sud-
A timely book discussing the difference between the American and
denly a terrible misunderstanding that seems
the British social order; Foreign Relations; Militarism; Patriotism;
at one moment to shatter all the hopes and
Ideals of a lifetime. The situation and its
Naturalization, etc. Few books are so timely, none more frank.
solution is the theme of this new novel, perhaps
$1.75 net.
the strongest and most vital of all the success-
ful novels of these two talented collaborators.
Insurgent Mexico
Illustrated by C. H. Taffs. $1.35 net.
By John Reed.
By E. Temple Thurston, Author of
"Richard Furlong."
Achievement
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SCIENTIFIC METHOD IN PHILOSO-
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A NEW LOGIC. By Dr. CHARLES MERCIER.
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1915] THE DIAL 185
The University of Chicago Press
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1915]
THE DIAL
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1915] THE DIAL 189
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Vol. LVIII. MARCH 18, 1915
CONTENTS.
No. 690
PAGE
THE DARKENED FOREGROUND. Charles
Leonard Moore 191
CASUAL COMMENT 193
The late librarian of the Hispanic Society. —
Underdone English. — Books for specialists. —
The periodicity of anecdotes. — A man of in-
finite variety. — Sugar-coating the pill of
rejection. — Encouraging to book-dealers. — A
forgotten Carlyle manuscript. — Reading in
the trenches.
COMMUNICATIONS 197
War and Poetry. Ealph Bronson.
A Textual Difficulty in Milton. Louis C.
Marolf.
Some Anti-German Misconceptions Corrected.
Edmund von Macli.
THE NEW MOVEMENT IN DRAMATIC
PRESENTATION. Edward E. Hale . . 199
TWO YEARS IN HURRICANE LAND. Percy
F. BicTcnell 201
THE QUALITY OF GENIUS. T. D. A. Cock-
erell 203
ENGLISH LITERATURE IN THE ROMANTIC
PERIOD. Lane Cooper . . . • '"-. . . .205
EYE-WITNESSES AT THE SHAMBLES. Wal-
lace Bice 208
Cobb's Paths of Glory.— Davis's With the
Allies. — Powell's Fighting in Flanders. —
Barnard's Paris War Days. — Kilpatrick's
Tommy Atkins at War as Told in His Own
Letters. — Millicent Duchess of Sutherland's
Six Weeks at the War.
RECENT FICTION. William Morton Payne . . 211
BRIEFS ON NEW BOOKS 213
Mysteries of the living world. — The story of
the French Revolution. — An appraisement of
Harvard. — Essays and addresses of a famous
surgeon. — England in the later Middle Ages.
— America's foremost art museum. — War
and the insurance relation. — A mediaeval story
in modern dress. — The flower of mediaeval
church architecture.
BRIEFER MENTION 216
NOTES . •-. -.- 217
ANNOUNCEMENTS OF SPRING BOOKS . . 219
(A classified list of books to be issued by
American publishers during the Spring and
Summer of 1915.)
LIST OF NEW BOOKS . . 233
THE DARKENED FOREGROUND.
In the Altman collection of the Metropolitan
Museum in New York there is a magnificent
specimen of the work of the great landscape
painter Ruysdael. In the foreground of the
painting, where in Nature (for it is mid-day
or thereabouts) everything would be the clear-
est and most distinct, Euysdael has thrust a
broad wedge of night. There is a road, there
are some fallen trees, a few figures; but
scarcely anything can be distinguished. Why
did the artist do this ? Well, on either side of
this darkened space slope rye fields which we
feel we could wade through if we could reach
them; in the rear is a farmstead with trees
peaceful and alluring and absolutely true in
tone and scale ; and back of all is the real dome
of the sky, with rising clouds as magnificent as
have ever been drawn by man. By falsifying
his foreground, Ruysdael secured all the other
truths of his picture.
In an art so various as painting it is foolish
to generalize. It is possible in depicting inte-
riors, those builded by either nature or man, to
plunge the foreground objects into light and
get some sort of distance by means of lurking
shadows behind. It is possible to throw a veil
over everything, and thus shirk the presenta-
tion of strong light and shade. It is possible to
paint decoratively with harmonies of colors
which have little relation to reality. There
are new schools in painting which reject the
imitation of nature altogether. But in the
main the method which Ruysdael so boldly dis-
plays in this picture is the method of painting.
Compared with the infinite variety of nature's
illumination, an artist's pigments are so dull
that if he puts the real hues in the front of his
picture he will have exhausted all his grada-
tions of tint before he reaches his middle dis-
tance, and will have nothing at all left for his
background or sky. So he "fakes" his fore-
ground, and lies about the nearest and dis-
tinctest visibilities.
Painting is confined, or ought to be confined,
to one moment and one division of space. Lit-
erature introduces duration and a multiplica-
tion of spaces, and is therefore immensely more
complex. But we think that there is in the
192
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[ March 18
best literary art something analogous to the
painter's principle of darkening the fore-
ground. Literature's poverty of resource as
compared with life is even more apparent than
that of painting. There are something like
thirty million seconds in a year, and each one
of them may be productive of an emotion or a
situation. Every personage in a piece of lit-
erature must pass through innumerable
scenes; but only a few of these scenes can be
given. To get proportion, vividness, reality,
the writer must select his moments and his
locations properly. To get distance, large-
ness, vision, he must more or less obscure his
foregrounds.
That a vast deal of modern literature has
followed an exactly opposite principle, — has
dealt only with the near and the new, — is
nothing to the purpose. A vast deal of mod-
ern literature, judged by the work which has
lasted, is wrong. Take, for example, Tolstoi's
enormous novel, "War and Peace." It has
been called an epic; but it precisely contra-
venes every epic law. It is all foreground.
Each figure in it is painted as distinctly as
every other. When we try to call it up in
memory we can only think of a confused med-
ley, with no one figure or scene emerging dis-
tinctly. It is a wonderful work of genius in
detail; but a bound volume of a newspaper
would have almost as much claim to be called
a work of art.
The sooner we recognize that life and litera-
ture are separate businesses the sooner we
shall begin to produce something worth while
in the latter field. Life is huge, confused, hap-
hazard. Accident, sickness, death, the peril of
the elements, thrust into it. The contradic-
tory and the unexpected make up a large part
of its happenings. Unless there is some ob-
scure law of evolution guiding it, there seems
to be no direction and no purpose except the
very definite determinations to live, to work, to
strive, to enjoy, to exhaust itself. A piece of
literature is small, ordered, disciplined. It
bears the law of its maker's nature. It bor-
rows its material from life, and of course it
may react enormously on life. It is its mak-
er's report of some part of the vast phantas-
magoria of life, — his judgment upon it, and
perhaps his vision of something different from
it. The main point is that it subjects the med-
ley of life to a certain discipline.
At first blush it might seem that comedy is
an exception to the rule of art's separation
from life and from the principle of the dark-
ened foreground. Comedy is, though not
essentially yet in usual practice, a contempo-
rary creation. It steps right off from the
street. Yet take the greatest comedy the last
century produced, — that of Dickens. The
grime, the gloom, the squalor of London, are
used to set off his gigantic figures of fun. The
principle of contrast is invoked, and out of
their almost unbearable conditions Micawber.
Sairey Gamp, Dick Swiveller, the Wellers, and
a hundred more rise in a riot of animal spirits
ten times more living than life. The light,
bright comedy of Meredith is weak and unsub-
stantial in comparison. It may be objected
that the gloom and squalor of London existed,
and that Dickens merely painted what he saw.
But he undoubtedly put more of them in his
prescription than life's recipe would call for.
And he might have ignored them altogether,
as did Meredith and most of the rather watery
humorists and novelists who have followed
him. But he exaggerated, as all great artists
have done. The hostess of the inn which was
the supposed scene of Burns 's "Jolly Beg-
gars" protested that hers was a perfectly
respectable house and that no such crew of
tatterdemalions had ever gathered there. The
lady suffragists of Athens probably hated
Aristophanes for his three woman comedies,
and the priesthood of France certainly hated
Rabelais. Comedy at its greatest is an upset-
ting and irreverent thing, and uses a great deal
of lampblack. Even in the ideal comedy of
Shakespeare there is plenty of shadow, and the
principle of contrast is maintained. The
tempest and the wreck precede Ariel and
Miranda and the voices of the island. The
Jew sharpening his knife comes before the
moonlight scene at Belmont. The unjust
brother, the jealous Duke, and the wrestling-
match are a prelude to the forest loves and
friendships of Arden.
Tragedy in literature, if it is to be effective,
must of course be removed and separated from
ordinary life. In its thrilling moments on the
stage they darken the house to bring out the
full effect. We should probably laugh at a
great deal of tragedy if it was not carefully
prepared for, and solemnized by its surround-
ings. How little the tragedies of life, of
course barring our own, impress us! Every
morning newspaper has a score, a hundred of
them to report. We glance at the head-lines,
yawn and toss the sheet aside. It takes an
1915
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193
earthquake, a holocaust, to move us a little.
Yet an artist can take one of the least incidents
in the news and by properly subordinating
other things to it can win us to sympathy and
tears. A certain remoteness and loftiness are
necessary to the greatest tragic effects. Make
your hero a king, said Aristotle, and then peo-
ple will sympathize. Either we do not feel
that ordinary life is good enough for tragic
trappings, or we secretly believe that we are
princes and princesses who have been changed
in the cradle and so only sympathize with our
kin. Here, too, of course, the modern spirit
has tried to nullify the teaching of ages.
Democracy has wanted to be tragic, as it has
wanted all other good things. Mr. James and
Mr. Howells have shown us the plots and per-
plexities that attend the lives of the great
suburban class. Dostoieffsky has revealed to
us the fortunes and fates of criminals. Mr.
Hardy has tried to lift up those trodden
flowers of the world, Tess and Jude. But we
are entirely unconvinced that these creations,
charming or powerful as they may be, will per-
manently or even for a time usurp the places
of the kings and captains and great ladies
of Shakespeare or Scott. The human instinct
for believing the best of itself is against them.
Even in contemporary popularity, their mak-
ers are beaten out of the field by novelists like
Mrs. Ward and Miss Corelli, who do, in a way,
put their trust in princes.
Poetry, absolute poetry, must be more or
less removed from life, — it must keep its dis-
tance. It does keep its distance by means of a
special language, a special movement and
ordering of words, an atmosphere of its own.
With its purple robes, its round of gold about
its brow, its inspired air, it becomes ridiculous
when it steps down into the forum or the
drawing-room, -among men clad in tweeds or
women in Paris fashions. The vulgar cannot
understand it ; they would indeed have to be
born again to enter its heaven. It is for the
young and unspoiled, for the solitary enthusi-
asts, for the dreamers brooding over the secrets
of the universe. That is the reason why politi-
cal poetry is such a doubtful good, and why
humorous poetry is almost a contradiction in
terms. The best poetry, too, has its foreground
shadow. There is a good deal to be said for
Poe's theory that melancholy is the highest
poetic motive. Joy may be, and indeed almost
always is, vulgarized, — but sadness can never
be vulgarized.
We have now gone the round, and may get
back to Ruysdael's picture, which we hope we
have shown has a lesson in it not only for
painters but for literary artists. Nay, it is not
without a bearing on morality. The Delecta-
ble Mountains and the fair skies are generally
separated from us by a bar of shadow, strug-
gle, suffering. "Can you have all this and
heaven too?" said Lyman Beecher's rustic
parishioner, as to his shocked eyes were re-
vealed the horsehair sofa, the marble-topped
table, and the plush-covered album of the min-
ister's parlor. Modern life and art and litera-
ture, womanized, have tried to put light and
joy into the foreground. But it won't do!
We must work through shadow into glory ; we
must earn our kisses by kicks; we must run
the gauntlet before being acclaimed a warrior.
CHARLES LEONARD MOORE.
CASUAL COMMENT.
THE LATE LIBRARIAN OF THE HISPANIC SO-
CIETY, Winfred Robert Martin, whose recent
death has called forth glowing tributes to his
virtues and talents, was evidently the strong-
est possible contrast to the typical book-
custodian of olden times. But how could he
have failed to be, sprung from a father of such
varied and unusual gifts as those possessed
by the Rev. William Alexander Martin, who
survives his son? The elder Martin's mis-
sionary and diplomatic services in China, and
his published works in English and Chinese —
for he both speaks and writes the latter diffi-
cult language — have won for him a more than
local distinction. A similar or even wider
range of interests and aptitudes is to be noted
in the son, whose skeleton biography in
"Who's Who" shows him to have been a
Princeton graduate, of the class of 1872; a
bachelor of law, New York University ; a doc-
tor of philosophy, Tubingen ; a doctor of laws,
Trinity College; professor of oriental lan-
guages at Trinity from 1888 to 1907 ; instruc-
tor in Sanskrit at the Hartford Theological
Seminary from 1902 to 1907 ; librarian of the
Hispanic Society of America from 1907 until
his death; and member of various American
and foreign learned societies. But first and
last he seems to have been preeminently a
teacher, a kindler of zeal for knowledge in the
breasts of others, as is plain from the testi-
mony of his former pupils and of those who
came into inspiring contact with him else-
where than in the classroom. In the sixth
chapter of Professor William Lyon Phelps's
"Teaching in School and College" occurs this
194
[ March 18
attesting passage : ' ' The teacher must not be
a mere hearer of recitations. He should not
exclusively confine himself to discovering
whether or not the pupils have made sufficient
preparation. In many of our recitations at
school and college we never expected to learn
anything ; never did, anyhow : we simply an-
swered formal questions. So fixed was this
idea in our minds, that our first interview with
a new instructor in the Hartford High School,
Mr. "Winfred R. Martin, one of the greatest
teachers I ever knew, was not only disastrous
to us, but we nearly broke out into open rebel-
lion. He asked us things that were not in the
notes! Later we found him a constant and
powerful inspiration. Even at that early age
we obtained from him a notion of the meaning
of true scholarship. He was and is a profound
and original scholar, a man of varied and
amazing learning, and we respected him for
it."
• • •
UNDERDONE ENGLISH might be a good term
to apply to those alien words that elbow their
way into our speech without showing any like-
lihood of ever becoming naturalized in spell-
ing or pronunciation. Ennui, for instance,
will never be thoroughly English, and as long
as we have tedium and boredom it will not be
needed. Wanderlust, which we still write
with an initial capital, in the German manner,
and usually pronounce as the Germans do, if
we are able, might well enough be unreservedly
adopted, and written and spoken as good
English, which indeed it is. As Professor
Brander Matthews sensibly remarks, in a cur-
rent magazine article on pure English, "if a
word is now English, whatever its earlier
origin, then it ought to be treated as English,
deprived of its foreign accents, and forced to
take an English plural. ' ' He continues : "No
one doubts for a moment that cherub and
criterion, medium and index can claim good
standing in our English vocabulary, yet we
find a pedant now and then who still bestows
upon these helpless words the plurals they had
to use in their native tongues, and who there-
fore writes cherubim and criteria, media and
indices, violating the grammatical purity of
English." Many will have noted the pitfalls
laid for the unwary and the uneducated in
these foreign plurals: the use of data as a
singular noun is now so common that presently
we shall have the lexicographers bending to
popular custom, and stamina already receives
from them a sort of half -recognition as a singu-
lar noun. The height of absurdity is attained
in cherubims, which is not unknown in the
speech of the uneducated. Another absurdity
is met with in the lavish use of the French
feminine adjective to designate brands of
cigarettes, confectionery, and other merchan-
dise. Thus we have "Egyptienne cigarettes"
(not cigarettes egyptiennes) and "Premiere
chocolates." At some restaurants the guests
are treated to "spaghetti Italienne," as well
as to "bullion soup," "consomme" (unac-
cented), and other philologically wonderful
dishes. Of course the French expression in
full, of which the feminine adjective is often
the surviving remnant, is familiar enough;
but that does not make good English or fault-
less French of "string beans Parisienne" or
' ' lamb chops with Hollandaise sauce. ' ' Those
who are interested in the preservation of our
tongue in its purity will enjoy reading the
aforementioned article in the March issue of
"Harper's Magazine."
BOOKS FOR SPECIALISTS are among the most
costly works known to the book trade. They
may be out of print, rare, and all but unob-
tainable ; or, if current publications, they may
represent such an excess of labor and expense
in their preparation, compared with the lim-
ited demand they are likely to meet, as to ren-
der their purchase an impossibility for most
individual students and for all but the largest
libraries. Hence the importance, to special-
ists, of knowing just what great public collec-
tions of books are strong in their particular
fields. Among American libraries noted for
their resources in these special departments,
the Newberry Library of Chicago enjoys a
deserved repute. Its librarian 's latest Report
has some pages of interesting reading that
illustrate the zeal and intelligence constantly
devoted to the strengthening of the various
special collections in the library. That this
effort is not wasted becomes evident from the
testimony of the call slips. "It is a note-
worthy fact, ' ' records the librarian, ' ' that the
most highly specialized divisions of the library
are the ones whose books show a steadily
increasing use. The casual visitor or person
unfamiliar with the materials of research
usually picks out just these divisions in which
to ask the invariable question, 'But does any-
one ever call for or need such books as these ? '
And the necessarily affirmative reply evokes
with equal invariability a politely skeptical
smile." But the facts speak for themselves.
' ' For example, the Prince Louis Lucien Bona-
parte Library consists of some 18,000 volumes,
chiefly relating to the various languages, dia-
lects, and patois known to have been spoken or
employed as a medium of literary communica-
tion in Europe during the past two thousand
years. Few persons are able to make intelli-
1915]
THE DIAL
195
gent use of these works except trained philolo-
gists and advanced students of literary and
linguistic origins. And yet, well over 3,000
volumes were drawn from this collection for
reading or consultation during 1914, while
during the five-year period, 1910-14, nearly
15,000 volumes have been put at the service of
readers. The case is the same with the Edward
E. Ayer Collection of Americana, an ex-
tremely specialized library of original sources
— printed, manuscript, and graphic." It is
a theory of librarians, which library expe-
rience tends to confirm, that there is no book
in any library that will not, sooner or later,
find its reader.
THE PERIODICITY OF ANECDOTES can hardly
equal in regularity the recurrence of the
spring and neap tides, or the successive re-
turns of Encke's Comet, but there is no ques-
tion that the same popular story has a way of
taking repeatedly new forms and enjoying
fresh favor. It is not improbable that some
neat situation, having tickled some one's fancy
either in real life or as an invention of the
imagination, may again independently present
itself in fact or fancy a half-century or so
later; just as the man in Ohio re-invented the
screw-propeller a generation or more after it
had been successfully applied to ship-propul-
sion. Or the same good story may have simul-
taneous birth in two distant places, after the
manner of the Adams and Leverrier coinci-
dence in astronomy. Mark Twain's "Jump-
ing Frog" is one of those unfailingly popular
stories that might, without violence to proba-
bility, have moved to laughter a knot of idlers
on the banks of the Nile five thousand years
ago, or a group of loungers on the strand at
Aulis, at a somewhat later date. In fact, its
occurrence, in Greek form, in the pages of
Professor Henry Sidgwick's "Greek Prose
Composition" gave rise to the belief that the
tale was of Athenian origin, and even its
author was deceived until the translator ac-
knowledged his deed. Familiar to observant
readers is the frequent recurrence, with or
without change of form, of the greater part of
our best jokes and anecdotes. The humorous
department of a justly-esteemed American
magazine prints this month the supposed
answer of a schoolboy to the question, What
is the backbone ? The definition is hoary with
age : ' ' The backbone is a long, straight bone.
Your head sits on one end, and you sit on the
other." Three months ago we retold (with
due credit given) Miss Effie L. Power's story,
from "How the Children of a Great Library
Get Their Books, ' ' of the small boy who begged
the librarian to extend the time on his book
because he did not dare go home and get it for
fear of being made to take a bath. Soon
afterward one of our English exchanges repro-
duced as new this St. Louis story with a Lon-
don setting ; and so it promoted the gaiety of
at least two nations within two months.
• • •
A MAN OF INFINITE VARIETY, which age can-
not wither nor custom stale, is he whose recent
pamphlet, "Commonsense about the War,"
shocked and alienated so many of his former
admirers and set the world at large to dis-
cussing with renewed curiosity this Protean
and perplexing personality. Whether one
considers him a genius or a mountebank, a
seer or a charlatan, a philosopher or a mad-
man, a constructive reformer or a ruthless
iconoclast, Mr. George Bernard Shaw remains
a perennially interesting, even fascinating,
member of the human race. To him who in
the love of Mr. Shaw holds communion with
his visible forms he speaks a various language ;
for his gayer hours he certainly has a voice of
gladness and a smile, though he may not ex-
actly glide into his darker musings with a mild
and healing sympathy. Proof of something
like universality in his genius is found in the
rather amusing assurance with which one after
another of those that have studied him venture
to affirm that they alone really understand
him and can interpret him to the world. Mr.
Chesterton has expounded the real Bernard
Shaw — an exposition in which the subject
utterly failed to recognize himself, — and Mr.
Archibald Henderson has laboriously pre-
sented another real Mr. Shaw ; and Mr. Shaw
himself has all the while, naturally enough,
maintained that he himself was his only trust-
worthy interpreter, and that the innumerable
current opinions and impressions of him were
all, or mostly, wrong; and, finally, we have
another self-confident expositor, Mr. John
Palmer, demolishing (in the pages of the cur-
rent "Century") all the hitherto accepted
notions of Mr. Shaw's character and explain-
ing him anew to a mistaken world. Reduced
to the conciseness of an algebraic formula,
here is the latest solution of the "G. B. S."
puzzle : ' ' The ideas of Bernard Shaw == the
commonplaces of his time. The ideas of Ber-
nard Shaw -f- his way of presenting them =
G. B. S."
• • •
SUGAR-COATING THE PILL OF REJECTION will
never greatly lessen its bitterness, and many
there are who prefer to take their pill, if take
it they must, undisguised by this thin layer
of saccharine deception. A certain editor of
our acquaintance used to publish a soothingly
plausible statement that there were no rejec-
196
THE DIAL
[March 18
tions in his office, but that after such literary
offerings as best met existing needs had been
selected the rest were restored with appro-
priate thanks to their obliging senders. In
somewhat the same spirit the head of the Bos-
ton Public Library smilingly explains, if the
reporter has not misinterpreted him, that "in
the purchase of fiction no books are ' censored, '
as that term is generally understood. We
choose books, and that implies that some will
be bought and others not bought. No doubt
many books are not taken which are as good as,
even better than, some that are taken. But, in
choosing, various elements must be considered
besides literary merit; for example, adap-
tability to uncultivated readers, human inter-
est, unquestioned moral tone, and the fitness
of the book for circulation, practically without
formality, upon open shelves, free to readers
of all ages." As to the somewhat celebrated
volunteer board of fiction-tasters that so faith-
fully serves the library, Mr. "Wadlin adds:
"The volunteer committee which reads new
fiction simply gives its opinion of the books,
the way in which each strikes a reader of aver-
age attainments; it is not intended to give a
literary judgment only, though that point is
not overlooked, and what a reader says about
a book is never conclusive as to its purchase. ' '
Some books, though approved by this com-
mittee, are not bought, and others, though not
approved, are bought. "That a book is not
bought simply means that in the exercise of
choice some other book was thought preferable,
all things considered." After this the free
advertisement given to a novel by its rejection
on the part of the Boston Public Library ought
to lose some of its commercial value.
• • •
ENCOURAGING TO BOOK-DEALERS of the pres-
ent are certain episodes in the book-trade of
the past. Mr. James Milne writes, in the
course of a recent "London Letter" to "The
Book Monthly": "We have to recognise, in
the first place, that it is going to be a long
war, possibly a very long war. It cannot, in
the nature of things, be as long as the Napo-
leonic wars of a century ago; but as a cata-
clysm it may be compared to these, and
perhaps we may derive some encouraging les-
sons from them. If you remember, ' Waverley, '
the first herald of Sir Walter Scott's genius,
was published in the year before Waterloo.
His other stories began almost immediately to
pour out ; and generally, while Pitt was fight-
ing Napoleon, English literature was not
merely not quiescent, but remarkably produc-
tive. If this was possible then, why should it
be different now when the field of authorship,
if it be not so great in masters, is very much
larger in area? If 'eighteen hundred and
war-time' was more than a passably good
period for English authorship, is there any
reason why 'nineteen hundred and war- time'
should not also see good work and plenty of it
in English literature?" Yet it should be
borne in mind that warfare a century ago was
not the tremendous and exhausting perform-
ance that it is now. Also, as the writer admits,
we have not, or are not conscious of having,
any Walter Scott at present producing Waver-
leys for the entertainment and delight of the
reading public.
• • •
A FORGOTTEN CARLYLE MANUSCRIPT, never
published, and, except to a few bibliophiles,
not known to be in existence, has come to light
among the literary treasures of a collector at
Norfolk, Virginia, and at the present writing
is about to pass to the highest bidder at the
Henkels auction rooms in Philadelphia. It is
entitled ' ' The Guises, ' ' and is said to be forty-
six folio pages in length, closely written in the
familiar crabbed penmanship of its author,
and to contain about twenty thousand words.
Its date is given as 1855. As its title indi-
cates, it gives the history of the house of Guise
from the first duke of that name. As it has
to do with a part of Europe where history is
just now violently in the making, let us quote
a characteristic fragment from the opening
page. "Lorraine, Lotharingen, fell, not to the
first Lothar, who was Charlemagne's grand-
son, but to a 2d Lothar (who married that
one's daughter), but whose pedigree, relation-
ships to men and things, and general bio-
graphic physiognomy in this world remains,
as is usual with these poor people, irretriev-
ably dark to me, weltering in endless im-
broglios of Carlovingian ramifications and
disjecta membra; unknown now I do believe
to all the living; for how can you know it?
Riddle it out for yourself, with much dis-
gusting conscientious labour, you straightway
proceed to forget it again: thrice over that
has been our experience."
• • •
READING IN THE TRENCHES varies the deadly
monotony of killing and being killed. In Ger-
many the call for books to be distributed in
the field and in military hospitals is said to
be such as to have caused a remarkable de-
velopment of the travelling-library system, if
that is the right term to apply to the mech-
anism whereby literature is supplied to the
soldiers of the fatherland. The Royal Library
at Berlin, acting as a receiving and distribut-
ing centre in this good work, sends out four
thousand volumes daily to the front and to
1915]
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197
hospitals. A Berlin publishing house, that of
Ulstein & Co., has subscribed a large sum for
the crating and packing of these books, and
two express companies carry the boxes without
charge. A Hamburg agency reports the re-
ceipt of two hundred and three hundred books
a day for distribution, and many other coop-
erating agencies are similarly active. Both
individual donors and publishing houses are
contributing the reading matter that through
these various channels flows to quench the
book-thirst of the soldiers.
COMMUNICATIONS.
WAB AND POETEY.
(To the Editor of THE DIAL.)
The interesting article under the above caption
in your issue of March 4 has suggested this ques-
tion in my mind: Is it not the violently partisan
spirit pervading most of the verse of the present
war which is chiefly responsible for its failure to
measure up to high poetical standards? The good
poet is not necessarily a good patriot, — love of
humanity is with him a far more vital and com-
pelling impulse than love of country; and he sees
too deeply and widely into the great complex of
life ever to believe that in war, as in any other
form of conflicting human relations, it is always a
clear case of the devils against the angels. There is
infinite poetical material in this European drama;
but it lies leagues beneath the surface aspects dealt
with by the "patriotic" bards, with their hack-
neyed variations on the chords of vituperation and
self-righteousness. It lies in the tragedy of the
individual soul, — whether English, French, Ger-
man, Russian, or what not; it is to be found in
the experiences of almost countless men and women
who have made every sacrifice and suffered every
agony of which humanity is capable — and for a
cause of which not one in ten thousand could give
a coherent or plausible explanation.
To me the most striking poem yet evoked by
the war is Mr. W. N. Ewer's " Five Souls," pub-
lished in the London " Nation " last autumn. As
it has never been reprinted in this country, so far
as I know, perhaps you may be willing to let me
share it with your readers.
" FIRST SOUL.
" I was a peasant of the Polish plain ;
I left my plough because the message ran : —
Russia, in danger, needed every man
To save her from the Teuton ; and was slain.
7 gave my life for freedom — This I know :
For those who bade me fight had told me so.
SECOND SOUL.
" I was a Tyrolese, a mountaineer ;
I gladly left my mountain home to fight
Against the brutal, treacherous Muscovite;
And died in Poland on a Cossack spear.
I gave my life for freedom — This I know:
For those who bade me fight had told me so.
THIRD SOUL.
I worked in Lyons at my weaver's loom,
When suddenly the Prussian despot hurled
His felon blow at France and at the world ;
Then I went forth to Belgium and my doom.
I gave my life for freedom — This I know :
For those who bade me fight had told me so.
FOURTH SOUL.
I owned a vineyard by the wooded Main,
Until the Fatherland, begirt by foes
Lusting her downfall, called me, and I rose
Swift to the call — and died in fair Lorraine.
/ gave my life for freedom — This I know:
For those who bade me fight had told me so.
FIFTH SOUL.
" I worked in a great shipyard by the Clyde.
There came a sudden word of wars declared,
Of Belgium, peaceful, helpless, unprepared,
Asking our aid : I joined the ranks, and died.
I gave my life for freedom — This I know :
For those who bade me fight had told me so."
This may not be great poetry in form, but is not
its truth and power as " a criticism of life " beyond
question? The essential folly and tragedy of war,
the blind devotion to leaders, the beauty of self-
sacrifice, — all this and much more glows through
these simple lines, and makes the poem worth (to
me, at least) a ton of the " mad Kaiser " and " per-
fidious Albion " sort of thing with which we have
for months been deluged. RALPH BRONSON.
Wyoming, N. T., March 8, 1915.
A TEXTUAL DIFFICULTY IN MILTON.
(To the Editor of THE DIAL.)
If I may be permitted to offer my conjecture on
the textual difficulty in the tenth book of Milton's
" Paradise Lost," suggested by the communication
in your issue of March 4, I should like to venture
the following.
The whole situation, briefly stated, seems to be
this : Sin and Death had just completed the giant
causeway, and " now descried their way to earth,
first tending to Paradise" (1. 325), when the meet-
ing with Satan, which is under consideration, took
place. Now the question arises, Where shall we
locate these three spirits of evil?
It appears to me that this may be done quite
satisfactorily by first gathering together the most
important visualizing data of this structure, and
of the flight of Satan returning to his palace in
Hell. That great " pontifice " was evidently " high
arched" (1. 301), to begin with, a fact we must
not lose sight of, if we wish to follow Milton's
description of this path through Chaos. A little
further on we learn that Satan, while " steering
his zenith betwixt Centaur and the Scorpion "
(1. 328), or somewhere near what we might per-
haps coldly term the limits of our solar system,
"met who to meet him came" (1. 349), namely,
the aforesaid Sin and Death. Here, I think, we
should bear in mind that he is returning, not has
returned, to Hell, as your correspondent apparently
conceived him to have done; he was on his way,
198
THE DIAL
[ March 18
but not yet arrived there. All the text gives us is,
that after Eve was " seduced," " to Hell he now
returned" (11. 332-346); "returned" being here,
according to the general context, a simple narrative
imperative, not a participle, as our original inquiry
seems to suggest in the expression : " At the mo-
ment of meeting Satan is represented as l now
returned to Hell/ 1. 346."
This contention being taken for granted, we
may claim that Satan only came upon the first
incline of the unsuspected highway, when he met
his fellow-spirits. He was only " steering his
zenith," after having risen from Paradise, and
reached the bounds of our atmospheric sea, wing-
ing his way as an angle of light (1. 327), and
apparently unconscious of " a passage broad,
smooth, easy, inoffensive" (1. 305), and obligingly
prepared by his children. Espying the latter, he
no doubt descended or "lighted from his wing,"
" and at sight of that stupendous bridge his joy
increased," and he stood long admiring (1. 350).
And the part of the bridge where he would be most
likely to stop and praise, as he soon did, would be
right here, rather than at the door of Hell, or at
the end of his flight.
Approximating, then, the view from this ethereal
spot, or trying to do so, we ought not to do vio-
lence to the imagination in undertaking to fix it too
rigidly, and with too strict a localism. Neverthe-
less, for a scientific age there is perhaps nothing
so agreeable here as at least a half-way probable
mathematical precision in the location of this
meeting-point. This could be done by thinking of
this whole magnitude of space as a great cosmic
spherical triangle, with Hell and Paradise at the
lower apexes and the point in question at the top;
and the " stupendous bridge," or " the three several
ways in sight, to each of these three places " (1.
323), as the bi-sectors of the three angles of this
imaginary triangle. Then the bi-sector of the Para-
dise-angle would curve downward to Earth, the
bi-sector of the Hell-angle would curve down to
Hell-gates, and the bi-sector of the upper angle
would incline "near to Heaven's door" (1. 389).
Thus the intersection of all three bi-sectors would
be the point of meeting in our discussion.
But inasmuch as Satan was only between " Cen-
taur and the Scorpion," not yet out of reach of our
solar system, he was at the " brink of Chaos " (L
347), "near the foot of this new wondrous ponti-
fice." If then we consider that this monstrous
structure was curved and " high arched," and that
the segment reaching to earth was probably shorter
than the one running down to Hell (11. 320-323),
Sin and Death could easily descend to Paradise
and Satan likewise descend " down to Hell."
And yet, after all, the imaginative freedom of
poetry almost revolts at such a matter-of-fact ex-
planation! Suffice it to say that Milton here
neither " nodded," nor gave an amanuensis cause to
commit a blunder at once fatal to true poetry and
vexatious to her conscientious student. The won-
derful constructive imagination of the master mind
simply took such a magnificent flight that ours of
the lesser wing was at first unable to follow.
Louis C. MAROLF.
Wilton Junction, Iowa, March 8, 1915.
SOME ANTI-GERMAN MISCONCEPTIONS
CORRECTED.
(To the Editor of THE DIAL.)
Mr. Wallace Rice's communication in your issue
of February 16 contains a few errors of fact which
you may wish to correct.
1. The representatives of Alsace-Lorraine in the
Reichstag are elected by universal suffrage; and
this suffrage is conceded to be as free and un-
hampered as any in the world. Alsace-Lorraine
has fifteen representatives, and at the last elec-
tion two of these represented the French party,
while thirteen represented the various German
parties.
2. With the exception of Mecklenburg, all Ger-
man states have different constitutions than they
had before 1848.
3. The Constitution of the German Empire of
1871 is a liberal document, and should not be over-
looked by those who wish to discuss German Con-
stitutions.
4. Most Germans who emigrated to America did
not do so because " life was unendurable to them
in the Fatherland," but because they believed that
America offered opportunities which none of the
European countries could afford to encourage. To
draw conclusions unfavorable to Germany from
the presence of many millions of people of Ger-
man stock in this country is erroneous unless one
wishes to draw similar conclusions as to the other
countries whose sons have settled here. The aver-
age emigration from England for the past ten
years has been over 200,000, while the emigration
from Germany has practically ceased.
5. Nobody who knows modern Germany can be-
lieve that the Bourbon maxim, " Everything for
the people, nothing by the people," is effective in
Germany to-day. One glance at the German con-
stitution, as well as familiarity with the workings
of the Reichstag, will disprove this assertion with-
out question.
6. England has more " frightful slaughters on
her mind " than any other nation, perhaps because
the extension and maintenance of her world empire
amid less civilized people has made greater de-
mands on her. The suppression of the Indian
mutinies, the Egyptian River War described by
Mr. Churchill, the Boer War with its concentra-
tion camps and Lord Roberts's proclamation issued
from Pretoria, and finally the oppression of Ire-
land, prove this.
7. During the Civil War almost 200,000 Ameri-
cans of German descent fought for the Union;
while " the Germans in this country," as Mr. Theo-
dore Roosevelt says, " were largely responsible for
keeping Maryland, Kentucky, and Missouri in the
Union." Nobody thought any the less of these
people at that time; nor did any one doubt their
loyalty because they were proud of their German
descent.
It is very unfortunate if the natural difference
of opinion prevalent as to the right or wrong in
the European War induces the Anglo-Saxon ma-
jority or the Teuton minority to doubt each other's
loyalty to their joint country.
EDMUND VON MACH.
Cambridge, Mass., March 5, 1915.
1915]
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199
00ks.
THE NEW MOVEMENT IN DRAMATIC
PRESENTATION.*
A "new movement" in art — or in anything
else — generally goes through three stages.
First, an idea is conceived by some genius, or
by a few people of genius sometimes working
together, sometimes separately, and is appre-
ciated by a few people who are apt nowadays
to be scattered about all over the world. Next,
it begins to come to public notice and is found
so interesting that people write, first articles
then books about it or the people concerned
with it. Every one begins to know something
about it or the people concerned with it, and
it has for a time a popularity which is often
enough factitious and short-lived. Later*
everybody knows about it, takes it as a matter
of course, and then its true power begins to
tell widely, if there be enough in it, because
the people at large are familiar enough with
it to be able to get at its true spirit. This has
happened with all sort of things, and not in
matters of art alone.
The "new movement" in the theatre is still,
in America at least, in the second stage. For
ten or twenty years there have been innova-
tions in stage presentation, Greek plays,
Shakespearean settings, out-of-door plays,
"Yellow Jackets," and the like. And for as
many years there have been people here and
there who understood and appreciated them,
sometimes many, sometimes few. Now, how-
ever, after a good many articles, criticisms,
magazines, and what not, there are appearing
books which offer a general account of the
matter. "We are beginning to wake up to the
idea that here is something important. Just
how important, people might not agree. Mr.
Archibald Henderson, in his chapter on newer
tendencies in "The Changing Drama," calls
it ' ' this art of the future which stands out as
the most significant tendency of the contem-
porary drama." Mr. Henderson is (among
other things) one of the most widely read
dramatic critics of our day ; few know as well
as he what is "up" in the dramatic world,
what are the currents of present-day thought,
what people are thinking, dreaming, doing, or
trying to do. He views as most significant
this effort to give form and body to the play.
Most significant or not, good or bad, here is a
«lear enough case; everybody knows some-
thing about it. We have now two books, each
* THE THEATRE OF TODAY. By Hiram Kelly Moderwell.
Illustrated. New York : John Lane Co.
THE THEATRE OF MAX REINHARDT. By Huntly Carter.
Illustrated. New York : Mitchell Kennerley.
of which gives something of a broad treatment
of the subject ; one the general account of the
conditions of the theatre by Mr. Moderwell,
the other Mr. Huntly Carter's book on Max
Reinhardt. This latter book makes the well-
known producer of the Deutsches Theater the
basis of a general treatment. Mr. Moderwell
gives a more generally planned account of the
matter, but is more especially interested in the
work of Mr. Gordon Craig. As is commonly
known, these two men have for some years
been the leading innovators in the new Art of
the Theatre.
If I had to choose between the two I should
choose Mr. Moderwell 's book, and that not
because I agree with him in his admiration
for Mr. Craig, although I do, but because he
gives a well-ordered and well-worked-out gen-
eral treatment of the whole subject. He
would appear to have a more systematic mind
than Mr. Huntly Carter, who, when he gave
a while ago an aper^u of the whole field, got
his material together in a form which must
have stood in the way of many who would
have liked to know something about the subject
he was presenting. Nor does Mr. Moderwell
seem to me less appreciative and under-
standing because he is more systematic. He
has by no means the arid idea of the pure stu-
dent and investigator. In fact, his mind
appears to act in much the same way as other
men's, which is a great advantage when one
tries to explain matters to one's fellows. The
reader will find in his book general ideas and
principles, as well as particular details and
events ; he can get the general view and also
learn facts, dates, and so on.
Mr. Huntly Carter views the New Theatre
through the medium, as we may say, of Max
Eeinhardt, the director of the Deutsches
Theater. It is a good thing that he has done
so, for there is no other thorough treatment of
Reinhardt 's work in English. He does not,
however, give a definite biography ; in fact the
title of his book shows that it is the dramatic
or theatrical art that is of interest to him
rather than the personal development. And
in this matter Mr. Huntly Carter is known to
have much information and knowledge. Max
Reinhardt is the man who has actually done
most in the new art of dramatic presentation.
For ten or twelve years now he has given plays
in Berlin, — plays of all kinds: "Salome" by
Oscar Wilde, "The Lower Depths" by Gorky,
"Pelleas and Melisande" by Maeterlinck,
"Electra" by Hofmannsthal, "Candida" by
Shaw, "Rosmersholm" by Ibsen, as well as the
staid old plays of Shakespeare, Moliere, and
Goethe. He has naturally put on the stage the
plays of others, many of whom had no idea at
200
THE DIAL
[ March 18
all of the kind of stage upon which their works
were destined eventually to appear : Sophocles
and Shakespeare wrote their plays for theatres
very different from anything Reinhardt was
likely to use. So in a lesser degree with
Moliere and Goethe. The same thing was
doubtless the case with many writers of our
own day; Gorky and Maeterlinck probably
took little account of the possibilities of the
modern stage, whatever we may think of
Hofmannsthal and Ibsen. Reinhardt seems to
stand for an idea that Mr. Henderson gives
us : "In the light of Croce's theories, I should
like to stress the fact that in the presentation
of a drama we have the most intricate and com-
plex form of critical reproduction." Rein-
hardt is, as one may say, a critic, interpreting
the works of the great dramatists of any and
all time, just as .Wilhelm Meister interpreted
"Hamlet," putting them so that people in
general will really get at them.
There is, however, another way of doing
things in this dramatic movement, — namely,
that which is generally associated with the
name of Mr. Gordon Craig. Similar as his
work is in many ways to that of Reinhardt,
yet if we may judge from his writings it has a
different spirit and motive power. Mr. Craig
has been engaged in presenting the work of
others : he has not been able to present many
plays; he has no such imposing record of
interpretations as Reinhardt; but the few
things he has done have made an immense
impression, — his "Hamlet" and "The Blue
Bird ' ' at Moscow, especially. To us in Amer-
ica that matters less because we know these
things chiefly by book, and Mr. Craig is most
widely known by his writings. If we call Max
Reinhardt critical, we may say that Gordon
Craig is creative. He thinks of something
other than simple presentation or interpreta-
tion ; in his "Art of the Theatre" a few years
ago he presented the idea of a creative artist
using all the means of the drama and the thea-
tre to embody his thought. THE DIAL has
already printed some studies of his ideas
apropos of his books.
I have mentioned Mr. Moderwell's book as
presenting the ideas of Mr. Craig. This gives
only a slight idea of the book, which is an ex-
cellent treatment of the whole matter of the
theatrical art of to-day. The mechanical forces
are described, the different innovations in the
form of the stage, — the revolving stage, the
rolling stage, the sliding stage; the arrange-
ments for scenery, like the cyclorama or the
horizont; the different developments in light-
ing. The matter is also considered more or
less at length from the artistic standpoint, and
also with reference to what is being done in
this country. Design, color, light, three
matters so fundamental in the newer ideas,
are dealt with. The literary forces are con-
sidered,— namely, the dramatists now at work
throughout the world. The book ends with a
consideration of the social and economic
forces; and in fact we have a very general,
all-around treatment of the subject, not at all
limited to any particular view or school. I do
not, in fact, know of any other one book which
gives a better introduction to the dramatic
world to-day, unless it be that of Mr. Hender-
son's already quoted, which takes the subject
rather from the dramatic standpoint, the point
of view of literature, as Mr. Moderwell views
it from the theatrical standpoint, that of the
stage.
Mr. Moderwell's book is a good accompani-
ment to those of Mr. Gordon Craig in giving
an idea of the theatre, not so much as the
means of interpreting the work of great
dramatists, as a means whereby the artist may
express himself. That is the new ' ' Art of the
Theatre"; just as an artist may express him-
self in painting, music, poetry, architecture,
or in many other well-recognized ways, so he
may express himself by the much more com-
plex means of the theatre, which calls for the
use of poetry, painting, music, architecture, as
well as acting, dancing, pantomime, costume,
and so on. "The drama as the culminating
synthesis of all the arts" is Mr. Henderson's
expression. The artist of the theatre is a
creator rather than a critic. This is rather an
art of the future: even Mr. Gordon Craig,
who is very busy fashioning his instrument,
has not yet played upon it, at least so far as
the world in general is concerned.
Although Mr. Huntly Carter seems some-
thing of a partisan, I see no reason why one
should think of any necessary antagonism be-
tween the critical and the creative schools of
presentation. Even though the creative view
appeal to one most, as it does to me, there is
no getting away from the other. Create as
much as possible, there must always be the
critical presentation, unless we are content to
let all the great drama of the past sink into
nothingness. There will always be the pre-
sentation of Shakespeare, for instance, unless
Mr. Shaw should succeed in his ill-concealed
effort to make away with him in the public
mind. It will never be possible to present
Shakespeare in the way he was originally pre-
sented,— we can never produce just the im-
pressions that he produced in the way he did ;
if we could reconstitute the Elizabethan actor
and the Elizabethan play-house we could never
reconstitute the Elizabethan audience. So
there must always be the modern presentation
1915]
THE DIAL
201
of Shakespeare and of the other great masters
of the drama, and that, as a rule, by means of
which they did not dream. Even the dram-
atists of our day, unless devoted "men of
the theatre, ' ' must often be in ignorance of the
means whereby their imaginations will be real-
ized; indeed, they must often see their own
imaginations realized in ways better and more
adequate than they had conceived themselves.
The critical presentation will even be the most
common. It is presumably easier, for one
thing ; in the drama, as elsewhere, one will find
many men of critical ability for one of any
creative power. It is also more widely useful ;
in learning the Art of the Theatre, as in learn-
ing any other art, whether for creative pur-
pose or merely for general culture, one must
deal with the work of earlier masters. Great
geniuses have developed without the training
of schools and conservatories, and on the other
hand the confining effect of traditional criti-
cism has been long understood. Yet in the
main, genius likes to view the work of genius.
One cannot learn the Art of the Theatre out of
one's head, nor are there many schools like Mr.
Craig's at Florence; the young artists of the
theatre must learn their art by seeing plays
produced, and it will certainly be hard on
them (as on the public) to see only the plays
of their own time and generation and even
moment, as might be the case if the creative
artist of the theatre dominated the situation.
There must always be critics of the theatre,
like Max Reinhardt, who has never sought
himself to create, save perhaps in a minor way.
Yet the ideas of Mr. Craig are singularly sug-
gestive. The practical man will doubtless
think it improbable that we shall ever have
many dramatic artists who can both conceive
a dramatic idea and themselves bring it to
presentation, even with the assistance of prop-
erly subservient specialists in acting, lighting,
music, and so on. It is probable that we shall
never have very many, but certainly we shall
have none at all unless a beginning is somehow
made. And making once a good beginning we
may find it not so impossible to continue as it
may have once appeared.
To me, if I may add a sort of obiter dictum,
such matters appear most likely to be fruitful
in a direction not often noticed, — namely, in
developing a dramatic audience. I know of
nothing that makes one understand a play bet-
ter than to try to present it. If you want to
understand "Hamlet," get a company of your
friends to act "Hamlet," even though you
can get nobody to come and see you. The
study you will have to give the play will give
you an appreciation you never have had be-
fore, especially if you can yourself assume the
task of directing the performance. But more
useful even than the presenting the works of
others is the presenting plays of one's own
upon no matter how small a scale provided it
be done with any real consideration of the
needs and necessities of the case. You may
give your performance at one end of a parlor,
on a High School stage, at a Club smoker, or in
a garden, or anywhere else. Provided you
realize your dramatic opportunities and use
them in an artistic way, you are getting some-
thing on the Art of the Theatre that you can-
not get even by going to see other people act
every night in the season and reading plays in
books all the rest of the year. Only one must
do the thing in the best way with the view of
the artist of the theatre, — not necessarily of
Mr. Gordon Craig or any particular person.
And a public made up of people who were
accustomed to such matters, who took stage
presentation as naturally as they did reading,
would be one which would appreciate the work
of the masters better than ours does now.
EDWARD E. HALE.
Two YEARS IN HURRICANE LAND.*
After the thrill and exultation attending the
conquest of, first, the North Pole and then,
within a brief space, the South Pole, it might
seem that further exploration of Arctic or
Antarctic regions must partake of the nature
of an anticlimax ; and in some sense this can-
not but be true. No other pushing into the
unknown can quite equal in excitement the
pursuit of that infinitesimal point where all
the meridians meet and there is no longer any
East or any West. But just as the discovery
of America did not exhaust the possibilities of
occidental exploration and adventure, so the
achievements of Captains Peary and Amund-
sen have rather stimulated than deadened
eagerness to learn more of the secrets of the
frozen polar seas and undefined continents.
Among those best equipped by nature and
training to supplement the work of those
earlier explorers, Sir Douglas Mawson, of Ade-
laide University and a member of the Shackle-
ton expedition of 1907-9, .is not the least
conspicuous. His organization and leadership
of the Australasian Antarctic Expedition of
1911-14 placed him among the foremost of
skilled and resourceful and intrepid adven-
turers into the vast unknown of Antarctica,
"the home of the blizzard," as he calls it in
the title to his elaborate work descriptive of
that expedition, now published in two hand-
* THE HOME OP THE BLIZZARD. Being the Story of the
Australasian Antarctic Expedition, 1911-1914. By Sir Douglas
Mawson, D.Sc., B.E. Illustrated in color and black and white,
also with maps. Philadelphia : J. B. Lippincott Co.
202
THE DIAL
[ March 18
some volumes, with every accompaniment of
colored and uncolored illustration, of map and
diagram and appendix, that the exigent reader
could desire — except that the more scientific
or technical fruits of the undertaking are
reserved for future presentation.
As explained in the opening chapter, the
design of the expedition was to land a party
of five men on Macquarie Island, about half-
way between Australia and the Antarctic con-
tinent, this party to be equipped with wireless
apparatus for communication with the ex-
plorers southward and with Hobart to the
north, and to carry on certain assigned investi-
gations, while the rest of the company took in
hand the more arduous and hazardous ex-
ploration of the little-known regions lying
within or near the Antarctic Circle between
King George V Land on the east and Queen
Mary Land on the west, or over a stretch of
nearly sixty degrees of longitude. This latter
work was to be done by several parties oper-
ating separately but in pursuance of one well-
considered scheme, which embraced researches
in geography, oceanography, meteorology,
glaciology, geology, biology, bacteriology, the
study of tides, wireless and auroral observa-
tions, and terrestrial magnetism. In addition
to the chief's account of the expedition as a
whole, and of his own activities as organizer
and leader, as first in command at the "main
base" in Adelie Land, and as engaged in a
particularly toilsome and dangerous excur-
sion to the eastward across King George V
Land, the book contains subordinate and al-
most equally interesting narratives from the
pens of those who led forth other parties on
their several more or less perilous quests.
Even those who have had but slight expe-
rience in roughing it with an outing party will
appreciate what the author has to say on the
extreme importance of care in selecting the
men with whom one is to winter and summer
in the wilderness. Mental and physical equip-
ment for the work in prospect is not enough,
though it is indispensable ; moral quality must
also be insisted upon.
" In no department can a leader spend time more
profitably than in the selection of the men who are
to accomplish the work. Even when the expedition
has a scientific basis, academic distinction becomes
secondary to the choice of men. Fiala, as a result
of his Arctic experience, truly says, ' Many a man
who is a jolly good fellow in congenial surround-
ings will become impatient, selfish and mean when
obliged to sacrifice his comfort, curb his desires
and work hard in what seems a losing fight. The
first consideration in the choice of men for a polar
campaign should be the moral quality. Next should
come mental and physical powers.' "
Of interest, too, is this further specification of
attributes essential to success in the peculiar
task here under consideration :
" For polar work the great desideratum is tem-
pered youth. Although one man at the age of fifty
may be as strong physically as another at the age
of twenty, it is certain that the exceptional man of
fifty was also an exceptional man at twenty. On
the average, after about thirty years of age, the
elasticity of the body to rise to the strain of
emergency diminishes, and, when forty years is
reached, a man, medically speaking, reaches his
acme. After that, degeneration of the fabric of the
body slowly and maybe imperceptibly sets in. As
the difficulties of exploration in cold regions ap-
proximate to the limit of human endurance and
often enough exceed it, it is obvious that the above
generalizations must receive due weight."
The men selected with proper regard to this
Oslerian age limit comprised a party of about
forty, including the five ship's officers and
several temporary members of the expedition,
and all but one seem to have fulfilled expecta-
tion in respect to physical hardihood. That
one, Dr. Xavier Mertz, a Swiss of exceptional
ability and promise, and not yet thirty years
of age, succumbed to exposure and an insuffi-
ciency of nutrition on the arduous expedition
already mentioned which was led by Dr. Maw-
son. The other member of this party, Lieuten-
ant B. E. S. Ninnis, a youth of twenty- three,
also lost his life on the way, falling with sledge
and dogs through a crust of snow covering a
crevasse. These two, it appears, were the only
ones who failed to survive the rigors and
perils of the enterprise.
Most tragic and grimly impressive is the
story of that ill-fated excursion from which
only the leader, after indescribable sufferings
and hair-breadth escapes, returned to the
friendly shelter of winter quarters. That a
month of lonely struggle and semi-starvation
(the last dog had been sacrificed) in those icy
solitudes should have left him with reason
unimpaired and bodily powers not perma-
nently weakened, is almost beyond belief, and
speaks volumes for his virility. The tempta-
tion to let go his grip, in more senses than one,
evidently assailed him with increasing fre-
quency as the margin of possible endurance
became narrower. A passage from his diary
illustrates that strange mingling of the awful
and the trivial, the sublime and the ridiculous,
that many a reader will have noted in his own
experience at moments of exceptional trial or
danger.
" Going up a long, fairly steep slope, deeply
covered with soft snow, broke through lid of
crevasse but caught myself at thighs, got out,
turned fifty yards to the north, then attempted to
cross trend of crevasse, there being no indication of
it; a few moments later found myself dangling
fourteen feet below on end of rope in crevasse —
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sledge creeping to mouth — had time to say to
myself, ' so this is the end,' expecting the sledge
every moment to crash on my head and all go to the
unseen bottom — then thought of the food uneaten
on the sledge; but as the sledge pulled up without
letting me down, thought of Providence giving me
another chance."
It was a small chance, but the edge of the
crevasse was at last gained, when a second fall,
to the full length of the rope, followed. The
remainder of the incident must be told in the
author's own words:
" Exhausted, weak and chilled (for my hands
were bare and pounds of snow had got inside my
clothing) I hung with the firm conviction that all
was over except the passing. Below was a black
chasm; it would be but the work of a moment to
slip from the harness, then all the pain and toil
would be over. It was a rare situation, a rare
temptation — a chance to quit small things for
great — to pass from the petty exploration of a
planet to the contemplation of vaster worlds be-
yond. But there was all eternity for the last and,
at its longest, the present would be but short. I
felt better for the thought. My strength was fast
ebbing; in a few minutes it would be too late. It
was the occasion for a supreme effort. New powers
seemed to come as I addressed myself to one last
tremendous effort. The struggle occupied some
time, but by a miracle I rose slowly to the surface.
This time I emerged feet first, still holding on to
the rope, and pushed myself out, extended at full
length, on the snow — on solid ground. Then came
the reaction, and I could do nothing for quite an
hour/'
Though the author modestly ascribes to a
friendly reviser any literary merit his chap-
ters may possess, it is plain that the pre-
requisite of having something to say before
attempting to say it, is all his own, and that he
can well afford to let his style take care of
itself. Not unworthy of a place beside the last
recorded words of the ill-fated Captain Scott
is the terse account of that all but desperate
struggle to regain the land of the living after
death had claimed the two companions of the
outward journey. Other parts that hold the
attention are the detailed descriptions of land-
ing, hut-building, dog-management, and all
the ingenuities and contrivances evolved by
the exigencies of the time and place. Recogni-
tion also is due to the clear style, effective and
unwasteful of words, in which the lesser con-
tributors to the book tell their respective tales
of more or less exciting adventure. A later
work presenting the scientific results of these
two years (and somewhat more) of manifold
investigation in an almost virgin field is prom-
ised. Here, then, let it suffice to register
appreciation of the more generally narrative
and descriptive volumes. Their appearance
and workmanship, with the large, clear type
of the Ballantyne Press, and with their many
strikingly beautiful illustrations, including a
number of unusually fine colored ones, and
their generous provision of large folding maps,
could not easily have been improved upon. In
only one particular, hardly important enough
to mention, has expectation been a little dis-
appointed : the index references seem to lack
that scrupulous accuracy which the reviewer
if not the general reader likes to find in a
work of so rich and varied contents as "The
Home of the Blizzard. ' '
PERCY F. BICKNELL.
THE QUALITY' OF GENIUS.*
The first edition of Tiirck's "Man of
Genius" was published in Germany in 1896,
and was so well received that other editions,
variously revised and enlarged, rapidly fol-
lowed one another. In all, seven editions have
been issued in Germany up to the present time.
The English translation, now before us, was
prepared and printed in Germany, though
published in London.
Dr. Tiirck's conception of genius is a quali-
tative rather than a quantitative one. We are
not to regard as a genius any man possessing
extraordinary abilities, without reference to
their nature. On the other hand, something of
the quality of genius is universal : as Schopen-
hauer said, ' ' really every child is to a certain
extent a genius." We are to consider that
genius is an inherent power, without reference
to performance; thus it is easy to imagine a
man potentially capable of producing works of
genius, hindered by circumstances from doing
anything of consequence. What, then, is the
essential mark of genius? It is, according to
Dr. Tiirck (following Schopenhauer), a capac-
ity for love, using that word in the widest
sense, — an objective tendency, which seeks
realization through contact with the external
world, and puts aside selfish and subjective mo-
tives. At the same time, appreciation or love
being the motive force, reality is idealized, and
the world is understood in its meaning, rather
than in its imperfect expression. This, we
must hold, is to get at the core of truth, the
original version of which visible things are, as
it were, an imperfect translation. Thus we
glide into idealism, our own nature suffusing
and transforming external reality.
It may properly be objected, that Dr. Tiirck
has selected the human quality which he most
admires and values, and has labelled it genius.
At the same time, he is not altogether without
warrant in this, for according to the ordi-
nary conception of the word, genius certainly
* THE MAN OP GENIUS.
York : The Macmillan Co.
By Hermann THJrck. Ph.D. New
204
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[ March 18
implies increased capacity for understanding
and appreciation. Think of any man to whom
we ascribe this quality, — is he not distin-
guished by the breadth and depth of his
relationship to reality, by the extent of his com-
prehension of truth ? He cannot be wholly self-
centred, if only for the reason that his field
would remain altogether too narrow for the
expression of his powers. So, as we think
about it, the simple definition which our author
gives, "genius is love," rather grows upon
us, and seems less absurd than when we first
read it.
Then, as to the idealistic outcome: is it a
final reaction from the severity of truth, a re-
turn to the subjectivism from which we sup-
posed we had escaped? Perhaps so, in part,
but it is curious to recall a rather similar
development in the innermost sanctum of the
most modern science. Following the path first
indicated by Mendel, we have explored the
maze of heredity in directions he never knew,
and find ourselves contemplating every living
being as a compromise between what is and
what ' ' might have been. ' ' Not at all as a mat-
ter of idealism, but by calculations having
almost the validity of mathematics, do we
postulate the potential qualities of this or that
descendant of known ancestors, and estimate
the deviation from the fullest expression, due
to this cause or that. Are we, then, to blame
the philosophical idealist, who, looking beneath
the surface of things, discerns often a half-
expressed meaning, and values the outcome
partly for the implied purpose ? Crass anthro-
pomorphism, if you like, but we cannot do
without it. Repeat a thousand times, things
are what they are, and even in science we can
never forget that they are also, in a genuine
sense for us, what they are not.
It is rather more difficult to follow our
author in some other matters. Growing out
of the idea of the disinterestedness of genius,
there is developed the conception that the ac-
tivity must be its own justification, rather than
any particular end to be gained. In any
intense work, it is certainly true that the mind
is centred upon the activity itself, and the end
to be gained may be quite nebulous or unreal-
ized for the time being. Under such circum-
stances the work is pleasurable; whereas if
the end alone is in view, it becomes a burden.
Dr. Tiirck goes so far as to assert that the high-
est work, thus accomplished, is of the nature
of play, and states in several passages that the
genius is primarily interested in what he is
doing, and cannot take the world and its needs
very seriously. He thus dismisses the future,
as it were ; he has neither hope nor fear ; in a
word he is free from care. Here we think the
extremes meet, and we find that our genius is
after all in danger of landing in that very mire
of selfishness from which he had escaped. We
are confirmed in this opinion when we find the
author lauding Napoleon as a man after his
own heart.
This breakdown of the whole theory, as it
seems to us, is especially apparent in the ex-
tremely interesting chapter on "Hamlet."
The play is analyzed quite fully from Dr.
Tiirck 's point of view; and whatever we may
think of this, the boldness and originality of
the treatment command admiration. The idea
is, that Hamlet was a genius in the fullest
sense of the word, capable of great ideas, of
seeing things in the large, incapable of nar-
rowness and selfishness. He grew up believing
in the general goodness of men and things,
supposing that the love of his mother and the
respect of all men for his father were due to
the latter 's good qualities alone. When he
finds that the same respect and love are given
to one who has indeed power, but is in all other
respects unworthy, the whole fabric of his
idealism collapses. He finds, too, that Ophelia
has none of the high qualities which he sup-
posed must go with so lovely a form. Conse-
quently, although he is not wanting in courage
and other manly qualities, he sees things in too
large a way to care very much about mere
revenge, about a deed which will not, can not,
set the whole world right. It is not a matter
of conscience, of moral uncertainty, but of
lack of interest in a mere detail of the wretch-
edness of things. Dr. Tiirck states that this
explanation occurred to him one day when
reflecting on the passage in the Gospel of
Matthew, in which Christ asks "Who is my
mother ? and who are my brethren ? And he
stretched forth his hand toward his disciples,
and said, Behold my mother and my breth-
ren ! " It struck him that Hamlet, in like man-
ner, had gone beyond the stage of feeling
special responsibility in connection with his
father as distinguished from other men.
This ingenious hypothesis surely cannot
represent Shakespeare's meaning. As it seems
to the reviewer, the greatness of the tragedy
of "Hamlet," as that of "Othello," lies in the
internal rather than the external failure, the
wreck of an essentially noble nature which
could not rise to the occasion. It is for this
reason that we are more moved by these plays
than by "Julius Caesar." To represent Ham-
let's attitude as laudable, and put the whole
blame on the cheapness of his environment, is
to emasculate the work. At the same time, no
doubt, the quality which Dr. Tiirck calls
genius, the breadth of understanding and ap-
preciation, may at times deprive men of that
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205
simplicity of purpose which is necessary to
action. Shakespeare appears to have under-
stood at least this, that academic life and
thought tended to inhibit action, and his lesson
may not be without significance for us to-day.
Other chapters take up Goethe's "Faust,"
Byron's "Manfred," Schopenhauer and Spi-
noza, Christ and Buddha, Darwin and Lorn-
broso, Stirner, Nietzsche, and Ibsen. The
treatment of "Faust" is especially detailed
and original, but we cannot take the space to
outline it here. Stirner, Nietzsche, and Ibsen,
together with Lombroso, are vigorously at-
tacked, and called antisophers. It is perhaps
hardly fair to class Ibsen with the others, but
his work is discussed at length, and the au-
thor's position is made clear. We may close
with a quotation remarkable not only for its
pungent sarcasm, but for a certain suggestive-
ness in relation to the attitude taken by some
learned men with reference to the happenings
of to-day. After describing Nietzsche's theory
of conduct, Dr. Turck exclaims :
" Imagine, on these lines, a speech for the de-
fence such as the following : ' Gentlemen of the
jury, the accused pleads guilty to having com-
mitted a murder: I request you, however, to con-
sider how horribly beautiful his crime is. From
a sheer passion for murder — because, as our great
Nietzsche sayc, " his soul wanted blood ... he
thirsted for the happiness of the knife," — he de-
coyed a child to a lonely place, and slowly killed
it with exquisite tortures. Neither the innocently
terrified looks of the child, the little hands con-
vulsively clasped in despair, the small body trem-
bling and twitching with pain, nor the pitifully
beseeching voice and the frightful cries of the
little creature writhing in an agonizing death
could touch this man's heart. What sternness of
decision and character he here showed. To whom
would it come easy to imitate him? Who would
not rather commit suicide than inflict such terrible
suffering on a poor little creature? Gentlemen of
the jury, I pray you to admire this man's strength
of mind, " the beautiful terribleness of the deed,"
as our famous antisopher calls it, and further beg
you to consider what this man would have been
able to accomplish, had he been born to a throne.' "
T. D. A. COCKERELL.
ENGLISH LJTERATITRE ix THE ROMANTIC
PERIOD.*
For the earlier volumes of "The Cambridge
History of English Literature," the editors
fortunately secured a number of contributions
outside of Great Britain ; in the later ones the
custom seems to be passing. The latest volume
contains one chapter by a French scholar, who
* THE CAMBRIDGE HISTORY OP ENGLISH LITERATURE. Edited
by A. W. Ward and A. R. Waller. Volume XI., The Period
of the French Revolution. Cambridge, England : University
Press. New York : G. P. Putnam's Sons.
is the sole representative of Continental learn-
ing. The absence of any chapter from Amer-
ica might be explained by the fact that a
supplementary enterprise, "The Cambridge
History of American Literature," which is
now in preparation, has been entrusted to
American hands — it is, indeed, mainly an
American venture. But, as in Volume X., the
bibliographies here and there betray an inex-
cusable ignorance of books and articles that
have been published in this country. One has
a feeling that some of our English cousins
more readily tolerate American scholarship
when it concerns itself with Old and Middle
English, or with the Elizabethans and Milton,
and are less complacent when we offer to inter-
pret the modern poets.
Of the sixteen chapters, eight are by persons
whom we have come to recognize as steady
contributors: Mr. Previte-Orton deals with
"Political Writers and Speakers"; Professor
Sorley with "Bentham and the Early Utilita-
rians"; Mr. Child with Cowper and with
Crabbe; Professor Saintsbury with Southey,
with "The Prosody of the Eighteenth Cen-
tury," and with "The Growth of the Later
Novel"; and Mr. Harold Routh with "The
Georgian Drama. ' ' Practice, and an ability to
anticipate the plans and wishes of the editors,
are sure to tell in a work of this sort; the
chapter by Mr. Routh, for example, is a model
in perspective and compression, without undue
sacrifice of interest. Nor are the authors of
the remaining chapters all new ; Mr. Aldis has
appeared before, and so have Mr. Henderson,
Mr. Yaughan, and Professor Grierson.
It would be idle to repeat the table of con-
tents. We must single out a few chapters for
special mention. The first, that of Professor
Grierson on Burke, opens with a laborious sen-
tence containing ninety-nine words and a date.
Once in motion, however, we are carried along
easily on a stream that more than once reminds
us of the tide in the eloquence of the master-
orator himself. Professor Grierson, rising to
the height of his great argument, has produced
an essay (if one be allowed to predict) that
will have a lasting place in the literature on
Burke. It is clear ; it is orderly ; it is elevated
in tone; it displays true philosophic insight.
And it has memorable passages, such as this
one on Burke 's temperament :
" The sensitive, brooding imagination, which,
coupled with a restless, speculative intellect, seek-
ing ever to illuminate facts by principles, gives
tone to Burke's speeches and pamphlets; for it is
this temperament which imparts vividness and color
to the dry details of historical and statistical
knowledge, and it is this temperament which at
once directs, keeps in check, and prescribes its
limits to, that speculative, inquiring intellect."
206
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[ March 18
Again :
" Of the three means by which Cicero, following
the Greeks, declares that the orator achieves his
end of winning over men's minds, docendo, con-
ciliando, permovendo, tradition and the evidence
of his works point to Burke's having failed chiefly
in the second. He could delight, astound, and con-
vince an audience. He did not easily conciliate
and win them over. He lacked the first essential
and index of the conciliatory speaker, lenitas
vocis; his voice was harsh and unmusical, his
gesture ungainly. The high qualities, artistic and
intellectual, of his speeches are better appreciated
by readers and students than by ' even the most
illustrious of those who watched that tall gaunt
figure with its whirling arms, and listened to the
Niagara of words bursting and shrieking from
those impetuous lips.' "
And once more :
" Burke's unique power as an orator lies in the
peculiar interpenetration of thought and passion.
Like the poet and the prophet, he thinks most pro-
foundly when he thinks most passionately. When
he is not deeply moved, his oratory verges toward
the turgid; when he indulges feeling for its own
sake, as in parts of Letters on a Regicide Peace,
it becomes hysterical. But, in his greatest speeches
and pamphlets, the passion of Burke's mind shows
itself in the luminous thoughts which it emits, in
the imagery which at once moves and teaches,
throwing a flood of light not only on the point in
question, but on the whole neighboring sphere of
man's moral and political nature."
This is not the only striking chapter in the
volume. Professor Legouis of the Sorbonne,
whose career began with a study of the
French officer Beaupuy mentioned in "The
Prelude/' and whose reputation was assured
through a notable interpretation of that poem,
now utters, as it were, his final judgment upon
Wordsworth. In the interval, the skill of the
critic has not diminished, but probably in-
creased ; his sentences are packed with thought
and solid information ; and his conception of
Wordsworth as carrying on the tradition of
Rousseau, with modifications from the philoso-
phy of Burke, is subtly elaborated, and pre-
sented with the grace and charm which we have
come to expect from the school of Alexandre
Beljame. And yet one reads this chapter with a
sense of disillusionment. It is as if the author
had lost something of his initial interest in the
poet. His former knowledge, which chiefly
bore upon the early life of Wordsworth, and
upon the proximate origins of Wordsworthian
ideas, is duly resuscitated ; but it would seem
that for the poet's subsequent activity M.
Legouis to some extent has been swayed by
secondary sources of opinion, so that the views
expressed, while far from being stereotyped,
and reflecting conventional criticism only in a
general way, can hardly be said to possess the
freshness and independence of his work on
''The Prelude." If his estimate is conven-
tional, this appears in his treatment of "The
Excursion," and, still more, of the "Ecclesi-
astical Sonnets." Indeed, it is unsafe to ap-
praise ' ' The Excursion " as a narrative poem,
or, as many others do, to disparage it as not
entirely composed in a lyrical or impassioned
style; the style was not so intended, nor yet
was it meant to be that of an epic. "The
Excursion" is a dialogue, and must be judged
according to the laws governing this form of
art; one does well to read Plato (who is not
always impassioned) before taking up a mod-
ern Platonist or Neoplatonist ; and it may be
said that the poem of Wordsworth endures
comparison with other English dialogues. As
for the "Ecclesiastical Sonnets," so few per-
sons look at them, not to speak of studying
them with care, that in the popular opinion
they would seem to be negligible. M. Legouis
says they are ' ' the Anglican counterpart, on a
much narrower basis, of Chateaubriand's
Genie du Christianisme." They are, how-
ever, founded upon good authorities, such as
Bede and Sharon Turner, and reveal a schol-
arly method to which Chateaubriand was a
stranger. Montalembert, saturated with the
spirit of the Middle Ages, praised some of them
at least very highly. If we view them in the
lineage, not of Chateaubriand, but of Her-
bert and Keble, — if we find their place in the
main course, not of Continental literature, but
of religious poetry in England, we are more
likely to appreciate their true significance.
One hesitates to enter the lists against an
interpreter so expert and so well-prepared;
but M. Legouis, as it seems to the present
writer, has considered the poetry of Words-
worth too exclusively in the light of imme-
diate circumstances, and of Revolutionary
influences and French ideals, and too little sw6
specie eternitatis.
The remarks of Mr. Vaughan on Coleridge
suffer in comparison. For one thing, his chap-
ter is marred by censurable carelessness in
matters of detail. For example, he says that
the beginnings of the opium habit ' ' go back as
far as 1797"; Coleridge certainly began to
take laudanum before that. He speaks of an
impalpable quality illustrated by the line
" Enclosing sunny spots of greenery,"
where Coleridge wrote Enfolding. He speaks
of "the ghastly colors which 'patched the
bones' of Death in a verse which the subtle
instinct of Coleridge led him subsequently to
strike out." "Patched the bones" is a bad
misquotation; and the criticism of friends,
and of the reviewers, had much to do with the
excision by Coleridge of grotesque and repul-
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207
sive images from "The Rime of the Ancient
Mariner." Again, there is slipshod work in
the statement that Southey "pronounced the
poem to be 'an attempt at the Dutch sub-
lime.' " What Southey wrote was, "a Dutch
attempt at German sublimity." Pie probably
did not think ill of the thing attempted, since
the supernatural was his own field, and he
could himself learn from Burger ; he thought
the attempt awkward. But the obvious errors
are not the only ones in the chapter. Taking
issue with the utterance of Coleridge himself,
" ' I cannot write without a body of thought, ' '
Mr. Vaughan says of ' ' Kubla Khan " : ' ' While
thought alone, however inspiring, is powerless
to make poetry, pure imagery and pure music,
even without thought (if such a thing be pos-
sible), suffice, when working in absolute har-
mony, to constitute what pedantry alone could
deny to be a great poem. " If it be pedantry to
desire depth of thought in poetry and music,
as well as in criticism, the present writer can-
not evade the impeachment ; holding, in fact,
the opinion of Coleridge as elsewhere ex-
pressed : ' ' Poetry is certainly something more
than good sense ; but it must be good sense, at
all events; just as a palace is more than a
house, but it must be a house, at least." As
for the sense of the criticism, if thought be-
comes inspiring, will it not produce something
artistic? But can thought exist without
imagery — that is, without organic sensation ?
Psychologists, we believe, say it cannot. And
what does our author mean by the words, "if
such a thing be possible"? If imagery and
music without thought are not possible, so
much the better for the human mind and for
human art ; in that case, there can be no such
thing as "pure" imagery, and no poetry that
is "pure" sound and fury, signifying nothing;
though there can be intentional and uninten-
tional nonsense in both poetry and prose. ' ' If
such a thing be possible" implies that the con-
text in which it is found may be nonsense;
and that is. what we strongly suspect it is.
Instead of assuming that " 'the body of
thought' does not obtrude itself for the simple
reason that there is no thought to obtrude,"
how much better would be the plan of trying
to find out what the content of ' ' Kubla Khan ' '
really is! As the present writer pointed out
some years ago, the poem, when attentively
examined, takes its place among the many de-
scriptions of the terrestrial paradise. There
is a description of the Tartar paradise at the
beginning, an allusion to the Abyssinian para-
dise in the middle, and an apparent reference
to the false paradise of the Persian necro-
mancer Aladdin at the end; and there are
various reminiscences from the fourth book
of "Paradise Lost" and from Bartram's
"Travels" (in Florida, Georgia, etc.) inter-
mingled; the whole being drawn together by
no inner bond of necessary sequence, but by
casual association. The poem is not a great
one; its unquestionable merits do not suffi-
ciently outweigh the latent defects for that.
It would be greater if, as in the fourth book
of "Paradise Lost," or in the twenty-eighth
canto of Dante's "Purgatorio," the sensuous
element, the flesh, had a distinct form, so as to
give unmistakable significance to the whole.
And beautiful and melodious as the parts may
be, where the heart should be there is some-
thing repulsive: Coleridge suggests that the
place is "holy" as being the scene of demoniac
love —
"A savage place! as holy and enchanted
As e'er beneath a waning moon was haunted
By woman wailing for her demon-lover!"
That reminds one of the essential indelicacy of
" Christabel, " and of other passages in which
the poet has utilized repulsive ideas, from
works on demonology, which may not be clear
to the uninstructed reader, but which must be
reckoned with in studying the genius of Cole-
ridge. We must discover where the poet is
laudable, and where he is open to censure.
Mr. Vaughan praises without discrimination.
Thus he says of "The Rime of the Ancient
Mariner" that "the story shapes itself in a
succession of images unsurpassed for poetic
power and aptness": whereas Hawthorne
called attention to the absurdity of a seaman
going about his nautical tasks when there was
hanging upon his neck a bird with wings meas-
uring thirteen feet across. This is not to
minimize the loveliness of Coleridge at his
best ; the aim is to show the want of precision
in an unwary critic — in one who does not
verify his references, and who has the corre-
sponding habit of careless generalization. As
Mr. Vaughan has previously worked in the
field of literary criticism, it may be well to
touch upon one matter there. In the passage
commonly referred to ("Ars Poetica" 333-4).
Horace does not say that "the object of poetry
is to instruct" (p. 148). He describes what
poets actually wish to do, dividing them into
three classes :
"Aut prodesse volunt aut delectare poetee
Aut simul et iucunda et idonea dicere vitee."
They wish either to profit, or to delight, or to
do both in one. It is not a question of what
they ought to do, but of characteristic desires ;
and it is true to the facts.
Of the chapters hitherto unmentioned, that
of Mr. Wallis on Blake deserves high com-
mendation. There is nothing better on the
subject. Chapter XIV., on "Book Produc-
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[ March 18
tion and Distribution, 1625-1800," by Mr.
H. G. Aldis, gives a very interesting picture of
the relations between author and publisher in
the seventeenth century, of the activities of
Tonson, Lintot, Dodsley, and Miller in the
eighteenth, and of the circumstances which
gave rise to such collections of the English
poets as those of Bell and Johnson. Mrs.
Aldis also does well with "The Bluestock-
ings," and Mr. Darton with "Children's
Books," beginning with the earliest specimens.
The bibliography appended to this final chap-
ter fills about seventeen pages, and is an
achievement in itself; it should attract the
notice of parents and teachers, who will not
elsewhere find so excellent a guide. The
author of the chapter is evidently responsible
for the list.
For several other lists the case is different,
and the results are not always happy. In the
Bibliography of Wordsworth, Knight's Ev-
ersley Edition (1896) should not have been
made a mere adjunct to his earlier and infe-
rior Edinburgh Edition ; Mr. No well C. Smith
should not be disguised as "Smith, C. N.";
negligible anthologies like that of A. J. George
should have been omitted ; and under ' ' Biog-
raphy and Criticism," there should be more
entries from American scholarly periodicals.
On p. 455 the page-heading properly changes
to "Coleridge" ; but on pp. 457, 459, reappears
"William Wordsworth"' — a confusing over-
sight. The list of books on Coleridge mentions
the recent bibliography of T. J. Wise, but not
that of J. L. Haney (Philadelphia, 1903),
which, with its entries of books and articles on
the poet, is indispensable to students. Under
"Biography and Criticism," Lucas's "Life of
Charles Lamb" ought by all means to have
been included ; it would be easy to add a dozen
other important titles.
In the work as a whole there is a certain
awkwardness of arrangement. Why should
Blake (1757-1827) precede Burns (1759-
1796), and both follow Wordsworth (1770-
1850) and Coleridge (1772-1834) ?
But we must not quarrel with the volume.
The chapters on Burke, Wordsworth, and
Blake, which are not the only significant ones,
would be enough to redeem it from defects far
more serious than any we have noted.
LANE COOPER.
Mr. Stanley Leathes, one of the editors of " The
Cambridge Modern History," has written a " His-
tory of the United Kingdom " on a large scale.
The first volume, which will be issued this spring,
is called " The Making of the People," and covers
the period down to the time of the general applica-
tion of machinery to industry.
EYE-WITNESSES AT THE SHAMBLES.*
Mr. Irvin S. Cobb's "Paths of Glory"
easily deserves first place among recent books
about the war. Mr. Cobb has an unusual
talent for description, and his pages disclose
a character typically American. He saw the
war largely through German eyes and under
German auspices, and he retained throughout
something closely approximating a judicial
poise; certainly there is always the manifest
intention to be just and an almost meticulous
adherence to fact. Nevertheless, the very per-
fection of the machine, the subordination of
the individual to the orders of an admitted
superior, leave a sense of outraged American-
ism behind, as in such an innocent instance as
this:
" The turf was scarred with hoof prints and
strewed with hay; and there was a row of small
trenches in which the Germans had built their fires
to do their cooking. The sod, which had been
removed to make these trenches, was piled in neat
little terraces, ready to be put back; and care
plainly had been taken by the troopers to avoid
damaging the bark on the trunks of the ash and elm
trees.
" There it was — the German system of warfare !
These Germans might carry on their war after the
most scientifically deadly plan the world has ever
known; they might deal out their peculiarly fatal
brand of drumhead justice to all civilians who
crossed their paths bearing arms ; they might burn
and waste for punishment; they might lay on a
captured city and a whipped province a tribute of
foodstuffs and an indemnity of money heavier than
any civilized race has ever demanded of the cowed
and conquered — might do all these things and more
besides — but their common troopers saved the
sods of the greensward for replanting and spared
the boles of the young shade trees ! "
None of the reproduced photographs which
accompanied the serial publication of Mr.
Cobb's narrative have been used in his book,
but there is no need for them, so pictorial are
his words and so interpretative his attitude
toward what he saw. Above all, perhaps, is
the sincere American attitude he preserves
from cover to cover of his interesting volume.
He detested the thought of war before ever
he saw it or its consequences; and when he
was brought face to face with these he abomi-
nated it and the spirit which calls men to
* PATHS OF GLORY. Impressions of War Written at or
near the Front. By Irvin S. Cobb. New York: George H.
Doran Co.
WITH THE ALLIES. By Richard Harding Davis. Illus-
trated. New York: Charles Scribner's Sons.
.FIGHTING IN FLANDERS. By E. Alexander Powell, F.R.G.S.
Illustrated. New York : Charles Scribner's Sons.
PARIS WAR DAYS. Diary of an American. By Charles
Inman Barnard, LL.B. Illustrated. Boston : Little, Brown
& Co.
TOMMY ATKINS AT WAR AS TOLD IN His OWN LETTERS. By
James A. Kilpatrick. New York : McBride, Nast & Co.
Six WEEKS AT THE WAR. By Millicent Duchess of Suther-
land. Chicago: A. C. McClurg & Co.
1915]
THE DIAL
209
slaughter. His hatred for the wickedness of
what he saw and sympathy with those who
suffer from this wickedness has produced a
work of literature, — a profoundly sad criti-
cism of life.
Mr. Richard Harding Davis, like most of
his countrymen, probably admired Germany
but did not like it before he met it in war;
since that time he has had reason for a more
active sentiment of dislike, which he sets forth
in his "With the Allies," recounting his expe-
riences in Belgium from shortly after the
German invasion of that peaceful country un-
til the fall of Antwerp. He fell into the hands
of German officers and for more than a day
was under condemnation to die as a spy, in
spite of his possession of a passport signed by
the American minister, Mr. Brand Whitlock.
His long experience as a war correspondent,
almost always with regular soldiers, had not
prepossessed him with conscript armies to
begin with, and certain unpleasant Prussian
habits, such as threatening civilians with a
drawn revolver, did not change his opinions.
His judgment of the German army is worth
quoting, as follows :
" It is, perhaps, the most efficient organization of
modem times; and its purpose only is death.
Those who cast it loose upon Europe are military-
mad. And they are only a very small part of the
German people. But to preserve their class they
have in their own image created this terrible engine
of destruction. For the present it is their servant.
But, ' though the mills of God grind slowly, yet
they grind exceeding small.' And, like Franken-
stein's monster, this monster, to which they gave
life, may turn and rend them."
At the close of his book Mr. Davis has an inter-
esting discussion about the war correspondent
and the attitude of the European war offices
toward him. It goes to bear out the general
impression in the United States that war is so
essentially stupid that its votaries become in-
capacitated from seeing the rest of life in true
proportion.
The contents of Mr. E. Alexander Powell's
book, "Fighting in Flanders," have all ap-
peared in a number of American daily news-
papers. So rapidly do the events of the war
march, in spite of the stalemate at present,
that the volume fails of interest through no
fault of its own; certainly the events it de-
scribes are of the first consequence. The most
famous passage in it is that relating the inter-
view between Mr. Powell and General von
Boehn, commanding one of the armies of
invasion, in which the American cited to him
specific instances of atrocious conduct on the
part of his soldiers. The German replied :
" Such things are horrible if true. Of course,
our soldiers, like soldiers in all armies, sometimes
get out of hand and do tilings which we would never
tolerate if we knew it. At Louvain, for example, I
sentenced two soldiers to twelve years' penal servi-
tude each for assaulting a woman."
It is in this book that the adventures of Mr.
Donald Thompson, the photographer from
Kansas, are related, and they make an inter-
esting chapter in the study of American na-
tional character. Mr. Powell's observations
are as follows :
" In all the annals of modern war I do not
believe there is a parallel to this little Kansas pho-
tographer halting, with, peremptory hand, an ad-
vancing army and photographing it, regiment by
regiment, and then having a field-gun of the Impe-
rial Guard go into action solely to gratify his
curiosity."
Mr. Thompson 's photographs are used to illus-
trate the book, and bear out the conclusions of
the text, which will probably be accepted as
true by everybody in the world except the
Germans.
The "Paris War Days" of Mr. Charles
Inman Barnard can scarcely be said to be a
book at all, its contents comprising nothing
more than the notes of a newspaper correspon-
dent long resident in Paris, with occasional
conclusions arrived at from his knowledge
of the life there. But the author is none
the less right in holding that even this slender
information will be welcomed by the Ameri-
can public as adding to the general fund of
knowledge which has made our people, except
such of them as refuse to read the American
and English books and papers, by far the best
informed in the world. Among the various
episodes which the German government has
not yet succeeded in explaining away is the
reason given for declaring war, thus:
"August 3 ... Germany officially declared war
upon France at five forty-five this evening. The
notification was made by Baron von Schoen, the
German Ambassador to France, when he called at
the Ministry of Foreign Affairs to ask for his pass-
ports. Baron von Schoen declared that his Govern-
ment had instructed him to inform the Government
of the Republic that French aviators had flown
over Belgium and that other French aviators had
flown over Germany and dropped bombs as far as
Nuremburg. He added that this constituted an act
of aggression and violation of German territory.
M. Viviani listened in silence to Baron von Schoen's
statement, and when the German Ambassador had
finished, replied that it was absolutely false that
French aviators had flown over Belgium and Ger-
many and had dropped bombs."
As a result of a conversation with M. Jules
Cambon on his return to Paris from the
Embassy to Germany, eked out by interviews
with those accompanying him, Mr. Barnard
says:
" M. Cambon drew an important distinction be-
tween German diplomacy and the German military
210
THE DIAL
[ March 18
clique. The former were willing only to go so far
as risking a war, while the latter seized the oppor-
tunity to bring on the war and attack France. The
discussion lasted two or three days, and the mili-
tary caste, receiving the strong personal encourage-
ment and support of Emperor William, became
omnipotent, and from that moment war was in-
evitable. In regard to France, Germany constantly
repeated the formula : ' Put strong pressure upon
Russia, your ally, to prevent her from helping the
Servians ! ' To this France replied : ' Very good,
but you yourself should put strong pressure upon
Austria, your ally, to prevent her from provoking
a catastrophe! " To this Germany rejoined : 'Ah !
But that is not the same thing ! ' Thus it was in
that cercle vicieux that the diplomatic conversation
continued, which, under the circumstances, and
especially owing to the attitude of Emperor Wil-
liam, could end in nothing else but war."
The book is dedicated to Mr. Ogden Mills Reid
in memory of his father, the late Whitelaw
Reid, under whose editorship the author be-
gan his career as a foreign correspondent. It
bears just tribute to the value of the services
of our ambassador, Mr. Myron Herrick.
It was a good idea of Mr. James A. Kilpat-
rick's to embody into permanent form the
numerous narratives of interest that were pub-
lished from time to time in the British and
Irish newspapers and give it the self-explana-
tory title of ' ' Tommy Atkins at War as Told
in His Own Letters. ' ' By dividing the letters
into chapters, ' ' Off to the Front, " ' ' Humor in
the Trenches," "The Intrepid Irish," "The
War in the Air," and so on, to the number of
thirteen, a consecutive series of pictures is
presented, which constitute the most vivid
impressions imaginable. One sups so full of
horrors day by day since the beginning of this
most awful of all wars that strong meat in-
deed is required to jolt the jaded appetite, but
this book will do it. One therefore reads with
entire accord the compiler's statement that
"In spite of the hatreds this war has engen-
dered there is still room for passages of fine
sympathy and chivalry. ' ' He goes on to say :
" One young French lieutenant distinguished
himself by carrying a wounded Uhlan to a place of
safety under heavy German fire, English soldiers
have shown equal generosity and kindness to in-
jured captives, and the tributes to heroic and
patient nurses shine forth in letters of gold upon
the dark pages of this tragic history."
Even more welcome, perhaps, because it finds
a partial excuse for an oft-repeated tale of
violations of the laws of war by the enemy is
contained in the following paragraph :
" Stories of German treachery are abundant, and
official reports have dealt with such shameful prac-
tices as driving prisoners and refugees in front of
them when attacking, abusing the protection of the
White Flag, and wearing Red Cross brassards in
action. The men have their own stories to tell. An
Irish Guardsman records a white flag incident dur-
ing the fighting on the Aisne : ' Coldstreamers,
Connaughts, Grenadiers, and Irish Guards were all
in this affair, and the fight was going on well. Sud-
denly the Germans in front of us raised the White
Flag, and we ceased firing and went up to take our
prisoners. The moment we got into the open, fierce
fire from concealed artillery was turned on us, and
the surrendered Germans picked up their rifles and
pelted us with their fire. It was horrible. They
trapped us completely, and very few escaped.'
The German defense of these white flag incidents
was given to Trooper G. Douglas by a prisoner who
declared that the men were quite innocent of inten-
tion to deceive, but that whenever their officers saw
the White Flag they hauled it down, and compelled
them to fight."
In some senses the most interesting of all
these books is the one that deals least with
actual fighting, relating the adventures of
Millicent Duchess of Sutherland during "Six
Weeks at the War." The Duchess left En-
gland on August 8 to join a branch of the
French Red Cross, and, after seeing what
could be done that would be useful, sent back
to her home and procured a surgeon and
eight trained nurses and the funds needed for
the "Millicent Sutherland Ambulance," to be
stationed at Namur and eventually to find
their duties at the convent of the Sisters of
Notre-Dame there. The German occupation
forced the English party to return about the
seventh of September, and they did their best
to get into France, there to continue their
work of mercy. But it was found impossible,
and they returned to Brussels and through
the efforts of the American Legation soon
reached Holland, taking ship for England on
September 18. So remote from any custom-
ary experience were the adventures of the
Duchess and so far removed from the sanity
and common sense of every-day living was the
treatment accorded her by those she met that
the rational mind finds almost as much sheer
nonsense in her calm and entertaining recital
of events as in "Alice in Wonderland." The
English mind and the German never seemed
quite to meet, and as the results never went
further than to cause inconveniences sensibly
borne, there is an element of true humor in the
narrative. When, for example, the Duchess
reached Brussels on her way home, she found
herself a prisoner in her hotel with guards
stationed at her door. She sent a note to the
American Minister, Mr. Brand Whitloek. and
what follows is best told by herself :
" He most kindly came, but at my door the sen-
tries refused to let him in. He told me afterward
that he went to the Kommandantur and ' raised
! ' The result was very successful. An offi-
cer came round with him, cursed the sentries — as
1915]
THE DIAL
211
if it was their fault — and they were removed.
The American Minister, Mr. Brand Whitlock, is a
very agreeable man. He had been appointed by
President Wilson as Minister to Brussels for a rest
cure! . . . Unfortunately for him destiny has
checkmated his rest cure, but I am quite sure that
this man of peace was in a great many ways check-
mating the Germans."
It is to be said that, though the Duchess is in
no sense of the word a professional writer,
she has so fully developed the faculty often
found in women of the world of saying what
she thinks and conveying in words how she
feels that many a trained writer would give an
eye for it. WALLACE RICE.
RECENT FICTION.*
A surprisingly good novel by Mr. Ernest
Poole (a new writer, as far as we are in-
formed) , is entitled ' ' The Harbor. ' ' It offers
an epitome of American life at the present
time, taking the harbor of New York as a
symbol. Dante's famous description of the
Sacred Poem might be taken as Mr. Poole 's
text. ''The meaning of this work is not sim-
ple, but rather can be said to be of many sig-
nifications, that is, of several meanings; for
there is one meaning that is derived from the
letter, and another that is derived from the
things indicated by the letter. The first is
called literal, but the second allegorical or
mystical. ' ' The author himself puts the mat-
ter more bluntly when he makes his hero say,
near the end of the book : "I have seen three
harbors: my father's harbor which is now
dead, Dillon's harbor of big companies which
is very much alive, and Joe Kramer's harbor
which is struggling to be born. It's an inter-
esting age to live in. I should like to write the
truth as I see it about each kind of harbor."
Of the first two harbors we should say that
Mr. Poole had written the truth ; of the third,
we are far from certain. The transition which
has taken place, within a generation, from the
age of competitive individual enterprise to the
age of organized efficiency, is clearly set before
us. The teller of the story, which is auto-
biographical in form, is the son of an old ship-
master and dock-owner, whose prime has seen
the great age of American shipping, and who,
in his declining years, has watched its disap-
pearance from the seas, and felt what seem to
be the foundations of life crumble beneath his
feet. As the boy grows up. he comes under the
* THE HARBOR. By Ernest Poole. New York : The Mac-
millan Co.
THE SWORD OF YOUTH. By James Lane Allen. New York :
The Century Co.
THE MAN OF IRON. By "Richard Dehan." New York:
Frederick A. Stokes Co.
spell of Dillon, an engineer whose daughter he
marries, and who has a splendid vision of the
city beautiful, based upon a glorified harbor
and the most enlightened organization of its
ancillary industries. To the boy, the harbor
has seemed repellantly ugly, but to the young
man, learning to know it intimately, and
studying its various aspects under the enthusi-
astic guidance of his chief (and father-in-law)
it grows to be a thing of awful beauty with
amazing possibilities for the redemption of
social life. But working all the time counter
to Dillon's influence is the influence of Joe
Kramer, a college friend, a modern of the
moderns, who scorns their college teaching as
"news from the graveyard," and develops
into a wild-eyed socialist, bent only upon the
upsetting of the comfortable order of society,
and seeing in the harbor only a vast capital-
istic engine for the crushing of human lives.
There is nothing constructive about Kramer's
ideals, but only a fierce conviction that any-
thing would be better than the existing state
of affairs, and an absolute inability to partici-
pate in Dillon's vision of social amelioration
through enhanced efficiency and the applica-
tion of directive intelligence to industrial
affairs. The hero, whose part in the drama is
that of a professional writer for newspapers
and magazines, gradually finds doubts creep-
ing into his mind, and becomes more and more
swayed by sympathy with Kramer's material-
istic aims and aspirations. To our mind there
is no doubt as to the ascendancy and ultimate
triumph of Dillon 's ideals, because they mean
the victory of intellectualism over emotional-
ism in human affairs, and it is something of a
disappointment that the hero should come to
waver between the two views. When we take
leave of him, he is struggling with a confused
sense that there is something big and unappre-
hended in the cause of which Kramer has been
the protagonist, and for which, as the ring-
leader of a riot of striking dockers, he has very
nearly forfeited his life to the law. The char-
acterization in the novel is fine, although the
two women (the hero's wife and sister) do not
quite take hold of our sympathies as we wish
they might ; but the hero, his father, and the
two men who most influence him, are genuine
creations. In style and temper, this book re-
minds us strongly of the two novels of Mr.
Albert Edwards, to say nothing of its being
concerned with the same sort of subject-
matter.
Turning from this vivid piece of modern
realism to Mr. James Lane Allen's "The
Sword of Youth," we are plunged into the
very different atmosphere of sentimental ro-
mance, tinged with psychological subtlety, and
212
THE DIAL
[ March 18
delighting in word-painting for its own sake.
The story is of the slightest, but, considering
the nature of some of Mr. Allen's recent per-
formances, we may be glad that the book he
now gives us has any story at all. Here is an
episode of the Civil War, the story of a Ken-
tucky boy who, on his seventeenth birthday,
determines to join the Confederate cause for
which his father and four brothers have al-
ready sacrificed their lives. To do this, he
must forsake his sweetheart, and leave his
mother to struggle alone with the difficulties
of an impoverished farm. Two years then
elapse, and the boy, now a veteran soldier, is
with the Army of Northern Virginia, the for-
lorn last hope of the Confederacy, on the eve
of the fall of Kichmond and the end of all
things. A letter gets through to him with the
information that his mother is dying, and an
appeal to come to her before it is too late. He
at once deserts, and reaches his Kentucky
home only to find that it is too late. Then he
goes back to Lee's camp, makes his confession,
and is pardoned. The end of the tale leaves
him in the arms of his betrothed. This is all
of the story ; it is eked out to novelistic volume
by what we should call padding were it not
the writing of so artistic a stylist and sugges-
tive an intelligence as those of Mr. Allen. A
minor but irritating inaccuracy is the spelling
11 Clarke" for the name of the explorer; a
more serious lapse is the implication that
slavery no longer existed in Kentucky in the
autumn of 1863. Of course, the Declaration
had no application to the slave states that re-
mained in the Union, and it was not until the
adoption of the Thirteenth Amendment that
the Kentucky slaves were legally emancipated.
Miss Clothilde Graves, who writes under the
pen-name of "Richard Dehan," has added to
"The Dop Doctor" and "Between Two
Thieves," a third novel of similar dimensions.
"The Man of Iron," with Bismarck for its
central figure, treats of the Franco-Prussian
War with the methods employed by "Between
Two Thieves" for the Crimean War. The
book has taken over two years to write (as well
it might!), according to the preface, which
thus magniloquently states this simple fact:
"For the second time, since this book's begin-
ning, the rose of June had flamed into splen-
did bloom. I drew breath, for my task
approached its ending, and looked up from the
yellowed newspaper records of a great War
waged forty-four years ago." What she saw
the world knows only too well. But, beholding
it, she further says :
" I see no cause to blot. a line that I have written.
For the Germany of 1870 was not the Germany
of 1914. The New Spirit of Teutonism had not
shown itself in those dead days I have tried to
testify. . . . Could the relentless exponent of
the fierce gospel of blood and iron have foreseen
the imminent, approaching disintegration of his
colossal life-work, under the hands of his suc-
cessors — could he have known what Dead Sea
fruit of ashes and bitterness his fatal creed,
grafted upon the oak of Germany, was fated to
bring forth — he would have drunk ere death of
the crimson lees of the Cup of Judgment; he
would have seen in the shape of his pupil the gro-
tesque, distorted image of himself."
Both this prophecy and this psychological
judgment are probably true; and, although
the author claims to have blotted no line of
her story in the light of recent happenings,
we may venture to assert that the last words
of the heroine to the Iron Chancellor have
been penned since the fatal first of August
of last year.
" You are not a good man, Monseigneur . . .
Hard, subtle, arrogant, cruel, and unscrupulous,
God made you to be the Fate of France. One day
she will lift up her face from the mire into which
you have trodden it, and the star will be burning
unquenched upon her forehead. We may both he
dead before that day dawns. But rest assured
that when your armies cross the Rhine they will
not gain an easy victory! We shall be prepared
and ready, Monseigneur, when the Germans come
again !"
These words come at the very close, when the
heroine, after having cherished the ambition
to become a second Charlotte Corday, has
heeded the scriptural injunction — "Ven-
geance is mine; I will repay" —and has been
stirred by compassion to save Bismarck's life
instead of destroying it, takes her leave of the
sinister Man of Iron. The heroine is a French
girl, noble and pure-souled, the daughter of a
French officer slain on the battle-field, and of
a wicked mother, who has trafficked in both
personal and patriotic honor, and who has
even sought to drag her own child into the
maelstrom of corruption. The mother has just
met a richly-merited fate, and the daughter is
on the way to England with the young Irish
journalist who has been her faithful lover
from the time when he first saw her, and to
whom she has given her heart in gladness.
This Irishman, P. C. Breagh by name, is the
hero of the story on its private and romantic
side, and plays his part acceptably to the
reader, if not much more than that. He is a
free-lance war correspondent, driven into that
calling by the accident of having been swin-
dled out of his inheritance by a rascally trus-
tee. To make smooth his future, we are given
to understand that the inheritance is eventu-
ally to be recovered. On the historical side,
the novel gives us vital characterizations of
Bismarck and Moltke, of the pathetic Prince
1915]
THE DIAL
213
Imperial and of his tinsel emperor-father con-
cerning whom these burning words are writ-
ten : ' ' He had made France his mistress and
his slave, and now her fetters were to be
hacked apart by the merciless sword of the
invader. Through losses, privations, and hu-
miliations; through an ordeal of suffering
unparalleled in the world's history, through
an orgy of vice and an era of infidelity,
through fresh oceans of blood shed from the
veins of her bravest, she was to pass before she
found herself and God again." This concep-
tion of the Terrible Year as a divine judgment
upon a beloved but sinning nation is the key-
note of the work, which is infused throughout
(we need hardly say) by the deepest of relig-
ious feeling. Its war pictures are vivid tran-
scripts of reality, its human figures have the
stamp of life upon them, and its decorative
features are the embodiment of minute and
comprehensive knowledge. It is all over-
wrought, and this lack of restraint in both
style and feeling is its chief defect. We think
it somewhat less impressive than "Between
Two Thieves," but we would not willingly
have missed reading it.
WILLIAM MORTON PAYNE.
BRIEFS ON NEW BOOKS.
The test tube, the analytical
Mysteries of balanop thp spalnpl nnrl tVip
the living world. Uct.l£tJ ce> cupel, dm
microscope have marvellously
enhanced man's knowledge of, and his mas-
tery over, the forces of nature, enlarged his
understanding of his own structure and func-
tions, and filled his quiver with new weapons
against foes seen and unseen. Nature is no
longer a sealed book, and superstitious fear
of her has forever been banished by men. In-
deed, he scans the creeping caterpillar and
turns it at will by his knowledge of its reac-
tions to stimuli, and straightway proclaims
mechanism as the all-sufficient and complete
explanation of the mystery of life. Those who
find the mechanistic conception of life satisfy-
ing, as well as those who question the adequacy
of its foundations and conclusions, will find in
Professor J. Arthur Thomson's "The Wonder
of Life" (Holt) much food for rumination.
It is a series of glimpses into the structures,
functions, activities, habits, and instincts
which characterize living things, and distin-
guish them from the non-living world which
does not trade with time and transmit its gains
to its descendants. This is admirably shown
hy the marvellous story of the fresh-water eel
which migrates from the Vistula to the deep
«ea off Ireland for the purpose of spawning,
and by the unique transformation of its trans-
parent ribbon-like larvae into the still smaller
black elvers which make their way back by
some secret homing instinct from the open sea
to the streams and lakes of the centre of the
continent. To the mechanist this is no more
than the intricate unravelment of chemical
reaction, provided only he endows the fleeting
and ever-changing molecules of the eel, as they
come into and then forever leave its changing
body, with all the fundamental properties that
the race of eels have accumulated in the ages
of their long evolution. Professor Thomson
is a Neo-vitalist of an undogmatic sort, and he
has set forth an inviting array of problems for
his many materialistic confreres to consider.
Anything from his pen is sure to be interest-
ing, to be marked by lucidity, by a spirit of
candor, and by a clearly defined progress to
definite conclusions, or at least to a clear state-
ment of the problem. Although deeply im-
bued with the philosophic significance of the
fact related, the work is not written in the
philosophic tone nor does it employ the phil-
osophic vocabulary. It is a charming series of
natural history word pictures, painted for the
most part in newly explored lands, and
sketched with a trained hand. These countless
illustrations of life's wonders are grouped
about seven main themes: the drama of life
with its primal impulses of hunger and love;
the haunts of life, or the story of exploitation
of the earth to its remotest nooks and corners ;
the insurgence of life, or the circumvention of
space and the conquest of time by produc-
tivity, by adaptation to difficult conditions, by
tenacity and plasticity, and by the mysterious
instinct of migration that guides the inexpe-
rienced fledgling across trackless wastes of
land and sea. Behavior of animals, or the
ways of life, are illustrated by the complex
instincts of birds and insects, and the web of
life by the intricate interrelations of flowers
and insects, of parasites and their hosts, by
the story of pearls, and by the complex adapta-
tions of the cuckoo, who foists her domestic
cares upon other birds. The cycle of life is
illustrated by the various types of develop-
ment under normal and experimental condi-
tions, and includes a discussion of parental
instincts, and of death. The closing chapter,
on the wonder of life, is one of unusual inter-
est which sums up and elaborates the distin-
guishing characteristics of organisms. It
ranges over a great variety of topics, from
anaphallaxis and chemical individuality to
sleep and phosphorescence, protective colora-
tion, mimicry, and transmission of acquired
characters, and closes with an illuminating, if
not wholly conclusive, discussion of vitalism
as opposed to mechanism.
214
THE DIAL
March 18
This is an elementary book,
The atom of ,, Tr T> \J • ±L
the French says Mr. H. P. Adams in the
preface to his brief sketch of the
French Revolution (McClurg). " It aims,
above all, at making the story clear. Its other
purpose, no less important, is to indicate the
present state of the chief problems associated
with the great Revolution." A book which
should really do what Mr. Adams aims to do,
within the space which he has allowed him-
self, would be a notable event; it would be
such a book as might be written by a man
possessed of the learning of Aulard, the in-
sight of Carlyle, and the constructive and
literary talent of, let us say, Mignet. In lieu
of first-hand knowledge, Mr. Adams has read
"Acton, Sorel, Aulard, Kropotkin, Belloc, and
the writers of the Cambridge Modern His-
tory." These are all very well in their \vay,
but they are so little agreed in their concep-
tions of the Revolution that however intelli-
gently one may read them (and Mr. Adams
appears to have read them attentively enough)
a sketch of the subject "based mainly" on
them is almost sure to lack precisely that merit
which Mr. Adams seeks to attain, namely,
clearness. Certainly one must have not only a
pretty good first-hand knowledge of the Revo-
lution, but a considerable appreciation of the
influences that have given us such varied inter-
pretations of it, before it is possible to recon-
cile Aulard, Kropotkin, and the "writers of
the Cambridge Modern History." To two
parts of Kropotkin, Mr. Adams has apparently
added one part of Aulard and one of what col-
lege students know best as ' ' Mr. Cambridge. ' '
The mixture has been well stirred, and spiced
with certain generalizations of the author's
own brewing. But the trouble is that the
ingredients do not combine, and the result is
far from clear. Fortunately, it is no crime to
write an unsatisfactory book about the French
Revolution ; and if ' ' the readers for whom
[the book] is intended" are such as like to
read about the Revolution without going be-
yond text books and brief manuals, they will
find here, as the author expresses a hope that
they may, "something essentially differing
from what they can get from the excellent
hand books of similar size that exist. ' '
The late John Hays Gardiner's
Jdement v°lume on Harvard in the
"American Colleges and Uni-
versities Series" (Oxford Press) is not a con-
ventional history ; it is an impressive account
of the institution that was practically created
by President Eliot during the forty years of
his administration. Some of the items that
stick in memory after the book has been read
are: Germany's major part in the develop-
ment of Harvard, the way the college attends
to the intimate needs of its students, the illus-
trious names that have been connected with it,
and the inimitableness of its collections.
There could not be a more inspiring chapter
in American education than the one in this
book treating the origin, development, and
present status of Harvard's libraries. And
the story of the other collections (including
that of the glass flowers) does not lag in sug-
gestiveness. It is good for the soul to read of
the equipment for research with which Har-
vard is endowed. The social life of the stu-
dents, as it revolves around athletics and
clubs, is set forth in a most enlightening way.
There is nothing apologetic or patronizing in
this connection ; the physical activities seem
to prevent dyspepsia and the social ones offish-
ness, so that all are pleased. The fact that
from one-half to two-thirds of the students
work their way, partly at least, through Har-
vard is viewed optimistically. Could not the
impecunious do a little far-sighted borrow-
ing while in college? The time is at most
short, and during this brief space Sauls are
supposed to be metamorphosed into Pauls.
But students have a way the country over of
answering this and similar questions to their
own apparent satisfaction, — and it is their
affair. If the author of this book thinks that
students at Harvard act wisely, the reader is
almost forced to agree, for he sees that Har-
vard did well by him. The volume was writ-
ten with care and love. It contains a great
mass of detailed information presented in the
orthodox Harvard tone: dignified, measured,
truth-bearing, unhumorous. Arranged as the
chapters are, there is an occasional repetition ;
the traditional Harvard use of the fine-tooth
comb as a searching instrument occurs (it
reminds one too much of Murillo) ; and there
is at least one slip : on page 19 Harvard Hall
is said to have burned down on February 2,
1764, while on page 237 the same disaster is
reported to have taken place on January 24,
1764. But these are trivialities which the
author would indubitably have attended to
had he lived to revise his manuscript. All in
all, this is at once an inspiring and an instruc-
tive account of the way in which America's
best-known university makes men out of boys
and scholars out of men.
„
Essays and
addresses of a
famous surgeon.
The name of the late Dr. Roswell
. ,
Park, of Buffalo, became widely
^Q^ f<) fne general publie at
the time of President McKinley's assassination
at the Pan-American Exposition. Holding the
office of Medical Director of the Exposition,
1915]
THE DIAL
215
and being also Professor of Surgery in the
University of Buffalo and Surgeon-in- Chief to
the Buffalo General Hospital, as well as an
acknowledged leader in his profession, he was
naturally called upon to minister to the dis-
tinguished visitor. His absence from the city,
however, made it necessary that another hand
should perform the immediate operation de-
manded by the exigencies of the case. His
subsequent endeavors to save the patient's life
and his disappointment and distress at failure
are matters of history. It is to his pen that we
owe the " Selected Papers, Surgical and Scien-
tific," chosen for publication by two of his
colleagues, and issued to subscribers. One of
these colleagues, Dr. Charles G. Stockton, has
prepared a memoir of Dr. Park, with which
the volume opens, and the surgeon 's son Julian
contributes a brief preface and otherwise coop-
erates in the editorship of the volume. From
papers on cancer, a subject of special study, to
an inquiry into the ultimate substance or
force composing the universe, the writer
shows a wide range of interests and attain-
ments; and the clearness and simplicity with
which, even to a layman, he succeeds in con-
veying his meaning render his writings attrac-
tive beyond the circle of those to whom most of
them are primarily addressed. The picture of
the man himself, in Dr. Stockton's memoir,
is by no means the least interesting feature of
the volume. A portrait of a more literal sort
than this literary one faces the title-page.
England in
the later
Middle Ages.
Macaulay found but one fault in
his favorite Thucydides, — a too
close adherence to narrative.
Since Macaulay 's day experiments in histori-
cal writing have been tried in which the con-
secutive statement of particular events has
been broken for purposes of exposition, or
philosophy, or what not. For the serious stu-
dent of history such an excursus, breaking the
narrative, is less enlightening than might be
expected. "England in the Later Middle
Ages," by Professor Kenneth H. Vickers, of
the University of Durham, has been criticized
as lacking in such "philosophical" passages.
From this criticism we dissent; there was a
noticeable need of a book covering the period
from 1272 to 1485 in narrative form, and ad-
hering as closely as possible to the sources.
Such a book the third volume of "A History
of England" (Putnam) in seven volumes un-
der the general editorship of Professor Oman
turns out to be. Sources only recently avail-
able are referred to constantly. It is no easy
matter to satisfy the specialist and the gen-
eral reader in the treatment of these two cen-
turies; in the adoption of his style Professor
Vickers has had the specialist as well as the
reader in mind. Certainly the decorations of
history, dramatic and picturesque details, he
has employed with economy. One may read
well into the narrative of Agincourt without
realizing it; but one is bound to admit that
the casual account is probably better history
than eloquence or dramatic writing after the
event. Nil admirari and personal detachment
mark the book; and if few will sit down to
read the work through, leisure permitting,
others will find themselves coming back to it
for what is, on the whole, the best narrative of
the period yet put together from confused and
often contradictory masses of record. Par-
ticularly to be commended are the maps of
campaigns at the end of the volume.
America's
foremost
art museum.
In form and appearance befit-
ting its subject, "A History of
the Metropolitan Museum of
Art" (Duffield), by Miss Winifred E. Howe,
presents in considerable detail, and with a
preliminary chapter on the early art institu-
tions of New York, a chronological account of
the now splendid collection started nearly half
a century ago through the activity of a group
of New York art-lovers, notably enriched some
decades later by the discriminating generosity
of the late J. Pierpont Morgan, fourth presi-
dent of the Museum and most zealous and
intelligent promoter of its fortunes, and, since
1910, under the able directorship of Mr.
Edward Robinson, in succession to Sir Caspar
Purdon Clarke. A preface of more than a
perfunctory character is contributed by Mr.
Robert W. De Forest, who for more than a
quarter of a century has been a trustee of the
Museum and has served it in various capaci-
ties. The preliminary account of the city's
early institutions of art is a notable contribu-
tion to local history, filling a third of the
volume. Prepared before the publication of
the recent biography of Samuel F. B. Morse,
first president of the National Academy of
Design and otherwise prominent in New
York's early endeavors to become an art
centre, the chapter could not avail itself of the
considerable relevant material that excellent
biography contains; but it appears to be a
thorough and trustworthy piece of work
within the limits of its design. Many por-
traits and other illustrations suitably enrich
the volume.
war and ^n "War an<^ Insurance" (Mac-
thTiwurance millan) , Professor Josiah Royce
.has applied his pet theory of
dyadic and triadic relations to international
affairs. The dyadic relations of man to man he
considers unstable and fraught with danger:
216
THE DIAL
[March 18
"A pair of men is what I may call an essen-
tially dangerous community. " He sp eaks of it
as a law that this dual relation produces fric-
tion, and that this friction tends to increase;
and goes on to say that the deepest reason why
war is so persistent is that nations, thus far in
history, are related chiefly in pairs. This would
be altered by triads, which, like the normal
family — father, mother, and child, — consist
of a group of three parties. In the family
triad, the winning and common care for the
child may charm away many of the influences
that threaten to wreck the unity of the home.
Similarly in any triadic group the interme-
diary, corresponding to the child in the fam-
ily, transforms the dangerous pair into a
harmonious triad, and gives stability and
peace. Such a group of three Professor
Royce calls a ' ' community of interpretation. ' '
Besides the family we have such communities
of interpretation in the judicial triad (com-
plainant, defendant, judge) , the banking triad
(investor, borrower, banker), and the insur-
ance triad (adventurer, beneficiary, insurer).
Of all relations and practical communities yet
devised, the insurance relations and communi-
ties most tend to bring peace on earth. No
adequate effort has been made to further
peace through an application of the insurer's
community to international business. This
Professor Royce advocates, and he believes,
notwithstanding the difficulties discussed in
his introduction, that the proposal is practical.
A mediaeval
story in
modern dress.
How well French scholarship
. , , . .*"
might teach America to unite
^ pQwer Q£ learning with the
forces of daily life has often enough been
shown; yet seldom more clearly than when
M. Joseph Bedier, now foremost among au-
thorities on the mediaeval romances, con-
structed from several versions a story of
Tristan and Iseult which is essentially faithful
to tradition, and yet suited to the demands of
modern taste, and to the likings of the modern
reader. Le Roman de Tristan et Iseut, as
adapted by this eminent scholar, having been
crowned by the French Academy, has since
attracted the services of skilful translators, —
one of them Mr. Hilaire Belloc, whose version
is published in this country by Messrs. Dodd,
Mead & Co. The English translation has in
some quarters been even more highly praised
in point of style than M. Bedier 's adaptation,
though his skill in French is great. If the
praise be too high, it nevertheless serves as a
vigorous recommendation of a fascinating
book. May the volume come into the hands
of everyone who knows the tale of Tristan
only through the medium of Wagner !
In ' ' The English Parish
iaeval church Church" (Scribner) Mr. J.
Charles Cox has written, out of
fulness of knowledge, an admirable brief
manual for the amateur. It is, as the sub-
title proclaims, "an account of the chief
building types and their materials during nine
centuries," broadly considering the church
fabric as a whole rather than individual
forms of detail. It is in this respect that it
contrasts with the more minute treatments of
Mr. Bond, whereas it supplements Mr. Cram's
portfolio of views through its enlightening
text. Especially vital is the chapter on the
gradual growth of church plans. The illus-
trations, though small, are many and unhack-
neyed, selected with a knowledge of the
buildings and of the literature which is aston-
ishingly wide. It is the parish church rather
than the cathedral which is the flower of En-
glish mediaeval church architecture. To the
tourist and the student this little volume will
prove an excellent guide.
BRIEFER MENTION.
The "Useful Reference Series" published by
the Boston Book Company has two unquestionably
useful recent additions in Mr. Axel Moth's
" Glossary of Library Terms : English, Danish,
Dutch, French, German, Italian, Spanish, Swed-
ish," and Miss Katharine H. Wead's "List of
Series and Sequels for Juvenile Readers." These
are in pamphlet form and constitute numbers ten
and eleven, respectively, of the series.
Technicalities remote and obscure, slang expres-
sions, archaic terms, and unusual phrases of all
sorts are contained in the index to Mr. Ralph
Durand's "Handbook to the Poetry of Rudyard
Kipling" (Doubleday). The index alone should
convince anyone that a Kipling handbook satisfies
a real need. The book itself further justifies the
assumption. It is more than a mere glossary of
terms: it is brimful of information about the
unheard-of things with which Mr. Kipling whets
the curiosity of his readers — just the information,
in fact, that every Kipling enthusiast wants.
The well-known Stedman-Woodberry edition of
the Works of Edgar Allan Poe, first published in
1895 in ten volumes, is now re-issued by Messrs.
Scribner in their "Library of Modern Authors."
It has been reset in larger type and printed from
new plates on paper bearing the author's initials
in water-mark ; the bibliography has been brought
down to date, the matter pertaining to the por-
traits rearranged, and the text, re-examined by
Professor Woodberry, has been revised in the few
immaterial points where it has been found wanting.
The scholarly critical notes, subjected to the same
careful re-examination, have been retained. Ex-
cellent in every detail of book manufacture, this
becomes without question the definitive edition of
Poe.
1915]
THE DIAL
217
NOTES.
A volume of " Cornish Plays " by Mrs. Havelock
Ellis will be published next month by Messrs.
Houghton Mifflin Co.
Maxim Gorky is writing the recollections of his
early years, which will appear in the spring under
the title of " My Childhood."
" The Limitations of Science," by Professor
Louis T. More, is a volume which Messrs. Henry
Holt & Co. expect to issue in May.
" Songs from the Clay " is the title of a new
volume of poems by Mr. James Stephens, which
Messrs. Macmillan will soon publish.
The scenes of Mr. Joseph Conrad's forthcoming
novel " Victory " are laid on an island in the South-
ern Pacific, and much of its action is on the sea.
A new African book, " The Rediscovered Coun-
try," by Mr. Stewart Edward White is promised
for spring publication by Messrs. Doubleday, Page
& Co.
A volume by Professor H. Walker on " The
English Essay and Essayists " will soon be added to
Messrs. Button's " Channels of English Literature "
series.
Baron Paul Benjamin B'Estournelles de Con-
stant, the well-known pacificist, has written a book
entitled "America and Her Problems," which the
Macmillan Co. will publish this spring.
" The Second Odd Number " is a book of stories
translated from the Trench of Guy de Maupassant
by Mr. Charles Henry White which Messrs. Har-
per are adding to their " Odd Number Series."
In " New Cosmopolis," which will be published
before long by Messrs. Scribner, Mr. James Hune-
ker gives intimate accounts of the fundamental
features of New York as seen by artist and critic.
In "James Russell Lowell as a Critic," which
Messrs. Putnam will publish immediately, Mr.
Joseph J. Reilly raises the question whether or not
Lowell can be called a critic and answers it in the
negative.
Augustus Be Morgan's " Budget of Paradoxes "
has been edited and revised by Mr. Bavid Eugene
Smith and is announced for spring publication in
two large octavo volumes by the Open Court Pub-
lishing Co.
Among the March novels announced by Messrs.
Scribner are Mr. Maurice Hewlett's "A Lover's
Tale," Mr. Gouverneur Morris's " The Seven Bar-
lings," and "August First," by Mrs. Mary Ray-
mond Shipman Andrews and Mr. Roy Irving
Murray.
Buring the spring two new volumes will be added
to the " National Social Science Series," which
Messrs. A. C. McClurg & Co. are publishing. They
are " The Cost of Living," by Mr. Walter E. Clark,
and " Trusts and Competition," by Mr. John F.
Crowell.
Br. William Healy Ball has prepared a biog-
raphy of one of America's most prominent nat-
uralists, Spencer Fullerton Baird, which will also
contain selections from his correspondence with
Audubon, Agassiz, Bana, and others. Messrs. J. B.
Lippincott Co. are the publishers.
When M. Berger's Life of William Blake ap-
peared in France several years ago, Swinburne
hastened to acclaim it as the " last word " on the
poet and mystic. The work has now been trans-
lated into English and will be published this
month by Messrs. E. P. Button & Co.
Professor Joseph Jastrow's studies in experi-
mental and comparative psychology, embodying his
findings on the development of the individual and
social nature, will appear this spring under the
title of " Character and Temperament," with the
imprint of Messrs. B. Appleton & Co.
" Hellenic Civilization," by Br. G. W. Botsford
and Br. E. G. Sihler, is the first volume of a new
series of sources and studies covering the entire
history of western civilization. The series will be
entitled " Records of Civilization," and will be
issued by the Columbia University Press.
In " The Modern Study of Literature," which
will come from the University of Chicago Press,
the author, Br. Richard Green Moulton, offers an
introduction to literary theory and interpretation,
aiming to show how literature may maintain its
place in the foremost ranks of modern study.
Buring the spring two volumes of plays will be
added to Mr. Mitchell Kennerley's " Modern
Brama Series." They are " The Lonely Way :
Interlude: Countess Mizzi," from the German of
Arthur Schnitzler, and " Lovers : The Free
Woman: They," from the French of Maurice
Bonnay.
An English version is soon to be published of
one of Maeterlinck's earlier and less familiar
works, " Serres Chaudes." The poems have been
translated in their original metres by Mr. Bernard
Miall, who has also contributed a preface on their
place in contemporary letters in Maeterlinck's own
literary career.
Mr. Arnold Bennett is at work on the com-
pleting volume of the trilogy which he began in
1910 with " Clayhanger," and continued in 1911
with " Hilda Lessways " ; and he hopes to publish
it next autumn. Meantime his English publishers
are bringing out a new edition of his romance of
the divorce problem, " Whom God Hath Joined " —
originally published in 1906.
The publishing business of Messrs. Browne &
Howell Co., Chicago, has been taken over by Mr.
Frank L. Howell, long associated with the old com-
pany, and will be conducted under the name of The
Howell Co. (not inc.), with general offices at 608
South Bearborn St., Chicago. It will be the aim of
the new company to maintain the high standard of
publishing set by the older concern. New publica-
tions for the spring will shortly be announced.
Two books of special interest to come from the
Oxford University Press are " Mark Rutherford's "
"Last Pages from a Journal," which has been
prepared for the press by Mrs. Hale White, and
the late Mr. W. P. Courtney's " Bibliography of
Samuel Johnson." Mr. Courtney spent an im-
mense amount of labor on this task, which he did
not live to finish, but his manuscript has had the
benefit of revision at the hands of Mr. B. Nicol
Smith.
218
THE DIAL
[ March 18
" Writers of the Day " is a new series announced
by Messrs. Henry Holt & Co. the aim of which is
to present brief yet comprehensive estimates of au-
thors while they are yet alive. To the first group
of titles now in preparation belong Mr. J. D.
Beresford's " H. G. Wells," Mr. Hugh Walpole's
" Joseph Conrad," Mr. W. L. George's "Anatole
France," Miss Sheila Kaye-Smith's " John Gals-
worthy," and Mr. Stephen Gwynn's " Mrs.
Humphry Ward."
The forthcoming translation of Treitschke's
" History of Germany in the Nineteenth Century "
recently announced in these columns is the joint
undertaking of Messrs. McBride, Nast & Co. of
New York and Messrs. Jarrold & Sons of London.
The translator is Dr. M. E. Paul, and the editor
is Mr. William H. Dawson, author of " The Evo-
lution of Modern Germany." Mr. Dawson will
write the supplementary volume of the series,
which is to be issued in seven volumes.
The posthumous book by the late Sister Nivedita,
which Messrs. Longmans will have ready imme-
diately under the title of " Footfalls of Indian His-
tory," deals with the re-interpretation of the great
ages of the past of India, especially in relation to
the social and religious consciousness of the people.
It will be illustrated in color from water-colors
by Abanindra Nath Tagore, and two other members
of the School of Indian Painters which has grown
up under his inspiration at Calcutta.
Russian literature figures prominently in the
spring announcements of English publishers. We
note in particular a new edition of Gogol's " Dead
Souls," with a preface by Mr. Stephen Graham.
Another of the great Russian realist novels, " The
Golovleffs," by Shchedrin (Saltikov), is to appear
for the first time in an English translation. Other
announcements include a translation by J. E.
Hogarth of Andreiev's play, " The Life of Man,"
which enjoyed a long run at the Arts Theatre in
Moscow.
The next batch of volumes to appear in Messrs.
Holt's " Home University Library " will comprise
a study of Milton, by Mr. John Bailey, whose
" Johnson and his Circle " is already among the
most successful volumes in the library ; a " History
of Philosophy," by Mr. Clement C. J. Webb;
" Political Thought in England, from Herbert
Spencer to the Present Day," by Mr. Ernest
Barker; and "Belgium," by Mr. R. C. K. Ensor,
who deals with his subject both from the historical
and the descriptive standpoint, with maps illus-
trating past and present campaigns.
Short and carefully-considered lists of note-
worthy books in various departments of literature
are compiled and issued at short intervals by the
New York Public Library, the works named being
selected from its own resources. For instance,
there have lately appeared little paper book bibli-
ographies of " Stories of Romance and Imagina-
tion," "Stories of the Sea" (romance and fact),
" Plays of Thirteen Countries." " Favorite Stories
of the Library Reading Clubs," and, finally, of
books dealing mostly with real life, but " as inter-
esting as a novel," which much-used phrase is
utilized as title.
"A History of Travel in America," by Mr.
Seymour Dunbar, is announced for immediate
publication by Messrs. Bobbs-Merrill Co. It is
primarily a story of pioneer conditions, the story
of the wilderness road, prairie schooner, dog-sled,
and pack-train; but it is more than that, for in
tracing the development of travel to the highly
organized railway systems of to-day it becomes a
study of the nation's social and economic evolu-
tion involved in the process. To the large mass of
detailed information are added numerous photo-
graphic reproductions of rare early prints, broad-
sides, and obscure documents and manuscripts. The
work will comprise four large volumes.
New light is thrown on the business world of
early Babylonia in a book about to be published
in the " Columbia University Oriental Studies,"
entitled " Sumerian Records from Drehem," by Dr.
W. M. Nesbit. The work contains a collection of
inscribed clay tablets recovered from Drehem, near
the city of Nippur, where expeditions from the
University of Pennsylvania have carried on exca-
vations since 1888. These particular tablets, how-
ever, with others, were discovered at Drehem by
Arabs and surreptitiously removed before the
Turkish authorities could claim them for the
Constantinople Museum. They were afterwards dis-
tributed among various private collectors, the col-
lection now dealt with being eventually secured for
Dr. Nesbit by Professor Gottheil, of Columbia Uni-
versity.
Dr. Georg Brandes has finished his great biog-
raphy of Goethe, and the work is announced for
publication this spring. It is now nearly thirty
years since the Danish critic gave his first series of
lectures on Goethe, so that the coming biography
will contain the results of a study that has lasted
almost for a generation. In an interview, Dr.
Brandes stated that his book has been written from
a European rather than a German point of view,
and that its plan differs as much from all existing
biographies of Goethe as Goethe's own system of
botany does from that of Linnaeus. He does not
expect that his book will be well received in Ger-
many, and he is afraid that the bitterness caused
by the war will prevent it from having any great
success in England or France. He has hopes, how-
ever, that it will find readers in America.
