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in 2010 with funding from
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The Harold E. Johnson
Jean Sibelius
Collection
at
Butler University
A Complete Catalogue
Gisela Schliiter Terrell
1993
Rare Books & Special Collections
Irwin Library
Butler University
Indianapolis, Indiana
oo Printed on acid-free paper
Produced by Butler University Publications
©1993 Butler University
500 copies printed
$15.00 cover charge
Rare Books & Special Collections
Irwin Library, Butler University
4600 Sunset Avenue
Indianapolis, Indiana 46208
317/283-9265
Dedicated to
Harold E. Johnson
(1915-1985)
and
Friends of Music Everywhere
Harold Edgar Johnson
on syntynyt Kew Gardensissa, New Yorkissa vuonna 1915. Hart on opiskellut Comell-yliopistossa (B.A.
1938, M.A. 1939) javaitellyt tohtoriksi Pariisin ylopistossa vuonna 1952. Han on toiminut musiikkikirjaston-
hoitajana seka New Yorkin kaupungin kirhastossa etta Kongressin kirjastossa, Oberlin Collegessa seka
viimeksi Butler-yliopistossa, jossa han toimii musiikkiopin apulaisprofessorina. Han on ollut American-
Scandinavian Foundationin jasen seka vv. 1957-58 Fulbright-ohjelman tutkijastipendiaattina Suomessa...
Harold E. Johnson, Jean Sibelius.
[Book jacket]. Otava, Helsinki 1960
Harold Edgar Johnson was born in Kew Gardens, New York, on May 14, 1915. He attended Cornell University (B.A.
1938, MA. 1939) and received his doctorate from the University of Paris in 1952. He was a music librarian at the New York
Public Library and the Library of Congress, and taught at Oberlin College before joining Butler University's faculty in
1952. He was a Fellow of the American-Scandinavian Foundation, and a 1957-58 Fulbright Research Scholar to Finland...
About Harold E. Johnson
Dr. Johnson walked into the room where sat many colleagues engaged in several, separate conversations.
He made one simple statement. That statement immediately stirred up controversy which eventually ended
in violent debate, long after Harold had left the room. And this could be accomplished in record time. That
was the influence of Harold Johnson, provocative, raconteur extraordinaire.
Harold Johnson and I were special friends. "Sparks" ~ a nickname acquired during his days as a radio
operator during World War II - was unique. Here was a Fulbright scholar bearing a doctorate from the
Sorbonne, an author, a professor, and a music critic all rolled up into one.
A scholarly man of utmost integrity, he possessed a limitless sense of inquiry. That sense probably led
him to his initial interest in Sibelius. When Dr. Johnson referred to the famous Finnish composer, whether in
the classroom or in casual conversation, his demeanor changed. He immediately "lit up" with devotion and
awe for a man with whom he felt a close kindred spirit. He was immersed in everything about the famous
composer. My appreciation for Sibelius has been enhanced by knowing Dr. Harold Johnson. May this
collection serve as well for all.
Dr. Richard D. Osborne
Professor of Music, Butler University
The Harold E. Johnson Jean Sibelius Collection
Dr. Harold E. Johnson gave his collection of scores, books, recordings, and accompanying materials to
Butler University's Department of Rare books & Special Collections in 1982-1983. The collection includes
many less well-known compositions, some of them never performed in this country and not available in print.
Books and pamphlets provide unusual secondary sources. The recordings are largely of early performances,
many of them recorded during Sibelius' lifetime.
Dr. Johnson's researches in Finland on a Fulbright scholarship (1957-1958) bore fruit not only with the
publication of a major Sibelius biography but in many scholarly articles and the discovery of unknown or lost
manuscripts. While searching for compositions, and copying manuscripts, he gave his word as a scholar and a
gentleman not to publish works which were made available to him: he would seek performance but not
publication. This librarian intends to honor that promise.
I met Harold in 1980, shortly after coming to Butler University, and remember well his delight in finding
an amateur musician in charge of special collections at this institution. Harold had meant to write his own
catalogue after retirement from Butler University (1982), with no more than a little assistance and a lot of
listening from my side. His death by accident in 1985 left the task undone, and the collection largely
unsorted.
After many delays, here is the catalogue. I am immensely grateful to Prof. Fabian Dahlstrom, Director of
the Sibelius Museum in Turku, Finland, for information, scores, and help in identifying compositions which
Harold Johnson had collected but which had remained a mystery. There has been no other scholarly help,
neither has there been any clerical assistance; mistakes are solely mine.
Gisela Schliiter Terrell
Rare Books & Special Collections Librarian
Contents
Page
About Harold E. Johnson iv
Introduction: The Greatest Monument to Sibelius - vii
The Scores
Preliminaries xii
Abbreviations of publishers' names; note to place of publication;
other abbreviations used; note to the arrangement of scores
Works With Opus Number
Opus No. 1 to Opus No. 116 1
Miscellaneous Selections and Collections 19
Works Without Opus Number 20
The Recorded Music
Preservation notes 26
Note to the Arrangement 27
Works With Opus Number 27
Works Without Opus Number 46
Collections 46
Recordings Added to Harold E. Johnson's Collection 47
Other Composers Represented in the Collection 49
Books and Other Publications
Note to the Arrangement 56
Listing by Author 56
Related Books From the Library of Harold E. Johnson 66
Other Materials and Ephemera
Booklets, Microfilms, Photographs, Prints, and Other Items 69
Appendices
A. To page 57: Current checklist of a collection of articles and excerpts 71
B . To page 60: Descriptive inventory of Harold E. Johnson's notebook 76
C. To page 59: Selective inventory of Johnson's collection of reviews 79
Title Index to the Scores of Jean Sibelius
Note to the Arrangement 80
Title Index 80
Cumulative Titie Index 85
Name Index 94
Bibliographer's Farewell: Runon synty, excerpt 99
Rare Books and Special Collections at Butler University 100
Illustrations
Press Celebrations, 1899, Tableau III, first page of the manuscript; reduced vi
Harold E. Johnson, ]ean Sibeliuksen "Andante lirico"; reduced 55
Harold E. Johnson, Sune Orell, and Simon Parmet 68
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Press Celebrations, music for Pressens dagar, 1899 (see page 24). Tableau 111, first page of Sibclius's manuscript.
Introduction^
The Greatest Monument to Sibeuus
Shortiy before Sibelius's death in 1957, a delegation representing Finnish composers visited Finland's
Education Minister Saalasti to express a wish that a Sibelius statue be erected in Helsinki. A worthwhile
undertaking, no doubt, of impressive consequence: on September 7, 1967, the unveiling of Eila Hiltunen's 28 ton,
26 feet high, 32 feet long Sibelius monument of 580 silvery pipes soaring high in Helsinki's Sibelius Park was
followed by a gala evening concert.
Also in 1957, an American musicologist set out for an almost two year stay in Finland, to begin his own
contribution to what he called "the care and preservation of another and even more important monument ...
which Sibelius himself has designed--his music. "^ At the time of Harold E. Johnson's researches in Finland, a
great part of Sibelius's music had long been published but much work remained to be done in order to safeguard
preservation of original manuscripts and the limited editions of lesser known compositions such as the many
unpublished choral pieces available only in hectograph and facsimile, early compositions, sketches,
notebooks. In 1957, numerous original manuscripts were in private hands, some had already appeared for sale
in a London antiquarian book shop, the location of many was unknown.
Johnson located some twenty manuscripts of works which had been performed but not published, and
were presumed lost even during Sibelius's lifetime; he discovered two compositions which previous
researchers had bypassed, believing they were identical works. His findings were widely reported in
Finnish, Swedish, and English language papers.'^ Finnish colleagues joined him in lamenting the fact that it
appeared easier to raise funds for the erection of a statue than for the collection and preservation of
manuscripts which constituted the pieces of the composer's own monument, links in a chain which stretches
from the early five Christmas songs to the Seventh Symphony of 1924.
Links of quite uneven strength and durability: there are the symphonies and symphonic poems which
once made Sibelius the most admired classical composer for British and American audiences; there is an often
performed violin concerto and a less often heard string quartet; once in a while, some interesting choral works
and orchestral suites sound from national public radio stations, and Sibelius's solo songs still appear on recital
programs. Even though it is considered a major work, American audiences do not often hear the tone poem
Tapiola (op. 112, 1926) which the English writer Wilfrid Mellers called the most terrifying (i.e. spine-
chilling) piece of music ever written^, an eighteen-minute orchestral piece in which Sibelius combined his two
main streams of creative production, the absolute symphonies and the programmatic tone poems.
To some degree, the musical significance even of Sibelius's major compositions is a matter of
interpretation. Recent scholars like Burnett James^ and Lisa de Gorog^ do not agree on all points, and Harold
E. Johnson who published the first critical biography, did not set out to "vivisect" the music' But they and
other writers do agree on a great number of compositions, "a disconcertingly long list of miscellaneous
instrumental music, most of it strikingly nondescript. It is this latter category, the apparently endless stream
of anonymous trivia he churned out virtually throughout his active career, which has most alarmed
Sibelius's admirers and provided ammunition for his detractors.""
A multitude of inconsequential works: salon pieces, seasonal choral works. Masonic songs, a Workers'
March written in 1896, "Three Songs for American Children" dating from 1913 (a year before the composer's
visit to the United States), trifles and miscellanea composed throughout a career that produced symphonic
'Revised version of "The Other Music of Jean Sibelius," an essay originally written October, 1992, published in
AB Bookman's Weekly, special issue on "Music & the Performing Arts," December 7, 1992.
■^H. E. Johnson, "The greatest monument to Sibelius," in Suomi-Finland USA, Vol. XII, no. 7, 1957; p. 60 in this catalogue.
■^See list of several articles by Johnson about his findings, p. 60; many notices and reproductions of foreign press reports
are preserved in the "Personal Scrap Book."
'^Wilfrid Mellers. "Sibelius at Ninety: A Revaluation," in The Listener, Dec. 1, 1955, p. 969; p. 57 in this catalogue.
^Burnett James. The Music of Jean Sibelius. Fairleigh Dickinson University Press,1983.; p. 59 in this catalogue.
"Lisa de Gorog. From Sibelius to Sallinen. Greenwood Press, 1989.; p. 57 in this catalogue.
'Harold E. Johnson. Jean Sibelius. A. A. Knopf, 1959; p 59 in this catalogue.
"Burnett James, op. cit., p. 121.
master pieces, interspersed with solidly crafted compositions found among the many piano and violin pieces,
fine incidental music, and an occasional flash of genius in some works now rarely heard, such as Luonnatar
(Spirit of Nature, op. 70, 1913) which fits no precise category: half song, half symphonic poem, begun in 1910
when Sibelius already thought about his Fourth, his most bitterly criticized symphony which opened
musical realms into which the composer himself hardly dared follow. Luonnatar has a boldness and freedom
of line that appeals to me in spite of the wide range's rather cruel demand upon the soloist. James calls it
"one of his subtlest, most completely original, and most totally individual works."^
Tapiola, the last great composition, was followed by what has been called "the Silence from
Jarvenpaa": thirty years without any major compositions, and the gradual cementing of a national hero's
status as the enigmatic Olympian, a man of granite whom many could not or would not forgive the talus slope,
and the many pebbles at the foot of the mountain.
Sibelius himself seems to have been quite fond of these pebbles, even the sometimes charming but
nonetheless uncharacteristic salon pieces. On one hand, these pieces often helped to fill his purse. After his
fame was well established, and success at home and abroad culminated in a generous state pension, financial
need may not have been great but the memories of economically troubled years certainly lingered. During the
composition of the Fourth Symphony (1908-1911), surgeons in Helsinki were unsuccessful at removing a throat
tumor, and advised Sibelius to consult a German specialist. He was deeply in debt, and was considered a poor
risk by the banks. "The humiliation of having to make the rounds begging for a loan for a hospital trip,
while his pregnant wife was waiting on a park bench, compounded with no bright prospects of royalties for
his compositions was traumatic enough to give Sibelius nightmares even in later years."^^
On the other hand, there may have been delight in mastering the tools of composition, and wielding
them merely for pleasure, especially so since composition technique had been one of his least liked subjects
during his early music studies. The disciplines of thorough bass, harmony, form, and strict and free
counterpoint to which he had to submit first under Martin Wegelius in Helsinki, and again as post-graduate
student with Albert Becker in Berlin, had not at all been to his liking and temperament. Karl Ekman thought
that the myriad of small compositions which interfered with the completion of the the Fifth Symphony,
may have served as a kind of narcotic for Sibelius during the troubled years of World War 1.^^
However, minor pieces continued to flow even after the war with amazing regularity: Piece
humoristique, Esquisse, Souvenir, Moment de valse, etc., and even the composer's staunchest admirers were
disturbed that he should have dignified these works with opus numbers, and permitted their publication:
"With undeterred hope we continue to turn over these pages, discovering nothing with the hallmark of the
master upon them. These trifles are, with scarcely an exception, entirely undistinguished and characterless,
nor do we find either improvement or deterioration as the years pass and the true Sibelius of the the
symphonies increases in stature and power.... There is precisely nothing to them. They are not even bad, and
never vulgar.... Has the composer some inexplicable regard for these banalities, and if not, why has he
troubled to waste so much ink during his long career?"^ ^
Why, indeed? The pebbles which rolled off the mountain, are not really at issue: perhaps a kind of
house cleaning, clearing musical debris out of the way by musical means. One cannot deny the existence of
these trivialities, one may wonder why they were dignified with opus numbers and publication but one need
not judge Sibelius's lasting works by them: a case for psychologists, perhaps, but hardly for musicologists.
Less harsh in overall judgment than many critics, a discerning public and great interpretations by conductors,
soloists, orchestral and choral ensembles have come a long way in separating compositions of genuine worth
from the Valse lyrique and its many siblings.
Time has converted some compositions into somewhat ceremonial numbers: the tone poem Spring Song
(Vdrsdng, op. 16, 1894, later revised) figures in concerts heard around May 1; Finlandia (op. 26, 1899-1900) is
reserved for special occasions as an exaltation of Finnish nationalism. The famous Valse triste (op. 44 no. 1,
1903-4), first recorded in 1911, recorded more than a dozen times between 1950 and 1965, has fallen a bit by the
wayside, and now appears more on popular "listeners' requests" radio offerings rather than on classical
^Ibid., p. 129.
^'^Lisa de Gorog, op. dt., p. 104.
11 Karl Ekman. ]ean Sibelius och hans verk. Holger Schildts Forlag, 1956, p. 334; p. 57 in this catalogue.
l^Arnold Bax. Farewell, My Youth. Longmans, Green, 1943; in Johnson, ]ean Sibelius, op. cit., p. 189-190.
concert programs. The vagaries of taste— W/se triste is a popular piece but not a trifling composition, and
bears the "authentic Sibelius tone and temper."^ ■^
There is no similarity between the music of Sibelius and Rossini, but obvious parallels exist in their
lives: both were legends in their own lifetime, both retired from creative life while at the peak of their
powers. Rossini penned an attractive collection of small pieces in his latter years, called them Sins of My Old
Age, and did not withhold them from the public. Sibelius penned and published such "sins" for decades but
was not as undisceming a critic of his own works as his delight in so many trivial compositions may lead one
to believe. While he amused himself with nonconsequential trivia, and allowed them opus numbers and
publication, he took a less charitable view of several promising compositions which have gained prominence
in spite of the composer's reluctance to admit them to audiences.
Take, for example, KuUeruo (op. 7), symphonic jx)em in five movements for soprano, baritone, male
chorus, and orchestra, written in 1891 and 1892, based on texts from the Kalevala epic. Coming some seven
years before the First Symphony (op. 39), KuUervo is thoroughly symphonic in all essentials. Harris
Goldsmith calls it the "true" First Symphony^^; Furuhjelm calls it an epic drama with an intermezzo and two
preludes^^; in his later years, Sibelius frequently referred to it as an "independent symphony"^^. The first
performance on April 28, 1892 marks Sibelius's debut as conductor. It was a huge success, carried high not only
on the rising wave of Finnish nationalism but at least to some degree on the merits of the composition.
Contemporary Finnish and Swedish critics voiced overall approval while pointing out the very
compositional weaknesses with which foreign critics charged Sibelius's symphonies decades later.
Although the first performance of 1892 had to be repeated five times within a year, Sibelius not only
heeded the critic Karl Rodin's advice (too "Finnish," too great a danger to drown obvious talent in the
production of folk idiom); he may himself have become dissatisfied with the piece, and forbade any further
performances during his lifetime. He also withheld the score from publication, and allowed in print only a
revision of Kullervo's Lament (in Uusi Saveletar, Dec. 1918).
In 1930, Sibelius told Cecil Gray that he did not wish the piece performed because it needed extensive
revisions, but that he was reluctant to undertake them because they might destroy its true character.^^ He
relented to some extent, recognizing the innate merits of the admittedly unpolished composition: in 1935,
there was an unofficial performance of the central movement, and just before his death Sibelius partially
reworked the final portion, Kullervo's Lament, for performance by the Finnish basso Kim Borg on occasion of
the 1957 Sibelius Festival~but he exacted assurances that the piece would be designated on the official
program as dating from 1892, clearly a "youthful indiscretion."^^ After 1893, KuUervo in its entirety was not
heard in Finland until a few months after the composer's death, in a performance directed by Jussi Jalas. A
tape of that performance circulated for many years among Sibelius aficionados; a legitimate recording did not
appear until 1971, a very spirited performance by the Bournemouth Symphony Orchestra under Paavo
Berglund. A miniature score appeared 1961; even today, conductors use photocopies of the 1892 manuscript!
Another case of Sibelius's own scrutiny: When Cecil Gray was preparing his study around 1930, Sibelius
permitted him to examine the score of a little one-act opera, ]ungfrun i tornet (The Maiden in the Tower, 1896,
no opus no.) and was not in the least disturbed when Grey found it one of his less significant productions.
Indeed, in 1915 Sibelius had made the same observation to his biographer Furuhjelm^^ , with regrets of
having permitted and himself conducted the only performance during his lifetime at a lottery evening in aid
of the Helsinki Philharmonic Society and its orchestra school, November 7, 1896. And when the English
conductor Warwick Braithwaite asked him whether Jungfrun i tornet would be performed after his death,
Sibelius replied (perhaps with a twinkle in his eyes): "She will remain in the tower and not come out."'^^
^"^Burnett James, op. cit., p. 116.
^"^Harris Goldsmith. "Sibelius' Forgotten Masterpiece," in High Fidelity, Nov., 1971, p. 87; p. 57 in this catalogue .
^^Erik Furuhjelm. Jean Sibelius, hans tondiktning och drag ur hans liv. H.Schildts Forlag, 1916. p. 129; p. 58 in this cat.
'"Harold E. Johnson, jean Sibelius, op. cit., p. 41.
I'Cecil Gray. Sibelius. Oxford University Press, 1931, p. 69-70.; p. 58 in this catalogue.
'"Harris Goldsmith, op. cit.
'^Erik Furuhjelm, op. cit., p. 163.
•^"Harold E. Johnson. "The greatest monument to Sibelius," op. cit., p. 7.
Not so: The Maiden appeared, and was performed and recorded after Sibelius's death, with Neeme
Jarvi and the Gothenburg Symphony Orchestra. Overall, music critics agree with Sibelius's own assessment
of his singular operatic attempt while praising much of his incidental music. Most of the theatrical and
tableaux music has survived in Sibelius's revisions as orchestral suites. The two sets of Scenes historiques
may not reach the genius of Sibelius's symphonies and symphonic fX)ems but still hold an audience's attention,
but how many people, especially outside Finland, have ever heard any of the fifteen incidental numbers
composed in 1916 for Hofmannsthal's Jedermann Qokamies, or Everyman, op. 83)? I certainly haven't.
Perhaps I am not missing much, but Sibelius himself set some store by this music, and arranged three of the
numbers for piano.
The period of the Fifth Symphony (op. 82, 1915, revised 1916 and 1919) produced not only Jokamies and
some meritorious smaller pieces like Cantique and Devotion (op. 77) for violin or cello and orchestra, but also
more than two dozen undistinguished little solo pieces for piano or violin: even after five symphonies,
Sibelius was not particularly selective in seeking self-expression. But even minor compositions, along with
youthful sketches, notes, fragments, all manifestations help us to understand the sometimes slow and often
painful process of a genius.
Frequently portrayed as reticent and enigmatic, Sibelius freely shared these nondescript compositions;
the piano music is described in detail by Erik Tawaststjema whose admiration for some of them appears
overstated^!. Also, there are many indications that the composer was more than willing to assist scholars
interested in his early, unpublished works. When Otto Andersson, first director of the Sibelius Museum
which possesses the manuscript score of the Lovisa Trio of 1887, asked the composer about the so-called Korpo
Trio dating from the same period, Sibelius (at age 89) hastily sketched themes from both works, thereby
establishing the fact that they are not the same as had often been surmised; this prodigious feat of memory
now belongs to the Museum's collection.^
Whether musicologists will reassess critical evaluation in the light of new publications and access to
formerly unknown materials, remains to be seen. Conflicting statements by the composer himself, early
biographers' undiluted praise, and much conjecture especially about youthful compositions, or dating and
sequence of unpublished works, may have hitherto hindered understanding and assessment. Prof. Fabian
Dahlstrom, Director of the Sibelius Museum in Turku, published the first work list reliable with respect to
dates, opus numbers, and first performances^'^, a preliminary tool while waiting for his monumental thematic-
bibliographical catalogue, still in progress. In 1991, Kari Kilpelainen offered a most essential tool, a
complete catalogue of the SibeHus manuscripts at Helsinki University Library .^'^
A dream come true for researchers; too late for at least one musicologist: Harold E. Johnson died in 1985
before he saw even his own collection catalogued. In 1957, when he set out for Finland on his quest for locating
manuscripts, lost or buried compositions, to help build a Sibelius monument which would use the great granite
blocks of symphonies and tone poems while not disdaining talus and pebbles, he wondered what might
happen to the composer's early sketches, notebooks, and correspondence. Kilpelainen has now furnished us
with a most valuable source list which identifies, classifies, and dates almost 2,000 items ranging from the
1880s to 1957. Glenda Dawn Goss, at the University of Georgia, is preparing a Sibelius Research Guide.^^ A
look at recent dissertations shows renewed interest not only in symphonic works but also in songs and other
compositions, and different approaches to interpretation and performance.^"
With new publications and renewed interest, we may even get to hear some new music. There is much of
Sibelius's work that has hardly ever been heard in this country. One may stay attuned to the recording
industry: since the mid-1980s, well-known companies usually not known for taking unusual marketing risks.
2lErik Tawaststjema. The Pianoforte Compositions of Sibelius. Otava, 1957. P. 65 in this catalogue.
22Harold Johnson. 'The greatest monument to Sibelius," op. cit., p. 7.
23Fabian Dahlstrom. The Works of fean Sibelius. Sibelius-Seura, 1987. P. 57 in this catalogue.
^^Kari Kilpelainen. The Jean Sibelius Musical Manuscripts at Helsinki University Library: A Complete Catalogue.
Breitkopf &Hartel, 1991. P. 60 in this catalogue.
^^Letter, Goss to Terrell, Sep. 1992.
^^Several dissertations and other publications are on order for the collection, and are not yet listed in the "Books and
Other Publications" section of this catalogue, beginning at p. 56.
gave us great recordings of the orchestral songs including Luonnotar and the much lesser-known
Koskenlaskijan morsiamet {The Rapid-Rider's Brides, op. 33, 1897), and several interpretations of the many
songs for voice and piano.
On February 13, 1991, on the occasion of the American Music Library Association's national meeting,
Butler University presented an exhibition from the Harold E. Johnson Sibelius Collection, and a recital
which featured some unknown compositions. The Lockerbie String Quartet, augmented by a string bass,
performed a fragment^'^ of an enchanting impromptu for string orchestra. A rondo for viola and piano from
1893, unpublished and probably never before performed in the United States, was as delightful to hear as it
was to play. Five songs for soprano and piano added to the audience's captivation, and the Indianapolis
Children's Choir presented three songs that were actually written for children's voices, and had most likely
never been sung or heard in this country. No revelations or new insights, no weighty themes, motifs,
harmonies: somewhere between the nondescript salon pieces and the truly great works, from the chapters
usually entitled, "Other Music": a delight for performers and audience nevertheless.
In the minds of some, trifles and second-cut compositions impede easy acceptance of great works, as a
talus slope hinders ascent of a mountain. Perhaps, in expecting perfection from our heroes, we wish not to be
reminded of our own humanity, and the fact that acquaintance with rock slopes is mostly made with the least
intellectual part of our anatomy. The recital at Butler was mostly a matter of the heart: the aesthetic
pleasure of being the first one to perform and to hear a well-crafted composition; maybe some sentimental
delight in hearing accomplished children's voices perform music written for their register, and watching
these young person's pride of having memorized verses in a strange tongue.
There is yet another place for such "pebbles." Those of us who labored through childhood piano or
violin lessons without having been childhood prodigies, and those of us who teach young people of little
talent and so-so ambition, will know this value of a great composer's lesser compositions: the pride and joy
with which a beginner can say, "I am now playing..." a piece by Schumann, a rondo by Haydn, a menuetto by
Sibelius— names recognizable even to musically ignorant class mates or neighbors. Before we laugh, and
render such thought of no consequence to our estimation of music, let us remember not only that most classical
music is bought, listened to, played, and enjoyed not by professionals but by amateurs; let us also realize that
such innocent pride in innocent accomplishment may well have prompted someone to practice a little harder,
to stick with the piano, the violin in spite of outdoor sunshine or other temptations.
Having been both: a child of so-so ambition and a music teacher, I will gladly admit not only to my
adult admiration of Sibelius's tone poems and symphonies but also to the fond remembrance of Malinconia
(1901) for cello and piano because my brother and I could play it long before we attempted Brahms; I still like
to hear it once in a while, and find it no hindrance to the enjoyment of another composition from the same
period, op. 43, the Second Symphony.
Burnett James's final words in the matter of Sibelius's "other music" do not offer an answer to the
questions posed by Arnold Bax and other admirers ~ Why allow publication? Why opus numbers? ~ but allow
for intellectual charity: "One cannot say that Sibelius was a creative schizophrenic, for his creative hand
knew very well what his talented hand was doing-nevertheless he could keep the two apart to an unusual
extent. It does not affect his stature one way or the other however; it can be observed but need no longer be
made an issue. Chips off the block? Hardly. Chips from the communal pile more likely; gleanings from the
beach when the tide is out to keep the fires burning— and that perhaps in a more profound sense than appears
at first sight... to work the trivial and the anonymous out of his system by music itself.. .."^^
The horizon that spans the Louisa Trio of 1887, the Fourth Symphony of 1911, and the last great tone
poem of 1926, Tapiola, bridges mountains and chasms, piles of pebbles, larger stepping stones, formidable
slopes: a chain of creativity whose links, albeit uneven in size, should all be cherished. Harold E. Johnson
knew that he greatest monument to Sibelius, the enduring one, is the composer's music. It is incumbent upon us
to honor the man rather than to worship the myth.
Gisela Schliiter Terrell
■^^ Harold E. Johnson had found this fragment of Impromptu f. Streichorkester (first 33 bars complete). Actually, this is
28
an arrangement of Op. 5, nos. 5-6; cf. page 1. In a preliminary list of scores, this mss. had been described as
unidentified; Prof. Dahlstrom pointed out identity of musical material and B&H printing, letter of 7-2-19.
James Burnett, op. cit., p. 131-132.
The Scores
Scores and accompanying materials such as song texts, transcriptions, or excerpts are from Harold E.
Johnson's original collection unless they are marked (*) [= donated to the collection by The Sibelius Museum,
Turku, Finland] or (**) [= added by Butler University and others].
Abbreviations used in listing the scores are noted below.
Abbreviations of Publishers' Names
AEL Axel E. Lindgren
B&H Breitkopf & Hartel
BCMA British & Continental Music Agencies CF
Carl Fischer
F Fazer; Oy Musiikki-Fazer Ab
Edition Fazer
HNM Helsingfors Nya Musikhandel Fazer &
Westerlund
KA Kalmus; Edwin F. Kalmus
KFW Karl Fredrik Wasenius
NMF
Nordiska Musikforlaget
OT
Otava
REW
R. E. Westeriund
RL
Robert Lienau
SBM
Schlesinger'sche Buch- &
Musikhandlung
UE
Universal Edition
WH
Wilhelm Hansen
WS
Werner Soderstrom
Place of Publication
As part of the imprint information, the place of publication is given as it appears first in the text, e.g.
Kabenhavn rather than Copenhagen, HelsirJci rather than Helsingfors, or vice versa. Since music is often
published and reprinted without a publishing date and with unchanged plate numbers, language or spelling
of a place name may help with the identification of publication dates.
Other Abbreviations Used With the Scores
A Alto
ed.
B Bass
[Example: choral works
mss.
S Soprano
SATB or ITBB]
no.
T Tenor
arr. arranged
pi. no.
c copyright
[Example: cl910]
publ.
ca. circa
rev.
ed. by edited by
tr.
edition
manuscript (=holograph)
number [abbreviations such as "Nr." or
"N:o" are copied verbatim]
plate number
published
revised
translated
Arrangement of the Scores
The arrangement of opus numbers follows Fabian Dahlstrom, The Works of Jean Sibelius, Helsinki, 1987. In a
very few cases, discrepancies between Dahlstrom's listing and the work at hand appear and have been noted.
Works without opus number are arranged in the order in which they were listed by Harold E. Johnson, Jean
Sibelius, New York, Knopf, 1959, with page reference to Dahlstrom.
The Scores: Works With Opus Number
Op. 1 Five Christmas Songs
1. Nu stdr Jul vid snoig port (Topelius) 1895, rev. 1913 3. Det morknar ute (Topelius) 1909
2. Nu sir kommer julen (Topelius) 1895, rev. 1913 4. Julvisa (Topelius) 1909
5. On hanget korkeat (Joukahainen) 1901
Collection includes:
No. 1,2 Julvisa, Joululaulu, Op. 1, no. 1, 2. Piano score, text in Finnish and Swedish. Cover imprint:
Helsingfors: REW; B&H, Leipzig; at bottom of score: cl921 by EL. PI. no. A.E.L.1211. (*)
Latest information from Prof. Dahlstrom suggests composition dates of 1913, 1913, ca. 1897, 1909, 1901.
Op. 2 Two pieces for violin and piano. 1888, rev. 1911.
1. Romance. First version published in Nornan, 1890 2. Epilogue
Collection includes:
No. 1 a. Helsinki: Suomen Musiikkilehti, 1925?
b. Wien, Leipzig: UE. Title-page has cl913, score and part has cl912. PL no. U.E.3884. (»)
Op. 3 Arioso for voice and string orchestra (Runeberg). 1911, rev. 1913.
Collection includes:
Piano-vocal score. Helsinki: REW, no date, pi. no. R.E.W.2295. (*)
Op. 5 Six impromptus for piano. 1890-1893.
1. Impromptu in G minor 3. Impromptu in A minor 5. Impromptu in B minor
2. Impromptu in G minor 4. Impromptu in E minor 6. Impromptu in E major
Collection includes:
No. 1-6 Impromptus for piano. Helsingfors: AEL, [1894?] PL no. A.E.L.149.
No. 5-6 Arranged for string orchestra with title Impromptu. "Probably the composition known as
Andante Lirico," Johnson, p. 243 [in error, cf. p. 60, 70, and 77]. Dahlstrom, p. 51. We have:
a. Photostatic copy, first 33 bars of Sibelius's mss., captioned Impromptu f. Streichorkester.
b. Full score. Wiesbaden: B&H, cl986, Partitur-Bibliothek Nr. 5127. First edition.
Earlier, the mss. had been listed as unidentified; Prof. Dahlstrom pointed out identity of musical
material and B&H printing. Reinisch's German/English postface gives history of this little-known work.
Op. 7 KuUervo, symphonic poem for soli, male chorus and orchestra. 1891-1892.
Collection includes:
Kullervon valitus (Ote Kullervo-sinfoniasta), Jyvaskyla: Keskisuomalaisen Kirjapaino,
series Savelettaren liite N:o 3, 1918: Voi poloinen pdividni..., solo and piano reduction. (*)
Microfilm of Sibelius's manuscript, see p. 69.
Op. 9 En saga, tone poem for orchestra. 1892, rev. 1902.
Collection includes:
Miniature score. London: BCMA, no date, cl903 by B&H.
Op. 10 Karelia overture, for orchestra. 1893.
Collection includes:
Full score. Leipzig: B&H, cl906; pi. no. Part.B.1986.
Op. 11 Karelia, suite for orchestra. 1893.
Collection includes:
a. Piano score, intermezzo och ballad. Helsingfors: AEL, no date; pi. no. A.E.L.169. (*)
b. Arr. for piano solo [by Sibelius, 1897]. London: BCMA, cl907; 1935 by B&H; pi. no. 2236.
c. Miniature score. Wiesbaden: B&H, no date, cl906.
Op. 12 Sonata in F major for piano. 1893-1895.
Collection includes:
Leipzig: B&H, cl906; pi. no. V.A.2156.
Op. 13 Seven songs with piano accompaniment (Runeberg)
1. Under strandens granar. 1892 3. Hjartats morgon. 1890 5. Drommen. 1891
2. Kyssens hopp. 1892 4. VSren flyktar hastigt. 1890 6. Till Frigga. 1892
7. Jagargossen. 1891
Collection includes:
No. 1-7 Helsingfors: OT, 1892, tryckt af B&H, Leipzig. No pi. no. (»)
No. 2, 4 Copied from Jean Sibelius, 15 ausgewahlte Lieder fur eine Singstimme und Klavier.
5,7 Wiesbaden: B&H, 1966 (»»)
Op. 14 Rakastava. Originally composed for male voices k cappella, 1893-1894; rewritten by the composer for
string orchestra, triangle and timpani, 1911-1912.
Collection includes:
a. Photostatic copy of the a cappella manuscript.
b. Printed voice score, undated, by Ylioppilaskunnan, Helsinki. Series: Y.L:n ohjelmistoa
N:o 37. Three copies with variant pencil markings.
c. Miniature score of the revision for string orchestra and percussion. New York: Southern
Music Publ. Co., undated; no pi. no.. Lists previous publishers' copyright dates as
1913 and 1941.
Op. 16 Varsang, tone poem for string orchestra. 1894, revised 1895-no later than 1903.
Collection includes:
a. Friihlingslied, Piano solo, bearbeitet von Otto Taubmann. Leipzig: B&H, cl903, 1907;
pi. no. V.A.2232.
b. Kevatlaulu [arranged for brass ensemble by] Lenni Linnala. Helsinki: OT, no date; series
no.: 2nd ser. no. 51.
Op. 17 Seven songs with piano accompaniment
1. Sen har jag ej frdgat mera (Runeberg) 1894? 4. Vilse (Tavaststjerna) 1902
2. Sof in! (Tavaststjerna) 1894 5. En slanda (Levertin) 1904?
3. F^gellek (Tavaststjerna) 1891 6. Illalle (Forsman/Koskimies) 1898
7. Lastu lainehilla (Calamnius) 1902
Collection includes:
No. 1-3 Helsingfors: AEL, no date; pi. no. A.E.L.151. (*)
No. 5 Wiesbaden: B&H, no date, after 1949; pi. no. D.L.-V.5195.
No. 1,4 Copied from ]ean Sibelius, 15 ausgewahlte Lieder fiir eine Singstimme und Klavier.
6-7 Wiesbaden: B&H, 1966 (")
Op. 18 Six part songs, for male chorus a cappella
1. Sortunut aani (Kanteletar) 1898 3. Venematka (Kalevala) 1893 5. Metsamien laulu (Kivi) 1899
2. Terve kuu (Kalevala) 1901 4. Saarella palaa (Kanteletar) 1895 6. Sydameni laulu (Kivi) 1898
Collection includes:
No. 1 Printed from an unidentified manuscript, no place, publisher, or date. At head of title, in
Swedish, Hvad har bruti tonens vdlde?
No. 2 a. Printed from an unidentified manuscript, no place, publisher, or date.
b. Helsinki: Ylioppilaskunnan Laulujat, undated, Y.L:n ohjelmista 96.
c. Helsinki: F, cl906; 1934 by B&H.
No. 3 a. Helsinki: F, c 1906; 1934 by B&H.
b. As no. 6 in Sekaddnisid lauluja, 52. vihko; Helsingissa: OT, 1935, series Kansanvalistus-
seuran nuottivarasto 101.
No. 4 Helsingfors: Aktiebolaget Handelstryckeriet, 1910.
No. 5 a. Looseleaf, Helsinki: REW,undated; pi. no. 1114a. Series: Westerlundin kuoro-ohjelmisto
mieskuorolle No. 47/48.
b. Detached leaf, p. 103-4 from Muntra Musikanter, vol. IX, printed by Tidnings- & Tryckeri-
Aktiebolaget, Helsingfors.
No. 6 a. Photostatic copy of manuscript; stamp of Ylioppilaskunnnan Laulujat.
b. As no. 5 in Miesaanisia lauluja, 25. vihko, [published in] Helsingissa, Tietosanakirka-
Osakeytio, 1924.
c. Loose-leaf, Helsinki: REW, undated; pi. no. 11 MB.
d. Jean Sibelius, lauluja sovitettuina pianolle, N:o 1. Sydamen laulu, sov. Erkki Melartin.
Helsinki: REW, no date; pi. no. R.W.E.,1189. (*)
Op. 19 Impromptu (Rydberg), for female chorus and orchestra. 1902, rev. 1910.
Collection includes:
a. Facsimile of manuscript. Helsingfors: Lilius & Hertzberg, 1902.
b. Vocal score. Leipzig: B&H; for Finland: REW, Helsingfors, no date; pi. no. R.E.W.2635.
c. Piano score, with text. Leipzig: B&H, cl910, pi. no. 26560. (*)
Op. 20 Malinconia, for violoncello and orchestra. 1900.
Collection includes:
Leipzig: VEB B&H, cl911, after 1949 printing; pi. no. V.A.3485.
Op. 21 Natus in curas, hymn (Gustafsson), for male chorus a cappella. 1896.
Collection includes:
a. Wiesbaden: B&H, cl906/34; pi. no. Part.B.2007.
b. As no. 12 in Under sdngarfanen, laulu jalippu... [collected by] K. Flodin, E. Leander, R.E.
Westerlund. Part I. Helsingfors: HNM, no date. Finnish and Swedish throughout.
Op. 22 Lemminkainen, four legends for orchestra. 1893-1895, rev. 1897, 1900, 1935-1939.
1. Lemminkainen ja saaren neidot 3. Tuonelan joutsen
2. Lemminkainen Tuonelassa 4. Lemminkainen palaa kotitienoille
Collection includes:
No. 1 Miniature score. Wiesbaden: B&H, cl954; pi. no. 31108. B&H Partitur-Bibliothek Nr. 3777.
No. 2 Miniature score. Wiesbaden: B&H, cl954; pi. no. 31109. B&H Partitur-Bibliothek Nr. 3778.
Numbered Opus 22 no. 3.
No. 3 a. Miniature score. Wiesbaden: B&H, cl929; pi. no. 30749. B&H Partitur-Bibliothek Nr.
3327. Numbered Opus 22 no. 2.
b. Piano solo. Bearbeitung von Otto Taubmann. Leipzig: B&H, cl907; pi. no. 25771.
No. 4 a. Miniature score. London: BCMA, no date, no pi. no.
b. Piano solo. Bearbeitung von Otto Taubmann. Leipzig: B&H, cl907; pi. no. V.A.2272.
Op. 23 Part songs. Cantata for the University Ceremonies of 1897, for mixed chorus a cappella
(Forsman/Koskimies); written 1897, published 1899 as Lauluja sekakodrille.
1. Me nuoriso Suomen 4. Montapa elon merella 6b. Tuule, tuule leppeammin
2. Tuuli tuudittele 5. Sammuva sainio maan 7. Oi lempi, sum valtas aareton on
3. Oi toivo, toivo sa lietomieli 6a. Soi kiitokseksi Luojan 8. Kuin virta vuolas
9. Oi kallis Suomi, aiti verraton
Collection includes:
No. 1-9 Lauluja sekakoorille, 1897 vuoden promotiooni; kantaatistia... Helsingfors: HNM,
[1899]; pi. no. 25.
No. 1 As no. 1 in Sekaddnisia lauluja, 49. vihko. Helsingissa: OT, 1930, series Kansanvalistus-
seuran nuottivarasto 98.
No. 6a a. As no. 6 in juhlavirsia hymnejd joululauluja, toimittanut A.E. Taipale... Helsingissa: OT,
1949, series Miesaanisten laulukuntien ohjelmistoa.
b. As no. 1 in Nuorisosekakuorolauluja, kolmi- ja neliaanisina. 8. vihko; toimittanut A.E.
Taipale. Helsingissa: OT, 1949, series Kansanvalistusseuran nuottivarasto 177.
No. 6b As no. 15 in Uusia kotimaisia lauluja ja sovituksia, II. vihko, toimittanut A.E. Taipale.
Helsingissa: OT, 1943, series Miesaanisten laulukuntien ohjelnaistoa.
Op. 24 Ten pieces for piano
1. Impromptu. 1895? 4. Romance in D minor. 1895 7. Andantino. 1900?
2. Romance in A major. 1894 or 5 5. Valse in E major. 1896 8. Nocturne. 1901
3. Caprice in E minor. 1894? 6. Idyll. 1898? 9. Romance in D flat ma. 1901
10. Barcarola. 1903
Collection includes:
No. 1 Helsingfors: AEL, no date; pi. no. A.E.L.159. (*)
No. 2 Helsinki: REW, no date, plate no. R.E.W.1874. (")
No. 3 a. Helsinki: R.E. Westerlund, no date; pi. no. R.E.W.744.
b. Leipzig: B&H, no date; pi. no. V.A.2530. Imprinted on front cover, bottom line: AEL,
Helsingfors. (*)
c. Helsingfors: KFW; Leipzig: B&H, no date; pi. no. K.F.W.51. Front cover signed:
Agnes Frojdman 1902. (*)
No. 4-5 a. Helsingfors: AEL, no date; pl.e no. A.E.L.182. (»)
b. Helsinki: REW, no date; pi. no. R.E.W.744. (")
No. 6 a. Helsingfors: HNM, no date; pi. no. 23. (*)
b. Wiesbaden: B&H, cl904, 1932. (")
No. 7 a. Helsinki: REW, no date; pi. no. R.E.W.764
b. Helsingfors: KFW; Leipzig: B&H, no date [1900?]; pi. no. K.F.W.52.
No. 9 a. Helsingfors: HNM; Leipzig: B&H, no date; pi. no. H.N.M.81. Front cover signed:
Ingeborg Illberg 1905. (*)
b. Wiesbaden: B&H, cl905, 1933; pi. no. V.A.2330. (**)
No. 10 a. Helsingfors: HNM; Leipzig: B&H, no date; pi. no. H.N.M.98. Front cover and caption
have "Op. 38 No. 10" rather than op. 24. Front cover with Helmi Hayman's undated
signature. (*)
b. Wiesbaden: B&H, no date or pi. no.. Printed in Oslo, 1953, by Victor Trykk. (**)
Op. 25 Scenes Historiques I, suite for orchestra. From the music for the Press Celebrations, Six tableaux for
orchestra. 1899, rev. 1911.
1. Air Overtura (tableau 1) 2. Scene (tableau 4) 3. Festivo
Collection includes:
No.l a. Full score. Leipzig: B&H, cl911; pi. no. Part.B.2330a.
b. For piano solo by F. Rebay. Leipzig: B&H, cl914; pi. no. 27490.
No. 2 a. Full score. Leipzig: B&H, cl912; pi. no. Part.B.2330b.
b. For piano solo by F. Rebay. Leipzig: B&H, cl914; pi. no. 27491.
No. 3 Full score. Leipzig: B&H, cl912; pi. no. Part.B.2330c.
Op. 26 Finlandia, tone poem for orchestra (Tableau 6 from the music for the Press Celebrations, Six tableaux
for orchestra). 1899, rev. 1900.
Collection includes:
a. Finlandia, tondikt for orkester..., piano-arrangement. Helsingfors: HNM; Leipzig: B&H;
no date [1900?]; no pi. no.
b. Miniature score. No. 167, Jan Sibelius, Finlandia... Scarsdale, N.Y.: KA, no date, no pi. no.
Op. 27 Incidental music to Kung Kristian II, suite for orchestra. 1898.
1. Elegie 3. Menuetto 5. Nocturne
2. Musette 4. Sdngen om korsspindeln 6. Serenade
7. Ballade
Collection includes:
No. 1-7 Leipzig: B&H, cl899; pi. no. Part.B.1537. Full score but without no. 4; other incidentals
arranged in order 5, 1, 2, 6, 7.
No. 1-4 a. Piano solo. Helsinki: REW; Leipzig: B&H, cl899, 1926; pl.no. A.E.L.766/E.B.2281.
b. Piano solo. Helsingfors: AEL; Leipzig: B&H no date; pi. no. A.E.L.2. Front cover signed by
Krohn {Aune Krohn?]; no. 4 with markings. (*)
No. 4 Pianolle sanoineen... Helsinki: REW no date; pi. no. R.E.W.767.
No. 7 Ballade... Zwischenspiel No. 3 [sic], fiir Pianoforte..., bearbeitet von Otto Taubmann.
Leipzig: B&H, cl899, 1907; pi. no. V.A.2373.
Op. 28 Sandels, improvisation for male chorus and orchestra (Runeberg). 1898, rev. 1915.
Collection includes:
Full score. Printed by Tidnings- och Tryckeri-Aktiebolaget, Helsingfors, no date, no pi. no.
Op. 29 Snofrid, improvisation for recitation, mixed chorus and orchestra (Rydberg). 1899, rev. 1900.
Collection includes:
a. Full score. Photogravure printing from manuscript onto music paper. [Helsinki]: REW
[1900?]; no pi. no.
b. Schneefrid..., Klavierauszug. Kabenhavn: WH, cl929; pi. no. 1942.
c. Text orUy, 1 leaf, unidentified source. Printing information in lower left corner:
Helsingfors, Hufvudstadsbladets Nya Tryckeri, 1921.
Op. 31 Three works for male voices, with accompaniment.
1. Laulu Lemminkaiselle (Weijola), male chorus and orchestra. 1896
2. Har du mod? (Wecksell), male chorus, orchestra. 1904, rev. 1911
3. At^narnes sing (Rydh)erg), boys' and men's voices, brass septet and percussion. 1899
Collection includes:
No. 1 Full choral score. Mimeographed from manuscript, source unknowTi.
No. 2 a. With Swedish and Finnish text (tr. Heikki Klemetti). Helsinki: REW, no date, plate no.
R.E.W.1759, series Westerlundin Kuoro-ohjelmistio mieskuorolle, sarja I, N:o 34/35.
b. Arrangement for piano, med ofverdryckt text. Helsingfors: AEL, cl913 by B&HNew York,
pi. no. A.E.L.500. (*)
c. Piano score, with text. Helsingfors: Lilius & Hertzberg, 1904. (*)
No. 3 a. Arr. for piano, text in Swedish and Finnish (tr. by Yrjo Weijola). Helsingfors: HNM;
Leipzig: B&H, no date [1899?], no pi. no.
b. Full score, text in Swedish and Finnish. Helsingfors: HNM; Leipzig: B&H, no date [1899?],
no pi. no.
Op. 32 Tulen synti, tone poem (Kalevala), for baritone solo, male chorus and orchestra. 1902, rev. 1910.
Collection includes:
a. Kuoro-osa [choral score], no place, no publisher, no date; printed from manuscript.
b. Der Ursprung des Feuers... [piano-vocal score]. Leipzig: B&H, cl911, pi. no. 26719.
c. Ukko the Fire-maker... [piano-vocal score]. New York: Associated Music Publ., cl911,
no pi. no. Text in Finnish and English.
Op. 33 Koskenlaskijan morsiamet (Oksanen), for baritone or mezzo-soprano and orchestra. 1897.
Also known as The Ferryman's Bride.
Collection includes:
a. Full score, text in Finnish and German (Des Fahrmanns Briiute). Miami, Florida: KA,
no date, no pi. no; series Kalmus Orchestra Library, conductor's score A5504. (")
b. Arr. by the composer for male chorus and orchestra. Vocal score, no place, publisher, date,
pi. no. Printed from manuscript.
