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UNIVERSITYy 

PENNSYLVANIA. 

UBKARIE5 


THE  GILDED  AGE  ESTATES 
OF  LOWER  MERION  TOWNSHIP,  PENNSYLVANIA: 
A  HISTORY  AND  PRESERVATION  PLAN 


Stephanie  Hetos  Cocke 

A  THESIS 
in 
The  Graduate  Program  in  Historic  Preservation 


Presented  to  the  faculties  of  the  University  of  Pennsylvania 
in  Partial  Fulfillment  of  the  Requirements  for  the  Degree  of 


MASTER  OF  SCIENCE 


1987 


George  Eti  Thomas ,  Lectur 


Lecturer,  Historic  Preservation,  Advisor 


n  C.  Keene,  Professor,  City  and  Regional  Planning,  Reader 


F^NE 


ARTs/AJ/^/:);i/if^7/c  6^6 


UNIVERSITY 

OF 

PENNSYLVANIA 

LIBRARIES 


TABLE  OF  CONTENTS 


ACKNOWLEDGMENTS  vii 

INTRODUCTION   1 

Chapter 

I.    THE  GILDED  AGE  IN  AMERICA 5 

II.    THE  COUNTRY  ESTATES  OF  LOWER  MERION 

TOWNSHIP 14 

III.    SUBURBANIZATION  ENCROACHES:  THE  BREAK-UP  OF 

THE  ESTATES  IN  LOWER  MERION  TOWNSHIP  ....   32 

IV.    DEALING  WITH  CHANGE:  INSTITUTIONS  AND 

SUBDIVISIONS  45 

V.    PRESERVATION  POLICY  IN  LOWER  MERION  TOWNSHIP.  .   57 


CONCLUSION:  PRESERVATION  STRATEGIES  TO  GUIDE  FUTURE 

DEVELOPMENT 66 


ILLUSTRATIONS  74 


SELECTED  BIBLIOGRAPHY  93 


111 


LIST  OF  ILLUSTRATIONS 

1.  Map  of  Lower  Merion  Township,  1851 75 

2.  Pennsylvania  Railroad  Officials,  1901   75 

3.  "Cheswold,"  Haverford,  PA.,  1901 76 

4.  "Dolobran,"  Haverford,  PA.,  1901 76 

5.  "Tyn-y-coed,"  Ardmore,  PA.,  1901 77 

6.  "Restrover,"  Haverford,  PA.,  1886 77 

7.  "Ingeborg,"  Wynnewood,  PA.,  1886 78 

8.  "Redstone,"  Rosemont,  PA.,  1901 78 

9.  "La  Ronda,"  Gladwyne,  PA.,  1987 79 

10.  "Waverly  Heights,"  Gladwyne,  PA.,  1987  79 

11.  "Maybrook,"  Wynnewood,  PA.,  1886 80 

12.  Atlas  View  of  "Maybrook,"  Wynnewood,  PA.,  1946  .  .  80 

13.  "Briar  Crest,"  Villanova,  PA.,  1901 81 

14.  "Rathalla,"  Rosemont,  PA.,  1987 81 

15.  "Woodmont,"  Gladwyne,  PA.,  1987 82 

16.  Atlas  View  of  "Penshurst,"  Penn  Valley,  PA.,  1946.  82 

17.  "Pencoyd,"  Bala  Cynwyd,  PA.,  1878 83 

18.  "Pencoyd,"  1915 83 

19.  "Clairemont  Farm,"  Rosemont,  PA.,  1987  84 

20.  "Ballytore,"  Wynnewood,  PA.,  1886 84 

21.  "Ballytore,"  1987 85 

22.  William  Joyce  residence,  Rosemont,  PA.,  1987  ...  85 

23.  Subdivision  in  Villanova,  PA.,  1987 86 


IV 


LIST  OF  ILLUSTRATIONS,  continued 

24.  "La  Ronda,"  Gladwyne,  PA.,  Franklin's  Atlas 

of  1946 86 

25.  "The  Hermitage"  Planned  Residential  Development, 

1987 87 

26.  "Framar,"  Gladwyne,  PA.,  1987 87 

27.  "Wrenfield"  Planned  Residential  Development, 

1987 88 

28.  "Wrenfield"  Planned  Residential  Development, 

1987 88 

29.  "Waverly  Heights"  Life-care  Community,  1987   ...    89 

30.  "Waverly  Heights"  Life-care  Community,  1987   ...    89 

31.  "Beauinont ,"  Bryn  Mawr,  PA.,  Franklin' s 

Atlas  of  1948 90 

32.  Model  of  "Beauinont"  Life-care  Community, 

1987 90 

33.  "Beaumont"  Life-care  Community,  1987  91 

34.  Aerial  View  of  "Beaumont"  Before  Development  ...    91 

35.  "Harriton,"  Bryn  Mawr,  PA.,  1987 92 


LIST  OF  TABLES 


1.  Lower  Merion  Township  Residential  Projects 
of  Five  Philadelphia  Architects  Between 
1880  and  1915 li 


2.   Patterns  of  Change  in  Estates  of  100  Acres 

or  More  in  1908 35 


3.   Location  and  Number  of  Privately-owned  Tracts 
in  Lower  Merion  Township  of  Five  Acres  or 
More  in  1984 36 


4.   Privately-owned  Estates  of  Five  Acres  or  More 

in  Lower  Merion  Township  in  1984 37 


ACKNOWLEDGMENTS 

I  am  most  grateful  to  David  G.  De  Long,  Graduate  Group 
Chairman,  for  his  enthusiastic  and  continuing  support  of  my 
work.   Many  thanks  to  Jean  Wolf  for  her  vital  suggestions 
and  assistance.   George  Thomas  and  John  Keene  offered  care- 
ful guidance  in  helping  me  reach  my  goals  for  this  paper. 

Robert  De  Silets  and  Sandra  Handford  graciously  pro- 
vided time  to  answer  my  many  questions  and  share  their 
materials  with  me.   I  also  thank  the  staff  of  the  Lower 
Merion  Historical  Society,  which  was  always  helpful  and 
encouraging.   Robert  Schwartz  generously  allowed  me  to 
reproduce  many  of  his  historic  photographs  for  this  paper. 

I  thank  my  grandmother,  Chrysanthe  Galanos,  my  parents, 
Nicholas  and  Maria  Hetos,  and  my  sister,  Catherine  Skefos, 
for  their  love  of  learning  that  they  have  instilled  in  me. 

This  paper  is  for  my  husband,  Reagan,  whose  constant 
suggestions,  patience,  and  support  were  invaluable.   I  look 
forward  to  a  lifetime  of  architectural  discovery  with  him. 


vii 


INTRODUCTION 

As  he  strolled  along  Newport's  Cliff  Walk  in  1905,  the 
author  Henry  James  was  shocked  at  the  opulence  of  the 
mansions  that  had  been  built  since  his  last  visit  to  Ameri- 
ca several  years  before.   He  described  the  country  houses 
he  saw  as  "white  elephants,"  pitying  "their  averted  owners 
[who],  roused  from  a  witless  dream,  [would]  wonder  what  in 
the  world  is  to  be  done  with  them."-^  James'  remarks  were 
prophetic,  for  a  major  problem  facing  preservation  profes- 
sionals today  is  the  ultimate  fate  of  the  large  estates 
built  throughout  the  country  during  the  exuberant,  confi- 
dent, period  in  American  civilization  between  1865  and 
1905.  It  was  a  time  first  referred  to  by  Mark  Twain  as  "the 
Gilded  Age. "2 

According  to  a  paper  released  in  1982  by  the  National 

Trust  for  Historic  Preservation, 

The  large  estates  built  throughout  America 
during  the  nineteenth  and  early  twentieth 
centuries  are  an  important  part  of  the 
cultural  legacy  of  their  communities. .. [They] 
reflect  an  era  of  prosperity  as  well  as  the 
skill  of  local  craftsmen  and  builders.  In 
addition,  many  properties  cover  large  areas 
of  land,  which  have  an  environmental  and 
economic  importance  to  communities.-^ 

As  William  C.  Shopsin  has  pointed  out  in  Saving  Large 

Estates,  the  properties  amassed  during  America's  Gilded  Age 

should  no  longer  be  viewed  as  merely  anachronistic  class 

symbols  of  an  aristocratic  lifestyle  unworthy  of  acknowledg- 


rnent  or  preservation.'^   Instead,  these  estates  are  often 
extensive  tracts  of  unspoiled  open  space  having  important 
land  use  implications,  while  at  the  same  time  serving  as 
examples  of  the  work  of  important  local  architects  and 
landscape  designers. 

The  purpose  of  this  thesis  is  to  examine  the  plight  of 
the  estates  in  one  township.  Lower  Merion,  which  will  in 
1988  celebrate  the  275th  anniversary  of  its  founding.   This 
community,  a  part  of  a  string  of  suburbs  just  west  of 
Philadelphia  commonly  referred  to  as  the  "Main  Line,"  was 
the  subject  of  Philip  Berry's  play  The  Philadelphia  Story. 
My  intent  is  to  consider  the  rise  of  the  great  estates  in 
Lower  Merion  Township,  to  analyze  the  increasing  suburbani- 
zation in  this  century  that  greatly  reduced  their  numbers, 
to  identify  those  estates  that  still  remain,  and  finally, 
to  analyze  existing  planning  and  preservation  controls  in 
the  township  and  propose  solutions  that  should  be  implemen- 
ted to  ensure  their  future  preservation. 

Preservation  of  these  properties  involves  many  com- 
plexities, including  zoning,  subdivision  controls,  preser- 
vation-enabling legislation,  taxation,  and  community 
response.   These  elements  interact  in  crucial  ways  and,  if 
not  coordinated,  can  cause  considerable  uncertainty  in 
efforts  to  preserve  the  character  of  estates.   To  help 
reduce  some  of  these  uncertainties,  careful  long  range 


consideration  of  land  use  policies  and  comprehensive  plan- 
ning policies  is  essential.   First,  however,  the  period 
known  as  the  Gilded  Age  must  be  examined  so  that  the  es- 
tates' great  cultural  significance  may  be  understood  in  its 
proper  context. 


NOTES  TO  INTRODUCTION 


1.  Henry  James,  The  American  Scene  (New  York,  1967), 
224-25,  161-62. 

2.  Twain  used  this  term  as  the  title  of  a  satirical 
novel  written  with  Charles  Dudley  Warner  in  1873. 

3.  Christopher  W.  Closs,  "Preserving  Large  Estates," 
Information  Series,  National  Trust  for  Historic 
Preservation  (Washington,  D.C.,  1982),  1. 

4.  William  C.  Shopsin  and  Crania  Bolton  Marcus,  Saving 
Large  Estates:  Conservation,  Historic  Preservation, 
Adaptive  Reuse  (Setauket,  NY,  1977),  3. 


CHAPTER  I 
THE  GILDED  AGE  IN  AMERICA 

In  1853,  landscape  architect  A.  J.  Downing- -whose  wri- 
tings and  designs  dominated  mid-century  attitudes  toward 
American  domestic  architecture--cautioned  in  his  Architec- 
ture of  Country  Houses  that  great  estates  were  appropriate 
to  a  monarchy  rather  than  to  a  republic  like  the  United 
States.   Scarcely  a  generation  later,  however,  it  was  clear 
that  his  warnings  would  not  be  heeded.-^   The  four  decades 
following  the  Civil  War  were  years  of  astounding  economic 
growth.   Vast  empires  in  oil,  shipping,  mining,  banking, 
lumber,  transportation,  and  related  industries  formed  between 
approximately  1865  and  1905. ^   C.  Wright  Mills  explains  in 
The  Power  Elite; 

Before  the  Civil  War,  only  a  handful  of 
wealthy  men,  notably  Astor  and  Vanderbilt, 
were  multimillionaires  on  a  truly  American 
scale....  The  word  "millionaire,"  in  fact, 
was  coined  only  in  1843,  when,  upon  the 
death  of  Peter  Lorillard  [snuff,  banking, 
real  estate],  the  newspapers  needed  a  term 
to  denote  great  affluence.-^ 

The  Civil  War  dramatically  altered  the  composition  and 

characteristics  of  the  upper  class.  Throughout  the  North, 

the  war  brought  about  a  period  of  substantial  money-making 

and  lavish  spending.   As  in  all  wars,  military  supplies 

were  in  great  demand  and  the  small  industrial  enterprises 

of  the  North  were  in  an  excellent  position  to  expand  and 


supply  them;  many  small  industrialists  grew  exceedingly 
wealthy  before  the  war's  end.'^   Stimulated  by  war  produc- 
tion, after  the  war,  the  American  industrial  revolution 
launched  even  greater  fortunes  in  railroads,  banking,  oil, 
mining,  and  other  fields.   In  this  era,  fortunes  were  made 
and  lost  quickly,  almost  easily.   In  1865,  there  were  only 
three  millionaires--William  Vanderbilt,  William  Astor,  and 
merchant  A.  T.  Stewart--but  by  1900,  there  were  suddenly 
more  than  four  thousand  millionaires,  twenty  of  whom  were 
worth  more  than  seventy-five  million  dollars  each.^ 

The  new  value  system  encouraged--nearly  demanded--the 
public  display  of  this  newly  acquired  wealth,  power  and 
prestige.   The  established  upper  class  of  the  period  rea- 
lized that  their  ranks  were  being  infiltrated  by  the  new 
rich.   One  upper-class  member  wrote  that  "all  at  once 
Society  [was]  being  assailed  from  every  side  by  persons  who 
seek  to  climb  boldly  over  the  walls  of  social  exclusive- 
ness. "° 

It  was  during  these  turbulent  years  that  a  new  varia- 
tion on  an  old  type  of  domestic  architecture  first  appeared 
on  the  American  landscape.   Called  the  "country  estate," 
these  houses  and  surrounding  grounds  were  grandiose  in 
scale.   Most  estates  were  originally  established  as  part  of 
a  fashion  for  life  as  a  "country  gentleman,"  derived  from 
British  models  and  fostered  by  considerable  contact  with 


the  British  and  European  aristocracies,"^   As  Barr  Feree 

explained  in  1904: 

Country  houses  we  have  always  had,  and 
large  ones  too;  but  the  great  country 
house  as  it  is  now  understood  is  a 
new  type  of  dwelling,  a  sumptuous  house 
built  at  large  expense,  often  palatial 
in  its  dimensions,  furnished  in  the 
richest  manner,  and  placed  on  an  estate, 
perhaps  large  enough  to  admit  of 
independent  farming  operations,  and  in 
most  cases  with  a  garden  which  is  an 
integral  part  of  the  architectural  scheme. ° 

Here  Feree  provides  us  with  a  useful  definition  of  the 
Gilded  Age  country  estate:   the  scale  of  its  main  house  was 
huge,  its  furnishings,  sumptuous,  and  the  surrounding  land 
holdings  were  substantial,  usually  formally  landscaped,  and 
dotted  with  various  outbuildings  to  serve  the  needs  of 
estate  living. 

