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Full text of "Grammatical exercises on the moods, tenses, and syntax of Attic Greek. [With] Key"

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•T^,T^-^/1?,;f,^ ■*= '^-/■J'-r./lVTx.-T-- ■> 



(CIiiiralJoBal Wovktf 




. . Helps la Ortbopsph^. ■ . 

. EvnologioJ Ouldg 

.. OMTMIunenlBlDgnph]'... 

N(w THUment Btannphf 

O *. lArcmiDlol) lino cl » O . 

^ Bi-JUIIIB-I (PnifaMrHUitOfriil EniHiitm twWif* liaw bd. 3 S c/ , 





60000431 4R 



KEY 

TO 

GEAMMATICAL EXERCISES 

MOODS, TENSES, AND SYNTAX 

ATTIC GREEK. 



Br JAMES EEEGUSSON, M.D. | 



Sector of Ibe Wut End Audemj, Aberdeen ; ud Editor of " Xaoophoc 

ADtbuli, Book* I. and II,, vllb ooploui Vocabvlarr," &e. ....rfT- 




OLIVER & BOYD, TWEEDDALE COURT. 

LONDON : BlUPKIN, UARBHALL, *> CO. 



[PrtM Three BUlllDgauid Blipeno* bound.] 



y«»<^, t, /d. 



mwTXD f; olitkr am d botd^ 

TWESDDALB GOUBT, HIOH STBXST, SDDIBUBOB. 



ADVEKTISEIME'NT. 



The Key to the Greek Grammatical Exercises contains all the 
additional matter which the Author intends to insert in the 
Second Edition of that Work. 

Rule XVII. of the Key is not in the First Edition of the 
Exercises ; and Rules XIX. and XX. of the latter are comprised 
in Rule XX. of the former. 



..•^^ 



KEY 



TO 



GREEK GRAMMATICAL EXERCISES. 



|)art /trst 



INDICATIVE MOOD. 



ucm^ (ft) xsXf^f/;. 
rig 69 air6Xku<fi v6(rog ; 



trt i^o/Atv, 



ACTIVB VOICE. 



1. Present, 



fl vfitTg rArrtrs fit, 

v^/rori^fig rivet sX^r/da ; 

tt fd,h vfAtTg i^iXtrt, 

0/ ^XXoi er^ariutrai leamffi xa/ 

jSaXXoutf/. 



diB6d6iv 0/ AaMdatfi^vioi, 
6^96^ ^r/ (T/^^e^ xa/ oux ?xs/( 
d^^XXu^biv d^ axirag iv ^oi<f) 

Sg d' AXkoitg \syti 'K6yoiCi ^ai- 
^iif r6v dt vouv txtT<^ (f;^f/. 

mdoutfi roijg ^A^fivaioug ^f/(t\)^ai 
g^ttft vaiig^ 

xai \tyti a Xiyn Kai iroitT a 
*iFott7 dira^ra. 



KEY TO OREEK GRAMMATICAL EXERaSES. 



2. Imperfect, 



on 'Mxii 6 Kv^og* 
sxsXsuov vdyreg, 

TovTo ri^ojra, 

ri/uifiTg ^$eXo/Aiv, 

\vr/.eav 0/ fifisregoi ^^6'yovci. 

&v8psg KTs ayadoL 

Si ioj^a rifiag, 

erifia xai ex6(ffisi. 



Sri patfiXeug fe&a. 
ob (fum<f<x.v, 
xai 'TTug ereXsura ; 
xai ydt,^ SKsmi s^ovjhvv rj/iTv 
ivavria ©9}Ca/o/^, org vfisTg 

Tovg Sk AhuXovg ovx sXdvdavsv 

xai 6 A7]fioffdev9)g gu^Dg ri^iov 
Tsi^i^S6&ai TO yjagtoy. 



3, Future, 



syoj fdtsvea avrov, 

dii^sig rd^a. 

oLva/tivfiffca vfia-g, 

Sa(Si\i\jg ayo^av 'jra^e^n, 

n iroi7i<fovffi, 

evyxaXou/iiv Toug oiXKovg (frga- 

TKjjrag, 
tff^v^org^ov <jraioofj*iv, 
oh ^dxag a^^s/. 
g/ ye 'jritvri6o\)<si xai d/^^^tfoutfi. 

4. First 

6 '^shg fiXgXgutfg. 
tdojxafisv iriffrd. 
0/ ^oWoi ffvvTixoXoOdriffav, 
tffr^anvgafisv t^r abrSv, 
\xi7\ioi eXvtfav r6ig ffrovddg, 
*rr^h tv6fit(fav, 
sXs^ev Sds, 
dversivav diravng, 
'ErgoxXga Xx^\)'^i, 
xai (SroXriv xakfiv Wsbut^, 
or/ fLoi ^aXrdV tduxag, 
ws^is'jrXsvffey tig K/X/x/av. 
hjTil bi xa,rs<fTfi<fi rh ^rpdrsufia, 
ol'jr^ xa) \fi\ %6rixav adXtov* 
^iifL^v WiytvSfAevog xarfjvsyxt 
rdg vatjg \g rriv II^Xov. 



ouxouy xaX^Tg aurhv xaifMTi d(p7i' 

(Sug ; 
'ffdvTig yd^ fifiiTg ^ux^drei g/- 

<fohofiiv, 
g/ dh dia^h^tTrs rdv drjfiov ruv 

Mur/Xjjva/wv, 
vfisTg de g/ KTSveTn rifiag, xa) 

p^w^av rriv nXaraiida 0?j- 

Qoi.tda iroiri(f6Ts, 



Aoriet. 

0/ dg *A&fivaToi irdXiv 11 g rdg 

* A^yivo{)ffag xare'frXsvffav. 
xai rXrig(Ai<favT€g Tdg dexa xai 

gxar^v (vaD^) iv r^idxoira 

Ti/Li^aig d'jrr^^av. 
dXXd hirfkatsa xa) ffvvsfii^a j8a- 

(f/Xg/* gv r^ v/Asr8^(f) tfr^aro- 

s^rifiiCi)<f6 'jrars^a xai d^sxrtivsv 

ifiSv, 
oi ds iroXefiioi Btftfavrsg ^xav 

iavroijg xard rfjg yjhng tig 

flUv m'are^ag sxtsihVj Sv r d^ttt- 
Xgtfg rsxva. 



0/ ds 'jFiKTOtsrai d'xrsxTiivav (2t- 



IKDICATITB HOOD. 



avrai ro^g ix M/Xsyrou txrU 



ug dioLXo^iaQj xai r^6'jratcy 



itfTniaav, 



5, Second Aorist. 



(TUvfXaCi raug cr^arfiyoug. 

ouTUi i^Xw. 

aXXo( aAtfrri* 

€(fre tf^ovdZv m^tv, 

xai ib^ui syvbt<fa¥ <frdvrig, 

f^ri/itai avToTg WiOiifav, 

' Ohu^aidii SXo;^ov ou xarixravs 

TtjiKifAd'^og, 
Ti(fiv tdo(fa¥ Tovro y^ag 0/ ^so/. 
Toug vsx^oD^ To7g * A$9jvaioig diri- 

doffav, 

6. Fint 

ourM /SfC/a;xa. 
JtfMv toiPaxa iyoi. 
cZrog fisv ydt,^ irt^oirixtv, 
MfiBovg dTavrag dfd/da;^fy. 
7} ara^ia froXXoDf d^oXcuXfixsi'. 
5r/ obd' &dix(Aig u/AoXoyrixafAfv, 
tig o6ag thvi'jrruxa cv/u^^o^dg. 
ffUfuXfjOagiv, 
imi/)gxfixa(fiv aurobg* 
h*ir6<ioi iymxaftu 
^^od«du)xatf/i> nfi^g. 
rovg Spxovg XtXvxaCtv* 
otX^Tf^ piZfjXi ir^^g KXvraifAv^o^ 

r^ag Td^ov. 
ours yd^ ^^attlg^ o&r aKxifMg 

mfvxu 
071 KaXkix^aridag vsy/xijxf Mau- 



exti^iv d^ diram ri errand httZvi 

tig Adfi-^axov, 
ug d' dviQritfav, ^^(tavrtg xai 

r^6vaiO¥ (tTficdf^tyoij xariC*)- 

ffav tig rh vtdsov, 
h d' s'fftgt Tt^vixSjg irug' xai 

dvix^ayov 0/ Ila^Xay6¥§g» 
svrav&a xai riv iyxifaK^v rod 

foivtxog 'T^Strovt^ayov 0/ tfr^a- 

riurai, 
MuriXfivaim ftiyr^ xahTKov xai 

vaD^ nra^iKaioy* 
^tic^tigrcTgXSyoig d^nyayt rviv 

tfr^aridv^ ir^iv sffCaX«?V ig rijy 

y^ut^av. 

Perfect, 

fia^uv xai Sri ai rZv 'A^- 

vaioiv vfjtg dnroKiiiKaciy dira* 

eau 
ofa dt hfih xai diairtir^d^aaiv 

01 av$ai^troi oZroi sr^arv^yoi 

(fxs'^atfh. 
S<fag rf vav/Ji/a^iag alroi xaff 

abrobg vtvixrixart xai mvg 

tiXi^art, 
flroD '<triv oSrog, Ug m^tvyt rb 

ifihv ix h6fi,m ^i(pog ; 
ugr iv iriikaig txatfrog «7Xjj;^ii» 

'ledXov. 
irt'irCfipaffi dt xai ig IlfXo^r^v* 

VTiffov'ir^t^tigtir SXXf}vtfr^o(» 

ridv. 



7. Firet Pbiperfect. 
ivti di Mi6^iddrrig xari/Xij^f/. S( abrtjj <r£Oftfr^Xi/. 



8 



KEY TO GREEK GRAMMATICAL EXERCISES. 



xai htZiQ\7ixi(fav cLfia sg n)v fiM'Svi 






y . 9 



» / 



o7a iriv6v6a(ft¥. 



8. Second Perfect, 

m^a/ xiX6{i&a<fiv cudt, 

^ diddifxaXog rs^vfig vdtffig 

ScTig u<frs *jca^6ivog^ P'^^i^X^ 

xXa/oiv. 
ij d' J/(/b4 v^tfo; at} rs^fjXf, xd^/ 



*£Xgvij( xaro/(r^a ^uyart^a ; 

0^ oXwXs. 

offTtg yd^ oix e/oi^s. 

ou XgX^^atf/v. 

9. Second Pluperfect. 

oh yd^ pdtu vavfia^iav <&roig tviir^dyt-' 

xai v^oifpsi fikv iig pTkog* (fav, 

&(tiri^ xai avrhg lioihu w^oQardn'jrdvTa d^oXuiXu xai 
vdvrtg jiith ydg dfia sX6X|a- V'jro^{fyia. 

yttri* xai Ifrtkikoiirtt h tf?^o(. 

Ixii^a fiSvcv dn^pu, ou fMyrai 8 y% *ir6'K%(it6g ir(a ^uih 
0/ dl '2v§ax6(ftot xard fih r^v e^^ottyn. 



MIDDLE VOICE. 



*THParat, 

it povX6/AS0a. 
'vdvTtg Widrdfit&a, 

xai bfiiTg at(f&dvt<tds, 
aXXo/ h&vfiovvrau 



ouTOff WaMiiitfiV, 



10. Present, 

vdvrsg yd^ 0/ *iForaiJitoi d/aCa- 

roi yiyvovrat. 
i^airhfig i^tfatvovrai 0/ «'oXf- 

fltOt. 

Inrti bt v/iiTg ov jSouXftf^i. 
dWoiv d'jrs^ovraif wr £XXMif 
x^arovfitvoi* 

11. Imperfect* 

^/i^Tg dmtyfiiui^a* 



INDICATIVE MOOD. 



9 



ouxir/ t^tri^ivro 0/ mXefiiot, 
6^$ui firimro, 

&\K& s$tuvro* 
hro 1^' aMv, 
rivix' UiXKuro ri 'r6Xii, 

S^ig apxvtT^o* 



.^ A 



rayu wffix^ivtro, 

0/ d tivovro, 

0/ d* o^XXo/ (rr^arriyoi tig rhv 

* EXKriffirovrov (fi^ovro, 
on /Airdb nor/da/ar6;i> ri v^Sh 

rov A^iffTOLvro, 
iirti di oux Mcravro, auro^; sXi- 

abroi ii^yd^OMTO rviv yrjv, 

ixadfivro M rm Kopuv. 



12. Future. 



of <f{iv rifA7]f f (Tovra/. 

th'x} tfuXX^-N^itftfi S.y^av ; 

ri ^litfovrau 

of tldovrai. 

iytfjkijjv rt fji.9idtii paviVrai, 

0/ voXifiioi aMxa va^ttfovrat, 

^&Trov *ira.{iCovT<x.u 

oh Kctro^dvffttf^t, 

01 aXkot" E,Xkfivtg a^ox^/voDvra/. 

ou fji,a^tTrau 

xai Cxi yv<Ai(ffi, 

xai oux ixiriofiai ahrig, 

fievoig ToTg ifioTg XS^^V* 



'frug fiadriCji Uddht ; 

oh dw^arat raysoig ^o^thttf&ai, 

fdffiT^opovrfig oh xaXiT, ro^h- 

rriv XTOLVODV* 
rha T^6irov ^fcra 'jnS/ii^a ; 
/Ji/iT& ro/ourwv n i<f6fif$a xa) 

yv(jiiff6fAt6a hi* ti/iuv ahrZv, 
xa) ydL^ i/^i^if ?^9I BtvopSiVf 

iravng avodavohfii&a, 
\^ava(rTri(t6fis&a ySt^ fiirdt, r6 

hii^JTvoit xai r^v vavvv^ida 

^ta(f6fii&a xai ^vvtcSfiedd n 

voWoTg ru¥ vsoiv ahr6di xai 

dtaK$^6fii$a, 



13. First Aoriit, 



h b\ SiVix^imro, 

KD^o^ rAg vaug funirefi'^aTO, 

ahr6g yA^ xaXcD; v^fiyriffoi* 

tu^avro, 

oux ifiax^^aro I3a<n\thg, 

if^iy^avTO Tdvng, 

i/flTif it^ydtfoi xaxA* 

ixXa\jffd/A9l¥ r& ird^n' 

f ^4'v)/Ai ahrcliv ; 



ri oZv oh diriy^ffu fiot ; 

xai Ilt^iv&ioi fitv titftds^avTo tig 

rh &(frv rh (fr^arCiredov, 
^tohg dt tTtfia^Tu^avTo dfApS^ 

fia$6vrtg dt rh &\fi6U i^ah- 

(Tavro, 
irif/t'^ag dl xai ig r^v'^AvriCffav 

r^tfi^tig T^oCtXTfjCaro, 

42 



10 



KEY TO GREEK GRAMMATICAL EXERCISES. 



14. Second Aorist. 



xai tysvovro, 

evsi jjffdiro. 

xai sif$vg ovK rjvBff^sro, 

00 liXijy siXarivfiv irdfAsro, 
ffv avrhg 'rapsyivou rfi (fvvovcitf 
ra{iT7i j) ou; 



/3/ov ^vv (SoU 
uffrs adfizvai ne^hgroijg 'A^ysiovg 

sr^dirovro. 
xai irspi fukv tovtuv virstr^irS 

/lot po\/ki\i(Saa6ai, 
aur^ rdb* iTkov firidsv aXXov 



a/r/M. 



r^/a rd di^eXtfioirara sg avr^ 
'ffaP€(f^6fiB&a. 



PASSIYE VOICE. 



15. Present, 



aoj^ovrai oi dya&oU 

irdvTsg ot ^aTdsg vatdivovrai, 

ug ffv vuv ^iXsT. 

xai irZg o^arai ; 

6 6\ TTiihrai re. 

6 iroraiL^g xaXsTrai, 

xai d&'Ka ir^orihrai. 



s^aTararai bir avrcZ, 

otrog yd^ Xg/Vera/ %ri h yj^6vog. 

71 TOiaiiTTi '^\)^'h ^a^vvsrai n 

xai skxerai ^dXiv dg rhv 

o^arhv t6^ov. 
aiff^^oTg yd^ aitf^^d'ff^dyfiara 

ixdiddtfXiTai, 



16. Imperfect 



iv&a hri syiymffKSTo, 

ovx ira^drrovTO, 

ToTg (fr^artojraig u^si'Ktro fiitf- 

&6g. 
u^yi^ovro iO^v^ug, 
s-^^tKouTo 6* 6 Xopog, 
dXXo de tfT^drsufia CvvsXsysro, 



ncoKig aM&i ^xs/^o. 
xai aurou ir^g^iro. 
dvs(fiyiro yd^ ou ir^tfj' 
^ffifov did rdg Xa/ivddag xa&u 

ujguvro, 
xai rd tTtrridna ixsTtft aifroTg 

bttVifL'JFlTO, 



17. First Future. 

6/ dia^\r}d7J(fofiai, irug fi6vri (Tu&rittofjkat ; 

ou?s dvaXXa^driffOfiat hfiov ; ti fih yd§ fd'Kayl^ diaifirac^' 

€/ r/g Ti dvaij0\fri6&i\iSiTai, dtrai su^ug. 



INDICATIVE MOOD. 



11 






xal ri vaD; yS^^ oe^i/, Kai oux 



<xXX* iStv ^oXXc£x/g /(Tm; xa/ xa/ d^Sjv yt X6^^ xa^d/av dfj;^- 
/SsXr/ov raurd raDra d/a- dtifofiai, 

TovroitfiVy oux &XXoi(fiv a^fioff&ri' 
tfsra/. 



^^%* i^ o^adwy %6/^&( u<f$f}ffit 



iiCf, 



18. Second Future, 

favri<fofiat yd^, x&v y^aZi okr^rm^ 7r\ov^tus ra^ 

xaxtag fisv xa) dBtxfag &iraX- aXX* iviyx** iy^ dl xaraxX/- 

Xay^asrai, vrjffOfAa/, 

¥ix^oug Bs Ta^QeT^t tl x^uC^efov- 

19. Pauh'PoH Future. 



ouxovv 'jTi^aitfo/iat, 
hofia xixXriffirai, 

ri croX/rs/a rgXs&ugxexotf^^tffra/. 

AXX* lyyiy^d-^^/erai. 

utfTs ^iXog obdsig XiXtt'^trat, 



tfs B* oiXkri fig yvvri xixrfiairai. 
jSsCX^tfsra/ rig 0iuv fSgorriffiof, 

vvv Bi <7rfhg t/B6rag Tdvra XsX- 
s^troLi, 



20. First Aorist. 



s^dv&rig 'trort, 

KD^o^ Bs 7iff&fi. 

iydt Tjvayxdffdriv Bitaxttv, 
Ttgffa^i^vrig Bh &Bt acrij/cts/^i^f}. 
fi^idriffav dg^ovrsg* 
BvoTv aBiX^oh son^ri^rifisv, 
liT'ffa^^og sTeffrd&ii Aitxiog, 
vofiai voWai xoLnXfip&v^ffav, 



0/ fAsv (fr^arriyoi ^a^£xXri6riaay, 
xfui rouro fih ovx t'y\/ivff6Tiffav, 
xai o^Toi fjth dvimfifdriffav ilg 

^A^^vag, 
xai sr^(A)dfi(rdv ring xa) rouro^v. 
itg yStg dira^ tltrsBpafioVf ouditg 

mr^og dyta&if rivs^6ri, 
S^ot y&^ fAti iig Tfiv 6dXarrav 

xarsfuyov xariXsutf^ijtfav. 



.<v. » 



21. Second Aoriat, 

vfisTg ir^dpriTi, i^i'jrXdyri Bt xai jSatf/Xsu;. 

itg d^riWdyvi, &vtffrpd<pri^av o/ &fjt>^i ^afftXia, 

o/wvo^; sfdvfi, ol r tvBov ^uveXafA^dvovro, xai 
nrar^^a stfr/a xancxd^ri. o/ s^od xarix6irvi(Sav. 



12 



KEY TO GREEK GRAMMATICAL EXERCISES. 



veXiyfjfAtv, 



xai 6 Stvo^uv &va^6tg ixsXsv- 
4roD xa/ l^'X^^ij. 



Ivrtdxifi'fifMLi xa) rouro. 
fisfiyfl<fai ds irov. 
rtvtg ^svavrai o'^gvd^va; ; 
0/ 7^70/ dedtvrau 
^^oxartfKfiirrat 6 XSfog. 
^\)ydi.g <fvfAirs(p^a<fTai. 
s/ fiii xsxXsfifiB$a. 
oJov ggyov slpyaffat ; 
h* 'Atdfig (ftXKFrau 



22. Perfect 

flfiTv dsBeixrai, 

xai iyuty ug (fu o/e/, I^sX^Xs^- 

fi^at ro{fT(f) rfi \6y(f), 
Airsi^oxaXiai dcrsXsjXayra/ iig 

&XXov r6'rov» 
sxXi^ajMsvfi rhv roflrov h f yg- 

ysvfitf$6. 
^ raZra dri fiB xai jSsCouXsuy- 

ras flro/e/v ; 



23. Pluperfect. 



ira^riyysXro. 

'jra^triraro ds fi rdp^og &vu. 

6 iih yd^ r^(pdvi(fTa, 
bi6ri Irsr^wro. 

xa) a\)r6g eywys tnra^dyfAfiv 
xa) 0/ AXXoi. 



ov ya^ nrcti jjg/tfro«'g<ro/jji'ro. 
xaTtTBTfLfiwo hi 1^ ahrm xa) 

rd^^oi W) rr^v yfi^av, 
tKiX\)}tT6 re at gmvdaij xa) roTg 

Ks^xu^aioig ^a^idedovro o/ 

'jrdvTig, 



SUBJUNCTIVE MOOD. 



ACTIVE VOICE. 



24. Present and Imperfect* 



ijv Xsynrt Ti, 

big ^sCujMfv avrovg* 

big xpivu 6txaiotig» 

idv St fi^ did(p, 

nv 6s (ptbyri. 

orav ds i^ifi fia^iXiitg* 



I'Tuddv svdidutf/ Tfiv pidXfiv, 
fiv ifik Ixirifitiefig. 
xa) Srav d^ifig, 
sdv fi^ dtdutft dixfiv, 
dsv^oixTpairSiiiivoi xar& r^v'lX- 



SUBJUNCTIYB MOOD. 



13 



25. First Awiat. 

ug vaTda \ov<fu, 

ha axtroxig sx^^8'n|^^^ xcti iraid- 

vuv axohifoi aZdig ; 

26. Second AorUt, 



firidafiug Bpdtffig rads. 

idvfii iXty^fig xai &ica>J>,d^fig 

fXua^iag, 
xai riv vixfitfUfLtv, ov fiti ^ori 

u//b7i/ IltXonrovvfitfioi Ig n)y voh 



/lil >jirpg fit, 

/lil fifiag Aydyrj, 

neoTrig oZv ^vyri; 

riv (fu xaraidvfig, 

firibs xrdvriTi. 

iirtiddv fifd&fig. 

av nvsg voVo/ ^^0(fm(fu(ftv» 



*E\ivriv xrdm/Aiv, MmKttft Xu- 
^t^v 'jrix^dv* 

vfjtfirai. 
firi rig d6Xog fit ncgog xatfiyvtirov 

xrdvfi^ 
lj.fi Ti Cfiv ddx<a ^^Ua oidoixa, 
dWd fiiij xd/iAfig f/Xoy avdpa 

tvt^ytruv* 
xai ^v fiav ^ufi^f! 4 crgf^a. 



27. First Perfect and Pluperfect. 

ivUf nv fJi^tl V'fraxovffucij rtdvfi" %ieura dvayxd^ta 'irdXiv t^i/ii?)f 



drroL ay xsxMpuifi fiov. 
rh p^g^vov yiyivfj66ai (iird rjj» 
it^%^%iav tro'Kdyy biboixay fi^ 
Tiya X^^9}v iiiiTy ifi'jrt'jroirixri. 



XOtXfU 

i^itddv rig vfih fi^ ifttfr^xri. 
idv fiiv y% TX^j/fiDv a^ia ijd/x)]- 

xiig f. 
Irav ydg U xaxoTg tjdfi ^s^tixfigj 

ra Ifitd i^amffiig svri, 

28. Second Perfect and Pluperfect, 

h* tidfig, xai vi) A/a dvd^tUv yt itdyxi vo- 

x&v fifi^iv irtAtvors iw abrov fii^ofitv^ tg av *Kinc\i\yi^ rh 
dya&hv iciir6¥6fi, irari^a viorrbg Siv, 



Sv divfirai. 



MIDDLE VOICE. 

29. Present and Imperfect, 

Srav /ii,h ridn^ifh roug vo/AOug, 



14 



KEY TO GRBXK GRAMMATICAL EXERCISES. 



. r^6it(f) Totour(f), 
iiXK s/ vvv ovru XsyBi 0^a(f{f~ 
fictyoi* ouro); auroD dcrodt- 



o^ors^ot &rt dvvaroi ^aUtavrcLi 
^vXd^at ¥6fioug re xal Im- 

riv ds Ting aptfruvrai d*frh /?a- 
(fiXsugj 'TrokBfiiioi scfruffav xai 
Aaxsdaifiovtoig xai roTg ^v/m- 
ILdxoig. 



ha hia(SirA(S(afiai, 

fjv oZv smffxs^ojfii&a. 

ov /iri von KTritftafitsBa ixavZg, 

j8o6Xs/ duWoyiau/isda avrd ; 



30. First Aorist 

ray/isvov rs xai Xixatf/i^fi/Msvov 
it^ay/iia* 
s'jrsiddv yd^ at i'^ri&vfiiai ^au- 
eojvrai xararthoutfai xai 



irav aMg abrhv ^sdiffirai 5^- fiii driraj 'Xphg dim^ roDro fit 



6ug, 



s^ydtfri, ^sve. 



s'jrstddv B^ dsair^d^fafiai a dio- eug oi¥ ^{j/i^iravTtg d&^oiff^svrsg 



fiai. 



81. Second AorUt. 



dvrtTd^Mvrau 



ovx old* ovoi T^dfrodfiai. 



rriy6rf. 



sdv rig tifify xa) (%oX^ ysvrjra/. fj*^ ahrh to\jto hY^fiog dsitfag 
fitiXi' ^^ dfixeavrai 0/ fi^mfjkUou M$firai 6<pi<iiv 



dWd fittra&uifitda* 
^oQodfisvoi fiTi Trig vvxrhg o/^EX- 
Xviveg eTiQuvTOLi avroTg* 



fi,^ 0/ *A6fivajoi rd ir^atS^ofLtva 
aMuvras, 



PASSIVE VOICE. 



Q2, Present and Imperject. 



Sraif rfjg h^&akfLiag d^iraWdr- dXX* hxiivfi rfi i/J^^iCf Biafhi- 



Tfirau 
o( ctv aTJtfxtjTai zlg rh m^av 

dia'^Xsuv, 
idv fi6vov fiii avrhg ddixrirai virh 

roD e^&^ov. 



^rirai re xai d'jroXXlfrirai, f 
&¥ &v6^wjrog d'jroQdvfi, 
ha fiii xuXiuvrai u^* vfkm dou- 
Xsiag d^raWayrivat, 



SUBJUNCTIVB HOOD. 



15 



83. First AorUL 



of d* &v itatdtv6u(ft, 
7va ug "rXiTtfrov &'ro<fvd(f&oj/iiv, 
iug otv 'X'dXiv svdi0&(fiv tig (fStfiM, 
idv 6i difidfij 9) aitrhg 1) SiXkog 
Tig rm o/xf/uy. 



iugrigdvriira^divovyvvii xXjj^j. 
f/ sirifLsXfihirirt S^djg avri rm 

d^oXuX^TMy ug ra^iara 

ffr^arriyoi xai Xop^ayo/ dvri' 

xara<fTa6uffiv, 
xai of&v iXiy^dutfi d/aCaXXov- 

rtg ruv * EiXrivuv* 
xai fhfi xaxttf^ffgy fi,fidh &vafj^ 

vfid&jlg Tixvuv, 



34. Second Aarist. 



i'Ttiddv &iraWayf[ rov d^fia- 

rog. 
xai I ftth &¥ rohrtfi rf r^(f/ 

fia(pp. 
6^ ds ov fA^ ixvXayfi gj ottd^ /tii^ 

aitrx^v^fig. 



fuXawoD dt fiifi Ti chv 6fa\fl 

arSfia, 
fAfi diap$a^ojfitv* Adrivahvg iX^- 

fAtvoi dixasug ^aXXov 1) vfiag 

Xi^daXiug, 



35. Perfect and Pluperfect 
sojg &v rh (fufia W(^fAiv xai yii fLsrd rov ro/o^rou xa- 



OPTATIVE MOOD. 



