VOOaL SOOHt
^ti
^1
THE
THE KING OF BARATARIA.
B^'
W. S. GILBERT
AND
ARTHUR SULLIVAN
ARRANGEMENT FOR PIANOFORTE
BY
J. H. WADSWORTH
(OF BOSTON, U.S.A.)
Yooal Score complete
Ditto bound
Pianoforte Score complete
Libretto ...
MH^^aecordingU Attof Conff^eis, in th<
tif Congrtis at tVasAtHg/on. PuiUc^irj
6s. Od.
7s. 6d,
3s. Od.
Is. Od.
'it Office ef thtLibfruM
LONDON : CHAPPELL & CO,, 50, N EW BOND STREET, W.
Cincinnati, Ohio : THE JOHN CHURCH COMPANY
VIV
OAUTIOM. -I have p«rinltt«ci Wadsworth to mcorporato je vocal parta of "Tlxe
..tondollOT* ! or. The King of Barat- iie solo purposu of their beii. ite. Single detached
■''vtabew tc»T bo aunff ftt Ofloc^rttt n..'- a,."-e than two avunbara in all from Liio y^nous Operas by Mr. Gilbert
r ji^' myseli »t »ny one Oonoert, ana they must be given without Stage Coatome or Action. Applications for
â– .le (tcht of perfonninf any more than the above, or the complete Opera, must be made to "K. DOYLY CARTE.
avoy Theatre, London." Every copy of this book is offered for sale strictly upon the condition thai it ahall
■?* used only ae above.— AKTHUS SULLIVAN.
'E^=-
/
THE YEOMEN OF THE GUARD:
OR, '• ^
THE MERRYMAN AND HIS MAID.
BY
net
5.
net
7
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3
net
1
4
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GILBERT AND SULLIVAN.
Vocal Score ... ... ^.
Do. bound
Pianoforte Solo (arranged by J. H. WADS WORTH)
Libretto
VOCAL MUSIC.
'* When Maiden Loves." Sung by Mibb Jbbbeb Bo^rr
""Were I thy Bride." Sung by Mies Jkssib Bond ...
"la Life a Boon?" Sung by Mr. CoxntTicwPotJNDS..
"Free Drom his Fetters." Sungby Mr, Gourtigb Putj.^w,^
''I have. a Song to sing, O." Sung by Mies XJlmaf •- ^'^- Gbossmith / "^ "
PIANOFORTE ARRANGEMENTS.
Gharles Godfrey's (Junr.) Selection, as played by all the Military Bands 4
Knhe'B Fantasia ... 4
Boyton Smith's Fantasia ... -^ .~ 4
Small wood's Fantasia -4
DANCE MUSIC BY BUCALOSSL
Lancers. Solo or Duet -*
Quadrille. Solo or Puet 4 ,
Waltz. Sol6orD«et 4f
VIOLIN AND PIANOFORTE.
Farmer's Fantasia «
LONDON:
GHAPPELL d GO, 50, NEW BOND STREET, H/,
City Branch— 15, POULTRY, E.G.
VOCAL SCORE
OF
THE GONDOLIERS;
OR,
THE KING OF BARATARIA,
BY
W. S. GILBERT
AND
A RTHUR SULLIVAN,
Joint Authors of" Thespis ; or. The Gods Grozu7i Old" : " Trial by Jury " : " The Sorcerer" :
H.M.S. Pinafore ; or, The Lass that Loved a Sailor " : " The Pirates of Penzance ; or. The Slave of Duty "
" Patience ; or, Bunthorne's Bride " ; " Lolanthe ; or the Peer and the Peri " : " Princess Ida ; or. Castle
Adamant " : " The Mikado ; or, The Toivn of Titipu " : " Ruddigore ; or. The Witclis Curse " :
and" The Yeomen of the Guard ; or, The Merry man and his Maid."
> m*m <
ARRANGEMENT FOR PIANOFORTE BY
T. H. Wadsworth
^ (OF BOSTON, U.S.A.).
Vocal Score complete Ss. od.
Ditto bound 7s. 6d.
Pianoforte Score complete ... 3s. od.
Libretto is. od.
Entered according to Act of Congress, in the year 1890, by J. H. Wadsworth, in the Office of the Librarian
of Congress at Washington. Public performance forbidden, and right of representation reserved.
LONDON: CHAPPELL & CO., So, NEW BOND STREET, W.
Cincinnati, Ohio: THE JOHN CHURCH COMPANY.
'',y/'
A/y^^''
CA UTION.—I have permitted Mr. J. H. Wadsrvorth to incorporate in this work the vocal parfs-vf'' The GondCliers ;
or. The King of Barataria," for the sole purpose of their being sung in private. Single detached numbers may be sung
at Concerts, not more than two numbers in all from the various Operas by Mr. Gilbert and myselj at any one Concert, and
they must be given without Stage Costume or Action. Applications for the right of performing any more than the abme,
or the complete Opera, must be made to " R. D'Oyly Carte, Savoy Theatre, London." Every copy of thts book ts
offered for sale strictly upon the condition that it shall be used only as above. — ARTHUR SULLIVAN.
(BNis)
^
fnUGi
First performed at the Savoy Theatre, London, under the management of Mr. R. D'Oyly Carte,
on Saturday, December 7th, 1889.
THE GONDOLIERS;
OR,
THE KING OF BARATARIA.
Dramatis personcc.
The Dukk of Plaza-Toro {a Grandee of Spain)
Lxriz {his Attendant)
Don Alhambra del Bolero {tfie Grand Inquisitor) ...
Masco Palmieri
Giuseppe Pai.mieri
Abtohio
Francesco > [Venetian Gondoliers)
Giorgio
Annibalk
OlTAVIO
The Duchess of Plaza-Toro
Casilda (her Daughter) ...
GlANETTA
Tessa
FiAMETTA \ (Contadine)
VlTTORLA
GlITLIA
Isxz {the King's Foster-mother)
Mr. Frank Wtati.
Mr. Brownlow.
Mr. Dennt.
Mr. COURTICE PoDNDS.
Mr. Rutland Barrington.
Mr. Mbtcalp.
Mr. Rose.
Mr. De Pledge.
Mr. WlLBRAHAM.
Mr. C. Gilbert.
Miss ROSINA I5rAXI1I!\1I.
Miss Decima Moore.
Miss Geraldine Ul.mar.
Miss Jessie Bond.
Miss Lawrence.
Miss Cole.
Miss Phyllis.
Miss Bernard.
Chorus of Gondoliers and Contadine, Men-at-Arms, Heralds, and Pages.
ACT I. — The Piazzetta, Venice.
ACT II. — Pavilion in the Palace of Barataria.
(An interval of three months is supposed to elapse between Acts I. and II.)
Date 1750.
The Scenery painted by Mr. Hawes Craven (by permission of Mr. Henry Irving). The Dresses
designed by Mr. Percy Anderson and executed by Miss Fisher, Madame Leon, and Mr. Baethb.
CONTENTS.
OVERTURE ...
Page
V
act i.
No.
1. Chorus of Contadine (with Solos)
2. Entrance of Casilda, Duchess, Luiz, and Duke
3. Song {Duke of Plasa-Toro) ...
4. Regit. {Casilda and Luiz)
5. Duet {Casilda and Luiz)
6. Song {Don Alhavibra, with Casilda, Luiz, Duke, and Duchess)
7. Regit. {Casilda and Don Alhambra) ...
8. Quintet {Casilda, Duchess, Luiz, Duke, and Grand Inquisitor)
9. Chorus (with Solo) {Tessa)...
10. Finale ... ... ...
• • X
■• 43
.. 48
.. 51
... 55
.. 58
.. 61
... 62
.. 69
•• 77
I
2
3
4
5
6.
7
8
9
10
II
12
art {fi.
Chorus of Men {with Marco and Giuseppe) ...
Song {Giuseppe) (with Chorus)
Song {Marco)
Scena (Chorus of Girls, Quartet, Duet, and Chorus) ...
Chorus and Dance
Song {Don Alhambra, with Marco and Giuseppe)
Quartet {Gianetta, Tessa, Marco, and Giuseppe)
Chorus of Men {with Duke and Duchess)
Song {Duchess)
Regit, and Duet {Duke and Duchess)
Gavotte {Casilda, Duchess, Marco, Giuseppe, and Duke)
Quintet and Finale {Casilda, Gianetta, Tessa, Marco, Giuseppe, and Chorus)
.. 109
.. us
.. 119
.. 122
.. 131
.. 136
.. 141
.. 148
.. 152
.. 155
.. 160
.. 166
THE GONDOLIERS;
OR
THE KING OF BARATARIA.
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^jjJ i ijjj
-^3:^
Now yc know, now yc
P
g
^ittS
te
^ — ^-
-q — q-
a 1 1 -
=t=
-f^^ -^ f ^ ^^
^
m
fefc=ur"r f ^
lii:
know,
Ro - ses wliiie nnd ro scs red,
Ro
W
^
:iSc:
know,
Ro â– CCS white nnd ro - scs red,
^
^^
3r^^
^m
•^ji
?iff^
»T^
^
^
1 i> ' -1 ' I ■-' -i • >~
I
f
gj^
^ ^m^
i^
eS^
=^— ^j-P-
^yyi
Ped. ♦ I'ed. * Ted. * I'od.
18,844.
Sff=»=
. * M
te
±G
white . . and red !
g r» J, ■J— g
3te
F
white . . anil leu !
=^
-"p-
^ :^-
e.^i>
inhxi^ ^^
f
m^
^
^^^^
^^
^
^fe
£^
I I I I
Ped.
# Ped.
* Ped.
Allegretto iiiotuiato.
g
^
Solo. Francesco.
V—¥-
J- i/r rr-^
GooJ mor-row, prct â– ty maids ; for
vhom pre - p.ire ye TheEe
^p.fg^g^ ^g^Jt^bi£^ ^g3^^^^^^
^
^
^ I f . f- , J" f . ¥•
^
^=a=^^= ^^
Solo. Fl\.
18,844.
-— &»
JL
p ^^i^^: rc^, ,• r-_. f
> r
^ 9
--?=^
Scj-o
. GlULIA.
11^
Sep • pe Pal - nii-e ■ri, Tlic- pinl^ ami flower .... of all the Goii - ilo
^
i. They're
( ^^^j^^^ ^ ^ ^^^^j r,. rrh^^
^^Jf-.JT..'. ...-
gyfeji ;^^
^
I
^E
bi^j'Y 1 i,j' ; j^ â– r r 'c-t-\^ r f- ^
com- ing here,
as wc have heard but late - ly, To choose two brides from us who sit se
^
> — ^
^ ^— 1 B ^-
JW-
^
I
^
-^ r
^ Solo. Antonio. cii AKiTON'E.) Chorus.
t;
5E
, Ant.
J' ;'!'•; : J- (I g P — '.J> -p-^
^
date
Do all you mai-dens love them ? Pas - • sioii ate -ly I These
se III pre pp — =r: / — PP
WrV^
Ped."*'
^^=«
Solo. Giorgio. (B.\ss.)
'=.i^^_±j^'j^ m
l ^—T
^•^
-f—^
J- ' J^i ^
gon - do- Hers arc to be en ■vied great • ly '. But what ot
who one and all a -
g^r-»-;^^a5^ri-Tf'rfr^
g=S'~n^-Ej
m
Â¥=>
^^^m^
E!^Ete
^s=^^
^ X X
iS^
• -. iZ
5S:
lS,84t.
i^==^^
<r <» ** ^ ^ ^
1 — I J
lO
H Solo. Fia
^-rxzt^^i^^ m
^^
Solo. Vitt.
^d H ^H--^
be - fore . . you ;
la the mean time we
^P-FJ=?^^ ' ^ 11^^ ^^^^^ S^^
• • •
Solo. Giulia
FiA. & Vn-r.
Solo.
I
m
ff=lP=F
-^—'/.
^3=
r, J J' F^-=^TJMi^-^- g^
Two
do - /cii we,
and je are fmr and - Iwcn • ty. Till tlicn, en • joy yuiir
tr
^^^P^^^f^E^E^^^^fe^
^_4_L
'^^^^
M
i=^
=t3
E^^^^l
1 8,8 14,
II
^M^i
Spi.0. Antonio.
i
=l!5=^
'^
*--p-
^
:*=i
^^--%
^
EEEBE^^^^S
)^-¥—\t
ifc
ilol-ce faf-iii-cn-t:. Willi plcrvsure, no- bo-dj' eon- Ira- di â– an- Id
Allegro con brio.
^^^^^^^^
^
h
•*fi-
p-f-
^
ir^
I t ^
-^i-p-
^
fizS
^'
^^^
lES
£
=23:
K
Antonio. (^Baritone.")
^^^^^S
-^ 1 f ^
3^
1 1 r
-=i— 1— =1-
J
1. For the mcr
2. With sor
*fe
t^^
5
ri - est fcl- lows arc nvc, i
rowwc'veno-thing to do.
Chorus, ist & 2nd Sopranos.
#i
Tra
:3-gi
^
5—^-
^=
3=:*
Tenors & Basses, j^ ^ _^
'Ira la, tra l.i, tra l.i, Ira
fs 1 1 ; rri 'â– ^=1=1^
i
9 — ^— i--
i=j^
1 r 1 -
r 1
la la la I,i,
Tra la la la,
That
And
1 r 1 -
la
la la la, . .
Tia la la l.i,
rf=is
-> — k-
la la la,
=FS^^
5=F
#*;h^f^E^
ply
care
jt -t -t .e.
tn^'^r^irr
-^—m d-^S:
t==1=
*i 1 hil l
3: It 5
eS
• «
^ ^ i n: 5 i
-, It :t q: rt
lS.S4.(.
i
12
I ) ^ * J—^ rg^g:
^
-^1 — ^ — P-
-^HH^
^ 1 h — ^ — 1^ — t^ — I-
— d \ M M M —m-
1 h h p g
-f t r
on the e - mer -alJ sea,
is a thing to ponh-pooh,
I
-^— ^-
» m
^^
i^=
Tra la la la 1;
-Nt — f" h ^
«^j^j^^-J^
Tra la la
S
=tq:
tt
Tra la,
tra
la,
\1
- r r f - , f-
la,
m
Tra
-fi-
la
la
la
Tra I:i
^^-
iz±
1 y^ =;<=^
^
1^ t^
1 ^ / b >
Tra la,
tra la,
tra la.
\$
3^
< J I I
^^-zfe z fT ^ !
Tra la la la la.
t
Tra la la
Et
fe
/
K
4?— :t-
^[ Wf^
:^
-U
^
^
F=v
I
^
-» — V
■» — »•
:t q:
i
^
ts=s=
J5^=f
^
^
1 r q--p-
-^ 11
-^J * *
^-r^ C -^X
y ■/ ^ ' ^ •■/
m
("With lov-inc; anil laiiyh-ing. Ami quip-ping and quaf-ling, We're hap - py as hap-py
t And Jea-lous - y ycl - low, Un - for - tu- nate fel ■low, We drown in the shim-mer •
can
ins;
1 r 1
la!
\m,
1 r 1
la!
p
^
i T -rt
s=^
I
ztz^
n i 1 t - ^ 1 J — k
» *i I*-
-:r
^=Sz
^^
N ^
^
^^
rzffi
-^1 — =1 — p-
1)C,
blue,
g ^^M-j J . J ^^ UU^Ji ^ J I J ^ J J . gg
1 1 r ^
With lov - ing and laugh-ing. And quip-ping and quaf-fing, We're hap - py as hap-py can be!
And Jea-lous- y yel - low, Un - for- tu - nate fel - low, We drown in the shim-mer - ing blue!
18,844.
>3
P
f ^l,J-UU^-J-JL J!_Ji
|r2j
Tra la la la la la la
?t=J:
la la la la la la la, Tra la la la, Tra la la la, Tra la la la la la la
f^HJ-Hi^ '^ ' ^ 1 ! i^t . f .f 1 fe^ te^jzfc^
la la la la la la la, Tra la la la, Tra la la la, Tra la la la la la la
^ 'le.. *2jl ji. .a. A ^
[â– â– ^'^ffff^- f^ fit f!J
fad
1 1 b ie
X
-:^
y=^
m^
^
'2jL . t?«. -B. .(L X
5 â– H-
-==1-^
1
1
^^^
r^^-j"
la, Tra la, tra la, la In, Tin
i . „ ,—^
m
rf 1 — ^ - j^
la la la la la la,
Tra
la la
t
-^
i 1 J- . =3
•*• -r
^__^^.^__^
^^^Pf^^
In, Tra la, tra la. In la. In, In In, la la, la la, la la, la la, la
tz^
r^f ^f^Kf-K-[ ^ J J . J I .[ -, J J i^ ^EJE^Hfe
In, Tra la, trn b, In b, b, b, In, la, la, la h, la la, la la,
IE
^^^^^{^%^^T^i i"^ i I J^f^^^^f^ -^
-p 1 » — ■1 *— p -
I - ' I i â– i
-3 •^ 3 2
-=i — «
« — =^
fHH-i =^3^
•>^ , 1_ ,_ t- T^- 1- 1. 1. I- 1. 1_ 1- I- 1- 1- 1« 1-, Ir, 1^ It Io 1-J M !.■»
In la la ki.
Tra la la la,
cres.
la la la la,
Ja la la la la la la la la la la la
-/ r J :\ r .1^
^^^ j- j- 1 j-i^nr^' i j - i r i' l .f-^^-j ^
=e=j=:
' • • — ■^ ' ti > ' i,^— j ' P .J ' — ^
â– 8,844.
2nd Verse.
H
^ 1 t r 1 =£=;
j— 1 1 r
la,
- Tra
la!
-^— =1— F-
-^ 1 r
=t
Tra
-q 1 r — -^ — 5==
-^— ^ — p-
!a,
'-^
Tra
is^ :
la! .
-^— ^— r i -=i
^
2nd Verse
^^^:^^±^^^ ^
-t-
4
— ^— ^— -
^
-=i— ^
^— g-^-
■"-'i— ^— p-
=1:
â– 25-
^
i
^E
-^1 ^-
IJ/.
2nii.
L^
Recit. Fia.
^
AUe'ro aoUalo
I
I
See,
-^HP-
#
K
S^—*"-
^
a a 3
<^> hvr ^
• m»
m f pp pp
£
-^H*
^£3
^r^^r-i^^-'^-^ ^^r^^-^^^i' t L ' mtn ZLr-X-
4 "-> ^/ M^ ^l' ^/ ^ ^
Ped.
T r r M^
? ^= ?=^^
1:^
t=i=^:=t^
-P
^^
at last they come to make thtir choice —
Let us ac - claim llicm with u - ni - led
:^=ft
r^-1^
^
Chorus.
L . / Sopranos.
^
^m
ie
P
^*-
m
tf — ^
^
=F
:^
\$
voice. Hail,
a tempo.
IlaH!
^
g.il - lant gon - do
lier - i, ben'
m^'f S F4 ^=f=*^
/
g
nr^i i -^
^^
18,844.
15
i
^
^r=^
• nu
Bva.-
ti ; Ken
ve • lui
li!
Ac cept
^p7p — ^ ^^ ^^ =4i
-r
%E
love,
^
^
J'l.
Pcd.
s
=«=f
^
1^^
fei
*
ma^c, mill oiu' ilii - ty Hl-ii
vc nu
li ! Iicn
is
M-rf-1^
i
ve - nu - ti !
S
Si'<r...
^*â– =M
f
==JC
>
F^ i T-
^
i
^
^^
m
=t4=t
fe
Marco & Giuseppe.
s
-p p-
3e
Euon' gior • no, Si-gnor - i - ne !
Chorus, ist & 2nd Sopranos.
T>-r r I r- p-f =^
^
^
-P F-
^
Allegretto gyazioso.
Gon - do - Her
I ca - ri3 -SI - nu I
'Til^^hMJ^l
n i^i V J^i^i ^\n j-i J
SiFf-^ r% K^"^if^f"4FR-^4ff"-Kgf^
i
Marco.
i^^
^F=F
V— f^
lf=F
-P — p-
^^ M m m
liCZ^fc
(i
Ser • vi • to
GlUS.
ti u • mi - lis si- mi! Per - chi ques ti fior - i — Ques-ti
^
M N
S
^
J=3=t
i^
» ' *.
^
w • y
d -^ ' V
Sia • mo con - ta • di - nc 1 Scr - vi - to
ri u • mi - lis - si - mi ! Per - clii ques-ti fior • i — Ques-ti
i
m
h -s -
nrru H^f^^ Wf^W^I^
s
m
I]^
-Si-^.
m
^
K N
1 3 13 ^Eji^E5z3'
^
]S3;
^^^—^-
18,844.
/ y
wm
1 ' J *
3zi=±
izizi:
-e-#
i6
Marco & Giuseppe.
fiot - i bel - lis • si • mi ?
Chorus. Sopranos,
I'ct lei,
bcir si • "no - ri : O <c - col - liu - ;is - si • mi :
r=M=i
< 1-
i=t
jjj J aU -M^
/V S. 1 1 1 » 9 \ M M M m \ m m m m \ m m m » : •'* « * ■* _
^^
m
5
^
Marco.
rq"
-P P-
:^
:2C2r
O ciel :
Gius.
ctti !
H^
f r I r &#
r t l r V t ;-
m
dMl
P
1> r r =a
ip
j^ ;* I j r 'H
O ciel !
(^ '• " ^
•^&
Sia - mo gon - do
^^
O ciel I
Chorus. Sopranos.
f'on . do - licr - i ! Si-gnot â–
z^z-P-
S^
^^
Buon' gior - no, ca - va - lier
i 1
N Chorus,
na, io t'a • mo I
Si - gnot ■i • ne !
r^=^
m^
^
-*-^-u
m:
ifia:
^
:W
^
Pg'^g^
T
1 1 ^ n ' — hj r- ; '-Vm "CI '
/ T
W— W:
Marco & Gius. g
i
i
^^
* J
-* — *-
Buob' gior - no, Si - gnor - i - ne !
I* r
Gon - do â– lier
Buon' gior • no, si • gnor • i - ne 1
^^-fTJf l^
^^
^
T=g
ris - si â– mi I
^^
18,844.
% ' y ' \}rr
4 4
i8
it
*' 1/ '> 1/ Pi
Marco.
221
^
1/ 1/ I
1/ / I k' / > k» "P" I
Ser - vi - to - ri u - mi - lis - si - mi ! Per
ques -ti
Sia
mo con - ta • di - ne !
m
f> J'
^=r r rJ ' " i ; i ; -t — ebe
I
\ ' " J- S f
Ser - vi - to - ri ii â– mi lis - si -mi!
Ser - vi - to - ri u • mi -
!^
-^ ^ t^ '.
i
%=Jl
^
^==F
CI— e
^j^^^
m
J
J J~s
— :S— ^-
f r /
/,),>
gi=^ r'ur'''j Li^^=^
^^iTiJl^Lj l
"f~T ^ I* ^ -1 P T
J L
_^ <«
m
fior • i — Ones ■ti (ior
i bel - lis â– si - mi !
1st Sopranos.
. I
zi
^^
zS
5:
^d
Per lei,
beir si - £rno
m.
:^=a-z
j=8^=£ p j j =jL ^V fc=8^ g_ 8:
W
lt=t±±
i' t- / tS I y i> \ \
i i 4 ' ,f: -N
O
t=t
• — p-
» • *-
///PI
"rr"r r
lis • si -mi ! Ser - vi - to - ri u - mi - lis - si -mi, Ser - vi ■to - i i u ■mi - lis - si - mi,
i
-1=^
^^ I ! zqfrr^
â– A- er
^-
-f-
:S=3=
'» - r°i: ,. '*'
i
EI3^t
ai?i:^*=*=*
JP'~P^P'
-^ — 8-
7®^^ — W~ •', (•
^^^
r-rj 1 'l; ^
^
li^dr
^
w
E^^gE^
Si - gnor • i - nc !
^^^M-^-^-i=
Gon - do •
^
UZZjI
irat
«-J ec - eel - len - lis - si - mi !
Con - ta - di - ne ! Ca - va - lier - i !
â– i^
i£^
^^^
^^^
-7=^
V / t
lis
Si- gnor - i
ne !
4--! — L
::iJ=t
i
mQ^^-i^m
Gon- do
S^i^E^^E
?^r
-J^ ^
^S
te=i^^
^
18.84*.
-=! 1
$
^
/
^I'u lettto.
19
^i=it
P r.
-f- -p- -f- I
Jiz
lier - i I
I" X
Biion' gior iin, ca - v.i - licr
^rt
(inn.
^J ^
^
=r
E
m
Euon' gior • no, ca • va - licr
i!
m
^
f.
p^
-s==^
dim.
P
^
N ^^^
it
Alle^^-o 7>ivnce con nwlto brio.
Marco.
i
i
f
3^E
5
We're
Giuseppe.
-q — =1 « i
We're
NN^M
f f :P- f t
S
r|- »
It
Wf^
^fc^fe^fc^i^^^^^fc
^ f^T^ T^ ^ g^^M
^
fc ^hr -tft M-^^ ^
called
TH ■lio ■licr ■i, Cut that's a va - ga - ry, It's quite ho - no - ra • ry The
'm
M^ ^ :â–
^^m
called
lier â– i, But that's a >a - ga ry. It's quite ho - no - ra - ly The
l8,«.M.
20
$
m
1
s
:*^:*=
trade Ihal \vc ply.
^
1
•i^t
^
g
j^
tride thai we ply.
iV ^^^^^w^-r^^V^ ^
^
^
^
-f^i
£
$
For gal
Ian - try no • ted Since we were short
^
^
5^
fe^
For gal
I.Tn - try no • ted Since we «ere short
&=j!s^= pa= qj^
?^
r^r^^^f^
s
v« a =-
i
^
— a!=n::^!=»^
6 i r
^^^^^^
^
ccat - ed, To beau - ty de - vo ■led Giu - sep • pe and I
m
i-^-gH ju^a J' r. r.
-^r-^
• M •
-:s:tL
^^^SSZ
* ^_^ '
coat - ed, To beau ■ty de ■vo ted are Mar • co and I
IS, 8^4.
21
I
S=P
7S=t^
^=^
m
^
:^=
1 1 — iJ -
Wbcn
=i=Jc:
-^ 4-
When
i
)» V
T fe
^tir c ; IP g ife l i fe
g^3^
^^
> r"
mora • ing is break • ing, Our couch • es for - sak • ing, To greet their a - wak - ing With
i
I' c lii* h; ^ ; I fc r ii£=^^
h i I s K
r ^ r
morn iiig i- l.reak - ing, Our coticli • c^ Pit - sak ■ing, To t;rcL-i tlii--'n
Hak - ing With
=^
rrrrr^ ^^^i
^
w^ -i J . ^ 1=^1^
i
^
3^
-^^•^-^
-r â– *â–
^^
^^
1 1
^
1 1
-i > 1 1 -
1 1 -
?
b?
i
:1^^==^
K Is
-f â– -
J J =
> â– J^
•^^ — ^~£:
=«^
^
car - vh \\c come.
At sum ■nier clay's noon ing. When v.cn - ry la - goon • ing, Our
P
-K K -
r ~ i]^ ^' JM ^^
^
ear • ois we come.
At sum - mer days mwn - ing. When wca - ry la • (joon • ing, Our
t — h
=5^1
T - I . i r
I y
I I
I I
■»■■*"
m^
I » I
f* I P I JC
i
P ! P
1S.KJ4:'
â– ^J: r-
22
R
S ft fr-fe l N te ^-^-^ 1 h ^-V-fe-^ l f i ^ -te-^->-
[, W— J— W— J-
=ir=i^
IE
-• — « — •-
ly
thn;m. Tra la la la la, Tra la la la la, Tia la la la la, Tra la la la
I
T~ ^ f f r 'Â¥ Sl
m
â– ^^
a
p
•^-f^t
^
EE
^^
^^^^1^^^^^^^^^^^^^^
!â– fc
S^
la, Tra la la la la, Tia la la la la, Tra la la la la, Tra la la la la, Tia la !a la la la
18,844.
