JANA-CKAIviPAIOff
MUSIC
Return this book on or before the
Latest Date stamped below. A
charge is made on all overdue
books.
University of Illinois Library
FEB
MAR -4 19'
APR 19
BUfc.
2 1944
j$&*f*T
m
is-?
MA^^HWk—
FXj-
rmit
THE FIREFLY
A COMEDY OPERA BY
OTTO HAUERBACH & RUDOLF FRIML
Vocal Score, Pr. $2.00 net
■i*uii«uiNEW YORK : G. SCHIRMER
WfflOWHII|§^ STON . THE BOSTON MUSIC CO.
URBANA
THE FIREFLY
A COMEDY-OPERA IN THREE ACTS
THE BOOK & LYRICS
by
OTTO HAUERBACH
THE MUSIC
by
RUDOLF FRIML
Vocal Score
$2.00 net
SECOND EDITION
New York : G. Schirmer (Inc.)
BOSTON : THE BOSTON MUSIC CO.
Copyright, 1912, by G. Schirmer
Depositado conforme a la ley de la Republiea Meiicana
en el aflo MCMXII por G. Schirmer, (Inc.) Propietarios
Nueva York y Mexico
A? if 3
THE FIREFLY
PRODUCED FOR THE FIRST TIME
AT THE EMPIRE THEATRE, SYRACUSE, N Y.
OCTOBER 14, 1912
UNDER THE MANAGEMENT OF
ARTHUR HAMMERSTEIN
AND
UNDER THE STAGE-DIRECTION
OF
FRED G. LATHAM
MUSICAL CONDUCTOR
GAETANO MEROLA
THE DANCES ARRANGED BY
SIGNOR ALBERTIERI
tA^Wis
ORIGINAL CAST OF CHARACTERS
(In the Order of Their Appearance)
SYBIL VAN DARE
SUZETTE (Maid to Geraldinej
PIETRO (Valet to Mr. Thurston)
Mrs. OGLESBY VAN DARE (Sybil's Mother)
JENKINS (Confidential Secretary)
GERALDINE VAN DARE (Mrs. Van Dare's Niece)
JACK TRAVERS (Her Sweetheart)
JOHN THURSTON (His Uncle)
HERR FRANZ (A Choirmaster)
ANTONIO COLUMBO (A Pickpocket)
CORRELLI (Nina's Guardian)
AND
NINA (A Street Singer)
Vera De Rosa
Ruby Norton
Sammy Lee
Katherine Stewart
Roy Atwell
Audrey Maple
Craig Campbell
Melville Stewart
Henry Vogel
Irene Cassini
George Williams
EMMA TRENTINI
ACT I
SYNOPSIS OF SCENES
RECREATION PIER— FOOT OF 23d STREET, NEW YORK
ACT 11
ACT III
THE VAN DARE ESTATE— BERMUDA
Three Weeks Later
THE VAN DARE HOME— NEW YORK
Three Years Later
TIME: THE PRESENT
MUSICAL NUMBERS
ACT I
NO.
page
1 -OVERTURE
1
la — Opening Chorus: "A Trip to
Bermuda"
Ensemble
8
2 —He Says Yes- She Says No
Geraldine, Jack & Chorus
29
3 — Calx Me Uncle
Thurston, Sybil & Chorus
36
4 — Love is Like a Firefly
Nina
44
5 — Something
Jenkins & Suzette
49
6 — Giannina Mia
Nina
56
7 — Finale
Ensemble
60
ACT II
8 —INTRODUCTION
8a — Opening Chorus: "In Sapphire Seas"
9 — Tommy Atkins
10 — Sympathy (Waltz-Song)
11 — A Woman's Smile
12— De Trop
13 — We're Going to Make a Man of You
14 — The Beautiful Ship from Toyland
lb — When a Maid Comes Knocking at Your Heart
16 — Finale
ACT 111
17— OPENING WALTZ
18 — An American Beauty Rose
19 — The Latest Thing from Paris
20 — The Dawn of Love (Kiss Me, and 'Tis Day)
{Concert Waltz)
21— Finale
76
Sybil & Ensemble
80
Nina & Ensemble
85
Geraldine & Thurston
88
Jack
93
Jenkins, Suzette & Pietro
96
Nina, Jack, Jenkins, Thurston
& Franz
99
Franz & Men's Chorus
103
Nina
111
Ensemble
114
Thurston & Chorus
Thurston & Chorus
Pietro & Su-yette
Ni
Ensemble
149
152
156
160
166
Book by
Otto Hauerbach
The Firefly
No. 1. Overture
Music by
Rudolf Friml
. Alia PolaccE
L
• ^
m
J
Timp.
fry ti j^^S
}
*^ '
1
—3—
poco
a
poco
F a
1 ** _± g
-F <s
-«
Copyright, 1912, by O. Schirmer
Depositado conform? a la ley de la Republica Mexlcana en el ano MCMXII
por G. Schirmer (Inc.), Propletarios, Nueva York y Mexico
,; ft&ftffff^r
~^8 ^^Te^g g^g g'lPtt^P i
£ > i*
H| f Timp.
f
f -—" "~ 1 7
ryfp* $**• •** * ^ — 1
i -p^r
r— ^ i
1 ^
Alia Gavotta
» -■
»*
-<-
■^
a tempo
^-prr "
sta
'O.
^n —
b<*' m
1—
-&-
I up rL
>■ 1
. . . . r >u
jP l JTT1 i i i > i ftJTl J^ „ ^ru i j^ |g ^ i ^ =^1
fcv = j j t tfri ^— m , |> r l = /■ p =4j j r P
> « — -^ f hd I J P J-—
■jp t J^TJj J -
>
-^=J"9ri
K JTI i» h
>. 1
**-{- u
8
_ /j|Tp p f ^r
h-4
53= 3 r «H
CJ^d: z=^
u T _
-=f '
, vJTl 4> — ^rJh J H — i
"~^. — ,
po
^TrTp
^ 'W
r — ♦^ —
rt i • ^
* g • .
— — — i — Sv
rr i
•
•^
>
2^~-^T-
l& b gfc— -—
■ jl • .^ — * —
00
1 *- — Z^
-fl- T-l
>
> — ^
r , pfTr
p L / -
-
,p¥S^
-r=
I o ^
ijt
[l . ,
>■
t*
U 1) u
\ — J — ^ — p_ — f 1
*
%fc *
i i J 1
J> fi
i^,^^
hj "p^_Jp bp if 1
Fi T" •
,nHTFi
n L— J —
a tempo -
-44^- r — h— g s
^ K =
( HP 1 IP
L -P — *— F — *-
^ i ^
a tempo
i r^ J 'V
rrrrrzi.UJ
ff — ■=
; * — k — — * —
"» >>
4i nji
A >- _
•-*— ■
•
frTT
M—
g g:
•—
»' ■
•-•-
• g:
•--
cresc.
