STANFORD ARTIFICIAL INTELLIGENCE LABORATORY
Operating Note 74 WM eT
Finds FONT 3s
Les Earnest
Abstract
Typefaces currently available for the Xerox Graphics Printer are presented herein, warts and all.
Procedures for creating, modifying and stealing fonts are discussed.
Table of Contents
* Page Section
1 1. Introduction
1 Font Dissemination Policy
1 {In)compatibility
1 Programs that use Font Files
2 Font Manipulation Programs
2 References
3 2. Font Descriptions
3 Organization and Terminology
3 Pixel to Point Conversion
5 3. Variable Width Regular Fonts
5
7
Baskerville (BAXL30, BASL30, BAXI30, BASI30, BAXM30, BAXB30, BASB30, BASL35)
Bocklin (BEESIX, BUCK75)
8 Bodoni (BDJ20, BDR25, BDI25, BDJ25, BOR25X, BDR3O, BDIZO, BDB30, BDR40, BDI40, BDR66)
11 Clarendon (CLAR30, CLAR40)
2
12 C oronel (COROW)
12 Countdown (CNT57)
13 Meteor (METS, METSI, METSB, METSBI, METM, METMI, METMB, METMBI, METL, METLI, METLB,
METLBI)
16 Microgramma (MICR25)
16 News ae eis, NGR20, NGI20, NGR25, NGI25, NGB25, NGR30, NGB30, NGR4OL, NGR4O,
19 ‘Nonie (NONS, NONSI, NONSB, NONSBI, NONM, NONMI, NONMB, NONMBI, NONL, NONLI, NONLB,
NONLBI)
22 Old nglish (OLDENG, XMAS25, XMAS4O)
23 Old German (GERM35, GERM70)
23 Original City Lights (CTL25)
23 Playbill (PLAYBI) &
24 Quux (QUUV25) ¥
. mV/s) F
24 EWG (supao)
24 SIGN (SIGN57, SGN114)
4. Fixed Width Regular Fonts
Courior (COR20)
Delegate (SAIL25)
Fix (FIX13, FIX13x, FIX20, FIX25, LPT, FIX25X, FIX30, FIX40)
Gacham (GACL16, GACL18, GACL22, GACL25, GACI25, GACB25)
Quux (QUUX25)
Setl1 (SETI, SET1I)
5. Special Fonts
APL (APL25)
. Astrology (ASTR25)
Chess (CHS50)
Cyrillic (CYR25, CYR30)
Decoration (CRTURZ, CORNER)
Graphics (GRFX25, GRFX35)
Greek (GRK25, GRKL30, GRK30, GRKB30, GRKL40, GRKB40, GRKL50, GRKB50)
Hands (FING, FINGA)
Hebrew (HBRW25, HBRW40)
Mathematics (MATH25, MATH30, MATH40, MATH50, MATH55)
Miscellaneous (ZERO30, MS25, MS30, BAXS30)
Phonetics (IPA25)
Rotated (FIXR13, FIXR16)
Scandinavian (SCAN30, ICE34)
Seals (STA200, STAN2)
Displaced (SUP, SUB)
Tengwar (TNG40, TNG75, TNG112)
Page Appendix
45,
46
47
49
53
A.
moog
Blacklist (BDJ22, BDJ28, FORN25, KBD25, LG25, LGI25, LGR25, MISC25, MISC30, PLT11,
PLT11R, PLUNK, SUBSUB, SUBSUP, SUPSUP)
Character Codes
SAIL Font File Format
Other Places, Other Names
Regular Font Size Index
Acknowledgement
We are, indebted to the people at Xerox PARC who brought the XGP into our world, especially Bob-
Taylor, and to all those who have contributed to the font collection, especially the A. I. groups at
Carnegie-Mellon University and M.1.T., and locals Bruce Baumgart, Brian Harvey, and Tovar.
This work was supported in part by the Advanced Research Projects Agency of the Department of
Defense and by the National Science Foundation.
Apology
This note attempts to describe the public fonts available at the Stanford A. I. Lab. as they are. In a
number of cases they should be quite different. Unfortunately, it has not been possible to allocate
sufficient resources to tidy things up. Documentation facilities are an interesting sideline, but not our
main business.. For the most part, we are dependent on volunteers, both here and elsewhere, for the
generation and improvement of fonts.
"Here is the whole set! a character dead at every word.
The School for Scandal — Richard Sheridan
"Give ample room, and verge enough, The characters of hell to trace.’
The. Bard — Thomas Gray
"I'll publish, right or wrong: Fools are my theme, let satire be my song.”
, English Bards and Scotch Reviewers — Lord Byron
"Publish and be damned." — Duke of Wellington
"Tis from high life high characters are drawn.”
Moral Essays — Alexander Pope
"I feel a little bored; Will some one take me to a Pub?”
Ballade of an Anti-Puritan — Gilbert Chesterton —
1. INTRODUCTION
This note describes symbol sets available for
our Xerox Graphics Printer. Each symbol is
defined by a rectangular bit array, with 1 and
0 representing "black" and "white". [The basic
representation should be quite different, but
that is another story.)
A font file generally contains a collection of
characters of a certain size and style. The
standard font files in our system have ".FNT"
extensions ahd are stored in [XGP,SYS].
Most programs that deal with font files default
to these values. Users may create and use
their own font files. The internal structure of
these files, which need not concern: the casual
user, is described in Appendix C.
Font Dissemination Policy
We have no objection to other University
research groups copying our font files. Most
other groups in the research community
appear to have similar policies. Appendix D
is a guide to font theft via the ARPAnet.
Commercial organizations wishing to use our
fonts. will be expected to pay a licensing fee
(negotiable). Only fonts that were created in
our laboratory will be considered for licensing
= us.
(In)Compatibility
In exchanging documentation files with other
organizations, there are a number of potential
difficulties, For example, the SAIL character
set uses a number of ASCII control codes to
represent exotic symbols, to the endless pain of
other groups who try to use our software.
Appendix B itemizes differences between our
code and others.
Not only do character codes vary, but so do
XGP adjustments: CMU _ makes their
resolution about 183 pixels/inch; PARC and
ISI use 192; we and MIT-AI use 200.
Overall, one must worry about differences in
1
symbol sets, character codes, documentation
languages, font files, and XGP resolutions.
[Sigh.] Perhaps we will get it together next
time.
Programs that use Font Files
Users may write programs that output directly
to the XGP as described in the UUO Manual
{1}. A more common approach is to prepare a
text file for processing by a document
compiler, which writes a file containing XGP
commands that is XSPOOLed [2].
There are two document compilers currently
in use here: Pub [3] and Pox [4]. Pox is
substantially faster than Pub and offers
somewhat greater freedom in positioning text,
but has a rather messy syntax and an
incredible array of possible states. Pub has an
ALGOL-like syntax and better facilities for
dealing with arbitrary source text formats, but
is large (50k+ in pass 1) and slow. Neither is
the ultimate document compiler.
While the use of multiple fonts can improve
the readability of documents, it also imposes a
computing load both in compiling and
printing. To minimize the system costs, please
sree the following rules.
. Don’t declare more fonts than you use.
2 Whenever possible, avoid the use of the
larger fonts except in small documents.
For.example, if you want to use SIGN57 on
the cover and title page of a sizable document,
you should compile and print those pages by
themselves. For A. I. Memos, there is a Pub
macro available that makes covers and title
pages [5].
Because of stringent timing requirements in
printing on the XGP, the font files are not
used directly, but are first "compiled" into a
data structure that is well suited to XGP
_ output. The timesharing system takes care of
this automatically.
If your document uses too many fonts
(requiring more than 65k words of font
2 -SAILON-74
Storage or more than one minute of elapsed
time to compile any one font), the printing
task will automatically abort. The latter
restriction can often be circumvented by
precompiling a font [6]. Compiled font files
normally have ".CFT" extensions.
If you suspect that the document compiler of
your choice has run amok, use XGPTYP to
convert the XGP file into readable commands
so that you can see what happened. Say "R
XGPTYP”" go the Monitor, then "?" for
operating instructions.
Font Manipulation Programs
To examine any given font.on a Data Disk
terminal, say "R DDFONT" and give the font
name (e:g., "NGR25").
To generate .a sample of any particular font
on the XGP, give the command
R FCOPY;<font name>/SAMPLE
FCOPY can also be used to convert fonts
stolen from outside organizations to our font
file format, to make fonts fixed width, or to
rotate them [7].
To create a new font, use TVFONT [8].
. FWFONT can also stretch existing fonts (after
polygon conversion) or slant them.
To modify an existing font, use EDFONT [9].
It allows you to draw, rotate, and mirror image
fonts up to 40 pixels high. To combine
selected characters from two fonts, use
EDFONT or COMBIN [10]. If you forget all
this, say "HELP FONT" to the system.
' If you want to examine or modify font
parameters or permute characters and you
don’t mind living dangerously, use FONT
C11).
Please be careful in modifying: public fonts.
Cleaning up ragged characters is generally
OK, but permuting or replacing characters
may introduce bugs in existing documents. It
is safer to intrgduce a new font with the
Find a Font
improved character arrangement, declare the
old one “obsolescent", and eventually delete it.
References
{1] Martin Frost, UUO Manual, SAILON-
55.4, Page 160.
(2] Brian Harvey and Martin Frost, Monitor
Manual, SAILON-54.5, Appendix 3, or
see file SPOOL.REG [UP,DOC].
[3] Larry Tesler, Pub, the Document
Compiler, SAILON-70, September 1972
(out of print); also in file PUB.TES
(S,DOC]. Update in file PUB.UPD
[$,DOC].
[4] Robert Maas, Prototype Overlay
Xerographics, in file POX. AGE
(UP,DOC].
(5) Les Earnest, COVER, in file COVER.PUB
[SUB,SYS], with description in
PUBMAC.LES [UP,DOC].
[6] Ralph Gorin, User Font Compiler, in file
UFC.REG [UP,DOC].
[7] Tovar, FCOPY, say "HELP FCOPY" to
View the meager documentation.
[8] Bruce Baumgart, TVFONT — Television
Font Maker, in file TVFONT.BGB
(UP,DOC].
[9] Tovar, EDFONT - Font Editor, in file.
EDFONT.TVR [UP,DOC].
[10] Tovar, COMBINE, say "HELP
COMBIN" for a summary of features.
(11) Brian Harvey, FONT, in file
FONT.DOC [1,BH]. To run it, say "RU
FONT [S,BH]" (experts only, please).
Introduction
2. FONT DESCRIPTIONS
This catalog takes a forthright stand against
some forms of evil, but compromises with
others. Ad hoc substitutions in certain
character positions are treated as a "missing
symbols" and the symbols that are there
currently are not identified. The purpose is to
permit these fonts to be corrected. If you use
ad hoc symbols, you do so at your own risk.
Some day they will be replaced by the correct
symbols for that font.
This catalog ignores characters that are
“hidden” under control codes such as CR, LF,
and ALT. While both Pub. and Pox provide
facilities for printing these things, it is all a
silly business. If one hides alternate characters
under CR, for example, why not put them
under each letter of the alphabet? Since
hidden characters are. basically a bad idea,
they are not reported below.
While a number of fonts in this catalog are
rather ragged or silly, some are too bad for
even our loose standards, or have been
superseded. Appendix A is a Blacklist of
such fonts, with the reason given for each
rejection. The expectation is that these fonts
will be deleted eventually.
Organization and Terminology
Fonts are organized below on the following
basis: .
(1) symbol class (variable width regular,
fixed width regular, special symbols),
(2) typeface (e.g. "Baskerville”),
(3) size (smallest to largest),
_ (4) style (e.g. light, italic, or bold).
The traditional printer’s units are the pica
(1/6 inch) and point (1/72 inch). Font heights
are given below both in points and in pixels
(picture cells, i. XGP raster units). ‘The
“points” height includes an assumed interline
Spacing of 3 pixels, which is the default value
in Pub. The default interline spacing in
POX is 0 in simulator mode and 4 pixels in
non-simulator mode.
3
The notation “height = 25 pixels = 20 + 5"
means that the font is 25 pixels high, not
counting any interline spacing, with 20 above
the baseline and 5 below. The maximum
' width is also given in pixels. For a diagram
of these parameters and others used to define
fonts, see Appendix C.
Pixel to Point Conversion
Our XGP is adjusted to about 200
pixels/inch, which means that k "point" is
about 2.8 pixels. If you need ‘to make a
master that will photographically reduce to a
font of a certain size (in points), here is a table
of font heights (in XGP pixels) that should be
used for various reduction ratios, assuming an
interline spacing of 3 pixels.
Magnification
Result x1 x0.9 x0.8 x0.7 x0.6 x0.5
(points) Font Height (pixels)
6 1S 6-17 20.28
8 19: 2h 24-2534 41
10 24-27 Sh 36 43 8g
12 30 34 38 44 52 63
14 $5 40 45 52 61 74
18 47 52 59 68 80 97
24 63 71 80 92 108 130
30 80 89 101 116 135 163
36 97 108 122 139 163 197
42 113 126 142 163 191 230
48 130 145 163 187 219 263
60 163 182 205 235 274 330
72 197 219 247 282 330 397
The name of the originator of each font is
given below where known. In some cases we
have _— guessed, perhaps inaccurately.
Corrections are solicited. For fonts that
originated outside SAIL we generally have no
information about the originator(s) so we
Simply indentify the probable originating
organization, eg. CMU (Carnegie-Mellon
University AI group), MIT (M.I.T. Al group),
or ISI (Information Sciences Institute,
University of Southern California) or the
SHY Corporation.
4 | SAILON-74
In describing character sets, we use "SAIL set"
to mean the peculiar character set that we use,
as described in Appendix B. The “ASCII set"
is taken (inacurately) to mean those characters
in the SAIL set with codes greater than ‘40,
while the “special characters" -are SAIL
symbols with character codes less than '40.
For fonts with nonstandard characters in some
positions, we use the notation "a + 6" to mean
that the code that normally prints as "a" prints
as symbol "6" in this font. In fonts where
senseless substitutions have been made, they
are not listed.