Historian  Kenneth  Jackson  has  written  that  the  men  who 
built  these  homes  were  acutely  aware  of  the  tenuous  nature 
of  their  achievements  and  of  the  rapid  intellectual,  eth- 
nic, social,  and  political  changes  that  were  undermining 
previous  beliefs  and  values.   Therefore,  in  order  to  justi- 
fy the  risks,  the  long  hours  at  the  office,  the  sacrifices 
for  family  and  posterity,  and  in  order  to  gain  a  larger 
measure  of  social  acceptance,  "the  robber  baron  sought 
security  in  a  country  estate,  an  impressive  physical  edi- 
face  that  would  represent  more  stability  than  any  urban 
residence . "° 


In  Philadelphia,  especially,  often  the  houses  were 

anachronistic  in  mode,  resembling  medieval  castles.  In  his 

new  text  which  accompanies  George  William  Sheldon's  Artis 

tic  Country-Seats  of  1886,  Arnold  Lewis  writes: 

New  wealth  did  not  mind  old  containers,  a 
truism  demonstrated  on  European  soil  centuries 
before  the  idea  crossed  the  Atlantic.   On  the 
other  hand,  they  were  not  old  containers,  for 
repeating  the  past  would  have  been  impractical,  a 
criticism  a  successful  businessman  would  not 
have  appreciated.  [These  houses]  were  unusually 
creative  marriages  of  forms  inspired  by  the  past 
with  materials  and  purposes  conditioned  by  the 
present. ^^ 

The  country  houses  generally  bore  imposing  facades  comple- 
mented by  manicured  gardens,  with  exceptionally  large  recep- 
tion rooms,  halls,  parlors,  dining  rooms,  and  other  public 
areas. 

The  mansion  itself  was  usually  placed  in  the  center  of 
the  property.   The  extended  setback  served  two  purposes. 
First,  it  allowed  for  an  impressively  long  driveway  to  be 
built  from  the  estate  entrance  to  the  main  dwelling.   Se- 
cond, the  setback  minimized  the  possibility  of  unwanted 
contact  with  outsiders.   The  other  structures  on  the  estate 
were  centrally  located  around  the  main  entrance  to  the 
property;  having  all  facilities  in  one  section  of  an  estate 
was  considered  the  most  convenient  arrangement.   Among  the 
various  buildings  that  were  commonly  included  on  the  es- 
tates were  servants'  cottages,  guest  houses,  greenhouses, 
and  garages. -^^ 


These  country  seats  were  the  product  of  the  optimism 
and  self-confidence  of  both  clients  and  architects,  of 
available  land  usually  obtainable  at  reasonable  rates,  of 
the  possibility  and  desire  for  leisure  time,  of  the  growing 
reaction  to  the  city  as  a  place  for  raising  families  and, 
above  all,  of  an  expanding  economy  that  made  quick  fortunes 
easy  and  their  public  demonstrations  irresistible.  ■'■^ 

What  was  the  intended  message  of  this  kind  of  domestic 
architecture?   Possibly  its  scale  expressed  the  abundant 
resources  within,  its  skyline  conveyed  pride  and  vigor,  and 
its  historical  references  demonstrated  knowledge,  good 
taste,  and  a  desired  association  with  the  proven  past 
rather  than  the  unpredictable  present--even  though  the 
present  made  the  house  possible  in  the  first  place. -'■^ 

In  the  Theory  of  the  Leisure  Class,  the  often 
satirical  social  critique  of  1899,  Thorstein  Veblen  cites 
such  residences  as  examples  of  "conspicuous  consumption,"  a 
phrase  he  invented.   As  he  explains  of  the  phenomenon,  "In 
order  to  gain  and  to  hold  the  esteem  of  men  it  is  not 
sufficient  merely  to  possess  wealth  or  power.   The  wealth 
or  power  must  be  put  in  evidence,  for  esteem  is  awarded 
only  on  evidence.  "•^'^ 

Dwellings  on  this  scale  prompted  the  Senate  Committee 
on  Education  and  Labor,  in  1885,  to  consider  legislation 
putting  a  cap  on  the  amount  a  millionaire  could  spend  on 


his  house. -'-^   In  the  1890s,  a  period  of  severe  economic 
hardship  and  social  turmoil,  a  torrent  of  condemnation 
found  its  way  into  the  periodicals.   E.  L.  Godkin's  1896 
article  "The  Expenditure  of  Rich  Men"  held  that  affluent 
Americans  faced  a  problem  unknown  to  their  European  counter- 
parts: how  to  spend  their  money.   Here  the  wealthy  had  to 
decide  for  themselves  what  abroad  was  dictated  largely  by 
tradition  and  descent.  ■'■°   Godkin  writes. 

That,  under  these  circumstances,  they  should, 
in  somewhat  slavish  imitation  of  Europe,  choose 
the  most  conspicuous  European  mode  of  asserting 
social  supremacy,  the  building  of  great  houses, 
is  not  surprising.   They  want  the  principle 
reasons  for  European  houses.   One  is  that  great 
houses  are  in  Europe  either  signs  of  great 
territorial  possessions  or  the  practice  of 
hospitality  on  a  scale  unknown  among  us.-^' 

The  other  reason,  said  Godkin,  and  the  most  serious  argu- 
ment against  the  building  of  great  houses  in  America,  was 
that  dwellings  "should  be  in  some  sort  of  accord  with 
national  manners  and  palatial  residences  were  not."-'-^ 

Until  recently,  a  critical  view  toward  the  great 
houses  of  this  period  persisted.   As  David  Chase  writes  of 
Richard  Morris  Hunt,  a  favorite  society  architect  of 
Gilded  Age  New  York  and  Newport,  "[His  later  houses]  are  so 
grand,  so  palatial,  that  they  are  judged  to  be  alien  to 
American  culture,  and  for  this  they  are  condemned.   Few 
critics  since  Montgomery  Schuyler's  day  have  been  able 
to  overcome  this  bias  and  evaluate  these  dwellings  dispas- 


10 


sionately . "^^ 

In  this  decade,  fortunately,  a  new  appreciation  of  the 
Gilded  Age  has  begun  to  emerge.   Instead  of  a  source  of 
embarrassment,  today  this  era  is  increasingly  viewed  as  a 
period  of  profound  cultural  significance  to  the  history  of 
American  civilization.   It  was  a  time  of  selfish  pleasure, 
to  be  sure,  but  also  a  time  in  which  prosperity  and  values 
enabled  a  few  to  build  magnificent  structures  as  symbols  of 
their  achievement.   Though  often  not  architecturally  inno- 
vative, these  mansions  were  usually  laden  with  rich  perso- 
nal detail  and  of  the  finest  craftsmanship  and  technology 
available  at  the  time.   One  hundred  years  later,  and  pre- 
cisely 275  years  after  the  founding  of  Lower  Merion  Town- 
ship, it  is  appropriate  to  study  with  renewed  interest  the 
rise  and  fall  of  the  grand  houses  of  this  region  so  that 
our  local  achievement  can  be  understood,  and  in  appropriate 
instances,  be  preserved. 


11 


NOTES  TO  CHAPTER  I 


1.  Andrew  Jackson  Downing,  The  Architecture  of  Country 
Houses  (New  York,  1853). 

2.  Arnold  Lewis,  American  Country  Houses  of  the  Gilded 
(Mineola,  NY,  1982) . 

3.  C.  Wright  Mills,  The  Power  Elite  (New  York,  1956), 
101. 

4.  Dennis  P.  Sobin,  Dynamics  of  Community  Change:  the 
Case  of  Long  Island's  Declining  "Gold  Coast"  (New  York, 
1968),  10. 

5.  Mary  Cable,  Top  Drawer:   American  High  Society  from 
the  Gilded  Age  to  the  Roaring  Twenties  (New  York,  1984). 

6.  Mrs.  John  King  Van  Rensselaer,  The  Social  Ladder 
(New  York,  1924),  p.  5,  quoted  in  David  Chase,  "Superb 
Privacies"  in  Architecture  of  Richard  Morris  Hunt.   Susan 
R,  Stein,  ed.   (Chicago,  1986). 

7.  William  C.  Shopsin  and  Grania  Bolton  Marcus,  Saving 
Large  Estates:  Conservation,  Historic  Preservation, 
Adaptive  Reuse  (Setauket,  NY),  6. 

8.  Barr  Feree,  American  Estates  and  Gardens  (New  York, 
1904) . 

9.  Kenneth  T.  Jackson,  Crabgrass  Frontier:  The 
Suburbanization  of  the  United  States  (New  York,  1985). 

10.  Arnold  Lewis,  Amercan  Country  Houses  of  the  Gilded 
Age  (Mineola,  NY,  1982),  20.   Reprint  of  pictorial  material 
from  Artistic  Country-Seats:  Types  of  Recent  American  Villa 
and  Cottage  Architecture  with  Instances  of  Country  Club- 
Houses,  by  George  William  Sheldon  (New  York,  1886-87). 

11.  Sobin  45. 

12.  Lewis,  X. 

13.  Ibid,  20. 


12 


NOTES  TO  CHAPTER  I,  continued 


14.  Thorstein  Veblen,  The  Theory  of  the  Leisure  Class 
(1899),  reprint  ed.  (New  York,  1967). 

15.  David  Chase,  "Superb  Privacies"  in  Architecture  of 
Richard  Morris  Hunt.   Susan  R.  Stein,  ed.   (Chicago,  1986),  167, 

16.  E.  L.  Godkin,  "The  Expenditure  of  Rich  Men," 
Scribners  Magazine  20,  no. 4  (October  1896),  497-500,  as 
quoted  in  Chase. 

17.  Ibid. 

18.  Ibid. 


13 


CHAPTER  II 
THE  COUNTRY  ESTATES  OF  LOWER  MERION  TOWNSHIP 

The  Pennsylvania  township  of  Lower  Merion,  originally 
part  of  William  Penn's  "Liberty  Lands"  in  his  1682  plan  for 
Philadelphia,  is  bounded  by  the  Schuylkill  River,  the  bo- 
rough of  West  Conshohocken,  Upper  Merion,  Radnor,  and  Haver- 
ford  Townships,  and  the  city  of  Philadelphia.  (Illustration 
1).   The  present  size  is  23.34  square  miles,  having  been 
slightly  reduced  twice,  when  West  Conshohocken  and  then 
Narberth  became  separate  boroughs  in  the  last  quarter  of 
the  nineteenth  century.  ■'■ 

The  history  of  Lower  Merion,  like  that  of  many  of  the 
surrounding  townships,  began  in  England  in  the  late  seven- 
teenth century.  It  was  there  that  a  number  of  Welshmen, 
with  hopes  of  founding  a  settlement  for  their  countrymen  in 
the  new  world,  purchased  land,  sight  unseen,  from  William 
Penn.   Among  the  early  settlers  in  Lower  Merion,  Rowland 
Ellis,  Edward  Jones,  Robert  Owen,  Hugh  Roberts,  and  John 
Thomas  were  all  from  Merioneth,  a  county  in  Wales  later 
remembered  in  the  choice  of  the  new  settlement's  name.^ 

The  popular  term  "Main  Line"  arose  in  the  1860s  when 
the  Pennsylvania  Railroad  decided  to  straighten  the  meander- 
ing track  along  the  primary  route  to  Pittsburgh.   Rather 
than  fight  the  farmers  along  the  way,  the  Railroad  bought 
them  out.   After  shifting  the  right-of-way,  it  then  went 

14 


into  the  real  estate  business,  selling  large  tracts  to 
individual  purchasers  and  large  developers.^   The  earliest 
residential  development  in  Lower  Merion  Township  was  along 
or  near  Lancaster,  Montgomery,  and  City  Line  Avenues,  today 
locations  of  high-density  populations."^   Near  the  present 
Bryn  Mawr  station  on  Montgomery  Avenue,  for  example,  the 
Railroad  bought  a  large  tract  of  land,  marked  off  streets, 
planted  trees,  and  set  up  private  zoning  regulations  which 
included  minimiim  set-back  and  house  value  limits.-' 

The  construction  of  the  Railroad's  "Main  Line"  encour- 
aged many  wealthy  city  residents,  some  of  them  railroad 
officials,  to  build  large  houses  in  this  area,   and  it  was 
during  the  1870s  that  Lower  Merlon's  first  large  houses 
were  amassed.   (Illustration  2).   In  1872,  for  example.  Dr. 
Edmund  Cadwallader  Evans — the  father  of  architect  Allen 
Evans,  Frank  Furness'  partner--bought  a  hundred  acres  in 
Haverford  and  built  a  house  off  Montgomery  Avenue  at  the 
end  of  what  is  now  called  Evans  Lane.   The  house  is  no 
longer  standing.   The  following  year,  Pennsylvania  Railroad 
president  Alexander  J.  Cassatt  bought  from  him  fifty-six  of 
these  acres,  which  stretched  from  the  railroad  down  Gray's 
Lane  and  over  to  the  present  Cheswold  Lane.^   There  he 
engaged  Furness  and  Evans  to  design  a  huge  mansion,  which 
he  called  "Cheswold,"  for  him  and  his  growing  family. 
(Illustration  3).   Today,  only  the  gatehouse  still  stands, 

15 


the  land  having  been  absorbed  into  the  property  of  the 
Merion  Cricket  Club."^ 

Another  prominent  Philadelphian  who  settled  in  Haver- 
ford  was  Clement  A.  Griscom,  a  shipbuilder  who  became 
president  of  the  International  Navigation  Company.  Griscom 
bought  sixty-two  acres  across  Gray's  Lane  from  Evans  and 
Cassatt  and  named  his  estate  "Dolobran,"  the  name  of  a 
family  seat  in  Wales. ^   "Dolobran"  began  as  an  old  farm 
house  which  Furness  and  Evans  altered  and  extended  in  1881 
and  again  in  1894.  (Illustration  4).   It  featured  the 
widely-varied  wall  surfaces  and  floral  ornament  for  which 
Furness  is  known. ^   The  estate,  which  is  still  located  on  a 
small  tract  on  Laurel  Lane,  comprised  nearly  150  acres  in 
1908. 

These  three  houses ,  though  large  and  surrounded  by 
great  tracts  of  land,  were  only  precursors  to  the  more 
opulent  Gilded  Age  estates  which  came  in  the  1880s  and 
1890s.   As  with  the  Gold  Coast  of  Long  Island  and  such 
towns  as  Brookline,  Massachusetts,  wealthy  Lower  Merion 
Township  founders  gradually  chose  to  build  increasingly 
formal,  sumptious  country  estates  that  gave  the  area  a  new 
flavor.   Philadelphia's  most  talented  and  prominent  archi- 
tects rose  to  the  occasion.   Between  1880  and  1915,  dozens 
of  estates  were  amassed,  dotting  the  Lower  Merion  landscape 
with  a  degree  of  scale  and  expenditure  that  has  never 

16 


existed  before  or  since.   Table  1  shows  the  residential 
commissions  of  five  prominent  Philadelphia  architects  whom 
Main  Line  Philadelphia  gentlemen  often  sought  to  design 
their  country  houses. 