23
la, Tia U 1.-1 la la la la, Tra la la la la, Tra la la la la!
f ^ j: ^^ ^L^±^
WTien ,
'^i . i ^r^\> 9 i i i
=C=3=gE
la, Tra la la la la la la, Tra la la la la, Tra la la la la!
WTicn
ss
b f *-
I I
Â¥
^
^
EiEEiEfe
Ib^
g^^
lb
^-t±:£j
i
*^_bi
tt
^S^3H
^^Se
f^^^feS
pcrs are ring â– ing. To hope cv - cr cling - ing, ^Vith songs of our
,* > ^ I * — 1> — ^ ; I * / I, I ^^
1^
j-ci3 aie ling - ing, To hope cv - cr cling - inj, With songs of our
l=fe^3E|^
P
£
"n j =
^
-^— fe S f^ ^^:. ! i ,^
sing - ing A vi gil we keep
^f 4
sing - ing A »i ■gil we keep
^=i=
=^
^g
=:*:
^1
18,844.
24
1 1 J
^^
=?=^
When day - light is fa
ding,
Ed
fe
=fS=?5
1 1 j^
1 1
When (lav â– light is fa
ding,
Er,
( if' ' p ^, 1 1 j^l^^^*^?^^^
^t-i-J
dac
s:r
=p=^
<fe^
ts — r
^
dim.
s h
^
^?=^
:3=3t
. wrapt in nigl.l's sha
din"
rtrfc
N N
^?
vrapt in ri;^':'*- =''a
\Yith soft se • re
dim.
1 1 ,L^
^S
Is N
\\'\'\\ srift se - re - na
dim.
eas
^^
^
ding
-#— *-
- ding
h h. h
im~
r^^tnT — ;/Jj
^^ r^-^ .
We lull tliL'm to sleep.
We lull them to sleep.
1S.844.
25
^
^^
espress.
ES
With soft
j-f i-.jiji.i-.iiii^ ' i j :! j i ; T^ | â– ^^T^^^
s
f
1 1
^ 1
1 1
u
^^^
i^ I t^ in
i
■iin*; \Ve lull them to «le?p.
^
£
i^ u r^
hill
^ j~n ^ I 1 ^
^ifii:^=i=^«r:t
•'i"r>i. We Iii'l them to sic-p.
T"Tn
^m
bj -^ J ^ J d_L j ^ J i j # I J -â– J
^
•1 1
V>P
J' 1 1
"> 1 1
_± ♦
p
i
semprt P
^
-J f
With s-ift
sempre )i
re â– ":i - ding We lull them to
sleep.
^ -f. g ^
i > ; ^
:Jz=
-U y g
With soft 5e • re • na Hint; We lull them to -leep.
sempre p
I I
^lil
- » t *-
J * I *
?^-fi-^
18,844.
26
con/orza.
%^ ^ 'rr-Vf.
u^ 'J \ i r
We're
w
call d gon
y_
•1 f
do ~ tier - ;',
^^ g I > ^^_^_^J =^ ^ -^ ^ J:^
But
p y f>—%^
V | g i g ^-jg I ' ^ ^-^
tlnl's a
3^E
:cifc
i
o
Tia la la la la, Tia la la la la, Tra la la la la, Tra la la la l.i, Tia la la la
J?: fl
• •
^
^=p=
-i» — -
i^
^3
Gon • do - licr
gon - do - licr - i, Tra
$
^
=p^=iH=j^=^
m
P^
» — »~
^
(C ? — 5. — p — s>-
la, Tra la la la la
Gon - do - lier - i,
con - tlo - licr - i, Tra
^
1 ^
S
^
^1
1 1
1 1
1 1
^
5^^a
^^^^
^
^
^
^ > L'
la la la la,
i
^ " b
Tra la la la la la la!
1 1
Coil • i!l> - licr - i,
fi-i'S'yi.
^
1 1
•1 J
la la la L,,
i
M
3
iS
Tra la la la la la la !
Gon - do - licr • i,
^m
^g
wm
1S.S44.
^^^^^
-p p \ =*=
i
^^
r 1 1
1 1 -
cres.
27
i
^^^^^m
^
^^
JL.LJLA
9 9 9-
^ g g^= g^' I * g — 5— g— ;-ti
£jon - do lie
Tr.i I.i la 1a l.i, Tia la la la I,., Tta la la la la, T.a la U la
f
:^^=^5C
r * â–
F p
=^=r
-C E E_UJ :^^^^^^
gon • do lier • i, Tra la la la la, Tra la la la la, Tra la la la la, Tra la la la
^^^p^i^i
J/10l/l> c/VS.
p
s^
=^^
-f — »-
^^
^^U-t-L^-^tTfTli
ai^!Lj_^=j=fcij
-^ 1
la, Tra la la la la I
S ) ^ ig — |g — ^ — ^-i-^
'Ira
la!
=? q ^-
^
la, Tia la l;i la la !
1 1
Tia
la!
P
^^
t) — T
^
fc=?E
. r.ru'
1 1
/â–
=^=^
* 5-
Pcd. â–
m
/â–
.PL JL
t. ^ -J^ .
1
:t
-»-
4^
It-
i
â– 1 1 z
sj sf
=i=r
^
i
1— g-pl
^
^^
-^i — ^
t:::i=
^T 1 1
f
=^=^=^
Fed.
18,844.
red.'
Fed'
28
f
Moderato.
Regit. Marco
-s r ^ P y — 3
^^ ^i '''\i
a tempo modtrato.
Ami now to choose uur briJes !
»
Gius.
f I- h =g:
m
s
^
Regit.
M
-W â– -
As .-ill are your.g anil fair, And
a tempo nwder^o. ^
^ \ } ^ r Jj j^j^fe-,=j=^
zsz
fp
rS:
^
/
P
g f p g arrg:
a * T T-
^
1 M i
■»■-r ■»â–
P^
i
f
$
\
^ ^ J
1 — =■— eH "^ — V
w — *
We real - ly do not care .\ |ief-iencc to de â– clare. A hi â– as to dis- close Would be in
1 -H r 11 ^
rftczfc
tip , PI r^ ^
a ■mia - b'e I e • fides. We re.i! - ly do not care A pref-Vence to de - clare.
44J -^J -U^ J-^^L^^ ^^
;7T 3 , p . .r
^=p=
^
1^
p
i^=P
de - li • catc—
m
m
^ M : i c fr J
s r K
=1=^
ti-t^U^
s^f^^-n^=^
And llicre-fore we pro- pose To let inr par - tial I'ate -Sc â– lect for ni a
29
matel
Chorus. /
r 1
a-f 1 n r, ff in ^;~rmTrf]
Vi-va! A bi - as to ilisclose Would be in - ile - U-cat»—
it
Viva!
1 ^1^ ^ gllg t ^^
But how do they proi^se To let lai -
P ^M^^
fe^
B Cius. Regit.
f^ -, ^ j_jL^^=^ aE^
par - tin) Fate Se - loct for Ihcm a mate?
=^
These hand - l;cr - chiefs up - on our
s^
m
^=i~
^
â– ^
S
^
jO Rfxii'.
^
Marco.
And Like good c.-.rc lliat b j'.h of us arc ab - so â– lute â– ly blind ;
Then
^
1 ; ; J J- ;^
^
~r ?
P
eyes be good e â– nough to bind,
Then
so
a tempo.
^
E
- m r
I C e I ^- J'
turn usround — and we, with all con- ve • ni - ent des-patch, Will un ■dei-take to mar - ry a • ny two of yea we catch!
^ ^'^^:^^^^^^E^^_^-^^t^Fn^f^^ f ^ I ;, j.^ ^
turn usround — andwc, with all con- ve-ni-ent despatch, Will un-dertake to mar - ry a - ny two of you wc catch!
Chorus. J.
fr ^P-
=^-^ V^ ^
V
Vi - va ! They
=!2==^
W
3^
Vi - va ! They
J" i i
W3
##-#
fe=3i
Â¥
^1 — s 1 r
Ni r 1 f st
.S^:
v| — 4 4 4
f
t 7 i
^
i
— ^ H^-is iR P — J -. >, 1 " "-
3:i=3z
^=3=^1
-^ P
-^ — P-
•i^:
J: â– *-
r
?^
r
^
-N- fe-
^^
5=«i:
-*-=-
un - dcr-ta!cc to mar - ly a - ny two of us they catch !
5i=S^=?=
^^^^ES3
\
^-i" — P- ^^^^
i=F=^
] un - der-take to mar - ry a - ny two of us tliey catch !
I
FlAM.
^IARCO.
EE
^
:)5=F
K h
^
ffl^~n
5
* * ' X
Are you peep- ing?
Can you see mc ? Dark I'm
i
Allegro con iiio/o.
4E
^^^^^^^
^-f4-^— rn 1 1 |- -j - 1 I 1 f^ 1 r J ] | J
Twrt
y-
•p
b li o
^
4-
qi&
Ped
i8,8.)4.
I^^^ g 1 1 g ^n ^
:E
p^^m
=t=s=
^SE
c_r rr r 1^
m
\'in'.
^m
Giuseppe.
itszrfr:
-P F-
m
-»— *— I— ^^=;^:
keep - irg, Pari; nn 1 drcaiii
— V
)• ! If you're blind-ed
Tru - ly say so.
All nVht
E^
J J I ^
^j j l LLXJ^
r^
tr
ffi
jSlE
^Â¥
=8=r=«=i
?
3^
< < -*»-*)r
<»-ir
TX—T
i
C FlAM
ff.ic l i r !: c r r. c c i 'n r J^rin-^ B
3^^
mind - ed Play - ers play so !
Con-duct sh.i • dy '.They are cheat-ing ! Sure - ly they de-Serve a beat- ing !
^
ms^
^
p •
j^^f=^
=*=fe
^^
I ' ' I r iT
.^â– ^^J e^^^ e^
N 1
m
?
-:r
VllT.
h k ^ ^ fi rr:
^
i^ ' • • *^
s:^^=^
5
^
* ' ^ ^
This too much is ;Maidens mocking — Conductsuch is Tru-lyshocking!
GiANETTA & Tessa. ^ s
4- !s r* > K J " 4-
1 E i TA iX 1 tbbA. . > ^ ». IS IN
^ ' y > ^ -" ' — tr-?"
Vou can spy, sir ! Shut your eye.sir 1 You can spy, sir 1 Shut your eye.sir!
M
Chorus.
H-M^!-hUm M^ m^
tt
You can spy, sir ! Shut your eye, sir ! You can spy, sir !Shutyoureye,sir!
^
m
i
m
-7-
fors!iair:c.
? i
Fie, forshanie,
Fie,
±i
gJr^H r r I i,J 77 j „ r-j Pi
-' I ' '
i^
ai 1
^
:-P-
J=
32
nffrfm^
r ,_ f
-r-Tt-
m
^m
-irf f^—
-^—sr :
-»^^-
^ on may use it by •an<l-bye, sir ! Vou can see, sir ! Don't tell me, sir ! You can see, sir 1 Don't tell me, sir !Tliat willdo— nowlct it
A ou may use it by -.inJ-byc, sir ! \ ou can see, sir! Don t tell me, sir I Vuu can see, sir ! Don't tell me, sir IThal will do- nowlet it
m.
^t^
£^ e 'it-f r^ rU-^^!^^^'=^'=^=^
W
V U \ ^V-^
^^^
^
i2=2
Fie, for shame ! You can see, sir ! Don't tell me, sir! You can sec, sir I Don't lell me, sir ! That will do— now let it be, sir!
f f f !" f f
■\ \ . \ — ' ' ' ' - J I I " r ^ i__L — „J — ^ ' i I ft ^ I — — —
^
^^' ^ f^^ ^
u
^»
jJJIlrrniin.
yr=^T
b . H i t — y
1^ J' r J' r J^tT
rt
^
is:^
W
r&
be, sir ! That will Jo — now let it be, sir !
i
-r ^i> ]-
^
Chorus of Girls.
r^
^=^
L\ )" y * ^ * ; * r: * I ; h
■^ —
-4 h w-
^
^
be, sir '. That will do — now let it be, sir !
f — g »-^— • ■— » — ~* r
My pa • pa ho keeps three hor scs. Black, and white, and
\ ^s^s .
^=^=f¥
m
^=^E^^^
That will do — now let it, K t it be, sii
^^^=^N^^
Lento.
iii
^SJj l LJ' '' 1 1 r "i 1 !• 3j— p-T-^— gE^
sf
g^-^-
1 j* 1
=&
* r
-p —
^ii
1 1 r -^
1 1 r 5 :
II P 1 -
â– J:
.^
JM^ h H -^^ j
^^
lie
h * J
^F=^
B
-* — #
dap - pie grey, sir; Turn three times, then take your cour â– ses. Catch what - ev - er giil yuu may, sir !
i
is
iSfe
f' 1 1
^
1 1 r
1 1 r .n -
^
1 1 â– r
1 1 r -^
P^
A'c/.-rt/ by
Chorus of Men.
-V^
T
â– ^
lS,844.
^
T
•; 1 r -
-p ^
1 1
%
r
r
/
^e
•r
oo
ttifi
^
S
Giuseppe.
'â– I- r r )' I ' H 3^
F r
3^
I've at length achieved a cap-ture !
This is Tes-sa.
i
ife
pi
M
a
^^^
Rap - tiire, rap - ture !
Chorus.
fn^r-?
Rap ture, rap ture !
-» — r-
Rap • ture, rap - ture !
Marco.
To me Gia - net • ta Fate lia»
m
M
^r — r
tt i I
grant • ed !
m
w
^
SS
I !
Just the ve ry girl I wan - toil !
T
^
U
^:g:
m
S^^^
Just the ve - ry girl he
.^ . .». ^ 4L t- '^'
^^
i
Just the ve • ry girl he
M. . M 'M'. m. 0.
^^m
m
f
#
-J — -J
4 « a
â– d ^ 1"
18,844.
."4
Gu-s.
( ^^s - ' ^
, Tessa.
-nt — r-
^sa
^ -j I =p=
-V— V,
Marco.
• K
If )vvi'J ri - thcr clunge— ^ M_t gvxxt - ness ! This in • Jeed is sim - pie ruJe - ness. I're no
1
-*-i r
1
zrr—r^
^'^^-^
, GlW.
f~» •-
^
3^=::^
m rp
iti-
pre - Srr - trtce what - ev - er— lis - ten to hiui !
\\\!I,
I rev - er !
^
^^
^
^
AttiXiwi.
lS,S44-
35
i
p
Each of us to prove
trca - sure, Con - ju - gal and mo â– nc - ta - ry,
ir r
"1 1 ^ r
ir p-
s i r K '
t-^hP- — p-
I- 1 r p-
- 1t" r
3£=z£:
^^^_f_ iMfc ^Ft=^
IE
g
Clad - ly
will de . vote our lei - sure, Cal - lant ^o« - </» • /'<'"
K
^
- r N - T ^ - -f^
Ped. ♦ Ped.j
* Ped.,
«
?^
fe
f.
^
# Ped.
^
?!K-^^
%
-rr
m
o »
*^ . ,. I,a la la la la la, Tra la la la la la la, Tra la la la la la la la
p. .0. Sva.^~
^f— >^— P=4^
-■-jU_»
_3__5
^^^^
^*n~ I "iH ^ ^ ^
S
^^fc=r
L T - l > — r- — n i v T br
P- 4»-
-K #-
■«. «• 1^
^^^N^E^g^r^ i f^nfMi^-^
^53
5c:trr;jE
18,8.44-
36
^ rrm
u j i
-p — f«-
fet
^
Tessa.
^
Cay «n<l gai
Ei
i J l -l J
^">
do - !u
Take U5 bulh and huld
liijht - ly,
Vou have
> " r > > 1 -
6 ?=^
^
-^— iv^
n
. p^j .,^„^_ ^
-r — r-
=«^*
T t Tl
-P- — F-
— • 4 »
-P P-
-P P-
â– * r
^jL^^j^,^
=p^
rz3i
^^
luck ex - Ir'or - di • n.i
r) ; We might liave both beenun - siyht
1)!
^^^^
^
^
-P P-
St
t^Hr-
-* *
<i— I • W f-p — *-^-W-^
f¥
TT-^* ^
L0 g.
r r
id
1. N-i
s
-Nr^-
* S
k=^
-Tt—ii
1^^
m
^
It we juJj;e y
our oia - diict right ly, 'I'lvas a clioice in • \o - Uin - ta - ly ;
^
i2_
P
:^^
p
(
PP
i^
-r-
M^=3=i=rf^g^ N ^H:3J^ i '-HTt-^^IJ C^
~p — p-
18,844.
Fed.
» Pctl.
* Fed.
* Fed.
2>7
V-p — 4 -
pc
Slill we thank you
i
^=
^
most
P
i
po - lite
It.
C'lajr and gal - lant gon - </o
^^ ^
^^^ ^-frf-TtT^^hr^t 1 1 J >4
^^=^
I ^ ^I t ^'H
V 1 > ' 1 -
* Ped.
^^
r>-r-
=S=i^
^
/<Vr
* 9-
Tra la la la la la In, Tra la
la !a la la, Tra la
p 1 ! ! 1 1 f ~ ! : 1 p 1 1 r > - , ^ i
t — K
^\.' :i n n
> 1 ; ^ 1
-t^-K
s^
# , p
^
r . s h
^£ ' r ;
-p — p-
^i=t=^
^jmfc
U la U la la la la la la la la la la la la !
i
CliOKLS.
-4^
I
-* — p — •-
-P ^— IT!"'
EE
S
I* * y
Tra la la l.i I,i la la l.i la la
/-•- -*. .«. ^ .•_ ^
i=f=fe=£:
g
dzz
-'/!— ^-
E|^
Tra la la la la la la la la la
ff ^^r f . f
i
^ — #-
/
/
F r
18,844.
— (—
f
jj r] J j-u^j ^
as
GiAN. & Tessa.
:J=Pil
mal
In
set
and
for
mea • sure
1^
scarce - ly
In
set and
for • mal mea - sure
m
scarce - ly
K ^ l« r
^
W
hi [^ *] --[^
> 1 I* 1 [ r f"i _^ 1 1 r J""! J"' 1 [__r^__ J.
s >i N
^â– -p-
* *
la, la,
la, la,
la, la,
la, la.
la, la.
la, la,
NS NFo ^s SK r«> NN
i ^ i '^ .^ - g - 1 - j . 1 ^ r -g. 1 ^ 1^ r f i f i, r j^Lsi 1, >• t 1' f-^
s^
3-p— — £-
fir =p=
"r - , F — =r=
la,
la,
"V-
la,
' "] r ^
-^ r p-
^
1 r r^
I
/
la,
la.
la,
J
1
f^- ^- ^ i^^l^^- -' k rp:i=?^
r*-. ^^
> - Is-
:i=S=
g
f
r r
-« p-
^
* *
- «l r =F
^
18,844.
^^i
m
^^
ne - ces
ry
fy
To
To ex
press
press out
4:
plea
plea
>-_— N-
E33Ej:
^
j^^faj-.— J^J
-^ F-
K -^ / l-h^
^
m
In, In,
In, la,
In, In,
-I r
^ 1 r
In, In,
â– t 1 -^ 1 r
In, In,
1. .^
In, la,
1 r * 1 t: 1
±±z
fir
-q-F-
^ 1 r
g 1 '^
la,
I",
la,
la.
la.
la,
^
^5=^
ssrt
PI
^^
i
-1 r
W
14=5:
r-r
J
- r r
f
- r f
^mm
Each of
E;ich of
m
^^^^
to
prove
trca • Eure
Glad • ly
to
prove
trca - sure
Glad - ly
1 i ' 1
^-^ f^^
d d
:M — M-
d 4
will de
will de
J-1 J-1 I r j^i JL
b, la.
!a, In,
m
In, la, la. In, In, In,
In, la,
g
1 r r -
p 1 p-
In,
^
g% -f 1 / -j^ 1 j* 1 , r ' J 1 j
In,
; 1 r r
la,
-=1-F-
,^ 1 r F
la,
la,
P^^^^ H^^j^i^^^^ ^^ r i"' ' ' i''i'^
ST^i
fe^ft^
-F— — P;
â– r ^
r
18.844.
Iff
40
J J L
-J J-
1
=P=
gal
lant
»ote our
lei - sure,
Gay and
cres.
do - Iter
^
f
vote our
lei • sure, Cay and gal • lant
P
i:^^-^!^^
> , >
» m M * * â– â–
^on • do ■Her • 1
-PX fK «N , /»> fV-
^
I
-^J-H^
i i
-m r-
la, la,
la, la, la, la, la, la, la, la, la, la, la, la, la, la,
ag
r r I r 1 ■• ^ I ' 1 S 1 ' 1 I ^ 1 ^ 1 P 1 I JTET? 1 pLl- [^ T P t | ^
la.
la,
la, h, la, la, la, la, la, la, la, la, la, la,
w
_pi| ^ -i | -i f i |t !; ji 1 jt 1 y
I
^
^
r-^r
:a
^
1 n -^
SE
^ >
15^
cres.
m
a •
I
t^
N K
C 1 Ci C 1 lil
r t Tff 1
tl
^
^
r r
r r
TUT
r--
Ped
^i-
Ted.
Ped. -Q- •
Ped.
i
fc^
^
: J;
La, Tra la
Sopranos.
la l».
Tra la U la la la la
^^
P
3i
1- 1 ' f n f
§*
la ! Tra la
Tenors & Basses.
/M :
fe^^^— ^
la la,
•I- -^
-* — 1 — is>-
Tta la b la U !a la .
=»=t
i
I I
la!
-fi.
Tra 13 la
i
^^
S
* ♦
^.
^^
Tra la
-\
r
la U.
-•- !
-E — ^
-^4-
S
r r I r r r ' r- ^
1 =t
Ie^^y»s : I a
i
^^
Jt
18,844.
Ped.
* Ped.
♦ Ped. « Ped.
fci
f
L J -^^
S
-p — p-
:zi
41
Tra
la, .
-K p.
^
Tra la
-h^-f-l-^
la la,
:4=
^
;?=^
la la!
-ai
^
la la!
-P- •
^
Fate in
ff
I 1
Fate in
,f i
iF^=g^
^
s» 1-
i:-
Tra la
:&
122=
S
-F — r-
la, .
la la!
i
Jli
Fate
^^
l=*
^fe
^
r^
â– 1 ^ I ( ^
^ilUjJ4-/l^^^
this
has put
fn ^
his fin
ger — Lfft .
I'll
us lx)W . . to Fate's de - crcc,
F f. ^» I
i^^
5=f
this
has I'ut
his fin
£cr — Let
us Low . . to Fate's de • cree,
m^=^\ \ n j I /^;:^h£^3^-f+f5 fefe^
^=T
this
it„-C.
has put his (in - gcr— Let . . us l«nv . . to Fale's de • crce,
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lS,S44.
42
fe
J-A.
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Then no Ion - gcr let
I —^1 I I
113 Iln
ger, To the al
tar hiir
ry we ! Tra la
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Then no Ion ■ger let us lin - ger, To the al • tar hur . ry we ! Tra la
/ V7 'ii'
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Then
no Ion • ger let us lin - ger, To the al - tar hur ■ry we !
la
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la la la la la la la la la la !
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la la la la la la la la la la !
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18.844-
43
No. 2. Entrance of Casilda, Duchess, Luiz, & Duke.
AlUgro marziah.
^ Hmt^JfcbrJJg
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TlANO.
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-^T— P-
DUKE.
a-^-^7^ ^^
From the sun • ny Span- isli shore,
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Duchess.
zitoj j-. i ^ i-. ^
-Vti p-
Ilis Grace ofPIa- za • Tor' —
And Iiis Cra-ce's Duchess true-
s
i-'irr i i^
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js
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Casilda.
i
.LUIZ.
ffi
r? g- nr
P • p
=^
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And his Gra - ce's daugh-ter, too —
And bis
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18,844.
f^r^^r^^ sE^
44
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Gra - ce's pri - vate drum To Ve • ne - tia's shores have come, To Ve • ne - tia's shores have
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Casilda.
i
g
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i
And if cv - er, ev - er, ev • er They get back to Spain,They.vill ncv- cr, ncv- er, nev- er Crossthe
Duchess.
^
^
Luiz.
And if cv - er, cv - er, ev - cr They get back to Spain, They will ncv- er, nev- er, nev â– er Cross the
r^r-^f^-m}}}^\i ; i^^^^j^r^f^^^^p^v^^^^::;;^
i
come: And if ev - er, cv • cr, ev-er They get back to Spain,TheyHilI nev- er, nev- er, nev - er Cross (he
DUKE.=T . - «_
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jH^-ft-HM^-^~^^^ s s ^ =^-v-v-v-^_^_fe-_^__^
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y w" ; :^-j^ j^ *
And if ev-er, cv â– er, ev-erThcyget back to Spain,Thcy will nev- er, ncv- er, ncv- cr Cross the
i
j 1 I ! I 1 1 I 1 I I I r I "^ r"' l I I I I I I I I I"
; : ^ \ i :: i ii t iii\ i i * i i \ i i i i r-t-t-i
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p
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As^ "} d J J* • • - J • *- * »—d 4 4 4 4 4 — 4 — 4- m
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cr, nev
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i
a - gain, They will nev • er, nev - er, nev - er, nev - cr, nev • er, nev - er, nev - er, nev - er, nev - er, nev
-4-
- er Cross the
ft ^1 »
^ ft » -j»-^^ ft ^ ft| _,^ a ^ ft ^
■— .1- J- ^ - — M J 3 — M m a 3 — _ m—
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ft ^ ft
â– *
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sea a • gain, They will nev - er, ncv - er, nev ■er, nev - er, nev • er, nev - er, nev - er, nev • er, nev - er, nev - er, ncv - er Cross the
^^
er, ncv
-■— ■— W-
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1
p p
fcg ; J"
jt—^-t~ .
f
-r-
sea
i
-V J' — 5 — f— > V V-
a - gain. They will nev • cr, nev • er, nev - er, nev - er, nev - cr, nev - er, nev - er, nev
er, nev - er, nev - er, nev - er Cross the
/ft ft
* — »-=s= ft ftft ft ft ftft ft ftftg ^^ gR^— ^ — ^ — ft — ^ — ^ J' /~w^ -
m a ^ A ^^ > a m m W m ^ m m — m ' m • a m m ~ *
^^
3=11:
• — 4 « * * • • *•
-# •— • — 4 « — • — •-
a - gnin, Tliey w ill ncv - cr, nev - er, ncv - er, nev - er, nev • er, nev - er, nev - er, nev
cr, ncv - er, ncv - cr, ncv - er Cros^ the
18,844-
45
^^^-r=^
7=^
sea a - gain.
lA^S^S^
5
sea a • eain.
^
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V i^—
sea a - eain,
V >? / *-
?5
^
K te s :
^
a ^^^gBizi
•— =-
sea a • t;nln
Ne-i - thci tliat Giaml-ce fiom the Span • ish
t
^
EEE
as
1 ^ 1
m
\
m »-
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mm
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t
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shore,
V — p-> — P-
The no - ble Duke of I 'la - za - Tot'-
il
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Duchess.
Casilda.
* • ■— i 3-
5 ^3n'7?nm
Wl
» > 6 > >r
^
* *
Nur his Gia • ce's Duch- ess, staunch and true^
Vou may add, his Gra - ce's daiigh- ter,
^ - M , ^
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Luiz.
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P
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^^^l?->^->
-y-^
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And his Cia - ce's own par - li - cu • lar drum To Ve - ne ■tia's shores a • ny
-M 1 C E 1 N V
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i
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18.844.
* -7*:^*' -^:i^ -^y- ^
TT
46
C/a
v
^
^^^^^3
m
If ev - er, cv - cr, cv - cr They get
/a P
V- fe ^ ~8F ^^==»— ^-^ -
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If
ev - er, ev • cr, ev ■er They get
/â– '
^^ 1 f 1 -
more will come, Ve - nc - lia's shores will come.
m
If
cv - cr, cv - cr, cv er They get
P
^
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^=jt=^=^~
If
cv - cr, cv - cr, cv . cr They get
I?
1 h 1
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1 i 1
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back to Spain, They will ncv - er, nev - cr. nev - er Cross the sea a - gain. They will ner - er, nev â– cr, ncv - cr, nev - er.