Find a Font
3. VARIABLE WIDTH REGULAR FONTS
Baskerville
The Baskerville fonts include lightface, italic, and bold. The "BAS" fonts include ligatures in place
of certain special characters, as noted below. The ligatures and some additional special characters
are also available in BAXS30 (see Section 5, Miscellaneous fonts). If you are using Pub and want
ligatures, use BASK.PUB [SUB,SYS] to make the substitutions automatically.
For special accents, use the zero-width font ZERO30. There are some supplementary Baskerville
symbols in BAXS30._
’ BAXL30 12 point Baskerville (height = 30 pixels = 22'+ 8, width < 31) by Mike Clancy
Derived from BASL30. Full SAIL set.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij kimno pqrst uvwxyz 01234 56789 | a 6
AWENAPACINUVIe@H _sruesrzevi"#$L&'()x+,-.J/:;<2>?el[\]Te'{]}
If time be of all things the most precious, wasting time must be, as Poor Richard says, the greatest
prodigality; since, as he elsewhere tells us, lost time is never found again; and what we call time
enough, always proves little enough: Let us then up and be doing, and doing to the purpose; so by
diligence shall we do more with less perplexity.
“BASL30. 12 point Baskerville (height = 30 pixels = 22 + 8, width < 48) by Brian Harvey
ee Complete except for ligature substitutions (see below) and missing € Y.
ABCDE FGHI) KLMNO PQRST UVWXYZ abcde fghij kimno pqrst uvwxyz 01234 56789 1 a 6
ANADCIAUT@EH oH s!"HFZ&'()use,-./:;<2>?el\]Te'{]}
Ligatures:, afi Vfl 2ff ffi c0ffl —
BAXI30 12 point Baskerville Italic (height = 30 pixels = 22 + 8, width < 30) by Mike Clancy
Derived from BASI3O. Full SAIL set.
ABCDE FGHI}] KLMNO PQRST UVWXYZ abcde fghij kimno pqrst uvwxyz 01234 56789 La Bn
semrA@mdconuVies_ > asSzuvi"#S2G'()x4+,-.]:;< =>? as/\JTtef{]}
Uf time be of all things the most precious, wasting time must be, as Poor Richard says, the greatest
prodigality; since, as he elsewhere tells us, lost time is never found again; and what we call time.
enough, always proves little enough: Let us then up and be doing, and doing to the purpose; so by
diligence shall we do more with less pee plenty:
BASI30 12 point Baskerville Italic (height = 30 pixels = 22 + 8, width < 30) by Brian Harvey
Complete except for ligature substitutions (see below) and missing ~.
ABCDE FGHIJ KLMNO PQRST UVWxYZ ee kimno pqrst uvwxyz 01234 56789 La BA
ENADCINUVIG@H _ws/"#$7G'()ee,-.]:;<=r>%@/\Jte'{]}
Ligatures: s9fi vol 29ff 4 ffi 00> ffl —
6 SAILON-74 Find a Font
BAXM30 12 point Baskerville Mathematical (height = 30 pixels = 22 + 8, width < 48) by Les Earnest
Same as BAXL3O except that the alphabet is italic, has ae Seren period, and prime ’ in
place of ’. Full SAIL set.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde Sghij kimno pgrst uvwxyz 01234 56789 La Ba
TEN AMACINUVGAe@H _2res2zevi"#eF$L&'()e+,- ©. Ji3<=>?ell\]tT-‘{]}
BAXB30 | 12 point Baskerville Bold (height = 30 pixels = 22 + 8, width < 30) by Mike Clancy
Derived from BASB30. Full SAIL set.
_ ABCDE FGHI] KLMNO PQRST UVWXYZ abcde fghij klimno pqrst uvwxyz 01234 56789 1 « 4
AMENAPAESDNUVI@G_Deowsezavi"H$LZ&'()ee,-./t3cer?Pal[\]t<‘{]}
If time be of all things the most precious, wasting time must be, as Poor Richard says, the
greatest prodigality: since, as he elsewhere tells us, lost time is never found again; and what we
call time enough, always proves little enough: Let us then up and be doing, and doing to the
purpose; so by diligence shall we do more with less perplexity.
BASB30 12 point Baskerville Bold (height = 30 pixels = 22+ 8, widths 30) = ~—_—siby Brian Harvey
Complete except for ligature substitutions (see below).
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij kimno pqrst uvwxyz 01234 56789 1 « £
AEMADBSDNUVI@G_AHrsl"HGLZ&'()ee,-./s3cerrPal[\]te'{]}
Ligatures: s9fi vo 2°ff #ffi ffl -9—
BASL35 $13 point Baskerville (height = 34 pixels = 25 + 9, width < 38) by Arthur Samuel
Includes ligatures; missing € V. A slightly enlarged version of BASL3O.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij kimno pars uvwxyz 01234
56789 LaBaAanADeCIAnUT@eH_B2v~s!"H$R&'()ae,-./: cces tell )te
ney.
Ligatures: 29ff vA 2ff ¢-ffi wffl -39—
If time be of all things the most precious, wasting time must be, as Poor Richard says,
the greatest prodigality; since, as he elsewhere tells us, lost time is never found again; and
what we call time enough, always proves little enough: Let us then up and be doing, and
doing to the purpose; so by diligence shall we do more with less perplexity.
Variable Width 7 | 7
-Bocklin |
BEESIX 14 point Bocklin (height = 36 pixels = 27 + 9, width < 38) by Bruce Baumgart -
Letters and digits only (no punctuation).
ABCDE FGHHY KLUNO PORST UWVWXYZ abede fghij kimno pqrst uvwxyz
01234 56789
H time be of all things the most precious wasting time must be fun but without
punctuation words run together and we eventually lose track of what we are
- falking about which is just as well because Poor Richard was such a dingaling
that he used to [ly kites in the rain
BUCK75 27 point Bocklin (height = 73 pixels = 58 + 15, width < 75) by Bruce Baumgart
Letters and digits only (no punctuation).
ABCDE FG KL@NO PORST
QVWX YZ abede ighij klmno parst uvwxyz
012354 96789 |
The noblest mofive is the pubic good
Never play leapfrog with a Unicorn
ao | SAILON-74 Find a Font
Bodoni
BDJ20 8 point Bodoni Mathematical (height = 20 pixels = 16 + 4, width < 22) by Bill Gosper
Italic alphabet, everything else upright. Full SAIL set.
‘ABCDE FGI KLMNO PQRST UVWXYZ abede ey kiimno porst uvwxys 01234 56789 da BArEMAMACIAUVIwSe_
4eesrev! "eb 78()#s,- free >rtal\]te fl}
If time be of all things the most precidus, wasting time must be, as Poor Richard says, the greatest prodigality; since, as he
elsewhere tells us, lost time is never found again: and what we call time enough, always proves little enough: Let us then up and
be doing, and doing ta the purpose; so by diligence shall we do more with less perplexity.
BDR25 10 point Bodoni (height = 26 pixels = 20 + 6, width < 25) by @CMU
Full SAIL set.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij klmno pqrst uvwxyz 01234 56789 La BA-~€ nA
ACDONUVIBH_ wre CraviM"eSXS’()K+,-./3;¢"*>? @[\] Tet {]}
If time he of all things the most precious, wasting time must be, as Poor Richard says, the greatest
prodigality; since, as he elsewhere tells us, lost time is never found again; and what we call time enough,
always proves little enough: Let us then up and be doing, and doing to the purpose; so by diligence shall we
do more with less perplexity.
BDI25 10 point Bodoni Italic (height = 26 pixels = 20 + 6, width < 27) by @CMU
Full SAIL set.
ABCDE FCGHIJ KLMNO PQRST UVWXYZ abcde fghij kimno pqrst uvwxyz 01234 56789 1 BANE
TMROACDNUVIA®H _woAPsezevi"#$H$Z&'’()K+,-.7:;5<=>7Pa@a/\JTte' {|}
If time be of all things the most precious, wasting time must be, as Poor Richard says, the greatest
prodigality; since, as he elsewhere tells us, lost time is never found again; and what we call time
enough, always proves little enough: Let us then up and be ses and doing to the purpose; so by
diligence shall we do more with less perplexity.
BOJ25 10 point Bodoni Mathematical (height = 26 pixels = 20 + 6, width < 27) by Bill Gosper
Italic alphabet, everything else upright. Full SAIL set.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij kimno pqrst uvwxyz 01234 56789 Law BArET
AWA CIAINUVIGH_YVrFszavi"#$Z& ()e+,-./:3;<=>7@[\] Te‘ {1}
If time be of all things the most precious, wasting time must be, as Poor Richard says, the greatest
prodigality; since, as he elsewhere tells us, lost time is never found again; and what we call time
enough, always proves little enough: Let us then up and be doing, and doing to the purpose; so by
diligence shall we do more with less perplexity.
BDR25X 10 point. Bodoni Bold (height =-26 pixels = 20 + 6, width s 25) by Tovar
Full SAIL set.
ABCDE. FGHIJ KLMNO PQRST UVWXYZ abede fghij klmno pqrst uvwayz 01234 56789 1 oe 2 A>€ mr
JCONUVARH_ sm FC rEVI eS ZE'()K+,-./23 62> 2al\]te {|}
If time be of all things the most precious, wasting time must be, as Poor Richard says, the greatest
prodigality; since, as he elsewhere tells us, lost time is never found again; and what we call. time enough,
always proves little enough: Let us then up and be doing, and doing to the purpose; so by diligence shall we
do more with lcss perplexity.
Variable Width Bodoni (continued) 9
BDR3O 12 point Bodoni (height = 31 pixels = 25 + 6, width < 28) by Tovar
Full SAIL set.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abede fghij klmno pqrst uvwxyz 01234 567899 L w BA>
ETMAMACINUVIGH# _»rMcrsEvi"N"#$LR'()¥+,-./f/:3<2>7?a@[\] Te!
{|}
If time be of all things the most precious, wasting time must be, as Poor Richard says, the greatest
prodigality; since, as he elsewhere tells us, lost time is never found again; and what we call time
enough, always proves little enough: Let us then up and be doing, and doing to the purpose; so by
diligence shall we do more with less perplexity.
BDI30 12 point Bodoni Italic (height = 31-pixels = 24 + 7, width < 34) by Andy Moorer
A. bit uneven, alas. Full SAIL set. ;
ABCDE FGHIJ KLMNO PORST UVW XYZ abede f ghij klmno pqrst uvwxyz 01234 56789
Lx BArERMAMACINUVIGH _AarA<s2zzevi"#HSL&’()k+,-. 4:55 =>?
Shire 013
If time be of all things the most: precious, wasting time must be, as Poor Richard says, the
greatest prodigality; since, as he elsewhere tells us, lost time is never found again; and
what we call time enough, always proves little enough: Let us then up and be doing, and
doing to the purpose; so by diligence shall we do more with less perplexity.
BDB30 12 point Bodoni Bold (height = 31 pixels = 25 + 6, width < 30) by Tovar
Made from BDR3O. Full SAIL set.
ABCDE.FGHIJ KLMNO PQRST UVWXYZ abcde fghij kimno pqrst uvwxyz 01234 56789 J x
Cr ee ee ngs oe) te re ee
Tet
If time be of all things the most precious, wasting time must be, as Poor Richard says, the.
greatest prodigality; since, as he elsewhere tells us, lost time is never found again; and what
we call time enough, always proves little enough: Let us then up and be doing, and doing to
the purpose; so by diligence shall we do more with less perplexity.
BDR40 15 point Bodoni (height = 40 pixels = 30 + 10, width < 38) by Kurt VanLehn
Full SAIL set.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij klmno pgqrst
uvwxyz 01234 567891 a BnrENAWScCrNUVIGHY_»2HFEZzEV
PP eS Za (lee ,-./is<er2alhI] TH '{1} |
If time be of all things the most precious, wasting time must be, as Poor
Richard says, the greatest prodigality; since, as he elsewhere tells us, lost
time is never found again; and what we call time enough, always proves
little enough: Let us then up and be doing, and doing to the purpose; so
by diligence shall we do more with less perplexity.
10 , SAILON-74 Find a Font
BDI40 15 point Bodoni Italic (height = 40 pixels = 33 + 7, width < 43) by Tovar
Extremely ragged; made from BDI25. Full SAIL set.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij klmno
parst uvwxyz 01234 56789 Le BAn~EMAMICINUV Jeo _
ee se ae ie AE al Ge Sr ee ee ;<=>?P@/\/Tte'f
}
If time be of all things the most precious, wasting time must be,
as Poor Richard says, the greatest prodigality; since, as he
' elsewhere tells us, lost time is never found again; and what we
call time enough, always proves little enough: Let us then up and
be doing, and doing to the purpose; so by diligence shall we do
more with less perplexity. 7
BDR66 25 point Bodoni (height = 66 pixels = 51 + 15, width < 63) by Tovar
Full SAIL set. Generated from BDR40; rather ragged.
ABCDE FGHIJ KLMNO PORST UVWXYZ
abcde fghij klmno pqrst uvwxyz 01234 56789
Le BArENAWACDAUVIES _wr#
Ss2zavi'w$Zk&’()«*«+,-./33< 237 @
Pr linee hike
If time be of all things the most precious,
wasting time must be, as Poor Richard says,
the greatest prodigality;
Variable Width 11
Clarendon
CLAR3O 14 point Clarendon (height = 37 pixels = 27 + 10, width s 39) by Paul Martin
Missing BArENAWANUGH_ws2v!iee<ra@t {}.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij klmno
parst uvwxyz 01284 56789 o <e<>V@rweu"eG$7?’ ( es 9 7
ee Mead da hot ee ae
. If time be of all things the most precious, wasting time must
be, as Poor Richard says, the greatest prodigality; since, as he
elsewhere tells us, lost time is never found again; and what we
call time enough, always proves little enough: Let us then up
and be doing, and doing to the purpose} so by diligence shall
we do more with less perplexity.
