FAKES and
FORGERIES
in the
FINE ARTS
A BIBLIOGRAPHY BY
ROBERT GEORGE REISNER
s
5j
l
|
1
1
q016 700-6
Citj>
public Library
This Volume is for
REFERENCE USE ONLY
j
I
I
FAKES and
FORGERIES
in the
FINE ARTS
A BIBLIOGRAPHY BY
ROBERT GEORGE REISNER
The Special Libraries Association was formed in 1909 by librarians
of business, professional, governmental, and industrial organiza-
tions to promote the collection, organization and dissemination of
information in specialized fields and to improve the usefulness of
special libraries and information services Its program includes
an annual convention for the discussion of common problems by ex-
perts in various fields of activity; consultant services on the
organization and administration of special libraries ; publication
of professional and bibliographical tools and manualsj and a^place-
ment service for members and employers. Chapters established on a
geographical basis and divisions organized in accordance with sub-
ject interests of members implement this program,,
Copyright 1950
by
SPECIAL LIBRARIES ASSOCIATION
New York
$1.75
The compiler wishes to acknowledge the cooperation
of various members of the Museum Division, New York
Chapter, S.L.A. , who reviewed the manuscript and
made valuable suggestions. Above all, he expresses
his gratitude to Miss Hannah B. Muller, Assistant
Librarian, Museum of Modern Art, for her technical
advice and editorial supervision, to Mrs. Dorothy
Simmons for preparation of the manuscript for the
printer, and to Mr. Bernard Karpel, who encouraged
this project.
Fakes and Forgeries in the Fine Arts
A Bibliography compiled by
Robert George Reisner
During the past century, the scholarly and scientific approach
to art history with emphasis on correct attribution has taken on in-
creasing importance. Consequently, there is a definite need for an
exhaustive bibliography on the subject of fakes and forgeries of
works of art.
This bibliography is a first attempt to bring together known
writings on the subject. It furnishes the scholar, museum curator
and collector with a record of book and periodical literature pub-
lished from 1848 through 1948. The extensive list of titles made
it impractical to include annotations-.
For the convenience of the specialist the bibliography is
arranged as follows: the first section, entitled General, includes
works which discuss two or more art forms or which deal with the
moral, ethical, philosophical and psychological aspects of forgery.
The succeeding sections are devoted to painting, prints, drawings,
miniatures, sculpture, antiques and antiquities, ceramics and mis-
cellaneous art forms. Within each section the bibliography is
again subdivided into the following: 1. Books devoted entirely to
the subject, 2. Books which contain sections devoted to the sub-
ject, 3. Periodical articles.
The bibliography is compiled from the titles found in the art
libraries of the New York and Chicago areas and includes all refer-
ences accessible to the compiler.
iii
CONTENTS
Page
Foreword iii
General - Books 1
- Sections of books 2
- Periodicals 3
Padnting - Books 7
- Sections of books 8
- Periodicals 10
Prints - Books 22
- Sections of books 22/
- Periodicals *''*&%.
Drawings - Periodicals 23
Miniatures - Sections of books 23
- Periodicals 23
Rugs - Sections of books 23
Sculpture - Books 23
- Sections of books \ 24
- Periodicals 24
Wax Portraits - Periodicals 27
Coins - Section of books. 27
- Periodicals '.'.'.*.'.'. 27
Medals - Books 27
- Sections of books ...!.!!!.! 27
Ivory - Sections of books 27
- Periodicals \ '.'.'. \ '.'.'.'.'. \ 27
Antiques and Antiquities - Books 27
- Sections of books \ 28
- Periodicals 29
Ceramics - Books.
- Sections of "books! '......'.I..'..'..'.'. 33
- Periodicals .'.'.'.'.'.'.'.'.'.'.''. 33
Glass - Sections of books . . -54
- Periodicals '.'. I '.'.'.I'.'.'.'.'.'.'.'.'. 34
Silver - Sections of books =
- Periodicals '.'.'.'.'.'.'.'.'.'.'.'.'.'.'.I 35
Plate - Sections of books 35
Pewter - Sections of books 36
Silver and Plate - Sections of books 36
Jewelry - Sections of books ... o fi
- Periodicals ."!." ."*!.'!.'!!!.'." 36
Armor >- Books
- Periodicals
.................... 36
.................... 36
Silhouettes - Periodicals ................... 37
Woodcraft - Periodicals .................... 37
sG p S t Article s From The New York Times,
1897 To The Present ............. '
Author Index ............
.................... 56
iv
1. BAYARD, 15MILE - L'Art de reconnaitre les fraudes, Paris, R. Roger et F. Chernoviz,
1914, 326pp., illus.
2. BEISSEL, STEPHAN - Gefalschte Kunstwerke. Berlin-Freiburg, Herdersche Verlagshand-
lung,- 1909, 175pp.
3. BURLINGTON FINE ARTS CLUB, LONDON - Catalogue of a Collection of Counterfeits.
Imitations and Copies of Works of Art, London. Privately Printed. 1924. 120pp. ,
illus.
4. CALABI, A. & CORNAGGIA, G. - Pisanello 1' opera medaglistica a quell a pittorica,
distinte de la produzione di seguaci e falsificatori dei secoli XV e XVI en
relazione ai medaglioni decorativi colvi, Milano, Guido Modiano, 1928.
5. CONWAY, SIR MARTIN - The Sport of Collecting. London, T. Fisher Unwln, 1914, 147pp.,
illus.
6. COPENHAGEN. DANSKE KUNSTINDUSTRIMUSEUM - Fortrolig fortegnelse over en raekke
forfalskninger af kunst-haandvaerk. Vol. 2, Kobenhavn, Danske Kunstindustri-
museum, 1915.
Illustrated catalog of an exhibition of forgeries; includes bibliography.
7. DIGGELMANN, JAKOB - Die Falschung von Sammlungsob.lekten und die strafrechtliche
Bekampfung derselben, Zurich, Orell Fussli, 1916, 179pp.
8 DONATE, ADOLPH - Wie die Kunstfalscher arbeiten, Prag, Dr. Eduard Gregr, 1937,
172pp., illus.
9. EUDEL, PAUL - Falscher Kunste. Leipzig, Fr. Wilh. Grunow, 1909, 215pp., illus.
10. EUDEL, PAUL - Trues et truqueurs: adulterations, fraudes, et contref aeons ,
ueurs:
, 1907,
evoilees. Paris, Moliere, 1907, 580pp.
11. EUDEL, PAUL - Le Truquage; les contref aeons devoilees, Paris, E. Rouveyre, 1887,
419pp.
12. FOGG MUSEUM OF ART, CAMBRIDGE, MASS. - Art Genuine or Counterfeit? Cambridge,
Mass., 'Fogg Museum, 1940, 16pp.
13. FORES I, ALEXANDRE - Tour de Babel: ou ob.lets d'art faux pris pour vrais et
vice versa, Paris, Pedone Lauriel, 1868, 118pp.
14. FURTWAENGLER, ADOLF - Intermezzi: kunstgeschichtliche Studien, Leipzig und Berlin,
Giesecke und Devrient, 1896.
15. GROSS, HANNS - Per Raritatenbetrug, Berlin, J. Guttentag, 1901, 288pp.
16. HANOVER. KESTNER MUSEUM - Mittelalter u. Neuzeit: Falschungen. 2. Auflage,
Hannover, Kestner Museum, 1904.
17. HOUO, PAUL - L'Art de distinguer les faux. Etudes sur quelques^antiquite's
chinoises par le proprietaire de la "Ta Kou Tchai" (cabinet ou 1'on penetre
1'antiquite'), Saigon, 1930.
French translation by Ilde'phonese Klapusterghem.
KLAPUSTERGHEM, ILDEPHONSE. See 17.
18. KOCH, GUENTHER - Kunstwerke und Biicher am Markte, Esslingen, Paul Neff, 1915,
536 pp. , illus.
19. KURZ, OTTO - Fakes, a Handbook for Collectors and Students. London, Faber and
Faber, 1948, 328pp., illus.
Includes bibliographical references.
20. LEE, RUTH WEBB - Antiques. Fakes and Reproductions, Framingham Centre, Mass. ,
1938, 224pp., illus.
Supplemented by pamphlet No. 1, 1940.
21. MAILFERT, ANDRE* - Au pays des antiquaires: confidences d'un raaquilleur professionel.
Paris, Flammarion, 1935, 246pp. " '
22. NEUBERGER, ALBERT - Echt oder Falschung? Leipzig, R. Voigtlander, 1924, 206pp.,
illus.
23. NQBILI, R. - The Gentle Art of Faking, London, Seeley Service, 1922, 318pp., illus.
24. PALMGREN, NILS & OSTLUND, HILDING - Konstko.lare. Stockholm, Raben & Sjogren, 1944,
181pp., illus.
Forgeries of painting and silver.
25. PENNSYLVANIA MUSEUM AND SCHOOL OF INDUSTRIAL ART, PHILADELPHIA - Exhibition of
"Fakes" and Reproductions, Philadelphia, Pennsylvania Museum, 1916, 63pp., illus.
26. RORIMER, JAMES JOSEPH - Ultra -Violet Rays and Their Use in the Examination of Works
of Art. New York, Metropolitan Museum of Art, 1931, 61pp., illus.
27. ROUVEYRE, EDOUARD - Analyse et comprehension des oeuvres et ob.-jets d'art presentees
distinctement et clairement a 1 'esprit des amateurs, antiquaires, experts, "
arbitres. officiers ministeriels. Paris. Eugene Key. 1924. 302pp.. illus.
28. TIETZE, HANS - Genuine and False. Copies, Imitations, Forgeries, New York, Chanti-
cleer Press, 1948, 80pp. , illus.
29. TURKEL, SIEGFRIED - Falschungen. Graz, Ulr. Moser, 1930, 93pp., illus.
30. VIENNA. KUNSTHISTORISCHES MUSEUM. SAMMLUNGEN FUR PLASTIK UND KUNSTGEWERBE -
Gefalschte Kunstwerke, V. Ausstellung: Katalog, Wien, 1937, 12pp.
31. YOXALL, SIR JAMES - More about Collecting, London, Stanley Paul, 1913, 339pp.
SECTIONS OF BOOKS
32. BONNAFFE, EDMOND - "La Contrefacon," in his Causeries sur 1'art et la curiosite',
Paris, A. Quantin, 1878, p. 207-226. ~~
33. BRITISH MUSEUM. DEPT. OF SCIENTIFIC & INDUSTRIAL RESEARCH - "Fakes," in its
ing and Res
p. 56-58.
34. CLIFFORD, C.R. - "Faking the Antique," in his The Junk Snupper, New York,
Macmillan, 1927, p. 179-193. -
35. COKE, DESMOND - "Fakes," in his Confessions of an Incurable Collector. London,
Chapman and Hall, 1928, p. 161-170.
36. DE TOLNAY, CHARLES - "Copy or Forgery?" in his The Youth of Michelangelo, Prince-
ton, H.J. , Princeton University Press, 1943, p. 255-256.
Insurance . New York,
Cleaning and Restoration of Museum Exhibits, London, H.M. Stationery Office,
1926, p.
37. DREWES, WILLIAM K. - "Frauds and Forgeries," in his Fine Arts
The Underwriter Printing and Publishing Co., 1938, p. 44-61.
38. DUVEEN, JAMES HENRY - "How Pierpont Morgan Bought 'Mistakes'," in his Secrets of
an Art Dealer. New York, E.P. Button, 1938, p. 118-133.
39. ELWARD, ROBERT - On Collecting Engravings. Pottery, Porcelain. Glass and Silver,
London, Edward Arnold, 1905, passim.
40. KALLEN, HORACE M. - Art and Freedom. New York, Duell, Sloan and Pearce, 1942, v. 2,
p. 650 ff.
41. MATHER, FRANK JEWETT, JR. - "Art and Authenticity," in Jones, Louis W. and others,
eds. These United States; Contemporary Essays for College Students. New York,
Farrar and Rinehart, 1933, p. 510-527.
42. MENZIES, WILLIAM G. - "Fakes and Their Detection," in his Collecting Antiques,
New York, Dodd, Mead, 1928, p. 202-210.
43. MOORE, N. HUDSON - "Antique Glassware, Lustre-Ware," in his The Collectors' Manual.
New York, F.A. Stokes, 1906, p. 100-101, 200-201.
44. PACE, WALTER - The Art Museum in America. New York, Pantheon, 1948, p. 49, 156,
190.
45. RICHTER, GISELA M.A. - "Forgeries," in Metropolitan Museum of Art, New York.
Handbook of the Classical Collection. New York, 1930, p. 182-183, 341-344.
46. RIGBY, DOUGLAS & RIGBY, ELIZABETH - Lock, Stock and Barrel. Philadelphia (etc.),
J.B. Lippincott, 1944, p. 417-440, passim.
47. ROBINSON, FREDERICK S. - "Frauds and Forgeries," in his The Connoisseur, London,
George Redway, 1897, p. 46-67.
48. WILLIAMSON, G.C. - "Advice," in his Stories of an Expert, London, Herbert Jenkins,
1925, p. 238-250.
49. WILM, HUBERT - "Von den Falschungen , " in his Kunstammler und Kunstmarkt, Miinchen,
Hugo Schmidt, 1930, p. 179-192.
Contents . -Die Van -Gogh Affare.-Der falsche Leibl . -Falsch oder echt?
50. YOXALL, SIR JAMES - The ABC's about Collecting, New York, E.P. Dutton, 1923,
passim.
PERIODICALS
51. ASHTON, LEIGH - "Some Notes on the Chinese Exhibition," Burlington Magazine
68:86-91,1936.
52. BATHER, F.A. - "Ultra -Violet Rays an Aid to Museum Work," Museums Journal
28: 189 -193, Dec. 1928.
53. BEAVER, ALFRED - "Remarkable Copies and Copyists," Magazine of Art 4:450-452,1881.
54. BEENKEN, HERMANN - "Durer-Falschungen?" Repertorium fur Kunstwissenschaft 50hft3:
112-129,1929.
55. BOLCE, HAROLD - "The Truth about Those Gothic 'Fakes'," Arts and Decoration 19no5:
9-11, 55, 58, 61, 63,1923.
56. BOSWELL, PEYTON, JR. - "Against Future Fakes," Art Digest 16nol6:3,1942.
57. BOYER, JACQUES - "The Counterfeiting of Objects of Art," American Homes and
Gardens 8no8: 307-309 ,1911.
58. BRIDGMAN, WILLIAM S. - "Famous Hoaxes," Munsey's Magazine 29: 730-734, Aug. 1903.
59. BURLING, JUDITH & HART, ARTHUR - "Chinese Art, True and False," Antiques 46nol:
24-25,1944.
60. CASSON, STANLEY - "The Psychology of Forgery," Fortnightly 148:441-450,1937.
61. CONSTABLE, WILLIAM GEORGE - "The Problem of Authenticating Works of Art," Museum
News 21no9: 7-8, 1943.
62. COREMANS, P. - "Les Rayons ultra-violets, leur nature, leurs applications en
technique muse'ographique , " Bulletin des Musees Royaux d'Art et d'Histoire,
Brussels, ser.3, 8no3:50-55,1936.
63. DEFENBACHER, DANIEL S. - "Fact or Fancy: the Walker Art Center Calls in* the
Experts," Magazine of Art 38:58-61,1945.
64. DELOGU, GIUSEPPE - "Vienna, und esposizione di falsi," Emporium 86:566-567,1937.
65. DESCHIN, JACOB - "On the Trail of the Art Faker," Popular Mechanics 58nol: 100-105,
1932.
66. EIBNER, A. - "L'Examen microchimique de agglutinants," Mouseion 6no4:5-22 1932.
Translated from the German. English abstract in Technical Studies 1:216-218,
Apr. 1933.
67. EISNER, A. - "Les Rayons ultra-violets appliques a 1'examen des couleurs et des
agglutinants," Mouseion 7nol-2: 32-68, 1933, illus.
Translated from the German. English abstract in Technical Studies 2:232-233,
Apr. 1934.
68. ELLSWORTH, H.D. - "Science and Art," Art Digest 8no7:20-21 1934.
Abstract in Technical Studies 2: 233 -235, Apr. 1934.
69. ELLSWORTH, H.D. - "'The Question of Science and Art' is Presented by an Expert,"
Art Digest 8no4 : 16 , 1933 .
Abstract in Technical Studies 2 =233-235, Apr. 1934.
70. ELLSWORTH, H.D. - "'The Question of Science and Art' is Presented by an Expert,"
Art Digest 7no20: 8-9, 1933.
Abstract in Technical Studies 2: 233-235. Apr. 1934.
71. EVANS, ROBLEY D. and others - "The Defection of Radioactivity in Works of Art,"
Technical Studies 8no2: 98-108, 1939.
72. FIELD, ROBERT M. - "Things Antique; Shy locks and Sher locks in Art," The Independent
115no3929: 325-326, 1925.
73. FURST, HERBERT - "The Value of Forgeries," Apollo 42:242,245,1945.
74. GERACI, PLACIDO - "L'Analyse chimique applique"e aux oeuvres d'art," Mouseion
19no3:47-64,1932.
Translated from the Italian.
75. HELD, JULIUS S. - "The Stylistic Detection of Fraud," Magazine of Art 41:179-182,
May 1948.
76. HOPKINS, ALBERT A. - "Art Restorations and Frauds," Scientific American 146no4:
220-221,1932.
77. HUTH, HANS - "The Gentle Art of Faking," Apollo 23: 200-204, Apr. 1936.
78. IVINS, W.M. , JR. - "Some Notes on Fakes," Magazine of Art 41: 168-171, May 1948.
79. KAEMPFFERT, WALDEMAR - "The Best-Paying Crime," McClure's Magazine 44nol:69-79,
1914.
80. KAEMPFFERT, WALDEMAR - "The World's Most 'Cultured' Criminals," Saturday Review
of Literature 27no23:5-7, 23-25,1944.
81. KECK, SHELDON - "The Laboratory Detection of Fraud," Magazine of Art 41:172-178,
May 1948. ~
82. KOGEL, G. - "L* Identification des oeuvres d'art et I'examen photographique , "
Mouseion 6no3 : 78-82 , 1932 .
Translated from the German. English abstract in Technical Studies 1:166-167,
Jan. 1933. "
83. LANG, ANDREW - "An Exhibition of 'Fakes'," The Independent 53no2759:2453-2455,1901.
84. LANG, MRS. ANDREW - "Pitfalls for Collectors," Blackwood's Magazine 191noll56:
201-214,1912. ~
85. LANG, MRS. ANDREW - "Pitfalls for Collectors," Living Age 273no3538 =226-237,1912.
86. LA SIZERANNE, ROBERT DE - "Qu'est-ce qu'un 'Faux' en art?" Revue des Deux Mondes
57:865-879,1930.
87. LA SIZERANNE, ROBERT DE - "Reflexions sur les faux en art," Revue des Deux Mondes
42:376-391,1927. ~
88. LE QUEX, WILLIAM - "The Making of Antiques," American Architect and Building News
84nol486 : 98, 1904. " "
89. LEPORINI - "Gefalschte Kunstwerke, Ausstellung im kunsthistorischen Museum in
Wien , Pantheon 20noll : 352-354 , 1937 .
90. MASKELL, ALFRED - "Forgeries and Imitations of Works of Art," Art Journal
58 =289-295, Oct. 1906.
91. MATHER, FRANK JEWETT, JR. - "Art and Authenticity," Atlantic Monthly 143:310-320,
1929. - L
92. MYERS, GEORGE HEWITT - "Fakes, Forgeries, and Falsification," Magazine of Art
40:80-81,1947. -
93. NAKANE, KATZU - "Scientific Methods in the Connoisseurship of Far Eastern Arts,"
Bllutsu Kenkyu (The Journal of Art Studies) no72: 503-515, plates 3-4, 8-14,
Dec. 1937.
94. PANOFSKY, ERWIN - "Noch einmal 'Kopie Oder Falschung?'," Zeitschrift fur Bildende
Kunst 62no8: 179-183, 1928/29.
95. POPP, AMY E. - "Kopie Oder Falschung: Zu dem Aufsatz von Erwin Panofsky,"
Zeitschrift fur Bildende Kunst 62nol: 54-67, 1928/29.
96. R.M. - "La Science au service des arts," La Nature 59no2859: 530-532, 1931.
97. RAWLINS, F. LANG - "The Physics of Art," Journal of Scientific Instruments
19:18-22,1942.
Abstract in Technical Studies 10no4: 239-240, 1942.
98. REINACH, SALOMON - "Copies de chefs-d'oeuvres," Revue Archeologique 34:289-299,
1931.
99. RICHTER, GEORGE - "G.M. Richter Comments on Lapses in Fakes." Art News 32no35:ll.
1934.
100. RING, GRETE - "Falschungspsychose , " Zeitschrift fur Bildende Kunst 64nol2:
sup. 86-88, 1931.
101. RINNEBACH, HELMUTH - "Die Lumineszenz -Analyse im Dienste der Museumskunde , "
Museumskunde 3nol: 5-13, 1931.
102. ROBINSON, J.C. - "On Spurious Works of Art," Littell's Living Age 191no2476:
680-693,1891. -
103. ROBINSON, J.C. - "On Spurious Works of Art," Nineteenth Century 30nol77: 677-698,
1891. -
104. ROE, FRED & BEARD, CHARLES R. - "Genuine or Forgery?" Connoisseur 86:76-85,1930.
105. ROESSLER, ARTHUR - "Einiges uber Falscherkiinste," Kunst fur Alle 25nol7:395-404,
1910.
106. ROESSLER, ARTHUR - "Einiges iiber Falscherkiinste, II." Kunst fur Alle 25nol8:
425-430,1910.
107. ROWE, L. EARLE - "Forgeries and the Collector," American Magazine of Art
OWE, L. EARLE - Forge
18: 183-186, Apr. 1927.
108. SCHWABACHER, WOLFGANG S. - "Legal Remedies for Art Forgeries," Magazine of Art
41: 198-200 ,May 1948.
109. SHEPARD, WILLIAM - "Some Famous Hoaxes," Lippincotts Monthly Magazine 42:407-415,
Sept. 1888. .
110.' SIPLE, ELLA S. - "A Critical Attitude Is Developing," Burlington Magazine
54: 154 -155, Mar. 1929. -
111. SMITH, EDWARD H. - "Art and Artful Art," Saturday Evening Post 201no47: 56-59;
no48:52,54,1929.
112. SOCIETE DES EXPERTS -CHEMISTES DE FRANCE - "Annales des Falsifications et des
fraudes," Annales des Falsifications et des Fraudes 27no301 -312: 1-655, 1934.
113. SPARKES, BOYDEN - "What the Tourist Buys," Saturday Evening Post 198no28:38,82,84,
86,88,90,1926.
114. SPIELMANN, M.H. - "Art Forgeries and Counterfeits I," Magazine of Art 27n.s.pt8,
o.s.pt272: 403 -410, 1903.
115. SPIELMANN, M.H. - "Art Forgeries and Counterfeits II," Magazine of Art 27n.s.pt8.
o.s.pt273: 441-447, 1903.
116. SPIELMANN, M.H. - "Art Forgeries and Counterfeits III," Magazine of Art
27n . s . pt 10 , o . s . pt274 : 498-504 , 1903 .
117. SPIELMANN, M.H. - "Art Forgeries and Counterfeits IV," Magazine of Art 27n.s.ptlO,
o . s . pt275 : 549 -553 , 1903 .
118. SPIELMANN, M.H. - "Art Forgeries and Counterfeits V," Magazine of Art 27n.s.ptl2,
o.s.pt276: 599-605, 1903.
119 SPIELMANN, M.H. - "Art Forgeries and Counterfeits VI," Magazine of Art 28n.s.pt2,
o.s.pt278: 77-82, 1903.
120. SPIELMANN, M.H. - "Art Forgeries and Counterfeits VII," Magazine of Art
28n . s . pt4 , o . s . pt280 : 190-194 , 1904 .
121. SPIELMANN, M.H. - "The Artist's 'Ghost 1 : a Study in Evolution I," Magazine of Art
17no8 : 266-268 , 1894 . ~
Discussion and correspondence on p. xlv-xlvi at end of volume.
122. SPIELMANN, M.H. - "The Artist's 'Ghost': a Study in Evolution II," Magazine of Art
17no9: 311-315, 1894.
Discussion and correspondence on p. xlv-xlvi at end of volume.
123. STEVENSON, W.J. - "Fraudulent Art," Living Age 291no3772: 156-160, 1916.
124. STOUT, GEORGE L. - "The Need for Objective Examination," Magazine of Art
41: 195-196, May 1948.
125. SWARZENSKI, GEORG - "Art and Forgery," Magazine of Art 41: 162 -167, May 1948.
126. TEALL, GARDNER - "Fraudulent Art," Cosmopolitan 46nol: 3-14, 1908.
127. TIETZE, HANS - "Die Frage der Expertisen," Kunst und Kiinstler 26:379-382,1928.
128. TIETZE, HANS - "The Psychology and Aesthetics of Forgery in Art," Metropolitan
Museum Studies 5ptl: 1-19, 1934. !
129. UNSIGNED ARTICLE - "Art Detectives," Popular Mechanics SOnol: 76-79, 148, 150, 1943.
130. UNSIGNED ARTICLE - "Art Fakes on Parade: Fogg Museum Puts Old Masters and Phonies
Side by Side , " Newsweek 15no20 : 48 , 1940 .
131. UNSIGNED ARTICLE - "Art Forgeries," Architect and Contract Reporter 69:237,
Apr. 10,1903.
132 . UNSIGNED ARTICLE - "Art Forgeries , " Common Weal 12no3 : 64-65 , 1930 .
133. UNSIGNED ARTICLE - "Art Forgeries in Museums," The Nation 82no2117:69,1906.
134. UNSIGNED ARTICLE - "Art, Genuine or Counterfeit?" Art News 38no33: 12, 15-16, 1940.
135. UNSIGNED ARTICLE - "Bogus Antiques," Chamber's Journal 76pt20: 497-498, 1899.
136. UNSIGNED ARTICLE - "Bureau of Museum Expertising," Art News 41no7 =6-7,1942.
137. UNSIGNED ARTICLE - "Catching the Art Faker," Popular Mechanics 46nol : 67-72 , 1926 .
138. UNSIGNED ARTICLE - "La Chambre Internationale des experts d'art," Beaux-Arts
72no43:4,1933.
139. UNSIGNED ARTICLE - "Une Chambre internationale des experts d'art," Art et
Decoration 62: SUP. 4. Nov. 1933.
140. UNSIGNED ARTICLE - "Congress at Rome Indicates- New Tests for Spurious Art,"
Art_News_ 29no3 : 17 , 1930 .
141. UNSIGNED ARTICLE - "Council Formed to Serve Museums in Research on American Art,"
Museum News 20nol: 1,10, 1942.
142. UNSIGNED ARTICLE - "Forgery By -Products," Art News 33no8:8,1934.
-6-
143. UNSIGNED ARTICLE - "Gefalschte Bilder," The Spectator 152no5510: 158, 1934.
144. UNSIGNED ARTICLE - "London to Have Museum of Fakes," Art Digest 9:12, Jan. 15,1935.
145. UNSIGNED ARTICLE - "Looting and Faking," Connoisseur 114no493:54,1944.
146. UNSIGNED ARTICLE - "Morals and Reproductions," House and Garden 39nol:20, 1921.
147. UNSIGNED ARTICLE - "Museums, Their Treasures and Their Forgeries," The Independent
60no2979:53-54,1906.
