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3. 


GRAY'S  ELEGY 

"His  nomination  for  the 
Presidency  in  1860,  however,  made  the 
publication  of  his  life  a  necessity,  and 
attracted  to  Springfield  an  army  of 
campaign  biographers  and  newspaper  men. .• 
While  he  was  easy  to  approach  and  equally 
courteous  to  all,  yet,  as  he  said  to  me 
one  evening  after  a  long  day  of  hand- 
shaking, he  could  not  understand  why 
people  should  make  so  much  over  him. 

"Among  the  earliest  newspaper 
me  to  arrive  in  Springfield  after  the 
Chicago  convention  was  the  late  J.  L. 
Scripps  of  the  Chicago  Tribune,  who 
proposed  to  prepare  a  history  of  his  life. 
Mr.  Lincoln  deprecated  the  idea  of  writing 
even  a  campaign  biography.  'Why,  Scripps,' 
said  he,  '  it  is  a  great  piece  of  folly 
to  attempt  to  make  anything  out  of  me  or 
my  early  life*  It  can  all  be  condensed 
into,  a  single  sentence,  and  that  sentence 
you  will  find  in  Gray1 s  Elegy. 

"The  short  and  simple  annals 
of  the  poor.1  That's  my  life,  and  that's 
all  you  or  any  one  else  can  make  out  of 
it.'" 

(See  Herndon1 s  Lincoln,  pages 
1  and  2). 

H.  E.  Barker 


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1851. 


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SAMUEL   ROGERS,   Esq 


ILLUSTRATED  EDITION 


OF 


GRAY'S  ELEGY 


IS     I)  EI)  I  C  ATE  I) 


WITH   THE  GREATEST  RESPECT 


31  Instrntinns. 

ENGRAVED  BY  R.  S.   GILBERT,  PHILADELPHIA. 


PAINTER9. 


i.  G.  Barret, 

ii.  Copley  Fielding. 

hi.  J.  Constable,  R.  A. 

iv.  G.  Cattermole. 

V.  J.  Constable,  R.  A. 

vi.  T.  Stothard,  R.  A. 

vii.  P.  Dewint. 

viii.  W.  Boxall. 

ix.  S.  A.  Hart,  A.  R.  A. 

x.  G.  Cattermole. 

xi.  J.  Constable,  R.  A. 

xn.  Thomas  Landseer. 

xiii.  Frank  Howard, 

xiv.  W.  Westall,  A.  R.  A. 

xv.  A.  W.  Callcott,  R.  A. 

xvi.  J.  II.  Nixon. 


STANZAS. 

PAINTFF.9. 

XVII. 

A.  Cooper,  R.  A. 

XVIII. 

W.   MULREADY,   R,    A. 

XIX. 

J.  W.  Wright. 

XX. 

Charles  Landseer. 

XXI. 

J.  J.  Chalon,  A.  R.  A 

XXII. 

H.  Howard,  R.  A. 

XXIII. 

R.  Westall,  R.  A. 

XXIV. 

J.  W.  WRir.nT. 

XXV. 

Copley  Fielding. 

XXVI. 

G.  Barret. 

XXVII. 

Thales  Fielding. 

XXVIII. 

C.  R.  Stanley. 

XXIX. 

W.  Collins,  R.  A. 

XXX. 

Frank  Howard. 

XXXI. 

H.  Howard,  R.  A. 

XXXII. 

S.  A.  Hart,  A.  R.  A. 

The  vignette  on  the  title-page  is  a  view  of  Stoke-Poges  church, 
Buckinghamshire,  the  church -yard  of  which  is  the  scene  of  this  cele- 
brated poem,  and  near  which  is  a  monument  erected  to  the  memory 
of  Gray  by  the  late  John  Penn,  Esq.,  of  Stoke  Park.  The  drawing, 
by  John  Constable,  T)s'<  ,  P..  A.,  has  been  kindly  offered  to  the  editor 
since  the  publication  of  the  former  edition,  and  is  in  the  possession  of 
Samuel  Rogers,  Esq. 

The  tomb  of  the  Poet  is  at  the  south-east  corner  of  the  chancel,  near 
that  of  his  aunt,  Mrs.  Mary  Antrobus. 


The  great  improvement  that  has  taken  place,  within 
a  few  years,  in  the  art  of  Engraving  on  Wood,  as  well  as 
its  general  adoption,  in  some  measure  superseding  the  use 
of  Copper  and  Steel,  led  to  the  present  attempt  to  apply 
this  mode  of  embellishment  to  a  Poem  of  such  general 
and  deserved  celebrity,  and  which  appeared  to  afford  the 
greatest  scope  for  the  talents  of  the  artist. 

The  Elegy  itself  has  long  been  universally  acknow- 
ledged as  one  of  the  most  elegant  compositions  which  the 
English  language  ever  produced. 