ACTIVE VOIOB. 



36. Preeent and Imperfect, 



if dh xivoffiv XH^^' 

dig /i6vfi xX6o/(. 

ha ^^fXo/fjv aMv, 

itg ixavoi tJfitfav,, 

xai $7 ^ov J^f Xa6yo/. 

uig &fro^K80tt¥, 

oSrog &v lyybrara 7oi, 

iroWfj &¥ iX^ig tin xai xaXij. 



fibtfug &v ffs diipurujriv* ii dh fir^^ 

t^fjv ay. 
xai o5toi &Vj S liiix^angj olfiai^ 

xaraytXftv* 
xai Srt fih Mci rh ruv *A^9j- 

vaim ifr^ard^tdovy u^«;^w- 



16 



KEY TO GREEK GRAMMATICAL EXERCISES. 



37. Future. 



s7 rig a<pndti<fot. 

8 Ti ds irotri<foi ov distfttfifivt. 



ot di iT^ov 8ti oh di^conv* 



88. FirH AorUL 



xa/ Co); hri av A^^aig avrov ; 

^so/ ff6 /iitfriauav, 
xai Tig av ys fh o/xrietis, 
S^rug /iridsig s^ayytiKai roig 
iroXsfiioig rh 'r'kri&cg ruv V6uv, 



• *f 



ti a§a Tig svvori^sieif sv TauTfi Tp 



fiaij Xoido^flfftiav, 
oitojg vaD; xofiiaeiav eg Thy *£X- 

Xfl(f'jrovTov, 



•i • 



rag re sv rp eavrov cf^^xV ^®" 
7,eig Si'jrom'^ffsn ruv 'A^jj- 
vaiwv di^ Toitg ^6^ovg. 



39. Second Aarist* 



ug Ibaifii. 

'jrou otv s^elf^otfAL 

obx otv ^{fyoig* 

ivi) avaSToiriru 

ahff Sri vdvra reXevTavra rh 

auri (l%?//ta ctv 6yoir^ » 
oS Tig &v &-^aiTo xai Iboi xai 

<Jcioi xai fdyou 



otfTig (fopTig alviyfia ira^Bsvov 

fid6ou 
ffvyysvSfiivog otv yvoifig ; 
OUT &v 6 sTitixijg'rdvv ri ^cf.dioiig 

yrigag fiBrd irsv/ag hsyxoi. 
ha vfiag Tt a.'ra^atfxfvatfTOvg 

\dQoi xai fjfiiag evOdds dva* 

ydyou 



40, Firet Perfect and Pluperfect. 



lis 6 vihg vsvix^xoL 
edii^av di fi^ Xvrra Tig uitf^rs^ 
xvtfiv ifiTv hfit<}ri<jeTiaxou 



ai<f&6fievog Jx Xoyitf/Mv tuv ^fi" 
e§uv^ Sri v^TB^ov dfidrfjxoisv. 



41. Second Perfect and Pluperfect, 



IV aXXo; fiv eids/fi* 
s7 rtvig iitfsXfiXhdoisv, 



Xsyuv 8ti XtXoi^dtg %1ri 1\t%v» 
vtcig rd &x^a. 



&VIU fjtifiri^vjig i\ voifi<fig rs xai tXsyov 8ti Aaxsdai/tiSvioi tdv' 



di^yfl^ig yeyovvTa «7ij. 
rfi ds btfrs^aicf fxtv AyysXog 



Tbiv &v dsovrai 'Tsir^aytrtg 
sJsv cra^db fiaifiXsojg, 



OPTATIVE MOOD. 



17 



MIDDLE VOICE. 



42. Preient and Imperfect, 



ovx civ duvaififiv* 

if ^oCo/Vro xai AyavaKrotiv, 
0/ i^ Air^yytWov on S\ov ourug 

AvaitauotTo rh ffr^dnuf^a, 
iF^hg raZroL aTtK^ivaro 6 &^XOJV 
ruv Moff<fvvo/Km Srt xai pou- 
Xo/yro ravTOL xai di^otvro rjjv 



Inrti b\ Hv 'T^hg roTg AyyiXoigj 

Avfl^dj^ ri Bo^'KoivTo, 
Xiyuv avrf Srt dixaiojg &v fAoi 

xa/ rifi/)f ToTg Aaxtdat/HtOvfoig 
olfK oiv avri frSveav yoL^ii xa- 
$t<fratrOy Avri di rt/uktig %a) 
h6^rig a/ria fioiWov, 

iroirov /livroi &v %lfi SiXKaitg aU 
^iTcdaij li y% riXKa, fL^ IX« 
Xs/Vo/vro. 



43. Future, 



s/ iiXtiiifoDfro, 

In fi ohhg fCoiTo, 

0/ dh (fr^aTTiyoi amx^havra Sn 



nf jSouXf 6(ro/vro. 



44. First Awist. 



AW* t1 fii &'ffuiffaiTO, 
fidsug &rt hatfatfjkTjv raura, 
xai rovTo jMtv ovx &v 'rdvu diia» 

wug &v ovv iy^ ^ ^latfalfiriv 

u/Mag ^t)y i/ioi ^Xg/V ; 
ij ovx iv/crdjMS&a Sn jSatf/Xst); 



flfJi>dig A'rroXiifoLi &v 'jrt^i irdv* 
rog trotfitfaiTO, 
ic^h ^a^aaxtuatfaivro xa6* 4- 

ffvyiotv* 
ovd* av 6 Mu/Aog, s^9}, t6 yt ro/. 

ouroy f^lii'^OLiro, 



45. Second Aoriat, 



ojg ytvoivro, 

ovx otv /JkiBtifiviv, ^ 

^avTt'kug &v v^^rh Xifiov d^oXo/- 

ou; ovx &v ^cf,6toig aMotr6 ng. 



6\oifi7iv &¥ fAoiXkov AdixiTif^at rj 
Adixth, 

0/ *A6fivaTot ira^ttfxivd^ovro yo- 
fii^ovng i/ irgoeaydyoivro 
M^riTov, ^cfdiug &v tffiffi xai 
r jXXa 4r^o(rp^(tf^^tfffy. 



18 KEY TO GREBK 6RAHUATICAL EXERCI6B8. 

PASSIVB YOTCE. 

46. Present and Imperfect, 

ttjj^g yiyv(L(fxoi(fds fhoL %<irai(Sa cru^, Evu^ fi^ ^^7XJ^ 
aMs i^* aWttiv s^urfro, v'O'h tu¥ 'XQ'KiiLi(av vatotro, 

xav il ^vyx^ivosro (ih Tavra, xai vifv oux oiv sIxSrug hi av- 

dtax^hoiTO de firi. rovg pXa^roifAt^a. 

xai iea\i¥ )Jga)rMV r/v/ 0/ I'ffiroi 

r^spoivTo* 

47. Firet Future, 

s/ XSyog A'jrodoifitfoiro, idgdoixsiS^Mg/ti^euXkfi^&^eotro. 

povXSfitvog tidsvai o^o76v ri aieUfitvog In 'jre^i rou ymvg 

48. Second Future, 
iib6r8g 5rt fav^^oivro 5XXy rtvi r^Sirtf), 

49. Paulo-Poet Future, 
8 xa) ivura xixyJieotro &vii§, 

60. Firet Aoriet, 

firtd* &^sff$i/fi voTs, xi^oLkog, S\og aua/t^sro. 

bTSrs fih xaraffradstriv x^irrig, Wai ^vySvTtg fif/^tTg ifuBiT/ji^Bv, 

ovx otv a^vri&iiTiv, ouru ydt.^ otv fL&kicra dfi^&ssfi 
sug avoivh/7^ rh dttfjtiurfi^iov, ^otfig* 

oZrot) ya^ av fiSvug 6 roiourog 'Kag oTtf/ /a^tot' 6^&sifiv lyut, 

fjrTri$svT(a¥ de avrm ovdsig otv vamv, 

\n(p6iiri, xai s/ xaro^&orro fi ^s/^a, xa/ 

t6 A^X/ov rti^ig^iifi. 

51. Second Aoriet, 

t1 'xug 9avs/9}. ug rairrig v66(fi iF^'Ktg bafA^in 

tvtag &¥ rafitri^av 0/ tuv *£X- ^aca. 

X^yo^v yfx^o/t tg '>,6yo\tg xariftrviCav dXX^Xo/;, 

e7 vdig ^ij^aWcLyihv, 



OPTATZTB MOOD. 



19 



62. Perfect and Pluperfect. 



tliFi^ i/jj iro\j aurjj naff abr^v 



fisvfi Tohrojv ruv xaxwv. 
clXXtas &v b \6yog oZrog tl^rifii' 

vog 8/}]. 
TnjHfiivog Sri a) ruv IliXocrov- 

fjkivai i7iv. 



IMPERATIVE MOOD. 



ACTIYB YOIOB. 

53. Present and Imperfect, 



yly¥Ui6%t d* dXx^y. 

r6\fi(x, rddt. 

(tC di (ffrovda^i, 

fi^ ^aufid^irt, 

fi^ oZv xtviTrSy &XX* tart, 

dWd Hvruv, 

a) cmvda) /iiv6vTuv. 

&^a<f<fi iM&\}<0Vy €<piyyt, fifidafitfj 

fi^ OKU'jrTiy &Xk' g/flrg /loi *ir6rt 

iymro i (fuvoucia aurfi* 
axouf d^ vuv* xai <fd dtv^o vovv 



pddi if fii^. 

avayyiWiTS rohuv avrf. 

7r(/)(rav ig <f^v ffuv Sf&( &yd\» 
fiOLTi ya7av* 

ibKkdL ri^fi aya$f[ xara^^ina 
^a/d^o; xa/ iyxojfua^iTfMi rhv 
*Ep«ra. 

fi,^ ou V AXkbtf voiiij dWd ToTifdt 
Ti ToTg vtaviffxotg ^vvi&t xai 
dtv^o fea^ yit^ag poira i)i 
icoLgd ffkovg Tt xai 'irdvu o/- 
xitoug. 



tXU 



axovffov, 
txruvov XH^' 



54. First Aorist, 



rh Xaiinrrri^a ir^offtvtyxdru, 
xa) Tfivhi vDv irS^Taffovace^aXug, 
fifidtig vfiuv ir^otfdoxfiffdru &\' 

xXTV^v /M* ig fuvi)v aZ6tg, 
xai (It ir^dg rxffL^ov 'r6^sv6ov 
nra,r^6g. 



o7xrft^ov fifiagj x&ieoxob^itfov 

xaxuv, 
ifribn^ov Sri -^tlhofttau 
xa.) Sr(f) doxiTravraj avarnvdroj 

7) v{fv Ttg aurdg cuf^ovtTy di- 

bot^droj, 
xoXdaan di al^ttag ro6rou; n 

xcti raTg &KKoig ^vfi/idyoig 

ira^dbiiyfia 6afkg xaraorr^- 

cart. 



20 KEY TO GREEK GRAMMATICAL EXERCISES. 

55. Second AorUt 

tfv d* eXie* (Stag (ptkoig. 

TOpdif^Bg x^'i^ Tifica^ov. fnff6oug 6s xai b6^ag ird^sg 

0^ 0* s/Vs /to/. aXXo/f iiraivsTv, 

A^ayayiTu rig ralfrriv o/xade. a^oBovruv ds 'Atfjjva/o/g Aaxs- 

J^gXjlg, xa/ XaCg %oAff ratfi' Jv daifiovtot xai o/ ^v/i/ia^oi 

p^g^o?V. 'A/A^/VoX/i'. 

xa) aup^M^ij x^/ct9]v a^gXs ^^o- &*!rsKh ^^hg^swv^ be^idv r sfAtiv 

(fui'jrov. fii^tg. 

airihog rh trufia irar^L dXX*, ii jS/a yd^ ravr dvay- 

'jrdXiv xardffTfiff fl<f^XV A^^** xd^u fie d^aVy ffvyyvure, 

ofifiart, 

56. Fir9t Perfect and Pluperfect. 

£de 6 fivhg itfrdru, 

57, Second Perfect and Pluperfect. 

dXX' 7<f6t ^vfirhg Sjv, Ivdov XiXpa^$ij Tiig Su^a; xfx. 

Xiifffievfig. 



MIDDLE VOICE. 

58. Present and Imperfect. 

fi^ fdbiff&i, dtaXsyov tb xai i^ura S ri jSou- 

€& roDr Mar ado. Xg/. 

ctbWom^ xofii^ov^ au^B rhv ira- rd %f9}(frd firi cot Xu^^d f a/- 

^6na vovv. via$u ^srore. 

ira^ s/iB xardxBitfo. xai clfXXa roiaZra o'oXXd fL^ 

dfjeav^ u7/(r^voD vb^tb^uv du)^7i- fifit)f •^BvbB(f6uifav, 

fiara. d^irox^madta h^ 6 ^aTt^og. 

'TBi^Sf cZv avroTg d^irox^imfdai. oj<firBg 6b *Ad7iva/ovg bIXbcBb^ ro^- 

Toig ^uvayuvi^Bd&B, 

59. First Aoriet. 

6iB^ya<fat fit. r^v 6* aXX^jv M6Bt^tv leaZdig 

d'<\fai finr^Sg. icotriddaQoi. 

yd^icat fioi, ^Bdaaeh ola ^ xardffrafftg f}fi?i 

cv dvS^rivat yvutfiTjv. gcra/ T?ig cr^aridg. 

ffij ouv fioi 6ifiyfi<fai. oxg'vj/a/ rohw rhv roD Brai^ou 

dirox^ivd<f0Qi To^yiag, <fov X6yo9. 



IMPERATIVE MOOD. 21 



60. Second Aorist 






PABBIYE VOICE. 

61. Present and Imperfect. 

62. First Aorist, 

asdMflTt fi%» %anr} gsX/tiaci irit^yuv crddriTu 

raura d^ 'jrdvra *ir^o6[iiiii&tirt St ray, d^craXXd^;^^9}rov dnc i- 
ilfiT¥ dvayytTkcti, fiov, 

63. Second Aorist, 

64. Perfect and Pluperfect. 

vvv be TiToKfitfia&M, ^ *iro\ir%ioi,^ ^v iXtya^^tav 

^STf/^atf^Ai. xaXovfftv. 

xixrfiff6 vvv <fv to\jt\ iy^ 6* oh rirdyfiui rifiT^ xarA bfifiox^ai^ 

XTfjtfofiai. Ttav 6 roiovrog &vri^» 

aw^yd<f6u di) ^/ct/V xai a}jTfi 



INFINITIVE MOOD. 

ACTIVE VOICE. 

65. Present and Imperfect, 



22 



KEY TO GREEK 6RAUHATICAL EXERCISES. 



xa) ffT^ariojrag ix^ifi^eiv, 

/Atffsh Tt xa) r^ifiitv xai fi{i^ 
yg/v. 

^tXttg ; 



(tDv coi xai ^a¥£Tv ai^^tfofiaiy 

xai tfiv, 
tSl SvXa iraeaBidSvat ixiXsve, 
^ffj rt y^yivai iivat nra^dt, Ti(f' 

(fapg^vfjv oSg iXsXivffi, 



66. Future. 



ei tfisWofisv sxsT(ft &m<fuv. 



xai 6 fih ifiiWiv lyy(ii^r^6%iv 

raTg *jr6\i<ti radratg, 
xai vti<F)(vsTto r^of^v iragi^uv. 



67. First Aorist. 



\ . f 



le&vra xivduvov vvofithau 

iyii irn^AcofLai f^dcat, 

fik t^rosritfag yikdeai. 

i) ^/^a; cuicai 9] roiig ^/roXsfiiOug 

x^arii<faL 
oux otv dvvaifivjv fifir^^g s/VCXe- 



h dyoef dvayxdtf ag fifidig dta* 
T^T^/at, 

fl^XX' fifitiTg Ks^atfovyriuv ^d* 
•v|/a/ avroug sdBri$T}fiiv, 

^vyxaXsffag ds roifg nedvrag 
<ST^aTi(iiTag xai ^ov\6fifvog 
ira^a^a^tnivai rs xai riiv J^r/- 
yosav ^^dffat sXsys ro/ads. 

sdo^s xai xadn^ai rh ftr^dnvfiam 



68. Second AorieU 



drtridoZvai, 

•^^/Syov ^vysl^, 

0J6Ti sXg/V. 

a'Tocrrivat *irghg KD^ov. 

dieob^avai n d^o^i»ys7P. 

£6rt irdvra fih leivav dvarX^- 

va/. 
^ihai vS/iiovg, 
^oXOv yiXwra va^atf^tTy, 



^^oa6ei]fai xai dc^sXeTV S rs &v 
dfA^oTv ro7k voXioiv hoxf. 

xai bitraf <fou rvifjst^ov roZrov 
sxirnh, 

1^ 'Aidou dviivai ird'kDf r^v •s)/u- 

icsqci supfTV xai s/^e/V. 
sxaarog %^u6zv ahr^y It^xodrr^vat 

Ifiviaih xai d'ieo6av%7\f* 



TSVTSmrE MOOD. 



23 



69. First Perfect and Pluperfect, 



rdi olxr^Sk didotxsvau 

Tfi¥ rou Itsou %m<srriiitnv i/Xjjp*- 



vai. 



ttfrovdaxivai m^i r6i,g rihovdg* 
riling iv fT^OTs^if) rtvi xt^^V f^*' 

fjM&i/ixivai* 
oiofiivoi hi a/itXiidv Ti xai &' 



vavg, 
ti aWviv rivoi, ivvivotixivat BoxtTg 

odhv x^s/rroi. 
Tovrou mxa ^actKia Wci/^muf v 

M rh 'Tidiov rh udu^ A^ixi" 

va/. 
ixihoug TS xal ^avrdvaifiv &" 

'iTiCTi^flxivai, 



70. Second Perfect and Pluperfect, 



it jSouXfi iidsvau 
didisvat rSi detvd, 
XiXridivai roug &Wovg, 
rovg f^uvrag ix ruv rtdviiLruv 
yiy ovivau 



tl viuffri iiytTr^v cuvoudav yg- 
yovsvat ravrriv, 

aff^aXsiag, 
itg irroLffiv s66xii *iri*x\riy%vai rh 



MIDDLE VOICE. 



71. Preeent and Imperfect, 



^^uf aviffraff^au 

c\)vayti^%iS&ai ft xal 6t.6^oi^i6' 

rdt, x^fifitdTd xr&adat, 
6^^6g oldsig tidivaro lffra<f6ai. 
xai 'jrdvTtg cXiyov iva a/^t/tr^a/. 



li oi!iy jSoiiXsrai UuXog ^^v^dc- 

vtffdat, 'jTUv&avMu, 
fibovdg '^r^dg ridovdg xai Xifrag 

fT^hg Xv'jrag xal fSZov ir^hg 

f)6^ov xctraXKdrTte&ai, 
WnpuvTO Tfiv rt Il{j'kov xal raxtg 

avb^ag xofii^sff&at, 
fii&* vfiStv irupatfSfii&a xari^- 

yd^iff6at avroug. 



72. Future, 



fisytcra o7ffi(f&at dya&d, 
flf^ag %1<si€6ai, 
ii'yfi<ri<r$at dd6>^e>ig. 



xal 'T^hg dvavra ipfi dcrox^i* 

viTffiai, 
Iml b* ^X^sV| oix ifri hfMTa&at. 



24 



KEY TO GREIEK GRAMMATICAL EXERCISES. 






Xfiv a'jro'jrXivifta&ai. 



73. FirH AorUt. 



hbv(fa<f&ai ^iruva, 

XTrj<fa(f&at roDro. 

ahrbg d' idbvaro ira^a^sud- 

(fad&au 
PolfXtrai ouv xai cs rovrotv ysin 

ic^h rov &^a &^^OL<fd(ti r^fi&i 
Q^av xai AxoUiv, 



ri aiv 0/61 yifih ahrh Avox^hat' 
0ai; 

xofiiffac&ai roiig &vd^ag, xai 
airovdAg irottitfa^^aiy Mcov&v 
doxf ^6vov iifi^oTs^ig, 

xai ri^iov ds^a<f&a/ <fpas Xiyuv 



caiav* 



74. Seamd Aw^L 



ovg ovx av dvatf^iC&ai, 

ir^h xai sig av&^tJi'a'iiov (fu/MX, 

&^txia&au 
Boii'KofMii yA^ m)&Mai ira^ 

aiiroD. 



vaioMg sxeXsusrs r^avs<f6ai ci); 
gyyug ovrag, 
xai Tovroug fih o/ 'A^i}va7b/ s- 
CouXsutfaKro xaTa&Mai ig 
rAg vii<fovg. 



vug d' i^evntfag div^6 (foi tsmd' oi b\ ixXii-^nv fih ovx s^aifav, 



dai (fr^arSv ; 
vfjktTg &vs(atfa(f6t xai v^^g *A6fi' 



^iCiiaatf^ai di (ffttfiv JxeXiuov 
i^fis^av rovg ysx^oDg dysXctf- 
6ai* 



PASSIVE VOICE. 



75. Present and Imperfect, 

diax^hnfOai xai (f\yyxPivB<f6aij (i^n vov66T6T(f6ai /if}T€ xoXd^i(f» 
xai '^{)^8(f6ai xai ^6^fiaU &ai fAfjn dixTiv didSvai. 
¥S(S&au ohhh h\ xoikitsi xai in "kiyicdau 

76. First Future, 

olfAat yd^ fii v\ii^oi&ri(fia6ai, ^yovfiivoi ^atftrov rhv cxs/'^^Xf- 
voflJtfavng s\a(faoi}6ri(fs<f&ai, fiov xaraXu6^(fS(f0au 

xairoi ohx ffiriv iiiri cov i^aiea^ 
rfi6fi(r6<f6aL 



INFIiNITIVE MOOD. 



25 



77. Second Future, 

78. PaulO'PoH Future, 
ifii ft xaraxix6'^s<f&au 



79. First Aoriet, 



^^tf^fivat xaXSig, 

dodiivai 01 ra^Tag rStg nroK^ig. 
\iytrai bty^dvivau 
^oXXoOg y^^ xarax^ijfivKf&TJvai, 
ta y \)*K Affriv xarafovivdrivat 
mr^otg* 



ro{jrou o^if Sfvsxa t^atvrag f}fiag 

isT xaro^uvdfjvai ; 
roug di /A^fToj osdov'Ku/Jitivoug d/s- 



80. Second Aorist, 



ir^h (fpay rival, 
xaraxoinivai, 
diaf^agrivai vt* ix^tvou. 
ii fiiedfiiivog xai fio^&iiCag 
xaraXs/'v{/g/ tiy^h\ roL(privau 



ir6Xi(Lg re asi c<pi(ii 'ro\ffiiag 

A'ra'K'kayTJvai, 
ifioi yovv fri doxsT &v ^tXriSvug 

favrivai. 



81. Perfect and Pluperfect, 



xiXTfi^&ai, 

r^y fj^h irtfdv6ai, 

^(t^texi\jd(f$ai, 

ro^iTou dnrrjiKKdyfictu 

ahrovg (fiffuf^ovsg^ai, 

odx cUi i^fiXTjXiyp^^ai. 

xai t6v Tle^ffnv \x'X%ir'>,^')(fiat, 



T& in§i T&g Wt&vfiiag /xi) ftVro- 
riffdai, 

ohdi fioi doxtT d'TrodsdiT^^ai, 

vuv ovv vofit^ovrtg xai sfis bp* 
VfiUfv xsxX^C^a/ iiri dtrrvov 
xai royaii rovg c^XXou;. 

ou xaXfl5^ fj^oi doxeT 'T^offZiO^fitf- 
&ai f)fiTv 6 \6yog, rh ccv'kug 
ovTUigira^riyysXdai syxatfiid' 

B 



26 



KEY TO GREEK GRAMMATICAL EXERCISES. 



PARTICIPLES. 



82. Present and Imperfect. 



ra^ay/ihv svridsvTtg. 

oZroi ^go/ovrff. 

6^UT(jj(fT}g dk Tijg firiTghg avrov. 

6idj)cojv x.ai ^dWojv xai Kara- 



xatvottv. 






on /j*sv yeXuvrsgj sv/ors ds da- 
TtpOovTsg, ^ 

^/Xo/ be udiv E rs airoXa/iLQavuv 
x,ui 6 &T(/dtdovg. 

0/ 8s avuj o^uvreg fisv rovg hau- 
rm ifTrnriag psvyovTagj o^mv- 
Tsg 6* b'jr'k/Tag cpiffiv Ivtov- 
rag, JxXg/flroutr/ rA Wg^ rou 
vorafiov ax^a. 



83. Future. 



Mg airoxrivojv. 

ug '7ro\efL7}(fei)v. 

dTOtfrgXSv (fg. 

xai gVg.a-vJ/g Tiva i^ovvra on 



dig sg rjjy 'Arr/xj^v eeZa\ovvTeg» 
xai h roTg \6yoig ^avraj^oD 
ihriXoVy ug s\svds§UKfuv rr^v 
'EXXdda sxTs/jL^dsiT). 



84. First Aarist. 



og dsitrag. 

c^fj^ s^7ifj!,ojffa.g Ifj^ov, 
vurov gxX/vatfa 66v. 
rig ^(X'NJ/a;. 
cracrav xdv/n tf^^avrsg. 
(fuWs^ag (fr^drsvfia, 
ffrriffag rh a^fia, 
ot ds (phXaxsg nr^otSikatSavTsg, 
ffuyxaXsaag To-jg (fT^arriyovg 
xai Xo^ayovg, 



axovtfavreg ravra ayov(fiv au- 
rov ^a^A rhv KXeag^ov. 

fjxeig rhv KXvraifAvrjar^ag rd- 
(pov ffTS'^affa, xai 6nrs4(Sa<sa 
vs^rs^oig '^oag ; 

'AXx/C/adfjg dg r^6'}rai6v tb stf- 
Tfi((9, xai fiiivag altroZ h>Jyag 
fifis^ag gVXgt/tfgy %ig "idfiov. 

d^dffavTsg fig rovro xai (fvyxa- 
\s(favTsg Ks^xv^aUvg sJ'^ov, 



85. Second Aorist, 



X?^^^ avatfTdg g?rgv. 
T^oiag aXovorig, 
xai syu va^affrdg, 
xai xadeTffa yovv, 
Tsfji^bjv iiiXsa. 



of /U«oX(x)y. 

xai sv d^^oeuvri xa^gXdvrg;. 

bjg iyd) dyayojv. 

hv r(jj ^a^sXiovri j8/y;. 

^o^ov ifi'Tieovrog. 



Participles. 



27 



s7 (T* \yi) *iFoob(i\)i irort AiroTJ- 

irottii fft. 
uffmo Xvrruvrd riva xu} oJy- 

piov dsifmrfiv &irofvy<ai. 

aMi xaKiuv fAfir^ iyiviro 
xravm, 

Tfi^tu xravoDff/, fiii ^avoufftv, 
uToxTtviTt^ 6 f\Ji, 



h Koi^arddag iXadiv a^od^a; 

xai d'Xtffdj&fi s/( AixsXs/a^, 
M Tovrotg mord d6vTsg xai 

ir^og raura /Asraffrdvrtg o/ "EX- 

Xrivii iZovXivovro. 
^g &v r6v df svra rhv ovov ttg rd 



86. First Perfect and Pluperfect. 



Tojv n&vrixSruv dXig, 
K^iovrog dvrti^fix6rog, 
off/nriv '?rsfivy6rig» 
TO'jg iX'TTiTruxSrug, 
'jrXriv ruv ytyafirixoruv, 
ucm^ M dfhrvov d'rodidfififixitg 

slg QirraXtav. 
0/ irt^iXoao^TixSrtg 6^6 ug. 
dvevfKfl'rrov Yiffxnixojg fStov, 
dXX' SfAug fs^siv dvdyxTi rdg 

'rra^sffruKfag rhy^ag. 



ri&\ixi)g yd^ irvy^aviv Iv rfi 

avXfl, 
irdfffi TS Trdvrag dyd^utTOvg utb^- 

^t^rtxSrsg dpirfi, 
dWd fi^vol TS ys fitfiadrixCrtg 

irsirsifffisvoi tlffi xai oi 'Trtiriff- 

rsvxortg, 
0/ aXXo/ AsffQioi ^^oCsCoTj^yjxcrg; 



87. Second Perfect and Pluperfect. 



bsdiug rodg iv^fouf. 
dbsK^hy orav o^Sj fitfMfivSra. 



