Florodora: A Musical Comedy

Google

This is a digital copy of a book lhal w;ls preserved for general ions on library shelves before il was carefully scanned by Google as pari of a project

to make the world's books discoverable online.

Il has survived long enough for the copyright to expire and the book to enter the public domain. A public domain book is one thai was never subject

to copy right or whose legal copyright term has expired. Whether a book is in the public domain may vary country to country. Public domain books

are our gateways to the past, representing a wealth of history, culture and knowledge that's often dillicull lo discover.

Marks, notations and other marginalia present in the original volume will appear in this file - a reminder of this book's long journey from the

publisher lo a library and linally lo you.

Usage guidelines

Google is proud lo partner with libraries lo digili/e public domain materials and make them widely accessible. Public domain books belong to the
public and we are merely their custodians. Nevertheless, this work is expensive, so in order lo keep providing this resource, we have taken steps to
prevent abuse by commercial panics, including placing Icchnical restrictions on automated querying.
We also ask that you:

+ Make n on -commercial use of the files We designed Google Book Search for use by individuals, and we request thai you use these files for
personal, non -commercial purposes.

+ Refrain from automated querying Do not send automated queries of any sort lo Google's system: If you are conducting research on machine
translation, optical character recognition or other areas where access to a large amount of text is helpful, please contact us. We encourage the
use of public domain materials for these purposes and may be able to help.

+ Maintain attribution The Google "watermark" you see on each lile is essential for informing people about this project and helping them find
additional materials through Google Book Search. Please do not remove it.

+ Keep it legal Whatever your use. remember that you are responsible for ensuring that what you are doing is legal. Do not assume that just
because we believe a book is in the public domain for users in the United States, that the work is also in the public domain for users in other

countries. Whether a book is slill in copyright varies from country lo country, and we can'l offer guidance on whether any specific use of
any specific book is allowed. Please do not assume that a book's appearance in Google Book Search means it can be used in any manner
anywhere in the world. Copyright infringement liability can be quite severe.

About Google Book Search

Google's mission is to organize the world's information and to make it universally accessible and useful. Google Book Search helps readers
discover the world's books while helping authors and publishers reach new audiences. You can search through I lie lull lexl of 1 1 us book on I lie web
al |_-.:. :.-.-:: / / books . qooqle . com/|

PRODUCED AT / / & f 1/

oh.e.N.'y. (Casino

NOV. I2TH.I900.

Under the direction of M? JOHN C. FlSHER.

: eJ(9 =

\ft

, <H^^>

s

H TAxjsical Comedy

4

Book by

BWEN MatL&

~*w.

Lyrics by

and
-?*• OTLusic by"

I

Eesbie Stbart

_gk

Vocal Score.

IT

X

7

Price $2°.°

~eT

oNeu) york
T. B. Harms & Co.

IS EAST 221° ST.
rRANOS.DAY A HUNTER. 142 CHARING CROSS ROAD.W.C.

|f> U<. ■> ° / O . 7 ■ ( . t 2» HKRVMID G0U.HI UMMW

THE BEQUEST Of
EU«t ttlHfcl ««*«

FLORODORA

Book by OWEN HALL
Lyrics by ERNEST BOYD-JONES and PAUL RUBENS

Music by LESLIE STUART

CHARACTERS

Cyrus W. Giltain (Proprietor of the Island and the Perfume of Florodora) Mr. R. E. Graham

Captain Arthur Donegal (Fourth Royal Life Guards, Lady Holyrood 1 s brother) Mr. Cyril Scott

Frank Abercoed (Manager for Mr. Gilfain of the Island of Florodora) Mr. Sydney Deane

Leandro. . .'. (Overseer of farms) Mr. Nace Bonville

> (Gilfain s clerks) <

fMR. T. E. Whitbread

Mr. Lewis Hooper

Mr. Edward Gore

Mr. J as. A. Kiernan

Mr. Thos. A. Kiernan

Mr. Joseph S. Colt

(A footman) Mr. Lou Abrams

Anthony Tweedlrpunch (Showman, phrenologist, hypnotist, and palmist) Mr. W. J. Ferguson

Dolores Miss Fannie Johnston

Valleda (Maid to Lady Holyrood) Miss Guelma L. Baker

Tennyson Sims

Ernest Pym

Max Aeptelbaum

Reginald Langdale . . .

Paul Crogan

John Scott

William

Inez

Jose

JUANITA .

VlOLANTE

Calista .

- . . . . (Florodorean Girls, heads of he various Farms) . . . . «

( Miss Geraldine Bruce

Miss Sadie Lauer

Miss Helen Lucas

Miss Aline Potter

Miss Emma Thompson

Angela Gilfain Miss May Edouin

Consuella ( Typewriter to Gilfain) Miss Elaine Van Selover

Daisy Chain * T . . . Miss Margaret Walker

Mamie Rowe Miss Susan Drake

Lucy Ling Miss Marie L. Wilson

Cynthia Belmont Miss M arjorie Rblyea

Lottie Chalmers Miss Agnes Wayburn

Clare Fitzclarence Miss Vaugn Texmith

Lady Holyrood Edna Wallace-Hopper

Florodorean Farmers, Laborers, Flower Girls, Welsh Peasants, Etc.

ACT I. — The Island of Florodora in the Philippines
ACT II. — Scene i— Abercoed Castle, Wales

Scene 2 — Grand Ball-room in the Castle

Musical Director, ARTHUR WELD

Production by LEWIS HOOPER, of The Lyric Theatre, London

FLORODORA

CONTENTS

ACT I

MO. PAGE

i. Opening Chorus 5

2. Sextette — "The credit's due to me" (Sims, Pym, Aepfelbaum, Langdale, Crogan, and Scott.) . . . 29

3. Song — " The Silver Star of Love " {Dolores") 34

4. Duet — " Somebody " {Dolores and Abercoed) 41

5. Chorus of Welcome 49

6. Concerted Number — " Come and see our Island" 63

7. Song — " When I leave town " (Lady Holyrood) 69

8. Duet — " Galloping (Angela and Donegal) 72

9. Trio — " I want to marry a man, I do " (Laa'y Holyrood, Tweedlepunch, and Gilfain) 78

10. Song — " Phrenology " (Gilfain) 81

11. Song — " The Shade of the Palm " (Abercoed) 89

12. Finale 93

ACT II

13. Opening Chorus 122

14. Song and Chorus — " Tact " (Lady Holyrood) 137

15. Song—" The Millionaire " (Gilfain) 141

16. Concerted Number — " Tell me Pretty Maiden " (English Girls *nd Gilfain s Clerks) 145

17. Duet — " We get up at 8 a. m." (Yalleda and Leandro) 151

18. Song — " Willie was a gay boy " (Angela) 154

19. Duet — "We're both on the stage " (Dolores and Tweedlepunch) • 158

20. Song — " I've an inkling " (Lady Holyrood) 163

21. Sonc — "The Queen of the Philippine Islands " (Dolores) 166

22. Song — " I want to be a military man " (Donegal and Chorus) 169

FLORODORA.

A Musical Comedy.

Lyrics by
ERNEST BOYD JONES and PAUL RUBENS.

■5*5-

Book by f
OWEN HALL.

N91.

OPENING CHORUS.

"flowers a-blooming so gay."

(Words by E. BOYD JONES.)

Music by
LESLIE STUART.

Moderate

Piano.

Copyright MDCCCXCIX by Francis, Day & Hunter.

6

Flow
ALTO.

u

*

t

Flow
TENOR.

i

P

J> I * Ji frJ

era a - bloom -ing bo gay,

J' I J 1 J> hJ.

ers a - bloom -ing so gay,

£=&

pi

i=3i

P

it

Ro - ses on ev . ry

1=^=1

Ro - ses on ev - 'ry

ss

BASS.

simtle.

J £&i

JF 3 ?

^**

tree

#H

J > V ? 1 j

PW

^F^

tree

Jr

Flow

ers a - bloom

^

pp

=£

p

ing so

ippii

Flow

era a - bloom

ing so

Roses grow on ev-ry tree,

Roses grow on ev-ry tree.

¥

k

%

m

gay

Sweet as words that

gay And ro

ses on

the tree, As words that

And ro

ses on

the tree.

J - B -h

tl' J 1 ■!> J i

££

^£

i

P

lov . ers can say,

<^J» j> j-

Fair as thewhis - p'ring sea.

> -Ti > J > gSl

i

lov - ers can say,

t

Fair as the whis - pring sea.

S

8

Ro-ses soft - ly bloom- ing, To your sweet per-fum- ing, Say "good-bye. —

j) ji ji j* ji j> ji * ji j ^ ^ p

5

Ro- ses soft - ly bloom -ing, To your sweet per- fum - ing, Say

1

"good -bye" But

P

£

Ro

*

ses

bloom

ing, Say"good-

Ji P H

ing, Say "good

[rf* J> j> .jt ji ji j> J' J* ji >ji js i jtAj

Fra-gran-cy dis. - til - ling, Will - ing or un - will- ing, ye must die

Fra-gran-cy dis - til - ling, Will- ing or un- will -ing, ye must die _

i

t

f

f

»

bye;

*

pi

P J' J> J' Ji J' Ji Ji J J' J^ji Jil^Jij j, t l i ft

Ji ■> Ifll

9

i

£

£

P

P P P

So should we maid

ens too

Heed the

^

^ j' j* J

i

s

^

Should we maid

ens too

Heed the

m

?

£=3

£

Should

maid

ens too

Heed

the

mm

p p p

f

Should

*

maid - ens

hours

that fly a - way, a -way, For

of flow'rs or maid tis

j> j> j j

ji i j J 1 j i

s

p^

3^S

hours that fly, fly

a - way,a-way, For

of flow'rs or maid 'tis

9 r

rz j'U^ ^

^

5

houisthat fly, fly.

a - way, a -way, Fbr

of flow

ers or

»*t J> Jtj J> J> -h i -h-h r r -

*

P^^

10

J

p ' p-Mr

true

That life, a - las!

but a day,

but a day, 'tis true.

9 9 r P P T i

maid 'tis true That life is but a

day, a - las! 'tis true.

t

*

p r Jl J

Mr , p j

maid 'tis true — That life is but a

day, a - las! 'tis true.

J

*

' r p 'ir-

should we maid - ens too

& p p i J? J J' f j> 7 i

Heed the hours

that fly a -

j jj j'

j*-ji ji -jrrif

^

Should we maid - ens too

Heed the hours that fly, fly

a .

p

^

£

PW

*=3l

Should

maid - ens too

Heed the hours that fly, fly.

a -

^m

mm

m

Should

maid- ens too

f

^

?=?

j> j* j i

12

. L'istesso tempo.

V

And through

M lj I t

And through

the

f©-^

s

'Tis thus we wan

i

E

der,

And through the live - long day

£

'Tis thus

ye

And through the live - long day

L'istesso tempo.
^3

'Tis thus

ye

g

*

m

^

ni jii

dream - ing, dream - ing

'Mid

the

5

k=»

J I.J * * TTU I J ii

dream - ing, dream - ing.

'Mid

the

flow -

flow -

: *Wfr

wan

der, dream - ing i

dly 'Mid the flow . ers gay,

m

£

m.

gii

^m

wan

der, dream - ing i

dly 'Mid the flow - ers gay,

13

ers, With vis

ions soar - ing wide

iy

3=pi

¥

ers, With vis

ions soar

ing wide - ly

i

wide-lv

* ijJWjft

wide- ly

=3=s

E

10-

With vis - ions soar - ing soar - ing wide

iy

m

^

1

i

W

f

wide-ly

* J>y p »

With vis - ions soar - ing soar - ing wide

wide-ly

TSL

fair - y land

as

^

m

fair - y land

i

i

y land That on - ly maid - dis

That on - ly maid - en

£

i

ly maid

14

f

Pi

r "r i r r J

p

in hand — With Cu - pid for lov

%

k

mm

^

^

*

u

in hand With Cu - pid for lov

^m

i

i

i

p

er.

p

er.

fc

^e

t

^S

i.

jF^ TO

gjg^F

hand
f

With Cu

pid for

lov

er.

%

E

E

i*- 1 -

I

fe^te

hand

With Cu

pid for

lov

er.

15

(Batrance of Spanish Girls.)

s

a

&B

¥

m

E

J

s£*

*«1

j s? j |r

1^

lid

16

m

r ; "'r r r ir ^

l

pi

Flo - ra!

Flo - ro - do - ra,

Of all per - fumes

di

«{n» r

f

2^rrz;

pe

?=3!

1

^

Flo - ra!

Flo - ro - do - ra,

Of all per - fumes

di

;

k

m

s

vine

^

k

n «j*

vine

t

e

p

p

rr r i r

As god - dess

we a - dore her

In her

i

t

£

P£

£

5

As god - dess

we a - dore her

In her

m

E

17

j -k

SF^g3

flow

i

in 171

flow

&

zz

p

i f j ir r r iippp

*y

shrine

Her gifts on our is - land be

?

)' J i r r r n r m

*y

shrine

Her gifts on our is - land be

5X2

&

jp™ I— r

^m

■

j i j i jJ r i

stow- ing,

There lies in eachflow'rgai-ly blow-ing

A for -tune ne'er

fb Or

£

f

5

stow-ing,.

