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Music lib.
M7B2 _ _Eiij±Lb_e^g_
E34d The doctor of
A"l nontann
This BOOK may be kept out TWO WEEKS
ONLY, and is subject to a Bne of FIVE
CENTS a day thereafter. Ji_Has._tak£n out on
the da*~4iMHeated below: _. _ — . , , r-
*DATE DUE
Lib. 10M-Ja.'36
Digitized by the Internet Archive
in 2011 with funding from
University of North Carolina at Chapel Hill
http://www.archive.org/details/doctorofalcantareich
NEW SBUBQSD AUD EEVISED EDITION, '*&
ALCANTARA
MBIW0 BY
MUgIC BY
^#BEftJ. E. W00IiR*^ -HcJUMIg HCpE^6.3fM-
ACT
pAOE.
8 OVERTURE 70c.
12 SERENADE. Wake lady, wake! • Tenor, 40e.
24 QUARREL TRIO. Ton saucy jade. 3 female voices, 35c.
81 ROMANCE. He still was there. - Soprano, 35c.
35 DOCTOR'S SONG. Here comes the Doctor. 40c.
40 ARIETTA. When a lover is poor. - Contralto, 35c.
1ST.
Page.
43 DUETTDJO. Away despair. Soprano and Contralto, 40c.
48 BUENOS NOCHES. (Snng in unison) Baritone, 25c.
50 CAVATINA. Love's crnel dart. • Tenor, 35c.
53 BALLAD. The knight of Alcantara. - Soprano, 40c.
58 DUET. I love, I love. - Tenor and Soprano, 40c.
65 I'M DON HTPOLITO LOPEZ POMPOSO. Bass Song, 40c.
FINALE, First Act.
91
94
102
118
ACT
ENTRE ACTE FOR PIANO-FORTE - . 85c.
SCENA AND BOLERO. Ah 1 woe Is me, - 50c.
TRIO. Senor, Senor. Sop., Tenor, Bar. - 90c.
QUARTETTE, tiood night, Senor Baithazcr.
Soprano, Contralto, Baritone, 40c.
CHORUSES, 50ets.
123 FINALE TO 2nd ACT.
135 DAT DREAMS OF LOVE. Song
138 FAVORITE MAZURKA. Song.
85c.
35c.
COMPLETE, $1.50
-<§=*+ BO ST OLl +*==§*-
-Me OLIVER DITSON $ CO., #<-
Philadelphia: J. E. EITSON ft Co. Chicago: LYON ft HEALY. Hnr Tori: C. S. D1TS0N ft Co.
Copyright, MDCCCLXATX, by Oilier Dluon & Co. ifl^-i
W
-S 9 B
e
o
a1:
A ft ..9
2 DRAMATIS PERSON/E.
Doctor Paracelsus.
Senor Balthazar.
Carlos his son.
Perez \
SANCHoi PORTERS'
Don Pomposo . ....... alguazil.
Serenaders, Citizens, &c.
Donna Lucrezia ..... wife to dr. paracelsus.
Isabella ......... her daughter.
Inez .......... her maid
SCENE: Alcantara in the House of Dr. PARACELSUS.
ARGUMENT.
Carlos, the son of Senor Balthazar, has fallen in love with Senoretta Isabella, daughter
of Doctor Paracelsus. In the meanwhile, Isabella has been betrothed to a young man, with
whose name she has not been made acquainted. Surprised by her mother in listening to a serenade
given by Carlos, she confesses her love for him, and refuses to marry the unknown intended.
Carlos contrives to have himself conveyed into the house in a basket, under cover of a present to
Inez, the confidante of Isabella. Carlos takes advantage of the absence of everybody to get out of
the basket and conceal himself. The Doctor and Inez, in trying to hide the basket from the quar-
relsome Lucrezia, drop it into the river, and afterwards learn that there was a man in it. Attracted
by the despairing screams of Inez, the night watch appear, led by the Alguazil, Pomposo, who
informs them that they are under the surveillance of his men as suspicious persons. After the
departure of the night watch, the Doctor and Inez are left brooding in fear and dismay over
their crime, when Carlos enters, to the great terror of the Doctor and Inez, who immediately
suspect him to be a police spy. He discovers himself to them as the son of Senor Balthazar,
being at the same time unaware that his lady love and his intended are one and the same.
Transported with joy, the Doctor asks him to take a glass of wine with him, which wine, brought
by Inez, proving to be one of the Doctor's poisonous decoctions, plunges Carlos at once into
a deathlike swoon. The Doctor, believing him dead, and afraid of being detected in this his second
imaginary murder, conceals Carlos in a sofa, in which act he is disagreeably surprised by the sud-
den arrival of Senor Balthazar, who comes to conclude the arrangements for the marriage of
his son and Isabella. His presence being objectionable to them, the}' put every obstacle in his
way, so that at length he is forced to pass the night on the sofa, beneath which his son's body
is concealed. When he is asleep, the Doctor and Inez, fearful of discovery, enter to remove
the body from under Balthazar, who awakes and starts up in fear. Carlos, by this time
recovering from the effect of the opiate, contrives to get out of the sofa, and his father meeting
him in the dark, utters a cry of alarm which terrifies the Doctor and Inez, and also attracts
the neighbors. Mutual explanations take place, and Isabella and Carlos prove to have been
loving at cross-purposes, as they were, from the first, intended for each other by their respective
parents.
Sltiieotjped bj J. Frank Giles. Bostoo.
Library, Univ. of
North Carolina
3
OVERTURE
JULIUS EICHBERG.
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WAKE! LADY, WAKE.
SERENADE.
Scene. — The cabinet of Doctob Paecelsus.
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I l> I •
• VVbcn 8uii£ iii the Opera go from this sign to the nest page, omitting the Symphony.
i!
i
Vivace.
15
Lucrezia. (appearing at her chamber door.)
-V — IV-N
Ez^
5S3
:£=£!**
-o — «-*
-fr— X-N
«
-a — s-e-
£=t:
A Seren-ade?
Who can it be !
Some tender swain in love with me ?
i
Eg— £
-f— »-
thee!
Fi'yace. Sempre Staccato.
l^B
-f- o — # — *-a — *-« -
*
==£=*
Wake,
la
dy,
-r r-»-»-a-a — i — -
zLFg=Pf?:««
-»-m g — *-j — g-a-
Isabella, (appearing at her door.)
X"N = \ — \ — IV-
Cae.
\- N-
^m
dp:
-f — * » — a — J-
- *— *— V — V-
-0 — -
lier, the cav - a - lier who followed me?
*1£
Wake,
la
s^&4Wp=te
i<si— F-
dy, wake,
£:S^::
pt=^l=*=tt=tdr^=iit^=piu^::
H
©
3p=
Inez, (appearing at her door.)
r*f N-A--1V— N — *—■ N->
Is.
-•-F-p-r
-/--
^— y—t
Wake, la - - dy, wake ! A ser-enade ! Ah, it is he I Carlino sings and waits for mo !
Hark !
^F^-H 1 — — j 1— — j fy—F-0-
n — i ^~y
?§S::
^p^
t~
feJ^EElEE
*
-_^.
al
h h r>
izpzrl:
t>-0as>
-l-*-1^ — l-*- j — -
® — *-» — =-«-
^
16
Luc. In.
Cab.
P
^^
isr
Hark! Hark!
Wake, la - dy, la - dy, wake !
Is.
Hark!
Leo.
—
In.
Hark ! Hark !
py- — 0 — * 0 * 4
A
* 0—*-0 — *-#-
TIE?
gra
=t
II
Car.
1 —
Is.
&
I
i T:
s
=pi
Luc.
^^
Wake, la - dy, la - dy, wake ! I'm sure it's he ! Who can it be !
IH-
m
'X-:
"! — tr
=££
1^
Allegro.
t=Bt
p3E£
I l i
«;
r±
M
BE5
=*=*-
In.
Is.
Luc.
|^
■• — *
■&-
T
E*=*
j=£=£
£4=£
Car • li - no fond
ly waits for me!
I'm sure it's he!
,— 3-F4
3^
*
Who can it bet
Jfc
§i=g=
tp-?-
€ #-
» *-
ipr=p:
m»—m*-
P
iz=iz
■0 •-
§IS
m
=tr=c=t
P-— P-
=S^f
££
*=*=
In.
Is.
Luc.
In.
P »
4=
-P
j=^l=f=l=^F^^— t-|-J— i=l=|fe
Car - li - no fond - ly waits for mel
Hark!
Hark!
Hark!
£R
•^
=FZF
£&
,0 0
*•-*•
P
-P P-
^
=fe=*=*
— f— t-
)■»<.
4^
j^=fcF^=*=*q
T=ff*=
=t
i=3*
i-i-| f i t-fe
17
Moderate asmi
-ft Is
The heav'n is spangled with stars ;
-^2-
The night spreads her veil o'er the skies ;
-0 — o
ptf=3=3
—N — V- — --
-* — o — *
— i 0 0 0-0-
I?5— f— P— grgc
Concealed by the
qrqr:
0—0-
The heav'n is spangled with stars ;
Ji to.
The night spreads her veil o'er the skies ;
Concealed by the
=t
4-
±
=1-
e
-a—*
Moderate assai.
'• e .1 a a g 0 p..
W
£fe:
-&.-■
#=
-%
—f——
8 d—J—St-
-9-
EfeEHEE:
J-
— h©>-
~-K»
at t:t£rff t=b=
-«-
-0-
-O.Z
darkness from all,
My lov - er de - sparingly sighs !
Hark ! Hark !
Hark ! Hark !
-*-•-— t^-
Ej^Egpfe;
darkness from all,
My lov - er de - sparingly sighs !
Hark! Hark!
Hark ! Hark !
— i— -i— 0-
-*-*~r — *
T=l-
-N-S
-0 9 0-0 0 — 0-0S)-
^SS=S=§3^
£*E£
-s> —
-*
-&-
:&~
a
» •- h Jf,
c - h- ff«t —
*=t=\
-Ln. I i -H--I — P-i-
leL=J^
diminuendo.
-*g-
r=iE-
Hfc
presto.
Lrc. (looking from her door.)
-*— *r— N
i — * — a-
0-10— —0 - j-\—0 —
" Luceezia, Inez, and Isabella, ewter o» iiptoe a«rf approach the window
cautiously. As they reach it, they come in contact with each other, and with
a cry of alarm rush back to their respective rooms.
Twas Is - abella
and I - nez!
?■■■■! ■ i | | -f ■
liSSE
0-m-e-m
3
w
presto. -i._
—0'0-0 ?#-**-! — — r-
-»•» -»|-<;t-«;i-
— I — (— (- -»-#.#-«.«-
?.& 0.0 0.0 #.#-
J. #-«. •-•.#-». £*-
-0.0-0.0-0.0-0,0-
-\ 1 -
2^3bjz
-*?— i/— ?—/-«?-><-?-
E^=l=-
18
fa=
Is. (looking from her door.)
In. (urith emphasis.)
All.
5 19 19 - ^« «!• J
IB"*
±
-I 1 l-r- ! 1-
-<» — a— a-
3
V
'Twas mama and I - nez !
'Twas Isa - bella and Lu - ere - zia !
I I
I will be, be
Pfgjg
fa
•Ig3
»<— *?— K — ? — »<-?-
&
i=t
i=I
—I-
4T * —
pp
z^E^pm^f.
^i=pt
I
Andantino.
*5=£zz2:
(T/iey close their doors and disappear.)
Car. (outside.)
gF^
g ' g-
certain.
Wake, la - dy, wake I The night is wan - ing last !
;SE
=£B
-a — » — e
:»=j£^«:
3=4 =«
*—*-* — W-
1 — tr-l — Sr
3e£e
-a — o-a — a
■*■ -#•-»- ♦
sempre stacca
:?—?-? — P-
tin — sr
<0.
? — *-* — «^
0 — «-« — e-
Wake, la - dy, wake ! The
^"
•i — &
-« — «-« — d:
:*— « -0— W-
■n-i-i:
■0- •*• -0- -0-
i kN
:» — *._J=ia_
■I ^— * — *-
:fc
"7 . J^ j*-
-,-
=s-i-
0
*
-•— r — i—
•
* :
t=£
l-r-
=t=f — r-
hour will so
on be
1 *1
3ast !
V ■!
Why
do
you scorn me,
— jffcfc
la -
dy fair ? How
can
— t L v
you doom me
~0^'c 0\2^'*a'^X
*):
1 h
S. Hi
f=pr
•
-a —
-• —
— 0-
0
1
1
y 1-
-0-
— 0
0'
I
—5^ — *
% * *
7
1 1
— 0 0 — 0
-I -
0 — i
*
f
■■? t
— 0 —
1>
*
^ * — £
*
— V
«
/J
0
— * 1 >
^
0 *:
despair < 'Tis love inspires my plaint - ive strain, 'Tis love a- lone can ease mypaiu!Ali!
£E
f=*q_-qzq-d:a:
^E
r — ^-»—
K
f- •
19
E3E.'
SE*
:c:
3S
:i=v
wake, la - dy wake !
I ask one smile from thee !
Wake, la • dy, wake ! And
speak of love to
«*=*
[£V— ?— * * P-
^f=i=PP=»
— i— ri — ^_
S5
7^
1 — in-
K=«=P=«:
^rrsr
:p^»:
0 — 0 0 — 6
■ft— P-P— *
^3
0-
-o —
:_»— p:
»-!?i
:t
i V
--T-
-0-^-0-
I
IK
:*-p:
3=
SHH
Car.
^arpr
mo! The birds of eve now sing around, And make the air with love resound ; Wake, la - dy,
Chorus.
— N
■v 1^ '^ I
\.— v — * — \ —
-0— #
-0 — 0
» v V
3=:q:
•A-
-0 — 0
-0 0-
■-0 ■ g— g-
9:=*
Wake, la - dy, wake ! thy lov - er waits thee here ! Wake, wake, the hour
■-N \ — N S -is \ — \ ■**!—?* -N — !*"
■mHtg— j-T-j'-
tt=T-
-0—0-
-S — 0-
ot love is near.
do
-*1— *■
:*::t
rN-
apptatEal:
-0—0—0.^-0
I ,
g=7g-g^
~i~^~»-
3-s
EQ33S
-a— 0 -7—0-
:3E=
ii=*:
-0—^-0— «— «
0 0 0 0
3SRH
=g^ i_z*
ii#J 0 — 0-
f
-0 — 0 — | — 0 -
20
1 ■*» HV-
S3 P 7-11—
hour of love is near, —
Wake,
la • dy, wakel
— V — \-
-Ni— V-
Tby..
lov
er waits thee
fa
z?t *g=^i=g*-l:gz=g=g=g±g g — g (LI. * ?^P * !-,=:»— p Uhl
hour of love is near, Wake, la - dy, wake ! Wake, la
dy, wake ! Thy lov - er waits for thee.
liEi:
3-*— *-*?-,
s > >|— \
i=±uL
3fc±3£p£±Dt
-r*-f-^
:trf=C=x=
L^ i/~V-
-?~^— f
P
-3
=1=
-*--p-
3
=3=
a-
ir-t
0-
-N—
:«:=*:
■«-?»-
-rs:s
3=*:
-» — « — *-
f P^J-p 0— p-
Vivace. Luc. (looking forth.)