" I have often thought," says a writer in the
London " Nation," " that an interesting parallel
could be drawn between contemporary Belgian lit-
erature and that of Ireland. Both owe a good deal
to a more or less self-conscious movement started
by a few men in the 'eighties and 'nineties of the
last century. In both cases there are the two
languages, each modifying and influencing the
literature produced in the other, and if neither
Irish nor Flemish has produced a writer who can
compel attention, the Belgian writers of French
and the Irish writers of English are deeply in-
debted to the other tongue. And against the
realist, and sometimes brutal, Camille Lemonnier.
Ireland can place Mr. George Moore, while the
weight of critical opinion would undoubtedly class
M. Verhaeren and Mr. W. B. Yeats as the two
greatest living poets."
1915]
THE DIAL
219
ANNOUNCEMENTS OF SPRING BOOKS.
Some eleven hundred titles, representing
the output of nearly sixty American pub-
lishers, are included this year in THE DIAL'S
annual List of Books Announced for Spring
Publication, herewith presented. We have not
endeavored to list works of strictly techno-
logical character; and new editions are not
included unless having new form or matter.
Otherwise the list is a fairly complete and (so
far as the data supplied us by the various
publishers may be depended upon) an accu-
rate summary of American publishing activ-
ities from the beginning of February well into
the summer.
GENERAL LITERATURE.
Unpublished Prose and Letters, by the late John Muir.
— The Breath of Life, by John Burroughs, $1.50
net. — The Greatest of Literary Problems, a study
and review, historical and critical, of the Bacon-
Shakespeare question, by James Phinney Baxter,
illus., $5. net. — Eepresentative Phi Beta Kappa
Addresses, edited by Clark S. Northup, $3. net. —
Stories and Poems, and other uncollected writings,
by Bret Harte, compiled by Charles Meeker Koz-
lay, Riverside edition, $1.50 net, Overland edition,
$1.50 net. (Houghton Mifflin Co.)
New Cosmopolis, fundamental features of New York,
by James Huneker, $1.50 net. — The Little Man, and
other satires, by John Galsworthy, $1.30 net.
(Charles Scribner's Sons.)
Contemporary Portraits, by Frank Harris, illus., $2.50
net. — -H. L. Stevenson, a critical study, by Frank
Swinnerton, with photogravure frontispiece, $2.50
net. — Eudyard Kipling, a critical study, by Cyril
Falls, with photogravure frontispiece, $2.50 net. —
The World of H. G. Wells, by Van Wyck Brooks,
$1.25 net. (Mitchell Kennerley.)
Mary Eussell Mitford, correspondence with Charles
Boner and John Euskin, edited by Elizabeth Lee,
illus., $2.75 net. (Eand, McNally & Co.)
Lowell as a Critic, by Joseph J. Eeilly. — The French
Revolution and the English Novel, by Allene Greg-
ory, $1.75 net. (G. P. Putnam's Sons.)
The Modern Study of Literature, by Eichard Green
Moulton, $2.50 net. (University of Chicago Press.)
Chaucer and His Poetry, by George Lyman Kittredge,
Litt.D., $1.25 net. — Medieval Spanish Allegory, by
Chandler Eathfon Post, Ph.D., illus., $2.50 net.—
The Supernatural in Tragedy, by Charles Edward
Whitmore, PhD. (Harvard University Press.)
The Salon and English Letters, by Chauncey Brewster
Tinker. — Parsival, retold as an allegory of life by
Gerhardt Hauptmann, trans, by Oakley Williams.
(Macmillan Co.)
Oxford Historical and Literary Studies, new vols. :
A Bibliography of Samuel Johnson, by W. P. Court-
ney, revised and seen through the press by D. Niehol
Smith; Selected Writings of Henry Tubbe, edited
from unpublished mss. by G. C. Moore Smith. — The
Greek Genius and Its Meaning to Us, by R. W.
Livingstone, second edition. (Oxford University
Press.)
Columbia University Studies in English and Compara-
tive Literature, new vols.: The Ballade, by Helen
Louise Cohen; Ph.D.; The Life and Romances of
Mrs. Eliza Haywood, by George F. Whicher, Ph.D. ;
Eobert Greene, by John Clark Jordan, Ph.D.;
Froissart and the English Chronicle Play, by Eobert
M. Smith, Ph.D. — Studies in Eomance and Philol-
ogy, new vols.: Li Eomans dou Lis, by Frederick
C. Ostrander. — Germanic Studies, new vol.: The
Soliloquy in German Drama, by Erwin W. Eoessler,
Ph.D., paper $1. net. — Indo-Iranian Series, new
vol.: The Sanskrit Poems of Mayura, edited by
G. Payn Quackenbos, A.M. (Columbia University
Press.)
Critical .Essays of the Eighteenth Century, by William
H. Durham, Ph.D., $1.75 net. — Journeys to Bagdad,
essays on nature and literature, by Charles S. Brooks.
(Yale University Press.)
The Study of Shakespeare, by Henry Thew Stephen-
son, $1.25 net. — Writers of the Day Series, first
vols.: H. G. Wells, by J. D. Beresford; Joseph
Conrad, by Hugh Walpole; Anatole France, by
W. L. George; William De Morgan, by Mrs. Sturge
Gretton; John Galsworthy, by Sheila Kaye-Smith;
Mrs. Humphry Ward, by Stephen Gwynn; per vol.
50 cts. net. — Home University Library, new vol. :
An Outline of Eussian Literature, by Maurice Bar-
ing, 50 cts. net. (Henry Holt & Co.)
Channels of English Literature Series, new vol. : The
English Essay and Essayists, by Hugh Walker,
LL.D., $1.50 net. (E. P. Dutton & Co.)
The Art and Craft of Letters Series, first vols. : Satire,
by Gilbert Cannan; The Epic, by Lascelles Aber-
crombie; History, by E. H. Gretton; Comedy, by
John Palmer; each 40 cts. net. (George H. Doran
Co.)
When a Man Comes to Himself, by Woodrow Wilson,
50 cts. net. (Harper & Brothers.)
Is there a Shakespeare Problem? a reply to Mr. J. M.
Robertson and Mr. Andrew Lang, by G. G. Green-
wood, M.P., $3. net. (John Lane Co.)
A History of Latin Literature, by Marcus Dimsdale,
$2. net. (D. Appleton & Co.)
George Bernard Shaw, Harlequin or Patriot? by John
Palmer, 50 cts. net. (Century Co.)
BIOGRAPHY AND REMINISCENCES.
The Life of Clara Barton, by Percy Epler, illus. —
A Life of Napoleon, by James Morgan, illus. (Mac-
millan Co.)
Ralph Waldo Emerson, by Oscar W. Firkins, $1.75 net.
— The Life of Edward Eowland Sill, by William
Belmont Parker, illus., $1.75 net. — Kitchener, or-
ganizer of victory, by Harold Begbie, illus., $1.25
net. — The Secret of an Empress, by the Countess
Zanardi Landi, illus., $4. net. — The Fall of Mary
Stuart, by Frank A. Mumby, $3. net. (Houghton
Mifflin Co.)
William Blake, poet and mystic, by P. Berger, $5. net.
— Saint Clare of Assisi, by E. Gilliatt-Smith, $3.50
net. (E. P. Dutton & Co.)
The Life of Nietzsche, by Frau Forster-Nietzsche,
trans, by A. M. Ludovici and Paul V. Cohn, Vol. II.,
The Lonely Nietzsche, illus., $4. net. (Sturgis &
Walton Co.)
Historical Portraits, 1700 to 1800, The Lives, by
C. E. L. Fletcher, the portraits chosen by Emery
Walker, 2 vols. — Lord Selkirk's Work in Canada,
by Chester Martin. — Burdy's Life of the Rev. Philip
Skelton, 1792, with Introduction by Norman Moore.
— Last Pages from a Journal, by Mark Rutherford,
edited by his wife. — Life of Barnave, by E. D.
Bradby. — John Williams, Shipbuilder, by Basil
Mathews, illus. — Rambles and Recollections of an
220
THE DIAL
[ March 18
Indian Official, by W. H. Sleeman, revised edition by
Vincent A. Smith. (Oxford University Press.)
Nollekens and His Times, by John Thomas Smith, first
illustrated edition, edited, with biographical Intro-
duction, notes, arid index, by Wilfred Whitten, 2
vols., $7.50 net. — Some of the Correspondence of
Sir Arthur Helps, K.C.B., by E. A. Helps, illus., $5.
net. — The Life of John Wilkes, by Horace Bleack-
ley, illus., $5. net. — And That Eeminds Me, by
Stanley Coxon, illus., $3.50 net. — A Painter of
Dreams, biographical sketches of notable person-
ages of an age long past, by A. M. W. Stirling, illus.,
$3.50 net.— A Playmate of Philip II., being the
history of Don Martin of Aragon, Duke of Villa-
hermosa, and of Dona Luisa de Borgia, his wife,
by Lady Moreton, illus., $3. net. — The Story of
Napoleon's Death-mask, by G. L. De St. M. Watson,
illus., $2. net. — Granville Bantock, by H. Orsmond
Anderton, $1. net. (John Lane Co.)
Memories of Forty Years, by Princess Catherine Ead-
ziwell, illus., $3.75 net. — The Berlin Court under
William II., by Axel von Schwering, illus., $3.75 net
(Fnnk & Wagnalls Co.)
Romance of Leonardo da Vinci, by A. J. Anderson,
illus. in photogravure, etc., $4. net. — The Jolly
Duchess, Harriott, Duchess of St. Albans, fifty years'
record of stage and society, 1787 to 1837, by Charles
E. Pearce, illus., $4. net. — The Story of Dorothy
Jordan, by Clare Jerrold, illus., $4. net. — Eomances
of the Peerage, by Thomas Hall, illus., $3.75 net.
— Memoirs of the Duke de St. Simon, trans, and
edited by Francis Arkwright, 6 vols., each illus., per
vol., $3.75 net. — Napoleon the Gaoler, by Edward
Eraser, $1.75 net. — Friedrich Nietzsche, his life and
work, by M. A. Miigge, $1.50 net. (Brentano's.)
The Confessions of Frederick the Great, and Treitseh-
ke's "Life of Frederick," edited, with topical and
historical Introduction, by Douglas Sladen, $1.25
net. — John Shaw Billings, a memoir, by Fielding H.
Garrison, M.D., $2.50 net. — The Life of Henry
Laurens, by D. D. Wallace, $3.50 net. — Alfred the
Great, maker of England, 848 to 899 A. D., by Bea-
trice A. Lees, $2.50 net. (G. P. Putnam's Sons.)
Spencer Fullerton Baird, with selections from his cor-
respondence with Audubon, Agassiz, Dana, and
others, by William Healey Ball, D.Sc., illus., $3.50
net. (J. B. Lippincott Co.)
Forty Years in Canada, by S. B. Steele, with Introduc-
tion by Lord Strathcona, illus., $5. net. — Rabin-
dranath Tagore, the man and his poetry, by Basanta
Koomar Eoy, illus., $1.25 net. (Dodd, Mead & Co.)
The German Emperor as Shown in His Public Utter-
ances, by Christian Gauss, with portraits, $1.25 net.
— John and Sarah, Duke and Duchess of Marlbor-
ough, 1680 to 1744, by Stuart J. Eeed, with Intro-
duction by the Duke of Marlborough, K.G., illus.,
$4. net. — Bernadotte, the first phase, by Dunbar
Plunket Barton, illus., $3.75 net. (Charles Scrib-
ner's Sons.)
My Life out of Prison, by Donald Lowrie, $1.50 net.
(Mitchell Kennerley.)
American Crisis Biographies, new vol.: Ulysses S.
Grant, by Franklin S. Edmonds, with portrait, $1.25
net. (George W. Jacobs Co.)
Confessions of a Clergyman, anonymous, $1.50 net.
(McBride, Nast & Co.)
Napoleon I., by August Fournier, trans, from the
French by A. E. Adams, with Introduction by H. A.
L. Fisher, popular edition, 2 vols., $3.50 net. (Henry
Holt & Co.)
Tolstoi, the man and his message, by Edward A.
Steiner, new edition, illus., $1.50 net. (Fleming H.
Eevell Co.)
HISTORY.
The Eiverside History of the United States, compris-
ing: Beginnings of the American People, by Carl
Becker; Union and Democracy, by Allen Johnson;
Expansion and Conflict, by W. E. Dodd; The New
Nation, by F. L. Paxson; per vol., $1.75 net. — In-
tervention and Colonization in Africa, by N. Dwight
Harris, $2. net. (Houghton Mifflin Co.)
The French in the Heart of America, by John Finley,
$2.50 net. — Narratives of the Insurrections, 1675 to
1691, edited by C. H. Andrews, $3. net.— A Short
History of the Canadian People, by George Bryce,
illus., $3. net. (Charles Scribner's Sons.)
The History of Germany in the Nineteenth Century,
by Heinrich von Treitschke, trans, by M. E. Paul,
to be completed in seven vols., Vol. L, $3. net'
(McBride, Nast & Co.)
The Spanish Dependencies in South America, 1550 to
1730, by Bernard Moses, 2 vols., $5. net. (Harper
& Brothers.)
The Writings of John Quincy Adams, edited by Worth-
ington C. Ford, Vol. V. (Macmillan Co.)
A History of Poland, by Eobert Howard Lord, Ph.D.
— English Field Systems, by Howard Levi Gray,
Ph.D. — Wraxalles Abridgment of the New York
Indian Eecords, 1678 to 1751, edited by Charles
Howard Mcllwain, Ph.D. (Harvard University
Press.)
The Slaveholding Indian Series, to be completed in 3
vols., Vol. I., The American Indian as Slaveholder
and Secessionist, an omitted chapter in the diplo-
matic history of the Southern Confederacy, by Annie
Heloise Abel, illus., $5. net. — The Founding of a
Nation, the story of the Pilgrim Fathers, by Frank
M. Gregg, 2 vols., illus., $7.50 net. (Arthur H.
Clark Co.)
Borne of To-day and Yesterday, the pagan city, by
John Dennie, illus., $3.50 net. — Lee's Dispatches,
the unpublished dispatches of General Robert E. Lee
to Jefferson Davis and the War Department of the
Confederate states of America, 1862 to 1865, edited,
with Introduction, by Douglas Southall Freeman.
(G. P. Putnam's Sons.)
Napoleon's Russian Campaign of 1812, by Edward
Foord, illus., $4. net. (Little, Brown & Co.)
The Rise of the Dutch Kingdom, by Hendrik Willem
Van Loon, illus., $2.50 net. (Doubleday, Page & Co.)
Carranza and Mexico, by Carlo de Fornaro, with chap-
ters by I. C. Enriquez, Charles Ferguson, and M. C.
Rolland, illus., $1.25 net. (Mitchell Kennerley.)
Records of Civilization Series, first vol.: Hellenic
Civilization, by G. W. Botsford, Ph.D., and E. G.
Sihler, Ph.D. — Columbia University Oriental Stud-
ies, new vol. : The History of the City of Tyre, by
Wallace B. Fleming, Ph.D. (Columbia University
Press.)
Behind the Scenes in the Reign of Terror, by Hector
Fleischmann, illus., $4. net. (Brentano's.)
Makers of New France, by Charles Dawbarn, illus.,
$2.50 net. (James Pott & Co.)
Famous Days and Deeds in Holland and Belgium, by
Charles Morris, illus., $1.25 net. (J. B. Lippineott
Co.)
Home University Library, new vol.: The Ancient
East, by D. G. Hogarth, F.S.A., 50 cts. net. (Henry
Holt & Co.)
The Old Spanish Missions of California, by Paul
Elder, new edition. (Paul Elder & Co.)
Wau Bun, the early days in the northwest, by Mrs.
John H. Kinzie, edited and notated by Nellie
Kinzie Gordon, second edition, illus., $1.50 net.
(Rand, McNally & Co.)
1915]
THE DIAL
221
BOOKS OF VERSE.
Songs from the Clay, by James Stephens. — Spoon
Kiver Anthology, by Edgar L. Masters. — The Sis-
tine Eve, and other poems, by Percy MacKaye, new
edition. — A Dome of Many-coloured Glass, by Amy
Lowell, new edition. (Macmillan Co.)
War Poems, by Josephine Preston Peabody, Mrs.
Lionel Marks, 50 cts. net. — Some Imagist Poets, an
anthology, 75 cts. net. — The Winnowing Fan, poems
on the great war, by Lawrence Binyon, 50 cts. net.
— Irradiations, sand and spray, by John Gould
Fletcher, 75 cts. net. (Houghton Mifflin Co.)
Panama, and other poems, narrative and occasional, by
Stephen Phillips, $1.25 net.— The Silk-hat Soldier,
and other poems in war time, by Eiehard Le Gal-
lienne, 50 cts. net. — Poems of Emile Verhaeren,
selected and rendered into English by Alma Strettel,
revised edition. $1. net. (John Lane Co.)
The Man on the Hilltop, and other poems, by Arthur
Davison Ficke, $1.25 net. — Verse, by Vance Thomp-
son, with portrait, $1. net. — Processionals, by John
Curtis Underwood, $1. net. — Creation, post-impres-
sionist poems, by Horace Holley, 75 ets. net. — The
New World, by Witter Bynner, 60 cts. net. (Mitch-
ell Kennerley.)
Poems, by Maurice Maeterlinck, trans, by Bernard
Miall, $1.25 net. (Dodd, Mead & Co.)
The Shoes of Happiness, and other poems, by Edwin
Markham, $1.20 net. (Doubleday, Page & Co.)
Poems, by Brian Hooker, M.A., $1. net. (Yale Uni-
versity Press.)
North of Boston, by Robert Frost, $1.25 net. (Henry
Holt & Co.)
Oxford Garlands, edited by R. M. Leonard, new vols. :
Elegies and Epitaphs ; Songs for Music ; Poems on
Animals; Modern Lays and Ballads; Epigrams. —
Select Early English Poems, edited by J. Gollancz,
Vol. II., The Parliament of the Three Ages. — Some
Love Songs of Petrarch, trans, by W. D. Foulke.
(Oxford University Press.)
Sonnets to Sidney Lanier, and other lyrics, by Clifford
A. Lanier, edited, with Introduction, by Edward
Howard Griggs, 75 cts. net. (B. W. Huebsch.)
The Poems of Giacomo da Lentimo, edited by Ernest
Felix Langley, Ph.D. (Harvard University Press.)
A Sheaf of Roses, by Elizabeth Gordon, illus. in color,
$1. net. (Rand, McNally & Co.)
The Old Times, earlier poems of James Wbitcomb
Riley, $1.25 net. (Bobbs-Merrill Co.)
Songs for Quiet Hours, by Myra Goodwin Plantz, 50
cts. net. (Methodist Book Concern.)
DRAMA AND THE STAGE.
The Theatre of Ideas, a burlesque allegory and three
one-act plays, by Henry Arthur Jones, $1. net. —
The Lie, by Henry Arthur Jones, $1. net. (George
H. Doran Co.)
The Faithful, by John Masefield. — Children of Earth,
by Alice Brown. — The Garden of Paradise, by Ed-
ward Sheldon. — Plaster Saints, by Israel Zangwill.
(Macmillan Co.)
British and American Drama of To-day, by Barrett H.
Clark, $1.50 net. — Possession, and other one-act
plays, by George Middleton, $1.35 net. — How to
Produce Children's Plays, by Constance D'Arcy
Mackay, $1.20 net. — Dawn, and other one-act plays
of life to-day, by Percival Wilde, $1. net. — Across
the Border, by Beulah Marie Dix, illus., 80 cts. net.
(Henry Holt & Co.)
The Modern Drama, an essay in interpretation, by
Ludwig Lewisohn. $1.50 net. — Dramatic Works of
Gerhart Hauptmann, Vol. V., Symbolic and Legen-
dary Dramas, $1.50 net. — The Treasure, by David
Pinski, trans, from the Yiddish by Ludwig Lewi-
sohn, $1. net. (B. W. Huebsch.)
The Chief Contemporary Dramatists, by Thomas H.
Dickinson. — The Technique of the Drama, by George
P. Baker, $2. net. — Paradise Found, a critical ex-
travaganza of Bernard Shaw and his ideas, by Allen
Upward. (Houghton Mifflin Co.)
The Modern Drama Series, new vols. : The Lonely
Way, Interlude, and Countess Mizzi, by Arthur
Schnitzler, with Introduction by Edwin Bjorkman;
Lovers, The Free Woman, and They, by Maurice
Donnay, with Introduction by Barrett H. Clark;
each $1.50 net. (Mitchell Kennerley.)
Plays, by Bernard Shaw. — Plays, by Eugene Brieux.
(Brentano's.)
Tragedies, by Arthur Symons, $1.50 net. — The Little
Boy out of the Wood, and other dream plays, by
Kathleen Conyngham Greene, $1. net. (John Lane
Co.)
The Drama League Series of Plays, new vols. : Patrie !
by Vietorien Sardou, trans., with Introduction, by
Barrett H. Clark; The Thief, by Henry Bernstein,
trans, by John Alan Haughton; each 75 cts. net.
(Doubleday, Page & Co.)
Plays, by Leonid Andreyeff, trans, from the Russian,
with Introduction, by F. N. Scott and C. L. Neader,
$1.50 net. (Charles Scribner's Sons.)
Plays for School Children, edited by Anna M. Liitken-
haus, with Introduction by Margaret Knox, with
frontispiece, $1.25 net. — War Brides, by Marion
Craig Wentworth, illus., 50 cts. net. (Century Co.)
Plays of the Pioneers, pageant-plays of American his-
tory, by Constance d'Arcy MacKay, $1. net. (Har-
per & Brothers.)
A Belgian Christmas Eve, the play " Rada " rewritten
and enlarged, by Alfred Noyes, illus., $1. net. (F. A.
Stokes Co.)
The King of the Jews, a passion play, by " H. P.,"
H. H. the Grand Duke Contantine of Russia, $1. net.
(Funk & Wagnalls Co.)
FICTION.
Bealby, by H. G. Wells, $1.35 net. — A Far Country,
by Winston Churchill, $1.50 net. — The Harbor, by
Ernest Poole, $1.40 net. — Brunei's Tower, by Eden
Phillpotts, $1.50 net. — A Volume of Short Stories,
by Jack London, $1.25 net. — The Hand of Peril, by
Arthur Stringer, $1.35 net. — Getting a Wrong Start,
anonymous. — The Business Adventures of Billy
Thomas, by Elmer E. Ferris, $1.25 net. — Arrows
of the Almighty, by Owen Johnson, new edition,
$1.50 net. (Macmillan Co.)
A Lover's Tale, by Maurice Hewlett, $1.25 net. — The
Seven Darlings, by Gouverneur Morris, illus., $1.35
net. — A Great Tradition, by Katharine Fullerton
Gerould, $1.35 net. — Daybreak, a story of the age
of discovery, by Elizabeth Miller, $1.35 net. — A
Cloistered Romance, by Florence Olmstead, $1.25
net. — August First, by Mary Raymond Shipman
Andrews and Roy Irving Murray, $1. net. (Charles
Scribner's Sons.)
Angela's Business, a comedy of temporary spinsters,
by Henry Sydnor Harrison, illus., $1.35 net. — Sun-
down Slim, by Henry Herbert Knibbs, illus., $1.35
net. — A Reluctant Adam, by Sidney Williams, with
frontispiece, $1.35 net. — Katy Gaumer, by Elsie
Singmaster, illus., $1.35 net. — Doodles, by Emma
C. Dowd, illus. in color, $1. net. (Houghton Mif-
flin Co.)
222
THE DIAL
[ March 18
Jaffery, by William J. Locke, illus., $1.35 net. — The
" Genius," by Theodore Dreiser, $1.40 net. — Pretty
Maids All in a Bow, by Justin Huntly McCarthy,
$1.35 net. — The Chalk Line, by Anne Warwick,
$1.25 net. — The Good Soldier, by Ford Madox
Hueffer, $1.25 net. — A Pillar of Salt, by Horace
W. C. Newte, $1.35 net.— The Pearl Fishers, by
H. De Vere Stacpoole, $1.30 net. — The Crystal
Eood, by Mrs. Howard Gould, illus., $1.25 net. —
Madame Barnet, Eobes, by Mrs. C. S. Peel, $1.25
net. — Broken Shackles, by John Oxenham, $1.25
net.— An Emperor in the Dock, by W. de Veer,
$1.25 net. — The Novels of Anatole France, uniform
edition, new vols. : Pierre Noziere, trans, by J.
Lewis May; The Amethyst Ring, trans, by D. Dril-
lien; Crainquebille, trans, by Winifred Stephens;
each $1.75 net; popular-priced edition, new vols.:
Thais, trans, by Winifred Stephens ; Penguin, trans,
by A. W. Evans, $1.25 net. — Lost Sheep, by Vere
Shortt, $1.25 net. — Under the Tricolour, by Pierre
Mille, illus. in color, $1.25 net. — Destiny's Daugh-
ter, by Alice Birkhead, $1.25 net. — The Auction
Mart, by Sybil Cookson, $1.25 net. — The Snare, by
George Vane, $1.25 net. — Grocer Greatheart, by
Arthur A. Adams, $1.25 net. — A Drop in Infinity,
by Gerald Grogan, $1.25 net. — The Silver Spoon,
by Keble Howard, $1.30 net. — Three Lives, by Ger-
trude Stein, $1.25 net. — Love Birds in the Coco-
nuts, by Peter Blundell, $1.25 net. — The Jealous
Goddess, by Madge Mears, $1.25 net. (John Lane
Co.)
Victory, by Joseph Conrad, $1.35 net. — Martha of the
Mennonite Country, by Helen B. Martin, with
frontispiece, $1.35 net. — Euggles of Eed Gap, by
Harry Leon Wilson, illus., $1.25 net. — The Idyl of
Twin Fires, by Walter Prichard Eaton, illus., $1.35
net. — The Man Who Eocked the Earth, by Arthur
Train, with frontispiece, $1.25 net. — The Competi-
tive Nephew, by Montague Glass, illus., $1.20 net.
— -Dr. Syn, a smuggler tale of the English coast,
by Bussell Thorndyke, with frontispiece, $1.25 net.
— The Double-squeeze, by Henry Beach Needham,
with Introduction by Connie Mack, illus., $1.25 net.
— The Man Who Forgot, by James Hay, Jr., $1.25
net. — Pierrot, Dog of Belgium, by Walter A. Dyer,
illus., $1. net. — The Love Letters of a Divorced
Couple, by William Farquhar Payson, $1. net. —
Limp Leather Edition of the Novels of Ellen Glas-
gow, 4 vols., each $1.50 net. — The Green Curve, by
" Ole Luk-Oie," E. D. Swinton, new edition, $1.25
net. (Doubleday, Page & Co.)
The Turmoil, by. Booth Tarkington, illus., $1.35 net. —
A Dealer in Empire, by Amelia Josephine Burr,
illus., $1.25 net.— The Lone Star Banger, by Zane
Grey, with frontispiece, $1.35 net. — Empty Pockets,
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226
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[March 18
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THE DIAL
227
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230
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[March 18
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THE DIAL
231
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232
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March 18
Law and Its Administration, by Harlan F. Stone,
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in photogravures reproduced from the drawings of
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Rifles and Ammunition, by H. Ommundsen and E. H.
Robinson, $5. net. — Essentials of English Speech
and Literature, by Frank H. Vizetelly, LL.D., $1.50
net. — The Development of the Dictionary of the
English Language, by Frank H. Vizetelly, LL.D.,
illus., $1. net. (Funk & Wagnalls Co.)
How to Write Moving Picture Plays, by W. L. Gordon,
$3. net. (Stewart & Kidd Co.)
A B C of Manners, by Anne Seymour, 50 ets, net.
(Harper & Brothers.)
The Art of the Photo Play, by Eustace Hale Ball, new
edition, $1. net. — Books, as seen by John Hanry, by
George V. Hobart, new edition, illus., 75 cts. net. —
How to Write a Letter, 50 cts. net. (G. W. Dilling-
ham Co.)
1915
THE DIAL
233
The Hobby Books, new vol. : The Microscope and Its
Uses, by Wilfred Mark Webb, illus., 50 cts. net.
(Sully & Kleinteich.)
Home University Library, new vol. : The Navy and
Sea Power, by David Haunay, 50 cts. net. (Henry
Holt & Co.)
Cartoons in Character, pen pictures of various traits of
human nature, by Allyn K. Foster, 50 cts. net.
(Association Press.)
An Index to the Adverbs of Terence, by E. A. Junks.
(Oxford University Press.)
L.IST OF NEW BOOKS.
[The following list, containing 67 titles, includes books
received by THE DIAL since its last issue.]
BIOGRAPHY AND REMINISCENCES.
The Life of Nietzsche. By Frau Fdrster-Nietzsche;
translated by Paul V\ Cohn. Volume II., The
Lonely Nietzsche. Illustrated, large 8vo, 415
pages. Sturgis & Walton Co. $4. net.
And that Reminds Me: Being Incidents of a Life
Spent at Sea, and in the Andaman Islands,
Burma, Australia, and India. By Stanley W.
Coxon. Illustrated, large 8vo, 324 pages. John
Lane Co. $3.50 net.
Napoleon I.: A Biography. By August Fournier;
translated by Annie Elizabeth Adam, with In-
troduction by H. A. L. Fisher, M.A. Second
edition; in 2 volumes, with photogravure
frontispieces, large 8vo. Henry Holt & Co.
$3.50 net.
HISTORY.
Napoleon's Russian Campaign of 1812. By Edward
Foord. Illustrated, large Svo, 407 pages. Little,
Brown & Co. $4. net.
Narratives of the Insurrections, 1675-1690. Edited
by Charles M. Andrews, Ph.D. " Original Nar-
ratives of Early American History." Large Svo,
414 pages. Charles Scribner's Sons. $3. net.
Journals of the House of Burgesses of Virginia,
1659 and 1660-93. Edited by H. R. Mcllwaine.
4to, 529 pages. Virginia: Virginia State Library.
Select English Historical Documents of the Ninth
and Tenth Centuries. Edited by F. E. Harmer,
B.A. Svo, 142 pages. G. P. Putnam's Sons.
The Indians of Greater New York. By Alanson
Skinner. With map, 12mo, 150 pages. Cedar
Rapids: The Torch Press. $1. net.
Report of the Chicago Historical Society, 1914.
Illustrated, 12mo, 146 pages. Chicago: Pub-
lished by the Society. Paper.
GENERAL LITERATURE.
The World of H. G. Wells. By Van Wyck Brooks.
12mo, 189 pages. Mitchell Kennerley. $1.25 net.
The Gothic History of Jordanes: In English Ver-
sion with an Introduction and a Commentary.
By Charles Christopher Mierow, Ph.D. Svo, 188
pages. Princeton University Press. $1.75 net.
George Bernard Shaw: Harlequin or Patriot? By
John Palmer. 16mo, 81 pages. Century Co.
50 cts. net.
Memories and Milestones. By John Jay Chapman.
Illustrated, 12mo, 270 pages. Moffat, Yard &
Co. $1.25 net.
Law and Letters: Essays and Addresses. By S. W.
Dana. Svo, 151 pages. Richard G. Badger.
$1.50 net.
The Small House at Alllngton. By Anthony Trol-
lope. "New Century Library." With frontis-
piece, 16mo, 717 pages. Thomas Nelson & Sons.
DRAMA AND VERSE.
The Theatre of Ideas: A Burlesque Allegory and
Three One-act Plays. By Henry Arthur Jones.
With portrait, 12mo, 173 pages. George H.
Doran Co. $1. net.
Plays. By Leonid Andreyeff; translated from the
Russian, with introductory essay, by V. V.
Brusyanin. With portrait, 12mo, 214 pages.
Charles Scribner's Sons. $1.50 net.
How to Produce Children's Plays. By Constance
D'Arcy Mackay. 12mo, 151 pages. Henry Holt
& Co. $1.20 net.
A Belgian Christmas Eve: Being " Rada " Re-
written and Enlarged as an Episode of the Great
War. By Alfred -Noyes. Illustrated, 12mo, 70
pages. F. A. Stokes Co. $1. net.
Dawn, and Other One-act Plays of Life To-day.
By Percival Wilde. 12mo, 168 pages. Henry
Holt & Co. $1.20 net.
Across the Border: A Play of the Present. By
Beulah Marie Dix. Illustrated, 12mo, 96 pages.
Henry Holt & Co. 80 cts. net.
Creation: Post-Impressionist Poems. By Horace
Holley. 16mo, 64 pages. Mitchell Kennerley.
Captain Cralgi A Book of Poems. By Edwin Ar-
lington Robinson. Revised edition, with addi-
tional poems; 12mo, 182 pages. Macmillan Co.
$1.25 net.
FICTION.
Arundel. By E. F. Benson. 12mo, 351 pages.
George H. Doran Co. $1.25 net.
Through Stained Glass. By George Agnew Cham-
berlain. 12mo, 359 pages. Century Co. $1.30 net.
Brunei's Tower. By Eden Phillpotts. 12mo, 495
pages. Macmillan Co. $1.50 net.
The Man of Iron. By " Richard Dehan." 12mo, 667
pages. F. A. Stokes Co. $1.35 net.
Blue Blood and Red. By Geoffrey Corson. 12mo,
395 pages. Henry Holt & Co. $1.35 net.
The Valley of Fear: A Sherlock Holmes Novel. By
Sir Arthur Conan Doyle. Illustrated, 12mo, 320
pages. George H. Doran Co. $1.25 net.
Pepper. By " Holworthy Hall." 12mo, 316 pages.
Century Co. $1.30 net.
Red Fleece. By Will Levington Comfort. 12mo,
287 pages. George H. Doran Co. $1.25 net.
A Siren of the Snows. By Stanley Shaw. Illus-
trated, 12mo, 328 pages. Little, Brown & Co.
$1.30 net.
Martha of the Mennonlte Country. By Helen R.
Martin. With frontispiece, 12mo, 318 pages.
Doubleday, Page & Co. $1.35 net.
The Veils of Isls, and Other Stories. By Frank
Harris. 12mo, 312 pages. George H. Doran Co.
$1.25 net.
A Reluctant Adam. By Sidney Williams. With
frontispiece, 12mo, 316 pages. Houghton Mifflm
Co. $1.35 net.
Moonglade. By the author of " The Martyrdom of
an Empress." With portrait, 12mo, 352 pages.
Harper & Brothers. $1.35 net.
A Drop in Infinity. By Gerald Grogan. 12mo, 325
pages. John Lane Co. $1.25 net.
Patricia. By Edith Henrietta Fowler (Hon. Mrs.
Robert Hamilton). 12mo, 438 pages. G. P. Put-
nam's Sons. $1.35 net.
Lieutenant What's-His-Name. Elaborated from
Jacques Futrelle's " The Simple Case of Susan "
by May Futrelle. With frontispiece, 12mo, 322
pages. Bobbs-Merrill Co. $1.25 net.
TRAVEL AND DESCRIPTION.
A Pilgrim's Scrip. By R. Campbell Thompson.
Illustrated in photogravure, etc., large Svo, 345
pages. John Lane Co. $3.50 net.
Byways around San Francisco Bay. By W. E.
Hutchinson. Illustrated, 12mo, 184 pages. The
Abingdon Press. $1. net.
India: Its Life and Thought. By John P. Jones,
D.D. New edition; illustrated, 12mo, 448 pages.
Macmillan Co. $1.50 net.
The Panama Gateway. By Joseph Bucklin Bishop.
New and revised edition; illustrated, large Svo,
461 pages. Charles Scribner's Sons. $1.50 net.
PUBLIC AFFAIRS SOCIOLOGY AND
ECONOMICS.
The Democracy of the Constitution, and Other
Addresses and Essays. By Henry Cabot Lodge.
Svo, 297 pages. Charles Scribner's Sons. $1.50 net.
Practical Tropical Sanitation. By W. Alex Muir-
head. Illustrated, Svo, 288 pages. E. P. Dutton &
Co. $3.50 net.
Out of Work: A Study of Unemployment. By
Frances A. Kellor. 12mo, 569 pages. G. P. Put-
nam's Sons. $1.50 net.
Practical Banking! With a Survey of the Federal
Reserve Act. By Ralph Scott Harris. 12mo, 309
pages. Houghton Mifflin Co. $1.75 net.
The American Girl: Her Education, Her Responsi-
bility, Her Recreation, Her Future. By Anne
Morgan. With portrait, 16mo, 66 pages. Harper
& Brothers. 50 cts. net.
Social Evolution. By Benjamin Kidd. Revised edi-
tion; 12mo, 404 pages. Macmillan Co. $1.50 net.
THE GREAT WAR — ITS HISTORY, PROBLEMS,
AND CONSEQUENCES.
Pan-Americanism: A Forecast of the Inevitable
Clash between the United States and Europe's
Victor. By Roland G. Usher, Ph.D. Svo, 466
pages. Century Co. $1.60 net.
Origins and Destiny of Imperial Britain and Nine-
teenth Century Europe. By J. A. Cramb. With
portrait, Svo, 276 pages. E. P. Dutton & Co.
$1.50 net.
234
THE DIAL
[ March 18
Are We Ready? By Howard D. Wheeler; with
Letter by Leonard Wood. Illustrated, 8vo, 228
pages. Houghton Mifflin Co. $1.50 net.
Germany, France, Russia, and Islam. By Heinrich
von Treitschke; translated into English, with
Foreword by George Haven Putnam. With por-
trait, 12mo, 336 pages. G. P. Putnam's Sons.
$1.50 net.
German World Policies. By Paul Rohrbach; trans-
lated by Edmund von Mach. 12mo, 243 pages.
Macmillan Co. $1.25 net.
The Appetite of Tyranny: Including Letters of an
Old Garibaldian. By G. K. Chesterton. 12mo,
122 pages. Dodd, Mead & Co. $1. net.
How Belgium Saved Europe. By Charles Sarolea;
with Preface by Count Goblet D'Alviella. 12mo,
227 pages. J. B. Lippincott Co. $1. net.
Germany Embattled: An American Interpretation.
By Oswald Garrison Villard. 12mo, 181 pages.
Charles Scribner's Sons. $1. net.
Can Germany "Win? The Aspirations and Resources
of Its People. By an American. 12mo, 163 pages.
G. P. Putnam's Sons. $1. net.
Stultitia: A Nightmare and an Awakening in Four
Discussions. By a former government official.
With frontispiece, 12mo, 180 pages. F. A. Stokes
Co. $1. net.
Belgium in War: A Record of Personal Experi-
ences. By J. H. Whitehouse, M.P. Illustrated,
12mo, 28 pages. G. P. Putnam's Sons. Paper.
MISCELLANEOUS.
Field Book of American Trees and Shrubs. By F.
Schuyler Mathews. Illustrated in color, etc.,
12mo, 465 pages. G. P. Putnam's Sons. $2. net.
Essentials of English Speech and Literature. By
Frank H. Vizetelly, LL.D. 12mo, 408 pages.
Funk & Wagnalls Co. $1.50 net.
Practical Talks on Farm Engineering:. By R. P.
Clarkson, S.S. Illustrated, 12mo, 223 pages.
Doubleday, Page & Co. $1. net.
Table Service. By Lucy G. Allen. Illustrated,
12mo, 128 pages. Little, Brown & Co. $1.25 net.
The Heart of Blackstone; or, Principles of the
Common Law. By Nanette B. Paul, LL.B. ; with
Introduction by Thomas H. Anderson. 12mo, 247
pages. The Abingdon Press. $1. net.
Buddhist Psychology. By C. A. F. Rhys Davids.
"The Quest Series." 12mo, 212 pages. Mac-
millan Co. $1. net.
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1915]
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THE DIAL
[March 18
A New Edition of a Famous Anthology
Now issued in a beautiful new form printed on
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way, the thin paper making a compact handy size
for the pocket or traveling bag.
Compiled by
FRANCIS F. BROWNE
Editor "Poems of the Civil War,"
Laurel Crowned Verse," etc.;
author "Everyday Life of
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THE DIAL [March 18, 1915
HENRY HOLT Soring Fiction
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242
THE DIAL
[April 1
CLARENDON PRESS PUBLICATIONS
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1915] THE DIAL 243
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/TV, or-., k ~U •— ~f tr:«j Translated from the German of OSKAR
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244
THE DIAL
[ April 1
BERNHARDI
IN all the annals of history it has been the powerful writ-
ing of some man that has stirred the populace. Homer,
Marc Antony, Peter the Hermit, Martin Luther and
Zwingli, and, in later times, James Otis, Patrick Henry
and Lincoln have all by their virile words moulded and
directed the temperaments of great nations.
General Friedrich von Bernhardi
soldier, statesman and writer, now gives his first book since
the outbreak of the Great War. His
"Germany and England"
First Issued March 23d
js a clear exposition of fact. It shows how the war was
started by England; how England, France and Belgium
first violated theneutralityagreement. It proves Germany's
friendliness to the United States. It answers Professor
Cramb's attack on his writings.
It will cause a sensation throughout the world. Its
sale will be enormous.
Cloth Bound. Portrait of Author. 50 cents net
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IN THE APRIL NUMBER OF
THE YALE REVIEW
are broad, significant and permanent arti-
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not to-day afford to economize. The titles
and authors are:
APRILNUMBER: ENGLAND'S EXPERIENCE
WITH "THE REAL THING," L. P. Jacks;
NATIONALITY AND THE NEW EUROPE,
Archibald Cary Coolidge; IMPERIALISM AND
THE CHRISTIAN IDEAL, Benjamin W. Bacon;
NEUTRALIZATION IN THEORY AND
PRACTICE, George G. Wilson; ENGLISH LIT-
ERATURE IN FRANCE, Emile Legouis; THE
MAKER OF IMAGES, Brian Hooker; THE
JOURNEYING ATOMS, John Burroughs; THE
RAILROAD CRISIS: A WAY OUT, Ray Morris;
AN APOLOGY FOR OLD MAIDS, Henry
Dwight Sedgwick; OVID AMONG THE GOTHS,
Gamaliel Bradford; THE UNITY OF THE
CHURCHES; Newman Smyth; THE TRUE
CONCORD, Frances Barber; GRIEF, A. MacLeish;
WALPOLE AND FAMILIAR CORRESPON-
DENCE, Chauncey B. Tinker; XANTHIPPE
ON WOMAN SUFFRAGE, Duffield Osborne;
BOOK REVIEWS.
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THE TRUE
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1915] THE DIAL 245
SOME NOTEWORTHY BOOKS
PRIEST: GERMANY SINCE 1740
By GEORGE MADISON PRIEST, Professor of Germanic Languages and Literature in Princeton University, I2mo,
pages, $1.25.
A brilliant historical account of the genesis of modern Germany. The chronicle includes one of the most interesting periods
of German history, from the time of the accessions of Maria Theresa and Frederick the Great down to William II and the present war.
The book is fully equipped with maps, a chronological table, genealogies of leading ruling houses, bibliography and index.
WILD: GEOGRAPHIC INFLUENCES IN OLD TESTAMENT MASTERPIECES
By LAURA H. WILD, Professor of Biblical History and Literature in Lake Erie College, izmo, 182 pages, illustrated, $1.00.
life of
GETTELL: PROBLEMS IN POLITICAL EVOLUTION
By RAYMOND GETTELL, Professor of Social and Political Science, Amherst College, 8vo, 400 pages, $2.0O.
An attempt to trace the formation and evolution of modern government. Among the many problems considered are —
the leading factors in political development; the origin of the state; relations of the state to the family, the church, industrial
organizations and military organizations; the functions and purpose of the state; and the present tendencies in political evolution.
THALLON: READINGS IN GREEK HISTORY
By IDA CARLETON THALLON, Assistant Professor of History in Vassar College, 8vo, xxix + 638 pages, $2. 00.
This book comprises extracts translated from the Greek of the original sources, ranging from the time of Homer through the
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PETERS: THE RELIGION OF THE HEBREWS
By JOHN PUNNETT PETERS, Rector of St. Michael's Church, New York City, 8vo, 502 pages, $2. 73.
A comprehensive historical study of the development of the Jewish religion, for the sake of the light it throws on modern
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GINN AND COMPANY
NEW YORK CHICAGO LONDON
A Pioneer in Philosophy
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THE MONIST
A Philosophical Quarterly Devoted to the Philosophy of Science
CONTENTS FOR APRIL
NEWTON'S HYPOTHESIS OF ETHER AND OF GRAVITATION FROM
1679 TO 1693. By Philip E. B. Jourdain.
Newton's religious tendencies, such as his constant -wish to prove the existence of an intelligent creator,
come into consideration in the course of this article.
ON THE METHODS OF THEORETICAL PHYSICS.
By Ludwig Boltzman. Translated by P. E. B. Jourdain.
The late Professor Boltzman was one of the world's leading physicists. He succeeded Ernst Mach in
the University of Vienna and will be remembered in this country by those who met him at the St. Louis
Exposition.
ON THE EXPERIENCE OF TIME. By Bertrand Ru.,ell.
Bertrand Russell is perhaps the most widely read scholarly author in England. His SCIENTIFIC
METHOD is already in its second edition, the first having been published only last September.
THE ODES OF SOLOMON AND THE DISCIPLES OF JOHN. By Preserved Smith.
Mr. Smith offers a solution of the problem presented by the newly discovered Odes of Solomon which
he believes were written within the Ephesus congregation of the Disciples of St. John, who were one of the
most powerful sects that prepared the advent of Christianity.
THE OVER-GOD. By Paul Carus. A Philosophical Poem.
Notes and discussions of recent philosophical literature. Subscription, $2.00 yearly, $0.60 single copy.
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246
THE DIAL
[April 1, 1915
The New Macmillan Publications
Fiction, Poetry, Drama and Essays
BEALBY
SONGS FROM THE CLAY
By H. G. WELLS. Mr. Wells's new story of an ambitious
By JAMES STEPHENS. A new book of verse by the
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SPOON RIVER ANTHOLOGY
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By ALBERT GALLOWAY KELLER. A serious and
IN INDIA
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THE DRAMA OF THE SPIRITUAL LIFE
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THE DIAL
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D/AL (founded in 1880) is published fortnightly —
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Published by THE HENRY O. SHEPARD COMPANY.
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Entered as Second-Class Matter October 8, 1892, at the Post
Office at Chicago, Illinois, under Act of March 3, 1879.
Vol. LVIII.
APRIL 1, 1915
No. 691
CONTENTS.
PAGE
ME. WELLS AND RECONSTRUCTION. Ed-
ward E. Hale 247
CASUAL COMMENT 250
By way of parenthesis. — " Shakespeare every
day." — A get-rich-quick culture. — A follower
in the footsteps of Clark Russell. — A famous
political pamphlet. — New books for old. —
An editor with an ideal. — The boundlessness
of the field of authorship. — A new variety of
the journalist's art. — A pleasing prospect in
biography.
COMMUNICATION 253
A Word of Explanation. Arthur E. BostwicTc.
FROM CANOE TO AEROPLANE IN AMERI-
CAN TRAVEL. Percy F. BicJcnell . . .254
THE ARCH-PRIEST OF GERMAN IMPERIAL-
ISM. James W. Garner 256
BROWNING'S WOMEN. Claris S. Northup . . 258
HOW NAPOLEON ORGANIZED VICTORY.
H. E. Bourne 259
Vachee's Napoleon at Work. — Foord's Na-
poleon's Russian Campaign of 1812. — Fleisch-
mann's An Unknown Son of Napoleon. —
Montagu's Napoleon and His Adopted Son. —
Whipple's The Story-life of Napoleon. —
Wolseley's The Decline and Fall of Napoleon.
— Griffiths's Life of Napoleon.
A HALF-FORGOTTEN AMERICAN PRESI-
DENT. W. H. Johnson 262
RECENT FICTION. William Morton Payne . 263
NOTES ON NEW NOVELS 264
BRIEFS ON NEW BOOKS 266
Miscellanies of a humanist.- — • Defects and
possibilities of the modern city. — Taking
stock of Nietzsche. — Mr. Chesterton on bar-
barism.— Some new memorials of the Brown-
ings.— An optimist in the Far East. — The
play that won $10,000.
BRIEFER MENTION 269
NOTES 270
TOPICS IN APRIL PERIODICALS .... 272
LIST OF NEW BOOKS . 272
MR. WELLS AND RECONSTRUCTION.
Almost everybody had one experience at
the outbreak of the war, for it gave a sudden
check to many forms of thought and action.
It seemed as if nothing were so theoretical or
so remote as to be unaffected. In politics,
business, philanthropy, — even in education,
philosophy, art, and many another form of
interest, — the war interposed a bar even to
thought. People have not got over that feel-
ing. There is a sort of indifference, such as
comes of the continuance of anything which
one cannot influence in any way. The daily
work of life must be done, and it is better ta
do it with undivided mind. Still it is not easy
to get back to the old line of thought. There
is a tendency to jump the gap, come to the
end of the war, and begin anew.
On this subject there are all sorts of ideas.
Some people are most gloomy in their fore-
bodings ; they predict an intolerable England
or a predominant Pan-Slavism or an over-
powering militarism, or even a new epoch of
more tremendous wars. Others have a very
different view: they see signs of a renais-
sance of righteousness ; they believe that peo-
ple will get together for a re-assertion of the
spiritual in life; they feel that somehow
civilization will draw good out of so great evil.
No one has thought more on just this sub-
ject than Mr. H. Gr. Wells. For twenty years
he has been constantly turning over in his
mind the question of world organization and
re-organization. Whatever one's opinion of
the value of his thoughts or of his ideas, there
is no question as to the abundance of them.
Mr. Henry James (who in some ways can
hardly be supposed to admire Mr. Wells)
thinks of him as showering his ideas upon
mankind ''as from a high window ever open."
Mr. Wells has sometimes dealt with just this
question, as in ''The War in the Air," the
more recent "The World Set Free," or even
such a book as "In the Days of the Comet,"
in which we have reconstruction not after
war, it is true, but after another form of
cataclysm. Sometimes he has dealt with the
general question of ideal society, as in "An-
ticipations," "Mankind in the Making," "A
248
THE DIAL
[April 1
Modern Utopia." Sometimes he has pre-
sented not thought on this subject, but peo-
ple thinking, as in "The New Macchiavelli "
and other such novels. Of late he has pub-
lished a good deal of particular consideration
of the immediate future.
With Mr. Wells 's past ideas of what war
would be or his present ideas of how current
circumstances may best be managed, we
would not deal at the moment. As to the
anticipations of the past, we need not sup-
pose that they could have been exactly
realized, for the present war occurs under
circumstances very different from those
which Mr. Wells postulated. As to his ideas
about the present crisis, we may suppose that
Mr. Wells has opportunities very different
from ours, so that our criticism would not be
illuminating. It may be interesting, how-
ever, to say a word upon what seem to be
Mr. Wells 's controlling ideas, as we see them,
let us not say in all his books, but at least as
they appear in one place or another, seeming
to make on the whole rather a consistent sys-
tem. Such main ideas have been before the
public for a good while.
Implicit in much of Mr. Wells 's thinking
on this subject is the idea of a new temper, a
new disposition, in mankind. We may not
think this a very probable condition; in an
earlier book, "In the Days of the Comet,"
the new disposition was the result of the Great
Change caused by the nitrogenous gas dif-
fused by the comet. After that people were
different, and indeed as one read it seemed
most natural that they should be different.
In "The World Set Free" Mr. Wells relied
on no such unlikely circumstance ; simply the
war brought about such horrible destruction
that existence itself was hardly possible for
multitudes, and the new order of things made
"an appeal to elements in the nature of man
that had hitherto been suppressed." "The
World Set Free" is said to have exhausted
the reviewers' stock of adjectives. It was
pronounced daring, stimulating, apocalyptic,
masterly, and so on, as well as timely. All
this it doubtless was and much more, among
other things very plausible. And in nothing
was it more plausible than in the way in which
the world was seen to acquiesce in the assump-
tion of authority by those who set themselves
the task of reconstruction. The conference
governed by right of being able to govern;
it obviated interference by allowing any out-
sider, who wanted to help, to do his share of
the. work. And, government being a chance
to work for those who could work instead of
a chance to draw pay for those who had a
"pull," affairs went better than nowadays.
We may have our doubts as to such a plan ;
but even so, it appears that Mr. Wells is
basing this part of his plan upon a really
existing disposition. When a number of
prominent men in any city get together now-
adays to consider some immediate question,
such as unemployment at home or want
abroad, everyone feels that it is the proper
thing, and they carry through their plan with-
out anyone wanting to interfere with them,
because there is an obvious thing to be done
and they can obviously do it. Mr. Wells
develops this idea, common enough in every-
one's experience, upon a large scale.
With or without such a change in general
disposition, the fundamental idea of Mr.
Wells 's reconstruction is usually a world-
order based upon scientific coordination and
cooperation. "Science," said the abdicating
King of Italy, in the book, "is the new king
of the world. ... It is the mind of the race. ' '
As we see the process in "The World Set
Free" the first tasks of the administration
were, almost of necessity, scientific. Here
was the population of the world in need of
food and shelter. It was natural to go about
relief in a scientific way; and if one begins
scientifically why not go on? If it is best to
have a world-planning committee, why not
have city-planning committees? And if one
is going to arrange the cities in the best pos-
sible way, why not the houses, and so on ?
Of course in the United States we have a
general feeling against such universal man-
agement. We are too near the frontiersman
to be willing to do away with the all-around
man', who can turn his mind to any problem,
in favor of the specialist. But there is an-
other objection suggested (in earlier works)
by Mr. Wells himself, — namely, the fact that
extreme specialization would have its disad-
vantages. In "When the Sleeper Wakes," a
story of two hundred years ahead, we have
two clearly distinguished classes, the workers
and the players; in "The Time Machine"
two hundred centuries or so ahead the division
has become much more marked and we have
two distinct species. That is Mr. Wells 's view
of what our haphazard specialization will re-
sult in . But in " The First Men in the Moon ' '
1915]
THE DIAL
249
he shows us scientific system, and the result
is worse. The Selenites were the definite re-
sult of systematic selection : those who had
to do physical work were all hands or all
whatever they had to work Avith. So it was
with mental work: one man could remember,
one could solve problems. The Grand Lunar,
their king, wras (characteristically) all brain.
This specialization seemed painful to the visi-
tor from the earth ; though as Mr. Wells then
remarked, it was really more humane to have
people grow up into machines than to let them
grow up into human beings and then make
machines out of them. Still that last, of
course, was only satire, — better have them not
machines at all.
Another point about the scientific coopera-
tion which makes such a figure in Mr. Wells 's
system is its efficiency. Now efficiency is
rather under a cloud at present, and people
who look ahead are inclined to desire not a
more efficient civilization but a more spiritual
civilization. Mr. Wells 's civilization is spir-
itual in some senses ; it is certainly not mate-
rial or mechanical. In "A Modern Utopia"
we have a civilization far less material than
our own and far less bound by the ties of
mechanical literalism. So also in the little
picture at the end of "The World Set Free"
of the life at the hospital ; indeed, Mr. Wells
is always full of ideas which in the simple
sense of being not material, not bound by
legalism, are spiritual. If, however, we imply
by "spiritual," as most people do, some rela-
tion to a spirit not our own, then it is pretty
clear that we are thinking of something out
of Mr. Wells 's usual sphere. As one watches
the unfolding of his ideal world one is struck
more and more by the fact that it has nothing
about it answering to the usual idea of relig-
ion. It will be remembered that most of the
men — one hesitates to say heroes — in Mr.
Wells 's books are men who have parted from
traditional religion and do not have any
obvious substitute for it. In some cases Mr.
Wells tells how this came about. Mr. Lew-
isham, for instance, read his Butler's "Anal-
ogy" and some other books, had doubts, and
called upon God for ' ' Faith ' ' in the silence of
the night, — "Faith to be delivered immedi-
ately if Mr. Lewisham's patronage was valued,
and which nevertheless was not so deliv-
ered." Mr. Lewisham was an early figure,
but his followers had equally slight expe-
riences,— which is perhaps rather like life.
One would not expect in Mr. Wells 's think-
ing to find much consideration of traditional
religion. We do, however, curiously enough,
have something slightly of the sort: in "The
World Set Free" is an interesting quotation
from the general memorandum to teachers
which was ' ' the keynote of the modern educa-
tional system." It begins with the familiar
words, ' ' Whosoever will save his life shall lose
it," and ends with this singular sentence:
"Philosophy, discovery, art, every sort of
skill, every sort of service, love, — these are the
means of salvation from that narrow loneli-
ness of desire, that brooding preoccupation
with self and egotistical relationships, which
is hell for the individual, treason to the race,
and exile from God." These last words must
come to many readers of the book with some
astonishment as the first appearance of God
on the scene. He is not otherwise mentioned,
except once, and that in connection with the
past. Yet it would appear that He was some-
how in the minds of the world-managers.
There is another interesting matter which
seems to bear on this point. ' ' The World Set
Free" ends with a fine account of the last
days of Karenin, the great educational genius
and organizer whose words have just been
quoted. He was incurably crippled and de-
formed and had to undergo an operation
which killed him. As he talks with the direc-
tors and doctors and nurses in the great hos-
pital in the Himalayas, he asks whether he
could not be patched up somehow so as to last
a bit longer. But that is not possible.
"I suppose," says he, "the time is not far
off when such bodies will no longer be born
into the world. ' '
"You see," says the Doctor, "it is neces-
sary that spirits such as yours should be born
into the world. ' '
The spirit of Karenin, — what could that
have been ? Was it merely his wonderful see-
ing and organizing mind? He said himself
that science was "the awakening mind of the
race"; would he have said "the awakening
spirit of the race," or would that have been
something different? Surely we gather that
there was something more to Karenin than
his remarkable mind, something more to his
life and art than his remarkable penetration
and organization. There certainly seems the
implication of something which was perhaps
in mind when Karenin wrote of being ' ' exiled
from God." But just what that something
250
THE DIAL
[ April 1
was Mr. Wells does not say nor does it have
much to do with his ideas on a world-state.
Such things seem worth noting about Mr.
Wells and his thinking. You may wonder
why, if one disagree with him on such funda-
mental matters, one thinks it worth while to
read his books or to write of them. But few
would ask such a question who have felt the
fascination of any great writer, or, we might
say, of Mr. Wells in particular. As one reads
his books, whether agreeing with his ideas or
not — and generally one cannot fully agree
with him — one is carried along by the inter-
est and suggestion of there being so many
ideas, or even of any ideas at all. It is not so
much that he "makes one think" according to
the stock phrase, but that he suggests so much
that is different from one's ordinary way of
looking at things and yet so plausible, that
one is constantly agreeing and disagreeing
and always in a state where one wants to talk
either to him or about him.
Yet in addition to all this, it may be said
that even though facts have not substantiated
some of Mr. Wells 's ante-bellum ideas, and
though our fundamental conceptions may pre-
vent our accepting all his ideas for recon-
struction, yet it is something to find one who
has definite ideas about reconstruction. We
may at least agree with him in the idea that
there ought to be some sort of reconstruction
after the madness of the moment has come to
an end and men's minds may undertake some
better scheme of things.
EDWARD E. HALE.
CASUAL COMMENT.
BY WAY OF PARENTHESIS let a f ew tentative
observations here be offered on a minor ques-
tion of literary style. Some writers there are
who never fail to unfold their thought in so
logical and natural and altogether convincing
a manner that the reader has a delightful
sense of being lifted and carried, without jolt
or jar, to a predestined goal. No sudden halts
for repairs, no spasmodic sprints to make up
the time lost in such halts, no time-wasting
zig-zag side-trips on the way, rack the pas-
senger 's nerves and fret his soul. Of this sure
and steady gait are such prose masters as
Johnson and Macaulay, to read whom is a rest
and a relief from the chaos of one's own less
strictly disciplined mental processes. Others
there are, of a quite different habit, whose
mode of progression, if not exactly that of the
"razzle-dazzle," familiar to sea-side pleasure-
seekers, yet bears some resemblance to the
meanderings of the "roller-coaster" track.
Mazes and involutions, doublings and turn-
ings, lingerings and loiterings and wide cir-
cumambulations, are dear to this order of
writers, and the elaborate pattern traced by
the pen of a master in this labyrinthine style
moves to ecstasies of admiration and despair.
In this category belong, preeminently, Walter
Pater and Mr. Henry James. Each of these
two so opposite manners has, of course, the
defects of its qualities, and each may win from
an impartial reader an equal degree of ap-
proval, or of disapproval. One test of style as
a sure and effective vehicle of thought is found
in its suitability or unsuitability for oral
recital. Many a person in the habit of reading
aloud to others must have noted the ease and
satisfaction with which certain authors may
be thus interpreted to the listening ear, while
others, equally or even more richly gifted, are
an irritation and a torture to both him who
reads and him who listens. Excessive use of
the parenthesis is a not uncommon hindrance
to ready recitability ; and it is not a rash
assertion that the woman writer is more given
than the man to this parenthetical style, this
habit of catching at the first thought or image
that presents itself, and then breaking off for
a moment, sometimes a long moment, to make
a place for omissions, or, so to speak, to pick
up the dropped stitches, before completing the
sentence. This rather awkward procedure
might be likened to the headlong haste of a
boy who, in dressing, inadvertently snatches
up his coat and begins to put it on before
donning his vest, and then, perceiving his
error, holds his coat in suspension with his
teeth while wriggling into his vest, after which
exhibition of misapplied energy he succeeds in
adjusting the other garment.
• • •
"SHAKESPEARE EVERY DAY/' the motto of
the Henry Jewett Players at the Boston Opera
House, evidently assumes that the greatest of
the world's dramatic poets is not too bright or
good for human nature's daily food; and that
this is no rash assumption one would fain be-
lieve, as in fact one is encouraged to believe by
the report that the production, since the begin-
ning of the year, of the five plays, "As You
Like It," "The Merchant of Venice," "The
Merry Wives of Windsor," "Julius Cassar,"
and "Romeo and Juliet," has met with "the
hearty approval of the press and the enthusi-
astic support of the public." Here would
seem to be gratifying proof, if proof were
needed, that the great mass of wholesome,
hearty, unaffected, workaday people really
prefer good drama to worthless if they are but
1915]
THE DIAL
251
allowed a choice. For the purposes of ade-
quate and not too costly presentation of a
rather long list of Shakespeare plays, a good
stock company like the above-named, striving
to attain and maintain "balance, smoothness,
coordination, and careful detail," is likely in
the long run to produce better results, both on
the stage and in the box-office, than can be
expected of a single star indifferently sup-
ported. Like Mr. Granville Barker in his
praiseworthy endeavors to provide the New
York public with something better than the
theatres have hitherto been offering, the
Jewett Players, if their prospectus speaks
truly, are striving to confer upon Boston a
benefit of no mean sort. With the innumera-
ble moving-picture houses and other cheap
resorts as rivals in the amusement field, the
management still hopes to win the increasing
favor of the great public. Here is the beatific
vision that inspires the movement: "The
ideal toward which the management is con-
stantly looking is the establishment of a per-
manent repertory theatre in Boston, a theatre
for all the people who love the drama, and not
merely for habitual playgoers. ... To pro-
vide the best in drama, presented by the best
players obtainable, in the most beautiful play-
house in America, and at the most reasonable
of ' popular ' prices : this is the means whereby
the management hopes to bring about that
long-cherished dream of a theatre that shall
be to Boston much the sort of institutional
influence that the Comedie Francaise is to
Paris."
• • •
A GET-RICH-QUICK CULTURE naturally has its
attractions for many in this stirring age and
generation ; but it was this sort of crude cul-
ture, or pseudo-culture, that received a sharp
rap of condemnation from the president of
Hamilton College at a recent teachers ' confer-
ence held at the seat of that institution of
learning. Urging a rally to the cause of the
classics, and deprecating the increasing ten-
dency to short-cuts through school and college,
the speaker said : "If this practical and mer-
cenary attitude continues, not only will the
classics disappear from our curricula, but
higher mathematics and the more advanced
work in literature will also go." How much
more than mere "polite literature" may be
meant by a broadly based classical culture was
long ago made clear by Matthew Arnold in
reply to some of Huxley's depreciatory re-
marks on Arnold's educational ideals. The
scientist had averred that his distinguished
contemporary referred only to belles lettres
when he spoke of the need of knowing the best
that has been thought and said by the modern
nations ; to which Arnold replied in one of his
American lectures (that on "Literature and
Science") : "But as I do not mean, by know-
ing ancient Rome, knowing merely more or
less of Latin belles lettres, and taking no ac-
count of Rome's military, and political, and
legal, and administrative work in the world;
and as, by knowing ancient Greece, I under-
stand knowing her as the giver of Greek art,
and the guide to a free and right use of reason
and to scientific method, and the founder of
our mathematics and physics and astronomy
and biology, — I understand knowing her as all
this, and not merely knowing certain Greek
poems, and histories, and treatises, and
speeches, — so as to the knowledge of modern
nations also. By knowing modern nations, I
mean not merely knowing their belles lettres,
but knowing also what has been done by such
men as Copernicus, Galileo, Newton, Darwin."
It is safe to say that no system of get-rich-
quick culture will give the world either any
Arnolds or any Huxleys.
• • •
A FOLLOWER IN THE FOOTSTEPS OF CLARK
RUSSELL, like him going to sea at a tender age,
but continuing much longer this life on the
ocean wave, like him turning to later literary
account his salt-water experiences, though
with somewhat less abundant productivity,
and like him enjoying in his lifetime a gratify-
ing degree of popular success, the late Frank
Thomas Bullen (he died last month at
Madeira) might well be called, so far as there
is any meaning in the term, a self-made author.
Born in London April 5, 1857, he received no
school education after nine years of age, when
he became an errand boy and began to make
his own way in the world. At seventeen he
turned sailor, and for fourteen years he was a
sea-rover, visiting all parts of the world and
rising to the position of chief mate, after which
he accepted a junior clerkship in the Meteoro-
logical Office, where he remained until 1890,
making meanwhile occasional and not unsuc-
cessful trial of his pen as a story-teller. In-
deed, such encouragement did he receive from
editors and readers of these tales of the sea
that he decided to devote himself unreservedly
to their composition. His whaling story, ' ' The
Cruise of the 'Cachalot,' " in emulation of the
work of a greater than he, the gifted author
of "Moby Dick," is perhaps the best-known as
it is among the most readable of his numerous
romances of sea-faring, which include, among
others, "A Whaleman's Wife," "Cut off
from the World," "Creatures of the Sea,"
"A Son of the Sea," and "Sea- wrack."
Somewhat different from these, and yet begot-
ten of the same sort of activity and observa-
252
THE DIAL
[April 1
tion, are his "religious autobiography,"
"With Christ at Sea," and his book entitled
' ' Sea Puritans. ' ' Though not a Herman Mel-
ville or a Clark Russell or, still less, a Joseph
Conrad, Bullen had won for himself an inti-
mate knowledge of things maritime, and he
wrote from the fulness of personal experience.
Significant of his industry as a writer is the
brief entry under the head of recreations in
' ' Who 's Who. ' ' One word sufficed,— ' ' none. ' '
• • •
A FAMOUS POLITICAL PAMPHLET, ' ' The Fight
in Dame Europa's School," with appropriate
and amusing illustrations by Thomas Nast,
who was just beginning to achieve fame when
the pamphlet was written, will bear a re-
reading at this time, if one is so fortunate as
to have access to a copy of the forty-four-
year-old publication or any later reproduction
of it. The satirical author begins in the fol-
lowing pleasant vein, as some older readers
may remember: "Mrs. Europa kept a dame
school, where boys were well instructed in
modern languages, fortification, and the use
of the globes. Her connection and credit were
good, for there was no other school where so
sound and liberal an education could be ob-
tained. . . . These lads at Mrs. Europa's were
of all sorts and sizes — good boys and bad
boys, sharp boys and slow boys, industrious
boys and idle boys, peaceable boys and pugna-
cious boys, well-behaved boys and vulgar boys ;
and of course the good old dame could not
manage them all. So, as she did not like the
masters to be prying about the playground out
of school, she chose from among the biggest
and most trustworthy of her pupils five moni-
tors, who had authority over the rest of the
boys, and kept the unruly ones in order.
These five, at the time of which we are writing,
were Louis, William, Aleck, Joseph, and
John." Then follows, of course, the story of
the fierce quarrel between Louis and William,
with the awkward part played by the other
monitors in their attempts to preserve a digni-
fied neutrality ; and it is John 's conduct that
receives the satirist's sharpest stabs. Among
the innumerable printed products that owe
their origin to the present war, a new "Dame
Europa's School," modelled after the old, was
sure to find a place.
NEW BOOKS FOR OLD might sound like a good
bargain to an unwary Princess Badroulbou-
dour, but if the Aladdin in the case were any-
thing of a bibliophile he would not thank his
fair spouse for lending an ear to the specious
offers of the book-peddling magician. In the
latest report of the New York State Library,
Mr. Wyer, the Director, announces the acquisi-
tion of three hundred thousand "pieces"
(presumably books, pamphlets, manuscripts,
etc.) in partial replacement of the valuable
collection destroyed by fire two years before.
Yet he asserts that these considerable acces-
sions "do not remotely approach three-fifths
of the gross value and effectiveness of the
500,000 pieces burned." And he continues:
"There are two chief reasons for this: the
increased cost of books and the impossibility
of reproducing by a tour de force the costly
organization and bibliographic apparatus for
administration which was established in the
old library. Not only have currently pub-
lished books shared substantially in that in-
creased cost which has marked luxuries as well
as necessaries during the past ten or fifteen
years, but older books, those outside the trade
and technically known as ' out of print, ' espe-
cially of certain kinds, have multiplied in
value often many hundred fold." Both the
spread of public libraries and the increase in
the number of wealthy private collectors have
contributed to raise the price of out-of-print
books. The multimillionaire collector is a for-
midable competitor for even the richest library
to bid against, and the only possible course in
such circumstances is usually for the library
to possess its purse in patience and wait for
the multimillionaire's inevitable relinquish-
ment of his treasures in the course of nature,
when they may be again thrown on the mar-
ket or perhaps bequeathed to the very library
most desirous of obtaining them. In the book
world all things have a tendency to come to
him who waits.
• • •
AN EDITOR WITH AN IDEAL that he succeeds
to a notable degree in realizing is in one sense
a creative author, and so deserves something
of the honor paid to gifted authorship. This,
of course, presupposes that the ideal is con-
siderably higher than that symbolized by the
letter S crossed by two perpendicular lines.
Of this high quality was the standard set for
himself by the late Samuel Bowles, fourth of
that name and third in successive editorship
of the Springfield "Republican." Though he
was, by genius and training, much more of a
business manager than a man of letters, yet
he was heir to the journalistic traditions of
his father and grandfather, and succeeded in
perpetuating those traditions as embodied in
the newspaper founded ninety-one years ago.
As his father before him had added the daily
to the weekly issue of the journal, so he ex-
tended its field by creating the Sunday
"Republican," perhaps the best, the most
respectable, the most worthy of a careful read-
ing from beginning to end, of all our Sunday
1915]
THE DIAL
253
journals. Some of the minor peculiarities of
the "Republican" have acquired a fame al-
most as wide as its reputation, for literary
excellence and general sanity. Its scholarly
restraint in the use of capitals is commend-
able, even though carried to some excess. Its
slight leanings toward spelling-reform are
chiefly praiseworthy in that they go no fur-
ther. Mr. Bowles, who was in his sixty-fourth
year when he died (March 14), seems to be
succeeded by no Samuel Bowles the fifth, in
the control of his paper, though he does leave
a son of that name in journalism in another
city; yet it is to be hoped and confidently
expected that the standard of the "Repub-
lican" will suffer no depression from his
death.
• • •
THE BOUNDLESSNESS OF THE FIELD OF AU-
THORSHIP is now and then brought forcibly to
one's realization. Unsuspected domains of
literary activity reveal themselves upon glanc-
ing however cursorily over the catalogue of
almost any considerable collection of books.
A list of bibliographies, dry in itself as the
proverbial "remainder biscuit after a voy-
age," is nevertheless a good eye-opener to the
vastness of the world of things written about.
This splendid spaciousness of the literary
realm — ' ' literary ' ' is here used in its largest
sense — was brought home to us not long ago
by the appearance of a "Bibliography of
Bibliographies," and is now again made in
some sort apprehensible to the intelligence by
a perusal of the latest report of that triply
based institution whose foundations were laid
by John Jacob Astor, James Lenox, and Sam-
uel J. Tilden. For instance, it appears that
in the Technology Division of that library
there was recently compiled and published a
list of works on oxy-acetylene welding, and
even in so limited and specialized a branch of
technical study there were enough treatises to
furnish a catalogue thirty-four pages in
length. It is small wonder that the special
libraries, whereof so little was heard and so
small account was made in our youth, have
now their proper organization and are fast
growing in number and importance.
A NEW VARIETY OF THE JOURNALIST'S ART
appeals for recognition in the world of letters ;
it is to be known as rural journalism, and its
mysteries will be taught, appropriately
enough, at the agricultural college. The trus-
tees of the school of farming at Amherst
(Mass.) have voted to establish a "major"
course in this latest branch of journalism, un-
der the direction of Professor Robert "W. Neal,
who has urged the innovation on the ground
of "the extreme importance of the farm jour-
nal and the country newspaper to country
life." Agricultural schools, it is argued, in
order to treat effectively the subject of farm-
ing in all its phases and ramifications, have
found it necessary to concern themselves with
the economic and social interests of country
life. Hence the attention they pay to the
churches and schools as important factors in
rural affairs ; and hence, too, their recognition
of the newspaper as a powerful influence in
the life and work of the farming community.
In all this the man of letters will be disposed
to see an acknowledgment that the pen is
mightier than the plough.
• • •
A PLEASING PROSPECT IN BIOGRAPHY Opens
before us in the announcement of two forth-
coming books on that brilliant author and
many-sided, lovable, and always interesting
man, the late Father Hugh Benson, recently
cut off in the early prime of his remarkable
powrers. The more full and formal biography
will be that prepared by Benson's friend,
Father Martindale, who, a brilliant man him-
self, is said to have understood his brilliant
associate as well as to have loved him. There
will also be the less elaborate but probably
more touching tribute from the elder brother,
Mr. Arthur Christopher Benson, under the
title, "Hugh: The Memoir of a Brother."
From such passages of biographical reminis-
cence as have already come from his pen — as
in "The Leaves of the Tree" and in several of
his volumes of miscellaneous essays — one may
safely assume that the promised fraternal
sketch will be likely to take its place among
the books that are not soon allowed to perish
from memory.
COMMUNICATION.
A WOED OF EXPLANATION.
(To the Editor of THE DIAL.)
In your issue of March 4 the statement is made
that " a branch of the St. Louis Public Library
was wiped out by fire." Although technically cor-
rect, this statement is, I fear, apt to be misleading.
The fire was that which destroyed the Missouri
Building at the St. Louis World's Fair. In this
building among other things was an exhibit of the
American Library Association, which was operated
as a temporary branch of the St. Louis Public
Library. The building, like most of those at
world's fairs, was of light temporary construction,
and therefore easily burned. Our regular branches
are all of fire-proof construction.
ARTHUR E. BOSTWICK.
St. Louis, Mo., March 18, 1915.
254
THE DIAL
[April 1
FROM CANOE TO AEROPLANE IN
AMERICAN TRAVEL.*
In no field of invention is the cumulative
rapidity of progress more impressive than in
the development of modern means of travel.
Truism though it be that every fresh discovery
of science makes possible a hundred additional
discoveries and inventions, so that the rate of
advance is represented by a geometrical pro-
gression having a very large constant factor,
the marvel of modern scientific and industrial
progress never loses its power to impress and
fairly to daze the imagination. Even the
crudest conjecture of what astounding results
may be possible to applied science in a single
decade or half-decade of the twenty-first
century, if already that brief space of time
suffices for achievements exceeding the total of
accomplishment witnessed by entire centuries,
is enough to take away the breath. Confining
himself to that department of applied science
which has to do with the means of locomotion,
and also limiting his researches to our own
country and, in the main, to the century end-
ing with the completion of the first transcon-
tinental railway, Mr. Seymour Dunbar has
nevertheless found ample material, both docu-
mentary and illustrative, for the filling of a
four-volume work which is thus comprehen-
sively designated on the title-page: "A His-
tory of Travel in America. Showing the
Development of Travel and Transportation
from the Crude Methods of the Canoe and the
Dog-Sled to the Highly Organized Railway
Systems of the Present, Together with a Nar-
rative of the Human Experiences and Chang-
ing Social Conditions that Accompanied this
Economic Conquest of the Continent." It is
elaborately equipped "with maps and other
illustrations reproduced from early engrav-
ings, original contemporaneous drawings and
broadsides." A final chapter gives a "sum-
mary of present conditions" and briefly fore-
shadows the wonders to come, including of
course the still unimagined developments of
aerial navigation. Then follow a hundred
pages of appended matter, historical and sta-
tistical, and an elaborate fifty-page index, the
whole work attaining the rather formidable
proportions of 1529 pages. So impressive a
monument to a single person's industry and
scholarship cannot fail to command admira-
tion.
With all the books on historic highways and
* A HISTORY OF TRAVEL IN AMERICA. By Seymour Dunbar.
In four volumes. Illustrated. Indianapolis : The Bobbs-Merrill
Co.
waterways and famous trails that our histo-
rians and descriptive writers have of late pro-
duced, much of the present work will be more
or less familiar to many readers ; but its point
of view, most of its details, and not a few of
its illustrations, will probably be found to pos-
sess a pleasing novelty, and their manner of
presentation, by which is meant, not least of
all, the sumptuous appearance of these well-
made volumes, will not fail to attract. In his
attitude toward his subject the author natu-
rally and properly fails not, throughout, to
uphold the dignity and importance and far-
reaching significance of his theme. Modes of
moving from place to place he considers indica-
tive of the degree of development attained by
the people using them; and a well-developed
vehicular traffic is of course a potent instru-
ment for the material and intellectual improve-
ment of the society in which it is found. This
philosophy of the matter, however pleasing
and satisfying to the author and his readers,
has nevertheless its weak points. If a people's
method of travel is to serve as a criterion of its
general enlightenment and progress, the
Greeks of the time of Pericles ought to be
accounted as little better than barbarians, and
the subjects of King Cheops, notwithstanding
the testimony of the Pyramids, could hardly
be said to have emerged from savagery. But,
granting the soundness of the author's theory
in the main, let us allow him to set forth in his
own words something of the plan and purpose
of his work. In his opening chapter he says :
" The subject to which these pages are devoted
is the foundation whereon the country, considered
as a social and industrial organization, has been
built. A few years ago — until as late a date as
1806 — the six or seven million people of America
were contentedly visiting their friends, or moving
about on business, in flatboats, dog-sleds, stage-
coaches, strange wagons or canoes. Those were the
only vehicles of travel, and when they were not
available, as was very often the case, the traveller
walked or else rode upon a horse. To go from the
Atlantic seacoast to such remote regions as Cin-
cinnati or St. Louis or Fort Dearborn — now Chi-
cago— in those days meant a journey of many
weary weeks, with possibly the loss of a scalp.
Such a thing as a trip across the continent and
back was not within the range of thought of the
ordinary man. ... In this present realm of four-
day ocean steamships, of trains that dive beneath
rivers or plunge through a thousand miles in
twenty hours, of subways, motor-cars, submarine
boats, and with the flying machine just beginning
to dot the sky, we are privileged to remember, if
we choose, that once upon a time the express boats
on the canals maintained a speed of three miles an
hour for day after day, and that the Pioneer Fast
Line advertised it would rush its passengers
through from Philadelphia to Pittsburgh in four
days — and often nearly kept its word."
1915]
THE DIAL
255
In its wealth of contents, the book first sur-
veys the general condition and appearance of
our country in its infancy, pointing out the
all but insuperable difficulties of travel
through the dense forests, and giving some
account of the early Indian trails ; then traces
the gradual growth of improved means of com-
munication as influenced and accelerated by
the condition and needs of the people, and
argues that it was universal transportation
facilities, rather than politics or war, that
acted as the compelling force for real national
unity; brings forward much new material in
illustration of social conditions and modes of
travel in the middle and far "West, with
glimpses of pioneer life and details concerning
the government's dealings with our native
tribes ; and, in its later chapters, exhibits the
on-rush of our population into the vast west-
ern domain made at last accessible to all by the
road of iron. With a "summary of present
conditions," as already stated, the fascinating
narrative comes to a close. As a sample of its
quality, a passage describing the old-fashioned
tavern breakfast will here serve as well as
another :
" Then came the breakfast ceremonial. The host
marched to the front door, lifted a cow's horn to
his lips and sent forth the resounding blast that
summoned all hands to the table. Some landlords
preferred a big bell rather than a horn, and filled
the air with a clangor heard for a mile around. A
meal at one of the early taverns was nearly always
a bountiful repast, and usually ended, whether at
breakfast, dinner or supper, with two or more
kinds of pie. Everything was put on the big table
at once, and everybody ate until he reluctantly
made up his mind to stop. In those days a meal
meant all a man wanted to eat. The price re-
mained the same. A slice of bread was visible
even when the edge of it was held toward the eye.
the butter could be safely attributed to the cow,
and a third cup of tea or glass of milk was as
smilingly produced, if called for, as the first. In
short, the deplorable deficiency in varieties of
knives and forks, and in different species of spoons
— as measured by modern requirements — was
made up by a plenitude of things that could be
eaten instead of looked at."
The beginning of certain reprehensible
practices in railroad finance that are now only
too well known to us of a later generation is
traced back to about the middle of last cen-
tury, or, more definitely, to the year 1848, and
is thus noticed by the author in connection
with the general railway development of the
period :
" At about this time, however, there likewise
appeared the first outwai'd symptoms of an un-
fortunate condition that was destined to become
much more prominent as the years went on, and
that has injuriously affected the railway system of
the country since the period mentioned. Although
the people as a whole had cast out their mania and
viewed the subjects of railroad construction and
administration with saner eyes, a small but influ-
ential portion of the population did not follow
their example. Those avaricious men who repre-
sented, in the economic and political affairs of
their day. the influences which these later times
have come to define as ' predatory wealth ' and
' special privilege,' were beginning to recognize the
opportunities that would lie within their grasp if
they could control so vital a portion 'of the nation's;
industrial fabric as the railways were obviously
destined to become. They caught glimpses of the
power that would be theirs if they built, operated
and manipulated railways as gigantic weapons,
rather than as agencies of public benefit which
would methodically aid in the creation of new
wealth through the operation of those processes
they were primarily designed to perform. To
characters so warped, and to able minds so inclined,
the lure was irresistible and the result was sure.
Thus began the extensive practice of building rail-
ways with the object of acquiring money through
their construction rather than by their later efficient
operation."
Then is described in outline the nefarious
scheme wrhereby, with occasional differences in
detail but with a wearisome sameness in essen-
tial rascality, the too-trusting investor of the
last half-century or more has been plundered
by the unprincipled and avaricious railroad-
promoter and railroad-wrecker.
A noteworthy chapter of the concluding
volume is devoted to the history of the great
Mormon overland pilgrimage of 1846-8, re-
lating the events that led up to it, the expul-
sion of the Church of Latter-day Saints from
Nauvoo, the sufferings of the migrating party,
the discovery of the Great Salt Lake Valley,
and the final settlement of the wandering host
in the new land of promise after two and a
half years of vagrancy.
Mr. Dunbar has spared no pains to make his
book all that the promise of its title-page leads
one to expect. His diligence is beyond praise,
his range of research amazing. Libraries and
historical societies, antiquaries and special
authorities, have been called upon, not in vain,
to swell the riches and perfect the historical
accuracy of his stately volumes. If a reviewer
were to presume, from the lesser resources of
his own equipment, to offer any general criti-
cism as he closes with hearty commendation
this absorbing story of a great movement in
American civilization, it would perhaps take
the form of a regret that the greatness of the
theme is not always matched by an equal
greatness of style in the writer. A certain
unfailing niceness in the choice of words, a
true sense of the literary possibilities and im-
possibilities of a subject or a situation, a
256
THE DIAL
[ April 1
scholarly avoidance of excesses of any sort,
are not among the outstanding merits of the
author's style as displayed in this book. He
makes, too, the rather frequent mistake of
crediting his readers with too little rather than
too much intelligence. On one page, for in-
stance, he takes the trouble to explain what a
railway "turnout" is, and at the foot of
another he thinks it necessary to add a note to
the effect that ' ' a public house was also called
an ordinary. * ' Probably it is better, all things
considered, to overestimate than to underesti-
mate a reader's mental equipment; at any
rate, it is a Coleridgian axiom that an uneluci-
dated obscurity is a compliment to the reader 's
acuteness.
Four hundred illustrations, colored and un-
colored, with two folding maps, add no little to
the book's attractiveness and interest. The
quality of its typography and press-work is in
accord with the other excellences of the work.
PERCY F. BICKNELU
THE ARCH-PRIEST OF GERMAN
IMPERIALISM.*
One of the "literary" results of the Euro-
pean war has been the resuscitation of a group
of writers of German birth or affiliations who
had been largely forgotten or who were
formerly known only to a small number of
scholars. Among these may be mentioned the
military writers, Clausewitz and Bernhardi,
the philosopher Nietzsche, and the historian
Treitschke. This result has been the work
chiefly of Englishmen who believe they have
found in the teachings of these writers all the
abominable doctrines of imperialism, mili-
tarism, the supremacy of force, the blind
idolatry of the State, and other ideas of the
kind which now reign in Germany.
Treitschke 's \vritings in particular have
been translated, edited, and republished in
numerous editions, and are now being widely
read by the English and American public.
Three of the most recent of these publications
are Mr. Joseph McCabe's "Treitschke and the
Great War," Mr. H. W. C. Davis 's "The
Political Thought of Heinrich von Treitschke, ' '
and the collection of translated essays entitled
"Germany, France, Russia, and Islam." The
first mentioned is a commentary on Treitschke 's
political theories, and an estimate of their in-
fluence upon the thought and national life of
the Germans. As such it is a very interesting
* TREITSCHKE AND THE GREAT WAR. By Joseph McCabe.
New York : Frederick A. Stokes Co.
THE POLITICAL THOUGHT OF HEINRICH VON TREITSCHKE.
By H. W. C. Davis, M.A. New York : Charles Scribner's Sons.
GERMANY, FRANCE, RUSSIA, AND ISLAM. By Heinrich von
Treitschke. Translated, with Foreword, by George Haven
Putnam. With portrait. New York : G. P. Putnam's Sons.
contribution; but unfortunately it is marred
by evidences of strong prejudice and at times
of unfairness.
The work of Mr. Davis is less a commentary
or analysis, and more of a collection of ex-
tracts from Treitschke 's historical and po-
litical writings, especially his Politik, which
consists of two volumes of lectures delivered
at the University of Berlin. Happily, there
is here less evidence of bias than in the first
mentioned work. For this and other reasons
it is a more trustworthy and useful book for
English and American students of Treitschke 's
political philosophy.
The third book is a collection of Treitschke 's
essays dealing with questions of German for-
eign politics. They are unaccompanied by
any comment or criticism except a brief prefa-
tory analysis by Mr. George Haven Putnam.
They include papers on German relations
with other powers. Turkey and the great
nations, Germany and the oriental question,
what Germany demands of France, the German
Empire, and other essays. The ideas which
run through them all are characteristic of
Treitschke 's political thought: the doctrine
of imperialism, Germany's mission as a world
power, the rule of force, etc.
Treitschke 's was a unique personality in
many respects. He was a Saxon by birth, but
of Czech ancestry. His father was a general
in the army, and the son would doubtless have
chosen a military career had an accident not
deprived him of his hearing. He studied and
taught in various German universities, but in
1874 he was called to the University of Berlin,
where he remained until his death in 1896.
He was distinguished by his historical scholar-
ship and his eloquence as a lecturer, and prob-
ably no German professor ever lectured to
larger audiences or more completely capti-
vated his hearers. He started out as a liberal,
but after his removal to Berlin he became an
ultra-conservative and an ardent supporter of
Bismarck, an enemy to the Social Democrats,
and a glorifier of the Hohenzollern dynasty.
He became a member of the Reichstag in 1871,
where he sat continuously until 1888, when he
resigned — largely out of disgust because of
the increasing influence of the Social Demo-
crats.
His political philosophy may be summed up
in the following ideas: The essence of the
State is power, and it is to be found in a well-
equipped and well-drilled army; it is not a
mere academy of arts or sciences. The State
belies its own nature when it neglects the
army, therefore the organization of the army
is one of the first constitutional questions for
the consideration of the State; the army is
1915]
THE DIAL
257
the foundation of political freedom, so that
we need not waste pity on states that have a
powerful and well-drilled army. The State
exists over and apart from the individuals
who compose it; and it is entitled to their
utmost sacrifices, — in short, they exist for it
rather than the State for them.
Treitschke has been much reproached for
his views regarding the binding force of
treaties; and the responsibility for the "scrap
of paper" theory of which we have heard so
much lately is attributed to him. His views
upon this point are substantially as follows:
The State is subject to no human superior;
any restrictions upon its sovereignty are mere
voluntary and self-imposed limitations; all
treaty obligations are subject to the rule of
rebus sic stantibus, and therefore treaties
which have outlived their usefulness may be
denounced and replaced by new ones which
correspond to the new conditions. Every
State, therefore, is the final judge of its obli-
gations, and the duty of self-preservation may
require it to repudiate treaties which are in-
consistent with its own progress and existence.
There is no reputable writer on international
law to-day who would contest the soundness
of this view; yet Treitschke 's disciples have
employed his doctrine of rebus sic stantibus
in a sense which he apparently did not intend
it to be understood, and his critics have like-
wise attributed to him the responsibility for,
the view, now apparently held by some Ger-
mans, that treaties may be denounced and
rejected upon mere grounds of inconvenience.
The deification of war runs through the
whole of Treitschke 's historical and political
writings. Again and again he speaks of the
"moral majesty," the "moral grandeur," and
the "moral sublimity" of war. In his Politik
he says: "War is political science par ex-
cellence. Over .and over again has it been
proved that it is only in war that a people
becomes indeed a people. It is only in the
common performance of heroic deeds for the
sake of the Fatherland that a nation becomes
truly and spiritually united." "The second
important function of the State," we are told,
"is warfare. That men have so long refused
to recognize this fact proves how emasculated
political science has become in the hands of
civilians." "If it had not been for war, there
would be no States. It is to war that all the
States we know of owe their existence. The
protection of its citizens by strength of arms
is the first and foremost duty of the State.
Therefore wars must continue to the end of
history as long as there is a plurality of
States. Neither logic nor human nature re-
veal any probability that it could ever be
otherwise. The blind votaries of perpetual
peace fall into error of either mentally iso-
lating the individual State, or else of imag-
ining a World-State, which we have already
shown to be an absurdity."
Again he says : ' ' Any one with a knowledge
of history realises that to expel war from the
universe would be to mutilate human nature.
There can be no freedom unless there can be a
warlike force, prepared to sacrifice itself for
freedom. We must repeat that scholars, in con-
sidering this question, are apt to argue from
the quiet assumption that the State is merely
intended to be an Academy of the Fine Arts
and Sciences. That is one of its functions,
but not the most important. If a State
neglects its physical in favor of its intellectual
energies, it falls into decay. ' '
Time and again he dwells upon the glories
of war, the duty of men to sacrifice not only
their lives but the "natural and deep-rooted
feelings of the human soul for a great patri-
otic idea," the impossibility of liberty without
war, and the self -stultification of those who
think that warfare can be eliminated from the
world. War is the only remedy for sick na-
tions ; without war all progress will disappear
from history; it has always been the ex-
hausted, spiritless, enervated ages that have
played with the dream of universal peace.
Treitschke had no admiration for England
or the English. On the contrary, his feeling
toward them was largely one of contempt.
More than any one else, he is held responsible
by the English for the anti-English sentiment
which blazed out during the Boer War, and
which has since reigned in German society
and in the press. For this reason English
historians and editors of his writings have not
always interpreted his political theories fairly
or correctly.
Finally, it may be seriously doubted whether
Treitschke 's teachings have ever exerted any-
thing like the influence on the thought and life
of the German people that the English now
attribute to them. He was primarily a uni-
versity professor; and while he lectured to
large audiences of students, the number of
persons who were directly affected by his doc-
trines was probably comparatively small. At
the time, his views, now so much detested by
Englishmen, attracted little attention; and
had it not been for the present war they would
have remained unknown to the great mass of
mankind. JAMES W. GARNER.
Mr. Ludwig Lewisohn has made a critical resume
of the dramatic literature of the last three decades
which will be published by Mr. B. W. Huebsch
under the title of " The Modern Drama : An Essay
in Interpretation."
258
[April 1
BROWNING'S WOMEN.*
The stream of Browning books continues.
If they were all of one type, that of uncritical
praise and adulation, we might heartily wish
the habit would die out; but fortunately we
have now and then a book or essay from one
who is not altogether a Browningite, and who
endeavors to see Browning's work not through
colored or distorting glasses but as it really is.
Of such a character is Miss Mayne's volume
on "Browning's Heroines," and we welcome
it as on the whole a contribution of importance
to the discussion of Browning's artistry.
We must first say one or two things about
the style of the book. It gives us constantly
the impression of effort to be vivacious; this
it generally is, but, with its superabundance
of short sentences, its rows of periods indi-
cating omissions, its questions, it is also jerky
and suggestive of a lack of poise. It is far
from the simple, effective style which would
carry far greater weight, and over which men
have no monopoly. One specimen will suffice.
The author is describing Pippa's reflections at
the close of her one day :
"But gradually the atmosphere of her mind
seems restored; the fogs of envy and curiosity
begin to clear off — she goes over the game of
make-believe, how she was in turn each of the
Pour . . . but no! the miasma is still in the air,
and she's ' tired of fooling/ and New Year's Day
is over, and ill or well, she must be content. . . .
Even her lily's asleep, but she will wake it up, and
show it the friend she has plucked for it— the
flower she gathered as she passed the house on the
hill. . . . Alas! even the flower seems infected.
She compares it, ' this pampered thing,' this double
heartsease of the garden, with the wild growth,
and once more Zanze comes to mind — isn't she
like the pampered blossom1? And if there were a
king of the flowers, ' and a girl-show held in his
bowers,' which would he like best, the Zanze or the
Pippa? . . . [all these periods are in the text].
No; nothing will conquer her dejection; fancies
will not do, awakening sleepy lilies will not do,"
etc., etc.
This is of course indirect discourse ; but does
it quite fit?
While the book is interesting, it cannot be
said that all parts are of equal value. In the
case of some heroines no new point of view is
presented; the character is merely described
as we are already familiar with her. This is
true, for example, of much of what is said
about Pompilia, about the Countess Gismond,
even about Pippa. Was it worth while to go
over the story of each of the poems at such
length? Except for a certain class of imma-
ture or indolent readers, we doubt it. Too
* BROWNING'S HEROINES. By Ethel Colburn Mayne. With
frontispiece and decorations by Maxwell Armfield. New
York: James Pott & Co.
much of the book is taken up with the retelling
of the stories, with copious though well chosen
quotations.
But other parts of the book are important.
For example, we may take the treatment of
Mildred Tresham. Miss Mayne thinks Brown-
ing did not understand her, and therefore did
not succeed in his portrayal of her ; and Miss
Mayne is right.
" What a girl he might have given us in Mildred,
had he listened only to himself! But, not yet in
full possession of that self, he set up as an ideal
the ideal of others, trying dutifully to see it as
they see it, denying dutifully his deepest instinct;
and, thus apostate, piled insincerity on insincerity,
until at last no truth is anywhere, and we read on
with growing alienation as each figure loses all of
such reality as it ever had, and even Gwendolen,
the ' golden creature ' — his own dauntless, indi-
vidual woman, seeing and feeling truly through
every fibre of her being — is lost amid the fog."
Likewise she is right in what she says of
Pompilia :
" Pompilia is a living soul, not a puppet of the
theatre. Yet even here the same strange errors
recur. She has words indeed that reach the inmost
heart — poignant, overpowering in tenderness and
pathos; but she has, also, words that cause the
brows to draw together, the mind to pause un-
easily, then to cry l Not so ! ' Of such is the analysis
of her own blank ignorance with regard to the
marriage-state."
Was the Lady of the Glove wrong? Miss
Mayne thinks so.
" And so the Lady thought right and did wrong :
'twas not love set that task to humanity. Even
Browning cannot win her our full pardon."
Miss Mayne will not allow that the age was
different from ours :
" Women's hearts were the same ; and a woman's
heart, when it loves truly, will make no test for
very pride-in-love's dear sake. It scorns tests —
too much scorns them, it may be."
But has she not already conceded that the age
was different when she says above that for
these great gifts —
"the endless descriptions of death
He would brave when my lip formed a breath, —
the lady "must give in return her love, as
love was understood at the court of King
Francis"? Is it not true that love in its rela-
tion to marriage was differently conceived in
those days, and that we are not to judge of
that age by standards which apply only (so
far as we know} to our own ? In fact, is it not
paradoxical to say that she thought right and
did wrong? If her act was the logical result
of right thinking, how can it be maintained to
have been a wrong act ?
One remark which the author makes about
Phene is, it seems to us. merely fanciful:
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259
" In this Passing of Pippa, silence and song
have met and mingled into one another, for Phene
is silence, as Pippa is song. Phene will speak
more when Jules and she are in their isle together
— but never will she speak much : she is silence."
How do we know all this about Phene? "We
never see her normal self in the poem.
And when the author repeats, apparently
with approval, Mr. Chesterton's comment,
that having made Pippa Monsignor 's niece,
"Browning might just as well have made
Sebald her long-lost brother, and Luigi a hus-
band to whom she was secretly married," we
must protest. Surely Browning had the same
right to represent Monsignor as Pippa 's uncle
that he had to cause the Happiest Four in
Asolo to hear Pippa 's song at the precise mo-
ment when it would influence each of them as
it does; and who are we that we should dis-
pute him? "We suppose that the point at-
tempted in the above quotation is that making
Monsignor Pippa 's uncle renders the situation
too melodramatic; but even if one were to
concede this, is melodrama necessarily un-
truthful? In that world of poetry of which,
after all, Pippa is a denizen, we must take
things as we find them.
In spite of these adverse comments, how-
ever, it is our opinion that the volume con-
tains much that is good. Miss Mayne has read
her Browning carefully and with open eyes.
Of her contention that Browning has been in-
jured by the blind worship of some of his
followers there is no doubt. And her book
will assuredly help to set forth the great poet
in a truer light. CLARK S. NORTHUP.
How NAPOLEON ORGANIZED VICTORY.*
The group of books which any publishing
season adds to the already astonishing mass
of Napoleonic literature gives evidence at least
of the heterogeneous interest which the great
man's career still provokes. The particular
kind of interest seems occasionally beneath
the level of decent historical investigation.
Why devote a volume to Count Leon, the vic-
tim— in other words, the offspring — of one
of Napoleon 's most fugitive amours ? All that
* NAPOLEON AT WORK. By Colonel Vachee ; translated
from the French by G. Frederic Lees. With portrait. New
York : The Macmillan Co.
NAPOLEON'S RUSSIAN CAMPAIGN OF 1812. By Edward
Foord. Illustrated. Boston : Little, Brown & Co.
AN UNKNOWN SON OF NAPOLEON (Count Leon). By Hector
Fleischmann. With portrait. New York: John Lane Co.
NAPOLEON AND His ADOPTED SON. Eugene de Beauharnais
and His Relations with the Emperor. By Violette M. Montagu.
Illustrated. New York : McBride, Nast & Co.
THE STORY-LIFE OF NAPOLEON. By Wayne Whipple. Illus-
trated. New York : The Century Co.
THE DECLINE AND FALL OF NAPOLEON. By Field-Marshall
Viscount Wolseley, K.P. Third edition ; illustrated. Phila-
delphia: J. B. Lippincott Co.
LIFE OF NAPOLEON. By Major Arthur Griffiths. Illustrated
in color, etc. Philadelphia : J. B. Lippincott Co.
is worth saying about this pitiful existence
could be put in a single sketch. Fortunately,
few authors err in such a choice of subject.
Fortunately, also, in nearly every group of
books two or three are found which distinctly
advance the serious study of Napoleon's
achievements, and do this without committing
the blunder of being dull. The most recent
examples of this latter type are Mr. Edward
Foord 's "Napoleon's Russian Campaign of
1812" and Colonel Vachee 's "Napoleon at
Work, ' ' published in Paris a little over a year
ago and now translated.
Colonel Vachee had a definite pedagogical
purpose in preparing his book. He desired
to set forth in the person of the greatest of
modern military leaders the characteristics of
successful leadership. He had in mind the
"future wars" in which France might be
obliged to take a part, — wars which within
six months ceased to be future, and became
tragically present. His method is not didactic
but descriptive. He shows how Napoleon
reached his decisions, and the exact manner
in which at every stage of the proceedings
the execution of his plan was secured. This
necessitates a careful description of the im-
perial staff and of the functions of each prin-
cipal officer. Colonel Vachee includes also two
chapters upon Napoleon's "Rewards and
Penalties," which were designed to secure the
fidelity of soldiers as well as officers, and were
suggested by a Machiavellian shrewdness. The
last two chapters of the book deal with "Na-
poleon on the Battlefield." The material for
this study is drawn from official records and
correspondence, and from the recollections of
those brought into intimate contact with Na-
poleon during his campaigns. One of the
most valuable witnesses is Baron Fain, long
Napoleon's trusted private secretary.
The secret of Napoleon's successes lay in
Colonel Vachee 's opinion, not merely in his
skill as a strategist, but chiefly in the energy
and rapidity with which he drove his orders
through to fulfilment. On a campaign he
was accustomed to go to sleep at eight and to
get up at twelve. The orders for the next day
were drawn up and despatched between mid-
night and morning. A single illustration will
show how time, so vital in moving large bodies
of troops, was saved. Two or three days be-
fore the battle of Jena, when his headquarters
were at Auma, the orders sent to all six corps
and the cavalry were despatched between three
and four-thirty in the morning. The order
to Bernadotte, who was then eighteen miles
away, was received in three hours and fifteen
minutes. Bernadotte 's corps, of more than
20,000 men, was on the march within an hour
260
THE DIAL
[April 1
and three-quarters, and at the close of the day
had marched seventeen miles.
Napoleon's camp was always an agitated
scene. Neither his private secretaries nor his
aids knew when they would be called upon
for service, day or night. He would wake up
suddenly and ask for his maps and his secre-
taries. When the work was done, his next
exclamation might be, "The carriage!" or
"To horse!" Horses were kept saddled and
bridled, and held by attendants. He had a
campaign carriage, which could be driven in a
few hours over the distance covered by the
army in a day. On the night before a battle
he usually reconnoitered the enemy's position
personally in order that his final directions to
his generals might take account of the latest
changes in the situation. At Jena he was so
venturesome that upon his return to his lines
he was nearly shot by one of his own outposts.
Colonel Vachee regards the organization of
Napoleon's staff as defective. Indeed, it was
so complex that even the lucid account of it in
this volume leaves the mind of the reader
sadly confused. The machinery for recording
and transmitting orders seems to have been
efficient, principally because it operated im-
mediately under the eyes of the master and
of Berthier, his chief of staff. Napoleon was
not accustomed to explain to his corps com-
manders, even when a great battle was immi-
nent, what his plan was. He did this to
certain favorite generals, while to the others
he gave specific orders, leaving them quite in
the dark upon the general scheme. Sometimes
the consequences of such a method were un-
fortunate. This is the explanation, for ex-
ample, of Bernadotte 's inaction on October 14,
1806, taking part neither in the battle of Jena
nor going to the assistance of Davout in his
struggle with the Prussians at Auerstadt. The
most fatal consequences came when Napoleon 's
own energy was diminished, and when this
lack was not made up by the initiative of his
subordinates.
Two or three of the minor personages of
Napoleon's staff are well described by Colonel
Vachee. One was D'Albe, the topographical
secretary, who had served Napoleon for seven-
teen years. He would stick colored pins into
the maps of the region to represent the exact
position of the different corps, as this was
indicated in the latest reports. The same
would be done for the position of the enemy's
army, so far as it was known. In the night
time the map was surrounded by twenty
candles. If a despatch came, the conclusions
from it were entered on the map; and Na-
poleon, compass in hand, would bend over it
measuring the distances. Sometimes the map
was so large that both Napoleon and D'Albe
would lie flat upon it, discussing the situations
and distances. Occasionally in their excite-
ment their heads came together violently.
D ' Albe 's knowledge was so indispensable that
Napoleon treated him more confidentially than
any other officer in the army. He, if any one,
knew what steps the master's mind was fol-
lowing in arriving at a plan of the decisive
manoeuvre.
Another confidential officer, D'Ideville, was
both interpreter and statistician of foreign
armies. Napoleon in military affairs as in
civil administration was systematic in obtain-
ing and recording useful information. The
strength of foreign armies naturally interested
him. His officers and even ambassadors and
other diplomatic agents had orders to send to
Paris every scrap of information about the
strength, position, and movements of foreign,
armies. All this was carefully sifted and sum-
marized, so that Napoleon often knew as
much about foreign armies as about his own.
On a campaign D'Ideville was always with
him, and if a prisoner was brought in D'Ide-
ville questioned him in his own language, and
the information was classified with the rest.
Napoleon occasionally amused himself in
times of peace by telling ambassadors about
movements of their armies of which they had
not been advised and requesting an explana-
tion.
It is satisfactory to note that although
Colonel Vachee sees much to admire in Na-
poleon as a military leader, he is not blind to
Napoleon's defects as a man and a statesman.
Indeed, the selfishness of the Emperor, his
egoism (to use the favorite word of French
writers) , receives quite sufficient emphasis. It
is a question whether the author does not
overstep the limits of his task in stating how
the baser imperial appetites were provided for
through the solicitude of such distinguished
panders as Talleyrand, Berthier, Murat, and
Duroc.
Mr. Foord 's volume shows how Napoleon in
1812 instead of organizing victory sent his
greatest army to final defeat and ruin, mainly
through failure to estimate adequately the
climatic and geographical conditions of a cam-
paign in Russia. His transport system broke
down before the army reached Vilna, fifty
miles from the frontier. For one thing, the
wagons proved to be too heavy for the Polish
roads, which were turned into a quagmire by
five or six days of rain. In several of Na-
poleon's decisions during the campaign the
author sees not merely natural miscalculation
but a decline of that mental alertness and
power of imagination which had accounted for
1915]
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201
so many victorious campaigns. One of the
most striking instances is the order given at
Orsha on the retreat to destroy the reserve
bridge train of sixty pontoons. Mr. Foord
says that Baron Eble, chief of the bridge
trains, "alive to the danger, pressed to be
allowed to keep fifteen pontoons, but in vain,
and he could save only 2 field forges, 2 wag-
gons of charcoal and 6 of implements." And
this happened when the passage of the Bere-
zina was imminent. The special qualities of
Mr. Foord 's treatment are his careful atten-
tion to details of food, clothing, discipline,
and morale at various stages of the campaign.
He writes with full appreciation of Welling-
ton's dictum that an army "moves on its
belly," and if that is empty the fate of the
army is sealed. The crowning disasters of the
retreat he attributes to the lack of discipline,
due in part to a month of pillage in Moscow
and to the large number of non-combatants,
including many women, by whom the army
was accompanied. Equally illuminating is
the author's handling of the military prob-
lems,— the question of Bagration's escape
from King Jerome, the fiasco of the Drissa
camp, the refusal of Napoleon to put in the
Imperial Guard at Borodino, and others.
The handsome volume which is devoted to
the vicissitudes of "An Unknown Son of Na-
poleon (Count Leon) " comes very close in its
early chapters to the bounds of pornographic
literature. After it leaves the story of the
father and mother and takes up that of the
son, it deals with melodrama, — often that
which is on the edge of the gutter. Every
folly of the son is, however, another blot on
the memory of such a father. One must pro-
test, furthermore, against the wrong of
dragging out into the light of notoriety the
descendants of the mother or those of the
child. This is cruelty which can hide behind
no shred of reason.
A much pleasanter book is Montagu's "Na-
poleon and His Adopted Son." No figure in
the Napoleonic gallery is more attractive than
that of Eugene, Viceroy of Italy. As ruler of
Napoleon's Italian kingdom he deserves a
place among the makers of modern Italy. He
was not a great statesman, and he was too
subservient to his step-father's will; and yet
during his reign Italy took certain steps in
administrative and military reorganization
which were not wholly retraced when the
Grand Empire fell. This work deals almost
exclusively with Eugene's personal and mili-
tary career. One will consult it in vain for
any adequate account of the Napoleonic re-
gime in the Italian kingdom. The book is
not free from inadvertencies, as, for example,
when Eugene at Marengo is said to have
helped by "his repeated charges to drive the
Italian troops back into Milan."
"The Story-Life of Napoleon," by Mr.
Wayne Whipple, is a selection of anecdotes
in regard to each succeeding incident or phase
of Napoleon's career, so arranged as to form
a biography. There is evidently room for such
a book, and the only question concerns the
method by which it is constructed. If the
reader should inquire what reason he has to
suppose any particular story to be true, the
editor offers him no assistance, for the stories
are quoted indiscriminately from memoirs and
secondary works of all sorts, some of which
have no other merit than a readable style.
The collection would have been far more help-
ful if the editor had traced the stories back
to the original sources. They could still have
been given in the most attractive English form
available. A story may be worth telling, al-
though apocryphal, — as, for example, the
story of Napoleon's smashing the porcelain
vase during his negotiations with Cobenzl
prior to the Peace of Campo Formio. This is
still told as historical by so distinguished a
historian as Fournier. The author quotes
from Madame Junot's Memoirs the tale that
at his coronation Napoleon seized the crown
to prevent the pope from placing it on his
head. This tale is disposed of by Frederick
Masson in his recent work on the Coronation.
The legend of the drowning of the Russians
at Austerlitz is quoted from Emerson 's ' ' Rep-
resentative Men ' ' !
In this group of books are two biographies
of Napoleon, one a new edition of Viscount
Wolseley's "Decline and Fall of Napoleon,"
published first in 1895, the other a "Life of
Napoleon" by Major Arthur Griffiths. Wolse-
ley's narrative opens with the campaign of
1812, and is professedly a piece of military
historical writing, especially interesting be-
cause of its author's competence upon the
questions involved. The biography by Major
Griffiths deals with Napoleon's whole career.
It is written in a vigorous style, interspersed
with wholesome English denunciations of Na-
poleon's conduct. It makes no compromise
with the "New History," giving hardly more
than allusions to the great constructive
achievements of the Consulate and the Em-
pire. The narrative is mainly concerned with
political intrigue, diplomacy, and wars. It is
brief, running only to the length of eighty
thousand words. There are certain errors of
statement which should be corrected. Young
Napoleon Bonaparte did not "beat the streets
of Paris" from May until October, 1792,
hoping for reinstatement in the army. He
262
THE DIAL
[April 1
was reinstated with the rank of Captain on
July 10, and his promotion was dated back to
the preceding February. On his return from
Egypt, Napoleon could not have "tried the
Jacobin Club, ' ' because this had been closed by
Fouche. Furthermore it is not true that the
financial successes of the early Consulate were
due mainly to exactions similar to those which
characterized Napoleon's first Italian cam-
paign. After all, these are minor blemishes;
the chief question is the distribution of in-
terest. The significance of Napoleon's career
for France and for Europe is missed.
H. E. BOURNE.
A HALF-FORGOTTEN AMERICAN
PRESIDENT.*
One would have expected an authorized
biography of Rutherford B. Hayes long ago,
as it is now twenty-two years since his death.
His friend William Henry Smith had in fact
begun such a work, but it was interrupted by
the hand of death, in 1896. Mr. Smith's plan
was an extended history of the time, woven
about the life of Hayes. A part of his ma-
terial was published some years after his
death in the form of two large volumes on
" The Political History of Slavery." On his
death bed he had requested his son-in-law,
Mr. Charles Richard Williams, to finish the
task. Mr. Williams did not immediately find
the time to fulfil this commission, but brought
out the volumes on Slavery as a separate work,
leaving the biography to be taken up by itself
when opportunity should offer. Finding it
possible to withdraw from other labor a few
years ago, he set himself seriously at work
upon the biography, which we now have be-
fore us.
It is safe to say that this change from Mr.
Smith's original plan means a much wider
reading for the biography. Indeed, the com-
pression of the subject into a single volume
would have had a decided advantage in this
respect, but anyone who is aware of the em-
barras des richesses which the author had at
his disposal in the old Hayes mansion in Fre-
mont will wonder only that he could have had
the heart to practice a rigorous enough ex-
clusion to keep within the limits of the two
volumes here presented. Perhaps the Hayes
Diary, drawn upon constantly for this work,
may some day be published in its entirety.
The Western Reserve Historical Society might
find a useful field of endeavor here.
During an inroad of the Danes into the
* THE LIFE OF RUTHERFORD BIRCHARD HATES, Nineteenth
President of the United States. By Charles Richard Williams.
In two volumes. With portraits and other illustrations.
Boston : Houghton Mifflin Co.
Frith of Tay, according to Holinshed, the
Scots were hard beset and about to give way.
Suddenly there appeared upon the scene a
farmer named Haie, with his two sons. They
had observed the plight of their countrymen
from the field where they were at work, and
grasping plough-beams in their hands they
rushed upon the foe with such lusty vigor as
to turn defeat into victory. "And the King
gave them armes, three scutcheons gules in a
field of silver, a plowbeame added thereunto
which he used instead of a battell axe, when
he fought so valiantlie in defense of his owne
countrie. " Of this family President Hayes
is said to have been a descendant. We know
of no reason to doubt the connection, but it
would have been of interest to the general
reader to have had the evidence of it more
fully stated.
A third of a century has passed since the
administration of President Hayes closed, des-
tined to have its sharper features suddenly
blurred in the public eye and dulled in the
public consciousness by the shot of the assassin
of his successor. That time has justified those
features of his policy which brought the im-
mediate wrath of a large section of his own
party heavily upon his head is now the opinion
of most students of the period whose views
are worth considering. Few Americans would
now tolerate the thought of bolstering up by
federal bayonets a state government wholly
unable to command the support or respect of
any considerable portion of the educated and
responsible citizenship of the state, as had
been done in parts of the South for some years
before Hayes entered upon his high office.
The difficulty grew not out of the extension
of the suffrage to the enfranchised negroes in
itself, but out of the fact that the Republican
Party of the time had not risen high enough
to refrain from the temptation to organize this
immense new body of ignorant and inexperi-
enced voters into a solid partisan tool to be
used by party manipulators against the
southern whites. Hayes keenly realized the
abhorrent conditions to which this unwisdom
had led, and had the courage to withdraw the
federal troops, which were the sole support of
a number of wholly corrupt and inefficient
Republican state "governments," in spite of
the fact that this action was sure to be con-
strued by many as impeaching his own title
to the Presidency. For the same returning
boards upon whose action his own title rested
had declared these Republican state officers
duly elected.
In the opinion of the reviewer, the author's
very extended account of the contested elec-
tion is the least profitable part of his work.
1915]
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263
Much more readily than could have been ex-
pected, the country settled down to the ac-
ceptance of the verdict of the Electoral
Commission as giving Hayes a legally unim-
peachable title to the Presidency. The country
realized that a certain amount of discretion
had to be lodged in this Commission, and at
no time was there the slightest danger of any
forcible uprising against its decision. Of
course it was only to be expected that thou-
sands would feel that this discretion had not
been rightly used, and that some would feel
that it had been corruptly used. Thirty-eight
years have passed; those most intensely in-
terested have largely left the stage of life, and
but little of the deep feeling of 1877 lingers.
What good can there be in laboriously trying
the whole question over again, attempting to
prove what everybody knows, — that there was
Democratic intimidation of colored voters in
the South; slurring over what is equally
known, — that there was wholesale Republican
corruption in the same quarter; accusing
Tilden of guilty knowledge of an attempt to
secure an electoral vote by bribery, of which
there is neither convincing proof nor inherent
probability ; defending Hayes against the now
forgotten charge of paying for electoral votes
by appointment of certain election officers to
federal positions, of which there is equally
neither valid evidence nor inherent proba-
bility! All this is only stirring up a smudge
which tends to conceal the real greatness of a
really great and good President, and was
wholly unnecessary to the completeness of the
work, except in the briefest epitome.
President Hayes had many lovable traits of
character. In the thick of the Civil War, with
southern bullets flying about him and oc-
casionally into him, he could write home to
his wife deprecating untrue aspersions against
the men of the South. His fundamental sense
of right revolted against unnecessary destruc-
tion of property in war, and the soldiers under
him applied the torch only when he himself
was constrained by written orders from su-
perior authority. The later years of his life
were marked by untiring devotion to Prison
Reform and other philanthropic activities.
His beautiful Fremont home was a centre of
refined culture and high moral ideals, where
men and women of the highest types of Ameri-
can citizenship loved to gather. Our political
evolutionists will perhaps tell us that he be-
longs to a type irrevocably past; but it re-
mains true that the politics of the day would
lose nothing by a liberal infusion of some of
his most prominent characteristics. And all
this can be said, and should have been said by
Mr. Williams, without casting any slur upon
the ability and character of his opponent,
Samuel J. Tilden, whose services to New York
were those of a great and upright statesman
and philanthropist. W. H. JOHNSON.
RECENT FICTION.*
The anonymity of so remarkable a novel as
"Home," published about a year ago, could
not long be preserved. It soon transpired that
the author was Mr. George Agnew Chamber-
lain, the occupant of a consular post in South
America. This accounted for the exotic graft
upon the homely New England stock which
made the work of such enticing interest. Mr.
Chamberlain's success has encouraged him to
further production, in consequence whereof we
now have "Through Stained Glass," a novel
which fairly matches "Home" in charm and
depth of human revelation. Here also, we
skip somewhat breathlessly about the globe,
from Virginia to South America, thence to
London and Paris, and finally to New England.
A Leighton of Virginia, after fighting for the
Confederacy, seeks a new home for his family,
and finds it in Brazil. Presently, a boy Leigh-
ton of the northern branch is consigned to his
care, and grows up in happy childish compan-
ionship with his cousin Natalie. As he ap-
proaches manhood, his father, who has been a
wanderer over the face of the earth since the
death of his wife in childbirth, seeks the boy
out, and carries him off to Europe to make of
him an artist and a gentleman. The boy is a
perfect illustration of the way in which breed-
ing will tell, for he fits into the ways of civiliza-
tion without an effort, and knows by instinct
how to do and say the right thing. For years
the father and the son live in beautiful and
devoted companionship, the former supplying
the worldly wisdom of his sophisticated intel-
lect— illuminating life for the boy as
"through stained glass" — the son repaying
this solicitude with affection, and preserving
his own purity of soul while realizing his artis-
tic self. He needs no curb to keep him from
going astray, except in the one case of his
infatuation for Miss Folly Delaires of the
chorus, and here the father's persuasive tact
scores a triumph. There is no blustering about
it, or declared opposition, but simply a little
subtle manceuvering to bring the boy to his
senses, and just the touch of cynicism that is
needed to open his eyes. In the end, there is
Natalie, who has found a home in New En-
gland, and has never ceased to hope for her
* THROUGH STAINED GLASS. By George Agnew Chamber-
lain. New York : The Century Co.
THE SECRET OF THE REEF. By Harold Bindloss. New York :
Frederick A. Stokes Co.
THE HAUNTED HEART. By Agnes and Egerton Castle. New
York: D. Appleton & Co.
264
THE DIAL
[April 1
cousin-playmate's return. The love story is
very tenderly and delicately managed; it
leaves far more to the imagination than it ex-
presses, which is the way of all true art. The
action of this novel extends so widely over
time and space that it is perforce swift, and
its jerky movement hurries us on where we
would gladly linger, but it tingles with vitality
and glows with beauty on well-nigh every
page.
"The Secret of the Reef," the latest novel
by Mr. Harold Bindloss, is written upon the
stereotyped model with which his readers are
familiar. There is an energetic and courage-
ous hero, down on his luck, a heroine toward
whom he aspires, and a villain who endeavors
to thwart him in his efforts to win love and
fortune. This villain is none other than the
heroine's father, which provides material for
a conflict between romantic and filial love on
the part of a high-souled maiden. There is
never any doubt as to which love will come out
ahead. The story is concerned with the sal-
vage of a wrecked treasure ship, sunk on a reef
in the Alaskan far north. The author has
abundant knowledge of his material, but there
is little of either imagination or literary grace
in the telling of his story.
Time was when a novel by the Castles con-
noted joyous adventure and the very spring-
tide poetry of romance. But to " The Haunted
Heart" we can ascribe no such qualities. The
delicate sentiment that we used to find in their
work has become coarse and treacly; the col-
oring is garish, and emotion is strained to the
breaking point. In the slang of a bygone gen-
eration, this is a novel for which ' ' too utterly
utter" offers the only adequate description.
Moreover, it makes a frank bid for cheap popu-
larity by depicting the smart set in London
society with the pencil of the caricaturist,
much as Mr. Chambers describes the corre-
sponding abscess in our American social
organism. The heart which is here haunted is
that of the Master of Stronaven, whose wife,
after fifteen years of devotion, discovers an
early lapse from virtue on the part of her hus-
band, and runs away from him with an Italian
artist. After cooling his rage by smashing the
furniture, the deserted husband goes lion-
shooting in Africa, and returns to England a
few months later with the fixed intention of
marrying the first attractive girl he meets, in
order to show the errant divorced wife that he
does n 't care. The match is soon found in the
person of an heiress, the daughter of an un-
speakably vulgar and snobbish parvenue from
the Argentine, and Ian weds her, while love for
the vanished Morna is still gnawing at his
heart. The spooks prove too much for this
heart, which breaks down after a few months
of re-wedded life, and the former sharer of his
couch comes post haste from her Italian villa
just in time to apprise him before his death
that she is sorry for her precipitate desertion,
and that she has been his in spirit all the time.
His brother, the Catholic priest, although
overmuch given to moralizing, is the most sym-
pathetic figure in this hectic work of fiction.
WILLIAM MORTON PAYNE.
NOTES ON NEW NOVELS.
It is a pleasant story that Mr. W. Pett Ridge
has written in "The Happy Recruit" (Doran),
which tells of a small German boy in London,
orphaned and left with a baby sister while still in
school. He grows to manhood and a wished-for
marriage in the progress of the narrative; and
his career, from its humble beginnings as a waiter
and boy-of -all-work in a cheap hotel to the propri-
etorship of a successful eating-house, really tells
the well-to-do and prosperous how the other half
becomes so. That a German should be given so
affectionate a history by an Englishman is doubly
grateful in these days of international hatreds.
The book has abundant humor.
The biography of a woman is set forth in much
detail by Mrs. Alice Birkhead in " Destiny's
Daughter " (Lane) . The heroine inherits ability
and an unusual type of good looks — with nothing
else. Sacrificing a good match for the sake of a
younger sister, she is compelled to earn her living.
Failing as a schoolmistress, she becomes private
secretary to a self-made manufacturer with par-
liamentary aspirations, a widower with grown chil-
dren. His proposal drives her to the stage, for
which she had early shown aptitude, and the slow
path to success is courageously climbed. The end
of the story is a surprise, almost a shock; but the
foundation for it has been well laid nevertheless.
To be able to write a story with sound historic
foundations that reads far better than any of the
dreadful trash which passes current among many
boys, is an achievement to be proud of. Mr. Zane
Grey has done this in " The Lone Star Ranger "
(Harper), which is dedicated to the gallant body
of men whose bravery and usefulness it records.
Half the stirring tale is devoted to the manner in
which Buckley Duane is driven by inheritance and
environment into outlawry; the other half deals
with his rehabilitation under the law as a Texas
Ranger. Except for a chapter or two near the
denouement, the record is as limpid as the story
itself is turbulent, making a glorified and respect-
able " dime novel."
Philadelphia society, assuredly not at its best,
figures exclusively in Mrs. Therese Tyler's " The
Dusty Road" (Lippincott). The heroine is an
ambitious girl, brought up in genteel poverty by a
mother whose life is spent in maintaining her
social position in the face of huge discouragements.
The girl is not socially ambitious, but longs for
better things. In the progress of the story she has
several lovers. One she treats with youthful in-
1915]
THE DIAL
265
tolerance. Another she dallies with until the reader
almost loses sympathy for her, so much of a brute
is he. At the end she finds her mate, rather to
everybody's surprise — his, her own, and also the
reader's. The work is styled realistic, here syno-
nymous with disagreeable. It certainly upsets the
prevalent idea that Philadelphia is u slow."
Miss Elsie Singmaster has again dealt with the
Pennsylvania Germans whom she knows and loves
so well, in "Katy Gaumer" (Houghton), a simple
tale of a young girl who finds her heart's desire
after long wandering. Under the love story lies an
even more absorbing current, based on the silence
of a good man who has been led by one crime into
making a blunder; and who allows an innocent
man's life to be ruined under accusation of crime.
The book is truly an interpretation of a people
who are a real part of American life, yet have kept
old-country ways and habits of thought through
generations of residence among us. With the
knowledge given of them in such books as this,
even this strangeness is bound to disappear.
The Philippines have produced an unusual novel
in Mr. Walter Elwood's " Guimo " (ReiUy & Brit-
ton), which deals with the misfortunes of a young
half-caste, the illegitimate son of a Spanish priest
and a native woman, who lends his name to the
book. There is much local color, laid on with a
palette knife by the use on every page of native
terms and native legends and superstitions; but
the writer seems really to have penetrated below
the surface of an inexorably alien people and to
disclose something of their thoughts and aspira-
tions. Tragedy runs through the narrative to its
close. Such a book, could it obtain wide circula-
tion, would have a beneficent effect upon the people
of the United States, and might interest them a
little in their far Eastern possessions.
The title of Mr. E. F. Benson's new novel,
" Arundel " (Doran), is the name of the country
place inhabited by two of his characters, a widowed
mother and a marriageable daughter. Next door
lives an eligible young man, a broker by occupa-
tion, but with a sincere love for and appreciation
of music, poor performer though he is. The story
opens in India, where the greatly loved daughter
of an army officer, is about to leave him and her
step -mother, to visit his sister, the lady of Arun-
del. She, too, is a musician, and such a performer
as the young man wishes himself to be. When she
arrives her cousin and the broker are already be-
trothed,— one of those calm engagements based
upon propinquity rather than passion. Music
opens new vistas, and brings about a tense situa-
tion which is only to be solved by the rather
awkward expedient of death. The narrative is
unusually well written, but others of Mr. Benson's
stories have been better contrived.
" Mrs. Martin's Man " (Macmillan) is the skil-
ful work of Mr. St. John G. Ervine, who will be
remembered for several plays produced in this
country by the Irish Players. His novel, like these
plays, has its scene near and in the Ulster metrop-
olis of Belfast, and deals with Irish Protestants.
Before the tale closes he places his protagonist,
Mrs. Martin, in as difficult a position as can well
be imagined either for sister, wife, or mother.
Without much schooling, with no help from kins-
folk, relying little upon religion, she nevertheless
wins her peace and solves her intricate problems
by the exercise of common sense and a pragmatic
philosophy which leave nothing to be desired. The
character drawing is minute and striking; the
entire conception is dramatic and powerful; and
the leading character affords an example of human-
ness which may well be emulated. Social problems
disappear in the face of an individuality as well
balanced as Mrs. Martin's.
Dartmoor is beloved of English novelists, and
few have touched it without commending it to their
readers. Mr. John Trevena is one of the best
known of these fiction writers, and his latest story
of the hills and moors, " Sleeping Waters " (Ken-
nerley), is a work of unusual fascination, as re-
mote from the affairs of every-day living as poetry
and imagination can make it. A Roman priest,
stricken in health, is sent by a wealthy parishioner
to the home of his ancestors, after having been
regaled with local and family superstitions and
traditions. He drinks of the waters of a spring
which brings forgetfulness, apparently when fully
convalescent, in reality while still in a sub-species
of delirium. What follows is melodramatic, almost
medisevally so, in the telling. A beautiful maiden,
the spirit of the moors incarnate, wins him from
his priestly vows, and in his attempt to gain her
he fights all sorts of queer persons, — a scoundrelly
lawyer, a tool of a physician, a crazed and drunken
mother, an ignorant tenantry steeped in its folly,
and the elements themselves. The close of the
book makes all sound and well again, though the
priest renounces his church to gain a real love,
shadowed at the book's opening.