148. UNSIGNED ARTICLE - "Portable U-V-Ray Box for Art Examination," Scientific American
154nol:36,1936.
149. UNSIGNED ARTICLE - "The Psnare of the Pseudo," Antiques 50nol:25,1946.
150. UNSIGNED ARTICLE - "Restoration and 'Fakes'," Scientific American Supplement
55nol431:229, 232-233, 1903.
151. UNSIGNED ARTICLE - "Scandal!" Art Digest 4nol6:5,8,1930.
152. UNSIGNED. ARTICLE - "Scientific Tests," Art Digest 8noll:12,1934.
153. UNSIGNED ARTICLE - "Some Interesting Wiles of the Art Faker," Scientific American
110nol7: 346-347, 1914.
154. UNSIGNED ARTICLE - "Stemming the Tide of Bogus Art," Literary Digest 75no9: 30-31,
1922.
155. UNSIGNED ARTICLE - "'The Times' on Forgeries," Burlington Magazine 42no299: 61-62,
1923.
156. UNSIGNED ARTICLE - "The Validity of Fakes as Works of Art," Connoisseur
117no499: 32-37, 1946.
157. UNSIGNED ARTICLE - "Les Voeux du Congres international du commerce artistique,"
Mouseion-Informations Mensuelles no!6:4-5,1933.
158. VERNE, HENRI - "La Laboratoire d'etude scientifique des peintures du musee,"
Bulletin des Musees de France SnolO: 160-162, Dec. 1933.
159. WATSON, JANE - "Genuine and Counterfeit," Magazine of Art 33no6: 374-376, 1940.
160. X, MONSIEUR - "More About Art Fakers," Arts and Decoration 20:64-67,70-71,
Nov. 1923.
161. ZIMMERN, HELEN - "Fakes and Frauds," Living Age 26 Ino3384: 395-403, 1909.
162. ZIMMERN, HELEN - "Modern Antiques," Living Age 261no3381 =215-223,1909.
PAINTING
BOOKS
163. BRUSSE, M J. - Knoeierijan in den Schilderijenhandel, Rotterdam, W.L. & J. Brusse,
128pp.
164. BURROUGHS, ALAN - Art Criticism from a Laboratory, Boston, Little Brown, 193~8,
227pp., illus.
165. DANGERS, ROBERT - Die Rembrandt -Falschungen , Hannover, 0. Goedel, 1928, 63pp.,
illus.
166. FARINA, PASQUALE - To the Collectors of Paintings by Old Masters, the Misleading
'Golden Glow'," Philadelphia, Pasquale Farina, 1929, 46pp., illus.
167. FARINA, PASQUALE - Is the Celebrated ' Impannata.' bv Raphael in the Pitti Palace
in Florence a Copy? Philadelphia, Pasquale Farina, 1929, 58pp., illus.
168. FIELDING, THEODORE H.A. - The Knowledge and Restoration of Oil Paintings: the
Modes of Judging between Topics and Originals, London, Ackermann, 1847. 217pp.
169. FRIEDLANDER, MAX J. - Echt und Unecht. Berlin, Bruno Cassirer, 1929, 69pp.
170. FRIEDLANDER, MAX J. - Genuine and Counterfeit. New York, Albert and Charles Boni
1930, 108pp. -
171. FRIEDLANDER, MAX J. - Per Kunstkenner, Berlin, Bruno Cassirer, 1920, 41pp.
172. GOODRICH, LLOYD - The Problem of Authenticity in American Art. New York, Whitney
Museum of American Art , 1942 , 13pp .
Mimeographed article.
173. GR&FF, WALTER - The Development of Cracks as Proof of the Forgery of Old Pictures
New York, W.P.A. , 1940. - - - - '
First published in German in Pantheon . v. 7, Jan. -June 1931. Produced bv
the W.P.A. for the Brooklyn Museum. *
174. HAHN, HARRY - The Rape of La Belle, Kansas City, Frank Glenn, 1946, 274pp., illus.
175. HOURTICQ, LOUIS - L' Amateur de peinture, Paris, Floury, 1945, 123pp., illus.
176. JOUSSEAUME, F. - Les Vandales du Louvre. Paris, A. Maloine, 1910, 167pp., illus.
177. LA FAILLE, J.B. DE - Les Faux Van Gogh. Paris et Bruxelles, G. Van Oest, 1930,
48pp., illus. ~~ -
178. LAURIE, A. P. - The Brush -Work of Rembrandt and His School. London, Oxford
University Press, 1932, 43pp., illus.
179. LEVIN, THEODOR - Zur Frage der Bilderfalschung, Dusseldorf, 1888.
180. MANCIA, RENATO - L'Esame scientiflco delle opere d'arte ed il loro restauro.
Milan, U. Hoepli, 1936, 440pp., illus. - -
A partial English translation by John Rodighero is in the Ryerson Art
Reference Library, Chicago.
181. NILSSON, GERHARD - Notices on all the So-Called Rembrandts and Titians and on
Several So-Called Bubenaea. Ruisdaels and Vrooms in the Danish Galleries.
Stockholm, Gernandts Boktryckeri, 1932, 14pp. - '
182. VALADON, RENE - De la contrefacon des oeuvres d'art aux Etats-Unis . Paris,
Boussod, Valadon, 1888, 28pp: ~~ -
183. VAN DYKE, JOHN C. - Rembrandt and His School. New York, Scribner's, 1923, 178pp.,
184. WHITNEY MUSEUM OF AMERICAN ART, NEW YORK - The American Art Research Council.
New York, Whitney Museum of American Art, 1942, 12pp. -
185 ' WI illu INGRE " Kluchtep en Drama's in den Kunsthandel. Leiden, 1944, 110pp.,
186. WILD, A MARTIN DE - The Scientific Examination of Pictures. London, G. Bell,
ly^y, 105pp., illus.
187. WOOERS, CHRISTIAN -Die Bedeutung der Gemaldedurchleuchtung nit Rontgenstrahlen
fur die Kunstyeschjchte, Frankfurt am Main, Prestel-Verlag, 1938, 138pp., illus.
Jfinglish abstract in Technical Studies 7nol: 47-48 1938.
SECTIONS OF BOOKS
188. AULMANN HANS - "Die technischen Methoden der Gemaldeuntersuchung im Museum " in
English abstract in Technical Studies 5no4: 264-265, Apr. 1937.
189. BEAUFORT THOMAS RICHARD - "Picture Faking and Picture Fakers," in his Picture
and How to Clean Them. London, John Lane, 1926, p. 140-152.
-8-
190. BELMONT, I.J. - "On the Methods of Art Detectives," in his The Modern Dilemma in
Art, New York, Harbinger House, 1944, p. 177-187.
191. BORREL, JEAN - "Critique des methodes d' expertises nouvelles dites 'scientifiques','
in Borrel, Jean & Borrel, Francis. La Museologie franchise, Paris, Laboratoires
Borrel Freres, 1932, p. 117-172.
192. BURROUGHS, ALAN - "The Detection of Fraud in Painting," in Encyclopaedia
Britannica compendium. Painting, an Aid to the Fuller Appreciation of Fine
Paintings and a Description of the Various Techniques for the Layman. Student
and Artist. Garden City, N.Y. , Garden City Publishing Co., 1935, p. 275-277,
plate 270.
193. BURROUGHS, ALAN - "Note on the Principles of X-ray Examination of Paintings," in
Smithsonian Institution, Washington, D.C. Smithsonian Report 1927, Washington,
U.S. Gov't Printing Office, 1928, p. 529-534.
194 CLARK, WALTER - "Examination of Paintings," in his Photography by Infrared,
London, Chapman & Hall, 1939, p. 169-174.
195. CONSTABLE, W.G. - Art History and Connoisseurship , Cambridge, England, The
University Press, 1938.
196. DAINGERFIELD, ELLIOT - Ralph Albert Blakelock, New York, Privately Printed by
Frederic Fairchild Sherman, 1914, p. 22,30-31.
197. FRIEDLANDER, MAX J. - "The Forgery of Old Pictures," in his Genuine and
Counterfeit, Experience of a Connoisseur. New York, Boni, 1930, p. 37-53.
198. FRIEDLANDER, MAX J. - "On Forgeries," in his On Art and Connoisseurship, London,
Bruno Cassirer, 1942, p. 258-266.
199 GOODRICH, LLOYD - Albert P. Ryder. Centenary Exhibition, New York, Whitney Museum
of American Art, 1947, p. 38.
200. GOODRICH, LLOYD - Ralph Albert Blakelock, Centenary Exhibition, New York, Whitney
Museum of American Art, 1947, p. 34-35,40-41.
201. LAURIE, ARTHUR PILLANS - "Frauds and Forgeries," in his New Light on Old Masters,
New York, McMillan, 1935, p. 148-163.
202. LAURIE, ARTHUR PILLANS - The Pigments and Mediums of the Old Masters, London,
MacMillan, 1914, passim.
203. LUCAS, E.V. - "The Fool's Paradise," in his Old Lamps for New, New York, MacMillan
1911, p. 45-49.
204. MALINGUE, MAURICE - "Les Faux tableaux," in his Gauguin, le peintre et son oeuvre,
Paris, Les Presses de la Cite, 1948, p. 66-70.
205 MARCEAU, HENRI - "Forgeries in Paintings," in Runes, Dagobert D. & Schrickel,
Harry G. Encyclopedia of the Arts, New York, Philosophical Library, 1946,
p. 356-35^
206. MOREAU-VAUTHIER, CHARLES - "Les Faux Tableaux," in his La Peinture, Paris,
Hachette, 1933, p. 274-293.
207. MOREAU-VAUTHIER, CHARLES - The .Technique of Painting, New York, G.B. Putnam, 1912,
passim.
208. ROSENBERG, ADOLF - Leonardo da Vinci. New York, Lemcke and Buechner, 1903,
p. 24-31.
209. STOUT, GEORGE L. - "Special Means of Examination," in his The Care of Pictures,
New York, Columbia University Press, 1948, p. 105-113.
210. STOUT, GEORGE L. & GETTENS, RUTHERFORD J. - "Inscription on the Back of the Canvas
Supporting a Portrait Said to be of the Artist Jeremiah Dummer, in Worcester
Art Museum Worcester, Mass. XVI Ith Century Painting in New England, Worcester,
Worcester Art Museum, 1935, p. 178-180.
211. TOCH, MAXIMILIAN - "imitations, the Determination of Genuine Paintings, Infra-Red
Photography," in his Paint. Paintings and Restoration, 2d ed. , New York, Van
Nostrand, 1931, p. 27-43.
212 VAN DYKE, JOHN CHARLES - "False Attributions, Copies, Forgeries," in his Studies
in Pictures, New York, Scribner's, 1907, p. 29-42.
PERIODICALS
213. A.M. - "Vandalisme," Les Arts 2nol4:5,1903.
214. A.R. - "Au Fogg Art Museum de Harvard," Beaux-Arts 76no325:3,1939.
215. A.S. - "Die Expertisen-Enqu&te der Weltkunst," Belvedere 10no3: 98-101, 1931.
216. ABAS, S.P. - "Valsch en Echt," Maandblad voor Beeldende Kunsten 12nol: 18-22, 1935.
217. ANDERSON, DAVID - "Old Masters Made to Order," Science Digest 19no3:9-22,1946.
Condensed from the New York Times Magazine, Dec. 23, 1945.
218. BARGELLINI, SANTE - "Le Falsificazioni nell' arte," Nuova Antologia 244:259-269,
1925.
219. BASLER, ADOLPHE - "Falscherskandale , " Kunst und Kunstler 28nolO:431 -432, 1930.
220. BAUER, VICTOR & RINNEBACH, HELMUTH - "L'Examen des peintures aux rayons X,"
Mouse ion 5nol-2:42-69,1931.
English, German, Spanish, Italian abstracts.
221. BAUER-BOLTON, VICTOR - "Die vergleichende Gemaldeuntersuchung mittels
Rontgenstrahlen , " Museumskunde 3no3: 112 -124, 1931.
222. BAYLE, EDMOND & MACHE, AUGUSTIN - "La Science au service de la verite,"
L' Illustration 174no4517: 304 -305 ,1929.
223. BEENKEN, HERMANN - "Warum die 'Madonna di Gaeta' nur eine Kopie ist?" Per
Kunstwanderer 9-10:186-190, Jan. 1928.
224. BERLINER, RUDOLF - "Kunstgewerbe und Plastik in der Sammlung Rohonez," Belvedere
lOnol: 22-28 ,1931. -
225. BERTHELOT, PIERRE & BRUNON-GUARDIA, G. - "Notes from Paris," Fine Arts 18nol:58,
1931.
226. BILLIET, JACQUES - "Une Nouvelle me"thode d'expertise," Beaux-Arts 74nol57:2,1936.
227. BILLIET, JOSEPH - "Le Laboratoire du Musee du Louvre pour 1' etude scientifique de
la peinture," Mouseion 6nol-2: 123-127, plate 13,1932.
228. BLOCH, VITALE - "Van Meegeren faussaire de Vermeer," Amour de 1'Art 26nol:9-13
229. BLUM, ANDRE - "Quelques Me*thodes d'examen scientifique des tableaux et objets
d'art," Mouseion 3no7: 14-26, 1929.
English abstract, p. 105.
230. BODE, WILHELM VON - "Der 'falsche' Rubens," Der Kunstwanderer 12: 243-245, Mar. 1930.
231. BOISSONAS, H. - "La Radiographie et le controle de 1'authenticite 'des tableaux,"
Mouseion 10no3-4: 139-143 ,1936.
232. BOSWELL, HELEN - "Berlin Newsletter (Van Meegeren)," Art Digest 22:4,25 Feb. 15,
1948.
233. BOYER, JACQUES - "L'Examen scientifique des tableaux au Musee du Louvre,"
La Nature 58no2833: 433 -437 .1930.
234. BOYER, JACQUES - "Le Laboratoire pinacologique du Musee du Louvre," La Nature
51no2871: 557 -560, 1931.
235. BOYER, JACQUES - 11 Nouvelles methodes d'expertise optique des tableaux," La Nature
52no2605: 150-156, 1924. ;
236. BRIDGMAN, MARGARET - "Gardens That Grow on Old Masters," International Studio .
75no300: 158-160, 1922. ~
237. BRIERE-MISME, CLOTILDE - "La Fin (Tune affaire sensationnelle (Van Meegeren),"
Beaux -Arts no 141:1 N 21.1947.
238. BRIERE-MISME, CLOTILDE, LHOTE, ANDRE & DECOEN, JEAN - "L f Affaire des faux Vermeer
ne fait que commencer , " Beaux-Arts no!63:3,Apr. 23,1948.
239. BUCK, RICHARD D. & STOUT, GEORGE L. - "Original and Later Paint in Pictures,"
Technical Studies 8no3: 122 -150, 1940.
240. BURROUGHS, ALAN - "Art and the X-ray," Atlantic Monthly 137:520-527,1926.
241. BURROUGHS, ALAN - "New Illustrations of Rembrandt's Style." Burlington Magazine
59no440: 3-10, 1931.
242. BURROUGHS, ALAN - "Scientific Aid in Attribution," Art in America 33no4: 210-219,
1945. ;
243. BURROUGHS, ALAN - "Some Shadowgraphs of Bol and Rembrandt," Creative Art
10no6 =452-460, 19 32.
244. BURROUGHS, ALAN - "A Van de Weyden Problem," Creative Art 10no3: 284-288, 1932.
245. BURROUGHS, ALAN - "X-Raying the Truth About Old Masters," The Arts 9no6: 325-333,
1926.
246. CARR, PHILIP - "Louvre Laboratory to Test Paintings," New York Times. Dec. 6,1931.
247. CELLERIER, J.-F. - "Les MSthodes scientifiques en usage dans 1'examen des
peintures," Mouseion 5nol-2: 3-20, 1931.
English, German, Spanish, Italian abstracts.
248. CHIRICO, GIORGIO - "La Muse du poete (1917); Interno metafisico (1917)," VW
no2 -3: 108-109, Mar. 1943.
Illustrations of forgeries being sold as original Chiricos.
249. COBURN, FREDERICK W. - "Marketing of Fake Masterpieces," New England Magazine
n.s. 34no3: 308-312, 1906. ~~~
250. COMSTOCK, HELEN - "Science Verifies an Attribution to Carpaccio," Connoisseur
117no499:42-44,1946.
251. CONSTABLE, W.G. - "Paintings," Magazine of -Art 41: 184-185, May 1948.
252. CONSTABLE, W.G. & YOUNG, WILLIAM J. - "Paintings," Magazine of Art 41:183, May 1948.
253. COREMANS, PAUL B. - "Paintings," Magazine of Art 41: 192 -193, May 1948.
254. DAVIS, FRANK - "Rembrandt Problems: One Avenue of Approach-Magnified Photographs,"
Illustrated London News 176: 942 -94 3, May 24, 1930.
255. DECKER, KARL - "Why and How the Mona Lisa Was Stolen," Saturday Evening Post
204no52:14-15, 89-92,1932.
256. DECOEN, JEAN - "Encore Van Meegeren," Beaux-Arts no!77:3,Aug. 6,1948.
257. DECOEN, JEAN - "Les Faux Vermeer de Van Meegeren sont-ils de faux Meegeren?"
Beaux-Arts no81:l,4,Aug. 23,1946.
258. DELACRE, MAURICE - "Brueghel and Not Brueghel," Burlington Magazine 69no402:99-lll,
1936.
259. DE MIRE, G. - "Faux tableaux," Art Vivant no!68: 24-25, Jan. 1933.
260. DODDS, LEONARD V. - "The Examination of Documents and Paintings," Art and
Archaeology 30nol-2:30-35,1930.
261. DOUGLAS, R. LANGTON - "Leonardo and His Critics I," Burlington Magazine 81no475:
238-247,1942.
262. DOUGLAS, R. LANGTON - "Leonardo and His Critics II," Burlington Magazine 81no476:
268-274,1942.
263. DOUGLAS, R. LANGTON - "Photographic Evidence," Burlington Magazine 60no351: 280-289,
1932.
-11-
264. DOWNES, WILLIAM HOWE - "The Great Rembrandt Question," American Magazine of Art
14: 661 -666, Dec. 1923.
265 DRESSER LOUISA - "Attribution and Authenticity in American Painting," Art in
America 33no4 : 193-209 , 1945 .
266. EIBNER, ALEXANDER - "Daktyloscopie bei Olbildern," Technische Mitteilungen fur
Malerei 49: 67-70, 1933. "
English abstract in Technical Studies 2no3: 163-164 Jan. 1934.
267 EIBNER, ALEXANDER - "L'Examen microchemique des tableaux et decorations murales,"
Mouseion 5nol-2 : 70-92 , 1931 .
* English, German, Spanish, Italian abstract.
268. EIBNER, ALEXANDER - "Zum gegenwartigen Stand der Naturwissensehaft lichen,"
Angewandte Chemie 45:301-307,1932.
English abstract in Technical Studies Ino2: 99-102, Oct. 1932.
269. EISENSTADT, MUSSIA - "Prozess Wacker, der Tragikomodie . 2. Tell," Kunst und
~ .stler 32nol:32-34,1933.
270. ELLIOTT, WILLIAM J. - "The Use of the Roentgen Ray in the Scientific Examination
of Paintings," American Journal of Roentgenology and Radium Therapy 50no6: 799-790,
1945.
271. ELLSWORTH, H.D. - "The Question of Science and Art is Presented by an Expert,"
Art Digest 8no2:8-9,1933.
Abstract in Technical Studies 2:233-235,Apr. 1934.
272. ERASMUS, KURT - "Did Rembrandt Paint It? The Woman Taken in Adultery," American
' Art News 11:6-7, Jan. 4,1913.
273. FAURE, ELIE - "A propos des faux Van Gogh," Art Vivant 6nol27: 275-277, 1930.
274. FELL, H. GRANVILLE - "Picture Doctors and Detectives," Connoisseur 95:307-308,1935.
275. FORBES, EDWARD W. - "The Study of X-ray at the Museum," The Arts 12nol: 19-20, 1927.
276. FRIEDLANDER, MAX J. - "Artistic Quality: Original and Copy," Burlington Magazine
277. FRIEDLANDER, MAX J. - "Die Madonna mit der Wickenbliite," Zeitschrift fiir Bildende
Kunst 20:273-278,1909.
278. FRIEDLANDER, MAX J. - "Grundsatzlicb.es liber Falschungen," Belvedere 4nol8: 121-124,
1923.
279. FRIEDLANDER, MAX J. - "On Forgeries," Burlington Magazine 78:192-196,1941.
280. FRIEDLANDER, MAX J. - "Uber das Expert isenwesen," Kunst und Kibstler 26:171-174
1928. ~~
281. FRIEDLANDER, MAX J. - "Uber das Wesen der Kennerschaf t , " Der Cicerone 19hft23:
719-723,1927.
282. FRIEDLANDER, MAX J. - "Uber Falschung alter Bilder," Kunst und Kunstler 26:371-378,
1928. *
283. FRY, ROGER - "The Artist as Critic," Burlington Magazine 64:78-80,1934.
284. FRY ROGER - "The Authenticity of the Renders Collection," Burlington Magazine
50: 261-263, May 1927. ~
Reply to article in Burlington Magazine 50 : 342-344, June 1927.
285. FRY, ROGER - "Rembrandt Problems," Burlington Magazine 44:188-192, Apr. 1924.
286. GAILLOT, EDOUARD & HUYGHE, RENE - "Polemique, suite a la simple histoire de
2,414 faux Corots/' Amour de 1'Art 17no4: 146 -147, 1936.
287. GARCZYNSKI, EDWARD RUDOLF - "jugglery in Art," The Forum 1:592-602, Aug. 1886.
288. GETTENS, RUTHERFORD J. & STOUT, GEORGE L. - "The Stage Microscope in the Routine
Examinations of Paintings, Technical Studies 4no4:207-233,1936.
-12-
289. GIRONDE, MARIE-LOUISE DE - "Methodes scientifiques d'examen des peintures
anciennes," Revue de 1'Art 64:185-190,1933.
English abstract in Technical Studies 2:237, Apr. 1934.
290. GLASER, CURT & PURRMANN, HANS - "Die gefalschte Kunst: Expertisen, Restaurienungen,
Falschungen , " Kunst und Kiinstler 26:291-296,1928.
291. GLUCK, GUSTAV - "Falschungen auf Diirers Namen aus der Sammlung Erzherzog Leopold
Wilhelms." Jahrbuch der " - "'
hauses 28nol: 1-25 ,1909.
Wilhelms," Jahrbuch der Kunsthistorischen Sammlungen des Allerhochsten Kaiser-
ol: 1-25,1""
292. GOMBOSI, GEORGE - "The Budapest Birth of Paris X-rayed," Burlington Magazine
67:157-164,1935. ~
The author was assisted by Sophy Polgar.
293. GOODRICH, LLOYD - "The Study of Nineteenth Century Art," Art in America
33no4: 220 -233, 1945.
294. GOVETT, E. - "Replicas and Copies of Some Great Renaissance Paintings,"
Chamber's Journal ser.6, 9no442: 390-394, 1906.
295. GRAFF, WALTER - "L'Examen des peintures et les moyens optiques," Mouse ion
no!3-14:21-41,1931.
English abstract in Technical Studies Inol: 45-46, July 1932.
296. GRAFF, WALTER - "Die Sprungbildung als Beweismittel bei Falschungen alter Bilder,"
Pantheon 7nol : 32-36 , 1931 .
English translation, appended and continued in next issue of magazine.
297. GRAFLY, DOROTHY - "X-raying 700 Years of Art," Christian Science Monitor Weekly
Magazine Section, p. 8-9, Nov. 29,1941.
298. HART, CHARLES HENRY - "Frauds in Historical Portraiture," American Historical
Association Annual Report 1:85-99,1913.
299. HEPPNER, A. - "ingebrande Merkteekenen ( ' Brandmerken ' ) en bun waarde voor de
kennis van schilderijen," Oud-Holland 57no5: 172-180. 1940.
Brand-marks and their value to a knowledge of paintings. Paragraph of
English summary at end of article.
300. "HERALD TRIBUNE ARTICLE: FINE ARTS AND THE FINEST," Art News 29nol7:14,1931.
301. HILL, G.F.' - "The Nobleman and the Forger," Burlington Magazine 12no55: 42-47,
Oct. 1907.
302. HOLST, NIELS V. - "Nachahmungen und Falschungen altdeutscher Kunst im Zeitalter
der Romantik," Zeitschrift fur Kunstgeschichte 3nol; 17-45, 1934.
303. HUGHES, C.E. - "Judging Old Pictures: Some Turners Rediscovered," Discovery
8no91: 207-211, 1927.
304. HUYGHE, RENE - "Simple histoire de 2,414 faux Corots," Amour de 1'Art 17no2:73-76,
1936.
See also bibl.
305. JOHNSON, THOMAS M. - "Old Master Detective," Reader's Digest 31nol83:62-64,1937.
306. JUSTI, LUDWIG - "Philologia Wackeriana," Museum der Gegenwart 3no3: 120-127, 1932.
307. KECK, SHELDON - "is Restoration Necessary?" Magazine of Art 30:338-345,1937.
308. KECK, SHELDON - "The Technical Examination of Paintings," Brooklyn Museum Journal,
p. 69-84, June 1942.
309. KELLY, FRANCIS M. - "Caveat emptorl Portraits of Don Carlos,"
107:240-244,1941.
310. KELLY, FRANCIS M. - "Caveat emptor? Some Pitfalls in Portraiture,"
110:27-30,1942.
311. KELLY, FRANCIS M. - "The Iconography of Costume," Burlington Magazine 64:278-282,
1934.
312. KONODY, P.O. - "A Rembrandt Problem," Apollo 9: 207-209, Apr. 1929.
313. L.K. - "Una sensazionale falsificazione," Emporium 104no619: 45-46, 1946.
314. LA FAILLE, J.-B. DE - "The False Van Gogh," Formes nol: 10-11, Dec. 1929.
315. LA FAILLE, J.-B. DE - "Reponse & 1'article de M. Elie Faure intitule 'A Propos des
faux Van Gogh'," Art Vivant 6nol32: 483-484, 1930.
For Elie Faure 's article, see bibl.
316. LAURIE, A. P. - "A. P. Laurie Again Discusses Various Phases of Art Forgery,"
Art News 29:17, Mar. 28,1931.
317. LAURIE, A. P. - "Crackle, and Forgeries of Primitives," Connoisseur 81:157-161,1928.
318. LAURIE, A. P. - "Examination of Pictures by Ultra-Violet and X-rays," Museums
Journal 28: 246 -247, Feb. 1929. - -
319. LAURIE, A. P. - "The Authenticity of Rembrandts," Connoisseur 62: 191-196, Apr. 1922.
320. LAURIE, A. P. - "The Forger and the Detective," Burlington Magazine 51 : 50-51 , July
Another item on "the forger and the detective" by James Grieg appears in
Burlington Magazine 51: 102, Aug. 1927.