-N — *~N
iV^-H — b_ 0 0 £ _« 0
9i£^
Mizmt
jst
me !
rn^rn
-N~
Wake, la
dy, wake !
Wake,
la - - dy, wake !
-0 0—'-0 *^0—
as
■I — — 0—M-0—B-0.
-0-0-0-
■S!2=s=&
tsr
--zt
1 — i — --( — «^S«^-
-■_ — « — »— « ■ —
:fcj
?=E
21
Is. (looking forth.)
^m^m^m^^mm^^^mm^
m
Again that voice,0 h ! can it be
-ft— f-#
=E
l i i j j
?HEq=z3=z3==£?:
z — m -, 0 n
The cav - a - lier, the cav-a-Uerwho followed me?
m m-l 1 — I — h "-iC#-e-*--«-»-i-»-H-fl— l-a -M— I
:a:F;^J— »:F-
I I I I I ' ! '
?=±==-h|=3-=-
i
Car.
£>■■
In. (looking forth.)
■*f IV — IV — N-HV — V N n-
- '- 1 1 1 1 1 1 1 —
Wake, la - - dy, wake!
j— t— r
^r
^-=te
Wake, la
t.^a .N* .^» .^« .^4
dy,wake! Again those notes! Ah! it is
fg3gg^ji|*
?=?=?=*:
^
^
=
fe=
i
Is.
Luc.
In.
-#—(■-
*— * — /-
^=!^=ti=^— l=r= 1 =13: 4== '-
Car.
3^f
he; Car- li - no sings and waits for me !
_^ K N
Hark!
Hark!
Hark !
Wak»,
-S ! «-
:fi*?
r> h
:q=r==d==q:
* -i- h- 1 — * — •-* — ■-«-
:t-tr
Is,
Lu.
In.
Car.
_0j-
=£
i=g
la -
=5 5 -•■
0-0 g
t=u=r
i
ly, la • - dy, wake !
M '9Z9
si
==3
Hark ! Hark !
Hark!
--*2__ _*_
:W=9-9--9~^--Z^TZX
:5-
S=F
Wake,
-» — ff » # F\~4
*SS
i
:bz
I
-9-
ZtZ
la
dy, la - - dy, wake!
-*-»-0—9
:*3*i
^
!?=*::
— I-
-s>-
i r
:*^z«!
22
'Lucrezia. Isabella, and Inez, ewter cautiously with dark lanterns, and
approach the window. They again come in contact, and as they do so, they
open the lanterns, and throw a glare of light on each other.)
Ta-e-£ «_T: '.
■e-
-9-k-%-w-^-\^±-\iz
_%» 0 •*_
-i— y-r
-0—P-0-B
I
BE
Allegro.
Q^g-^Sg=|=
_#.*_
-#-».
"f
jr
re:
5?:
• t-# -0-
Luc. (angrily.)
—7 — v — giJ-v — V-* .</ I-
What means this late in - trusion here t
1 I I I I I I !
^
:*:?:*:■
-0—0-0
qifci£j=t^
* **
A -tr-i i 1 }»
Is. (embarrassed.)
m
-0—0 — 0 — i-g — * — ,*~* ~r — *
Luc. to Inez, («»£/» archer.)
fc*=A=fcr*rrzfczitirzrt:
K—f'-^u*— 00-"— 00-00-00-
I on - ly came to take the air !
And you speak out, why this sur - prise 1
h-
r^:a«?i**i2=^
'4
**=*=
y0
\
*=
In.
(e»!
— \
barrased
)
— \-
-A-
—^X
ir
rtt*"
— *"
Z#_
:« •_
_*—
4-1—
~0~
i»]j
j
Luc.
-P
I wanted some light ex - er - cise !
l * 2 t i I J!
-(--
4*— t=
-/-■
-5— 0—0—0-
At such an hour! I'm not so blind,
LiJfc
Some secret
23
-N—
*»*
fU.
-0
SEE?:
h: h:
■V— I/— Id-
yet
remains be - hind ;
I
I tell you that I don't be - lievo you. And do you
In. (saucily.)
■*f S— fK~
3=^=*-i-
And do you
s#s=ff:
1 — !— I-
K-U-
J*
-0-V0-0—
'-it~r-
J
-g-*
— *-
-i —
- t-Jt
3=
-g— g-f — *~g— g-* :
W^i
«=
-y-t-
£_J
-v-g-g-U
a -a.
£
:E
think that we'd de - ceive you ?
£
m
z|-
-0—0-
--%*--
§
think that we'd de - ceive you 1
=zzU=t=
ISMS
-Ef
g— «?-— /-g-
B
¥-
%t
Is. {.innocently.)
Ie^;
g — # — »-
-»— » — »— #-
-i/— *< — / — V — /-
And pray, mama, Why are you here ?
Lu. (embarrassed.) Is. (ironically.) In. (saucily.)
:*=»—«:
v— p — ?-
t=
_g. ..»_.» — «?_P-
-©--
^1
I heard your voice. Indeed ! Oh dear !
m
%=*
-<*-
p
rr
-ff-
M «— « ^:
a J 5 •— s — i
S* B-V<— S
-P— (SZ-
-# » — & —
T p~~
2*
YOU SAUCY JADE!
QUARREL TRIO.
m y, Luceezia (to Inez, angrily.)
^fe-^ye-ii • — F ~, , -0
sgj 1 y-g — ■* — g-"-r-
5 — /— ?-
-v — <<-
t—/-
f 0—0-
-M # 0—0 -M-
-F — I 1 1 ^_
7—9 >— a— A— 7—&-
-U,.
Vivace
You saucy jade, Go, get to bed, And let me have no im - pu-dence ; Or, sure as fate, If you dare
Ift^^fcg
JO
*^'rJ£*rB~0Jb~\ — 1~~^ — 3 —j"-^
-irr* — * — * — « — * — « — 0-
■0 — 0 0 0 0 0-
-o
-*-*-
-0—0 — 0-
I I
CTGCT
_ -#
-* — *
i
p
Jfcg— g— IT
E=
fr— N
-v— V-
JOt
wait, I'll send you quickly packing hence ! You saucy jade !
„ u, Lnez. (pertly.)
m - =
Go, get to
-¥■ — +— *— *-
-v — *-
-0 — 0 — F — 0 — F-
=£=
-M»A
Why do you, pray, Send me a - way, Have you a rendezvous to-
ait,
3$
:>-- fr
(with nrrajj akimbo.)
-S-—S-
•T — F * — ft — , — a-
/ — ^ — /.
rVfr
bed,
aIa-m
If you dare wait, I'll send you quickly packing hence; You sau - cy quean
(with arms akimbo. )
-* N : r- 1— : ; : N
r3=3=TC
night? Are you afraid This ser-en - ade Is meant for you, you hor-rid fright?
What do you
t,,Pu + a m a 0 O 0 m , J 0 m J Ha-H— I— F^^- '~HH
r-g-jgg » 0 0=r E [ j-F g— M a *-g ^-0-0—0-e
7 ■ ' 1 —■^■^■^■^^m — r- [ n - ** ■ - ■ P •—& 0" & ■-
_i — 1_<^ — — — a_
t — f— I — f:
25
fe^g^dE
/-*v-
-V-N-
(shaking her fist in Inez's face.)
ypX3~l-
** — Ni— * — V— > — N — N~
gEggg^EgEg^i
_«_
3EZ3I
±4zr*=
You saucy quean,
How dare you cbatterthus to me 1 You jade take care, Oh ! caD such saucy hussies
(putting her face in Luckezia's.)
-»—9—4—*-
r — r*~~?M — EJ~
meant
What do you mean t
"•fi***?:;
o-s-a — 8 •— «F-8-
-»-j»-Jg — p — # — 0 — 0 — 0-
■r^^rirjcpcanrp:
You will not dare ! ha ! ha ! I mean to stay and
" zz_I_h . !- — N •■
cres
3=JT
g g * fi—0-0-\ 4 * I* * t> 9-
v-
bef Oh! can such sau - cy bus-siesbe? Oh! can such sau - cy hussies be? Oh! cau such sail- cy hussies
-V— *r-
a — o-
* — 4
Zz3=2±3sr=*r
a
—a-
-HV;
_J
^
-a* — •-
see; ha I ha! I mean to stay and see; ha! ha! I mean to stay and see ; ha! ha! I mean to stay and
ft flu > N f
Pray, I-nez, pray, your wrath ai - lay, I vow your conduct is a shame, Mama ; your ire, but adds more
26
*fe
-N-- >-
-a--*~-
if-
-a — /-
■V / V-
«
z=3=z
W=*~
-a — /-
iS
■v — /-
fire, To what is now an angry flame. Pray, I-nez, pray, Your wrath al - lay; I vow your conduct is a
s~ jf -tf-^ — » — g — o a —
z-^zzzzzt-
Oh ! can such sau - cy hussies be? Tou saucy jade!
You saucy jade !
X
■■ft-0 6
±WZZZZtZ.
-o — a — a
-zpzztz
-f > N —
=¥=£
-? — v- v- >
see ; ha ! ha ! I mean to stay and see !
You hor - rid fright !
You horrid
-fi-S-JfB — h#-d — i — FT — i — i — i ■ ■■■—- ; . »
t=£
■fzz-fzi+Z
z'4?—*-
£5
n:
-» — •-- »-
g*i
p
a—o-
— N V
*^*
-v— v
«=ra=tt=£
-» — 0
-a—a-
-9 — »-
/— /-
shame ; Ma-ma, your ire But adds more fire To what is now an au -gry flame ; Pray I-nez, pray, your wrath al-
tm^.
9
*_•_
-a-
=*^r
-/ — +-
zm~
:E=*=f
-/--/— ;»*-
^$ — -£
You jade, take care !
You jade, take care 1 Oh, can such sau - cy hus - sies
fe^^gjjs^
-a — e — a-<*m
±fy=*
tezz h — £ — £
fright, ha ! ha ! I mean
ha! ha! I mean to stay and
■-— 1 1 t— H 1 i
1— -zzj— %zz^zzzmt-%
27
m
irr»:
irrfcrrfc
'==r-
-«— » — »:
S3L
-k — •-
-/-
Ws
4*
lay, I vow your con-duct is a shame; Mama, your ire But adds more Are, To what is now an angry
tf-fe
* — ■*"
V-
— 0-1-0 0 — 0 — 0 0 0 — 9 0- -B 9 — 9 9 — 9 9 — 9 — 0— ft jjffjj
be? Oh! can such sau - cy hussies be ? Oh ! can such sau - cy hus - sies be ? Oh ! can such sau - cy hussies
SttJJu- V IV — 1 S- S- V — — V . S- V— -iiS-Ofc
-fr— N-
-a — 9— J — J-
ppi^^p^i
■u
see; ha! ha! I mean to stay and see : ha! ha! I mean to stay and see ; ha ! ha ! I mean to stay and
tm^r
-9 — 0-
-9 — B —J-
-^— -ff -ff-0 — « — 9 — 9 0 9 — 9 — 0
-#-flL-«U 0 — i
-r — a— g 9 1
:^
-a — «-
:E=t=3=3=3=3=3
-»~F
-»--■-
XZ3t
--I —
-0 «
s^3*=
« — « — « — 0—0
0—0—0-
H 1 1 1 1-
*■•»■■*■■*■ *■■+■*■
■*■■*■*■■*■
Presto.
Luc. (scolding.)
=i=a
d=
Is.
flame !
be?
In. (laughing.)
====
*-\-<5>Z
X-
l^
You sau - cy jade, Go, get
to bed, And let
me have no
4=£
>-
3=*
£fefe=S
X
:m^
see!
Presto,
Oh ! see her storm ! She's growing warm I
Ha! ha! ha! ha!
It's
:^=q:
=»
i— 0 — 0 0
3ES
-l-s
=^-3
:£&=
-s> —
=t=
gg
:3e
mf
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t=
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3§==
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gE£
^x0
«. — •
-<s>-
~«3
EEE
—&-
X'-
E
t:
:X
£:
pu- dence ; Or, sure as fate, If you dare wait, I'll send you quick - ly pack - ing
ilENE&SEE^^^i^^lS^gjgEfc^B
ve - ry droll! Poor tender maid;
g===
s§a
— 1 0*0*-
si-
"t
9*^0*
^=*
This ser- en - ade Has touch'd her dry and frost - y
■(2 0-
£
•• «*
SE
«? —
— |-0s-«"
Seek
see
=4=
-p:
02-9*-
Is. (joihng.)
'28
i
\
3=E*=tes=mi
=t=tp
=t
-r — r
=)=
-J !r
:g— =.
==j-^r=p:
S:
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13
What shall I do ? Oh, if I knew To whom be - longs this ser - e-nade. A - las ! Heigho ! One
Luc.
3EC
■•s «:
rtzzbf:— — 1-
3=
hence ! You sau - cy jade, Go get to bed, And let me have no im - pudence, Or sure as fate, If
In.
=3-^-4-1
EfErEEBEEL^r^bt:
3=S*3=*
^-*—
333
ggillil
soul! Ha, see her storm, she's growing warm. Ha, ha, ha, ha! It's ve - ry droll, Poor tender maid,
Car. (impatiently. )
mmmm
ZZ21Z
gtiZ
:&
Wake, la
Cno. (outside.)
dy,
wake ! Wake,
la
§T
g£
W-
dy wake, Wake, la -
.J. |_
ISeee
Wake,
la
dy,
wake ! Wake,
la
dy
wake, Wake, la
z2i
n-r
TZtZZZZZZZZZ
^;=--
3T: .a. .»-
piu f
-_ - pE pt_
izL-Cizp;
— =t=t=
5e!e?e
^e?^!e
rcr:
.(= — --
■*■ 4=2.
-*- (=
T=
rrr
—tet—m-
-I T-
*=*
■=££.!
J2.
-Tzr — «_
m"mW -~m*ir& -
^r-Bz
II
3"
- dy,
?=^E£=='
:xrrfe==j=z
^fI^^lE^fetiES§i|^EilE|^lE
thing I know, I am a poor , un - hap - py maid,
Oh.
oh,
oh,
oh,
Un
.-■-(=
ir3=pF£=£SE~
imM^mmmtm
1 — r
-o ^~
(,, T 1
you dare wait, I'll send you quick - ly pack - ing hence. I vow, most shameful - ly, I'm used ! Was ev - er
trrztz^— 3=rztz
.azztz&—
■JZLZZZZZSi.
zztt^zzzzztz
This ser-e -nade. Has touch'd her dry and fros - ty soul. Ha, ha, ha, ha! It's ve - ry droll Ha, ha, ha,
g=EgEfcgEE*-i'
Sz-zz:
wake,
Wake.
la
ii using
wake!
dy,
*— cri f-rz^i
dy, wake
Wake, la - dy, wake!
Z±±L
1 -<— H "I
ziszzzzzazz
=£=
^-:
=J3
:rrz=t
:e^=l
t=
r=|m
=B
♦ ' •
-"»— "F — i —
:fcrrs
— |-J?__I
trrzr—
=5=*=
£±
r=*=j
^
zzzrzz
^S
£ni.pr:
1 i C—
EE&
zs.zz.-jf-
2^
- hap - py maid! My heart is bro - ken, I'm a - fraid.