Op. 34 Ten bagatelles for piano
1. Valse, D flat maj. 1914-15 4. Couplet. 1914 7. Danse pastorale. 1916
2. Airdedanse. 1914? 5. Boutade. 1914 8. Joueur de harpe. 1916
3. Mazurka. 1914-15 6. Reverie. 1913 9. Reconnaissance. 1916
10. Souvenir. 1916
Collection includes:
No. 1 a. Helsingfors: REW, no date; Leipzig: B&H, Ed. Breitkopf Nr. 4851, cl915 B&H, New York,
pi. no. 27747. Front cover lists nine bagatelles for op. 34 (nos. 1-9)
(Op. 34 continued on next page)
(Op. 34 continued)
b. Helsinki: REW, no date, pi. no. R.E.W.61. (")
c. Leipzig: B&H, cl915 B & H, New York, Ed. Breitkopf Nr. 4851, pi. no. 27747. Front cover
with Hubert Tannberg's undated signature. (*)
No. 2 a. Helsinki: REW, no date; pi. no. R.E.W.62.
b. Ed. pour la Finlande. Helsingfors: REW, cl915 by B&H New York, pi. no. 27748. (*)
No. 3 a. Ed. Breitkopf Nr. 4853, cl915 by B&H New York, pi. no. 27749. (*)
b. Helsingfors: REW, no date, cl915 by B&H, pi. no. R.E.W.63. (»)
No. 4 Helsingfors: REW, no date, cl915 by B&H, pi. no. 27750.
No. 5 Ed. Breitkopf Nr. 4855, cl915 by B&H New York; pi. no. 27751 . On front cover: Fiir Finland
A/B REW O/Y, Helsingfors. (*)
No. 6 Ed. Breitkopf Nr. 4856, cl915 by B&H New York; pi. no. 27740. On front cover: Fiir Finland
A/B REW O/Y, Helsingfors. (»)
No. 7 Helsinki: REW, no date, cl917 by B&H New York; pi. no. R.E.W.95. (**)
No. 8 a. Helsinki: REW no date; on page 2: undated REW copyright notice and cl917 by B&H New
York; pi. no. R.E.W.96. (»*)
b. Helsinki: REW, no date, cl917 by B&H New York at bottom of p. 2; plate no. R.E.W.96. (*)
No. 9 Helsinki: REW, no date, cl917 by B&H New York; pi. no. R.E.W.97. (»»)
No. 10 Ed. pour la Finlande. Helsingfors: REW, no date; pi. no. R.E.W.271.
Op. 35 Two songs with piano accompaniment
1. Jubal Gosephson) 1907-1908 2. Teodora (Gripenberg) 1908
Collection includes:
No. 2 German, English, and Finnish. Leipzig: B&H, cl910; pi. no. D.L-V.5233/34. Finnish
distributors listed on front cover. (*)
Op. 36 Six songs with piano accompaniment
1. Svarta rosor Gosephson) 1899 4. Sav, sav, susa (Froding) 1900
2. Men mid fagel (Runeberg) 1899 5. Marssnon (Wecksell) 1900
3. Bollspelet vid Trianon (Froding) 1899 6. Demanten pd marssnon (Wecksell 1900
Collection includes:
No. 1 Swedish and German. B&H, cl904, 1905, pi. no. D.L-V.4775a. (*)
No. 1-3 Swedish and German. Helsingfors: HNM; Leipzig: B&H., no date; pi. no. H.N.M.16 (*)
No. 1,4,6 Copied from Jean Sibelius, 15 ausgewahlte Lieder fiir eine Singstimme und Klavier.
Wiesbaden: B&H, 1966 (")
No. 4 a. Swedish and Finnish; tr. Kyllikki Solantera. Wiesbaden: B&H; Helsinki: F,
cl906, 1934 by B&H; no pi. no. (*)
b. Swedish, Finnish and German. Helsingfors: HNM; Leipzig: B&H, no date, no pi. no. (*)
No. 5-6 Tvd Sanger vid piano... Helsingfors: AEL, no date; pi. no. A.E.L.199. (*)
No. 6 a. Swedish and German. Leipzig: B&H, cl912, pi. no. D.L-V.5286. (*)
b. Swedish and Finnish, tr. Aune Krohn. Helsinki: REW no date, cl912 by B&H; pi. no.
R.E.W.956. (*)
Op. 37 Five songs with piano accompaniment
1. Den forsta kyssen (Runeberg) 1900 3. Soluppgang (Hedberg) 1902
2. Lasse liten (Topelius) 1902 4. Var det en drom? (Wecksell) 1902
5. Flickan kom ifrdn sin alsklings mote (Runeberg) 1901-'2
Collection includes:
No. 1,5 Copied from Jean Sibelius, 15 ausgewahlte Lieder fur eine Singstimme und Klavier.
Wiesbaden: B&H, 1966 (»»)
No. 1 Swedish and German. Helsingfors: HNM; Leipzig: B&H, no date, no pi. no. With Elin
Hackhaim's undated signature. (*)
No. 2 Swedish and German. Helsingfors: HNM; Leipzig: B&H, no date; no pl.no. With Fanny von
Kramer's signature, 1902. (*)
No. 4 a. Swedish and German. Helsingfors: HNM; Leipzig: B&H, no date; no pl.no. With Ina
StorgSrds's undated signature. (*)
b. Was it a dream? Ai-je reve?... English version by William Wallace; Traduction frangaise
de J. d'Offoel. Berlin; Leipzig: B&H; Helsingfors: F, cl904 by B&H,
pi. no. D.L-V.348L (»)
No. 5 a. English and French. Berlin; Leipzig: B&H; Helsingfors: F, cl904byB&H;
pi. no. D.L-V.3488. (»)
b. Madchen kam vom Stelldichein... Deutsche Umdichtung von Alfr. Jul. Boruttau. Leipzig:
B&H, C1906, pi. no. D.L-V.3473. (*)
Op. 38 Five songs with piano accompaniment
L Hostkvall (Rydberg) 1903 3. I natten (Rydberg) 1903
2. Pd verandan (Rydberg) 1903 4. Harpolekaren (Rydberg) 1904
5. Jag ville jag vore i Indialand (Eroding) 1904
Collection includes:
No. 1 Swedish and German. Leipzig: B&H, no date, no pi. no. Front cover inscribed by Sibelius,
"Axel Carpela, amicus amico, Jean Sibelius, 19 1/X 03" [Oct.l, 1903J
No. 2 Swedish and German. Wiesbaden: B&H, no date (1970s?), no pi. no. (**)
No. 3 Swedish and German. Helsingfors: HNM; Leipzig: B&H, no date, no pi. no.
No. 4 Swedish and German. Wiesbaden: B&H, 1932; pi. no. D.L-V.3477. (")
Op. 39 Symphony No. 1 in E minor. 1899, revised 1900.
Collection includes:
a. Symphonie No. 1 fiir grosses Orchester... Wiesbaden: B&H, cl902, 1930; pi. no. Part.B.1739.
Series: Partitur-Bibliothek Nr. 3325); miniature score. (**)
b. Conductor's score. Miami: KA, no date, no pi. no.; publisher's series no. A2047. (**)
Op. 40 Pensees lyrique for piano
1. Valsette. 1212 4. Menuetto. 1913 7. Rondoletto. 1914
2. Chanson sans paroles. 1913 5. Berceuse. 1913 8. Scherzando. 1915
3. Humoresque. 1913 6. Pensee melodique. 1914 9. Petite serenade. 1915
10. Polonaise. 1916
Collection includes:
No. 1 a. Helsinki: REW, no date; pi. no. R.E.W.1734/21.
b. Helsingfors: REW; Leipzig: B&H, cl914; pi. no. R.E.W.31. (*)
No. 2 a. Helsingfors: HNM; Leipzig: B&H, cl914; pi. no. V.A.3907; series: Ed. Breitkopf Nr. 3907.
b. Helsingfors: F; Leipzig, Berlin: B&H, cl914; no pi. no. Front cover printed in green and red,
lists Op. 40, no. 1-5 in framed box.
c. As in No. 2b but with pi. no. R.E.W.32; front cover in blue and red, and different
advertisement on back cover. (*)
No. 3 Helsingfors: F; Leipzig,: B&H, cl914; no pi. no. Front cover printed in green and red, lists
Op. 40, no. 1-5 in framed box.
No. 4 As in No. 2c but with pi. no. R.E.W.34. (**)
No. 5 a. Helsingfors: F; Leipzig: B&H, cl914; no pi. no. Front cover printed in green and red, lists
Op. 40, no. 1-5 in framed box.
b. As in No. 2c but with pi. no. R.E.W.35, and all ten numbers listed on front cover. (*)
No. 6 a. As in No. 2c but with pL no. R.E.W.36.
b. Leipzig: B&H, cl916; plate no. 27740; Ed. Breitkopf Nr. 4834. (*)
c. Helsinki: REW, cl965; pL no. R.E.W.36. (*)
No. 7 Helsinki: REW; copyright statement on p. 2 without date; pl.no. R.E.W.67.
No. 8 Helsingfors: REW; Leipzig: B&H, no date; pi. no. R.E.W.272. Front cover printed in blue and
red; all 10 numbers in framed box.
No. 9 As in No. 8 but pi. no. R.E.W.273.
No. 10 Helsingfors: REW, no date; pi. no. R.E.W.93. Printed in Stockholm. (*)
Op. 41 Kyllikki; three lyric pieces for piano. 1904.
Collection includes:
Leipzig: B&H, cl916; pi. no. V.A.2613.
Op. 42 Romance in C major, for string orchestra. 1904.
Collection includes:
Full score. London: BCMA, cl909 by B&H New York; pi. no. 2139.
Op. 43 Symphony No. 2 in D major. 1901-1902
Collection includes:
a. Miniature score. Leipzig: B&H, cl903, 1913; pi. no. 30693; Partitur-Bibliothek Nr. 3323.
Two copies, variant printings. (**)
b. Full score. New York: Associated Music Publishers, no date, "only authorized American
reprint edition of the original Breitkopf & Hartel edition." PI. no. Part.B.1784.
Signed by Fabien Sevitzky, with his performance markings for April 1, 1963, and
March 14, 1965. (**)
Op. 44 Incidental music to Kuolema (Jarnefelt), for voice and small orchestra. Originally written in 1903, six
"scenes" for string orchestra, bass drum, and church bells. No. 1 revised in 1904 as "Valse
triste"; numbers 3 and 4 revised in 1906 as "Scene with Cranes," op. 62.
Collection includes:
Mo. 1 Valse triste [arr. for piano]. Leipzig: B&H, cl904; pi. no. V.A.2224.
No. 2 a. Orchestral score, blue ballpoint manuscript, unidentified hand, on music paper printed by
Westerlund. Caption: "Kuolema" / Scene with cranes / Jean Sibelius / Andante sostenuto.
b. Kurkikohtaus, Scene with Cranes..., op. 44 nr. 2, score— partitur. Helsinki: F, 1973;
pi. no. F.M.5378. (**)
Op. 45 Two pieces for orchestra
1. The Dryad. 1910 2. Dance Intermezzo, 1904 for piano, rev. for orchestra, 1907
Collection includes:
No. 1 Piano reduction. Leipzig: B&H, cl910; Finnland: HNM; pi. no. V.A.3335.
No. 2. a. Arr. for piano. Helsingfors: HNM; cl904 by B&H; pi. no. H.N.M.405.
With Agnes Frojdman's signature.
b. Arr. for the Goldman Band by Franz Henning... New York: CF, cl946; pi. no. N951.
Conductor's score; photostatic copy.
c. Conductor's score. Miami, Florida: KA, no date, no pi. no. Verbal information from
publisher: "1984 printing from 1907 edition." (**)
d. Conductor's score. Beriin [etc.]: B&H, cl907; pi. no. Part.B.2056. (**)
e. "Musik zu einer Scene." Photostatic copy of manuscript score for full orchestra, 27 pages,
with stamp of Oy. Yleisradio Ab., Helsinki. Earlier, Johnson and Terrell had
mistaken this to be an unidentified work; Prof. Dahlstrom corrected this in a letter,
July 2, 1992, in which he states: Musik zu einer Scene" was performed in Helsinki, at
a lottery arranged by the Philharmonic Society, March 5, 1904... This music was
freely arranged for piano by ]S in the spring 1904 (the introduction shortened, and
many other changes, but the musical material is the same, compare for instance
"Musik..." b. 32, "Tanz-Intermezzo' b. 5) and sold to Fazer.
Op. 46 Incidental music to Pelleas et Melisande (Maeterlinck). Concert suite for small orchestra, 1905.
Collection includes:
a. Arr. for piano solo. Revisionen & Bearbeitungen von Paul Juon. [In two parts.] Berlin:
SBM (RL), cl905; pi. no.S.9330 1 and S.9330 II.
b. Miniature score. New York: KA, no date, no pi. no.; publisher's series no. 139. (**)
c. Die drei blinden Schwestern (aus "Pelleas und Melisande"...); Les trois saeurs aveugles...
[Voice and piano, text in German, French, and Swedish]. Berlin: SBM (RL), cl905;
pi. no. S.9333. C^)
Op. 47 Concerto in D minor for violin and orchestra. 1903-1904.
Collection includes:
Miniature score. London [etc.]: EE, copyright by RL, Berlin; pi. no. E.E.4892.
Op. 48 Vapautettu kuningatar (Cajander), ballad for mixed chorus and orchestra. 1906. Also known as
Snellman's Fest Cantata.
Collection includes:
a. Choral score, no place, publisher, date, or pi. no. Caption: Vapautettu kuningatar... /
Mieskuorolle.... / Op. 48A.
b. Piano- vocal score, in German, English, and French. Berlin-Lichterfelde: RL, cl907
(Schlesinger), renewed cl935; pi. no. S.9337.
c. Facsimile printing of Sibelius's manuscript, captioned. Can tat SielV laulavi kuningatar...
Stamp of Abo Akademi on verso of p. 1 1 .
Op. 49 Pohjolan tytar, symphonic fantasia for orchestra. 1906.
Collection includes:
Full score. New York: KA, no date, no pi. no. On page [2]: "Pohjola's Tochter, a German
translation of seven Kalevala verses." (**)
Op. 50 Sixsongs, voice and piano. 1906.
1. Lenzgesang (Fitger) 3. Im Feld ein Madchen singt (Susman) 5. Die stille Stadt (Dehmel)
2. Sehnsucht (Weiss) 4. Aus banger Brust (Dehmel) 6. Rosenlied (Ritter)
Collection includes:
No. 1-6 Edition for high voice; text in German, English, Swedish, and Finnish. Helsingfors: HNM,
cl907 SBM (RL), Berlin; pi. no. S.9893. (*)
No. 3 Article about Sibelius, including score, from Nord und Sud, eine deutsche Monatsschrift,
Berlin, Vol. 127, no. 381, Dec. 1908. (")
Op. 51 Incidental music to Belsazars gastabud (Procopje). Originally in eight numbers, written 1906;
numbers 1-3, 5-6 revised 1907 as Concert suite for orchestra.
Collection includes:
a. Full score. Berlin: SBM (RL), cl907; pi. no. S.9339.
b. Piano reduction. Berlin: SBM (RL), cl907; renewed cl935 by P. Juon, Vevey; pl.no. S.9339A.
Op. 52 Symphony No. 3 in C major. 1907.
Collection includes:
Miniature score. Berlin-Lichterfelde: RL; London: Oxford Univ. Press, n.d.; pi. no. S.9432. (**)
Op. 53a Pan and Echo, dance intermezzo no. 3, for orchestra. 1907.
Collection includes:
Full score. Miami: KA, no date, no pi. no.; 1980s printing. (**)
Op. 54 Incidental music to Svanevit (Strindberg), suite for orchestra. 1908-1909.
Collection includes:
a. Piano reduction (Doebber). Berlin: SBM, cl911; pl.no. S.9469 A. (»)
b. Full score. Miami: KA, no date, no pi. no., 1980s printing. (**)
Op. 55 Night Ride and Sunrise, tone poem for orchestra. 1908.
Collection includes:
Full score. Miami, Florida: KA, no date, no pl.no., 1980s printing. (**)
Op. 56 Voces intimae, string quartet in D minor. 1909.
Collection includes:
Miniature score. London; Zurich: EE No. 294, no date, cl909 by SBM (RL), Berlin;
pi. no. E.E.5808. (")
Op. 57 Eight songs (Josephson), with piano accompaniment. 1909.
1. Alven och snigeln 3. Kvarnhjulet 6. Hertig Magnus
2. En blomma stod vid vagen 4. Maj 7. Vanskapens blomma
5. Jag ar ett trad 8. Nacken
Collection includes:
No. 3 Das MUhlrad (Th. Rehbaum); The millwheel (Herbert Harper); Quarnhjulet... Berlin:
SBM, C1910; pi. no. S.9498 (3) A,B. In German, English, and Swedish. (*)
No. 4 Mai (Th. Rehbaum)... Berlin: SBM, cl910; pi. no. S.9498 (4) A,B. In German, English,
and Swedish. (*)
Op. 58 Ten pieces for piano. 1909.
1. Reverie 4. Der Hirt 7. Tempo di menuetto
2. Scherzino 5. Des Abends 8. Fischerlied
3. Airvarie 6. Dialogue 9. Standchen
10. Sommerlied
Collection includes:
No.l Leipzig: B&H, cl910; pi. no. V.A.3201.
No. 2 Leipzig: B&H, cl910; pi. no. V.A.3202.
No. 5 Leipzig: B&H, cl910; pi. no. V.A.3205.
No. 7 Helsingfors: HNM, cl910 B&H; pi. no. V.A.3207.
No. 8 Helsingfors: HNM, cl910 B&H; pi. no. V.A.3208.
No. 9 Helsingfors: HNM, cl910 B&H; pL no. V.A.3209.
No. 10 Helsingfors: HNM, cl910 B&H; pi. no. V.A.3210.
Op. 59 In memoriam, funeral march for orchestra. 1909, rev. 1910.
Collection includes:
a. Full score. Leipzig: B&H, cl910; fiir Finnland: AEL, Helsingfors; pi. no. Part.B.2150.
b. Piano reduction by Otto Taubmann. Leipzig: B&H, cl910; fiir Finnland: AEL, Helsingfors;
pi. no. V.A.3486.
Op. 60 Two songs for Shakespeare's Twelfth Night (transl. Hagberg), with guitar or piano. 1909.
1. Komnuhit, dod 2. Och nar som jag var en liten smddrang
Collection includes:
No. 1 a. Komm herbei, Tod... Leipzig: B&H, cl910; fur Finnland: HNM; Helsingfors: AEL; pi. no.
D.L.-V.5253. In German, English, Swedish, and French. (*)
b. Copied from Jean Sibelius, 15 ausgewahlte Lieder fiir eine Singstimme und Klavier.
Wiesbaden: B&H, 1966 (**)
No. 2 Heisa hopsa, bei Regen und Wind... Leipzig [etc.]: B&H, cl910; fiir Finnland: HNM;
pi. no.D.L.-V.5256. In German and Swedish. (*)
Op. 61 Eight songs with piano accompaniment. 1910.
1. Ldngsamt kom kvallsskyn (Tavaststjema) 5. Romans (Tavaststjerna)
2. Vattenplask (Rydberg) 6. Dolce far niente (Tavaststjerna)
3. Nar jag drommer (Tavaststjerna) 7. Fafang onskan (Runeberg)
4. Romeo (Tavaststjerna) 8. Vartagen (Gripenberg)
Collection includes:
No. 2 Wellenflustern... Leipzig: B&H, cl911; pi. no. D.L.-V .5296/97. In German, English,
and Swedish. (*)
No. 4 Romeo... Leipzig: B&H, cl911; pi. no. D.L.-V.5299. In German, English, and Swedish. (*)
No. 5 Romanze... Leipzig: B&H, cl911; pi. no. D.L.-V .5300. In German, English, and Swedish. (*)
No. 6 Dolce far niente... Leipzig: B&H, cl911; fiir Finnland: AEL, Helsingfors; pi. no. D.L.-V.5412.
In German, English, and Swedish. (*)
No. 8 Friihlingszauber... Leipzig: B&H, cl911; fiir Finnland: AEL, Helsingfors; pi. no. D.L.-V.5415.
In German, English, and Swedish. (*)
10
Op. 62 Two pieces from the Incidental music to Kuolerma. See also op. 44. 1910-1911.
1. Canzonetta 2. Valse romantique
Collection includes:
No.l a. Full score. Leipzig: B&H 01911; pi. no. Part.B.2313.
b. Piano solo, arr. by Taubmann. Leipzig: B&H, cl911; pi. no. V.A.3616.
No. 2 Piano solo, arr. by O. Taubmann. Leipzig: B&H,cl911; pi. no. E.B.3617.
Op. 63 Symphony No. 4 in A minor. 1911 .
Coilection includes:
Miniature score. Wiesbaden: B&H, cl912, 1940; Partitur-Bibliothek no. 3326.
Two copies, variant printings. (**)
Op. 64 The Bard, tone poem for orchestra. 1913, rev. 1914.
Collection includes:
a. Piano solo, arr. by H. Gartner. Leipzig: B&H, cl916; pl.no. 27826.
b. Miniature score. London: BCMA, cl914 by B&H; no pi. no. (**)
c. Full score. Leipzig: B&H, cl914; pi. no. Part.B.2382. (")
Op. 65 Two part-songs for mixed chorus a cappella
1. Man frdn slatten och havet (Knape) 1911 2. Kellosavel Kallion kirkossa (Engstrom) 1912
Collection includes:
No. 2 a. Die Glockenmelodie in der Kirche zu Berghdll. Text von H. Klemetti [sic], deutsche
Nachdichtung von Alfr. Jul. Boruttau. Vocal score, photostatic copy;
cl914 by B&H New York; pi. no. Part.B.2381.
b. Piano arr. Leipzig: B&H, cl912; Helsingfors: AEL;
pi. no.V.A.3900 / A.E.L.467.
c. Piano arr. Helsingfors: AEL, cl912 by B&H; pi. no. A.E.L.467.n
Op. 66 Scenes historiques II, suite for orchestra. 1912.
1. The chase 2. Love-song 3. At the draw-bridge
Collection includes:
No. 1 a. Full score. Leipzig: B&H, cl913; pi. no. Part.B.2342a (*»)
b. Piano solo, arr. by Ferd. Rebay. Leipzig: B&H, cl914; pi. no. 27493.
No. 2 a. Full score. Leipzig: B&H, cl913; pi. no. Part.B.2342b (*»)
b. Piano solo, arr. by Ferd. Rebay. Leipzig: B&H, cl914; pi. no. 27494.
No. 3 a. Full score. Leipzig: B&H, cl913; pi. no. Part.B.2342c (**)
b. Piano solo, arr. by Ferd. Rebay. Leipzig: B&H, cl 914; pi. no. 27495.
Op. 67 Three sonatinas for piano. 1912.
Collection includes:
No. 1 "In A Dur." Leipzig: B&H, cl912; Helsingfors: AEL; pi. no. 3845. Dahlstrom p. 57:
Op. 67, no. 1, "F sharp minor."
No. 2 In E Dur. Leipzig: B&H, cl912; Helsingfors: AEL; pL no. 3846.
No. 3 "In Des Dur." Leipzig: B&H, cl912; Helsingfors: AEL; pi. no. 3847. Actually: B flat minor;
not corrected by B&H until 1980! Cf. B flat minor in Dahlstrom p. 57.
Op. 68 Two rondmos for piano. 1911-1912.
Collection includes:
No. 1 Op. 68, Nr. 1. Vienna; London: UE, cl913; pi. no.U.E.3848. In G sharp minor. (**)
No. 2 RondinoIL Leipzig: B&H, cl913 by UE; pi. no. U.E.3849/V.A.3947. In C sharp minor (*)
Op. 69 Two serenades for violin and orchestra. 1912-1913.
Collection includes:
No. 1 Arr. for violin and piano by Hermann Gartner. Leipzig: B&H, cl913; pi. no. V.A.3936.
No. 2 Full score. Miami: KA, no date, no pi. no; series no. A5677. (**)
Op. 70 Luonnotar, tone poem for soprano and orchestra. 1913. Spirit of Nature; horn \ihe
Kalevala, I, 110-242 passim.
Collection includes:
a. Piano reduction, text in German and Finnish. Leipzig [etc.]: B&H, cl915; pi. no. 27676.
Laid in: Finnish text, single sheet, unidentified source, 21 x 14 cm.
b. Miniature score. Wiesbaden: B&H, cl981, Part.-Bib. Nr. 5076. (")
Op. 71 Incidental music to Scaramouche, tragic pantomime by Knudsen and Bloch, for orchestra. 1913.
Collection includes:
Partition piano seul, par Otto Olsen. Ketbenhavn: WH, cl919, ed. and rev. by Julia A. Burt;
pi. no. 15827.
Op. 72 Six songs with piano accompaniment
1. Vi ses igen (Rydberg). "Not found," Dahlstrom p. 127. 4. Kaiutar (Larin-Kyosti) 1915
2. Orions balte CTopelius) "Not found," ibid. 5. Der Wanderer und der Bach (GreiO 1915
3. Kyssen (Rydberg) 1915 6. Hundra vagar (Runeberg). "Latest 1907'
Dahlstrom p. 121; 1907 confirmed 1992 .
Collection includes:
No. 3 Der Kuji... Deutsche Nachdichtung von Alfr. Jul. Boruttau. Wiesbaden: B&H, no date;
pl.no. D.L.-V.5456/57. In German and Swedish.(**)
No. 4 Kaiutar. Hameenlinna: Arvi A. Karisto, 1915; no pi. no. (*)
No. 5 Der Wanderer... Wiesbaden: B&H, cl916; pi. no. D.L.-V.5460 (»»)
No. 6 Hundert Wege... Wiesbaden: B&H, cl916; pL no. D.L.-V.5461.(")
Op. 73 The Oceanides, tone poem for orchestra. Written in 1914 with title Aallottaret (Nymphs of the
Ocean), rev. 1914 as The Oceanides.
Collection includes:
Klavierauszug von Herm. Gartner. Leipzig: B&H, cl915; pi. no. 27780,
Ed. Breitkopf Nr. 4460.
Microfilm of the manuscript, with other materials; see page 69.
Op. 74 Four lyric pieces for piano. 1914.
1. Ekloge 3. Auf dem Tanzvergniigen
2. Sanfter Westwind 4. Im alten Heim
Collection includes:
No.M Four parts. Leipzig: B&H, cl915; pi. no. 27604-7, Ed. Breitkopf Nr. 4491-4.
No. 4 with.Gerda Schybergsen's signature, Nov. 1917, and annotations throughout.
Op. 75 Five pieces for piano. 1914.
1. Nar ronnen blommar 2. Den ensamma furan 4. Bjorken
3. Aspen 5. Granen
Collection includes:
No. 1 Helsinki: REW, no date, cl922 by WH Copenhagen; ed.and rev. by Julia A. Burt, New York.;
pi. no. R.E.W.459.
No. 2 Kebenhavn: WH; Finland: REW, no date, pi. no. R.E.W.460. (*)
No. 3 Kobenhavn: WH; Finland: REW, no date, pi. no. R.E.W.461. (*)
No. 4 Helsinki: REW, no date, cl922 by WH, Copenhagen; ed. and rev. by Julia A. Burt, New York;
pi. no. R.E.W.462.
No. 5 Helsinki: REW, no date, cl922 by WH, Copenhagen; ed. and rev. by Julia A. Burt, New York;
pi. no. R.E.W.463.
12
Op. 76 Thirteen pieces for piano
1. Esquisse. 1911
2. Etude. 1911
5.
6.
Consolation. 1919
Romanzetta. 1914?
9. Arabesque. 1916
10. Elegiaco. 1916
3. Carillon. 1911?
7.
Affettuoso. 1916
11. Linnaea. 1914
4. Humoresque. 1916
8.
Piece enfantine. 1916
12. Capricietto. 1913
13. Harlequinade. 1916
Collection includes:
No. 1 Copenhagen: WH,cl912, ed. and rev. by Julia A. Burt, New York. Ejendom for Finland:
REW; pi. no. A.E.L.llZS.
No. 2 Copenhagen: WH, cl912, ed. and rev. by Julia A. Burt, New York. Ejendom for Finland:
REW; pi. no. A.E.L.1174.
(Appears to be a fairly recent printing.)
No. 3 Copenhagen: WH,cl912, ed. and rev. by Julia A. Burt, New York. Ejendom for Finland:
REW; on front cover: Forlagsratt for Finland: AEL; pi. no. A.E.L.n75.
No. 4 Copenhagen: WH, cl912, ed. and rev. by Julia A. Burt, New York. Ejendom for Finland:
REW; on front cover: Forlagsratt for Finland: AEL; pi. no. A.E.L.1176. (*)
No. 5 Copenhagen: WH, cl912, ed. and rev. by Julia A. Burt, New York. Ejendom for Finland:
REW; on front cover: Forlagsratt for Finland: AEL; pi. no. A.E.L.ll 77.
No. 6 Copenhagen: WH,cl912, ed. and rev. by Julia A. Burt, New York. Ejendom for Finland:
REW; on front cover: Forlagsratt for Finland: AEL; pi. no. A.E.L.1178.
No. 7 Copenhagen: WH, cl912, ed. and rev. by Julia A. Burt, New York. Ejendom for Finland:
REW; on front cover: Forlagsratt for Finland: AEL; pi. no. A.E.L.n79.
No. 8 a. Copenhagen: WH, cl912, ed. and rev. by Julia A. Burt, New York. Ejendom for Finland:
REW pi. no. R.E.W.1180.
(Appears to be a fairly recent printing.)
b. Copenhagen: WH, cl912, ed. and rev. by Julia A. Burt, New York. Forlagsratt for Finland:
REW; pi. no. A.E.L.1180. (»)
No. 9 Copenhagen: WH, cl912, ed. and rev. by Julia A. Burt, New York. Ejendom for Finland:
REW; on front cover: Forlagsratt for Finland: AEL; pi. no. A. E.L.I 181. (*)
No. 10 Copenhagen: WH, cl912, ed. and rev. by Julia A. Burt, New York. Ejendom for Finland:
REW; pi. no. R.E.W.1182 (»)
(Appears to be a fairly recent printing.)
No. 11 Helsingfors: REW; on front cover: AEL; pi. no.A.E.L.n83. (*)
No. 12 Helsingfors: REW; on front cover: AEL; pi. no. A.E.L.1184.
No. 13 Helsingfors: REW; on front cover: AEL; pi. no.A.E.L.1185.
(Appears to be a fairly recent printing.)
Op. 77 Two pieces for violin (or violoncello) and orchestra
1. Laetare anima mea; cantique. 1914 2. Devotion (Ab imo pectore) 1915
Collection includes:
No. 1 a. Kabenhavn & Leipzig: WH, cl922; pi. no. 17733.
b. Helsingfors: AEL, cl922 by WH, Copenhagen; pi. no. A.E.L.1216. (*)
No. 2 Helsingfors: AEL, cl922 by WH, Copenhagen; pL no. A.E.L.1217. (*)
Op. 78 Four pieces for violin (or violoncello) and piano
1. Impromptu. 1915 3. Religiose. 1917
2. Romance in F major. 1915 4. Rigaudon. 1915
Collection includes:
No. 1 Kebenhavn & Leipzig: WH, cl923; pi. no. 18200.
No. 2 a. Helsinki: REW, cl922 by WH; pi. no. R.E.W.1219..
b. Helsingfors: AEL, cl923 by WH, Copenhagen; pi. no. A.E.L.1219. (*)
With Carl Rudolf Gandberg's signature, dated Jan. 1924.
No. 3 Helsingfors: AEL, cl923 by WH, Copenhagen; pi. no. A.E.L.1219. (*)
No. 4 Kabenhavn & Leipzig: WH, cl923; pi. no. 18201.
13
Op. 79 Six pieces for violin and piano
1. Souvenir. 1915? 3. Danse caracteristique. 1916 5. Tanz-Idylle. 1917
2. Tempo di menuetto. 1917? 4. Serenade. 1916 6. Berceuse. 1917
Collection includes:
No. 1 Helsingfors: AEL, cl922 by WH, Copenhagen; pi. no. A.E.L.1222.
No. 3 Helsingfors: AEL, cl922 by WH, Copenhagen; pi. no. A.E.L.1224.
No. 4 Helsingfors: AEL, cl922 by WH, Copenhagen; pi. no. A.E.L.1225. (*)
No. 5 Helsingfors: AEL, cl922 by WH, Copenhagen; pi. no. A.E.L.1226. (*)
No. 6 Kobenhavn & Leipzig: WH cl922; pi. no.l7732.
Op. 80 Sonatina in E major for violin and piano. 1915.
Collection includes:
Kabenhavn: WH, cl921; pi. no. 17734. Probably a 1950s printing.
Op. 81 Five pieces for violin and piano
1. Mazurka. 1915 2. Rondino. 1917 4. Aubade. 1918
3. Valse. 1917 5. Menuetto. 1918
Collection includes:
No. 1 Helsinki: REW, cl916 by B&H, New York; pi. no. R.E.W.68.
No. 2 a. Helsinki: REW, cl917 by B&H, New York; pi. no. R.E.W.221.
b. As in 2a but later printing, smaller overall size. (*)
No. 3 Helsinki: REW, cl955; pi. no. R.E.W.68. Design and size as in no. 2b but green and
white rather than brown and white.
No. 4 Helsinki: REW, cl919 by B&H, New York; pi. no. R.E.W.319.
No. 5 Helsinki: REW, cl919 by B&H, New York; pi. no. R.E.W.320.
Op. 82 Symphony No. 5 in E flat major. 1915, rev. 1916 and 1919.
Collection includes:
a. Miniature score. Copenhagen: WH, cl921; pi. no. 17539.
a. Another miniature score; as above but later printing.
Op. 84 Five part-songs for male voices a cappella
1. Herr Lager och Skon fager (Froding) 1914 3. Ett drommackord (Froding) 1915
2. Pd berget (Gripenberg) 1914 or 1915 4. Evige Eros (Gripenberg) 1915
5. Till havs (Reuter) 1917
Collection includes:
No. 1-4 As numbers 15, 18, 19, and 20, pages 56-88, in: Muntra Musikanter, printed by Tidnings- och
Tryckeri A/B, Helsingfors.
No. 5 a. In Swedish and Finnish (Suom. Kyllikki Solantera). Loose-leaf; Helsinki: REW, no date;
pi. no. R.E.W.1827.
b. Merta piiin... (Suom. R. R. R.) Finnish only; translation differs much from the above.
Loose-leaf heliograph; no place, publisher, date.
c. Another heliograph edition, in Swedish; no place, publisher, date. (*)
Op. 85 Five pieces for piano
1. Bellis. Latest 1917 2. Oeillet. 1916 4. Aquileja. 1917
3. Iris. 1916 5. Campanula. 1917
Collection includes:
No. 1-5 a. Five parts. Helsingfors: REW, cl922 by WH, Copenhagen; ed. and rev. by Julia A. Burt,
New York; pi. no. R.E.W.464-468. (*)
b. As above, same pi. numbers but later printing, smaller overall size.
Op. 86 Six songs, with piano accompaniment. 1916.
1. Varfornimmelser (Tavaststjerna) 4. Och finns det en tanke? (Tavaststjerna)
2. Langtan heter min arvedel (Karlfellt) 5. S5ngarl6n (Snoilsky)
3. Dold forening (Snoilsky) 6. I systrar, I broder (Lybeck)
14
Collection includes:
No. 1-5 Six parts. Helsingfors: REW, cl923 by WH, Copenhagen; ed. and rev. by Julia A. Burt, New
York; pi. no. A.E.L.1205-1210. (*)
Op. 87 Humoresquesl-2, for violin and orchestra. 1917.
1. D minor (rev. ca. 1939) 2. D major
Collection includes:
Miniature score. Kobenhavn: WH, cl942; pi. no. 26419. (»*)
Op. 88 Six songs, with piano accompaniment. 1917.
1. Bldsippan (Franz^n) 3. Vitsippan (Franzen) 5. Tornet (Runeberg)
2. De bagge rosorna (Franzen) 4. Sippan (Runeberg) 6. Blommans ode (Runeberg)
Collection includes:
No. 1-3 Five scores. Helsingfors: REW, cl923 by WH, Copenhagen; ed. and rev. by Julia A. Burt, New
56 York; pi. no. R.E.W.482-5, 486-7. (»)
Op. 89 Humoresques 3-6, for violin and orchestra. 1917-1918.
3. G minor 4. G minor 5. E flat major 6. G minor
Collection includes:
No. Piano reduction by Karl Ekman; each no. with score and solo part. Helsingfors: REW, cl923
3,4,6 by WH, Copenhagen; ed. and rev. by Julia A. Burt, New York;
pi. no. R.E.W.499, 500, 502. (»)
No. 3-6 Miniature score. Kobenhavn: WH, cl942; ed. and rev. by Julia A. Burt, New York;
pi. no. 26420. Hansen no. 3788b. (**)
Op. 90 Six songs (Runeberg), with piano accompaniment.
1. Norden. 1917 4. Fagelfangaren. 1917
2. Hennesbudskap. 1917, rev. 1918 5. Sommarnatten. 1917
3. Morgonen. 1917 6. Vem styrde hit din vag? 1917-1918
Collection includes:
No. 1 Helsinki: REW, cl962; pi. no. R.E.W.236. In Swedish, German and Finnish. (*)
No. 2 Helsinki: REW, no date.[1918?]; pi. no. R.E.W.237. In Swedish and German. At end of score:
B. & H., in small frame. (*)
No. 3 Helsinki: REW, no date.[1920?]; pi. no. R.E.W.238. In Swedish and German. At end of score:
B. & H., in small frame. (*)
No. 4 Helsinki: REW, no date.[1920?]; pi. no. R.E.W.239. In Swedish and German. At end of score:
B. & H., in small frame. (*)
No. 5 Helsinki: REW, no date.[1920?J; pi. no. R.E.W.240. In Swedish and German. At end of score:
B. & H., in small frame. (*)
No. 6 Helsinki: REW; Leipzig: B&H, no date [1920?]; pi. no. R.E.W.246. Swedish and German. (»)
Op. 91 Two marches
1. Jaakarimarssi, for male chorus and piano (Nurmio) 1917
2. Partiolaisten marssi, for mixed chorus and orchestra (Finne) 1921. Scout March; also known as De(
danske spejderes march, and The world song, of the World Association of Girl Guides and Girl Scouts.
Collection includes:
No. 1 a. Full score. Marsch der finnlandischen Jager... Leipzig: B&H, cl918; pi. no. Part.B.2494.
b. Piano-vocal score. Leipzig: B&H, cl918; Helsingfors: REW; pi. no. D.L.-V.5483.
Cover design as in No. 1 .
c. Score, for tenor, bass, and piano. Heliograph from a manuscript score, probably Sibelius's
hand; no place or publisher. Swedish verses in score; Finnish verses 1-2 written above
title, vers 3 at end of score. Four pages.
d. Another heliograph edition without place, publisher, or date, vocal score for TTBB. This
one also has three marches by other composers. Text of Jaakarimarssi in Finnish. (*)
(Op. 91 continued on next page)
15
(Op. 91 continued)
No. 2 a. Full orchestral score. Kobenhavn & Leipzig: WH, cl922; ed. and rev. by Julia A. Burt,
New York; pi. no. 17858.
b. Piano reduction and vocal score SATB on facing pages. Kebenhavn & Leipzig: WH, cl922;
pi. no. 17760.
c. The world song..., English: Gavin Ewart, French: Francine Cockenpot. Piano-vocal score.
K0benhavn: WH, 1952; pi. no. 26987.
Op. 92 Oma maa (Kallio), cantata for mixed chorus and orchestra. 1918.
Collection includes:
Piano-vocal score. (Swedish tr. by Joel Rundt 1945, piano reduction by Jussi Jalas. Helsinki:
REW, C1945; pi. no. R.E.W.2461.
Op. 93 Jordens sing, cantata for mixed chorus and orchestra. Composed 1919 for the dedication of Abo
Academy; text by Hemmer.
Collection includes:
Choral score. Helsingfors: REW, no date; pi. no. R.E.W.888.
Op. 94 Six pieces for piano. 1919.
1. Danse 3. Sonnet 5. M^lodie
2. Nouvelette 4. Berger et bergerette 6. Gavotte
Collection includes:
No. 1 Helsingfors: REW, cl920 by B&H, New York; pi. no. R.E.W.195.
No. 2 Helsinki: REW, no date; pi. no. R.E.W.196. This is probably a recent printing, from the REW
edition with cl967. (*)
No. 3 Helsinki: REW, no date [1920?]; pi. no. R.E.W.207. At end of score: B.&H., in small frame. (*)
No.4 Helsinki: REW, no date [1920?]; pi. no. R.E.W.208. At end of score: B.&H., in small frame. (*)
No. 5 Helsingfors: REW, cl922 by WH, Copenhagen; ed. and rev. by Julia A. Burt, New York;
pi. no. R.E.W.469
No. 6 Helsingfors: REW, cl922 by WH, Copenhagen; ed. and rev. by Burt; pi. no. R.E.W.470.
Op. 95 Maan virsi (Leino), cantata for mixed chorus and orchestra. 1920.
Collection includes:
a. Full score. Maan virsi..., Hymn til jorden. Sv. text av Raf. Lindqvist. Helsinki: R.E.
Westerlund, 1945; pi. no. R.E.W.2545/NMF 3029.
b. Piano-vocal score. Maan virsi; Hymn to the Earth. Englished by Paul Sjoblom. Helsinki:
R.E. Westerlund, 1945; plate no. R.E.W.2430.
c. Choral score. Maan virsi..., Hymne auf das Land. Deutsch von Elisabeth Kurkiala.
Helsinki: R. E. Westerlund, 1945; plate no. R.E.W.2430a. In Finnish, Swedish,
English, and German. (*)
d. Text only, single sheet, Finnish and Swedish. Swedish translation by Albert Gebhard
rather than R. Lindqvist.
Op. 96 Three pieces for piano or orchestra. 1919-1921.
1. Valse lyrique 2. Autrefois, scene pastorale with two sopranos ad lib.
3. Valse chevaleresque
Collection includes:
No. 1 a. Piano version. For Finland: REW, Helsingfors; cl921 in USA. by WH, Kopenhagen; Stich
u. Druck Mandruck G.m.b.H. Miinchen; pi. no. R.E.W.368. (»)
b. Piano version. For Finland: REW, Helsingfors; cl921 in US.A. by WH, Kopenhagen; pi. no.
R.E.W.368. Probably early 1980s printing.
No. 2 Piano version. Kobenhavn & Leipzig: WH, cl921; edited [here spelled "Etided"] and rev. by
Julia A. Burt, New York; pi. no. 17670. On front cover: London, Augener, Limited.
No. 3 Piano version. Kobenhavn & Leipzig: WH, cl922; ed. and rev. by Julia A. Burt, New York;
pi. no.l7895.
16
Op. 97 Six Bagatelles for piano. 1920.
1. Humoresque I 3. Kleiner Walzer 5. Impromptu
2. Lied 4. Humoristischer Marsch 6. Humoresque II
Collection includes:
No. 2 Leipzig: B&H, cl921; pi. no. 28625; Ed. Breitkopf 5178.
No. 3 Helsinki: REW, cl921 by B&H, Leipzig; pi. no. R.E.W 507.
No. 4 Leipzig: B&H, cl921; pi. no. 28631; Ed.Breitkopf 5180 (*)
No. 5 Helsinki: REW, cl921 by B&H, Leipzig; pL no. R.E.W 509.
No. 6 Leipzig: B&H, cl921; pi. no. 28633; Ed. Breitkopf 5182.
Op. 98a Suite mignonne, for two flutes and string orchestra. 1921.
Collection includes:
a. All instrumental parts. Cover: Johannes Oertel, Berlin-Grunewald; fiir alle iibrigen
Lander: Chappell & Co., London, cl921; pi. no. A.7319F.
(Violin I and II parts are a later printing.)
b. Piano reduction. London: Chappell, cl921; pi. no. 7317.
Op. 98b Suite champetre, for string orchestra. 1921.
Collection includes:
Miniature score. Kcbenhavn: WH, cl932, 1948 printing; pi. no. 18198; Hansen Edition
Nr. 2284b. {**)
Op. 99 Eight short pieces for piano. 1922.
1. Piece humoristique 3. Souvenir 6. Animoso
2. Esquisse 4. Impromptu 7. Moment de valse
5. Couplet 8. Petite marche
Collection includes:
No. 1-8 Eight parts, all published by Fazer's Musikhandel, Helsingfors, no date, pi. no.
F.M.1796-1803. ONo.3.
Op. 100 Suite caracteristique, for harp and string orchestra. 1922.
Collection includes:
Piano reduction. Kebenhavn & Leipzig: WH, cl924; pi. no. 18394.
Op. 101 Five romantic pieces for piano. 1923.
1. Romance 2. Chant desoir 4. Humoresque
3. Scene lyrique 5. Scene romantique
Collection includes:
No. 1-4 Four parts. Kebenhavn & Leipzig: WH, cl925 by CF, New York; ed. and rev. by W. F.
Ambrosio; pi. no. 18782-18785; Hansen Edition No. 2462-5.
Op. 103 Five characteristic impressions for piano. 1924.
1. The village church 2. The fiddler 4. The storm
3. The oarsman 5. In mournful mood
Collection includes:
No. 1-4 Four parts. Kebenhavn & Leipzig: WH, cl925 by CF, New York; ed. and rev. by W. F.
Ambrosio; pi. no. 18777-18780; Hansen Edition No. 2457-60.
Op. 104 Symphony No. 6 in D minor. 1923.
Collection includes:
a. Miniature score. Kobenhavn: WH, 1946; pi. no. 24590b; Hansen Edition Nr. 3343b. (**)
b. Miniature score. Copenhagen: WH, rev. ed., 1981; pi. no. 24590b; Hansen Ed. Nr. 3343b. (**)
Op. 105 Symphony No. 7 in C major. 1924.
Collection includes:
Miniature score. Kebenhavn: WH, no date, cl925; pi. no. 18658; Hansen Ed. Nr. 2426b.
17
Op. 106 Five Danses Champetres, for violin and piano. 1925.
Collection includes:
No. 1 Parts and score. Kobenhavn: WH, cl926 by CF; pi. no. 19407.
No. 2-4 Three parts and scores. Kabenhavn & Leipzig: WH, cl926 by CF; pi. no. 19408-19410; Hansen
Ed. No. 3133-3135. These appear to be from an earlier printing than the Hansen
edition listed for No. 1.
Op. 107a Herran siunaus, for liturgist and organ. 1925.
Collection includes:
Photostatic copy of an unidentified source, p.233-234; possibly of the 1st ed. in Suomen
evankelis-luterilaisen Messusavelmat, 1925.
Op. 107b Johdantovuorolauluja. 1925. Three antiphonies:
(1) Palmusunnuntaina [Palm Sunday], for liturgist, congregation, and organ;
(2) Pyhainpaivana [All Saints Day], for liturgist and choir;
(3) Rukouspaivana [General Prayers, for liturgist, congregation, and organ.
Dahlstrom p. 131-132; gives title of no. 3 as KristiUisissa nuorisojuhlissa.
Collection includes:
Photostatic copy from an unidentified source, p. 153-4, 187-8, and 192-3 respectively.
Running title: Graduaaleja.
Please note: Until 1992, Herran siunaus and Johdantovuorolauluja are usually listed among works
without opus number, op. 107 was tentatively awarded to Den hoga himlen (1926); cf.
Dahlstrom p. 88. In a letter of July 2, 1992, Prof. Dahlstrom writes: "We (Kilpelainen,
Dahlstrom) are now sure of "Den hoga himlen" is a work without opus number. Op. 107 is
[Herran siunaus, Johdantovuyorolauluja]. Source: a worklist (holograph) by JS 1912-31 in the
Sibelius collection. State Archives, Helsinki. In other work lists of JS you can read many
confusing things about op. 107, therefore the unclear situation."
Op. 108 Two part-songs (Larin-Kyosti), for male chorus a cappella. 1925.
1. Humoreski 2. Ne pitkan matkan kulkijat
Collection includes:
No. 1 As no. 15 in Laulu-Miesten, Lauluja 11, p. 69-81. Helsinki: Laulu-Miehet, 1956. Detached.
No. 2 As no. 166 in Laulu-Miesten, Lauluja 111, p. 700-705. Helsinki: Laulu-Miehet, 1955. Detached.
Op. 109 Incidental music to Shakespeare's TTie Tewipesf. 1925
Collection includes:
a. Miniature score. Aus der Musik zu Shakespeares Der Sturm...; Vorspiel fiir Orchester...,
Op. 109Nr. 1. Kobenhavn: WH, cl929, 1946 printing; pl.no. 19419; Hansen Ed.
Nr.2738b (")
b. Miniature score. Aus der Musik zu Shakespeares Der Sturm. Erste Suite fiir kleines
Orchester..., Op. 109 Nr. 2. K0benhavn: WH, cl929, 1946 printing; pi. no. 20264;
Hansen Ed. Nr .3207b. (*»)
c. Miniature score. Erste Suite..., Op. 109 Nr. 3. Kobenhavn: WH, cl929, 1946 printing;
pi. no. 19601; Ed. Nr. 3207b. (")
Op. 110 Vainon virsi, for mixed chorus and orchestra. Text from the Kalevala, XLlll, 385-422. 1926.