17 


TABLE  l--Lower  Merion  Township  Residential  Projects  of 
Five  Philadelphia  Architects  Between  1880  and  1915 


THEOPHILUS  PARSONS  CHANDLER,  JR.  (1845-1928) 
YEAR  CLIENT  LOCATION 


1881 

1882 

1884 

1885 

1890 

1891 

1902 

1906 

Rudolph  Ellis 

George  S.  Gerhard 
Wayne  McVeagh 

Samuel  B.  Brown 

William  Simpson,  Jr, 
Joseph  B.  Townsend 

Eugene  Delano 

William  Joyce 

Silas  Pettit 

A.  F.  Kelly 


Bryn  Mawr 

Ardmore 
Bryn  Mawr 

Haverf ord 

Wynnewood 
Merion 


Rosemont 

Bryn  Mawr 
Bryn  Mawr 


YEAR 
1888 
1889 
1891 
1905 

1910 
1911 


WILSON  EYRE  (1858-1944) 

CLIENT 

J.  Rulon  Miller 

Sidney  A.  Biddle 

Rev.  Dr.  Robins 

J.  B.  Ladd 

F.  G.  Thompson 

William  S.  Ellis 

Horatio  G.  Lloyd 
J.  Stanley  Reeves 


LOCATION 

Haverford 

Ardmore 

Merion 

Ardmore 
Merion 

Bryn  Mawr 

Haverford 
Haverford 


1914 


P.  W.  Roberts 


Villanova 


TABLE  1- -continued 


YEAR 
1878 
1881 

1886 
1887 

1889 
1890 
1897 
1906 


FRANK  FURNESS  (1839-1912) 

CLIENT 

Allan  Evans 

Rowland  Evans 
Clement  Griscom 
William  P.  Henszley 

I.  Layton  Register 

Henry  C.  Register 
William  Winsor 

Frank  Thompson 

George  Gerhard 

R.  C.  Griscom 

J.  Ogden  Hoffman 
Marriott  Smith 


LOCATION 

Haverford 

Haverf ord 
Haverford 
Wynnewood 

Ardmore 


Ardmore 

Bala  Cynwyd 

Ardmore 

Haverford 

Villanova 
Wynnewood 


YEAR 


GEORGE  HEWITT  (1841-1916) 


CLIENT 


LOCATION 


1877 

William  H.  Maule 

Villanova 

1881 

Henry  Gibson 

Wynnewood 

1886 

W.  T.  Harris 

Bala  Cynwyd 

Andrew  Wheeler 

Bryn  Mawr 

no  date 

William  Harris 

Bala  Cynwyd 

D.  F.  La  Lanne 

Bryn  Mawr 

John  Marston 

Merion 

George  H.  McFadden 

Villanova 

J.  Rulon  Miller 

Haverford 

George  Philler 

Haverford 

Richard  Rushton 

Wynnewood 

19 


TABLE   l--continued 


ADDISON  HUTTON  (1834-1916) 

YEAR 

CLIENT 

LOCATION 

1880-81 

George  S.  Lovell 

Bryn  Mawr 

E.  T,  Townsend 

Bryn  Mawr 

1882 

George  Vaux 

Bryn  Mawr 

1883 

John  Garrett 

Rosemont 

1884 

Charles  Hartshorne 

Merion 

1885 

Isaac  H.  Clothier 

Wynnewood 

1886 

Effingham  Morris 

Ardmore 

1887 

Samuel  L.  Fox 

Bryn  Mawr 

1890 

Theodore  Morris 

Villanova 

1891 

Henry  S.  Drinker 
HORACE  TRUMBAUER  (1868-1938) 

Haverford 

1892 

A.  J.  Young 

Ardmore 

1903 

J.  C.  Alteraus 

Ardmore 

1905 

W.  P.  Herbert 

Bala  Cynwyd 

W.  H.  Steigerwalt 

Merion 

1909 

Thomas  P.  Hunter 

Haverford 

1910 

Theo  Cramp 

Bryn  Mawr 

1911 

H.  S.  Darlington 

Villanova 

1913 

Geraldine  E.  Mitchell 

Haverford 

1917-18 

Morris  Clothier 

Villanova 

1922 

William  J.  Cooper 

Haverford 

Thomas  J.  Sinclair 

Bala  Cynwyd 

J.  Clayton  Strawbridge 

Merion 

1922-23 

Pam  H.  Dole 

Wynnewood 

20 


It  is  important  to  emphasize  that  despite  the  new, 
conspiciously-consumptive  values  of  this  period,  the  level 
of  opulence  reflected  in  the  local  estates  was  strongly 
influenced  by  Quaker  roots  firmly  established  by  the  found- 
ing fathers  of  the  township.   Generally,  therefore,  the 
houses  designed  by  these  and  other  architects  were  of  a 
lesser  scale  and  extravagance  than  the  estates  built  by 
such  architects  as  Richard  Morris  Hunt  and  George  W.  Post 
in  Newport  and  New  York.   The  local  estates  are  often  tamed 
by  both  the  Quaker-influenced  tendency  toward  the  less 
pretentious,  and  the  more  modest  fortunes  of,  the  Main  Line 
Philadelphia  gentry. 

Nevertheless,  these  local  estates  are  highly  signifi- 
cant cultural  resources,  serving  as  important  local  exam- 
ples of  a  new  type  of  architecture,  the  country  estate,  and 
of  the  work  of  Philadelphia's  most  prominent  architects  of 
this  era.   Furthermore,  the  most  important  local  mansions 
have  certain  common  characteristics  that  create  a  distinc- 
tive regional  expression  of  Gilded  Age  architectural 
tastes.   For  example,  many  of  the  estates  in  the  Township 
were  built  of  gray  stone,  as  the  schist  from  the  nearby 
Wissahickon  area  was  a  readily  available  building  material. 
(Illustration  5).   In  addition,  many  of  the  residences  are 
castle-like  and  nearly  brutalistic  in  appearance,  with 


21 


thick  stone  walls  and  a  profusion  of  towers.   (Illustra- 
tions 6,  7,  8).   There  are  notable  exceptions  to  these 
characteristics,  such  as  hacienda-like  "La  Ronda"  and  Geor- 
gian-inspired "Waverly  Heights,"  two  Gladwyne  mansions, 
(illustrations  9,  10)  but  the  medieval-castle  mode  was  by 
far  the  most  popular  choice. 

Three  of  the  most  significant  surviving  estates  most 
greatly  typify  those  built  during  this  period.   One  of 
those  that  employs  crenelated  towers  and  bartizans  is  "May- 
brook."  (Illustration  11).   A  part  of  the  seventeenth- 
century  tract  of  Edward  Jones,  "Maybrook"  still  comprises 
twenty-six  acres  near  the  present  Wynnewood  train  station 
on  Penn  Road.  (Illustration  12). 

It  was  built  in  1881  by  Henry  C.  Gibson,  a  prominent 
whiskey  distiller  and  real  estate  developer,  whose  home  at 
the  time  was  a  five-story  mansion  at  1612  Walnut  Street. 
As  his  daughter  Mary  explained  in  an  interview  in  1956,  "My 
father  wanted  to  have  a  summer  house  in  the  country  and  my 
mother  agreed  to  it,  providing  it  was  a  very  simple  little 
cottage.   One  of  my  father's  intimate  friends  was  Mr. 
George  W.  Hewitt... and  he  and  my  father  started  making 
plans  for  the  country  house.   My  father  had  always  admired 
the  castles  in  Normandy  and  to  my  mother's  dismay,  she 
discovered  that  the  little  cottage  was  turning  into  a 


castle. " 


10 


22 


The  "castle"  was  actually  designed  by  George  W.  Hewitt 
with  his  brother,  W.  D.  Hewitt.   George  Hewitt  studied  in 
the  office  of  John  Notman,  and  later  worked  in  partnership 
with  Frank  Furness.   By  1884,  George  Hewitt  would  complete 
other  residences  for  Gibson  in  the  3200  block  of  Powelton 
Avenue  and  on  St.  Marks  Square  in  West  Philadelphia.   In 
1886,  Gibson  again  called  upon  Hewitt  to  design  three 
stores  at  the  corner  of  Thirteenth  and  Market  Streets  in 
central  Philadelphia.  •^■'■ 

George  Hewitt's  other  country  house  commissions  in- 
cluded the  William  Henry  Maule  residence,  "Briar  Crest,"  an 
early  Shingle-Style  residence  built  in  1877  at  the  corner 
of  Spring  Mill  and  Old  Gulph  Roads  in  Villanova,  (illustra- 
tion 13)  and  the  H.  H.  Houston  house,  "Drum  Moir,"  designed 
in  1886  in  Chestnut  Hill,  Pennsylvania. 

Architectural  historian  Arnold  Lewis  describes  "May- 
brook"  as  "expensive,  large,  high  [its  tower  rising  seven- 
ty-two feet],  asymmetrical  and  picturesque  in  skyline,  and 
artistically  inspired  by  earlier  periods  that  were  often 
highly  romanticized. ... "^2  xn   this  house,  like  so  many 
others  of  the  period,  the  architects  chose  to  emulate  such 
British  architects  as  William  Burges,  who  in  turn  derived 
their  inspiration  from  the  original  medieval  castles. 
Thus,  the  purposefully  eclectic,  unauthentic  interpretation 
created  by  local  architects  for  such  Lower  Merion  mansions 


23 


as  "Maybrook"  can  be  attributed  to  the  fact  that  the  final 
products  were  a  full  two  steps  removed  from  their  original 
source. 

"Maybrook"  is  constructed  of  buff  sandstone  and  covered 
with  red  Vermont  slate.   It  is  a  long  house,  as  even  its 
stable  is  covered  by  the  main  roof.   At  one  time  the 
grounds  at  "Maybrook"  were  magnif icantly  landscaped;  two 
trees  of  every  variety  that  would  grow  in  the  Philadelphia 
climate  were  planted.  ■'■■^   Six  gardeners  in  the  winter  and  as 
many  as  twenty-five  in  the  summer  maintained  the  grounds. 
Inside  the  main  house,  the  quality  of  the  finish  is  excep- 
tional.  All  of  the  floors  are  oak  except  that  of  the  hall, 
which  is  laid  in  German  tile.   The  woodwork  of  the  hall  is 
oak,  of  the  parlor,  walnut,  the  library,  butternut,  and  the 
dining  room,  mahogany.   Lejambre,  a  fashionable  Philadel- 
phia craftsman,  hand-carved  the  furniture  throughout.   To 
add  to  these  richly-finished  rooms,  "Maybrook"  was  deco- 
rated with  many  works  from  Henry  Gibson's  noted  art  collec- 
tion. 

Its  major  rooms  are  not  exceptionally  large  when  com- 
pared with  some  of  the  other  country  estates  which  will  be 
discussed  later.   Yet,  overall,  the  scale  is  grand,  as  the 
architects  later  designed  a  number  of  additions  to  the 
house,  including  a  library  in  1889  that  reportedly  cost 
$125,000.-'-'^   The  house  also  contains  a  music  room,  added  in 


24 


1906  by  then-owner  Mary  Gibson.   When  the  house  first 
opened,  the  basement  contained  two  hot-air  furnaces  and  the 
attic  two  lead  water  tanks,  filled  by  steam  pumps  to  con- 
trol the  sanitary  system  of  the  house. 

A  second  of  the  finest  estates  which  still  stands,  off 
Montgomery  Avenue  in  Rosemont,  is  "Rathalla,"  a  thirty-two 
room  medieval  chateau  designed  in  1889  for  Joseph  Frances 
Sinnott,  another  Philadelphia  distiller.  (Illustration  14). 
In  that  year  he  took  full  control  of  the  Moore  &  Sinnott 
Distillers,  leaving  behind  his  once-fashionable  West  Phila- 
delphia address  for  a  more  prestigious  Main  Line  loca- 
tion. ■'■^ 

Designed  by  the  Philadelphia  firm  of  Hazelhurst  and 
Huckel,  "Rathalla"  is  an  excellent  example  of  the  estates 
of  the  period  in  its  evocation  of  the  chateaux  of  the  Loire 
Valley  of  France.   Edmund  Hazelhurst  and  Samuel  Huckel,  Jr. 
had  established  their  Philadelphia  firm  in  1881,  soon  after 
focusing  their  practice  on  residential  design.   On  a  smal- 
ler scale,  it  is  reminiscent  of  the  houses  Richard  Morris 
Hunt  was  building  for  his  wealthy  New  York  and  Newport 
clients,  the  Vanderbilts  and  the  Astors,  in  the  same  de- 
cade.  Like  "Biltmore,"  the  George  Washington  Vanderbilt 
mansion  in  North  Carolina  and  "Ochre  Court"  in  Newport, 
"Rathalla"  draws  from  features  of  several  Loire  Valley 
chateaux  in  an  eclectic,  non-specific  manner. 


25 


"Rathalla"  possesses  similar  detailing  to  that  seen  in 
local  architect  T.  P.  Chandler's  designs.   Like  several  of 
Chandler's  works,  "Rathalla"  features  a  battlemented 
entrance  porch  flanked  by  paired  towers  with  conical  roofs. 
The  interior  contains  a  three-story  light  well  directly 
above  the  central  hall  fireplace  that  provides  both  light 
for  the  lower  stories  and  a  sense  of  extravagant  spacious- 
ness above.  ■'-° 

A  third  estate  still  in  existence  in  Gladwyne,  where 
the  steel-making  Wood  family  once  owned  over  four  hundred 
acres,  is  Alan  Wood,  Jr.'s  "Woodmont,"  which  comprised 
ninety-five  acres.  (Illustration  15).   Frank  and  William  L. 
Price,  two  architect  brothers,  designed  the  French  Gothic 
mansion  house,  which  was  built  in  1891  on  high  land  over- 
looking the  Schuylkill  River  and  Conshohocken.  ■'■ '   William 
Price  had  entered  the  office  of  Quaker  architect  Addison 
Hutton  in  1878,  but  left  three  years  later  to  form  a  part- 
nership with  brother  Frank,  who  had  been  working  with  Frank 
Furness.   "Woodmont"  is  one  of  the  brothers'  greatest 
achievements . 

Wood  was  a  steel  baron,  possessing  a  huge  fortune  and 
more  than  500  acres  on  the  Schuylkill  River.   As  George  E. 
Thomas  explained  in  his  Ph.D.  dissertation  on  William 
Price,  Wood's  house  "was  to  be  built  at  the  very  highest 
point,  of  the  local  granite,  on  foundations  blasted  out  of 


26 


the  hill,  a  direct  statement  of  wealth,  power,  influence, 
control,  and  ownership.   The  result  was  a  lordly  and  impo- 
sing mansion  directed  towards  the  public.  ..  "■'■°   "Woodmont" 
features  a  giant  porte  cochere,  which  projects  out  from  the 
front  of  the  house  and  opens  into  a  vestibule  connected  to 
a  living  hall.   To  the  side  are  parlors,  and  behind,  a 
carved  wood-panelled  dining  room  and  study  opening  into  a 
conservatory  with  a  view  to  the  Wood  steel  mills.   (This 
view  was  not  accidental--it  was  achieved  through  the  care- 
ful trimming  of  the  forests  below) . 