I
~t
wo - man so a-bused?
=t
ZZ&ZZZZ&Z
3F*
hszdzz=t=z
=t-
ha! It's ve - ry droll! Ha,ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,ha, ha, ha, ha, ha, ha, ha, ha, ba! Ha,
Wake,
la
dy,
la
i=tfe^^
p:~ h
dy,
wake,
4-
= :ste=z:
CEfc
zirzzr
Eg-^
"3==
*=*=*=
Wake,
la
dy,
5r=— r==
la
p=ZT
dy,
wake,
=ii=
?z?
s*
:3=
=fe
-t— r
eKe
,tf at m
-t
-£-£
I=lEr?ElEEt
f f
ztzzztz
?=P=f
mEEEEEE
3L
l=fe
rtSE
:?3=f
=t=t
fea
— i — r
a=t
Sis
Efe
ha, ha, ha! It's ve - ry droll! Ha, ha, ha, ha! Poor ten - der soul. Ha, ha, ha, ha, ha, ba, ha, ha, ha, ha, ha,
BfgjgligijiiggjE
-t-i
izzizz
^il?^i§i^|=giil?g^E^igi
Oh,
oh,
oh,
oh,
Un
^=^m
i \ .-
:C3=:p
wm
hap - py maid, My heart is
£E=E^EEl3EEEE3EES==*|EEEEE=E^EEEE^SEE^
vow, most shameful - ly, I'm used ! Was ev - er wo - man so a-bused!
tzzszzzz
s> s-
I I -
=£= zt-
n^-.zzzmz
PEEE?
zz]zzzizzzzizz]zzz\zzzzzzlzzpzzzzzzz:zz-Tzzyzz:mzziz\i-
■?zztzz
t:— £r
Wake,
la
dy,
Wake, la
dy,
zz(=:zzzzz:zzzfr=rr=—:r/z2:rzr-zzzzzz
i=r:?EEl£?E
(In
e=S
£_4Lj*_^t *
* * * -
S
S=fcS=
zizzzzz[zzz
5=64=
tt==t=:
it^EEE^ElE«E
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.-=5=3=
IzeJe
p=r£=t:
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tzzzzt
■a- e>-
■£z m.
=*=*
:p=C:
e=l=i
t=t=
:*=JE
30
*=*=*
bro
ken, I'm
rp=:rt=-
-=2=:
fraid.
be - trayed,
be
lEEigill^mi
=r=) '_-i_i_i-
=ra=j=
glut
i::z|=:zl-
5=3:
Was
EEOEJEEl.
ha, ha, ha, ha, ha,ha,ha, ha, ha, ha, ha,ha, ha!
E^E^EEeIIIe
It's ve
:^z:
3g±==rta^:rr:
man so
m
n=
^^r=3j:^:-=
- TV
droll,
poor
ten
der
=g-r:— \==.
la
-I
la"
dy
wake,
-I-
la
X-
l:|z:r:
dy,
3=
-jzz
wake !
dy,
wake, la
1=11111111
la
-dy,
I t
dy,
wake !
la
dy,
EEEEEESEEEEF^EEEEIEPEEEE :^EEEz|E^EEEE|EeEEEE|r!E
322:
S3EE=i
ia=o
:-=c=t
?3=f
fe
£=£:
I-.:
i~|:
:c==
-I -i H ■ ■+- - -f— *=- -^- -h— r -^.- -1 H -I -" -F— *- -r*-
— (&- « — iS1 *-j-(© — •--P-^ ■-!—(& «-— 0 »- -fg g
ElSiE*
-* f...fT
S
~3=!
.trr^zr
•3—3
"=1- — 3
3=3=
I
E=EE ; i
3=3
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::^:
E^Piiiiii
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- trayed
IZ2
_n ^
am.
E^EEl^EEIE^EElJ^EEIEtE
be
_£2_z C2--.-
3=
trayed.
EEEEIEE-
bused
bused!
EjEEEE2:
soul
Poor
=
ten
===i?=3=i=js:=rite:
3=2=
:c:
- der soul.
\
3s=
wake ! La - - dy, La
" --i — , — i — . — i3—r-_j
a_— I |a 11^3-
! " EE^EL-EfclEEgEEJE^T^EEg-zEl
dy, wake.
£e=t
wake ! La
dy,
La
dy, La
/tliS
dy, La
dy, wake.
SJ
z=?:2=
37
trot
SeeS
3EE
3=
=EpSEy^£E
$=>-
==p
*§=;— 3J===i
;«333=:
Bim-tbdj=[
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i^|;1e!e1:
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3-t=P"
3= «-*
3=zr_=t=
9.— Ej?=r — r-r
JeIeI
:3=
=3
=fB
31
Lucrezia. Was ever woman so abused in her own house ? Holy
Saint Iago, protect me from such another onslaught ! But you
shan't stay another day in my house.
Inez (lighting candle on table). It's too bad if a virtuous girl is to be
abused without the privilege of defending herself — all about a
paltry serenade too.
Isabella. Inez, pray be quiet. Mamma, control yourself.
Luc. It appears that is all 1 am allowed to control in this house!
(Goes up to window.)
Inez. There isn't another maid in all Spain would put up with it;
and I'm determined I won't any longer, if I have to live on
onions and dry bread for the rest of my existence — carnival days
included.
Luc. (looking out of window). What do I see ? There is a boat
almost under our very window. Oh ! And that is the cause of
all this trouble, is it? Dear me — a serenade must be a very new
thing in Spain, to set two silly girls running a race to see which
-.hallbe first on the balcony to hear it.
Inez (aside). I wonder if she calls herself a girl too !
ISA. You know, mamma, that you were as eager as either of us to
listen to it.
LUC. I listen! Hoighty toighty ! It's my belief that Miss Inez has
a lover in the city, and that she allows him to come here at this
hour, in order to bring our house into discredit — nay, — to bring
vie into discredit.
Inez. No Senora! I know my place better. If I am not Donna
Lucrezia, wife of Doctor Paracelsus, I am not a brazen huzzy
either. This house, indeed, where there is a young girl engaged
to be married.
ISA. (sighing). Heigho !
LL'C. Why how you sigh at the thought of your wedding!
ISA. Indeed I do!
Luc. Why this is heresy ! People have been burned for less. Here
you have a husband provided for you without the slightest trou-
ble on your part, and yet you are dissatisfied. While it is the
business of every girl's life to allure a husband, you object to on«
when he is already found to your hand.
Inez. Perhaps, madam, if I may be allowed to suggest it, she would
prefer the usual trouble, and be better satisfied by choosing for
herself.
Luc. Be silent, saucebox ! I believe you have corrupted her. (16
IsA.) Why do you object to your intended? He is one of the
richest young men in Madrid, and a thorough gentleman.
ISA A pretty sort of gentlemen he must be to have his wife selected
for him !
Luc. That is an especial proof of his trust in you.
ISA. Nonsense ! It is an especial proof that he is a fool. Obedience
in such a case is no merit.
Inez. So I say. If he had only been disobedient and refused her,
she would by this time have been dying to have him.
Luc. Silence, minion ! Isabella, a wealthy lover is not to be despised I
ISA. Heigho!
Inez. Heigho!
Luc. {impatiently). Always sighing ! Go to bed. I'll see whep Lie
doctor returns, if he can't work some change in you.
ISA. Change! I won't change ! I will be unhappy !
Inez. Yes, miss, do. Believe me, there is no such happiness for a
young girl as misery and despair.
Luc. I see through it all ; but let me tell you that you either marry
him or go into a convent. What do you mean by objecting to a
man whom you have never seen — a man whose name even you
don't know ? Was there ever such caprice ! You have a love
for some one else. That is the secret.
ISA. Oh, yes ! Such a handsome young man. Of such good family
Luc. How do you know tiiat ?
ISA. Because he is so pretty — so sweet — so amiable !
Luc. A pretty code of mora'ls, indeed ! You have had much time (o
learn him, I dare say.
ISA. It was certainly against my intentions, and while I was at tl •
convent Oh. so sweet, so pretty 1
HE STILL WAS THERE.
ROMANZA.
Andanti.no,
ISABEIXA.
-*-**
_«5 —
:3=s=3
-&—
Beneath the gloom - y Convent wall, Eacha-zure night, each ro - sy morn, I saw a
32
£f=t
-a — h <
-s>-
11
-P — Jf*- »-
-V / *-
1 — 8 — P 1 —
P=
faith
ful shadow fall
That filled the air with sighs fur - lorn :
v-— — / — i
Tho night dews
i
X
6=^
— »-T-F
rZW-
:=i=£
-e-e_
-•-ha
^
IF"
:E=t=
_, — i — | — 1_
-9-*-*-*-*—*—* — 0 —
*=
S
^rr^Si
3t
-V — I
H 0-
fell o'er him iu vain,
He feared nor sun - ny sky, nor rain;
I seemed to
& 9 0 0
I-
9
P|
"in:
-j-arH-W-
0 9 —
S3
-0 g
— (5-
-0---HH- r> » • »-
0V * i J-
33
-v— *-
:q=p=$
£ — ^— g£
=2t
'A-V
V *-
_ _j3 — tf_
like the brilliant stars, That night -ly deck the sombre sky; His form might
1
P=^:
s
±=:
P
w
:T^E-i=
^-r-^f
—±B *
-G>±-
•fr-fr-
g^^jgEE^E^EE-E
-v — -v — *-
Tf^rzrjr-
:5r±^— F~
pass for god - like Mars,
ft PV-
tf — c-»-! — f--t—
And like the zoph - yr was his sigh.
_* / —
So sad his
¥
tj*=-
m
s~
:^
-&-
fe£
wf-f — ft'
W-
=&Z
m
w
—&~r
m
:qrq^
— w-g-mr* s § — *-
^~
34
mien, it moved my soul;
e #-^* r
fc§
J J
-o-
■J~t-t--rd
-r^'
His fer - vor seemed be - yond con - trol ;
His voice pur-
i i
-«5>-
4-
— 1&-
- ^53=1^
M V
-rS?-s
-N \
-Jt-=±t—^z^L
•f — f — 5 | [ d — • — *-
v — /-
I
-sued me every - where: Turn where I might, he still was there ! He still was there!
-3 — p-rk&—
V-
? ' I
— *-
7 ♦ f ♦
'iii
uzrzz
-^icrc
-(9 —
:t=tz
-<s>-
Lucrezia (mimicking). He still was there ! Oh, yes ! This comes
of your reading Gil Bias and Don Quixote, instead of attending
to your studies or telling your beads. Holy Saint Martin! what
are we coming to ? We shall have the Moors again, since daugh-
ters are grown so undutL'ul.
Inez. If they come in the form of lovers we shan't want the Cid to
shiver a lance in our cause.
Jsarella (lackadaisically). Alas ! where are those happy times,
when after the Anqelus each day, I found a perfumed billet in
the keyhole of the convent gate ?
Inez (sighing). Ah !
Luc. What do I hear? (Indignantly.)
ISA. A little billet, which breathed the burning and soul-consuming
sentiments of passionate and undying love !
Inez (sighing). Ah!
Luc. I'm petrified ! — In a convent too ! I almost blush !
Isa. What joy to read tLcm I So tender, so respectful, so diffident,
so — so — everything charming !
for me knew no bounds.
His respect and consideraticn
Luc. And how did he show it, profligate ?
ISA. In his last letter he proposed elopement.
Luc. Very respectful, indeed !
Isa. Yes, and I ought to have accepted it
Inez. Now, I call that the height of sincerity.
Luc. What do I hear? I am blushing now — I feel it
Isa. That is love far better than that of a young man I don't know
nobody else knows, and whom I don't want to know, and shan't
die if I never do know ; and who, moreover, is perhaps very ugly.
I vow I won't have him if he be ugly.
Luc. What, miss ! Do you dare put conditions to your consent?
Isa. Yes ; this one, at least.
Luc. It is downright rebellion.
Inez. No ! It's only a declaration of rights !
(Enter Doctor Paracelsus, with matter and pcstU in hu hand.]
35
DOCTOR'S SONG.
Introduced in the
" Doctor of Alcantara."
Words by GEORGE COOPER.
Allegretto.
Isabella.
1^^* IZ. I * yt ? ^_
3=t
*fc Tempo di Vahe.
i
Inez.
Here comes the Doc- tor, comes the Doc
tor.
mzE3=r?fiizm
x
^^E
w
•A
;p
Here comes the Doc- tor, comes the Doc
LUCREZIA.
- tor.
Jt§ Doctor.
— * — \ — \ — s
^ — g — g — a-
ist
±=
is
l£
Here comes the Doc- tor, comes the Doc
, P_
±L
(Doctor enters.)
-4-
mry.=±
a^
■* +■
tor.
3«
ss
^z=
*-
t
-» — »-
n^
3=i=
1. Good
2. When
3. I
-4=tr-
pp
W
9
=£?E=
peo
I
try
-Si-
^
pie all,
was young
to please
be - hold
I swept
the
old
~ggEg|l:,
in me
the shop,
A ve
Of phys
=3=
and young; By la
■s>-
ry pop
ic, lore,
dies all
u - lar M.
I reaped a
my praise
is
I
dcrcK*
w
E=^
5$z£
HEl:
24=:
.» ^_*_
^
9^:
=S:
:2=rprrc==
g=?=-
EHEt:
■ML. JL.
-m — & — 9-
-4~
S^
3^
Copyright. 187»^l.» O DIT8G* * Co.
36
i
:*=:
— e
D.l
crop;
sung.
-B
xrB=±n:
S3
-* •-
=t=
g —
>--»--
'Tis mine
I car
My zeal
to rid
ried rouse
you
to
of
la
13
hot,
my head
your
dies
is
ills,
fair,
■0- -*-*-* -#.
yn^EEHEk
£-E
££
■M. A
—0 B.
0 0-
— trit:
— i?— T
-0 — 0-
— — ?— *
t»=q
P3C
With pow
And stuff
der, po - tion,
to dye their
_l — a — a 1_| — jf ft ,\y
==E
I -ijEA*-- — 9. \=2z
— |r
plas
love
that's
:>2S:
ter, pills, My name is fa • mous, too,
ly hair. To pick up knowl - edge I
my rule. Com -pound - ing pills, e - lis
in sto - ry,
was wa - ry,
ir, bo - lus,
— I-
-A—
-3
And bleed - ing
And soon was
I do as-
:b=t:
;Bee
+■ — *-
±
p
-f— ±=±
:t
d=$
3L — : it
=*=E=t=
9
7tt
9-
f=t=tr-
=*=
*=fc
:i=^T-X
=tt3t
3=*=^
I
az -
5-— (2-
T
dr
r««.
_*.r
$
is my spe - cial glo - ry ! In fact,
dubbed A - poth - e - ca - ry. And that's
-sure you I stand "so -lus." To kill
my pa
the rea
or cure,
^=±=3^
tients all
son why,
all's one
a - gree, I
you see, I
to me, I
Eft3zz»=fc=ir
33P
=*=£
p
3
s:
1 F F
-*--F-^--- 1
_*_
:p=pr^: =^
$
_0 — 0_
37
am
am
am
lEEfetEg-^fcEfei
the pop - u - lar
the pop - u - lar
the pop - u - lar
M. D.!
M. D.!
M. D.!
Br+ o ■'
^-=3
*=
-0—0—0
3=
-0-0-0 —
T-FP
=i&;r-=:e-
0 — !