There lies in eachflow'rgai-ly blow-ing

A for -tune ne'er

m

t

18

end ing To maids that are tending The shrine of our Saint Flo-ro - do - ra

ending Tb maids that are tend-ing The shrine of our Saint Flo-ro . do - ra

&

Flo-ra, Flo-ra,

Flo - ro - do . ra,

Flo-ra, Flo-ra,

**

Flo - ro - do - ra,

« i r ir r

Ah, Flo-ra,

p^

On all per- fumes di

On all per.fumes di

mm

Flo-ro - do

•

ra di -

19

ffi£^

vine

p* j.

m

vine

Bpr If ~gl

3

s

vine. Ah, Flo

Wi f J

z:

p^

As god . dess

r r Mr

i

we a • dore her

p

f-—iY r r i r i

As god-dess.

we a - dore her

w

i

f

P

ro - do

t

¥

ra, Ah, Flo- ra,

^

%

^

In her

; ;

m

Jn her

?

In her

3

vine, Ah, Flo

ro - do

ra, Ah, Flo - ra,

In her

20

p=^

r r J i j

stow, ing,

There lies in each flowV gai - ly blow, ing

t& Of

1

5

p

^

3

stow. ing,.

There lies in each floVr gai - ly blow - ing.

ih j--f j ^

p

p

p

*

Flo ro - do

ra, Flo

ro - do

ra di -

ro - do - ra, ah, Flo - ra

di - vine

m

poco rail.

m

fi\ a tempo.

^

J i uJ r r i

for tune ne'er end-ing To maids that are tend - ing The shrine of our Saint Flo-ro -

S

^m

§

%

m%

for tune ne'er end. ing To maids that are tend - ing The shrine of our Saint Flo.ro-

S7\

vine,

:n\ r t i i ^ ^

To maids that are tend - ing The shrine of our Saint Flo-ro*

1 ^1 "r ' f •>

vine

To maids that are tend- ing The shrine of our Saint Flo-ro -

poco rail.

/T\ a tempo.

k n. j i *

^

^^m

£=£

^

21

Ot, \ J J J i J J J i

do - ra

r r \ t v't

So dance once a - gain, The gay Ga - bal .- ler - o, And

s^

zz

m

So dance once a - gain, a - gain.

And

*

g=g

2ZZ

do ra

So dance once a - gain, a . gain,

And

r r r i f ^ r ' J - ■ ' ]

sing a Bo - ler - o re - frain,

>j i r rrft^t m

and sing a bo - ler - o, bo -

k

m

mm

Si

1

sing a Bo - ler- o re - frain,

and sing a bo - ler - o , bo -

r r r \ r a

TT*-

sing a Bo - ler - o re - frain,

#-!>

and sing bo - ler - o , bo -

n, r r r i r m

r

^

£

£

v

%£b

V

^=N

sing a bo - ler - o re - frain,

and sing,

sing a

r rn

F

t

£=t

i

t

r

*

M

22

P

ler - o re - frain ,

Dance

Ca - bal - ler - o a - gain,

i

J J J uj j =?m

££

t 7"

m

ler • o re - frain,

Dance

m

Irp*

m

Ca - bal - ler - o a - gain,

i

f ^ ^

£

ler - o re -

Dance

mm

frf,'f

Ca - bal - ler - o a - gain,

i I r i t

^MN

\

gain, bo - ler-o re - frain,

Ca - bal ler-o a- gain, Ca - bal -

Gay cas-tag - net -ting to lov- era co - quet -ting, Sb sing

a bo -

5

V

Up

^

ill

g

k

Ca

bal

ler

t*rnr

Sing a bo - ler

i ^

1

£

Gay cas tag - net - ting to lov - ers co - quet - ting, So sing

a bo

23

t Ji'i * *r i

^■~r lj

ler o, and dance Ga - bal - ler

£

r n J \f

o , and dance Ca • bal • ler

ffi^ r i

£

r ^ J i r

gain

33

P

a - gain

i*- 2 -

p

i

So

s

ler o, and danoe Ca - bal - ler

£

fek

fea

^

a -, gain

mm

£

So

i

ler o, and dance Ca - bal - ler

j 1 yrr mJ

a - gain

kiFit J l juj l j' j

So

ft Mi J

PH

£

SOI

r r lEJT

E

i

should we maid ens too

pm

ps

i

zz:

should we maid ens too

#fe^

ps

g

J22I

Heed the hours

^

^

Heed the hours

r r ir

that

il

that

i

i

should we maid - ens too

Pi

€=£

h£

Heed the hours

£ee!e

£

that

£

E

we maid

Heed the hours

24

&

ppi'lr r J i J J ir r i r l

s

fly a - way, For of flow V or maid 'tis true

p\ j' > j

fly a - way, For of flow'r or maid 'tis true

#fegg

f

^

pp

m

That life, a- las!

That life, a- las!

^^

fly a - way, For of flowV or maid 'tis true

w\ p p r 1 1

fe=l

That life, a -las!

f f rft Pi*

fly a - way, For of flow'r or maid 'tis true

That life, a. las!

XT —

fe

IS

18

&-

1S

r i ip r r u p i ' 1 ct~^

wr

but a day.

So should we maid - ens too

but a day.

should we maid - ens too

but a day.

So should ye maid - ens too

|i6

4

£

fe=J=

but a day.

So should ye maid - ens too

Heed the

Heed the

Heed the

£=t

Heed the

25

hours

that fly a -way, For of flow

er or maid 'tis

*

r r r i ^-^ ^r

hours

that fly a- way, For of flow

er or maid 'tis

hours

that fly a -way, For of flow -

er or maid 'tis

isp^

r i p p r* I r r r \ r r r

^ppp

hours

that fly a -way, For of flow-er, of flow-er or maid 'tis

k

Se

frritrnrr

jfHjrjijfrij fyi^f i iffiji j j

^m

k

That life, a - las! is but

n r i r r i r

Life, a - las! is but

>b. f^J iJ u j i J J rJ

That life, a - las! is

mmi

mm

That life, a - las! is but a^ day, Flfc - ro - do

J i. H,rjJ J I J J: J'h

a day, Flo - ro - do

i

a day, Flo - ro - do

m

=m

a day, Flo

m

ra

*

ra

p i»r p

ra.

4

26

tf* * - F*- PiF f i f f pit r w J J * jt i j'ji

Flo - ro - do

ra.

As a god-doss or queen we a - dore her

»" > F : E i

pjp r piy r' > i » J Jt jsij, j

Flo . ro - do

ra.

As a god-doss or queen we a - dore her

ft i r pi'r p^ i* r' p i >r r J' i » J J - j* i j, j '

Flo - ro . do

ra

As a god-dess or queen we a- dore her

g.n f ' P i *r r $gm

f

^m

Flo - ro - do

ra,

As a god-dess or queen we a. dore her

9 * FrrrM

k

r p i r i- J ' l

ft < r p i y r ■ «/•■ p"r r "

Flo - ro - do - ra, Flo - ro - do

ra

ft i J. M -I J 14 J. -N ^^

With the gay cas - tag.

r ( i ir J. J i

Flo • ro - do - ra. Flo - ro - do

ra,

i

* « r p

r i« r p

e

Flo - ro - do ra, Flo - ro • do

ra,

wi, i r fi a

u r p

i

Flo - ro - do - ra, Flo - ro - do ra.

A\ t F : fiiif f i t '

3S

ft

M

i#

I

f

M

lup-

M

With the gay cas - tag-

r pir J- * i

With the gay cas • tag-

i=e

y\f r m

With the gay cas - tag.

£

liiW

f

M

m

27

V 1 '!. t i- J» l J 3^

' Jllj J. J 1

1

r P i r n^ ^

i,

As a god - deas or queen we a - dore her, Ca-bal - ler

, J|,l J U i =ii^

As a god - dess or queen we a. dore her, Ca-bal - ler

As a god - dess or queen we a . dore her, Ca - bal - ler

j u r r i *r

m

28

Mb i r r

Sing bo

kml

ler

££=S

sing- bo

\tmL

let

sing a bo

Sing bo - ler

sing bo

ler

in\ > *r

i

i

k

o, sing a bo-

Sing bo

ler

kd*

a

Wf

O) dance Ca - bal - ler - o

a - gain.

1 1 i f h f t [iff

',',. ^ f

t r r ^

29

N2 2.

The Credit's Due To Me.

Words by
ERNEST BOYD -JONES.

Allegro.

Piano.

(The Clerks.)

*=££££

l>* :=!=

i

*

E k

Fresh from the count - ing house are we, Where ev - 'ry day from
As po - et of this es - tab - lish-ment , My pret- ty po - et - ic - al

p

s

£

1

J> J J>

£

£

^m

^

r

m

*

mm

r

s

J' p f

1 \i f« p *

* I V 1 J' J j

s

; j r^p

e

ten till three We em - u - late the bus - i - est bee That

puffs are sent To the end of the world, so I in - cline To

£

i

r == TT

m

£

in

v

■±

s

^

;> j >

7 7

r

r r

j> j j>

30

ev - er biizz'd in clov - r er; On six high stools we

think the credit's en -tire - ly mine. I gor - res - pond rait de

i f J i j i j

sit in - tent. On six mag - ni - fi -cent led

gread - est ease, In twen - ty dif-fer-ent Ian

(J P * J [

gers bent, With-
gua - gees For a

Ij' ' r ' M J n J

out us this

pount a week

so

i

£

es - tab - lish-ment Would sure

P r ii

you'll a - gree De

ly top - pie

gre-dits en - tire - ly

jut

ver. All
to me

you oth-ers may toil with pen
As un - der as - sist - ant sub

and ink.
cash - ier ,

All
With

31

ji juj' •" ■ p i r >

i

*

m

M

i

day at my desk I sit and think, This be - ing thus, you 11

long quill pen and frown se-veie, I make out bills, and

i

J j -J> I

i tJ 1 .

I

f

5

80

a - gree
you see

The ere - dit's
The u Cre - dit's"

en
en

tire
tire

iy

due
due

to roe
to me

I

fP ^

ij' ^ J> n P i

beg to re-spect-ful-ly dis - a - gree, The cre-dits en - tire - ly

due to me, The ere - d it, yes, the ere - dit is en - tire - ly due to

32

1 r p C-jr p i ^

me

To me! to me!

Its due to me

?

3=£^£

t>

£

V

;" i>

^^

£

like to say

its due.

1

g Mr r

b

^u

S l>

I

*

rT^rr

*=£

2

^^

i

^^

me

Let prais - es fall where praise is due Tis

^^

P r P IT P =

p i r n j i

clear, from ev - 'ry point of view, If A we should give ere - dit to, Why

33

fc

^m

p i r i> r nr =i

^

men - tion B or C?

J ,i 'i 1

y> r ? r

To no con-clu - sion can we come. Or

i f j- r

j ^j *

*^

r

±=*

r

^^

i r J>J P i f ^

J- J E l

solve this com - pli - cat - ed sum, If Twee - die - dee ,

If

r .j> j p

£e3

m

mm

$

Twee - die -dee to Twee - die dum Says, "Pooh"! to you, "Pooh

rx

¥»•

u ?* 7i

J ^ J t J ' j jj> J J ^

I

pooh"! to you, u Pooh pooh"! and <4 Fid-dle-dee - dee!"

D.S.

-dee.

?>

34

The Silver Star of Love.

N2 3.

Dolores.

Words and Music by LESLIE STUART.

Tempo diValse.

Pianos

k

&

J I * J, J|

£

^S

m

i

calm of the night falls a - round

'Tis the time

When my

$

"p i y J- -i'

i

zz

*

*±

heart tells of one who may love

love's

Copyright, MCM, by Francis, Day & Hunter.

35

=»tf=±

gaze up -on me Then the Bright- ness of heuvh is a - bove, For this

fc*

m

J r r i M r r r

49-^-

i

love

is the one sil-ver star that may guide me.

i

£i^PP

J- pM;

J J. ,>IJ J- J 1 !

What

need I care for the dreams Of a fair El - do-

i

r r ' r " Pi

j

I

- ra -

do?

When

need I look for the day when

36

love

grows old?

Shine

fair- est

j r i »

,J r itr r i .ir i «J J 'W'

jew - el! Fair - est jew - el of the heav'ns, You are

^

light

P

iii

P=P

I

t

i

3

i==s

of my soul! You are fair - est, dear - est of all to

m

~XL

W

me. Ah!

*r i V n-i r i r r ^

His the 8il - ver star of love That is shin-ing a-

3T

-bove

for

me, 'Tis the bright - est of all that eyes can see 'Tis the

Y i r y r I y r V

bea-con of lov-ers ec

sta - cy; When the heart is a wea - ry

m

^M

m

s

zM

%±m

r r J I

^^

one

And sigh - ing a - lone in the e - ven - tide, 7 Tis then the

g

p

m

£

i

PSi

r r r i

time a maid - - en

longs For the light of the bright sil - ver

38

fe

£

m

zm

m^$

star

of love

EEZ

Tis the bright sil-ver star of love.

**

r J J I J J J I

^ r r 1 1"

g

m

that shines

for

me.

Bright sil- ver star of

k*

E

«^

love

In the time of our e

e=i

m

lWi> J f f

i

i=i

i^

ven - tidft ^ 1 When the

si* **

B

t

i=i

pel

nm

i

w

&-*•

heart is a wea - ry and sad 'Tis the time a maid - en longs

lj* £r \± £ * ft ^4 £*: * fa* k

39

Jt

I

rir i r i r

a

•-S-

V^-

Tis the time a maid - en longs. She

is «► g g he ^ $g ; 4 4

longs

for the

of love

She longs for the star of

E

-J»

love,

r r i f

She sighs in the e - ven - tide,

Site

40

fctESS

£

f

ir r r i r r ^

fe£^

love*

She longs for the bright star of love,

'Tis the

I f v r J r i

§

■ i

mm

m

i

light of her soul,'Tis the bright sil-ver star of lore,

of

y* p

; <* p ccxr i criEi^p

41

N24.

Somebody.

DUET.

Dolores and Abercoed.

Piano.

Dolores.