CLAR4O 18 point Clarendon (height = 46 pixels = 34 + 12, width < 52) by Andy Moorer
Rather ragged. Missing! BArENnAWANUSH_w“S2vVv!R%e<> at { }.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde
fghij klmno pqrst uvwxyz 01234 56789 4 « > VW
ea ae hak ee aay ree a ee
If time be of all things the most precious,
wasting time must be, as Poor Richard says, the
greatest prodigality; since, as he elsewhere tells
us, lost time is never found again; and what we
call time enough, always proves little enough:
Let us then up and be doing, and doing to the
purpose, so by diligence shall we do more with
less perplexity.
12 SAILON-74 Find a Font
peer" .
CORON 18 point Coronet Bold (height = 48 pixels = 37 + 11, width 51) by Stan Kugell
A cursive set of letters, digits, and a little punctuation. Rather uneven.
ABCDE IGHIS KLMNO PQRST UVWNYZ abede fyhij Morne
pest MUNN? 01234 56789 Piae
Littl. be P66 ay er ht her shee », anil cant tell rer en to dined ry pre
if t
ig ROR ae pi ee BSE theyll come bane, Ae bring their tail’s je em | ree
Littl & o Pe D ll ast ‘ales , chad dreamt she heard them Lhalings
‘ t 1 q
ds uf ra 3 she awebe; the mend ita sake, Dei the were till « Vocltaa 2
n she i y y
Countdown
CNT57 22 point.Countdown (height = 57 pixels = 50 + 7, width < 68) by Paul Martin
Upper case letters only.
FBG HOE ALTO PORST WL
COUNTED HAS MO WOTEGES UD COLO
CORE RTH BOE WT GOIPETSATES BY
BEGG ILLEGIBLE ANG UGLY
Variable Width © ; 13
Meteor ae
All the Meteor fonts have the same (mostly ASCII) character set. File name suffixes are
interpreted as f ollows: S=small, M= medium, L = large, I = italic, B = bold.
METS $10 point Meteor (height = 25 pixels = 20 + 5, width ¢ 28) by @SHY
ASCIl set less ‘ plus _
ABCDE FGHIJ KLMNO PQRST UVWXYZ ate fghij kimno pqrst uvwxyz 01234 56789 _—~ ! "# S$h&e'()*+,-
o/aypSe>7e@C\)¢¢ (1). ;
If time be of all things the most precious, wasting time must be, as Poor Richard says, the greatest prodigality;
since, as he elsewhere tells us, lost time is never found again; and what we call time enough, always proves little
enough: Let us then up and be doing, and doing to the purpose; so by diligence shall we do more wih less
perplexity. ;
METSI ‘10 point Meteor Italic (height = 25 pixels = 20 + 5, width $ 23) by @SHY
ASCII set less ‘ plus _
ABCDE FGHIJ KLMNO PQRST ovwxe ‘abede fghij kimno pqrst uvwxyz 01234 66789 _ ~!"#$%&'( )*
Siser>P el \Jerel(]}
If time be of all things the most precious, wasting time must be, as Poor Richard says, the greatest
prodigality; since, as he elsewhere tells us, lost time is never found again; and what we cali time enough,
always proves little enough: Let us then up and be doing, and doing to the purpose; so by diligence shall we
do more with less perplexity.
METSB 10 point Meteor Bold (height = 25 pixels = 20 + 5, width < 26) by @SHY
ASCII set less ‘ plus _
ABCDE FGHIJ KLMNO PQRST ovwirz abcde fghij kimno pqrst uvwxyz 01234 56789 ~~!" #$%&'()
Si fit Cer SN Lt e {'[))
If time be of all things the most precious, wasting time must be, as Poor Richard says, the greatest
prodigality; since, as he elsewhere tells us, lost time is never found again; and what we call time enough,
always proves little enough: Let us then up and be doing, and doing to the purpose; so by diligence shall
we do more with less perplexity.
METSBI 10 point Meteor Bold Htalic (height = 25 pixels = 20 + 5, width < 24) by @SHY
ASCII set less ‘ plus _
ABCDE FGHIJ KLMNO PQRST ovwxrz abcde fghij klmno pgqrst uvwxyz 01234 56789 _ ~!" # % &’ C )
*4,- Fig CerPeLryjyref]} :
If time be of all things the most precious, wasting time must be, as Poor Richard says, the greatest
Prodigality; since, as he elsewhere tells us, lost time is never found again; and what we call time
enough, always proves little enough: Let us then up and be doing, and doing to the purpose; so by
_ diligence shall we do more with less perplexity.
14 SAILON-74 Find a Font
METM 12 point Meteor thoight = 30 pixels = 21 + 9, width < 33) by @SHY
ASCII set less ‘ plus _
ABCDE FGHIJ retina PQRST UVWXYZ abcde fghij klmno pqrst uvwxyz 01234 56789 ~~
"#SRLE'()*+, w/: 3€2>7@[\]t+{]}
If time be of all things the most precious, wasting time must be, as Poor Richard says, the
greatest prodigality; since, as he elsewhere tells us, lost time is never found again; and
what we call time enough, always proves little enough: Let us then up and be doing, and
doing to ms purpose; so by diligence shall we do more with less perplexity.
-METMI | 12 point Meteor Italic (height = 30 pixels = 21 + 9, width < 31) by @SHY
ASCII set less ‘ plus _
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij klmno pgrst uvwxyz 01234 56789 _
~I"#SL&()*H, “ef AT C2 ORLY ICT}
If time be of all things the most precious, wasting time must be, as Poor Richard says, the
&reatest prodigality; since, as he elsewhere tells us, lost time is never found again; and
what we call time enough, always proves little enough: Let us then up and be doing, and
doing to the pur pose; so by it iss Shall we do more with less perplexity.
METMB 12 point ‘Meteor Bold (height = 30 pixels = 21 + 9, width < 36) by @SHY
ASCII set less ‘ plus _
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij klmno pgqrst cide Sr 01234.
56789 ~!"#SHK'()*4,-./:542>7OL\] t+ {]}
If. time be of all thins the most precious, wasting time must be, as Poor Richard says,
.the greatest prodigality; since, as he elsewhere tells us, lost time is never found
again; and what we call time enough, always proves little enough: Let us then up
and be doing, and doing to the purpose; so by diligence shall we do more with less
perplexity.
METMBI 12 point Meteor Bold Kalle (height = 30 pixels = 21 +.9, width < 32) ; . by @SHY
ASCIl set less ‘ plus _
ABCDE FGHIJ KLMNO PQRST ear e abcde fghij Klmno pqrst uvwxyz 01234
56789 —~ I" #SL&'()*H,-./:5¢2>7@[\]te{]}
If time be of all things the most precious, wasting time must be, as Poor Richard
says, the greatest prodigality; since, as he elsewhere tells us, lost time is never
found again; and what we call time enough, always proves little enough: Let us then
up and be doing, and doing to the purpose; so by diligence shall we do more with
Jess perplexity.
Variable Width i Meteor (continued) 15
METL 14 point Meteor (height = 35 pixels = 28 + 7, width < 34) by @SHY
ASCII set less ‘ plus-_ ~».
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij klmno pqrst uvwxyz 01234
66789 ~~ !"#$%R'()*4+,-./:;562>7 OL \]te{]}
If time be of all things the most precious, wasting time must be, as Poor
Richard says, the greatest prodigality; since, as he elsewhere tells us, lost time
is never found again; and what we call time enough, always proves little
enough: Let us then up and be doing, and doing to the purpose; so by diligence
shall we do more with less perplexity.
METLI 14 point Meteor Italic (height = 35 pixels = 28 + 7, width < 33) by @SHY
ASCII set less ‘ plus _
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij klmno pqrst uvwxyz
01234 56789 _—~!"#S%L&'()*+,-./2562>P OL \]t-f] }
If time be of. all things the most precious, wasting time must be, as Poor
Richard says, the greatest prodigality; since, as he elsewhere tells us, lost
time is never found again; and what we call time enough, always proves
little enough: Let us then up and be doing, and doing to the purpose; so by
diligence Shall we do more with less perplexity.
METLB 14 point Meteor Bold (height = 35 pixels = 28 + 7, width < 37) by @SHY
ASCII set less ‘ plus _ ~.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij klmno pqrst uvwxyz
0123456789 ~~ !"#$%&'()*+,-./:5¢2>7@L\]t+{]}
If time be of all things the most precious, wasting time must be, as Poor
Richard says, the greatest prodigality; since, as he elsewhere tells us, lost
time is never found again; and what we call time enough, always proves
little enough: Let us then up and be doing, and doing to the purpose; so by
diligence shall we do more with less perplexity.
{
METLBI = 14 point Meteor Bold talic (height = 35 pixels = 28 + 7, width < 37) by @SHY
ASCII set less ‘ plus _
ABCDE-FGHIJ KLMNO PQRST UVWXY2Z abcde fghij kImno pqrst uvwxyz.
0123456789 _ ~!"#$%&'()*+,-./:562>P OC [\] tel] }
If time be of all things the most precious, wasting time must be, as Poor
Richard says, the greatest prodigality; since, as he elsewhere tells us,
lost time is never found again; and what we call time enough, always
proves little enough: Let us then up and be doing, and doing to the
purpose; so by diligence shall we do more with less perplexity.
16 SAILON-74 Find a Font
; Microgramma
MICR25 = 10 point Microgramma (height = 25 pixels = 20 + 5, width < 16) by @CMU
Full SAIL set.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abede tghij kimno parst uvwxyz 01234 56789 1a ZB
AnmendX MdICONUVI@e __wwvdAseavi"aGrS'()a+,-./:3<s>Pel(\)]te'{l~
If time be of all things the most precious, wasting time must be, as Poor Richard says, the
greatest prodigality; since, as he elsewhere tells us, lost time is never found again; and what
. We Call time enough, always proves little enough: Let us then up and be doing, and doing to
the purpose; so by diligence shall we do more with less perplexity.
News Gothic
NGR13 6 point News Gothic (height = 14 pixels = 11 + 3, width < 13) by @CMU
Rather unreadable, Full SAIL set.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fehl) Kimne pars! ovwxye 01234 56789 bw fA - EnALWBEOSNUVISH _seKStevi aS ()as,-./rscor7Pal(\ ted}
W time be of all thines the mos! precious, wasting time must be, as Poor Richard gays, the greatest! prodigalily: since, as he elsewhere fells us, lost time is never found again: and what we call lime
enough, siways proves lillle enough: Lel us then up and be doing, and doing lo the purpose; 80 by diligence shall we do more with less perplexily, *
NGR2O 9 point News Gothic (height = 21 pixels = 16 +5, width < 18) by @CMU
Full SAIL set.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij kimno pqrst uvwxyz 01234 56789 La BArEnADWIACINUVIGSHe _wr Ps
Pevit@eSZh' (es -. fiscer2@l\]te tl}
If time be of all things the most precious, wasting time must be, as Poor Richard says, the greatest prodigality; since, as he elsewhere
tells us, lost time is never found again; and what we call time enough, always proves little enough: Let us thet up and be doing, and
doing to the purpose; so by diligence shall we do more with less perplexity.
NGI20 8 point News Gothic Italic (height = 20 pixels = 16 + 4, width < 18) by ?
Letters only.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij klmno parst uvwxyz
If time be of all things the most precious wasting time must be as Poor Richard says the greatest prodigality since as he elsewhere
tells us lost time is never found again and what we call time enough always proves little enough Let us then up and be doing and doing
to the purpose so by diligence shall we do more with less perplexity
| Variable Width News Gothic (continued) 17
NGR25 10 point News Gothic (height = 26 pixels = 20 + 6, width < 23) by @CMU
This is a good size for compact text. Full SAIL set.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij klmno parst uvwxyz 01234 56789 1a RA-~€ nA
ACDNUVI@®H_wrwPszevi"#$KR'()et,-./:3<=er>-2al\]te'{]}
If time be of all things the most precious, wasting time must be, as Poor Richard says, the greatest
prodigality;:since, as he elsewhere tells us, lost time is never found again; and what we call time
’ enough, always proves little enough: Let us then up and be doing, and doing to the purpose; so by
diligence shall we do more with less perplexity. :
NGI25 10 point News Gothic Italic (height = 25 pixels = 20 + 5, width < 23) by @CMU
Letters only. ;
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij kimno parst uvwxyz
If time be of all things the most precious wasting time must be as Poor Richard says the greatest
prodigality since as he elsewhere tells us lost time is never found again and what we call time enough
always proves little enough Let us then up and be doing and doing to the purpose so by diligence
shall we do more with less perplexity :
NGB25 10 point News Gothic Bold (height = 26 pixels = 20 + 6, width < 23) by @CMU
Full SAIL set.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abede fghij kimno pqrst uvwxyz 01234 56789 La BA-€nAWD
SPONUVISMH_ArASravi"HEZ&'()aue,-.fi3<srPal[\]te'{]}
lf time be of all things the most precious, wasting time must be, as Poor Richard says, the greatest
prodigality; since, as he elsewhere tells us, lost time is never found again; and what we call time enough,
always proves little enough: Let us then up and be doing, and doing to the purpose; so by diligence shall
we do more with less perplexity.
NGR3O 12 point News Gothic (height = 31 pixels = 24 + 7, width < 31) by @CMU
Missing lL aw BrAwdACNHUTeHS2e,
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij kimno pqrst uvwxyz 01234 56789 a «
Nn2>ViIevs¢vl"#Sx~G'()et,-.f/33<=>2al\Jte'{]}
If time be of all things the most precious, wasting time must be, as Poor Richard says, the
greatest prodigality; since, as he elsewhere tells us, lost time is never found again; and
what we call time enough, always proves little enough: Let us then up and be doing, and
doing to the purpose; so by diligence shall we do more with less perplexity.
NGB30O 12 point News Gothic Bold (height = 31 pixels = 24 + 7, width < 32) by Tovar
Missing lL « B-A wdeCNHnUaeYesS2s,
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij kimno pqrst uvwxyz 01234 56789
AEnDV_ aw kevi"#$~&’?()e+,-./:3<=>?a@l\]te'{]}
If time be of all things the most precious, wasting time must be, as Poor Richard says,
the greatest prodigality; since, as he elsewhere tells us, lost time is never found
again; and what we call time enough, always proves little enough: Let us then up and
be doing, and doing to the purpose; so by diligence shall we do more with less
perplexity.
