Skip to main content
The Project Gutenberg Etext of Fromont and Risler by Alphonse Daudet, v1
#63 in our series The French Immortals Crowned by the French Academy
#4 in our series by Alphonse Daudet
Copyright laws are changing all over the world, be sure to check
the laws for your country before redistributing these files!!!!!
Please take a look at the important information in this header.
We encourage you to keep this file on your own disk, keeping an
electronic path open for the next readers.
Please do not remove this.
This should be the first thing seen when anyone opens the book.
Do not change or edit it without written permission. The words
are carefully chosen to provide users with the information they
need about what they can legally do with the texts.
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**Etexts Readable By Both Humans and By Computers, Since 1971**
*****These Etexts Are Prepared By Thousands of Volunteers!*****
Information on contacting Project Gutenberg to get Etexts, and
further information is included below, including for donations.
The Project Gutenberg Literary Archive Foundation is a 501(c)(3)
organization with EIN [Employee Identification Number] 64-6221541
Title: Fromont and Risler, v1
Author: Alphonse Daudet
Release Date: April, 2003 [Etext #3976]
[Yes, we are about one year ahead of schedule]
[The actual date this file first posted = 09/23/01]
The Project Gutenberg Etext of Fromont and Risler by Alphonse Daudet, v1
***********This file should be named im63b10.txt or im63b10.zip*********
Corrected EDITIONS of our etexts get a new NUMBER, im63b11.txt
VERSIONS based on separate sources get new LETTER, im63b10a.txt
This etext was produced by David Widger <firstname.lastname@example.org>
Project Gutenberg Etexts are usually created from multiple editions,
all of which are in the Public Domain in the United States, unless a
copyright notice is included. Therefore, we usually do NOT keep any
of these books in compliance with any particular paper edition.
We are now trying to release all our books one year in advance
of the official release dates, leaving time for better editing.
Please be encouraged to send us error messages even years after
the official publication date.
Please note neither this listing nor its contents are final til
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg Etexts is at
Midnight, Central Time, of the last day of the stated month. A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so.
Most people start at our sites at:
Those of you who want to download any Etext before announcement
can surf to them as follows, and just download by date; this is
also a good way to get them instantly upon announcement, as the
indexes our cataloguers produce obviously take a while after an
announcement goes out in the Project Gutenberg Newsletter.
Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
Just search by the first five letters of the filename you want,
as it appears in our Newsletters.
Information about Project Gutenberg (one page)
We produce about two million dollars for each hour we work. The
time it takes us, a rather conservative estimate, is fifty hours
to get any etext selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc. This
projected audience is one hundred million readers. If our value
per text is nominally estimated at one dollar then we produce $2
million dollars per hour this year as we release fifty new Etext
files per month, or 500 more Etexts in 2000 for a total of 3000+
If they reach just 1-2% of the world's population then the total
should reach over 300 billion Etexts given away by year's end.
The Goal of Project Gutenberg is to Give Away One Trillion Etext
Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion]
This is ten thousand titles each to one hundred million readers,
which is only about 4% of the present number of computer users.
At our revised rates of production, we will reach only one-third
of that goal by the end of 2001, or about 4,000 Etexts unless we
manage to get some real funding.
The Project Gutenberg Literary Archive Foundation has been created
to secure a future for Project Gutenberg into the next millennium.
We need your donations more than ever!
As of July 12, 2001 contributions are only being solicited from people in:
Arkansas, Colorado, Connecticut, Delaware, Florida, Georgia, Hawaii, Idaho,
Illinois, Indiana, Iowa, Kansas, Louisiana, Maine, Massachusetts, Minnesota,
Missouri, Montana, Nebraska, New Mexico, Nevada, New Jersey, New York, North
Carolina, Ohio, Oklahoma, Oregon, Rhode Island, South Carolina, South Dakota,
Tennessee, Texas, Utah, Vermont, Virginia, Washington, West Virginia,
Wisconsin, and Wyoming.
We have filed in about 45 states now, but these are the only ones
that have responded.
As the requirements for other states are met,
additions to this list will be made and fund raising
will begin in the additional states. Please feel
free to ask to check the status of your state.
In answer to various questions we have received on this:
We are constantly working on finishing the paperwork
to legally request donations in all 50 states. If
your state is not listed and you would like to know
if we have added it since the list you have, just ask.
While we cannot solicit donations from people in
states where we are not yet registered, we know
of no prohibition against accepting donations
from donors in these states who approach us with
an offer to donate.
International donations are accepted,
but we don't know ANYTHING about how
to make them tax-deductible, or
even if they CAN be made deductible,
and don't have the staff to handle it
even if there are ways.
All donations should be made to:
Project Gutenberg Literary Archive Foundation
1739 University Ave.
Oxford, MS 38655-4109
The Project Gutenberg Literary Archive Foundation is a 501(c)(3)
organization with EIN [Employee Identification Number] 64-6221541,
and has been approved as a 501(c)(3) organization by the US Internal
Revenue Service (IRS). Donations are tax-deductible to the maximum
extent permitted by law. As the requirements for other states are met,
additions to this list will be made and fund raising will begin in the
We need your donations more than ever!
You can get up to date donation information at:
If you can't reach Project Gutenberg,
you can always email directly to:
Michael S. Hart <email@example.com>
firstname.lastname@example.org forwards to email@example.com and archive.org
if your mail bounces from archive.org, I will still see it, if
it bounces from prairienet.org, better resend later on. . . .
Prof. Hart will answer or forward your message.
We would prefer to send you information by email.
Example command-line FTP session:
cd etext90 through etext99 or etext00 through etext02, etc.
dir [to see files]
get or mget [to get files. . .set bin for zip files]
GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99]
GET GUTINDEX.ALL [to get a listing of ALL books]
**The Legal Small Print**
***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
Why is this "Small Print!" statement here? You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this etext, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault. So, among other things, this "Small Print!" statement
disclaims most of our liability to you. It also tells you how
you may distribute copies of this etext if you want to.
*BEFORE!* YOU USE OR READ THIS ETEXT
By using or reading any part of this PROJECT GUTENBERG-tm
etext, you indicate that you understand, agree to and accept
this "Small Print!" statement. If you do not, you can receive
a refund of the money (if any) you paid for this etext by
sending a request within 30 days of receiving it to the person
you got it from. If you received this etext on a physical
medium (such as a disk), you must return it with your request.
ABOUT PROJECT GUTENBERG-TM ETEXTS
This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-tm etexts,
is a "public domain" work distributed by Professor Michael S. Hart
through the Project Gutenberg Association (the "Project").
Among other things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy and
distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth
below, apply if you wish to copy and distribute this etext
under the "PROJECT GUTENBERG" trademark.
Please do not use the "PROJECT GUTENBERG" trademark to market
any commercial products without permission.
To create these etexts, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works. Despite these efforts, the Project's etexts and any
medium they may be on may contain "Defects". Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other etext medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.
LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below,
 Michael Hart and the Foundation (and any other party you may
receive this etext from as a PROJECT GUTENBERG-tm etext) disclaims
all liability to you for damages, costs and expenses, including
legal fees, and  YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.
If you discover a Defect in this etext within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from. If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy. If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.
THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.
You will indemnify and hold Michael Hart, the Foundation,
and its trustees and agents, and any volunteers associated
with the production and distribution of Project Gutenberg-tm
texts harmless, from all liability, cost and expense, including
legal fees, that arise directly or indirectly from any of the
following that you do or cause:  distribution of this etext,
 alteration, modification, or addition to the etext,
or  any Defect.
DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this etext electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,
 Only give exact copies of it. Among other things, this
requires that you do not remove, alter or modify the
etext or this "small print!" statement. You may however,
if you wish, distribute this etext in machine readable
binary, compressed, mark-up, or proprietary form,
including any form resulting from conversion by word
processing or hypertext software, but only so long as
[*] The etext, when displayed, is clearly readable, and
does *not* contain characters other than those
intended by the author of the work, although tilde
(~), asterisk (*) and underline (_) characters may
be used to convey punctuation intended by the
author, and additional characters may be used to
indicate hypertext links; OR
[*] The etext may be readily converted by the reader at
no expense into plain ASCII, EBCDIC or equivalent
form by the program that displays the etext (as is
the case, for instance, with most word processors);
[*] You provide, or agree to also provide on request at
no additional cost, fee or expense, a copy of the
etext in its original plain ASCII form (or in EBCDIC
or other equivalent proprietary form).
 Honor the etext refund and replacement provisions of this
"Small Print!" statement.
 Pay a trademark license fee to the Foundation of 20% of the
gross profits you derive calculated using the method you
already use to calculate your applicable taxes. If you
don't derive profits, no royalty is due. Royalties are
payable to "Project Gutenberg Literary Archive Foundation"
the 60 days following each date you prepare (or were
legally required to prepare) your annual (or equivalent
periodic) tax return. Please contact us beforehand to
let us know your plans and to work out the details.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
Project Gutenberg is dedicated to increasing the number of
public domain and licensed works that can be freely distributed
in machine readable form.
The Project gratefully accepts contributions of money, time,
public domain materials, or royalty free copyright licenses.
Money should be paid to the:
"Project Gutenberg Literary Archive Foundation."
If you are interested in contributing scanning equipment or
software or other items, please contact Michael Hart at:
[Portions of this header are copyright (C) 2001 by Michael S. Hart
and may be reprinted only when these Etexts are free of all fees.]
[Project Gutenberg is a TradeMark and may not be used in any sales
of Project Gutenberg Etexts or other materials be they hardware or
software or any other related product without express permission.]
*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.07/27/01*END*
This etext was produced by David Widger <firstname.lastname@example.org>
[NOTE: There is a short list of bookmarks, or pointers, at the end of the
file for those who may wish to sample the author's ideas before making an
entire meal of them. D.W.]
FROMONT AND RISLER
By ALPHONSE DAUDET
With a Preface by LECONTE DE LISLE, of the French Academy
Nominally Daudet, with the Goncourts and Zola, formed a trio representing
Naturalism in fiction. He adopted the watchwords of that school, and by
private friendship, no less than by a common profession of faith, was one
of them. But the students of the future, while recognizing an obvious
affinity between the other two, may be puzzled to find Daudet's name
conjoined with theirs.
Decidedly, Daudet belonged to the Realistic School. But, above all, he
was an impressionist. All that can be observed--the individual picture,
scene, character--Daudet will render with wonderful accuracy, and all his
novels, especially those written after 1870, show an increasing firmness
of touch, limpidity of style, and wise simplicity in the use of the
sources of pathetic emotion, such as befit the cautious Naturalist.
Daudet wrote stories, but he had to be listened to. Feverish as his
method of writing was--true to his Southern character he took endless
pains to write well, revising every manuscript three times over from
beginning to end. He wrote from the very midst of the human comedy; and
it is from this that he seems at times to have caught the bodily warmth
and the taste of the tears and the very ring of the laughter of men and
women. In the earlier novels, perhaps, the transitions from episode to
episode or from scene to scene are often abrupt, suggesting the manner of
the Goncourts. But to Zola he forms an instructive contrast, of the same
school, but not of the same family. Zola is methodical, Daudet
spontaneous. Zola works with documents, Daudet from the living fact.
Zola is objective, Daudet with equal scope and fearlessness shows more
personal feeling and hence more delicacy. And in style also Zola is
vast, architectural; Daudet slight, rapid, subtle, lively, suggestive.
And finally, in their philosophy of life, Zola may inspire a hate of vice
and wrong, but Daudet wins a love for what is good and true.
Alphonse Daudet was born in Nimes, Provence, May 13, 1840. His father
had been a well-to-do silk manufacturer, but, while Alphonse was still a
child, lost his property. Poverty compelled the son to seek the wretched
post of usher (pion) in a school at Alais. In November, 1857, he settled
in Paris and joined his almost equally penniless brother Ernest. The
autobiography, 'Le Petit Chose' (1868), gives graphic details about this
period. His first years of literary life were those of an industrious
Bohemian, with poetry for consolation and newspaper work for bread. He
had secured a secretaryship with the Duc de Morny, President of the Corps
Legislatif, and had won recognition for his short stories in the
'Figaro', when failing health compelled him to go to Algiers. Returning,
he married toward that period a lady (Julia Allard, born 1847), whose
literary talent comprehended, supplemented, and aided his own. After the
death of the Duc de Morny (1865) he consecrated himself entirely to
literature and published 'Lettres de mon Moulin' (1868), which also made
his name favorably known. He now turned from fiction to the drama, and
it was not until after 1870 that he became fully conscious of his
vocation as a novelist, perhaps through the trials of the siege of Paris
and the humiliation of his country, which deepened his nature without
souring it. Daudet's genial satire, 'Tartarin de Tarascon', appeared in
1872; but with the Parisian romance 'Fromont jeune et Risler aine',
crowned by the Academy (1874), he suddenly advanced into the foremost
rank of French novelists; it was his first great success, or, as he puts
it, "the dawn of his popularity."
How numberless editions of this book were printed, and rights of
translations sought from other countries, Daudet has told us with natural
pride. The book must be read to be appreciated. "Risler, a self-made,
honest man, raises himself socially into a society against the
corruptness of which he has no defence and from which he escapes only by
suicide. Sidonie Chebe is a peculiarly French type, a vain and heartless
woman; Delobelle, the actor, a delectable figure; the domestic simplicity
of Desiree Delobelle and her mother quite refreshing."
Success followed now after success. 'Jack (1876); Le Nabab (1877); Les
Rois en exil (1879); Numa Roumestan (1882); L'Evangeliste (1883); Sapho
(1884); Tartarin sur des Alces (1886); L'Immortel (1888); Port Tarascon
(1890); Rose et Ninette (1892); La petite Parvisse (1895); and Soutien de
Famille (1899)'; such is the long list of the great life-artist. In Le
Nabab we find obvious traces of Daudet's visits to Algiers and Corsica-
Mora is the Duc de Morny. Sapho is the most concentrated of his novels,
with never a divergence, never a break, in its development. And of the
theme--legitimate marriage contra common-law--what need be said except
that he handled it in a manner most acceptable to the aesthetic and least
offensive to the moral sense?
L'Immortel is a satire springing from personal reasons; L'Evangeliste and
Rose et Ninette--the latter on the divorce problem--may be classed as
clever novels; but had Daudet never written more than 'Fromont et
Risler', 'Tartarin sur les Alces', and 'Port Tarascon', these would keep
him in lasting remembrance.
We must not omit to mention also many 'contes' and his 'Trente ans de
Paris (A travers ma vie et mes livres), Souvenirs d'un Homme de lettres
(1888), and Notes sur la Vie (1899)'.
Alphonse Daudet died in Paris, December 16, 1897
LECONTE DE LISLE
de l'Academie Francaise.
FROMONT AND RISLER
A WEDDING-PARTY AT THE CAFE VEFOUR
"I am so happy!"
This was the twentieth time that day that the good Risler had said that
he was happy, and always with the same emotional and contented manner,
in the same low, deep voice-the voice that is held in check by emotion
and does not speak too loud for fear of suddenly breaking into violent
Not for the world would Risler have wept at that moment--imagine a newly-
made husband giving way to tears in the midst of the wedding-festival!