I I A «h p i p J>| J= ££

If you're in love with some-bod- y

>• >>j h i

Hap - py and luck- y

some - bod - y, Tell me, I pray her name and say Where did you meet her?

T t i: J J I M

m

m

l iJ'l "4' H.itt-^H

£

t

A

r

V

£

£

u

?

TT

■r

^

*~~ rr

J>. J J, ^ J, J I J J' J ^ ^

i

What was the day When you met you some- bod - y?.

> j> a j> j> i

To some -bod - y,

42

why should I tell

day?

Well, give this kiss

^^

m

some - bod- y! There's none in the world like she.

On land and

ga^ P^

J 1 J-JW' l Q.-

> J. j> js I > v t I ft

D

P

here, with some-bod- y. Ahl

with some-bod- y!

j. j l ift

Ah!

43

J 1 1 J J 1 > J j* N J' J ^

It is for you to tell, my la - dy, And sine you know her

Ji J 1 j> A J> ji | J >

£

dy, You are the im - age of some - bod - y Yes,

n nii

^

3

F

i > j 4 1 I

£

*k

f

D

j'l * |J> J> V l ;,. V * ^ g^E

£

see*;

J I J >

ii

It is for me to

m

you are the im - age of some - bod - y, some - bod - y Ah

fenl*

tell this la - dy, And since I know her well, this la

p

my la

dy Ah!

^m

my la - dy

f * jvb r j~j

*=&

r

rs

44

$'i a <S .^^

fet

*

^

^

I am the im - age of some- bod- y, of some - - bod- y.

J 1 P' p 1p £

youre

the im - age of some- bod- y, of some- bod -y, yes, of

P

I am the im-age of some

P P F B

^

bod

some

bod - y some

bod

^S

*

m

Abercoed.

45

j > j j)

?

j^ j t i J'. J> J' p- a p

If I must part with some - bod - y,

Pleas -ure and pride on a

jp j^ j j. i J*. J> > r ^

j' ± > J i

throne, good- bye, To pleas- ure and pride Id say good-bye To re -

^

^m

p^

P

r*

^^

■r

T

f

r

i

r^

i

r

?

7

r

e

*

^

U— J> J. Jt h I > ^ "p j i J I

To some- bod - y why should I say good-

J' J ,JH J-

i

- main with some - bod - y

1/ >i'U '

- bye?

If you should fly

a - way, Then

46

jv -M

J> | | J1 > J* J , jg£

£l

what would be- come of some . - bod - y

While

you can

m

3

m

mi

) I i pji =

stay,

come then what may, This world will be

m

^

*

*

Ah!

J' J- J J I * » * »

I

Ah!

to some - bod - y

47

$=&

j' ;>. *

It is

for you

to tell,

my* la - dy, And

P^

£

J 1 | -I J' JT'I Js | J\ J> J' A J* J> I

since you know her well, my la - dy, You are the im-.age of

IS

¥

i

fa±

7 T J*

T^

f

?

nl

w

pi

i

*

>■ iJi *

g

some - bod - y, Yes you are the im

p «JH

age of

*

EE*

J> I J J' J

J' I J J' Jl Jt ^

It is for me

> ji ^ >• j* j» i

to tell this la - dy, And

J n ^

s

some - bod - y, some - bod - y. Ah!

my la - dy,

f ? f

Ah!

K

r

i

48

*

J' I J J» JT h I Jl > iip a^

since I know her well, this la - dy, I am the im - age of

J pTr J ' O > i J . ■>' gppi

my la - dy, YouVe the im - age of

pa*

Jl

* i JflJTj"]

i i

±

r

1 1

£

ii

^

r

^

some - bod - y,

*

i

of

y J ^

some -

bod - y

^

?

^ > j» r

p

some - bod - y,

of

some - bod - y, Yes,

of

* \ x'Tpp ?

I am the im- age of some

r ? » * a

bod - - y,

pTXp 1"7^5

some

bod - y some

bod -

1 I * I

49

N9 5.

Chorus of Welcome.

Words by ERNEST BOYD-JONES.

SOP.

- L <Hi

m

r r n i r n igE^ii

ALTO.

^m

Hail, — from storm and sea and

jcj j i j ti ^m

TEN.

^m

BASS.

Pian.

Hail, — from storm and sea and

r^p J"h J 1 ^ J> ^ J> «M

Hail, — fromthe storm and the sea and the

Hail, fromthe storm and the sea and the

%F^p

wind!

k

c

*=^-

wind!

fe

s

wind!

wind!

ir r

p i p p p p p p i

Hail,.

the mas • ter in • dul - gent and

jpgf

n fij* ^^

Hail,

the mas - ter in - dul - gent and

v I ^.p jiJ i JiJijiJijiJ* !

Hail, — fromthe mas - ter in- dul -gent and

Hail, fromthe mas - ter in - dul -gent and

50

kind!

mm

E

mm

mm

k

m

ZX

Lord of our isle

He is

jf-"i * i >j-

s

re -

Lord of our isle

He is

re -

mm

i r > J' r ^

kind!

i a r

ps

Lord of our isle Let us wel . come his re-

l=l=i

^

^^

kindl

Lord of our isle Let us wel - come his re -

£

ad lib.

#: *

^

ass

' l'f p f *

J&

i r *p* r p Mr 4 r p i r" r p i m

pir f ti

turn - ing a shout and a smile — And cheek that is burn - Ing!

k

n >J. r puJ. r p i rr ^^

hi > i r r

t

turn . ing a shout and a smile And cheek that is burn - ing!

V0 * m

B

PP P

turn - ing a shout and a smile And a cheek with jol-li -ty burn- ing!

m

,l f r . r =£=#

B

^

i

\

turn • ing a shout and a smile— And a cheek with jol - li -ty burn - ing!

f'H^Cf g i i/ip. f p i r^f Ph i f ' f "fi I p- f i

ae

be

i-u

tyl

»: #1>

v r f r r

i

51

For, with pow'r not less than king's

pi

j l j jiu ju jii,

Ul |T|J._J =S

For, with pow'r not less than kings

'Neath his

For, with a pow-er not less than a king's

We 'ne&th his

m

£

For, with a pow-er not less than a

We 'neathhis

^

rule and his shelter- ing wingB

rule and his shelter - ing wings

§=

We can al - loy Our

Here can al - loy Our

r f pirlLfi

rule and his shelter . i ng wings

[_Lj* LlJ

Here can al - loy — Our

mm

?sl

mM

ty

*Uk

52

r p i ^ p. r EE^Effig

toil

with jol - li-ty, So life we en - joy_ Of U - to

pi- an

toil

with jol - li-ty, So life we en - joy — Of U - to

pi -an

k

m

p i r p r p

toil with harm-less jol - li-ty, So life we en - joy Of a per-fect U- to -pi- an

;»iv r r»r F | f Pf ff | f f i \ r pPp

\

P v M P I

toil with harm -less jol- li-ty, So life we en - joy Of a per

feet

'M >r p r ff

£41-1

!>*:

^

j

t

6=g

£

m

r m P p

p p p pi

qua! - i - ty So trip! trip I trip! To meet him and then to greet him From

j\ J\ j\ J> 1

p r p

qual - i - ty So trip! trip! trip! To meet him and then to greet him From

k

B

p r p i r r '

p

ii n ' r l

qual - i - ty So trip! trip! trip! To meet him and then to greet him From

i

Se

j p r p

^^

r p p p p i r p p p p I

qual- i - ty So trip! trip! trip! To meet him and then to greet him From

53

* p p? ? I 4 p pr.TH p p t p

off the ship

'. j ju .

Huz-zah!

Huz-zah!

Huz-zah! Our

j Jl JW v | j J\ JW 7 I t J^ FfR

off the ship

t

i, r r

Huz-zah!

Huz-zah!

Huz-zah! Our

I P P 7 7 1 * P P 7 7 1 * P P 7 P

ship

£-s^

Huz-zah!

Huz-zah I

Huz-zah! Our

j P P y 7 1 j P P t t | | PP?P|

off the ship

Huz-zah!

Huz-zah!

Huz-zah! Our

bright

&

s

light dis-play-ing By wild hur - ray- ing With might and main!

1

bright de

k

E

^^

light dis-play-ing By wild hur- ray -ing With might and main!

*

^^

?sM

bright de - light dis-play-ing By wild hur- ray -ing With might!

bright de - light dis-play-ing By wild hur -ray -ing With might and main!

^=?=t

54

P

£

* p p ? 7 1 * ? * pip??! t

Huz-zah!

Huz - zah!

f^fe*

be

» T I p IP 7 T I

£1

£

Huz-zahl

Huz. zah!

£

Huz-zahl

| 7 < p IE^ ^

Huz- zah!

Bend we

t P P 7 7 1 * T | P | H T 7 » Tip* Up"

Huz-zah!

Huz- zah!

Bend we

&

now The knee in cour-teous bow, Our homage dis- play to you

yfr r 1 r

f f f p

We say Good

now The knee in cour-teous bow, Our homage dis. play to you

We say Gpod

w

3

KS

S

^^

pr 7 p? '

^^^

^

■) Pj P

55

m

t >ij Ju r m

$m

We say Good day" to you,

We say Good day" to you.

m

{• J*ij <h r m

We say Good day" to you,

iy J' i r J*

We Bay Good day" to you..

I^M

m

3?

^

*M-

day" to you.

m^z

#p

^

^

p

i

J p J w l J

Our true and tried Phi los - o-pher and guide, Wecheer-i-ly

j Ji, -M j J'j i li=pf

56

J

k

m

j^ J J' J

say to you

St

^

j I J ji i r ^

Now we de -*fer to you

^^

r r \ r

We do!

f ft r^r ?> =*£

1

Now we de - fer to you

PP

With them we vie With a shy and down -cast eye, And try to con-

With them we vie With a shy and down- cast eye, And try to con-

p

7 X ?

we do!

5fc=£

WM

r t t *

we do!

fp?

-JI J JU ^J

V : ^ J P J Js l J p J >

* P* P

57

vey to you

By a mer - ry ' Good - day to you"

vey to you

By a mer - ry Good - day to you

t

I J'hJ J 1 !

S

How we de .

j P 'T P I

J 1 ' 1 ^. J ^

^^

^^

p j p

How we de -

i p j p

+ "M i

p j p i

m

i

r . r p i

■Gh 1 -

Hail we, with

j. j j'i

s

A p p r

fer to you

s

M

>

fer to you

■'ft J P J P

■«

r i J Jl i r ^

m

How we de - fer to you

f p*f p

^-w

Hail we, with

r r p i

Hail we, with

P r if. I

How we de - fer to you

Hail We, with

58

mer- ry fri -vo - li . ty, Song, dance, and jol-li . ty, O'er our home and our isle he will

mer - ry fri - vo - li - ty, Song, dance, and jol - li - ty, O'er our home and our isle he will

mer- ry fri-vo - li - ty, Song, dance, and jol-li . ty, O'er our home and our isle he will

mer . ry fri-vo - li - ty, Song, dance, and jol-li - ty, O'er our home and our isle he will

' j^ * p r < p i r p r < fl i r T « p i i

i h \ * j ^^

reign, For he re - turns to us a - gain!

j» j jij " |ii/

m

So trip! trip!

i

reign, For he re - turns to us a - gain!

p r p i J * j p i r v * p i r

So trip! trip!

reign, For he re • turns to us a . gain!

5£

IE

p r pi j -h -i p i r y j P

m

P

So trip! trip!

£

reign, For he re - turns to us a -' gain!

So trip! trip!

59

p p p p ir ^^

trip! To meet him, and then to greet him from off the ship.

trip! To meet him, and then to greet him from off the ship.

trip! To meet him, and then to greet him from ship.

trip! To meet him, and then to greet him from off the ship.

h^£

i

fl h t , P P T T | t p p V T 1 I |

Huz-zah!

Huz-zah!

Huz-zah! Our bright de - light dis-play-ing By

Huz-cah!

Huz-zah!

Huz-zah! Our bright de . light dis-play-ing By

m

P PT T|l p p7 T|l P P Tplp- f ^E

Huz-zah!

Huz-zah!

Huz-zah! Our bright de . light dis-play-ing By

60

wild hur-ray- ing With might and main!

$>\ j

u j^j

Huz-zah!

^^

^3

wild hur- ray . ing With might and main !

^

3f£e£

wild hur-ray- ing With might,

f rr

Huz-zah!

* P P T

Huz-zah!

^=fr=ff

y=y

wild hur- ray -ing With might and main!

fe£

Huz-zah!

J f r T

^

j

i

^

PP?=P

«

i i t

^

Huz-zah! Huz - zah!

Our

^

I b J) i ^

I v *

^

Huz-zah! Huz - zah!

Our

m

* t P ' P I

*

*

B^g

P

Huz-zah! Huz - zah! Huz-zah !

Huz-zah! Huz - zah!

%

Huz-zah! Huz-zah! Huz-zah!

Huz-zah! Huz - zah!

61

i V I

W

King in re -turn - ing

k

* 7 I

$n p p p rm p

^

King in re- turn - ing

^

*

*

p r pir"Y

tr --Si

The mas - ter comes,

we now de - fer

The mas - ter comes,

we now de - fer

m

^m

wel-come, re -turn - ing — Hail,

the mas - ter,

King

j^ p p p b

Hi»' ~ t es^

and

wel-come, re -turn - ing — Hail, mas-ter and King

Hail, mas-ter and

p

y ♦ t |>f j

^^

Hail, mas-ter and King

Hail, mas-ter and

62

r p 1 f ^p r ^p 1 r ftp X frp 1 ^p 7 7

mas - ter we Hail you, Sir, from storm and sea, we hail,

to

hail

Kim?, we Hail you. Sir, from storm and sea, we hail, hail

we Hail you, Sir, from storm and sea, we hail,

r p i r p r c- 1 r p r p i p m i* ■

King:,

we Hail you, Sir, from storm and sea, we hail,

hail

PPP E

t

P i f tr in ,H

*n r » i ff

^a

£

King,

we Hail you, Sir, from storm and sea, we hail, hail

Huz

zah!