321. LAURIE, A. P. - "The Identification of Forged Pictures," Burlington Magazine
50: 342 -344, June 1927. - ~ - - -
Reply to bibl. Other comments by A.L. Nicholson and Hugh Blakes.
322. LAURIE, A. P. - "Uh Laboratoire pour 1'exaraen des peintures," Mouseion 6-119-122
1923. ~ -
Translation from the English. English abstract in Technical Studies
Ino2: 106-107, Oct. 1932. - ~ -
323. LAURIE, A. P. - "A Laboratory for Research on Pictures and Illuminated Manuscriots "
Atelier 2no6: 198, 1931. '
324. LAURIE, A. P. - "Letter by A. P. Laurie," Burlington Magazine 59:99-100,1931.
325. LAURIE, A. P. - "La Microphotographie appliquee & 1 'etude de la technique de
Rembrandt et de son ecole, Mouseion 5no3: 5-7, 1931.
English, German, Spanish, Italian abstract appended.
326. LAURIE^ A .P^-^^A^New Way of Detecting Art Forgeries," Scientific American
327. LAURIE, A. P. - "Old Masters and Modern Forgeries," The Analyst 59-657-664 1934
Abstract in Technical Studies 3: 249, Apr. 1935.
328. LAURIE, A. P- "Pictures Under the Searchlight of Science," Discovery 13nol53:
iOl~ ZoJ , JLSGnS . _^____ __
329. LAURIE, A. P. - "Rembrandt Authenticity," Creative Art 8nol: 42-45, 1931.
330. ^^A.P^- "Scientific Methods of Identifying Pictures," Nature 92no2307:
331. LAWRENCE, .J. - "The Prince of Wales's Gift to Ireland," Connoisseur 12:176-178,
iyuo. - - -
332. LEES^GEORGE FREDERIC - "The Radiography of Pictures," Discovery 2nol8:142-147,
333. LEMAIRE, JEAN - "A propos des faux d' Amsterdam," Beaux -Arts 71no3:4,1932.
334 '
335. XXtCenturyger of Goya's Works, "
336 ' - Ald
-14-
337. MAASEN, C.G. VON - "Falscherkunst aus Eitelkeit," Per Kunstsammler lnol:59,1930.
338. MACKAY, MARGARET MACKPRANG - "Fake Antiques in Peiping," Asia 38nol:70.1938.
339. MANN, FRANCIS P. - "Protecting Paintings for Posterity," Scientific American
140no6: 528-529 ,1929.
340. MANN, FRANCIS P. - "Scientific Examination of Paintings," Scientific American
140no5: 432 -433, 1929.
341. MARCEAU, HENRI & ROSEN, DAVID - "Daumier: Draftsman-Painter," Journal of the
Walters Art Gallery 3:9-41,1940.
342. MARCEAU, HENRI & ROSEN, DAVID & WATKINS, FRANKLIN C. - "Beneath the Paint and
Varnish," Magazine of Art 37:128-134,1944.
343. MARCHAND, PAUL - "The Picture Market," Creative Art 4no5:sup. 42,1929.
344. MARIANI, VALERIO - "I Raggi x e la critica d'arte," Emporium 85no508: 187-196, 1937.
345. MARKS, ALFRED - "The Picture at Chatsworth Ascribed to John Van Eyck," Burlington
Magazine 10:383-384,1907.
346. MARLE-PARIS, FRIEDRICH - "Begutachtung alter Gemalde mit Hilfe von Rontgenbestrah-
lung," Per Kunstwanderer 11:533-534,1929.
347. MAYER, AUGUST L. - "Greco-Falschungen," Belvedere 5-forum: 139, 1924.
348. MAYER, AUGUST L. - "Spanische Bilderfalschungen," Belvedere 5-forum: 77-78, 1924.
349. MORNAND, PIERRE - "Un Institut technique d' identification d'oeuvres d'art,"
Le Cousin Pons Ilnoll6: 9-12, Oct. 1926.
350. MULLER-SKJOLD, F. & SCHMITT, HANNES - "Zur Anwendung der Infrarotphotographie in
der Maltechnik," Angewandte Chemie 49no35: 637-640, 1936.
351. NORTH, S. KENNEDY - "The Conservation of the king's Duccio," Burlington Magazine
57:204-205,207-210,1930.
352. NORTH, S. KENNEDY - "Old Masters and X-rays," Burlington Magazine 56:194-197,1930.
353. OULMONT, CHARLES - "Aphorisms on Collecting Pictures," House and Garden
54no5 : 90 , 146 , 148 , 150 , 172 ,1928 .
354. PANOFSKY, ERVIN - "Durer's Last Picture?" Burlington Magazine 89:55-63,1947.
355. PEASE, MURRAY - "New Light on an Old Signature," Metropolitan Museum of Art
Bulletin n.s.4nol:l-4,1945.
356. PEASE, MURRAY - "Science Backs the Art Detective," Art News 47: 38-41, 57, Mar. 1948.
357. PERSPEX - "Matters of Opinion," Apollo 41:1-2,1945.
358. PUYVELDE, LEO VAN - V Application de la radiographie aux tableaux," Journal de
Radiologie 17no2: 83-90, Feb. 1933.
359. RANDALL, MRS. VAN MEEGEREN - "Mrs. Randall, fille de Van Meegeren soutient que
'Les Disciples d'Emmaus et la 'Cene 1 sont bien de son pere,' Beaux Arts no!75:l,
July 16 1948.
360. RAWLINS, F. IAN G. - "Evidence: It's Nature and Place in the Scientific Examina-
tion of Paintings," Technical Studies 8no2: 74-81, 1939.
361. RENCKENS, B.J.A. - "Picture Forgeries," Scottish Art Review 2no2: 27-29, 1948.
362. RENDERS, EMILE - "Cracks in Flemish Primitives," Burlington Magazine 52:58-65,
1928.
363. RICHTER, GEORGE - "The Gentle Art of Faking Discussed by George Richter," Art News
32no8:14,1933.
364. RINNEBACH, HELMUTH - "Gemaldedurchleuchtung mittels Rpntgenstrahlen, eine exakt
wissenschaftliche Methode der Gemaldeuntersuchung , Belvedere 9no3: 95-100, 1930.
365. RITCHIE, P.D. - "Scientific Problems in the Fine Arts," Discovery, p. 258-262,
Sept. 1935.
366. ROBERTS, W. - "The Curiosities of Art: Copies," Magazine of Art 26:306-309,1902.
367 ROGER-MARX, CLAUDE - "Un Peu de vrai sur les faux," Annales Politiques et
Litteraires 94no2359 : 541-542 , 1930 .
368 ROSEN, DAVID & MARCEAU, HENRI - "A Study in the Use of Photographs in the
Identification of Paintings," Technical Studies 6no2: 74-105, 1937.
369 RUHEMANN, HELMUT - "Les Methodes d' expertise scientifique au proces des Van Gogh,"
Mouseion 6nol -2: 132-136 ,1932.
Translation from the German. English abstract in Technical Studies 1:109,
Oct. 1932.
370. SANPAOLESI, PIERO - "Due esami radiografici di dipinti," Bollettino d'Arte
ser.3,31noll:495-505,1938.
371. SCHEFFER, F.E.C. - "L'Examen chimique des tableaux.". Mouseion 5nol -2: 93-103. 1931.
English, German, Spanish, Italian abstracts appended.
372. SCHEFFLER, KARL - "Epilog zum Prozess-Wacker," Kunst und Kiinstler 31no5: 178-181,
1932.
373. SCHMID, H.A. - "Kann man die Urheberschaft Holbeins d. J. nur auf Grund von
Photographien ablehnen?" Jahrbuch der Preussischen Kunstsammlungen 55no2:
126-138,1934.
374. SCHMIDT, PAUL F. - "Sensation urn Van Gogh," Deutsche Kunst und Dekoration 64no8:
95-96,1929.
375. SMITH, EDWARD H. - "Art and Artful Art," Saturday Evening Post 196no46: 24-25, 154,
157,158,161,162,1924.
376. SPIELMANN, M.H. - "Art Forgeries and Counterfeits VI," Magazine of Art 28pt 1:36-42,
1903.
377. STCHAVINSKY, W. - "0 materialakh starinnoi karting," Starye Gody, p. 264-280,
May 1908.
Russian text.
378. STCHAVINSKY, W. - "0 poddelnykh kartinakh," Starye Gody, p. 339-340, June 1909.
Plates facing p. 338. Russian text.
379. STENEBERG, KARL ERIK - "Rontgenograf ien I. Tavelsforskningens tjanst," Tidskrift
fur Konstvetenskap 17no4: 93-107, 1933.
380. STOUT, GEORGE L. - "Examination of Materials and Methods in Paintings," Museum
News 21nol6:7.1944.
Abstract of talk given at annual meeting of the American Association of
Museums in Williamsburg, May 1942.
381. STOUT, GEORGE L. - "Prying into Pictures," Magazine of Art 31:414-419,1928.
382. SWIFT, SAMUEL - "A Deal in Pictures," Harper's Weekly 52no2685:13-15,1908.
383. TEALL, GARDNER - "Chicago's Counterfeit Constable," World Today 21no6: 1517-1519,
384. THOMPSON, C. PATRICK - "A New War on Fake Art," New York Herald Tribune Magazine
Section p. 5, 13, Mar. 22,1936.
Illustrated special article concerning faked "old masters" and other
treasures. Scientific methods being used to combat this lucrative
confidence game.
385. TIETZE, H. - "Durerllteratur und Diirerprobleme im Jubilaumsjahr," Wiener Jahrbuch
fur Kunstgeschichte 7:232-259,1930.
386. TOCH, MAXIMILIAN - "Hell-bent for Art," This Month Magazine p. 98-102, Aug. 1946.
387. TOCH, MAXIMILIAN - "The Scientific Investigation of Oil Paintings," Museum News
12no20:7-8,1935.
-16-
388. TODD, MARION - "Solving the Problems of Art by X-ray," American Magazine of Art
17: 578-580, Nov. 1926.
389. TURKEL-DERI, FLORA - "Berlin Letter," Art News 30no7:13,1931.
390. TURKEL-DERI, FLORA - "Berlin Letter," Art News 31no28:9,1933.
391. TURKEL-DERI, FLORA - "Berlin Letter," Art News 31no32:8,1933.
392. TURNER, CHITTENDEN - "Bogus Art and the Wary Collector," Arts and Decoration
18nol: 9-10, 93, 1922.
393 UNSIGNED ARTICLE - "Une Affaire de faux tableaux a Berlin," Beaux-Arts 73no57:7,
1934.
394. UNSIGNED ARTICLE - "A propos de la Belle FerronniSre," L'Art et les Artistes
n.s.8no40: 35-36, Oct. 1923.
395. UNSIGNED ARTICLE - "Altering Works of Art," The Nation 77nol990: 148-149, 1903.
396. UNSIGNED ARTICLE - "Ambitious Dealer Claims Fake Blakelock Paintings Better than
Originals," American Art Student and Commercial Artist 7no2: 9-10, 1923.
397. UNSIGNED. ARTICLE - "Art Detectives," Art Digest 12nolO:17,1938.
398. UNSIGNED ARTICLE - "Art Experts Must Judge at Their Own Risk," Art News 44no20:14,
1946.
399. UNSIGNED ARTICLE - "Art Experts on the Defensive," The Nation 89no2297: 40-41, 1909.
400. UNSIGNED ARTICLE - "Art Fakes Caught by the Camera," Literary Digest 48no8: 375-376,
1914.
401. UNSIGNED ARTICLE - "Art Forgers of France," Harper's Weekly 52no2686:27,1908.
402. UNSIGNED ARTICLE - "Article in 'Notes of the Month'," International Studio
93no385: 55-56, 1929.
403. UNSIGNED ARTICLE - "The Artistic Underground Railroad," The Nation 83no2154:300,
1906.
404. UNSIGNED ARTICLE - "Berlin Writer Gives Technical Data on Disputed Van Goghs,"
Art News 27: 20. Mar. 9,1929.
405. UNSIGNED ARTICLE - "Battle of Experts in New York," American Collector 15nol:13,
1946.
406. UNSIGNED ARTICLE - "Cheating the Dutch," Newsweek 26no5 =74.1945.
407. UNSIGNED ARTICLE - "Counterfeit Paintings Produced at Fontainebleau," American
Architect and Building News 29no770: 203-204, 1890,
408. UNSIGNED ARTICLE - "Detecting Fraudulent Paintings by X-rays," Photo -Era
48no5: 244-245, 1922.
409. UNSIGNED ARTICLE - "Echt Oder Unecht?" Kunst und Kiinstler 27no3: 109-111, Dec. 1928.
410. UNSIGNED ARTICLE - "The Editor's Page," International Studio 99: 8, May 1931.
411. UNSIGNED ARTICLE - "Eine Daumier-Falschung," Verk 32: sup. 3, Jan. 1945.
412. UNSIGNED ARTICLE - "Expertising," Burlington Magazine 41:3-4,1922.
413. UNSIGNED ARTICLE - "Exposing Ryder Forgeries," Art News 46no9,pt. 1:31 ,1947.
Small paragraph supplemented by excellent photographs.
414. UNSIGNED ARTICLE - "Fake Chiricos Disclosed on U.S. Market," Art News 44no9:31,
1945.
Two illustrations of these forgeries in bibl.
415. UNSIGNED ARTICLE - "Die Falschen Van Gogh-Bilder," Kunst und Kunst ler 28no6:
261-262,1930.
416 UNSIGNED ARTICLE - "The Famous Case," Art Digest Snoll: 5-6, 1929.
Mrs. Harry Hahn vs. Sir Joseph Duveen: testimony on Leonardo's Belle
Feronniere.
417. UNSIGNED ARTICLE - "Le Faux du Pape," Beaux-Arts 7no9:2,1929.
418. UNSIGNED ARTICLE - "A Fifteenth Century Painting," Pictures on Exhibit 10no6:28
Mar. 1948.
419 UNSIGNED ARTICLE - "Finger Print Methods," Macbeth Gallery Art Notes no58:939,
Jan. 1916.
420. UNSIGNED ARTICLE - "Finger-Prints to Settle Art Disputes," Literary Digest
71no3: 26-27, 1921. ~
421. UNSIGNED ARTICLE - "First Laboratory in Art Gallery Will Test All Paintings,"
Popular Science 120nol:62,1932.
422. UNSIGNED ARTICLE - "Forged Art," Outlook and Independent 155no3:99,1930.
423. UNSIGNED ARTICLE - "The Forger and the Detective," Burlington Magazine 51:3-4,1927.
424. UNSIGNED ARTICLE - "Forgeries," Art Digest 1:3, Jan. 15,1927.
.425. UNSIGNED ARTICLE - "Frauds in Picture-Dealing," Art Journal n.s.6:8,Jan. 1,1854.
426. UNSIGNED ARTICLE - "French Seek Forged Millets," Art News 28no32:23,1930.
427. UNSIGNED ARTICLE - "Gall and Guaranties in Art," Brush and Pencil 17no4: 163-171
1906.
428. UNSIGNED ARTICLE - "Die gefilschte Kunst," Kunst und Kunstler 26:251-254,1928.
429. UNSIGNED ARTICLE - "Un Grand scandale de faux tableaux dans un muse"e de Bucarest,"
Beaux Arts 75no304: 1,3, 1938.
430. UNSIGNED ARTICLE - "The Greatest Art Sensation of the Decade," Illustrated London
News 207no5559: 500-501. 1945.
431. UNSIGNED ARTICLE - "Hans van Meegeren juge par le public," Arts no!53:6,Feb. 13,
1948.
432. UNSIGNED ARTICLE - "Heard at the Galleries," Pictures on Exhibit 5no9:22-23,1942.
433. UNSIGNED ARTICLE - "Here and There," Pictures on Exhibit 10no6: 43-44, Mar. 1948.
434. UNSIGNED ARTICLE - "How Pictures Appreciate," American Art News 14no21-l,Feb 26,
1916.
435. UNSIGNED ARTICLE - "infra-red Now Inspects Old Paintings," Science Digest 21no6-85,
June 1947.
436. UNSIGNED ARTICLE - "is It a Whistler?" The Arts 1:49, Jan. 1921.
437. UNSIGNED ARTICLE - "Liebl Oder Blum?" Die Kunst 61:120-121 .Jan. 1930.
438. UNSIGNED ARTICLE - "Mad Genius Creates Another 'Vermeer' ," Netherlands News
13: 111-112 ,Aug. 26-Sept. 10,1945.
439. UNSIGNED ARTICLE - "Make the Punishment Fit the Crime," Apollo 46: 131, Dec. 1947.
440. UNSIGNED ARTICLE - "Master Hoaxer, Hans van Meegeren," Newsweek 26noll: 100, 1945.
441. UNSIGNED ARTICLE - "Masterpieces Only," Time 46no5:65,1945.
* 1'examen des peintures,"
443. ^IGNED^RTICLE - "Modern Methods of Examining Pictures," Connoisseur 89no368:
444. UNSIGNED ARTICLE - "The 'Modern Vermeer' Picture Trial: Van Meegeren and His Work
in Court, Illustrated London News 211: 511, Nov. 8,1947.
-18-
445. UNSIGNED ARTICLE - "'Moonlight 1 Painting by Ralph A. Blakelock," Art World 2:311,
July 1917.
446. UNSIGNED ARTICLE - "New Methods of Louvre Experts," Art News 29nol8:8.1931.
447. UNSIGNED ARTICLE - "New Traps for Picture -Fakers," Literary Digest 81no4: 30-31,
1924.
448. UNSIGNED ARTICLE - "'Old Masters to Order'," American Magazine 72no6: 780 -786, 1911.
449. UNSIGNED ARTICLE - "Old Masters X-rayed," Living Age 341no4385 =554,1932.
450. UNSIGNED ARTICLE - "Peculiar Case of Pious Imposter is Solved by Lady Art-
Restorer," Life 9no23: 108-109.1940.
451. UNSIGNED ARTICLE - "Photographs Used to Identify Paintings," Photo-Era 65no3:177,
1930.
452. UNSIGNED ARTICLE - "The Picture -Copy ing Trade," American Bibliopolist 5no52: 70-72,
1873.
453. UNSIGNED ARTICLE - "PicUre Copyists," All the Year Round n.s.23no553:55-59,
' July 5 1879.
454. UNSIGNED ARTICLE - "Picture Forgeries," Art Journal n.s.4:284,1852.
455. UNSIGNED ARTICLE - "Picture Frauds," Nation 90no2335: 326-327. 1910.
456. UNSIGNED ARTICLE - "The Price of Forgery," Time. 48no21: 61, 1946.
Concerning Vermeer forgeries. Photograph of Van Meegeren.
457. UNSIGNED ARTICLE - "Professor Moroni Says He Painted Faked Antonello," Art News
29no31:8,1931.
458. UNSIGNED ARTICLE - "A propos de 1'exposition Courbet-Zurich 1936," Mouseion-
Supp lenient Mensuel no63:ll-12 ,1937.
459. UNSIGNED ARTICLE - "A propos de 1'exposition Courbet a Zurich." Mouseion-
Supplement Mensuel no51 =16,1936.
460. UNSIGNED ARTICLE - "'Protection' for Artists," The Nation 49no 1254 =24-25, 1889.
461. UNSIGNED ARTICLE - "Rembrandt Scare," Art Digest 5 =12, Apr, 1,1931.
462. UNSIGNED ARTICLE - "Roger Fry Discusses the Authentication of Old Paintings,"
Art News 27 : 19-20 .Mar. 9,1929.
463. UNSIGNED ARTICLE - "Sad Tale of the Would-Be Art Smuggler," Literary Digest
107nol3:31,1930.
464. UNSIGNED ARTICLE - "Scholars Were Right," Art Digest 19no20 =8,1945.
465. UNSIGNED ARTICLE - "Science Fails in Rembrandt Test," Art News 29no27: 3-4. 1931.
466. UNSIGNED ARTICLE - "Science for Art's Sake," Science Illustrated Ino3: 44-47, 1946.
467. UNSIGNED ARTICLE - "Science to Catch Fraud in Art," Literary Digest 49no5: 189, 1914.
468. UNSIGNED ARTICLE - "The Secret Studio Where, It Is Claimed, 'Vermeers' Were Faked,"
Illustrated London News 207no5562: 581, 1945.
469. UNSIGNED ARTICLE - "The So-Called 'French Primitive': an Exposure and a Recanta-
tion," Connoisseur 117:126-127,1946.
470. UNSIGNED ARTICLE - "'Stinging' Millionaires With 'Art'," Literary Digest 85no7:29,
1925.
471. UNSIGNED ARTICLE - "Suspected French Pictures," Literary Digest 98no6:22,1928.
472. UNSIGNED ARTICLE - "Syndicates of Art Forgers," International Studio 93:55-56,
June 1929.
473. UNSIGNED ARTICLE - "Testing of Old Paintings for Authenticity," El Palacio
35: 157-158, Oct. 25-Nov. 1,1933.
474. UNSIGNED ARTICLE - "Testing Old Paintings with X-ray," El Palacio 23:168-169
Aug. 13,1927.
475. UNSIGNED ARTICLE - "To Nail the Fake Old Masters," Literary Digest 47nol9: 873-874,
476. UNSIGNED ARTICLE - "The Trade in Bogus Pictures," Current Literature 45nol -45-46
1908. "
477. UNSIGNED ARTICLE - "The Trade in Spurious Pictures - the Picture Forger Busv "
Art Weekly lnol6:l,Nov. 8,1928.
478. UNSIGNED ARTICLE - "The Traffic in Spurious Pictures - a Warning to the American
Collector," North American Review 180no6: 903-911, 1905.
479. UNSIGNED ARTICLE - "Tricks in the Traffic of Objects of Art," Chamber's Edinburgh
Journal 3no77: 389 -392, 1845. - S -
480. UNSIGNED ARTICLE - "Truth and Consequences (Van Meegeren)," Time 50:61, Nov. 24,
481. UNSIGNED ARTICLE - "20th Century Vermeer." Time 46: 68. Sept. 10,1945.
482. UNSIGNED ARTICLE - "Unmasking of Masterpieces," Pic 16: 26-29. Dec. 19,1944.
483. UNSIGNED ARTICLE - "Use of X-rays Detects Swindles in Forgeries of Old Masters "
Christian Science Monitor. Oct. 19,1926.
484. UNSIGNED ARTICLE - "Die Van Gogh-Af f are , " Kunst und Kunstler 28no5: 219, 1930.
485. UNSIGNED ARTICLE - "'Van Gogh Fakes '-Justi Reports," Art News 17: 5, Feb. 16,1929.
486. UNSIGNED ARTICLE - "Van Gogh Forgeries," Minneapolis Institute of Arts Bulletin
18: 175, Dec. 28,1929. ~ - ~~ -
487. UNSIGNED ARTICLE - "The Van Gogh Hoax," Living Age 342no4390: 461, 1932.
488. UNSIGNED ARTICLE - "Van Meegeren, Famous Faker, Dies at 57," Art Digest 22no8:
10 , 30 , 1948.
489. UNSIGNED ARTICLE - "Van Meegeren un 'genio'?" Emporium 106: 147 -149. Nov. /Dec.
490. UNSIGNED ARTICLE - "La Vente des oeuvres d'art et la jurisprudence " Mouseion-
Supplement Mensuel no51:9,1936. -
491. UNSIGNED ARTICLE - "A Warning to American Art Collectors," Review of Reviews
J. : 106 108 , 1905 . ~ -
492. UNSIGNED ARTICLE - "What About My Millet?" Literary Digest lOSnoll: 20-21 ,1930.
493. ^^ICLE-When the Jury Become Art Connoisseurs," Literary Digest
494. UNSIGNED ARTICLE - "Who Wrote What?" Art Digest 14no8:26,1940.
495 ' m SL AR S^83^ ^^^
496. ^IGNED^RTICLE^ "X-ray, Infallible Judge of Old Masters," Literary Digest
497. UNSIGNED ARTICLE - "X-ray Research," Art Digest 10no8:27,1936.
498. ^SIGNED ARTICLE - "X-ray Vision at the Fogg," American Magazine of Art 29no2:120,
499. VALENTINER, WILHELM R. - "An Early Forger," Art in America Ino3: 195-208, 1913.
500. ^TINE^^ILHELM R. - "Rediscovered Rembrandt Paintings," Burlington Magazine
501< %6: " " ld MaSterS That *** N0t ld Asters." Ladies Home Journal
-20-
502 VARS, FREDERIC - "Est-ce un Tintoret?" Annales Politlques et Litteraires
98no2398: 77-78, 1932.
503. VETH, CORNELIS - "Een Beproevingenen een Proefstuk," Maandblad voor Beeldende
Kunsten 22nol: 22-23, 1946.
504. WALLACE, IRVING - "The Man Who Swindled Goering," Saturday Evening Post
219: 18-19, 125-126, Jan. 11,1947.
505. WALLACE, IRVING - "The Man Who Swindled Goering," Reader's Digest 50: 6 -10, Mar.
1947.
Condensed from bibl.
506. WALLIS, WHITWORTH - "David Cox Forgeries," Connoisseur 12: 55 -56, 186, May, July 1905.
507. WATSON, FORBES - "Exhibitions Coming and Going," The Arts 15no2: 110-112, 1929.
508. WATSON, FORBES - "The Gentlemen of the Jury," The Arts 15no3: 153-154, 1929.
509. WEHLTE, KURT - "Fingerabdriicke als Signaturen. (Technische Abteilung). Kunst und
Wirtschaft 14:32,1933.
English Abstract in Technical Studies 2: 55, July 1933.
510. WEHLTE, KURT - "Die maltechnische Rdntgenographie im Prozess um die Van Gogh
Falschungen," Kunst und Wirtschaft 14:7-12,1933.
English abstract in Technical Studies 2: 54-55, July 1933.
511. WEHLTE, KURT - "Die Maltechnik im Wacker-Prozess," Kunst und Wirtschaft 13:88-90,
1932.
English abstract in Technical Studies 1:114 -115, Oct. 1932.
512. WEHLTE, KURT - "Rontgenologische Gemaldeuntersuchungen im Stadelschen
Kunstinstitut," Stadel-Jahrbuch no7-8: 220-227 ,1932.
513. WEHLTE, KURT - "Rontgenuntersuchungen im Wacker-Prozess," Kunst und Kunst ler
31no5: 175-178, 1932.
514. WEHLTE, KURT - "Zum Wacker-Prozess in 2. Instanz," Kunst und Wirtschaft 13:207,
1933.
English abstract in Technical Studies 1:223 .Apr. 1933.
515. WERTH, LEON - "Le Point de vue de...," Arts no!43:2,Dec. 5,1947.
516. WILD, A. MARTIN DE - "Scientific Examination of Pictures," Formes no7:15-16,
July 1930.
517. WILDE, JOHANNES - "L'Examen des tableaux a 1'Institut Holzknecht de Vienne,"
Mouseion 5no4: 18-25. plates 5-6, 1931.
English abstract in Technical Studies 1:60, July 1932.
518. WINKLER, FRIEDRICH - "Falschungen alter Bilder," Kunst und Kiinstler 28no9:364-370 ,
1930.