V dfi^6rt^oi iig rb ec^arov 
s\riKv&6r sg x^ivmrat, 

ruv rd ura xanayiruiv dxovug 
raura. 



rig yd^ e6i\r}ffei xrj^v^ isvai xri- ysyr^ditg dTs^^trat ix rov Ssd- 



£uxa( amxrovojg; 



r^ou b ToifiT^g, 



MIDDLE VOICE. 



88. Present and Imperfect. 
&>,\ort xa) ^XXors ipffrdfjkt' ^XXiy6fitvot teahv %ig rl bixoL- 



28 



KEY TO GREEK ORAMMATTCAL EXERCISES. 



01 ri6s/isvot roitg vofiovi ot ac&e- 
viTf &v&o(avoi sttfi xai 0/ toX- 
Xo/. 



08^ iyxarsKiirov ou dvvdfitvos 
sTsi xai rSds eT^u^av ^oCo6^6- 



89. Future. 



rhv o^dcijs ^tojffofisvov, 
a) xaxui &'X'oXov/ievoi, 



6 Kijgog eTs/A'4/f rhv rA;C^uav 

9) biaxovrioj/jiSvoiy ri 6taro^iv~ 97 xsv 1^* rifiag us dta^vatrSitAfvog, 

riy(vr\ hi 'ira^saxevd^sro tTi^ti^ 
oofii fog. 



ao/ABvog. 
ug xaraffrritrcfievuv rourcuv. 



90. First Aorist. 



avrhv s'rayysiXdfjLivov. 
/Asra'X'ifi-^dfj.svog roug (tr^arri' 

yovg. 
xai 'jravffd/iivoi dfi^onooi, 
ff'jrsKfafisvov Ku^ov. 



ido^tv ovv abrcTg^ (ruffxevatra/AS" 
voig a eT^ov xa) i^oTX/ffa^i- 

i7 'X'ug ojtfdfLSvoi g'Xo/sv rh rii- 



etg r^v d^Kfn^dv %6/Ja Jy^ed- rp d*^ vffrs^aicf 'jra^affxivatrdfLS^ 



fLiVOt, 

f/iiraffrriffdfiivog avrovg 6 KXg- 

OL^Xog el^ouXsusro. 
xai TOUT s^yaffafLiiri ri g^yov 

ouroti xaXSv. 



vol ug tnrl vaufia^iav dvri' 
yovTo, 
0/ ds xa&* eauTOvg jSouXsutf'e^^g- 
vot rd ocXa ^a^sdocav xai 
6^dt.g avrovg. 



^a^vd^a^og ds wdvri Tip tuv xado^fitadfisvoi r^v r« y?v tdp- 
TlfA.OTOvvYifftojv ffT^arsvjMaTi wffavxair^vvxjxrafiv'Ktffayro. 
xai ToTg (SMfLfLdy(ptg leaoaxi- 
Xeuffdfitvog. 

91. Second Aorist, 



Tiffffa^s^vTig Tr^oaiffdofievog, 
\j^o^6fi6)fog auToTg, 
irdvTdiv sm\a66fievog, 
ovx gXo/^gvo/. 
^sfievot rd S'rXa. 



•>^f€v6ojtid^Tv^ag ^oXXoC; xar' 

ifioZ cra^aff^ojtievog, 
ubojj 6* i^tysvofisvov ^oXO xai 

pgovTai diixuiXvffav ngv Ava- 

ycay^y. 



rovTtfj 'fri^ofAevogy r^ir rixoucav fUTd h\ ravra Thv B^atr/dav 0/ 
sxTavov, ^^fJ'fJ'O.Xot ledvTtg gOv p^Xo/j 



PARnOIPLES. 29 



PA8S1YB VOICE. 

02. Present and Imperfect, 

Tavra uvoufiiva xa/ ^/^^atfxo- (fov %ai bnr ixtivuv avsguratf- 

tudvi A'jra'K'karTOfAivfi rou (TgD- vfitT: fih ya^ &dtKo6fisvoi au- 
(larog. rou;, m; ^arf, Inrviydyig&z. 

0/ fi,6Xt6ra Ot' auroD a^aTcD- xa/ xoD^ij vDv J^' auroD SoXu- 
/(tfvoi. /s/a xaXou/Asvyj isrh. 

xai rovro hi^i<s6ai H dth6/is¥0u r^au/nari^o/ifvoi hir ahrm oux 

93. First Future. 

xai Sn f^ 'Epiffov 6h u^fiaro ^Xso/ fV/ rag S/^a; w; v'^odo- 

Ki!>|^ (fvffTairi<f6fitvog, dtiffofiUag, 

dsT ToTg iJ yi xai xaXw; |9}^9}- 

94. Second Future, 

yvovg Bt 6 KXioiv xai b Avifioff- cr^ariag^ heaueav njv fitd- 
0irffig, Sti dia^Sa^fiffofASvovg yiii, 
auroO^ Wh Trig cfiri^ag • 

95. Pauh'Post Future, 

tl¥ ^^dffufftv ahroi ir^in^ov hta^ fia ahruVj 6tavt'jro\f/M7i<f6'- 
fdii^avTtg rh cra^iv er^drtU' fitvov. 

96. First Aarist. 

rh ir^a^6iy, xXridiig vir ixsivou dtu^* iwi dtK 

Xiipiiig 6 TaTg, ^ov. 



xai viiv <fu6sig. im^utrfihig dt 7rd\i¥ M riig 

fi^n ^iMV xXi^&iig \iiFo, l^n^^6g, 

iierd "Kay^ayoi ra'^fiivrtg. f'^XV h^^^^^h ifyytv, 

0/ '/£*o/ Xoyoi ^if6ivrtg, xai iir avrdg dvayfihrig rtr- 

0/ TT^o'Ttfi^dsyreg (fxowoi. ra^ag fitv sXa^oy, 



30 



KEY TO GREEK GBAMMATICAL EXERCISES. 



or/ &^x^^ at^edeig xarij/^gXg/. 

ToX/v va/w. 
g-rg/ra dieve^dsvreg 0/ Aaxsda/- 

/Aov/o/ xa/ 'AdfivaToi e^jroXefitfi' 

<fav 'TT^hg aXXriXovg, 
iig aTrrjX&s xivdvnuffag xa/ art- 

fj^afShig, 
6 ^b KXidtv 6\)6vg ^ivyuv xcli 

xaraXri^hig b'jrh Mv^xmov 



xai *jrifit<phig 6 TtfifiCdhog sfxgy 

ay«v rovg a^^ovrag. 
flTo/w 3* vfAug e^wraTfidevrag xai 

xarayoTiTtudivrag b'r sjcaov 

^xg/p g/g Oatf/v. 
u^i ^gv yd^ iwou ev fid^rj ou- 

5g/f 'Tuj'jroTS 0VT6 bri')(fii)g ours 

Xaxriff&sig dvs6avsv. 
jj ToTifty gu Xg^^^g^cr/ <fuyy(^u^sTv 
, X6yotg, 



97* Second Aorist, 



aurhg 6s (fpayeig, 
Wg^ rh/nQov faveig, 
'ffXriyivTsg, 



(p6^({t (5^aktlg rjyyetXs /loi rtg, 
xai rh fLsv fuuivvfjuof xs^ag svdvg 

aTTo^payh g^uyg. 
dXXd fixfr^a^gvrg; xuXvffovfft 



roZd* a'TTaWayevTog. 
dsu(fo'roihv yiyvsrai rh fSafsv, 
ii fiaveig a^atToT, ^uXXsysvTog 3« rou ffT^areufia" 

tisrSt raura, xaraxXivsvrog rou rog ig AgX^oug, i'TTsxr^^vxsv- 
"Scax^aTovg xai du'TrvTiffavTog, ero EuPuXop^oc Aox^oTg, 



98. Perfect 

(fvyxsxX6t<ffisvfi mirXoig, 
rifitog xexXrifisvog, 
e^s^&a^fjbsvTj. 
xex^vfifitsvag ^^xa^. 
v^ XiXsififiBva, 

sx ^a^iXiUig dido/nsvai, 

hydi ^^oifdsdiyfLsyr}, 

f)tXoug xaXo); xexofffLTifiivoug, 



and Pluperfect. 

xard rd "^a^niyyiXfisva, 

b Bs xsxa&a^fiivog rs xai rere" 

Xifffimg jubtS^ ^suv oixrieu, 
tf>7i yd^ 0/ 2ux^dT7i hrv^e?]/ 

XsXoufitSvov rs xai rdg j8Xau- 

rag u'rodedefjLsvov, 
sTv^ov i^itfr^aro'jrsdev/Mhot g^w 

r?g v6Xiug M Xopou xa^rs- 



|lart $teni. 



SYNTAX. 



Rule I. 



vdvTii 0/ EWfiyeg, 

0/ 'Trdvng plii rs xal liF'ffoi, 
obhg P^a^eTa yiynrat fiax^d, 
xai oj^fiovv aMi/ hXxddti roX- 

xai rifisTi o^uwei raura dvrh 

ov^ ourug TifAiTg ovrt dX6yi(froi 

ovTi riKi&toi sfffitv. 
oZroi 01 baifJLOVig iroKKoi xai ^av- 

Todairci ittftv, 
'A^9}va/bi dt a^WXsutfav, r^td- 

xovra vaD^ ruv iro'Ktfjktm Xa- 

Q6vrsg, 
Budaifiuv o^v ifoi 6oxtT iJvaij ri 

a6\tos ; 
0/ X/^o/ yd^ &v ovTca yi xai o} 

vtx^oi ihdaifAovicrarot eJtv, 
d\Xd fJAV h^ xai ug yt tfO Xs- 

yttg duvhg 6 ^hg, 
Tihovaf Tivig dciv at /ih dyadai^ 

a/ b\ xaxaU 



P\a*jer6fi,tvot B* It^ci j3<Xr/oi»c 
5j yg/gou; yiyvovrai ; 

roiSvi iy^ fivTitfrrj^a cr^otfdsde- 
yfjkS¥Yi d{f<frrivog dii xar&avth 
mxtySfiv^v. Poet* 

ird6fi fisv oiJy 6^ ^oXX* tyojy 
exXavffdfifiv, Poet. 

syuyi dxovu UtpxXsa ^fTiiroir^'- 
xivat 'AdYivamg d^youg xai 
duXoijg xai \d\ovg xai p- 
Xa^y{f^ovg. 

ov 7oX0 di "r^oiXfiXvdoruv auruv 
e^t^amrai TrdXiv b "Mid^idd- 
TYigj ifcirsag t^uv ug btaxo- 
fftovg xai ro^orag xai tf^fy- 
dovtirag ug rtr^axotrhug fid- 
Xa JXoip^oi)^ xai th^ojvovg, 

u^a TifiTv po\ikibi66ai 'jts^ fifim 
ahruy fi^ xdxiffroi n xai 
a1<Sy(jCroi dvd^tg dirofaivut- 
fjki6a xai 'jr^ig ^tuv xai irfog 
dv6^uiiruv xai ^/Xwv xai to- 
Xifiiuiv xai xara^^ovfidu/itv. 



32 



KBT TO OREBK GRAMMATICAL EXERCISES, 



Note 1. 



l/cro, o7ov crar^^a; /lavoKeU 
Vid&oLi yfiovSg. Poet, 
ojfjkoXoyoiJfiev dt ^ouy 6/ fitifAVfi- 



(fai^ ad\)vaTov eva iroWicg 
xaXug s^yd^6<f6ai rf^vag. 

Si/At iv6v ttrrtv i) ri axoKacict,, 



Note 2. 



fihtxvifihai <fiyfiff6fi€6a K^sKfffSvav 

vixwfitvot. Poet, 
siril hi v^fi, Ti/isig xrtvovfAeVy 

oiire^ i^6^v(fa/i6¥. Poet. 

fiivot. Poet. 



ovx &^ ug ^avovfisvoug //tsr^X- 
hg lifLag^ dWd <ffifji,avZv 
xaxd; Poet, 

^o^^svo/. Poet. 



Notes, 



d*s d\\i{Km, 
1diC&6 rutde rdt xa^tyvf^ru, S 



rhv irar^tfjov oTxov s^stfufrdrnv, 
^^ovcr^rfiv f6vov. Poet,. 



Note 4. 



TlvifKiUig yd^ wai^ ufl-gg riifA- 
Cou ^anig xarsifx 'A;^/X- 
Ktug flrav frr^drevfA 'EXa»jw- 
x^v TT^hg oJxov sMvovrag sva- 
>Jav flrXctrjjv. Poet, 



rfi d* bcrsgaio^ iiei fikv rijv ^oX/v 

flfgg sv iroWji Ta^axfi xal 
^6Z^ ovrag. 



Note 6. 



fitdXiOra b% rrig yr\g ?} d^itSTTi 
dti rdg ii*traZo\dg rSfv o/X9}- 

ouxovv n)v fisytHTTiv rrig suXa- 
Qi/ag *!ra^i<ixi\ia(Sfihoi osv sTsv, 
s/ rip Ivri xoXvg Tf^a/dsu- 



dW* edv rig xai (ffiix^hv iTc^ftH 
rjjtfTj rt ruv ^fidsvr(a¥j uffire^ 
rd p^aXxwa crXijygvra fia^ 
x^3v rix^' xai d'Toniviiy edv 
/i^ i'TiXd^Tirai rig, xai o/ 
^riro^sg ovru Cfitx^d l^fiurfj- 
Sivng doXix^v xarareivou<rt 
roO Xoyov. 



SYNTAX. 



33 



Note 6. 
vtiv 9) olfXXfjv riva dia^affiv, rov ^v ivra\j6a toTq nroKifikiQ, 



Rule 

ug y6i^ iyi) vuv wv&dvof/kai. 
^XoTa ds fifJksTg obx i^OM^iv, 
0/ ifr^artiyot xal "Kay^ayol &*IF' 

riyitC Oihimvi ut^&ov v6\iv. P. 
xai rovTOit dvidavirfiv, [Poet, 
^^a^svfjds y c^Xlv)} 3utf8xX6ra;(. 

\uirovvrai, 0/ f^6vi/Aoi 9) 0/ 
&f>^ovtg; 
TlfieTg ^cuXofLtda diaffu&rivat 

^Xo/bc yd^ ohx gp^oy^gy. 
xa/ ^a; dog oJxoq jS^trsra/ 6/' 

a7jetaro^. Poet, 
at d* aWai t^uyov ilg luiffrov, 

ixtTdiv dt ttf Bu^dvrtov iffui' 

fiflffav, 
n cracfa/ 4/u*7V ixtT¥ai ai <r^666iv 

LufoXoyiat iv raTcds rati hyj- 

yaig flfjki^aig ixxiy(\)fitvat 

ou yd^ dfi>a d^^ou vyiahu n 
xai voctT 6 dvd^eii'froCj ouds 
d/Aa dTraWdrrtrai hyniag 
Tt xai v6ffou. 



IL 

xai TS(r6¥ra aurhv 0/ fih 'A^ri- 
vaTot ovx ah&dvovraiy 01 hi 
^Xfiehv d^avng d'jrrivtyxav. 

xai v\jv d{fO xaXM ri xdya6u 
Avd^t rs&)iaroVj xai ours deve- 
Xiffdat ovTi ^a'v|/ai iduvd/nt^a, 

xai 9j ofXXf} (Tr^artd dva^^^^- 
(ta^a fiird rov KXsa^/dou tx 

Tfjg dKii>^S(/)S ¥tX^OUi Tt IffX'J- 

\fv(ft xai r^O'raiov ttfrfifft. 

ovru diaxi//ji*ivog b dixaicg fAaff- 
riy(a(fsraij cr^tQXutCirai, de- 
hr^araij ixxavdrjtrirai toj^- 
6a7^tsiy rikiMTm ^dvra xaxd 
ira&i)v dva6xtvdu\6u6ri(ftrai. 

xai ty^ dxovffag dii fih hr^ 
r^v ^bfSty rou r% TXahxbtvoQ 
xai roC * KbuiidvroM r^ydfiriv^ 
drd^ ouv xai r6rf 'jrd>v yt 
fiffdfiv xai iT'jrov. 

yv(affiff6i drjirov Sri oux tv rjj 
*£XXdc^/ s^rs* xai iyu fih 
iffojUM.! 6 thfi^arfix^g tig, 
vfjkug d^ 0/ i^fiirartifAtvoi iy- 
y\}g fjkv^iw ?;^ovrf ; ^^Xa. 



b2 



34 



KEY TO OREEE GRAMMATICAL EXERCISES. 



Note 1. 



^^ 



net,} a^iaruiVTi rp Ssvo^ojvti 
\6ym Xa^cD^sd* afi^u. Poet, 



yfiQdvT gra^av. Poet. 



VUfff* 



Note 2. 



r6 tfrgarteSov avs^w^ovv. 

'A6r}vaiuv yaxt* rh •a-XJj^oj "It- 
^a^;^ov omrai v^' *A§fjitodUv 
xai 'A^iffToyetTovogy rv^ocvvov 

ffoXO Be yivog avQ^tMinrcav roTg fih 
ex rrjg yr^g fMOfjAvoig ttg r^o- 



xtlfiaruv Z,biSi, 

Tovg Ko^iv&tovg, xai ioj^avro 
fA6\tg. 
dfia 6s eu} y/yvodevfi xai b £X- 
Xog (fT^arhg a^siaivov. 



Note 3. 



s<fri ya^ sfAoiye xai ^ufioi xat 

is^A otxt/a xai ^ar^fia. 
fv 8s {rtvsg) tovtojv rSiv cra&' 



fiuv ovg ttAvv /laxgovg riXaV" 
vsVj O'TTors 5) 'T^hg udu^ /3oi>- 
Xo/ro dtareXsaat Jj 'jr^hg p^/Xoy. 



Rule III. 



dXXcl: ravra fih -y^/sv^TJ Jv. 

xai crXo?a '^rXsTsv avraTg tf/ra- 
ycfiyd. 

ovx eyiynro rd h^a, 

rd bs x^soc avruv TJdiffra ^v, 

oTda yd^y on h'kiyotg riffi raOra 
xa/ boxsT xai do^si. 

rd ds TO^s{j/j,aTa s^(*i^st did ruv 
dff'Triduv xai bid ruv ^u^dxuv, 

ruv ds d'TOifxsbavvvfievoov rivsg 
dfrrh rou (fr^dro^sdou sKsyov 
on xarihotsv (fr^drsvfia. xa/ 
vvxrci)^ ToXX'cb ^u^d famtro. 



Zi(pQn •N^u;^ftJv ffx/os/S? ^avrdC" 
fiara, 

dXX* ofiwg^ St fisWofisv guda/- 
fiov7i(fstVy ravrfi IrsoVy ug rd 
7^v?j ruv Xoyuv (ps^si, 

svi 8* sv r(jj h^fj X^iV *^^ aXtfjj 
xai 0^7^ dsvb^uv fjiiStfrd, ixavd 
xa/ cug xa/ alyag xa) ^ovg 
r^s<pstv xa/ /^flroug, ucrs xa/ 
rd ruv sig rr^v so^rriv lovruv 
Wo^uy/a svux^Tciai, 



Rule IV. 

xai ffs ^ov\ri(fs<f6at ^/Xov yjfiTv ^afAsv ds rovro sTvai rh dXfidsg, 

S^ov rig oloiro Kv^ovaiff&Tjffsc&ai. 



that. 



SYNTAX. 



85 



x^iirrcui *!roK\^v BagZd^m 

ol/Jkai ydg a itrxifSai did r^v 

ug 'jT^odorag auroO; xai xax6~ 
vovg ToTg "EXXjjtf/v hrag ti" 

edo§6 ds Kui Toiig CT^arfjyovg 
dixriv u'Toa^s/^f roD ^aggXjjXu- 
d6Tog ;^^oyou. 

dv6fi(*>'X'oug be fiii ouru ^u/niv 
oXaTTrofisvoug sig r^v dv&^u- 

6ai; 



rovTO S ^fig ffif fiiyiffro'j dya- 
66v t7\ai roTg dvQ^uiiroig. 

faffi 6* 0/ (fo^oty xa/ ov^avhv xai 
yri¥ xa/ ^sou^ xa/ dvdgoj'Trovg 
rriv Tcotvmiav (rvvi^uv xa/ ^z- 
Xiav xa/ K0(ffAt6r7ira xa/ (Tu- 
f^o<r{fV7iv xa/ dixaiSrfira: 

Uri 0/8/ rovg 'ffotfikvag v\ royg 
fiouxSXovg t6 tuv T^oZdreav 
fl rh Tuv ^om dya&h dKorrsTv 
xa/ ^a^uvsiv avrovg xa/ ^f- 
^avevitv v^hg ^XXo ri /3Xs- 
*)ronag i) rh ruv biciroruv 
dyadh¥ xa/ rh avrStv, 



0/ Aaxidaifi6vtoi 6'>^/r|pi<favro ourea ^afftv, o3i lojx^areg, 'ra^d 
rovg fish fitrd B^affidov £7- ^tuv xa/ Ta^' dvO^unruv rfi 



\eorag fia^stfafAtvovg eXiv^s- 
^oug iJvai xa/ o/xs/V 5^ou o^i' 
jSo^Xwvra/. 

ou yd^ €(friv aviu rovrm ours 
7r6Xivours id/<*trfivfisydXax.ai 
xa\d spyoL i^t^yd^scdat, 

ob di7^or , ou dsT, MsveXsuv /liv 
svrv^iTyy rhv <fhv b\ leari^a xa/ 
ck xdhik^riv 6avi7vj firirs^a 
r\ Poet. 

Idi ouv fofiiffagf oi To^yia^ s^u- 
rac6at xal W sxmuv xa/ 



dbix(f) icaL^ttfxtudisdtn rh Siov 
&fAstvov ^ rf) dixa/tf), 

ty^ d\ eirndvi xa/ X/av rrv^yoTg 
p^a^/v, KOir^tv vofii^o) rr\g i- 
fj^rig vaux\7i^iag (ffjoni^av thai 
^%m n xdv&^uiirm fi6vYiv, P, 

xa/ ou^ In yi xarviyo^ouff/v 
rifAUV, spa,(favy'^ivff6f/0s6a ^dc- 
xovrsg avroiig a/rhvg tTvaij 
dXXd rh fiey f6og rovy^iiixutvog 
sTvai rh xwXutrav r^v dvai^t- 

CIV, 



Note, 



ovxo\j¥ rcvro Srai* ^8fi dvfjp ;^^- i/Tiixovrsg dt u-ro-vp/av Ta^i^oy- 
fAara s^eav xa/ fAtrd ru¥ aiv jj /m^i ri/jssre^oi {vars^sg) 



^^flfidruv airiaVj (•%&»') At/- 
codrifiog ihaiy r6ri 8^ oZrog 
^ivyn. 



thai r^ rifim rodg s'X'aivovvrag 
xara-yl/tvdiaOai, 



Rule V. 

(tvrSg iifii h t^finTg, xai yd§ ohog ^oXvg ^v, 8v h 

rig our« fiahsrai S(frig ou /3o6- Xaxxoig xo¥iaroTg tT^ov, 
Xsra/. 



36 



KEY TO GREEK GRAMMATICAL EXERCISES. 



rou xa/ ^fii;p demg, 
auro, ^ o;, oux s/^9jra/, o 

ifiQdXkovreg oi^dova iyovdt 
Xsyeiv ayaOdj roTg bffiotg d 
f)a<fi ^sou; dtdovat. 
p^a^ad^av ydo avrovg edei d/a- 

WidoT¥ro auToIg 6/aZamuG/v 
0/ 'ToXefLioi, 

oJvog ds Eu^/erxsro, o; &x^arog 
/Mv h^Xig t^atvero sJvai u'jrh 
rvig autrrri^SrriTog^ xs^affhig 
ds evutdr^g rs xai vidvg. 

xai ev&ifg nraiSiv olg tvtrvy^avev 
i^oUy xai ^a^Za^ixSfg xai 
* EKkflvtxojgj on ^afftXivg eruv 
ffr^aTevfLart flroXXjD 9r|oo"sg- 
p^gra/ ug 6ig fJ*dyr^v Tra^sa- 
xivatffjLSVog, 

ffvffxevaffdfLivoi d* evdi/g i^ops^- 
ovTo did ;^/ovoff 'jroXXrig tiye- 
fiovag e^ovreg ^oWodg* xai 
ahdrifiiphv WspCaXovrfg rb 

¥ ' *^» r ♦' "v "v * ^ _' 

aX^OV ip ^ SfLiAAiV ST/r/- 



h<s6ai Ti^iQa^og, xarsffr^a- 
TO'jredsl/cavro, 

0/ d* dWoi ^ddfiv svo^evovro 
<irp&frov fj*h Iwi rh ^eo^hv &0* 
ou rfi v^ors^atc^ ot jSa^Ca^o/ 
Br^ef$7iffav xai ot ^uv avrotg' 
hr av6a yd^ o) voXsfnot ^(fav 
dvriTerayfAsyot. 

fitdXitfra yd^ dri rort 'frXdrrsrat 
xai fMsrai rhnrog^ oy a» rig 
SovXrjrai sv<ffifiTiya(f6ai exd- 
artfj. 

u Ziu, rhv O^Tfig arofiov og Xs/- 
//,ojv '^'XJiig-, edojxag ti/mTv dXkd 
ffifv xi^^V X^i^^* Poet. 

lirivicSyng di6a(fxa\ii(f) ^ra/- 
doitVf S'Ttg /isyiffrov ^v avrSBi 
xai d^Ti BTMyjuy oi vaidsg icfs- 
XflXvioregi xarexo-^av *ird\- 
rag, 

dftxysTrai de xai K^vcuv ^a^' 
avrovg, og fj^X^ Nau^axroo, 
dyyeWojVj on ai 'Trevre xai 
eixo(fi vriig ruv Kogivdiuv ai 
(fpi(fiv dvdo^fioveai ovre xara- 
\\joy6i rh^ mXsfifOv^ vaufia- 
yuy rs (LiKkOMCiy^ 



Note 1. 



iZ yd^ /crg on rijv sXsvdB^iav 
tkoifinv dv dvd* &v i^u irdy- 
ray. 

big hiSirCrvig dyaffr^e^oio s^uiv 
rifiag Wij^irag/o/ ffoi oux dv 
rod fiiffdou ivsxa fi6vov U'Trri^S' 
roTfiiv, dWd xai rr^g yd^irog 



^g, ffu&ivreg virh tsovy ffoi otv 
s^oifiev dtxaiug. 
ti ds xai rft iiye/Aovi 'trtffrevffth 
/lev f dy Kv^og didfi, ri xu- 
XuE/ xai rd dx^a vifMv xf- 
T^idiiv KD^ov ^^oxaraXafiZd- 
vBiy; 



Note 2. 



raura dxovffavreg oi dyyiKoi ffiAsdg ^v, ^ aXkog rig f liri- 
dvriXavvov, xai rjxov ra^v' f rsraxro raura vpdrruv. 
xaihrfkoyr^yonlyy'jg'jroM^a' %\iyiro bl xai 2usvviffig sTvai 



SYNTAX. 



37 



h'ffXtrag d'jro^i^dcmv s7<fuxai 



i^u Tuv ^vXmv, xai ^tacd" 
hitVy %} ^uXarro/iv ml ralg 



rj Tov ^svfiaTog ixihov irriyrif h 
Ifii^ov Zivg TavvfiTidoug i^uv 
ojv6/ia<fsv. 



Note 8. 



Xoyoi fiTiv ihtv tv ixdcroig fifji,£v, 
a; iXwidag 6vo/Md^ou>ev ; 



Note 4. 



sifiXoiUft dt rouTo olg rf[ vcrt- 

roDrov oh aoi scrs^'vl/f xai bu- 
ral <rou tti/as^ov tovtov ixfirmv 
<fvv olg fidXiara ^t\iTg, 



oTt wj¥ ifAoi doxug ev ov irdvv 
&x6\ou6a Xl/fi/v, obdh tsiifir- 
puva olg rh ^^Zrov tXtytg 
Ti^i Tfjg ^firo^ixrig. 