And yet he had a strong inclination to do so. His happiness stifled him,
held him by the throat, prevented the words from coming forth. All that
he could do was to murmur from time to time, with a slight trembling of
the lips, "I am happy; I am happy!"
Indeed, he had reason to be happy.
Since early morning the poor man had fancied that he was being whirled
along in one of those magnificent dreams from which one fears lest he may
awake suddenly with blinded eyes; but it seemed to him as if this dream
would never end. It had begun at five o'clock in the morning, and at ten
o'clock at night, exactly ten o'clock by Vefour's clock, he was still
How many things had happened during that day, and how vividly he
remembered the most trivial details.
He saw himself, at daybreak, striding up and down his bachelor quarters,
delight mingled with impatience, clean-shaven, his coat on, and two pairs
of white gloves in his pocket. Then there were the wedding-coaches, and
in the foremost one--the one with white horses, white reins, and a yellow
damask lining--the bride, in her finery, floated by like a cloud. Then
the procession into the church, two by two, the white veil in advance,
ethereal, and dazzling to behold. The organ, the verger, the cure's
sermon, the tapers casting their light upon jewels and spring gowns, and
the throng of people in the sacristy, the tiny white cloud swallowed up,
surrounded, embraced, while the bridegroom distributed hand-shakes among
all the leading tradesmen of Paris, who had assembled to do him honor.
And the grand crash from the organ at the close, made more solemn by the
fact that the church door was thrown wide open, so that the whole street
took part in the family ceremony--the music passing through the vestibule
at the same time with the procession--the exclamations of the crowd, and
a burnisher in an ample lute-string apron remarking in a loud voice, "The
groom isn't handsome, but the bride's as pretty as a picture." That is
the kind of thing that makes you proud when you happen to be the
And then the breakfast at the factory, in a workroom adorned with
hangings and flowers; the drive in the Bois--a concession to the wishes
of his mother-in-law, Madame Chebe, who, being the petty Parisian
bourgeoise that she was, would not have deemed her daughter legally
married without a drive around the lake and a visit to the Cascade.
Then the return for dinner, as the lamps were being lighted along the
boulevard, where people turned to look after the wedding-party, a typical
well-to-do bourgeois wedding-party, as it drove up to the grand entrance
at Vefour's with all the style the livery horses could command.
Risler had reached that point in his dream.
And now the worthy man, dazed with fatigue and well-being, glanced
vaguely about that huge table of twenty-four covers, curved in the shape
of a horseshoe at the ends, and surrounded by smiling, familiar faces,
wherein he seemed to see his happiness reflected in every eye. The
dinner was drawing near its close. The wave of private conversation
flowed around the table. Faces were turned toward one another, black
sleeves stole behind waists adorned with bunches of asclepias, a childish
face laughed over a fruit ice, and the dessert at the level of the
guests' lips encompassed the cloth with animation, bright colors, and
Ah, yes! Risler was very happy.
Except his brother Frantz, everybody he loved was there. First of all,
sitting opposite him, was Sidonie--yesterday little Sidonie, to-day his
wife. For the ceremony of dinner she had laid aside her veil; she had
emerged from her cloud. Now, above the smooth, white silk gown, appeared
a pretty face of a less lustrous and softer white, and the crown of hair-
beneath that other crown so carefully bestowed--would have told you of a
tendency to rebel against life, of little feathers fluttering for an
opportunity to fly away. But husbands do not see such things as those.
Next to Sidonie and Frantz, the person whom Risler loved best in the
world was Madame Georges Fromont, whom he called "Madame Chorche," the
wife of his partner and the daughter of the late Fromont, his former
employer and his god. He had placed her beside him, and in his manner of
speaking to her one could read affection and deference. She was a very
young woman, of about the same age as Sidonie, but of a more regular,
quiet and placid type of beauty. She talked little, being out of her
element in that conglomerate assemblage; but she tried to appear affable.
On Risler's other side sat Madame Chebe, the bride's mother, radiant and
gorgeous in her green satin gown, which gleamed like a shield. Ever
since the morning the good woman's every thought had been as brilliant as
that robe of emblematic hue. At every moment she said to herself: "My
daughter is marrying Fromont Jeune and Risler Aine, of Rue des Vieilles
Haudriettes!" For, in her mind, it was not Risler alone whom her
daughter took for her husband, but the whole sign of the establishment,
illustrious in the commercial annals of Paris; and whenever she mentally
announced that glorious event, Madame Chebe sat more erect than ever,
stretching the silk of the bodice until it almost cracked.
What a contrast to the attitude of Monsieur Chebe, who was seated at a
short distance. In different households, as a general rule, the same
causes produce altogether different results. That little man, with the
high forehead of a visionary, as inflated and hollow as a ball, was as
fierce in appearance as his wife was radiant. That was nothing unusual,
by the way, for Monsieur Chebe was in a frenzy the whole year long.
On this particular evening, however, he did not wear his customary woe-
begone, lack-lustre expression, nor the full-skirted coat, with the
pockets sticking out behind, filled to repletion with samples of oil,
wine, truffles, or vinegar, according as he happened to be dealing in one
or the other of those articles. His black coat, new and magnificent,
made a fitting pendant to the green gown; but unfortunately his thoughts
were of the color of his coat. Why had they not seated him beside the
bride, as was his right? Why had they given his seat to young Fromont?
And there was old Gardinois, the Fromonts' grandfather, what business had
he by Sidonie's side? Ah! that was how it was to be! Everything for
the Fromonts and nothing for the Chebes! And yet people are amazed that
there are such things as revolutions!
Luckily the little man had by his side, to vent his anger upon, his
friend Delobelle, an old, retired actor, who listened to him with his
serene and majestic holiday countenance.
Strangely enough, the bride herself had something of that same
expression. On that pretty and youthful face, which happiness enlivened
without making glad, appeared indications of some secret preoccupation;
and, at times, the corners of her lips quivered with a smile, as if she
were talking to herself.
With that same little smile she replied to the somewhat pronounced
pleasantries of Grandfather Gardinois, who sat by her side.
"This Sidonie, on my word!" said the good man, with a laugh. "When I
think that not two months ago she was talking about going into a convent.
We all know what sort of convents such minxes as she go to! As the
saying is in our province: The Convent of Saint Joseph, four shoes under
And everybody at the table laughed heartily at the rustic jests of the
old Berrichon peasant, whose colossal fortune filled the place of
manliness, of education, of kindness of heart, but not of wit; for he had
plenty of that, the rascal--more than all his bourgeois fellow-guests
together. Among the very rare persons who inspired a sympathetic feeling
in his breast, little Chebe, whom he had known as an urchin, appealed
particularly to him; and she, for her part, having become rich too
recently not to venerate wealth, talked to her right-hand neighbor with a
very perceptible air of respect and coquetry.
With her left-hand-neighbor, on the contrary, Georges Fromont, her
husband's partner, she exhibited the utmost reserve. Their conversation
was restricted to the ordinary courtesies of the table; indeed there was
a sort of affectation of indifference between them.
Suddenly there was that little commotion among the guests which indicates
that they are about to rise: the rustling of silk, the moving of chairs,
the last words of conversations, the completion of a laugh, and in that
half-silence Madame Chebe, who had become communicative, observed in a
very loud tone to a provincial cousin, who was gazing in an ecstasy of
admiration at the newly made bride's reserved and tranquil demeanor, as
she stood with her arm in Monsieur Gardinois's:
"You see that child, cousin--well, no one has ever been able to find out
what her thoughts were."
Thereupon the whole party rose and repaired to the grand salon.
While the guests invited for the ball were arriving and mingling with the
dinner-guests, while the orchestra was tuning up, while the cavaliers,
eyeglass in position, strutted before the impatient, white-gowned
damsels, the bridegroom, awed by so great a throng, had taken refuge with
his friend Planus--Sigismond Planus, cashier of the house of Fromont for
thirty years--in that little gallery decorated with flowers and hung with
a paper representing shrubbery and clambering vines, which forms a sort
of background of artificial verdure to Vefour's gilded salons.
"Sigismond, old friend--I am very happy."
And Sigismond too was happy; but Risler did not give him time to say so.
Now that he was no longer in dread of weeping before his guests, all the
joy in his heart overflowed.
"Just think of it, my friend!--It's so extraordinary that a young girl
like Sidonie would consent to marry me. For you know I'm not handsome.
I didn't need to have that impudent creature tell me so this morning to
know it. And then I'm forty-two--and she such a dear little thing!
There were so many others she might have chosen, among the youngest and
the richest, to say nothing of my poor Frantz, who loved her so. But,
no, she preferred her old Risler. And it came about so strangely. For a
long time I noticed that she was sad, greatly changed. I felt sure there
was some disappointment in love at the bottom of it. Her mother and I
looked about, and we cudgelled our brains to find out what it could be.
One morning Madame Chebe came into my room weeping, and said, 'You are
the man she loves, my dear friend!'--And I was the man--I was the man!
Bless my soul! Whoever would have suspected such a thing? And to think
that in the same year I had those two great pieces of good fortune--
a partnership in the house of Fromont and married to Sidonie--Oh!"
At that moment, to the strains of a giddy, languishing waltz, a couple
whirled into the small salon. They were Risler's bride and his partner,
Georges Fromont. Equally young and attractive, they were talking in
undertones, confining their words within the narrow circle of the waltz.
"You lie!" said Sidonie, slightly pale, but with the same little smile.
And the other, paler than she, replied:
"I do not lie. It was my uncle who insisted upon this marriage. He was
dying--you had gone away. I dared not say no."
Risler, at a distance, gazed at them in admiration.
"How pretty she is! How well they dance!"
But, when they spied him, the dancers separated, and Sidonie walked
quickly to him.
"What! You here? What are you doing? They are looking everywhere for
you. Why aren't you in there?"
As she spoke she retied his cravat with a pretty, impatient gesture.
That enchanted Risler, who smiled at Sigismond from the corner of his
eye, too overjoyed at feeling the touch of that little gloved hand on his
neck, to notice that she was trembling to the ends of her slender
"Give me your arm," she said to him, and they returned together to the
salons. The white bridal gown with its long train made the badly cut,
awkwardly worn black coat appear even more uncouth; but a coat can not be
retied like a cravat; she must needs take it as it was. As they passed
along, returning the salutations of all the guests who were so eager to
smile upon them, Sidonie had a momentary thrill of pride, of satisfied
vanity. Unhappily it did not last. In a corner of the room sat a young
and attractive woman whom nobody invited to dance, but who looked on at
the dances with a placid eye, illumined by all the joy of a first
maternity. As soon as he saw her, Risler walked straight to the corner
where she sat and compelled Sidonie to sit beside her. Needless to say
that it was Madame "Chorche." To whom else would he have spoken with
such affectionate respect? In what other hand than hers could he have
placed his little Sidonie's, saying: "You will love her dearly, won't
you? You are so good. She needs your advice, your knowledge of the
"Why, my dear Risler," Madame Georges replied, "Sidonie and I are old
friends. We have reason to be fond of each other still."
And her calm, straightforward glance strove unsuccessfully to meet that
of her old friend.
With his ignorance of women, and his habit of treating Sidonie as a
child, Risler continued in the same tone:
"Take her for your model, little one. There are not two people in the
world like Madame Chorche. She has her poor father's heart. A true
Sidonie, with her eyes cast down, bowed without replying, while an
imperceptible shudder ran from the tip of her satin shoe to the topmost
bit of orange-blossom in her crown. But honest Risler saw nothing.
The excitement, the dancing, the music, the flowers, the lights made
him drunk, made him mad. He believed that every one breathed the same
atmosphere of bliss beyond compare which enveloped him. He had no
perception of the rivalries, the petty hatreds that met and passed one
another above all those bejewelled foreheads.
He did not notice Delobelle, standing with his elbow on the mantel, one
hand in the armhole of his waistcoat and his hat upon his hip, weary of
his eternal attitudinizing, while the hours slipped by and no one thought
of utilizing his talents. He did not notice M. Chebe, who was prowling
darkly between the two doors, more incensed than ever against the
Fromonts. Oh! those Fromonts!--How large a place they filled at that
wedding! They were all there with their wives, their children, their
friends, their friends' friends. One would have said that one of
themselves was being married. Who had a word to say of the Rislers or
the Chebes? Why, he--he, the father, had not even been presented!--
And the little man's rage was redoubled by the attitude of Madame Chebe,
smiling maternally upon one and all in her scarab-hued dress.
Furthermore, there were at this, as at almost all wedding-parties, two
distinct currents which came together but without mingling. One of the
two soon gave place to the other. The Fromonts, who irritated Monsieur
Chebe so much and who formed the aristocracy of the ball, the president
of the Chamber of Commerce, the syndic of the solicitors, a famous
chocolate-manufacturer and member of the Corps Legislatif, and the old
millionaire Gardinois, all retired shortly after midnight. Georges
Fromont and his wife entered their carriage behind them. Only the Risler
and Chebe party remained, and the festivity at once changed its aspect,
becoming more uproarious.
The illustrious Delobelle, disgusted to see that no one called upon him
for anything, decided to call upon himself for something, and began in a
voice as resonant as a gong the monologue from Ruy Blas: "Good appetite,
Messieurs!" while the guests thronged to the buffet, spread with
chocolate and glasses of punch. Inexpensive little costumes were
displayed upon the benches, overjoyed to produce their due effect at
last; and here and there divers young shop-clerks, consumed with conceit,
amused themselves by venturing upon a quadrille.
The bride had long wished to take her leave. At last she disappeared
with Risler and Madame Chebe. As for Monsieur Chebe, who had recovered
all his importance, it was impossible to induce him to go. Some one must
be there to do the honors, deuce take it! And I assure you that the
little man assumed the responsibility! He was flushed, lively,
frolicsome, noisy, almost seditious. On the floor below he could be
heard talking politics with Vefour's headwaiter, and making most
Through the deserted streets the wedding-carriage, the tired coachman
holding the white reins somewhat loosely, rolled heavily toward the
Madame Chebe talked continuously, enumerating all the splendors of that
memorable day, rhapsodizing especially over the dinner, the commonplace
menu of which had been to her the highest display of magnificence.
Sidonie mused in the darkness of the carriage, and Risler, sitting
opposite her, even though he no longer said, "I am very happy," continued
to think it with all his heart. Once he tried to take possession of a
little white hand that rested against the closed window, but it was
hastily withdrawn, and he sat there without moving, lost in mute
They drove through the Halles and the Rue de Rambuteau, thronged with
kitchen-gardeners' wagons; and, near the end of the Rue des Francs-
Bourgeois, they turned the corner of the Archives into the Rue de Braque.
There they stopped first, and Madame Chebe alighted at her door, which
was too narrow for the magnificent green silk frock, so that it vanished
in the hall with rustlings of revolt and with all its folds muttering.