Hu - zah!

■> r r p

Hu - zah!

j. j i

w^m

si

jjjjja

63

N26.

Come and See Our Island.

English Girls and Clerks.

Allegro.

Piano.

GIRLS.

P^fii

^

r p J J 'U l

y*t »

Come, take us 'round to see the sight, From gay ba-zaaiB to

i

£

£

> > j >

) > j ji

r

T

f=

r

r

r^

MEN.

^ J' ,> J' J ^^

GIRLS.

S

^^P

5

fol low us ev - k, ry - where?

The round- a -bouts, A -

] i i |j J j. j i i

r

— r —

*

f

4

r

*

P

^^

m

p

64

mer - i - can swings, A - qua - ri - urns and zoos and things And

\ V i J' J J^E^

MEN.

j> I j j> j lr ^

all the fun of the fair.

Then fol low us ev - 'ry -

i

*/" J 6 *f F j

: rP *f f *P m*

'P F P P

«

r P r r> i i ;

GIRLS. So come, so come

*

fa

i

-where,* so come, so come

=:: f=

MEN. So come, so

£

s

^

jij -h i p i ^

come.

a - long,

So come a -long with me.

65

*

MEN.

p i r J J J J' l -i j> a

^

it

We have - nt got an a - qua - ri - um We donH pos-sess

a

*

ww

*

*

w

*

*

*

w

f

m

*

t

*

j ij J 1 1 i i J J' > |j j i m i

s

zoo, no! no! No Af - ri - can blacks with dusk - y backs Tat -

*

"TH^ £

m

-N nJ J>

r

" a i i n^ =^

/*
=*

J> <J J>

f

f 11

P

W

tooed red, white and blue, Weve no wax - work shows like

gE

^

PP^

^

4

?

i

p

f

pJ .M Q J 1 J i,J' 1

I

Mad- ame Tus- suads, No Bi

o - graph have we

No

66

J' J' jiji i j> J' J' J >| J J' J J> | 1 J gfe|

Lion Coraique at a thous-and a week, But come a-long with me

So

fpl

P^m

^

FT F I T

£

come,

so come,

so come a - long with me.

'11 rTffn

f r f r

£

7 7 t

come a-long and hear the song That na-ture sings the whole day long, And

■I P J |JI J F

^

P

^

o-ver the hills and far a -way, Like lamps in Spring well gai - ly play, So

67

V J j j j ' t i > J J

p^Pf

come a- long and hear the song That na-ture sings the whole day long, And

trip- ping - ly, skip- ping - ly, oh, so gay, We will o-ver the hills a - way.

DANCE.

P

7 7 ;> J JE

O J J'

^^

1 J' J J>

1^

r^

t

r

f 1

r

68

^=*5

s

£

3

i fi J T *J'| cur »J"m i n r llj |J3Q J J'lJ.

.r^nurHm

69

NQ7.

When I Leave Town,

Lady Holyrood.

Words by
PAUL RUBENS.

Allegro.

Voice.

Piano.

p p p i j' j' ;> * i ji. > ^

i

L | J* J' J'

1. Im a la - dy, dont for- get,

2. If I go to sup or dine,

3. If Im up just for the day,

m

With a sense of et - i - quette* And
I know where to draw a line A
Lon don seems quite bright and gay. Po

§

*j

all I

smart black
lice - men

m

say

frock,

smile

jiu. > j* j' i p p p * '

Is in
And al
As I

the "Dai - ly

ways * home by

go through the

Mail" next day.
twelve o- clock.
Park in style $

70

p- P p p I > J' j H ji J' J 1 pip P p ip

Dan- ces, rau- sic halls and plays, Draw - ing- rooms and smart soi-rees Or

I dont pay a thing at all Bar a dread - ful Sun - day call; And

Bus - men greet me from a - bove; Cab - men drive me "just for love;" And

r Jl » i * tim

Hen - ley,
when my

ev - 'ry

Good - wood,
funds are
wait - er

and Pa - ree
sink - ing low,
says that he -

i

■M Ji Jil J

^^

m

Owe their great
Some - one sees
Waits ex - clu

sue - cess to

to that, you

sive - ly for

me.

know!

me.

71

3

J' p ;. Ji l J 1 p ^J|J' (i J* I J ^B

Im known ev-'ry- where From Bays-wa-ter to Berk-ley Square; Ive got a

m j^

sort of air That Pos- i - tive - ly knocks you down.

Im so

fr) J^ Jll J J< J J* J > > p

gay, you know, On the go, To and fro } Theres noth-ing a- ny- where a- bout That

u f J I JJ IJJ

peo-pleseera to care a-boutWhen I leave town! When I leave town

72

N28.

Words by
ERNEST BOYD-JONES.

Galloping.

Angela and Donegal.

JS J' J» J^- J' J I JT J J*

i. Love in his youth is a fi - 'ry steed,

2. Love, when he com - eth in mid - die age,

$¥ jh j j> A jij i j*. J*j j =

Gal -lop -ing, gal- lop- ing, gal-lop-ing gai - ly,
Dif-fer-ent, dif - fer-ent horse al-to-geth - er,

h J IS J', Ji ^

Need - ing no spur as he'll
Will - ing to trot with his

73

J M ==z

i^

wild - ly speed, wild - ly speed > - ver new pas - tures dai -

e - quip- age, e - quip -age, Learn-ing the length of his teth -

I '""" UJtjJ ' Lc WW

Tak- ing the bit r his
Jog-trot's the pace tho > it

ly, dai - ly, dai - ly.
er, teth - er,teth - er.

#&
^

I

teeth be- 1 ween,

is, in truth,

Brook- ing no mas - ter,
Thoughts of the man - ger,

k HJ I J 1 J >

1

Fas - ter and fas - ter,
Fraught with less dan - ger,

74

O-ver the ditch - es and hed-cres so

p

O-ver the ditch - es. and hed-ges so green,
Short- en the winds for the flights of youth,.

w

i

-»—

it *m

*fe

£

P

E

i

p

p

o -

Flights

ver

the green ,

of youth,

i m

o -

Plights

- ver

the green .
of youth.

Blind to the fu - ture and
Nev - er is like - ly to

P J P P ^^^

Blind to the fu - ture and
Nev - er is like - ly to

i

I

£

fe3=£=i

r '

75

i ^¥ P p r , J jm: j> ■>» j. j. j i j j. j j. i

$ * p p p ^

threat- ened dis- as - ter, Gal- lop-ing gal - lop - ing gai - ly, gai - ly.
bolt with a stran - ger, Gal - lop- ing gal - lop - ing gai - ly, gai - ly.

mm

j .)' j j i

threat- ened dis -as - ter, Gal- lop-ing gal- lop -ing gai - ly, gai - ly.
bolt with a stran - ger t Gal- lop-ing gal - lop - ing gai - ly, gai - ly.

\ W J. 1' 1' 1' «P Ml

&'** >

> j j i ji j j> j, j, J 1 1

Wom-an's the driv - er and Loves the steed That car-ries the bur - den

p p p «p p i r j

J 1 'i i i i j

Worn - ans the driv - er and * Loves the steed That car- ries the bur - den

J J* J jy l ji J> J' J J J' i {p^i

fe

dai - ly oh! So keep him in train - ing, then life in - deed Goes

J j> j iij) j> J > Jl J | O -i' J

£

dai - ly oh! So keep him in train - ing, then life in -deed Goes

i^.i^i i

mm

?

■

s

*C- £i' f j j 1

76

gal- lop-ing, gal-lop-ing gai - ly ohl

Ah!

gal- lop-ing, gal- lop-ing gai - ly oh!

$

|s J' n> J' n ^

Jl J p I P P p r P I

keep him in train -ing, then life in- deed Goes gal- lop- ing gai - ly,

j. j> ^ J p p ir J' J Jm p p p. «r ^

keep him in train- ing, then life in-deed Goes gal - lop - ing gai - ly,

i t* 1 J"T^

p

i

.-

f

^p

*

f

g

U6

^

ji

*

f f> fr **

J' j j i J' j' j' j p i p ^

gai - ly on, Goes gal lop ing gai - ly, gai - ly on.

hij p j-

E

Ah!

i

p

&

r 'Pr p i "p

*

gai - ly on, Goes gal lop ing gai - ly, gai - ly on.

Ah!

77

Gal-lop-ing, gal-lop-ing

^

Ah!

Gal-lop-ing, gal-lop-ing

Gal - lop -ing, gal- lop - ing oh!

Gal - lop-ing, gal- lop - ing oh!

gai

iy,

78

NO 9.

I Want to Marry a Man, I Do.

TRIO.

Lady Holyrood, Gilfain and Tweedlepunch .

Words by
PAUL RUBENS.

Voice.

Piano.

1P^

Allegro.

^

¥

^^

j£l

E3M^=i

^m

1=1

Lady H.

- uwiy n. l

I

, I ttO, I

GIL.

TWEED.

1. I want to mar ry a man,

2. A hus-band I want to a - dore, I do, I

; j> i gj. j ^ ^

do, She does, She
do. She does, She

gr r|>

3^

il

£

ill

E

r p ij ?

gs£

£

LadyH.

do
do.

— I want to tell you my plan, I do, I

.{GID Who's not been a hus-band be - fore, She do, She

79

m

1

TWEED.

^m

Lady H.

J, |j , J, > > ^^

do, She does, She do
do,(LH)She does{T.W.)She do

There's no use in look - ing a
(L.H.) I wont have a hus - band who

W

±

^^

^

Mr >p

p ir >p

- bout each day

wears a low hat

For hus
Or goes

bands ei
to dine

ther dull or gay, Ive
in some ones flat$HL)Or

p-

j, j' j i > i j^ ji j» j> j > > i

got to get one who is built " my way, If I want to get one that will
one who's ad-dict- ed to sleep on the mat (LED Or I think I should know what to

m

%

m

GIL.

do, will do,
do, ..to do,

I
I

I

TWEED.

W

loes,

s

do 1 She does, She do

do, She does, She do

w=t

i

>> h j j, j ^

£

P^

^^

A

S

S

i

£=2

80

LadyH.

f imp i? J j j ^ i j. j' j. j. j j. 1 1 J- j ^

Youve got to get hold of the right one, And all will be right as right can

m

m

[ L Xj j j ^

s-»

§m

§

i

I

IE

i

s

i

§=i

be The task is - n't Quite such a lieht one. And can't be oerformwi for a

i * i # j * i^ =;

Mr ffr p

'Tr r r p

r

fee

You doift want a stay- out - all -night one, Or one who in- dul - ges in aft - er-noon

'* rr«rr p li

ft r r *r ' J

,. > i J^ i ^ji ^ jiu j^ j> j hi j

GIL.

£

tea*

If you on - ly get hold of the right one Its ea- sy as A, B. C, As

ALL.

i

61

N910.

Words by
ERNEST BOYD -JONES.

Phrenology.

Gilfain and Chorus.

Voice.

Allegro moderate .

Piano.

VW «

I

Tpjrn

0^

MM P' 'p P J* Jl Jl J 1 f

£

1. There is noth - ing we d is -par -age Like an

2. If her " bump of sport" is big-ger Than the

H^ r n m

te

p

h J J 1 J> j> i'^F?

I

i

i

ill - as - sort - ed mar - riage, You must choose your wife
nor - mal, you can fig - ure Out how ma - ny hun

with
ters

nn

82

phre - nol - o - gic care; For the realm be-neath her bon- net Has your
she will bring home lame; Or the num-ber of the "cad- dies" (High -land

J* Ji > ij> j j j' j i j.^ J, j

P

fu - turemapp'd up - on it, So when jouVe en - gaged, take

lad - dies in their plaid- ies) She kills on the golf - - liks

m * j j

j » t

down her hair. _
in a game.

i , CHORUS, unit.

J j J i

i

' >i i

&

p

When you're en - gaged, take down her

She kills up - on links in a

TET^ElF

83

!5*E3E

I

i

p p p p p ^^

Thb' she may de - clare it fid - gets, As you
If her mark - ings show con - vie - tion Of a

!s*

em

j> J' ji j>

i

hair,

when you're en - gaged,
yes, in a game.

M=

l>. J J J J J 1 J J I

E

I

fura - ble with your
taste for writ - ing

dig
fie

its,
tion

You
Then

re - veal
look out

a
for

well
ca

de
ses

J. J 1 I > JW J J» H lJ' ^

[ - oped "bump bf cri

- vel - oped "bump "bf crime!' You may find
of " Ce - les - tial Twins? If her bump

her one day thick - nin* Your noc -
of mor- als looks tall Shell be

tur nal gruel with strych-nine,- Be ad - vised
warned off ev-'ry book- stall, For Mu

and jilt her while there's
die ends where she be -

1 LJf n j

V'i," l > lr

84

m

k

m

m

£

time,
gins,

SOP.

J' ^ > j> j'i ^

And jilt her while there's time.
Leaves off where she be - gins.

*

£

e¥

Be ad -
For

ALTO

B 11

3

£=S

vised
Mu

P?"

and jilt her while theres
die ends where she be -

£

^m

i

CO

o
o

i

P^

TEN.