Collection includes:
a. Full score. Helsinki: REW, cl945; ...for Sverige, Norge och Danmark: NMF, Stockholm;
pl.no. R.E.W.2551/NMF 3030.
a. Piano-vocal score. Helsinki: REW, cl945; pi. no. R.E.W.2460.
Op. 112 Tapiola, tone poem for orchestra. 1926.
Collection includes:
Miniature score. Wiesbaden: B&H, cl926/1954; pi. no. 30750, Partitur-Bibliothek
Nr. 3328. (»»)
18
Op. 113 Musique r^ligieuse, for solo voice, male voices and harmonium. 1927-1948.
Collection includes:
Masonic ritual music... for male voices and piano or organ. Editing and English texts by
Marshall Kemochan. Rev. ed., 1950 [cl935]. Issued for Masonic use only by The Grand
Lodge of Free and Accepted Masons of the State of New York
Op. 114 Five esquisses for piano. 1929.
1. landscape 2. Winter scene 4. Song in the forest
3. Forest lake 5. Spring vision
Collection includes:
No. 1-5 Viisi luonnosta; Fiinf Skizzen; Five esquisses... Helsinki: F, cl973, 1980 printing;
no plate no. (**)
Op. 115 Four pieces for violin and piano. 1929.
1. AufderHeide 3. Humoresque
2. Ballade 4. Die Glocken (Capriccietto)
Collection includes:
No. 1-4 Four parts and scores. Wiesbaden: B&H, cl930/1958; 1983 printing; pi. no. 30215-30218; Ed.
Breitkopf Nr. 5481-5484. (»»)
[
Op. 116 Three pieces for violin and piano. 1929.
1. Sc^ne de danse 2. Danse caracteristique 3. Rondeau romantique
Collection includes:
No. 1 Part and score. Wiesbaden: B&H, no copyright date; 1986 printing; pi. no. 30219;
Ed. Breitkopf 5485. (")
No. 2 Part and score. Wiesbaden: B&H, cl930/1958 [late 1970s or early 1980s printing]; pi. no. 30220;
Ed. Breitkopf 5486. (")
No. 3 Part and score. Wiesbaden: B&H, cl930/1958, 1987 printing; pi. no. 30221;
Ed. Breiticopf 5487. (")
Works with Opus Numbers: Miscellaneous Selections and Collections
Sibeliana. Stimmungen aus dem Lande der tausend Seen, von Jean Sibelius. Ausgewahlt und fiir Klavier
gesetzt von Johannes Doebber. — Berlin-Lichterfelde: RL, cl910 by SBM, renewed 1938; pi. no. S.9538.
Includes piano arrangements of op. 46:1, 2, 5, 7, 8; op. 50:3; op. 51:3; op. 54:3; op. 57:2;
none of them are original piano compositions. (**)
19
The SCORES: Works Without Opus Number
Compositions (including spurious works) published or unpublished during Sibelius's lifetime, in Harold E.
Johnson's alphabetical order; with page reference to Dahlstrom, The Works of Jean Sibelius, 1987.
Aamusumussa. Paiv' ei paase paistam ahan (J. H. Erkko). Morning Mist; written in 1896 for children's
voices SSA; first published 1915. Dahlstrom p. 96: Arr. at the latest 1898 for SATB; probably
arr. by Sibelius for TTBB.
Collection includes:
a. Photostatic copy from an unidentified source, p. 136-138, original version for children's voices.
b. As no. 1 in Uusia kotimaisia lauluja ja sovituksia II, ed. by A. E. Taipale; Helsingissa: OT 1955.
SATB.
Andante festivo. String quartet. Written 1922, rev. ca. 1930 for strings and timpani ad lib. Dahlstrom p. 40.
Collection includes:
a. Photostatic copy of the 1922 score, published in Kertomus Saynatsalon tehtaitten 25-vuotis-
juhlasta 28. XII. 1922.
b. Full score, string orchestra, no timpani. Helsinki: REW, no date; plate no. R.E.W.1858. (*)
c. Full score, string orchestra, no timpani. Miami, Florida: KA, no date or pi. no.; probably
1984 printing. (**)
Andantino & Menuetto, wind/brass septet. Dahlstrom p. 37.
Collection includes:
Photostatic copy of the manuscript score, for clarinet, 2 comets, 2 horns, baritone, and tuba. Four
sheets. At head of score: Andantino, arr. Jean Sibelius 1890-91. At end of Andantino: Lovisa
d. 22/4 1949 E.G; at end of Menuetto: Lovisa 24/4/1949 Edv. G. [=Edvard Gaul, conductor of the
Lovisa fire brigade's brass septet].
Ballet Scene, for Orchestra, 1891. Microfilm of Sibelius's manuscript; see p. 69.
Brusande rusar en vSg (Schybergson), for male chorus h cappella. 1918. Dahlstrom p. 96.
Collection includes:
Helsingfors: AEL, cl918 by B&H; pi. no. A.E.L.533.
Cantata for the University Ceremonies of 1894, see Kantaatti tohtorin- ja maisterin-vihkijaisissa 31 paivana
toukokuuta 1894
Den 25 Oktober 1902. Till Therese Hahl, see Till Therese Hahl
Drommama (Renter), for mixed chorus. 1912. Dahlstrom p. 97.
Collection includes:
a. Photostatic copy, p. 7-9 from an unidentified printed source, most likely Svenska Folkskolaus
Vanner, 1917 where it was first published.
b. Printed, two p. (1 leaf), Finnish translation by Reijo Norio. Helsinki: F, 1965; pi. no. F.M.4388. (*)
Ej med klagan (Runeberg), for mixed chorus k cappella. Written 1905. Also known as Till minnet av Albert
Edelfelt. Dahlstrom p. 97.
Collection includes:
Facsimile printing of Sibelius's manuscript, 1905.
Ett ensamt skidsp^ (Gripenberg), melodramatic recitation with piano. Written 1925; rev. 1948 for harp and
string orchestra. Dahlstrom p. 127.
Collection includes:
a. Voice and piano. Swedish and English. Stockholm: NMF, 1934; N.M.S.IOOO.
b. Voice and piano; Swedish. First ed., music supplement in Lucifer, 1925. {*)
20
Erioschen (Busse-Palma), for voice and piano. 1903. Dahlstrom p. 124. Author's name often given as Busse-
Palmo. Letter from Dr. Dahlstrom, July, 1992, states: "Sibelius's holograph Erioschen
(Helsinki University Library, 12156) is unclear, and therefore 'Palmo' appears in Suomen
Musiikilehti... I found the poem Erioschen in: Busse-Palma, Lieder eines Zigeuners, Stuttgart
1899, pag. 42."
Collection includes:
First ed., Suomen Musiikkilehti, 1/1923, supplement. (*)
Finnish rune fragments (Runosavelmien naytteita). Seventeen fragments, edited and transcribed by Sibelius
with A. A. Borenius. Published in Kalevala, U, Selityksia (=Commentary), Helsinki 1895.
Dahlstrom p. 132
Collection includes:
Photographic copy of 3 unnumbered pages, as published in Kalevala II, 1895.
Finska folkvisor i transkriptioner for piano (Finnish folk songs arr. for piano). 1903. Dahlstrom p. 65-66.
1. Minun kultani 3. Ilta tulee, ehtoo joutuu 5. Velisurmaaja
2. Sydamestani rakastan 4. Tuopa tytto, kaunis tytto 6. Haamuistelma
Collection includes:
No.l Helsingfors: HNM; [printed by] B&H, Leipzig; no date or pi. no. (*)
No.2 Leipzig: B&H, no date; pi. no. 25206.
No.3 Helsingfors: HNM; [printed by] B&H, Leipzig; no date or pi. no. (*)
No.4 Helsingfors: HNM; [printed by] B&H, Leipzig; no date or pi. no. (*)
No.5 Helsingfors: HNM; [printed by] B&H, Leipzig; no date or pi. no. (*)
No.6 Helsingfors: HNM; [printed by] B&H, Leipzig; no date or pi. no. (*)
Fridolins d^rskap (E. A. Karlfeldt), for male chorus h cappella. 1917. Dahlstrom p. 97.
Sibelius inscribed the manuscript for the architect Torkel Nordman, in gratitude for a joint of
smoked mutton which Nordman had sent to the composer during Helsinki's food rationing
days, disguised in a violin case. Sibelius's inscription, in Swedish, expresses thanks for the
"delicious violin."
Collection includes:
a. Photostatic copy of Sibelius's manuscript, with his inscription.
b. Printed; no place, no publisher, no date, no plate no.; two pages. (*)
Grefvinnans konterfej (Topelius), recitation and string orchestra. Also known as Portratterna. 1906.
Dahlstrom p. 127-128.
Collection includes:
Manuscript score, strings only, no text; unidentified hand. Three pages and cover: Grefvinnans
Konterfej / TabM / (Melodram) / Z. Topelius / Impromptu / av / Jean Sibelius.
Isanmaalle (Cajander), 1899 TTBB ("probably never performed"); revised 1900 SATB. Arranged 1902 by
Selim Palmgren, TTBB, "nowadays the only version sung by male-voice choirs." Dahl-
strom, p. 97-98. Bar 1, Bass I: Sibelius, e-a; Palmgren, e-c sharp (Dahlstrom letter, July, 1992).
Collection includes:
a. Loose-leaf; no place, publisher, or date. TTBB, A major. This is Sibelius's arrangement.
b. As no. 2, p. 4-7, in Isanmaallisia lauluja, [29 patriotic songs, compiled by] A. E. Taipale.
Helsingissa: OT, 1946. A major. Here it is Palmgren's arrangement.
c. As no. 2, p. 5-8, in Sekaaanisia lauluja [10 part-songs, compiled by Wilho Siukonen. Helsingissa:
OT, 1949. F major. SATB, Sibelius's arrangement.
d. As no. 4, p. 12-17, in Isanmaallisia lauluja [30 patriotic songs, compiled by] P. J. Hannikainen.
Helsinki: OT, 1955. F major. This collection also includes Sibelius's Uusmaalaisten laulu
(as no. 27, p. 79-81). SATB , Sibelius's arrangement.
Italian folk songs, arranged by Sibelius, see Ohi Caroli.
21
Jone havsfard (Karlfeldt), for male chorus k cappella. "Jonah 's voyage," first published in the Finnish
translation by Hj. Nortamo, Joonaan meriretki, 1933. Dahlstrom p. 98.
Collection includes:
a. Pages 60-64, Finnish version, from Laulujapoika I-II. Helsinki: WS, 1945.
b. Swedish version, text only, p. 102-105 from an unidentified printed source.
Juhlamarssi, see Kantaati... 31 p. toukokuuta 1894, listed below.
Kantaatti tohtorin- ja maisterin-vihkijaisissa 31 paivana toukokuuta 1894. Text by Lonnbohm and Leino; for
soprano and baritone solo, SATB, and strings. From this unpublished Cantata arranged
ca. 1896: Juhlamarssi, for mixed chorus k cappella. Dahlstrom p. 90.
Collection includes:
a. The 1894 choral parts, facsimile of manuscript.
b. Juhlamarssi. As no. 8 in Sekaaanisid lauluja... Helsingissa: Kansanwalistusseuran
kustantama, 1896.
c. Juhlamarssi. As no. 7 in Sekaaanisia lauluja... Helsingissa: OT, 1954.
Kansakoulaisten marssi, for children's voices SSAA, 1910. Also known as Uno Cygnaeuksen muistolle.
Dahlstrom p. 98.
Collection includes:
Photostatic copy of the first edition in Kansakoulun lauluja, Uno Cygnasuksen 100-vuotispaivaksi
sepitettyja, 1910.
Kantat till ord av W, von Konow. Composed 1911, SSAA, for the 50th anniversary of Heurlinska skolan in
Turku. Dahlstrom p. 98.
Collection includes:
a. Printed from manuscript; no place, publisher, or date; stamp of Abo Akademi.
b. Printed from manuscript. Abo: Affarstryckeriet, 1938. (*)
Karjalan osa (Nurminen), for male voices unisono with piano; written 1930. Also known as Patriotic march.
Dahlstrom p. 89.
Collection includes:
a. Melody and text. First printing, on occasion of the first performance, Sortavala, September 7, 1930,
at a soiree given by Suomen Lukko. Helsinki: Musiikkikeskus, 1930.
b. Voice and piano. Helsinki: Musiikkikeskus, no date, pi. no. 26.
c. Carbon copy of typed sheet, rough translation of the Finnish text into English; translator not
identified but probably H. E. Johnson.
Kavaljeren, piece for piano solo, 1900. Published in Fyrens julnummer by "Sipan" [Sibelius], December 1900.
Dahlstrom p. 66.
Collection includes:
Photostatic copy of the first printing.
Kehtolaulu, see [Valssi]
Kotikaipaus (W. von Konow), 1902 for SSA, for Eino Levon's daughters. Manuscript facsimile first published
in Suomen Musiikkilehti, December 1935, p. 188, with Sibelius's caption "Levonin tytoille."
Dahlstrom p. 98.
Collection includes:
Photostatic copy of the first printing.
22
Kuolutie (Koskenniemi), for SATB k cappella, 1925. Dahlstrom p. 99.
Collection includes:
First printing, a pannphlet published by WS, Porvoossa. On the cover, the publisher calls attention to
this new song. Inscribed by the author, V. A. Koskenniemi, for Harold E. Johnson, Turku, 1958.
With a letter by Koskenniemi to Johnson, about origin and first publication of the poem, and
date of Sibelius's composition.
KristillisissS nuorisojuhlissa, see Johdantovuorolauluja no. 3.
Kuutamolla (Suonio), for male chorus k cappella, 1916. Dahlstrom p. 99.
Collection includes:
Three-page pamphlet, no place, publisher or date; most likely published as no. 127 by
Ylioppilaskunnan laulujat, Helsinki, 1916.
Likhet (Runeberg), for male chorus k cappella, 1922. Dahlstrom p. 99.
Collection includes:
a. Helsingfors: F, no date; pi. no. F.M.3570.
b. Printed from manuscript. Abo: Affarstryckeriet, 1922. (*)
Levonin tytoille, see Kotikaipaus.
Mandolinato. Piano piece, written 1917, for publication in Lucifer. Dahlstrom p. 66.
Collection includes:
a. First printing, Lucifer 1917 issue.
b. Helsingfors: REW, cl923 by WH, Copenhagen; pi. no. R.E.W.1315.
Menuetto, for Orchestra, 1894. Microfilm of Sibelius's manuscript; see p. 69.
Menuetto, wind/brass septet, see Andantino & Menuetto.
Min rastas raataa (Kanteletar 1:129), for mixed chorus. "At the latest 1898"; Dahlstrom p. 99.
Collection includes:
Photostatic copy, pages 41-43 of an unidentified source in which this work appears as no. 6.
Morceau romantique, piece for strings by Jacob de Julin; arranged for piano by Jean Sibelius, 1925. Also known
as Piece romantique. Dahlstrom p. 30.
Collection includes:
a. Asni&re: Grav. Imp. Delanchy-Dupre, no date, no pi. no.
b. Paris: Imp. Cavel, 1926; no pi. no.
Narciss (Gripenberg), song for voice and piano. 1925. Dahlstrom p. 125.
Collection includes:
Helsinki: REW, no date (1926?), pi. no. R.E.W.1828. In Swedish, Finnish, and German. (»)
Ohi Caroli and Trippole trappole. Two Italian folk songs, arranged by Sibelius; the first only as fragment,
probably SATB, with piano; the second SATB. Dahlstrom p. 102-103.
Collection includes:
Photostatic copy of the manuscript.
Overture in E major, for orchestra, 1890-1891. Microfilm of Sibelius's manuscript; see p. 69.
Overture in A minor, for orchestra. Written and first performed 1902. Dahlstrom p. 30.
Collection includes:
Photostatic copy of the manuscript score.
Patriotic march, see Karjalan osa.
23
Piece romantique, see Morceau romantique.
Portrattema, see Grefvinnans konterfej.
Preludium, for wind/brass septet, written 1891. Dahlstrom p. 37.
Collection includes:
Photostatic copy of pages 1-5 of the manuscript score.
Press Celebrations, music for Pressens dagar, 1899. Each scene was introduced by a piece of music, and there
was muted accompaniment to the textual commentary. Later, Sibelius revised several scenes;
cf. op. 25. Probably the best known revision of a scene: Tableau no. 7 was revised in 1900 as
op. 26, no. 7, the famous Finlandia. Dahlstrom p. 71-72.
Collection includes:
Tableaus III and IV, photostatic copies of Sibelius's manuscript scores, complete.
Rondo, viola and piano, 1893. Unpublished. Dahlstrom p. 49.
Collection includes:
Photograph copy of the manuscript score (prints and negatives).
Segelfahrt (Ohquist), voice and piano, 1899. First published as manuscript facsimile in Brokiga blad 1, 1899.
Dahlstrom p. 125.
Collection includes:
Photostatic copy of the first edition in Brokiga blad I.
Siltavahti (Sola), for male chorus a cappella, 1895. Dahlstrom p. 100.
Collection includes:
Photostatic copy of the score, from Helsingin tyovaen mieskuoro, 1938.
Sma flickorna (Procope), for voice and piano, 1920; first published in facsimile in Lucifer, 1920.
Dahlstrom p. 125.
Collection includes:
The Lucifer 1920 facsimile printing. (*)
Spagnuolo, piano piece, 1913. First published in facsimile in Joulutunnelma 1913, by Arvi A. Karisto,
Hameenlinna. Dahlstrom p. 66.
Collection includes:
The foulutunnelma 1913 facsimile printing. (*)
Sum' olet, Herra. Hymn for mixed chorus, arranged 1927 from a 1926 work TTBB. Dahlstrom p. 88;
see also note to opus no. 107.
Collection includes:
As no. 163, pages 668-669, in Laulu-Miehet III, Helsinki 1955. Two detached leaves.
Tiera, tone poem for brass septet with percussion instruments, 1898-1899. Dahlstrom p. 37 has 1894; corrected
by him, letter of 1992, to 1898-1899, with reference to Kilpelainen 1992, p. 115.
Collection includes:
First ed. of the full score. Helsinki: OT, [1934]; series Kansanvalistusseuran Torvipartituureja II,
no. 57. With some English and Finnish pencil notes, performance markings, and slight note
revisions in the tuba part, in an unidentified hand.
Till Therese Hahl. Den 25 Oktober 1902 (Wasastjema), for mixed chorus a cappella, 1902. Dahlstrom p. 96;
not the later composition with same title, Dahlstrom p. 97.
Collection includes:
a. Photostatic copy of the first ed., as no. 10, p. 83-87 in Savelisto VII, 1903, in Swedish and Finnish.
b. Heliograph edition, in Swedish, title in reverse: "Den 25 Oktober 1902. Till Therese Hahl."
No place, publisher, or date. (*)
24
Till minnet av Albert Edelfelt, see Ej med klagan.
Till tr^aden, Finnish folk song arranged for piano, 1913. First published in facsimile in Lucifer, 1913.
Dahlstrom p. 67.
Collection includes:
Photostatic copy of the manuscript facsimile in Lucifer.
Trippole trappole, see Ohi Caroli.
Tyfikansan marssi (Erkko), for mixed chorus k cappella. Date of comjX)sition given by Johnson as 1893-1896; as
1896 by Dahlstrom p. 100. First published in Tyovaen kalenteri, TV, Viipuri 1896.
Collection includes:
Two photostatic copies of the first printing in Tyovaen kalenteri.
Uno Cygnaeuksen muistolle, see Kansakoulaisten marssi.
Ute hSrs stormen (Schybergson), for male chorus h cappella. 1918. Dahlstrom p. 101.
Collection includes:
Helsingfors: AEL, cl918 by B&H; pi. no. A.E.L.533.
Uusmaalaisten laulu (Terhi). Song for the people of Usimaa, for male chorus h cappella, 1912. Arranged by
Sibelius during the same year for SATB. "Sequence of TTBB and SATB versions doubtful";
Dahlstrom p. 101.
Collection includes:
a. Photostatic copy of the SATB version published by OT, Helsinki, 1912.
b. TTBB version, as no. 44 in Miesdanisid lauluja, 20. vihko, Helsingissa 1921; series
Kansanvalistusseuran nuottivarasto 114.
c. As no. 27, p. 79-81, in Isanmaallisia lauluja [30 patriotic songs, compiled by] P. J. Hannikainen.
Helsinki: OT, 1955. SATB version. This collection also includes Sibelius's
Isdnmaalle (as no. 4, p. 12-17).
[Valssi]; untitled waltz [3/8] for violin and kantele, 1899? Dahlstrom p. 132.
Collection includes:
Page 171 from Suomen Musiikkilehti, December 1935 issue; article by A. O. Vaisanen and score. At
bottom of page, in manuscript: Kehtolaulu.
Veljeni vierailla mailla (Aho), for male chorus h cappella, 1904, first published 1905. Dahlstrom p. 101.
Collection includes:
Heliograph edition, five pages, versos blank; no place, publisher, or date.
Viipurin Laulu- Veikkojen kunniamarssi (Eerola), for male voices a capf)ella, written 1920 for the Singing
Brothers of Viipuri. Completely rewritten as a new composition in 1929. Dahlstrom p. 101.
Collection includes:
a. First version: First printing, Viipurin Laulu=Veikot (W.S.B.) 1897-1922, Viipun: Karjalan
Kirjapaino Osakeytio, 1922.
b. Second version: Photostatic copy of the edition published by Wikstedtin Kivipaino,
Helsinki, 1930.
25
The Recorded Music
Dr. Johnson transferred his Sibelius recordings to the Irwin Library's Department of Rare Books and
Special Collections in 1983 and 1984. At that time, the department had neither sound facilities nor funds.
Between 1985 and 1988, Mr. Christopher Hanlin worked here as preservation assistant while studying
Radio /Television at Butler University. After the collections obtained a quality sound system and some other
facilities, Hanlin spent a major portion of his time with the Sibelius recordings. He left the following notes:
"When Dr. Harold E. Johnson decided to donate his
collection, he may not have realized the very special prob-
lems of preservation with which he presented us. When
Gisela Terrell went to Johnson's home in 1983, she found
that the recordings had been stored in old cardboard
boxes in a dry but musty basement. Though generally in
good condition despite age and circumstances, the
records had accumulated many years of grime and dust.
Terrell knew that a collection as significant as Dr. John-
son's Sibelius materials must be made available for
public study, but the sound recordings presented a
special problem."
"A basic principle of analog sound reproduction
through any given physical media is that of erosion of the
medium itself during playback. Every playing of a record-
ing degrades, however subtly and minutely, its sound
quality. When viewed over a period of many years of
playback, the resultant loss of sound due to this erosion
process is considerable. For the purposes of preservation,
such a situation cannot be viewed as acceptable. Al-
though this physical degeneration itself is unstoppable, it
can be greatly reduced or even eliminated through a
restriction of that recording's usage. This, however, is in
conflict with a basic tenet of Terrell's concept of special
collections: to combine easy accessibility for study with
proper safeguards for material preservation."
"When I arrived in 1985, it seemed that, with regard
to the record collection, we were faced with a dual
mission: to maintain the accessibility of the collection for
study while avoiding the loss of sound quality due to
usage. A "happy medium", if you will, was readied by
deciding to transfer the entire collection to high quality
reel-to-reel tape. Such a method of preservation has
several advantages over simply providing the recordings
themselves for study. By allowing patrons access only to
the reel recordings of the albums, the discs themselves
could be spared the rigors of overuse."
"Such an approach toward sound recording collec-
tions is widely recognized, and endorsed by the Library of
Congress. Patrons wishing to further study the recorded
pieces could even make a dub from the master tape for
their own use. Tape also has the advantage of instanta-
neous rewind and cue functions which make repeated
examinations of a passage of interest easily possible.
Research suggests that this method of preserving a large
collection can extend its life almost indefinitely."
"After some initial research, it was decided that our
first step in the preservation process should be to wash
the albums. Though by no means in a poor or unusually
dirty condition, the records themselves were of consid-
erable age (one-fourth of the collection are 78' s), and re-
moval of years of accumulated dust was desirable. I used
a simple solution of distilled water and a drop of non-
acidic liquid soap to immerse and gently clean each disc.
After drying, each album was placed in an acid-free
sleeve to protect against acid migration from the outer
record jackets. The discs were returned to storage in a
vertical position to avoid warpage. For more information
helpful book by Jerry McWilliams, The Preservation and
Restoration of Sound Recordings, Nashville, 1979."
"In accordance with the unique nature of the col-
lection, a suitable sound system was purchased for taping
and listening. In addition to the standard amplifier, cas-
sette deck, and speakers, it was necessary to have a turn-
table capable of 331/3, 45, and 78 rpm speeds. A 101/2 inch
reel size capable half track stereo reel-to-reel unit was
purchased, and the system completed with a tone
generator. A uniform stand of 1.5 mil 0-31 audio tape was
used throughout the taping process."
"Each transcription is preceded by a twenty second
reference tone at 90 VU (-1 dB) for proper playback cali-
bration. After an initial level was taken by randomly
sampling the loudest moments of the piece to be record-
ed, the tape was simply allowed to roll (uniform 7 ips
throughout) without further adjustment during the tran-
scription process. Every effort was made to retain the
integrity of the original performance. Accordingly, peri-
odic level adjustments, or "riding gain", during the tran-
scription process was avoided as being a subjective inter-
ference with the performance by the tape operator. An
average peak level of between 85 to 90 percent modu-
lation was the norm (-2 to -1 dB), but due to Sibelius's
extensive use of pianissimo this was not always the case.
Any instance of overmodulation (and hence, distortion)
would necessitate restarting the transcription process for
that recording, but the need for this was rare. No out-
board equipment (i.e., equalizers, compressors, limiters,
etc.) was ever used. Thus, the recorded performance was
allowed to stand or fall on its own merits. After complet-
ing the transcription, the tapes were stored tails-out to
avoid print-through or 'bleed'."
26
"As with all preservation efforts, this project was an
exercise in prevention. Future audiophiles and scholars
may revile my equipment and methods, and the inces-
sant march of technology will inevitably make our current
system of preservation obsolete. Even during the course
of the project, digital recording techniques became such
a practical reality that I can now see the need to re-record
this entire collection using this new technology sometime
within the next fifty years. It must be honestly said,
however, that the system and techniques employed
during the project were those accepted for their quality
and archival integrity at that time."
"As with the other components of the Sibelius
Collection, emphasis has been placed on the availability
of the collection for use by everyone. Because of our
efforts, an interested party can now listen to these rare
and historic recordings without imparting further damage
to the collection itself. Thus, it forms an important link in
the chain of materials which make up the musical legacy
of jean Sibelius. 1 must say that 1 am grateful for the
opportunity to work on such a project, and I hope that the
increased availability of the collection will stimulate
interest in this most significant composer."
"Chris Hardin, September, 1988"
THE RECORDINGS
MUSnKKIA AANILEVYILLA - GRAMMOFONINSPELNINGAR
The listing is arranged by works with opus number, followed by works without opus number, then
collections, and a listing of recordings added by the library to Dr. Johnson's collection; also a brief listing of
other composers' works represented in these recordings. An attempt has been made (not always with success)
to list different recordings of the same composition in chronological order. Disc numbers given in brackets
below opus numbers refer only to the collection's shelf numbers. Since all recordings have been clean and
transcribed onto tape, the discs themselves are stored in archival-quality sleeves inside the original jackets,
and special record storage boxes; the tapes are shelved by disc number, and are used for dubbing cassettes with
which to study the music, esf)ecially different interpretations and performances of a composition.
OP. 7 KULLERVO
(Disc#1) Helsinki University Men's Choir. Raili Kostia (mezzo soprano), Usko Viitanen (baritone),
Paavo Berglund (conductor), the Bournemouth Symphony Orchestra. Recorded in Guildhall,
Southampton, 1972. Text and notes by Paavo Berglund and Robert Layton laid in, copyright
1971. "First recording of a major choral masterpiece."
Angel SBN-3778 stereo (album, 2 discs); sides 1-3.
Side 4: Sibelius. Scene with Cranes; Swanwhite Suite.
OP. 9
(Disc #2)
(Disc #7)
(Disc #3)
(Disc #4)
EN SAGA
Sir Adrian Boult / The Philharmonic Promenade Orchestra of London. Copyright 1956. Album
title: The tone poems of Sibelius.
Vanguard VRS 489-490 (album, 2 discs); side 1.
Side 2; Sibelius. Pohjohla's Daughter; The Bard; Lemminkainen's Homecoming.
Side 3: Sibelius. Tapiola; Oceanides.
Side 4: Sibelius. Nightride and Sunrise; Finlandia; Prelude,T^ Tempest.
Anthony Collins / Royal Philharmonic Orchestra. Recording date not given. Notes by Malcolm
Rayment, copyright 1958.
Capitol G7122; side 2.
Also on side 2: Sibelius. Romance in C Major, op. 42.
Side 1: Sibelius. Karelia Suite; The Swan of Tuonela.
Sir Malcolm Sargent / Vienna Philharmonic Orchestra. Recording date not given; first marketed
in 1963. With 1958 notes by Malcolm Rayment.
Odeon ALP 1990; side 1.
Also on side 1: Sibelius. The Swan of Tuonela.
Side 2: Sibelius. Finlandia; Karelia Suite.
Eugene Ormandy / The Philadelphia Orchestra. Notes by Charles Burr. Recording date not
given; 1958 or later.
Columbia ML 5249; side 1.
Also on side 1: Sibelius. Pohjohla's Daughter.
Side 2: Sibelius. Oceanides; Tapiola.
11
OP. 10 KARELIA OVERTURE
(Disc #5) Jussi Jalas / Finlandia Orchestra. Recording date not given. No notes.
Fennica; no record nunnber. List of the series "Firiiush Composers"; this is no. 2; side 1.
Also on side 1: Raitio. ]outsenet. Pylkkanen. Preludio sinfonico; Mare ja Mnen poikansa.
Side 2: Melartin. Prinsessa Ruusunen. Fougstedt. Intrada; Finnish Folk Song.
(Disc #6) Alexander Gibson / Scottish National Orchestra. Recording date not given. Notes by Malcolm
Rayment, copyright 1967.
Capitol SP 8677 stereo; side 1.
Also on side 1: Sibelius. The Bard; Festivo, from Sctnes Historiques I.
Side 2: Sibelius. King Kristian II Suite.
OP. 11 KARELIA SUITE
(Disc #118) Antero Saike / The Symphony Orchestra of Olympia. Recording copyright 1953. No notes.
Allegro 3103; side 2.
Side 1: Sibelius. Symphony No. 7.
(Disc #106) Thomas Jensen / Danish State Radio Symphony Orchestra. Recording date not given. No notes.
London B 19036; side 2.
Side 1: Sibelius. Symphony No. 5.
(Disc #128) Hans Rosbaud / Berlin Philharmonic Orchestra. Recording date not given. Notes by James Lyons,
written 1957.
Decca DL 9938; side 2.
Also on side 2: Sibelius. Bolero (Festivo)
Side 1: Sibelius. Tapiola; The Swan of Tuonela.
(Disc #7) Anthony Collins / Royal Philharmonic Orchestra. Recording date not given. Notes by Malcolm
Rayment, copyright 1958.
Capitol G7122; side 1.
Also on side 1 : Sibelius. The Swan of Tuonela.
Side 2: Sibelius. En Saga; Romance in C major.
(Disc #3) Sir Malcolm Sargent / Vienna Philharmonic Orchestra. Recording date not given; first marketed
in 1963. With 1958 notes by Malcolm Rayment.
Odeon ALP 1990; side 2.
Also on side 2: Sibelius. Finlandia.
Side 1: Sibelius. En saga; The Swan of Tuonela.
(Disc #42) Lorin Maazel / Vienna Philharmonic Orchestra. Recording date not given. Notes anonymous,
copyright 1964.
London CM 9375 mono; side 2.
Side 1: Sibelius. Symphony No. 1.
(Disc #28) Sir John Barbirolli / The Halle Orchestra. Recording date not given. Notes by D. P., 1964.
Capitol SP 8669 stereo ; side 1. (Was also available mono)
Also on side 1 : Sibelius. Finlandia.
Side 2: Sibelius. Pohjohla's Daughter; Valse triste; Lemminkainen's Return.
OP. 11 KARELIA SUITE. Excerpts
(Disc #33) Alia March; Intermezzo. Robert Kajanus / Symphony Orchestra. Recording date not given but
made during the composer's lifetime. Anonymous notes for Sibelius's Intermezzo and for his
Symphony No. 2 laid in.
Columbia 67833-D to 67848-D (album, 10 discs); sides 11,20.
Sides 1-10: Sibelius. Symphony No. 1.
Sides 11-19: Sibelius. Symphony No. 2.
(Disc #9) March. Sir Thomas Beecham / The Royal Philharmonic Orchestra. Recording date not given.
Undated notes by Charles Burr.
Columbia 5321 (Beecham Encores); side 1.
Also on side 1: Berlioz. March from The Trojans at Carthage. Massenet. The Last Sleep of
the Virgin.
Side 2: Rimsky-Korsakov. March from Le Coq d'Or. Sibelius. Incidental music to
The Tempest. Berlioz. Overture to The Trojans at Carthage.
28
OP. 14 RAKASTAVA
(Disc #10) Frank Black / NBC String Symphony Orchestra. Recording date not given. Notes undated,
anonymous.
Victor M 455. (album of 3 discs; one disc missing, sinfonietta by A. Roussell; two discs
present, with Rakastava on sides 1-3).
Side 4: Brahms. Liebeslieder-Walzer.
(Disc #24) Arthur Winograd / His Orchestra. Recording date not given. Undated notes by Edward Cole.
MGM 3332 (Sibelius Masterpieces); side 2.
Also on side 2: Sibelius. Romance in C major; Valse trisle.
Side 1: Sibelius. Finlandia; Festive; The Swan of Tuonela.
(Disc #12) Arthur Winograd / His String Orchestra. Recording date not given. Undated notes by Edward
Cole, as in previous disc.
MGM E3335; side 1.
Also on side 1: Sibelius. Canzonetta.
Side 2: Nielsen. Little Suite for String Orchestra.
(Disc #11) Franz Litschauer / The Vienna State Opera Orchestra. Recording date not given; most likely
after 1953. Notes undated, anonymous.
Vanguard VRS 1030; side 2.
Also on side 2: Sibelius. Valse triste.
Side 1: Grieg. Norwegian Dances.
OP. 22 LEMMINKAINEN SUITE
(Disc #13) Thomas Jensen / The Danish State Radio Symphony Orchestra. Recording date not given; after
1952. Undated notes by John Culshaw.
London LL843.
(Disc #14) Eugene Ormandy / The Philadelphia Orchestra. Recording date not given. Notes undated,
anonymous.
Columbia ML 4672.
(Disc #15) Sixten Ehrling / The Symphony Orchestra of Radio Stockholm. Recording date not given. Notes
imdated, anonymous.
Capitol P8226.
(Disc #16) Tauno Hannikainen / USSR Radio Symphony Orchestra. Recording date not given; produced in
the U.S.S.R. Undated notes by Herbert Glass.
Artia MK 1558.
(Disc #17) Lukas Foss / The Buffalo Philharmonic Orchestra. Recording date not given. Undated notes by
Bernard Jacobson.
Nonesuch H-71203 stereo.
(Disc #18) Sir Charles Groves / Royal Liverpool Philharmonic Orchestra. Production and notes by Bill
Newman, copyright 1975.
Angel Records S-37106.
OP. 22 LEMMINKAINEN SUITE. Excerpts
(Disc #19) The Swan of Tuonela. Frederick Stock / Chicago Symphony Orchestra. Recording date not given.
No notes.
Columbia 11388-D.
(Disc #69) The Swan of Tuonela; The Return of Lemminkiiinen. Sixten Ehrling / Symphony Orchestra of
Radio Stockholm. Recording date not given. Notes undated, anonymous.
Capitol P8327; side 1.
Side 2: Sibelius. Violin Concerto.
(Disc #24) The Swan of Tuonela. Anatole Fistoulari / London Symphony Orchestra. Recording date not
given. Undated notes by Edward Cole.
MGM E3332 (Sibelius Masterpieces); side 1.
Also on side 1: Sibelius. Finlandia; Festivo , from Schnes historicjues I.
Side 2: Sibelius. Romance in C major; Valse triste; Rakastava.
(Op. 22, Lemminkiinen Suite excerpts, continued on next page)
29
(Op. 22, Lemminkainen Suite excerpts, continued )
(Disc #74) The Swan of Tuonela. Eugene Ormandy / The Philadelphia Orchestra. Recording date not given.
Undated notes by Morris Hastings.
Columbia ML 5492; side 2. Side 1: Sibelius. Violin Concerto.
(Disc #2) The Swan of Tuonela; Lemminkainen's Homecoming. Sir Adrian Boult / The Philharmonic
Promenade Orchestra of London. Recording date not given, production copyright 1956.
Undated notes by Abraham Veinus.
Vanguard VRS 489-490 (album, 2 discs, album title: The tone poems of Sibelius);
sides 1 and 2.
Also on side 1: Sibelius. En saga.
Also on side 2: Sibelius. Pohjohla 's Daughter; The Bard.
Side 3: Sibelius. Tapiola; Oceanid.es.
Side 4: Sibelius. Nightride and Sunrise; Finlandia; Prelude to The Tempest.
(Disc #128) The Swan of Tuonela. Hans Rosbaud / Berlin Philharmonic Orchestra. Recording date not given.
Notes by James Lyons, written 1957.
DeccaDL 9938; side 1.
Also on side 1: Sibelius. Tapiola.
Side 2: Sibelius. Karelia Suite; Bolero (Festivo).
(Disc #7) The Swan of Tuonela. Anthony Collins / Royal Philharmonic Orchestra. Recording date not
given. Notes by Malcolm Rayment, copyright 1958.
Capitol G7122; side 1.
Also on side 1 : Sibelius. Karelia Suite.
Side 2: Sibelius. En Saga; Romance in C major.
(Disc #76) The Swan of Tuonela. Vaclav Smetacek / Prague Symphony Orchestra. Recording date not given,
production copyright 1961. Undated notes by Herbert Glass.
Parliament PLP-148; side 2.
Also on side 2: Sibelius. Valse triste.
Side 1: Sibelius. Violin Concerto.
(Disc #3) The Swan of Tuonela. Giinter Lorenz, English Horn; Sir Malcolm Sargent / Vienna Philharmonic
Orchestra. Recording date not given; marketed in 1963; with Malcolm Rayment's 1958 notes.
Odeon ALP 1990; side 1.
Also on side 1: Sibelius. En saga.
Side 2: Sibelius. Finlandia; Karelia Suite.
(Disc #26) The Swan of Tuonela. Albert Goltzer, English Horn solo; Morton Gould and His Orchestra.
Recording date not given, production copyright 1963. Undated notes by Robert A. Simon.
RCA Victor LM-2666 mono; side 1.
Also on side 1: Sibelius. Finlandia; Valse triste.
Side 2: Sibelius. Pohjohla's Daughter; Lemminkainen's Return.
(Disc #89) Lemminkainen 's Homeward Journey. Sir Thomas Beecham / The London Philharmonic
Orchestra. Recording date not given; during Sibelius's lifetime. Anonymous, undated notes
ir\side front cover and laid in.
RCA Victor M-446 (album, 7 discs, vol. 5 of a series issued by The Sibelius Society);
sides 8 and 10.
Sides 1, 3, 5, 7, 9, 11-14: Sibelius. Symphony No. 4.
Sides 2, 4, 6: Sibelius. The Tempest.
(Disc #26) Lemminkainen 's Return. Morton Gould / His Orchestra. Recording date not given, production
copyright 1963. Undated notes by Robert A. Simon.
RCA Victor LM-2666 mono; side 2.
Also on side 2: Sibelius. Pohjohla's Daughter.
Side 1: Sibelius. Finlandia; The Swan of Tuonela; Valse triste.
(Disc #28) Lemminkainen's Return. Sir John Barbirolli / The Halle Orchestra. Recording date not given.
Notes by D. P., copyright 1966.
Capitol SP 8660 stereo; side 2.
Also on side 2: Sibelius. Pohjohla 's Daughter; Valse triste.
Side 1: Sibelius. Finlandia; Karelia Suite.
30
OP. 25 SCENES HISTORIQUES I
(Disc #72) Sir Thomas Beecham / The Royal Philharmonic Orchestra. Recording date not given. Notes
imdated, anonymous.
Columbia ML 4550; side 2.
Side 1: Sibelius. Violin Concerto.
OP. 25 SCENES HISTORIQUES I. Excerpts
(Disc #24) Festivo. Anatole Fistoulari / London Symphony Orchestra. Recording date not given. Undated
notes by Edward Cole.
MGM 3332 (Sibelius Masterpieces); side 1 .
Also on side 1: Sibelius. Finlandia; The Swan of Tuonela.
Side 2: Sibelius. Romance in C major; Valse triste; Rakaslava.
(Disc #128) Bolero (i.e. Festivo). Hans Rosbaud / Berlin Philharmonic Orchestra. Recording date not given.
Notes by James Lyons, written 1957.
Decca DL 9938; side 2.
Also on side 2: Sibelius. Karelia Suite.
Side 1: Sibelius. Tapiola; The Swan of Tuonela.
(Disc #6) Festivo. Alexander Gibson / Scottish National (Drchestra. Recording date not given. Notes by
Malcolm Rayment, copyright 1967.
Capitol SP 8677 stereo; side 1.
Also on side!: Sibelius. Karelia Overture; The Bard.
Side 2: Sibelius. King Kristian II Suite.
OP. 26 FINLANDIA
(Disc #20) Leopold Stokowski / Philadelphia Symphony Orchestra. Recording date not given. No notes.
Victrola 6366; side 1.
Side 2: Mussorgsky. Khowantchina— Entr'acte.
(Disc #21) Sir Landon Ronald / Royal Albert Hall Orchestra. Recording date not given. No notes.
Victrola 9015.
(Disc #22) Leopold Stokowski / The Philadelphia Orchestra. Recording date not given. No notes.
Victor 7412.
(Disc #23) Kurt Woss / The Austrian Symphony (Drchestra. Recording date not given; production copyright
1951. No notes.
Remington RLP-149-25; side 1.
Side 2: Mozart. Thamos.
(Disc #24) Anatole Fistoulari / London Symphony Orchestra. Recording date not given. Undated notes by
Edward Cole.
MGM E3332 (Sibelius Masterpieces); side 1.
Also on side 1: Sibelius. The Swan of Tuonela; Festivo.
Side 2: Sibelius. Romance in C major; Valse triste; Rakastava.
(Disc #25) Eugene Ormandy / The Mormon Tabernacle Choir; The Philadelphia Orchestra. Recording date
not given. Notes undated, anonymous.
Columbia ML 5596; side 2.
Also on side 2: Alfv^n. Swedish Rhapsody.
Side 1: Grieg. Peer Gynt Suite No. 1. Sibelius. Valse triste.
(Disc #2) Sir Adrian Boult / The Philharmonic Promenade Orchestra of London. Recording date not given;
production copyright 1956. Undated notes by Abraham Veinus.
Vanguard VRS 489-490 (Cassette, 2 discs); side 4.
Also on side 4: Sibelius. Nightride and Sunrise; Prelude to The Tempest.
Side 1: Sibelius. En saga; The Swan of Tuonela.
Side 2: Sibelius. Pohjohla's Daughter; The Bard; Lemminkdinen's Homecoming.
Side 3: Sibelius. Tapiola; Oceanides.
(Op. 26, Finlandia, continued on next page)
31
(Op. 26, Finlandia, continued)
(Disc #26) Morton Gould and His Orchestra. Recording date not given; production copyright 1963. Undated
notes by Robert A. Simon.
RCA Victor LM-2666 mono; side 1 . (Was also available stereo)
Also on side 1: Sibelius. The Swan ofTuonela; Valse triste.
Side 2: Sibelius. Pohjohla's Daughter; Lemminkainen's Return.
(Disc #3) Sir Malcolm Sargent / Vienna Philharmonic Orchestra. Recording first published 1963. Notes by
Malcolm Rayment, copyright 1958.
Odeon ALP 1990; side 2.
Also on side 2: Sibelius. Karelia Overture.
Side 1: Sibelius. En saga; The Swan of Tuonela.
(Disc #27) Charles Mackerras / London Proms Symphony Orchestra. Recording date not given; production
copyright 1964. Undated notes by Charles O'Connell.
RCA Victrola VIC-1069 mono; side 1.
Also on side 1: Sibelius. Valse triste; Elegie, Musette (from King Kristian II Suite); Entr'acte
(from Pelleas et Melisande).
Side 2: Five pieces by Edvard Grieg.
(Disc #28) Sir John BarbiroUi / The Halle Orchestra. Recording date not given. Notes by D. P., 1966.
Capitol SP 8669 stereo; side 1. (Was also available mono)
Also on side 1: Sibelius. Karelia Suite.
Side 2: Sibelius. Pohjohla's Daughter; Valse triste; Lemminkainen's Return.
(Disc #108) Herbert von Karajan / The Philharmonia Orchestra. Recording date not given. Undated notes by
Andrew Porter.
Angel Records 35002; side 2.
Side 1: Sibelius. Symphony No. 5.
(Disc #109) Theodore Bloomfield / The Rochester Philharmonic Orchestra. Recording date not given; after
1958. Notes undated, anonymous.
Everest LPBR 6068; side 2.
Side 1: Sibelius. Symphony No. 5.
OP. 27 KING KRISTIAN II SUITE
(Disc #29) Stig Westerberg / Stockholm Radio Orchestra. Recording date not given. Undated notes by Alf
Thoor, translated from the Swedish.
Westminster XWN 18529; side 1.
Side 2: Sibelius. The Tempest Suite.
(Disc #6) Alexander Gibson / Scottish National Orchestra. Recording date not given. Notes by Malcolm
Rayment, copyright 1967.
Capitol SP 8677 stereo; side 2.
Side 1: Sibelius. Karelia Overture; The Bard; Festivo (from Seines historiques) .
OP. 27 KING KRISTIAN II SUITE. Excerpts
(Disc #27) Elegie & Musette. Charles Mackerras / London Proms Symphony Orchestra. Recording date not
given; production copyright 1964. Undated notes by Charles O'Connell.
RCA VIC 1069 mono; side 1.
Also on side 1: Sibelius. Finlandia; Valse triste; Entr'acte (from Pelleas et Melisande Suite).
Side 2: Five pieces by Edvard Grieg.
OP. 32 TULEN SYNTI (THE ORIGIN OF FIRE)
(Disc #30) Thor Johnson / Cincinnati Symphony Orchestra; Helsinki University Chorus. Recording date not
given. "Recorded in Europe". No notes.
Remington R-199-191; side 1.
Also on side 1: Sibelius. Pohjohla's Daughter.
Side 2: Glazounov. Violin Concerto in A minor.
(Disc #31) Thor Johnson / Cincinnati Symphony Orchestra; Helsinki University Chorus conducted by Martti
Turunen; Sulo Saarits, baritone. Recorded in 1953, released 1955 as mono; this is the ^irst
stereo release, 1978. Undated notes by David Nelson.
32
Var^seVC 81041; side 1.
Also on side 1: Sibelius. Pohjohla's Daughter.
Side 2: Choral pieces by Sibelius, Turunen, Kilpinen, Sonninen, Palmgren, and Haapalainen.
OP. 36 SIX SONGS WITH PIANO ACCOMPANIMENT
No.l Svarta rosor (Black roses). Jussi Bjoerling, tenor, and Harry Ebert, piano. Recording date not
(Disc #32) given. No notes.
Victor 4531; side 1.
Side 2: Sibelius. Saf, saf susa.
No.4 Saf, saf susa (Sigh, sedges, sigh). Jussi Bjoerling, tenor, and Harry Ebert, piano. Recording date
(Disc #32) not given. No notes.
Victor 4531; side 2.
Side 1: Sibelius. Svarta rosor.
OP. 39 SYMPHONY NO. 1
(Disc #33) Robert Kajanus / and Symphony Orchestra. Recording date not given; during the composer's
lifetime. Laid in: Undated, anonymous notes to Symphony No. 2 and Intermezzo , from
Karelia Suite.
Columbia 67833D to 67848D (album, 10 discs); sides 1-10.
Side 11: Sibelius. Alia marcia, from Karelia Suite.
Sides 12-19: Sibelius. Symphony No. 2.
Side 20: Sibelius. Intermezzo from Karelia Suite.
(Disc #34) Sir John Barbirolli / The Philharmonic-Symphony Orchestra of New York. Recording date not
given; notes undated, anonymous.
Columbia M-532 (album, 5 discs).
(Disc #35) Leopold Stokowski / His Symphony Orchestra. Recording date not given; notes undated,
anonymous.
RCA Victor LM 1125.
(Disc #36) Tor Mann / Radio Symphony Orchestra of Stockholm. Recording date not given; made in USA.