^
^3
=^=^
fe te fefe fe^^ fe
J J s d d^ p * J
=?^=fi=
■«
5^
back to Spain, They will ncv - cr, ncv • cr, nev ■cr Cross ihe sea a - gain, They will ncv - cr, ncv - cr, ncv - cr, nev - er,
(f ^ sPn r r r * ^ I * g * ^ ^
' fi ^ ^
^^
p p
V — »< — '^
=?=^
TT^^i:^
back to Spain, They will nev . er, ncv - er, ncv - cr Cross the sea a- gain, They will ncv - er, ncv - cr, nev â– er, nev - cr,
d d P 4 d ^ d d d P p m d ^ ^ .J .J*
-#V-»
^=^
back to Spain, They will ncv • er, nev - er, nev - cr Cross the sea a • gain, They will nev - er, nev • er, ncv - er, nev • er.
i^^ii p I ^ j H
lTj i->M-P LQ
T^-^Tj
^^^
i8,S^4.
47
i
^p pp^pppp\ppp ^ M ~ ^
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3^S
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-»» — y-
-^ p p p ^—p—if—p-
m
y g— g— g— g— »— g— g— p-*— g— g— IS— s-s-g
r, nev - cr,
te I S fc > ! H h I S, h
g— g-^g— g— g— g— g— g— g-g-
^
nev - er, ncv • er, ncv - er, nev - er, nev - cr, ncv - er, nev - cr Cross the sea a - gain, They will nev - cr, nev - er, nev - er, nev - er,
t)
^^
-p — « — 1& — 9— p — « — a — s -j^' — s — Q — s — â–
E^^^^
S^l^
S=5
^£
^=*
ncv - er, nev • cr, ncv • cr, ncv - er, nev - cr, ncv - er, ncv - er Cross tlie sea a - gain. They will nev • er, ncv - er, nev - cr, nev - ei.
^
-g— ^^^=^g-^^-g ' g-^-g
V i^
fe:^T^^Ti=?=jjE#=F?=^-?^^f4-f-r ? ; i ihr fe=i=?=ifei
nev - er, nev - cr, nev - er, nev • er, nev - cr, nev - er, ncv • cr Cross Ihe sea a - gain, They will ncv - er, nev - er, nev - cr, nev • er,
0=iJ J J' yfT f^=T 71^^i N'-^^-^ -=^^==^= ^ ^^
ncv cr, nev-er, ncv-er, nev â– er, nev-er, ncv-cr, nev - er Cross the sea a - gain, They will nev - er, nev-er, ncv-er, nev-cr,
m
b—<f p p p p
m
p p \ p p p p ^—p-
g— 1^— g— i^-g— p— g— g— ^g— g— g— g— g— g-
ncv - cr, r.ev ■er, ncv - cr, ncv - cr, nev - cr, nev ■cr, nev • cr Cross the sea a
^"-n }i' ^ f'
> > ' I -f B =1 S=
^^
Eg
^
nev - er, ncv ■cr, nev • er, ncv • cr, ncv - cr, nev er, nev - cr Cross the sea a - gain.
f P f I f p =F
IE
2rrj=ff:
=^=S=
li ^ g l g -
ncv • er, nev - er, nev - cr, ncv - cr, nev - cr, ncv • er, ncv - cr Crobs the sea a ■gain.
^rt! p ft— — I* te l l" I S * P fe— ft I ^ Y
^
nev - cr, ncv â– cr, nev - er, nev - er, nev - er, ncv - er, n?v - er Cross the sea a - gain.
I
^^
^rn ^rn
r
:t
^^
2=5c
1
azyart
«".8-;4-
4S
No. 3.
SONG -Duke of Plaza-Toro.
Duke.
Alh'-jyo iiuirziu!c\
FlANT.
1. In en - ter- prise of
2. When, to e - vade Dcs
3. When tuld that they would
^-Ji J ]>-Ji J. J. i -jni i Jl J J. i "UlW JJ
IPs
gi
rp -T X -T -^^^ -[ -k ^ — «^
-»»- -»-•--»- 5-»- -i- ¥- ¥- -M-
! I ( I I â– I III r I
y
mar - tial kind, When
- true - tion's hajid, 'l"o
all be shot Un
there was a - ny light- ing,
hide they ail \no â– ceed ed,
less they left the ser • vice.
He led
No sol
That he
his regi â– mcnt
dier in that
â– ro he - si
from be • hir.d— He
gal - lant band Hid
ta - ted â– not, So
m^^m
rn Ji ] ] ] Tn-:-TirrrTiT7TTii
r^
^^=*=^
^^=1
?
??
M I — ^ i
-Tt:^ 1-
i ! ^ ! g
t
P
-f — N — ^
^
?sc=t^
m
-• ^
k^-MZ
-4-3
^
:S«=:^
found it less ex - ci • ting,
half as well as he did.
mar - vcl - kus his nerve is.
Hut
He
He
when a • way his
lay c<ni - ccarj throngli
sent his re â– sig
regi - ment ran, His jilace was at tlie
out the war. And so pre-serv'd his
na - tion in, The first of all his
s L : I
iJJJ JiJH
^
-1^ ^
q^
~l I I E E I ^ ^
rxnszrr
3CIil
>-=r
-?• >^
fore, O— That ce - le - bra - ted, Cul - ti - va - ted, Un • der - ra - ted No -ble- man.The Duke of Pla
gore, O ! That un - af - fee - ted, Un - de - tec • ted. Well- con- nee- ted War - ri - or. The Duke of Fla
corps, O! That ve - ry know- ing, Ov - er - flow â– ing, Ea - sy - go - ing Ta -la -din, The Duke of Pla
iS,K44.
Casilda
W
i^^^^ ^^=^~ri^i^^= ^ ^x T^ ^^^^ '^m^^^ ^s=m^^i
1F=S=
=;^=S
sg^Eife EEj^^E^E^Efej^E ^E^E^^^
isi & zwri".
ce - le - bra - ted, Cul - ti - va - ted, Un - der- ra - ted No - Me - mr.n,The Duke
un - af - fee - ted, Un - rte - tec - ted, Well- con- nee - ted War - li - or, The Duke
vc - ry know - ing, Ov - er - (low - ing, Ea • sy - go - ing Pa - la - din, The Duke
of
of
of
ria
}'la
Pla
To - ro !
To - ro !
cc - le - bra - ted. Cut - ti - va - ted, un - der ■ra - ted No - ble • man, The Duke of
un â– af-fec - ted, Un - de - tec - ted, Well- con- ncc- ted War- ri - or, The Duke of
ve - ry know- ing, Ov - er- (low -ing, Ea - sy -go- ing I'a - la - din, The Duke of
ria - 7.0.
I 'la - za
ria - za
To - ro !
To - ro !
PS
i g— g— ^
J^
^P * * P ^
^— ^
^
re - le - bra - ted, Cul - ti - va - ted, Un • der - ra - ted No - ble -man.The Duke of Tla
un - af- fee - ted, Un -de • tec - ted, Well-con- nee - ted War - ri - or, The Duke of Pla
ve ■ry know - ing, Ov - er • flow - ing, Ea - sy - go - ing Pa - la - din, The Duke of Pla
To - ro !
To - ro !
^ — ^— ^ ^^^=^^ S— U -H^ ^ Un^ ^^g
SeS
sp
w
ce - le - bra - led, Cul - ti - va ted, Un - der - ra - ted No - bic -nian,Thc Duke of Pla - za - 'lo- ro!
«n - af - fee - ted, Un - de - tec - ted, Well-con - nee - ted War - ri - or. The 1 luke of Pla - za - 1 o - ro !
ry know - ing, Ov - er - (low - ing, Ea â– sy - go - ing Pa - la - din, The Dul^e of^ P^a - za
^ r 1 f t-t; s 1^
|S,S44.
so
5=^
yd.
s— fe— ^-^-^^ j — ^ rr ^ ~^^^^
' / 9-
To - ro!
Thai vc - ry kno:v-ing, G - vcr - flow-ing, Ea ■sy - go • ing Pa - la ■din, The Duke of Tla - za -
§=5=
* S^-
=S^=#
^=f=n^^
- To • ro !
That vc - ry know-ing, O - vcr â– flow-ing, Ea - sy - go - ing
Pa • la - din, The Duke of Pla - za -
fa^^E3^^^^^3s^ ^^i^i^i@^^ ^j=s=M==y^^ ^
To • ro !
^
That vc - ry know-ing, O - vcr - flow-ing, Ea ■sy - go ■ing Pa • la - dm, The Duke of Pla - za -
t)
-a-
To â– ro !
M^=u=u=u ^ -i u nj ^
Th-. t vc - ry know-ing, O - vcr - flow-ing, Ea - sy - go - ing Pa - la - din, The Duke of Pla - za -
\ .Lt-
=*=F
tr-
To - ro !
W^^
To - ro 1
^^
To - r" !
i
^
To - ro !
18,844.
Ped.
* Ped. # Ped.
* Ped. » AUacCii.
5'
No. 4.
REGIT.- Casilda & Luiz.
i
Casilda.
O rap - ture,
LUIZ. -,
S
=^F^F
Allegro -"7^ ~3^ '"ST" ir^ "Ti^ "^ir^
O inp - ture.
^^ ^
^
^ ^
*
a
m
S=E
E^^a
I'lANO.
#
f
^^^Jh=4^
^^i=^f
-^^p-
|g
e
-sf=-
^
^
§^
M
-p — »-
^
t=F
-I >- — i'
Two lev - in" hearla
when
a - lone
to - qcth - cr
and
?i=lv
=s^
j=:?*
^
^
:?,5
when
a - lone
to gelh - cr
Two lov - ins henrts
anj
i^
^
M
-#â– â– *-
T "W
-*- ■»- -*â–
8 I I a — \^ z I ^
f r I r t T f" I r ^ r r I h r ^ r i
^ -J. ' J. J. -i J. ' J. J. J. J. ' .J. J. J. j :
W-jHif^-,
> S^
h K K h^ =l:
I — Htl 1 •-
^
^
^r — frt
=«=:*
^*=^-
«=S=*
>l;;c
those tiat bc.ii them May join
in tcm- po • ra - ry teth - er,
Thoiiijh Fate
a • part shouUl nulc-ly
J^ T '^-^ — ^!^%; ; £ ig^ - j J 1 ^— -J-
?i=P
fs=qii
^
*^
those that bear ihcm May join
in tcm- po - ra - ry tcth- - er,
Though Fate
a • part should rude-Iy
lS,S44.
52
i
Regit.
tear tlieni
Ne
a m
SI . ty,
^
Â¥
In - ven - tion'.-. mo â– Ihcr,
Com
X==^
^^^
tear llie
I
i=hL^-iAJ^^ ^^
^^
^
ffirrrmj
^
fe
^
^ — p— — -^
^
jE r r f
3==P=
^
r 1 r
^
*^=fc=tz=^
i3^
y-i— 7— =?:
pell'd me to a course of feign • \ng-~
But, left a • lune >Mtli one an - o - ther,
m
i§
F=^
S^=SF
/
^
hi
^
i
^ h s
^
t-^ 1 r H
3^
= ^— ^ — i-
^^
1 1 i <
a
• ^
I
I will a - tone for my dis - dain
Andante moderato e espressh'O.
in:;! Ah, well be - lov
ed,
S^
^^fr-v > 1 1 =t^
=sq
?^=^
^
s^^
d ^
t
^ * t
^ ^ 1*^
Efct
3
^. ,^ ^
3^
-M
-^— ^
I 1 I i ^ I — 4— ' -J — ^ =^=4
3F
i
-H-^* r ^
* *
g-r^-
:3z^z=t
Jjg J
s
ry — r
Mine an - gry fiown
Is but
gown that icrxes to dress My
m^
^hr^T
tJ '•*»-
*=4
lS,S44.
^
^E
*i • . •-
3^1^=3^
4=4:
i
33^
g
53
i
i
^=^
r ^ u
1
gen
lie - ness !
Luiz.
w
-p — ^— s= frs I *
-^-^ j^
^
Ah, well - be - lov
cd,
Tliy colli (lis - dain, It gives no
^5
^^^^^^
m
^S
• ■»• ■■"
^
pain-
'Tis iiiL-r - cy, played' In mas' - que â– rade !
Ah,
well b; - lov
^
1 I i -r
P^^^^^^^^^^t^^W^
g^,-^-i-h-
II
•■^ TT
l i^^ 1 J' J^ J^
^
r 1
^^
"'^ 1 1
Ah, well be â– lov
ed
Ah, Well be - loT
cd:
Mine .
•^"T^Vjn
Â¥
^m
^
Ah, well be - lov
cd !
Ah, well be - lov
ed ! Thine
18.S44.
» Ped.
i
^m
±i
gry frown
54
mi /-
Is but a gown That serves to dress My
; j5^a
K I ^
^i^
'^ , , ^
gry frown
Is but
gown That serves to dress Thy
fe?^^^^
Â¥
QX^J^-^^jr^ ^^^
r
•; 1 r 1 1
i"
» »
^
^ikz ^-J^-^i
J^J.
di/ii.
-• !^
1 1
f
^
/-
dim.
--^9=p^^^.
r 1
r 1
gen
tie - ness I
Ah,
-f
^
well
be
dim
-^
r 1 -^ 1
— ^ — >^
gen
tie - ness !
Ah, be - lov
-9- '
f
m
^^ — ^?-
ed ! Ah,
3=3=
1P^
rl=r^|^
-•m- ^r
t
/
i
r>
dim.
^
W
-» *-
-^-^
F
1
ti
P
1
^
s
-i-^
-=1--
lov • ed, be - lov
i
ed,
be - lov
ed!
J • 1 1 =i^
q=J:
MIZI*^
^^=*-
well be
i
lov
cd,
loT
edl
^:^«=
^^^
P
r V
-q 1 r 1 -
m
^v
I4,SS4.
'Cr-
P
^
122=
=^
=5=
-tt
^S 1 1 r 1
-^- r 1
Fed.
I
1^*
55
No. 5.
DUET— Gasilda & Luiz.
Luiz.
r.'ANo.
Se
p^
m
^^1
i
tJ
There was a timc-
•A linicf'ir cv - cr gone — all, woe is me!
Andan/i.
Sfl
-P ^-
1^
^f
1221
tF — P-
^^^^^^
-F-
f
T
Â¥^^^
:f5=^
-y-n^
^^
^^^
It was no crime To love but thee a - lone— ah, woe is me I
One heart, one life, one soul,
s^sra^^s
^^^
Each in the o - thcr's llirall, Each all in all, ah, woe is
I V
e£E
/ y -
i » J i ;«tt
fe
-s=^-
Casilda.
«
^
^
^
Oh, bu • ry,
l,u . ry— lot the grave close o'er The
O-li, bu â– r)'
'i
bu - ry— let the grave close o'er The
18,844-
56
JJ
> h s
-^ d
^ .^n-^
/.
^
Jays that were — that iiev-er will be m-jrc I 0!i, Ini - ry, bu ■ry love that all
^^
dim.
con ilemn, And let the
dim.
4 h >^
d d r i
=â– =*-
_• * ^
=^
i
ilays that were— that ncv-er will 1)C more ! Oh, bu - ry, bii ■ry love that all
con - tlcnin, And let the
l^^ ^^^^^^^N=4-jH-u^rTi ^i=g=^^^^=te '^
ag^
zaz
i^r
^
-tt— sr
-^r-
© <S(-
•?5- "SJ-
"ST
^
W
te n n
5-^^> n r]
^
i:
?^^
ii:
whirl - wind mourn its re
qui - em
ii+ir
^tJH^^
Dta.l us the last vc:.i •
3
M^
I
whirl - wiml nicuiTi its
oui - cm !
-m- f'a
s
I I
/
331
:^
^^^
P
ilzri.
221
^^^
Jl?^
-i =1-
^y
-»— y
g^
- I r
IE
i^
■N — V
J^>-T-^
^r ^F
=^
^
:^=
J *
leaves — As ^alher'c! flowers— ah, woe is r.ic ! Dead as ihe grr-ner'cl sheaves, That love of ours — ah, woe i^ mc !
I
=r
^^
ti*-
^^^
^
^
a^
i^E^^^^^
-ft— I-
E^
S
Born bm to fade and die When hope was high,
• S.S^J.
57
* 0-
N ^ K sT
-*— ^
I I I
I tzar;
nh, woe is ir.e !
4Jt
^^
*te=
rs2Z
Ss
5^^
ii=^
Oh, 1)U - ly, bu - ly— let lli2 grave close o'er The days that were— that nev- er
;;r ;;-j^
^u- *-
Oh, bu - ly, bury— let llie s'^vc close o'er The clays that were— that nev- er
â– mi^j JAl^U=h=i-i^ ^^^ ^^^^^
r
p
rza:
"TJ~
E3
-^ j=^g=,zz^
will be mure ! Oh, bu - ry,
-rt ^T^»-'^—' 1 ' c
rv^riP'^if—M 1 1 H
bu - ry, luve that all
/
. fo=^
> h ^ > =fg=s:
-< * I ra « ^
i==?s:
-o-
wiU be nu^re : Cli, Ui - ry, bu - ry, lose that all
m
fiNr": ^ r-[S . Q^ ^
con • demn, And let the whirl - wind mourn its
tii'iil.
m
:45=5i:
zs=zjz
on - denin, And let the whirl • wind mourn its
'^^^^^ ^m^^mm
w
IS^-
m
±
m
jO.
re - qui - eui,-
re †¢ qui â– cm,
Its re
^^^^^
â– JS.
c|ui • em.
qui - em !
^
:z2i
qui • em.
qui â– em
-P—
^
l^',S44.
5«
No. 6. SONG — Don Aihambra, (with Casilda. Luiz, Duke, &
Duchess).
^
Don Alhambra.
r If
V
AUcgyetlo non troppo vivo.
I. I
2.
3-
4-
^» f? r 1
W=^
!£^f-j^ifff?^^ iffif
Piano.
/
^irFfr
dim.
i-4^
&
â– tr
i
^
^^^
3
:is=t
' 1 —
left him, gai
sought that in
tcrri - ble taste
state - ment can't
stole the Prince, and I brciight him here And
sped, and when at the end of a year I
owing, I'm much dis • posed to fear, To his
chil - dren followed his old ca - recr — ■(Tliis
ly pratt - ling
fant cher - ished,
for tip - pling,
be par - ried)
With a
That
That
Of a
f^~f^
S
^^
^
^
bt
^
highly
highly
highly
highly
re - specta
re - specta
re - specta
re - specta
ble
ble
ble
ble
gon
gon
gon
gon
do
do
do
do
Her,
lier
lier
lier :
AVho promised
Was Ijing
Could never
Well, one of
the Roy
corpse on
de - clare
the two
al babe
his hum
with a mind
(who will soon
to
ble
sin â–
be
rear,
bier —
cere
here) —
And
I
Which
But
i
^
^
^^
m
m
teach
dropp'd
of
which
him
of
the trade of
a Grand
the two was
the two
In •
his
qui-si
ofT
mo - neer With his own be lov • ed brat - ling,
tor's tear — That gon - do • Her had pe - rished.
spring dear. And which the Roy - al strip - ling !
quite clear — is the Roy - al Prince you mar - ried 1
18,844.
Search >
59
^i. J ; ^
^m
m
Botli ijf the bribes were
taste for drink, com
Which was which he
in and out and
strong and stout,
bined with gout
nev - er couM make out,
round a - bout
And con - sid - 'ring all
Had doubled hiui up
Des - pile his best
And you'll dis - cov
things, clev - er.
for ev - er.
en - deav - our.
er nev â– cr
^
Of
Of
Of
A
P^^^
^^
^
1
I
f
s
tAat
that
that
tale
^
^^
^^
^5^
there
there
there
free
no
no
no
from
man
man
man
cv
ner of doubt —
ner of doubt —
ner of doubt —
'ry doubt —
Ee
No
No
No
All
prob •
prob
prob
prob
a - ble
a - blc
^
& ^^^-^
^
ble, pos
ble, pos
B^S
pos - s:
pos • s:
P
§
- ble sha - dow of doubt — No
- ble sha - dow of doubts No
- ble sha - dow of doubt — No
- ble sha - dow of doubt — All
*
m
ferl
m J. i-J^J—ji
^
tt
i
Ss^
f
±fc
\st, ind, lt* yd.
18.844.
^
1 r
pos -
pos - s;
pos -
pos -
- ble doubt what - ev - er.
- ble doubt what - ev • er.
- ble doubt what - ev - cr.
• ble doubt what
Casilda & Duchess.
1 r -
tx^^±J.
1 r
No pos - si - ble doubt what - ev - cr !
LUIZ.
1 r
^^=^
No pos - si - ble doubt what - ev - er !
Duke. .
=^=^
1 r
No pos - si - ble doubt what - ev - er !
1
1^
6o
i
b » r
-^ — t^
^
2. Time
3- li"t
4. The
-* — « —
cv - er !
^^
J I J J
zi:
tale so free from ev • 'ry doubt, All
Per e-
1 r
J I J J
i
tale so free from ev - 'ry doubt, A'.I
1 ^
^^
•t f .
^
^E^:
=^="
| r^" ^ r • ^ r7 I r g r J ^11 ;■J'; j ?^l^
?m2^ ^ ^ ^ ,< K X 1 — 1^ P ^ 1 ■— ■' • •
> 1 r
pn.b • a ■1.1
r^-r-
f r 5=g
;=?=^L^^
blc sha - clow of doubt, All pos - si - ble doubt what • ev - er !
• • >
-f *
^^
prob â– a- ble, p-^ - si -ble sha - ilow of doubt. All pos - si - ble doubt what - cv â– cr !
tri
:i^-;-^-j:_iZB=r~rT
> fe N
-J' J J' lJ^
prob ■a - Uc, pos • si Me tla ■d.jw of dn'.bl, All pos • si ■lie dov.lit what - ev - er !
F^i r ^
- 1 r 1
n
iS,'?44.
6i
No. 7.
REGIT.— Casiida & Don Alhambra.
Casiliia.
- • § »
_g — p p f w »- w
IE
3^EE
;iE=r
=<< / T^
Allegro con brio.
Piano.
I
Allegro con brio. , — ^ .— .
Eut, bless my heart, con - si - der my po - si - tion ! I am the wi.'e of
^
i— :d— ±
^m
-^^?-
Â¥
Ped.-
zz:
E^^E
IH!Z=^
-F
^r=S=
. ^M=^^^^^^^^^^^^ "^^^
one,
that's ve - ly clear;
^m
J^— iT-l,-J^
^t
But who can tell, ex - ccpt by in - tu - i - tion,
J - — ^'^•■iii
f" ^ ' i= ^:
E^pi
gfcq^i^
^li
i
Fed, -^ • -•
->i f^-
tl^^^
i
■^— F-
iy^
§£
s
I ^i : ^ I ~ _ _ 1 f
V y >> :
*
Don Alham.
Which is the Prince, and which the Con • do - lier?
Sub - mit to
IP
I
u
w
a^#=f=f=q i^
Fed,
^-^— lir
( t=^ ^ ; i_^ ^^
i
^^p^
ES
f— r
t=F=^=?=P
P?ii^
Fate with - out un-sccm - ly wran - gle ;
Such com - pli - ca- tions fre-quent-ly oc - cur^
i
^ii^
g
P gP^
-q — F-
Hl=l
i
^^^3^
s
^
f^
^
^m-j'-iO^
Life is one close - ly com - pli - ca - ted tan - gle : Death is the on - ly true un - rav - el - ler !
1 F
E
^
-^
&L
18,844.
Attacca il Quartetto.
62
No. 8. QUINTET— Casilda, Duchess, Luiz, Duke, & Grand Inquisitor.
Allfs;yetto modetale.
Casilda.
:e ^— J ^ ^— J=
-* ■— J
V=f:L
it
Try we life long,
Duchess.
W^f^
* j :
J~7~J^
-^ J -
fe--a -j r r=£
s
t-t
ist
»e can ner • er Straight - en out life's tan • gled skein,
Try we life - long, we can nev • er Straight - en out life's tan . gleJ skein,
Luiz.
i
Try we life - long, we can nev - er Straight - en out life's tan - gled skein,
Duke.
lE
^
T' i ^i—^ -
I I
^ ^ w^ ^ ~^ i^ i: i~
Try we life - long, we can nev - er Straight • en out life's tan - gled skein,
Inquisitor.
^
t;
^
I I
-^ — ^
T=^=
s — ^- — '^
Try we life - long, we can nev • er Straight - en out life's
m
tan - gled skein.
Piano.
j p:ii.i^i^Ai:aAjj^x±Sli^^V^=^m
3 ^^ 1 j. 1 fc~b
L^p i| p 1 T^~^Si^^
i
&s J i-itJ^ ■J^ N • ^-= ^ O
I
J
w — p-
i i-r u-
J r r M=J^
Why should we, in vain en • deav - our, Guess and guess and guess a - gain ?
w
*==-:
*
m
Why should we, in vain en - deav - our, Guess and guess and guess a - gain ?
-m—r-
^E
^
^
^
Why should we, in vain en - deav - our. Guess and guess and guess a - gain ? Life's a pud - ding full of
^=i
^
X-lS 1
g
Why should we, in vain en - deav - our. Guess and guess and guess -a - gain ?
^
r â– f r i
:i=t
-* — 1^ — *-
^^
T-
1
Why should we, in vain en - deav our, Guess and guess and guess a - gain ?
\'n-\\-'x ,
J J,-'- J
^^
Ped.
18,844.
63
$
t.
r— r^-^r
Life's a puJ - ding full of plums, C.ire's a
-t
^^
^
ii
4*.
^^
m
i
Care's a can-ker that be- numbs. Life's a pud - ding full
/
of plums, Care's a
^t^=F^
f
"? — â–
plums,
Life's a pud - ding full
^
of plums. Care's a
9
=3==S^
^^J J- -=J
y
Life's a pud - ding full
/
of plums, Care's a
9
m
^
J
-^ r
Life's a pud - ding full of plums, Care's a
ff'fe7Tij77i ' cri"iJTOU'^j= ^^ r^^^"^^^
^^g:
'^ fmrr^
Fed
w
IC
Ped.
- f , P
^-
^ J
^
i
^
-^-^-
=i?=^
Si^
1 ^ •) r
5^
-q— » — '^-
m
i
can - ker that be â– numbs. Wiere - fore waste our
^ j^n
lo - cu
3^
h r* r
^ â– M
tion On
^J=T-:LX^^^=^-T-r-s3 ^^ s=::z^^ ^^ \
can - ker that be - numbs. Where - fore waste our
lo - cu - tion On im
<^ ^ » 1 ^ « • f :
Uj3=tJ
-^
-1 ' — ' —
can - ker that be - numbs. Wiere - fore waste our
E£ =^Frn r ^-c 1 c ^+M= ^
E^«3
lo - cu
tion On im
i8.8i^
64
P
Un poco rit.
^ P a tempo.
^
:^
Wi
i
taVe it as it
Let
take it as it conies !
Set a - side the
T=^
=^
=t?
* * -T =
— • — • ■•—
Set a - side the
t/
take it as it comes, Let us take it
-. — n \
as it comes !
-j r i^
^
^E^
:^
» t-
I I
:5t:
i
take it as it comes, Let us take it as it comes !
—, ^
Set a - side the
-^
y
-H i
S
^=i=^=^
i
take it as it comes, Let us take
^ n^ ,
as it comes !
Set a - side the
S
:2mz
=3^
^
^^
w
-^tz.
i i -J- J:
take it as it comes. Let us
I— ?t__^«=
-* r
take it
Un poco rit.
it comes !
Set a - side the
a tempo.
=^^=^
— 13—
rT"?^
I • L
l^Z
Bsfeg
p
^ 1 ^ ''"g ^
-a — ^* 1? ir
iS,8.u
65
I J J J J-
dull e - nig - ma, We shall guess it all too soon ; Fai - lure brings no
dull e - nig - ma, We shall guess it all too soon ;
^^^^
^=i
m
m
dull e - nig - ma. We shall guess it all too soon ;
i
s^-^
=3=^=^
^^
i
dull e - nig - ma, We shall guess it all too soon ;
I 1=
^— ^-^-j =
^
dull e - nig - ma. We shall guess it all loo soon ;
^^^^^^*^1^
S^=*=
Fai - lure
cres.
