A
MM
M
FOR SINGING IN THE OPEN AIR.
lii ^ttr-lart lungs,
IN VOCAL SCORE,
WITH ENGLISH AND GERMAN WORDS',
BY
FELIX MENDELSSOHN BARTHOLDY.
Op. 59.
Price Is. Ad.
LONDON :
ALFRED NOVELLO, 69, DEAN STREET, SOHO, ANH 3.i
*.! -' ■ 1 i ■ . U \ ORK. \ I' ; ... !;i;oai>\\ \\
1856.
I'onr/TKY
A
NOVELLO'S GLEE-HIVE, °
A Collection of popular Glees and Madrigals, in Vocal Score, with ad lib. Accompaniment
for Pianoforte.
COMPLETE IN THREE VOLUMES,
Handsomely Bound in Cloth, Gilt Lettering, price 8s. each Volume.
PREFACE to THIRD and LAST VOLUME.
In the Three Volumes of Novello's " Glee-Hive" are stored Eighty-Three of the best Glees and Madrigals,
they are presented in a convenient and portable form, at a price to place them within the power of every Glee-
lover who may wish to possess them. Classes will be enabled to select many programmes of sufficient variety from
this selection; and it is hoped that many a summer- ramble and picnic will be made "most musical" by the
presence of Novello's " Glee-Hive" well used. It should be remembered that the effect on these latter occasions
is better produced by some familiar favorite, courageously trolled forth by those who feel at ease by frequent
rehearsal, than by some less-well-executed novelty ; it is, therefore, deemed that the present collection is sufficiently
extensive, but if, in the course of time, a further extension should be needed, the weekly issue can be then resumed.
No.
2 All creatures now (Madrigal, s.s.a.t.b.) John Beuet. 4d.
31 Are the white hours for ever fled (Glee, a.t.t.b.)
Dr. Callcott. 4d.
44 Arise, awake (Madrigal, s.s.a.t.b.) Thomas Morley. 3d.
7 As it fell upon a day (Glee, s.a.t.b.)
Earl of Momington. 4d.
58 As on a Summer's Day (Glee, a.t.t.b.) J.S. Smith. 4d.
9 As now the shades of eve (Glee, s.s.a.b.) Dr.Cooke. 3d.
28 As Vesta was (Madrigal, s.s.a.t.t.b.) Thos. Weelkes. 6d.
50 Beauties have you seen a Toy (Glee, a.a.t.t.b.)
Charles Evans. 3d.
12 BlestpairofSirens(Glee,s.s.A.T.B.) J. Stafford Smith. 4d.
25 Blow, blow, thou winter wind (Glee, s.a.t.b.)
R. J. S. Stevens. 3d.
79 Come, shepherd swains, (Madrigal, a.t.b.)
John Wilbye, 1609. 2d.
50 Cold Winter's Ice is fled and gone (Glee, s.s.a.t.b)
Thomas Weelkes. 2d.
0 Come, bounteous May (Glee, a. a. t.k.s.)R. Spofforth. 3d.
8 Come, shepherds, follow me (Madrigal, s.a.t.b.)
J. Benet 2d.
51 Come live with me (Glee, a.t.t.b.) Samuel Webbe. 2d.
60 Come, Fairies, trip it on the grass (Glee, t.t.b.)
John Parry. 4d.
61 Crabbed Age and Youth (Glee, a.t.t.b.)
R. J. S. Stevens. 2d.
69 Come, bind my hair (Glee, a.t.b.) Battishill. 4d.
71 Come, see what pleasure (Glee, s.a.t.t.b.) J. Elliot. 3d.
14 Cynthia, thy song (Madrigal, s.s.a.t.b.) Gio. Croce. 3d.
36 Dainty fine bird (Madrigal, s.s.a.t.b.) 0. Gibbons. 2d.
49 Deserter's Meditations (Glee, s.a.t.b.)
Samuel Harrison. 2d.
26 Die not fond man (Madrigal, s.s.a. a.t.b.) J.Ward. 5d.
20 Discord, dire sister (Glee, a.t.t.b.) S. Webbe. 2d.
83 Due begl' occhi lucente (Madrigal s.s.a.t.b.)
Giovan Pizzoni. 3d.
77 Fair Orian (Madrigal, s.s.a.t.t.b.) John Hilton. 4d.
62 Fair Nymphs (Madrigal, s.s.a. a.t.b..) John Farmer. 4d.
66 Father of heroes (Glee, a.t.t.b.b.) Dr. Callcott. 4d.
10 Fire, fire, my heart (Ballet, s.s.a.t.b.) Thos. Morley. 3d.
4 Flora now calleth (Madrigal, s.s.a.t.b.) J.S.Smith. 4d.
1 From Oberon, in Fairy Land (Glee, s.a.t.b.)
R. J. S. Stevens. 4d.
22 Go, idle boy (Glee, s.t.t.b.) ... Dr. Callcott. 3d.
34 Grace before and after meat. Various authors. 5d.
67 Great Apollo, strike the lyre (Glee, s.s.t.b.)
Samuel Webbe. 3d.
24 Hand in hand (Glee, s.s.b. & chorus, s.s.a.t.b.)
Dr. Cooke. 5d.
15 Hark the curfew's solemn sound (Glee, s.s.b. 1
T. Attwood. 3d.
75 Hail, smiling mom (Glee, a.t.t.b.) R Spofforth. 2d.
74 Health to my dear (Glee, a.t.b.b.) R. Spofforth. 2d.
41 Hence, all ye vain delights (Glee, s.s.a.t.t.b. )
S. Webbe. 4d.
83 Idler ; gaze not on beauty! (Madrigal s.s.a.t.b.)
Giovan Pizzoni. 3d.
19 I follow, lo, the footing (Madrigal, s.s.a.t.b.)
Morley. 3d.
73 In the lonely vale of streams (Glee, s.a.t.b.)
Dr. Callcott. 4d.
52 If love and all the world (Glee, a.t.t.b.) S.Webbe. 2d.
No.
49 If sadly thinking, and spirits sinking (Glee, s.a.t.b.
Samuel Harrison.
40 In pride of May (Madrigal, s.s.a.t.b.) T. Weelkes,
42 I sigh, as sure to wear the fruit (Madrigal, s.a.t.b.
F. Pilkington.
33 It was a lover and his lass (Glee, s.s.a.t.b.)
R. J. S. Stevens.
.65 In going to my lonesome bed, (Madrigal, s.a.t.b.
Richard Edwards.
16 Let me careless (Madrigal, s. a.t.b.b.) T. Linley.
46 Lady when I behold (Madrigal, s.s.a.t.t.b.)
J. Wilbye.
57 Lightly she tripped (Madrigal, s.s.a.t.b.)
John Mundy, M.B.
21 My bonny lass she smileth(Ballet,s.A.T.T.B.) Morley.
55 My Dear Mistress had a Heart (Glee, a.t.t.b.)
Reginald Spofforth.
18 O Happy Fair (Trio, s.s.b.) ... W. Shield.
15 O snatch me swift (Glee, s.a.t.b. b.) Dr. Callcott.
30 Oriana's Farewell (Madrigal, s.s.a.t.b.) T. Bateson.
53 Old May Morning (Glee, s.a.t.b.) Vincent Novello.
59 O that the learned Poets (Madrigal, s.s.a.t.b.)
Orlando Gibbons.
47 Peace to the souls of the heroes (Glee, a.t.b.)
Dr. Callcott.
29 Queen of the Valley (Glee, a.t.t.b.b.) Dr. Callcott.
27 Return, blest days (Glee, a.t.t.b.) J. S. Smith.
4S Round about her chariot (Madrigal, s.s.a.t.t.b.)
Ellis Gibbons.
82 Siatavertiti (Madrigal, s.a.t.t.b.) Giovanni Foretti.
6 Sosaithmy fair (Madrigal, s.s.a.t.t.b.) L.Marenzio.
80 So lovely is thy dear self (Glee, s.s.a.t.)
John Benet.
17 Stay, Coiydon (Madrigal, s.s.a.t.t.b.) ... Wilbye.
3 Swiftly from the mountain's brow (Glee, s.a.t.b.)
S. Webbe.
39 Strike the lyre (Glee, a.t.t.b.) ... T. Cooke.
35 The mighty conqueror (Glee, a.t.t.b.) S. Webbe.
38 The Lady Oriana (Madrigal, s.s.a.t.t.b.) J. Wilbye.
72 Thyrsis, sleepest thou (Madridal, s.a.t.b.)
J. Bennett.
43 To all you ladies now on land (Glee, t.t.b.)
Dr. Callcott.
54 The Sisters of the Sea (Glee, s.a.t.b.) W.Jackson.
63 The Friar of Orders Grey, (Glee,s.s.B.) Dr.Callcott.
70 To love I wake the silver string (Double chorus)
S. Webbe.
81 Wanton Gales (Glee, a.t.t.b.) ... S. Webbe.
78 Weep, silly soul (Madrigal, a.a.t.b.) John Benet.
11 Where the bee sucks (Glee, s.s.t.b.) Jackson.
23 While fools their time (Glee, a.t.t.b.) J.S.Smith.
32 When all alone (Madrigal, s.s.a.t.b.) G. Converso.
37 When shall we three meet again (Glee, s.s.b.)
M. P. King.
76 When flow'ry meadows (Madrigal, s.a.t.b.)
Palestrina, 1590.
64 With sighs sweet rose (Glee, a.t.t.b.) Dr. Callcott.
68 While the bright sun (Madrigal, s.a.t.b.) ll'.Byrd.
13 Ye Nightingales so pleasant and 60 gay
(Madrigal, s.a.t.t.b.) .... Orlando di Lasso.
82 Young men I warn you Madrigal, s.a.t.t.b.)
Giovanni Foretti.
2d.
2d.
)
2d.
2d.
2d.
2d.
4d.
4d.
3d.
2d.
2d.
4d.
4d
6d
3d.
3d.
4d.
2d.
4d.
3d.
4d.
2d.
6d.
3d.
5d.
2d.
4d.
2d.
2d.
6d.
2d.
2d.
3d.
3d.
5d.
3d.
2d.
3d.
2d.
3d.
2d.
3d.
3d.
London Sacred Music AVsrchouse, J. ALFRED NOVELLO, 69, Dean Street, Soho, and 35, Poultry ;
, also in New York, at 389, Broadway. .
CO
X
FOR SINGING IN THE OPEN AIR.
SOPRANO, ALTO, TENOR, AND BASS,
IN VOCAL SCORE, WITH ENGLISH AND GERMAN WORDS.
COMPOSED AND DEDICATED TO
FRAU HENRIETTE BENECKE,
EELIX MENDELSSOHN BARTHOLDY.
Op. 59.
TO THE ORIGINAL GERMAN POETRY IS ADDED AN ENGLISH TRANSLATION AND ADAPTATION BY
SABILLA NOVELLO.
PRICE Is. 4d. THE SET.
With which is given a condensed Pianoforte part for study.
Or singly thus :
No. 1. The Open Air
„ 2. Early Spring
,, 3. Farewell to the Forest
... 2 pence
... 4 „
... 2 „
No. 4. The Nightingale
„ 5. The Vale of Rest
,, 6. Hunting Song
2 pence
2 „
4 „
LONDON:
J. ALFRED NOVELLO, 69, DEAN STREET, SOHO, AND S5, POULTRY ;
ALSO IN NEW YORK, AT 389, BROADWAY.
1856.