B 1

i

i=£

J' j> J

£

Be ad -
For .

vised
Mu

\

and jilt her while
die ends where she

there's
be -

s

BASS

£

i

^m

p p ^ j p ^

time,
gins,

So be ad -
For Mu-die

time,
gi*»v

Be ad-
Mu - die

vised and jilt her while there?a
ends where she be

vised,
ends,

be ad
Mu die

time,
gins,

Be ad

vised,
ends, .

be ad
where

86

i p «p p

So, you no
Ah! the

- vised

j;j j [i_> ji j' j'

and jilt her while there's
where she be -

j. j j j > j> j, ji

3=^

time,
gins

i=i

«

while there's
she be -

¥=*

time,
gins

^

£

|T jl * ■!' I

wed - ding need be dread - ing Once phre - nol - o - gy's de - fined What is the
mar- riage I dis-par-age Is the u - sual blind af- fair; Just a

vir - tue that will hurt you, And the vice you need- nt mind. Set

scram-ble at a gam - ble With the pri - zes ver - y rare. Ere the

86

sci - ence at de - fi - ance, And to grief youYe sure to come, If you are
cri - sis my ad- vice is With your fin- ger and your thumb, Ex- plore the

itLj p p- j * J >^f

Z

scorn -ing ev - 'ry warn - ing of the era
moun - tains and the mole - hills of the era

£

P

ni -
ni -

87

m

p

J j> jo «M } > j

yum yum yum yum yum.What is the

j, ;, J. /, J. i^ ^

P 1 Ji H K p );

vir - tue that will hurt you, And the

p- J* J' > > p p J i

pi

b

&

P

i JO J)

I

-nol - o-gyts de- fined

What is the

P P P p

vir

tue that will

k

£

£

* J J*

*S

P' P P

vice you need-nt mind. Set

t

p- p p J ' j

£

P' P P P f

sci - ence at de - f i - ance And to

Jt «h >> JW» ;. ^

&

hurt

you,

Set

sci - enec at de - fi - ance And to

s

P' p p p r * P

vice you need - n't mind .

j> a j> j> j> j> ''p p i

88

i > Ji J' P p p n t p

{^ tJ' J' J' J' J> Ji ft fe J' * ft > Ji J* ^ Jt

grief you're sure to come If you are

p j' j' > r g^ g

grief you're sure to come If you are

t» a p- j* Ji J' ^ J 1 1

scorn-tag ev - 'ry warn- ing Of the

M p 1 • p p p >p' p

scorn-ing ev - 'ry warn-ing Of the

(I P ^K . J i sg^

^

f

fe

era

ni -

3

4^ r^~r*> £

era

ni -

um

2

i

P

um

i

ir

i=ii

um

^

^

um

89

N211.

The Shade of the Palm

(Abercoed.)

TENOR or SOPRANO.

Moderato
%

Music by
LESLIE STUART.

fe

There
There

There
Dear

^^

^

f' J) jiJ J i r"-~- 7 * i

is a gar - den fair,
is an is - land fair,

Set in an East - ern sea,
Girl by a West - ern sea;

m

v P p

■I- J Jl

is a maid
est T tis there

keep - ing her tryst
one day thou'lt go

with me
with me

i

m

In the shade of the palm,
'Neath the glo - ri - ous moon

With a lov-ers de -light, .
Hand in hand we will roam,

A

Jt

£

r

, iT7 j-a^

r

3

m

Copyright, MCM, by Francis, Day& Hunter.

90

Where 'tis ev - er the gol - den day, _
Here the night -in -gale song of June,

Or a sil-ver- y night;
In the dear land of Home!

How can I leave her a - lone in this dream of sweet Ar - ca - dia?

There dear- est heart, will the past but seem an i - die vi - tsion?

^

mm

w^

k

mm

3

How

Nought

can I part
but a dream

from her for lands
that fad - eth fast-

a - way?
a - way, .

In this val - ley of E - den,
And the songs we were sing - ing ,

Fair- est isle of the sea,-
In E - ly - si - an vales

91

\ 4 r~ p *p p

"ir- r p i

Oh,-
seem

my be - lov - ed, bid me to stay,
but a ca - rol of yes - ter - day ,

In this
Hap - py

fair land of E - den,

songs we were sing - ing,

Bid me be- lov d to stay
Songs of a by - gone day.

m

Oh, ray Do - lo - res Queen of the East-ern sea!

Pair one of

#-^—

» i r p P p i t i ? r i

E - den, Look to the West for me!

My star will be shin - ing, love, when

92

! Ji J'-l' p Jg

P P »p. P Pp ij

you're in the moon - light calm , So be wait - ing for me by the East - ern sea, In the

& ' r. jj «

rr

j'pJ'r p i p'-r t i /nJ'r

shade of the shelt -'ring palm shade of the shelt -'ring palm

Oh, my Do-

lo

res, my Queen

of the sea,

pin

■ 1 ejJi m 1 J7 1 <*m

Then be wait -ing for me by the

|> J 1 P pi J^

pir « »

East - ern sea, in the shade of the shelt -'ring palm.

i

93

N9 12.

Finale Act I.

Words by E. BOYD-JONES.

Piano.

(Girls enter sobbing.)

lov

tears,

ing hearts a- sun -de r he

has

i

tears

#gfe

we can

i

£

&

not

nvn;

%

%

With

£

stay, We

p

94

Men.

IMfr flp J' I i'- J' J' JlJi JiJ^

The worst of all's phren-ol - o-gy: The maids we hold in hate

m

Are

J. 1 ,1 l | J. ir

^m

5

j>N- p p pip ; .p.ifr p p J' i

giv-enus to wed; While girls that we've a-dored, With- out the least a-

95

pol-o-gy, Are now as-signed to mate With men who've oth-er girls in- stead.

Girls.

sci - en-tif-ic fraud,

The worst of alls phren - ol - o-gy: The

ing

hearts a -sun - der he

riv n :

^¥ ji j< j. p m

:< i ji jt ;. p ^

m

maids we hold in hate

Are giv - en us to wed;

While

W £~i i

96

girls that we've a dored,

With - out the least a - pol - o - gy f Are

boys

givn

> j n p

f

now as -signed to mate

te With me

men who've oth - er girls in - stead.

Andante.

OLORES.

a

p n p i r r i

g^

This is not sor - row, This is not part - ing, This is the

ABERCOED.

rrr p p p i r rTr $h \

This is not sor - row, This is not part - ing, This is the

Andante.

§iipf

97

&

m

h

s

i

hour when two hearts u - nite

* S

\ • ft

r p k'

££g

i>w J» h

F *' Jl

Seas may di - vide us, Years keep in

hour when two hearts u - nite

j' p f i r r i i

Seas may di - vide us, Years keep in

!E3

a

r r i r u

p^

s:

* s

p p r 't i r

e

*

long-ing, This is the dawn

That knows no night

Time will not

r j»J' J ' i r

''FT "Mr

p

J 1 J V.N

long-ing,

This is the dawn That knows no night

Time will not

a

'* t r s

a

*

gS

t

«

i

£

* t f ^

^

Tt

j2_

i

=T

i jAfr y rr 't -J'-i'iy Or ff p p ^

/^

sev - er.

We vow for - ev - er
a

This bond we will nev - er
3 * /T\

4 y yp r i, r jij,|i lr r -t f p p IT J> I

sev - er,

We vow for - ev - er

This bond we will nev - er

—v

^#3%

be .

m

be-

98

k

Andante.

m=m

t

tray.

i

tray.
Andante.

Abercoed.

^1. j

p3

m

i

lone, dear love, I will vow I will be true.

^m

i

99

SOLO.

i

E

m

Fate may di- vide

well.

well.

k

us , Fare
cres

well, Fare well,

cen

I will

He'll love
cres

you for - ev
cen

er

i

He'll love
cres

you for -

ev

er

*

p

love
do.

love
dfo.

love

you

for.

you

you.

wen.

wen.

5ES=?

He'll love

you for - ev

er

cres -

cen -

He'll love

you for - ev

er,

cres

cen

n

■rn

i

i

love you,
do. {,+.

love you,
do.

m

100

Abercoed.

k

Angela.

&

£

&N ^g

Stay we im plore you,

Donegal .

1 -Ji

S

P

Stay we im plore you,

s

^

Stay we im plore you,

Stay we im plore you,

101

SOP.

102

^

Hand in hand

j>p *f p i r

we kneel, im - plor

m

Hand in han

,H 'P P

<*■

we kneel, im

Then hand in

hand they

kneel,

im

plor - ing, im

Then hand in hand

thev

kneel

g

i

Of your harsh

ness

you'll

re

pent

E

Of your harsh

ness

you'll

re

pent ..

plor - ing Tour harsh

ness

you 11

j j* t j^ j' i

re

pent, you will re -

r?ji j>

s

t

i> j» j» J'

J' HJ' l |> a P F I F' Jl J' ^

Your harsh-ness you'll re - pent; you will re - pent it you 11 re •

4V # ft I

!

^^

E

S

E

i

F^

Your harsh

you 11 re .

10S

9' 9 f

p

&

Do not part

_ two hearts a - dor

?m

Do not part

J» Mp P I *IJ

two hearts a

dor -

i

3

pent it, Do not part

two

hearts

dor ing a -

p^

j-^ j '

?

?

2

3

3^

^

?

pent Do not part

two

hearts

P=P

E

£

3

dor - ing a -

P 'P I

\

p fr i r

f

mg

By with hold - ing

p

£

p

p

your con

sent. We

ing

Hv with ho

y with hold

?

mg

^^

your con

¥

sent.

W*

J^ ;> i p' p p p i r ■ p p i r

^

dor - ing, By with hold - ing your con - sent, your con- sent, your con -

ji tJ' i> J' i j; p p p i r p p ' r

w

Ji Ji i p- p p p i r p ^^P

dor

ing, With hold - ing your con

[>" P P 3

^

sent, your con- sent,

^

i=i

your

con

i

104

vain, in vain;

fu

ture

your

vain

ex

tr p p

p *B »B "P

»p a ff f

fu - ture spare, yes,

spare your vain ex

105

3

pent,

i

3

we

pent,

pray you

£

do

not

we

pray you

do

fp^

i

er - tions, your ex - er - tions, His words un

Chiang - ing

106

P

f

your

?

:p=$

U

con

sent

your

con

sent

?

your

£

con

?

sent

*=*

your con

sent

p p p p ' p p p p

p t , p j'

Medes and Per - sians, Or the Medes and

p p p ' p p p p

Per- sians, yes!

p p p

Of

$

p p p p ' p p p p

p p j' *

I Medes i

Medes and

Per - sians, Or the Medes and

p p i p p e=s

Per- sians, yes!

p

sci . en - tif - ic

en - tif - ic fraud

sci

p p p i

en - tif - ic fraud

g p p

MP fl P PIP P P PI

The worst of all's phren - ol - o . gy. The

♦ n i »p' g p j i j) j' /

The worst of all's phren - ol - o-gy.

P I P' P P P I P' P P P 1

The worst of all's phren - ol o-gy The

P 1 \ ti g P P

p" P P P I

t p I lp' p p Jm J* > J*

The worst of alls phren- ol - o - gy.

, f i W ff IT

£

mea

107

^^

^m

we hold in hate

Are giv

^m

en us to

m

F^?

£

men

m

Down, you trai - tor!

ji j' p

^m

we hold in

hate

Are

Si

giv

m

^

en us to

ji j» p l

i

E3=?

4V # ft

^3£

Down, you trai - tor!

wed

m

m

si

While men

p p- p

that we've a - dored,

FF^E

With -

m

Down, you trai - tor!

wed

Down,

s

iS

While men

p f p

n

that we've a - dored,

T~p p~

p p p

you trai • tor!

With.

1

With .

s

p

With.

108

Gilfain.

109

L istesso tempo

• 1 JLJ A«?l^C7t7Vr 11/UAJfV

J J- J'l

lov - erhas de-part -ed, Be no long-er brok-en heart-ed, Foryou now are free to

J J J J

f ##^=

Mp ' P' p P ^ jJ ' Jl .^

love and mar - ry me. He will not re-turn to claim you, You, de -

ji Jjyj/^j

i ' iJ ij -^'

s

sert ed,none shall blame you,If you mar-ryme, Yes, mar-ry me

110

*

L.H.

^^

Why mar- ry in this hur-ry? Sure-ly

you've no need to wor- ry; For there's good fish wait - ing, wait- ing in the sea Fbr a

mil - lion-aire Col - on - ial; In such mat - ters mat-ri - mo - ni - al You

fpN

1

«p

i' 1 ''" cjr ^r iJ e^ritJ J

<tu n. /

iJ' .J J 1 I J*

J J' .J

might

pp

^3

do worse than wait for me,

do worse than wait for

Ill

IEEE

me.

So be no long - erbrok-en heart-ed, For he
P

now has set you free, And you, de

So be no long- erbrok-en heart-ed, For he now has set you free, And you, de-

So be no long- erbrok-en heart-ed, For he now has set you free, And you, de

JL

J

h * * i 1 pi p J 1 p '- p p ^ J

sert . ed, none can blame yon if his bride you mean to be But des

sert - ed, none can blame you if his bride you mean to be But des

i

P P P P i if

P

sert

ed,

no one will blame

you

Des

sert - ed, none can blame you if his bride you mean to be

Des-

112

pite your worst en - dea - vor, She'll be true to him for - ev - er, She*

JOJijsjifrhAJJ* j\ j\ ^ ^

pite your worst en - dea -vor, She'll be true to him for - ev - er, She'll be

pite your worst en - dea - vor, She'll be true to him for- ev - er, She'll be

ytf J -h * i> n n *n b i p- a p p P p p- p i

pite your worst en - dea - vor, She'll be true to him for- ev - er, She'll be

true to him for-ev-er Or her love's

re - turn.

p p iji , M.h |> ji ii

i

^=i

m

true to him for- ev - er Or her love's

re - turn*

r^TTr *r \ r * i

true to him for-ev-er Or her love's

re - turn.

ytf P P J) Jtp p »p ^f^

^

i

true to him for- ev - er Or her love's

re - turn.

m

T " t*

113

m

Turn.