Mr. Booth Tarkington has written a vital criti-
cism of American life in its bustling cities, and has
called it, aptly enough, " The Turmoil" (Harper).
Where others have attacked moral, political, eco-
nomic, and racial problems, he has taken aBsthetic
ground, and has objected to our national quest for
Bigness and its ensuing consequences as being in
bad taste. He takes a family of father, mother,
sister, and three brothers, every one of whom
has lived with little knowledge of the amenities,
either at home or abroad. But they would
not be American if they had not some aspira-
tions. The father has made his fortune, built him
a mansion in a somewhat fashionable neighbor-
hood, and the family looks about for social con-
nections. Next their new house live people of
better position than themselves, but now reduced
to grinding poverty; and the only child of the
house, a daughter, conceives it to be her duty to
her parents to marry one of the unmarried sons
of the rich neighbors. The repellent sordidness
of her procedure, baffled once by accidental death
and an awakening of conscience, is reconciled with
decency at the end of the book. Mr. Tarkington
succeeds in making the story not only eminently
readable and a model of constructive ability, but
he keeps his readers in sympathy with all his char-
acters, so humanly are they depicted and devel-
oped. But it is curious to note how carefully the
moral element is eliminated in the process. Its
lesson is given by indirection.
266
THE DIAL
[ April 1
BRIEFS ON NEW BOOKS.
That Mr. John Jay Chapman
Miscellanies deserves to be called a humanist,
of a humanist. . .
not in the restricted Petrarchian
sense of the term, nor indeed in the peculiar
meaning attached to the word by Professor
Schiller, but with the larger connotations it
carries with it in current speech, is abun-
dantly proved, if proof were needed, by his
latest book, "Memories and Milestones" (Mof-
fat, Yard & Co.), which is issued in the
conviction that the putting forth of such col-
lections of personal reminiscence and more or
less ripe reflection "helps the general atmos-
phere of thought and enriches everyone a
little." "With brief but carefully considered
and always scholarly talks on art and ethical
culture, on modern drama and the negro ques-
tion, on William James and Horace Howard
Furness and Julia "Ward Howe, he both re-
veals the range of his own interests and sympa-
thies and opens to the reader many new and
inviting vistas of speculation and inquiry.
Like William James, whose portrait serves
as frontispiece to the book, and whose person-
ality inspires one of its most readable chapters,
Mr. Chapman is perhaps even more suggestive
than expressive ; but he seems not quite to have
done justice to James's genius in asserting
of him that "he had not the gift of expression,
but rather the gift of suggestion." Nearer
the truth would it be to say of that master of
apt and original epithet, of brilliantly illumi-
nating phrase or idiom, that he had both the
gift of expression and, in a still greater degree,
the gift of suggestion. A chapter on Har-
vard's distinguished and still active ex-presi-
dent uses throughout the obituary past tense.
Was the article "released" prematurely?
Certainly its very opening sentence, ' ' For half
a century President Eliot was one of the great
personal figures in American life," with all
that follows, carries implications that fortu-
nately are not yet true. In his discussion of
"Shaw and the Modern Drama" the author
shows himself fair-minded and not unappre-
ciative of Mr. Shaw's undeniable genius, but
a little severe in his opinion that ' ' Shaw wants
merely to get heard of and to make money ' ' —
as if such a purpose were not sure, in the very
nature of things, to defeat its own ends.
Bather, one might venture to say, Mr. Shaw is
immensely interested in his own ideas, in the
kaleidoscopic oddity of aspect that the world
presents to him ; after that the money and the
fame are probably not unwelcome. But Mr.
Chapman wins assent when he continues:
"You cannot say he is a man without heart:
he is the kindliest of men. But he is a man
without taste or reverence. He does not know
that there are things which cannot be made
funny. He is a man in whose composition
something is left out. You cannot blame him,
any more than you can blame the color-blind.
He is beauty-blind, and amuses himself with
seeing what grotesques he can pick out of the
carpet of life. ' ' The author takes occasion to
say a good word, and a needed word, for the
study of the classics, more particularly of
Greek, "as a pleasure," both in school and
after school; but he errs in calling Caesar's
"Commentaries" the "dullest book in Latin."
That is the schoolboy's natural misconception.
There are many Latin books, especially of
post-classical authorship, that far exceed
Cassar in dulness, if Caesar be dull. Now and
then a misspelled foreign word, as Zeitgheist
and the unpluralized first element in morceau
choisis, disfigures Mr. Chapman's scholarly
page. Portraits of Dr. Furness, Mrs. Howe,
and Charles Eliot Norton, to the last-named
of whom he devotes one of his best chapters of
mingled reminiscence and characterization
and suggestive observation, find appropriate
place in the volume, in addition to the portrait
of James already mentioned. The book is the
best of its sort that has yet come from its
author's pen.
Defects and most recent of Mr. Frederic
possibilities of C. Howe 's three or four books
the modern city. Qn municipal affairg bearg the
ambitious and alluring title, "The Modern
City and its Problems" (Scribner). In an
earlier volume of the series Mr. Howe has
developed with much ingenuity the thesis that
in the city lies the hope of democratic institu-
tions, and in another book he has described
concretely the conduct of municipal activities
in Great Britain and Germany. In the pres-
ent work he traverses ground considerably
more extended. Almost every Division of the
subject, historical and descriptive, which re-
ceives attention in the text-books is accorded
a chapter, and the more recently developed
problems of municipal administration, such as
city planning, housing, and recreation, are
dealt with in considerable detail. Both Ameri-
can and European cities come within the scope
of the survey. Mr. Howe is ready enough to
admit, as most people are, that the American
city "lags behind the work it should properly
perform, ' ' that it is " negative in its functions
rather than positive in its services," and that
"it has so little concern for its people that
they in turn have little concern for it. ' ' And
his views concerning the cause of this state of
affairs and its remedy are rather out of the
ordinary. The difficulty, he believes, is not
to be sought in the character of the American
1915]
THE DIAL
267
people, or in their supposed neglectful atti-
tude toward politics and their tolerance of
evil. It is only an assumption, he maintains,
that they have willingly abdicated their re-
sponsibilities and turned the city over to the
professional politician as an easy escape from
the burdens which its management imposes.
The conditions of neglect, partisanship, and
tolerance of evil which exist are declared to
be traceable back to legal institutions, to con-
stitutional and political limitations under
which the people are compelled to work in
municipal affairs. The remedy lies in less
rather than more restraint, greater rather
than less municipal activity. "These condi-
tions can only be corrected by a programme of
city building, of city service, through com-
pulsory co-operation, or socialization. To this
co-operation there are no set limits. For many
years to come the city will continue to increase
its activities and enlarge its services. This is
the lesson of the past ; it is the promise of the
future." Mr. Howe writes, as he remarks,
from the inside of the city. From the time
when, a good many years ago, he saw active
service in the city council and on the finance
commission of Cleveland until his recent ap-
pointment as commissioner of immigration at
New York, his tasks have fallen where the
problems of the city loom largest. Whatever
he writes bears the stamp of experience and
of conviction, and is, in addition, eminently
readable. Inevitably one who writes so frankly
for the casual reader falls into errors of gen-
eralization. Thus, Mr. Howe is led to make
the somewhat astonishing remark that even
to-day civilization in the rural districts "does
not progress beyond its simplest forms." But
the fault is one which can be overlooked by
any one who cares for fresh, vigorous, and
stimulating writing on a subject of vital
present-day importance.
About one-third of the 333
tSS, Pages of Mr. Willard Hunting-
ton "Wright's "What Nietzsche
Taught" (Huebsch) is devoted to the life of
the philosopher and the genesis of his works,
and the rest to excerpts from the works. It
is a helpful book for the beginner who ap-
proaches Nietzsche with the query that will
not down : What did he say ? It is not a
criticism, but a presentation ; and as such it is
excellent, despite a few inaccuracies. Fr. W.
Ritschl did not "found the science of his-
torical literary criticism as we know it to-
day" (page 27), but the Schlegels; though
Nietzsche meant the Fall of Wagner by his
"Der Fall Wagner," it is altogether wrong to
translate the title in this way (page 38) ;
Nietzsche's friend was Malvidavon Meysenbug
not "Mysenburg" (page 41) ; Vauvenargues
would not recognize himself as "Vanergues"
(page 45) ; Nietzsche's etymologies of bonus
and bellum have not been unreservedly ac-
cepted (page 207) ; and Mr. H. L. Mencken,
to whom the volume is dedicated, has not
been "the critic who has given the greatest
impetus to the study of Nietzsche in this coun-
try,"— that was done by the separate intro-
ductions to the various translations published
in this country by Messrs. Macmillan, and by
the works of Halevy, Kennedy, and Miigge.
There are three contentions, on the other
hand, that are irrefutable : to know Nietzsche
in part he must be studied as a whole ; there
are no important contradictions in his philoso-
phy; and he has had, next to Kant, the
greatest influence on the development of mod-
ern thought. It is difficult to think to-day
apart from Nietzsche; he expressed himself
on every subject. What he says may not be
pleasant ; it does not lull to ease, but arouses
to action. On this account a careful selection
of his commitments on burning questions is
valuable. We may look in vain for some of
our most cherished apothegms, and we may
find others that strike us as negligible: but
on the whole, we find enough to make us
think, — and that is a vast deal. Just as one
should begin the study of Nietzsche's works
with "Human, All too Human," so could one
most advantageously undertake the study of
Nietzsche with Mr. Wright's volume. Besides
containing the essential facts of the great
Yea-Say er's life, it contains also the greatest
truths he expressed during his life. Each of
the former may be a blind alley that leads
nowhere ; but each of the latter has a horizon-
widening quality that is most invigorating.
"The symbol of the modern soul," Nietzsche
says, "is the labyrinth." True, and he has
thrown out a number of life-lines by which
we may work our way through it. The
strongest of these are contained in this book,
which has also a bibliography compiled with
common-sense.
Mr. Chesterton 's opinion of Ger-
Mr. Chesterton many and the German Emperor
on barbarism. . • 1-1,1
is no secret to the world at large,
and the vehement expression of that opinion
as contained in the little book entitled "The
Appetite of Tyranny" (Dodd) will give no
shock of surprise to anyone who has been for
the past few months even a hasty reader of
the daily hodge-podge of intelligence and mis-
intelligence printed by the newspaper press
concerning the great war. It is his "Barbar-
ism of Berlin" and "Letters to an Old Gari-
baldian" that are brought within the covers
268
THE DIAL
[ April 1
of the above-named book, which shows its bril-
liant author in highly characteristic vein —
as, indeed, what writing from his pen does
not? — and inevitably reveals some of the
faults inseparable from such astonishing clev-
erness of intellect and enviable facility of
expression. The excellence of the book lies
in its forceful and original and convincing
demonstration of that quality of German mili-
tarism (and in fact of all militarism, though
the limitation is not removed) which Mr.
Chesterton chooses to call barbarism, and
which indicates, not an insufficiency of twen-
tieth-century civilization, such as, with some
reason, may be urged in dispraise of the
Russians, but a ruthless disregard of certain
fundamental principles that cannot be sacri-
ficed without plunging us all back into chaos
and black night. The less praiseworthy fea-
ture of the book is found in its unsparing
vehemence of invective, in its author's allow-
ing himself to be carried away by his own
momentum, as when he writes : "So strongly
do the instincts of the Prussian drive against
liberty, that he would rather oppress other
people's subjects than think of anybody going
without the benefits of oppression. He is a
sort of disinterested despot. He is as disinter-
ested as the devil who is ready to do any one's
dirty work." In further illustration of the
books tone, let this be added: "Wherever
the most miserable remnant of our race, astray
and dried up in deserts, or buried forever
under the fall of bad civilizations, has some
feeble memory that men are men, that bar-
gains are bargains, that there are two sides to
a question, or even that it takes two to make a
quarrel — that remnant has the right to resist
the New Culture, to the knife and club and
splintered stone. For the Prussian begins all
his culture by that act which is the destruction
of all creative thought and constructive action.
He breaks that mirror in the mind, in which a
man can see the face of his friend or foe."
The two parts of the book are essentially one in
purpose and manner, and both are eminently
and brilliantly Chestertonian.
Some new
memorials of
the Brownings.
The announcement of a volume
of "New Poems by Robert
Browning and Elizabeth Bar-
rett Browning" (Macmillan) must have been
hailed with joyful anticipation by thousands
of Browning lovers. Something of the old
thrill many of us recall upon the appearance
of "Ferishtah's Fancies," "Asolando," or
"Aurora Leigh" stirred again, together with
a vague hope that by some good fortune
something equally momentous might have
been unearthed even at this late day. Let us
not be too ungrateful, even though this some-
what unreasonable hope has not been fulfilled ;
let us be glad that we can add twenty-nine
poems to our "complete editions" of Robert
Browning and six to those of Mrs. Browning.
There will be a difference of opinion as to the
righteousness of these addenda, — a doubt
whether it is just to a poet to rake his desk,
after he has gone, for what he has himself
discarded. Seldom indeed does his poetical
reputation gain by such a proceeding; never-
theless when these discarded works are put
up for sale at public auction, as many of the
present collections were two years ago, it
seems only decently respectful to beloved
memories to rescue them from almost certain
loss or annihilation. In the present volume
notes have been added by such competent
hands as those of Messrs. Frederic G. Kenyon.
Bertram Dobell, and Edmund Gosse, telling
all that is known of the literary or biblio-
graphical history of the poems. Perhaps the
chief interest, however, will be found in some
thirty-five pages of criticisms written by
Elizabeth Barrett to her future husband on
his submitting to her in manuscript certain
of his poems. "Saul" and "Luria" are two
of the poems which seem to have received her
special care, and one has only to compare the
lines as first written with their present form
to realize how much they gain by the sensitive
and sensible suggestions. We discover some-
thing quite contradictory to the accepted tra-
dition that each worked entirely independent
of the other. A reproduction of the earliest
known portrait of Browning, made from an
old daguerreotype, and one of Elizabeth Bar-
rett from a miniature painting, are the sole
illustrations.
An optimist
in the
Far East.
A travel-book which shows un-
usual sympathy and insight is
Mr. Clayton Sedgwick Cooper's
"The Modernizing of the Orient" (McBride,
Nast & Co.). It is the result of two world-
journeyings, and its chapters deal with condi-
tions in North Africa, Egypt, India, Burma,
China, the Philippines, and Japan. Descrip-
tive passages are not infrequent, but Mr.
Cooper was most interested in the social, edu-
cational, and religious "modernizing" which
is now in process throughout the once "un-
changing East. ' ' In gathering his information
he was catholic and judicious, so that he is
able to present not only the views of Western
officials and missionaries, but also of thought-
ful natives. The chapters on educational
progress in Egypt, India, China, and Japan,
on religious transformation in India and
Burma, and on social changes in India, are
1915]
THE DIAL
269
very suggestive. A prevailing note is that of
optimism. Although he visited China just
before the ill-starred counter-revolution, yet
he believes the Chinese "will bring victory
out of defeat in accordance with their im-
memorial habit of stumbling along through
chaos to order, accomplishing often the seem-
ingly impossible." And a sympathetic ap-
preciation of the good points of the eastern
peoples is constantly manifest, the Filipinos
alone proving a disappointment, — but then the
chapter on the Philippines is in itself dis-
appointing. In matters of opinion, although
Mr. Cooper will not have all the authorities on
his side, yet he will find very general support
for his statements. Errors in fact are sur-
prisingly few : ' ' five hundred lakhs ' ' are con-
siderably more than "one-half million," and
a new definition would be necessary in order
to show that ninety per cent of the people of
India are agricultural. There are, also, a few
typographical errors, such as Banio, Morro,
Mindano, for Baguio, Moro, and Mindanao.
The play
that won
$10,000.
Apple-trees and larkspur and
lilacs in bloom, shimmering
gowns and rose-trimmed bonnets
of an older time, sap mounting and everything
breaking bounds because of springtime and
love in New England, — all this adds charm
to the graceful manner in which Miss Alice
Brown has presented her theme in the play,
' ' Children of Earth ' ' (Macmillan) . The story
is that of Mary Ellen, whom Peter Hale per-
suades that nothing else matters but love —
not even Jane, the drunken gypsy wife who
has long been to him as one that is dead.
Resolved to live their own lives, the two steal
away; unexpectedly Jane's grief at their
going clouds their radiant and belated day of
spring. They return to do what is "right,"
the three resuming their neighborly duties as
though the incident had never been. This is
beautiful, perhaps; but it is not life. Did
Miss Brown's idealism cause her to forget at
the end that her characters are children of
earth? What if Jane's nature is still unsub-
dued? Or if Peter wavers some day when
impulse and passion catch noble resolve on
the rebound ? Or if Mary Ellen herself either
revolts, in a moment of wild abandon, against
the instinct of imprisoning her emotions for-
ever, or else lives to witness the slow and
sordid death, for want of expression, of what
she believed was love ? The days to come will
bring forth the real struggle, — a struggle
poignant, intense; not even the restriction of
the sub-title, "a play of New England," con-
vinces of the contrary. This struggle, together
with a solution, whatever it may be, the author
has evaded and has missed thereby the oppor-
tunity for a powerful dramatic appeal, with-
out which the crux of the story is merely an
episode requiring one act for its presentation
instead of four. The conventional ending
would show Mary Ellen going away. Since
she stays, we demand another glimpse of these
strong characters to reveal whether they stand
or bend or break. There are promises here of
a something which justifies Mr. Winthrop
Ames in the belief that his ten-thousand dollar
prize was wisely awarded. As it is, however,
the play is incomplete. It does not satisfy.
And, after all, should not all art, as George
Gissing suggested, be "an expression, satisfy-
ing and abiding, of the zest of life"?
BRIEFERJKENTION.
Nothing new by way of praise or dispraise can
be said of the English "Who's Who" for 1915
(Macmillan) which carries the volume to the sixty-
seventh year of issue and usefulness. There are
now 250,000 biographies included, together with
additional current information, within its 2500
pages. And still the dimensions remain prac-
ticable.
The issue in attractive form and pocket size of
" Woman and War," a chapter reprinted from Mrs.
Olive Schreiner's " Woman and Labor," deserves
mention, even amid the present deluge of war lit-
erature. While much that is produced to-day is
ephemeral, this essay, written a dozen odd years
ago, still stands among the most distinctive and
forceful condemnations of war of our day. Messrs.
Stokes are the publishers.
"The Elements of the Short Story," by Pro-
fessor Edward Everett Hale, Jr., and Mr. Fred-
erick T. Dawson, is an eminently sane and useful
book. While most editors of recent collections of
short stories have striven for novelties in the way
of translations and selections from recent magazine
literature, Messrs. Hale and Dawson have had the
courage to confine themselves to the best and best-
known work of a half-dozen American authors
whose reputations have been tried by time. The
illustrations of various types of story are well
chosen; and the editorial matter, while slight in
amount, is pointed and suggestive. (Holt.)
Dr. Frederick Tupper and Dr. James W. Tup-
per have chosen a dozen plays for the volume
whose title explains their selection, " Represen-
tative English Dramas from Dryden to Sheridan "
(Oxford Press). The inclusion of " She Stoops to
Conquer," "The Rivals," and "The School for
Scandal" is necessary no doubt, on the score of
completeness; although these plays can be ob-
tained in numerous satisfactory editions for a mere
two-pence. By restricting the period covered, the
editors might instead have used the space for some
of the more inaccessible plays, — in fact, those
from the very authors whose omission is referred
to with regret in the introductory note. The
bibliography and the notes at the end of the vol-
ume are excellent in every way.
270
THE DIAL
[April 1
NOTES.
" The Chronicles of the Imp " is the title of Mr.
Jeffery Farnol's forthcoming novel.
Mrs. Mary Roberts Rinehart's new novel, " K,"
will be published in the summer by the Houghton
Mifflin Co.
" Fidelity " by Miss Susan Glaspell is a novel
which Messrs. Small, Maynard & Co. have in train
for publication this month.
Mr. Frank Swinnerton's critical study of Robert
Louis Stevenson is ready and will be issued imme-
diately by Mr. Mitchell Kennerley.
M. Emile Verhaeren has written a new book of
verse, " La Belgique Sanglante," inspired by the
part Belgium has played in the war.
An appreciation of Mr. Edward Carpenter and
his teaching, from the pen of an intimate frien'd,
Mr. Edward Lewis, will appear immediately.
The first book General Friedrich von Bernhardi
has written since the war broke out is " Germany
and England," which will be published before long
by Messrs. G. W. Dillinghain Co.
Mr. John Masefield has written a book called
" John M. Synge : A Few Personal Recollections,
with Biographical Notes," which will be published
in May by the Cuala Press, of Dublin.
" The Invisible Event," the final volume of Mr.
J. D. Beresford's trilogy of novels dealing with the
life of Jacob Stahl, has just been published in
England and will undoubtedly be issued in this
country before long.
Among forthcoming additions to the " Oxford
Standard Authors " will be " The Arabian Nights :
A Selection," with illustrations by Millais, Hough-
ton, Pin well, and others ; and Kingsley's " Hypa-
tia," illustrated by Mr. By am Shaw.
A volume of verse by Lord Curzon of Kedleston,
entitled " War Songs and other Translations," is
announced by the John Lane Co. This house will
also publish shortly, " Ventures in Thought," a vol-
ume of essays by Mr. Francis Coutts.
Readers of the brilliant essays contributed to
THE DIAL for many years past by Mr. Charles
Leonard Moore will be glad to know that a selec-
tion of these will appear during the early autumn
in a volume to be published by Messrs. Putnam.
Mr. H. S. Souttar, one of the surgeons in charge
of the British Field Hospital, describes his recent
experiences in Malines, Termonde, and Ypres in a
volume entitled "A Surgeon in Belgium," which
will be issued immediately by Messrs. Longmans,
Green & Co.
As American agents for the Cambridge Univer-
sity Press, Messrs. Putnam will shortly publish an
essay on " Alexander Scott, Montgomerie, and
Drummond of Hawthornden as Lyric Poets," by
Catharine M. Maclean. The essay gained the Lord
Rector's Prize in Edinburgh University in 1911-12.
The novels of Godwin, Holcroft, and their circle
as source-books on the life and thought of their
time are discussed in a volume entitled " The
French Revolution and the English Novel," by
Allene Gregory, which Messrs. Putnam have nearly
ready. The author contrasts the works in question
with anti-Revolutionary fiction in England at the
same period, also devoting a chapter to the novels
expressing the early feminism of Mary Wollstone-
craft.
The English and American rights in Sir Sven
Hedin's " With the German Armies in the West "
have been acquired by Mr. John Lane, and the
volume will appear within the next month or two.
The author had unusual opportunities for seeing
things behind the German lines and writes from the
German point of view.
Mr. Edward Hutton has written a study, based
on contemporary authorities, of the attack of Attila
upon civilization in the fifth century, and its de-
feat on the plain of Chalons, as well as its relation
to the Great War of the present day. The book
will be published during the spring under the title
of "Attila and the Huns."
Professor George M. Wrong, of the University
of Toronto, has written a series of papers on " The
War Spirit of Germany," which the Oxford Uni-
versity Press is bringing out immediately as a
pamphlet. Mr. Edward Carpenter's essays on the
war, under the title of " The Healing of Nations,"
announced some weeks ago, are expected almost
immediately.
New Rochelle's new library building has now
seen a year of use, and the librarian reports an
encouraging activity in the various departments
of the institution. Here is a significant scrap from
her annual record: "A review of the year's work
shows a marked tendency toward sociological study
and investigation. Several people have been aided
in the production of books, and in one case the
location of an obscure town in England was the
means of establishing communication with the
beneficiary of a will, an instance of the practical
value of reference work."
A new language, that of the Esquimaux, has just
gained a place in the world of books through the
medium of a volume called " Singnagtugag " — in
English, " The Dream," — written by an Esquimau
clergyman, and published in Greenland in his na-
tive tongue. The author, Mathias Storch, is the
son of a seal-hunter in the far North, and his book
records incidents and impressions .of his boyhood
which throw much fresh light on the customs of the
Esquimaux. A Danish correspondent of the Lon-
don " Nation," who has examined the book, states
that it has a distinct ironic vein which finds ex-
pression in the conclusion — a dream of a self -
governed Greenland two hundred years hence.
Dr. Charles R. Henderson, professor of sociology
in the University of Chicago, criminologist, author,
lecturer, and for many years past a valued con-
tributor to THE DIAL, died at Charleston, S. C., on
March 29. He was born in 1848, at Covington,
Ind. Ordained a minister in 1873, he accepted the
pastorate of the Baptist Church first in Terre
Haute, then in Detroit, and in 1892 became chap-
lain of the University of Chicago. At the time of
his death he was head of the department of prac-
tical sociology in the University, associate editor
of the "American Journal of Sociology," and pres-
ident of the United Charities of Chicago. His
1915]
THE DIAL
271
first-hand investigations and work in behalf of the
oppressed and unemployed in Chicago and else-
where established for him an international reputa-
tion as a sympathetic student of humanity. His
writings reveal a rare scholarship and cover a wide
range in the field of sociology, dealing, more specif-
ically, with the study of crime, treatment of delin-
quent and defective classes, prisons and prison
reform, and modern methods of charity.
" The Nations' Histories " is the title of a new
series of historical manuals which will be launched
during the present season. The volumes will differ
from other histories in the attention given to phys-
ical and topographical features in determining the
development of the different European nations, and
to the archaeological and architectural remains
which are the standing monuments of past achieve-
ment. Each volume will contain an appendix giv-
ing the present state of the country in full detail.
The first three to be published are as follows:
"Russia" by Dr. Harold W. Williams, "Ger-
many " by Mr. W. T. Waugh, and " Poland " by
Mr. G. E. Slocombe.
A book of whimsical philosophy and banter,
" with an ambiguous introduction by H. G. Wells,"
will shortly be published in England under the title
of " Boon, the Mind of the Race, the Last Asses of
the Devil, and the Last Trump," described as being
" the table-talk of a deceased literary man, with
some fragments of his unpublished works," com-
piled by his executor, Reginald Bliss. George
Boon, " the author of irreproachable novels of
world-wide fame," is apparently not so much dead
as missing. These literary remains of the vanished
author are published as a sort of satirical com-
jnentary upon the times, and especially upon the
book world of to-day.
Twenty-one new volumes are to be added at once
to " Everyman's Library " by Messrs. Dutton.
Among them are Professor Dowden's " Life of
Robert Browning," the second volume of Froude's
" Short Studies," Dostoevsky's " ' Poor Folk ' and
' The Gambler,' " translated by Mr. C. J. Hogarth,
whose translation of Erckmann-Chatrian's " Story
of a Peasant," in two volumes, is also added to the
department of fiction ; Mignet's " History of the
French Revolution," with an introduction by Mr.
L. Cecil Jane; Josephus's "Wars of the Jews,"
with an introduction by Dr. Jacob Hart; Emer-
son's Poems, with an introduction by Professor
Bakewell, of Yale ; Ibsen's " Brand " translated by
Mr. F. E. Garrett; and an "Anthology of British
Historical Speeches and Orations," compiled by
Mr. Ernest Rhys.
Walter Crane, the English artist, author, and
lecturer, died on March 15, at the age of seventy.
His first illustrated book, " The New Forest," ap-
peared in 1863. During his long career he has won
many high honors, including membership in several
of the principal academies in England and on the
Continent. His published writings include "An
Artist's Reminiscences," " India Impressions," and
" William Morris and Whistler." Of his work in
illustration, through which he was most widely
known, the sumptuous edition of Spenser's " Faerie
Queene " is doubtless the best example. His famous
" toy-books " are known to children everywhere.
The type of gift-book represented by his " Flower
Wedding," "A Masque of Days," " Flowers from
Shakespeare's Garden," etc., and several others,
was extremely popular with an older generation.
" Studies in Philology " will hereafter be pub-
lished by the University of North Carolina in the
form of a quarterly journal. The first number,
bearing the date January, 1915, contains a critical
edition by Professor James H. Hanford of " Wine,
Beere, Ale, and Tobacco, Contending for Su-
periority," a curious debate play, hitherto acces-
sible only in a rare reprint. Besides being of value
because of its numerous contemporary allusions,
relating particularly to the manners and customs
of the tavern, this text has special interest for the
student of Elizabethan drama as a survival of the
interlude and as a specimen of the minor entertain-
ments in vogue at the universities. In his intro-
duction Professor Hanford has discussed the
sources of the material and shown the close con-
nection existing between this piece and several
well-known Cambridge University plays. The first,
second, and third editions have been collated for
the first time, and the text has been fully illustrated
in notes. In form, the new quarterly is eminently
attractive.
Charles Francis Adams, historian and publicist,
direct descendant of two United States presidents,
son of one of our most distinguished diplomats,
and otherwise claiming the regard and remem-
brance of posterity, died at his winter home in
Washington, March 20. Born in Boston, May 27,
1835, and graduated from Harvard in 1856, he
studied law in the office of Richard Henry Dana,
author of " Two Years before the Mast," and was
admitted to the bar, but had hardly entered upon
the practice of his profession before the outbreak
of the war claimed his energies, and its close found
him more interested in railway management, in
various public questions, and in historical and other
studies, than in the calling which he had at first
chosen. In the field of letters and learning he is
to be remembered for his epoch-making Phi Beta
Kappa oration at Cambridge in 1883, when he
delivered himself of sundry opinions concerning
"A College Fetich" (classical studies) that are
thought to have turned the tide at Harvard and
beyond in favor of the sciences in education, for
his biography of Richard Henry Dana, his " Three
Episodes of Massachusetts History," " Massa-
chusetts, its Historians and its History," the life
of his father in the "American Statesmen " series,
and several volumes of miscellanies on historical,
diplomatic, and military themes. Two years ago
he delivered at Oxford a course of lectures on
American history. His long connection with the
Massachusetts Historical Society, his repeated re-
election to the Harvard Board of Overseers, his
many appointments to public positions of im-
portance, and the learned degrees and other honors
conferred upon him, bore witness to the high esteem
in which he was held. A clear and ready writer,
with aptitude for historical research, he made
notable contributions to the history of his native
State, and wrote also with mastery of other sub-
jects.
272
THE DIAL
[April 1
TOPICS IN LEADING PERIODICALS.
April, 1915.
Abruzzi, The Earthquake in. Thomas N. Page . . Scribner
Antiques, Fraudulent. Gardner Teall .... Am. Homes
Artist's Morality, An. Horace Holley Forum
Banking Problems. Thomas Conway, Jr Pop. Sc.
Bible-study in Colleges and Schools. E. A. Cross Am. Jour. Soc.
Block Printing, Early. H. D. Eberlein . . . Am. Homes
Book-collecting. A. Edward Newton Atlantic
British Sea-power and South America. R. G. Usher Century
Capital, Rate for, and the War. B. W. Holt . . . Pop. Sc.
Carnegie Foundation, The. Henry S. Pritchett . No. Amer.
Carpathians, Fighting in. J. F. J. Archibald . . Scribner
Churches, Unity of the. Newman Smyth Yale
City, The, as an Institution. R. E. Park . . Am. Jour. Soc.
City, The Brand of the. Walter E. Weyl .... Harper
Clayton Act, The. W. H. S. Stevens . . . Am. Econ. Rev.
Cloture. Champ Clark North American
Collier, William. Peter C. Macfarlane .... Everybody's
Color in Western Art. Mary Austin Century
Competition, The Conservation of Unpopular
Competition, The Culmination of Unpopular
Constantinople and the Turks. G. F. Herrick Rev. of Revs.
Cost of Living, The. Margaret S. Kendall . . . Atlantic
Cotton Futures Act, The. Luther Conant, Jr. Am. Econ. Rev.
Criminal, The New View of the Unpopular
Dahlias for the Home Garden. J. H. Gardner . Am. Homes
Debutantes, The Mobilization of the Unpopular
Defence, National, A Book on. F. R. Coudert . No. Amer.
Defence, The National Unpopular
Deffand, Mme. du. Gamaliel Bradford .... No. Amer.
Drama : Upside Down. Brander Matthews . . . No. Amer.
Eastern Moat of Europe, The Unpopular
Emeralds, Decreasing Supply of. Virginia
Roderick Everybody's
England, The Changing Mind of. L. P. Jacks . . Atlantic
England and the English. Infanta Eulalia . . . Century
England and the War. L. P. Jacks Yale
English Literature in France. Emile Legouis . . . Yale
European Cultures, War of the. J. S. Schapiro . . Forum
Farm Credit in Kansas. George E. Putnam Am. Econ. Rev.
Flowers : Changing Their Color. S. L. Bastin . Am. Homes
Foreign Trade, A Message on. C. H. Sherrill . . Pop. Sc.
Foreign Trade, War and. H. E. Miles Pop. Sc.
Foreign Trade of the United States. A. B. Farquhar Pop. Sc.
Fragonard Panels, The. Ernest Peixotto .... Scribner
France, War Leaders of. Charles Johnston . Rev. of Revs.
Free Ports, American. Frederic C. Howe .... Pop. Sc.
Frost, Robert. Sylvester Baxter Rev. of Revs.
German Spirit, The. Havelock Ellis Atlantic
German Trenches, In the. John Reed . . . Metropolitan
Germany's Terms. Hans Delbruck Atlantic
Hay, John, Letters and Diaries of Harper
Health Examinations, Periodic. E. L. Fisk . . . Pop. Sc.
Henry Street Settlement, The — II. Lillian D. Wald Atlantic
Highbrow and Lowbrow. Van Wyck Brooks . . . Forum
Holland's Plan of Defence. R. J. Jessurun . Rev. of Revs.
Imperialism and the Christian Ideal. B. W. Bacon . . Yale
Italy's Duty. Guglielmo Ferrero Atlantic
James, William. M. H. Hedges Forum
Josephus, Sir. George Harvey North American
Lansing, Robert. J. B. Scott Rev. of Revs.
Law, International, on the Sea. C. H. Stockton World's Work
Lawn, The. Andrew Hoeben Am. Homes
Letter-writing in Walpole's Time. C. B. Tinker . . Yale
Liberty and License. H. M. Aubrey Forum
Literature, Some Recent Philosophy of ... Unpopular
Lombaertzyde, The French at. Arno Dosch . World's Work
Louis XVI., Death of. H. Belloc Century
Mather, Stephen T. Enos A. Mills .... Rev . of Revs.
Merchant Marine, Extension of Our. G. W. Norris Pop. Sc.
Mexico, Cause of the Revolution in Unpopular
Midwife in Chicago, The. Grace Abbott . . Am. Jour. Soc.
Motoring Abroad. Louise Closser Hale Harper
Municipal Problems, American. C. R. Woodruff . Pop. Sc.
National Efficiency. Charles W. Eliot Atlantic
Nationality, The Bonds of. Albion W. Small Am. Jour. Soc.
Nationality and the New Europe. A. C. Coolidge . . Yale
Neutrality, Economic Importance of. G. E. Sherman Pop. Sc.
Neutralization, Rights of. George G. Wilson .... Yale
O'Keefe, Ellen, and Ex-prisoners. Henry Magill Everybody's
Old Maids, Apology for. Henry D. Sedgwick .... Yale
Opium Question, End of the. Hamilton Wright Rev. of Revs.
Optimism, American. T. H. Price .... World's Work
Ovid among the Goths. Gamaliel Bradford .... Yale
Panama Canal, Building the — II. G. W. Goethals Scribner
Parks, National, Our. S. T. Mather .... Rev. of Revs.
Peace. George E. Woodberry North American
Perkins, George W. Harold Kellock Century
Perret, F. A., Volcanologist. French Strother World's Work
Physics, The New. John Burroughs Yale
Politics and Prosperity. James B. Duke . . . No. Amer.
Pork Barrel Pensions. B. J. Hendrick . . . World's Work
Preparedness, Need of. Theodore Roosevelt . Metropolitan
Property and Law Unpopular
Railroad Crisis, The. Ray Morris Yale
Races : Inferior and Superior. Booker T.
Washington No. Amer.
Railroad Valuation. A. M. Sakolski . . . Am. Econ. Rev.
Rose-growing, Easy. Henry Wild Am. Homes
Russia's Red Road to Berlin. Perceval Gibbon Everybody's
Russia's Struggle for an Outlet. Svetozar Tonjoroff No. Amer.
Science, Skepticism and Idolatry in Unpopular
Screens for Decoration. R. H. Van Court . . Am. Homes
Shaw, Anna Howard, Autobiography of — VI. Metropolitan
Social Customs in 18th Century America. C. H.
Sherrill Scribner
Socialism, The Fall or Rise of. E. D. Schoonmaker Century
Socialism and War — V. Morris Hillquit . . Metropolitan
Soil Fertility. Robert W. Bruere Harper
South American Politics. E. A. Ross Century
Sportsman, Reverie of a. John Galsworthy . . . Atlantic
Statistics, Lies, Damned Lies and Unpopular
Stefansson, Over the Ice with. B. M. McConnell . Harper
Submarines, New Defence against. Cleveland
Moffett American
System versus Slippers Unpopular
Tahiti, A History of. Alfred G. Mayer Pop. Sc.
" Tirpitz the Eternal." James Middleton . . World's Work
Tsingtau, With the Germans in. A. M. Brace World's Work
Unemployment. Frederic C. Howe Century
Villa as a Statesman. J. K. Turner .... Metropolitan
Vitality, American, Trend of. L. I. Dublin . . . Pop. Sc.
Vitality, Defence of National. C. E. A. Winslow . Pop. Sc.
Vitality, Racial Element in. C. B. Davenport . . Pop. Sc.
War, Fundamental Cause of. B. W. Holt .... Pop. Sc.
War, Social Effects of the. L. T. Hobhouse . . . Atlantic
War, The, and the Way Out. G. Lowes Dickinson Atlantic
War, The, at Sea. George Marvin .... World's Work
War, The Cost of the. C. F. Speare .... Rev. of Revs.
War and Our Foreign Policy. David Laurence . No. Amer.
Women, Working, New Spirit among. Agnes C. Laut Century
Working Hours, Shorter. Ida M. Tarbell . . . American
World, Our Wonderful. John Burroughs .... Harper
LIST OF NEW BOOKS.
[The following list, containing 130 titles, includes books
received by THE DIAL since its last issue.]
HISTORY AND BIOGRAPHY.
Footfalls of Indian History. By the Sister Nivedita
(Margaret E. Noble). Illustrated in color, etc.,
8vo, 276 pages. Longmans, Green & Co. $2. net.
The Secret of an Empress. By the Countess Za-
nardi Landi. Illustrated in photogravure, large
Svo, 344 pages. Houghton Mifflin Co. $4. net.
A History of the Japanese People from the Earliest
Times to the End of the Meiji Era. By F.
Brinkley, R.A. ; with the collaboration of Baron
Kikuchi. Illustrated, 8vo, 784 pages. New York:
Encyclopedia Britannica Co.
The Rise of the Dutch Kingdom, 1795-1813. By
Hendrik Willem Van Loon. Illustrated, large
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DARE books and first editions collected
and arranged for people who are too
busy to attend to the forming of libraries.
Address E. V., Boston Transcript
BOSTON, MASS.
1915]
THE DIAL
277
A New Edition of a Famous Anthology
Now issued in a beautiful new form printed on
special India paper. A delightful volume in every
way, the thin paper making a compact handy size
for the pocket or traveling bag.
Compiled by
FRANCIS F. BROWNE
Editor "Poems of the Civil Wtr,"
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GOLDEN POEMS contains more of
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278
THE DIAL
[April 1
You Could Not Read
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That was approximately the number of books
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1915]
THE DIAL
279
ANNOUNCEMENT EXTRAORDINARY
President Wilson
will deliver through HARPER'S WEEKLY a message of importance and interest to
every American citizen, in an early issue, unless unforeseen circumstances arise.
THE WAR AND AMERICA
ALSO IN FORTHCOMING
ISSUES A SERIES ON
THE FOLLOWING WILL CONTRIBUTE:
WILLIAM G. McADOO, HENRY L. STIMSON, HUDSON MAXIM,
Secretary of the treasury Former Secretary of War
CHARLES M. SCHWAB, FRANKLIN K. LANE,
Secretary of the Interior
LINDLEY M. GARRISON,
Secretary of ffar
DAVID STARR JORDAN,
Educator, Peace Advocate
MAX EASTMAN,
Editor, Radical
Financier,
President Bethlehem Steel Co.
GEORGE von L. MEYER,
Former Secretary of the Navy
SAMUEL L. GOMPERS,
President,
American Federation of Later
Inventor, Expert on Expletives
LOUIS D. BRANDEIS,
Efficiency Expert for the People
WILLIAM B. WILSON,
Secretary of Labor
JOSEPHUS DANIELS,
Secretary of the Navy
GIFFORD PINCHOT,
Conservationist
WILLIAM KENT,
Only Congressman
Without a Party
DAVID F. HOUSTON,
Secretary of Agriculture
D4I
Other names of equal importance will be added to the list as the series proceeds. We believe that this series, covering
the aspect of the war which is of deepest importance to Americans, will be of extraordinary interest to every reader.
NORMAN HAPGOQD expects to be in Europe to get for Harper's Weekly readers, not the usual thread-
bare war stuff, but the inside situation, the actual conditions of the nations, about which we in America have
been told next to nothing, MR. HAPGOOD'S ARTICLES WILL APPEAR IN THE COURS E
OF THE SERIES.
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SEND FIFTY CENTS IN STAMPS FOR THREE MONTHS' TRIAL SUBSCRIPTION
FOR APRIL IS NOW READY
BY GRACE OF BATTLE. Frank Ernest Hill.
HIS SURRENDER. Mary Louise Day.
THE WAR OF THE EUROPEAN CULTURES.
J. Salwyn Schapiro.
AN ARTIST'S MORALITY. Horace Holley.
SEEKING THE SHADE OF WILLIAM JAMES.
M. H. Hedges.
LIBERTY AND LICENSE. H. M. Aubrey.
IN THE KEY OF BLUE. Georgiana Goddard
King.
LIFE'S PRIMAL ARCHITECTS. E. Douglas
Hume.
MITCHELL KENNERLEY
THE PHARISEE. Dorothy Landers Beall.
CRYING FOR THE MOON. Bruce F. Cummings.
HIGHBROW AND LOWBROW. Van Wyck
Brooks.
MORE ABOUT "INSPIRED MILLIONAIRES."
William MacDonald.
THE MADDENING MR. MEREDITH. Elizabeth
Frazer.
SANDS MacCREE. Louise Townsend Nicholl.
THE DOUBLE MIRACLE. Robert Garland.
CORRESPONDENCE.
EDITORIAL NOTES.
Publisher, NEW YORK
280
THE DIAL
[April 1, 1915
"VICTORY"
By
Joseph Conrad
" Victory " tells the romance
of Axel Heyst and Lena, the
girl from a traveling Ladies'
Orchestra, and their strange
life on the deserted South Sea
Island of Samburan.
Cut off from civilization ex-
cept for the monthly passing of
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undisturbed until the sinister
descent upon the island of those
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outside world, " plain Mr.
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for the first time the tender-
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The appeal in " Victory " is
universal. It is the story of a
woman's love, superb in its
faith and triumph, told in a
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" Chance."
Just out. Net, $1.35
Two Editions Before Publication
Doubleday, Page & Co.
Garden City New York
"A narrative that gets under way on
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his gift for the dark, the threatening,
the sinister.
"From the moment that Jones and
Ricardo reach the crazy island jetty,
sun -blistered, purple -faced, half dead
of thirst — from this moment to the last
scene of all, there is no halting or turn-
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"Put upon paper by a lesser man it
would become a mere penny-dreadful.
But as it is told by Conrad it takes on
the Homeric proportions of an epic, a
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to build up effects, it yet leaves upon the
mind a picture almost as vivid and as
haunting as that left by Heart of Dark-
ness. It is closer to the conventional
novel than anything else he has done,
and yet it is full of his characteristic
touches. ''
H.L.MENCKEN
In the April "Smart Set"
PRESS OF THE HENRY O. SHEPARD COMPANY
THE
TAT,
A FORTNIGHTLY JOURNAL OF
ttartr Criticism, gisrussi0n, antr Information
FOUNDED BY I Volume LVIII. r»TTTr<Ar<ri AP"RTT IP; 1Q1£
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282
THE DIAL
[ April 15
E. P. BUTTON & CO.'S BSPBSS
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1915]
THE DIAL
283
DOR AN "S NEW BOOKS
THE VALLEY OF FEAR
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THE DIAL
[ April 15
Books of Literary and Scholarly Interest From the Recent Publications of
Yale University Press
209 Elm Street, New Haven, Conn.
225 Fifth Avenue, New York City
BRACTON: DE LEGIBUS ET CONSUETUDINIBUS ANGLIAE.
Edited by GEORGE E. WOODBINE, Assistant Professor of History in Yale College. (Yale Historical
Publications. Series II.)
The names of Bracton and Blackstone are the greatest in the history of English legal writing. Yet Bracton's
DE LEGIBUS ET CONSUETUDINIBUS ANGLIAE, the most important legal work of the Middle Ages, has never before
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Professor Woodbine 's work is based upon a thorough study of all the extant manuscripts of the treatise in accordance
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THE DIVINE COMEDY. Trans-
lated by HENRY JOHNSON, Director of the
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CRITICAL ESSAYS of THE EIGHTEENTH CENTURY, 1700-1725.
Edited by WILLARD H. DURHAM, Ph.D., Instructor in English in the Sheffield Scientific School,
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The first quarter of the eighteenth century witnessed the publication of a number of valuable literary criticisms,
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THE FUNDAMENTAL BASIS
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1915] THE DIAL 285
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286
THE DIAL
[ April 15, 1915
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Vol. LVIII. APRIL 15, 1915
No. 692
CONTENTS.
PAGE
PLAY OR PAMPHLET? Charles Leonard
Moore 287
CASUAL COMMENT 289
French appreciation of English literature. —
A promising profession for book-lovers. —
Reading in Ireland. — Indexers' idiosyn-
crasies.— The creator of Colonel Carter of
Cartersville. — Heavy reading. — An exiled
review. — Canada's contribution to polite
literature. — A renaissance in Yiddish litera-
ture.— After forty years of novel-writing. —
Illinois public libraries.
COMMUNICATION 293
" The Doctor " and " Tristram Shandy."
Russell Osborne Stidston.
FRIENDLY LETTERS OF A WANDERING
NATURALIST. Percy F. Bicknell . . .294
IN PRAISE OF WAR. T. D. A. CocTcerell . . 295
FANTASTIC SOLUTIONS OF SOME
SHAKESPEAREAN CRUXES. Samuel
A. Tannenbaum 297
OLD MAGIC IN A NEW CENTURY. Thomas
Percival Beyer ... 301
THE CASE AGAINST GERMANY. W. K.
Stewart 302
Villard's Germany Embattled. — Dawson's
What Is Wrong with Germany? — Allen's
Germany and Europe. — Chapman's Deutsch-
land iiber Alles. — Germany's War Mania. —
Rohrbach's German World Policies.
RECENT FICTION. William Morton Payne . . 304
NOTES ON NEW NOVELS 305
BRIEFS ON NEW BOOKS 306
Handbooks on the art and craft of letters. —
The fallacies of " preparedness." — Essays,
ethical and philosophic. — Disraeli during
the decade 1846-1855. — The protection of
wild life. — Confessions of Frederick the
Great. — Lesser-known builders of the Pan-
ama Canal. — Mr. Markham's latest volume
of verse. — Cegent reasons for not drinking.
— The most interesting of wild animals.
NOTES 311
LIST OF NEW BOOKS . . 312
PLAT OR PAMPHLET?
After the debauch of wit in the Restoration
Comedy and Jeremy Collier's triumph over
the stage, audiences became virtuous, and play
providers gave them what they wanted in
tragedies which would turn them to repen-
tance and comedies which would make them
cry. The French called the new species of
drama la comedie larmoyante. Diderot in
France, Steele in England, and even Lessing
in Germany gave in to the fashion, though
the latter soon recovered himself. When the
real comic spirit rose again incarnate in Gold-
smith he had great difficulty in getting a
hearing. His "Good Natured Man" was de-
nounced as "low," and the scene with the
Bailiffs was hissed. ' ' She Stoops to Conquer ' '
was rejected by one manager, and held by
another for a year.
Literary fashions, like those of women's
clothes, recur in cycles, and for a good while
we have had a surfeit of what may be called
the preaching mania on the stage. Where do
all the wild-eyed faddists come from who in
their multitude have burst into the theatre
with plays of every conceivable kind except
plays of amusement, of poetic exaltation, of
creative power? Every reform, or what fan-
tastic minds conceive to be a reform, must have
its play. We have had plays of sexology, of
education, of hygiene, and what not. The
plays on hygiene seem to predominate. We
suppose we shall next have a play on the negro
theory that you should cut your corns in the
dark of the moon. This would be harmless
compared with the dramatization of medical
treatises with which we have been regaled of
late.
This pamphleteering drama seems to have
had its origin with Ibsen. Now Ibsen was a
playwright of the first water, and in his early
romantic dramas and in his long dramatic
poems a genuine poet. There are gleams of
humor and of common sense in his comedies.
But his formula for a comedy seems to have
been this: Find some sore spot in humanity
and make a play of it. And his lugubrious
dramas and their progeny have filled the thea-
tres of Europe and America.
288
THE DIAL
[April 15
Particularly is America favorable soil for
this pamphleteering seed. If anybody neglects
an opportunity to preach in this country, he
is suspect. Our public men go around like
Joseph Surface, with his eternal "the man
who." The didactic instinct is rooted in us,
and has been strong enough to stifle any genu-
ine creative impulse, except in the case of a
few who have dared to "see life steadily and
see it whole." That this didactic turn in us is
accompanied by any greater average goodness
than among other peoples may be questioned.
Thomas Wentworth Higginson once rebuked
the present writer for using the stock phrase,
' ' the New England conscience. ' ' He thought
it a bugbear, and had lived more than four-
score years among such consciences without
finding any excess of them. But that the
moralizing strain outweighed the artistic one
among his neighbors is only too patent.
That art should be immoral or even unmoral
is nonsense. In the drama, more than any
other form of art, there is a clash of opposites,
of good and evil, of the beautiful and the ugly,
of the graceful and the grotesque. That any
sane dramatist should prefer the inferior
qualities or things is practically impossible.
But he ought to have full liberty to set them
forth in all their power and repulsiveness.
He ought to be fair to the energy, intellect,
and share of goodness in the personages in
whom are embodied the lower principles. His
heroes cannot be all white, or his villains all
black. The 'a<>.apria of Aristotle was that
fatal weakness in the central character from
which the catastrophe arose. Besides, there is
no fixed system of morality. Is war right or
wrong? Is divorce right or wrong? Must
one, as Kant maintained, always tell the truth,
even to a murderer seeking his victim? Is
it criminal for a starving man to steal food?
Is it murder or patriotism to kill a despot?
These and many other questions have always
been debated. Whole shoals of plays have
been based on views of morality now obsolete
or partially so. The dramatist has wide lati-
tude. If he communicates the shock of vital
strength to us, or permeates us with a sense of
beauty, it is as much as we have a right to
expect. But the pamphleteering dramatist
takes some abstract question of morality, or
some concrete custom, and argues it out by the
means of puppets to whom no fair play is
allowed, who are merely punching-bags for his
intellectual exercise.
The play with a purpose was preceded by
the novel with a purpose. Dickens had
usually some direct utilitarian or charitable
end to carry out. But it was always so
swamped by the overwhelming humor and
creative force of his work that it gives readers
of to-day no concern. Victor Hugo, too, in his
greatest novel tilted against all the wrongs and
injustices of the world; but here, also, the
interest of the narrative and the flood of
poetry sweep us along and make us forget that
we are witnessing a social insurrection. It is
perhaps too soon to criticize the purpose plays,
but we doubt whether they are clothed with
enough poetry and humor and created flesh to
make us forget the grinning skeleton of their
didacticism. We are inclined to think that
they have less staying quality than even the
despised Victorian drama. Such plays as
"Richelieu," "The Lady of Lyons," "The
Hunchback," "Masks and Faces," and
' ' Caste ' ' have held the boards for a long time.
Bulwer and Reade had probably as much intel-
lectual force as the problem men, and they
seem to have produced figures and scenes of
permanent appeal to mankind.
It is perhaps in order to say what should
take the place of the purpose play. Well,
there is the whole spectacle of life to choose
from. There are a billion and a half people in
the world, and something is happening to
them every day. There is the whole recorded
past to furnish subjects. And the mind of
man can invent, and can at least make an at-
tempt to pierce into the realm of death and the
unknown. The Moving Picture shows, what-
ever may be their shortcomings, can at least
give us a hint of what is wanted. We believe
the managers of these entertainments have
tried a few problem subjects, but that they did
not in the least succeed. Stories of adven-
ture, of romantic love and domestic devotion,
of great crimes, of moving accidents by land
and sea, of uproarious fun, — these take best.
Shilling shockers like the "Agamemnon,"
"Macbeth," or "Faust" are really what the
world craves in the way of excitement: hero-
ism and pure love and undying devotion al-
ways appeal to it. The taste of the public is
always sound, — only it is not educated up
to the adequate literary presentation of its
favorite themes. When we consider that the
Athenian public, with its wonderfully trained
intelligence, banished ^Eschylus and preferred
Euripides to Sophocles we can hardly expect
1915]
THE DIAL
289
perfect critical judgment from our own motley
population.
To be more specific, we think the drama
should confine itself more strictly to its various
kinds. A tragedy ought to be a tragedy, and
a comedy a comedy. Mixing of distinct breeds
rarely brings good results. It would be pretty
hard to classify some of the plays of Ibsen or
Strindberg. Comedy ought to recover its
gaiety and shed its weeds of woe. Signs are
not wanting that the purpose-problem-pam-
phlet style of play is going out of fashion.
There have been produced in New York this
past winter a considerable number of plays
calculated to amuse intelligent people. If to
these could be added some dramas of poetic
exaltation, some tragedies that plumb the
depths, we should have the beginning of a
serious theatre in this country.
The question of a drama poetic not only
in intent but in form is an interesting one.
There is no real reason except a stupid preju-
dice why verse should not be used again upon
the stage. It is a pity to banish it, for it is to
a play something like what a frame is to a
picture. It separates the play from the world,
and concentrates its effects. But we believe
that blank verse, which is the most flexible and
natural of metres, is impossible, simply be-
cause it has been preempted. A modern blank
verse play inevitably seems a faded copy of a
Shakespearean original. The best poets and
metrists of recent times — Shelley, Tennyson,
Browning, Swinburne — have tried to galvan-
ize this form into life, all to little purpose.
But there are plenty of other metrical forms.
The heroic couplet reigned for a considerable
time on the English stage, and it might be
revived. The lyric choruses of the Greek
drama lightened up the grave iambic verse.
The Spanish drama used a great variety of
metres and forms, — huddling together asso-
nant verse, redondillas, canzonets, and son-
nets in a single play. There is something like
this variety in the early plays of Shake-
speare— "Love's Labour's Lost," for in-
stance. Verse of some kind we ought to have,
for we can never get with prose the concen-
tration or the atmosphere requisite for the
greatest dramatic effects.
The purpose-problem play came into being
mainly from one cause, — the unrest of women
and their desire to have their wrongs and
rights expounded on the stage. Possibly this
has been sufficiently done, and now men may
demand their innings; or, rather, men and
women together may recur to the elemental
things of life, — loves, hates, heroisms, sacri-
fices, and demand these from the stage. They
are demanding them from the Moving Picture
shows, and the speaking theatre is surely a
more satisfactory thing.
CHARLES LEONARD MOORE.
CASUAL COMMENT.
FRENCH APPRECIATION OF ENGLISH LITERA-
TURE, so far as that appreciation is manifested
by scholars and writers, has in recent times
been greatly in contrast with earlier ignorance
of and contempt for the writings of those
benighted beings so unfortunate as to have
been born outside of France. Flippant dis-
praise of Shakespeare is no longer considered
smart in the literary circles of Paris. Of
course Taine is the conspicuous modern in-
stance of French appreciation of the writers
of England, but for one such sympathetic stu-
dent of those writers half a century ago there
are now a dozen or more in the France of
to-day. Professor Emile Legouis, who holds
the chair of English language and literature at
the Sorbonne, and is widely known for his
published works in his department, naturally
comes to mind in this connection. A notable
article from his pen appears in the current
issue of ' ' The Yale Review, ' ' under the head-
ing, ''English Literature in France." His
opening sentence is significant. He says:
"The opinion now prevailing in England, and
beginning to spread in America, seems to be,
if I am well informed, that, outside of the
English-speaking countries themselves, France
is as distinctly ahead of other nations in En-
glish literary criticism, properly so called, as
Germany has long been and still remains in
English philology." A little later, in consid-
ering the "erudite (historical, objective, scien-
tific) mode" of studying English literature,
he has this to say in tribute to American schol-
arship : "In some directions, it is true, and
particularly in the field of research that we
are now concerned with, I wonder whether
America has not actually outstripped Ger-
many herself, after having been her disciple.
As I was some time ago getting up a small
popular book on Chaucer and had to acquaint
myself with the most recent critical works on
his life and poetry, I was struck by the pre-
dominance of Americans in the list of the
latest discoverers. Foremost in the catalogue
were the names of Professors Kittredge, Scho-
field, Tatlock, Root, Lowes, Young, and others,
nearly dispossessing the country of Ten
290
THE DIAL
[ April 15
Brink of her former supremacy." In closing
he emphasizes his impression of a prevalent
"admiration and reverence for English litera-
ture" on the part of its students in France.
• • •
A PROMISING PROFESSION FOR BOOK-LOVERS
who would like to be book-writers, but who
somehow, in spite of undeniable skill in the
manipulation of pen or typewriter, cannot
exactly hit it off when it comes to original
literary production, has long been found in
the pleasant task of handling, for the benefit
of other book-lovers, the works of those envied
beings who have succeeded in becoming book-
producers. There is always the possibility,
too, that in this close contact with the best that
has been thought and said in the world, the
contagion of authorship will in some myste-
rious manner be caught, with ultimately grati-
fying results in renown and royalties. Was
not the celebrated author of the world-famous
"Critique of Pure Reason" once employed in
this very task of handling the books of others
in the Royal Library at Konigsberg? And
was there not a certain librarian of the Boston
Public Library, and later head of the Harvard
University Library, who is now even better
known for his learned contributions to histori-
cal literature than for his noteworthy services
to librarianship ? Let us then, we who love
books and would fain write them also, embrace
the librarian's calling and see what will hap-
pen. But is it so easy to get a position as libra-
rian ? Hear what they say about it at one of
our largest library schools. "For several
years," it is reported from Madison, "the
number graduating from the Library School
of the University [of Wisconsin] exceeded
the number graduated from any other simi-
lar school in the country," but with all this
annual output "there never has been the
slightest difficulty in obtaining positions for
the graduates of the school. In 1913 out of
31 who were graduated 29 had positions at
the time of graduation. In 1914 out of 29 who
were to graduate 26 had received appoint-
ments at graduation." Could there be any-
thing more alluring than the pleasant path
leading through this semi-literary profession
to all sorts of delightful possibilities in a pro-
fession that is wholly literary and supremely
soul-satisfying ?
• • •
READING IN IRELAND, especially in western
Ireland, appears to be a pastime not much in-
dulged in by people generally, though there is
an immense respect for books and those who
write them, a respect inversely proportional
to the intimacy of acquaintance with things
literary. Familiarity breeds contempt, as the
proverb assures us. In "Castle Rackrent,"
though the mistress of the castle reads "The
Sorrows of Werther, " her lord and master is
far more interested in his own multiplying
troubles and difficulties; and at the present
day the Irishman who digs and delves for his
livelihood has little time or inclination to go
deeply into books. A shelf of ancient and
well-thumbed volumes is likely to be found
in the farmhouse, but the family reading is
chiefly confined to "Old Moore's Almanack"
and either "The Irish Weekly Independent"
or "The Weekly Freeman." "Old Moore,"
by the way, in his last year's almanac pre-
dicted "grave trouble in Europe about this
time." A writer in the current number of
"The Book Monthly," Mr. Thomas Kelly, to
whom acknowledgment is due for various
items here noted, reveals the rather surprising
fact, if it be a fact, that in the land of their
nativity "Lever and Lover are very rarely
seen, though 'Handy Andy' is to be met with
occasionally" — another illustration of the rule
respecting prophets in their own country.
Even Canon Hannay (better known as
"George A. Birmingham") is rather roughly
handled by those who pretend to be competent
critics. But among the common people of lit-
tle book-learning, as already intimated, au-
thors and their works are more likely than not
to be held in reverence. Mr. Kelly relates an
amusing incident in this connection. "I re-
member seeing in one house a booklet whose
author I knew. He lived in the neighbouring
town, and I mentioned this fact to 'the man
of the house. ' ' Is it a man that could write a
book,' he queried in no slight surprise, 'to be
livin' in the town o' Drumdallagh 'ithin ten
mile o' where I stand? Man, oh man, do ye
tell me that? Where now would his house be
in the town, for I'll go an' have a look at the
outside o' it the next day I'm in at the
market. ' '
• • •
INDEXERS' IDIOSYNCRASIES are often amiable
and harmless, and sometimes unamiable and
injurious to the interests of index-users. A pas-
sion for fulness of entry in the case of personal
names may cause more consumption of time
than is worth while, but no harm is done unless
other more important duties are neglected in
consequence. On the other hand, the scrupu-
lous substitution of a little-known real name
for a universally-known popular designation
may give rise to vexation and bewilderment
and smothered (if not eruptive) profanity.
Thomas Jonathan Jackson, for example, is
known to students of American history as
identical with "Stonewall" Jackson, but to
the great American public the sturdy general
1915]
THE DIAL
291
is "Stonewall," and not Thomas Jonathan,
and it has a right to expect the nickname to
appear in the index or catalogue, as in truth it
often though not always does. Mr. Rossiter
Johnson, in a protest published in the March
"Library Journal," complains of the misdi-
rected scrupulosity of some professional index-
ers, and takes occasion to point out a common
and rather unwise practice on the part of
book-indexers, who for some reason think it
necessary to enter in the index the general sub-
ject of the book. He refers especially to biog-
raphies, and cites a real or supposed life of
General Putnam, the index to which contains
such entries as this: "Putnam, Israel, his en-
counter with a wolf, ' ' which should have been :
' ' Wolf, Putnam 's encounter with a. ' ' And he
speaks of a recent admirable biography of a
famous American that devotes ten solid col-
umns of its index to the subject of the book,
as if any mortal reader would have the pa-
tience to search for a needle in that haystack !
He might have instanced an even more
flagrant recent example: the admirable biog-
raphy of Mark Twain by his authorized biog-
rapher gives almost thirteen columns of its
excellent index to the entry, "Twain, Mark."
• • •
THE CREATOR OF COLONEL CARTER OF CAR-
TERSVILLE was fifty-three years old when this
product of his invention placed h.im in the
front rank of those who have delineated the
Old South felicitously in fiction. Francis
Hopkinson Smith, a descendant of that gifted
Francis Hopkinson who immortalized himself
by affixing his signature to the Declaration of
Independence, was born October 23, 1838, in
Baltimore, and died April 7, 1915, in New
York. Early reverses in the family fortunes
forced him to shift for himself with little of
the educational equipment accounted neces-
sary for a fair start in life. A clerkship in his
brother's iron works was cut short by the fail-
ure of the business, after which came engineer-
ing studies in New York and the opening of an
office as contractor. Much constructive work
— jetties, breakwaters, lighthouses, sea-walls,
etc. — was undertaken for the government,
and a permanent and conspicuous reminder of
this phase of Mr. Smith 's varied activity is the
foundation of the Bartholdi Statue of Liberty,
as also the Race Rock Lighthouse, off New Lon-
don, of which its builder was especially proud.
His vacations meanwhile were largely given to
sketching in the White Mountains, Cuba, Mex-
ico, and later in Venice, Constantinople, and
Holland. He had drawn and painted from
boyhood, being chiefly self-taught in this form
of art. At about forty years of age he began
to discover his genius in literature, in slight
sketches of travel and observation, and later in
stories and novels. Best known among his long
list of books are such favorites as "Colonel
Carter of Cartersville, " "Caleb West," "Oli-
ver Horn, " " Peter, ' ' and ' ' Kennedy Square. ' '
Wholesome and hearty are these and other
romances of his, a little obvious and old-
fashioned in their construction, perhaps, but
for that very reason, in part, of unfailing
acceptability with the great novel-reading pub-
lic. A more variously gifted novelist it would
be hard to name, and his death is more than a
grievous loss to literature.
• • •
HEAVY READING in more senses than one was
the famous collection of all extant cuneiform
literature in the royal library of Asurbanipal,
king of Assyria. Baked clay took the place of
paper in that formidable assemblage of books,
and the total tonnage of the library must have
been tremendous. But it represented the
golden age of Assyrian literature, and so must
have possessed other virtues besides mere
weight. A similar collection, though of much
smaller proportions, is that which now has its
abode in a room of the New York Public
Library under the careful guardianship of
Mr. Victor Hugo Paltsits, known of old to
many obliged readers as the assistant librarian
of the now vanished Lenox Library in upper
Fifth Avenue. In a recent number of the
"Library Bulletin" Mr. Paltsits gives some
description of the precious collection in his
keeping. "The earliest records in the Li-
brary, ' ' he says, ' ' are baked-clay tablets, cylin-
ders, slabs, etc., in the Sumerian language,
dating from the time of Naram-Sin, son of
Sargon, about 2600 B. c. ; Gimil-Sin, King of
Ur, about 2200 B. c., and other reigns in Baby-
lonia. There are also cuneiform inscriptions
in the Assyrian language of the reign of
Ashur-nasir-pal, King of Assyria, 885-860
B.C., and of Nebuchadressar II., King of
Babylon, 604-561 B.C., in the Babylonian
language." m . .
AN EXILED REVIEW, sharing courageously the
lot of many of its former writers and readers,
will presently resume its activities under the
protection of the University of Cambridge.
"Le Museon," a long-established quarterly
publication devoted to Oriental studies, edited
of late by Professor Philippe Colin et of Lou-
vain University and Professor L. de la Vallee
Poussin of Ghent University, and published
by the former institution, has been taken in
charge by the Syndics of the Cambridge Uni-
versity Press, which is about to issue the de-
layed first number of the current year. Both
Cambridge and Oxford have shown generous
292
THE DIAL
[April 15
hospitality to the expatriated academicians of
devastated Belgium, so that this fortunate
rescue of the "Museon" from extinction or
indefinite suspension is but an extension of
previous good offices. Whether the future con-
tinuation of the review will be possible must
depend upon those who give their interest and
support to its department of learning. Among
the announced contributors to the next two
issues are such recognized authorities in their
several departments as Professor J. B. Bury,
Professor James Hope Moulton, Professor
E. G. Browne, Dr. F. W. Thomas, Librarian
to the India Office, Dr. Reynold A. Nicholson,
Lecturer in Persian at Cambridge, and Mr.
A. A. Bevan, Lady Almoner's Reader in
Arabic at the same university.
• • •
CANADA'S CONTRIBUTION TO POLITE LITERA-
TURE is greater than is commonly suspected
outside of Canada, or perhaps inside. The
Department of Education of the Province of
Ontario issues quarterly "A Selected List of
Books Recommended by the Ontario Library
Association for Purchase by the Public Libra-
ries of the Province, ' ' and the current number
contains bibliographies, not aiming at com-
pleteness but nevertheless impressive, of Cana-
dian fiction, poetry, and biography, with a list
of Canadian magazines. These bibliographies,
in which "titles have been chosen chiefly on
the grounds of availability and value," fill
twenty-two large pages, and are of a nature
to commend themselves as aids to librarians
beyond as well as within the borders of the
Dominion. The pamphlet is obtainable from
Mr. "Walter R. Nursey, Inspector of Public
Libraries, Toronto, though to what extent and
on what terms it will be supplied to applicants
outside of Ontario, we cannot say.
A RENAISSANCE IN YIDDISH LITERATURE
to be taking place in the Ghetto of New York.
Present hard conditions in Europe have
caused a sort of Jewish exodus that may be
found to have some points of resemblance,
however remote, to the emigration of the
Moors from Spain in the sixteenth century,
and of the Huguenots from France in the sev-
enteenth. At any rate, the sum of literary
and artistic talent on the Continent has been
diminished by the self-expatriation of not a
few men and women unusually gifted and
accomplished, and of these there are some
marked instances now attracting attention
among the Semitic population of our chief
city. This incoming tide of talent includes
such names, real or pseudonymous, as Scholem
Ash, Abraham Raisin, Scholem Aleichem, and
Perez Hirschbein. Of the "Yiddish Mark
Twain" (Scholem Aleichem) appreciative
mention has already been made in these col-
umns, and the others here enumerated have
shown themselves no less skilled in their sev-
eral departments of prose and verse, of fiction
and drama and well-turned poem. Increased
means of approach to their readers have been
provided for these and other new writers by
the starting of additional magazines and other
periodical publications in the Yiddish tongue,
together with a monthly magazine in English
for the publishing of translations from these
Jewish authors. One of the most interesting
figures in this new school of Yiddish writers is
Mr. Perez Hirschbein, the "poet-wanderer,"
as he has been styled, whose unmetrical me-
dium of expression seems well adapted to his
thought, and ought not to be summarily dis-
missed with the ridicule so often visited upon
this form of literature. On the whole, it ap-
pears not unlikely that in the accession here
noted of fresh talent, perhaps even genius,
among our writing folk, it may turn out that
American literature has been appreciably the
gainer, and European literature correspond-
ingly the loser.
AFTER FORTY YEARS OF NOVEL- WRITING, or
nearly that, with a record, according to her
own account, of sixty novels to her credit, Mrs.
Amelia E. Barr passes into her eighty-fifth
year with feelings of calm content as she looks
back upon the road her feet have travelled. It
was not until after the death of her husband
and three sons from yellow fever at Galveston,
in 1867, that she, with three daughters depen-
dent on her, turned her energies to literature
as a means of support. Those thirty-six years
of her earlier life had certainly not been lack-
ing in variety of experience on which to draw
in the writing of fiction. Born in Lancashire,
marrying early, and emigrating to this coun-
try with her husband, Robert Barr, she gained
an acquaintance with the ups and downs, the
comedy and the tragedy of existence, such as
can be claimed by few of our romancers. Two
years ago, in her notable autobiographic vol-
ume, "All the Days of My Life," she said
of herself, what she would doubtless now re-
peat with no change except in the statement of
her age : "I have lived, I have loved, I have
worked, and at eighty-two I only ask that the
love and the work continue while I live. What
I must do, I will love to do. It is a noble chem-
istry that turns necessity into pleasure."
• • *
ILLINOIS PUBLIC LIBRARIES now number 222,
of which 161 are maintained by taxation, and
eleven are endowed but are free to the public.
This we learn from the current Report of the
1915]
THE DIAL
293
Illinois Library Extension Commission, which
leaves unelucidated the exact nature of the
fifty libraries unaccounted for in the fore-
going. Comparison, not unfavorable, is d.rawn
with the library equipment of neighboring
states, Wisconsin having 167 public libraries,
Indiana 145. Missouri 39, Iowa 152. Yet the
undisputed fact remains, laments the statisti-
cian, that there are still seventeen counties in
Illinois with no public library, and fifty-two
cities, of two thousand or more inhabitants,
also lacking in this important respect.
COMMUNICATION.
"THE DOCTOR" AND "TRISTRAM SHANDY."
(To the Editor of THE DIAL.)
On opening the first volume of Southey's
" Doctor," and noticing the delta with lines from
the three angles meeting at the centre (it is pre-
sented later in the text), one may or may not think
of the astonishing illustrations to Sterne's " Tris-
tram Shandy." But as soon as the reader finds
that the first seven chapters run backwards, he can-
not but remember how the chapters of the Opinions
of Tristram were continually losimg ground as his
life progressed. Next comes a belated preface, —
though not so long belated as was Sterne's. Then
after the eighth forward-moving chapter there is
one of a new sort, the heading of which, " Inter-
chapter I.," is given only at the end; and this
recalls the oddity of Sterne's chapters, — e. g., the
empty ones. Nor does the mechanical resemblance
end here, for (to pass by Southey's various liberties
in pointing) on page 28 a secret is offered to us in
a series of groups of stars ; it needs not to mention
the use of this device in the early life of Tristram.
But to pass from these mechanical resemblances
to the similarity of style. The account which the
author of " The Doctor " gives of the conception
of his book shows him to be a direct descendant of
Mr. Shandy : there is the same nonchalant descrip-
tion, the same scrappiness of conversation. But
really the best way to illustrate is to quote the first
paragraph :
" I was in the fourth night of the story of the
Doctor and his horse, and had broken it off, not like
Scheherezade because it was time to get up, but
because it was time to go to bed. It was at thirty-
five minutes after ten o'clock, on the 20th of July in
the year of our Lord 1813. I finished my glass of
punch, tinkled the spoon against its side, as if making
music to my meditations, and having my eyes fixed
upon the Bhow Begum, who was sitting opposite to
me at the head of her own table, I said, ' It ought to
be written in a Book! ' "
And Sterne's style in addressing his reader, best
remembered from his charge to the reader to go
back and re-read so as to pick up a lost point, has
also been caught by the author of " The Doctor,"
at first, it must be remembered, an anonymous
author. He says, almost at the end of the first
volume : " Reader, you may skip this preliminary
account if you please, but it will be to your loss
if you do ! "
In the material used, the two books resemble one
another unmistakably. " The Doctor " is as full of
quotations as "Tristram Shandy," — quotations
from the most surprising sources; but of course
all the quotations are attributed to their authors,
and so when Burton is used in the later work
(vi., 227) his name is given with high praise. Yet
no one could find in Southey that clever use of the
material which seems to justify Sterne's unac-
knowledged appropriation: Southey's product is
a pretty heavy one. But, it may be asked, what
about those incidents of Sterne's which have been
the subject of so much reproach and so much
apology ? Surely Southey could not ! Two
of the incidents in " The Doctor " would shock the
present taste quite as much as most of those in
" Tristram Shandy." Both of them are neatly im-
plied,— full preliminary description and then
clever hints. The author shows his relish for them,
however, in a more honest way than his earlier
model. After the first, an adventure of the Doctor's
boyhood, the author in a conversation with Miss
Graveairs (chap, xix.) justifies his previous chap-
ter: she may banish Tristram Shandy as well as
Smollett, Fielding, and Richardson, but she must
not banish the Doctor ! The other notable incident
is of the origin of Nobs, the Doctor's horse, told
with a capital comical-serious air. But when we
are half way through the next volume, we are given
a " Chapter Extraordinary," in which we are told
that a certain club has excised a chapter in vol-
ume four, and that the author is accused of " lese
delicatesse " or " tum-ti-tee." The author's defence
is remarkably amusing, not least so in the introduc-
tion of the name of Southey, — a common trick
throughout the book.
One reference to Sterne has already been given,
and there are several others. The bohemian con-
versation between my Uncle Toby and Corporal
Trim is quoted (iv., 376) and later referred to
(v., 313). Here is a frank confession of the
author's taste (v., 163) : " I will tell thee however,
good reader, that the word itself, apart from all
considerations of its mystical meaning, serves me
for the same purpose to which the old tune of Lilli-
burlero was applied by our dear Uncle Toby, — our
dear Uncle I say, for is he not your Uncle Toby,
gentle Reader? yours as well as mine, if you are
worthy to hold him in such relationship ; and so by
that relationship, you and I are Cousins." Our
Uncle's tune is mentioned once again (vi., 361).
In another place Southey says he agrees with Mr.
Shandy in disliking short noses (v., 231. — cf. vii.,
489) ; why does he not mention him again in the
consideration of Onomantia and Arithemomantia
(vi., 86) or that of Christian names (vii., 249) ?
A quotation from Sterne's Sermons (vi., 247, —
also vii., 181), and a criticism of his carrying his
secular style into the pulpit, will serve to show how
much more steady Southey's judgment was than
Sterne's. Thus are we brought around to notice
the vigorous and stable views of life which make up
a large part of " The Doctor"; while such 'views
are not to be found in " Tristram Shandy."
RUSSELL OSBOBNE STIDSTON.
University of Illinois, April 6, 1915.
294
THE DIAL
[April 15
FRIENDLY JJETTERS OF A WANDERING
NATURALIST.*
John Muir's autobiography, brief and in-
complete though it unfortunately is, has
traced for us in delightful fashion the gifted
Scottish lad's development under the dis-
cipline of a harsh but salutary schooling, and
no reader of that book can have failed to
hunger for further chapters in continuation
of its fascinating story. Those chapters can
now never be written by the same hand that
penned the earlier ones, but a partial substi-
tute for them is offered in a collection of
"Letters to a Friend" covering the years
1866-79. But it is incorrect to speak of these
letters as covering the thirteen and a half
years over which they are scattered. The
writer was too much interested in the won-
ders of the world he roamed so extensively to
spare time for describing his travels in any
detail. It is, however, this very impatience of
the drudgery of writing that causes him to
pack into what he does write as much signifi-
cance as the words can well convey. Poverty
of thought is the last fault that will be
charged against him. Hence the unusual
readability, not to say charm, of these brief
letters, filling in all not quite two hundred
uncrowded pages.
They were written in the impressionable
years of early manhood, soon after their
writer had completed his four years of unpre-
scribed studies at the University of Wiscon-
sin and had, as he picturesquely expresses it
in his autobiography, "wandered away on a
glorious botanical and geological excursion,
which has lasted nearly fifty years and is not
yet completed, always happy and free, poor
and rich, without thought of a diploma or of
making a name, urged on and on through
endless, inspiring, Godful beauty." As to
the fortunate receiver of these random letters
by the way, the reader is informed in a brief
prefatory note that "when John Muir was a
student in the University of Wisconsin he
was a frequent caller at the house of Dr.
Ezra S. Carr. The kindness shown him there,
and especially the sympathy which Mrs. Carr,
as a botanist and a lover of nature, felt in the
young man's interests and aims, led to the
formation of a lasting friendship. He re-
garded Mrs. Carr, indeed, as his 'spiritual
mother,' and his letters to her in later years
are the outpourings of a sensitive spirit to one
* LETTERS TO A FRIEND. Written to Mrs. Ezra S. Carr,
1866-1879. By John Muir. (Limited edition.) Boston:
Houghton Mifflin Co.
who he felt thoroughly understood and sym-
pathized with him. These letters are therefore
peculiarly revealing of their writer's person-
ality. Most of them were written from the
Yosemite Valley, and they give a good notion
of the life Muir led there, sheep-herding,
guiding, and tending a sawmill at intervals
to earn his daily bread, but devoting his real
self to an ardent scientific study of glacial
geology and a joyous and reverent communion
with Nature."
It is not surprising to find that one who as
a boy had so wonderful a knack at inventing
"machines for keeping time and getting up
in the morning, and so forth," was not lack-
ing, when it came to letter-writing, in the
literary devices that impart liveliness and
character to the written word — as will ap-
pear from such selections as available space
will here allow the reviewer to reproduce. As
a continuation of what we already know from
Muir's own story of his native skill in devis-
ing and fashioning all sorts of strange and
more or less useful mechanical contrivances,
the very first letter in the book, showing the
young man as a factory hand somewhere in
western Canada, is of interest. He writes:
" I have been very busy of late making practical
machinery. I like my work exceedingly, but would
prefer inventions which would require some artis-
tic as well as mechanical skill. I invented and put
in operation a few days ago an attachment for a
self-acting lathe, which has increased its capacity
at least one third. We are now using it to turn
broom-handles, and as these useful articles may
now be made cheaper, and as cleanliness is one of
the cardinal virtues, I congratulate myself in hav-
ing done something like a true philanthropist for
the real good of mankind in general. What say
you? I have also invented a machine for making
rake-teeth, and another for boring for them and
driving them, and still another for making the
bows, still another used in making the handles,
still another for bending them, so that rakes may
now be made nearly as fast again. Farmers will
be able to produce grain at a lower rate, the poor
get more bread to eat. Here is more philan-
thropy; is it not? I sometimes feel as though I
was losing time here, but I am at least receiving
my first lessons in practical mechanics, and as one
of the firm here is a millwright, and as I am per-
mitted to make as many machines as I please and
to remodel those now in use, the school is a pretty
good one."
From Canada to Indiana, thence to Wis-
consin, thence again to Florida and Cuba and
Panama and elsewhere in the South, and
finally to California and the beloved home of
mountains and glaciers and other manifesta-
tions of untamed nature, we follow the eager
and adventurous young scientist, finding him
more nearly stationary for a considerable
1915]
THE DIAL
295
period in the Yosemite than at any previous
stage in his journeyings. As exhibiting
powers both of observation and of description,
as well as a fine artistic sense, the following
from this paradise of scenic delights is note-
worthy :
" ' The Spirit ' has again led me into the wilder-
ness, in opposition to all counter attractions, and
I am once more in the glory of the Yosemite. . . .
I wish you could have seen the edge of the snow-
cloud which hovered, oh, so soothingly, down to
the grand Pilot Peak brows, discharging its
heaven-begotten snows with such unmistakable
gentleness and moving perhaps with conscious
love from pine to pine as if bestowing separate
and independent blessings upon each. In a few
hours we climbed under and into this glorious
storm-cloud. What a harvest of crystal flowers
and what wind songs were gathered from the
spiry firs and the long fringy arms of the Lam-
bert pine! . . . After making a fire with some
cedar rails, I went out to watch the coming-on of
the darkness, which was most impressively sub-
lime. Next morning was every way the purest
creation I ever beheld. The little flat, spot-like in
the massive spiring woods, was in splendid vesture
of universal white, upon which the grand forest-
edge was minutely repeated and covered with a
close sheet of snow flowers."
Though lacking metre, this is as good as
Lowell's poem, "The First Snow-Fail," and
in the next paragraph the writer surpasses
Lowell in originality (though not always in
beauty) of imagery when he adds: "The
common snow flowers belong to the sky and in
storms are blown about like ripe petals in an
orchard. They settle on the ground, the bot-
tom of the atmospheric sea, like mud or leaves
in a lake, and upon this soil, this field of
broken sky flowers, grows a luxuriant carpet
of crystal vegetation complete and ripe in a
single night." But such scenes as these
beguiled him into no merely passive contem-
plation of their charms. The lure of the moun-
tains beckoned him forth, and he went with
alacrity. In another letter from the same
region we read :
" I have climbed more than twenty-four thou-
sand -feet in these ten days, three times to the top
of the glacieret of Mt. Hoffman, and once to Mts.
Lyell and McClure. I have bagged a quantity of
Tuolumne rocks sufficient to build a dozen
Yosemites; stripes of cascades longer than ever,
lacy or smooth and white as pressed snow; a
glacier basin with ten glassy lakes set all near
together like eggs in a nest; then El Capitan and
a couple of Tissiacks, canons glorious with yellows
and reds of mountain maple and aspen and honey-
suckle and ash and new indescribable music im-
measurable from strange waters and winds, and
glaciers, too, flowing and grinding, alive as any on
earth. Shall I pull you out some? Here is a
clean, white-skinned glacier from the back of
McClure with glassy emerald flesh and singing
crystal blood all bright and pure as a sky, yet
handling mud and stones like a navvy, building
moraines like a plodding Irishman. Here is a cas-
cade two hundred feet wide, half a mile long,
glancing this way and that, filled with bounce and
dance and joyous hurrah, yet earnest as tempest,
and singing like angels loose on a frolic from
heaven; and here are more cascades and more,
broad and flat like clouds and fringed like flowing
hair, with occasional falls erect as pines, and lakes
like glowing eyes; and here are visions and
dreams, and a splendid set of ghosts, too many for
ink and narrow paper."
Pathetic is the earlier record of an accident
that threatened to incapacitate its victim for
seeing with full enjoyment such sights as
those just described. An injury to the right
eye in those days of work with machines gave
Mr. Muir what must have been in every sense
a gloomy month or two; and one is left to
infer that the impairment of vision was never
fully made good, though Mrs. Carr's corre-
spondent was the last person to waste time and
energy in making moan over the irremediable.
One closes the letters with a desire for
more, for later and still richer records of
varying experience, for intimate interchange
of thought and personal history with such
sympathetic friends and co-workers in na-
ture's laboratory as, for instance, that other
John of equal fame and kindred tastes, the
"John of the birds" about whom Dr. Clara
Barrus has recently written with so much of
understanding and interpretative skill. Is it
too much to hope that some such collection of
later letters may ere long be published?
Meantime we thank Mrs. Carr for sharing
with us this feast of good things spread by
the hand of her gifted friend.
PERCY F. BICKNELL,.
PRAISE OF WAR.*
Professor Cramb's book on "Germany and
England," published last fall, aroused such
interest that it has been deemed worth while
to reprint a course of lectures he delivered in
1900, under the stimulus of the Boer war. The
style and general purpose so closely resemble
those of the other book, that much of what we
said in THE DIAL of October 16 last is equally
applicable here. We are, in fact, impressed
with the idea that Professor Cramb's intellec-
tual activities revolved around a single great
central postulate, which for all practical pur-
poses he treated as an axiom. A close student
of recorded history, with all its distortion of
the true facts of human development, he had
come to see in Empire the consummation of
* ORIGINS AND DESTINY OF IMPERIAL BRITAIN and Nine-
teenth Century Europe. By J. A. Cramb. With portrait.
New York : E. P. Dutton & Co.
296
THE DIAL
[April 15
man 's destiny, and in war the means whereby
the highest good might be attained. Thus he
viewed the modern world through ancient
spectacles, and interpreted it according to his
vision. As an extraordinarily able exposition
of his particular point of view, one which is
widely shared and is very largely responsible
for the present war, the work is highly signifi-
cant. As a revelation of truth or a contribu-
tion to progress, it appears to have only a
negative value.
It would be altogether unjust to Professor
Cramb to fail to recognize that he was essen-
tially an idealist, and therefore far removed
from those who would extend the bounds of
Empire or wage war for mere material gain.
After vehemently declaring that the South
African war was being waged for ideal ends,
for the good indeed of those to be conquered,
he refers to another theory in these terms :
" To assemble a host from all the quarters of this
wide Empire, to make Africa, as it were, the ren-
dezvous of the earth, for the sake of a few gold, a
few diamond mines, what language can equal a
design thus base, ambition thus sordid? ... No
man can believe that ; no man, save him whose soul
faction has sealed in impenetrable night! The
imagination recoils revolted, terror-struck. Great
enterprises have ever attracted some base adher-
ents, and these by their very presence seem to sully
every achievement recorded of nations or cities.
But to arraign the fountain and the end of the high
action because of this baser alloy? To impeach on
this account all the valour, all the wisdom long
approved ? Reply is impossible ; the thing simply
is not British."
On the positive side, the eloquent descrip-
tion of Britain 's mission as a world ruler, with
its acceptance of responsibility for the good of
the ruled, can hardly fail to awaken some sym-
pathetic response:
" But a greater task awaits Britain. Among the
races of the earth whose fate is already dependent,
or within a brief period will be dependent upon
Europe, what empire is to aid them, moving with
nature, to attain that harmony which Dante dis-
cerned? What empire, disregarding the mediaeval
ideal, the effort to impose upon them systems, rites,
institutions, creeds, to which they are by nature, by
their history, by inherited pride in the traditions of
the past, hostile or invincibly opposed, will adven-
ture the new, the loftier enterprise of development
[developing?] all that is permanent and divine
within their own civilizations, institutions, rites and
creeds? Nature and the dead shall lend their un-
seen but mighty alliance to such purpose! Thus
will Britain turn to the uses of humanity the valour
or the fortune which has brought the religions of
India and the power of Islam beneath her sway.
. . . With us, let me repeat, the decision rests, with
us and with this generation. Never since on Sinai
God spoke in thunder has mandate more imperative
been issued to any race, city, or nation than now to
this nation and to this people. And, again, if we
should hesitate, or if we should decide wrongly, it
is not the loss of prestige, it is not the narrower
bounds we have to fear, it is the judgment of the
dead and the despair of the living, of the inarticu-
late myriads who have trusted to us, it is the
arraigning eyes of the unborn."
On the other hand :
" The earthly Paradise of the social reformer, a
Saint Simon or a Fourier, of a world free from
war and devoted to agriculture and commerce, or
of the philosophic evolutionist of a world peopled
by myriads of happy altruists bounding from bath
to breakfast-room, illumined and illumining by
their healthy and mutual smiles, differs from the
earlier fancies of Asgard and the Isles of the Blest,
not in heightened nobility and reasonableness, but
in diminished beauty and poetry."
Thus the tables are turned upon us, and we
find ourselves appearing as the apostles of
material good, ease, or inanity; while Mars
stands out as the great idealist, and he who
will not kill may not himself possess life in
any true sense. It is the art of the conjurer,
of the skilled lawyer, eagerly presenting that
part of the case to which the jury must assent,
then passing rapidly to a conclusion, ignoring
the non sequitur, and skilfully fooling the
untrained audience, not nimble-minded enough
to detect the break in the chain. In the case
of Professor Cramb, however, the deception is
doubtless unconscious, and the author of the
trick has succeeded in deceiving himself.
What are the actual facts in the case ? It is
true, in a large sense, that the British Empire
has been and is in a multitude of ways a benefi-
cent institution; largely because it has put
down war and the petty struggle for dominion
within its boundaries.* Most of us believe, and
have constantly in our minds at the present
time, that the ideals of the existing Anglo-
Saxon race are the best, the most workable, yet
evolved by any people in the world. We recog-
nize, of course, that still better ideals lie in the
lap of the future, inform the minds of the
most progressive, and tinge the thought of
multitudes who do not consciously hold them.
Even these, however, seem to spring out of the
civilization we have, though they may imply
great changes in some of our major activities.
Each one of us, then, is in a sense the soldier of
an empire of thought which we desire to see
dominate the world. In many respects, we
are more aggressive, less modest, than Profes-
sor Cramb. Humbug is humbug, and error is
error, and bacteria are no respecters of ancient
religion. We propose to ourselves nothing
* A few years ago the reviewer was conversing with an
educated Hindu, a fervent apostle of " India for the Indians."
The point was presented, that in pre-British days the people
of India continually struggled together, and altogether suf-
fered greatly. Said the Hindu : " Were the British to go, we
should not be so well governed, but we should prefer to govern
ourselves, even at the expense of loss of efficiency." This man,
however, represented a governing class.
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297
less than the genuine enlightenment of the
world as to the facts of nature and the ascer-
tainable natural laws which govern the affairs
of man. We propose even more than this, —
namely, such reformation of customs and of
conduct as shall meet the requirements of these
laws.
We believe in the struggle for progress; it
seems to us, as it did to Professor Cramb, that
if it were ever to come to pass that mankind
had attained everything worth striving for,
Nirvana would be the best consummation . The
postulate is, however, absurd, contrary to all
experience and reasonable expectation. The
very fact that a new generation is constantly
appearing on the stage is an eternal guarantee
against staleness. The extraordinary expan-
sion of experience due to modern science does
but reveal untold vistas ahead. Thus the
black bogy of the militarists is as unreal as
any with which nurse ever frightened child.
Then, as to ideals: we may as well frankly
recognize that we have an eye on the practical
thing, even on the bread-and-butter aspect.
The revolt in philosophy known as pragmatism
must have its parallel in practical affairs.
The fallacy that all high emotion, all inflation
of soul, has some adequate relation to any sort
of utility must be abandoned. It is the work
of the genuinely modern idealist to test all
things, to see the consequences of this or that,
and act accordingly. Thus the man with the
microscope and the test-tube, not the man with
the gun, has the real power to determine
human fate.
It is not necessary to declare all war wrong.
Any one of us can imagine a situation in
which he would kill a man without hesitation
and with little regret. Forcible resistance to
aggression, and the forcible suppression of
dangerous characters, remain as necessary as
ever. This, however, is a totally different
thing from that proposed by Professor Cramb,
— namely, the expansion of Empire through
war, and a succession of wars to determine
which of rival Empires is the most alive. That
is the ancient fallacy, founded in a classical
education and the distorted presentations of
historians, which we must do\vn before any
real democracy is possible. The root of the
trouble, as we said before, is educational, and
the question now is whether the modern
teacher can rise to meet the need and the
opportunity. At present, on the whole, his
efforts seem quite inadequate.
As for the British Empire, everything indi-
cates that it is going forward along a true
path of progress, of free cooperation, governed
by like ideals, not by force. This means
political disintegration, increasing local au-
tonomy, and special developments suited to
local conditions. The United States, by lan-
guage and by customs, is necessarily part of
the whole great plan. We quite agree with
Professor Cramb that a momentous decision
awaits our race ; but it is not, we hope, to be
made in the sense he desired. The real ques-
tion is whether we can develop individuals
and groups of individuals to the best expres-
sion of their peculiar powers, without in-
fringement on the rights of other like persons
and groups. Can we exercise that eternal
vigilance, — in this case principally over our-
selves,— which is the price of liberty ? If this
is possible, we need no longer ask ourselves
whether England or Germany, the United
States or Canada, Australia, Japan, or China
is to rule the world in the days to come.
T. D. A. COCKERELL.
FANTASTIC SOLUTIONS OF SOME
SHAKESPEAREAN CRUXES.*
Having read, in the publishers' advertise-
ment, of Mr. Charles D. Stewart's "astound-
ing success" in clearing up "the famous
cruxes which have remained unsolved in
Shakespeare's plays," "forty of the most
perplexing passages which have heretofore
baffled all attempts at explanation," we
turned eagerly — though with misgivings be-
gotten by the overloud thunderings in the
index and by recollections of former expe-
riences— to Mr. Stewart's volume and de-
voured the first chapter, dealing with the
notorious "runaway's eyes" in "Romeo and
Juliet. ' ' Our disappointment was greater than
we had anticipated. But undeterred by the
author's wholly unwarranted cocksureness,
contempt for his predecessors, longwinded-
ness, and other characteristics of juvenility,
we faithfully — and hungeringly — read on.
Disappointment grew keener and keener as
we read, and steadily the conviction shaped
itself that here was one of those books that
had no other excuse for existence than the
gratification of the author's vanity ("ambi-
tious ignorance," Mr. Stewart calls it some-
where) and, perhaps, the ill-advised flattery
of his friends.
Mr. Stewart's book is intended, and can be
intended, only for professed Shakespeare
scholars; to others the discussion of some of
the most vexatious and probably corrupt pas-
sages in Shakespeare's text is of absolutely no
interest. Only a Shakespeare scholar is com-
petent to deal with such questions; for the
discussion of these problems involves a special
* SOME TEXTUAL DIFFICULTIES IN SHAKESPEARE. By Charles
D. Stewart. New Haven : Yale University Press.
298
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[April 15
and thorough knowledge of the text, not only
as it is but how it came to be so, of the plays
as a whole, of psychology, of Elizabethan
English, and of kindred subjects. Mr. Stew-
art, we regret to say, not only lacks these
qualifications but is obsessed with a desire to
prove that all his predecessors lacked common
sense and that he alone of all of Shakespeare 's
readers possesses the ability "to follow
Shakespeare in his dealings with the deeper
currents of human nature." But if there is
any one particular vice of which this latest
elucidator of Shakespeare's text is guilty it is
an almost mad desire to vindicate, at all costs,
the readings of the First Folio, — a task that
has led him into almost as many absurdities
as the number of difficult passages with which
he deals. To justify this condemnation of
Mr. Stewart's methods and results, let us here
epitomize and analyze a few of his readings
and interpretations.
In the first scene of "Antony and Cleo-
patra" a messenger enters the presence of
the lovers and this colloquy ensues :
"Mess. News, my good lord, from Rome.
Ant. Grates me: the sum.
Cleo. Nay, hear them, Antony."
Almost all readers of Shakespeare understand
from this that Antony is irritated at the ar-
rival of news from Csesar and Fulvia, and
that he does not want the messenger to go
into details but to give a concise summary of
his message. But this interpretation is too
easy for Mr. Stewart. He says :
" Antony's words, ' the sum,' are in answer to
Cleopatra's foregoing inquiry as to how much he
loves her. . . . [He] is beginning to expatiate
upon that pleasant theme, [when] the messenger
arrives and interrupts him. . . . ' The sum ,'
he begins, but is again interrupted. The line
should be printed with a dash after it to indicate
that he has begun a sentence which is broken off."
Mr. Stewart's arguments for his emendation
of the accepted text are that the messenger
does not immediately answer, that Antony
seems Kot inclined to listen to him, and that
Cleopatra enjoins her lover to "hear them."
But all this shows a complete failure on the
part of Mr. Stewart to understand this simple
passage, or to enter into the feelings of the
characters. Antony, conscious of guilt and
apprehending the nature of the news, and
knowing that he must hear it, wants the dis-
agreeable matter disposed of as quickly as
possible. Besides, he does not want to show
Cleopatra that he is afraid to hear the news
from Rome in her presence. Impatiently and
f rowningly he asks for the news in a nutshell ;
whereupen Cleopatra, womanlike, knowing
what is passing through his mind, finds here
an excellent opportunity to test the true
quality of his love and, pretending to be un-
concerned, she says in effect : ' ' Nay, give
heedful ear to the messenger." And thus
this woman of infinite variety, whose mere
presence is a challenge to her lover to hear his
wife's message, taunts him into not hearing
it. Much of this would have been clear to
Mr. Stewart had he remembered, or known,
that "to hear" was often employed by the
Elizabethans in the sense of "to listen pa-
tiently and attentively." Besides, would
Shakespeare ever have been guilty of making
Antony do anything so superfluous and so
commonplace as to attempt "to tell the
amount of his love" just after he had said
"there's beggary in the love that can be
reckon 'd"?
Hamlet, meeting a Norwegian Captain at
the head of some troops marching through
Denmark, inquires whether these extensive
and fatal preparations had for their object
the conquest of Poland, and is told —
" We go to gain a little patch of ground
That hath in it no profit but the name.
To pay five ducats, five, I would not farm it."
Mr. Stewart objects to the punctuation of the
last verse. He says that according "to the
generally accepted interpretation the Captain
is supposed to be saying that he would not
undertake to farm it to make a total profit of
five ducats, and to be repeating the 'five' sim-
ply to impress that amount on Hamlet's
mind. But this is to miss the whole sense and
spirit of the line." After some platitudinous
comments on the nature of capital, he comes
to the conclusion that the line should be
printed "to pay five ducats five," because
"an investment with no result but to pay
five ducats five would be the reductlo ab-
surdum [sic] of investment." In other
words, it would be absurd to invest five ducats
if the venture did not result in a profit. A
better illustration of a simple passage dis-
torted beyond recognition we could not find
in a summer's day, or a better example of the
author's perverse method of studying Shake-
speare, of his unfair dealing with his prede-
cessors, of his utter inability to shed light on
Shakespeare, and of his skill in smelling out
cruxes where no one else ever suspected that
any lurked. We challenge Mr. Stewart to
name a single editor, critic, or commentator
who gives the above-quoted paraphrase of the
Captain's words. To every ordinary intelli-
gence the Captain says exactly what the situa-
tion demands, viz., that the patch of ground
for which they are going to fight and for
which so many valiant men are ready to lay
down their lives is so insignificant per se that
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299
he would not pay five ducats, not even five, a
year for the privilege of farming it and taking
the revenue from it. The "five" is repeated
to emphasize his contempt for it.
Let us now turn our attention to a passage
which does really present some difficulties to
the critics, although it is not generally classed
among the cruxes. After the fortune-hunting
Bassanio had luckily chosen the prize casket,
Gratiano asks his consent to be married too.
"With all my heart," says the happy Bas-
sanio, "so thou canst get a wife." Gratiano
replies :
" I thank your lordship, you have got me one.
My eyes, my lord, can look as swift as yours :
You saw the mistress, I beheld the maid ;
You loved, I loved ; for intermission
No more pertains to me, my lord, than you."
Most modern scholarly editions of "The Mer-
chant of Venice" print this passage as we
have here given it. Mr. Stewart, however,
with a few modern editors, proposes to read
the last two verses as follows :
" You loved, I loved for intermission.
No more pertains to me, my lord, than you."
His interpretation of the passage is unique.
After a long discussion he comes to this con-
clusion (p. 177) :
" What Gratiano means by this last line must be
evident enough. It is simply his way of saying,
by way of graceful compliment [Gratiano graceful
and complimentary!], that he has not gone outside
of Bassanio's household for a wife. When Bas-
sanio won Portia, her household was annexed to
his own, and this included the maid Nerissa
[Nerrissa a maid!] ; thus the one who pertains in
so momentous a relation to Gratiano also pertains
to Bassanio. Gratiano is allowing Bassanio to
guess the truth while he approaches it with these
general statements ; and in his large point of view
' no more pertains to me than you,' there is the
fine implication that it has always been thus
between them. Even in his marriage he has not
gone outside of his master's [ !] circle of interests;
they are now bound by a further tie."
To our thinking, if there was any such stuff
in Gratiano 's mind it would require not only
the astuteness of the proverbial Philadelphia
lawyer but of the whole Philadelphia bar to
find it in the words quoted. Staunton, whose
reading is that championed by our author,
gives a far more satisfactory interpretation
of the last line, viz. : " I owe my wife as much
to you as to my own efforts. ' '
Satisfied that the words "No more pertains
to me," etc., may stand as an independent
sentence, and that it therefore does so, and
that it is "in strict keeping with the speaker's
character," Mr. Stewart concludes (he is
nothing if not logical) that "the preceding
line is a statement by itself with a full stop
after 'intermission.' ' And this is how he
interprets "I loved for intermission":
" Here Gratiano gracefully acknowledges that
his own love affair is quite secondary, in impor-
tance, to that of his master. It is figuratively
referred to as a mere time-filling or stop-gap per-
formance, ... a mere side-issue, quite subordi-
nate to the main event. . . . And this is quite in
keeping with the self-sacrificing [!] and devoted
[ !] character which he upholds."
And this is the interpretation which Mr.
Stewart modestly claims "settles the mean-
ing so positively that there can be no more
doubt in the matter"! And, quite true to
himself, he again falsifies the interpretations
of former commentators. He says: "Those
who render the passage so that it reads 'for
intermission no more pertains to me than you'
explain it as meaning that Bassanio was in-
cessant in love-making, and that Gratiano
was the same, . . . that Bassanio was always
at it and that his man Gratiano was just like
him — always at it. ' ' This is a complete mis-
representation of Theobald's, Furness's, and
others' interpretation. Theobald said that
"intermission" means "standing idle," and
all readers of Shakespeare — Mr. Stewart only
excepted — understand Gratiano to say "that
he could not be idle, that he had to be doing
something, and that as he had nothing else to
do he made love to Nerrissa." And this is
certainly preferable to having Gratiano, a
gentleman and an intimate friend of Bas-
sanio's, say before Nerrissa, who is a lady as
well born and as well bred as Portia, that his
love was only a time-filling performance.
Besides, with Mr. Stewart's punctuation and
definition of "intermission," Gratiano is
really made to say (to ordinary intelligences)
that he and his friend loved only as a pas-
time, that sincerity in love pertains to him no
more than to Bassanio. With the generally
accepted text Gratiano says, in effect: "You
came and saw and wooed, and so did I; my
eyes can look as swift as yours, and I am not
a bit 'slower' than you are."
It must not be inferred from what has pre-
ceded that Mr. Stewart's interpretations are
always wrong. Now and then he is quite
right, as, for instance, in the explanation of
the word "ringlets" in the beautiful verse in
the "Midsummer Night's Dream" in which
Titania speaks of the fairies dancing their
ringlets to the whistling wind. Curiously
enough, both Wright and Furness failed mis-
erably in their understanding of this line.
Wright said "ringlets" meant the little cir-
cular plots of grass known as "fairy rings."
To this interpretation Dr. Furness objected,
because fairy rings do not grow "in the
beached margent of the sea"; in his opinion
300
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[April 15
Titania meant only that the fairies dance to
the accompaniment of the whistling wind
which meanwhile blows through their curly
locks. And now Mr. Stewart assures us that
Titania means no more than that the fairies
danced in tiny circles. The only trouble with
this interpretation is that it comes too late.
Had Mr. Stewart looked no further than into
''The Century Dictionary" he would have
found this very passage quoted in illustration
of the definition "circles" for "ringlets."
Dr. Chambers, in the "Arden" edition of the
"Midsummer Night's Dream," dismisses the
whole thing in less than a line, thus : ' ' ring-
lets, not curls, but dances in a ring"; whereas
Mr. Stewart devotes considerably more than
two pages to this bit of old news.
A better example of Mr. Stewart's fantas-
tic and supersubtle method of dealing with
Shakespeare's text than the following can
scarcely be found anywhere. That celebrated
quartet, Jackson, Seymour, Chedworth, and
Becket, whose tamperings with Shakespeare
are living monuments of misingenuity and
wasted energy, never perpetrated anything
more impossible than Mr. Stewart in his dis-
cussion of this passage in the "All's "Well" :
" 0 you leaden messengers,
That ride upon the violent speed of fire,
Fly with false aim : move the still-piecing air
That sings with piercing." (A. W., iii, 2, 111-114.)
"Still-piecing," meaning "ever-closing, clos-
ing immediately," is Malone's generally ac-
cepted substitute for "still-peering" of the
First Folio. This almost certain emendation
is supported by several passages in Shake-
speare which speak of the air as being wound-
less, invulnerable, intrenchant, etc., as well as
by the words "the still-closing waters" in
"The Tempest." And Verplanck quotes as
a very apt illustration of the passage, and as
a possible "source" for it, the following from
the apocryphal book of "The Wisdom of
Solomon " : "As when an arrow is shot at a
mark, it parteth the air which immediately
cometh together again, so that a man cannot
know where it cometh through." Besides,
"peering" is a very likely misprint or mis-
reading for "peecing," an Elizabethan va-
riant for ' ' piecing. ' ' This is how Mr. Stewart
wrings a meaning out of the Folio text :
"Peering, as here used, is a verb form of the
noun peer, meaning an equal. In war (the present
connection) a man's peer would be one whom he
could not overcome. Still-peering air means that
the air, despite the leaden missiles that pierce it,
is ever unconquered, always unvanquished — in-
vulnerable. . . . And so ' still-peering air ' regards
the atmosphere as always and ever the equal of
these leaden missiles of war,— inconquerable, in-
vulnerable."
And this is the explanation that, po Mr.
Stewart tells us, makes the passage ' ' as open
to sense as any the commonest and plainest
English that Shakespeare ever wrote"! It is
a pity that our author has omitted to specify
to an admiring world in what respect a bullet
or leaden messenger of death is invulnerable
and unconquerable.
Hamlet, as we know, is one great crux. It
might therefore be confidently predicted that
one so gifted with a genius for making cruxes,
big and little, vanish into thin air as is Mr.
Stewart would surely contribute his mite to
the solution of the Hamlet mystery. And so
he does. But he is not content with throwing,
a little light on the vexatious questions which
we associate with the melancholy Prince; in
a short chapter of twenty-six duodecimo pages
printed in large type, he removes Hamlet
wholly and for ever from the sphere of the
problematical. The occupation of the Ham-
let commentator is gone ! We shall quote only
a few sentences from this chapter, leaving it
to the curious to read more in the original :
" Strange ' inconsistencies ' arise to puzzle the
commentators. All these are easily explainable.
We cannot, however, make the least progress in
the understanding of the true inwardness of the
play until we have realized that Hamlet is a man
who has been incapacitated to have emotion. . . . .
To witness a display of emotion upon the part of
others was a torture to him because it reminded
him of the faculty which he had lost. It made him
feel poignantly the difference between himself and
other men, a terrible state of isolation; and not
only that, it confronted him continually with a
live contrast between his former self and the man
he had now become. . . . He makes a grand effort
at passionate feeling. . . . Hamlet lives in the
cold light of reason, bereft of all other relief,
[and] is quite at home in a deep, canny piece of
detective work. . . . The most tragic phase of his
situation in life — to be a dead self. . . . His emo-
tions are but a memory. . . . The whole world
outfaced Hamlet because his insights had placed
him in a terrible isolation; he was a man apart
from the race. . . . Hamlet was haunted by his
dead self. . . . Hamlet is not a mystery."
Had Mr. Stewart devoted himself to the
study of Shakespeare, English grammar, and
psychology, with half the zeal that he has
devoted to discovering cruxes and to distort-
ing Shakespeare's meaning, he would not have
been guilty of many of the lesser errors that
mar his book. There is no excuse for speak-
ing of Gratiano as Bassanio's "man," of
Nerrissa as a "maid" ( Gratiano 's "maid"
differs in meaning from Mr. Stewart's), of
Bassanio as Gratiano 's "master." And one
has read his "Romeo and Juliet" very super-
ficially who speaks of the masked ball in Act
i., Scene 5, as a "wedding feast." The obso-
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301
lete expression "insight of," which occurs
frequently in this book, sounds very harsh to
a modern ear. In one place (p. 219) we read
of a "terrible [sic] deep insight of the hypoc-
risy of mankind," and in another (p. 166)
we find this sentence: "The human mind is
just that superstitious." In the statement
(p. 148) that "we only hope in a case of
doubt" the psychology is worse than the
English.
Whatever this book is, it is not helpful to
the Shakespeare student.
SAMUEL A. TANNENBAUM.
OLD MAGIC IN A XEW CEXTURY.*
It is not uncommonly remarked that the
new magic of a scientific age transcends the
wonder of the old magic of a time outworn.
The miracles of wireless telegraphy and radio-
activity, though fast becoming commonplaces
of efficiency, still retain a place of honor among
amateurs. The assumption, however, that the
Old Magic has actually passed, that it has
utterly faded out before the new sun, is de-
cidedly unwarranted by the facts, especially
the bibliography of the last few years.
The activities of the Psychical Research So-
ciety do not so much constitute a new science
as they aim to investigate some of the material
of ancient magic. The Spiritualist Societies,
Christian Science, Theosophy, Swedenborgian-
ism, — all these have more than a trace of
sorcery in them. The revival of Buddhism is
significant. M. Maeterlinck, ultra-modern
though he is in " Our Eternity, ' ' exhibits him-
self as a spiritual atavist in "The Unknown
Guest." Such books as Bayley's "Lost Lan-
guage of Symbolism," Jacks 's "All Men Are
Ghosts," and Rohmer 's "Romance of Sor-
cery" speak eloquently of the vitality of the
Old Magic. Indeed we are not sure but that
Pragmatism has been quietly insinuating a
kind of philosophical apology for the pre-
sumably unscientific.
"The Romance of Sorcery" is written not
for the adept, not even for the student, but
for Everyman, the aim being "to bring out
the red blood of the subject." This the author
has succeeded in doing, despite the difficulties
in his path. The enormous mass of erudition
that he must have investigated is appalling,
and it is therefore not surprising that the
book leaves the impression of a scrappy his-
tory of palaeontology, with vast ages unrepre-
sented. The author's attitude toward his
task, as also his conception of his work, has
undeniably the defects of its virtues. Be-
* THE ROMANCE OF SORCERY. By Sax Rohmer. New York :
E. P. Button & Co.
lieving that enough serious essays and his-
tories and enough lives of great magicians
have been written, he aims at romance, the
dramatic, the pathetic, even the humorous.
Not himself an adept, he is thoroughly recep-
tive to the facts of sorcery, and sympathetic
toward all the characters he presents. Though
he tries hard to be fair, and speaks in a re-
strained and guarded tone which at times is
exceedingly effective, the absence of direct
citation of authority, especially in the earlier
chapters dealing with the birth of sorcery,
"ginns," "sibyls," " elementals, " oriental
oracles, and so forth, cannot fail to arouse
suspicion in the mind of a reader with the
slightest critical turn. References are always
of the most general nature ; there are no foot-
notes, no citation of chapters or pages. Some-
times he tells us, sometimes he leaves us to
guess, the name of the author upon whom he
relies; Philostratus presumably provides the
information concerning Apollonius of Tyana,
but it would be more satisfactory to know just
where to look for confirmation of the story of
the raising of the Roman maid from her
funeral bier. Historical romances have been
commonly condemned as neither good history
nor good fiction, and in like manner Mr.
Rohmer may tread on his own toes. His pur-
pose is not solely or even largely entertain-
ment; he aims to persuade. And persuasion
rests upon conviction.
In the first chapter, "Sorcery and the Sor-
cerers," there is much curious information
concerning Eliphas Levi, who "may justly be
called the last of the sorcerers," and his
"Magical Ritual"; also the famous "Magus
or Celestial Intelligencer" by Francis Barrett.
Of Apollonius of Tyana the author says:
"There is so much of the marvellous in the
life of the man of Tyana, that if I am to
begin by doubting the possession by Apol-
lonius of supernatural powers, I can see no
end to my doubts other than that of doubting
that he ever existed at all." Certainly this
august Pythagorean philosopher, whose re-
corded life presents so many analogies to that
of Socrates and Jesus, makes a worthy study.
Michel de Notre Dame, called Nostradamus,
represents the magic of the sixteenth century.
Since there is no life in English of this great
wonder-working physician (1503-1566), the
author devotes considerable space to him in
this book. The evidence here is more satis-
factory, and shows Nostradamus to have been
a remarkable divinator. His "Centuries," in
rhymed quatrains, published in 1555, contain
many predictions more or less verifiable. In
1792 there was to be a "revision of cen-
turies," followed by various reforms by the
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[April 15
people. This may have been merely a happy
guess, but not often is a guess so accurate two
and a half centuries in advance. The death
of Henry II., the advent of Henry IV., and
the execution "by the senate of London" of
Charles I. are all foretold in fairly unequivocal
terms.
The chequered career of Dr. John Dee
(1527-1608), Fellow of Cambridge and Lou-
vain, and intimate of Queen Elizabeth, is
handled sympathetically, though with an air
of tolerant condescension, for the author
thinks Dr. Dee was very much the dupe of
Edward Kelly, "the most sinister figure in
the annals of alchemistical philosophy," the
man who claimed to have found the ivory
caskets of St. Dunstan, containing the red and
white powders necessary to the composition
of the Philosopher's Stone.
Cagliostro appears in entertaining but fairly
authentic guise as a man of great accomplish-
ments, if lacking the genuineness of Nostrada-
mus. The opinion of Lavater, the physiog-
nomist, is cited in conclusion : "I believe that
Nature produces a form like his only once in
a century, and I could weep blood to think
that so rare a production of nature should, by
the many objections he has furnished against
himself, be partly so much misconceived, and
partly, by so many harshnesses and cruelties,
have given just cause for offence." Lorenza,
the "Countess," moves through the account
with a tragic beauty she may not have actually
possessed.
For associating Madame Blavatsky with
sorcerers the author says he has already been
taken to task. His answer is that many phe-
nomena (a term which he singularly uses in
the sense of "strange occurrences") con-
nected with her career are legitimately in the
realms of sorcery. Here, of course, we have
purely a question of phraseology. Soldau, in
his "History of Witchcraft," says: "Sorcery
is illegal miracle, and miracle legitimate sor-
cery." Ennemoser says in the preface to his
"History of Magic," still excellent even if
archaic : ' ' The Fathers of the Church looked
upon the heathen oracles, and the heathens on
the Christian miracles, as sorcery. ' '
Mr. Bohmer chooses to make "sorcery"
cover the entire field of mystical and super-
natural : ' ' By sorcery I understand, and in-
tend to convey, all those doctrines concerning
the nature and power of angels and spirits;
the methods of evoking shades of departed
persons ; the conjuration of elementary spirits
and of demons ; the production of any kind of
supernormal phenomena ; the making of talis-
mans, potions, wands, etc. ; divination and
chrystallomancy ; and Cabalistic and cere- !
monial rites. " It is evident from this that all
of what Ennemoser calls true mysticism, "the
direct relation of the human mind to God, ' ' as
well as lower and superficial manifestations,
true knowledge or vision adulterated with
cunning and greed, are considered together as
having a common essence.
This unification of all these phenomena
seems to be justified. It is the amalgam of
false and true, of vision and cunning, of
White and Black Art, that makes the whole
subject such a mass of contradictions and
anomalies. For this very reason, also, it is
surviving in an age of scientific curiosity.
THOMAS PERCIVAL BEYER.
THE CASE AGAINST GERMANY.*
It can scarcely be doubted that the most
trustworthy and informing books on the pres-
ent war have come from the neutral countries,
especially from America. Where passion is
not engaged, discernment is inevitably clearer.
Thus, the keenest studies of the diplomatic
preliminaries are from the American writer,
Beck, and the Italian, Ferrero. If these men
unite in finding a verdict of "aggression"
against Germany and Austria, we may be sure
it is not owing to national prejudice but sim-
ply because the facts are so. Indeed, so far
as the immediate occasion of the war is con-
cerned, the case may be said to be virtually
closed. Even German newspapers and public
speakers are now frequently referring to the
struggle as a " preventive war, ' ' waged by the
Fatherland to forestall a possible future at-
tack by the Entente powers.
Among recent American books dealing with
Germany's part in the great struggle, Mr.
Oswald Garrison Villard's "Germany Embat-
tled" is the weightiest, not merely because of
its grave tone and solemnly drawn conclusions,
but also because it is a unique blending of
sympathy for the German people and their
aspirations with unqualified reprobation of the
motives and methods of the German govern-
ment in precipitating the war. The son of a
German mother, an officer of the Deutscher
Verein in his Harvard days, Mr. Villard has
for many years been a close student of German
conditions. He summarizes admirably the Ger-
* GERMANY EMBATTLED. By Oswald Garrison Villard. New
York : Charles Scribner's Sons.
WHAT Is WRONG WITH GERMANY? By William Harbutt
Dawson. New York : Longmans, Green & Co.
GERMANY AND EUROPE. By J. W. Allen. New York: The
Macmillan Co.
DEUTSCHLAND UBER ALLES ; or, Germany Speaks. Compiled
and analyzed by John Jay Chapman. New York : G. P. Put-
nam's Sons.
GERMANY'S WAR MANIA. The Teutonic Point of View as
Officially Stated by Her Leaders. New York: Dodd, Mead
& Co.
GERMAN WORLD POLICIES. By Paul Rohrbach. Translated
by Edmund von Mach. New York : The Macmillan Co.
1915]
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303
man point of view in the introductory pages
of his book, and then coldly demonstrates the
impossibility of American approval. The fail-
ure of the insistent propaganda in this country
is emphasized and the desirability of our re-
torting by a campaign of enlightenment in
Germany is suggested. It would be well if
this education might begin at home, and if
those German- Americans who have fed them-
selves since the war began with the offerings
of the "Staats-Zeitung" and its colleagues
could be induced to read this book. But that
is perhaps a too fond hope.
Mr. Villard finds that the menace of Ger-
many to modern civilization proceeds from
autocracy and militarism. His chapter on
" Militarism -and Democracy" is the clearest
exposition we have seen of the way the soldier
dominates the civilian in Prussianized Ger-
many. Militarism as a result of autocracy is
the text of Mr. William Harbutt Dawson's
* ' What Is Wrong with Germany ? ' ' The writ-
er's answer to his own question may be stated
succinctly thus : Germany is out of harmony
with the rest of the world because, owing to
the lack of popular control in her parliament,
the government is in the hands of a military
clique. The author has no difficulty in show-
ing that Germany has only the semblance of a
parliamentary government, that the Reichs-
tag is a mere "hall of echoes," and that the
real driving force is the Federal Council, ap-
pointed by the princes of the various states.
Mr. Dawson is perhaps the best-informed man
now writing in English on matters pertaining
to certain aspects of German economics and
administration. In his new book there is some
threshing over of old straw, with talk of
Treitschke, Bernhardi, and Nietzsche; but
there is also a vast amount of new information,
well documented, concerning the growth of
Pan-Germanism as reflected in press and par-
liament. Not the least interesting chapter
contains a list of the bellicose utterances of the
Kaiser, which cumulatively constitute a for-
midable refutation of the claim that he has
T)een a man of peace.
In comparison with Mr. Dawson 's book, the
•slender volume entitled "Germany and
Europe, ' ' by Mr. J. W. Allen of the University
of London, seems commonplace. It appears to
have been written in the early stages of the
war, and offers nothing new. Only its equable
temper may be commended.
Mr. John Jay Chapman's little book,
^'Deutschland iiber Alles," is a collection of
the utterances of representative Germans in
defence of the policies of their country since
it went to war. It is the compiler 's belief that
•Germany is suffering from an obsession, a
collective madness combined of persecution
mania and the folie des grandeurs. This
theory, which is more suggestive than con-
vincing, would possess greater cogency if the
quoted utterances had not all been made in the
heat of passion after the conflict was kindled.
Certain spokesmen of all the belligerents have
said things which they will doubtless regret
when calmer days come. The late Dr. Emil
Reich, an anglicized Austrian, wrote a book a
few years ago to show that Germany was suf-
fering from megalomania. His numerous
quotations from books, speeches, etc., carry
some weight precisely because they were not
words uttered in haste or fury but were pre-
sumably intended at their face value. For the
same reason, "Germany's War Mania," a
compilation made in England, possesses inter-
est as a collection of ante-bellum documents.
In addition to writers usually quoted, General
von der Goltz and Professor Delbriick are here
put on record in defence of militarism. The
evolution of the Crown Prince from an innocu-
ous nondescript into a rather objectionable
jingo is also concisely traced.
Dr. Edmund von Mach has rendered the
American public a service by translating Paul
Rohrbach's "Der deutsche Gedanke in der
Welt," which first appeared in 1912 and has
since gone through many editions. The trans-
lation bears the title, "German World Poli-
cies," and though somewhat "edited" for
American consumption, reproduces substan-
tially the original. Rohrbach may be de-
scribed as a moderate imperialist. Fearing
that the world is becoming predominantly
Anglo-Saxon, he calls upon his people reso-
lutely to assert themselves so that they may
not be left out of the reckoning. The motive,
it is to be observed, is not economic but politi-
cal. Germany's resources are sufficient, he
thinks, to support a population much larger
than her present, her trade ought to continue
to expand as heretofore, her emigration is
negligible, she is even obliged each year to
import labor. There is, then, no urgent eco-
nomic need of expansion. But the task to
which Germany must address herself is that
of spreading her language, her civilization and
its influences, her Kultur (to use a word that
has lately been soiled by all ignoble use), to
the ends of the world. The author holds this
to be a cardinal necessity if Germany is not to
be recreant to her native strength. And for
this high destiny colonies and spheres of influ-
ence are essential. With many of these aspira-
tions a neutral may readily sympathize,
especially as Rohrbach, unlike Bernhardi, does
not advocate aggressive warfare. He has even a
keen eye for German faults. Speaking of the
304
THE DIAL
[April 15
failure of his country to placate Poles, Danes,
and Alsatians, lie remarks upon the German
"inability to make moral conquests" for
which ' ' the North German character is most to
blame. ' ' There can be no doubt that Rohrbach
rather than Bernhardi represented the feel-
ings of the majority of Germans before the
outbreak of the war. All the more pity that
the government chose the Pan-Germanic path.
"W. K. STEWART.
RECENT FICTION.*
Ho for the Spanish Main in the brave days
of the buccaneers ! The ringing call comes to
our ears with "The Gentleman Adventurer,"
by Mr. H. C. Bailey, a romancer who has
proved his quality on several previous occa-
sions. Here is a pirate story calculated to
quicken the most jaded sense and to stir the
most sluggish blood. It tells of Peter Hayle,
implicated out of good nature in a plot against
the life of Dutch William in 1695, and making
a hasty exit from England to save his neck.
He is shanghaied in London, taken to the West
Indies and sold as a slave, and there, escaping
from servitude in the company of a burly
ruffian named Luke Veal, captures a ship, runs
up the Jolly Roger, and carves out for himself
piratical fame. He is a considerate buccaneer,
who never scuttles a ship for the fun of the
thing, and his chief exploit is the putting out
of business of Estevan, a pirate of the most
reprehensible sort, whose villainies make
Peter 's gorge rise and inspire him with loath-
ing. Estevan is ruler of a private pirate king-
dom on the coast of Honduras, and his store of
treasure suffices to set Peter up for life when
he returns to England and his erstwhile hon-
est existence. The tale is romantic in the
extreme ; the French maiden whom Peter res-
cues is taken home as his wife, while the
serpent- woman, the mistress of Peter and Luke
in their days of slavery, kidnapped by them
and wedded to Luke, seeks to betray her lord
and master to Estevan, and is properly slain
in the ensuing fight, another woman having
already appeared upon the scene to fill the
place thus made vacant. The book has an
ingenious fertility of invention, and a raciness
of style that is a constant delight.
"Bealby" is the best fun that Mr. H. G.
Wells has given us since "Ann Veronica," and
it is sheer unadulterated fun beyond anything
that could be claimed for that startling por-
* THE GENTLEMAN ADVENTURER. By H. C. Bailey. New
York : George H. Doran Co.
BEALBY. A Holiday. By H. G. Wells. New York: The
Macmillan Co.
RED FLEECE. By Will Levington Comfort. New York : George
H. Doran Co.
AN EMPEROR IN THE DOCK. By Willem de Veer. New York:
John Lane Co.
traiture of the New Young Woman. In fact,
the genuine creative talent of Mr. Wells is bet-
ter exhibited by his studies of "life among the
lowly" — by his Lewisham, Polly, and Kipps
— than by all his sociological vaticinations and
his monotonous criticism of the way in which
the world chooses at present to conduct its
affairs. Bealby is just a small boy of twelve
or so, a gardener's stepson put out to service
in the household of a local magnate. He goes
unwillingly to the scene of his labors, and
things begin to happen as soon as he gets there.
It is something to plunge a toasting-fork into
the face of an under-butler. but this deed pales
into insignificance when the boy, in his pre-
cipitate flight from the wrath otherwise to
come, upsets the Lord Chancellor (at that
moment a week-end guest), and forces from
the latter 's lips a word euphemistically de-
scribed as ' ' one brief topographical cry. ' ' The
Lord Chancellor has had a rasping experience
already, and is not in the best of tempers ; the
encounter with Bealby is the last camel — we
mean the last straw — and hastens his depar-
ture from that hospitable roof with anathema
in his heart. Bealby also thinks it wise to
depart, naturally with the utmost secrecy, and
thus enters upon a veritable odyssey of adven-
ture. He attaches himself for a few days to a
party of three ladies engaged in a care-free
tour of the countryside in a caravan; then,
getting into further trouble, takes a new flight
and sets by the ears the population of a neigh-
boring town already posted with bills offering
a reward for his capture. He is finally seized
and taken to the Lord Chancellor to explain
the innocent cause of the original offending,
but his lordship does not believe a word of the
confession, and sputters anew the conviction
that he has been made the victim of a damna-
ble conspiracy. Finally, Bealby, much chas-
tened, returns to the step-parental roof, and
begs to be allowed another chance. This rol-
licking story has many other elements of
interest — the romance of the officer and the
actress-lady of the caravan, the tramp with
whom the boy consorts and eventually "does,"
and Lord Chickney, who tries to figure as deus
ex machina, and distinctly does not succeed in
straightening out the tangle. It is all broadly
farcical, of course, but it keeps the interest
sharpened at every juncture, and the author
resists measurably the temptation to digress
into social homiletics.