Note 5, 



raig iifii^aig rt xai yg6^V 
v^otfyiXf n xai dciea^irat 
Tdvrag, ^ oiv wt^trvy^dvp ; 



Jv ro{ir(f) dt dwoffrsWouci xai 
ig Tfiv Aaxida^aova vr^sgQtig 
T^ifl^sif \a66vTsg rh ruv 'A^ij- 
vatoiiv vavTixSvj o2' w^fiovv iv 
rfi MaXstf, 



Rule VI. 



fiifd 6t t6 dciVvoy irv^ov tv 
*Ti^inpdT(fi hrig ir^h rm St' 
Xa>v Il§6^tvog xai HivofZv, 

rauruj itfoig di xai in rohrtav 
*r\tiu &^acufLa^6g rt xai 
dWog vo\i rig Ws^ BixaiO' 
6V¥ng n xai ddixiag Xiyoitv 
&v, fitraor^ifovrtg auroTv rvjv 
dv¥afiiv, 

xai Si/Aotrav xai ds^idg sdotfav 



Tt(f(fafs^vfjg xai o rr^g /Sao*/- 
"Kitag yMvaixhg ddt\f6g rolg 
TA/y *£XX^v(iDV cr^arr^yoig xai 
\oyayolg^ xai t'KaZo^ ^a^d 
rm 'EXX^voiy. 

'Bomroi hi {dmcrv'Kav) r^/a- 
xocio\jg oiF%Jrag^ &v ^^;^ov 
Bsvuf rt xai N/xwv ©9}Caro/y 
xai * Hyrjffavd^og Qttfiritvg, 

rfi fih ouv KSvmt dixa vaD^ b 



38 



KEY TO GREEK GRAMMATICAL EXERCISES. 



AfifAotf0i¥7ig xa) 6 'Ev^vfisd(a¥ 
rai altera d^ht irXsohffai 

irou(fi 'jr^hg rd'g iv rjj Nau- 
vdxrtf). 
i rs sX'jrig xai 6 l^ug M 'xavri, 

ivTif xai 6 fih r))v ImZokv^v 
ixp^ovTt^ojVf fi ds r^v tv^o^iav 
rrig rv^vjg v'XorihTffay 'tXbi- 

xarSi 6t rhv avrhv Xi^^^^i ^^ 
ravra iyiyviro^ xai Eugu- 
liibm xai So^oxX^;^ iwvbfi 



Ix rr^g IIuXou aT?^ay Ig rtiv 
S/xsX/av itavdiy 'A^9jva/&i», 
afixofievot eg Ke^xv^av e(f- 
r^drtvffav fizrd rwv Ix rr^g 
irSKscag M rovg b rp 0£g/ 
rr^g 'itrrmvig Ke^xv^atOi)¥ xo- 
^id^vfAevovg. 
fAtrd de roZro B^atf/dag xat ro 
(fr^anv/ia Ip^wgoun eyyure^oi 
rng ^aXa(r(r9]g xai r^g ruv 
Miya^suv t^Xew;, xaixara- 

'ira^aTa^djtievoi ))tf'u;^a^ov. 



ffy 6* fj fiaxa^ta, fiaxdptSg &* 6 
(fhg iroff/g, ijxsTov ef fif/^ag 
d6Xiug 'jfiir^ayoTag. Poet, 

ovg*Hdod6g re xai" OjiAfi^og li/ujv 
iXeysTTif^xai oi &X\oi iroifiraL 

&XX* f Tikg 'Ssffro^og xa/' Odu<r- 



Note 1. 

ctug rt^yag /aSvov 'jrs^i \6yoitv 
dxTJxoagf ag sv *IX/^ erp^oXa- 

K^tTtag rs xai 'AXxt^iddrig 
vrXeTtfra xaxd riiv nroktv siroi* 
flifdrfi¥. 



Note 2. 



iwsi xai lyi) xai cii iroKKd h^ 
roD d^iCxsiv mxa rff frSXei 
xai tlncdfLiv xai i'fr^d^afisv, 

obx &XYix6aTe-6v rs xai 'Stfif/itag 
irt^i rm rotourm <E>/XoXa^ 
Gvyysyovoreg ; 

tiaxovfJi'Sda &^aj ^v 8* iyw, xoivjj 
sy(a rs xai tfu, sdv rig aurd pfi 
ri lifLmibriy 7i Biavra ij Il/r- 



rax^v st^fixsvai Ij riv' aXXov 

rojv (fo^Sfv rs xai fiaxa^ieav 

avo^uv, 
ovx sfffisv 'Totfirai syui rs xai 

(fv sv rf) 'ffa^ovrif dXK* o/x/tf- 

rai ^oksbig* 
dya*irdv ;^^, fisfAyfifisvov ug o 

Xsyuv syu bfisTg rs 0/ x^irai 

fhaiv avd^uwYiv s^ofjksv. 



Note 3. 



^v fisv yd^ xSfffAios xai svxoXoi 
fiSftf/, xai rh yfj^ag fisr^iug 
8(friv Mirovor si ds firi^ xai 
yfj^ag xai nSrv^g p^aXe^n) r^ 
rotohri^ ^vfjkQahsu 



^atfiXsvg is xai o/ (fuv avrff 
btiiixm s}<t*iriiFrsi sig rh Ku. 
£s/ov (fr^arSirsdov. 



SYNTAX. 



39 



Note 4. 



iig b\ ifbs 'Tarsia rt xa/ /iniri^a 
xai &6sXf)o\jg xai r^v iaurov 
yvvaTxa at^aT^utrovi yiyi" 
vflfisvovi, eddx^ufftv. 



r«, xai ou;^ laurp-^— , ouri 
coi/tLarog xaXXog xa/ /0%(); 
ds/X^ xai xaxifi ^vvoixoufra 
v^i'Tovra famraij d7X &- 



Rule VII. 



ro^6rag yd^ Tcivrag irtiroifixi 

rovQ ir^oaxui^ovQ. 
'>\/Bv6uvvfi,ug tre dat/iAovt^ II^o- 

fif^&ka xa'KoZdiv, Poet* 
fi ou toZto X^^9jv "Kiynfitiv, iitiff- 

xXs'ffrfig a^a rtg h dixaiog, ug 

soixiv, ava'jrs^avrai, 
pfkog fJAv 6^ rovrtf) r(p 'K6y(f) o 

ayaQlg i<fTat, i^d^hg dt 6 

'rovri^6g. 
&x6\a(fToy itf^i yXuffffaVj a/- 

o^hrfiv v6<fo¥. Poet 
2T^6pog fjXaasv fi M (iixm 

^vydda ^vfiu&sig rarfj^, P. 
i^p^sra/ ds (To/ 'TTix^hv ^iafia, 

xai 'jT^Sao-^ig &&\ia. Poet, 
MtveT^aog 6 xaxSg, 6 cr^od^ryj; 

rovficv 'jrar^Sg, 
lea^divoi rs xai ddfAa^raj 6uo 

v9x^^ xar^'vpsra/. Poet* 
xa\2j ds avTov iyu rh xtfd- 

Xa/ov xoXaxsiav. 
id' dvri ^oXXwv hri fiot cra^a- 

"^^X^i ^^^'^> rt6^¥fif fidx' 
T^oVf fiyi/A^v bbov. Poet, 
iHg 6t xtxSfiixsy W auri roZro 
d^yhpov }xay6v, lififitiag b 



flrapA bt * Wirox^drovg roD M/v- 
od^ou iirttrroXiojg tig Aaxf- 
balfAOva y^dfjbfiara vtfjk^' 
6ivTa idKuifav, 

xai rh /itXsrfjfia aurh ro\ir6 
€<fri Tuv p'Ktc6^m^ \{j€tg xai 
y/a^i(Sfihg '^nyy^g d'^rh ctiiitta- 
rog, 

xai roi^g /ih aWoug a/;^a- 
Xutrovg Q^dtfuWog i;^ 'A^^« 
va; diTi'frifi'^i 'jrdvragj 'AX- 
xi^idbriv bs *A$fivaTov, 'AX- 
x/Ztdbou iivra dyf^tiv xai 
^v/ifuydbay dwiXvffsv, 

xai ivivg f{j\axag xaraXivov- 
Ttg xai CT^ar^yh iiri roTg 
fiivovci ^o^ahiTov rhv 'Srufi^ 
^dX/ov, iTo^idovTO ixpyreg ^- 
ytfiSya rhv dXSvra dvd^uiroy, 

ouxovy d^tr^y fitly ^vvi^u^7i<fa^ 
fifv "^v^rig iJyai btxaioffvvriVf 
xaxiay bl dbixiav ; 

iyTiZhy b* iiro^Mfi6av buo (rra6* 
fioijg neaiaadyyag i^ra, xai 
fiXdov M ^aXarray tig T§a- 
'jTi^ovvra ^6\iv *EXXjjv/3a, 
otxov/Msyriy iv rfi Ev^s/v^ 
Il6yT(ffy S/fMcrsMv d^oixiav h 
rfi K6>.x<^y X^Vh 



40 



KBY TO GBBBK GRAMMATICAL EXERCISES. 



yfiiy tfrei^ovra, xaivojv ayyi- 
Aon ^ovXtvfAdreav, Poet, 

^fjvfagy Xsyei xaKttfrviv bat" 
fiovcav ir€fUK»vai. Poet, 



6 di fToXsfiog v^sXuv ri^v eucro- 
^/av Tov xa&* ri/is^av^ fiiaiog 
diBaffxaXog, xai T^hg rd *jra- 
^ovra rdg l^ydg rZv voXXZv 
ofiotoT. 

av6ig ds 6 'Stxiag exiXius xai 
e^itfraro rr^g hici IIuX^ af%?? 
xa) fidgTM^ag roxig 'A^nvasovg 



Rule VIII. 



rig dnr otv avi^hg £Vfisvstav ix- 

^dXoi rotoud* ; Poet, 
votruv d' dfiffiy^dvoiiy ^vydg ^vji/ir- 

ir6p^a<frau Poet, 
T^ flrav iro^iiag ^58 r'^fi axTj- 

X06V, Poet, 
d'jrodog bdfiagrog vsxuv, ^irwg 

y(Ui6bi rd^(fj. Poet, 
afjka ds TTig rs 'IraXiag xa) 

^ixeXiag xaXug s^aivsro au' 

roTg fj vf^fsog h ^a^dirXtf) xiTc- 
' &ai. 
d^X^ 5* s6r) rrig ^iui^iag, lira- 

bdv h h^sug roD *A'r6'KXmog 

(frs'^fl Tfiv 'jr^vfivav rou tXoh 

^^odidofAai, X0VX6T iidh sK^irU 
de^y 0^97 rga'jrofityog^ ^dvarov 
*A^yg/«v ^byui. Poet. 

h ;^f»j/Ao^r«v xaraffxivji avtf^w- 
'jTov xaxtav dXXviv rivd ho^ag 
^ irsvtav; 

/itfl^o^v^v M Ttva Tiihvg ev^Tixs- 
vaiy (u<fT€ (pam6&ai roTg ovx 
iid6(fi fiaXXov eldevai rm si- 
dSruv. 

Xoyog fjth i^r d^^^Tbg dvd^oj^ 
^m ^avtig, ug ovx otv aim 



exfidQoig ^^oruv, 'jr^h ay'^avr^ * 
rig. Poet, 
aTTiaXovTO 61 run fikv 'A^fivaiojv 
vfisg vsvn xai %1xoctv axtroTg 
dv8^d(fiv exrhg hXtyuv ruv 

^oiQou d* ddiXpriv *A^rEyC6/v, 
At^g x6^7^v TifioLy fLsyt^riv 
da/fiovojv iiyovfjksvog. Poet, 

fj rag' iXoififi^v dxXiv^g^ dvuiyu- 
fLog, xa) fLfjrs mvrag fir^rt yri 
de^aiT6 fiov odpxag ^avovrog^ 
ii xaxdg 'Ts^vx dv?}^. Poet. 

ovd* S^xov ouds nrisTtv ohbi fj^dy- 
rsuv ^^fiag sXsy^ag cHx^irov 
sx^aXiTg fis yrig ; Poet, 

voT yrig avaxra rijtfdi Qfiifsa 
fLoXiiV sv^oifi aVj Si yvvaTxig; 
g/^gp 7ffrg, jiio/ (TTifjL^vaT' d^a 
Tuivoi du/Mdrcfiv sffea ; Poet. 

ouds yd§ ^ufL'rdtffi rfl (fr^anf 
bvvaifiii* av p^g^tfgo'^a/, d^a- 
vaXuxviag rrjg ^vXaxvig tmv 
TiixSiv fis^og ri TOV otX/t/xoD. 

h^m rg idputfsig xa) ^ufftat xa) 
dXXai ^2uv rg xa) dat/nSvuv 
xa) vi^wuv ^s^a'TTtTatj tsXsu- 
rtitrdvruv rg aJ ^?xa/. 



SYNTAX. 



41 









Note 1. 



iymro dl xai irt^i rZf tfrav^Zv 
ou^ 0/ 'Su^axStftot 'jr^h rm ^a- 






Note 2. 



xai A^ixovro ixraTot tig X^ixfS- 
^o\tv TTJi XaXxTiBovtag, ^ 

xai Tfi "A^rcf^ Stfrs^ xai roitg 
Axovriffrdg duvdorrig eiDv cra- 



£f(rp^8v avroTg^ avavwadfiivof 
riva iraXaidv ^/X/av a^/x- 
voDvra/ eg MtTair6vTtov rtig 
*lra\iag. 



Rule IX. 



xai avroi W/ fiiya i^oj^fjtfav 
dvvdfitug, 

rh Tijig irSXtug ytwaTov xai *- 

XCU^E^OV S<fTI. 

tt fiivroi r6rt irXs/ovg tfuvsXgyjj- 

ifaVf ixivdvvsvffiv av diafda^fj- 

vai '/roXv rou (rr^anufLarog. 
0/ dt "EXXyjve^ aff^aXaig irogiu-' 

6jiitvoi rh XotThv rvfg rifjbs^ag 

A^txovro M rhv T/ygijra ato- 

Tafi6v, 
6 d* dg ToaoZroy fiu^iag 6t,<pi- 

xtro. Poet, 
'jrapd TOffouTov fih "Sv^dxovffai 

ijX^ov x/vduvou. 
lyoi) yd^ tig rovr ixCgCijx* aX- 

yrid6vog. Poet, 
ovKouv S ri av avruv supu/mv iv 

avTJiy rh W^Xo/^ov stfrai rh 

ou^ iu^ri/ASvov, 
rfi d* btfrijfaio^ 0/ fih ^AdrivaTot 



m^i'jrXiiitfavrig ig rh w^hg 
'Ixiuivfig r6 rt 'r^odffrttov s% 
Xov xai riiv Yifis^av dvacav 
idjiovv rijv y^v, ovdsvhg irrt^h 
6vrogj fv yd^ rt %a} era^iaC" 
fAov iv rfi T^Xs/. 

xai h Afi/ioffdevrig ivQvg li^/ou 
rii^t^8(f6ai rh ;^w^/ov, xai 
d^s^aivi 7oXX])v suiro^iav ^u- 
Xuv rt xai "kidm^ xai fb^ti 
xa^rt^hv b^ xai hfifiov avro 
rt xai sTi ffoXO rij g yw^aj. 

0/ 6t 'AdfivaTot 'ToXv ivi^^uffdiv* 
rtg did riiv ruv MuriXfivaieav 
fltfv^iav ^v/ifid^ovg rt nr^oC" 
fxaXouv, oH ^0X1) ^a^oov ^a- 
^fiftav b^(itvrtg ohhtv t(Syy^^v 
dnrh rm AtcZiuiv^ xai wt^to^" 
fiiffdfitvor r^ 'jr^hg v6rov rffg 
v6\tug trti^iaav trr^arSTrtda 
d{/o ixars^udtv rfg ^^Xsw;, 
xai robg i<p6^fiovg tir* diifn^ 
ri^oig roTg \tfjttm sVo/oDvro. 



42 



KEY TO GREEK GRAMMATICAL EXERCISES. 



BULE X. 



Xmv. Poet, 
U'jroirrog ^v di) T^w'ix^g aXut* 

(ftug. Poet, 
^sXu d* a'id^ig fi,a\Xov ij (fofhg 

xaxuv iTvai, Poet, 
Tag 8 T M y^g xai vr^ y^g 

j^^utf^g aP€T^g ovx avrd^tog, 
f/i'Tsi^og ya^ sifii xai rrig p^w- 

^a^ rZv 'na^\a,y6v(av xai rrig 

dvvdfAiug, 
dt fiii iar^6g ye driTou dvivid- 

oZrog hi 6 tkeyxog ohhivhg a^tSg 
lari 'jrpbg rtiv dXridetav. 

oZrog vfiuv (ropuiTaT6g edriv^ ^tf- 
Tig uff'rrs^ iuxgdrTig tyvcaxsvy 
Srt ovBsvbg &^i6g hTt rf[ dtXjj- 
6eiff 'rr^og ffo^iav, 

xai ikv fish ye xard ^dXarrav 
ri Ifiiieo^ia yiyvrirat, ffv^vZv 
xai aXXcav ir^odberictrai ruv 
s'rt(fTrif/*6voijv rrig 'Tteg) ttiv ^a- 
Xarrav hyafftag* 

ro\j 'rdvTUV T^hiffrov axoLff/narog^ 
eiraivoM (feaurrig, avrjxoog el, 
xai Tov 'jrdvTcav rjdiffrou ^«a- 
fiarog ddearog. 



i/ioi fiev d^ ^lux^drrig rotovrog 
(bv eh6xet rifivig a^tog eJvca 
TJi ToKet fiaWov i) ^avdrov, 

xai ydp lea^agxexiadTixh ru¥ 
eig rbv leoKefiov rhv sr^arr^yh 
eJvai p^gij xai ^ogtifTtxhv rSiv 
e'fftTfideiciiv roTg (fr^ariutratg, 

v*rvov syx^ar^ eTvai^ uffre 50- 
vaifdai xai 6'>\^e xoifiridrivai 
xai nr^uit dvaffryivai xai ay- 
^vrvfj <raiy el ri dsoi, 

el Irby/ave Vo^yiag i^rttrrri/LOjv 
cSy T^g Ts^vTig ^6iee^ h dcSsX- 
^hg ahroZ *H^^d/xo^, riva gSk 
axiTov uvofid^ofiev d/xa/wg ; 

o7ei rivd ^avdrov ddeij e(fe<f&ai 
xai h raTg /tid^aig a/^^tfgtf- 
0a/ 'T^h fJTTTig re xai dovXetag 
^dvarov ; 

6f&ri(ferai de fiaX6ax6v nva xai 
oil (fre^ehv d/ojxojv, ovd* Iv ^- 
X/(fJXa0a§^ red^afi/MsvoVj dX>.' 
U'rh (fufifLiyeT (fx/^j vovuv fLsv 
avdpeiuv xai tdpuiTCiiV EfiPuy 
a^rg/^ov, tfiirei^ov oe a^xaXrig 
xai dvdvdpou dia/ri^g, 

ug 8e vfieTg fiaXXSv re rid/x^^ 
xare Tovg "EXXrivag xai a§- 
/(jjre^oi iffre irddtig Z^Ti^iag^ 
m'ei^atrof/^eda d^jro^ainiv. 



Note, 



dvaXXaxreov ahrov xai aurfi 

rfi "v^y^^ ^eareov alrd rd 

'jr^dyfitara, 
&v ds vvv Xsyovift roug froXXovg 

ix^Xrireov, 
&XXd Tfiv re ^uy^af/av x/vriT6ov 

xai Tfiv vroixiXiav, xai p^^utfoV 



xai sXs^avra xai *ffdvTa ra 
Toiavra xrTjreov, 
leo^evreov d* tifiTv rovg ir^wrduc 
ffTa&f/,ovg iig &v bvvojfie^a 
fiax^ordrovgy ha otg 'ffXettsrof 
dfroffiraffdu/iev ro\j jSatf/X/xou 
ffr^are{)iMarog4 



SYNTAX. 



43 



ovn * O/ifi^ov our aXXou 4ro/»j- 






Rule XL 



TtViQ auT^, 
<rvyriKoXo{)&7i(fav d^ xa/ rZv olfX- 

^Kjjrwi' yA^ ohbiii icriv sldai- 

fAuv &vf}^. Poet, 
fj fi,ty/<fT7i TUV vSffMv &vai6iia, 
sxi'Kiufftv avrhv 'Kafjb^dvstv /Mi^og 

TUff ixdtfrov ruv 7iyifi6vm» 
6j ^so/, r/ \t{)(f<fu ; rtva dido^xa 

¥tprs^ci)¥ ; Poet, 

ledctit roDds roZ i/sx^oD. P. 
lav 3i r6;^>j -Tavrwp &(f6m(frar 

rog lav, 
ruv dh avd^uv 0} fih ^Xt/bro/ 

i^sfvyov^ 0/ d* i^uy^^dviffav, 
xai ours imdtro ovodg ovdafJbS- 

hv, ovrs 'T^hg n)p yipv^av 

ovdiig f'KQi tuv ToXtfLtuiv, 
TOTt^ov o5v (piv^n rag re «uvo- 

fiovfjbivag 'jr6\iig not,} ruv av- 

d^ojv rovg KOfffLiUTdrovg ; 

rf/ywv, s/g *A6^v(ig t^Xtvffi 
ravra i^ayyi'K£v xai tfr^a- 
rtSiv xa/ yaD^ ahritfuv. 

sfvyov dl xaxiT 0/ 'AdrivaToi, 
xa/ dc7oDXoi/ro aurw v o;^ r^/a- 
x6(fiot, 

ivriv0iv di T^v i^fnovaav rijtii^av 
BXriv iTo^sUvro dtd ^/^I'o;, 
xai 4roXXo/ rutv dvd^ia'Tuv 
iZo\)'Kifiifa<Sav, 



sl^rovro d* ahroTg xai ruv *EX- 
Xtivuv rivig^ oh ra^6ivrsg bwh 
ruv (fr^arrtyuv aXkdt, a^flra- 
yrig svtxtv, 

0/ d* *A6fivaToi, ug obdh ridOvavro 
dtair^d^ac0at xar idyjiVy s- 
fCiiedv rtvag ruv Bv^avrtuv 
irpodovvat r^v ie6\iv, 

c/ a^a rouruv at filv uytsiav 
iroioZciv iv rip afafiart 9] ta^vv 
99 &X\riv rivd a^sr^v. 

r6ri 3»j (fuXkiyivrtg rivig ruv 
Ka^doO^uv roTg rtXiuraioig 
imitvro, xai dmxnivdv rivag 
xai "Kidoig xai ro^ibtia^i xo- 
rir^ucav, 

%vixa h* f^v Bstkfi i^a'rr/vrig 0/ 
'iro'KiliiOi iirifaivovrai iv r^ 
Tt8i(f)j xai ruv 'BWrivuv xa- 
rexo'^i^dv rivag ruv iffxtdatf- 
fihuv sv r^ irtd/if) xa^ a^- 
flrayjjv. 

xai iy^ rhv fi/lv &v6§a ro<fo\jrc¥ 
lyiyvudxov Brt %lg rifAUV s7fi* 
nvdyxaca ht <s\ roZrov ayiiv^ 
ug fi^ ait6\otro* xai ydg, ug 
iy^ oTfLaij 'iroKs/Mtoi fifii^t ifti^ 
irovro, 

ovru 6^ iyuyi ffifit "E^wra 
Sswv xai v^ic^hrarov xai 
rtfiturarov xai xv^sfijrarov 
tTvai tig d^trrig xai thhah 
fioviag xrriffiv dvd^tiiieotg xai 
Xfici xai rsXsur^(ra(r/y. 



44 



KEY TO GREEK GRAMMATICAL EXERCISES. 



m; a^a ly^ ou;^ ol6g r il/jki 

fiofidfi<fai oure sfiaurfi ours 
Tuv ^tXuv ovdivi oude rZv oU 
XEiwv, oud* ixeZidai sx ruv 
fAsyitrrw xtvdxtvuv. 

ru9 rs h IleXoirovvfitftf) leoKtoiv 
v'T<ij'ffTiv6v rtvag GC^otfr^tfetf- 
Oat ^x^hg roijg *A^yBtovg, 

o^rog fABv roivvVj fjv 6* tyuij elg 
av t7fi roSv vs^i ^eoijg vSfiuv 
rs xai r{f'ruvy sv f dertffn 
Tovg Ts Xeyovrag Xsyttv xai 
Totjg voiouvrag nronTv fi,^ flrav- 



&dvvaroy a^cc, efi^v^ xai ^sfi 
s^iXe/y aur^j' aWotovv^ aXX', 
itg eoixi, xdWidrog xai Si^itf- 
Tog cSv sig rh dvvardv ixadrog 
auruv fjkUii ati airXoSg ev rp 

TfivB* aprixev fifis^av fisTvat fu\ 
h fi r^iTg ruv efiuv £;^tffwv 
vsK^ovg ^ri<fut, 'Tarsia rs xai 
xS^riv "Tooiv r s/mSv. Poet, 



Rule XII. 



r/ t6v ^soTg s^0i(fTov ov ffruysTg 

^s6v ; Poet. 
rourov y&p 'rr^urov fih o sfihg 

'TCarri^ s^axiv b^rixoov ihai 

oh dioiffovrai xai fiKf^ffovtfi xai 
sp^^^o/ stfovra/ aXX^Xoig rs 
xai ToTg bixahtg ; 

fisradidufft 6^ aXkog aXX^, s/ 
r/ fisradtdbxriv, 5) furaXa/jr- 
Qa¥6iy o/SfAivog ai/rp &/j,sivov 
that. 

€Ti ovv av ysvoio r^ sfi,^ adsXofi 
woXe/itog, i/Aoi ds fiXog xai 
'jr/ffTog ; 

ira^ii, rip fih y&^ iroday^uvreg 
xai yaffr^ttidsig xai nea'/ji- 
xvriikoi xai iriovsg dm atfeX- 
yoSg, wag efioi d* iff^voi xai 
(f^rixwdstg xai roTg «;^^£o7i; 
avtagoi. Poet. 

Xi^ 3s ^ivov fih xdgra ntgady^u- 
giN iFoKUt old* dtfroV five(r\ 
oartg avdddrig ysyutg ^/x- 



phg *xoKiraig hriv afi^a&tag 
'j'TTo, Poet, 

ri ouv, f^v d* iyut, troiTiCOfiiiv \ 
'TTohv &fLa 'ffgaov xai fj*sya- 
X6&MfiiOv riQog ivg7j(fofi,sv ; s- 
vavria ydg 'irov ^ufi/OetdeT 
wgasTa ^l<fig, 

vvv fiih ydg srsgotg vfi,iTg i^jTsg" 
Xidh dsivoi* iv sxeh(f) dh rp 
xaigSij ors iraat douXeiav i- 
*ffi(pzgiv 6 jSa^Cago^, oib^ fAsr 
avrov fffav. 

ravra 8s d/i^Srega ^sfi£vog m- 
fioXoyriffsv av ivtors rovg 
xgsirrovg rd abroTg d^uyct- 
^oga xsXevstv rovg fjrrovg rs 
xai dg^ofisvoug 'XOisT^. 

fAfldstg fAs (pavXriv x&ffhvrj vofii^ 
^sruy fifid* Tjffv^aiaVy dXXd 
^arsgov rgSftoVj jSa^s/btv 1;^- 
&goTg, xai fiXotffiv svfisvi^j ruv 
yd§ roiovruv svxKisffrarog 
S/og. Poet. 

si y&g 6gdug s'Ksyoiisv a^Ts, xai 



SYNTAX. 



45 



hri r6 yi ro/oDrov lar^oTg do- 

vuv /xsy yd.^ vfi,7y 6 drj/MCQ sv 
frdsatg ra7gir6'kt(St}ft{iVfiMi lorl 



iMg, %ai Trig Avrixa^Kfra" 
fiivf^g v6\sMg rh v\ii$og ^C/m- 
fiayov t^ovng eg ir6\ifi,ov 



Note. 



Kay (At roif ouBtvhg vfjbuv ovn 



¥ * 



flUt/Afl ir^opepuvj olfT tOTvxf(f xiMvtf) rotg ^auXor<£ro/; a/- 
bonm crou uffrt^Sg rov tfvai u^ovfiai, 
xar6i rhv Ihiav /S/ov, xa) tg 



Rule XIII. 



ivrMiv bt i^iro^Mriifav ^/A rrjg 
Mf^btccg ffrad/MOijg e^ijfiovg gj, 
^a^affdyyag r^sdxovray %ig 
rag Tla^utfanbog xutjtAag, rijg 
Ku^ou xai ^agiXeug firirp6g. 