1 ££££«(
— ^ — p-p-p-p —
1
^
:
:
3 *
3
1
Lo
—^
if f
i f-ff'rj^ — i
_TJ-3J'J> f
.T^OT
4V ,— m. — m — J—
b if 3
—m p 1-9 ■
-f -T
r* — 2 — —
L_J 1 J.g
Tempo di Valse
/ if, u p- i> i
i ^ ^
i*
Liu,
— ^ f
r r r
> r
- — > > O:
ll'H rtji l
ha* —
4. gj-i '
d; . -
'*•• ii '
U j j
> >
•
— J > *
-
a
r\ •
=9h
tardando
>■
.J. •
a tempo
—
>
{ft
— *
I —
>
yrfSf
«■
.?
•
3
•
a 8 fj
*
y
#
Galop
*
»
w
— i
9-
«
> ^8^
■ 4|» **it^ p p~^r
> _##_
uqT B
>
tf tf g 1
r
H *
»
r
' jf w+ r -
•»- •
a ,
* .tip .
^ g f
r — ;
r-
p. ^
t.
E — g—
k
»
■—»-£*—
iliiL
^ . , ' tt prr
f
r
r
r
' r ^V-k* — '
' A <¥ fr ■
ft-
■* h
■ f i
c.
uL
>
1' 1
>-
> f p :
>-
£L
m-
t.
># jU 1
|
J
ft.
j
r j
t
Jf id
■
-N
• 1
ft ,
p-
ft^ —
•
» —
Alia Tarantella
Act I
No. 1£. Opening Chorus
"A Trip to Bermuda"
^ J71J J>
J J> J J>
JTin-] |
r -jT^ J>,
J J> J, ,
>> ♦•
> #•*
>
-f* ; —
* J,. [ :
1 J' 4=
i Ju A J>j J)
Jjji jjjj mm
Jj J>J j..
J Jl j J>|
R
p » '
j iJ J>
£ -y. jp ■ W j
«•
' M t 7~~
0' ■
J. gj*; —
■#• **«
t m*ry
, , r J. ,
I u J>
m^
4V P '
,Ut£j
p t t J »
ft| • "S •
-,
23903
R
1 ^4 1
J
INTRODUCTION
s>- >
Timp.
P
— ^^^g
f\
■' H _^5' —
— s
G
J-
-fr*=-
r r p 1
l—$—
• • ■
> >
>
> >
0jJ—
V
9
K -^
P
g
••
J
0022
gsS
L 1 — -jsp
-
L— —
— -4 1
&-*
G
<r,
^
:> I
+ >
Iff Prnf-
Ptfbf
>
a?
> >
> > .
> >
> k >
r j # =:
>
J* J 3» i
# -f +r +r
►
i
*£
W. -
>
£f?^_ —
1 p
>
Captain
chest all in-flat-ing, Re - spect-ful -ly wait-ing The com-ingr of Mrs. Van Dare. There!
chest all in-flat-ing-, Re - spect-ful- ly wait-ing- The com-ing- of Mrs. Van Dare. There!
mental-ly mention The lady wots owning the yacht. What? The lady wots owning the yacht!
mental-ly mention The lady wots owning the yacht. 1
What? The lady wots owning the yacht!
mental-ly mention The lady wots owning the yacht. What? The lady wots owning the yacht 1
11
(A policeman enters and drives the crowd away)
, , *"
>
r J '
">
A
J:
•j
•■
>
i
I
•
>£7
^ « 1*" i • i**
A, 1
^J
"i — l^~ — r l^ — i
•«■ •«■ 3- -3-
>- >
Sybil
12
14
breez - es, How it teas-es, Gen-tly pleas-es.
£ftp h N N J 1
ft prf
pyr
trip to Ber-mu - da
who'd re - fuse !
Let's a - way,
The
land of cor-al m(
>r-maid
bow -
ers.
p* v n i j> | J - J- 1 J i'^ j Mr p r ^
sweep of the soft salt breez - es, How it teas-es. Gen-try pleas-es.
sweep of the soft salt breez - es, How it teas-es, Gen-tly pleas-es.
sweep of the soft salt breez - es, How it teas - es, Gen-tly pleas-es.
Sun-shine show-ers, won-drous flowrs. Lets a-wa}', let's a-way! We hate de -
Sun- shine show-ers, won-drous flow'rs. Let's a-way, let's a-way!
Sun-shine show-ers, won- drous flowrs. Let's a-way, let's a-way! We hate de
Sun- shine show-ers, won-drous flowrs. Let's a-way, lets a-way! We hate de -
Sun-shine show-ers, won-drous flowrs. Let's a-way. let's a-way!
Sun-shine show-ers, won-drous flow'rs. Let's a-way, let's a-way!
She has de-part- ed, To make some pur- chas - es that shed for - got - ten^
Chorus
* Jack shopping - , Jack shopping-.' Ha ha ha ha!
Ha ha ha ha!
Q i , Suzette
Pie-tro!
Pietro
20
Par- don. I am va-let for Mis - ter Thurs - ton! He beg-s to ask if
We want to be a - way for a love - ly o - cean cruise!.
23
let's
A - way for the love - ly o - cean cruise!
way! A - way for the love - ly o - cean cru ise 1,
24
sweep of the soft salt breez - es. How it teas-es, Gen - tiy pleas - es
sweep of the soft salt breez - es. How it teas-es, Gen- tiy pleas- es
sweep of the soft salt breez - es. How it teas-es, Gen- tiy pleas - es
r" i r p r (t i J i'^ >
w f
How it teas-es, Gen -tiy pleas- es.
Sun- shine show - ers, won - drous flow'rs.
p J. j. i-J J> J J' i ^ mm
Lets a - way,
J J> J-
bow - ers
PsEfg
Sun - shine show- ers, won- drous flow'rs. Lets a -way,
3=£
r p i r v r = i r, p r
fe
Sun- shine show - ers, won - drous flow'rs. Lets a -way,
b J Ji J J: | J _ Jl J. j r „ ^
9
bow - ers,
bow - ers,
Sun - shine show - ers, won - drous flow'rs. Let's a - way
Sun - shine show- ers, won- drous flow'rs. Lets a - way,
Sun - shine show - ers, won - drous flow'rs. Lets a -way,
26
> > > > >
27
Incidental Music
Entrance of Geraldine
Aft* j. 4 r\
^J—
■§
a
8 ' k r J Jl |
f* r^ —
H*^*— -H*
ppp
*)* \>,L a - r 1* j~
— = —
— = —
—j — ftp* 1
1 b i | 7 Li-T l
Lp_
28
Incidental Music
29
No. 2.