Fai - lure
cres.
Fai - lure
cres.
Fai - lure
P
WfW^
4
-^ — ^ — ^
^^^SESEfc
/ / ^
1 h 1
^
J. > -•â–
Fed.
^^^^^^^^
f
kind
of stig - ma^ Dance wc to an - o â– ther tune !
^^mm
z=:i=::?=zf:z
nt^fc
Dance we to an - o - thc-r
i
5
brings.
1
^^^iS^^
Ei^l
=s=F
Fai - lure brings no kind of stig - ma. Dance
we to an
I
Â¥
^^^^^^^
brings no kind of slig
ma,
Dance we to
nn â– o - lli=r
:»:
j=j^^
=1=^
3£:
:-b
brings no kind of
stig
Dance we to an
thcr
^ r—tir-j
^
1 1 =
1
brings no kind of
slig
i
ma, Dance we to an
r r U
ther
-tj — ! — '. — r— •-
=fecc
— ' — i-j — i=i=
n^^-^ -
^^Pn^MHi
* Fed.
4t Fed.
♦ Fed.-
18,844.
66
i
(^-=H^
/
F"n~?T
^5^—^
/
String the lyre and fill the cup,
=3=
the
ther tune !
String
the
lyre
and
ail
^^
1^^
S
?^
^
s
tune !
String the lyre and fill the cup,
f
Lest
^
on sor- row we should
_a_
tune !
i
String the lyre and
fill
the cup.
Lest
-JU J-
122
tune I
String the lyre and
fill
the cup,
Lest
i^^r^
Hg^
S
j^ n^
27~
Ped.
# Ped.
"J3
* Ped.
» Ped.
ff
W
^
-j^—j^
It
-=^=^7
I
Lest on sor - row we should sup, Siring the lyre, fill the cup. Lest on sor - row we should sup.
1
W-
A-
^t=U
IZ2I
cup,
fill the cup, String the lyre, fill the
ir
cup, Lest on sor - row we should sup.
^^
=f=^
sup.
-^g-J- E
we should sup, String the lyre, fill the
.ff
cup, Lest on sor - row we should sup.
-f->-J-
^S^E
we should sup,
I
String the lyre, fill the
ff
cup, Lest on sor - row we should sup.
j^ K—
i:
^
^
— U fW—
^
should sup,
-y — ^
String the lyre, fill the
cup. Lest on sor - row we should sup.
18,844.
67
i
w
i
s
i
s
i
^E
S
^
=5=
.N-^-^nH-M^-Hr-v^R^^^ ^^^^^^
Hop and skip to Fancy's fid â– die, Hands a â– cross and down ihe mid- die, Life's pet-haps the on - ly
P ,
^ — ->. — K — Ik
^S^B^S^EaEg^EgS^S^gg i^^E^E^^^^^
Hop and skip to Fan- cy's fid - die, Hands a â– cross and down the niid-dle,Life's per-haps the on - ly
P
!HNMHMH-rfn:-f^~rr^'^=3=^a:=!^=^
Hop and skip to Fan- cy's fid • die, Hands a - cross and down the mid- die, Life's per-haps the on - ly
P
h h h
S » S —
l>i N IS -
:S=i=
;r' J- J ; : ; uti=t:::^!^=^^
Hop and skip to Fan- cy's fid - die, Hands a - cross and down the mid- dle,Life's per-haps the on - ly
P
Hop and skip to Fan- cy's fid - dle,Hands a - cross and down the mid- die, Life's per-haps the on - ly
^1='
^^^^^^m^^^^
T P
iihircarto.
=F
f
iig^
rid - die That we shrink from giv - ing up, Life's per-haps the on - ly rid - die That we shrink from giv - ing Mp ! Then take »t
^ i iJ' J' J- JV lJ HHH-^^^H ^ ^-;-^J:-Jl|^
rid - die That we shrink from giv - ing up, Life's per-haps the on - ly rid - die
^^^^^^^
That we shrink from giv - ing up ! Then take it
. , .. ™,. . . . ^ . . , .^ . 1 .1 _^ t„ -J J1-. Tu^f ...= ^u^;t,i- rr,-.i-.i rriv . i n IT iiH ' Then take it
P
rid - die That we shrink from giv • ing up, Life's per-haps the on • ly rid • die That we shrink from giv - ing up.
?i=S
-J J J
Jj J J I i^ J J J J J J I .' J J ^ d J ^^ ^^ I ^
up ! Then take it
S
rid - die That we shrink from giv â– ing up, Life's perhaps the on - ly rid - die That we shrink from giv - ing up ! T
i> fN N Is h K — N — h — M- N ^ N =^— >« — S- N k I [> :» — IS — fx — h— f — j
1
rid - die That we shrink from giv - ing up,
Life's per-haps the on - ly rid - die That we shrink from giv - ing up ! Then take_ it
loco.
^^
iT"^_jrrT::Lj-rp i^^rijg ^
iS,844.
f^^-
^-^
-=1— • =t-
: M ^ ' g ^ g M ^ -^
68
m
it . . comes, Take . . .
=f^
^
it . . comes. String the lyre, fill the
i
m
tr
comes, Take . . ,
comes. String the lyre,
fill the
i
^s
=p=t
eS
t)
it . . comes, Take .
i
it . . comes. String the lyie, fill the
^
f^
=^^
S^
^
comes. Take
comes. String the lyre, fill the
=»=5=
ij ^-^ ^^
V
*
it . . comes. Take
it . . comes. String the lyre, fill the
cup. Lest on sor - row we should sup
comes !
i^
zi^nji ]> |» ~ |s :=k:
^ r --
3
jz:
- J J J
^
It
cup. Lest on sor - row we should sup !
Take
hfe . .
-P I CJ-
dE
=f=«
=^
E^
b — >
cup, Lest on sor â– row we should sup !
Take
life
comes I
J
g= ' ^ r r fE
cup. Lest on sor - row we should sup !
Take
life . .
comes !
L, ^ L, • .u
^
-P — --
cup, Lest on sor - row we should sup !
Take life
it
-s>- â–
comes !
,g^ ^l^r:B = ^
1^
-y —
F 1 r 1 1-:^^=^ -
-^-j^
P^£
/
^
/
-p — —
=^=/-^-
-^H-F-
i^
Fed.
-•-••-
:t=t
J
r I — F-
^E^^
â– m P r-i^
f
Ped.
JS,S44-
* Fed.
* Fed.
69
No. 9.
CHORUS— with Solo (Tessa).
Piano.
ESt
Allegretto modtrato.
^^
V
^ •
f
Fed
r
T'
Chorus.
=l^=^=f
^
Elide - s:room and bride !
m^
:£:
Bride â– groom and bride !
rite
I
g-^-
U/t/sa/i.
i^ ^^^i^=^
Knot that's in - sol - u - ble,
Ah
^^
~P~
r
m
±=fe=
^^g
Voi - ces all vol - u - ble Hail it with pride.
B
-1 F >^^^
Bride - groom and bride !
Bride - groom and bride !
V
^ ^p pM^PF ii r^'^'^ii ^ i
i=^==
Ah,
t3,S4.i.
^M
We in sm
W'e in sin
70
^^
1 - ty,
M^
Wish
you pros • per - i • ty,
m
^=
Eride • groom and bride !
-y — *-
:s2z
cer - 1 - ly
4^- ^ -
\Yi»h
you pros â– per
1 • tv,
T ?— 1
Bride • groom and bride !
^^
â– ^ -w-
fe^jjj_: I c r r f t
m
^
-"1 r
^
H ::h+b^
-^
^
:P •
dim.
T=
±=»:
r
Ped.
Bride
groom
and bride !
I' lIS^M^
^
m
2^
i=^
^^-'^^-^^-^
1 r 1
Ped.
^ ' # Ped.r
"T"
"p
SONG— (Tessa).
fe
1^
j;^ ;^ :ij
izz:
^?^s^
W
Allegretto grazioso.
I. When a mer â– ry mai-den mar ries,
Sor-row goes and plea-sure tar - ries ;
1S.S44.
71
E
m
S==i
N h 1^
3
^
:^
*" Ev - 'ry sound becomes a song, All is right and no-thing's wrong !
From to - day and ev - er
*=^
^-w^
r
^
^^
-^-^
*p
mm
:^-
.s=S,
f
^
'/ n
^-n-
I
i
^
^
^
-f ir
3:^
1 r
f
=F
'' Ped>
i
i^
^ggi
^
^
^
3^E
* *
^
af • ter
Let our tears be tears of lauijh - ter.
Ev - Vy sigh that finds a vent
4vp Jl^i
5E
»
s
Be a
w
^"r-t-
=3=S=
Â¥
-}- 1 r
'f
r^
g
^
k^^j
"F
1 r ^ 1
-^t-p-
-^ — p-
^
^^
^ ^-J^-JLJ4J
ra//.
igj ^a^^
g) ^ itj ^ jH— ^
i^
^=
sigh of sweet con - tent !
When yu mar - rj' mer - ry mai - den,
Then the air with love is
1
=e=
m
^s
» p m m «.
^
fclE
Jt
*
*
rail.
F — P — P— f» — 1^
irrczre
i
-^M^
«?
a=^
^^ j^ ; ; u
E a tempo, sostenuto.
^
j J r- ^u
Pp
la - den ; Ev - 'ry fiow'r
a rose, Ev - 'ry goose be - comes a swan.
Ev - 'ry
t-
I'',S44.
a tempo,
p
^4M ^
^r ffn ffWT^ JTTTT ^-
Ped.
="tr
-^^-^
— ^^
Ped.
-a—p-
-^=1 F-
Ped.
^
â– ^f-P-
Ped.
^2
i
s
* d
kind of trou
i
ble goes Where
-M # • , » * I ^_
the lasi year's snows have gone!
^i. — • — — • —
Sunlight takes the place
Chorus, ist Sopranos.
\P , =
w.
of
E
=P
i
Sun
2nd Sopranos.
light
i
Sun
Tenors.
light
light
Basses.
^=i=
1=^
Sun
light
^
T
•"ir
^ jTj V J i, ,rrp-n
—I — ^
~i
Ted.
Ped.
Ted
/
^&E
When you mar - ry mcr - rj' maid !
c/
shade
\^ 4 — 4^ J J ^ =
/
^
- N N !«■^ ^ ^"
takes the place of shade When
cres.
mar - ry mer - ry maid I
ma;-dt:n mar
^^r^^ • i -t^^^iriL^x^
i ^rr i=r
^
-•• -•- -•- -•-
f
1(2-
V3-
Ped.
* Ped.
18,844.-
1s==fc
72,
mil.
P a tcinpj.
m
Ev - 'rj- sound be â– comes a song, All is right and no - thing's
rail. r^ P a tempo.
Ej^C=^^ =^
E
»=^
icz=>-
-^ p I-
Sor - row goes and plea-sure lar - ties ;
w.
3
s
Ev - 'ry sound be - comes a song, All is right and no - thing's
rail. '^ P a tempo.
=trS=
den
^^i
E
ries Ev - 'ry sound';
, rail.
3=
-t-
song, All is right and no - thing's
^ P a tempo.
!3 ^
^^=?=
k=i:td->i=t*;
den
i^
ries Ev - 'ry sound's
rail.
All is right and no
P a tempo.
thing's
5JE
den
ries Ev - 'ry sound's
song, All is right and no - thing's
s
Fed.
1221
^^
rfe:
31
Ped.
5^
• " - - • ^
p (i tempo.
=5=
m-
I
18,844.
74
^ T ^ .^
' < N m — > f
* * itJ — »
^
*
tor - row goes and plea-sure tar - rics ;
mar - nes
Ev â– 'ry sound be - comes a song-
All U
--^=^
^
s^
^3^
^^
f ^ T ' ^
f
'T
^
^^^
r^
f
-^ — p-
-^!-F-
S
^
^^^=?'=^
3
-J— <^— r
right and no-thing's wrong.
Gnawing Care and ach â– ing Sor - row
Get ye gone un • til to â–
^
S
m:
^
^s,
d "^ *
^
-fir
if
?F^
T
1 r
ztf
*
^^^
^S
^ r " *•
:3=t
1 r
lizt:
1 r
f
i
> K |» |s ,, f> |s p ^
h K-
E^5
i
f^
IsEg
mor - row ;
Jea - lou - sies in g rim ar - ray, Ye are things of yes - ter - day !
^m
^^
s
&
*=^
*=^
W^^W^f^F^^
I
s^
1 r
1 r
^15
g
1 r j i :
J<
*
s
i
^
fair-ji-j--j^/.^ ^
ra//.
^ d ; ; -
a tempo, sostenuto.
^
^^^
^
^
WTien you mar - ry mer - ry mai - den,
!
I
^
Then the air with joy is la - den ; All the corners of the
.-^^..^ II tempo.
t
d-^ rsV-
i
Wf-T
I
^^^^^^^
-} — v^w
&fH-^ -
I
Jt
'rail.'
*
4-
TTTfl
hi l ~~ t
^
jc=_iii5in
^t-q * 1 r
z^=t
?f=T=^
ii^::^
' / /
Fed.
i
^
m
i^
h N
earth Ring
with mu
£
sic sweet - ly played,
^
Wor - ry is me - lo
dious mirth, Grief is
r —
*=Hi=
j ^ j V J ^ jj I i I i ^ mi-n . nrn^ .^^^^^^
I
^
^E
^
I r
?s^
-^w^
3i±:
â– =1-F-
-f-^
Fed. 4
Fed.
lS,844.
Fed. ^
Fed. #
Fed.
*
75
m
i
w
i
Â¥
m
Tessa.
joy in mis - que - rade ;
$
fe=F=
â– sL
1 r
PedJ
Sul - Icn night is laugh - ing day
p 1st Sopranos.
:^J_Jzzj:z=3 ^^
Sul
p 2nd Sopranos.
Icn
night is lau£h - ing day-
w
ShI
p Tenors.
j^ L^-^_^-^ ^:
len ni[;ht is laugh - ing day —
■>«. S S K =J»
T~T-I=7~J^ ^^
Sul
p Basses.
len
night is laugh - ing day-
=s=s=
J J
^^^
Sul
Icn
night is laugh - ing day —
j =^33^
^
j ^ , ^ J ^ B
f
i
I
All the year is mer - ry May I
cres.
f
All
IT:
^
V V V ¥ \ -
zz:
All
the
crcs.
m
year is mer • ry May !
I. \. I. r, \
All
/
All
the
I
year is mer â– ry May !
J-
All
^
m
^
18,844.
s
"tj
-# — >-
^
^
-P- -!â–º
-^
IPZI
I
i
i
Ped.
Ted.
fy
fy
fy
21
;6
lit.
liiin.
a tempo.
W
^ ^^^^^
E^^
h > h
"EE
^mSi
ml
All the year is mer- ry May ! .
May,
m
May,
^
w
May,
m=^
May,
Mcr â– ry, mer - ry May,
mer - ry, mcr - ry May,
AH the year is
=P=^*=
^^
^ * S-
Mer • ry May,
/â– J
mer - ry May,
Zqii=SI
Mer - ry Mav,
/-> . . , "
N S I —
-ix 1^
mcr - ry May,
-j — r.
-a — •
Mer - ry May,
_^ " J -
mer - ry May,
s m 9-
Mer - ry May,
mer â– ry May,
tt
i
-f
w
-^.-f^-
mer - ry, mer - ry ^Tay !
3 P-
is
m
-^— p-
m
-^--^^
May.
l^^^^^ES
-i=r
* T
1S.S44.
May.
i —
S
M.ay.
^
May.
^f t ^
n
J, 1 ^ 1— 4^ E
=ir=
^t— p -
n
No. 10.
FINALE— ACT I.
GlANETTA.
Piano.
:S=is:
y — / — * " — «^ — >
^lEi^^^
part From those to whom an hoi;r a - go We were u - ni
■kind— Somesourccof un - cxplain'd tie - liglu(Un - less you're jest
ted !
■»g)>
Ee - fore our flow ing hopes you
I'ut what at - tracts you, I con
i
fc=*:
^
->—»*—>-
stem, Ah, look at them, And pause he - fore you deal this hlow, All im - in - vi
- fess, 1 can - not guess. To me a wo man's face is ijuite Un - in - ter - est
ted!
inc !
Vou men can nev - er
If from my sis - let
-»— «
^
fei
i
F^
e3
f="F^
f=^'^f^
-=1— F-
i
t=^
^
^
^
un • der . stand. That heart and hand
I were torn. It could be borne-
Can - not be se - pa - ra - ted when We go a - yearn - ing ;
I 5hould,no doubt,be hor - ri - fied. But I could bear it ;
i=E
Et
^
*aEa
rT 4^ .e=j
@^
ifeEE^
18,844.
ff-'.h~fa ^
i^=E^=£^=i'=^M^^i£
f^pi
^-^
PeS.
78
-^>-^
D
-^^—^—<t—V-
->-*-
«« /(Jfd r^i//.
- ? «>!> '
Voii see, you've on - ly wo-iren"5 eyes To i - tlo • lize, And on - \^ \vo-mcn's hearts, . . poor men, To set you
ButMar-co's quite an - o ■ther thing— He is niy King.IIe has niy heart and none... be ■side Shall cv - cr
±±St.
r-^t
'*z_ ^
rT-^C F i-
^
W
m?^^=mm
s=
i
^
i«
J
-hi-
^
^MP:
-^-
. ars.
yp-
:iAz
f<7//<z z'cr^.
dtm.
w
?lj-
« tempo.
Ap
EE
f 1 1 > -=r=^
^3E
^^^
=?==^
5=^
ij ^f-i^
It
burn - ing ! | ^
ihare il ! J
you men
^^
^-
will nev - er un â– der - stand That wo-man's heart . . . .^. is
znd time. '"â– '" ~~A
P — • —
*
f
^
heart
^^5
"C3'
a tempo.' • ' ' i ' i ' i ' i >«
^
â– p"
â– ^T
^
T
.^^==*=
Don Alham. Recit.
>-
f P=-=F=^ :
i
S
one uAU HO - m.m's hand!
Do not give
S
one with wo « man's hand !
Wl
^
"^&
p
Lislesso tempo. T>£f-,.j.
^
i±=« 1 I
/
P
fP\
^
^
f;^
^^^
s ^
a teti-po.
1
laz^t
-F— P =1-
N I S r, N N -
■^ 5 — ir-P d =—
^^
^^^^^
way
to this uncalled - for grief,
(i
Your se - pa ■ra • lion will be ve • ry brief. To as - cer- tain which
a tempo. ^^^^m^=mm^
^^m
K^
-4-^
d »-
^
±
;-M^
^
t?y
18,844.
I
79
^ c ; â– ,; j^^i
Recit.
f
is the King And which the
- Iher, To Ba • ra • ta - ria s Court I'll bring His fos - tcr - mo ■ther.
a^^^f^
Her for met
Aiuia)ile. GlA. f
i; *» J. -T CU^'TI U- -1- i:— Ut „ l T\,^i „.* .l I l-* l. l _.- T>_ -_ ^ Ti *-^ ■»r- . TT-
nurseling to de-clarc She'll be de - light-c 1. That set- tied, let eachhap-py pair IJe re • u
i
i
ni-ted. Viva I His ar-gument is
Tessa. /
^^
• * H 4 4 • > i
^
5£
fe
Viva! His argument is
Marco. /
flrac
fltfqjT^— Km Ssjit
S^
^
Cius. /
Vi-va ! His ar-gumentii
m^
^^S^3^ttE
S
s
Vi-va I Hisar gumentis
^
^
^=^
3^
If
7cr
|@i ^
-^
co!ui ~c'o:e.
i
:i
•V
^
S
ii^
• '-
=?=s
3=
strong ! Vi - va ! We'll not be part-ed long ; Vi - va !
^^^^^^
^Ps^P
It will be scl-tlcJ soon !
m
Vi-va! Then comes our ho -ney-
-^— ^
=g — J' ^' J- z:^
^
=^=F
-• — •-
-^-J^-W^
»HH^-M^
j"rjzz t-j"— ^
3^^^^^
^
strong! Vi-va! Well not be part - cd long! Vi-va! It will be set-tied soon 1 Vi-va! Then comes our ho -ney
3=t:
PlPg ^
:!?=
* » ■-
=^=;c
=^— ^— *-H^
-^ -g-^ — g-S-5-g-^=tf^
strong! Vi-va! Well not be part-ed long! Vi-va! It will be set -tied soon! Vi-va! Thencomesourho -ney •
ii * * -^ ^ I »-
f — «_
^^^^^^^^§S
^^^^:
i
s^
:^=?:
- I S ig |g
:^=:ft=rs:
=S=iC=S
« — *-
â– va!
strong
Vi • va ! We'll not be part • ed long ! Vi - va !
It will be settled soon !
Vi
Then comes our honey -
^
^
i
^
r^^-^- i=i
^
^^=?
7^
iS,S44.
8o
L^ ^ ^^^. '^
. ! Vi- va 1 Vi- va ! Vi - va !
lj=S=j^fcS=j4
1 ! Vi- va ! Vi- va ! Vi • va !
! Vi- va 1 Vi- va I Vi • va !
• moon ! Vi- va ! Vi- va 1 Vi - v
^
^
^2:
Allfgro con brio.
!|T F ff f||,rf ^#|fefel4f
ff
m
5=
^
e
^
-I 1 r — F— h-t 1 ! F-
^
b r 1 J t
GlANETTA.
V
N h , . ^ :
* *
^"^^^^^
1 * »
S=^=5l:=5e
P— V — ^^
:§=
- ^ / g 1 «« "-* • — ■— 1^ f—f-'-^ — I" g— t-
Tlicn one of us will be a Queen, And sit on a gol - den throne, With a crow-n in - stead Of a
Marco. ^
:}5= »-*■^
: r f ^'
» w
'/ '/ :g=g:
^ J ^ *^"^T?=^ J^ J K
* 1
» »
:|!==S:
2. drive a- bout in a carriage and pair, With the King on her left-hand side, And a milk-white horse, As a
jiiiiiliii Tm 'i4 ,^J i7irTTTT"
^^
&^«=i&
^
j~ i r-i I n q^^
^
^
s »
] h_lLjLUJ^^rT J J J ^ h>\ F ^^^i m=j^ ^ =^4^ ^
hat on her head, And di - a-monds all her own! With a beau-ti-ful robe of gold and green, I've al - ways un- der -
p=f^- j-^i^ 1 A I ^ J- ip ; r \nu^l^^m
matter of course,\Micn-cv-cr she wants'lo ride! With beau-ti-ful sil • ver shoes to wear Up - en her dain-ty
t= ri iViiri ^ iiu ' i j ^^ ^-^^^^-V-^-^
:^=a
^m
rl (^ I r: r:^
i8,8<+
8i
m
^
j< — y-
-?s=;<=
-v /-
m
B
^n^m
-4-
stood : I won - der whether She'd wear a feather ? I
^
thir thin1< Oie should ! Oh, .
Tlssa. .
-^
!=ii?^
^^
-• »-
5^£
=fc=E
^==rf*±=fa:x:5-^=3=^
-r — )r
d m
• /
Oh,
-4-r-
'tis
A
i:=^r=Fr'
rrp-
feet ; Wi'h end - less stocl<s Of beau -ti-ful frocks,Audas nuicu :;s she wants to eat! Oh,
Gius.^
'lis
Wz
Oh,
^^
W^^-
i
5-t^
/ dim. p
Se
/T- H
#
^
=^=^
ts^l-
*i^ ^
if--
3:
f
5=^E
^5=E
1fc=X
-»^ * * .UL ZZg
g
^ P » —y
k i^ ->: ^=
=f=:P=
?^^
> >-
^ t^ ^
iV^i ^io >-r iz
glo - rious thing, I wccn. To be a rcgu - lar Roy - al Queen ! No
^
-^ ^ ^
N K
^
*=s
half - and - half af • fair, I mean. No
P
:3=S:
^^^
W-
d s d -h-^
glo - tious ihinj;, I ween, To be a rcgu - lar Roy • al Queen ! No
half, and- half af - fair, I mean, No
^
P P
V — '/ ^ — tr-l t / > — > \, \J / > > =3^
P — M-P- y *
^^^3^^^
glo - rious thing, I ween, To be a re^u - lar Poy - al Queen! No
half -and- half af - fair, I mean. No
(^) ^ d — ^- — > g- _| d -j i .
r r r ' ^ ~r — r — -g-
s
N S
glo • rious thing, I ween. To be a reju • lar Roy . al Queen ! No
T ! u
M
-i T < « »
i^
^S
half -and- half af - fair, I mean. No
i A i- -i
- ? 1^ y i f-
i^l^l^^^
gq=j^^a^=^^^
lS,S4|.
82
wm
>> K a li:
r^^-*—*-
^i^H
^^^^tJ
j^zri
:1r*:
DtZt
:^^
k ^, ft ^
rtiE^BS^
-^---â– ^^ jM
u/
i
half and • lialf af • fair, Dut a right down rcg- u ■lar, reg ■u • lar, rcg- u - lar, rcg u - lar Roy ■al Queen I
%
=Fls:
n
^i
=«=^
te— iS-
-^-^^4t-
-!S ft J r ^ hi r
T^TTJ
*-^
^—1-
» d ' m ^ \ m
half-and-half af . fair, But a right down reg- u - lar, rcg - u - lar, reg • u - har, rcg- u- lar Roy-al Queen!
/
^' g ; ;~m
3 f »^=P^^
1^— g I > u |g g :;^
f p f * 3tj:
^ ^ '^ t! g=g=
3=1
:J^
5^]^^^
^
^— f^
half-and-half af -fair, But a right down rcg- u - lar, rcg -u- lar, reg -u- lar, reg- u • lar Roy ■al Queen!
/
^^
:1*t
• * *
^^=F=
^ ^ ^ ^ l > V
g ±?3;Hc ; grrTrrg
• â– â–
^ g g t^
^ ^ V ^
?
half-and-half af -fair, But a right down rcg- u - lar, rcg -u- lar. reg - u - lar, reg - u - lar Roy - al Queen!
^^it
f^f=t^
(fe
/
rfctU . I iU. ii f iirt tti^ji i CT
*
:£:
♦
izn:
^g
i: — : . •
i
I 2«rf.
Tessa.
fetE?i^;;?3ig^ ^i-^-^^^'-^ g ^
-^ — P-
r l i
1/
Queen !
^
-^1 — f^
Queen !
-^— p-
Queen !
\\^len - ev - er she con - des cends to walk, Be sure she'll shine at
83
s
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a tempo. ^
well I Oh, . 'tis a glo - rious thing, I ween, To kc a rcgu â– lar Koy â– al Queen, No
Marco & Cius. _
<t tempo.^
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luU- and- half af - fair, I moan, No half - and liaM af â– fair, Bit a righ'. down reg- u- lar, reg- ii - lar, re^' u - lar,
half-and-half af - fair, I mean, Nj half-and-half af - fair. But
ri^ht down reg- n -lar, reg- u - lar, reg- ii - lar.
reg- u- lar Roy - al Queen !
1
Gius.
^
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reg -u -lar Roy - al Queen! Anl no - b!e lords will scrape and l)Ow,Ar.d dou-l.Ic tlicm in - to two.
And
^
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o - pen their eyes In blank sur -prise At what-ev - cr she likes to do.
And ev - 'ry - bo dy will round-ly vow She's
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1 5,844.
85
GlAN S; T.uSSA.
a temf<o.
^i
^
Oh, .
Marco &; Gius.
a tempo. '\
a.i lib.
S N .s -
/-ii^-N ^ jxi^rrjmr- r^'^^ ^^ ^^iE^^k^
fair as (low'rs in May
7 '^> &^
AnJ say, "How clever ! " At what - so - cv - or She con- des • ccnds to say! Oh, ,
-^1 P-
ioHa voce.