The  massive  living  hall  centers  on  an  immense  carved 
limestone  fireplace  with  a  chimney  breast  which  rises  to 
intersect  a  balcony  encircling  the  inner  half  of  the  hall. 
This  room  rises  more  than  fifty  feet,  creating  a  pyramidal 
volume  on  the  houses 's  roof  that  dominates  the  exterior  of 
the  house.   Additionally,  a  1908  atlas  indicates  that  the 
grounds  included  two  lakes,  a  stream,  formal  and  terraced 
gardens,  aviaries,   greenhouses,  a  pool,  a  power  station, 
and  even  an  "Indian  cave."-^^ 

Of  the  countless  estates  that  have  been  demolished,  one 
in  particular  warrants  mention.   "Penshurst",  the  539-acre 
estate  of  Percival  Roberts,  Jr.,  was  the  largest  privately- 
owned  property  in  Lower  Merion  in  its  time.   Located  on 
both  sides  of  the  present  Hagy's  Ford  Road,  it  extended  to 


27 


the  Schuylkill  River.   (Illustration  16).   Roberts,  presi- 
dent of  the  Pencoyd  Iron  Works,  built  "Penshurst"  in 
1903. 2*^   The  estate  included  a  seventy-five  room  mansion, 
in  the  Jacobean  mode,  and  a  chapel.   There  were  typical 
English  gardens,  and  a  special  rock  garden  on  Conshohocken 
State  Road  was  a  show  place  with  its  ornamented  fountains, 
fish  pond,  balustrades,  and  terraced  stairways.   Specimens 
of  every  variety  of  tree  that  survives  in  the  climate 
surrounded  the  main  house.  ^-'- 

"Penshurst  Farm"  had  a  prize  herd  of  imported  Ayrshire 
cattle,  as  well  as  pedigreed  Berkshire  hogs,  chickens,  and 
sheep.   The  barns  and  dairy  were  immaculate,  and  the  natu- 
ral milk  was  bottled  and  sold  through  local  distributors. 
The  farmers  were  considered  pioneers  in  growing  fine  alfal- 
fa for  their  cattle.   A  pump  carried  water  from  nearby 
springs  to  a  water  tower  near  the  main  house  from  which  the 
water  flowed  through  the  estate's  pumping  system.   A  pri- 
vate electrical  system  lighted  the  mansion. ^^ 

In  1939,  the  township  made  plans  to  build  a  trash 
disposal  plant  adjacent  to  his  property.   Roberts  himself 
then  applied  for  a  permit  to  demolish  the  mansion,  which 
was  sold  to  a  wrecking  crew  for  $1,000.   The  contents  of 
the  house  were  sold  at  auction.   When  Roberts  died  in  194  3 
at  the  age  of  eighty-six,  the  Home  Life  Insurance  Company 
bought  the  property  and  subdivided  it  for  the  building  of 


28 


private  homes. ^3   sadly,  this  scenario  became  the  rule 
rather  than  the  exception  during  this  century. 


29 


NOTES  TO  CHAPTER  II 


1.  Phyllis  C.  Maier,  Montgomery  County:   The  Second 
Hundred  Years,  volume  7  (Norristown,  PA,  1983),  306. 

2.  Carl  E.  Doebley,  Lower  Merlon:  A  Portrait 
(Montgomery  County,  1976),  1. 

3.  Kenneth  T.  Jackson,  Crabgrass  Frontier:  The 
Suburbanization  of  the  United  States  (New  York,  1985). 

4.  Maier,  309. 

5.  E.  Digby  Baltzell,  Philadelphia  Gentlemen:  The 
Making  of  a  National  Upper  Class  (New  York,  1958),  203. 

6.  Maier,  320. 

7.  Ibid. 

8.  Ibid. 

9.  Doebley,  6. 

10.  Betty  Floyd,  "Story  of  Maybrook Part  1"  in  Main 

Line  Chronicle.   23  February  1956. 

11.  Sandra  L.  Tatman  and  Roger  W.  Moss,  Biographical 
Dictionary  of  Philadelphia  Architects  (Boston,  1985). 

12.  Arnold  Lewis,  American  Country  Houses  of  the  Gilded 
Age  (Mineola,  NY,  1982),  20. 


13. 

Maier,  328. 

14. 

Lewis,  20. 

15. 

Maier,  326. 

16. 

Doebley,  p. 6. 

17. 

Maier,  318. 

18. 

George  E.  Tho 

George  E.  Thomas,  "William  Price:   Builder  of  Men 
and  Buildings."  (Ph.D.  dissertation.  University  of 
Pennsylvania,  1975),  94. 

19.   Franklin's  Atlas  of  1908. 


30 


NOTES  TO  CHAPTER  2,  continued 


20.  Maier,  308. 

21.  Ibid.,  323. 

22.  Ibid. 

23.  Ibid. 


31 


CHAPTER  III 

SUBURBANIZATION  ENCROACHES: 

THE  BREAK-UP  OF  THE  ESTATES  IN  LOWER  MERION 

After  World  War  I,  estate-building  slowed  although 
many  properties  were  still  assembled  in  the  1920s.   The 
imposition  of  an  income  tax  in  1916  and  the  onset  of  the 
Depression  combined  to  end  effectively  the  age  of  the  great 
estate,  and  the  process  of  abandoning,  selling  or  demolish- 
ing the  houses  and  developing  their  former  grounds  commenced.^ 
Meanwhile,  as  local  train  and  trolley  systems  increased 
their  services  and  roads  improved,  the  middle  class  exodus 
from  Philadelphia  to  the  suburbs  began.   This,  of  course, 
created  a  demand  for  new  housing. 

The  variety  of  choices  available  to  prospective  home- 
buyers  in  Lower  Merion  is  seen  in  the  Main  Line  Residential 
and  Business  Directory  for  1911-1912  in  which  a  real  estate 
development  near  the  Bala  Cynwyd  train  station  offered 
thirty  new  houses  ranging  in  price  from  $10,000  to 
$80,000.2   jn  1908  and  again  in  1911,  the  Lower  Merion 
Realty  Company  commissioned  Walter  Mellor  and  Arthur  Meigs 
to  design  several  modest  homes  in  Bala  Cynwyd. 

The  growing  suburbanization  and  waning  exclusiveness  of 
the  township  is  reflected  in  the  fact  that  in  1936,  even 
the  Lower  Merion  Planning  Commission  issued  a  booklet  enti- 
tled "The  Development  of  Real  Estate  in  Lower  Merion  Town- 

32 


ship"  to  acquaint  those  interested  in  land  subdivision  with 
principles  that  were  proving  successful  at  the  tirae.^ 
In  Wynnewood,  for  example,  by  1920,  developers  such  as 
Mcllvain  and  Company  owned  many  lots  and  built  and  sold 
homes  in  the  $10,000  range  to  middle  class  buyers.   This 
trend  in  home  building  persisted,  slackening  only  during 
the  Depression  and  World  War  II,  when  labor  and  materials 
were  lacking.'^   Just  before  the  Second  War,  one  of  the  last 
open  areas  in  Wynnewood  was  the  Shortridge  tract,  a  160- 
acre  property.  When  the  war  ended  there  was  a  building 
explosion  occured;  for  instance,  360  single  homes  were 
built  on  the  Shortridge  tract  in  the  span  of  a  few  years. ^ 

According  to  Charles  G.  Roach,  Jr.,  managing  partner  of 
Roach  Brothers  Realtors,  a  firm  active  in  residential  deve- 
lopment in  Lower  Merion,  the  sale  and  development  of  estates 
have  happened  "in  a  rather  steady  fashion  since  World  War 
II,  and  there  may  have  been  more  of  it  going  on  in  the  last 
twenty  years. "^   Former  Montgomery  County  planner  Jeroldine 
Hallberg  agrees.   Today,  "very  few  [residents]  fall  into 
the  category  of  what  you  would  call  landed  gentry."   Most 
of  the  large  tracts  were  split  in  the  1950s  and  1960s,  and 
now,  according  to  Hallberg,  "we're  seeing  the  subdivision 
of  parcels  divided  then."' 

Indeed,  by  1970,  less  than  four  percent  of  the  town- 
ship's land  was  unused  or  in  agricultural  use.  Neverthe- 

33 


less,  there  were  still  major  undeveloped  land  holdings  in 
the  northeastern  portion  comprising  Villanova,  Gladwyne, 
and  Bryn  Mawr.^   In  1880,  5,287  people  lived  in  the  town- 
ship; in  1980  about  nine  times  that  number.   The  population 
density  in  1884  was  266  persons  per  square  mile;  by  1980, 
it  was  2 , 556 . ^ 

Table  2  shows  quite  clearly  that  while  twenty-two  estates 
comprised  100  or  more  acres  in  1908,  the  peak  of  the  estate- 
building  era,  only  six  remained  by  1937,  and  only  three  by 
1948.  Today,  there  are  no  100-acre  estates  in  Lower  Merion 
Township  and  only  three  estates  (those  of  Anna  Shinn  Maier 
of  Bryn  Mawr,  and  John  Dorrance  Jr.  and  Walter  C.  Pew  of 
Gladwyne)  of  more  than  fifty  acres. 


34 


TABLE  2. --Patterns  of  Change  in  Estates 
of  100  Acres  or  More  in  1908  ^^ 


Number  of  Acres  by  Year 


1908 

1937 

1948 

"Bellevue  Farm" 

100 

subdivided 

--- 

"Brookfield  Farm" 

255 

subdivided 



"Brynntyddyn" 

115 

15 

15 

"Camp  Discharge" 

184 

128 

100 

"Clairemont" 

156 

158 

158 

"Clover  Hill" 

173 

171 

subdivided 

"Dolobran" 

146 

4 

4 

"Dipple" 

100 

subdivided 



"Green  Hill  Farm" 

170 

subdivided 



"Harriton" 

145 

175 

174 

"Highland  Farm" 

100 

80 

subdivided 

"Idylwild  Farm" 

167 

70 

70 

"Northwick" 

164 

32 

32 

"Pembroke  Farm" 

109 

8 

subdivided 

"Pencoyd  Farm" 

111 

31    under  subdivision 

"Penshurst" 

564 

539 

subdivided 

"Pleasant  View  Farm" 

135 

14 

14 

"Soaps tone  Farm" 

130 

6 

14 

"The  Red  Rose" 

243 

194 

subdivided 

"Waverly  Heights" 

103 

93 

55 

"Woodmont  Park" 

100 

74 

74 

35 


Today,  houses  and  lots  still  remain  large  in  Gladwyne, 
Bryn  Mawr,  and  Villanova,  although  estates  are  constantly 
being  subdivided.   A  study  of  a  1984  atlas  reveals  that 
only  twenty-seven  properties  of  ten  or  more  acres  and 
twenty-nine  properties  between  five  and  ten  acres  survive. 
Table  3  shows  the  location  of  these  Lower  Merion  proper- 


ties 


11 


TABLE  3. --Location  and  Number  of  Privately  Owned  Tracts 
in  Lower  Merion  Township  of  Five  Acres  or  More  in  1984  -^^ 


Gladwyne 

18 

Bryn  Mawr 

12 

Villanova 

10 

Wynnewood 

7 

Penn  Valley 

5 

Ardmore 

2 

Bala  Cynwyd 

1 

Haverford 

1 

Table  4  suinmarizes  the  name  of  the  owner,  name  of  the 
estate  if  one  exists,  town  in  which  it  is  located,  and 
amount  of  acreage  of  the  estates  of  five  acres  or  more  in 
Lower  Merion  Township.   As  the  information  is  based  on  a 
1984  atlas,  some  estates  may  have  been  subdivided  since 
then. 


36 


TABLE  4--Privately  Owned  Estates  of  Five  Acres 
or  More  in  Lower  Merion  Township  in  1984  ^^ 


OWNER 


ESTATE 


1. 

Pew,  Walter 

"Rolling  Hil 

2. 

Dorrance,  John  C. 

3. 

Maier,  Anna  Shinn 

"Harriton" 

4. 

Johnson,  E.  R.  F. 

5. 

Edwards,  Mrs.  Arthur 

"Afterall" 

6. 

Elliott,  William 

7. 

Merriam,  Jack 

"Maybrook" 

8. 

Saunders,  Dorothy 

"Idlewild" 

9. 

Friedman,  Milton 

10. 

Madeira,  Louis 

11. 

Philler,  Eleanor 

12. 

Davis,  Mary 

13. 

McLean,  E.  B. 

14. 

Allen,  Charles 

15. 

Read,  R.  B. 

"Bryntyddyn" 

16. 

Winsor,  William 

" Hedge ly" 

17. 

Breyer,  Henry 

18. 

Dietrich,  William 

"Sander ling" 

19. 

Perkins,  Emily 

20. 

Tyson,  John 

21. 

McNeely,  George 

ACREAGE 

104 

59 

55 

41 

33 

31 

26 

26 

23 

21 

21 

20 

20 

20 

18 

18 

18 

18 

16 

15 

14 


37 


TABLE  4--continued 


OWNER 


ESTATE 


ACREAGE 


22.  Vanderbilt,  0.  De  Gray 

23.  Pew,  Alberta 

24.  Goodfarb,  Louis 

25.  Tredennick,  William 

26.  Macintosh,  W.  J. 

27.  Elliott,  William 

28.  Rosengarten,  A.  H. 

29.  Fuller,  Mae 

30.  Henry,  Josephine 

31.  Annenberg,  Walter 

32.  Denison,  J.  Morga 

33.  Satinsky,  Robin 

34.  Ott,  J.  R. 

35.  Lewis,  S.  H. 

36.  Wood,  John 

37.  Pew,  Walter 

38.  Butcher,  Howard 

39.  Mcllvain,  E.  L. 

40.  Tartarian,  Araxy 

41.  Fitler,  William 

42.  Harper,  J.  M. 

43.  Reuss,  Katherine 


"Rockycrest" 


"Deanewood" 

"Inwood" 
"Briar  Hill" 
"Donglomur" 

"Woodley" 
"Meadowbank" 


"Dove  Mill  House" 


"Peny  Bryn" 


14 

13 

13 

13 

12 

12 

11 

11 

10 

9 

8 

8 

8 

8 

7 

7 

7 

7 

7 

6 

6 

6 


38 


TABLE  4 — continued 


OWNER 


ESTATE 


ACREAGE 


44.  Kuback,  Richard 

45.  Rauch,  F.  B. 

46.  Spiesraan,  Marjorie 

47.  Lownsbury,  Elizabeth 

48.  Clarke,  Rhoda 

49.  Reichel,  Frank 

50.  Mitchell,  J.  Kearsley 

51.  Sharpies,  Lawrence 

52.  De  Sherbinin,  Albert 

53.  Dimson,  Irving 

54.  Scheetz,  William 

55.  Archer,  John  Hoffman 

56.  Smoger,  B.  and  M. 


"Wooded  Hill" 


"Windswept" 
"Framar" 


"Hampton  House" 
"Kimberlea" 


6 
6 
.  5 
5 
5 
5 
5 
5 
5 
5 
5 
5 
5 


39 


Thus,  of  the  dozens  of  estates  that  existed  at  the  peak 
of  the  estate-building  era  at  the  turn  of  the  century,  only 
56  remain,  more  than  half  of  which  comprise  less  than  ten 
acres.   These  estates  total  857  acres,  have  an  average  size 
of  17,14  acres  and  a  median  size  of  thirteen  acres. 