He Says Yes- She Says No
Geraldine, Jack and Chorus
Allegro vivace
I re -peat it, I re -peat it! Icaug-hther smil-ing!
Jack
Smiling-!
jy ^ i>— J5^ ^ p ^ J&L ^ P-=Jf^ j P
one says smile, Each the oth - er does re -vile! Which of them shall we be - lieve?
one says smile, Each the oth - er does re -vile! Which of them shall we be -lieve':
i- i^'CT
mm
imi
**«
ff
^##
»^l:
gifei
"if
mH^ hi
31
32
33
For to laug-h is but to chaff,
cresc.
And a smile is
For to laug-h is but to chaff,
cresc.
And a smilp is
And a smile is full of guile!
For to laugh is but to chaff,
cresc. ■
And a smile is
I re-peat it. I re -peat it! I caug-hther smil - ing-1
Smil-ing-!
I re - peat it, I re -peat it! I say she was laughing-!
36
Tempo di Marcia
No. 3. Song with Chorus
•'Call Me Uncle"
Thurston, Sybil and Chorus
ff >
>
> >
13
-•
~* >
1
Thurston
duce me now, my trea - sure?
na - ture el - e - merit - al,
La- dies, al - low me, may I have the plea- sure?
That is why you're so nice and com - pli - ment - al,
37
Thurston
ver - y pret - ty g-irls !
cern-ment then you show.
Chorus of Women
You are ver-y kind, Sir!
Not ex-act-ly blind, Sirl
You are ver- y kind, Sir!
Not ex-act-ly blind, Sir!
Chorus of Men
You are ver-y kind, Sir!
Not ex-act-ly blind, Sir!
You are ver-y kind, Sir!
Not ex-act-ly blind, Sir!
38
I'm an old - time con - nois-seur of pearls.
You may find me not ex - act - ly slow.
Chorus of Women
Sure-ly we won't mind, Sir!
That is what we find, Sir I
Chorus of Men
Please for - give my free and eas - y
Then I'm sure you'll un - der- stand me,
Sure - ly we wont mind, Sir!
That is what we find, Sir!
Sure - ly we won't mind, Sir!
That is what we find, Sir!
Ver - y bright and breez-y way. It's be-cause my hair is streaked with gray.
And my Hand - y - An - dy way. It's be-cause my hair is streaked with gra} r
JTO
Some-thing - seems to hit me here, When all the girl - ies call me "un - cle''
^T TTTi
Here's a man we'll have to be most care - ful a - bout!
Here's a man well have to be most care - ful a - bout!
<r-J-i 1
40
Thurston
*j
Some-thing- so quaint and dear, Some - thing- seems to hit me here, When all the
Some-thing- so quaint and dear, Some -thing- seems to hit us here, When all the
Some-thing- so quaint and dear,
3
Some -thing- seems to hit us here, When all the
Some -thing so quaint and dear, Some -thing- seems to hit us here, When all the
3
Some-thing- so quaint and dear, Some - thing- seems to hit us here, When all the
j-m
j F |^' l j f I f lijfjt
girl - ies call him "un - cle'.' He's a man to
fear!
girl - ies call him "un - cle'.' He's a man to
girl - ies call him "un - cle" Hes a man to
fear!
fear!
girl - ies call him "un - cle'.' He's a man to
fear!
4*
DANCE
o 2 rr
•
3
m
w
«
V
>
P
3
/
3
staccato
.i
— — =*—
J
3 T
— ^S
*): « J r
',-0-
»
rnz j r r r j rrr
OTi
/) K ^ A
\ => p^
p^-ffifr
»•
•
• :
9
; ;
■ •
cmft
[> M#M
i
-J-
4V H » r
r j _ —
• .?
•
.7
-
-
r
>
*
.
_ Wrfttr
^r r H j
>
j^J^
§ Hf * Rr
of 1— Lj
j f -;&£
'
1 *
'
v.\
-
•
m-
^
"f 5-
*
• •
f flft : fp •
•-
*
1 *J ^3
■*.
? LJ** ^"^
— -
•
»•
» p* r
1
cvesc.
' 4V J ? a
3
^Ll -A
■•
5* >
i 3
Incidental Music
Vivace
<fff5f
ji
:£*£
r -
t-^-i-k-fc
r 1 1 1 MM, u
£ h T7 J J J * J * J
cresc.
==^-^~
- s£
[g2I _
*
44
\o.4. Song
Love Is Like a Firefly
Nina
INTRODUCTION
Moderato
Piano
s^l.h. u f*
^- i
9*>V
4V
If^ p rfpp
j l.h/
r-A 'rf¥
or esc.
> u
1 LLLj
1 j UrL
i* S*
tip
45
Nina
1. La-dies fair, la -dies fair, Hear me! I ve some-thing- new to tell to you.
2. La-dies fair, If you care Dear - ly De-light- ful wedding-steps to take,
46
If I please, if I please, Cheer me! But dont for - g?t your pen - nies,
An - g-le not, Dan-g-le not; Clear - ly, The stout-est strings are known to
g-o-ing- to give you g-ood ad - vice.
If a flow-er comes to view,
Man and maid, man and maid
Pick it quick, Turn the trick,
Need
Vet -
me! I have a se - cret with - out price,
y Much as tho' it were your due.
47
Maid - ens who
There - fore do
with
not
love
hes -
thoughts
- i
burn,
- tate,
Lads who for sweet la - dies yearn,
Do not make a maid - en wait-,
Hear me I Come g-ath - er
Snatch her, If you would
near me: This sim - pie les - son you all should learn:
catch her! Or you will find it is all too late.
1-2. Love is like a fire- fly That g-limmers by. And dies while it is g-leam-ing-.
48
molto rit.
No.5.Duet
"Something"
Suzette and Jenks
Piano
Suzette
50
That know I ver-y well; But do not be a-fraid.
Al-wavs must he paid
I have al-ways heard, Maid-ens break their word: Prom-ise! Prom-isel
A u g REFRAIN
a tempo
imiv£RS)T> or hunch*
musk; library
51
*: ^ Some-thing
for you a-lone,
Some-thing- you've nev-er known,
Some-thing
that
1 • | d kJ j rJ
Of-ten Ive beentold, If a manyoudhold _ Jenks
heveme,deanyourplan K Wont im-press a man.k , He would see you ac-qui - es-cing.
It be-gins to dawn, What you want is "con" - fess-ing, 'fess-ing. Im con-fess-ing.