Undated notes by A. L.
Capitol P8020.
(Disc #37) Anthony Collins / The London Symphony Orchestra. Recording date not given. Notes undated,
anonymous.
London LL 574.
(Disc #38) Paul Kletzki / Philharmonia Orchestra. Recording date not given; after 1949. Undated notes by
Andrew Porter.
Angel Records 35313.
(Disc #39) Sir Malcolm Sargent / The BBC Symphony Orchestra. Recording date not given. Notes by Hugh
Massy, copyright 1958.
Capitol G7101.
(Disc #40) Sir John Barbirolli / The Halle Orchestra. Recording date not given. Undated notes by Reid
Guillamore.
Vanguard SRV-132, mono.
(Disc #41) Eugene Ormandy / The Philadelphia Orchestra. Recording date not given; production copyright
1962. Undated notes by Eugene Ormandy (including personal reminiscences).
Columbia ML5795.
(Disc #42) Lorin Maazel / Vienna Philharmonic Orchestra. Recording date not given; production copyright
1964. Notes undated, anonymous.
London CM 9375 mono; side 1 .
Side 2: Sibelius. Karelia Suite.
(Disc #43) Sir Thomas Beecham / The Royal Philharmonic Orchestra. Recording date not given. Notes
undated, anonymous.
Columbia ML 4653.
(Op. 39, Symphony No. 1, continued on next page)
33
(Op. 39, Symphony No. 1, cxintinued)
(Disc #44) Leonard Bernstein / New York Philharmonic. Recording date not given; [probably 1970]. Undated
notes by Edward Downes.
Columbia M 30232 stereo; side 1.
Side 2: Sibelius. Luonnotar.
OP. 42 ROMANCE IN C MAJOR
(Disc #45) Sir Adrian Boult / The B.B.C. Symphony Orchestra. Recording date not given. No notes.
Victor 13499.
(Disc #24) John Hollingsworth / The Royal Opera House Orchestra. Recording date not given. Undated
notes by Edward Cole.
MGM 3332 (Sibelius Masterpieces); side 2.
Also on side 2: Sibelius. Valse triste; Rakastava.
Side 1: Sibelius. Finlandia; Festivo; The Swan of Tuonela.
(Disc #7) Anthony Collins / Royal Philharmonic Orchestra. Recording date not given. Notes by Malcolm
Rayment, copyright 1958.
Capitol G7122; side 2.
Also on side 2: Sibelius. En saga.
Side 1: Sibelius. Karelia Suite; The Swan of Tuonela.
(Disc #67) Gennady Rozhdestvensky / Leningrad Philharmonic. Recording date not given [1967?]; recorded
in the USSR. Undated notes by Nils-Eric Ringbom.
Melodiya/ Angel R^0031 mono; side 2.
Also on side 2: Sibelius. Belshazzar's Feast; Valse triste.
Side 1: Sibelius. Pelleas and Melisande.
OP. 43 SYMPHONY NO. 2
(Disc #33) Robert Kajanus and Symphony Orchestra. Recording date not given; during Sibelius's lifetime.
Laid in: Undated, anonymous notes to Symphony No. 2 and Intermezzo , from Karelia Suite.
Columbia 6733-D to 67848D (album, 10 discs); sides 12-19.
Sides 1-10: Sibelius. Symphony No. 1.
Side 11: Sibelius. Alia marcia, from Karelia Suite.
Side 20: Sibelius. Intermezzo, from Karelia Suite.
(Disc #46) Serge Koussevitzky / The Boston Symphony Orchestra. Recording date not given. Laid in:
Undated, anonymous notes.
Victor M-272 (album, 5 discs).
(Disc #47) Serge Koussevitzky / Boston Symphony Orchestra. Memorial recording for Koussevitzky, 1951.
Undated notes by Olin Downes.
RCA Victor LM 1172.
(Disc #48) Arturo Toscanini / The NBC Symphony Orchestra. Recording date not given. No notes (have
inner record sleeve only).
Victor LM 6711-5 (sides 5 and 6, from an unidentified album)
Also on side 6: Sibelius. Pohjohla's Daughter.
(Disc #49) Anthony Collins / The London Symphony Orchestra. Recording date not given. Notes undated,
anonymous.
London LL822.
Disc #50) Paul Kletzki / Philharmonia Orchestra. Recording date not given; after 1955. Undated notes by
Andrew Porter.
Angel Records 35314.
(Disc #51) Leopold Stokowski / NBC Symphony Orchestra. Recording date not given. Undated notes by
Leopold Stokowski.
RCA Victor LM-1854.
(Disc #52) Sir John BarbiroUi / Philharmonic-Symphony Orchestra of New York. Recording date not given.
Notes undated, anonymous.
Columbia Entre Record RL 3045.
34
(Disc #53) Paul Paray / Detroit Symphony. Recording date not given. Undated notes by Harold E. Johnson.
Mercury Records SR90204, stereo.
(Disc #54) Another copy of this recording, in mono. Mercury Records MG50204.
(Disc #55) Sixten Ehrling / Stockholm Radio Symphony Orchestra. Recording date not given. Undated
notes by James Lyons.
Mercury MG10141.
(Disc #56) Eugene Ormandy / The Philadelphia Orchestra. Recording date not given [1957?] Undated notes
by Charles Burr.
Columbia ML 5207.
(Disc #57) Pierre Monteux / London Symphony Orchestra. Recording date not given. Notes by Charles
O'Connell, copyright 1959.
RCA Victor LM-2342.
(Disc #58) Thomas Schippers / New York Philharmonic. Recording date not given. Undated notes by Daniel
Strickland.
Columbia ML5935, mono.
(Disc #59) Ernest Ansermet / L'Orchestre de la Suisse Romande. Recording date not given. Notes undated,
anonymous.
London (Decca) CM9391, mono.
(Disc #60) Lorin Maazel / Vienna Philharmonic Orchestra, 1963. Notes undated, anonymous.
Decca CM 9408, mono.
(Disc #61) Sir Thomas Beecham / BBC Symphony Orchestra. Recording of broadcast at Royal Festival
Hall, London, December 8, 1954. Notes by D. P., copyright 1962.
Odeon ALP 1947.
(Disc #62) Antal Dorati / Stockholm Philharmonic Orchestra. Recorded October, 1967, at Concert Hall,
Stockholm; production copyright 1968. Undated notes by David Hall.
Victrola VICS-1318, Stereo.
(Disc #63) Tauno Hannikainen / The Sinfonia of London. Recording date not given [1968?] Undated notes by
Phyllis Mason.
Crossroads Stereo/Columbia, Stereo/22 16 0226.
(Disc #64) George Pretre / New Philharmonia Orchestra. Recording date not given; production copyright
1969. Undated notes by Neville Cardus.
RCA LSC-3063.
OP. 44 KUOLEMA. Excerpts
(Disc #65) Valse triste. Leopold Stokowski / The Philadelphia Orchestra. Recording date not given. No
notes.
Victor 14726; side 1.
Side 2: Sibelius. Berceuse, from The Tempest.
(Disc #66) Valse triste. Sir Hamilton Harty / The London Philharmonic Orchestra. Recording date not
given. No notes.
Columbia 7322-M; side 1.
Side 2: Schubert. Marche militaire.
(Disc #11) Valse triste. Franz Litschauer / The Vienna State Opera Orchestra. Recording date not given;
after 1953. Notes undated, anonymous.
Vanguard VRS 1030; side 2.
Also on side 2: Sibelius. Rakastava.
Side 1: Grieg. Norwegian Dances.
(Disc #24) Valse triste. Anatole Fistoulari / The London Symphony Orchestra. Recording date not given.
Undated notes by Edward Cole.
MGM 3332 (Sibelius Masterpieces); side 2.
Also on side 2: Sibelius. Romance in C major; Rakastava.
Side 1: Sibelius. Finlandia; Festivo; The Swan of Tuonela.
(Op. 44, Kuolema excerpts, continued on next page)
35
(Op. 44, Kuolema excerpts, continued )
(Disc #25) Valse triste. Eugene Ormandy / The Philadelphia Orchestra. Recording date not given. Notes
undated, anonymous.
Columbia ML 5596 mono; side 1. (Was also available stereo)
Also on side 1: Grieg. Peer Gynt Suite No. 1.
Side 2: Alfven. Swedish Rhapsody. Sibelius. Finlandia.
(Disc #76) Valse triste. Vaclav Smetacek / Prague Symphony Orchestra. Recording date not given;
production copyright 1961. Undated notes by Herbert Glass.
Parliament PLP-148; side 2.
Also on side 2: Sibelius. The Swan of Tuonela.
Side 1: Sibelius. Violin concerto.
(Disc #26) Valse triste. Morton Gould & His Orchestra. Recording date not given; production copyright
1963. Undated notes by Robert A. Simon.
RCA Victor LM-2666 mono; side 1.
Also on side 1: Sibelius. Finlandia; The Swan of Tuonela.
Side 2: Sibelius. Pohjohla's Daughter; Lemminkdinen's Return.
(Disc #27) Valse triste. Charles Mackerras / London Proms Symphony Orchestra. Recording date not given;
production copyright 1964. Undated notes by Charles O'Connell.
RCA Victrola VIC-1069 mono; side 1.
Also on side 1: Sibelius. Finlandia; Elegie & Musette (from King Kristian II Suite);
Entr'acte (from Pelleas et Melisande Suite).
Side 2: Five pieces by Edvard Grieg.
(Disc #28) Valse triste. Sir John Barbirolli / The Halle Orchestra. Recording date not given. Notes by D.P.,
copyright 1966.
Capitol SP 8669 stereo; side 2.
Also on side 2: Sibelius. Pohjohla's Daughter; Lemminkdinen's Return.
Side 1: Sibelius. Finlandia; Karelia Suite.
(Disc #67) Valse triste. Gennady Rozhdestvensky / Leningrad Philharmonic. Recording date not given;
[1967?] Recorded in the USSR. Undated notes by Nils-Eric Ringbom.
Melodiya/Angel R-40031 mono; side 2.
Also on side 2: Sibelius. Romance in C major; Belshazzar's Feast.
Side 1: Sibelius. Pelleas et Melisande Suite.
OP. 46 PELLEAS ET MELISANDE SUITE
(Disc #115) Anthony Collins / The London Symphony Orchestra. Recording date not given. Undated notes by
Joan Chissell.
London LL 1277; side 2.
Side 1: Sibelius. Symphony No. 6.
(Disc #112) Sir Thomas Beecham / Royal Philharmonic Orchestra. Recording date not given [1955?]
Undated notes by Nils-Eric Ringbom.
Angel Records 35458; side 2.
Side 1: Sibelius. The Oceanides; Symphony No. 7.
Possibly a recording of the all-Sibelius concert at London's Festival Hall on the night of the
composer's 90th birthday, December 8, 1955. On this occasion. Sir Thomas Beecham was
presented with the Order of the White Rose of Finland.
(Disc #67) Gennady Rozhdestvensky / Leningrad Philharmonic. Recording date not given; [1967?] Recorded
in the USSR. Undated notes by Nils-Eric Ringbom.
Melodiya/Angel R-4(X)31 mono; side 1.
Side 2: Sibelius. Romance in C major; Belshazzar's Feast; Valse triste.
OP. 46 PELLEAS ET MELISANDE SUITE. Excerpts
(Disc #27) Entr 'acte. Charles Mackerras / London Proms Symphony Orchestra. Recording date not given;
production copyright 1964. Undated notes by Charles O'Connell.
RCA Victrola VIC-1069 mono; side 1. (Was also available stereo)
Also on side 1: Sibelius. Finlandia; Valse triste; Elegie & Musette (from King Kristian II Suite).
Side 2: Five pieces by Edvard Grieg.
36
OP. 47 VIOLIN CONCERTO
(Disc #68) Arnold Eidus, violin; Frederick Hummel / The Orchestra Society of Vienna. Recording date not
given. Notes undated, anonymous.
Stradivari Records STR611; side 1.
Side 2: Brahms. Sonata in A major, for violin and piano.
(Disc #69) Camilla Wicks, violin; Sixten Ehrling / The Symphony Orchestra of Radio Stockholm.
Recording date not given. Notes undated, anonymous.
Capitol P8327; side 2.
Side 1: Sibelius. The Swan of Tuonela; The Return of Lemminkainen.
(Disc #84) David Oistrakh, violin; Sixten Ehrling / Stockholm Festival Orchestra. Recording date not
given. Undated notes by Scott Goddard.
Angel Records 353125; side 2.
Side 1: Sibelius. Symphony No. 3.
(Disc #70) Jascha Heifetz, violin; Sir Thomas Beecham / The London Philharmonic Orchestra. Recording
date not given. Undated notes by James Lyons.
RCA Victor LCT 1113; side 1.
Side 2: Chausson. Concerto in D.
(Disc #71) Emil Telmanyi, violin; Thomas Jensen / Danish National Orchestra. Recording date not given.
Undated notes by Paul Affelder.
Mercury Classics MG10131.
(Disc #72) Isaac Stem, violin; Sir Thomas Beecham / The Royal Philharmonic Orchestra. Recording date
not given. Notes undated, anonymous.
Columbia ML 4550; side 1.
Side 2: Sibelius. Scenes historiques I.
(Disc #73) Tossy Spivakovsky, violin; Tauno Hannikainen / The London Symphony Orchestra. Recording
date not given [1959?] Notes undated, anonymous.
Everest LPBR 6045 mono; side 1 .
Side 2: Sibelius. Tapiola.
(Disc #74) David Oistrakh, violin; Eugene Ormandy / The Philadelphia Orchestra. Recording date not
given [I960?] Undated notes by Morris Hastings. This is David Oistrakh's first American
recording of this concerto.
Columbia ML 5492; side 1.
Side 2: Sibelius. The Swan of Tuonela.
(Disc #75) Jascha Heifetz, violin; Walter Hendl / Chicago Symphony. Recording date not given; production
copyright 1960. Notes undated, anonymous.
RCA Victor LM-2435.
(Disc #76) Julian Sitkovecky, violin; Nikolai Anosov / Czech Philharmonic Orchestra. Recording date not
given; production copyright 1%1. Undated notes by Herbert Glass.
Parliament PLP-148; side 1.
Side 2: Sibelius. Valse triste; The Swan of Tuonela.
(Disc #77) Zino Francescatti, violin; Leonard Bernstein / The New York Philharmonic. Recording date not
given [1965?] Undated notes by Bernard Raab.
Columbia ML 6131; side 1.
Side 2: Bruch. Violin Concerto.
(Disc #78) David Oistrakh, violin; Gennady Rozhdestvensky / Moscow Radio Symphony Orchestra.
Recording date 1967? Undated notes by Edward Gushing.
Melodiya/ Angel R-40020 mono; side 1.
Side 2: Sibelius. Humorescjues.
(Disc #79) Ruggiero Ricci, violin; Oivin Fjelstad / The London Symphony Orchestra. Recording date not
given. Undated notes by Neville Marriner.
London STS 15054 stereo; side 1.
Side 2: Tchaikovsky. Serenade melancolique; Scherzo from Souvenir d'un lieu cher.
37
OP. 49 POHJOHLA'S DAUGHTER
(Disc #48) Arturo Toscanini / The NBC Symphony Orchestra. Recording date not given. No notes.
Victor LM 6711-5 (Disc 3 from an unidentified album); side 6.
Side 5: Sibelius. Symplwny No. 2.
(Disc #80) Serge Koussevitzky / Boston Symphony Orchestra. Recording date not given. No notes.
RCA Victor LCT 1152; side 2.
Also on side 2: Faure. Incidental music to Pelleas et Melisande. Stravinsky. Capriccio.
Side 1: Copland. Lincoln Portrait.
(Disc #30) Thor Johnson / Cincinnati Symphony Orchestra. Recording date not given; "Recorded in Europe".
No notes.
Remington R-199-191; side 1.
Also on side 1: Sih)elius. Tulen synti.
Side 2: Glazounov. Violin Concerto in A minor.
(Disc #91) Anthony Collins / The London Symphony Orchestra. Recording date not given. Undated notes by
William Mann.
London LL-1059; side 2.
Side 1: Sibelius. Symphony No. 4.
(Disc #4) Eugene Ormandy / The Philadelphia Orchestra. Recording date not given. Undated notes by
Charles Burr.
Columbia ML 5249; side 1.
Also on side 1: Sibelius. En saga.
Side 2: Sibelius. Oceanides; Tapiola.
(Disc #2) Sir Adrian Boult / The Philharmonic Promenade Orchestra of London. Recording date not given;
production copyright 1956. Undated notes by Abraham Veinus.
Vanguard 489-490 (album, 2 discs); side 2.
Also on side 2; Sibelius. The Bard; Lemminkainen's Homecoming.
Side 1: Sibelius. En saga; The Swan of Tuonela.
Side 3: Sibelius. Tapiola; Oceanides.
Side 4: Sibelius. Nighlride and Sunrise; Finlandia; Prelude to The Tempest.
(Disc #26) Harvey Shapiro, cello solo; Morton Gould and His Orchestra. Recording date not given;
production copyright 1963. Undated notes by Robert A. Simon.
RCA Victor LM-2666 mono; side 2.
Also on side 2: Sibelius. Lemminkainen's Return.
Side 1: Sibelius. Finlandia; The Swan of Tuonela; Valse triste.
(Disc #28) Sir John Barbirolli / The Halle Orchestra. Recording date not given. Notes by D. P., copyright
1966.
Capitol SP 8669 stereo; side 2.
Also on side 2: Sibelius. Valse triste; Lemminkainen's Return.
Side 1: Sibelius. Finlandia; Karelia Suite.
(Disc #31) Thor Johnson / Cincinnati Symphony Orchestra. Recorded 1953, released first in mono, 1953; this
is the first stereo release, 1978. Undated notes by David Nelson.
VareseVC81041;sidel.
Also on side 1: Sih)elius. Tulen synti.
Side 2: Choral pieces by Sibelius, Turunen, Kilpinen, Sonninen, Palmgren, and Haapalainen.
(Disc #110) Sir John Barbirolli / The Halle Orchestra. Recording date not given. Undated notes by Reid
Guillamore.
Vanguard SRV-137; side 2.
Side 1: Sibelius. Symphony No. 5.
OP. 50 AUS BANGER BRUST (O WERT THOU HERE)
No. 4 Marian Anderson, contralto & Kosti Vehanen, piano. Recording date not given. No notes.
(Disc #81) Victor 2146; side 1.
Side 2: Sibelius. Ldngsamt som kvallsskyn.
38
OP. 51 BELSHAZZAR'S FEAST (SUITE)
(Disc #67) Gennady Rozhdestvensky / Leningrad Philharmonic. Recording date not given [1967?].
Recorded in the USSR. Undated notes by Nils-Eric Ringbom.
Melodiya/ Angel R-40031 mono; side 2.
Also on side 2: Sibelius. Romance in C major; Valse triste.
Side 1: Sibelius. Pelleas et Melisande Suite.
OP. 52 SYMPHONY NO. 3
(Disc #82) Robert Kajanus / London Symphony Orchestra. Recording date not given; during the composer's
lifetime. Undated, anonymous notes for symphonies no. 3 and 7 laid in.
Victor M-394 (album, 4 discs); sides 1-8.
Originally 7 discs, to contain also Symphony No. 7; empty jackets discarded.
(Disc #83) Anthony Collins / The London Symphony (Orchestra. Recording date not given. Undated notes by
William Mann.
London LL 1008; side 1.
Side 2; Sibelius. Symphony No. 7.
(Disc #84) Paul Kletzki / Philharmonia Orchestra. Recording date not given. Undated notes by S. Goddard.
Angel Records 35315; side 1.
Side 2: Sibelius. Violin Concerto.
(Disc #85) Lorin Maazel / Vienna Philharmonic Orchestra. Recording date not given; production copyright
1968. Undated notes by Robert Layton.
London CS 6591 stereo; side 1.
Side 2: Sibelius. Symphony No. 6.
OP. 53A PAN AND ECHO, DANCE INTERMEZZO
(Disc #97) Martti Simila / Finlandia Orchestra. Recording date not given. No notes but listing of the series .
Fennica levysarja (Series of Finnish composers, no. 1); side 1.
Also on side 1: Sibelius. Seines historiques II.
Side 2: Ranta. Kainuun kuvia. Linnala. Suomalainen rapsodia.
OP. 54 SWANWHITE SUITE
(Disc#1) Paavo Berglund / Bournemouth Symphony Orchestra. Recorded in Guildhall, Southampton,
1971. Laid in: Notes by Robert Layton, copyright 1971.
Angel SB-3778 stereo (cassette, 2 discs); side 4.
Also on side 4: Sibelius. Scene with Cranes.
Sides 1-3: Sibelius. Kullervo.
OP. 55 NIGHT RIDE AND SUNRISE
(Disc #105) Anthony Collins / The London Symphony Orchestra. Recording date not given. Undated notes by
Roy Budden.
London LL 1276; side 2.
Side 1: Sibelius. Symphony No. 5.
(Disc #2) Sir Adrian Boult / The Philharmonic Promenade Orchestra of London. Recording date not given;
production copyright 1956. Undated notes by Abraham Veinus.
Vanguard VRS 489-490 (album, 2 discs); side 4.
Also on side 4: Sibelius. Finlandia; Prelude to The Tempest.
Side 1: Sibelius. En saga; The Swan of Tuonela.
Side 2: Sibelius. Pohjohla's Daughter; The Bard; Lemminkdinen's Homecoming.
Side 3: Sibelius. Tapiola; Oceanides.
OP. 56 QUARTET IN D MINOR (VOCES INTIMAE)
(Disc #11 4) Budapest String Quartet (Roismann, Schneider, Ipolyi, Schneider). Recording date not given. No
notes. Issued by The Sibelius Society; its. vol. 3)
B.I.E.M. 2B 6964-2D 1647 (album, 7 discs), sides 7-14.
Sides 1-6: Sibelius. Symphony No. 6.
(Op. 56, Voces Intimae, continued on next page)
39
(Op. 56, Voces Intimae, continued )
(Disc #86) The Griller String Quartet. Recording date not given; production copyright 1951. Notes undated,
anonymous.
London LLP 304.
(Disc #87) Budapest String Quartet. Recording date not given [1957?] "Recorded at the Library of Congress,
Washington, D.C. on the Stradivarius instruments of the Gertrude Clarke Whittall
Foundation." Undated notes by Charles Burr.
Columbia ML 5202; side 1 .
Side 2: Grieg. Quartet in C minor.
(Disc #88) The Claremont Quartet. Recording date not given [after 1965]. Undated notes by Bernard
Jacobson.
Nonesuch H-72240 stereo; side 2.
Side 1: Elgar. String quartet in E minor.
OP. 61 EIGHT SONGS WITH PIANO ACCOMPANIMENT
No.l Ldngsamt kom kvallsskyn. Marian Anderson, contralto & Kosti Vehanen, piano. Recording date
(Disc #81) not given. No notes.
Victor 2146; side 2.
Side 1: Sibelius. Aus banger Brust.
OP. 62 KUOLEMA. Excerpts
(Disc #12) Canzonetta. Arthur Winograd and His String Orchestra. Recording date not given. Undated
notes by Edward Cole.
MGME3335;sidel.
Also on side 1: Sibelius. Rakastava.
Side 2: Nielsen. Little Suite for String Orchestra.
(Disc#1) Scene with Cranes. Paavo Berglund / Bournemouth Symphony Orchestra. Recorded in Guildhall,
Southampton, 1971. Notes by Robert Layton laid in, copyright 1971.
Angel SB-3778 stereo (cassette, 2 discs); side 4.
Also on side 4: Sibelius. Swanwhite Suite.
Sides 1-3: Sibelius. Kullervo.
OP. 63 SYMPHONY NO. 4
(Disc #89) Sir Thomas Beecham / The London Philharmonic Orchestra. Recording date not given; during
Sibelius' lifetime. Notes undated, anonymous, inside front cover and laid in. Issued by
The Sibelius Society; its vol. 5
Victor M-446 (album, 7 discs); sides 1, 3, 5, 7, 9, 11-14.
Sides 2, 4, 6: Sibelius. The Tempest.
Sides 8, 10: Sibelius. Lemminkainen's Homeward Journey.
(Disc #90) Artur Rodzinski / Philharmonic-Symphony Orchestra of New York. Recording date not given;
production copyright 1947. Undated notes by Paul Affelder.
Columbia set mm-665 (album, 4 discs).
(Disc #91) Anthony Collins / The London Symphony Orchestra. Recording date not given. Undated notes by
William Mann.
London LL-1 059; side 1.
Side 2: Sibelius. PohjoMa's Daughter.
(Disc #92) Eugene Ormandy / The Philadelphia Orchestra. Recording date not given. Undated notes by
Charles Burr. "Issued in commemoration of the composer's 90th birthday" [1955].
Columbia ML 5045; side 1.
Side 2: Sibelius. Symphony No. 5.
(Disc #93) Sixten Ehrling / Stockholm Radio Symphony Orchestra. Recording date not given. Undated
notes by James Lyons.
Mercury Classics MG 10143.
40
(Disc #94) Herbert von Karajan / Philharmonia Orchestra. Recording date not given. No notes.
Angel 35082; side 1.
Side 2: Sibelius. Tapiola.
(Disc #95) Ernest Ansermet / L'Orchestre de la Suisse Romande. Recording date not given; production
copyright 1964. Notes undated, anonymous.
London CM 9387 mono; side 1. (Was also available stereo)
Side 2: Sibelius. Tapiola.
(Disc #96) Lorin Maazel / The Vienna Philharmonic Orchestra. Recording date not given; production
copyright 1968. Undated notes by Robert Lay ton.
London CS 6592; side 1.
Side 2: Sibelius. Tapiola.
OP. 64 THE BARD
(Disc #2) Sir Adrian Boult / The Philharmonic Promenade Orchestra of London. Recording date not given;
production copyright 1956. Undated notes by Abraham Veinus.
Vanguard VRS 489-490 (cassette, 2 discs); side 2.
Also on side 2: Sibelius. Pohjohla's Daughter; Lemminkainen's Homecoming.
Side 1: Sibelius. En saga; The Swan of Tuonela.
Side 3; Sibelius. Tapiola; Oceanides.
Side 4: Sibelius. Nightride and Sunrise; Finlandia; Prelude to The Tempest.
(Disc #6) Alexander Gibson / Scottish National Orchestra. Recording date not given. Notes by Malcolm
Rayment, copyright 1967.
Capitol SP 8677 stereo; side 1.
Also on side 1: Sibelius. Karelia Overture; Festivo (from Seines historicjues I).
Side 2: Sibelius. King Kristian II Suite.
OP. 66 HISTORIALLISIA KUVIA U (SCENES HISTORIQUES II). Excerpts
(Disc #97) The Chase; Love Song; At the Drawbridge. Martti Simila / Finlandia Orchestra. Recording date
not given; no notes but listing of the series.
Fennica levysarja (Series of Finnish composers, no. 1); side 1.
Also on side 1: Sibelius. Pan and Echo.
Side 2: Ranta. Kainuum kuvia. Linnala. Suomalainen rapsodia.
OP. 70 LUONNOTAR
(Disc #44) Phyllis Curtin, soprano; Leonard Bernstein / New York Philharmonic. Recording date not given
[1970?] Undated notes by Edward Downes. Columbia M 30232 stereo; side 2.
Side 1: Sibelius. Symphony No. 1.
OP. 73 AALLOTTARET (THE OCEANIDES)
(Disc #98) Sir Adrian Boult / The B.B.C. Symphony Orchestra. Recording date not given. No notes.
Victor M311; sides 5-6 (originally part of an unidentified album).
(Disc #100) Jussi Jalas / Finlandia Orchestra. Recording date not given. No notes but listing of the series.
Fennica levysarja (Series of Finnish composers, no. 3); side 2.
Side 1: Madetoja. Symphony No. 2.
(Disc #4) Eugene Ormandy / The Philadelphia Orchestra. Recording date not given. Undated notes by
Charles Burr.
Columbia ML 5249; side 2.
Also on side 2: Sibelius. Tapiola.
Side 1; Sibelius. En saga; Pohjohla's Daughter.
(Disc #122) Sir Thomas Beecham / Royal Philharmonic Orchestra. Recording date not given [1955?]
Undated notes by Nils-Eric Ringbom. Possibly a recording of the concert at London's Festival
Hall on the composer's 90th birthday, December 8, 1955 (cf. note, op. 46).
Angel Records 35458; side 1.
Also on side 1: Sibelius. Symp/iony No. 7.
Side 2: Sibelius. Pellias et Milisande.
(Op. 73, Aallottaret, continued on next page)
41
(Op. 73, Aallottaret, continued)
(Disc #2) Sir Adrian Boult / The Philharmonic Promenade Orchestra of London. Recording date not given;
production copyright 1956. Undated notes by Abraham Veinus.
Vanguard VRS 489-490 (album, 2 discs); side 3.
Also on side 3: Sibelius. Tapiola.
Side 1: Sibelius. En saga; The Swan of Tuonela.
Side 2: Sibelius. Pohjohla's Daughter; The Bard; Lemminkainen' s Homecoming.
Side 4: Sibelius. Nightride and Sunrise; Finlandia; Prelude to The Tempest.
OP. 82 SYMPHONY NO. 5
(Disc #101) Artur Rodzinski / The Cleveland Orchestra. Recording date not given; after 1947. Notes undated,
anonymous.
Columbia ML 4043.
(Disc #102) Serge Koussevitzky / Boston Symphony Orchestra. Recording date not given. No notes.
RCA Victor LCT 1151; side 1.
Side 2: Sibelius. Symphony No. 7.
(Disc #103) Artur Rodzinski / The Cleveland Orchestra. Recording date not given. Undated notes by
Charles Burr.
Columbia ML 4881; side 2.
Side 1: Shostakovitch. Symphony No. 1.
(Disc #104) Jussi Jalas / Rias Symphony Orchestra. Recording date not given; no notes. "Recorded in Europe."
Remington R-1 99-201.
(Disc #105) Anthony Collins / The London Symphony Orchestra. Recording date not given. Undated notes by
John Culshaw.
London LL 1276; side 1.
Side 2: Sibelius. Night Ride and Sunrise.
(Disc #92) Eugene Ormandy / The Philadelphia Orchestra. Recording date not given. "Issued in
commemoration of the composer's 90th birthday" [1955]. Undated notes by Charles Burr.
Columbia ML 5045; side 2.
Side 1: Sibelius. Symphony No. 4.
(Disc #106) Erik Tuxen /Danish State Radio Symphony Orchestra. Recording date not given. No notes.
London B19036; side 1.
Side 2: Sibelius. Karelia Suite.
(Disc #107) Sixten Ehrling / Stockholm Radio Symphony. Recording date not given. Undated notes by Lyons.
Mercury MG10142; side 1.
Side 2: Sibelius. Symphony No. 6.
(Disc #108) Herbert von Karajan / The Philharmonia Orchestra. Recording date not given. Undated notes by
Andrew Porter.
Angel Records 35002; side 1.
Side 2: Sibelius. Finlandia.
(Disc #109) Theodore Bloomfield / Rochester Philharmonic Orchestra. Recording date not given; after 1958.
Notes undated, anonymous.
Everest LPBR 6068 mono; side 1.
Side 2: Sibelius. Finlandia.
(Disc #110) Sir John Barbirolli / The Halle Orchestra. Recording date not given. Undated notes by
Reid Guillamore.
Vanguard SRV-1 37; side 1.
Side 2: Sibelius. Pohjohla's Daughter.
OP. 87 HUMORESQUES 1-2, FOR VIOLIN AND ORCHESTRA
(Disc #111) Aaron Rosand, violin; Tibor Szoke / Symphony Orchestra of the Southwest German Radio,
Baden-Baden. Production copyright 1959. Undated notes by Martin Bookspan.
Vox PL 11.600; side 1.
Also on side 1: Sibelius. Humoresijues 3-6. Sarasate. Zigeunerweisen.
Side 2: Sarasate. Carmen Fantasy. Tchaikovsky. Serenade melancolique.
42
(Disc #78) David Oistrakh, violin; Gennady Rozhdestvensky / Moscow Radio Symphony Orchestra.
Recording date not given [1966 or 1967]. Undated notes by Edward Gushing.
Melodiya/ Angel R-40020 mono; side 2.
Side 1: Sibelius. Violin Concerto.
OP. 89 HUMORESQUES 3-6, FOR VIOLIN AND ORCHESTRA
(Disc #111) Aaron Rosand, violin; Tiber Szoke / Symphony Orchestra of the Southwest German Radio,
Baden-Baden. Production copyright 1959. Undated notes by Martin Bookspan.
Vox PL 11.600; side 1.
Also on side 1: Sibelius. Humoresques 1-2. Sarasate. Zigeunerweisen.
Side 2: Sarasate. Carmen Fantasy. Tchaikovsky. Serenade melancolique.
OP. 98A SUITE MIGNONNE
(Disc #112) Nils-Eric Fougstedt / Finlandia Orchestra. Recording date not given. No notes but listing of
the whole series.
Fennica levysarja (Series of Finnish composers, no. 6); side 1.
Also on side 1: Sibelius. Andante festive. Saikkola. Musica per archi.
Side 2: Ringbom. Little Suite for Orchestra. Er\§\und. Kiinan muuri.
Lerche. Hdmdrd. Tolonen. Arabesques - Finaletto.
OP. 104 SYMPHONY NO. 6
(Disc#113) Georg Schneevoigt / Finnish National Orchestra. Recording date not given. No notes.
Victor M 344 (3 discs, possibly from an album); sides 1-6.
(Disc #114) Georg Schneevoigt / Finnish National Orchestra. Recording date not given. No notes. Issued by
The Sibelius Society; its vol. 3.
B.l.E.M. 2B 6964-2D 1647 (album, 7 discs); sides 1-6.
Sides 7-14: Sibelius. Quartet in D minor (Voces intimae)
(Disc #115) Anthony Collins / The London Symphony Orchestra. Recording date not given. Undated notes by
Johan Chissell.
London LL 1277; side 1.
Side 2: Sibelius. Pelleas et Melisande Suite.
(Disc #107) Sixten Ehrling / Stockholm Radio Symphony. Recording date not given. Undated notes by
James Lyons.
Mercury MG10142; side 2.
Side 1: Sibelius. Symphony No. 5.
(Disc #116) Herbert von Karajan / Philharmonia Orchestra. Recording date not given. Undated notes by
Andrew Porter.
Angel Records 35316; side 1.
Side 2: Sibelius. Symphony No. 7.
(Disc #85) Lorin Maazel / Vienna Philharmonic Orchestra. Recording date not given; production copyright
1968. Undated notes by Robert Layton.
London CS 6591 stereo; side 2.
Side 1: Sibelius. Symphony No. 3.
OP. 105 SYMPHONY NO. 7
(Disc #117) Vladimir Golschmann / St. Louis Symphony Orchestra. Recording date not given. No notes.
Victor DM 922 (album, 3 discs); sides 1-6.
(Disc #119) Vladimir Golschmann / St. Louis Symphony Orchestra. Recording date not given. Undated notes
by Irving Kolodin.
RCA Victor LBC-1067; side 1.
Side 2: Mozart. Prague Symphony.
(Disc #102) Serge Koussevitzky / The Boston Symphony Orchestra. Recording date not given. No notes.
RCA Victor LCT 1151; side 2.
Side 1: Sibelius. Symphony No. 5.
(Op. 105, Symphony No. 7, continued on next page)
43
(Op. 105, Symphony No. 7, continued)
(Disc #118) Antero Saike / The Symphony Orchestra of Olympia. Recording date not given; production
copyright 1953. No notes.
Allegro 3103; side 1.
Side 2: Sibelius. Karelia Suite.
(Disc #83) Anthony Collins / The London Symphony Orchestra. Recording date not given. Undated notes by
William Mann.
London LL 1008; side 2.
Side 1: Sibelius. Symphony No. 3.
(Disc #120) Sir Jolm Barbirolli / The Halle Orchestra. Recording date not given. Undated notes by
Scott Goddard.
RCA Victor LHMV-1011; side 1.
Side 2: Rubbra. Symphony No. 5.
(Disc #121) Sir Thomas Beecham / Philharmonic-Syniphony Orchestra of New York. Recording date not
given. Notes undated, anonymous.
Columbia ML 4086; side 1 .
Side 2: Wagner. Siegfried Idyll.
(Disc #122) Sir Thomas Beecham / Royal Philharmonic Orchestra. Recording date not given [1955?]
Undated notes by Nils-Eric Ringbom. Possibly a recording of an all-Sibelius concert, London's
Festival Hall, December 8, 1955 (cf. note, op. 46).
Angel 35458; side 1.
Also on side 1: Sibelius. The Oceanides.
Side 2: Sibelius. Pelleas et Melisande.
(Disc #11 6) Herbert von Karajan / Philharmonia Orchestra. Recording date not given. Undated notes by
Andrew Porter.
Angel Records 35316; side 2.
Side 1: Sibelius. Symphony No. 6.
(Disc #123) Eugene Ormandy / The Philadelphia Orchestra. Recording date not given [1961?]
Notes undated, anonymous.
Columbia ML 5675; side 2.
Side 1: Respighi. Feste Romane.
OP. 109 THE TEMPEST
(Disc #89) Sir Thomas Beecham / The London Philharmonic Orchestra. Recording date not given; during
Sibelius's lifetime. Notes undated, anonymous, inside front cover and laid in. Issued by
The Sibelius Society; its vol. 5.
Victor M-446(album, 7 discs); sides 2, 4, 6.
Sides 1, 3, 5, 7, 9, 11-14: Sibelius. Symphony No. 4.
Sides 8, 10: Sibelius. Lemminkainen's Homeward Journey.
(Disc #9) Sir Thomas Beecham / Royal Philharmonic Orchestra. Recording date not given [1957 or 1958?].
Undated notes by Charles Burr.
Columbia 5321 (Beecham Encores); side 2.
Also on side 2: Rimsky-Korsakov. March from Z^ Co^ i 'Or. Berlioz. Overture to
The Trojans at Carthage.
Side 1: Massenet. The Last Sleep of the Virgin. Berlioz. March from The Trojans
at Carthage. Sibelius. March from Karelia Suite.
(Disc #29) Stig Westerberg / Stockholm Radio Orchestra. Recording date not given. Undated notes by Alf
Thoor (translated from the Swedish).
Westminster XWN 18529; side 2.
Side 1: Sibelius. King Kristian II Suite.
OP. 109 THE TEMPEST. Excerpts
(Disc #124) Humoresque; Oak Tree; Caliban and Canon. Sir Thomas Beecham / The London Philharmonic
Orchestra. Recording date not given. No notes.
Columbia 68409-D; sides 1-2.
44
(Disc #65) Berceuse. Leopold Stokowski / The Philadelphia Orchestra. Recording date not given. No notes.
Victor 14726; side 2.
Side 1: Sibelius. Valse triste.
(Disc #2) Prelude. Sir Adrian Boult / The Philharmonic Promenade Orchestra of London. Recording date
not given; production copyright 1956. Undated notes by Abraham Veinus.
Vanguard VRS 489-490 (album, 2 discs); side 4.
Also on side 4: Sibelius. Nightride and Sunrise; Finlandia.
Side 1: Sibelius. En saga; The Swan of Tuonela.
Side 2: Sibelius. Pohjohla's Daughter; The Bard; Lemminkainen's Homecoming.
Side 3: Sibelius. Tapiola; Oceanides.
OP. 112 TAPIOLA
(Disc #125) Serge Koussevitzky / Boston Symphony Orchestra. Recording date not given; after the
composer's 75th anniversary. Undated notes by Ernest Newman, laid in.
Victor M-848 (album, 2 discs); sides 1-4.
(Disc #126) Centennial Symphony Orchestra (conductor not listed). Recording date not given. No notes.
Camden CAL-159 (RCA); side 2.
Side 1: Tchaikovsky. Francesca da Rimini. Liszt. Mephisto Waltz.
(Disc #127) Sir Thomas Beecham / Royal Philharmonic Orchestra. Recording date not given. Notes undated,
anonymous.
RCA Victor LM 9001; side 1.
Side 2: Debussy. Printemps.
(Disc #2) Sir Adrian Boult / The Philharmonic Promenade Orchestra of London. Recording date not given;
production copyright 1956. Undated notes by Abraham Veinus.
Vanguard VRS 489^90 (album, 2 discs); side 3.
Also on side 3: Sibelius. Oceanides.
Side 1: Sibelius. En saga; The Swan of Tuonela.
Side 2: Sibelius. Pohjohla's Daughter; The Bard; Lemminkainen's Homecoming.
Side 4: Sibelius. Nightride and Sunrise; Finlandia; Prelude to The Tempest.
(Disc #128) Hans Rosbaud / Berlin Philharmonic Orchestra. Recording date not given. Notes by James Lyons,
written 1957.
DeccaDL 9938; side 1.
Also on side 1: Sibelius. The Swan of Tuonela.
Side 2: Sibelius. Karelia Suite; Bolero (Festivo).
(Disc #4) Eugene Ormandy / The Philadelphia Orchestra. Recording date not given. Undated notes by
Charles Burr.
Columbia ML 5249; side 2.
Also on side 2: Sibelius. Oceanides.
Side 1: Sibelius. En saga; Pohjohla's Daughter.
(Disc #73) Tauno Hannikainen / The London Symphony Orchestra. Recording date not given [1958 or 1959?].
Notes undated, anonymous.
Everest LPBR 6045 mono; side 2. (Was also available stereo)
Side 1: Sibelius. Violin Concerto.
(Disc #94) Herbert von Karajan / Philharmonia Orchestra. Recording date not given. No notes.
Angel 35082; side 2.
Side 1: Sibelius. Symphony No. 4.
(Disc #95) Ernest Ansermet / L'Orchestre de la Suisse Romande. Recording date not given; production
copyright 1964. Notes undated, anonymous.
London CM 9387 mono; side 2. (Was also available stereo)
Side 1: Sibelius. Symphony No. 4.
(Disc #96) Lorin Maazel / The Vienna Philharmonic Orchestra. Recording date not given; production
copyright 1968. Undated notes by Robert Lay ton.
London CS 6592; side 2.
Side 1: Sibelius. Symphony No. 4.
45
Works Without Opus Number
ANDANTE FESTIVO
(Disc #112) Nils-Eric Fougstedt / Finlandia Orchestra. Recording date not given. No notes but listing of the
whole series.
Fennica levysarja (Series of Finnish composers, no. 6); side 1.
Also on side 1: Sibelius. Suite mignonne. Saikkola. Musica per archi.
Side 2: Ringbom. Little Suite for Orchestra. Englund. Kiinan muuri. Lerche. Hamara.
Tolonen. Arabesques - Finaletto.
VELISURMAAJA (Fratricide)
(Disc #129) Finnish Folk Song, arranged for kantele by Hannikainen. Vaino Hannikainen, kantele.
Recording date not given. No notes but listing of the whole series.
Fennica ST 13 (album, 10 discs, Finnish composers); side 1.
Side 2: Hannikainen. Muunnelmia suomalaisesta kansanlaulusta.
Collections
(Disc #130) Symphonies 1-7. Akeo Watanabe / The Japan Philharmonic. Recording date not given [after
1964]. Undated notes by James Lyons. "Note that even the last of the Sibelius Symphonies
has been vdth us now for well over forty years."
Epic SC 6057 (album, 5 discs).
(Disc #131) Songs. Aulikki Rautawaara, soprano; Berlin Philharmonic Orchestra (conductor not listed), also
F. Leitner, piano. Recording date not given. No notes.
Includes: Sigh, Sedges Sigh; Black Roses; On a Balcony by the Sea; In the Fields a
Maiden Sings; The Diamond on the March Snow.
Capitol L-8041; side 1.
Side 2: Sibelius. Three Finnish Songs.
(Disc #132) Songs. Kirsten Flagstad; 0ivin Fjelstad / The London Symphony Orchestra. Recording date not
given. Undated notes by Kathleen Dale. Laid in: text of all songs, in Swedish and English.
Includes: In the Evening; Was It a Dream; On a Balcony By the Sea; The First Kiss;
The Diamond on the March Snow; The Maiden Returned From Her Tryst; Arioso;
Spring Flies Fast; Since Then I Have Asked No Further; But There's Still No Bird For
Me; Autumn Evening; Black Roses; Sigh, Rushes, Sigh; Come Away, Death.
London 5436.
(Disc #133) Song recital. Kim Borg, bass; Erik Werba, piano. Recording date not given. Notes undated,
anonymous.
Includes: Come Away, Death; When That I Was a Little Tiny Boy; Lea trois soeurs
aveugles; Im Feld in Mddchen singt; Lastu lainehilla; Illalle; Souda, souda, sinisorsa;
Finlandia-Hymni; Drommen; Varen flyktar hastigt; Till Frigga; Flagellek; Romeo;
Demanten pa marssnon; Sdf, sdf, susa; Svarta rosor.
Decca DL 9983.
(Disc #134) A Recital of the Helsinki University Chorus, Ylioppilaskunnan Laulujat, Martti Turunen,
conductor. Recording date not given. No notes. Includes an original Sibelius choral work. Song
of My Heart; Finlandia, arranged for chorus SATB by Turunen; also six pieces by other Finnish
composers.
Remington R-199-167; side 1.
Side 2: A selection of classical choral works.
46
Recordings added to Harold E. Johnson's Collection
Note: Other recordings, especially newer ones, have been added to the library's general music collections.
A. Collection Has Tapes Only:
(Tape 141) Jungfrun i Tomet (The Maiden in the Tower. Opera in one act.) No date; recorded after Sibelius's
death. Recorded with:
Karelia Suite (Op. 11). Neeme Jarvi / Gothenburg Symphony Orchestra.
The Gothenburg Symphony Orchestra was founded in 1905. The recording was made in
Gothenburg Symphony Hall were Sibelius conducted performances of his compositions; the
Hall is renowned for its fine acoustics.
BIS LP-250 stereo.
(Tape 141) Complete works for violin and piano. Ruggio Ricci, violin. Recorded 1979 in St. Andrew's
Presbyterian Church, Toronto, Canada.
Discopedia MBS 2(X)9 stereo. On this tape:
Op. 2. Two pieces Op. 80. Sonatina in E
(Tape 142) Op. 78. Four pieces Op. 81. Five pieces
Op. 79. Six pieces Op. 102. Novellette
Op. 106. Danses champetres (No. 1-2)
(Tape 143) Op. 106. Danses champetres (No. 3-5)
Op. 115. Five pieces
(Tape 143) Jean Sibelius - Melodies, Songs, Lieder. Jorma Hynninen, baritone, Ralf Gothoni, piano, Seppo
Siirala, guitar. Recorded 1975; released 1984.
Harmonia Mundi, France, HMC 5142 stereo.
Sidel: Op. 73, no. 4-5 Side 2: Q^o o-pus r\.o.) Souda, souda, sinisora.
Op. 17, no. 4 Op. 17, no. 7
Op. 36, no. 4 Op. 27, no. 4
Op. 13, no. 4. Op. 50, no. 3
Op. 38, no. 2 Op. 17, no. 6
Op. 60, no. 1-2 Op. 46, no. 4;
Op. 17, no. 1
p. 7, from Kullervo: Kullervos klagan
(Tape 144) Twentieth Century Finnish Piano Music. Liisa Karhilo, piano. Recording date or place not given.
MHS Stereo 3596; side 2: Jean Sibelius.
Op. 76: Thirteen pieces for piano
Op. 114: Five esquisses for piano
(Tape 144) Sibelius - Songs, Melodies, Lieder. Tom Krause, baritone / Irwin Gage, piano; Elisabeth
Sonderstrom, soprano / Vladimir Ashkenazy, piano; Carlos Bonell, guitar. Recorded in
Kingsway Hall, London, from December 1978 to November 1981; released 1984.
Argo Records (Decca), 41 1 739-1 ZH5 (album, 5 discs)
Sidel: Op. 36, no. 1-2, 4-6 Side 2: Op. 38, no. 2, 4-5
Op. 36, no. 3 (TapeUSjOp. 38, no. 3, 1
Op.37, no. 1-5 Op.35, no. 1-2
(Tape 145) Side 3: Op. 17, no. 1-7
Op. 1, no. 1-5 Side 4: Op. 13, no. 1-6
Side 5: Op. 13, no. 7
Op. 50, no. 1-6
(No op. no.) Erloschen; Segelfahrt
(From op. 46) Trois soeurs aveugles; (No op. no) Hymn to Thais
Side 6: Op. 57, no. 1-8
Side 7: Op. 72, no. 3^
Op. 86, no. 1
(Tape 147) Op. 86, no. 2-6 (Sibelius - Songs, Melodies, Lieder, continued on next page)
47
(Sibelius - Songs, Melodies, Lieder, continued )
(Tape 147) Side 8: Op. 61, no. 1-8 Side 9: Op. 88, no. 1-6
Op. 3: Arioso Op. 90, no. 1-6
Side 10: Op. 27, no. 4
(Tape 1 48) (No op. no.) Serenade
(No op. no.) Souda, souda, sinisora
(No op. no.) Narciss; Op. 60, no. 1-2
(No op. no.) Smd flickorna.