It was a safe prediction that many months
would not pass before Mr. Will Levington
Comfort seized the occasion offered by the
world-war for a novel upon that engrossing
theme. "Red Fleece" is not the big work
that he might have written had he taken longer
1915]
THE DIAL
305
about it, or that he probably will give us in the
future, but as an impressionistic preliminary
sketch it is very acceptable. Its hero is an
American newspaper correspondent, and its
action is upon the Austrian frontier. Its bat-
tle-pictures suggest to us those of "The Red
Badge of Courage," although they are not
evolved, as Crane's were, from the inner con-
sciousness of the writer, for Mr. Comfort has
seen war at first hand, and knows all its
ghastliness. Since this knoAvledge is combined
with an intense missionary zeal in behalf of
human brotherhood, and deep sympathy for
the hapless lives reared only to become
Kanonenf utter, Mr. Comfort's message is de-
livered with poignancy and force, and his
•didacticism is hardly of the censurable sort.
The habitual mysticism of his treatment of
woman is once more exemplified in this novel,
and Berthe Wyndham is a worthy addition to
his gallery of consecrated souls. Our old
friend Fallows of "Down Among Men" reap-
pears in these pages, and preaches his good old
gospel of the cause of the People. As a stylist,
Mr. Comfort has never done better work.
* l His clothing smelled of death ; and one morn-
ing before the smoke fell, he watched the sun
shining upon the pine-clad hills. That mo-
ment the thought held him that the pine trees
were immortal, and men just the dung of the
earth. " It is not given to many men to write
such English as that.
If Mr. Willem de Veer, the Dutch author
of "An Emperor in the Dock," were to set
foot on German soil, we tremble at the thought
of what would happen to him. The ordinary
penalties for lese-majeste would clearly be
inadequate, and "something lingering" would
have to be devised for his special case. The
title of this book arouses pleasurable anticipa-
tions, which are, however, not realized, as the
author is evidently an amateur, and his yarn
is badly written, and devoid of all probability.
Such as it is. we may recount it in brief out-
line. Two Englishmen are fishing in Norway
when the war breaks out, and accept the invi-
tation of a Dutch yachtsman to be his guests
on th'e homeward voyage. One of the boat's
officers is a German spy, who does his best to
cripple the yacht on its way back. Presently
it encounters a German cruiser, which gives
chase, but soon comes to grief when its career
is ended by a mine. The yacht speeds to the
rescue of the survivors, and picks up two
drowning men, who are taken aboard. One of
them is discovered to be "The Disturber of
the "World's Peace in propria persona"; the
other is his devoted attache. The distin-
guished visitors are locked up, but contrive to
break loose from their cabin, and, with the aid
of the German spy already mentioned, seek to
gain command of the yacht, incidentally com-
mitting murder in the attempt. An im-
promptu court is organized for the trial of
the imperial offender, who is obliged to listen
to some very plain speaking about his own
character, and who, "with an expression on
his face of mingled prussic acid and disdain,"
replies to his accusers with what one of the
children in "The Golden Age" calls "horrid
implications." When the subject of his con-
duct has been thoroughly inquired into by the
court, the decision as to whether he shall be
set free or hanged as a pirate is decided in
favor of clemency, and he is landed at a Dutch
port. The treatment of this highly dramatic
material is meant to be serious, but it hardly
escapes being burlesque. The dock in which
the case of this Exalted Person is eventually
adjudicated will, we imagine, prove an entirely
different affair.
WILLIAM MORTON PAYNE.
NOTES ON NEW NOVELS.
Given a good-looking man of New England up-
bringing, who is afraid of women to the point of
avoidance of them, and has no just notion of what
to do with them when he has passed the point of
avoidance, and " A Reluctant Adam " (Houghton)
stands forth in Mr. Sidney Williams's novel of that
name. It is a recital of the rather pawky hero's
love affairs, from adolescent spooning down to a
suddenly acquired and as suddenly dismissed
grande passion which comes to nothing whatever.
Though there remains a feeling that it serves him
right, so brief a time and space are allotted this
latter episode in the narrative that a sense of dis-
appointment remains. The protagonist seems to
be a man without either respect for womankind or
the code of a gentleman to keep him out of mis-
chief, and he deserves to have his punishment made
more explicit.
"Barbara's Marriages" (Harper), by Mrs.
Maude Eadford Warren, has been written with the
earnest desire to cast light upon the vast problem
of love, in and out of marriage. The heroine is of
an excellent Virginia family that has somewhat
gone to seed. Her first lover is much her elder, and
is killed so soon after marriage that she may be
said not to have been married at all. Her second
lover is as disagreeable a cad as one is likely to
meet, who exhibits a supermannish selfishness in
his love that makes one wonder why he should have
consented to a secret marriage. He is duly divorced ;
but there is a child to come, of which he is igno-
rant. The third matrimonial engagement is with
a gentleman of Barbara's own class, a lifelong
friend. The interest of the book is in the second
affair, the last being rather carelessly developed.
The Union of South Africa is intimately treated
in Mr. F. E. Mills Young's " Valley of a Thousand
Hills" (Lane). A young Englishman seeking a
306
THE DIAL
[April 15
new career as manager of a cattle-growing estate,
and a daughter of the Boers with more education
than her parents, play the leading parts. Much of
the laxity of living which crops out where widely
differing civilizations meet and mingle on frontiers
is written into the narrative. The disagreeable
part in the story is taken by a young native of
English blood who is weak rather than vicious, the
hero supplanting him in the affections of the beauti-
ful Dutch girl. The dramatic climax comes with
the uprising of the Hindu coolies in Natal, which
permits discussion of the racial difficulties almost
certain to appear when Asiatics are admitted to
Caucasian communities in numbers. The book is
admirably put together.
A rare figure is the protagonist of Mrs. Eleanor
Atkinson's "Johnny Appleseed" (Harper). That
the American wilderness a hundred years ago
should have given birth to lives of fine self-sacrifice
was to be expected; but here was a man with a
sense of social service such as the world is still more
than a hundred years away from. Jonathan Chap-
man was, and must have been, a New Englander.
He conceived the idea of going about through the
new settlements of the central west and planting
appleseeds, that the children of the pioneers might
have the joy of orchards. He devoted a life to it,
and few lives have been better or more profitably
spent. Mrs. Atkinson's pages show much research,
and bring to life a figure and a time which should
never be forgotten.
In America, such a title as Mr. Oliver Onions
has given his new book, "Mushroom Town"
(Doran), would mean something in the oil regions,
or mining regions, or other newly opened terri-
tory, which had grown up in a day, — as Okla-
homa City did, for example. In more leisurely
Wales, with all the assistance England can afford,
it takes thirty years or thereabouts to turn the
sleepy village of Llanyglo into a lively and popu-
lar seaside resort. How it was done, and what
was the effect upon both early inhabitants and pro-
moters, is told with vivacity and discernment.
Incidentally one learns a good deal about the
Welsh people, who have played an astonishingly
small part in English fiction hitherto.
When out of sorts with the world, especially
with the world of city-life, such a book as Mr.
Walter Prichard Eaton's " The Idyl of Twin Fires "
(Doubleday) may be taken as both a sedative
and an alterative. " Twin Fires " is the name
n weary instructor in English, escaped to a New
England hillside farm, gives to his place on the
suggestion of a girl doctor of philology who comes
to a neighboring boarding-house. How the old
house is made better and lovelier than new, how the
landscape is made beautiful, the garden glorified,
and the farm made reasonably productive, consti-
tutes half the idyl; the feminine doctor of philol-
ogy provides the better half.
Given a young American girl of good stock and
rustic training and allow an elderly maiden lady
of strong will, large means, and excellent social
position to take her in tow from purely selfish rea-
sons, and " The Diary of a Beauty " (Lippincott)
is likely to come out much as Mrs. Molly Elliot
Seawell records it. Her lovely creature had one
bad time, but that was when she temporarily lost
her good looks; the world was at her feet the rest
of the time, except when she most needed it to be,
and then it flatly failed her. Beauty, we learn, is
more highly prized in Europe than in America,
because of its greater rarity over there.
As a title, "August First" (Scribner) suggests
the war; but there is nothing about war in its
pages, except the war of a soul with itself. It is
the joint work of Mrs. Mary Raymond Shipman
Andrews and Mr. Roy Irving Murray, and its chief
characters are an anglican curate and an unhappy
rich girl. The latter has nearly every trouble that
can come with wealth, and the former has the cure
of her soul through circumstance. A difficult prob-
lem is permitted to solve itself through details not
inherent in the problem itself, and it all ends pret-
tily. The book gives curates another valid reason
for existing.
BRIEFS ON NEW BOOKS.
Handbooks on The new series entitled "The
the art and Art and Craft of Letters"
(Doran) promises to be, for the
most part, authoritative in text, as it is inex-
pensive and attractive in form. Four little
volumes have already been issued : ' ' Satire, ' '
by Mr. Gilbert Cannan; "History," by Mr.
R. H. Gretton; "The Epic," by Mr. Lascelles
Abercrombie; and "Comedy," by Mr. John
Palmer. Of these the first is the least satisfac-
tory. Though often happy in its obiter dicta,
as most critical books are these days, it is too
offhand, too slight, too vague, and suggests a
lack of background. Much of it is merely
celebration of the author of "Erewhon,"
whose service to English life and letters may
be "not less great than that of Boileau to the
French." Mr. Abercrombie's study of the
epic is much better in all respects : it is closely
reasoned, interesting, and sound. Regarding
epics "primarily as stages of one continuous
development," the author discusses the na-
ture of the epic from the hoary beginnings to
our own day. He questions "whether it is
really justifiable or profitable to divide epic
poetry into the two contrasted departments of
'authentic' and 'literary.' ' Avoiding rigid
definition, he indicates the nature of the epic
by noting that "It must be a story, and the
story must be told well and greatly; and,
whether in the story itself or in the telling of
it, significance must be implied." To the
process of epic poetry the "Nibelungenlied"
contributed "plot in narrative"; the "Argo-
nautica" contributed analytic psychology,
and love as one of the primary values of life ;
Virgil, besides heightening old aims and
effects, contributed the expression of "social
consciousness" by celebrating the Roman Em-
pire. "In 'Paradise Lost.' the development
1915]
307
of epic poetry culminates, as far as it has yet
gone." "'After Milton, it seems likely that
there is nothing more to be done with objective
epic. But Hugo's method, of a connected
sequence of separate poems, instead of one
continuous poem, may come in here." Mr.
Palmer's essay on comedy, though less bril-
liant than Meredith's, has wider vision. He
makes much of the varying sources of laugh-
ter. "We laugh," he says, "in different lan-
guages." The essay by M. Bergson that has
attained such a vogue is ' ' based almost entirely
upon the comedies of Moliere." These are
comedies of "social gesture." They are come-
dies of "la parfaite raison." But they are
not of the same type as English comedy. The
Englishman "is incapable of seeing things
critically, as a being of simple intelligence, for
five minutes together. His feelings intrude."
His is the comedy of humor. Shakespeare's
"Troilus" and "All's Well" are between the
two. Falstaff is representative of English
comedy; "Falstaff is not judged: he is ac-
cepted. . . . We are asked to become part of
his folly." "A national English comedy
might conceivably have grown out of Jonson,
humanized by Fletcher. But Congreve killed
the comedy of 'humours' and the pastoral
comedy of pretty feeling, putting in their
place something the English have never un-
derstood and were unable to continue, ' ' — the
comedy of manners. For the present and the
future, Mr. Palmer would have English comic
writers put aside purely intellectual comedy
as alien to their spirit, and, instead, recreate
the comedy of humor. Let their model "be
Shakespeare's way with Hermia and Rosalind,
not Moliere 's way with the 'Precieuses Ridi-
cules. ' ' This is sound advice, and it is
needed.
A capable presentation of the
The fallacies of view that military force insures
preparedness. •.-!/•,• i ,-,
against defeat in war and there-
fore against having war at all, is contained
in the volume entitled "Peace Insurance"
(McClurg), by Mr. Richard Stockton, Jr. Of
course the writer's fundamental contention is
that the United States ought to take out more
insurance of this kind than it has done;
though he offers no explanation as to why
Europe, which has long carried very heavy
insurance of this sort, has now so destructive
a war upon its hands. The book contends that
the Army and Navy are not a burden during
peace, and may if properly managed become
paying business institutions; that however
desirable, arbitration, disarmament, or finan-
cial pressure offer no prospect of relief from
national rivalries; that the cost of war in
lives, misery, and money has been exagger-
ated; that there are many compensations for
the horrors of war, and that more has been
gained than lost in many wars; that the sol-
dier and sailor are often slandered ; that mili-
tary force is not opposed to the interests of
the average man ; that our past wars show the
need for a definite military policy; that the
recommendations of the General Staff and of
the Naval Board are reasonable and wise.
Mr. Stockton deserves praise for the usually
dispassionate tenor of his work. He shows
considerable respect for Mr. Norman Angell,
whom he pronounces "the most practical of
pacificists." He has less patience with Dr.
Jordan, whom he considers "a dreamer" who
is "apparently better acquainted with the
military possibilities of the various nations
than are the men who, as professional soldiers,
make these matters their life study. ' ' Follow-
ing up this thought of professionalism, Mr.
Stockton declares it unfortunate that civilian
bodies (which must mean the President, the
Secretary of War, and Congress, representing
the people) should control our military estab-
lishments. But he is not at all satisfied with
America's military past. He deplores the
impression given by our histories that our
soldiers in past wars have shown superiority
to the enemy. The unhappy result of this
teaching is that the nation continues to rely
upon volunteers, when the facts of war show
that trained troops alone are equal to modern
campaigning. Our own past military history,
says Mr. Stockton, proves this most conspicu-
ously. "Throughout the entire Revolution,
the militia continued to run, desert, mutiny,
and generally imperil the welfare of the Thir-
teen Colonies." And witness Bull Run, in
which the volunteer Union army took flight;
whereas an army of trained troops might have
crushed its opponents and ended the war.
That the victorious Confederate army at Bull
Run also consisted of volunteers seems to
have escaped the writer's notice. But if Mr.
Stockton is not satisfied with our military
past, he is able to secure much comfort and
moral support for his cause from utterances
by former Presidents (some of them civilians,
by the way), especially Washington. This
dependence upon the past is one of the chief
points in which those who strive to avert war
differ from the militarists. The latter see
only war in the past; the civilist (as the anti-
militarist chooses to be called) sees a continu-
ous development of law and order and a
corresponding objection to war. The militarist
finds his warrant in what has been ; the civil-
ist in what ought to be and can be if- man will
but determine to have it so.
308
THE DIAL
[April 15
Both knowledge and wisdom,
both book-learning and acquain-
tance with life, speak in the
pages of Mr. Horace J. Bridget's ethical and
philosophic and speculative essays grouped
under the general title, "Criticisms of Life:
Studies in Faith, Hope, and Despair"
(Houghton). Mr. Bridges, English by birth
and breeding, but now "a candidate for the
citizenship of this Kepublic," as he declares
himself, is the leader of the Ethical Society in
Chicago, and his book is to be taken as an
earnest endeavor to apply the principles of the
Ethical Movement to the several problems,
religious and social and moral, which the vol-
ume discusses ; or, in his own words, " it is in
the light of these two principles — the princi-
ple of Idealistic Naturalism and the principle
of the Supremacy of Ethics — that I have re-
examined the special problems dealt with by
the writers and thinkers whose works I have
used as texts." Lest the occurrence of the
word "despair" in his sub-title should mis-
lead, the author explains at the outset that in
adducing illustrations of that state of mind
"the purpose has been not merely to criticize
the doctrines rejected, but to justify faith and
hope by destroying the grounds of their op-
posites." After this and other preliminary
remarks the book opens with a study in relig-
ious experience, with Francis Thompson's
poem, "The Hound of Heaven," as a text,
re-enforced by an abundance of apt illustra-
tion. Then follow a sharp attack on Mr.
Chesterton as a theologian, a scorching criti-
cism of Professor Haeckel's philosophy of the
universe, a calmly rational consideration of
Sir Oliver Lodge's famous Presidential Ad-
dress, of two years ago, before the British
Association for the Advancement of Science,
a critical review of "The Inside of the Cup," |
a strong protest against the "new morality"
advocated in the writings of Miss Ellen Key
and Mr. Bernard Shaw, an arraignment of
M. Maeterlinck and Colonel Ingersoll for \
daring to maintain the justifiability of sui-
cide in certain circumstances, a panegyric on
Captain Scott, and a brief epilogue on the
European war. Notable amid other pro- ;
nounced features of the book is the author's |
disapproval of Mr. Chesterton as an argumen-
tative writer; he is "the supreme genius of
inaccuracy," as we are assured more than
once, in varying terms, both in the chapter
devoted to him and elsewhere. But, by a sort
of nemesis familiar to those who have studied
the habits of that two-edged sword called criti-
cism, the critic himself falls into the trap of
inaccuracy and exaggeration in the very act
of accusing the other of those failings. For
instance, he speaks of Mr. Chesterton's aston-
ishing and not always admirable productivity
thus : ' ' We find him every week in the ' Illus-
trated London News' and the London 'Daily
Herald' . . . and almost every month in al-
most every magazine" — which is obviously
untrue as well as impossible even in the case
of that inexhaustible genius. In general, how-
ever, Mr. Bridges is temperate as well as
agreeably readable; his sanity and sweet rea-
sonableness are qualities of which we cannot
have too much in these days; and it is to be
hoped his book will have the wide reading it so
richly deserves.
Disraeli during The revival of interest in the
the decade problems ot the British Lmpire,
which came in the last quarter of
the nineteenth century and which has been
especially prominent in English politics since
the great struggle with the Boers, has natu-
rally turned the thoughts of Englishmen back
to the statesman who more than any other
Prime Minister strove to enlarge the domin-
ions of England over the seas. It was found
to the regret of many that no adequate biog-
raphy had been written of Benjamin Disraeli,
that no author had ever attempted to trace the
development of the seemingly contradictory
principles of his political philosophy. A few
years ago Mr. Murray, the English publisher,
undertook to bring out such a work, the writ-
ing of which was to be done by Mr. W. F.
Monypenny, a young journalist who had
achieved great distinction in his profession.
Two volumes appeared in due time, carrying
the narrative down to 1846. "When Mr.
Monypenny was completing for the press the
second volume of this biography his health
was rapidly failing, and he died ten days after
its publication." Mr. George Earle Buckle,
at one time editor of the London "Times,"
assisted the author in putting his last volume
through the press, and to him the publishers
have assigned the task of completing the biog-
raphy. Volume III., which has recently ap-
peared, is therefore almost entirely Mr.
Buckle 's work ; Mr. Monypenny had collected
and sifted a large amount of materials, but he
left only one chapter completely written — an
analysis of Disraeli's novel "Tancred." Mr.
Buckle has followed faithfully the plan origi-
nally adopted; to a large extent the docu-
ments, as in the earlier volumes, are allowed to
tell their own story; but on the whole, Mr.
Buckle maintains a better proportion between
documents and narrative. Like his predeces-
sor, he writes from a Tory viewpoint. The
new volume covers the period from 1846 to
1855, the period of Disraeli's rise to leadership
1915
THE DIAL
309
among the protectionist Tories and of his suc-
cessful effort to reshape Toryism along
broader conservative lines. The most notable
feature of Mr. Buckle's study, aside from a
detailed history of protectionism in its de-
cline, is his defence of Disraeli against the
charge that he was insincere when he came
forward as the champion of the corn laws.
The author believes that he was thoroughly
honest in his support of the agrarian interests,
but that he regarded protection as an expe-
dient, not a principle, and that he abandoned
it because he realized that England was done
with corn laws. Lord Derby, who was Dis-
raeli's chief, is treated with some severity;
Mr. Buckle finds him lacking in foresight and
especially in political courage. The volume
contains some discussion of personal matters,
but on the whole it is chiefly a history of Dis-
raeli's activities in parliament and of English
politics generally during the period under re-
view. The original plan was to complete the
biography in three volumes; three have now
appeared, and Disraeli has scarcely been
launched upon his great career. Unless some
different plan is adopted for the remainder of
the work, we may look for at least three vol-
umes more. (Macmillan.)
In his book entitled "Wild Life
ofwiid°ii?etion Conservation in Theory and
Practice" (Yale University
Press) Dr. William T. Hornaday has brought
together the substance of a series of lectures
delivered in 1914 before the Forest School of
Yale University. Mr. Frederic C. Walcott has
added a chapter on private game preserves as
factors in conservation, and a useful bibliog-
raphy of the more recent works on wild birds
with special reference to game preserves and
the protection and propagation of game. Dr.
Hornaday, in his noble fight on behalf of the
wild life of America, has realized the impor-
tance of awakening the interest of the univer-
sities. ' ' What is needed, ' ' he says, ' ' and now
demanded of professors and teachers in all our
universities, colleges, normal schools, and high
schools, is vigorous and persistent teaching of
the ways and means that can successfully be
employed in the wholesale manufacture of
public sentiment in behalf of the rational and
effective protection of wild life." In empha-
sizing the vital importance of conservation,
from an economic even more than from a
sentimental standpoint, Dr. Hornaday offers
encouragement to further effort by setting
forth what has already been accomplished by
a comparatively small body of earnest-minded
men and women. This work may be summar-
ized as follows: (1) seventy per cent of the
killing of non-game-birds has been stopped;
(2) the killing of game has been restricted to
open seasons, which have steadily been made
shorter; (3) long close seasons, usually for
five years, have been extended to a very few
species threatened with local extinction; (4)
the sale of game has been prohibited in seven-
teen states ; (5) the importation of wild birds'
plumage for millinery and the use of native
birds as hat ornaments have been completely
suppressed; (6) the creation of a large num-
ber of national and state game-preserves and
bird refuges has been brought about; (7) a
partial suppression of the use of extra-deadly
firearms in killing birds has been effected ; (8)
the enactment of a law placing all our 610
species of migratory birds under the protec-
tion of the federal government has been se-
cured. Dr. Hornaday 's book should do much
to widen and deepen the interest in the protec-
tion of our wild life, and particularly the
saving from imminent extermination of sev-
eral important species.
Confessions
of Frederick
the Great.
A timely publication is Messrs.
Putnam's reprint 0f "The
Confessions of Frederick the
Great," edited by Mr. Douglas Sladen, with
a "Foreword" by Mr. George Haven Put-
nam, and a translation of Treitschke's "Life
of Frederick the Great" appended. If to-
day's interpretation of the "Confessions" is
different from that which historical criticism
would have accorded it a year ago, this dif-
ference shows how even criticism must bear
its burdens in the face of upsetting facts.
Mr. Sladen explains that Carlyle's "million
words" are too many for the curious of these
days : a smaller book about Frederick has its
place. The text of the "Confessions" 5s
taken from an eighteenth century translation,
and one regrets that Mr. Sladen did not tell
us about the text of Frederick's original, —
whether it is included in the Berlin edition of
his works, and what those editors said of it.
No one can hope to write of Frederick with
authority who has not made himself familiar
with that remarkable set of books. That Mr.
Sladen is not ignorant of the collected edition
is evident in his criticism of Treitschke's
praise of Frederick's " Anti-Machiavell, " as
indicating views long held by Frederick, pre-
sumably after he came to the throne. Mr.
Sladen might have added that the "Anti-
Machiavell" was written before the invasion
of Silesia gave the lie to all that was genu-
inely noble in the earlier writings of the
Crown Prince. It would be unfair to satisfy
curiosity by quoting from the "Confessions";
they are worth reading, and one may duti-
310
THE DIAL
[ April 15
fully record a sense of loathing at the doc-
trines they reveal. Mr. Putnam's "Fore-
word" prepares the reader for the political
purpose of the ' ' Life of Frederick the Great ' '
by Treitschke. This is the work of what one
may call the Historian-Laureate of the
Hohenzollerns. It is small wonder, after the
testimony of such foreigners as Macaulay and
Carlyle, that a scholar of the Court should
try to outdo the hero-worship of Frederick.
But nothing in Treitschke reaches the level
of Macaulay 's paragraph describing Freder-
ick's unification of the Germans. One may
indeed acquit the Germans of having origi-
nated the Prussian epic : the stuff of Prus-
sian history was first made eloquent for all
time by these masters of English prose. And
it is significant that no complete collection of
Frederick's writings was made until some
years after the appearance of Macaulay 's
brilliant essay.
Lesser-knovn Mr« Theodore P. Shonts SOWed,
builders of the and Colonel George W. Goethals
^ reaped; the Second Isthmian
Commission labored, and the Third Isthmian
Commission entered into its labors. Such, in
brief, is the burden of Mr. W. Leon Pepper-
man's argument in "Who Built the Panama
Canal?" (Button), the story of the big ditch
as told by the Chief of Office of Administration
of the Second Isthmian Canal Commission.
Naturally enough the hero of the Panama
Canal is, to most of us, he who carried the
great engineering enterprise to a triumphant
termination; and almost without exception
the published accounts of that undertaking
ascribe the glory to the present Governor of
the Canal Zone, whom in this season of na-
tional rejoicing over the completion of the
mammoth task all are eager to honor with the
recognition he unquestionably deserves. Hence
there is room, and to spare, in the book-world
for a volume calling attention to the man who,
as one of the engineers expressed it in speak-
ing of Mr. Shonts and those under him, ' ' built
the machine and started it going, and then
gave the handle to Goethals, who turned the
crank and ground out the results. ' ' Mr. John
F. Stevens, Chief Engineer under Mr. Shonts,
is also duly honored in Mr. Pepperman's
pages, and, still further to discharge a
neglected duty, the abortive efforts of the
French to cut the western continent in two
are made to appear of vast though commonly
unrecognized importance. In fact, the author
contends that "the three controlling factors in
the final construction of the waterway across
the Isthmus of Panama were the French, Theo-
dore Roosevelt, and the railroad men," the
chief of the last-named being, of course, Mr.
Shonts. Noteworthy on its artistic side are
the book's reproductions of Mr. Joseph Pen-
nell's deservedly famous pictures of Panama
Canal scenes. To these are added good por-
traits of the chief architects of the great work.
Mr. Pepperman's book was needed to help
round out the story of the big canal.
There is a lilt and rush of mel-
Mr. Markham'a . „
latest volume ody in much 01 the recent verse
of Mr. Edwin Markham, now
collected under the title of "The Shoes of
Happiness, and Other Poems" (Doubleday),
which make the worm-eaten lines of the
"new" poets seem shabby by contrast. Wit-
ness this from ' ' Virgilia" :
" What was I back in the world's first wonder? —
An elf -child found on an ocean reef,
A sea-child nursed by the surge and thunder
And marked for the lyric grief."
Or this from its sequel, "The Crowning
Hour":
" We are caught in the coil of a God's romances —
We come from old worlds and we go afar :
I have missed you again in the Earth's wild
chances —
Now to another star ! "
The poet is represented in various moods.
Best of the narrative verse is "The Juggler of
Touraine," the juggler being described as a
jolly punchinello trotting out on tipsy stilts
from a strange old medieval legend of the
Madonna. The title poem is rich in imagery ;
it is otherwise adequate in the main, but it
leaves the suggestion that the search for the
blue flower, the blue bird, the shoes of the
shoeless beggar, or whatever the symbol, is
not the theme, for Mr. Markham at least, that
will most nobly "shake the soul and let the
glory out." Nor do the songs of war and
peace, of social vision, of religion, strike depths
as unerringly as do those of love and youth.
Of unusual distinction is "Villon: He Still
Complaineth of His Piteous Plight, ' ' for there
is more than the cynic's philosophy about the
vagaries of fortune in the recurring last line
of each stanza of the poem, which begins as
follows :
" Here am I now in a piteous plight,
Doused and dour in a hell, you see;
For I slipt and fell in the mortal fight ;
I was one, but the fates were three ! "
A pity it is that those who would
$?S*8«tr. most Benefit by a thoughtful
and fair-minded reading of Dr.
Joseph H. Crocker's book, "Shall I Drink?"
(Pilgrim Press) are the very ones least likely
to give it even a glance. Its arguments, sup-
ported by the best of medical and penological
1915
THE DIAL
311
and other competent authority, against the
use of alcoholic liquors are so obvious as well
as unanswerable that the only wonder is they
should have to be stated at all. But it has
long been a self-evident truth that men are
governed, not by their reason, but by their
feelings; and hence it is that all the world
does not eagerly accept and profit by such
convincing demonstrations of its folly as this
from Dr. Crooker. Without fanaticism he
urges the desirability, from almost every
point of view, of having nothing to do with
alcoholic drinks, marshalling his facts and
figures and other instruments of persuasion,
or dissuasion, in ten well-considered chapters,
beginning with the ancient origin of what he
calls "the drink superstition," proceeding
with a calm examination of all that can be
said in favor of a more or less restricted indul-
gence in intoxicants, exposing the failure of
even the famous Gothenburg system and show-
ing that "liquor selling and liquor drinking
can no more be made harmless than gambling
and leprosy, ' ' and concluding with an encour-
aging survey of present "signs of promise."
Sixteen copyrighted charts of the Scientific
Temperance Federation are inserted by per-
mission as a graphic aid to the enforcement of
the argument against drink.
Tke most ^° su^ject of natural history
interesting of offers a more fascinating field
for study than the life-history
of the American beaver. The beaver has
probably been the subject of more pure fiction
than any other known animal; yet when one
has read such a book as Mr. A. Radclyff e Dug-
more 's "Romance of the Beaver" (Lippin-
cott), in which every statement is supported
by indisputable evidence, generally the result
of the author's own painstaking observations,
one is left with the feeling that the true life
of the beaver is quite as wonderful as the
fictitious exploits with which the industrious
little animal is credited in some of our early
narratives. Mr. Dugmore makes no more am-
bitious claim for his book than that he has
tried to keep the subject free from exaggera-
tion and technicalities. He has done that, and
a good deal more. He has brought together
an extraordinary mass of material relating to
the life, habits, and wonderful engineering
feats of the beaver ; he has presented this ma-
terial in a most attractive and convincing way,
and he has illustrated every point with a
photograph or an original drawing. Inci-
dentally he makes a strong plea for the pro-
tection of ' ' the most interesting animal to-day
extant." The book makes a welcome addition
to the scanty literature on the beaver.
NOTES.
" The Socialist and the War," by Mr. William
English Walling, is a volume announced for April
issue by Messrs. Holt.
Two novels scheduled for publication this month
by Messrs. Putnam are Miss Ethel M. Dell's " The
Keeper of the Door " and Miss Leslie Moore's " The
Jester."
Mr. Ernest Rhys has prepared a biographical
sketch of Rabindranath Tagore, his ideals, achieve-
ments, and ambitions, which Messrs. Macmillan will
publish.
Baron de Kusel (Bey), formerly controller gen-
eral of Egyptian customs, has written a volume of
reminiscences which will be issued by Messrs. John
Lane Co.
A book on " Methods and Aims in the Study of
Literature," by Professor Lane Cooper of Cornell
University, is soon to appear with Messrs. Ginn &
Co.'s imprint.
" The Little Man, and Other Satires," studies of
various phases and types of modern society by
Mr. John Galsworthy, is promised for early issue
by Messrs. Scribner.
M. Pierre Berger's study of "William Blake:
His Mysticism and Poetry," which has attracted
much attention in France, is soon to appear in an
English translation made by Mr. D. H. Conner.
In his forthcoming volume on "Arms and the
Race," Professor R. M. Johnston shows the diffi-
culties in the way of disarmament and considers,
as a matter of history, the effect of war upon
nations.
The first book dealing with the author of
" Erewhon " is soon to appear in Mr. Gilbert Can-
nan's "Samuel Butler: A Critical Study." It
would be edifying to have Butler's own comments
on this enterprise.
A new volume of Mr. L. P. Jacks's stimulating
essays is soon to be published under the title,
" Urgent Themes." Mr. Jacks is editor of " The
Hibbert Journal," and the author of several pre-
viously published books.
During the month Colonel S. B. Steele's " Forty
Years in Canada," the record of a frontiersman and
soldier, will be issued by Messrs. Dodd, Mead & Co.
The Rt. Hon. Lord Strathcona has written an intro-
duction for the volume.
Mr. A. C. Benson's memoir of his brother, Mon-
signor Benson, soon to be published under the title
" Hugh," is not intended as a formal and finished
biography. It was only written " to fix scenes
and memories before they suffered from any dim
obliteration of time."
Mrs. Hugh Fraser, whose several volumes of
" Reminiscences of a Diplomatist's Wife " have
been widely read and enjoyed, will give us some
additional chapters of autobiography in a book
entitled " Seven Years on the Pacific Slope," to
appear during the spring.
The first volumes to appear in the " New Poetry
Series," announced by the Houghton Mifflin Co.,
are the following : " Irradiations," by Mr. John
THE DIAL
[April 15-
Gould Fletcher; "Japanese Lyrics," by Lafcadio
Hearn ; " The Winnowing Fan," by Mr. Lawrence
Binyon ; and an anthology, "Some Imagiste Poets."
An autobiographical " Revery on My Childhood
and Youth," by Mr. W. B. Yeats, is likely to prove
one of the most interesting publications of the
season. The volume will bear the imprint of the
Cuala Press of Dublin. We note also the announce-
ment of an impending critical study of Mr. Yeats,
from the pen of Mr. Forrest Reid.
Mr. Albert Bigelow Paine is preparing to com-
pile a collection of Mark Twain's letters, which
Messrs. Harper will publish. In his recent biog-
raphy he was forced to restrict the inclusion of any
correspondence of Twain to such letters as illumi-
nated the text, but now his aim is to print all the
available correspondence which will come into his
hands.
Professor Gilbert Murray's " The Stoic Philoso-
phy," to be published this month, is the sixth of the
memorial lectures founded in memory of Moncure
D. Conway, and delivered annually at South Place
Institute. The five preceding lecturers were Mr.
J. M. Robertson, Mr. Norman Angell, Mr. H. W.
Nevinson, Mr. William Archer, and Mr. John
Russell.
Still another series (the third) of monographs
on prominent writers of the day is announced by a
London publisher. It will bear the general title,
" Studies of Living Authors," and in the first three
volumes to appear Mr. H. G. Wells will be dealt
with by Mr. R. W. Talbot Cox, Mr. Arnold Bennett
by Professor J. R. Skemp, and M. Anatole France
by Mr. Geoffrey Cookson. The books will be full-
length studies, rather than brief outlines.
A ten-volume translation of the most important
works of Martin Luther, from the Ninety-five The-
ses of 1517 until his death, is announced by Messrs.
A. J. Holman Co., of Philadelphia. Each volume
will be provided with an introduction and explana-
tory notes. The translation has been done by schol-
ars who have devoted the past five years to a study
of Luther's treatises, and the work aims to reveal
the reformer in all his many-sided activity. The
first volume of the set wili appear this month.
Indiana librarians, as is announced in the " Li-
brary Occurrent" of the Public Library Commis-
sion of Indiana, are advocating the passage, by
their State legislature, of a librarians' licensing
bill authorizing the appointment, by the Commis-
sion, of a board of library examiners " whose duty
it shall be to establish grades, hold examinations,
and accredit library schools." The examiners are
to be four in number and to serve, after the system
is well started, four years each, without pay, and
with one vacancy to fill every year.
For the volume entitled " Bronte Poems : Selec-
tions from the Poetry of Charlotte, Emily, Anne,
and Branwell Bronte, including Some Poems Hith-
erto Unprinted," which is now nearly ready for
publication, the editor, Mr. A. C. Benson, has laid
under contribution all the poems hitherto printed.
The object has been to make accessible for the first
time in one volume all the best poetical work of the
Bronte familv. Each of the sisters is included in
the pieces now first published. Reproductions of
the recently discovered portraits of the sisters and
facsimile MSS. are also included.
The "Reminiscences and Letters of Sir Robert
Ball," edited by his son, Mr. W. Valentine Ball,,
will appear at once in England. The reminiscences
were begun by Sir Robert Ball some years before
his death toward the end of 1913, but failing health
prevented him from completing the work. In
revising and editing the material at his father's
request, Mr. Ball has interwoven letters to and
from many distinguished correspondents, and added
the personal recollections, among others, of hia
uncle, Sir Charles Ball, and Sir Joseph Larmor;
while Professor E. T. Whittaker has contributed
an appendix dealing with Sir Robert's mathe-
matical work.
One of our most noted English scholars, Profes-
sor Thomas R. Lounsbury of Yale, died April 9 at
New Haven. Born at Ovid, N. Y., January 1, 1838r
he was graduated in 1859 from the college to which
he gave the best of his energies and talents for
nearly the rest of his life. Literary work of a hum-
ble sort occupied the two years following his gradu-
ation ; then came three years of military service in
the Civil War; five years after its close he became
instructor in English at the Sheffield Scientific
School of Yale University, and from 1871 we find
him holding a professorship of the English Lan-
guage and Literature. He was librarian of the
Sheffield Scientific School from 1873 to 1906, and
had been Professor Emeritus after the latter date.
His membership in the American Academy of Arts
and Letters, and in other learned societies, bore
witness to his scholarship and repute. Apart from
his well-known Chaucerian and Shakespearean and
linguistic writings, which hardly need to be enumer-
ated here, he made not many contributions to litera-
ture, but will be remembered for his biography of
James Fenimore Cooper in the "American Men of
Letters " series ; and not very long before he died
he published some lectures on " The Early Literary
Career of Robert Browning." He had also edited
the complete works of Charles Dudley Warner, with
biographical introduction. Vigor and independence
distinguished his work as a writer — even to the
point of espousing the spelling-reform heresy.
OF NEW BOOKS.
[The following list, containing 58 titles, includes books
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GENERAL LITERATURE.
Letters to a Friend: Written to Mrs. Ezra S. Carr,
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R. L. Stevenson: A Critical Study. By Frank
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James Russell Lowell as a Critic. By Joseph J.
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1915]
THE DIAL
313
HISTORY AND BIOGRAPHY.
The French in the Heart of America. By John Fin-
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Memories and Musings. By John Widdicombe. Il-
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My Life Out of Prison. By Donald Lowrie. 12mo,
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Narrative of Johann Carl Buettner in the American
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The Solitaries of the Samlraca. By Daniel Maulds-
ley; with prefatory note by Montgomery Car-
michael. Illustrated, 12mo, 252 pages. E. P.
Dutton & Co. $2. net.
Letters Written by Ebenezer Huntington during
the American Revolution. With portrait, large
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DRAMA AND VERSE.
Poems. By Maurice Maeterlinck; done into En-
glish verse by Bernard Miall. 12mo, 131 pages.
Dodd, Mead & Co. $1.25 net.
The Garden of Paradise. By Edward Sheldon.
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Selections from Catullus. Translated into English
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Verse. By Vance Thompson. With portrait, 12mo,
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A Girl of the Blue Ridge. By Payne Erskine. Il-
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The Holy Flower. By H. Rider Haggard. Illus-
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Prince and Heretic. By Marjorie Bowen. 12mo,
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The Winning of Lucia: A Love Story. By Amelia
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Loneliness? By Robert Hugh Benson. 12mo, 371
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Ruggles of Red Gap. By Harry Leon Wilson. Il-
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The Great Tradition, and Other Stories. By Katha-
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The Idyl of Twin Fires. By Walter Prichard Eaton.
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The Pretender: A Story of the Latin Quarter. By
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The Him of the Desert. By Ada Woodruff Ander-
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The Conscience of Sarah Platt. By Alice Gersten-
berg. 12mo, 325 pages. A. C. McClurg & Co.
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Lovers in Exile. By the author of " The Letters
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A Freelance in Kashmir: A Tale of the Great An-
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pages. E. P. Dutton & Co. $1.50 net.
Hlllsboro People. By Dorothy Canfleld. 12mo, 346
pages. Henry Holt & Co. $1.35 net.
TRAVEL AND DESCRIPTION.
The Rediscovered Country. By Stewart Edward
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The California Padres and Their Missions. By
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•Sketches In Poland. Written and painted by Fran-
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The Happiness of Nations: A Beginning in Polit-
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Pro and Con of Golf. Written and compiled by
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Killing for Sport: Essays by Various Writers.
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An Introduction to the Study of Colour Vision. By
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Outlines of Child Study. By William A. McKeever.
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Economic Zoology and Entomology. By Vernon
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Tabular Views of Universal History. Compiled by
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Profitable Vocations for Boys. By E. M. Weaver
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Handbook of the Cesnola Collection of Antiquities
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"The Ethical Value of Oriental Religions
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By
PROFESSOR CLIFFORD H. MOORE of Harvard
in
The Harvard Theological Review for April
314
THE DIAL
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THE DIAL
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The Standard History of the
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THE DIAL
[April 15
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THE DIAL
[April 15
The picturesque France of the Old Regime
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THE DIAL
319
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320
THE DIAL
[April 15,1915
SELECTED FROM THE SPRING LIST OF
J.B.LIPPINCOTT COMPANY
PUBLISHERS PHILADELPHIA
FOR SALE AT ALL BOOKSTORES
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322
THE DIAL
[April 29
Every American Library
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THE TRUE
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THE DIAL
323
The Latest Poetry and Drama
PANAMA and Other Poems
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POEMS OF EMILE VERHAEREN
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THE DIAL
[ April 29, 1915
BRUNEL'S TOWER
By EDEN PHILLPOTTS
The Boston Transcript says of "Brunei's Tower:"
"Through alternations of every aspect of life the story of BRUNEL'S TOWER pro-
gresses. It touches lightly upon love, upon the pathos of old age, upon the
workman's passion for his work, upon the artist's worship of his art, upon
an infinite variety of human ways and moods, and it is filled to its
depths with reflections upon life that arc very near to life itself.
The Phila. ^\^ ... It is obvious that he has studied his characters from Ihe / The
Press says: \. life, that he has watched them narrowly, that he has / Outlook says:
"Of exceptional in- \^ searched their souls, and that he shows us their
terest, both for its N. innermost selves as well as their physical be-
racy character drawing \ inS" • -. It is Mr. Phillpotts at his
characteristic best."
and its ingenious web of
incident. . . . Here is the old
intimate style vividly illumi-
nating with humor and human-
ity, the ordinary affairs of daily
life. The folk whose lives are
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tinguish the work of Mr. Phill-
potts at his best. . . . Told
easily and naturally, yet with
genuine art."
The New York Herald says:
" Mr. Phillpotts's new novel
is both readable and instruc-
tive. ... An interesting
work with a vast amount
of information.
BRUNEL'S
TOWER
is genuinely
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Brunei's Tower
is magnificently written, . . .
The daily bread of life is in this
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ment."—NEW YORK TIMES.
Mr. Phillpotts
has written no
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BRUNEL'S TOWER."
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BRUNEL'S TOWER, but
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Philadelphia
North- American says:
'A novel that is varied in
The New Republic says: \ incident and color, and
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masters of the time though his work, certainly in this country, is too little appreciated. . .
BRUNEL'S TOWER must be placed among the better of the many novels he has written."
•OTHER WORKS BY EDEN PHILLPOTTS-
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THE DIAL
jfortmsfjtlp journal of Hiterarp Criticism, Btecuggfon, anb information.
Entered as Second-Class Matter October 8, 1892, at the Post
Office at Chicago, Illinois, under Act of March 3, 1879.
Vol. LVIII. APRIL 29, 1915 No. 698
CONTENTS. PAGE
A COMMODITY OF GOOD NAMES .... 325
CASUAL COMMENT 327
One who lived the life of a poet. — The fount
of fictive tears. — Germany's appreciation of
Shakespeare. — The reading of school children.
— The improbabilities and impossibilities of
fiction. — One year's work of our largest pub-
lic library. — A printer with the spirit of an
artist. — Greedy readers. — • A Washington Ir-
ving anecdote. — Whetting the reader's appe-
tite.— From gown to khaki.
COMMUNICATIONS 331
A Correction — and Some Other Matters.
Louis C. Marolf.
Literary Reciprocity with the Latin Americas.
C. L. M.
A Quotation from Sophocles in Meredith's
Letters. Wm. Chislett, Jr.
Jefferson's Architectural Work. Fiske Kim-
tall.
OUE PAINTER OF THE SEA AND THE
SHORE. Edward E. Hale 333
ELIZABETHAN TRAGIC TECHNIQUE. Gar-
land Greever 335
AMERICAN EXPANSION IN THE FAR
WEST. William E. Dodd ...... 336
AMERICA AND THE GREAT WAR. Frederic
Austin Ogg 337
Roosevelt's America and the World War. —
Greene's The Present Military Situation in the
United States. — Wheeler's Are We Ready?
— Usher's Pan- Americanism. — Beck's The
Evidence in the Case. — Whitridge's One Amer-
ican's Opinion of the European War. — Can
Germany Win? — Miinsterberg's The Peace
and America. — Baldwin's The World War.
:SOME VARIED CONTRIBUTIONS TO PSY-
CHOLOGY. Joseph Jastrow 340
Shand's The Foundations of Character. —
— Watson's Behavior. — Freud's Psychopath-
ology of Everyday Life. — Goddard's Feeble-
mindedness.— Goddard's School Training of
Defective Children. — Wallin's Mental Health
-of the School Child. — Mrs. Burr's Religious
Confessions and Confessants. — Wallas's The
Great Society. — Miinsterberg's Psychology. —
Ogden's Introduction to General Psychology.
RECENT FICTION. William Morton Payne . 344
NOTES ON NEW NOVELS 346
BRIEFS ON NEW BOOKS 347
Explorations in the ruins of Babylon. — A
successful American opera. — A posthumous
volume by Sister Nivedita. — Modern fiction
in Latin dress. — A plea for Belgium by an
eyewitness. — An Englishman's adventures on
land and sea. — Life in America a century ago.
— Our picturesque Western gateway.
NOTES 350
TOPICS IN MAY PERIODICALS ..... 351
LIST OF NEW BOOKS ......... 352
A COMMODITY OF GOOD NAMES.
Language is all names. Nouns, of course,
are the names of persons or things ; adjectives
and adverbs are the names of qualities ; verbs
the names of actions. If you say " John ran a
mile briskly " you are simply naming first the
person, second the kind of action he indulged
in, third the division of space he covered, and
fourth the way in which he did it. Pronouns
are simply signs substituted for names to obvi-
ate their repetition. Thus we say: "John
went to his house " instead of " John went to
John's house." The articles, conjunctions, and
prepositions are more abstract, but they are
merely a thin cement to hold together the
name-bricks of language.
To name is the poet's trade ; but collective
humanity has been at work at it from the be-
ginning, naming and re-naming, forming airy
symbols for the realities of the world. All the
languages and dialects are its attempts at
piecing together images so they can be passed
from mind to mind. And the vast web so
fabricated is ready to the hand of the still
more definitely purposed poet or prose writer
to cut up into garments for the creations of his
imagination. Language is the exercise of the
world before it becomes the skill of one or a
score or a hundred ; just as myriads of minute
insects contribute to the building of a coral
reef before palms and cocoanut trees can wave
their fronds above the sea.
As far as permanency is concerned, the
anonymous haphazard naming of the multi-
tude may outlast most of the labored work of
the poet. It does not write on paper or parch-
ment, but on the face of the earth — on places,
houses, waters, woods. A good percentage of
territorial names must have been originally
the work of fancy; they were appellations
which had a meaning of honor, irony, con-
tempt. In a desert island story, when the ship-
wrecked people have mapped out their domain,
they proceed to give names to the various
places, such as Cape Fear, Bay of Good Hope,
Snug Harbor, and so forth. This has probably
been the method of the world in general. The
nomenclature reflects the mood of the discov-
erers, as in Bret Harte's country with its Dead
326
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[ April 29
Man's Gulch and Roaring Camp and the like.
In earlier days the territorial appellations be-
came the names of the persons who dwelt in
such places ; so people were called Ford, Field,
Wood, and innumerable other name words. In
fact, though that collective poet, the world, is
continually at work at language or naming, its
efforts in personal nomenclature display a cer-
tain poverty of invention. There are said to
be only three names to-day in Wales, which
we suppose are Jones, Lloyd, and Llewellyn.
China has proportionally even fewer sur-
names ; and most modern races betray the same
narrowing of this kind of nomenclature, as
though humanity had grown weary of mark-
ing out its innumerable children.
One of the ways in which humanity has par-
ticularly exercised its naming faculty is in the
designations given to homes, and more espe-
cially inns. The inn names throughout En-
gland are a delight to the student of the
grotesque, the bizarre, the unexpected. A list
ought to be compiled of them as a work of
national humor. Excluding the various
"Arms" and "King's Heads" and "Saracen
Heads," there are a multitude of inn signs
ranging from the quaint to the inexplicably
queer. Pretty nearly all the animals, existent
or imaginary, have lent their names and
painted semblances to these signs. There is —
or was— " The Mermaid," " The Griffin," " The
Elephant," " The White Hart," " The Boar's
Head," "The Three Cranes in the Vintry."
There are a great many trios, — " The Three
Angels," "The Three Tuns," "The Three
Nuns," "The Three Cups," and so forth.
" The Goose and the Gridiron " is understand-
able; and "The Bull and the Gate" is sup-
posed to be a corruption of Boulogne Gate.
But what does " The Salutation and the Cat "
mean, or the "The Cock and the Bottle"?
Our American inns have rarely such pictur-
esque names as the English, though we know
of one in Jersey called " The Blazing Rag."
Speaking of the supposed monotony of no-
menclature in Wales to-day, we are reminded
of Matthew Arnold's remarks about the lofty
and penetrating beauty of the ancient Welsh
and Cornish names, — Tintagel, Caernarvon,
and others. We used to think that there was
something of this "large utterance" in the
American Indian names; Pocahontas, Pow-
hatan, Manhattan, Mohawk, Pawnee, have a
high order of style about them. But too many
Indian names are composed of grunts and gut-
turals. There is a place in Pennsylvania called
Wapwallopen ; translated, this means War-
rior's Rest, which is pretty enough. Then there
are Mauch Chunk, Manuka Chunk, Tamenend,
Wissahickon — none of which would seem to
be conceived in the style of great poetry.
It is a sign of genius when a writer is as
much concerned in the selection of his names
as in the ordering of other words. Just what
makes the names appropriate or beautiful
would be difficult to say. Euphony counts for
much, association for much. But after all, it
is more or less of a mystery why Pembroke
should be a beautiful name and Hodgins an
ugly one; why Beatrice should be noble and
graceful, and Sophronisba a trifle ridiculous.
The taste of the best judges decides, and the
world comes around to their opinion. There
are three great divisions of names in fiction,
and the appropriate and beautiful form the
first. These, perhaps, give a writer the least
trouble. He has simply to select from the
large stock which use has approved. How
much of the effect of Horace's Odes is due to
the lovely Greek and Latin female names
which they enshrine! We must brighten up
our page with some of them, — Lydia, Lalage,
Myrtale, Phryne, Glycera, Terentia, Cynara,
Chloe, Pyrrha, Leuconoe, Tyndaris, Barine,
Asteria. Such names have the perfection of
the classic world. They sound like fountains
rippling over marble; they gleam like moon-
light in old gardens. The names of Shake-
speare's girls are far more richly colored, are
wilder, more full of romance. Rosalind, Juliet,
Viola, Miranda, Perdita, Portia, Beatrice,
Imogen, — these are double roses compared
with the Latin poet's simpler flowers. Shake-
speare was equally fortunate in his men's
names. In his historic plays he came into the
inheritance of the Norman-English nomencla-
ture, than which there has never been anything
more impressive. In his other plays an almost
infallible taste guided him in his selection of
names. Sometimes, indeed, we think he picked
out stories for the sake of the names. His first
child, born before he left Stratford, was named
Hamnet. Was he already brooding over the
Danish Prince, or did he choose that subject
because of his son? Scott, also, came into a
commodity of good names: Waverley (who
almost gave his name to an epoch), Redgaunt-
let, Montrose, Douglas, Marmion. Surely
names were more splendid in those old days
! than now, — they were like banners flung upon
1915]
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327
the air. The old lady who thrilled at the
sound of the blessed name Mesopotamia was
certainly not alone in her love for lofty appel-
lations. And when names are concatenated in
poetry, as they are in passages of Milton, Mar-
lowe, Scott, they can move most readers still
by their inspiring harmony. To the English
lyric poets, names are almost the captain jew-
els in their carcanets of words. Lovelace,
Burns, Shelley, Tennyson, all lift up single
names until they glow like stars. Lander's
immortality is perhaps best assured by the
eight lines which exhale the fragrance of that
perfect name, Rose Aylmer.
The second division of fiction names is that
of the perfectly characteristic; and here the
writer has to labor terribly. We are told how
Balzac used to ride around Paris studying the
shop signs, in search of a name for some char-
acter he had in mind. Dickens turned and
twisted his names, until by some subtle instinct
he recognized that he had the right one. When
this did arrive it was a stroke of genius; it
was half the battle. It was like adding the
necessary chemical to a solution, — the char-
acter was the precipitate. Would it be possi-
ble to imagine Sairey Gamp, Dick Swiveller,
the Wellers, Micawber, or Pecksniff under
other names? It is hardly necessary to read
the novels to have some idea of these person-
ages. At their very best, such names become
proverbial. Don Quixote's name has been
made into a noun and an adjective. Shandy-
ism is the label of a certain quality of humor.
The Pickwickian sense excuses everything.
Here, again, the reason for the fitness of the
cognomen is a mystery. Why should Quilp be
the pre-ordained name for Dickens's funniest
fiend? Why should "My Uncle Toby" ex-
press so much of simplicity and good nature?
The third species of names in fiction are
those exploited in the "comedy of humor."
Compared with the perfectly characteristic
ones, they are like a ready-made suit of clothes
beside one made to order. They are created
by simply labelling your personage with the
name of a certain quality. He is introduced as
the embodiment of an abstract idea. It is an
easy way to give a character a start in life;
and if he or she wakes up and becomes a real
human being, there is no great harm in it. The
great successes in the characteristic nomencla-
ture are comparatively few ; in the nomencla-
ture of humor, they are many. For they not
only pervade the old comedy from Ben Jonson
down to Sheridan, but Shakespeare, the great
essayists, and the novelists are full of them.
In Shakespeare, side by side with such char-
acteristic cognomens as Falstaff, Caliban, Mrs.
Quickly, we have Pistol, Sir Toby Belch, Shal-
low, and Slender. A vast number of the people
in Scott, Dickens, and the lesser novelists have
artificial names of this kind.
It may be objected that we are making a
great deal out of nothings, — that names are
mere airy breath and have no reality or fitness
or prophecy in them. The Neo-Platonists
made the Logos, the word, the beginning of
everything. The hero of Poe's story, " The
Power of Words," breathes a new star into
words simply by naming it. We think there
is hardly any reform which would work more
good in the world than one by which the whole
race would gradually come to possess appropri-
ately beautiful or majestic names. However,
there is always a danger that the christening
may come to naught. Miss Mitford tells a
story of a couple named Rose. They had a
daughter whom they thought it would be poeti-
cal to name Wild. This did very well until
she grew up and married a man named Bull.
CHARLES LEONARD MOORE.
CASUAL COMMENT.
ONE WHO LIVED THE LIFE OP A POET, faithful
in thought and word and deed to a poet's
ideals, has lately passed from among us with
little public demonstration of grief at his go-
ing. Those who have read Mrs. John Albee's
"Mountain Playmates" will retain pleasant
memories of the poet and nature-lover whose
name, with that of his wife, has made Pequa-
ket, in the New Hampshire hills, a place of
peculiar interest and charm on the map of
New England ; for here has been the Albees'
summer home, as also at times their winter
home, and here both books and Abnakee rugs
have been called into being in a memorable
manner, concerning which there will be found
some notable chapters in " The Gleam," from
Mrs. Albee's pen. Mr. Albee's books include
"Literary Art," "Poems," "Newcastle, His-
toric and Picturesque," " Prose Idylls," " Re-
membrances of Emerson," "Lake Chocorua,""
"Confessions of Boyhood," and a life of
Henry Dexter, the sculptor. He was born at
Bellingham, Mass., April 3, 1833, was edu-
cated at Phillips Academy, Andover, and the
Harvard Divinity School, and preached for a
short time — long enough to discover that he
had greater aptitude for poetry than for pul-
328
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i. April 29
pit-pounding — after which he lived for many
years at Newcastle, an island settlement off
the coast of New Hampshire near Portsmouth ;
and it is this little place that he has celebrated
in one of the most attractive of town histories,
a work which his friend Mr. Sanborn, of Con-
cord, speaks of as "more resembling Hesiod's
recollections of Ascra than Felt's 'Annals of
Salem.' " His debt to Emerson, a kindred
soul who like himself had found the pulpit
untenable, may be partly learned from the
fifth book in the foregoing list. The poet's
later years were years of painful illness, cheer-
fully borne, of enforced seclusion, submitted
to with contentment, though the recluse en-
joyed society and was fitted to be its orna-
ment, of failure to reap any adequate fruits
from his literary industry, but of no depar-
ture, through it all, from the modest dignity
of bearing becoming one who was, in the best
sense of that term, the captain of his soul.
• • •
THE FOUNT OF FICTIVE TEARS, in which the
sane and sensible Katie Willows was not wont
to dabble, has nevertheless a certain unde-
niable charm for many other equally normal
and healthy representatives of young girl-
hood. Juvenile readers take their fiction in
tremendous earnest, and rather resent than
enjoy any appeal to their still undeveloped
sense of humor. Those who have had expe-
rience in reading or telling stories to children
will appreciate an article in the current
" Library Journal " on " The Foreign Child
and the Book," by Miss Aniela Poray, who
evidently knows whereof she writes. "Both
boys and girls," she has observed, " care very
little for humor in their reading, for it hardly
comes in their scheme of life. A common
request from girls is for weepy stories. They
like ' Sara Crewe ' for many reasons, but the
fact that it is sad and pathetic is the greatest
attraction. When books of appealing human
sympathies can be found which combine also
literary merit, all is well ; but when this crav-
ing for weepiness seeks satisfaction in such
lollipop books as those of Nina Rhoades, the
librarian has a hard task before her. It is not
easy to persuade and convince the little girl
that not having Nina Rhoades there may be
something else that she would like as well.
With apologies to Dickens, I found him an
excellent alternate for Nina Rhoades and oth-
ers of her kind. The stories of little Paul
Dombey, David Copperfield, Oliver Twist, and
Little Nell are pathetic, and the strange En-
glish setting is forgotten in the meeting of a
familiar type." With both boys and girls of
foreign extraction this authority has found
Lincoln to be a prime favorite in biography.
" They have reverence akin to awe for Wash-
ington, they admire the military prowess of
Dewey or Grant, but Lincoln they love."
There is certainly no morbid craving for the
lachrymose in the small boy's eagerness for a
new book about Lincoln, which when he has
found and read with approval he recommends
to the other boys with a " Gee, it's great! "
• • •
GERMANY'S APPRECIATION OF SHAKESPEARE
seems not to have suffered very much from her
present rupture with Shakespeare's country.
When the "Tageblatt" of Berlin not long ago
solicited the opinion of German scholars and
men of letters as to what books were best
adapted to current tastes and needs, the au-
thor to receive the most votes was found to be
Shakespeare. His "Henry V." led the list,
and it is worth noting that it was immediately
followed by three other English works, — Sir
Sidney Lee's "Life of Edward VII.," Seeley's
account of "The Expansion of England,"
and McCarthy 's ' ' History of Our Own Times. ' '
German interest, naturally a somewhat ma-
levolent interest just now, in the three last-
named works is not hard to understand ; but in
German admiration for the spirited historical
drama mentioned above one sees something
very different. In the Bishop of Ely's ex-
hortation to the young monarch beginning,
" Awake remembrance of these valiant dead
And with your puissant arm renew their feats :
You are their heir ; you sit upon their throne/'
it is not difficult to shift the scene and imagine
the apostrophe addressed to the heir of the
Great Elector, of Frederick II., and of Will-
iam I., especially as the purpose of the appeal
is to arouse the king to war against France.
As was declared by Professor Brandl of the
University of Berlin, this play is an inspir-
iting thing to read when there comes the call
to arms. He is further reported as saying:
"All that Shakespeare says of his Henry is
applicable to our Kaiser, and the aggressive
humor with which he treats the French does
particular good in these days. ' ' German schol-
arship has spent itself so unsparingly on
Shakespeare study that no one can fairly be-
grudge the Germans such comfort as they can
in present trials derive from his pages. It
even appeals to the sense of humor to find
them turning to their own use against En-
gland the greatest of England's poets.
• • •
THE READING OF SCHOOL CHILDREN tends to
become, in these opening days of the ever-
inviting outdoor season, a negligible quantity ;
and this is in great part as it should be. Still
the problem of how to bring together at the
psychological moment the child and the book
1915]
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329
he most needs loses none of its importance
with the shifting of the seasons. At the
Library School in Albany, as explained in the
current record of things accomplished there
during the past year, added attention is given
to this question in a newly established "li-
brary institute open only to district superin-
tendents of schools." This is one branch
merely of the regular summer activity of the
New York State Library School, and the ses-
sions were attended by thirty-one superin-
tendents, who took an energetic part in the
discussions and showed a genuine interest in
the topics discussed. What aid the State
gives toward the furnishing of small school
libraries was learned in detail by those attend-
ing; and, further, as we are informed, "an
important feature was an exhibit, classified
by grades, of several hundred books suitable
for the first eight school grades. The prac-
tical character of this exhibit was shown by
the fact that a number of those in attendance
used it as a partial basis for books to be recom-
mended for purchase during the coming year."
Among the lectures delivered are to be noted
several on such generally interesting themes as
"What is Education and Who are Educated ?"
" The School Library in Agricultural Educa-
tion," and " Selection of Historical Material
for Schools," while to those who delight in
technicalities were offered instructive talks
on " Some Essentials of Cataloguing," " Clas-
sification of School Libraries," and kindred
subjects. ...
THE IMPROBABILITIES AND IMPOSSIBILITIES OF
FICTION surely need not be so numerous and so
glaring as they are. Creative authorship is
not incompatible with some degree of critical
sagacity even in regard to one's own inspira-
tions. Why should Trollope, to cite an old and
familiar instance, allow himself such absurdi-
ties as are encountered in his description of
the pecuniary embarrassments of the hero of
"Ralph the Heir"? Ralph Newton, a young
man of twenty-seven, has but recently run
through the greater part of a considerable for-
tune, and is reduced to the necessity of asking
credit from the tradesmen with whom he deals.
To his boot-maker he is represented to be in
debt to the extent of two hundred and seven-
teen pounds — a thousand dollars, approxi-
mately, for boots within perhaps two years!
And for leather riding breeches his debt to
Neefit of Conduit Street is equally absurd.
There is no excuse for this straining of the
reader's credulity. Sheer carelessness, or
wantonness, on the author's part, it must be
called. Of course it is a small matter; but
why wreck the verisimilitude of a good story
in this needless fashion? Again, 'to take an
example from current fiction, in "The Awak-
ening," by Henry Bordeaux (if that be the
author's real name), we read in the third
chapter about a certain "telegraphed letter"
which in very explicit terms is distinguished
from ordinary mail correspondence ; yet only
two pages later a person to whom the mes-
sage is handed for perusal is made to recog-
nize the sender's handwriting, "although it
was stiffer, firmer, with sudden flourishes and
unfinished letters." Apparently this com-
munication, so painstakingly impressed upon
us as a telegram, changes its character in a
twinkling and becomes an autograph docu-
ment. We have here to do with an old com-
plaint of novel-readers against novel-writers,
as old as novels themselves, no doubt ; but the
fact remains that it is just such disconcerting
tricks, or lapses, as this that make the judi-
cious novel-reader grieve.
...
ONE YEAR'S WORK OF OUR LARGEST PUBLIC
LIBRARY, epitomized in statistical form, makes
a showing that is, to say the least, impressive.
In the twelve months ending last December
the New York Public Library lent 9,516,482
books for home use, opened four new branch
libraries, added 201,805 volumes, supplied
83,319 books by inter-branch loans, served
1,267,879 readers in adults' reading-rooms,
lent 26,224 embossed books to blind readers,
lent 973,856 books by travelling libraries, lent
4,114,515 books to children, served 1,502,185
readers in the children's reading-rooms, con-
ducted 48 reading clubs for children, supplied
rooms for hundreds of public meetings, gave
away 300,000 copies of the "Branch Library
News," lent 649,727 books in 26 foreign lan-
guages; the Reference Department of the main
library served 711,122 readers, supplied for
reference use 2,127,328 books, added to its
collection 41,727 books and 2,320 pamphlets,
opened a Manuscript Division, held exhibitions
of etchings, prints, books, and manuscripts,
and answered thousands of questions by word
of mouth, by letter, or by telephone, through
the Information Division. The Municipal
Reference Library in the Municipal Building
was also taken in charge. With pardonable
pride New York now turns to the other great
cities of the world with the classic interroga-
tion, " Can you beat it ? "
A PRINTER WITH THE SPIRIT OF AN ARTIST
may raise typography almost to a fine art, if
not quite. As long as the world reads books it
will be interested in the Elzevirs and Aldine-;
and De Vinnes of the printing craft. The
famous English printer, John Baskerville, has
recently been made the subject of a rather
330
THE DIAL
[ April 29
notable study from the pen of Josiah Henry
Benton, LL.D., but the fact that the book
is privately printed will debar it from the
wider circulation it might otherwise have been
expected to attain. This Birmingham writing-
master and improver of the process of japan-
ning turned his manual dexterity to good
account, toward the middle of his fifth decade,
in designing and cutting type, and it was only
after becoming a type-founder that he devoted
himself to the allied industry of printing. The
story of his famous editions of Virgil and Hor-
ace and Milton and Addison, and many others,
is too long to tell here even in outline; but
from the concluding paragraph of Dr. Benton's
book a brief passage can be given. " What is
it," he asks, " that makes the life and work of
this middle-aged, vain, and silly Birmingham
Englishman interesting to us? Why do we
collect his imprints, and why do we talk about
him? I think it is because he had the true
artistic vision and courage. He conceived the
idea of a perfect book, such as had not been
printed in England. . . . He conceived the
book as an artist conceives a statue before he
strikes a blow with his chisel into the marble."
Baskerville made or supervised the making of
everything that went into his books ; he printed
of course on a hand press, and there was noth-
ing of the roar and rush of a modern printing
establishment in his little office, which was but
a room in his dwelling-house. Thoroughly an
artist in his chosen calling, he touched nothing
that he did not adorn in the field of printing
and book-manufacture.
• • •
GREEDY READERS give less offence than do
gluttonous eaters. Still it is an unpleasing
spectacle to behold a person in a public read-
ing-room sitting on a half-dozen of his favorite
magazines and holding as many more under
the periodical he happens to be reading at the
time. The unpleasantness is intensified when
perchance one has urgent need or compelling
desire to consult one of the pre-empted pub-
lications. At one of the branches of the Enoch
Pratt Free Library of Baltimore the younger
readers have developed a most astonishing in-
genuity in hiding their favorite books for
future use. From the current Report pre-
pared by Dr. Steiner — a rather notably inter-
esting contribution to this special department
of literature — we quote an incident as related
by the assistant to whose knowledge it came.
"One little girl," she writes, "came to me at
the close of the first day [after the opening of
the branch] and very proudly told me she had
put away enough good books to last her a week.
I tried to explain to her why this should not
be done, but she evidently did not view things
in the same light, because, when I was arrang-
ing the books the next morning, I found seven
copies of our most attractive fairy tales packed
very neatly behind a row of the Expositor's
Bible. ' ' By what precocity of shrewdness did
that child know that of all books the Bible was
the least likely to be disturbed ?
• • •
A WASHINGTON IRVING ANECDOTE, by no
means new, but perhaps all the better for its
seasoned quality, was appreciatively received
the other day by the students of the Hackley
School at Tarrytown, to whom Mr. George
Haven Putnam, son of Irving's publisher and
close friend, was relating some reminiscences
of the famous author. In his infancy Irving
had enjoyed the honor, or at least submitted
to it, of receiving the blessing of the great
man after whom he was named. "But you
cannot see the place where his sacred hands
touched my head," the one thus honored used
to add in his later years when he recounted
the incident; and the reason of this invisi-
bility was such a puzzle to the boy Putnam
that he questioned his father on the subject.
The answer, if not already known, will sug-
gest itself easily enough to anyone familiar
with Irving's portrait and the artist's rather
obvious indication of the distinguished au-
thor's indebtedness to his perruquier. This
story, recalling the quasi-godfatherly relation
of our first president to our first writer of more
than domestic repute, prompts the renewed
query why Irving should have habitually sup-
pressed the first element of his baptismal
name and not taken pride in calling himself
George Washington Irving. A letter of his,
written in Spain, is said to have recently come
to light with this full signature appended, in
proof that he had a good right thereto.
• • •
WHETTING THE READER'S APPETITE with
tempting titbits from an author's works may
seem inexpedient to most makers of library
catalogues, who naturally account it a suffi-
cient task to record fully and accurately a
book's author, title, place of publication, and
date, with any important peculiarities in its
mechanical make-up. Not so, however, does
the matter present itself to the compiler of the
monthly book-lists in the New York Public
Library's "Branch Library News," a late
number of which devotes a section to "Poets
of To-day" and not only names their chief
works but spares sufficient space to quote, in
most instances, an illustrative bit of verse
from those works. Moreover, the fair page of
this inviting catalogue is undeformed by any
Dewey or Cutter or other cabalistic symbol
denoting the book's place in the ranks of its
1915]
THE DIAL
331
fellows, so that one may the more sensibly feel
that one is reading, not a "finding-list," not a
mere inventory of goods, but an anthology.
Sixty-one contemporary poets are honored
with a place in this florilegium. The follow-
ing lines are from Mr. W. H. Davies's " Songs
of Joy " :
" Sing out my soul, thy songs of joy ;
Such as a happy bird will sing
Beneath a Rainbow's lovely arch
In early spring."
• • •
FROM GOWN TO KHAKI has of late been so
generally the rule at the English universities
that probably not a third of the customary
number of students are now in attendance at
Oxford and Cambridge, and those that still
pursue the pleasant paths of letters and learn-
ing at these seats of culture are said to be
chiefly our own Rhodes scholars or other
American students, East Indian seekers after
knowledge, and invalids very manifestly in-
capacitated for military service. An able-
bodied young Englishman would naturally
shrink from showing himself in academic at-
tire at this time; the training camp or the
battle-field is, unfortunately, likely to be the
scene of his activities for some months to
come. Amid the general economic waste of
the war must be reckoned the enforced idleness,
partial or entire, not only of workshops and
factories, but also of educational "plants" rep-
resenting incalculable investments of money
and talent and noble endeavor. "With English,
German, French, Belgian, Russian, Serbian,
and Austrian higher institutions of learning
thus reduced to more or less complete inactiv-
ity, who can any longer have a good word to
say for the " educational " influence of war ?
COMMUNICATIONS.
A CORRECTION— AND SOME OTHER MATTERS.
(To the Editor of THE DIAL.)
Perhaps I owe THE DIAL and its readers an apol-
ogy for a certain annoying slip of the pen which
occurred in my communication published in your
issue of March 18. In that number (page 198, line
5) the word " imperative " should have given way
to " imperfect." The error certainly escaped my
notice until it appeared in cold print; but the
reader who is sufficiently interested may make the
correction in his own copy, as I have done, and may
perhaps be charitable enough to ascribe it to such
a pre-occupation with the poetic subject that sub-
consciously I could not resist the temptation to
rhyme upon " narrative " the erratic " imperative."
Let me take this occasion for expressing my
agreement with Mr. Ralph Bronson, in the state-
ment contained in his communication on " War and
Poetry" in the above-mentioned issue, that "the
violently partisan spirit pervading most of the
verse of the present war is chiefly responsible for
its failure to measure up to high poetic standards."
The war verse appearing in " The Poetry Review "
of London, for instance, I think is largely of this
nature. Why elaborate in metre and rhyme, some-
times even in the most ambitious forms, what the
large generality of history may most likely over-
shadow, or prove untrue, within perhaps the next
generation? Poetry is the twin-Muse of history,
if not her elder sister, and scarcely lends herself
readily to argumentation and debate. Mr. W. N.
Ewer's poem, " Five Souls," although on the whole
a step in the right direction, to my mind gives forth
a certain cynical breath, which in true lyric poetry
is rather disturbing than agreeable, especially if
such lines strike us as being inclined to preach " the
essential folly of war." War is, or has so far been,
a permanent and indisputable fact of life, and we
have no assurance that it will not be as recurrent in
the future as it has been in the past. War cannot
so easily be spirited away out of human history,
and for that reason has almost as much right to be
considered and recognized as a fixity as has peace.
Anyone convinced of this cannot in the reading of
anti-bellum verse, feel the pure and unalloyed pleas-
ure which true poetry ought always to give.
Finally, I feel constrained to take friendly excep-
tion to the attitude expressed in this sentence from
your leading article, in the same issue : " The
sooner we recognize that life and literature are
separate businesses the sooner we shall begin to
produce something worth while in the latter field."
While I believe that the main principle here set
forth is indisputably sound, — namely, that litera-
ture, especially " absolute poetry," " must be more
or less removed from life," — it might be well not to
emphasize this axiom too strongly in that form just
at the present tune, when the unstable transition
period through which modern poetry is passing
would seem to demand that we show the close con-
nection between the " special language, movement,
ordering of words and atmosphere " of poetry.
Certain influential modern poets have already been
so thoroughly overwhelmed by the idea of the essen-
tial separateness between poetry and life, that they
are dangerously near to " prosifying " the classic
Muse of metre and rhyme. It would therefore seem
to be more feasible to demonstrate, if possible, the
close connection between poetry and the facts of
life: between the movements of life and those of
rhythm and metre; between the changing aspects
of life, and the heart and the soul, and the varied
order of words, of cadences, rhymes, and even
speech-sounds, in true poetry, as long as the latter
bears the unmistakable ear-marks of really being
such. Restrained freedom is the law of beautiful
living, of nature in her most pleasurable aspects,
and consequently also of true poetry. True poetry
is in itself a restraint on the " huge, confused, and
haphazard " mass of life's facts, and the supreme
task of the critic of poetry is the establishment of
some standard by which the fine balance between
the comparatively lawless freedom of life and its
often cruel restraints might be judged with some
accuracy, as well as sufficient flexibility; and not
only this, but the constant advocacy of the princi-
ple, that this free-restrained, beautiful balance of
life-facts be made more and more permanent, and
332
THE DIAL
[ April 29
kept inviolable, in the preservative pages of true
poetry. If our critic of the future could be great
enough even to approximate such a working crite-
rion of judgment, he might conclusively and con-
vincingly demonstrate the intimacy between life
and true poetry ; then he might really weigh in this
delicate balance all verse that came within his ken,
and cast aside what is found wanting ; and then he
might be an agent in preserving the purity of true
poetry unto the generations to come.
Louis C. MAEOLF.
Wilton Junction, Iowa, April 15, 1915.
LITERARY RECIPROCITY WITH THE LATIN
AMERICAS.
(To the Editor of THE DIAL.)
It seems singular that we who are embarked on
these two Western continents should be separated
by idea-proof bulkheads. The lanes of intellectual
communication all run east and west. Now that the
great war, like an iron curtain dropping to cut off
the conflagration on the stage from the audience in
the theatre, has measurably interrupted our com-
munications with Europe, perhaps we neighbors
will begin to pay some attention to each other.
I am moved to these remarks by a communication
from Senor Arturo R. de Carricarte, who has been
the most persevering friend American literature
has had in the countries south of us. In a review
first established at Vera Cruz and continued in
Cuba in the pages of the Havana " Figaro," and
more lately in the " Heraldo de Cuba," he has for
years reviewed and exploited American literature.
He has tried to break down the prejudices, literary
and political, of his countrymen and kin. He writes
that it is incredible how many books and articles
appear in the Latin Americas directed against the
United States. All the reactionaries in religion or
politics, and most of those who claim descent from
Spain or Portugal, are more or less inimical to us.
He thinks the present is a good time to break down
this hostility and inaugurate an intellectual confed-
eration between the Anglo-Saxon and Latin races
of America. I think he is right. Perhaps now that
Europe is closed to our globe-trotters and sight-
seers, the tide of travel may turn southward, and
people of culture may satisfy themselves as to the
interest of the Latin American countries and the
culture, courtesy, and charm of life to be found
there.
In this connection I have a suggestion to make in
regard to the name of our own country. We are
all Americans, North or South, as all the inhabi-
tants of Europe are Europeans. Over there, how-
ever, they make no account of this vague geograph-
ical title, but pin all their pride and patriotism on
their national names. It seems to us a case of
poverty, not a cause for pride, that we have no
national name. Our official appellation, " United
States of North America," is formidable enough,
but poetry is appalled at it and it must take up a
good deal of room on a passport. Nobody could
possibly use it affectionately or intimately. Why
should we not take the initial letters of this title
and turn it into a name — Usona. This would be
brief and musical, as are most of the great geo-
graphical and national names — Asia, Africa, Italy,
England, Spain, etc. And it would not be an inno-
vation, but merely an abbreviation of the old title.
We could call ourselves Usonians, which would be
a mellifluous and mouth-filling appellation. The
idea is a new one, — at least, I have never heard of
it before ; and it really seems worthy of considera-
tion, c. L. M.
New fork City, April 20, 1915.
A QUOTATION FROM SOPHOCLES IN
MEREDITH'S LETTERS.
(To the Editor of THE DIAL.)
In a letter from Box Hill, Dorking, 1901, to Lady
Ulrica Duncombe, George Meredith quotes lines
94-5 of Sophocles's " Trachiniae " (Roman letters).
They read as follows ("Letters of George Mere-
dith," Vol. II., p. 519) :
" Ou arola n&x enargomSna
Tiktei kateunasoi te phlogesomenai."
They should read thus (Jebb's text) :
" 'on aiola mix enarizomdna
tiktei kateunazei te phlogiz6menon."
Thus it will be seen that, in Meredith's version,
seven out of eight words contain errors.
These errors are due, however, not to Meredith's
ignorance of Greek; for Mr. S. S. McClure says in
his autobiography that Meredith recited long pas-
sages of the " Iliad " to him. They must be attribu-
ted, rather, to his obscure handwriting, of which
Mr. B. W. Matz has written in " George Meredith
as Publisher's Reader" ("Fortnightly Review,"
N. S. 86, p. 283, 1909).
The lines are translated in " The Nation's " re-
view of the "Letters" (December 5, 1912), as
follows :
" Whom spangled night, as she dies away,
Brings forth, and again lulls to sleep."
The last word of the quotation is therefore omitted,
and no comment on the incorrectness of the Greek
is offered. Other reviewers, as far as I can dis-
cover, take no notice of the passage.
WM. CHISLETT, JR.
Stanford University, Calif., April 15, 1915.
JEFFERSON'S ARCHITECTURAL WORK.
(To the Editor of THE DIAL.)
The writer, having been entrusted by the heirs
of the late Thomas Jefferson Coolidge, Jr., with
the publication of the architectural drawings of
Thomas Jefferson collected by him, and of an ac-
companying essay on Jefferson's architectural work,
is desirous of knowing of other drawings by Jeffer-
son which may be in other hands, and which he
might be given an opportunity to consult. He
would also be glad to know of relevant letters and
memoranda existing outside of the principal public
repositories of Jeffersoniana, and to secure photo-
graphs of buildings, locally believed to have been
designed by Jefferson, which may help to identify
studies for unknown buildings existing among
Jefferson's drawings. FISKE KIMBALL.
University of Michigan, April 20,
1915]
THE DIAL
333
OUR PAINTER OF THE SEA AND THE
SHORE.*
Everything that really adds to our knowl-
edge of American painting and our love and
appreciation of it is good, and especially
when it comes in such form as the essay by
Mr. Kenyon Cox in a now well-known series of
monographs on American painters. We have
spoken of these monographs several times and
of the excellence of their production, their
printing, and their pictures. The earlier vol-
umes have been on George Inness, Homer
Martin, and Ralph Blakelock, and there have
been additional numbers with more pictures
by Inness and by Martin. It is a pity that
these very useful books should be so expen-
sive, for the knowledge of American painting
should be as wide-spread as possible. But one
can hardly have a quarrel with the publishers
on that score, unless one should be willing to
guarantee (if in thought only) the disposal
of a popular edition. We should like to have
the public able to have and see the material
to be found in these handsome books, even in
less elegant form ; but it is doubtful whether
the public would back that desire in any sub-
stantial way. THE DIAL has also in previous
reviews expressed regret that these volumes
should not be furnished with some matters
that would be useful to the student, such as a
bibliography or a list of the artist's paintings.
But criticisms like these may be made (and
have been) on the whole series, and need not
be repeated now. The interest in the present
work lies in its presentation and estimate of
the work of Winslow Homer.
During the last years of his life, and since
his death in 1910, Winslow Homer has con-
stantly risen in general estimation. One of
the great figures of what may be called the
second period of American painting, he did
not come to artistic maturity until the end of
the last century. But when he did get to
the power of actual self-expression, he had
reached so strong and so original an artistic
personality that he became almost at once a
figure of the first rank. He was born in the
same decade as Whistler, Homer Martin, and
Wyant, and only a dozen years or so after
Inness, Fuller, and Hunt. But Homer did
not come to that power of expression by
which he is really known until he was fifty
years old. He was recognized early ; he was
elected to the National Academy before any
of those just named, who might be considered
* WINSLOW HOMER. By Kenyon Cox.
York : Frederic Fairchild Sherman.
Illustrated. New
his contemporaries. But the work that is now
deemed his best came later than the chief
work of those others, — indeed after the death
of several. Homer was one of an earlier gen-
eration lasting on into our own time, not with
decreasing power and impaired vigor, but
with a power and vigor that enabled him to
do his best work. And this is certainly a
noteworthy thing. In a generation of all sorts
of new ideas in artistic aim and technique, the
fame of so great a man as George Inness
varies; people who once admired him above
all will be found to be cold to his art. Homer
Martin was never popular in his life- time;
and if I can judge at all, he is not popular
now. Hunt and Fuller are not well known
by the average picture lover of to-day. But
Winslow Homer, who cared nothing for popu-
larity, and in his later years was apt to say
he cared nothing even for painting, would
seem to be growing in public estimation.
More of his pictures are seen in the great
collections; more is said and written of him.
There are, for instance, eight pictures by
Homer in the Metropolitan Museum of New
York, — which is more than there are of any
of the other artists just named, beside a dozen
remarkable water-colors. I would give them
all for my pick of the Innesses and the Homer
Martins; but that personal view has nothing
to do with the general interest that with little
doubt now holds Winslow Homer to be one of
the three greatest of our later American
painters (not living), the other two being
Whistler and Inness.
Such a position naturally offers reason for
such an estimate as that of Mr. Kenyon Cox's,
and for especial interest in it. How was it
that this painter who did nothing so wonder-
ful before 1885, say, should at a time when
his contemporaries were beginning to cease
production, be able to create work which
should gain for him a greater interest than
that of any of the others, and should do so at
a time full of new ideas in painting, both as
regards the thing painted and the way of
painting it?
Mr. Cox's essay is an estimate of Homer's
quality as a painter. He does not attempt a
study of Homer's life, but accepts the results
of the work of W. H. Downes, which appeared
shortly after the death of the painter. What
is of chief interest in his view, to my mind, is
that we have here the view of one painter by
another, put simply and in language that the
ordinary person can understand. Generally
when you talk with a painter about art or
artists he aids his explanation by gesture or
by painter's phrases, which give his criticism
a character, but make it hard to understand
334
THE DIAL
[April 29
except by others of the craft. Here is a view
of a wholly competent observer, expressed
with ease and force.
Winslow Homer was a man noteworthy in
his generation for the force and singleness of
aim with which he went about his business.
He saw much of American life ; in a country
town as well as in New York, in war as well
as in peace, in the great woods as well as on
the New England sea-shore. But he had
especially, or perhaps finally, a definite per-
ception such as no other American artist had
of the greatness and beauty of the sea and of
the lives lived on or near it. Other things he
painted too, but this was the thing he loved
and observed and studied and knew best. He
was something like Millet. Mr. Cox says:
" To paint a simple, every-day occurrence, a
part of the routine of life, and by one's treat-
ment of it to reveal its deeper implications and
make manifest the dignity and the romance of
the life of which it forms a part — that is
what Millet did for the tillers of the soil and
what Homer does for the fisherman and the
sailor."
And with this fully American aim and in-
terest Homer had such powers as enabled him
to paint fine pictures. He was direct; care-
less of convention, of talk, of considerations;
he wanted the real thing. Further (and here
Mr. Cox's professional testimony is of great
value) he was a remarkable master of observa-
tion, and saw things that no one else saw, and
painted things that no one else had painted.
So when he had settled with himself what he
wanted, — and it took him a good while to do
so, — he was apt to render it very truly, or at
least with a truth that people could appre-
ciate. Besides which he would make any
effort to render what he saw and indeed was
inclined to feel that his " art " consisted
merely in resolutely confining his painting to
what he saw. But however that was, he
desired his painting to grow out of his own
experience, for he studied with no one. And
here we need especially what Mr. Cox can
give us; for here the artist sees easily that
Homer had certain artistic gifts of which per-
sonally he was inclined to make slight ac-
count, chiefly the great gift or sense of design
and composition, so that he naturally painted
and selected in such a way as to give the.
things he painted the sense of life and move-
ment that is so remarkable in them.
Something like this is Mr. Cox's estimate of
Homer, and one can see that it makes him at
once an interesting man. We would not so
much comment upon the judgment, as present
it and call attention to it. Homer had a very
interesting and even a very American subject,
and he had a certain definite and exceptional
power. So now his pictures may stand clear
in our mind; he is a definite personality,
more so, I take it, than William M. Hunt,
who was a greater influence, or than George
Fuller, who to many is more delightful. Mr.
Cox, in looking over his contemporaries, thinks
of no personalities more striking than his,
except, as we have said, Whistler and Inness.
I should like to add Homer Martin, and would
be content to leave the four as representative
of painting in America in the generation be-
fore our own. I do not know who else ought
to be mentioned; Wyant, Tryon, Vedder,
Blakelock, La Farge, — we might think of one
or another for a moment, but they hardly
seem to me to belong with the four who have
been named. Of these four, much has been
written and printed on Whistler; this series
of monographs has presented worthy consid-
eration of the others. We shall watch with
interest to see who will be the next selection.
It may add to the value of these considera-
tions if I add that — perhaps owing to the
lack of them — I have never been able to care
much for the pictures of Winslow Homer.
Perhaps if I had been better instructed, if I
had had in mind the finer points of design, of
composition here spoken of, I might not be so
impressed as I am with some other things
that I feel in Winslow Homer's pictures. A
stray remark made about the " High Cliff "
when the Evans Collection was exhibited some
years ago, at the Union League Club I think,
gives opportunity for some explanation. The
critic noted "the actual quality of foamy
water, the soft yielding of it, the invertebrate
yet unconquerable weight that is its own."
If a sea-painter could render just those things
all would be impressed. But in those expres-
sions (excepting that about the weight of the
water) the critic seems to me to have picked
out just the qualities that Winslow Homer's
pictures do not have. His water to my eye
has by no means the actual quality of foamy
water, it is not soft or yielding; and if it is
invertebrate, it is more like the turtle than the
jelly-fish. But this feeling of mine — that
Winslow Homer is singularly stiff and solid
for a great painter — seems quite opposed to
the general opinion, and is certainly very
different from that of Mr. Cox. I shall not
pretend to a finer feeling than most, and I
shall certainly confess to smaller opportuni-
ties. But I cannot refrain from stating the
way it appears to me. And I urge anyone
who thinks I am wrong to go to the Metro-
politan Museum (or any other place where
there is a like opportunity; best would be
the National Gallery, Washington, where is
1915]
THE DIAL
335
the picture in question) and look at the sea-
pictures by Homer. Then if he has ever seen
the masses of the sea come thundering in
upon the rocks, he can form his own opinion.
Whichever way he decides, it is not probable
that Winslow Homer will care much. He felt
deeply the beauty and force and greatness of
the sea and the shore, and he rendered it with
all the power of his genius, and was content
to let it go at that. I would not say a word
which would prevent another seeing that
great spectacle as he saw it. And Mr. Cox
has said much that will help.
EDWARD E. HALE.
ELIZABETHAN TRAGIC TECHNIQUE.*
The study of dramatic technique which has
become so general of late has its unfortunate
side. It has been perverted. "We are well
enough pleased that courses of instruction
should be given, and books written, to pry into
the advantages and disadvantages of such mat-
ters as having the hero's cigar go out or the
phial shown suggestively three times over in
preparation for the drinking of the fatal
potion. We realize the need of good technical
workmanship and of the skilful use of theatri-
cal devices. But play writing has its strategy
as well as its tactics. Or, to put the distinction
in other words, the trivialities so often taken
for the whole of technique are only a part of
it ; necessary of course, but subsidiary, auxil-
iary; not the essential stuff of which great
plays are made. There is a mental as well as
a mechanical aspect of drama : an artist's prob-
lem as well as a juggler's problem ; a work for
creative imagination as well as a work for con-
triving judgment. Against the notion that
' ' technique ' ' is drama we positively rebel. As
well say that a sleight of hand mastery of allit-
eration, assonance, variety of pitch and pause,
can produce unaided an "Eve of St. Agnes";
or that an observance of the thou shalt's and
thou shalt not's of argumentation can produce
a "Reply to Hayne."
At a time of so much lecturing and writing
by those shrewd wits and little souls who fancy
that, since the tricks of the trade are necessary
to drama, drama is to be measured solely by its
employment of the tricks of the trade, it is
refreshing to find a painstaking study of the
technique of a great period in tragedy that
does not stop with external things. Dr.
Fansler's study, made under the direction of
Professor Thorndike, is not mindless of the-
atrical details ; neither is it tied down by them,
* THE EVOLUTION OF TECHNIC IN ELIZABETHAN TRAGEDY.
By Harriet Ely Fansler, Ph.D., Assistant Professor of En-
glish, University of the Philippines. Chicago : Row, Peterson
& Co.
like Gulliver by the cables of Lilliput. It is
a record and investigation of the successive
problems that confronted, not the mere crafts-
men, but the artists of varying greatness, who
wrought in Elizabethan days.
With fresh illustrations and orderly pro-
cedure, Dr. Fansler traces the evolution of the
elements in the dramatic heritage which fell
to Shakespeare. The religious drama was
formless, but it had good situations ; it was rich
in "acted scenes presenting a not inconsider-
able amount of realistic spectacle and making
a strong emotional appeal." Curious par-
allels are shown between some of these scenes
and scenes in Shakespeare. The religious
drama may also in part, through the promi-
nence it gave to the crucifixion, have caused
English tragedy, in much more nearly a uni-
versal way than Greek or Latin, to associate
death with the catastrophe. The Senecan
drama furnished a clear dramatic motive, usu-
ally the motive of revenge. Marlowe showed
the importance of the protagonist. The first
distinct mark of Shakespearean technique was
the development of the antagonist, who was
vested with individuality and an equal impor-
tance with the protagonist in the catastrophe
of "Richard III."
By far the greater portion of the book is
devoted to Shakespeare himself. His tech-
nique is presented as an evolution ; the trage-
dies are examined seriatim with reference to
large problems of dramatic art. Thus ' ' Julius
Cassar" is treated under the caption of "The
Rise and the Crisis-Emphasis, Including the
Tragic Incident. ' ' This somewhat formidable
title loses its terrors when we perceive certain
things. Brutus, though in part sharing with
Cassius, is regarded as the protagonist, and
the play is held to be " the first of our extant
tragedies in which we see the protagonist defi-
nitely and steadily rise to a single crisis deed,
willed by him, expected by the audience, and
elaborately executed in a well-organized scene
or scene-group, unpreceded by violent and dis-
tracting incidents." Hence the word "Rise"
in the chapter-title. The term "Crisis-
Emphasis ' ' is equally justified. ' ' Shakespeare
meant to set Antony forth as a retributive
antagonist of Brutus, not a contestant from
the beginning as Hereford with Richard, but
as one roused to action by a deed. . . . ' Julius
Caesar' is the first of Shakespeare's extant
tragedies in which there is clear evidence of a
consciousness of the crisis-emphasis as a func-
tional point of structure. ' '
There is the obvious risk that intentions will
be detected which were never in Shakespeare's
mind. Dr. Fansler obviates this in part by
warning us that artistic processes are not al-
336
[April 29
ways conscious. There is the possibility like-
wise that the validity of an idea depends upon
the point of view. Thus Freytag is attacked
for censuring Shakespeare because the scene
is not given wherein Antony decides to return
to Cleopatra. But were not two possible
effects open to Shakespeare, one through a
scene of decision, the other through the undi-
vided emotion of the catastrophe; and shall
we either praise or condemn absolutely, since
a choice was necessary and the emphasis had
to go one way or the other ? Finally, there is
the danger that aspects of a problem will be
overlooked. "The introduction of 'Macbeth'
is therefore so far better than that of 'Lear, ' '
says Dr. Fansler, " as it shows the protagonist
before the crisis in a rise long enough to assure
the spectator that the doer of the deed appre-
ciates his own act. . . . We see Macbeth rise
from thought to deed." In so far as this
statement commends the introduction of
"Macbeth," it will hold. But in so far as it
implies that the rash act of Lear should be
made deliberate, it is entirely at fault. Shake-
speare here had to do with stubborn material ;
with an act which was indispensable if the
play was to go on at all, and which yet was
unbelievable. The more he could inveigle his
audience into accepting it as a postulate, the
more he could turn attention from its inherent
improbability, the better the play would fare
and the surer sympathy the old king would
evoke. The introduction of "Lear" shows a
dexterous lessening of insuperable difficulties.
Many objections like this might be raised,
but in the majority of cases no definite conclu-
sion can be reached; tastes and interpreta-
tions will continue to vary. Dr. Fansler 's
study is a helpful one. Its opinions are not al-
ways new, but they are well-considered. Here
is its summary of Shakespeare's contribution :
"What, then, is a Shakespearean tragedy? Is
it a story ? Yes ; in the sense of ' a body of facts
of special significance.' All Elizabethan dramas
were stories. But a Shakespearean tragedy is not
primarily narrative. Its action is not narrative,
and herein is Shakespeare's distinction from all
predecessors. The action of a Shakespearean trag-
edy is the presentation through stage devices of the
issuing of events out of character and the issuing
of catastrophe for that character out of those
events. . . . Character-action is Shakespeare's con-
tribution to the world's dramatic literature. Char-
acter-action is Elizabethan tragic technic at its
supreme evolution. In a large sense it might be
said, for contrast, that Greek drama presents the
struggle of man with events super-beings create;
Senecan, the struggle of man with events fellow
beings create ; but Elizabethan, the struggle of man
with events his own being creates."
GARLAND GREEVER.
AMERICAN EXPAXSIOX ix THE FAR
WEST.*
It is not an easy matter to tell the story of
the annexation of Texas and the conquest of
New Mexico and California with full enthusi-
asm and endorsement, especially when one is
consciously supplementing the work of the
inimitable Roosevelt. Yet both these tasks
Professor McElroy has set himself in the four
hundred pages of his "Winning of the Far
West."
How far he has succeeded may be left to the
reader. But the important events and move-
ments which have a bearing on the far west-
ward expansion during the period of 1829 to
1867 are interestingly dealt with. Andrew
Jackson and Henry Clay are duly praised,
though the two leaders were diametrically
opposed to each other all their lives. That
Jackson was right in counselling and even in-
triguing for the annexation of Texas, and that
Clay was also right in opposing and intriguing
against the same movement, Professor McEl-
roy does not attempt to prove; though some
readers might think he had actually done this.
Sam Houston is another "hero" depicted as
doing pioneer service in the great cause of
American expansion — as if the expansion of
the United States were the most natural and
righteous things in the world. There is a bit
of chauvinism that reminds one of French-
German phraseology in the terms "crowning
glory" (p. 292) and "glorious conquest" (p.
297) with which the author describes 'the move-
ments of the American " army of invasion," as
though the very term invasion were not sug-
gestive of a wide departure from the national
professions.
Still one may not cavil at an author for
doing what everyone regards as lawful and
proper : writing anew an oft-told tale ; and in
general these chapters present in good form
and brief space what one finds more elabo-
rately in H. H. Bancroft's books, or more scien-
tifically (if one may use an awkward term) in
Professor Garrison's volume in the "American
Nation Series." Professor McElroy does not
attempt to be exhaustive or final, and hence
one must not apply the standards which might
be applied to more ambitious writers. His aim
is to re-present the subject, and to add to the
national interest in and admiration for the
leaders who brought such princely domains
under the ample folds of the American flag.
Of penetrating analysis or keen criticism of
the materials used there is little ; nor is there
anything " new."
* THE WINNING OF THE FAR WEST. By Robert McNutt
McElroy, Ph.D. Illustrated. New York : G. P. Putnam's Sons.
1915]
THE DIAL
An opportunity for adding something to the
store of our present knowledge of the far west-
ward movement was offered in the unrecog-
nized leadership of Robert Walker, and in the
amazing intrigues of the American diplomats
in Mexico during the period just preceding the
great war between the States. And there were
certain features of the Mexican War which a
more ambitious hand might have essayed to
describe, though the author's story of Nicholas
Trist and General Scott is interesting and
trustworthy.
The following exchange of compliments be-
tween General Scott and Nicholas Trist, the
envoy of the Government, makes amusing
reading now, though it must have been exas-
perating indeed to the President, who would
not punish either party. Scott : " I see that
the Secretary of War proposes to degrade me,
by requiring that I, commander of this army,
shall defer to you, the chief clerk of the De-
partment of State, the question of continuing
or discontinuing hostilities." Trist: "You
will now, Sir, I trust, understand that greatly
deficient in wisdom as the present (and indeed
any democratic) administration of the govern-
ment must necessarily be, it has not fallen into
so egregious a blunder as to make the trans-
mission and delivery of that communication
[a message to the Mexican Minister of Foreign
Affairs] dependent upon the amiable affabil-
ity and gracious condescension of General
Winfield Scott." Few presidents of the United
States ever contended with so many recalci-
trant or unruly spirits as did James K. Polk.
One recalls Scott, who openly snubbed the
chief executive more than once; Senator
Benton, who demanded of him almost impos-
sible things; and Commodore Stockton, who
declared in public addresses that nothing less
than the annexation of all Mexico would sat-
isfy any sensible man. Polk could not remove
Scott, lest Benton, a civilian without military
experience, should force his own nomination to
the vacancy; nor could he punish naval and
army officers who clamored in public addresses
for governmental action wholly inconsistent
with the President's policy. Eeally we have
fallen upon better times.
A most interesting subject is this of the win-
ning of the far west; but only a philosopher
or an historian without national or sectional
bias could possibly treat it aright. Think of
Colonel Roosevelt describing the fall of the
Alamo or the storming of Chapultepec, the
" imbecility of Polk," or the " asinine stupid-
ity " of those who defeated the plan for United
States control of the Panama canal zone in
1846 ! Of course, Professor McElroy does not
attempt the finality of Roosevelt, and conse-
quently he leaves the reader in doubt now and
then as to whether it was " manifest destiny "
or something worse that dictated the course of
our national evolution. To say that the story
of the period still remains to be told is not to
say that this book is a bad one; on the con-
trary, it is a handy and a reasonably accurate
work- WILLIAM E. DODD.
AMERICA AND THE GREAT WAR.*
As the stream of books pertaining to the
war flows from the presses of Europe and
America it brings at intervals a volume which
by reason of the vigor of its thought and the
force of its language stands some chance of
retaining a place in the literature of the sub-
ject a decade hence. Unquestionably, one such
book is Mr. Roosevelt's "America and the
World War." Not that what the ex-President
has written will commend itself to all classes
of people. The " peace prattlers," as the paci-
vists are contemptuously denominated, will
find small comfort in it ; and the defenders of
the foreign policy of the Wilson Administra-
tion will not enjoy the flaying which is admin-
istered to them. The book may be admitted
at once to be partisan in tone and at some
points distinctly unfair. Nevertheless, as a
straight-from-the-shoulder exposition of the
elements of strength and weakness in the pres-
ent position of the United States, by a writer
whose opportunities to acquire knowledge of
the subject have been unsurpassed, Mr. Roose-
| velt's volume must be regarded as one which
j challenges the attention of every serious-
| minded citizen. It is a book which, at the
least, should be provocative of thought and of
discussion. The course of the author's argu-
ment can be indicated in a few words. The
United States should be equally friendly to all
European peoples "while they behave well,"
and should be considerate of the rights of each
of them. Peace is ardently to be desired, but
only as the handmaid of righteousness. The
peace congresses, and the other activities of the
* AMERICA AND THE WORLD WAR. By Theodore Roosevelt
New York : Charles Scribner's Sons.
THE PR_ESENT MILITARY SITUATION IN THE UNITED STATES.
By Francis V. Greene. New York : Charles Scribner's Sons.
ARE WE READY? By Howard D. Wheeler. Illustrated.
Boston : Houghton Mifflin Co.
PAN-AMERICANISM. A Forecast of the Inevitable Clash
between the United States and Europe's Victor. By Roland
G. Usher. New York : The Century Co.
THE EVIDENCE IN THE CASE. By James M. Beck. New
York: G. P. Putnam's Sons.
ONE AMERICAN'S OPINION OF THE EUROPEAN WAR. An
Answer to Germany's Appeals. By Frederick W. Whitridge.
New York : E. P. Dutton & Co.
CAN GERMANY WIN? The Resources and Aspirations of
Its People. By an American. New York: G. P. Putnam's
Sons.
THE PEACE AND AMERICA. By Hugo Munsterberg. New
York: D. Appleton & Co.
THE WORLD WAR. How It Looks to the Nations Involved
and What It Means to Us. By Elbert F. Baldwin. New York :
The Macmillan Co. , ;
338
THE DIAL
[April 29
" ultra-pacivists " during a generation past,
have amounted to " precisely and exactly
nothing in advancing the cause of peace."
All-inclusive arbitration treaties of the kind
hitherto proposed and enacted are utterly
worthless, are hostile to righteousness and
detrimental to peace. " From the international
standpoint the essential thing to do is effec-
tively to put the combined power of civiliza-
tion back of the collective purpose of civiliza-
tion to secure justice. This can be achieved
only by a world league for the peace of right-
eousness, which would guarantee to enforce by
the combined strength of all the nations the
decrees of a competent and impartial court
against any recalcitrant and offending nation.
Only in this way will treaties become serious
documents." Such a world league for peace
is not now in prospect. Until it can be brought
about, the prime necessity for every free and
liberty-loving nation is to keep itself in a state
of preparedness such as to be able to defend
by its own strength both its honor and its vital
interest. " The most important lesson for the
United States to learn from the present war
is the vital need that it shall at once take steps
thus to prepare." The preparation which
the author advocates includes the immediate
strengthening of the navy, the enlargement of
the regular army and the establishment of
a reserve, and the inauguration of a certain
amount of military training for all the young
men of the country, after the manner prac-
ticed in Switzerland.
A more temperate plea on the same lines is
contained in General Greene's " Present Mili-
tary Situation in the United States." This
little book consists principally of an address
delivered some months ago in Portland, Maine,
at the request of the Economic Club of that
city. In it the author recognizes that the hab-
itual indisposition of the American people to
think seriously upon the question of national
defense has been both natural and inevitable.
The chances of war have ever been, as they
have been deemed, remote, and social and eco-
nomic problems without number have usually
seemed much more pressing. Within the past
months, however, as was true in 1898, our peo-
ple have had their eyes opened to the fact, not
only that war is not obsolete, but that the
United States may well be less immune from
its ravages than had been supposed. General
Greene asks simply that the occasion be taken
advantage of to reckon up the facts of the
existing situation and to derive any lessons
that may be contained in them. " There is no
need," he says, "of excitement about it, no
cause for hysteria. We do not need and will
not have in this country an army of 700,000
men, as some ill-balanced enthusiasts demand ;
we are not compelled to, and we will not, enter
the battleship race of England and Germany.
England must run this race — or die. We are
not so situated, and it would be supreme folly
for us to waste our resources or our thoughts
in any such contest." It is the judgment of
the author that, notwithstanding the happen-
ings of recent months, and barring a clash
with Mexico, which would amount to little
more than the exercise of police duty by our
present forces, the possibility of a war in
which the United States should be engaged is
still remote. From Japan there is, he believes,
very little danger; at any rate, if war with
that country comes, it will be " made in Amer-
ica." Still, there is a possibility of a Japanese
clash, even as there is an insignificant chance
of a conflict with one or both of the other two
nations "whose attack would be serious" —
Germany and Great Britain. Arbitration has
been proved to be not a cure-all. And, despite
present appearances, we must yet believe that
military preparedness, up to a certain point,
does in the long run operate to prevent war.
The conclusion at which the author arrives is
that Congress, supported by the sentiment of
the country, should accede to the requests con-
tained in the last annual report of Secretary
Garrison by increasing the mobile forces to
50,000 men and by taking the first steps
toward the creation of a reserve. To any per-
son desiring a temperate and well-informed
presentation of our actual military status, such
as can be read and pondered over at a sitting,
this book can be commended.
A volume traversing similar ground, but in
a sketchy and somewhat frivolous manner, is
Mr. Howard D. Wheeler's "Are We Ready? "
The contents may have served some purpose
when printed as a series of articles in
"Harper's Weekly," but they were hardly
worth reproducing in book form. If one cares
for an imaginative record of an attack on New
York by "the enemy," lent vividness by a
lurid picture of Madison Square " after an
aerial raid," one will find it here.
The writers of the volumes thus far men-
tioned agree that at some time, and from some
source, the United States may be involved in
a great war. Professor Usher assumes more
confidently the role of the prophet and boldly
givesi his newest book the sub-title, "A Forecast
of the Inevitable Clash between the United
States and Europe's Victor." The United
States, he tells us, is now facing a crisis with-
out parallel in her history since the signing of
the Declaration of Independence. It is not
the causes of the European war that concern
us. It is the ending of it ; for, " whatever the
1915]
THE DIAL
339
result of this war may be, whoever wins it,
whenever it ends, the victor will be able to
threaten the United States, and, if he chooses,
to challenge our supremacy in the Western
Hemisphere." The decision which the United
States makes in relation to the questions thus
suddenly thrust upon her is to be big with
consequences. These questions, we are told,
cannot be evaded. There was a time when the
country was defended by its isolation rather
than by armies, and when we had little or no
motive for interfering in international poli-
tics. That day is past. Distance has been
annihilated, and with the extension of our
economic interests so that they cover the entire
world the pursuit of firm and even aggressive
policies has become a possibility, if not a
necessity. The United States has been drawn
into the broad current of international affairs,
and cannot expect longer to enjoy the advan-
tages of aloofness. The great bone of conten-
tion is to be Latin America. Of the two
powers which alone, so far as America is
concerned, can be victors in the war, Great
Britain and Germany, both are known to be de-
sirous of monopolizing Latin American trade ;
and both, in the event of triumph in the pres-
ent conflict, may be expected to be greedy for
political dominion south of Panama. With
the victor the United States will inevitably be
brought into conflict, and if there shall not be
war there will be, at the least, grave danger
of it. To have war it will not be necessary for
the United States to become an aggressor ; she
will need only to seek to maintain her present
policy of trade extension and political hege-
mony. The question of what, precisely, the
United States should do in the emergency that
now confronts her is propounded forcefully
and discussed at much length but not fully
answered. At least, it is answered negatively.
We are told that "we need not conclude of
necessity that armament is our true recourse " ;
although the whole drift of the author's argu-
ment leads to the conclusion that the defense
of the nation's economic interests means a
readiness to use force, and force means arma-
ment. Another suggested course is the organiz-
ing of a close Pan-American Confederation to
protect the Western Hemisphere against Eu-
rope's aggressor ; yet in a succession of chap-
ters which form the most carefully considered
portion of the book there is demonstrated in
convincing manner (if it required demonstra-
tion) the fact that differences of race, man-
ners, and temperament are so fundamental as
to preclude entirely the practicability of this
plan. Of criticisms which suggest themselves
to the reader, the most important relates to
Professor Usher's propensity for strong, and
even startling, statements. It is true that
assertions hardly less startling made in an
i earlier book have been verified beyond all rea-
j sonable expectation by the recent course of
{ events; also that in an appendix to the pres-
ent work Mr. Usher acknowledges freely the
necessary tentativeness of much of that which
is said in the discussion of contemporary
affairs. Nevertheless, in many portions of the
text the fault of incautious statement appears.
Issue may be taken with many specific asser-
tions made. In respect to the methods by
which her territorial dominion has been built
i up, the United States is given a bill which is
i too clean to be true. And in relation to the
| major premise of the book one may query
whether, after all, the war is likely to " destroy
that close balance of power in Europe upon
which our past immunity from European in-
terference has in large measure rested"; in
other words, whether there will arise from the
conflict any one "victor" so supremely tri-
umphant as to be disposed to cast about at
once, or soon, for a fresh field of conquest.
There would seem to be a considerable chance
that the ultimate outcome of the war will be
so inconclusive that the American situation
will not be greatly affected by it.
Among books written by Americans upon
the war in its more purely European aspects,
one of rather unique character is Mr. James
M. Beck's " The Evidence in the Case." Mr.
Beck is a lawyer, and he was a short while ago
Assistant Attorney-General of the United
States. In the present book he has brought to
bear his legal temperament and talent upon
the much discussed question of the moral re-
sponsibility for the war. He enumerates his
roster of witnesses — the sovereigns, diplo-
matic representatives, ministers, and other
official spokesmen of the various belligerent
nations. He then presents the record in the
case, — that is, the White Books, Yellow Books,
Gray Books, etc., and takes some account of
the question of suppressed evidence. Finally,
he examines critically the evidence and ar-
rives at conclusions concerning all of the im-
portant episodes and interchanges of the weeks
in which the war was started. The judgment
rendered is wholly adverse to Germany and
Austria, and doubtless by the partisans of
those powers it will be pronounced unsup-
ported and unjustifiable. It may be agreed
that it bears an appearance of conclusiveness
which neither Mr. Beck nor any other man can
really attain at the present juncture. Years,
and probably decades, will elapse before all
the evidence will be available and before the
" supreme court of civilization " will render
its final verdict upon the issues involved.
340
THE DIAL
[April 29
There have been published several other
American books less judicial in tone and simi-
larly anti-German. One is Mr. Frederick W.
Whitridge's "One American's Opinion of the
European War," which is taken up chiefly with
an explanation of the failure of the German ap-
peals for American sympathy. Another is the
anonymous volume, " Can Germany "Win ? "
The author of it, we are told, is an American
citizen who has " constantly been back and
forth to Germany since the beginning of the
war." The answer given to the question raised
in the title is that, while Germany can win, and
while she has unsuspected strength, the Allies
also can win, provided England shall nerve
herself to bear the brunt of the struggle. The
author predicts that the war will be prolonged
— that before it ends "there will have to be
put in the field armies which are as yet unre-
cruited and guns the designs for which have
not yet been made."
In his book entitled " The War and Amer-
ica," published last autumn, Professor Miin-
sterberg gave expression to his well-known
views concerning the righteousness of the
cause of his native land in the conflict now in
progress. In a volume just off the press,
" The Peace and America," he returns to the
subject and renews his plea for a change of
attitude on the part of Americans toward
German statecraft, and especially toward the
German Emperor. Intention or desire to be
scholarly is specifically disclaimed, and only a
purpose to be sincere is affirmed. Of sincerity
the book bears satisfactory evidence. But the
fact remains that it is simply a piece of special
pleading, and that it can hardly be expected to
change the opinions of any thinking person.
It exhibits an irrepressible tendency to glorify
Germany and everything German ; while non-
German nations and peoples come off with
mention only of their shortcomings. Such
writing can have little interest save as a dem-
onstration of how unscientific a scientific man,
upon occasion, can be ; and demonstrations of
this sort of thing have grown so numerous
within the past six months that they may be
supposed to have lost their power to cause
surprise or comment.
Finally may be mentioned a book of very
different character, Mr. Elbert F. Baldwin's
" The World War." Mr. Baldwin was in Eu-
rope at the outbreak of the war, and his book
comprises virtually a record of the occurrences
that came under his observation as he moved
from place to place, first on the Continent and
later in England. Many chapters of the vol-
ume were published in " The Outlook " shortly
after the events which they recount took place.
To one who desires a light sketch, in diary
form, of the earlier stages of the conflict, the
book may be commended. It comprises, not at
all a history, but an interesting record of the
impressions which Europe assembling in arms
made upon a well-informed and conscientious
American observer.
FREDERIC AUSTIN OGG.
SOME VARIED CONTRIBUTIONS TO
PSYCHOLOGY.*
The accumulations upon a reviewer's table,
with their chance conjunctions and opposi-
tions, may at a favorable moment reflect the
active trends and movements in the selected
sphere of knowledge, and in so far be pro-
phetic of its future development. In psychol-
ogy, the salient impression is one of diversity
— a symptom of fertility. The psychological
spirit is permeating inquiry in domains out-
side the psychological territory, and is assum-
ing new forms within it. In the technical field,
more critically conducted, more elaborately
equipped, and more ambitiously conceived
projects are under way. Applications to edu-
cation and to vocational pursuits are promi-
nent, while the amplification of the first aids
and the more advanced guides to the psycho-
logically inquisitive proceeds with the multi-
plication of chairs and students.
The most notable recent contribution is Mr.
Shand's book, "The Foundations of Charac-
ter: A Study of the Tendencies of the Emo-
tions and the Sentiments." Those familiar
with this writer's able papers in the English
philosophical journals will realize the value of
the systematic statement of his illuminating
conceptions. The position implied by several
psychologists, and nearly articulate in James,
was first distinctly enunciated by Mr. Shand
and disseminated by its incorporation into
Mr. MacDougall's " Social Psychology." The
principle is that the emotions and the instincts
of response form a mutually illuminating and
unitary system of expression and direction.
* THE FOUNDATIONS OF CHARACTER : A Study of the Tenden-
cies of the Emotions and the Sentiments. By Alexander F.
Shand. New York : The Macmillan Co.
BEHAVIOR. An Introduction to Comparative Psychology. By
John B. Watson. New York : Henry Holt & Co.
PSYCHOPATHOLOGY OF EVERYDAY LIFE. By Sigmund Freud,
LL.D. ; translated from the German, with Introduction, by
A. A. Brill. M.D. New York : The Macmillan Co.
FEEBLE-MINDEDNESS. Its Causes and Consequences. By
Henry Herbert Goddard, Ph.D. Illustrated. New York : The
Macmillan Co.
SCHOOL TRAINING OF DEFECTIVE CHILDREN. By Henry H.
Goddard. Yonkers-on-Hudson : World Book Co.
THK MENTAL HEALTH OF THE SCHOOL CHILD. By J. E.
Wallace Wallin, Ph.D. New Haven : Yale University Press.
RELIGIOUS CONFESSIONS AND CONFESSANTS. With a Chapter
on the History of Introspection. By Anna Robeson Burr.
Boston : Houghton Mifflin Co.
THE GREAT SOCIETY. A Psychological Analysis. By Gra-
ham Wallas. New York : The Macmillan Co.
PSYCHOLOGY, General and Applied. By Hugo Munsterberg.
New York : D. Appleton & Co.
INTRODUCTION TO GENERAL PSYCHOLOGY. By R. M. Ogden.
New York : Longmans, Green & Co.
1915]
THE DIAL
341
Fear is emotionally the flight (or other pro-
tective) response instinctively ; anger emotion-
ally is in terms of impulse a harder and more
determined assault. With this clue the emo-
tional nature finds its map in the organized
impulses. But the boundaries, though largely
natural features, are promptly rearranged by
the acquired affiliations of the psychological
realm. The wealth of impulses is their embar-
rassment and their redemption. Fusion and
competitions enter with increasing levels of
complication. Most distinctively the emotions
are played upon by intellectual elements and
the products of their elaboration. Emotions
thus mature as sentiments, and in that expan-
sion find an outlet and the direction of their
growth. Here and here alone, as the founda-
tion of the psychical life, is established also the
foundation of character, — its only authentic
psychological basis. Character is the total
aspect of the organization of the endowment,
and its focus is in the emotional life. A cen-
tral point in the elaboration of this position is
the clustering tendency of emotions and im-
pulses,— the manifold outlets and interactions
of psychic trends. Such organization produces
the system of the emotions and the system of
the sentiments. Emotions are primary as they
stand close to the definite regulation of vital
responses or participate in their regulation,
while about this original centre develop the
supporting trends in ever-enlarging spheres of
influence. In the secondary field lie the nice-
ties of psychological issues and the actual arena
of human qualities. With this admirable pro-
gramme, Mr. Shand has formulated a strong
statement. Yet the source of its strength is
also in a measure a hindrance, in that the fer-
tility of the theme has produced an expansion
of the material quite legitimate and interest-
ing but confusing. The book is really three in
one : a statement of the psychological develop-
ment of character and its central emotional
basis ; a descriptive and analytical account of
the varieties of emotional functioning; and a
diagnostic elaboration of the finer " aesthetic "
responsiveness of the sophisticated, particu-
larly the moral agent. Each of these interests
is well sustained, yet the singleness of purpose
suffers. Keen diagnosis and suggestive dis-
tinctions abound, and illustrations that really
illustrate support an argument that is always
adroitly handled. Yet so many principles are
formulated, so many excursions (some of them
discursive: hence a volume of five hundred
pages) are undertaken that the trail is readily
lost unless the reader is as keen in following as
the writer in leading. The value of the volume
lies in its psychological contribution to the
analysis of the emotional life — as a support of
character — on the basis of an illuminating,
clear, and definite analysis. Its place in the
standard literature of psychology is assured.
Professor Watson's volume sounds the
" Behaviorist " note as a challenge to the con-
servative psychologist. It also presents the
results of careful research on animal responses,
and a review of the present status of compara-
tive psychology. To the behaviorist, the stone
which the builders rejected has indeed become
the corner-stone of the temple. If psychology
will realize that consciousness is as dispensable
as the soul, and if psychologists will experi-
ment upon men as the behaviorists do upon
animals, some practical results will be availa-
ble and the lessons of psychology be respected.
In the experimental field the series of re-
searches reviewed, digested, and interpreted
show more convincingly than has yet been done
how rigid must be the conditions upon which
sound conclusions may be drawn, especially
when the object is to determine not alone how
animals behave but upon what orders and
varieties of distinctions their distinctive be-
havior is founded. The technique involved in
determining the color-perceptions of animals,
and in registering the manner of their learn-
ing their way through a maze, is an admirable
example of the logical rigor of modern psychol-
ogy. Professor Watson is an equally trust-
worthy guide in interpretation. His account
of the highest forms of training yet reached in
the animal mind is highly to be commended.
It includes consideration of the marvellous
horses whose performances are recorded in
weighty volumes, the trained dogs that find
equally enthusiastic champions, and the en-
gaging chimpanzee whose anthropoid manners
are quite deceptive. Yet all these stories carry
a wholly different flavor and bearing when
analyzed by the critical psychologist than
when told by the proud trainer. The source
of the satisfaction in believing that one's own
dog or horse or chimpanzee can do what no
other horse or dog or chimpanzee can do, is
itself a psychological trait worthy of explana-
tion. If one contrasts this masterly study of
Professor Watson's with such books — equally
representative in their day — as those of Bo-
manes, one appreciates the important advances
which this phase of the study of mind (or, to
satisfy the behaviorists, conduct) has made in
recent years.
No more striking contrast to the direct ob-
jectivism of the behaviorists could be found
than the involved subjectivism of the Freudian
tendency in psychology. Dr. Freud's thesis
has become a common topic of informal as well
as informed conversation, while the practice of
psycho-analysis caters to the interests of those
342
THE DIAL
[ April 29
fond of viewing personal details in an engag-
ing light. The thesis holds that trifles are
significant because uncensored, and that the
mind is a maze of suppressed and distorted
motives ; that lapses are not accidents but re-
pressions, usually with a sex clue; that dis-
agreeable things are put out of the mind to
hide the trace of our guilt, though it will out
when the psycho-analyst gets you. Dr. Freud's
" Psychopathology of Everyday Life " is now
accessible in a good translation made by Dr.
A. A. Brill of New York, a prominent repre-
sentative of the Freudian practitioners. The
volume carries the thesis to such common inci-
dents as forgetting a name, a foreign word, an
impression ; as mis-speaking and mis- writing ;
as doing things unintentionally, or other types
of lapses, faults, and habits. In all these there
is method in one's momentary madness, the
secret of which lies in the unconscious and
unsuspected if not disowned past, which is
retired in the interests of the present. The
thesis is attractive, though the details are often
tedious ; some parts of the book read like the
inflated notes of an ingenious mind. But is
this the true picture of the normal course of
the mind's daily habit ; and are we deceivers
ever, for lack of better subjects deceiving our-
selves? Doubtless privacy is essential to psy-
chical complexity, and reticence grows even to
an obsession in an ingrown mind. But to ban-
ish the casual from psychology is to deny it
small talk and vacations, and to make recrea-
tion a misnomer. A jest, it is true, often masks
a deeper purpose; and yet the spirit of it is
for the most part just fun. If sleep were
always a sojourn in a chamber of Freudian
dreams, it might be more restful to remain
awake; while with the best of intentions and
an adequate psychological insight many a psy-
chologist can find in his own errors and slips
and gaucheries nothing but stupidity, defec-
tive observation, brain wandering, and the
idlest of fancies. That a slight tinge of abnor-
mality may readily give the mind a Freudian
twist, or that an intellectual over-introspec-
tiveness not quite adequately supported by
critical control may do the same, is a plausible
view. But that such an occasional interlude
dominates or does anything but intrude seems
questionable. To certain temperaments, be-
tween the dark and the daylight of health or
mood there comes a lull in the mind's occupa-
tion that is known as the Freudian hour.
As painstaking as the studies of animal be-
havior are the records of the feeble-minded
contained in Dr. Henry H. Goddard's authori-
tative volume. The conspicuous lesson of the
three hundred and more cases of mental defect
here recorded is the inevitably hereditary char-
acter of the taint, and to a remarkable degree
(considering the complexity of the data) their
conformity to the requirements of Mendelian
heredity. The defect is of many degrees, and
is best expressed by the mental age as revealed
by special tests and general conduct. The idiot
has the mentality of a three-year old or even of
a less mature child ; imbecility carries on the
development to six or seven years; while the
lighter grades of defect and the moron show an
irregular capacity comparable in many re-
spects to that of a normal child of nine, ten, or
eleven years. Here development stops, though
physical growth (itself at times stunted) con-
tinues. Some cases deceive even the expert
teacher, and encourage him to look for a nearly
normal issue, when progress sets in ; but there
is always disappointment in the end. The
story stops and the limitations of heredity are
final. The moral of the silk purse and the
sow's ear remains. This lesson is an unwel-
come one to an optimistic democracy, to which
opportunity is a solvent or a magic potion,
and native ability a disturbing intrusion into
a well-ordered society of unobtrusive equals.
The lesson may be extended: for it implies
that for every score of high-grade defectives,
there must be hundreds of just higher endow-
ment who form the great armies of the dull
and dense to whom the work of the world must
be adjusted. It is the poor in intelligence that
we shall always have with us. The problem of
incompetence is scarcely as serious to the social
philanthropist as the problem of crime, so
much of which is due to mental defect. A
high-grade defective leads a safe life in the
sheltered environment of the Vineland School ;
the environment of a city dooms him utterly ;
and society pays the bill in the cost of crime
and institutional care. In this field the eu-
genic argument is convincing ; if we cannot as
yet secure the best parentage, we can cut off
the worst. Dr. Goddard's tables are illumi-
nating, as are in general his interpretations of
the several conditions which aggravate the
menace of mental defect. The modern note
dominates the volume, giving it the flavor of a
laboratory study, a case record, or a field
report.
Dr. Goddard has also reported upon the pro-
visions for " The School Training of Defective
Children," and the means to be taken for their
recognition and special consideration in the
public schools. Dr. Wallace Wallin's volume on
" The Mental Health of the School Child " con-
tains a series of careful studies (reprinted
from the technical magazines) dealing with
special aspects of the educational and the psy-
chological questions that arise in the care and
study of the mentally defective. Special at-
1915]
THE DIAL
343
tention is directed to the hereditary aspects of
the problems (eugenics), and to the corrective
measures (euthenics), that promise the relief
of these unfortunate conditions inherent in the
distribution of human quality.
The very title of Mrs. Burr's book, " Relig-
ious Confessions and Confessants," seems a
refutal of the Freudian principles of suppres-
sion, yet it is actually its complement. For the
relief which the psycho-analyst releases is by
way of confession, — by way of a verbal ex-
plicitness which, like the flow of tears, finds a
vent for pent-up tension. Nature and religion
are sympathetic psychologists. Mrs. Burr's
essay is an able venture in a difficult field. It
requires a comprehensive historical grasp of
the moving centuries and the setting which
they give to the documents in the case, and a
psychological grasp of the underlying affinities
of expression and mood, despite the local color
and the imposed limitations of their origin.
The result is a contribution of sterling value.
The written confession is a phase of the auto-
biographical intention (the subject of an ear-
lier volume by Mrs. Burr) which, if carried out
with Dantesque singleness of purpose, would
approach the inviolable sanctity of the psycho-
analytic moment. The tenuous duplicity is
involved in the intention to be read, — in the
extreme reaching Heine's satirical view of
feminine writers who are described as having
one eye on the manuscript and the other on a
man. The religious confessant has least temp-
tation to be a poseur; for despite the protean
type, he or she has the courage of self-knowl-
edge that divides between the lure of introspec-
tion and the shriving self-communion. The
most naive or candid or healthy-minded (as
James would say) of the confessants are the
Gurneys (one of the many Quaker records
which Mrs. Burr has incorporated in her re-
searches), for whom meditating and journal-
izing were the family dogmas ; the young ladies
of the family intermingle reflection upon God
and a future state with attention to very
worldly and innocent pleasures. The central
portion of the volume is inductive, and pre-
sents an array of data the interpretation of
which, despite the contrasting setting of time
and place and religious affiliation, results in
an orderly set of conclusions. The correlation
of feeble health with introspective intensity is
clear, as is also the special relation of periods
of decline in physical vigor with moments of
conversion. The encouragement of the environ-
ment, the strong hereditary trend, the precipi-
tation of the crisis by gripping experiences,
the vestigial character of the manifestations,
the influence of the group contagion, — all these
play a part in the genesis of the varieties of
religious experience of which the confessions
are an expression. The trends that lead to
mysticism, to introspective indulgence, to an
ascetic self-castigation, as well as those illus-
trating the abnormal hazards of the mind
(such as the witchcraft confessions and accusa-
tions) , further extend the scope of the inquiry.
By a discerning combination of the inductive
method — so variously fruitful in modern psy-
chology — with a sympathetic insight into the
significance of very complex phases of the
inner life conferred by a well-trained histori-
cal sense, Mrs. Burr has made a valuable con-
tribution to the psychology of the religious
life.
The strong if not dominant sociological
trend in recent psychology is well represented
by Mr. Graham Wallas's " The Great Society,"
which he properly terms "A Psychological
Analysis." The " great society " is the result
of the radical reconstruction of the forces of
social control brought about by the extension
of mechanical aids and economic development
and the insight into the forces responsible
for human progress. Conscious evolution has
replaced subconscious strivings and groping
subjection to forces beyond control because
beyond the ken of attained comprehension.
What remains permanent is the dominance of
the fundamental psychological trends which
have brought mankind slowly to the present
stage. Habit, fear, pleasure and pain, the so-
cial impulses leading to love and hatred, and
the trend of thought intertwining weakly
among them and in later stages supporting the
total growth, — these were and are the actual
forces competing in society for expression and
organization. As one or another of these origi-
nal trends is made central, there arise " habit "
societies and a " habit " psychology among the
students of human affairs ; similarly a " fear "
society and a " fear " psychology ; a " sympa-
thy" society and a "sympathy" psychology;
a " thought " society and a " thought " psychol-
ogy. Mr. Wallas's volume is a popular one,
and the theme is reduced to the sharp contrasts
alone possible when a coarse brush is used. The
effect is impressionistic but strong. It is signifi-
cant that a student of society finds it essential
to present his views on the basis of a careful
psychological analysis of the motive sources of
human conduct; though it must be admitted
that his strong interest in social trends of the
day make his transitions from principle to con-
clusion somewhat violent or detached. We all
look upon the tendencies operative here and
now through the powerful microscope of prac-
tical interest ; the corrective of the large evolu-
tionary distance is indispensable. Mr. Wallas's
practical motive is to influence opinion in the
344
THE DIAL
[April 29
organization of thought and will. The sociolo-
gist often runs away with the psychologist. It
is important that a book of this type shall be
available, because so many persons are busy
with one or another aspect of the problem of
social control, and these require a presenta-
tion suitable to their needs and habits of com-
prehension. In the . psychological view, the
European catastrophe (which, by the way, is
foreshadowed by Mr. Wallas with a startling
prophetic insight) is far less a battle of arma-
ments than a contest of ideals. The decision at
stake is the perspective of importance to be
assigned to the directive trends of human na-
ture in the socially matured system under
which life must proceed.