A few minutes later, a tall, massive portal on the Rue des Vieilles-
Haudriettes, bearing on the escutcheon that betrayed the former family
mansion, beneath half-effaced armorial bearings, a sign in blue letters,
Wall Papers, was thrown wide open to allow the wedding-carriage to pass
Thereupon the bride, hitherto motionless and like one asleep, seemed to
wake suddenly, and if all the lights in the vast buildings, workshops or
storehouses, which surrounded the courtyard, had not been extinguished,
Risler might have seen that pretty, enigmatical face suddenly lighted by
a smile of triumph. The wheels revolved less noisily on the fine gravel
of a garden, and soon stopped before the stoop of a small house of two
floors. It was there that the young Fromonts lived, and Risler and his
wife were to take up their abode on the floor above. The house had an
aristocratic air. Flourishing commerce avenged itself therein for the
dismal street and the out-of-the-way quarter. There was a carpet on the
stairway leading to their apartment, and on all sides shone the gleaming
whiteness of marble, the reflection of mirrors and of polished copper.
While Risler was parading his delight through all the rooms of the new
apartment, Sidonie remained alone in her bedroom. By the light of the
little blue lamp hanging from the ceiling, she glanced first of all at
the mirror, which gave back her reflection from head to foot, at all her
luxurious surroundings, so unfamiliar to her; then, instead of going to
bed, she opened the window and stood leaning against the sill, motionless
as a statue.
The night was clear and warm. She could see distinctly the whole
factory, its innumerable unshaded windows, its glistening panes, its tall
chimney losing itself in the depths of the sky, and nearer at hand the
lovely little garden against the ancient wall of the former mansion. All
about were gloomy, miserable roofs and squalid streets. Suddenly she
started. Yonder, in the darkest, the ugliest of all those attics
crowding so closely together, leaning against one another, as if
overweighted with misery, a fifth-floor window stood wide open, showing
only darkness within. She recognized it at once. It was the window of
the landing on which her parents lived.
The window on the landing!
How many things the mere name recalled! How many hours, how many days
she had passed there, leaning on that damp sill, without rail or balcony,
looking toward the factory. At that moment she fancied that she could
see up yonder little Chebe's ragged person, and in the frame made by that
poor window, her whole child life, her deplorable youth as a Parisian
street arab, passed before her eyes.
LITTLE CHEBE'S STORY
In Paris the common landing is like an additional room, an enlargement of
their abodes, to poor families confined in their too small apartments.
They go there to get a breath of air in summer, and there the women talk
and the children play.
When little Chebe made too much noise in the house, her mother would say
to her: "There there! you bother me, go and play on the landing." And
the child would go quickly enough.
This landing, on the upper floor of an old house in which space had not
been spared, formed a sort of large lobby, with a high ceiling, guarded
on the staircase side by a wrought-iron rail, lighted by a large window
which looked out upon roofs, courtyards, and other windows, and, farther
away, upon the garden of the Fromont factory, which was like a green
oasis among the huge old walls.
There was nothing very cheerful about it, but the child liked it much
better than her own home. Their rooms were dismal, especially when it
rained and Ferdinand did not go out.
With his brain always smoking with new ideas, which unfortunately never
came to anything, Ferdinand Chebe was one of those slothful, project-
devising bourgeois of when there are so many in Paris. His wife, whom he
had dazzled at first, had soon detected his utter insignificance, and had
ended by enduring patiently and with unchanged demeanor his continual
dreams of wealth and the disasters that immediately followed them.
Of the dot of eighty thousand francs which she had brought him, and which
he had squandered in his absurd schemes, only a small annuity remained,
which still gave them a position of some importance in the eyes of their
neighbors, as did Madame Chebe's cashmere, which had been rescued from
every wreck, her wedding laces and two diamond studs, very tiny and very
modest, which Sidonie sometimes begged her mother to show her, as they
lay in the drawer of the bureau, in an old-fashioned white velvet case,
on which the jeweller's name, in gilt letters, thirty years old, was
gradually fading. That was the only bit of luxury in that poor
For a very long time M. Chebe had sought a place which would enable him
to eke out their slender income. But he sought it only in what he called
standing business, his health forbidding any occupation that required him
to be seated.
It seemed that, soon after his marriage, when he was in a flourishing
business and had a horse and tilbury of his own, the little man had had
one day a serious fall. That fall, to which he referred upon every
occasion, served as an excuse for his indolence.
One could not be with M. Chebe five minutes before he would say in a
"You know of the accident that happened to the Duc d'Orleans?"
And then he would add, tapping his little bald pate "The same thing
happened to me in my youth."
Since that famous fall any sort of office work made him dizzy, and he had
found himself inexorably confined to standing business. Thus, he had
been in turn a broker in wines, in books, in truffles, in clocks, and in
many other things beside. Unluckily, he tired of everything, never
considered his position sufficiently exalted for a former business man
with a tilbury, and, by gradual degrees, by dint of deeming every sort of
occupation beneath him, he had grown old and incapable, a genuine idler
with low tastes, a good-for-nothing.
Artists are often rebuked for their oddities, for the liberties they take
with nature, for that horror of the conventional which impels them to
follow by-paths; but who can ever describe all the absurd fancies, all
the idiotic eccentricities with which a bourgeois without occupation can
succeed in filling the emptiness of his life? M. Chebe imposed upon
himself certain rules concerning his goings and comings, and his walks
abroad. While the Boulevard Sebastopol was being built, he went twice a
day "to see how it was getting on."
No one knew better than he the fashionable shops and the bargains; and
very often Madame Chebe, annoyed to see her husband's idiotic face at the
window while she was energetically mending the family linen, would rid
herself of him by giving him an errand to do. "You know that place, on
the corner of such a street, where they sell such nice cakes. They would
be nice for our dessert."
And the husband would go out, saunter along the boulevard by the shops,
wait for the omnibus, and pass half the day in procuring two cakes, worth
three sous, which he would bring home in triumph, wiping his forehead.
M. Chebe adored the summer, the Sundays, the great footraces in the dust
at Clamart or Romainville, the excitement of holidays and the crowd. He
was one of those who went about for a whole week before the fifteenth of
August, gazing at the black lamps and their frames, and the scaffoldings.
Nor did his wife complain. At all events, she no longer had that chronic
grumbler prowling around her chair for whole days, with schemes for
gigantic enterprises, combinations that missed fire in advance,
lamentations concerning the past, and a fixed determination not to work
at anything to earn money.
She no longer earned anything herself, poor woman; but she knew so well
how to save, her wonderful economy made up so completely for everything
else, that absolute want, although a near neighbor of such impecuniosity
as theirs, never succeeded in making its way into those three rooms,
which were always neat and clean, or in destroying the carefully mended
garments or the old furniture so well concealed beneath its coverings.
Opposite the Chebes' door, whose copper knob gleamed in bourgeois fashion
upon the landing, were two other and smaller ones.
On the first, a visiting-card, held in place by four nails, according to
the custom in vogue among industrial artists, bore the name of
DESIGNER OF PATTERNS.
On the other was a small square of leather, with these words in gilt
BIRDS AND INSECTS FOR ORNAMENT.
The Delobelles' door was often open, disclosing a large room with a brick
floor, where two women, mother and daughter, the latter almost a child,
each as weary and as pale as the other, worked at one of the thousand
fanciful little trades which go to make up what is called the 'Articles
It was then the fashion to ornament hats and ballgowns with the lovely
little insects from South America that have the brilliant coloring of
jewels and reflect the light like diamonds. The Delobelles had adopted
A wholesale house, to which consignments were made directly from the
Antilles, sent to them, unopened, long, light boxes from which, when the
lid was removed, arose a faint odor, a dust of arsenic through which
gleamed the piles of insects, impaled before being shipped, the birds
packed closely together, their wings held in place by a strip of thin
paper. They must all be mounted--the insects quivering upon brass wire,
the humming-birds with their feathers ruffled; they must be cleansed and
polished, the beak in a bright red, claw repaired with a silk thread,
dead eyes replaced with sparkling pearls, and the insect or the bird
restored to an appearance of life and grace. The mother prepared the
work under her daughter's direction; for Desiree, though she was still a
mere girl, was endowed with exquisite taste, with a fairy-like power of
invention, and no one could, insert two pearl eyes in those tiny heads or
spread their lifeless wings so deftly as she. Happy or unhappy, Desiree
always worked with the same energy. From dawn until well into the night
the table was covered with work. At the last ray of daylight, when the
factory bells were ringing in all the neighboring yards, Madame Delobelle
lighted the lamp, and after a more than frugal repast they returned to
their work. Those two indefatigable women had one object, one fixed
idea, which prevented them from feeling the burden of enforced vigils.
That idea was the dramatic renown of the illustrious Delobelle. After he
had left the provincial theatres to pursue his profession in Paris,
Delobelle waited for an intelligent manager, the ideal and providential
manager who discovers geniuses, to seek him out and offer him a role
suited to his talents. He might, perhaps, especially at the beginning,
have obtained a passably good engagement at a theatre of the third order,
but Delobelle did not choose to lower himself.
He preferred to wait, to struggle, as he said! And this is how he
awaited the struggle.
In the morning in his bedroom, often in his bed, he rehearsed roles in
his former repertory; and the Delobelle ladies trembled with emotion when
they heard behind the partition tirades from 'Antony' or the 'Medecin des
Enfants', declaimed in a sonorous voice that blended with the thousand-
and-one noises of the great Parisian bee-hive. Then, after breakfast,
the actor would sally forth for the day; would go to "do his boulevard,"
that is to say, to saunter to and fro between the Chateau d'Eau and the
Madeline, with a toothpick in the corner of his mouth, his hat a little
on one side-always gloved, and brushed, and glossy.
That question of dress was of great importance in his eyes. It was one
of the greatest elements of success, a bait for the manager--the famous,
intelligent manager--who never would dream of engaging a threadbare,
shabbily dressed man.
So the Delobelle ladies took good care that he lacked nothing; and you
can imagine how many birds and insects it required to fit out a blade of
that temper! The actor thought it the most natural thing in the world.
In his view, the labors, the privations of his wife and daughter were
not, strictly speaking, for his benefit, but for the benefit of that
mysterious and unknown genius, whose trustee he considered himself to be.
There was a certain analogy between the position of the Chebe family and
that of the Delobelles. But the latter household was less depressing.
The Chebes felt that their petty annuitant existence was fastened upon
them forever, with no prospect of amelioration, always the same; whereas,
in the actor's family, hope and illusion often opened magnificent vistas.
The Chebes were like people living in a blind alley; the Delobelles on a
foul little street, where there was no light or air, but where a great
boulevard might some day be laid out. And then, too, Madame Chebe no
longer believed in her husband, whereas, by virtue of that single magic
word, "Art!" her neighbor never had doubted hers.
And yet for years and years Monsieur Delobelle had been unavailingly
drinking vermouth with dramatic agents, absinthe with leaders of claques,
bitters with vaudevillists, dramatists, and the famous what's-his-name,
author of several great dramas. Engagements did not always follow. So
that, without once appearing on the boards, the poor man had progressed
from jeune premier to grand premier roles, then to the financiers, then
to the noble fathers, then to the buffoons--
He stopped there!
On two or three occasions his friends had obtained for him a chance to
earn his living as manager of a club or a cafe as an inspector in great
warehouses, at the 'Phares de la Bastille' or the 'Colosse de Rhodes.'
All that was necessary was to have good manners. Delobelle was not
lacking in that respect, God knows! And yet every suggestion that was
made to him the great man met with a heroic refusal.
"I have no right to abandon the stage!" he would then assert.
In the mouth of that poor devil, who had not set foot on the boards for
years, it was irresistibly comical. But one lost the inclination to
laugh when one saw his wife and his daughter swallowing particles of
arsenic day and night, and heard them repeat emphatically as they broke
their needles against the brass wire with which the little birds were
"No! no! Monsieur Delobelle has no right to abandon the stage."
Happy man, whose bulging eyes, always smiling condescendingly, and whose
habit of reigning on the stage had procured for him for life that
exceptional position of a spoiled and admired child-king! When he left
the house, the shopkeepers on the Rue des Francs-Bourgeois, with the
predilection of the Parisian for everything and everybody connected with
the theatre, saluted him respectfully. He was always so well dressed!
And then he was so kind, so obliging! When you think that every Saturday
night, he, Ruy Blas, Antony, Raphael in the 'Filles de Maybre,' Andres in
the 'Pirates de la Savane,' sallied forth, with a bandbox under his arm,
to carry the week's work of his wife and daughter to a flower
establishment on the Rue St.-Denis!
Why, even when performing such a commission as that, this devil of a
fellow had such nobility of bearing, such native dignity, that the young
woman whose duty it was to make up the Delobelle account was sorely
embarrassed to hand to such an irreproachable gentleman the paltry
stipend so laboriously earned.
On those evenings, by the way, the actor did not return home to dinner.
The women were forewarned.
He always met some old comrade on the boulevard, some unlucky devil like
himself--there are so many of them in that sacred profession!--whom he
entertained at a restaurant or cafe. Then, with scrupulous fidelity--and
very grateful they were to him--he would carry the rest of the money
home, sometimes with a bouquet for his wife or a little present for
Desiree, a nothing, a mere trifle. What would you have? Those are the
customs of the stage. It is such a simple matter in a melodrama to toss
a handful of louis through the window!
"Ho! varlet, take this purse and hie thee hence to tell thy mistress I
await her coming."
And so, notwithstanding their marvellous courage, and although their
trade was quite lucrative, the Delobelles often found themselves in
straitened circumstances, especially in the dull season of the 'Articles
Luckily the excellent Risler was at hand, always ready to accommodate his
Guillaume Risler, the third tenant on the landing, lived with his brother
Frantz, who was fifteen years his junior. The two young Swiss, tall and
fair, strong and ruddy, brought into the dismal, hard-working house
glimpses of the country and of health. The elder was a draughtsman at
the Fromont factory and was paying for the education of his brother, who
attended Chaptal's lectures, pending his admission to the Ecole Centrale.
On his arrival at Paris, being sadly perplexed as to the installation of
his little household, Guillaume had derived from his neighbors, Mesdames
Chebe and Delobelle, advice and information which were an indispensable
aid to that ingenuous, timid, somewhat heavy youth, embarrassed by his
foreign accent and manner. After a brief period of neighborhood and
mutual services, the Risler brothers formed a part of both families.
On holidays places were always made for them at one table or the other,
and it was a great satisfaction to the two exiles to find in those poor
households, modest and straitened as they were, a taste of affection and
The wages of the designer, who was very clever at his trade, enabled him
to be of service to the Delobelles on rent-day, and to make his
appearance at the Chebes' in the guise of the rich uncle, always laden
with surprises and presents, so that the little girl, as soon as she saw
him, would explore his pockets and climb on his knees.
On Sunday he would take them all to the theatre; and almost every evening
he would go with Messieurs Chebe and Delobelle to a brewery on the Rue
Blondel, where he regaled them with beer and pretzels. Beer and pretzels
were his only vice.
For his own part, he knew no greater bliss than to sit before a foaming
tankard, between his two friends, listening to their talk, and taking
part only by a loud laugh or a shake of the head in their conversation,
which was usually a long succession of grievances against society.
A childlike shyness, and the Germanisms of speech which he never had laid
aside in his life of absorbing toil, embarrassed him much in giving
expression to his ideas. Moreover, his friends overawed him. They had
in respect to him the tremendous superiority of the man who does nothing
over the man who works; and M. Chebe, less generous than Delobelle, did
not hesitate to make him feel it. He was very lofty with him, was M.