Some-thing: for you a-lone, Some-thing" youVe nev-er known, Some-thing" that
Some-thing- for me a-lone, Some-thing" I've nev-er known, Some-thing" that
2 *tt
54
DANCE
>
p
«—
i *'*tf-tr r f
>-C m ta
t :
i-
£ *
L fl[" !■ 1 1 — 1 ^ 1 — 1 1 \ —
[~
~f j — — i - — *
■
r ? -I **
>♦
r-3- *
•
1 1
•
|1 l& f B
S^**.
TT 4 !
» • p
>►
v — ^S~f = r : ?Tf^~
^
S? u-
■\j L "
.y
__i^
n r
b*
-h f J *
ft.
*).' &.**•' *
L -J— ' — a —
nHffc
t T„U. |t JJ.
>- •
P^i* ^t. r p r r ,. r r p
4 V ftJL
b 3 ii* P
' \i 3 __i"
J>4 ii4> J Ti —
-J % «— — * —
iH — — r — * —
L^j. — — J — — J —
*m ^ f j 7 y#
jd,f *f~^tj
r £
J
J
>- j
animate
.V
*
.V
^
^ s
i *»M - •
3» J,
•m
.
55
Incidental Music
Animat
j J»j ;,
rn — ~~
.— ^
O: | B | —
^ '
£
> >
> >
^--^ p-
:>
4%H
? > -
> >
■^ — - > -
fe3
— 7-
50
No. <>. Song
"Giannina mia"
Nina
1. In my g-on - do - la,
2. Soon the moon will be
love, let us glide,
drown'd in the tide,_
Oer the drow - sy, blue la -
And her path of gold will
goon,
fade;.
And- float on the yel - low tide,
And the blue la - goon will hide.
Where
In_
57
sleeps the_ dream
nig-ht's ob lit -
111 _ fash - ion a
And the pearls that I
4
tf
ift , J> >
f i cL/' i r r r i f r p
crown you 11 a - dore
place in your hair .
From the gold that lies shim-mer - ing -
Will_ die as the g"old and its
there, .
sheen;
And the sil - ver-y pearls from the dripping- oar —
Tou a - lone will re - main for me ra- diant there,
58
[-2. For.
a tempo
I a- dore, I a - doreyou, Gian - ni-na mi - a! More, more and
rit. P a tempo
more, I a- doreyou, Gian - ni-na mi - a! Queens there have been, who in
a tempo
of your wondrous hair, dear.
molto rit.
59
la- dore, I a-
doreyou, Gian - ni-na mi - a
More, more and more I a- dore you,Gian- ni-na
MU ijMlJi ^ 5ff \ ^
My hearts your throne, dear
animato
my hearts your throne, dear, There you shall
60
N9 7. Finale
"I've found it at last"
Soloists and Chorus
Allegro Franz /
I've found it at last, I've found it! Ha ha! You lit - tie
Bi -r wnr p p r i P | T ,$ \ fyr ,.p %
long-, the voice for which I've searched so long-! By g-ol-lylits- yes.it is a
61
Moderato
62
Jack
Allegro animato' Mrs. Van Dare
Franz, we can not take the boy a - long"!
Franz
Why not?
Allegro anlmato
63
Nina
64
a tempo
f-
Per-
fal
Lpsit
fcg
f .
ist as
P — f^
well,
fv_^[J [J=
«
• i
■ *
3
y=i
1
I
[4 1' A, m E f— \
ff
m-m-
-<
z^
\
^
rj '
67
Who can tell! Per-haps its just as well,
Girls
For he may be a
He may bring' dis- grace and scandal, Who can
tell!
68
Nina
Don't put your -self ex - cit - ed, don't put your - self ex
cit - ed! I would not g-o, I would not gr>- not e - ven tho in -
vit - ed!
$* t > r I p p i p I p J'*J'l p ^ J> ii-Jnrr^l
Don't put your- self ex - cit - ed, don't put your-self ex - cit - ed; He
Don't put your-self ex - cit - ed, don't put your- self ex - cit - ed; He
» P I M M I M * J I p p p p I p Jl » J) 1
Don't put your-self ex - cit - ed, don't put your-self ex - cit - ed; He
Allegro
Captain
70
£
»■ Ji j> j> J» I ; » £
V
i
We're rea - dy to clear,
3
»• JW) i> J> 1 J' y *
We're rea - dy to clear,
were rea-dy to clear, we're rea - dy now to clear!
Nina
we're rea-dy to clear,were rea - dy now to clear!.
7L»
Suzette: "Nina, look out!" Nina (sees Corelli enter) Core!! i . "So here you are'. Antonio Colombo, he tell me,
lad! Look out, look out! Or you will wish you had!
Run, my lad, Oh
J. } I J. i I 1 J I Ji J-JUlU ^^g^^
lad! Look out, look out! Or 3'ou will wish j-ou had!
lad! Look out, look out! Or you will wish you had!
Run, my lad, Oh
Run, my lad, Oh
run, my lad, oh r- r- r- r - un, my lad!
76
Act II
No. 8. Introduction
f£#i*Hr-
[*f — r
1 ag: 1
■*rrt k f If ^
#
-4- — F—
.ttf
i c I
* tfj
'f
tjlx
>
M
77
Allegro moderato
£ rt^ f\
ts- ^
* ?£;
i
fi
"T g~*f-~l
¥ \ j —
-— #ip=
/Ttfr
f _^
%b.
*
J: 3~ 2
1 jP ft A < « i 1
*V > (k
1 J.-— -
1 J | i
—
» J J
"I J
J *r
,
C ~^v
3 Tj
broadly/^
• f-
UJ —
78
-w
a tempo
, | -, -
>■
g? H ff p . - -
r
fit.
H*i *t* Jut
* *• x^
^5 4
-»
-«r
accel. - > "
' m
♦•
ig
•
^
i— ]
■'. ' ''
■ * ^ *
-
) • H
f
-J-'
i —
^
-11
r^-^
>=* >:>-
f##f
f^
p.
^6
cresc.
n — *
* *
ii ^
^
1=^
IN
-i—
*3
/
9
J W J^H —
"
't^^^r
J L
>
f-f
79
molto rit.
=* * ^ ^i£
rJhhr
M
m
—
(h * h ' —
'Cello
I 1
i 1
-^
f" f
* :
— -•-•x
. m p fTV
Fl. .
a i * ¥ T
i #■• ■•■
, g: -
,, -A^ 5
iff
yHf&-
rit.