519. WOLF, BEN - "just Like Vermeer," Art Digest 20no7:18 ,1946.
520. WOLTERS, ALFRED - "Anmerkungen zu einigen Rontgenaufnahmen nach Gemalden, des
Stadelschen Kunst insti tuts," Stadel-Jahrbuch 7-8:228-240,1932.
521. X - "Sidelights on Fake Art and Art Fakers," Arts and Decoration 19no6 =9-10,67-69,
1923.
522. YASHIRO, YUKIO - "Connoisseurship in Chinese Painting," Journal of the Royal
Society of Arts 84no4339 : 262 -2 72 , 1936 .
522a. YOUNG, W.J. - "X-ray Apparatus and Technique in Fine Arts," Museum News 20no3:9-10,
1942. :
-21-
BOOKS
523. BARTSCH, ADAM VON & LE BLANC, C.H. - "Notice de quelques copies trompeuses
d'estampes anciennes," Paris, Deflorenne, 1849, 53pp.
524. GUNN, MAURICE JAMES - Print Restoration and Picture Cleaning. London, L. Upcott
Gill, 1911, 172pp., illus.
SECTIONS^OF BOOKS
525. FICKE, ARTHUR DAVISON - "Forgeries," in his Chats on Japanese Prints. New York,
F.A. Stokes, 1906, p. 432-437.
526. IVINS, W.M. , JR. - "Of Copies, Facsimiles, and Other Bothersome Matters," in his
How Prints Look, New York, Metropolitan Museum of Art, 1943, p. 117-141.
527. SALAMAN, MALCOLM C. - "Engraving Frauds," in Whitman's Print -Collector's Handbook.
London, C. Bell, 1912, p. 245-251. "
528. SLATER, J. HERBERT - "Forgeries - Reprints and Copies," in his Engravings and
Their Value, New York, C. Scribner's, 1929, p. 58-62.
529. WEITENKAMPF, FRANK - "From Copies That Are Honest To Frauds That Are Not," in his
The Quest of the Print, New York, London, C. Scribner's, 1932, p. 190-208.
530. VILLSHIRE, WILLIAM HUGHES - An Introduction to the Study and Collection of Ancient
Prints . London, Ellis and White, 1874, p. 23,124,370,419,424,507,508,522.
PERIODICALS
531. BENESCH, OTTO - "Eine Kopie nach Rembrandts 'Petite Tombe'," Die Graphischen
Kunste 52no2-3:sup.49,1929.
532. BLUM, ANDRE - "Une Pretendue decouverte de la gravure au XlVe sidcle: une fraude
archeologique," Actes du Congres d'Histoire de I 1 Art 2pt2: 617-626, 1921.
533. COPPIER, ANDRE-CHARLES - "Qu'est-ce qu'une gravure precieuse?" L' Illustration
182no4668 =505-508,1932.
534. DE SEIDLITZ, W. - "La Propriete artistique et la contref aeon , " Gazette des Beaux
Arts 14:317-334,1895.
535. HODGSON, MRS. WILLOUGHBY - "A Shakespearian Forgery," Apollo 37no217:12-13,1943.
536. JOHNSON, UNA - "Prints , " Magazine of Art. 41 : 194 . May 1948.
537. LATHAM, H.M. - "Some Altered Mezzotint Portraits," The Connoisseur 91no377 -37-41
1933. ~ :
538. RYBLATT, JOSEPH H. - "Baxter Fakes and Forgeries," Apollo 34no202: 104-106, 1941.
539.. UNSIGNED ARTICLE - "The 'Detective Lamp' Traps Art Forgers," Chicago Daily News,
Dec. 18,1943, p. 8. 6 l
Machine used in Art Institute of Chicago, Department of Prints and Drawings.
540. UNSIGNED ARTICLE - "Keep an Eye on Currier and Ives," Antiques 30nol:36.1936.
541. UNSIGNED ARTICLE - "Not Rembrandt's?" Art Digest 2: 3, Oct. 15,1927.
542. UNSIGNED ARTICLE - "Wilson's Imitation of Rembrandt's Etchings," Connoisseur
7: 124-125, Oct. 1903.
543. WEITENKAMPF, FRANK - "St. Christopher in a Comedy of Errors," New York Public
Library Bulletin 47no6: 390-394, 1943.
544. YOSHIDA, HITOYO - "How Japanese Prints Are Faked by Experts in Copying Masters,"
Trans-Pacific 22no29:6,1934.
-22-
PERIODICALS
545 BENESCH, OTTO - "Reply to 'Der Wiener Meister mit den Bandrollen urn 1881',"
Die Graphischen Ktinste n.s.2no3: 117-120, 1937.
Reply to bibl.
546 BRINCKMANN, A.E. - "Sind die Haarlemer Michelangelo-Zeichnungen Originale?"
Zaitschrift. fur Bildende Kunst 59no8:219-224, 1925-26.
547. FIELD, HAMILTON EASTER - "The False 'Renoirs'," The Arts Inol: 18-24, 1920.
548 FISCHEL, OSKAR - "A Forger of Raphael Drawings," Burlington Magazine 51:26-31,33,
1927.'
549. HIND, ARTHUR M. - "Drawings by Brabazon," Burlington Magazine 88:24,1946.
550 KIESLINGER, FRANZ - "Der Wiener Meister mit den Bandrollen urn 1881,"
Die Graphischen Kiinste n.s.2no2: 44-48, 1937.
For reply by Benesch, see bibl.
551. MONGAN, AGNES - "Drawings," Magazine of Art 41:188-189 , May 1948.
552 MORGAN, JOHN HILL - "The Frossard Collection of Drawings Attributed to John
Trumbull." Antiques 39no2:66-69,1941.
553 PANOFSKY, ERWIN - "Kopie oder Falschung?" Zeitschrift fur Bildende Kunst
6 Ino6 : 22 1 -244 , 1927 -2 8 .
554 POPP ANNY E - "Falschlich Michelangelo zugeschriebene Zeichnungen,"
Zeitschrift fur Bildende Kunst 6 Inol : 8-17 , 1927-28 .
555. REWALD, JOHN - "Forged Maillols," Art Digest 20no7:20,1946.
556. REWALD, JOHN - "Letter Concerning False Maillols," Art News 45no2:6,1946.
MINIATURES
SECTIONS OF BOOKS
557 WILLIAMSON, GEORGE C. - "Forgeries," in his The Miniature Collector. London,
H. Jenkins, 1921, p. 243-253.
PERIODICALS
558 LANG, ANDREW - "Two Forged Miniatures of Joan of Arc," Burlington Magazine 15:51,
Apr. 1909.
559 REINACH SALOMON - "Two Forged Miniatures of Joan of Arc," Burlington Magazine
14:356-357 Mar. 1909.
For continuation of article, see bibl.
RUGS
SECTIONS OF BOOKS
560. LEWIS, G. GRIFFIN - The Practical Book of Oriental Rugs, Philadelphia and London,
J.B. Lippincott, 1911, p. 31-54 et passim.
SCULPTURE
561. FRICK ART REFERENCE LIBRARY, NEW YORK - Alceo Dossena: Bibliography and Clippings,
New York, Frick Art Reference Library, 1932.
562. HAYDON, BENJAMIN R. - The Judgement" of Connoisseurs upon Works of Art Compared
with That of Professional Men: in Reference More Particularly to tne J5ipg5
Marbles. London. J. Carpenter, 1816, 19pp., illus.
563. NATIONAL ART GALLERIES, NEW YORK - Sculpture by Alceo Dossena, New York, National
Art Galleries, 1933, 85pp., illus.
Catalog of sale held March 9, 1933 with foreword by Alfred M. Frankfurter.
564'. SCHAUSS, MARTIN - Die Leonardische Flora, eine Falschung aus dem 19. Jahrhunde^
Leipzig, Otto Wigand, 1910, 71pp., illus.
SECTIONS OF BOOKS
565. RICHTER, GISELA M.A. - "Greek Sculpture Compared with Roman Copies and Modern
Forgeries," in her The Sculpture and Sculptors of the Greeks. New Haven, Yale
University Press, 1929, p. 133-143.
PERIODICALS
566. BARSTOW, NINA - "The Forgeries of Bastianini," Magazine of Art 9:503-508,1886.
567. BAUMGART, FRITZ - "Zu den Dossena -Falschungen," Zeitschrift fur Bildende Kunst
63nol: sup. 1-3, 1929. ' ~
568. BOMBE, WALTER - "'Not a Faker but a Genius': the Wonderful Art of Alceo Dosseua
in Imitation of Mediaeval Style," Illustrated London News 175: 1136-1137, Dec 28
1929. ~
569. BUNT, CYRIL G.E. - "An Exploited Genius Bastianini," Connoisseur 110:134-139,158
1943.
570. CALDER, V.M. - "Missak Atyttoe," Journal of Hellenic Studies 47pt2: 178-179, 1927.
571. CALZA, A. - "L'Arte e 1'acido carbonico," Nuova Antologia 262:535-537.1928.
572. COCHRANE, ALBERT FRANZ - "The Mystery of the Mino Tomb," Harper's Magazine
177: 137-147, July 1938. K ~ '
573. COOK, HERBERT - "The Newly-Discovered 'Leonardo'," Burlington Magazine 15:108-113
May 1909.
574. COONEY, JOHN D. - "Sculpture," Magazine of Art 41: 186. May 1948.
575. EBERLEIN, K.K. - "Das 'Problem 1 Dossena," Kunst und Kunstler 28no5: 216, 1930.
576. ELLSWORTH, H.D. - "'The Question of Science and Art 1 is Presented by an Expert "
Art Digest 8no3:8,1933.
Tract ia Technical Studies 9, -9.33-9.3* ; Apv 1934.
577. FRAPPA, GIOVANNI & MICHEL, ANDRE - "Le Pseudo-Benivieni, " Les Arts 2nol7: 14-17,
578. FROTHINGHAM, A.L. - "A Pseudo-Roman Relief in the Uffizi:-a Renaissance Forgery "
American Journal of Archaeology ser. 2, 13: 39-44, 1909.
579. G.J.W. - "Falscherprobleme," Kunst fur Alle 44nnfi-iQ7 9nn 1928-29
Concerning Dossena forgeries.
580. GOLDSCHMIDT ADOLPH - "Pseudo -Gothic Spanish Ivory Triptychs of the 19th Century,"
Journal of the Walters Art Gallery 6:48-59,1943;
581. ^JJP'^J , M - ~ "Dossena Forgery Analyzed by Miss Graves," Art News 17:8,
582 ' GR 1929' D ROTHY M< " " Early orks of ^tonio Rosselino," Parnassus 1:18, Feb. 15,
583. H.P. - "Dossena -Falschungen," Kunst und Kunstler 27: 491-492, Sept. 1929.
L, G.H. - "Boston Exhumes It's Mino Tomb,"
teprinted from biblisseV
585. HIPKISSE^.; YOUNG, W.J.; & EDGELL, G.H. - "A Modified Tomb Monument of the
Italian Renaissance , Boston Museum of Fine Arts Bulletin 35no212 : 83-90, 1937 .
-24-
586. JANSON, H.W. - "The Hildburgh Relief: Original or Copy?" Art Bulletin 30no2:
143 -14 5, June 1948.
587. JAYNE, HORACE H.F. - "A Chinese Forgery 'Too T'ang to Be T'ang'," International
Studio 95no392:43,88-89,1930.
588 KIESLINGER, FRANZ - "Falschungen Gotischer Plastik." Belvedere 5-forum:104-109.
1924.
589. LAURIE, A. P. - "A. P. Laurie on Marble Forgeries," Art News 27:24, Dec. 1928.
590. LE MAY, REGINALD - "Modern Imitations of Early Bronze Sculpture from Siam,"
Burlington Magazine 83:196-201,1943.
591. LE MAY, REGINALD - "Modern Imitations of Early Stone Sculpture from Siam,"
Burlington Magazine 82:10-14,1943.
592. MONTORGRUEIL, GEORGES - "L 1 Affaire des faux Rodins," L 1 Illustration 153:160-161,
Feb. 8,1919.
593. RICHTER, GISELA M.A. - "Dossena, His Works and His Lesson Reviewed by Miss
Richter." Art News 17: 5-6. Feb. 2,1929.
594 RICHTER, GISELA M.A. - "Forgeries of Greek Sculpture," Metropolitan Museum of Art
Bulletin 24nol: 3-5. 1929.
595. RICHTER, GISELA M.A. - "Sculpture," Magazine of Art 41: 187, May 1948.
596. RINNEBACH, HELMUTS E. - "Zum Streit urn die 'Echtheit' der Flora-Buste und das
Expertisen -Problem," Technische Mitteilungen fur Malerei 47: 2Q7-2P9, 222-223 1931.
English abstract in Technical Studies 1:51-52, July 1932.
597. RORIMER, JAMES J. - "Forgeries of Medieval Stone Sculpture," Gazette des Beaux
Arts ser. 6. 26: 195-210. July-Dec. 1944.
598. RORIMER, JAMES J. - "Ultra-violet Rays and a Mino da Fiesole Problem," Technical
Studies 2no2:71-80,1933.
599. ROSEN, DAVID - "Restorations and Forgeries," Saturday Evening Post 202no51:37,103,
106,1930.
600. ROSS, MARVIN CHAUNCEY - "Monumental Sculptures from St.tDenis," Journal of the
Walters Art Gallery 3:90-109,1940.
601. ROSS, MARVIN CHAUNCEY - "Two Heads from St. -Denis," Magazine of Art 33:674-679,
706,1940.
602. SCHARF, ALFRED - "Dossena," Der Cicerone 22:57-58, Jan. 1930.
603. SCHARF, ALFRED - "Zu den Dossena -Falschungen," Der Cicerone 21:36-38, Jan. 1929.
604. STEEGE, K.R. - "Dossena Executes Many Orders," Art News 28: 23. Dec. 14,1929.
605. UNSIGNED ARTICLE - "Aphrodite, the Marble Mystery. Antique or Modern?"
Craftsman 8:61-67,1905.
606. UNSIGNED ARTICLE - "Art Expertization is a Perilous Project," Art Digest 5nol6:8,
1931.
607. UNSIGNED ARTICLE - "Art Fakes Exposed," Literary Digest 99no 12: 18-19, 1928.
608. UNSIGNED ARTICLE - "Article in 'Queries and Opinions'," Antiques 2Qno3: 184, 1931.
609. UNSIGNED ARTICLE - "Boston Trustees Vote to Act on Dossena Tomb," Art News
17:1, 7-8, Jan. 26,1929.
610. UNSIGNED ARTICLE - "Dossena", Art Digest 5:9, Mar. 1,1931.
611. UNSIGNED ARTICLE - "Dossena and the Violet -Ray," Carnegie Magazine 3:140, Oct. 1929.
612. UNSIGNED ARTICLE - "Dossena Suit Now on Trial," Art News 29: 6. Nov. 29,1930.
-25-
613. UNSIGNED ARTICLE - "Dossena's Works at the Kunstlerhaus," Art News 28:14-15, Feb. 1
1930.
614. UNSIGNED ARTICLE - "L'Examen scientif ique des oeuvres d'art, le cas d'une tombe de
la renaissance." Mouse Ion llno3-4 .-237-240, 1937.
615. UNSIGNED ARTICLE - "Fake Saint -Gaudens Work Causes Damage Suit," Monumental News
22: 422 -424, June 1910.
616. UNSIGNED ARTICLE - "Fake Sculpture by Dossena and Others Are Still on Market,"
Art Digest 5nol7:7,1931.
617. UNSIGNED ARTICLE - "The Gentle Art of Buying Forgeries," The Nation 89no2315:468
1909.
618. UNSIGNED ARTICLE - "German 'Dossenas' Fake Early Art," Art News 29nol:23.1930.
619. UNSIGNED ARTICLE - "A Great Art Swindle," Art Weekly lno!9:l,Nov. 19,1928.
620. UNSIGNED ARTICLE - "How Two Fake Angels Failed to Guard a Fake Renaissance Tomb,"
Art Digest 5nol6:8,1931.
621. UNSIGNED ARTICLE - "Italian and Greek Sculptures Proved Spurious," Art News
27: 1-2, Dec. 1,1928.
622. UNSIGNED ARTICLE - "Miscellany (Chinese Terracottas)," Ostasiatische Zeitschrift
n.s.9nol-2: 69-70, 1933. ' ~
623. UNSIGNED ARTICLE - "The Mysterious Dossena Art Affair: 'Old Masters' by a Living
Sculptor?" Illustrated London News 174: 13, Jan. 5,1929.
624. UNSIGNED ARTICLE - "So Young, But, Oh, My, Such a Reputation," Art Digest 3:14,
Mid-May 1929.
625. UNSIGNED ARTICLE - "Statues, Modern and 'Ancient'," Review of Reviews 20no5:613-
614,1899. ~
626. UNSIGNED ARTICLE - "Testing Marble's Age with Ultra-Violet Ray," Through the Ages
7no4 : 16 , 1929 .
627. UNSIGNED ARTICLE - "Ultra-Violet Rays Tell Statues Age," Literary Digest
102nol3 = 35,1929. " "
628. UNSIGNED ARTICLE - "The Wax Bust Attributed to Leonardo," Burlington Magazine
16: 123 -124, Dec. 1909. fi fi
62.9. UNSIGNED ARTICLE - "When is an Antique not an Antique," Literary Digest 78no5:
34-35,1923. * ~
630. UNSIGNED ARTICLE - "Yea.' Dossena/' Art Digest 4no8:6,1930.
631. VON FRANTZIUS, FRITZ - "'Flora' Bust or Mona Lisa in Wax." Fine Arts Journal
26:306-311,1912. ~
632. WALDSTEIN, CHARLES - "The Parthenon Friesze," The Nation 58nol505: 329-330. 1894.
633. WATT, ALEXANDER - "Much Ado about the Loire Venus," The Sphere 155no2030: 482, 1938.
634. WHITING, FREDERICK ALLEN - "The Dossena Forgeries," Art and Archaeology
27no6 : 279 , 1929 . -^ _^_
635. WHITING, FREDERICK ALLEN - "The Dossena Forgeries," Cleveland Museum of Art
Bulletin 16no4: 66-67, 1929. "
636. WILPERT, JOSEPH - "Early Christian Sculpture: Its Restoration and Its Modern
Manufacture, College Art Association Bulletin 9:89-141. Dec. 1926.
637. WOLF, G.J. - "Falscherprobleme , " Die Kunst 44: 197-200. Mar. 1929
Concerning Dossena. ~
-26-
WAX PORTRAITS
PERIODICALS
638. UNSIGNED ARTICLE - "Article in 'Queries and Opinions'," Antiques 17no6: 574, 1930.
COINS
SECTIONS OF BOOKS
639. LUSCHIN VON EBENGREUTH, A. - "Falsche und unechte Miinzer," in his Allgemeine
Munzkunde und Geldgeschichte des Mittelalters und der neuen Zeit. Munich.
Berlin, R. Oldenbourg, 1926, p. 145-156.
Contains important bibliography on coin forgery.
PERIODICALS
640. UNSIGNED ARTICLE - "A Warning to Coin Collectors," Connoisseur 2: 128. 131. Feb. 1902.
641. UNSIGNED ARTICLE - "Old-Time Forgeries," Antiques 35no3: 138-140, 1939.
MEDALS
642. FINDER, MORITZ - Beckerienne recueil des medailles contrefaites par Becker, Paris,
A. Leleux, 1853.
SECTIONS OF BOOKS
643. HILL, G.F. - Portrait Medals of Italian Artists of the Renaissance. London,
Philip Lee Warner, 1912, p. 19-21,52.
IVORY
SECTIONS OF BOOKS
644. MASKELL, ALFRED - Forgeries, New York, G.P. Putnam, 1905, p. 378-386.
PERIODICALS
645. BEARD, CHARLES R. - "Gravoirs and Knife -Hafts; .a 19th Century 'Fake' Exposed,"
Connoisseur 101:171-175,1938.
646. MOREY, CHARLES R. - "Mediaeval Art and America," Journal of the Warburg and
Courtauld Institutes 7nol-2: 1,1944.
647. MOREY, CHARLES R. - "Pseudo -Gothic Ivories in the Hearn Collection," American
Journal of Archaeology 23nol =50-58,1919.
ANTIQUES AND ANTIQUITIES
BOOKS
648. BATRES, LEOPOLDO - Antiquedades melicanas falsificadas: falsificacion y
f alsif icadoras . Mexico, F,S. Soria, 1910, 30pp., illus.
649. BEAUVAIS, GUILLAUME - An Essay on the Means of Distinguishing Antique from
Counterfeit Coins and Medals, Newcastle. 1819.
Translated from the French by John Trotter Brockett.
650. BENEDITE, GEORGES - Yraie ou fausse? au sujet d'une egyptienne, Paris n.p.,
n.d. 10pp., illus"
651. CARTAULT, AUGUST IN G.C. - Sur 1'authenticite des groupes en terres cuites,
d'Asie Mineure, Macon, Protat Freres, 1887.
-27-
652. CLERMONT-GANNEAU, CHARLES - Les Fraudes arche'ologiques en Palestine T Paris,
Ernest Leroux, 1885, 357pp., illus.
653. COURAJOD, LOUIS - L' Imitation et la contrefacon des ob.lets d'art antiques aux XVe
et XVIe siecles. Paris, Ernest Leroux, 1889, 114pp., illus. " "
654. FURTWAENGLER, ADOLF - Neuere Falschungen von Antiken. Berlin-Leipzig, Giesecke &
Devrient, 1899, 39pp., illus.
655. KOCH, ADOLF - Moabitisch oder Selimisch? Die Frage der moabitischen Alterthumer
neu untersucht, Stuttgart, E. Schweizerbart, 1876.
656. LANG, ANDREW - The Clyde Mystery; a Study in Forgeries and Folklore, Glasgow,
James MacLehose, 1905, 141pp.
657 LITCHFIELD, FREDERICK - Antiques Genuine and Spurious, London, G. Bell, 1921,
227pp., illus.
658. MENANT, JOACHIM - Les Fausses antiquites de 1'Assyrie et de la Chaldee, Paris,
Ernest Leroux, 1888, 107pp., illus.
659. MONTAGU, EDWARD WORTLEY - Observations upon a Supposed Antique Bust at Turin.
London, Tally's Head in the Strand, 1763, 19pp.
660. MUNRO, ROBERT - Archaeology and False Antiquities, London, Methuen, 1905, 292pp.,
illus.
661. SCHEUER, ALFRED - Die Falschung der Ludovisischen Thronlehne, Teplitz-Schonau,
Selbstverlag, 1934, 21pp., illus.
662. STEVENS, JOSEPH - Flint Jack: a Short History of a Notorious Forger of Antiquities.
Reading, Blagrave Street Steam Painting Works, 1894, 19pp., illus.
663. TYSZKIEWICZ, M. , COUNT - Memories of an Old Collector, New York, Longman's Green,
1898, 189pp., illus.
664. VALMONT, CLAUDE - Antiquaires des grands chemins, Paris, L. Querelle, 1930, 236pp.
665. VAYSON DE PRADENNE, A. - Les Fraudes en archeologie prehistorique, Paris,
Emile Nourry, 1932, 676pp., illus.
666. WAKELING, T.G. - Forged Egyptian Antiquities, London, A. & C. Black, 1912, 154pp.,
illus.
SECTIONS OF BOOKS
667. BEAUVAIS, GUILLAUME - "The Manner of Distinguishing Antique Medals from Such As
Are Counterfeit," in Chassepol, Francois de. A Treatise of the Revenue and
False Money. London, 1741, p. 187-227.
668. BEISSEL, STEPHAN - "Die angebliche Menge falscher und doppelter Reliquien,"
in his Die Verehrung der Heiligen und ihrer Reliquien in Deutschland bis zum
Beginne des 13. Jahrhunderts . Freiburg. Herder. 1S90. p. 128-145.
669. GOLDSCHMIDT, A. & WEITZMANN, KURT - Elf enbeinskupturen , Berlin, Bruno Cassirer,
1914, v. 1, passim.
670. GULIK, H.C. VAN - "False and Suspect Bronzes," in Catalogue of the Bronzes in the
Allard Pierson Museum at Amsterdam. Amsterdam. N. V. Noord-Hollandsche Uitgeuers-
Mij., 1940, p. 100-106, illus.
671. HODGSON, MRS. WILLOUGHBY - "Frauds in Old China -Frauds in Old Glass," in her
The Quest of the Antique. New York, Dodd, Mead, 1924, p. 238-247.
672. HUISH, MARCUS B. - "Modern Imitations of Greek Statuettes," in his Greek Terra-
cotta Statuettes T London, John Murray, 1900, p. 224-242.
673. LECLERCQ, HENRI - "Faux," in Cabrol, Fernand & Leclercq, Henri. Dictionnaire
d' archeologie chretienne et de liturgie. Paris, Letouzcy et Ane, 1922, v. 5,
pt. 1, p. 1214-1246.
Includes bibliography.
-28-
ow the Demand for Egyptian Relics Has Been Suppl
and Their Tenants. Ancient and Present. London,
Roberts, 1862, p. 242-274.
674. MICHAELIS, ADOLF T.F. - Ancient Marbles in Great Britain, London, Cambridge '
University Press, 1882, passim. :
675. MYER, ISAAC - "Forgery of Scarabs in Modern Times. Difficulty of Detecting Such,
etc., in his Scarabs. The History. Manufacture and Religious Symbolism of the
Scarabaeus in Ancient Egypt, Phoenicia. Sardinia, Etruria. etc.. New York,
E.W. Dayton, 1894, p. 123-127.
676. QUIBELL, JAMES EDWARD - "Loose Ends," in Egyptian Exploration Society. Studies
Presented to F.L. Griffith. London, Oxford University Press, 1932, p. 480-484.
677. RHIND, ALEXANDER HENRY - "How the Demand for Egyptian Relics Has Been Supplied,"
in his Thebes; Its Tombs and Their Tenants. - - . - -
Longman, Green, Longman & Roberts, 1862, p.
678. SHACKLETON, ROBERT & SCHACKLETON, ELIZABETH - "The Charm of Knowing Real from
Imitation," in their The Charm of the Antique. New York, Hearst's International
Library Co., 1914, p. 180-197.
679. SINGLETON, ESTHER - "Americana: Good and Bad. Fakes and Fakers," in her
The Collecting of Antiques, New York, MacMillan Co., 1946, p. 288-302,321.
680. WIEGAND, THEODOR - "Falschung," in Otto, Walter. Handbuch der Archaologie,
Munich, C.H. Beck, 1939, p. 133-134. ~
PERIODICALS
681. ALMAGRO, M. - "Sobre las falsificaciones visigoticas," Archivo Espanol de
Arqueologie 15no47 : 174 , 1942 .
682. ANDERSON, GEORGE E. - "Spurious Antiques in the East," American Homes and Gardens
9no7:xi-xii,July 1912.
683. ARNASON, H. HARVARD - "The History of the Chalice of Antioch," Biblical
Archaeologist 4: 49-64, Dec. 1941.
Includes bibliography.