Chebe! In his opinion, a man who worked, as Risler did, ten hours a
day, was incapable, when he left his work, of expressing an intelligent
idea. Sometimes the designer, coming home worried from the factory,
would prepare to spend the night over some pressing work. You should
have seen M. Chebe's scandalized expression then!
"Nobody could make me follow such a business!" he would say, expanding
his chest, and he would add, looking at Risler with the air of a
physician making a professional call, "Just wait till you've had one
Delobelle was not so fierce, but he adopted a still loftier tone. The
cedar does not see a rose at its foot. Delobelle did not see Risler at
When, by chance, the great man deigned to notice his presence, he had a
certain air of stooping down to him to listen, and to smile at his words
as at a child's; or else he would amuse himself by dazzling him with
stories of actresses, would give him lessons in deportment and the
addresses of outfitters, unable to understand why a man who earned so
much money should always be dressed like an usher at a primary school.
Honest Risler, convinced of his inferiority, would try to earn
forgiveness by a multitude of little attentions, obliged to furnish all
the delicacy, of course, as he was the constant benefactor.
Among these three households living on the same floor, little Chebe,
with her goings and comings, formed the bond of union.
At all times of day she would slip into the workroom of the Delobelles,
amuse herself by watching their work and looking at all the insects, and,
being already more coquettish than playful, if an insect had lost a wing
in its travels, or a humming-bird its necklace of down, she would try to
make herself a headdress of the remains, to fix that brilliant shaft of
color among the ripples of her silky hair. It made Desiree and her
mother smile to see her stand on tiptoe in front of the old tarnished
mirror, with affected little shrugs and grimaces. Then, when she had had
enough of admiring herself, the child would open the door with all the
strength of her little fingers, and would go demurely, holding her head
perfectly straight for fear of disarranging her headdress, and knock at
the Rislers' door.
No one was there in the daytime but Frantz the student, leaning over his
books, doing his duty faithfully. But when Sidonie enters, farewell to
study! Everything must be put aside to receive that lovely creature with
the humming-bird in her hair, pretending to be a princess who had come to
Chaptal's school to ask his hand in marriage from the director.
It was really a strange sight to see that tall, overgrown boy playing
with that little girl of eight, humoring her caprices, adoring her as he
yielded to her, so that later, when he fell genuinely in love with her,
no one could have said at what time the change began.
Petted as she was in those two homes, little Chebe was very fond of
running to the window on the landing. There it was that she found her
greatest source of entertainment, a horizon always open, a sort of vision
of the future toward which she leaned with eager curiosity and without
fear, for children are not subject to vertigo.
Between the slated roofs sloping toward one another, the high wall of the
factory, the tops of the plane-trees in the garden, the many-windowed
workshops appeared to her like a promised land, the country of her
That Fromont establishment was to her mind the highest ideal of wealth.
The place it occupied in that part of the Marais, which was at certain
hours enveloped by its smoke and its din, Risler's enthusiasm, his
fabulous tales concerning his employer's wealth and goodness and
cleverness, had aroused that childish curiosity; and such portions as she
could see of the dwelling-houses, the carved wooden blinds, the circular
front steps, with the garden-seats before them, a great white bird-house
with gilt stripes glistening in the sun, the blue-lined coupe standing in
the courtyard, were to her objects of continual admiration.
She knew all the habits of the family: At what hour the bell was rung,
when the workmen went away, the Saturday payday which kept the cashier's
little lamp lighted late in the evening, and the long Sunday afternoon,
the closed workshops, the smokeless chimney, the profound silence which
enabled her to hear Mademoiselle Claire at play in the garden, running
about with her cousin Georges. From Risler she obtained details.
"Show me the salon windows," she would say to him, "and Claire's room."
Risler, delighted by this extraordinary interest in his beloved factory,
would explain to the child from their lofty position the arrangement of
the buildings, point out the print-shop, the gilding-shop, the designing-
room where he worked, the engine-room, above which towered that enormous
chimney blackening all the neighboring walls with its corrosive smoke,
and which never suspected that a young life, concealed beneath a
neighboring roof, mingled its inmost thoughts with its loud,
At last one day Sidonie entered that paradise of which she had heretofore
caught only a glimpse.
Madame Fromont, to whom Risler often spoke of her little neighbor's
beauty and intelligence, asked him to bring her to the children's ball
she intended to give at Christmas. At first Monsieur Chebe replied by a
curt refusal. Even in those days, the Fromonts, whose name was always on
Rider's lips, irritated and humiliated him by their wealth. Moreover, it
was to be a fancy ball, and M. Chebe--who did not sell wallpapers, not
he!--could not afford to dress his daughter as a circus-dancer. But
Risler insisted, declared that he would get everything himself, and at
once set about designing a costume.
It was a memorable evening.
In Madame Chebe's bedroom, littered with pieces of cloth and pins and
small toilet articles, Desiree Delobelle superintended Sidonie's toilet.
The child, appearing taller because of her short skirt of red flannel
with black stripes, stood before the mirror, erect and motionless, in the
glittering splendor of her costume. She was charming. The waist, with
bands of velvet laced over the white stomacher, the lovely, long tresses
of chestnut hair escaping from a hat of plaited straw, all the trivial
details of her Savoyard's costume were heightened by the intelligent
features of the child, who was quite at her ease in the brilliant colors
of that theatrical garb.
The whole assembled neighborhood uttered cries of admiration. While some
one went in search of Delobelle, the lame girl arranged the folds of the
skirt, the bows on the shoes, and cast a final glance over her work,
without laying aside her needle; she, too, was excited, poor child! by
the intoxication of that festivity to which she was not invited. The
great man arrived. He made Sidonie rehearse two or three stately
curtseys which he had taught her, the proper way to walk, to stand, to
smile with her mouth slightly open, and the exact position of the little
finger. It was truly amusing to see the precision with which the child
went through the drill.
"She has dramatic blood in her veins!" exclaimed the old actor
enthusiastically, unable to understand why that stupid Frantz was
strongly inclined to weep.
A year after that happy evening Sidonie could have told you what flowers
there were in the reception rooms, the color of the furniture, and the
music they were playing as she entered the ballroom, so deep an
impression did her enjoyment make upon her. She forgot nothing, neither
the costumes that made an eddying whirl about her, nor the childish
laughter, nor all the tiny steps that glided over the polished floors.
For a moment, as she sat on the edge of a great red-silk couch, taking
from the plate presented to her the first sherbet of her life, she
suddenly thought of the dark stairway, of her parents' stuffy little
rooms, and it produced upon her mind the effect of a distant country
which she had left forever.
However, she was considered a fascinating little creature, and was much
admired and petted. Claire Fromont, a miniature Cauchoise dressed in
lace, presented her to her cousin Georges, a magnificent hussar who
turned at every step to observe the effect of his sabre.
"You understand, Georges, she is my friend. She is coming to play with
us Sundays. Mamma says she may."
And, with the artless impulsiveness of a happy child, she kissed little
Chebe with all her heart.
But the time came to go. For a long time, in the filthy street where the
snow was melting, in the dark hall, in the silent room where her mother
awaited her, the brilliant light of the salons continued to shine before
her dazzled eyes.
"Was it very fine? Did you have a charming time?" queried Madame Chebe
in a low tone, unfastening the buckles of the gorgeous costume, one by
And Sidonie, overcome with fatigue, made no reply, but fell asleep
standing, beginning a lovely dream which was to last throughout her youth
and cost her many tears.
Claire Fromont kept her word. Sidonie often went to play in the
beautiful gravelled garden, and was able to see at close range the carved
blinds and the dovecot with its threads of gold. She came to know all
the corners and hiding-places in the great factory, and took part in many
glorious games of hide-and-seek behind the printing-tables in the
solitude of Sunday afternoon. On holidays a plate was laid for her at
the children's table.
Everybody loved her, although she never exhibited much affection for any
one. So long as she was in the midst of that luxury, she was conscious
of softer impulses, she was happy and felt that she was embellished by
her surroundings; but when she returned to her parents, when she saw the
factory through the dirty panes of the window on the landing, she had an
inexplicable feeling of regret and anger.
And yet Claire Fromont treated her as a friend.
Sometimes they took her to the Bois, to the Tuileries, in the famous
blue-lined carriage, or into the country, to pass a whole week at
Grandfather Gardinois's chateau, at Savigny-sur-Orge. Thanks to the
munificence of Risler, who was very proud of his little one's success,
she was always presentable and well dressed. Madame Chebe made it a
point of honor, and the pretty, lame girl was always at hand to place her
treasures of unused coquetry at her little friend's service.
But M. Chebe, who was always hostile to the Fromonts, looked frowningly
upon this growing intimacy. The true reason was that he himself never
was invited; but he gave other reasons, and would say to his wife:
"Don't you see that your daughter's heart is sad when she returns from
that house, and that she passes whole hours dreaming at the window?"
But poor Madame Chebe, who had been so unhappy ever since her marriage,
had become reckless. She declared that one should make the most of the
present for fear of the future, should seize happiness as it passes, as
one often has no other support and consolation in life than the memory of
a happy childhood.
For once it happened that M. Chebe was right.
THE FALSE PEARLS
After two or three years of intimacy with Claire, of sharing her
amusements, years during which Sidonie acquired the familiarity with
luxury and the graceful manners of the children of the wealthy, the
friendship was suddenly broken.
Cousin Georges, whose guardian M. Fromont was, had entered college some
time before. Claire in her turn took her departure for the convent with
the outfit of a little queen; and at that very time the Chebes were
discussing the question of apprenticing Sidonie to some trade. They
promised to love each other as before and to meet twice a month, on the
Sundays that Claire was permitted to go home.
Indeed, little Chebe did still go down sometimes to play with her
friends; but as she grew older she realized more fully the distance that
separated them, and her clothes began to seem to her very simple for
Madame Fromont's salon.
When the three were alone, the childish friendship which made them equals
prevented any feeling of embarrassment; but visitors came, girl friends
from the convent, among others a tall girl, always richly dressed, whom
her mother's maid used to bring to play with the little Fromonts on
As soon as she saw her coming up the steps, resplendent and disdainful,
Sidonie longed to go away at once. The other embarrassed her with
awkward questions. Where did she live? What did her parents do? Had
she a carriage?
As she listened to their talk of the convent and their friends, Sidonie
felt that they lived in a different world, a thousand miles from her own;
and a deathly sadness seized her, especially when, on her return home,
her mother spoke of sending her as an apprentice to Mademoiselle Le Mire,
a friend of the Delobelles, who conducted a large false-pearl
establishment on the Rue du Roi-Dore.
Risler insisted upon the plan of having the little one serve an
apprenticeship. "Let her learn a trade," said the honest fellow.
"Later I will undertake to set her up in business."
Indeed, this same Mademoiselle Le Mire spoke of retiring in a few years.
It was an excellent opportunity.
One morning, a dull day in November, her father took her to the Rue du
Rio-Dore, to the fourth floor of an old house, even older and blacker
than her own home.
On the ground floor, at the entrance to the hall, hung a number of signs
with gilt letters: Depot for Travelling-Bags, Plated Chains, Children's
Toys, Mathematical Instruments in Glass, Bouquets for Brides and Maids of
Honor, Wild Flowers a Specialty; and above was a little dusty show-case,
wherein pearls, yellow with age, glass grapes and cherries surrounded the
pretentious name of Angelina Le Mire.
What a horrible house!
It had not even a broad landing like that of the Chebes, grimy with old
age, but brightened by its window and the beautiful prospect presented by
the factory. A narrow staircase, a narrow door, a succession of rooms
with brick floors, all small and cold, and in the last an old maid with a
false front and black thread mitts, reading a soiled copy of the 'Journal
pour Tous,' and apparently very much annoyed to be disturbed in her
Mademoiselle Le Mire (written in two words) received the father and
daughter without rising, discoursed at great length of the rank she had
lost, of her father, an old nobleman of Le Rouergue--it is most
extraordinary how many old noblemen Le Rouergue has produced!--and of an
unfaithful steward who had carried off their whole fortune. She
instantly aroused the sympathies of M. Chebe, for whom decayed gentlefolk
had an irresistible charm, and he went away overjoyed, promising his
daughter to call for her at seven o'clock at night in accordance with the
terms agreed upon.
The apprentice was at once ushered into the still empty workroom.
Mademoiselle Le Mire seated her in front of a great drawer filled with
pearls, needles, and bodkins, with instalments of four-sou novels thrown
in at random among them.
It was Sidonie's business to sort the pearls and string them in necklaces
of equal length, which were tied together to be sold to the small
dealers. Then the young women would soon be there and they would show
her exactly what she would have to do, for Mademoiselle Le Mire (always
written in two words!) did not interfere at all, but overlooked her
business from a considerable distance, from that dark room where she
passed her life reading newspaper novels.
At nine o'clock the work-women arrived, five tall, pale-faced, faded
girls, wretchedly dressed, but with their hair becomingly arranged, after
the fashion of poor working-girls who go about bare-headed through the
streets of Paris.
Two or three were yawning and rubbing their eyes, saying that they were
dead with sleep.
At last they went to work beside a long table where each had her own
drawer and her own tools. An order had been received for mourning
jewels, and haste was essential. Sidonie, whom the forewoman instructed
in her task in a tone of infinite superiority, began dismally to sort a
multitude of black pearls, bits of glass, and wisps of crape.
The others, paying no attention to the little girl, chatted together as
they worked. They talked of a wedding that was to take place that very
day at St. Gervais.
"Suppose we go," said a stout, red-haired girl, whose name was Malvina.
"It's to be at noon. We shall have time to go and get back again if we
And, at the lunch hour, the whole party rushed downstairs four steps at a
Sidonie had brought her luncheon in a little basket, like a school-girl;
with a heavy heart she sat at a corner of the table and ate alone for the
first time in her life. Great God! what a sad and wretched thing life
seemed to be; what a terrible revenge she would take hereafter for her
At one o'clock the girls trooped noisily back, highly excited.
"Did you see the white satin gown? And the veil of point d'Angleterre?
There's a lucky girl!"
Thereupon they repeated in the workroom the remarks they had made in
undertones in the church, leaning against the rail, throughout the
ceremony. That question of a wealthy marriage, of beautiful clothes,
lasted all day long; nor did it interfere with their work-far from it.
These small Parisian industries, which have to do with the most trivial
details of the toilet, keep the work-girls informed as to the fashions
and fill their minds with thoughts of luxury and elegance. To the poor
girls who worked on Mademoiselle Le Mire's fourth floor, the blackened
walls, the narrow street did not exist. They were always thinking of
something else and passed their lives asking one another:
"Malvina, if you were rich what would you do? For my part, I'd live on
the Champs-Elysees." And the great trees in the square, the carriages
that wheeled about there, coquettishly slackening their pace, appeared
momentarily before their minds, a delicious, refreshing vision.
Little Chebe, in her corner, listened without speaking, industriously
stringing her black grapes with the precocious dexterity and taste she
had acquired in Desiree's neighborhood. So that in the evening, when M.