(Tape 149) The Orchestral Songs of Jean Sibelius, including Luonnotar and The Rapids-Rider's Brides. Jorma
Hynninen, baritone; Mari Anne Haggander, soprano; Jorma Panula / The Gothenburg
Symphony Orchestra. Recorded May 14-16, 1984, at Gothenburg Concert Hall.
Grammofon AB BIS-LP-270, digital recording 1985.
Side 1: Serenade; Sdngen om korsspindeln; Pd verandan vid havet; Kom nu hit, dod; Demanten pa
marssnSn; Koskenlaskian morsiammet.
Side 2: Hdstkvdll; Soluppgang; Sen har jag fragat mera; Arioso; Varen flyktar hastigt; Luonnotar.
B. Collection Has Discs AND Tapes:
OP. 9 EN SAGA
(Tape 150) Sir Thomas Beecham / The London Philharmonic Orchestra. Recording date not given; undated
notes by Cecil Gray laid in. The Sibelius Society, VI.
RCA Victor M658 (album, 7 discs); sides 1-4.
Sides 5-6: Sibelius. In Memoriam.
Sides 7-8: Sibelius. The Bard.
Sides 9-12: Sibelius. Excerpts from Pelleas & Melisande.
Sides 13-14: Sibelius. Valse triste; Prelude to The Tempest.
OP. 22 LEMMINKAINEN SUITE, Excerpts
(Tape 151) The Swan of Tuonela; The Return of Lemminkdinen. Eugene Ormandy / The Philadelphia
Orchestra. "Sibelius 75th anniversary album" [1940?]. Notes undated, anonymous.
RCA Victor DM750 (album, 3 discs); sides 2-6.
Side 1: Sibelius. f;n/flwrfw.
OP. 43 SYMPHONY NO. 2
(Tape 153) Sir Thomas Beecham / Royal Philharmonic Orchestra. Recording date not given. Laid in:
Undated, anonymous notes.
RCA Victor DM 1334 Red Seal (album, 5 small discs).
OP. 49 POHJOHLA'S DAUGHTER
(Tape 152 Serge Koussevitzky / Boston Symphony Orchestra. Recording date not given. Undated,
anonymous notes laid in.
RCA Victor DM 474 (album, 5 discs); sides 9-10.
Sides 1-8: Sibelius. Symphony No. 5.
OP. 63 SYMPHONY NO. 4
(Tape 154) Leopold Stokowski / The Philadelphia Orchestra. Recording date not given; no notes.
RCA Victor recordings to date, listed inside back cover: Sibelius symphonies no. 1, 2, 4, 6.
Victor DM-160 (album, 4 discs).
48
Composers Other Than Sibelius
Brief listing of Recordings Represented in the Collection
HUGO ALFVEN
(Disc #25) Swedish Rhapsody. Eugene Ormandy / The Philadelphia Orchestra. No date.
Columbia ML 5596.
HECTOR BERLIOZ
(Disc #9) March and Overture, from The Trojans at Carthage. Sir Thomas Beecham / The Royal
Philharmonic Orchestra. No date. Columbia ML 532L
ERIK BERGMAN
(Disc #129) Sorg och glddje (joy and Sorrow). Sylvelin L^ngholm-Bergman, soprano, and Erik Bergman,
piano. No date. Fennica ST 16.
(Disc #129) Sonatine for piano. Rolf Bergroth, piano. No date. Fennica ST 16.
JOHANNES BRAHMS
(Disc #10) Liebeslieder-Walzer. Arranged by Friedrich Hermann. No date. Victor M 455.
(Disc #68) Sonata in A major, for violin and piano. Arnold Eidus, violin; Leopold Mittman, piano. No date.
Stradivari Records STR 611.
MAXBRUCH
(Disc #77) Violin Concerto. Zino Francescatti, violin; Thomas Schippers / The New York Philharmonic. No
date. Columbia ML 6131.
BENGT CARLSON
(Disc #140) Goternas sang (Song of the Goths). Erik Bergman / Akademiska Sangforeningen. No date.
Fennica ST 8.
(Disc #140) Bon om ro (Prayer for peace). Erik Bergman / Akademiska Sdngforeningen. No date.
Fennica ST 8.
ERNEST AMIDES CHAUSSON
(Disc #70) Concerto in D. Jascha Heifetz, violin; Jesiis Maria Sanroma, piano; The Musical Art Quartet. No
date. RCA Victor LCT 1113.
AARON COPLAND
(Disc #80) Lincoln Portrait. Serge Koussevitzky / Boston Symphony Orchestra. Speaker: Melvyn Douglas.
No date. RCA Victor LCT 1152.
CLAUDE DEBUSSY
(Disc #127) Printemps. Sir Thomas Beecham / Royal Philharmonic Orchestra. No date.
RCA Victor LM 9001.
EDWARD ELGAR
(Disc #88) String Quartet in E minor. The Claremont Quartet. No date; after 1965. Nonesuch H- 71 140.
EINAR ENGLUND
(Disc #112) Kiinan muuri (Incidental music to the play "The Great Wall of China" by Max Frisch). Nils-Eric
Fougstedt / Finlandia Orchestra. No date. Fennica levysarja, no. 6.
GABRIEL FAURE
(Disc #80) Incidental music to Pelleas et Melisande. Serge Koussevitzky / Boston Symphony Orchestra. No
date. RCA Victor LCT 1152.
49
FINNISH CHORAL MUSIC
(Disc #31) Choral music by Finnish composers. Rafael Sora and Veikko Tyrvainen, soloists; Martti Turunen /
Helsinki University Chorus. 1953. Var&se VC 81041.
FINNISH SONGS
(Disc#131) Three Finnish songs. Aulikki Rautawaara, soprano; F. Leitner, piano; Berlin Philharmonic
Orchestra (conductor's name not listed). No date. Capitol L-8041.
NILS-ERIC FOUGSTEDT
(Disc #5) Intrada & Finnish Folk Song {arr.). Nils-Eric Fougstedt / Finlandia Orchestra. No date.
Fennica levysarja, no. 2.
ALEXANDER GLAZOUNOV
(Disc #30) Violin Concerto in A minor. Andre Gabriel, violin; Thor Johnson / Cincinnati Symphony
Orchestra. No date. Remington R-199-191.
EDVARD GRIEG
(Disc #11) Norwegian Dances. Franz Litschauer / The Vienna State Opera Orchestra. No date; after 1953.
Vanguard VRS 1030.
(Disc #25) Peer Gynt Suite No. 1. Eugene Ormandy / The Philadelphia Orchestra. No date.
Columbia ML 5596.
(Disc #87) Quartet in G minor. Budapest String Quartet. No date. Columbia ML 5202.
(Disc #27) Wedding Day at Troldhaugen; Cow-Keeper's Tune & Country Dance, from op. 63; Heart Wounds
& The Last Spring, op. 34. Charles Mackerras / London Proms Symphony Orchestra. 1964.
RCA Victrola VlC-1069.
VAINO HAAPALAINEN
(Disc #140) Gavotte. Erik Cronvall / Finlandia Orchestra. No date. Fennica ST 2.
(Disc #129) Muunelmia suomalaisesta kansanlaulusta (Variations on a Finnish Folk Song). Vaino
Hannikainen, kantele. No date. Fennica ST 13.
(Disc #31 Pan. Martti Turunen / Helsinki University Chorus. 1978. Varese VC81041.
(Disc #129) Passacaglia I and 11. Nilo Heimola, organ. No date. Fennica ST 12.
ILMARI HANNIKAINEN
(Disc#129) Gavotte. Ilmari Hannikainen, piano. No date. Fennica ST 11.
(Disc #129) Ilta (Evening). Ilmari Hannikainen, piano. No date. Fennica ST 11.
(Disc #129) Rannala istuja (On the Shore). Aune Antti, soprano; Ilmari Hannikainen, piano. No date.
Fennica ST 11.
LAURI IKONEN
(Disc #140) Joutsenlaulu (Swan Song). Jorma Huttunen, tenor; Cyril Szalkiewicz, piano. No date.
Fennica ST 6.
(Disc #140) fuhannus (Midsummer). Jorma Huttunen, tenor; Cyril Szalkiewicz, piano. No date. Fennica ST 6.
(Disc #140) Pirtissdni pimenee (Darkness Falls). Jorma Huttunen, tenor; Cyril Szalkiewicz, piano. No date.
Fennica ST 6.
(Disc #140) Veneretki (Boating). Jorma Huttunen, tenor; Cyril Szalkiewicz, piano. No date. Fenruca ST 6.
ROBERT KAJANUS
(Disc #140) Porilaisten marssi (Bjorneborger's March, arranged). Nils-Eric Fougstedt / Finlandia Orchestra.
No date. Fennica ST 1 .
AHTI KARJALAINEN
(Disc #137) Kesdisia kuvia (Summer Scenes). Asser Sipila, oboe; Marja Oja, piano. No date. Fennica ST 21.
50
HEINO KASKI
(Disc #129) Muutolinnut (Birds of Passage). Maiju Kuusoja, contralto; Taneli Kuusisto, piano. No date.
Fennica ST 18.
(Disc #140) Prelude. Erik Cronvall / Finlandia Orchestra. No date. Fennica ST 2.
(Disc #129) Taa saarien paivd painuu (The Sun Sinks Behind the Islands). Maiju Kuusoja,
contralto; Taneli Kuusisto, piano. No date. Fennica ST 18.
YRJO KILPINEN
(Disc #140) Aina laulan (Always I Sing). Aune Antti, soprano; Margaret Kilpinen, piano. No date.
Fennica ST 9.
(Disc #140) Maassa marjani makavi (My love sleeps under earth). Aune Antti, soprano; Margaret Kilpinen,
piano. No date. Fennica ST 9.
(Disc #140) Onpa tietty tietyssdni (I know my love). Aune Antti, soprano; Margaret Kilpinen, piano. No
date. Fennica ST 9.
(Disc #140) Suite of songs by Katri Vala: Kotinpaluu (Coming Home), Vapaus (Freedom), Hdmdhdkki (The
Spider), Valvoja (The Guardian). Tii Niemela, soprano; Pentti Koskimies, piano. No date.
Fennica ST 10.
(Disc #31 To Song (Laululle). Martti Turunen / Helsinki University Chorus. 1978. Varese VC81041.
UUNO KLAMI
(Disc #136) Kalevala Suite. Nils-Eric Fougstedt / Finlandia Orchestra. No date. Fennica levysarja, no. 5.
HEIKKI KLEMETTI
(Disc #140) Ave maris stella, from the collection Piae Cantiones; arranged. Martti Turunen / Suomen Laulu.
No date. Fennica ST 5.
(Disc #140) Oi, kallis Suomenmaa (Dear Land of Suomi; arranged). Nils-Eric Fougstedt / Finlandia
Orchestra. No date. Fennica ST 1.
(Disc #140) Personent hodie, from the collection Piae Cantiones; arranged. Martti Turunen / Suomen Laulu.
No date. Fennica ST 5.
FELIX KROHN
(Disc #129) Kissanpoika (The Kitten). Sulo Saarits, baritone; Cyril Szalkiewicz, piano. No date.
Fennica ST 20.
(Disc #129) Nocturne. Erik Cronvall, violin; Eevi Cronvall, piano. No date. Fennica ST 20.
(Disc #140) Nocturne. Sulo Saarits, baritone; Cyril Szalkiewicz, piano. No date. Fennica ST 8.
ILMARI KROHN
(Disc #129) Kesaillalla (Summer Evening). Nils-Eric Fougstedt / Finnish Radio Chorus. No date.
Fennica ST 19.
(Disc #129) Lumikorpien yd (Winter Night in the Woods). Nils-Eric Fougstedt / Finnish Radio Chorus.
No date. Fennica ST 19.
TOIVO KUULA
(Disc #140) Auringon noustessa (At Sunrise). Martti Turunen / Suomen Laulu. No date. Fennica ST 5.
(Disc #140) Epilogue. Lea Piltti, soprano; Timo Mikkila, piano. No date. Fennica ST 4.
(Disc #140) Paimenet (The Shepherds). Lea Piltti, soprano; Timo Mikkila, piano. No date. Fennica ST 4.
(Disc #140) Purjein kuutamolla (Sailing by Moonlight). Lea Piltti, soprano; Timo Mikkila, piano. No date.
Fennica ST 4.
(Disc #140) SielV on kauan jo kukkuneet omenapuut (The Apple-Trees). Kalervo Tuukkanen / Helsingin
Laulu. No date. Fennica ST 3.
TANELI KUUSISTO
(Disc #129) Sonatine no. 2 for piano. Tapani Valsta, piano. No date. Fennica ST 15.
51
HELVI LEIVISKA
(Disc #129) Nouse, ok kirkas (Arise, Be Thou a Light). Maiju Kuusoja, contralto; Taneli Kuusisto, piano.
No date. Fennica ST 19.
NILS LERCHE
(Disc #112) Hamara (Twilight). Nils-Eric Fougstedt / Finlandia Orchestra. No date. Fennica
levysarja, no. 6.
ERNST LINKO
(Disc #140) Sonatine in B major. Ernst Linko, piano. No date. Fennica ST 7.
EINO LINNALA
(Disc #97) Suomalainen rapsodia (Finnish Rhapsody). Erik Cronvall / Finlandia Orchestra. No date.
Fennica levysarja, no. 1.
FRANZ LISZT
(Disc #126) Mephisto Waltz. Centennial Symphony Orchestra (conductornot listed). No date. Camden
CAL-159 (RCA).
ARMAS MAASALO
(Disc #138) Ah, saapuos yohdn valkeus (Ah, were light to come). Janne Raitio, organ; Nils-Eric Fougstedt /
Radio Female Chorus. No date. Fennica ST 22.
(Disc #138) Joulunkellot (Yuletide bells). Radio Female Chorus; Nils-Eric Fougstedt / Finlandia Orchestra.
No date. Fennica ST 22.
(Disc #138) Pastorale for organ. Armas Maasalo, organ. No date. Fennica ST 22.
LEEVI MADETOJA
(Disc #100) Symphony no. 2. Martti Simila / Finlandia Orchestra. No date. Fermica levysarja, no. 3.
EINARI MARVIA
(Disc #129) Myrsky (The Storm). Tii Niemela, soprano; Pentti Koskimies, piano. No date. Fennica ST 20.
(Disc #129) Taj mahal. Tii Niemela, soprano; Pentti Koskimies, piano. No date. Fennica ST 20.
JULES MASSENET
(Disc #9) The Last Sleep of the Virgin. Sir Thomas Beecham / The Royal Philharmonic Orchestra. No
date. Columbia ML 5321.
ERKKI MELARTIN
(Disc #5) Prinsessa Rusuunen (Incidental music to the play "The Sleeping Beauty" by Z. Topelius). Jussi
Jalas / Finlandia Orchestra. No date. Fennica levysarja, no. 2.
AARRE MERIKANTO
(Disc #135) Lemminkdinen. Martti Simila / Finlandia Orchestra. No date. Fennica levysarja, no. 4.
OSKAR MERIKANTO
(Disc #129) Haudoilta (The Graves; suite of songs). Sulo Saarits, baritone; Taneli Kuusisto, piano. No date.
Fennica ST 17.
(Disc #129) Oi muistatko vield sen virren (Do You Still Remember the Psalm). Sulo Saarits, baritone; Taneli
Kuusisto, piano. No date. Fennica ST 18.
WOLFGANG AMADEUS MOZART
(Disc #11 9) Symphony No. 38 (Prague). Vladimir Golschmann / St. Louis Symphony Orchestra. No date.
RCA Victor LBC-1067.
(Disc #23) Thamos, Konig in Agypten. Felix Giinther / Austrian Symphony Orchestra. Copyright 1951.
Remington RLP-149-25.
52
MODEST MUSSORGSKY
(Disc #20) Entr'acte (Act 4), from Khowantchina. Leopold Stokowski / Philadelphia Symphony Orchestra.
No date. Victrola 6366.
CARL NIELSEN
(Disc #12) Little Suite for String Orchestra. Arthur Winograd and his string Orchestra. No date.
MGM E3335.
FREDERIK PACIUS
(Disc #140) Mflamme (Finnish National Anthem). Nils-Eric Fougstedt / Finlandia Orchestra. No date.
Fennica ST 1.
(Disc#140) Suomen laulu (Suomi's Song). Nils-Eric Fougstedt / Finlandia Orchestra. No date. Fennica ST 1.
SELIM PALMGREN
(Disc #31 Tuutulaulu (Cradle Song). Martti Turunen / Helsinki University Chorus. 1978. Varese VC81041.
(Disc #135) Virta (Piano Concerto no. 2, The River). Ernst Linko, piano; Eero Kosonen / Finlandia Orchestra.
No date. Fennica levysarja, no. 4.
, VAINO PESOLA
(Disc #139) Inka-muori (Old Inka). Taru Linnala / Helsingin Tyovaen Naiskuoro. No date. Fennica ST 23.
(Disc #139) Onnelinnen aamu (Happy Morning). Taru Linnala / Helsingin Tyovaen Naiskuoro. No date.
Fennica ST 23.
(Disc #139) Saaristolaispolska (Islanders' jig). Martti Turunen / Ylioppilaskunnan Laulujat (Y.L.). No date.
Fennica ST 23.
OLA VI PESONEN
(Disc #135) Fuga fantastica. Urpx) Fesonen / Finlandia Orchestra. No date. Fennica levysarja, no. 4.
TAUNO PYLKKANEN
(Disc#) Preludio sinfonico, and Mare ja hanen poikansa (Air from the opera "Marie and her Son"). Liisa
Linko, soprano; Jussi Jalas / Finlandia Orchestra. No date. Fennica levysarja, no. 2.
VAINO RAITIO
(Disc #5) }outsenet (The Swans). Jussi Jalas / Finlandia Orchestra. No date. Fennica levysarja, no. 2.
SULHO RANTA
(Disc #97) Kainuun kuvia (Northern Images). Martti Simila / Finlandia Orchestra. No date. Fennica
levysarja, no. 1.
OTTORINO RESPIGHI
(Disc #123) Paste Romane (Poema Sinfonico). Eugene Ormandy / The Philadelphia Orchestra. No date.
Columbia ML 5675.
NICHOLAS ANDREIEVICH RIMSKY-KORSAKOV
(Disc #9) March, from Le Coq d 'Or. Sir Thomas Beecham / Royal Philharmonic Orchestra. No date.
Columbia 532L
NILS-ERIC RINGBOM
(Disc #112) Little Suite for Orchestra. Jussi Jalas / Finlandia Orchestra. No date. Fennica levysarja, no. 6.
EDMUND RUBBRA
(Disc #120) Symphony No. 5. Sir John BarbirolH / The Halle Orchestra. No date. RCA Victor LHMV-IOIL
53
TOIVO SAARENPAA
(Disc #140) Elcimd (Life). Kalervo Tuukkanen / Helsingin Laulu. No date. Fennica ST 3.
(Disc #140) Laula, laula veitosen (Sing, My Brothers). Kalervo Tuukanen / Helsingin Laulu. No date.
Fennica ST 3.
LAURI SAIKKOLA
(Disc #112) Musica per archi. Nils-Eric Fougstedt / Finlandia Orchestra. No date. Fennica levysarja, no. 6.
PABLO DE SARASATE
(Disc #111) Zigeunerweisen; Carmen Fantasy. Aaron Rosand, violin; Tibor Szoke / Symphony Orchestra of
the Southwest German Radio, Baden-Baden. Copyright 1959. Vox PL 11.600.
FRANZ SCHUBERT
(Disc #66) Marche militaire; arranged by Guiraud. Sir Hamilton Harty / London Philharmonic Orchestra.
No date. Columbia 7322-M'.
DIMITRI SHOSTAKOVITCH
(Disc #103) Symphony No. 1 in F major. Artur Rodzinski / The Cleveland Orchestra. No date.
Columbia ML 4881.
AHTI SONNINEN
(Disc #136) Seitseman veljesta (Incidental music to the play "The Seven Brothers" by Aleksis Kivi).
Nils-Eric Fougstedt / Finlandia Orchestra. No date. Fennica levysarja, no. 5.
(Disc #31 SoHseva vesi (Rippling Water). Martti Turunen / Helsinki University Chorus. 1978.
Varese VC81041.
IGOR STRAVINSKY
(Disc #80) Capriccio. Serge Koussevitzky / Boston Symphony Orchestra. No date. RCA Victor LCT 1152.
PETER ILICH TCHAIKOVSKY
(Disc #126) Francesca da Rimini. Centennial Symphony Orchestra (conductor not listed). No date.
Camden CAL-159 (RCA).
(Disc #111) Serenade melancolique. Aaron Rosand, violin; Tibor Szoke / Symphony Orchestra of the
Southwest German Radio, Baden-Baden. Copyright 1959. Vox PL 11.600.
(Disc #79) Serenade melancolique, and Scherzo from Souvenir d'un lieu cher. Ruggiero Ricci, violin; Oivin
Fjelstad / The London Symphony Orchestra. No date. London STS 15054.
JOUKO TOLONEN
(Disc #112) Arabesques - Finaletto. Nils-Eric Fougstedt / Finlandia Orchestra. No date. Fennica
levysarja, no. 6.
MARTTI TURUNEN
(Disc #129) Kijekyyhkynen (Carrier-Pidgeon, suite oi songs). Antti Koskinen, tenor; Marja Oja, piano.
No date. Fennica ST 14.
KALERVO TUUKKANEN
(Disc #136) Karhunpyynti (The Bear Hunt, words by Aleksis Kivi). Kalervo Tuukkanen / Finlandia
Orchestra and Male Chorus. No date. Fennica levysarja, no. 5.
RICHARD WAGNER
(Disc #121) Siegfried Idyll. Artur Rodzinski / Philharmonic-Symphony Orchestra of New York. No date.
Columbia 4086.
54
Suiiniintaina kcsakuun 13 pna 1958
HCL5I/NG1N S
Prof. Harold E. Johnson:
Jean Sibeliuksen "Andante lirko"
Kuva Sibeliuksen alkuperaisesid kdsikiT^oituksesta teokseen Impromptu jousille. ensimmaisen sivu
Kuvan esittdma kdsikiTjoitus varastettiin heti sen jdlkeen kun kirjoittaja, proj. Johrison oH saanui
Kuvan esindm.d kdsikiTjoitus varast. _.. , ..„ ^ j_, ^ ^, .,^ „.. „^
alokopion, ;oka on talla hetkelld ainoa jdlki mystillisestd katoamisesta.
Eras kalkkeln kiusaUisimpia
selkkoja pyrittaessa saamaan
taytta kuvaa Sibeliuksen koko
tuotannosta on se, etta monista
banen savellykslstaan tiedetaan
nlln vahan. Hyva esimerkki
on nk. Andante lirlco
Jousiorkesterllle, jonka tri Ek-
man mainitsee luett^Ios^aan
molemmissa kuulan kirjansa
palnoksissa julkaisemattomana
teokBena ja vuonna 1924 savet-
lettyniL
Va'-naisemmat yrilykseni saad;
jotahin selvyytta leoksen iuontees.
ta ohvat turhia. Kaikki suomalai.
set kustantajn[, musiikkikauppiaat
ja musiikm tutkijai. joilta kysel
ravistivat paataan sanoen. etieu
he oUeet kosKaan nahneei sita, Si-
beliuksen SLikulaiset ja laheiset ys-
tavatkaan er. at kyenneet autta-
iTidan minua. Naytti lodella oudol-
ta. etta savellys. joka on kirjoitel-
tu niin myohaan kuin 1924. ohsi
kadonneiden joukossa. Kysyin il-
seltani. kuioKa tama koKo juttu
andante hncosia oikeastaan oli ai-
kanuf Kuka ensiksi kirjojlti suta?
Vastaus nayltaa oie\'an, etta eng-
lanulainen Sibelius-tuntija Cecil
Gray oh ensimmamen. Hanen
vuonna 1931 julkaisemassaan tut-
kimuksessa saveilajan musnkista
loydamme hanen listastaan nnsta
teokiista, joiUa ei ole opus nume-
roa, mm. seuraavan kohdan:
Andante lestivo, jousille 1924
Andante linco. jousille
Sonaatti, F-duuri. viululle 1889
jne.
Sattuu olemaan niin. etta Andante
festive savellettiin vuonna 1922,
ke meita nv\. Tarkeata on kuilen-
kin se. etta Gray ei anna savellys.
vuotta Andnnte liricolle, k o s k a
han ei ?ita tiennyt. Toden-
nakoLsesti tapahtui niin. etta Ek-
man kasitti vaarin Grayn luette-
]ointimelodin ja oletti, etta vuosi
1924 koski myos Andante l^ncoa
niinkum Andante festn-oakm. En
voinut jattaa mielestani mahdo:ii-
suutta, etta tama Andante liricon.
jota kukaan ei ole nahnyt eika ku-
kaan tunne. mysteeri olisi ollut pe-
raisin taysin normaalista ja i '
millisesta Cecil Grayn vaannkasi-
tyksesta-
Vuonna 19G0 Gray, joka tuoll
tyoskenteli suuren tutkielmansa
parissa. kavi iyhyella vierailull;
Suomessa taydentaakseen mate^
riaahaan ja kaydakseen tap. maS'
sa SibehusU Ainoiassa. Yksi Grayn
tarkeimpia tehtavia oli koota "tay.
dellmen" luettelo savellyksista, slI-
la tuolloin ei sellaista ollut 'ol
massa. Saveltajan avustuksella h;
kavi lapi savellyksia opus opuk-
selta. Sibeliuksen oli tehtava joi-
lakm jarjestysmuutoksia viime het-
kessa. jotta iista olist taydellmen.
Tu.oksena ollut luettelo on tullut
standardiksi. jonka kaikki myb-
hemmat tuikijat ovat sisallyttaneet
Liksni
Litan
Saatuaan valmiiksi lopulhselta
nayttavan luettelon opusnumeroi-
duista teksista Gray jatkoi loppu-
jen teosten kanssa. Tulee muistaa.
ellei Gray puhunut ruotsia eika
suomea. ja etta Sibelius, vaikkakm
pystyi halUtsemaan englantia kyi-
iiksi seurustemn tarpeiksi, ei suin-
kaan ollut taysin kotcnaan tassa
kielessa. Ynttakaamme rekonst-
ruoida s^ keskustelu. joka herro-
jen valilla kaytiin Andante lincon
osalta. Sibelius oli juuri sanonut.
etta han kirjoitli Andante festivon
jousille vuonna 1924 ]a etta se oli
juika-.sematon' (tuolloin):
Gray: Mita muuta kirjoititte?
Sibelius: Kirjoitin toisenkin an-
danten.
Gray: Jousille?
Sibelius: Aivan, jousille.
Gray: Onko silla nlmea (englan,
niksi nimi: a title)^
Sibelius: A title? En ymmarra.
Gray: Onko siUa nimea kuten
Andant.
dante s<
Sibeh
fe>tn
Minkalainen
nan ■'linco". Niin. se on li-
ndante (lyynlhnen andante).
v: ( kirjoittaessaan ) Andante
Onko se julkaistu?
Sibelius: Ei. ci ole.
Gray: J a koskb Kirjoititte ;
Sibelius: inauraen; "Oh, pitkan.
piLKan aikaa sitten. En muista.
Jos lahdemme olettamuksesta,
etta kesKusteiu todella oii lallai-
nen, voimme paatella, etta Sibehus
taiKoitti sanalla Jirico vain yleisia
musikaalisen sisaliori kuvailua, se-
han on juun sellainen sana. jota
mosiikkimiehen voidaan olettaa
kayttavan. SUen sanalla lirico ei
ehka ollut mitaan tekemista teok-
sen alkuperaisen nimea kanssa,
joka saattoi olla ollut vain An-
dante.
Ynttaessani saada selville mika
savellys Sibeliuksella oli mieles-
saan, paattelin, etta sen taytyisi
tayttaa kaks: tarkeata vaatimosta:
1. sen taytyisi olla sangen varbai-
nen julkais.-maton teos jousiorkes-
terilie ja 2. sen taytyisi olla teos.
jota Gray ei muuaila listassaan
pou
C-duun romanssin jousille, op, 4,
jQKa esitettUD vuonna i904 konser-
lissa seka rielsmgissa etta Turussa
nimella Andante jousille.
Glen loytanyt vam ynden savel-
lyksen. jok3 uyttaa yllaoievat vaa-
tunukset. Se on Sibeliuksen Im-
promptu jousiorkeiterille, jonka
kasinkirjoitettu (ei save.tajan) ko-
pio kuuluu Yleisradion nuotistolle,
Alkuperainen kasikirjoilus oil en-
siksi merkitty andantinoksi, jonka
Sibelius mychemnim viivasi yli
vaihtaen sen andanteksi. Se on
jo usiorkestenSQ Vitus kahdesta im-
p'-omptusta pianolle (op. 5). jonka
r el Lmdgren julkaisi vuonna
.l.^j3. Sen en^iesitys nayttaa olleen
konsertissa, jonka Sibelius johti
Turussa helmikuun 17. paivana
1894. Abo tidningin arvostelija piti
sua hyvin miellyttavana savellyk-
sena ja huomautti, etta se on kuul-
tu aikaisenamm alkuperaisessa ver.
siossaan pianoUe konsertissa. jonka
Karl Ekman vanhempi pili Tu-
Sibelius. joka oli tuohon aikaan
kiinni niin monen suunnitelman
parissa. ilmeisesti ei kiinniltanyt
paljonkaan huomiota tahan pie-
Metropolitanin
johtaja uusia
kykyjd efsimdssd
• ] Tukholma, " 5. (ftl) New
Yorkin Metropolitai. opperan joh-
taja Rudolf Bing saapui per-
jantaina Panisin kautta Tukhol-
maan. Han vietti illan yhdessa
Tukholman kuninkaallisen ooppe-
ran johtajan Set Svanholmin
kanssa Drottningholmin teatterin
csitysta seuraamassa. Teatten esitti
naytelmaa "Orfeus ja Eyridike".
Mr Bing viipyy Ruotsissa tustaihin
saakka. jolloin han lentaa takaisin
New Yorkiin.
Mr, Bing vahvisti tosiksi tiedot.
joiden mukaan tarkoituksena on.
etta eraat ruolsalaiset oopperalau-
lajat ja -laulajattaret lauiavat ha-
nelle taman vierailun aikana. Ku-
ten tunnettua, on Jussi B j b r 1 i n g
lopettanut esiintymisensa Metro-
politaniisa sen vuoksi, ettei han ole
tyytyvalnen saamiinsa palkkioihin.
Mahdollisena pidetaan, etta Mr.
Bing tapaa taalla myos suomalai-
sen bassolaulajan Kim B o r g i n.
joka parhaillaan on lopettelemassa
menestyksellista kiertuettaan Ita-
vallassa. Borgin aikomuksena on
ennen malkaansa Salzburgiin ku-
luvan kesan juhlanaytantoihin vie-
la vieraiUa Tukholmassa ja Pani-
neen Impromptuun ja menetti heti
kjinnostuksensa siihen. Ainak.
han ei sisallyttanyt sita mihinkaan
myohempaan ohjelmaansa. Mutt,
savellys sailyi ja Radio-Orkesteri
on sita usein esittanv-t. Oi
ta. ettei sita ole tahan
mamittu missaan Sibeliuksen s
vellysluettelossa.
Tama on luonnoUisesti henkil
kohtainen teoria. jonka hylkaisin
mielellani, jos vain todistettaisiin,
etta se on vaara. Mutta minusta
tuntuu. etta Sibeliuksen taytyi aja-
tella pienta Impromptuaan jousil-
le. kun han puhui Graylle "eraasta
lirico andantesta". Impromptu
nayttaa tayttavan kaikki vaatimuk-
set. jotka mainitsin: 1, se on var-
hainen teos, kirjoitettu yli 30 vuot.
ta ennen kuin Sibelius tapasi
Grayn. 2. sita ^' ole julkaistu. 3.
Gray ei mai? sita luettelois-
saan. eika sitai....t5i kukaan muu-
kaan. 4. sen voi todella vilpittb-
masti luonnehtia "linco andantek-
si" kuien Sibelius todennakbisesti
tekikin
Lopuksi. jos olen ynttanyt pois-
taa hiukan sita mysteena, joka
ymparoi Andante lincoa 'tai
Impromptua jousillei. niin minun
taytyy kaantaa ympari systeemini
ja lisata siihen toisaalta ylimaarai-
nen mysteeri. Taman artikkelin
kuvituksena on valokuva Sibeliuk-
sen teoksen Impromptu jousille al-
kuperaisesta kasikirjoituksesta (en-
simmamen sivu). Se tehtiin siihen
aikaan. kun hra Gustav Svensson
naytti teosta minulle talvella 1956.
Muutamaa tuntia myohemmin ka-
sikirjoitus varastettiin ja sen
koommin ei kukaan nayia tietavan
sen olinpaikasta. Hra Svensson.
olen varma. olisi enttain onnelli-
si takaisin omaisuuten.
sa ja toivon. etta lukija, joka vain
jotakm siita tietaa, ottaisi yhtey-
den haneen.
Ehka jonakjn paivana saanune
lukea Helsingin Sanomain palstoil-
ta musiikkitietcellisen mysteeri ju-
tun, jonka otsikkona on "Puuttuvan
Sibeliuksen kasikirjoituksen arvoi-
tus."
He
rold E. Johns
Harold E. Johnson. Jean Sibeliuksen "Andante lirico". In: Helsingin Sanomat, June 15, 1958 (reduced).
Johnson had made a discovery but was in scholarly error - however, true identity of this work
was not published until 1986; cf. notes to Op. 5, no. 5-6.
55
Books and Other Publications About Jean Sibelius
Books and other materials come from Harold E. Johnson's original collection, unless they are marked
(*) [= donated to the collection by The Sibelius Museum, Turku, Finland] or (**) [= added by Butler University].
Other contributors are identified by name. A few titles are listed as "on order" (December, 1992); more
searches are undertaken and orders placed, as funds for this collection become available (cf. note 26, p. xi).
Where place of publication, publisher's name, or imprint date is not stated within the item at hand, a
standard abbreviation has been used in square brackets: [s.l.]=sine loco; [s.n.]=sine nomine; [n.d.]=no date.
With some items, reference has been made to Fred Blum, ]ean Sibelius, an international bibliography,
Detroit, 1965, cited as Blum.
ABRAHAM, GERALD
Sibelius, a symposium. Edited by Gerald Abraham. London: Drummond, 1947.
188, 28 p.; 23 cm. Series: Music of the Masters, 2.
First edition. Includes bibliography and work list. Bound in red cloth.
With contributions by Gerald Abraham, Eric Blom, David Cherniavsky, Astra Desmond,
Scott Goddard, Ralph Hill, Ralph W. Wood.
The Music of Sibelius, same as above, reprinted in 1975 by Da Capo Press. 218 p.; 23 cm. (**)
ANDERSSON, OTTO
Jean Sibelius i Amerika, av Otto Andersson. Abo: Forlaget Bro, 1955.
167 p.; 22 cm. With graphs and portraits.
Contains several graphs prepared by John H. Mueller, Indiana University, illustrating Sibelius
performances in the United States. Bound in patterned boards with white cloth spine. C*)
Jean Sibelius och Svenska Teatern. Foredrag vid Sibeliusfesten i Svenska Teatern i Helsingfors, den
8 december 1955... Abo: Forlaget Bro, 1956.
39 p.; 19 cm. With Harold E. Johnson's annotations. In stiff cream printed wrappers.
Om Jean Sibelius. Tvd artiklar... [s.l., s.n.], 1957.
12 p.; 21 cm. Printed at Mercators Tryckeri [Stockholm?]
Offprint from Hufvudstadsbladet, Jan. 3, 1957. Not listed in Blum. "Sibelius och Kajanus som
konkurrenter. - Nar Jean Sibelius erholl statsstipendium. "
ARNOLD, ELLIOTT
Finlandia, the story of Sibelius... Illustrated by Lollta Granahan. New York: H. Holt, 1941.
14, 241 p.; 24 cm. With numerous original woodcut illustration.
Includes "Records of Sibelius' works," p. 232-236, and index. Bound in blue cloth.
BALLANTINE, CHRISTOPHER JOHN
Twentieth century symphony... London: D. Dobson, 1983.
223 p.; 23 cm. With illustrations. Series: The student's music library.
Includes extensive commentaries on Sibelius symphonies No. 2-7. With bibliography and index.
Bound in dark brown linson, with dust jacket. (**)
BERGLUND, PAAVO
A comparative study of the printed score and the manuscript of the seventh symphony of Sibelius...
Turku: Sibelius Museum, Institute of Musicology, 1970.
33, 6 p.; 23 cm. With charts and diagrams. Series: Acta musica, 5.
In stiff green printed wrappers. (**)
BLUM, FRED
Jean Sibelius. An international bibliography on the occasion of the centennial celebrations, 1965...
Detroit: Information Service, 1965.
xxi, 1 14 p.; 23 cm. Series: Detroit studies in music bibliography, no. 8.
Includes index. In blue wrappers.
56
BREITKOPF & HARTEL
Jean Sibelius, Werke und AuffUhrungen. Leipzig [etc.]: Breitkopf & Hartel, [n.d.]
15, 1 p.; 21 cm. With small portrait.
Blum no. 318 gives imprint date as [1907?]. This date is also suggested by contents: List of "recent
performances," arranged by place. Stapled as issued.
Mitteilungen der Musikalienhandlung Breitkopf & Hartel, Nr. 82, November 1905. Leipzig, 1905.
Pages 3290-3336; 21 cm. With small portrait. Not listed in Blum.
Announces succession of copyright for v^orks that hitherto had been published jointly with Fazer.
Jean Sibelius, Verzeichnis seiner Werke. Leipzig [etc.]: Breitkopf & Hartel, [1912]. 23 p.; 21 cm.
A COLLECTION OF ARTICLES AND EXCERPTS
Reprints or copies of articles and notices about Jean Sibelius, published in various journals and some books;
about two-thirds of them in English. In chronological order, two archival-quality albums.
Part 1: articles to Dec, 1957; part 2: articles since Jan., 1958. All newsprint has been deacidified.
Articles or excerpts are being added as they are located. Early 1993, there were about fifty items
of substance, and shorter notices or reviews. For current contents, see Appendix A, page 71 . (**)
DAHLSTROM, FABIAN
The works of Jean Sibelius... Helsinki: Sibelius-Seura - Sibelius-Samfundet r.y., 1987.
154 p.; 21 cm.
First edition. Contains title index. First current, reliable catalogue of Jean Sibelius's
compositions. Inscribed by the author for Butler University's Sibelius Collection which is much
indebted to him for advice, materials, and information. Original paperback. {*)
DE GOROG, LISA
From Sibelius to Sallinen. Finnish nationalism and the music of Finland. Lisa de Gorog, with the
collaboration of Ralph de Gorog. New York; Westport, CT, London: Greenwood Press, 1989.
ix, 252, [1] p.; 24 cm. Series: Contributions to the Study of Music and Dance, No. 16.
First edition. Contains bibliography, discography, and index. Bound in blue cloth. (**)
DE LERMA, DOMINIQUE
A register of basic conventional titles... Jean Sibelius. Published 1967, out of print. On order. (**)
DOWNES, OLIN
Sibelius the symphonist... New York: Philharmonic-Symphony Society, 1956.
48 p.; 16 cm. With illustrations.
A discography of works performed by the Philharmonic-Symphony Orchestra of New York.
Contains facsimiles and portraits. In green printed wrappers.
"Jean Sibelius." In: The international cyclopedia of music and musicians, 9th edition.
New York: Dodd, Mead & Co., 1964; pages 2015-2023.
EKMAN, KARL
Jean Sibelius, his life and personality... Translated from the Finnish by Edward Birse. With a foreword
by Ernest Newman. New York: A. A. Knopf, 1938.
xxiii, 298, x p.; 23 cm. With 13 plates.
First U.S. edition, published January 10. Finnish title: Jean Sibelius, taiteilijan eldmd
persoonallisuus. Contains work list, bibliography, and index. Bound in black cloth. (**)
Jean Sibelius, his life... Second printing. New York: A. A. Knopf, February 1938.
Jean Sibelius... New York: Tudor Publishing Co., 1946.
Identical collation and contents; from Harold E. Johnson's collection. This was Johnson's working
copy, heavily annotated, with many clippings and typed excerpts from other works.
Jean Sibelius och hans verk... Helsingfors: H. Schildts Forlag, 1956.
3%, 3 p.; 24 cm. With numerous illustrations.
First published in 1935; this is the fourth revised edition. Contains numerous illustrations, work
list, and bibliography. Bound in patterned boards with green cloth spine.
57
FINNISH MUSIC QUARTERLY
Published in Helsinki since 1985; for some details, see Erik Tawaststjema, Sibelius's Eight Symphony.
A subscriptionfor this journal was entered October, 1992, including back issues. (**)
FURUHJELM, ERIK
Jean Sibelius... Stockholm: Kungl. Hofboktryckeriet, 1914.
Offprint from Ord och Bild, no. 4, 1914, p. 213-227; 25 cm. Blum no. 1244. With Otto Andersson's
autograph. In printed wrappers.
]ean Sibelius, hans tondiktning och drag ur hand liv... BorgI: H. Schildt, 1916.
229 p.; 21 cm. With illustrations.
With Ellen Frelander's autograph and annotations, dated 1931. Rebound in half cloth and
marbled boards; original illustrated wrappers bound in.
GRAY, CECIL
"Jean Sibelius"; pages 184-193 in his A survey of contemporary music. Second edition. London: Oxford
University Press, 1927.
Sibelius... London: Oxford University Press, H. Milford, 1931.
ix, 223 p.; 19 cm. Contains 1 plate (portrait).
First edition . Contains work list. With Lennart von Zweygberg's autograph. Bound in green
cloth, with dust jacket.
Also: Second edition, fourth impression, London, 1945. Bound in green cloth.
Sibelius, the symphonies... London: Geoffrey Cumberlege, 1947.
77 p.; 17 cm. With music illustrations. Series: The musical pilgrim.
Fifth impression; first published in 1935. In printed wrappers.
HALL, WENDY
Sibelius and the Finnish landscape... London, 1950.
12 p.; 25 cm. With illustrations. Reprinted from The Geographical Magazine, vol. 27, no. 7,
November, 1950, originally p. 296-297 and 8 pages of plates. Blum no. 1081. Stapled as issued.
HANNIKAINEN, ILMARI
Sibelius and the development of Finnish music..., with a preface by Toivo Haapanen. Translated by
Aulis Nopsanen. London: Hinrichsen Edition, [n.d.]
47 p.; 22 cm. With illustrations.
Contents of this work suggest 1948 as publishing date. Contains sources and suggested reading list.
Bound in printed boards, with dust jacket.
HELASVUO, VEIKKO
Sibelius and the music of Finland. Original manuscript in Finnish..., translated by Paul Sjoblom. Keuruu:
Otava, 1957.
95 p.; 19 cm. With 12 plates.
Second revised edition. Inscribed by the author for Harold E. Johnson, October 1, 1957. In printed
wrappers, as issued.
HEMMING, AARRE
Luettelo Jean Sibelius ja hdnen teoksiaan kasittelevastd kirjallisuudesta. List of works concerning Jean
Sibelius and his compositions... Helsinki, 1958.
3 preliminary leaves, 10 leaves list; 30 cm. Mimeographed; stapled as issued.
Bibliographical listing, compiled from various sources. Not in Blum. Commissioned by The
Sibelius Society;probably the first comprehensive Sibelius bibliography. Signed by Hemming.
HODGSON, ANTONY
Scandinavian music: Finland and Sweden... Rutherford: Fairleigh Dickinson University Press, 1984.
224 p.; 24 cm. With illustrations.
First edition. With sources and index. Bound in red cloth, with dust jacket. (**)
58
HEINIO, MIKKO
Innovaation ja tradition idea. Nakokulma aikamme suomalaisten saveltajien musiikkifilosofiaa...
Helsinki: Suomen Musiikkitieteellinen Seura, 1984.
vii, 364 p.; 25 cm. Series: Acta Musicologica Fennica, 14..
German summary (Die Idee der Innovation und der Tradition), p. 346-363, translated by Taina
Aellig. Brief English synopsis, p. 364, translated by Andrew Bentley. Contains sources,
bibliography, and index. Original paperback. (**)
JAMES, BURNETT
The music of Jean Sibelius... With a foreword by Raymond Bantock. Rutherford: Fairleigh Dickinson
University Press, 1983.
174 p.; 24 cm. With illustrations.
First edition. Contains bibliography, name index, and title index. Bound in black cloth, with
dust jacket. (**)
JEAN SIBELIUS, edited by Margareta Jalas. Helsinki: Otava, 1952.
70 p.; 24 cm.
Mostly facsimiles, portraits, and other illustrations; captions by Sirkka Rapola. In Finnish,
Swedish, and English. Bound in cream cloth.
JEAN SIBELIUS. London: Chester, 1924.
12 p.; 19 cm. With facsimile and portrait. Series: Miniature essays.
In English and French. Author's name not found; not located in Blum. Photostatic copy on seven
leaves. (**)
JOHNSON, HAROLD E.
Jean Sibelius... New York: Knopf, 1959.
xviii, 287, xi p.; 22 cm. With 12 plates.
First edition. Contains work list, bibliography, and index. Bound in blue cloth, with dust jacket.
Also a lesser copy, without jacket but with Johnson's signature and annotations.
Accompanied by Johnson's collection of review articles, about 250 items: clippings from
Finnish, English, American, Swedish, French, and German publications. Included is an offprint of
Nils-Eric Ringbom's "Harold E. Johnsons Sibeliusbok," published in Suomen Musiikkuin
Vuosikirja 1958-59, p. 90-101, inscribed by Ringbom to Johnson with expression of personal
friendship in spite of scholarly disagreement. For contents description, see Appendix C, page 79.
Sibelius... London: Faber and Faber, 1960.
254 p.; 23 cm. With 15 plates.
Proof copy of the first British edition of Johnson's Jean Sibelius, first published in 1959 by Knopf,
New York. In grey printed wrappers.
Jean Sibelius... Westport, CT: Greenwood Press, 1978.
xviii, xi, 287 p.; 23 cm. With 12 plates.
Reprint of the 1959 Knopf edition. Bound in brown cloth.
Jean Sibelius..., suomentanut Yrjo Kivimies. Helsingissa: Otava, 1960.
279 p.; 23 cm.
Finnish translation of Johnson's book. Two copies: copy 1 in cream cloth, with jacket; copy 2 is the
uncut papjerback edition.
Jean Sibelius... Turino: Unione Tipografico-Editrice Torinese, 1966.
Pages 365-380; 26 cm. With facsimile and f)ortraits.
Offprint from La Musica, vol. IV, pt. 1. Printed in double columns. Contains work list and
bibliography. In grey printed wrappers.
Jean Sibelius, the recorded music... Helsinki: R. E. Westerlund, 1957.
31 p.; 21 cm.
Title and preface in English, Finnish, and Swedish. In cream printed wrappers.
(Johnson, Harold E., continued on next page)
59
(Johnson, Harold E., continued)
Published Articles, written by Johnson in English, Finnish, or Swedish
a. Finland: a musical treasure hunt. Pages 43-46 in News Bulletin, published by Institute of
International Education, New York, vol. 33, no. 7, March, 1958.
b. Finlandia ja "Sanomalehdiston paivain" musiikki. In Helsingin Sanomat, October 5, 1958.
c. Jean Sibeliuksen alkusoitto, a-molli. In Helsingin Sanomat, Feb. 23, 1958.
d. Jean Sibeliuksen "Andante lirico". In Helsingin Sanomat, June 15, 1958.
e. Jean Sibeliuksen "Tyokansas Marssi." In Helsingin Sanomat, July 5, 1958.
f . Kuka on Symposiumin neljas nnies? In Hekingin Sanomat, December 8, 1957.
g. L5t OSS ta vara p3 Sibelianan... Stockholm: Mercators Tryckeri, 1957.
4 p.; 21 cm. With portrait. Offprint from Hufvudstadsbladet, Nov. 11, 1957. Not in Blum,
h . Sibeliuksen Lemminkais-sarja... Helsinki: Sanoma Oy, 1957.
7 p.; 21 cm. Unbound insert to Helsingin Sanomat, Sunday, June 19, 1957. Not listed in Blum,
i . Sibeliuksen seitsemas sinfonia ja "Fantasia sinfonica". Pages 6 and 14 in Helsingin Sanomat,
September 22, 1957.
j. Sibelius fjarde symfoni - en str^kkvartett? Page 6 in Nya Pressen, June 7, 1958, no. 129.
k. Sibelius ja ohjelmamusiikki. Page 6 in Helsingin Sanomat, June 8, 1958.