684. AUTOLYCOS - "Antiques Abroad," Antiques 3nol: 33-34 .1923.
685. AUTOLYCOS - "Antiques Abroad. A World Full of a Number of Things," Antiques
4no4: 187, 1923.
686. BERLINER, RUDOLPH - "Letter to the Editor Concerning Gothic Bust," Gazette des
Beaux Arts ser. 6. 29: 320. Mav 1946.
Concerning article by Dom Thomas Michels. "A XV Century Bust from Menden,
Westphalia at St. Paul's Priory, Keyport, N.J.," Gazette des Beaux Arts
ser. 6, 28: 123 -126, Aug. 1945. ~~
687. BIGELOW, ELIZABETH - "A Fraudulent Inlaid Box," Technical Studies 2nol:26-30,1933.
688. BLUMEL, C. - "Einen gefalschten Strategenkopf , " Jahrbuch des Deutschen
Archaologischen Instituts 53: column 265-276,1938.
689. BONNEY, LOUISE - "Antiques to Order," Country Life 60no5 -.46-48, 1931.
690. BORN, W. - "Ancient Forgeries of Works of Art," Apollo 32nol87: 5-10 ,24, 1940.
691. BRAINERD, GEORGE W. - "Another Falsified Maya Codex," Masterkey 22:17-18, Jan. 1948.
692. BUTTIN, CHARLES - "La Salle du truquage dans les musees," Revue Maurice 5no45:540-
541,1903.
693. CALEY, EARLE R. - "A Chemical Investigation of an Alleged Ancient Greek Bronze
Statuette," Technical Studies 2no3: 144-148. 1934.
694. CHAMPION, B.C. - "identification et conservation des objets prehistoriques , "
Mouseion 5no4: 35-48, 1931.
695. CLERC, ALFRED - "Lettre a M. de Saulcy sur quelques antiquites egyptiennes et le
boeuf Apis," Revue Archeologique 3no2: 649 -667, 1847.
696. CLINCH, GEORGE - "English Antiquities, Genuine and Spurious," Chamber's Journal
ser . 6 , 9no438 : 325-327 , 1906 .
-29-
697. COURAJOD, LOUIS - "L f Imitation et la contrefagon des objets d'art antiques au XVe
et au XVIe siecles," Gazette des Beaux Arts 34 : 188-201, 312-330, Sept. , Oct. 1886.
698. DUNHAM, DOWS - "An Ancient Egyptian Forgery?" Bulletin of the Museum of Fine Arts
Boston, 31nol87: 79-80, 1933. ' " --- '
699. DUNN, HARRY - "Manufacturing Gods to Your Order," Illustrated World 37nol: 61-64
134,136,1922. ~~~
700. E.G. - "Fakes and Reproductions," International Studio 58no232:sup. 117-118, 1916.
701. EBERS, GEORG MORITZ - "Falschung antiker Portrats," Beilage zur Allgemeinen
Zeitung no44: 1-2, Feb. 24,1898. -
702. ELLSWORTH, H.D. - "'The Question of Science and Art 1 Is Presented by an Expert "
Art Digest 8nol: 8-9, 1933.
Abstract in Technical Studies 2: 233 -235, Apr. 1934.
703. EMERSON, ALFRED "Two Modern Antiques," American Journal of Archaeology lno2-3-
152-156,1885. ~~~~ - *
704. EVANS, JOHN - "The Forgery of Antiquities," Longman's Magazine 23nol34:142-155
1893.
705. FALIZE, ANDRE - "La Tiare de Sa'itapharnes," Les Arts 2nol7: 18-33, 1903.
706. GAEBLER, HUGO - "Falschungen Makedonischer Miinzen III," Sitzungsberichte der
Preussischen Akademie der Wissenschaf ten . Philosophisch-Historische Klasse
30: 425 -438, Dec. 17 1936. - ~
707. GAEBLER, HUGO - "Falschungen Makedonischer Miinzen IV," Sitzungsberichte der
Preussischen Akademie der Wissenschaf ten . Philosophisch-Historische Klasse
31: 306 -323, Dec. 16 1937.
708. GRAEVEN, HANS - "Fragmente eines Siegburger Tragaltars im Kestner-Museum zu
Hannover, Jahrbuch der Koniglich Preussischen Kunstsanunlungen 21:75-98.1900.
709. HALLO, RUDOLF - "fiber einige Antikenfalschungen und Nach-Bildungen ira Casseler
Museum, Repertorium fiir Kunstwissenschaft 47hft6 .-265-283,1927.
710. HAMMER - "Mysterium Baphometis revelatum, seu fratres militiae templi qua
Gnostici et quidem Ophiani apostasiae, idoloduliae et Empuritatis convicti
per ipsa eorum monumenta, ' Fundgruben des Orients 6:3-120,1818.
711. HARAUCOURT EDMOND - "False Antiques of the Middle Ages," House and Garden
OoQOZ : y^ , 114 , 116 ,1928. ^ ^
712. HARAUCOURT EDMOND - "The Fine Art of Faking Antiques," House and Garden 52no3:88-
oy , Uo , 134 , 1927.
713. HARAUCOraT EDMOND - "Making and Launching Frauds," House and Garden 52no5:102-
1UJ , 14U , \Ai , loo , 1927. ^^ _
714 ' M - " SniZing *** Fraudulent ****&* House and Garden
715: HARAUCOURT, EDMOND - "When Experts Go Astray," House and Garden 52no6:92-93,118,
716. HO MES, g W.H. - "Examples of Spurious Antiquities," Art and Archaeology 3no5:286-
to tacient
72 '
721 HUSCHER, BETTY HOLMES & HUSCHER, HAROLD - "Archaeological Frauds from Southern
Colorado." American Antiquity 6no2: 173, 1940.
722 JOYCE ARTHUR ST. GEORGE - "Selling Fake Antiques," Illustrated World 26no2:264-
267,1916.
723 JOYCE T A - "Billy and Charley, a Note on False Antiques," Pan-American Magazine
34no3: 11-15, 1922.
724 KELSEY, FRANCIS W. - "Archaeological -Forgeries at Wyman, Michigan," The Nation
54nol387:71,1892.
725. KELSEY, FRANCIS W. - "A Persistent Forgery," The Nation 90no2346: 603-604. 1910.
726 KELSEY, FRANCIS W. - "Some Archaeological Forgeries from Michigan," American
Anthropologist n. 8.10:48-59,1908.
727. MAC KAY, MARGARET M. - "Fake Antiques in Peiping," Asia 38no 1:70, 1938.
728. MARFELS, CARL - "Uhren -Falschungen," Per Kunstwanderer 12:188-190, Jan. 1930.
729 MAYER, M. - "Moderne Falschungen," Jahrbuch des Deutschen Archaologischen
Institute Archaologischer Anzeigen 38-39nol-2: column 13-24,1923-24.
730. MENANT, J. - "Forgeries of Babylonian and Assyrian Antiquities," American Journal
of Archaeology 3nol-2: 14-31,1887.
731 MOREY, C.R. - "The Silver Casket of San Nazaro in Milan," American Journal of
Archaeology 23no2 : 101-125 , 1919 .
732. NUTTING, WALLACE - "Antique Humbugs," Saturday Evening Post 202no38:19,149 3 1930.
733 NUTTING, WALLACE - "Antique Humbugs," Saturday Evening Post 202no39:37,129-130,
1930.
734. PHILIP, HOFFMAN - "The Beautiful Imposition," Antiques 46no4 =214,1944.
735 PICARD, CHARLES - "Est-ce un faux?" Revue Arch6ologique ser. 6, 28: 179, Oct. -Dec. ,
1947.
736 PITTIONI RICHARD - "Zur Frage der FSlschung urzeitlicher Funde," Museumskunde
8no3:li3 -116, 1936.
737 PLENDERLEITH H.J. - "Scientific Examination of an llth Century Persian Silver
Salver," Museums Journal 33no8:280-284,1933.
Introduction by A.U. Pope. Abstract in Technical Studies 2no3: 167, 1934.
738. POULSEN, FREDERIK - "Forfalskninger af antiker," Tilskueren 48nol: 393-408, 1931.
739 POULSEN FREDERIK - "Uber die Echtheits Frage einer Spatarchaischen Bronzefigur,"
Jahrbuch des Deutschen Archaologischen Instituts 47 : 100-103 , 1932 .
740 REIDEMEISTER, L. - "Uber einige typische chinesische Falschungen," Ostasiatische
Zeitschrif t n. s . 5nol : 12-14 ,1929 .
741 REINACH, SALOMON - "The Disputed Tiara in the Louvre," The Nation 63nol626: 157-159,
1896.
742 RICHTER, GISELA M.A. - "A New Classical Study Room," Metropolitan Museum of Art
Bulletin 24no5 : 141-146 , 1929 .
743. RICHTER, GISELA M.A. & ALEXANDER, CHRISTINE - "A Greek Mirror- Ancient or Modern?"
American Journal of Archaeology 51:221-226, plates 42-47, July 1947.
744 ROBERTS, KENNETH L. - "The Notes of an Antique Weevil," Saturday Evening Post
194no30 =8,9,74,77,78, 81, 1922.
745 RORIMER JAMES J. - "Marble Sculpture and the Ultra-Violet Ray," Metropolitan
Museum of Art Bulletin 24no7 : 185-186 , 1929 .
746. SANDBERG, FREDRIK W. - "Spurious Antiques," World Today 12no6: 597-603, 1907.
747. SCHAFER, HEINRICH - "Die angebliche agyptische Figur aus Rhodesia," Zeitschrift
fur Ethnologie 38hft6: 896-904, 1906.
748. SCHEUER, ALFRED - "'Cheirisophos' ," Revue Archeologique ser.6, 9:259-261, 1937.
749. SHACKLETON, ELIZABETH - "Craftiness or Old Craftsmanship," Saturday Evening Pncj-
750. SHEPPARD, THOMAS - "Antique Forgeries and Forged Antiques," Hull Museum
Publications no51:ll-12.1908.
751. SHEPPARD, THOMAS - "Forgeries and Counterfeit Antiquities," Records of the Past
7pt5:233-240,1908. "
752. SMITH, BERTHA H. - "Traffic in Bogus Antiques," Antiques 49no6: 374 -375, 1946
Reprinted, in part, from. Good Housekeeping 42no2: 145-153. Feb. 1906.
753. STEINDORFF, GEORGE - "Fakes and Fates of Egyptian Antiquities," Journal of thp
Walters Art Gallery 10:52-59,1947. ~
754. STENDALL, J.A.S. - "'Flint Jack' -Forger of Antiauities," Museums Journal
44no4 = 53-55,1944.
755. STEVENS, FRANK - "'Flint Jack 1 ," Museums Journal 44nb7: 123. 1944.
756. STUDNICZKA, FRANZ - "Neue archaische Marmorskulptur : Falsches und Echtes "
Deutschen Archaeologischen Instituts Jahrbuch 43:140-229,1928. '
757. TALMAGE, JAMES E. - "The 'Michigan Relics': a Story of Forgery and Deception "
Deseret Museum Bulletin n.s.no2:l-30 J Sept. 16,1911. '
758. TEALL, GARDNER - "Fraudulent Antiques," American Homes and Gardens 12no4:
.132136,144,1915. ^
759. THIOLLIER, NOEL - "La Fin d'une supercherie , " L' II lustration 201no4999: 546, 1938.
760. TONES, OLIVER S. - "The Collection of Antiquities," The Outlook 81:505-510,
761. TORREY, CHARLES C. - "A Forged Phoenician Royal Inscription in the Louvre "
American Journal of Semitic Language 58no2 : 135-138. 1941 '
762. UNSIGNED ARTICLE - "Antique Racket," Literary Digest 123no20: 23-24, 1937.
763. ^SIGNED ARTICLE -^Archaeological Forgeries," Fortnightly Review. St. Louis, Mo.,
764. UNSIGNED ARTICLE - "Au British museum," Beaux Arts 74nol57:4,1936.
765. UNSIGNED ARTICLE - "The Counterfeiting of Money," American Art News 5: 5, Aug. 15,
766. ^SIGNED ARTICLE - "Counterfeiters of Early Man," Popular Mechanics 60no5: 666-669,
767. UNSIGNED ARTICLE - "Danger: Fraudulent Antiques," Antiques 23no6: 232 -233, 1933.
768> W 14:SS: "^ DeteCti n f ^ Antl uities '" Scientific American
769. UNSIGNED ARTICLE - "Exhibit of Fakes," Art Digest Ilno8:16,1937.
770. jniCU^ "'Faking' Works of Art in France and America," Current Opinion
* *
772. UNSIGNED ARTICLE - "Forged Antiquities," Parnassus Ino4:8,1929.
773. UNSIGNED ARTICLE - "Ghost Hunting," Antiques 3nol: 10-11, 1923.
774. UNSIGNED ARTICLE - "Making Curios for Tourists," Harper's Weekly 52no2688:31,1908.
775. UNSIGNED ARTICLE - "The Manufacture of Antiquities," Review of Reviews 9nol:97,
776. UNSIGNED ARTICLE - "Night Club 'Venus'," Art Digest 13no7: 15,1939.
777 UNSIGNED ARTICLE - "Un Sarcophage retire des salles d 1 exposition du British
Museum, 11 Mouseion-Supplement Mensuel no45: 1-3, 1935.
778 UNSIGNED ARTICLE - "Traffic in Bogus Antiques," Country Life in America
17no4 : 484, 486, 488, 1910.
779 WASSEN HENRY - "A Forged Maya Codex on Parchment, a Warning," Etnologiska Studier
12-13:293-304,1941.
780 WIEDEMANN, KARL ALFRED - "Bin 'aegyptischer' Skarabaus," Wochenschrift fur
Klassische Philologie no 17: column 406 .Apr. 26,1915.
CERAMICS
BOOKS
781 BARBER, EDWIN ATLEE - Ceramic Forgeries. Philadelphia, Numismatic & Antiquarian
Society of Pennsylvania, 1907, 10pp., illus. .
Reprinted from the Journal of the Numismatic and Antiquarian Society of
Philadelphia.
782. HANNOVER, EMIL - Pottery and Porcelain: a Handbook for Collectors, London,
Published originally in Danish under title: Keramisk haandbog. t Edited with
note and appendices by Bernard Rackham. Notes on forgeries in each
chapter .
SECTIONS OF BOOKS
783 AUSCHER E S. - "French Porcelain Forgeries," in his A History and Description of
French Porcelain, London, Cassell, 1905, p. 169-172.
784 BLACKER J.F.- - "imitations of Oriental Porcelain," in his Chats on Oriental China,
London, T. Fisher Unwin, 1908, p. 293-295.
785 BOWES, JAMES LORD - "Japanese Marks and Seals," London, Henry Sotheran, 1882,
p. 4,26.
786 BURGESS, FRED W. - "Reproductions and Restoration," in his Old Pottery and
Porcelain, New York, G.P. Putnam, 1916, p. 404-409.
787. DOWNMAN, EDWARD A. - English Pottery and Porcelain: a Handbook for the Collector,
London, "The Bazaar Exchange & Mart" Office, 1918, p. 69,165,174,226,417.
788 GULLAND, W.G. - "Reproductions," Chinese Porcelain, London, Chapman and Hall,
1902, 1:241-243.
789 HAYDEN, ARTHUR - "How to Collect," in his Chats on Old English Earthenware, London,
T. Fisher Unwin, 1922, p. 59-65.
790 HOBSON, R.L. - "Values, Forgeries, etc.," in his Porcelain ; Oriental , Continental ,
arid British, New York, F.A. Stokes, n.d. , p. 156-158,227-230.
791 HODGSON, MRS. WILLOUGHBY - "Hints and Suggestions," in her How to Identify Old
Chinese Porcelain, Chicago, A.C. McClurg, 1907, p. 120-124.
792. JERVIS, W.P. - "Forged Marks," in his The Encyclopedia of Ceramics, New York,
Blanchard', 1902, p. 220-221.
793. LITCHFIELD, FREDERICK - "Hints and Cautions to Collectors and Some Counterfeit
and Misleading Marks," in his Pottery and Porcelain, a Guide to Collectors,
New York, MacMillan, 1925, p. 36-53.
PERIODICALS
794 BARBER EDWIN ATTLEE - "Special Exhibition of 'Fakes and Reproductions'," Bulletin
of the Pennsylvania Museum 14no54: 20-23, Apr. 1916.
795. BEDFORD, JOHNES H. - "A Gateway to Walled Enamel," Antiques 4no5: 221 -223, 1923.
796. HONEY, W.B. - "Meissen Porcelain," Antiques 49no4 : 236 , 1946 .
797. LIDELL, DONALD M. - "Counterfeit Flaxman Chessmen," Antiques 47no5: 276-277, 1945.
798. LOTHROP, SAMUEL K. , GETTENS, R.G. & MOORADIAN, V.G. - "Ceramics," Magazine of Art
Extracted from the authors' Code, an Archaeological Study of Central
Panama. Cambridge, Mass., 1937. (Peabody Museum Memoirs, 8:315-316)
799. MARSHALL, H.R. - "Faked 'Worcester'," Connoisseur 86no351: 318-319, 1930.
800. PARK, JOSEPH H. - "First Cousins in Ceramics," Antiques 38no4: 163-165, 1940.
801. PRENTICE, JOAN - "Capodimonte and Buen Retire Porcelain," Antiques 49no5: 302-303.
802. RICH, DANIEL CATTON - "Some Recent Frauds in Copper Lustre," The Antiquarian
8:44-46, May 1927.
803. RUCKER-EMBDEN, OSKAR - "Einiges ilber Falschungen von T'ang und Sung Keramik "
Ostasiatische Zeitschrift n.s. 4:151-156, 1927-28.
804. UNSIGNED ARTICLE - "Riddles and Replies, Early Seures Marks on Redecorated Ware "
Antiques 45no3 : 152-153 , 1944 .
805. WALCHER-MOLTHEIN, ALFRED - "Die deutsche Keramik der Renaissance in Nachbildung
und Falschung, Belvedere. 5 -forum: 37 -45, 1924.
806. W0 ^ARD, ARTHUR - "Mexican Pottery Faking," Los Angeles County Museum Quarterly
807. ZIMMERN, NATHALIE & KECK, SHELDON - "Ceramics," Magazine of Art 41:190, May 1948.
GLASS
SECTIONS OF BOOKS
808. BAT
809. HARTSHORNE ALBERT - Old English Glasses. London, New York, Edward Arnold, 1897,
p. ^/o-ji/b. ' '
813 -
PERIODICALS
488-489 1933 E ~ L>Affaire des vi *raux de Fecamp," L' Illustration 186no4736:
815. BOWLES, jj^- "The Detection of Forgeries of Old Glass," Connoisseur
816. KNOWLES, JOHN A. - "Forgeries in Stained Glass," Connoisseur 75:207-214,1926.
nptpntirm " A^.^-+ Fo eries of Ancient Glass; Methods of Production and
Detection, Architects' Journal 59nol525: 524-526, Mar 26 1924
818. LEE, RUTH WEBB - "Concerted Action Needed," American Collector llnol =14,1942.
-34-
819. LEE, RUTH WEBB - "Latest Reproductions of American Pressed Glass," American Collector
15no9:5,18,1946. ~~
820 LEE. RUTH WEBB - "A List of Reproductions in Pattern Glass," American Collector 14no3:
13,18,1945.
821 LEE, RUTH WEBB - "Reproductions. . .Beginners! Don't Get Stuck!" American Collector
14no7:13,1945.
822 LEE RUTH WEBB - "Reproductions, the New Moon and Star Pieces," American Collector.
I4no2:ll,1945.
823. MOORE, N. HUDSON - "How about Waterford Glass," Antiques 4no3: 120, 1923.
824. UNSIGNED ARTICLE - "Perhaps It's from the Sandwich Islands," Antiques 28no2:82,1935.
825. WEIR, HUGH - "Through the Rooking Glass," Collier's 75no21: 10-11 ,50-51, 1925.
826. WHITE, HARRY HALL - "More Light on Coventry and Its Products," Antiques 38no4: 168, 1940.
SILVER
SECTIONS OF BOOKS
827 GASK NORMAN - "Suggestions to Collectors," in his Old Silver Spoons of England, London,
Herbert Jenkins, 1926, p. 149-150.
828 HOWARD, MONTAGUE - "Frauds," in his Old London Silver, New York, Charles Scribner's,
1903, p. 201-210.
829 LOWES, E.L. - "Frauds and Forgeries," in his Chats on Old Silver, New York, F.A. Stokes,
1909, p. 301-306.
830. OKIE, HOWARD PITCHER - "Frauds and Transformations," in his Old Silver and Old Sheffield
Plate, New York, Doubleday, Doran, 1928, p. 12-21.
831. WENHAM, EDWARD - "Methods of Forging Old Silver Marks," in his Domestic Silver of Great
Britain and Ireland, New York, Oxford University Press, 1931, p. 139-146.
832. WYLER, SEYMOUR B. - "Frauds," in his The Book of Old Silver, New York, Crown, 1937,
p. 14-18.
PERIODICALS
833. FALKE, OTTO VON - "Silberfalschungen," Belvedere 5-forum: 1-6, 1924.
834. HOW, G.E.P. - "Repairs and Restorations of English Silver," Antiques 53no2: 137-139, Feb.
1948.
835. PLENDERLEITH, H.J. - "The Re-engraving of Old Silver," Bulletin of the American Institute
for Persian Art and Archaeology 4no2: 72-73, 1935.
836. POPE, A. UPHAM - "An Alleged 'Bactrian 1 Forgery," Burlington Magazine 66:288-294,1935.
837. UNSIGNED ARTICLE - "E. Alfred Jones, English Silver Beaker," Antiques 45no4: 200, 1944.
838. WENHAM, EDWARD - "When Old Silver is Genuine ," -House Beautiful 65no4: 542-546 -,1929.
PLATE
SECTIONS OF BOOKS
839. BUCK, J.H. - "Frauds and Imitations," in his Old Plate. Ecclesiastical, Decorative and.
Domestic: It's Makers and Marks, New York, Gorham Manufacturing Co., 1888, p. 45-48.
840. CRIPPS, WILFRED JOSEPH - "Frauds and Offences & Modern Frauds," in his Old English Plate.
Ecclesiastical. Decorative and Domestic: "It's Makers and Marks. New York, Francis
P. Harper, 1899, p. 170-180.
841. TORREY, JULIA WHITTEMORE - "Reproductions and Fakes," in her Old Sheffield Plate, It's
Technique and History as Illustrated in a Single Private Collection. Boston, Houghton
Mifflin, 1918, p. 69-79.
842. VEITCH, HENRY NEWTON - Sheffield Plate, It's History, Manufacture and Art, London, G.
Bell, 1908, p. 263.
843 WYLLIE BERTIE - "Fashion and Frauds," in his Sheffield Plate, London & New York, B.T
Batsford, C. Scribner's, n.d., p. 1-16,52,55.
SECTIONS OF BOOKS
844. MASSE, H.J.L.J. - "Dealers and Makers' Dodges and Devices-Fakes," in his Chats on Old
Pewter , London, T. Fisher Unwin, 1911, p. 59-81.
SILVER AND PLATE
SECTIONS OF BOOKS
845. CALDICOT, J.W. - "Fraudulent and Tampered Pieces," in his The Values of Old English
Silver and Sheffield Plate from the XVth to the XlXth Centuries. London. Bemrose.
1906, p. 1-2.
JEWELRY
SECTIONS OF BOOKS
846. SMITH, H. CLIFFORD - "Frauds and Forgeries," in his Jewellery, New York, G.P. Putnam.
1908, p. 355-362.
847. WILLIAMS, CAROLINE RANSOM - "The 'Menes' Necklace and Earrings," in her Gold and Silver
Jewelry and Related Objects, New York, New York Historical Society, 1924, p. 221-2257
PERIODICALS
848. BROWN, VM. NORMAN - "Frauds in Jewelry and Precious Stones that Connoisseurs Should
Know," Connoisseur 5:198-200,1903.
849. UNSIGNED ARTICLE - "The Strange Story of a Morgan Jewel," Connoisseur 5:62-63, Jan. 1901
ARMOR
850. UNKNOWN - Shinto Shokan Yorcku: Study of Genuine and Imitation Swords, n.p.,n.d. Text
in Japanese.
PERIODICALS
851. ARMADILLO - "Forgeries That Were Not Forged," Connoisseur 3:35-38,1902.
852. BEARD, CHARLES R. - '"Too Good to Be True', a Famous 'Gothic Armour 1 at New York,"
Connoisseur 89:219-225,1932.
853. BEARD, CHARLES R. - "Vicissitudes of a Helmet," Connoisseur 91:245-248,1933.
854. GRANCSAY, STEPHEN V. - "An Exhibition of Forgeries," Metropolitan Museum of Art Bulleti
27no2: 46-48, 1932.
855. ROE, F. GORDON - "Some Nineteenth Century Forgeries in Armour," Connoisseur 63:210-213,
856. SCHEDELMANN, HANS - "Konrad Fecit: the Story of a Remarkable Forger," Connoisseur 122:
8-13 , 55, Sept . 1948.
857. STOCKLEIN, HANS - "Falschungen Germanischer Waff en," Belvedere 5-forum: 78-79, 1924.
SILHOUETTES
PERIODICALS
858. CARRICK, ALICE VAN LEER - "Profiles Real and Spurious," Antiques 17no4: 320-324, 1930.
WOODCRAFT
PERIODICALS
859. ROE F GORDON - "From True to False-Restoration-Forgery in Woodcraft," Connoisseur
ll/ : yo L\)Z , 1946.
BIBLIOGRAPHY OF ARTICLES FROM THE NEW YORK TIMES
1897 TO THE PRESENT
"Art Experts and Some Recent Blunders." Nov. 13, 1897, p. 4, col.l.
Fake Millets, Prud'hon and others discussed.
"Art Matters Abroad." Dec. 9, 1899, p. 857, col.l.
Art historian asserts that Sistine Madonna of the Dresden Gallery is not the
original picture painted by Raphael, but a copy of the original.
"Artistic Boston Fooled." Nov. 27, 1900, p. 3, col. 4.
Tanagra figures in Museum of Fine Arts spurious.
"Topics of the Times." Nov. 28, 1900, p. 8, col. 4.
Editorial on Tanagra forgeries in Boston Museum of Fine Arts.
"Making Modern Antiques in Italian Art Centres." May 8,1904, sect. Ill, p. 8, col.l.
William Le Queux, the art critic, exposes the means by which American art collectors
are swindled by Italian counterfeiters.
"'Caveat Emptor' in France." Aug. 3, 1913, sect. Ill, p. 4, col. 3.
Antique furniture counterfeited in France. Fake Aubusson tapestries are turned out
by the hundred.
"Court to Pass on Picture.** Oct. 5, 1913, sect. Ill, p. 5, col. 2.
Hannah M. Edwards starts suit against Catholina Lambert for selling a copy of Masolins
du Penicale's "Madonna" as genuine. Non-informative news item.
"Camera Detects Art Impostures." Oct. 24, 1913, p. 5, col. 5.
Dr. A. P. Laurie uses camera to detect art frauds; brushwork as the test.
"Criticism Made Infallible." Oct. 25, 1913, p. 12, col. 4.
Editorial on use of the camera to detect frauds.