Iu fact, my pa - tients all
And that's the rea - son why,
To kill, or cure — all's one
a - gree, I
you see, I
to me, I
-W—W-
-0 — •-
tt
■I o — p-
zz\zzzzz\:
-• — «
5^EE±
*B=j
i m ■.
i « «
SS
*=
fe£
At the places marked _, he strikes the mortar he hold* in his hand
4t--C — V — > — i 1 — I — — j 2 C—
» — / — J_ J_/ — /=1 c a — -J-0—
the great,
the great
M.
D.!
Stir up the uior - tar, round and round, And
ggggggzg^
i>0-
93
:*:z
J=J=E
f* * ♦
^fc
?-^
— »* — s
;***=£
ig— g — '=:
-><■■■■/ — /-
^
-0 — * *-^ — g-
with the pes - tie pound, pound, pound, Qui - nine, gamboge — a rousing fee,— I'm the pop - u-
z\t.\± S S £
38
Isabella, {ironically.)
r-^
¥=t=-
S I
:?-
-S»l — h=H- .* — b-
» -it
■v — /-
^£:
«J=
He
he
he
Inez.
is, he is the great M. D., He
he
-V— i-
-O — 0-
.->*=
-ft — N
jzzMz
FMF-
-f F *—
LUCREZIA.
§fe
He is,
—fir— f-
-"-0-0-
he is,
he is the great M. D.,
* — 0-
— I 1-
-m— *"
He is,
N i
Doctor.
:^-=:
-lar IT. D.
-a V
-m—r
-v—r
t — \— v-
-o — m-
3=
-*— m-
I am,
I am,
I am the great M. D,,
I am,
rtfc
§5S
zp—ez
=t=S
-0*
=^H=:
f=lfP=i
-&-
he
is the great il . D.
2»— — ?^— 0-
« — « o-\
-fr—i
*— " 0
-^^— tr
he is,
he is, he is the great M. D.! He is, he is the great II. D.
s*
3-1
J=t
i S jX
=1=
'i —
IT
I am.
the great M. D.!
The great
D.
tt=£
9-Zm
iEt
—0*
■0 *
39
(All imitate tlte Doctor.)
-W
f-tf--# — #—#—»■
V~9 i/ ?-
-*—
-*5— N-
Efe=S
i/-<— y
:£=£
Stir up the mor- tar, round and round, And with the pes -tie pound, pouud, pound,Qui - nine, gamboge, — a
m
9
t=
-# — 9 — 0 a
Z$ZZ$ZZ+ZZ$Z
— #-
-*—
*
c«-
-*
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z^zz^zzczzzzzzzzz
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Stir up the mor - tar, round and round, And with the pes -tie pound, pouud, pound, Qui - niue, gamboge,— a
>-Ji$=iHfc3=U-
^
■ s
— I—
-0_ — 0
— m g#-
3=fcc
.±3
K2._ff 9-0 — 0 ^ h V _ -fc ^
* — »
£-
-Fz-
■5- —
«^:
Stir up the mor - tar, round and round, And with the pes - tie pound, pound, pound,Qui - nine, gamboge, — a
&
«Vf
i.
i!
-f-
=S
:s:
::,'-
B EZ2 g-
Se — •
-9
izzt
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ss
_£
i^B:
rous • ing fee,
~Z± *T=r*— ■
He's the pop - u
lar
M. D.!
— !-*-#-'' -I — 1 — I — rr
5=r5J:;|-/
rous - ing fee,
He's the pop-u - lar M. D.!
;fr-™s=
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q^:
*-*
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5=
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rous - ing fee,
I'm the pop-u
lar
M.
D.!
^y
55
ill
tt
ill
ill
3— zjzdgzz
0
zzzzzzzzzzz^z: --r^Tprrr:
-p — o-
zztzzz
40
Luc. Ah ! At last you are returned. Come here, let me tell you
what I have just heard.
ISA. My dear sir, I will explain. There has been a serenade here —
Luc. Never mind the serenade. Repeat what you have said to me.
You shall hear. Doctor.
Doct. Yes, I hear. {Becoming deeply absorbed in his bottle.) Two
ounces of white laudanum, and an ounce of distilled lettuce.
Yes!
Luc. {to Isabella.) Well, my lady! Are you ready? Have you
done with this indecision?
ISA. Yes, 1 am decided ! I say whatever I am forced to do, my
feelings will remain the same. I will be faithful to this hateful
intended as — as — long as 1 can.
Inez. And a very short time at that !
Luc. There ! Did you hear that. Doctor ?
DOCT. {absently). Yes ! That was not very bad. As long as she
can. He can't expect more than that. {Becomes absorbed again
in his bottle.) One scruple of inspissated juice of cabbage, and
three grains of clarified tallow fat.
Luc* But do you know what all this trouble is about?
Doct. About a young man she is to marry.
Luc. Oh, no ! Not at all.
Inez. Nothing like it.
Luc. Silence, minx ! It is of a young man she has seen at Seville,
and whom she loves.
Doct. Ha! {Angrit,:) Then she will — (becomesabsorbed.) Aconite, ar-
senic, nux vomica, prussic acid! I am a afraid I have put a little
too much sleep into it for a comfortable sleeping draught. Oh,
if I should have made it a poison instead ! {Puts bottle on table.)
Luc. {angrily). What! Is this all you have to say? A pretty fel-
low you are to have command of a house. What would become
of you if I were dead and gone ?
Doct. {absently). I don't know, my dear. You never tried the ex-
periment.
Luc. Bah ! Those filthy drugs are all you are fit for.
Doct. We live by them, my dear.
Luc. Yes, and others die by them. I wish I was rid of them !
Doct. {innocently). Wouldn't you like to try my sleeping draught,
my dear ?
Luc Bah ! You're a brute. {To Isa.) As for you, miss, k^ep your
feelings to yourself. Your romance and obstinacy won't do with
me in future. I will knock them out of you without any assist-
ance. And you, you minx! {To Inez.)
Inez. Ah ! now it's my turn.
Luc. I only want examplary people about me ; so I give you fair
warning. At the first sign of an intrigue on your part, you go!
Inez. Intrigue ! Holy Saint Martin, and the ghosts of the Mores
coes in the Alhambra ! There is not a more discreet girl in aU
Spain than I am !
Luc. I don't want discretion.
Doct. No she doesn't {Looking angrily at Inez.)
Luc. I want honesty.
Doct. {innocently'). Very much !
Luc. {going). Now, mind! {To Doctor.) Ugh! You senseless.
drug-compounding, villianously stupid, mentally imbecile quack I
{Exit Lucrezia, angrily)
Doct. {vacantly). Quack !
Inez {astonished). Quack!
Isa. {sobbing).) Quack!
Omnes. Quack!
Doct. She is not in good temper to-night. {Goes to cabinet)
Inez. Oh, miss! If that should be your lover, who has discovered
where you live !
Isa. Do you think he has, Inez?
Inez. Indeed I do.
Doct. {standing on chair and arranging objects in cabinet). Inez,
will you hand me the flacon on yonder table?
Inez, {paying no attention). Is he really so fine and gallant a young
senor as you say?
Isa. Oh, yes, Inez! Words cannot describe his many perfections !
Oh, if I am forced into this marriage it will kill me!
Inez. Then don't be forced into it. Kill yourself before hand !
Doct. {as before). Inez, will you hand me that flacon?
Inez. I wouldn't marry a man I didn't love for all the parents in the
world. As for taxing me with intrigue, I vow, I wouldn't look in
the face of a young man, — especially if there wasn't one near me.
( Knock heard at door.)
Doct. {still in chair). I believe there is some one knocking at the
door, Inez.
Inez. We al! have our troubles, miss.
Isa. I hope you and Carlino agree.
Inez. Oh, yes, miss. We agree very well, but we are not good
friends. There is a miff between Carlino and myself, which for-
bids an approach on either side. {Knock heard again.)
Doct. {aside). I believe she hasn't opened the door yet. I had bet-
ter do it myself. {Exit Doctor.)
Isa. What ! Have you and Carlino quarrelled?
Inez. Yes, miss ! He came into money, and from a water-carrier
has aspired to be a candy merchant with two mules. The mon-
ster is going to eat up his inheritance without me ! Oh, miss, the
men are all alike !
WHEN A LOVER IS POOR.'
ARIETTE.
Inez.
Instead of this piece, the " Favorite Mazurka," may be sung. See appendix, page 138.
41
poor, He can tru - ly a - doro ; Then, his sighs and his vows are all hotf - est and true ; Ho calls
■ plore, On their knees they a - dore ; And our poor lit - tlo hearts are soon moved to be - lieve ; So wo
— : v-i — v-
X-
V-l-B
-T-
heav • en and earth, To give proof of his worth, And a - gaiust this, pray tell what a
hear their ap - peal, For their an - guish we feel, But, they win our com - pas - sion, a - las !
poor maid can
to de ■
?:=;=?=?=
=t~ t=
i=E
=t==t:
*=fc
z=*3~
-N— >-
4=
-ceive. — I have guard -ed my heart
3
do J But let for - tune once smile, And his love proves all guile ;
Against love's poi - son'd dart,
mm
m
r>
w
•Hi— «— -s
~*=Z
No more dare you
No
more to that
■#• -0-
■0-
^Erbi
•=*=b
-i —
i
*=!=
EIEE
42
I
-v — /-
ft* — »-
isz^:
-v-i— \
3r-f-
trust to a 'word Le can say; For as sure as you're born, You will find his fire gone. Love,
spot can his barb find a way; And I warn you take heed, Of my words at your need. Love,
j
J— / — V 1
=t
^Tt~| H^-l^-^jig -e—m— tefL-^— -
— >— '
w
burthen'd with mou-ey, Will die in a day! Love, burthen'd with money, Will die in a day!
' 2o. Allegro.
;fg^^
day.
Eg
S — I -I — I — r-
=te
J;~*^ **-««■
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marcato.
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iraraSte
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7— • — *— £-T=-
:| — a — r:
-»— m • — P-
cres.
g^ »~a^ a~a^ a— *
-i 1 1 1 1
I
a
43
AWAY, DESPAIR!
Andantino,
Isabella.
DUETTINO.
£k5:£r±=5rp:
Xz
^?
:#=fc;
A - way, des - pair !
x=c
±:
-e —
tor - ev - - er van - ish ;
Brislit
-3E fl *:
dol.
^±$EtE=. — —
:«=ib~
?^P^
=f=£
±=t
Inez.
itt
•=3=iiE^"
:£»-
X-
± — i — r
=t
dreams shall fill my heart :
Sor
row from your bo
$=£
X
§
^£
:r E:
i V-
^
-i 1-
~&. — jst
'-t=X
3=J=
ft-0- ■#■
*:
- — g g» — I — a jj g
S
Isabella.
baa - ish,
Bid
pale care ... at odco . .
de - part !
Ah,.... how
i=*=^
A — ar
35F*=fc
:J=q=T
f=i=S
=feS
i=t
i^=;
=t
■3-
p
q=-l— 1:
Inez.
£=£
EEE^
T:
3F
=t
T
::cEIEE:
3E
few are hap - - py mo - - meats! Let us seize
* £ x a
them while wo
fe
3
&&=*=*.
t
•- — 0
£=£
:l=l-~:
Xz
*■ ■*■
-& g-
-# ■ r-
& — i — 1~
3=
3=4=^
44
Isabella.
-(2-
Ah ! how ma - - ny heart- deep tor - - meats, Oue.... bright
Inez.
-ziz
:£=^
32:
:z7
:£
may.
3=£=
-h
Ah!
how ma
=*=
:S
*EE£
V
ny heart - deep tor - - meats, One .... bright
-4-
:i:
=4
:JHEi:
4=
/
£=l
I
/
EtEEfcEEEj"
S§E
=1=
l=--fc
&-
• meDt drives
way !
Ah!
I
§^E
^EE$
:±=X
-»5)-
=4=
:zt:
how ma
m^5
ny heait
deep
-a-
meut drives
way!
Ah ! how ma -
-A — I-
ny heart
deep
itt-
\
1
£=*=
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rtt.
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tor
i
s
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IP
x:
:*:
2=£
- ments, Oue .... bright mo
ment drives
a - way,
=t
X
S=S^
■I — I — M — • -F
tor - - meuts, One.... bright mo
-F 0-
ment drives
a - way, A - way, a - way, de
£ee
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-Of ■
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— i
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45
*-»---»-
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ZZT..
X. 1-:
^m-» fat
r:
: t:
way, a - way, de - spair!
A - way, a - way, de - spair ! fur - ev - cr van
EEfeaja^gE^jg^sTSlSl
-yf— F— h
-E^^
spair!
A - way. a - way, de - spair !
de - spair ! for - ev - er van -
^m
ii^tfei
a
*=pfr
:j=3=£
:.jeeIeee
4-
:fefe
■at
:ztzz
£3
£33
fct
e
ere*.
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9(9 ; r-
isr
x:
-t E=
zeeee
- — _ — __ — i 1 — «j_ i 1
isn, for e'er, for e'er ; A - way,
a - way, a - way, do - spair !
5ZZ3d2i:
=« YW
X-
■o--i^
:?r»i*s-#:
tw^r
- ish, for e'er, fur e'er ; A - way, a - way, de - spair I
^^mm^^mm^ri-
A - way, a - way, de-
£s
ZEl
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m^E±E±
-0 — 0
-:^er
tE*EL
t=*=£
£=3=*
313
i==|=±
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± — i— i
£*=3=
j — l-i
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lEE3=£L=£
iEE|g
-■S1-
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|3=|H^
t—
£I:^E
-(2 «
O V
HI
way, a - way, de- spair! for - ev - - er van - ish, for -e'er, for e'er a • way I
EEfeM- i=E3
t-
'SZ~
-A-
■z—l: : t=2#: pe
kts
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spair 1
de - spair I for - ev - - er vau - - isb, for o'er, for e'er a - way '
iLTfcia;
*
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o
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a
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4C
Isabella.
*=*—t- *=¥■
i — r=
s
3: — qr~
-»__#-
A - way, des - pair ! for - ev - - er van - ish ;
Bright - er
m
i — r
dol.
9
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=t
-• •-
tri=t
3=
s
£=*=
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i— *— *-
;?-h 1 J\~\ — fi*~
:p
dreams shall fill my heart:
Inez.
— ' —
ztzz
x:
Sor
row from your bo
-,» — r
•m
J=p:
3n_ _ ___
J*3L
*==*
-0 0-
=i=c
-g 0-
'£■ *"
=*=E
■»""*
^
>=3^^=F^=^E
Isabella.
ban - ish,
Bid
pale care
at once .
do - part !
=
Ah, how
i=l-
-0 0-
-- 1-
Z9Z
SEFJ=3=
J=j=J
;J=i
£==E
-iSr
I — ^— g-
:£==z
■-t=l=
Inez.
i§==in?n;
few.
are hap
r:
py mo
£g^*Z^
ments ! Let
_i 1 a
us seize them while
± ± ft.