18 SAILON-74 Find a Font
NGR4OL 16 point News Gothic (height = 42 pixels = 32 + 10, width < 37) by Tovar
Full SAIL set.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij kimno parst uvwxyz
01234 56789 1 ae BnrEnrAwScrnuVJIee_ s»r~#S2zz2vV!"«#@
Be OOTP ee ee OLN Phe ns |
If time be of all things the most precious, wasting time must be, as Poor
Richard says, the greatest prodigality; since, as he elsewhere tells us, lost
- time is never found again; and what we call time enough, always proves
little enough: Let us then up and be doing, and doing to the purpose; so by
diligence shall'we do more with less perplexity.
NGR40 16 point News Gothic Medium (height = 41 pixels = 32 + 9, width < 37) by David Levy
Has only alphabet, digits and a little punctuation.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij kimno parst uvwxyz.
01234 56789+-/":;,?.
If time be of all.things the most precious, wasting time must be, as Poor
Richard says, the greatest prodigality; since, as he elsewhere tells us, lost
time is never found again; and what we call time enough, always proves
little enough: Let us then up and be doing, and doing to the ad ic so by
fliligence shall we do more with less perplexity.
NGB40 $15 point News Gothic Bold (height = 40 pixels = 32 + 8, width < 3) by Andy Moorer
‘Rather ragged, alas. Full SAIL set.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij klmno pqrst uvwxyz
01234 56789 Lae BA-€EnAWMACDNUVIABeE_wWr~ A srev!
"OOZ7G'() e+, -./33<e>?al\]te' {lh
If time be of all things the most precious, wasting time must be, as Poor
Richard says, the greatest prodigality; since, as he elsewhere tells us,
lost time is never found again; and what we call time enough, always
proves little enough: Let us then up and be doing, and doing to the
purpose; so by diligence shall we do more with less perplexity.
Variable Width at
Nonie
All the Nonie fonts have the same (mostly ASCII) character set. File name suffixes are
interpreted as follows: S = small, M = medium, L = was: | = Italic, B = bold.
NONS 10 point Nonie (height = 25 pixels = 20 + 5, width $23) by @SHY
ASCII less ‘ plus _
* ABCDE FGHIJ KLMNO PQRST sia ‘aaah fghij kimno pqrst uvwxyz 01234 56789 Bored I"#SRS'()B+,-./ 238
>7@C\J)t+{l)
If time be of all things the most precious, wasting time must be, as Poor Richard says, the greatest prodigality; since, as he
elsewhere tells us, lost time Is never found again; and what we call time enough, always proves little enough: Let us then up
and be doing, and doing to the purpose; so by diligence shall we do more with less perplexity.
NONSI: _10’point Nonie atic (height = 25 pixels = 20 + 5, width < 21) by @SHY
’ ASCII less ‘ plus _ ;
ABCDE FGHIJ KLMNO PQRST OVINE abode tghlj kimno parst uvwxyz 01 234 66789 ~!"#S$HNE'()*+,-. S23
CPP PR RINT Kf 4}
it time be of aii things the most precious, wasting time must be, as Poor Richard says, the greatest prodigaiity; since, as
he elsewhere tel/s us, lost time is never found again; and what we call time enough, always proves little enough: Let us
then up and be doing, and doing to the purpose; so by diligence shali we do more with jess perplexity.
NONSB “10 point Nonie Bold (height = 25 pixels = 20 +5, width < 25) by @SHY
ASCII less ‘ plus _ :
ABCDE FGHId KLMNO PQRST UviKvZ abcde fghij kimno parst uvwxyz 01234 56789 ~ 1" #$%H&'()*+,-./
esc eo ROCV ECs C1) .
it time be of all things the most precious, wasting time must be, as Poor Richard says, the greatest prodigality; since,
.a8 he elsewhere tells us, lost time is never found again; and what we call time enough, always proves little enough:
Let us then up and be doing, and doing to the purpose; so by diligence shall we do more with less perplexity.
NONSBI “10 point Nonie Bold Italic (height = 25 pixels = 20 + 5, width < 23) by @SHY
ASCIl less ‘ plus _
ABCDE FGHiJ KLMNO PQRSF Uva abede fghij kimno pqrst uvwxyz 0123466789 ~!"#$%&' ( ) alae ee
4214227? OC@[\]++{]}
If time be of all things the most precious, wasting time must be, as Poor Richard says, the greatest prodigality;
since, as he 6/sewhere tells us, lost time is never found again; and what we call time enough, always proves
little enough: Let us then up and be doing, and doing to the burpose; so by diligence shall we do more with
less perplexity.
20 a SAILON-74 Find a Font
NONM 12 point Nonie (height = 30 pixels = 21 + 9, width < 27) by @SHY
ASCII less ‘ plus _ ~.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij kimno pqrst uvwxyz 01234 56789 ~~!" #
ee oe ae ae ee ye Ae eee Go
If time be of all things the most precious, wasting time must be, as Poor Richard says, the
greatest prodigality; since, as he elsewhere tells us, lost time is never found again; and what
we call time enough, always proves little enough: Let us then up and be doing, and doing to
the purpose; so by diligence shall we do more with less perplexity.
NONMI — 12 point Nonie atic (height = 30 pixels = 21 + 9, width < 26) by @SHY
ASCII less ‘ plus _
ABCDE FGHIJ SEMING PQRST “UWWXxYz abcde fghij klmno pqrst uvwxyz 01234 56789 _ or ed
#SLa'()*+, a fis 56 2>7EC[\]t-+(]}
If time be of all things the most precious, wasting time must be, as Poor Richard says, the
greatest prodigality; since, as he elsewhere tells us, lost time is never found again; and what
we call time enough, always proves little enough: Let us then up and be doing, and doing to
the purpose; so by diligence shall we do more with less perplexity.
NONMB 12 point Nonie Bold (height = 30 pixels = 21 + 9, width < 30) by @SHY
ASCII less ‘ plus _ ~.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij klmno pqrst uvwxyz 01234 56789 _— ~
I"#SKLa'()X +, -./:5¢28>70[\] t+{]}
If time be of all things the most precious, wasting time must be, as Poor Richard says,
the greatest prodigality; since, as he elsewhere tells us, lost time is never found again;
and what we call time enough, always proves little enough: Let us then up and be doing,
and doing to the purpose; so by diligence shall.we do more with less perplexity.
Q _NONMBI 12 point Nonie Bold Italic (height = 30 pixels = 21 + 9, width < 30) by @SHY
ASCII less ‘ plus _
ABCDE FGHIJ KLMNO Pais UVWXYZ abcde fghij kimno pqrst uvwxyz 01234 56789 __
as Sealile SLSR Ar1¢€er7@l[\]JreC(]}
'f time be of all things: the most precious, wasting time must: be, as Poor Richard says,
the greatest prodigality; since, as he elsewhere tel/s us, lost time is never found again;
and what we call time enough, always proves little enough: Let us then up and be doing,
‘and doing to the purpose; so by diligence shall we do more with less perplexity.
Variable Width _ Nonie (continued) 21
NONL 14 point Nonie (height = 35 pixels = 28 + 7, width < 33) by ‘@SHY
ASCII less ‘ plus _ ~.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij kimno pqrst uyvwxyz 01234 56789
wh IMMSKRE'() RH, Ker PeL\I]t<{])
If time be of all things the most precious, wasting time must be, as Poor Richard says,
the greatest prodigality; since, as he elsewhere tells us, lost time is never found again;
and what we call time enough, always proves little enough: Let us then up and be
doing, and doing to the purpose; so by diligence shall we do more with less perplexity.
NONLI 14 point Nonie Hslic (height = 35 pixels = 28 + 7, width < 32) by @SHY
ASCII less ‘ plus _
ABCDE FGHIJ KLMNO PGRST UVWXYZ abcde fghij kimno pqrst uvwxyz 01234 56789
wm IM#SKZ&'( )*F,-./ 2502297 OL\] te] 3
If time be of all things the most precious, wasting time must be, as Poor Richard
says, the greatest prodigality; since, as he elsewhere tells us, lost time is never
found again; and what we call time enough, always proves little enough: Let us then
up and be doing, and doing to the purpose; so by diligence shall we do more with
less perplexity.
NONLB — 14 point Nonie Bold (height = 35 pixels = 28 + 7, width s 34) by @SHY
ASCII less ‘ plus _
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij kimno pqrst uvwxyz 01234
56789 ~!"#S%R'()*+,-./:5¢62>7@[\] t+ {1}
If time be of all things the most precious, wasting time must be, as Poor Richard says,
the greatest prodigality; since, as he elsewhere tells us, lost time is never found again;
and what we call time enough, always proves little enough: Let us then up and be
doing, and doing to the purpose; so by diligence shall we do more with less perplexity.
NONLBI = 14 point Nonie Bold Italic (height = 35 pixels = 28 + 7, width s 34) by @SHY
ASCIl less ‘ plus _
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij kimno pqrst uvwxyz 01234
56789 _ ~I"#SH%&'( )*4,-./232> 7 OL \J tel] }
If time be of all things the most precious, wasting time must be, as Poor Richard
says, the greatest prodigality; since, as he elsewhere tells us, lost time is never
found again; and what we call time enough, always proves little enough: Let us
then up and be doing, and doing to the purpose; so by diligence shalt we do
more with less perplexity.
ae SAILON-74 ' Find a Font
Old Lnglish
OLDENG © 12 point Old English (height = 30 pixels = 24 + 6, width < 26) by ?
Letters, digits, and a little punctuation.
AWTDE HORII RDMNO PORST MUMAYZ abede Fghiy klumo pqrst wbtexpz 012K 56789 °,- 233°
Tues the might before Ghristins, when all through the house |
Not a creature twas stirring, not chen a mouse:
The stockings twere lumy by the chimmey with care,
Jn hopes that St. Nicholas soon tiould be theres
. XMAS25. 14 point Old English (height = 37 pixels = 28 + 9, width < 70) by Bruce Baumgart
Letters, digits, and a little punctuation.
ABCVNKE KOHIG KEMNO PORST YUYWRYS abede tghii
kitmeao porst avwxyr 037234 66789 ,.:;
The children were nestled all snug in their beds,
While visions of suger plains danced in their heads;
PMeed sere ie her kerchiel, and Vin my cay,
Had just settled our brains for a long winters aan,
XMAS40 17 point Old English (height = 43 pixels = 35 + 8, width s 56) by Tovar
Letters and digits only (no punctuation).
ARCDE FOHIA KLIMNO PORST UVWXRYZ
abede fghij klmno porst uvwxuz 01234 56789
When out on the lawn there arose such a clatter
1 sprang from the bed to see what was the matter
Away to the window 7 flew like a flash
Pore open the shutters and threw up the sash
Variable Width | 23
Old German
GERM35 15 point Old German (height = 40 pixels = 31 + 9, width < 32) by Robert Maas
’ Letters and a little punctuation only (latter contributed by Bill van Melle).
ABCDE FGHSII KIMMNO PORST UVBMYS abede fahii fmno parft wwweyg!“'(),. 5 ?
Supplementary: «a 2of e398 vit $98 all voit — 104" -92 5,
Xn olden timef when Wwifhing {till helped one, there lived a fing whofe daughters were all beautiful,
but the youngeft waf fo beautiful that the fun itfelf, which haf feen fo much, waf aftonifhed whenever
it fhone in her face,
GERM 70 26 point Old German (height = 68 pixels = 60 + 8, width s 63) by Dave Barstow |
.Letters and period only.
ABCDE FGUAIY RKLMMNO PORST uUBmwIHZ
abcde fqhii tmno parft ubroriys .
Der fehnelle braune Bor hat den foulen Bub
ueber(prungen,
Original City Lights
CTL25 10 point Original City Lights (height = 26 pixels = 19 + 7, width < 25) by @CMU
Full SAIL set.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij klmno pqrst uvwxyz 81234 56789 Law BArwEnAWSAC
PNUVIA@H_wrAPsezavi"#$7Z8'()et,-.f/:3<=>2?a[\Jte'{}}
If time be of all things the most precious, wasting time must be, as Poor Richard says, the greatest prodigality;
since, as he elsewhere tells us, lost time is never found again; and what we call time enough, always proves little
enough: Let ‘us then up and be doing, and doing to the purpose; so by diligence shall we do more with less
ent
Playbill
PLAYBI 14 point Playbill (height = 36 pixels = 27 + 9, width < 16) by Tovar
A slim font with many missing characters (e.g. digits 4-9).
ABCBE PGHIJ KLMNO PORST UVWXY2 abcde fghij kiman porst uvways Vader sec>/ee-BSLCICT* s5,.91
Mow playing: a film that daplets the Struggle against environmental pollution by a courageous woman, Marilyn Chambers gives a
spirited performance in “Behind the Green Door”. Coming soon: a penetrating examination of an amazing talent, In "Deep Threat’,
binds Lovelace gives a stirring performance of great depth.
24 SAILON-74 Find a Font
Quux
QUUV25 10 point Quux Variable Bold (height = 25 pixels = 20 + 5, width < 25) by TGQ @MIT
. Full SAIL set.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij klmno pqrst uvwxyz 81234
SS7ES Va PAM ECWHAMOCAUAVESS See SE SVE" #Sx%E’
C)e+,->./733<¢< 2S PAOENI¢Ce* Cf }°
If time be of all things the most precious, wasting time must be, as Poor
Richard says, the greatest prodigality; since, as he elsewhere tells us, lost
time is never found again; and what we call time enough, always proves
little enough: Let us then up and be doing, and doing to the purpose; so by
diligence shall we do more with less perplexity.
SHAD UT
SHD40 15 point Shadow (height = 40 pixels = 32 + 8, width < 38) : by @CMU
Upper case letters, digits, and a little punctuation only.
GEEOE FEW BLOND PRES OVEKY 02239 EGTED @ 9
* 6° oe a CI °
THE sideet fronv 0S GN CXEELLENY COMIEE reo
PEOPOUKD COCOIEVIBNS, tv Of TOE GRVGANVGEE oF
GEIQE GL0beEV COGEOROELE,
SIGN
SIGNS7 22 point Sign (height = 57 pixels = 50 + 7, width < 95) by @CMU
Upper case letters, digits, and a little punctuation only.
