Folk-dance music; a collection of seventy-six characteristic dances of the people of various nations adapted for use in schools and playgrounds for physical education and play

Digitized by the Internet Archive

in 2008 with funding from

Microsoft Corporation

http://www.archive.org/details/folkdancemusiccoOOburcrich

/

FOLK-DANCE MUSIC

A COLLECTION OF

SEVENTY-SIX CHARACTERISTIC

DANCES OF THE PEOPLE OF

VARIOUS NATIONS

ADAPTED FOR USE IN SCHOOLS AND

PLAYGROUNDS FOR PHYSICAL

EDUCATION AND PLAY

SELECTED AND COMPILED BY

ELIZABETH BURCHENAL

Inspector of Athletics of the Girls' Branch of the Public Schools
Athletic League, New York City

AND

C. WARD CRAMPTON

Assistant Director of Physical Training:
Board of Education, New York City

Paper, $1 .00 net
Cloth, $2.00 net

NEW YORK: G. SCHIRMER
BOSTON : BOSTON MUSIC CO.

Copyright, 1 908, by G. Schirmer

w

GV

|7*3

• • ••
* •

PREFACE

T^OLK-DANCE music has hitherto been scattered and difficult of access. It is the
purpose of this volume to bring together the available material. It is primarily intended
to provide music for the dances that are now being taught to the teachers and scholars of
the New York City public schools, and only such music has been selected as has survived
the test of actual use.

Folk-dances have been an integral part of the play and education of every nation
and time save our own. They contain so much that is basal to race development, funda-
mental rhythms and melodies, imitations and descriptions of daily life, etc., that it is
essentially fitting and proper that they be expected to subserve a large class of functions
in our advancing educational endeavor. They are, in short, a universal physical language
which is understood and loved by the polyglot soul of our heterogeneous city population.

For physical training purposes they supply large quantities of rhythmical and joyful
phylonic movement, and form a natural means of development of the play spirit which is
too often forced into dreary singing games. Their circulatory stimulation is so marked and
the movements used are so much more directly utilitarian and cultural than the stilted forms
of the so-called educational movements, that they are especially valuable as hygienic and
educational gymnastics. They develop grace by giving significance to many natural move-
ments, and prevent bad posture by the proper functioning of bodily parts instead of by
the mechanical strain of our usual corrective exercises.

For actual correlation with other school work, folk-dances illuminate history and
geography with an immediate interest, while occupations become live and real when enacted in
such play-dances as the Danish Shoemakers' and Swedish Weaving Dances. For the play-
ground, and as a substitute for some of the athletic events which are not desirable for girls,
nothing more enjoyable or better fitted to the purpose has been found. The fact that it
has been possible for large numbers to take part in these dances in a comparatively small
space, has made them particularly useful and appropriate.

This work is not only for the girls, for several vigorous dances, such as the Hailing and
the Ox Dance, are particularly adapted for boys and young men, while the Irish Lilt, Horn-
pipe, Highland Fling, and many others, are suitable for both sexes.

These dances have been taken mainly from several Norwegian, Swedish, and Danish
collections. Some are old Anglo-Saxon dance-melodies, others are interpretations of characteristic
national forms, and others are folk-songs with which a folk-dance has been gradually associated.

Acknowledgment is made to the many who have helped in forming this collection,
especially to Emma Howells Burchenal, who has arranged several of these melodies in dance
form ; to Ellen Hope Wilson, and the physical training and class teachers of New York City,
to whose earnest and efficient work the great success of folk-dancing in the public schools is due.

Elizabeth Burchenal.
C. Ward Crampton.

305221

INDEX

Page

Pag*

Ace or Diamonds

10

Jig (Irish)

33

•^leking

48

Kinderpolka

20

Bohemian

2

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4«

Komarno

3

Cerdetschni

28

Kull-Dansen

53

Chimes of Dunkirk (The)

3'

Chorus Jig

M >/

Lilt (Irish)

22

Comarinskaia

26

Little Hamburger (The)

7

Cornish Maypole Dance

14

Little Jutlander (The)

4

Cossack

27

Little Man in a Fix (The)

13

Country Dance (English)

16

Lott' ist todt

47

Country Dance (Sir Roger de C.)

15

May Dance

15

Country Dance No. I (German)

20

Maypole Dance (Cornish)
Mountain March (Norwegian)

M

Country Dance No. 2 (German)

21

»5

Crested Hen (The)

11

Csardas

22

Nigarepolskan

5a

Norwegian

35

Daldans

44

Norwegian Mountain March

as

Dance of Greeting (Danish)
Danish

4

4

30

Ostgotapolska

43

Danse de Strasbourg

O Strassburg

Oxdansp n

21

50

Duke of Marlborough

6

V*UHU9bU

Perushka

27

Ecossaise

30

Polkett No. 1

37

English

13

Polkett No. 2

38

English Harvesters' Dance

13

Polonaise

6

Feder Mikkel

8

Quadrille (Gotlands)

34

Finnish

17

Quadrille (Swedish)

32

Finnish Harvest Dance

17

Reel (Danish)

5

Finnish Reel

17

Reel (Finnish)

17

Fisher's Hornpipe

16

Rheinlander

39

Fjallnaspolska

43

Russian

26

Fling No. 1 (Highland)

29

St. Patrick's Day.