— p— * = - — 3 ? -
=q=£=*=
X=P
i — i —
=■— &r
fe
47
Isabella.
Ah!
Inez.
— I — r | —
how ma
-|2-
EEE==
ny heart - deep tor - - merits, One....
bright
iSl
-O-
-j£l
T-
may.
fe
Ah!
how ma - - ny heart - deep tor - - ments, One ....
bright
m
A 4-
3==3F=3=.
p
El^EE
:jr— £:
-I r-
i4=7=^
/
s=i
B^
if-r —
- inent drives
1
- ment drives
::i=
fe
^T2C
a • way i
Ah ! how na
n; —1—1=4:
way!
Ah ! how ma
0 —
±:
-<s —
-F- -
ny heart
ny heart
deep
deep
£15=*=
;gg=^
=t
^=t
:izrt:
eIe^**
p «■«
^=i=i
=£
:i:
i~i=EEH
S
-(2-
gE
I
P
»
Efe
«£.
— -* ■»* 1 - —
?=i=EEB=g
tor - - ments, One.... bright mo - - ment drives
=3=1= I -»=^ -
tor -
i=t
-£
ments, One..
bright mo - - ment drives
*==£
^=p
=i:
-j -l-
zzL
way.
way.
~i:
3==*==£
-0 m-
T
dol. JL
4=
r
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9:-t==»=E»;
w £
1 ■*■ ■*■
4=J=fc:
q=z:
* u-
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■(2
5:
ia
■ 1
I
£i
48
Inez. Alas, yes, miss ! Would you believe it. that hateful Carlino
has not as much as sent me a paper of candies, the heretic Sar-
acen that he is.
{Enter Doctor with Perez and Sanxho, who carry a large basket.)
Doctor. Inez!
Inez. Doctor!
Doct. There is something for you, my child.
Inez. Forme?
Perez. Yes, for you. [Winks at Inez, and stands preternaturally
solemn)
Doct. Yes, these men have brought it.
Perez. Ay !
Sanxho. Yes. {They grimace at Inez without moving.)
ISA. Gracious ! What do they mean !
Perez (poking his tongue mysteriously In ills check). Inez 1
Sanxho (chuckling, and winking his eye). Inez! Yes.
Inez. Well?
Perez. For you, Inez. This. All right. Hush !
Inez. What is it?
Sanxho. Nothing. A bijou. The second house on the right hand
side.
Perez. Yes ; overlooking the river.
Inez. From whom does it come?
Perez. From him. For you. (Winking his eye.)
Sanxho. Confections. It is a little bouquet of candies.
Inez. Candies? Oh, it is from Carlino.
ISA. (signing). Heigho! You see he has not forgotten you !
Doct. Wlio is this Carlino, Inez?
Inez. Why — Carlino. — It — comes from Carlino.
Doct. Oh, yes. I don't know who Carlino is, but I'm glad it s from
him. (To Porters.) Is there anything more ?
Perez. This billet. (Shows letter.)
Doct. (taking letter). A billet.
Inez (seizing letter from Doctor). Yes, for me. Isabella, read it
forme. (Gives It to Isabella.)
Doct. Yes, my child. Do.
Inez. Anything else ?
Perez. No.
Inez (taking Doctor's purse from his pocket and throwing to Por-
ters). Take this, and go.
Doct. Haven't you mistaken the pocket, Inez? That is my purse.
Inez. So it is ! Never mind.
BUENOS NOCHES.
Perez & Sancho. (mysteriously.)
-*^- a m -0 * 0 — i — m-
HEPS
e — a — a — 0
J^i^EiE^E
Hush, all right! Hush, all right!
dlothrato.
It
is for you ! Here we have, Here we
BSiS^g
f-i
3S[
— I —
:4
rt
a—k — i -k
a 0 —
izzklizzL
— * — * —
— 5= *-
:hf=S^
^E^ES
■*£
(laughing.)
-\— \— \
-\j-ii — — ^ — t -n ! — ^ 1 j *s — * — > — i"^ — i x — * — ■* — **i — — i >■ — *-
have
no more to do. Candies, candies, candies; 0 - pen it and see ! Buenos, buenos noches ; He ! he !
IEBS
-0 - -•-
J-I^EE^Et
=t
l,^E^L
S^3
ZMZZ
■=£
-0'
t
3^
ESE
0-k
4=
-#—
0 a 0
he!
±=
|3=E
dim.
-3=F
, j
3
~0 — " — •
He! he! he! He ! he ! he!
'}*E3=l=--
*=t=^
zlzzzr^z
PP
He ! he ! he !
±==r
-1
o
H^! he!
h^!
m
er\
-&—
49
* m-
L^fe
# — 9 — = 0
^^Ie^SSSeSS
Let us go ! Let us go I
Our er - rand's done ! He ! he ! he ! He ! he !
* * A— 0-\~ * * U\-0 A 0 — * — ^ K-
(laughing.)
-N — fc — V— V
a="="
£fe
-£— f»rr]S
_) — i —
:*-*:
he! Don't mind our fun ! Candies, candies, candies; 0 - pen it and see ! Buenos, buenos noches ; He ! he I
tes
^P=£f=*
E^PEf
=1=-.
S^
9 *-
Pi
34=
-jg.-
S:
/T\
1
:=q:
he!
He!
he ! he !
He ! he !
he!
He ! he ! he !
He ! he !
he!
dim.
%^£
-4=^
3=^
w
±z
■-t=
i
-0-
± w:
m
-&-
(they laugh solemnly.)
(Exeunt Perez and Sancho.)
lioc. Those are very strange men. There is some mystery here,
Inez. I think so too. Let us open the basket. fluez.
ISA. (aside to Inez.) This billet is for me.
Inez. Indeed ! Retire to your room and read it.
Doc. (trying to open lid of basket.) What can it be?
Isa. (to Inez.) Come with me, Inez, while I read it. I may
need your advice, (going.'!
Doc. Where are you going ?
Inez. I heard Donna Lucrezia call us : we will return instantly
Doc. Do, Inez. I am quite curious to know what Caroline has
sent you. (Exeunt Inez and Isabella.) What the deuce can be
in the basket? What a remarkably unfemiuiue female Inez is !
She has no curiosity. Well, I am not so philosophical, (tries to
open basket.) It won't come open. Never mind. When she returns
she will certainly wish to see the contents ; so I'll go and get a
knife to cut the fastenings. What can it be ? I hope it's sausa-
ges flavored with garlic. Inez is generous, and I am very fond
of them. (Exit.) (Caulos lifts the lid of basket and looU arouna.
He smldenly closes it again.)
50
LOVE'S CRUEL DART.
CAVATINA.
Carlos lifts the lid. {loolts around and shuts the lid.)
n u Andante.
P
> —
V|=l=5±5
*3=lzfl=g±?j:
=Ei3
p
3;
Carlos gets out of the basket.
■#■ -lS>-
afe^^
^
i^£:«|i?F
•n-l # — I- *T-» g-
r-*1— ^
Carlos.
V — S /< — P — l-v S e
^=$=£
Love's cru-el dart hath to my heart Its passage found;
It spurns
con - trol, and robes toy
-*=#
¥S
LUU
g — m — 0_
m^±
w—T—'w?
-m—B-
-a «.
# — ■ — #-
*=£
-/—>—#-
:qt=f=*zzzzc:i
:czz
— \
r:
*"=*=
felg^P
soul in grief profound, Oh ! can there be
_ IT fw
no hope forme
-*— +
V- * ■ y-
Hersmiles togainl Hersmiles to
HiH^lF
Pi p i ■#- 1 ■*•
'^g
■~ i h — T-
• Jwstead </ ife, JAe &»^ " Xtey Dreams of Love," is often sung. See appendix, page 135.
51
-M-_
*f-zeu
- gain ?
33
o
-v V
Oh!
must
she still ray bosom fill And cold re - main t The
-0-0
— #-
3¥
-*-*-
Ife
*
r
-*-f
-+-
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feath - ered throng whose joyous song Floats thro' the grove,
Have each their mate, but 'tis my fate
I
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vain to love 1 Heigh ho
Oh ! wilt thou not un - to
52
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die Of love lorn grief? Should love like mine,
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feath - ered throng whose joyous song Floats thro' the grove,
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Have each their mate, but 'tis my fate
Mn^lP^i
53
Caju Ab, some one comes ! Perhaps it ia she. I will conceal my-
self again, and wait the auspicious chance. (Lies down in the
basket and closes the lid. Enter LucrezTa.)
Luc. Inez! Inez! Where has the minx <:one? For whom could
that serenade have been ? Heigho ! I fear some giddy swain,
careless of his life and honor, has become charmed with me, and
thus risks both the one and the other. Well, well; though I
condemn. I am bound to pity him. Thank the saints that age
has not robbed my heart of its purity or its principles.
THE KNIGHT OF ALCANTARA.
BALLAD.
Allegretto.
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LUCREZIA.
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There was a Knight, as
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54
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la His fort was storm'd by Love !
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55
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Gone is the day of
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backward with the strain, And oh ! I feel I'm young a- gain.
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57
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58
Lucrezia. Whore can that young man have gone T Perhaps he has I Car. Sefiora ! Hear me speak, {coming /run basket.)
drowned himself in despair at my coldness, (sees basket.) What ] Lcc. I won't. Go away. Who are you* What do yen want! What
is this 1 (raises (id.) A man ! What do you want, sir ! Don't I is your business here ?
come near me, or Vu scream. Who are you '
I LOVE, I LOVE!
Carlos.
Allegro con moto.
DUETTINO.
itefe
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than love's sway; I love! I love! I love! I love! 'Tis de-li - ri - um ex-tretue; 'Tis a phanta- sy su-
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59
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sway, By night and da}', by day and night, Here in my heart he rules by
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LUCREZIA.
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Carlos.
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( With Affectation. )
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While love has his full con . trol, While he thus doth sway my
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Luc. Carl.
Luc.
Carl.
sirs:
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soul T But — Oh, pray don't in - ter - fere ; I have told you why I'm here. No in - deed, sir ! Is that
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bo? Yes, and I at once must know. List • en then ; pay all attention; Why I'm here I now will
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A *~ A *• — ' m
61
f Very passionately. )
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mention! I love, I love! This is iny song, by night and day, I love, I love ! Naught is greater than love's
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Poor youth ! he's doom'd to love
Carlos. (Withjervor.)
in
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dare not ease his
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om's pain. He loves, he
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Poor youth, he's doom'd to love in vain, I dare not ease his bosom's
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li - cious ; 'Tis a joy and woe ca - pricious. I
love,
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pain. He loves, he loves, he loves !
Pray tell me, sir, the sto- ry of your
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I will, I will;
'tis fit that you should know !
List - en then, pay all at-
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( Very passionately. )
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64
Luc. What a fine young cavalier! Sir, do you know that you have
done very wrong to enter here ?
Car. Yes, Senora. I know it, but I am a tender and sweet young
flower of nature, whose heart is a bed of summer roses, wherein
the honey yet remains unfathered.
Luc. Oh, Senor, how beautiful and soft!
Car. The summer clouds flit not across the bosom of the sky with
greater lightness, than love o'er my heart. Oh, Senora, I adore, I
love. I venerate. I worship a person in this house! You will, I am sure,
excuse my delicacy, when I forbear to mention her name. You
may easily guess who it is, when I tell you she is beautiful.
Luc. {crossing) Oh, he must mean me.
Car. (affectedly). The honeysuckle on its pendulous stem, the little
humming-bird sipping sweets from the tender flowers under the
golden sky of an Italian autumn, are not more chaste and tender
than my love.
Luc Oh, Senor, I must not listen to this — at least, not just now.
You know not the danger you run
Car Danger? Who would harm the tender butterfly that spreads
his tinted wings to the balmy air of autumn? No, Senora.
Luc. I beseech you, not now. Some other time — some other place.
Some one approaches. Oh, sir, retire !
Car. What! Into that basket again? Oh, Senora, — Senorita —
Senoritissima ! Ask not that. All the saints in the calendar,
and the aching bones in my body, cry out against it. Those por-
ters were very kind fellows, but they bumped me unmercifully. I
love, Senora, send me not away in despair. Oh, first cut my
throat with a pearl-handled penknife, and send my bleeding corpse
away, a sacrifice to my overpowering and unhappy love.
Luc. Oh, Senor! Should my husband return — . Consider — get in
Car. {with one foot in basket). Why do you give me so cruel an al-
ternative? 1 who love so purely, so warmly, so divinely! (Get-
ting out of the basket.) Senora, have you ever read the story of
Prince Camaralzaman in the Arabian Nights ?
Luc. If you delay longer I'll scream !
Car. Oh, don't scream ! The delicate organization of my cloud-
soaring soul will not allow me to survive it. (Gets in basket.)
Luc. (shutting lid on him) Oh, the imprudent young man !
Car. {rising in basket). But
Luc (shutting lid on him) Senor !
Car. (rising again). Senora, be divinely kind enough to tell the
porters to carry me right side up.
Luc. Yes. Senor.
Car. And pray tell them not to shake the basket too much. The
points of the willow are sharp, and puncture me in a very uncom-
fortable manner.
Luc. (shutting lid violently). Yes, Senor. Oh, what a flutter I am
in ! I must seek the porters, and get him out of the house as
soon as possible (Exit Lucrezia.)
Car. (getting out of basket). What! leave the house without having
seen her, without having breathed out my burning soul to her?
Never! What shall I do? That is a very nice lady, hut I trem-
ble to think that she is neither young nor handsome. How shall
I remain in the house ? Ah, I have it! (Takes up book.) What is
this? Plutarch in quarto (throws it in basket). Seneca in folio
(throws in another book). Plato's Philosophy (throws book in)
Galen (throws book in). Hippocrates (throws book in). Lopez
de Vega, in twenty volumes (throws them in). In they go. (Lifts
basket.) It's hardly heavy enough. ( Takes up books.) Tragedies !
Ah! they're heavy enough. (Throws in a number of books.)
That will do. (Closes lid.) Now they may take that away. I'll
remain. Where shall 1 go? (Going) Where does this lead to?
I wiil explore. {Exit Carlos.) [Enter Inez,]
Inez, 'ihe Senora is not here (Advances cautiously and looks
about.) Very good. Now I'll take a peep at my present. Oh,
Carlino ! What a dear little fellow you are ! (Approaches basket.)
Doct. [.enters with knife.) Inez!
Inez. Santa Maria ! Who is it ?
Doct. Only me, my child. What are you about to do?
Inez. Examine my present I was afraid the Senora would be an-
gry, and so I am going to look at it on the sly.
Doct. Well, I am quite curious to know what you have there.
Inez. Perhaps biscuits. Oh, mercy ! Footsteps again.
Doct. It is Lucrezia. It will never do for her to see this, if you
wish to keep your place, my child. Take it to your own room.
Inez, (trying tj lift x-usket) 1 can t. Lend me a hand.
Doct. Where shall we take it? Inez, eat up your biscuits at once,
and then we can get the basket away easily enough.