The  following  testimony  to  its  great  merit  is  not, 
perhaps,  generally  known,  and  will  not  here  be  inappro- 
priately introduced. 

General  Wolfe  received  a  copy  on  the  eve  of  the 
assault  on  Quebec ;  he  was  so  struck  with  its  beauty,  that 
he  is  said  to  have  exclaimed,  that  he  would  have  preferred 
being  its  author,  to  that  of  being  the  victor  in  the  pro- 
jected attack  in  which  he  so  gloriously  lost  his  life. 


VI 

The  favour  with  which  this  edition  may  be  received, 
will  be  entirely  owing  to  the  talents  of  the  eminent  artists 
who  have  so  kindly  seconded  the  Editor,  if  he  may  apply 
such  a  word,  in  his  wish  to  produce  a  specimen  of  beau- 
tiful and  appropriate  illustration  in  this  branch  of  the 
Fine  Arts ;  and  to  them  he  begs  to  return  his  sincerest 
thanks. 

JOHN  MARTIN. 

London, 
Oct.  lOili.  1831 


The  Curfew  tolls  the  knell  of  parting  day ; 

The  lowing  herd  winds  slowly  o'er  the  lea; 
The  plcfughman  homeward  plods  his  weary  way, 

And  leaves  the  world  to  darkness  and  to  me. 


£* 


Now  fades  the  glimmering  landscape  on  the  sight, 
And  all  the  air  a  solemn  stillness  holds, 

Save  where  the  beetle  wheels  his  droning  flight, 
And  drowsv  tinklings  lull  the  distant  folds  : 


EKE 


Save  that,  from  yonder  ivy-mantled  tower, 

The  moping  Owl  does  to  the  Moon  complain 

Of  such  as,  wandering  near  her  secret  bower, 
Molest  her  ancient  solitary  reign. 


KV 


Beneath  those  rugged  elms,  that  yew-tree's  shade, 

Where  heaves  the  turf  in  many  a  mouldering  heap, 

Each  in  his  narrow  cell  for  ever  laid, 

The  rude  forefathers  of  the  hamlet  sleep. 


The  breezy  call  of  incense-breathing  Morn, 

The  swallow  twittering  from  the  straw-built  shed, 

The  cock's  shrill  clarion,  or  the  echoing  horn, 

No  more  shall  rouse  them  from  their  lowly  bed. 


171- 


For  them,  no  more  the  blazing  hearth  shall  burn, 
Or  busy  housewife  ply  her  evening  care ; 

No  children  run  to  lisp  their  sire's  return, 

Or  climb  his  knees,  the  envied  kiss  to  share. 


wa 


Oft  did  the  harvest  to  their  sickle  yield  ; 

Their  furrow  oft  the  stubborn  glebe  has  broke; 
How  jocund  did  they  drive  their  team  a-field ! 

How  bow'd  the  woods  beneath  their  sturdy  stroke  ! 


vsm 


Let  not  Ambition  mock  their  useful  toil, 

Their  homely  joys,  and  destiny  obscure  ; 

Nor  Grandeur  hear,  with  a  disdainful  smile, 
The  short  and  simple  annals  of  the  poor. 


*x 


The  boast  of  heraldry,  the  pomp  of  power, 

And  all  that  beauty,  all  that  wealth,  e'er  gave, 

Await,  alike,  th'  inevitable  hour  ; — 

The  paths  of  glory  lead  but  to  the  grave. 


.-.-■■ 


"~zr;ii,t£S&n\ 


X 


Nor  you,  ye  proud !  impute  to  these  the  fault, 
If  memory  o'er  their  tomb  no  trophies  raise  ; 

Where,  through  the  long-drawn  aisle  and  fretted  vault, 
The  pealing  anthem  swells  the  note  of  praise. 


X* 


Can  storied  urn,  or  animated  bust, 

Back  to  its  mansion  call  the  fleeting  breath  ? 
Can  Honour's  voice  provoke  the  silent  dust  ? 

Or  Flattery  soothe  the  dull  cold  ear  of  Death  ? 


XKE 


Perhaps,  in  this  neglected  spot,  is  laid 

Some  heart,  once  pregnant  with  celestial  fire  ; 

Hands,  that  the  rod  of  empire  might  have  sway'd, 
Or  wak'd  to  ecstasy  the  living  lyre. 


XJ33: 


But  Knowledge,  to  their  eyes,  her  ample  page, 

Rich  with  the  spoils  of  Time,  did  ne'er  unroll  ; 

Chill  Penury  repress'd  their  noble  rage, 

And  froze  the  genial  current  of  the  soul, 


xnv 


Full  many  a  gem  of  purest  ray  serene 

The  dark  unfathom'd  caves  of  ocean  bear  ; 

Full  many  a  flower  is  born  to  blush  unseen, 
And  waste  its  sweetness  on  the  desert  air. 


XV 


Some  village  Hampden,  that,  with  dauntless  breast. 