There  are  several  reasons  for  this  dramatic  transforma- 
tion in  land  use  in  the  township.   First,  most  estates  were 
labor-intensive  with  large  indoor  and  outdoor  staffs  de- 
voted to  the  care  and  maintenance  of  the  main  house,  con- 
tents, grounds,  and  outbuildings.   With  the  sharp  decline 
in  immigration  after  World  War  II,  the  changing  attitudes 
of  American  labor  toward  service  employment  and  the  increa- 
sing unionization  of  labor  have  risen  while  willingness  to 
work  on  estates  in  paternalistic  relationships  has  diminished.  ■^'^ 
Second,  rising  costs  of  maintenance  have  matched  rising 
labor  costs.   Residences  meant  to  be  expensive  even  in  a 
day  of  inexpensive  materials  have  become  almost  prohibitive 
to  operate  and  repair. -^^ 

Third,  taxes--income,  estate  and  inheritance,  and  pro- 
perty--have  also  caused  financial  drains  on  the  estate 
owner.   It  is  increasingly  difficult  to  pay  inheritance 
taxes,  satisfy  the  demands  of  growing  numbers  of  heirs  and 
simultaneously  maintain  a  large  property  intact.  The  land 
is  often  taxed  on  its  best  use--its  potential  for  residen- 
tial subdivision  under  local  zoning  ordinances--raising  its 


40 


value  to  unsupportable  levels  and  forcing  the  owner  to 
divide  and  sell,  especially  after  a  death. ^^ 

Finally,  lifestyles   and  social  attitudes  have  also 
changed.   The  large  upper  class  family  unit  with  several 
generations  living  together  has  become  the  exception,  and 
the  retinue  of  servants  and  retainers  that  accompany  it  has 
almost  passed.   Family  members  in  recent  generations  often 
scatter  across  the  country,  rejecting  the  patrician  surroun- 
dings of  their  grandparents  and  resenting  the  time  and 
responsibility  it  takes  to  administer  an  estate  on 
which  they  have  no  desire  to  reside.  ■'■'''   Huyler  C.  Held, 
President  of  the  Society  for  the  Preservation  of  Long 
Island  Antiquities,  explains: 

The  owners  are  often  old  and  yearn  for  a 
smaller  and  more  compact  establishment. 
The  children  are  dispersed,  have  their  own 
places  and  for  one  reason  or  another  reject 
the  whole  concept  of  maintaining  a  monument 
to  an  out-of-date  lifestyle,  particularly 
where  this  causes  problems  in  meeting  family 
needs .  ■^° 

Charles  Roach  emphasizes,  "It  is  the  ability  to  main- 
tain a  100-acre  property  that's  more  and  more  difficult 
when  combined  with  its  increasing  value  over  the  last 
twenty  years."   Roach  said  that  the  area,  long  a  popular 
residential  retreat,  has  made  gains  in  recent  years  because 
of  the  arrival  of  "world-class  office  space"  to  the  nearby 
boom  areas  of  King  of  Prussia  and  Great  Valley.-'-^   Partly 
because  of  this,  local  government  planners  and  real  estate 


41 


officials  estimate  that  vacant  land  in  Lower  Merion  is 
worth  between  $200,000  and  $250,000  an  acre,  depending  on 
improvements.^*^  Obviously,  there  is  great  incentive  to 
sell. 21 

The  gradual  but  steady  progression  of  change  can  be 
seen  in  the  history  of  "Pencoyd,"  a  Bala  Cynwyd  estate  of 
150  acres  first  settled  by  John  Roberts  in  1683  but  exten- 
sively altered  and  expanded  by  Frank  Furness.   (Illustra- 
tions 17,  18).   Pencoyd  remained  a  working  farm  until  1929 
and  retained  its  rural  setting  through  World  War  II.   But 
by  the  close  of  the  1950s,  all  of  the  land  descended  to 
heirs  or  was  sold,  leaving  only  about  twenty  acres,  bor- 
dered by  City  Line  Avenue,  actually  belonging  to  the  es- 
tate.  The  mansion  was  finally  demolished  in  1967  to  make 
way  for  the  Decker  Square  shopping  center. ^ 2 

Continued  use  of  a  building  for  its  original  purpose  is 
frequently  the  most  desirable  and  successful  means  of  pre- 
servation, but  it  is  obvious  that  this  is  becoming  increa- 
singly unfeasible  with  large  estates  because  of  economic 
pressures  and  societal  changes.   As  a  result  of  the  inabi- 
lity of  their  owners  to  maintain  them  in  light  of  steadily 
rising  costs  and  development  pressures,  the  role  of  the 
estates  of  Lower  Merion  has  been  forced  to  change  out  of 
necessity. 


42 


NOTES  TO  CHAPTER  III 


1.  Phyllis  C.  Maier,  Montgomery  County:   The  Second 
Hundred  Years  (Montgomery  County,  PA,  1976),  308. 

2.  Ibid. 

3.  Plan  for  Lower  Merion  Township  (Montgomery  County, 
PA,  1937). 

4.  Maier,  327. 

5.  Ibid. 

6.  Ibid. 

7.  "Fading  Glory:  Fewer  Great  Estates  Able  to  Pay  Price 
of  Greatness,"  Philadelphia  Inquirer,  23  January  1986, 
Neighbors  Section,  3. 

8.  Ibid,  2. 

9.  Guidelines  for  Residential  Development:  An  Element 
of  the  Montgomery  Comprehensive  Plan  (Montgomery  County, 
PA,  1978),  A-52. 

10.  Ibid. 

11.  These  figures  were  compiled  from  Franklin's  Atlas 
of  1984. 

12.  Ibid. 

13.  Ibid. 

14.  William  C.  Shopsin  and  Grania  Bolton  Marcus, 
Saving  Large  Estates:  Conservation,  Historic  Preservation, 
Adaptive  Reuse  (Setauket,  NY,  1977),  6. 

15.  Ibid. 

16.  Ibid. 

17.  Ibid.,  6-7. 


43 


NOTES  TO  CHAPTER  III,  continued 

19.  Huyler  Held  in  William  C.  Shopsin  and  Grania 
Bolton  Marcus,  Saving  Large  Estates:  Conservation,  Historic 
Preservation,  Adaptive  Reuse  (Setauket,  NY,  1977). 

20.  "Fading  Glory:   Fewer  Great  Estates  Able  to  Pay 
Price  of  Greatness,"  Philadelphia  Inguirer.  23  January 
1986,  Neighbors  Section,  4. 

21.  Ibid. 

22.  Interview  with  Sandra  Handford,  Director  of  the 
Lower  Merion  Planning  Department,  1  October  1986. 


44 


CHAPTER  IV 
DEALING  WITH  CHANGE:  INSTITUTIONS  AND  SUBDIVISION 

"Maybrook,"  the  Wynnewood  estate  described  in  Chapter 
II,  is  one  of  the  most  significant  Lower  Merion  estates  to 
have  survived  to  this  day  as  a  single-family  home.   Even  at 
"Maybrook,"  however,  adaptations  have  been  made.   When 
owner  Henry  Gibson  died,  it  was  left  to  his  daughter  who 
was  then  only  twenty-two.   In  the  1930s,  part  of  the  land 
surrounding  the  house  was  given  to  the  township  to  create  a 
parking  lot  for  the  nearby  Wynnewood  train  station. 

During  the  housing  shortage  of  World  War  II,  Mary 
Gibson  moved  into  the  estate's  carriage  house  and  allowed 
six  GIs  and  their  families  to  live  in  the  main  house.   Ten 
acres,  and  then  another  seventeen,  were  sold  to  Jack 
Merriam,  who  then  built  the  adjacent  Thomas  Wynne  Apart- 
ments.  Miss  Gibson,  who  continued  to  live  in  the  carriage 
house,  finally  sold  "Maybrook"  to  Merriam  in  1956  when  she 
was  eighty-one.   Merriam  still  owns  the  mansion  and  twenty- 
six  acres  that  remain,  but  has  closed  off  the  first  floor 
and  resides  above. 

The  situation  at  "Maybrook,"  in  which  the  mansion  re- 
mains in  private  hands,  well-preserved  and  still  surrounded 
by  a  large  tract  of  land,  is  very  unusual.   More  tradition- 
ally, owners  have  solved  the  problem  of  how  to  dispose  of 
their  estates  in  two  different  ways.   One  approach  has  been 

45 


to  donate  the  estate  to  a  worthy  institution  such  as  a 
religious  or  private  school,  usually  with  an  endowment  for 
support.   This  method  serves  to  remove  the  property  from 
the  tax  rolls.  ■'■   The  Lower  Main  Line  YMCA,  for  instance,  is 
currently  investigating  the  possibility  of  relocating  to 
"Maybrook"  because  of  its  shortage  of  space  and  the  obvious 
desirability  the  estate's  twenty-six  acres  provide. 

The  Northeastern  Christian  Junior  College  in  Rosemont 
uses  a  mansion  designed  by  Horace  Trumbauer  as  its  central 
building,  Boone  Hall.   "Clairemont  Farm,"  once  surrounded 
by  250  acres,  was  designed  by  Trumbauer  in  1910  for  Joseph 
Gillingham,  (Illustration  19).   Morris  L.  Clothier,  head  of 
the  Strawbridge  and  Clothier  department  store  chain,  owned 
the  estate  from  1922  to  1947. ^   Now  on  a  twenty-four  acre 
tract,  "Clairemont  Farm"  was  purchased  in  1957  by  members 
of  the  Churches  of  Christ,  a  group  which  maintains  it 
adequately  and  has  made  few  changes,  except  adding  a  ramp 
for  the  handicapped,  to  its  exterior. 

Isaac  Clothier,  a  member  of  the  same  family,  built 
"Ballytore"  in  Wynnewood  in  1881.  (Illustration  20).   It 
remained  his  home  until  1933,  when  it  was  sold  to  the  Agnes 
Irwin  School  for  Girls. -^   In  1962,  the  building  became  the 
Armenian  Church  of  St.  Sahag  and  St.  Mesrob  and  a  poorly- 
designed  annex  was  added.   Most  recently,  the  house's  ori- 
ginal porte  cochere  was  demolished.  (Illustration  21). 

46 


The  examples  of  institutional  conversions  in  Lower 
Merion  Township  are  numerous.   The  Wistar  Morris  mansion, 
"Green  Hills,"  was  adapted  to  serve  as  the  campus  of  the 
Friends  Central  School.   A  hotel.  Green  Hill  Farms,  now  the 
Eastern  Baptist  Theological  Seminary,  occupied  a  portion  of 
the  land.   "Rathalla,"  the  Joseph  Sinnott  house  discussed 
previously,  since  1924  has  thrived  as  the  centerpiece  of 
the  Rosemont  College  campus.   Two  neighboring  mansions  are 
used  for  the  school  and  convent  of  the  Sisters  of  the  Holy 
Child  Jesus.   One  of  these,  on  Montgomery  Avenue,  was 
formerly  the  William  Joyce  residence,  designed  in  1891  by 
T.  P.  Chandler.  (Illustration  22). 

"Woodmont, "  the  William  Price-designed  estate  in  Glad- 
wyne,  was  purchased  in  1929  by  J.  Hector  McNeal,  a  corpora- 
tion lawyer  and  noted  horseman,  who  modernized  it.   By 
1953,  the  house  was  vacant  and  the  land  reduced  to  seventy- 
three  acres.   It  was  sold  for  $75,000  to  Father  Divine's 
Palace  Mission  Movement,  renamed  "Mount  of  the  House  of  the 
Lord,"  and  designated  world  headguarters  of  the  movement.'* 
Mother  Divine,  who  lives  at  "Woodmont,"  and  a  small  number 
of  followers  of  her  late  husband  anticipate  that  the  "Se- 
cond Coming"  will  take  place  at  the  estate.  Happily,  the 
house  is  superbly  maintained  and  appears  much  as  it  did 
during  McNeal 's  ownership. 


47 


However,  difficulties  with  the  conversion  from  private 
home  to  institutional  headquarters  can  arise.   First,  the 
structure  may  undergo  changes  to  both  the  interior  and 
exterior  which  allow  it  to  adapt  to  the  institution's  needs 
but  threaten  its  architectural  integrity.   Second,  the 
concept  of  appropriate  use  is  nebulous.   For  example,  even 
though  a  proposed  institutional  adaptation  may  require  no 
major  structural  changes  and  may  best  preserve  the  archi- 
tectural character  of  the  property  and  its  landscaped  sur- 
roundings, the  neighbors  may  find  it  totally  unacceptable-- 
a  potential  threat  to  their  property  values  and  an  unfortu- 
nate precedent  in  the  community.^ 

This  conflict  occurred  on  the  ninety-acre  Foerderer 
tract  in  Gladwyne,  part  of  the  former  250-acre  estate  of 
leather  tycoon  Percival  Foerderer,  who  in  the  1920s  built 
his  hacienda-like  mansion,  "La  Ronda."  It  was  left  to 
nearby  Villanova  University  with  the  intention  that  the 
house  be  used  as  a  conference  center.   The  plans  were 
abandoned,  however,  because  of  overwhelming  neighborhood 
objection  to  the  increased  traffic  and  activity  that  would 
have  resulted. °   In  this  situation,  what  may  have  been 
appropriate  in  preservation  terms  was  not  appropriate  in  a 
social  sense. 

More  problematic  is  the  fact  that  institutional  use  is 
clearly  not  a  feasible  solution  for  every  remaining  estate; 


48 


there  are  more  estates  than  there  are  institutions  able  to 
assume  the  exorbitant  cost  of  their  upkeep.   Local  govern- 
ments can  no  longer  rely  on  schools,  religious  groups,  and 
other  institutions  to  assume  the  burden  of  sustaining  these 
properties.   Furthermore,  the  institutionalization  of  an 
estate  is  only  a  temporary  solution.   The  Palace  Mission 
movement  which  uses  "Woodmont"  as  its  headquarters,  for 
instance,  faces  a  steady  decline  in  its  membership.   What 
plans  now  exist  for  the  inevitable  vacancy  of  this  house 
and  grounds?   The  answer,  alarmingly,  is  none. 