Inez. No ! Let us take it out on the balcony, until the Senora is out
of the way.
Poct. Good ! This is as exciting as an intrigue. (Lifts one end of
basket.) Your biscuits are heavy, Inez.
Inez (tift^ig the other end). Yes. (Drops basket on Doctor's toes.)
DOCT. ' n, Inez!— Once more. All right. (They lake the basket to
thh mlcony and rest it there.) That will do. Stay ! Let me
steady it, {The Doctor, in trying to steady it, lets it fall into the
water.) Oh, it's gone, Inez ! I'm very sorry!
Inez. Oh, my poor biscuits ! How could you be so careless ? I de-
clare it has sunk ! (Enter Lucrezia.)
Luc. I can't find the porters anywhere. {Sees Doct.) Ah, my husband !
Inez, {sobbing). My poor biscuit !
Luc. My dear, I thought you were out walking.
Doct. No ; I shall not go just yet.
Luc. (aside). Where can the basket be ? He has gone. then. Since
he is safe, I will make a true woman's merit of telling her hus«
band all when he can't revenge himself. (Aloud.) Husband!
Doct. Well, wife.
Luc. Have you seen anything here ?
Doct. No. {Aside.) She has seen the basket and misses it !
Luc. Nothing at all?
Doct. Oh ! Yes ! No ! Certainly not ! {Confused.)
Luc A basket, for instance.
Inez (aside). Now for another storm.
Doct. Yes, my dear. I remember a basket. Quite a trifle.
Luc. Did you see what was in it?
Doct. No. (Aside to Inez.) Y'ou had better tell her all, Inez.
Inez. It was a little present of candies for me.
Luc. Husband, there was a man in it ?
Doct. (staggering back overwhelmed). What!
Inez, (fainting against Doctor). A man !
Luc Yes, a man, who took this means of entering the house, and of
making audacious proposals of love to me ; but I scorned his of-
fers, and left the room in search of you, that you might avenge
the insult. Is he gone ?
Doct. (stupified). I should say he was !
Inez, {aside) Perhaps it was Carlino himself!
Doct. Y'ou must be mistaken, wife.
Luc I tell you, I spoke to him,on this spot, not ten minutes ago, and
left him here in the basket. He must have been conveyed out again.
Doct. Yes, decidedly.
Inez. He'll not be conveyed out again in a hurry. (Enter Isabella.)
Isa. Inez! (Aside to Inez.) That note. Ha, ha! I have read it
It was for me, and from hint,
Inez. Whom?
Isa. My cavalier. He is here !
Inez. What! In the house?
Isa. Yes. He was conveyed hither in that basket !
INEZ, {with horror) What!
Isa. (to Inez). It was he who was on the water.
Inez (aside).
I don't think he will
He's in the water bow.
Luc. Well, do you free me from all suspicion ?
have the impudence to make another visit.
Doct. I don't think he will !
INEZ {shuddering). I hope not.
Luc Come, Isabella. (Crosses.) How could he have got out?
Isa. But, ma, I don't want to go.
Luc. Come along, miss. I have something to say to you.
[Exit Luc pulling ISABELLA.)
Doct. {to Inez) Look out of the window. I dare not. Perhaps he
is swimming in the basket. It was very large.
Inez (looking out). No. There is nothing. He is gone.
Doct. (nervously). He? Who? Pooh! Do you believe it was a man?
Inez. I know it was. Oh, Doctor, we are murderers !
Doct. What do you mean? You threw him out. It was your present
Inez. No, Senor Doctor. You threw him out
Doct. Don't be so positive. I won't inform against you.
Inez. Oh, if we should be found out !
Doct My blood runs cold at the very suggestion. {The rattling of
castanets heard outside.)
Inez. What is that? (Starling with fear.)
Doct. It sounds like the rattling of a dead man's bones.
Inez. Oh, don't talk so Doctor! It's only some street dancers.
Doct. Why do people dance ? He can't dance ! His dancing day* are
over!
Inez. I am afraid yours are not doctor.
Doct. What do you mean?
Inez. Doctor, I'm afraid your last act in life will be something akio
to a dance, without any floor to step on.
Doct. Wretched girl !
Inez {going to balcony and looking out). Ah! {Screams ) Mercy f
Murder ! I can swear I saw the basket bobbing up and down ic
the water, as though there were a human being kicking inside
to get out, and coulaVt ! Ah !
Doct. {putting his hand over her mouth.) Be quiet, Inez. You make
me teel strangely uncomfortable, Don'!: scream. You'll alarm the
night watch !
Inez. But, Doctor I feel I am going to scream again. Ah I
(Screams.) Stop my mouth.
DOCT. (stopping her mouth). I tell you that you'll alarm the night
I watch, if y'ou haven't done so already. Hark 1
FINALE TO FIRST ACT,
&
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You're doomed ! And you too ! Don't say so !
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Our doom is seal'd as sure as fate !
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Our doom is seal'd as sure as
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What meant those screams I heard but
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What meant that
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(3%e march grows louder, and the tramp is heard outside. Lucrezia and Isabella look out of toinitw.)
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[By /Ai» ft'me «fce tfrawp /eas become very loud, and three heavy knocks are heard at door. The Doctor and Inez are
paralyzed. A short silence.]
Luc.
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They're at the door !
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[Three more loud knocks heard. At the sound Doctor a»<J Inez rt«ft across, leaving Isabella oni Lucrezia.J
Tenoki.( Outside.)
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in the name of the king!
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Doc. {trembling. )
In.
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Go, I-nez go!
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[Enter Lt/crezia, followed by Pouposo, the night watch and neighbors]
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The Due - tor Par - a - eel -
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I am he I
Why are you here?
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law, Why did you keep me knocking, knocking at the door 7
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scream ! I heard a loud, a loud, a loud and dead - ly scream !
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sure-ly dream !
No, he does not, I heard it, too ! And I ! The deuce ! what shall I do 1
--Tin
Doc. (aloud.)
Luc.
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scream! Aud Hand II aud II The devil! do you think I'd lief
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It was not so !
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go I A cry of pain was i
Doc. and In.
75
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A cry of pain was ve - ry plain, A cry of pain was ve - ry plain I
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wasn't ! it wasn't, it wasn't, it wasn't, it wasn't, it wasn't, it wasn't, it wasn't, it wasn't 1
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to-ni- o Eicardo Do-lo - ro - so, Explain to me the meaning of that cry I heard but uow,but now upon yon balco-
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hes - i - ta-tlon, al - ter - ca- tioD, spec - u - la-tion, dis-pu - ta- tion, Both - er - a - tion, dis -
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To you 1 To you, Hipo- li-to Lopez Pom-po - so, An - to-ui-o Kicardo Do-lo-
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wandered there to take the air, And in the moonbeam's waking d ream ; While thus entranced, my
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plung'd by ruffians in the stream ! I saw no more, But tretn - bling o'er, I gave that wild and
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Oh! horror! Oh! horror! (They run to the window and look out.)
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first, when first I heard you scream,Aad bade a couple of my men To drag within the stream.
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( Two men bringing in the basket.)
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We could find nothing else than this 1 That basket ! That basket ! That basket !
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33
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That basket!
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15
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85
Pox.
Threateningly.
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I'm Don Hip-o - li - to Lo -pez Pom-po
tr"
An - to - ni - o Ei- car - do Do -lo - ro - so, I
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think, I think I smell a good sized rat, And I will hold you all ac-coun - ta - ble for that.
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(4s We curtain falls, Pomposo prepares to depart. The Doctor and Inez look nervously at each otfur, and then point
to the basket. Isabella and Luokezia watch them.)
91
ACT II.
ALL' ESPAGNOLA.
Allegro Spiriloso.
JT - V— • — «-• — «-«-S-«
r
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Same Scene as before. Scena and Bolero. Isabella alone.
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.4< JAe rise of curtain, Isabella discovered. Scena e Bolero.
*
9i
AH, WOE IS ME!
(SCENA AND BOLERO.)
Introduced in the
" Doctor of Alcantara.
Composed by J. EICHBERG.
Alio molto.
Recititavo.
jBE
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Ah, woe is me ! my heart's best hope is
&
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vanished,
The loved one's fled, and ne'er to me re - turns,
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. lone in deepest grief am left,
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To dream of him whom I shall ne'er be - hold.
9^
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Copyright, mdooolxvi, l>y T. FIRTH.
95
iS^t
Andantino,
— G>
-<S>
=t
Oh ! would that fate
had cast
my lot
with him.
How
4-
hap
py
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were my fate,
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and lono
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to
him
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Ah. woe is me 8.
«SS^
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96
fe
it
Oh! would that fate
m
had cast
my lot
— ?=T=* —
with him,
How
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ly cot
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El
Ab. woe is me. 8.
97
jfefe^*
. cealed.
Allegro. _
See
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ss
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But to the
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rail.
Tempo di Bolero.
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Ah, woe is u.v. i.
98
s£=fc
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sen
ses are yield
_v— i 1 — >•■«
ing, Care dis - ap - pear - ing,
Love's vows en -
=S=^:
a
»
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-a —
And
all
my
soul
is full with joy, my soul is full with
tt
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sic and joy,
V
Pleas -
ure and
— £
mirth,
=6
all
— >
my
sen -
ses
pen - e -
r
trate.
(o ^ — ^ —
4-
— 7—
- 4
a
-7-
1 —
# —
1 ■ —
— #
— *} —
1 —
— 3 —
hh* — i —
* -5-
1
— r
A
^
1 —
*
m-.*F
-1-
— *? —
»
•«
-1-
—*—
Ah, woe is ma. 8.
99
mmm
--*-
5=
*q
t
&e£
*S
— Si-
gay Mad - ri len - as, AH proud Cab - al - le - vos, Are anx - ious - Iy
tjj=t
i
m
BE
s
s
-*-
Ah, woe is me. 8.
100
^
^
£ — a :F|=if:^ r r-
— *-b=a=b E
— f
f
-r-f-f
|
•--»—
— \-
#-
— 0 1
— 1
£fr
proud Cab
— + —
- al -
le .
# —
ros,
Are
-|
anx - ious
—*-
- iy
•
wait - ing
~ if -!
to
1 —
— 0 —
join
in
— +^
• —
V
the
1 —
9
rp *
^=r
i
— « —
— # —
I
w
1 0—
1
|
— m —
=2 J-
m
7
1
i
^J»=
tfcfcr
f—
Sf_
— •
*f—
— #
— f—
— «
«y
^-i>->-
— J
— « —
— *
— i
L- *
— 1
L- *
Tfc
4=J=
t.
dance,
to join
the dance,
tfc
— i-
:2fc
&z3
s*
— i j
— « m-
V
"I ! 1 —
-# — # — •■
■-J2I
* *
*■ ■+
join
i
fes
=*
BEE:
3
:
3
a*
To
I
Ah, woe 18 me. 8.
CODA.
q Piii animato.
101
t=
- trate,
-iA-!-
"with
bliss
pen -
e - trate,
cfcfc:S=}i
mk
— T-
L: -L:
*
zczzz
J
i*
# 9 0-
0 0 -0-
t=&E&
0 0 p.,
■0 0 0-
■yt—t-g.
k=±fz
S$E
with
^fcaf:
Ffrfrg
bliss
pen
— #-
trate,
Jmc
is:
S
-P-
^fe4
S3
!>♦ ♦ ♦
ae
— i —
3
p
:^2=-
ME
^
with
bliss.
p«n
dot
-p-
p5 5t ♦
ill
a
e - trate.
=P-
-P-
-*-
m.
-0- "
3E
Ah, woe is me. 8 .
3=i
sy
102
Isa. But here comes some one, the Doctor aDd Inez. I must
away ! Oh ! where can my handsome Cavalier have gone 1
Doc. Oh, Inez, why did you throw him out ?
Inez. Oh, Doctor, why did you throw him out ?
Doc. We are all thrown out through it. Poor young man, he
must be very we:, [they go tip to icindow and look out-)
Enter Carlosi.
Car. I cannot stand solitude any louger. It is impossible to
conceal myself forever. There is a gentleman yonder. I will
speak to him, and declare my love.
Terzetto — Doctor, Carlos and Inez.
[During the ritomello Carlos approaches the Doctor, and at
the end taps him on the shoulder-)
SENOR! SENOR!
m
A
Carlos. Doc. Inez.
TRIO. (bowing politely.) (frightened.) (fright-
9
Allegro.
U*
r>
-»"-»'
v
^
2i||^=
H -N-
g-g-ggg-g
-f>
— ^=— — — « — ■ —
m
-ffTr-f-
u j+-e«efZ.) Car. (boicing.)Doc. (aside.',
Car. (aside.)
=s3
-*— *
£=}
-* * *
:<2_
:£=£=]
Z i «_« —
Se- nor! How the devil came he here? How he stares at me, oh dear! Can this my charmer's
^S^S
S
5£
— »*-
3=£=£
r:trf:c:t::t:t:t
i_/_!_lz2_/_j
i
^*=?=*:
-0 — »
-N-N
Car. Inez.
Doc. (Sowing.) (grimly.) [coldly.)
Car.
:j=
— -N-
T#— *-
p=*=
fa - ther be ?
ji 4» Sva
fafegg
t=t
0 #-
:p
He looks quite sour; it must be he, it must be he ! Se-uor ! Se - nor ! Se - nor ! Se - uor ! Se -
}mmm
- m
1P^P
LJ •? £? £
£
E3=£
( £ 3 i— I
Doc. (impatiently.)
Car. (aside to Doctor.)
Doc.
-5 v — n, — \--f*-~- n — - — nJ — S — n — s — Iv-E^-EN"^!: — *p-i-^Ezi^z0~
L» — 0 — #—•—■—* — ^ — #-!-* — 0 — « « — '— m — ^— •-'-■ 1
- uor! Se - nor! Se - nor! I dare not now, not uow ex-plain; I'd bet - ter, bet- ter call a - gain 1
M li ^% con 8va.
Good
-H-S s-l 1-
•a-
<=■ — tf-ff— * \— -
X
±
s
£i . s_
35
it
Ih£e*
_#_« •.-•._•_»_«-
103
#
Inez, (yawning.) Carlos, {aside.)
-- • J BJjgJE — r-l »-j=,-| #,,#«-- 3—
5
-*-#■-
=«i=^r=ME
night, Senor ! some oth-er day,Good night, Senor ! Shall I away ? 'Twere best at once to speak my mind, Such
-g-Afc tig t 5 —
ft
Inez, (i^reatenin^.)
feE
£te
What means your presence here? speak out! Your hon - es - ty admits of doubt; What do you
-N»t-,
£35=£
:t=c:
:t:
*
*
:p
£
*$
chance I ne'er a- gain may find.
Doc.
Se - nor !
Se - nor !
m
N~ N— N->
«
What means your presence here ? speak out ! Your hon - es - ty admits of doubt; What do you
•-^•« — - —
1 ■ 1— 0—0-0
Mi
*
t=t:
3
iBS5l
N-- N -N
:*=*:
g-^lEfeEJgppijg^g
*«
here this time of day ? What do you here this time of day t
ffl*
=|:
3
ii±
Are your in- tentions honest : say T
-# — •-
=t
C^"
tf
■<•-<■-<
#
fetes
mm&z&
-9 0
=■?