For the making of texts in psychology,
classes and publishers are largely responsible,
— unless the inadequacy of professors' salary
is the efficient cause. Such texts must usually
be reviewed from the pedagogical aspect : Will
the student mind accept them and profit by
their use ? It is safe to predict that whatever
Professor Miinsterberg writes will reflect the
fertility of his versatile endowment and the
comprehensiveness of his command of the sub-
ject. To the teacher of psychology his latest
text-book will be distinctly helpful. It is a
well-sustained presentation, and differs from
many texts in its inclusion of applied psychol-
ogy in a readable survey of education, law,
medicine, industry, and culture, as they em-
body psychological principles and their work-
ings. What is ordinarily incidentally noted in
connection with analysis is here brought to a
systematic presentation. As for the adapta-
bility of the text to the student, one man's view
or guess is doubtless no better than another's.
It seems to the present reviewer that the stu-
dent's reaction to this type of text will be
either neutral or belligerent. It seems pecu-
liarly neglectful of the psychology of the stu-
dent's mind ; and it errs in one essential respect
— an error almost scholastic in its temper:
namely, the insistence upon "methodology."
The division of "causal psychology" and
" purposive psychology," the contrast of " the
two psychologies," is the very basis of the book.
This is precisely what the student should not
be troubled with ; it is the teacher's business to
conceal the fact that he is troubled by it him-
self. It is in despite of the plan of the volume,
rather than by virtue of it, that the result is
valuable.
Professor Ogden writes his " Introduction to
General Psychology " with the literal purpose
of surveying the essentials of the field in the
briefest possible compass. This involves a sum-
mary manner throughout, even to the sugges-
tion of the replacement of the notes which a
brilliant student might adapt to his own pur-
poses. With the purpose so definitely con-
ceived, and the position (approximately that
of the Wiirzburg movement in psychology)
equally pronounced, the execution follows the
perspective of importance which the several
topics are assigned in the instructor's mind.
The divisions are clear : an analytical review ;
a synthetic construction ; an applicational sur-
vey. All this has been done with skill, patience,
discretion.
A survey, like the present review, which in-
cludes in one sheaf the psychology of charac-
ter, of obscure moments in every-day life, of
religious experience in autobiographical data,
of the defective classes, of the social move-
ments of the day and generation, is sufficient
to indicate the perplexities of the writer of
texts who wishes to present the established
doctrines and to reflect the current trends of
interest. JOSEPH JASTROW.
RECENT FICTION.*
Mr. Harrison has scored again with "An-
gela's Business," although not quite as effec-
tively as with its two predecessors. The hero
lives in some idyllic town where it is possible
for him to earn, as a private tutor, not merely
a living, but the means of providing for a
luxurious apartment, and the services of a
private secretary. He is also by way of being
a writer of novels and short stories, but as
these effusions are almost invariably returned
to him with complimentary regrets by unap-
preciative editors and publishers, they do not
contribute materially to the elucidation of the
economic mystery of his existence. The chief
subject of his researches as a fictionist is
Woman, which he thinks he understands in all
its manifestations, and he jots down felicitous
epigrams about it as they occur to him. He
eventually discovers that his psychology has
been superficial, and that intimate emotional
relations with individual specimens of the sex
must enter into a novelist's equipment before
he is really qualified to write about it. His
chief personal contacts are with the two speci-
mens Angela and Mary. The latter is a some-
what strenuous creature of the type commonly
known as "advanced," a teacher in the local
high school, whose chief ambition is to secure
the secretaryship of a national educational
organization. She is not presented in a very
alluring light, whereas Angela is charmingly
* ANGELA'S BUSINESS. By Henry Sydnor Harrison. Boston :
Houghton Mifflin Co.
RUGGLES OF RED GAP. By Harry Leon Wilson. New York :
Doubleday, Page & Co.
WHO GOES THERE! By Robert W. Chambers. New York:
D. Appleton & Co.
LITTLE COMRADE. A Tale of the Great War. By Burton E.
Stevenson. New York : Henry Holt & Co.
1915]
THE DIAL
345
feminine and appealing. Her " business," un-
blushingly avowed, is that of being a " home-
maker," which means that she is primarily bent
upon ensnaring a suitable male with whose aid
to construct the home of her imaginings. It
looks as if the hero were destined to become
her prey, but Mary is the one who finally car-
ries him off, a success to which we are not alto-
gether reconciled. The author brings this
about by a series of deft moves whereby Mary
grows upon us and Angela grows away from
us, the former developing hitherto unsuspected
qualities of womanliness, while the latter is
revealed as the embodiment of selfish calcula-
tion and insincerity. She does not exactly
appear in the character of a minx or a cat, but
her development is obviously tending in that
direction at the time when the hero discovers
that Mary is the realization of his ideals, and
informs her of the conclusion that he has
reached. The manner in which this story is
related is sparkling and whimsical; it is far
from being a remarkable novel in any serious
sense, but it is undeniably an entertaining one.
" Ruggles of Red Gap," by Mr. Harry Leon
Wilson, is the story of an English valet trans-
planted to the wilds of western America. His
master, the Honorable George (surname unin-
dicated) , enticed into a game of " drawing
poker " by some Americans visiting in London,
stakes Ruggles and loses him, which means
that the valet must depart with his new master
for Red Gap, which seems to be a metropolis
situated among the Rocky Mountains. The
saying that men change their skies but not
their souls is measurably illustrated by Rug-
gles's career in his new surroundings, but he
finds himself, despite his efforts to keep his
place, elevated by circumstance into a social
position of some consequence in Red Gap, and
when we take leave of him, he is by way of
developing into a passable imitation of an
American citizen. His experiences are sur-
prising, and often farcical, but he remains un-
perturbed by a rise in the world of which he
could not have dreamed in the early days be-
fore he became the arbiter elegantiarum of
Red Gap society. The story abounds in a
species of humor of which the following is a
typical specimen :
u I gathered at once that the Americans have
actually named one of our colonies ' Washington '
after the rebel George Washington, though one
would have thought that the indelicacy of this
would have been only too apparent. But, then, I
recalled as well the city where their so-called par-
liament assembles, Washington, D. C. Doubtless
the initials indicate that it was named in ' honour '
of another member of this notorious family. I
could not but reflect how shocked our King would
be to learn of this effrontery."
A little of this sort of thing goes a long way,
and such humor rather palls when supplied in
the generous measure with which Mr. Wilson
bestows it upon us.
It will be a long time before we get the real
fiction of the great war — such work, for ex-
ample, as " Richard Dehan " and Mr. Frederick
Palmer have it in them to write. Meanwhile,
those among our novelists whose aim is pri-
marily entertainment are rapidly seizing the
new opportunity, and giving us episodical tales
of essentially private and sentimental interest,
having the war as a decorative background.
Such stories are the "Who Goes There!" of
Mr. Chambers and the "Little Comrade" of
Mr. Stevenson. The former is the more serious
and full-bodied of the two, but we expect
something much better of the writer to whom
we owe the series based upon the Franco-
Prussian War and the American Revolution.
Mr. Chambers puts his historical judgments of
the war into three prefatory pages of prose
and verse, leaving them otherwise to be in-
ferred from the action of the romance that
follows. His verse yields such a picture as
this of martyred Belgium :
" Withered the magic gardens which were mine ;
Eden, in embers, blackens in the sun ;
Rooting amid crushed roses the Wild Swine
Still root, and spare not one."
In his prose he gives a succinct statement of
the reasons why America can have no sym-
pathy for the German cause, concluding with
these words: "We know that the cause of
Imperial Germany is wrong; her civilization
is founded on propositions impossible for any
American to accept ; her aims, ambitions, and
ideals are antagonistic to the progress of com-
munal and individual liberty as we understand
the terms. And that settles the matter for us."
The hero of " Who Goes There ! " is an Amer-
ican of Belgian descent, who is about to take
his place in the Belgian army when the coun-
try of his ancestry is violated by the barbarian.
Taken prisoner by General Baron von Reiter,
he is reprieved on the condition that he will go
to England and rescue the General's ward, and
escort her to his Luxembourg estate. Failing
this, he promises, like Regulus, to come back
and be shot. He finds the young woman, and
sets out with her for the Continent. But she is
already under suspicion of being a German
spy, and has, in fact, certain important' papers
revealing the whereabouts of the English fleet
and other matters. Every step of the journey
is dogged, and there are many exciting escapes
from arrest. As for the compromising papers,
the hero gains possession of them, and thus
prevents them from falling into the hands of
the enemy. The General, who has hoped to
346
THE DIAL
[April 29
wed the young woman, finds, when they meet,
that the American has stolen her heart, and, in
a hand-to-hand encounter, is badly wounded.
Thereupon, with incredible magnanimity, he
relinquishes his suit, and provides the lovers
with every facility for going over the lines
into Belgium. The expected happy romantic
ending is inferred rather than portrayed. The
story has an excess of the conversational pad-
ding at which Mr. Chambers is an adept, but
it has also much dramatic action and a quan-
tum satis of sentimental interest.
Mr. Stevenson's story is of the thinnest tex-
ture, and is also concerned with the romance
of an American hero and a beautiful spy.
This girl is from Strasbourg, and has in her
possession some plans of the fortifications at
Metz, which she hopes to place in the hands of
General Joffre. The police are on her track,
and she flings herself into the arms of the
American hero, a surgeon on his way home
from Vienna, and caught in Aachen at the out-
break of the war. A deft manipulation of his
passport adds to his name the words " accom-
panied by his wife," and upon this pretence,
she persuades him to extend to her his protec-
tion. The pair have a lively time in getting
across the Belgian frontier, and have to hide
in wheat-fields and gullies, make forced
marches by night, and swim the Meuse. They
are both wounded, but evade capture, and the
hero takes the plans to the French camp, where
the invisible ink is made to yield up its secrets.
We leave the heroine in a German hospital,
where she is being nursed back to health with-
out any suspicion of her real character on the
part of the authorities, and we are left to
imagine the reunion with the man to whom she
owes her safety. She makes a very charming
and resourceful heroine, and the ingenuity
with which she extricates herself from difficult
situations excites our deepest admiration.
What the author thinks about the whole busi-
ness of the war is made fairly evident by his
hero's comments upon the invasion of Bel-
gium, and by his offer of his professional
services to the French army.
WILLIAM MORTON PAYNE.
NOTES ON NEW NOVELS.
Something of Frank Stockton's delightful irre-
sponsibility and inconsecutiveness appear in Miss
Ellenor Stoothoff's "The Nightingale" (Hough-
ton), which tells of a New England wife and mother
who flies from home and family to effect her own
cure from a serious attack of nerves by rambling
unprotected through Europe. In Italy she takes
on a young girl as maid, and adopts two lambs.
These latter ail slightly, -so she embarks for the
spot where Southdown mutton comes from, as
possessing the climate necessary for their well-
being. It has been understood between her and her
complaisant husband that she will return when she
hears a nightingale sing. He, after what he regards
as a sufficient deprivation, arrives in Paris, where
he buys what he is told is a nightingale, and takes
it over to her in England that she may hear its song
and justify his arrival. She, meanwhile, has been
acting the part of a beneficent fate for various lov-
ers, one of them a plumber and the other a chauf-
feur. It is all pleasantly plausible and amusing.
What an intelligent husband and wife can do in
avoiding divorce by removing the causes for sepa-
ration is set forth by M. Henry Bordeaux in " The
Awakening" (Dutton), which has been translated
by Miss Ruth Helen Davis from the ninety-fifth
edition in French. A brilliant writer marries a
charming girl, who, having borne him a son and
daughter, is quite content to rest on her ante-
marital laurels so far as charm is concerned. An-
other woman, brilliantly intellectual, crosses the
writer's path after years of baffled hopes and an
almost complete waning of mutual interests. The
outraged wife returns to her people and begins a
suit for separation, holding herself innocent of the
collapse of their married life. A diary kept by
him is placed in her hands, and her failure to meet
his ambitions is made clear thereby. She sets
about rehabilitating herself in her own eyes, thus
opened; and in the course of years attains to her
husband's standard of what a wife should be. The
book deserves wide reading.
Mrs. Edith Henrietta Fowler's latest romance,
"Patricia" (Putnam), has a genuine, if somewhat
worldly, piety running through its pages. Patricia
is the only daughter of an eminent man of letters,
widowed at her birth. His death sends her to an
uncle, vicar of a rural parish, as earnest and gener-
ous of self as he and his family are narrow. The
girl's impressions of religion as a dull and rather
sordid business are confirmed by the life her kins-
folk lead, her agnostic training blinding her to the
spiritual beauty beneath. She is awakened by her
love for a clergyman of high rank, who takes her
into a society even more cultivated than her father
had thrown about her, and eventually brings her to
the Light. Patricia is an excellent example of a
witty simpleton, to say nothing worse of her; but
her slightness of character detracts little from the
interest of the story.
In the death of Monsignor Hugh Benson, the
Roman Catholic Church has lost the ablest novelist
in her cause she has ever had in England ; and his
posthumous story, "Loneliness" (Dodd), serves to
confirm this fact. It deals with contemporary life,
and its protagonist is a young Catholic English-
woman who achieves a marked success on the oper-
atic stage. This success so interests the scion of a
recently ennobled house that he secretly affiances
himself to her. Meanwhile her youthful devotion
to religion grows pallid, until she determines to
marry her Protestant lover regardless of churchly
regulations. A slight surgical operation deprives
her of her glorious voice; she turns to the old
religion and dismisses her lover, now grown luke-
warm, and the close suggests the cloister.
1915]
THE DIAL
347
It is inevitable that the fascinating figure of the
fourth Amen-hotep, self-named Akhenaton, should
be connected with that of Moses, since the purity
of the Pharoah's religion bears no slight resem-
blance to that of the great Jewish lawgiver. Cer-
tain chronological obstacles have not been allowed
to stand in the way by Mr. Frederick Thurstan in
"The Romances of Amosis Ra" (Lippincott), the
hero of which is none other than Moses himself.
Such portions of the Scripture as could be made to
fit are utilized to the full, and a magical atmosphere
is created, in the spirit of the miracles of the exo-
dus. The romances are two, the first ending with
the birth of the prophet, the second with his retire-
ment to the land of Midian after his slaughter of
the Egyptian. The author's earnestness and learn-
ing are much in excess of his ability to write
convincingly.
" The Graves at Kilmorna : A Story of '67 "
(Longmans) is an earnest tale of the abortive
uprising of the Irish against British oppression in
1867, when veterans of the American Civil War
returned to their native land to assist in obtaining
its independence. It is the work of the Very Rev.
Canon P. A. Sheehan, D.D., and is a close and con-
clusive picture of the times in which it begins, and
a profound criticism of these later days. A youth-
ful Irish idealist and freedom worshipper seeks
death in the cause in order that his countrymen
may gain the stimulus that he believes will follow
this voluntary martyrdom. His life is spared, but
he spends ten agonizing years in prison before he
is pardoned. The end of the tale is tragic in every
sense of the word. Few more sincere stories have
been written of Irish Catholic life.
Spain in the days of the weak and unfortunate
Philip IV., with his prime minister, Olivares, as the
leading figure, provides the scene for Miss Amelia
Josephine Burr's "A Dealer in Empire " (Harper).
A beautiful girl, niece to a celebrated actress and
herself successful in her brief career upon the stage,
furnishes the necessary appeal to the sensibilities.
She is beloved by a young nobleman and by the
King himself, but yields herself rather to the higher
appeal made by the minister, to whom she bears a
son. His ambitions take him from her, and place
her in retirement. The conclusion is admirably
worked out, in accordance with ideas of sentimental
justice. Simple and easy in style, direct and com-
pact in substance, this is an historical novel fully
romanticized.
Miss Mary Bride reappears with all her common-
sensible charm in Mr. Edgar Jepson's " Happy
Pollyooly" (Bobbs-Merrill Co.); as do also her
small brother " The Lump," her employer the bar-
rister, and nearly all the other personages of the
story of which this is the sequel. Pollyooly is a
most engaging young person who has the knack of
coming safely out of all adventures, however com-
plicated, and always with a substantial sum of
money in her possession. There is a somewhat
long-drawn-out episode having to do with a prince
of the House of Hohenzollern which, vce fear, does
injustice to that doughty line's conceptions of
education.
Exploration*
in the ruins
of Kaby'.on.
BRIEFS ONJNEW BOOKS.
At desolate Babylon, once mis-
tress of Hither Asia, excavations
by the Royal Museums of Berlin
in conjunction with the Deutsche Orient-
Gesellschaft have been in progress since 1899.
An account of net results up to the spring of
1912, written by Dr. Robert Koldewey, in
charge of the work, and first published in 1913,
has already reached its third German edition.
The hoped-for English version is also now
available in a volume entitled "The Excava-
tions at Babylon" (Macmillan). Mrs. Agnes
S. Johns has made a free and idiomatic trans-
lation which well reproduces the effect of the
original. Awkward sentences occur rarely,
likewise minor discrepancies of fact. Suc-
cessive discussions of the separate features of
the city form the bulk of the volume ; a retro-
spect sums up the career of Babylon as a
whole. Its site was inhabited even in prehis-
toric times (pp. 88, 261, 311). The water-
level, however, higher now than in antiquity,
prevents excavating below the stratum of
Hammurabi (2123-2081 B.C.), the great law-
giver of the Babylonian First Dynasty. The
residence district of Merkes best reveals the
course of Babylon's history, from the early
state of Hammurabi down through the inglo-
rious Kassite sway and the period of Assy-
rian domination to the Chaldean empire of
Nebuchadnezzar and beyond. For that empire
succumbed to the Persians (538 B.C.), who
in turn fell before Alexander (331 B.C.).
The Greek period was followed by the Par-
thian (139 B.C.), the latter by the Sassanide
(A.D. 226). Scattered dwellings existed in
Merkes far down into the Arabic period (be-
gan in 636), perhaps as late as A.D. 1200.
Since then, however, the whole site of the
ancient city has been deserted. As the Assy-
rian Sennacherib had razed Babylon in 689
B.C., the most imposing remains discoverable
begin with the brilliant reign of Nebuchadnez-
zar (604-561 B.C.), when the rebuilt city was
most populous. During the Persian period
the Euphrates- occupied a new channel, thus
producing the configuration known to Herodo-
tus and Ctesias. The English publishers have
included all the illustrations of the German
volume. But they have used thicker and less
highly calendered paper, so that the copious
half-tone plates have lost decidedly in bril-
liance. A reduction in size of page has neces-
sitated folding the colored plate fig. 64, which
has also been interchanged with fig. 80. The
worst feature of the English volume is the
fragile binding, which gives way upon first
opening the book. On the other hand, one is
glad to note the addition of running title and
348
THE DIAL
[April 29
index. The thirteen years' accomplishments
summarized in "The Excavations at Baby-
lon" represent about one half of the total
task. Accounts of further progress are avail-
able in German only, in the bulletins of the
Deutsche Orient-Gesellschaft. Even now the
work continues, for in spite of the war Dr.
Koldewey returned last November to his field.
Whether the excavation of the city is ever to
be finished can not now be foretold. Until
that consummation is attained, the present
volume will be indispensable to those who seek
acquaintance with ancient Babylon.
In the poetic opera, "Fairyland"
A successful (y j University Press), Mr.
American opera. JL . TT . - ' . ' '
Brian Hooker has given us an
alluring text which demands at every point of
its development a musical setting. If the book
had not been written so that Mr. Horatio W.
Parker might illuminate it with his mature
and effective art, it would have solicited infal-
libly the services of some other musician to
accomplish what has been done by the master
of orchestral investiture at Yale College. The
fairyland presented in this drama is not the
Shakespearean forest of the "Midsummer
Night's Dream." Titania and Oberon have no
part in it. The story and significance connect
themselves more directly with Maeterlinck and
his remarkable plays. There is the old anti-
thesis of ecclesiastical domination on the one
side and governmental tyranny on the other;
between these two, human life is crushed as
between the upper and nether millstones.
Liberation is brought about through the eleva-
tion of the great body of mankind, and the
normal happiness of ennobled daily life is set
above all artificial and oppressive distinctions.
This theme is presented in a well conceived
form, picturesque, simple, interesting. Mr.
Hooker's " Fairyland " is the realm of human
nature's daily experiences, in the regular proc-
esses of the diurnal round, sincerely pursued
for ends that are beneficent and purifying, the
completeness of love and sacrifice. This does
not mean that the book is a moral allegory.
The sensuous appeal is there, the story and the
pictures are sufficient, the characters awaken
admiration and comment, the poetry is melo-
dious, and the echoes of internal meaning sur-
round it with a rich and luminous atmosphere.
We have not had as yet the opportunity of see-
ing the score, but the play seems well adapted
to the general tendencies of Mr. Parker's work ;
and this opera, the second by the same author
and composer to win a notable prize, ought to
find audiences that will rejoice in its romantic
color and movement. If here is an exemplifi-
cation of what America is to do in musical
drama, we may look forward hopefully to the
evolution of an art that will not need to hide
its diminished head before the achievements of
other lands and times.
Even the most unemotional of
A posthumous . . ,
volume by reviewers must admit that with
Sister Nivedita. some ^QQ^ sympathy is the only
exegete; and in Sister Nivedita's "Footfalls
of Indian History" (Longmans) we have a
striking instance. One cannot fail to note in
the volume many out-and-out mistakes, and a
still greater number of controverted points as-
sumed as unquestioned truths ; yet one leaves
the volume with the feeling that this gifted
Irish woman, who became such a thorough-
going convert to Hinduism, has given us gener-
ous fare. At the same time it is difficult to
say just what group of readers would care for
the book as a whole. To most people a stronger
appeal will be made by such papers as "A
Study of Benares " and " The History of India
and Its Study " than by the chapters on " The
Ancient Abbey of Ajanta " or " The Cities of
Buddhism"; but the latter type represents
the genuinely valuable work of the author.
Naturally, one must always make allowance
for her preconceptions that Hinduism is trans-
cendentally noble and that there is a national
unity of India ; but when this has been done,
the reader will find that her work is careful
and conscientious, and based on a serious study
alike of the monuments and of the standard
authorities. The volume is illustrated by ex-
cellent photographs and plans, as well as by
six colored plates of real merit, reproducing
water-colors from the brushes of Gaganendra
Nath Tagore and Nanda Lai Bose. Inasmuch
as Miss Noble's books are gradually reaching
a wider circle, it would seem that the volume
might have given us a brief account of her
life and writings, and of her death some four
years ago. In itself this would make most
interesting reading, as well as being a real
convenience for such readers as are gaining
their first acquaintance with this remarkable
woman.
In a disinterested effort to save
at least a little Latin from the
engulfing flood of anti-classic-
ism, Mr. E. Parmalee Prentice, who will be
remembered for his prominence in the Am-
herst movement against undue intrusion of the
sciences into the field of academic culture, has
followed up his last year's publication of
Ruskin's "The King of the Golden River," in
Dr. Arcadius Avellanus's Latin translation,
with a second book of diverting fiction in the
same tongue and from the same translator.
This time choice has been made of the learned
Modern fiction
in Latin dress.
1915]
THE DIAL
349
David-Leon Cahun's story of ancient mari-
time adventure which bears, in the original,
the following descriptive title: "Les aven-
tures du Capitaine Magon, ou une exploration
phenicienne mille ans avant 1'ere chretienne."
In its classical dress, under the title, ' ' Pericla
Navarchi Magonis," the work forms the first
volume of a courageously projected series,
"Mount Hope Classics," issued, says Mr.
Prentice, primarily for his own children, but
very gladly furnished by him to such pur-
chasers as may take an interest in his laudable
and by no means lucrative enterprise. The
Latin is not exactly Ciceronian, but none the
less serviceable for that reason, and perhaps
even more readily intelligible; certainly it is
not difficult, and the sensation of finding one-
self actually drawn along, page after page, by
the interest of the narrative will be novel to
more than one who, in his time, has been
moved to sighs and groans by the elegant
Tully's formidable periods. Captain Mago's
stirring adventures fill more than three hun-
dred octavo pages, and are followed by twenty
pages of author's and translator's notes, which
need not, however, halt the progress of the
reader enraptured with the brisk movement of
the tale. A natural query will be prompted by
the announcement on the title-page: "Opus
Francice scripsit Leo Cahun, in Anglicum
vertit Helena E. Frewer, Latine interpretatus
est Arcadius Avellanus. ' ' Is the present ver-
sion based on the English translation? If so,
why? Surely there is no apparent reason for
so circuitous a proceeding. Mr. Prentice's
address is 37 Wall Street, New York.
4 plea for -^or tne ^me being, Mr. Reginald
Belgium by Wright Kauffman has aban-
'ne88- doned fiction, finding in the situ-
ation of affairs in Belgium matter stranger
than any novelist would dare venture to de-
pict. "In a Moment of Time" (Moffat) is a
plea for a people outraged, dispossessed, and
slaughtered by the wickedest war waged in
historic time. The author dedicates the profits
from his book to funds for the amelioration
(so far as irremediable wrongs can be bet-
tered) of the situation he found there. This
situation is described in such details as will
bear printing, with suggestions of horror sur-
passing the power of the pen looming ghastly
in the background. Mr. Kauffman sums up his
plea in a few vivid words : " Charity has no
nationality and knows none. It is not a prod-
uct of justice; it is justice. To stand with
folded hands and watch another nation starve :
that is not neutrality ; it is the last refinement
of enmity. The duty of America, we have been
told, is to be neutral ; then the duty of America
is charity." Incidentally, by every dictate of
civilization, the conquerors should be feeding
the people they have disinherited. In making
its contribution to these victims, America finds
itself paying tribute to ruthlessness. It has to
be done and it must be done, but it is not to
be expected that America should forego its
intelligence and not set the blame where it has
been so devilishly earned. There are repro-
duced photographs to support the text, but it
needs no support. As we read we know that
the fact is worse than the tale itself, and we
bow our heads in shame at man's inhumanity
to man.
An Englishman's Considerably more than his own
adventures fair share of unusual and some-
on land and sea. ^mes exciting experiences seems
to have fallen to the lot of Mr. Stanley Coxon,
author of an anecdotal autobiography entitled
"And That Reminds Me" (Lane), which
shows us the writer encircling the globe eight
times in sailing ships, continuing his mari-
time activities under the swifter propulsion
of steam, entering the government service as
assistant district superintendent of police in
Burma, where he helped to make a success of
Prince Albert Victor's visit to that part of
the British Empire, then returning home on
sick furlough, next appointed to various posi-
tions in India, and finally invalided from the
service and left with sufficient leisure on his
hands to write (with no thought of publica-
tion, he assures us) the present story of his
eventful life. Between times he has found it
possible to engage in divers sorts of perilous
undertakings and adventures, including matri-
mony, and it is his partner in the last-named
desperate deed who has persuaded him to
make full confession of his dubious doings —
we borrow his own playful style without as-
suming responsibility for any false inferences
therefrom — in order that she at least may
have some adequate knowledge of his "awful
past." Our thanks therefore are due pri-
marily to Mrs. Coxon, and secondarily to the
author, for what, in the frankly colloquial
idiom of the book, may truthfully be called a
rattling good story. Two score illustrations,
and an additional one to make us acquainted
with the writer's outward form and feature,
embellish this diverting volume.
Life in
America a
century ago.
To the works upon the social
history of our forebears, repre-
sented by such books as those of
Edward Eggleston, John Fiske, Alice Morse
Earle, Sydney George Fisher, and others, a
volume of great charm has been added by
Dr. Gaillard Hunt, Chief of the Division of
Manuscripts in the Library of Congress, in the
350
THE DIAL
[ April 29
book entitled " Life in America One Hundred
Years Ago" (Harper). In his preface, Dr.
Hunt sadly contrasts the origin of his book, —
a suggestion of the Committee of One Hun-
dred to celebrate at the City of Washington
one hundred years of peace between Great
Britain and the United States, — and the war
now raging in Europe. The volume op ens with \
the story of the Peace of which the news came
to Washington in 1815. The country and its I
inhabitants, their ways and habits (viewed
both from their own standpoint and through
the eyes of foreign visitors), slavery, travel,
dress, women, the theatre, music, religion, edu-
cation, crime, poverty, medicine, cooking, —
these and similar topics Dr. Hunt, with ever
delicate touch, passes in review. At the close,
he turns to the political organization and to
the problems which confronted the still young
experiment of a democratic-republican federal
state. The book is well illustrated, and is
blessed with an index and a bibliography, — in
the latter of which, however, the proof-reading
has left something to be desired. Throughout
the body of the work the personal element is
large, and is accompanied with frequent reve-
lations of the quiet humor of the author.
Many social historians write con amore, but
with little critical skill ; the careful historians,
alas, are often dull. It is Dr. Hunt's privilege
to write both as a scholar and as one to the
manner born.
The great variety and surpassing
Our picturesque fe ty f th natural scenery
Western gateway. ,..»-, _,
about San Francisco are por-
trayed by a true nature-lover's pen in Mr.
W. E. Hutchinson's "By-ways around San
Francisco Bay" (Abingdon Press). In this
new land with its beautiful bay of a thousand
moods, framed in sunlit hills of the Berkeley
shore and distant Marin, dominated by the
purpling slopes of Mount Tamalpais, and ever
and anon wreathed in tumbling billows of fog,
our author has caught his inspiration ; and in
a few graceful lines he guides the spirit, rather
than the feet, to the secrets of hill and valley,
of field and forest, of brookside and ocean
shore. Mr. Hutchinson knows the land he
loves, and he gives us a glimpse of the joys he
has found in exploring afoot and afield with
rod and camera in the great out-of-doors which
lies about the Golden Gate. Quaint bits of old
Chinatown, the lateen sails of Fisherman's
Wharf where swarthy Neapolitans foregather
and where Robert Louis Stevenson was wont
to seek inspiration, — these and other gleams
of local color are touched upon lightly but
revealingly by the author. Lovers of nature
will find this booklet a choice introduction to
the picturesque about San Francisco.
NOTES.
" Jaffery," Mr. William Locke's forthcoming
novel, will be published by the John Lane Co. early
in June.
" European Rulers : Their Modern Significance,"
by Mr. Arthur E. Bestor, is announced by Messrs.
Crowell.
" English Ancestral Homes of Noted Americans "
by Mrs. Anne Hollingsworth Wharton is promised
for early issue by Messrs. Lippincott.
The new volume by President Hadley of Yale on
" Undercurrents in American Politics " will be
issued by the Yale University Press next month.
" Standardizing the Dollar," a statement of plans
by Professor Irving Fisher for combating the rise
in the cost of living, is announced by Messrs. Mae-
millan.
Among the season's novels announced by Messrs.
Lippincott is Mr. Maurice Hewlett's " The Little
Iliad," the story of a modern Helen worthy of her
famous namesake.
For the five hundredth anniversary, next July,
of the death of John Huss, Dr. David Schaff has
prepared a comprehensive and readable biography
of the reformer. Messrs. Scribner will publish the
volume.
Mr. Richard Le Gallienne has a new volume in
press entitled " Vanishing Roads and other Essays."
The " other essays " include " The Passing of Mrs.
Grundy," " The Persecutions of Beauty," and "The
Snows of Yester-year."
" Panama and Other Poems " is the title of Mr.
Stephen Phillips's latest collection of verse, which
is soon to appear. Mr. Alfred Noyes has also
nearly ready a volume entitled "A Salute from the
Fleet and Other Poems."
The narrative of an English nursing sister in
Belgium and Russia, entitled " Field Hospital and
Flying Column," is announced by Messrs. Putnam.
The author is Miss Violetta Thurstan, who wrote at
the Russian front while recovering from a wound.
An historical and critical account of " The Art of
E. H. Sothern " by Mr. William Winter is one of
the features of the May " Century Magazine." It
appears coincident with Mr. Sothern's announce-
ment of his intention of retiring from the stage at
the end of next season.
The four additional volumes which are to be
added immediately to Messrs. Doran's "Art and
Craft of Letters " series are " The Ballad," by Mr.
Frederick Sidgwick ; " The Essay," by Mr. Orlo
Williams ; " Criticism," by Mr. P. P. Howe ; and
" Parody," by Mr. Christopher Stone.
A new complete English edition of Charles Dick-
ens's works will soon appear with the imprint of
Messrs. Charles Scribner's Sons. The text is that
last revised bjT the author and the illustrations rep-
resent some of the finest examples of the work of
Tenniel, Landseer, Stone, and Cruikshank.
An anthology of patriotic prose selected fey Mr.
Frederick Page will soon appear from the Oxford
University Press. The contents are taken mainly
from English literature, though a few translations
1915]
THE DIAL
351
have been admitted from writers as diverse as
Plato, Swedenborg, and Cardinal Mercier.
Miss Lillian D. Wald, the founder and head of
the Henry Street Settlement in New York city, has
written an account of her work among Americans
in the making which is now being published serially
in the "Atlantic Monthly." In the autumn it will be
issued in book form by Messrs. Henry Holt & Co.
The "Welsh Poems and Ballads" of George
Borrow are scheduled for early publication by
Messrs. Putnam. Several of the poems included
are from the Borrow MSS. Sketches devoted to
the bards who produced them precede important
ballads or groups, and an introduction is furnished
by Mr. Ernest Rhys.
Mr. Winston Churchill's new novel, "A Far
Country," will be published within a few weeks by
Messrs. Macmillan, who announce for immediate
issue also Mr. Arthur Stringer's detective story,
" The Hand of Peril," Mr. Jack London's " The
Scarlet Plague," and Mr. St. John G. Ervine's
"Alice and a Family."
Mr. Burton E. Stevenson has made a selection
from his popular anthology " The Home Book of
Verse," published two or three years ago, of all
poems of interest to children, which will now be
issued in a volume to be called " Home Book of
Verses for Little Children." Mr. Willy Pogany
supplies the decorations, and the publishers are
Messrs. Henry Holt & Co.
Forthcoming publications from the press of
Messrs. E. P. Button & Co. include : " Social Re-
form," by Mr. W. H. Mallock; " Hermaia," a
study in comparative aesthetics, by Mr. Colin Mc-
Alpin ; " The Underlying Principles of Modern
Legislation," by Dr. W. Jethro Brown; and "A
First Year in Canterbury Settlement," letters writ-
ten by Samuel Butler, the author of " Erewhon,"
during an early visit to New Zealand.
Ben Jonson's " Tale of a Tub," first printed in
the second volume of the 1640 folio of his works,
and not issued separately until 1913, when it was
produced in Germany under the editorship of Dr.
Hans Scherer, is to be published in a separate
English edition by Messrs. Longmans, with a criti-
cal introduction, notes, and glossary by Florence
May Snell, Ph.D., Professor of English Literature
at Huguenot College, Wellington, South Africa.
" The Riverside History of the United States,"
an interpretation of the social and economic devel-
opment of the United States, is in press with the
Houghton Mifflin Co. There are four volumes, as
follows : " Beginnings of the American People,"
by Professor Carl Lotus Becker ; " Union and
Democracy," by Professor Allen Johnson ; " Ex-
pansion and Conflict," by Professor William E. |
Dodd ; and " The New Nation," by Professor
Frederic Logan Paxson.
The Slavonic Publishing Co. has projected a
series of translations in idiomatic English of the
masterpieces of Slavic literature, with illustrations
by the masters of Slavic art. The plan has been
endorsed by leaders of thought in England, Amer-
ica, and Russia, and the list of tentative titles is i
already large. Later the same publishers hope to !
issue a dictionary of Slavic biography along the
lines of the Dictionary of National Biography, as
well as a Slavic encyclopaedia in twelve volumes.
A two-volume work on " Napoleon in Exile at St.
Helena (1815-1821)," by Mr. Norwood Young, is
promised for May issue by the John C. Winston Co.
It is an elaborate account based on careful study of
the least-known period of Napoleon's life. The
same house will also issue Mr. Upton Sinclair's
" The Cry for Justice," an anthology of the litera-
ture of social protest collected from twenty-five
languages and covering five thousand years, and
Mr. Arthur M. P. Lynch's study of Irish politics,
" Ireland's Vital Hour."
A volume containing a series of lectures deliv-
ered recently in England on " The International
Crisis in its Ethical and Psychological Aspects," is
announced by the Oxford University Press. The
contents comprise " The Morality of Strife in its
Relation to the War," by Mrs. Henry Sidgwick;
" Group Instincts," by Professor Gilbert Murray ;
" International Morality and Schemes to Secure
Peace," by Dr. A. C. Bradley; "The Changing
Mind of a Nation at War," by Professor L. P.
Jacks; "War and Hatred," by Professor G. F.
Stout ; and " Patriotism in a Perfect State," by
Dr. B. Bosanquet.
" The Modern Study of Literature " is discussed
by Dr. Richard Green Moulton, head of the depart-
ment of general literature in the University of
Chicago, in a volume to be published by the Uni-
versity of Chicago Press. Other forthcoming pub-
lications from the same press include a volume of
" University of Chicago Sermons," delivered by
eighteen leading members of the university facul-
ties, covering various phases of religious life and
thought ; and " The Bixby Gospels," edited by Dr.
Edgar J. Goodspeed, Associate Professor of Bibli-
cal and Patristic Greek in the University of Chi-
cago. The Greek manuscript known as the Bixby
Gospels — belonging to Mr. W. K. Bixby, of . St.
Louis — was preserved in the convent library of
Pantocrator, on Mount Athos. The forthcoming
volume will consist of a complete collation of its
text, and presenting also its most curious feature,
five pages of chronological material, mostly from
the work of Hippolytus, of Thebes, about A. D. 700,
which are prefixed to it.
TOPICS ix ^LEADING PERIODICALS.
May, 1915.
African Roots of War. W. E. B. Du Bois .... Atlantic
Alaska's Government Railroad. J. E. Ballaine Rev. of Revs.
Amer
Amer
Amer
Amer
ca, The Conquest of. Cleveland Moffett
ca in the 18th Century. C. H. Sherrill
McClwre
Scribner
Amer can Fiction. James Stephens Century
can Industries and the War. W. H. Glasson So. Ail.
can Intellectual Life. P. S. Reinsch
No. Amer.
Amer can-Japanese Situation, The. Caret Garrett Everybody's
Ballads, Sea, in Kentucky. W. A. Bradley .... Harper
Barbarism, Culture, Empire, Union. B. I. Oilman . Pop. Se.
Baseball, Organized. Irving E. Sanborn . . . Everybody's
Beauty, Native. Mary E. Merrill Am. Homes
Belgium, The Invasion of. Charles S. Allen . . . Mid-West
Botha, Campaigning under. Cyril Campbell . . . Atlantic
Boyen's Military Law. G. S. Ford .... Am. Hist. Rev.
British Cabinet, The. A. G. Gardiner Atlantic
Bulldog, The English. T. C. Turner Am. Homes
Cables, Transatlantic. P. T. McGrath . . . Rev. of Revs.
Canada and the War. J. E. Le Rossignol . . . Mid-West
Canadian Rockies, In the. Mary L. Jobe . . . . Harper
352
THE DIAL
[April 29
Canadian Transcontinental Railway, The. Duncan
MacPherson Scribner
Climate, Civilization and. Ellsworth Huntington . Harper
Commercial Rivalry: 1700-1760. C.M.Andrews Am. Hist. Rev.
Congress, Corridors of. Robert U. Johnson . . No. Amer.
Conrad. Arthur Symons Forum
Conversation and the Novelist. W. L. Randell . . Forum
Cosmos. Gardner Teall Am. Homes
Cotton Factorage System, The. A. H. Stone Am. Hist. Rev.
Credit at Home and Abroad. W. F. Wyman . World's Work
Culture and Prejudice. Henry S. Canby .... Harper
Czar and His People, The. Infanta Eulalia . . . Century
Earthquake Areas. J. S. Grasty Pop. Sc.
Elizabethan Showmen, Tricks of. T. S. Graves . . So. Atl.
Englishman, Diagnosis of the. John Galsworthy No. Amer.
Eugenics and the War. J. Arthur Thompson . . Pop. Sc.
Europe. Karl Remer Forum
Far East, New Menace in. Francis Aldridge . . No. Amer.
Farms and Finance. D. F. Houston .... Rev. of Revs.
Federal Trade Commission, The. J. E. Davies World's Work
Federal Trust Legislation. George A. Stephens . . So. Atl.
Film Drama, The. George Bernard Shaw . . Metropolitan
Fishing Experiences. Willis B. Allen Scribner
Freshman Knowledge. Charles V. Stansell .... Forum
Gamblers, Six Tremendous. E. M. Woolley . . . McClure
German Fighting-front, On the. Ernest Poole . Everybody's
German Hospitals and Prisons. A. J. Beveridge Rev. of Revs.
German vs. English Aggression. A. D. Schrag . Mid-West
Germany on the Defensive. F. H. Simonds . Rev. of Revs.
Government by Majority. N. I. Stone Century
Hay, John, Unpublished Letters of Harper
Henry Street, The House on — III. Lillian D. Wald Atlantic
Heredity, Scientific Men and. J. M. Cattell . . . Pop. Sc.
Horticulture, Women in. Katharine S. Reed . Rev. of Revs.
House, The Small. Henry Hurlbett Am. Homes
Italy's Reasons. Owen Wilson World's Work
Joffre and the New France. James Middleton World's Work
Labor Disputes, Violence in. Walter Lippmann Metropolitan
Medical " Science," Modern. Helen S. Gray . . . Forum
Mexico, Sunny Side of. Lincoln Steffens . . Metropolitan
Misrule, The Lord of. Alfred Noyes No. Amer.
Mississippi : The Great River. George Marvin World's Work
Moral Progress. F. Stuart Chapin Pop. Sc.
" Movies," Daring Deeds in the. Cleveland Moffett American
Municipal Court, A Modern. D. A. Baer .... Century
Nature and the Psalmist. W. P. Eaton Harper
Neutralization of the Sea. " Norman Angell " . No. Amer.
Neuve Chapelle, Battle of. E. A. Bartlett . . Metropolitan
Neuve Chapelle, Battle of. J. S. Auerbach . . . No. Amer.
Noyes, Alfred, Poetry of. John O. Beaty .... So. Atl.
Panama Canal, Building the — III. G. W. Goethals Scribner
Parenthood. Mary Ware Dennett Century
Paris in Wartime. Edith Wharton Scribner
Patriotism, The Higher. J. G. Hibben .... No. Amer.
Peabody Educational Fund, The. E. W. Knight . So. Atl.
Peace, The Ideal of. S. B. Xiass Mid-West
Peace Advocate, The. Rolaira Hugins So. Atl.
Peace the Aristocrat. Albert J. Nock Atlantic
Ferret, Frank A. French Strother .... World's Work
Pewter, American. Robert L. Ames .... Am. Homes
Play Attitude, The. E. L. Talbert Pop. Sc.
Poetry, The New. Horace Holley Forum
Poland's Story. Judson C. Welliver Century
Pork Barrel Pensions. Burton J. Hendrick . World's Work
Prisons of Freedom. F. M. White .... World's Work
Prohibition in Canada, J. P. Gerrie .... Rev. of Revs.
Religious Education. Harriet L. Bradley .... Forum
Revivalism, Mechanics of. J. H. Odell Atlantic
Russia, The New. Charles Johnston .... Rev. of Revs.
Samplers. Walter F. White . Am. Homes
San Diego, The Fair at. Bensel Smythe . . Rev. of Revs.
Sothern, E. H., The Art of. William Winter . . Century
" Speeding " and Scientific Management. Ida M.
Tarbell American
Stars, Measuring Heat from. W. W. Coblentz . . Pop. Sc.
State Governments, Our Irresponsible. W. D. Hines Atlantic
Sunday, Billy, Back of. John Reed .... Metropolitan
Switzerland's National Army. R. M. Johnston . . Century
Tahiti, History of — III. A. G. Mayer ... . Pop. Sc.
Turk, My Friend the. H. G. Dwight Atlantic
Vases from Old Jars. S. Leonard Bastin . . . Am. Homes
Verlaine, Paul. Arthur Symons No. Amer.
Verse, Southern, Recent. H. H. Peckham . . . .So. Atl.
Voice and the Actor. Henrietta Crosman .... Century
Wages and Salaries. Scott Nearing Pop. Sc.
War, Colonial Aspects of the. C. D. Allin . . . Mid-West
War, Diplomatic Background of the. B. E. Schmitt Mid-West
War, Potential Substitute for. Percy MacKaye . No. Amer.
War, The: A Way Out. G. Lowes Dickinson . . Atlantic
War, The British Empire, America and. G. L. Beer Forum
War, The Government and the. George Harvey . No. Amer.
War, Women and. Agnes Repplier ...... Atlantic
War and Drink. James D. Whelpley Century
Warburg, the Revolutionist. Harold Kellock . . . Century
Washington Square. Pietra Van Brunt Forum
Wilderness, In the. Zephine Humphrey ...... Forum
Yorkshire, Smuggling in. Walter Wood . ... Harper
Zuloaga, Ignacio. Christian Brinton Scribner
OF NEW BOOKS.
[The following list, containing 170 titles, includes books
received by THE DIAL since its last issue.]
HISTORY AND BIOGRAPHY.
The American Indian as Slaveholder and Secession-
ist: An Omitted Chapter in the Diplomatic His-
tory of the Southern Confederacy. By Annie
Heloise Abel, Ph.D. Volume I. With portraits,
large 8vo, 394 pages. Cleveland: Arthur H.
Clark Co. $5. net.
Makers of New France. By Charles Dawbarn.
With portraits, 8vo, 246 pages. James Pott &
Co. $2.50 net.
John Shaw Billings: A Memoir. By Fielding H.
Garrison, M.D. Illustrated, large 8vo, 432 pages.
G. P. Putnam's Sons. $2.50 net.
Military Annals of Greece. By William L. Snyder.
In 2 volumes, 12 mo. Richard G. Badger. $3. net.
Germany Since 174O. By George Madison Priest.
With maps, 12mo, 199 pages. Ginn & Co.
$1.25 net.
Life and Influence of the Rev. Benjamin Randall.
By Frederick L.. Wiley. Illustrated, 8vo, 310
pages. American Baptist Publication Society.
$1. net.
The Relation of the State to Historical Work. By
Clarence W. Alvord. 12mo, 34 pages. St. Paul:
Minnesota Historical Society. Paper.
GENERAL LITERATURE.
The Modern Drama: An Essay in Interpretation.
By Ludwig Lewisohn. 12mo, 340 pages. B. W.
Huebsch. $1.50 net.
Mediaeval Spanish Allegory. By Chandler Rathfon
Post. With frontispiece, 8vo, 331 pages. Har-
vard University Press.
Eight O'clock, and Other Studies. By St. John G.
Ervine. 12mo, 128 pages. Macmillan Co. $1. net.
Parsival. By Gerhard Hauptmann ; translated from
the German by Oakley Williams. 12mo, 117
pages. Macmillan Co. $1. net.
Elliott Monographs. Edited by Edward C. Arm-
strong. Comprising: La Composition de Sa-
lammbS, par F. A. Blossom; Sources and
Structure of Flaubert's SalammbS, by P. B. Fay
and A. Coleman; Flaubert's Literary Develop-
ment, by A. Coleman. Each Svo. Baltimore:
The Johns Hopkins Press. Paper.
Baldwin MolIIiaiisen: The German Cooper. By
Preston Albert Barba, Ph.D. With portrait,
large Svo, 188 pages. University of Pennsyl-
vania Press. Paper.
The Novels and Ideas of Madame Marcelle Tinayre.
By Benjamin M. Woodbridge. 12mo, 24 pages.
Austin: University of Texas. Paper.
DRAMA AND VERSE.
Collected Poems. By A. E. 12mo, 275 pages. Mac-
millan Co. $2. net.
The Man Who Married a Dumb Wife: A Comedy in
Two Acts. By Anatole France; translated from
the French by Curtis Hidden Page. Illustrated,
12mo, 93 pages. John Lane Co. 75 cts. net.
North of Boston. By Robert Frost. 12mo, 13T
pages. Henry Holt & Co. $1.25 net.
A Boy's Will. By Robert Frost. 12mo, 63 pages..
Henry Holt & Co. 75 cts. net.
Jocelyn: A Play and Thirty Verses. By Charles
William Brackett. 12mo, 93 pages. Richard G.
Badger. $1. net.
Battle Poems and Patriotic Verses: A War An-
thology. By George Goodchild. 16mo, 224 pages.
Hearst's International Library Co. $1. net.
The Book of the Serpent. By Katharine Howard.
Second edition; 12mo, 53 pages. Sherman,
French & Co. $1. net.
Sun and Saddle Leather. By Charles Badger Clark,
Jr. With portrait, 12mo, 56 pages. Richard G.
Badger. $1. net.
The Seal of Hellas: A Classical Drama. By Temple
Oliver. 12mo, 80 pages. Sherman, French & Co.
$1. net.
Earth with Her Bars, and Other Poems. By Edith
Dart. 18mo, 64 pages. Longmans, Green & Co.
* 40 cts. net.
Resurgam: Poems and Lyrics. By O. R. Howard
Thomson. 12mo, 36 pages. Philadelphia: Wil-
liam M. Bains. ;
" Swat the Fly! " A One-act Fantasy. By Eleanor
Gates. 12mo, 31 pages. New York: Arrow
Publishing Co. 25 cts. net.
1915]
353
FICTION.
The House of the Misty Star: A Romance of Love
and Youth in Old Japan. By Frances Little
(Fannie Caldwell Macaulay). Illustrated, 12mo,
270 pages. Century Co. $1.25 net.
The Keeper of the Door. By Ethel M. Dell. With
frontispiece in color, 12mo, 590 pages. G. P.
Putnam's Sons. $1.40 net.
A Cloistered Romance. By Florence Olmstead.
12mo, 335 pages. Charles Scribner's Sons.
$1.25 net.
The Jester. By Leslie Moore. With frontispiece in
color, 12mo, 341 pages. G. P. Putnam's Sons.
$1.35 net.
Daybreak: A Story of the Age of Discovery. By
Elizabeth Miller. 12mo, 430 pages. Charles
Scribner's Sons. $1.35 net.
The House of the Dead. By Fyodor Dostoevsky;
translated from the Russian by Constance Gar-
nett. 12mo, 284 pages. Macmillan Co. $1.50 net.
The lOiiRle of the Empire. By Cyrus Townsend
Brady. Illustrated in color, etc., 12mo, 370 pages.
George H. Doran Co. $1.35 net.
The Competitive Nephew. By Montague Glass.
Illustrated, 12mo, 350 pages. Doubleday, Page
& Co. $1.20 net.
The Business Adventures of Billy Thomas. By
Elmer E. Ferris. With frontispiece, 12mo, 227
pages. Macmillan Co. $1.25 net.
The Snare. By George Vane (Visconde de Sar-
mento). 12mo, 339 pages. John Lane Co.
$1.25 net.
The Boss of the Lazy Y. By Charles Alden Seltzer.
Illustrated, 12mo, 347 pages. A. C. McClurg &
Co. $1.30 net.
The Double Squeeze. By Henry Beach Needham;
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12mo, 249 pages. Doubleday, Page & Co.
$1.25 r.et.
Grocer Greatheart: A Tropical Romance. By Ar-
thur Adams. 12mo, 326 pages. John Lane Co.
$1.25 net.
Bred of the Desert: A Horse and a Romance. By
Marcus Horton. With frontispiece, 12mo, 289
pages. Harper & Brothers. $1.30 net.
" Breath of the Jungle." By James Francis Dwyer.
12mo, 356 pages. A. C. McClurg & Co. $1.25 net.
Still Jim. By Honorg Willsie. Illustrated in color,
etc., 12mo, 369 pages. F. A. Stokes Co. $1.35 net.
Bram of the Five Corners. By Arnold Mulder.
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Spray on the Windows. By J. E. Buckrose. 12mo,
320 pages. George H. Doran Co. $1.25 net.
Marriage by Conquest. By Warwick Deeping. With
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Nast & Co. $1.25 net.
The Beloved. By James Oppenheim. 12mo, 268
pages. B. W. Huebsch. $1.25 net.
The Curse of Castle Eagle. By Katharine Tynan.
12mo, 230 pages. Duffleld & Co. $1.25 net.
The War Terror: Further Adventures with Craig
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Hearst's International Library Co. $1. net.
The Tunnel. By Bernard Kellerman. 12mo, 322
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The Seas of God. Illustrated in color, 12mo, 384
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Like unto a Merchant. By Mary Agatha Gray.
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Come-on Charley. By Thomas Addison. 12mo, 342
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The Man Who Forgot. By James Hay, Jr. 12mo,
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The Heart of Uncle Terry. By Charles Clark
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The Honor of His House. By Andrew Soutar.
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Elbow Lane. By the author of " Altogether Jane."
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August First. By Mary Raymond Shipman An-
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Getting a Wrong Start: A Truthful Autobiography.
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Pierrot: Dog of Belgium. By Walter A. Dyer.
Illustrated, 12mo, 112 pages. Doubleday, Page
& Co. $1. net.
The Thousand Secrets. By John Selborne. 12mo,
355 pages. Mitchell Kennerley. $1. net.
In Those Days: The Story of an Old Man. By
Jehudah Steinberg; translated from the Hebrew
by George Jeshurun. 12mo, 199 pages. Phila-
delphia: Jewish Publication Society of America.
Her Majesty the King: A Romance of the Harem.
By James Jeffrey Roce; illustrated by Oliver
Herford. 12mo, 149 pages. A. C. McClurg & Co.
$1. net.
The Cocoon: A Rest-cure Comedy. By Ruth Mc-
Enery Stuart. With frontispiece, 12mo, 190 pages.
Hearst's International Library Co. $1. net.
The City of Pleasure: A Fantasia on Modern
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George H. Doran Co. 50 cts. net.
All for His Country. By J. U. Giesy. With frontis-
piece in color, 12mo, 320 pages. Macaulay Co.
50 cts. net.
Steve of the " Bar-G " Ranch. By Marion Reid-
Girardot. Illustrated, 12mo, 287 pages. Hearst's
International Library Co. $1. net.
TRAVEL AND DESCRIPTION.
South of Panama. By Edward Alsworth Ross. Il-
lustrated, 8vo, 396 pages. Century Co. $2.40 net.
An Essay on the Civilizations of India, China, and
Japan. By G. Lowes Dickinson. 16mo, 86 pages.
Doubleday, Page & Co. 60 cts. net.
The Log of a Timber Cruiser. By William Pinkney
Lawson. Illustrated, 8vo, 214 pages. Duffleld &
Co. $1.50 net.
An Englishwoman In a Turkish Harem. By Grace
Ellison; with Introduction by Edward G.
Browne, M.A. 12mo, 215 pages. McBride, Nast
& Co. $1.50 net.
The Gentle Pioneers. By R. Habersham Barnwell.
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The Belgians at Home. By Clive Holland. 16mo,
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SOCIOLOGY AND ECONOMICS.
The Social Problem: A Constructive Analysis. By
Charles A. Ellwood, Ph.D. 12mo, 255 pages.
Macmillan Co. $1.25 net.
The City Manager: A New Profession. By Harry
Aubrey Toulmin, Jr. 12mo, 310 pages. D. Apple-
ton & Co. $1.50 net.
The Field of Social Service. Edited by Philip
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pages. Small, Maynard & Co. $1.50 net.
Societal Evolution: A Study of the Evolutionary
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loway Keller. 12mo, 338 pages. Macmillan Co.
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The Family. By Helen Bosanquet. Large 8vo, 344
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The Monroe Doctrine: National or International?
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G. P. Putnam's Sons. 75 cts. net.
City Life and Its Amelioration. By George Sharp.
12mo, 127 pages. Richard G. Badger. $1. net.
\Vhy Crime Does Not Pay. By Sophie Lyons. Illus-
trated, 12mo, 268 pages. J. S. Ogilvie Publish-
ing Co. $1. net.
THE GREAT WAR — ITS PROBLEMS, HISTORY,
AND CONSEQUENCES.
America and the New World-state: A Plea for
American Leadership in International Organiza-
tion. By " Norman Angell." 12mo, 305 pages.
G. P. Putnam's Sons. $1.25 net.
Arms and the Race: The Foundations of Army
Reform. By R. M. Johnston. 16mo, 219 pages.
Century Co. $1. net.
Germany's Isolation: An Exposition of the Eco-
nomic Causes of the War. By Paul Rohrbach;
translated from the German by Paul H. Phillip-
son, Ph.D. 12mo, 186 pages. A. C. McClurg &
Paris' Waits,6 1914. By M. E. Clarke. Illustrated,
12mo, 315 pages. G. P. Putnam's Sons. $1.25 net.
The Peace and America. By Hugo Miinsterberg.
12mo, 276 pages. D. Appleton & Co. $1. net.
Why Europe Is at War. By Frederic R. Coudert
and others. 12mo, 170 pages. G. P. Putnam's
Sons. $1. net.
Germany and England. By Friedrich von Bern-
hardi. With portrait, 12mo, 93 pages. G. \V.
Dillingham Co. 50 cts. net.
War's New Weapons. By Baron Hrolf von Dewitz;
with Preface by Hudson Maxim. Illustrated,
12mo 295 pages. Dodd, Mead & Co. $1.50 net.
Our Navy and the Next War. By Robert W. Neeser.
12mo, 204 pages. Charles Scribner's Sons.
The War Book of the German General Staff. Trans-
lated, with Critical Introduction, by J. H. Mor-
gan, M.A. 12mo, 199 pages. McBride, Nast &
Co. $1. net.
The Holy War: " Made in Germany." By C.
Snouck Hurgronje; with Introduction by Rich-
ard J. H. Gottheil. 12mo, 82 pages. G. P. Put-
nam's Sons. 75 cts. net.
354
THE DIAL
[April 29
What of To-day t By Father Bernard Vaughan,
S.J. With portrait, 8vo, 392 pages. McBride,
Nast & Co. $2. net.
The Third Great War, 1914-15: Its Relation to
Modern History. By Laurie Magnus, M.A. ; with
Foreword by George Haven Putnam. 12mo, 194
pages. G. P. Putnam's Sons. $1. net.
Kaiser, Krupp, and Kultur. By Theodore Andrea
Cook. 12mo, 178 pages. Charles Scribner's
Sons. 75 cts. net.
Friendly Russia. By Denis Garstin; with Intro-
duction by H. G. Wells. 12mo, 248 pages. Mc-
Bride, Nast & Co. $1.25 net.
Historical Backgrounds of the Great "War: The
War, Its Origins and Warnings. By Frank J.
Adkins. 12mo, 227 pages. McBride, Nast & Co.
$1. net.
The German Army in the War. By A. Hilliard
Atteridge. 16mo, 127 pages. McBride, Nast &
Co. 50 cts. net.
La Guerre Vue d'une Ambulance. Par L'Abbe Felix
Klein. Illustrated, 12mo, 272 pages. Paris:
Armand Colin. Paper.
Supermania. Translated from the French of Ray-
mond Colleye de Weerdt. 12mo, 85 pages.
Oxford: B. H. Black well. Paper.
Oxford Pamphlets. New titles: The Leadership of
the World, by F. S. Marvin; All for Germany, by
Dr. Pangloss and M. Candide; German Sea-
power, by Charles Sanford Terry; The Battles
of the Marne and Aisne, by H. W. C. Davis.
Each 12mo. Oxford University Press. Paper.
Les Refugies Beiges Taxes par leg Allemands. Par
H. Anthonis. 12mo, 23 pages. Oxford: B. H.
Blackwell. Paper.
PHILOSOPHY AND PSYCHOLOGY.
What Is Living: and What Is Dead of the Philoso-
phy of Hegel. By Benedetto Croce; translated !
from the Italian by Douglas Ainslie. 8vo, 217
pages. Macmillan Co. $2. net.
Psychology and Parenthood. By H. Addington
Bruce. 12mo, 293 pages. Dodd, Mead & Co.
$1.25 net.
Modern Philosophers and Lectures on Bergson. By
Harald H6ffding; translated by Alfred C. Mason,
M.A. 12mo, 317 pages. Macmillan Co. $1.40 net.
Ruysbroeck. By Evelyn Underbill. " The Quest
Series." 12mo, 193 pages. Macmillan Co. $1. net.
The Edinburgh Lectures on Mental Science. By T.
Troward. 12mo, 130 pages. McBride, Nast &
Co. $1.25 net.
The Dore Lectures. By T. Troward. 12mo, 109
pages. McBride, Nast & Co. $1. net.
RELIGION AND THEOLOGY.
Works of Martin Luther. With Introductions and
Notes. Volume I. 8vo, 412 pages. Philadelphia:
A. J. Holman Co. $2. net.
Tke New World-religion. By Josiah Strong. " Our
World Series." 12mo, 526 pages. Doubleday,
Page & Co. $1.50 net.
Bible Mystery and Bible Meaning. By T. Troward.
Revised and enlarged edition; 8vo, 323 pages.
McBride, Nast & Co. $1.50 net.
Publicity and Progress t Twentieth Century Meth-
ods in Religious, Educational, and Social Activi-
ties. By Herbert Heebner Smith. 12mo, 228
pages. George H. Doran Co. $1. net.
The Emotions of Jesus. By Robert Law, D.D. 12mo,
155 pages. Charles Scribner's Sons. 60 cts. net.
The Life "Worth Living; or, The Religion of Christ.
By Herbert Mortimer Gesner. 12mo, 359 pages.
Richard G. Badger. $1.25 net.
The Quest for Wonder, and Other Philosophical and
Theological Studies. By Lynn Harold Hough.
12mo, 302 pages. The Ablngdon Press. $1. net.
Meditations on the Via Crucis. By Selden L. Whit-
comb. With frontispiece, 12mo, 47 pages. Cedar
Rapids: The Torch Press.
Variety in the Prayer Meeting t A Manual for Lead-
ers. By William T. Ward; with Introduction by
William O. Shepard. 12mo, 192 pages. Methodist
Book Concern. 50 cts. net.
Social Messages: The New Sanctiflcation. By
Charles W. Barnes. 12mo, 100 pages. Methodist
Book Concern. 50 cts. net.
I Think -when I Read That Sweet Story of Old.
Decorated by Harold Speakman. 12mo. The
Abingdon Press. 25 cts. net.
O Love That Wilt not Let Me Go. Decorated by
Harold Speakman. 12mo. The Abingdon Press.
25 cts. net.
Annual Reports of the Federal Council of the
Churches of Christ in America, 1914. 8vo, 231
pages. New York: National Committee. Paper.
Our Widening Thought of God. By Charles Sumner
Nash. 12mo, 20 pages. Paul Elder & Co.
25 cts. net.
BOOKS FOR THE YOUNG.
Pets for Pleasure and Profit. By A. Hyatt Verrill.
Illustrated, 8vo, 359 pages. Charles Scribner's
Sons. $1.50 net.
Arnold's Little Brother. By Edna A. Brown. Illus-
trated, 12mo, 346 pages. Lothrop, Lee & Shep-
ard Co. $1.20 net.
The Land ef Delight < Child Life on a Pony Farm.
By Josephine Scribner Gates. Illustrated, 8vo,
115 pages. Houghton Mifflin Co. $1. net.
Catcher Craig. By Christy Mathewson. Illustrated,
12mo, 347 pages. Dodd, Mead & Co. $1.25 net.
The Boy Scouts of Black Eagle Patrol. By Leslie
W. Quirk. Illustrated, 12mo, 308 pages. Little,
Brown & Co. $1. net.
The Whole Year Round. By Dallas Lore Sharp.
One-volume edition; illustrated, large 8vo, 134
pages. Houghton Mifflin Co. $2. net.
Favorite Fairy Tales Retold. By Julia Darrow
Cowles. 16mo, 163 pages. A. C. McClurg & Co.
75 cts. net.
The Red House Children's Year. By Amanda M.
Douglas. Illustrated, 12mo, 326 pages. Lothrop,
Lee & Shepard Co. $1. net.
The Sleepy-time Story-book. By Ruth O. Dyer.
With frontispiece, 12mo, 147 pages. Lothrop,
Lee & Shepard Co. $1. net.
When I Was a Boy in Belgium. By Robert Jonck-
heere. Illustrated, 12mo, 153 pages. Lothrop,
Lee & Shepard Co. 75 cts. net.
Victors of Peace. By F. J. Gould; with Introduc-
tion by G. P. Gooch, M.A. Illustrated, 12mo, 114
pages. Harper & Brothers. 75 cts. net.
Bully and Bawly No-Tail (The Jumping Frogs).
By Howard R. Garis. Illustrated in color, 12mo,
207 pages. R. F. Fenno & Co. 75 cts. net.
Little Blue Bird. By William L. and Irene Finley.
Illustrated, 12mo, 60 pages. Houghton Mifflin
Co. 75 cts. net.
Jimmy Kirkland of the Cascade College Team. By
Hugh S. Fullerton. Illustrated, 12mo, 265 pages.
John C. Winston Co. 60 cts. net.
Robert Fulton. By Alice Gary Sutcliffe. " True Sto-
ries of Great Americans." Illustrated, 12mo, 195
pages. Macmillan Co. 50 cts. net.
Miss Pat and Her Sisters. By Pemberton Ginther.
With frontispiece, 12mo, 325 pages. John C.
Winston Co. 35 cts. net.
MISCELLANEOUS.
The Collected Papers of John Westlake on Public
International Law. Edited by L. Oppenheim,
LL.D. Large 8vo, 705 pages. G. P. Putnam's
Sons. $5.50 net.
Ancient Hunters and Their Modern Representatives.
By W. J. Sollas. Second edition; illustrated, 8vo,
591 pages. Macmillan Co.
The Mysticism of Music. By R. Heber Newton, D.D.
12mo, 78 pages. G. P. Putnam's Sons. 75 cts. net.
The Song: Its Birth, Evolution, and Functions. By
George P. Upton. Illustrated, 12mo, 186 pages.
A. C. McClurg & Co. $1. net.
Baseball: Individual Play and Team Play in Detail.
By W. J. Clarke and Fredrick T. Dawson. Illus-
trated, 12mo, 205 pages. Charles Scribner's Sons.
$1. net.
Sewage Purification and Disposal. By G. Bertram
Kershaw. Illustrated, 8vo, 340 pages. G. P.
Putnam's Sons.
Newark Museum Pamphlets. New titles: The Pot-
tery and Porcelain of New Jersey, Prior to 1876;
The Clay Products of New Jersey at the Present
Time. Each 8vo. Newark: Published by the
Museum. Paper.
The Public Schools and Women in Office Service.
Prepared under the direction of May Allinson,
A.M. Large 8vo, 187 pages. Boston: Women's
Educational and Industrial Union.
The Return. By John Malmesbury Wright. With
portrait, 18mo, 14 pages. Paul Elder & Co.
Hancock's Applied Mechanics for Engineers. Re-
vised and rewritten by N. C. Riggs. 12mo, 441
pages. Macmillan Co. $2.40 net.
The Principles of Fruit-growing. With Applica-
tions to Practice. By L. H. Bailey. Twentieth
edition, revised; illustrated, 12mo, 432 pages.
Macmillan Co. $1.75 net.
A B C of Gardening. By Eben E. Rexford. 16mo.
115 pages. Harper & Brothers. 50 cts. net.
Autumn Notes in Iowa. By Selden Lincoln Whit-
comb. With frontispiece, 12mo, 192 pages.
Cedar Rapids: The Torch Press.
Indoor Games for Awkward Moments. Collected by
Ruth Blakely. Illustrated, 12mo, 163 pages.
Hearst's International Library Co. $1. net.
Roma: Ancient, Subterranean, and Modern Rome
in Word and Picture. By Albert Kuhn, D.D.
Part VIII., 4to. Benziger Brothers. Paper,
35 cts. net.
1915]
THE DIAL
355
Photoplay Making. By Howard T. Dimick. 8vo,
103 pages. Ridgewood: The Editor Co. $1.10 net.
The Art of Speech Making. By Nathaniel C.
Fowler, Jr. 12mo, 226 pages. Sully & Klein-
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THE DIAL
363
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THE DIAL
[ May 13, 1915
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THE DIAL
jfortntB&tlp journal of Utterarp Criticism, Jitecustfion, anb 3nf ormation.
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Entered as Second-Class Matter October 8, 1892, at the Post
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Vol. LVIII.
MAY 13, 1915
No. 694
CONTEXTS. PAQE
THE PRESENT GENERATION. Edivard E.
Hale 365
CASUAL COMMENT 368
The lost classics of ancient Greece. — The
short-story harvest of 1914. — The new head
of the John Carter Brown Library. — An
adjustment of copyright differences. — One
day's activities in a busy reference room. —
A potent poem. — Second-hand knowledge of
books. — A definition of great literature.
COMMUNICATIONS 370
A Spurious Derivation Attributed to La
Salle. J. Seymour Currey.
The Fallacies of " Peace Insurance." Richard
Stockton, Jr.
An Ancient Journalistic Jest. Walter Taylor
Field.
A VETERAN DRAMATIC CRITIC ON FA-
MOUS SHAKESPEAREAN ACTORS.
Percy F. Bicknell 373
A CRITIC'S CREDO. Herbert Ellsworth Cory . 375
A DEFENCE OF SOCIALISM. Alex. MacJcen-
drick 377
TWO CANADIAN STATESMEN. Lawrence J.
Burpee 380
THREE BOOKS ON SOUTH AMERICA. P. A.
Martin 381
RECENT FICTION. William Morton Payne . 383
NOTES ON NEW NOVELS 385
BRIEFS ON NEW BOOKS 386
The poet's California. — Charter making for
American municipalities. — The future gran-
ary of the world. — An iconoclastic study of
Lowell as a critic. — The pilot of Britain's
war destinies. — Old and new religions in
modern India. — The story of Belgium's mar-
tyrdom.— A satire and some one-act plays by
Mr. Jones. — Studies in Canadian politics and
education. — A rolling stone that gathered
much moss.
BRIEFER MENTION . 390
NOTES 391
LIST OF NEW BOOKS . . 393
THE PRESENT GENERATION.
Every man of middle age must have looked
back to the days of his youth and speculated a
little on how different things were then ; there
comes a time in the life of everyone when he
realizes that he is no longer young and that the
present generation is somehow different from
the generation of his youth. Just what this
difference is, is rarely obvious. It is no more
obvious to-day than at other times.
For myself, I am of necessity given to rather
academic studies, and I often join such
thoughts to speculations concerning the turn
of the century that rise from a study of En-
glish Literature. There we have, as has often
been noted, the great age of Elizabeth, a period
of freedom, and the great age of Anne, a
period of discipline. The mind naturally runs
on to the romantic period, about 1800, where
again it was the time of liberty and imagina-
tion and ideas; and then says, How about
1900 ? "Was that to be a second period of dis-
cipline, of correctness, of restraint? Has it
been, is it such?
Certainly we can hardly expect the regular
recurrence of expansion and contraction, of
systole and diastole, as my honored old teacher
Professor Corson used to like to say. Even if
it were a regular heart beating, or a pendulum
swinging, we should hardly expect that; for
though it might have come regularly in 1600,
1700, 1800, there has been such disturbance
of conditions that we could hardly expect just
the same ebb and flow, or flow and ebb, coming
to its point in 1900. Not to mention the great
Victorian age, which perhaps was no greater
interruption to the regularity of ideas than the
Puritan revolution in the seventeenth century
or the romantic revival in the eighteenth,
there were other new conditions especially
affecting letters. The utilitarian turn of the
Victorian age was certainly making for an age
of restraint, and indeed had made it, only
sooner than one might have expected. No time
has been so dead to anything that the Eliza-
bethans or the romanticists would recognize as
the time about 1880. The period of repression
had come sooner, that was all, — induced prob-
ably by the immense increase of the read-
366
THE DIAL
[ May 13
ing and writing public that came about from
the mechanical advances in printing and the
other arts that go to the making of books.
I should say that the older generation — the
generation which came to maturity about '75,
'80, or '85 — showed not restraint but repres-
sion to a considerable degree. It did nothing
in poetry; to write ballades, villanelles, ron-
deaus, rondels, triolets was its highest achieve-
ment. It did something in prose ; but it was
the prose of observation and document, the
prose of Defoe two hundred years before, but
generally without his genius. It was pretty
hopeless in religion (here in America, at least) ,
and pretty hopeless in politics. Much may be
learned from the attitude of the young. Thou-
sands of men now getting on in middle life
were then in college; they can say whether
what was then called " Harvard indifference "
was confined to Harvard.
We need not fancy that 1900 was to have
been another 1700. It very clearly was not.
Whoever looked in 1900 for a modern Pope, a
modern Addison, a modern Defoe, a modern
Locke, would have been sadly disappointed.
Rudyard Kipling and Bernard Shaw, Henri
Bergson and William James, John Sargent
and Claude Monet, Anatole France and Mau-
rice Maeterlinck did not point in that direc-
tion. It may not be clear just whither they*
did point ; but it was not toward Law, as com-
monly understood. Science and Logic and
Realism had come to their zenith some years
before.
If we look back to those days thirty or forty
years ago — we who can remember them — we
shall feel instinctively that times were very
different. And the difference will not be the
usual difference between youth and middle
age. It is not that we were then fresh, enthusi-
astic, free, and that now we are confined, toned
down, limited. That is the way one would
expect an older man to look back to the days
of his youth. But I will wager that with any
man who has kept up with the times, the feel-
ing is just the reverse, — he will feel that in
those days he was confined and had no chance
to live or think, and that it is in these days
that one is more free to do something.
Take a few of the movements of the time
that especially concern young men and young
women. We might at the very first say that it
is something that such things should now con-
cern young women as well as young men ; but
take that for granted. It was in 1888 that the
Student Volunteer Movement was begun ; that
is a type, only, of a movement for active relig-
ion a hundred-fold greater. It was the indi-
rect outcome, of course, of earlier influences,
such as the preaching of Moody ; but the full
fruition of Moody's work was slow. The
Northfield Conference, the Student Volun-
teers, the Christian Endeavorers, and many
other forms of awakened Christianity, came in
the last generation.
In politics the change is equally marked.
The recollections of any political worker of
middle age, the life of any politician, should
show that much. As I look back to my college
days, I feel sure that the temptation to the
young man to get out into political work was
very slight. I often used to think of it: it*
seemed as if the great causes had all been set-
tled; civil service reform and the mugwump
movement were almost the only things. Doubt-
less there was far more than I saw in those-
days, but I believe the main idea is correct.
So also with social service. Charles Brace's;
" The Dangerous Classes of New York " and
Charles Booth's " Labor and Life in East
London " were early and important books, and
General Booth's Christian Mission as well as
the Five-Points Mission in New York pointed
a way. But the new era only began with
Toynbee Hall in 1885 and Hull House in 1889.
Social service to-day is a wholly different thing;
from the philanthropy of 1880.
This deals chiefly with America alone. I
have not the broad outlook that could include
the world ; but certainly the words Modernism;
in religion, Socialism in politics, Social Ser-
vice in philanthropy, seem to show much the
same thing. In one case we can be more exact.
In France a few years ago they were much
impressed with just this interest of which I
now speak, and a number of inquiries were
made as to the difference in the thought of the
young men of France in our own day and the
young men of a generation ago. Of these in-
quiries the one published under the name of
"Agathon " was most widely known, and in
spite of some adverse criticism its general
tenor may probably be accepted as accurate.
Agathon looks back to the eighties, and views
the generation for which Paul Bourget wrote
his " Psychologic Contemporaine." There are
perhaps among those who read these lines some
who remember those brilliant essays when they
came out, those remarkable studies of the mas-
ters of modern France, — Taine, Renan, Bau-
1915]
THE DIAL
367
delaire. Agathon sees the generation of young
France which came to manhood in the years
following the war of '70-'71 to have been
materialistic, sceptical, dilettante. Very dif-
ferent the France of to-day, as Agathon por-
trayed it and as the war found it, — very
different in religion, in politics, and in the life
of service.
We cannot be far wrong if we believe that
the new century found the human spirit
straining to get forward rather than holding
back, looking out and not in, bent on action
rather than doubting as to truth. So much
probably would be news to few.
Farther it might be hard to go. Was 1900
merely looking to a repetition of 1800 or 1600,
— a repetition coming faster than might have
been anticipated because ideas get about faster
than they used and so men live faster than
they used? Can we take the torch of Shake-
speare and Bacon and Spenser, of Wordsworth
and Byron and Shelley, and carry it farther ?
Can we indeed (to drop the figure) even read
Shakespeare and Wordsworth to-day and feel
that they have anything to say to the modern
man? Certain men of modern minds would
doubtless say no.
I would not discuss that. I would gladly,
however, point out one new idea in the pres-
ent course of events which may prove to be a
general leaven to the life of our time. I have
spoken of religion, politics, and social service ;
now there is a word to be said of literature.
The literature of the last generation has
offered a curious commingling of the effort to
see the environment of the life about us just
as it is (which is sometimes called realism) and
the effort to realize some other kind of life
which we instinctively feel is better, which is
sometimes called romance and sometimes ideal-
ism and sometimes other things. Everyone
will recognize this in the fiction of the last
thirty years and in the drama. It may be seen
also in poetry. Toward the end of the eighties
appeared the work of Henley and of Yeats;
in the nineties were Davidson and Phillips ; in
the first years of our century came John Mase-
field and Alfred Noyes. The first thing one
would say about Henley, Davidson, Masefield
(or at least the first thing that people did say)
is, Here is realism. And of Yeats, Phillips,
Noyes, we should say, Here is romance. Yet
as soon as we begin to read either set we find
that such a ticketing is not of much use. Each
one may have his especial leading, but Henley,
in spite of his " Hospital Sketches " and
" London Voluntaries," is certainly romantic
enough ; and Yeats, in spite of his wanderings
with Oisin and Niamh, in spite of his old
Celtic romance or his modern magic, keeps
pretty well in touch with the plain every-day
life of the modern Irish peasant. And so with
the others ; there are preferences but there is
not that sharp distinction between life as we
know it and life as we wish it might be.
There is a passage in Scott's " Waverley "
that is very typical of its time, almost exactly
a century ago. Toward the end of the book it
is written of Waverley, left behind on the re-
treat from Derby, that " he felt himself enti-
tled to say firmly, though perhaps with a sigh,
that the romance of his life was ended, and
that its real history had commenced."
But nobody believes in any such sharp con-
trast now. The whole idea of modern religion,
modern politics, modern social service is that
one must go into them with such conviction,
such enthusiasm, such life that their crudest
realities fuse into a true romance. In fact,
neo-realism and neo-romance are the same
thing ; which is the reason why it is so hard to
classify (in the old classification) people like
Rudyard Kipling and Bernard Shaw.
Of these two typical men I will merely offer
two sayings which (to my mind) provide an
explanation of the modern movement. Of Kip-
ling we have an evidence, not from his own
writing but from that of another, as to what
he was to the rising generation. " He pro-
vided phrases for just that desire for discipline
and devotion." There is more in " The New
Machiavelli," but that expresses what I see in
Kipling, — discipline become devotion, or just
the other way if you will. That gets the two
things together somehow, liberty and law; it
fuses them. Of Bernard Shaw I will merely
quote a chance expression, but a true one for
all that. " Virtue," says he, " consists not in
abstaining from vice, but in not desiring it."
I don't know where he says it; but I would
trust Dr. Archibald Henderson, from whom I
quote it, on more than that.
I have written so much already that I can-
not now develop this idea into all its ramifica-
tions in the life of our time. Perhaps some
other time I may be allowed space to do that.
For the moment it must be enough to say that
the whole strength of the religious movements
of the past generation lies in its emphasis on
the power of Christ to-day to bring the human
368
[ May 13
will into harmony with himself and the pur-
poses of God ; that the essence of modern poli-
tics is that no system and no legislation im-
posed from without can ever make our public
life what it should be, but that reform must be
renaissance and come from within, must begin
with the individual citizen ; and that the heart
of the social movement lies not in a sort of
Lady Bountiful helping the poor, but in so
much fellow-feeling with those who need help
that one realizes that the needs and wants of
one are needs and wants of all. The aim is
(as it has always been) sincerity: the only
way to make men good is to make them long
to be good.
An old idea, — John Wesley, Francis, Paul
knew it. If it be not the idea of to-day I wish
it was. EDWARD E. HALE.
CASUAL COMMENT.
THE LOST CLASSICS OF ANCIENT GREECE have
for centuries been vaguely and longingly con-
jectured to be awaiting disinterment whenever
some conquering army of Christian Europe
should recover Constantine's capital from the
Moslem Turk. Hence the hopes of the learned
world, perhaps even including the Teutonic
world, in these days of reported naval and
military activity in and about the Dardanelles
and the Bosphorus. If at last the treasures of
literature now supposed to be lurking in sun-
dry crypts and lofts and mosque libraries of
Constantinople shall be brought to light, what
may they not include ? Even some of the best-
known names in Greek poetry and drama are
at present represented by but a small portion
of the writings believed to have come from
their respective authors' pens, ^Eschylus,
known to us through seven cherished tragedies,
is said to have written ten times that number ;
Sophocles likewise survives in seven of his
tragedies, while one hundred and thirty are
ascribed to him ; and though the less-esteemed
Euripides has come down to us in a score (less
two) of his dramatic pieces, he exhibited plays
for thirty-three years after first winning the
grand prize in 441 B. c., and must have left
behind him when he died in 406, at the age of
seventy-five, a great many more than the
eighteen extant tragedies bearing his name.
Of other famous Greeks, known to the modern
world by few of their works or by none at all,
and thought to be awaiting a possible resurrec-
tion when the day of doom shall dawn on the
Turkish capital, there are, for example, Archi-
lochus of Paros, Hipponax of Ephesus, Ana-
creon and Sappho and Alcaeus, Stersichorus,
Simonides of Amorgos, and that later Simon-
ides, of Ceos, famous for his prize elegy on
those who fell at Marathon, and for fifty-five
other prize compositions; and Pindar, whose
extant work is but a fragment, and Philetas of
Cos, and Lycophron, and Callimachus, and
Meleager, and who knows how many more. If
all these should come into their own with the
fall of Constantinople, what a renaissance of
Greek literature would forever after be assor
ciated with this the four hundred and sixty-
second year after the taking of that city by
the Ottomans! And if the recapture of the
place from them should chance to fall on the
twenty-ninth of this month — for it was on
May 29, 1453, that they took possession of the
capital of the Eastern Empire — what a mem-
orable anniversary celebration that would be !
• • •
THE SHORT-STORY HARVEST OF 1914, so far
as that harvest is garnered within the covers
of eight leading American periodicals, has
been winnowed and sifted by Mr. Edward J.
O'Brien, who publishes the results of his self-
imposed labor in the Boston " Transcript," in
a form resembling that in which Mr. William
Stanley Braithwaite has for some years been
wont to present his findings in respect to the
annual crop of magazine verse. Six hundred
and one short stories were read by Mr. O'Brien,
who pronounces 229 of them to be possessed
of "distinction," and 86 marked by "very
high distinction." Among those writers who
have produced the best work in this depart-
ment, according to Mr. O'Brien, are especially
to be noted Mrs. Katharine Fullerton Gerould,
Mr. Joseph Conrad, Mr. Melville Davisson
Post, Mr. H. G. Dwight, Mr. James Hopper,
Miss Elsie Singmaster, Mr. Francis Buzzell,
Mr. John Luther Long, Mr. Conrad Richter,
Mrs. Mary E. Wilkins Freeman, Mr. Gouver-
neur Morris, Mr. Calvin Johnston, Mr. Armis-
tead C. Gordon, Miss Mary Synon, Mrs. Edith
Wharton, and Mr. John Galsworthy; and
in his opinion the five best short stories of
the year were, in the order of their merit,
"Brothers of No Kin," by Mr. Richter (in
"The Forum"), "Addie Erb and Her Girl
Lottie," by Mr. Buzzell (in " The Century"),
"A Simple Tale," by Mr. Galsworthy, " The
Bravest Son," by Mary Synon, and " The Tri-
umph of Night," by Mrs. Wharton (the three
last-named in " Scribner's Magazine"). Mr.
O'Brien's deductions and judgments are of
undoubted interest; yet it is nevertheless
probable that if ninety-nine other persons of
equal critical capability were to present ap-
praisals, based upon the same data, of the best
short stories of the year, no two lists among
the hundred would be found to correspond.
1915]
THE DIAL
369
One is reminded of Mr. Bernard Shaw's rejec-
tion of a check for one thousand dollars sent
him as first prize in a short-story contest con-
ducted by " Collier's Weekly " a few years ago.
"How do you know that mine was the best
story received ? " wrote Mr. Shaw to the editor ;
"you are not Posterity! "
• • •
THE NEW HEAD OF THE JOHN CARTER BROWN
LIBRARY, in succession to Mr. George Parker
Winship, who goes to Harvard as librarian of
the Harry Elkins Widener collection, is an-
nounced to be Mr. Champlin Burrage, of the
same stock as the Boston Burrages, though his
present position as librarian of Manchester
College, Oxford, may beget the erroneous in-
ference that he is an Englishman. Portland,
Maine, is his birthplace, Brown University his
alma mater, and he is still on what may be
called the upward slope of life, having been
graduated from college as late as 1896. Two
years of German university study, chiefly at
Berlin, followed his graduation, and he has
made a specialty of church history, particu-
larly the history of the non-conformist move-
ment in England, unearthing some important
documents about Kobert Browne, founder of
the Brownist sect, which later became known j
as that of the Independents or Congregation-
alists. Also new sources of knowledge relating
to John Robinson, pastor of the Pilgrims in
Holland, have been laid open by Mr. Burrage,
who has published " The New Covenant Idea,"
" New Facts concerning Rev. John Robinson,"
and " The Early English Dissenters in the
Light of Recent Research." He has taken the
degree of bachelor of letters at Oxford, which
has stood sponsor for his more important his-
torical publications and has, through Profes-
sor Firth and others, expressed its sense of his
ability in research. A collector, for himself
and others, and a bibliophile, as well as a stu-
dent and writer, he comes to his new duties at
Providence with ample equipment and every
promise of success in continuing the useful-
ness and the high repute of the famous his-
torical library to which he is called.
• • •
AN ADJUSTMENT OP COPYRIGHT DIFFERENCES
between this country and England, as indeed
between all the civilized nations of the earth, is
one of the things to be hoped for and striven
for in that better future to which mankind is
ever looking eagerly forward. A recent step
in the right direction has been taken by the
British government in the issuance of an
" order in council " — not of a warlike com-
plexion, but eminently pacificatory — decree-
ing that henceforth the unpublished literary,
dramatic, musical, or artistic work of an Amer-
ican author, playwright, composer, or artist
shall enjoy the protection of British copyright
equally with all such work of British origin.
Thus the public performance of an American
play in England will make its copyright there
secure, without the publication heretofore re-
quired for copyright purposes. Musical com-
positions and art works will profit in like
manner. All this should remind us, to our
shame, that England has always been more
liberal toward American authors in respect to
copyright privileges than America has been
toward English authors. Our absurd laws
still require an. English author seeking Amer-
ican copyright, to print his book in this coun-
try from type set up or plates made in the
United States, whereas England only asks for
simultaneous publication in the two countries,
with no silly specifications in regard to print-
ing. In the realm of letters all things that
savor of international jealousy or suspicion or
unfriendliness are absurdly and lamentably
out of place.
• • •
ONE DAY'S ACTIVITIES IN A BUSY REFERENCE
ROOM are too numerous and varied, and under
too little supervision or control, to admit of
anything like accurate record. Who can tell
how many hundred different topics may be the
subject of more or less thorough research at
any one time, through the thousand or more
general works of reference freely accessible to
all comers in such public libraries as those of
New York, Chicago, Cleveland, Boston, and
St. Louis'? Within the working hours of one
such literary laboratory, that at Brooklyn, the
following subjects are " a few that came to the
attention of the staff," as we learn from Mr.
Calvin W. Foss, the reference librarian in
charge of the department : "Assaying of dia-
monds ; lubricating oils ; Platt Amendment to
Act concerning Relations of United States
with Cuba; criticisms of the writings of Seu-
mas MacManus ; Norman influence on English
literature; Franco-Spanish Treaty (1912)
concerning Morocco; civil status of Ceuta,
Morocco; Tissot paintings of Life of Christ;
New York laws respecting Morgues ; foot and
mouth disease; follicular mange; color pho-
tography; laws governing charitable institu-
tions of New York City; finger-ring design;
Japanese embroidery; steam engineering;
comparative value of clay lands in different
states, and market prices of the clays ; archi-
tecture and furnishings of colonial dining
rooms." When it is borne in mind that on the
following day as many more entirely different
topics probably demanded investigation, and
on the day after that still another list, and so
on for year after year, though with considera-
370
THE DIAL
[ May 13
ble duplication of research, in the long- run, the
practical usefulness of this part of a library's
equipment becomes apparent. We need this
reminder occasionally, in view of the unde-
niable expense of this equipment.
A POTENT POEM, the potency of which has
shown itself in causing the withdrawal of
Professor Kuno Meyer's candidacy for the ex-
change professorship at Harvard next season,
has enjoyed an unexpectedly wide publicity
after its recent initial appearance in " The
Harvard Advocate." Awarded by Dean Briggs
and Professor Bliss Perry the prize offered by
this student publication for the best poem on
the European war, this piece of verse, from the
pen of Mr. C. Huntington Jacobs, of the junior
class, takes its place beside Hoffmann von
Fallersleben's " Deutschland, Deutschland
iiber Alles " as a generator of strife. It is
entitled "Gott mit Uns," and is doubtless
familiar to most readers by this time. That
Euterpe or Polyhymnia or any other of the
Muses should thus become involved with Mars
in a quarrel so abhorrent, as one would sup-
pose, to the Pierian Nine, must excite regret.
The present incident, which has elicited an
impassioned protest from our distinguished
visitor, may perhaps serve a useful end in illus-
trating how trivial a matter will evoke the
most vehement demonstrations of wrath when
the atmosphere is tense with such bitter ani-
mosities as those of the present time. "We are
living in a powder magazine, and must be
careful with our matches.
• • •
SECOND-HAND KNOWLEDGE OF BOOKS is very
decidedly abundant, as compared with direct
acquaintance. The hardest work in the world
is to think independently ; therefore mankind
in general is glad to be told what it ought to
think about the great masters of literature,
and what book-titles and other scraps of lit-
erary information it ought to have at its
tongue's end. Addison and Johnson, Mon-
taigne and Yoltaire, Schiller and Goethe,
Homer and Dante and even Shakespeare, are
little more than names to many persons who
have the reputation of being- well-read and
perhaps actually think themselves to be so.
This vague half -knowledge, or one-tenth-
knowledge, however, is rarely made the object
of deliberate commendation on the part of
anyone whose opinion is of value. Yet some
such praise seems to be bestowed by " The Bul-
letin of the Brooklyn Institute of Arts and
Sciences " when in a recent well-deserved trib-
ute to Professor Copeland of Harvard it says :
"Many Harvard men owe their knowledge of
eighteenth-century English, of Fielding and
Smollett, of Goldsmith and Pope, directly to
Mr. Copeland rather than to their readings in
history or literature of that age." Might it not
have been more complimentary to Professor
Copeland, and also nearer the truth, to say
that many Harvard men owe their knowledge
of the authors named to their readings in those
authors, prompted by their teacher, even more
than to his personal instruction? Contact
with a born educator does not convert the
pupil into a sponge; he is rather fired with
zeal for more positive intellectual activity than
is implied in mere absorption. The assimila-
tion of knowledge, like the assimilation of
food, calls for a considerable amount of reac-
tive energy.
• • •
A DEFINITION OF GREAT LITERATURE, from Mr.
Howells's pen, has gained considerable cur-
rency of late, and its pithy brevity makes it
worth committing to memory. It was after
commending the unstudied effectiveness of
Grant's style in his " Personal Memoirs " that
he enunciated, in explanation of the book's
recognized claim to greatness, the truth that
" great literature is nothing more nor less than
the clear expression of minds that have some-
thing great in them, whether religion, or
beauty, or deep experience." This helps to
explain why, as Leslie Stephen was wont to
affirm, the best biography is that which ap-
proaches the nearest to autobiography ; and it
was with some such truth in mind that Edward
Rowland Sill used to declare the only thing a
man was really competent to write about was
himself. Hence, too, as has been more than
once pointed out, the truly great novel is, in
essentials, autobiographical, though it is by no
means necessary that it should be written in
the first person, and it does not at all follow
that every work of fiction presented as auto-
biography is possessed of greatness. Those
novelists who hope to impart an otherwise un-
attainable virtue to their productions by mak-
ing them autobiographic in form, but not in
substance, may deceive themselves, though
they will never deceive a discerning reader.
COMMUNICATIONS.
A SPURIOUS DERIVATION ATTRIBUTED
TO LA SALLE.
(To the Editor of THE DIAL.)
A story was set afloat some years ago concerning
the derivation of the name of Chicago, which in the
first instance was intended without doubt as a
humorous sally by its originator. But as in at
least two instances, it has deceived recent writers,
who seem to have regarded it as authentic, it would
appear to be necessary to examine the matter
seriously.
1915]
THE DIAL
371
In Edwin 0. Gale's " Reminiscences of Early
Chicago," published in 1902, there was printed
what purported to be a letter by the explorer La
Salle, said to have been written in 1682 from the j
present site of Chicago, " to a friend in France."
In this letter (as printed) La Salle describes the
river, flowing into the lake with a feeble current,
" which occupies the course that formerly the
waters of these great lakes took as they flowed
southward to the Mississippi river." La Salle is
made to say in this letter that " the boundless
regions of the West must send their products to the
East through this point. This will be the gate of
empire, this the seat of commerce," — a truly
remarkable prediction if he ever wrote it as alleged.
" If I were to give this place a name," he continues,
tl I would derive it from the nature of the place and
the nature of the man who will occupy this place —
ago, I act; circum, all around; Circago." Gale
comments as follows on this extraordinary deri-
vation : " The recollections of this statement,
imparted to an Indian chief, remained but indis-
tinctly, and when the Americans who built Fort
Dearborn came to these wilds they heard what they
thought to be the legendary name of the place and
pronounced it as did the Indians, Che-ca-go, instead
of Circago as La Salle had named it."
Gale was an inveterate joker, as anyone will read-
ily perceive who reads his book; but his recollec-
tions have a real value to the historical student
notwithstanding the author's humorous proclivities,
for he came at a very early time, having arrived
with his parents at Chicago in 1835. Now this
so-called letter of La Salle's was given a place in
Gale's book apparently for a humorous purpose
and nothing else. It is a surprising fact, however,
that the letter has been taken quite seriously by
later writers. In a volume entitled " Chicago, Past
and Present," by S. R. Winehell, published in 1906
(four years after the appearance of Gale's book),
there is quoted the La Salle letter together with
Gale's comments, as if with the author's approval
of its authenticity. Likewise in the " City Manual
of 1914," issued by the Chicago Bureau of Statis-
tics, the letter is quoted on the reverse of the title-
page, occupying the page by itself, apparently with
the approval of the compiler.
It is interesting to observe, however, that at least
one writer was not deceived by the letter thus
appearing for the first time in Gale's book. Mr.
John F. Steward, in his work entitled " Lost Mara-
mech and Earliest Chicago," published in 1903,
notices the publication of the letter, and remarks:
" I do not find anything like this in any of the
writings of La Salle, and I believe that I have a
copy of every scratch of La Salle's pen that did
not perish with him." Other writers, however,
have regarded the letter as a joke, which it undoubt-
edly is and was intended to be, and have made no
references to it whatever.
One would have supposed that the general con-
tents and style of the letter would have furnished
sufficient evidence of its spurious character. The
description of the region, for example, where the
" course that formerly the waters of these great
lakes took as they flowed southward to the Missis-
sippi river/' is mentioned, could only have been
based on knowledge that neither La Salle nor any
of his contemporaries possessed, for such knowl-
edge has been arrived at only by means of investi-
gations into glacial action by scientific men within
the last two generations. In regard to the sounding
phrase that " this will be the gate of empire, this
the seat of commerce," it is impossible to believe
that La Salle ever used the language quoted, as it
is foreign to his! own style and that of other writers
of the time.
Ingenious derivations of place names have been
a favorite sort of humor in times past,! mostly con-
fined to newspaper paragraphs; and persons hav-
ing a taste for fantastic notions of the kind, often
said by their inventors to be derived from tales of
trappers or Indians, find immense enjoyment in
their repetition. But this is probably the first
instance where it has become necessary to enter a
solemn refutation of nonsense of this character.
However, if jokes must be labelled, let it be done in
this case ; or, better still, let such trifling be excluded
from text-books and manuals having a serious pur-
pose in view. j. SEYMOUR CUERBT.
Evanston, III., May 4, 1915.
THE FALLACIES OF " PEACE INSUEANCE."
(To the Editor of THE DIAL.)
Permit me to call your attention to some errors
in your review of my book, " Peace Insurance," in
your issue of April 15.
You state that my volume " offers no explanation
as to why Europe, which has long carried very
heavy insurance of this sort [armament], has now
so destructive a war upon its hands." While it is
true that I did not attempt to cover the intricate
and controversial causes of the war, I did explain
the causes in general in some detail. Permit me to
invite your attention to pages 4 and 5, and to quote
therefrom, in part :
" It is thus that military force, insuring against
defeat in war, insures against any war at all. . . .
We insure against loss by fire, theft, burglary, etc.
... In addition we attempt to prevent loss by fire
departments, police departments, etc. These forces, it
is needless to say, do not prevent fires, nor crimes, but
they lessen their frequency and afford the BEST
MEANS OF PROTECTION YET KNOWN. Mili-
tary force bears the same relation to conflicts between
nations."
The above is but a summary. In the book it is
substantiated at some length. Your statement that
I offer no explanation is, therefore, incorrect.
It is also stated in your review that the fact
" that the victorious Confederate army at Bull Run
also consisted of volunteers seems to have escaped
the writer's notice," — this being a result of my
claim that with an army of trained troops, instead
of a mob of civilians, the North would have gained
a decisive victory and probably ended the war.
I hope that you do not always reason so lightly.
It may be remarked that when armies meet in bat-
tle, even with both sides untrained, it is not infre-
quent for one side or the other to be victorious.
However, when a trained army meets an untrained
army of equal size, it is seldom that the untrained
one wins. It was this fact which did come to my
notice, and which caused me to say that a trained
army on the side of the North would have changed
372
THE DIAL
[ May 13
the result and ended the war. Had the South a
trained army I could not have made such a state-
ment. Furthermore, on page 153 of my book you
will find actual comment on the condition of the
Confederate force. Hence your statement in this
respect is also incorrect.
Your closing sentences state that the anti-mili-
tarist sees things as they ought to be and can be,
while the militarist sees things as they were in the
past alone. However, in " Peace Insurance,"
while a very proper advantage is taken of the
lessons of the past, two complete chapters are
taken up with a study of the present and the
future, — namely, the chapters on " The Likeli-
hood of War To-day" and "Will War Ever Be
Abolished ? " The fact is that my book does con-
sider things as they are, and as they probably will
be according to all natural laws ; while the pacifists
confuse these facts with theory and things as they
ought to be, but in our time cannot be.
Of course, in my attempt to present the case for
the so-called military party, I have failed to do it
justice in many respects. In that respect the book
is weak, and it contains the errors common to all
such publications. Nevertheless, I have been grati-
fied to note that in their adverse criticism, the
pacifists, among whom your reviewer must be num-
bered, are apparently compelled to evade the mat-
ters considered, to misstate matters, or to select
trivial errors which reflect only on the author and
in no way on the correctness of his thesis.
Your attention is invited especially to pages 157
and 158 of my book. It is to be hoped that you
will be fair enough to correct your misstatements.
RICHARD STOCKTON, JR.,
Captain, 2d N. J. Infantry.
Bordentown Military Institute,
Bordentown, N. J., May 3, 1915.
[While we are glad to give space to the
above, we do not consider that it impugns the
validity of our reviewer's statements at any
point. The quoted paragraph can scarcely be
regarded as a satisfactory explanation of the
break-down of the author's theory in the case
of the present war. Nor is the analogy with
insurance against fire, theft, etc., an accurate
one. The function of our police departments
is to detect and suppress crime ; the function
of our fire departments is to extinguish con-
flagrations. The function of an armed mili-
tary force is to fight, and throughout the
history of the world those countries with the
largest armed forces have always been the
aggressors in warfare. In the case of the
Civil War, the author imagines that the pos-
session of " an army of trained troops " by the
North would have resulted in a victory at Bull
Run and thus ended the war. But why did
the Southern victory not end the war? And
with an army of trained troops at her com-
mand, would the South have been any the less
reluctant to secede from the Union and thus
provoke war ? Our reviewer does not say that
" the militarist sees things as they were in the
past alone." He says that "the militarist
finds his warrant in what has been " rather
than in what ought to be. The difference
between militarist and anti-militarist is simi-
lar to the difference between the bourbon
slaveholder of ante bellum days and the aboli-
tionist. To the former, slavery was an estab-
lished institution, based on " natural laws,"
which had always existed and so always must
exist : to the latter it was a menace to civiliza-
tion that must be wiped out at any cost. —
EDITOR.]
AN ANCIENT JOURNALISTIC JEST.
(To the Editor of THE DIAL.)
It has long been the fashion of the Eastern press
to make the word Chicago synonymous with pork,
wheat, and wind, and to refuse to admit the possi-
bility of culture. I have sometimes wondered how
far this convention is due to the Chicago daily
newspapers themselves.
Recently a serious association of writers, the
Society of Midland Authors, completed its organi-
zation in this city. Its founders were Messrs.
Hamlin Garland, H. C. Chatfield-Taylor, William
Allen White, Emerson Hough, and others equally
prominent, and its roll contains the names of nearly
all the well-known writers in the Middle West. The
morning after the meeting one of our leading dailies
gave the new society a column with the heading,
"Thrill Spillers Feast and Play: Stuff Selling
Well." The article began with the ancient jest
reclothed in the following form : " Chicago, the
city of wheat corners and meat trusts, witnessed
another naughty combine when twenty-six authors
wiggled their fingers at the Sherman anti-trust law
and corraled all of the divine afflatus," etc.
Probably an article written in just this vein could
not have appeared in a reputable newspaper of any
other American city large enough to form the head-
•quarters of such an organization. It is not an
isolated case, but has been repeated in one form or
another in the news columns of nearly all of the
Chicago dailies when the subject of authorship is
approached. I do not refer to the review columns ;
they are for the most part admirably managed, and
are, on the whole, the equal of any in the country.
It is not to be supposed that the authors them-
selves take these good-natured slaps with great
seriousness. They may smile rather wearily at the
antiquity of the jest, and let it pass. But the news-
papers that assume this attitude toward literature
are giving color to the laugh that has always been
raised in the East against Chicago culture. If the
Chicago dailies are to be regarded as the makers
of public opinion, they should take different ground
than this ; if they are to be considered as the reflex
of public opinion, they should have some regard for
the increasingly large number of citizens who wish
to see Chicago freed from its ancient stigma.
There are some who hope that the time is coming
when the men and women who write books will not
be regarded by our city press as a subject only for
merriment, WALTER TAYLOR FIELD.
Chicago, April 28, 1915.
1915]
THE DIAL
373
A VETERAN DRAMATIC CRITIC ox FAMOUS
SHAKESPEAREAN ACTORS.*
To praise in formal terms at this late date
a work of Shakespearean scholarship and crit-
ical taste and judgment concerning which our
pre-eminent Shakespeare editor and scholar,
the late Dr. Furness, wrote (in commending
its initial volume), "Never before has there
been, within the same compass, so much truth
and wisdom uttered concerning the acting and
interpretation of Shakespeare," would savor
strongly of superfluity if not of absurdity.
Some indication of the contents and main
features of the second series of Mr. William
Winter's " Shakespeare on the Stage " will
sufficiently introduce the book to those inter-
ested in this rich garnering of more than half
a century's criticism and reflection in the field
of Shakespearean stage presentation in En-
gland and America.
As in the opening volume, so in this, six plays
are considered ; namely, " Twelfth Night,"
"Romeo and Juliet," "As You Like It,"
"King Lear," "The Taming of the Shrew,"
and "Julius Caesar." A brief history of the
play, including some account of its early
presentation, is first given, in each instance,
and is followed by descriptions of subsequent
memorable performances, these descriptions
becoming more and more vivid and entertain-
ing as the times are reached wherein the
writer was old enough to have personal knowl-
edge of that whereof he writes. Appraisements
and comparisons of leading Sha.kespeare im-
personators fill much of the space, and the
numerous portraits of these actors and ac-
tresses in stage costume heighten the effect of
the author's descriptions. Cold must be the
temperament of him who refuses to kindle
with some reminiscent ardor over these recol-
lections of the Shakespearean triumphs of
Edwin Booth and John McCullough and
Henry Irving, of Adelaide Neilson and Mary
Anderson and Ada Rehan, with many others,
some of whom will have entered into the play-
going experience of the great majority of
those who turn Mr. Winter's pages. His warm
but always intelligent appreciation of good
acting shows itself repeatedly, as for instance
in his glowing accounts of that masterpiece of
histrionic art, Adelaide Neilson's impersona-
tion of Juliet. Here as elsewhere he lays
emphasis on the importance of a well-con-
ceived artistic purpose, of a certain detach-
ment that forbids the player to lose himself in
* SHAKESPEARE ON THE STAGE. Second Series. By William
Winter. Illustrated. New York : Moffat, Yard & Co.
his part, however passionate may be the emo-
tions he is called upon to portray. In Miss
Neilson's acting, he says, " the mind, invaria-
bly and rightly, controlled the feelings." And
further, with a grace of diction and a critical
penetration that will not be lost upon the
appreciative reader, he continues :
" Miss Neilson's Juliet was a being all truth,
innocence, ardor, and loveliness, in whose aspect,
nevertheless, there was something ominously sug-
gestive of predestination to misery, herself mean-
while being pathetically unconscious of her doom.
It was not so much what the actress said and did
as what she was that permeated her performance
of Juliet with this strange, touching quality, which
saddened even while it enthralled; it was the per-
sonality of the woman, not only captivating the
senses but powerfully affecting the imagination.
All that she said and did, however, had been care-
fully considered. Nothing had been left to chance.
She knew what she intended to do, and she knew
how to do it — for which reason the personation
was distinct, rounded, cumulative in effect, and
free equally from tameness and extravagance. She
had, as all actors of genius have, moments of sud-
den insight and electrical impulse, in which fine
things are unpremeditatedly done, but she was,
intrinsically, an artist, and over all that she said
and did and seemed to be there was a dominance
of artistic purpose which, without sacrifice of the
glamour of poetry, made the poetic ideal an actual,
natural human being."
There is more that one is tempted to quote,
exquisite in delicate appreciation and vivid in
apt selection of epithet and phrase; but the
reader's full enjoyment of the book itself must
not be unduly forestalled. Instead, and as an
amusing illustration of Mr. Winter's other
manner, of his command of sarcasm and his
ability to voice in no uncertain tones his un-
flattering opinion of an inferior and preten-
tious performance, let us insert a few of his
remarks on a quite different interpretation of
the same favorite Shakespeare character:
"... The tragedy was produced, for the pur-
pose of ' starring ' Miss Mather, by Mr. James M.
Hill, of Chicago, since deceased, a genial specula-
tor in popular ' amusements/ who believed, with
Bottom, that Tragedy should not be permitted to
fright the ladies. 'A lion among ladies,' says the
immortal weaver, 'is a most dreadful thing.' In
Mr. Hill's production, accordingly, the play, —
arranged in six acts, sixteen scenes, and nine
tableaux, — was considerately invested with the
accessories of decorum and soothing domesticity.
In the scene of the secret marriage of Romeo and
Juliet two monks, moved, apparently, by springs,
suddenly came out of the wall of Friar Lawrence's
Cell and placed hassocks for the bride and groom
to kneel on, while the service was in progress.
Juliet's Bed-room, — the time of her nuptials being
the middle of July, in a hot country, — was thought-
fully provided with a large fire of brightly blazing
logs. On the morning appointed for her wedding
374
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[ May 13
a numerous company of young women entered her
chamber, to awaken her with cheerful song, but,
finding her dead, those accommodating vocalists
placidly ranged themselves about the apartment and
sang an appropriate and moving dirge. Juliet's
Tomb, a huge, gilded structure, shaped like a glove-
box interiorly illuminated, was exteriorly flooded
with ' moonlight,' shed from a glaring ' lime.' And
at the last, as a decent, orderly, becoming close to
the spectacle of affliction, many friars thronged
into the graveyard and sang the ' Miserere,' —
seeming to imply that Borneo, when on his way to
the Tomb, had heedfully paused at the Abbey and
bespoken ecclesiastical participation in the forth-
coming obsequies. To enhance the effect of these
imposing novelties Mr. Hill furnished highly-
colored scenery that shone like a brass coal-scuttle.
As I viewed the spectacle I thought of an old play
in which the comedian Burton was exceedingly
droll, acting an ignorant parvenu, who, being asked
whether, in the furnishing of his library, he wanted
to have f all the old authors,' exclaims, ' No, not a
damn' one of 'em! All new!'"
In his chapter on " King Lear," the longest
and perhaps the most noteworthy in the book,
the author makes clear, incidentally, what his
doctrine as elsewhere stated might seem to
contradict, that art is not all-powerful on the
stage, that even a great actor's intelligent con-
ception of his part may be neutralized more
or less by peculiarities or defects of tempera-
ment. Concerning Edwin Forrest's acting of
Lear, which the author witnessed many times,
he has considerable to say, of which a part is
here given.
" Forrest was never indefinite. In all his acting
clarity of design was conspicuous, and strength of
person went hand in hand with strength of pur-
pose. He knew his intention and he possessed
absolute control of the means needful for its ful-
filment. He was never weakened by self -distrust.
He never wavered. Adamantine authority, inflexi-
ble repose, explicit intent, directness of execution,
and physical magnetism were his principal imple-
ments, and he used them freely and finely. His
figure was commanding, his voice copious and reso-
nant. He was a man of prodigious individuality,
an egotist of the most positive type. The beauties
of his acting were much upon the surface; the
defects of it were largely those of his character.
In the vigorous maturity of his professional life
his King Lear was little more than an exhibition
of himself; an exceedingly strong and resolute
man, assuming, not very convincingly, the appear-
ance of being old, and imitating, cleverly but not
pathetically, the condition of madness. In his later
years he had become much changed. Thought,
study, observation, experience, and the silent dis-
cipline of time, had, in a measure, chastened his
egotistical spirit and refined his art. Misfortune,
sickness, and suffering had done their work on him,
as they do on others. The last time I saw him as
King Lear he played the part as it should be
played, and was like the breaking and then broken
old man that King Lear is."
The natural tendency of a dramatic critic
of Mr. Winter's age and experience to favor
the old methods and distrust the new, appears
by implication here and there, and explicitly
in more or less positive utterances scattered
through the book, notably in certain passages
of his preface like the following :
" No account has been attempted of the methods
employed by such eccentric pretenders to origi-
nality as Herr Max Reinhardt, Mr. Granville
Barker, and Mr. Gordon Craig. Judgment as to
their productions necessarily waits until they have
been seen and studied. Their methods, — if I can
trust what I have read and heard about them, —
are, variously, degenerate, contemptible, and silly,
— in fact, an abomination."
Mr. Ben Greet's attempt to give us Shake-
speare somewhat in the Elizabethan manner
fails to win the author's applause. In his
opening chapter he takes occasion to say :
" Mr. Greet is aware, and he has so signified in
print, that the old mode of producing Shake-
speare's plays ' can only be reflected to a limited
extent/ — in which case the reflection is, practi-
cally, barren of ' educational ' value. This mana-
ger's actual purpose, as distinguished from his
pretended one, is commercial, and as such a purpose
is honest it should not be associated with a sophis-
tical and fatuous pretence, which smacks of hum-
bug. To produce plays as, probably or certainly,
they were produced three hundred years ago, before
Science had made discoveries and Ingenuity had
contrived inventions which Taste has employed to
revolutionize all the old processes of industry and
art, is only to do badly that which can be done
well ; and to do this under the pretence of serving
the cause of ' education ' is to be disingenuous."
But may not half a loaf be better than no
bread? Even a partial return from the dis-
tracting elaboration of the modern Shake-
spearean performance to something like the
austere simplicity of Shakespeare's own time
may have real value, even "educational"
value, in spite of Mr. Winter's serious doubts.
Four more volumes, the author announces,
remain to be written in this series, so that it is
not yet the time to point out any conspicuous
omissions, any over-emphasis upon the old-
time stars at the expense of their modern suc-
cessors in the Shakespearean firmament. An
occasional foreglimpse of what is to be ex-
pected in those volumes is given in the present
one, and the sustained interest of the completed
work may be taken for granted. Announce-
ment of half a dozen other prospective works,
largely devoted to actors and acting, promises
still further delights to Mr. Winter's readers.
May they reach completion and fall nothing
short of this volume in engaging quality,
refining influence, and intellectual stimulus!
PERCY F. BICKNELL.
1915]
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375
A CRITIC'S CREDO.*
For all who have read Mr. "W. C. Brownell's
few severely and serenely weighed volumes of
criticism, and have come to know him as one
of America's leading critics, an arbiter who
may well challenge comparison with his best
contemporaries in England, it is a pleasure to
turn to the recent slender volume in which he
formulates his critical credo. One finds noth-
ing disappointing in these pages, with their
characteristic tough-sinewed style, perhaps a
little more gnarled than usual but bright with
carefully distilled epigrams, cunning with
logic, full of learned words sometimes almost
queerly Johnsonian, but striding quite natu-
rally in buskins. " Criticism itself is much
criticized," says Mr. Brownell, "which logi-
cally establishes its title." He answers those
who say that " only artists should write about
art " by observing that the artist has, in gen-
eral, a point of view which is either merely
"personal and not professional" or conven-
tional ; in either case it is not likely to receive
well the innovations or reactions of another
artist.
In considering the field and function "of
criticism, Mr. Brownell first classifies "all
artistic accomplishment " into the " moral and
material." The critic needs a less elaborate
knowledge of the material (technique) than
the practitioner. Indeed, such knowledge in
excess would tempt the critic "to exploit it
rather than subordinate it," and thus lose the
perfect poise upon which Arnold insisted.
Hence the impatience of the artist, who often
seeks in criticism "what it is the province of
the studio to provide." Thus also it comes
about that " artistic innovation meets nowhere
with such illiberal hostility as it encounters in
its own hierarchy, and less on temperamental
than on technical grounds." "The proper
judge of the tiller," moreover, " is not the car-
penter but the helmsman." The material data
are far less significant for the critic than the
moral. No artist can achieve greatly without
the moral attributes. But the artist-critic
generally neglects these to gossip about mere
craftsmanship, while the true critic signalizes
these life-giving qualities. " The true objects
of his contemplation are the multifarious ele-
ments of truth, beauty, goodness, and their
approximations and antipodes, underlying the
various phenomena which express them,
rather than the laws and rules peculiar to
each form of phenomenal expression; which,
beyond acquiring the familiarity needful for
adequate appreciation, he may leave to the
professional didacticism of each."
* CRITICISM. By W. C. Brownell.
Scribner's Sons.
New York: Charles
Let the critic remember that " no one knows
his subject who knows his subject alone " and
provide himself with a rich equipment. Since
literature is a criticism of life, he must know
life intimately, and he must have a philosophy
of life in order that his " individuality " may
" achieve outline." To Mr. Brownell, history
seems to take first rank among the general
departments of knowledge necessary for the
critic's broader equipment. ^Esthetics, too,
are very valuable, though their field is deemed
more restricted than that of history. Let the
literary critic know art, and the critic of art
know letters. Cultivate divine philosophy, —
but sparingly ; "its peculiar peril is pedantry."
As examples of critics who have profited by
this "cognate calling," Mr. Brownell names
Sainte-Beuve, Taine, and Scherer, and dis-
cusses them (as indeed he comes later to
discuss others) with deep penetration.
" I know nothing of art," says the Philistine,
" but I know what I like." For retort, let us
recall Mr. Vedder's words : " So do the beasts
of the field." Criticism must have a criterion.
Impressionism may "be strictly defined as
appetite": and though in its great practi-
tioners it "has certainly nothing gross about
it," it is limited by its habit of giving deci-
sions without reasons and so cannot validate
"its decisions for the acceptance of others."
Impressionism rises, to be sure, from a fine
sense of tolerance. But since there is no uni-
versal taste, a critic "to be convincing must
appeal to some accepted standard. And the
aim of criticism is conviction." Yet one must
beware of reacting against impressionism in
the manner of Brunetiere. His destructive
work was good. But constructively he could
place against mere personal preference a cri-
terion no better than "the classic canon" of
the art of the seventeenth century, an art
august, but forever departed. " Though he
became a distinguished scholar, Brunetiere
retained the temperament of schoolmaster"
(a defect which — may the reviewer interject
it ? — is equally fatal to a critic and a school-
master). Let the true arbiter be humbler,
and learn from impressionism at least this —
that even Euclidian proof demands postulates,
that critical dogmas "rest finally upon in-
stinct," and that "faith underlies reason."
Moreover, the postulates of criticism are, un-
like those of mathematics, " taken for granted
rather than self-evident." and are often mere
specious conventions "that depend on the
sanction of universal agreement." Hence
come the imperious but transitory conventions
of romanticism, realism, symbolism, and so
forth, setting fashions importunately only to
stand out at last as but vaguely and imper-
376
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[ May 13
f ectly related to eternal principles. The really
eternal postulates have varied little since the
days of Aristotle. Let us then call upon the
impressionist, who advances a new intuition,
" to tell us why " — since intuition does not go
far without reason. We should ask : "Is your
feeling the result of direct intuitive percep-
tion, or of unconscious subscription to conven-
tion " which the reason may winnow away as
quasi-intuition, chaff, prejudice ? Impression-
ism unsupported by intuition may well im-
peach the reason, but let it remember that the
reason is not to be dethroned. The critic must
judge, not merely " testify and record." With
the bright instrument of the reason he is no
longer the old-fashioned judge, " the slave of
schools," or the irresponsible impressionist,
"the sponsor of whim." Reason alone can
deal fairly with our great contemporary prob-
lem of " realism," and show when " realism "
becomes unreal, or where the opponent of
realism confuses " the ideal with the fantas-
tic." Finally, the rational criterion will serve
better than all others to determine " the rela-
tion of art and letters to the life that is their
substance and their subject as well."
And a rational criterion implies a construc-
tive method. In itself, analysis reaches no
conclusion, which is the end and aim of rea-
son. Here Sainte-Beuve often fell short. We
must, as critics, have a thesis quite as much as
do those works of art which we criticize. Yet
the constructive method tempts readily to ex-
cess, a central conception often leads to the
"partisanship of Carlyle, the inelasticity of
Taine, the prescriptive formulary of Brune-
tiere. The spirit of system stifles freedom of
perception and distorts detail." As we ap-
proach such criticism, either as readers or as
practitioners, we must guard against untrust-
worthiness, yet keep our minds open to the
values of its artistry, its insight, its genuine
instructiveness. The now popular historical
method reveals most markedly the excess of
the constructive method. Taine, for instance,
was not a critic but a philosophical historian.
But if he blurs individual traits he certainly
illumines general perspectives. The rest may
be left to pure criticism ; for though the his-
torical method has rendered great constructive
services, it tends to impose theory on the lit-
erature and aesthetic facts rather than to reveal
their essential character. Taine spent too
much time on causes, too little on characteris-
tics; he was content writh explanation, and
unfortunately chose not to pass on to estima-
tion. The true critic remembers that " theory
means preconception," — preconception which,
"based as it perforce is upon some former
crystallization of the diverse and undulating
elements of artistic expression, is logically
inapplicable at any given time — except as it
draws its authority from examples of perma-
nent value and enduring appeal, in which case
no one would think of calling it preconcep-
tion at all." This does not mean that criticism
must become ancillar3% concerned merely with
collecting data for the synthesist. Sainte-
Beuve's achievement is larger than Taine's —
and " Sainte-Beuve's work is itself markedly
synthetic " in its special way, although it
dwells on material examples and concrete
ideas rather than on systems and theories.
Such criticism may find unity through a
proper consideration of the author under
judgment. " For personality is the most
concrete and consistent entity imaginable,
mysteriously unifying the most varied and
complicated attributes."
" For beyond denial criticism is itself an art ;
and, as many of its most successful products have
been entitled ' portraits,' sustains a closer analogy
at its best with plastic portraiture than with such
pursuits as history and philosophy, which seek sys-
tem through science. One of Sainte-Beuve's stud-
ies is as definitely a portrait as one of Holbein's;
and on the other hand a portrait by Sargent, for
example, is only more obviously and not more
really, a critical product than are the famous ' por-
traits ' that have interpreted to us the generations
of the great."
But the critic, if wise, will "confine himself
to portraiture and eschew the panorama."
" His direct aim is truth even in dealing with
beauty, forgetting which his criticism is menaced
with transmutation into the kind of poetry that one
' drops into ' rather than attains. . . . The end of
our effort is a true estimate of the data encountered
in the search for that beauty which from Plato to
Keats has been virtually identified with truth, and
the highest service of criticism is to secure that the
true and the beautiful, and not the ugly and the
false, may in wider and wider circles of apprecia-
tion be esteemed to be the good."
Many of Mr. Brownell's dicta — for exam-
ple, that " faith underlies reason " and that
"theory means preconception," — tempt his
reader to believe that when he speaks of
" reason," to which he rightly attaches such a
vast importance, he has the deductive method
in mind most of the time. As far as the de-
ductive method goes, we may well agree that
the position of faith is to underlie reason, —
to underlie it in the guise of a premise. But
when we turn to the inductive method, may
we not come nearer to precision by saying
that since the inductive method never abso-
lutely exhausts its data, the conclusion (now
mingling perforce with some of our rigidly
suppressed, nay completely forgotten, intui-
tions) is a kind of faith that comes as a
climax superimposed upon the honest and
1915]
THE DIAL
377
austere practice of rational investigation?
Similarly, to the inductive reasoner, theory
need not mean a preconceptioii that will para-
lyze or even influence one's alertness for new
facts and truths. An inductive critic may
well begin with a childlike acceptance of the
generalizations of his predecessor, examine the
collected data, discover new instances (as a
new age always permits him), and come at
the end to his own theory, — a theory which is
almost sure to modify if not reject the conclu-
sions of the earlier critic. I do not mean to
say that Mr. Brownell neglects the inductive
method. But he appears to turn with the
greater readiness to syllogisms. In seeking
for the One amidst the welter of the Many, in
his quest for eternal principles, he becomes
rather diffident, and would force too severe
limitations on criticism. You must not be
wanton, he realizes, in urging premises on your
readers. For this reason he distrusts the old
critic, " the slave of schools " ; and so he well
may. Yet Mr. Brownell should turn again to
the judgment of. Dame Nature at the close of
the great debate for supremacy between Jove
and Mutabilitie, the awful arbiter of the One
and the terrible and beautiful titaness who
swayed the Many:
" I well consider all that ye have saycl,
And find that all things stedfastnes doe hate
And changed be : yet being rightly wayd,
They are not changed from their first estate ;
But by their change their being doe dilate :
And turning to themselves at length againe,
Doe worke their owne perfection so by fate :
Then over them Change doth not rule and raigne,
But they raigne over Change, and doe their states
maintaine."
The critic of to-day may well expect to find
intimations of the One in even the pedantic
theories of a Bossu on epic. He should not,
with Coleridge, turn too impatiently from
these. He will find amidst the chaff of Bossu
intimations of the One, here and there an
eternal principle, an eternal being in thought
which has been not destroyed but dilated by
the commingling, for all the strife and quali-
fyings, of many restless and diverse opinions
of later decades. Mr. Brownell is non-com-
mittal about the rules. He appears ultimately
to fall back upon the study and estimate of an
individual as the only intimation of the One
with which the critic can with absolute safety
hope to deal. He warns the critic, for in-
stance, against working with panorama. But
this is just where Taine succeeded. Of indi-
viduals he made warped portraits. But his
Rubens-like panoramic criticism has a large
element of soundness, as well as of visual
splendor, that has placed his " History of
English Literature," for all its preconcep-
tions, among the greatest and most enduring
memories of his century.
Finally, I cannot accept Mr. Brownell's
sharp antithesis between the beautiful and
the ugly, and his assertion that art is con-
cerned only with the beautiful. Such gen-
eralizations, all too common, close the mind to
many masterpieces, in all the arts, from men
as far apart in time and place and nation as
Rembrandt and Browning and (may I risk
the name in such orthodox company?) Arnold
Schoenberg in some of the most impressive
parts of the second of his "Drei Klavier-
Stuecke," Opus 11. I should think, rather,
of the ugly and the lovely as antipodes, with
the pretty as a debased version of the lovely
and the grotesque as a whimsical variation,
altogether admirable, of the ugly. I should
add that the ugly contains often strength or
firmness, massiveness or even sublimity, some
quality or other lacking in the lovely. There-
fore the ugly often appeals to us, partly be-
cause we see therein qualities which when
wedded with the lovely make that beauty
which seldom appears in life or art, and even
then is as evanescent as some fleeting expres-
sion on the face of a beloved woman that is
remembered long after death or evil chance
has stolen away her whole image, — remem-
bered as a benignant siren to lure us on that
endless quest in which lies the supreme stimu-
lus of profound and enduring joy-in-life.
HERBERT ELLSWORTH CORY.
A DEFENCE OF SOCIALISM.*
In " Socialism as the Sociological Ideal" we
are presented with one more of those visions of
a purified society which have in the past served
so useful a purpose in stimulating the imagina-
tion, and in keeping us alive to the vast imper-
fections of the economic structure of the world.
It is at all times good to feel in touch with a
genuinely altruistic spirit, based upon a divine
discontent with things as they are, and the
more so when it takes the form of what Mr.
H. G. Wells calls " the white passion of state-
craft." From the lowering atmosphere of the
well-fed man to whom this is the best of all
possible worlds, or the hardly less depressing
company of the philanthropist whose highest
ideal of society seems to be that of a com-
munity where one half of the people are con-
stantly engaged in the endless task of holding
the other half out of the gutter, it is a relief to
turn to one who feels the fundamental wrong-
ness in the present constitution of society and
has some arguable remedy to offer. And when,
* SOCIALISM AS THE SOCIOLOGICAL, IDEAL. A Broader Basis
for Socialism. By Floyd J. Melvin. New York : Sturgis &
Walton Co.
378
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[ May 13
as in the book before us, the philosophy of
Socialism is expounded in a spirit of sweet
reasonableness, and without a trace of that
bitterness which mars so much of such writing,
one is the more disposed to lend an attentive
ear and to weigh carefully the arguments ad-
duced. It might hastily be concluded that all
that can be said in defence of Socialism has
long ago been said ; but against this contention
it must be remembered that recent develop-
ments in the conduct of industry, taking place
as they do at a constantly accelerating pace,
make much that has formerly been written
inapplicable and out-of-date; and that conse-
quently a re-statement of the case for a social-
istic reorganization of industry, in full view
of present-day phases in the relationship be-
tween labor and capital, should be acceptable.