9IV yu^ atrag ovo r\ r^iuv t}/i/i,i^MV 
odh¥ dneLcx^^^h ^^xgr/ i^^ 
bvyrirat ^aff/Xsdg rifiag xara- 
XaCgTi'. 

dirix^i bs jj AtxeXtta, ffrab/ovg 
fidXiffra Tfig rm 'Adrivaiuv 
v6\fOtig f7xo<ri xa) ixarov, 
^a^a^X^ff/ov b't xai ov ^oXXfJ 
vXiov xai dvh rvig BoiUTiag. 

itg iZ 1(f0ty Sti t/MOiytf offov at 



SiXkai at xard rh </6Sfia ))- 
bovai d^ofAa^ahovratj roffou' 
rov au^ovrat ai atj^/ roug X^ 
yovg ifrihfAiat n xai iibovat, 

dfrh bi rov aiytaXov roirou, 
h6a at vf[tg xarfcrp^ov, fi fisv 
X(AiiMfi avrvi bufbsxa trrabtovg 
dirix^i, fi bs Ko^tv6im iF6'Kig 
i^Tixovra, b bt 'IffBfihg i/xoff/. 

i<fri bt fi vftfog Tlapsm dvoixia, 
Aflr6;i^ou(ra r^g A/i^twS'kiUig 
Tifi/ffiog rjfjbspag flrXoDv. 

6 ds aiyXog buvarat i'/rrd 6Cq- 
Xovg xai rifJbtu^6>JOV 'Arri- 
xoug. 



Rule XIV 



S(f(f) xpariffrov xrr^fidrm jOCou- 

X/a. Poet. 
dytfCi7\fj Sff(fj d^Xtdjre^Sv sen fiii 



byiovg ffojfiarog fii lynt'^V' 

Xfi tfvvo/xj/V. 
8(f(fi bs fiahXov in<friOwj roerou- 



46 



KEY TO GREEK GRAMMATICAL EXERCISES. 



0/ ds UiXoirovvTiifioi tdovreg rati 
ruv *A&rivam¥ rgtripsig outrag 
irXi/ovg re ^oXKifi «? TPiri^ov 

*iF^hg Hv yriv, 
ro(fS)di y ^(fffov 5j wd^og Ttiroi&a 

dot. Poet, 
voXXfi ye f^aXkov ffavrhv tjifxfi- 

(fag as^stv 5) rovg rexovrag 

offta d^aVj dtxaiog Sjv, 



Avtfaid^og de Tc{ig re ^^ov^ovg 
Tuv 'Adrivaiuv xa) u nvd vox) 
SXXov Ibot 'A^mvaToVj dirsinfji/' 
crsv ftg rdg 'A^^va^, dtdovg 
6xtT(fe fii6vov vXsovtfiv dtf^or- 
Xe/av, oKktidi b* oD, eibitg on 
la{f> av irXsUvg ffvWeyu (ftv 
hig T^ OLdrx) xa) rh Ilg/^a/a, 
^arrov ruv i'lrirTidsiuv evdetav 
sdecQctu 



Rule XV. 



yoMdhg bt x^siijtrwv fAU^/uiv XSyuv 

ff^OToTg. Poet, 
oht ijv xdWiov av To^ytov a'TO- 

x^ha(f&au 
t! 3* ItfW fisTi^ov dya&hv avdgoj- 

iroig uyisiag ; 
ouxoHv $7^^^ rov iar^ou *in&am- 

Ti^og effrai, rou etdSrog ^/tfa- 

vufrsfiog y/yvsrai, 
r/ ouv, s^;j, av eyoi os/^u sre^av 

iLie6x^t6iv ^a^a 'xddag rau- 

rag 'Jti^i dixaioffvvrjg^ ^iXriu 

rovruiv ; 
eho^^g ^dog rSbs xai yaTav ; 

sv roT(fd* oyx hsdT dv^i^ ifiov, 

ovb* ))v fft) fATi ffig, trojf^ov' 

sers^og yiyutg. Poet 
a XX' ttg vXivdcav xal Xi^uv ^g- 

<fiv 6 btxatog ^^vitnfiojre^Sg re 

xal dfisivuv xoivuvhg roD o/- 

xobofitxov ; 
Z flra? ysvoio 'jrarghg guryp^gtf- 

rggof, rd d* aXX' Siioiog' xai 

yivoi oiv ov xaxog. Poet, 



ovxovy Xw^ovvrai (ih xal yai- 
^ovfft xai 0/ ap^ovBg xai o/ 
p^6vtfLoi xai 0/ bsiXoi xai oi 
avd^eToi 'pra^a'jrXrjfficag^ ug cu 
^fiiy A&ocXXov be 0/ beiXoi ruv 
avbgefcav ; 

fffore^ov ovv hiri rh ^sXriov n 
xai xdXKiov iieraQdWet s- 
avrovj ri M rh %£/f ov xai rh 
a/cp^/ov tavTou ; 

vvv bs ySy g^ijv, gz-rgg (fo^ta n 
xai d^erri Ian bixatoffvvT}^ 
^cf,bi(jjg, oJfiat, ^avrjcfsrai xai 
ttr^v^ors^ov dbtxiagj i-rg/S^- 
ws^ strriv d/iia&ta 7} dbixia* 
ovbsig av trt roDro dyvoii- 

ffiliV. 

ovxovv o'Tov Tv^avvog hriv of^p^wF 
dy^iog xai d'ratbevrogj «/ Ttg 
rovTov h rfi voXei voXv /3gX- 
Ticav eiti^ foQoTro b^vov av 
aitrhv b rv^avvog^ xai ro!fr(f) 
1^ d'ravrog ro\j voij ovx dv 
^org bvvatTo (fiXog yivi(r0at; 



SYNTAX. 



47 



Note. 



j(fig fifiipag 'Tsvrtj ix *o/v/- 
rpd* h fifii^(f rs^'4/«* irix^ou 



^^hg bs rovrotg ru¥ fi,h ^Wm 
T^d^sm sw^wv iyxgartTg xa/ 
roiig ^oXXouf yiyyo/tiivovg' ruv 
dfi imdvfiim ruv vt^i rovg 
iraibag xal rdg yvvaTkag, 
xai rovg ^ikricrovg firrufjiti' 
vovg. 



Rule XVL 



iru^e(fTfixiv dy^v fieyag flrX^^jjg 
(frsvayiJ,u)> oubi bax^voiiv xs- 
v6g. Poet. 

ahi Ti bii vvikv^g ffv, xa) ^^daoxtg 
^"Kstag. Poet, 

fjt,^ dsi ouru) 'jri^fi^itg tTvai 

rdg rdfpovg vdarog. 
•j<70'v]//a; b ouv xai bstfiarog 

fAitfrdg yiynraiy xai dvaXo- 

yt^irat ribri xai (fxowiTj 8/ 

rtttd ri TibixTiXiv^ 
nb yd^ leou ivbsa yt ffi<fo/Mtv 

rhv ^ihv xdXKovg ^ d^triig 

that, 
iwsi 6g ra^ZiTg rjD r JIvX^ 

'jF'Keov nfiiig^ syot ttt a^trw 

roDd* iXiu^fi^ov ^oZou. Poet, 



Iv fjt,6vvi yd^ abrfi a^^ovffiv os 
T{jj ovTi vXo\j(fioij ob %^wff/ou, 
aW* 0^ biT rbv tubaifioya 
vXoyrgTy, f^uijg dya6rig rt 
xcci efi^^ovog, 

ug be eJbov r^v ri fjfru^ov bv'Ki' 
ruv 'TTs^i'jr'Kiuv tt^v n vrleovj 
iv n r^ Xifiivi ovtfag rdg 
vaDs xai ovx txrrXeoOffag, 
d'TTo^flffavTsg Inrri xado^fittfuv^ 
raiy r6rt fih ig IT^tor^iv rjjv 
v^ffov, ri oh iro\v diriy(ii ?^»i- 
fiog oZca^ tn:Xt\)6av xai i}ii- 
"kitSavro, 

01 ftih oZv'^lSX'Kfing ncag aurjjy 
iaxriv7i(faVf syyvg 'ra^abiiffov 
fLsydXov xai xaXoD xai da- 
aiog iravromv bivb^tnv. 



Rule XVII. 



&vd^(ti^og r^y bdxrvkov dXys/I 
<j(ivu yd^^ ifri, biiv6g dfAt rab- 



oZrog &^a dyadog rt fVra/ dvri^ 
xai (Tof^g rd fisydXa xai 



48 



KEY TO GREEK QRAMMATTCAL EXERCISES. 



ffrdrfif &dixo\jiJa 0* fifAU¥ ou- 
dtv f(f<rov t'j^Ufi. Poet, 
0/ fAt^i dri (fr^arfiyoi oiirw X»j- 
^0svrsg &vriyfifi6av ug ^adi- 
Xsa, xai airoTfiiVidUrig r6tg 

HoiavTog uthv e^idfix* lycdJ flrore, 
ra^&eig rod* e^dsiv rSiv avaa^ 
ffSvTuv Woj y6(f(f) .xaraffra^ 
^0¥Ta dia^6^(ff mha. Poet, 

a) oik roTg dsifmraig a^roKstfisvai 
^(fav &<}r6Xsx,roiy ^av/Jtdffiat 
rh xdWog xai rh iityf^og, 
fi bs 0*4//; riXexT^ou ovdkv dis- 



X - " 



«b *f ir » 



^^urov fitv ya^ srt irasg guv, ot 
s'jratdeifSTo xa/ trur rp aBeX^fi 
xai ffv¥ ToTg aXXoig ^atffs, 
v&vrtav leayra x^driffrog ho- 

iXti'jroMro ds xai roSv tfT^ariuiroiv 
o7 rs hi^da^iLsvoi virh rrig 
^lovog roxtg hp^akfj^odg, oi re 
virh rou ^^-wp^ouff rovg daxrv- 
Xoug ruv irobuv avoffsffvi'Tortg. 

fx ds rolfruv driXov iffr/v Srt 
irdyrag ^^^ xai roxig su^ugff- 
rt^ovg xai roug dfiZXvrs^ovg 
r^D pOcftVj h oJg otv a^toXoyot 
^oliXmrai ygwtftfa/, raZra 
xai fiav^dyav xai fisXirav. 



Rule XVIII. 



Avd^hg hriv ayahv eZ- irotzh 

roitg ^iXoug, 
wavrd'jratfi ds diro^vv Igri xai 

afJbfi^dvottv, 
v6Xig yd^ ovx i<fff Ting dvd^6g 

M sk^g. Poet. 
ol(s6a^ Srt rhy ^dvarov riyovvrat 

frdyreg o/ aXXoi ruv fifydXatv 

xaxSjy eJyai ; 
dvd^uv ydg (fwf^Svuv /lsv effrh, 

si fi^ doixoTvro, viffv^d^stv. 
xairoi ro y ahiyfi oh^i roh- 

fn6vrog fjv dvd^hg d/s/cTE/V. P, 
Ko^iv6io$ U'jrsde^ayro rriv nfiu- 

j/av, yo,(jL/^ovT£g ov^ ^^^^^ 

tavruv %hat rr^y d^oixiav 9) 

Kt^xv^aitDV, 
xai vixfidivroiiv ruv '2v^axo(fim 

xai rojy ^vfifid^uvj xai vi- 

x^oug vToffmydoug dvsXofLs- 

vuv, xai ruy *Adrivaiuy roo- 
'hv ffTfiffdyroitVf 6 fih Fu- 



Xi'T'irog ^vyxaXstrag rh ar^dr 
rsDfia oux £^7} rh dfid^rrifLa 
IxiUuiy dXX* avrov yivsff&at. 

ou yd^ di) (foj^^oyog dyd^og iariy 
ours bioixuy ours pevysiv a 
fjt,^ '?r^o(frixu, Ji>XX* a oeTxai 
v^dy/iara xai dvQ^u'jrovg 
xai fjdovdg xai Xv'rrag psu- 
yetv xai dtojxuv, 

oiofjbivoi (ffiffty smUat rovg^A^ri- 
yaiovg, xai roiig 'M.tya^^ag 
l*!Ci6rdfLiyoi frspio^oii/Jiievovg 6- 
'^rors^uv fi yfxfi iffrat. 

fro^iuo/Msvag 6s avroTg iy Ko^oj- 
yei(f smrtdsyrai of rs sx rijg 
'O^^ofisyov fvyddsg BoiurSjv, 
xai Aox^oi fitsr avruv, xai 
EuCofMv ^vyddsg^ xai o(fot 
rrig avrfig yvojjiiTig ^aay* xai 
fJi'd^Ti xgarrisayrsg^ roxtg fj^y 
htsp&si^ay rMy*A6fivaiOiiVy roug 
ds i^Siyrag sXaQov. 



SYNTAX. 



49 



RULB XIX. 



8rav dh tovtuv riv^g ^lyfiC* 
oni lirhhvro rfjg IIuXou xarii- 

Xflfjkfiivrig. 
a7<r^tffTov xkUtv avd^hg fiaraiou 

^Xau^' i'Tfi fitv&ov/MSvou, Poet, 

o^6g. Poet, 
'!r6ri oSv ^ '^u^,'^ ryjg a\fi6tiag 

dirrtras ; 
ij-vj/w Tfig ifirigj ug (pjig, x*f^^> 

xai TTJffdi ypaiag va^ritbog. P. 
xai iffug av ridiug ffov dKOuoitv 

ug yiKoitag hx roD btaiitonrv^- 

^tov d'jrsdid^affxtg, 
oiO/iMi yokP (ft &xfixoivai iv roTg 

cufii^otftoig tfd6vruv M^wvojv 

Tovro T^ ffXOXlOV, 



ha xai Tov (fofotj a'}rT6fi9y6g ffov 
dwoXaitfoj, S <fot v^ociffrrj iv 

TOV fith ^o^uCou axiTo) olxouflri 
roiruv ruv &yd^uv fiov'ko/ii- 
VU¥ &XOUSIV idv Tl "KiyviTt, 

xai vug ; rod' o^si ^vfLdruv 
s^scrluv. Poet. 

rovTov 'Kiyovrog ravd^hg thti' 
xouff* iyUf 'rroWuv va^Svruy 
fjka^TV^uVy ug rijg xSpTjg rah- 
rng txari xihog Ku^ur^v ff 

X/av. Poet. 
ahrSgy u (^aiduv^ wa^tyivov 2m- 
x^arti ixshp rji ri/Ms^c^ f 
fd^fjkaxov imsv iv rQ dtfffiu- 
rn^itfi, fi &'KXoM rpu vjxovifag ; 



Rule XX. 



^aidhg ovx &Xyt7^ doxstg. Poet. 
oudi 'raxfffsrat ^6\ov. Poet. 
/jitifAptt Tfjg sfirjg avovffiag. P. 
*£XX)}vixou voXifiou %<tyov 0/ 

^vfiToZ (fu/Marog trv^sg, Adavd- 

TOV di '^v^rig* 
ynfxag K^iovrog iratS og aU 

iSviJkv^ X^ovSg. Poet. 
r^y ouv (fu^^oyufiiVj s^6fit6a au- 

roC. [Poc/. 

c^u xu^ovvra T6ydt ruy iira^iuv. 
favfiffofjbai yd^y ug Tdfou rX^- 

fAUv Tvyu. Poet, 
xai JxeXsus KXca^;^oy yky tov 

ds^iov xi^ug iiyttffOai. 



01 fav'Kot Tuy &y&^u*jruy ruy 
(SufitdTuy f^aXkov ^ Tuy -^v- 
^uy i^utriv. 

$y^ yovVy i^fjj sroifJitSg %tftit xoi- 

vuyuy Trjg fi^d'x/if^* 
flu; r^tfd* ixoZaa irathhg ov fii' 

dtiffo/Mas. Poet. 
ifAOV dt lithnroT a^iudrjru t66s 

'iraT^ifiov dorv J^uvrog o/xfjroD 

Tv^tiy. Poet, 
avrrj rt yi\ ^vvaifiog ovx dXl^- 

jTov /jitS^ou xaxicrov. Poet, 
^iovg jtia^Tv^sratf oiag d/^o/C^; 

f^ 'Idffovog xvgii. Poet, 
ovvu yd^ ri rdXaiva vavirai 

y6uv; Poet. 

c 



50 



KEY TO GREEK GRAMMATICAL EXERCISES. 



ya^ fie ijdTi ruv h^m s'lrtfie- 
Xriifivat, 

ri Tfjg xaxtffrrig daifiovuv iph" 
tfa/ p'koTtfiiag^ itolTi fi^ tfuy*' 
aBixog ti ^so;. Poet. 

^avfiaffrSv, s/ firidh nroioZvrig 
iilieTg roD ^dfra iroiovprogj a 
dsTf ^epifjfisp. 

ui l^oj fisv o/xr^w;* si o /oo/fi 
oiuXSrag rovrovg, doxoTfi av 
TTJg v6ffov *rsf)ivyha/. Poet. 

xai raZra fii^ ^iXouda fAu^a- 
veTg^ yOvatf X^^atfa 6* h^yrig 
xtpdaviTg afishova. Poet, 

vZv ou¥ TifiiTg fih irccvtrdfisvoi rov 
'jTi^iTst^ifffiov 3/A rh "irXfjOog 
rm ivavT/uv f}<rv^A^ofisv, 

a) Bs Isvdexa vfjsg ir^hg rriv *IraX- 
iav s^Xtvffav 'jrvv&avS/iiva/ 
'jrXoTa roTg *A6fivaiotg ysfiov- 
TO, ^fifj/Marcav ^jotf^Xg/V. 

X^i^i ^ ^d' '^i^^y ^i ^^^ lixair- 

dfimXoM, Poet, 
xcti fiou oviffdiv 6 'TtaTg 'KaQ6fL6- 

vog Tou ifiarioVf xtXivn vfiagj 

s(p7j, HoXsfJba^x^g 'Trs^tfishat, 
syiyvdjffxofiiv, ug av^^dj'jruj vs- 

ivx6ri 'rdvruv rm aXXcoy 

xara^^ovoT ydg av avrov 6 ru- 
^avvog xai ovx av 'jrors dig 
'jc^hg pfkov (frovddffi/i. 

It fisv dyairai rou 'rear^Sg^ 5) ^tfa 

/SgCouXgura/, jj hca fcsv^ayi^ 
'rrdvv (foi tfvfA^ovXiCu) tovtov 
fiifitTa6a/. 

ouds/^ ^oTou i'lndyfisTy dXXd 
p^^jjerrou 'jrorou, xai ov tf/rou, 
&>Jkd ;^^»jffroD ffirov frdvrsg 



yd^ &^a Tuv dya6uv svi&u- 
fiovffiv, 

le^hg ravra irXsiovg Bsu^o xi^v- 
xag Xa^^v xai rov ar^arriyhv 
^xf, rov ds aov «v{/of ou oux av 
&T^a^fifiVj liojg av jig^ oloifjrs^ 
eT. Poet. 

dvB^eg oi ^vva^d/Lsvoi rovde rou 
xivdvvov, fiTiBsig vfiuv h Tf[ 
roiqibi avdyxfi ^vvsrig jSoy- 
Xsff&ot) doxih iJvai, IxKoyi^o- 
fitivog dieav rh vs^nifrhg vjfiag 
dtiv6v, 

*Ava^ay6pou oiei xarriyogsTv, u 
^iXi MsXfjrr xai ovtu xara^ 
^^ovsTg ruvde, xai oiu auroug 
dirsi^oug y^afifidruv fTvai. 

dWd fifiVy riv 6* syuf, xaroixhai 
yi aur^y r^v ToXiv^s/g ro/oD- 
rov ro<7roy, o^ lirncaytayififjiv 
fii^ 6s7}(fSTai^ (f^^dSv TI dd'j- 
varov, 

xdv Tivig ir^lg ufiag 7u(fi ^isgitS" 
Cg/c i) s/^tivtig dsofiivoi tj oK- 
"Kov rivog^ xaraxavSvng rov- 
rovg 01 ^ov'K6(j*evoi '/roi^ffovaiv 
vfidg rm "Kiytav firj dxovffai 
rm nr^hg vfiag i6vrav, 

rd^ &v rig ^a^tfoiri, Sri roTg 
o'jrXoig avrZv xai rfi ^Xrjdn 
Wg^^ggo/(fcgy, uon rijv y?y 
dfjovv im^oiruvrig, To7g dg 
akXri yri etrri voXX^, ^g d^ 

' X^^^'i ^OL^ ^* ^oLXdscfigy Sv 
deovrai, swd^ovrai, 

1/ yd^ rj(f6* dvraig tri, ^vyy- 
v(jjffT av fjv 601 Tovh* s^atf^fi' 
vat Xf^^oug. Poet. 

Msratsai rfjg *IXid6og rd crgw- 
ra, iv olg h nroirirr^g ^r}(n rhv 
fikv X^t^tffjy htto&ai rov 'Aya- 
fiifivovog d'lFoXvdai rr^v ^v- 



SYNTAX. 



51 









HULE XXI. 



Kal col au hr{Kdi6(ti 8di^ lyu ws^i 

fi,ifi'>\fOiiT6 fiou Poet, 
ravTfi di rfi yvuifif^ spv} xai 

fahovrai 6* oub* evrauda ^ratf/j 
rfi dvvdfiii yj^r^adiiivot, 

oi(fri TO (fr^drtufia xai avToT; 
roTi " EXkriffi 86^ai vafi'ieoKi) 

tntSTi yccp vug tovto rfi rogav- 
vibi voffTifjbaf ToTg piXoiai f^ri 
'jri'TTOidsyas, Poet. 

oux iffTiv S'lrug ovk Ivi&riCtrai 



rifiTv, 



ov ToTg A^^siv ^ovXcfiivoig fAs/uir' 
^ofiaij aXXob roTg vwaxoutiv 
sroifioTS^oig oZatv, 

vi<poariZi7g ^t/n^vsg sx^u^oufftv 
ehxd^v(fj ^g|P8/' e^iffrarai dt 
vvxrhg aiavi^g xuxXog rfj Xsu- 
xo^mX^ rjfiB^ff. Poet, 

d'Tix^ndfiriy oZv ifiavr^ xai rfi 
Xi^^f^f^} ^^* /*o' Xuff/rsXo/* 

ST i7ff* dyuveg roTg vtuffri vu^- 
^ioigt xai roTffi xfibi{fffafftv ou 
6/iix^oi 'TTovot, Poet. 

ovxouv TO fiiyKSTov a\)T(fi xaxhv 

-^v^^v xai XeXuZruMsviff did 
riiv fififiviffiv rov bsffvorov ; 
fiii oiv &'Kkojg woiii, dXX* ifAol 
Tt X^f /^ou dfrox^iv6fAivog^ xai 
fiii fiovrifffig xai TXa{iXU)va 



r6vdt didd^ai xai rovg cKX- 
\oug. 

sx ravrriffi 6fi rrig s^irdffeojg 
voXkai fitv d^iriyfiiiai fioi 
ytySvaffif xai oJat j^aXswcdJ- 
rarai xai ^a^vrarai. 

ovT otv ^hoitsi roTifi ffotg yx%' 
CatfLt&^ o^v, oZr dv r/ 5g|a/- 
fLBffda, /MTii* fifiTv didov' xaxov 
yd^ dvd^hg 8oj^* ovTiffivovx ip^s/. 
Poet. 

l^dctfi rdb\ it fin ToTg IfJkoTg 
Vfhst \6yoig' ou yd^ rig olx- 
rog orig /m iiiri^x^rai ^vyvig. 
Poet. 

ug ovfTOT aWov dvb^a (f(a<p^o- 
ys(fT$^ov 0'>\/i(rdej Xii fi*^ raur' 
1 11(f) hoxiT'xar^i Poet. 

orav di ;^8//awi/ f xai SaXarra 
fAsyd^fl siri^ifviraif ou^ 6- 
pdrt Eri xai nlfiarog fiovov 
ivixa x'^'Ktirami fiiv 'rgfiJgiifg 
ToTg iv ^^^fqp) x^Xsirahei os 
xu^s^yTj^rig roTg sv w^v/j^vf) ; 

xai gutfi)s ir^h rou (frSfiarog rou 
fiiydXou Xifisvog ivavfid^ovv^ 
xai avTsT^ov dXX^Xo/g M 
fro\v, Of fiiv fitdcaaQai ^ou- 
\6fi0tvo1 rhv ttfrrXovv, 0/ de 
xwX^s/y. 

xai 0/ fji,h '2v^ax6(fioif utg avroTg 
rh iv ToTg Z/xeXor^ vddog 
tymroy smff^^v rh iv$eug 
roTg 'Advivaioig f^/p^f/fs/V. 

r(fi d^ (fiji xai ifi*(fi irai^tfj tru' 
06fLivog 'Axovfiiv^ xard rdg 



52 



KEY TO GREEK GRAMMATICAL EXERCISES. 



Tovg* ^fiffi y6c^ Axoirurs^ovs 
shai Tuv h ToTi h^6fi*oig, 

Ti xai yvvatkeg Wi^i avruv 
shrixSrtg xai ytygaporsg J^g- 

sffrt di Totg afia^rdvoutfi vi^i 
fitXj&oKoyictv xa^a^/Mhg &^x°^^' 
og, h ' Ofd/fi^og fitv ovx ^tf^ero, 
Irnaiyo^og ds, 

ovroi ds ToTg 'A^rivaUsg sQiZofi- 
0^xiffav xarifA^^iOt xai Afi/Jr- 
vtoi xai rw» SiXkuv 6\iyot rt" 
vig ^vfjbfAaxety- 



^ufAfjka^ot f^hroi iyevofisfia ovx 
M xaradouXuKTst rSiv 'EX- 
\7}vu¥ 'A^9jva/o/g, &7y.X* sir 
iXsvdi^uKfii d'^rb rou Mfjdov 
roTg'EWfitfi. 

xai ^^uTov fiih n)v rd^^ov dte- 
QfltfaVy ^ 'Ts^teT^sv avrougj l- 
fTitra 'T^offsfAi^av rp re/^ei 
TU¥ ToXifituv Xa&Svrsg roug 
^6Xaxag. 

iffep^erat eg r^v Mur/X^yi^v xai 
eXsyg roTg ir^osd^oig, on ia- 
CoX^ re d/ia sg rijv 'Arrixfiv 
iffratj xai ai ntftfapaxovra 
vfitg ^agsaonrai^ dg log/ ^ori- 
^ijcat avToTg, 



Note, 



xai Tp fLtv "SiXiCf 'TPOff8i^ofAiv(f) 
fv rd flragdb ru¥ Eytffrasuv, 

ovXj g/ auTp ys <foi povXofAivtft 
stfriv d'JTox^UtitQai^ dXXd ^o- 
Xu av fibiov (fL 



sfAoi fih yap MgX9jtf/(f rfide d^- 
Xov Sri ridofLBvoig dv g/sj, g/ 
vdyrctj d iMX^drrig s^earf^ 
J^gXo/rg \6y(f} d/g^/gvo/. 



Rule XXII. 



xai rovg rm *£XX^yuy tfr^arri' 
yovg gxgXgugy b'^rXtrag dya" 
ysh, 

svravda d^ os Ztxig rid7\6iv sjuir- 

^^ova. 
0/ 5*, gflfg/ ^X6ov w^hg rovg flrgo- 

^vXaxag, s^ijrouv rovg &^ 

^ovrag. 
'jToXvv ds (fvv ifioi ^i^v^h sxirsfir' 

vsi Xdd^a varrip, 
/lird ravra ovrs t^uvra *0§6v' 

T7IV ovrs ri^vfiKora ovdeig sids 

f/rui'jrors. 



iroXXovg d' bdv^fiovg xai ySovg 

dvufeXsTg ^Osy^ji, Poet. 
oi ds Ks^xv^aTot r^v ixsrsiav ovx 

sds^avroj dXX' d'r^dxrovg 

dTSTTSfi ^av, 
oZroi fisv ovvy uffirs^ syii Xsyu, 

9J rivi ovBsv aX^j^g; si^vixaaiv, 
slyo^ dg M^do/ avrb xai Qaci- 

Xfwg 'ir^offfixovrsg rivsg xai 

(fvyysvsTc, ofsdXuffav sv avrfi, 
xai yd^ nroXsfLovg xai (frdffstg 

xai iiidyag ovKsy dXXo wa- 

^gp^g/ fi rb ffufia. 



SYNTAX. 