-#-0
-« #-
IT
fff
?-^-»-»b«-«-» 0
rfrffl
pcplti-p-p
:j
■i I
M..M.M
B»-r-»-#-
?nar'Mto.
^
1
l_ I | |
nS-
1g
4— i ■
£ £ ^ -*
104
Car. Doc.
(very silly.) (imitating Car.)lN. (thesame.)
g Vr '
Sae
=i£te
^47?o. risoluto. Car. (;ci^ affectation.) ^_
« --(2-
-*-«-#-
->—!/-
i;
t=
-#-#-
->-»<■
5=t:
m l, Alio, risolulo.
— »^-«-«T«-#-#-
i n i i
-0-0T0~0'0
42-
All noble hearts as - pire To one sole
i n i i
Mill-
i n i i
=n_uu — 3:
-0-0^0-0-
rtt.
01
:|=
-si-
-*■!-»-*
4>-*-
:E3
«
^=r:
■» — » — P — » — | — P—e —m-
aim ; one bright de - sire.
My heart is torn by beauty's eye; — Love in my breast, love in my breast can never
J
Doc. (ivithfear.)
Inez, (aside, with terror.)
y is ■-»— \-
za-m^zm—ai
rf" " I, " L
pft^- — h*
-v— I** — *-
die.
This ve - ry night I've seen — Ail ! Inez !
Oh!
what can he
t^Beter"0^'
EC*
a
-5-**-
--» 0—0—* *
ii^
Doc. (aside fa) inez.)
iv-N — \ — is — is — N — fm — I —
Inez, (to Doc.)
zi^zmzz t:
N >-
-?-#— #-**—
tr »— * — • — * — > — /— /-
Inez, if he should prove a spy 1 Should it be so, should it be so ! Oh life, good-
^zj-'s^ttd^^^zzi^
-1—3-=
-4
— I — I — I — I — I 1 1 1
-Jiz'zzUz^-*^—'—
'^Eizzz\zz0zzjzza-zh.l.zz
.j rj 1-
105
§?
Inez.
-bye !
„ Doc.
Oh I
-&-
life,
M
good - bye I
Oh!
life.
-zt.
good - bye !
-<s-
j
**=
-&•
¥~
-&-
-a-
^
F
z tea- — as-'
S^SfE
'■'-l^frf-r*
ra
SB
3»
■r^
kfea
tea — ^5"
fefeS££^S8
H=Fft
EHE
^^
tas=t
/ I
'J I PI
~*T
*=J2=
*i
„ n Inez & Doc. (aside.) ..
I
I wondt
M CAR.(a*2c?e.)
f " L>
wonder who this man
1/
can
bel
Vvv V- ¥
His presence sore - ly
-?— jM-
troub - les
me,
m
^titteg
Allegretto con gusto.
How strangely do they glance at me !
-N — N
a-g— g-H h-
flP
Sfe
S
3=
fcfcf
■fcHMHh
They full of trouble seem to
-/-
~*
•— £
S*
=5=5-?-
;£§=
=^=S
-»-•?-
=1=
wonder who this man
¥
can
w-
\
bei
-Vl P-j 1 V—
-¥■—¥--
?E
-ft— ft-- ft-
V V V
s — ft— ft
? * •— -*— F— #-# f J a
PH ^
His presence sorely troubles me !
be, How strangely do
-e — f- -» m-
they glance at me 1
They full of trouble seem to
^
if
S3EP3!
•g-frr-g-
-*— 5— *— ?-
:a
j=a=
*=*=
be!
Allegro.
4-
pg=m^ga
=t
air was soft :
The sky was calm a - bove ;
I cast my eyes a - loft,
And gave my
3=d=d=l
=£
£
! I I I
* * »$ff5
III!
Tj — ij — 4-^4:
-# — •-
at — *-
=1 — i — 3=3=
I 1 I-
3(— *r. :«=*
=t
=)=*
3==
-s> —
■i » — F
-I — *— r-
=t
J— iw
-s>~
s
thoughts to love ;
I gazed up - on the moon
And id - ly dream'd of bliss ;
While grateful-
ffi
a — m * — •-
£. — i — *~k£2r
I I II
3
1=3
W~*~~*
*M=«
J 1 — =1=4:
— I— -£
I I
i I
=4=*-
* — « — #-
=1=1=3=
« — « — «-
3t *"
l=t
:*==4==4==4=:
:=
===!=4= 1=
=n=* *=!
—j — * — #— •-
rit. ^ Allegretto.
£
==p
S=^
— »r-
Spread o'er my brow its kiss. 'Twas at this time the evening chime Stole on my list'n - ing
h.tt-1 4
;3=j— 3==j=
j i,i i
4=~
3=j=^
i=*==?==1==S=
■*■»-•»•■#-
Allegretto,
m^
:<==:i=2
-a — • «-
■*— « # -
v — #-* "-
=^=====1
3e===^3=i
==t
r¥=g 9-
107
. rtt.
\
3ES
-#— «-
t — +~^ — p-
# — »-* — «
:E
-■— » -_-4
-N
Jntpfc
Doc. [an^rW/y.j
-> N N N —
E^-j^3* — * — * — -i—0—» — »-
The ten- der sheep Had gone to sleep, And not a soul was near. It seems, Se - nor, you are a
, m 1 —
-o
9
2l
±—*z
i—%^»-
A=*
4-
a=S=S
-g— g-
■4-
-£
Es=
±|t
#— «
»— *
^^
-«?—«-
£:
*
Inez.
Carlos, {affectedly.)
— i 1 — .
—I — a — a a
-a
— V~\— \i— N
rX— N-
a — ^a~a— a- -j— c— h r^Hf-^-*— *- g-| — ?-&-»
-» — -#-
fool ! What means this sil-ly rid -i-cule,Whatoieans this si- ly rid- i - culo? Be-neath your window, in my boat I
-J .-H—
:§=J
m
f=£
fa:
qh
i^Ffei
&--"
:J^2E=3^5
1^5
-«?-
*£
=5=i:t*=f=Z=
-a — a
Doc. Inez.
(confused.) {frightened.)
Cae. Doc.
(childishly.) (terrified.)
s » — • — f — •- ha r — I N
-*}-£-*:■
£
-":-•-
sat with pensive meiu : When such a sight burst on my eye !-His eye, What have you seen ?
-8-d
a 1
:t^
«ig — i-
i==-^
-2—*— 3
I — »=£ — tf-
/ :£
fe^!M^=E
1=M=
F=5=t
±£=3;
:| rf
What ? What ?
±=
:p
»=
a*a»a*— &-%-%
St »— • — 5-5-5-
Inez. Doc. Inez. Car.
(trembling.) (in agony.) (same.) (foolishly.)
Doc. Inez. (to Z>oc.)
^EEgEjEgE
What 1 Where J Where ? Where f There !
%@^g^s^s3±
> — * — / — +-
Upon that balco-ny, Ah heav'nl Oh, did ho see ?
>rJ:
-jsmmi^
>$£**-
ip
W
-7-
V
p^Tl^JjMd
— 2-
0 »-
% h 9 tfr-f- £»■
108
I , r-t^j
■ft' N ■ K
P=tc
Doc.
Cab. (with aplomb )
'r2 1- H 1-
':#*=*:=:*=*=:*:=*=*:
3^P
-N— V \—
-= r — i — i
We're lost, out tale of life is told.
i=SZ==ft&:»-==f*tf*
Be quiet, you make my blood run cold.
'"I"'
fy^yp'f nai
— -# — 1-» — 1-# — I — 0 1 — I — I 1 — — I
-••*-
sJV
i3EE3^^:
-f «. ^ «t »— V
I think, I
! 1 H*|-
— I 1 1 1 1 1 1 1
4—* —
-w— -p — l«r~
^=fcfc
A^— « — « — « — p — * — + — / — ' S^ -
-**—*■
-i — <fa h — H — ly 1 1-= \-
have, I think I have, impress'd them well, The rest I now will quick - ly tell ; The rest I now will quickly
=3=p
. n Inez.
I wonder who
* —
-?— o— t
this
man can
bet
:»*£=
pFl
-* —
tell.
-N— fe — N
3=.=*=*
HV~ V-
.>• i ^_
-*r—>
S3
-fZ^ZZ^^-
His presence sore - ly troub - les
,-•:
_!/_!_
~a — P
-W=m~-
+ K< /-
?w=
£^a
-f-^7-
How strangely do they glance at me 1
They full of
-y—^w-
:J3EJ
:T
I wonder who this
Allegretto con gusto
man can
bet
■*- -0-
-T
fftf%-» - 1 1 I ■
flP
aa^^^
M
£=W=5=¥
ss
v— ? t^?-
His presence sore - ly troub - les
feFfe-
^-?-*-3-
s— *~
-p-ff-
109
n
is
3EEB!
zj^zjz^il
I wonder who this man can
be?
-*-— N— *
limi
His presence sorely troubles me.
Ig
-*— V
xr£M
■!f—0—0 #-
ca:
E=*=*
— \-» — » — #-
■ _}- - 1 •■'! — 1--
-» — #
5rt=t=E=r*
/ •/— *-!-* *—/—/-
E^Efe
trouble seem to be, How strangely do
they glance at me 1
They full of trouble seem to be.
?&=t
-N-f-
a— •■
—\-
-"X-s — 1_«:
-« — L- 0 — -
-&-
*— *— *
e^fe
[|lg=i
wonder who this man can be f
-* — »-
His presence sorely troubles me.
m. Allegro.
?3^=E;
-•—«?-
££££
■*-.
^=^
V— g—g — 3-
-N-s-f-
t=U=
.1
•i-_?I
# — 0-
£=t
=gg=b:
~*r-
/
A #• -£
E^^E
Eecit. Inez. (asMe to Doctor, with terror.)
* ¥
Eecit.
Car. (with fear.)
i
gfc=i=i=
-\ fr— N"
This honey worded man is an a - gent of po-lice!
• flee !
*=
£
presto.
-m *
iZiSC
it* I*8**
*
-J X
110
{goes towards the door.)
N N -ft
©
#*^eHE£32
so,
I think I'll go!
Doc. (preventing Car.)
te^
Se - nor, here you must re
fe-^i|=
zeE^t
ITS » —
V
Inez.
a^a
?3S
*£**
^*^*-
T — 1
SS
S3
fe
J0
Alio.
i - * d— • ¥-
:trtst:p=Ui=
Car.
| In.
m ii Inez. Doc. | In.
pose! Se-nor, here you must re - pose! Who you are we now sus - pect ! eh ! What your purpose we de -
11 ■*■ ♦
P
Hi — * *-
fc*:zj=pz=:n=p:
art=
:3=p=t=lr
t=P==t:
Jl£ J
Ki
* * £;*
*=fer^
:=fc=ac
EiEEfe*;
3=»=
:g=5:
ifeE*
P— 5-
*===*
— W-
U
Car. {frightened.)
Carlos.
Doc. Lfitnie change my pretty
£=£3:
i=»r»:#— pz»: :&:^=r
i=#I*f=*»
-£-3-#-
-»—m-
u
rrrr
- tect ! Pray kind peo - pie let me go ! I did'nt mean to hurt you ! no ! Doc. No, no, no, you can - not
-v F± H± x±
■&-
&
=t:
--Xr-
-sb
ts^r.
fc=S:
* J ^
-m — m — 9-
Mzxz
:p l-p:
:p — |-r
— j *
t~F »— p-
:*-t
fefe
:=i=E
41
clothes. Inez.
Car. {pleading.)
4- — 1 — I —
=t
t:
-|~
^
=4a
pass. Se- nor, here you must reposo ! Se- nor, Se - nor, a - las ! Senor, Se - nor, a - - las I For a
Jf£
|iS=p— fcdp:
W-
t±E=t
5*3=?^:
_r^t
# — #-
SEE
*==*
f-h-T-r
-»-■=-
/!P
p-
3=£
E3:
If*
■(S-
£^
Ill
y
mmm
t:
f-
t=
t=t=t=fc
:p— p~ p=p:
£
ipzzg p >:
moment cease your rigor ! Can you harm this pretty figure ? You can-not revenge in - voko, On my pret- ty tinseled
*
-t
"ST"
5ik:
±
..-. JL.
=*=*
E-3-tE=rl»
"ST
m4
■■■•#-
iffe
«*=
t#4
m
SiS^
&* i*
&
is:
IJEfe;
s_
3%rf.
* &ed.
* :2W.
*
(•soSftmi?.)
%=E
:p=*:
:p=*
F-J F F-f— F— F-f-
:p=i^rp
P=k
-\— \-
-# — #-
*s
cloak! I am not a thief, be - lieve me ! Real- ly sir, I don't de -ceiveyou! A no-ble Se-noris my
M
jjfc^TO
-I 1 H
-I ^0-
p=p=t=U^
*c5
t=JC
J<S . J"£ w-J
«*^_*
gy^
:J-P t=p:
:4=p=4=p:
q=»c
iE*
iPzzf:
sfefe
:tf
(««77» an
'tin. __
■*t — •— }-#-#- P-
q==p:
ffi
•— p-
3^P=
fe
pa! A no-ble la - dy is my ma! Myself am not unknown to fame, And Se-nor Ca-rlos is my name ! Carlos !
?#
b-2
grip
Sag r T g
is- -t— -i— X -#■
-F * a h
-I F 9-
«eee
P=i=^
3E^
-s-
J^
&.
is:
-<s~
^s-
*s
2=
=1=
infantine voice.) Doc. Cae. Inez. Car. Doc. (surprised.)
infa,
iJ:
Car.
•*-t— 1
-»I:b=p=?ip=:k
— -— "-t- -I-"— F-t-F— --h-i-P=:q5z*=p=p:?r=p=:pzF:pz=»=F-
^JEt=t^d:t:=uE=p=i^:l:t=^=t:=i^E:l:t=u£:u=t£:
Carlos ! Carlos ! Carlos! Carlos! Carlos! Car -los I Then you real-ly Car - los are? The son of Se - nor Bal - tha -
fe
3Lf^
:=f2:
:g=Uit:
t»-
#
-*— r
t=ttt=t£:
3=p:
:p=pr
:^=p:
:q=P=
:P=t:
:3=P=|=p:
:*^=«zi:
112
y
Inez.
$===
0
Doc. | p
Baltha - zar !
Car.
Bal - tha - zar ! Baltha - zar I
4==
r
S»C=:
£
±
:-^e^
=££
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117
Inez. Oh, Senor, we pray that you will remain with us.
Doct. Yes, and accept our excuses.
Car. What does this sudden change mean ?
Inez. Why that severe look ?
Car. (Simpering.) Excuse me, it was only a smile.
DOCT. (forcing him into a chair. Sit down, sir, I beg.
Car. ( rising.) But, Senor
Inez. Oh, don't rise. We really can't allow you to stand. (Pushes
him into a chair.)
DOCT. (eagerly.) What refreshments will you take ? Some cake ?
Inez. Wine? Doct. Ice? Inez. Bananas? Plums?
Doct. Peaches ? Inez. Cordial ? Doct. Maraschino ?
Inez. Lachryma Christi? Doct. Money? Inez. His bed ?