J. ALFRED NOVELLO, PRINTER, DEAN STREET, SOHO, LONDON.
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world
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mit
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sich, du weisst nicht wo
tis
er
gone,
blieb,
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du weisst nicht
_dim._
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world
Gram
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where 'tis gone, We know not where 'tis gone,
wo er blieb, du weisst uicht wo er blieb.
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where 'tis gone, We know not where 'tis gone
wo er blieb, du weisst nicht wo er blieb.
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where 'tis gone, We know not where 'tis gone
wo er blieb, du weisst nicht wo er blieb.
Mendelssohn's Four-Part Songs.— (4.)
3=
1—1— B-
II
=t
Heiuike v. Chezy.
No. 2.— EARLY SPRING.
(FRUHZEITIGER FRUHLLNG.)
Soprano.
Alto.
Tenor.
3ve. lower.
Bass.
/Allegretto non troppo.
—n-r-v— v-
m=s^m
iq=^-
1. In all thy beauty, com'st thou so soon ? Bringing warm sunshine, earth's highest
1. Ta-ge derWon - ne,kommt ihr so bald? Schenktnnr die Sou - ne, Hil - gel und
f^^^^^s^a^
1. In all thy beauty, com'st thou so soon? Bringing warm sun-shine, earth's highest
1. Ta-ge derWon-ne konimt ihr bo bald? Schenktmir die Son - lie, Hil - gel und
yi-fff
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1. In all thy beauty, com'st thou so soon ? Bringing warm sun-shine, earth's highest
1. Ta-ge der Won - ne koramt ihr so bald? Schenktmir die Son - ne, Hil - gel und
., mf_
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In all thy beauty, com'st thou so soon ? Bringing warm sun-shine, earth's highest
Ta - ge der Won-ne koramt ihr so bald ? Schenkt mir die Son - ne, Hil - gel und
m^m
boon; Ri-vu-lets flowing, gladden the land, Ri-vulets flowing, gladden the land, See the gay mea-
Wald? Keichlicher fliessen Bachlein zu - mal, Reichlicher fliessen Bachlein zu - raal. Sind es die Wie-
P
ores.
cres.
/
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boon; Ri-vu-lets flowing, gladden the land, Ri-vulets flowing, gladden the land, See the gay mea -
Wald ? Reiehlieher fliessen Bachlein zu mal, Reichlicher fliesoen Bachlein zu - mal. Sind es die Wie •
P cres. cres. ~~^ sf
boon; Ri-vu-lets flow-ing, gladden the land, Ri-vulets
Wald ? Reichlicher fliessen Bachlein zu - mal, Reichlicher
P -^ cres._M cres.
T=
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g^jg^jgjglzg
flowing, gladden the land,
fliessen Bachlein zu - mal.
It— m:
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boon ; Ri-vu-lels flowing, gladden the land, Ri-vulets flowing, gladden the land,
Wald ? Reichlicher fliessen Bachlein zu - mal, Reichlicher fliessen Bachlein zu - mal.
P
- dows
IH^gf^l
P
5g$
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on ev ry
ist es das
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Thai ?
Ri-vulets flowing.
Reichlicher fliessen
on ev'ry
P
gladden the land, See
Biichlein zu - mal. Sind
the gay
es die
i=felSS=iS=3-i=f:^ll:^[*SS
hand.
Thai?
Ri-vulets flowing, gladden the land,
Reichlicher fliessen Bachlein zu - mal.
See the
Sind es
ray
lie
P
Seethegay meadows
Sind es die Wie - sen
/
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P
on ev ry
ist es das
hand.
Thai?
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gladden the land,
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Ri -vu-lets
Sind es die
^1^
See the gay meadows
Sind es die Wie - sen
==fcc
on ev'ry hand, Ri-vulets flowing, gladden the land,
ist es das Thai ? Reichlicher fliessen Bachlein zu - mal.
Mendelesohn's Four-part Songs. — (5.)
See the gay
Sind es die
EARLY SPRING.
P
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ev' - ry hand.
es das Thai?
Ritard. ^^
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meadows on ev'ry hand, Seethegaymeadows on ev'ry hand, meadows on ev'
Wie- sen ist es das Thai ? Sind es die Wie-sen, ist es das Thai ? ist es das Thai ?
4 PP cres.
- ry hand.
das Thai ?
Ritard. /^^
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flowing, gladden the land, See the gay meadows on ev'ry hand, meadows on ev' - ry hand.
Wie-sen ist esdas Thai? Sind es die Wie-een, ist es das Thai? ist es das Thai das Thai?
cres. Ritard.
trm cres. xiiiara. /^~s
meadows on ev'ry hand, See thegay meadows on ev'ry hand, meadows on ev' - ry hand.
Wie - sen ist es das Thai ? sind es die Wie-sen, ist est das Thai ist es das Thai, das Thai ?
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2. Fair peeping flow'rets deck the green lea, Fish, grey and sil - ver, dart thro' the sea ;
2. Blau - li - che Fri -sche! Him-mel und Hoh! Gol -de - ne Fi - sche wimmeln im See.
<F7 J/trttt-^^tf^g^^S
*J 2. Fair peeping flow'rets deck the green lea, Fish, grey and sil - ver, dart thro' the sea;
2. Blau - li - che Fri - sche ! Him-mel und Hbh ! Gol - de - ne Fi - sche wimmeln im See.
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2. Blau - li - che Fri - sche ! Him-mel und Hoh ! Gol - de - ne Fi - sche wimmeln im See.
rt-i-i. • n « ■ 1 1 .1 1 n' 1 3 -1 3 . .1 4 .t
2. Fair peeping flow'rets deck the green lea, Fish, grey and sil - ver, dart thro' the sea;
2. Blau - li - che Fri - sche ! Him-mel und Hoh ! Gol - de - ne Fi - sche wimmeln im See.
s§
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Mer-ri-ly trill gay birds as they fly, Mer-ri-ly trill gay birds as they fly, Clear are the moun -
Bun- tes Ge - fie - der rauschet im Hain ; himmli-sche Lie - der 6challen dar - ein, himm-li-sche Lie -
P cres. cres. sf f -~,
1
Mer-ri-ly trill gay birds as they fly.
Bun-tes Ge - fie - der rauschet im Hain ;
p cres.
z^-nzzzmi
■&5Z&-
Mer-ri-ly trill gay birds as they fly, clear are the moun .
himmli-sche Lie - der schallen dar - ein, himm-li-sche Lie -
cres. 1 -^ sf
m
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trill gay birds as they fly,
Lie - der schallen der ein,
Mer-ri-ly trill gay birds as they fly, Mer-ri-ly
Bun-tes Ge - fie - der rauschet im Hain ; himmli-sche
Mer-ri-ly
Bun-tes Ge
" cres. cres:
trill gay birds as they fly, Mer-ri-ly
fie - der rauschet im Hain ; himmli-sche
v-
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trill gay birds as they fly,
Lie - der schallen dar - ein,
Mendelssohn's Four-Part Songs.— (6.)
EARLY SPRING.
^gj^i^gjjgi^^^i^p
bright the blue sky,
schallen dar - em
Mer-ri-ly trill gay birds as they fly, Clear are the
Bun-tes Ge - fie - der rauschet ini Hain, himm-li- sclie
P
i_i - k^-H-r^aaagro
§a
brighttheblue sky,
echalleu dar - ein,
Mer-ri-ly trill gay birds as they fly, Clear are the
Bun-tes Ge -fie -der rauschet im I lain, himm-li- sche
nsmi^gp
*^ Clear are the mountains,
himmlische Lie - der
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brighttheblue sky,
schallen dar - ein
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schallen dar -
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sky,
ein,
Clear are the
himm-li-sche
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Clear aretheraountains,
hirumUsche Lie - der
brighttheblue sky, Clear are the mountains.bright the blue sky. Clear are the
schallen dar - ein ; himmlische Lie-der schallen dar - ein, himm-li-sche
i
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mountains.bright the blue sky,
Lie - der schallen dar - ein,
w
Clear
himm
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li
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inoun
Lie
- tains,
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bright the blue sky.
schal - len dar -ein.
cres. Ritard. ^.
—i-.
mountains.bright the blue sky,
Lie -der schallen dar - ein,
i-;!-=:p*-^
Clear are the mountains.brightthe blue sky, brighttheblue sky, the sky.
himm-li-sche Lie-der schallen dar - ein, schallen dar - ein, dar - ein.
fP cres. Ritard. ^^
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mountains.bright the blue sky,
Lie- der schallen dar - ein,
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Clear are the mountains.bright theblue sky, brighttheblue sky, the sky.
himm-li-sche Lie-der schallen dar - ein, schallen dar - ein, dar - ein.
fP cres. Ritard. ^-^
V V V
mountains.bright the blue sky,
Lie - der schallen dar - ein,
Clear are the mountains.bright the blue
himm-li-sche Lie-der schallen dar
sky, brighttheblue
ein, schallen dar -
sty,
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Tender green buds burst forth on the trees,Roundev'ry blossom hum the glad bees, Round ev'ry
Un - ter des Grtinen blti- hen - der Kraft naschen die Bie-nen summendam Saft, naschen die
fmm^^^^^^^^^wMm
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Tendergreenbudsburstforthonthetrees,Roundev'ry blossom hum the glad bees, Round ev'ry
Un - ter des Grilnen blu - hen-der Kraft na-schen die Bie-nen summendam Saft, naschen die
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Tendergreenbudsburstforth on the trees,
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naschen die Bie-nen summend am Saft,
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Tendergreenbudsburstforth on tbe trees,
Un -ter des Grilnen blu -hen-der Kraft
i
Round
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Mendelssohn's Four-Part Songs. — (7.)
EARLY SPRING.
i
cres.
■3=P J* S $
f
dim.
£=&=&
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blossom hum the glad bees. All nature wakens, smiling and fair, Laden with perfume,' sighs the soft
Bie-nen summend am Saft. Lei - se Be - we-gung bebt in der Luft, rei -zen - de Re-gung, schla-fem-der
. cres. ~ f ^ v dim.
W^s^^^^m^mm^k
blossom hum the glad bees. All nature wakens, smiling and fair, Laden with perfume sighs the soft
Bie-nen summend am Saft. Lei -se Be - we-gung bebt in der Luft, rei -zen -de Re-gung, schla -fern-der
cres. I dim.
hum the glad
sum - mend am
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bees. All nature wakens, smiling and fair,
Saft. Lei - se Be - we-gung bebt in der Luft,
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Saft Lei -se Be - we-gung bebt in der Luft,
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air, La-den with perfume, sighs the soft air,
Duft, rei - zen -de Re - gung, schla-fem-der Duft,
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Laden with perfume,sighs the soft air .
rei-zen - de Re-gung, schla-fern-der Duft,
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e>-
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Mendelssohn's Four-Part Songs.— (8.)
EARLY SPRING
i
*-W-
^m
2E£
V
rise,
Hauch,
I
Thro
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m
dis-tant fo-rests faint-ly it
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m
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i
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dis-tant fo-rests faint-ly it
er ver - lie - ret gleich sich im
m^&m^^i
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Hark! now with strength the wind doth a - rise,
Mach - ti - ger ruh - ret bald sich ein Hauch,
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Doch
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er ver - lie - ret gleich 6ich im
3
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Doch er ver - lie - ret gleich sich im
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dies. Hark!
Strauch, Mach
I
now with strength
■ ti - ger rilh -
cres.
the wind doth a
ret bald sich ein
S
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ret bald sich ein Hauch,
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Doch er ver -
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Strauch, Mach
cres.
now with strength
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Mendelssohn's Four-Part Songs.— (9.)
EARLY SPRING.