1 . The greatest monument to Sibelius. Pages 7-8 in Suomi-Finland USA, vol. XII, no. 7, 1957.
Sibelius and Finland Book of Personal Memorabilia
Clippings, articles, letters, photographs, programs, invitations; collected mostly between 1956
and 1962, and pasted by Johnson into a notebook.
About 300 items, reassembled with archival-quality materials into an album with fold-outs
and pockets. For contents description, see Appendix B, page 76.
JUHLAKIRJA ERIK TAWASTSTJERNALLE 10.X.1976
Festskrift till Erik Tawaststjerna, toimittanut ... Erkki Salmenhaara. Helsingissa: Suomen
Musiikki tieteellinen Seura, Musikvetenskapliga sallskapet i Finland; Otava, 1976.
407 p.; 22 cm. With illustrations. Series: Acta musicologica Fennica, 9.
Contributions in Finnish and Swedish. Contains bibliography of works by Tawaststjerna, and
three Sibelius studies by John Rosas, Jouko Tolonen, and Antero Karttunen. Also contains
bibliographical references, and chronology. In original stiff blue printed wrappers. (**)
KILPELAINEN, KARI
The Jean Sibelius manuscripts at Helsinki University Library. A complete catalogue. Die Musik-
handschriften von Jean Sibelius in der Universitatsbibliothek Helsinki. Ein voUstdndiges
Verzeichnis. Wiesbaden; Leipzig, Paris: Breitkopf & Hartel, 1991.
xxxii, 487 p.; 25 cm. With review article by Glenda Dawn Goss, in Notes, June 1992, p. 1229-1230.
Editorial board: Esko Hakli, Fabian Dahlstrom, Ilkka Oramo, Erkki Salmenhaara, Eero
Tarasti, Erik Tawaststjerna. German translation by Frank Reinisch. First edition. Includes
indices. Bound in blue cloth.
On order: Dr. Kilpelanen's dissertation, Sibeliuksen teosluettelosta ja teosten opus-
numeroinnista, Helsinki, 1992. (**)
KROHN, ILMARI
Der Formenbau in den Symphonien von Jean Sibelius... Helsinki: Suomalainen Tiedeakatemia, 1944.
218 p.; 22 cm. Series: Annales Academiae Scientiarum Fennicae B XLIX.
Der Stimmungsgehalt der Symphonien von Jean Sibelius... Provoo; Helsinki: Soderstrom, 1945-1946.
2 vols.; 25 cm. Series: Annales Academiae Scientiarum Fennicae B LVII/LVIII.
Each volume has name/subject index. Bound in sprinkled boards with cloth spines.
LAYTON, ROBERT
Sibelius..., with eight pages of plates, and music examples in the text. London: Dent; New York: Farrar,
Straus & Giroux, 1965.
xi, 210 p.; 20 cm. Series: The master musicians.
First edition. With index, and the following appendices: Calendar; Catalogue of works;
Personalia; Bibliography. Bound in green cloth, with dust jacket.
60
LECKRONE, MICHAEL
A historical and thematic study of Jean Sibelius's Kullervo. Thesis (M.A.), Butler University, 1961.
91 p.; 28 cm. With music illustrations. Bound copy of typescript.
LEVAS, SANTERI
jean Sibelius ja hanen Ainolansa... Helsingissa: Otava, 1955.
128 p.; 25 cm. With 25 plates.
Text in Finnish, with Swedish, English, and German summaries, and chronological apf)endix.
Jean Sibelius, muistelma suuresta ihmisestd... Helsinki: Soderstrom, 1957-1960.
2 vols.; 22 cm. With illustrations. Vol. 1: Nuori Sibelius. Vol. 2: Jarvenpiian mestari.
Vol. 2 includes work list, bibliography, and index. Vol. 1 softbound; vol. 2 in black cloth.
Jean Sibelius, muistelma sa ihmisesta... Porvoo; Helsinki: Soderstrom, 1986.
490 p.; 23 cm. With 32 plates.
A new edition; list of recordings added. Bound in black boards, with dust jacket. (**)
Jean Sibelius, a personal portrait... Transl. by Percy M. Young. Lewisburg: Bucknell Univ. Press, 1973.
xxiii, 165 p.; 22 cm. With 8 plates.
Abridged translation of the work above, "designed for foreigners" according to the author's
preface. Includes work list, discography, and index. Bound in black cloth, with dust jacket. (**)
LLOYD, ERNEST H.
Sibelius' Rakastava: a comparative analysis of the fopur version. Thesis (M.A.), Butler University,
1966. 84 p.; 28 cm. With music illustrations; study score laid in. Bound copy of typescript.
MAKINEN, EINO
Hdmeenlinna, hopeanharmaitten muistojen kaupunki. De silvergraa minnenas stad... Eino Makinen,
teksti Matti Kurjensaari, toimituskunta Arvi Kivikari [and others]. Helsinki: Kivi, 1952.
86 p.; 30 cm. With illustrations.
Text and photograph captions in Finnish, Swedish, English, and German. English title:
Hdmeenlinna, the town of silver grey memories. The book is dedicated to Jean Sibelius, "the only
honorary citizen of Hameenlinna, his birth and school town." Inscribed for Harold E. Johnson by a
member of Hameenlinna City Council "as a remembrance of your visit... 16. 4. 1958." Hameenlinna
is commemorated in Tales of Ensign Stal by Ludvig Runeberg, the poet of many Sibelius songs.
MAKINEN, TIMO & SEPPO NUMMI
Musica Fennica. An outline of music in Finland... Helsingissa: Kustannusosaskeytio Otava, 1985.
191 p.; 19 cm. With illustration.
Translated by Kingsley Hart. With selected list of recordings, music by 26 Finnish composers. (**)
MOLINARI, GUIDO
Jean Sibelius: un compositore saggio... Pages 13-18 in: Rassegna musicale curci, quadrimestrale periodico
di cultura e attualita musicali, vol. XLIV, no. 2, May, 1991. Published in Milan; in Italian.
Theodore Front Musical Literature Inc. has been instrumental in locating securing materials. This
issue, however, was Theodore Front's personal contribution to the collection.
MUSIIKKITIETO, saveltaiteellinen aikauslehti. 1940, no. 5-6. Pages 81-108. This issue is dedicated to
Sibelius, in commemoration of his 75th birthday. Contributors include Eino Roiha, Martti Simila, Bengt
von Tome, Paul Sjoblom, Aune Lindstrom, and others. Blum (nos. 657-666) gives complete contents.
THE NEW GROVE TURN OF THE CENTURY MASTERS. Janacec, Mahler, Strauss, Sibelius. By John Tyrcll
[and others]. New York; London: W. W. Norton, 1985.
324 p.; 21 cm. With illustrations Series: The composer biography series.
First American paperback edition. This is a collection of articles originally written for The New
Grove Dictionary of Music and Musicians; here considerably enlarged. "Jean Sibelius" by Robert
Layton: pages 271-313. (**)
61
NEWMARCH, ROSA H, J.
Jean Sibelius... London: Goodwin & Tabb, October 1945. Third printing.
99 p., 8 p. of plates; 19 cm.
First published in 1939 by Birchard, Massachusetts. Cover title: A short story of a long
friendship. Appendix, p. 93-99: Facsimiles of autograph letters by Sibelius to Sir Granville
Bantoch and others. In light green printed wrappers.
Jean Sibelius, a Finnish composer..., with a portrait. Leipzig; New York: Breitkopf & Hartel, 1906.
24 p.; 22 cm. In original printed wrappers.
"A paper read at a soiree of the Concert Goers' Club, London, February 22nd. 1906." (**)
NIEMANN, WALTER
Jean Sibelius... mit einem Bildnis. Leipzig: Breitkopf & Hartel, 1917.
70, 17 p.; 19 cm. Series: Kleine Musikerbiographien.
Dedicated to Gustav Niemann, bom in Schleswig-Holstein in 1841. He was the first concert
master at David's Helsingfors Orchestra, 1864 til his death in 1881. Includes work list. In
printed wrappers, as issued. Inscribed by Nils-Eric Ringbom for Harold E. Johnson and Butler
University's music library.
NYBLOM, C. G.
Jean Sibelius... Stockholm: Elkan & Schildknecht, Emil Carelius, 1916.
18 p.; 18 cm. Series: Kortfattade lefnadsteckningar om framstaende tonsattare. III.
Blum no. 33. In tan printed wrappers, as issued.
PARMET, SIMON
Con amore. Essaer om musik och mastare... Helsingfors: Soderstrom, 1960.
[251 p.; 22 cm. See note below.]
The book itself (which we do not have) is a collection of Parmet's essays and articles published in
various newspapers and periodicals. Photostatic copies of the seven articles on Sibelius. (**)
Sibelius symfonier, en studie i musikforstdelse... Helsingfors: Soderstrom, 1955.
145 p.., plates; 22 cm.
"Utgiven med understod av de medel som Finlands riksdag beviljat for den svenska litteraturens
framjande." In cream illustrated wrappers. Some pencil annotations in Johnson's hand.
The symphonies of Sibelius, a study in musical appreciation... Translated by Kingsley A. Hart.
London: Cassell, 1959.
xviii, 169 p., plates; 23 cm.
First English edition of Sibelius symfonier. Includes index. Bound in red cloth. With Harold E.
Johnson's annotations throughout.
PIKE, LIONEL
Beethoven, Sibelius, and the "profound logic": Studies in symphonic analysis..., with a foreword by
Robert Simpjson. London: Athlone Press, 1978.
viii, 240 p.; 25 cm. With music illustrations throughout.
First edition. With bibliography and index. Bound in red linson, with jacket. (**)
PIRSCH, GEORGES A.
Jean Sibelius... Gilly: Editions de la Nouvelle Revue Belgique, 1944.
88, 1 p., 1 plate; 19 cm. Series: Collection Euterpe.
Blum no. 37. We have a photostatic copy on 46 leaves rather than the original publication. (**)
RICHARDS, DENBY
The music of Finland... London: Hugh Evelyn, 1968.
viii, 120 p., plates; 22 cm.
Much about Sibelius in passim; contains work list of 32 other Finnish composers, and name index.
Bound in blue linson, with dust jacket. {**)
62
RINGBOM, NILS-ERIC
Helsingfors orkesterfdretag 1882-1932. Helsingfors Orkesterforening, Filharmoniska Sallskapet,
Helsingfors Stadsorkester... [Helsingfors: Printed at Frenckellska Tryckeri], 1932.
126 p.; 23 cm. With illustrations. Two copies.
Includes chronological list of programs 1882-1932, and facsimiles of programs of the concerts
presented at the Paris Exposition in 1900. Blum no. 210. Copy 1 is inscribed by the author for
Harold E. Johnson, with Johnson's annotations, and accompanied by many historical programs.
Copy 2 is plain but in better physical condition.
Jean Sibelius, a master and his work... Translated from the Swedish by Geraldine I. C. de Courcy.
Norman: University of Oklahoma Press, 1954.
ix, 196 p., 8 p. of plates; 21 cm.
First American edition. Includes work list, bibliography, and index. Bound in red cloth, with
dust jacket. Inscribed by the author: "To Harold Johnson, in the most cordial friendship and with
appreciation of your wonderful Sibelius-investigation in Finland 1956-58."
[Paragraph on Jean Sibelius, by Nils-Eric Ringbom.] Offprint from Die Musik in Geschichte und
Gegenwart, vol. 12, columns 652-662 and plate, published in Kassel by Barenreiter, 1964. Inscribed
by the author for Harold E. Johnson.
Sibelius: symphonies, symphonic poems, violin concerto. Voces intimae. Analytical notes...
Helsinki: Fazer, 1955.
31 p.; 18 cm.
Some parts were previously published in concert programs or in the author's book on Sibelius; new,
for the most part, are the descriptive comments on the symphonic poems. In illustrated wrappers.
De tvd versionerna av Sibelius' tondikt "En saga"... Abo: Abo Akademi, 1956.
53 p.; 25 cm. With music examples. Series: Acta Academiae Aboensis. Humaniora, XXII, 2.
In tan printed v^Tappers, as issued. Inscribed by Ringbom for Johnson.
ROIHA, EINO VILHO PIETARI
Die Symphonien von Jean Sibelius, eine form-analytische Studie... Jyvaskyla: Gummerus, 1941.
141 p.; 23 cm. With music illustrations.
Dissertation, Helsinki University. In grey printed wrappers, as issued.
ROSAS, JOHN
Bidrag till kannedomen om tre Sibelius-verk... Pages 71-79; 26 cm.
Inscribed by the author for Harold E. Johnson; identified in Rosas's hand, page 71, as being an
offprint from Suomen Musiikin Vuosikirja, 1964-65. Includes bibliographical footnotes, and
English summary on page 79.
]ulkaisemattomia Jean Sibeliuksen kamarimusiikki teoksia. Liite Turun Musiikkijuhlien
konserttiohjelmaan 24. 5. 1965... Turku, 1965.
22 p.; 21 cm. With music illustrations.
Not listed in Blum. A condensed version of Otryckta kammarmusikverk, insert to the concert
program of May 24, 1965, Turku Music Festival. In Finnish, Swedish, and English. Deals with
the trio in C major (Lovisa Trio), and the piano quintet in G minor, 1890. In printed wrappers.
Otryckta kammarmusikverk av Jean Sibelius... Abo: Abo Akademi, 1961.
88 p.; 25 cm. Series: Acta Academiae Aboensis. Humaniora, XXIll, 4.
Includes work list, bibliography, and index. In printed wrappers, as issued.
SALMENHAARA, ERKKI
Jean Sibelius... Helsinki: Tammi, 1984.
470 p.; 26 cm. With illustrations.
Includes bibliography and index. Bound in grey cloth, with dust jacket. (.**)
Tapiola. Sinfoninen runo Tapiola Sibeliuksen myohaistyylin edustajana... Helsinki: Suomen
musiikkitieteellinen seura, 1970.
138 p., 1 folded plate; 21 cm. Series: Acta Musicologica Fennica, 4
With bibliography, and English summary. In stiff wrappers, as issued, i**)
63
SIBELIUS, JEAN
Kasikir joituksia, manuskript, manuscripts... from the archives of Oy R. E. Westerlund AB. Helsingfors:
Westerlund, 1945.
57 p.; 30 cm. With facsimiles and other illustrations.
This is mostly a collection of photographic reproductions of Sibelius's manuscript scores, edited by
Lauri Solantera. Finnish text by Eino Roiha, translated into Swedish by Erik Bergman, into
English by Paul Sjoblom. Bound in plain boards, with illustrated jacket.
SIBELIUS CENTENARY COMMITTEE
Jean Sibelius. Editor: Timo Makinen; assistant editor: Riitta Bjorklund; translators: Kingsley Hart,
Philip Bihnam. Helsinki: Published for the Sibelius Centenary Year by the Sibelius Centenary
Committee, 1965.
53 p.; 24 cm. With illustrations.
Includes articles by Erik Tawaststjema, Laura Enckell, Bengt Axel von Tome, Eugene Ormandy,
Simon Parmet, and Kim Borg; an address by Joonas Kokkonen; tributes by Marian Anderson, Ernest
Ansermet, and others. Illustrations include many conductors and soloists. We have a photostatic
copy, not the original publication. (**)
SIMILA, MARTTI
Sibeliana... Somistanut Aarne Nopsanen. Helsingissa Otava, 1945.
55 p.; 20 cm. With illustrations.
Organized by Sibelius's musical principles of Introductio, Thema, Musicae, Intimae. In stiff
turquoise wrappers, as issued.
SOLANTERA, LAURI
The works of Jean Sibelius... Helsinki: Westerlund, 1955.
63 p.; 23 cm.
At time of publication, the compiler was manager of Otava's Publishing Department. Blum
no. 58. Includes index. In illustrated wrappers, as issued. Inscribed by Lauri Solantera for Harold
E. Johnson; with the latter's annotations throughout.
SUOMALAINEN, YRJO
Robert Kajanus, hanen elamansa toimintanswa... 52 kuvaa. Liitteena Kajanuksen teosten luettelo.
Helsingissa: Otava, 1952.
284 p.; 21 cm. With illustrations.
Robert Kajanus, 1856-1933, composer, conductor, and teacher, was Sibelius's close friend and
promoter; during the composer's early career, Kajanus was his unofficial but acknowledged
teacher in the technique of scoring for orchestra. Bound in marbled boards with cloth spine, with
dust jacket.
SUOMEN MUSIIKIN KUVA. Helsinki: Suomen Etnomusikologinen Seura, 1983.
51 p.; 30 cm. With illustrations.
Edited by Kimmo Salminen. Among other articles on Finnish music, this volume contains Philip
Donner's Unohdetto Sibelius, pages 40-43. In illustrated wrappers, as issued. (**)
SUOMEN MUSIIKIN VUOSIKIRJA. Helsingissa: Otava, 1959.
First volume of an annual series, 169 p.; 25 cm. With illustrations.
Edited by Veikko Helasvuo. Includes several contributions about Sibelius. In grey wrappers.
TAMMARO, FERRUCCIO
Jean Sibelius... Torino: ERI, 1984.
508 p., 20 plates; 23 cm. Series: Musica e musicisti; La Rete, 36.
First edition; paperback. Includes work list, bibliography, and index. (**)
64
TANZBERGER, ERNST
VJerkverzeichnis Jean Sibelius... Wiesbaden: Breitkopf & Hartel, 1962.
27 p.; 21 cm.
Cover title. In grey printed wrappers, as issued. (*)
]ean Sibelius, eine Monographie, mit einem Werkverzeichnis... Wiesbaden: Breitkopf & Hartel, 1962.
2% p., 5 plates; 24 cm.
First edition. Appendix includes work list, publisher's list, bibliography, genealogy, and index.
Bound in blue cloth, with dust jacket.
TAWASTSTJERNA, ERIK
Sibelius... Translated by Robert Layton. Berkeley: University of California Press, 1976-1986.
2 vols., plates; 25 cm.
First American edition; an abridged version of Tawaststjerna's Jean Sibelius whichwas first
published in its entirety in Finnish, by Otava, Helsinki, 1965-1967. This abridged English
translation was first published by Faber and Faber, London, 1976. Includes select bibliographies
and indices. Vol. 1 bound in grey cloth, with dust jacket; vol. 2 bound in brown linson.. (**)
Sibelius... Helsingfors: Soderstrom, 1968.
426 p., 12 plates; 25 cm.
First Swedish edition; an abridged version volumes 1-2 of Tawaststjerna's Jean Sibelius which
was first published by Otava, Helsinki, 1965-1967. This abridged Swedish translation was made
by the author. Includes notes and select bibliography. Bound in light green cloth, with dust
jacket.
Sibelius's Eight Symphony— an insoluble mystery. Two-part article, published in Finnish Music
Quarterly, 1-2/1985 and 3^/1985. The journal is published in Helsinki by Performing Music
Promotion Centre (ESEK), Foundation for the Promotion of Finnish Music (LUSES), and The
Sibelius Academy. We have Part I; Part II is on order (Oct. 1992).
Sibeliuksen pianosavellykset, ja muita esseita... Helsingissa: Otava, 1955.
186 p., 8 plates; 19 cm.
Pages 115-186: essays by Sir Thomas Beecham, Eugene Ormandy, and other conductors famous for
their Sibelius interpretations. Inscribed by the author for Dr. and Mrs. Johnson, in French and
English, Feb. 15, 1957. In stiff illustrated wrappers, as issued.
The pianoforte compositions of Sibelius... Helsingissa: Otava, 1957.
104 p., 2 plates; 20 cm.
English translation of Sibeliuksen pianosavellykset (listed above) but without the additional
essays by various conductors, present in both Finnish and Swedish editions. In stiff printed
wrappers, as issued.
Ton och tolkning: Sibelius-studier... Helsingfors: H. Schildt, 1957.
132 p.; 20 cm. With music illustrations.
Swedish translation of Sibeliuksen pianosavellykset (listed above), with the essays by
conductors but without the plates. In stiff printed wrappers, as issued.
TEOSTO
Catalogue of Finnish orchestral and vocal compositions. Helsinki: Teosto, Composers' Copyright
Bureau, 1951.
88 p.; 21 cm.
Arranged in alphabetical order by composer, with biographical sketches. Sibelius: pages 71-78.
Blum no. 322. In tan printed wrappers. With Harold E. Johnson's annotations throughout.
TIDNING F6R MUSIK
Sibelius Nr. I. Sibelius Nr. II. December, 1915, nos. 14/15 and 16.
Two special issues in celebration of the composer's 50th birthday. The two numbers include
contributions by Otto Andersson, Hanna Stenius, and others; complete contents analysis in Blum
nos. 903-916. Both issues in the original printed wrappers. Two copies of no. 15/12, minor
variation in printing: one with, one without I on front cover ("Sibelius Nr. I").
65
TORNE, BENGT AXEL VON
Sibelius, a close-up... Boston: Houghton Mifflin Co., 1937.
117 p.; 23 cm. With music illustrations.
Published simultaneously with Faber and Faber, London, England. Bound in green cloth.
Laid in: typed, signed note by Harold E. Johnson to Gisela [Terrell], dated August 3, 1983,
concerning the rarity of this work in first English edition .
Sibelius, i narbild och samtal... Helsingfors: Soderstrom, 1955.
117 p., 4 plates; 22 cm.
Revised Swedish ed. of Sibelius, a close-up; first published in English; first Swedish ed., 1945.
TOVEY, DONALD FRANCIS
Essays in musical analylis... London: Oxford University Press, 1935-1939.
In vol. 2, 1935: Essays LVII and LVIII, about Sibelius's third and fifth symphonies, pages 121-129.
In vol. 6, 1939: Essays CCXLVI and CCXLVII, about the Seventh and Tapiola, pages 93-95.
UUSl MUSIIKKILEHTI, vol., 2, no. 9, Helsinki, 1955.
84 p.; 30 cm. With numerous illustrations.
This is a special issue devoted to Sibelius on his 90th birthday. Contributors include Nils-Eric
liingbom, Veikko Helasvuo, Joonas Kokkonen, Jussi Jalas, Olin Downes, Simon Parmet, and others.
Complete contents analysis in Blum nos. 930-952. In printed wrappers, as issued.
Related Books From the Library of Harold E. Johnson
dahlgren, fredrik august
Forteckning ofver svenska skddespel uppforda pa Stockholms theatrar 1737-1863, och Kongl. theatrarnes
personal 1773-1863, med flera anteckningar... Stockholm: P. A. Norstedt, 1866.
XV, 687 p.; 19 cm.
Half-title: Anteckningar om Stockholms theatrar. Includes index. Bound in quarter black roan
and boards.
HARLOCK, WALTER ERNEST
Svensk-engelsk ordbok... Skolupplaga. Unde medverkan av Arvid Gabrielson... [and others]...
Stockholm: Svenska Bokforlaget, 1954.
viii, 1048 p.; 23 cm.
Third printing of a newly revised edition. According to the foreword, this dictionary was first
compiled by Oscar E. Wenstrom (1845-1902) with the collaboration of W. E. Harlock. Bound in
brown cloth and patterned boards.
AN INTRODUCTION TO FINNISH LITERATURE. A book of readings, edited by I. Havu. The introductory
chapter and the sketches of the authors written by Ilmari Havu, and translated by Paul Sjoblom.
Helsinki: Otava, 1952.
95 p.; 17 cm. With portraits.
Contains excerpts from works that were set to music by Jean Sibelius. In printed wrappers
JACKSON, JOHN HAMPDEN
Finland... New York: Macmillan, 1940.
243 p.; 22 cm. With graphs and maps.
First published in January 1940, reprinted February and March. References to Sibelius in the
context of Finnish nationalism: pages 17 and 226. Bound in blue cloth, with dust jacket.
KALEVALA. Helsingissa: Suomalaisen Kirjallisuuden Seura, 1951.
ix, 343 p.; 22 cm. Series: Suomalaisen Kirjallisuuden Seura, toimitiksia, 14.
Bound in blue and cream boards with blue cloth spine.
66
THE KALEVALA; or, Poems of the Kalevala District. Compiled by Elias Lonnroth. A prose translation with
foreword and app)endices by Francis Peabody Magoun, Jr. Cambridge, Mass.: Harvard University
Press, 1963.
xxiv, 410 p., 8 plates; 26 cm.
First edition of this translation. Appendix I: Historical materials for the study of the Kalevala.
Appendix II: Linguistic materials. Bound in dark blue cloth, map on endpapers, with dust jacket.
KALEVALA, THE LAND OF HEROES. Translated from the Finnish by W. F. Kirby; introduction by J. B. C.
Grundy. London: Dent; New York: Dutton, 1951.
2 vols.; 18 cm. Series: Everyman's library. Romance, no. 259-260.
The Kalevala cycle was collected and transcribed by Elias Lonnroth. Several of Jean Sibelius's
compositions (such as Rakastava, op. 14, and Tulen synti, op. 32) are based on this epic. This
edition contains a glossary of Finnish names. Bound in light blue cloth.
KANTELETAR. Elikkam Suomen kansan vanhoja lauluja ja virsia. 12. painos. Helsinki: Suomalaisen
Kirjallisuuden Seura, 1952.
liii, 383 p.; 22 cm.
Collected and transcribed by Elias Lonnroth. Numbers 57, 186, and 219 were set to music by Jean
Sibelius. Includes index. Bound in blue and cream boards.
KLEMMING, GUSTAF EDVARD
Sveriges dramatiska litteratur till 1863. Bibliografi... [Stockholm: Norstedt, 1863?; imprint inferred
from a follow-up work.]
592 p.; 22 cm.
Bound in quarter red roan and patterned boards.
MAZOUR, ANATOLE GREGORY
Finland between East and West... Princeton: Van Nostrand, 1956..
xiv, 298 p.; 17 plates; 24 cm.
Includes bibliography, index, and list of principal names in Finnish and Swedish. Bound in blue
linson, with dust jacket.
PAUL, ADOLF GEORG
The language of the birds. A comedy... Only authorized English translation by Arthur Travers-
Borgstroem. Scenic music by Jean Sibelius. Introduction by Henry C. Shelley. London: A.
Montgomery, 1922..
71 p., 2 plates; 17 cm.
Issued without music. Sibelius wrote the "Wedding March" for Act III, at the time considered
"unpublishable" by Breitkopf & Hartel. For Paul's later attempt to capitalize on Sibelius, see
Johnson, Jean Sibelius, 1959, pages 143-144. Bound in boards with red cloth spine.
En bok om en mdnniska. Berattelse... Stockholm: A. Bonnier, 1891.
287 p.; 19 cm.
Dedicated to Jean Sibelius. Publisher's note on back cover: "A young Swedish-Finnish author's
first work, translated by Hermann Bang into Danish." In printed wrappers, as issued. With Elis
Tegenden's autograph.
RUNEBERG,jOHAN LUDVIG
The tales of Ensign Stdl. Illustrations by Albert Edelfelt. With an introduction by Yrjo Hirn. Translated
from the Swedish by Charles [sic] Wharton-Stork... [and others]. Helsingfors: Soderstrom, 1952.
xxvi, 242 p.; 21 cm. With text illustrations.
Translation of Fanrik Stdls Sanger. "Sandels," the 11th verse of part I, was set to music by
Sibelius, for male chorus and orchestra, op. 28. Bound in illustrated boards with grey cloth spine,
with dust jacket.
67
VOICES FROM FINLAND. An anthology of Finland's verse and prose in English, Finnish and Swedish,
edited by Elli Tompuri. Translations by David Barrett... [and others]. Helsinki: Sanoma, 1947.
296 p., 8 plates; 22 cm.
Includes some poems set to music by Sibelius, for example Aleksis Kivi's Sydameni laulu. With
an index of authors and painters. Bound in boards, with dust jacket.
WUOLLE, AINO
Finnish-English dictionary, Suomalais-Englantilainen sanakirja... Fifth edition.
Soderstrom, 1953.
viii, 526 p.; 17 cm. Bound in red cloth.
Helsinki:
Harold E. Johnson and Sune Orell, Helsinki University's Librarian, holding the unpublished manuscript
of "Kullervo" while Finland's great conductor Simon Parmet whistles a choice morsel.
68
Other Materials and Ephemera
Prints, photographs, films, booklets, and other materials come from Harold E. Johnson's original
collection, unless marked (*) [= donated by The Sibelius Museum, Turku, Finland] or (**) [= added by Butler
University]. Other contributors are identified.
INTERVIEW WITH HAROLD E. JOHNSON
Interview, conducted by Dr. Osborne on Butler University's radio station WAJC, October 29, 1982.
Contents notes, transcribed and donated by Christopher Hanlin. 3 pages manuscript, and cassette.
LITHOGRAPHS
Symposion, Akseli Gallen-Kallela, print copyright 1914 by Werner Soderstrom.
First displayed in Helsinki, fall of 1894, as The Problem. From left to right: Gallen-Kallela, Oskar
Merikanto, Robert Kajanus, and Jean Sibelius. Matted and framed; overall 35 x 48 cm.
Kullervon sotaanldhto, Akseli Gallen-Kallela, print copyright 1914 by Werner Soderstrom.
Matted and framed; overall 44 x 55 cm.
MARTIN COOPER & JULIAN HERBAGE
Transcript of a radio program, undated, a discussion of publications about Jean Sibelius, interspersed with
recorded music. From the titles mentioned, this must have been 1965, shortly after publication of
Robert Layton's Sibelius (London: Dent, 1965). The transcript indicates music selections (all Sibelius).
Mimeographed, 8 p.; with markings and corrections in an unidentified hand.
MICROFILMS
Aallottaret, Sibelius's manuscript (1914, op. 73), accompanied by large typescript entitled. Some
Recollections of the Visit of Sibelius to America in 1914. Microfilm by Yale University, March, 1959.
Carl Stoeckel, Some recollections of the visit of Sibelius to America, pages 1-34.
Olin Downes, Ovation to Sibelius, pages A-G.
Henry E. Krehbiel, An interesting point, pages H-M.
Ballet Scene for orchestra, Sibelius's manuscript {Scene de ballet, Vienna, 1891, no opus no.); supplier of
microfilm unknown. First pierformed in Helsinki, April 28, 1891; not published during Sibelius's
lifetime. Dahlstrom p. 30.
Kullervo, Sibelius's manuscript (1892, op. 7). Microfilm by Oy Rekolid Ab., Helsinki, [1957].
Menuetto for orchestra, Sibelius's manuscript (1894, no op. no.), supplier of microfilm unknown.
Not published during Sibelius's lifetime. Dahlstrom p. 30: "Also known as Menuett-Impromptu
and Tempo di minuetto."
Ouverture in E major, Sibelius's manuscript, 91890-1, no op. no.), supplier of microfilm unknown.
First performed in Helsinki, April 23, 1891; not published during Sibelius's lifetime. Dahlstrom p. 30.
NORDIC MUSIC ARCHIVE AT OHIO STATE UNIVERSITY
Nordic Music Archives [sic]: Scores in the Ohio State University Music/Dance Library. A checklist,
compiled by Stephen Long on a database designed by Thomas F. Heck. Edition of June 1991.
32 p.; 28 cm. Stapled as issued.
Also: Revised checklist of scores, June 1992. 38 p.
Nordic Music Archives: Sound recordings in the Ohio State University Music/Dance Library. A
checklist, compiled by Stephen Long on a database designed by Thomas F. Heck. Edition of June 1991.
37 p.; 28 cm. Stapled as issued.
All Nordic Music Archive materials were contributed by Thomas F. Heck,
PHOTOGRAPHS
Collection of photographic portraits of Jean Sibelius at various stages of his life.
Sizes vary. Some of them came from Suomen Kansallismueseo, others were produced by Hede Foto at
Turku; several were used as illustrations in Harold E. Johnson's book. At present, most of these
photographs are from Dr. Johnson's collection; two were contributed by a bibliographer.
69
PROGRAMS
February 25, 1934. Cincinnati Symphony Orchestra, Eugene Goossens, conductor, Walter Gieseking,
pianist soloist. Indianapolis: English Theatre, Sunday afternoon.
[4] p., 23 cm; with brief program notes. Program includes Sibelius's Symphony No. III.
September 30, 1957. Memorial service for Jean Sibelius. Helsingin Kaupunginorkesteri, conducted Tauno
Hannikainen; Suomen Laulu, conducted by Martti Turunen. Flute solo, Juho Alvas; English horn solo,
Teuvo Kappila; organ, Tapani Valsta.
[4 ]p.; 24 cm. All music by Jean Sibelius; program within funereal black edge.
February 25, 1958. Tiistaikonsertti; Radion Sinfoniaorkesteri, conducted by Nils-Eric Fougstedt, with
soloists Jorma Huttunen and Maiju Kuusoja.
[12] p.; 21 cm. With illustrations and program notes. The program includes Jean Sibelius's
Alkusoitto a-moll (Overture in A minor), and Gustav Mahler's Das Lied von der Erde.
February 6, 1969. Butler University: Jordan Ballet and the University Little Symphony, Igor Buketoff,
conductor. Indianapolis, North Central High School.
[4] p.; 23 cm. Program includes Lemminkainen, with original choreography by Peggy Dorsey.
"Music, Lemminkainen and the Maidens of the Island"; James Franklin in the title role.
RECITAL
February 13, 1991. "Music of Jean Sibelius and David Ott. A Recital Presented for the Music Library
Association National Meeting." Butler University, Jordan College of Fine Arts.
Recording (cassette) and printed program. Sibelius's compositions include cWldren's choir and
solo songs. Rondo for viola and piano (cf. page 24), and the fragment of Impromptu f. Streich-
orkester (later identified an arrangement of Op. 5, nos. 5-6; cf. page 1) .
Performers: Jonathan Block, string bass; Catherine Bringerud, piano; The Indianapolis
Children's Choir, Henry Leek, director; The Lockerbie String Quartet (Elizabeth Liederbach and
Raymond Leung, violin. Donna Lively Clark, viola, Marjorie Lange Hanna, violoncello); Sharon
Beckendorf, soprano. C")
SIBELIUS MONUMENT
Eila Hiltunen's Sibelius Monument, a sculpture of 580 silvery pipes soars high in Helsinki's Sibelius Park.
The 28 ton, 26 feet high, 32 feet long sculpture was unveiled on September 7, 1967.
1. Illustrated brochure by Sakari Saarikivi, with text excerpt from Erik Tawaststjerna's Sibelius
biography. [22] p.; 30 cm. One copy in Finnish, the other one in Swedish. (*)
2. Invitation to the unveiling ceremony at 2 p.m., followed by a concert, issued by the Board of the
Sibelius Society. In Finnish, Swedish, English, and French; patterned after the brochure. C^)
SIBELIUS MUSEUM
1. Illustrated brochure, undated, circa 1968-1970. Text by Ilpo Tolvas; photographs by P. J. Lundsten.
10 p.; 21 cm. In Finnish, Swedish, and English.
Concise information about the history of the Sibelius Museum, "the collective name for different
parts of the Institute of Musicology at Abo Academy, the Swedish university of Turku," p. 2. (*)
2. Illustrated brochure, 1973; author's name not given. 35 p.; 20 cm. In English.
Brief history, and detailed listing of the instrument collection, 473 items. C*)
VELI HOPEA... Photostatic copy, an inscription by Sibelius to a close friend, written atop a sheet of excerpts
from Rakastava. "Veli hopea! Onneksi olkoon. Ystavasi / Jean Sibelius." See Kilpelainen, 1991, p. 284.
WORK LIST
Jean Sibelius verk. Photographic copy of a holograph work list, 10 sheets, written in 1915 by Sibelius's
daughter Katarina Sibelius (lives) for Otto Andersson who published a work list in Tidningfor
musik, December, 1915. Arranged by opus number, with title, year(s) of composition, and place of
composition. List ends with op. 80, Sonat for violin med piano, 1915, Jarvenpaa.
There are several additions in Sibelius's own hand, one by Otto Andersson, and a few small notes
by Alfhild Forslin who worked at the Sibelius Museum which has the original document.
70
Appendix A
Appendix to page 57. Growing collection of articles and excerpts, listed as of February 1, 1993.
Collection of Articles and Excerpts About Jean Sibelius
listed alphabetically; arranged within the books in chronological order
Volume
Alberti, Luciano
II Music of the western world. Translated... New York: Crown Publishers, 1974. Page 260, with a
Kalevala illustration (Kullervo, I think).
Altmann, Wilhelm
I "Zu der Musikbeigabe." (JS: Im Feld ein Madchen singt, op. 50, no. 2). In: Nord und Siid, eine deutsche
Monatsschrift, vol. 127, no. 381 (Dec. 1908)
Askeli, Henry
I "A sketch of Sibelius the man." In: The Musical Quarterly, vol. 26, no. 1 (Jan., 1940), p. 1-7.
Barker
II "Another blockbuster. Sibelius: Symphony No. 2." (Colin Davis, Boston Symphony Orchestra)
In: The American Record Guide, Oct.,1977, p. 41-42.
Baumann, Carl
II "Imports. Sibelius: Symphony No. 1, Scenes Historiques...; Bournemouth Symphony Orchestra, Paavo
Berglund." In: The American Record Guide, Oct., 1977, p. 55.
Berman, Harvey
I "The indomitable Finn. Jean Sibelius, 90 years this month, is looked upon by every one of Finland's
inhabitants as a symbol of their struggle for independence." In: The Etude, Dec. 1955, p. 26, 50, 58.
Brant, LeRoy V.
I "Sibelius today." In: The Etude, Nov. 1948, p. 656. (Short preview of forthcoming article)
I "Sibelius today. A flight to Helsingfors to visit Finland's master, including a conference with the
composer of <Finlandia>." In: The Etude, Dec. 1948, four pages.
Cardus, Neville
II Eleven composers. With drawings by Milein Cosman. New York: Braziller, 1959. Pages 238-255,
chapter entitled "Sibelius."
I Ten composers. London: Jonathan Cape, 3rd printing, 1948. Pagesl53-166, chapter entitled "Sibelius."
Chipman, Abram
II "Five views of Sibelius. Worthy recordings by Stokowski, Kord, Karajan, Davis, and Previn give
evidence of the upturn in the composer's fortunes." In: High Fidelity Magazine, March, 1978,
p. 87-88.
II "Lush, post-Brahmsian Sibelius-and a bracing Third from East Berlin." [Berlin Philharmonic
Orchestra with Herbert von Karajan; Berlin Symphony Orchestra with Kurt Sanderling.] In:
High Fidelity Magazine, March, 1977, p. 77-78.
Copland, Aaron
I OMr new music. Leading composers in Europe and America. Second printing. New York: Whittlesey
House, 1941. Pages 41-45.
71
Diether, Jack (often signed only with initials, J. D.)
II "Bernstein's personal vision of the Sibelius symphonies." In: The American Record Guide, May, 1969,
p. 804-806.
II "The finest Sibelius Fifth—Leonard Bernstein's." In: The American Record Guide, Feb., 1966, p. 557.
II "The first American recording of Luonnafar. A souvenir of the Sibelius Centennial." In: The American
Record Guide, April, 1971, p. 495-499.
II "The most completely convincing account of the Sibelius Second?" [Two articles, one on Tauno Hanni-
kainen's recording of the Second, the other on Lukas Foss' Lemminkainen.] In: The American
Record Guide, Nov., 1968, p. 196-198.
II "The Sibelius symphonies by Watanabe: superlative." In: The American Record Guide, Oct., 1966,
p. 112-113, 120.
II "Vibrancy, tension, plasticity." [Lorin Maazel recordings, symphonies 5 and 7.] In: The American
Record Guide, March, 1967. p. 591-592.
Downes, Olin
I "Sibelius today and tomorrow. <This tribute to Sibelius is a portion of a brochure by the late Olin
Downes ... whose lifelong association with Sibelius ended with Downes' death on August 22, 1955.
The brochure will be distributed in the spring of 1956.. .>" In: Saturday Review, Dec. 10, 1955,
p. 31-31, 34, 36.
Olin Downes on music; a selection from his writings. Edited by Irene Downes. New York: Simon and
Schuster, 1957. Pages 12-14 (1909), 32-34 (1912), 45-46 1913), 55-56 (1917), 241-244 (1937).
Eckert, Thor, Jr.
II "The Fourth Symphony and Oceanides on LP." In: Ovation, Aug., 1984, p. 16-21, special article
[offset by single frame] within J. R. Lindermuth's article.
Ewen, David
II Composers since 1900. New York: Wilson, 1969. Pages 531-536: "Sibelius."
F., G. S.
II "In the vanguard: Okko Kamu. Persuasively individual, unabashed romantic Sibelius." [About
Kamu's recording of the Second, with the Berlin Philharmonic Orchestra.] In: The American
Record Guide, Oct., 1971, p. 83.
II "That potent Koussevitzky-Sibelius magic." In: The American Record Guide, Feb., 1971, p. 382-383.
Ficke, Arthiu- Davison
I "After Music by Jan Sibelius." [Poem, 14 lines.] In: The Saturday Review, Sep. 1, 1945, p. 34.
Foldes, Lili
I "Beloved by all Finland. Jean Sibelius— whose greatness is universally recognized." [Condensed from
Musikrevy, Dec, 1950, p. 260-264, "Mote med Jean Sibelius."] In: Reader's Digest, Feb. 1951,
p. 97-100.
Goldsmith, Harris
I I "Sibelius' forgotten masterpiece. A blazing performance of the surgingly lyrical Kullervo
Symphony." In: High Fidelity, Nov., 1971, p. 87.
II "Sibelius' seven symphonies. A critic's view of the recordings." In: High Fidelity Magazine, May,
1969, p. 56-60.
Goossens, Eugene
I Overture and beginners. A muscal autobiography. London: Methuen, 1951. Pages 75-76.
[Other Sibelius references in this book pertain only to composition titles; no material substance.]
72
Graves, Norma Ryland
I "Jean Sibelius-Master of Jarvenpaa. A colorful word-picture of the 86-year old dean of modem
composers who is being honored this month with a week-long festival in Helsinki." In:
The Etude, June 1952, p. 9-10.
Griffiths, Paul
I I "Simon Rattle and the seriousness of Sibelius. In Birmingham, the young British conductor begins his
first integral recording of a major symphonic cycle." In: High Fidelity Magazine, Jan., 1985,
p. 55-56.
Haapanen, Toivo
I "Jean Sibelius et la musique finlandaise." In: L'Art Vivant, vol. 92 (1928)
Hall, David
I I "The songs of Sibelius. Discs and tapes reviewed by Robert Ackart, Richard Freed, David Hall,
Stoddard Lincoln." [Hall signed the article.] In: Stereo Review, June, 1985, p. 77.
Hanson, Howard
II "With his baton he ruled Finland." [Lengthy review of HEJ's Sibelius biography.] In: Saturday
Review, July 25, 1959, p. 40-41.
Hartog, Howard, editor
I European music in the twentieth century. New York: Prager, 1957. Pages 122-124, from the chapter
entitled, "Scandinavian music".
Heinitz, Thomas
I "Sibelius without >Society<." In: Saturday Review, Dec. 31, 1955, p. 40-41.
Hussey, Djoieley
I "The Sibelius Festival." In: The Spectator, Nov. 4, 1938, p. 767.
INDIANAPOLIS STAR
I I >Sibelius fans, take note<; caption to a coluinn within article by Fred D. Cavinder, entitled, "Butler's
rare books offer a glimpse of collectors as well as their collections." In: Jan.4, 1993, section C-3.
J., L. B,
II "Milwaukee Symphony: Sibelius >Kullervo<." [Conductor Kenneth Schermerhom.] In: High
Fidelity Magazine, Sep., 1979, p. MA30.
Kolodin, Irving
I "Sibelius and Sargent in Helsinki." In: Saturday Review, July 7, 1956, p. 20.
Lambert, Constant
I Music ho! A study of music in decline. New York: C. Scribner's Sons, 1934. Pages 304-312, "Sibelius
and the integration of form"; pages 318-328, "Escape or submission: the symphonic problem."
Lang, Paul Henry
I "Melody, is it dated?" [About Sibelius, Tchaikovsky, Puccini, Strauss, et ai] In: The Saturday
Review of Literature, Jan. 11, 1947, p. 28-29.
Lawrence, Robert
II "Sibelius in Perspective." In: Saturday Review, Feb. 22, 1969, p. 73.
Lebrecht, Norman
II The maestro myth. Great conductors in pursuit of power. A Birch Lane Press Book, 1991. Pagel57:
Sir Thomas Beecham, English orchestras, and Sibelius's Lemminkainen.
Lindermuth, J. R.
II "Sibelius in America. The great Finnish composer's personal triumph during his only visit to the U.S.
marked a turning point in his life and career." In: Ovation, Aug., 1984, p. 16-21.
73
LOOK
II "Finland's memorial to Jean Sibelius." [About Eila Hiltunen's monument] In: Oct. 17, 1967, p. 16-18.
Lyle, Watson
I "The 'nationalism' of Sibelius." In: The Musical Quarterly, vol. 13, no. 4 (Oct., 1927), p. p. 617-629.
Maine, Basil
I "Edgar and Sibelius." In: The Spectator, Jan. 30, 1932, p. 140.
Lawrence, Robert
II "Sibelius in Perspective." In: Saturd
Mellers, Wilfred
I "Sibeliusat ninety: a revaluation." In: The Listener, Dec., 1955, p. 969.
Morgan, Robert P.
II "Scandinavia: Sibelius and Nielsen." Pages 120-124 in his Twentieth century music. A history
of musical style in modern Europe and America. New York; London: 1991.
NEW YORK TIMES MAGAZINE
I "Personalities." [Photograph and short caption: Jean Sibelius and Sir Malcolm Sargent.]
In: Sep. 24, 1956, p. 2.
I "Sibelius at 83." [Photograph and short caption.] In: E)ec. 19, 1948, p. 8.
NEWSWEEK
I "Rotary's mid-century. In 89 nations, a global role for 402,000." [No mention of Sibelius in article but
his portrait is one of the three photographs illustrating the wide range of Rotarians.]
In: Feb. 28, 1955, p. 25-26.
Niemann, Walter
I Die Musik Skandinaviens. Ein FUhrer durch die Volks- und Kunstmusk... mit 6 Portraits. Leipzig:
Breitkopf & Hartel, 1906. Pagesl36-142, Sibelius portion of the chapter entitled, "Das Zeitalter
der Neuromantik bis zur Gegenwart."
Page, Tim
II "A Sibelius revival." In: Saturday Review, May, 1982, p. 62.
II "Recordings: Works by Sibelius that aren't in the standard repertoire." In: The New York Times,
Sunday, Jan. 4, 1987, p. 21-22.
Price, Lucien
I "Portrait of Sibelius at Jarvenpaa." In: Yale Review, vol. 24 (Dec. 1934), p. 356-369.
I "Genius at work: Sibelius at seventy-five." In: The Atlantic Monthly, vol. 167 (Jan. 1941), p. 71-80.
Purcell
II "Sibelius: Lemminkainen Suite, Karelia Suite; Radio Symphony Orchestra Helsinki, conducted by
Okku [sic] Kamu." In: The American Record Guide, May, 1977, p. 37-38.
Ranta, Sulho
I "Das finnische Musikleben." In: Nordische Rundschau, wo\. 6 (1933), p. IM-Wl. German rendition by
Arvi Kivimaa.
Richmond, LeRoy
II "Sibelius: King Christian n Suite, Hungarian State Symphony Orchestra, with Jussi Jalas." In:
The American Record Guide, March 1977, p. 36.
II "Sibelius: Symphony No. 1..., Bournemouth Symphony Orchestra, conducted by Paavo Berglund." In:
The American Record Guide, Nov., 1977, p. 31-32
II "The world of Sibelius in pictorial perspective." [Review of Layton's book, Sibelius and his world.]
In: The American Record Guide, June, 1971, p. 735.
74
Robinson, Edward
I "The music room: Jean Sibelius." In: American Mercury, vol. 25, no. 98 (1932), p. 245-249.
Salzman, Eric
II "The Seven of Sibelius." [Japan Philharmonic Symphony Orchestra, conducted by Watanabe.] In:
SR (Stereo Review), Oct. 29, 1966, p. 68-69.
Scholes, Percy A-
II The Oxford companion to music. Tenth edition, revised and reset. Edited by John Owen Ward.
London: Oxford University Press, 1970. Pages 949-950: "Sibelius."
The cross references at end of column have been checked but do not provide anything beyond a
mentioning of Sibelius's name in passim.
Schonberg, Harold C.
II The lives of the great composers. New York: Norton, 1970. Pages 385-387, from the chapter entitled,
"European nationalists."
Smith, Carleton
I "Sibelius: Close-up of a genius." In: American Mercury, vol. 52, no. 206 (1941), p.144-150.
THE NEW YORKER
I "Happy Birthday." [Two columns, with photograph.] In: January 1956, p. 71, 23.
THE SATURDAY REVIEW OF LITERATURE
I "Reviews of the month. Boom in Sibelius." [Recordings of Symphony No. 1, and Tapiola.]