Doct. My daughter? Inez. His wife? Doct. My horses ?
Inez. His carriage? Doct. My life blood?
Car. (terrified.) What does this all mean ? (Looks with a silly air
about the room.)
Doct. (aside to Inez.) It is Carlos !
Inez, (to Doct.) I was afraid it was a police spy! Oh, I am so happy.
Doct. (to Inez.) So am I. But he spoke of the balcony 1 am not
yet certain of him. Look how he stares ! I will pump h\m.(A loud.)
Well, my young friend. You have appeared in quite an unex-
pected manner.
Car. Yes, sir, the beautiful stars of eve
Doct Yes. I believe you said so before. Ha, ha ! (laughs unea-
sily.) I believe you said — ha, ha ! — that you were on the water
under the balcony
Car. Oh, yes, sir! The flowing stream meandered on its peaceful
way. The tender flowers had sunk to rest, and
Doct. Grace, for the love of the saints ! Tell us what you saw.
Car. (silly.) Saw?
Inez. When the Doctor says saw, he means, in fact — saw !
Car. (smiling politely.) Ah, now I understand ! The vision of
brightness stepped on the balcony Inez. That was I !
Car. I have seen nothing else, on my honor. If anything tran-
spired there that I ought not to have seen
DOCT. But there didn't. (Aside.) I still suspect him ! (Aloud.)
What refreshment will you take, Senor ? Take some wine.
Car. Oh, sir ! (Simpering. Anything. No, sir ! Nothing ! I —
(Effeminately.) never drink. Inez. What! Not water?
Car. No. That is, sometimes. I live upon the tender dew that
Love distils from the rose leaves. Love is my food, love is my drink.
Doct. Of course. Inez, get him a carafe of love.
Car. (aside.) How strangely he acts I Who can he be ? He seemed
to know my father's name.
Doct. You really must take some wine with me.
Car. Well, if I must — let it be water. Oh, I love water ! Water !
Sparkling water ! Oh, divine liquor ! One looks at water —
sails on water — swims in water
Inez. Yes, and washes in water!
Car. Yes. Of course — that is — sometimes, (confused.)
Doct. Inez, get me that flagon of wine in the closet. Be careful,
ana bring the right one. And, Inez, glasses. (Inez gets glasses
from closet, fills one from flagon, and offers it to Carlos on tray.)
Car. Thank you. (tastes it.) Bah ! (distastefully.)
Doct. What is the matter? [this?
Car. Nothing, (with politeness and stupidity.) What do you call
Doct. Lachryma Christi.
Car. Yes. It is fine — splendid. Thank you. (drinks and is dis-
gusted, but tries to smile to Doctor with politeness?)
Doct. Inez, bring me a glassful also.
Inez. Yes, Senor. (gives him wine)
Doct. (about to drink.) Carambo ! What is this ? Inez. Wine, sir.
Doct. Show me the bottle. (Carlos yawns and is in pain.)
Inez. There, Senor! (shows bottle.)
Doct. The devil! Have you given him this? It is my medicine.
I made it too strong, and it's poison.
Car. 1 wonder how you can like such bitter wine. It isn't — very —
nice. I feel very sleepy. What-funny-wine ! (falls in armchair.)
Doct. Wretched girl, you have done another murder!
Inez. After all, sir, it is only medicine.
Doct. Yes, but I intended it for my patients, not for my friends.
Car. Yes. (yawns.) My father! — kind man! — funny wine.
Doct. (with sublime composure ) He is dying. We are again ac-
complices.
Car. Oh, dear! (sleeps.)
Inez. Gone? Doct. Dead! Inez. Very dead?
Doct Fortissimo dead. It would have killed an elephant or an
jdaerman.
Inez. Oh, heavens! Two murders in a night ! What is to be done ?
Doct. We must cut the body up, and take it away piecemeal,
Inez. Let's fling it into the water.
Doct. No, wretched girl. It would poison all the fish. We have
crimes enough on our heads. Inez !
You are a murderess I
Doct. Inez!
Yes, Senor Doctor.
I have always been
Inez. Yes ! Senor Doctor. Doct.
Inez. Yes, Doctor. So are you.
Inez. Yes, Doctor. (Doctor locks doors.)
Doct. We are both murderers ! Inez.
Doct. Inez! Inez. Yes, Doctor.
Doct. We shall be hung if we are-<liscovered.
a kind master to you. Since you have the crimes on your mind,
you might as well take the blame of both. Be hung without me,
and merit my eternal gratitude!
Inez. Doctor, I was about to ask you to do the same thing for me.
Doct. Oh, dear ! I feel very cold.
Inez. How must he feel ! Oh, St. Peter, have mercy on us ! Let
us hide the body for the present. Where shall we conceal it ?
Doct. I don't know. The. deuce ! What do dead bodies mean by
trespassing on my house in this way? Here, put it in this sofa-
bed, (opens sofa.) Inez Yes. Be quick. Help me.
Doct. I don't like to touch him — I mean it .' — Do you put it in alone.
Inez. I can't. I won't. Oh, dear! I'm getting faint
Luc. (knocks at door.) Doctor !
Doct. Oh, mercy ! Inez. We are lost!
Luc. (outside.) My dear, some one wants to see you. He has
been knocking at the door for some time, (loud knock.)
Inez. It is your wife. Should she see the body !
DOCT. (gloomily.) She must perish too. Luc (outside.) I
think it is Senor Balthazar. Inez. His— I mean its Father.
Doct. Father! Oh, he must die also. What brings him here?
Luc. (outside.) Open the door! Doct. Yes! Quick, Inez.
(they place Carlos' body in the sofa, and close the lid.)
Inez. Oh, mercy on us ! We are lost, (opens door, and admits
Lucrezia, with candle.)
Doct. I'm coming, (unlocks door, and admits Senor Balthazar.)
[Isabella enters.]
Balthazar (to Doct.) Ah, my old friend ! Delighted to see you.
Give us your hand, (shakes Doctor's hand.) Why, how cold
your hand is! Doct. Yes! I've got a cold.
Bal. Ah! I thought I'd take you by surprise.
Doct. I'm cursed if you haven't. Welcome, my friend ! How —
how are all your family ? Bal. Happily they are all well, (sits
on sofa.) Doct. Oh, murder! (aside.) He little knows what
the padding of that sofa is made of. Bal. My son hasn't been
home for some two or three days. But that is nothing.
Doct. Of course not. I — I — wouldn't feel troubled if he didn't
come home for two or three more, if I were you. He is all right.
Bal. Of course. It doesn't trouble me at all I have just arrived
in Alcantara from home. 1 came down to see you in order to
settle about the marriage of which we have spoken so often.
DOCT. Yes, of course. lSA.(aside.)l won't wed his son, I'm determined.
Bal. I expect my son here in the morning. I left word to that
effect for him, at the hotel, where I knew he has been staying.
DOCT. (aside.) Inez! Inez, (aside.) Doctor!
Bal. 1 suppose I can have a bed here for the night. Eh, old
friend? Doct. Oh, yes. Of course. Luc. Inez, have a
bed aired for Senor Balthazar.
Inez. There is not a bed ready in the house.
Luc. True ! 1 had forgot. Well, he can manage to sleep in this
room for the night. We will make it all right to-morrow.
Doct. (aside.) In this room! Bal. Oh, yes! Anywhere will
do for me. Don't let me give you any trouble.
Luc. The Senor must be fatigued. Inez, some wine !
Doct. No. No wine, Inez. Bal. Why not?
Doct. The — fact — is — I have drunk it all. Ha, ha!
Bal. Ha, haj Well a little morsel of supper.
Luc. How provoking, to think that of all nights in the year, wo
should have an empty larder to-night !
Bal. Well, well ! Never mind. I know it is late. It doesn't
matter. I'll take up my bed on this sofa, and wait til! the morning.
Inez, (with horror.) Eli ? Doct. (aside.) On the top of his own son !
Bal. What the deuce ails them all ? They look as if they were go-
ing to an auto-da-fe.
Luc. (aside.) I wonder where that young man can be?
Doct. No, no, Senor ! Not on that sofa ! Really !
Bal. Nonsense! No ceremony! How strangely you all act !
Inez, (aside to Doct.) Oh, think of his making an unhappy sand-
wich of his own son !
Doct. (aside, tragically.) It is Providence — Fatality!
Luc, Well, then, Senor, apologizing for our apparent neglect, we
bid you good night. In the morning, I hope we shall be able t»
atone for it.
Doct. (to Inez.) When he sleeps, we must come here with a pair
of shears and cut the body from under him.
Inez, (aside.) Should he wake Doct. (aside.) He dies !
ISA, (aside.) Oh, why did he come at such an unhappy time ? I hat*
him, as I hate his son whom 1 have never seen!
BAL. Well, friend, I'll not detain you any longer. Good-night.
118
GOOD NIGHT, SENOR BALTHAZAR.
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123
Bjul. How strangely over; body seeing to act in this house ! What
can be the matter1? How gloomy every thing is! I don't much
fancy thia sofa. It's very small ! Two would find it rather lim-
ited. (A sigh from sofa heard.) What is that? — Pshaw! —
Nothing. Their miserable good night has given me the horrors,
i believe. {Blows out light, and lies down.) This house lias a, very
fatal and ghostly air. "Goodnight!" It sounded very mi:eh
like " Go to devil ! " I must observe them in the morning. ( Takes
off his peruke and puts it on wig block on table.) "May no ghosts
yt, .. ■.ir.nwr.' (Mngtfig.) Ghosts, gibbets, bats, murders,
moonbeams, moans, screams of agony, and demons! \ pretty
supper to go to bed on! {Sings to wig block.) "Ah! Senor
Balthazar ! " ( Walking to and fro.) Can they have any designs
mi me ! They certainly behaved very mysteriously. {Yawns.)
Pshaw! What a fool I am! I'm very sleepy. {Sits on sofa.)
1 will sleep with one eye open, to be on my guard. ( The wind
moans outside.) Dear me, I feel very gloomy. {Sings to wig block.)
FINALE.
Lento.
;^fc3=fe£
Sings.
P=w=l^lH=S=^ :fe
-" — " — m —
3=
I feet very miserable on thia sofa
-O--
May no dreamsyour slumbers inar ! Good night,Senor Baltna- zar !
§£=
PP
Se
Ah ! what was that !
How gloomy they were !
What a strange reception ! so sad ! so confused !
~=m^
£
iE
"£t"hm.3>.4L Yawns.
Allegretto con moto.
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124
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In.
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Poctoh and Inez. (Enter Doctor, with lantern in hand ) (speaking.) Hush, speak low !
&
{Enter Inez, with a large pair of shears.)
Li»*-*-i? -*•■*■!' a a t>a a^ ~> ^~
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1 tremble o'er with fear,
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Doc.
-- — \— ft — is — >s — j-
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— y-i
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tremble o'er with fear I The moment is su - preme ;
t— i 1 1 1 1—
$♦ ♦ ♦ * *
With courage arm your- self !
'Tis
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like some hor - rid dream ;
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The moment is supreme!
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But I with fear am cold!
But
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I with fear am cold!
Doc.
With horror, wild you seem! And I am sol
How
i
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Be bold !
Approach !
SBB^^J
125
calmly does he sleep ! My heart with grief is torn. Our crime is dark and deep ! We ne'er shall cease to mourn ! I
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Doc.
He sleeps !
But should he wake !
(gloomily. )
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Have no fear !
site?
'Twill be an- oth- er crime,
But
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he must die this time. Come quickly.
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Doc. {speaks.) "Be cautious." In. (speaks.) "It is not easy, truly."
Vivace. Doc. (agitated.)
f <S7ie begins to cut back of sofa with shears.) Take him,take him,take him,
« Sf-
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126
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Inez, (behind the sofa.)
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Doc.
Yes, it is done !
By the feet !
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Pull him, pull Mm, pull him, pull him, pull him, pull him,
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{horror-struck.) /-^ Balth. " Who goes there f " Cab. draws a long sigh. (Sigh )
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By the feet 1
What is thatt
J&Z
That ghostly sound 1
, bI
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By the feet!
1st-
What is that?
Hi!
1
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That ghostly sound !
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Largo. (Carlos
)r51-
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(/itt& by little get $ out of the sofa,
»
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and at length tits
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Oh ! where am 1 1
I dream ! What bliss steals o'er my heart .'
How came I here T Oh,
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yes! They begg'd I'd
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not de- part, I'd not depart. — Oh, words de - li - • <
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Yes, try a - gain !
Yes, try a - gain !
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t. Doc.
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Come, try a - gain 1
Come, try a - gain I
Balth. In vain I listen ; 'twas but a dream.
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(He goes to sofa and sits down on Carlos. They both start up
■with a cry.)
Omenes. A light ! A light !
Luc. & Is. Allegro molto.
±==s=rr- |-CTl — 1~
r
Murder ! Police ! Assassins !
(Isabella, Lucrezia, Perez, Sancho, Pomposo and Servants
<?«/«- with lights)
1 1 1-
T
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What does it mean ? What does it mean ? What does it mean ? What does it mean ? Speak quickly ! Answer now ! What
Neighbors.
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What does it mean 7 What does it mean ? What does it mean 1 What does it mean?
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means this fear - ful
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row ? Answer ! Answer !
Balth. (seeing Car.) What ! iny son
Car. (to Balth.) Ah ! my Pa ! (embraces Balth.)
Answer !
I
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Is he your son t My eav - a - Her ! Ah then I need no long - er fear. —
That is my
non troppo.
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Luc. (aside. )
Car.(<o Is.)
a i-0 ^
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palHisname is Se - nor Bal - thazar! Bal-tha-zar! He came for her — [ still un - to my vows am
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In. (to Carlos.)
H:
true.
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000
He came for her — I still un-to my vows am true.
Were you not in the
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it was thrown.
I'd left it then. What, left it ? We may breathe a- gain ! You fool !
I said
ifeE
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to you, you know, when you were frighteu'd, it was not so.
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Fi'cace.
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Car.
Holy peace,
Joy and hope
Sorrow banish'd,dull care vanish'd, radiant glories o'er us
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d
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crowd. Holy peace,
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Sorrow banished,
— V — V- — - — *—*—&z
radiant glories o'er us
m
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Our bosoms filling,
33
Al-ter-nate thrilling !
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And our sunshine knows no cloud !
And our sunshine knows no
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Hearts beat lightly, Hope erailea brightly ;
BIT p 1 1 1
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Hearts beat lightly, Hope smiles brightly,
IS IS N N
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132
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Hopeev-er smil -ing When clouds darkest low - er, Sor-row be - guil - ing With sunshine's gay
^
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Hope
ev - - er smil - ing!
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133
Hopo ev-er smil - ing When clouds darkest lower.
Is.
ie=
Sor - row be - guil - ing With sun- shine's gay
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Car.
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Chorus.
h
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r
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dow'r Now hovers o'er us, Flying be - fore us, Leading tbe way un- to Joy's ro - sy bow'r.
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DAY DREAMS OF LOVE.
Introduced in the Comic Opera
The " Doctor of Alcantara."
JULIUS EICHNERG,
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FAVORITE MAZURKA SONG.
Introduced in the Comic Opera
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