Chebe came to fetch his daughter, they praised her in the highest terms.
Thereafter all her days were alike. The next day, instead of black
pearls, she strung white pearls and bits of false coral; for at
Mademoiselle Le Mire's they worked only in what was false, in tinsel,
and that was where little Chebe was to serve her apprenticeship to life.
For some time the new apprentice-being younger and better bred than the
others--found that they held aloof from her. Later, as she grew older,
she was admitted to their friendship and their confidence, but without
ever sharing their pleasures. She was too proud to go to see weddings
at midday; and when she heard them talking of a ball at Vauxhall or the
'Delices du Marais,' or of a nice little supper at Bonvalet's or at the
'Quatre Sergents de la Rochelle,' she was always very disdainful.
We looked higher than that, did we not, little Chebe?
Moreover, her father called for her every evening. Sometimes, however,
about the New Year, she was obliged to work late with the others, in
order to complete pressing orders. In the gaslight those pale-faced
Parisians, sorting pearls as white as themselves, of a dead, unwholesome
whiteness, were a painful spectacle. There was the same fictitious
glitter, the same fragility of spurious jewels. They talked of nothing
but masked balls and theatres.
"Have you seen Adele Page, in 'Les Trois Mousquetaires?' And Melingue?
And Marie Laurent? Oh! Marie Laurent!"
The actors' doublets, the embroidered costumes of the queens of
melodrama, appeared before them in the white light of the necklaces
forming beneath their fingers.
In summer the work was less pressing. It was the dull season. In the
intense heat, when through the drawn blinds fruit-sellers could be heard
in the street, crying their mirabelles and Queen Claudes, the workgirls
slept heavily, their heads on the table. Or perhaps Malvina would go and
ask Mademoiselle Le Mire for a copy of the 'Journal pour Tous,' and read
aloud to the others.
But little Chebe did not care for the novels. She carried one in her
head much more interesting than all that trash.
The fact is, nothing could make her forget the factory. When she set
forth in the morning on her father's arm, she always cast a glance in
that direction. At that hour the works were just stirring, the chimney
emitted its first puff of black smoke. Sidonie, as she passed, could
hear the shouts of the workmen, the dull, heavy blows of the bars of the
printing-press, the mighty, rhythmical hum of the machinery; and all
those sounds of toil, blended in her memory with recollections of fetes
and blue-lined carriages, haunted her persistently.
They spoke louder than the rattle of the omnibuses, the street cries, the
cascades in the gutters; and even in the workroom, when she was sorting
the false pearls even at night, in her own home, when she went, after
dinner, to breathe the fresh air at the window on the landing and to gaze
at the dark, deserted factory, that murmur still buzzed in her ears,
forming, as it were, a continual accompaniment to her thoughts.
"The little one is tired, Madame Chebe. She needs diversion. Next
Sunday I will take you all into the country."
These Sunday excursions, which honest Risler organized to amuse Sidonie,
served only to sadden her still more.
On those days she must rise at four o'clock in the morning; for the poor
must pay for all their enjoyments, and there was always a ribbon to be
ironed at the last moment, or a bit of trimming to be sewn on in an
attempt to rejuvenate the everlasting little lilac frock with white
stripes which Madame Chebe conscientiously lengthened every year.
They would all set off together, the Chebes, the Rislers, and the
illustrious Delobelle. Only Desiree and her mother never were of the
party. The poor, crippled child, ashamed of her deformity, never would
stir from her chair, and Mamma Delobelle stayed behind to keep her
company. Moreover, neither possessed a suitable gown in which to show
herself out-of-doors in their great man's company; it would have
destroyed the whole effect of his appearance.
When they left the house, Sidonie would brighten up a little. Paris in
the pink haze of a July morning, the railway stations filled with light
dresses, the country flying past the car windows, and the healthful
exercise, the bath in the pure air saturated with the water of the Seine,
vivified by a bit of forest, perfumed by flowering meadows, by ripening
grain, all combined to make her giddy for a moment. But that sensation
was soon succeeded by disgust at such a commonplace way of passing her
It was always the same thing.
They stopped at a refreshment booth, in close proximity to a very noisy
and numerously attended rustic festival, for there must be an audience
for Delobelle, who would saunter along, absorbed by his chimera, dressed
in gray, with gray gaiters, a little hat over his ear, a light top coat
on his arm, imagining that the stage represented a country scene in the
suburbs of Paris, and that he was playing the part of a Parisian
sojourning in the country.
As for M. Chebe, who prided himself on being as fond of nature as the
late Jean Jacques Rousseau, he did not appreciate it without the
accompaniments of shooting-matches, wooden horses, sack races, and a
profusion of dust and penny-whistles, which constituted also Madame
Chebe's ideal of a country life.
But Sidonie had a different ideal; and those Parisian Sundays passed in
strolling through noisy village streets depressed her beyond measure.
Her only pleasure in those throngs was the consciousness of being stared
at. The veriest boor's admiration, frankly expressed aloud at her side,
made her smile all day; for she was of those who disdain no compliment.
Sometimes, leaving the Chebes and Delobelle in the midst of the fete,
Risler would go into the fields with his brother and the "little one" in
search of flowers for patterns for his wall-papers. Frantz, with his
long arms, would pull down the highest branches of a hawthorn, or would
climb a park wall to pick a leaf of graceful shape he had spied on the
other side. But they reaped their richest harvests on the banks of the
There they found those flexible plants, with long swaying stalks, which
made such a lovely effect on hangings, tall, straight reeds, and the
volubilis, whose flower, opening suddenly as if in obedience to a
caprice, resembles a living face, some one looking at you amid the
lovely, quivering foliage. Risler arranged his bouquets artistically,
drawing his inspiration from the very nature of the plants, trying to
understand thoroughly their manner of life, which can not be divined
after the withering of one day.
Then, when the bouquet was completed, tied with a broad blade of grass as
with a ribbon, and slung over Frantz's back, away they went. Risler,
always engrossed in his art, looked about for subjects, for possible
combinations, as they walked along.
"Look there, little one--see that bunch of lily of the valley, with its
white bells, among those eglantines. What do you think? Wouldn't that
be pretty against a sea-green or pearl-gray background?"
But Sidonie cared no more for lilies of the valley than for eglantine.
Wild flowers always seemed to her like the flowers of the poor, something
like her lilac dress.
She remembered that she had seen flowers of a different sort at the house
of M. Gardinois, at the Chateau de Savigny, in the hothouses, on the
balconies, and all about the gravelled courtyard bordered with tall urns.
Those were the flowers she loved; that was her idea of the country!
The little stations in the outskirts of Paris are so terribly crowded and
stuffy on those Sunday evenings in summer! Such artificial enjoyment,
such idiotic laughter, such doleful ballads, sung in whispers by voices
that no longer have the strength to roar! That was the time when M.
Chebe was in his element.
He would elbow his way to the gate, scold about the delay of the train,
declaim against the station-agent, the company, the government; say to
Delobelle in a loud voice, so as to be overheard by his neighbors:
"I say--suppose such a thing as this should happen in America!" Which
remark, thanks to the expressive by-play of the illustrious actor, and to
the superior air with which he replied, "I believe you!" gave those who
stood near to understand that these gentlemen knew exactly what would
happen in America in such a case. Now, they were equally and entirely
ignorant on that subject; but upon the crowd their words made an
Sitting beside Frantz, with half of his bundle of flowers on her knees,
Sidonie would seem to be blotted out, as it were, amid the uproar, during
the long wait for the evening trains. From the station, lighted by a
single lamp, she could see the black clumps of trees outside, lighted
here and there by the last illuminations of the fete, a dark village
street, people continually coming in, and a lantern hanging on a deserted
From time to time, on the other side of the glass doors, a train would
rush by without stopping, with a shower of hot cinders and the roar of
escaping steam. Thereupon a tempest of shouts and stamping would arise
in the station, and, soaring above all the rest, the shrill treble of M.
Chebe, shrieking in his sea-gull's voice: "Break down the doors! break
down the doors!"--a thing that the little man would have taken good care
not to do himself, as he had an abject fear of gendarmes. In a moment
the storm would abate. The tired women, their hair disarranged by the
wind, would fall asleep on the benches. There were torn and ragged
dresses, low-necked white gowns, covered with dust.
The air they breathed consisted mainly of dust. It lay upon their
clothes, rose at every step, obscured the light of the lamp, vexed one's
eyes, and raised a sort of cloud before the tired faces. The cars which
they entered at last, after hours of waiting, were saturated with it
also. Sidonie would open the window, and look out at the dark fields, an
endless line of shadow. Then, like innumerable stars, the first lanterns
of the outer boulevards appeared near the fortifications.
So ended the ghastly day of rest of all those poor creatures. The sight
of Paris brought back to each one's mind the thought of the morrow's
toil. Dismal as her Sunday had been, Sidonie began to regret that it had
passed. She thought of the rich, to whom all the days of their lives
were days of rest; and vaguely, as in a dream, the long park avenues of
which she had caught glimpses during the day appeared to her thronged
with those happy ones of earth, strolling on the fine gravel, while
outside the gate, in the dust of the highroad, the poor man's Sunday
hurried swiftly by, having hardly time to pause a moment to look and
Such was little Chebe's life from thirteen to seventeen.
The years passed, but did not bring with them the slightest change.
Madame Chebe's cashmere was a little more threadbare, the little lilac
frock had undergone a few additional repairs, and that was all. But, as
Sidonie grew older, Frantz, now become a young man, acquired a habit of
gazing at her silently with a melting expression, of paying her loving
attentions that were visible to everybody, and were unnoticed by none
save the girl herself.
Indeed, nothing aroused the interest of little Chebe. In the work-room
she performed her task regularly, silently, without the slightest thought
of the future or of saving. All that she did seemed to be done as if she
were waiting for something.
Frantz, on the other hand, had been working for some time with
extraordinary energy, the ardor of those who see something at the end of
their efforts; so that, at the age of twenty-four, he graduated second in
his class from the Ecole Centrale, as an engineer.
On that evening Risler had taken the Chebe family to the Gymnase, and
throughout the evening he and Madame Chebe had been making signs and
winking at each other behind the children's backs. And when they left
the theatre Madame Chebe solemnly placed Sidonie's arm in Frantz's, as if
she would say to the lovelorn youth, "Now settle matters--here is your
Thereupon the poor lover tried to settle matters.
It is a long walk from the Gymnase to the Marais. After a very few steps
the brilliancy of the boulevard is left behind, the streets become darker
and darker, the passers more and more rare. Frantz began by talking of
the play. He was very fond of comedies of that sort, in which there was
plenty of sentiment.
"And you, Sidonie?"
"Oh! as for me, Frantz, you know that so long as there are fine
In truth she thought of nothing else at the theatre. She was not one of
those sentimental creatures; a la Madame Bovary, who return from the play
with love-phrases ready-made, a conventional ideal. No! the theatre
simply made her long madly for luxury and fine raiment; she brought away
from it nothing but new methods of arranging the hair, and patterns of
gowns. The new, exaggerated toilettes of the actresses, their gait, even
the spurious elegance of their speech, which seemed to her of the highest
distinction, and with it all the tawdry magnificence of the gilding and
the lights, the gaudy placard at the door, the long line of carriages,
and all the somewhat unwholesome excitement that springs up about a
popular play; that was what she loved, that was what absorbed her
"How well they acted their love-scene!" continued the lover.
And, as he uttered that suggestive phrase, he bent fondly toward a little
face surrounded by a white woollen hood, from which the hair escaped in
"Oh! yes, the love-scene. The actress wore beautiful diamonds."
There was a moment's silence. Poor Frantz had much difficulty in
explaining himself. The words he sought would not come, and then, too,
he was afraid. He fixed the time mentally when he would speak:
"When we have passed the Porte Saint-Denis--when we have left the
But when the time arrived, Sidonie began to talk of such indifferent
matters that his declaration froze on his lips, or else it was stopped by
a passing carriage, which enabled their elders to overtake them.
At last, in the Marais, he suddenly took courage:
"Listen to me, Sidonie--I love you!"
That night the Delobelles had sat up very late.
It was the habit of those brave-hearted women to make their working-day
as long as possible, to prolong it so far into the night that their lamp
was among the last to be extinguished on the quiet Rue de Braque. They
always sat up until the great man returned home, and kept a dainty little
supper warm for him in the ashes on the hearth.
In the days when he was an actor there was some reason for that custom;
actors, being obliged to dine early and very sparingly, have a terrible
gnawing at their vitals when they leave the theatre, and usually eat when
they go home. Delobelle had not acted for a long time; but having, as he
said, no right to abandon the stage, he kept his mania alive by clinging
to a number of the strolling player's habits, and the supper on returning
home was one of them, as was his habit of delaying his return until the
last footlight in the boulevard theatres was extinguished. To retire
without supping, at the hour when all other artists supped, would have
been to abdicate, to abandon the struggle, and he would not abandon it,
On the evening in question the actor had not yet come in and the women
were waiting for him, talking as they worked, and with great animation,
notwithstanding the lateness of the hour. During the whole evening they
had done nothing but talk of Frantz, of his success, of the future that
lay before him.
"Now," said Mamma Delobelle, "the only thing he needs is to find a good
That was Desiree's opinion, too. That was all that was lacking now to
Frantz's happiness, a good little wife, active and brave and accustomed
to work, who would forget everything for him. And if Desiree spoke with
great confidence, it was because she was intimately acquainted with the
woman who was so well adapted to Frantz Risler's needs. She was only a
year younger than he, just enough to make her younger than her husband
and a mother to him at the same time.
No, not exactly, but attractive rather than ugly, notwithstanding her
infirmity, for she was lame, poor child! And then she was clever and
bright, and so loving! No one but Desiree knew how fondly that little
woman loved Frantz, and how she had thought of him night and day for
years. He had not noticed it himself, but seemed to have eyes for nobody
but Sidonie, a gamine. But no matter! Silent love is so eloquent, such
a mighty power lies hid in restrained feelings. Who knows? Perhaps some
day or other:
And the little cripple, leaning over her work, started upon one of those
long journeys to the land of chimeras of which she had made so many in
her invalid's easychair, with her feet resting on the stool; one of those
wonderful journeys from which she always returned happy and smiling,
leaning on Frantz's arm with all the confidence of a beloved wife. As
her fingers followed her thought, the little bird she had in her hand at
the moment, smoothing his ruffled wings, looked as if he too were of the
party and were about to fly far, far away, as joyous and light of heart
Suddenly the door flew open.
"I do not disturb you?" said a triumphant voice.
The mother, who was slightly drowsy, suddenly raised her head.
"Ah! it's Monsieur Frantz. Pray come in, Monsieur Frantz. We're
waiting for father, as you see. These brigands of artists always stay
out so late! Take a seat--you shall have supper with him."
"Oh! no, thank you," replied Frantz, whose lips were still pale from the
emotion he had undergone, "I can't stop. I saw a light and I just
stepped in to tell you--to tell you some great news that will make you
very happy, because I know that you love me--"
"Great heavens, what is it?"
"Monsieur Frantz Risler and Mademoiselle Sidonie are engaged to be
"There! didn't I say that all he needed was a good little wife,"
exclaimed Mamma Delobelle, rising and throwing her arms about his neck.