It should also be said of this book, as cannot
be affirmed of all such apologies for Socialism,
that it is pervaded through and through by
the higher idealism. It is the liberation of
the human spirit from the fell clutch of cir-
cumstance that the writer obviously aspires to.
Socialism is advocated because of the recogni-
tion that the higher life is conditioned on a
sound physical and economic basis. In the
author's own words, " Socialism is as wide as
man's aspirations. Its aims must be those of
our common humanity."
With this preliminary testimony, given in
all sincerity, to the readableness and useful-
ness of the book as a provocative of thought,
it remains to be said that it will be found un-
convincing by the man whose mind is still
open, and in our opinion will seem conclusive
only to those whose judgments are already
formed in the same direction.
In the first place, Dr. Melvin makes the mis-
take which characterizes the writings of most
apostles of Socialism, — the mistake of assum-
ing, what still requires proof, that Socialism
is necessary before economic justice can pre-
vail in society. The assumption is implicit,
from beginning to end of the book, that in the
original structure of human relationships
there is an inherent wayward tendency for
things to go awry, and that it is normal or
natural in an unregulated condition of human
intercourse, or mutual exchange of services,
for wealth to distribute itself with no regard
to fairness and equity. Now this is just the
point as to which many earnest and intelli-
gent thinkers are still in doubt. There still
stubbornly lingers the subconscious suspicion
that if we understood properly the basic natu-
ral laws which constitute the science of politi-
cal economy, and conformed our actions to
those laws, we should find that human affairs
"have not this perverse tendency to go wrong,
and that justice and not injustice is the natu-
ral outcome of free or unregulated effort, when
undeflected by monopoly or special privilege.
Thtsre persist the aspiration for more light,
and that faith in the constitution of the uni-
verse, which find expression in the words of
Milton, " What in me is dark, illumine ; that
to the height of this great argument I may
assert Eternal Providence and justify the
ways of God to man." It is surely, then, an
apposite question to ask and answer, whether
the eternal order of things is such that it
should be necessary for man to suspend the
operation of natural law, and set up instead
a system of artificial law which shall work out
results more in conformity with his moral
sense than natural law will yield. When a
physician is diagnosing the case of a patient
whose blood circulation is weak, whose heart
and lungs are functioning irregularly, and all
of whose organs are working more or less in-
harmoniously with each other, he does not
assume this disharmony to be normal but ab-
normal, and seeks to trace the disorder to one
disturbing cause, believing as he must that
in the absence of such a cause there would have
been no occasion for his interference.
It is, we believe, because of the omission to
make this preliminary inquiry that Dr. Mel-
vin has fallen upon certain assumptions that
seem to weaken or invalidate the superstruc-
ture of conclusions to which he invites us. The
antithesis, for example, between society con-
ceived of as an organism and as an organiza-
tion, is somewhat arbitrary and artificial. Is
it true, we may ask, that in an organism " all
significant individuality is denied to the con-
stituent parts"? Notwithstanding that the
authority of Herbert Spencer may be quoted
in support of this postulate, and which indeed
Spencer advances only as a modifying con-
sideration to his elaborate argument that so-
ciety is an organism, we submit that in the
light of recent psycho-physiological researches
the postulate may be questioned, and it may
well be doubted whether we are yet on the
threshold of a true understanding of the na-
ture of the organic cell. It is always unsafe
to argue from ignorance; and it may be, as
seems now probable, that we cannot deny to
the individual cell an incipient consciousness
analogous to the imperfect civic consciousness
which is all that can be found in most of the
members of a community. On the other hand,
in what the process of organization can differ
from the natural organic process, by which
certain cells are specialized and set apart to
do the thinking and directing, is not apparent.
The opposition then, between the ideas of
organism and organization, on which Dr. Mel-
1915]
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379
vin appears to lay considerable weight, seems
to lead nowhere in particular and to be of
little value as an illuminative concept.
Out of this distrust of natural processes,
Dr. Melvin has obviously fallen into the as-
sumption that the confessedly artificial system
of human relationships which Socialism would
set up may be identified with democracy.
Democracy is one of those concepts the full
content of which will probably reveal itself to
the human mind only after much experience
and many strenuous efforts in the art of liv-
ing; and it may be doubted whether we are
yet within sight of its true significance. None
of the modern catch-words of liberalism ex-
haust its deepest and most fundamental mean-
ings. Mere majority-rule can surely never be
mistaken for the last word in democracy?
That fifty-one per cent should compel the other
forty-nine into a certain way of living, may
be expedient at a certain stage in the evolution
of society, and be preferable to chaos, as the
more reasonable of the minority may admit;
but it is not democracy. Neither is " govern-
ment of the people by the people and for the
people " a full expression of democracy, so
long as it takes no account of the man who
wants -neither to govern nor to be governed but
simply to be let alone to earn his own living
and live his own life, subject only to the con-
dition that he does not infringe upon the sim-
ilar liberty of others. A socialist organization,
therefore, that is not voluntary to the last
and most insignificant unit composing the
group is not a democracy, whatever argument
•of expediency may be adduced in its favor.
To the same distrust of nature's methods,
growing out of a very laudable revulsion from
the Darwinian struggle-for-existence theory of
life, we attribute Dr. Melvin's terror of compe-
tition, and his identification of it as the mod-
•ern equivalent of exterminative warfare. In
general it may be said that the mind with a
pre-disposition towards Socialism has a rooted
inability to imagine the current of competi-
tion running in an opposite direction from
that which it now takes. At present we see
laborers competing against each other for the
permission of the capitalists that they may
earn their livings ; and we note the physical,
moral, and aesthetic deterioration of character
which results. But what if we conceive of a
condition of things where capitalists should be
competing with each other for the privilege of
employing labor, and were compelled to offer,
higher and still higher remuneration, and bet-
ter and still better conditions as to hours and
protection from danger, as the only means of
obtaining workers ? That it should be difficult
.to imagine such a relationship between labor
and capital is only another instance of the
tyranny of custom and tradition on our modes
of thought. In the subconscious backgrounds
of most open minds there persists the belief
that in some discoverable condition of human
freedom, such as we have never yet realized,
this latter kind of competition would be the
natural one. It is this unformulated belief
that makes humane people defend labor-saving
machinery, notwithstanding its very disastrous
effects under present conditions in displacing
workers and causing destitution. For we
know instinctively that the invention of ma-
chinery ought to save labor in a true sense, and
not in the cruel sense to which we are accus-
tomed. And it is because we trust our in-
stincts, and distrust our arguments, that we
hesitate to prefer what Dr. Melvin calls "the
superstructure of man's purposive creation "
to "the basic unpurposive natural order
which seems to ignore the harmonies de-
manded by man." (The italics are ours.)
As to the problem of distribution again,
Dr. Melvin thinks that the ultimate educa-
tional ideal " can be set down as nothing less
than to each according to his needs." But
where shall we find the superman who is wise
enough and good enough to determine the
needs of each member of a community?
"Needs" vary indefinitely in proportion to
faculty. Nature, indeed, seems wisely to have
decreed an exact relation between needs and
the capacity for contributing to the communal
stock of commodities and services. The man
of small capacity for adding to the social
wealth has few needs and desires, while the
man of large capacity requires large supplies
of leisure, books, scientific instruments, eas£
chairs, opportunities for travel, companion-
ship, and many other aids to the full develop-
ment of his faculties. Is one not justified in
suspecting that under the free conditions we
have tried to imagine (to the absence of which
are probably due all the evils against which
Socialism is directed) the apportionment "to
each according to his needs " would take place
with automatic and unerring accuracy ?
If it does not savor of hyper-criticism we
might remark that Dr. Melvin seems on page
17 to cut away the plank on which he rests his
argument for the socialization of industry. In
opposing political individualism he says :
"All prohibitive government is an enormity if it
is less or more than a mere representation of the
natural limitations arising from the mutually con-
flicting desires of its subjects. The socialist is
affirming no new or undiscovered principle in op-
posing political individualism. Thus the socialist
society as conceived by its advocates seeks to
embody only those restrictions on the freedom of
the individual that are naturally inevitable."
380
THE DIAL
[ May 13
Does this not seem to point to just what Dr.
Melvin repudiates, namely, the restriction of
governmental function to that of preventing
aggression of one citizen on another, or what
Huxley described as "administrative nihilism"
and some profane Spencerian critic called " a
glorified police-office for the keeping of the
peace " ?
We conclude this imperfect review of a
stimulating and suggestive book with the as-
surance that those who wish to know the best
that can be said for a philosophy that has
captured the sympathy and enthusiasm of
thousands, will find here what they require.
ALEX. MACKENDRICK.
Two CANADIAN STATESMEN.*
Just half a century ago there met in the city
of Quebec a group of statesmen representing
the principal colonies of British North Amer-
ica. They had come together to bring about
the union of these colonies. After long de-
liberation they finally agreed upon the terms,
and drafted a constitution which was ratified
by each of the colonial legislatures, and finally,
on July 1, 1867, passed by the imperial parlia-
ment as the British North America Act. The
men who thus created out of a group of weak
and scattered colonies a powerful and ambi-
tious commonwealth have since been known to
Canadians as the " Fathers of Confederation."
They are represented to-day by a single sur-
vivor, the veteran statesman, Sir Charles
Tupper, who in his ninety-third year has pub-
lished a substantial volume of reminiscences,
throwing a most interesting and valuable light
upon the history of the confederation move-
ment and the subsequent development of the
Dominion.
Sir Charles Tupper first entered public life
in 1855, in Cumberland County, Nova Scotia,
having the assurance not only to run against
the Liberal leader, Joseph Howe, but to defeat
him. He became a member of the Nova Scotia
government the following year, remaining
until 1860. From 1864 to 1867 he was premier
of the province. The latter year he was elected
a member of the first Dominion parliament,
but, although he had been largely instru-
mental in bringing about confederation, he
unselfishly stepped aside when John A. Mac-
donald was forming his first cabinet, to make
room for his old opponent, Joseph Howe. One
finds in the "Recollections of Sixty Years"
the confidential correspondence between Mac-
donald and Tupper as a result of which Howe,
who had fiercely opposed the confederation
* RECOLLECTIONS OF SIXTY YEARS. By Sir Charles Tupper,
Bart. New York : Funk & Wagnalls Co.
CANADIAN ADDRESSES. By George E. Foster. Toronto:
Bell & Cockburn.
movement, was finally induced to enter the
first Dominion cabinet. In 1870 Tupper
joined the Macdonald ministry as president
of the council, and in this and succeeding
administrations he filled the important offices
of Minister of Inland Revenue, Minister of
Customs, Minister of Public Works, Minister
of Railways and Canals, and Minister of
Finance. From 1884 to 1887, and again be-
tween 1888 and 1896, he acted as High Com-
missioner for Canada in England, and for his
services to the country he was created a bar-
onet. In 1896, when the Conservative admin-
istration had fallen upon evil days, they sent
for the old "War Horse of Cumberland," as
he was called, to lead them in the approach-
ing general election. In spite of his seventy-
five years, the prospect of one more political
battle was irresistible. He immediately re-
signed his high commissionership, came back
to Canada as prime minister, and led his party
gallantly in what he knew must be a losing
fight. For several years he led the opposition
in the House of Commons, and finally in 1906,
at the age of 85, retired from active political
life. For over half a century Sir Charles
Tupper served his country faithfully. He
has seen Canada grow from weakness to
strength; with the possible exception of Sir
John Macdonald, no other man has done more
as a constructive statesman to make the Do-
minion what it is to-day.
Apart from the chapters of Sir Charles's
book which deal more particularly with po-
litical events and movements, probably the
most interesting portion is that which tells the
story of his visit to the Red River Settlement
in 1870 and his interview with the leader of
the Half-Breed Rebellion, Louis Riel. Donald
A. Smith (afterward Lord Strathcona) of the
Hudson's Bay Company had told him that it
would be as much as his life was worth to go
to Fort Garry at that time, particularly as
Riel and his followers knew the active part
Tupper had taken in bringing about confed-
eration, to which they assigned all their
troubles. "I told him," says Tupper, "that
I had promised Sir John A. Macdonald to get
into Fort Garry, and that I intended to do
so. ' ' And he did. Riel had seized the horses,
wagons, and baggage of Captain Cameron,
Tupper 's son-in-law, who had been sent to
Fort Garry in an official capacity, and Tupper,
as soon as he reached the fort, made his way
to the council chamber of the rebel chiefs and,
after telling Riel who he was, demanded the
restoration of Cameron's belongings. Riel
was apparently so taken by surprise that he
not only permitted Tupper to return in safety,
but actually restored the spoils of war. The
1915]
THE DIAL
381
real object of the seemingly foolhardy visit
was to get some idea of the situation at Fort
Garry, and if possible to persuade the rebels
that they were mad to defy the Dominion
government, and could remedy their griev-
ances by peaceful negotiation. Tupper realized
at once that he could do nothing with Kiel, but
talked the matter over with Pere Richot, one
of his principal advisers. He found that the
rebels were convinced that they could carry
on a successful guerrilla warfare in the vast
wilderness of the west, and that in the last
resort they could annex the western country
to the United States. He therefore had to
leave them to their fate.
Packed with interesting and valuable ma-
terial to the student of Canadian history, the
book is distinctly disappointing as a piece of
composition. The material was evidently put
by Sir Charles Tupper into the hands of some
one who either through incompetence or
through indolence failed to realize his oppor-
tunity. As a result, what might have been
an autobiography of the first importance is
not much more than a scrap-book.
Sir George Foster's "Canadian Addresses"
brings together for the first time a selection of
the principal speeches and public addresses
in recent years of the Canadian Minister of
Trade and Commerce, one of the ablest and
most incisive speakers of the Dominion. Such
topics are included as "Reciprocity with the
United States," "The Imperial Conferences/'
"The Naval Policy," "Problems of Empire,"
"The Call of the State," and "Claims of the
Nation on the Individual." In an introduc-
tory chapter, Sir George Foster gives us a
rapid sketch of the Canada of to-day, from
the point of view of one who is taking a lead-
ing part in the moulding of her destiny.
Coming from such a source, the following is
of more than passing interest :
" Canada has to face three problems — its own
internal development, its attitude toward outside
peoples in respect to settlement within its boun-
daries, and its relations to the Empire at large.
As to the first, its policy has grown gradually,
taken on year by year a firmer consistency, and
may at the present time be considered as pretty
definitely settled. It has gained, and will undoubt-
edly maintain, complete autonomy of government
and administration. It is now and must continue
to be practically supreme within its territorial
boundaries. Government follows the line of a sane
and reasonable democracy, tempered with the re-
straints and checks of its monarchial traditions.
This latter does not greatly obtrude in forms, but
it permeates with its influences and preserves from
excess by its conservative tendencies. Manhood
suffrage practically prevails, and woman suffrage
is gradually emerging through the lesser gates of
the municipal to the crowning power of national
exercise. The protective principle, never since
Confederation entirely absent from fiscal legisla-
tion, became dominant in 1879, and has since so
continued. Joined therewith later was the prin-
ciple of preferential treatment of British Empire
products, which now includes practically all the
imperial possessions except Newfoundland and
Australia. These will readily be included as soon
as they find it possible to reciprocate in like de-
gree. Protection is not high or oppressive, and is
not likely ever to be raised beyond the point neces-
sary to place Canadian producers in a position not
to exclude, but to compete fairly with the nations
more favoured by circumstances, skill and capital."
LAWRENCE J. BURPEE.
THREE BOOKS ON SOUTH AMERICA.*
During the last few years a marked change
has taken place in the character of the numer-
ous books annually written on South America.
The single volume which attempts to describe
the whole continent, or rather the fringe of
coast line ordinarily visited by the hurried
tourist, has given place to carefully prepared
works dealing with separate countries or even
with portions of these countries. Moreover,
the critical reader is no longer satisfied with
superficial generalizations, however cleverly
put; he is justified in demanding that the
writer not only evince a thorough knowledge
of the region he is describing, but also be able
to offer an adequate interpretation of those
subtler phases of a nation's life included in the
elusive term civilization. Especially is this
true at the present time, when one of the unex-
pected results of the European war has been
a quickened interest in all that relates to South
America.
Among recent offerings in this field it is
safe to say that none exceeds in interest and
permanent value the scholarly monograph by
Mr. Bailey Willis on Northern Patagonia. At
the invitation of Dr. Ramos-Mexia, the pro-
gressive Argentine Minister of Public Works,
Mr. Willis was placed in charge of the Comi-
sion de Estudios Hidrologicos during the
period from 1911 to 1913. This commission
was entrusted with the important task of mak-
ing an exhaustive topographic, geologic, and
economic survey of the vast undeveloped and
little known region of Northern Patagonia, an
area approximately as large as the State of
California and stretching from the Atlantic
Ocean to the boundaries of Chile. The present
* NORTHERN PATAGONIA. Its Character and Resources. Pre-
pared under the direction of the Ministry of Public Works.
Illustrated in photogravure, etc., with maps in separate vol-
ume. New York : Charles Scribner's Sons.
THE LOWEK AMAZON. By Algot Lange ; with Introduction
by Frederick S. Dellenbaugh. Illustrated. New York: G. P.
Putnam's Sons.
PERU: A LAND OF CONTRASTS. By Millicent Todd. Illus-
trated. Boston : Little, Brown & Co.
382
THE DIAL
[ May 13
monograph, in which are embodied the results
of Mr. Willis's investigations, falls into two
general divisions. The first is a detailed de-
scription of the pampas of Northern Patago-
nia. This region is generally regarded as a
country of desert or steppe-like plains, but it
is neither plain nor desert. Rather is it a
region of semi-arid grassy plateaus, practically
all of which is suitable for grazing and much
of it adapted to agriculture through the use
of dry farming or irrigation. It presents cer-
tain analogies to the western territory of the
United States forty years ago. Thanks to the
energy of the Minister of Public Works, a
railroad is being pushed through this region
from Port San Antonio on the Atlantic to Lake
Nahuel Huapi at the base of the Andes. The
districts tributary to this new transconti-
nental line — districts of enormous potential
value — are described at length by Dr. Willis
as regards soil, climate, rainfall, resources,
and products. In the land where President
Mitre's dictum, " to govern is to populate,"
still holds good the importance of Mr. Willis's
investigation scarcely needs to be stressed.
Of greater interest to the general reader is
the second part of the monograph, containing
a detailed account of the wonderful Andean
region of Northern Patagonia. Here is a cor-
ner of South America replete with surprises
for even the most blase and jaded of globe
trotters. Countless majestic peaks, forest
clad and crowned with snow, rise from the
dark green waters of fjord-like lakes. This
Andean lake region, so thoroughly and de-
lightfully described by Mr. Willis, is one of
the most remarkable in the world, whether we
consider its extent, the solemn grandeur of its
mountain scenery, or the number and beauty
of its lakes. Of these latter there are several
score which compare with the lakes of Switzer-
land and Italy, and several hundred which
would be notable were they situated in the
British Isles or in the United States, but in
this little known section of South America
they are unnamed and uncounted. The most
beautiful as well as the most important of
these lakes is thus described by Mr. Willis :
"Lago Nahuel Huapi, although not one of the
largest of the Andean lakes, is as long as Lake
Geneva, but in form it more nearly resembles the
wide-branching Lake Lucerne. Nowhere are its
shores for any distance so low or habitable as the
northern shore of Lac Leman from Geneva to
Montreux; nor is the expanse of waters so wide
as that seen in the view from the hills above Lau-
sanne. Only the east end of Nahuel Huapi lies
wide open to the sun. The farther reaches of the
lake and its spreading arms sink deep into the Cor-
dillera; branching about islands or beyond prom-
ontories, they penetrate among1 the highest ranges.
Neither the magnitude nor the beauty of the lake
can be grasped in the view from any one point.
One must explore in launch or sailboat, sail in and
out past woods and precipices, follow the dark-
green waters around sharp turns into hidden bays,
and linger there in the heart of nature's solitudes.
The open lake is swept by fierce winds. The launch
must be strong or the sailboat large and sturdy.
Yet along the lake shores there are amphitheatres
where the waters lie so deep beneath the high moun-
tains that the calm of the mirror that reflects the
overhanging trees is rarely broken. From such
retreats the traveler may ascend through the jungles
of graceful bamboo in the deep shade of the
beech forest to the alpine meadows above tree line,
or to the perpetual snows and glaciers of Mount
Tronador."
It is gratifying to learn that the government
is planning to reserve the most beautiful por-
tion of this region as a great national park for
the pleasure and welfare of the people. But
Mr. Willis is at pains to point out that this
fascinating corner of Argentina is destined to
be more than the playground of the nation.
The wild mountain torrents descending from
the Andean glaciers hold out possibilities of al-
most unlimited industrial development. Care-
ful investigation has convinced the author that
the probable available energy which may be
derived from these streams exceeds two million
horsepower. When one considers that Argen-
tina, with all her natural resources, is practi-
cally without coal the significance of these
figures is apparent.
Too high praise cannot be bestowed on the
large number of magnificent plates with which
this monograph is illustrated. Never before
has this Andean region been so adequately and
artistically portrayed. A supplementary vol-
ume of maps,, drawn on a large scale and de-
signed to show not only the various physical
features but also the resources of Northern
Patagonia, greatly enhances the usefulness and
scientific value of the monograph.
Mr. Algot Lange, the well known Brazilian
explorer, has added another important work to
the growing literature on Amazonia. " The
Lower Amazon " is a very readable account of
explorations in the more remote regions of the
State of Para, particularly the district drained
by the lower Tocantins River. In a simple and
straightforward way the author describes the
daily life of the caboclos, or half-breed rubber-
gatherers, and the manner in which the " black
gold " of the Amazon Valley is collected and
marketed; while his training as a student of
natural history and botany has enabled him to
bring the flora and fauna of the region vividly
before the mind of the reader. Several chap-
ters are devoted to an entertaining account of
Mr. Lange's sojourn among a little-known
tribe of Indians living some three hundred
miles to the north of Para. Of even greater
1915]
THE DIAL
383
interest is the record of his archaeological in-
vestigations on the Island of Marajo in the
delta of the Amazon. Mr. Laiige was fortu-
nate enough to discover an immense quantity
of pottery, covered with delicate tracery and
of remarkable freshness of color. Though he
does not hazard any judgment as to the age of
this pottery, he is inclined to believe that it is
of comparatively recent date.
Probably the most valuable chapters of the
book are those containing the author's observa-
tions on the population and general resources
of the country. Mr. Lange attempts, frankly
and fairly, to tell the truth about Amazonia.
The picture he draws of the inhabitants of this
region is not reassuring. Unfavorable climatic
conditions, the exorbitant cost of living, un-
suitable food, and wretched sanitation have in
the opinion of the author seriously impaired
the racial stamina of the North Brazilians.
Moreover, the country at large is in a state of
lamentable retrogression and universal pov-
erty. Paradoxical as it may seem, this un-
happy condition is due entirely to rubber.
During a long period of inflated prices the
inhabitants of Amazonia neglected all other
sources of wealth ; and now with the competi-
tion of the cheap plantation-grown rubber of
the Orient, this good has indirectly turned to
evil and left the people with no other means of
subsistence. And yet, adds Mr. Lange :
" It will be the happiest, luckiest thing that can
happen to Amazonia — in fact, the only thing that
will prevent a complete relapse into total abandon-
ment and barbarism, when the Orient captures the
rubber market, because then Amazonia will be
forced to wake up and prevent its people from
starving to death ; indeed this awakening is already
beginning. Amazonia is learning its greatest les-
son — that is, that it will have to work to cultivate
its rich soil now that the mine of ' black gold ' —
rubber — is rapidly disappearing."
Mr. Lange dilates on the many resources of
the country, for the most part still untouched
and unexploited. Valuable cabinet woods,
medicinal plants, tobacco, and a wide variety
of fruits are among the products which may in
course of time supplant rubber and make
Amazonia one of the richest countries in the
world. The book contains a wealth of excel-
lent illustrations made from the author's own
photographs. It is distinctly one of the best
works on the Amazon Valley published in re-
cent years.
In " Peru : A Land of Contrasts," Miss
Millicent Todd has written a book vivacious in
style and delightful in content. Peru, we are
told, is a paradox. Any statement regarding
this country "implies a contrary statement
equally valid. Contrast is its characteristic
quality, true as to the general aspects of the
country and ramifying through remote de-
tails. It is the obvious point of view from
which to study Peru." This attitude of the
writer is consistently maintained throughout
the book. The people are set over against the
country ; the prosaic present is contrasted with
the romantic past ; the dreary desert with the
icy highland, and both with the inhospitable
jungle.
Those who are seeking concrete information
or a detailed account of the Peru of the twen-
tieth century may find Miss Todd's book some-
what disappointing ; this despite the fact that
it is the result of wide travel and patient in-
vestigation. It is lacking in explicitness of
statement, and is quite innocent of statistics ;
moreover, the writer's fondness for paradoxes
and antitheses tends to become a trifle palling.
Yet for one in quest of the real spirit of Peru
and her marvellous history the book is an open
sesame. Miss Todd has intuitively caught the
elusive charm of this land of the Incas and the
Conquistadores, and in a series of wonderful
word pictures has' succeeded in communicating
much of this charm to the reader. As an un-
usual book on an unusual country, the volume
is to be heartily commended.
P. A. MARTIN.
KECENT FICTION.*
A map which accompanies Mr. Conrad's
" Victory " is extremely interesting. It indi-
cates the scenes of the author's long series of
novels and shorter pieces, as well as the routes
taken by the ships of his imagination. The
globe is pretty well circled by these markings,
and the geographical range of his inventions is
something extraordinary. The scene of " Vic-
tory " is the Pacific island of Samburan, a lit-
tle to the northwest of Samoa, and due east of
the scene of the story of "Almayer's Folly," in
which Mr. Conrad's marvellous gift for por-
traying the psychology of life in the tropics
was first revealed. The new book is a char-
acteristic Conrad tale, told with somewhat less
of indirection than usual, and peopled with
figures drawn from the flotsam and jetsam of
humanity as found in the remote regions of
the earth. A Swede named Heyst is the cen-
tral figure, living upon an island which has
been the scene of the operations of a collapsed
coal company. He is something of a dreamer,
and money-making is the least of his concerns.
On a visit to Souraboya (which may be in
Borneo) he puts up at a hotel kept by a Ger-
* VICTORY. An Island Tale. By Joseph Conrad. New York :
Doubleday, Page & Co.
BLUB BLOOD AND RED. By Geoffrey Corson. New York :
Henry Holt & Co.
THE LADDER. The Story of a Casual Man. By Philip Cur-
tiss. New York : Harper & Brothers.
LOST SHEEP. By Vere Shortt. New York: John Lane Co.
384
THE DIAL
[ May 13
man ruffian named Schomberg, and there he
is attracted by a girl violinist in the orchestra
that provides entertainment for the disreputa-
ble frequenters of the resort. She is evidently
unhappy, and Heyst soon learns that she is
driven to desperation by Schomberg's odious
advances, whereupon he helps her to make her
escape, and takes her to his island home.
Presently, two of the most precious villains
that even Mr. Conrad has ever imagined arrive
at the hotel, and Schomberg determines to
make them the instruments of his malignant
revenge. He stuffs them with tales of the
Swede in his solitary island, and of the treas-
ure which is probably hoarded there. The
prospect looks good to them, and they start off
on the piratical venture. Now in any conven-
tional story of this description, the villains
would be thwarted, and their proposed victims
would come out triumphant. Since we have to
deal with Mr. Conrad, it is all the other way
about, and the story ends in a welter of trag-
edy which leaves none of the four alive. The
enigmatic title of the romance is accounted for
by the way in which the young woman meets
the ordeal. Heyst has not been sure of her
love, but at the tragic climax every doubt is
swept from his mind, and the two die united
in soul. The story is told with the author's
grim strength, and has not a trace of the senti-
mental palaver with which a lesser writer
would beslobber its tense situations. Has any
man ever known, as this one knows, the soul of
the human derelict?
Mr. Geoffrey Corson is a new writer, as far
as our knowledge goes, and if " Blue Blood and
Red " be indeed his first performance, it is a
work of remarkable promise. In all the essen-
tials of good fiction — an interesting story,
creative characterization, and style — it is so
far out of the ordinary as to stand as one of the
half-dozen novels of the season's output that
deserve to be reread and remembered. It is a
story of purely private interest, with Staten
Island for its scene, and with its chief figures
taken from two contrasting elements of the
local society — the aristocratic Carmichaels
who live on the hill, and the plebeian McCoys
who live on the shore. Patricia McCoy is the
heroine, and Neal Carmichael the hero of her
romantic dreams; these two are predestined
for one another, although life becomes a com-
plicated coil for both of them before the con-
summation of their union. Neal is engaged to
Patricia early in the story, but the charms of
Ada Fleming, a heartless aristocratic beauty,
weaken his allegiance, and Patricia, realizing
the situation, releases him from his bond.
Nothing less than marriage with Ada, and liv-
ing with her for some years, is effective in
destroying his infatuation, and making him
realize the utter vanity and selfishness of her
nature. Meanwhile, Patricia pledges herself
to an admirer of her own class, who has long
pursued her with dog-like devotion. Ada's
renewal of her flirtation with the Englishman
to whom she had once been engaged provides
Neal with adequate grounds for divorcing her,
after which he renews his relations with Patri-
cia, and, in a moment of passion, seduces her
— an episode which we wish had been spared
us. This leads to Patricia's flight to hide her
shame, to the birth of her child, to her even-
tual discovery by Neal in the place of her
concealment, and to the marriage which should
have taken place long before, and which is a
true union of hearts. The plot has vivacity
and dramatic action, blending seriousness with
humor, and giving us the final feeling that we
have been living in the company of real human
beings all the time that we have been following
its involutions. The narrative abounds in
passages of great beauty, for the author's re-
sources as a stylist are equal to every emer-
gency, and respond to all the varied demands
of his web of invention. The jaded reviewer,
working his way through the loads of mediocre
rubbish that clog the yearly output of fiction,
does not often come upon so rich a prize as this
admirable novel.
" La carriere ouverte aux talents " might be
the motto of " The Ladder," by Mr. Philip
Curtiss, as it is supposed, generally speaking,
to be the watchword of life in this Land of
Opportunity. Franklin Connor is, as the sub-
title of the novel calls him, " a casual man."
There is nothing outstanding in his character
or ability, but he is an expert base-ball player,
and this fact, after he runs away from Aunt
Louise and domestic tyranny, stands him in
such stead that the way is smoothed for him to
go through college, although the honors he
wins are anything but academic. Then he
enlists as a soldier in the war with Spain, from
which he emerges unscarred, but with an offi-
cer's rank, which in turn brings him political
honors at the hands of a grateful common-
wealth. So he climbs the social ladder, rung
by rung, without any apparent effort, becomes
engaged to the wrong girl and eventually mar-
ries the right one, and illustrates in his career
the ease with which the average American of
good physique and commonplace intelligence
can overcome most of life's handicaps, and be-
come a successful citizen of the republic. The
story is typical of our social conditions, and
for that very reason, without recourse to the
sensational, and with only a sober and un-
imaginative method of narration, contrives to
make itself interesting in a prosaic way, and to
1915]
THE DIAL
impose its optimistic mood upon the reader.
The only thing in the hero's career which
strains credulity is the fact that he is made to
write, " off the bat," and without any technical
training whatsoever, a play which proves an
immediate success, and places his material for-
tunes beyond the reach of envious fate.
The "Lost Sheep" of Mr. Vere Shortt's
tale are the men of the French Foreign Legion.
Jim Lingard, an Englishman who has squan-
dered a fortune in riotous living, finds him-
self reduced to his last shilling, and enlists in
the Legion as a desperate last resort. He has
several years of adventurous service on the
edge of the African desert, and barely escapes
with his life from an uprising of the fanatical
Senussi. The daughter of the rebel chief
teaches him the meaning of romance, and the
sacrifice of her life in saving his provides an
element of poignant tragedy. The end of the
story leaves Lingard, promoted for valor, quite
satisfied with his career and evidently deter-
mined to remain an officer of the Legion until
the inevitable end overtakes him. The value
of this book, aside from its quality of pictur-
esque adventure, lies in its minute description
of the life of the Foreign Legion — a picture
as different as possible from that given by
"" Ouida " and other lady-novelists of both
sexes, and evidently based upon an intimate
acquaintance with the facts. The style is dull,
and the invention anything but remarkable,
but somehow a considerable degree of interest
is sustained. WILLIAM MORTON PAYNE.
NOTES ON NEW NOVELS.
Miss Fannie Caldwell Macaulay, who was known
as Frances Little when she wrote " The Lady of
the Decoration " and evidently prefers still to be
called so, again adopts the Japan she knows so well
for the scene of " The House of the Misty Star: A
Romance of Youth and Hope and Love in Old
Japan " ( Century Co. ) . The narrative is told by
an old American school-teacher long resident near
a minor Japanese city, and its title is the name of
lier cottage. To her come a missionary blessed with
a faith that circumstances justify wonderfully, a
young man who had been so stricken with tropical
fever that he imagined himself to be a criminal, and
•the daughter of a widowed native whose husband
(the girl's father) was an American artist. Here
is material for sentiment abundant and overflowing,
and the author makes a great deal of it. The char-
acters are drawn with a clearness that speaks well
for Miss Little's literary future.
Pots and potters have been beloved of literature
«ver since the primeval discovery that they could
lend so many apt figures of speech to the writer's
tale, and there is no sign of the lessening of their
popularity to that end. The latest novel by Mr.
Eden Phillpotts, "Brunei's Tower" (Macmillan),
is the story of an English master-potter who moulds
his work-people to his will quite as he moulds and
shapes his vases and other wares. There comes to
his factory a youthful fugitive from justice, in
whom the master sees material for the making of a
character valuable both to himself and to the world.
The boy repays this kindness with single-minded
devotion, even to the doing of wrong that his
employer may profit. Reproved and driven out
for his allowing the end to justify evil means, the
lad comes to repay evil with good. While the
tragic ending is not implicit in the story, all that
precedes it is so ably written, and the background
is so fully symbolic of the characters before it,
that the book deserves high praise as a piece of
literary artistry.
The mountain people of North Carolina among
whom Mrs. Payne Erskine has lived so many years
furnish a beautiful flower-like creature for the pro-
tagonist of "A Girl of the Blue Ridge" (Little,
Brown & Co.), whose development from a wild and
primitive savagery to beautiful wifehood and moth-
erhood is the theme of a good story. Lury Bab, at
the opening of the tale, is as wild and as beautiful
in her youth as a rhododendron blossom, the child
of a lovely and self-sacrificing mother and a father
who lives by distilling illicit whiskey. Orphaned at
the beginning of the book, she gives her love to a
young man who is wrongfully accused of her
father's murder. Benevolent sisters from the North
come to live near by, and under their care she
develops to fine things. It is a story of skilfully
contrived plot and incident, written out of full
knowledge.
By a somewhat strained coincidence the daughter
by adoption of a New York multimillionaire and a
popular novelist find themselves teaching in the
same school in Pennsylvania. She is seeking an
independent career outside the fashionable world
for herself; he is after material for a new Amer-
ican novel. This is the basis for " Martha of the
Mennonite Country" (Doubleday), the latest of
Mrs. Helen R. Martin's novels dealing with an
exotic civilization in the heart of one of the origi-
nal colonies. The heroine of the story, however, is
not the rich girl from the metropolis, but a sadly
oppressed young woman, worked to death by a
hateful stepmother. It is with this last disagreeable
person that the novelist-teacher boards, and it is
between the stepdaughter and him that the romance
of the book works out, — though the rich girl, after
the manner of rich girls, does not go neglected.
With something of the invincible spirit of her
own Miss Abigail, Miss Dorothy Canfield brings her
literary gifts to the celebration of the small town
in the book which she calls " Hillsboro People "
(Holt). To that end she marshals no fewer than
eighteen incidents and episodes and essays, rein-
forced by several poems on Vermont by Mrs. Sarah
N. Cleghorn. The full flavor of New England is in
them all, leaving the city dweller with a sense of
impatience that he is denied intercourse with men
and women, boys and girls, of so much personality
and character. Most of us are only a generation or
two removed from much such a life as is here
painted in delicate colors, and the zest of it is still
in our minds. This is an excellent collection of
American stories.
386
THE DIAL
[May 13
Among recent novels which leave one the better
at heart for having read them, " Contrary Mary "
(Penn Publishing Co.), by Miss Temple Bailey,
deserves honorable mention. The heroine is a young
woman of ideas and determination, who is not
afraid of admiring men for their manly qualities.
Her family fortunes are at a low ebb — so low that
she welcomes into her household a widowed clerk in
government employment who has lost heart in his
struggle with the world. How she brings him to a
realization of the need for fighting honorably for
his real place among men, rejecting a most eligible
suitor meanwhile, makes excellent reading. The
scene is laid in Washington, with politics far in the
background.
Miss Alice Gerstenberg's novel, " The Conscience
of Sarah Platt" (McClurg), is redolent of femin-
ism and modern problems arising between the sexes
— so much so that it rather ceases to be a novel at
times. It is the story of a timid woman who failed
to gain the man she loved in youth, only to meet
him and give him her heart when he returned to
her, an ill-mated husband, twenty-five years later.
Tragedy, when the conscience is developed, is inher-
ent in the situation. The narrative is open to a
lawyer's charge of multifariousness, and its mate-
rial is imperfectly assimilated. But it holds out
abundant promise for future success.
It was hardly to be expected that the reader
should be thrilled by "Allan and the Holy Flower "
(Longmans) as he was years ago by Mr. H. Rider
Haggard's early tales of Africa and Allan Quater-
main. But nevertheless, this latest story of adven-
ture shows no diminution of imagination. Interest
here centres about a wonderful orchid, the father
of all orchids, which is worshipped by a dwindling
African tribe as a god. The story of how it was
won through events teeming with peril, how it was
lost in the moment of seeming success, and how the
loss was eventually made good, makes an exciting
tale.
Taking the final campaign before Napoleon's
exile to Elba and that following his return down
through Waterloo, the Rev. Cyrus Townsend Brady
makes a vivid and stirring romance, " The Eagle of
the Empire " (Doran) , which is in keeping with the
events of the age. The hero is an officer of the
Fifth of the Line, the heroine a daughter of the
noble house he and his family have served through
generations. Young Marteau saves her from worse
than death, to find a rival in a young English soldier
of station. The romance threads the historical
events with considerable skill, and the result is a
story fully absorbing and workmanlike.
A sequel to " Uncle Terry " has been written by
Mr. Charles Clark Munn and called " The Heart of
Uncle Terry " (Lothrop, Lee & Shepard Co.). The
discovery of a pocket of tourmalines on the prop-
erty of the old lighthouseman brings success to a
young man, deprived of most of his heritage by his
step-mother, and lends interest to the winning of
the old fellow's adopted daughter. It is a homely
tale of New England, with the Yankee's desire to
get the better of somebody rather too strongly
insisted upon.
BRIEFS ox XE\V BOOKS.
Artists have painted the Golden
State, naturalists have described
the wonders of her mountains
and forests, historians have wrought out the
tales of her padres and argonauts, enterprising
boomers have flooded the marts of the conti-
nent with glowing accounts of her fertility and
her charms ; but it has remained for the poet
really to portray her inner secrets. This is
accomplished by Mr. Edwin Markham, in his
" California the Wonderful " (Hearst Co.) . It
is no new tale of heroic endeavor or unflagging
enterprise, no revelation of hitherto undiscov-
ered resources, no unfrequented vista explored
for the first time ; but rather, that greatest of
all revelations, a human document portraying
the subtile, conquering, compelling charm
which California exerts over her adopted sons.
Mr. Markham's book lives up to its sub-title. —
" her romantic history, her picturesque people,
her wild shores, her desert mystery, her valley
loveliness, her mountain glory, including her
varied resources, her commercial greatness,
her intellectual achievements, her expanding
hopes, with glimpses of Oregon and Washing-
ton, her northern neighbors." The work is
very comprehensive ; Mr. Markham deals with
the whole of the great state, — not the south-
land only, as do many tourist writers ; he goes
far back into the gray antiquity of the creative
fates for the drama of the " vast inf ramundane
activity " which gave birth to the Sierras and
the Mother Lode. He traces the entrance of
the Spaniard, and the inauguration of his
scheme of Divine Practicalism to redeem the
slothful and backward Indian from damnation
and degeneracy. He relates the mad rush of
gold-seekers which forever wiped "maiiana"
from the calendar, put the gringo in the saddle
of the Spanish cavalier, and ended the pastoral
era. His accounts of the overland trail and of
the days of '49 are particularly vivid and real-
istic, for his own boyhood days were a part of
that great drama. The same intimate contact
with the California of yesterday and to-day is
revealed in his pages recounting the rapidly
changing development of her industries and
agriculture, the transformation of untilled.
ranch into the orchard watered by mountain
snows, the marvellously successful growth of
cooperative enterprise, the redemption of the
desert, the story of alfalfa, and the welding
into one people of the most cosmopolitan group
of American citizens. The author is at his best
in his poetic but pithy description of the gray-
draped city of St. Francis, — a city which " has
an individuality, a glamour that has stirred
the imagination of the world, the ultimate out-
post of the passion of progress." The book is
1915]
THE DIAL
387
unique also in its comprehensive and critical
estimate of intellectual California, in the gal-
axy of which the author himself is no minor
luminary. The poetic turns, the vivid and illu-
minating imagery of the language, and the
flowing rhythm of these pages are a worthy
tribute to the beauty and romance of Cali-
fornia.
charter making In his "Municipal Charters: A
for American Discussion of the Essentials 01
municipalities. Forms or
Models for Adoption" (Harvard University
Press), Mr. Nathan Matthews has provided
framers of municipal constitutions and stu-
dents of municipal government with a con-
venient and practical handbook of charter
making. The author is an ex-mayor of Boston,
past chairman of the Boston Finance Com-
mission, and lecturer on municipal govern-
ment in Harvard University. There are few
men in the United States whose knowledge of
the theory of municipal government is so
abundantly supplemented and tempered by
prolonged experience in city administration.
The principal thesis of Mr. Matthews 's book,
namely, that municipal charters in the United
States are, as a rule, poorly drawn, and that
good government in a city presupposes a
charter of proper proportions and precision,
is not difficult to maintain. The tendency has
been very general to overload charters with
details, although the principal defect in some
instances is rather the lack of detail. Dis-
proportionate space is often given to certain
subjects, and more recent charters exhibit
especially the fault of over-emphasis upon
political machinery, while administrative
methods receive inadequate attention. There
is too much hasty re-enactment and copying
of the provisions of earlier charters, or of the
charters of other cities, whereby defects as
well as virtues are perpetuated and spread.
There is little uniformity of language or
arrangement, and there is commonly an un-
necessary amount of repetition. The two
principles, chiefly, which it is insisted should
govern in the making of city charters are (1)
that all matters which affect citizens of the
State as such, rather than as members of a
particular city, should be left to be controlled
through general legislation, rather than in the
city charter; and (2) that the political fea-
tures of a charter should not be permitted to
overshadow, or imperil the operation of, the
more important provisions relating to the
administration of the city business. Hundreds
of city charters, it is affirmed, have brought
disappointment to their authors because their
administrative provisions have been inade-
quate. "Simplicity of political structure,
accompanied by thoroughness in the admin-
istrative details, must be the basis of charter
reform." The volume closes with full drafts
of city charters of two leading kinds, namely,
the responsible executive type and the com-
mission type.
The future
granary of
the world.
The latent and as yet scarcely
developed resources of Russia's
great Hinterland challenge the
interest of the reader of Dr. Fridtjof Nan-
sen's "Through Siberia: The Land of the
Future" (Stokes), and lead him to speculate
as to the possibilities of the influence of this
storehouse of food for the civilized world
when once transportation shall flood the mar-
kets of the continent with its meat, fish, and
grain. Already 140,000 tons of Siberian but-
ter go annually to London and Paris. The
aim of Dr. Nansen's tour across the Kara Sea
and up the Yenesei was to test out the possi-
bility of a steamship route in midsummer
which would connect with river steamers on
the Yenesei and thus afford an outlet to the
markets of Europe for the produce of Sibe-
rian farms. Russian colonization in Siberia
since the Russo-Japanese War has been fos-
tered by the Government, and has grown so
rapidly that the question of transportation
and markets is pressing for solution. The
author advocates scientific surveys of the ad-
jacent Arctic waters, the extension of the
wireless services, and the use of aeroplanes to
give prompt information of the opening of
navigation, and of the location of ice lanes
for the guidance of mariners who will use this
sea route from Europe to the estuaries of the
Obi and Yenesei, — a route little used but long
known to hardy Norse skippers. He contin-
ued his journey along the Trans-Siberian
Railway to the Pacific at Vladivostok, re-
turning through the new Russian line in the
Amur country. His book thus gives a bird's-
eye view of "this boundless land, mighty as
the ocean itself, with its infinite plains and
mountains, its frozen Arctic coast, its free and
desolate tundra, its deep, mysterious taiga,
from the Ural to the Pacific, its grass grown
rolling steppes, its purple wooded hills, and
its little scattered patches of human life."
The agricultural and mining possibilities, the
political and social problems, the economic
and industrial aspects of Siberia are here
summed up by a trained scientific mind
keenly alert to the significance of the passing
landscape, the mushroom towns of the chang-
ing frontier, and the invading yellow hordes
of Coreans and Chinese increasing in the
East, from sixteen to twenty-four per cent of
total population in less than four years. The
388
THE DIAL
[ May 13
author has no fear that the colonization of
this inland empire will lead to the deteriora-
tion of the Russian stock, as it did to that of
Rome and Spain and now threatens that of
Great Britain. The contiguity of the land,
the great mass of the Russian population, and
the easy transfer of the Russian culture intact
to these new lands all seem to insure the in-
tegrity of the Russian nation and people in
this expansion to the East. Her mission here
is, so this veteran explorer believes, to be the
bulwark of Europe against the "Yellow
Peril." Maps and a large number of excel-
lent illustrations from photographs make even
more real this illuminating picture of this
future granary of the world.
An iconoclastic Tt is difficult to understand the
study of Lowell intellectual temper of a student
of literature who devotes an
entire volume to showing the deficiencies of an
author ; it is more difficult still when he bases
his attack on the denial of qualities which
perhaps no discriminating reader ever imag-
ined the author possessed. Yet this is what
Dr. Joseph J. Reilly has done in " James Rus-
sell Lowell as a Critic " (Putnam). It is true
that Lowell, after his enthusiastic recognition
in England, was sometimes over-praised, and
sometimes praised for the wrong things. But
his greatest admirers have always been those
who felt the charm of his personality, and
who read his critical essays as the personal
comments of one who knew literature and
knew life, and who was above all a charming
and high-souled man. It needs no elaborate
series of citations to inform these readers that
the essays are often whimsical, discursive, and
rambling, or that they abound in contradic-
tions arising from the approach to a subject
from different angles, or from the discussion
of the same subject in different moods. In
Lowell's life-time, indeed, these contradictions
troubled critics to whom consistency was a
hobgoblin, and several of those emphasized by
Dr. Reilly are found in Wilkinson's list pub-
lished more than forty years ago. Nor will
the most grateful readers of Lowell deny Dr.
Reilly's other chief theses — that " his taste
was intuitive," that " he lacked philosophical
depth of mind," and that he did not evolve a
critical method like that of Arnold and Sainte-
Beuve. Dr. Reilly cites passages to show that
Lowell himself was fully aware of most or all
of these limitations. The conclusion that
Lowell was not a critic begs the question with
a definition, and can only mean that Lowell
was not a sort of critic that he never claimed
to be and that his closest readers never imag-
ined him to be. The book is, throughout, un-
sympathetic in tone, and sometimes seems
unfair in its interpretation of Lowell's per-
sonality; but the author takes such evident
joy in demolishing his man of straw that not
even Lowell's most enthusiastic friends could
grudge him the pleasure.
The pilot
of Britain's
war destinies.
The firSt fe.W Pa^6S °f Mr>
Harold Begbic's little book on
« Kitchener, Organizer of Vic-
tory " (Houghton) may lead the reader to con-
clude that it is merely a piece of laudatory
writing with no substance or value as a biog-
raphy. In part this is true: Mr. Begbie's
book is in no sense a biography, it is a mere
sketch of Kitchener's career, written appar-
ently for the purpose of accounting for the
great faith that Englishmen seem to have in
the present occupant of the war-office. The
sketch is not very laudatory, however, and the
praise that Mr. Begbie does award his hero is
of such a character that even a modest man
like Lord Kitchener is not likely to be pleased
with it. The author describes his hero as a
slow, heavy, somewhat dull man, with great
talents as an administrator, but otherwise not
possessed of striking abilities. " Kitchener is
by no means, for instance, a great general.
Again, his statesmanship has never advanced
out of gun range, because it is entirely without
the genius that trusts humanity. In conse-
quence he is something of a bungler, something
of a blunderer." The general's present posi-
tion is due to what Mr. Begbie calls the
" Kitchener legend," to which he devotes a
chapter. The Kitchener legend, he tells us,
grew out of the work of a brilliant newspaper
correspondent, who in a London paper " de-
scribed the famous march to Khartoum, filling
the grey commercial atmosphere of London
with the rich colours of the East, with the
exciting adventure of war, and with the still
more exciting sensation of anxiety." It seems
to be Mr. Begbie's opinion that this legendary
character is far -more useful in the present
crisis than the real Kitchener, as it gives the
English public the confidence in the govern-
ment that is needed above everything else.
The volume is illustrated with eight photo-
graphs of Lord Kitchener taken at various
periods of life and in various costumes, civil,
military, Oriental, and academic.
Oldandnew
The subject of the Hartford-
J tn-ic,
Lamson lectures tor lyld was
modern India. « Modern Religious Movements
in India," and the lecturer was Mr. J. N. Far-
quhar, M.A., who had been a wrorker in India
for more than twenty years. He gave eight
addresses, which have been carefully edited
1915]
THE DIAL
389
and are now available in book form (Macmil-
lan) . Fortunately, Mr. Farquhar has not only
had a varied and valuable experience in the
land about which he writes, but also brings to
bear sound methods of investigation and pre-
sentation, with the natural result that he has
given us a thoughtful and useful volume.
After a brief but serviceable historical out-
line, he enters upon a discussion of the " Move-
ments Favoring Vigorous Reform," such as the
Brahma Samaj. Then he turns to "Reform
Checked by Defence of the Old Faiths," and
under this general caption he writes about the
Arya Samaj, the Vedic Mission, and nine simi-
lar movements. In the fourth chapter he treats
of the " Full Defence of the Old Religions,"
with such subdivisions as Sectarian Move-
ments in Hinduism, the Parsees, Sectarian
Universities, and so forth. However, for most
readers the two most attractive and suggestive
chapters will prove to be those on " Religious
Nationalism " and " Social Reform and Ser-
vice," not because they are more carefully writ-
ten than the others, but from the nature of
their subjects. In these sections, and indeed
in all, Mr. Farquhar insists that there has been
a steady advance of the old faiths, and that
all the reformation and revivification has been
due essentially to Christianity: "While the
shaping forces here, have been many, Chris-
tianity has ruled the development through-
out." (Italics in the text.) Naturally this is
a large question, which we may not discuss;
but it assuredly is one that every student of
world history must find absorbingly interest-
ing. We have just one serious complaint
against our author, and that is for wasting so
many pages on his circumstantial exposure of
the frauds of Madame Blavatsky and some of
the other Theosophists. Of course his arraign-
ment is most convincing; but these vapid
iniquities needed no further flaying for the
class of readers to whom the present volume
will appeal, and the space thus squandered
might have been utilized for a more extended
treatment of the " Servants of India Society/'
for instance, or half a dozen other interest-
ing and significant topics. The illustrations,
chiefly portraits, are excellent.
The story of
Belgium's
martyrdom.
Dr. Charles Sarolea, who has for
twelve years been Belgian con-
sul in Edinburgh, has written
movingly of the martyrdom of his native land
in a book entitled, " How Belgium Saved Eu-
rope " (Lippincott). Americans, to whom the
German invasion of that busy and contented
land is the great unforgettable and unforgiv-
able fact of the war, will read with absorbed
interest this plain unvarnished tale which
needs neither exaggeration nor rhetoric to
bring it home to men's bosoms. The author
writes with restraint, though his indignation
at times comes close to the surface. Having
been himself an eye-witness of the first four
weeks of the war, he is able to describe vividly
those momentous operations around Liege,
Malines, and Namur which had such a far-
reaching effect on the whole Western cam-
paign. It is his profound conviction that Bel-
gium has fought in defence not only of her
own independence but also of the liberties of
Europe and the sanctity of international law.
In strict honor she was not bound to resist to
the bitter end. After the first defence had been
broken down, she might well have concluded
an armistice with the enemy and thereby have
tried to save herself from the horrors of a Ger-
man occupation. In so doing she would have
fulfilled her treaty obligations and have satis-
fied the dictates of honor. But with a lofty
political idealism and a touch of that mystical
temper which we see in her great writers
Maeterlinck and Verhaeren, she chose to lay
down her life for her friends. She did not
even complain when the Allies failed to come
to her aid in time. Dr. Sarolea is fully cog-
nizant now of the reasons for that failure, —
the lack of preparation and the French tacti-
cal blunder in attempting a premature thrust
in Alsace ; but he points out that at the time
the delay not only made the Belgians heart-
sick with deferred hope but also seriously up-
set their military plans. The author himself
witnessed certain German atrocities, which he
describes without comment, preferring to
dwell on officially authorized instances of ter-
rorism, such as the destruction of Louvain and
Dinant.
A satire and some Mr- Henry Arthur Jones, the
one-act plays by veteran English playwright, has
commemorated his last winter's
visit to the United States by the publication
of three one-act plays and a burlesque narra-
tive, in a volume called " The Theatre of
Ideas" (Doran). The little dramas have all
the ready cleverness of technique that Mr.
Jones's long practical experience with the
stage has perfected. Their reader will not
expect or find in them much stimulus in the
way of thought, or much revelation of new
methods in character study (although in the
brief Cornish tragedy, " Grace Mary," there is
real human feeling beneath the banal story) ;
their author has lived through his experi-
mental period, and shows himself here as an
accomplished craftsman rather than as an un-
wearied and growing artist. Indeed, in the
burlesque which gives the book its title, he
reveals himself quite definitely and intention-
390
THE DIAL
[ May 13
ally as the good-naturedly cynical foe of the
intensely self-conscious younger school of
dramatists who study parliamentary Blue-
Books to find material for their plays and who
seem to Mr. Jones to be merely rocking ener-
getically back and forth on a hobby Pegasus
and hacking wildly with blunt wooden swords
at whatever ancient convention or human tra-
dition comes within reach of their arms.
Universal suffrage, universal peace, universal
panaceas of all sorts, he mocks in a serio-
comic style, so much heavier than witty in its
general effect that it hardly prepares one for
the swift concluding explosion that wrecks
the Theatre of Ideas, the School attached to
it, and all its votaries. The ridicule is neither
bitter nor pointed enough to leave a sting ; its
neutral tone is perhaps but the inevitable re-
flection of the American atmosphere in which
Mr. Jones conceived and wrote it as a half-
jesting expression of some of the follies he
hopes to see destroyed by the Great War.
studies in The volume of ' ' Canadian Essays
Canadian politics and Addresses " (Longmans), by
and education. T» • • i T> j. j» •» «- /-* -11
Principal Peterson of McGill
University, Montreal, is divided into two
broad sections: the first dealing with Canada's
external relations, and the second devoted to
educational questions. The addresses on Im-
perialism, Canada's Naval Policy, her rela-
tions with the rest of the Empire, and with
the United States, have an immediate interest
in this period of world-wide upheaval. Prin-
cipal Peterson is an Imperialist, but not in
any narrow sense. The federation of the
British Empire he looks forward to is one that
will make for mutual understanding and help-
fulness among its scattered members, without
the sacrifice of any essential principles of self-
government. No intelligent onlooker can very
well doubt that one of the better products of
this disastrous war will be a readjustment of
the relations between Canada and the other
self-governing Dominions and the Mother
Land. The part Canada, Australia, and New
Zealand are taking in the war, and the sig-
nificant utterances of responsible statesmen
both in England and in the Overseas Do-
minions, make it clear that some means will
be found of giving the outlying portions of
the British Empire a voice in all questions of
foreign policy, and all matters affecting the
Empire as a whole. In the second division of
his book, Dr. Peterson discusses, from the
point of view of a broad-minded and experi-
enced educationalist, such vital questions as
"National Education," "The Place of the
University in the Commercial City," "Educa-
tion and Business," and the "Claims of Clas-
sical Studies in Modern Education."
A roiling stone Autobiography anonymously
that gathered written brings up some curious
questions of psychology. The
author must feel that his career is interesting
to the general public, or he would not describe
it; yet he seeks to avoid the fame his book
might bring him, perhaps for the sake of
greater freedom in telling the story of his life.
" Getting a Wrong Start " (Macmillan) first
appeared as a serial in the most popular of
American weeklies a year ago. Then, as now,
the author's name was not disclosed. But there
is manifestly only one American writer whose
life fits into the facts here revealed. That
writer is Mr. Emerson Hough, whose biog-
raphy in " Who's Who in America " checks up
in detail with the present book. The title of
the volume indicates that the writer believes
himself to have begun life badly. The reader
may differ from him with abundant justifica-
tion. He tried a number of things, in our
national manner, before he discovered his fit-
ness for authorship, — law and journalism
among them. In this way he served his ap-
prenticeship, working hard and intelligently.
When he came to the age of forty he wrote his
first fiction. Since that time — and he is now
in his fifty-eighth year — his success has been
marked; so marked indeed, that what he re-
gards as a warning may well serve as an exam-
ple. Especially interesting is his account of
his marriage and wedded life ; this, too, seems
to justify the wisdom of arriving at full matur-
ity before plunging.
BRIEFER MENTION.
Two volumes recently added to the " Handy Vol-
ume Classics" (Crowell) are "The Twelve Best
Tales by English Writers," selected by Mr. Adam
L. Gowans, and " The Best English and Scottish
Ballads," selected by Mr. Edward A. Bryant. In
both volumes the selections are discriminating ; and
the titles are useful additions to a convenient and
inexpensive series.
For the busy teacher or mother, Dr. William
Byron Forbush's " Manual of Play " (Jacobs) con-
tains many practical suggestions for free play
among children which will prove stimulating and
helpful. Complete directions for a large number of
games are included. Throughout the volume runs
a note of faith in the value of keeping alive the
play-spirit among the adults to whom is entrusted
the guidance of the child.
Mr. H. Addington Bruce lias put together a series
of detached and superficial essays under the irrele-
vant title of " Psychology and Parenthood "
(Dodd) . Skimming along the " popular " waves of
interest in defective or precocious children, in hys-
teria and fear, in theories of laughter, of the sub-
conscious, and of the genesis of genius, the book is
made by culling- the most sensational aspects of the
1915]
THE DIAL
391
unusual cases. It contains material useful and use-
less, correct and false, pertinent and impertinent;
it is uncritical in treatment and weak in motive.
Such books may do some good by stimulating inter-
est and more harm by satisfying it.
In " Discoveries and Inventions of the Twentieth
Century" (Button), Mr. Edward Cressy has pre-
pared a useful companion volume to Routledge's
popular manual covering the same field for the
preceding century. So rapid has been the increase
of scientific activity that considerations of space
have led Mr. Cressy to modify in part the plan of
the original and to select for his non-technical dis-
cussions only the characteristic results of inventive
enterprise during the last twenty-five years. While
the book is adapted to the needs of the many rather
than of the specialist, the author, with judicious
discrimination, has given to each topic a far more
comprehensive account than is usually found in
handbooks prepared for the " average man."
In "The True Ulysses S. Grant" (Lippincott) ,
General Charles King has undertaken to digest
for the general reader the enormous amount of
biographical literature devoted to the career of
General Grant. The result is a very well-written
biography, in which the narrative of military
affairs is related in untechnical fashion and is
wisely subordinated to the account of Grant's life
taken as a whole. Throughout the book there runs
a frank hero-worship, for which the critical reader
must make kindly allowance. Especially will this
consideration be demanded in that brief part of the
work which treats of Grant's two terms as Prest
dent, and in the chapter which tells of his relations
with Andrew Johnson. The plan of the series in
which the volume appears permits no footnotes,
and there is no attempt at a bibliography ; but there
is a good index, and the work is well illustrated.
The perplexing allusion, such as one so often
encounters in Lowell's learned page or Matthew
Arnold's polished essay, will always be with us, or
at least until writers choose to make their style as
bald and unattractive as that of a textbook on
arithmetic or geography. Hence the need of such
books as Miss Florence M. Hopkins's " Allusions,
Words, and Phrases that Should be Known, and
Where to Find Them," a revised and improved
edition of her earlier "Allusions Which Every
High School Student Should Know." Nearly fifty
pages of not uncommon though not too obvious
allusions, with indications of easily accessible
sources of information concerning them, have been
carefully prepared, and each printed page is faced
by a blank one for additional entries on the stu-
dent's part. It is encouraging to learn from the
author that she has been induced by the reception
of her former work to prepare this second and
more maturely considered treatise in the same field.
Our younger writers betray their rawness (if that
be not too harsh a term) in nothing so much as the
thinness, the poverty, the unallusiveness of their
style. Miss Hopkins is librarian of the Detroit
Central High School, and her book may be had of
the Willard Company, of that city. She has in
preparation a work on " Reference Guides That
Should be Known."
Mr. Frank Harris's " Contemporary Portraits "
will be published next month by Mr. Mitchell
Kennerley.
A play by Mr. Louis J. Block, entitled " The
Judge," is soon to be published by The Gorham
Press of Boston.
" Michael O'Halloran " is the title of Mrs. Gene
Stratton-Porter's new novel which will be issued in
August by Messrs. Doubleday, Page & Co.
A new edition of M. Maeterlinck's " Three Little
Dramas for Marionettes " is promised for early
publication. The volume has been out of print for
several years.
Sir Gilbert Parker has completed his book on the
making and conduct of the war, and it will probably
be ready next month under the title of " The World
in the Crucible."
Mr. J. A. Fuller-Maitland's new work, " The
Consort of Music : A Study of Interpretation and
Ensemble," will be published by the Oxford Uni-
versity Press in a few weeks.
" The Dawn," a play by the Belgian poet M.
Emile Verhaeren, will appear this month in a spe-
cial edition from the press of Messrs. Small,
Maynard & Co. The volume will contain an intro-
duction by Mr. Arthur Syrnons.
Among the May publications of Messrs. Doran
are " The Invisible Event," the concluding volume
of the Jacob Stahl trilogy by Mr. J. D. Beresford,
" The Rat-pit," by Mr. Patrick MacGill, and " The
Lie," a one-act play by Mr. Henry Arthur Jones.
Something of the warm attachment that existed
between the two highly gifted brothers, Sidney and
Clifford A. Lanier, is said to be revealed in a vol-
ume of verse by the latter, which will be published
under the title of " Sonnets to Sidney Lanier, and
Other Lyrics."
As a result of the welcome which M. Artziba-
shef's novel " Sanine " has received in this country,
Mr. B. W. Huebsch has arranged to bring out all
of this author's fiction. The next volume to appear
will be " The Millionaire," containing one short and
two long stories.
The sixth volume of the illustrated edition of
Macaulay's "History of England," which Messrs.
Macmillan will have ready this month, completes
a work which has been appearing quarterly under
the editorship of Professor C. H. Firth since
November, 1913.
It is impossible to foresee the influence of the
great war on English literature in the future. Some
of the precedents are dealt with by Professor E.
de Selincourt in a volume of lectures about to be
published by the Oxford University Press under the
title of " English Poets and the National Ideal."
Mr. Balfour's Gifford lectures on " Theism and
Humanity " will be ready for publication shortly.
Messrs. Hodder & Stoughton received the complete
manuscript from Mr. Balfour a short time ago, and
they anticipate that even in these stirring times the
book will give rise to a good deal of discussion.
392
THE DIAL
[May IS
Immediately forthcoming volumes in the " Home
University Library " are : " Belgium," by Mr.
R. C. K. Ensor; "A History of Philosophy," by
Mr. Clement C. J. Webb; "Political Thought:
From Herbert Spencer to the Present Day," by
Mr. Ernest Baker; " Milton," by Mr. John Bailey;
and " The Negro," by Mr. W. E. B. Du Bois.
Two noteworthy volumes of impressions and
experiences of the European war are soon to be
published in Mr. Will Irwin's " Men, Women, and
War " and Mr. Frederick Palmer's " Personal
Phases of the War." Mr. Irwin started for the
war three days after it broke out, returning in
November to organize the Commission for Relief
in Belgium.
More than two hundred confidential military
dispatches to President Jefferson Davis from
General Robert E. Lee, which historians feared
were hopelessly lost but which have been brought
to light by Mr. Wymberley Jones De Renne of
Georgia, are to be issued this month by Messrs.
Putnam. The volume is edited by Dr. Douglas
Southall Freeman.
Mr. and Mrs. Joseph PennelFs book on lithog-
raphy, soon to be published, contains chapters on
the history of the art by Mrs. Pennell, together with
a description and technical explanations of modern
artistic methods by Mr. Pennell, and is elaborately
illustrated. The historical portion of the book is
founded upon the volume by Mr. and Mrs. Pennell
issued in 1898, and long out of print, but the book
is new though based upon the old.
A critical edition of " The Poetical Works of
Robert Herrick," edited by Dr. F. W. Moorman,
will shortly be added to the " Oxford English
Texts" series. In the present edition Dr. Moor-
man has been able to use the copy of " Hesperides "
in the possession of Mr. G. C. Macaulay, which
gives the text as revised by the poet in the printing
office. Those poems by Herrick are also included
which do not find a place in the 1648 volume.
The need of fire-proof structures for valuable
libraries received another lamentable illustration on
the 26th of last month, when a lively blaze in the
basement of the St. Paul Public Library caused the
ruin, as is reported, of the large collection of books
(100,000 volumes, valued at $150,000) sheltered by
that building. Water, more than fire, did the actual
damage, as is so often the case in similar instances.
The total loss to the city is estimated at $300,000.
In a prefatory note to his forthcoming English
edition of Dr. Sven Hedin's "With the German
Armies in the West," Mr. John Lane replies to his
critics and states his reasons for publishing the
work in England. The book, which is expected
shortly, has already been parodied by Mr. E. V.
Lucas in a little book entitled " In Gentlest Ger-
many," with illustrations by Mr. George Morrow.
This will appear shortly after the publication of
Sven Hetlin's volume.
Three forthcoming publications of Messrs.
Houghton Mifflin Co. not previously announced
are " Bronson Alcott's Fruitlands," a compilation
by Clara Endicott Sears of all the writings on the
subject of Bronson Alcott's community at Fruit-
lands; "Whither?" the anonymous essay which
attracted wide and earnest comment when it ap-
peared in the March number of the "Atlantic";,
and " Naval Occasions," by " Bartimeus," present-
ing a series of vivid pictures of the life at sea of
the officers and men of the British navy.
Literary workers and peace advocates will be
interested in a prize contest instituted by the
Christian Women's Peace Movement, which enlists
women of all denominations and claims a con-
stituency of four millions. A prize of one hundred
dollars is offered for a short story, not to exceed
four thousand words in length, setting forth Chris-
tian ideals of peace. The manuscript should be
typewritten on one side of the sheet only, and must
be in hand not later than June 15. Competitors,
should address the Christian AVomen's Peace Move-
ment, 705 Ford Building, Boston, enclosing stamps-
for return of their manuscripts if found unavail-
able.
In a forthcoming book entitled " Shelley in En-
gland," Mr. Roger Ingpen utilizes information re-
vealed since the publication of Professor Dowden's
biography of the poet as to Shelley's early life.
More especially has the author availed himself of a
mass of unpublished matter recently disclosed relat-
ing to the poet and his family, including twenty-
six new letters of Shelley. The volume contains a
transcript of Shelley's manuscript note-book, which,
water-stained and tattered, was recovered from the
"Ariel," the boat in which he met his death. The
illustrations include some family and other por-
traits reproduced for the first time, as well as fac-
similes from the manuscript note-book.
Some unpublished letters of Charles Darwin,
throwing many side-lights on the more intimate
details of his life, are included in the memoirs of
his wife, entitled " Emma Darwin : A Century of
Family Letters, 1792-1896," edited by her daughter,
Henrietta Litchfield, which will be published in two-
illustrated volumes. The first volume chiefly con-
sists of the letters written by Mrs. Darwin's mother^
Mrs. Josiah Wedgwood, and her sisters, now linked
together and edited to complete a picture of the
country life of an English family in the first half
of the nineteenth century. The life and letters of
Mrs. Darwin complete a work which was originally
written for her grandchildren, and was privately
printed in 1904.
Mr. Allen Upward's new book, " Paradise
Found," which Messrs. Houghton Mifflin Co. will'
publish this month, is a critical extravaganza in
dialogue form which is essentially a searching criti-
cism of Mr. Bernard Shaw and his ideas. The plot
of the piece is this: Shaw, through enchantment,
is cast into a trance, and in this form is preserved1
by his followers as a sacred relic for two hundred1
years. At the expiration of two centuries, he is
awakened by a kiss into a world administered*
entirely on Shavian principles. The re-awakened
Shaw's disgust with the practical operation of his-
ideas is developed with much humor; but the
reader finds when he is through that the Shavian
philosophy has received a searching and at many
points a destructive criticism.
1915]
THE DIAL
393
LIST or NEW BOOKS.
[The following list, containing 100 titles, includes books
received by THE DIAL since its last issue.]
BIOGRAPHY AND REMINISCENCES.
Rabindranath Tagore: A Biographical Study. By
Ernest Rhys. Illustrated, 12mo, 157 pages.
Macmillan Co. ?!• net.
Yale Yesterdays. By Clarence Deming; edited by
the members of his family, with Foreword by
Henry Walcott Farman. Illustrated, large 8vo,
254 pages. Yale University Press. $2.25 net.
lliiK-li: Memoirs of a Brother. By Arthur Chris-
topher Benson. With portrait, 12mo, 265 pages.
Longmans, Green & Co. $1.75 net.
Strathcona, and the Making of Canada. By W. T. R.
Preston. "With photogravure portrait, 8vo, 324
pages. McBride, Nast & Co. $2.50 net.
Henry Bennet, Earl of Arlington, Secretary of State
to Charles II. By Violet Barbour, Ph.D. 12mo,
303 pages. Oxford University Press.
Lucius Tuttle: An Appreciation. By Hayes Rob-
bins. With portrait, 12mo, 61 pages. Boston:
W. A. Butterfleld. 50 cts. net.
HISTORY.
Campaigns of the One Hundred and Forty-sixth
Regiment, New York Volunteers. Compiled by
Mary Genevie Green Brainard. Illustrated, large
8vo, 542 pages. G. P. Putnam's Sons. $3. net.
Famous Days and Deeds in Holland and Belgium.
By Charles Morris. Illustrated, 8vo, 348 pages.
J. B. Lippincott Co. $1.25 net.
The Financial Administration of the Colony of Vir-
ginia. By Percy Scott Flippin, Ph.D. 8vo, 95
pages. Baltimore: Johns Hopkins Press. Paper.
GENERAL, LITERATURE.
The Little Man, and Other Satires. By John Gals-
worthy. 12mo, 279 pages. Charles Scribner's
Sons. $1.30 net.
The Salon and English Letters: Chapters on the
Interrelations of Literature and Society in the
Age of Johnson. By Chauncey Brewster Tinker.
Illustrated, large 8vo, 290 pages. Macmillan Co.
$2.25 net.
The Conduct of Life, and Other Addresses. By
Viscount Haldane. 12mo, 136 pages. E. P.
Dutton & Co. $1. net.
NEW EDITIONS OF STANDARD LITERATURE.
The Works of Henry D. Thorenu. " Riverside Pocket
Edition"; in 11 volumes, with photogravure
frontispieces, 16mo. Houghton Mifflin Co. Per
volume, $1.50 net.
The Divine Comedy (La Comedia di Dante Alighieri).
Translated by Henry Johnson. 8vo, 443 pages.
Yale University Press. $2.50 net.
Abraham Cowley: The Essays and Other Prose
Writings. Edited by Alfred B. Gough, Ph.D.
12mo, 375 pages. Oxford University Press.
DRAMA AND VERSE.
Spoon River Anthology. By Edgar Lee Masters.
12mo, 248 pages. Macmillan Co. $1.25 net.
The New Poetry Series. First volumes: Japanese
Lyrics, translated by Lafcadio Hearn, 75 cts. net;
Irradiations, sand and spray, by John Gould
Fletcher, 75 cts. net.; The Winnowing Fan,
poems on the great •war, by Laurence Binyon,
50 cts. net.; Some Imagist Poets, an anthology,
75 cts. net. Each 12mo. Houghton Mifflin Co.
Panama, and Other Poems, Narrative and Occa-
sional. By Stephen Phillips; with frontispiece
by Joseph Pennell. 12mo, 153 pages. John Lane
Co. $1.25 net.
Poems of Emile Verhaeren. Selected and rendered
into English by Alma Strettel. With photo-
gravure portrait of the author by John S. Sar-
gent; new edition, 12mo, 92 pages. John Lane
Co. $1. net.
Love in Danger: Three Plays. By Mrs. Havelock
Ellis. 12mo, 88 pages. Houghton Mifflin Co.
75 cts. net.
Plays of the Pioneers: A Book of Historical
Pageant-plays. By Constance D'Arcy Mackay.
Illustrated, 12mo, 175 pages. Harper & Brothers.
$1. net.
A Florentine Cycle, and Other Poems. By Gertrude
Huntington McGiffert. 12mo, 217 pages. G. P.
Putnam's Sons. $1.25 net.
The Glen Path, and Other Songs. By Samuel Theo-
dore Kidder. With frontispiece, 12mo, 74 pages.
Sherman, French & Co. $1. net.
FICTION.
The Honey Bee: A Story of a Woman in Revolt.
By Samuel Merwin. Illustrated, 12mo, 458 pages.
Bobbs-Merrill Co. $1.35 net.
Fidelity. By Susan Glaspell. 12mo, 422 pages.
Small, Maynard & Co. $1.35 net.
Mary Moreland. By Marie Van Vorst. With frontis-
piece, 12mo, 359 pages. Little, Brown & Co.
$1.35 net.
Alice and a Family. By St. John G. Ervine. 12mo,
276 pages. Macmillan Co. $1.25 net.
Miranda. By Grace Livingstone Hill Lutz. Illus-
trated in color, etc., 12mo, 344 pages. J. B.
Lippincott Co. $1.25 net.
The Hand of Peril. By Arthur Stringer. With
frontispiece, 12mo, 331 pages. Macmillan Co.
$1.35 net.
The Life-Builders. By Elizabeth Dejeans. Illus-
trated, 12mo, 410 pages. Harper & Brothers.
$1.35 net.
The White Alley. By Carolyn Wells. With frontis-
piece in color, 12mo, 300 pages. J. B. Lippincott
Co. $1.25 net.
The Child at the Window. By William Hewlett.
12mo, 362 pages. Duffleld & Co. $1.25 net.
The Girl at Central. By Geraldine Bonner. Illus-
trated, 12mo, 315 pages. D. Appleton & Co.
$1.30 net.
King Jack. By Keighley Snowden. 12mo, 312
pages. E. P. Dutton & Co. $1.35 net.
Doodles: The Sunshine Boy. By Emma C. Dowd.
With frontispiece in color, 16mo, 348 pages.
Houghton Mifflin Co. $1. net.
The Yellow Claw. By Sax Rohmer. 12mo, 427
pages. McBride, Nast & Co. $1.35 net.
His English Wife. By Rudolph Stratz; translated
by A. C. Curtis. 12mo, 335 pages. Longmans,
Green & Co. $1.35 net.
A Silent Witness. By R. Austin Freeman. Illus-
trated, 12mo, 382 pages. John C. Winston Co.
$1.20 net.
Pillars of Smoke. New edition; 12mo, 252 pages.
Sturgis & Walton Co. $1.25 net.
Lord Strathmore's Ruby. By Ruth Harl. With
frontispiece, 12mo, 124 pages. Chicago: Albert
H. King.
THE GREAT WAR — ITS HISTORY, PROBLEMS,
AND CONSEQUENCES.
The Road toward Peace. By Charles W. Eliot.
12mo, 228 pages. Houghton Mifflin Co. $1. net.
A Surgeon in Belgium. By H. S. Souttar, F.R.C.S.
Illustrated, 8vo, 217 pages. Longmans, Green &
Co. $2.40 net.
Four Weeks In the Trenches: The War Story of a
Violinist. By Fritz Kreisler. Illustrated, 12mo,
86 pages. Houghton Mifflin Co. $1. net.
Defenseless America. By Hudson Maxim. Illus-
trated, 8vo, 318 pages. Hearst's International
Library Co. $2. net.
War and World Government. By Frank Crane, D.D.
12mo, 256 pages. John Lane Co. $1. net,
"War and the Ideal of Peace: A Study of Those
Characteristics of Man That Result in War, and
of the Means by Which They May Be Controlled.
By Henry Rutgers Marshall, L.H.D. 12mo, 234
pages. Duffleld & Co. $1.25 net.
The Game of Empires: A Warning to America. By
Edward S. Van Zile, L.H.D. ; with prefatory note
by Theodore Roosevelt. 12mo, 302 pages. Moffat,
Yard & Co. $1.25 net.
The European "War of 1914: Its Causes, Purposes,
and Probable Results. By John William Burgess,
Ph.D. 16mo, 209 pages. A. C. McClurg & Co.
$1. net.
The Doctrine of Intervention. By Henry G. Hodges,
A.M. 12mo, 288 pages. Princeton: The Banner
Press.
"Who Wanted "War? By E. Durkheim and E. Denis;
translated by A. M. Wilson-Garinei. 12mo, 62
pages. Paris: Armand Colin. Paper.
Oxford Pamphlets. New titles: Contraband and
the War, by H. Reason Pyke, LL.B.; Outline
of Prussian History to 1871, by Ernest F. Row,
B.Sc.; The Man of Peace, by Roy Norton;
German Philosophy and the War, by J. H. Muir-
head. Each 16mo. Oxford University Press.
Paper.
BOOKS FOR THE YOUNG.
The Emerald Story Book: Stories and Legends of
Spring, Nature, and Easter. Compiled by Ada M.
Skinner and Eleanor L. Skinner. With frontis-
piece in color, 12mo, 371 pages. Duffleld & Co.
$1.50 net.
Jimmy Kirkland of the Cascade College Team. By
Hugh S. Fullerton. Illustrated, 12mo, 265 pages.
John C. Winston Co. 60 cts. net.
394
THE DIAL
[ May 13
Hollow Tree Stories. By Albert Bigelow Paine.
First volumes: Mr. Rabbit's Big Dinner; Mr.
'Possum's Great Balloon Trip; How Mr. Rabbit
Lost His Tail; When Jack Rabbit Was a Little
Boy; How Mr. Dog Got Even; Making Up with
Mr. Dog. Each illustrated, 12mo. Harper &
Brothers. Per volume, 50 cts. net.
Famous Buildings: A Primer of Architecture. By
Charles L. Barstow. Illustrated, 12mo, 246 pages.
Century Co. 60 cts. net.
True Stories of Great Americans. New volumes:
Captain John Smith (1579-1631), by Rossiter
Johnson; Robert E. Lee, by Bradley Oilman.
Each illustrated, 12mo. Macmillan Co. Per vol-
ume, 50 cts. net.
Early English Hero Tales. Told by Jeannette
Marks. Illustrated, 12mo, 99 pages. Harper &
Brothers. 50 cts. net.
BOOKS OF REFERENCE.
The New International Year Book: A Compendium
of the World's Progress for the Year 1914.
Edited by Frank Moore Colby, M.A. Illustrated,
large 8vo, 806 pages. Dodd, Mead & Co.
A Check List of First Editions of the Works of
Bliss Carman. Arranged by Frederic Fairchild
Sherman. 12mo, 15 pages. New York: Privately
printed. $1.25 net.
The Art of Public Speaking. By J. Berg Esenwein
, and Dale Carnagey. " The Writer's Library."
12mo, 512 pages. Home Correspondence School.
Practical Programs for Women's Clubs. By Alice
Hazen Cass. 16mo, 168 pages. A. C. McClurg &
Co. 75 cts. net.
EDUCATION.
The Schools of Medieval England. By A. F. Leach.
Illustrated, large 8vo, 349 pages. Macmillan Co.
$2. net.
Modern Essays. Selected by John Milton Berdan,
Ph.D., John Richie Schultz, M.A., and Hewett
Elwell Joyce, B.A. 12mo, 448 pages. Macmillan
Co. $1.25 net.
Readings from American Literature: A Textbook
for Schools and Colleges. By Mary Edwards Cal-
houn and Emma Leonora MacAlarney. Large
8vo, 635 pages. Glnn & Co. $1.40 net.
Plays for School Children. Edited by Anna M. Litt-
le enhaus; with Introduction by Margaret Knox.
Illustrated, 12mo, 283 pages. Century Co.
$1.25 net.
A History of English Literature. By Walter S.
Hinchman, A.M. Illustrated, 12mo, 455 pages.
Century Co. $1.30 net.
A Practical Elementary Chemistry. By B. W. Mc-
Farland, Ph.D. 12mo, 462 pages. Charles Scrib-
ner's Sons.
Specimen Letters. Selected and edited by Albert S.
Cook and Allen R. Benham. 12mo, 156 pages.
Ginn & Co. 35 cts. net.
Practical German Composition. By Theodore Brown
Hewitt. 16mo, 68 pages. D. C. Heath & Co.
30 cts. net.
Die Harzreise, with Some of Heine's Best-known
Short Poems. Edited by Leigh R. Gregor, Ph.D.
Revised edition; 16mo, 263 pages. Ginn & Co.
50 cts. net.
Dentsch fur Anffinger. By W. D. Zinnecker, Ph.D.
12mo, 380 pages. D. C. Heath & Co. $1.25 net.
Selected Letters. By Stella Stewart Center, A.M.
With frontispiece, 16mo, 277 pages. Charles E.
Merrill Co. 40 cts. net.
Les Oberle. Par Ren 6 Bazin; edited by I. H. B.
Spiers. 16mo, 195 pages. D. C. Heath & Co.
50 cts. net.
MISCELLANEOUS.
Bodily Changes in Pain, Hunger, Fear, and Rage:
An Account of Recent Researches into the
Function of Emotional Excitement. By Walter
B. Cannon. 8vo, 311 pages. D. Appleton & Co.
$2. net.
Music and the Higher Education. By Edward Dick-
inson. 12mo, 234 pages. Charles Scribner's
Sons. $1.50 net.
The History of Melanesian Society. By W. H. R.
Rivers, F.R.S. In 2 volumes, illustrated, large
8vo. G. P. Putnam's Sons. $10.50 net.
The Well-considered Garden. By Mrs. Frances King;
with Preface by Gertrude Jekyll. Illustrated,
8vo, 290 pages. Charles Scribner's Sons. $2. net.
An Interpretation of the Russian People. By Leo
Wiener. 12mo, 248 pages. McBride, Nast & Co.
$1.25 net.
Camp Craft: Modern Practice and Equipment. By
Warren H. Miller; with Introduction by Ernest
Thompson Seton. Illustrated, 12mo, 282 pages.
Charles Scribner's Sons. $1.50 net.
An American Fruit-farm: Its Selection and Man-
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CONTENTS.
PAGE
THE NEW LITERATURE OF THE OCCULT.
Charles Leonard Moore 405
CASUAL COMMENT 408
The speech-acquiring years. — The first library
building for children. — A notable essay com-
petition.— The publisher's risk in cheap re-
prints.— In memory of Ephraim Williams. —
A renovated and ennobled French press. — A
new Russian genius. — Retrospects of a quar-
terly reviewer. — Mark Twain's contribution to
Belgian relief. — The children's need of Shake-
speare.— An addition to the ephemeral litera-
ture of the war. — A notable gift to Williams
College Library. — Neglected centenaries.
COMMUNICATIONS 413
In Praise of Thomases. Thomas Percival
Beyer.
Some Thoughts on the Present Generation.
A. 0.
War Poetry in Germany. Arthur Howard
Noll.
MISS MITFORD AS A LETTER-WRITER.
Percy F. BicJcnell 415
THE EPIC OF FRENCH EXPLORATION IN
AMERICA. Archibald Henderson . . . 417
WILLIAM II. OF GERMANY. W. K. Stewart . 418
My Ideas and Ideals. — Gauss's The German
Emperor as Shown in His Public Utterances.
— Dickinson's The Kaiser. — Shaw's The Kai-
ser.— Miss Topham's Memories of the Kaiser's
Court.
THE COSMIC SOUL. Henry M. Sheffer . . .421
THE NEW SPIRIT IN SOUTHERN HISTOR-
ICAL WRITING. Benj. B. Kendrick . . 422
RECENT FICTION. William Morton Payne . . 424
NOTES ON NEW NOVELS 425
BRIEFS ON NEW BOOKS 426
International perspective in criticism. — Fra-
ternal memories. — The oldest and most endur-
ing form of music. — Studies and satires by
Mr. Galsworthy. — The problem of sex control.
— Short and simple annals of the poor. — The
civilization of India, China, and Japan. —
Some romantic chapters in the annals of the
sea. — The making of modern Germany. —
Among the reptiles. — An anthology of mod-
ern plays.
BRIEFER MENTION 430
NOTES 431
LIST OF NEW BOOKS 432
THE NEW LITERATURE OF THE
OCCULT.
Unlike the moon, with its fixed hemispheres
of light and shadow, the orb of humanity rolls
restlessly from bright to dark. In the eight-
eenth century there was a rationalizing day-
light that peered into every crevice and cranny
of the human mind. The nineteenth century
tried to secure this clear certainty for all time
by a system of science which pushed the
Unknowable aside and set its own outposts on
the farthest confines of space. But a change
is now upon us. Whether we want it or not,
the Occult and the Unknown are rising to
dominate our thoughts. As to Hyperion on
his glowing throne in Keats's poem, "omens
obtruded, images obscure," so flocks of books
about the supernatural and the psychic are
wheeling into the world to-day. It is pretty
sure that these books will influence man's life
sooner or later; though indeed, superstition
is so rooted in humanity that it needs little
encouragement from doctrinal treatises. Crys-
tal-gazing, fortune-telling, palm-reading, as-
trological predictions, esoteric philosophies, —
all are flourishing. Nearly everybody one talks
to has had some experience of these things, and
admits some touch of faith in them.
The most remarkable fact about the new
literature of the Occult is that it has been
pioneered or backed up by trained men of
science, men whose names stand high in their
own specialties. M. Camille Flammarion in
France, Sir William Crookes and Sir Oliver
Lodge in England, have spoken with no uncer-
tain tones. A dozen or so years ago, M. Flam-
marion essayed to place the whole subject on a
scientific or experimental basis. He cast a
huge drag-net and gathered in hundreds of
cases of psychic experience, — cases of halluci-
nation, telepathy, transmission of thought,
mental suggestion, communication from a dis-
tance, astral bodies, — which he presented in
his book, " The Unknown." His more recent
work, "Mysterious Psychic Forces," deals
mainly with Eusapia Palladino. His English
compeers have dealt with the subject in scat-
tered reviews, pamphlets, and addresses. A
few years ago, Sir William Crookes, in an
406
THE DIAL
[May 27
address to the English Authors Club, stated
unequivocally that " there is no matter."
With the work of these famous scientists
may be joined the books of other trained and
competent observers. Among the latter are
Mr. Henry Holt, whose recent large work " On
the Cosmic Relations" essays to envisage the
whole subject and to give it a definite ter-
minology ; Mr. Hereward Carrington, with his
" Personal Experiences in Spiritualism " ; and
Mr. I. W. Heysinger, with his " Spirit and
Matter before the Bar of Science." A book
entitled " Death," published two or three years
ago, which dealt with all the circumstances of
the parting of the body and soul and particu-
larly took a most unpleasant view of our
chances for premature burial, is one of the
most gruesome works we ever remember read-
ing. And there has been an immense recent
crop of ghost stories and records of super-
natural happenings, — English, Scotch, and
Irish. Andrew Lang alone slew his thousands
of bogies. These tales show upon their faces
that they are not the unassisted inventions of
their writers. They are human documents,
and therefore in some measure evidential.
But anyone who is at all familiar with law-
suits will have slight respect for the ability
of the average human being either to know or
to tell the truth about anything.
Allied with these scientific or semi-scientific
presentations of the psychic case, there have
lately been published a good many books which
view the subject in its historic aspects. Highly
poetic in form, but substantially based on
facts, is Mr. Oliver Madox Hueffer's "The
Book of Witches." "Werewolves" by Mr.
Elliot O'Donnel, " Vampires and Vampirism "
by Mr. Dudley Wright, and " The Romance of
Sorcery" by Mr. Sax Rohmer exhaust their
several subjects. "New Presbyter is but old
Priest writ large " said Milton, and it seems to
us that the new scientific treatment of mys-
terious psychic forces does not reveal any-
thing which is not in the popular or poetic
creations of the past. All the powers appar-
ently possessed by mediums of whatever kind
to-day have been in use by thaumaturgists and
miracle-workers from the beginning. And as
this old magic has a certain poetic glamour, we
shall begin with the slightest and most per-
functory sketch of it.
As the fertile land in Egypt is only a fringe
to the Nile, an effluence of its waters, so to the
ancient dwellers in that country human life
seemed to be only something temporarily afloat
on the great stream of death. They had their
eternal pyramids as tombs for their kings, and
their Cities of the Dead as real homes for the
people. The Egyptians, indeed, seem to have
lived only in order to be buried. At the most,
life to them was a butterfly which flutters for
a few days, while the mummy was the grub of
permanent duration. They embodied their
deepest thought in the figure of the Sphinx,
half human, half animal. They projected the
idea of the Veil which no one has lifted. In
India, aside from its religions, mythologies,
and philosophies, always changing and always
mysterious, there have existed from the begin-
ning vast systems of magic, sorcery, and mira-
cle-working. One, the largest of the Vedas, is
made up of spells, incantations, rituals of
darkness. The Hindus seem to have consid-
ered it quite as necessary to propitiate the
demons as the gods. The Soona plant, the
plant of intoxication, was worshipped by them ;
it had its god and most obligatory ritual. The
Buddhist system of penance, renunciation, and
fasting has helped the Hindus to a clearness
of thought, or an hallucination of mind, which-
ever way one chooses to regard it, which has
made their magic memorable. The ancient Per-
sians were wonder-workers and wonder-believ-
ers. Babylon had its Magi, Belshazzar his Wise
Men, and the rod of Aaron swallowed up the
serpents of the Persian priests. The more
modern Moslem inhabitants of that part of
Asia have been soaked in superstition. The
great wings of the Djinns, E frits, and Genie
hover over and rustle through the Arabian
Nights, which is a collection of popular tales.
To every human being was born a familiar, —
to the female a Ginn, to the male a Ginnee;
these grew up with the person, and if the lat-
ter died young he was supposed to have been
killed by his familiar.
The clear and bright Greek mind tried for a
time to banish the Occult and Unknown from
the circle of humanity. Its work still remains
the most sane and purely human the world has
known. But there were plenty of shadowy
places in Greek life and thought. Dodona
with its Sibyls was the central heart of the
race ; and though we do not know much about
the Eleusinian Mysteries, they were probably
concerned with the problems of the hereafter.
The story of Medea and the novel of "The
Golden Ass" show us that witchcraft flour-
ished in its darkest forms in Greece. As for
1915]
THE DIAL
407
the Romans, they started in life with a charm-
ing outfit of domestic deities, Lares and Lem-
ures, and as they grew in age they accepted
anything in the way of superstition that was
offered them from abroad. They were eclectic
in their choice of tutelary guardians, and will-
ing to give any supernatural power a chance.
From the Greeks down to the present time
there runs a line of laurelled and sceptred
figures, — men who were really daring experi-
menters in science, but who were popularly
accounted dealers in magic. Pythagoras,
Empedocles, Apollonius of Tyana, Nostrada-
mus, Roger Bacon, Dr. Dee, and Cagliostro
were some of these worshipped and feared and
doubted personages. The Middle Ages placed
even Virgil among the magicians. Madame
Blavatsky is perhaps the most striking recent
example of the ability of a wonder-worker to
command attention. Both M. Flammarion
and Sir William Crookes were more or less
impressed by her.
The popular superstitions of the Middle
Ages and of more recent times were limited in
type but endless in manifestations. The idea
of possession by the Evil Spirit or his agents
underlies most of them. "Wierus made a cen-
sus of the demons, and counted up 7,405,925
of them. So they were not easy to escape.
There is a story of a nun who forgot to say her
"benedicite" before she sat down to supper,
and who in consequence swallowed a demon
concealed in the leaves of lettuce. Heine's
idea, possibly following Milton, was that the
demons and evil spirits generally were " Gods
in Exile." Deposed or degraded with their
religions, they wandered about the world tak-
ing up what odd jobs they could get or turning
their powers upon mankind in revenge. Wie-
land the smith, for instance, was what was left
of the magnificent Thor. Some of the uncanny
creatures of the Borderworld, however, must
have had a different origin. Vampires and
Were-wolves must have been bad from the
start. There is a recipe given in one of our
books for getting rid of a vampire. With a
picture of a saint in your hand you pursue it
until you have it cornered in a large bottle.
You cork this and throw it on the fire, and
that is the end of the vampire. Lycanthropy,
hereditary in some families, could be acquired
by performing certain rites of Black Magic.
The experimenter went to some spot remote
from the haunts of man, desert or wood or
mountain top, on a night when the moon was
new and strong. On a level piece of ground
he marked a circle of seven feet in radius. In
this he kindled a fire, and placed an iron
tripod and an iron pot over it. .He boiled
water into which he east handfuls of three of
these substances: asafcetida, parsley, opium,
burdock, henbane, saffron, aloe, and solanum.
Repeating a rhymed charm, he took off his
vest and shirt and smeared his chest with the
fat of a newly killed cat. He then bound
around his loins a wolfskin and kneeling down
waited for the advent of the unknown, which
when the fire grew dim and cold and terror
froze his blood appeared in some monstrous
shape, half man and half animal. We are
particular to give this formula because it ap-
pears to have been the regulation thing, not
only for becoming a Were- wolf but for sum-
moning the Master of Evil in almost any
predicament. In the last scene of Bulwer Lyt-
ton's "Strange Story" it is repeated pretty
faithfully.
Mr. Hueffer considers the Witch the femme
incomprise of the world. He follows her
through all the irregular routine of her life.
One thing is certain — she strikes root more
firmly in fact and history than most of the
phantasms of superstition. There were women,
hordes of them, reputed to be witches, perse-
cuted as witches, burned as witches. Mother
Shipton, Mother Redcap, the Witch of Wap-
ping, Mother Demdyke, our old friend Eliza-
beth Sawyer, immortalized by Ainsworth, the
Witch of Edmonton, who furnished Ford and
Dekker with a play, — all these were historic
characters. Nay, Jeanne d'Arc was burned
as a witch. In Sweden there was a mania
about witch children: multitudes of them,
though watched in their sleep, reported that
they had been transported to Blockula, the
Northern Brocken.
But let us bid adieu to those dear old days,
and turn to the present material times when,
as one of our authorities asserts, spiritual
manifestations are ninety-eight per cent
fraudulent. Others make out a better case
for them ; but still there is a general opinion
that all the modern mediums, — the Davenport
brothers, Mr. Home, Lily Dale, Eusapia Pal-
ladino, and Mrs. Piper, — whatever powers
they may have possessed, were never averse to
eking these out by trickery. The range of
their manifestations is considerable; but, as
we said before, there is nothing very new about
them, except where modern appliances have
THE DIAL
[ May 27
placed new instruments in their hands. Spirit
photography, for instance, could not have been
exploited in past times. On the other hand,
the "Poltergeist," a thing which rings bells,
breaks crockery, and throws objects about, is
only Robin Goodfellow come again.
But there is a vast range of psychic expe-
rience which does not depend upon mediums,
and about which there is gathering a mass of
evidence scarcely to be ignored. About the
factual truth of hypnotism, mental sugges-
tion, and telepathy there can be no question
whatever. Distant communication, levitation,
astral appearances, ghosts, are more open to
doubt ; but there are crowds of honest people
who are willing to swear to their reality. Cole-
ridge said that he had seen too many ghosts to
believe in them. The present writer has had
a few creepy experiences of this kind, but they
are too slight and too uncertain to be worth
relating. Some other psychic conditions he
has known may perhaps be of interest. When
a very young man, he put in nearly two years
in the South American jungle as one of the
managers of a great railroad expedition. He
was pretty constantly fever-stricken and al-
most as constantly starved. He was shot, had
to contend with many mutinies, pursue hostile
Indians into the forest, and struggle with
native creditors. As a result, upon his return
home, he was conscious of some queer states of
mind. For one thing, the immediate past was
blotted out, or could only be recalled by an
effort; but in its place was substituted an
expedition entirely different and even more
striking, which filled his waking mind with
the vividness of reality. Another thing was
this : he had at that time published nothing ;
but the feeling was so strong in him that he
had not only written but published a large
dramatic poem, that he would frequently go
over to the bookcase to pick out the volume.
Another strong impression was that he pos-
sessed the power of levitation, — that he needed
only to touch his toes to the ground occasion-
ally to propel himself long distances through
the air. He certainly never attempted to put
this gift into practice, but the sense that he
possessed it was a snug satisfaction to him.
Of course these were hallucinations; the
writer was temporarily a trifle cracked. But
that raises the question as to how far dementia
and inspiration are apart. The Indians held
that the manifestations of insanity were
sacred ; and Swedenborg and the mystics gen-
erally, to judge by their lucubrations, must
have been somewhat of this opinion.
What is the good of it all ? As someone in
one of the volumes we have mentioned says,
"What good is a baby?" That the super-
natural cannot be proved may be granted.
What can be proved ? Newton said that gravi-
tation, the attraction between distant bodies,
was impossible; and Faraday urged cogent
arguments against his own conservation of
energy theory. The nebular hypothesis and
the atomic theories must probably go to the
scrap-heap. If the shadowy impressions of
the unknown and the unseen, the belief in
immortality, the sense of immaterial presences,
are part and parcel of the human mind, as all
but universal experience would indicate that
they are, then they are as much a part of life
as anything else which seems to us to exist.
Our crass everyday life of work and play, eat-
ing and drinking, dressing and going about,
is not permanently satisfying to anyone. Hu-
manity has always revolted against it, and
demanded something more "filling." It has
built temples, raised banners, created arts, in
order to gratify its need for a better and
worthier existence. The supernatural is really
the initiative of most of these efforts ; and the
more, in a reasonable way, we work with the
supernatural the greater and nobler our arts,
religions, and thoughts become.
CHARLES LEONARD MOORE.
CASUAL COMMENT.
THE SPEECH-ACQUIRING YEARS, with most
persons, are limited to the earlier years of
their lives, ability to make any appreciable
additions to one's vocabulary diminishing rap-
idly after adolescence. Hence the importance,
as a rule, of putting language studies early in
the educational course. Some light on the
vexed question of the range of words used by
normal children, and the growth of their
vocabulary, is thrown by a minutely attentive
study of his own boy, up to the age of two
years, by Professor Thomas Percival Beyer,
whose researches, first published in the " Edu-
cational Review," now appear in separate
pamphlet form. With admirable curbing of
parental pride, the writer claims no precocity
or other unusual attribute for his child; he
simply calls him " an actual child of normal
antecedents (no jail-birds or geniuses for four
generations back) ," and yet at one year of age
his vocabulary numbered about twenty sym-
1915]
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409
bols, including perhaps ten veritable English
words, and five months later this stock had
grown to " 160 words, most of them English,"
while at the end of the twenty-fourth month
the number was 771. This list is printed.
Noteworthy is the increasingly rapid enlarge-
ment of the child's vocabulary, and the fact
that, like other children, he now, in his third
year, shows a decided acceleration of speed in
acquiring new words, so that at his next birth-
day he is likely to command a vocabulary of
2200, and possibly 2500 words. Compare
this readiness of word-acquisition with the
average college student's sluggishness in the
same particular. Commenting on the correla-
tion between thought and language, the writer
asks : " Therefore shall it not become a shame-
ful thing and not to be tolerated for college
men and women to continue to do business
upon the verbal capital inherited from their
unconscious childhood, plus a few hundred
words absorbed during their imperfectly con-
scious school-days? Shall the teacher of En-
glish not demand some conscious effort to
augment the needs of the organ of thought?
Tooting on the pipes of infancy continues
childish music through adult life. It will be
only by adding new avenues of intake and
outgo that adult life and thinking can grow
into the richness and variety and color that
should be the personality." A notable discov-
ery was made by Professor Beyer in the fact
that his boy showed an early command of a
great variety of vowel and consonant sounds
not present in our language, so that selection
seemed to play an even more important part
than imitation in his speech. This chimes with
the results of recent research in child-psy-
chology. Although one suspects baby Beyer
to be a rather exceptional infant, he gives us
nevertheless matter for useful generalization.
• • •
THE FIRST LIBRARY BUILDING FOR CHILDREN,
and for children only, is Brooklyn's note-
worthy contribution to recent library develop-
ment. Brownsville is the fortunate section of
the city to be favored with this useful and
already much-used addition to the general
library system. For the three months follow-
ing its opening the children's building was
visited by an average of 1,566 juvenile book-
borrowers daily; and, further than that, re-
ports the librarian, " the quality of the reading
and the admirable order of the children de-
serve notice far more than do mere figures of
use." It is significant that the youngsters, who
are from the primary and grammar grades
only, make such demands for non-juvenile lit-
erature that an ample equipment of " adult "
books has been found necessary, and has been
provided. A few more items of importance are
to be noted. " Up to seven o'clock, daily, this
whole library is given over to the circulation
of books. From seven to nine P. M. the place
changes to a reading and reference library,
and all the seats in the beautiful main rooms
are filled with reference workers and earnest
readers. . . . Another departure of this year
has been the opening of a training course for
children's librarians. The experience of years
in being unable to secure from the library
schools enough trained workers for this de-
partment has practically forced us into giving
our own course of training." Conspicuous in
the scheme of things bibliothecal has been the
recent rapid increase in consideration enjoyed
by the juvenile user of the public library,
especially in this country. May the American
child, already fairly well imbued with a sense
of his own importance, be able to preserve
some remnant of bashfulness and modesty
under this indulgent treatment!
• • •
A NOTABLE ESSAY COMPETITION, already re-
ferred to by us as instituted by the Carnegie
Church Peace Union, and brought to a close
with the opening of the current calendar year,
has resulted, so far as the highest honors are
concerned, in the award of the first prize (one
thousand dollars) to Rev. Gaius Glenn Atkins,
D.D., pastor of the Central Congregational
Church, Providence, B. I. Competition for
this prize was restricted to pastors of churches
in the United States. Three lesser prizes,
offered to students in theological seminaries,
have been bestowed upon Mr. E. W. Nelson,
of Phillips University, East Enid, Oklahoma;
Mr. P. V. Blanchard, Andover Theological
Seminary; and Mr. R. Niebuhr, Yale School
of Religion, Lincoln, Illinois. The ten prizes
offered to church members were all won by
men, which may cause some surprise in view
of woman's pronounced interest in the cause
of peace. Some phase of this question, it will
be remembered, was the topic on which all
competing essayists were to write. Dr. At-
kins's essay, entitled " The Causes of War,"
parts of which have been quoted by the news-
paper press, points out some of the notable
steps in the progress of the race that he al-
leges to have been effected through the instru-
mentality of war, and then seeks to explain
why the world at large is to-day so doubtful
of the efficacy of pacific measures to accom-
plish like results. " Evidently," he says in
explanation, "because we have failed to see
that the solution of any question on the very
highest levels is an immensely more difficult
and heroic thing than its solution on lower
levels. We fight because fighting is easier than
410
THE DIAL
[ May 27
keeping the peace ; war is not, as its apologists
would tell us, a high and heroic way out of
international difficulties; it is the low and
cowardly way. It is easier to take arms against
a neighboring people than to sit around a
council table and work out in wisdom and
brotherhood and self-restraint, the questions
which the war involves. However we may
differ as to the wisdom of turning the other
cheek, we must agree that it takes a braver
man to turn the other cheek when he does it
as a matter of principle than to strike back."
A second tournament of pacific essayists un-
der the same auspices, and to close with the
end of the year, is now in progress.
• • •
THE PUBLISHER'S RISK IN CHEAP REPRINTS
ought not to be lost sight of in contemplating
the considerable profits on the most widely
circulated of these promoters of popular cul-
ture. The lower the price, other things being
equal, the larger the sales; but unless there
is a clear profit, however small, on each copy
sold, the larger the sales the heavier the losses.
A certain salesman in a mammoth department
store was once asked how it was that his house
could afford to sell at a price alleged to be
below cost a certain article advertised among
its bargains. "Why, you see, we make our-
selves whole by selling such an enormous num-
ber," was the salesman's glib rejoinder. The
shilling copyright novel that seems to have
established itself in the English book-trade,
can only be produced in its present grade of
mechanical excellence on the assurance of
large sales, so that untried talent can hardly
hope for a chance to appeal to the great pub-
lic in shilling volumes. The whole cost of
production has been, of necessity, reduced to
an astonishingly low figure, and a royalty of
one penny on each copy sold has to be reck-
oned in before the dealer's profit can be deter-
mined. The latter is said to be as much as
fivepence per copy, divided perhaps between
the wholesale and the retail handler of the
book, so that to one examining the matter the
marvel is that so good an article can be manu-
factured and sold without bankrupting some-
body. No wonder there is risk in the operation,
and an imperative necessity of large and brisk
sales. ...
IN MEMORY OF EPHRAIM WILLIAMS, the gal-
lant soldier who served with distinction in
King George's War, built Fort Massachusetts,
near Williamstown, commanded a Massachu-
setts regiment in the French and Indian War,
lost his life in the battle of Lake George,
Sept. 8, 1755, and (his chief claim to immor-
tality) founded at Williamstown the free
school which afterward became Williams Col-
lege,— in memory of this brave soldier, ardent
patriot, and true gentleman, some utterances
on the occasion of the two-hundredth anniver-
sary of his birth have of late found their way
into print and are deserving of note, especially
as it has not often been given to an American
college to celebrate the bicentennial of its
founder. From Professor John H. Hewitt's
commemorative address let us quote a sentence
or two. " That Colonel Williams was a man
of superior native gifts which he had culti-
vated is evidenced not only by his letters,
whose directness and terseness remind one of
some of the letters of General Grant written
on the field of battle, but also by the list of
books mentioned in his will, which books show
that he was a man not only of wide reading
for that time, but of good literary taste. . . I
have sought in vain to find in his letters any
expression of malice or ill-feeling toward any
to whom, or concerning whom, he was writing.
That he was a gentleman, in the widest sense
of the term and with all that the word implies,
is evident from the following statements of
President Fitch, whose words undoubtedly
express a reliable tradition : ' His address
was easy, and his manner pleasing and con-
ciliating. Affable and facetious, he could
make himself agreeable in all companies ; and
was very generally esteemed, respected, and
beloved. His kind and obliging deportment,
his generosity and condescension, greatly en-
deared him to his soldiers. By them he was
uncommonly beloved while he lived, and
lamented when he died.' "
...
A RENOVATED AND ENNOBLED FRENCH PRESS
forms the subject of a well-written though
somewhat florid article by M. Alfred Capus,
member of the French Academy, in the
" Revue Hebdomadaire." After reviewing the
important part thus far played by French
journalism in the present crisis, the writer
says, toward the end : " Despite all the blem-
ishes in its history, the press deserves now our
full confidence: in these tragic days it has
discovered the extent of its influence on opin-
ion and the importance of its role during the
war. All the phases of the conflict are re-
flected in its columns, as are all the emotions,
all the hopes, of the French soul. It has be-
come more narrowly entwined in the life of
the country than it ever was ; it has inter-
preted the sentiments of France, it has faith-
fully represented France in action ; and this
collaboration France can never forget."
Strengthened and ennobled, affirms M. Capus,
will be the French press that emerges from
this national struggle, and finally : " On look-
1915]
THE DIAL
411
ing back it will perceive the risks that it once
incurred, and how, at certain moments, it
came near to forfeiting its good name by in-
dustrialism and violence: and how, then, it
recovered its balance and acquired morality,
culture, and poise. The war of 1914 will
prove to have been its supreme test. Far
from having foundered, it has taken on an
incomparable air of dignity. It has bathed
itself anew in its true well-spring, and it has
seen of what it was capable when it was de-
fending the cause of the Fatherland. Its role
during the war will have been the glorious
prelude to its role after the war, when the
country will have to be reconstituted and
France set back upon the true course of her
history." . . .
A NEW RUSSIAN GENIUS makes his advent in
our western world through a series of transla-
tions that have been appearing with increasing
frequency during the last few years. " Poet
Lore " seems to have been among the first to
discover the noteworthy quality of Leonid
Andreieff s dramatic compositions, for as long
ago as 1907 it printed an English version of
" To the Stars," and four years later it admit-
ted to its pages " King Hunger." "Anathema "
was published in 1910 by the Macmillan Co.,
" Sawa " and " The Life of Man " by Mr.
Mitchell Kennerley in 1914, " Karal " and
" The Sabine Women " achieved publicity the
same year, as also " Love of One's Neighbor,"
and the Scribners have this year issued " The
Black Maskers," " The Life of Man," and " The
Sabine Women." Duplications in the forego-
ing list indicate different translations, and
mark also a notable measure of popularity. In
due time this new writer may become even bet-
ter known to our theatre-goers than to our
book-readers. Realism seems to be the charac-
teristic of his earlier plays, as also of the stories
he wrote when first essaying authorship as a
means of support ; but idealism, the stuff that
dreams are made of, found a place in his
art not long afterward. The tragic intensity
of the Russian temperament is not wanting
in this writer, whose hard life at one time
brought him to the verge of suicide. The fact
that he has by turns plied the brush of a
portrait-painter and carried the green bag of a
lawyer, besides acting at times as private tutor,
proves the versatility of his talents and helps
to quicken our interest in his many-sided per-
sonality. . . .
RETROSPECTS OF A QUARTERLY REVIEWER
agreeably fill some pages of one of our current
magazines. Senator Henry Cabot Lodge con-
tributes to " The North American Review " a
reminiscent sketch of his early connection
with that periodical when it was wont to
appear only four times a year instead of
twelve. It was in 1872, he tells us, that he
became, to his great pride and delight, its
assistant editor, a position that he held until
1876. After contemplating the vicissitudes
this centenarian has passed through, he thus
concludes his pleasant memories : " Yet ' The
North American Review ' survives, more fre-
quent in publication than at the outset, but
more vigorous than ever. Best of all, after
many wanderings and in these days of haste
and hurry, the restoration of the qualities
which gave it its old position has been found
possible, and the criticism of literature and the
purely literary articles have returned to its
pages, where they were once thought to be
fatal to popularity and to sales. To those who
are interested in American literature and let-
ters, this is encouraging in a direction where
encouragement is much needed, and should be
a matter for congratulation to all who care to
see serious subjects seriously and ably treated,
whose intellectual appetites are not wholly sat-
isfied by pictures, and who would not have
literature forgotten in a great periodical re-
view. It is an especial satisfaction to one who,
like myself, has a personal affection for our
century-old 'Review,' and who cannot even
repeat the name without calling up some
happy memories from a past which now seems
very distant in this fast-moving if not always
improving world."
MARK TWAIN'S CONTRIBUTION TO BELGIAN
RELIEF would have been no stinted one had his
life been extended into these soul-harrowing
times. That with tongue and pen he would
have made some pertinent and memorable
utterances concerning Belgium's part in re-
cent history, there can be no doubt ; nor would
other and more substantial evidence of his
attitude have been wanting. What he cannot
now do in person his literary executor, Mr.
Albert Bigelow Paine, has attempted in some
small measure to do for him by contributing
to the recent auction sale of authors' manu-
scripts in aid of Belgium an unpublished
piece of writing from Mr. Clemens's pen enti-
tled " The New War Scare," written in 1898
and covering twenty-nine pages in the author's
handwriting. This sale, instituted at Dr. Ros-
siter Johnson's suggestion, and carried out
under the auspices of the Authors' Club in
New York, took place on the twentieth of this
month at the Anderson Galleries, whose pro-
prietors gave their services, in printing and
distributing the catalogue and conducting the
sale, as their contribution to the cause, while
our Minister at the Hague, himself a member
412
THE DIAL
[ May 27
of the club referred to, took upon himself the
. distribution of the accruing fund. Long and
impressive is the list of authors, American and
English, whose manuscripts or other contribu-
tions, such as volumes of their works with
autograph accompaniments, went to swell this
rather remarkable sale. Welcome and consid-
erable as will be the fund placed in Dr. Van
Dyke's hands for the relief of suffering, the
significance of the event, in its several aspects,
is far greater. . . ,
THE CHILDREN'S NEED OF SHAKESPEARE as
an educative influence in their formative and
impressionable years was wisely emphasized
by Miss Ellen Terry in a parting utterance as
she embarked for England a short time ago.
"As for the Germans," she is quoted as saying,
"one must acknowledge that they honor
Shakespeare in the best of all possible ways,
by the frequent performance of his dramas.
I wish England and America would do even
more, by building a theatre in his honor. You
know, in Germany you can hardly go into a
city without finding a performance of one of
Shakespeare's plays, while here and in En-
gland, of late, ' it is a custom more honoured
in the breach than the observance.' And don't
you know, I feel that this neglect of Shake-
speare is akin to a crime. For what about the
children who are growing up now? Are they
to know nothing of the work of the greatest
master of the English stage? Must they go
through their lives without the wonderful in-
spiration that the beauty and poetry of Shake-
speare gave those of us who are older and had
the opportunity to see his plays in the forma-
tive period of our lives ? It is the children I
am pleading for when I plead for Shake-
speare." But it is possible, in the dearth of
Shakespeare performances on the stage, for
children to catch something of his magic
charm from the printed page, from Charles
and Mary Lamb's " Tales " if not immediately
and in tender years from the plays themselves.
One is reminded here of the late Dr. Furness's
expression of " measureless content " whenever
he heard of young readers being kindled to
new zeal for Shakespeare study by any word
of his. ...
AN ADDITION TO THE EPHEMERAL LITERATURE
OF THE WAR is promised in the near future in
the form of " a real American newspaper," to
be published in New York by certain German-
American organizations of that city, and striv-
ing to be " absolutely impartial, doing full
justice to the German cause." A warrant for
the attainment of the latter half of this pur-
pose, if not of the first, may be found in the
announcement that Professor Miinsterberg
will act as head of the publication's advisory
board ; and another noted scholar and writer
of German extraction, Dr. Hugo Schweitzer,
an industrial scientist who has written with au-
thority on Germany's economic and industrial
condition, will hold the office of president of
the publishing association which is to put the
new journal into circulation. The number of
periodicals which the war has called into being,
most of them in Europe, of course, is now
beyond counting, as is also the multitude of
smaller newspapers and magazines that have
been forced by the same agency to suspend
publication. The mark of militarism, in its
present manifestation, is impressing itself in
various unmistakable ways on the world of
print, no less than on the world of politics,
economics, commerce, agriculture, manufac-
turing, social intercourse, and in fact nearly
every other form of human activity.
...
A NOTABLE GIFT TO WILLIAMS COLLEGE
LIBRARY is reported. The giver is Mr. Alfred
C. Chapin, a graduate of the college in the
class of 1869, and already known for his gift of
Grace Hall, the beautiful auditorium that
adorns the campus. This welcome addition to
the library is a collection of rare and valuable
old books, chief among them being a perfect
copy of John Eliot's Indian Bible, a copy con-
cerning which the assertion is made that no
other now known to be in existence is in so
good a state of preservation. A second folio
Shakespeare, likewise in excellent condition;
" Poems " by William Cullen Bryant, Cam-
bridge, 1821 ; first editions of Pope's " Essay
on Criticism," Bacon's "Advancement of
Learning," Jeremy Taylor's " Liberty of
Prophecy," and Milton's " Liberty of Unli-
censed Printing " — these are a few of the
more important items in the collection. The
Bryant volume finds a singularly appropriate
resting-place (it is too precious to circulate)
within the precincts familiar to the poet in his
student days, now more than a century ago.
By a fortunate coincidence, though there may
be a causative relation in it, the college trus-
tees have just voted an extensive addition to
the congested library building, one that will
provide much additional shelf room for the
growing book-collection.
• • •
NEGLECTED CENTENARIES seem to be very
much the order of the day in these troubled
times. The excellent Anthony Trollope's birth
occurred one hundred years ago last month
(April 24), but the centennial recurrence of
that date caused hardly greater commotion in
the world at large than did his first appearance
on this mortal scene. Another English nov-
1915]
THE DIAL
413
elist of nearly equal fame was the object of
similar neglect when his centenary occurred
last summer — some weeks, too, before the
fatal first of August. Charles Reade is prob-
ably better known for a comparatively small
amount of good work than Trollope for an
unusual number of novels of well-sustained
excellence. But neither " The Cloister and the
Hearth " nor the Barchester series has proved
potent in arousing any considerable centennial
enthusiasm over their respective authors. In
a few weeks there will fall another and even
more important centenary, of a very different
character, but for obvious reasons no uniting
of the nations in celebration of the event is to
be expected, albeit a sort of unpremeditated
reproduction of that historic occurrence on the
Belgian plain to the south of Brussels, when
the eighteenth day of June next comes around,
is not beyond the bounds of possibility.
COMMUNICATIONS.
IN PEAISE OF THOMASES.
(To the Editor of THE DIAL.)
Woodrow Wilson's literary reputation, once a
liability, is no longer held against him. If he can
explicate the Mexican complication, reduce the cost
of living through tariff legislation, not only bust
some trusts but subject the great offenders to com-
plete combustion, and secure the approval of the
trend of events on the Repeal of Canal Tolls Ex-
emption, Regional Banks, and his refusal to bestow
his name on his grandson, the nation may even be
willing to forget that he once taught in a Methodist
college and later, miserabile dictu, in a Presbyterian
university. But what right-minded Thomases every-
where can never forgive is that he deliberately con-
ceals the source of his literary inspiration; he
repudiates his " Thomas."
This is inexplicable from every point of view —
except one which hints darkly of early ambitions
for power. Europe never had an important King
Thomas. There seems to be a shy, sturdy, inde-
pendent quality in the name which renders it unfit
for either a truckling adventurer or a conquering
leader. So our President was willing to accept the
hereditary benefactions of his name, so potent in
literature; but fearful of its political threat, he
has not acknowledged it in public.
It may or may not be regarded as worth noting
that America has had just two literary presidents,
and they were both christened " Thomas." True,
Abraham Lincoln committed to posterity some
speeches acknowledged the greatest pieces of ora-
tory in the nineteenth century; but he was not
primarily a man of letters. Certain other presi-
dents have committed themselves to paper; but
they were not and are not even secondarily men of
letters. It cannot be seriously questioned that we
have had just two literary presidents, Thomas
Jefferson and Thomas Woodrow Wilson. (Why
they should both be Democrats I do not at this
moment know, though I have no doubt one could
in a short time evolve a very good reason.)
Didymus, one of the twelve, the first historical
Thomas, and the only one whose Didymic claims
have the slightest plausibility, has enjoyed the usual
notoriety of the scientific pioneer. But for all that,
his doubt has proved of more service to the spread
of his Master's good news than has the faith of
Peter. The Middle Ages paid him tribute by
naming three of its greatest men for him : Thomas
Aquinas, scholar, Thomas a Kempis, saint, and
Thomas a Becket, soldier-statesman-priest-martyr.
What triumvirate of Johns or Williams or Georges
in the Middle Ages can compare with these three?
Possibly to the extraordinary popularity of the
last-named is due the immense harvest of English
Thomases that has followed. Do but notice the list,
with the particular work or quality of each :
Thomas Occleve The Regement of Princes.
Sir Thomas Malory Morte d'Arthur.
Thomas More Utopia.
Thomas Nash Plays.
Thomas Campion
• Songs.
Religio Medici.
Sir Thomas Browne
Thomas Hobbes Leviathan.
Thomas Parnell Contentment.
Thomas Percy Reliques.
Thomas Gray Elegy.
Thomas Chatterton Rowley Ballads and a fleet-
ing glimpse of the most startling genius ever
known.
Tom Moore Songs.
Tom Hood Poems and courage.
Thomas De Quincey Suspiria de Profundis.
Thomas Babington Macaulay Essays and that
cursed boon, the balanced sentence.
Thomas Carlyle — • — Sartor Resartus, the greatest
spiritual dynamic of his century.
Thomas Henry Huxley Essays and honesty.
Thomas Arnold Rugby.
Thomas Hardy The finest novels in English.
Add to this array of services the Summa
Theologica of Aquinas, the Imitation of Christ of
a Kempis, and the Shrine at Canterbury of
a Becket, and I challenge any other name in the
scroll to show a commensurable gift to the world.
The poets are not so great; Didymus was not a
poet. But what a heaven of prose-men ! The nine-
teenth century, the age of doubt and reconstruction,
is very properly the Milky Way for the Thomases.
Carlyle and Hardy ! There are none to stand above
them. America, be it said, shows a difference.
Thomas Paine, the keenest of sceptics as well as
the stanchest of patriots, and Thomas Jefferson,
shrewdly suspected of religious heterodoxy, too
strongly favored the original Didymus, and careful
American mothers avoided the possibility of con-
tagion. Thomas B. Read, Thomas B. Aldrich,
Thomas W. Higginson, and Tom Daly braved the
issue, but WToodrow Wilson dodged too late.
A scrutiny of the Blessed is incomplete without
a glance at the Damned. (How should one know
the Blessed else?) Was there ever a damned
Thomas? Was there ever a great villain who bore
the name? In this field we feel the lack of a mod-
ern Dante. The fact that no Thomas has yet been
inducted to the Ananias Club is rather good nega-
tive evidence — that is, no one except the Presi-
dent, who has forfeited his right of sanctuary.
414
THE DIAL
[ May 27
A bird's-eye view of history reveals no king or pope
who has made the name infamous, and fails to
bring to light a single great rogue Thomas. True,
a few millionaires stumbled on the name somehow,
but even among these there is leaven. One turned
traitor to his class a few years ago, and justified his
literary heritage in yellow journalism de luxe.
Some un-Thomassed person may unkindly say
this praise would come more acceptably from him-
self,— that a Thomas should have more modesty,
that he should be ashamed of such conceit, and so
on. I am ashamed, but not of my conceit. The
obscure author must be the reverse of " cocky," for
his facts are a condemnation of himself; the more
factual they are, the more condemnatory. This,
then, is an exercise in humiliation. But there is a
word to be said in simple justice and extenuation.
Unlike the President of the United States, who fled
his name, the writer sought it in anguish of heart,
for in his youth he was called " Percy." Let no
thoughtless person gibe or permit himself the care-
less luxury of persiflage !
THOMAS PEBCIVAL BEYER.
St. Paul, Minn., May 20, 1915.
SOME THOUGHTS ON THE PEESENT
GENEKATION.
(To the Editor of THE DIAL.)
Even at the risk of being called a Words-
worthian, it may surely not be amiss to protest
against Mr. Hale's suggestion, in his article on
" The Present Generation " in your issue of May 13,
that Wordsworth's message to us of to-day is per-
haps negligible. The representatives of the modern
movement fuse liberty and law; with them dis-
cipline becomes devotion, devotion discipline. But
did not Wordsworth say all that, and more, a
century ago? Where, in the writings of Kipling,
Wells, or Bernard Shaw, do we find anything on
the subject rising to the heights of the following
stanza from the " Ode to Duty " ?
" Stern Lawgiver! yet them dost wear
The Godhead's most benignant grace;
Nor know we anything so fair
As is the smile upon thy face:
Flowers laugh before thee on their beds,
And fragrance in thy footing treads;
Thou dost preserve the stars from wrong;
And the most ancient heavens, through thee, are
fresh and strong."
The novelists and dramatists and poets of to-day
are for the most part very, very solemn. They
take both themselves and their readers far too
seriously. Wordsworth made joy " its own secur-
ity." Though all else he has written go by the
board, if that one ode contains no message for our
time the misfortune is ours.
What a boon it must have been merely to be alive
in those memorable days of the year 1880, which
Mr. Hale pictures so vividly, when men thought
only about the mugwump movement and civil ser-
vice reform ! Our generation is so hopelessly bent
on doing things and getting them done, and wreak-
ing misfortunes and wrongs for the purpose of find-
ing more things to do and getting them done. No
greater calamity could befall our busy age than the
discovery that the slums had been cleaned up, that
wars were at an end, and that there were no longer
any brothers, or nations, crying out for their souls'
keepers. No one now thinks of reading Coleridge's
" Christabel " through twice; for the joy of the
incomplete, the dreamy, the meaningless, is not our
joy. We make religion practical, ignoring the
splendid opportunities once afforded men for
speculating on the vague, the unknowable, and the
unknown. It grows monotonous and melancholy,
this feigning that all is well. At the best, we are
nothing but primitives plus the veneer of civiliza-
tion, and why blink the fact? In philosophy, too,
we are pragmatists : whatever goes as a working
principle, goes. Thales, standing on the shores of
the Mediterranean and determining on water as the
first principle of life, is one of the most poetical
figures the world has ever known ; but old Thales is
forgotten. His thinking was of no use: it was
something we could doubt. That is philosophy.
It was Sylvester of Johns Hopkins, brilliant logi-
cian and mathematician, lover of poetry and music,
who is said to have spent months over a difficult
problem, willing to forgo both food and sleep while
remonstrating friends pointed out the folly of his
unpractical task. He persisted, despite protests.
When the problem was solved, all that he is reported
to have exclaimed is, " Thank God, it's of no use ! "
And Sylvester, too, is dead. A. 0.
Chicago, May 19, 1915.
WAE POETEY IN GEEMANY.
(To the Editor of THE DIAL.)
From a recent issue of the " Protestant Weekly
Letter," which has come to me from Berlin, I copy
verbatim et punctuatim the following as of pos-
sible interest to the readers of THE DIAL :
" The general uplift brought about by the war and
most evident in the sphere of religious thought, finds
expression also in a remarkable fact, which may be
told in two lines but speaks volumes, more than many
a long story: from the declaration of war until into
the late fall of 1914 about 1^ million new patriotic
songs were written and printed. . . . The unnumerable
unprinted poems are not included.
" It is impossible for me to even make an attempt
in judging this enormous production of poetry as to
its literary value, no one is capable of doing this, nor
will any one ever be. The mere fact of this immense
quantity may act as a guide in forming an opinion on
the mental attitude of Germany's millions during this
world-embracing conflict. Side by side with the well-
known names of our national poets of the present age
stand those of thousands of unknown, whose poetic
vein was awakened by the unusual events of this gen-
eral conflagration. Old and young and extremely
young, men and women, farmers and business-men,
ulans, artillerists and pioneers, seamen and pilots of
air-craft, deaconesses, physicians, students and pupils,
army generals and University professors compete with
politicians and men of administrative ability. Judg-
ing this mass of literature from a purely artistic
standpoint, there is no doubt that much of it is murky,
although well-meant, and worthless trash; but as a
manifestation of the country's soul, it is, taken as a
whole, something stirringly great, like a huge phe-
nomenon in nature. The most intensive mental and
spiritual life of the nation can only find expression in
the pathos of poetry." ARTHUB HOWARD NOLL.
Sewanee, Tenn., May 17, 1915.