£=*
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not
of
zxzzzfszzfsfztzzz
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som dies not de - light, All things seem
sen kehrt er zu - ruck. Hel - fet, ihr
love - ly, cheerful, and bright ;
Mu - sen, tra - gen das Gliick :
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som dies not de - light, All things seem love - ly,
sen kehrt er zu - ruck. Hel - fet, ihr Mu - sen,
cheerful, and bright ;
tra - gen das Gltlck !
£
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But in my bo - som dies not de - light, All things seem
A - berzum Bu - sen kehrt er zu - ruck. Hel - fet, ihr
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love-ly, cheerful, and bright ;
Mu - sen, tra - gen das Gluck !
tf.
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43
Tell me, fond heart, why beat'st thou so high ?
Sa - get seit ge - stern wie mir ge - schah ?
it
Tell me, fond heart, why beat'st thou so high ?
Sa - get seit ge - stern wie mir ge - schah ?
cres._
Tell me, fond heart, why
Sa - get seit ge - stern
beat'st thou so high ?
wie mir ge - schah ?
i
qe=W-
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Tell me, fond heart, why beat'st thou so high ?
Sa - get seit ge - stern wie mir ge - schah ?
^^~=*r-
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Tell me, fond heart, why
Sa - get seit ge -stern
P
beat'st
wie
thou so high ?
mir ge - schah ?
-v-v-
Tell me, fond heart, why beat'st thou so high ?
Sa - get seit ge - stern wie mir ge - schah ?
cres.
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Eg^ggEpp
=*=£
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Tell me, fond heart, why
Sa - get seit ge - stern
beat'st thou so high ?
wie mir ge - schah ?
Tell me, fond heart, why beat'st thou so high?
Sa •- get seit ge - stern wie mir ge - schah ?
feS
m
fc=i*
&
t:
m
With the glad Spring - time
Lieb - li - che Schwe - stern,
thy love draws nigh,
Liebchen ist da !
tei
4==
With the glad Spring - time
Lieb - li - che Schwe - stern,
^^S
thy love draws nigh,
Liebchen ist da !
%J
I^H
tzmz
t:
V-
i^i
With the glad Spring - time.
Lieb - li - che Schwe - stern,
^M^l
thy love draws nigh.
Liebchen ist da !
f-
fz
With the glad Spring - time.
Lieb - li - che Schwe - stem,
Mendelssohn's Four-Part Songs.— (10.)
thy love draws nigh.
Liebchen ist da !
EARLY SPRING.
Tell me, fond heart, why beat'st thou so
Sa - get Beit ge - stern wie mir ge
high? With the glad Spring-time thy love draws nigh,
schah ? Lieb- li - che Schwestern, Liebchen ist da I
Tell me, fond heart, why beat'st thou so high? With the glad Spring-time thy love draws nigh.
Sa - get seit ge - stern wie mir ge - schah ? Lieb -li - che Schwestern, Liebchen ist da !
mi
-*- -0- -m-
beat'st thou so high? With the glad Spring-time thy love draws nigh,
wie mir ge - schah ? Lieb- li - che Schwestern, Liebchen ist da!
fe£
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fe^l^f
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high? With the glad Spring-time thy love draws nigh.
schah? Lieb -li- che Schwestern, Liebchen ist da!
Tell
Sa ■
me, fond heart, why beat'st thou so
get seit ge - stern wie mir ge
m-
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m
t=ts
Tell me, fond heart, why beat'st thou so high ?
Sa - get seit ge - stern wie mir ge-schah,
W-
Tell me, fond heart, Tell
wie mir ge - schah, wie
me fond heart,
mir ge-schah ?
«£
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dftt
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Tell me, fond heart, why beat'st thou so high?
Sa - get seit ge - stem wie mir ge - schah ?
sf dolce. ^~
Tell
wie
me fond
mir ge
heart
schah,
wm
why beat'st thou?
mir ge-schah ?
m
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With the glad Spring - time thy love draws nigh,
lieb li che Schwe - stern Lieb - chen iBt da,
5
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Tell me, fond heart, why beat'st thou so high? Tell
Sa - get seit ge • stern wie mir ge - schah, wie
sf dolce.
—m — 0—
me my
mir ge
heart,
schah,
Ritard.
0-
lii^Kf^l
?
E
I
fP
With
Lieb
the
li
glad
che
Spring
Schwe
time
stern,
ores.
thy
Lieb
love draws nigh.
chen ist da!
Ritard. -«,
J H— r-
I
NfT"fT
*££:
*
£-*
With the glad Spring-time, With the glad
Lieb - li - che Schwestern, lieb - li - che
Spring-time thy love draws nigh, draws nigh.
Schwestern Lieb-chen ist da, ist da !
cres. J* Ritard. (^-N
i
fit
pp
Spring-time, With the glad
SchweBtern, lieb - li - che
£
w~w
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as
Spring-time thy love draws nigh, draws nigh.
Schwestern, Lieb-chen ist da, ist da !
cres. f Ritard. ^-^
/ j/ij ;hr; jTCTJT^CTrnj.i
With the glad Spring-time,With the glad
lieb - li - che Schwestern, lieb - li - che
Springtime Thy love draws nigh, draws
Schwestern Lieb-chen ist da, ist
ulendelssobn's Four-Part Songs.— (11.)
nigh,
da.
Goethe.
Soprano.
Alto.
Tenor.
8ve. lower.
Bass.
No. 3.— FAREWELL TO THE FOREST.
(ABSCHIED VOM WALD.)
Andante non Lento.
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1. Oh ! forest deep and gloomy, Oh! woodland, vale,and hill, Of all my joys and
1. O Tha- ler weit, o Ho - hen, o scho-ner, grii-ner Wald, du meiner Lust und
tr-rf-
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1. O Tha-ler weit, o Ho - hen, o schij-ner grii-ner Wald, du meiner Lust und
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1. 0 Tha-ler weit, o Ho - hen, o scho-ner grii-ner Wald, du meiner Lust und
cres.
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We - hen an -
gen- tie wit- ness still,
dacht'ger Auf - ent - halt !
YI\~1 ij.->l"^3
When sick of worldly plea - sures,
Da draus - sen stets be - tro - - gen
cres..
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We - hen an -
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Mi
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gen -tie wit- ness still, When sick of world
dacht'ger Auf - ent - halt ! Da draussen stets .
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ly plea - sures,
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m
world
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ly pi
IS
be
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tro - gen
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We - hen an -
m
gen -tie wit -ness still,
dacht'ger Auf - ent - halt !
> VP
When sick of worldly pleasures,
Da draus-sen stets be -tro -gen
3:
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Leaving the bu -
saus't die geschaft'
*S
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sy town, I seek thy qui-et sha-dows, And, wea- ry, lay me
• ge Welt ; schlag' noch ein - mal die Bo - gen um mich du gril - nes
w
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saus't die geschaft'
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ge Welt; schlag' noch ein -mal die Bo - gen um mich du grtt-nes
m -r ■
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Leaving the bu
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sy town, I seek thy qui - et sha -dows, And, wea- ry, lay me
■ ge Welt; schlag' noch ein -mal die Bo - gen um mich du gru-neB
w
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itec
Leaving the bu •
saus't die geschaft'
sy town, I seek thy qui - et sha - - dows, I
• ge Welt; schlag' noch ein -mal die Bo - gen, schlag'
Mendelssohn s Foul-Part Songs.— (12.)
ill
i
FAREWELL TO THE FOKEST.
-^ dim.
f If i-^-r-rhl> I 1 Y if
p
down ; I seek thy qui - et sha -dows, And, wea - -ry,
Zelt! schlag' noeh ein- mal die Bo - gen um mich du
_£_ dim.
J I N
down;
Zelt!
«7^
£z^
I seek thy qui - et sha-dows, And,
schlag' noch ein-nial die Bo - gen um
f dim...
> irrH"rWf- ^
wea
mich
ry, lay me down,
du gvil-nes Zelt!
:kthyqui-et sna-
?=F
tis:
IS
down ; 1 seek thy qui - et s"ha - dows, And, wea - ry,
Zelt! schlag' noch ein- mal die Bo - gen um mich du
jeres.^jsff ■ 9 , f, ^ r^, , , ^, — . — dim.^_^ £_
lay
gru
me down.
nes Zelt !
ffi
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seek thy qui - et sha - - dows, And, wea - ry, lay
noch ein - mal die Bo - gen um mich du gvii
me down,
nes Zelt.
~s
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2.
2.
The
Im
forest soft - ly
Wal -de steht ge
whis - pers In
schrie - ben ein
tones of truth- ful
stil - les ern - stes
m
might, It
Wort vom
speaks of
rech- ten
ear - nest
Tliun und
jj j,,jlr-f?T*^pggp
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The
Im
forest soft -ly
Wal -de steht ge
whis - pers In
schrie - ben ein
tones of truth -ful
stil - les ern - stes
il
k-gz
:4=^
=t
might, It
Wort vom
*-i — tJ~z
speaks of
rech- ten
ear- nest
Thun und
I
i=
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2.
2.
The
Im
forest soft - ly
Wal -de steht ge
whis - pers In
schrie - ben ein
tones of truth -ful
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might, It
Wort vom
speaks of
rech- ten
ear - nest
Tliun und
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tt
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1
2.
2.
The
Im
^
forest soft - ly
Wal -de steht ge
f-
whis - pers In
schrie - ben ein
tones of truth-M
stil - les ern - stes
might, It
Wort vom
speaks of
rech - ten
ear - nest
Tliun und
cres.
m
:*=*:
du
Lie
ty, Of what
ben, und was
—S-
is wrong and right ;
des Men-schen Hort.
I
Ich
lis
ha
ten to its
be treu ge
teach - ing
- le - sen
=fc
5
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du - ty, Of what is wrong and right ; I lis-ten to .
Lie - ben, und was des Men-schen Hort. Ich ha- be treu
.cres..
its
ge
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teach - ing
le - sen
3
I
=fc
afcafc
du
Lie
ty, Of what
ben, und was
is wrong and right ; I lis- ten
des Men-schen Hort. Ich ha - be
t:
£2-
to
treu
Its
ge
teach - ing
- le - sen
m.
£
S^
.cres..
Q-
I lis - tei
£
-fc^-i — i-
:t:
du - ty, of what is wrong and right ;
Lie - ben, und was des Men-schen Hort.
Mendelssohn's Fnur-Part Songs.— (13.)
Ich
ten
ha - be
to its teaching
treu ge - le - sen
FAREWELL TO THE FOREST.
J~
w
Hr-r=e.
:p:
i=
S=i
i*
:=
1-0—9—
With pa-tient humble ear,
die Wor - teschlichtund wahr,
To me the beauteous lao-guage Shall be for e - ver
und durch mein gan - zes We - senward's un - aussprechlich
m-
d*j=tf^Sj^ J I J J J-Mr^j-i
With pa-tient humble ear, To
die Wor -teschlichtund wahr, und
:*— ill?:
4==
ifcz
me the beauteous Ian- guage Shall be for e - ver
durch mein gan - zes We - senward's un - aussprechlich
m
±=
With patient humble ear, To
die Wor -teschlichtund wahr, und
-A
Ihe
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xii
3
me the beauteous Ian- guage Shall be for e - ver
durch mein gan - zes We - senward's un - aussprechlich
w
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w
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With patient humble ear,
die Wor - te schlichtund wahr,
Ff
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m
me the beauteous
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lan
We
- guage,
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To
und
I
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T-
dear ; To me the beauteous language Shall be
klar, und durchmeingan-zes We - senward's un
Ji. r_ .__ dim ,,
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for
aus
e
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lich
dear.