23

Fling No. 2 (Highland)

Forward

Four Dance (The)

French

French Vineyard Dance

30

Schottische (Highland)

31

9
12

19
19

Schottische (Rheinlander)
Schottische (Swedish)
Scotch
Shean Trews

39
Si
*9
29

German

20

Shoemakers' Dance

10

German Hopping Dance

21

Sir Roger de Coverley

»S

Got lands-Quadrille

34

7

Skralat

45

Great Hamburger (The)

Snurrbocken

54

Gustafs Skal v-

46

Str^sak

2

Swedish

3*

Hallingen

49

Swedish Quadrille

32

Harvest Dance (Finnish)

*7

Swedish Schottische

Si

Harvesters' Dance (English)

13

»<Tantoli

47

Herman Bosses

13

Tarantella Meridionale

24

Highland Fling No. 1

29

Three Men's Reel

5

8

Highland Fling No. 2

30

To Ting

Highland Schottische

3i

Trekarlspolska

41

Hopping Dance (German)

21

Triangle (The)

9

Hopp, Mor Annika,
Hornpipe (Danish)

53
11

Vafva vadmal

48

Hornpipe (Fisher's)

16

Vapperstavals

3«

Hungarian

22

Varsovienne

45

Vineyard Dance (French)

19

Irish

22

Vingakersdans

3«

Irish Jig
Irish Lilt

3

22

Water-sprite
Weaving Dance

5«

48
3*

Irish Washerwoman

22

Weel may the keel row

Italian

34

Whistle o'er the lave o't

29

80192

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20192

Gilbert Dances

By

MELVIN BALLOU GILBERT

Edited by Susan Hoffman Gilman

In Two Volumes

Price, each volume, paper, net 31.50; cloth, net 32.50

|]HE Gilbert Dances, which have been issued in
this present edition as a fitting memorial to
Mr. Gilbert, will be welcomed by all teachers
of physical education and by all students of the dance,
and especially by those who have enjoyed the ad-
vantage of study with Mr. Gilbert at the Harvard Summer
School of Physical Education and at his own school in
Boston.

f Mr. Gilbert created a new form for an old art, through
pure individual genius and the force of his own convictions
developing a system which, demanding lightness and rapidity
of muscular movement, has become an effective, attractive
and popular method of physical training. He was one of
the few Americans to contribute anything new in the
realm of dancing; and his ideas have found general favor,
and the popularity of his method is unquestioned. Dancing
is now recognized in every course of physical education.
<I Gilbert Dances have a definite practical value: they are
convenient in their compilation and helpful in their grad-
ings; and a glossary and an explanation of technical terms
assure lucidity to those who wish to work out for themselves
the activities. Some of the dances are compositions of Mr.
Gilbert's pupils; and in such cases an effort has been made
to give credit wherever the author is known.

G. Schirmer, New York

The Boston Music Co., Boston

FOLK-DANCES AND
SINGING GAMES

Twenty-six Folk-Dances

OF NORWAY, SWEDEN, DENMARK, RUSSIA, BOHEMIA, HUNGARY
ENGLAND, SCOTLAND AND IRELAND

With the Music, Full Direction* for Performance and Numerous Illustrations
ARRANGED AND EDITED BY

ELIZABETH BURCHENAL

CHAIRMAN FOLK-DANCE COMMITTEE OF PLAYGROUND ASSOCIATION OF AMERICA

INSPECTOR OF GIRLS' ATHLETICS, PUBLIC SCHOOLS ATHLETIC

LEAGUE OF THE CITY OF NEW YORK

Price, $1.50

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THIS volume of " Folk- Dances and Singing Games " is the natural
sequel to Miss Burchenal's first book of '-Folk-Dance Music," used
largely and with such splendid results in our Public Schools. While the
last-mentioned collection, however, takes for granted an acquaintance
with the steps and figures of the numerous dances it contains, this new
book explains them in the clearest and fullest manner, numerous excellent
photographic reproductions making any misunderstanding of the simple
textual descriptions impossible. In short, while the "Folk-Dance Music"
offers the teacher already trained in the movements of these traditional
dances from over-seas an extensive and authentic collection of their music,
arranged by one "who has learned the dances at first hand," the "Folk-
Dances and Singing Games" has a much broader scope of application and
addresses itself m a most practical way to all sympathizers with that great
and constantly extending aesthetic and educational movement known as
folk dancing.

:

RETURN TO the circulation desk of any
University of California Library
or to the
NORTHERN REGIONAL LIBRARY FACILITY
Bldg. 400, Richmond Field Station
University of California
Richmond, CA 94804-4698

ALL BOOKS MAY BE RECALLED AFTER 7 DAYS

• 2-month loans may be renewed by calling
(510)642-6753

• 1-year loans may be recharged by bringing
books to NRLF

• Renewals and recharges may be made 4
days prior to due date.

DUE AS STAMPED BELOW

MAY % 9 1998

SO

:

12,000(11/95)

university 01 ^auiornia
Berkeley

I

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9 1961

V. *

if Ud I G,eL

THE UNIVERSITY OF CALIFORNIA LIBRARY

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