The  little  tyrant  of  his  fields  withstood  ; 
Some  mute,  inglorious  Milton, — here  may  rest ; 

Some  Cromwell,  guiltless  of  his  country's  blood. 


xro 


Th'  applause  of  listening  senates  to  command  ; 

The  threats  of  pain  and  ruin  to  despise  ; 
To  scatter  plenty  o'er  a  smiling  land, 

And  read  their  history  in  a  nation's  eyes, 


xvm 


Their  lot  forbad  :  nor  circumscrib'd  alone 

Their  growing  virtues,  but  their  crimes  confin'd  ; 

Forbad  to  wade  through  slaughter  to  a  throne, 
And  shut  the  gates  of  mercy  on  mankind. 


XVH35 


The  struggling  pangs  of  conscious  truth  to  hide  ; 

To  quench  the  blushes  of  ingenuous  shame ; 
Or  heap  the  shrine  of  Luxury  and  Pride, 

With  incense  kindled  at  the  Muse's  flame. 


XXX 


Far  from  the  madding  crowd's  ignoble  striie, 
Their  sober  wishes  never  learn'd  to  stray ; 

Along  the  cool,  sequester'd  vale  of  life, 

They  kept  the  noiseless  tenour  of  their  way 


XX 


Yet  e'en  these  bones  from  insult  to  protect, 
Some  frail  memorial  still  erected  nigh, 

With  uncouth  rhymes  and  shapeless  sculpture  deck'd, 
Implores  the  passing  tribute  of  a  sigh. 


XXI 


Their  name,  their  years,  spelt  by  th'  unletter'd  Muse, 
The  place  of  fame  and  elegy  supply  ; 

And  many  a  holy  text  around  she  strews, 
That  teach  the  rustic  moralist  to  die. 


XXEfc 


For  who,  to  dumb  Forgetf'ulness  a  prey, 

This  pleasing,  anxious  being  e'er  resign'd ; 

Left  the  warm  precincts  of  the  cheerful  day, 

Nor  cast  one  longing,  lingering  look  behind  ? 


XXK3K 


On  some  fond  breast  the  parting  soul  relies  ; 

Some  pious  drops  the  closing  eye  requires ; 
E'en  from  the  tomb  the  voice  of  Nature  cries ; 

E'en  in  our  ashes  live  their  wonted  fires. 


XXXV 


For  thee,  who,  mindful  of  th'  unhonour'd  dead, 
Dost  in  these  lines  their  artless  tale  relate ; 

If,  'chance,  by  lonely  Contemplation  led, 

Some  kindred  spirit  shall  inquire  thy  fate  ; 


XXV 


Haply,  some  hoary-headed  swain  may  say  : 

"  Oft  have  Ave  seen  him,  at  the  peep  of  dawn, 

Brushing,  with  hasty  steps,  the  dews  away, 
To  meet  the  Sun  upon  the  upland  lawn. 


xxvs 


"  There,  at  the  foot  of  yonder  nodding  beech, 
That  wreathes  its  old  fantastic  roots  so  high, 

His  listless  length,  at  noontide,  would  he  stretch, 
And  pore  upon  the  brook  that  babbles  by. 


XXVM 


"  Hard  by  yon  wood,  now  smiling,  as  in  scorn, 

Muttering  his  wayward  fancies,  he  would  rove ; 

Now  drooping,  woeful,  wan,  like  one  forlorn, 

Or  craz'd  with  care,  or  cross'd  in  hopeless  love. 


m. 


xxvmt 


"  One  morn,  I  miss'd  him  on  the  'custom'd  hill, 
Along  the  heath,  and  near  his  favourite  tree ; 

Another  came, — nor  yet  beside  the  rill, 

Nor  up  the  lawn,  nor  at  the  wood,  was  he  ; 


XXJEX 


"  The  next,  with  dirges  due,  in  sad  array, 

Slow  through  the  church-way  path  we  saw  hiin  borne. 
Approach  and  read  (for  thou  canst  read)  the  lay 

Grav'd  on  the  stone  beneath  yon  aged  thorn." 


-\*V^t 


Here  rests  his  head  upon  the  lap  of  Earth, 

A  youth,  to  fortune  and  to  fame  unknown ; 

Fair  Science  frown'd  not  on  his  humble  birth, 
And  Melancholy  mark'd  him  for  her  own. 


X  XXJr 


Large  was  his  bounty,  and  his  soul  sincere  ; 

Heaven  did  a  recompense  as  largely  send: 
He  gave  to  Misery  all  he  had — a  tear ; 

He  gain'd  from  Heaven  ('twas  all  he  wish'd)  a  friend. 


XXXM 


No  further  seek  his  merits  to  disclose, 

Or  draw  his  frailties  from  their  dread  abode 

(There  they  alike  in  trembling  hope  repose,) 
The  bosom  of  his  Father  and  his  God. 


II,  zoo 9.  oawom