J
i " — T
80
No. 8. Opening Chorus
Barcarolle
A. In Sapphire Seas
Sybil and Chorus
Moderato
■f f i i f f ;
m
J-^£
wM
^44^
lil - y yields Her slum - ber- steep'd per - fume
Ber - mu - da's sun bends
low and smiles, And stills the sum - mer breeze
As though, a - fraid to
V
* p?\t
t " tl - -M J ^ J >
palm - tree shields The Bou
gain-villea's bloom, All drows - y as the
palm - tree shields The Bou- g-ain-vil - lea's bloom, All drows - y as the
palm-tree shields The Bou- g-ain-vil - lea's bloom, All drows - y as the
palm- tree shields The Bou - g-ain-vil - lea's bloc
palm - tree shields The Bou - gain-vil - lea's bloom,
All drows - y as the
All drows - y as the
ields_ Her slum - ber - steep'd- per - fume
HI- - y yields Her slum - ber- steep'd per - fume
lil- - y yields Her slum - ber- steep'd per - fum
lil - - y yields Her slum - ber- steep'd per - fume,
All
lil- - y yields Her slum - ber - steepd per - fume,
drows - y as the lil - y yields Her slum - ber - - steep'd per-fume.
drows - y as the lil - y yields Her slum - ber- steep'd per - fume.
Ber-
drows - y as the lil - y yields Her slum - ber- steepd per - fume
Ber-
drows - y as the lil - y yields Her slum - ber- steep'd per - fume.
Ber-
mu - das sun bends low_ and smiles, And stills the sum - mer breeze
mu - da's sun bends low and smiles, And stills the sum - mer sum- merbreeze As
mu - da's sun bends low and smiles, And stills the sum - mer breeze
though a - fraid to wake these isles A - sleep,
f7\
a - sleep in sap - phire
thoug-h a - fraid to wake these isles A- sleep in sap- phire seas,
though a - fraid to wake these isles A - sleep in sap - phire seas, .
No. 9. English March
Tommy Atkins on a Dress -Parade
l 'I want to be a jolly soldier"'
Nina
85
Marziale ^-5 p**.
e - J V-
*>p
5
' ? f f
fSn
cresc. —
: #5
'. $ 33
1 1 :
J ^p}
1 J. m • $•
1
tt*
t 3
r—
* j j —
^
r -
» ja — a
—====±
L - 3
\-it
h
— —
•
]. J ^ •
■«
[
1 n n J
-ii-
Ht-
—
g: # J J — I
1 j
^
» .J. :
J J
* ■
0- _
// .
l 1
f H
H* 9
r~
«
1 1 j <) ^ — '
Q J-
u
j g — _ — <| 1 —
( Repeat till read„
5 i^J [ .
Jt »* *j J
«
t-3* -3*~
■«*-•
r J
V
' i J j=*=
1
r
86
4i N '
na
I. I want to
2. 1 want to
A a >^
be,
be,
1 * * .^1
I want to
I want to
-
be,
be,
I
I
1 ^ m ] J>-i^-
want to be a
want to be a
1 J' • ' * '
jol - ly sol-dier
jol - ly sol-dier
of the King-;
of the King - -,
> ^ .
^a-
t
v 3- ■*■
Cap-tainwith straps;
Sword by my side,
Ser-g-eant, or praps
Hors-es to ride,
Head of all, A g-en-e-ral,
Sad-dle-bag-s, Ar-my rag's,
I
King", or an-y -thing - !
Boots and ev-Vy- thing"!
:
But best of all
I want a g"un
WM10[££^
ik
butbest of all ' Tom-my At-kins
I want a grun, I want a g-unthat
*:
* = t*
I
Iff
rm
just pa-rad-ing- While the band is ser - e - nad - ing": Boom! He is play- ing- some,
big-, or big--g-er, Want to learn to pull the trig- - g-er. Poof! what a noise it made!
Boom! on that ar-mydrum/ Clear the street, for here the sol-diers come.
Bing-! oh, I'm not a-fraid,But I would ra - ther g-o back on pa- rade.
l-2.Tom - my At-kins on a dress - pa - rade Stirs the heart of ev-'rymanand
88
No. 10. Duct
Sympathy
WALTZ-SONG
Geraldine and Thurston
Voice
Piano
INTRODUCTION
Tempo diValse
*t
r r Ju J r '■" J ' ■
j r \ r
Thurston l.Has some one been such a naught - y boy? Ger. Um-hm!.
GeruldinrZ .You don't think I am at all to blame? Thurst. Urn- uh!_
I m-hm! Thurst. Robbed your poor heart of its peace and joy?
Urn - uh! Ger. I think his ac - tions are just a shame.
lA
Copyright, 19i2 s by G.Schirmer
Drpositado conforms a la ley dc la K. public a KexlClM <n -1 ano MCMX11
por G.Schirmer (Ino.)i Propietarloe, Rneva York y Mexico
89
i
**
^
j r i r
for. Um-hm!.
Thurst. Um- uh!_
f—r *r i r ^
i
fet
Um-hm! Thurst. Dry up those dew- drops and
Um-uh! |6toThere's not a thing that
m
r± >j
■N^e
^
c
r
a
fem
».'/:
look at me!
would not do,
What youre in need of is sym - pa - thy.
If on - ly he would be sweet like you.
REFRAIN
a tempo
90
a tempo
91
REFRAIN
Geraldine
will not scold
or say you are bold, When you
rit.
free,
You will not scold or say I am bold, When I
92
i¥ r rTf- ir ^
ly; Don't blame
pm
for
cresc.
^m
«r
I
**
ly; Don't blame
me,
for
you
I
»-
*FF
IPFF
i^r?
r?
rp
•>4 "
V?
r
a rit. > a tempo , _
i i " r r r ' ^ r '"r H
fet
^
i
know youre but show- intf sym
rit.
pa
thy!
i^=^
m i J; ■ J M l
Pip
know, Tin but show - ing sym
a tempo
pa
thy!
<>:i
Incidental Music
Very slowly
r — i J ■~'J* ,,, T i **r ,, *i
- — -
pp
*}n — I s —
t 4— -+
tt- J J J '
— o
-tH— J—
o
o
t»
— o
1 ^
. -B_ 1
n^4_,
.>
o
f
pp
\ \
a.
p o
INTRODUCTION
Andantino
No. 11. A Woman's Smile
-j
-
- *?
-
- I
w
7 ntl>>
Uf2_?
rit.
'
ft-
&'
f"'
»)•
p-s
1 —
!
— '
i m t
»
•
Q.A- ^n
g 1
r r
!_______
animato
^ #^
4v 1 -
fWf
94 Jack
l.She caug-ht me
^.She smiled^_jin^
look -
me
ing - as
a taunt
she
- ing
smiled,
smile
i
As
felt my
fleet-ing^
face
as
grow
the^
•o
■
-— «H —
^ w
legato a.
1 '*-
'*
T~
r
r—
f
— ' f — '
*)■' 3 ■
L .
td
Like some em - bar - rassed, guilt - y child In
Thro' quiv - 'ring _ leaves. that dies the while It
writ - ten there With - in her laugh - ing- eyes, Twas
mo - ment's fate My world seem ed glo - ^.ri _- fied, As
more a chal - lenge or a dare To tease or tan - ta - lize. .
thoughthe guard of Heav - en's gate Had left it o - pen wide.