I

We
TutH.

mm

will re- fuse

3

you,

^

We

will re

p^

Turn.

S

We

fWW.

re - fuse

this mad com-

i

re -fuse this mad com-mand,

t&

^

We

$ W J J

iiis

i

will de - fy

you,

Tho'

i

r n i

our re -

i

g

£

fuse you ,

We

will de

m

you

g

mand,

We

will

in - deed de - fy

m

m

you

y r m

We

m

will de - fy

you

We

re-fuse o -

353

i

f

f

3

114

J

fe

«-

i

&m

sist

p=p

&

£

ance

ap - pears to you in vain.

SI

I

1

P

-6M-

we

de

fy

your will.

^

as:

I

we

de

fy

your will.

*w p p p p r' p

\

be - di - ence to you or mat

ters mat- ri - mo - ni - al, We

; <*p p

M

^M

f

p

- |Lr t LrCj'Cj i

WJTTl

3

£

J

ii

tesg

«^-

P

We

mean re- volt

mg,

We

wont o - bey you,

k

m

&■

<**-

p pi^r r

We

won't o- bey you

p'\> r

i

?^p v jjl f ^^

r r r

We

in - tend

re-volt-ing We de-fy your powV, we

;w f' j

do

in-tend re - volt - ing now,

We

wont o - bey you,

115

te

Dolores.

m

Agitato,

^m

^^

e

jE

nn

r pir r j j' JHr

we will de - ny you we wont be match'd

?

m

a - gain.

v .1 ■!

i

^^m

j. ji i -i -

Is

£

£

we re

fuse

t

i

to be match'd

a . gain.

V r Ftr

i

will

re - fuse to be match'd, be match'd a - gain.

m

m

£

m=?

^

^

s

i

3G

we will re - fuse to be

match'd

a - gain.

^ fcoH

■i j - j>,j j

g

^

p

> I J I TJ J? 33 1

I

E

Agitato.

!*

S

<2JL

$r=fc

fc*

no

»

J j j: J 1 J 1 m

one here to help me hold this giant at de-

«

*EJJ*LL!r

y

WFf

M^

*

» F »

sL^

Jj

zz

i

te

Agitato.

m

fi - ance?

i t js

ra// mo/to.

Will no

'r r J l

one friend up. hold me

*m^

116

rfte^s

Vd \,

J f * -IM -I

ace el.

I uJ 1 111

in de - claim -ing bold de - fi - ance

rail, molto.

Ah!

rjiard.

no one proclaim that no hand will di -vide, that no hand will di-vide?

'W r E

*

calla voce.

i

^

I

Abercoed faff!)

~y

117

p p > j.

Pair

one of B

den,

j. JiJ'J JT' T T I

look to the West for me!

my star will be shin - ing,love, when you re in the moon - light calm

So be

wait-ing for me by the East - ern sea, in the shade of the shelt - 'ring

■w j"7"j [jj m

Tempo di Valse, marcato e Allegro.

DOLORES.

i j t i t r'T Tr t ir ^fef

palm.

pp

Tis the Sil - ver Star of love, That is shin - ing a -

118

fcte=

u

737—

bove

i$M

^*t

i J j U j r S=iig

for

>«%.

me, Tis the bright- est of all that eyes can

J J IJ i J I J A J 1

m

k i

* 4

'Tis the bright -est of all that eyes can

* i r ir

The Star

mm

r r i J * r i^ ejpp

rtt.

*

see, 'Tis the bea con of lov - ers' ec - sta - cy; When the heart is a

r i j * r i r « v i r <r r ill

see, 'Tis the bea con of lov - ers' ec - sta- cy; When the heart is a

pn ^ i

=3?

■4H-

^

i~>-

Tis the bea- con of ec - st - cy

& to > >r r

int.

t r i r ^

^

'Tis the bea -con of ec - sta -

cy

■vTirnf f rif

sm

**=*

m

i

^

— -ft-tu*.

r«Y.

fell

l£=£

119

m

wea - ry one, And sigh-ing a - lone in the ev - en tide, Tis then the

■ — i

s

JSL

*r i h r nJ J i r r J ' r .« nr

wea - ry one, And sigh-ing a - lone in the ev - en tide, 'Tis then the

v j j j if i

t

me

<*■*-

£

£

<^-

wea . ry one, And sighs a - lone at ev

en tide,

y fc

ffe

*

3

DZZ

r p ' r J i

time a maid

en

longs For the light of the bright sir- ver star of

*

i

^

m

time a maid

en

longs For the light of the bright sil - ver star

i

i

£

i

'ir v Aft m

time the maid

en

longs

For the bright sil - ver star of

sm

&*-

«-=-

=*

r r nr

^

inn

maid

en longs For the bright, the bright

120

(J 1 - 1

i

£

zz

I

m

love. The bright sil - ver star of love,

The bright sil . ver

fe

j in i j ^

W^

i

love. The star of love, of love,

# I IS 7 ^

The bright star of

m

£

I I t 1 J

H

love. The star of love, of love,

The star.

of

W* JJ"

s

4

i' * u * r i r r r i

The sil

of love,

The bright sil - ver

( <* ' J3 J

star of love,

Star

^ jfFljff

of my love

Sil -ver star

121

my love.

1 I J * T Jll ^

mm

j « <

of

>?v

of

/T\

e?

»-^

o»

gi

.£

my love.

f < Tp l f

Y * i

my love.

my love.

m

fj?

^*m

fep

^

•**

«

u

Wt

as

s

^

*= * = ?

pi

N913.

122

Opening Chorus

ACT II.

Piano.

il#ii

f Jr Lr

j^ i f i^jcfc'i' I ■ p t ^

•

123

J fi S0E

iftl P' P P p Iff P P ''P I 0' pi p *p I p p p J' g

^

Ris - ing from the load - ed ta - ble, Where we feast - ed till un - a - ble

s

Ris - ing from the load - ed ta - ble, Where we feast - ed till un - a - ble
TEN. ^ m

H P' p p p. l p p p P I P' M ^^

iH

Ris - ing from the load - ed ta - ble, Where we feast - ed till un - a - ble

BASS. ^_^ ft

w« a- p p nip no p ip' p p o i p p P F a

Ris - ing from the load - ed ta - ble, Where we feast - ed till un - a - ble

'*» f f f

fr > p r^T-fr J' J- * ' ■

*

p k ji > i j p f

m

To be - stow.

an - oth - er sip or crumb,

So

?

?

To be - stow.

pH

an - oth - er sip or crumb, or crumb, So

P p p p I ^ J j J^

P P P I

To

be - stow an - oth - er sip or crumb, a sip or crumb, So

W

<mm

IP P p

PS

•J' P I P

g g p

To be - stow.

an - oth - er crumb

a sip or crumb, So

124

J* ft,h /i> ' :

thanks to an-cient Port or Sher - ry, We are feel . ing ver - y, ver - y

Ji J^ J > | J> J^ -h -h | -h Ji .h Ji | J> J* J* _H

£

m

thanks

p* pp. P I P Mp P I

We are feel - ing ver - y, ver - y

w P" p f P l . P P P P I P' P P P I P P P P I

thanks to an - cient Port or Sher . ry, We are feel . ing ver - y , ver - y

f J* |J>J

eee*

^

Sat - is - fied

• p P Mp l P' P ^

J ■ <

with Mas - ter New - ly Come.

j> t > j^ j» i jt ^N

■i* v i

^

p b p d i p J' j. i J' p n pi

Sat - is -fied. sat - is - fied with Mas

ter New - ly Come, And

7t p' fl P Pip P P l^ j

£=P

p P P P

Sat . is-fied, yes sat - is - fied with Mas

ter New - ly Come, And

■^ nn

125

i

pm

> p- yp * i t j > > J i ji m p i J r^pup

yet de- spite our ov - er feed - ing, In de-fi - ance of good breed - ing,

Hp f

h J » U I ;

mm

w

'fa ; p r

We will end

^^

*=*

i

j* i j* -i'

it

?

e

in the on - ly way we know.

!'.*

J, J J J I J J, ^

K J' > P I

?

i

126

;

£

£

heark - en to a wise sug - ges - tion , For there's not the slight - est ques - tion,

j

^^f

^

MP p r

We must show

i* J 1 n > ;

_ the — light Fan - tas - tic toe.

P

i

m

For

^

i> j' j> j' i ^ j> j j' i J* / J ' j' i J| j^ ^

*

We must show the light Fan tas tic - we must show, must show the toe, For

f^m

127

I

h ^

> p p r

p p i p

e

t

this as - sists

as - sists di - ges - tion,

?=?

F^p

this will as- sist

jft ^P P

'DP P p | ^p* p g

this as - sists

as

g

*

l-^-'U

i

So

sists di - ges - tion di - ges - tion So

feMy

¥

p p r

p p p P-

ZE

^^

show the toe ,

yes show the toe.

f

fr p r

gp — p p ^ i<*

fr P M '

V~ t 9 t *p

-«h t i

P T *

skip with a will

with a will the toe.

128

an am J n 1 p i p- .p p ^ ' P p ^^

Ris - ing from the load - ed ta - ble, Where we feast - ed till un - a - ble,

Ris - ing from the load - ed ta - ble, Where we feast - ed till un - a - ble.

wr m mp p p MP" m p ^^

s=§

I'* F f f Ml

&

ii*

£

^^

^

J

^

"p J ;< J*

To be - stow.

an - oth - er sip or crumb,

So

mil

wm

h Jl J. J> i ji J' J» Jm i *

p

To be - stow.

an - oth - er sip or crumb, or crumb, So

i

E

P P p p I ^ J ^ J I > p p p I

To

be

stow an - oth- er sip or crumb, a sip or crumb, So

ifl P P r

s=s

w

^m

p t v

To be - stow

an - oth - er crumb,

a sip or crumb, So

129

'p ''iv flff p i p b ff a P i fr fi p p lip =g=pii

thanks to an - cient Port or Sher - ry, We are feel - ing ver - y, ver - y

l Ji Jl Jl Jl I Jl Jl Ji Js

p' p p p I p sg

p^

p p p p

p p p p 1

thanks

to Sher - ry, We are feel - ing ver - y, ver - y

> >i|r p' p p p ^p p p p | p- p p p | p p p p=|

\

thanks to an - cient Port or Sher - ry, We are feel - ing ver - y, ver - y

s

fc

tt

£

P^=E

£

££e

J

Sat

Sat

i

k h i

f P P 1 P p *p P p

P

IS

fied with the Mas . ter New-

ly Come.

with Mas - ter

p i p p

v p up 3f

^m

18

fied with Mas - ter New - ly Come.

*h ^r p p i p P p p i j j

i

4

k

£^F*

k

* « l"»

fc

BE

£

EE

£S

130

$tn i } Js.J» J p p q^

With dain - ty an-klea trip- ping light

iy

f' > J' P

K

i

p /? J' > J | J J' Js I

With

dain - ty an - kles trip - ping:, trip - ping

^m

I

£

£

1

i

F*

t

P P *p P ft

Ns^g

Wz

i

Be - neath the un - sus - pect - ing frill

i

t

f

mm

*^&

i

#

Zt

light . ly

p \ Q p ^ J ngi J p

There be - neath the un - sus - pect - ing

131

;

^3

W^F^

J> J p

-6H-

A ti - ny waist en - cir - cled tight

iy

k

I

T p lp P P J> > P ^

frill.

A ti - ny waist en - cir - cled

gg=g

i

p ^ p ff p P P

t

*' _J> p Up p P Up p J^

&-

That caus-es man-ly heart to thrill,

so bad - ly

?

t

1

w=^

tight - ly hearts are thrill- ing bad - ly

ss

k

\

r r r

^

!■. J r

> I t J t Ji J* J ft p PI

So gai - ly we will romp and

? Jn J. J' J) p p JH

m

So

i

132

gin

P P Mff P

roll

ick

And pir - ou - ette and mad - ly

¥

t

f

£

p p ip p p ^ > J 1 i

fl* f. Jl J' Ji J> ^ J' , j^

i

ZZ

gai - ly we will romp, will romp and roll - ick

k M P U P p p lp ^^

And

£

>

£

£

P p ^ P J li

prance.

te

With such un - mit - i - gat • ed

* .h .h .h .h J* J* J*

£

^'" P"

> p~ p p ^^

W

^^

pir - ou - ette and pir

ou - ette and dance

With un-

^l t' 7 p p f>~ f p- p | r

^

\

With un.

k

s

r r f r

r r r r r

133

t r r^'p 'p " p | l|ff ??*> ? J> Jljh | J * ^^

frol - io

r r ■ r ' pa

Well rev- el mad- ly rev- el mad-ly in the dance.

For

Rev-el

>''' j) M* p tip p f' l "ff p P p p i'J'J'U i ) i

mit - i-gat-ed frol-ie Rev-el mad-ly rev-el, mad-ly in the dance.