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r
I
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P&
dear ; To me the beauteous language Shall be
klar, und durchmeingan-zes We - senward's un
JL . dim.
. for e - ver
- aussprechlich
dear.
klar.
^
fcdfe
the beauteo
£
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dear ; To me the beauteous lan- guage Shall be
klar, und durchmeingan-zes We - senward's uu
_cm.^s/je_s_#_^£
for
aus
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- ver
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dear,
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s-
me the beauteous lan
durch mein gan - zes We
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for
aus
e - - ver
sprech - - lich
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mm
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3. The tranquil glades now leav - ing, To dis-tant lands I roam, Life's anxious toil pur
3. Bald werd'ieh dich ver - las - sen, fremd in die Fremde gehn, auf bunt-be-weg- ten
A-J-
m
-0—L-,
m — #-r-» — u
±=t
i
3CZJt
3. The tranquil glades now leav - ing, To dis-tant lands I roam, Life's anxious toil pur
3. Bald werd'ieh dich ver- las - sen, fremd in die Fremde gehn, auf hunt - be - weg - ten
fUMi^E^
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3. The tranquil glades now leav - ing, To dis-tant lands I roam, Life's anxious toil pur
3. Bald werd'ieh dich ver - las - sen, fremd in die Fremde gehn, auf bunt - be - weg - ten
^-,-U-
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3. The tranquil glades now leav - ing. To dis-tant lands I roam, Life's anxious toil pur
3. Bald werd'ieh dich ver - las - sen, fremd in die Fremde gehn, auf bunt - be - weg - ten
Mendelssohn's Four-Part Songs.— (14.)
=fc=f
-&-
FAREWELL TO THE FOREST.
cres.
fs I I
i?
afca*
:a:
-e»-
su - ing, 'Mid strangers seek a home ;
Gas - sen des Le - bens Schaus-piel sehn.
-fry-fr I
Tho'
Und
_cres
far from hence re
mit - ten in dem
Pi
Le
- ning,
ben
=r-
5
zz\-^:
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su - ing, 'Mid strangers seek a home; Tho' far from hence
Gas - sen des Le - bens Schaus-piel sehn. Und mit-ten in . .
$L , v cres..
re
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t
ning,
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_^.# , ,. „ cres._
t
- ning,
e - ben
m-^-0 vies.
- su - ing, 'Mid strangers seek a home ;
Gas - sen des Le-bens Schaus-pul sehn,
Tho' far from hence re - pi-ning,
Und mit - ten in dem Le - ben
/
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I
3:
3=t
BE
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att
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Thrown among worldlings cold, Fond mem'ry still shall charm me, My heartshallne'ergrow
wild die - nes Ernst's Ge -wait mich Ein - sa - men er - he - ben, so wird mein Herz nicht
q=
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Thrown among worldlings cold , Fond
wird die - nes Ernst's Ge - wait mich
mem'ry still shall charm me, My heartshallne'ergrow
Ein - sa - men er - he - ben, so wird mein Herz nicht
m
Thrownamongworldlingscold, Fond
wird die - nes Ernst's Ge - wait mich
ry stil
-=t
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mem'ry still shall charm me, My heartshallne'ergrow
Ein - sa - men er - he - ben, so wird mein Herz nicht
fP
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wird die - nesErnst'sGe - wait mich
mem'ry still shall charm me, Fond
Ein - sa - men er - - he - - - ben, mich
— ^ dim. -~
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a=s:
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in
old, Fond mem'ry still shall charm me, My heart shall
alt, Mich Ein - sa -men er - he - ben, so wird mein
£ . dim._
ne er
Herz
a
grow old.
nicht alt.
m
^
mi
¥
J-l— N
■»— *-
S3
-*-*-*-
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old,
alt,
Fond mem'ry still shall charm me, My heart
Mich Ein -sa- men er - he - ben so wird
_dim._
shall ne'er grow old.
. mein Herz nicht alt.
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old,
alt,
cres.
«/-
Fond mem'ry still shall charm me, My heart shall
Mich Ein -sa- men er - he - ben so wird mein
ne er
Herz
grow old.
nicht alt.
dim.
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tt
i=
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memry
Ein - sa ■
still shall
men er •
charm
he -
me,
ben
My heart! shall
so wird mein
ne er
Herz
Mendelssohn's Four-Part Songs. — (15.)
grow old.
nicht alt.
V. ElCHENnOBP.
No. 4.— THE NIGHTINGALE.
(DIE NACHTIGALL.)
Soprano.
Alto.
Tenor.
(8ve. lower.)
Bass.
Andante.
*
S=*
^=i
=* — V-
:t
3
-fir
The Night - in - gale returns with Spring, From dis - tant lands she
Die Nach - ti - gall, sie war ent - feint, der Fruh - ling lockt sie
life
^
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Die Nach - ti - gall, sie war ent - fernt, der Fruh - ling lockt sie
(gfcfrbia 1
ss
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cres.
f
£
m
fc£»
com - eth ; New lays of love she doth not bring, Her old song e - ver
wie - der ; was neu - es hat sie nicht ge - lernt, singt al - te lie - be
cres. J'
£=*
&
m
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a-*
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com - eth ; New lays of love she doth not bring, Her old song e - ver
wie - der ; was neu - es hat sie nicht ge - lernt, singt al - te lie - be
&-
Si
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charms us,
Lie - der,
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lie - - be Lie - der.
The Night - in -gale re -
Die Nach - ti - gall, sie
«:
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charms us, Her old song e - ver charms us,
Lie - der, singt al - te lie - be Lie - der.
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Die Nach - ti - gall, sie
&
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r JL
The Night - in - gale re-turns with
Die Nach - ti - gall, sie war ent
m
w-
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Die Nach
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ti - gall, sie war ent
Mendelssohn's Four-Part Songs.— (16.)
THE NIGHTINGALE.
cres.
=4"
n
¥=&
*
-#—#-'
0 0-*-— !-=(—
"SP
Si
turns with Spring,
war ent - fernt,
p
i?^=P
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New lays of love she doth not bring, doth not
was neu - es hat sie nicht ge - lemt, nicht ge
cres.
11
at^
t—^-0-^-
-0-0-
^
- turns with Spring,
war ent - fernt,
I
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fet=
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was neu - es hat sie nicht ge
cres. , 0
0—: — ^-^-#-f — ; — a
Spring, From
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s
dis-tant lands she com - eth; New lays
Fruhling lookt sie wie - der ; was neu
w
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of loveshedoth
es hat sie nicht
cres. ,0h.
not
i£K
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Spring,From dis-tant lands she com - eth; New lays of loveshedoth
- fernt, der Fruhling lockt sie wie - der j was neu - es hat sie nicht
not
ill
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Night
Nach
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ti - gall, sie war ent - fernt, der Fifth - ling lockt sie wie - der;
irtd*
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The Night - in
Die Nach - ti
gale returns with Spring, From dis - tant lands she com - eth ;
gall, sie war ent - fernt, der Friih - ling lockt sie wie - der ;
I
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h P C^b*— ■ 3h h-
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The Night - in
Die Nach - ti
W
gale returns with Spring, From dis - tant lands she com - eth ;
gall, sie war ent - fernt, der Frtih - ling locht sie wie - der;
0 0 0 1— 0 0 1— 0 0 0 —
±z
The Night - in - gale returns with Spring, From dis - tant lands she com - eth ;
Die Nach - ti - gall, sie war ent - femt, der Frtih - ling lockt sie wie - der;
Mendelssohn's Four-Part Songs.— (17.)
THE NIGHTINGALE.
fr
cres.
m
li
^=^
fess
3f
^SH
New
was
of
lays
neu - es
.cres..
love she doth
hat sie nicht
not bring, Her old
ge - lernt, singt al
song e - ver charms us, Her
te lie - be Lie - der, singt
^Ml^^g^M^^^p^^
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S, fS N-
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I
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be Lie- der,
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m
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Lie - der,
Her old song
singt al - te
e - ver,
lie - be,
e - - ver charms us.
lie - - be Lie - der.
|S§
m
3=g=zE=tg=3:
5ee;
?
=#£
?-H-
i
MM
charms us, Her old song e - ver e - ver charms us.
Lie - der, singt al - te lie - be, lie - - be Lie - der.
■sf-
&
3=
fc
^
-hi
charms us,
Lie - der,
e - ver charms us.
lie - be Lei - der.
Mendelssohn's Four-Part Songs.— (IB.)
No. 5.
Soprano.
Alto.
Tenor.
(8ve. lower.)
Bass.
$
fe=£
Adagio.
'*%
JR*^
*=^
-THE VALE OF REST.*
(RUHETHAL.)
cres.
*
-»—»-
hp?=£
m
When from out the gold-en West, Distant mountain-clouds are
Wenn im letz-ten A - bend- strahl gold'-ne Wol-ken-ber - ge
ores.
£^^m*m
beaming, Distant
stei-gen, gold'-ne
£*£*?
»
■* 4 S • *
-*>—*—*
F^P
p^^^gJ^Bg
When from
Wenn im
taeS
pmim^.
out the gold -en West, Distant mountain-clouds are
letz-ten A - bend-strahl gold'-ne Wol-ken-ber - ge
_= cres.
n. n — fc
beaming, Distant
stei - gen, gold' - ne
¥
5m
Mfc
=*
fc
:*=:*:
When from out the gold -en West, Distant mountain-clouds are
Wenn im letz-ten A - bend-strahl gold"- ne Wol - ken - ber - ge
beaming, Distant
stei-gen, gold'-ne
m
£
When from
Wenn im
I V fe
-V-V-V—y -y r— y w w— ir p
out the gold -en West, Distant mountain -clouds are
letz-ten A - bend-strahl gold'-ne Wol-ken-ber - ge
E£E£i
•y— p
beaming, Distant
stei - gen, gold'-ne
1e
si=i!
. dim..
■ v—y.
-clouds are beaming,
i -ber - ge stei-gen,
Alp -like
und wie
dim.
«
t*±*
-R — K-
$-
±
:fc3
in their
Al - pen
glorious
sich er
seem-
zei -
mg,
gen,
w
iuu^rj rife^
mountain
Wol - ken
■clouds are beaming,
-ber - ge stei-gen,
fc^
m
Alp-like
und wie
dim.
in their
Al - pen
glorious
sich er
seem
zei -
*=
v— y-
V-V-
5
mountain-clouds are beaming,
Wol - ken - ber - ge stei - gen
Alp-like
und wie
dim.
g=-g-V-dg:
£-
■ ing, Oft I musing
gen, frag' ich oft mit
w
in their
Al - pen
glorious
sich er
seem
zei -
ZJ2 —
-ing, Oft I musing
gen, frag' ich oft mit
8feE||E£EES&=S^iE3^3
d5^
mountain
Wol - ken
•clouds are beaming, Alp-like in their
- ber - ge stei - gen, und wie Al - pen
pm
^=&
glorious
sich er
seem - ing,
zei - gen,
cres.
S-
w
»
1~
ei
«=l*
±Z=ZB=*
v— p— p— p-
Oft I
frag' ich
musing won-der,
oft mit Thranen :
cres.
HfczMcrpE
If the
leigtwohl
?f
vi-sion yon - der
zwischen je - nen
-a*— *■
=t
Be th'e -
mein er -
fP
won
Thra -
der,
nen:
m
t=
a
If the vi - sion yon
liegt wohl zwischen je
cres. sf
der
Be th'e
-m — m — m — m — r-
w
f=
:«=Q«=?r
t=&=5E
P
won
Thra
der, If the vi -sion yon
nen : liegt wohl zwischen je
der
Be th'e
^
£h
at:
Mendelssohn's Four-Part Songs. — (19.)