95
Refrain
plain?
A pro - phe - cy of trust or gniile, Or har - bin
g-er of pain
As well a mor - tal might sur - mise The
./T~ '
^
r\
se -
cret
of
the
rose; An
op - 'ni
ng"
flow'r of
Par -
a -
8
C\
1 J^tf
P+--
J
f?_j3" "
ft»
9
r .
' tenuto
, fT\ m
1 J r-
9 ;>.
>
W ^ ^
Allegretto
No. 12
De trop
Jenkins , Pietro, Suzette
Jenkins
Voice
Piano
cuse me, do I un - der - stand you said— "De
g-a - ther, then, you mean I'm one too much? Oui!
trop !
oui!
rt
The
1
Suzette and Pietro
tak - en
straw that
>
from the
broke the
French,
pa - tient
is
cam
it
• el's
not?
back?
Quite so!
Oui! oui!
And
An
it
un -
If j
f **
f
f
~f f 1
•)'• &
=^<
) |
tfi
-K
• *
Jenkins
has a mean - ing- that a man like you should know! Ver - y
ne - ces - sa - ry, need - l.«ss su - per - flu - i - ty! Oh, I
93
Suzette
Pietro
well! I'm wait-ing- to be taug-ht. Won't you lis- ten, then, to me? Won't you
see! The fifth wheel to a hack! • . Two is com- p'ny, you'll al - low, Two is
lis - ten, then, to me? It has a ver-y pret-ty mean- ing-, you 11 a - gree
com- p'ny, you'll al-low, Three is us-ual-ly a ri - ot or a row!.
98
Pi etro &. Suzette
don't know what it means? Oh what a pit - y!
Jenkins
De trop!
a Pietro
Jei
kins
Suzette
When yo
u use it
rig-ht - ly —
De trop!
Sim- ply says po-lite-ly,
| > i^*3
;=» v 5> ^
r* — J"l ^J J^
S 1 p *
~> P ft > > >
> r~
> cresc.
cv * ji * I
£ -~~
i L
f2 ,Ll I
' '
k>
J i
L_p 1 1
9—
a Pietro and Suzette
Jenkins
Va-moose!
You're
of
no
use! Yo
n are
sim - ply bu
tt - ing - ir
! I
am
ffmarcato
M — f r a
•
• 1
V* L La J i : J)
No. 13. Quintet
"We're going to make a man of you"
Nina, Jack, Jenkins, Thurston, Franz
99
INTRODUCTION
Allegretto
1. We're g-oing- to make a man of you,
2. Well send you off to col- leg-e,too,
reg- - 'lar fel - low thro' and thro'
play foot-ball and join the crew
AH the things a man should do;
You'll learn the names of ev - 'ry brew,
100
We're going- to teach you all our tricks. Both old and new.
They'll teach you how to swear in Greek, And smoke and chew.
Nina
We're g-oing- to make a man of you.
Were going to make a man of you,
Jenkins
a man of you! Wei]
a man of you! We'll
We're groing- to make a man of you,
We're going to make a man of you,
Thurston
a man of you! We'll
a man of you! We'll
Franz
We're going- to make a man of you,
We're g-oing- to make a man of you,
We're going- to make a man of you,
We're going- to make a man of you,
a man of you! We'll
a man of you! We'll
a man of you! We'll
a man of you! We'll
101
show you thing's you ought to do, In
show you things you ought to do. In
show you things you ought to do, In
show 3'ou things you ought to do, In
fact, well mention just a few:
fact, we'll mention just a few:
fact, well mention just a few:
fact, we'll mention just a few:
'Mp p E M F P P p I p F Hi P p p
show you things you ought to do, In
show you thing's you ought to do, In
fact, we'll mention just
fact, we'll mention just
few:
few:
show you things you ought to do, In fact, we'll mention just a few: We'll teach you how to
show you things you ought to do, In fact, we'll mention just a few: We'll teach you how to
To cast a line and hold it firm,
^ We'll take you to the col-lege gym,
We'll teach you how to fish, to boot,
To play base-ball and catch andthrow,-
102
1-2. That's ver-y fine, But not ex-act-ly in my line! They
3=^
how to hook the wriggling" worm,
teachyouhow to box and swim.
l-2.We're
1-2. We're
103
No. 14. Song with Chorus
The Beautiful Ship from Toy-Land
Franz and Men's Chorus
Moderato
m
mm
jt] jj] jtj m
snsn
ffl
m
^m
?>
p
r
li 4 J) f k
rv
> .
^ >
►_
"- — "">
attaeca
/ bjff I f m -ft-
1 1 IT
»v i), — ' |» r -]-= —
r \
P ^<\
t)
io l to rit.
m
W
r J^ J
L.J- - '* •
—/- —
/
»
/
-m
Franz
Chorus of Men
,Tenor
Theresa beau- ti-ful, beau -ti-ful ship that hails From the
La la la la la la la la la la la la la la la.
105
from the land of play- thing-s and toys. La la la la la la la.
a tempo
105
Har- borcalldhome. Oh beau-ti-ful ship from Toy- land,Withyour
rit. i k i A % te m P<>
mm.
Har- borcalldhome. Oh beau-ti-ful ship from Toy- land.Withyour
hi i>i J I J~^ ^
m
wlto rit.
f?\ a tempo
vw J- J.
lej f p ip g h g i f : f g
P^.^mV f i t jT p p JMf, p P f ^ i f r jf
Beau-ti-ful ship from Toy- land,Withyour toys, Bear- ing-your mes-sag-e from Joy- land To
lit- tie
girl-ies and boysIWeH keep the port o-pen as long- as we can, For the
rit. & tempo ■ ^^
lit - tie girl-ies and boys
te 11 keep the port o-pen as long - as we can, For the
v tempo (^ f^\ <i )L .
106
ti - ni-est boy must some day be a manJVho'll long--ing-ly sigh,
As it
pp , molto rit.
ni-est boy must some day be a man,
He'll long--ing--ly sigh,
molto rat.
pp J) _ i ,N s
107
thoughts of love, And made with a fa thers care;
And are
la la la
m u i
filld with a breeze thats born a - bove. 'Tis the breath of a moth - ers
beau-ti-ful ship from Toy- land,
beau-ti - ful ship from Toy- land.Withyour toys
beau-ti-ful ship from Toy- land, With your toys,
_fc k I K , I L K . c
toys, toys,
Bear- ing- your mes - sage from Joy - land To lit - tie.
a te mpo
m
t- ft *
o
; f ? p ? * if f f r =g=4
g a ^ ' r p
girl - ies and boys! We'll keep the port o - pen as
rit. a tempo
110
ti - ni- est boy must some day be a man.Who'll long--ing--ly sigfh,
*>«, u.olto , rit.