63 



dXXcb /ivi (ft iFtiCri K^sruiv iroi" 
fLfl vvv 'jri^at¥S rriv doxrifftVy &KX\ 

$ovXevov r6rs. Poet, 
/Lfl tyy^ovicQh rh voffrjfia r?c 

&bixiag WouXoy r^v '^^X^^ 

Toififffi xai aviarov, 
oux &^a o^Tog o^og Idri dtKa/o- 

ffCvf^Sf dXfj^S rs Xiynv xai a 

oiv XdQfj rtg &irobib6vat, 
AaxiBatfj^vioi ds rodg rs Ila^ 

^achvg avTovSfAovgvoiriifavTig 

Kai rh ni^og xa^tXSvrtg diit" 

tv rivt ic^oL^u xai r^hg ri t^yov 
buvanararog ^iXovg u^s^uv 
xai i^O^o^g ^Xdvrstv ; 

ravrtiv ds r^v rdp^oy ^aatXtvg 
fjAyag ro/s? &vri s^xtfiarog^ 
t'Ksthvi 'Tuv^dvtrai Kv^ov ^^o- 
asXa{jvovra. 

raur oSv Xoyi^Sfitvog svhn cnrov- 
bdg fA&Wov tfoMfiriv )) yvv 
rbv 'jr6Xtficv, 

is ds /A^j oli 'jrs^ifiiSvo\j6iv akXoMg 
(fpag d/oXfftra/, dXX* avroi 
^6ri(rovroi,t a£>rd d^dffavrsg* 

0VX0V9 ysvSfisvoi sui^g su^SifAS¥ 
rs xai fixo{iOfASv xai rdg &\- 
Xa; aiff6fi<fttg slx^fttsv ; 

rouroy oiv 'jesi^titfisia nrsi6si¥ fi^ 
dsdisvai rh¥ ^dvarov uifm^ 
rd fio^/MoXuxsia. 

Crdasig yd^ ifod ij ys dbixia 
xai fjjtffi xai litdyag \y d\- 
XriXoig iFa^ixj^ij 4 ^^ d/xa/o* 
ohvTi bfiSvotav xai pXsav. 



fi^ %fixrh tacfi fd^avov di* 19- 
varog, )) xai ru^avvov rSv rs 
yrifLavra xrdvfi^ xd^sirafist^ 
^cii ^vfA^o^dv XdZp rtvd. P. 

Msig vtti'jrors f-vl/f^fi/ ddsxtat 
ovd* s'Tjivstrs dixaioffvyriVf &X^ 
Xojg ri do^ag rs xai rifidg 
xai du^sdg rag air avruv 
yiyvofisvag, 

roTS iri xai syma&Ti In 0/ j8a^ 

'^aisv, 6xyov¥rtg /lij 0/ *£X- 
Xi2Vfl( disXSyrsg rijy ys^v^ay 
fis¥0ti¥ tv rji ¥ri(fifjf i^v/Aara 
t^oyrsg s¥dsv fLt¥ rh¥ T/y^- 
ra, cv^iv ds r^¥ d/(ii^u;^a. 

¥vv ds, Hi j8iXritfri d¥h^m, siesihii 
eijfisy aurhg &^ri d^x** ^^<^^~ 
rsi¥ rd rfjg ^6XsMg fK^dyfia" 
ray sfis hs ^a^axa\sTg xai 
ovsidi^sig, Srs ou ir^drru, oux 
i'}ri(fxs'>if6fis6a dW^Xovg ; 

x6(rfJtO¥ fis¥ dvdpdg ouny dv r^U 
CaifA sy(ii^ ovb* skxMTMd yiy- 
¥srai rd aiifiara* \6^oi ds 
xwdat¥ r o& daxvouff* £v<u ha- 
^6g. Poet. 

siFsi dis KZ^og rs&¥fixs¥y ours jSa- 
(fi\s7 dyriicotoijfAsda rfjg d^ 
X^ff our s<m¥ Brov iVfxa 
pouXotfAS^ &¥ r^v fia^iKmg 
p^cu^av xaxM( voish. 

v6rs^o¥ u^d'>\/u hoiifia vvfAfixhy 
fFu^i. 9) ^vixrh MtfM fdcya¥(i¥ 
hi fjvrarogf ifiyfi hSfioug sh" 
Caa', h* scr^urai X«;^of. P. 



Note, 



A^avrsg hs d*K aurm dpfxo¥ro 
f; U^affidg rrig Aaxwv/xfj;, 



irSTuiffAa i^i^a\d<fiftov, xai 
rfjg rs yrig srsfioVj xai auri 



54 



KEY TO GRBEK GRAMMATICAL EXERCISES. 



(fav, 

T^v *EXu^ivriv odov, xai ui tx 

eg r% rh ' OXufi'iraTov SfAcag 



avTo^t, xiVfiouffi' xat oi Xot- 
X/v. 



HULE XXIII. 



ours ^(fyjjvovTO atifx^vfiv, 

yeXuv; Poet, 
Xsyovai 6* Ti/Mag, ug axhduvov 

^tov tfSjfJbiv xar oijxovg. Poet, 
0ri(fivg Ti¥* T^fMa^rriXiv eg tf' 

cLfLa^/av ; Poet, 
oh di^ra* 'xAyrotg oxt vfdoifi av 

oug fiti ost, fAarrjv o av o^ 

xovg CMyyiOLifi o\jg (iijtji>o<ra,P, 
tlfLiig yd^ ifou hixaiai iCfitv x/v- 

b\)v%hitit roDroy rh xivdvvov 

xctiy tdv dsfi, in rovrou fi,ii- 

^ivToxxSi h\ fi5 ys^ais Tei^iffia, 
p^oruv y' 0/ woXXA duvoi 
ipTtiifiiar eucxi^' Poet, 



i. .**.. 1. 



dio§t^s(f6atf aXk* ou jS/ou d/a- 
yuytlVy f av diayo/iievog V%- 
a(fTog fifAuv "kuffireXitfrdrriv 

vDv bsy s'jrudfi Boictiroi ^gouxa- 
\BffavrOj iv0yg v^xouffafiev 
xai ho/ii^ofitv ATotfr^ffsffBat 
di'r'Kviv d^otrratfiv. 

rfi de Ao^ic^y 8g ^gtfT/y^g? r^/- 
vobog sx p^^ufl'^iXarov, fie/ir- 
•vf/iy dtxfitav fitifJk^o/Lat rain 
TT^y, Brt }ar^6g cIDv xal fitAvrigj 
ug ^affiVy ao^og, iLtKayyo- 
'kmr d^eirt/M'^s fiou rhv deth 
wSrfiv, Poet, 



Note, 



r/V o^xov h^xiiidug nroff rifAag ; P. 

upxojffav 'xdvrag robg (fr^aritii- 
rag rovg /isyierovg S^xou^, 
xai auTovg rovg ex rrig oX/- 
ya^X^ag /idXiaray fj fiii v bvi- 



fA0x^ari)(ft(f6at re xa) bfjkavwi- 
ffg/v, xai rh v^hg IlsXoff'oyyi}- 
6hvg ^SXefiov ir^o6vfJbug .dioU 
ceiv. 



Rule XXIV. 



ou fAeya/^o) roude (fot du^fifia^ TTJg ruv ^EXk^vuv eXevOs^iag 
rog. Poet, icaoayui^aat ^thj^iCKt^^ 



SYNTAX. 



55 



eiruy xai iroruv xai ucrvou 

aydyxri xai rotg doiiXotg jtit- 

radtdovai. 
fiirdhog pfKotffi ffoTffi (Sri^ su- 

'jr^a^iag. Poet, 
rig ySt^ avrfi iffriv Scrtg rijg 

a^X^^ dyrifjeonTrai ; 
firi fAVTjifixaxfifftiv jSatr/Xea oeii- 

roig rvjg 6vv K6^^ i^tffr^a- 

rtiagy fi*fib\ &Xi.ov fivjdsvhg 

ruv 'rap(f)xi^fisvuv. 



ri irovrhig ddxttfi dhg ^o^dv, 
fifldi fifOi ^6ovfi(frig tvyfidruvy 
&va^. Poet, 

ravTot, d?i ouv xai dyavaxrsTS 
n 'irarri^ xai 6i &Xkoi oiKuotf 
Sri iyi) i/crs^ roZ dvd^opSvou 
r& fjear^i o6vov s'JFi^s^x^fAai, 

cv d avrhg fidri yvudi riva 'jrifir' 
mtv doxitg* ug ovvor dvd^i 
rftds xrj^vxtufidrijv fiifi'^iiy 
<rv d* aurhg ym6i vavx>jr\^%h 
ir6\iv. Poet, 



Rule XXV. 



<r^ roDd' fXsu^s^o) ^6vov, Poet, 
v6ffov bs rtivd* dwaWd^u yfid" 

ya. Poet, 
6 Hs^ixXijg i'lrti^aro rovg *A6n' 

vaiovg r^g iv ahrh i^fjg 

irapa\{)tiv, 
Bax^vuiv 6* s'rXnaty i/ii n xai 

vavrag tfM^g leoWuv, Poet, 
i^oHrctiV ds xai i'Ttdu/MiZv xai 

f6^uv xai ttd<i\uiv cravrodo- 

fl'wv xai pXua^tag sfi^TriTXTiffiv 

flfiag ^oWrjg, 
ixirtCu tfi ruvdt youvdruv xai 

tfoif yiVBiov ds^iag r luda/* 

fiovog. Poet, 
dio'/roiva Apdyti^a^ ^^urog dy^ 

yiXoiiv ixvou <fi \{i(f^. Poet, 
Xi^^V ^* vsTxog irar^6g s^a/^ou- 

fitivfij (i'^iv ri^stvav r^vd* 67- 

X9j<ra dax^{)uv. Poet, 
roUg i^iXovrag ^s^a^s^fl/v rdg 

roiavrag ^xiXug xai ^r^o^u- 

fAOVfisvovg oitx Ayaffai rijg 

dvd^dag rt xai i Op^e^i/a^ ; 



irav^aif v^iv h^yvig xdfi\ fiiC' 
roSffai XiyMv, fiii '^fv^edflg 
Avoug n xai ys^uv dfjba, P, 

roitiura, /liiri^, 'rarfii fiovXi{t' 
€a^ sfjbp xai d^wff JX^^tfi};, 
Sv (fi vohtfAog AiXfi riifatr 
'E^ivvg r. Poet, 

sxst XH^^ ^^^ dyvicag fudif- 
fiarog, BSfJbovg rt d<MKfu xi^' 
fA/druv r ifiutv fAtPog, Poet, 

riv KXiuva rhv Xa^ov dut^btf 
i\6vreg xai xXo^fig, lira p» 
fi0(jj<ffir6 rcurov r/fi ^iXy; r6v 
a&p^fva* Poet, 

oi 61 &ri^atoi Mvg fi>%rd nji> 
fjbdxi^^ iiTifi'^av iig *A0^vag 
dyytXov hrs^avta/Mtyovy xai 
dfia fitv rrig vixrig rh fiiyt6og 
s^^a^ov, dfi,a dt ^ofihJv ixi- 
XivoVf Xeyovrtg itg yxiv i^tifi 
Aaxsdaifitoviovg vdvrm uv 
ifTiiFoifixtcav aurovg ri/iw^f}' 
caa&au 



56 



KBT TO 6RBEK GBAJOf ATICAL EZKRCIBEB. 



Xoie 1. 









Aote2. 



dsiV s^vsiXti rfXc7», »0<r* 
ourf tvxrhg utvov out i^ i/ir- 
tpag l/XE tfrg^a^siy ^3vv. P. 
0/ df *A0fi¥a7b/ 0UT6 raXka u«^* 
xouoy^ ours ri) •Nl/ijp/tf/i&a xcc* 



tf/ai> M£/a^EUtff riig yrig hfi.g^ 
xat rfg do^/«rou, xai Avd^or 
v66mf inrodi^fiv ruv aftisro^ 



Rule XXVL 



</ aurf do/fi iirviag ^i}Jovg. 
lytst ffoi f^ OL^X^^ ffavra 'jrsi^or 

^ofiai difiyyiffa^dai. 
ilfi0h au ;^a^/»' 3^g ^vr/v' a/Vou- 

fH(r6a. Poet. 
iyit fi^svj t^fi, %eoug olfiicti roxn 

v6fji,ovg Tovrovg roTg M^ut^oig 

aiff^JS^' 4r^Asi bojffoiiv. Poet, 
fitv^fag fith ycc^ i/ct/V adYMoLg 

dvayxa/av r^o^rjv. 
r6 ffhv y^L^ avdog, ^ccvrsyvov 

frv^hg ffsXaSj ^vijro/'tf/ xXs-^ag 

Stvaffiv. Poet, 
o5ro/ yd^ irov /Jtlfdovg roTg av- 

&^ui'jeotg "^fixihilg ffvvrt^svrfg 

iXty^¥ n xai Xiyovffi, 
&voi>j6fitS<f0* a^ it xaxhy ^r^otfo/- 

60fiiv viov ToKatiji, v^h r6d* 

i^flvrXfixivat. Poet. 



t6ti Tohrovg^ oxig fXaCev, a^o- 
rifi/x^i fiaff/XeT x^vfa rSiv 

Bi Xfip0fi(foftai bofitoug virsfiCa/'' 
vovca xai riyvtafJAVvi^ ^cLvorj- 
(fa ^tjffu roTg sfioTg i;^^^o7(; 
yiXcav. Poet. 

sru^/^v yA^ 'jr^hifeXOojv avB^i^ og 
TiTiXiXi ^^yjfitara ffopffraTg 
^'ktiu J) ^ufA^avreg ot aXXo/. 

rauTTiv r»jv l^iffroX9jy d/d(f,<ft 
mcr^ &»d^i, ojg fero* 6 bs 
XaCwy Kv§({j bidufftv, 

irix^ovg iyut fffiv xai Kuy^oug 
^rjffoit ya/J^ovgy 'Xtx^hv ds xr^ 
boSy xai (puyi^g sfi^^g x^o^^g. 
Poet. 

ff'oXXou; eig fiiav o7xrifftP aytU 
^avTtg xoivuyovg n xai pom-' 
Jo6f, TaiiTfi rfi ^vvoix/ff e^i- 
fifsOa 'jF6'Ktv ovofia. 

dXX* iy(it ffoi ']Fii^d(fofAai ffa^cDs 



SYNTAX. 



B7 



Ti Sv jSo6X9}ra/, r(fi r% hixct,i(f} 

xai r(/> &6ix(f), 
£g oMa drir, ug iXi/^f fioi 

fAavrtTa fn(Tr& rriadt rrig yfi- 

^«i mpi ; Poet, 
xai mfL-^avTi^ ig AsXf oi); rhv 

Ko^iv&hig riiv ^6\i¥ w; o/x/tf- 
raTg, xai rifAU^iav riv& irtt" 
^pvr At aurSf irotiTsQau 

rh y&P 'AXxfi^vfig t6xo¥ xai 
Z^ivT Meru xai x^arovvra 
xax fid^rig Ayovr &*ira^dLg 
^uTdi roTg iy^u^hig. Poet. 

&\\' ovx &v ir(a 'irdvv y% fi,\ya 
rt 1/97, f/ avToTg fiouxSXovg rt 
xai iroifJAvag roig rt SXXou; 
vofiiag ^^offhTfLtv, 

\aCiiV dt h Ataavd^og t&^yij' 
^loVf M r&g r^ifi^tig ^^tri^oLP' 
;^ovff imgTTifft xai roTg val- 
raig rhv IfuXSfitvov f^tffdhv 
&Muxt» 

oZrog ya^ h^yf <fvvrf6riyfLmg 
^pfva; i^iT xa^ rijtiuv 'irar^i 
eag &/d,agriagj rXf^ifft rt 
iea(ta)f yaTa^ aic/jorm X^ 
ym. Poet, 



v/tiiTg df, ^atHtg ixty^vtTg T^o/- 
^v/a/, roc6vdt fiot va^Aff^tr 
t^airoufAtvpf etyfi xaX^^/atf* 
&v^dd* ii6fixo{iaart. Poet* 

pfl(ftig aM xai xa\6v xai id- 
X^t^^ *^*^' ^OLi rJXXa avrtft 
^dvra ir^otr^figttgf & fl/^tTg rfi 
dixaitf) fr^oeiH09/n¥y ifradfi yt 
xai iv A^trn avrh xai ffofsa 
MKfir^aag ^iTVa/. 

IxiT df hrtg robg ri 'IfAt^afovg 
i^ttifav ^u/^^oXf/^f?i> xai au- 
To{ig rt fVftf^a/ xai roTg ix 
rm vtuv ruv tr^iri^uv vau- 
raig S<foi fiii tJ^^v 8fr\a flra- 
^aoy(%h, 

xai di) xai vw fi>^ dtdyxa^i 
flfLag roiadrv^y tvdaifjLoviav 
roTg f6Xa^/ ^^offdirrnv, ^ 
ixthovg ^&v fiaXXov dirt^yd- 
(fir at 9) ^{j\axag, 

aXX' hdv tig fiiav, iffjj 'rSXtv 
^vvaQ^oiffdfl rd rZv oKXXmi/ 
^p^/c&ara, 8^a fi^ xhduvov 
9H^ rjf fiii ^Xovro^fffi. 

le^iv yd^ rt *iea&%h dtd rii¥ rou 
"E^UTog xaxfiyo^iav, 'jnt^d- 
ifofAat avrp dirodouvat riiv 
'}ra\tv<f)dia¥ yvfLvfj rfj xi^aXfi 
xai oii;^, wcflrt^ Wri, uir aiff- 
XU)>rig tyxixaXufJtfimg. 



Rule XXVII. 



oudt^fa'Tori ivahovro ^oXXc^ xa- 

xd fifA&g irotovvng, 
raifrfiv vfA&g rijv p^cD^av d'rrotf' 



dXX* ovdh avrhv tidt y il^yaa- 

rat xaxSv, Poet, 
i^i<frt di roTg tpSgoig rhv jSatf/- 

Xsa d^atfai rouro, 

c2 



1 



58 



KEY TO GREEK OBAMMATICAL EXEBCI8ES. 



ir6r9^ov jfrovv &s rt xai l^ti fAoi 

ovK iitdug t^atov ; 
xai Xsyu on ovdsig fie ^u ri^ut- 
'ri}xs xatvhv oudfv ^roXXwy I- 

ruK 
*£Xgyij; ^avoOarii, Ijv rt Msve- 

"kiuii a b^^y f) rivht jcafii. P. 
s^oiriffav &¥riKi<fTa xax^ roug 

ours /bbsXXovra; our au 0OU' 

Kofihovg roiourov oudiv. 
xai ufAoLg ours fisya ours <ffiiX' 

^ov dirox^V'>lfdfd>ivog hyu "Ktydi 

oxib* u^O(rrs/Xo^/tsvo(. 
xaxojg fith yd^ ^o/s/V oudb (iaX- 

Xov sdvvdfi66a rovg voXs/Mioug, 

dvi^ugovfiiiv di irdvM p^aXs- 

fe(ftg, 
(dsfitisrox'Krig ixoj ^a^d ers, 8; 

xaxdb fAsv ^rXiTffra *£XX^vwv 

sl^yafffia/ rhv \j/m6T6^ov olxov, 
xtfLdg bs /Satf/Xfiu; rd ^^Xa d- 

'jraiTiT' avrou yd^ ilmt fri(fiVy 

Ws/Vsp K6^ou f(fav rou ixv- 

vov douXov. 
ou yag d^'jrov o^\ov y av d{i- 

va/ro TOffovrov h oKiytfi %l^yff^ 

hha^ai olirw (tt%yd\a. ir^dy- 

jtiara, 
8g fLy J> xdxKfriy -^iXhy o/m/i 

dvoavdeag 'jr^bg o/M/Maaty roTg 

nr^ia&iv e^oi^si jS/qp. Poet, 
s^tffriv Ifiih aurixa fidXa iJ,a~ 

raiav raurriv riiv *rgd^iv dfin 

forkgotg f^fiTSi <ieoir^6aiy Idv 

<ir^drrrir6 aMv rd xi^' 

fAara, 
ovx dxfixoag^ In Qi/HtiffroxXrig 

KXe6^avT0v rhv vthv iiriria 

fih eiiBd^aro dya&6v ; 

Note 1. 
s7 n To\j jSatf/Xlw; hUivro. 'A^jjya/biy roZro bficir bsofiMi 

xai /j^evToi xai irdv\)y u &v6pg xai fra^hfiat. 



dXXa ri)y i^o^fiid* hdvtfu ers 
^rpoffioui^ sy<a. Poet, 

dW fiv irv6fiff6e /m Stfng iifi\ 
f u oJd*f on xax6v rt ^l s^yd- 
csoQi xoux. de^^eri rov. Poet. 

ou fi*yi9 ^TKoug ye^ x&n /taXXoy 
f] 9/X0UC) x^virrstt dixatov 
odg^ vrdre^j duo'ir^a^tag, P, 

iiciira biy dvafAVfiffoj yd^ bfitag 
xai rovg ruv 'r^oy6vojv ruv 
vfAsre^uv xtvbuvovgj ha ilbfjrs 
ojg dyadoTg rs u/bb/i^ ^r^offTjxti 
tJvaty ffoj^ovrat rt ffvv roTg 
^eoTg xai ix mvv btnwv 0/ 
dya$oL 

d^iSi b* u/M&iv ^vyyvuifisVig ruy^ 
y^dysir xai yd^ 5r J^^CM/Dbijv, 
^oXXob ev fiyifioviaig v/iag f u 
ivoififfa. 

sT8/di) yd^ fi AsxeXita r6 jiisv 
nc^btrov b^h vdfftig rt^g <fr^a~ 
nag sv rp ^s^s/ rour^ rs/- 
^i^^eTtraf inrre^ov bi ^^ou^aTg 
dfrh ruv ^oXsaiv xara btabo- 
X^* Xi^^^^ siriobffaig rfi p^oD- 
^cf, liTifiXttrOy 'To'kXd eQXa^rs 
rovg A&9i9a/ovg. 

Korvoj^itat bs oZroi s/tf/ /ttb 
flfiisn^oi d'jrotxoij xai ri^v 
;^ci)^av fifAsTg avroTg raurijy 
va^abibuixafitVj fia^Zd^ovg 
d^sXSfiivor bth xai baa/Ahv 
ifiTv ^i^ovaiv oZroi rerayfM- 
i!OV| xai Ks^agobvnot xai 
T^oCrrs^ovvnot uffalrotg* wtfrs 
B n &¥ robrovg xaxhv ^0/^- 
(rrirsj fi 'Stvoi^eoiv 'r6}jg fofjti- 
^6/ vd^xjtiv. 



SYNTAX. 



59 



Note 2. 



xwv tfUf ro^oiot ToTg ifioTtft 



rt 



T^o/av. Poet, 
Xaxfv ^dcr^a;. Poet, 



Rule XXVIII. 



iig lar^oTg v^ayfia fifivu6j[ 
T6di, 

M^unFU¥ xara-^fi^ig&ivruv^a- 
varov ti puyijg, 

fd>6vfi yd^ tifii, (Tov r diritfrs^fi- 
fiiyfj xai ^ar^Sg, Poet, 

olfiai yd^ fit ira^Si cov 'roXXtjg 
xai xaXtjg ffofiag TXTi^udfi' 
(ftffdai, 

dih dii xai fj fuy^ aurp iyivtro 
ix S^de^ri); bi^avrt 'XJ^^fiuttt 
Tiitfd^vai riiv &va^(Aipriffiv, 

(iifot rt ruv ^oXtfiiitav i'x'Ka &' 
^p^fl^rai, ra^v aWa leoiri- 
^ovraty Sffot rt tw^oug dnrtc- 
ri^fivratf ra^^ *rd\tv AWovg 
xr^aovrai, 

'Ava^/Xao^y 8c viray6fitvog ^a- 
vdrov D^n^ov h Aaxtdaifiovi 
did riiv ir^odoeiav dfrt^vyiVf 
En ov ^^odofri riiv ir6XiVj dX- 

^aciXiug rt 'ra^6vrog rou ruv 
Aaxtdaifioviuv "Aytdogy 8; 
ohx ix ira^i^you rhv nciXtfiov 
i^onTrOy fitydXa o) 'A^tivaTbt 
i^Xd'jrrovro, 



tl fih y^^fi^ Sif6fi(rav iX66vrtgj 
ovx otv iv r{j^fi ytyvte^ai ffpi- 
ciVj &Xkd 6a^uig d^v oiCirt^ 
fl(T(ffidivrojif (trtgridrivat tv6vg 
rrig irSXtug, 

iv dt vdLg ifittfrdjdfi dpSfiog xru- 
fTov xgorriruv ap/tiarm. P. 

xdvnvdtv oKKog aXKov t^ svbg 
xaxov id^aut, x&vtm'irrt^ Tav 
d* iieifLirXaro vavayiuv K^/ff- 
aTbv iiemxuv 'frihoy. Poet, 

\j^h fiacfiXstag yap vtuicrri irby* 
yjOLvt nei^^ayfjitvog ro^g ix r^g 

lauroD a^x^^ ^^i^^it o*^( ^'* 
'Adrivahvg &irh ruv 'EXXfjr 
viduv v6\tuv cv du¥dfi,tvog 
'ir^deffiffGai ivu^tiXfi^h 
0/ dh av&^ufrot dt& rh aurSfv diog 
rou ^avdrov xai rStv xvxvcuv 
xara^svdovraij xai ^atfiv aO- 
rodg ^Pfjvouvrag rhv ^dmrov 
vvh Xvirvig f§^3f/Vy xai ov 
\oyi^ovrai^ Sri obdh ^vtov 
oK3f / orav mivfi 5) ^lyoT Ij riva 
kWriv \{iVfiv KwTirai. 



60 



KEY TO GREEK GRAMMATICAL EXERCISES. 



Rule XXIX. 



iy^ fisVf f^f], x&v Tfjg "^v^tig 

ri^j fv d' Jyei, xa/ flroSa^^c, 
xai 'rSffov dtdaexsi ; 'Eufi¥og, 
If 9}, Ud^iogj fciyrt fivuv, 

ruv d* ifAUv 'jeaibuv (plyag ^l/u- 

fioZ /m6vo¥. Poet, 
AWa xai rolfrovg xoXvfAQfirai 

dvOfliVOi S^SV^IOV fJtKidoZ, 

Tf\g 6rig Xar^smg r])v s/Ar^v dvif- 
'jT^a^iaVy ffa^ug s^riffracr^ ovx 
av aXKA^aifi lyut. Poet. 

^g rh ^aduo^ouv vorafibv 'Eutivov 
0porovg /jft^dov Vo^gi/g XH^'^i 
ours ^ofittrifioig xut^aig e^stf- 
(fU¥f ovrt Xa/^s<r/v vtojg, P. 



xai ir^iacdai ohx fv $/ fi,^ h 
papQa^txpy T^v xavi0fi¥ o- 

u ^aT 'AcroXXodcM^ou, itg y<^i'^ 
(tot ^x^t ®'"' ^^ov''f e^J^oG fis 
£ds a^ixicBar ^oXXou yd^ 
'jFotoZfLai axfixoevas a Axr^xoa 
TLgurayS^ov iy^ ydp h fth 

oix thai av&^ta^Uriv iirifis^ 
Xiiavj f 0/ Ayadoi dya&oi 
yiyvovrar ¥vv ds mirstff/Lai, 



Rule XXX. 



ds^<ftt yaTav, Poet. 
otxifSraTg bl roitg fih Tv^rovg 

v^oiffixu ddsvai Iv olg diT 

fLu^okoyih Toug nroivirdg. 
T^y fiih yd^ M rfj xifaXfj 

riAfiav fiatriXsT /M6v(f) s^stfriv 

xai avaxux'^v iroifi^dfisvoi vsftr- 
^outf/v ig rdg ' Atf^va^ o/ Mur/- 
Xfivafbt ruv rt dia^aXX6vTU¥ 
tva, (f fisrsfieXfy iidfi^ xai 
dWoug, 

ou (TO/ ^^off^xti T^vif tr^oa^mth 
^driv. Poet. 



&XK(f) yd^ ij *fAoi xs^ 7« rfiad* 
d^tiv Yi^ovof ; Poet, 

xai yd^ oSv vuv i^strriv avroTg 
(fu&sTffiVf f7 ri wr ifLov sira&0¥ 
ira^d r^ bixaiov dixriv KaQeh, 

bfih yd^ guru;^/av r^v TaPoDirav 
V^itfri xaXoitg ^iffSai^ syouifi 
fAsv £v x^arePrSy 'T^o&Xaioutfi 
6t rifiiiv xai d6^aK 

doxiT fikv xdfLoi ravra' ob fi,U» 
roi rayjj yi dvayyiKta, AX- 
"kd biar^i'^ui sffr av Ixv^cum 
ffiv 0/ dyytXoi fi^ii dTodS^fi 
fjfjjy rdg avovddg 'iFoir^^acBai. 



SYNTAX. 



61 



NoUl. 