Be
mein
th'e
er .
THE VALE OF REST.
cres.
if
^
ter
- sehn
nal vale
tea Ru
of
he
rest ?
thai?
3=*
Oft I musing won - der,
frag' ich oft mit Thra - nen:
. cres sf.
=3*
mqn
^
- ter - nal vale
sehn - tea Ru
of
he
rest?
thai?
2r?
~*—*-
i»-
m
Ml
I
cres.
9~9~W — W-
*==&=&:
Oft I mus-ing won - der,
frag' ich oft mit Thra - nen :
*t=
ter - nal vale of rest ? Oft I musing won
sehn - tes Ru - he - thai ? frag' ich oft mit Thra
cres. sf
der, If the vi-sion,
nen, liegt wohl zwis-chen
^ l// CO. Oj _
— 1 i -fa* — g — r* — 0— 1-0 * r~0 — »■
tfa=a=
?— 5*-
ter - nal vale of rest ? Oft I musing won - der,
sehn - tes Ru - he - thai? frag' ich oft mit Thra - nen :
If the vi - sion
liegt wohl zwischen
If the vi-sion
leigtwohl zwischen
yon - der .
je - nen .
Be th'e - ter - nal vale of rest ?
mein er - Behn - tes Ru - he - thai ?
f-
.&
Be th'e
liegt wohl
1
BE
*E=*
0—0-
m=ai
±
^
10—0
3!
si
If the vision
leigt wohl zwischen
f :
yon - der
je - nen
Be th'e - ter
mein er - sehn
nal vale of
tes Ru - he
rest?
thai?
3£fE
Be th'e
leigt wohl
-W—W-
%
T=
:*=5*=
vi - - sion
zwis - - chen
yon -der
je - nen
W@£
fa=*=$
&.
Be th'e - ter
mein er - selui
nal vale of rest ? Be th'e-
tes Ru - he - thai? mein er
ter- nal vale of
sehntes Ru - he
=P
45-,
yon
je ■
der
nen
Be
mein
th'e -ter -
er - sehn -
nal vale of rest ?
tes Ru - he -thai?
cres.
m
<f
-0 — ■ — bj— b» — * — r-
W
Jdb^r^rt=fi
=t
Su-
rest ?
thai?
■ ter - nal, th'e
dort mein er •
.cres..
V
ter -nal vale of rest ?
sehn- tes Ru - he - thai?
Be th'e - ter - nal vale of
mein er - sehn - tes Ru - he
~T7fwm&*&^w±m
ter - nal, th'e
dort mein er -
cres.
m
:£=£
ter - nal vale of rest ?
sehn- tes Ru - he - thai?
:*— *-
> is *
z*=at=tc
*=E3
Be th'e - ter -nal
mein er - sehn -tes
w_
vale
Ru -
-&-
of rest ?
he - thai?
rit&L
rest? Be th'e
thai? mein er -
cres.
ter -nal vale of rest?
sehn -tes Ru - he - thai?
*f
=*
5^1
=*:
3^-0
Be th'e
mein er -
— 1-
s
ter - nal
sehn -tes
0—
vale
Ru
I
of
he
rest ?
thai?
:s^pf3=3=[-^i
Be th'e -
mein er -
ter - nal vale of rest?
sehn - tes Ru - he - thai ?
Be th'e
- ter -nal
vale
of
rest ?
mein er -
sehn -tes
Ru -
he
• thai ?
UBtAHD
Mendelssohn's Four-Part Songs.— (20.)
Soprano,
Alto.
Tenor,
(8ve. lower.)
Bass.
No. 6.— HUNTING SONG.
(JAGDLIED.)
.Allegro tnolto quasi Presto.
P cres.
The mur - mur-ing
Durch schwanken - de
PP
tree
Wip
lEEEE
:|=
"-£=
tops are gild - ed with light, Themur-mur- ing
fel schiesst gol -de - ner Strahl,durch schwanken-de
cres.
:t
0=0-
:tz=^
1. The mur - mur-ing tree
1. Durch schwanken - de Wip -
— W* — 0 — 0-0—^0-
•tops are gild - ed with light, The mur - mur-ing
fel schiesst gol -de - ner Strahl, durch schwanken-de
EpEjE
*=tc
-0—0—0-
=52=^=
-ft
J0-^0^0-
5E=5?
1
The mur - mur-ing
Durch schwanken - de
tree-tops are gild - ed with light, The mur - mur-ing
Wip - fel schiesst gol -de- ner Strahl, durch schwanken-de
tree
Wip-
m
*7
■tops are gilded with light, The mis
fel schiesst gol-de - ner Strahl, tief un
.cres _fL l
■ ty deep valleys grow cheerful and bright,
ter den Gipfeln das neb - li - ge Thai,
*
—I
fc&3=£
-0-0
=|=|fc
^Si^fe
I*
1=3
4h
tree-
Wip
tops are gilded with light, The mis
- fel schiesst gol-de- ner Strahl, tief un ■
.-&■
Zj=*T-
./
ci-
ty deep valleys grow cheerful and bright, grow
ter den Gipfeln das neb - li - ge Thai, das
-0—0—0-
=1=
e^^o
0-^—0-
Je=&:
^=P=
**
-I : £ ! ^Z^_13L
■ ty deep valleys grow cheerful and bright,
- ter den Gipfeln das neb - li - ge Thai,
tree-tops are gilded with light, The mis
Wip-fel schiesst gol-de- ner Strahl, tief un
-0—0— 0-0— 0—0-^-
grow
\t V I V V-
£
tree-tops are gilded with light,
Wip-fel schiesst gol-de - ner Strahl,
m
t/ —
dim.
The mis-ty deep
tief un-ter deu
f>P^s
;^2i
r .1 I
3=
^=jv
■±-0 — - —
:*=*=*;
£
The mis - ty deep val - leys grow cheerful and bright.
tief un - ter den Gip - feln das neb - li - ge Thai.
.dim . fP_C
val -leys grow cheerful and
Gip-feln das neb - li - ge
bright. ....
Thai
Mendelssohn's Four-Part Songs. — (21.)
HUNTING SONG.
P
/
:feS
&=
£
jtnpE
^=tc
?e£e
Hark ! from the cas - tie the horns clearly
Fern hallt es vom Schlosse, das Wald-horn
t-
X±
:^^E
:pt=p:
Hark ! from the cas - tie the horns clearly
Fern hallt es vom Schlosse, das Wald-horn
»/& r S-m-
Hark ! from the cas - tie the horns clearly sound,
Fern hallt es vom Schlosse, das Waldhora raft,
/ If
»f-
the horns clearly
das Wald - horn
e»-
mE$5
e
-F— =1-
f—f—0-0-,
Hark ! from the Cas - tie the horns clearly sound,
Fern hallt es vom Schlosse, das Waldhora ruft,
ff
the horns clearly
das Wald - horn
£
=F
sound, The steeds loudly neighing, the steedsloudly neighing, paw
ruft, es wie-hern die Eos - se, es wie-hern die Eos - se, iu
the ground, paw the
die Luft ! in die
^jgg^ggjgg^:
sound, The steeds loudly neighing, the steeds loudly neighing, paw
ruft, es wie-hern die Eos - se, es wie-hern die Eos - se, in
-A.k—01-ff-m m t-f-0^- #— 1*^ -*-r-0 0 *~
the ground,
die Luft !
paw the
in die
*
*:
sound, The steeds loudly neighing, the steeds loudly neighing, paw
ruft, es wie-hern die Eos - se, es wie - hern die Eos - se, in
the ground, paw
die Luft ! in
the
die
m
^±^ — ±
f 0 q|
±3^
*£
1
-0 — 0-
sound, .
raft,
The steeds loudly neigh
es wie - hern die Eos
mg,
se,
paw the ground ,paw the
in die Luft ! in die
S=t=E
+m
v— v-
#
^4
--&=&.
The steeds loud - ly neigh
es wie - hern die Eos
ee,
paw the groun d,pa w the
in die Luft ! in die
«E
M~*z
?
ground, Thesteedsloudly neigh - ing,
Luft ! es wie-hern die Eos - se,
paw the ground ,pa w the
in die Luft ! in die
ground,
Luft!
4t4^
-r=0~
— ra — —
■&-
-0—0-
-y—y-
£
?*=■&
ground, The steeds loudly
Luft ! es wie-hern die
£2- •
neigh - ing,
Eos - se,
pa w the ground ,pa w the
in die Luft! in die
42 m
ground,
Luft !
* 0t 0-
f^=^
±z
ground,
Luft!
The steeds loudly neigh
es wie - hern die Eos
mg,
se,
paw the ground,pawthe
in die Luft! in die
Mendelssohn's Four-Part Songs,— (22.)
HUNTING SONG.
ground,
Luft!
paw the ground,
in die Luft !
paw
in
the ground, paw
die Luft ! in
the ground,
die Luft!
P
cres.
m
^=m~
X2
m
-W-
They bur - ry past
Bald Lan - der und
S5
S
S
■s
m
They hur
Bald Lan
-W-
m
ry past fo - rest, past ri - ver, and bush, They hur - ry past
der und See - en, bald Wol -ken- - zug, bald Lan - der und
-0-
:t=:
qezjei
P-
=fc
cres
m
They hur
Bald Lan
ry past fo - rest, past ri - ver, and bush, They hur
der und See - en, bald Wol - ken - - zug, bald Lan
=4=
32=
■+—
-*■— *-
^=t^bt:
-0— *--
ry past
der und
_0cres.{
1
2.
2.
They hur
Bald Lan
ry past
der und
fo - rest, past ri - ver, and bush, They hur - ry past
See - en, bald Wol - ken - - zug, bald Lan - der und
gi^g
4a — i — -
m
fo-rest, past ri-ver and bush, Past ham-let and hil-lock, as on-wardthey rush,
See -en, bald Wol - ken - zug tief echimmernd zu se - hen in echwindelndem Flug,
cres = „JL
=*=P}
d=fc±
-0 0-
=t
ee£e?M$
*=£:
S
-0-1-
3^
i
fo-rest, past ri-ver, and bush, Past ham-let and hil-lock, as on-ward they rush,
See - en, bald Wol - ken - zug tief schimmernd zu se - hen in echwindelndem Flug,
£— m p 0.
as
in
n~
=*
v— v-
-0-0-
m
-*-=&-
c=t
:^=^:
*^=
fo-rest, past ri-ver, and bush, Past ham-let and hil-lock, as on-ward they rush,
See - en, bald Wol - ken - zug, tief schimmernd zu se - hen in echwindelndem Flug.
=t=
as
in
— ff —
-tt — 0-0—0\—m-T-(2 -
f
:£=i2zt=£2=tz-r-t:
-0 0 ha— /^
fo-rest, past ri-ver, and bush,
See - en, bald Wol - ken - zug,
past ham-let and
tief schimmernd zu
Mendelssohn's Four-Part Songs.— (23.)
HUNTING SONG
dim.
hil-lock
se - hen
as on -ward they
in schwindeludem
rush !
Flug. .
/
\~73
-#=P
-b-*
r~
:^:
:52=t=
Ah ! sweet - est maid - en, pray now let me
Bald Dun - kel wie - der hullt Rei - ter und
£=
cJ-
=P=!-
-*—*-
-P
zmzzjei
mm
st
4=
Ah ! sweet - est maid - en, pray now let
Bald Dun - kel wie - der hullt Rei -ter
S/-Q
me
und
||||g|=p=jg:
Ah!