As it
ti - ni-est boy must some day be a man,
He'll longr-ing-- ly sig-h,
Ill
No. 15. Song
"When a Maid Comes Knocking at your Heart"
Nina, with Jack and Thurston
Moderato
l.When a lit -tie girl is
3. I am ver-y sor - ry
un - ex - pect - ed,
I have grieved you,
I sup-pose shes g-ot to
I am ver - y sor - ry
be re - ject - ed; Still, 'twas an - - g-els who se - lect - ed
I've de - ceived you, I won't mind it if you scold me,
Her, nor was her wish in - spect - ed! If I on ly knew a
If with - in your arms you'll hold me. If you real- ly feel that
112
fay or fair - y.
you must doubt me,
She might chang"e my fate so sol - i - ta - ry;
May- be it is best to do with - out me;
But since there's no fair - y,
Just this once ex - cuse me!
May be you could va - ry
Must you then re - fuse me?
Just e - nough to change your view.
May- be I could bring you joys.
If you on - ly could, dear,
What a ver-y wear - y
If you on - ly would, dear, May - be a girl might do:
World 'twould be, and drear - y, If we should all be boys
'v
•
^— *z i
1
•
\,n
"--— — _____
*
Refrain
113
-2. When a maid comes knock, knock, knock,knock, knocking - at your heart,
olden lock, is the golden lock, Its the lock that locks her in your arms.
~ D.C.
114
N91ti. Finale
"See! my cloak!'
Soloists and Chorus
Allegro moderuto
US
Allegro con moto
^Jj j l¥?t j rr it I r rr r 1 J f M
116
Mrs. Van Dare
Nina
117
Nina (to Mrs.Van Dare)
wax - es ver - y wit - ty, The po - lice will help her find a civ - il
Jack, call up the cit - y! The po - lice will help her find a civ - il
Jack, call up the cit - y! The po - lice will help her find a civ - il
I* 8 Allegro
Nina
The po-lice? No, no! There's nothing- I have done that's wrong-!
Mh
/
9^Ep
3EEE
f^Mf^ feEEEE
119
120
lack! She called, ^h«- called, she called him Mis - ter Jack!
lack! She called, she called, she called him Mis - ter Jack
h
l T J ? | J^^
I
i 7 irr^ m
we fear,
Some mys - ter- y is here we fear,
si
But
121
122
123
Ijjrtt
Allegro con moto
— I*
Jack
There's
real-ly no -thing- to
wor-ry a-bout, No
need of ac - ri -
«J "
sempre stacc.
m — •— • — • —
■#■ -5
There's real- ly no-thing to wor-ry a-bout, No need of ac - ri - mo - ny, And
V J J 1 * i
* J> *? J* J
An hour since
Mrs. Van Dare
called up to say
125
a tempo
want- ed me! but why? I'm in -no-cent of an -y wrong"; Oh, let me die
136
Thurston
I y (7 \ ^ "^gT^f-p l l
And have you cause to doubt her?
jgBJgJllJII JP JS3J53 JB
Mrs. Van Dare
127
)
9 3 =*•
She is To - ny Co -
iy }L,
\H
:^ ^ ^ 1- '
— - — €
ia.
I-* p p p p p p
• — F~r —
12*
Jenkins
129
130
Mrs. Van Dare
* t>i
Nina
I care not what the rest may say,
But you
jf fffff
m
JT
'■aOFir *
tttSf^,
* » * j
13i
a tempo
I'd ra - ther they should take my life a-way, Than you should
i
^ think I could de - ceive! No, no! I care not what the
£ J » * #' J ■'
c 1 J J C* J * f J J :
7-4 -jP 7 ^ ^
1 1
«
'
1* h r 1 H* ^ F
•"-*
[ 1=1 L— —
But can you tell us, then, what made You un - der-take this mas - que-rade?
132
Yes, tell us, then, what made You un-der-take this mas - que-rade!
rit.
Nina
Yes, tell us, then, what made You un-der-take this mas - que-rade!
rit.
No need of fool - ish tears un - til a fit re - ply you've made,
No need of fool - ish tears un - til a fit re - ply you've made,
of fool - ish tears un - til a fit re - ply you've made,
133
I've done no wrong:!
Un
til
*
fit
re -
ply you've
made!
What
Un -
til
*
fit
re
ply you've
made!
What
Un
til
a
fit
re
ply you've
made!
tiff f
What
made you un - der - take this mas
molto rit.
made you un - der - take this mas
molto rit.
rade?_
134
Allegretto
by that fact a- lone Tho' seem-ing full of guile -less-ness, She does con . fess!
by that fact a - lone Tho' seem-ing full of guile- less -ness, She does con - fess!
Tho' seem-ing full of guile -less-ness, She does con - fess!
Tho' seem-ing full of guile -less -ness, She does con - fess!
136
Thus has she shown Her guilt is deep, For we are known By eom-pa-ny we
Thus has she shown Her guilt is deep, For we are known By com-pa-ny we
Thus has she shown Her guilt is deep, For we are known By com-pa-ny we
keep, Yes, we are known by com-pa-ny we keep!
137
Nina
Pie-tro! Su-zet-te! 'twas you who helped me bor- row To-ny's clothes 1
138
3
i
not
■PJu J
To- ny
Co-lom-bo!
» 1 f"
I am
Ni
na,
on-ly
I^HiS — * —
m * :
tee
* k
Ni
^h\ r i| f
na!
p
Please let me go
a - way in
peacel
•
• r - ] ntf i»*
•- T
,1a
i «);
f"
*
■
U l«^ -* —
U
'
* 5
Jack
'min-no-cent of wrong-! _ I'm in-no-cent, I'm in-no- cent of
A chance they'll have to tell what each one knows! A chance they'll have to tell what
A chance they'll have to tell what each one knows! A chance they'll have to tell what
139
MO
wrong"! Im in- no - cent, Im in - no - cent of wrong:! Im in - no
each one knows! A chance theyllhaveto tell what each one knows
each one knows! A chance they'll have to tell what each one knows
Its on-lypos-sible we'll find Shes tell-ing- us the truth
142
Child -like she seems and ten - - der, Some one then must de - fend
143
Allegro agitato Geraldine
Think of the scan-dal You in-vite! A-doptthis van - dal?Tis not
right! For just as sure - - ly as you do, She'll bring- dis - grace up -on you
For just as sure-ly as you do.Shell bring dis-grace up-on you too!
For just as sure-ly as you do, She'll bring dis-grace up-on you too!
Animato
144
me, But of dis- grace you nev-er shall ac - cuse
145
Nina
USEE
In your pride you can - not hear my plead - ing".