The  second  common  method  of  breaking  up  estates  involves 
selling  off  the  acreage  surrounding  the  house  for  residen- 
tial subdivision  or  commercial  use,  while  retaining  the 
main  residence  on  a  reduced  plot.  (Illustration  23).   The 
conventional  subdivision  into  parcels  suitable  for  single- 
family  homes,  described  in  the  previous  chapter,  was,  in 
the  past,  the  only  option  to  those  interested  in  this 
method. 

Selling  the  land  for  subdivision,  however,  often 
threatens  the  character  of  both  the  community  and  the  house 
itself.   As  William  Shopsin  explains,  "succumbing  to  the 
temptation  to  consider  the  mansion  a  white  elephant  and 
carving  out  the  surrounding  acreage  often  leaves  the  main 
house  stranded  on  a  plot  of  land  too  small  to  do  its  size 
any  justice."'   Piecemeal  subdivision  without  adequate 


49 


consideration  given  to  design  controls,  site  placement, 
choice  of  materials  and  quality  of  construction  can  often 
result  in  exploitive  tract  housing  or  an  odd  assortment  of 
new  structures  encroaching  on  the  original  mansion  to  the 
detriment  of  the  entire  ensemble. ^ 

In  1973,  Lower  Merion  Township  enacted  a  Planned  Resi- 
dential Development  (P.R.D)  amendment  to  its  zoning  code  in 
an  effort  to  prevent  the  sprawl  that  can  result  from  con- 
ventional subdivision  and  instead  encourage  well-planned 
developments  on  tracts  of  fifty  acres  or  more.   In  1980, 
the  township  approved  plans  by  the  Realty  Engineering  Com- 
pany to  build  the  first  P.R.D. ,  a  cluster  of  107  town- 
houses,  each  to  cost  about  $275,000,  adjacent  to  "La  Ron- 
da,"  the  Foerderer  house  off  Mount  Pleasant  Road  in  Glad- 
wyne.  (Illustration  24). 

Though  in  principle,  planned  development  is  preferable 
to  conventional,  haphazard  subdivision,  serious  problems 
still  arose.   Because  the  condominiums  are  clustered  toge- 
ther, large  portions  of  the  land  remain  as  open  space.   Yet 
the  development  that  resulted,  the  "Hermitage,"  is  disap- 
pointing in  its  integration  of  the  new  townhouses  with  the 
existing  Foerderer  house.   Architecturally,  no  attempt  is 
made  to  create  either  a  successful  cohesion  or  dialogue 
between  old  and  new.   The  new  homes  are  stylistically 
nondescript  where  they  might  have  ref erred--through  mate- 


50 


rials,  scale,  and  architectural  details--to  "La  Ronda." 

More  alarming,  however,  was  the  disregard  for  the  exis- 
ting landscape  which  allowed  virtually  all  of  the  estate's 
trees  to  be  cut  down.   In  their  place,  giant  boulders  were 
substituted,  and  the  essential  character  of  the  estate's 
natural  landscape  was  lost.  (Illustration  25).   When  dri- 
ving through  this  area,  one  has  the  curious  sensation  of 
being  in  a  misplaced  suburban  neighborhood  in  the  Southwest 
rather  than  in  Main  Line  Philadelphia.   Somewhat  ironical- 
ly, Hal  Davis  of  Realty  Engineering  Company  describes  the 
Hermitage  as  offering  "the  quality,  amenities  and  privacy 
of  a  Main  Line  mansion  on  a  smaller  scale. "^ 

Another  recently  completed  P.R.D.  is  "Wrenfield"  on 
Spring  Mill  Road  in  Bryn  Mawr .   The  site  is  one  on  which 
Dr.  and  Mrs.  Frank  Ryckel  reside  in  "Framar,"  a  Jacobean- 
mode  home  which  was  originally  the  estate  of  the  Luden 
(cough  drop)  family.  (Illustration  26).   Here,  the  overall 
scheme,  again  with  clustered  luxury  houses,  is  far  more 
effective  in  its  integration  of  new  construction  adjacent 
to  the  existing  mansion.   There  are  several  reasons  for  its 
success . 

First,  the  Ryckel  family  took  an  active  role  in  preser- 
ving the  integrity  of  their  property  by  collaberating  with 
the  architect,  landscape  architect  and  developer,  the  Li- 
shon  Construction  Company.   The  Ryckels'  arrangement  in- 


51 


eluded  provisions  that  they  would  retain  "Framar"  on  a 
five-acre  tract  and  that  few  trees  and  other  natural  fea- 
tures of  the  landscape  would  be  destroyed  to  construct  the 
new  homes.  ■'■'^  (Illustration  27). 

Additionally,  the  homes  closest  to  the  Ryckel  house  are 
attached  so  that  their  overall  scale  is  consistent  with  the 
great  scale  of  the  house;  the  smaller,  single-family  de- 
tached homes  are  further  removed  from  "Framar."   Finally, 
the  homes,  which  are  priced  at  $500,000  and  up,  are  designed 
with  materials  and  a  general  form  which  complement  the 
Ryckel  home.   The  roof  pitch,  fenestration  and  other  archi- 
tectural treatments  allow  the  new  homes  to  coexist  in  an 
arrangement  that  flatters  both  the  old  and  the  new.  (Illus- 
tration 28 )  . 

An  alternate  provision  that  Lower  Merion  Township  has 
added  to  its  zoning  code  is  the  option  for  developers  to 
construct  what  is  known  as  a  life-care  community.   Life- 
care  communities  for  the  elderly,  which  require  substantial 
entry  fees  and  additional  monthly  fees,  provide  housing, 
meals,  activities,  and,  if  the  resident  becomes  ill,  long- 
term  nursing  care  at  no  extra  charge.   There  are  about  7  00 
such  communities  around  the  country,  but  the  largest  con- 
centration--thirty-six--is  in  the  Philadelphia  region. ^^ 

Two  of  these  facilities  are  located  in  Lower  Merion 
Township  and  both  utilize  estates  as  their  development 


52 


site.  The  older  of  the  two,  "Waver ly  Heights,"  takes  its 
name  from  the  estate  on  which  it  was  built,  the  103-acre 
Gladwyne  property  of  Pennsylvania  Railroad  president  Samuel 
Rea.   In  1982,  then-owner  Ruth  Junkin  sold  the  entire 
estate  to  the  developers  of  the  life-care  facility. 

The  developers  of  "Waverly  Heights"  have  very  effec- 
tively used  the  mansion  as  a  community  center  for  the 
residents.   Because  of  the  placement  of  the  new  buildings, 
to  the  side  and  rear  of  the  house,  and  the  house's  loca- 
tion--the  first  building  one  encounters  when  arriving  by 
car--the  house  maintains  a  prominent  role  by  serving  as  a 
center  and  a  symbolic  home  for  the  facility  as  a  whole. 
(Illustration   29).  Further,  the  house  remains  essentially 
unchanged  on  the  exterior  with  the  new  facilities  discreet- 
ly attached,  using  similar  materials  and  scale.   Like 
"Wrenfield,"  the  new  buildings  were  designed  in  a  manner 
sympathetic  to  the  house  with  many  of  the  existing  trees 
retained.  (Illustration  30). 

Another  life-care  complex  currently  under  construction, 
on  the  other  hand,  exploits  unnecessarily  the  estate  on 
which  it  is  located.   "Beaumont"  in  Bryn  Mawr  was  the  1912 
mansion  of  another  Pennsylvania  Railroad  president,  William 
L.  Austin.  (Illustration  31).   Conveying  stability  and 
masssiveness  in  its  stony  exterior,  it  is  a  quintessential 
Gilded  Age  mansion.   The  magnificent  interior  still  fea- 


53 


tures  built-in  carved  furniture,  original  light  fixtures, 
and  frescoed  walls  and  ceilings  which  are  in  dire  need  of 
restoration.   The  music  room  contains  a  pipe  organ. 

Inexplicably,  the  developer,  Arthur  Wheeler,  has  en- 
dorsed a  design  for  his  complex  which  will  irrevocably 
destroy  rather  than  enhance  the  Austin  mansion.   Where  he 
could  have  created  a  meaningful  center  for  the  facility  by 
capitalizing  on  the  existing  house,  as  achieved  at  "Waverly 
Heights,"  the  Austin  house  is  instead  surrounded  on  all 
sides  by  new  construction,  and  all  but  invisible  from  the 
exterior.  (Illustration  32).   Unsympathetic  additions  and  a 
non-hierarchical  layout  of  the  new  housing  units  have  obli- 
terated the  original  integrity  and  siting  of  the  once-grand 
home.  {Illustration  33). 

Construction  at  the  site,  which  was  heavily  wooded, 
(illustration  34)  began  in  1986  and  is  scheduled  for  com- 
pletion in  the  fall  of  1987.   The  thick  forest  that  once 
covered  the  property  has  been  almost  completely  cut  down; 
according  to  Wheeler,  thirty  acres  of  trees  were  removed  to 
clear  the  site  for  construction.  ^^   Li]^e   "Waverly 
Heights,"  the  house  itself  will  become  a  community  center 
for  the  residents.   What  remains  to  be  seen  is  to  what 
extent  the  interior  spaces  will  be  restored.   Currently, 
many  of  the  rooms  are  serving  as  storage  areas  for  the 
construction  supplies,  a  use  which  has  seriously  damaged 


54 


many  of  the  wood  floors.   Clearly,  this  development  is  not 
being  executed  with  sensitivity  and  respect  to  the  Austin 
estate. 


55 


NOTES  FOR  CHAPTER  IV 

1.  William  C.  Shopsin  and  Grania  Bolton  Marcus,  Saving 
Large  Estates;  Conservation,  Historic  Preservation, 
Adaptive  Reuse  (Setauket,  NY,  1977),  7. 

2.  Phyllis  C.  Maier,  Montgomery  County:   The  Next  Two 
Hundred  Years  (Montgomery  County,  PA,  1977),  327. 

3.  Ibid.,  328. 

4.  Ibid.,  318. 

5.  Shopsin  and  Marcus,  32. 

6.  Maier,  319. 

7.  Shopsin  and  Marcus,  7. 

8.  Ibid. 

9.  Philadelphia  Inquirer,  17  October  1986,  15. 

10.  Interview  with  Sandra  Handford,  Director  of  the 
Lower  Merion  Township  Planning  Department,  1  October  1986. 

11.  "A  Growing  Role  for  Life-care  Communities," 
Philadelphia  Inquirer,  15  January  1987,  2. 

12.  Interview  with  Arthur  Wheeler,  October  1986. 


56 


CHAPTER  V 
PRESERVATION  POLICY  IN  LOWER  MERION  TOWNSHIP 

In  1939,  the  Lower  Merion  Planning  Conunission  wrote, 
"The  charm  of  the  township  is  in  its  open  character.   Wise 
planning  will  help  to  retain  this  charm  even  though  the 
density  of  population  is  considerably  increased."-^   The 
solutions  described  in  the  preceding  chapter  indicate  that 
the  land  use  planning  and  preservation  techniques  currently 
available  do  not  adequately  protect  the  few  properties 
which  remain.   An  analysis  of  the  solutions  which  have  been 
employed  in  the  past--institutionalization  as  with  "Wood- 
mont",  allowing  the  free  marketplace  to  control  develop- 
ment, as  with  "Pencoyd" ,  or  imposing  limited  restrictions 
on  development,  as  at  "Beaumont" --can  only  lead  to  the 
conclusion  that  they  are  not  consistently  adequate  in 
ensuring  the  welfare  of  the  estates. 

What  is  needed  is  the  implementation  by  the  township 
of  creative  but  focused  solutions  which  relieve  the  owners 
of  the  burden  of  the  estate  while  simultaneously  preserving 
the  character,  architectural  integrity  and  local  traditions 
of  their  properties.   It  is  important  to  examine  the  tools 
currently  available  to  Lower  Merion  Township  in  greater 
detail  in  order  to  understand  their  inadequacy  in  protec- 
ting the  local  Gilded  Age  estates. 


57 


In  general,  local  government's  role  in  historic  pre- 
servation takes  one  of  two  forms.   It  can  be  a  direct 
exercise  of  the  government's  police  powers,  as  with  an 
historic  district  ordinance,  or  it  can  provide  incentives 
for  historic  preservation,  such  as  through  special  zoning 
provisions.   Historic  district  laws  have  been  the  most 
visible  form  of  local  regulation  in  recent  years. ^   Penn- 
sylvania enacted  a  statewide  historic  district  enabling  act 
in  1961.   Act  167  authorizes  all  municipalities  to  create 
historic  districts  within  their  boundaries  and  to  appoint 
boards  of  historical  architectural  review  to  oversee  "the 
erection,  reconstruction,  alteration,  restoration,  demoli- 
tion, or  razing"  of  buildings  within  the  districts.^ 

Lower  Merion  currently  has  three  historic  districts-- 
Harriton  in  Bryn  Mawr  and  Mill  Creek  and  Merion  Square  in 
Gladwyne.   Its  Board  of  Historical  Architectural  Review 
(BOHAR) ,  a  seven-member  board  appointed  in  19  8  0  by  the 
township's  Board  of  Commissioners,  is  responsible  for  re- 
viewing exterior  change,  signage,  and  new  construction  to 
structures  within  the  districts.   Recommendations  of  the 
Board  are  considered  by  the  township's  Building  and  Plan- 
ning Commission. 

The  Board  of  Historical  Architectural  Review  is 
presently  compiling  an  inventory  of  historic  structures 
within  the  township,  using  the  same  criteria  adopted  by  the 


58 


National  Register  of  Historic  Places.'^  Surveys  such  as  this 
can  act  as  a  crucial  historic  preservation  tool  by  dis- 
covering and  promoting  public  awareness  of  overlooked  estates 
and  by  aiding  the  Planning  Commission  in  establishing  its 
comprehensive  planning  and  zoning.   A  community  that  has 
both  surveyed  and  established  priorities  for  its  resources 
is  better  equipped  to  make  intelligent  decisions  about 
public  expenditures  to  preserve  these  resources.   Yet  Lower 
Merion  Review  Board  Chairman  Robert  De  Silets  admits  that 
because  of  a  lack  of  manpower,  the  township's  resources  are 
not  yet  exhaustively  surveyed.^   The  result  is  that  many  of 
the  Gilded  Age  estates  are  not  listed,  although  clearly, 
many  would  qualify  based  on  the  National  Register  criteria. 

The  estates  listed  on  neither  the  local  nor  National 
Registers  include  "Afterall,"  the  Arthur  Edwards  house 
surrounded  by  thirty-two  acres  in  Rosemont,  "La  Ronda,"  the 
Foerderer  mansion  in  Gladwyne,  "Framar,"  the  Reichel  house 
in  Bryn  Mawr ,  and  "Bryntydden, "  a  house  near  "Woodmont"  in 
Gladwyne  built  by  another  member  of  the  Wood  family.  The 
omission  of  these  and  other  mansions  allows  them  to  exist 
unrecognized  both  by  the  public  and  by  legislators. 