For

\

W J) php p ff y p ft | P p p p p

* .* tPIlHI

mit - i-gat-ed style Rev- el mad-ly rev-el, mad-ly in the dance.

w rjj" 3 p * =£J

I

, '■

te

mm

£

^

this as

sists

#jg=f

*

f

^p

f I P DM

^^

t

sists di - ges - tion

*

s

p n M <p i Ur p p '

this win as - sist

will as • sist di - ges - tion, di •

jEi* fr p

^g

j? p i pt p =g=i

this as

sists

as - sists di - ges - tion di -

<n f_r

134

i

^m

p p p v

m

So

show the toe,

mm

fr p r

Yes show the toe.

fr P P

► \^J P g

£

f^

P p P P Up

ges — tion, So skip with a will,

with a will the toe.

ges tion, So show the toe,

Yes show the toe.

t> P ? j

f f p 'p I P P P l P I p' p p K p 1

#Hi

b|

Ris - ing from the load - ed ta - ble, Where we feast - ed

J\ Ji Ji J^ I J^ J^ J^ J^ I J\ Jl Ji Ji I

t P 7 1

P'PPPIPPPPIP'PP ^

Ris - ing from the load - ed ta - ble , Where we feast . ed

135

> j' j j^ ji i j' r , f '— -\- f j, j, ji

s

p p p J i p^^

p J J' * i J p r

1

till un - a - ble To be . stow.

an - oth - er sip or crumb,

i

or crumb, or

p J' r p

p p p p i j' j j, s

till un . a - ble To

be

stow an . oth - er sip or crumb, a

p p p ft | p ^

fez*

i

PS

^ p I

t

till un - a - ble To be - stow.

an - oth . er crumb,

m

k

P B P I TT p pgsl

So thanks to an - cient Port or Sher - ry, we are feel - ing

i, j* ji j' j' i j' j' J- J- 1 p' p p p i

f

*

crumb, So

$

b p p p i^

P P P P

sip or crumb, So thanks

to Sher- ry, we

feel

m

p P P V I Ti IT V P 1 1p_ P p P | P- P ff |

sip or crumb, So thanks to an - cient Port or Sher - ry, we are feel - ing

I

s

136

ver-y, ver-y Sat - is - fied with the Mas - ter New - ly Come.

ver-y, ver- y

with Mas - ter New - ly

p p p

is - fied with Mas - ter New - ly Come.

;» t P P P P I *r P i P F =g=g

£

H

r * = 1

ver - y, ver - y Sat - is - fied with Mas - ter New -

ly Come.

S7\

P T t

I

#j=^

New - ly Come.

/7\

JlT t

I

/C\

J^y *

B

£

Come.

i

137

N214.

Words by
PAUL RUBENS,

Moderate

Voice.

Piano.

Tact.

Lady Holyrood.

Music by
LESLIE STUART.

• fl 9 fl F

^

^P" M & E

M

1. There are peo - pie who have tried To be smart and dig - ni- fied, But there's

%. In the morm-ing you will drive In - to Bond Street, and you .dive. In - to

3- The A - cad- e - my you view, If youve noth- ing else to do— If youVe

4. Then at Good-wood you must stay, And rou - lette of course you play, For the

&S & JiA>j, JiJtp i f j>.ii Ji J^ -^ > i n

just one lit - tie thing that they have lacked;
Car-michaels or True-fitt's, as may be-
real- lyfond of art, of course you dorft;
evi nings oth- er-wise would be so slow-

They have cash enough,maybe, And no

Then at Street-erfeyou will stop, And you

Then a pi - an-ist you know, And you

But you need -n't be up-set If you

Copyright, MCM,by Francis, Day dc Hunter.

138

p > J»p- M P' ^ l -M^ ■* J- >|A Ji I

end of ped - i - gree, But they have- nt got a pen - ny-wort of

pop in -side the shop- 44 Ah! good morn - ing, some- thing nice to show to

prom - ise you will go To his con - certs— if youVe mu - sic - al, you

find your- self in debt— If you're not in-clined to pay, you sim - ply

tact,
me?"
wont 5
owe.

> Ji I A * >■ Ji ih J> ^^

Now

U A
Then

Well,

n't

tell

k » «

ra?' 7 "Oh,

you would -

ti - a

a gor - geous gown
next day you're on

a lie- Oh

what fun! I

you buy, The

the course, You

no, you'd
think I'll
price is

fan - cy

rath-er die-
take that one.
cut so high,
just one horse,

For you'd sure to be dis- cov-er'd be - fore long
Oh dear me! I do be-lieve my brougham has gone!"
Well, con - sid - er - ing the gown is cut so lowi_
So a friend will put the mon - ey on for you 5

But if
Nev- er
For the
For a

139

on -

speak

la -

la -

ly tact
a - bout
dy of
dy in

youVe got, you can do

the price, Just talk pret

to- day Has - nt got

the ring Would - rft be

an aw - ful lot, Which be -

ty and look nice, And

a heart, they say, But she's

the prop - er thing— And be -

$1 y i\ & — jt j'- > J i\

i

-fore you might have thought was ver - y

ask him how his wife is get - ting

got a neck— and that she means to

- sides youVe lost your purse— you al - ways

wrong,
on.
show,
do.

¥

CHORUS.

Tact, tact, Take it for a fact- Just try it and you 11 find it will in-

Tact, tact, Take it for a fact- Always kiss a trades-man's ba- by and yodll

Tact, tact, Take it for a fact- Her din - ing dress has no sup-port, and

Tact, tact, Take it for a fact- The race is done you can- not see the

no

- va - n - a - bly act,* P'raps they told you in your youth That there's

find that it will act; When you find out what you owe In - to

yet it seems to act,- And her cos- tume at a ball Is not "ma -

horse that you have backed; So you say, u What have you done I meant to

Ji. i > i Ji i' ipipl

noth - ing like the truth, But
bank - rapt - cy you go— Oh! you
-te - ri - al" at all Its

back the horse that wonV* You

it real - ly cant com- pare at all with

can save a lot of mon - ey if yotfve

e - nough if she has di - a-raonds- and

can do a lot of bet- ting if you've

■ ? j.j i Ji j ji jo- y f p ^

m

tact, tact, tact, No it real - ly cant com -pare at all with tact,

tact, tact, tact,Oh!you can save a lot of mon - ey if youVe tact,

tact, tact, tact, Its e - nough if she has di - a-monds and tact,

tact, tact, tact, You can do a lot of bet- ting if youVe tact.

141

N2 15.

Words by
B.BOYD -JONES.

Allegro.

When You're a Millionaire.

Gilfain.

Piano.

^^

*

w

i

\>

* y- r'

ffl

in

rnm

t

2

m

**P

£

&

F2=£e

^m

f

epi

p

l«When youre a mil- lion -aire, en- dea- vor To pose as one of such, Throw your
2. You must run an eve-ning jour- nal, Wheth-er of green or ro - sy tint, In

, j p ti P >u ^ p P jmj j' j ^

i

mon - ey in the

which your do - ings di

air you 11 nev- er be told you throw too much. Take a

ur - nal All will ap-pear in lar-gest print: Such as" We

ee£^

i

j m i

mm

m

s

p

z

*

^

£

'■ I P' ■ 3

f==aF

fHM

142

*j^ j*ij> j> i' ^m

cas-tle of gor- geous splen-dor For r your daughters and your a -bode, Let a
learn he baggcl a keep - er When on the moors he shot to - day, But he

^

i

±m

h j rH : J J '|

' | J F

as

ul

P^P

I Jl V> Mi r J| J W ^

hi j. J J i

doz-en of foot- men at -tend her When she cross- es the croud - ed road. Let your
finds that his bird is much cheap-er When its bought in the u - sual way$" Then keep

m

*

*

1

p

1

^^

f

*

J P J P I

b^=i

j* i j> >> J jm j^'iiJ J'ltJ- ^s

no - ble guests be bloat - ed With peas that cost a gui - nea each And, in
ma-ny a train - ing sta-ble, Al- though your hor-ses nev- er win; Join the

r ^ j> j j^j J 1 j ji^

case it shouldn't be no- ted,Men-tion the price in ev-'ry speech} Ev -'ry

ver - y best club you re a - ble Though they go out when you come in $ Run a

pHl

±5*

i

> 1 j j* j j>

m

$

m

kj Y?

r

^

g

r

Sig^i

r

$

Ir^ J J 1 !

143

js r J» ] J j> f J» j> | J > J j* | |»-

hob - by you must take up, Whether 'tis dia-monds or a yacht, And to u pro-
thea-tre, if it tan-gles You would get be- hind the scenes, With your

s

A

^^

J Ji J

*r - r.

%

i

l J . *. j. J* I

3*E

£

£

pii

^r^ 5

i

Pi

fess-ion - al beau - ties" make up, Even al - though youd rath - er not.
bang- les cau - ing wrang - les 'Mong the va - ri-ous foot light queens,

m

?

m

i

?

m

i

*

f

±

REFRAIN.

1 p l r p p J'[ r J> J» J' > | > J' JO J 1

And the na-tionswill de-clareyou are When they see what a mil - lion-aire you are A

14— .. - ..

blesB-ing and boon To the coun-try,"whichsoon Will grant you a peer-age and there you are! The

144

\i r p r Jl i J Jl Jl p p i p p p Y

na - tion will de - clare you are When they see what a mil - lion -

?^f

'mm

§

3

t

£==£

j j- a jm r r Jl J ' Jl jl ' p r J ' J ■

$

- aire you are A bless- ing and boon To the coun - try," which soon. By

J^ J^ J' J* J 1 Jm ji $ J^ J 1 J' I £

J F= 3 F

H=£i

way of re - quit - al, Will grant you a ti - tie and there

you

j rn rn

m

^m

I 1J> » v + ^N

r

s

m j-ti

1

* y i

145

m i6.

Tell Me Pretty Maiden.

English Girls and Clerks.

By LESLIE STUART.

Piano.

^™

Moderato.

i

«

k

J>V JM

BE

(GIRLS.) There are a
(MEN.) There are a

h p p p p > 'J. 1 Jt J' I jt J J pY > p ■

¥

(MEN.) Tell me, pret-ty maid -en, Are there a-nymore at home like you?
(GIRLS.) Tell me, gen -tie stran-ger Are there. a r ny more at home like you?

k

&

K

E£

i

i ' J "J J' JJ P^

p

few,
few,

kind sir,
sweet maid

f

But sim-ple girls, and pro -per too.
And bet-ter boys you nev-er know

Copyright MCM by Francis, Day & Hunter.

146

fr\ v p r p J * J\ JM > -h J' p p P

Kind sir, their
Dear maid they

^

tell roe, pret-ty maid -en, What these ver- y sim-ple girl - ies do.
tell me, gen -tie sir, The things these ver-y rak-ish fel - lows do.

Then
Then

lv> y *

^ JJ 1 ^

W

man-ner are per- fec-tion, And the op -po- site
flirt with girls too free - ly And its not the same

of mine,
girl twice.

tell
tell

me, maid -en, what the girl
me, tell me what these fel

ies do. Then take a lit - tie
lows do, Then take me 'round and

i

m

^

^

I may love

I nev-er in-tro

walk with me, And then I can see What a most par- tic-u-lar girl should be.
let them show for an hour or so How far such fellows can real - ly go .

147

l| ' Jl J Ji j j^p

you too well to let you go And flirt with those at home, you know,
duce them to a girl I in-tend To be my most pajr- tic- u-lar friend

k

m

§E

%

%

w

mm

It's
It's

fe

g

dont
won't

i=i

¥

P

mind, lit - tie girl
mind, what they do

You'll
No

see
man

I'll on - ly want
would ev - er flirt

but
with

\

IP

not
not

p^*

mm

w

i

t

p^

^

quite fair to them

worth risk-ing it

If
I

you
know

told them that you were
with them you won't a

*^m

148

ih j,jijij> jjjiJjjiji

true,
gree.

What would you say if I said I liked you well?
Of course I will try, for we're do - ingver- y well?

s

i

wont care a pin for your sis- ters if you love me.
don't want to know them if you will do the flirt -ing.

m

I'd

i'u

On bend - ed knee!
On bend - ed knee!

If
If

£

» ) J J P F H

BE

t

VOW

vow

to
to

you
you

On
On

bend
bend

ed
ed

knee!
knee!

k

m

n

•_—___!_

p pip p ^> '*y* *m i

I
I

loved you ,
loved you ,

would you tell me what I ought to do To
would you tell me what I ought to do To

keep you
keep you

k

m

149

^^

a ' i. ir

»

all
all

mine
mine

i

a - lone ,
a- lone,

^

to
to

al
al

%=&

ways be true to me? If
ways be true to me? If

m

a

i
i

i

$

vutp >j> =£

loved you,
loved you ,

would it be a sil - ly thing to do?
would it be a sil - ly thing to do?

For I
For I

S

i

8^

i

E

f

i

must love some one,

must love some one,

i

Then why
Then why

p

not
not

t

p

me?
me?

s

Yes, I
Yes, I

*

1

150

I f" J p D i ' J ' i^ij >

m

^

roust love some one, real - ly And it might as well be you!

must love some one, real - ly And it might as well be you!

k

&

^^

t

&

lMtll±£

P^^

?vK n

^

v j y

151

We Get Up at 8 A. M.

N217.

DUET.

Valleda and Leandro.

Allegro moderate

Piano.

*Vall.

\ f J iji J' J» ; p i^ ^ ; > JhJ* j. J' J i

1. A maids ca - reer is r skit - ties and beer When she lives in a

2. Our Ann - ual Ball, in the ser- - vunts' hall, Ira sure you would de -

P

u (j

sp^

^m

swell sit- u- a - tion, ^ Noth- ing all day But wait for my pay A

pp

swell sit- u- a - tidn, r Noth- ing all day But ' wait for my pay And
-clare ver- y class - y, We on - ly ask pals, And we dont want gals, Whom the

*

^

t

p J' b J' |i

%

kiss all the girls in quick ro - ta - tion
up - stair folk would call ttrs pas - set

Copyright, MCM, by Francii,Day & Hunter.

i

like
like

152

s

Vail. , , L

J, | Ji J> J. >J' fl A | p ■ p

^^

this,
this.