Desiree'had not the strength to utter a word. She bent still lower over
her work, and as Frantz's eyes were fixed exclusively upon his happiness,
as Mamma Delobelle did nothing but look at the clock to see whether her
great man would return soon, no one noticed the lame girl's emotion, nor
her pallor, nor the convulsive trembling of the little bird that lay in
her hands with its head thrown back, like a bird with its death-wound.
THE GLOW-WORMS OF SAVIGNY
"DEAR SMONIE:--We were sitting at table yesterday in the great dining-room
which you remember, with the door wide open leading to the terrace, where
the flowers are all in bloom. I was a little bored. Dear grandpapa had
been cross all the morning, and poor mamma dared not say a word, being
afraid of those frowning eyebrows which have always laid down the law for
her. I was thinking what a pity it was to be so entirely alone, in the
middle of the summer, in such a lovely spot, and that I should be very
glad, now that I have left the convent, and am destined to pass whole
seasons in the country, to have as in the old day, some one to run about
the woods and paths with me.
"To be sure, Georges comes occasionally, but he always arrives very late,
just in time for dinner, and is off again with my father in the morning
before I am awake. And then he is a serious-minded man now, is Monsieur
Georges. He works at the factory, and business cares often bring frowns
to his brow.
"I had reached that point in my reflections when suddenly dear grandpapa
turned abruptly to me:
"'What has become of your little friend Sidonie? I should be glad to
have her here for a time.'
"You can imagine my delight. What happiness to meet again, to renew the
pleasant friendship that was broken off by the fault of the events of
life rather than by our own! How many things we shall have to tell each
other! You, who alone had the knack of driving the frowns from my
terrible grandpapa's brow, will bring us gayety, and I assure you we need
"This lovely Savigny is so lonely! For instance, sometimes in the
morning I choose to be a little coquettish. I dress myself, I make
myself beautiful with my hair in curls and put on a pretty gown; I walk
through all the paths, and suddenly I realize that I have taken all this
trouble for the swans and ducks, my dog Kiss, and the cows, who do not
even turn to look at me when I pass. Thereupon, in my wrath, I hurry
home, put on a thick gown and busy myself on the farm, in the servants'
quarters, everywhere. And really, I am beginning to believe that ennui
has perfected me, and that I shall make an excellent housekeeper.
"Luckily the hunting season will soon be here, and I rely upon that for a
little amusement. In the first place, Georges and father, both
enthusiastic sportsmen, will come oftener. And then you will be here,
you know. For you will reply at once that you will come, won't you?
Monsieur Risler said not long ago that you were not well. The air of
Savigny will do you worlds of good.
"Everybody here expects you. And I am dying with impatience.
Her letter written, Claire Fromont donned a large straw hat for the first
days of August were warm and glorious--and went herself to drop it in the
little box from which the postman collected the mail from the chateau
It was on the edge of the park, at a turn in the road. She paused a
moment to look at the trees by the roadside, at the neighboring meadows
sleeping in the bright sunlight. Over yonder the reapers were gathering
the last sheaves. Farther on they were ploughing. But all the
melancholy of the silent toil had vanished, so far as the girl was
concerned, so delighted was she at the thought of seeing her friend once
No breeze came from the hills in the distance, no voice from the trees,
to warn her by a presentiment, to prevent her from sending that fatal
letter. And immediately upon her return she gave her attention to the
preparation of a pretty bedroom for Sidonie adjoining her own.
The letter did its errand faithfully. From the little green, vine-
embowered gate of the chateau it found its way to Paris, and arrived that
same evening, with its Savigny postmark and impregnated with the odor of
the country, at the fifth-floor apartment on the Rue de Braque.
What an event that was! They read it again and again; and for a whole
week, until Sidonie's departure, it lay on the mantel-shelf beside Madame
Chebe's treasures, the clock under a glass globe and the Empire cups. To
Sidonie it was like a wonderful romance filled with tales of enchantment
and promises, which she read without opening it, merely by gazing at the
white envelope whereon Claire Fromont's monogram was engraved in relief.
Little she thought of marriage now. The important question was, What
clothes should she wear at the chateau? She must give her whole mind to
that, to cutting and planning, trying on dresses, devising new ways of
arranging her hair. Poor Frantz! How heavy his heart was made by these
preparations! That visit to Savigny, which he had tried vainly to
oppose, would cause a still further postponement of their wedding, which
Sidonie-why, he did not know--persisted in putting off from day to day.
He could not go to see her; and when she was once there, in the midst of
festivities and pleasures, who could say how long she would remain?
The lover in his despair always went to the Delobelles to confide his
sorrows, but he never noticed how quickly Desiree rose as soon as he
entered, to make room for him by her side at the work-takle, and how she
at once sat down again, with cheeks as red as fire and shining eyes.
For some days past they had ceased to work at birds and insects for
ornament. The mother and daughter were hemming pink flounces destined
for Sidonie's frock, and the little cripple never had plied her needle
with such good heart.
In truth little Desiree was not Delobelle's daughter to no purpose.
She inherited her father's faculty of retaining his illusions, of hoping
on to the end and even beyond.
While Frantz was dilating upon his woe, Desire was thinking that, when
Sidonie was gone, he would come every day, if it were only to talk about
the absent one; that she would have him there by her side, that they
would sit up together waiting for "father," and that, perhaps, some
evening, as he sat looking at her, he would discover the difference
between the woman who loves you and the one who simply allows herself to
Thereupon the thought that every stitch taken in the frock tended to
hasten the departure which she anticipated with such impatience imparted.
extraordinary activity to her needle, and the unhappy lover ruefully
watched the flounces and ruffles piling up about her, like little pink,
When the pink frock was finished, Mademoiselle Chebe started for Savigny.
The chateau of M. Gardinois was built in the valley of the Orge, on the
bank of that capriciously lovely stream, with its windmills, its little
islands, its dams, and its broad lawns that end at its shores.
The chateau, an old Louis-Quinze structure, low in reality, although made
to appear high by a pointed roof, had a most depressing aspect,
suggestive of aristocratic antiquity; broad steps, balconies with rusty
balustrades, old urns marred by time, wherein the flowers stood out
vividly against the reddish stone. As far as the eye could see, the
walls stretched away, decayed and crumbling, descending gradually toward
the stream. The chateau overlooked them, with its high, slated roofs,
the farmhouse, with its red tiles, and the superb park, with its lindens,
ash-trees, poplars and chestnuts growing confusedly together in a dense
black mass, cut here and there by the arched openings of the paths.
But the charm of the old place was the water, which enlivened its silence
and gave character to its beautiful views. There were at Savigny, to say
nothing of the river, many springs, fountains, and ponds, in which the
sun sank to rest in all his glory; and they formed a suitable setting for
that venerable mansion, green and mossy as it was, and slightly worn
away, like a stone on the edge of a brook.
Unluckily, at Savigny, as in most of those gorgeous Parisian summer
palaces, which the parvenus in commerce and speculation have made their
prey, the chatelains were not in harmony with the chateau.
Since he had purchased his chateau, old Gardinois had done nothing but
injure the beauty of the beautiful property chance had placed in his
hands; cut down trees "for the view," filled his park with rough
obstructions to keep out trespassers, and reserved all his solicitude for
a magnificent kitchen-garden, which, as it produced fruit and vegetables
in abundance, seemed to him more like his own part of the country--the
land of the peasant.
As for the great salons, where the panels with paintings of famous
subjects were fading in the autumn fogs, as for the ponds overrun with
water-lilies, the grottoes, the stone bridges, he cared for them only
because of the admiration of visitors, and because of such elements was
composed that thing which so flattered his vanity as an ex-dealer in
Being already old, unable to hunt or fish, he passed his time
superintending the most trivial details of that large property. The
grain for the hens, the price of the last load of the second crop of hay,
the number of bales of straw stored in a magnificent circular granary,
furnished him with matter for scolding for a whole day; and certain it is
that, when one gazed from a distance at that lovely estate of Savigny,
the chateau on the hillside, the river, like a mirror, flowing at its
feet, the high terraces shaded by ivy, the supporting wall of the park
following the majestic slope of the ground, one never would have
suspected the proprietor's niggardliness and meanness of spirit.
In the idleness consequent upon his wealth, M. Gardinois, being greatly
bored in Paris, lived at Savigny throughout the year, and the Fromonts
lived with him during the summer.
Madame Fromont was a mild, dull woman, whom her father's brutal despotism
had early molded to passive obedience for life. She maintained the same
attitude with her husband, whose constant kindness and indulgence never
had succeeded in triumphing over that humiliated, taciturn nature,
indifferent to everything, and, in some sense, irresponsible. Having
passed her life with no knowledge of business, she had become rich
without knowing it and without the slightest desire to take advantage of
it. Her fine apartments in Paris, her father's magnificent chateau, made
her uncomfortable. She occupied as small a place as possible in both,
filling her life with a single passion, order--a fantastic, abnormal sort
of order, which consisted in brushing, wiping, dusting, and polishing the
mirrors, the gilding and the door-knobs, with her own hands, from morning
When she had nothing else to clean, the strange woman would attack her
rings, her watch-chain, her brooches, scrubbing the cameos and pearls,
and, by dint of polishing the combination of her own name and her
husband's, she had effaced all the letters of both. Her fixed idea
followed her to Savigny. She picked up dead branches in the paths,
scratched the moss from the benches with the end of her umbrella, and
would have liked to dust the leaves and sweep down the old trees; and
often, when in the train, she looked with envy at the little villas
standing in a line along the track, white and clean, with their gleaming
utensils, the pewter ball, and the little oblong gardens, which resemble
drawers in a bureau. Those were her ideal of a country-house.
M. Fromont, who came only occasionally and was always absorbed by his
business affairs, enjoyed Savigny little more than she. Claire alone
felt really at home in that lovely park. She was familiar with its
smallest shrub. Being obliged to provide her own amusements, like all
only children, she had become attached to certain walks, watched the
flowers bloom, had her favorite path, her favorite tree, her favorite
bench for reading. The dinner-bell always surprised her far away in the
park. She would come to the table, out of breath but happy, flushed with
the fresh air. The shadow of the hornbeams, stealing over that youthful
brow, had imprinted a sort of gentle melancholy there, and the deep, dark
green of the ponds, crossed by vague rays, was reflected in her eyes.
Those lovely surroundings had in very truth shielded her from the
vulgarity and the abjectness of the persons about her. M. Gardinois
might deplore in her presence, for hours at a time, the perversity of
tradesmen and servants, or make an estimate of what was being stolen from
him each month, each week, every day, every minute; Madame Fromont might
enumerate her grievances against the mice, the maggots, dust and
dampness, all desperately bent upon destroying her property, and engaged
in a conspiracy against her wardrobes; not a word of their foolish talk
remained in Claire's mind. A run around the lawn, an hour's reading on
the river-bank, restored the tranquillity of that noble and intensely
Her grandfather looked upon her as a strange being, altogether out of
place in his family. As a child she annoyed him with her great, honest
eyes, her straightforwardness on all occasions, and also because he did
not find in her a second edition of his own passive and submissive
"That child will be a proud chit and an original, like her father," he
would say in his ugly moods.
How much better he liked that little Chebe girl who used to come now and
then and play in the avenues at Savigny! In her, at least, he detected
the strain of the common people like himself, with a sprinkling of
ambition and envy, suggested even in those early days by a certain little
smile at the corner of the mouth. Moreover, the child exhibited an
ingenuous amazement and admiration in presence of his wealth, which
flattered his parvenu pride; and sometimes, when he teased her, she would
break out with the droll phrases of a Paris gamine, slang redolent of the
faubourgs, seasoned by her pretty, piquant face, inclined to pallor,
which not even superficiality could deprive of its distinction. So he
never had forgotten her.
On this occasion above all, when Sidonie arrived at Savigny after her
long absence, with her fluffy hair, her graceful figure, her bright,
mobile face, the whole effect emphasized by mannerisms suggestive of the
shop-girl, she produced a decided sensation. Old Gardinois, wondering
greatly to see a tall young woman in place of the child he was expecting
to see, considered her prettier and, above all, better dressed than
It was a fact that, when Mademoiselle Chebe had left the train and was
seated in the great wagonette from the chateau, her appearance was not
bad; but she lacked those details that constituted her friend's chief
beauty and charm--a distinguished carriage, a contempt for poses, and,
more than all else, mental tranquillity. Her prettiness was not unlike
her gowns, of inexpensive materials, but cut according to the style of
the day-rags, if you will, but rags of which fashion, that ridiculous but
charming fairy, had regulated the color, the trimming, and the shape.
Paris has pretty faces made expressly for costumes of that sort, very
easy to dress becomingly, for the very reason that they belong to no
type, and Mademoiselle Sidonie's face was one of these.
What bliss was hers when the carriage entered the long avenue, bordered
with velvety grass and primeval elms, and at the end Savigny awaiting her
with its great gate wide open!
And how thoroughly at ease she felt amid all those refinements of wealth!
How perfectly that sort of life suited her! It seemed to her that she
never had known any other.
Suddenly, in the midst of her intoxication, arrived a letter from Frantz,
which brought her back to the realities of her life, to her wretched fate
as the future wife of a government clerk, which transported her, whether
she would or no, to the mean little apartment they would occupy some day
at the top of some dismal house, whose heavy atmosphere, dense with
privation, she seemed already to breathe.
Should she break her betrothal promise?
She certainly could do it, as she had given no other pledge than her
word. But when he had left her, who could say that she would not wish
In that little brain, turned by ambition, the strangest ideas chased one
another. Sometimes, while Grandfather Gardinois, who had laid aside in
her honor his old-fashioned hunting-jackets and swanskin waistcoats, was
jesting with her, amusing himself by contradicting her in order to draw
out a sharp reply, she would gaze steadily, coldly into his eyes, without
replying. Ah! if only he were ten years younger! But the thought of
becoming Madame Gardinois did not long occupy her. A new personage, a
new hope came into her life.
After Sidonie's arrival, Georges Fromont, who was seldom seen at Savigny
except on Sundays, adopted the habit of coming to dinner almost every
He was a tall, slender, pale youth, of refined appearance. Having no
father or mother, he had been brought up by his uncle, M. Fromont, and
was looked upon by him to succeed him in business, and probably to become
Claire's husband. That ready-made future did not arouse any enthusiasm
in Georges. In the first place business bored him. As for his cousin,
the intimate good-fellowship of an education in common and mutual
confidence existed between them, but nothing more, at least on his side.
With Sidonie, on the contrary, he was exceedingly embarrassed and shy,
and at the same time desirous of producing an effect--a totally different
man, in short. She had just the spurious charm, a little free, which was
calculated to attract a superficial nature, and it was not long before
she discovered the impression that she produced upon him.
When the two girls were walking together in the park, it was always
Sidonie who remembered that it was time for the train from Paris to
arrive. They would go together to the gate to meet the travellers, and
Georges's first glance was always for Mademoiselle Chebe, who remained a
little behind her friend, but with the poses and airs that go halfway to
meet the eyes. That manoeuvring between them lasted some time. They did
not mention love, but all the words, all the smiles they exchanged were
full of silent avowals.