ABCDE FGHIJ. KLMNO PQRST
UVWAY 01234 Soreg >!" *.,
3 3 + Substitutions: a ®t
THIS FONT WAS INVENTED BY
A DRAFTSMAN WHO HAD LOST
HIS FRENCH CURVE. |
SIGN contines
"Variable Width
(26 SAILON-74 | Find a Font
4. FIXED WIDTH REGULAR FONTS
Courier
COR20 "8 point Courier (height = 20 pixels = 16 + 4, width = 16) by @SHY
Similar to IBM Selectric Courier. ASCII set less ‘ { | } plus _
ABCDE FGHIJ KLMNO PORST UVWXYZ abcde fghij klmno parst ry wnial 61234 56789 _ ! " #
Sa TOG NR ea Aon ee POLE Noi eo,
If time be of all things the most precious, wasting time must be, as Poor Richard
says, the greatest prodigalitys since, as he elsewhere tells us, lost time is
never found agains and what we call time enough, always proves little enough: Let
us then up and be doing, and doing to the purpose; so by diligence shall we do
more with less perplexity.
Delegate es
SAIL25 _—10. point Delegate (height = 25 pixels = 20 + 5, width = 17) by ?
Similar to IBM Selectric Delegate. Full SAIL set.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde tghi} klmno pqrst uvwxyz 01234 56789 4 a
BA AEE Ae 0 © OY 1 Oe ee Se ws EO ee et Ce 8 eS eg
eg he te ON hee Ch}
If time be of all things the most pie vee wees time must be, as Poor
Richard says, the Lo prodigality; since, as he elsewhere tells us, lost
time is never found again; and what we call time enough, always proves little
enough: Let us then up and be doing, and doing to the purpose; so by
diligence shall we do more with less perplexity.
Fix
The Fix fonts have are modelled after our line printer character set and are al|
complete. é
FIX13 6 point Fix (height = 14 pixels = 11 + 3, width = 9) by @CMU
A small and rather illegible font. Full SAIL set.
yprereviat ect Ae Mas a Bvagr nk a iar aa uvixyz 01234 SE7EQ ba ParenhweBesNUVJe* _s2s-H# fC peri rasrxyertCoe
Tf time be of ell things the most precious, wasting time must be, as Poor Richard says, the greatest prodigality: since, as he elsewhere tells
ug» lost time is never found aaaini and what we call time enough» always proves little enough: Let us then up and be doing, and doing to the
purposes so by diligence shall we do more with less perplexity. F
FIX13X 6 point Fix Bold (height = 14 pixels = 11 + 3, width = 10) ee by Tovar
Derived from FIX13 by shifting and “or"ing. Still rather illegible. Full SAIL set.
AOCDE FGHIJ KLAWO PORSI UVUKY2 abcde fahi) klene parst uvuxye 01294 56789 «Pa - ew hedesNUVAes_+-#S2av I oe
SVE CVE LE Cer PEED te et >
If time be of all things the most precious, wasting time must be, as Poor Richard says, the greatest prodigality) since, as he
elsewhere tells us. lost time is never found agains and what we call time enough, always proves little enough: Let us then up and
be doing, and doing to the purposes so by diligence shall we do more with less perplexity.
FIX20 9 point Fix (height = 21 pixels = 15 + 6, width = 12) by @CMU
A good size for compact text. Full SAIL set.
ABCDE FGHIJ KUNG PORST UVWXYZ abcde fghij kimno parst uvwxyz 012346 S6789 La BrarenAw ac oNUV jee
isto 2 SS Bly NASR EOC) aos ae At gee aces O Na foe fot oF
If time be of all things the most precious, wasting time must be, as Poor Richard says, the greatest
prodigality; since, as he elsewhere tells us, lost time is never found again; and what we call time enough,
always proves little enough: Let us then up and be doing, and doing to the purpose; so by diligence shall we
do more with less perplexity.
Fixed Width F i x (continued) : 27
FIX25 10 point Fix (height = 25 pixels = 20 + 5, width = 16) by @CMU
The closest thing to a “standard font" that we have. This is the default font if you don’t
specify one. Full SAIL set.
— FGHIJ KLMNO PORST UVWXYZ abcde fghij kimno parst uvwxyz 81234 56789 Va Ban
iE Nie 01S O00 UNid-0:6 36, meee Vil "ASSES 8g < e
Ste Ne) fe vd t :
If time be of all things the most precious, wasting time must be, as Poor Richard
says, the greatest prodigality; since, as he elsewhere tells us, lost time is
never found again; and what we call time enough, always proves little enough: Let
us then up and be doing, and doing to the purpose; so by diligence shall we do
more with less perplexity.
LPT 10 point Line Printer (height = 25 pixels = 20 +5, width = 18) by Tovar
Same as FIX25, but with character width increased to match our line printer. Full SAIL set.
ABCDE FGHIJ KLMNO PORST UVWXYZ abcde fghij kimno pqrst uvwxyz 81234
6769" Va Ban = en Xo ide SoU VS) e068 sow es eave ORS Ke”
Res ee Rar ered send fe gt feat Gane Soe —Tiews Soar eat jal Coe Wea (ie eer Yat Go| foe
If time be of all things the most precious, wasting time must be, as
Poor Richard says, the greatest prodigality; since, as he elsewhere
tells us, lost time. is never found again; and what we call time enough,
always proves little enough: Let us then up and be doing, and doing to
the purpose; so by diligence shall we do more with Jess perplexity.
.FIX25X —10 point Fix Bold (height = 25 pixels = 20 + 5, width = 17) by Tovar
Made by “fattening” FIX25. Full SAIL set.
‘ ABCDE FGHIJ KLMNO POQRST UVWXYZ abcde fghij kimno pqrst uvwuxyz 81234 56789 4 a
BNm~ CRAWPACINUVies _wvnuns zavvi! "H#SXE’ (CY) a+, -. /
$ ¢ a>, 2? ef N2 Ke? Chas
If time-be of all things the most precious, wasting time must be, as Poor
Richard says, the greatest prodigality; since, as he elsewhere tells us, lost
time is never found again; and what we call time enough, always proves little
enough: Let us then up and be doing, and doing to the purpose; so by
diligence shall, we do more with less perplexity.
28 7 _. SAILON-74 Find a Font
FIX30 12 point Fix (height = 30 pixels = 25 + 5, width = 19) by Tovar
Full SAIL set.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij kilmno parst uvwxyz 81234
S6E789 Va BnraAcnAwmdcraNUVGew# _w~resrxzrevi"ASKE
A OR elie dE ee ee PG AON Te ete
If time be of all things the most precious, wasting time must be, as
Poor Richard says, the greatest prodigality; since, as he elsewhere
tells us, lost time is never found again; and what We call time
enough, always proves little enough: Let us then up and be doing, and
doing to the purpose; so by diligence shall we do more with less
perplexity.
FIX40 15 point FIX (height = 40 pixels = 33 + 7, width = 25) by Tovar
Generated from FIX25--a bit inconsistent. Full SAIL set.
ABCDE FGHIJ KLMNO POQRST UVWXYZ abcde fghij kIimno
parst uvwxyz 801234 S6789 Va Bnrne nAwdDCINY
V6. etn eS Pay TU SES 26 CSRS ye.
AEE. Goa Wee a Bae kB es i Ma aca Na ae
If time be of all things the most precious, wasting
time must be, as Poor Richard says, the greatest
prodigality; since, as he elsewhere tells us, last
time is never found again; and what we call time
enough, always proves little enough: Let us then up
and be doing, and doing to the purpose; so by
diligence shall we do more with less perplexity.-
Fixed Width ' . 29
Gacham
GACL16 7 point Gacham (height = 16 pixels = 11 +5, width = 10) by @SHY
ASCII set less \‘ plus ~.
ABCDE FOHTJ KLMNO PORST UVWKY2 abcde fghij Kimno pqarst uvwxyz 01234 56789 ~ 1 "#$xXB'( PTH, >. ft perro 7reLE to Ls
If time be of all things the most precious, wasting time must be, as Poor Richard says, the greatest prodiyality; since, as he
elsewhere tells us, lost time ts never found again; and what we call time enough, always proves little enough: Let us then up and
be doing, and doing to the purpose; so by diligence shall we do more with less perplexity.
GACL18 8 point Gacham (height = 18 pixels = 13 + 5, width = 12) by @SHY
ASCII set less ‘ plus _ ~.
ABCDE FGHIJ KLMNO PQRST UVWKYZ abcde fghij kimno pqrst uvwxyz 01234 56789 ~!"@Sxe'( )e*e,- . 4:
REO O PE OE NYE ee fy
If time be of all things the most prectous, wasting time must be, as Poor Richard says, the greatest
' prodigality; since, as he elsewhere telis us, lost time is never found again; and what we call time enough,
always proves little enough: Let us then up and be doing, and doing to the purpose; so by diligence shall we
do more with less perplexity. 5
GACL22 9 point Gacham (height = 21 pixels = 17 + 4, width = 13) by @SHY
ASCII set less ‘ plus _ ~.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij kimno paqrst uvwxyz 01234 56789 _~ !"#$%&'( )*% +
RE C89 OLN ee)
If time be of all things the most precious, wasting time must be, as Poor Richard says, the greatest
prodigality; since, as he elsewhere tells us, lost time is never found again; and what we call time
enough, always proves little enough: Let us then up and be doing, and doing to the purpose; so by
diligence shall we do more with less perplexity.
30. : | SAILON-74 Find a Font
GACL25 10 point Gacham (height = 25 pixels = 20 +5, width = 14) by @SHY
ASCII set plus _
ABCDE FGHIJ KLMNO PQRST uvuxvz abcde Fghij klmno paqrst uvwxyz 01234 56789 _~!"#$ 4a” (
FRE EME ee ere ae Se
If time be of all things the most precious, wasting time must be, as Poor Richard says, the
greatest prodigality; since, as he elsewhere tells us, lost time is never found again; and
what we.call time enough, always proves little enough: Let us then up and be. perelt and doing-
to the purpose; so by eee shall we do more with less perplexity.
GACI25.: 10 point Gacham Italic height = 25 ses = 20 +5, width = 16) by @SHY
- ASCII set less ‘ plus _
ABCDE FGHId ae PQRST Uvxyz peti Bu tans ar uvwxyz 01234 56789 _~ / "
FS RR Oe en ET ee CEN Pedy)
If time be of all things the most precious, wasting time must be, as Poor Richard
Says, the greatest prodigality; since, as he elsewhere tells us, lost time is
never found again; and what we call time enough, always proves little enough: Let
us then up and be doing, and doing to the purpose; so by diligence shall we do
more with less perplexity.
GACB25 ‘10 point Gacham Bold (height = 25 pixels = 20 +5, width = 16) by @SHY
Full SAIL set.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij kImno parst uvwxyz 01234 56789 + aBpa
Cred co nu V 3 ee awe Se OVE RP SE Cee a VHS GS
eds GOR, JES (ia, Wb TR See ees a
If time be of all things the most precious, wasting time must be, as Poor Richard
says, the greatest prodigality; since, as he elsewhere tells us, lost time is
never found again; and what we call time enough, always proves little enough: Let
us then up and be doing, and doing to the purpose; so by diligence shall we do
more with less perplexity.
Fixed Width : | 31
Quux
QUUX25 10 point Quux Fixed Bold (height = 25 pixels = 20 + 5, width = 25) by TGQ @MIT
Full SAIL set.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij ec eRS pqrst
uvwxyz 01234 S6789 4a BpA™€e WA? ABCD V3iee#j_.:?
; ry s2 . a8 OR OS Me Oe ie 4 a ne => ?e@ecۤkN
Pe
If time be of all things the most precious, wasting time
must be, as Poor Richard says, the greatest prodigality;
since, as he elsewhere tells us, lost time is never found
again; and what we call time enough, always proves little
enough: Let us then up and be doing, and doing to the
purpose; so by diligence shall we do more with less
perplexity.
Sertl
SET1 13 point Set1 (height = 34 pixels = 23 + 11, width= 23) | by Tovar
This was the first SAIL font. Full SAIL set.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij klmno pqrst
uvwxyz 91234 S6789 La BAW ENMRAwRACDIDANUVA ® & _
Pe SRB” 2S KS Co OES, te ee oe
oe N BvD aro CW} é; a
If time be of all things the most precious, wasting time
must be, as Poor Richard says, the greatest prodigality:
since, as he elsewhere tells us, lost time is never found
again: and what we call time enough, always proves little
enough: Let us then up and be doing. and doing to the
purpose; so by diligence shall we do more with less
perplexity.
SET11. | 13 point Seti Italic (height = 33 pixels = 24 + 9, width = 26) F by Tovar--
Full SAIL set.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde Fohij Liane pqrst
uvwxyz 01234 S6789 La BAW ENAwrPACINIY VFI oe _
Te ee ee ee ee Ree SK ee eS 7? a
NE eee fs 3 .
rf: er be of all things the most precious, wasting time
must be, as Poor Richard says, the greatest prodigality:
since, as he elsewhere tells us, lost time is never found
again: and what we call time enough, always proves little
enough: Let us then up and be doing, and doing to the.
purpose; so by diligence shall we do more with less
perplexity.
32 SAILON-74 Find a Font
4. SPECIAL FONTS
| APL
APL25 10 point APL symbols (height = 25 pixels = 20 + 5, width < 27) by ?
Includes lverson’s weird collection of operators. ;
er nae FGHIJ \itet hae UVWXYZ 01234 567891 a ANE CaDNUV q mo ~ PS 2V IS (e+;
= ee PE te fi
Special Operators: 797 n7& AVI Cl] G70 044 394 "5A #9 Q98 ad bri C54 dol C99 (9B 220 hoo
i710 j>* k96 190 me nT 090 pon qo¥ rp sf to UP) V4 Wo Xo yo 29m
Astrology
ASTR25_ 9 point Astrology (height = 22 pixels = 20 + 2, width < 26) by Tovar
Aspects are incomplete.