Geraldine
It is so you
Jack
Thurston
In our pride plead - ing-,we can - not hear, we can-not
In our pride un - heed - ing-, we can - not hear, we can-not
They heed not her plead
ing",
Franz
They heed not your plead - ing-,
Chorus
her.
your.
n«
show your gen-tle breed
ing-! Hut I swear! I swear it
J r p i it'J " ^^
hear her plead - - ing"!
She
gen - tie plead
ing-!
Sol-emn-ly she
147
swears up- on her mothers name!
We shall re - mem-ber this day with
swears ! with shame !
r\
We shall re - mem-ber this day with
she swears! We shall re - mem-ber this day with
C\
pS p r r i ^ i r r p i r r r i ? mm
would not dare to blame; We shall re - mem-ber this day with
148
shame, with shame!
shame, with shame!
shame, with shame!
159
No. 17
Opening Waltz
Thurston and Chorus
Tempo di Valse
t > > >-
>
- >
>
>-
■*)H
> > >
>
-*-
1 H •
fi
if
^
ipse.
V
* *
> >■
>
> >
>
LJ — L_L_J
Men
Girls
Men
say..
I will take my pick, On- ly do be quick, F
You may take your pick, On- ly do bo quick,
151
Girls and Men
Hail to a wan-d'rer re - turn - ing, Wei - come home! Wei - come home!
Thanks,for my heart has been yearn- ing! Wei- come home! Wei -come home!
8-
Much too long youvebeenun- heed- ing Friend-ship's call, friend-ship's call; News of your
trav-els!We're plead - ing: Tell us all!
attacca
152
N918
An American Beauty Rose
Thurston and Chorus
Voice [&£
Tempo diValse
Thurston
Piano
F
i r r J ' J g
I've seen the bow-ers That
4>'i
F
ff.
S
H»J:
Wf
•
g^?
fe^
T
* J J
W
P^^
-s-^-^
All
J j I j j j I J-. \ J J r N-_^
of - fer fair flow-ers To man!
Luck-y man!.
*N^f
^
^
P^P
I
e
*^*
rrr
j^
/•
^PT
PHH
PP
Thurston
Bios- som-ing Ca - thay Chri - san - the -mum path -way, Ja - pan
Fair Ja •
153
pan!
Thurston
Pome -gran- ate blush - ing in far - a - way Spain,
Corn - flow - er on the Rhine,
Lav - en - der this - ties that
P^
pM
m
3=^
^^
m
zj
■
M
V
Lk
mm
^f^
i
# ¥^
«Y.
J i J r i r j ^
^
cov - er the plain Where Lo - mond wa - ters shine.
^m
s
^^
*FWf
T^Ff 5
> > >
*f
r
rit.
* j r r I r r?^p
pppp
154
Drow - sy pop - pies grow
lg- Round a Con - go Isle:
Ru - n by
155
P cresc.
peep - ing Where the Av - on flows;.
Take them a - way In a
grand bou - quet, To grace some king's re -pose
If you'll a - gree To
156
No.lt)
The Latest Thing" from Paris
Pietro and Suzette
Allegro
Voice
Piano
Suzette
Pietro
There's a dance they're do - ing now in old
Pa - ree, Which
fe£
f ' ' f l[_ J
JB3.
^P
tkmm
s n -^
Just the 'cut - est step you ev - er care
just a bit of each of them And more
be - side! Just for
fun
just for fun, Won't you show us how it's done? [ts
l.-.s
o rt> r\ ft
quite ex-tr'or - di - na - ry, This lat- est dance from Pa - ree! You take a
r\ r\ r\ rs > m
stride, then turn and glide, Then catch your ad-ver - sa - ry, And
piv - ot and swing In - to a kind of met - ry, air - y, gal-lop - y
9=1 •*» *?
159
whiz and whirl, In fash - ion ac - ro - bat - ic ; She bends oer your
160
No. 20
The Dawn of Love
( Kiss Me and 'Tis Day)
CONCERT WALTZ
Nina
Tempo di Valse
Nig-ht is g-one; In the East the dawn Tints the
H —
rs
— P V)
1 — *"* — '
*
sky with the
prom - i
se, prom - ise of
day;
Still
in sleep, Wrapped in
i- =*•
t
7\
7\
-**
♦
* m
^"ST""^
~ f)
■9
1 «7 •
1 '
>
161
slum - ber deep, Na-ture lies un - heed - ing- Morn
ing^
a tempo
ten-der plead-ing-, Deaf to love, Tho' the birds a-bove Try to wake her with
mat- ins they
sing:.
Ah!
tr^-
ah!
1r^ —
[S 4 ^^^ === °"
|t *tffpf
fr jjM*
F-" — —-
a'f^f
s
•ff
teWJ
V
S3
• mm
rit.
ah!
ah!.
ah! A - wake,
for your
rit.
162
For your king" awaits you there in the East - ern skies. So_
163
164
y ■ - ; 1 j j) K 1 j - —
, , 1^ L ,
vet - v soft and low. _
*" « If"
■v
is-
er-y soft and
low..
7-
^The
« "*" «
p
_*
^ •
\
1 f^
a ten
. ft
-i
t *f
■»
fcl; ^ —
•
!
+ '■
smiles, smiles back her greet - ing With lips yearn - ing", 3'earn - ing,
165
' r
*J
'tis
tr
— ^ 1
day!
l ' £"
1 ^ -^~
-
«? L —
'
/S£
, rf
i*
^ li-
:=- >
^-
^
in #~= —
r P3
f \tm
— 2 — £ — / J'
J
tr^f—
i
— ^
-
J
t — ^f—
J
t *
1 -
166
No. 21. Finale
Chorus: "When a maid comes knocking at your heart"
Soprano
Alto
Tenor
Bass
When a maid comes knock, knock, knock, knock, knocking- at your heart,
■ J » * : ' m > ' ' * ™ m ' o ~
When a maid comes knock, knock, knock, knock, knocking- at your heart,
When a maid comes knock, knock, knock, knock, knocking- at your heart,
When a maid comes knock, knock, knock, knock, knocking- at your heart,
There's no use in talk, talk, talk, or bid-ding- her de - part;
There's no use in talk, talk, talk, or bid-ding- her de - part;
There's no use in talk, talk, talk, or bid-ding- her de - part;
There's no use in talk, talk, talk, or bid-ding- her de -part;
167
old-en lock, is the gold-en lock, Its the lock that locks her in your arms.
old-en lock, is the g-old-enlock, It's the lock that locks her in your arms.
f7\
old- en lock
is the g-old-enlock, Its the lock that locks her in your arms.
(7\
old-en lock, is the gold-enlock, Its the lock that locks her in your arms.
%a. *