In: Aug. 27, 1949, p. 46.
TIME MAGAZINE
I "Able to keep puffing" [photo caption]; short paragraph about Sibelius being the winner of the
first international Wihuri Foundation music award "for promoting the spiritual and economic
work of humanity." In: August 17, 1953, p. 41.
I "Nature boy at 90." Half page article and photograph. In: Dec. 12, 1955.
I "Not a penny." [Short column re royalties from the United States.] In: July 10, 1950, p. 40.
I "Woodsman." [Obituary article and notice.] In: Sep. 30, 1957, p. 38-39.
Terrell, Gisela Schluter
I "The other music of Jean Sibelius." In: AB Bookman's Weekly, vol. 90, no. 23 (Dec. 7, 1992),
p. 2156-2169 and cover illustration.
Trotter, William R.
I I "Sibelius and the tide of taste. In the composer's centennial year, the music that was once extra-
vagantly applauded, once wholly dismissed, at last finds its own place." In: High Fidelity
Magazine, Dec, 1965, p. 48-53, 145.
U.S. Department of State
II "Centennial of the birth of Jean Sibelius. " [Text reproduction of long official telegrams.] In: Its
Bulletin, Jan. 25, 1965, p. 111-112.
WhittalL Arnold
II Romantic music. A concise history from Schubert to Sibelius, with 51 illustrations. London: Thames
and Hudson, 1987. Pages 182-183. Other Sibelius references in this book pertain to work titles.
Williams, Richard
I "How to enjoy a symphony. Conclusion." [Appears to have been a series which ends with this
article, a discussion of Sibelius's 1st and 2nd symphonies.] In: House Beautiful, Aug. 1956, p. 3, 6.
75
Appendix B
Appendix to Page 60, Harold E. Johnson's Note Book
Sibelius and Finland Book of Memorabilia
contents description
Throughout notes:
Jean Sibelius often as JS, Harold E. Johnson as HEJ.
Page
3 Unidentified newspaper, dated April 11, 1940: reproduction of a letter, HEJ, then in Copenhagen,
Feb. 9, 1940, to Chester C. Greene, Cornell University, Classics Dept. Two long columns.
4 New York Times Book Review, May 31, 1942. Review of Richard Aldrich's book. The Music criticism
of Richard Aldrich, [a review of New York concert life, 1902-1923], edited by HEJ.
3 Oct.-Dec. 1956: Announcements in Butler Reports, Indianapolis News, and Helsingin Sanomat
about HEJ's booklet, Jean Sibelius, the Recorded Music,, and his forthcoming visit to Finland.
4 Helsingin Sanomat, Jan. 11, 1957. Long article, signed M-i V-i, "Amerikkalainen tutkija tekee
Sibeliuksen elamakertaa."
5 Eteenpain, June 4, 1957, long article, "Jazz antaa mahdollisuuksia vakammallekin musiikkille."
6-10 HEJ's article, "Sibeliuksen Lemminkais-sarja" from Helsingin Sanomat, also several articles relating
to his findings in this and other Finnish papers, also some English and American clippings.
11-12 More of the same, also Hufvudstadsbladet and Helsingin Sanomat articles about the meeting of JS's
daughters with HEJ, and dinner invitation from Mr. and Mrs. Heikki Reenpaa.
13 Long article, signed by HEJ, Helsingin Sanomat, June 16, captioned "Sibelius-viikon satoa. Fil. maist.
Aarre Hemming: Lemminkais-sarjan tunnelmatausta."
14-15 More notices from Swedish, American, and Finnish newspapers; invitations from the Ministry of
Education and the Sibelius Festival Commission.
16-17 HEJ's article, "Sibeliuksen seitsemas sinfonia ja <Fantasia sinfonica>" from Helsingin Sanomat,
Sep. 22, 1957; also photograph: HEJ with Simon Parmet and Helsinki University Librarian Sune
Orell, perusing the unpublished "Kullervo" manuscript by JS.
18-19 Program and invitation to the Sibelius Commemorative Concert, Sep. 30, 1957; Helsingin Sanomat
article, Oct. 2, about the concert and current Sibelius research; clippings from Butler University
publications; photograph of a commemorative Sibelius plaque in Hameenlinna, with fresh
flowers; long Helsingin Sanomat article, Oct. 6, signed 'mivi', about HEJ's and other Sibelius
research, entitled, "Kreisvittaren muotokuva on haamu Sibeliuksen teoksen vaiheita."
20-21 HEJ's article, "Lat oss ta vara pa Sibelianan!" from Hufvudstadsbladet, Nov. 5, 1957. Also:
Note to HEJ from Ilmari Krohn, Nov. 23, 1957, and an invitation.
22 Clippings: Helsingin Sanomat and Hufvudstadsbladet, about HEJ's plans for a JS biography
and the search to identify the fourth man in Gallen-Kallela's "Symposium" painting.
23 Nils Eric Ringbom's long review article, "En nya Sibelius-biografi", Nya Pressen, Dec. 7, 1957,
about Santeri Levas's new book, "Nuori Sibelius", published by Soderstrom.
24 HEJ's article, "The greatest monument to Sibelius," with copy of his letter to Harold Boisen,
Butler's librarian, about Otto Andersson's request to write such an article, and other news from his
sojourn in Finland. Article published in Suomi-Finland USA, vol. XII, no. 7, 1957; cf. p. 60.
76
25-28 HEJ's article, "Kuka on Symposiumin neljas mies?" Helsingin Sanomat, Dec. 8, 1957. With other
Finnish and Swedish newspaper clips about the "fourth man" question, including articles by A. O.
Vaisanen and Martti Rapola. Copy of HEJ's letter to Harold Boisen about Oskar Merikanto.
29-30 Various notes and clippings from Oy. Yleisradio Ab., and Finnish, Swedish, and American papers, on
the "Symposium" question as well as other issues connected with HEJ's researches.
31 HEJ's article, "Jean Sibeliuksen alkusoitto, a-molli", Helsingin Sanomat, Feb. 23, 1958; also
Nya Pressen and Hufvudstadsbladet clippings about his findings.
32-33 Visit and studies in Hameenlinna, with clippings from Hameen Sanomat and other papers.
34 HEJ's article, "Sibelius fjarder symfoni ~ en strlkkvartett?", Nya Pressen, June 7, 1958; also two
Hufvudstadsbladet articles, one about JS's Andante lirico, the other about the opening ceremony
of the 1958 Sibelius Week in Stockholm.
35 HEJ's article, "Sibelius ja ohjelmamusiikki", Helsingin Sanomat, June 8, 1958.
36 Qipping, Helsinki UP report, filed by A. Pederson Jr., "Sibelius myths broken by Butler Professor"
[mostly about the existence of an Eighth Symphony]; also official invitation for Dr. and Mrs.
' Johnson to the opening ceremony and concert of the Sibelius Week in Stockholm, June 12, 1958.
37 HEJ's article, "Jean Sibeliuksen Andante lirico", Helsingin Sanomat, June 15, 1958. Also a copy of his
letter, June 15, to Harold Boisen, about this composition and the strange occurrences surrounding
appearance and probable theft of the original manuscript.
38 Dippings: notices to social and professional meetings relating to departure from Finland, return
to Butler University.
39 HEJ's article, "Jean Sibeliuksen <Ty6kansas marssi>", Helsingin Sanomat, July 5, 1958.
40 HEJ's article, "Finlandia ja <Sanomalehdist6n paivan> musiikki", Helsingin Sanomat, Oct. 5, 1958.
Also three clippings from Indianapolis papers about Butler University's Brass Choir and its first
U.S. performance of "Tiera" [JS's only published work for brass ensemble].
41-44 Program of Butler University's Jordan Ballet's performance of Lemminkdinen, and clippings about the
performance from Indianapolis papers, Finlandia Foundation Newsletter, illustrated article,
Helsingin Sanomat, Feb. 18, 1959, and HEJ's article, "En Lemminkainen-balett i Amerika",
Nya Pressen, Feb. 28, 1958 (clipping and offprint, with HEJ's English translation). Some short
clippings re: HEJ talks, and forthcoming publication of his JS biography.
45-47: Some reviews of HEJ's Sibelius; also special reports by Henry Butler, Indianapolis Times, July 15, 16,
1959. Letter from M. O. Ross; circular letter from Sibelius-Seura, March 31, 1960; some other
letters from publishers and readers. Included is some correspondence between A. A. Knopf,
Johnson's New York publisher, and Raben & Sjogren, the Swedish publisher.
48-73 More reviews.
Note that there is a special album in the collection, shelved with HEJ's publications,
all review articles and other press clippings about this biography. The ones that he pasted into
this notebook, appear to be duplicates, and may have been of special interest to him.
Most of the English and Swedish reviews were favorable; most Finnish ones writers were highly
critical. Listed here (regardless of tenor) in order of album appearance, are those articles
which appear substantial in contents and length.
The reviews listed for page 48, are kept in a special fwcket insert on that page.
77
Selected reviews, pages 48-73
48 K. D. "Harold E. Johnson: Sibelius." In: The Monthly Musical Record, Sep.-Oct., 1960, p.189-190.
Henry Leland Qarke. "Harold E. Johnson: Sibelius." In: Journal of Research in Music Education,
Vol. VIII, No. 1, Spring 1960, p.57-58.
Joonas Kokkonen. "Mr. Johnson, musiikki ja Sibelius." In: Suomalainen Suomi, 1960, no. 4, p. 242-245.
Pekka Lounela. "Amerikan tietaja." In: Arvosteltuja Kirkoja, [date?], p. 185-187.
Oiva Ketonen [a professor of physics]. "Johnsonin Sibelius-kuva." In: Kirjallisuutta, [date?], p. 85-92.
49 "Sibelius, like Elgar, had his Enigmas. From our music critic." In: London Times, April 29, 1960.
50 Martin Cooper. "The riddle of Sibelius." In: The Daily Telegraph, London, April 30, 1960.
51 Scott Goddard. "Sibelius. By Harold E. Johnson." In:r^e Lisfener, London, Aug. 11, 1960.
53 Hans Astrand. "Omvardering av Sibelius." In: Kvalls-Posten, July [day?], 1960
54 Felix Werder. "Jan Sibelius ~ once a rebel, now a legend." In: The Age, Aug. 27, 1960.
55 J. F. Waterhouse. "Sibelius faces the music." In: Birmingham Post, Sep. 19, 1960.
59 Lars Gunnar Martling. "Sibelius i vardagslag." Holmstidning [name?] Jan. 1, 1961.
61 Bjorn Johansson. "Sibelius-kritik." Gdteborgs Handels- och Sjofartstidning "Liberal",
Oct. 19, 1961.
62 Alf Thoor. "Sibelius offer for mytema." Expressen, Nov. 8, 1961.
Josef Jonsson. "Var Jean Sibelius ett nationalhelgon?" Ostergijtlands Fackbl., Nov. 22, 1961.
63 H. A. Peter. "Vidrakning med Sibeliusmyten." Nerrkspings Tider, Nov. 13, 1961.
65 Erik Petersson. "Sibelius och Bartok." Goteborg Tidningen, Nov. 28, 1961.
69 Ilmari Turjas. "Sikamainen jenkki." Uusi Kuvalehti, [date? The article matches the caption.]
70 Sven-Eric Johanson. "Sibelius utan myt." Ny Tid, Jan. 3, 1961.
71 Bo Linde. "Sibelius omvarderad." Grdube [name?] Dagblad, Jan. 8, 1962.
73 Folke Hahnel. "Sibelius utan piedestal." Dagens Nyheter, March 15, 1962.
74 John C. G. Waterhouse. "Sibelius and the Twentieth Century." Musical Times, Dec., 1965
Written on occasion of the Sibelius Centenary, with many references to Johnson's Sibelius .
78
Appendix C
Appendix to Page 59, Harold E. Johnson's Collection of Reviews to his Sibelius Biography
Jean Sibelius. Review Articles and Commentaries
Pasted by Johnson into a notebook; deacidified, and placed in archival-quality pocket folders. Articles
which have been listed and indexed in Appendix B, have not been noted again but have been retained in the
collection. Listed here are only those reviews that appear to be of substantial length and contents.
Folder
I Ringbom, Nils-Eric. "Harold E. Johnsons Sibeliusbok." Offprint from Suomen Musiikkin Vuosikirja
1958-59, inscribed by Ringbom to Johnson with words of personal friendship in spite of scholarly
disagreement.
3 Hedberg, Carol. "Johnson och opus 107." In: Hufvudstadsbladet, July 10, 1960.
Shawe-Taylor, Desmond. "The myth of Sibelius." In: The London Sunday Times, June 26, 1960.
5 Bradbury, Ernest. "The riddle of Sibelius's >Eight<." In: Yorkshire Post (Leeds), May 3, 1960.
6 Linnala, Eero. "Eras Sibelius-Okirja." In: Muusikko. April, 1960. Accompanied by typed translation into
English, translator unknown [European paper format and type face, most likely not Erkii Reenpaa].
9 Tyyri, Joukko. "Den siste siaren." In: Hufvudstadsbladet, date not known but probably early 1960.
II Barker, John W. Untitled review, Jean Sibelius, Knopf, 1959, in: The American Record Guide, Dec, 1959.
13 Nevanlinna, Rolf. "Sibelius ja hanen arvostelijansa." In: Uusi Suomi, Dec. 23, 1959.
15 Nummi, Seppo. "Mr Johnson salapoliisina." In: Suomen Kuvalehti, Sep. 26, 1959.
16 Reenpaa, Erkki. "Amerikkalaiset professorit Suomessa." In: Ylioppilaslehti, Nov. 6, 1959.
A long letter in answer to Nummi's article; Suomen Kuvalehti had refused to publish it. Also:
Reenpaa's typed English translation, with many ink and pencil corrections, sent to Johnson.
17 Rydman, Kari. "Sibelius-kultti arvostelun kohteena." Two parts, in: Pdivdn Sanomat, Sep. 24 , 26, 1959.
21 Helsingin Sanomat, Aug. 2, 1959, no name. "Jarvenpaan erakko ja maailmanmies. Kymmenia
tuntemattomia Sibeliuksen teoksia Johnsonin Sibeliuksen elamakerrassa."
22 Gelatt, Roland. "Not Beethoven's successor." The New York Times Book Review, July 26, 1959.
23 Vuorenjuuri, Martti. "Johnsonin Sibelius-elamakerta saa erittain hyvat arvostelut Usa:ssa."
In: Helsingin Sanomat, Aug. 13, 1959.
26 Pesonen, Olavi. [Lacks caption and citation, possibly in complete. No caption; begins with: "Alkaa
koskaan kiinnittako huomiota siihen..."; several columns, complete at end. Probably Fall, 1959.
79
The Scores of Jean Sibelius: Title Index
This index pertains only to published and unpublished scores in our collection, not to recordings. Titles are
listed not only as they appear but also with additional aids such as opus numbers, or listing with and without
articles. In compiling the index, the English alphabet (which disregards all diacritical marks) has been
used rather than the Finnish-Swedish alphabet. Some examples:
Bldsippan 15
Blommans ode 15
Danske spejderes march 15
DerKug 12
Det danske spejderes
march 15
Die Glocken 19
Die stille Stadt 9
Ferryman's Bride 5
Glocken 19
Impromtu (op. 19) 3
Impromtu (op. 24) 4
Jaakarimarssi 15
Jag arett trad 10
Jonah's voyage 22
Jone havsfard 22
Kufi 12
Les trois soeurs aveugles
Pdberget 14
Falmusunnuntaina 188
Six songs (op. 50) 9
Songs (op. 50) 9
Spejderes March 15
Stille Stadt 9
The Ferryman's Bride 5
The world song 15, 16
Trois soeurs aveugles 8
World song 15, 16
Title Index
Aallottaret 12, 70
Aamusumussa 20
Abimopectore 13
Abends 10
Affettuoso 13
Ai-je reve? 7
Airdedanse 5
Air varie 10
Air Overtura 4
Alven och snigeln 10
Andante festivo 20
Andante Lirico 1
Andantino 20
Andantino & Menuetto 20,23
Andantino (op. 24) 4
Animoso 17
Aquileja 14
Arabesque 13
Arioso for voice and string
orchestra 1
Aspen 12
At the draw-bridge 11
Atenames sang 5
Aubade 14
Auf dem Tanzvergniigen 12
AufderHeide 19
Aus banger Brust 9
Autrefois, scene pastorale 16
Bagatelles for piano 5
Baggerosoma 15
Ballade (op. 27) 4,5
Ballade (op. 115) 19
Ballet sene for orchestra 23, 69
Barcarola 4
Bard 11
Bellis 14
Belsazar 9
Berceuse (op. 40) 7
Berceuse (op. 79) 14
Berger et bergerette 16
Bjorken 12
Blasippan 15
Blomma stod vid vagen 10
Blommans ode 15
BoUspelet vid Trianon 6
Boutade 5
BrokigabladI 24
Brusande rusar en v3g 20
Campanula 14
Cantata for the University
Ceremonies of 1894 20
Cantata for the University
Ceremonies of 1897 3
Canzonetta 11
Caprice in E minor 4
Capricietto 13
Carillon 13
Chanson sans paroles 7
Chant de soir 17
Characteristic impressions for
piano 17
Chase 11
Christmas Songs 1
Concert suite for orchestra 9
Concerto in D minor for violin
and orchestra 9
Consolation 13
Couplet (op. 34) 5
Couplet (op. 99) 17
Dance Intermezzo 8
Danse 16
Danse caracteristique (op. 79) 14
Danse caracteristique (op. 116)
19
Danses Champetres 18
Danse pastorale 5
Danske spejderes march 15
Danses champetres 18
[Das] Madchen kam vom
Stelldichein 7
DasMiihlrad 10
De bagge rosoma 15
Demanten pi marssnon 6
Den 25 Oktober 1902. Till
Ther&seHahl 20,24
Den ensamma furan 12
Den forsta kyssen 6
Den hoga himlen 18
DerHirt 10
DerKuC 12
DerShirm 18
Der Ursprung des Feuers 5
Der Wanderer und der Bach 12
Des Abends 10
Des Fahrmanns Braute 5
Det danske spejderes march 15
Det morknar ute 1
Devotion (Ab imo pectore) 13
Dialogue 10
Die drei blinden Schwestem 8
Die Glocken (Capriccietto) 19
Die Glockenmelodie in der
Kirche zu Berghall 11
Die stille Stadt 9
Dolce far niente 10
Dold forening 14
Drei blinde Schwestern 8
Drommama 20
80
Title index, scores
Drommen 2
Dryad 8
Eight short pieces for piano 17
Eight songs (op. 57) 10
Eight songs (op. 61) 10
[Ein] Madchen kam vom
Stelldichein 7
Ejmedklagan 20,24
Ekloge 12
Elegiaco 13
Elegie 4
En blomma stod vid vagen 10
En saga 1
Enslanda 2
Ensamnna furan 12
Epilogue 1
Erloschen 21
Esquisse (op. 76) 13
Esquisse (op. 99) 17
Esquisses for piano 19
Ett drommackord 14
Ett ensamt skidspar 20
Etude 13
Evige Eros 14
FIfangonskan 10
FIgelfangaren 15
Flgellek 2
Fahrmanns Braute 5
Ferryman's Bride 5
Festivo 4
Fiddler 17
Finlandia 4, 24
Finnish folk songs 21
Finnish rune fragments 21
Finska folkvisor i trans-
kriptioner for piano 21
Fischerlied 10
Five characteristic impressions
for piano 17
Five Christmas Songs 1
Five Danses Champetres 18
Five esquisses for piano 19
Five part-songs 14
Five pieces for piano (op. 75) 12
Five pieces for piano (op. 85) 14
Five pieces for violin and piano
14
Five romantic pieces for piano 17
Five songs (op. 37) 6
Five songs (op. 38) 7
Flickan kom ifrdn sin alsklings
mote 6
For Eino Levon's daughters 22
Forest lake 19
Forsta kyssen 6
Four lyric pieces for piano 12
Four pieces for violin (or
violoncello) and piano 13
Four pieces for violin and piano
19
Fridolins dSrskap 21
Friihlingslied 2
Friihlingszauber 10
Funeral march for orchestra 10
FiinfSkizzen 19
Fyrens julnummer 22
Gavotte 16
Glocken (Capriccietto) 19
Glockenmelodie in der Kirche zu
Berghall 11
Graduaaleja 18
Granen 12
Grefvinnans konterfej 21, 24
Haamuistelma 21
Har du mod? 5
Harlequinade 13
Harpolekaren 7
Heisa hopsa, bei Regen und
Wind 10
Helsingin tyovaen mieskuoro 24
Hermes budskap 15
Herr Lager och Skon fager 14
Herran siunaus 18
Hirt 10
Her tig Magnus 10
Hjartats morgon 2
Hoga himlen 18
Hostkvall 7
Humoreski 18
Humoresque (op. 40) 7
Humoresque (op. 76) 13
Humoresque (op. 101) 17
Humoresque (op. 115) 19
Humoresque I, op. 97 17
Humoresque II, op. 97 17
Humoresques 1-2 15
Humoresques 3-6 15
Humoristischer Marsch 17
HundertWege 12
Hundra vagar 12
Hvad har bruti tonens valde? 2
Hymn til jorden 16
Hymn to the Earth 16
Hymne auf das Land 16
Inatten 7
I systrar, I broder 14
Idyll 4
Illalle 2
Ilta tulee, ehtoo joutuu 21
Im alten Heim 12
Im Feld ein Madchen singt 9
Impressions for piano 17
Impromptu (op. 5, no. 5-6) 1
Impromptu (op. 19) 3
Impromptu (op. 24) 4
Impromptu (op. 78) 13
Impromptu (op. 97) 17
Impromptu (op. 99) 17
Impromptu f. Streichorkester 1
Impromptu in A minor 1
Impromptu in B minor 1
Impromptu in E major 1
Impromptu in E minor 1
Impromptu in G minor 1
Impromptus for piano 1
Inmemoriam 10
In mournful mood 17
Incidental music to Kung
Kristian II 4
Incidental music to Kuolema 8
Incidental music to Pelleas et
Melisande 8
Incidental music to Scaramouche
12
Incidental music to Shake-
speare's The Tempest 18
Incidental music to Svanevit 9
Incidental music toBelsazar 9
Iris 14
Isanmaalle 21, 25
Isanmaallisia lauluja 21, 25
Italian folk songs 21
Jaakarimarssi 15
Jag ar ett trad 10
Jag ville jag vore i Indialand 7
Jagargossen 2
Jean Sibelius, 15 ausgewahlte
Lieder 2, 6, 10
Johdantovuorolauluja 18, 23
Jonah's voyage 22
Jone havsfard 22
Joonaan meriretki 22
Jordenss^g 16
Joueur de harpe 5
Joulutunnelma 24
Jubal 6
Juhlamarssi 22
Juhlavirsia hymneja
joululauluja 3
Julvisa 1
Kaiutar 12
Kalevala 2, 5, 9, 12, 18, 21
81
Title index, scores
Kansakoulaisten marssi 22, 25
Kansakoulun lauluja 22
Kansanvalistusseuran
nuottivarasto 25
Kansanvalistusseuran Torvi-
partituureja II 24
Kantaatti tohtorin- ja
maisterin-vihkijaisissa
31 paivana toukokuuta 1894
22
Kantat till ord av W. von
Konow 22
Kanteletar 2, 23
Karelia overture 1
Karelia, suite for orchestra 1
Karjalanosa 22,23
Kavaljeren 22
Kehtolaulu 22
Kellosavel Kallion kirkossa 11
Kertomus Saynatsalon 20
Kevatlaulu 2
Kleiner Walzer 17
Komm herbei. Tod 10
Koskenlaskijan morsiamet 5
Kotikaipaus 23
Kristillisissa nuorisojuhlissa
18,23
Kuin virta vuolas 3
Kullervo 1,69
Kullervon valitus 1
Kung Kristian II 4
Kuolema 8
Kuolutie 23
Kurkikohtaus 8
KuG 12
Kuutamolla 23
Kvamhjulet 10
Kyllikki 8
Kyssen 12
Kyssenshopp 2
Laetare anima mea 13
Landscape 19
Ungsamt kom kvallsskyn 10
Langtan heter min arvedel 14
Lasse liten 6
Lastu lainehilla 2
Laulu Lemminkaiselle 5
Laulu-Miehet III 24
Laulu-Miesten 18
Lauluja sekakoorille, 1897
vuoden promotiooni 3
Lauluja sekakoorille 3
Laulujapoika l-ll 22
Lemniinkainen 3
Lemminkainen ja saaren neidot
3
Lemminkainen palaa
kotitienoille 3
Lemminkainen Tuonelassa 3
Lenzgesang 9
Les trois soeurs aveugles 8
Levonin tytoille 22, 23
Lied 17
Likhet 23
Linnaea 13
Love-song 11
Lucifer 23, 24, 25
Luonnotar 12
Lyric pieces for piano 12
Maan virsi 16
Madchen kam vom Stelldichein
7
Mai 10
Maj 10
Malinconia 3
Man frin slatten och ha vet 11
Mandolinato 23
Marches (op. 91) 15
Marsch der finnlandischen Jager
15
Marssnon 6
Masonic ritual music 19
Mazurka (op. 34) 5
Mazurka (op. 81) 14
Me nuoriso Suomen 3
Melodie 16
Men mid fSgel 6
Menuett-Impromptu 69
Menuetto (op. 27) 4
Menuetto (op. 40) 7
Menuetto (op. 81) 14
Menuetto, for orchestra 23, 69
Menuetto, wind /brass septet 23
Merta pain 14
Metsamien laulu 2
Miesaanisia lauluja 3, 25
Millwheel 10
Min rastas raataa 23
Minun kultani 21
Moment de valse 17
Montapa elon merella 3
Morceau romantique 24
Morgonen 15
Morknarute 1
Morning Mist 20
Muhlrad 10
Muntra Musikanter 2, 14
Musette 4
Musik zu einer Sc&ne 8
Musique religieuse 19
Nardss 23
Natus in curas 3
Nacken 10
Nar jag drommer 10
Nar ronnen blommar 12
Ne pitkan matkan kulkijat 18
Night Ride and Sunrise 9
Nocturne (op. 24) 4
Nocturne (op. 27) 4
Nord imd Siid, eine deutsche
Monatsschrift 9
Norden 15
Nouvelette 16
Nu s^ kommer julen 1
Nu stdr Jul vid snoig port 1
Nuorisosekakuorolauluja 3
Oarsman 17
Och finns det en tanke? 14
Oceanides 12
Oeillet 14
OhiCaroH 21,23,25
Oi kallis Suomi, aiti verraton 3
Oi lempi, sum valtas aareton on
3
Oi toivo, toivo sa lietomieli 3
Oma maa 16
On hanget korkeat 1
Orionsbalte 12
Ouverture, see Overture
Overture in A minor 23
Overture in E major 23, 69
PIberget 14
Paverandan 7
Paiv' ei paase paistam ahan 20
Palmusimnuntaina 18
Pan and Echo 9
Part-songs 14
Part songs. Cantata for the
University Ceremonies of
1897 3
Partiolaisten marssi 15
Patriotic march 22, 23
Pelleas et Melisande 8
Pelleas und Melisande 8
Pensee melodique 7
Pensees lyrique 7
Petite marche 17
Petite serenade 7
Pi&ce enfantine 13
Piece humoristique 17
Pi&ce romantique 24
82
Title index, scores
Pieces for piano (op. 24) 4
Pieces for piano (op. 58) 10
Pieces for piano (op. 75) 12
Pieces for piano (op. 76) 13
Pieces for piano (op. 85) 14
Pieces for piano or orchestra 16
Pieces for violin and piano
(op. 79) 14
Pieces for violin and piano
(op. 81) 14
Pieces for violin and piano
(op.ll6) 19
Pieces for violin (or violoncello)
and piano 13
Pohjola's Tochter 9
Pohjolan tytar 9
Polonaise 7
Portrattema 21, 23
Preludium 24
Press Celebrations 1899 4, 24, 55
Pressens dagar 1899 24, 55
Pyhainpaivana 18
(2uamhjulet 10
Rakastava 2
Reconnaissance 5
Religioso 13
Reverie (op. 34) 5
Reverie (op. 58) 10
Rigaudon 13
Romance (op. 2) 1
Romance (op. 101) 17
Romance in A major 4
Romance in C major 8
Romance in D flat major 4
Romance in D minor 4
Romance in F major 13
Romans (op. 61) 10
Romantic pieces for piano 17
Romanze (op. 61 ) 10
Romanzetta 13
Romeo 10
Rondeau romantique 19
Rondino (op. 68) 11
Rondino (op. 81 ) 14
Rondinos for piano 11
Rondo, viola and piano 24
Rondoletto 7
Rosenlied 9
Rukouspaivana 18
Rune fragments 21
Runosavelmien naytteita 21
Saarella palaa 2
Sammuva sainio maan 3
Sandels 5
Sanfter Westwind 12
S^ngarlon 14
Sdngen om korsspindeln 274
Sav, sav, susa 6
Savelisto VII 24
Scaramouche 12
Sc&ne (op. 25) 4
Sc&ne de ballet 69
Sc&nededanse 19
Sc&ne lyrique 17
Scene with Cranes 8
Scfene romantique 17
Scenes Historiques I 4
Scenes Historiques II 11
Scherzando 7
Scherzino 10
Schneefrid 5
Scout March 15
Segelfahrt 24
Sehnsucht 9
Sekaaanisia lauluja 2, 3, 21, 22
Sen har jag ej frSgat mera 2
Serenade (op. 27) 4
Serenade (op. 79) 14
Serenades for violin and
orchestra 11
Seven songs (op. 13) 2
Seven songs (op. 17) 2
Shakespeare's The Tempjest 18
Shakespeare's Twelfth Night
10
Short pieces for piano 17
Sibeliana 19
Siltavahti 24
Sippan 15
Six bagatelles for piano 17
Six impromptus for piano 1
Six part songs, for male chorus a
cappella 2
Six pieces for piano 16
Six pieces for violin and piano
14
Six songs (op. 36) 6
Six songs (op. 50) 9
Six songs (op. 72) 12
Six songs (op. 86) 14
Six songs (op. 88) 15
Six songs (op. 90) 15
SmA flickoma 24
Snellman's Pest Cantata 9
Snofrid 5
Sofin! 2
Soi kiitokseksi Luojan 3
Soluppging 6
Sommamatten 15
Sommerlied 10
Sonata in F major for piano 121
Sonatina in E major for violin
and piano 14
Sonatinas for piano 11
Song for the people of Usimaa 25
Song in the forest 19
Songs (op. 35) 6
Songs (op. 36) 6
Songs (op. 37) 6
Songs (op. 38) 7
Songs (op. 50) 9
Songs (op. 57) 10
Songs (op. 61) 10
Songs (op. 88) 15
Songs (op. 90) 15
Sonnet 16
Sortunutaani 2
Souvenir (op. 34) 5
Souvenir (op. 79) 14
Souvenir (op. 99) 17
Spagnuolo 24
Spejderes march 15
Spirit of Nature 12
Spring vision 19
Stand chen 10
Stille Stadt 9
Stimmungen ayus dem Lande der
tausend Seen 19
Storm 17
Sturm 18
Suite caracteristique 17
Suite champetre 17
Suite mignonne 17
Suomen evankelis-luterilaisen
Messusavelmat 18
Suomen Musiikkilehti 21, 22, 25
Suur' olet, Herra 24
Svanevit 9
Svarta rosor 6
Svenska Folkskolaus Vanner 20
Swan of Tuonela [Tuonelan
joutsen] 3
Sydameni laulu 2
Sydamestani rakastan 21
Symphony No. I 7
Symphony No. II 8
Symphony No. Ill 9
Symphony No. IV 11
Symphony No. V 14
Symphony No. VI 17
Symphony No. VII 17
Tanz-Idylle 14
83
Title index, scores
Tanz-Intermezzo 8
Tapiola 18
Tempest 18
Tempo di menuetto (op. 58) 10
Tempo di menuetto (op. 79) 14
Tempo di minuetto 69
Ten bagatelles for piano 5
Ten pieces for piano (op. 24) 4
Ten pieces for piano (op. 58) 10
Teodora 6
Tervekuu 2
The Bard 11
The Chase 11
The Dryad 8
The Ferryman's Bride 5
The Fiddler 17
The Millwheel 10
The Oarsman 17
The Oceanides 12
The Storm 17
The Swan of Tuonela [Tuonelan
joutsen] 3
The Tempest 18
The village church 17
The works of Jean Sibelius 20
The world song, of the World
Association of Girl Guides
and Girl Scouts 15, 16
Thirteen pieces for piano 13
Three sonatinas for piano 11
Three pieces for piano or
orchestra 16
Three pieces for violin and
piano 19
Three works for male voices 5
Tiera 24
Till Frigga 2
Till havs 14
Till minnet av Albert Edelfelt
20,25
Till Therese Hahl. Den 25
Oktober 1902 25
Till trinaden 25
Tomet 15
Trippole trappole 23, 25
Trois soeur aveugles 8
Tulensynti 5
Tuonelan joutsen 3
Tuopa tytto, kaunis tytto 21
Tuule, tuule leppeammin 3
Tuuli tuudittele 3
Tvd Sanger vid piano 6
Twelfth Night 10
Two rondinos for piano 11
Two serenades for violin and
orchestra 11
Two marches 15
Two part-songs, op. 108 18
Two part-songs, op. 65 11
Two pieces for orchestra, op. 45 8
Two pieces for violin (or violon-
cello) and orchestra 13
Two pieces for violin and piano 1
Two pieces from the Incidental
music to Kuolerma 11
Two songs for Shakespeare's
Twelfth Night 10
Two songs 6
Tyokansan marssi 25
Tyovaen kalenteri 25
Ukko the Fire-maker 5
Under strandens granar 2
Under sdngarfanen 3
University Ceremonies of 1894
20
University Ceremonies of 1897 3
Uno Cygnaeuksen muistolle
22,25
Untitled waltz for violin and
kantele 25
Ursprung des Feuers 5
Ute hors stormen 25
Uusia kotimaisia lauluja ja
sovituksia 3
Uusia kotimaisia lauluja ja
sovituksia II 20
Uusmaalaisten laulu 21, 25
Vainon virsi 18
Valse(op. 81) 14
Valse chevaleresque 16
Valse in D flat major 5
Valse in E major., op. 24 4
Valse lyrique 16
Valse romantique 11
Valse triste 8
Valse, untitled, for violin and
kantele 25
Valsette 7
Valssi 22,25
Vanskapens blomma 10
Vapautettu kuningatar 9
Var det en drom? 6
VIren flyktar hastigt 2
Varfornimmelser 14
VIrsIng 2
VIrtagen 10
Vattenplask 10
Velisurmaaja 21
Veljeni vierailla n\ailla 25
Vem styrde hit din vag? 15
Venematka 2
Vi ses igen 12
Viipurin Laulu-Veikkojen
kunniamarssi 25
Viipurin Laulu=Veikot 25
Viisi luonnosta 19
Village church 17
Vilse 2
Vitsippan 15
Voces intimae 9
Waltz for violin and kantele,
untitled 25
Wanderer und der Bach 12
Was it a dream? 7
Wellenfliistem 10
Winter scene 19
Works for male voices 5
World song, of the World
Association of Girl Guides
and Girl Scouts 15, 16
84
Cumulative Title Index
SCORES, recordings, BOOKS, OTHER MATERIALS
As in the preceding title index to the scores of Jean Sibelius, the English alphabet has been used, not the
Finnish-Swedish alphabet. In this cumulative index, titles are listed as they appear, without additional
aids such as inversions, listing with and without articles, or opus numbers.
Where a title was used by more than one author or composer, names are added in parentheses.