^tuv; Poet, 

MeX^r^ rovrufv ours fisya 
ouri <f/Mix^dv 'jTUiitort ifiiXfi- 

(TfV. 

oux ftro irfioff^Xiiv oudtv) &^X^^i 

x&fioi voktoii fiiSTiffrt rfj<fd\ otf 
ffoi iJ,6vtf). Poet, 



fiXocopiai d'Kri6ivrigf ug so/« 
Xf V, oux &v fitrttri, 

oTfiai 6t bfiag obx &yvot7^ In 
rf vSXit iroXKAxig fidfi fiu^ 
rifjii\fi(t% r&v x^tfftuiv rZv 
f/LiT h^yr^g xai fiii fAir iX- 
iy^oM ytvofiivuv, 

i'/rsXadoUy ^v 3' iyu), 8rt vo/xo- 
6irfi ou robrou fiiXtiy Sirug 
ev ri ymg iv tJXii d/a^i^^y- 
rug tv 'ir^d^stf AXX* iv l\p 
rfi fr6'kti ToZro fHfiya^dLrai 

iyytVitf^at, 



Note 2. 



fifitag h%t roO; rifitri^oug ffkoug 
robru¥ tyx^anTg vottiffai, 

Todg ^iKoMg fv rotg xaxoTg ;^^i) 
roTg ^i\oT<fiv &fsXi7^, Poet, 

Tobg fi\v y&^ ogov/fiovg Aya- 
vaxTih avodvficxoyrag ^^Wu, 



cvfifofdg. Poet, 
dti\ov ydgf Ert ev ixdtfrfi ai^iffti 
r^v Tt^jtixiararav dtT ai^iTc- 

fi,ii dSxit robruv xXOtiV <fofta' 
Ti^oug ydi hit P^oruv that 
^ioiig. Poet, 



Rule XXXI. 



1. Chnitive, 



ug did itofiav f6ovri^tig vieh rod 

*Odv(fffsoig dTcuXsro. 
Ix rov fiXuv mi<fhT<ja ; Poet, 
imi ir^hg dvd^hg ^c^tr i)d/x9j- 

fifhn^. Poet, 
i'rr^d'xfin bik die a&reDy oudb i^ 

yov d^i6\oyo¥. 
auro^C di leirvu, afaytig 'A;^/X- 

Xsojg ^atdhg fx fiiatfSvou, P* 



hrti yd^ f ^f 4rvf V(ffly * AyafLifivtuv 
/S/ov, 'rXfiytig ^uyar^hg rifg 
ififig Mp xdga. Poet, 

rovro fih df, ojg i o/xi, xa/ 'ira^d 
tfoD xai ^a^' efiov ofioXoytT- 
rai, 

6f/i0oXoys7rai ir^hg ledvrm x^(£- 
r/crro; b^ yivMou Sf^a^ii* 
|/v. 



62 



KEY TO OREBK OBAMMATICAL EXERCISES. 



'7^ f^stf'Mtf'a^ x&vh Oaifydvou 
ro\j ffoij Xi\sva6tig vi^Taa 1% 
Aihg ^ar^6g. Poet, 

irtrifiriro yd^^ hnrh Ku^ov d/ 
suvo/av rt xai ict6r6riiTa, 

I'tetl bi rayfiiig^ ug t^Ji avroSj 

i^oXifiritfsv tfAoL 
ffrAifiig hs'irotovv, J§ uv l^^f/- 

£ovr0y xai a/tia ucr^ aXXo^u- 

Xuv fLaXkov s'jreQovXevovTO, 
svigrt ydi,^ hr^ xdv ^tm ymi 

r6d6y Tifiojfisvoi ^Obi^ouffiv av- 

6^u)*xm v'TTo, Poet, 
ffXi^acGs 6* eg r6vb\ Ecrrig J§ 

s/Aov ysy^g ^tf%uys ra/tia 

XiXT^aj xa^eXiy^srai 'ir^hg 



Trig ^dtyahdfig i/A^ayZg xd- 
x/trrog Stv, Poet, 
6^6idSt¥ de rig v^hg roTg ray 

^oXirm Xi^f^^^' ^^^ avrovg 
Avd^a'jrodigafAsvog bovXiHt^i^ 
raij avri rovruv ruv a/tf- 
X^uv bvo/Aoiruv tudaifitovsg 
xai fiaxdpoi xfxXijyra/, oh 
fi6vo¥ u'jrd ruv ^oXtruv, dX- 
Xcb xai b'jrh ruv aXkuv. 
xai ir^off^aXSvrsg oi iviriig iv 
^fi f'Oi'XV ^? sifuvvfKfi xe^c^ 
ruv *AdTivaiUVy Evi^ xar 
ahroxig riv^ %r^i'^ar xai hi* 
ahrh xai rh aWo <fr^dr£v/ia 
vixfi&kv \)iFh ruv "Iv^axogiuv 

xarti^dx^fi ig r& r2iy(i^' 
fifara. 



2. Dative, 



xai fi^v 'jTi'Kag yi '!r^o(f'jr6\oig 

^vKa(f6srai, Poet. 
X^rifAaci n duvaroi tjcfav^ ug 

xai roTg ira^MioTg 'jroiviraTg 

hzbrikurai, 
8/ di yi fjiTihiig SiKKag 9j Zsv^ig 

ty^a^i, xaXug av coi A'jrS' 

xex^iro, 
a1iiy(i6rov b\ ahtxia xai cufif 

*ra(fa •vj/o;^?^ 'jrovri^ia tvv dri 

ufitoXSyrirai rifi?^. 
6 fA6V a^a dixaiog rifitv avaneU 

favrai cSv ayad6g n xai 



(fopSgj 6 ds ccdixog afi^aQrig n 
xai xax6g, 

roTg yd^ Mavrivsvffi fLB^og ri 
rrig 'A^xadiag xariirga'XTo 
uir^xoov, 

ug fjAv ovv Ku^og er^drsufitd re 
(TuviXl^g xai rovr iyu^ dv- 
sQri I'ffi rov absX^oVf xai ug 
fj li^d'xri sysvBro, xai ug d- 
^edavB, xai ug sx ro6rou 
airs(fu6ri(fav o/ "BXktivsg hiri 
^dXarrav^ Qt/Mieroysvn rift 
"lu^axoffiif) yiy^airrai. 



BULE XXXII. 



6fio\oytTg ovv ^€^i Ifikh &Bixog ug otv bidax^fl r^v A/&; ru^av- 
ysyevfi(f&ai ; vida trrs^ynv. Poet, 



SYNTAX. 



63 



f/ yd^ ri rotovrov foQtT, ia(fO¥ 

fio{f\ei fLa6ih» Poet* 
Xivdvvivsiv xai 'jr^dyfLar s- 

vatsiat iFghg ci J^Mra;* ou y6t.^ 

SVVOOl. 

dXXcb d)) rMi^ 'Taiduv svsxa ^oi)- 
Xfi ^^v, ha ahrovi Ix&gi'^rii 
xai *!ra/div<fpi ; 

f/v, fJ<?rg ws^i/iivitv xai /a^ 
*je^6r^o¥ ira^thai^ iug av 

ou fAiiv i/affdv y% a\jrh 0/ Ta- 
^6vrigf aX\* r^myxa<fav biro- 
fAsTyai Ti xai nca^aCyu^ rm 

BiTii dh fiff6dv9ro Hivo^mv, sdo^sv 
aurfi ug rd^t^Ta ^vvayay^ 
sTV auTuv dyo^dvj i^ai fj^ri 
fStfa/ ^uWiyrivai avrofid- 
Tovg' xai sxiXsvfff rhv xri^uxa 
^vWeyttif dyo^dv, 

(fr^artdv dt aXXriv l'v)/9}^/tfavro 
mfi'Ti/v xai vaurixiiv xai ^s- 
^/xi)v *A6ri)fat(iiv ts ex xara- 
X6yov xai rZv ^vfifAd^uv, 

xai ^vyxaXsgag roijg 2u^axo- 
ifiovg l^jj X^^voLi irXfi^oijy 
vau( utg dvvavrat wXsiffrag 
xai va\)fia')(iag dir6ieit^av 
Xa/iZdviiK 



xai ^ifivovffiv i^airivafug rttf' 
caodxovra vaD;, at srv^ov 
*iet^i niXoT^vv9](rov ra^Krxgu- 
adfituai ^Xs/V. 

xai yd^ abroTg MfXsa; Adxwv 
dfixnTrai xai * E^/iatutvdag 
&7iZaTogj oY ir^oatmsrd'Kfiaa^ 
fih Trig d^offrdgiug, fddgai 
di ou dvvdfi9¥oi rhv rS)¥ *A&7i' 
vaduv MvXovv x^hfa fitrd 
r^v fdid^viv ^jffrt^ov hir'Kioufft 
T^itj^it, xai ira^fivovv irs/timiv 
r^ifl^fl dXkriv xai ir^iffQug 
fitO* iaurStv, 

xai a^i6fji,hv oux iy^a-^a ruv 
d'TodavSvrojVj dt6ri Amttrov rh 
'ffXiidog Xiytra/ diroXicdat 
itg ^^^g rh /Mtytdog trig ^6- 
Xifjjg, 

OS di dxoii^avng ^xa^vixav rag 
d^vihag 0/ vXttcrot xai rdg 
'XJiTj^ag dvsffstgaVf driXovvrtg 
ir^oaiicQat rd xtxri^uy/tisva, 

sXtyt 6h 6 2r6^ft)v xai oi fitr 
auToVf Sri /3o6Xovra/ btaxri- 
^uxtvffacdai v^hg rovg h rf! 
^^ii^(f) Aaxtdaifitoviovg, 8 ri 
p^gjj a^dg iroiiiv. 

faai di 0/ ^xicuvaToi UeXKrivfig 
fhiv iTvai ix HiXo^jroyvfjcrovj 
frXsovrag d' dvh T^osag (t^m 
rot)^ 'T^djrovg xartvt^^rivai 
ig rh ^u^tov rovro rjD p^g/- 
A^Sw, (ji s^^fitfavro *A;^a/o/, 
xai aurov oixfi<fau 



Note 1. 



ug d^ta tfiv ^aXXov 9) ^avs/V 'incrhg iv xaxoTg dvri^y x^iiffffuv 
ifvg* Poet, yaXii¥figyauri\oiCivii(To^dv,P, 



64 



KEY TO OREEK GRAMMATICAL EXERCISES. 



voi xai ^tXov^ %al Sirotg &v 
fLovoi y^L^ civ sd6xouv txavoi ihai 

o^fs w; tyu groifiSg iifAi iirai'- 

vs/V, &v ri xakbii T^iyj^g ; 

roZri poi doxtTg ^d¥U xaXug 

tt^rixevoLt, 
rig fiZv duvarojraTog xd/ivovrag 

^fKovg eZ irotsTv xai e^d^ot/g 

xaxStg tr^hg vStfov xai vyi- 

itav; 
a^ ouj^ 'jrard^ai bnvirarog 

iv t^&yri ilri irvxTsxfj t7rt 

ri)fi xai aXXyjf oZrog xai 

^vXd^affdat ; 
xairoi s/ms ye txavA xai rit v^h 

rovrou ^r^Qevra xara^aXaT- 



(Sat xai ahuvarov 9'oiii<rai 
fiofihTv dtxatosuvp, 

txava ydt,^ ev r(p roio{fr<fi xai 
fLix^a afAa^Tfidivra ^rdvra 
ifuvi'Ttr^T^au 

fLird bl ravra ixxXfifffa eye- 
vsrOf Iv jj rS» ffr^arfjyuv 
xarniySpouv &\Xot re xai 
&fl^afisvfig fisAXi^a^ dixat- 
ovg sTvat Xsyuv \6yov uifoo- 
^ih hiiri o\ix dve/Xovro roxig 
vauay6vg, 

oXo/o xai ffu xZi^Tig &xovrag 
prKoMg ^^66vfji,6g sen /lii xa- 
\ug ivs^yiTst^, Poet, 

ovx oJda ir^a^iv r^vdi^ ^Xfjv 
X6y(fi x\{)uv y^a^p re Xfuff- 
(fuv ovdt raZra yd^ (fxoven 
^^6d\ifj,6g stfLi, ira^Bsvov •v{/t/- 
X^^ g%«v. Poet. 



Note 2. 



irv^ov ds, u d>a/dMVy rmg nea^ 

^aysv6/Mivoi ; 
S'jrtag d* &v sidfi fi^ fidrriv xX6- 

oved jjiOv, Poet* 
ii yvcatf6fie6fd0i^a <ruvi\66vrig f^sv^ 

dfitdvid&ai Sk oh ToXfiSfvrsg. 
xai voXtfAuv disyevero A^sp^f' 

Kv^og edsTidri rov irr^areu- 

fiarog. 
0/ fievrot iroksptiot oxtbh s^au- 

(favTo hi* o\fig rrjg vvxrhg 

xvXivbovvng rodg }J$ovg. 
fi ^{fvigig on ff{jvoida hsiv 8/^- 

yadfiihog. Poet, 
xai yd^ My^avov ^^(fir^v ug 

&(St\) c7xohv dviiiv ^aXij- 

^66sv, 



rag xaxcDc* </ y^g '"^O'^^^^fj 
Ml frf}iii»avo'jfi6vog. Poet, 

irv^s ydp rfi le^ore^aScf rrig 
hixrig fj ir^ufAva sffrt/Ui/isvfi 
Tou ^Xo/ou, 8 iig ArjXov 'A6fi- 
vaToi vsfi's'ovcnv, 

ravr svvofiOsTg^ pM/Ativ dQov- 
Xiav ^oXX^v e^ov<fa, xai 
fAarriv ^u/aou/m€vti. Poet, 

iru^ov 6g ira^SvTsg h KopM^ 
xai ^A^yeioiiv ^r^serCs/;, m sxe- 
\suov roitg Ko^iv^hug ievai 
h r])v ^ufii/ia^iav xai ^4 
fiitWiiv. 

oh yd^ o7d* dviOiy/nhag ^uXa^ 
"Aidou fdog rt Xoi(fdiov /3Xl- 
^Aiv T6ds, Poet, 

Tavtfai "KiyoMiSa* xai rd v^it 



SYNTAX. 



m 



x&'jn^ti^ritra^ xaxd. Poet, 

nrdXir yvtairet yd^ au6ig Afjir- 
9'Xaxcuv* t/Aoi ^idov. Poet, 

f)(f6ovro avrotjc dt^ofievovg 
rhv X^yov, iMvrtg in ^^i^' 



Tf/b&8wr/i> xa.\oufi8V7iv xai aCi- 
roD 9}uX/tfavro. 



Note 3. 



Xsi^iffofog ir^h rtva a!<fdi(fdai 
rSiv 'iro'ktfjLiuv, 

iXaf^oi yd^ fiaaVy ucrrt xai 
iyybhv ftvyovrsg &irof%\)» 
ytir obdh ydp^ bT^ov &XKo 9) 
r6^a xai ff^ivoSvag, 

rfi d* V6r€^aicf, td6xit iroptursov 
iJvai oirri duvaivro rayiara 
<ie^h fi CMWiyrivai rh ffrpA- 
nufioL irdXiv xai xardkaim 
tA <rr fva. 

ahrot h\ iVo^i{)OVTOy xai tr^iv 
f/xotf/ ffrddta dn'kr\Xv6ivai 
ficav 'T^lg rfi Xiafi^ iy&a Xi/- 
^Co^oi »juX/^gro. 

sdofsv oZv r(fi KXsdc^v^ ^^yy^' 
viaQai rf) Titfffaft^vtt, xai^ 
tl vug duvaiTOy irav^ai rdg 
v^O'v)//a;, fT^iv i^ avruv irS- 
Xifiov ytviedai, 

xai ivtrvy^avov rdf^ot^ xai 
abXSttfiv vdarog ^X^^0(f/y, ug 



fi,^ hhvae^ai dtaCahttv &vtu 
ytfv^Sir AXX* i^otovvro 3/a- 
idcrt/g ix ruv fotvfxutv of 
f<fav sx^t'irruxSTtgf rotjg 6t 
xai i^ixoTTTOV, 

xaxu¥ ds viXayog tiuo^u roffou" 
rov (Sffrt f^ri'Tor ixvtuirai 
^d\iVj fifid* ixm^'&cai xufia 
r^tfds (Tvfifo^dig, 

rhv oiv 'EXsarixhv TlaXafLfidriv 
Xiyovra oux Iff/Msv rsyvfiy 
uitrt faivtcr&at rotg dxovovfft 
rd aurd SfAOia xai dv6fjitOia ; 

yvSvng di 0/ ruv 'A6fivaiu¥ 
ffrpatriyoty Sr/ havriu/id ri 
lysvsro, xai r^v ^6\iv ^ic^ 
oij^ oTo/ r« iffovrat XaZstv, 
riiv N/tfa/av eu6vg 'jri^itrti' 
%/^ov, vofii^ovrtgj 1/ 'frfiv i«T/- 
Qofidfiffai Tivag t|fXo/fv, ^&tf- 
ffov &v xai rd Mtya^a ^^o<r- 
^uf^ffai. 



Note 4. 



xa/ro/ xaXoutf/ yt dxoXaaiav 
rh U'rh ruv fjdovuv d^yzC' 
$au 



Vihovrai ydp xai did rh f ^ 
Me6ai xai did ro /?o6Xi<rtfaf 
flfiZv d'xaXKayiivat. 



m 



KEY TO ORBBK GBAlOfATICAL EXEBCI8BB. 



dv^p xarsXihnro dia rh /xijxcr/ 

xal w ftiv fi/Jk&g v^dytrou /is- 
vf/v 6id rh hii6*rd^Aat ahT(fi 
r& ^T^dnM/Mu 

oZroi dfikiXfi^ag rov ^uXXlyc/v 
ff'Xoia diroBpdg fx^^^ ^^^ 
rov HSvTOVj c%(«iv rtiv vavv, 

rZv yi dXKwt ohdsis ix^t hi- 
xa/of, dXX* iKT^ dvavd^iag 
V y^^f^i ? Tiwg aXXij; dd' 
^SHtag -^^/syei rh ddixiiifj d- 
duvaruv avrh d^&v, 

gxutTTtiv ^it^qL xai xotfAtftdsT^j 
rou (fvovdd^eiv dfitikri<sai^ oh 
yiyviliCXfn* Irt roD IlXourov 
^a^sp^M j3%Xrmag &v8^ai xai 
rijy yvutfifiv xai r^v idtav. P. 

oux &v 'jrihifit^y TMffi ffoig xofir- 
votg iyuif ^soTct ir^offBeig d- 
fia^iav f^onh xaxug. Poet* 



rh yd^ ^;C*" *'?^^ ^^^ ** ''?? 
AixeXitag voXtjJMf avroug 
voXuTtXsg s^eUvtro' ^gay/ir^v 
ydg rfjg n/M^ag sxaifTog s- 
Xd/jkCaviv. 

ixi7 fSxid r Jtfr/ xai ^cvsufia 
fLsr^iOf^ xai v6a xadi^tcdaij 
n, sdv fiou\<afL60aj xaraxXi- 
diivat, 

tffotg ds xai 0/ ruv yioueZv 'X'P<h 
pfiras 0/ b^^ xt^aXfig (^8oi 
tTiTi^rfiuxong av fi(Liy ihv 
roDro r& yi^ag* ou ydg itom 
sybiyi rixyfig rivhg rou Xsysiv 
fAsroxog- 

t666 ro/vvv aMhv XaCfin^bcv, dtg 
d'T^ roS "^synv v^hg r6 Ivai^ 



ya/« 



Rule XXXIII. 



xai btb6a€i rdig r^nsi daxrv' 

Xotg. 
dvdyxaig raTcd* v'jrs^evy/Mat 

rdXag, Poet, 
iTBov atfnug dyvidg rsv^sfftv 

frsf^ayfisvag. Poet, 
xai d^oxrshai Xeytrai aurd; 

rfi saurou X^^S^ A^rays^CfiP 

rhv a^p^o^ra avrSv. 
T&v d?) t6 xaXug sp^ov 9) f{)(ftt 

jj Tix^fl ^ dfL^ors^osg iXa- 

;^/tfr»ji» fisraZoXi^v hir &XXo\) 

xai $\ii\ig dvaxaXscdfiivot rfi 



ffdXmyyi d^^ffffav, xai dpi- 
xovTo av^Ti/tiB^hf ivi rh ar^or- 

iy&i yd^ ijuitfi¥ sxvfirXijyfiivfj 
p6^(f), fifi fitoi rh xdXXog aX- 
yog s^sv^oi ffore. Poet. 

ifaffav d€ troXXoUg tr^o^ia^ri- 
ci66ai /Atitsi t£v AaxiiaifjkO' 
v/ea¥, 

dxohsag ouv 6 ^ux^drfig ^ffBil- 
va/ re f^ot tdo^s rfi rou K^* 
Zrir og ^gayfiarstckj xai s^/- 
CXe^l/a; tig rijui/dgy 8^9}. 

sTXov bf xai Hdvaxro9 'A^iy- 



SYNTAX. 



67 



vafuv iv fi$h^h/g rtT^og Bo/- 
UToi uirh rhv avrh XS^^^^ "^i^ 

ouxouy f6Z(fi fiti^ovm xaxuv 
v'TOfAtvouffiv avruv 0/ Avd^iToi 
rhv ^dvarovj 6rav V'xrofji/ivtiih 
c/¥ ; 

fAsfvaa o\j¥ in (ffiitx^hv Xi^^^^> 
fiv fiev r/g nfj/iv irij^yog aC' 
^atXri^ favfi, d6X(f) fisnifit 
r6v6i x.ai ctyfi p6vov. Poet, 

roj)g d' syx^iSivrag irthofisv rAg 
r^o^oji Ts xai /Atiri^ag \s- 
yuv ToTg flra/tf/, xai frXArrstv 
r6tg '^u)(^SLg avroSv totg fj^b- 
6(ng *iFfik\j fiaXXov 9) t& ffoj^ 
fLara ratg XH^^^' 

xai ruvdi vvffng oux oxv(f) v^o- 
vi^iraiy xKfi^oufiivovg d* iXeh 
*!roVy ojg 'jrdXtf) Xap^cl/v sxotffrog 
auruv ir^hg 'rrii'Kct.g &yoi Xo- 
;^6i'. Po€st» 

fiij vuvj tdcv ^vfjifxovrag 9) tsT' 
^u/Mmug ir{i$fi<r6tf xuxuroTa/v 
a^flraX/^gri' roiJr^ yA^ "A- 
^fig P6(fxsrai f6v(f) ^^oruv. 
Poet. 

travrfiy ^uyfig 'r^offcixpiXfifiaf 
X^rifidruv s/j^uv XaZeTvj Key* 
big liroifAog &fd6v(ft dovvai 
yj^i^ Poet. 



e^rg/t^l/av df xaA \g rdg mdlktig 
irpeCttg 0/ 2u^ax6atoi Ko^/v- 
dibiv xai 'AfAT^axiUTUv xai 
AaxtdaifAOViuiVj AyyiWovtag 
rriv Ti roti HXvififiu^iou Xf-^iv 
xai rfig yaufiayiag m^Sj ug 
ou rf rojv ^o\%fj*im itry^vi 
fi&XXov 9) rji cfiTi^of Ta^ay^fi 
r}ff<fi>}6ittv, 

u^h dh roifg auroijg %f^vou^ rou 
^i^oug rovrov xai 0/ nXa« 
rat^g ovxirt s^oyrtg (fTrov^ 
ov8i dwdfiivoi ^oT^to^xiTffdatj 
^vvsQfiffav ro7g nsXcvovvfiffioig 
Toi^di r^6^(f), 

vavSfievoi Xiyo/tisv Ijdfi, Srt ou 
09lCa/o/; lea^ibofAiv riiv irS- 
\tVj it\6fis6a yd^ &v 'fF^6 y% 

\tfiSi TiXivriiaat. 

xai fifi fAi vXovrov rou ira^Svrog 
St ring d6\oi<fi ^ou\t{iou^iv 
sxZaXiT^y iffig. Poet. 

xai imirtgi iroX'kd xai yaXivd 
xard grdffiv raTg ^6Xi(rij 
yiyvSfiiva fih xai &ti ittSfis- 
va, Hug &v fj avrrl fviJig dv- 
d^uicruv ff fiaXKcv di xai 
fl^yafn^a xai rttg tlbtei 
diTjXKayfAsva, ug oiv ^ixaerai 
«/ fiiiratoKai ruv ^uyrup^/dJv 
sfitSToUvrau 



Rule XXXIV. 



1. Genitive, 



tj^ii d* tg o7xovg 'E^/a/^vjj rhog rfi yd^ 'ir^ortPaicf hf^^t^ lip%ibii 
y^^6vov ; Poet. s^fi\6oiii»tv tx rou di tf/Urwnj^/ou 



68 



KBT TO GREEK GRAMMATICAL EXERCISES. 



xai va^^ nji' yifv^av rou T/y- 

Xibou<fi (pvXaxfjVj ug diavoei^ 
rat auT^v Xvffat Tiifffct^e^vfig 
riig inj)cr6g, i&¥ duvyira/, a;; 

Trig dfca^up^off. 



a) b\ vivTt xai tlxofti v^sg t£¥ 
Ko^ivBiuv at rou ^stfiuvog 
^\fi^oi)6tt6at av$(a^fi,ovv ra?g 
h rfi NauTaxr^ s/xoer/y * Ar- 
rtxaTg, 

ix ds riig Aaxsdat/i^ovog rov 
auTou y^jufimog rsXevruvrog 
ixiFifMFiTat laXaihg 6 Aa- 
xtdai/U¥iog ig Mur/Xjyvfjy r^t- 



2. Dative. 



-^ripog xaff fifi,uv oi^irat rfi^ 

flfA6^(f* Poet, 
xai raurfi fAsv rp fifJi»8§c^, sirti 

xaTiff^aro^sdeiovro o/'EXXij- 

veg, dvfiX6ov oi jSde^Ca^oi. 
Aoi^itig Ti 6y6ofixo<frff trst §uv 

* H^axXsidatg Ili\Q'}r6vvfieov 

Xvovffi ya^y iffi^ oi svdtxa Sai- 
x^drtij xai ira^ayysWoviftVj 
o'jrutg oiv rfidf rf rifLB^c^ rs- 
Ksvrfi<fp, 

xai r^ifi^ng rfj avrp fifiigc^ a- 
yJaxsrai ruv 'Aifivaiatv v^h 
ruv Su^axotf/AiVy sfo^fiouifa 
rfi Xt/Asvt. 

nrrd^rp v^ irifjbirr^ if^'^^if M^^ 
njv rm dvh^m ig n)y vriffov 



d/axo/b&idjjy, at sx rrig KuX- 
Xfjvfig TLt'ko^ovvriffmy^fjig ^a- 
^aytyvo¥rat, 

Ti/Jks^aig ds r^idxo¥ra utfrs^oy 
'AXxiZiddf^g ix 2(i^df «y fi,6rd 
Mayr/^eou aX^yro^ iy Ka^ta 
I9r9ru¥ fUTo^^erayrf^ vuxrhg 
dvib^aca¥ iig Kka^ofitsvdg. 

^6\i¥ yd^ abrovg rfi¥ fifLsri^a¥ 
xaraXafifQdyoifTag §¥ tf^roy- 
dai; xai ir^asiri h^o/A^vio^ 
h^BSig irifAU^fiffd/Mi6a xard 
rh¥ ^a(fi vSfuv xahisr^ara. 

flfii^ag re d¥a/Mifi¥fiifxofi,$¥ ixet- 
>flSf fi ^^ XafMF^rara fhir 
a\irdi)¥ ^^d^ayng ¥\j¥ jy rfids 
rd dstv6rara xt¥du¥tvofi6¥ ^ro- 



Rule XXXV- 



1. Acciuative, 



ri)y d* iwm<ra¥ fifii^ay e/^s/yay d\kd r6¥ jnh ^XsTaroy ly At;- 
0/ 'EXXijys; xa* i'jF%6miSa¥ro, boig ;^^^yoy xarvy(%ff^ &g ^n<f 



SYNTAX. 