Bald
sweet ■
Dun -
est
kel
maid-en,
wie - der
pray
hullt
now
Rei-
m=p
£r-^—^r-
let me go !
ter mid Ross,
-0- sf-<-
pray now let
hullt Rei - ter
-£
=t*=s=
f
me
und
r i k-
r* *
§
Ah!
Bald
sweet
Dun -
est
kel
maid-en,
wie - der
pray
hunt
now
Rei-
let me go !
ter und Roes,
pray now let
hUUt Rei - ter
me
und
mm
rff-r
3e
*
V=£=&
0
0—0-
+— "-M-
-0-0-
go! They fly
Ross, 0 Lieb,
faster onwards, They fly
0 Lie-be, so lass
fast-er onwards, Tal - ly ho ! Tal - ly
mich los, lass mich los, lass mich
m
JtJtZ
-0-0-
=t
-z±
go! They fly
Ross, 0 Lieb,
faster onwards, They fly
o Lie-be, so lass
1
*«5r-y-
ifcist:
-0-0— h
ill
-e»-
go ! They fly
Ross, o Lieb,
faster onwards, They fly
o Lie-be, so lass
-0-0-
^=#=
-0 0 0^0-
t=
-e-
go!
Ross,
They fly
o Lieb,
fast -er on - wards
o Lie - - be,
Mendelssohn's Four-Part Songs. — (24.)
ȣ
■r-fH-
fast-er onwards, Tal - ly ho ! Tal - ly
mich los, lass mich los, lass mich
-*_-*— »—* -= 0-r *--
=S2=
fast-er onwards, Tal - ly ho ! Tal - ly
mich los, lass mich los, lass mich
n
Tal-ly ho ! Tally
so lasa mich
m
~^~
/
HUNTING SONG.
^E^iS-^E
£
P~-
ho!
los!
1*=^:
They fly fast - er on - wards,
o Lieb', o Lie - be,
-52-y-
Tal - ly ho ! Tal-ly
bo lass niich
=t
^m
i
=t
efc
3=p:
qt-1:
^
ho ! They fly faster on - wards,
los ! o Lieb', o Lie - be,
yn» f r*-v»-t-^e>-
Tal - ly ho ! Tal-ly
so lass micb
ho!
los!
=E=
=1=
---.*-
itz^i
ho ! They fly faster on - wards,
los ! o Lieb', o Lie - be,
IS
I
Tal - ly ho ! Tal-ly
so lass mich
ho!
los!
-F-
-X=\?z
=t=F
-?—*—*.-
-?=&-
:£r£:
ho!
los!
They fly fast - er
on
- wards,
Tal-ly ho!
Tal-ly
0 Lieb' o
Lie
be,
so lass
mich
w
-#--
-F-j»-
i*
H
-ea-
1
ho!
los!
Tal - ly ho ! Tal - ly - ho !
lass mich los ! lass mich los !
Tal - ly ho ! Tal - ly ho !
lass mich los ! lass mich los !
=&3 |=:te==|E:
p
51
*=t=
ho!
los!
Tal - ly ho ! Tal - ly
lass mich los! lasa mich
ho!
los!
-e-
Tal - ly ho !
lass mich los !
zz^zmzzzvzzizs-
Tal - ly
lass mich
ho!
los!
I
—&-
£=
Tal - ly
lass mich
ho!
los!
Tal - ly
lass mich
Tal - ly ho ! Tal - ly ho !
lass mich los ! lass mich los !
ho!
los!
Tal - ly ho ! Tal - ly ho !
lass mich los ! lass mich los !
m
F=2=3=*Xj-
fcS
tst
W*k
±2
V-V-r**1:—-
Still more distant and dis-tant is heard the
Im - mer wei - ter und wei - ter die Klan
m
mU-MM
fc^5:
^=3±
*c£
-0-0 ■
Still more dis-tant and
Im - mer wei - ter und
dis-tant is heard the tone, dis-tant and
wei - ter die Klan - ge ziehn, wei -ter und
0-0-
dis-tant is heard the
wei - ter die Kliin - ge
m.
ffiEffi
Still more dis-tant and
Im - mer wei - ter und
-f-fr U*g — I — U* — »g=
dis-tant is heard the tone,
wei - ter die Kliin - ge ziehn,
r0.— ft— 0.-0 0.—^C2-
dis
wei
-tant and
- ter und
dis-tant is heard the
wei - ter die Klan - ge
:-l V V\~
=rV=S
P=p::
-fv^=
:d
1
Still more dis-tant and
Im - mer wei - ter und
distant is heard the tone, dis
wei - ter die Kliin-ge ziehn, wei
Mendelssohn's Four-Part Songs.— (25.)
tant and dis-tant is heard the
• ter und wei - ter die Klan-ge
HUNTING SONG.
¥
dim.
fcz
tone, Thro' fo - rest and val - ley a - far they are
ziehn, durck Wal - der und Hai - den, wo - hin, ach, wo
# 1 V IV 1 ». V dim..
gone,
hin ?
-m^mm^mmm
tone, Thro' fo - rest and val - ley a - far they are
ziehn, durch Wal - der und Hai - den, wo - hin, aeh wo
* 0. ,*_^__,. , dim..
** — 0-
-&-
gone,
hin,
a
wo
p
j=5z=Jz=
-0 0-
m
tone, Thro' fo - rest and val - ley a - far they are gone,
ziehn, durch Wal - der und Hai - den, wo - hin, ach wo - hin,
a -
wo
tone,
ziehn,
Thro' fo - rest and
durch Wal - der und
ritar
dan
^=£=t
:azi:
,fs > I-
do.
flprv vp
■m-t
r— 1=»
=*L
Thro' fo - rest and val -ley a - far they are gone. How
durch Wal-der und Hai-den, wo - hin, ach, wo - hin? Er -
- tar -dan - - do. ff> ^ ff
%
:*
X
=t
4s
II
0 -«-
-ct
^$9
How
Er
w
they
ach,
are
wo
gone,
hin?
tar
dan
do.
c2:
IP
H
w ^
-&-
tM.
i
- far
- - hin,
they
ach,
are gone,
wo - hin ?
m^=r
ritar - dan - do.
w rts n\
How
Ei
_ ~-m-m \-r\zr
-o-
~^-
-©-
III
val - ley a - far they are gone.
Hai -den.wohin, ach, wo - hin?
How
Er -
a tempo.
g¥t,i-r|r.|fgtei*i=E
z-__-l^ iT_ ii_ _ i ! i i ii t _:_ . ^ t
sf
fc=t
1=
m
:t=:
fresh are the breezes, bal-my the sweet air ; Green trees gaily rus-tle, Nature looks
- - quick - li - che Frische, silss-scbauri-ge Lust ! Hoch flatten! die Bils-che, frei schlagt die
«=3t
-jtjt..
_a. ores ^ sf
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Mendelssohn's Four-Part Songs. — (27.)
Hi
HUNTING SONG.
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Mendelssohn's Four-Part Songs.— (28.)
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frei schlagtdie Brust.
V. ElCHKNDORFF.
AT THE REDUCED PRICES.
NOVELLO'S EDITION OF THE WORKS OF
FELIX MENDELSSOHN BARTHOLDY.
4s.
1 6
A Hymn of Praise
(Lobgesang). First Symphonia -Cantata for Voices and Instruments, arranged, with an
Accompaniment for the Pianoforte, by the Author, Op. 52, 14s. Ditto, ditto, octavo size.
The separate vocal parts, 4s. The full score, 42s. The separate orchestral parts, 70s
No. 1. The Symphonia. Arranged as a Duet by the Author - - i
2. All men, all things (Chorus), and Praise thou the Lord (S. Solo and Chorus) 2
3. f Sing ye praises. Recit. and Air, Tenor - - - -
4. \ All ye that cried. Chorus ------
6. I waited for the Lord. Duet (two Sopranos) and Chorus
The sorrows of death. Solo, Tenor -
The night is departing. Chorus - - - - -
Let all men praise the Lord. Chorale ....
My song shall alway be thy mercy. Duet, Soprano and Tenor
Ye nations offer to the Lord. Chorus - - - -
"As the Hart pants."
The 42nd Psalm, for Soprano Solo, and Chorus, arranged, with an Accompaniment for the
Pianoforte, by the Author, Op. 42, 5s. Ditto, ditto, octavo size, Is. 6d.
The separate vocal parts, 2s. 6d. The full score, 18s. The separate instrumental parts, 18s.
6.
7.
8.
9.
10.
-}
2 0
No. 1. As the hart pants. Chorus, 4 Voices
(This movement is also used as an Anthem.)
The separate vocal parts - \
2. f For my soul thirsteth. S. Solo - - - - .
3. { My tears, and For I had gone forth. S. Solo and Chorus. S.S.A.
4. Why, my soul? Chorus ------
6. f My God, within me ------
6. ( The Lord hath commanded. S. Solo. T.T.B.B.
„ f Why, my soul ? Chorus - -
' ( Trust thou in God. Chorus -
" When Israel out of Egypt came."
The 114th Psalm, for Chorus, 8 Voices, and Instruments, arranged, with an Accompaniment
for the Pianoforte, by the Author, Op. 51, 5s.
The separate vocal parts, 3s. 6d. The full score, 15s. The separate orchestral parts, 14s. 6d.
"St. Paul."
An Oratorio ; the words selected from the Holy Scriptures, with an Accompaniment for the
Pianoforte, arranged by the Author, Op. 36, 21s. Second Edition, with an Outline En-
graving from Raffaele's Cartoon of ' Paul preaching at Athens,' engraved by W. Humphrys.
Ditto, ditto, octavo size, 6s. 6d.
The separate vocal parts
-orchestral parts
- 10
- 70
- 80
The Choruses arranged as Duets for
the Pianoforte, in three Books, —
Books 1 and 3, 3s. 6d. each ; Book 2
The full score
THE FOLLOWING PIECES MAY ALL BE HAD SINGLY
3 3
:}»
1 The Overture, as a Duet, arranged
by the Author - - 1
2 Lord, thou alone. Chorus
3 f To God on high be thanks
4 { And the many that believed
6 Men, brethren, and fathers (Ste-
phen's Song). Tenor -10
7 Jerusalem, thou that killest the
prophets. Soprano solo - 0 9
8 Stone him to death. Chorus -10
.^ J To thee, 0 Lord. Recit. & Choral JO 6
11 Happy and blest are they. Chorus 1 3
12 Consume them all. Bass solo -10
13 But the Lord is mindful of His
own. Alto solo
\ Saul, Saul, why persecutest. Chos
Rise up ; arise. Chorus
Sleepers, wake, a voice is calling.
Chorale - - -
0 God, have mercy. Bass solo -
1 praise, thee, 0 Lord. Bass solo
and Chorus
0, great is the depth. Chorus -
Now we are ambassadors. Duet,
Tenor and Bass
15
16
18
20
22
25
}»
- 0 9
26
}»
How lovely are the messengers.
Chorus -
27 I will 6ing of thy great mercies.
Soprano solo
28 Thus saith the Lord. Chorus -
29 O thou, the true and only Light.
Chorale - - -
30 C But Paul and Barnabas
31^ For so hath the Lord. Duet,
( Tenor and Bass
32 /And there was a man. Recitative
33 \ The Gods themselves. Chorus -
35 Oh ! be gracious, ye immortals.
Chorus -
36 Know ye not that ye are His temple.
Bass solo - - -
40 Be thou faithful unto death. Tenor
solo, with Violoncello Obligato 0
41 ( And Paul sent. Recitative - \ •.