Solar system: Sun 090 Mercury 19% Venus 299 Earth 39@ Mars 4ad Jupiter 59% Saturn
~~ 69k Uranus 73'8 Neptune 89 Pluto 99¢
d* Moon 23D Ascending node n~Q Descending node u +3
Zodiac: Aries A>T Taurus Bat Gemini Co Cancer 09% Leo E29 Virgo FoM Libra Got
Scorpius H3M Sagittarius a7 Capricornus Jo Aquarius Ke Pisces Lo
Chess
CHS50 19 point Chess pieces (height = 50 pixels = 40 + 10, width < 50) by @CMU
Should be usad with interline spacing set to zero. :
atts
To yt Fol a H, wo X+ GY, + ge iE
WALLAA
P» R > KGe. 6 ani i Ne BY May; Ro ZX say Qo WY L+:\uy WY: k> jh
YY
oe We Cex Bee ey We oe ee kB.)
HTTTTTTTTX = 3 y
VZZAZF° Yj Yj, Ko Ye
VEL ZLOF : Y YY Wy Be 7
VoZZZF . ; “i Y, Wy, G
N22 7F ae G Y Ye Uy |
es yy 2 x WY WY Wj
VjPZ ZZ F | is Y Yi, Yi
V 2kZ Z ZF : Yj, YY Y) Yh
Ce V UU
WUUUUUUUUG
White mates in three moves.
Special Fonts — : | | 33
Cyrillic
CYR25 12 point Light Cyrillic (height. = 29 pixels = 24 + 5, width < 28) ‘by Tovar
Has no punctuation.
ABB EEK3H AKJIMH ONPCT YOXLUY LIU bblb SION aGsrg e&xan fkAMH onpeT yx url bE S108
Transliteration: AvA Boh V2B Gal DoJ. EE %9F TK 293 lo Yo KoK LoJ1 MoM NoH 030 Pon
RoP S3C T4T UsY Fob HoX © 1) #94 Qolll & lll 4b sb] nob U99 ¢310 2911 ava b96 vB gor don
e re $98 Lom 293 ion yoR kK lon mom nH 070 pon rap soc tat Uxy fod hex 294 "34 eur +54 ‘9%
=-~h] Ab V9 <910 >-81
Becna Si ne nonumato 30 ne posa
CYR30 15 point Medium Cyrillic (height = 39 pixels = 31 + 8, width < 37) by Tovar
_ Uses the same transliteration scheme as CYR25 and has digits but no punctuation.
| ABBIL EEK3H AKJIMH OMPCT YOXLY LILbblb 910A absra eéxan AKaMH
onpcT yPxuy Wubi 9108 012384 56789
Becua {1 He nNoHHMal Sto He posa
Decoration
CRTURZ 57 point Creatures (height = 155 pixels = 124 + 31, width s 200) by Bonnie Dazell @MIT
ay _ Beasties: contributed by various people at MIT.
ae bay ‘
45 f . Fa) (ER Dy
vie Se, Co NR DF as \'s
Aes rns - SAILON-74 Find a Font
CORNER . 74 point Corner Decorations (height = 202 pixels = 106 + 96, width < 148) by Stan Kugelt’
. Find a corner and fill it.
a4
| Mitter ent strokes
for
different folks
?
wae
ore
Special Fonts ie ete 35
Graphics
GRFX25 10 point Graphics (height = 25 pixels = 20 + 5, width:« 16) by Paul Martin
Graphics font for making block diagrams, as described in GRFX.XGP[UP,DOC]. Identical to
FIX25 except for the substitutions listed below.
ABCDE FGHIJ KLMNO PORST UVWXYZ abcde Pale kImno bar st uvwxyz 81234 56789 | » # _
Sumy tw Ure a ew Str ces F lel Fe FY}
For boxes: ~3| c= 29+ (9 A394 nog Vo4 C4 ¢ 294 Xb B44
For trees and graphs: ’97 ‘9\<4+,24, /3/ \+\ HES, =| bid haat. G
Arrows: To lo] 94 344 654. @Q9930+
Multiple lines: =+= #2 @>||| ~~ Middle dat: #e
GRFX35 14 point Graphics (height = 35 pixels = 23 + 12, width = 16) by Dave Barstow
Graphics font for making block diagrams, as described in GRFX.XGP[UP,DOC]. Identical to
- . FIX25 except for the substitutions listed below. or"
ABCDE FGHIJ KLMNO PORST UVWXYZ abcde fghij kIimno pqrst uvwxyz 81234 56789 J om
sumvl "Ub age-. frscmo?lolfeil]}
For boxes: w| oLte + 4b A24 naz Vad c+ 244 Kol Sod
For trees and graphs: ‘97 ‘4\ <4 ,24. /4/\>\ v9] +9\ 19 | &\ YX
Arrows: tof 14] ¢+4 449 ene Qo2d-7]
Multiple lines; == 242 @||| Middle dot: +
Example: this source produces this.
CAdadanananaar Cadadanaanaad.
~ # ~ #afoocsss B w~NIL + => » +} 8B NIL
hacBaaVananca$ .§ XacaanaVanncas .
~ CHAKKAnAKAAKAD : E
hase A nw NIL w A NIL
fananaVancana$
Greek
The larger Greek fonts below (40 and 50) are needlessly ragged. Brian Reid of CMU has done some
cleaning-up that will appear shortly after this catalog goes to press. All of the Greek fonts use the
following transliteration scheme.
A»A B9B GaT 09M ESE 24Z HHH Q48 Ia] KeK LoA MoM NON X43 020 Pall RP S92 ToT
UsT Fa C2X YoY Wal ava b38 g4 d48 e€ 249% hon 78 int k>K [9A mou nav xk 090 por
PP 890 toT UU fod c9X yo) wrw
Integrals (if present): 89S %+6
36 | SAILON-74 Find a Font
GRK25 10 point Greek (height = 26 pixels = 21 +5, width < 29) | by Tovar
Alphabet only. Transliteration scheme given above.
ABITAE ZHOIK AMNEO IIPZTT XR afybe fndix Awwko wpoery dx¥w
GRKL30 = 14 point Greek (height = 35 pixels = 25 + 10, width < 32) by Andy Moorer & Tovar
Alphabet, parentheses and integrals. Transliteration scheme given above..
ABIrAE ZH@IK AMNEO IIPZTT se tect fnOux AuvEO resi exw () S$
ee
GRK3O 13 point Greek Medium (height = 32 pixels = 27 +5, width < 35) by Tovar
Alphabet only. Upper case heights very uneven. Transliteration scheme given above.
ABIAE ZHEIK AMNZO TIPETT XVM aByse fndex A\uvto mpory dxpw
= trou b ue £ ND Wities
GRKB30 12 point Greek Bold (height = 31 pixels = 25 + 6, width < 32) = by Andy Moorer & Tovar
Alphabet plus integrals. Transliteration scheme giveh above.
ABIL AE ZH6OIK AMNEO IIPZTT $XVN abrsc fn Auvto mporu dx¥w S$
GRKL4O $16 point Greek (height = 42 pixels = 32 + 10, width < 40) by Andy Moorer
Alphabet and integrals. Transliteration scheme given above.
ABPAE ZHOIK AMNzO TIPETT éxXwn aB'Ybe fndux Awko MorTU
bxyw J ce ars
_GRKB40 $15 point Greek Bold (height = 40 pixels = 32 + 8, width < 40) by Andy Moorer
Alphabet and integrals. Transliteration scheme given above.
ABITAE ZH@IK AMNiO TIPZTT @X¥Q aByée tnOx duvto
wpaTtu¢gxww S$ -
GRKL50 22 point Greek (height = 57 pixels = 41 + 16, width s 49) by Andy Moorer
Alphabet, parentheses, and integrals. Very ragged and uneven in lower case heights.
Transliteration scheme given above.
ABPAE .ZH6EIK AMNEO TIPZTT @XVN abyde FnOrx
Auvto moat dx~w() SH —
GRKB50 19 point Greek Bold-(height = 50 pixels = 40 + 10, width < 49) by Andy Moorer
Alphabet and Integrals. Rather ragged. Transliteration scheme given above.
ABLTAE ZH@IK AMNEO HP2TT XUN abrbe: tnd
duvto mporu oxyw S$
Special Fonts : | 37
Hands
FING . 55 point Hands (height = 150 pixels = 150 + 0, width < 125) oi he by @MIT
Alphabet only.
LL HAL BTN
FINGA 55 point Hand Alphabet (height = 150 pixels = 150 + 0, width s 125) by @MIT
Alphabet only in both forms.
38 SAILON-74 Find a Font
| - Hebrew
HBRW25 17 point Hebrew (height = 45 pixels = 32 + 13, width < 32) by Raphael Finkel
Includes all final forms and Yiddish characters.
Transliteration: A28 a2 8 B23 b=5 nD Ged DoT He V9 Us’ 094 vot) 29? XoM Tot Yo" i>*
yo" [98 kod K9d 897 199 1465 Mod mod Nod n>] C2B Jo) p18 Pad FB fa &o¥ +7 Qo ROT
SoU so¥. wah Woh
Vowels and special characters: A+<half space> @-<full eed AP, SF, 9, n> U>, Yo, 7m,
"a! rm, Bere ty"
rite wee
o” "AAWWTP ysadpsy poe . Sw oom NYT SSSR
CL] <>) 716. yt 96768 43210
-DUYOW NP BOY PR'D. IY MTD PR YIN 8 IMD TNT TY, wart On PR 8
HBRW40 24 point Hbree (height = 64 pixels = 50 + 14, width s 29) by Raphael Finkel
Lacks final forms. ~
Weanaliteratsor: Ao8 Boa Goa D+" Ha} vo) 73} xP) T2% y~" Ka) ie, Mold mo Now CoD
HY PB a8 9 Ro SoU wall 7
, } pws pypyo sae5> ‘enn mt3s8
Special Fonts
Mathematics
MATH25 10 point Math (height = 25 pixels = 20 + 5, width < 23)
Collected from various fonts.
$95 lof DoV 895 +94 -9F x9Xx. 494 \o/ #9
(9¢ )9) <9< 29> [4 }o% rok sod To. mon ave b9E 692 do2 esx Be
MATH30 13 point Math (height = 32 pixels = 23 + 9, width s 27)
Largely derived from PLUNK.
xArEcoNUVIAesws’/CORZ[]el
NIE AFD 05 G9T [9S AWN SHB EVE FH
Keg Jo¢ Nod Mop Lo# O92
09° C9 B9% << 29> 59¢ 29) [4€ }4> (9( )>)
+9 -9F XIX Kot \ov #96 9% 90, '9! you 25>
070 190 244 340 498 556 658 750 DWV
av& bIS C92 doe por QoF rok sod ToL iol jo ko Io) mill nll
MATH4O 15 point Math (height = 39 pixels = 33 + 6, width < 25)
A few big operators.
$2 val of ge
MATHSO 20 point Math (height = 53 pixels = 35 + 18, width < 34)
More big stuff.
HD me o(») fe] ef +] Hr/
MATHSS $21 point Math (height = 55 pixels = 48 + 7, width < 40)
Top of the line.
“SHS SEN Ele
39
by Les Earnest
by Les Earnest
by @MIT
by @MIT
by @MIT
40 SAILON-74 Find a Font
Miscellaneous
ZERO3O 13 point Zero Width Accents (height = 34 pixels = 26 + 8, width = 0) by Les Earnest
Zero width symbols overwrite the following character and are useful for accents in certain
European languages and in mathematical notation. :
ND Aaa we Nee ee Pa a SS
Here are examples of the above accents used with Baskerville (BAXL30):
aaaadaaade
Pie moni suni ar kaulu, otreiz nepienace ar galu.
Abols no abeles falu nehuit.
MS25. 10 point Miscellaneous (height = 25 pixels = 20 + 5, width < 34) by Les Earnest
Collected from various places.
195 295 [9« o> Lof $9¢ 190 te BON 9
A§ Bt Co} @9% c2© r7@ do* ho fi usp
9929 To Kor e975 Dot, Ext Fat Gost Hos lon Joo
079 [949 B79 ip PHO QJ RG SH
MS30 _s13 point Miscellaneous (height = 32 pixels = 28 + 4, width < 22) by Les Earnest
Collected from various places.
ti 245 {4« }9> Lok A$ Bot Cot oH 30
BAXS30 12 point Baskerville Supplement (height = 30 pixels = 22 + 8, width < 48) by Les Earnest
: Ligatures, scandinavian, and other symbols.
LY B75 098 #96 #5. Ht 9 © [oS I) 294 <9 >>>
‘BAXL30: @-ff A-ffi Boffl C-fi D-fl E>—
BAXI30O: Poff Qofi Raffi S#fi Tofl U2— V24 Wad X94 Yoo 148 [40
BAXB30: ‘ff a>ffi boffl cofi d-fl ev—
Phonetics
IPA25 10 point Phonetic (height = 25 pixels = 20 + 5, width < 16) by @CMU & Paul Martin
International Phonetic Alphabet.
Appears to be the same as FIX25 except for the following substitutions.
C91 Bre 2 £99 NIU &9 4995 CIN 26 NW UJ
V93 342 093 097 ~91 fot Ese VI] Soa tx
Special Fonts 41
Rotated
Here are some fonts for sideways tables and other graphics.
FIXR13 5 point Rotated Fix (height = 10 pixels = 8 + 2, width = 13) by Tovar
. FIX13 rotated clockwise 1/4 revolution.
gee at ran ee Aha cece threat AE fay Pa hofide dl Pats dali led Re ESEANN arate Beets a Fins af at a @are@mwanavwesd
: verre
uae
en"
sias,
FIXR16 = 7 point Rotated Fix (height = 16 pixels = 13 + 3, width = 25) by Tovar
FIX16 rotated clockwise 1/4 revolution.
PWOMOM Nore ACAZO VODWMWH CK<EX<N woNQH wOoOT-~— F-33530
TAIN CKCXCN BOFPNWHE WMNMW © Rk D> 1 A FY BAH UYUDE
MG Ud OS Fie A Oo War IACI LM cor Cis cies) BT AES OO BRA OBL (eben = Se Tm Fel AI ese
“Se 198 to A " v “ @ ax r~ = > Ft “mam = 2
Teas =
-cs
© «Cc
=>
ero
s
ooo
» 5
mien =
wc 0
oc
c
|
Scandinavian
-SCAN3O 10 point Scandinavian (height = 26 pixels = 25 + 1, width < 29) by Odd Petterson
Supplementary symbols for several fonts.