One cloudy and threatening summer evening, when the two friends had left
the table as soon as dinner was at an end and were walking in the long,
shady avenue, Georges joined them. They were talking upon indifferent
subjects, crunching the gravel beneath their idling footsteps, when
Madame Fromont's voice, from the chateau, called Claire away. Georges
and Sidonie were left alone. They continued to walk along the avenue,
guided by the uncertain whiteness of the path, without speaking of
drawing nearer to each other.
A warm wind rustled among the leaves. The ruffled surface of the pond
lapped softly against the arches of the little bridge; and the blossoms
of the acacias and lindens, detached by the breeze, whirled about in
circles, perfuming the electricity-laden air. They felt themselves
surrounded by an atmosphere of storm, vibrant and penetrating. Dazzling
flashes of heat passed before their troubled eyes, like those that played
along the horizon.
"Oh! what lovely glow-worms!" exclaimed Sidonie, embarrassed by the
oppressive silence broken by so many mysterious sounds.
On the edge of the greensward a blade of grass here and there was
illuminated by a tiny, green, flickering light. She stooped to lift one
on her glove. Georges knelt close beside her; and as they leaned down,
their hair and cheeks touching, they gazed at each other for a moment by
the light of the glow-worms. How weird and fascinating she seemed to him
in that green light, which shone upon her face and died away in the fine
network of her waving hair! He put his arm around her waist, and
suddenly, feeling that she abandoned herself to him, he clasped her in a
long, passionate embrace.
"What are you looking for?" asked Claire, suddenly coming up in the
shadow behind them.
Taken by surprise, and with a choking sensation in his throat, Georges
trembled so that he could not reply. Sidonie, on the other hand, rose
with the utmost coolness, and said as she shook out her skirt:
"The glow-worms. See how many of them there are tonight. And how they
Her eyes also sparkled with extraordinary brilliancy.
"The storm makes them, I suppose," murmured Georges, still trembling.
The storm was indeed near. At brief intervals great clouds of leaves and
dust whirled from one end of the avenue to the other. They walked a few
steps farther, then all three returned to the house. The young women
took their work, Georges tried to read a newspaper, while Madame Fromont
polished her rings and M. Gardinois and his son-in-law played billiards
in the adjoining room.
How long that evening seemed to Sidonie! She had but one wish, to be
alone-alone with her thoughts.
But, in the silence of her little bedroom, when she had put out her
light, which interferes with dreams by casting too bright an illumination
upon reality, what schemes, what transports of delight! Georges loved
her, Georges Fromont, the heir of the factory! They would marry; she
would be rich. For in that mercenary little heart the first kiss of love
had awakened no ideas save those of ambition and a life of luxury.
To assure herself that her lover was sincere, she tried to recall the
scene under the trees to its most trifling details, the expression of his
eyes, the warmth of his embrace, the vows uttered brokenly, lips to lips,
it that weird light shed by the glow-worms, which one solemn moment had
fixed forever in her heart.
Oh! the glow-worms of Savigny!
All night long they twinkled like stars before her closed eyes. The park
was full of them, to the farthest limits of its darkest paths. There
were clusters of them all along the lawns, on the trees, in the
shrubbery. The fine gravel of the avenues, the waves of the river,
seemed to emit green sparks, and all those microscopic flashes formed a
sort of holiday illumination in which Savigny seemed to be enveloped in
her honor, to celebrate the betrothal of Georges and Sidonie.
When she rose the next day, her plan was formed. Georges loved her; that
was certain. Did he contemplate marrying her? She had a suspicion that
he did not, the clever minx! But that did not frighten her. She felt
strong enough to triumph over that childish nature, at once weak and
passionate. She had only to resist him, and that is exactly what she
For some days she was cold and indifferent, wilfully blind and devoid of
memory. He tried to speak to her, to renew the blissful moment, but she
avoided him, always placing some one between them.
Then he wrote to her.
He carried his notes himself to a hollow in a rock near a clear spring
called "The Phantom," which was in the outskirts of the park, sheltered
by a thatched roof. Sidonie thought that a charming episode. In the
evening she must invent some story, a pretext of some sort for going to
"The Phantom" alone. The shadow of the trees across the path, the
mystery of the night, the rapid walk, the excitement, made her heart beat
deliciously. She would find the letter saturated with dew, with the
intense cold of the spring, and so white in the moonlight that she would
hide it quickly for fear of being surprised.
And then, when she was alone, what joy to open it, to decipher those
magic characters, those words of love which swam before her eyes,
surrounded by dazzling blue and yellow circles, as if she were reading
her letter in the bright sunlight.
"I love you! Love me!" wrote Georges in every conceivable phrase.
At first she did not reply; but when she felt that he was fairly caught,
entirely in her power, she declared herself concisely:
"I never will love any one but my husband."
Ah! she was a true woman already, was little Chebe.
HOW LITTLE CHEBE'S STORY ENDED
Meanwhil September arrived. The hunting season brought together a large,
noisy, vulgar party at the chateau. There were long dinners at which the
wealthy bourgeois lingered slothfully and wearily, prone to fall asleep
like peasants. They went in carriages to meet the returning hunters in
the cool air of the autumn evening. The mist arose from the fields, from
which the crops had been gathered; and while the frightened game flew
along the stubble with plaintive cries, the darkness seemed to emerge
from the forests whose dark masses increased in size, spreading out over
The carriage lamps were lighted, the hoods raised, and they drove quickly
homeward with the fresh air blowing in their faces. The dining-hall,
brilliantly illuminated, was filled with gayety and laughter.
Claire Fromont, embarrassed by the vulgarity of those about her, hardly
spoke at all. Sidonie was at her brightest. The drive had given
animation to her pale complexion and Parisian eyes. She knew how to
laugh, understood a little too much, perhaps, and seemed to the male
guests the only woman in the party. Her success completed Georges's
intoxication; but as his advances became more pronounced, she showed more
and more reserve. Thereupon he determined that she should be his wife.
He swore it to himself, with the exaggerated emphasis of weak characters,
who seem always to combat beforehand the difficulties to which they know
that they must yield some day.
It was the happiest moment of little Chebe's life. Even aside from any
ambitious project, her coquettish, false nature found a strange
fascination in this intrigue, carried on mysteriously amid banquets and
No one about them suspected anything. Claire was at that healthy and
delightful period of youth when the mind, only partly open, clings to the
things it knows with blind confidence, in complete ignorance of treachery
and falsehood. M. Fromont thought of nothing but his business. His wife
polished her jewels with frenzied energy. Only old Gardinois and his
little, gimlet-like eyes were to be feared; but Sidonie entertained him,
and even if he had discovered anything, he was not the man to interfere
with her future.
Her hour of triumph was near, when a sudden, unforeseen disaster blasted
One Sunday morning M. Fromont was brought back fatally wounded from a
hunting expedition. A bullet intended for a deer had pierced his temple.
The chateau was turned upside-down.
All the hunters, among them the unknown bungler that had fired the fatal
shot, started in haste for Paris. Claire, frantic with grief, entered
the room where her father lay on his deathbed, there to remain; and
Risler, being advised of the catastrophe, came to take Sidonie home.
On the night before her departure she had a final meeting with Georges at
The Phantom,--a farewell meeting, painful and stealthy, and made solemn
by the proximity of death. They vowed, however, to love each other
always; they agreed upon a method of writing to each other. Then they
It was a sad journey home.
Sidonie returned abruptly to her every-day life, escorted by the
despairing grief of Risler, to whom his dear master's death was an
irreparable loss. On her arrival, she was compelled to describe her
visit to the smallest detail; discuss the inmates of the chateau, the
guests, the entertainments, the dinners, and the final catastrophe.
What torture for her, when, absorbed as she was by a single, unchanging
thought, she had so much need of silence and solitude! But there was
something even more terrible than that.
On the first day after her return Frantz resumed his former place; and
the glances with which he followed her, the words he addressed to her
alone, seemed to her exasperating beyond endurance.
Despite all his shyness and distrust of himself, the poor fellow believed
that he had some rights as an accepted and impatient lover, and little
Chebe was obliged to emerge from her dreams to reply to that creditor,
and to postpone once more the maturity of his claim.
A day came, however, when indecision ceased to be possible. She had
promised to marry Frantz when he had obtained a good situation; and now
an engineer's berth in the South, at the smelting-furnaces of Grand
Combe, was offered to him. That was sufficient for the support of a
There was no way of avoiding the question. She must either keep her
promise or invent an excuse for breaking it. But what excuse could she
In that pressing emergency, she thought of Desiree. Although the lame
little girl had never confided in her, she knew of her great love for
Frantz. Long ago she had detected it, with her coquette's eyes, bright
and changing mirrors, which reflected all the thoughts of others without
betraying any of her own. It may be that the thought that another woman
loved her betrothed had made Frantz's love more endurable to her at
first; and, just as we place statues on tombstones to make them appear
less sad, Desiree's pretty, little, pale face at the threshold of that
uninviting future had made it seem less forbidding to her.
Now it provided--her with a simple and honorable pretext for freeing
herself from her promise.
"No! I tell you, mamma," she said to Madame Chebe one day, "I never will
consent to make a friend like her unhappy. I should suffer too much from
remorse,--poor Desiree! Haven't you noticed how badly she looks since I
came home; what a beseeching way she has of looking at me? No, I won't
cause her that sorrow; I won't take away her Frantz."
Even while she admired her daughter's generous spirit, Madame Chebe
looked upon that as a rather exaggerated sacrifice, and remonstrated with
"Take care, my child; we aren't rich. A husband like Frantz doesn't turn
up every day."
"Very well! then I won't marry at all," declared Sidonie flatly, and,
deeming her pretext an excellent one, she clung persistently to it.
Nothing could shake her determination, neither the tears shed by Frantz,
who was exasperated by her refusal to fulfil her promise, enveloped as it
was in vague reasons which she would not even explain to him, nor the
entreaties of Risler, in whose ear Madame Chebe had mysteriously mumbled
her daughter's reasons, and who in spite of everything could not but
admire such a sacrifice.
"Don't revile her, I tell you! She's an angel!" he said to his brother,
striving to soothe him.
"Ah! yes, she is an angel," assented Madame Chebe with a sigh, so that
the poor betrayed lover had not even the right to complain. Driven to
despair, he determined to leave Paris, and as Grand Combe seemed too near
in his frenzied longing for flight, he asked and obtained an appointment
as overseer on the Suez Canal at Ismailia. He went away without knowing,
or caring to know aught of, Desiree's love; and yet, when he went to bid
her farewell, the dear little cripple looked up into his face with her
shy, pretty eyes, in which were plainly written the words:
"I love you, if she does not."
But Frantz Risler did not know how to read what was written in those
Fortunately, hearts that are accustomed to suffer have an infinite store
of patience. When her friend had gone, the lame girl, with her charming
morsel of illusion, inherited from her father and refined by her feminine
nature, returned bravely to her work, saying to herself:
"I will wait for him."
And thereafter she spread the wings of her birds to their fullest extent,
as if they were all going, one after another, to Ismailia in Egypt. And
that was a long distance!
Before sailing from Marseilles, young Risler wrote Sidonie a farewell
letter, at once laughable and touching, wherein, mingling the most
technical details with the most heartrending adieux, the unhappy engineer
declared that he was about to set sail, with a broken heart, on the
transport Sahib, "a sailing-ship and steamship combined, with engines of
fifteen-hundred-horse power," as if he hoped that so considerable a
capacity would make an impression on his ungrateful betrothed, and cause
her ceaseless remorse. But Sidonie had very different matters on her
She was beginning to be disturbed by Georges's silence. Since she left
Savigny she had heard from him only once. All her letters were left
unanswered. To be sure, she knew through Risler that Georges was very
busy, and that his uncle's death had thrown the management of the factory
upon him, imposing upon him a responsibility that was beyond his
strength. But to abandon her without a word!
From the window on the landing, where she had resumed her silent
observations--for she had so arranged matters as not to return to
Mademoiselle Le Mire--little Chebe tried to distinguish her lover,
watched him as he went to and fro across the yards and among the
buildings; and in the afternoon, when it was time for the train to start
for Savigny, she saw him enter his carriage to go to his aunt and cousin,
who were passing the early months of their period of mourning at the
grandfather's chateau in the country.
All this excited and alarmed her; and the proximity of the factory
rendered Georges's avoidance of her even more apparent. To think that by
raising her voice a little she could make him turn toward the place where
she stood! To think that they were separated only by a wall! And yet,
at that moment they were very far apart.
Do you remember, little Chebe, that unhappy winter evening when the
excellent Risler rushed into your parents' room with an extraordinary
expression of countenance, exclaiming, "Great news!"?
Great news, indeed! Georges Fromont had just informed him that, in
accordance with his uncle's last wishes, he was to marry his cousin
Claire, and that, as he was certainly unequal to the task of carrying on
the business alone, he had resolved to take him, Risler, for a partner,
under the firm name of FROMONT JEUNE AND RISLER AINE.
How did you succeed, little Chebe, in maintaining your self-possession
when you learned that the factory had eluded your grasp and that another
woman had taken your place? What a terrible evening!--Madame Chebe sat
by the table mending; M. Chebe before the fire drying his clothes, which
were wet through by his having walked a long distance in the rain. Oh!
that miserable room, overflowing with gloom and ennui! The lamp gave a
dim light. The supper, hastily prepared, had left in the room the odor
of the poor man's kitchen. And Risler, intoxicated with joy, talking
with increasing animation, laid great plans!
All these things tore your heart, and made the treachery still more
horrible by the contrast between the riches that eluded your outstretched
hand and the ignoble mediocrity in which you were doomed to pass your
Sidonie was seriously ill for a long while. As she lay in bed, whenever
the window-panes rattled behind the curtains, the unhappy creature
fancied that Georges's wedding-coaches were driving through the street;
and she had paroxysms of nervous excitement, without words and
inexplicable, as if a fever of wrath were consuming her.
At last, time and youthful strength, her mother's care, and, more than
all, the attentions of Desiree, who now knew of the sacrifice her friend
had made for her, triumphed over the disease. But for a long while
Sidonie was very weak, oppressed by a deadly melancholy, by a constant
longing to weep, which played havoc with her nervous system.
Sometimes she talked of travelling, of leaving Paris. At other times she
insisted that she must enter a convent. Her friends were sorely
perplexed, and strove to discover the cause of that singular state of
mind, which was even more alarming than her illness; when she suddenly
confessed to her mother the secret of her melancholy.
She loved the elder Risler! She never had dared to whisper it; but it
was he whom she had always loved and not Frantz.
This news was a surprise to everybody, to Risler most of all; but little
Chebe was so pretty, her eyes were so soft when she glanced at him, that
the honest fellow instantly became as fond of her as a fool! Indeed, it
may be that love had lain in his heart for a long time without his
And that is how it happened that, on the evening of her wedding-day,
young Madame Risler, in her white wedding-dress, gazed with a smile of
triumph at the window on the landing which had been the narrow setting of
ten years of her life. That haughty smile, in which there was a touch of
profound pity and of scorn as well, such scorn as a parvenu feels for his
poor beginnings, was evidently addressed to the poor sickly child whom
she fancied she saw up at that window, in the depths of the past and the
darkness. It seemed to say to Claire, pointing at the factory:
"What do you say to this little Chebe? She is here at last, you see!"