42 { Far be it from thy path. Chorus f
43 See what love hath the Father.
Chorus - - - 0
44 f And though he be offered. Recit. 1
45 { Not only unto him. Chorus - J
17, 19, 21, and 32. Recitatives - 1
1 0
0 6
1 0
1 0
1 0
1 6
London Sacred Music Warehouse : J. ALFRED NOVELLO, Music Seller (by Appointment) to Her Majesty
69, Dean Street, Soho, and 35, Poultry ; also in New York, at 389, Broadway.
AT THE REDUCED PRICES.
FELIX MENDELSSOHN BARTHOLDY'S WORKS (Continued).
" Come, let us sing."
The 95th Psalm, for four Voices, with Pianoforte Accompaniment, arranged by the Author
Op. 46, 5s. Full score, 15s.
Separate vocal parts - - 2 10J | Separate orchestral parts - - 21 0
Each movement singly thus : —
1 O come, let us worship. T. solo
and chorus - - 1 3
2 Come, let us sing. Chorus - 2 0
3 In his hands. Duet, S.S. - 1 0
For His is the sea. T. solo and
chorus - - - 1
Henceforth when you hear. T. solo
and chorus - - 1
0
" Not unto us, O Lord."
The 115th Psalm, for Voices and Instruments, arranged, with an Accompaniment for the
Pianoforte, by the Author, Op. 31, 2s.
Novella's Cheap Classics.
This
forms
Vol.
40
of
Pianoforte score
Orchestral parts
(Strings)
-
- 2
- 6
0
4
Cheap
Orchestral parts (Wind)
Separate vocal parts
- 6
- 2
3 Motetts for Treble Voices, Op. 39.
Composed for the Convent of Trinita da Monte, at Rome, with Accompaniment for
Organ or Piano.
1 Veni Domine (G minor), 3 Voices, Is. — The separate vocal parts of ditto, 4Jd.
2 Laudate Pueri (E[>), 3 v. and chorus, Trebles, Is. 6d. — Separate vocal parts of ditto, 9d.
3 Sun-exit pastor (G major), Duet and Quartett, 2s. — Separate vocal parts of ditto, Is. 3d.
3 Anthems for Treble Voices, Op. 39.
Adapted to the Psalms for the use of English Cathedral Service, by T. A. Walmisley.
1 Hear my prayer. Ps. 102, v. 1, 2, Is. — The separate vocal parts of ditto, 2Jd.
2 O praise the Lord. Ps. 103, v. 21 ; Ps. 113, v. 2, Is. 6d.— Separate vocal parts of ditto, 4Jd.
3 O Lord, thou hast searched. Ps. 139, v. 1-8, 13, 2s. — Separate vocal parts of ditto, 9d.
" Ave Maria," Motett, Op. 23.
For eight Voices, with Accompaniment for two Clarinets, two Bassoons, Double Bass, and
Organ. Full score, 2s. 6d.
Separate vocal parts - - 1 0 | Separate orchestral parts - - 1 7
"Da pacem Domine, Grant us Thy peace."
For four Voices and Orchestra.
Pianoforte score - - 1 0 | Separate vocal and orchestral parts - 3 4
MOTETT—" 0 quam suavis." S. or T. eolo (arranged for the Offertory). 9d.
" In Judah God is known." An Anthem, for four Voices (arranged from
" St. Paul "). 9d. — The separate vocal parts, 6d.
INSTRUMENTAL MUSIC.
Op. 19.
Also
Op.
The celebrated " Lieder ohne
Worte," or Songs without
Words, for the Pianoforte.
The first book -
Also for Violin and Pianoforte -
Or as Duets for Pianoforte, ar-
ranged by Czerny
Op. 38. The celebrated "Lieder ohne
Worte," or Songs without
Words, for the Pianoforte.
The third book -
for Violin and Pianoforte,
arranged by Czerny - 3
Also as Duets, Pianoforte, ditto - 3
. 40. The Grand Concerto for the
Pianoforte, in D. Dedicated
to Mrs. Anderson - 5
TheQuartettAccompanimentstodo. 4
The full Orchestral Accompani-
ments to ditto - - 13
Bondo from ditto - - 2
3 0
- 2 6
Op. 44. Serenade, Adagio, and Bondo
Giosioso, Pianoforte
Orchestral Accompaniments to do.
Op. 45. Sonata (in B fiat), Violoncello
and Pianoforte -
Violin and Pianoforte
Op. 37. Three Preludes and Fugue, for
the Organ, with pedals obli-
gato, dedicated toAttwood —
1. Prelude and Fugue, in C minor
2. Ditto in G major
3. Ditto in D minor
Op. 65. Six Grand Sonatas for the
Organ. Dedicated to Dr. F.
Schlemmer. New Edition,
complete in one book, 7s. ;
or singly, as follows :-
1. In F - Is. 9d.
2. In C - Is. Od.
3. In A - Is. Od.
4. In Bb
5. In D
6. In D minor
London Sacred Music Warehouse : J. ALFRED NOVELLO, Music Seller (by Appointment ) to Her Majesty,
69, Dean Street, Soho, and 35, Poultry ; also in New York, at 389, Broadway.
THE MUSICAL TIMES
IS NOW PUBLISHED
On the 1st of every Month,
Containing Anthems, Chorals, and Hymns, or Glees, Madrigals, and Elegies,
for One, Two, Three, Four, or more Voices,
PRICE THREE HALF-PENCE EACH,
Containing Original Articles, short notices of Singing Classes, Concerts, &c. ; and Advertisements of new and
important Musical Works; and, in addition, three or four pages of Music. The alternate numbers contain Music
with secular or sacred words. Price ljd. each.
The MUSICAL TIMES is to be obtained by order of any Music-seller, Bookseller, or Newsvendor, for Is. 6d.
per Annum ; or, postage free, 2s, 6d,
The scale of charges to advertisers is 6d. per line. It is recommended that the Work be ordered to be supplied
at the time it appears, as only the music pages are stereotyped, and after the sale of the first impression, the
advertisements and the notices of musical matters cannot be obtained.
Nos. 1 to 48 (Vols. I & II), Bound in Cloth, with Index, 7s. Nos. 49 to 96 (Vols. Ill & IV),
Bound in Cloth, with Index, 7s. Nos. 97 to 144 (Vols. V & VI), Bound in Cloth,
with Index, 7s. Either Vols. Ill, IV, V, or VI, may be had separately,
stitched in a paper cover, 3s. each.
•80 Again my mournful sighs. Battishill
*17 All peoplethat on earth
*37 AllaTriuitaEeata
*\°9 /Almighty a,1(l everlasting
\SanctuB & Kyrie eleeson
•27 And He shall purify
*153 Before Jehovah's awful
Tallis
Samuel Webbe
Dr. Croft
V. Novello
V. Novello
Gibbons
Gibbons
Handel
Mad an
"90 Behold I bring you good tidings
(for Christmas Day) T. L. da Vittoria
* 133 Behold, I bring you glad tidings
Giovanni Croce
•74 Behold now, praise Creyghton
•46 Blessed itf the people Novello
•50 Blessed is he that considered! Nares
* 103 Blessed are the dead Pierson
•110 Blessed belie that cometh Neukomm
*161 Blessed for ever are they Spohr
"127 ' brightest and best Avison
1 Teach me thy way Croce
♦137 But the Lord is mindful of his own
from St. Paul, arranged by G. A. Lohr
8 Call to remembrance Farrant
M48 Charity (La Carita) G. Rossini
•92 Charity Anthem Dr. W. Boyce
•141 Christ being raised
61 Cry aloud and shout
•54 Christmas Anthem
•39 Easter Hymn
•58 Easter Anthem, The Lord is my
strength V. Novello
6 Forgive, blest shade Dr. Callcott
31 God save the Queen Novello
•35 Grant, O Lord (Collect) Mozart
*66 God, my king Bach
9 Amidst the myrtles Battishill
•56 A Christmas Madrigal T. Ions
•101 Adieu ye streams Atterbury
•117 A Little Song of Thankfulness Parry
1 19 A selection of Five Catches Various
•93 April is in my Mistress' face Morley
•78 Awake, .lEolian Lyre Danby
•87 Awake sweet Love J. Douland
•160 By Celia's arbour "W. Horsley
•40 Come, if you dare Purcell
•53 Come, follow me W. Horsley
*83 Catch on Tobacco Dr. Aldrich
*130 Calm is the Glassy Ocean Mozart
*134 Christmas G. A. Macfarren
{Comeuntotheseyellowsands Purcell
Full fathom live ... Purcell
Gently touch the warbling Lyre
Geminiani, Harmonized by Hayes
•146 Dulce Domum John Reading
7 Four Rounds for three voices
34 Flora gave me fairest flowers Wilbye
*136 Glorious Apollo S. Webbe
3 Hail! all hail! thou merry Weber
5 Hail ! smiling morn Spofforth
7 Hark, the bonny Christ Church
Bells Dean Aldrich
•67 Hark, the Lark Dr. Cooke
* 150 Harvest-Home Dr. Ions
•85 Haste thee, Nymph Handel
1 1 Here, in cool grot Lord Mornington
•69 Here's a health unto His Majesty
J. Saville
•69 How merrily we live Michael Este
*156 How sleep the brave Dr. Cooke
79 Huntsman's Chorus Weber
SACRED.
105 Glory be to God on high V. Novello
2 Hear my prayer, O Lord Winter
4 Hear what God the Lord V. Novelto
•32 & 33 Hear my prayer, O God Kent
*157 Here shall soft charity repair. Boyce
*48 Hymnus Eucharisticus B. Rogers
*76 & 77 Have mercy, O Lord Mozart
*88 He comes ordained of yore Jackson
*74 Holiest, breathe W. Shore
{How beautiful upon the moun-
tains R. A. Smith
The Lord ioveth V. Novello
*120 I know that the Lord is great Ouseley
25 In J udah God is known Mendelssohn
*9S In Jewry is God known Whitfeld
*116 Incline Thine Ear to me Himmel
*151 In the sight of the unwise Ouseley
*52 I will arise Creyghton
*118 I will sing of mercy Novello
*M7 Jubilate & Kyrie Jackson (of Exeter)
6 Let all men praise Mendelssohn
*114 {^etus now goeven unto Bethlehem
\ (Christmas Anthem) Hopkins
*41 Lord of all power and might Mason
29 Lord, for thy tender mercies' Farrant
•65 Lo, my Shepherd's hand divine Haydn
•68 Lord, let me know mine end Greene
*149 Luther's Hymn V. Novello
12 My God, look upon me J. Reynolds
*86 Methinks I hear Dr. Crotch
21 Now pray we for our Country Flowei
*84 Nunc Dimittis, in C Ebdon
*135 O give thanks Tucker
*159 O how amiable V. Richardson
SECULAR.