"Disputed Art Works." Nov. 5, 1913, p. 12, col. 5.
Letter written by Carroll Beckwith in praise of Dr. Laurie's discovery. Unimportant.
"Art Forgeries Detected." Dec. 7, 1913, sect. VIII, p. 5, col.l.
Lectures on the detection of art forgeries before the Royal Academy.
"Forged Paintings Detected by New Minute Studies of Pigment and Brushwork. M
ail Letter written'by Dr/A.P. Laurie telling his methods for detecting forged paintings.
"A Fine Arts Police." Jan-. 25, 1914, sect. Ill, p. 3, col. 4.
Italy has art investigation department to detect forgeries.
"Sir Joshua Reynolds Helped to Pirate Old Masters." Feb. 1, 1914, sect. V, _ p. 1, col.l.
Letters of Sir Joshua Reynolds in British Museum reveal practice of pirating old
masters. Special article with illustrations.
"Bertillon System to Stop Art Frauds." Feb. 8, 1914, sect. Ill, p. 2, col. 7.
Fingerprints suggested for identification of paintings.
"Half Our Public Statuary Fraudulent, Says Borglum." Feb. 15,1914, sect.V, p. 3, col.l.
Sculptured monuments fraudulently signed, statement of Gutzon Borglum. Special
article with illustrations.
"Bertillon's Lest Act." Feb. 22, 1914, sect. Ill, p. 3, col. 3.
Bertillon's scheme to make picture forgeries impossible.
g su "ed byllannih^anVGracI Edwards for $6,000 paid for painting
of a madonna. Unimportant news item.
Julv 7.1916, p. 12, col. 2. ^ ,
^ lsed Jith wife of painting and selling pictures represented as
old masters. Uninformative news item.
"German Couple Sold 200 'Old Masters'." July 10,1916, p. 11, col. 3.
Convicted of fraud; sentenced to prison. Uninformative news item.
"Portraits in Independence Hall under Suspicion." Feb. 25, 1917, sect.V, p. 3, col.l.
Portraits in Independence Hall, Philadelphia, attacked by H. Hart; 149 of them were
painted by A. Rosenthal. Special article.
"Calls Old Masters Bogus, Sues Volpi." Mar. 9, 1917, p. 16, col. 3.
Property of Prof. Elia Volpi attacked on charge that two paintings sold to J. Johnson
are not genuine old masters.
"Huntington Wins Art Case." May 24,1917, p. 13, col. 2.
Henry E. Huntington wins suit against Lewis and Simmons for return of sum paid for an
alleged Romney. Unimportant news.
"Art Experts Fooled by Alleged Romney." June 3,1917, sect. IX, p. 4, col. 3.
Court record of suit. Photograph of artist's sketch revealed that picture was by
Humphrey.
"More Bogus Blakelocks." May 28,1918, p. 5. col. 5.
Investigation of spurious paintings bearing signature of Ralph Albert Blakelock
started by N.Y.C. District Attorney.
"Blakelock Denies Picture." May 29,1918, p. 24, col. 2.
Tells Dist. Atty. Swann that painting bearing his signature is bogus. John Doe
investigation started to run down those responsible for frauds.
"More Dubious Blakelocks." May 30,1918, p. 9, col.l.
Owners seek O.K. on paintings bearing his name.
"Seek 'Blakelock Factory'." June 4, 1918, p. 24, col. 4.
Bogus pictures made in the West, says Dist. Atty. Swann. Unimportant item.
"Says Volpi Sold Bogus Paintings." June 1,1919, sect. II', p.l, col.l.
Jackson Johnson sues Prof. E. Volpi to recover $11,800 on ground that paintings he
purchased from him had been declared bogus.
"Volpi Picture Suit Stirs Art World." June 8,1919, sect. II, p.l, col. 6.
Many curators expected to testify; Prof. Volpi tells how he acquired alleged bogus
pictures.
"Postpone Bogus Paintings Suit." June 13,1919, p. 10, col. 2.
Suit adjourned until October. Unimportant item.
"Say 'Masterpieces' Were Sold Here." July 2, 1920, p!l9, col.l.
German authorities declare that supposed pictures from German royal palaces sold in
New York are fakes. Prof. W. von Bode says Americans are frequently swindled in this
way.
"Hint Sale of an 'El Greco'." Oct. 3, 1920, p. 4, col.l.
Spanish newspaper hints that Theotocopuli's "El Greco* 1 has been sold and that copy
of original has been substituted in Santo Domingo Monastery. Unimportant item.
"Says Louvre Raphael Is Only Copy of His." Oct. 10, 1920, p. 7, col. 2.
F. Lavery in book on Raphael says picture, "The Holy Family", in Paris Louvre is a
copy of original which he possesses.
"X-ray Now Bares 'Old Master' Fakes; French Scientist Demonstrates His Test."
Dec. 15,1920, p.l, col. 4.
Dr. A. Cheron uses X-ray to expose frauds.
"Poor Artist Calls 'Whistler' His Work." Dec. 19, 1920, p 14 col 1
^i5 a f iS i?H Ce inv estigate claim of S. Sassy that he painted Whistler picture which he
sold for 85 francs; is now for sale for 150,000 francs.
"Heinz Antiques in Dispute." Feb. 10, 1921, p. 3, col. 6.
Dr. Holland of Carnegie Museum says Heinz collection of antiques sold in New York was
not made up of genuine collection.
"X-ray 2nd 'Old Masters'." Apr. 3, 1921, sect. VI I, p. 12, col. 2
Chemical Round Table tells of exposures by X-ray.
"What Had Changed the Picture?" Apr. 26, 1921, p. 14, col 5
f rt ! orial on decline in P rice of alleged Whistler in Paris which turned out to be a
"Value of a Painting." May 12,1921, p. 16, col. 7.
Letter by A.W. Warner on chances of survival as the determining factor in judging
value of a picture.
"Jails Woman Who Sold 'Masterpiece'." June 26,1921, sect. II, p.l, col. 2.
C. Kleipple sues Hjordio Ridderstad to recover painting by Repin or $10,000 he paid
for it. Uninformative news item.
"$500,000 Suit Hangs on Da Vinci Fingers." Nov. 5, 1921, p.l, col. 4.
Suit for $500,000 damages by Mrs. A. Hahn against Sir J. Duveen hinges on da Vinci's
fingerprints on his painting, 'La Belle Ferronniere" , which Duveen called spurious.
"Producing Antiques for Art Collectors/' Dec. 25, 1921, p. 14, col.l.
.Review by Austin Hay of R. Nobil.e's book, "Gentle Art of Faking 1 *.
"Tell of Art Imposture." Jan. 7, 1922, p. 13, col.l.
French court investigating sale of alleged fraudulent painting by Sisley.
Unimportant item.
"Poor Da Vinci Copy, Duveen Says in Suit." Jan. 22, 1922, sect. II, p.l, col. 3.
Sir J. Duveen files answer to Mrs. A. Hahn's suit for $500,000 for denying that
painting, "La Belle Ferronniere" , is the original work of Leonardo da Vinci.
"Swindled-, He Says, on 87 ".'Old Masters'." Jan. 24, 1922, p.l, col. 7.
G.S. Howard sued by D.I. Rogow in connection with 87 paintings proved to be copies.
"Flood of 'Old Masters'. 1 ' Jan. 29, 1922, sect. VII, p. 5, col.l.
Article on easily detected frauds. F. Kleinberger discusses extensive dealings in
fake old masters.
"Americans Get Fake Art.** Feb. 22, 1922, p. 4, col. 4.
Arrests made at studio at Marseilles for selling fake Botticelli paintings to
Americans for large sums. Small, unimportant item.
"Fake Old Masters Go Begging Here." Feb. 23, 1922, p. 9, col.l.
G.T. Kisby and F. Kleinberger ridicule Botticelli story. State art collectors here
know genuine works; treasures usually offered in good faith.
"Da Vinci Treasure in Louvre Decried." Mar. 26, 1922, p. 18, col. 2.
Count Durrieu questions authenticity of "La Belle Ferroniere" in Louvre.
"Fraud in French Statues." Apr. 21, 1922, p. 2. col. 2.
Paris police try to stop sale of alabaster statues for marble. Small unimportant
item.
"War on Paris Frauds in Selling Antiques." May 17,1922, p. 21, col. 5.
President of Association of Antiques and Beaux Arts Dealers makes effort to stop
auction sale frauds; will make test case against so-called experts employed by auction-
eers. Unimportant news item.
"Napoleonic Relic Declared a Fraud." May 20,1922, p. 8, col. 2.
French court heightens Paris art war by calling Napoleon relic sold by heirs of valet
of Gen. Husson a copy; unreliability of expert opinion brought up.
"Suit over Alleged 'Old Masters' Null." June 11,1922, sect. II, p.l, col. 8.
D.I. Rogew's suit against Dr. G.S. Howard over purchase of 85 alleged masters is
declared null; court holds Howard was enticed to New York and cannot be sued.
"'Antique' Furniture New." June 25,1922, sect. IX, p. 16, col. 7.
50% of antique furniture and objects of art sent here from abroad are frauds, declares
A. A. Jordan.
"Find Fake Picture Plot." July 21,1922, p. 10, col. 7.
Mme. Choublier, daughter of E. Carriere, exposes scheme of flooding Paris markets
with counterfeit paintings of old masters. Unimportant item.
"Paris Art Market Hit by Forgeries." July 23,1922, p. 13, col.l.
Exposure reacts on Paris markets.
"League to Wipe Out Art Counterfeiting." July 26,1922, p. 2, col. 6.
J. Bowes says American artists counterfeit paintings.
"Mrs. Hahn's Da Vinci Again Called Fake." July 29,1922, p. 7, col. 6.
Sir C.J. Holmes repudiates authenticity of La Belle Ferronniere" owned by Mrs.
A. Hahn.
"Forged Paintings." Aug. 6, 1922, sect. II, p. 6, col. 8.
Letter from William Sartain.
"Not Da Vinci Work, Says Irish Art Critic." Aug. 15,1922, p. 11, col. 4.
Not genuine, says Captain R.L. Douglas.
"Art Counterfeit Revealed." Sept. 24, 1922, sect. II, p. 2, col. 3.
R.E. Miller recognizes own painting of so-called Whistler at Ferargil Gallery.
"Berlin Painter Trucks Diplomats and Public.' 1 Dec. 5, 1922, p. 24, col. 2.
R. Masa sells pictures under names of masters to diplomats presumably for German
Artists' Aid.
"Take Spanish Old Masters." Feb. 15, 1923, p. 4, col. 3.
Germans smuggle faked Spanish paintings into France following Spanish government
decree allowing ecclesiastical authorities to dispose of religious paintings.
"Bristol Says His Statuettes Were Palmed Off as Rodin's." Mar. 21, 1923, p.l, col. 2.
Bristol (French sculptor) wins, suit for restitution of casts attributed to Rodin.
"Duveen, Art Dealer, Sued for $500,000." May 17,1923, p.l. col. 7.
Sued for slander by G.J. Demotte over statue of "Virgin and Child," claimed to be an
original 13th century enamel, which Demotte sold to M. Dreicer.
"Doubtful of Louvre Art." May 27,1923, p. 5. col. 5.
Authorities investigate charges of restoration fakes in Louvre. Unimportant news
item.
"Trace Band of Art Thieves." May 29,1923, p. 6, col. 2.
Art crooks believed to be stealing antiques from churches and galleries and to be
replacing them with almost perfect reproductions.
"Charges Big Frauds on Metropolitan in Gothic Antiques." May 31,1923, p.l, col. 6.
Gothic art at Metropolitan Museum is declared by French critic, L. Cornillon, to be
faked or fabricated.-
"Denies Art Museum Got Fake Statuary." June 1,1923, p. 21, col. 8.
Louvre sculpture declared genuine by Paul Vitry, curator of Louvre Museum; Director
Robinson of Metropolitan Museum satisfied as to authenticity of Metropolitan statuary
after American critic, unnamed, expresses doubt; G.G. Barnard doubts that fakes could
gain admittance to Museum.
"Says He Sold Fakes to Metropolitan." June 2,1923, p. 3.
J. Vigorous, French critic, tells how fakes were sold to Metropolitan Museum, other
museums and private collectors; chemical tests urged; thefts from French churches are
disclosed; Robinson's denial of fake purchases are upheld by Charles of London.
"Faking of Statue Admitted by Abbe'." June 3,1923, sect. I. pt.2, p. 8, col. 2.
Art treasures of Mrs. J.L. Gardiner, included in Vigoroux's attacks, to be investi-
gated; Abbe of small church near Paris confesses he stole statue of "Virgin and Child"
from church, replaced it with reproduction, and sold original to an American. J.D.
Rockefeller, Jr., refuses to comment.
"Spurious Antiques." June 3,1923, sect. II, p. 4, col. 3.
Editorial.
"Sculptor Decries Art Fraud Charge." June 4,1923, p. 17, col. 3.
Integrity of Demotte is vouched for by G.G. Barnard.
"Art Frauds Shock France." June 4,1923, p. 17, col. 3.
Investigation of charges will be made in France following confession of Abbe Rotti of.
St. Sauveur Church; American art institutions deny that they have made fake purchases-
G.G. Barnard says reports are result of rivalry among art dealers.
"Sculptor to Pass on Gothic Art Here." June 5,1923, p. 23 col 7
-F t Lett f r ?? he S d ,,? f French art society urges G.G. Barnard to investigate alleged
f.akes; A. Finta, Rodin student, gives opinion on statuary: examining magistrate will be
appointed to investigate charges made by Due de Trevise of French Society for Safe-
guarding National Art, who declares that methodical pillage is going on
"Promises Inquiry into Museum Pieces." June 6,1923, p. 23, col. 3.
Fakes found in Metropolitan Museum will be removed, says vice-president H. Walters,
who tells of fakes in his own collection; Museum trustee, G. Blumenthal, urges investi-
gation; Vigoroux' s allegations will be explained before Paris court; Cornillon re-asserts
doubt of seated "King."
"Demotte Defends His Art Sales." June 7,1923, p. 30, col. I.
G.J. Demotte denies that statues in Rockefeller and Metropolitan Museum collections
were sold without full information as to restorations. Unimportant item.
"Barnard on Restoration." June 8,1923, p. 14, col. 3.
French critics mistake legitimate piecing for faking, says G.G. Barnard.
"Finds Bas Relief in Louvre Is Faked." June 8,1923, p. 19, col. 3.
Bar le Due Warrior in Louvre is shown to be fake by Maitre Braye who investigated
its history.
"No Gothic Fakes Here, Says Expert." June 10,1923, sect. II, p. 7, col. 4.
R. Gimpel says that after touring nine U.S. cities he has found no fakes.
"Bandits of Brush Multiply Art Fakes." June 10,1923, sect. VII I, p. 3. col.l.
List of artists frequently faked; illustration of Frans Hals original and fake show-
ing imitation. Special article.
"Promises Revelations in Louvre Fraud Case." June 13,1923, p. 3, col.'4.
Widow of workman who restored some statues under discussion is expected to be witness,
at investigations.
"Court Orders Inquiry on French Art Fraud." June 15,1923, p. 3. col. 4.
Seine court orders investigation into charges made by Vigoroux.
"Art Frauds a Trade with Plenty of Tricks." June 17,1923, sect. VII, p. 5. col. 3.
Special article on methods used to fake paintings, sculpture, wood, etc.
"Says Metropolitan Has a $30,000 Fraud." June 18,1923, p. 3. col. 5.
Vigoroux' s allegations will be investigated unofficially by Parquet of the Seine;
allegations by G.J. Demotte of fakes in.,Metropolitan Museum and Boston Museum of Fine
Arts; reply by G.G. Barnard.
"'Kidnapped' Statue Came to New York." June 19,1923, p. 10, col. 2.
G.J. Demotte admits in Seine court trials that he bought Virgin and Child statue,
which was taken from St. Sauveur Church, from antiquary who negotiated with priest;
statue sold to individual in New York; admits sales of reproductions to Louvre.
"Asserts Sculptor Faked Art Now Here." June 20,1923, p. 19, col. 3.
Vigoroux 1 s testimony continues; says supposed 13th century statue of Virgin and
Child**, purchased by Metropolitan in 1919, is fake; says statue was made by Frenchman
named Boutron and was posed for by daughter; statement by Boutron' s widow; Due de Trevise
makes complaint in behalf of Society for Safeguarding French Art.
"Tells How Husband Faked Louvre Art." June 21,1923, p. 22, col.l.
Story of how her husband made fake statues and how. he received commissions from
Demotte is told by Mme. Boutron before M. Ameline, Commr. of Dept. of Public Prosecution;
visit to Louvre made in order to identify M. Boutron' s work; affair of stolen Virgin of
St. Sauveur investigated; H. Jot, priest, confesses to part taken; Vigoroux s attacks
include statuary sold to Mrs. J.L. Gardiner by Demotte; A. Fairbanks, directors, says
there is no doubt as to authenticity of treasures in Boston Museum; Pres. ?e Forest of
Metropolitan says that at least one of Gothic treasures there will be submitted for ex- .
pert examination.
"Paris Hears W.K. Vanderbilt Paid Demotte 400,000 Francs for Statue Taken from Church."
UQ St. Sauveu/statue is 'said in France to have been sold by Demotte to W.K. Vanderbilt;
Mme. Boutron 's story corroborated by Mme. V. Gandeffroy.
"The Right Museum Attitude." June 22,1923, p. 16, col. 2.
Editorial.
"Demotte Defends Statues." June 23,1923, p. 14, col. 4. M mcolf
Demotte declares that missing parts of statues under charges were found by himselt
among stones he bought.
"Demotte Refuses Testimony on Statues." June 24, 1923, p. 25, col. 6.
Demotte refuses further testimony, saying statement will raise prejudice against him
in America.
"Art Frauds and Thefts United." June 24, 1923, sect. VII I, p. 5, col. 2.
Consultations between Society for Safeguarding French Art and Ministry of Fine Arts
prove allegations. Small unimportant item.
"French Senate to Act on Alleged Art Frauds." June 25, 1923, p. 17, col. 3.
Unimportant news item.
"Says Restoration Cuts Statues' Value." June 26, 1923, p. 21, col. 7.
Testimony of E. Jonas of Paris Art Dealers Syndicate says that statues decrease in
value in proportion to amount of restoration done.
"New Louvre Suit on Art Fraud Claim." June 29,1923, p. 7, col.l.
Complaint as to authenticity of sculpture in Louvre is filed in suits against Louvre
for cheating the public; testimony against Demotte.
"Restored Masterpieces." July 1,1923, sect. VI I, p. 8, col. 3.
Letter from G.F. Scotson-Clark on restored masterpieces.
"Five Louvre Statues under Suspicion." July 2,1923, p. 20, col. 2.
Genuineness of two more statues in the Louvre questioned; five statues named;
Poincare will prosecute sellers of fake art to French museums. Unimportant news item.
"6-Franc Copy of Bust Sold in Paris for 4,500." July 3,1923, p. 6, col. 3.
Copy of Coyievox- bust , valued at 6 fr. , is sold in Paris for original antique.
"Goes to Parthenay for Statue Facts." July 3,1923, p. 17, col. 5.
M. Amelijie, court investigator goes to Parthenay and finds no trace of legs of four
Kings alleged by J. Vigoroux to have been sold by Demotte to the Louvre as antiques.
"Sculpture Sold Here on ay Back to Paris." July 7,1923, p. 2, col. 5.
Parthenay capitals sold to a New York dealer are being returned to Paris, reported
in letter addressed by P. Leon, director des Beaux Arts to Sec. of Institute de la
Presse Artistique; history of capitals.
"Capitals Back in France." July 8,1923, p. 11, col. 2.
Parthenay capitals back in France, returned by A. Seligmann, who refused to accept
indemnity to which he was entitled.
"idow Charges Murder of Husband." July 8,1923, p. 17, col.l.
Mme. Boutron charges that her husband, who faked legs on Parthenay Kings, was
murdered 3 years ago.
"Death of Sculptor to be Investigated." July 10,1923, p. 21, col. 2.
Boutron's death will be investigated by Seine Court; Mme. Boutron gives further
details of how husband died in studio rented by Demotte; M. Cornillon, who started
controversy of faked sculpture in Louvre and Metropolitan testifies as to personal
knowledge of Parthenay Kings before M. Ameline.
"Brings 'Society' into Art Scandal." July 11,1923, p. 19, col.l.
Jean Vigoroux, accused by ex-employer, G.J. Demotte, of abuse of confidence, takes
stand in defending his stories of Demotte 's having sold pieces of spurious art to
various museums and individuals; Mme. Boutron again takes stand.
"Will Not Re-Examine Gothic Ceramics Now." July 15 t 1923, sect. II, p. 2, col. 8.
Examination of ceramics at Metropolitan Museum, alleged by J. Vigoroux to be fakes,
will not be made until litigation in Paris between Demotte and Vigoroux ends; statement
by R.. de Forest. Ceramic piece of Delia Robbia in question.
"Duveen Answers Suit Over Statue." July 17,1923, p. 5, col.l.
Answer filed by Sir Joseph Duveen to Demotte 's suit for damages on authenticity of
"Virgin and Child statue; Sir Joseph asserts his belief that statue is not genuine.
"Arrest Vigoroux in Art Fraud Case." July 18,1923, p. 3, col. 5.
Vigoroux is sentenced to jail in France on charge brought by Demotte of illegally
retaining commissions.
-42-
"Impugns 3 Statues Sold to Americans." July 19,1923, p. 8, col.l.
Paris Intransigeant casts doubt on 3 statues sold in America by Demotte; descriptions
of 15th century statues and comment by Comte de Casse, in whose collections they were
supposed to have been.
"Error in Reference to Gothic Art." July 21,1923, p. 9, col.l.
Correction of New York Times error in reference to statement by R.W. de Forest on
Gothic art in Metropolitan Museum. Unimportant.
"Accused Demotte Manager Gets Bail." July 25,1923, p. 9, col. 5.
Vigoroux released on bail. Five line unimportant item.
"Statue Grafting" July 29,1923, sect. VI I, p. 5, col. 6.
Special article by F. Cunliffe-Owen on statue grafting; illustrated.
"Fake Picture Ring Charged in Art Suit." Aug. 14, 1923, p. 26, col. 3.
Suit against Alfred Chetain by B. Devine on charge of being implicated with group
of Chicago men who sell faked paintings as old masters.
"Starts New Inquiry into Statue Scandal." Aug. 19, 1923, p. 5, col. 2.
Investigation of stolen statues ordered. Unimportant.
"Louvre to Allow Test of Painting." Aug. 21, 1923, p. 4. col. 2.
Controversy over originality of da Vinci painting, "La Belle Ferronniere" , in posses-
sion of Mrs. A. Hahn and similar one in Louvre results in Louvre authorities granting
permission to Mrs. Hahn to compare them; originality of Mrs. Hahn's painting was ques-
tioned in 1921 by Sir Joseph Duveen and others.
"Invited as Art Jurors." Aug. 23, 1923, p. 5. col. 2.
W. von Bode, B. Berenson and C. Lucchesi invited by Mrs. Hahn to pass on painting.
Small item.
"Refuses Da Vinci Test." Aug. 24, 1923, p. 14, col. 3.
Mrs. Hahn's painting will not be admitted into Louvre, asserts Director of Museums
D. de Constant. Small unimportant item.
"Says Duveen Wants Pictures Compared." Aug. 30, 1923, p. 17, col. 7.
Mrs. Hahn's nusband says that her picture of "La Belle Ferronniere" was taken to
Paris for comparison on demand of Sir Joseph Duveen.
"Expert on Leonardo Will Testify Today." Sept. 4, 1923, p. 36, col. 2.
Critics will pass on authenticity of n La Belle Ferronniere" despite reports to the
contrary. First expert called is Bernard Berenson.
"Expert Declares Hahn Picture Copy." Sept. 5, 1923, p. 19, col. 7.
B. Berenson says technique and style of Mrs. Hahn's paintin
ays technique and style of Mrs. Hahn's painting are unlike da Vinci's
and picture is placed as French copy of about 1775; picture to be taken to Louvre to
be prepared for comparison.
"Art Critics to Testify." Sept. 6, 1923, p. 28, col. 4.
Berenson cross-examined by Hyacinthe Ringrose.
"Mrs. Hahn's Picture Is Declared a Copy." Sept. 16, 1923, sect. I, p6.2, p. 5, col. 5.
Mrs. Hahn's painting declared copy of picture in Louvre after comparison by nine
expert critics; two give evidence before consul general in suit for damages brought by
Mrs. Hahn against Sir Joseph Duveen.
"Three Art Experts Against Mrs. Hahn." Sept. 18, 1923, p. 23, col. 4.
Conway, Douglas, and Schmidt -Degener call Mrs. Hahn's painting a copy.
"Condemns Hahn Painting." Sept. 19, 1923, p. 4, col. 6.
R. Fry says that painting is copy.
"Calls Mrs. Hahn's Picture a Co'py." Sept. 20, 1923, p. 3. col. 8.
Prof. L. Nicolle testifies that Mrs. Hahn's painting is copy.
"French Purpose Law to End Art Faking; Restoration Put under Official Control."
Oct. 3, 1923, p.l, col. 2.
Regulations to protect genuine art works and penalize manufacturing spurious art
objects are drawn up in France.
-43-
"No Real Rembrandt Here > Says Van Dyke." Oct. 5, 1923, p.l, ( col.5.
Prof. J.C. Van Dyke, in book, "Rembrandt and his School", questions authenticity of
most paintings ascribed to Rembrandt; says only 35 real Rembrandts are in existance and
that no Rembrandts in Metropolitan Museum are originals; , lists art galleries containing
originals.
"Rembrandt Charge Draws Hot Denials." Oct. 6,1923, p. 17, col. 8.
Comments by authorities.
"Rembrandt and the Factory System." Oct. 6, 1923, p. 14, col. 3.
Editorial.
"Van Dyke Offers Pictures as Proof." Oct. 7, 1923, sect. I, pt.2, p. 5, col. 3.
Van Dyke replies to criticisms.
"Delcares Van Dyke Almost a Layman." Oct. 8, 1923, p. 11, col.l.
Comments.
"Metropolitan Museum Rembrandts Real, Prussian State Museum's Director Says."
Oct. 9, 1923, p.l, col. 6.
Paintings in Metropolitan Museum declared originals by Dr. von Bode, who replies to
Van Dyke's charges; says there are possibly 300 or 400 real Rembrandts in existence.
"Van Dyke Retorts to German Expert.'* Oct. 10, 1923, p. 22, col. 2.
Bode answered by Van Dyke, who denies source of attacks was through authority of
Laudner; E.M. Sperling says error in transmission gave wrong number of paintings attribu-
ted to Beiwurandt.
"Dr. Van Dyke's Case in the Rembrandt Dispute." Oct. 14, 1923, sect. IX, p. 3.
Summary of Van Dyke's book; reproductions of important exhibits in argument; special
illustrated article.
"Dutch Art Critic Ridicules Van Dyke." - Oct. 20, 1923, p. 2, col. 4.
Dutch art critic, Prof. Leyden, ridicules Van Dyke and says that Rembrandts in Metro-
politan Museum are among finest in world.