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'lis a glo ■lioiis thing, I ween. To be a regu - lar Koy - al Queen — No half- a:Kl - half af
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tis a glo - lions thing, I ween, To b**. a regu - lar \\c>y • al Queen — No
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half â– and - half af
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fair, I mean, Xo half -and â– half af - fair, Rut a right down regular, regu- lar, regu- lar, rcg-u- lar Roy - al
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fair, I mean. No half -and -half at • fair, But a right down regular, rcg-u- lar. regu- lar, rcg-u- lar Koy - al
18,844
86
w * » • C a »— — ^— r — :
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Queen ! Oh, 'tis a glo - rious thing, I ween, To be a regu • lar Roy - al Queen, A right down reg - u ■laj
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Queen 1 Oh, 'lis a glo â– rious thing, I ween, To be a regu - lar Roy - al Queen, A right down reg - u - lar
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Royal, Royal Queen !
Royal, Royal Queen
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Now, pray, what is the cause of this re â– mark â– a - ble hi
Tenors & Basses.
Kow, pray, wh„t is the cause of this re - mark - a ■ble hi
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lar-i-ty, This sud • den e - bul - li - tion of un • mi • ti - ga - ted jolli-ty? Has « - riy - bo • dy
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lar-i-ty, This sud- den e • bul - li - tion of un • mi ■ti - ga ■ted jol-li-ty? lias
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Uess'd you with a sam - pie of his char-i - ty— Or have you been a - dop - led by a gen - tie - man of
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bless'd you with a sam ■pie of his char-i -ty— Or have you been a - dop - ted by a gen • tie - man of
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Re - ply - ing, we
GlUS.
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18,844.
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bid yoa all. I'm a •
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pa - la ces, But you'll
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To pa - vi - lions and pa ■la • ces, How
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can they re - spect Our Re • pub - li -can fal - la-cics?
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can they re - spect Our Re - pub - li-can fal • la-cies?
P
Allcjjro vivace.
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For
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take to find Con - ge - nial with his peace of mind— And all shall e - qua! be.
The
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Chan eel - lor in his peruke — The Earl, the Mar - quis, and the Dook, The Groom, the But - ler,
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»nd the Cook— They all shall e - qual be.
The Avis - to - crat who banks with Coutts, The
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be!
The No
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tho-dox— The Lord IlighCoach - man on the box— The Lord HighVaga- bond in the stocks— They
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take to finl Con - ge - nial with his peace of min.l, Con - ge - nial with his peace of mind— And
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go, Tliey all shall e • r^r.al
be
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J 8,844.
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go, W'lier â– ev - er they go, They all s^liall e
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and the Dock, the Groom, the But - ler, and the Cook, The Aris - to â– crat who hanks with Coutts The
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18,844.
94
i^
Unis.
f m
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scrubs the grate, The Lord High Bish - op or - iho - dox, The Va - ga - bond in the stocks-
For
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Stale, The
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cv - ry one
who feels in - clincd, Some post they un â– der - take to find Con - ge - nial with his
m
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peace of mind, Con • ge - nial with his peace of mind — And all
shall . .
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peace of mind. Con - ge ■nial with his peace of mind — And all
shall . .
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18,844.
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Then hail !
Then hail !
95
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King,
Which
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O King
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King,
fe
Hail ! . '.
O King
Hail ! .
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18,844.
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Marco &; Cius. KLCir.
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Then let's a • wny— our island crown a - waits me— Con- diet- ing feel-ings rend my soul a - part! The thought of Roy-al
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dig - ni - ty e - lates me, But leav-ing thee be- hind me breaks my heart ! Fare-well, my love ; on board you must be
m
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; - ling ; Rut while up - on the sea you gai - ly roam, Re-mem- ber that a heart for thee i> fret ting— The
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GiAN. Solo
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ten - d'-r lit - tie heart you've left at home !
Now, IMarco dear. My wishes hear ; While you're a-way
Andante con molo.
I8.S44-
98
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g— g— B-^^g-
It's un - derslood You will be good, And not too gay.
To ev - 'ry trace Of mai -den grace You will be blind,
And will not glance By a - ny chance On wo- man-kind
If you are wise.You'Ushutyour eyes Till we ar - rive,
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And not ad - dress A la • dy less Than for - ty - five.
You'll please to frown On ev - 'ry gown That you may see ; And,
^^^5jnTft?#-j-^ i-iipi^^^^
?^^r— r^ EE^
:Jf
^
-^— ^-
espress.
„ w k. espress.
O my pet, You won't for - get You'vemar-ricd me!
I=S
F=^
^
^
And, O my dar-ling, O my pet,What-eT - er else you may for
Tit ^f: -j^ i n^? f> ^ ^
^
-p
tspress.
m
T-
^^m
nmw\ \ \P.\^''^mt^
P
^
18,844.
99
p f^^-^TTir^v-t-r-n^^
^
^^
f=f^
i
Tessa.
tei3T
E
^
get, In yon- der isle be- yonj the sea, O don't for - get, O don't for • get you've mar - ried me! You'll
i^^^W ^^a^ ^ trjv^^^-^
H
&
m^
g ^ f
^
^
l ij fe^f^^V^T^ ." 1 ^' ^
nf"^ â– f' iii''#=^^
±=t
E^E
S 1 =1"
S*
^=?=
|=^i^=l^
lay your head Up â– on your bed At set of sun.
You will not sing Of a - ny- thing To a - ny - one.
You-U
is
E^
B
m
w
i 4 1
i
^^
1
E
P
m^
S
:3=:ii
r ." i' s li ; .^^^^ ^i ^i^n^^^^ ?^ ^^
S^N ?:
-^ q--j ^
a — m
sit and mope All day, I hope, .\nd shed a tear Up â– on the life Your lit - tie wife Is pass â– - ing here.
And
#^S^
TTiiiiiH
a
m
m
^^ ^=rT ^^ m
^^
^^
:^=te
4 d — L
if so be You think of mc, Please tell the moon :
I'll read It all In rays that fall On the la - goon : You'll
18,844.
H-
1 r
^P
Ig
lOO
^=r^^-^=^^^y^^^i^-^t :^^ ^ ^^f^^^^=f
-^ h^
-:^
^^
W
-* — * *-
be so kind As tell the wind How you maybe, And send me words r.y lit - l!e biids To com - fort me! A.nd O my
^ P^ ^^n^ i-i^-^^ ^ ^p^f ^f^
^
"^ " F 1
m
m
\P J^ .^ ^ .^
J' ^ :. ^rT^J^^'^â– ^JN J--^ ^
dar - ling, O my pet. What c>- - cr else you may Tor- get, In yon- der isle be-yond the sea, O don't forget you've married
jP^^^^^^^^^
1^
T uJ ^^""^ ^
^
i
„ GlAN.^--
ff f C ■f P' : F g-i^-Tf • F I >i'^>^^->^i--i
F~T
r^
O my dar- ling, O my pet, What-cv â– er else you may for - get. In yonder isle beyond the sea, O don t for â–
me I O my
Marco.
dar-ling, O
-_• ,_
my pet. In yon-der isle beyond the sea,
O don't for -
f-p-f-
Ifr-g-g-g-g-g-g- >
^ f f
^
O my dar - ling,
O my pet, In yon-der isle beyond the sea, We'll not for
S
Gius.
jLjLjL-r- g=j^s
^=^Mf=^=S^=^=y:
i^^ — M^
my
dar - ling, O my
pet. In yonder isle beyond the sea, We'll not for
^,i 'b) F^ m F i.r^ . ^^ n^ F I f '""^ ' . ^ ^
r 'i^r 't \iir v-^r v
^
18,844.
lOI
dim.
:^t-j£=
-g-^— *-
=^^
^=?
a=g»f
• I.
i
get, O don't
dim.
for - uet you've mar - ried me !
O my dar- ling,
P
O my
^"g-H^-^^-
^ ^ ^
^^
^^^=^
:t5=J5:
f
itzizzt
-• — *-
-■• m
I
get, O don't
dim.
for - get you've mar - ried me !
O my dar- ling,
P
O my
!*;• »
-4rf P« !^
f
=?=9=
-V — g-
get, We'll nrt
dim.
f r - jet we've msr - ried you!
O my dar- ling,
M h ^
O my
*=SI
h ft ft
^ . M
W j^-:^
^
* — * — 9 « — • — • r
get.We'll not for - gel we've mar - ried yen !
my dar- ling.
O my
^m
-t-
£
f f f}
^
* *
> l ; Lli^
^^^=i
r~ — It-
^^^:
-^ H
5^^
?:=:#:
: H 1
-* « H
?
■*- •»- T -r
I
■s > «
e£
-> — 1»
IjR
^^=^^
gi^ra
-^= — !^
• ^ — #- 1 J
pet. In yon - der isle be - yond the sea.
O don't for â– got you've mar - ried me '
4^ J- J' ; .- ; i
fe
N ^ N
^
r 1
^ y- ' • — ' — =^
you've mar - ried me '.
pet, In yon - dcr isle be - yond the sea.
O don't for • get
i
^
» — •-
^
F=y=
^ / ' ^
^ ' '^ — if — " — y — »' — i^ — -^ — ' — r
pet. In yon • der isle be • yond the sea.
We'll not for - get we've mar
ried you 1
i
1^
NV « Sf| » s . f« » SN
Â¥=S^
J < <
We'll not for - get
v
pet. In yon - der isle be - yond the sen,
we ve mar
ried vou !
18,844.
I02
Chorus. Sopranos.
Piano.
ilF*
M * r~^
^
m
-^— q-
W
tt
way
way
way
^t
B^
they go to an is - land fair
^=W
t=tzi=r:
That lies in a Sou - them sea :
we go to an is - land fair
^^m
-t—f-
=F=t^
r^-^r'^
That lies in a Sou - them sea
? • ^ T T r
^
we go to an is - land fair
That lies in a Sou - thern sea :
M=
M-hf-b
^
We
-^— ^-
We
-q— ^-
i
3 1 i
?
i
ilF*
^^^
^
know
^
know
^^
]^
:3=3:
not where, and we don't much care,
Wher - ev • er that isle may be.
iW- r n;- 5 c r c:
^
iff=t:
-I*— 1-^
3^
^i
not where, and we don't much care,
Wher - ev - er
that isle may be.
'^
-f-^—^r
know . . not where, and we don't much care.
fr3E
¥ IS — l.^-=F-
^'i-^
Wher - ev - er that isle may be,
Matt
|fe|^ ^3ig
18,844.
r? : n ; : ^
m
'Oi
s
r 1 p-
-g — rg ~ ^
m
When ihc br?ez â– es are blowing, The
fe
AAA
m
i
^
;fczt
-p—»-
^
^-^-^i^
B
jtifc
»— =i-g— g-
I j > '„< — ;£i=;r
One, two, three. Haul ! One, two, three, Haul ! One, two, three. Haul ! With a. will ! . . . W'hcn the breez - es are blow-ing, The
PIP^
AAA
-!»— f-^
^
AAA
^
«
^ A A
f I*
ff-r-iV
g=F^^^
-B— B-
B-l^
?=^
One, two, three. Haul ! One, two, three. Haul ! One, two, three, Haul ! With a will! . . . When the brecz - es are blow-ing. The
m
t^
*
^m
^^
ty-f-w
W
i
W
^^M>^
i
m
^f
^/
i
^/
j4x^^u^f|-l^
i
^^m
^^
^^^^
tr-»
s
^
ship will be
go - ing,
When th<
liey
don't we shall all
—^
stand
still !
Then a - way
tney
^^^^^
t=^^^^^
7=?=
=5— »•
Then a
m
ship will be go - ing. When they
-i P — 1> • P P P-
don't we shall all
stand still !
way
e^.?=?
S
-P ft-
-P— P-
g-L> ^ ^ £i=B — fr
V 1 B -HS-
^^^^
ship will be go - ing. When they don't we shall all stand still ! . . . . Then a - way . . . we
Ped.
m
J=i-^
â– ^^L-J=^
gip=3
s
i-r — ^|=r
go
to an IS
land fair, We know not where, we don't much care
^
Wher
S
H f • g =r — p
eE^
-p— ^-
go to an is
( ^J^-
It=h
land fair,
— K-
We know not where, we don't much care
Whet
i==3=i=
M-r — t
lot where, we
=g=
i:
go to an is - land fair. We know not
e don't much care
18,844.
Wher
I04
i
W Marco.
-t 15
i^N^^N=^
A - way we
=1==^
tf
er that isle . . . may be !
^
r I p' • > g
E
f
er that isle . . . may be!
ir^^< r r r I r â– r f
E
er that isle . . . may be !
i-f i: n^
i; s
^"^ ft en
4
'"Z
%
< 1 1 > >â–
^
^
111/11
^
i=
-1 — 1 / 1 — "^
Ped.
P
GlAN.
^lE
Bg^= ?^
^^
-1 r 1 -
P
A - wav
Tessa.
way they go
-^ r!n ^
r
i^S^=3
— K- I 1 r 1 -
way,
way thfy go
i
*J .rn T,
-1 1 r q-
g=^f1^ ^^R;
*
go To a balm - y isle,
GlUS.
Where the ro - ses blow
All tiie
^
1 r 1
way,
I
-fi-
way we go
?a
1 r
1 1 r
-1 1 r 1
W
A - way,
a - wav.
P
N I |W
^
1 r
1 1 r
1 1 r -^
A • way.
a - way,
^
-^ I ^ 1 1 y 1
18,844.
Ped.
* Ped.
f
^ 1 > 1 ^= -« 1 1 y 1 1 -
E3^
# Ped.
# Ped.
♦ Ped.
io =
k^^ll . f f u±^T^=^ ^
cres.
^
A • way,
a - Viiy,
where . . all .
^
A - way, . .
a - -.v.-.y,
<fy^» O :
tr
FF^
?^R^
S
r
win - ter while.
Ro
ses blow, a way where the ro
blow . . A!l ,
j' 1 1 r =^
^ i i)d i
^
Where the ro • scs Llow All the win - ter while
J^ 1 1 J^ 1 1 I j^ ^ 1 ^
:^=s=
1 1 M 1
1^
1 1 ^^
way.
a - wa\'.
where
ro - ses
Llow All
'W 1^ 1
* I |y V —
1 1 r
1 1 « -1 V
A - way,
a • way, where ro - ses
bio
All
m
^
^^=^
-^1— ^
1 1 I-
1 1 |; J 1 1 I ; 1 1 j" 1 1 I 1 ^ -V -^-^-^
A - way.
wa)", where
ro • ses
blow All
\
-^^
fr±fr
^
4i-
gj^ ^Hj; C 1 1 I Jl^l-jl-T,!^
p
1 1 h4-l
Ped.
18,844.
'r If- "
i
« Ped.
trtm.
io6
S^
^£^^6E
nn k f— t-
^
5=^:F
the win - ter . . while, . . Where the ro
ses blow !
Then a •
Where
the . . ro
blow All . . win - ler while. Then a
I
r I c t
dt=tt
Lf r i:
^
E^^3
^
»t^ / i
the win • ter . . while, . . . Where the ro - • ■ses blow-
Then a
\Vhere
the . . ro
blow All . . win - ter while. Then a
s
=^=T:
' ^ ^ j :
^-
fe
*-rlS:
Â¥^
ter while
Where
the ro
ses blow
Then a
win • ter while,
Where .
the
ses blow ! . . . Then a
\ &\\ ; 1 1 J^
-=^-^
h *i 1
ter while.
^^'here
the
ses blow !
Then a
^ â– #-
fe^
■^ • -p- •
^- ^ • . 1 =-
18,844.
I07
m
k 'r-^^r
to— ^r-^^ ^J ~f. ^ i' l J^-jL^ ^E^^s ^^^f^
way
^^f=Y-
tlicy "o to an is - land fair
That lies in a Sou - tliern sea ; Then a- way they
jr
Pif'-f rl^-^-^
1^
^^^
Se
way : . they go to an is • land fair
That Ues in a Sou • Iherii sea ; Then a- way they
ff
rtt— rrr— Ti r • c -^ c i-f-^^^-4-
f=i= ^f
way
we jro to an is • land fair
That lies in a Sou - thern sea ; Then a- way we
.f
^
|5=i^=1=
^^^^^^^^^^
s 1 >
j-^ — u.
-* »-
way
we go to an is - land fair
That lies in a Sou - thern sea ; Then a- way we
t
ff^
rfir:f ;tF^-f4
'Â¥ = ^ ^ ^=^ -
"-rrtf
S=?E
1^
^j -t -i^fiz^^^^"^
way . . they go to an is - land fair . . That lies in a Sou - thern sea ; Then a- way they
ff
r • rr
/ g-y-
^^ ^^
f • M n r sj
35^
way
we go to an is - land fair
That lies in a Sou - thern sea ; Then a- way we
\m
ff
-\-^-^
V — ^-t-
f-f r r
T-^— C-U
-g-^--
r — r-r
i^-^
way
we go to an is - land fair . . That lies in a Sou - them sea ; Then a- way we
, |«.f--f fi^ ^ fa^^Sf^i
f^ F S
g
^
#
f fff f , f =
r<-L-xr~r~t3 ^B^
-fc *
I . I
^^
^^p^^
18,844.
loS
m^^-i'^i ^^ I J i'jJ J- J
fc=E
m
5
ifczt
-g— g-
dJzzS:
«=±
go to an is - land fair, Then a - way, then a - way, then a • way, then a - way,
^^
~-M r
a - way I
n=^
|S=ft
â– â–
;iz=zl:
go to an ii - land fair, Then a - way, then a - w ay,
m
-1*— f-
f^g^
-i»— 1»-
then a - way,
-g- I aw l
then a
way.
a - way !
fet
s
-g-H^
H»— g-
-g— g-
Sidt
H8— g-
go to nn is - Im 1 fair, Then a - w.^v, then a - w.iy, then a - way, then a - way.
.I'lj /JJ
=t
^
way I
^
:S=S
ft=^
=te=f5:
* *
^^
* *
go
^
to an IS
-^ z — ^►-
hand
fair, Then a - way,
then a • way, then a - way, then a - way,
m I ' P y ! C y I ■• — •-
^
a - way
^m
r^
s
go to an is - land fair. Then a - way,
9 g
len a - way
then a - way, then a - way^
^
P P
^
a • way !
fef*
iffzzt:
-g— g
jg— g-
-»-Hg-
i^-l^
-g— g-
to an IS
land fair, Then a - way, then a â– way, then a â– way, then a - way,
^P^
F=P=
:^-g-
=e=?=
:grr^i
J^^
-Azdti
lg=g
g^Sc
I
go to an is - lani.l fair. Then a - way, then a - way, then a -way, then a - way,
--\ — t
^gjg
H - gJ t fl
ttl
-t-ti
e
3-
a - way ]
1^
a - way !
^'' A
m
^E
1 1 r
M^N^fe ^4_f i f If ^ ^-ffe
?=r
^
=fe
f f ,f f f f .f-t
:ff f' i f .:a il^
r ^ r c
^
-H^
largaiiunte.
Â¥=4 -
z^
i
i—
18.844-
-a- •
-^ End of A(t I.
109
ACT TI.
-»^-<-
No. 1. CHORUS OF MEN (with Marco & Giuseppe).
A'.'i-critto.
M^:i i \ fVL! . f ^ ^=^=^ ^
^
?^^
-/— y-
ANO.
p
m A
$
% I g
ffl-t^4
»-fi— f>-
^fi^
:3zi
n^=^
-4—^
^
i
f i j n t
^
!ILi-.f J f , j fa
I
^^^^^E
^^" { I ' ^H "1
s
»
g ' f SM
-^5— =i-
^
\t±
\/ r 1 -p-
^r^riflff iJ" i ^^!llji&-
i
s
^
Tenors.
:^
r ^ r ' 8 I y=f^— t- ^^
T — r
S^
igi
Of hap • pi-ncss the ve - ry pith In
Basses. /
f r r
^-Hi-;^=g
^^
Of hap -pi-ness Ihe ve - ry pith In
i8,S44.
-i- r r r -fr r r
no
i
ffc=f
f fjf C M F.I « F i^^M P~i:
^ii^
Ba - ra - ta • lia you may see : A mo • nar ■chy that's tern - pered with Re - pub - li - can E -
tH^ f f f-rrN ^
^PP
1^
=?=F
pered with
Ba • ra - ta
you may see :
A
nar - chy that's tern
Re - pub - li - can
E
r^^jTTf
t_>LJ
^
sM^
^
- r 1 r
qual - i - ty.
g^^b^ g C C 1 s
â– f- -f- a^
^^
?cr—
f » r r I r 1^
> > >
qual - i - ty.
This form of "O - vern - raent we find The beau i • de • al of its kind —
jj, \fl I ^ jj^ - i'jri - ^r^,^
^^ i 1 i
j 1 1 '[ 1 1 I J 1 1 ^
^
1 1 ^ 1 "V
j 1 1 ^ ' 1-^'v— -
?
i
-f— »
^
« fc. r
^EE
-f r r ^
^
f
it=iz
des • po - ti
> ^ â– ^ M
sm strict, com-bincd With ab • so - lute e - qual - i • ty I With
ab - so - lute e
^
^-^i 1 n I ^ j^^ ^ hm j?. 1 Hi m ^ n I f ip^^
W^
I8.844-
I
1 1 . ^1 ^
»
1- 1 ri ' i :
T
^
1
â– :^
11 1
/fcfcft=5E
i
S
jr ^ f 1 — p ii*
:^=£
^^m^^m
qual - i - ty !
Of hap - pi - ness the ve - ry pith In Ba - ra - ta - ria
^
ppph^F-C^^ ^
- r 1 p-
itd=*
/ i t-"
r
Of hnp - pi • ness the ve • ry pith In Ba - ra - ta ■ria
Jt
^b^ c 1 c r=^=g= E£
r r r
p3 n i -^ ^
i
F=i-^:
-r -*- -*-
1^-^ 1
#fci
#-1— #â–
t 1 f =f=f
$
^^
T—Trc \
=t=F:
you may see : A mo - nar • chy that's tern ■pered with Re - pub - li - can E - qual - i - ty ! Re -
^^
-• •_
r : i'V f— H 1 1 F ^
■f^ ^-1— P ^ ^ f-T-rft-
It:
â– r
^
:3z±:
> I >i > — ^
"P ? 7 I /I /I ^1 /
you may see : A mo - nar - chy that's tern - pered with Re - pub - li - can E - qual - i - ty I Re •
tr
fctif ! 1 .^ 1 n ^q=g^i }yt\^^ ^
- ^fn-h t-
^
a^
^
T -r -r â– ? â– *- ^ ^
^
Marcx).
^ r ^ = =^
< l^l â– - 1 1 -^ g^
/^
^«
r 1
^
pub
li - can E - qual - i - ty !
Two
GlUS.
Sfe±
^
r ; r :i:
it=?i
r 1 1 1 • :^
r 1
pu'b
li - can E - qual - i • ty !
Two
18,844.
I 12
r ; r
1^=^— J-i *-
^
J"! 1
~p â– '
l.ingi, of un - due jiride be • reft, Who act in per • feet u - iii - t), Wlioiu you can or - der
? — F
^^^^
kin^s, of un due pride Ue - refl, Who act in per - feet u - ui - ly, Whom you can or - der
I
jlkl pL^I^ I - I J '
i
3^^
11* ^=^
11 I 1 ^
i^5EEf
1 « 1
lii
l-±
It
-^— ^ r 1 —1-
^^^ ^ ^ 1 rj 1 -^ r
1-^1- f 1 1 f 1 1 =
f^^^
f
-1-^
j jL r -r r m=J-^
i
c r n Lii
f — p
w
h 1 1
>> ' ^
right and left With ab so - lute im - pu - ni - ly. Wlio put their sub - jects at their ease By
i
^^
^
^
^^h-^
* * *_:â– ' * *
riciht and left With ab - so - lute
pu - ni - ty. Who put their sub • jects at their ease By
^^
^
F^-f^
^j £_j 1 1 | :
fT?H |=:{z=3i
^^
p 1 1 r 1 1 -f^ i 1 '^^^^ ^ j» ii = , ii -k ii I 1 ^^
^F=y^
11!*
^
^^^
do - ing all they can to please ! And thus, to cam their bread - and - cheese, Seize ev - 'ry op • por -
^
Ki r
Â¥
M r-a
^
=?=^^
-r—t
=^
do - ing all they can to please ! And thus, to earn their bread • and • cheese, Seize ev • 'ry op - por -
i
mm
^^^i-y ^
Uj l »[Ji P d3
^m
^ j-' i t •■< I i_i
te
111 1 -=1 — '=^=y
-1— q-
i ^ 1 1
"^11 \-~^ 1 T ^=^
18,844.
'3
P'' !U^ ^
^^=f^
^
-*^
^
S3
i<:^i<=
3^^
tu â– ni - ly. Ami
lluis, to earn tlicir bread • nnd clieese, Seize cv 'ry op • por - tu - ni - ty.
Ah!
^^
•Zrs
^
It
-'^—d -
tu - ni - ty, And
llnis, to earn their bread - and-cheese, Seize ev ry op por lu - r.i - ty.
Ah!
f ill -
l?3
i^ \ rf]\ jTi^=EP=g ^
^^i 1 1 = ^ 1 1 1 ^1 "^ -1 -I I ^
-^^-^^-
t
-^^-^
~i 1 T 1 1 I P 1 ^
(jr^^'""
I
^s
psSifiEEfeteSEEf
5E^
iz=*
Tip
f
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we act in per - feet u - ni - ty,
Ah I
It
* *
-P> Si I
J 1 T J J^
we act in per - feet u - ni - ty,
Ah!
^
^
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^f r rr
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ic:
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18,844.
114
Chorus.
nnt^^^B^N^
r 1 r
^
Of hap - pi - ness the ve - ry pitn In Ba - ra - ta - ria
W=^
H-P-Hf-H
'=f f — p~ i=^
m
r 1 r
Of hap - pi â– ness the ve - ry pith In Ba - ra - ta - ria
i^rijih"iiS d ^^i+ffj^ ^
^-f-fzg^rr ^
f=^F^
^^
^^ -g-C-i^^
â– ^ ^ I ^^
you may see ; A mo - nar- chy that's tem -pered with Re - pub - li - can E - qiial - i - ty ! Re - pub
^
m — «.
'mm
-p — •-
^ — p— ^
?ii^
5E=ic
you may see ; A mo - nar- chy that's tem - pered with Re - pub - li - can E - qual - i - ty ! Re - pub
^^ JtS^^J^^ ^
/r
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tr
m
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1 ^^^
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i=f=*r
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11 - can E • qual - i - ty, tempered with E
K IN 8 — i
â– qual - i - ty !
m
^
^
/ > / r =1-
y-t-t^
1'. - can E - qual - i - ty, tem-pered with
- qual - i - ty !
^
^
4~r^
-> ^ 1 * 1 1 =1 =
1 1 r
- f-P-f
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18,844.
115
No. 2.
SONG— Giuseppe (with Chorus).
w
?
<-(â– .
fc^
Allegrofiort troppo.
Ri - sing ear - ly in the
w=r^
^m
Im
m
azztzanirDE
y~»
riANO.
/
^
^
B=j=ffa
^
^^
I I
m^
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?
mor - ning, We pro - ceed to liglit our fire, Then our Ma - jes â– ly
»Ei
I I
$
a - dorn - ing In
^
^^^
m
i \ \ I â– â– r-: , ^ r gg
♦ i^
E^^^
^
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ffi
az
work â– a â– day al â– lire, We em â– baik with â– oul de - lay On the du - lies of liie
$
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3=
:^
•'' — r-
3
5E^
J-JUlJ-JH
Ljlaj:
S=K
^^^^
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^ »
^
day.
First we po - Hsh off some kitch-es Of po - li - ti • cal des- patch-es, And for-eign po - li - ti - cians cir- cum-
Af-ter luncheon(mak-ing mer- ry On a bun and glass of shcr - ry), If we've no-thing in par - ti - cu • lar to
18,844.
ii6
m
s « *
^1=?
^m
K K
^^g=^g=^
K ^ ^
J * *
^
- N >
s s
-• — r
' *
:j5=t!:
* *
i
^â– ent ; Then, if bus'ness is - n't hea-vy, Wl- may hold a Roy-al U - vk. Or ra - li - fy some Acts of Tar â– Ha
do, We may make a pro ■cla- ma-tion, Or re • ceive a de - pu ■ta-tion— Tlien ue pos ■si ■bfy ere - ate a Peer or
T=i=^
iSE
i
^
^
I
- mcnt.
two.