09 



tfi,iroXri6tig. Poet, 
rovg f/kiv y^L^ xuvag roO; yo&^e- 
^oD; rob( fitlv 9i/A9^ag diosaffij 
rob; dfi vuxrag A^iaatj roDrov 

vvv di at T% }tn%g d/deC^o;^o/ ro- 
(foDrov %f^vov ^d)} ^aXaa'(rf6- 
oucra/y xa/ rob v\rigdjfji,ara 

yv6/iivai at itrioXai riv &\\ov 
p^^^vov rris yrig A'ToXavnv oux 
ixutXvov* 
v§og ySt^ rfi ivd\^it rj)i> fi,h 
flfAt^av xarik dtabo^^v 0/ 'A- 
^fivatbi ^u\<iff(fovTtgf r^v dt 
yhxra xai ^{tfMeavrtg^ 9rX))v 
rm i'T'TsuVf 0} jUih ip* E'rXoig 
*iroio{)fJitt90tf oi 6* M roD ri/- 
X^^^ii x^^ ^t^oug xai x*^/ioi' 
vo; iraXa/^M^oDyro. 



r&g oSv v{fxrag^ h^Srt x*^!"*^^ 
%1ri yan^ig^ r^Lg fii^ WotXl^ug 
AfFsXitirov, ix dh ruv 'ir^^yuv 
ovrm di* bXtyov xai &vta0sv 
ffrtyavZv, riiv fuXax^v «ro/- 
oDfro. 

rj/Ms^ag r% iirrdy a; &px6fii¥og 
6 Ev^ufiiduv ratg i^rixovra 
vavffi Ta^s/Ur8/V8, Ks^xv^aToi 
<rpm avrSfv rovg f;^^fou; do- 
xovvrag that ifovtuov, 

b de 'ff^oaayaydiv iyyvg r?;*OX- 
irrig itfrgaro^rg^sutfaro* ;^a^a- 
d^a d* aurovg fitydXti dnTj^yt' 
xai fifispag fitv Trevrt ^ffiip^a- 
^ov, rfi it sxTfi ird^tfovTO &f/r' 
^Srt^oi ug ig fLdyviK 

xai Ig rh tirzira p^^^vov enrovhdg 
xai ^vfifiax/oi* iiroif^cavro 
ixarh ir)} ^Kxapmvig xai 
* KfjifiXoxpt 4r^3( Afi'ir^axi' 
cDra;. 

ra{irifiv fih oSv njv fifii^av xai 
rrjg bcrt^aiag fii^og rt T^o(f- 
QoXdg 'iroififfdfitvoi mvauvro* 



2. Genitive, 



iX0^v b* ixuvog Xiya Sri d^ti 
aurovg <irhr% ifAiPuv iig yja- 
^hv Sitv ((•\)/oyra/ ^dXarrav, 

0/ 6* iv rfi 2/xsX/(f *A6fivaToi 
rov avroZ x^tfiuvog ig r% ri) v 
* 1/Mt^fiav d'jr6Za<riv eiroi^cravro 
sx rStv vsuv fAird ruv lixt- 
\m &vta6tv sffZtZXfjxSTOjv ig 



rd t^xj^ra rv^g* Ifii^tiag^ xai 
M rdg Ai6\ov vritfoug s^Xsu- 
ffav, 
rou b* avrov xj^ifAmog 'B^atfihag 
s^Oiiv roifg iiri (8>§(jjixfig ^vf/r- 
fLdyoug tffr^dnufftv tg 'A/ji- 
^{iroX/v riiv M 'Sr^u/Movi to- 
raiti(f> *A6fivaiuv dvoixiav. 



Rule XXXVI. 

jUifjLUvog dt dvo^avSyrog, xai 0} 6h ug ^xoutfay, utT'^rf^ )) <ru^g 
Xifiov yivofiivoVf d^nx^^^ffav Ay^hu ri i\dfou favivrogj 
d<irh Kiriou, hvrat iir a&r^y. 



70 



KEY TO GREEK GRAMMATICAL EXERCISES. 



diddffxtiv w; a^o^ov s/ri /So- 
ffsKsu^ &xovrog cu$fi¥at, 

Tuv *iFi^avy ovde)g auroTg 3v- 
vri^sraij \s\vfA6Vfig rijg yj- 

^yrjTuv yStg oxtdeig sffrtv gv6ai- 

svTogy $brv^sffre^og aXXou 
ysvoir civ aXXo^, svdatfiuv 
d* &¥ ou. Poet. 

ffoi id6xouv fiaXkov ya'^Vh ^' 

dtiXoi, ri 01 dyb^iioi ; 
oiFtag oivj xaradyiXojv ruv abi- 

XTifiidruv yiyvofisvuvj d'jraX- 

"kdrrttivrat to\j fnyhrou xa- 

xovy adix/ag, 
Tou d* imovTog Iroxjg h h ^«- 

xa/(f nug ri^g 'Adrjv&g svs- 

Tog, 
riv Avrtrd^sig r^di ; r/g n^o/- 

rov flruXSfV, xXiid^wv \vis¥' 

ruvj v^oaranh pt^syyvog; 

Poet. 
iiFii 3f, ra^etfrjjxorwv ^/ct«v, eru- 

Mxa/if^l/s ri (TXfXo^ 6 dev^^, d- 



tix^ayot oi 'xa^Syng on ^jj h 

d^i<fTOV0iov/Jif$vuf dl avrZ¥j e^ 
y(iTai M/6^iddrfjg <fu¥ tvjnv- 
<n¥ wg T^idxovra^ xai xaXs- 
ffdfjkevog rovg ffr^arfiyoug iig 
sv^xoov "ktytt Gilds. 

syyvg dh ytvofAeyuv ruv 'ASti- 
vaiuVj s/Aa^ovTO dv6 re rm 
¥im xai rfjg yr^g^ f^^Xi' ^' 
'A^fi¥aTo/ d<riiFKiM(ia¥ ug Ma- 
bvro¥ ir^hg r6 oliXXo 6rgar6- 
feebo¥y o\ihh ie^dJ^a¥rig. 

rr^g he ¥\ixrhg idoj¥ rd iru^dj 
xai nvuv avrfi e^ayyetXdv- 
ru¥ in Oi *A6fivaioi sJev, dtti- 
yero ^e^t fisffag ¥vxragy ug 
eB,am¥amg m'^os^e^o/. 

6 vavrrig dpa fi,ri eg ir^oj^av 
^vyu¥ ir^ufAVfi$€y ed^e furiya- 
¥ri¥ (foirfi^iag, veojg xafm\i<si^g 
^o¥r/(fj ^^hg xvfiari. Poet. 

eVg/di} h* eyytjg rrjg Ku^/xou 
ff, atd^tag ye¥OfLevfig xai roZ 
fiX/ou exXdjii-yl^avrog, xa^o^^ 
rdg rov Mivdd^ov vaDg yu/n- 
va^ofitevag ir6§^u d^6 rou X/- 
fAevog xai diretXyifiifievag air 
ahroZ. 



Rule XXXVI. 



s^f/ fi^ e^ug er^uxrtv, hx6irov¥ 

oirug xdXKtar sveyxat/M au- 

r6v. Poet. 
tiv dfitXZg re xai dfuXdxrug 

wo^iijriffde M rd emrvibeia. 
^e^s dfi (TO/, edv 6vvojfji,aij (fafe^- 

rs^ov siTided^u 8 Xeyea. 



dvahig yd^ M x^vi/ia¥6v riv* au- 
roVy xaraXiirm diretfi W e- 
xuQeylxr^a^riiKtcQyi *ire(idli¥, 

rovg fiev ovv irsXracrdg ids^- 
QLvro 0/ ^d^^a^oi xai ifid- 
;^ovTO, eirsidii dt syyvg fiaav 
0/ oirXTraty er^diro¥ro» 



SYNTAX. 



71 



Note 1. 
xofficui 6rX/ra( ofiov roTg Ko- sxuro oufffi ou fitfy6i,'K^^ xai 



A^oto 2. 



Ufuv imduvras rra vvxrog ot 
f3d^Zof-^oi* sen 6s ffT^drsvfAa 
^oXO sv rfi 'jrXrie/ov ^ra^a- 
dsiff<f). 



flr^agav fi.sxv ^^i l^^^X^h 
xai oca s<jesl KD^o; srs'Ksx)' 
Tfissv sysvsTo anctSvrm rSiv 
'EWrivuv ffuv Tiffffaps^vst iv 
raTg ffvovdaTgj h rp *ir^66&sv 
h6y(fi 6s8fiXuTat» 



Rule XXXVIII. 



ujg ds 'jr^6<ru) rSj; vuxrhg ^^ofX;j- 

Xaro. 
rvfiiQov 'jr^otrsT^irov ifftrov. Poet, 
ov^ ogfg, y si Kaxov ; Poet, 
rSjv Ts$vrix6T(»tv dXtg, Poet. 
o*x6ti rou sroMg ; 
irciT yv^g 6t.px6iAfiv \ Poet. 
ovTOjgf ijg soixsv, syyurdru J- 

(fofisda rov sidsvai. 
xa/ r6 TsQvdvai rixtffr auroTg 

dvdpwiruv foZs^6v. 
O'lrfi T^d'ffUfAat rtig rxjyrig d/iri- 

yam. Poet. 
oOp^ 060V rdyog vrjauv s^7ifji,uv 

auriv sxCaXsTrf iroi ; Poet. 
vcs^do^citv ds irv^yov ojfitfiffTfig 

XsuVf adfiv sXe/^sv alfiarog 

rv^ayv/xou. Poet, 
xai hri xai coZ ?i6eug &v fCM^oi- 

fjLrjv r$ tfoi ^alvtrat toutq, 



smidfj svravda fjdr} s7 rijg 
fikixiag S hri '(^^ y^^aog ou- 
hip faah that ot ^oir^rai. 

i*rsl h* iyyug sysvovro rov yja- 
^/ou, sxd^afAovrsg rgsneoyrai 
aurou(, %al dirsxTStvav tfuv- 
voO( rm ^a^^d^uv xai ruv 
^vvavaZdvruv *EW^vuv r/- 
vdg. 

td6vTsg 8s o/ UsXo'rovvrifftoi xa- 
rd fit/av M xs^tttg ^a^a^Xe- 
ovr ag^ xai ridfi hrag svrhg 
rov xiX^roD rs xai T^hg rfjf 
yf (5flr«^ ICouXovro fid\i6ra) 
dnrh fffifASiou svhg afm sm- 
cr^s-^ayrsg rdg vaD^, /isroj* 
'Tfihhv i^Ksov ug sTys rdyoug 
sxasrog M roijg 'AGrivai- 
oug. 



72 



KBT TO OREBK GRAMMATICAL EXERCISES. 



Rule XXXIX. 



fjkuv ifiiuv. Poet, 

xai [LOLka efiot yt oux dfjdo)^ 
axoutfa/. 

xai rm nea^ iaurip hi fia^Qa- 
^div sirefLi'ktTro ug vaXifitzh 
rs ixavoi e7ri<fav xai ebfoixStg 
i^oiiv avrf), 

Byi) o^v irsi^dgofLai rcuro e'lru' 
vo^$(jj<fa<rdaij 'itputov fLh "£- 
fidira ^^daai ov bzT I^a/vs7v, 
sTE/ra siraiveaai a^iug rov 

6 dt KaWtx^ar/bag axovm r^J v 



fioffhtav ijdfi i¥ IdfKft fZ^an^ 
axtroZ fih xareXixs Vivri- 
xowa yaZg xai a^ovra ^Rre- 
6vixoVf roug 6k s/xo<fi xai exa^ 
rhv ava^hig Jds/Tytf^o/e/ro 
Trig Asitioy hnri rfi MaXiqp 
&x^€f, avTiov Trig MuTtX^vrig. 

fii6riv ds xai uirvov o/j^oiug hsd^c^ 
^vXATTO/Aai. 

xo\a<f07}TU(rav ds xai vv¥ a^iug 
Trig dbtxiagy xai fii^ ToTg fikv 
hXiyotg ri a/V/a ir^otfreOfi, tov 
ds hri/jtov d^roXiiffriTs, 



Rlxe XLV. 



fuydda d* airuhT Ttiifds IIoXu- 

¥6ixriv ')(fiov6g, PoeL 
0/ fih ^eXovTsg exQaXily sd^a^ 

K^Svov, Poet, 
xai ouTu fih d'lraWaTTSfittvoi 

Trig Tou ffuifiaTog a^^otrvvrig. 
og fL iiieii^iirifL-^s T^w/x?f yfio- 

v6g. Poet, 
xai Ta^u fih ToTg riXtxtutraig 

trvvsKsx^aTo, 
Tuy T6 dsivuv /irids'^oTe o76(f6at 

airoXv6rignf6at, 
Brtfi T^CTtfi r?tf5* exxvXt<f6ri<fri 

xdiri T(f)b* dv/tfrarai TaX^uC/og, 
og fffi irar^i avn^6§hi ^ju- 
yag. Poet, 

dW* s^a^eTrai tov6s y*, ug 
$yd) xXuw. Poet, 



o; iig dyuva T^be cufima^y 
f^^X^^ IxXuera/ fi^e. Poet. 

ovToi /uuSvri <rD ff£¥ d'S's^lfyr^g 
Ttxvuv. Poet, 

yd^ fiaxd^iog TdvTaXog^ xo- 
^v^rig b<jri^TiXXovTa biifLai- 
vm 'JTST^ov, dzgi voTOLTai, p. 

fi frov Tuvb* dzuigfiiTiTai bofiuv 
TAri/iuv 'O^gffrjj^, ^tofiaviT 
Xufftrri bafLiig ; Poet, 

ov ;^aX£cr&>; ^i^u ovb* dya^ax- 
rw, riyo'jfievog xdxeT oub'tv 
riTTOv 97 6v&dbs bsffiroTatg ts 
dyadoTg 8VTSU^£<f3ai xai iTai- 
ioig. 

TauTa bs fjroifitfag bts^aivt' tfuv- 
g/-rgro be xai Tb aXXo (Tr^a- 
Tiv/ia auT^ dirav xai tu^ 
bta^a/v6¥T6tv Thv TOTafilv c\f^ 



8TMTAX. 



73 



0/ 



fiagruv u'jrh rev 'xorafiou, 
de irtXratfrai 'rPod^a/udSvTti 
ffrddia irtvrt i) ll| rwv 6tX/- 
ruVf dtaQdvrii ^^^ X^^^^^^^^ 
hfimrtg ir^6Qara 'iroWSt xa/ 



fjxouov y6t^ Tuv &\t<rxofi,ivuv 
In %} dtiXhitv rSt Ka^do6- 
;^f/a (1^9}, tv rfl 'A^fitvtc^ rag 
vfiyjkg ToD Tiy^rirog irora^ 
fiovy fiv /ih fioOXmraif d/a- 
Zriftovrat, ijy di /ti) jSouXwyra/, 



^0(6. 









Rule XLVL 



jtiSt A/ y oux S^a pavXov ir^ayfia 
oS ro/ /£«ob rijv Arnudfir^a %a/f^- 



dat/diovsg xai Ztv^ ri fpg ; P. 
Ji ifit dftkatov, 
ravr\ £ A^xi/^'AffoXXoi', TKiug 

xXuouv, d^^ ^atf/v fififty^ uC'Xi^ 

9^atro{ffAt6a» Poet, 



Nate. 



ftv rr^g fi^ortiagy feat ^^oCijtff- 



P^oroTg dUatov &vd^a roTet 
du<reiCt(frt^oig, Poet* 



o1fi»ot diMyauVj dig i\a{f¥Ofiai hraZ6a dii ixiTVo; ^&vu Avtadtig 



rd\ag» Poet, 
^iu rou ^vvaWd^tfovrog ^vthg 



driXog ^9 xa/ fTri ir^hg aurSv^ 



Rule XLVIL 



Xftfa;, xa/ rtfy^fy ^rottfav d' 
*£XX^da. Poef. 



edyytiv xa) fitlhr ffuX(£r- 
rocro h\ d/i^6rt^oi u<r^t^ to- 
Xifihvg dXX^Xouf, xa/ lutft)^ 



74 



KEY TO GREEK GRAMBf ATICAL EXERCISES. 



INDIRECT OR REPORTED SPEECH. 



1. Wsi St raura £X9i^6;^^if, s- 
yveatfav 0/ ffr^ariurat or/ xsvhg 
6 ^6Qog e/fj xa/ 0/ a^p^o^rs; 

(TMO/. 

Ti66a(p%gvvig biaZaWti rh KD> 

fiii xaittv rag %U)fJ»ag, 
'jr^hi ravra d'Ttx^svaro 6 clf^p^wv 
rZv Moffavvoix(tiVj on xai pou- 
Xoivro raDra, xai bs^oivro 
rijv ^u/ifia^iav. 
rSrt bii xai eyvuxf^ri on 0/ /3a^ 
Qa^oi r(Jk av$^u^ov vvo^s/Hr- 
'>\/atsVy oxvovvrsi firi 0/ "EX- 
\rivti bisXovrtg rjjv ys^v^av 

oZroi b* fXiyoVy on 'iroWovg 
fairi 'ApaTog ihai Jls^6ag 
\a\)ro\i piXriovSj ovg ovx dv 
ava<r^ia&ai axtrov jSatf/Xsu- 
ovTog, 

xai mfi^'^avTig h AsXpovg rhv 
^thv c^jj^ovro, g/ Ta^aboTiv 
Ko^/v^/o/g TTiv *ir6'Kiv otg o/x/tf- 
ratg^ xai n/ica^iav r/yob ^Ei« 
^{ftvTO anc avTuv vonT<f0ai, 

ovTog Ku^tfi elTsVy 8/ avrfi bosri 



I'jnciag yt>Jwgy Sn roitg flrgo- 
xaraxa/ovrag I'T'srsag rj xa- 
, raxdvoi dv hsb§s{)(fag, »j i^Stv- 
rag iroXkoug avruv sXot. 

^^ogxaXsffavrsg rs roijg ^u/i»- 
/idy^pvg eJirov, on apUsi fisv 
boxoTiv abtxsTv 0/ 'A^^jva/b/, 
povXeffBat be xai roug irdv- 
rag ^ufifi^d^ovg cra^axaXi- 
ffavr sg '^rj^ov litayayitv, 

i^Vi ds, \<K%ib^ oS JxC^ya/ r9}v 
•s|/uj^^y, ^roggustfda/ /Agra ^oX- 
Xa;v, xa/ dpixveTff6at (f^ag dg 
roirov nvd bat/j^Sviov^ h f rrig 
rs yrig bv ilvai ^d^fian i- 
y((ifiiv(ii dXkrjXo/V xai roS 
ov^avoZ av Iv r^ avttt aXXa 
xaravr/x^u' b/xatrrdg bs fie- 
ra^v rovroiv xa^ritrdat, oug, 
«^g/d^ biabixdatiaVf rovg fih 
bixaiovg xsXsug/y ^o^gugtf^a/ 
r)9v eig bt^tdv rt xai £vu bid 
Tou ou^avou. 

2. gXgyov bs Bn 6tx6ra boxohv 

\iyiiv PatfiXtTy xai nxom 

• riyifhSvag gp^ovrgg, 0/ auro6^, 

Idv (frovbai y$voitvrai, ofjoi/- 

ffiv hdev €^ov(fi rd inriibsia. 



The Particle av, 

dv wltli the Imperfect Indicative. 

dra/viXXerg *A^sai(ft on vifLeTg rai, xai et fiii ufiiTg ^X^srg, 
vixojfisv n fiaaiXsa, xas, i)g i^offv6fAf0a dv M fiafftXsa, 
""rg, obbtig in tj/aTv fLdyi-- ohy^ oxtrtag dv 'jr^o&vfiktag »iri rhv 



r\on. 



INDIRECT OR REPORTED SPEBCB. 



76 



Ca/av ytvriifOfAivriK 
it yA^ ovTU raur «?%8, ^S$ oJy 

vth, xai ravra ruv doxovv- 
rojv txavurarijitv &v8puv that ; 
-rSf bi 'ravrtg s^riXouv oiv 
rovg rvpdvvoug ; 
ourf rtg ^svog A^Dcrctt ^^6vov 
(fv^vov sxiWtVf 6(frtg &v rifiTv 
(fa^ig Tt ayys/Xa/ oJ6g r fv 



^d^fiaxov m^v airoidvor ruv 
bi &XKuv oubsv ilyi ^^a^nv* 

fi^^O; bi (fijv rourotg itff'jrribriffav- 
Ttg itg rhv tjjX^v* ^arrov i) 
ug Ttg otv (fjiro /Minui^ovg 
i^ixifi^iaav rkg a/tid^ag* 

&va\afiQdvuv o^v alruv rd irot- 
tl/naraj d /Lot Mkh fidXtara 
'riir^ayiui,arsuff6at auroTg, btTi- 
^utruv &v aurovg r/ Xeyotevy 
h* dfia Tt xai fiav6dvotfJi,t 
froLQ* aurSv. 



&v with the Indicative of the Aorist. 



xai tifug &v btd ravr d^sdavov, 
it fi^ 71 d^^ii btd ra^iuv 

il h ^tXi'Tvog r6T9 ravrriv etr^f 
n)y ymfi7\Vy ug ^aXi^hv ^o- 
\iliiTif itfr/y *Adrivaioigj ovbiv 
dvj Siv v\jy) 'Ti^otTix.iVy iir^a^iv, 

bt* 6\fyov yd^ ovffrig TTJg ^gaj, 



xai ov 'frdyruv dfJi>a ig rh 
aurb cxovovvrmy it fiiv rtvig 
Ibotiv irri roug (f^tri^ovg Wt- 
x^arovvragy dvidd^ari^dv rt 
&y xai ir^hg drnxkrittiv ^im 
fji,7i trri^riffat c^dg rrig tf«r?)- 






dv with the Indicative of the Pluperfect. 

iroXirtxd ^^dy/j^araj ^d\at 
av dfro'Kd'Kiiv xai out av u- 
fidg df^iXfixstv ovbsv our* av 
ifAavrov, 



xai itayxd\(iig yi fLot boxi 
vavrtou(f&at' tv yd^ 7<trSy « 
avb^ig *A6rtvaToiy it iyoii ned- 
"Kat i'Tny^ii^fida ^^drntv rd 



av with the Subjunctive. 
dxovcart oSv /lov le^^g Ssa)v, xai &v tfr^arovibi^uvrat, rd^^ov 



idv fiiv iyu ^atvufiat dbt- 
xiTvj ol ^Pfi fii iv6ivbi dcreX- 
, '&iTv irpjv av bolt bixriv, 
ot fMv OMV 'Acffvfitot xai ot (fiiv 
auroTgj lini vibvi iyyvg aX- 
X^Xo/v rd (fr^anl/Aara J- 
yiyvovTOj rd^^ov ^i^ti^dXov- 
roj Svig xai vvv irt ^otoZtfiv 
oi ^d^ia^ot ^aaiXiTg^ Smv 



m^t^dWovrat iU'jriTug bid 
T^v 'ToXv^it^iav, 
6 b* vmcfyiTo dvb^i ixd<rr(ft boj- 
citv mvTi d^yv^iov fivdg, s- 
'frdv «/; BaZvXojva vixuitSty xai 
rh fiitsQh ivnXri fiiXi' ^^ 
xara<rrri(ffi rovg ^EXXrivag itg 
*Ioi)viav 'jrdXtv* 



76 



KEY TO GREEK GRAMMATICAL EXERCISES. 



&v with the Optative. 



mj or/ it^66&iv Sv avoQdvonv 

TTiyovg xai \o^ayovg r£v 
'EXX^vwy (fuviioui^ivtrS re 
iruig &y r^v fJ^oL'^riv nrotoTro^ 
xai avrhg ira^jjvet ^a^*^uvuv 
rotadi. 



'A^oXXai rhi av ^toSv ^vuv 
xai iv^fitsvog xdXXufra xai 
&^t(tTa ikQoi rijv obov ^v i<jn- 
votT xai xaXug v^d^ag (foth- 

ourt 'yd^ otv s'jnirXiXKfus rig^ ug 
XS^i h ifi^oXviv, fA^ ex^v rnv 
ffgotfo-vj/zv Tuv 'jeoXifJiidiv ix 
ffoXXoD, ourg av &iro^u^7i' 
Csiiv iv deovrtf irnSfifievog. 



&y with the Infinitive. 



rdg fith oZv rotavrag ayvufio- 
<ruvag vo/Lt^av evvoinftatg fid- 
X/0'ra oiv iraUffdat, f xw, xai 
5idd(fxstv (ff ^oOXofjuat ug ffu 
fjfj,7\i oux h^&ug aiFidriTg, 

0/ h\ ^Kxa^mng ri^Uuv ArifKh 
ff&evriv rhv drgarriyh rm ' Atf?j- 
vaiuiv diroret^i^uv abrovgy 



r av ex- 



vofj,i^ovrtg ^cfdtojg 
'jToXto^XTJifaif irdXsoig re asi 
iS^ici voXt/jJag diraWayvi. 
vat, 
Mt fjAvroi dvStirog (av^ ti oiei 
r^v ufLsre^av dper^v ve^tye- 
vsff&at otv rrig paifiXeug ou- 
vd/ieojg. 



&v with the Participle. 



«^;^«ra/ 'jr^hg rhv KD^oi', xai 
atreT ahr^v tig d/ff^tTJoug 
^evoug xai r^iojv firivuv /uut^ 
cHvj ojg ovru ^e^iyev6fievog 
&v rZv avri<tra<rmrZv, 

xai fifi*ug ours ^evreg rhv v6fioVj 
ourt xetfiev(ft ^^urot 'Xffudd^ 



fievoij hra de ^a^aXaZ6vre^ 
xai h6fi*tvov ig dti xaraXe/- 
'^ovrsg ^i^fiifLtda aur^, «/- 
h6reg xai bfi^ag oiv xai SX- 
Xovg, sv rp avrp dwdfiei 
fifiih ytvo/Atvovg^ d^uvrag otv 
aur^. 



77 



CONJUNCTIONS. 



idv rig (fot xdfAVfi ruv oixtruv, 
rourou t'ri/itXp xai ita^axa^ 

6avp ; ^ 

xaraxavtrai rag afitO^oLg a^ 
i'XfifiiVj ha fi^ rdf, Zjidyr^ jj- 

fii^a Sirji &v rf cr^artf trvfA' 



1c(»ig oSv &tfpa\ttfri^O¥ rifi?^ ro- 
^i{fi<r6at irXa/aiov voiriCafii' 
vou^ ruv SirXoitv, Iva rob tfxi uo- 
f6^a xal 6 ^o\vg o^Xog iv 
&a^aXt(friQtfj f, 

&W* Iva (pgacu cot irdvTa ravu 
ir^dyfiara^ rouri XaCojy /lou 
rl ffxtddiiov um^s^i cLvu^iVf 
ug &v iifi yH o^uciv 0/ ^lo/. 
Poet. 



oltdh bt Iv £XXo T^ifovratf 9] S'jrutg /la^ouvrat u^^ r^tpSvruy, 



tdtiCav 0/ "EWrivtg /lij ir^otrd^ 
yoiiv ^^hg rh Xf^a;, xal in- 
^i^rr{i^avrig Afifors^uStv a6- 
roitg xaraxS-^ttav. 

d/Aa d^ rfi lb; d^ixvovvrat Hfiug 
tr^ig ri)v SdcXatftfav, xa) ftf« 



Cdvrtg Ig r^v My n)v *EXfti- 

Pt¥^v xaXov/j^ivriv l^o^i^ovro, 
offwf, i'jrstdii ysvoivro M rfi 
irorafLfp rip Kaxv^d^ttj ^a- 
^d rhv ^orafihv 7oiip &vu dtd 
fi*%6vytiag. 



ohx &y ic^fifinv rh fi^ drnxXfi' 
ffai rovfihv d&Xtov difiag, h* 
fv rv^\6g rt xa} xXhw fifh 
div. Poet. 



dW* ohx iv rdy%i f^fi'xf/* f/ctau- 
r^v rric^ dirh (frhfXou m* 
TPag^ Ivtag vidot cxr^-^aca 
rm vdvrm ^6ycav drriXXd- 
yiiv; Poet. 

d2 



78 



KEY TO GREEK GRAMMATICAL EXERCISES. 



i^ti d* ed6xovv avrfi ^oXaiug 
'jrotti^ fStfin^ o^fi, ixsXivffs 
rot); 'JTi^i a\fr& Ile^o'a; roiig 
x^ariaroug ifuvevtffirsv^ai rag 
afifd^ag. 

xal it iih sirioisv 0/ *A6ri¥a7bt, 

s^ixfiVTO, 



ire^it/LsvofAsv ovv sxasTore, sug 
ayoi^hiri rh di(ffLUT7i^io¥, dia- 

e^'ygro yAg ou ff^^* Wiih% 
h\ avoi^de/ri, slfffifi,sv ira^a 



fi^ (Zv o7ov rd fiova AyaQd 
71/juf 0¥ra XffJkTy 'Xa^ahiiitSuy, 

xai fi»n fi^ SirifLov rrjad* airo- 
(fTifXfirt yni' Poet, 



fifidf (ft xtv9i<rdr6it rig. Poet* 



THE END. 



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