"Van Dyke Says He'll Prove Rembrandt Fake; Declares Pupil Did Painting in Metropolitan."
Oct. 21, 1923, sect. II, p,l, col. 4.
Van Dyke cites painting, "Old Woman Cutting Her Nails", hanging at Metropolitan
Museum as case of being a copy with subsequent touching up.
"Real Rembrandts." Oct. 21, 1923, sect. IX, p..8, col.l.
Letters from A.H. Bridge and J. Britton.
"The World of Art: Paintings and Prints/* Oct. 21, 1923, sect. IV, p. 10, col.l.
Comment on Rembrandt controversy.
"Battle of the Pictures." Oct. 28, 1923, sect. IX, p. 8, col. 7.
Letter from Leigh Hunt on art critics. The critic's attitude toward works of the
masters and the expert's interest in the discoveries that have been made public.
"New Art War Stirs Paris." Nov. 16, 1923, p. 2. col.l.
Eminent artists protest hanging in Louvre of portrait by David which was accepted
as original by Council of the Louvre.
"Chemists Pass on Picture." Nov. 25, 1923, sect. I, pt.2, p. 8, col. 2.
Chemists pass on alleged Renoir painting. Decide work in question not a Renoir.
"Asserts London 'Leda 1 Is Not Michelangelo's." Dec. 15, 1923, p. 2, col. 2.
M. Roy, Trench expert, declares Michelangelo painting, "Leda and the Swan", a copy
by a second-rate artist.
"Who Painted This Old Woman?" Dec. 16, 1923, sect. IV, p. 3, col.l.
Special article by J.C. Van Dyke in which he discusses painting, "Old Woman Cutting
Her Nails , which he claims was painted by Nicolaes Maes; Illustrated.
"Three Tried in Paris for Abducting Statue." Dec. 20, 1923, p. 3, col. 4.
arra
and
sold it in the United States.
"Priest Is Sentenced in French Art Fraud." Jan. 10 ,1924, p. 23, col. 2.
Abbe Jot and accomplices in sale of statue of "Virgin and Child" sentenced.
"France Still Suffers Church Art Thefts." Jan. 30 ,1924, p. 4, col. 3.
Theft and substitution of statues, etc., in churches spread; Cardinal Dubois warns
clergy.
"Repainted Masterpieces." Jan. 30, 1924, p. 18, col. 7.
Letter from Prof. John C. Van Dyke on authenticity of painting, "Old Woman Cutting
Her Nails", in Metropolitan Museum, with copy of letter by Maximilian Toch.
"Antiquary Sentenced for Church Thefts." Feb. 7, 1924, p. 10, col. 2.
P. David sentenced for stealing statues from churches near St. Fardeau. Unimportant.
"Jails a Picture Dealer." Feb. 16, 1924, p. 17, col. 2; Feb. 17, 1924, sect. II, p. 14, col. 3.
E. Gerbino, in France, sentenced for selling false Renoir painting knowingly.
"Detecting the Bogus." Mar. 30, 1924, sect. IX, p. 2, col.l.
French chemists use new methods to identify pictures.
"Clever Art Forgeries Lent to Exhibition." May 4,1924, sect. II, p. 3, col. 3.
Fogg Art Museum of Harvard University sends notable collection to exhibition of
forgeries, imitations and copies at London.
"Egyptian 'Fakes 1 .* 1 June 8,1924, sect. VII, p. 12, col. 2.
Exhibition of Egyptian fakes at the Metropolitan Museum of Art.
"Says He'll Expose Fakes." Nov. 13, 1924, p. 3, col. 6.
French art-faking industry to be exposed at trial of J. Vigoroux on charge of dis-
appropriation of funds of G.J. Demotte.
"Art Frauds Aired before Paris Court." Nov. 14, 1924, p. 21, col. 6.
Charges by Vigoroux at trial.
"Vigoroux Is Guilty; Gets Month in Jail." Nov. 15, 1924, p.l, col. 4.
Vigoroux gets month in jail and ordered to pay sum to Demotte family; Metropolitan
vindicated.
"Hails Vigoroux Conviction." Nov. 16, 1924, p. 26, col. 4.
Nephew of Demotte says conviction of Vigoroux clears reputation of uncle.
"Pays 500,000 Francs for Bogus Masters." Jan. 31, 1925, p. 6, col.l.
R. Abdy buys collection of alleged 19th century masters which proves to be fake;
has Paris dealer arrested.
"Bolivian Antiques Forged." Feb. 16,1925, p. 4, col. 6.
Bolivian ceramics found to be forgeries; Prof. A. Paenasky of Archeological Museum
discovers fraud.
"Sculptor Sees End of Fake Antiques." Apr. 26, 1925, sect. XI I, p. 20, col. 7.
G. Brush sees end of fake antiques in modern process of coloring sculpture.
"Call Painting a Forgery." May 4,1925, p. 19, col. 4.
Experts prove that picture painted on wood attributed to Frans Hals is forgery.
"Fake Antique Trade Grew from Art Collector's Need." May 10,1925, sect. IV, p. 15, col. 5.
Fake antique trade started when H. Van Alden has reproductions of old furniture made
as suitable setting for old master.
"Painter Fails to Tell Copy from Originals." May 16,1925, p. 6, col. 2.
Ribaud, ex-officer, held in France for selling alleged imitations of living painters;
P. Chambas called as witness, fails to tell if one is his work or imitation.
"Rusted Antiques Restored to Pristine Youth." June 28,1925, sect. IV, p. 8, col.l.
Special article by Alva Johnston on fake bronzes- that have been exposed by use of
electrical treatment perfected by Prof. C.G. Fink; illustrated.
"Finesse in Fake Antiques." July 22,1925, p. 19, col. 3.
Paris hears of specializes in fake antiques. Unimportant item.
"Genuine Antiques Cheaper than Fakes." July 26,1925, sect. IV, p. 12.
Special article by F.A. Collins; illustrated.
-45-
"Artists to Fingerprint Pictures." Sept. 12, 1925, p. 15, col. 2.
Minister of Fine Arts in France organizes office where artists may register their
works as proof of their authenticity. Small item.
"Counterfeit Armor in Museum Here." Dec. 7, 1925, p. 11, col.l.
Counterfeit piece included in recent accessions at Metropolitan Museum; statement by
B. Dean, Curator of Armors.
"Puzzling 'Relics' Dug Up in Arizona Stir Scientists." Dec. 13, 1925, p.l, col. 3.
Scientists differ as to authenticity of "relics" dug up near Tucson purporting to
chronicle arrival of Roman Jews in 775 A.D. ; invaders called land Calalus ; full case
for relics as worked out by finders, C.E. Manier and T.W. Bent; opinions of archeolo-
gists, etc.
"Arizona University Will Study 'Relics'. Dec. 14, 1925, p.l, col. 5.
Dr. C.H. Marvin, University of Arizona president, says University authorities hold
open mind on authenticity of relics"; University will investigate; opinions of experts,
etc. ; illustrated.
"Frauds in Relics Recalled." Dec. 14, 1925, p. 10, col. 3, 5.
Archeological faker caused a stir in Michigan in 1890; C.L. Hay and Dr. Gottheil
believe Arizona finds spurious.
"Asserts 'A.D.' Shows 'Relics' Are Frauds." Dec. 15, 1925, p. 4, col. 2.
J. Wheless says "A.D." method of dating time on relics shows they are frauds; further,
comment by archeologists.
"Explode One Theory Concerning Relics." Dec. 16, 1925, p. 4, col.l."
Dr. F. Fowler explodes theory of Roman Jewish colony by study of Latin inscriptions.
"The Latin of 'Calalus 1 ." Dec. 18, 1925, p. 22, col. 7.
Letter from Hugh P. Evans on the Latin of "Calalus".
"Bogus Relics of Past Tempt Collectors." Dec. 20, 1925, sect. VIII, p. 5.
Special article by Silas Bent; illustrated.
"Pictures to Have a Pedigree." Apr. 4, 1926, sect. IV, p. 21, col. 3.
French Minister of Justice inaugurates system for foiling future picture frauds.
"Forged Works Sold to Two Art Dealers." May 12,1926, p. 29, col. 2.
American sketches sold to dealers as works of W. Homer and F. Remington identified
by means of old copies of St. Nicholas magazine as forged works.
"X-rays Tell the Truth about Pictures." July 11,1926, sect. IV, p. 3, col.l.
Feature article by Alva Johnston; illustrated.
"Held in Plot to Burn Ship in Art Swindle." July 16,1926, p. 15, col.l.
Charge of attempted arson with object of defrauding U.S. Merchants and Shippers
Insurance Co. made against S.H. Kanitis and E.G. Doptoglou; defendants shipped bogus
works of art on U.S.S. American Merchant and then attempted to set fire to cargo.
"To Put Old Masters Beneath the X-ray." July 31 \ 1926, p.l, col. 4.
A. Burroughs will establish X-ray evidence of style of 200 paintings at Louvre and
Berlin Museum; method can be used to determine authenticity.
"Sails to X-ray Paintings." Aug. 3, 1926, p. 2, col. 7.
'Burroughs sails for France to X-ray paintings. Unimportant item.
"'Mona Lisa' Year Startles All Paris." Nov. 21, 1926, p. 17, col.l.
Assertion that da Vinci "Mona Lisa" at Louvre is a copy startles Paris; denied by
authorities; story of its theft reviewed.
"Crowds at Louvre View 'Mona Lisa'." Nov. 22, 1926, p. 8, col. 6.
Crowds view "Mona Lisa"; press controversy rages; views of art experts.
"'Mona Lisa' Snarl Bewilders French." Nov. 23, 1926, p. 8, col.l.
Mystery deepened by contradictory statements of E. Jonas and his wife on "Mona Lisa
stored- in basement; E. Bourcier denies publicity stunt in making accusation.
"'Mona Lisa' Flurry Is Now Dying Out." Nov. 24, 1926, p. 4, col. 4.
Experts satisfied that Louvre painting is original; Mme. Jonas refuses further
communication.
-46-
"Mona Lisa Again Flutters the World." Dec. 5, 1926, sect. IV, p. 7.
Feature article signed H.I.B.; illustrated.
"Tale of Mona Lisa Copy." Dec. 10, 1926, p. 8, col.l.
Boucire, art critic, tells tale of Mona Lisa" copy.
"'Second Mona Lisa' Arrives Incognito." Dec. 18, 1926, p. 20, col. 4.
To be exhibited here by E. Jonas; statement by Jonas on its authenticity.
"To Show Second Mona Lisa." Dec. 19, 1926, p. 26, col. 5.
Exhibition at salon of Jonas in New York City. Small item.
"Customs Pass 'Second Mona Lisa!!' 1 Dec. 28, 1926, p. 21, col. 8.
"2nd Mona Lisa" admitted by U.S. customs. Unimportant.
"Luks Derides Art of Pittsburgh Rich." Jan. 31, 1927, p. 2, col. 6.
G.B. Luks says he could prove 50% of "old masters" in homes of Pittsburgh millionaii
are fakes.
"Old Masters Then and Now." Feb. 1,1927, p. 26, col. 6.
Editorial. Unimportant anecdote.
"Buyer Charges Art Fake." Apr. 14, 1927, p. 27, col.l.
M. Newman sues E.H. Benjamin for alleged misrepresentation in sale of old Italian
tapestries in London.
"Making Art Safe for the Collectors." May 22,1927, sect. IV, p. 12-13.
Feature article on modern methods of detecting forgeries; illustrated.
"Protecting Art Collectors." June 26,1927, sect. IX, p. 20, col. 7.
Letter from Maximilian Toch on detection of spurious paintings.
"Predicts Wide Use of X-ray in Art." July 11,1927, p. 13, col. 5.
A. Burroughs on detection of originals by use of X-ray.
"The Old and the New in Art Forgery." Sept. 4, 1927, sect. IV, p. 16-17.
Feature article by Walter Pach; illustrated. Trade of the faker has been highly
stimulated by the western migration of paintings and sculpture.
"Fake Blakelocks Flood Art Market." Jan. 20, 1928, p. 2. col. 4.
Forgeries of his paintings change value of works, says H.W. Watrous.
"Artist Slashes Pictures." Feb. 13, 1928, p. 4, col. 3.
M. Vlaminck slashes pictures forged with his name at Paris exhibition. Unimportant
"Art Dealers Fight Frauds in Paintings." Oct. 7, 1928, p. 28, col. 5.
American Art Dealers, Associated, fight forgeries.
"Register Pictures in Fight on Frauds." Oct. 9, 1928, p. 33, col. 5.
Dealers begin the enrollment of works by Americans with authentication service.
"Authenticating American Art." Oct. 11, 1928, p. 26, col. 4.
Editorial.
"Move to Stop Fraud in Sale of Paintings." Oct. 24, 1928, p. 4, col. 3.
Take further steps to stop sale of frauds. Dealers to supply photographs and
"Pedigrees of American Works to reference libraries.
"Italian Art Fraud Bared by Americans." Nov. 24, 1928, p.l, col. 5.
Sculptures sold as Tuscan masterpieces are proved fakes by Frick experts; dealers
exploited A. Dossena; used his copies to make $2,175,000.
"Boston Sarcophagus No Longer on View." Nov. 24, 1928, p. 2, col. 3.
Experts investigate its authenticity; Cleveland returned works on finding flaws.
"'Antiquing' as a Business." Nov. 25, 1928, sect. Ill, p. 4, col. 6.
Editorial.
"Italian Art Forgeries." Nov. 28, 1928, p. 26, col. 4.
Editorial by S.S. Van Dine.
"Vienna Art Expert Rejected Fakes." Nov. 29, 1928, p. 5, col.l.
L. Planiscig tells how he rejected fakes in 1921.
-47-
"Holds 'Van Goghs' Fakes." Nov. 29, 1928, p. 5. col. I.
Alleged van Gogh paintings said to be fakes.
"Berlin Starts Inquiry on Alleged Art Fraud." Nov. 30, 1928, p. 4, col. 3.
Police will investigate van Gogh paintings.
"'Greek' Art Duped Even Metropolitan.** Dec. 5, 1928, p.l, col. 6.
Metropolitan Museum duped by Dossena's sculpture.
"Dossena Confirms Statuette Fake." Dec. 6, 1928, p. 3, col.l.
A. Dossena says figure in Metropolitan is his work; illustration showing Dossena
at work.
"Faking Art Worthily." Dec. 6, 1928, p. 30, col. 7.
Editorial by Edmond Amateis on Dossena affair.
"Denies Purchases by Trusteess" Dec. 8, 1928, p. 7, col. 5.
Frick Collection denies buying Dossena sculpture. Unimportant.
"Dossena in Court Seeks Pay for Art." Dec. 13, 1928, p. 23, col.l.
Claims $66,000 from two dealers at Rome; says he sold works as imitations only.
"Say Art Collector Was Fraud Victim." Dec. 14, 1928, p. 19, col.l.
Executors of Mills estate charge F.G. Schnittje with selling Mills art fakes.
"Sees Art Values Affected by Fakes." Dec. 23, 1928, sect. Ill, p. 7, col. 4.
Italian press sees art values affected by fakes; A. P. Laurie suggests an original
way in which art forgeries in marble may be detected.
"Paintings Sent West to Check Art Frauds." Dec. 29, 1928, p. 2, col. 4.
"Barnard Tells How to Bare Fakes." Jan. 27, 1929, sect. II, p. 7, col. 2.
G.G. Barnard tells how to detect fakes.
"Say He Imitated Van Gogh." Feb. 10, 1929, sect. Ill, p. 3, col. 4.
Experts think C.B. Schuffenecker imitated van Gogh.
"'Van Goghs' Fakes Says Berlin Expert." Feb. 13, 1929, p. 6, col. 3.
L. Justi declares paintings in Berlin alleged to be van Goghs are fakes.
"Sought to Sell Here Three 'Old Masters'." Mar. 10, 1929, p. 14, col. 4.
Owner of pictures arrested on charge of attempted fraud.
"Authenticity of Romney Protested; Gallery Here Takes It Back from L P Fisher "
Apr. 2, 1929, p. 33, col. 4.
Authenticity of Romney portrait "Duchess of Sutherland" sold to L.P. Fisher by H.
Young Galleries protested; gallery takes it back; Duke of Sutherland owns original.
"'Romney' Sale Here Surprises London." Apr. 3, 1929, p. 9, col.l.
London surprised at sale, original portrait well known in London: H. Young, dealer
admits mistake. '
"London Hears 'Romney' Was Offered as Copy." Apr. 4, 1929, p. 12, col. 5.
London hears portrait of Duchess was sold last year as copy.
"Issues Romney Challenge." Apr. 5, 1929, p. 27, col. 6.
A.L. Nicholson revealed as buyer who sold disputed portrait; urges exhibition to
decide which is original.
"Too Truthful to Prosper." Apr. 9, 1929, p. 30, col. 5.
Editorial on antique dealer who was too truthful.
"Sutherland Sells Romney to Fisher." Apr. 25, 1929, p. 3, col. 5.
Duke of Sutherland sells original portrait of Duchess to H. Young Galleries for
Fisher; deal ends controversy over "copy", now back in hands of dealer in London.
"'Romney' Owner Urges Duke to Withdraw." Apr. 30, 1929, p. 12, col. 5.
Nicholson asks Duke of Sutherland to substantiate or withdraw statement that disputed
portrait is copy.
"Says Painting Is Romney's." May 1,1929, p. 9, col. 2.
P.G. Konody, London critic, says portrait of Elizabeth "Duchess of Sutherland" is
original.
-48-
Opens New Study Room." May 13,1929, p. 3, col. 5.
Metropolitan Museum opens study room for comparison of classical art with lorgene
Forged and Real at Metropolitan." May 19,1929, sect. IX, p. 21, col. 8.
Exhibition of sculpture forgeries at Metropolitan Museum of Art.
British Art Fraud Charged." June 21,1929, p. 9, col. 2.
A. Ruck held on charge of fraudulent conversion of $75,000 to buy pictures,
nimportant item.
Violet Ray Detects Forged Statuary." July 15,1929, p. 20, col. 8.
Violet ray method of detecting forged statuary used at Metropolitan Museum of art;
.ge of marble indicated.
'Reputed Prince Arrested." Oct. 10 ,1929, p. 11, col. 3.
Man who calls himself Prince Nicolas Constantine Galitzine arrested at Geneva on
:harge of selling copy as old painting.
'Bogus Says Historian of Gwinnett Portrait." Jan. 5, 1930, sect. Ill, p. 7, col. 3.
Alleged picture of B. Gwinnett, signer of Declaration of Independence, said to hav
>een "manufactured* 1 .
'French Try to Find Forged Millet Art." May 6,1930, p. 9, col. 2.
French investigate charge of wholesale forgery of Millet paintings; J.C. Millet,
Jrandson, charged with selling them, and P. Cazeau, reproducer, with forgeries.
'The Faked Millets." May 7,1930, p. 26, col. 6.
Editorial.
'Dealers Still Hold Most of Forged Art." May 7,1930, p 12, col. 3.
Investigation shows most of spurious works sold by J.C. Millet still in hands of
dealers.
'Millet's Grandson Is Jailed for Selling Faked Masterpieces." May 8,1930, p.l, col. 4
J.C. Millet and Cazeau jailed. Unimportant item.
'Another Art Fraud Discovered in Paris." May 10,1930, p. 8, col. 2.
Two paintings declared to be by Watteau in Louvre, and for which it paid $60,000,
low called forgeries; probably by Quillard, associate. Small news item.
"Millet Fraud Stirs the Capital." May 11,1930, sect. Ill, p. 6, col.l.
Millet frauds stir Paris.
"Picasso Plaintiff in New Art Scandal." May 11,1930, sect. II, p.l, col. 6.
Police seek American collector believed to have spurious Millet. Picasso says
dealers got 400 sketches made in youth from mother by misrepresentations.
"Faking of Pictures Explained to Court." May 15,1930, p. 11, col. 6.
L. Desiry, junk dealer, and A. Bourzat, dealer, testify.
"Millet's Signature Affixed by a Plate." May 18,1930, p. 31, col. 3.
Scandal recalls fact that J.F. Millet used plate to affix signature. Small news
item.
"Some Forgeries in Pictures and New Detection Methods." May 18,1930, sect. VIII,
Feature article by Virginia Pope on instances of forgeries and methods of detecti<
illustrated.
"Millet's Grandson Gets a Year for Fraud; Awaits Trial on Fake-Paintings Charge."
June 18,1930, p. 8, col. 3.
"Millet Fakes Laid to Ease of Copying." July 2,1930, p. 9, col. 3.
Article by C. Chaplin shows ease with which Millet paintings may be copied, and g
incidents of early forgeries.
"'Venus of Wisternitz' Branded as Forgery." Sept. 24, 1930, p. 23, col. 2.
Statue sent to Vienna pronounced copy; Bruenn Provincial Museum has original.
"Brands 'Venus' Forgery." Sept. 29, 1930, p. 9, col. 4.
"Venus" pronounced forgery 4 years old.
-49-
"Study Tests to Fix Genuineness of Art, Tells How Painter Can Mark His Work.
Oct. 14, 1930, p. 18, col. 2; Oct. 15, 1930, p. 12, col. 2.
Use of microphotography and X-ray in detecting fraudulent paintings and system of
steel labels for marking original paintings discussed at international conference in
Rome.
"Chemists Discuss High Art in Rome.** Oct. 19, 1930, sect. Ill, p. 4, col.l.
Delegates to international conference at Rome discuss scientific methods for detec-
tion; enlarged photography of brush strokes stressed. Article by Arnaldo Cortesi.
"Woman Is Jailed in Chinaware Deal." Oct. 22, 1930, p. 18, col. 4.
Mrs. C.B. Doran held on charge of counterfeiting chinaware.
"Boston Art Expert Victim of Racket." Oct. 24, 1930, p. 25, col. 3.
E.F. Holmes, head of Boston Museum of Fine Arts, reported as twice victimized in
purchase of fake paintings.
"Buffalo Curator Traces Art Fraud." Oct. 25, 1930, p. 3, col. 6.
W.M. Kekking of Albright Art Gallery, Buffalo, N.Y. , throws light on spurious Stuart
paintings sold by W.F. Cooke; part of "Racket" in which Mrs. Doran is reported to be
involved.
"arns of Swindles by Art Racketeers." Oct. 28, 1930, p. 18, col. 4.
F.N. Price warns against art "racketeers."
"'Antique' Maker's Suit Is on Trial in Rome." Nov. 15, 1930, p. 8, col. 2.
Sculptor's suit to recover payment for work reveals sculptures were sold to museums
as antiques.
"Rembrandts Here Are Called Spurious." Mar. 21, 1931, p.l, col. 2.
M. Toch calls 29 out of 30 so-called Rembrandts in Metropolitan Museum spurious,
following microscopic study.
"Rembrandt Critic Explains His Views." Mar. 22, 1931, p. 27, col. 3.
Toch says brush strokes show only one Metropolitan canvas is genuine.
"Science and the Art Forger." Mar. 30, 1931, p. 20, col. 5.
Editorial on scientific detection of forgeries.
"X-ray Test Upholds a Rembrandt Here." Apr. 2, 1931, p,29, col.l.
A. Burroughs on importance of X-ray in detection. Contains informative data.
"Art Expert Likened to Crime Detective." Apr. 31, 1931, p. 27, col. 6.
C.J. Ducasse likens experts to crime detectives.
"Action for $15,000 Clouds 'Velasquez'." Apr. 5, 1931, sect. II, p.l, col. 6.
Authenticity of portrait by Velasquez, "Queen Isabella", doubted.
"Doubts Certainty of X-ray Method of Detection" Apr. 8, 1931, p. 22, col. 8.
Letter by Charles R. Knight.
"X-ray and Old Masters." Apr. 12, 1931, sect. II, p. 2, col. 7.
Letter by Herbert R. Isenburger on use of X-ray in examination of paintings.
"Science as a Court of Appeal for Art." Apr. 26, 1931, sect. IX, p. 4, col. 3.
Feature article by Arthur Warner on aid of science in determining genuineness;
illustrated.
"Detroit Art Fraud Not Ford's Mistake." May 21,1931, p. 25, col. 3.
Supposed Mino bust purchased by E. Ford returned to Italian dealer; illustrated.
Mt Cellini Plaque' Held Spurious by Science, Reveals Theft from Russian of Original."
June 6,1931, p. 12, col. 2.
Bronze plaque owned by Baron E.A. Ferson declared an electrolytic reproduction of
famous Cellini work.
"The 'Cellini Plaque'." June 28,1931, sect. Ill, p. 2. col. 5.
Letter on lost wax process of casting published in connection with article on
Cellini plaque.
"Fraud Alleged in Suit Over $42,000 Art Sale." Feb. 27, 1932, p. 20, col. 8.
Mrs. F.I. Hall seeks to vacate confession of judgment for $21,000 claimed by D.E.
Potter who, she alleges, sold her spurious paintings for $42,000.
-50-
"Shows New Method of Baring Bogus Art." Apr. 1,1932, p. 23, col. 6.
J.J. Rorimer demonstrates use of ultra-violet rays in detection.
"Paintings Line Walls of Court in Trial." Apr. 7, 1932, p. 21, col. 3.
0. Wacker, dealer on trial in Berlin, denies selling spurious van Goghs. Unimportar
"German Art Dealer Jailed for Fraud." Apr. 20, 1932, p. 26, col. 5.
0. Wacker jailed; sentenced to one year on charge of selling 30 counterfeit van Gogh
Small news item.
"Sues Over Two Paintings." Aug. 30, 1932, p. 22, col. 3.
A.C. Trant sues Mrs. I. Campbell of Santa Barbara, Calif., on charge of sale of
fraudulent paintings. Two paintings were purported to be "Barbara of Coventry" by
Reynolds and "Portrait of Wm. Carpenter" by Lawrence.
"Art Graft Mystery Reported in Europe." Oct. 19, 1932, p. 21, col. 5.
Mysterious German swindler reported as agent between German dealers and American
buyers. Not very informative.
"Wins $17,303 in Art Suit." Dec. 13, 1932, p. 22, col. 3.
Mrs. F.I. Hall wins verdict on suit on payments to D.E. Potter, dealer. Unimportanl
"Statue Bought by Kaiser Called a "Monstrous Fake'." Jan. 23, 1933, p. 27, col. 2.
Prof. E. Galli says statue bought by ex-Emperor William II and now in Berlin Museum
is a fake and not, as supposed, from Locri, in ancient Greene. Small, unimportant itei
"Fingerprint Test for Art." Apr. 9, 1933, sect. IV, p. 3, col. 8.
A. Eibert of Munich Institute of Technology develops fingerprint method.
"Woman Wins $26,000 Art Suit." Apr. 28, 1933, p. 20, col. 6.
Mrs. J.F. Plimpton wins suit against Friedberg Studio, Atlantic City, N.J., chargin
works fraudulently represented as old masters were sold to her. Unimportant small ite
"Ancient Windows Reported Stolen." Nov. 19, 1933, p. 8, col. 2.
Original stained-glass windows in Abbey Church of the Trinity, Fecamp, France,
reported substituted by copies.
"Says Hearst Bought Windows of Abbey." Nov. 26, 1933, sect. II, p.l, col. 4.