; ^| J^^i'/'
EfeS
icrit
^ f r
ag guULJU^B
Tlien we prob-ab - ly re • view the household troops-
Then He help a fel- low crca-ture on his path.
Vi"ith the u - su;il " Shallo humps 1'' and" Shal-lo
For ind Verse.
^
r^ TJ h j'j'^
\Yith the Gar - ter, or the This • tie, or the
^^
3^5E3EiE
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^
J- . J J I J J J-^ ^^^B
p
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- e— ^
^
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j^gjizj :
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hoops ! "
g
?*=:!!=
-=#;
^^
Or re - ceive with ce - re - mo - ni • al and state
An
?^
^
-^— »
Bath.
in - ter - est - ing East-cm po - ten
Or we dress and tod -die off in se - mi - State
To
les - ti - val, a func-tion, or a
7^Ti~J-r7- T
=J ^ J * J i^
^
^— F-
\st time ff, imi time f)f>
P«
i
^r j^ ^ ^ rM t ^ ^^ 1 1 ! 1 ^ p 1 "^
-* ••^B *
^
d d m d d y
^ '\' \ i' : /-j^iF^^
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« m d—d-
^
'^,'^' T-f^*^ " ''^'^ '''■'''' "'^ Re - ne - ral - ly Go and dress our pri-vate t« ■/«•/— (It's a ra - ther ner-vous du • ty — lie's a touch-y lit - tie
J'''- -1 hen we go andsiandas sen - try At the Pa -lace (pri-vate en - try), Marching hi - thcr, marcliiiig thither, up and down and to and
TI7
^
USZZiiE
* *
N ^ h f* h ^ >
4 t» t
» •
g
h r* h
d d a m ~a-
3=:?e:
a=t
^
^ » » N N-
00a
man)— Writesomelet -lers li - le - la - ry For our pri-vate se • ere - ta • ry — He ii sba-liy in his spell-ing, so we help him if we
fio, While (he w.ir- ri -or on tin - ly Goes in scarcliof beer and beau-ty (And it K"^ - ne - ral - ly liap pensthat he lias -n't far to
£±
^
^
^^m
J J I J~
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r r
^
can. Then, in view of era ■vings in ■ner, We go down and or - der din - ner;Then\ve pol • ish the Re-ga-lia And the
go). He re-licves us, if he's a - ble, Just in lime to lay the ta - ble, Thenwe dine and serve the cof-fee, And at
*fe
'i t. *
^
^m
m-
^
^^
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m
fef-f f
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m
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p^^^^g^
gg=?^F^
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W — *
Co- ro- r.a-tion plate — Spendanhour in li - ll - va - ling All our Gcn-ile-men- i)i- Wait-ing;Or we run on lil • lie er-randsfor the
half-pas'.twelveor one, Willi a plea -sure ihal's en; -plia - lir. We re - li - re to cur at - tic Withthe gra - ti - fy - ing feel -ing that our
T
P
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fe
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Mi - nis - Icrs of Slate,
du • ly has been done !
Oil, . . . phi • lo - .so - pliers may ling Of the trou-bles cf a King ; Yet the
Oh, . . . phi - lu - so - pliers may sing Of the trou-blcs of a King; But of
^^m
^.
f
T
u8
J^
t=f=rf
^
^
N - K N
m
m
^s=^
I
du- ties are de-light-ful, anJ the pri - vi - le - ges great ; But the pri - vi - lege and pleasure That we trea-sure beyond measure Is to
pleasures there are ma -ny and of troubles there nre none ; And the cul- mi - nat-ing pleasure That we treasure beyond measure Is the
^ â– 'I -1
J J| J J J
J 7 J j J J J^^
-C
-UJJ^
!L^i-^n-
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^
I*
^^
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1 '/ 1
-^^-p-
-q— p-
;f,»;J'Jj>r J'J- l j-jM-J M(f,
Chorus.
^
=|5=^
:^i^ — -*-
run on lit - tie er-rands for the Mi-nis-ters of State,
gra - li - fy - ing feel-ing that our du - ty has been done !
-"• — r
Oh,
Oh,
phi - lo - sophers may sing Of the trouhjes of
phi • lo - sophers may sing Of the troubles of
a King ; Yet the
a King; But of
P^
^e
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m
:^±=js:
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m
Tl W-
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(
* * — »-
du - ties are de-light-fuI, and the pri - vi - le • ges great ; But the pri - vi-lege and pleasure That we Irea sure be-yond measure Is to
pleasures there are ma â– ny and of troubles there are none ; And the cul - mi- nat -ing pleasure That we trea-sure be-yond mea-sure Is the
-0-
m
*
4^
1 r
I
itt
^
m
i
Â¥
1st.
GlUS.
znd.
^•'r f/; i i 'j.;j'J4^,hi( l J r r r
run on lit -tie errands for the Mi-nis-ters ofState. Af-ter du - ty has been done!
gra- ti - fy-ing feeling that our
Chorus.
i^^-
i&
du - ty has been done !
119
No. 3.
SONG— Marco.
I
;^ffw
^
EE^Eferf
I) ^ P t » in^ -
S
r 1
itL-tz
1. Take a pair of spark - ling eyes, . . Hidden,
2. Take a pret - ty lit - tie cot — . . Quitea
Allegretto moderato.
1 1 / i-^1— ^
Piano.
J r> r
^^jf^ii;' ^' 'l^^1f^ii:
^^ ^1 1 l-^^TTTT-l^
5"
1 1 , _ 1 -q-
^
^
iii
I
f
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«Sfcfc
1*
^
s
^
â– ^\-^
^
ev - er and a â– non,
mi - niature af - fair-
In a mer - ci - ful e - clipse-
Iliinga bout with trel • lis^d vine,
Do not heed their mild sur
Fur - nish it up- on the
i
ya^J|jjJ(}Jzl:'l| " ij l â– ! 'Iljlijl JJ,/ â– '(/ ! " ifJ ^jJEia^S^
^^
■±it^
^
s^s^ g-^'i 1 ^ ^=3=
" J* 1 1 1 — ^
J 1 1 . 1 =^
?
1
11 .11 -
H " 1 1 â– 1 ^-1-
r * i 1 ^ 1 ^
?^
^-^ ^: I
m P
1^ • ; I ^ r C^
1
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^^'
prise-
spol
. Hav- ing passed the Ru - bi â– con. .
. With the trea - sures rich and rare .
Take a pair of ro - sy lips
I've en - dea - voui'd to de - line
Take a
Live to
j|^^^^^ (j = ^J4iJ(|^
3:=ii
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1 1 â– 1 1 -
â– â– l 1 , 1 -=l
1 1 . 1 ^^
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f =rf=^^^
L.r r 1 1 J
r r r
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rr^rnt
^y — ^^1-
^j — I — •* — t-^ — i^ ' ^ k "—I — t^— I — / ' ^ >
fi • g\ire trim - ly planned — Such as ad • mi - ra - tion whets
love and love lu live — Vou will ri - pen at your ease,
(Be par - tic - u â– lar in this) ; Take a
Growing on the sun - ny side — Fate has
gs
-.Ut
s
-=v-i-
1 I 1 1 I
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18844.
I20
ten - derlit - tie hind, Fringed uithdain - ty fin - gcr - el'.f=. Press
no - Ihingmore to give. You're a dain - ty mr.n to pen
it, press it —
ziui Verse.
If
you're not sat - is- Red,
-I ^â–
w^\^ k yry ^
i^ i^
^
i
-v^
-q-4T
-^t— =f
-"^1-^-
^ i[,;j^j J'-rrrr- r
in pa ren- the - sis ; — Ah !
not sa - tis - licl,
Ah !
i?lse
Take
all thc'^, you luck - y
my c H'.n - ^cl, hap - py
^1
^ -^1— ^ I' 1
*
g
1 1 r T
S
I
f=PC
l-=
; ^B^:a^=^^^ ^a^^^^^^^^
man- . .Take and l;ocp them, if you can, if )mu can! Take all lhe,c, you luck -y man, Take and
man ; . . .\cl up - on it, if you can, if you can ! lake my coun - sel,hap â– py man, Act up -
^^fcr^
w^' •-. \
ftrl-^iBz^-
^{
'^='^'^'
iii^i^f^^^^^^^i^p^
p
m^ ^-^^-^^^-^ -y^ -^ 1 ^ 1 ^1 ji 1 r^^^- "^ y "^-h p
"\ 1 «j^^— =!-[— jM— ^
13=3=:
18,844.
121
^^^^^^^rfl I c ^^^H^
i
If/.
2nd.
m
keep . . tliem, if you can, if
it, if jou can, if .
-•H — ^^=s-^ — I — ■-
^^^^^^^^^
r 1
-^^ — ^-^
1 RT
^^ I ^ ^ '
Take n-.y ccun - sd, liap â– py man ;
Act up - on it, if you
fefe
sm
^^^^^W
IWL^til
' /
-^'H^
1 1 g:^^
5^=^
^^^
j£=j!r
1 * *
^ ''f ^.
ft
^
^— . conJo}za.
if you can.
if you can. Act up - on it, if you can,
Ii.ip • py man,
^ ^^^ ^
3=3:
^=^
i-i 1 1
i
1 1 r 1
^
^S
liii
TTl 1 1
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i
1 1 r 1
/
^^^
/
— •-
Ff^^f^
W^
1S.844.
122
No. 4. SCENA, CHORUS OF GIRLS, QUARTET, DUET, & CHORUS.
Allegro vivace. C~~''-^ ri~^^
Piano.
/
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fe
^ . JL .
^^
'^^
=&
-«-• -#-â–
^^
fS ^
â– . I> .
Chorus. /
MÂ¥1^ l 'g1-T | frfrTf:fi I f: f:
^
i
S
^
^
far, and we've brought your wives — And to that end we've cross'd the main, And don't in-tend to re • turn a - gain I
^^
^^^^
^ r r J
-=l—
* *
IJar, and we've brought your wives — And to that end we've cross'd the main, And don't intend to re • turn a - gain !
J=^
^
s
^^ — ,i^>-
^
^Tf 1 f^[2jM r^~rr^jTi ^
I
ttt?:
rrzra.
• * J-* »
w
» ' p
â– r!frg | f^-/rg/ i r tt^^ir^^r t^
-3=1
»-^
sa
P=^
18,844.
f^
12-
/I V ff * C
:icd^
r ^^f-rM-'^ii ^iMp^ ^iili^. ir f
To that end we'vecrois'd the mnin, And don't intend to re - turn a - gain ! Here we are, at risk of
l ^V^j-H^^j J | J J'j'j'i'iJ :J- i ;^^;i^ :
i^
H> >â– N
4-'^^^^-n
To that end wc'vecross'd the main, And don't in-tend to re - mm a - gain ! Here we are, at risk of our
n-t . J-M __P pi :
Fi=F ^ i F^yp^^ i^ nrii;^
T^ T^s -^i-tN^^ FF
g
; ^^»f£f r,£^r lf" r, iJ |
^^
n , ^
FfTTTTyfcE
1^
^
^
• r • ^
-i» p
V
lives, . . And we've brought, we've brouglit your wives.
Here we are, at the
^11
'1 •! hi T
E^
tt
1,11
-^H^
r 1
lives,
And We've brought, we've biought your wives.
Here we are, at the
w^^.i .rn m \'^ 1^ I .qi r,T i f j] j7]i ^
:^s
-=^-=f
g^t+Jy
l - i ^lrJJ'^' l U i auf^
t
s
^SJ^ J-fc L}
£t=e
I '
r- i r fcJf i r- crrM- ^-^^^
^E^
1* ^
s=^
risk of our Ii\es, . . And we've brought your wives, And to that end, to that end we've
risk of our lives.
And we've brought your wives, And to that end, to that end we've
^SSS^fej^E^g
^7j-Tjp7j-T: i :^f^ ^ | ^^^'^^^^-^
18.844.
124
i
l-rrr
-r-j^A
m
«ztt
^
,^.. h i
=r^
g= Br- Q' l '^
cross'd the . . main, And we don't, don't in - tenJ to re - uirn
gaiiil
-^ —I 1 ^ ^j » B^^ ' ^ â– '•^ "â–
^-
o^s'd tlie . . niai;i, And wc don't, don't in - lend to re • turn
gain !
^ ^ rJ r| r:;rlT | ru^|J | ^rJ^ r | ^
p
E^
i
B
Solo, ist Girl.,
^
j-^Mmur- t :\' â– r - M ; ::z=| :;r? s=
^£
^
^1^
^
?
^
11 r 1
;z3=
Tin' o
be - diencc is strong, Cu - ri ■o - si - ty's stronger —
We
^^ t!?!refEi^€if!!f-
-<%"
^ — —
tt
|k J^l 1 g 1 lZ|:j:rr^3A^'^^^TTt-/LjLJ1 :r 'j^E;cj
:t
* h 1 r* — 1-
wait • ed for long. Till we conld-n't wait long-er.
m
2nd Girl.
s
r 1
* «
-* — S
r
^
1
It's im â– )ui - dent, we know, But with -
fc#|t Jtl l il l J^i; -. M filial -i l li-i I' â– ' ''iff "^^I^P "^
18,844.
^-F-
e^eI
Ex
''=Â¥
: > ^ 1-^-
• •
-•^^ — ¥ — *-
*-«-• -¥—^
out your so - ci ■e - ;y Ex - is - tcncc wns s!o\v, And wc long for va - ri • e • ty— Ex
::i4.
*?^5i
1^
^^=Â¥
:^S3l-
u
^M^a^
^^if *^5*55>
5 :W * T*- '?*«~^* * "
i t r 1 1
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f^ 1 1 r
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t
TjJ"
^^
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1 r • ^ J
sm
=F=^
e r T -
=*^=;^=6'
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•^^i i r 1
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tence was slow, An^l we long for va - ri - e • ty.
Yes, it want - cd va -
.a
^s
I h
^
-4—r-
=t=K
^
-B =1-
M
e^
r T — g-
Ef^Et
isl
is • tence was slow, And we long for va - ri - c - ty.
Ves, it want - cd va -
.^ -fi- -^
3_U_ I ■I — U U >-
-*- •=•-•-• •- •— i-t*-^-
^eSE
Ped
Chorus, ist Girl & 2nd Girl.
It
^
SE?
s*
So here we
/
are, at the risk of our lives, .
e - ty
'^
* *"
^
A :^-
So here we
at the risk of our lives, .
K-)
- ^ ! ^ j^
E^
^ » -
! i I
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f-|Lt^_t t tlfg
/
t=3
-tj ^? : |-t ±=f=i
T'-^r'^^i
18,844.
126
And we've brought your wives, And to that end, to that end
've cross'd the
(kJ)^JJJjJI«JJ*Jjl*' I I i ii|'liLI [ --L
â– f f . * f I . ^ f * > fe
4 " J . J ; i ^^' -^-p4j
=E=i=
main, And we don't, don't in • tend to re - turn a - gain !
GlUS.
4'i- r.^ i r
5
^^ K
main, And we don't, don't in - tend to re • turn a • gain !
Tes
*t •**•**
, *-^f * f I > A-^
Ped.
4 r ir g
Tessa.
-^H^
GlAN.
fe
r 1
te
Gius - ep - pe !
Mar
CO !
=p=?
Marco.,
r /n.^i r *^
^
r ? •
ffltZT
fe
sat
Gia - net
â– â– * -W^*
3
a» I r r i r '
• * r * g:
I' ll
•**•** ^lii** ft***i* Witii Wti^
* * r » E
I'll!-
^
am
18,844.
127
M
II „TESSA. ^ ^ w
[ 'II 'I I I '
t' .. , , Ar.t»r .oil.JniT tn this 15. land —
fistesso tempo.
S
GlAN. ^ . .
1. Toss-ing in a man-ner fright-ful,
2. Do thiy keep you at a distance ?
^
m
And we
Or do
=V^^?'=
^-^^^n' — I
ig j • g f i
UI
AUfgreUo grasioso.
1. Af-ter sail-ing to this is- land —
2. Is the pop -u- lace ex -acting?
We are all once more on dryland —
All un - aid â– ed are you act- ing,
m^
^
?
^m
f-fif^r^-n
I ii r I
^
te
?=^
find the change de-light-ful,
they provide as â– sis-tance ?
f
3=S
==Â¥=
^ S >» =^E
gi^
m
Tell me, areyou fond ofreign-ing? — How'sthe
If you do what you ought not to, Do they
As
at home we've been remaining — We've not seen you both for a - ges,
When you're bu-sy, have you got to Get up ear - ly in themorn-ing?
f- t 1 , ; ; .: > 1 > : > I ;_i_tL-g-- i:^:=g=i:
I i ~*^ —r
■f I , t—
food.and what's the wa-ges ?
give the usu - al warning ?
How does Roy- al - iz - ing strike you ?
Lots of trum-pet- ing and drum-ming ?
P
h j^ s
K s K
o you
Ain't the
* >X^ *-T-*=^
h_*»i » N h s » -*'
3Z3S
=1*-
Does your new em-ploy-ment please ye ? —
With a horse do they e- quip you ?
Is it dif-6-cuIt or ea-sy?—
Do the Roy- al tiades-men tip you ?
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18,844.
4-
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128
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think your sub-jecls like you ?
li - ve • ry be- com-ing I
Take it al • to - ge- ther, is it Bet- ter
Do they give you wine for dinner ? Teaches,
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I am anx-ious to e - lie • it, Is it plain and ea - sy steer-ing ?
Does your hu-man be- ing in - ner Feed on ev- 'ry-lhing that nice is?
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su - gar-plums and i-ces ?J ano-j > j a t>
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We shall both go on re-quest ing. Till you tell us, nev- er doubt it, Ev- 'ry - thing is in - ter - es- ling. Tell us,
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tell us all a-bout it !
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They will both go on re - questing,Till you tell them, nev-er doubt it, Ev-'ry • thing is in - ter - es- ting. Tell us
tell us all a-bout it! They will both go on re - quesling.Till you tell them, nev-er doubt it, Ev-'o* - thing is in - ter - es- ting,TeU us
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18,844.
1-9
1st.
2nd.
GlAN.
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Wc shall both go on re - questing, Till you tell us, ncv - cr doubt it, Ev - 'ry
Tessa.
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We shall both go on re - questing, Till you tell us, nev - cr doubt it, Ev - 'ry
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tell us all a-bout it !
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tell us all a-bout it !
They'll go on re • questing, Till you tcU them, ncv • cr cloubt it, Ev • 'ry -
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tell us all a-bjut it ! They'll go on re â– questing, Till you tell theni; nev - er doubt it, Ev - 'ry â–
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thing is in - ter - est-ing. Tell us, tell us all a - bout it I Ev • 'ry - thing is in - ter ■citing, Tell us, tell us all a - bout it I Tell i;
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thing is in â– ter â– est ing. Tell us, tell us all a - bout it ! Ev- 'ry - thing is in - ter - est-ing, Tell us tell us all a - bou! il I Tel! ev
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thing is in - ter - est-ing, Tell us, tel! us all a â– bout it ! Ev - 'ry â– thing is in â– ter -est- ing, Tell u^, tell us all a- bout it ! Ev -'ty -
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thingis in- ter -est-ing. Tell us, tell us all a • bout it ! Ev - 'ry - thing is in - ter • est- ing, Tell us, tell us all a- bout it ! Ev- Vy -
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18.844.
I30
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all,
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all,
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tell
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tell us,
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all,
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tell US,
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■thing is in - ler - est - ing, Ev - 'ry - thing is in • ter • est - ing, Tell us, tell ui all a • bout it, Tell Ul,
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thing is in - ter - est • ing, Ev - 'ry - thing is in - ter - est - ing, Tell us, tell us all a - bout it, Tell us.
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tell us all a - bout it, Tell us, tell
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18,844
131
No. 5.
CHORUS AND DANCE.
Piano.
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Dance a ca - chu - cha, fan - dan- go, bo - le - xo, Xe ■res we'll drink — Man • za • nil - la, Men - le
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Dance a ca ■chu - cha, fan - dan- go, bo • le - ro, Xe - res we'll drink — Man - za ■nil - la, Mon • te • rg—
T T y j
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Wine, when it runs in a - b.in- d.ince, en - han
4— ?-
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ces The reck - less de - light of that wild - est of
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Wine, when it runs in a . bun dance, en - han - ces The reck - less de • light of that wild - est of
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18,844.
132
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dan - ces ! To the pretty pit-ter, pit-ter, pnt - ter, Audthe clit-ter,clil-ter,clit-ter, cl.it - ter— Clit-ter,clit-ter, clat-ter,
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dan - ces !
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rit- ter, pit- ter, pat-ter, CIit-ter,cl''.ter,c'.at-ter, clit-ter,clit-ter,clat-ter—
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To the pret-ty pit- ter, pit-ter, pat - ter, And the cht ter,clit-ter,clit-ter,
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rit-tcr,pit-ter, pit-tcr, pat-ter, pat-ter, pat-ter, pat - ter, We'll dance, Old Xe - res we'll drink— Man - za
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OKI Xe - res v.-e'Il drink — Man • za
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18,844.
133
; -' ' V - ^ ' ^^ — ^ — It/ — r
1 1
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lil - la, Mon - te • ro ; For wine, when it runs in a - bun-dance,
en - han ■ces The reck • less de
- nil - la, Mon • te - ro ; For wine, when it runs in a - bun-dance,
A A A . A A -^ â– ^ . . . . w J
en - han • ces The reck ■less de
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light of that wild - est of dan - ces, that wild â– est of dan - ces. The reck-less de - light !
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light of that wild ■est of dan - ces, that wild • est of dan -ces, The reck-less de - light!
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Dance a ca - dm - cha, fan • dan - go, bo • le
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Dance a ca - chu - cha, fan • dan - go, bo - le
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ro, Xc • res we'll driuU— Man - 7.a - nil - la, Mon - te - ro-
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Xe ■res we'll drink— Man - /a - nil - la, Mon - te - ro-
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Wine, when it runs in a • bundance, en - Iinn -ces The reck-less de • light of that wild -est of dan
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Wine, when it
runs in a - bun-dance, en - han-ces The reck -less de - light of that wild - est of dan
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en - han - ces The reck -less de - light of that wild - est of dan - ces, The reck -less de
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bun- dance,
han-ces The reck -less de light of that wild -est of dan • ces, The reck -less de
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18,844.
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- light of that wild - est uf dan
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light of that wild - est of dan
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18,844.
136
No. 6. SONG Doii Alhambra (with Marco & Giuseppe).
M:
Don Alham.
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There lived a King, as I'vebtentoIJ, In the wonder-working days of old. When
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hearts were twice as good as golJ, And twcn- ty times as mel- low. Good- teni- per tii-umphcd in his face, And in his heart he
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found a place For all the cr - ring hu • man race And ev - 'ry wretched fcl ■low. When he had Rhcn-isli wine to drink It
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made him ve - ry sad to think That some, at junk-et or at jink, Must be con-tent with tod - dy, with tod
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dy, tod-ily. lie wisliecl all men as rich as lie (And he was rich as rich could be),
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Marco S: Cius.
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So to the top of cv - 'ry tree Tro • mo - ted ev - 'ry - bo ■dy. *' Now, that's the kind of King for me— He wished all men as
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Don Alham.
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rich as he, So to the top of ev- 'ry tree Pro - mo - ted ev - 'ry - bo - dy ! Lord Chan-cellors were cheap as sprats, And
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Bish- ops in their sho - vel hats Were plen - ti - ful as tab - by cats— In point of fact, too ma - ny. Am - has - sa-dors cropped
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up like hay, Prime Min - is - ters and such as they Grew like as - pa - ra • gus in May, And Dukes were three a pen - ny. On
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ev • 'ry side Field Marshalsgleam'd, Small beer were Lords Lieuten-antdeem'd, With Ad -mi - rals the ocean teem'd All round his wide do
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min-ions, With Ad
-li-rals a • round . . his do - min-ions. And Par - ty Lead-ers you might meet In
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Marco & Gius.
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twos and threes in ev • 'ry street Main-tain - ing, with no lit - tie heat, Their va • ri-ous o - pin -ions. Now that's a sight yon
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18,844.
139
Don a.
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could- n't beat— Two Tar ■ty Lead - ers in each street Main - tain ■ing, with no lit • tie heat, Their va - ri • ous o - pin ■ions ! That
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King, although no -one de-nies His heart was of ab ■nor mal size, Yet he'd have act -ed o - ther-wi?'- If he had been a •
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long for siâ„¢ -pie pew-ter. men you have no- thing else to wear But cloth of gold and sat - ins rare. For cloth of gold you
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18,844.
I40
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cease to care— Up goes tlieprice of shaJ • (Ij-, of shod
cly, shod- dy. In
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short, who-ev - er you may be, To this con-clu-sion you'll a - gree.WTien cv - e • r)--one is sonic - bo - dec, Then no one's a - ny â–
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- bo - dy ! Now that's as plain as plain can be, To this con-clii-sion we a - gree — Wien ev - e - rj'one is
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some - bo - dee, Then no one's a - ny - bo - dy !
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18,844.
^
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I4J
No. 7. QUARTET— (Gianetta, Tessa, Marco, & Giuseppe).
GiANETTA, Tessa, Marco, & Giuseppe in unison.
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AHftriello moderato.
In a com - templa - live fashion, And a Iran - ijuil frame of mind, Free frcr
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ev • 'ry kind of pas - sion, Some so - lu - lion let us find. Let us grasp the sit - u - a - lion. Solve the
I^^
i' i'H
-p —
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i
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lEC
-P —
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GlAN.
^^^
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i,-jU^-
-^^
^ *
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com - pli - ca • ted plot — Qui - et, calm de - li - be - ra • lion Dis - en • tan ■gles ev - 'ry knot. In
Tessa.
t
Jz
^
J ^ J J
^
=p=^
com - pli - ca - ted plot — Qui • et, calm de ■li - be - ra - tion Dis - en - fan - gles ev - 'ry knot.
Marco.
I, DO
$
-m-
^
^
5ti=*
^ I ^- ^ ' ^
com - pli • ca ■led plot — Qui - et, calm de ■li ■be • la - tion Dis ■en - tan - gles ev • 'ry knot. In
Gius.
— m-
^ J '^^N
com - pli - ca - ted plot — Qui - et, calm de ■li ■be • ra lion Dis - en ■Ian - gles ev ■'ry knot. In
&^ j r j
^=^
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^
I
r -
m
i
pp
18,844.
-r-
Cf
142
^
m
?=^
=s==«
/ N K
Ei
tern- pla
tive fash-ion, And a tran
quil frame of mind.
I, a
J* I J" ; J ' JH- H M C ''J'J M J-
-4 ,M a —
ipj^
m
i^
333^
arnt
=^
doubt, Giu - Sep - pe wedded— That's, of course, a slice of luck. lie is ra- ther dun-der-head-ed, Still dis - tinct-ly he's a duck.
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^
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-• — *-
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tem- pla
tive fashion. And a tran - quil frame of mind.
^
Free from
ffi
P
tem- pla
tive fash-ion, And a tran
quil frame of mind,
i
m
Free from
IE
f
m
i
r
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f
Â¥
r
te=?=C=p^g i f ; I C c^-^^ixj^' l c g 't C r r ^; JL I c f f i^ ^
11 ^ ^ 1 1*
if • " • ■— ^^-i^
victim too of Cupid, Mar-co married — that is clear. He's par - tic - u - lar - ly stu- pid, Still dis - tinct-ly, he's a dear.
±
PP
fiP
i
=fs=^
F==?
*it
^
— >c
us
i
Ev
PP
'ry kind
of pas-sion, Some so - lu
tion let
us find.
M
Let
P
£
^
er
'ry kind of pas-sion, Some so - lu
tion let
us find.
PP
^
^
J | J â– f B
To Gil -
f
If^ltl*
'ry kind
of pas-sion, Some so - lu
^0
tion let
^
find.
Let us
;|J r J
i8.844.