FIX25: WoA «28
NGB25: A3A asd Bo bom C38 c39
BASISO: Q04 qrd R+A r+@ S30 s+
ICE34 _—_13 point Old Icelandic (height = 34 pixels = 29 + 5, width < 39) by Tom Fowler
This font is a mess; it is apparently derived from IPA25.
ABDEF GHIJK LMNOP RSTUV XYZ abdef ghijk Imnop rstuv xyz 8123456789 Sa ee er a
Sake ra
Substitutions: «+1 A26 (49 90) 99 d4f Yo3 3468 e958 oJ Loy dot $98 290 298 vou fof #0z
833 %9P 890 (945 9d #9 449 [op <9@ 298 ME 20 Q 0 CoE Q-Y W930 THE eal cok qu wot
{ad Joe.
42 eee ' SAILON-74 Find a Font
Seals
STA200 79 point Old Stanford Seal (height = 216 pixels = 108 + 108, width = 216) by Tovar
STAN2 79 point Newer Stanford Seal (height = 216 pixels = 108 + 108, width = 225) by Tovar
Se
Displaced
Here are some fonts that have been displaced from their normal positions. Since Pub and Pox have
facilities for eee = fonts up or down, these displaced fonts are not strictly necessary.
SUP =—s._— 9 baie Superscript (height = 21 pixels = 28 + -7, width < 20) ; by Tovar
- Made by-displacing NGR20 upward.
.ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij kimno pqrst uvwxyz 01234 56789 La BA-EnAWICDNUVIG#_wr APs
Pay eS Ta" Chee, fires tel tet}
Example using NGR25 for main text: E = MC? (Einstein was a square M.C.)
SUB ‘ 9 point Subscript (height = 21 bien =9+ 12, width $ 20) by Tovar
‘.Made by displacing NGR2O downward.
ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij kimno pqrst uvwxyz 01234 56789 a BA-~EnADICINUVISs# +P
RS 2 a Ser i<e>7?@[\]te'{]}
Example using NGR25 for main text: HO is tasteless; H2SOq is tangy.
Special Fonts 43
Tengwar
Here are tengwar (Elvish characters) from Tolkien’s "Lord of the Rings". For a discussion of
composition techniques, see TENGWR.DON [UP,DOC].
TNG40 _ 15 point Tengwar (height = 40 pixels = 32 + 8, width < 33) by Bob Currier @lSl
Modified by Don Woods.
293 €9% 004) 399 NY 89 v5 AoC #9 tol $3) 19, 9-09. 9 p29 Aac Bopn Coq Dopo Ex
Fab Goa Hod lat Joay Ko] L4G Mom Nero Pap Rap $46 Tap Uxo Valn Wan Yoa 246 as"
cod doko eo “ god had: is pa so ne 04 ray sod toh us” wd y> 2401 |>)
i €mgb a Gbsri€.
6th ym pri mjyit
frome Geb rok!
ro-digys por pojyig
j Gey Yb.
brave 9, ch Grobe
rok ib, 6} mb inprol
TNG75 ~— 28 point Tengwar (height = 75 pixels = 50 + 25, width < 72) by Don Woods
A larger
a” -
Be o>) at) ue 24 ? va s-bo be wry Bo ral IT jt <eOe
re B+ cof ad rsp eel Hod ia Kg ee MoT NaI 04 as) RaJO
640 Ld U3 “abo w-2D yoCf 2-0 ao re! hd e> Grncck io jo n> me
sss Cl te ws” yr ye, ‘ned [>I
| Cmyh qT brie,
Ot kaym pm! DjviT
& 2G colees Cob!
rea tnd pom poivic
[ GC hoyrrm wb
bmtc4. Gi ‘combo.
mb ii, 6} mb ipl
7 _ SAILON-74 Find a Font
eae
1 cmb WC bwIC,
Oc yr pr DIVIG
ae aon ee Cwob!
sla le
rob ID, 0) ay ips!
45
APPENDIX A
Blacklist
The following fonts are not included in the preceding catalog for the reasons given here. They
Should be fixed or deleted.
Font
BDJ22
BDJ28
FORN25
KBD25
LG25
LGI25 .
LGR25
MISC25_
_MISC30
-PLT11
PLT1IR
PLUNK °
SUPSUP _
SUBSUP
SUBSUB
Reason
Too ragged in many places.
Too ragged in many places.
Identical to FIX25 except that the accents ‘’ ~ have zero width, so that they overwrite the
following character. ZERO3O has an equivalent set of accents and is more complete.
Keyboard is identical to FIX25 except for “’ ~", which are made to look more like they do
on keyboards, which is a difference of little utility.
Appears to be identical to GACB25.
Despite its name, this italic doesn’t match either LG25 or LGR25. GACI25 is better.
Substantially the same as GACB25.
Sonareaded by the more complete MS25 and ZEROSO.
Superseded iy the more complete MS30 and ZEROSO.
This teeny font is unreadable.
So is its rotated cousin.
Superseded by the mane complete MATH30 and MS25.
Super-superscript font is unnecessary. Pub and Pox provide better ways of dealing with
vertical displacements.
Sub-superscript is unnecessary for the same reason.
Sub-superscript is similarly unnecessary.
46 . SAILON-74 Find a Font
"APPENDIX B |
Character Codes
Here is the Stanford A. I. Lab. (SAIL) Character Set and corresponding octal codes.
Ee ney ae
wn
2.
g
i)
oa
=
=
<e
aR
t<*]
bee
2
»
=
—
= | i
un
~
Sir xmmM> |S
nh
xa
om @ 8 NID
-<c taamw
5
oi xrvuoil
e
ao
@
-XUl@ HOM
oe t LOO VN
168
178
HAO FO KOKO Wt Rr c<B
e\nao-—-o <O—-PFPoOorwrw—-st yu
N De ONDCOs N¥
—e-—-OAa rol Oa
oc280e “Cars
we Sho SZ NV Oe
lO NF
W
BS
m
Cc
Here is a list of octal code differences between the SAIL character set, the ASCII set upon which it
was based, and the CMU and MIT sets, which was based on both. A blank entry in a given row
means that symbol has no representation in the given character set.
In ASCII, all symbols from ’0 through ’37 are control characters whereas we use many of these codes
for graphical symbols. The following list of differences between principal XGP users.
CMU &
Symbol SAIL ISI MIT ASCII
A 10 :
ho cane "13. 13 Vertical tab
= "230 30 137 e ky) .
* "32 32 "176 "176
e 33 "33 "82
T "136 "136 13
e | 137 30
ESC "178 "176 33 38 Escape (Altmode)
} "176 "175 175 "175
» 1) SBS if fi "t74,"10° 10 10 Backspace
. € a "136 "136
DEL tT WHS _ Delete
47
APPENDIX C os =F
Font File Format
A font file is a collection of up to 128 glyphs, usually representing a character set in some typeface.
Parameters defining size and relative placement of a glyph are diagrammed below.
Previous character Next character
ends here —————> —————_ begins here
left character right
# kern »|/—— width —/¢ kern >
Logical top
rows from top
'
base-
line
data row count
height
——— raster width ———
Logical bottom
Figure C-1. Glyph Parameters
The baseline is the distance from the logical top of the glyph to the imaginary line on which the row
of glyphs rests (though they may extend below this line). All glyphs in a given font file have the
same height and baseline.
The format of font files is given below, based on 36 bit words. All distances are measured in pixels,
which for our XGP are .005 inch.
48 SAILON-74 Find a Font
WORDS '0-'177: XWD CHARACTER_WIDTH, CHARACTER_ADDRESS
The ‘first 128 words of the file contain pointers in the right half to the word number where the
corresponding characters definition begins. The left half of each word contains the character width
(i.e. the logical width).
WORDS '200-’237:
'200 CHARACTER SET NUMBER | {unused by us]
'201_ HEIGHT Overall height of font (pixels).
’202 MAX WIDTH Width of widest character (seldom used).
203. ~=BASELINE Logical height above the baseline.
'20¢ COLUMN POSITION ADJUSTMENT [Obsolete—should be left at 0)
7205 FONT CHARACTERISTICS Reserved for future use
’206-'237 , Reserved for future use.’
WORDS 240-377: ASCIZ [FONT DESCRIPTION/
This text field of up to 480 characters should contain the full name of the font, who made it or
where it came from, and possibly how it was created.
REMAINDER OF FILE
The remainder of the file consists of glyph definitions pointed to by the right halves of words ’0-
*177. Each glyph has the following format, using the FAIL Byte instruction.
BYTE (9) RASTER_WIDTH, CHARACTER CODE (18) WORD_COUNT+#2 .
WORD _COUNT+2 is total space devoted to this definition. If RASTER_WIDTH is 0, then use
CHARACTER_WIDTH (above). RASTER_WIDTH is the physical width of the glyph, while
CHARACTER_WIDTH.‘ is the amount, the column counter is advanced after printing this glyph.
This allows glyph to space more or less than their actual width.
BYTE (9) LEFT_KERN, ROWS_FROM_TOP (18) DATA_ROW_COUNT
LEFT_KERN is the amount by which the glyph overlaps the preceding character. Note that the
right kern is not specified, since its value is implied by the other width paramere? (LEFT_KERN,
CHARACTER_WIDTH, and RASTER_WIDTH).
ROWS_FROM_TOP is the number of blank rows between the logical top and the top of the bit
raster. This avoids having to store rows of zeros for glyphs that do not extend all the way to the
top. DATA_ROW_COUNT is the number of rows in the bit a which need not extend to the
logical bottom.
BLOCK WORD_COUNT
The balance of the glyph definition is the bit raster, with “O" representing "white" and "1"
representing "black". If the CHARACTER_WIDTH is 36 or less, then the data are packed into
words such that an ILDB gets the next scan line. Otherwise, each scan line starts at first available
word boundary.
49
APPENDIX D
Other Places, Other Names
Stealing fonts is a lot like stealing jewels. To do it successfully, you have to know where to look and
be able to recognize what you find. This appendix lists some of the classier joints on the ARPAnet
and the names they use for fonts we have already, to aid in recognizing new fonts. If you are
interested in questions of morality, see the "Font Dissemination Policy" in Section 1.
Font swiping is complicated by name changes. Some font file collections have been totally renamed
so that they are "more orderly" in some sense. In order to use an imported font, you must convert it
to our font file format (Appendix C).. This process is complicated by the fact that there are currently
something over 10 different font file formats in use at just four sites that we know of. FCOPY
' "knows" how to convert the standard MIT and CMU formats and generally does the right thing, but
you may need some help from our non-resident expert, Tovar (TVR eSU-AI).
CMU
The Al group at Carnegie-Mellon University was the first to implement an XGP system and did
much of the pioneering work in creating fonts. Lee Erman (Erman eCMUB) is a good contact.
The CMU font files are located in area [A730KS00] eCMUB. They generally use the same file
names that we do, except that their extension is ".KST". To convert to SAIL format, use FCOPY
with the /CMU switch.
MIT
The MIT AI group‘has been quite active both in creating and stealing fonts. Tom Knight (TK
@MIT-AI) usually knows what is happening.
The MIT fonts are in areas FONTS and FONTS1 eMIT-AI and have ".KST" extensions. Alas,
they use a different naming convention, of the form
<height><width><type>.KST
where the height is in XGP pixels, the width is a single letter ("F" or "V", denoting fixed or
variable), and the type is a | to 3 letter descriptor, with G or R for Gothic (sans serif) or Roman
(serif) and L,-I, or B for light, italic, or bold respectively. For example, our NGB25 is called 25VGB
there. "Special" fonts fonts are marked with an "S" prefix. There is recent evidence that this tight
little scheme is falling apart.
- Known correspondences with our .font names are listed below. To convert to our format, use
FCOPY with the /MIT switch,
ISI
Pete Alfvin (ALFVIN elSIA) is a contact at ISI. Their fonts are in directory <FONTS> eISIx |
(where x = A, B, C, ...) and have "XH" extensions. Alas, they too have succombed to the renaming
fad and use font names of the form
<type><height><modification>.XH
50 SAILON-74 Find a Font.
where type is generally the same as ours (e.g. "NGB" for News Gothic Bold), the height is in "points"
(1/72 inch), and the modifcation, if given, may be "B" for boldface, "I" for italic, or "L” for lightface.
The ISI font file format is described in <KGP-DOC> FONTS.DOC eISIB and <KGP-DOC>
FONTS.FILEFORMAT eISIB. It is supposedly identical to MIT’s font format, with the exception
of the "byte count” field (see their documentation file). To convert, try FCOPY with the /MIT
switch. Who knows, it might work.
Cross Index
Here is a list of all SAIL fonts, in alphabetical order, together with corresponding CMU, MIT and
ISI names. Blanks mean no corresponding file is known. The correspondence is not exact in all
cases. |
SAIL CMU MIT ISI Name
APL25 APL25 S25APL APL symbols
ASTR25 ASTR25 Astrology
BASB30 -BASB30 30VRB BASIIB Baskerville Bold
BASI30 BASI30 30VRI BASIII —_ Baskerville Italic
‘BASL30 BASL30 30VR BASIIL Baskerville
BASL35 BASL35 , Baskerville
BAXB30 BASB30 30VRB |. BASIIB Baskerville Bold
BAXI30. BAXI30 30VRI BASIII — Baskerville Italic
BAXL30 BAXL30 30VR BASIIL Baskerville
BAXM 30 Baskerville Mathematical
BA XS30 Baskerville Supplement
BDB30 BDB30 3IVRB Bodoni Bold
BDI25 BDI25 25VRI BODYI Bodoni Italic
BDI30 BDI30: Bodoni Italic
BDI40 BDI40 40VRI BODI5I Bodoni Italic
BDJ20 BDJ20 Bodoni Mathematical
BDJ25 BDJ25 Bodoni Mathematical
BDR25 BDR25 25VR BOD9 Bodoni
BDR25X BDB25 : 25VRB ‘Bodoni Bold
BDR30 BDR30 _ -: 31VR Bodoni
BDR40 =BDR40 40VR BODI5 Bodoni
BDR66 BDR66 66VR Bodoni
BEESIX BUCK36 36VBEE Bocklin
BUCK75 BUCK75 73VBEE Bocklin
CHS50 CHS50 S50CHS Chess pieces
CLAR30 CLAR35 37VRB Clarendon
CLAR40 CLAR45 Clarendon
_ CNT57 Countdown
COR20 20FCOR Courier
CORNER Corner Decorations
CORON Coronet Bold
CRTURZ CRTURZ Creatures
CTL25 CTL25 25VCTL CTL9 Original City Lights
CYR25 CYR25 S25CYR Light Cyrillic
- Appendix D
FIXR 16
SAIL CMU
CYR30
FING
FINGA
FIX 13
FIX 13X
FIX20 -
FIX25
FIX 25X
FIX30
FIX40
FIXR13
CYR 30.