1915]
THE DIAL
415
MISS MITFORD AS A IjETTER-AYrRITER.*
Elegant ease and abundant leisure amid a
charming rural environment, with all condi-
tions favorable for an occasional exercise of
her graceful pen, for pleasure only, of course,
and never for pecuniary profit — this, or
something like it, might be the casual reader's
general impression concerning the earthly lot
of her who nearly a century ago entertained
an applauding public with her delightful
sketches of "Our Village." How far from
the truth any such impression would be,
becomes at once apparent on reviewing the
main events of Miss Mitford's toilsome life,
and especially so in reading the recent very
agreeable volume prepared by Miss Elizabeth
Lee and entitled, "Mary Russell Mitford:
Correspondence with Charles Boner and John
Ruskin." Newness to print can be claimed
only for the Ruskin letters, which include
some to John James Ruskin in addition to
those addressed to his more famous son ; the
other letters named were made public in 1871,
in the first volume of Rosa Mackenzie Kettle's
" Memoirs and Letters of Charles Boner."
After cheerfully sacrificing the best of her
years and far too much of her strength to the
support of a father who had squandered his
wife's fortune and otherwise proved his un-
worthiness of the unceasing affection and even
adulation lavished upon him by that wife and
that daughter, Miss Mitford was still, in the
closing decade of her industrious life, in a
condition to write the breezy and buoyant
letters that are now, with biographical intro-
duction and useful interspersed matter, pre-
sented to the reader. For the greater part of
these ten years (1845-55) she continued to
occupy the tumble-down little cottage that had
been the family home since 1820, — " a series
of closets," she calls it, " the largest of which
may be about eight feet square/' But in
1851, after pleading in vain with the landlord
for necessary repairs, and when, as she writes,
"if we had stayed much longer we should
have been buried in the ruins," she removed
from Three Mile Cross ( for that was the name
of "Our Village") to the neighboring village
of Swallowfield. It wras a wrench, a " heart-
tug," to leave the old home so rich in fond
associations. " There I had toiled and striven,
and tasted as deeply of bitter anxiety, of fear,
and of hope, as often falls to the lot of
woman," are her pathetic words. " There in
* MARY RUSSELL MITFORD. Correspondence with Charles
Boner and John Ruskin. Edited by Elizabeth Lee. With
eight illustrations. Chicago : Rand, McNally & Co.
the fulness of age, I had lost those whose love
had made my home sweet and precious. . . .
Friends, many and kind, had come to that
bright garden, and that garden room. The
list would fill more pages than I have to give.
There Mr. Justice Talfourd had brought the
delightful gaiety of his brilliant youth, and
poor Haydon had talked more vivid pictures
than he ever painted. The illustrious of the
last century — Mrs. Opie, Jane Porter, Mr.
Gary — had mingled there with poets still in
their earliest dawn."
Charles Boner made Miss Mitford's ac-
quaintance in 1845, when he was thirty years
old and she nearly fifty-eight. He is best
remembered now, perhaps, as the introducer
of Hans Andersen to English readers, his ver-
sions of the ever-popular tales being made
from the German, and one volume of these
translations bearing a dedication to Miss Mit-
ford, whose writings he had long admired.
For six years in his early life Boner was
tutor to the artist Constable's two oldest sons,
and he wrote the explanatory and descriptive
matter accompanying " Constable's English
Landscape," besides helping the painter in
other ways with his pen. Twenty years of his
life he gave to the service of Prince Thurn
and Taxis at Ratisbon, as tutor to his chil-
dren ; and, first and last, he made himself an
intrepid mountain-climber and skilful cham-
ois-hunter, as might be inferred from his book,
" Chamois Hunting in the Mountains of
Bavaria," to which his correspondent at Swal-
lowfield frequently refers. It was the poet
Wordsworth who, on receiving a visit from
Boner at Rydal Mount, suggested that the
young man seek the acquaintance of Miss
Mitford, which he was evidently very glad to
do ; and that the pleasure was not all on one
side is proved by the lady's words in a letter
of later date: "Mr. Boner is a most accom-
plished man. He came to me eight or nine
years ago from Mr. Wordsworth, and we have
been fast friends ever since."
As to the Ruskin friendship, to which the
less bulky but perhaps not less valuable por-
tion of the letters now presented is due, it
began long before the two correspondents met
in 1847. That Miss Mitford was highly
pleased with the man from the very first of
her acquaintance with his person, in January
of that year, need surprise no one familiar
with the many published tributes to Ruskin's
ingratiating manner and abiding charm.
Charles Eliot Norton wrote of him long after
Miss Mitford's time, " He still remains one of
the most interesting men in the \vorld." She
herself, soon after meeting him, wrote to a
friend : " Mr. Ruskin was here last week, and
416
THE DIAL
[ May 27
is certainly the most charming person that I
have ever known. . . . He is just what if one
had a son one should have dreamt of his turn-
ing out, in mind, manner, conversation, every-
thing." Eleven of her letters to the son and
two to the father have escaped the ravages of
time, and are included in the volume. Recur-
rent in Miss Mitford's letters are the names of
such celebrities of her time, and more often
than not of her personal acquaintance, as the
Brownings, Miss Martineau, Henry Chorley,
Dean Milman, James T. Fields, George Tick-
nor, Charles Kingsley, Bishop Wilberforce,
Mr. and Mrs. Cobden, Joanna Baillie, Maria
Edgeworth, Mrs. Somerville, Leigh Hunt, and
many others; so that her correspondence
constitutes a sort of early Victorian picture
gallery of notables and their manners and
customs.
Miss Mitford is not new to the world as a
letter- writer, since Chorley's edition of "Let-
ters of Mary Russell Mitford," in two vol-
umes, has been accessible to readers for more
than forty years, and L'Estrange's biography
of her, in three volumes, contains many of her
letters, as does also his later work, " The
Friendships of Mary Russell Mitford." Nev-
ertheless it is well to have these characteristic
utterances of her later years brought together
in convenient and attractive form. They
show her at her ripest and best as a letter-
writer, and though they cannot be expected to
raise her .to the rank of a Madame de Sevigne
in this department of polite literature, they
establish her position, if it be not already
fixed, in the company of those friendly and,
in no malicious sense, gossipy, and wholly
pleasing and entertaining correspondents of
whom Edward FitzGerald and his friend
Fanny Kemble are among the best examples.
Of Miss Mitford's manner in letter- writing
she herself has something significant to say in
one of her last communications to Boner,
wherein she alludes to her fondness for epis-
tolary unrestraint, but seems to credit herself
with rather more of formality in her copious
letters to her "friend abroad" than is actu-
ally discoverable in them, though they are less
impulsive than those to Ruskin. She says :
" Mrs. Browning1, to whom at one time (that is
to say, for many years) I used to write two or
three times a week, always preferred those letters,
written in a far more complete abandonment than
anything I should do in the way of autobiography,
to any of my writings. Professor Tom Taylor
meant (from the same impression) to have inserted
all I would have permitted of my letters in Hay-
don's correspondence, and John Ruskin, to whom
I also write with the same laisser aller, professes
the same opinion. You, to whom I have chiefly
written as a sort of English correspondent to a
friend abroad, can hardly, perhaps, judge of these
frequent and habitual epistles where the pen plays
any pranks it chooses."
More than once Miss Mitford makes it plain
that she heartily dislikes " the trade of author-
ship," however willingly she may receive the
substantial returns that successful writing
brings to her not over-plethoric purse. What
she thoroughly enjoyed was gardening and
social intercourse and hours of uninterrupted
reading in the best authors, preferably
French, of her own or a little earlier day. In
the single month of January, 1806, she ap-
pears to have run through fifty-five volumes,
and her speed as a reader must have increased
with the maturing of her powers. One of her
earlier letters to Boner reveals her lack of
enthusiasm for the production of books for
others to read. This is the vein in which she
writes, with considerable untruth as to the
number of her literary friends and acquain-
tances :
" I have to thank you for your most kind letter,
and for your verses, which are full of power; and
now you must summon all your indulgence and all
your faith in the sincerity of my esteem and my
goodwill, and allow me to entreat you to find some
better literary agent than my poor self. I live in
the country, going rarely, if ever, to London, and
then to one house only. I have as few literary
friends and acquaintances as is well possible, and
of the race of Editors and Journalists I know abso-
lutely nothing. Then if I write to proprietors of
magazines, or newspapers, or periodicals of any
sort, requesting them to insert a friend's poem, the
reply is sure to be that they overflow with poetry,
but that they want a prose story from me, and
most likely they trump up a story of some pre-
vious application, and dun with as much authority
as if I really owed them the article, and they had
paid for it. Now all this is not only supremely
disagreeable to me, but makes me a most ineffective
and useless mediator for you. You should have a
man upon the spot for those things, and not an
old woman at a distance, hating the trade of
authorship, and keeping as much aloof as possible
from all its tracasseries"
One extract from the Ruskin correspon-
dence must now be given, and it will show
the intimacy, the warmth of affection, and the
height of admiration, with which she was
wont to address him.
" If I love you all — father, mother, and son —
so much better than I seem to have a right to do,
calculating only our personal intercourse, and that
only with one, remember, dear friends, that it is
your own fault. Recollect that for a dozen years
or more there has been no benefit so large that you
have not conferred it — no attention so little as to
be omitted by either. Then to say nothing of books
fuller of high and noble thoughts than any that
have appeared since the great age of English
thinkers over which Milton and Jeremy Taylor
1915]
THE DIAL
417
shed their light, and to which Cowley and Izaak
Walton lent their sweetness, I have received from
both father and son such letters as could only be
written by men whose minds and whose lives were
filled with kindness and purity and holiness. Yes !
I have all the right to love you that such knowledge
and an ardent gratitude can give — and you will
pardon an intrusion that springs from such a
source."
More of the heart than of the head do we
have in such letters as this to Ruskin ; but
both the heart and the head are shown, in the
letters as a whole, to be those of a noble and
loving woman, a woman unusually endowed
both mentally and morally, and one worthy of
the wide circle of distinguished friends who
delighted to respond to an invitation to the
little cottage at Three Mile Cross. The col-
lection of letters telling so pleasantly and
informally the story of the writer's closing
years, and appropriately illustrated with por-
traits and views, is a notable contribution to-
early Victorian literary history.
PERCY F. BICKNELL.
THE EPIC or FREXCH EXPLORATION
ix AMERICA.*
It is seldom that there appears a book on
just the plan and with the distinctive char-
acter of Mr. John Finley's " The French in
the Heart of America." In this country we
are not now given to the production of histori-
cal wrorks pitched in a key of high eloquence,
and persistently maintained at that pitch.
The Parkmans and the Bancrofts yield place
to the McMasters and the Schoulers; oratori-
cal passion surrenders to impassive literal
exactitude. But in the case of the present
work, we have a distinct reversion to the
older type: Mr. Finley confessedly takes for
his model the "Homeric Parkman." The
" Epilogue " to this book is actually an essay
on "Francis Parkman: The Historian of
France in the New World."
The first quality of Mr. Finley's work, then,
is the quality of spoken eloquence, — the subtle
factitiousness which somehow seems to inhere
in the production designed primarily to be
heard, rather than read. It must, however, be
pointed out that the eloquence here is not the
eloquence of Parkman; it is really the elo-
quence of Finley. And we may well believe that
these speeches, here appearing as chapter divi-
sions, were heard by attentive and fascinated
ears — " in the Amphitheatre Richelieu of the
Sorbonne, in Paris, and in Lille, Nancy, Lyons,
Grenoble, Montpellier, Toulouse, Bordeaux,
* THE FRENCH IN THE HEART OF AMERICA. By John Finley.
New York : Charles Scribner's Sons.
Poictiers, Rennes, and Caen." Despite the
strain which comes from listening to one who
habitually speaks in oratorical tones, one feels
that the first half of this book is best treated
that way ; the last half suffers disproportion-
ately. It is not history that the author writes :
he has little sense for real continuity and
minor detail, the massing of which is so often
indispensable for the creation of true historical
perspective. He paints with a brush of massive
dimensions; the canvas he covers with heroic
figures, having length but little breadth or
depth. Two qualities, deserving of singular
commendation, in this impressionistic personal
journal, are these: the author's individual
passion for sensing origins through personal
examination at the source ; and his constitu-
tional devotion to the world of out-of-doors
and the sport of exercise, which has carried
him, on foot, over the grand routes of the
French explorers, the sinuous courses of the
forgotten portages, the hidden trails of the
extinct coureurs de bois.
After giving us, with bright tint and broad
stroke, the historical background of the labors
of those gallant and persevering Frenchmen,
and a suggestion of the permanent survivors
of that once dominant civilization, the au-
thor has attempted the difficult task of show-
ing the birth, growrth, and development of
present-day America out of that past, and
moulded by it. The subject, we realize, is
epic; and, true poet in instinct, the author
has given it nothing less than the epic treat-
ment, We feel it to be epic, vast — as the
vivid pictures pass us in brilliant array:
Jacques Cartier in the dim middle vast of the
continent; Champlain, at Quebec, heroically
struggling for the permanence of his foothold ;
the pious Maisonneuve at Montreal ; the Chris-
tian spirits of Le Caron, Brebeuf , and Gamier,
suffering peril, hardship, torture, and death,
that the heathen may know God ; the winning
of Marquette to the " Great Water " ; and the
ultimate triumph of La Salle. The tone of the
book may be caught in the following character-
istic passage :
"And, seeing and hearing all this again, we have
seen a land as large as all Europe emerge from the
unknown at the evocation of pioneers of France,
who stood all, or nearly all, sooner or later within
three or four kilometres of the very place in which
I sit writing these words. Cartier gave to the
world the St. Lawrence River as far as the Falls of
Lachine; Champlain, his Recollect friars and
Jesuit priests and heralds of the woods, added the
upper lakes; and Marquette, Joliet, La Salle,
Tonty, Hennepin, Radisson, Groseilliers, Iberville,
Bienville, Le Soeur, La Harpe, the Verendrye —
father and sons — and scores of other Frenchmen,
many of forgotten names, added the valley of the
418
THE DIAL
[ May 27
river of a hundred thousand streams, from where at
the east the French creek begins a few miles from
Lake Erie to flow toward the Ohio, even to the
sources of the Missouri in the snows of the Rock-
ies — ' the most magnificent dwelling-place,' again
to recall De Tocqueville, ' prepared by God for
man's abode; the valley destined to give the world
a field for a new experiment in democracy and to
become the heart of America.' "
The indifference to exactitude which the
book seems to betray is particularly marked in
the case of Mr. Finley's allusions to the ex-
plorer whose name he bears. As if it were
unimpeachable, he quotes the following pas-
sage from " The Western World " :
" That delightful country [Kentucky] from time
immemorial had been the resort of wild beasts and
of men only less savage, when in the year 1767 it
was visited by John Finley and a few wandering
white men from the British colony of North Caro-
lina, allured by the love of hunting and the desire
of barter with the Indians. The distance of this
country from populous parts of the colonies, almost
continuous wars, and the claims of the French had
prevented all attempts at exploration."
The author says that " he seized upon this " ;
but care for accuracy might wrell have re-
strained him from being so precipitate. John
Finley, the explorer, visited Kentucky as early
as 1752, despite the figure given by the untrust-
worthy and fanciful Filson. On this visit he
was assuredly not accompanied by "wander-
ing white men from the British colony of North
Carolina." There is documentary evidence to
show that John Finley sailed down the Ohio,
and later, no doubt, the Mississippi; but we
have no means of knowing where he stopped.
It is highly probable that he stopped in the
land visited fifteen years before, — especially
in view of the fact that only two years later he
was piloting his comrade-in-arms of the Brad-
dock campaign, Daniel Boone, from the valley
of the Yadkin (Holman's Ford) through Cum-
berland Gap to the heart of Kentucky. It was
on this trip, in 1769, that Finley was accom-
panied by " a few wandering white men from
the British colony of North Carolina." These
white men, five of them, with Finley as guide
making the sixth, were not mere purposeless
wanderers into a trackless wilderness. They
wrere sent on their journey of exploration by
Colonel Richard Henderson, colonial judge, in
behalf of the famous land company afterwards
entitled the Transylvania Company.
The absence of illustrations is a source of
great regret. The interest of the original
articles in " Scribner's Magazine" was won-
derfully enhanced by an admirably chosen
collection of pictures. A limited edition, with
illustrations, should certainly be published.
ARCHIBALD HENDERSON.
WILLIAM II. OF GERMANY.*
Ernest Renan a short time before his death
expressed regret that he should not live to see
the unfolding of the multiform personality of
William II., then the " young Kaiser." In the
last quarter of a century we have been privi-
leged to behold what Renan has missed. Con-
sidered as a spectacle of life it has been worth
while. Emperor William has been the most
influential, the most discussed, and in some
ways the most interesting character in the
world. This interest is of course due in great
part to his position, but it is also to a consid-
erable extent inherent in his personality.
Until the record is closed any judgment passed
upon him must necessarily be provisional. As
matters stand no\v, consistency is the last
quality that can be attributed to him. There
are contradictions in his character and career
that cannot be resolved, — high seriousness of
purpose coupled writh vanity and almost child-
ish love of show, atavistic assertion of divine
rights joined to a twentieth century modernity,
the attitudes of a war-lord glorying in the
"mailed fist" and "shining armor" (his own
phrases) along with the pose of the sovereign
"who kept the peace of Europe." The one
thing which may be asserted of him without
qualification is that he has always developed
his restless activity in the public gaze. Unlike
his royal cousin, George of England, he is a
monarch in love with his job. His speeches,
of which he has delivered upwards of a thou-
sand, for the most part on military occasions,
are in themselves evidence enough of his
superabundant vitality and his determination
to assert his own views, while the clear, terse,
and at times eloquent style of these utter-
ances testifies to an awakened intelligence and
a sense of form, whatever one's verdict on the
substance may be.
Any attempt to read the riddle of the
Kaiser's character without some historical
guide is bound to be hopeless. As evidence we
may take the little volume, " My Ideas and
Ideals," in which several hundred utterances
of the Kaiser are juxtaposed roughly accord-
ing to subject, but without context or explana-
tion and apparently also without chronological
order. The result is simply bewildering, and
leads nowhere. Professor Christian Gauss of
* MY IDEAS AND IDEALS. Words of Kaiser Wilhelm II. Bos-
ton : John W. Luce & Co.
THE GERMAN EMPEROR AS SHOWN IN His PUBLIC UTTER-
ANCES. By Christian Gauss. With portrait. New York:
Charles Scribner's Sons.
THE KAISER. A Book about the Most Interesting Man in
Europe. By Asa Don Dickinson. Illustrated. New York:
Doubleday, Page & Co.
THE KAISER, 1859-1914. By Stanley Shaw. New edition.
New York : The Macmillan Co.
MEMORIES OF THE KAISER'S COURT. By Anne Topham. Illus-
trated. New York : Dodd, Mead & Co.
1915]
THE DIAL
419
Princeton, on the other hand, has performed
a useful service by arranging some of the most
striking speeches under various headings, and
by giving the setting and the necessary his-
torical background in each case. It is possible
by means of his book to follow certain lines of
the imperial policy with fairly satisfactory
clearness. The compiler's attitude, it should
be added, seems to be thoroughly neutral.
The handsome book entitled " The Kaiser "
by Mr. Asa Don Dickinson contains numerous
illustrations, and the text, though of a sketchy
nature, is interspersed with much shrewd
comment. A few slight mistakes should be
corrected in another edition : the date of the
founding of German South West Africa is
wrongly given (p. 68) , the " Daily Telegraph "
interview appears as the " Daily Mail " inter-
view (p. 52), and the "November storm" is
stated as occurring in 1909 instead of 1908
(p. 161).
The personal character of the Emperor as
it is revealed in his domestic life is sympa-
thetically described in " Memories of the
Kaiser's Court " by Miss Anne Topham, who
was for some years English governess to
the Princess Victoria Louise. Though her
sprightly, gossipy book is mainly devoted to
the general life of the court, it gives many
entertaining glimpses of the Emperor as he
appears in his intimate circle, — frank, gen-
erous, open-hearted, and with a love of raillery
if not a genuine sense of humor. It is also an
ultra-masculine figure, after the German fash-
ion, that is shown here. The following obser-
vation of the author deserves to be quoted
because it discloses something characteristic:
" He can explain everything to everybody ; but
there is one exception — the suffragettes. He has
never been able to explain them. They baffle him
entirely. At first he thought they were just disap-
pointed spinsters, but in view of the number of
married women in their ranks he was obliged to
abandon this idea. Since then he has been groping
in vain after a satisfactory solution. . . It is of
no use to explain to His Majesty the difference
between militant and non-militant suffragists. . .
' Women should stay at home and look after their
children,' is his last word on the subject."
But indeed, as Miss Topham remarks, the
Emperor has for English politics — as apart
from English life, which he loves — a per-
plexed and irritated wonderment and con-
tempt.
The ablest discussion of the Emperor's poli-
cies and the results they have achieved is to be
found in the volume by Dr. Stanley Shaw of
Trinity College, Dublin. This short book was
written before the war, and can certainly not
be accused of an unfavorable bias. Unfor-
tunately a new chapter "by another hand,"
which has been added since the outbreak of
hostilities, is much inferior in both ability and
temper. Dr. Shaw has built his book mainly
out of the recorded deeds and utterances of
William II., but he has buttressed it liberally
from the memoirs of Bismarck, Hohenlohe,
and Billow. Doubtless the historian of the
future will have to use much further mate-
rial ; for the present these sources must suffice.
In order to explain the persistent enigma of
the Emperor's personality and career, must
we have recourse to the rather desperate
hypothesis of paranoia, or of some kindred
mental derangement? Some alienists have
pointed out as evidence his over-weening self-
esteem, his belief in his divine mission, his
impulsiveness and incalculability, noting at
the same time that certain physical stigmata
are not lacking. That is also the burden of
a recent poem by Verhaeren, who sees in
the devastation of Belgium the work of a
madman. Let us attempt a simpler and more
natural explanation. Much will be made
clear if we assume that the Kaiser is com-
pounded of two natures, one modern and
materialistic, the other mediaeval and idealis-
tic. William II. is modern only as far as the
external world and the things of the senses
are concerned. As a child of his time he has
appreciated from the outset the fact that he is
cast in an age of commerce and industry, of
rapid transit and invention. He has gloried
in the marvellous expansion of Germany's
trade, in her triumphant industrial progress,
in the formidable growth of army and navy.
This is the William who has practised Macht-
politik, cultivated the Krupps, and extolled
Count Zeppelin as the greatest German of the
twentieth century. But in the things of the
intellect and the spirit, in ideas and ideals, he
is faithful to his inheritance, and remains a
romanticist and even a medievalist. This is
pre-eminently true of his religion, the sincerity
of which seems beyond cavil. He looks upon
himself almost as a high priest; the name of
God is constantly upon his lips, — recently,
because of the incongruous circumstances, to a
positively offensive degree. But his God is
"our great Ally," a German tribal deity, a
sort of magnified and non-natural Hohenzol-
lern. Of that modern Christianity which finds
its highest expression in the Sermon on the
Mount he has little appreciation, even though
in a memorable speech he has referred to
Jesus as "the most personal of all personali-
ties." As in religion, so too in politics he has
missed the spirit of the age, and his total
failure even to comprehend the meaning of
democracy will, unless the wheel of time is
somehow miraculously reversed, indubitably
420
THE DIAL
[ May 27
wreck his ultimate reputation as a statesman.
The claim to divine right, which was for a
time regarded as an exuberant touch of youth-
ful rhetoric, was unequivocally repeated at
Konigsberg in 1910, and, according to current
reports, was even more glaringly asserted at
the outbreak of the present war. All this is
not to say that he has been without solicitude
for the common people. But he has never ad-
vanced a particle beyond the paternalistic
conception of a government from the top
down, handing out favors with disciplinary
care to a docile and unambitious proletariat.
"Leave the Socialists to me," he said to Bis-
marck very early in his reign, and attempted
to win them by kindly admonitions. When
they refused to respond to blandishments, he
became exasperated and denounced them as
traitors and enemies of religion. The result of
this mingling of conciliation and abuse has
been the growth of the Social-Democratic vote
to the portentous total of four and a quarter
millions. A similar lack of understanding has
marked the imperial treatment of Alsatians
and Poles in their struggle for autonomy.
That aspiration for liberty which is so irre-
pressible in the modern breast finds but scant
recognition in the constitution of Germany,
and none at all from "William II.
In like manner he has failed to appreciate
the modern spirit in literature and the arts.
Writers like Ganghofer and the egregious
Lauff have been taken to his bosom, while
Hauptmann has been neglected or snubbed.
The mortuary Siegesallee in Berlin represents
what his patronage of sculpture has evoked.
Since the Kaiser dropped the old pilot in
1890, he has virtually been his own chancellor.
The government has followed the lines of
policy laid down by him. At most a more
forceful chancellor like Billow ventured once
or twice to check his imperial master, but gen-
erally his ministers have been as acquiescent as
the dull and pedantic Bethmann-Hollweg. It
may be profitable to inquire for a moment
whither the "new course" has led Germany.
Bismarck's policy had been purely continental,
and had aimed at making Germany secure and
dominant in Europe. The policy of Germany
under the Kaiser's personal rule has been,
briefly, to establish a new world-power.
Viewed from almost any angle, the result is
not brilliant. It is an unescapable fact that
whereas in 1890 Germany had only one enemy
in Europe — France, in July of 1914 she could
count upon only one sure friend — Austria.
Beyond a doubt, indiscretions like the Kruger
telegram and hob-nailed diplomacy such as
precipitated the two Morocco crises account-
for much of this estrangement. But the out-
come was really almost inevitable. It is Ger-
many's tragedy to have entered late into the
race for empire and to have found the earth
pre-empted. The alternative to reaching out
and running foul of her neighbors would have
been to cultivate contentment at home. Which
was the part of wisdom ? In view of the pres-
ent cataclysm, from which Germany can at
best only emerge with even honors, the answer
is scarcely doubtful.
There remains the most interesting question
of all. The Kaiser won the admiration of the
pacifists because of the indisputable fact that
for twenty-six years he kept the peace of
Europe, often against strong pressure from
within, and frequently proclaimed that to be
his unswerving aim. But, up to the summer
of 1914, did the net influence of William II.
make for peace or war? It is here, as Mr.
Dickinson points out, that the small cool voice
of common-sense reasserts itself. During those
years the Kaiser was sponsor for the navy, he
was supreme representative of the army, in
whose uniforms he almost invariably appeared
and whose dominance within Germany he con-
stantly maintained; he was the author of the
most famous winged words of militarism, and
the living embodiment of the doctrine si vis
pacem, para bellum, the sophistry of which
now seems manifest to everybody. Such is the
Hohenzollern tradition; the fighting spirit
was in his blood, even though for prudential
reasons he long refrained from war. When
we come to the present crisis, matters appear
even worse. The issue of Europe's peace or
war lay in his hands last July, and deliber-
ately or reluctantly he chose war. A hint
from him would have restrained his Austrian
ally, a nod would have brought about the con-
ference which Sir Edward Grey suggested, —
and he could have had it virtually on his own
conditions of time and place, and hence with-
out loss of dignity. Taking advantage of a
favorable international conjuncture, he in-
sisted upon pushing through his Balkan pro-
gramme at all hazards; and so precipitately
did his government press matters, so heedless
was it of ordinary diplomatic manceuvering,
that it cannot now even make a decent pre-
tence of having tried to avoid war. It may be,
as Mr. Andrew Carnegie, Dr. David Starr Jor-
dan, and other pacifists have surmised, that
when the Kaiser returned from Norway last
July matters had already got almost beyond
control and that in the end his hand was vir-
tually forced by the military clique. Or it
may be that he himself had gradually been
won over to the view that war was inevitable
and now realized that the opportune moment
for Germany had finally come. This is the
1915]
THE DIAL
421
view elaborated in the French Yellow Papers,
and recently reaffirmed by Lord Haldane.
Proof is lacking at present, but some color of
plausibility is lent by such considerations as
the popular resentment in Germany against
the government for its humiliating backdown
in 1911, the taunts of the nationalistic press,
the stings of that gadfly among German jour-
nalists, Maximilian Harden, and most of all
the ever-present pressure from the chiefs of
the General Staff by whom the Kaiser is con-
stantly surrounded. But in either case the
difference of responsibility is only one of
degree. William II. will go down in history
as the aggressor in the greatest war the world
has ever seen. Yet, barring a supreme disas-
ter, it is hardly likely that he will have many
pangs of remorse. A chronic optimist by
temperament, panoplied in his sense of divine
guidance, he has always been proof against
self-reproach. Scapegoats will be found, —
there are signs already that certain men are
predestined victims. Chastened in mood the
Emperor may be, and probably the soul-
solitude brought by advancing years will in-
crease upon him greatly; but, unless he
forgoes his nature utterly, he will to the end
manifest his tireless activity, ever ready, in
the words of one of his favorite poems,
" to fill the unforgiving minute
With sixty seconds' work of distance run."
W. K. STEWART.
THE COSMIC SOUL.*
Mr. Holt's book on the Cosmic Relations is
an attempt to justify the ways of " spirits " to
men. The author is, however, under no illu-
sion as to the weight of his evidence, or as to
the probability-coefficient attaching to his
hypothesis of a Cosmic Soul. " I cannot envy
the man," he insists, " who can write on these
vague subjects without painfully mistrusting
himself." Mr. Holt's method of presentation
has left him, he assures us, "absolutely un-
trammeled by any theory, except what has
grown up during the work itself." Hence he
claims for his results no finality. "Many of
the facts presented are very nebulous, and the
guesses are naturally more nebulous still."
His hypothesis " admits no affiliation with the
famous masses of guesswork which announce
themselves as established truth." Conse-
quently, " I don't propose to go to the stake for
it, or send anybody else for denying it."
What, then, are the facts which necessitate
so apologetically expounded an hypothesis, and
* ON THE COSMIC RELATIONS. By Henry Holt. In two vol-
umes. Boston : Hourhton Mifflin Co.
what is that hypothesis ? The facts are a mass
of reports on " psychic phenomena " : telepa-
thy, dreams, levitation, controls, spirits, me-
diums— and the inevitable and indefatigable
Mrs. Piper. Under the challenging captions
of " telekinesis," " autokinesis," " psychokine-
sis," and " telepsychosis," Mr. Holt presents an
array of data discouraging in its minuteness.
If the 750 pages of " evidence " are meant to
convince, compression as well as suppression
would have served our author's purpose much
more efficaciously.
Mr. Holt, to be sure, is convinced — con-
vinced of Immortality and of a Cosmic Soul.
He invites us to examine " a vast mass of pro-
foundly interesting phenomena . . which can-
not be accounted for by any form of telepathy
or any cause justified by experience. On the
surface, the phenomena are ostensibly caused
by human intelligences surviving death. Re-
ject that cause," we are disconsolately warned,
" and (pace Drs. Tanner and Hall) there is no
other in sight." The " whole thing," further-
more, " readily comes under the hypothesis of
the Cosmic Soul — of ideas and impressions of
all sorts floating about the universe — picked
up in all sorts of ways and in all sorts of com-
binations, and remodeled into all sorts of new
combinations." We must, accordingly, posit
"back of all phenomena the Cosmic Soul,
which is sometimes called God, which gener-
ates and includes and manifests and inter-
communicates all personalities that are, or
have been, or are to be, and which, with them,
dies not." Thus Mr. Holt, scientist of the
Metapsychical.
When we turn, however, from Mr. Holt's
science to his comments and annotations which
punctuate the multifold array of " facts," — to
his gentle humor and still gentler skepticism,
to his light humanistic by-the-ways on general
ethics, sex-morality, and happiness, inter-
spersed with delightful gibes at current con-
vention, not excluding his chatty and personal
hints for a latter-day " mediumistically " dem-
onstrated Theodicy, — we are inclined to the
belief that we shall discover the major value
of the book not in its elucidation of one more
hypothetical Universal All-including Soul, not
in its pathetic albeit manfully sustained desire
to establish the Newer Immortality, but rather
in its human, supremely human, quality of
"Apologia pro Optimismo Meo."
Optimism — romantic, mystic, rhapsodic —
alternates irrepressibly with pagefuls of argu-
mentation. " I cannot remember," writes Mr.
Holt, " when I did not have the rudiments [of
the Cosmic Consciousness] before great scenery
and great music, and it culminated in me ten
years before the usual period. . . It came with
t
422
THE DIAL
[ May 2'
the blaze of light, but the light was from the
natural sunset." And to Mr. Holt, poet of the
Cosmic Relations, " the powers of mystery are
lovely as well as awful. The mists and moun-
tains and dark shadows opposite me as I
write, are both. I do not read their meaning,
as I read the meaning of a2 -f- 2ab -(- b2, but
they lift and expand and deepen the soul as do
no meanings that I can read ; and while they
raise the most terrible questions, they answer
them with : ' Peace ! Wait ! Work ! Earn the
rest that you feel is in Us ! All will be well ! ' '
" Perchance," concedes the less romantic
reader, " all will be well. Yes, 'tis very pretty
rhapsody, but — is it science ? " And this same
matter-of-fact reader, deeply appreciative as
he is of the utter lack of dogmatism on the
part of the author in the exposition of his ten-
tative hypothesis, fully recognizing the spirit
not only of caution but even of skepticism
pervading the work, is still haunted by a sus-
picion, even a conviction, that not all is well —
if not demonstrably with the Universe, at
least with the scientific procedure of Mr. Holt.
"On seeing the MS. (or rather TS.) of this
chapter," Mr. Holt confidingly relates, "my
friend . . asks whether . . I do not, in treat-
ing them [certain controls] in a spirit of lev-
ity, show less confidence in the . . controls
than I really feel. I wish somebody would tell
me how much I really feel. And if he tells me
on Sunday, I wish he would tell me again at
the end of the week. Sometimes I feel a good
deal, and sometimes I don't." This sounds
perilously near to Spinoza's apocryphal little
speech to his God: " Entre nous, je crois que
vous n'existez pas."
Of the precariousness of his position, Mr.
Holt is all too well aware ; his insistence on the
plausibility of his solution of the problems of
spiritism and immortality is politeness itself.
Lest, however, his scientific humility should
seem to overreach itself, he is ever ready with
a corrective — an attenuated mysticism; nor
is a tinge of satire wanting. "We, in our
immeasurable wisdom, don't see how it [immor-
tality] can work — we don't see how a universe
that we don't begin to know, which already has
genius and beauty and love, and which seems
to like to give us all it can — birds, flowers,
sunsets, stars, Vermont, the Himalayas, and
Grand Canyon ; which, most of all, has given
us the insatiable soul, can manage to give us
immortality. Well ! Perhaps we ought not to
be grasping — ought to call all we know and
have, enough, and be thankful."
A scientist, however, who is so magnani-
mously hesitant about his science will surely
not fail, when hard pressed, to be equally non-
belligerent about his romantic Universe and
Cosmic Soul. For, is it not written by Mr.
Holt himself : " If in solitude . . anywhere
under the stars, you have not already felt that
conception, you will probably find my efforts
wasted"? HENRY M. SHEFFER.
THE NEW SPIRIT ix SOUTHERN
HISTORICAL, WRITING.*
Of the fifteen essays contained in the Dun-
ning testimonial volume of " Studies in South-
ern History and Politics " all but two or three
have for their subjects some phase of the Civil
War and Reconstruction Period and the race
question. This is natural, since most of the
authors are of southern birth, and nearly
every southern historian is primarily inter-
ested in the Civil War and the questions which
came into being as a result of it.
The general editor of the volume is Profes-
sor J. W. Garner of the Department of Politi-
cal Science in the University of Illinois. He
is also the author of the concluding essay,
".Southern Politics since the Civil War." Pro-
fessor Garner's main thesis in this essay is that
the agitation of the negro question by political
demagogues in the South has been of infinite
harm to both races, and hence ought to come to
an end. In fact, he is optimistic enough to
believe that such agitation is now nearing its
close, as the southern people are becoming
heartily tired of it. Though one may well
agree with this opinion, and hope that the
elimination of the race question from southern
politics is near at hand, there are those who
by no means agree with Professor Garner in
thinking that the resulting two-party system is
essential to the normal and successful func-
tioning of popular government, and that its
absence tends to render the political life of a
community stagnant and lacking in vitality.
Undoubtedly the South has a number of things
the matter with it, but certainly the absence
of the two-party system is not one of them.
The two most interesting essays in the vol-
ume are those written by Professors Holland
Thompson, of the College of the City of New
York, and William K. Boyd, of Trinity Col-
lege, North Carolina. In a sane, unemotional,
and scholarly way these two essays deal re-
spectively with " The New South, Economic
and Social " and " Some Phases of Educational
History in the South since 1865." In a concise
but entirely illuminating manner, Professors
Thompson and Boyd analyze the various fac-
tors that have helped or hindered the progress
* STUDIES IN SOUTHERN HISTORY AND POLITICS. Inscribed
to William Archibald Dunning, Professor of History in Colum-
bia University, by his former pupils. New York : Columbia
University Press.
1915]
THE DIAL
423
of the South along economic or educational
lines. It is indeed refreshing to find at least
two young southerners of undoubted talent
and ability breaking away from the idea that
everything of historical importance in their
section concerns itself with the problems aris-
ing out of slavery and its overthrow, and
devoting themselves to matters of greater pres-
ent-day importance. In saying this the re-
viewer does not mean to disparage the other
essays in the volume. It is certainly important
and indeed necessary, both for the South and
for the North, that the history of slavery and
the Civil War should be rewritten by southern-
ers trained in historical research as the authors
of these essays have been trained. They have
approached their subjects not as partisan
southerners whose purpose it was to vindicate
or defend, but rather with sympathy purged
of bias and sectionalism; and in this spirit
they have all succeeded in adding something of
real scholarship to the body of southern his-
torical literature.
In the opening essay, on " Deportation and
Colonization: An Attempted Solution of the
Race Problem," Professor W. L. Fleming of
Louisiana State University shows that though
such a solution of the race problem has been
advocated by people as prominent as Jefferson
and Lincoln and a great many others since
1770, the scheme has never had any sort of
chance to succeed, due mainly to the opposition
of white employers of negro labor. Undoubt-
edly there is a great deal of truth in Professor
Fleming's witty remark that " every white man
would be glad to have the entire black race
deported — except his own laborers."
In " The Literary Movement for Secession,"
Professor Ulrich B. Phillips of the University
of Michigan maintains the thesis that "state
rights, while often harped upon, were in the
main not an object of devotion for their own
sake; but as a means of securing southern
rights. State sovereignty was used to give the
insignia of legality to a stroke for national
independence." Professor Phillips arrives at
this conclusion from an exhaustive study of
the southern pamphlet literature written dur-
ing the ten or twelve years preceding secession,
and thereby proves to be a fact what was often
suspected as having been the case.
Professor J. G. de R. Hamilton of North
Carolina University, in " Southern Legislation
in Respect to Freedmen, 1865-1866," states
comprehensively and fairly for the first time
the essence of all the southern " black codes,"
which, either from ignorance or crass partisan-
ship, have been very much misrepresented and
misunderstood. From the southern point of
view, but with no attempt to excuse or extenu-
ate obviously unjust and unnecessary restric-
tions on the liberties of the negroes, Professor
Hamilton shows that the legislation in respect
to f reedmen during the two years following the
close of the war was on the whole a sincere, and
for the most part, an intelligent attempt to fix
the legal and economic status of the four mil-
lion ex-slaves, who from the very nature of the
case were destined to continue for a time at
least in a position of actual inferiority to the
great body of white people about them. In
conclusion, Professor Hamilton expresses the
opinion that Blaine, in his " Twenty Years of
Congress," and many other writers have either
wilfully or ignorantly misrepresented the facts
in giving as a reason for the radical recon-
struction policy the prior enactment of the
"black codes." He thinks that the radical
policy had been determined upon before the
" black codes " were passed, and consequently
its shape was not much affected by these codes.
However, by misrepresenting the codes and
distorting them before the public as a rebel
attempt to reenslave the negroes, the Radicals
were thereby enabled to make a great deal of
use of them in securing the success of their
policy.
The remaining essays of the volume are
" The Frontier and Secession " by Professor
C. W. Ramsdell, " French Consuls in the Con-
federate States " by Professor M. L. Bonham,
"Judicial Interpretation of the Confederate
Constitution " by Professor S. D. Brummer,
" Carpet-Baggers in the United States Senate"
by Professor C. Mildred Thompson, " Grant's
Southern Policy" by Professor E. C. Wool-
ley, " The Federal Enforcement Acts " by Pro-
fessor W. W. Davis, "Negro Suffrage in the
South " by Professor W. R. Smith, " Political
Philosophy of John C. Calhoun " by Profes-
sor C. E. Merriam, and " Southern Political
Theories" by Professor D. Y. Thomas. It is
a matter of regret that space does not permit
of at least a brief analysis of these essays.
Each of them is a distinct contribution to the
subject treated, and anyone desiring a schol-
arly study of any of these subjects will find it
in this volume. Those who would understand
the new spirit permeating the younger genera-
tion of southern historians will do well to read
this collection of "Studies in Southern His-
tory and Politics." BENJ. B. KENDRICK.
A new book by E. CE. Somerville and Martin
Ross, entitled " In Mr. Knox's Country," will be
published by Messrs. Longmans during the summer.
It takes us again to the district of South- Western
Ireland hunted by the hounds of which Flurry
Knox was Master. Some new characters are intro-
duced as well as many old friends.
424
THE DIAL
[ May 27
RECENT FICTION.*
Miss Ethel Dell, in "The Keeper of the
Door," once more brings us into the compan-
ionship of Nick Ratcliffe, whose Indian ex-
ploits and rocky road of love held us breathless
in " The Way of an Eagle." He is now living
in England, a Member of Parliament, held in
immense respect for his Indian record. The
position of hero in the new story is not, how-
ever, reserved for him, but is given to Max
Wyndham, a young physician, to whom many
of his characteristics are transferred, while
his niece and pal, Olga Ratcliffe, provides the
book with an adorable heroine. The story is a
very long one — made so by the wilderness of
small talk which exasperatingly clogs its action
— and it is a long time before the narrative
gets anywhere. About midway, the scene
shifts from England to India, where it remains
almost until the end, and where some exciting
things happen. Nick is sent by the govern-
ment to look after the affairs of a rebellious
native state, and Olga goes with him. Still,
the interest even there is one of personal psy-
chology rather than of objective incident, al-
though there is one episode of a tiger and
another of a bomb. Max Wyndham is "the
keeper of the door " in a symbolical sense ; that
is, as a physician he has the power of life and
death in his hands, and possesses the secret of
a mysterious and potent drug referred to as
" the pain-killer," which figures in the plot in
a very critical way. Overwrought with grief
for a girl-friend threatened with a hideous
form of insanity, Olga gives her the relief
which is death by an overdose of this medicine,
and then falls into a delirious illness which
obliterates from her mind all recollection of
what has happened. Later, malicious tongues
persuade her that her friend's life has been
lost through the unprofessional conduct of
Max, whereupon she breaks off her engage-
ment with him. The truth is revealed to her
when she revisits the scene of the girl's death,
and the gap in her memory is suddenly re-
paired. It is Max who triumphs in the end,
although Olga has meanwhile given her heart
to his very engaging brother Noel, whose suf-
ferings in her service and eventual disappoint-
ment in her loss make a heavy draft upon our
sympathies. The novel has an overplus of
sentiment, and is spun out to much too great
a length, but its interest is cumulative, and it
* THE KEEPER OF THE DOOR. By Ethel M. Dell. New York :
G. P. Putnam's Sons.
THE HAND OF PERIL. A Novel of Adventure. By Arthur
Stringer. New York : The Macmillan Co.
MARRIAGE BY CONQUEST. By Warwick Deeping. New York :
McBride, Nast & Co.
DAYBREAK. A Story of the Age of Discovery. By Elizabeth
Miller. New York : Charles Scribner's Sons.
grows more tense and exciting with every
added chapter.
A really ingenious detective story, which
does not stretch the long arm of coincidence to
a freakish length, and which does not contrive
difficulties obviously insurmountable except by
impossible devices, offers one of the best forms
of entertainment. Such a story, supported by
crisp telling and swift dramatic action, is
found in Mr. Arthur Stringer's " The Hand of
Peril." It tells of the tracking of a gang of
counterfeiters and forgers to their secret quar-
ters in Paris, Palermo, New York, and Rome,
with their final discomfiture at the hands of a
secret service agent of the federal government.
The extraordinary success of these rascals is
due to the fine artistic faculty of a young
woman, whom they have trained from her
youth as an expert with the brush, the pen,
and the engraving needle. Her forged docu-
ments and her plates are so carefully executed
that they deceive all but the best qualified of
experts, and constitute a grave international
peril. She does the work because she is in the
power of the arch-scoundrel, who poses as her
father, and persuades her that she has been
guilty of murder. She is an unwilling but
faithful tool of this villainy until she learns
how she has been deceived. When Kestner, the
secret service man, gets on her trail, he discov-
ers in her a woman to be loved, and in their
first encounter she saves his life. After being
baffled many times in many parts of the world,
Kestner is at last successful in breaking up
the gang and in winning the woman. He is
a detective of superhuman cunning and re-
sourcefulness, and has one hairbreadth escape
after another. The story is one which gives
comforting attention to the details which are
so apt to be neglected in fiction of this descrip-
tion, and the interest is absorbing.
Mr. Warwick Deeping is an accomplished
story-teller, but we could wish that he dealt
more with modern life than with the artificial
conditions imposed by scenes and actions
placed in the remote past. In " Marriage by
Conquest," we have no direct time-indications,
but we learn, by gradual degrees, and from
various suggestions of costume and custom and
social manner, that it is a story of the eight-
eenth century, in which the author has pre-
viously shown himself to be very much at
home. The scene is Sussex, and the leading
characters are three in number. First, there is
Stella Shenstone, the widowed chatelaine of
Stonehill, young and beautiful, but hardened
into cynicism by her experience of men. Then
there is her ferocious and unscrupulous wooer,
Sir Richard Heron of Rush Heath, who pur-
sues her with insolent arrogance, and makes
1915]
THE DIAL
himself a terror to all other men who seek her
favor. Finally, there is John Flambard of
Chevrons, a gentleman by instinct and a
scholar by choice, who comes unexpectedly into
his English inheritance, and is very much out
of place in the society of the loutish Sussex
gentry who are his neighbors. He wins the
love of the fair Stella, who recovers through
his companionship her lost faith in mankind,
and he meets the bullying pretensions of his
rival with a fine display of moral courage rein-
forced by thews that make him a formidable
antagonist. Sir Richard, who grows more and
more loathsome as his character is revealed, is
defeated in his machinations, and even the
seeming success of his dastardly assault upon
the hero is turned to the credit of the latter,
when Stella rises magnificently to the occasion,
and brings some stinging truths home to those
who have abetted the persecution of her lover.
The scene in which she confronts the men who
have, at the malignant instance of the villain,
conspired to compass the humiliation of the
hero, is a fine example of vivid dramatic action.
The whole story is conceived in the romantic
spirit, and is related with both vigor and
eloquence.
The story of the Moors in Spain seemed to
us the sum of all romance in the days when
Washington Irving was a best-seller. Since
his time, few romantic writers have ventured
to intrude upon the domain which he made his
own, and the book called " Daybreak," by Miss
Elizabeth Miller (Mrs. Hack) comes to us
almost as a novelty. That the glamour of
those scenes and days has not faded beyond the
power of revivification is made evident by this
brilliant romance of the time of Ferdinand
and Isabella and of the Genoese whose idee fixe
opened a new epoch in the world's history. |
These are the figures that emerge from the
throngs that people the narrative, which is
immediately concerned with the siege and fall
of Granada. The private romance is supplied
by the love of Don Beltran Ponce de Leon for
a high-born damsel who is Ferdinand's ward,
and who, for reasons of state, is to be forced
into an unwilling marriage. But love laughs
at locksmiths and all other persons who at-
tempt to divert its course, and the close of
"Daybreak" finds the lovers escaped from
court and convent and Inquisition, the lady a
refugee in Tangier, the hero a companion of
Columbus on the Santa Maria. A brief final
chapter brings them together in the Moorish
city, and it is left to be surmised that the only
vicissitudes yet in store for them are of the
marital description which romantic novelists,
as a rule, are prudent enough to avoid.
WILLIAM MORTON PAYNE.
NOTES ON NEW NOVELS.
The Baroness von Heyking, who wrote " The Let-
ters Which Never Reached Him," has given a most
interesting picture of Prussian domestic and diplo-
matic life in her newer novel, " Lovers in Exile "
(Button). After a purely conventional marriage
into a typical Junker family, the heroine meets and
loves a young man in the ministry of foreign affairs.
She has courage enough to divorce her disagreeable
husband and marry according to the dictates of her
heart. The vengeance of the Junkers follows him
in his career; and at last, after he is compelled to
bear the burden of an international blunder in what
can be quite certainly identified as the Venezuelan
incident, he is driven into obscurity. It is a
well written story, and one of unusual interest
to the many who are studying German national
psychology.
For " The Valley of Tear" (Doran) Sir Arthur
Conan Doyle has taken the resuscitated Sherlock
Holmes and given him a typical murder mystery
to solve in the first half of the interesting story.
For the latter half, he deals with the Molly
Maguire atrocities of the 'seventies, the astute and
fearless James McParlan of the Pinkerton de-
tective agency figuring as the hero under an as-
sumed name, the author evidently finding the
horrid realities disclosed at the trial of the prin-
cipals beyond any powers of invention he himself
possesses. Indeed, to a generation ignorant of the
facts, Dr. Doyle will be thought lacking in plausi-
bility, so steeped in savagery were the Pennsyl-
vania miners implicated and punished.
Old fashioned in the treatment of its characters
and its attitude toward life, Mrs. Amelia E. Barr's
" The Winning of Lucia " ( Appleton) has been
written quite evidently for that young person whom
we had supposed was shocked out of existence sev-
eral years ago. A young man " with enough of the
devil in him to keep the devil out " loses Lucia to a
somewhat mephistophelian nobleman, who turns out
to be rather soft after great expectations had been
aroused concerning his hardness. After a series of
postponements, both of betrothal and marriage, the
young man, having amassed a fortune in specula-
tion, marries the fair Lucia, also enriched by the
nobleman's selection of her as his heiress. It is a
mild and uninjurious story.
"Dr. Syn : A Smuggler Tale of Romney Marsh "
(Doubleday) is a rollicking, murderous tale of the
early years of the last century, in which the protag-
onist, an old pirate disguised as a clergyman,
matches his wits against those of a King's officer
and is eventually worsted. There is nothing dis-
tantly resembling a normal human being in the
narrative, and there is little done that any normal
being thinks could be done. The scene is as strange
as the deeds set in it, the whole constituting a
thorough-going melodrama of the most sensational
sort.
M. Henry Bordeaux's story of " Les Roquevil-
lard " has been ably translated by Mr. Pitts Duffield
and given the title of " The Will to Live " (Duf-
field ) . It deals with the unity of an ancient family,
dishonored by a youthful son of the house ; and the
426
THE DIAL
[ May 27
collective grief of the kinsfolk is depicted with fine
understanding and vigor. The disgrace comes from
an elopement with a married woman, who takes the
dowry her elderly doting husband has settled upon
her. For revenge the deserted man accuses the
youth of the theft. Eventually found not guilty
through the father's eloquent plea in court, the
whole circle of his relatives are compelled to suffer
with him. The book will command both attention
and respect.
Quite typically American are the attributes given
by Mr. Holworthy Hall to the collegians who figure
in his "Pepper" (Century Co.). The hero of the
undergraduate episodes at Harvard here recounted
is from Chicago, which will perhaps account for his
being so successful in making money, both for him-
self in a moment of necessity and for others in their
want. He does not need it, ordinarily speaking,
for his father is rich ; but he has a wide fertility of
resource which wins him the respect of his asso-
ciates and generally the affection of those whom he
so cleverly befriends. It is an entertaining work,
bubbling over with the spirit of youth.
As many bewildering incidents as can well be
crowded into the pages of a single short book make
Mr. John Selborne's "The Thousand Secrets"
(Kennerley) rather bewildering reading. It begins
with a mysterious murder, almost immediately com-
plicated with international troubles between Great
Britain, where the scene is variously laid, and two
other nations, pseudonymously named. A puny
love affair rather detracts from than adds to the
interest of the book, which is written quite frankly
for purposes of mere pastime.
BRIEFS ON NEW BOOKS.
International
perspective
in criticism.
To the rapidly increasing list of
books dealing with what will in
due time come to be recognized
as a new genre in the fine art of literature, an
admirable addition has lately been made in
Mr. Gustav Pollak's "International Perspec-
tive in Criticism" (Dodd). The volume is a
well chosen compilation of extracts from
Goethe, Grillparzer, Sainte-Beuve, and Lowell
dealing with great figures in the literatures of
England, France, Germany, Italy, Spain, with
the literature of antiquity, with definitions of
a " classic," and with philosophy and religion.
For the most part these authors are allowed to
speak for themselves. But Mr. Pollak has
some good things to say about Goethe's inter-
national sympathies. Grillparzer's relentless
habit of severe self-scrutiny and steadfast
belief in a drama of democracy, Sainte-Beuve's
alert curiosity and wide-ranging sympathies,
and Lowell's admirable reconciliation of what
are opposites to the small mind, patriotism and
cosmopolitanism. At the close, in a section
called "Messages from the Masters," Mr. Pol-
lak points out that in these men the " critical "
faculty seems in no wise to have stunted their
" creative " energy. He dwells on their " in-
cessant and passionate endeavour to hold up
to their countrymen the great models of for-
eign literatures, in order to bring home to
them the excellence of their own great writ-
ers," their steadfast rejection of the " mediocre
and ignoble," their "wholesome dread of
pedantry " combined with their " steady pur-
suit of wisdom," their realization of the fact
that individual " liberties " mean often collec-
tive enslavement, their desire that their own
countries should see themselves as others see
them and thus rise above " blind chauvinism."
The reading of these men fills Mr. Pollak with
grave fears that " the restlessness of modern
endeavour " in art and all other forms of life
" betokens only weakness." As one turns the
really liberating pages of this volume one is
tempted to make from it many fruitful though
perhaps fantastic deductions: that the critic
is the most international in spirit among all
artists, as the poet has tended to be the most
national; that imperialism and national alli-
ances are but crude forms of cosmopolitanism
viewed from the wrong side ; that Oscar Wilde
was, for the moment, wiser than any diplomat
when he said that we might well some day
refuse to make war on France because of her
beautiful prose; that the critic is a truer
patriot than the imperialist because the im-
perialist thinks that his country has a divine
wisdom which she must crudely superimpose
upon the world, while the critic is so proud of
his own country that he despises her limita-
tions and would make her grow rich through
the absorption of the best traits of her sister
countries, to find herself by losing herself, and
to discover that just as there is no real quarrel
between egoism and altruism (for the indi-
vidual must improve the community in order
to improve himself, and he cannot improve
himself without improving the community) so
there is no real contention between the group-
individual, nationalism, and cosmopolitanism.
Richly gifted in mind and heart
Fraternal was ^e jate Robert Hugh Ben-
memories.
son, youngest of the three vari-
ously accomplished brothers whose books are
widely read on both sides of the Atlantic.
Sons of the late Primate of the English
Church, and of a mother who seems to have
exerted a powerful influence for good over
her children, the three brothers could not fail,
so soon as their literary gifts had made them
known to the larger world, to become objects
of interest to that world. Hence the certainty
of a general and cordial welcome to the volume
entitled "Hugh: Memoirs of a Brother"
1915]
THE DIAL
427
(Long-mans) , by Mr. Arthur Christopher Ben-
son, the eldest of the three. It is an affectionate,
graceful, admiring but by no means indis-
criminately laudatory tribute to the memory
of an interesting and lovable and strongly
marked character; and the human quality of
the book throughout, its attention to little
homely details, its success in making both the
boy Hugh and the purposeful man live and
breathe before us, will win for it the praise
accorded to all biography written with insight
and carrying with it the sense of truth to real-
ity. The more formal and detailed account
of Monsignor Benson's life and wrork, espe-
cially in his character of priest, will appear
later from the hand of his friend and co-
religionist, Father C. C. Martindale, S. J.
Meanwhile the reader is admitted to some de-
lightful intimacies by the brother who presents
this preliminary sketch. One brief passage
from the opening chapter, describing the home
that Father Benson had acquired for himself
in his later years, will make evident the variety
of talents he possessed. " Everything in the
little domain took shape under his skilful hand
and ingenious brain. He made most of the
tapestries in the house with his own fingers,
working with his friend Mr. Gabriel Pippet,
the artist. He carved much of the panelling —
he was extraordinarily clever with his hands.
He painted many of the pictures which hang
on the walls, he catalogued the library; he
worked day after day in the garden, weeding,
mowing, and planting." Not the least of the
book's charms is the striking manner in which
it incidentally reveals the extent to which
autobiography has entered into Robert Hugh
Benson's works of fiction, though this revela-
tion is in no sense a surprise. The final im-
pression of the memoir is of one who high-
heartedly and with intense earnestness entered
into the tremendous game of life, and played
his part nobly and zestfully to the very end.
Glad did he live and gladly die, and he laid
him down with a will. Of portraits and other
illustrations the book has no lack. No more
sincere or engrossing piece of writing has come
from its author's pen.
The oldest and Mr- George P. Upton has done
most enduring another good service tor music
form of music.
(McClurg). The subject is an especially in-
teresting one. The spontaneous utterance of
the race in music has been chiefly in the song.
Among all nations have been found these free
expressions of feeling. They have varied in
form, in rhythm, in color, with the changing
skies under which they have been produced.
They have been embodiments of all the emo-
tions which fill the hearts of mankind. They
have been the rich and lavish material to which
the learned composers have gone for themes
which could be worked up into imposing
musical structures. They have voiced the
hopes, the fears, the aspirations of mankind
from the earliest periods. They are to-day as
living as they ever were, and they constitute
the music which everyone understands and
which everyone enjoys. Mr. Upton thus ex-
plains the purpose of his book : " In carrying
out his scheme the author has confined his
selection and classes to song in the English
tongue, making little reference to songs of
other countries, except in chapters relating to
their origin and evolution. He has also sought
to trace the various functions of the song, and
to attempt to explain why some of the simplest
of the old songs live on, generation after gen-
eration, as fresh and forceful as when they
were written, while so many of the higher and
more elaborate musical forms perish or are
soon forgotten. In a word, the writer has
sought to present the story, the psychology,
and mission of the song, the oldest and most
enduring form of music." It would be easy,
in making such an effort, to become lost in the
multiplicity of details and, while being ade-
quately encyclopaedic, to fail sadly in keeping
up the indubitable interest of the subject. No
such disaster has overtaken the present author.
Our enjoyment waxes as we proceed, and the
value of the book is enhanced by the manner
of presentation. Our old favorites appear
unshorn of the attraction which they have
always possessed. We learn a good deal of the
peoples who have here so clearly and unre-
servedly manifested themselves. We may not
entirely give ourselves up to their intense and
sanguinary developments of patriotic devotion
to the fatherland; but for unhampered im-
mersion in the domestic affections, for the
delight in the simple amusements of daily
life, for the hymning of the higher experiences,
we can have only sympathy and gratitude.
The many who love the old songs will assur-
edly give this book a cordial welcome.
Ten "studies of extravagance"
Studies and . i-i-in ••••••* i
satires by comprise nearly half of Mr. John
Mr. Galsworthy. Galsworthy»s latest volume, " The
Little Man, and Other Satires" (Scribner).
So vividly are they portrayed that the types
depicted in these pen-sketches seem to stand
forth like so many bronze statues one has come
upon unexpectedly out in the open. Whole
sentences linger in the mind long after the
book is laid aside. For instance, there is the
artist who declares that it does not matter
whether you have anything to express, so long
428
THE DIAL
[May 27
as you express it ; the young woman who flings
open all the doors of life, and is so continually
going out and coming in that life has con-
siderable difficulty in catching a glimpse of
her at all ; the perfect one who had heard of
" the people," and, indeed, at times had seen
and smelt them; and the superlative whose
poet was Blake, whose novelist was Dostoiev-
sky, and whose playwright was Strindberg, for
who else was there who had gone outside the
range of normal, stupid, rational humanity,
and shown the marvellous qualities of the
human creature drunk or dreaming1? It is
given to few artists to reveal the soul with
Mr. Galswrorthy's penetration, to write with
his brilliance. "A Simple Tale," one of the
short stories of the volume, contains a weird
and unforgettable character, near kin to Mr.
Stone of "Fraternity" and the very shadow
of old age itself, who thinks himself the Wan-
dering Jew. The title piece is a whimsical
satire, having for its characters an English-
man and his wife, an American, a German,
the Little Man, and a woman with two bundles
and a baby, who are waiting for their train on
an Austrian railway platform. The men are
trying to find a definition for true heroism.
Catastrophe befalls the Little Man, the only
one who attempts to put theory into practice ;
but Fate is at hand to throw in one of her
happy endings (she has robbed so many lives
of them that she ought to have them to squan-
der), and the curtain falls as the American
snaps his kodak on the sobered group. Just
what, we begin to wonder, is the significance
of all this ? Can it be that Mr. Galsworthy is
trying to say that it is just as heroic to lug a
baby and two bundles for a woman crying in
distress, as, let us say, to steer a Zeppelin
over ? But we are on forbidden ground.
In a warning note the author states expressly
that the piece was written in 1913, and has
nothing whatever to do, however darkly and
deeply, with the Great War.
The problem
of sex control.
The perennial problem of the
control of the determination of
sex never loses interest, partly
because of its relations to the economic inter-
ests of the animal breeder and partly by rea-
son of its ever present appeal to parents. The
progress of biological inquiry into the struc-
ture and behavior of the sex cells, the trans-
mission of hereditary characters from parents
to children, and the application of the experi-
mental method to the modification of sexual
characters and to the control of sex among
animals, have brought to light a great mass
of data, much of it obscure in its significance,
not a little of it conflicting in character, and
practically all of it suggesting several differ-
ent conclusions. Out of this confusion some
general results are emerging which point the
way for further investigation rather than
afford generalizations of sweeping import.
Dr. L. Doncaster, of King's College, Cam-
bridge, has set forth these results in his
" Determination of Sex " (Putnam) in a criti-
cal and constructive way. supplementing the
data of others by his own interpretations and
suggestions. His work is of necessity some-
what technical and highly specialized, though
the glossary and the simplicity and clarity of
his style will assist the non-technical reader
through the mazes of chromosomes, hetero-
zygotes, and gynandromorphs. The topics
discussed include the nature and functions of
sex, the stage of development at which sex is
determined, sex-limited inheritance, the sex
ratio, identical twins, secondary sexual char-
acters, the transmission of secondary sexual
characters, hermaphroditism, and the deter-
mination of sex in man. With regard to the
last, the author inclines to the view that,
although the problem is far from solution,
there is still hope for an ultimate victory.
short and Transitory but vivid glimpses of
simple annais a succession of characters from
of the poor. common Hfe make up the sub-
stance of " Eight O'clock and Other Studies "
(Macmillan), by Mr. St. John G. Ervine.
Humble and to an unobservant eye uninter-
esting, these representatives of the poorer
classes in London, Dublin, County Antrim,
and elsewhere, become instinct with meaning
in the discerning author's hands : and the les-
son, or one of the lessons, that he unobtrusively
and undidactically teaches is the pathetic
dreariness of life to those unfortunates who
have no inner resources of their own, while by
implication the richness and wonderfulness of
existence to the uncramped soul are made to
stand out in glowing relief. Amusing but
pitiful is the aspect of the bookseller's assistant
encountered by the writer in Kew Gardens
and sounded with ludicrous lack of response
on various subjects, including books; and
when a final desperate appeal was made to his
ambition (if he had any) , " for the first time a
look of yearning came into his eyes, and he
stared steadily in front of him for a second or
so. ' Yes.' he said, after a little while, ' some-
times I think it would be nice to have two
pounds a week certain/" Equally touching
is the spectacle of Mr. Martin, a workingman
who has scraped together a competence and
retired from the drudgery of daily toil to the
tedium of perpetual idleness. To go "for a
walk in the Square, and look at the shops," is
1915]
THE DIAL
429
the utmost extent of his recreational capabili-
ties. Previous appearance of some of these
sketches in such journals as the Manchester
" Guardian," the London " Nation," " Sunday
Chronicle," "New Statesman," and "Irish
Independent" is a sort of guarantee, if one
asks for it, of their good quality.
The civilization Tt ls Difficult to foresee what
of India, ckina, f orm will be assumed by reports
of the fortunate holders of Kahn
fellowships as their numbers increase with the
passing years. It is appalling to think of their
publication, if they once become fixed in type.
In fact, we are almost ready to declare that
no man should be allowed to go around the
world, unless he will bind himself not to pub-
lish anything about his trip for five years
after he returns. However, the latest report
to the Kahn trustees need give no ground for
apprehension, inasmuch as it comes from the
well known English writer, Mr. G. Lowes Dick-
inson, who has wisely refrained from describ-
ing his journey in detail and has offered
instead " some reflections on the general spirit
and character of the civilization of India,
China, and Japan; and the apparent and
probable effects upon these civilizations of
contact with the West." His essay, which is
divided into three parts and a conclusion, fills
less than ninety rather small pages ; but every
paragraph is thoughtful and suggestive. In
fact, the tiny volume contains much more
mental pabulum than is to be found in many
bulkier productions, and is well worth read-
ing. At the same time we ought to note that it
will not offer much that is essentially new
to those who are familiar with the author's
"Appearances," reviewed at some length in
our issue of December 16 last. It is hardly
necessary to add that Mr. Dickinson's hand
has lost nothing of its cunning, and that the
essay is a delightful example of style. (Dou-
bleday, Page & Co.)
Some romantic £he old Sailing ships whidl
chapters in the found their finest type at last in
3ea- American " clippers" have their
counterpart in English nautical history in
"The Old East Indiamen," to which Lieuten-
ant E. Keble Chatterton, R.N.V.R., devotes
an entertaining and fully illustrated volume
(Lippincott). Previous works by the same
writer attest both his interest and his qualifi-
cations ; and in his new book he has added a
series of chapters to the annals of the sea
which needed to be particularized. Begin-
ning with the first operations of the East
India Company, after a survey of the voy-
ages and discoveries that made the Company
possible, — carrying his tale from the pages
of Hakluyt down into the last century, when
the monopoly of the Company was taken from
it and the need for maintaining a fleet of
ships, most of them well armed against
pirates, privateers, and the ships of European
enemies, ceased, — he buttresses the late Ad-
miral Mahan's theory of sea power from one
cover to another. There was fighting enough
in the old days, and on at least one occasion
the East Indiamen proved too powerful for
a French squadron. Something might have
been said about the various flags and ensigns
shown in the numerous pictures of these gal-
lant old craft, the more so as facing page
78 is a flag identical with the one flown at
Washington's headquarters at Cambridge in
1775, with the Union Jack and thirteen
stripes, apparently red and white. The work
sadly needs an index.
The making Professor George M. Priest of
of modern Princeton has written a lucid
and interesting history of " Ger-
many since 1740" (Ginn), which will doubt-
less find many readers in the present posture
of international affairs. The difficult task of
writing an historical narrative where there is,
for the most part, no one focal point, is here
solved with considerable skill. The slow
amalgamation of the scattered and impotent
German states into one of the greatest powers
in human history may be followed clearly in
this book of two hundred pages, from which
superfluous facts have been carefully elimi-
nated. The tone of the writer is sympathetic
but critical. His detachment becomes espe-
cially observable in the latter part of the book,
where he has to deal with the amazing com-
mercial and industrial development of Ger-
many which has imparted such a sinister
materialistic aspect to life there. The worship
of force, a legacy from Bismarck, has been
further fostered by this consciousness of eco-
nomic strength, and has tended to overshadow
other elements in the German character. Its
fruition is the present war, for which Ger-
many is, in the author's opinion, only proxi-
mately to blame, the fundamental guilt being
shared, at least to some extent, by the other
great powers of Europe. For the general
reader, Professor Priest's book is the most
commendable account extant of the develop-
ment of what is just now the most interesting,
though not the best beloved, country in the
world.
The abhorrence which most peo-
P^e instinctively exhibit towards
snakes, lizards, and salamanders
does not seem to reduce popular interest in
these long since decadent groups of the lower
430
THE DIAL
[ May 27
vertebrates. The reptile house at the zoologi-
cal garden is full of attraction, not only
because of its potentialities in hair-raising
thrills but also because of its varied interests
which increase greatly with acquaintance.
Mr. E. G. Boulenger's volume entitled " Rep-
tiles and Batrachians " (Dutton) is based
upon the author's experience as curator of
the famous collection of lower vertebrates in
the Zoological Gardens of the Zoological So-
ciety in Regent's Park, London. It gives a
general account of the classification of these
two groups of animals, with a brief discussion
of the more interesting facts of natural his-
tory pertaining to the representative reptiles,
the crocodiles, alligators, lizards, slowworms,
turtles, tortoises, and snakes of the world, and
likewise of the amphibians including the frogs,
toads, tree-toads, salamanders, and water pup-
pies. It discusses distribution, food and feed-
ing habits, life history, behavior, poison fangs
and poisons, and breeding habits, affording a
mine of trustworthy information on a wide
range of forms. The book deals with leading
species from all continents, and includes a con-
siderable number of American species. It is
illustrated with one hundred and seventy-six
plates, mostly reproductions from original
photographs of living animals made by Mr.
W. S. Berridge.
Professor Thomas H. Dickinson
An anthology nag ma(Je a judicious Selection
of modern plays. J .
oi plays tor his anthology 01
"Chief Contemporary Dramatists" (Hough-
ton) . Allowing for the exigencies of copyright,
of author's permission in several cases, of
accessibility in translation, the dramas in-
cluded are as nearly representative as any
group so arbitrarily chosen could possibly be.
By a somewhat daring and curious turn of
logic, the editor explains that Ibsen was omit-
ted because he is too much the pioneer of the
contemporary movement, too fully its source
and exemplar. The omission of representative
plays by Shaw and Barrie is enforced. En-
glish drama is represented by Wilde, Pinero,
Jones, Galsworthy, and Barker; Irish by
Yeats, Synge, and Lady Gregory; American
by Fitch, Moody, Thomas, and MacKaye;
Norwegian by Bjornson, Swedish by Strind-
berg, and Russian by Tchekhov; German by
Hauptmann and Sudermann ; and French and
Belgian by Brieux, Hervieu, and Maeterlinck.
Serious plays predominate; but the editor
forestalls any criticism on this point by sug-
gesting that it is not his fault but the fault of
the age. The volume is carefully edited in
detail ; its notes are concise ; its bibliographies
are brief but adequate. That it will prove an
indispensable handbook for students of the
modern drama, goes without saying. An
anthology of this kind is in itself so much a
pioneer, so much an innovation, and it con-
tains so much that is admirable, that to quarrel
with its contents were like holding a grudge
against the gods for having led us out into the
open road, where we expected only a path.
BRIEFER MENTION.
We are glad to note that Mr. Robert Frost's vol-
ume of verse, " North of Boston," the English
edition of which we reviewed in our issue of Oct. 1
last, has been published in this country by Messrs.
Henry Holt & Co. An American edition of Mr.
Frost's first volume, "A Boy's Will," is also issued
at the same time by the same publishers.
Interest in the West, in this year of the exposi-
tion, is not limited to California. Those who plan
to visit America's only " geyser land " and desire a
complete historical and descriptive guide to the
region, will find what they seek in General Hiram
M. Chittenden's " The Yellowstone National Park "
(Stewart & Kidd Co.), now revised and enlarged
and brought thoroughly up to date.
New revised editions, in both instances the third,
of Mr. Hubert Howe Bancroft's " The New Pacific "
and " Retrospection " have recently been published
by the Bancroft Co. The interest of the veteran
Californian in men and institutions and problems
of the day remains undiminished, and his comments
are no less fearless or illuminating than of old.
The two volumes are issued together in a box.
A textbook on advertising that deals with the
economic, psychological, and physical factors of the
subject, as well as principles of artistic arrange-
ment and composition in the preparation of
" copy," has been prepared by Messrs. Harry
Tipper, Harry L. Hollingworth, George Burton
Hotchkiss, and Frank Alvah Parsons, each one of
whom is qualified by experience and training for
his task and is an expert in his field. A distinctive
feature of the volume is the outline of an advertis-
ing campaign in actual operation. Elaborate illus-
trations of successful display advertising ,are
included. (New York: The Ronald Press Co.)
A second edition of " Routledge's New English
Dictionary of the English Language," edited by
Mr. Cecil Weatherley, has been issued by Messrs.
Dutton. Some of its features are: condensation
secured through judicious grouping of derivatives
with the vocabulary word, which has resulted in
the elimination of unnecessary definitions; the
inclusion of all the principal new terms in the
sciences and the applied and fine arts, of modern
colloquial slang both English and American, and
of idiomatic words with their usages; and the
ready use for sources of the " Encyclopaedia Bri-
tannica " and such dictionaries as the " Oxford
English," the " Century," and the latest edition of
Webster's " International." Convenient in size,
and clear in typography, the volume forms a most
desirable reference book for the desk or library.
1915]
THE DIAL
431
NOTES.
Mrs. Josephine Daskam Bacon's new novel,
" Open Market," will be issued immediately by
Messrs. Appleton.
Sir Gilbert Parker's forthcoming novel, which
will be published in the autumn, will be entitled
" The Money Master."
Mr. Ford Madox Hueffer's book on the war,
" When Blood Is Their Argument," will be pub-
lished in this country by Messrs. Doran.
General Joffre's only book, " My March to Tim-
buctoo," has been translated and an English edition
will be issued immediately by Messrs. Stokes.
The third volume of " The Standard Cyclopedia
of Horticulture," edited by Mr. L. H. Bailey, is
ready for immediate issue by the Macmillan Co.
Mrs. Mary Hastings Bradley's story of war and
love, " The Splendid Chance," is announced by
Messrs. Appleton for issue before the end of the
month.
We are sorry to report that it has been found
necessary to discontinue the publication of the
" Harvard Architectural Quarterly," two complete
volumes of which have been issued.
; Mr. B. Russell Herts, author of " Depreciations,"
has prepared a volume on " The Decoration and
Furnishing of Apartments," which Messrs. Putnam
have in train for publication in June.
A volume entitled "An Eye Witness's Narrative
of the War " will be published immediately by
Messrs. Longmans, Green & Co. It is described as
a commentary on the operations and achievements
of the British Expeditionary Force.
There will be published at once in England a
book of " Memorials of Mgr. Benson," by Blanche
Warre Cornish, Shane Leslie, and others of his
friends. It is to be issued uniformly with Mgr.
Benson's volume of collected poems.
A new collection of poems by Mr. G. K. Chester-
ton is soon to be published. This book will contain
war poems, including " Lepanto " ; love poems ;
religious poems; ballades; and a section of
" Rhymes for the Times," serious and gay.
Into a volume entitled "A German-American's
Confession of Faith," Professor Kuno Francke
has gathered the papers he has written and the
addresses he has delivered upon the great war and
its problems. It will be published at once by Mr.
B. W. Huebsch.
The first three volumes in the " Mind and
Health Series," to be published shortly, are
" Human Motives," by Professor James Jackson
Putnam ; " The Meaning of Dreams," by Dr.
Isador H. Coriat ; and " Sleep and Sleeplessness,"
by Mr. H. Addington Bruce.
Mrs. Rosa Newmarch, author of a recent book
on "The Russian Opera," will have a companion
volume ready next month on " The Russian Arts,"
the main object of which is to show how the soul
of the people is revealed not only in their literature
and music, but also in their iconography, modern
painting, sculpture, architecture, and ornamenta-
tion.
" German Philosophy and Politics," by Profes-
sor John Dewey, traces for the unprofessional
reader the development of classical German philos-
ophy from Kant to Hegel. The volume will be
issued immediately by Messrs. Holt, who will also
publish next month a new one-volume edition,
revised, of Mr. L. T. Hobhouse's book, " Morals in
Evolution."
Among forthcoming books from the Oxford Uni-
versity Press will be " Some Love Songs of
Petrarch," translated and annotated by Dr. W. D.
Foulke, who has also contributed a lengthy memoir
of the poet by way of introduction. Only a portion
of the canzoniere is included, Dr. Foulke having
omitted all which did not seem to him to represent
Petrarch at his best.
Three new volumes are in preparation for the
" Quest Series," edited by Mr. G. R. S. Mead and
published by the Macmillan Co. They are " The
Ethical and Social Significance of Personality " by
Professor William Brown, " Catholic Mysticism "
by Baron Friedrich Von Hugel, and " The Inter-
pretation of Nature from Aristotle to Bergson"
by Professor J. Arthur Thomson.
Mr. A. P. Goudy, Lecturer in Russian in the
University of Cambridge, and Mr. E. Bullough, of
Gonville and Caius College, are editing for the
Cambridge University Press a series of Russian
texts, each volume to consist of about 750 pages,
with notes and vocabulary. The first three vol-
umes of the series will be Pushkin's " Godunov,"
Tolstoy's " Sevastopol," and Dostoevsky's " Poor
People."
A second series of studies of " French Novelists
of To-day," by Miss Winifred Stephens, is soon to
appear. An introduction will deal with the French
novel on the eve of the war, and the change that has
come over the life and literature of France during
the last twenty years. Separate chapters are de-
voted to Marcelle Tinayre, Romain Rolland, Jean
Tharaud, Jerome Tharaud, Rene Boylesve, Pierre
Mille, and Jean Aicard. As in the earlier series, the
bibliographies at the beginning of the studies are
not restricted to works of fiction.
An edition of Henry Vaughan's poems, to be
published shortly by the Oxford University Press,
will contain as an appendix eleven of Vaughan's
letters which have been recently discovered. They
were written to John Aubrey and Anthony Wood,
and they add something to our knowledge of a poet
about whose biography less has hitherto been known
than about any of the other Caroline or Jacobean
poets of his rank. Mr. L. C. Martin, who edits the
volume, has also made the first authentic collation
of the text of the poems.
Edward Cook, a prominent member of the old-
time publishing fraternity of Chicago, died on the
20th inst., at his home in Oak Park, Illinois. Mr.
Cook came to Chicago in 1860. He was one of the
organizers of the publishing house of Ivison,
Blakeman & Taylor, which later became part of
the American Book Company. For several years
he was a partner in the publishing firm of Jansen,
McClurg & Co., later A. C. McClurg & Co. He
was a prominent member of the Masonic order,
432
THE DIAL
[ May 27
and wrote much of the Masonic law for Masons of
Illinois. He was a trustee of Scoville Institute of
Oak Park, and a member of the Sons of the Amer-
ican Revolution.
A recent announcement of the Doves Press con-
tains the following : " The Great War has not been
' forgotten ' or ' forgiven,' nor is it even finished.
But the first shock, which seemed to obliterate both
Past and Future and to engulf all in one foul tri-
umph of hate, is over, and both Past and Future
re-emerge and re-assume their reign despite the
' inscrutable horror ' of to-day. With this larger
outlook Mr. Cobden-Sanderson returns to his first
intention before the war, and will in the immediate
future print and publish the ' Lieder, Gedichte, and
Balladen' of Germany's supreme poet, Goethe, in
honour of Germany's better past and in hope of
Germany's still greater future when she shall have
sloughed off the hate which, to-day, bedarkens both
her and our Welt-Ansicht and World- Vision."
A minor effect of the war has been the marked
awakening of interest in Russian literature evi-
denced by English readers. As one result of this,
an attempt is being made by Messrs. Hodder &
Stoughton, in a series of " Great Russian Fiction,"
to cover the whole range of Russian imaginative
literature in a library of uniform volumes at a
popular price. The following works will be ready
immediately : " The Captain's Daughter and Other
Tales," by 'Pushkin; " On the Eve," by Turgenev;
" The Heart of a Russian," by Lemontov ; " Little
Angel," by Andreiev ; " In Honour's Name," by
Kuprin ; and two of Gorky's works — " Com-
rades " and " Chelkash." It is hoped to include
among the later volumes some novels and stories
by Chekhov, Dostoevsky, Gogol, Gontcharov,
Korolenko, and others.
One year of the Index Office, a corporation not
for pecuniary profit, organized early in 1914 " as a
reference bureau and intermediary between libra-
ries and the public, to perform, for a moderate
charge, such services as libraries are not prepared
to perform, namely, to index, compile, abstract, and
translate such literary material as investigators
need to have prepared for their use," seems to have
demonstrated the usefulness of that institution,
which at the outset was favorably noticed in these
columns. In the initial number of its " Reference
Bulletin," lately issued, it gives some details of its
first year's activities. Medical students and physi-
cians have apparently been its chief patrons, and
they have called for a number of bibliographies and
abstracts on subjects interesting to them. It an-
nounces its intention to publish " Dementia Precox
Studies " and occasional bibliographies on the sub-
ject by Dr. Bayard Holmes. Bibliographical in-
dexes and references fill six of the Bulletin's eight
pages.
In a recent issue of THE DIAL we noted the fact
that the quarterly of Oriental study, " Le Museon,"
long published by the University of Louvain, would
be carried on by the Cambridge University Press
of England. The American agency for the publica-
tion, as we now learn, has just been undertaken by
the University of Chicago Press. Over two hun-
dred pages of material for the third and fourth
numbers of " Le Museon " for 1914 are supposed
to have been lost in the fire which destroyed the
offices of the Belgian publisher in the early days of
August; and one of the collaborators on the last
number of the journal was taken prisoner in the
war and died in a hospital. All supporters of
Oriental studies will be glad to know that the first
issue of this journal for 1915 will soon be published,
with contributions from many well-known conti-
nental and English scholars; and interest in a
review published under such unusual circumstances
is confidently expected to be shown by American
scholars especially interested in these fields of
research.
One of the most striking and unaccountable
instances of popular neglect of a brilliant writer is
to be found in the case of Walter Bagehot. In the
face of this neglect it is a bold, though a most com-
mendable, enterprise to project a complete edition
of Bagehot's writings. Such an edition, in ten
volumes, edited by Bagehot's sister-in-law, Mrs.
Russell Barrington, will be published next month
by Messrs. Longmans. Much important matter is
now reprinted for the first time, including the first
two articles by Bagehot which appeared in " The
Prospective Review " in 1848, various pamphlets
on political economy, a series of essays written in
early youth, and a volume of selected papers from
" The Economist," " The Saturday Review," and
" The Spectator." The first volume of the new
edition will include the memoir by Bagehot's life-
long friend, Richard Holt Hutton, originally pub-
lished in " The Fortnightly Review " and later
reprinted as a preface to Volume I. of Bagehot's
" Literary Studies," together with the second
memoir by the same writer, contributed to the
" Dictionary of National Biography." Mrs. Russell
Barrington's memoir, which appeared a year ago,
completes the series as Volume X.
LIST OF NEW BOOKS.
[The following list, containing 113 titles, includes books
received by THE DIAL since its last issue.}
BIOGRAPHY AND REMINISCENCES.
Spencer Fullerton Bnird : A Biography. By William
Healy Dall, D.Sc. Illustrated in photogravure,
etc., large 8vo, 462 pages. J. B. Lippincott Co.
$3.50 net.
Rabindranath Tasrore: The Man and His Poetry.
By Basanta Koomar Roy; with Introduction by
Hamilton W. Mabie. Illustrated, 12mo. 223
pages. Dodd, Mead & Co. $1.25 net.
John HUSH: His Life, Teachings, and Death. By
David S. Schaff, D.D. With portrait, large 8vo,
349 pages. Charles Scribner's Sons. $2.50 net.
Forty Years on the Stagre: Others (Principally) and
Myself. By J. H. Barnes. Illustrated, large 8vo,
320 pages. E. P. Dutton & Co. $3.50 net.
My Life. By Sir Hiram S. Maxim. Illustrated, large
8vo, 322 pages. McBride, Nast & Co. $4.50 net.
Alfred the Great, the Truth Teller, Maker of En-
gland, 848-899. By Beatrice Adelaide Lees. Illus-
trated, large 8vo, 493 pages. G. P. Putnam's
Sons. $2.50 net.
Pnracelsun: The Life of Philippus Theophrastus
Bombast of Hohenheim. By Franz Hartmann,
M.D. Revised and enlarged edition; 8vo, 311
pages. E. P. Dutton & Co. $2. net.
HISTORY.
Napoleon and "Waterloo: The Emperor's Campaign
with the Armee du Nord, 1815. By A. F. Becke,
R.F.A. In 2 volumes, with photogravure por-
traits, 8vo. E. P. Dutton & Co. $8. net.
1915]
THE DIAL
433
The Diplomacy of the "War of 1812. By Frank A.
Updyke, Ph.D. 8vo, 494 pages. Baltimore: Johns
Hopkins Press. $2.50 net.
The Interpretation of History. By L. Cecil Jane.
12mo, 348 pages. E. P. Dutton & Co. $1.75 net.
Captives among: the Indians: First-hand Narra-
tives of Colonial Times. Edited by Horace Kep-
hart. "Outing Adventure Library." 12mo, 240
pages. Outing Publishing Co. $1. net.
GENERAL LITERATURE.
Mary Russell Mitford: Correspondence with Charles
Boner and John Ruskin. Edited by Elizabeth
Lee. Illustrated, 8vo, 324 pages. Rand, McNally
& Co. $2.75 net.
Vanishing: Roads, and Other Essays. By Richard
Le Gallienne. 12mo, 377 pages. G. P. Putnam's
Sons. $1.50 net.
The Ballade. By Helen Louise Cohen, Ph.D. 8vo,
397 pages. Columbia University Press.
DRAMA AND VERSE.
Poems. By Brian Hooker. 12mo, 146 pages. Yale
University Press. $1. net.
The Lie: A Play in Four Acts. By Henry Arthur
Jones. "Margaret Illington Edition." Illustrated,
12mo, 110 pages. George H. Doran Co. $1. net.
Patrie! An Historical Drama. By Victorien Sar-
dou; translated, with Introduction, by Barrett
Clark. " Drama League Series of Plays." With
portrait, 12mo, 203 pages. Doubleday, Page &
Co. 75 cts. net.
The Alcestis of Euripides. Translated into English
rhyming verse, with explanatory notes, by Gil-
bert Murray, LL.D. 12mo, 82 pages. Oxford
University Press. 75 cts. net.
The Smile of Mona Lisa: A Play in One Act. By
Jacinto Benavente. 12mo, 34 pages. Richard G.
Badger. 75 cts. net.
Pro Patria: A Book of Patriotic Verse. Compiled
by Wilfrid J. Halliday, M.A. 12mo, 220 pages.
E. P. Dutton & Co. $1. net.
K'Ung Fu Tze: A Dramatic Poem. By Paul Carus.
12mo, 72 pages. Open Court Publishing Co.
50 cts. net.
The King of the Jews: A Sacred Drama. From the
Russian of " K. P.," The Grand Duke Constan-
tine, by Victor E. Marsden, M.A. 12mo, 161 pages.
Funk & Wagnalls Co. $1. net.
"We Are Seven": A Three-act Farce. By Eleanor
Gates. 12mo, 166 pages. New York: The Arrow
Publishing Co. 75 cts. net.
In the Midst of the Years. By John Wesley Conley.
12mo, 131 pages. Boston: The Gorham Press.
$1. net.
The Scales of Justice, and Other Poems. By Tod
Robbins. 12mo, 46 pages. J. S. Ogilvie Pub-
lishing Co. 50 cts. net.
Tides of Commerce: School and College Verse. By
William Gary Sanger, Jr. 12mo, 108 pages. New
York: The Country Life Press.
FICTION.
The Story of Jacob Stahl. By J. D. Beresford.
Comprising: The Early History of Jacob Stahl;
A Candidate for Truth; The Invisible Event.
Each 12mo. George H. Doran Co. Per set,
$2.50 net.
The Kiss of Apollo. By Martha Gilbert Dickinson
Bianchi. 12mo, 408 pages. Duffield & Co.
$1.35 net.
The Double Traitor. By E. Phillips Oppenheim.
With frontispiece, 12mo, 308 pages. Little,
Brown & Co. $1.35 net.
The Rat-pit. By Patrick MacGill. 12mo, 320 pages.
George H. Doran Co. $1.25 net.
The Man "Who Rocked the Earth. By Arthur Train
and Robert Williams Wood. With frontispiece
in color, 12mo, 228 pages. Doubleday, Page & Co.
$1.25 net.
The Scarlet Plague. By Jack London. Illustrated,
12mo, 181 pages. Macmillan Co. $1. net.
Jean Baptiste: A Story of French Canada. By J. E.
Le Rossignol. With frontispiece in color, 12mo,
269 pages. E. P. Dutton & Co. $1.50 net.
Merry Andrew. By Keble Howard. 12mo, 341 pages.
John Lane Co. $1.35 net.
Wolflnet A Romance in Which a Dog Plays an
Honorable Part. By X. 12mo, 345 pages. Stur-
gis & Walton Co. $1.25 net.
A Green Englishman, and Other Stories of Canada.
By S. Macnaughtan. 12mo, 307 pages. E. P.
Dutton & Co. $1.35 net.
Victoria. By Martha Grace Pope. 12mo, 243 pages.
Sherman, French & Co. .$1.35 net.
The Primrose Ring:. By Ruth Sawyer. Illustrated,
12mo, 187 pages. Harper & Brothers. $1. net.
The Secret Service Submarine; A Story of the
Present War. By Guy Thome. 12mo, 190 pages.
Sully & Kleinteich. $1. net.
At the Sign of the Sword: A Story of Love and War
in Belgium. By William Le Queux. 12mo. 187
pages. Sully & Kleinteich. $1. net.
TRAVEL AND DESCRIPTION.
Through Central Africa from Coast to Coast. By
James Barnes; illustrated in color, etc., with
photographs by Cherry Kearton. Large 8vo, 283
pages. D. Appleton & Co. $4. net.
The Tourist's Maritime Provinces. By Ruth Kedzie
Wood. Illustrated, 12mo, 440 pages. Dodd
Mead & Co. $1.25 net.
Alone in the Sleeping-sickness Country. By Felix
Oswald. Illustrated, 8vo, 219 pages. E. P. Dut-
ton & Co. $3. net.
PUBLIC AFFAIRS SOCIOLOGY AND ECO-
NOMICS.
Some Aspects of the Tariff Question. By Frank
William Taussig, Litt.D. 8vo, 374 pages. Har-
vard University Press. $2. net.
America to Japan: A Symposium of Papers. Ed-
ited by Lindsay Russell. With portrait, 12mo,
318 pages. G. P. Putnam's Sons. $1.25 net.
The Trust Problem. By Edward Dana Durand,
Ph.D. 8vo, 145 pages. Harvard University Press.
$1.25 net.
Government of the Canal Zone. By George W.
Goethals, U.S.A. Illustrated, 12mo, 107 pages.
Princeton University Press. $1. net.
A Message to the Middle Class Mind. By Seymour
Deming. 16mo, 110 pages. Small, Maynard &
Co. 50 cts. net.
The Negro. By W. E. Burghardt Du Bois, Ph.D.
" Home University Library." 16mo, 254 pages.
Henry Holt & Co. 50 cts. net.
THE GREAT WAR — ITS HISTORY, PROBLEMS,
AND CONSEQUENCES.
The Human German. By Edward Edgeworth. 8vo,
290 pages. E. P. Dutton & Co. $3. net.
America Fallen! The Sequel to the European War.
By J. Bernard Walker. 12mo, 203 pages. Dodd,
Mead & Co. 75 cts. net.
A Text-book of the War for Americans. Written
and compiled by J. William White, Ph.D. 12mo,
551 pages. John C. Winston Co. $1. net.
The Anglo-German Problem. By Charles Sarolea.
"American edition." 12mo, 288 pages. G. P.
Putnam's Sons. $1. net.
The Fight for Peace: An Aggressive Campaign for
American Churches. By Sidney L. Gulick, D.D.
12mo, 190 pages. Fleming H. Revell Co.
50 cts. net.
The Violation by Germany of the Neutrality of Bel-
gium and Luxemburg. By Andre Weiss; trans-
lated from the French by Walter Thomas. 12mo,
36 pages. Paris: Armand Colin. Paper.
ART AND ARCHITECTURE.
Sketches of Great Painters. By Edwin Watts
Chubb. Illustrated, 8vo, 263 pages. Stewart &
Kidd Co. $2. net.
Hermaia: A Study in Comparative Esthetics. By
Colin McAlpin. 8vo, 429 pages. E. P. Dutton &
Co. $3.50 net.
The House That Junk Built. By John A. McMahon.
Illustrated, 12mo, 188 pages. Duffleld & Co.
$1.25 net.
Roma: Ancient, Subterranean, and Modern Rome.
By Albert Kuhn; with Preface by Cardinal Gib-
bons. Part IX. Illustrated, 4to. Benziger Broth-
ers. Paper, 35 cts. net.
NATURE AND OUT-DOOR LIFE.
The Propagation of Wild Birds: A Manual of Ap-
plied Ornithology. By Herbert K. Job. Illus-
trated, large 8vo, 276 pages. Doubleday, Page
& Co. $2. net.
Trees and Shrubs Hardy in the British Isles. By
W. J. Bean. In 2 volumes, illustrated, 8vo. E. P.
Dutton & Co. $15. net.
The Call of the Open: A Little Anthology of Con-
temporary and Other Verse. Compiled by Leon-
ard Stowell. Illustrated in color, 16mo, 115
pages. Macmillan Co. 80 cts. net.
Modern Tennis. By P. A. Vaile. Illustrated, 8vo,
301 pages. Funk & Wagnalls Co. $2. net.
Castaways and Crusoes. Edited by Horace Kep-
hart. "Outing Adventure Library." 12mo, 294
pages. Outing Publishing1 Co. $1. net.
Our Mountain Garden. By Mrs. Theodore Thomas.
Second edition; illustrated, 12mo. E. P. Dutton
& Co. $1.50 net.
434
THE DIAL
[ May 27
The Gardcnette; or, City Back Yard Gardening by
the Sandwich System. By Benjamin F. Albaugh.
Second edition; illustrated. 12mo, 138 pages.
Stewart & Kidd Co. $1.25 net.
Outing Handbooks. New volumes: Practical Dog
Breeding, by Williams Haynes; Pistol and Re-
volver Shooting, by A. L. A. Himmelwright.
Each 16mo. Outing Publishing Co. Per volume,
70 cts. net.
BOOKS FOR THE YOUNG.
In Defence of Paris: An American Boy in the
Trenches. By Captain Allan Grant. Illustrated,
12mo, 256 pages. George H. Doran Co. 60 cts. net.
Miss Pat at School. By Pemberton Ginther. With
frontispiece, 12mo, 323 pages. John C. Winston
Co. 35 cts. net.
Canterbury Chimes; or, Chaucer Tales Retold for
Children. By Francis Storr and Hawes Turner.
Revised and enlarged edition; illustrated, 12mo,
227 pages. E. P. Button & Co. 75 cts. net.
MISCELLANEOUS.
The Limitations of Science. By Louis Trenchard
More, Ph.D. 12mo, 268 pages. Henry Holt & Co.
$1.50 net.
Advertising: Its Principles and Practice. By Harry
Tipper, Harry L. Hollingworth, Ph.D., George
Burton Hotchkiss, M.A., and Frank Alvah Par-
sons, B.S. Illustrated in color, etc., large 8vo, 575
pages. New York: The Ronald Press Co. $4. net.
Rhythmic Action: Plays and Dances. By Irene E.
Phillips Moses, B.L. Illustrated, 4to, 164 pages.
Boston: Milton Bradley Co. $1.80 net.
The Use of Money. By E. A. Kirkpatrick. " Child-
hood and Youth Series." 12mo, 226 pages.
Bobbs-Merrill Co. $1. net.
What Should I Believe? An Inquiry into the Nature,
Grounds, and Value of the Faiths of Science,
Society, Morals, and Religion. By George Trum-
bull Ladd, LL.D. 12mo, 275 pages. Longmans,
Green & Co. $1.50 net.
Growth of American State Constitutions, from 1776
to the End of the Year 1914. By James Quayle
Dealey, Ph.D. 12mo, 308 pages. Ginn & Co.
$1.40 net.
Startling Incidents and Experiences in the Christian
Life. By E. E. Byrum. With portrait, 12mo, 414
pages. Anderson, Indiana: Gospel Trumpet Co.
$1. net.
The Rural Science Series. Edited by L. H. Bailey.
New volumes: Citrus Fruits, by J. Eliot Coit,
Ph.D., $2. net; The Principles of Rural Credits,
by James B. Morman, A.M., with Introduction by
John Lee Coulter, Ph.D., $1.25 net. Each 12mo.
Macmillan Co.
A B C of Good Form. By Anne Seymour; with In-
troduction by Maud Howe. 16mo, 111 pages.
Harper & Brothers. 50 cts. net.
Everyman's Library. Edited by Ernest Rhys. New
volumes: Poems, by Ralph Waldo Emerson, with
Introduction by Charles M. Blakewell; Of the
Advancement of Learning, by Francis Bacon,
with Introduction by G. W. Kitchin; Brand, a
dramatic poem, by Henrik Ibsen, translated by
F. E. Garnett; Travels in France and Italy, by
Arthur Young, with Introduction by Thomas
Okey; Heimskringla, the Olaf Sagas, by Snorre
Sturlason, translated by Samuel Laing; British
Historical and Political Orations, from the 12th
to the 20th century, compiled by Ernest Rhys;
The Subaltern, by G. R. Gleig; Windsor Castle,
by William Harrison Ainsworth; The Story of a
Peasant, by Erckmann-Chatrian, translated by
C. J. Hogarth, 2 vols. ; Tales of Ancient Greece,
by George W. Cox; Rights of Man, by Thomas
Paine, with Introduction by G. J. Holyoake; The
Wars of the Jews, by Flavius Josephus, trans-
lated by William Whiston; Tom Cringle's Log,
by Michael Scott; History of the French Revolu-
tion, from 1789 to 1814, by F. A. M. Mignet, with
Introduction by L. Cecil Jane; De Bello Gallico,
and other commentaries of Caius Julius Csesar,
translated by W. A. McDeVitte; Essays, by
Thomas Carlyle, with Introduction by J. Russell
Lowell, 2 vols.; The Life of Robert Browning, by
Edward Dowden; Short Studies on Great Sub-
jects, by James Anthony Froude, Vol. II.; Poor
Folk and The Gambler, by Fedor Dostoieffsky,
translated by C. J. Hogarth; Dictionary Cata-
logue of the First 505 Volumes, arranged and
annotated by Isabella M. Cooper and Margaret
A. McVety; each 16mo. E.- P. Dutton & Co. Per
volume, 35 cts. net.
Yearbooks of the United States Brewers' Associa-
tion, for the years 1909, 1910, 1911, 1913, and
1914. Each 8vo. New York: The United States
Brewers' Association.
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A VERY IMPORTANT NEW BIOGRAPHY
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THE DIAL
[June 10, 1915
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Entered as Second-Class Matter October 8, 1892, at the Post
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Vol. LVIII. JUNE 10, 1915
No. 696
CONTENTS.
PAGE
A BULL IN THE EDUCATIONAL CHINA-
SHOP 445
FEEBOTEN. Z. M. Kalonymos 448
CASUAL COMMENT 450
Fifty years of the " Fortnightly." — Laxa-
tive literature. — Travesty in the form of
fiction. — The perils of playfulness. — A plea
for the revival of a moribund art. — The book-
reviewer's chief function. — The pride of
authorship. — Obstructive library laws. — A
new department of State archives. — A classic
author in his own lifetime.
COMMUNICATION 454
An Aggrieved Shakespearean Commentator.
Charles D. Stewart.
CROWDING MEMORIES OF A LITERARY
LIFE. Percy F. Eicknell 456
JUSTICE FOR THE INDIAN. Frederick Starr 458
TAGORE: POET AND MYSTIC. Louis I.
Bredvold 459
A SCIENTIFIC BAEDEKER OF THE WEST.
Charles Atwood Kofoid 461
EECENT FICTION. William Morton Payne . 462
Miss Van Vorst's Mary Moreland. — Merwin's
The Honey Bee. — Oppenheim's The Double
Traitor. — Thome's The Secret Service Sub-
marine.— Le Queux's At the Sign of the
Sword. — Mrs. Bradley's The Splendid Chance.
NOTES ON NEW NOVELS 466
BRIEFS ON NEW BOOKS 467
Studies in Chaucer and his times. — " The
mystery and the miracle of vitality." — New
light on the emotions. — Internationalizing
the Monroe Doctrine. — A contribution to
social betterment. — Wonders of the Rockies.
— Health control in the Tropics. — Determin-
ism and romance. — The universal appeal of
great art. — Woman's place in modern prog-
ress.— New edition 'of a handbook on India.
BRIEFER MENTION . . . 471
NOTES 472
TOPICS IN JUNE PERIODICALS .... 473
LIST OF NEW BOOKS .... . 474
A BULL IN THE EDUCATIONAL
CHINA-SHOP.
There lies heavily upon our table a pamphlet
in a neutral gray cover, containing nearly
a thousand pages — most of them in fine print,
— and bearing the innocuous title : " Report
upon the Survey of the University of Wiscon-
sin." This is not an ordinary official docu-
ment ; it is a most extraordinary one. May it
long remain unique! Democratic etiquette
requires that public linen shall be washed in
public. However decorous the arrangement of
the clothes on the line, the tout ensemble is
not inspiring. A considerable part of the
"Survey" relates to matters of University
housekeeping, — methods, accounts, forms, ap-
pliances, machinery, statistics; all this is no
concern of ours. The officials responsible for
the undertaking are "the State Board of
Public Affairs," composed of the Governor
and other prominent citizens. Their concise
report is a proper statement of the university's
policy, record, and management ; it is sporadi-
cally critical, but sane in criticism and com-
mendation. The facts speak adequately, and
reflect the usual wisdom interspersed with
myopic vision that makes educational history
in this overgrown country of ours. The mas-
sive bulk of the volume is the work of one
William H. Allen, Ph.D., the official surveyor.
The manner in which his inquisitorial task is
accomplished necessitates a copious comple-
ment of commentaries by various members of
the Faculty of the surveyed university. The
function of these commentaries is to set forth
the versatile fallacies and to correct the com-
prehensive distortions with which the "Allen "
report is saturated. Thus denatured, the
document to the discerning becomes inoffen-
sive by becoming ridiculous; and yet it re-
mains a tragedy in effect, a farce in execution.
When Dr. Allen's methods are vivisected by
shrewd and patient diagnosticians (whose
services at the least deserve a national monu-
ment) their barrenness is pitiable. A list of
thirty-seven things which the dean of the
graduate school of the much lauded University
of Wisconsin is not expected to do, is gravely
cited as a comprehensive arraignment of the
446
THE DIAL
[ June 10
incompetence and negligence of that officer,
"without evidence being presented that it is
desirable or practicable to do any one of the
thirty-seven things." Had the dean actually
subscribed to these thirty-seven articles, it
would have been adequate cause in the minds
of many to invite his resignation; and it is
fairly probable that had he been thus guilty,
these same " facts " of commission might have
been cited by another " Dr. Allen " as evidence
of the manner in which the dean wastes his
time. The justly despairing commentator re-
sorts to the deadly parallel: "Using the
method of Dr. Allen, it might be said: (a)
No attempt has been made to determine the
average size of shoes worn by professors";
or the relation of the color of their hair to
" efficiency of instruction," or of the color of
their eyes to " efficiency in research," — or
other deadly sins of omission more than seven
times seven. Under such irritation, sooner or
later, even the academic spirit rebels. On
page 197 we reach the verdict : " To resort,
for once, to the vernacular, this is rot." More
soberly expressed: "No statement of facts
and no conclusion or recommendation of Dr.
Allen can be accepted without verification."
" The intellectual life and the life of the spirit
are to Dr. Allen what a symphony is to the
deaf-mute or a sunset to the blind." " The
survey of the graduate school has been mainly
directed to its clothes rather than to the living
being beneath the clothes." Mis-statement,
mis-quotation, garbled reports, direct untruth-
fulness, insinuations, unwarranted implica-
tions, ignorant interpretations, mechanical
manipulation of statistics, are all charged
against Dr. Allen ; and with a ruthless frank-
ness, scathing in its charitable reserve, are
proved to the hilt. Even in the handling of
the naked sabre of statistics, the hand that
wields the weapon receives the wound. " If
Dr. Allen's computations are correct, more
than 90 % of the teaching of the college costs
less than 42 % of the salaries," a reductio ad
absurdum. In fact, so ignorant is Dr. Allen
of the meaning of numbers that he converts a
cold statistical statement that class-markings
follow the law of distribution of averages into
a deliberate intention on the part of the in-
structor to repress talent.
But enough of this superfluous exhibition of
the mischief that one stray bull in a china-shop
can do (and be paid handsomely for his havoc) ,
and to the point : Why are these things ? Is
the Allen report a rare and negligible patho-
logical specimen, or is it a significant symptom
of a prevalent disease ? How comes it that the
legislature of a great State subjects its great-
est institution to so unworthy and so futile
and so expensive a procedure? Why should a
body of scholars be harassed by 50-page ques-
tion-sheets, and distracted by an impertinent
and aimless " Survey " ? Why should a docu-
ment more voluminous than President Stanley
Hall's great two- volume work on " Educational
Problems" (to mention the most comprehen-
sive of recent contributions to educational
literature) be printed and circulated as Ex-
hibits A and B and C to Ampersand, of irrele-
vance and obliquity?
That " something is rotten in the state of
Denmark" is the ready conclusion. Well!
"Yes" and "No." Anyone acquainted with
the uncritical manner in which decisive steps
of this kind are taken will at once relieve those
responsible for the " Survey " of the charge of
any lack of good will, of appreciation of the
higher education, or of good judgment in
adjusting desirable ends to possible means.
Off-hand, it seems a good thing to take stock
and have an expert accounting. Such " goods "
come high, but their higher sanction is Econ-
omy with a capital E. And there's the rub!
Commercial-mindedness has so insidiously
eaten its way into the judicial fibre of the
American mind, that its workings have become
untrustworthy. So when a plausible man
comes along with a plausible scheme to test
the higher education, and reform its extrava-
gance, and tabulate it, and cost-account its
every item, and prune research and similar
luxuries, and introduce supervised instruc-
tion, and bring the plant up-to-date, and scrap
its inefficient professors, one person in author-
ity is impressed, a few more are acquiescent, —
and the scheme goes through. Of course there
should have been a watch-dog on the grounds
to indicate the true character of the intruder ;
but there was not, because as a people we do
not like alarmists any more than we like
"knockers," and we prefer to take our fore-
thought after something has happened. If the
University concerned had protested, charges
of interested motives and a fear of baring the
truth would have been promptly imputed. No
one expected this kind of a survey ; and it is
only fair to admit that so extreme a genius
for blundering must be unusual. It is hard
luck that the result is as preposterous as it
1915]
THE DIAL
447
turned out to be; but perhaps that is the
fortunate thing about it. If the Wisconsin
survey serves to prevent a similar profane
invasion of sacred territory, and thus to guar-
antee the peace of the academic world for a
reasonable period, the Wisconsin sacrifice will
not have been in vain. Yet it would be rash to
assume that this moral will be drawn univer-
sally ; and once more, there's the rub !
For down at the bottom of our hearts, where
convictions germinate, there is a suspicion of
learning, which will not easily be uprooted.
We are practical to the point of obsession;
which means that we lose sight of the most
obvious practicality in the world, in that we
insist upon results and are impatient of means.
But more than that: there has grown to im-
mense proportions the newer efficiency, that
puts forward method as a panacea, invents
"perfect" systems, and is absorbed in mechan-
isms and oblivious of purposes. It has made •
the business sense of the community, which
runs things, insensitive to values. This same
business sense accuses the professor of a lack
of practicality, and entirely overlooks that all
this alleged efficiency of beginning on the
stroke of the bell and quitting when the whis-
tle blows, and using all the class-rooms all the
time, and reducing the cost of unit-instruction
per student neurone, is just plain, bald, bare
assumption. There is not a fact or a shred
of evidence anywhere to prove that the most
important discoveries or the best educated
individuals come from institutions in which
these things are carefully looked into, and that
the neglect of them or reasonable attention to
them has differentiated one type of institution
from another. Then there is the peculiar in-
fatuation with facts dressed in modern tabular
attire, which the tailor assures you is the
"correct" thing. So the surveyor is con-
stantly insisting that he wants facts, facts,
FACTS. But Tie decides what facts he wants ;
assumption again. The size of the professor's
shoes is a fact, and is readily ascertained. It
has a glorious definiteness, and the curve of
distribution would admirably prove that pro-
fessors are not superior to, are not even differ-
ent from, other foot-geared mortals. The
relevancy of a fact, or the interpretation of a
fact, is to the, practical man merely an opinion,
not to be seriously considered. And that is
why he is so easily taken in by plausible pre-
sumption. He accepts labels for things, and a
record for the experience. Of course in his
own field he knows better ; he does not count
all his promissory notes as equally valid assets :
he has a pretty exact notion of what he can
collect.
And yet the mystery of these endless pages
of utterly useless misconstruction remains.
Are our universities really to be threatened
periodically by such futile absurdities ? What
will our foreign critics think of us ? It may be
a joke at home, where we make allowances;
but it becomes a shame abroad, where it travels
on its face value. And does any person in his
senses really believe that the cause of higher
education, or any worthy cause whatever, can
be advanced by industrious ant-hills of such
petty, carping, querulous, specious pellets of
inconsequence? Can the surveyor himself
believe in it ; or is it more charitable to regard
him as a fraud rather than a fool? If the
Wisconsin survey is to take its place in history
as an isolated case of an obscure mental dis-
ease, it does not much matter what the answer
may be. But if this sort of thing is going to
break out epidemically or sporadically, we
must find the antidote; and it may not be a
simple matter. For the decision to have sur-
veys rests with a small group of men ; and if
they are susceptible to the wiles of special
pleaders, there is little hope. It is well enough
to point out that for any one man to frame
thousands of questions, make hundreds upon
hundreds of recommendations on any and
every detail of a university's activities, deter-
mining off-hand that a foreign language is
unnecessary and so is military drill, that the
president should not be a member of the gov-
erning body, what students should pay for
board, how faculty meetings shall be con-
ducted and doctor's dissertations written, and
so on endlessly, — that all this is a colossal
piece of impudence, which would indicate
exactly the type of man you are dealing with.
But the fact remains that when once the offi-
cial inquiry takes this form, there is no ma-
chinery available for stopping it, short of the
threat of resignation of the entire Faculty, —
and who ever heard of professors acting col-
lectively? The law provides; the money is
spent ; and the report goes forth.
It would be possible to introduce a vaccina-
tion) campaign in any educational area in
which the efficiency germ is likely to find a
favorable culture-bed; the operation has a
good chance of "taking" and conferring a
temporary immunity. The only permanent
448
THE DIAL
[June 10
protection is in the way of a wide-spread and
deep appreciation of the needs of the educa-
tional provisions for public welfare. How-
ever spasmodic and uncertain our educational
efforts, they have proved adequate to safe-
guard cultural interests. The private institu-
tions, with their capacities to mobilize their
alumni reserves, are fairly safe from attack.
The State institutions find their vulnerable
point in the legislative plexus. The demo-
cratic test is a peculiar one: it insists that
every proposal must be capable of convincing
a lay jury of its wisdom and necessity. The
mentality of that jury is the critical issue;
also the attitude in which it is encouraged or
permitted to approach its authoritative dis-
pensations. Political authority unquestion-
ably includes the right to meddle with things
imperfectly understood, and to override the
judgments of those by attainment especially
conversant with the delicate interests of the
higher education. Whether that dubious privi-
lege shall be exercised depends upon the
practical conception of the purpose of the
political instrument. The responsibility goes
back to the universities themselves. They
must decide whether they have remained true
to their trust, or in a spirit of compromise
have bartered their birthright for a mess of
pottage; they must examine whether the con-
ception of a university which they have de-
fended has encouraged unwise interference,
and provoked the use of the legislative blud-
geon. For there the efficiency promoters and
the energetic grinders of axes and the childish
nursers of private grudges find sympathetic
response. It comes with a sense of shock that
such undesirable forces should be able to
assert their powers and weaken, even under-
mine, the foundations of our highest inter-
ests. Possibly this ponderous monument of
the folly and the danger of such a policy may
lead the reflective to ponder. For the Allen
mausoleum, in view of the transitoriness of
mundane things, the epitaph is easy to select :
"Verily this is rot." But as a constant re-
minder of the watchfulness that is the price of
educational safety a more stable and a more
spiritual conscience and consciousness are
indispensable. After every political cam-
paign we learn that once more, and however
the election turns, the country has been saved.
The saving forces of the educational interests
will rally to the charge.
VEEBOTEN.
It is Sunday. We are five at dinner, talking
of the sinking of the "Lusitania," and our
voices are subdued. One of us is a German, a
teacher of German, an interpreter of Germany
to America. Another is of German stock ; his
ancestors had come to the United States after
'48, leaving a brother dead in the fight for
freedom. The third is a Jew, German-born
and wont on occasion to tell us that he was
made in Germany and improved in America.
The fourth is pure American, of Puritan stock,
the dean of our group. He is old enough to
be the father of the oldest of us ; his choice of
us as table-mates we regard as a great compli-
ment. We defer to him in all our disputes, to
his humor and to his experience. He is largely
German-trained, a great lover of Germany,
particularly of Gottingen, where he had stud-
ied ; now and then he would tell us charming
stories of his student-days. Of recent years it
was his custom to return to Germany every
summer.
This day our talk has been less certain and
less frank than is our custom. We have been
skirting the edge of the topic, dwelling on the
pity of it. We all exhibit strain, as in a house
of mourning; silences, eloquent with tension,
fall too often. At the end of one of these
comes the voice of the Jew, low, but no longer
hesitant, as if he has determined to cut through
our reservations.
"You know how I have always tried to
explain, to explain away. But this time' —
when I read the paper I could n't believe it at
first, and when I found I had to I felt a rush
of anger, I wanted to crush that submarine-
captain in my two hands, — to break him in
halves. At home I found my weekly ' Staats
Zeitung.' The next thing I knew half of it
was on the floor under my feet, the rest
twisted to pieces in my hands. I was crying
inwardly, God punish Germany ! "
In the silence that followed we could hear
the German's breathing. He opened his mouth
once or twice, but did not say anything. He
was very pale. Finally he burst out.
"You, — you! But what is the use? You
do not understand, — you cannot understand.
I know what you all think, you, my friends.
You have thought it from the beginning.
Nothing that we may say or do will make you
think otherwise, though we have pleaded and
conceded and humbled ourselves for your
American friendship, — yes, even intrigued
for it. But you also are in the league against
us, the chief bulwark of our enemies. Here
are you four — all German-born or German-
trained, — yet I know from his silence that
1915]
THE DIAL
449
even Kurt here, who bears the name of an
uncle who died for a free Germany in '48, —
even Kurt has condemned us. And Jacob, —
you heard what he said. He forgets what his
own people are suffering at the hands of the
Poles and the Russians. He forgets that it
is also their battle we are fighting, quite as
much as our own, — the battle of civilization
against barbarism. And he wrants us crushed
for a fair act of war! But, I ask you —
what could we do? "We are fighting for
our national life, against overwhelming odds
alone in the centre of an iron circle of ene-
mies whose one grievance against us is that
we are prosperous and civilized. We did not
want war; we do not want war. We are the
most peaceful people in Europe, hard-work-
ing, studious, devoted to the ideal, to the bet-
terment of mankind. Our one crime — which
you call militarism — is self-defence. Only
yesterday you took your ideals and standards
from us, — from our educational system, from
our industries, from our arts, from everything.
You sent your young men to study in our uni-
versities and to learn our ways. You copied
our scientists and philosophers. If you had
been able, you would have copied our civic
organization and social and economic methods.
Your travellers and your scholars praised us by
word and by pen. And now — what has hap-
pened? Have we changed over-night that you
should call us Huns and barbarians and
makers of war on women and children ? It is
absurd ! We are the same as we always were ;
the war has made no difference in us. We
have broken no law. We have hurt none whom
we could save. We have merely defended our-
selves. You would allow a dog fighting for his
life against a pack of wolves greater freedom
than we have taken for ourselves."
He rose and left us before we could stop him.
After a pause the Jew said : " There is some-
thing in that. Our turnover has been com-
plete. I suppose because the contrast between
the German at war and the German in peace
is so violent that both can't be real."
"Hold on," said the Yankee. "I am not
sure that the violence of the contrast doesn't
mean that both must be real."
We looked our question.
"Well, here is what I mean. You've both
read Bedier's collection of citations from the
diaries German soldiers are required to write
— his Crimes allemands ? I daresay your im-
pression was the same as mine: the general
mood of Bedier's evidence implied more than
the mere execution of the ' orders of the day ' —
a willingness, a kind of joy, a gloating."
"No, no," expostulated the German- Amer-
ican.
" Yes, Kurt, like a hungry man's when he's
eating, or better, like a child's, free at last
from the restraints of school."
" I don't understand," said Kurt rather
coldly.
"I'm afraid not. Perhaps I don't under-
stand, myself. But man and boy, I have
known Germany for over forty years. I was
one of the earliest of the Americans who went
over there to study, and I have been there
since repeatedly. I have seen the change of
the old Germany into the new as it came. You
might sum it all up by the word Verboten.
" You see, the Germany I first knew was the
Germany of your grandfather, Kurt, and it
wasn't very different from the Germany of
your great-grandfather, — a pleasant, sleepy,
dreamy country, rather messy, very indus-
trious, very pious, sentimental, and most
awfully wordy. People were not concerned
about government, except when they made a
holiday and the guard turned out. Whatever
you called the form of government, there was
a great deal of personal and social freedom.
You went where you pleased, and did what
you pleased; you didn't have to have pass-
ports, nor get out of the way of the military.
Life was easier than it was here, but essentially
as democratic. You were certain, as, save for
the wordiness, nowadays you can't be, of ex-
actly what people meant when they called
Germany a nation of poets and philosophers.
Germans have always exhibited a curious as-
surance that the Lord is with them, and that
their will is His. It did n't particularly matter
what they did, — they always had a system of
philosophy to prove that it was inevitable, that
the Universe meant that and nothing else.
Think of Kant with his obligatory moral law
' within.' Think of Fichte with his metaphys-
ical demonstration that the German people
were intended by the Lord to be a cultured
nation. What is the whole romantic movement
but an eristical exhibition of how the uni-
verse conspires with the romanticist's whim-
sies? I remember reading an article by some
American professor about the compensatory
nature of ideas. I gathered that some sort of
law operates which keeps men neutralizing un-
pleasant facts with pleasant fancies, — ideas
in dreams, ideas in art and literature, ideas in
philosophy. They sort of balance our accounts
with the universe, our wishes taking notes on
the unseen and the non-existent for the visible
existing world's failure to pay. When roman-
tic idealism flourished in Germany there were
hundreds of small states and an infinite deal
of local color. I suppose that the barren ex-
panse and logical rigor of that way of think-
ing,— a way of thinking which makes all
450
THE DIAL
[June 10
things the same as your Absolute self, — was a
compensation for the pleasant grubbiness and
provinciality and disorder of the actual daily
life. It is all the same in the Absolute."
" But what has all that to do with the war
and Verboten and f rightfulness ? " interposed
Kurt.
" Why, this. So long as the Kantian ' moral
law ' was ' within/ so long as the Absolute was
an obligation in idea, it was a word, an ideal,
and conspired with the individual to keep him
free, expanding his imagination and saving
him from provincialism. But thanks to Hegel,
the word was made flesh and dwelt on earth ;
the ideal became an idol."
"To Hegel?"
" Yes. Do n't you remember the peroration
of his philosophy of history ? It describes the
Prussian monarchy as Absolute Reason incar-
nate,— identifies it with the highest perfection
which rational evolution, as history, could
attain. Conservative, orthodox, wordy, and
pro-Prussian, Hegel is the real master of
Treitschke. Of all the consequences of his
teachings — and they are legion — modern
Germany is thus far the most efficacious. His
way of thinking dominated Europe for two
generations. It was the official philosophic
orthodoxy of my student days, approved by
the powers that be because it made them the
Absolute's local habitation and name. It justi-
fied things as they were. It rationalized
acquiescence in Prussian aggression between
'60 and '80, and made easy the complete Prus-
sification of Germany in the '80s. There had
been, for various reasons, an interval of over
twenty years between my first and second jour-
ney to Germany. I have since returned there
every summer ; but the shock of that first re-
turn repeats itself. The picturesque dirt and
the jolly disorderliness were gone ; streets were
clean and policemen plenty. The simplicity,
the kindliness, and the democracy were gone ;
the freedom of movement was gone, so was,
really, the freedom of thought. The universi-
ties and schools had been centralized; ad-
vancement was dependent upon a ministry to
whom your teaching must be satisfactory ; and
if you were heterodox on any matter remotely
connected with politics there was no hope for
you. Everything else was like that, too, — the
press, commerce, the church. And the police-
system, — passports, surveillance, reports ! On
all sides you were hemmed in with taboos, and
if you expostulated you were met with an
inexorable Verboten. All you could do was to
swear — in the privacy of your bedroom, — to
kick the cat, or to get drunk. Verboten was
the moral law, the absolute reason, turned into
a visible and audible fact.
" The new generation which had grown up
with it had grown up swearing, kicking the
cat, getting drunk; the present generation is
doing the same thing on the battlefield — in a
more exaggerated way, but the same thing.
The new art, the new literature, the new
eroticism and individualism, these are but the
relief of swearing, the expression in idea of
these traits which the Prussified social and
political order repressed in fact. Transcen-
dental Egotism has given way to personal
selfishness, to bumptiousness, to vanity ; senti-
ment and piety to subtle brutality toward
women and to formalism in religion; social
responsibility to intense individualism and
rivalries, most marked, perhaps, in academic
circles. Year by year, as I returned, I found
these things intensified as the ' moral law '
became more 'objective' and Verboten more
effective. Absolutism in fact had led to anar-
chism in ideals: Germany was swearing and
kicking the cat and getting drunk to beat the
band. You know how the present generation
swears by Nietzsche. And you know — the
Schrecklichkeit."
"But," interposed Jacob, "isn't Nietzsche
himself a cause of the Schrecklichkeit?"
"Nonsense. Nietzsche was nothing if not
an individualist. He had no use for the State.
If young Germany has turned to him, it is by
way of compensation. Like the atrocities, his
hold on young Germany's imagination is an
effect, not a cause. He supplies young Ger-
many with what Mr. Robert Chambers sup-
plies the shop-girl, — a vicarious realization of
repressed desire. The cause is the repression
exercised by the ' moral law within ' turned
into an outer fact. The cause is Verboten."
Z. M. KALONYMOS.
CASUAL COMMENT.
FIFTY YEARS OF THE "FORTNIGHTLY," the
review that professes by its name to appear
every two weeks, and did so for a year at its
start, but has ever since unblushingly belied
its title by coming out monthly, have been
rounded out with proper acclaim, and the
publication starts on its second half-century
under notably favorable auspices. It is not.
by the way, the first English periodical of its
sort to be guilty of a certain absurdity in the
matter of title. There was, for instance,
" The Prospective Review," called into being
ten years earlier by James Martineau and
others, and not unnaturally made the target
for some good-natured jibes by reason of the
contradiction in terms conspicuous in its
name. As the jubilee of the review now con-
1915]
THE DIAL
451
ducted by Dr. Courtney is duly celebrated in
the pages of that review, the reader is referred
to those entertaining and instructive pages,
to which it may be pertinent to add an appre-
ciative word concerning its editor by a fellow-
Oxonian. In his " Twenty Years of My Life "
Mr. Douglas Sladen writes : " But of all the
men who were at Oxford with me, no one has
been so prominent, then and now taken to-
gether, in intellectual circles as W. L. Court-
ney. Courtney was then a rather young New
College don, who had the distinction of being
married to an extremely smart-looking wife.
That would have been a distinction by itself
in the Oxford of that day, for few were mar-
ried in a way suitable to impress under-
graduates. Added to that, he cut the most
eminent figure in athletics of any don in
Oxford. He was the treasurer of the Uni-
versity Boat Club, while the dons respected
him as the ablest man in Oxford at philoso-
phy. . . His influence on literature has been
immense. He has stood for the combination
of scholarliness and up-to-dateness. His own
books range from essays on the verge of fic-
tion to some of the most important works on
philosophy published in a generation. Inci-
dentally, the creator of Egeria is our best
dramatic critic, and a writer of plays."
Noteworthy is the fact, vouched for by Mr.
Courtney, that his review has gained rather
than lost in circulation since the outbreak of
the war and the consequent increased vogue
of the daily newspaper. Repeatedly, he says,
the "Fortnightly" has of late gone out of
print on the fourth or fifth of the month;
and a similar experience is reported by other
London monthlies of like standing. Evi-
dently the daily journalist's snap-shot views
of current events do not suffice for all readers.
• • •
LAXATIVE LITERATURE is both a cause and an
effect of that general slackness and flabbiness
that characterize, in varying measure, the im-
perfect human nature of us all. This atonic
quality in American literature and life re-
ceives a sharp castigation at the hands of Mr.
Owen Wister in an article entitled " Quack
Novels and Democracy," which holds the place
of honor in this month's "Atlantic." Espe-
cially severe is he upon those present-day
fiction-writers of whom he selects Mr. Harold
Bell Wright as a typical example, upon the
five million eager readers of such fiction, and
upon that far more inclusive class of Amer-
icans whom our Secretary of State is thought
by Mr. Wister to represent. Slackness, heed-
lessness, happy-go-lucky muddle-headedness,
addiction to cheap sensationalism, a bland con-
tent with sounding words and pretty phrases
in place of disagreeable truths and stern reali-
ties, and a general condition of self-complacent
sloppiness — these, or something like them, it
appears, are conspicuous among our faults
both as writers and readers and reviewers of
novels, and as citizens of a supposedly self-
governing State. The quack-novelist finds five
million mouths watering for his " mess of mil-
dewed pap," and the quack-statesman easily
commands many more than five million elec-
tive votes. Our people revel in sham, and
assiduously cultivate a squint to avoid seeing
the truth. Dr. Edward Garnett's notable deliv-
erance of six months ago on American fiction
is made the text for some remarks not exactly
flattering to most of those who write, those
who read, and those who review, our works of
fiction. Timidity and lack of discrimination
are charged against the literary reviews, of
which the more respectable " stand ever ready
to be the first to hail a perfectly ivell established
artist." The view of Mr. Bryan upon which
is premised so much of Mr. Wister's article
seems to us quite unjust and unwarranted, as
are also his sneers at the very few American
periodicals (most of which he mentions by
name) that have at least endeavored to main-
tain discriminating standards in the appraisal
of current fiction. Occasionally in his article,
also, Mr. Wister proves that he is by no means
an infallible critic himself, — as in his aston-
ishing remark about Mr. Galsworthy's " The
Dark Flower." But, in the main, his whole-
somely harsh utterances ought to be, and must
be, in some degree, tonic and bracing and
curative. ...
TRAVESTY IN THE FORM OF FICTION is a legiti-
mate variety of literary art, and is never liable
to the severity of censure visited upon travesty
that purports to be history or biography or
travel or some other species of serious prose
composition. Nevertheless, when the novelist
puts forth a burlesque or a distortion in such
wise as to cause it to be accepted seriously as
something other than it is, he is guilty of a
kind of disingenuousness, to say the least, that
may stir just resentment. Such resentment
has already been noted in these columns on the
part of certain critical Irish readers of Canon
Hannay's imaginative portrayals of life and
character in his native Ireland ; and now there
comes to notice, in the Dublin "Leader," an
outspoken though not intemperate protest
against the caricatures that this popular writer
(known to his readers as " George A. Birming-
ham ") has put his name to, more especially in
some of his later books, as pictures of men and
manners in the land of the shamrock and the
shillelah. "Mr. Birmingham," complains the
452
THE DIAL
[ June 10
critic, " albeit guiltless of the coarse misrepre-
sentations of the past, has contrived to revive
the expiring tradition of the Irishman in cap
and bells, with enough wit to entertain others
and insufficient to discharge his own obliga-
tions. At the very moment when, having
almost overwhelmed this preposterous tradi-
tion, writers and dramatists and poets were
conspiring to replace it by the industrious
and attractive circulation of the truth, there
broke in upon their patriotic efforts Mr. Bir-
mingham's company of comedians. Their
appearance was doubtless agreeable to Mr.