Another  serious  shortcoming  with  the  existing  legisla- 
tion is  that  most  architecturally  significant  buildings  do 
not  lie  within  geographically-defined  historic  districts. 
Gilded  Age  estates  are  scattered  throughout  Lower  Merion, 

59 


yet  enabling  legislation  does  not  allow  the  municipality  to 
protect  individual  landmarks.   Until  the  necessary  legisla- 
tion is  enacted,  no  township  agency  has  the  authorization 
to  designate  individual  landmarks  to  control  their  preser- 
vation. ° 

Furthermore,  the  establishment  of  historic  district 
controls  allows  a  municipality  like  Lower  Merion  to  over- 
look a  fundamental  item:  the  appropriateness  of  its  under- 
lying zoning  code  to  the  achievement  of  historic  preserva- 
tion objectives.   As  stated  in  the  Brandywine  Conservancy's 
Protecting  Historic  Properties, 

Historic  preservation  has  rarely  been  addressed 
in  suburban  areas  in  the  zoning  code  revision 
process.   As  a  consequence,  municipal  officials 
are  often  reluctant  to  allow  changes  to  accomodate 
a  particular  property  owner  when  there  is 
inadequate  time  to  consider  long-term 
ramifications . ' 

If  a  thorough  historic  survey  were  reviewed  during  the 
updating  of  comprehensive  plans  and  of  zoning  codes,  appro- 
priate zoning  regulations  could  then  be  drafted. 

Zoning,  of  course,  is  the  tool  most  widely  used  in 
suburban  communities  to  regulate  land  use.   Lower  Merion' s 
zoning  ordinance,  originally  written  in  1927,  was  compre- 
hensively revised  in  1979.   It  provides  for  ten  residential 
zones,  ranging  in  density  from  .4  units  per  acre  (R-AA)  to 
17.4  units  per  acre  (R-7).   Nearly  all  of  the  remaining 
estates  of  five  acres  or  more  are  in  zones  of  R-A  or  R-AA, 


60 


the  two  highest  categories. ° 

Lower  Merion  planners  restrict  development  through 
zoning  ordinances  which  confine  commercial  buildings  to 
Lancaster  Avenue  and  City  Line  Avenue,  while  devoting  Mont- 
gomery Avenue  west  of  Narberth  to  apartment  houses  and 
townhouses.   To  allow  for  the  reuse  of  mansions  which  are 
too  large  for  single-family  use,  the  township  does  allow, 
by  special  exception,  division  of  a  dwelling  into  more  than 
one  dwelling  unit--even  in  an  area  that  only  permits  con- 
struction of  single-family  detached  dwellings.   For  the 
same  reason,  institutions  are  also  permitted  by  special 
exception  in  residential  areas. 

But  because  this  provision  is  allowed  by  special 
exception,  rather  than  by  right,  the  burden  of  proof  is  on 
the  developer  to  prove  that  the  conversion  is  not  contrary 
to  public  interest.^   Obviously,  developers  are  dissuaded 
from  attempting  such  a  conversion  if  each  time  they  are 
forced  to  challenge  the  neighbors,  often  hostile  and  in 
great  numbers,  who  fear  that  the  conversion  will  lower 
their  property  values,  create  traffic  problems,  and  encou- 
rage habitation  by  college  students  from  nearby  universi- 
ties. 

Planned  residential  development,  discussed  in  the  last 
chapter,  allows  for  cluster  development  on  parcels  of  land 
with  a  minimum  of  twenty-five  acres.   It  usually  serves  as 


61 


a  means  of  preserving  more  open  space  and  natural  amenities 
than  would  single-family  developments.   In  February  of 
1987,  however,  a  special  ad  hoc  zoning  committee  of  the 
Lower  Merion  Township  Board  of  Commissioners  approved  chan- 
ges to  the  zoning  codes  that  will  reduce  the  density  for 
planned  residential  developments. 

Under  prior  density  rules,  developers  who  built  mul- 
tifamily  projects  were  permitted  1.25  units  per  acre  in 
both  the  R-A  and  R-AA  zones.   For  single-family  houses,  the 
R-A  zones  allowed  one  unit  per  acre;  in  the  R-AA  zone  two 
acres  per  house  were  required.   It  was  felt  that  as  a 
result,  developers  were  encouraged  to  build  pockets  of 
dense  multifamily  housing  in  areas,  particularly  in  Glad- 
wyne,  characterized  by  single-family  houses  on  large 
tracts.-'-'^   Under  the  new  regulations,  the  density  will 
remain  the  same  in  the  R-A  district,  but  will  be  reduced  by 
nearly  half  in  the  R-AA  zones.   In  adopting  a  new  formula 
to  determine  the  density  of  multifamily  developments,  the 
board  reduced  the  number  of  units  permitted  in  the  large 
open  areas  of  the  township.   The  new  formula  does,  however, 
include  a  twenty-five  percent  density  bonus  for  multifamily 
construction  over  what  would  be  permitted  for  single-family 
homes . 

Those  on  the  Board  cited  stopping  the  development  of 
estates  in  ways  consistent  with  the  zoning,  but  uncharac- 


62 


teristic  of  the  neighborhood,  as  a  motivating  factor  in 
changing  the  ordinance, -^^  but  curiously,  the  Board  of  His- 
torical Architectural  Review  played  no  part,  even  in  an 
advisory  capacity,  in  the  zoning  change  process.   At  no 
time  was  its  historic  structures  inventory  ever  eva- 
luated. ■'-^   Additionally,  several  developers  say  that  the 
new  density  reductions  will  only  serve  to  discourage 
developers  from  creating  multifamily  houses. 

Peter  Simone,  a  land  planner  representing  Walter  Pew, 
whose  104-acre  Gladwyne  estate  is  the  township's  largest 
privately-owned  undeveloped  tract,  said  that  the  multifami- 
ly provisions  are  now  overly  restrictive.  ■'■^   Overly  re- 
strictive zoning  may  prevent  the  creative  reuse  of  large 
estates  or  the  innovative  development  of  the  property.   A 
one-acre  subdivision  designed  without  regard  to  the  origi- 
nal landscaping  features  and  the  natural  contours  of  the 
property  may  be  much  more  destructive  of  the  character  of 
the  original  estate  and  community  than  a  well-planned,  but 
denser,  cluster  development .  ■'■^ 

Thus,  while  historic  neighborhoods  in  cities  often 
have  problems  relating  to  permissive  zoning  codes  which 
allow  overly  intensive  use  of  buildings,  it  is  ironic  that 
quite  the  opposite  problem  arises  in  suburban  communities 
such  as  Lower  Merion,  where  the  zoning  is  overly  restric- 
tive.  A  nonresidential  use  that  would  permit  rehabilita- 

63 


tion  of  the  buildings  and  grounds  with  only  minimal  impact 
on  the  neighborhood  is  not  permitted  by  right  in  the  zoning 
code.   Similarly,  where  the  only  economically  feasible 
means  of  restoring  a  "white  elephant"  mansion  is  by  split- 
ting it  into  several  dwelling  units,  zoning  regulations 
discourage  conversions  of  this  type. 


64 


NOTES  FOR  CHAPTER  V 


1.  Plan  for  Lower  Merion  Township  (Montgomery  County, 
PA,  April  1937) . 

2 .  Protecting  Historic  Properties:   A  Guide  to 
Research  and  Preservation  ( Chadds  Ford,  PA,  1984),  80. 

3.  Ibid. 

4.  Historical  and  Architectural  Inventory:   List  of 
Accepted  Resources  (Lower  Merion  Township,  1987). 

5.  Interview  with  Robert  De  Silets,  Chairman,  Lower 
Merion  Township  Board  of  Historical  Architectural  Review, 
2  March  1987. 

6.  House  Bill  1308,  enabling  municipalities  to 
designate  individual  landmarks,  was  defeated  in  1985. 
Lower  Merion  Township's  HAARB  could,  however,  propose  the 
creation  of  a  thematic  historic  district,  the  theme  being 
"Gilded  Age  Estates." 

7 .  Protecting  Historic  Properties:   A  Guide  to  Research 
and  Preservation. 

8.  Zoning  and  Zoning  Hearing  Board  (Code  of  the 
Township  of  Lower  Merion,  1986),  chaps.  155  and  A  172. 

9.  Ibid. 

10.  "Changes  to  Zoning  Code  Could  Limit  Development," 
Philadelphia  Inguirer,  February  1986. 

11.  "Ad  Hoc  Zoning  Committee  Sets  Goals,"  Main  Line 
Times,  25  September  19  86,  3. 

12.  Interview  with  Robert  De  Silets,  2  March  1987. 

13.  Philadelphia  Inguirer,  February  1987. 

14.  William  C.  Shopsin  and  Grania  Bolton  Marcus, 
Saving  Large  Estates:  Conservation,  Historic  Preservation, 
Adaptive  Reuse  (Setauket,  NY,  1977). 


65 


CONCLUSION: 
PRESERVATION  STRATEGIES  TO  GUIDE  FUTURE  DEVELOPMENT 

It  is  clear  that  many  of  the  few  remaining  Gilded  Age 
estates  are  highly  significant  elements  of  the  architectu- 
ral and  historical  heritage  of  Lower  Merion  Township. 
Their  preservation  is  of  critical  and  immediate  importance 
as  their  numbers  rapidly  dwindle.  Yet  as  William  C.  Shop- 
sin  explains  in  his  Saving  Large  Estates, 

Sophisticated  urban  planning  concepts  and 
complex  design  control  mechanisms  are  often 
anathema  to  suburban  and  rural  communites. 
Yet  the  residents  of  such  communities  may 
also  express  considerable  alarm  at  the  urban 
sprawl  and  speculation  afflicting  the  once 
bucolic  and  sparsely  populated  countryside. 
Many  fiercely  independent  suburban  residents 
cling  to  the  conviction  that  the  rights  of 
property  are  inviolate. .. and  may  not 
understand  that  unfettered  privatisra  and 
lack  of  regulation  have  contributed  to 
the  result  they  deplore.   If  we  are  to 
achieve  any  success  in  saving  large  estates, 
much  of  the  traditional  antipathy  of  small 
communities  to  planning  and  controls  will 
have  to  be  modified.  •'■ 

The  existing  zoning  and  historic  preservation  mechanisms  in 
Lower  Merion  Township  are  plagued  by  the  problems  he  de- 
scribes.  The  various  local  controls  are  not  coordinated  to 
the  common  goal  of  safeguarding  the  welfare  of  some  of 
Lower  Merlon's  most  valuable  resources,  its  country  es- 
tates.  What  is  needed  is  a  provision  in  the  existing 
zoning  code  which  directly  confronts  the  problem  of  what  to 
do  with  the  few  remaining  large  properties. 


66 


An  examination  of  the  different  methods  of  reuse  leads 
to  the  conclusion  that  the  best  hope  for  these  grand  homes, 
which  have  outlived  their  use  as  single-family  residences, 
is  to  convert  them  into  multi-family  dwellings.   As  indi- 
cated in  the  last  chapter,  conversion  of  estates  for  insti- 
tutional use,  such  as  schools  and  life-care  facilities,  is 
not  a  realistic  solution  for  the  plight  of  every  large 
estate. 

Instead,  condominium  conversions  must  be  promoted.   In 
order  to  illustrate  the  potential  of  this  method,  the  third 
largest  privately-owned  tract  in  the  township  serves  as  an 
excellent  example.   The  parents-in-law  of  architectural 
historian  George  E.  Thomas  live  with  their  siblings  at 
"Harriton"  (illustration  35),  a  fifty-five  acre  Bryn  Mawr 
estate  off  Old  Gulph  Road  (of  no  connection  to  the  "Harri- 
ton Historic  District",  also  in  Bryn  Mawr).   All  those  now 
living  at  "Harriton"  are  approaching  old  age,  and  Dr. 
Thomas  says  that  none  of  the  next  generation  has  a  desire 
to  bear  the  burden  of  maintaining  the  estate.   He  believes 
that  the  main  house,  which  has  eighteen  rooms,  might  lend 
itself  to  being  divided  into  three  condominiums,  each  with 
two  or  three  bedrooms.   Other  units  could  be  added  away 
from  the  main  house,  and  the  existing  outbuildings,  inclu- 
ding a  barn,  could  be  converted  into  facilities  shared  in 
common  by  the  residents. 


67 


Conversions  of  this  type  have  been  successfully 
achieved  in  many  communities,  including  Chestnut  Hill  in 
northwest  Philadelphia,  where  a  1883  Wilson  Eyre-designed 
house,  "Anglecot,"  the  Charles  Potter  residence,  was  di- 
vided into  condominiums  by  developer  Richard  Snowden.   From 
the  exterior,  the  house  remains  essentially  unaltered  from 
its  appearance  as  a  single-family  dwelling.   Attached  ga- 
rages added  behind  complement  the  Shingle  Style  mode  of  the 
house.  Only  on  its  interior  does  one  discover  that  the 
house,  because  of  a  well-planned  and  well-executed  conver- 
sion, has  a  renewed  purpose  for  the  future. 

One  of  the  first  mansions  where  this  type  of  conversion 
was  successfully  treated  is  "Guernsey  Hall,"  a  Princeton, 
New  Jersey  mansion  designed  by  John  Notman.   "Guernsey 
Hall"  came  up  for  sale  in  1970  after  the  death  of  its  last 
private  owner.   Architect  William  Short  believed  that  a 
multiple  dwelling  would  be  the  most  feasible  way  to  save 
the  landinark,  and  he  formed  a  corporation  with  eight  other 
investors  called  Guernsey  Hall,  Inc.,  with  the  intent  of 
purchasing  the  property  for  conversion  to  a  multifamily 
dwelling  under  a  condominium  form  of  ownership. 

The  mansion  is  located  in  an  area  of  Princeton  zoned 
for  single-family  detached  houses  on  large  lots,  and  there 
were  complaints  that  the  condominiums  would  be  the  catalyst 
for  turning  other  large  and  historic  houses  into  apart- 


68 


ments--a  precedent  which  some  neighbors  felt  would  begin 
the  area's  decline.   Nevertheless,  Short  was  able  to  con- 
vince the  local  zoning  board  that  his  development  plan  for 
the  mansion  merited  a  zoning  variance,  and  Guernsey  Hall, 
Inc.  took  possession  in  1972.^ 

The  two  overriding  design  objectives  of  Short,  who 
served  as  architect  for  his  own  project,  were  to  save  the 
residence  and  keep  as  many  of  the  original  details  as 
possible.-^   Interior  reconstruction  consisted  of  dividing 
the  forty-two  rooms  into  six  apartments.   The  last  unit  was 
occupied  in  July  1974.   With  the  exception  of  improved  main 
entrance  security,  an  elevator  and  two  new  garages,  the 
mansion  looks  much  as  it  did  at  the  turn  of  the  century. 
Situated  on  an  extensively  landscaped  site,  the  mansion 
contains  parking  for  residents  and  guests  and  a  formal 
garden.   The  garden,  which  is  held  in  common  by  the  resi- 
dents, is  maintained  by  a  caretaker.   No  trees  were  re- 
moved, so  the  site  remains  heavily  wooded. 