Noon. The Marais is breakfasting.
Sitting near the door, on a stone which once served as a horse-block
for equestrians, Risler watches with a smile the exit from the factory.
He never loses his enjoyment of the outspoken esteem of all these good
people whom he knew when he was insignificant and humble like themselves.
The "Good-day, Monsieur Risler," uttered by so many different voices, all
in the same affectionate tone, warms his heart. The children accost him
without fear, the long-bearded designers, half-workmen, half-artists,
shake hands with him as they pass, and address him familiarly as "thou."
Perhaps there is a little too much familiarity in all this, for the
worthy man has not yet begun to realize the prestige and authority of his
new station; and there was some one who considered this free-and-easy
manner very humiliating. But that some one can not see him at this
moment, and the master takes advantage of the fact to bestow a hearty
greeting upon the old bookkeeper, Sigismond, who comes out last of all,
erect and red-faced, imprisoned in a high collar and bareheaded--whatever
the weather--for fear of apoplexy.
He and Risler are fellow-countrymen. They have for each other a profound
esteem, dating from their first employment at the factory, from that
time, long, long ago, when they breakfasted together at the little
creamery on the corner, to which Sigismond Planus goes alone now and
selects his refreshment for the day from the slate hanging on the wall.
But stand aside! The carriage of Fromont Jeune drives through the
gateway. He has been out on business all the morning; and the partners,
as they walk toward the pretty little house in which they both live at
the end of the garden, discuss matters of business in a friendly way.
"I have been at Prochasson's," says Fromont. "They showed me some new
patterns, pretty ones too, I assure you. We must be on our guard. They
are dangerous rivals."
But Risler is not at all anxious. He is strong in his talent, his
experience; and then--but this is strictly confidential--he is on the
track of a wonderful invention, an improved printing-press, something
that--but we shall see. Still talking, they enter the garden, which is
as carefully kept as a public park, with round-topped acacias almost as
old as the buildings, and magnificent ivies that hide the high, black
Beside Fromont jeune, Risler Aine has the appearance of a clerk making
his report to his employer. At every step he stops to speak, for his
gait is heavy, his mind works slowly, and words have much difficulty in
finding their way to his lips. Oh, if he could see the little flushed
face up yonder, behind the window on the second floor, watching
everything so attentively!
Madame Risler is waiting for her husband to come to breakfast, and waxes
impatient over the good man's moderation. She motions to him with her
"Come, come!" but Risler does not notice it. His attention is engrossed
by the little Fromont, daughter of Claire and Georges, who is taking a
sun-bath, blooming like a flower amid her lace in her nurse's arms. How
pretty she is! "She is your very picture, Madame Chorche."
"Do you think so, my dear Risler? Why, everybody says she looks like her
"Yes, a little. But--"
And there they all stand, the father and mother, Risler and the nurse,
gravely seeking resemblances in that miniature model of a human being,
who stares at them out of her little eyes, blinking with the noise and
glare. Sidonie, at her open window, leans out to see what they are
doing, and why her husband does not come up.
At that moment Risler has taken the tiny creature in his arms, the whole
fascinating bundle of white draperies and light ribbons, and is trying to
make it laugh and crow with baby-talk and gestures worthy of a
grandfather. How old he looks, poor man! His tall body, which he
contorts for the child's amusement, his hoarse voice, which becomes a low
growl when he tries to soften it, are absurd and ridiculous.
Above, the wife taps the floor with her foot and mutters between her
At last, weary of waiting, she sends a servant to tell Monsieur that
breakfast is served; but the game is so far advanced that Monsieur does
not see how he can go away, how he can interrupt these explosions of
laughter and little bird-like cries. He succeeds at last, however, in
giving the child back to its nurse, and enters the hall, laughing
heartily. He is laughing still when he enters the dining-room; but a
glance from his wife stops him short.
Sidonie is seated at table before the chafing-dish, already filled. Her
martyr-like attitude suggests a determination to be cross.
"Oh! there you are. It's very lucky!"
Risler took his seat, a little ashamed.
"What would you have, my love? That child is so--"
"I have asked you before now not to speak to me in that way. It isn't
"What, not when we're alone?"
"Bah! you will never learn to adapt yourself to our new fortune. And
what is the result? No one in this place treats me with any respect.
Pere Achille hardly touches his hat to me when I pass his lodge. To be
sure, I'm not a Fromont, and I haven't a carriage."
"Come, come, little one, you know perfectly well that you can use Madame
Chorche's coupe. She always says it is at our disposal."
"How many times must I tell you that I don't choose to be under any
obligation to that woman?"
"Oh! yes, I know, it's all understood. Madame Fromont is the good Lord
himself. Every one is forbidden to touch her. And I must make up my
mind to be a nobody in my own house, to allow myself to be humiliated,
trampled under foot."
"Come, come, little one--"
Poor Risler tries to interpose, to say a word in favor of his dear Madame
"Chorche." But he has no tact. This is the worst possible method of
effecting a reconciliation; and Sidonie at once bursts forth:
"I tell you that that woman, with all her calm airs, is proud and
spiteful. In the first place, she detests me, I know that. So long as I
was poor little Sidonie and she could toss me her broken dolls and old
clothes, it was all right, but now that I am my own mistress as well as
she, it vexes her and humiliates her. Madame gives me advice with a
lofty air, and criticises what I do. I did wrong to have a maid. Of
course! Wasn't I in the habit of waiting on myself? She never loses a
chance to wound me. When I call on her on Wednesdays, you should hear
the tone in which she asks me, before everybody, how 'dear Madame Chebe'
is. Oh! yes. I'm a Chebe and she's a Fromont. One's as good as the
other, in my opinion. My grandfather was a druggist. What was hers?
A peasant who got rich by money-lending. I'll tell her so one of these
days, if she shows me too much of her pride; and I'll tell her, too, that
their little imp, although they don't suspect it, looks just like that
old Pere Gardinois, and heaven knows he isn't handsome."
"Oh!" exclaims Risler, unable to find words to reply.
"Oh! yes, of course! I advise you to admire their child. She's always
ill. She cries all night like a little cat. It keeps me awake. And
afterward, through the day, I have mamma's piano and her scales--tra, la
la la! If the music were only worth listening to!"
Risler has taken the wise course. He does not say a word until he sees
that she is beginning to calm down a little, when he completes the
soothing process with compliments.
"How pretty we are to-day! Are we going out soon to make some calls,
He resorts to this mode of address to avoid the more familiar form, which
is so offensive to her.
"No, I am not going to make calls," Sidonie replies with a certain pride.
"On the contrary, I expect to receive them. This is my day."
In response to her husband's astounded, bewildered expression she
"Why, yes, this is my day. Madame Fromont has one; I can have one also,
"Of course, of course," said honest Risler, looking about with some
little uneasiness. "So that's why I saw so many flowers everywhere, on
the landing and in the drawing-room."
"Yes, my maid went down to the garden this morning. Did I do wrong?
Oh! you don't say so, but I'm sure you think I did wrong. 'Dame'!
I thought the flowers in the garden belonged to us as much as to the
"Certainly they do--but you--it would have been better perhaps--"
"To ask leave? That's it-to humble myself again for a few paltry
chrysanthemums and two or three bits of green. Besides, I didn't make
any secret of taking the flowers; and when she comes up a little later--"
"Is she coming? Ah! that's very kind of her."
Sidonie turned upon him indignantly.
"What's that? Kind of her? Upon my word, if she doesn't come, it would
be the last straw. When I go every Wednesday to be bored to death in her
salon with a crowd of affected, simpering women!"
She did not say that those same Wednesdays of Madame Fromont's were very
useful to her, that they were like a weekly journal of fashion, one of
those composite little publications in which you are told how to enter
and to leave a room, how to bow, how to place flowers in a jardiniere and
cigars in a case, to say nothing of the engravings, the procession of
graceful, faultlessly attired men and women, and the names of the best
modistes. Nor did Sidonie add that she had entreated all those friends
of Claire's, of whom she spoke so scornfully, to come to see her on her
own day, and that the day was selected by them.
Will they come? Will Madame Fromont Jeune insult Madame Risler Aine by
absenting herself on her first Friday? The thought makes her almost
feverish with anxiety.
"For heaven's sake, hurry!" she says again and again. "Good heavens!
how long you are at your, breakfast!"
It is a fact that it is one of honest Risler's ways to eat slowly, and to
light his pipe at the table while he sips his coffee. To-day he must
renounce these cherished habits, must leave the pipe in its case because
of the smoke, and, as soon as he has swallowed the last mouthful, run
hastily and dress, for his wife insists that he must come up during the
afternoon and pay his respects to the ladies.
What a sensation in the factory when they see Risler Aine come in, on a
week-day, in a black frock-coat and white cravat!
"Are you going to a wedding, pray?" cries Sigismond, the cashier, behind
And Risler, not without a feeling of pride, replies:
"This is my wife's reception day!"
Soon everybody in the place knows that it is Sidonie's day; and Pere
Achille, who takes care of the garden, is not very well pleased to find
that the branches of the winter laurels by the gate are broken.
Before taking his seat at the table upon which he draws, in the bright
light from the tall windows, Risler has taken off his fine frock-coat,
which embarrasses him, and has turned up his clean shirt-sleeves; but the
idea that his wife is expecting company preoccupies and disturbs him; and
from time to time he puts on his coat and goes up to her.
"Has no one come?" he asks timidly.
"No, Monsieur, no one."
In the beautiful red drawing-room--for they have a drawing-room in red
damask, with a console between the windows and a pretty table in the
centre of the light-flowered carpet--Sidonie has established herself in
the attitude of a woman holding a reception, a circle of chairs of many
shapes around her. Here and there are books, reviews, a little work-
basket in the shape of a gamebag, with silk tassels, a bunch of violets
in a glass vase, and green plants in the jardinieres. Everything is
arranged exactly as in the Fromonts' apartments on the floor below; but
the taste, that invisible line which separates the distinguished from the
vulgar, is not yet refined. You would say it was a passable copy of a
pretty genre picture. The hostess's attire, even, is too new; she looks
more as if she were making a call than as if she were at home. In
Risler's eyes everything is superb, beyond reproach; he is preparing to
say so as he enters the salon, but, in face of his wife's wrathful
glance, he checks himself in terror.
"You see, it's four o'clock," she says, pointing to the clock with an
angry gesture. "No one will come. But I take it especially ill of
Claire not to come up. She is at home--I am sure of it--I can hear her."
Indeed, ever since noon, Sidonie has listened intently to the slightest
sounds on the floor below, the child's crying, the closing of doors.
Risler attempts to go down again in order to avoid a renewal of the
conversation at breakfast; but his wife will not allow him to do so. The
very least he can do is to stay with her when everybody else abandons
her, and so he remains there, at a loss what to say, rooted to the spot,
like those people who dare not move during a storm for fear of attracting
the lightning. Sidonie moves excitedly about, going in and out of the
salon, changing the position of a chair, putting it back again, looking
at herself as she passes the mirror, and ringing for her maid to send her
to ask Pere Achille if no one has inquired for her. That Pere Achille is
such a spiteful creature! Perhaps when people have come, he has said
that she was out.
But no, the concierge has not seen any one.
Silence and consternation. Sidonie is standing at the window on the
left, Risler at the one on the right. From there they can see the little
garden, where the darkness is gathering, and the black smoke which the
chimney emits beneath the lowering clouds. Sigismond's window is the
first to show a light on the ground floor; the cashier trims his lamp
himself with painstaking care, and his tall shadow passes in front of the
flame and bends double behind the grating. Sidonie's wrath is diverted a
moment by these familiar details.
Suddenly a small coupe drives into the garden and stops in front of the
door. At last some one is coming. In that pretty whirl of silk and
flowers and jet and flounces and furs, as it runs quickly up the step,
Sidonie has recognized one of the most fashionable frequenters of the
Fromont salon, the wife of a wealthy dealer in bronzes. What an honor to
receive a call from such an one! Quick, quick! the family takes its
position, Monsieur in front of the hearth, Madame in an easychair,
carelessly turning the leaves of a magazine. Wasted pose! The fair
caller did not come to see Sidonie; she has stopped at the floor below.
Ah! if Madame Georges could hear what her neighbor says of her and her
At that moment the door opens and "Mademoiselle Planus" is announced.
She is the cashier's sister, a poor old maid, humble and modest, who has
made it her duty to make this call upon the wife of her brother's
employer, and who is amazed at the warm welcome she receives. She is
surrounded and made much of. "How kind of you to come! Draw up to the
fire." They overwhelm her with attentions and show great interest in her
slightest word. Honest Risler's smiles are as warm as his thanks.
Sidonie herself displays all her fascinations, overjoyed to exhibit
herself in her glory to one who was her equal in the old days, and to
reflect that the other, in the room below, must hear that she has had
callers. So she makes as much noise as possible, moving chairs, pushing
the table around; and when the lady takes her leave, dazzled, enchanted,
bewildered, she escorts her to the landing with a great rustling of
flounces, and calls to her in a very loud voice, leaning over the rail,
that she is at home every Friday. "You understand, every Friday."
Now it is dark. The two great lamps in the salon are lighted. In the
adjoining room they hear the servant laying the table. It is all over.
Madame Fromont Jeune will not come.
Sidonie is pale with rage.
"Just fancy, that minx can't come up eighteen steps! No doubt Madame
thinks we're not grand enough for her. Ah! but I'll have my revenge."
As she pours forth her wrath in unjust words, her voice becomes coarse,
takes on the intonations of the faubourg, an accent of the common people
which betrays the ex-apprentice of Mademoiselle Le Mire.
Risler is unlucky enough to make a remark.
"Who knows? Perhaps the child is ill."
She turns upon him in a fury, as if she would like to bite him.
"Will you hold your tongue about that brat? After all, it's your fault
that this has happened to me. You don't know how to make people treat me
And as she closed the door of her bedroom violently, making the globes on
the lamps tremble, as well as all the knick-knacks on the etageres,
Risler, left alone, stands motionless in the centre of the salon, looking
with an air of consternation at his white cuffs, his broad patent-leather
shoes, and mutters mechanically:
"My wife's reception day!"
ETEXT EDITOR'S BOOKMARKS:
Affectation of indifference
Always smiling condescendingly
Convent of Saint Joseph, four shoes under the bed!
Deeming every sort of occupation beneath him
Dreams of wealth and the disasters that immediately followed
He fixed the time mentally when he would speak
Little feathers fluttering for an opportunity to fly away
No one has ever been able to find out what her thoughts were
Pass half the day in procuring two cakes, worth three sous
She was of those who disdain no compliment
Such artificial enjoyment, such idiotic laughter
Superiority of the man who does nothing over the man who works
Terrible revenge she would take hereafter for her sufferings
The groom isn't handsome, but the bride's as pretty as a picture
The poor must pay for all their enjoyments
End of this Project Gutenberg Etext of Fromont and Risler, v1
by Alphonse Daudet