143
PP
^
:=?=*
h N r
^r^
Z=I
^-#
p»sp
the sit
u . a - lion, Solve the com - pli - ca - ted plot,
Qui
et,
m
m
^
^
^ — =-
grasp
the sit
u - a - tion,
Solve
the com
pli • ca
ted plot,
Qui
Jj^c. p p r. t r. f
i
;J' 1 r rK r c g ^ g ^ :h r ^^
^
V y ^ y ]iii
^
-y — ¥-
net-ta I was ma-ted; I can prove it in a trice, Tho' her charms are o ■ver-ra - ted Still I own she's ra • thernioe.
PP
^^
i' l J. J
""^ 5^
grasp the sit
j^
u • a - tion, Solve
the com
pli • ca
-*
ted plot.
I to
m
^^
=r
^
calm
calm
de-li
F^F=F
4 — #
^
be - ra- tion
Dis
en - tan
gles ev
'ry knot !
■• — #—
be • ra -tion
S==ii
* — ^
calm
S
^
de -li
Dis
en - tan â– gles ev â– 'ry knot !
de-li • be • ra- tion,
en • tan - gles ev
ry knot !
^
E=!
y-T?
^ i j ' U b hj — +3 — -M h — / 1^
:i?=f=
V i^ I ;« u * 1 ^
^ « J ^
y — f-
V— V-
Tes-sa,'wil-ly- nil -ly, All at once a vie -tim fell. She is what is called a sil - ly, Still she an- swers pret- ty well. She's a
f
T r
f
-^-rr
E*fe
^:
18,884.
144
$
C PP
S
m
5
3 — I — a I n — a
N N r r — ^-^-*- FF- ^ ^ J F P r F P
^
yi> X / > â– > V ;^ l^zzjg:
In a con • tem-pla - tive fashion.
And if Icancalchhcrl'llpinchherandscralchher, And
$
PP
^m
^
^
^ N r
^=5=
=«=*
In a con
::^
f
S=fE
:h=h:
templa • tive fashion, And a tran
VP
S=JE
^^P^
quil frame
of
^
r>-f^H^
:^S=«
■*-—•-
^^TT >
Now when we were pretty babies Someone married us, that 's clear —
PP , VP
tran
fcT-# > \^f-t
3=
^ K r
^
quil frame
of
r=H^
'^ > <^ * ^^ zr^
3=5=
-•-=-
sil-ly,stillshean«wersprettywell. In a con - tem-pla - tive fashion, And a tran
|^{.;i jV^
qui] frame
of
:3=
zzi
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r^T
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=fe=^ %p=
^
^
1? — ^
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te^
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send her a -way with a flea in her ear. Ev - 'rylvind of pas-sion, Some so - lu
VP . .
tion let
-»<— >-
!>
&
mind,
rfc
±!2:
mind,
%
m
lind.
^
t>
S^S
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i J ^ r r iij
nTy>.N-;j-E gg
Free from ev - 'ry kind of pas-sion,
j- I J â– .rr- rli ^^
If I o • vertalvehcrrilwarrantrilmakehcrTo
^J.-
Free from ev - 'ryldnd of pas-sion. Some so - lu
PP . VP
IICjWhomthatyoungladymarriedjTo receive her can't refuse.
hi
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tion let
nl;jJ;r>;M r[iiJ i.'-n- II ==n
lion let
^
^
J=
18,844.
145
^
^
y — !" — M^-
a?^
F-C H • f ^% g
S""--/-
find.
If she mar-rieJ your Giu-scp • pe You and he will have to part —
4^'? ^^
^
P/)
^tT
?^^ ^
s .11
=^
^^
I'sri
^ — •—
u - a - lion,
shake in her a - ris - to - crat â– i - cal shoe; ! g^^sp
the sit
If
^
:j5=fE:
* S
u - a - tion,
— TT
the
find.
Let
TT
us grasp
the sit
Solve
^
^
jrnfc^
« —
-•— * g
a - tion, Solve the
find.
Let
-r
us grasp
the sit
(
^
-«»-
i
pp
fe
J • r
^
^
pli - ca
ted plot,
Qui
et, calm de - li
be -
i
m:r j: ni- r
7r | j}j.;j^T7^
-^^^
^=s-
-* — w
If she mar -ried Mes â– ser
I have to do it I'llwarrantshe'llrue it — I'll teachher to mar- ry the man of my heart!
ted plot.
et, calm de - li
i
s
T
fcft
^
18,844.
146
$
^ , s S r-
: f I f
-• — 0-
ra • tion,
P
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r ^ r j^ 1 1 1 =
No mat-ter, no mat-ter, If I can get at her I doubt if her mother will know her a • gain I
^
jj;^ g g ^
:3=^
^
Mar- CO you're a spin-ster,
gles ev
'ry knot !
I
f>P
^
If
H N s r
^
s£
ra • tion,
Dis
en • tan
PP
gles ev
'ry knot !
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4 — *-
Dis
en - tan
gles ev
'ry knot 1
m
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r f
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No matter, no matter, If I can get at her I doubt if her motherwillknowher a • gain! No matter, no matter, If I can get
3 3w3 3 w3 3 L..3 3 3. .3 3
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I have to do it I'llwarrantshe'llrueit — I'll teach her to mar-ry the man of my heart! If I have to do it I'llwarrantshellrue it — I'll
/
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5
^
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To Gia-net - ta I was ma -ted; I can prove it in a trice: Tlio' her charms are o • ver
: r e F' g'
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I to Tes - sa, wil - ly â– nil - ly, All at once a vie - tim fell.
• • • •
^=itj- LJ f ^ U II- 'U I'
She is
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18,844-
•47
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t ^ ¥ ^
-y— y 1^-y — ^ — k^— ti* F
-K-" 1^— y 1^— y — ^ / f— i(»-
at her I doublif hermotherwillknowhera • gain! No matter, no mat ter, no mat-ter, no matter, no matter, no matter, no matter, no
^^
^
tot
:is=^
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' ' i i \, l ' ^ SEJ
teach ber to mar- ry the man of myheartl rilteachher,niteachher,l'llleachher,rilteachher,rn teachher.rilteachher.I'l! teach her.I'Il teach her.T'll.
i
C ^M MP
-^— r-^
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^^f^
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la - ted Still I own she's ra - ther nice, She's ra - ther, ra - Ihcr, ra - ther, ra â– ther, ra - Iher, ra - ther, ra ther
S h _ f f-
J— J — f—V-=V
^
^
P
n^~rr-rp^ ^
' z â– / V -^
Â¥ V y
what is call'd a sil - ly, call'd a sil - ly, sil - ly, sil - !y, sil â– ly,
■M—^ — y — ■^ — V-
sil - ly, still she an- swers pret • ty
I
• • • • •
^^^— 1*-^
S^=^^£?=^=S^S
tJ-4
-f- -g m
i
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if tf t f it M ^fe!:^
1^^^
^ p
^
K 1 r
^
matter ! Qui - et, calm de - li
^ *-
be - ra - lion
^E
-J-^— w— J-.=^
Dis ■en - tan - glcs cv • 'ly knot !
K-N
f^=^
Is K r
I
teach her ! Qui - et, calm de - li - be - ra - tion Dis - en • tan - gles ev - 'ry knot !
r. P
M
I r
li^^
— — »
P
Dice. Qui • et, calm de - li - be • ra - tion Dis ■en ■tan - gles ev • 'ry knot I
^ P , .
1 r
S— S-(t
well.
Qui - et, calm de • li • be • ra - tion Dis - en - tan - gles ev - 'ry knot !
^^ 1 1 -P-
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^
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18,844.
1 48
No. 8. CHORUS OF MEN (with Duke & Duchess).
Allegro a la marcia.
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Piano.
ff
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Tenors.
^
Willi
Basses.
Willi
r r
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1 r r f -
Ped.
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i
f-n-f-g-T F
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du - cal pomp nnd du - Q.-A pride
±:;±:
^
(An - nounce these com - ers, O ye
r r i!— * b s-
du - cal pomp .^ncl du • cal pride
(An • nounce these com - ers, O ye
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18,844.
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ket • tic • dii;mmci5 ! ) Comes Ea - ra - ta - ria s higli • born bride. (Ye sound - ing cym • bals clang ! ) She
r r ; c. i^^ fcE^^
i
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1
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1 .^,^"^ J J^^
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to claim the Roy - al hand —
(Pro - claim their Gra â– ces, O ye
feEfe
^
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^ — /-
comes to claim the Roy - al hand —
S :â– .;..
(Pro- claim their Gra -cos, O ye
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don - ble - bass -es!) Of the King who rules this good - ly land. (Ye bra - zcn brass â– es bang!) She
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r I r f If-- f F: Fir r
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dau - ble - bass - cs ! ) Of the King who rules this good - ly land. (Ye bra • zcn brass • es bang ! ) She
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18,844.
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15°
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Duchess.
/i?S:r=.
m
rt
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comes to claim the Roy al hand — (Ye bra • zen brass- es bang!)
^ ft . "f" • f , »
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^
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$
Duke.
mE U=i=i= t
=3^=3^
comes to claim the Roy • al hand — (Ye bra ■zen brass- es bang I )
This po - lite at - ten • lion
I
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S
^
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eit
^
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pet
and heart of Duch • ess, ^Yho re • sign their
â– R^J^
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f
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touch - es Heart of Duke
\Yith pro
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t
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r ■■' — r
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i
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w
She of beau - ly was a mo - del
M
i^Ur^l^J'h i-^g ^
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found
gret.
^\'hen a ti - ny lid - die
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18,844.
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She's ex - celled by none 1
f
m
She's ex - celled by none ! At
U' r J'r n-i^
s
tod -die,
And at twen - ty • one
^
At twen - ty • one
i
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twen • ty one
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She's ex • celled t)y none I
Chorus.
^
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She comes Is claim the Roy • al hand
• • , • C . d-
(Pro
\1
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It
She conies to claim the Roy • al hand
-j=p^
^
^
(Pro -
"* •^ — T
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irr
l^'^f f f ^HfP-H-; ! ! l r r ^ ^. I r f J r l fir-r i p
- claim their Graces, O ye doii - hie basses !) Of the King who rules this good - ly land. (Ye bra - zen brass - es bang!)
M ^=i ^; :; i r r r^^^rn^-M^ i r r r ^rr^i #3^
claim their Graces, O ye dou ■ble basses !) Of the King who rules this good - ly land. (Ye bra • len brass • es bang!)
Iff * 1 tXl**f£7
18,844.
152
No. 9.
SONG— Duchess.
Piano.
^
m
Allegro con fiicco.
?
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1. On the
2. But I
^
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i^i^. r \ r
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^
day when I waswed - ded To your ad - mi - ra - ble sire, I ac • know - ledge that I dread - ed An ex •
found that a re - li - ance On my threat -en-ing ap - pear-ance, And a re - so - lute de • a - ance Of ma-
.n . J .^.W .i ' ^-'^-^^ ^' '' "^^ ' r-r^^
- plo - sion of his ire. I was o - ver-come with pan • ic— For his tern - per was vol - ca - nic, Ana I
ri - tal in - ter ■fer • cnce, And a gen - tie in - ti - ma - tion Of my firm de - ter - mm • a - tion To
\%
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did - Ttdare re -volt, Vor ' I fei^d' a thun - der-bolt I I was a! - wa)-s ve • ry wa - Oj Fof ^'S
see what I could do To be wife and hus - band too, ^Va3 the on - ly ihm- re -qui - red for to
18,844.
-a I • « c
153
l^u^M^
s
^Tj*- f
^,jijuj^;_iuLja,jL-i j!^ ^
fu - ry was ec • sta - tlc-His re ■fined vo ■ca - bu - la - ry Most un - pica- sant- ly em-phat - ic. To the
make his tem • par sup - pie, And you could - n't have de -sir'd A more re - ci • pro- ca - ting cou ■pie. Ev - er
m-
^^3^^ r^~j j. qS I fjL^^ ^^
fc^irj ^^ ^"^' - j'.^. J/ /^^-^^^-r^-^r:^^^^^^^^^^
thun-der Of this Tar- tar I knock 'd un - der Like a mar-tyr; Wienin - tent - ly He was fu - mine, I was gent • ly Un - as - suminp;— Wien re-
wil- ling To be woo- ing, We were bil-Iing— We were cooing ; 'iMien I mere ■ly From him parted We were near - ly Bro-ken-heart-ed— ^^^len in
^V-^^
^=:
vi - ling Me complete- ly, I was smi-lingVe- ry sweet • ly, I was smi -ling A'e • ry sweet • ly, ve - ry
se • quel Re - u - ni - ted, We were e - qual-Ly de-light - ed.We were e ■qual - Ly de - light - ed, de
Ji
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dai
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^,_ajL^^jUu^ i J - n cT r r f ^p
ly:
ed:
Giv - ing him the ve - ry best, and get -ting back the ve - ry worst— That is
So with dou - ble-shot- ted guns and co - lours nailed un- to the mast, I
iu^i^i^i-.^^^inim
1 ^ 1
J^^ t 1 J ijjj :jjj q J I 1 1 J^1~1l i"
^=^
154
f J- ^' J'
^ K ^ N J ^l^^^
< fth pj^ ' t ^ fr
5E
w • P
^
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how I tried to tame your great pro - ge • ni - tor — at first ! Giv - ing him the ve - ry best, and get - ling
tam'd youi in - sig • ni • fi • cant pro - ge - ni • tor — at last ! So with do\i • ble - shot - ted guns and co • lours
^
P'P^U
q^ J q^ .=^^=F^
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back the ve - ry worst — That is how I tried to tame your great pro - ge
nail'd un - to the mast, I tam'd your in • sig • ni - fi ■cant pro • ge
ni - tor —
ni • tor —
if'V^ii^ii
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2. But I last !
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18.844.
155
No. 10.
REGIT. & DUET— Duke & Duchess.
Piano
Recit. Duke.
^
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''Ss.tdTdro- } '>-- - • i"^ • -'• ^^- { b'i;tr:^"nT-} ^' -' • i"°y • "-' ■'
r \ g
: c iii^ ' - III!
our attempts we ofiFer \ ;, . j^^^ . ,^^ . ^^^ .
you examples )
i^
^
The ( "'°'^'' i' ''?^*' "f • M mu . ne - ra - tive I
{ mayadd, It smostre- \
DUKt
I- ^f
-Sr
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IZ2I
Small
Those
:3:
Andante moderato.
i»j»»
BSEr
fili
mm^
?te
s
Duchess.
^a
J-t^
ii r 1-
They're high -ly delighted !
Their great dou- ble bar-rel.
^S
I^J'J'." JU'. J ' ^ ' ^h I '' ^\y ir ^
ti - ties and or-ders for Mayors and Re- cor- ders I get — and they're high-ly de - 'ight-ed —
press - ing pre - vai lers, The rea - dy-made tai-Iocs, Quote me as their great dou -ble - bar • rel —
M.
lal
^W
^^
^3
] ] 1 j- | -j ^
^ â– 1
=*=^
18,844.
156
t
^
^
lid
M^
^
Yes, Al - dermen knighted.
Such wear-ing ap - par • el !
h ; J> J^
* ' M '
F F -] r
:?=?=
li
-n-P-
IS
P.'s bar- on - et - ted, Sham Col-'ncls ga - zet - ted, And se • cond-rate AI - der- men Vnight-ed—
low them to do so,Though Rob- in-son Cm -soe Would jib at their wear- ing ap - par - el !
Foun
I
x±£
^5=r
T * ^ 1
It
n*-^
rr^
=?=»
^ 1 i i ; 1 ;
T — r
g"^>~:"^
:i— — i-i— f
^'l-' â– -^ j
^2=3
J- •
-* — *-
* *
1 *
-r-n
^
^
^S
±1
Large sum to his ma-kings.
All Com - pa-nies bub - ble !
fee
i i\f J J hif.J'; J J .riJ-J, ^^
n r
1 r
dation - stone-lay-ing I find ve-ry pay- ing: It adds a large sum to my ma-kings —
sit, by se • lec-tion, Up • on the di • rec- tion Of sev • e - ral Con - pa - nies bub- ble —
At
As
nn ^
m
w
IS=
s
i^^^'h^-^-^ i ;■;• : ^ ^
^ — ^
J A.'J- I J ;â– ' E
s
One tenth of the ta- kings.
He's paid for his trou- ble 1
I pre •
At
^
char - i • ty din - ners The best of speech-spinners, I get ten per cent, on the ta - kings-
soon as they're float-ed I'm free - ly bank • no - ted— I'm pret • ty well paid for my trou - ble I
i a i'i'ii'i'
18,844.
i n i
•57
fiAAULj^^^LL^^^^^^:,: ; J- J tea^=^
-^^^-p-
sent a - ny la - dy WTiese con- duct is sha - dy Or smacking ef doubt-ful pro • pri • e - ty—
mid - die class par - ty I play at i ■car - //—And I'm by no means a be - gin- nei-
Wlie
To
m
^
^^ ^
^
=K=i»
Doubtful pro - pri - e - ty.
She's not a be - gin - ner.
m
'Is LXJr
^^^^^^^m
p
^—^
^
^
. . * 1 * .1 1 1 ■. . . _ 1_ 1 ^* „ .1 1 U 1. ,
^=^
-^F^
Vir- tue would quash her, I take and whitewash her, And launch her in first-rate so - ci - e - ty—
one of my sta ■tion The re - mu - ne - ra-tion— Five guineas a • night and my din-ner—
^
#- • -J- -
P"irst-rate so - ci â– e - ly !
And wine with her din- ner.
^
m
• • • - . -', -', ^___^ ^^^^ ^^^^
' ^__^^ Laa>:»^ L_^r_J ^^— J * •
F_J J^ l S^ ^
^l-i-^^
^^^.^i'.^ rr i i-.bj^j'-.^;
-« — »
E^
» 1 r
:3==5
«=?
re - commend a - cres Of clum- sy dress- ma-kers — Their fit and their fin - ish - ing touches —
write let - ters bla- tant On med - i • cines pa - tent— And use a - ny o - ther you mustn't —
A
And
^
S
^ - j!"
:a=f=
^ — •
Their fin â– ish ing touches.
Be-lieve me, you mustn t —
m
M
5
^
|8,X44.
T^
^
PJ
158
EZJ J 4 d * J • * d J ' J \ / g-
h N k
» T r
sum in ad - di • lion They pay for per - mis • sion To say that ihey make for the Duchess-
vow my com - p!ex - ion De - rives its per - fee - tion From some • bo-dy's soap — which it does -n't-
i
fefc
^
^
They make for the
It cer - tain- ly
^
Duke. 2>ui time.
m
^^^ ^
Wi
^
^
T *
We're vea - dy as wit - ness To a - ny one's fit ■ness To fill a • ny place or pre •
i
^
m
Duch-css ! 2. Those
does - u't !
y,h r^^
W—* J 1 r 1
m
i
i-'-i:
-^ — »
^ ^ K ^ r 1 i =p=^
1 — 1
Duchess.
p-r r^'^' • ^
& h r*
fe-N-^
J N ^ =^
::iP=^
d ^
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fer • ment — A place or pre ■fer - ment.
=5±fe
fc^
(|^^^
18,844.
â– j. l ^ ;â– j- 1 ^ I ga r
q j ] . I A — T
^^ ^ '^ J- 4
We're of- ten in wait-ing At jun - ket or fi-ling,K-ai
§
^
â– â– "
159
^
W
t-^^-^-^
y^:—^
a tempo.
-^ 1 1 N ^
^^^
33^^l
^^^
-/■— «<-
^
p
some- times at - tend an in - ter - nicnt —
Duke.
In short, if you'd l;in - die The
^
â– I 1 t-^:=^
^V ; •^'-1^
W
=» 1 r
*=»
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111 slioit, if you'd kin - die Tho
Wo like an in • ter - mcnt.
^^^
P d 1 1
=r
1=3^
; F- J: 1 » Ht
I
coUa vocl-.
% r-t
a tempo. Ill/
f- 1»-
i 1 ^ g
g
^ *
-i: -it
red.
^^=^
i^^
^
s ^ :, n ^ ->-p- ^-^^-:zi=^ ^
^^^=^ — p-
^
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spark of a swin - die, Line sIm - pie- tons in - to your clutch - es — Vcs ; in - to your clutch - es.
O,
gt f-^-J
r ^==^-^ r~t
5fe
« i |« » - | F-
s
-/ 9 \t
spark of a swia • die, Lure sim - pie- tons in ■to yovir clutch - Ci — Ves ; in - to your clutch - cs.
Or
:^^
NN4
m
f — n-
feEl
u
±izzk
Fed.
h^ »
^
^
ab lib.
w
i±3t
^ * " J
* * â–
C C 1 -^ ^,
1 r 1
-7=iz
hood-wink a debt-or You can - not do bet-ter Than trot out aDukeor a Duchess,
ad lib.
or a Duchess I
i?A >.'^J'^^ | ^f^^-: ^^^r
^s?
^
1 r 1
hood-wink a debt-or Vou can - not do bet-ter
a Duke or a Duchess !
fcfc
^
i
T=S
^ P" ^irzi^
1 1 .-iH^)- =i=^
1 1 '.1 1 -1 -
5=^
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colla voce.
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18,844.
i6o
No. 11. GAVOTTE— Casilda, Duchess, Marco, Giuseppe & Duke.
^m
Duke.
Ee
pa
-rj^*-
PlANO.
I am a
Tempo di Cavotti. Allegretto
Se
^
mf
r^
~W3~
I cres.
X
s
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f-^
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i
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dint.
P
J J J I J
^
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cour - tier grave and se - rious Who is a - bout to kiss your hand: Try to com- bine a pose im
voile per - form se - date - ly — Of - fer your hand wiih con -scious pride; Take an at-titude not too
T: I J J J 1^
^
ifct
-p—^ * 1 p
1 ri
s
i=t
r-rrr-rf:
* 4 ' .y, !>• 1' 1^
fe»l7-f
fe^
^
^
pe - nous
state - ly,
With
Still
a de
suf
mean • our
fi - cier.t-ly
no
dig
biy
bland,
fied.
Marco & Gius.
m
-m — •-
1. Let us com - bine a pose im
2. Now for an at - ti - tude not too
m
f-'f r f I j
- h f I I f t ^
i!!,S44.
I
i6i
P
m
^
That's, if
Once - ly.
any - thing, foa nn
twice - ly — once • ly.
m
* — #
g
r^^
zm
pe
state
rious With a de • mean - our
ly, Still suf - fi • cicnt- ly
no
dig
biy
ni
bland !
fied!
m^^^-
!' i r J.;.
^3E
^
mri f — F=^-^^
^
i
ft
ra
S
J I C "r O J
^
bend - ing— Too ag - gres- sive • ly stiff and
twice - ly — Bow im - pres-sive • ly ere you
grand ; I. Now
glide.
Duke, imi time.
to the o
^ '/ I a J '^ i
ther ex - trcme youVe
^
h -,
^
^^E3E^^£*^EiS
2. Ca- pi- lal, both, ca- pi-tal, both— you've caught it
Cas.
i
-^m
» m
I. Now to the o - ther ex - tretne you're
Duchess.
={5=15:
^
d d
=r=^
^
ther ex • treme yoa're
I. Now
to the
M\i i — r
^
s=;=^
:^
P
:iCt|«
tend ■ing — Don't be
deuc - ed • ly con - de - scend - ing !
Cas. & DucH. znd time.
f*-^ 1^ J l^
^^
35=f5Zi
h h h , fe
W
?
:^
! tlT^-^-*-
^-^ * i * *
ly 1 That is the style of thing pre - cise - ly ! Ca -pi -tal, both, ca - pi -tal, b oth — you've caught it —
1
I
â– j I
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^
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^
321
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l62
p^
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Marco.
^
S
tend
nice
ing — Don't
ly ! That
be so dread - ful - ly c-m - de
is the style of thing pre
seen â– ding !
cise - ly 1
^
I. Oh, hard
,GlUS.
^
n M ' r I r
tend
nice
inc; — Don't
ly ! That
be so dread - ful - ly con - de
is the style of thing pre
seen - ding !
cise • ly !
m
I. Oh, hard to
Marco. 2ndtimt.
P^
n ti<f- \ - .
Oh, sweet to
GlUS. ind time.
w^-
r g g I r p^
^
tend -
nice -
ing — Don't
ly ! That
be so dread - ful - ly con
is the style of thing
de
pre
seen - ding I
cise - ly 1
A U
-1 =^ 1 ! h— 1 — h-
Oh, sweet to
—I 1 —
4i-
P
J r~\
:?^=
5 5 5 5 5
9
^
I ^P,*-;! J J J .^ ^ ^
^
£
S
f
±
^^f=^
please some no - ble - men seem ! At llrst,
a - ny -thing, too un - bend -ing; Off we
^?=
d m
i
T
-> tv-
~4 J-
E^^pa
^
_!_â– _
4 ^
please some no - ble â– men seem ! At first, if
3
m
&.^-t
i^sifi
a - ny -thing,
3
too un - bend - iiig ; OH we
^ I I
3=t
d • m
-H-* m ^ :i M *
I ^ 1 g- b^
t/
no • ble - man's praise !
P
Ca- pi-tal,both, ca - pi-tal,both — we'vecaught it
3 3
nice - ly ! Sup - po - sing he's
m
V
-+-
-d — *-
-^r-iS-
^m
f-^p-p-y-
it
-1 * *
-B— i —
-•* — ^
earn a no ■ble - man's praise! Ca - pi-tal, both ca - pi-tal,both — we'vecaught it nice - ly ! Sup - po - sing he's
18,844.
i63
^
=1
fe
i
rrHl,. n-^
uA
1^^3 J- J a
go to the - ther ex - tieme — Too con ■found-ed - ly con - de - scend - ing !
%- f r f r ^
^
^^m
^
p
te
*
CO to Ihc o - ther ex - treme-
* m.
g
O^-'^FF
Too con - founded - ly con - de • scend ■ing !
p=
fee
right in what he says,
g
&^^^
This is the style of thing p
^
;_J J ^ -*—
^:^
light in what he says, This is the style of thing pre
m
5
2nd.
Cas.
/
-^^
fefefe r ~,} i r
^
^
5
^
^
Ca- pi-tal, both, ca- pi-tal, both — j-ou'vecaught it
Duchess. / ^
^^^m^^ ^
Ca- pi-tal, both, ca- pi-tal, both— you've caught it
Marco. /
cise - ly ! Ah,
GlUS. / ^
e
s
Duke.
cise - ly ! .\h,
is — K
L- * j ^ '•
2. Now a ga-
-a —
Ah,
'X
e M. (' F i g
-ati^
^.
P
-t-
»
^^^
i:
"ss-
i^
^^
Fed.
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1 64
fe
£
p r
^
"^ u *
r r t^
nice - ly I That is the style of thing pre • cise - ly ! That is the style of thing. the
(fi r J r r=ri ^ r r
this
^
E
^
the
stvle,
J J J'
style,
^
the
4
T7-
^
N S
style,
* H.^J I -J-Tx-r-^
^
nice - ly ! That is the style of thing pre • cise - ly ! That is the :,tyle of thing, the
--^=^
That is the style of thing, the
That is the style of thing, the
I 1
That is the style of thing, the
tJ+r-tr
:ri
^
-"cr
Ted. «
^
y^
raU.
^=i=S=^
m ^f
style
SJ=i^==22I
of thi;
rail.
pre
cise • ly !
-^-
stvle, .
^^
the style
of thing
rail.
pre
cise
_£2—
style
Wk
of thing pre
rail.
cise - ly !
^
IZZ
r22i
t7
stvle
S
of thing; pre
=S2=
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CJ
ly
style
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18.S44.
of thing pre
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lS,S44.
1 66
No. 12. QUINTET & FINALE— Casilda, Gianetta, Tessa, Marco,
Giuseppe & Chorus.
^
6^^^
ayg^g^
Cas.
^
E^
i
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Here is a fix un
GlAN.
^^=^^
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fe*
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l±
^
Here is a fix un
Tessa.
^
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Here is a fix un
Marco.
^ V
i
â– ^
Here is a fi.x un
GlUS.
fe^^fc
^
^
?^^^^^^
^^
— d It-
Here is a fix un -
Molto vh'ace.
^
^
^^-arrLLT^txj LLr
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^=^F*
FlANO.