FIX 13
FIX20
FIX25
FIX 30
FIX40
FIXRI6
GACB25
GACI25
GACB25
GACI25 -
GACLI6
GACLI8
GACL22
GACL25
GERM35°
GERM 70
GRFX25
GRFX35
GRK25
GRK30
GRKB30
GRKB40
GRKB50
GRKL30
GRKL40 GRKL40
GRKL50 GRKLS50
HBRW25 HBRW25
HBRW40
ICE34
IPA25
LPT
MATH25
MATH30_
MATH40
MATH50
MATH55
METL
METLB
METLBI
METLI
METM
METMB
METMBI
METMI
GACL25
GERM35
GERM70
GRK25
GRK30
GRKB30
GRKB40
GRKL30
IPA25
GRKB5O .
MIT ISI
S30CYR
FING
FINGA
13FG
13FGB
20FG
25FG
FIX5
FIX8
FIX9
30FG
40FG
FIX11
FIX15
SI6ROT
25FGBI
25FGI1
16FG
18FG
22FG
25FG1
S35GER
S25GRK GREK9
S30GRK GREKII
S25HBR
S40HBR
S251PA
QRP
S53SYM
SPLUNK
METL
METLB
METLBI
METLI
METM
METMBI
METMBI
METMI
51 |
Name
Medium Cyrillic
Hands
Hand Alphabet
Fix
Fix Bold
Fix
Fix
Fix Bold
Fix
FIX
Rotated Fix
Rotated Fix
Gacham Bold
’ Gacham Italic
Gacham
Gacham
Gacham
Gacham
Old German
Old German
Graphics
Graphics
Greek
Greek Medium
Greek Bold
Greek Bold
Greek Bold
Greek
Greek
Greek
Hebrew
Hebrew
Old Icelandic
Phonetic
Line Printer
Math
Math
Math
Math
Math
Meteor
Meteor Bold
Meteor Bold Italic
Meteor Italic
Meteor
Meteor Bold
Meteor Bold Italic
Meteor Italic
52
SAIL CMU
"METS
- METSB
METSBI
METSI
MICR25 MICR25
MS25
MS30
NGB25 NGB25
NGB30 NGB30
NGB40 NGB40
NGI20.
NGI25 NGI25
NGRI3 NGRI3
NGR20 NGR20
NGR25 NGR25
NGR30 NGR30
NGR40 NGR40
NGR40L NGR4OL
NONL |
NONLB
NONLBI
NONLI
NONM
NONMB
NONMBI
NONMI.
NONS
NONSB
- NONSBI
NONSI
OLDENG
PLAYBI. PLAYBI
QUUV25
QUUX25
SAIL25
SCAN30
SET!
SETH,
SGNII4 SGNII4
SHD40 SHD40
SIGN57 SIGNS?
STA200
STAN2
SUB |
SUP
TNGII2
TNG40
TNG75
SAILON-74
MIT
METS
METSB
METSBI
METSI
25VMIC
25VGB
-31VGB.
20VGI
20VGI
13VG
20VG
25VG
31VG
40VG
40VGL
NONL
NONLB
NONLBI
NONLI
NONM
‘NONMB-
NONMBI
NONMI
NONS’
NONSB
NONSBI
NONSI
30VXMS
36VPLY
“25VQXB
25FQXB
25FR
33FR
33FRI
114VSG.
40VSHD
57VSGN
STA 200
STA2
SUB
SUP
ISI
MICR9
NGR9B
NGRIIB
NGR9YI
NGR9OI
NGR5
NGR8
NGR9
NGRII
NGRI5
NGRI5L
OLDENG
SHDI5
SIGN21 -
Subscript
Name
Meteor
Meteor Bold
Meteor Bold Italic
Meteor Italic
Microgramma
Miscellaneous
Miscellaneous
News Gothic Bold
News Gothic Bold
News Gothic Bold
News Gothic Italic
News Gothic Italic
News Gothic
News Gothic
News Gothic
News Gothic
News Gothic Medium
News Gothic
Nonie ;
Nonie Bold
Nonie Bold Italic
Nonie Italic
Nonie
Nonie Bold
Nonie Bold Italic
Nonie Italic.
Nonie
Nonie Bold
Nonie Bold Italic
Nonie Italic
Old English
Playbill
Quux Variable Bold
Quux Fixed Bold
Delegate
Scandinavian
Setl
Set1 Italic
Sign
Shadow.
Sign
Old Stanford Seal
Newer Stanford Seal
Subscript
Superscript9Superscript
Tengwar
TENGWR TENGWR Tengwar
Tengwar
Find a Font
Appendix D -
SAIL CMU MIT ISI Name
XMAS25 XMAS37 37VXMS XMAS9_ Old English
XMAS40 XMAS43 43VXMS XMASI4 Old English
ZERO30 Zero Width Accents
53
‘54
SAILON-74
APPENDIX E
Regular Font Size Index
- Find a Font
Samples of variable and fixed width regular fonts (no specials) are given here: in order of increasing
size. For an alphabetical index, see Appendix D.
Variable Width
Height
6 A tot 2 day Veeps the typeeranher sway, The quick brown Pox jumps ever the Iszy Pub, I'll publi, righ! or wrong: Fo0ls are my theme, lel salire bo my song.
8 A font a day keeps the typographer away The quick brown Pox jumps over the lazy Pub I! publish right o
8 A font a day keeps the typographer away. The quick brown Pox jumps over the lazy Pub. I'll publish,
9 A font a day keeps the typographer away. The wulek brown Pox jumps over the lazy Pub. I'll publish, right
10 * font a day keeps the typographer away. The quick brown Pox jumps over the lazy Pub. " publish
10 A font a day keeps the typographer away. The quick brown Pox jumps over the lazy Pub. I'll pu
10 A font a day keeps the typographer away. The quick brown Pox jumps over the lazy Pub. I'll
10 A font a day keeps the typographer away. The quick brown Pox jumps over the lazy Pub.
10 A font a day keeps the typographer away. The quick brown Pox jumps over the lazy Pub.
10 Afonta day keeps the typographer away. The quick brown Pox jumps over the lazy Pub.
10 A font aday keeps'the typographer away. The quick brown Pox jumps over the lazy P
10 A font a day keeps the typographer away. The quick brown Pox jumps over the lazy
10 Afonta day keeps the typographer away. The quick brown Pox jumps over the lazy
10 A font-a day keeps the typographer away. The quick brown Pox jumps over the lazy
10 A font a day keeps the typographer away. The quick brown Pox jumps over the l
10 A font a day keeps the typographer away. The quick brown Pox jumps over the l
10 A font a day keeps the typographor away. The quick brown Pox jumps over the lazy
10 A font a day keeps the typogsapher away. The quick brown Pox jumps over the ||
10 A font a day keeps the typographer away The quick brown Pox jumps over the la
10 A font a day keeps the typographer away. The quick brown Pox jumps over the lazy
10 A font a day keeps the typographer away. The quick brown Pox jumps ove.
10 A font a day keeps the ‘typographer away. The quick brown P
12 A Font a tay keeps the typoyrapher atuay. The quick brotm Fox junps ober the lazy pub. .
12 A font a-day keeps the typographer away. The quick brown Pox jumps over th
12 A font a day keeps the typographer away. The quick brown Pox jumps over th
12 A font a day keeps the typographer away. The quick brown Pox jumps over the la
12 A font a day keeps the typographer away. The quick brown Pox jumps over the la
12 A font a day keeps the typographer away . The quick brown Pox jumps over th
12 A font a day keeps the typographer away. The quick brown Pox jumps over
l2
A font a day keeps the typographer away. The quick brown Pox jumps over
File Page
NGRI3 16
NGIZO 16
BDJ20 °
'NGR2O 16
NONS 19.
NONSI 19
NONSB 19
NONSBI 19 .
CTL25 23
METS 13!
METSI 18
METSB 13°
METSBI 13
BDR25 8
BDI25 = 8
BDJ25
BDR25X 8
NGR25 17
NGI25 17
NGB25 17
MICR25 16 _
QUUV25 24
OLDENG 22.
BAXL30
BASL3O
BAXI30.
BASI3O
BAXM30
BAXB30
BASB30
“eS
nonoodsdn’ WF wo
Appendix E
Height
12
A font a day keeps the typographer away. The quick brown Pox jumps over th
A font a day keeps the typographer away. The quick brown Pox jump
A font a day keeps the typographer away. The quick brown Pox jumps ov
A font a day keeps the typographer away. The quick brown Pox jumps ov
A font a day keeps the typographer away. The quick brown Pox jumps over
A font a day keeps the typographer away. The quick brown Pox jumps
A font a day keeps the typographer away. The quick brown Pox jumps
A font a day keeps the typographer away. The quick brown Pox jumps o
A font a day keeps the ty pographer away. The quick brown Pox jumps
A font a day keeps the typographer away. The quick brown Pox ju
A font a day keeps the typographer away. The quick brown Pox ju
A font a day keeps the typographer away. The quick brown Pox jumps
A font a day keeps the typographer away. The quick brown Pox ju
A font a day keeps the typographer away. The quick brown Pox jump
A font a day hoops the Aypographer away. The quick brown Por Jumps over the laay Pub. I'M publish, rig
A font a day keeps the typographer away. ‘The quick brown Pox jum
A font a day keeps the typographer away. The quick brown Pox jum
: A font a day keeps the typographer away. The quick brown Pox jum
A font a day keeps the typographer away. The quick brown Pox
A font a day keeps the typographer away The quick brown Pox
A font a day keeps the typographer away. The quick brown P
A font a day keeps the typographer away. The quick brown P
A font a day keeps the typographer away. The quick brown
A font a day keeps the typographer away. The quick brow
% font « day keeps the typographer away. Whe ae
A font a day keeps the typographer away. The q
U font a day teepf the typographer away, The quict brown Por iumpf over the |
A font a day keeps the typographer away. The quick bro
A font a day keeps the typographer away. The quic
‘A font a day keeps the typographer away. The quick br
@ VOU @ BOY BEEPS THE TYPHERGPRER w
File Page
BDR30 9
BDI30. 9
BDB3O 9)
NONM 20
NONM 20
NONMB 20
NONMBI 20
METM 14
METM - 14
METMB 14
METMBI 14
NGR3O 17
NGB30. 17
BASL35 . 6
PLAYBI 23
NONL 2k
NONLI 21
NONLB 21
NONLBI 21
BEESK 7
METL 15
METLI 15
METLB 15
METLBI 15
XMAS25 22
CLAR3O 11
GERM35 23
BDRAO 9
BDI40 10
NGB40 18
SHD40. 24
55
56 SAILON-74 Find a Font
Height File Page
16 A font a day keeps the typographer away. The quick brown nNeor4o. 18
16 A font a day keeps the typographer away. The quick brow NcR4o 18
| i7 A font a Jay keeps the tupographer away Wh XMASAO 22°
. 18 A jo a day heeps dhe ty ographes away, he quick beoen Pie jumps ov CORON 12
is A font a day keeps the typographer a ciarso 11.
2 ARDY A ORY NEEDS WHE TVPG ns:
2 A FONT A DAY KEEPS T | so;
2s A font a day keeps the typographer sos
2s U font a daly feepf the thpographer away. cero 23
» A font aday keeps the typographer sos 7
«A FONT AD .q..
N
Appendix E
Height
6 A font a day beeps the typoarapher away. The quick brown Pox jumps over the lazy Pub. I'll publish, right or wron
6 A font a day keeps the typagrapher away. The quick brown Pox juaps over the lazy Pub. I'11 publish, ri
§ : A font a day keeps the typographer away. The quick brown Pox jumps over the lazy Pub. I'11 publish, ri
8 A font a day keeps the typographer away. The quick brown Pox jumps over the lazy Pub.
8 A font a day keeps the Lypediapher away, The quick brown Pox jum
9 A font a day keeps the typographer away. "the quick brown Pox jumps over the lazy Pub. °
9 A font a day keeps the typographer away. The quick brown Pox jumps Sean the lez
10 A font a day keeps: the typographer away. The quick brown Pox jumps over t
10 A font a day keeps the typographer away. The quick brown Pox jum
10 A font a day keeps the typographer away. The quick brown Pox jum
10 A font a day keeps the typographer away. The q
10 A font a day keeps the typographer away. The quick brown Pox jum
10 A font a day keeps the typographer away. The quick brown
10 A font a day keeps the typographer away. The quick brown Pox.
10 A font a day keeps the typographer away. The quick brown Pox
12 A font a day keeps the typographer away. The quick br
13 A fort a day keeps the typographer away. The
13 A font a day keeps the typographer away. The
Fixed Width
is A font a day keeps the typographer away.
File
FIX13
FIX13X
- GACLIG
GACL18
COR20
FIX20_
GACL22
GACL25
GACI25
GACB25
QUUX25
FIX25
LPT
FIX25X
SAIL25
FIX30
SET]
SETII
FIX40
Ff
Page
26
26
29
29
26
26
74 fe
30
30
30
31
Live Music Archive
Librivox Free Audio
Metropolitan Museum
Cleveland Museum of Art
Internet Arcade
Console Living Room
Books to Borrow
Open Library
TV News
Understanding 9/11