•51 Italy (a patriotic song) V. Novello
*75 In good truth Palestrina
I In these delightful, Purcell
24 Just like love Davy & Novello
*152 Let us all to the fields repair. Ferrari
99 Lutzow's wild Chase Weber
26 Maidens fair of Padua's city Gastoldi
*12S Mark the merry elves Callcott
*48 Monody on Mendelssohn Schneider
*45 May-day Miiller
79 Music for Trebles or other equal voices
*89 Mark'd you her eye R. Spofforth
•111 My Love's like thered Rose Knyvett
22 Nowthebrightmorningstar Greville
*60 Nymphs of the Forest W. Horsley
*S7 Now is the month of Maying Morley
13 O, Nanny, wilt thou gang Harrison
(Oh ! the Roast Beef of old England
•115 -j Harmonized by Pittman
(The Boar's-head Carol Rimbault
*154 Partant pour la Syrie
English words by J. A. Novello
9 Pleasures of Innocence Weber
•42 &- 43 Ode to Pope Pius IX. Rossini
30 Rule Britannia V. Novello
i<u /R°un(l (All who sing) T. Goodban
1U* \*I.ordly Gallants Dr. Callcott
3 Soon as I careless Festa
*145 Spring's delights Miiller
7 Sweet Enslaver J. Atterbury
16 Soldiers, braveandgallanthe Gastoldi
*36 Seetheconqu'ringherocomes Handel
*126 See our Oars Stevenson
*55 See the Chariot at hand W. Horsley
•96
*125
*82
*112
•46
*63
*72
*92
*44
•54
*70
*58
10
*139
*143
*144
*58
•59
121
*46
23
4
*131
•70
*123
•70
*155
•100
•108
19
O praise the Lord John Weldon
f O Lord, my God ... Palestrina
\Come, Holy Ghost ... Douland
O praise God in his holiness. Weldon
(O Lord, we trust alone Handel
\Laudate nomen Domini. Dr. C. Tye
Praise the Lord, O Jerusalem Scott
Pray for the peace Novello
Praise the Lord, O my soul Creighton
Praise thou the Lord Mendelssohn
Remember O Lord Dr. W. Boyce
See what love Mendelssohn
Sing unto the Lord V. Novello
Sleepers, wake Mendelssohn
Short Anthem for Easter Novello
Teach me, O Lord (Anthem) Rogers
Te Deum J. T. Cooper
V Te Deum Jackson (of Exeter)
The Lord is my strength Novello
The Lord descended P. Hayes
f*The Lord is King Pittman
\A Grace ... V. Novello
There is a river Novello
Thine, O Lord, is the greatness Kent
Thou art gone to the grave Beethoven
Thou visitest the earth Dr. Greene
To God on high Mendelssohn
To Thee, Great Lord Rossini
To thee, O Lord Mendelssohn
Turn thy face from my sins. Attwood
Unto thee, O Lord Charles King
Veni, Creator Spritus Tallis
Vital spark Harmonized by Novello
•81
18
*73
•95
7
28
*158
47
*49
*57
*71
79
*109
*106
*83
*9I
*97
102
•113
122
132
*140
*142
7
14
•62
*13S
79
*64
Sigh no more, ladies Stevens
Sweet honey-sucking bees — Part I.
Wilbye
&21 Sweethoney-suckingbees —
Part II. Wilbye
Sweet peace descending Mozart
Since first I saw your face T. Ford
Summer is a coming in, for 4 Trebles
To the old long life S. Webbe
To Woden's Hall Purcell
(The Blue Bells of Scotland
■J Harmonized by Neithardt
(Breathe soft ye winds W. Paxton
The Red Cross Knight Dr. Callcott
The cloud cap't towers R. I. Stevens
The Waits Saville
Thy voice, O Harmony S. Webbe
The Fisherman
The Flower Greeting Curschman
The Lullaby V. Novello
The Silver Swan Orlando Gibbons
The Twelfth Night Song V. Novello
The Nightingale Thomas Bateson
The Christmas Fairies C. Goodban
The Tickling Trio Martini
The Battle of the Baltic Macirone
This pleasant Month of May Beale
The May Fly Dr. Callcott
To Rome's Immortal Leader Mozart
Wind, gentle evergreen
Sr 15 When windsbreathe'soft Webbe
Winds gently whisper J. Whittaker
Who comes so dark? Callcott
Weel may the keel row
Ye Spotted Snakes Stevens
Those Numbers marked with an * have Accompaniment for Pianoforte or Organ.
Novello's Cheap and Complete edition, Folio size.
RINK'S PRACTICAL ORGAN SCHOOL. Op. 55.
Carefully revised and corrected, with the German
directions and terms translated into English. Complete in
One Vol., 15s.; or in Six Parts, 3s. each
Now Ready. — Reduced Price.
NOVELLO'S PART-SONG BOOK.
A COLLECTION OF CHORUSES AND OTHER PIECES
IN HARMONY,
For three, four, and five voices, luith accompaniment.
Edited by Edwin George Monk, Mus. Bac, Oxon.
In one volume, handsomely bound in cloth with illuminated
lettering, demy quarto, price 8s. The Separate Vocal
Parts, demy octavo, is. each Part.
Or singly as followsJ: —
Set of
sep.
Vocal Vocal
Score. Parts.
G. Reichardt iA.\
1 Our Native Land, s.s.t.b
2 Cricketers' Song (Bestirye). t.t b.
G. A. Macfarren 2d. I 4d.
3 Boating Song (The Sun is high), s.s.t.b. )
E. G. Monk 2d.
4. Song of the Railroads, s.s.t.b. \
G. A. Macfarren 3d. I
5 Good morrow, fair Ladies (Canzonet). s.s.T. | 4J.
T. Morley 2d. )
6 The Home Fairy (guartett). t.t.b.b. Winter 2d.S
7 The Wreath, s.s.t.b. J"1cs Benedict 2d. I ,
8 Countryman's Song (Oh, the sweet content- (
ment). s.s.t.b. . . Rimbault 3d. J
9 The Student's Greeting, t.t.b.b. . Berner 2d.
10 Magdalen College Song (Lily, sweet lily). ^
s.s.a.b. E. G. Monk 2d. I ,
1 1 ( Integer Vitae. t.t.b.b. . ■ Flemming ■. | *
12 { Orpheus with his lrute. s.s.t.b. f4d.J
G. A. Macfarren '
13 Harvest Song (Prize), s.s.t.b. \
W. C. Macfarren 2d. I ,
14 Come, heavy Sleep, s.s.t.b. . Douland 2d. / ^
15 Fisherman's Song, s.s.a.t.b. Rimbault 2d. J
16 In all thy need, s.s.t.b. . Douland 2d.
17 All among the Barley (Prize), s.s.t.b. \
Elizabeth Stirling 2d. I ,
iS When icicles hang by the wall, s.s.t.b. j *
G. A. Macfarren 2d. )
19 The jolly Cricket Ball, s.s.t.b. E G. Monk 2d.
20 An Emigrant's Song (Prize), s.s.t.b. "\
W. C. Macfarren 2d. I
21 Shepherd's Song. (Turn Amarillis.) s.a.t.b. j 4d.
Brewer 3d. J
22 Pedlar's Song, s.s.t.b. . Douland 2d.
23 Fairies' song (From grassy blades), s.s.s.s.
Sir H. R. Bis/lop 6d. 4d.
24 June (She is coming). Prize, s.s. a. Finlay Dun 2d. j
25 Awake ! the starry midnight hour (Serenade).
s.s.t.b. Mendelssohn 2d. |
16 The fair Flower of Northumberland, s.s.t.b. \ 4d.
Rimbault 2d. |
27 O happy he who liveth (Ballet j. s.s.a.t.b.
Gastoldi 2d. j
28 Green Leaves (Prize), s.s.t.b. .
Bianchi Taylor 2d. I
29 Dirge (The glories of our birth), s.s.t.b. > 4<i.
5. Wesley 2d. I
30 The Angler'sTrystingTree. s.s.t.b. C W. Coife 3d.'
31 The Dream. (PrizeJ s.s.t.b. R. P. Stewart 2d..
32 f God speed the Plough, s.s.t.t. E. Richter I j I
33 ( There is a Ladie sweete. s.a.t.b. Ford ) ' > 4d.
34 Foot-ball Song (Brawling Boreas blows).
s.s.t.b. E. G. Monk 3d.'
35 Haymakers' Song (Prize), s.s.t.b. ")
R. P. Stewart 3d. J- 4d.
39 Come away, Death, s.s. t.t. b. G. A. Macfarren 3d. J
J. Alfred Novello, London and New York.
NOVELLO'S ORIGINAL EDITIONS OF
ORATORIOS,
#ctabr> &nrie&
In Vocal Score, with a separate Accompaniment tor the
Organ or Pianoforte by Vincent Novello. — These Works
will be found appropriate presents ; combining elegance with a
moderate outlay for a standard work.
Works already completed : —
HAYDN'S
Creation ... ... ... (bound) 3s. od.
HANDEL'S
Saul ... . . ... (bound) 6s. 6d.
Israelin Egypt ... ... (bound) 4s. od.
Solomon ... ... ... (bound) 7s. 6d.
Messiah ... ... ... (bound) 4s. od.
Samson ... ... ... (bound) 4s. od.
Judas Maccabseus ... ... (bound) 4s. od.
Jephtha ... ... ... (bound) 6s. 6d.
Dettingen Te Deum . ... .) (paper) 2S. 6d.
Coronation Anthem, 'Zadock the Priest J vr '
Joshua ... ... ... (bound) 5s. 6d.
Acis and Galatea (paper covers) 3s. od. "|
Alexander's Feast „ 3s. 6d. H bound) 9s. od.
Ode on St. Cecilia's Day „ 2s. od. j
Deborah ... ... •■• (bound) 6s. 6d.
MENDELSSOHN'S
St. Paul ... ... (bound) 6s. 6d.
Hymn of Praise— Lobgesang (paper) ys-\ (Dolmd) „. 6d.
As the Hart pants (do.) is. bd.J
MOZART, HAYDN, & BEETHOVEN.
The Three Favorite Masses, with the Latin words, and an
English adaptation by R. G. Loraine, Esq. — viz.,
Mozart's Twelfth Mass (paper) 3s. 6d. "1
Haydn's Third or Imperial (paper) 2S. 6d. Wbound) 8s 6d
Beethoven's Mass in C (paper) 2s. 6d. J
„ Engedi ; or, David in the Wilderness (paper) 3s.
Mozart's Requiem ... ... ... (paper) 2s.
ROMBERG'S
Lay of the Bell ... ... (pap«) 2s. 6d.
All the Choruses from the Octavo Editions may be had
separately from i^d to 6d. each.
NOVELLO'S EDITIONS OF ORATORIOS.
dfalto «#rrieS.
In Vocal Score, with a Separate Accompaniment for the
Organ or Pianoforte by Vincent Novello. The majority
of these Oratorios are embellished with Vignette Titles, after
RafFaelle, engraved by William Humphrys.
HANDEL, The Messiah ... ... 10s.
„ Judas Maccabeus ... ... 15s
,, Israel in Egypt ... ... 15s
„ Samson ... ... ... 15*
„ Jephtha ... ... ... 15s
„ Joshua ... ... ... 15s
„ Solomon ... ... ... 155
„ Saul ... ... ... 15s
„ Dettingen Te Deum ... ... 5s
,, Acis and Galatea ... ... 10s
„ Alexander's Feast ... ... 10s
„ Ode on St. Cecilia's Day ... 6s
HAYDN, The Creation ... ... 12s
The above Oratorios can be had neatly bound in cloth
for 2S. 6d. each extra.
MENDELSSOHN, St. Paul ... (bound in cloth) 21s
„ Hymn of Praise ... 14s
NEUKOMM, David ... ... (bound) 24s
„ Mount Sinai ... (bound) 24s
PIERSON, H. H., Jerusalem (bound in cloth) 31s. 6d
JACKSON (Masham), Isaiah (bound in cloth) 24s
„ The Deliverance of Israel from Babylon do. 21s
BEETHOVEN, Engedi ; or, David in the Wilderness 9s
ELVEY, Dr., Resurrection and Ascension ... 9s
Each Song, Duet, Trio, Quartett, or Chorus, may be had singly,
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