Birmingham's pocket, but it has been singu-
larly misfortunate for his reputation and for
the dignity of his country's literature." Re-
gret is expressed for " the degradation of Mr.
Birmingham's art by the conscienceless de-
mands of the English fiction market," and the
writer laments the "long descent from 'The
Northern Iron ' to ' General John Regan,' and
from so carefully written a book as ' The Seeth-
ing Pot' to the pot-boiling comicalities of
' Dr. Whitty.' " One can understand and can
sympathize with a tendency to yield to the
temptation to be highly entertaining and pro-
portionately successful, commercially, rather
than to be less entertaining and less success-
ful; but the stern morality of the matter
teaches that 'tis a writer's perdition to be
popular when for the truth he ought to be
unpopular.
THE PERILS OP PLAYFULNESS, whether of the
pen or of the tongue, lurk unsuspected on
every hand. " Set a watch, 0 Lord, before my
mouth; keep the door of my lips," should be
the humorist's constant prayer. Grown per-
sons who jest in the presence of children do so
at their own risk. The comptroller of stamps,
at that historic party in Haydon's rooms,
whose " phrenological development " Lamb so
earnestly desired to inspect, will stand as the
type of man before whom it is dangerous to be
other than altogether serious. Carlyle, it will
be recalled in this connection, had little relish
for lighter humor of the Elian variety. To
him Lamb's talk was "contemptibly small,
indicating wondrous ignorance and shallow-
ness," and there was " a most slender fibre of
actual worth in that poor Charles." But be-
tween Lamb and any Scotchman there never
was much love lost. Not long ago there
chanced to be printed in this department a
paragraph ending with the phrase — not in-
tended to express an everlasting truth, but
penned in lighter mood and, moreover, put
into the mouth of a hypothetical man of let-
ters— "the pen is mightier than the plough."
An esteemed contemporary (the hackneyed
term is used here without sarcasm), from
whom better things had been looked for, most
unexpectedly and surprisingly pounced upon
this little alliterative effort, censured with
ponderous gravity the supercilious perpetrator
of so wanton an injury against a worthy indus-
try, magnanimously instructed him in his igno-
rance that what he was dimly groping for in
his comparison was the sword and not the
plough, and delivered quite an improving lit-
tle sermon on the usefulness and the dignity
of agriculture. Not unnaturally, this stirred
a desire to take candle in hand, as was done by
Lamb on the occasion above mentioned, and,
approaching the defender of the honest farmer,
to accost him with the gentle humorist's polite
request, " Sir, will you allow me to look at
your phrenological development ? "
• • •
A PLEA FOR THE REVIVAL OF A MORIBUND ART,
the art of reading aloud, was not long ago
persuasively made by Mr. Benjamin Ives Gil-
man, Secretary of the Boston Museum of Fine
Arts, before a gathering of Massachusetts
librarians ; and his words have now achieved
the permanence of print in the " Bulletin "
of the Massachusetts Library Club. Mr. Gil-
man suggests that a "docent service" be
added to the public library's equipment, sim-
ilar to the docent service inaugurated at the
above-named museum eight years ago and
since widely adopted in other museums both
in this country and in England. Personal aid,
free to all, in the appreciative study of its art
works is furnished by the museum, greatly to
the visitor's profit and pleasure; and it is
argued that a similar docent service in the
library, consisting chiefly of the viva voce
interpretation of great authors in their noted
books, would help to make those authors, now
too much neglected, alive and real and full of
meaning to the library-users. The details of
the scheme would have to be worked out with
thought and labor and the instruction of expe-
rience. On this head Mr. Gilman says, among
other things : " It would evidently not be ad-
visable to add the duty to the burdens, already
heavy, of the library force itself. Readers
should in general be chosen from outside the
staff as a regularly accredited corps of assis-
tants. To read aloud well is not a talent given
to many; and the choice of the corps would
present difficulty. To those well fitted it
would afford a new means, if not of livelihood,
at least of adding to their earnings ; but great
care would be needed to ensure that the reader
should have a good voice, a pleasant delivery,
and an intelligent and appreciative grasp of
the particular work to be read." To his fur-
ther pertinent remarks he might have added
1915]
THE DIAL
453
that this proposed decent service is but the
logical extension of the already tried and ap-
proved children's-story-hour service, though
whether the addition is practicable or on the
whole advisable still remains to be shown.
• • •
THE BOOK-REVIEWER'S CHIEF FUNCTION is re-
viewing books — a useful platitude lost sight
of by the would-be reviewer who writes essays
or diatribes or sermons or rhetorical treatises
or philosophical disquisitions in the guise of
reviews. A faithful portrait of the book, as
Mr. Eobert Lynd emphatically insists in a
recent article on " Book-Reviewing " in " The
British Review," is what is primarily de-
manded of the reviewer, not his personal
likings or dislikings as aroused by the author.
But, like a good portrait of a person, this
representation of a book's distinguishing quali-
ties should be something more than an inven-
tory of attributes, a table of measurements, a
rogues'-gallery record of individual peculiari-
ties; the vitalizing touch must make itself
felt, the creative instinct should find play,
even in so seemingly mechanical a task as
reproducing in epitome the main features of
a popular novel or a collection of essays or a
work of history. This vitalizing touch can in
many instances be attained by a discriminat-
ing use of quotation and anecdote, by a suffi-
cient admixture of the concrete example with
the abstractions of literary criticism. But
above all, as Mr. Lynd well urges, let the
reviewer present the purpose or motive of the
book, and indicate as clearly as possible how
far that purpose has been attained. If the
author's object is to justify matricide, no mere
iteration, on the reviewer's part, of the sacred-
ness of the maternal relation, will constitute a
review of the book. In other words, a due
measure of self-suppression is of superlative
importance in book-reviewing, as in every
other worthy form of human activity.
• • •
THE PRIDE OF AUTHORSHIP shows itself un-
abashed in some authors, tries ineffectually to
conceal itself in others, makes the same at-
tempt with better success in still others, and
is entirely unknown to the remainder — so
few in number as to be virtually negligible.
Probably no eminent author has ever dis-
played with more delightful frankness this
species of self-complacency, which after all
need be no more than a certain legitimate and
desirable measure of self-respect, than the
amiable Autocrat of the Breakfast Table. A
characteristic anecdote about him is told by
Mr. Douglas Sladen in his " Twenty Years of
My Life" (which is reviewed on another
page), and it will be new to most readers.
Contrasting Meredith's dislike to be made the
object of gushing compliments with Dr.
Holmes's smiling submission to the same in-
fliction, Mr. Sladen tells of a lady whom he
introduced to the affable American author,
and who opened the interview thus: "It
must bore you terribly, Dr. Holmes, to have
everybody who is introduced to you telling
you how they admire your books." " On the
contrary," was the gallant reply, " I can never
get enough of it. I am the vainest man alive."
On the same occasion, the English chronicler
adds, Dr. Holmes told him that he had been
unable to do any literary work (except his
"Hundred Days in Europe") for years, be-
cause all his time was taken up with answer-
ing complimentary letters.
• • •
OBSTRUCTIVE LIBRARY LAWS are worse than
none. The Illinois Library Extension Com-
mission calls attention, incidentally, in its
latest Report, to certain provisions of the
public library law of this State that might
advantageously be repealed or amended. For
instance, under the existing law the largest
unit that may levy a library tax is the town-
ship ; but there are seventeen counties in
Illinois that have no township organization,
and that have no villages large enough and
wealthy enough to maintain libraries, so that
the inhabitants, outside the cities having pub-
lic libraries, are dependent on the very inade-
quate travelling library system for most of
their reading matter. A county library law
is needed, and is asked for; also a law, analo-
gous to that governing the township high
school, which would permit adjoining town-
ships to unite for the support of a library.
This would especially aid villages situated in
parts of two townships and unable under pres-
ent restrictions to maintain any sort of public
library, whereas the combined resources of the
two adjacent townships would suffice for the
purpose. At the time of the issue of the
Report hope was entertained that legislative
action in the desired direction might soon be
taken.
• • •
A NEW DEPARTMENT OF STATE ARCHIVES is
one of the by-products of militarism in Ger-
many. With characteristic thoroughness the
government has organized a " film corps " to
procure cinematographic records of current
military operations. Though some of these
films will contribute to the edification of the
masses, as represented by the frequenters of
the moving-picture theatres, many will go to
swell the " film archives," already numbering
more than two thousand " reels." This graphic
record of battles and other events and aspects
THE DIAL
[ June 10
of the war is a thing wonderful in itself, how-
ever fraught with lamentable significance, and
points the way to future and worthier uses of
the same method of preserving for all time
(barring accidents) history in the process of
making. Incidentally, the need will be em-
phasized of fireproof buildings for archive
purposes, unless some material indestructible
by fire shall take the place of the present
inflammable film.
• • •
A CLASSIC AUTHOR IN HIS OWN LIFETIME,
President Wilson has the gratification of
seeing one of his carefully prepared and de-
servedly admired speeches adopted for educa-
tional use as a model of choice English in the
public schools of Philadelphia. The address
in question is the one he delivered on the
tenth of May before an audience of newly
naturalized citizens in New York. From the
reported utterances of Philadelphia school-
teachers it appears that this action on the
part of Superintendent Jacobs has been heart-
ily applauded. Cheerful acquiescence at the
White House is to be taken for granted, since
next to the writing of a nation's songs the
privilege of contributing to its school reading-
books must be held in high esteem ; and when
the contributor also assists very conspicu-
ously in making that nation's laws, what a
piling up of honors do we behold !
COMMUNICATION.
AN AGGRIEVED SHAKESPEAREAN
COMMENTATOR.
(To the Editor of THE DIAL.)
In a review of my book, " Some Textual Diffi-
culties in Shakespeare," published in your issue of
April 15 last, the writer repeatedly holds me up to
scorn for referring to Nerissa as a " maid " in the
sense of being a lady's-maid or household subordi-
nate. If there is a reader of THE DIAL who does
not know that this was Nerissa's position, let me
suggest that before accepting the statements of
this abusive review he refresh his memory by
turning to some good commentator on Shakespeare
or else by reading the play itself. The lines in
question are as follows:
" My eyes, my lord, can look as swift as yours;
You saw the mistress, I beheld the maid."
Shakespeare works by apposition — mistress —
maid. Now if, as your critic claims, Nerissa is
being referred to merely as an unmarried woman,
and if she is not a household subordinate at all,
then we have got to take the word applied to
Portia in an apposite sense. We then have the
lovely Portia being referred to as a " mistress " in
that sense while she was as yet unmarried!
As a matter of fact, your critic is so wholly
engaged in finding fault with me, in four pages of
vituperation, that he entirely fails to see the ridic-
ulous straits into which his efforts are leading him.
If he had any ability to read a line of Shakespeare
this would have been impossible — even though he
had never read the play.
He says there is " no excuse " for my taking
Nerissa to be a " maid " in the sense that I do.
Let us refer him to " Familiar Talks on Some of
Shakespeare's Comedies " (Boston, 1897). "Nerissa
is a lady-in-waiting but somewhat kitchen-minded."
Or again : " Nerissa, her lady-in-waiting, is quick-
witted, kindly, and deeply attached to the sweet
heiress, but throughout we feel her inferiority of
nature to be greater than her inferiority of posi-
tion." Everybody knows that.
True enough, Nerissa was a woman of quality,
but this did not prevent her from serving in such
a position to the rich nobleman's daughter. As to
my "excuse" for calling the woman of quality a
"maid," I must point out that it is Shakespeare
who chose the word. Your critic is finding fault
with Shakespeare. All his fine scorn must apply
to the Bard of Avon and not to me.
He is equally wroth that I should call Gratiano
Bassanio's " man." He will not allow a nobleman
to be so traduced. But look at the above lines,
where Gratiano addresses Bassanio as " my lord."
Your critic evidently thinks that these words refer
to Bassanio merely as a nobleman, and that Grati-
ano was equally a lord. Does he not know that
Bassanio took Gratiano along and paid his ex-
penses? In fact, it is necessary to the whole struc-
ture of the play that these two lovers, Nerissa and
Gratiano, should be subordinate to the mistress and
master who were the principal lovers. Your critic
not only does not understand the Shakespearean
vocabulary but has no appreciation of the plot.
Possibly, too, your readers would be interested
in the following. The critic says, in summing up
his view of one of my solutions : " It is a pity that
our author has omitted to specify to an admiring
world in what respect a bullet or leaden messenger
of death is invulnerable and unconquerable." The
chapter he refers to, which occupies but three
pages, is wholly engaged in showing, in as plain
English as I know how to use, that it is the air
which is unconquerable, invulnerable. I would not
think of making such a claim as he attributes to me.
It would be ridiculous. Is not the following plain
English : "And so ' still-peering air ' regards the
atmosphere as always and ever the equal of these
leaden missiles of war — inconquerable, invulner-
able " ? As I have said, the chapter dealing with
this crux occupies but three pages, and it makes it
plain that I am referring to the air as invulnerable,
even though the above quoted sentence were not
clear. Cannot your critic read the chapter he
criticizes ?
In dealing with one of my notes on " Hamlet,"
this critic says : " We challenge Mr. Stewart to
name a single editor, critic, or commentator who
gives the above paraphrase of the Captain's words."
He is referring to my own interpretation or para-
phrase. This is a peculiar remark to make about
a book whose only object is to submit original inter-
pretations. In other words, I write a book on those
famous cruxes which have baffled commentators for
1915]
THE DIAL
455
nearly two centuries, and I submit solutions which
I think will clear up the difficulty. All solutions
in the past have failed to satisfy, therefore I take
up the work. Necessarily, if I am to satisfy the
minds of commentators, it must be with some new
insight. It would be folly for me to submit any of
the stock theories which have all proved futile.
And submitting such a solution I am met with the
challenge to show that any other commentator had
ever submitted the same interpretation ! I should
say not! It would be more in keeping for me to
challenge Mr. Tannenbaum, the reviewer, to prove
that anyone ever had. I do not understand the
type of mind that feels called upon to write this
sort of book reviews. This Mr. Tannenbaum, about
whom I know nothing, " challenges " me. Why
challenge me? It is a critic's function simply to
review a book.
Besides convicting me of " unwarranted cock-
sureness " and " longwindedness " and "juvenility "
and " contempt," and using almost every sort of
sarcasm and opprobrious epithet that could be
worked into a four-page review, he speaks of my
" overloud thunderings in the index." As a matter
of fact the little book has no foreword or preface
or introduction of any kind. The index is simply
two and one-half pages of alphabetically arranged
reference to characters and subjects in the plays.
The review is very misleading; and it is so full
of error that I could hardly straighten it out in a
reader's mind if I were to take twenty pages of
THE DIAL. The best answer I can make to the
critic's challenge is the following: The book bears
the imprint of Yale and of Oxford, and is issued
under the sponsorship of the Elizabethan Club of
Yale. The Yale Press, of Yale University, gave
the solutions three months of painstaking consid-
eration. It was referred to Yale by the most
eminent authority at Harvard — which had not yet
established its press. Previous to that, some of the
solutions had been favorably commented upon by
Shakespearean authority in New York. And not
one of these do I know personally, nor have I ever
met them.
Your critic says, in accounting for my astound-
ing presumption in explaining these cruxes, that
I was probably led into it by " the ill-advised
flattery of friends." As a matter of fact I have
lived for eight years three and a half miles from
even the smallest town on a lake in Wisconsin. I
do not belong to a literary club nor have any
literary associations; nor was I, during the time
I was devoting to Shakespeare, in contact with
anyone capable of advising me or offering me any
encouragement. And all the letters I received from
publishers in the east discouraged and advised
against my attempting such a work. It was re-
garded as impossible ; and a work that would pay
no profit under any circumstances. I mention this
as showing how greatly a critic like Mr. Tannen-
baum can be mistaken in passing upon authors.
As to my presumption in undertaking explana-
tions in which all critics have failed. The first
solution which I made in " Hamlet " has already
changed the text of that play. I refer to Polonius's
reply to the King in II., 2, 45. I changed the
wording in that line, explaining the reason ; and
Professor Neilson, of Harvard, whose "Cambridge "
edition is recognized as the latest product of
Shakespearean scholarship, asked my permission,
through his publishers, to adopt my change in the
line in " Hamlet." In rendering it as I do, and
according to the First Folio, I am differing with
every editor or commentator for two hundred
years. But if my explanation at last makes the
sense plain, and it is gladly adopted, am I to
refuse to do such work simply because it is " pre-
sumptuous " to differ with others? Such a work
as this will never pay in money; and very slowly
in fame. Criticism can neither hurt nor help the
author. CHARLES D. STEWART.
Madison, Wis., June 2, 1915.
[After a careful perusal and consideration
of Mr. Stewart's complaint about my review
of his book, I can only say that I have nothing
to retract from my criticism. He credits me,
quite incorrectly, with the statement that
Nerissa is termed a "maid" because she is
unmarried. He continually speaks of Nerissa
as a maid in the modern sense of the word
because he opposes her to Gratiano as Bassa-
nio's " man," that is, servant. My objection to
Mr. Stewart's comments was not because he
refers to Nerissa as a lady's maid but because
he speaks of her as a servant. On p. 300 I
pointed out that Gratiano's word "maid" is
not the same as Mr. Stewart's. In the passage
quoted by Mr. Stewart, "mistress" means a
lady who rules or has control over a household,
not one who employs servants; and "maid"
means a lady-in-waiting, a maid of honor.
Nerissa's service, like that of all maids of
honor, was only technical. Gratiano's ad-
dressing Bassanio as "my lord" no more
proves he was the latter's "man" than Cas-
sius's addressing Brutus so proves Cassius
to have been an underling. Bassanio did not
pay Gratiano's expenses, Mr. Stewart to the
contrary notwithstanding. Moreover, Gra-
tiano is not a nobleman, only a gentleman.
Again, if the air is the equal of the leaden
missiles of war in being unconquerable and
invulnerable, I still want to know in what
sense bullets are unconquerable and invulner-
able. Finally, Mr. Stewart very indignantly
maintains that I refer to one of his own inter-
pretations of a passage in " Hamlet " as if it-
were the interpretation of the commentators.
This is perfectly characteristic of his method.
As to that passage, this is what Mr. Stewart
wrote : "According to the generally accepted
interpretation, the Captain is supposed to be
saying," etc. If his paraphrase is the gener-
ally accepted one, it is not his, and I had a
right to challenge him to name a single editor,
critic, or commentator who so paraphrased the
Captain. — THE REVIEWER.]
456
THE DIAL
[ June 10
CROWDING MEMORIES or A TJITERARY
LIFE.*
As a magnet attracts iron-filings, so do some
men acquire a multitude of interesting little
experiences that come to them as naturally and
abundantly as the filings to the magnet. Of
such men, in the literary walks of life, is Mr.
Douglas Sladen, prolific and versatile author
of innumerable books, extensive traveller in
all the continents and some of the islands of
the globe, shrewd and humorous observer of
men and manners, and everywhere and always,
apparently, what in the expressive slang of
to-day would be called " a good mixer." The
persons of note whom he has not met and
mingled with might almost be said to be not
worth meeting, or such is the first impression
received upon turning the very entertaining
and, in no reprehensible sense, very personal
pages of his omnium gatherum of reminis-
cence and anecdote, " Twenty Years of My
Life." With almost excessive restraint as an
autobiographer, he limits the systematic re-
hearsal of his own life to a few short chapters,
and devotes the bulk of his book to other peo-
ple's lives, or to some brief and characteristic
snatches of them as they have come into juxta-
position with his own. And yet he is frankly
though inoffensively conscious of his own
importance in the world wherein he moves, as
appears in such passages as this from his open-
ing chapter : "At Cheltenham I was the most
prominent boy of my time, and the prestige
with which I came up from school gave me a
certain momentum at Oxford. So I went out
to Australia with a very good opinion of Pub-
lic Schools, of Oxford, and myself."
His going to Australia was due largely to
his father's having a brother there, Sir Charles
Sladen, at one time prime minister of Victoria
and afterward leader of the Upper House and
of the Constitutional Party in that colony;
and it was in the course of that early Austra-
lian visit that Mr. Sladen obtained admission
to the bar and was appointed professor of
modern history at the University of Sydney,
an appointment that came to him in conse-
quence of his having received highest honors
in history at Oxford a few years before. But
one year in this academic chair was sufficient
to convince him that it was not the seat exactly
made to his measure. Though three volumes
of verse had come from his pen and enjoyed
as much local success as could have been;
* TWENTY YEARS OF MY LIFE. By Douglas Sladen. With
four colored illustrations and twelve portraits by Yoshio
Markino. New York : E. P. Dutton & Co.
expected, he longed for the wider literary
opportunities of his native London ; and so in
1884, with the sanguine outlook proper to his
twenty-eight years, he returned to England
and began in earnest the pursuit of literature
for a livelihood. Some idea of his educational
equipment may be gained from his own words
referring to that early time, words that make
one envy the fulness and accuracy of his classi-
cal and historical knowledge. He says :
"As an author, I have found the education I
was given and gave myself a very useful founda-
tion. Those ten years I gave to the study of Latin
and Greek and classical history and mythology
were not thrown away, because I have written so
many books about Italy and Sicily and Egypt, in
which having the classics at my fingers' ends made
me understand the history, and the allusions in the
materials I had to digest."
Omnivorous and rapid in his reading, he had
been able at Cheltenham, according to his own
account, to read " every book in the College
library," besides being (with a generous use of
capitals) " Senior Prefect, Editor of the school
magazine, Captain of Football, and Captain of
the Rifle Corps/' winner of " the prize for the
English Poem" and many other prizes and
four scholarships, and conspicuous in divers
other respects that need not here be enumer-
ated. With such a start in life, how could he
have failed to attain eminence ?
It is in the anecdotal pages devoted to other
men that the author is at his best; and the
temptation to quote freely from those divert-
ing pages is irresistible. But their wealth of
matter is such that the enjoyment of the book
itself will suffer no appreciable diminution by
reason of this plagiarism. Opening the vol-
ume in the middle, here is what we find set
down in commemoration of the late witty
Henry Jeyes, journalist :
" His reputation as a wit came up with him [to
Oxford] from Uppingham. All Uppingham men
could remember how, when he was caught cribbing
with a Bible on his knee at a Greek Testament
lesson, and his class-master had said to him tri-
umphantly, ' What have you there, Jeyes?' he said,
'A book, sir, of which no man need be ashamed,'
and how when Thring, the greatest head master of
his time, had asked him how he came to be ploughed
in arithmetic for his Oxford and Cambridge cer-
tificate, he replied from Shakespeare, 'I cannot
reckon, it befits the spirit of a tapster ' — a readi-
ness which Thring would have been the first to
appreciate.
"Among the best things I remember him saying
at Oxford are [sic] his definition of the Turks in
a great debate over the Bulgarian atrocities, as a
people ' whose morals are as loose as their trousers,
and whose vices are as many as their wives.' And
it was he who said, ' I don't want to go to Heaven,
because Gore (now Bishop of Oxford) is the only
1915]
THE DIAL
457
Trinity man who will be there, and I'd rather be
with the rest.' "
In another chapter occurs a passage giving
the origin of a noted saying that has even more
significance now than when it was uttered;
and the paragraph is interesting for other rea-
sons also. Speaking of Mrs. Margaret Woods,
he writes :
" She was one of the few charming women that
the monastic Oxford of that day contained. Her
father, afterwards the famous Dean of West-
minster, was master of University College; I used
to go to his Socrates lectures. He was dissatisfied
with the progress we were making, and boldly — it
was very bold at Oxford — charged us with paying
too much attention to athletics, and it was then
that he made his famous mot, that he had never
taken any exercise in his life, except by occasionally
standing up when he was reading. I have heard
that it was equally true of Mr. Chamberlain, but it
was Dean Bradley who said it. The Bradleys were
an excessively clever family. The Dean had a
brother or a half-brother a great philosopher, a
don at Merton, and another, Andrew Bradley, a
Fellow at Balliol, who became Professor of Litera-
ture at another University. I forget what his
sister, Emma Bradley, did, but she was famous.
Three of his daughters, Mrs. Woods, Mrs. Birch-
enough, Mrs. Murray Smith, are authoresses, Mrs.
Woods being one of the best novelists of the day,
and in my opinion the best of all poetesses in the
English language. When Tennyson died there was
a movement in favour of her being made the lau-
reate, and no woman has ever had such claims for
the post."
Curiously interesting and rather character-
istic of puzzling human nature is the fact that
Mr. Sladen, with so many other books of far
greater literary worth to his credit, seems to
take especial pride in his editorship of the
first "Who's Who" in its present form —
there had been an annual of that name in
existence for half a century before he recog-
nized, in 1897, the splendid possibilities in its
peculiar title. So great is his satisfaction in
this product of his editorial industry that he
calls himself, on the title-page to his present
book, " author of ' Who's Who/ " and nothing
more. In fact, he devotes a special chapter to
the history of " How I Wrote ' Who's Who/ "
Among the interesting things he tells us about
the planning of the work we quote the fol-
lowing :
" The idea of adding ' recreations ' to the more
serious items which had been included in previous
biographical dictionaries was adopted at one of
the councils of war which we used to hold in the
partners' room of A. & C. Black, at 4 Soho Square.
And for selling purposes it proved far and away
the best idea in the whole book, when it was pub-
lished. The newspapers were never tired of quot-
ing the recreations of eminent people, thus giving
the book a succession of advertisements of its
readability, and shopkeepers who catered for their
various sports bought the book to get addresses of
the eminent people, who were, many of them, very
indignant at the Niagara of circulars which re-
sulted."
Of that sincerest form of flattery which the
work has received in its many imitations in
different countries, including notably our own,
the complacent author rather strangely omits
to make mention; but he calls attention to
some of the useful features that marked the
English "Who's Who" in his day, and that
have since disappeared or suffered neglect,
" such as lists of peculiarly pronounced proper
names, keys to the pseudonyms of prominent
people, names of the editors of the principal
papers." He adds : " Some of the real names
were so unreasonable that people wrote to
know why they were not included in the lists
of pseudonyms; one of these was Sir Louis
Forget."
In his various wanderings Mr. Sladen has,
of course, visited this country more than once ;
in fact, he has spent months at a time in Amer-
ica, and he knows our celebrities nearly as well
as those of his own land. From his memories
of our distinguished men we select a passage
concerning one of the most famous :
" Bret Harte, though he was such a typically
American writer, spent all the latter part of his
life in England. I first met him at Rudolph Leh-
mann's hospitable dinner-table. No one could fail
to be struck with Bret Harte. He was so alert, so
handsome, and though his plumes — his hair was
thick and sleek to the day he died — were of an
exquisite snow-white, he had a healthy, fresh-col-
oured face, and a slender, youthful figure, always-
dressed like a well-off young man. . . He re-
tained his vogue to the end. Any magazine would
pay him at the rate of a couple of pounds for
every hundred words. They used to say that the
Bank of England would accept his manuscripts as
banknotes. He never failed to charm, whether he
was telling some story at a dinner-party, or talking-
to some undistinguished woman, young and beau-
tiful or old and plain, who had asked to be intro-
duced to him as a celebrity — and a celebrity
Francis Bret Harte certainly was, for he founded a
whole school in English literature."
Very naturally and pardonably, a writer
making such draughts on his memory as Mr.
Sladen, and writing so rapidly and copiously,
commits minor errors of forgetfulness or of
insufficient information. For instance, in the
present volume, he makes John Hay " Harri-
son's Secretary of State," and, confusing two
of our public men, of unequal prominence, he
refers to "the beautiful Viva Sherman, an
American nearly related to the Senator- Vice-
President." Less excusably, he speaks of
Edward FitzGerald as "unable to translate
from the original " of Omar Khayyam, though
458
THE DIAL
[June 10
FitzGerald's published letters contain fre-
quent mention of his Persian studies under
Professor Cowell's encouragement, and he
made some notable translations (not always
literal, it is true) from Jami and Attar as well
as from Omar.
The illustrations to the book, by the Japa-
nese artist, Mr. Yoshio Markino, deserve more
than perfunctory mention. Both his exquisite
colored drawings and his oddly effective por-
trait sketches are masterpieces in their pecu-
liar kind, and would suffice by themselves to
give character to the volume. Character, how-
ever, seems not to be lacking to its author,
whose rambling but never tedious chapters
will furnish more entertainment to the great
public of " general " readers than almost any
other book of the season.
PERCY F. BICKNELL.
JUSTICE FOR THE INDIAX.*
Mr. Moorehead is a well known student of
American archaeology, and most of his writings
have been in that field. To his efforts is due
the only department of American archaeology
in a preparatory school in the United States —
that of Phillips Academy, Andover. He has
also for years been an active member of the
United States Board of Indian Commissioners,
and in that capacity has visited many of the
Indian reservations and has participated in
investigations of conditions in them. The
present book is a result of this latter activity.
The author calls it " a plea for justice," and
every reader will recognize the earnestness of
the pleader and the urgency of his cause.
Thousands of Americans have been stirred by
the reading of Helen Hunt Jackson's "Century
of Dishonor," that powerful appeal to con-
science; most of those thousands have ex-
pressed regret and horror at the story, and
have then gone their way placidly, feeling that
there was no remedy for the matter, that the
damage was irretrievable, that all was past and
what was done could not be undone. But the
fact is that wrongs against the Indians have
continued and still continue, and the well-
meaning thousands are as unconscious of them
as they are of the happenings on Mars, — less
conscious of them than they are of atrocities
in Armenia or Russia. These same people
shuddered over highly colored reports of
Congo horrors, and contributed their dollars
to aid "reforms" there, but were oblivious to
the facts at White Earth Agency and in Okla-
homa. Yet there is nothing in Helen Hunt
* THE AMERICAN INDIAN IN THE UNITED STATES, 1850-1914.
By Warren K. Moorehead, A.M. Illustrated. Andover, Mass. :
The Andover Press.
Jackson's book worse than these — nothing in
Armenia, Russia, or Congo that is more brutal
and cruel. Mr. Moorehead has not the pen of
Mrs. Jackson, nor her sense of art and style;
but his plea for justice is as real, and his facts,
many of them personally gathered at their
source, are convincing.
Such things as he narrates are to be expected
at the fringe of civilization. Men separated
from home and all restraints, men living as
traders or administrators under trying condi-
tions of climate and life, men whose daily life
is in a sense piracy or exploitation of a differ-
ing people, men whose nights are filled with
dangers from savage foes, — such men will at
times deal unjustly with natives. But Minne-
sota and Oklahoma of to-day are not the fringe
of civilization. The men who there sin against
justice and decency are not outcasts, isolated
and removed from proper influences. They are
American citizens; they are men in business
and professional life, — lawyers, real-estate
dealers, county officials, bankers, capitalists,
legislators; they not only know how to read
and write, they are respected, they attend
churches, they mould opinion, they are leaders
in their communities. Yet, for the sake of
money, they are blind to law. commit crimes,
debauch and degrade their victims that they
may plunder and rob. It is a story so inde-
scribably sad that it seems almost unbelievable.
Nothing more clearly show's the breakdown of
our educational system, the failure of our
schools to develop moral fibre and to produce
men, than White Earth and Oklahoma. Can
we really see nothing but the dollar? Are we
without heart and conscience? Have we no
sense of decency, and is individual honesty
forever gone ? The dreadfulness of the case is
not merely that there are thousands among us
who do such crimes, — it is that they do them
without general reprobation and execration.
They are culpable; but the community that
can be in ignorance, or being informed can
hold its peace, is equally to blame. We have
spoken of White Earth and Oklahoma because
they are striking cases, which have been con-
spicuous on account of investigations; but
they are only special instances among many.
Injustice is the rule, and in every place where
we have Indians, Mr. Moorehead gives details
covering a wide field. He points out mistakes
past and present, and warns us of the future.
We are threatened as a nation with a more
serious Indian problem than we have ever had.
The Indian to-day is being individualized and,
in the process, depraved and pauperized. He
has never been a pauper and a public charge ;
he is sure to become so unless he is given jus-
tice. He is to-day impoverished, diseased,
1915]
THE DIAL
459
degraded. It is a suggestive fact that the
Navajo are to-day the only considerable body
of true Indians remaining who are in fair
health and prosperity and with good outlook
— if left alone. They are practically the only
ones who have been left to follow their own
free and natural life.
All writers draw a contrast between the
situation of Indians in the United States and
those in Canada. In what are they different ?
That there is a difference proves that contact
between two races does not inexorably lead to
such a condition as we have. Has the Cana-
dian white man higher ideals than we ? Is he
more honest, more just ? Or is it a mere ques-
tion of dollars, and is he less hungry for gold
than we? In speaking of Canadian policies
regarding Indians, Mr. Moorehead says:
" Mr. Duncan C. Scott, who holds the office in
Canada corresponding to our Commissioner of
Indian Affairs . . showed us a few thin pamphlets
— all the regulations, laws, statements, methods of
procedure, etc., necessary in the management of
Canadian Indian affairs. With us we employ
skilled lawyers to fathom the intent of our legisla-
tors. They must delve into thousands of pages of
conflicting laws, rules and statutes. And after one
set of attorneys have presented their views, the
mass of legal rulings is so enormous and compli-
cated that other attorneys assigned the same task
usually arrive at exactly opposite conclusions from
those presented by the first corps! Mr. Scott also
informed us that when a white man marries an
Indian woman in Canada, he has no part in tribal
or individual property. The government issues no
deeds to Indians, but they live on their farms as do
our own. All incentive to graft is removed. The
simple, effective, Canadian management of Indian
affairs, compared with our ponderous, complicated
and ignorant handling of the same class of people
in this country, points a very strong moral."
As a people we claim to excel in honesty and
in practical business sense. The condition of
our Indians to-day gives the lie to both claims.
FREDERICK STARR.
TAGORE: POET A*TD MYSTIC.*
The award of the Nobel Prize for " idealistic
literature " to Rabindranath Tagore suddenly
made him an international figure. At that
time his work was scarcely known, except to a
limited circle; the award was due, according
to Mr. Ernest Rhys, to " a distinguished Swe-
dish Orientalist who had read the poems in
Bengali before they appeared in English."
* RABINDRANATH TAGORE. A Biographical Study. By Ernest
Rhys. New York : The Macmillan Co.
RABINDRANATH TAGORE. The Man and His Poetry. By
Basanta Koomar Roy. With an Introduction by Hamilton W.
Mabie. New York : Dodd, Mead & Co.
SONGS OF KABIR. Translated by Rabindranath Tagore. With
Introduction by Evelyn Underbill. New York : The Macmil-
lan Co.
Tagore has since translated a number of his
representative books into English, in which
the finer harmony of prose has been rendered
with a sensitiveness and refinement rare in our
Western literature. But as a man he has
remained shadowy to us. And inasmuch as
circumstances have made him in some sort an
ambassador of the East to the West, we have
come to desire a larger body of biographical
fact concerning him, as well as an account of
his place in the traditions of his own land.
To fill this need we now have two biogra-
phies: one by Mr. Ernest Rhys, a friend of
the poet, and temperamentally fitted to appre-
ciate him ; the other by Mr. Basanta Koomar
Roy, a fellow countryman who is endeavoring
to make his native land better understood in
America. Both biographers have gathered
their information at first hand, and so have
made their books authoritative ; but Mr. Rhys,
partly because of his style and partly because
of his merely appreciative and interpretative
role, has given no very definite outline to the
character of the poet and mystic. Mr. Roy has
been more conscious of the difficulties in inter-
preting the East to the West, and has main-
tained a more critical poise throughout his
book.
The impression we derive from Mr. Roy's
volume is of a personality of rich charm and
great activity. Tagore's varied career as man-
ager of his father's country estate, as poet,
musician, essayist, dramatist, novelist, editor,
national leader, and finally as educator, seems
to us too prolific and energetic to be truly
Oriental. Moreover, quotations from his let-
ters prove him a keen observer and thinker,
with decided opinions on such dangerous sub-
jects as feminism, education, and the defects
of Americans. " Tagore is a voracious reader.
Every month he buys many books on litera-
ture, philosophy, economics, politics, sociology,
and history. He reads them all." He is not
ascetic or soured. " He loves the world as
passionately as a miser loves money." It is
reassuring to the Western mind to find a spir-
itual hero so human, a seer so practical and
near.
To rehearse the main incidents in the quiet
life of Tagore is not necessary; they have
been known since the publication of "Gitan-
jali" with Mr. Yeats's introduction. But in
the full account of the poet's career given in
Mr. Roy's book, it is interesting to look for
important points of contact with the romanti-
cism of Europe. Thus we read :
" The realistic love poems of Tagore's youth
shocked many old-fashioned Hindu moralists, who
received them with disdain. They were up in arms
against Rabindranath, thinking that he was likely
460
THE DIAL
[June 10
to demoralize the youths of India by the sensuous-
ness of his love poems and songs. They were
afraid that he was going to introduce the romanti-
cism of the West, of Byron and Shelley, in India,
and to depart from the classic serenity of Indian
literary treatment of the human passions."
In his love of nature, also, he wins at once
the sympathy of those who have been nour-
ished on Wordsworth. How near he ap-
proaches the nature worship of European
romanticists may be seen from a letter written
in his youth from a house-boat on the Padma
River, where he was superintending his fath-
er's estate:
" Truly, I love this Padma River very dearly, it
is so wild, so undomesticated. I feel like riding on
its back and patting it caressingly on its neck. . .
I no more like to take a part before the footlights
of the stage of publicity. I rather feel like doing
my duty in silent solitude amid these transparent
days that we have here. . . Here man is insignifi-
cant, but nature great and imposing. The things
we see around us are of such a nature that one can-
not create to-day, mend to-morrow and throw them
off the day after. These things stand permanent,
amidst birth and death, action and inaction, change
and changelessness. When I come to the country-
side I do not look upon man as anything separate"
from nature. Just as rivers flow by through many
strange lands, similarly the current of humanity,
too, is incessantly following its zig-zag path
through dense forests, lonely meadows, and
crowded cities, always accompanied by its divine
music. It is not quite right to make the river sing,
1 Man may come, man may go, but I go on forever '
— for man, too, is going on forever with his thou-
sand branches and tributaries. He has his one end
attached to the root of birth, and the other to the
ocean of death — both enveloped in the mysterious
darkness; and between these two extremes lie life,
labour and love."
Such evidences of parallel movements of
romanticism in the East and the West seem
even more conclusive when we read that
" Raja Ram Mohun Roy, the father of modern
India, introduced an age of reform in India.
Well versed in the literature of the East and
of the West, he strove to unite the cultural life
of both for mutual benefit. With his towering
genius he handled the social, political, relig-
ious, and literary life with the hand of a
master. . . At his death, he left a unique
worker as his intellectual descendant, De-ben-
dranath Tagore, the father of Rabindranath."
Frequently Rabindranath Tagore is praised
for uniting the wisdom of the East and the
West, and so being able to see the defects of
both. One begins to wonder if the whole
national renaissance of India was due to
European stimulus.
But the Hindus see that materialism and
luxury are dominant in our civilization, and
by their clear vision are defended against our
influence. " I am afraid," wrote Tagore,
"that the present-day civilization of Europe
is imperceptibly extending the arid zone in its
' social life. The super-abundance of luxuries
is smothering the soul of the home — home
that is the very abode of love, tenderness, and
beneficence — a thing that is, above all, most
essential for the healthy development of the
human heart. In Europe homes are disap-
pearing and hotels are increasing in number."
In a letter he once wrote that " as the streets
in the European cities are made of hard stone,
brick and mortar, to be made fit for commerce
and transportation, so the human heart be-
comes hardened and best suited for business.
In the hard pavement of their heart there is
not the slightest opening for a tender tendril,
or a single blade of useless grass to grow.
Everything is made bare and strong."
Contact with European civilization has, of
course, had a liberating influence on Tagore.
But his true antecedents are members of the
great poetical and religious tradition of India.
In his poetry of nature he was deeply influ-
enced by the Vaishnava poets of the fifteenth
and sixteenth centuries, " even though," says
Mr. Roy, "in the poems of Tagore the love
fervour of the Vaishnava poets fades a little."
In his devotional and religious poetry he was
profoundly influenced by Kabir, Chandidas,
and Joy Dev. In the translations which he
himself has given us of the songs of Kabir, the
fifteenth century mystic and poet, we find the
same religious universalism, the same accep-
tance of actual life, as in the work of Tagore.
Kabir was a Mohammedan youth who was
admitted to discipleship by the great Hindu
teacher Ramananda, even though a Mohamme-
dan, a weaver, a simple and unlettered man.
"Hating mere bodily austerities, he was no
ascetic, but a married man, the father of a
family — a circumstance which Hindu legends
of the monastic type vainly attempt to conceal
or explain — and it was from out of the heart
of the common life that he sang his rapturous
lyrics of divine love." This disregard for the
letter of the law, however, is not popular in
India, and the religious songs of Tagore are
not the songs of the masses. " The masses
have no comprehension of the Brahmo Somaj
— the religious Unitarians of Hindusthan. . .
One might sing Tagore's religious songs to a
Bengali farmer, but he would listen unmoved ;
and might even ask the singer to stop if he
happened to detect it to be a Brahmo song.
The orthodox hatred for Brahmo disregard for
Hindu mythology is very intense."
It is interesting to note from Mr. Roy's book
that admiration for Tagore is much more criti-
cal and reserved in India than in England and
1915]
THE DIAL
461
America. His countrymen admit his great-
ness, but not that he is the greatest Bengali
poet for many centuries, as is sometimes
nastily said. One literary Bengali in America
commented : " If Mr. Tagore had ever at-
tempted to write profound books like ' Raiba-
tak ' or ' Kurukshetra ' of Nabin Chandra Sen,
his lyric brain would have burst before finish-
ing even one canto of either." Another said :
" His love lyrics are poor imitations of the
poems of our Vaishnava poets of old, and his
philosophy is the philosophy of the Upani-
shads. Let the Europeans and the Americans
rave over Tagore. But there is nothing new
for us in his writings." Tagore himself pleads
guilty to dabbling with too many things:
" I am like a coquettish lady that wants to
please all her lovers, and is afraid to lose a
single one. I do not want to disappoint any
of the Muses." Nevertheless "no other lit-
erary man in Bengal has done so well in so
many things. Even the most adverse critics
of Tagore are bound to admit that he has
adorned every department of Bengali litera-
ture by his transcendent genius." .Pie has
become a representative, especially in poetry,
of the Bengali renaissance which is saving the
classical culture of India. " He was needed in
India as Dante was needed in Italy, Shakes-
peare in England, and Goethe in Germany."
In seeking to define and estimate the signifi-
cance of Tagore for the West, it is interesting
to recall that poetry had been drifting in the
direction of mysticism before Tagore became
known to us. " These lyrics," wrote Mr.
Yeats in his preface to " Gitanjali," " display
in their thought a world I have dreamed of all
my life long." Poetry had sought to become
a symbol, a musical suggestion. And so we
were prepared to understand an art which
proceeds, not by definition and outline, after
the Greek manner, but by suggestion and sym-
bolism. But it is out of the question that the
main body of our poetry and art should ever
become merely suggestive and mystical; the
hold of the Greek spirit on us is too great;
Phidias and Plato make us afraid of intellec-
tual twilight, of emotional dissipation. In one
respect, however, the literature and life of the
Orient are a deep challenge to our civilization.
" If I work in my garden and prune an apple-
tree," wrote Emerson, " I am well enough
entertained, and could continue indefinitely in
the like occupation. But it comes to mind that
a day is gone, and I have got this precious
nothing done." It is characteristic of our
civilization, however, that we continue the
activity without reflecting upon its vacuity.
"We are not happy unless active. Hindu
poetry should reveal to us that the lack of a
core of thought accounts for the fatuity of our
religious efforts, the charlatanism in our cul-
ture, the restlessness and materialism of our
life. "You people over here," Tagore once
remarked to Mr. Rhys, " seem to me to be all
in a state of continual stj^fe. It is all strug-
gling, hard striving to live. There is no place
for rest, or peace of mind, or that meditative
relief which in our country we feel to be
needed for the health of our spirits." When-
the Nobel Prize was awarded to him, he gave
all the money to his remarkable school at
Shanti Niketan; but, overwhelmed by pub-
licity, he wrote, " They have taken away my
shelter." Louis I. BREDVOLD.
A SCIENTIFIC BAEDEKER or THE WEST.*
A telling example of the effectiveness of
cooperative effort in book-making is given in
the volume entitled "Nature and Science on
the Pacific Coast," a well-balanced treatise by
no less than thirty authors, each an authority
on the subject about which he has written.
This handbook is planned for use in conjunc-
tion with the meetings of the American Asso-
ciation for the Advancement of Science to be
held in August of this year in connection with
the Panama-Pacific International Exposition.
The volume will, however, be of value long
after the palaces by the Golden Gate have van-
ished into memories, for it is an epitome of the
enduring natural phenomena of the West.
Though professedly written for the scien-
tific traveller, it is not a technical treatise
for specialists, but rather a presentation by
specialists, each of his own field, for the use
and enjoyment of all the others. It is there-
fore largely freed of technicalities wherever
possible, and condensed to a minimum space.
Would that all books of information were as
innocent of superfluous padding ! It is rather
a rich mine of information tersely told, with-
out effort to adorn or to exploit the resources
of this interesting land for the tourist or the
prospective purchaser of town lot or orchard.
It seeks merely to direct the attention of the
intelligent traveller to those physical features
of the Coast which it may be worth his while
to understand.
The range of information included in the
thirty-one chapters may be inferred from such
sub-titles as Professor Kellogg's "Burbank's
Gardens," an account of the constructive work
of this wizard among flowers and fruits; or
* NATURE AND SCIENCE ON THE PACIFIC COAST. A Guide-
book for Scientific Travellers in the West. Edited under the
Auspices of the Pacific Coast Committee of the American
Association for the Advancement of Science. Illustrated.
San Francisco: Paul Elder & Co.
462
THE DIAL
[June 10
Professor Teggart's " The Approaches to the
Pacific Coast," an illuminating historical pre-
sentation of the problem, both local and inter-
national, of Oriental immigration ; or Profes-
sor Howard's " Outdoor Life and the Fine
Arts," a sympathetic account of the utilization
in this land of sunshine of the out-of-doors for
plays, festivals, tournaments, and pageantry,
with a list of over fifty such occasions distribu-
ted throughout the year. In " Literary Land-
marks of the Pacific Coast," Professor Seward
retraces the footsteps of Bret Harte, Robert
Louis Stevenson, Helen Hunt Jackson, and
Joaquin Miller. Other chapters deal with
"Mountaineering in the High Sierras," with
legal and political developments, with the
Spanish settlements and the old missions, and
with the history of the Panama Canal.
The main theme of the book, however, is
Nature and her utilization by man ; hence the
discussions of mines and mining, of the petro-
leum industry, of irrigation and hydro-electric
developments, of the chemical resources and
industries, and of the exceedingly varied agri-
cultural resources and activities. Various spe-
cialists deal with climate and its causes in
oceanic circulation, with the physiographic
geography and the geology of the West, and
even with the earthquakes which San Fran-
cisco newspapers are wont to record — else-
where. Other chapters treat of interesting
and significant features of the life of the West,
the fossil deposits, and the recent fauna and
flora of mountain and desert, of land and sea,
including a brief account of the Indian tribes
of the Coast. Astronomical observatories,
biological stations, and museums are de-
scribed, and an exhaustive itinerary of scenic
excursions is mapped out. The work is illus-
trated with well chosen half-tones, and is
amply supplied with maps for scientific de-
scription, with street maps of all the larger
cities, and with a railroad map of the country
west of the Rockies.
The publisher has produced a book con-
venient in form for the satchel or pocket, and
artistic in typography and make-up. It is
destined to be widely useful, and is significant
of the enterprise, progressiveness, and vitality
of Western scholarship.
CHARLES ATWOOD KOFOID.
A new drama by M. Leonid Andreyev, trans-
lated by Mr. Herman Bernstein, is to be published
this month by the Macmillan Co. It is entitled
" The Sorrows of Belgium," and pictures the recent
devastation of that country. Its hero is said to be
M. Maeterlinck, and King Albert figures as one of
the prominent characters.
RECENT FICTION.*
Miss Marie Van Vorst is an accomplished
story-teller, and her large personal following
attests the success with which she appeals to
the popular taste. " Mary Moreland " is per-
haps the best example of her work, and it is
easy to see why it must prove attractive to
readers and hold their attention. Mary is a
young woman of exceptional poise and
strength of character, employed as a stenog-
rapher by a Wall Street financier. For five
years she has served him, and during all that
time he has been making more or less conscious
comparisons between her and the nagging,
jealous, worldly wroman who is his wife. When
domestic ructions have brought him to the
breaking-point, he determines to cut loose, and
appeals to Mary to go off with him. She
almost yields, but is recalled to her better self
at the last moment, and declines to enter into
the illicit arrangement. She is torn by the
conflict between love for her employer and the
promptings of a conscience which will not let
her forget the sanctity of the marriage-bond,
and the social necessity of preserving even
such parodies of the home as Maughm's estab-
lishment. She not only succeeds in resisting
temptation, but she actually figures as a recon-
ciling influence between Maughm and his wife.
In the end, she comes to her own in conse-
quence of the wife's death in childbirth. A
secondary plot is provided by the fortunes of
a girl friend who has loved not wisely but too
well, and who is saved by Mary's influence
from making a still greater mess of her life.
The remaining characters of importance are
Romney, an invalid English man of letters
whom she serves for a time as amanuensis; a
Colorado mine-owner who takes her into the
bosom of his family, and her mother, an in-
credibly vain, selfish, irresponsible woman
with a tincture of nauseating religiosity,
whom Mary supports and almost loves despite
her sordid scheming and inhuman ingratitude.
All these characters are interesting, yet we
feel bound to .say that not one of them appears
to be a consistent creation. The facets which
reflect them to us are separately brilliant, but
are cut according to a plan which does not
bring out a symmetrical design. This lack of
artistic co-ordination is also apparent in the
* MARY MORELAND. By Marie Van Vorst. Boston : Little,
Brown & Co.
THE HONEY BEE. A Story of a Woman in Revolt. By
Samuel Merwin. Indianapolis : The Bobbs-Merrill Co.
THE DOUBLE TRAITOR. By E. Phillips Oppenheim. Boston :
Little, Brown & Co.
THE SECRET SERVICE SUBMARINE. A Story of the Present
War. By Guy Thome. New York : Sully & Kleinteich.
AT THE SIGN OF THE SWORD. A Story of Love and War
in Belgium. By William Le Queux. New York : Sully &
Kleinteich.
THE SPLENDID CHANCE. By Mary Hastings Bradley. New
York : D. Appleton & Co.
1915]
THE DIAL
463
dialogue and the incidental matter, which
present us over and over again with features
which do not fit together, or are without
adequate motivation. This element of incon-
gruity is felt as a disturbing presence through-
out the work.
The American business woman is again to
the fore in Mr. Samuel Merwin's " The Honey
Bee," but this time she is presented to us in a
far more profound and subtle portraiture than
is within the range of Miss Van Vorst's powers.
Mr. Merwin's previous performances in fiction
have, indeed, given us no reason to expect from
him so profound a psychological study and so
genuine a creation of character as he here
affords us. There is no romantic glamour in
"The Honey Bee," and little sentiment, but
there is a great deal of convincing truth, which
is a much more preservative quality. Hilda
Wilson, to begin with, is upwards of thirty, an
age which does not appeal to the romantic
taste, although it is the age found best worth
while by many of the greatest novelists, from
Balzac to Meredith. She is a department man-
ager in one of the great New York merchant
establishments, and she has made good in her
many years of service. A part of each year
she acts as a foreign buyer, and it is in Paris
that we make her acquaintance, and pursue
her fortunes during the year over which the
time of the novel extends. Somewhat fagged,
and feeling that she is going stale, she accedes
to her employers' solicitations that she take a
long rest, but, instead of employing her
months of business leisure in a restful way,
she remains in Paris, and falls into a set of
new associations and interests that take her
far out of her wonted habits of thought and
action, stir in her unsuspected instincts and
emotions, and give her rich new experiences
that broaden her character, and bring her to
Something of that self-realization which is, or
should be, the purpose of every human soul
worth saving to achieve. These experiences
concern a little group of people with whom
Hilda becomes accidentally associated, and
from whom she learns to know aspects of life
that have before been entirely unfamiliar.
They include "Blink" Moran, an American
prize-fighter; Adele Rainey, a variety-show
dancer ; a weak and vicious youth who is her
dancing partner; and the illegitimate baby
child of a French danseuse, who is herself in
the hospital. Hilda moves into quarters with
these people, takes Adele under her protection
and the baby under her care — incidentally
saving the life of the latter by hygienic pre-
cautions and scientific feeding — and becoming
personally very much interested in Moran.
The author portrays Moran so sympathetically
that we respect him (as Hilda does) despite
his profession, and the scene of the great fight
for the international championship is de-
scribed with so much vigor and dramatic color-
ing that it is one of the best things of its kind
we have ever encountered in fiction. Hilda is
even stirred to think of Moran as a possible
husband, and the author's skill almost per-
suades us that we might contemplate without
dismay such a disposition of his heroine ; but
Hilda's practical good sense comes to her
rescue, and sets her to making a match be-
tween Moran and Adele, which is far more
fitting and reasonable. What contributes
materially to Hilda's decision is the memory
of Harris Doreyn, a man of large affairs who
had employed her many years before, whom
she had loved, and to whom she would have
given herself had he not been already married.
When Hilda has cut herself loose from all
these Parisian complications, she goes to Lon-
don, and there Doreyn once more comes into
her life, making her realize that she has never
really ceased to love him. He is broken in
health, and his one desire is to see Hilda again,
for which purpose indeed he has come abroad.
They enjoy each other's companionship for a
time, and Hilda, we are forced to believe,
would in the end, had he lived, have defied the
laws of society by living with him openly, so
liberal an outlook upon life has she gained
from her Parisian adventure. As it is, she is
able to console his dying hour ; whereupon she
returns to New York and takes her business
duties once more upon her shoulders. Mr.
Merwin calls his book " the story of a woman
in revolt," and we have seen that her revolt
carries her to the brink of the precipice. It is
morally inconclusive (like so much of life
itself), but, if we can only suspend the func-
tion of moral judgment while we read, we
shall not lack for variety of entertainment and
deep human interest. Hilda and Moran and
Doreyn are all genuine characters, and all
make the strongest kind of an appeal to our
sympathies.
It is easy to be wise after the event, and any
skilful practitioner in fiction could now pro-
vide a prescient hero for a story of the great
war. Such a hero is found in Mr. Oppen-
heim's " The Double Traitor," which tells us
of an English diplomatic attache who clearly
understood, in the months preceding last
August, what has since been so patently dis-
closed, and who did his best to persuade a
reluctant officialdom that Germany was about
to put into execution her carefully matured
plan for embroiling the world in strife. Fail-
ing in his appeal to deaf ears and the in-
vincible prejudice of those who believed it
464
THE DIAL
[June 10
impossible for Germany to do exactly what she
has done, Francis Norgate went to work on
his own account to save England from the
worst consequences of that wanton attack upon
civilization. Having himself been dismissed
from his post in the legation at Berlin, he
posed as a man with a grievance, and became
apparently the tool of one Selingman, the head
of the German spy -system in England. He
seemed to be furnishing valuable reports to
his employer, but they were framed only to
deceive, and, as the critical day approached, he
sought an interview with Mr. Churchill, found
in him a willing listener, and so impressed
him with his revelations that an order was
given for the immediate mobilization of the
fleet. Thus does history become the handmaid
of fiction. The scene in which Selingman is
finally trapped and marched off to the Tower,
after learning how successfully Norgate has
tricked him, is perhaps the most exciting that
we owe to the author, accomplished purveyor
of thrills though he be. The private romance
of Norgate and the Baroness von Haase (of
the Austrian secret service) makes a very
acceptable love-story, but its interest is over-
shadowed by the great affairs with which it is
so intimately entangled. This capital story
should make many new friends for Mr. Oppen-
heim.
There would obviously be something lacking
in these days in any survey of current fiction
that did not include one or more war stories,
and it is indeed likely that the war will be
responsible for an output of fiction as far
beyond that occasioned by any other war as
this conflict exceeds all others in magnitude.
The last issue of THE DIAL contains the ap-
palling statement that in Germany alone the
closing months of 1914 witnessed the publica-
tion of one and one-half million new patriotic
songs. The inference from this as to novel-
writing throughout the world simply staggers
the imagination. Upon the present occasion,
aside from the ante-bellum invention just de-
scribed, we have something to say about three
new books of war-fiction, the first two of them
being what the British public knows as " shill-
ing shockers," while the third is a far more
serious artistic production.
Mr. Guy Thome is the author of "The
Secret Service Submarine," which tells how a
schoolmaster on the Norfolk coast saved En-
gland from a German invasion, and discom-
fited as villainous a conspiracy of spies as ever
existed even in the heated brain of a popular
novelist. Says John Carey, the hero, on page
147, " I am not going to describe everything I
saw in detail. This is a story of action, and I
always skip the descriptive parts in books,
myself. The Johnnies only put them in to
fill up." What he means is that he is not going
to describe in detail, etc., but that is unimpor-
tant. He certainly makes good his claim that
" this is a story of action." Carey is an athlete
with a game leg which unfits him for the active
service of his country. Consequently, he be-
comes a sub-master in a boys' private school
kept by one Dr. Up jelly, who is in reality the
Graf von Vedal, a German spy of the most
resourceful and dangerous sort. The school is
situated on a lonely stretch of the Norfolk
coast, and the enemy communicates with the
conspirators by means of a submarine which
creeps up an inlet close to the establishment.
When the story reaches its climax, the hero
kills Vedal, and then, aided by his brother,
who is a British naval officer, and by two boys
from the school, captures the German sub-
marine by a ruse, kills its crew, and then,
setting out for sea with the prize, intercepts
and torpedoes a German war-ship which is
convoying a number of transports for the
invasion of England, sinks or puts to flight the
transports, and covers himself and his com-
panions with glory. All the parties concerned
in this exploit get commissions and Victoria
crosses, and the hero gets besides Dr. Up jelly's
step-daughter, who has given valiant aid to
the enterprise. Cheap as the story is in any
literary sense, it is an undoubted thriller, and
a notable example of swift melodramatic
action.
Mr. Le Queux, who writes "At the Sign of
the Sword," is a man of parts, favorably
known to readers of sensational fiction. The
story is Belgian in setting, and takes us to the
early days of the invasion of that martyred
country, whose glorious achievement in mak-
ing the outcome of the war a foregone conclu-
sion almost from the start saved Europe from
destruction, and won for the Belgian people a
fame that will shine undimmed for many cen-
turies to come. Aimee de Neuville is the
daughter of the richest man in Belgium, and
is wooed (and prospectively won) by Edmond
Valentin, a young lawyer of little wealth but
bright prospects. The villain is one Armand
Rigaux, an associate of Baron de Neuville in
large financial affairs, and in reality a secret
agent of Germany, preparing to betray Bel-
gium into the hands of the enemy. He pays
his addresses to Aimee, with the encourage-
ment of her father, but they are loathesome to
her, and she repels him with scorn. Edmond,
meanwhile, knows of Rigaux's double-dealing,
but a curious sense of honor forbids him to
denounce his rival. When the storm bursts
upon his devoted country, he takes his place
in the ranks as an officer of artillery, while
1915]
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465
Aimee hides herself in the family chateau on
the Meuse near Dinant. The invasion of the
Huns soon plunges her into the midst of the
fray, and almost makes her a victim of their
savagery, when the opportune appearance of
Edmond saves her from the worst outrage,
and puts a highly fitting end to the arch-
villain. After some days of storm and stress,
with a piling up of horrors, and a series of
hairbreadth escapes, the lovers make their
way to Ostend, and find a safe haven across the
Channel. We must quote one illustration of
the author's vigorous hard-hitting :
" The sun had set, and the red afterglow — that
crimson light of war — was showing in the west
over where lay Great Britain, the chief objective
of the Kaiser and his barbaric horde of brigands,
hangmen, executioners, and fire-bugs. — the men
doing the bidding of that blasphemous antichrist
who was daily lifting his hands to Heaven and
invoking God's blessing upon his hell-hound impie-
ties."
It makes a spirited tale, colored throughout
with romantic sentiment. Whatever Mr. Le
Queux cannot do, he at least can construct an
effective plot, and carry it through with vigor
and variety.
Our remaining war novel is of a far more
serious sort than the two just described, and
belongs to literature as distinctly as they do
not. ^It is entitled "The Splendid Chance"
and is the work of Mrs. Mary Hastings Brad-
ley, already well known as the author of a
sterling historical romance, "The Favour of
Kings" ; an Egyptian tale of love and mystery,
" The Palace of Darkened Windows " ; and in-
numerable short stories. Mrs. Bradley's hero-
ine is a typical American girl, and .we first
meet her as she embarks for Europe in the
spring of 1914, with the intention of working
in the art-schools of Paris. She comes from a
New England college town, and is filled with
artistic ambition. Among her fellow-passen-
gers is an English army officer, Captain
Edgerton, who cultivates her acquaintance,
and gains with her a footing that promises
romantic developments. This promise is later
fulfilled when Edgerton visits Katherine in
Paris, and friendship ripens into love. Mean-
while, we make the acquaintance in Paris of
Robert McNare, an American sculptor of
genius, whose studio is just below Katherine's
rooms. McNare is the victim of an unfor-
tunate marriage with a faithless wife, from
whom he is divorced, retaining custody of the
little girl who is all the world to him. He is a
morose and unapproachable person as far as
women are concerned, but Katherine breaks
down his defences when she devotes herself to
Peggy, and saves her life one dreadful night
when she is attacked by croup. But McNare
sees that his love is hopeless when Edgerton
appears upon the scene, and gnaws his heart
out in silence. The stage is thus set for the
real drama, which opens on the fatal First of
August. This prologue, although it occupies
half the volume, keeps us impatient for the
appearance of the main theme, but it could not
well be spared or even shortened. The tragedy
that ensues is but one of millions bred of Ger-
many's wanton onslaught upon the peace of
Europe, but it is set before us with such
poignancy, such vividness, and such sympa-
thetic grasp that it is made a typical crystal-
lization of the whole horrible meaning of the
great war. It takes us to the front in Northern
France, when the invader has been driven
back from the gates of Paris. Katherine has
given her services to the Red Cross, and it
becomes her fate to find Edgerton lying on
the battle-field, to receive his dying words of
love, and to sit by his corpse in lonely vigil all
night long. The pathos of this scene is well-
nigh unbearable, and grips the heart as do few
scenes with which we are acquainted in fiction.
But the lesson of life is that no grief can
utterly crush the spirit of youth, and after
weeks of dumb agony made just possible to
endure by the routine of her ministration to
the wounded, Katherine returns to her Paris
lodgings, and learns that McNare has been
bereft of the sole joy of his life by a midnight
bomb from the skies that has made his little
Peggy its victim. The two stricken mortals
find what solace they can in their mutual sym-
pathies, and Katherine accepts McNare's
escort to England, where they spend some
weeks in the peaceful Cotswolds. And one
morning in November, when Katherine, after
a weary night, has risen before dawn, and
climbed to the summit of a hill, life is sud-
denly born anew in her, and the clan vital
asserts its mastery over her shattered existence.
" Suddenly she felt herself strong and enduring,
even as the earth was enduring, and in the ele-
mental clay her spirit burned with a new fire. . . .
She felt glad. Life was not all horror while it
held love and beauty, and love was not gone while
memory lived. . . . Her heart was not empty! It
held priceless memories of love and courage. Bitter
that Jeffrey must be one of the martyrs in that
struggle of the everlasting verities of freedom and
right against undying stupidities and cruelties, but
splendid for her that he had lived, that she had
known him, that they had loved ! She looked out
over the world, fresh and beautiful, and though
the irrecoverable beauty and freshness of her own
life were gone, her splendid chance for perfect
joy, she felt the indestructible forces of youth and
life within her. And she knew that she would go
on, and go on bravely and stanchly, not darkening
a sad world with her grief, but drawing strength
466
THE DIAL
[ June 10
from her memories, from her own soul, and from
the strength of this nature, so impersonal, so en-
during, so free of beauty."
The chapter from which these quotations are
made offers us at once the best writing and
the most vital philosophy of the entire book.
Nothing remains but a kind of epilogue in
which the two return to Paris, and discover
that it is still possible for them, in companion-
ship with one another, to patch up their broken
lives, and be of some use to the world.
" 'You don't know — how much I want to give.
How much there is to give/ she said chokingly.
' Of all people in the world, I — I could begin
again with you. . . . We've borne — enough of hurts.
There are other ways of helping — for us both.
But don't go out to fight — with that hate in your
heart! Not — not yet — not till they need you!
We'll help, we'll spend our lives in helping . . .
but let it be now for the little children, the home-
less ones — for Peggy's sake. . . . Oh, you'll stav ?
You'll stay with mef "
This is the deft and natural solution found by
the author for her extremely difficult emo-
tional complication, and this is the ending of
a very tender, wise, and beautifully written
story. WILLIAM MORTON PAYNE.
NOTES ON NEW NOVELS.
One reads rather dejectedly the earlier chapters
of Mr. John Corbin's " The Edge" (Duffield), sus-
tained rather by the thought that the author has
never been guilty of trifling with his readers than
by any evidence of it at hand. The reward comes
after this preliminary lightness has been passed,
for the book turns to an attempt to solve the bitter
problem which decent Americans confront who are
trying to have children and bring them up accord-
ing to right standards. As one goes on, it becomes
apparent that the author is going down to the cause
itself, and that he finds it in the lack of a religion
that affords a workable rule of life seven days in
the week. It can hardly be said that Mr. Corbin
mingles his propaganda with his fiction without loss
to the latter, but he has nevertheless written a book
that deserves reading.
The problems arising from the passing of the
old New England stock afflict the hero of Miss
Honore Willsie's " Still Jim " (Stokes), who wishes
to marry and have many children for the sake of
perpetuating, with his family name, the ideals of
the founders of so many of our best traditions.
With this fundamental motive, Still Jim — the
qualifying adjective bespeaks his reticence —
enters the United States Reclamation Service, and
there accomplishes noteworthy results, chief of
which is overcoming those qualities in himself
which have retarded the realization among us of
the old ideals. The book is interesting in many
ways, with the element of romance well sustained.
If American novelists have in the main fallen be-
hind their brethren of Great Britain, we are still
able to point to several writers of short stories on
this side of the Atlantic who may challenge com-
parison with any abroad. Among these latter high
rank must be given to Mrs. Katharine Fullerton
Gerould, whose second volume, " The Great Tradi-
tion and Other Stories " ( Scribner) , has now been
published. It contains eight examples of short
fiction, all but one bearing the same firm traces of
masterly handling in much the same genre as char-
acterized the author's earlier book. The reactions
of persons of high intelligence and developed senti-
ment are set before the reader's eyes recognizably
and with an admirable power of analysis. Lovers
of literary art will rejoice at this new evidence of
Mrs. Gerould's skill.
Mystery without murder implicit in the main,
situation, and with a solution more carefully con-
cealed and less in the nature of things than in most
books of the sort, characterizes " Pals First "'
(Harper), by Mr. Francis P. Elliott. What ap-
pear to be a young escaped convict and an old
clergyman who has served a term in an English
prison for proved manslaughter descend as tramps
upon a southern mansion. The young man is
recognized by the old colored servants as their
young master, and a highly elaborated scheme of
deception follows. There is an amazing lack of
good breeding in the supposedly cultured princi-
pals, but the story moves well and there is a sense
of fun in nearly every situation.
The European element in modern America is
widening our selection of literary topics. A few
years ago such a book as Mr. James Oppenheim's
" The Beloved " (Huebsch) would have been
thought impossible. It deals with a common girl,
the daughter of nobody, and a young New England
writer and poet just arrived in New York. Through
his love she finds herself at the end with her better
nature and ambitions awakened, and entered upon
a career as one of the most popular of moving-
picture actresses. The boy had to be sacrificed to
bring her to self-realization, and the earlier steps
in their intercourse are shown with a fidelity to fact
which would have startled an earlier generation.
" Spray on the Windows " (Doran) is a well
considered story of life in a small English seaside
town, written by Mrs. J. E. Buckrose. It deals
with the career of a girl who intends to bend life
and love to her will, but who finds love too strong^
With the selfishness of youth, she plans to marry
well. Becoming the highly valued companion of
an old family friend, she somewhat artlessly en-
gages the affections of the old lady's heir. But
there has been a young neighbor, a man with whom
fate has dealt hardly and unjustly ; and love beck-
ons away from the ease she had longed for, and
leaves her at the close of the book strong to work
out a worthy destiny as wife and mother.
Mr. Richard Marsh writes good detective stories,
but seldom stories of good detectives. In " The
Woman in the Car " (Lippincott) the officers of the
law, after spending three hundred closely printed
pages in looking for the murderer of a prominent
financier, have the questionable satisfaction of see-
ing the financier enter their office for the purpose
of telling them their mistake. There are two other
1915]
THE DIAL
467
deaths in the progress of the tale, but the police
arrive at no result with regard to either of them,
one passing as suicide and the murderess giving
herself up for the other. The story has all the
complications that the most exigent reader could
demand.
As a thoroughly complicated mystery story, with
the solution well concealed until near its close, when
the tangled skein is unravelled after the manner of
a complicated chess problem, "A Silent Witness "
(Winston), by Mr. R. Austin Freeman, is to be
highly recommended. It opens with the murder to
which readers of such stories are accustomed, fol-
lowed by a suspicious death, and these in turn by
several calculated attempts upon the life of a young
English physician — of the rather impenetrable
type usual in such cases. A fellow-practitioner,
but one in the field of medical jurisprudence, is the
brains of the case.
Miss Carolyn Wells has turned her attention of
late to stories of mystery, one Fleming Stone being
the M. Dupin of her narratives. " The White
Alley " (Lippincott) is the latest of these, and he
brings a murderer to book by means of a boy's mar-
ble which, dropped from an attic, conducts him to
the missing corpus delicti. It is done with a quite
wonderful economy of effort, and little of the spec-
tacularity usual on such occasions, but the story as
a whole suggests that Miss Wells will do better
when she becomes more accustomed to this sort of
writing; the machinery creaks a little here.
An old fashioned novel in its length and particu-
larity of treatment is Mrs. Kathleen A. Lund's
"Oliver in Willowmere" (Heath, Cranton &
Ouseley). With the third chapter we are introduced
to fully thirty characters who play parts through-
out the story. Chief of these characters is a non-
conformist clergyman who for a time preaches to
a congregation in the fenland country of England.
The people of the book are well differentiated, and
many of them will constitute friends for the reader,
coming as they do from all the walks of life in a
small English town.
The protagonist of " The Boss of the Lazy Y "
(McClurg), by Mr. Charles Alden Seltzer, is a
reckless, ill-natured brute to whom his father on
his death leaves his ranch on condition that the son
show signs of amendment. To a young girl he
leaves the actual possession of the property, with
the provision that it shall revert to her at the end
of a year if the experiment fails. This is the basis
for all that is worth while in the story, but it is
complicated with a great deal of needless episode
which hampers the plausibility of the whole sensa-
tional yarn.
Grown persons as well as children will find inter-
est in " Pierrot, Dog of Belgium" (Doubleday), by
Mr. Walter A. Dyer. Its hero is one of those super-
serviceable animals of Flanders, bred for use as a
hauler of burdens in peace, and graduated into the
service of a small-gun battery when war broke upon
his unhappy country. One may enter deeply into
the feelings of a stricken people through this faith-
ful medium, and both the dog and his masters are
impressively drawn.
Studies in
BRIEFS ON NEW BOOKS.
The Percy Turnbull Memorial
Chaucer and Foundation in the Johns Hop-
his times. i • TT • -i i i
Kins University has brought
forth some admirable lectures on poetry
since E. C. Stedman in 1891 delivered the
first of the series on " The Nature of Poetry."
Unfortunately, too few of these have been
published since Jebb and Tyrrell followed
the excellent example of Stedman in giv-
ing a wider publicity to their lectures. We
are therefore very glad that Professor Kit-
tredge, who lectured last year on " Chaucer
and His Times," has had his lectures published
( Harvard University Press) . There is no one
in America more qualified to speak on Chaucer
with discrimination and lively sympathy. He
has interpreted the poet in terms of the pres-
ent without any suggestion of cheap populari-
zation. Chaucer moves before us as he did in
that vital and interested age, pursuing his vast
specialty, the study of mankind; and he be-
trays in his work the artist whose great joy
was in his fellow man. Four works are taken
up in considerable detail, — "The Book of the
Duchess," " The House of Fame," " Troilus,"
and " The Canterbury Tales." It is hard to
say which of these is most successfully treated ;
perhaps the lecture on " The House of Fame "
is the least pleasing and that on " Troilus "
reveals the scholar's keenest enthusiasm.
Especially good, just to mention a detail or
two, is the discussion of the naivete of the
" Book of the Duchess " as being that of the
Dreamer (not Chaucer), who displays such
insight into the needs of a heart bleeding with
grief that he has been accused by unsympa-
thetic and undiscerning critics as being dull
of comprehension instead of showing the " art-
less artfulness of a kindly and simple nature."
" Troilus " is not merely " the most beautiful
long narrative poem in the English language,"
as Rossetti termed it, but " the first novel, in
the modern sense, that ever was written in the
world, and one of the best." So the poem is
considered as a tragedy of character growing
out of the tragedy of situation, and especial
study is made of the three great characters,
Troilus, Cressida, and Pandarus, with the
conclusion that something is amiss in this
society with its code of love. When Troilus
has died, " the great sympathetic ironist drops
his mask, and we find that he has once more
been studying human life from the point of
view of a ruling passion (as he had done in
' The House of Fame ') , and that he has, no
solution except to repudiate the unmoral and
unsocial system which he had pretended to up-
hold." "The Canterbury Tales" are treated
468
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[ June 10
as a great drama in which the characters for
the most part determine the action and the
sequence of the tales. Especially is this seen
in the Marriage Group, which begins with the
Wife of Bath's Prologue and ends with the
Franklin's Tale. It is rather remarkable that
no reference is made to Professor Frederick
Tupper's striking theory of Chaucer's use of
the motifs of love and the seven deadly sins in
binding these tales into a more complete unity
than had hitherto been conceived of. A very
interesting bit of interpretation is that of the
lines at the close of the Pardoner's Tale when
he suddenly and unexpectedly drops his cyn-
icism and shows that he has not always been
an assassin of souls:
" And Jesu Crist, that is our soules leche,
So graunte yow his pardon to receyve ;
For that is best — I wol nat yow deceyve."
"A very paroxysm of agonized sincerity," to
be followed immediately by " a wild orgy of
reckless jesting." It is strange!
<• The mystery In considering what Tyndall has
and the miracle expressively denoted " the mys-
tery and the miracle of vitality,"
Mr. John Burroughs says : "I have had a
good deal of trouble in trying to make my in-
born idealism go hand in hand with my inborn
naturalism ; but I am not certain that there is
any real break or contradiction between them,
only a surface one, and that deeper down the j
strata still unite them." Nevertheless, in the
dozen chapters of his book, " The Breath of
Life" (Houghton), from which these words
are quoted, he makes no visible progress, and
doubtless did not expect to, toward establish-
ing a connection between the two. The mys-
tery of life, defying all explanation on the
part of scientist and naturalist, is his theme,
from beginning to end, under slightly varying
aspects, as it has already been his chosen topic
in some of his former writings. Citing with
more or less of agreement or dissent such
authorities as Darwin, Tyndall, Spencer, Hux-
ley, Sir Edwin Ray Lankester, Professor
Haeckel, and, with a different emphasis, Pro-
fessor Bergson (to whom he not very long ago
devoted a cordially appreciative chapter) , Mr.
Burroughs presents in highly interesting and
suggestive fashion a cursory view of the dif-
ferent methods of approach to this fascinating
and tantalizing problem, and, as was of course
to be expected, leaves us at last as hopelessly
and delightfully perplexed as we were in the
beginning. The very breath of life to the
problem is its insolubility. More than half
the charm of the book, for most readers, is ex-
plained in its author's prefatory confession of
his own attitude toward his theme. " I am
forced to conclude," he tells us, " that my pas-
sion for nature and for all open-air life,
though tinged and stimulated by science, is not
a passion for pure science, but for literature
and philosophy." His imagination and in-
grained humanism, he adds, are appealed to
by natural history, wherein he finds some-
thing akin to poetry and religion. It is, in-
deed, the poetry and the humanism of the book
that render it so readable and make it litera-
ture rather than science. A reproduction of
Mr. Pietro's bust of the author is shown in the
frontispiece.
A notable new book by Dr. W. B.
Cannon considers the subject of
"Bodily Changes in Pain, Hun-
ger, Fear, and Rage" (Appleton). As the
result of an elaborate series of ingenious
experiments, a distinct mechanism is estab-
lished for the emotional support. The adrenal
glands play a central part in it. It is a specific
device for the intensification of energy, and the
further protection of the organism when un-
der extreme emotional excitement in urgent
situations. To a minor degree the same order
of process accompanies emotional excitement
of a milder range. Pain, hunger, fear, and
rage represent the situations of the struggle
for existence or its incidents. It is in the
interests of these that the evolution of the
mechanism has proceeded. Adrenin increases
the blood sugar, hurries coagulation (a vital
matter in the bloody business of fighting) , and
gives spurt to muscular energy. All these
changes are detectable in the subjects of ex-
citement— both players and spectators — of
a football game, as also in the "before"
and " after " of a severe examination. The
mechanism is intimately psychic ; the emotion
is essential to its summons. The fact that ani-
mals share a comparable emotional disposition
is established. As the human mouth waters
at the sight of tempting food, so also will the
flow of saliva in a dog be stimulated only when
appetite is present. Contrariwise, nervous
excitement stops the flow of the gastric juices;
the reality of nervous indigestion is adequately
sustained by physiological evidence. There
are also illuminating side-lights upon the
physiological setting of the emotional states ;
not the least interesting of these is that the
" emotional " defence of war has no exclusive
vantage as against other active rivalries, such
as sport. The central value of this able volume
lies in its correlation of the physiological
changes ; it thus gives a consistent interpreta-
tion of certain hitherto obscure mechanisms of
the emotional life. It is a positive and an
important contribution.
1915]
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469
international^111 wwot years there has been
the Monroe an increasing disposition among
students of American foreign
policy to find fault with, the Monroe Doctrine
as it is now interpreted ; and some, even, are
beginning to denounce it as an obsolete shib-
boleth, the continued enforcement of which
by the United States alone is a wrong to the
greater powers of South America and a con-
stant source of danger to this country. Some
demand that it should be abolished outright;
others that it should be radically altered, and
restored to its original character; still others,
that it should be "internationalized," and
other nations be invited to cooperate with the
United States in the maintenance of the doc-
trine. Among those who advocate the last-
mentioned policy is Professor W. I. Hull of
Swarthmore College, who has recently pub-
lished a little volume of addresses entitled
" The Monroe Doctrine : National or Inter-
national" (Putnam), in which he maintains
that the United States cannot expect to lay
the foundation of permanent peace and genu-
ine justice if it continues to insist on an exclu-
sive responsibility for the doctrine. It is not
only foolish but wrong, he argues, for a single
nation to attempt to perform what is evi-
dently a world-task. The rest of the world,
we are told, has lost patience with our attempts
to square our practice with our political the-
ory, and it has become increasingly evident
that the logical solution of the problem is the
assumption of the rights and responsibilities
which the doctrine entails, by the entire fam-
ily of nations and its subjection to the institu-
tions established at the Hague. There is much
in this suggestion that will commend itself to
thoughtful men; but there are still many to
whom the idea will, as Professor Hull admits,
appear to be little short of treasonable.
. ,-,,,• Few writers on charity work
A contribution -,-,-, -, s • a
to social have had so long and varied an
experience therein as Dr. Ed-
ward T. Devine, General Secretary of the
Charity Organization Society of New York
City, and either past or present officer in many
similar bodies engaged in the relief of distress
and the amelioration of social evils. Thus his
book, " The Normal Life," speaks with a meas-
ure of authority that is none the less impres-
sive by reason of its tentative, undogmatic
way of presenting social problems and their
possible solutions. He recognizes " how little
we have done as yet about some things, how
few are the consecrated workers, how limited
our vision, how inadequate our practical appli-
cation of that admirable principle of coopera-
tion so constantly on our lips, how provincial
and fragmentary all our philanthropy, even
the best of it, how unworthy to be called either
charity or justice, if by those noble words we
mean what our fathers meant, or what our
sons will mean by those or better terms describ-
ing the better human relations which are to
be." Instead of treating specifically any one
or several of the pressing social problems, the
author chooses " another method of approach,
hoping that we may get both unity and propor-
tion into our study, and perhaps see some old
problems in a new light, if we take for our
background the normal individual life, and,
following it through from beginning to end,
try to determine what are the social conditions
and social provisions which are essential at
each stage to securing it." This normal life he
considers successively in its seven natural
divisions, the pre-natal period, infancy, child-
hood, adolescence, early maturity, full matur-
ity, and old age; and that reader must be
little interested in human welfare who fails to
find the book full of suggestion. Its value to
social workers is beyond question. Dr. Devine
finds time, amid his other activities, to edit
" The Survey," as many readers already know,
and his present volume is published by the
Survey Associates, of New York.
As John Muir was known as the
Father of the Yosemite, so Mr.
Enos A. Mills might fairly be
called the Father of Rocky Mountain Park.
It is largely due to his untiring enthusiasm
and perseverance that this magnificent bit of
mountain scenery has been preserved for all
time as a playground for the people. In his
book, "The Rocky Mountain Wonderland"
(Houghton), Mr. Mills describes this region
of towering peaks, canyons, alpine meadows,
forests, and lakes. But he does much more
than this: his book is the record of one who
has for many years lived on intimate terms
with the Rockies and their wild inhabitants,
and writes from the fulness of his knowledge.
The titles of some of his chapters suggest
the range of his knowledge and interest ; but
they can give only a faint idea of the minute-
ness and sympathy with which he has studied
the life of the mountains, and none at all of
the charming simplicity and directness of his
style. He tells us intimate stories of Mountain
Sheep, Grizzly Bear, Beaver, Silver Fox,
Woodchuck, and Chipmunk; of the struggle
for existence in winter snows; of the growth
and decline of forests and mountain lakes ; of
the birds and flowers that lend music, color,
and fragrance to these high wildernesses; of
the eccentricities of snow-slides; and of a
hundred and one other things that make up
470
THE DIAL
[June 10
this mountain world of which most of us, even
those who have spent many seasons in the
Rockies, know so very little. And to illustrate
his narrative, Mr. Mills has brought together
a score or more of striking photographs of
mountain life and scenery. Altogether the
book is a notable one.
Scientific information for the
exPerts and specialists in tropi-
cal medicine and sanitation has
grown with astonishing rapidity in the past
decade, and popular treatises on restricted
parts of the subject are available for the lay-
man. However, no single book written from
the elementary standpoint in simple concise
form so fully covers the whole field as does Mr.
W. Alexander Muirhead's " Practical Tropical
Sanitation" (Button). The author has had a
prominent part in the practical administration
of the application of the science of preventive
medicine under frontier conditions in the
tropics. This probably explains the didactic
tone of treatment, and the forceful presenta-
tion as well as the minor omissions, imperfec-
tions, and occasional scientific lapses. The
book treats of the causes of avoidable tropical
diseases, and their methods of social control,
of mosquitoes and flies and the havoc they
play by spreading malaria, sleeping sickness,
and other forms of transmissible disease. The
principles, methods, and official routine of
inspection, disinfection, and police control are
diagrammatically outlined. Ventilation, the
protection of food and water, and the disposal
of refuse are discussed in an elementary way,
and sanitary law and practice are fully elabo-
rated. The work is a valuable one for sani-
tary constabulary, and for lay use by estates,
mines, and all commercial enterprises in the
tropics for popular instruction and social pro-
tection. The reduction of the death rate
among European officials in West Africa from
90 to 11.8 per thousand between 1896 and
1913 by sanitary measures is a convincing
argument for the utility of the methods advo-
cated in this manual.
Determinism
and romance.
Pierre (Mme. Favre) de Coule-
vain does not give us a book of
fiction in "The Wonderful Ro-
mance" (Dodd, Mead & Co.), but has availed
herself nevertheless of her ability as a story
teller in bringing together all sorts of inci-
dents from real life, from history, and from
religion, to show the world what enlighten-
ment comes from complete acceptance of the
doctrines of determinism. That we are under
an immutable law, predetermined in its action
down to the minutest detail, is her firm convic-
tion, and free will she puts by as carefully as
any Calvinist. That this law is beneficent in
its operations, however things may seem, she
proves as far as she can, and it serves to sup-
port as buoyant an optimism as can well be
imagined. By the light of her faith she exam-
ines many incidents in her own experience,
some of them trifles taken by themselves ; and
passes from them to great sweeps of history,
such as one finds in Gibbon, and to great
human institutions, such as the Church of
Rome. The universe is her field, at last, and
everywhere is there evident to her eyes a great
power, not ourselves, working for righteous-
ness. Needless to say, the individual counts
for comparatively little in such a philosophy.
But the writer's outlook is clear and hopeful,
and the book is well written and entertaining
even when seeking most to be instructive. The
translation, made by Miss Alys Hallard, leaves
much to be desired. The work is dedicated to
America, — ' ' Country of New Thoughts. ' '
The universal actions have been Sim-
appeal o/ pie, and all great pictures are,
says Emerson, whom Professor
Edwin Watts Chubb appositely quotes in
opening his " Sketches of Great Painters," a
series of untechnical chapters offered by one
who, as he modestly explains, thought he
might, " knowing so little about art . . be able
to interest the ' hoi polloi ' who know even
less." Accordingly he has set down the things
that interest him, and that will interest many
others, in regard to certain masters, old and
modern, and their masterpieces. Appreciative
comment, biographical information, and char-
acteristic anecdote, all find appropriate place
in the fifteen sketches dealing with as many
artists, not arranged in chronological or any
other order, apparently, but introduced each
as the impulse moved. Thus Raphael heads
the list and Van Dyck stands at the foot, while
between them are scattered Millet, Leonardo
da Vinci, Rembrandt, Whistler, Turner, Ti-
tian, Rubens, Corot, Michael Angelo, Rey-
nolds, Murillo, Velasquez, and Rosa Bonheur.
The author has spent many hours in the chief
picture-galleries of Europe and America, so
that his present work is no hasty production
of the moment. Gifted with a taste for the
best in art, he renders intelligent aid to his
readers in the appreciation of that best, and
does it in so unobtrusive and undogmatic a
manner as to ingratiate himself at once with
the " hoi polloi " whom, with humorous self-
depreciation, he hopes to interest. Eighteen
reproductions of well-known masterpieces are
provided, and the book is published in pleasing
form by the Stewart & Kidd Co. of Cincinnati.
1915]
THE DIAL
471
mnmn ' in , Amid the welter of Feministic
Woman s place .
in modern literature, Mrs. Florence Guerin
Tuttle's "The Awakening of
Woman " (Abingdon Press) should take an
honorable place. Despite the continual striv-
ing after phrasal felicities, and the rather pro-
nounced oratorical style, there is so much
truth and such a degree of reasonableness in
it that it must do the cause good in quarters
which have hitherto been impervious. The
chapters dealing with " Woman and Genius,"
" Creative Womanhood," and " Motherhood "
are the least provocative of irrelevant objec-
tions. The analysis of the conditions necessary
to genius is very good, but certainly many
sympathetic readers will find the writer's
selection of Madame Montessori, Madame
Curie, and Mary Baker Eddy as the three
greatest geniuses among modern women a
curious one. " The Revaluation of Life " and
" The Relation to Eugenics " are not so sanely
reasonable. The author makes the common
mistake of assuming that children, especially
female children, have only one parent, a
mother; also that the father's relation to the
child is nearly, if not altogether, a material
one. She is also peculiarly responsible for
the post hoc ergo propter hoc fallacy that the
immense recent progress in eugenics is due to
the work of women. The book has not been
sufficiently revised for perfect coherence ; but
it is on the whole stimulating, suggestive, and
distinctly worth while.
New edition SeV6n yeaFS ag° the ReV' John
of a handbook P. Jones, D.D., produced an un-
usually good introductory book
on "India: Its Life and Thought" (Mac-
millan). It was frankly intended for readers
who were not familiar with the field, and was
"based on thirty years of matured expe-
rience ' ' in the most interesting land under the
sun. Naturally, the author's point of view
was given by his life work ; but he tried to be
scrupulously fair, and has succeeded much
better than many of his fellow workers. The
first edition had four successors, and on the
whole this popularity has been deserved.
However, we have one serious protest to enter :
the references to political India should have
been brought up to date in the issue of 1915,
lately published. It is simply absurd to print
in a book appearing this year the following
statement about Lord Morley's famous reor-
ganization : ' ' Even at the present time the
Secretary of State for India has introduced a
scheme which will add materially to the power
of India in the conduct of its own affairs."
Similarly, there is no excuse for quoting the
census of 1901 when the figures for 1911 have
been available so long. Furthermore, why
should our best publishing houses not adopt
the plan of printing distinctly on the title-
page the number of the edition, with the date
of the work's original appearance? Of course
we may usually turn the leaf over and find
this information in small type ; but the more
direct method has every advantage.
BRIEFER MENTION.
" Outlines and Summaries " (Holt), a little man-
ual prepared by Professor Norman Foerster for the
use of freshmen in college, presents a formal and
practical method of teaching students how to make
analyses of expository essays. The illustrative
material is fresh and interesting, and the compiler's
enthusiasm for his task is very clearly reflected
throughout.
"Readings from American Literature" (Ginn),
by Mary Edwards Calhoun and Emma Leonora
MacAlarney, is a textbook combining both prose
and verse. It will be welcomed, as something that
has long been needed, even though the idiosyncra-
cies of the editors, and no doubt copyright difficul-
ties as well, have prevented it from being as repre-
sentative as many teachers will wish. The space
given to seventeenth and eighteenth century writers
seems proportionally too great, at least for high
school students; and several later writers who
should be included in even a hurried survey of
American literature are omitted altogether. But the
selections are in general well made.
For children who find the transition from the
rhythmic work of the kindergarten to the more
elaborate folk and aesthetic dancing somewhat diffi-
cult, and consequently uninteresting, Mrs. Irene E.
Phillips Moses has arranged a book on " Rhythmic
Action: Plays and Dances" (Milton Bradley Co.),
that is adapted to the needs of the primary school,
playground, and gymnasium. Many of the rhymes
are from "Mother Goose"; the others are all
popular favorites, or else have been chosen because
of their contemporary or nature-study interest.
Illustrations and music add to the usefulness of the
volume, which has been prepared primarily to give
pleasure to active, healthy childhood.
The California missions have received their full
share of attention during the past two years, owing
to the adventitious interest derived from the Pan-
ama-Pacific Exposition. Accordingly, Messrs. J.
Smeaton Chase and Charles Francis Saunders have
been at some pains to give a new turn to their
treatment of " The California Padres and Their
Missions" (Houghton). They begin with the per-
sonal contact with the traveller with each mission,
and end with some personal reminiscence of one or
another padre connected with the mission discussed.
The volume is an intimate and sociable guide-book,
the material of which seems to be trustworthy,
excepting where it frankly gives rein to the imag-
ination. The making of the book, including the
illustrations, is well up to the high standard which
we have come to expect from the publishing house
whose imprint it bears.
472
THE DIAL
[June 10
NOTES.
A new edition of Messrs. Harper's ten-volume
" Encyclopaedia of United States History " will be
issued at an early date.
During the autumn a new edition of the works
of Oscar Wilde, in thirteen volumes, will be pub-
lished by Messrs. Putnam.
An English translation of General Joffre's 'book,
" My March to Timbuctoo," with an introductory
sketch by Mr. Ernest Dimnet, will soon be issued
by Messrs. Duffield.
A translation by Miss Mary Blaiklock of M.
Remain Holland's " Musiciens d'Autrefois," will
shortly be published under the title of " Some
Musicians of Former Days."
Mr. William Lindsey's drama, "Red Wine of
Rousillon," which was announced by Messrs.
Houghton Mifflin Co. for publication this spring,
will not appear until autumn.
A volume entitled " Citizens in Industry," by the
late Dr. Charles R. Henderson, will be published
this month by Messrs. Appleton. This house has
also in press an account of " Sanitation in Pan-
ama " by Major-General W. C. Gorgas.
" Others," a new monthly devoted to the interests
of poetry, will make its initial appearance this
month. The editors are Messrs. Alfred Kreymborg
and Walter Conrad Arensberg, and the magazine
will be issued temporarily from Ridgefield, N. J.
In ' the immediately forthcoming volume, " The
Japanese Problem in the United States," by Mr.
H. A. Millis, the author discusses two phases of
the question, — the admission of Japanese immi-
grants and the treatment accorded those who are
already here.
" The Note Book of an Attache," by Mr. Eric
Fisher Wood, will be one of this month's publica-
tions of the Century Co. The author, who was
studying architecture at the Beaux Arts in Paris
when the war broke out, offered his services imme-
diately to the American Embassy in Paris, and has
had several months' experience at the front.
A new poetic drama on the war has been written
by Mr. Stephen Phillips and will be published in
book form by Mr. John Lane probably next month,
under the title of "Armageddon." The drama is in
three acts, with a prologue in which the shade of
Attila is dispatched by Satan to take possession of
the Kaiser's person. The scene of the first act is
laid outside Reims; that of the last in Cologne,
with the Allied forces.
Mrs. Ghosal (or Scrimati Svarna Kumari Devi) ,
the sister of Rabindranath Tagore, whose Indian
romance "An Unfinished Song" was published in
an English translation about a year ago, has trans-
lated another of her novels for early issue, under
the title " The Fatal Garland." The story, which is
illustrated by native artists, is written round some
events of Indian history of the fourteenth century,
and contains much of Hindu philosophy.
An English publishing house will shortly publish
on the same date two books on Mr. Bernard Shaw,
in one of which he is proclaimed as " the twentieth
century Moliere," and in the other denounced under
the title " Common Sense about the Shaw." The
first work is an English edition of the study of Mr.
Shaw by Augustin Hamon, translated from the
third French edition by Eden and Cedar Paul.
The denunciation has been written by Mr. Harold
Owen, part author of the play " Mr. Wu."
A new edition is in preparation of " The Col-
lected Works of Aphra Behn," in six volumes,
printed by Mr. A. H. Bullen at the Shakespeare
Head Press, Stratford-on-Avon, under the editor-
ship of Mr. Montague Summers. More than forty
years have elapsed since the last edition of Aphra
Behn was issued, and that was merely a reprint,
with no attempt at serious editing, omitting much
of her work, including all her poetry. Even in its
incomplete state, the edition of 1874 has become
rare and costly.
The place of Belgium in the modern world of
letters is estimated in Mr. Jethro Bithell's study of
" Contemporary Belgian Literature," which Mr.
Fisher Unwin of London will shortly publish. The
author traces the development of recent Belgian
literature from about the year 1880 — when a group
of students at Louvain, including Emile Verhaeren,.
began the campaign for new ideals in the Uni-
versity magazines — down to the present day. Ex-
amples are given of the best work of representative
authors, especially of the poets.
The latest number to reach us of " Special Li-
braries"— Vol. 6, No. 4 (April, 1915) — contains
an article of some length, and rich in noteworthy
facts, on " Organized Information in the Use of
Business," by Mr. John A. Lapp, Director of the
Indiana Bureau of Legislative Information; a
shorter article on " Handling a Large Circulation
in an Office Library," by the librarian of the Pub-
lic Service Commission Library of New York City ;
a fourteen-page " List of References on Municipal
Accounting," and a page or more of names of
bibliographies relating to municipal administra-
tion, social work, the present war, and other
subjects.
The recent death in the Dardanelles of the prom-
ising young English poet and critic, Rupert Brooke,,
has naturally led to a decided general interest in
his work. There will soon appear a volume con-
taining all the poems written by him since the
appearance of his 1911 volume. The new book
will be called " 1914, and Other Poems," and will
contain a photogravure portrait. The five 1914
sonnets will come first in the book; then a group
called " The South Seas " ; then a number of
" Other Poems " ; and then " The Old Vicarage."
We may expect it to be followed by a collected
edition including the poems, the book on Webster,
the critical articles, and the prose sketches which
were among the most charming things that Brooke
wrote,
" State Documents for Libraries " is the title of
a carefully written pamphlet of 163 pages, form-
ing No. 36 of Vol. 12 of the " University of Illi-
nois Bulletin." Mr. Ernest J. Reece, of the Library
School of that university is its author, and he has
grouped his matter under six heads, — " The Field
of State Documents," " The Selection of State
Documents for Libraries," " Description of State
1915]
THE DIAL
473
Departments and Documents," " The Treatment of
State Documents in Libraries," " The Distribution
of State Documents," and " Bibliographical Mat-
ter." The methods of distribution in our different
states are fully described, and suggestions are
offered for " a model law on printing and distri-
bution." All librarians are more or less tormented
by the public-document problem, and they will
•welcome this able monograph on the subject.
The "Twentieth Annual Report" of the John
Crerar Library notes the unavoidable injurious
effect of the war upon its activities, and yet chron-
icles encouraging progress in growth and useful-
ness. Additional room has been secured on the
seventh floor of the building where the library is
now situated, pending the erection of a building
•of its own, which the directors have decided not
to begin until 1917. Unusually long, compared
•with that of other libraries, is the list of donors
to the John Crerar Library for the year 1914; it
fills forty-five double-column fine-print pages. A
biographical notice of the late Eliphalet Wiekes
Blatchford, director from the foundation of the
library, and since 1900 chairman of the committee
•on administration, is contained in the Report.
An intimate picture of Roman social and family
life under the Napoleonic regime is contained in
•" The Patrizi Memoirs," by the Marchesa Madda-
lena Patrizi, translated by Mr. Hugh Fraser, which
•will appear shortly. The book is based on letters
and diaries collected by the author through years
of research in France and Italy and printed for
family circulation some years ago. It is now pre-
sented to the public for the first time, with an
historical introduction by Mr. J. Crawford Fraser.
The worst side of Napoleon's character is revealed
in his treatment of the Marchese Giovanni Patrizi
and his wife, who, as the Princess Cunigonda of
Saxony, and cousin of Louis XVI., roused the worst
hatred of the Emperor. The records serve to show
that whereas the harsh treatment of those who were
•considered dangerous and recalcitrant Catholics
T^as left to the officials, Napoleon himself made
that of the Patrizi family his personal affair.
We quote the following interesting paragraph
from the London " Nation " : " Sir William Robert-
son Nicoll has not abandoned his project of writing
a history of English periodical literature in the
Victorian era. We have become so accustomed to
periodicals that it is not easy to realize the extent
-of their influence on the world of books. They
Tiave certainly affected the development of prose
style, something of the form as well as the content
of our fiction is due to them, and it is through them
that the greater part of our literary criticism has
been introduced to the world. ' If any one will run
over in his mind the list of the most remarkable
critical books of the last fifty years/ says Pro-
fessor Saintsbury, ' he will find that scarcely one
in ten, perhaps not one in twenty, has had an
original appearance wholly independent of the
periodical.' ' To write articles for money and
books for love ' is often a convenient arrangement,
and not the least of the services of the periodicals
is that they have enabled men of letters to gain a
livelihood without sacrificing their independence."
TOPICS IN LEADING PERIODICALS.
June, 1915
Actress, Ambitions of an. Margaret Anglin . . American
Alaska, Freeing, from Red Tape. F. K. Lane . JVo. Amer.
America, The Duty of. George Harvey .... No. Amer.
American Citizenship. Theodore Roosevelt . Metropolitan
Anthony, Susan B. Anna H. Shaw .... Metropolitan
Argonne, In. Edith Wharton Scribner
Arms and Man. Henry W. Nevinson Atlantic
Art, New Note in. Ada Rainey Century
Australia, Wages Boards in. M. B.
Hammond Quar. Jour. Econ.
Austria-Hungary and Serbia. G. M. Trevelyan . No. Amer.
Baseball : The Ideal College Game. Lawrence Perry Scribner
Borel, Petrus. Arthur Symons Forum
Boy Scouts, The. Cecil Price Hibbert
Boys' Court of Chicago, The. Evelina Belden Am. Jour. Soc.
Bridges, Robert, Poetry of. L. W. Miles .... Sewanee
Bulgaria's Dream of Empire. T. L. Stoddard . . Century
Business, American, and the War. E. M. Woolley Everybody's
Business, Sticking to Old Ways in. Ida M. Tarbell American
Business Conditions. Melvin T. Copeland Quar. Jour. Econ.
Carlyle's Germans. J. M. Sloan Hibbert
Celibate Women of To-day. Earl Barnes .... Pop. Sc.
Character and Temperament. Joseph Jastrow . . Pop. Sc.
China, Reform in. Frank J. Goodnow . . . Am. Pol. Sc.
China and Autocracy. J. O. P. Bland Atlantic
Christian Endeavour Movement, The. F. E. Clark Hibbert
Christian Science, Method of. L. W. Snell . . . Hibbert
City Summers. Harrison Rhodes Harper
Collegian, The Calumniated. Mary L. Harkness . Atlantic
Color Music as an Art. Edwin R. Doyle .... Bookman
Conflict, Problems of. Evelyn Underbill .... Hibbert
Dallin's Indian Sculptures. W. H. Downes . . . Scribner
Defence, National, First Line of. Perry Belmont No. Amer.
Defence, National, Problem of. L. M. Garrison . No. Amer.
Delinquency : The Ohio Plan. T. H. Haines . . . Pop. Sc.
Democracy and War. W. J. Tucker Atlantic
Drinkwater, John. Milton Bronner Bookman
Duncan, Isadora, Art of. Sonya Levien . . . Metropolitan
" Efficiency," Moral Failure of. E. D. Schoonmaker Century
England in Wartime. P. A. Bruce Sewanee
English, Teaching of. Burges Johnson .... Century
Europe, Our Debt to. Theodore H. Price . . World's Work
Exports " by Mail," Selling. W. F. Wyman . World's Work
Fertilization of the Egg. J. F. McClendon . . . Pop. Sc.
Fiji, A History of. Alfred G. Mayer Pop. Sc.
France, As Witnessed in. Albert J. Beveridge Rev. of Revs.
German Fighting Plans. Hendrik Van Loon . . Century
German " Kultur." Percy Gardner Hibbert
Germany's New Offensive. Frank H. SImonds Rev. of Revs.
Germany under the Blockade. W. J. Ashley . . . Atlantic
Germany's Submarines. H. T. Wade . . . Rev. of Revs.
Gold and Silver Production, American. C. H.
Haring Quar. Jour. Econ.
Good, Doing. May Tomlinson Forum
Gothic Ruin. Maude Egerton King Hibbert
Greek Tragedy, Revival of. Harrison Smith . . Bookman
Hay, John, Statesmanship of. W. R. Thayer . . . Harper
Henry Street, The House on — IV. Lillian D. Wald Atlantic
Hugo's Daughter, The Story of. Grace I. Colbron Bookman
Illinois, Reorganization in. J. A. F_airlie . . Am. Pol. Sc.
Income, The " Why " of. Scott Nearing . . Am. Jour. Soc.
Iowa, Reorganization in. F. E. Horack . . . Am.JPol. Sc.
Japan's First Democrat. Carl Crow .... World's Work
Jewish Flight, The, to Egypt. Martha L. Root Rev. of Revs.
Joffre, Foch, and the Army. E. V. Stoddard . World's Work
Justice, An International Court of. J. W. Jenks Rev. of Revs.
Kaiser's Psychosis, The. A. M. Hamilton . . . No. Amer.
Kansas, Reorganization in. C. A. Dykstra . . Am. Pol. Sc.
Krupps' Model Town, The. Robert Hunter . Rev. of Revs.
Life and Matter at War. Henri Bergson .... Hibbert
Living, Soft, and Easy Dying. W. C. Johnson World's Work
Lucretius and Tibullus, Studies in. L. P. Chamber-
layne Sewanee
'•' Lusitania," The " Titanic " and the. Charles Vale Forum
McClure-Westfield Movement, The McClure
Magazine in America, The — IV. Algernon Tassin Bookman
Markham, Edwin, Poetry of. Bailey Millard . . Bookman
Marlowe, Julia, Art of. William Winter .... Century
Massachusetts and the Executive Council. A. N.
Holcombe Am. Pol. Sc.
Mechanism, The Cult of. L. P. Jacks Hibbert
Medical " Science," Modern — II. Helen S. Gray . Forum
Merchant Marine, The American. J. H. Thomas . Century
Mexico, Scenes in. Alice Cowdery Harper
" Midsummer Night's Dream, A," Workmanship of.
Arthur Quiller-Couch No. Amer.
Mind and Matter. C. Marsh Beadnell Hibbert
Minnesota, Reorganization in. J. S. Young . Am. Pol. Sc.
Mississippi, Controlling the. George Marvin World's Work
Morality, International. David J. Hill .... No. Amer.
Motion-picture, The New. J. S. Hamilton . . Everybody's
Negro-minstrelsy. Brander Matthews Scribner
Nervousness, The Riddle of Metropolitan
New York City, Civic Pride in. H. W. Webber . . Forum
474
THE DIAL
[ June 10
Novels, Quack, and Democracy. Owen Wister . . Atlantic
Ohio, Taxation in. O. C. Lockhart . . . Quar. Jour. Econ.
Old Age. Robert L. Raymond Atlantic
Oregon, Reorganization in. J. D. Barnett . . Am. Pol. Sc.
Pan-American Financial Conference, The. A. W.
Dunn Rev. of Revs.
Panama, Administration in. G W. Goethals . . . Scribner
Peace, Permanent. F. E. Chadwick No. Amer.
Peace Movement, Unifying the. F. H. Stead . Rev. of Revs.
Phi Beta Kappa Society. J. M. McBryde, Jr. . . Sewanee
Pigeons, Habits of. Elisha Hanson .... Everybody's
Poetry, Eighteenth-century. H. A. Burd .... Sewanee
Poetry, The " Diabolic " in. Stephen Phillips . . Bookman
Poetry, The Rebirth of. Horace Holley Forum
Pork-barrel Pensions — IV. B. J. Hendrick . World's Work
Presidential Possibilities. Victor Murdock . . Metropolitan
Prohibition, Nation-wide. L. A. Brown .... Atlantic
Psycho-analysis and Disease. Max Eastman . Everybody's
Republicans, The Resurrected. Walter Lippman Metropolitan
Ricardo's Economics. C. C. North .... Am. Jour. Soc.
Riches, Ways of Acquiring. Waldemar Kaempffert McClure
" Salopnless Nation, A, by 1920." J. S. Gregory World's Work
Scandinavian Democracies, The. Infanta Eulalia . Century
Science and Industry. C. W. Super Pop. Sc.
Scientific Management, Liberal Arts and. Grant
Showerman Pop. Sc.
Shakespeare Players, The. O. L. Hatcher . . . Sewanee
Shetland, The Islands of. Maud R. Warren . . . Harper
Sierras, The, in June. Henry Seidel Canby . . . Harper
Slav Question, The Southern. N. D. Harris . Am. Pol. Sc.
Socialism, German, and War. M. W. Robieson . . Hibbert
South Americans : What They Read. Isaac Goldberg Bookman
Speech, Bar Sinister of. J. L. McMaster .... Sewanee
State Government, Reorganization in. H. G.
James Am. Pol. Sc.
Summer Camp, The. Mary H. Northend .... Century
Taylor, Bayard. Laura Stedman No. Amer.
Torpedoes and the Lusitania. Waldemar
Kaempffert Rev. of Revs.
Treitschke and Hegel. E. F. Carritt Hibbert
Turk, The Fate of the. H. G. Dwight Century
Unemployment and Business. E. H. Gary .... Harper
Unemployment in Chicago. C. R. Henderson Am. Jour. Soc.
War, A " Teetotal." James Middleton . . . World's Work
War, Herd Instinct and the. Gilbert Murray . . Atlantic
War, Meaning of the. Hermann Keyserling . . . Hibbert
War, Medical Aspects of the. F. H. Robinson . . Forum
War, The Cost of the. Roland G. Usher .... Atlantic
War, The Theatre of. Ernest Poole American
War Contracts in the United States. C. F.
Speare Rev. of Revs.
Warton, Thomas, Poetry of. Clarissa Rinaker . . Sewanee
Wave Work on the New Jersey Coast. D. W. Johnson Pop. Sc.
Woman and Education. A. H. Upham Sewanee
Woman's Vote, Th«, in Chicago. H. S. Fullerton American
Women and the Ballot. H. G. Cutler Forum
Ypres, Day's Work at. Arthur H. Gleason . Metropolitan
IJIST OF NEW BOOKS.
[ The following list, containing 99 titles, includes books
received by THE DIAL since its last issue.]
BIOGRAPHY AND REMINISCENCES.
Twenty Years of My Life. By Douglas Sladen;
illustrated in color, etc., by Yoshio Markino. 8vo,
365 pages. B. P. Dutton & Co. $3.50 net.
Ralph Waldo Emerson. By O. W. Firkins. With
photogravure portrait, 12mo, 379 pages. Hough-
ton Mifflin Co. $1.75 net.
Ulysses S. Grant. By Franklin Spencer Edmonds.
"American Crisis Biographies." Illustrated, 12mo,
376 pages. George W. Jacobs & Co. $1.25 net.
HISTORY.
The Riverside History of the United States. Com-
prising: Beginnings of the American People, by
Carl L. Becker; Union and Democracy, by Allen
Johnson; Expansion and Conflict, by William E.
Dodd; The New Nation, by Frederic L. Paxson.
Each 16mo. Houghton Mifflin Co. Per volume,
$1.75 net.
Lee's Dispatches: Unpublished Letters of General
Robert E. Lee, 1862-5. Edited, with Introduction,
by Douglas Sputhall Freeman. With photo-
gravure portrait, 8vo, 400 pages. G. P. Putnam's
Sons. $3.75 net.
Hop! Indians. By Walter Hough. " Little Histories
of North American Indians." With frontispiece,
12mo, 265 pages. Cedar Rapids, Iowa: The
Torch Press. $1. net.
GENERAL. LITERATURE.
The Breath of Life. By John Burroughs. With
portrait, 12mo, 295 pages. Houghton Mifflin Co.
$1.15 net.
Critical Essays of the Eighteenth Century, 1700-
1725. Edited, with Introduction and Notes, by
Willard Higley Durham, Ph.D. 8vo, 445 pages.
Yale University Press. $1.75 net.
The Poets Laureate of England: Their History and
Their Odes. By W. Forbes Gray. Illustrated,
8vo, 315 pages. E. P. Dutton & Co. $2.50 net.
Representative Phi Beta Kappa Orations. Edited
by Clark S. Northup, William C. Lane, and John
C. Schwab. With photogravure portrait, 8vo, 500
pages. Houghton Mifflin Co. $3. net.
Bronson Alcott's Fruitlands. Compiled by Clara
Endicott Sears. Illustrated, 12mo, 185 pages.
Houghton Mifflin Co. $1. net.
A Walk in Other Worlds with Dante. By Marion S.
Bainbrigge. Illustrated, 8vo, 253 pages. E. P.
Dutton & Co. $2. net.
A Tale of a Tub. By Ben Jonson; edited by Flor-
ence May Snell, Ph.D. Large 8vo, 205 pages.
Longmans, Green & Co. Paper, $2.50 net.
A Neglected Aspect of the English Romantic Revolt.
By G. F. Richardson. 8vo, 360 pages. Berkeley:
University of California Press. Paper.
Fifty-one Tales. By Lord Dunsany. 12mo, 138
pages. Mitchell Kennerley. $1.25 net.
Oratory. By John P. Altgeld. New edition; 16mo,
43 pages. Chicago: The Public. 50 cts. net.
DRAMA AND VERSE.
The Man on the Hilltop, and Other Poems. By
Arthur Davison Ficke. 12mo, 104 pages. Mitchell
Kennerley. $1.25 net.
The' Unveiling: A Poetic Drama in Five Acts. By
Jackson Boyd. With portrait, 12mo, 255 pages.
G. P. Putnam's Sons. $1.25 net.
The Poet in the Desert. By Charles Erskine Scott
Wood. 8yo, 124 pages. Portland, Oregon: Pri-
vately printed. $1. net.
Lovers, The Free Woman, They: Three Plays. By
Maurice Donnay; translated from the French,
with Introduction, by Barrett H. Clark. " Modern
Drama Series." 12mo, 265 pages. Mitchell Ken-
nerley. $1.50 net.
The Contemplative Q,uarry. By Anna Wickham.
12mo, 40 pages. London: The Poetry Bookshop.
Paper.
The Old Ships. By James Elroy Flecker. 12mo, 32
pages. London: The Poetry Bookshop. Paper.
Songs. By Edward Shanks. 12mo, 32 pages. Lon-
don: The Poetry Bookshop. Paper.
Spring Morning. By Frances Cornford; with wood-
cuts by G. Raverat. 12mo, 24 pages. London:
The Poetry Bookshop. Paper.
Short English Poems for Repetition. By C. M. Rice,
M.A. 12mo, 119 pages. Cambridge: W. Heffer
& Sons, Ltd. Paper.
Visions of the Dusk. By Fenton Johnson. With
portrait, 16mo, 71 pages. Published by the
author.
FICTION.
Jaflfery. By William J. Locke. Illustrated, 12mo,
352 pages. John Lane Co. $1.35 net.
A Far Country. By Winston Churchill. Illustrated,
12mo, 509 pages. Macmillan Co. $1.50 net.
Empty Pockets. By Rupert Hughes. Illustrated,
12mo, 607 pages. Harper & Brothers. $1.35 net.
One Man. By Robert Steele. 12mo, 394 pages.
Mitchell Kennerley. $1.50 net.
The House of Merrilees. By Archibald Marshall.
12mo, 387 pages. Dodd, Mead & Co. $1.35 net.
The Splendid Chance. By Mary Hastings Bradley.
Illustrated, 12mo. D. Appleton & Co. $1.30 net.
The Millionaire. By Michael Artzibashef; trans-
lated by Percy Pinkerton, with Introduction by
the author. 12mo, 244 pages. B. W. Huebsch.
$1.25 net.
The Brocklebank Riddle. By Hubert Wales. 12mo,
329 pages. Century Co. $1.30 net.
Jim. By Reginald Wright Kauffman. 12mo, 413
pages. Moffat, Yard & Co.
Time o' Day. By Doris Egerton Jones. With
frontispiece, 12mo, 377 pages. George W. Jacobs
& Co. $1.25 net.
Sundown Slim. By Henry Herbert Knibbs. Illus-
trated in color, etc., 12mo, 357 pages. Houghton
Mifflin Co. $1.35 net.
Diantha. By Juliet Wilbor Tompkins. With frontis-
piece, 12mo, 262 pages. Century Co. $1.25 net.
The Lady Aft. By Richard Matthews Hallet. Illus-
trated in color, etc., 12mo, 352 pages. Small,
Maynard & Co. $1.35 net.
Mountain Blood. By Joseph Hergesheimer. 12mo,
312 pages. Mitchell Kennerley. $1.35 net.
Hepsey Burke. By Frank N. Westcott. Illustrated,
12mo, 314 pages. H. K. Fly Co. $1.35 net.
A Man's Code. By W. B. M. Ferguson. Illustrated,
12mo, 305 pages. G. W. Dillingham Co. $1.25 net.
Mrs. Barnet-Robes. By Mrs. C. S. Peel. 12mo, 303
pages. John Lane Co. $1.25 net.
1915]
THE DIAL
475
The Taming of Zentit* Henry. By Sara Ware Bassett.
12mo, 288 pages. George H. Doran Co. $1.25 net.
The Highgrader. By William MacLeod Raine. Illus-
trated, 12mo, 321 pages. G. W. Dillingham Co.
$1.25 net.
A Bride of the Plains. By Baroness Orczy. 12mo,
311 pages. George H. Doran Co. $1.35 net.
Waiting. By Gerald O'Donovan. 12mo, 387 pages.
Mitchell Kennerley. $1.40 net.
The Watch Dog: A Story of To-day. By Arthur
Hornblow. Illustrated, 12mo, 319 pages. G. W.
Dillingham Co. $1.25 net.
The Perils of Pauline: A Motion Picture Novel. By
Charles Goddard. Illustrated, 12mo, 316 pages.
Hearst's International Library Co. 50 cts. net.
Runaway June. By George Randolph Chester and
Lillian Chester. Illustrated, 12mo, 310 pages.
Hearst's International Library Co. 50 cts. net.
The Exploits of Elaine: A Detective Novel. By
Arthur B. Reeve; dramatized into a photo-play
by Charles W. Goddard. Illustrated, 12mo, 303
pages. Hearst's International Library Co.
50 cts. net.
TRAVEL, AND DESCRIPTION.
Naples and Southern Italy. By Edward Hutton.
Illustrated in color, etc., 12mo, 312 pages. Mac-
millan Co. $2. net.
Nature and Science on the Pacific Coast: A Guide-
book for Scientific Travelers in the West. Edited
under the Auspices of the Pacific Coast Com-
mittee of the American Association for the
Advancement of Science. Illustrated, 12mo, 302
pages. Paul Elder & Co. $1.50 net.
Russian Realities: Being Impressions Gathered
during Some Recent Journeys in Russia. By
John Hubback. Illustrated, 12mo, 279 pages.
John Lane Co. $1.50 net.
The Plateau Peoples of South America: An Essay
in Ethnic Psychology. By Alexander A. Adams,
A.M. Illustrated, 12mo, 134 pages. E. P. Dutton
& Co. $1.25 net.
A Guide to South America. By W. A. Hirst. With
maps, 12mo, 340 pages. Macmillan Co. $.175 net.
Alpine Americana. Number 3. Illustrated, 4to, 22
pages. Philadelphia: Published by the American
Alpine Club. Paper, 85 cts. net.
A Guide to the National Parks of America. Com-
piled and edited by Edward Frank Allen. Illus-
trated, 16mo, 286 pages. McBride, Nast & Co
$1. net.
PUBL.IC AFFAIRS SOCIOLOGY AND
ECONOMICS.
Income. By Scott Nearing, Ph.D. 12mo, 238 pages.
Macmillan Co. $1.25 net.
Bodies Politic and Their Governments. By Basil
Edward Hammond. Large 8vo, 560 pages. G. P.
Putnam's Sons. $3.25 net.
The New American Government and Its Work. By
James T. Young. 8vo, 663 pages. Macmillan Co.
$2.25 net.
The Natural History of the State: An Introduction
to Political Science. By Henry Jones Ford. 12mo,
188 pages. Princeton University Press. $1. net.
Whither? 16mo, 75 pages. Houghton Mifflin Co.
50 cts. net.
THE GREAT WAR — ITS HISTORY, PROBLEMS,
AND CONSEQUENCES.
With the German Armies in the West. By Sven
Hedin; translated from the Swedish by H. G. de
Walterstorff. Illustrated, large 8vo, 402 pages.
John Lane Co. $3.50 net.
The Socialists and the War. Edited by William
English Walling. 12mo, 512 pages. Henry Holt
& Co. $1.50 net.
The World Storm — and Beyond. By Edwin Davies
Schoonmaker. 8vo, 294 pages. Century Co.
$2. net.
"When Blood Is Their Argument: An Analysis of
Prussian Culture. By Ford Madox Hueffer. 12mo,
354 pages. George H. Doran Co. $1. net.
Aircraft in the Great War: A Record and Study. By
Claude Grahame-White. and Harry Harper. With
frontispiece, large 8vo, 346 pages. A. C. McClurg
& Co.
Behind the Scenes in Warring Germany. By Edward
Lyell Fox. Illustrated, 12mo, 333 pages. Mc-
Bride, Nast & Co. $1.50 net.
France in Danger; or, French Nationality Menaced
by Pan-German Aggression. By Paul Vergnet;
translated from the French by Beatrice Barstow.
12mo, 167 pages. E. P. Dutton & Co. $1. net.
German Culture: Past and Present. By Ernest
Belfort Bax. 12mo, 280 pages. McBride, Nast &
Co. $1.25 net.
Germany's Vanishing Colonies. By Gordon Le
Sueur. 12mo, 190 pages. McBride, Nast & Co.
75 cts. net.
EDUCATION.
The Appointment of Teachers in Cities: A Descrip-
tive, Critical, and Constructive Study. By Frank
Washington Ballou, Ph.D. 8vo, 202 pages. Har-
vard University Press. $1.50 net.
Play in Education. By Joseph Lee. 8vo, 500 pages.
Macmillan Co. $1.50 net.
The Education of the Negro prior to 1861. By C. G.
Woodson, Ph.D. 12mo, 454 pages. G. P. Put-
nam's Sons. $2. net.
The Industrial and Commercial Schools of the
United States and Germany: A Comparative
Study. By Frederick William Roman, Ph.D.
12mo, 382 pages. G. P. Putnam's Sons. $1.50 net.
A Middle English Reader. Edited by Oliver Farrar
Emerson, Ph.D. Revised edition; 12mo, 478 pages.
Macmillan Co. $2. net.
Made to Order: Short Stories from a College Course.
Selected by Howard Maynadier. 12mo, 309 pages.
New York: Lloyd Adams Noble. $1.25 net.
Berenice. By Jean Racine; edited by Robert Ed-
ouard Pellissier Ph.D. With portrait. 12mo, 85
pages. Oxford University Press. 35 cts. net.
Dona Clarines y Manana de Sol. Por Serafln y
Joaquin Alvarez Quintero; edited by S. Griswold
Morley, Ph.D. 12mo, 136 pages. D. C. Heath &
Co. 50 cts. net.
Lea Boulinard. Par Maurice Ordonneau, Albin Vala-
bregue, and Henry Keroul; edited by F. G.
Harriman. 16mo, 124 pages. D. C. Heath & Co.
30 cts. net.
MISCELLANEOUS.
The Story of Napoleon's Death-mask. Told from
the original documents by G. L. de St. M. Watson.
Illustrated, 8vo, 208 pages. John Lane Co. $2. net.
Mind and Health Series. Edited by H. Addington
Bruce, A.M. First volumes: Human Motives, by
James Jackson Putnam, M.D. ; The Meaning of
Dreams, by Isador H. Coriat, M.D. ; Sleep and
Sleeplessness, by H. Addington Bruce. Each
12mo. Little, Brown & Co. Per volume, $1. net.
The Relation of International Law to the Law of
England and of the United States: A Study. By
Cyril M. PIcciotto; with Introduction by L.
Oppenheim, LL.D. Large 8vo, 128 pages. Mc-
Bride, Nast & Co. $1.75 net.
The American Books. First volumes: American
Literature, by Leon Kellner; The American
Navy, by French E. Chadwick; Municipal Free-
dom, by Oswald Ryan; The Indian To-day, by
Charles A. Eastman; The American College, by
Isaac Sharpless. Each 12mo. Doubleday, Page
& Co. Per volume, 60 cts. net.
Writing an Advertisement. By S. Roland Hall.
Illustrated, 12mo, 217 pages. Houghton Mifflin
Co. $1. net.
Christianity and International Peace. By Charlejs
Edward Jefferson. 12mo, 287 pages. Thomas Y.
Crowell Co. $1.25 net.
Two Charming Books of Verse
SONNETS & QUATRAINS
By ANTOINETTE DE COURSEY PATTERSON, 12mo,
boards, hand-made paper. . . . $1.25
UNDINE: A Poem
By ANTOINETTE DE COURSEY PATTERSON, 8vo,
boards, beautifully made. . . . $1.25
H.W.FISHER& CO., 1629 Chestnut St.. Philadelphia
HUGH
MEMOIRS OF A BROTHER
By ARTHUR CHRISTOPHER BENSON
An intimate picture of the personality of Monsignor
R. H. Benson — "as he showed himself, freely and un-
affectedly, to his own circle." Illustrated, $1.75 net.
Longmans, Green, & Co., Publishers
476
THE DIAL
[June 10
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Life and Matter at War. By Professor Henri Bergson.
The Tyranny of Mere Things. By Professor L. P. Jacks.
Problems of Conflict. By Evelyn Underbill.
Two Studiesof German "Kultur." By Professor Percy Gardner.
On the Meaning of the War. By Count Hermann Keyserling.
Gothic Ruin and Reconstruction. By Maude Egerton King.
"Shall We Serve God for Nought?" Treitschke and Hegel.
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of life. Charles Cheney Hyde, professor of interna-
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rights on the sea. Professor Wilbur C. Abbott of Yale
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1915]
THE DIAL
479
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manuscripts they are made available in this guide.
Cloth, 300 patf es. $1.50 postpaid
THE EDITOR, Box 509, Ridgewood, N. J.
For Twenty-Five Cents
You can buy a whole half-year of a
first-class magazine.
The Book News Monthly
The Baedecker of Bookdom
Containing the Completed Story
THE TAMING of
ZENAS HENRY
One of the most choicely entertaining
books of the year, a novel that retails for
$1.25 a copy.
Send thirty cents and we will include
with your six numbers the issue for June,
in which will appear the first account of
the Southern California Exposition, with
a selection of rarely beautiful photo-
graphs, picturing San Diego at its best.
ADDRESS
THE BOOK NEWS MONTHLY
PHILADELPHIA, PA.
THE NEW
REPUBLIC
AMERICA'S NEW WEEKLY
THE
MAGAZINE
! of
THE
HOUR
Literature, politics, drama — everything,
in fact, to interest the thoughtful reader.
Your name, address and a dollar bill will
bring you our 56-page literary supplement
and twelve issues of a magazine that is fresh,
invigorating and unique.
Write to-day.
THE NEW REPUBLIC
421 West Twenty-First Street
NEW YORK CITY
480
THE DIAL
[June 10, 1915
"Practical, comprehensive, full in detail and in definition, usefully illus-
trated, the only good book from the trade standpoint." — A. L. A. Booklist.
BOOKBINDING
ind
(In four parts]
By JOHN J. PLEGER
T
HIS work, the first and only complete text-book in this country that covers the
subject in all its phases, will prove of great interest and value to every one con-
nected directly or indirectly with bookbinding.
John J. Pleger, the author, is an advanced exponent of the art, and has given the
trade, in concise, comprehensive form, the benefit of his broad knowledge.
The smaller printer who has to do binding as a side line will find herein a mine of
helpful information.
It will be found invaluable by the larger binders when the time comes for purchas-
ing additional or new equipment.
To the involuntary specialist — the man whose limitations have tied him to one
operation — it will prove a boon in widening his opportunities for better employment
and remuneration.
Librarians and others intrusted with the "care" of books will find Mr. Pleger 's
offering well worth attention.
Each volume sold separately
Paper Ruling
PART ONE
22 illustrations. Price $1.25
Four parts complete, $$. 00
Pamphlet Binding
Punching, Crimping and
Quarter-Binding
PART TWO
37 illustrations. Price $1.50
Blank, Edition and Job
Forwarding
Finishing and Stamping
PART THREE
129 illustrations. Price $2.00
Gilt Edging, Marbling and
Hand-Tooling
PART FOUR
29 illustrations. Price $1.25
"The contents of the vol-
ume are worthy of the high-
est commendation.
"The books are valuable
to librarians in the plain
exposition of processes, and
will be a valuable aid in
making specifications for
binding, as well as a
safeguard for the results
desired. "
PUBLIC LIBRARIES, Chicago
THE INLAND PRINTER COMPANY
632 SHERMAN ST., CHICAGO 1729 TRIBUNE BLDG., NEW YORK
PRESS OF THE HENRY O. SHEPARD COMPANY