I've num - ber - less maids of in - fer - i - or grades, When

Of course we in - vest in wine of the best, And

say

"HnM

Lean.

do," they quick - ly do it.

When

I 8 tare, with my

care - ful - ly tell the man who ca - ters To give a cheap brand to the

^ — - — >r ~3 , j— 3

nose in the
Vi - en - nese

am

band,

Both.

153

MJ» J> J 1 J 'i r

m

t

For we get up at 8

f

i

p jt Ji|

a. m., 8

a. m.t 8

a. m.! We

I I > * p

p |F P P p I ^ > > J' I

break* fast , lun-cheon, tea, and _ dine, Liq-uor and cof-fee at half- past- nine, And

j' j> J' J*ir

^^

p ppa

^

then we dance till late

a. m. late

a. m.! a.

m.! We're

j j» j» ^ J 1 1 p p > p ^

p

i

i

real - ly aw - fly bus - y in the ser - rants 1 hall.

mm

m

w^m

r^

154

N218.

Words by
ALFRED MURRAY.

Piano.

Willie Was a Gay Boy,

Angela.

Music by
LESLIE STUART.

j .A j>

r i p* a P' J ' r p Jl ^

3?

1. Wil - ly was a day boy in a cram-mers class And Win - ny

2. Win - ny could- nt speak _ to Wil - ly on his walk For they were

3. Wil - ly now is ma - - ted Win - ny is his wife And yet you

was a

strict with

real - ly

board
her

need -

er in a

and it was

nt won - der

col - lege
nee - ed
wheth - er

I

Copyright, MCM, by Francis, Day & Hunter.

155

Wil - ly was a gay.
Win - ny used to seek
Such a pair are fa

i [ }■ J 'p

boy for he used to pass His Win - ny
to have a lit - tie talk With him but
ted for a hap - py life When both their

i

in the House
nev - er once
lips can tune

?

s

of

sue -
to -

Knowl - edge,
ceed - ed
geth -

er

*

(Whistle Solo.)

(Whistle off.)

r r r \

^^

156

Wil - ly whis - tied coon like, as he strolfd to school

So she set to learn - ing Wil - ly's lit - tie tune

There's a lit - tie ba - by in a bass- i -«nette

*

^m

^m

j.

Al -

^ J\ J | J. Jl [■

- though the neigh - bors thought he was
Thought of oth - er notes fit - ting
Such a pret - ty girl pic - ca

m

But
When
Wil

IP

3

* jl j jv j^ i

^a*a

Win - ny did the tune like, thought it beau - ti - ful
she was re - turn -ing in the aft - er-noon

- ly vows that ear- ly will the lit - tie pet

m

Well, she loved the
Wil - ly heard his
learn to whis - tie

ji 1 !^ Ifrgf

157

i -M- ■

i EE 3 E f

whis - tie of herWil - ly When his tune
Win - ny an-swer sweet- ly In a tune
with a will like Win - ny With a tune

was this,
like this .
like this.

i

(Whistle.)

After 2nd. Verse Refrain 3 times,
1st. Solo Whiste,

2nd. Tenor off,
3rd. All Whistle off.

158

N°19.

When WeVe on the Stage.

DUET.

Dolores and Tweedlepunch.

Moderate

Piano.

%

J> Jt Ji J' *

i

m

We're
In

m

both on the stage, we
op - e - ra we ex

two,
eel

There's

Wheth- er

p

§

w

159

i p p 9

-mark- a - bly
look to

p -h Ji |J»_J> > jt ^

fine In a

sweet When I

1

Ga - i
play.

^p

ty line But we

Mar - guer - ite And he

know

course

f M lp p > J^Pf

^^

mean to

j » ^J „£/ LP ^y^!

As I pres-ent - ly
And en - cores they in- va - ri - bly

show,
force

While my
We re -

160

| j nJ' p p p Jt JlP J) J J' >J' l > J'

^^

friend on the right Tho' he's rath - er a sight Will por - tray Ro - me -

turn ev - 'ry year And we al - ways ap-pear If wcfre ev - er so hoarse.

r> ! ^ffr

jj> *

I

161

ji J* a jhj*-p p p i j> j> r J ' i ^J

Sing a song of sweet flir - ta - tion, for our style is ver-sa-tile

Ah!

i

E

f

Ah

s

s

Ah!

Ah

$ J., m ji i > n p p 1/ j^f. ^ ^^

Sing a song of sweet flir - ta - tion, for our style is ver-sa-tile

i

Sing

^ P P P

^

of

sweet flir-ta - tion, Were

ver - sa- tile

4 j ij

s

Ev

i

. p p Jm ^j,^^

'ry - - thing we do is sure to be the rage,

i

Ev - 'ry

f

^1^3 > J*V l i

thing.

is sure to be_ the rage,

i

m

E v - ' ry

Ev - 'ry

^

s

f

thing

is

the

?E=m

^m

thing we do

is

the

*

rage.

p p p

s

£

rage, the rage And

p p i

Ev

thing

the

rage, the rage And

162

<t I. ji> * \ ^

Men - del-ssohn or coon plan- ta - tion, A - ny sort

of im-i-ta

- tion,

A J»A J<l Ji P p p

Men - del-ssohn or coon planrta - tion, A- ny sort

i

of im-i-ta- - tion,

§

§

g

m

m

ny

im -

i - ta

tion,

m

i

p p i p' p J' JMP" MM

- ta - tion coon plan-ta - tion,

n J' i > p p ^^

£

Well show what we can do When we're on

the stage.

f J* I J* P p J> l > 3

3e

show what we can do When we're on

the stage.

£

8

^

^

S

Well show what we

do When

were

on the stage .

p i j J 1 >p >i

hen we are on the

^

fw

We'll show what we

do When

e stage.

r

^m

mi

i

s

W^U show what we

do When were on

stage.

m

m

N2 20

163

fve An Inkling-

Lady Holy rood.

Words and Music by PAUL RUBENS.

Wee.

^^

Allegretto.

Not too fast.

i. Now Ire
%. There was
3. There was

met, in my time, some cu - rious men_ Some nice, some fair, some
one par - tic - u - lar man I knew Whose name of course I shaifr
one lit -tie man I used to know, With a stock of rep- ar

j. j' i j > > j j> > i J r r p Jl i

m

dark,*
tell,

- tee,-

I have met
He had been

But his sto

quite a hand- some one now and then, But
di - vore'd-was a bank- nipt too, Well, in

ries were not quite comme-il - faut So they

Copyright, MCM, by Francis,Day & Hunter.

164

i

P«P^

<p i t i fc r f\ j , > Ji i

still not quite up to the mark.
fact, he was rath- er a swell,
did - n t ap - peal to me.

Now, a hus - band Ive man - ag'd at

Now one day we went to a

There was one lit - tie rhyme which he

j* j^ i j > >

Mr

last

play

thought

to find, Who is nei - ther too young nor too

some -where, And aft - er-wards on to

was new, And he asked if Id heard it be -

old;

tea,

fore 5

;*ii

J j \P u

r

•>i j> * fr J <J

UFi * ffl. »

tff T J^

i

He's in
When a
When he

E

f^i#

j

n»//.

J jl'JlJ J) J, J jg p

If

-tense - ly a - mus- ing. Not quite re - fined, But a man with a heart of gold.

la - dy close by be-gan to stare And I thought that per-haps she knew me.

start - ed to tell me, I saidr'Thatll do I dont want to hear a - ny morel'

165

REFRAIN.
a tempo.

jju J J i j' i

^m

i< > J i

Now, Itn bound

»

Now, Im bound
For. Im bound

to
to
to

say,
say,

say,

In
In
In

a
a
a

kind
kind
kind

of
of
of

way,
way,
way,

You
I
I

had
had
had

an
an
an

mm

rail.

' i r ^ »> J ' v m

ink - ling, ink - ling, ink - ling,,
ink - ling, ink - ling, ink - ling, .
ink - ling, ink - ling, ink - ling,

I -TT3 ^ J ' I

That itfe not his heart ,_ But the

For my friend tunfd red, When she

That I'd read that verse— On - ly

r J- iJ'-T" 3

gold - en
bowd her

rath - er

part Of which Vm think- ling, think -
head, And start - ed wink- ling, wink -

worse, In the "Pink- ling; 1 "Pink -

ling? think - ling,
ling, wink - ling,
ling?' u Pink- ling.

mmi

f

F

i

J 1 1 \I

a tempo.

\£7

PWH

166

N2 21.

The Queen Of The Philippine Islands.

(his only love)
Dolores.

Words and Music by PAUL RUBENS.

Moderato.

eon es pres*

Piano.

*=

tj'ji i fg r r r |J J r r ^^

l.In the Phi -lip -pines lived a maid, en fair, With wond -'rous hair And
2.Nowthis lov - er bold (once cu - pids dart had fierced his heart) Be-

±=±

*

t

1

j»

gfc^

f

i

*

i

£

^

I

^

^

t

r

r

r

r

a tempo.

J r ft "p i

eyes so rare That the men were
gan to smart, For truth to

all in - clin'd to
tell, he was forced to

swear By the
part from the

m

*

r

?

£

^

1

rail.

%

*

5

m tempo.

$

u

3X

Copyright,MGM,by Francis, Day & Hunter.

167

*

J' J' J' J' J

J 1 J' I T f P

maid of the Phi - lip - pine
maid of the Phi - lip - pine

Is -lands
Is -lands

*

5

Now a stran • ger came in the
But when o'er the o - cean

mimm

*

3=*S

I

i

W

3

fes*

*==i

u

a

raft

a tempo.

sto - ry of love he de-mure - ly told To the maid of the Phi-lip-pine Is- lands,
heart for - got that his pro- mise lay With his queen of the Phi-lip-pine Is -lands.

Refrain.

Yet 1 ^ tolc * her that she was his on-ly love, Quite his on-ly love, His one and

168

accel.

on-ly love And she said: Im a-fraidyou must be lone-ly, love If its quite true what you

*

/7\

rail. tempo.

i

> jom

say.

?>

He in -si st -ed that she was his on-ly love, Quite his on-ly love, His one and

m

fit ^ rail. a tempo. _

^

*

i

j»

$

forzando.

T

*

*

££

p p r ■ p p

r

^ rail.

on-ly love

And he vowd he'd be true, As he bade her a-dieu, Ere he

/7\

IT

a piacere.

v*.

r Mr p p S

a piacere.

/T\

^

P r p E

^

roam'd oer the sea far a - way.

roam'd o'er the sea far a - way.

41. *

J : 9

j rai >

p

^

s

a.

=*

i

r

J EJ f

i H^

/?\

£

c##a #000.

^

1

169

N9 22.

I Want to be a Military Man.

Donegal and Chorus.

Words 'by
FRANK A. CLEMENT.

Music by
LESLIE STUART.

Piano.^

PP

vy s if » i

frp .ffini

§=l

$

k

g£=g

f f f if rf fl

tfyi

jm

»

^^

3

&

J JJ J> I

*

f

l. Oh the man

*• If you stroll
8. Now as this

that's dresstt as u

down Pic - ca - dil
is from the Sta

f

su - al, Is

ly In the
ble_Well I

out of it to

mid - die of the
hope youllkeep it

CopyrightyMCM, by Francis, Day & Hunter.

170

-day For a reg - u - lar dan - dy man,
day And a ver y smart gen - tie - man,
dark But the straight- est of tips I had,

^m

£

£

i

I

No sin - gle

In kha - ki

Prom Tat - ter -

i=g

m

worn - an
comes a -
- sails to

cares,
long_
day_

She wont look up - on your suit, or you, iVe
You may think he% Lord Tom Nod- dy or Sir
And I hear that all the race cours-es, Right

uj J i

w J p

m

jp; ii,

r

j pj p

j j' j >

r

r

^

i

j' j -h

r r

3

f

^

t

&

S

m

i J J'iJ * i

Jy jh

*

*

p

heard the world - ly say, Till youVe donned the garb that Tom - my At - kink

Al - gy Pop - in - jay But I think its ver - y like - ly yoifll be

down to Kemp- ton Park, Will be laid with kha - ki turf with out de -

171

i=*M

wears,
wrong,
-lay

I
I
I

want
want
want

to
to
to

^^

be
be
be

a
a
a

man.
man.
man.

There came a cry

You real - ly raust_
And all the jock -

to arms The frock coat
con - fess That in the
eys you will see Will

lost-
la -
ride.

i j ^Y y*'p i r v u p i r i>^^

it's charms and so the top - per came a crop - per at the

- test dress The bet- ter class- es and the mass- es look as

a kha- ki gee And the start -er will look smart- er, in the

172

rat - a - plan

like as they can .

so - ber tan.

You loose a lot of

While to gaze at him you
And the vague im - press - ion's

k

&

i

£

r 'g r

chan

tar

grow

£

E

ces And you dorft
ry Some one saj's,
ing That the Prince

p r pi r

get asked
u 'wot cher
of Wales

to dan

there's Har

is go

g

£ee§=I

£

?

ces

OS

ing

if

Gone
To

yotfre
and
the

Mr M

k

^m

pse

t

m

not dress'd all
dress'd is - self
ra - ces dress'd

in kha
in kha
in kha

j' i I,;" <

ki like
ki like
ki like

REFRAIN.

join the mil - i - ta - ry - ta - ry I've

173

J- 1 I J J' J J^lJ J>J J»lr

got no chance with Jane, or Flo, orMa-ry I

want.

CHORUS.
That is my

' 'infj.il ji

hear the mar- tial rat - a - plan I want to be a mil - i - ta - ry man

plan it is

I want to be a mil -

man

'i I'lTiM 1 i"

i- ta - ry To flirtwith J

ane and Ma- ry.

}

'N

f>