By  all  accounts  the  conversion  has  been  a  success. 
Even  taxes  collected  at  "Guernsey  Hall"  exceed  the  taxes 
that  would  be  levied  if  five  single-family  houses  had 
instead  been  built.   In  addition,  the  reuse  plan  created 
less  of  a  burden  on  city  services,  such  as  roads  and  se- 
wars,  than  would  have  five  single-family  dwellings.'^ 

In  order  to  encourage  and  facilitate  conversions  of 


69 


this  type  in  Lower  Merion,  there  could  be  a  clear-cut 
provision  incorporated  into  the  code,  perhaps  called  an 
"Historic  Structure  Planned  Residential  Development  Ordi- 
nance,"  which  provides  for  special  subdivision  of  certain 
historically-significant  houses  and  their  grounds  of  five 
acres  or  more.   The  determination  as  to  which  estates  are 
worthy  of  this  treatment  could  be  based  on  the  National 
Register  criteria  which  are  already  used  by  the  local  Board 
of  Historical  Architectural  Review. 

Once  this  designation  has  been  made,  the  zoning  code 
could  allow,  by  right,  the  dividing  up  of  the  mansions  into 
multiple  dwellings,  each  with  independent  mechanical  sy- 
stems and  proper  f ireproof ing,  and  the  carefully  controlled 
development  of  the  surrounding  grounds.   General  criteria 
followed  by  the  legislative  body  charged  with  overseeing 
the  development  could  comprise  these  points:  the  changes  to 
the  estate  must  be  as  invisible  as  possible,  the  design  of 
new  units  should  be  compatible  with  the  old,  and  new  mate- 
rials should  blend  sympathetically  with  the  old.^ 

There  could  also  be  strictly  controlled  requirements  as 
to  the  density  of  the  new  units  and  their  placement  in 
relation  to  the  main  house,  to  ensure  that  enough  space 
remains  to  preserve  the  house's  character.   The  ordinance 
must  encourage  the  reuse  of  as  many  of  the  estate's  out- 
buildings as  possible  and  the  placement  of  any  new  housing 


70 


near  the  perimeter  of  the  tract.   The  extent  to  which  trees 
are  allowed  to  be  razed  to  contract  the  new  units  could 
also  be  stipulated. 

Part  of  the  income  derived  from  the  development  could 
be  designated  toward  endowing  the  house,  and  the  condomi- 
nium owners  could  share  an  interest  in  the  land  surrounding 
it.   The  value  of  the  new  units  can  be  required  to  be 
comparable  to  the  value  of  adjacent  houses  so  that  neigh- 
boring property  values  would  not  be  adversely  affected. 
Additionally,  facade  and  open  space  easements  could  be 
arranged  with  such  easement-holding  organizations  as  the 
Brandywine  Conservancy  and  the  Natural  Lands  Trust. 

In  summary,  then.  Lower  Merion  Township  must: 

1.  recognize  significant  estates  by  adding  them  to  its 
Historic  Structures  Inventory  and  possibly  creating  a 
thematic  "Gilded  Age  Estate  Historic  District;" 

2.  evaluate  the  solutions  outlined  above  for  the  reuse  of 
those  estates  that  are  succeptible  to  development 
pressures,  and  propose  these  solutions  to  estate-owners 
and  developers; 

3.  prepare  an  amendment  to  its  zoning  ordinance;  and 

4.  educate  the  community  about  the  cultural  significance  of 

its  mansions  and  open  spaces. 


71 


The  time  has  come  for  Lower  Merion  Township,  like  a 
rising  number  of  municipalities  faced  with  similar  situa- 
tions, to  recognize  the  value  of  one  of  one  of  its  chief 
cultural  resources:  its  Gilded  Age  estates.   These  mansions 
and  great  tracts  of  open  space  gave  "Main  Line"  Lower 
Merion  its  distinctive  character  and  reputation--a  reputa- 
tion which  has  encouraged  its  appeal  and  current  develop- 
ment pressures.   The  Gilded  Age  estates  endow  their  land- 
scape with  great  richness;  they  must  not  be  allowed  to  be 
swallowed  up  by  suburbanization. 


72 


NOTES  TO  CONCLUSION 


1.  William  C.  Shopsin  and  Crania  Bolton  Marcus,  Saving 
Large  Estates:   Conservation,  Historic  Preservation, 
Adaptive  Reuse  (Setauket,  NY,  1977),  32. 

2.  "Economic  Analyses  of  Adaptive  Use  Projects: 
Guernsey  Hall."   Information  pamphlet.  National  Trust  for 
Historic  Preservation.   Washington,  D.C.,  1976. 

3.  Ibid. 

4.  Ibid. 

5.  Shopsin  and  Marcus,  32. 


73 


ILLUSTRATIONS 


74 


JLOWER  MERION 


fVli-'Tiii    'fi— iTlf      hr      t-'"-^--^-fa--< "- — t-ijc^— itJ 

1.   JOHN  LEVERING 'S  1851  MAP  OF  LOWER  MERION  TOWNSHIP. 
The  boundary  dividing  Lower  Merion  from  Philadelphia  is  at  extreme  right. 


2.   PENNSYLVANIA  RAILROAD  OFFICIALS,  1901. 
Top  left:  Alexander  Cassatt  of  "Cheswold."  Bottom  left:  Samuel  Rea  of  "Waverly  Heights. 


75 


3.   CHESWOLD,  Alexander  Cassatt  residence,  Haverford,  Pa.  Demolished. 


4.   DOLOBRAN,  Clement  Grlscom  residence,  Haverford,  Pa. 


76 


5.  TY'N-Y-COED,  Effingham  Morris  residence,  Arditiore,  Pa. 


6.  RESTROVER,  Samuel  B.  Brown  residence,  Haverford,  Pa.  Demolished. 


77 


7.   INGEBORG,  Williaiti  Simpson  Jr.  residence,  Wynnewood,  Pa.  Demolished. 


8.  REDSTONE,  Rosemont,  Pa.,  1901.  Demolished. 


9.  LA  RONDA,  Percival  Foerderer  residence,  Gladwyne,  Pa. 


10.   WAVERLY  HEIGHTS,  Samuel  Rea  residence,  Gladwyne,  Pa. 


79 


11.  MAYBROOK,  Henry  Gibson  residence,  Wynnewood,  Pa.,  1886. 


12.   1946  ATLAS  VIEW  OF  MAYBROOK,  Wynnewood,  Pa. 


80 


13.  BRIAR  CREST,  William  Henry  Maule  residence,  Villanova,  PA.,  1901.  Demolished. 


14.   RATHALLA,  Joseph  Sinnott  residence,  Rosemont,  Pa. 


81 


i 

"J 

HP 

mtHmtlk^ 

IRhH 

.     .flJ^ij 

'■^11^. 

15.   WOODMONT,  Alan  Wood  Jr.  residence,  Gladwyne,  Pa. 


16.   1908  ATLAS  VIEW  OF  PENSHURST,  Perm  Valley,  Pa.   Demolished. 


17.  PENCOYD,  John  Roberts  residence,  Bala  Cynwyd,  Pa.,  1878.  Demolished. 


*>.  _. 


18.  PENCOYD,  1915,  after  alterations  by  Frank  Fumess 


83 


19.  CLAIREMONT  FARM,  Villanova,  Pa.,  now  Northeastern  Christian  Junior  College. 


0.   1  -W^W&t 


,iJ''*^ 


0§§ 


-.»^ 

"^"^i 


20.  BALLYTORE,  Isaac  Clothier  residence,  Wynnewood,  Pa.,  1886. 


84 


21.  BALLYTORE,  now  the  Armenian  Church  of  St.  Sahag  and  St.  Mesrob. 


22.  WILLIAM  JOYCE  RESIDENCE,  Rosemont,  Pa.,  now  Convent  of  the  Sisters  of  the  Holy  Child  Jesus. 


23.   SUBDIVISION,  Villanova,  Pa.,  1987. 


24.   1946  ATLAS  VIEW  OF  LA  RONDA,  Gladwyne,  Pa. 


86 


25.   THE  HERMITAGE,  Gladwyne,  Pa.   Boulders  were  substituted  for  the  trees  that  were  cut 


down. 


•r*«^V#t~?: -r  t.' 


■**^^fi*S&^^jpfsg^«^ 


26.  FRAMAR,  Frank  Ryckel  residence,  Gladwyne)  Pa. 


87 


27.  WRENFIELD,  Gladwyne,  Pa.  Ryckel  estate  is  in  background. 


'^%^ 


28.   WRENFIELD.   New  attached  dwellings. 


29.  WAVERLY  HEIGHTS,  Gladwyne,  Pa.  Original  mansion  on  right;  new  units  on  left. 


30.  WAVERLY  HEIGHTS.  New  life-care  facilities. 


89 


m// , 


Zf^'K- 


31.   1946  ATLAS  VIEW  OF  BEAUMONT,  William  Austin  estate,  Bryn  Mawr,  Pa. 


32.   BEAUMONT.   Model  showing  Austin  mansion  in  the  center  of  new  complex. 


90 


33.  BEAUMONT.  Life-care  faciities  under  construction  in  October,  1986. 


34.   AERIAL  VIEW  OF  BEAUMONT  BEFORE  DEVELOPMENT.   Grounds  were  once  densely  wooded. 


91 


35.  HARRITON,  Anna  Shinn  Maier  estate,  Bryn  Mawr,  Pa. 


92 


SELECTED  BIBLIOGRAPHY 


Andrews,  Wayne.  Architecture,  Ambition  and  Americans.   New 
York,  1947. 

Baker,  Paul  R.  Richard  Morris  Hunt.   Cambridge,  MA,  1980. 

Baltzell,  E.  Digby.  Puritan  Boston  and  Quaker  Philadelphia, 
New  York,  1979. 

Becker,  Gloria  0.  Gladwyne  Historic  Preservation  Study. 
Privately  printed,  1980. 

Cable,  Mary.   Top  Drawer:   American  High  Society  from  the 
Gilded  Age  to  the  Roaring  Twenties.   New  York,  1984. 

Chase,  David.   "Superb  Privacies"  in  Architecture  of 

Richard  Morris  Hunt.   Susan  R.  Stein,  ed.   Chicago, 
1985. 

Closs,  Christopher  W.  Preserving  Large  Estates. 

Information  Series:   National  Trust  for  Historic 
Preservation.   Washington,  D.C.:   Preservation  Press, 
1982. 

De  Silets,  Robert.  Lower  Merion  Township  Board  of  ' 
Historical  Architectural  Review,  Ardmore,  PA. 
Interview,  2  March  1987. 

Doebley,  Carl  E.  Lower  Merion--A  Portrait.   Montgomery 
County:   Lower  Merion  Historical  Society,  1976. 

Feree,  Barr.  American  Estates  and  Gardens.   New  York, 
1904. 

Fitch,  James  Marston.  American  Building  I:   The  Historical 
Forces  that  Shaped  It.   Boston,  1966. 

"Guernsey  Hall:  Economic  Analysis  of  Adaptive  Use 

Projects,"  Information  Series:  National  Trust  for 
Historic  Preservation,  1975. 

Godkin,  E.L.  "The  Expenditure  of  Rich  Men"  in  Scribner ' s 
Magazine  20,  no.  4,  October  1895. 

Guidelines  for  Residential  Development:   An  Element  of  the 
Montgomery  County  Comprehensive  Plan.   Montgomery 
County:   Montgomery  County  Planning  Commission,  1978. 


93 


SELECTED  BIBLIOGRAPHY,  continued 


Hanford,  Sandra.   Lower  Merion  Township  Planning 

Department,  Ardmore,  PA.   Interview,  1  October  1985. 

Jackson,  Kenneth  T.  Crabgrass  Frontier:   The 

Suburbanization  of  the  United  States.   New  York, 
1985. 

James,  Henry.  The  American  Scene.   New  York,  1907. 

King,  Moses.  Philadelphia  and  Notable  Philadelphians.   New 
York,  1901. 

Lee,  Joseph.   "Expensive  Living,  the  Blight  on  America"  in 
New  England  Magazine  18,  March  1890, 

Lewis,  Arnold.   American  Country  Houses  of  the  Gilded  Age. 
Mineola,  NY,  1982.   (Republication  of  pictorial 
material  from  Artistic  Country-Seats :  Types  of 
Recent  American  Villa  and  Cottage  Architecture  with 
Instances  of  Country  Club-Houses,  by  George  William 
Sheldon  (New  York,  1886-   87). 

Maher,  James  T.  Twilight  of  Splendor.  -Boston,  1975. 

Longstreth,  Richard  W.   A  Survey  of  Architecture  in 
Philadelphia.   Privately  printed,  1968. 

"Lower  Merion  Planning  Commission  Developable  Land  Survey." 
Ardmore,  PA,  1986. 

Lower  Merion  Township,  PA.   Zoning  and  Hearing  Board,  from 
the  Code  (1986),  chapters  155  and  A  172. 

"Lower  Merion  Land  Use  Survey,"  Montgomery  County  Planning 
Commission,  February,  1987. 

Maier,  Phyllis  in  Montgomery  County:   The  Second  Hundred 
Years.   Volume  7.   Norristown,  PA:  Montgomery  County 
Federation  of  Historical  Societies,  1983. 

"Montgomery  County  Planning  Commission  Inventory  of 
Historic  and  Cultural  Resources,"  1975. 

Plan  for  Lower  Merion  Township.   Montgomery  County,  PA: 
Planning  Commission,  April  1937. 


94 


SELECTED  BIBLIOGRAPHY,  continued 


Randall,  Monica.   The  Mansions  of  Long  Island's  Gold  Coast. 
New  York,  1979. 

Roth,  Leland  M.  McKim,  Mead  and  White,  Architects.   New 
York,  1983. 

Scully,  Vincent  J.  Jr.  The  Architectural  Heritage  of 
Newport.   New  York,  1967. 

Shingle  Style  and  the  Stick  Style.   New 


Haven:  Yale  University  Press,  1955 

Shopsin,  William  C.  and  Grania  Bolton  Marcus.  Saving  Large 

Estates:   Conservation,  Historic  Preservation,  Adaptive 
Reuse.   Setauket,  N.Y.:  Society  for  the  Preservation 
for  Long  Island  Antiquities,  1977. 

Sobin,  Dennis  P.  Dynamics  of  Community  Change:   the  Case  of 
Long  Island's  Declining  "Gold  Coast."   New  York,  1968. 

Tatman,  Sandra  L.  and  Roger  W.  Moss.   Biographical 

Dictionary  of  Philadelphia  Architects.   Boston,  1985. 

Thomas,  George  E.  "Architectural  Patronage  and  Social 

Stratification  in  Philadelphia  Between  1840  and  1920"  in 
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'fine  arts  ubrarv 

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