#
;3
^ jrrr . r
^
1 1 1 «P-^^ ^
* 'i 1 d 1 1
«| 1 1 q— 1 1 I * — ^::^=g:
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^fe^
^
Fed.
^
^^
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r- i j-:j-
-F — £-r — g=^
^^
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-t-
pre - ce • den - ted ! Here are a King and Queen ill - slarr'd ! Ev - cr since marriage was first in - ven • ted
i
fcr
^f=i^
=P=PF
g^^
SS
^
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Ep^EfefeE!
pre - ce - den • ted ! Here are a King and Queen ill - starr'd ! Ev - cr since marriage was first in - ven - ted
^
^
^
n h h ^
^
» K <r
4 4 4
m
^
-m 4 4 * 4-
pre - ce - den - ted ! Here are a King and Queen ill - slarr'd ! Ev - er since marriage was first in - ven ted
-P l^U--^±k^
E Prr^rrf
fefc
pre - ce - den - ted ! Here are a King and Queen ill - starr'd ! Ev - er since marriage was first in â– ven - ted
m
r^'- J JN -j^i;; ; j^^
4 4 d ' 4 4^
pre - ce - den - ted! Here arc a King and Queen ill - starr'd ! Ev - er since marriage was first in - ven
^
H^H^^N ^N ^TJ I (P P^um
ted
^^
'8,844-
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167
^a=££
ifctit
f=r=
Nev - er was Known a case so hard !
^ ^1-^^^^=^ ^
Nov - cr was known a case so hard!
^\ J' J- jLj^:^ ^
S
Nov - er was known a case so li.ird !
iifc
^
P^
F p-
fEEgE
^
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Nov - er was known a case so hard ! I may be said to have been bi - sec - ted By a pro-found ca
fe^
^^
^^
f-p c r g I ^
^
^^j^ i^ ^ / i^i ^
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Nev - er was known a case so hard ! I may Ije said to have been bi - sec - ted By a profound ca
H ?i . — ■■! I I I I —i* — -I — r-T ^ 1 V N
^ 1 1 | =3=3=:=H^z:±:a
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11 11 ^
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fer
-^-C-^^ c e I r ^
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Thro' a ca • la - mi - ty un - ex • jiec - ted I am di - vi - si - ble in - to three !
'^-
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5^
Thro' a en, - la - mi - ty un - ex - pec - ted I am di - vi - si â– ble in - to three !
^
> h ^ h >->â–
I ^ | ^ l ^^^h^^ l l hi
* ** d ~ m s * d d M —d S ■*
s
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Thro' a ca - La mi - ty un - ex - pec - ted I am di - vi - si - ble in - to three !
,£&
m.
tas - tro - phe !
tt
tas - tro â– phe !
^
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18,844.
1 68
^
^
I .
|apr— ;i:DaiiJ.-_.^.rnJ .' 1 ^-0^^,.-^^:
may be said
to have been
bi
ted !
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am di
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am dl
TX^ '-
am di
kR^^UJ.i^^;J|t^
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to:
=!;«=
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* * *
m M m m
"a * â– _
i
^
. ble in
ihiec 1 Thio" .i ca - la â– aii - ty I am di - vi - si - ble in - to
N s h
s , , . I** .^ M N h ^
=!*=*=
^^^^—n
:^S=5
^
• * *
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si • ble in
three ! Thro' a ca - la • mi - ty I am di - vi - si - ble in - to
?s=i?
> h > I > ' h > ^ rs =j^
^ > ^
^^^^^
-^ — *â–
si â– ble in
three 1 Thro' a ca • la - mi - ty I am di - »i - si - ble in - to
P
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1S.S44.
v
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i
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169
iccriz
DCzrat:
j- J J ' ^r \ ^ ^-"T^ ^
per:
^
three:
53=
O mo - la] - ists all. How can you call Mar - liagc a state of
M > N > J :
:!s=^i:=jc
^
E
^
:3=«=
three ;
i
O mo - ral • jsts all. How can you call Mar • riage a state of
^
^
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^
3^
^
t5=3i:
1 1 *
::g:z=it
three 1
i
O mo - ral - ists all, How can you call Mar - riage a state of
Marco.
ri. ij'^ J- ;r-tj^^ =ii^
i^y-i
111
^iCZC
O mo - ral - ists all. How can you call Mat - riage a state of
Gms.
Ted,
I
?9f=F
jLj^^J ^ \ n.''^_j^uLU]t^at—r. i— ^ .
^^
i
=;e:
a - ni - tee, When ex - eel - lent hiis - hsnils arc bi - sec - ted. Wives are di - « - si - Tile i-n
to three ?
1 * — iF^^^
V
H~r-
^
*r*=P=
ni - tee, WTicn ex - cd -
M ^ 1^ >
-it—
» IbauSs are la > sec - fed, Wives arc di - vi - si - hie in - to three ?
K-
u - ni -tee, When ex ■eel • lent hits - Vjands are bi - sec - ted, Wives are di - vi - si -hie in - to three?
JUi-j'.' .n ^^=fti-^-i^ ! UJ^-n-r^=E ^
».'
u - ni - tee. When ex - eel - lent has - bands are bi - sec - ted. Wives are di - \-i - si - blc in - to three ?
=1-
[Hrali
>^-":j^=r=
H^^
ni - tee. When ex - eel - lent hus - bands are bi - sec - ted. Wives arc di - vi - si - ble
to three ?
n W *'
^=i^^^N^N^
5fe
^^^
"IS- •* -•- -•^
zw=:2~M^i
t^:— r-i
â– ^
^ F^-=^=^
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^-^-^
l5^.<U4-
I70
\ i^^\ r : : t \ r : : :\r V- if- iz^
P^^=P^-
w
5
^
s
m
m
^m .
f.
'â– f^
O mo - ral • isfs all, How cnn you call
i) ^n r ' -P c ^
f r r
V y -/-
W-^
-=i — =f-
±
O mo - ral - ists all, How can you call
=^
^11
It
O mo - ral - ists all, IIow can you call
^^
^
Efe
^11 -
O mo - ral ists all, IIow can you call
^ k
F=r=-tiJ • ^ i?J^ J"
-^H^i-
±
f r r 1^
r • LiJ-Lf-- L:L}
l: C :[ n iV^
Ped.
Mar - riage
M-u - riage
Mar . riage
Mar - ria"e a
Mar - riage r.
O mo - ral - ists all, How can you call ......
T^
^^^^
^^^^
m^^^
TZL
state of u - ni - tec,
fefc
^
of
^
^I
^s^
^^
state of u • ni • tee.
Ah !
of
!^;fefc
^b I ^
^^f=±
state of u . ni - tee,
Ah!
of u
i
±^
S
^
ii^
ia:
1 r 1
r 1
state of u - ni - tec,
ol u
l!,S44.
171
I
^
h ^ h
tee I Mo - lal - ists all,
How can you call
Mar-ria'ie a state of u - ni - lee !
. tee ! Mo â– ral - ist
^1-^
^
^11
: : I r i
-^ " * * — *—
Mo - ral • ists
^£^3
Mo â– ral - ists all.
How can you call
Mar-riage a state of u - ni - tee I
Mo - ral • ists
S
^=f5=^
1 — W
j-1 1 j-^H r
tM-} r^ ^^ ^--^-^=^^
tee!
Mo - ral - ists all,
How can you call
Mav-riaire a state of
ni - tee !
Mo - ral â– ists
^
i^
r 1 ': r c I r . , c c c I :-^-^i^ N n J^^ ^g^
k^
w
How can you call
Mo - ral - ist^ all,
Mar-riage a state of u - ni - tee !
Mo • ral -ists
?
-^i-^
^e
:t
* ^
f» 1 1
^
^â–
^^3
tee ! Mo - ral - ists all, How can you call
lS[ar-viaE;e a state of u - ni - tee !
Mo - ral -ists
Z^i^IJC
f t T |- -f^fr fT^fr -•- ^ i- f -i. 5: i t
p
^ia f= M=^p^-M-f"^^=y^^=^=l^^
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18,844.
172
riage a state
f
riage a state
I
^
^
ifz:
fe:
^
HtiI-^
liage a state
;fe=e
^i^
E
of
riage a state
^
of
^^n—^
a==i
fei^i
g^^^- M}^^
t*
^E
fei=£
riage a state
of
:ni
fc^
JTj^72
/• • •
i_t^i
¥ ¥
3^
^^
h?i^
^
fefe=
±±
?^^^
:EEt
li^P
true,
One • third
of my - self
mar - ricd to
-t=^
?^^
EE=E
ried to
true,
One - third
of my - self
Efe=fe
â– ^
^
J^Sfe^^
true, .
When half
of my - self
mar - ried two
^^
a-1-^- — p
When b.ilf
of
ny - solf
has
mar - ricd two
^
'^^3^
*=^
* y
^
true,
^
-P- -•-
fe?!H^
When half
-t- ••- -I-
fee
V — ^
of my - self has . . mar • ricd two
LXj I J. J tff^^ P^
^
f I l-l^^^f l i L-11 ^t
'i^ 1 1
^^
-i^
lb' i>44.
173
i
t> b m' t—f-A
^
^
=iP=Â¥
half of ye,
you !
t^S^&
^^rf
1 r 1
- r 1
1 r 1
^
half of ye,
you ,
I
fcfe=#
m
gteg»
32=
r 1
1 r 1 -
thirds ol ye,
fefe=^
-/2-
you
s
r 1
1 r 1
±
thirds of ye,
you !
m^
r 1
IZZ
32
thirds of }e,
you !
*
^3;
1 r 1
1^1; uS
i
i
^
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1 1 r 1 -
iii
i
r"
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rJ . I -i^x-
^
^
^
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T^H
-t-
i
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: r^"^~^~^^g 1 1 g ^ 1 m^f • \W ^
Allegro vivace. L'islesso tempo.
r^
ff
t
/
*i h *i r» *i ^ T
t^
n >: ^ • I (?
=:^^
1 1 i— *1 1 -l» "1 1 p q— ^
«
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''ir N-iM%i^*i fi.*i^i.''*ir ^^f»^^*■|p.^ f»/i_
^ ^â– r\J-
â– T^ J'' j-\ ^
TT
^ ^ ^ ^ P?d.
_» s m -• '-P
> y / > /
Ped.
'!.mm
I'i.^it.
174
i
Don Alham.
I I s — fe— j-
^
W
3
^-^ J J J
Now let the loy - al
The Trin - ce's fos - tcr - mo - Ihcr has been
J J. J I J
j J ; ^ ; 1 1 J J J. J I J ^
«i — *-
^
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r^
r
r •«-
pi
^
=^=F
f=rf=
i^^^
^
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n J J N
SF^
r 1 â– >â–
found 1
Slie will lie ■clare, to sil - ver cla • rion's sound,
The right • ful King —
i -j-j fljii ^
1 — r
< i ^
^E
Â¥
g
^ i~i^y^ ~ ii
^M:
■• — *-
^
i
r
/
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=F=^=F
i
4^— f^-g=
fz:
1 '7^
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- / ' /
f-J &
r
/"/« /if;//£7.
Chorus. «; Um^o.
lS,s^4.
175
/
Pm lento.
'tu tenia. i i /?\
a tempo.
*' let him fortliwith be crown'd !
m
Tessa.
f^=F
Ddke
Speak, wo - man, speak -
We're i I
pNJ^^^^Nf
^
1
him forthwith be crownM !
Pill lento.
a tempo.
^^
^^^^^^Ejxtd—ta^^^
GlAN.
I
P— ^^^
?;
^
DUCH.
all at
5
CAS.
V9-
^*-
=t
Don Alh
ten - lion :* The news we seek— Thii mo - ment men - tion. To us they bring-
l^
His
^^m
m^^ ^
p. t H N > ; > : ^ i* .^ — t- ^ '\ — b >?- \ — 4^ —
Marco,
fos - ter - mo - ther. Is he the King? Or this my jro-lher?
Speak, woman, speak !
Egg^E^^JE^ ^^^B^^^
M— f3 a
fwfT!=^H=^=pHN
iT
^
fN^^
£^^
=^i
i
Solo. Inez. /'?« /«2/i».
^^
=fe^
ES
i^=F
r r 1/
^^
Speak, woman, speak !
gul l ""' i sjf^-^^i~f
The Kny . al Prmce was by the Kmg en -
^^EBEEEfc
Roy - al Prince was by the King en - trust - ed To my fond :
18,844.
- • M^t.m.^"
176
ii
s
^
V -I V
^1^
i I J. J^lr^
^- ^— ^
care, ere I grew old and
crust - ed ; When trai - tors came to steal his son re
♦^^^
Ped..i.
JU.
^
J^ .'^ " " J I ^
^
-P — ^
l^=T
?E^^*
pu - »cd,
V J- V J.
My own small boy I defl - ly sub - sti tu - ted
The vil - lains
i
^^iKfc^
f^ — U=^^'
-J3r
~Z2r
^^
^^ ^=^-^^- ^=1 ^ ^-===^ ^-^^ J J I bJ -^-i-n^
K S
3?
» — â–
fell in - to the tiaj) com- plete- ly — I hid llie Prince a - way — still s!eep-ing sweet- ly ; I called liini
^^
"ST
^t!i:
.±fii
=^
|5=t^
J^d^-J r . Jl J r ^ ^Utzi^ ^^^
-^-^
'ion" with par- don ■a - ble sly - ncss — His name, Lu ■iz ! He - hold his Roy ■al High-ness!
:4^ .n ^
'-^=^=^3-=^=^
s^
-tj-
^=^=H
=tei
r r '—f-^-
:^
51
if
C^ r '7-|j-^5 ■— -
r>? 1
h
r r
— ^
r â–
" 1
t^
S^t*,^ — °
U©
bi
=^
m
*^
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^
s
$
m
A Tempo 2}[vace.
m^ mm* ^.
f
^ tb:z:^ y ^^i
7
red.
177
Cas.
^
Luiz.
f
Lu • iz !
Ca - sil • da 1
-\
Chorus.
'im
Is
Is
^^
1
gj ^^^fe^
^
red. * I'cd.
I'cd.
* Fed.
18,841.
178
^^
i
d?*r
f
^2^
£^
a^^^
GlAK. jO
r 1 ^
it
crr n^Tt' -g g ^^-n-c^^ ii^a^^
This slatc-ment we re-ccive With sen - ti-ments con- flict - ing ; Ourthouglitsre-joice andgrieve, Each
Tessa, p
r 1
i|=^^^H^
jLn - J' ; s-rru ^^ ^^-t-^
This state-mentwe re-ccive With sen â– ti-ments con- fiict - ing ; Our thoughts re- joice and grieve, Each
Marco, p
r 1
^
r r r r. '"r~r~i
f-T~ f — ^ r r f ' r
i
£fcr
w
'^^
This state-mentwe re-ceive With sen - ti-ments con- flict - ing ; Our thoughts re- joice and grieve, Each
Gius. p
r 1
j tTTTT
^^
^
This state-mentwe re-ceive With sen • li-menls con- fiict • ing ; Our thoughtsre- joice and grieve, Each
^"^ff^"> f n ' i^^Ti-i^-^ ^ ^^^
p.
^
ZMZ
r 1 L
l.!ff .M
- g- f- -g- -g -
P==|E
-^-^^-
* *- If- If f- A ^
^l:_^:=^. .^
sostenufo.
f r r
T r r J I r ^^
o- ther con- tra - diet- ing ; To those whoai we a - dore \Vc can be re - u - ni
soslenu/o.
ted— On
p^^.-^--^^^i=^^^^-i-4^ .
j?^-
I J i
a^~^~3=f
o - thcr con - tia - diet- ing ; To those whom we a - dore ^Ve can be re - u - ni - ted — On
sostenulo.
' ^^ ^ r r r
-V — P-
"^p-
-V — /-
f F
i> r r
r— r rr
o - thcr con -tra- diet- ing; To those whom we a dore We can be re . u - ni - ted On
sostenuto. u_
2i:
^ad'^j^:^^
^^
^ — ^=
J J J-
id
« — •-
o- ther con- tia- diet- ing; To those whom we a - dore We can be re - u - ni -ted On
^t > "^ * ^
•- -•-
4^
â– *:^-^ *â–
- r I r- - \
fcfcfc==£+4E^
I I
18,844.
179
mf^=^
9
^ r 1 J-
321
one point r.i - ther sore, But, on the whole,
fe^r— ' 1 ' ^-^ — ^
de • light
edi
2 -^—m * =
3— W*— ^5ji^ 1 ^ -
-P — ~-
m
ZSL
one point r.-i - tlier sore, But, on the whole,
de • light
ed!
I I
^:±£= f_azg=B ^
g
one point ra • ther sore, Tut, on the whole,
^
^
-p — ^-
de - light
ed !
I22I
m
m
Luiz.
Wien
one point ra - ther sore, But, on the whole.
de - light
-23 —
ed !
1
^fcfe=f
^5:^^^
d
m
r^f
w
9
P^^
L±6:
-0 f^
:i=F;
!
^
s
Duke.
^3^
As pru - dence (so I
^^
S
3-4-^^— ."^j r |b^^:Jiq «=a=f
^
f= — --
o - thers claim'd thy (lain - ty hand, I wait - ed, wait - ed.
wait • ed —
^.
u
m^
^^^^^
^
mE^
^
r
1
=• — p — • — p- -
I^TP ^^^g^^ -^^^
=^
~»~r-
^^^^=P^
?
Cas.
-• — •-
un-der-stanrl)nic-ta-ted- ta • ted- ta-ted. By vir - tue of our cir • ly vow Re - cord-ed- cord-ed-
l8,S44
i8o
^
^DUCH.
cord - ed, Your p»
^
:S
bJ* J'r
nr p
and pa - lient love is now Re - ward - ed — ward • ed — ward • ed.
&- ±r -r
^
, Turn.
m
Then
Then
j^,x' 'i \ ' i ' i ^ ' i' i ^ ^
1^^^
itM:
S^
i
F=P=
^
*
i
J r i r
#
-F f*-
p
ilEgE
t^i^
hail,
o
King
^
T- ^
33=
r
of a Gol
^
^
EE£
fe
- den
-«2.
r
Land,
hail,
]\ini^
of a Gol
den
Land,
^f
And the
If- ♦
'^m
And the
fe
^
p P p P ,_g ^^ ^^P i^^ P^- J^ ^=^^a?^^
^
^E^E
-?:;^
^
"-T
fe=
fei
3
rgi
i^
E^
?2=
fe:^
^
tr=^
lS,S44.
i^z:
-1 r-
high - born
:i2i
high - born
biidc who
claims
his hand-
The
^^s
Jr
±
Vni'le who
his hand-
The
past is
f t .
past
ISI
Â¥=
â– â– â– -fSh -g- -<g- f- jt.
L I f f I f \ ^m
jgf ^MH ^^M^
1 — ^f
roy - al crown an<l a gol - den
■ti p • :
a
=a
roy - al crown and a gol - den
^
^
te
^^^^^^^
Fed.
^^^
^
throne ! . .
1^
throne
Allegro con brio.
V
ff
fefej ^
_^k_ \-y -
^
j^^l^^^^^^li^i^
is^ife
.,-^
3 T 1
#
I
Once more
ffi? fT!f . Mf . ff ^
fl t
±^
L > ^ 1
/
^^rL' l ilT l J ^^^^^^B
18,844.
I82
Ct f i\i f. t^
^
f=^^=^%au^S ^ ^
! P M M
v
^
gvn -do ■Her • i, Both skil - ful and wa - r)-, Free from this quan - da - rj' Con • ten -ted are
All,
g
^^=V l> »" y Lp* »< '>> i^
ti-l:
-^
^ V ^ \ 'f - ^ • / \ " / ' / V
m
^m
r • — • — •
^
^sS
BE
S
^3E
±^
M
- - al - ty
^
:^=p
^
:i=f:
^1- 11
From Roy
1=^;
From Roy
u^^__L."^=Ff
-V — »<— i>'-h
al â– ty
:i=3=
-^ — •-
-» — « — ir
/
> g pg I S iSS - pq :
g-^M
» a *~
tr — ;?— ' — »' ■/ ' — i' ■/ ^ ^
fly - ing, Our gon - do • las ply - ing. And mer - ri - ly crj- - ing Our ^'■pre- mi" "■sta • /; .'
-• g ' *
^s3
^^^
Ah!
^= l^.=j=|j=t^
-y — ip^
â– t â– *!_
-y — ^-
^^
=P=ft
V / X
-> *
1^ / / -
^_LJ^^^4=£
-V / l^ -
^3
fly - ing, Our gon - du - las p-v - ing, And mer-ii • ly cry - ing Or.r " /re- mJy" "sfti - //•'" . * Ah I
• •
i8;
^ ^=lin=:n
-q — ^-
a^=j^h^iiN^f^j^
So goodbye, ca - chu ■ca, fan • dan • go, bo
jgTT^r a
^^^^^^
^m
So good-liye, ca • cliu - en, fan • dan - go, bo
pesank.
IVI
I
^^
^3
g rf^- ^3
I i
P^
3^
t %
I
^rfiF^i^jat|4 ^ 1 1 f_j;; -. I N â– t'fmf'm-tf^iSip a
le - 10— We'll dance a fare - well to that mea - sure.
mMMMs^ d^^ f_! -, f 1^ I Mxlill^
Old Xe - res, a - dieu— Man- za - nil - la— Mon - tc - vo— Wc
Ic - ro— 'We'll rinnce a fare - well to tliat mea - sure.
Old Xe - res, a - dieu— Man- za nil - la— Mon - tc - ro— We
^m^^^^^^^^^^m
&f^=tff
^
-• "i ^
-J
t- ^
BB^
^^?
s
r^^"
f
leave you with fed- ings of plea - sure!
m^m^T^~^^^^^=^^^=^^^^:^:^ ^^^
Once more
. (/d - Ikr â– i Both sLil â– ful and wa - ry, Free
^jU-g-£
^— g— g-T^
1 1
n
J»- :F- ■*■•#- ^ -*- :f- -*- rf- :f^ ^ ^
leave you with feel- ings of plea sure !
Once more
gon
â– do - /;Vv- - i Both skil - ful and wa - ry, Free
*^
i^^^i^^^A^i
i^^^^s
=M=
*=»:
l±i^4U ■' I J ■i^ JJ=H= j3 ^^^
j^Bj^p^^^^
18,844.
Ved.
1 84
^ej^^qy^-fl-j^ ^^^u^ -^ ^^ i J - .^ 1 m
f w
^
^
^ U U
from this quan - ila - ry Con - lent - ed are we,
-* •-
Ah!
Ahl
i
^^g
'--'l i U-
riv r~c^
±
from this quan - da â– ry Con - tent - ed^ are_
i^ f f , T rf 1 ^
!=£f £, ^^-i^
we, . , Ah !
Ah!
-=1— ^
1
ii_
m
^=4
^
â– u^
-CiJ^e:.
ii^
m
S
I -â– . .'^ I I ^''^ ^^ig-
^1^
HE
^=t
'^^ ^m
once more,
(/i; - /;Vr - /,
gen - i/i' • /?>r • i, ,
»*_&.
^:
_i._ — .^^
— I-
once more,
,^<7« - do - //Vr
EE
-, , â– - 1 -Pa - 1 - I « â– â–
^1
r-!
^
^^5=1^
l=«5
#
^se^
^
rnr^^
.— »-
-u — ^ — ^— •-
r#=j
SI
4rf U-
w
g-l-t-
-y — i^
-y — i' — 1^'
So good-bye, ca - chu - ca, fan-
givi - do - Her
i, Con - tent - ed are we !
I
±- S: ± tr
r=FFg
I
P
P^
-^--^
^
:5=J2
^
r g ' r
;£=?â–
</o
/«r
%va. .. .loco. _ ^-:
•
Con â– tent
cd
So good-bye, ca - chu - ca, fan-
1 85
I
pip^PPpsf
^*=^
# — 0—
-^ y !>^-'-y — t^ — V ;»
J.-in - go, bo ■li; - lo— We'll dance a fare - well to that mea-sure-
OKI Xe - res, a - dieu— Man - za
P #fi#^t #^^ ^i #fa^^W ^^^tt-
Old Xe - res, a - dievi— Man - za
( fe=r;-Frrl^ ^
^-if.
s
±
J4[^-
5^:
%m *-^r—n hm * , p • ^*
-^ — ^ — ^ ' ^ — jji — i^-" — >> — y — j**— ' — >< — y — y-
nil - la — Mon - te ■ro— Wo leave yovi with feel - ings of plea - sure, with feel - ir.gs of plea
rail.
^
'^^.^^A^J^^J ^, . \ % -I Jy ^^ t \^
?^
V — t^
•* /
nil - la — Mon - te ■ro — We leave you \\\\\\ feci ■ings of plea - sure, with feel • ings of plea
^i>M^»
^
^=^
=i?-
:5t:
^ r ' F=?=
7=F
m
rail.
f^3^
#
i
''T^ ' T^ ir
w
*^ — ^
^g^=^
j^ :
^f
-^ :
sure ! .
^g
^3
-^t-^
sf
sf
trein.
1
:^i:
r.
18,844.
5.
End 0/ opera.
HENDERSON & SPALDING, TYPE-MUSIC & GENERAL PRINTF.RS, 3 & 5, MARYLEBONE LANE, OXIORD STREKr, LONDON, W.
THE
MARTYR OF ANTIOCH.
ium\ Mu.^ical Snimir,
THE WORDS SELECTED AND ARRANGED FROM MILMAN'S POEM.
MUSIC BY
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Price 5s. Bound 7s, 6d.
TRIAL BY JURY.
A
WRITTEN BY
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MUSIC BY
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Pianoforte Solo, 2s. 6d. nett,
CHAPPELL & CO., 50, NEW BOND STREET, W.
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PATIENCE?
OK,
BUNTHORNE'S BRIDE.
^n nitircln l^lclu anb ©viginal ^esthetic ©ptVit.
Words by W. S. GILBERT.
Music by ARTHUR SULLIVAN.
VOCAL SCORE 5.s. nett, Cloth nett 7 (i
PIANOFORTE SOLO nett 3
LIBRETTO nett 1
DANCE MUSIC BY CHARLES D'ALBERT.
Patience Waltz Solo or Duet 4
Patience Lancers 4 o
Patience Quadrilles 4 o
Patience Polka 4 o
Orchestra, 2s. nett. Septett, Is, nett.
VOCAL MUSIC.
Hey, willow, waly, O Sono; or Duet, each 4
A most intense young man 4 o
Silver'd is the raven hair 4 o
In the twilight of our love. (Adapted to melody ofthe above for drawing-room) 4
When I first put this uniform on 4 o
The silver churn 4 o
Love is a plaintive song 4 o
I hear the soft note. Sextett and Chorus 3
PIANOFORTE ARRANGEMENTS.
BOYTON SMITH'S Fantasia 4
KUHE'S Fantasia , ^ o
SMALLWOOD'S Easy Fantasias, 1, 2, 3 each 3 o
FRED GODFREY'S Grand Selection (as played by all the Military Bands) 4
Ditto Ditto As a Duet 5
VIOLIN AND PIANOFORTE.
HENRY FARMER'S Fantasia 5
VIOLIN.
All the Favourite Airs arranged for the Violin nett i G
FLUTE.
All the Favourite Airs arranged for the Flute nett i g
CORNET.
All the Favourite Airs arranged for the Cornet nett l G
CHAPPELL & CO., 50, NKVv^ BOND STREET,
AND 15, POULTRY, E.G.
POPULAR SONGS
By ARTHUR SULLIVAN.
You sleep (" Serenade "), in C and D flat
„ (Italian words) E tu nol sai (Sitng in " The
Profligate")
If doughty deeds
A weary lot is thine, fair maid
The maiden's story
Arabian love song (in G minor and A minor)
I heard the nightingale (in F and A flat)
Thou'rt passing hence
Thou art weary (D minor and E minor)
The distant shore (in E flat, F, and G)
Sweethearts (in A flat and B flat)
Tender and true (in E flat and F)
Ever (in B fiat, C, D flat, and E flat) .
The Lady of the Lake
For other Songs see Operas, &c., by this Composer.
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CHAPPELL & CO., 80, NEW BOND ST., W.
CITY BRANCH 15. POULTRY, E.G.