M. Hure, glazier, testifies she ordered substitution; originals sold to W.R. Hearst
Unimportant.
"Medieval Panes to be Returned to France: Hearst Rejects Allegedly Stolen Windows."
Nov. 27, 1933, p.l, col. 2.
Hearst to return windows. Unimportant.
"Accused in Window Theft." Dec. 10, 1933, p. 24, col. 3.
R. Marius, former agent of L. de Motte, charged with fraud in connection with sub-
stitution of copies of old stained-glass windows in Fecamp Cathedral, France; Mile.
Hure, glassmaker, not included.
"France Is Stirred over Theft of Art.** Dec. 31, 1933, sect. IV, p. 2. col. 8.
Fecamp fraud leads to further check-up of stained-glass windows in France.
"Buffalo Woman Wins $36,200 Fake Art Suit." Feb. 22 ,1934, p. 19, col. 8.
Mrs. J.F. Plimpton wins suit against L. Friedberg, Atlantic City,N.J. , dealer for
sale of allegedly spurious paintings.
"Art Expert Warns of Scientific Test." Mar. 29, 1934, p. 21, col. 1.
R.J. Gennens on use of microchemical analysis.
"Testing Old Masters." Apr. 22, 1934, sect. VIII, p. 7, col. 5.
New fingerprint method used as test by Dr. A. Eibner; illustrated.
"French Maid Is Accused of Large Heirloom Fraud." Aug. 2, 1934, p. 11, col. 3.
Mme. Valopin held on charge of selling fake heirlooms in Monteux, .France.
Unimportant item.
"Jury to Decide Dispute on Indian Mogul Art; Buyer, Dunned for $30,613 Calls It
Spurious. Oct. 19, 1934, p. 25, col. 6.
H.K. Kevorkian, sued for payment, charges misrepresentation of value of Indian
miniatures at Sotheby's, London.
-51-
"Professor is Sued over Chinese Art." Nov. 20, 1934, p. 23, col. 2.
V.G. Simkhovitch sued by I. Kevorbeian on charges of misrepresentation of art.
"$14,000 T Michel Angelo' Returned by Purchaser. H Jan. 26, 1935, p. 10, col. 5.
Painting reported to be self-portrait of Michelangelo returned to auctioneer by pur-
chaser, H.S. Weller, Paris.
"Art Fake Charges to be Tried Today." Jan. 29, 1935, p. 19, col. 2.
J.C. Millet and F.E. Cazot face court charges in Paris for reported manufacture and
sale of paintings said to be works of masters.
"Art Fraud Bar,ed at Trial in France." Jan. 30 ,1935, p. 17, col. 6.
Trial.
"Musician Is Accused in Millet Art Case." Jan. 31, 1935, p. 23, col.l.
Musician is accused as expert who "authenticated" works.
"Dealers Are Blamed in Fake Art Trial." Feb. 6, 1935, p. 13, col. 5.
Dealers accused of buying paintings known to be false, defense charges in J.C.
Millet suit.
"Says Museum of U.S. Purchased Fake Art.** Feb. 7, 1935, p. 2;, col. 7.
Paris paper, La Liberte, says American museum holds spurious Primiticcio painting;
H.B. Wehle comments.
"Navy's Portrait of Jones Not Work of West, Officers Say after Arrest of the Donor."
Feb. 22, 1935, p. 23, col. 5.
B. West portrait of J.P. Jones reported to be false; G.J. Shepard arrested, U.S.
Naval Academy.
"Millet Is Sentenced to 6 Months in Fake." Feb. 28, 1935, p. 21, col. 6.
Millet and P. E. Cazot fined and sentenced to 6 months in prison.
"Chile's Official Art Critic Jailed in Fraud Dispute." June 23,1935, p. 17, col. 2.
Official art critic of Chile fined and sentenced to jail for refusing to defend
charges of fraudulent gallery.
"New Aids for the Picture Detectives.** Aug. 25, 1935, sect. VII, p. 10, col.l.
Special article on use of X-ray in detecting frauds by Maximilian Toch;
illustrated.
"Calls Picture Genuine." Aug. 29, 1935, p. 19, col.l.
Sir J. Duveen says Morgan painting, Duchess of Devonshire", is real Gainsborough.'
Small unimportant item.
"Bogus Etruscan Art Reported ill Museum." Nov. 4, 1935, p. 23, col. 8.
Dr. D.M. Robinson says half of Carnegie Museum's Etruscan art is fraudulent;
accuses other museums.
"Finds Carnegie Art Mostly Authentic." Nov. 5, 1935, p. 23, col. 5.
Retracts statement; Dr. Robinson, who charged Etruscan pieces were forged, views
exhibit .
"Court Voids Sale of Old Islamic Art." Mar. 16, 1936, p. 19, col. 8; Mar. 20, 1936,
p. 26, col. 5.
Court voids sale of antique Islamic houses by Asfor and Sarkis to H. Kevorkian;
misrepresentation held to be grounds for cancellation of contracts.
"Charges of Fraud Halt Sale of Art.*' Dec. 2, 1936, p. 24, col. 2.
Charges of fraud interrupt sale of F. Coty's collection; Voltaire statue by Jean
Antoine Houdon said to be false. Uninformative news item.
"Art Experts Study Plan to Curb Painting Frauds.** July 7,1937, p. 18, col. 4.
French and U.S. experts meet to discuss methods of detection in Paris. News item
including names of men concerned, but no technical information.
"Historians Favor Archives Building." Sept. 11, 1937, p. 3, col. 7.
Frauds in painting hit; 'Dr. G.C. Groce, Jr. tells N.Y. State Historical Association
of forgeries covering period prior to 1800.
"Born Too Late." Oct. 18, 1937, p. 16, col. 4.
Editorial on Dossena case.
-52-
"Tomb Called a Fraud Is Restored to Favor." Dec. 1,1937, p. 13, col. 2.
Boston Museum of Fine Arts tomb at one time thought fraud, restored to favor;
Italian Renaissance sculpture again put on exhibition.
"New Process Bares Signatures on Art." Dec. 14 ,1937, p. 27, col. 8.
'Dr. F. Hertz's process of identifying signatures on old masters described.
Informative.
"X-ray of Paintings Explained." Sept. 10 ,1939, p.6, col.l.
Prof. F. Gotz on X-ray use to verify old paintings. Uninformative item.
"Sentinels of Research." May 17,1942, sect.X, p. 5.
Whitney and other museums establish council on American art problems.
"Old Masters to Order: Forgery as a Fine Art. 1 * Dec. 23, 1945, p. 10-11.
Special article by David Anderson in Magazine Section.
"A 'Pieta' at $1,000 Is Occasion of Suit." Jan. 23, 1946, p. 20, col. 6.
S. Bourgeois sues seller J.. de Quistgaard; charges 15th century "Pieta" painting
a fraud.
"Art Experts Split on Age of 'Pieta' Painting; Chemist, Restorers Testify on $1,000
Sale." Jan. 24, 1946, p. 23, col. 4.
Experts differ on authenticity.
"Expert an Expert, Jurors Conclude." Jan. 25, 1946, p. 25, col. 2.
Quistgaard wins suit.
"French Masters' Works Found Faked in Paris." Oct. 22, 1946, p. 8, col. 4.
Art falsification ring producing works attributed to Renoir, Picasso, Rodin and
Utrillo.
"Modernist Art Decried." Oct. 24, 1946, p. 34, col.l.
Accused French woman says she can copy any works, "My Utrillos are better painted
than the master's".
"Authenticity of Painting at Metropolitan Proved by Infra-red Photo, Expert Reports."
Feb. 6, 1947, p. 20, col. 4.
Infra-red photo reveals a complete signature of Vittlore Carpaccio occupying a panel
over which -a forgery had been executed.
"Forging of Masters Admitted by Artist." Oct. 30, 1947, p. 27, col. 8.
None of works copies; defendant van Meergeren only adopted style of 17th century;
details of faking are described.
"Dutch Artist Gets One Year in Prison." Nov. 13, 1947, p. 29, col. 6.
Van Meegeren fake paintings returned to owners; Goering's to go to government.
"Means of Checking Art Works Shown." Jan. 30, 1948, p. 21, col .7.
Metropolitan Museum of Art exhibition points out methods used to find forgeries
in paintings.
"Suit an 'Old Master 1 Fails." Feb. 21, 1948, p. 4, col. 2.
Major Dodge wins dealer's suit against him for payment of painting sold as old
master; painting not by Sir Thomas Lawrence.
"New Van Gogh Find Owned in America." Jan. 18, 1949, p. 18, col. 4.
Recently discovered van Gogh self-portrait owned by W. Goetz. Dr. J. de la Faille,
its authenticator, to lecture at first public showing, Beverly Hills, Calif. Article
by Aline B. Louchheim; illustrated.
"Van Gogh Vorks Faked, Dutch Say." May 28,1949, p. 10, col. 3.
Amsterdam museum director sees market 'flooded 1 with painting forgeries.
"Attributed to Whom?" Aug. 14, 1949, sect. II, p.6, col.l.
Comments on public institutions problems by Aline B. Louchheim; illustrated.
"Forgery Blights Cloisters Statue." Oct. 1,1949, p. 15, col.l.
Cloisters director J.J. Rorimer on use of ultraviolet ray to determine authenticity
of medieval works. Article by Warren Weaver, Jr.; illustrated.
-53-
"Painting Studied as Fake Van Gogh." Oct. 25, 1949, p. 25, col. 5.
Artist's nephew, denouncing it, agrees with owner to accept experts verdict;
J. Sandberg questions authenticity.
"Goetz Work Fails Test as Van Gogh." Dec. 1,1949, p. 28, col. 6.
Experts report that proof of picture's authenticity is 'not a possibility.
"Art Jury's Report Awaited by Goetz." Dec. 2, 1949, p. 27, col.l.
Chicago Institute expresses interest in exhibiting his disputed 'Van Gogh .
"Hits Van Gogh Verdict. " Dec. 5, 1949, p. 25, col. 7.
Dr. de la Faille calls 'study* great and authentic work.
"Fakes on the Market: How and Why." Feb. 12, 1950, sect. II, p. 9, col. 3.
Aline B. Louchheim gives account of pitfalls faced by bargain seeking picture
buyers; illustrated.
-54-
AUTHOR INDEX
Abas, S.P. .216
Alexander, Christine 743
Almagro, M .682
Anderson, David 217
Anderson, George ...... . . . . .683
Armadillo 851
A mason, H .684
Ashton, Leigh . 51
Aulmann, Hans .188
Auscher, E.S . . . 783
Autolycos .685,686
Barber, Edwin At lee . .781,794
Bargellini, Sante 218
Barstow, Nina . . . .567
Bartsch, Adam von ' . .523
Easier, Adolphe 219
Bate, Percy. 808
Bather, F.A 52
Batres, Leopoldo 650
Bauer, Victor. . . .220
Bauer-Bolton, Victor 221
Bauragart, Fritz 568
Bayard, Emile 1
Bayle, Edmond 222
Beard, Alice 813
Beard, Charles R 647,852,853
Beaufort, Thomas R . . . 189
Beauvais, Guillaume 651,658
Beaver, Alfred 53
Bedford- Jones, H . . .795
Beenken, Hermann 54,223
Beissel, Stephan .2,669
Belmont, I.J .190
Bene'dit e, Georges .652
Benesch, Otto 532,546
Berliner, Rudolf 224,687
Berthelot, Pierre 225
Bigelow, Elizabeth 688
Billiet, Jacques 226
Billiet, Joseph 227
Blacker, J.F 784
Bloch, Vitale 228
Blum, Andre 229,533
Blumel, C 689
Bode, Wilhelm von 230
Boissonas, H 231
Bo Ice, Harold. . 55
Bombe, Walter 569
Bonnaffe", Edmond 32
Bonney, Louise 690
Born, 691
Borrel, Francis. .;...,.... .191
Borrel, Jean ,.......,.. .191
Boswell, Helen 232
Boswell, Peyton 56
Bowes, James Lord ,785
Boyer, Jacques 57,233-235
Brainard, George 692
Bridgman, Elizabeth. 236
Bridgman, illiam 58
Briere-Misme, Clotilde 237,238
Brinckmann, A.E... ......... .547
Brown, illiam Norman 848
Brunon-Guardia, G. . . .225
Brusse, M.J. 163
Buck, J.H 239,839
Buck, Richard D .239
Bunt, Cyril, G.E .570
Burgess, Fred .786
Burling, Judith 59
Burroughs, Alan. . . .163,192,193,240-245
Burton, William 783
Buttin, Charles. . . . ,693
Cabrol, Fernand 674
Calabi, A 4
Calder, .M 571
Caldicott, J. 845
Caley, Earle R ,694
Calza, A,. 572
Carr, Philip ...... 246
Carrick, Alice Van Leer. ...... .858
Casson, Stanley. 60
Cellerier, J.-F. . . . 247
Champion, B.C. 695
Chassepol, Francois de 668
Clark, alter . .194
Clerc, Alfred 696
Clermont-Ganneau, Charles 653
Clifford, C.R 33
Clinch, George 697
Coburn, Frederick- W . . .249
Cochrane, Albert Franz . .573
Coke, Desmond 35
Comstock, Helen, 250
Constable, William George. 61,195,251,252
Conway, Martin 5
Cook, Herbert, ..... .574
Cooney, John D ........... .575
Coppier, Adnre Charles 534
Coremans, Paul B . , 62,253
Cornaggia, G .4
Courajod, Louis 654,698
Cripps, Wilfred Joseph 840
Daingerfield, Elliot 197
Dangers, Robert 165
Davis, Frank 254
Decker, Karl . 255
Decoen, Jean 238,256,257
Defenbacher, Daniel. 63
Delacre, Maurice 258
Delogu, Giuseppe ........... 64
De Mire', G 259
Deschin, Jacob 65
De Seidlitz, 535
De Tolnay, Charles .... 36
Diggelmann, Jakob 7
Dodds, Leonard V ' . . . . .261
Donath, Adolph , . .8
Douglas, R. Langston 2617263
Downes, William Howe . ..264
Downman, Edward A 787
Dresser, Louisa .265
Drewes, William K 37
Dunham, Dows 699
Dunn, Harry. i . eoo*a...o 700
Duveen, James flenry 38
Eberlein, K.K. . . .
Ebers, George Moritz
.576
.702
-55-
Edgell, G H ,585,586
Eibner, Alexander 66,67,266-268
Eisenstadt, Mussia 269
Elliott, William J . . . 276
Ellsworth, HoD . . . 68,69,70,271,577,703
Elward, Robert 39
Emerson, Alfred. . . 704
Erasmus, Kurt 272
Eudel, Paul 9,10,11
Evans, John . 705
Evans, Robley. . . .71
Fabre, Marc-Andre 814
Falize, Andre'. . 706
Falke, Otto von 833
Farina, Pasquale 166,167
Faure, Elie . . ,273
Fell, H. Granville 274
Fick, Arthur Davison 525
Field, Hamilton Easter 548
Field, Robert M 72
Fielding, T.A 168
Fischel, Oskar 549
Forbes, Edward 275
Foresi, Alexandre 13
Frappe, Giovanni ...., 578
Friedlander, M.J .169-171,197,198,276-282
Fry, Roger 283-285,462
Furst, Herbert 73
Furtwangler, Adolf 14,655
Gaebler, Hugo 706,707
Gaillot, Edouard 286
Garczynski, Edward .287
Gask, Norman 827
Geraci, Placido 74
Gettens, Rutherford J 210,288,798
Gironde, Marie-Louise de 289
Glaser, Curt 290
Gliick, Gustav 291
Goldschmidt, Adolph 581,670
Gombosi, George 293
Goodrich, Lloyd 172,199,200,293
Govett, E ' 295
Graeven, Hans 709
Graff, Walter . . .173,295,296
Grafly, Dorothy 297
Grancsay, Stephen. V. . . . . 854
Graves, Dorothy 582,583
Gross, Hans 15
Gulik, H.C. van 671
Gulland, W.G 788
Gunn, Maurice James 524
Hahn, Harry 174
Hallo, Rudolf 710
Hammer, 711
Hannover, Emil 782
Haraucourt, Edmond .712-716
Hart, Arthur 59
Hart, Charles Henry 298
Hartshorne, Albert 809
Hayden, Arthur .526,789
Haydon, Benjamin Robert. . , 563
Held, Julius S .... 75
Heppner,AA 299
Hill, G.F 301,645
Hind, A.M . " 550
Hipkiss, E.J 585,586
Hobson, R.L 790
Hodgson, Willoughby ..... .536,672,791
Holmes, William H . 717,718
Hoist, Niels, V . ..... .302
Honey, W.B 795
Hopkins, Albert, A. . 76
Hopkins, Tighe .719
Houo, Paul ..... 17
Hourticq, Louis ..<,.. .175
How, G.E.P . .834
Howard, Montague .828
Huart, A 720
Huelsen, Charles .721
Hughes, C.E , . .303
Huish, Marcus B .673
Huscher, Betty Holmes . , 722
Huscher, Harold A .722
Huth, Hans. 77
Huyghe, Rene. ......... .286,304
Ivins, W.M., Jr .78,527
Janson, H.W .587
Jayne, Horace, H.F .588
Jervis, W.P .712
Johnson, Thomas M .......... .305
Johnson, Una 537
Jones, Louis, W "... 41
Jousseaume, F 176
Joyce, Arthur St. George .723
Joyce, T.A 724
Justi, Ludwig . .306,485
Kaempffert, Waldemar 79,80
Kallen, Horace . 40
Keck, Sheldon 81,307,308,807
Kelly, Francis. 309 7 311
Kelsey, Francis W f . . . .725-727
Kieslinger, Franz 551,589
Klapusterghem, Ildephonse 17
Knittle, Rhea Mansfield 810
Knowles, John A 815-817
Koch, Adolf 656
Koch, Guenther. . . 18
Kogel, G 82
Konody, P.G 313
Kurz, Otto 19
La Faille, J.-B. de 177,314,315
Lang, Andrew 83,559,657
Lang, Mrs. Andrew- 84,85
La Sizeranne, Robert de ....... .86,87'
Latham, H.M ..... 538
Laurie, Arthur Pillans. . 178,201,202,316-
330,590
Lawrence, W.J 331
Le Blanc, Ch 523
Leclercq, Henri .674
Lee, Ruth Webb . 20,818-822
Lees, George Frederic 332
Lemaire, Jean 333
Le May, Reginald 591,592
Leporini 88
Le Quex, William 89
Levin, Theodor 179
Lewis, G. Griffin .561
Lewis, J. Sydney 811
Lhote, Adnre". .236
Liddell, Donald M 797
Lietzmann, Johannes. 334
-56-
Litchfield, Frederick,, , . . . , o658,793
Lopez-Rey, Jose. . . . 335
Lothrop ; Samuel K. . . , . . . . . . =798
Lowes, E.L . o . . . . o . . . . . .829
Lucas, E.V . . o . . . .203
Luschin von Ebengreuth, A. . . . . . .641
Lyon, R. Arcadius o . . . .336
Maasen, C.G. von . . . . . 337
Mache', Augustin. , , 222
Mackay, Margaret Mackprang . . . 339,727a
Mailfert, Andre' . . 21
Malingue, Maurice, .... .204
Mancia, Renato ........... .180
Mann, Francis P. ........ .339,340
Marceau, Henri . . . . .205,341,342,368
Marchand, Paul .343
Mariani, Valerio .......... .344
Marfels, Carl. ...... .728
Marks, Alfred. ........... .345
Marshall, H.R 799
Marie-Paris, Friedrich, , ...... .346
Maskell, Alfredo ......... 90,646
Masse, H.J.L.J ...... .... .844
Mather, Frank Jewett, Jr . . . . . .41,91
Mayer, August L. ........ .347,348
Mayer, M 729
Menant s J. ............. .730
Menant, M. Joachim ......... .659
Menzies, William G .......... 42
Michaelis, Adolf T.F ........ ,675
Michel, Andre'. . . . . . . . . . . . .578
Mongan, Agnes. ..... .552
Montagu, Edward. . .660
Montorgrueil, Georges 593
Mooradian, V.G ...... .798
Moore, N. Hudson . . . ... . . 43,823
Moreau-Vauthier, Charles .... .206,207
Morey, C.R ......... .648,649,731
Morgan, John Hill. ......... .553
Mornand, Pierre. .... 349
Muller-Skjold, F .......... .350
MunrOj Robert. 661
Myer, Isaac. ............ .676
Myers , George Hewitt . 92
Nakane, Katsu ....... 93
Neuberger, Albert. . 22
Nilsson, Gerhard .......... .181
Nobili, R o ......... 23
North, S. Kennedy. 351,352
Nutting, Wallace ....... c ,732,733
Okie, Howard Pitcher .830
Ostlung, Hilding ............ 24
Otto, Walter .681
Oulmont, Charles .......... .353
Pach, Walter 44
Palmgren, Nils 24
Panofsky, Erwin. . ..... 94,354,554
Park, Joseph H ........... .800
Pease, Murray. ......... .355,356
Percival, Maciver. ......... .812
Perspex. .............. .357
Philip, Hoffman, . .734
Picard, Ch . . . . . . ,,735
Pinder, .Moritz .......... .644
Pittioni, Richard. ......... 736
Plenderleith, H.J. ....... .737 } 835
Polgar, Sophy. .......... .292
Pope, A, Upham . . 737,836
Popp, Anny E . . ..... , . . . 95,254
Poulsen, Frederik. ....... ,738,739
Prentice, Joan ........... .801
Purrman, Hans, ........... .290
Puyvelde, Leon van .358
Quibell, James E .......... .677
Rawlins, F.I.G .......... 97,360
Reidemeister, L . . . . .740
Reinach, Salomon ....... 98,560,741
Renckens, B.J.A. .......... ,361
Renders, Emile ..'.......,. ,362
Rewald, John .......... .556,557
Rhind, Alexander Henry ....... .678
Rich, Daniel Catton. 802
Richter, George. . ..'. 99,363
Richter, Gisela M.A. . . .45,566,594-596,
742,743
Rigby, Douglas" ............ 46
Rigby, Elizabeth ........... 46
Ring, Grete, . .......... ,100
Rinnebach, Helmuth , . . .101,220,364,597
Ritchie, P.D ............ .365
Roberts, Kenneth L ......... .744
Roberts, V ............. .366
Robinson, Frederick, ......... 47
Robinson, J.C. ......... .102,103
Roe, Fo Gordeon. ........ .855,859
Roe, Fred. ............. .104
Roessler, Arthur ....,.. .105,106
Roger-Marx, Claude ......... .367
Rogers, Frances. .......... .813
Rorimer, James J ..... 26,598,599,745
Rosen, David ........ ,342,368,600
Rosenberg, Adolf . .208
Ross, Marvin Chauncey. ..... ,601,602
Rouveyre, Edouard. .......... 27
Rowe, L. Earle ........... .107
Rucker-Embden, Oskar , .803
Ruhemann, Helmut ...'....... .369
Runes, Dagobert 0. . . 205
Rylatt, Joseph H .......... .539
Salaman, Malcolm C ..... 528
Sandberg, Frederik W . .746
Sanpaolesi, Piero. ......... .370
Schafer, Heinrich. .... .747
Scharf, Alfred ......... .603,604
Schauss, Martin. .......... .565
Schedelmann, Hans. ......... .856
Scheffer, F.E.C. .......... .371
Scheffler, Karl .......... .372
Scheuer, Alfredo ........ .662,748
Schmid, H.A. . ... ....... .373
Schmidt, Paul F. .......... .374
Schmitt, Hannes. . . , .350
Schrickel, Harry G ..... .... .207
Schwabacher, Wolfgang S, ...... .108
Shackleton, Elizabeth. ..... .679,749
Shackleton, Robert , , .679
Shepard, William .......... .109
Sheppard, Thomas ........ .750,751
Singleton, Esther ......... .680
Siple, Ella S. . . ......... .110
Slater, J. Herbert ......... .529
Smith, Bertha H, .... ...... .752
-57-
Smith, Edward H. ........ .m. 375
Smith, Ho Clifford . . . . 846
Sparkes, Hoyden. ...... JH
Spielmann, M.H . 114-122,376
Stchavinsky, W . . . . . . . 377 >37
Steege, K.R. ............ 605
Steindorff, George 8 'j|*[
Stendall, J.A.S. . . 754
Steneberg, Karl Erik ...... >'*
Stevens, Frank . . . . 755
Stevens, Josepho . . . o . . = . .?W
Stevenson, W.J .......*.* ***
Studniczka, Franz,
Swarzenski, George
Swift, Samuel. ..
- 382
.
Thiollier, Noel ..... ...... .759
Thompson, C. Patrick . . . . . . . . .384
Tietze, Hans.., ..... . 28, 127, 128, 385
Toch, Maximilian ...... .211,386,387
Todd, Marion, . ....... 388
Tonks, Oliver S. . . . ....... 760
Torrey, Charles C. ....> 761
Torrey, Julia Whittemore . ...... 841
Tiirkel, Siegfried. . . . . . . . . . . 29
Turkel-Deri, Flora . . . , . . . '389-391
Turner, Chittenden ... ....... 392
Tyszkiewicz, M ...... . . - -664
Valadon, Rene. ........... 18?
Valentiner, Wilhelm R ....... 499,500
Valmont, Claude. . ..... . . . 5
Van Dyke, John Charles . . . .183,212,501
Vars, Frederic . . . . . ...... .502
Vayson de Pradenne, A. . . ..... o b
Veitch, Henry Newton ........ .842
Verne, Henri ...... ..... .15
Veth, Cornells ... ..... 5 3
Von Frantzius, Fritz . . ..... .633
Wakeling, T.G. . ......... .667
Walcher-Molthein, Alfred ...... .805
Waldstein, Charles . . . -634
Wallace, Irving, ........ - 504 '505
Wallis, Whitworth. ; -506
Wassen, Henry. ........... .779
Watkins, Franklin C. ...... f42
Watson, Forbes - - .507,508
Watson, Jane ............ 159
Watt, Alexander, ........ . . .W5
Wehlte, Kurt ,..... 509 "|j*
Weir, Hugh con'SS
Weitenkampf, Frank . . . . oou,oj4
Weitzmann, Kurt. ........ J/O
Wenham, Edward ..>. >0i5J ->|t?;:
Werth, Leon, |J5
White, Harry Hall. . . . . '5,2
Whiting, F.A .......... ' bj6 '? 37
Wiedermann, K.A. .......... <780
Wiegand, Theodor *o8i
Wijde, Inge. ... o o>o ' .185
Wild, A. Mo de. ......... 186 '^
Wilde, Johannes. .......... .517
Williams, C.R. .......... .847
Williamson, G.C. ......... 48,558
Willshire, W.H -531
Wilm, Hubert .,..., .49
Wilpert, Joseph, >b6ti
Winkler, Friedrich ......... .010
Wolf, Ben. ............. 519
Wolf, G.J .639
Wolters, Alfred, .......... .520
Wolters, Christian ......... .187
Woodward, Arthur . . . ...... .806
Wyler, Seymour B , .8^
Wyllie, Bertie ........... 843
Yashiro, Yukio
522
.31,50
Yoxall, James. .......<
Zimmern, Helen ........ o .161,162
Zimmern, Nathalie 807
-58-