A comparative study of the
printed score and the manu-
script of the seventh
symphony 56
A historical and themaric study
of... Rakastava 61
A recital of the Helsinki
University Chorus 46
A register of conventional titles
...for works of Jean Sibelius 57
A short story of a long friendship
62
A Sibelius revival 74
A sketch of Sibelius the man 71
A survey of contempjorary music
58
Aallottaret 12, 41, 42, 70
Aamusimiussa 20
Able to keep puffing 75
Acta musica 56
Acta Musicologica Fennica 59, 60
Affettuoso 13
After music by Jan Sibelius 72
Ah, saapuos yohon valkeus 52
Ah, were light to come 52
Ai-je reve? 7
Aina laulan 51
Airdedanse 5
Air varie 10
Alkusoitto a-moll 60,70
Air Overtura 4
Alia marcia, from Karelia Suite
28, 33, 34
Alven och snigeln 10
Always I Sing 51
Amerikan tietaja 78
Amerikkalainen tutkija tekee
Sibeliuksen elamakertaa 76
Amerikkalaiset professorit
Suomessa 79
An interesting point 69
An introduction to Finnish
literature 66
Andante festivo 20,43,46
Andante Lirico 1,60,77
Andantino 4
Andantino & Menuetto 20, 23
Animoso 17
Annales Academiae Scientiarum
Fennicae 60
Another blockbuster: Sibelius
Symphony No. 2 71
Anteckningar om Stockholms
theatrar 66
Aquileja 14
Arabesque 13
Arabesques - Finaletto 43, 46, 54
Arioso 46,48
Arioso for voice, string orchestra
1
Arise, Be Thou a Light 52
Aspen 12
At Sunrise 51
At the draw-bridge 11, 41
Atenames s^ng 5
Aubade 14
Auf dem Tanzvergniigen 12
AufderHeide 19
Auringon noustessa 51
Aus banger Brust 9, 38, 40
Autrefois, scene pastorale 16
Autumn Evening 46
Ave maris Stella 51
Ballade 4,5,19
Ballet scene 20,69
Barcarola 4
Beethoven, Sibelius, and the
"profound logic" 62
Bellis 14
Belshazzar's Feast 34, 36, 39
Berceuse 7, 14, 35
Berger et bergerette 16
Bernstein's personal vision of the
Sibelius symphonies 72
Bidrag till kannedomen om tre
Sibelius-verk 63
Birds of Passage 51
Bjorken 12
Bjomeborger's March 50
Black roses 33, 46
Blommansode 15
BlSsippan 15
Boating 50
Bolero (Festivo) 28, 30, 31, 45
Bollspelet vid Trianon 6
Bon om ro 49
Boom in Sibelius 75
Boutade 5
Brokiga blad 1 24
Brusande rusar en v3g 20
But There's Still No Bird For Me
46
Butler's rare books offer a
glimpse of collectors 73
Caliban and Canon 44
Campanula 14
Cantat Siell' laulavi kuningatar
9
Cantata for the University
Ceremonies of 1894 20
Cantique x
Canzonetta 11,29,40
Capriccio 38, 54
Caprice in E minor 4
Capricietto 13
Carillon 13
Carmen Fantasy 42, 43, 54
Carrier-Pidgeon 54
Catalogue of Finnish orchestral
and vocal compositions 65
Centennial of the birth of Jean
Sibelius 75
Chanson sans paroles 7
Chant de soir 17
Choral music by Finnish
composers 50
Choral pieces by Sibelius,
Turunen, Kilpinen, Sonninen,
Palmgren, and Haapalainen
33,38
Collection of articles and excerpts
about Jean Sibelius 57, 71-75
Come Away, Death 46
Coming Home 51
Composers since 1900 72
85
Cumulative title index
Complete works for violin &
piano 47
Conamore 62
Concerto in D 37,49
Concerto in D minor for violin and
orchestra 9
Consolation 13
Couplet 5, 17
Cow-Keeper's Tune & Country
Dance 50
Cradle Song 53
Dance Intermezzo 8, 9
Danse 16
Danse caracteristique 14, 19
Danse pastorale 5
Danses champetres 47
Darkness Falls 50
Das Lied von der Erde 70
Das finnische Musikleben 74
DasMuhlrad 10
De bagge rosoma 15
De tvd versionerna av Sibelius'
tondikt "En saga" 63
Dear Land of Suomi 51
Demanten p3 marssnon 6, 46, 48
Den 25 Oktober 1902. Till Ther^se
Hahl 20
Den ensamma furan 12
Den forsta kyssen 6
Den hoga himlen 18
Den siste siaren 79
DerHirt 10
DerKufi 12
Der Formenbau in den Sympho-
nien von Jean Sibelius 60
Der Stimmungsgehalt der Sym-
phonien von Jean Sibelius 60
Der Sturm 18
Der Ursprung des Feuers 5
Der Wanderer und der Bach 12
Des Abends 10
Des Fahrmanns Braute 5
Det danske spejderes march 15
Det morknar ute 1
Detroit studies in music
bibliography 56
Devotion (Ab imo pectore) x, 13
Dialogue 10
Die drei blinden Schwestern 8
DieGlocken 19
Die Glockenmelodie in der
Kirche zu Berghall 11
Die Idee der Innovation und der
Tradition 59
Die Musik in Geschichte und
Gegenwart 63
Die Musik Skandinaviens 74
Die Musikhandschriften von Jean
Sibelius in ... Helsinki 60
Die stille Stadt 9
Die Symphonien von Jean
Sibelius 63
Do You Still Remember the Psalm
52
Dolce far niente 10
Doldforening 14
Drommama 20
Drommen46
Drommen 2
Edgar and Sibelius 74
Eight short pieces for piano 17
Eight songs 10,40
Ej med klagan 20, 25
Ekloge 12
Elama 54
Elegiaco 13
Elegie 4
Elegie & Musette (from King
Kristianll) 32,36
Eleven composers 71
En blomma stod vid vagen 10
En bok om en manniska 67
En Lemminkainen-balett i
Amerika 71
En nya Sibelius-biografi 76
En saga 1, 27, 28, 30, 31, 32, 34, 38,
39, 41, 42, 45, 48
En slanda 2
Entr'acte
(Mussorgsky) 53
(Sibelius) 32,36
Epilogue 1
Epilogue (Kuula) 51
Eras Sibelius-Okirja 79
Erloschen 21, 47
Essays in musical analysis 66
Esquisse viii, 13, 17
Essaer om musik och mastare 62
Ett drommackord 14
Ett ensamt skidsp^r 20
Etude 13
European nationalists 75
Evening 50
Everyman x
Everyman's library 67
EvigeEros 14
Excerpts, Pelleas & Melisande 48
FIfang onskan 10
Figelfangaren. 15
Fdgellek 2
Fanrik St^ls Sanger 68
Farewell, my youth viii
FesteRomane 44,53
Festivo 4, 28, 29, 31, 32, 34, 35
Festskrift till Erik Tawaststjema
60
Finland 66
Finland, a musical treasure hunt
60
Finland between East and West
67
FiiUand's memorial to Sibelius 74
Finlandia viii, 4, 24, 27, 28, 29,
30, 31, 32, 34, 35, 36, 38, 39, 41,
42,45
Finlandia (Turunen arr.) 46
Finlandia-Hymni 46
Finlandia ja "Sanomalehdiston
paivain" musiikki 60, 77
Finlandia, the story of Sibelius
56
Finnish Choral Music 50
Finnish folks song 28
Finnish folk songs 21
Finnish Music Quarterly 58, 65
Finnish nationalism and the
music of Finland 57
Finnish Rhapsody 52
Finnish rune fragments 21
Finnish Songs 50
Finnish-English dictionary 68
Finska folkvisor 21
Fischerlied 10
Five characteristic impressions
for piano 17
Five Christmas Songs vii, 1
Five Danses Champetres 18
Five esquisses for piano 19, 47
Five part-songs for male voices a
cappella 14
Five pieces by Edvard Grieg 32^6
Five pieces for piano 12, 14
Five pieces for violin and piano
14,47
Five songs 6,7
Five views of Sibelius 71
Flagellek 46
Flickan kom ifrin sin alsklings
mote 6
For Eino Levon's daughters 22
Forest lake 19
Four lyric pieces for piano 12
86
Cumulative title index
Four pieces for violin and piano
19,47
Four pieces for violin (or violon-
cello) and piano 13
Forteckning ofver svenska
skldespel uppforda pd Stock-
holms theatrar 66
Francesca da Rimini 45, 54
Fratricide 46
Freedom 51
Fridolins dirskap 21
From Sibelius to Sallinen vii, 57
Friihlingslied 2
Friihlingszauber 10
Fuga fantastica 53
Funeral march for orchestra 10
Fyrens julnummer 22
Gavotte
(Haapalainen) 50
(Hannikainen) 50
(Sibelius) 16
Genius at work 74
Gotemas sdng 49
Graduaaleja 18
Grammofoninspelningar 27
Granen 12
Grefvinnans konterfej 21, 24
Haamuistelma 21
Hamahakki 51
Hamara 43,46,52
Hameenlinna, de silvergraa
mirmenas stad 61
Hameenlinna, hopeanhar-
maitten muistojen kaupunki 61
Hameenlinna, town of silver grey
memories 61
Happy Birthday 75
Happy Morning 53
Har du mod? 5
Harlequinade 13
Harold E. Johnson: Sibelius 78
Harold E. Johnsons Sibeliusbok 59
Harpolekaren 7
Haudoilta 52
Heart Wound 50
Heisa hopsa 10
Helsingfors orkesterforetag
1882-1932 63
Helsingin tyovaen mieskuoro 24
Hermes budskap 15
Herr Lager och Skon fager 14
Herran siunaus 18
Hertig Magnus 10
High Fidelity ix
Historiallisia kuvia II 41
Hjartats morgon 2
Hostkvall 7,48
How to enjoy a symphony:
Conclusion 75
Humoreski 18
Humoresque 7, 13, 17, 19, 44
Humoresquel 17
Humoresque n 17
Humoresques 37
Humoresques I-II 15, 42, 43
Humoresques III-VI 15, 42, 43
Humoristischer Marsch 17
HimdertWege 12
Hundra vagar 12
Hvad har bruti tonens valde? 2
Hymn til jorden 16
Hymn to Thais 47
Hynrin to the Earth 16
Hymne auf das Land 16
Inatten 7
I know my love 51
I systrar, I broder 14
Idyll 4
Illalle 2,46
Ilta 50
Ilta tulee, ehtoo joutuu 21
Im alten Heim 12
Im Feld ein Madchen singt
9, 46, 71
Imports: Sibelius 71
Impromptu 1,3,4,13,17
Impromptu f. Streichorkester
xi, 1, 70
Impromptu in A minor 1
Impromptu in B minor 1
Impromptu in E major 1
Impromptu in E minor 1
Impromptu in G minor 1
Impromptus for piano 1
Inmemoriam 10,48
In mournful mood 17
In the Evening 46
In the Fields a Maiden Sings 46
In the vanguard: Okko Kamu 72
Incidental music to Belsazars
gastabud 9
Incidental music to Kung
Kristian II 4
Incidental music to Kuolema 8, 1 1
Incidental music to Pelleas et
Melisande
(Faure) 38,49
(Sibelius) 8
Incidental music to Scaramouche
12
Incidental music to Shake-
speare's The Tempest 18
Incidental music to Svanevit 9
Incidental music to The Tempest
28
Inka-muori 53
Innovaation ja tradition idea 59
Intermezzo from Karelia Suite
28, 33, 34
Interview with Harold E. Johnson
69
Intrada 28
Intrada & Finnish Folk Song 50
Iris 14
Isanmaalle 21, 25
Isanmaallisia lauluja 21, 25
Islanders' Jig 53
Italian folk songs 21
Jaakarimarssi 15
Jag ar ett trad 10
Jag ville jag vore i Indialand 7
Jan Sibelius: once a rebel, now a
legend 78
Jagargossen 2
Jarvenpaan erakko ja
maailmanmies 79
Jarvenpaan mestari 61
Jazz antaa mahdollisuuksia
vakammallekin musiikkille 76
Jean Sibeliuksen alkusoitto
a-molli 60, 71
Jean Sibeliuksen "Andante lirico"
60,77
Jean Sibeliuksen "Tyokansas
Marssi" 60,77
Jean Sibelius
(author unknown) 59
(Downes) 57
(Furuhjelm) 58
(Gray) 58
(Johnson) vii, 59, 67
(Layton) 61
(M. Jalas, ed.) 59
(Newmarch) 62
(Niemann) 62
(Nyblom) 62
(Pirsch) 62
(Salmenhaara) 63
(Sibelius Centenary
Committee) 64
(Tammaro) 64
(Tawaststjerna) 65
87
Cumulative title index
Jean Sibelius, a Finnish composer
62
Jean Sibelius, a master and his
work 63
Jean Sibelius, a personal portrait
61
Jean Sibelius, an international
bibliography 56
Jean Sibelius, eine Monographie
65
Jean Sibelius et la musique
finlandaise 73
Jean Sibelius, 15 ausgewahlte
Lieder 2, 6, 10
Jean Sibelius, hans tondiktning
och drag ur hand liv ix, 58
Jean Sibelius, his life and
personality 57
Jean Sibelius i Amerika 56
Jean Sibelius ja hanen Ainolansa
61
Jean Sibelius, Master of
Jarvenpaa 73
Jean Sibelius - Melodies, Songs,
Lieder 47
Jean Sibelius, muistelma sa
ihmisesta 61
Jean Sibelius, muistelma suuresta
ihmisesta 61
Jean Sibelius och hans verk
viii, 57
Jean Sibelius och Svenska Teatern
56
Jean Sibelius, taiteilijan elama
persoonallisuus 57
Jean Sibelius, the recorded music
59,76
Jean Sibelius, un compositore
saggio 61
Jean Sibelius verk 70
Jean Sibelius, Verzeichnis seiner
Werke 57
Jean Sibelius, Werke und
Auffiihrungen 57
Jedermann x
Johdantovuorolauluja 18, 23
Johnson och opus 107 79
Johnsonin Sibelius-elamakerta
saa erittain hyvet arvostelut
Usa:ssa 79
Johnsonin Sibelius-kuva 78
Jokamies x
Jonah's voyage 22
Jone havsfard 22
Joonaan meriretki 22
Jordenssdng 16
Joueur de harpe . 5
Joulunkellot 52
Joulutunnelma 24
Joutsenet 28,53
Joutsenlaulu 50
Joy and Sorrow 49
Jubal6
Juhannus 50
Juhlakirja Erik Tawaststjemalle
10.X.1976 60
Juhlamarssi 22
Juhlavirsia hynrineja joululauluja
3
Julkaisemattomia Jean
Sibeliuksen kamarimusiikki
teoksia 63
Julvisa 1
Jungfrun i tomet ix, 47
Kainuun kuvia 39, 41, 53
Kaiutar 12
Kalevala 2, 5, 9, 12, 18, 21, 66,
71,98
Kalevala Suite 51
Kalevala, the land of heroes 67
Kansakoulaisten marssi 22
Kansakoulun lauluja 22
Kansanvalistusseuran
nuottivarasto 2, 3, 25
Kansanvalistusseuran
Torvipartituureja 11 24
Kantaatti tohtorin- ja maisterin-
vihkijaisissa 31 paivana
toukokuuta 1894 22
Kantat till ord av W. von Konow
22
Kanteletar 2, 23, 67
Karelia Overture 1, 28, 31, 32
Karelia Suite 27, 28, 30, 32, 33,
34, 38, 44, 45, 47, 74
Karelia Suite. Excerpts 28
Karelia, suite for orchestra 1
Karhunpyynti 54
Karjalan osa 22
Kasikir joituksia, manuskript 64
Kavaljeren 22
Kehtolaulu 22
Kellosavel Kallion kirkossa 11
Kertomus Saynatsalon 20
Kesaillalla 51
Kesaisia kuvia 50
Kevatlaulu 2
Khowantchina 31, 53
Kiinan muuri 43, 46, 49
Kijekyyhkynen 54
King Kristian II Suite 28, 31,
32, 44, 74
King Kristian 11 Suite. Excerpts
32
Kissanpoika 51
Kleine Musikerbiographien 62
Kleiner Walzer 17
Komnuhit,d6d 10,48
Komm herbei. Tod 10
KorpoTrio x
Kortfattade lefnadsteckningar
om framstlende tonsattare 62
Koskenlaskijan morsiamet
x,5,48
Kotikaipaus 22
Kotinpaluu 51
Kreisvittaren muotokuva on
haamu Sibeliuksen teoksen
vaiheita 76
Kristillisissa nuorisojuhlissa
18, 23
Kuin virta vuolas 3
Kuka on Symposiumin neljas
mies? 60,77
Kullervo ix, 1, 27, 39, 40, 61,
68, 72-73, 76
Kullervon sotaanlato 69
Kullervon valitus 1
Kullervos klagan 47
Kullervo's lament ix
Kuolema 8
Kuolema. Excerpts 35, 36, 40
Kuolutie 23
Kurkikohtaus 8
Kuutamolla 23
Kvamhjulet 1 0
Kyllikki 8
Kyssen 12
Kyssens hopp 2
Laetare anima mea 13
Landscape 19
Ldngsamt kom kvallsskyn 10, 40
Ldngsamt som kvallsskyn 38
Lasse liten 6
Lastu lainehilla 2, 46
L3t OSS ta vara pA Sibelianan
60,76
Laula, laula veitosen 54
Laulu Lemminkaiselle 5
Laulu-Miehet III 24
Laulu-Miesten, Lauluja II 18
Laulu-Miesten, Lauluja III 18
Cumulative title index
Lauluja sekakoorille, 1897 vuoden
promotiooni 3
Laulujapoika I-II 22
Uululle 51
Langtan heter min arvedel 14
LeCoqd'Or 53
Lemminkainen
(Merikanto) 52
(Sibelius) 3, 28, 29, 30, 31, 36,
38, 39, 41, 42, 44, 45 48, 70,
73-74, TJ
Lemminkainen and the maidens
of the island 70
Lemminkainen ja saaren neidot 3
Lemminkainen palaa
kotitienoille 3
Lemminkainen Suite 29
Lemminkainen Suite. Excerpts
29,48
Lemminkainen Tuonelassa 3
Lemminkainen's Homecoming
27, 30, 31, 38, 39, 41, 42, 45
Len\minkainen's Homeward
Journey 30,40,44
Lemminkainen's Return 28, 30, 32,
36,38
Lemminkais-sarjan
tunnelmatausta 76
Lenzgesang 9
Les trois soeurs aveugles 8, 46
Levonin tytoille 22, 23
Liebeslieder-Walzer 29, 49
Ued 17
Lieder eines Zigeuners 21
Life 54
Ukhet 23
Lincoln Portrait 38,49
Linnaea 13
List of works... Sibelius and his
compositions 58
Little Suite for Orchestra
43, 46, 54
Little Suite for String Orchestra
29, 40, 53
Love Song 11,41
Lovisa Trio x-xi
Ludfer 23, 24, 25
Luettelo Jean Sibelius ja hanen
teoksiaan kasittelevasta
kirjallisuudesta 58
Lumikorpien yo 51
Luonnotar viii, 12, 34, 41, 48, 72
Lush, post-Brahmsian Sibelius
and a bracing Third 71
Maamme 53
Maan virsi 16
Maassa marjani makavi 51
Mai 10
Maj 10
Malinconia xi, 3
Mandolinato 23
March from Karelia Suite 28, 44
March from Le Coq d'Or 28, 44, 53
March from The Trojans at
Carthage 28,44
Marche militaire 35, 54
Mare ja hanen p)oikansa 28
Marsch der finnlandischen
Jager 15
Marssnon 6
Masonic ritual music 19
Masonic songs vii
Mazurka 5, 14
Madchen kam vom Stelldichein
7
Man frin slatten och havet 11
Me nuoriso Suomen 3
Men mid fdgel 6
Menuetto 4, 7, 14, 23
Mephisto Waltz 45, 52
Merta pain 14
Metsamien laulu 2
Melodie 16
Melody, is it dated? 73
Midsummer 50
Miesaanisia lauluja 3, 25
Miesaanisten laulukuntien
ohjelmistoa 3
Milwaukee Symphony, Sibelius
"Kullervo" 73
Min rastas raataa 23
Miniature essays 59
Minun kultani 21
Mitteilungen d. Musikalienhand-
lung Breitkopf & Hartel 57
Moment de valse viii, 17
Montapa elon merella 3
Morceau romantique 24
Morgonen 15
Morning Mist 20
Mr. Johnson, musiikki ja
Sibelius 78
Mr Johnson salapoliisina 79
Muntra Musikanter 2
Musette 4,32
Music ho! 73
Music of Jean Sibelius and David
Ott 70
Music of the Masters 56
Music of the western world 78
Musica Fennica, an outline of
music in Finland 61
Musica per archi 43, 46, 54
Musiikkia aanilevyilla 27
Musiikkitieto 61
Musik zu einer Sc&ne 8
Musique religieuse 19
Muunnelmia suomalaisesta
kansanlaulusta 46, 50
Muutolinnut 51
My love sleeps under earth 51
Myrsky 52
Nacken 10
Nar jag drommer 10
Nar Jean Sibelius erholl
statsstipendium 56
Nar ronnen blommar 12
Narciss 23,48
Nature boy at 90 75
Natus in curas 3
Ne pitkan matkan kulkijat 18
Night Ride and Sunrise 27, 30,
31,38,39,41,42,45
Nocturne
(Krohn) 51
(Sibelius) 4
Norden 15
Nordic Music Archives,
Scores 69
Sovmd recordings 69
Noman 1
Northern Images 53
Norwegian Dances 29, 35, 50
Not a penny 75
Not Beethoven's successor 79
Nouse, ole kirkas 52
Nouvelette 16
Novellette 47
Nu stdr Jul vid snoig port 1
Nu sdr kommer julen 1
Nuori Sibelius 61, 76
Nuorisosekakuorolauluja 3
Nymphs of the Ocean 12
O wert thou here 38
Oak Tree 44
(Dceanides 12, 27, 30, 31, 38, 39,
41, 45, 72
Och finns det en tanke? 14
Och nar som jag var en liten
sin^drang 10
Oeillet 14
OhiCaroh 21,23
89
Cumulative title index
Oi, kallis Suomenmaa 51
Oi kallis Suomi, aiti verraton 3
Oi lempi, sum valtas aareton on 3
Oi muistatko viela sen virren 52
Oi toivo, toivo sa lietomieli 3
Oldlnka 53
Om Jean Sibelius. Tva artiklar 56
Omamaa 16
Omvardering av Sibelius 78
On a Balcony by the Sea 46
On hanget korkeat 1
On the Shore 50
Onnelinnen aamu 53
Onpa tietty tietyssani 51
OrdochBild 58
Orions balte 12
Ote Kullervo-sinfoniasta 1
Otryckta kammarmusikverk av
Jean Sibelius 63
Our new music 71
Ouverture, see Overture
Ovation to Sibelius 69
Overture in A minor 23, 70
Overture in E major 23, 69
Overture to The Trojans at
Carthage 28,44
pa berget 14
PI verandan 7
Pd verandan vid havet 48
Paimenet 51
Paiv' ei paase paistam ahan 20
Palmusunnuntaina 18
Pan 50
Pan and Echo 9, 41
Pan and Echo, Dance Inter-
mezzo 39
Part songs. Cantata for the Uni
versity Ceremonies of 1897 3
Passacaglia 1 and 11 50
Pastorale for organ 52
Patriotic march 22, 23
Peer Gynt Suite No. 1 31,36,50
Pelleas and Melisande 34
Pelleas et Melisande Suite
36, 39, 43, 44
Pelleas und Melisande 8
Pensee melodique 7
Pensees lyrique for piano 7
Personalities 74
Personent hodie 51
Petite marche 17
Petite serenade 7
Photographs of Jean Sibelius 69
Piae Cantiones 51
Pi&ce enfantine 13
Pi&ce humoristique viii, 17
Pi&ce romantique 23
Pirtissani pimenee 50
Pohjohla's Daughter 27, 28, 30,
31, 32, 33, 34, 36, 38, 39, 40, 41,
42, 45, 48
Pohjola's Tochter 9
Pohjolan tytar 9
Polonaise 7
Porilaisten marssi 50
Portrait of Sibelius at Jarvenpaa
74
Portrattema 21, 23
Prague Symphony 43
Prayer for peace 49
Prelude 51
Prelude to The Tempest 27, 30, 31,
38, 39, 41, 42, 48
Preludio sinfonico 28
Preludium 24
Press Celebrations 4, 24
Pressens dagar, 1899 24
Prinsessa Rusuimen 28, 52
Printemps 45,49
Programs 70
Purjein kuutamolla 51
Pyhainpaivana 18
Quamhjulet 10
Quartet in D minor 39, 43
Quartet in G minor 40, 50
Rakastava 2, 29, 31, 34, 35, 40,
61, 67, 70
Rannala istuja 50
Rassegna musicale curci 61
Reconnaissance 5
Religioso 13
Reverie 5, 10
Review articles 77-79
Rigaudon 13
Rippling Water 54
Robert Kajanus, hanen elamansa
toimintanswa 64
Romance 1, 17
Romance in A major 4
Romance in C major 8, 27, 28, 29,
30, 31, 34, 35, 36, 39
Romance in D flat major 4
Romance in D minor 4
Romance in F major 13
Romans 10
Romantic music, a concise history
from Schubert to Sibelius 75
Romanze 10
Romanzetta 13
Romeo 10,46
Rondeau romantique 19
Rondino 11, 14
Rondo, viola and piano xi, 24, 70
Rondoletto 7
Rosenlied 9
Rotary's mid-century 74
Rukouspaivana 18
Runonsynty 98
Runosavelmien naytteita 21
Saarella palaa 2
Saaristolaispolska 53
Saf, saf, susa 33, 46
Sailing by Moonlight 51
Sammuva sainio maan 3
Sandels 5, 68
Sanfter Westwind 12
SIngarlon 14
Sdngen om korsspindeln 4, 48
Savelettaren liite 1
Savelisto VII 24
Scandinavia: Sibelius and
Nielsen 74
Scandinavian music, Finland and
Sweden 58
Scfene 4
Scene de ballet 69
Sc&nededanse 19
Sc^ne lyrique 17
Sc&ne romantique 17
Scene with Cranes 8, 27, 39, 40
Scenes historiques x, 71
Scenes historiques I 4, 28, 29,
31,37
Sc&nes historiques I. Excerpts 31
Sc&nes historiques II 11,39
Sc&nes historiques II. Excerpts 41
Scherzando 7
Scherzino 10
Scherzo from Souvenir d'un lieu
cher 37,54
Schneefrid 5
Scout March 15
Segelfahrt 24, 47
Sehnsucht 9
Seitseman veljesta 54
Sekaaanisia lauluja 2, 3, 21, 22
Sen har jag ej frSgat mera 2, 48
Serenade 4, , 14, 48
Serenade melancolique 37, 42,
43,54
Seven songs 2
Shakespeare's Twelfth Night 10
90
Cumulative title index
Sibeliana 64
Sibeliuksen Lemminkais-sarja
60,76
Sibeliuksen pianosavellykset, ja
muita esseita 65
Sibeliuksen seitsemas sinfonica ja
"Fantasia sinfonica" 60, 76
Sibeliuksen teosluettelosta ja
teosten opusnumeroinnista 60
Sibelius
(Cardus) 71
(Copland) 71
(Ewen) 72
(Gray) ix, 58
(Johnson) 59,77-78
(Layton) 60
(Oxford Companion) 75
(Tawaststjema) 65
Sibelius, a close-up 66
Sibelius, a symposium 56
Sibelius and Finland book of
memorabilia 60, 76-78
Sibelius and his world 74
Sibelius and Nielsen 74
Sibelius and Sargent in Helsinki
73
Sibelius and the development of
Finnish music 58
Sibelius and the Finnish
landscape 58
Sibelius and the music of
Finland 58
Sibelius and the tide of taste 75
Sibelius and the twentieth
century 78
Sibelius at 83 74
Sibelius at ninety vii, 74
Sibelius, close-up ofg a genius 75
Sibelius' eight symphony 58, 65
Sibelius faces the music 78
Sibelius fans, take note 73
Sibelius fjarde symfoni - en
strlkkvartett? 60, 77
Sibelius' forgotten masterpiece
(Kullervo) ix, 76
Sibelius, i narbild och samtal 66
Sibelius i varddgslag 78
Sibelius in America 73
Sibelius in perspective 73
Sibelius ja hanen arvostelijansa
79
Sibelius ja ohjelmamusiikki 60
Sibelius, like Elgar, had his
Enigmas 78
Sibelius Museum 70
Sibelius myths broken 77
Sibelius Nr. I & Nr. II, Tidning
forMusik 65
Sibelius och Bartok 78
Sibelius och Kajanus som
konkurrenter 56
Sibelius offer for Mytema 78
Sibelius omvarderad 78
Sibelius' Rakastava 61
Sibelius' seven symphonies, a
critic's view of recordings 72
Sibelius 75th anniversary album
48
Sibelius - Songs, Melodies, Lieder
47,48
Sibelius symfonier, en studie i
musikforstlelse 62
Sibelius: symphonies, symphonic
poems, violin concerto. Voces
intimae 63
Sibelius, symphonist 74
Sibelius, the symphonies 58
Sibelius the symphonist 57
Sibelius today 71
Sibelius today and tomorrow 72
Sibelius utan myt 78
Sibelius utan piedestal 78
Sibelius without "Society" 73
Sibelius-kritik 78
Sibelius-kultti arvostelun
kohteena 79
Sibelius-viikon satoa 76
Siegfried Idyll 44, 54
Sieir on kauan jo kukkuneet
omenapuut 51
Sigh, Rushes, Sigh 46
Sigh, Sedges, Sigh 33, 46
Sikamainen jenkki 78
Siltavahti 24
Simon Rattle and the seriousness
of Sibelius 73
Since Then 1 Have Asked No
Further 46
Sing, My Brothers 54
Sins of my old age ix
Sippan 15
Six Bagatelles for piano 17
Six impromptus for piano 1
Six part songs 2
Six pieces for piano 16
Six pieces for violin and piano
14,47
Six songs 6, 9, 12, 14, 15, 33
Sma flickoma 24, 48
Snellman's Fest Cantata 9
Snofrid 5
Sofin! 2
Soi kiitokseksi Luojan 3
Soliseva vesi 54
Soluppging 6,48
Some recollections of the visit of
Sibelius to America in 1914 69
Sommamatten 15
Sommerlied 10
Sonat for violin med piano 70
Sonata in A major, for violin and
piano 37,49
Sonata in F major for piano 1
Sonatina in E for violin and
piano 14, 47
Sonatine for piano 49
Sonatine in B major 52
Sonatine no. 2 for piano 51
Song of My Heart 46
Song for the people of Usimaa 25
Song in the forest 19
Song of the Goths 49
Song recital 46
Songs 46
Sonnet 16
Sorg och gladje 49
Sortunut aani 2
Souda, souda, sinisora 46, 47, 48
Souvenir viii, 5, 14, 17
Souvenir d'un lieu cher 37, 54
Spagnuolo 24
Spirit of Nature viii, 12
Spring Hies Fast 46
Spring song viii
Spring vision 19
Standchen 10
String Quartet in E minor 40, 49
Studies in symphonic analysis 62
Suite caracteristique 17
Suite champetre 17
Suite mignonne 17,43,46
Suite of songs by Katri Vala 51
Summer Evening 51
Summer Scenes 50
Suomalainen rapsodia 39, 41, 52
Suomalais-Englantilainen
sanakirja 68
Suomalaisen Kirjallisuuden
Seura 66
Suomen evankelis-luterilaisen
Messusavelmat 18
Suomen laulu 53
91
Cumulative title index
Suomen musiikin kuva 64
Suomen Musiikin Vuosikirja 63,64
Suomen Musiikkilehti 21, 22, 25
Suomen Musiikkuin Vuosikirja 59
Suomi's Song 53
Suomi-Finland USA 60
Suur' olet, Herra 24
Svarta rosor 6, 33, 46
Svensk-engelsk ordbok 66
Svenska Folkskolaus Vanner 20
Sveriges dramatiska iitteratur 67
Swan of Tuonela 29
Swan Song 50
Swanwhite Suite 27, 39, 40
Swedish Rhapsody 31,36,49
Sydamenlaulu 3
Sydameni laulu 2, 68
Sydamestani rakastan 21
Symphonies I-VII 46
Symphony No. I
(Shostakovitch) 42, 54
(Sibelius) 7, 28, 33, 34, 41,
71,74
Symphony no. II
(Madetoja) 41,52
(Sibelius) xi, 8, 28, 33, 34, 38,
48,71
Symphony No. Ill 9, 39, 43, 44
Symphony No. IV viii, xi, 11, 30,
38,40,42,41,44,45,48,72
Symphony No. V
(Rubbra) 54
(Sibelius) viii, 14, 28, 32, 39, 40,
42, 43, 44, 48
Symphony No. VI 17,36,39,42,
43,44
Symphony No. VII vii, 17, 28, 29,
41,42,43,44
Symphony No. 38 (Prague) 53
Symposion 60, 69, 76-77
Taa saarien paiva painuu 51
Taj Mahal 52
Tanz-Idylle 14
Tanz-Intermezzo 8
Tapiola vii-viii, xi, 18, 27, 28,
30,31,37,38,39,41,42,45
Tapiola. Sinfoninen runo Tapiola
Sibeliuksen myohaistyylin
edustajana 63
Tempo di menuetto 10, 14
Ten bagatelles for piano 5
Ten composers 71
Ten pieces for piano 4, 10
Teodora 6
Tervekuu 2
Thamos 31,53
That potent Koussevitzky-
Sibelius magic 72
The Apple-Trees 51
The Bard 11, 27, 28, 30, 31, 32, 38,
39, 41, 42, 45, 48
The Bear Hunt 54
The birth of the rune 98
The Chase 11,41
The composer biography series 61
The Diamond on the March Snow
46
The Dryad 8
The finest Sibelius Fifth,
Leonard Bernstein's 72
The Ferryman's Bride 5
The fiddler 17
The first American recording of
Luonnatar 72
The First Kiss 46
The fourth symphony and
Oceanides on LP 72
The Graves 52
The Great Wall of China 49
The greatest monument to
Sibelius vii, ix-x, 60, 76
The indomitable Finn 71
The international cyclopedia of
music and musicians 57
The Jean Sibelius manuscripts at
Helsinki University Library
x,60
The Kalevala 67
The Kitten 51
The language of the birds 67
The Last Sleep of the Virgin
28, 44, 52
The Last Spring 50
The Listener vii
The lives of the great composers
75
The maestro myth 73
The Maiden in the Tower ix, 47
The Maiden Returned From Her
Tryst 46
The master musicians 60
The mill wheel 10
The most completely convincing
account of the Second? 72
The music criticism of Richard
Aldrich 76
The music of Finland 62
The music of Jean Sibelius 59
The music of Sibelius 56
The music room: Jean Sibelius 75
The myth of Sibelius 79
The New Grove Dictionary of
Music and Musicians 61
The 'nationahsm' of Sibelius 74
The New Grove turn of the
century masters 61
The oarsman 17
The (Dceanides 12,36,41,44
The Orchestral Songs of Jean
Sibelius 48
The Origin of Fire 32
The other music of Jean Sibelius
vii, 75
The Oxford comparuon to music 75
The pianoforte compositions of
Sibelius x, 65
The preservation and restoration
of soimd recordings 26
The Problem 69
The Rapids-Rider's Brides x, 48
The Recordings 27
The Return of Lemminkainen
29, 37, 48
The riddle of Sibelius 78
The riddle of Sibelius' Eighth 79
The River 53
The Seven Brothers 54
The Seven of Sibelius 75
The Shepherds 51
The Sibelius symphonies by
Watanabe: superlative 72
The Sleeping Beauty 52
The songs of Sibelius, discs and
tapes reviewed 73
The Spider 51
The Storm
(Marvia) 52
(Sibelius) 17
The student's music library 56
The Sun Sinks Behind the Islands
51
The Swan of Tuonela 27, 28, 29,
30-32, 34-39, 41, 42, 45, 48
The Swans 53
The symphonies of Sibelius, a
study in musical appreciation
62
The tales of Ensign Stil 67
The Tempest 30,35,40,44
The Tempest. Excerpts 44
The Tempest Suite 32
The tone poems of Sibelius 30
92
Cumulative title index
The Trojans at Carthage 49
The village church 17
The wrorks of Jean Sibelius
(Dahlstrom) x, 20, 57
(Solantera) 64
The world of Sibelius in pictorial
perspective 74
The world song, of the World
Association of Girl Guides and
Girl Scouts 15, 16
Thirteen pieces for piano 13, 47
Three Finnish songs 46, 50
Three lyric pieces for piano 8
Three pieces, piano or orchestra
16
Three pieces for violin and piano
19
Three sonatinas for piano 11
Three songs for American
children vii
Three works for male voices 5
Tiera 24
Tiistaikonsertii 70
TillFrigga 2,46
Till havs 14
Till minnet av Albert Edelfelt
20,25
Till Ther&se Hahl. 25
Till trinaden 25
To Song 51
Ton och tolkning 65
Tomet 15
Trippole trappole 23, 25
Trois soeurs aveugles 47
Tulen synti 5, 32, 38, 67
Tuonela 27
Tuonelan joutsen 3
Tuopa tytto, kaunis tytto 21
Tuule, tuule lepf)eammin 3
Tuuli tuudittele 3
Tuutulaulu 53
Tv3 singer vid piano 6
Twentieth Century Finnish Piano
Music 47
Twentieth century music 74
Twentieth century symphony 56
Twilight 52
Two Italian folk songs 23
Two marches 1 5
Two part-songs for male chorus a
cappella 18
Two part-songs for mixed chorus a
cappella 1 1
Two pieces for orchestra 8
Two pieces for violin (or
violoncello) and orchestra 13
Two pieces for violin and piano
1,47
Two pieces from the Incidental
music to Kuolerma 11
Two rondinos for piano 11
Two serenades 11
Two songs 6
Two songs for Shakespeare's
Twelfth Night 10
Tyokansan marssi 25, 60, 71
Tyovaen kalenteri 25
Ukko the Fire-maker 5
Under singarfanen 3
Under strandens granar 2
Uno Cygnaeuksen muistolle 22, 25
Unohdetto Sibelius 64
Ute hors stormen 25
Uusi Saveletar ix
Uusia kotimaisia lauluja ja
sovituksia 3, 20
Uusmaalaisten laulu 21, 25
Vainon virsi 18
Valse 14
Valse chevaleresque 16
Valse in E major 4
Valse lyrique viii, 16
Valse romantique 1 1
Valse triste viii, 8, 28, 29, 30, 31,
32, 34, 35, 36, 37, 38, 39, 45, 48
Valse, D flat major 5
Valsette 7
Valssi 25
Valvoja 51
Vanskapens blomma 10
Vapaus 51
Vapautettu kuningatar 9
Var det en drom? 6
Var Jean Sibelius ett
nationalhelgon? 78
Varen flyktar hastigt 46, 48
Variations on a Finnish Folk
Song 50
VIren flyktar hastigt 2
VIrfomimmelser 14
V3rs3ng viii, 2
Vartagen 10
Vattenplask 10
Veli hopea 70
Velisurmaaja 21, 46
Veljeni vierailla mailla 25
Vem styrde hit din vag? 15
Venematka 2
Veneretki 50
Vi ses igen 12
Vibrancy, tension, plasticity 72
Viipurin Laulu-Veikkojen
kunniamarssi 25
Viipurin Laulu=Veikot 25
Viisi luonnosta 19
Vilse 2
Violin Concerto
(Bruch) 37,49
(Glazounov) 32,38,50
(Sibelius) 29, 30, 31, 36, 37,
39,45
Virta 53
Vitsippan 15
Voces Intimae 9,39,40
Voices from Finland 68, 98
Was It a Dream? 7, 46
Wedding Day at Troldhaugen 50
Wedding March 67
Wellenfliistern 10
Werkverzeichnis Jean Sibelius 65
Westerlundin Kuoro-ohjelmistio
mieskuorolle 2, 5
When that I was a little tiny
boy 46
With his baton he ruled
Finland 73
Woodsman 75
Workers' march vii
Works by Sibelius that aren't in
the standard repertoire 74
Yuletide bells 52
Zigeunerweisen 42, 43, 54
Zu der Musikbeigabe 71
93
Name Index
Includes arrangers, artists, authors, compilers, composers, conductors, editors, ensembles, illustrators,
institutions, journals and newspapers (in italics), orchestras, performers, persons of provenance, soloists,
translators. Publishers' names are not listed. Most orchestra, ensemble, and choir names are listed in English,
as they are given on most sound recordings. The English alphabet has been used throughout the index, not the
Finnish-Swedish alphabet.
A. L. 33
AB Bookman's Weekly 75
Abo Akademi 70
Abraham, Gerald 56
Ackart, Robert 73
Aellig, Taina 59
Affelder, Paul 37,40
Aho, Juhani 25
Akademiska S^ngforeningen 49
Alberti, Luciano 71
Aldrich, Richard 76
Alfven,Hugo 31,36,49
Altmann, Wilhelm 71
Alvas,Juho 70
Ambrosio, W. F. 17
American Mercury 75
Anderson, Marian 38,40,64
Andersson, Otto x, 56, 58, 65, 70, 76
Anosov, Nikolai 37
Ansermet, Ernest 35,41,45,64
Antti, 50-51
Arnold, Elliott 56
Arvosteltuja Kirkoja 78
Ashkenazy, Vladimir 47
Askeli, Henry 71
Astrand, Hans 78
Austrian Symphony Orchestra 52
Ballantine, Christopher John 56
Bang, Hermann 67
Bantoch, Sir Granville 62
Bantock, Raymond 59
Barbirolli, Sir John 28, 30, 32-34,
36, 38, 42, 44, 53
Barker, John W. 71,79
Barrett, David 68
Bartok, Bela 78
Baumann, Carl 71
Bax, Arnold viii
BBC Symphony Orchestra 33-5, 41
Beckendorf, Sharon 70
Becker, Albert viii
Beecham, Sir Thomas 28, 30-31,
33, 35-37, 40-41, 44-45, 48-49,
52-53, 65, 73
Bentley, Andrew 59
Berglund, Paavo ix, 27, 39, 40, 56,
71,74
Bergman, Erik 49, 64
Berlin Philharmonic Orchestra
28, 30-31, 45-46, 50, 71-72
Berlin Symphony Orchestra 71
Berlioz, Hector 28,44,49
Berman, Harvey 71
Bernstein, Leonard 34, 37, 41, 72
Bihnam, Philip 64
Birmingham Post 78
Birse, Edward 57
Bjoerling, Jussi 33
Bjorklund, Riitta 64
Black, Frank 29
Bloch,M.T. 12
Block, Jonathan 70
Blom, Eric 56
Bloomfield, Theodore 32,42
Blum, Fred 56-60,62-66
Boisen, Harold 76-77
Bonell, Carlos 47
Bookspan, Martin 42-43
Borenius, A. A. 21
Borg, Kim ix, 46, 64
Boruttau, Alfred Julius 7, 11-12
Boston Symphony Orchestra 34,
38, 42-43, 45, 48-49, 54, 71
Boult, Sir Adrian 27, 30-31, 34,
38-39, 41-42, 45
Bournemouth Symphony
Orchestra ix, 27, 39, 40, 71, 74
Bradbury, Ernest 79
Brahms, Johannes 29,37,49
Braithwaite, Warwick ix
Brant, LeRoy V. 71
Bringerud, Catherine 70
Bruch, Max 37, 49
Budapest String Quartet 39-40, 50
Budden,Roy 39
Buffalo Philharmonic 29
Buketov, Igor 70
Burr, Charles 27-28, 35, 38, 40-42,
44,45
Burt, Julia A. 12-16
Busse-Palma, Georg 21
Butler, Henry 77
Butler University Brass Choir 77
Butler University Little
Symphony 70
Cajander, Paavo 21
Calamnius, Ilmari 2
Cardus, Neville 35,71
Carlson, Bengt 49
Carpela, Axel 7
Cavinder, Fred D. 73
Centennial Symphony 45, 52, 54
Chausson, Ernest 37, 49
Chemiavsky, David 56
Chicago Symphony 29, 37
Chipman, Abram 71
Chissell, Joan 36, 43
Cincinnati Symphony 32, 38, 50
Claremont Quartet 40, 49
Clark, Donna Lively 70
Clarke, Henry Leland 78
Cleveland Orchestra 42, 54
Cockenpot, Francine 16
Cole, Edward 29, 31, 34-35, 40
Collins, Anthony 27-28, 30, 33-34,
36, 38-40, 42-44
Concert Goers' Club 62
Cooper, Martin 69, 78
Copland, Aaron 38, 49, 71
Cosman, Milein 71
Cronvall, Eevi 51
Cronvall, Erik 50-52
Culshaw,John 29,42
Curtin, Phyllis 41
Gushing, Edward 37,43
Czech Philharmonic Orchestra 37
D.,K. 78
D.P. 28,30,32,35-36,38
Dagens Nyheter 78
Dahlgren, Fredrik August 66
Dahlstrom, Fabian iv, x, 1, 8,
11-12,18,20-25,57,60,69
Daily Telegraph 78
Dale, Kathleen 46
Danish National Orchestra 37
94
Name index
Danish State Radio Symphony
Orchestra 28-29,42
David's Helsingfors Orchestra 62
Davis 71
Davis, Colin 71
De Courcy, Geraldine I. C. 63
De Gorog, Lisa vii-viii, 57
De Lerma, Dominique 57
De Gorog, Ralph 57
E)ebussy, Claude 45,49
Dehmel, Richard 9
Desmond, Astra 56
Detroit Symphony 35
Diether, Jack 71
Doebber, Johannes 19
Dormer, Philip 64
Dorati, Antal 35
Dorsey, Peggy 70
Douglas, Melvyn 49
Downes, Edward 34, 41
Downes, Irene 72
Downes, Olin 34, 57, 66, 69, 72
Ebert, Harry 33
Eckert, Thor, Jr. 72
Edelfelt, Albert 20,24,67
Eerola, Eero 25
Ehrling, Sixten 9, 35, 37, 40, 42-43
Eidus, Arnold 37,49
Ekman, Karl viii, 15, 57
Elgar, Edward 40, 49
Enckell, Laura 64
Englund, Einar 43,46,49
Engstrom, Julius 11
Erkko,J.H. 20,25
Eteenpain 76
Ewart, Gavin 16
Ewen, David 72
Expressen 78
F.,G.S. 72
Faure, Gabriel 38,49
Ficke, Arthur Davison 72
Finlandia Foundation News 77
Finlandia Orchestra 28, 39, 41, 43,
46, 50-54
Finnish Music Quarterly 58, 65
Finnish National Orchestra 43
Finnish Radio Chorus 51
Fistoulari, Anatole 29, 31, 35
Fitger, A. 9
Fjelstad, 0ivin 37,46,54
Flackhaim, Elin 6
Flagstad, Kirsten 46
Flodin, Kart ix, 3
Foldes, Lili 72
Forslin, Alfhild 70
Forsman/Koskimies 2,3
Foss, Lukas 29,72
Fougstedt, Nils-Eric 28, 43, 46,
49-54, 70
Francescatti, Zino 37, 49
Franklin, James 70
Franzen 15
Freed, Richard 73
Frelander, Ellen 58
Frisch, Max 49
Eroding, Gustav 6-7, 14
Frojdman, Agnes 4,8
Front, Theodore 61
Furuhjelm, Erik ix, 58
Gabriel, Andre 50
Gabrielson, Arvid 66
Gage, Irwin 47
Gallen-Kallela, Akseli 69, 76
Gandberg, Carl Rudolf 13
Gartner, Hermann 11-12
Gaul, Edvard 20
Gebhard, Albert 16
Gelatt, Roland 79
Gibson, Alexander 28, 31-32, 41
Gieseking, Walter 70
Glass, Herbert 29-30, 36-37
Glazounov, Alexander 32, 38, 50
Goddard, Scott 37, 39, 44, 56, 78
Goldman Band 8
Goldsmith, Harris ix, 72
Goltzer, Albert 30
Goossens, Eugene 72
Goossens, Walter 70
Gorog, Lisa de, see De Gorog
Goss, Glenda Dawn x, 60
Goteborg Tidningen 78
Gdteborg's Handels- och
Sjdfartstidning "Liberal" 78
Gothenburg Symphony x, 47-48
Gothoni, Ralf 47
Gould, Morton 30, 32, 36, 38
Granahan, Lolita 56
Grand Lodge of Free and Accepted
Masons 19
Grdube [?] Dagblad 78
Graves, Norma Ryland 73
Gray, Cecil ix, 48, 58
Greene, Chaster C. 76
Greif, Martin 12
Griffiths, Paul 73
Grieg, Edvard 29, 31-32, 35-36, 50
Griller String Quartet 40
Gripenberg, Bertel 6, 10, 14, 20, 23
Groves, Sir Charles 29
Grundy, J. B. C. 67
Guillamore, Reid 33, 38, 42
Guiraud 54
Giinther, Felix 52
Gustafsson, Fridolf 3
Haapalainen, Vaino 33, 38, 50
Haapanen, Toiyo 58, 73
Hagberg 10
Haggander, Mari Anne 48
Hahl, Therese 20, 24
Hahnel, Folke 78
Hakli, Esko 60
Hall, David 35, 73
Hall, Wendy 58
Halle Orchestra 28, 30, 32-33, 36,
38, 42, 44, 53
Hdmeen Sanomat 77
Hameenlinna City Council 61
Hanlin, Christopher 26, 27, 69
Hanna, Marjorie Lange 70
Hannikainen, Ilmari 50, 58
Hannikainen, P. J. 21,25
Hannikainen, Tauno 29,35 37,45,72
Hannikainen, Vaino 46
Hanson, Howard 73
Harlock, Walter Ernest 66
Harper, Herbert 10
Hart, Kingsley A. 64
Hartog, Howard 73
Harty, Sir Hamilton 35, 54
Hastings, Morris 30, 37
Havu, Ilmari 66
Hayman, Helmi 4
Heck, Thomas F. 69
Hedberg, Carol 79
Hedberg, Tor 6
HedeFoto 69
Heifetz, Jascha 37, 49
Heimola, Nilo 50
Heinio, Mikko 59
Heinitz, Thomas 73
Helasvuo, Veikko 58,64,66
Helsingfors Orchestra 62
Helsingin Kaupunginorkesteri 70
Helsingin Laulu 51, 54
Helsingin Sanomat 60, 76-77, 79
Helsingin Tyovaen Naiskuoro 53
Helsinki Philharmonic Society ix
Helsinki University Chorus
27,32,46,50-51,53-54
Hemmer, Jarl 16
Hemming, Aarre 58, 76
Hendl, Walter 37
95
Name index
Henning, Franz 8
Herbage, Julian 69
Hermann, Friedrich 49
High Fidelity Magazine 71, 73, 75
HiU, Ralph 56
Hiltunen, Eila vii, 70, 74
Him,Yrj6 67
Hodgson, Antony 58
Hofmannsthal, Hugo von x
Hollingsworth, John 34
Holmstidning 78
House Beautiful 75
Hufvudstadsbladet 56,60,76-77,79
Hummel, Frederick 37
Hungarian State Symphony 74
Hussey, Dineley 73
Huttunen, Jorma 50,70
Hyrminen, Jorma 47-48
Dconen, Lauri 50
Illberg, Ingeborg 4
Indianapolis Children's Choir
xi, 70
Indianapolis News 76
Indianapolis Star 73
Indianapolis Times 77
Institute of Musicology at Abo
Academy 70
Ipoiyi 39
J.,L.B. 73
Jackson, John Hampden 66
Jacobson, Bernard 29,40
Jalas, Jussi x, 28, 41-42, 52-53,
59, 66, 74
James, Burnett vii-ix, xi, 59
Janacec, Leos 61
Japan Philharmonic Symphony
Orchestra 46,75
Jamefelt, Arvid 8
Jarvi, Neeme x, 47
Jensen, Thomas 28-29,37
Johanson, Sven-Eric 78
Johansson, Bjom 78
Johnson, Harold E. iii-iv, vii,
ix-x, 1, 8, 20, 22-23, 25-27, 56,
57-69, 76-79
Johnson, Thor 32, 35, 38, 50
Jonsson, Josef 78
Jordan Ballet 70, 77
Josephson, Ernst 6, 10
Joukahainen, Wilkku 1
journal of Research in Music
Education 78
Julin, Jacob de 23
Juon, Paul 8
Kajanus, Robert 28, 33-34, 39, 50,
56, 64, 69
Kallio 16
Kamu, Okko 72, 74
Kappila, Teuvo 70
Karajan, Herbert von 32, 41^5, 71
Karhilo, Liisa 47
Karisto, Arvi A. 24
Karjalainen, Ahti 50
Karlfelt, Erik Axel 14, 21-22
Karttunen, Antero 60
Kaski, Heino 51
Kemochan, Marshall 19
Ketonen, Oiva 78
Kilpelainen, Kari x, 18, 24, 60, 70
Kilpinen, Margaret 51
Kilpinen, Yrjo 33,38,51
Kingsley A. Hart 61-62
Kirby,W. F. 67
Kirjallissutta 78
Kivi, Aleksis 2,54,68
Kivimaa, Arvi 74
Kivimies, Yrjo 59
Klami, Uuno 51
Klemetti, Heikki 5, 11, 51
Klemming, Gustaf Edvard 67
Kletzki, Paul 33-34,39
Knape, Ernst V. 11
Knudsen, Paul 12
Kokkonen, Joonas 64, 66, 78
Kolodin, Irving 43, 73
Konow, Walter von 22
Kord 71
Koskenniemi 23
Koskimies,see Forsman/Koskimies
Koskimies, Pentti 51-52
Koskinen, Antti 54
Kosonen, Eero 53
Kostia, Raili 27
Koussevitzky, Serge 34, 38, 42-43,
45, 48-49, 54, 72
Kramer, Fanny von 6
Krause, Tom 47
Krehbiel, Henry E. 69
Krohn, Aune 4, 6
Krohn, Felix 51
Krohn, Ilmari 51,60,76
Kurjensaari, Matti 61
Kurkiala, Elisabeth 16
Kuula, Toivo 51
Kuusisto, Taneli 51-52
Kuusoja, Maiju 51-52,70
Kvdlls-Posten 78
Lambert, Constant 73
Lang, Paul Henry 73
LSngholm-Bergman, Sylvelin 49
Larin-Kyosti 12, 18
L'Art Vivant 73
Lawrence, Robert 73
Layton, Robert 27, 39, 4041, 43,
60-61, 65, 69, 74
Leander, E. 3
Lebrecht, Nonnan 73
Leek, Heniy 70
Leckrone, Michael 61
Leino, Eino 16,22
Leitner, F. 46,50
Leiviska, Helvi 52
Leningrad Philharmonic 34, 36, 39
Lerche,Nils 43,46,52
Leimg, Raymond 70
Levas, San ten 61, 76
Levertin, Oscar 2
Levon, Eino 22
Liederbach, Elizabeth 70
Lincoln, Stoddard 73
Lind,Bo 78
Lindermuth, J. R. 72-73
Lindqvist, Rafael 16
Linko, Ernst 52-53
Linko, Liisa 53
Linnala, Eero 79
Linnala, Eino 2, 39, 41, 52-53
Liszt, Franz 45, 52
Litschauer, Franz 29, 35, 50
Lloyd, Ernest 61
Lockerbie String Quartet xi, 70
London Philharmonic Orchestra
30,35,37,40,44,48,54
London Proms Symphony 32, 36, 50
London Symphony Orchestra
29, 31, 33-40, 42-46, 54
London Times 78
Long, Stephen 69
Lonnbohm, Kasimir 22
Lonnroth, Elias 67
Look 74
Lorenz, Giinter 30
Lounela, Pekka 78
Lundsten, P.J. 70
Lybeck, Mikael 14
Lyle, Watson 74
Lyons, James 28, 30-31, 35, 37, 40,
42-43, 45-46
"mivi" or M~i V— i 76
Maasalo, Armas 52
Maazel, Lorin 28, 33, 35, 39, 41,
43,45,72
96
Name index
Mackerras, Charles 32, 36, 50
Madetoja, Leevi 52
Maeterlinck, Maurice 8
Magoun, Francis Peabody 67
Mahler, Gustav 61
Maine, Basil 74
Makinen, Eino 61
Makinen, Timo 61,64
Mann,Thor 33,38-40,44
Marriner, Neville 37
Martling, Lars Gunnar 78
Marvia, Einari 52
Mason, Phyllis 35
Massenet, Jules 44,52
Massy, Hugh 33
Mazour, Anatole Gregory 67
McWilliams, Jerry 26
Melartin, Erkki 3, 28, 52
Mellers, Wilfrid vii, 74
Merikanto, Aarre 52
Merikanto, Oskar 52,77
Meyer, Alfred H. 74
Mikkila, Timo 51
Milwaukee Symphony 73
Mittman 49
Molinari, Guido 61
Monteux,Pierre 35
Morgan, Robert P. 74
Mormon Tabernacle Choir 31
Moscow Radio Symphony 37, 43
Mozart, Wolfgang A. 31, 43, 52
Mueller, John H. 56
Music Library Association 70
Musical Art Quartet 49
Musical Quarterly 71
Musical Times 78
Musikrevy 71
Mussorgsky, Modest 53
NBC String Symphony 29
NBC Symphony Orchestra 34, 38
Nelson, David 32,38
Nevanlinna, Rolf 79
New York Philharmonic
34-35, 37, 41, 49
New York Times Book Review 76
New York Times Magazine 74
Newman, Bill 29
Newman, Ernest 45, 57
Newmarch, Rosa H. J. 62
News Bulletin 60
Newsweek 74
Nielsen, Carl 2, 9, 40, 53, 74
Niemann, Gustav 62
Niemann, Walter 62, 74
Niemela, Tii 51, 52
Nopsanen, Aame 64
Nopsanen, Aulis 58
NordundSud 9,71
Nordic Music Archive at Ohio
State University 69
Nordische Rundschau 74
Nordman, Torkel 21
Norio, Reijo 20
Nerrkepings Tider 78
Nortamo, Hjalmar 22
Nummi, Seppo 61, 79
Nurminen, A. 22
Nurmio, Heikko 15
Ny Tid 78
Nya Pressen 60, 77
Nyblom, C. G. 62
O'Connell, Charles 32, 35-36
Offoel,J-d' 7
Ohio State University
Music/Dance Library 69
Ohquist, Johannes 24
Oistrakh, David 37, 43
Oja, Marja 50,54
Oksanen, A. 5
Oramo, Ilkka 60
Orchestra Society of Vienna 37
Orchestre de la Suisse Romande
35,41,45
Orell, Sune 68, 76
Ormandy, Eugene 27, 29-31, 33, 35-
38, 40-42, 44-45, 48-50, 53, 64-65
Osborne, Richard A. iv, 69
Ostergotlands Fackbl. 78
Ott, David 70
Ovation 72-73
Oy. Yleisradio Ab 77
Pacius, Frederik 53
Page, Tim 74
Piiivan Sanomat 79
Palmgren, Selim 21, 33, 38, 53
Panula, Jorma 48
Paray, Paul 35
Parmet, Simon 62, 64, 66, 68, 76
Paul, Adolf Georg 67
Pederson, A., Jr. 77
Pesola, Vaino 53
Pesonen, Olavi 53,79
Pesonen, Urpo 53
Peter, H. A. 78
Petersson, Erik 78
Philadelphia Orchestra 27,29-31,
33, 35-38, 4042, 44-45, 48-50, 53
Philadelphia Symphony 53
Philharmonia Orchestra 32-34,
39, 41-43, 45
Philharmonic Promenade
Orchestra of London 27,30-31,
38-39, 41^2, 45
Philharmonic Society 8
Philharmonic-Symphony
Orchestra of New York 33-34,
40, 44, 54, 57
Pike, Lionel 62
Piltti, Lea 51
Pirsch, Georges A. 62
Porter, Andrew 32-34,42-43
Prague Symphony Orchestra 3036
Pretre, George 35
Previn 71
Price, Lucien 74
Procope, Hjalmar 24
Puccini, Giacomo 73
Purcell [music critic] 74
Pylkkanen, Tauno 28, 53
R.R.R. 14
Raab, Bernard 37
Radio Female Chorus 52
Radio Symphony Orchestra
Helsinki 70,74
Raitio, Jeanne 52
Raitio, Vaino 28, 53
Ranta, Sulho 39, 41, 53, 74
Rapola, Martti 77
Rapola, Sirkka 59
Rattle, Simon 73
Rautawaara, Aulikki 46, 50
Rayment, Malcom 27-28, 30-32,
34,41
Reader's Digest 71
Rebay, Ferdinand 4, 1 1
Reenpaa, Erkki 79
Rehbaum, Theodor 10
Reinisch, Frank 1, 60
Respighi, Ottorino 44, 53
Reuter, Jo natan 14,20
Rias Symphony Orchestra 42
Ricci, Ruggiero 37, 47, 54
Richards, Denby 62
Richmond, LeRoy 74
Rimsky-Korsakov, N. A. 28, 44, 53
Ringbom, Nils-Eric 34, 36, 39, 41,
43-44, 46, 53, 59, 62-63, 66, 76, 79
Ritter, Anna 9
Robinson, Edward 75
Rochester Philharmonic 32, 42
Rodzinski, Artur 40,42,54
Roiha, Eino Vilho Pietari 63-64
97
Name index
Roismann 39
Ronald, Sir Landon 31
Rosand, Aaron 42-43,54
Rosas, John 60,63
Rosbaud,Hans 28,30-31,45
Ross, Mauroce O. T7
Rossini, Giacomo ix
Royal Liverpool Philharmonic 29
Royal Opera House Orchestra 34
Royal Philharmonic Orchestra
27-28, 31, 33-34, 36-37, 41,
44-45, 48^9, 52-53
Rozhdestvensky, Gennady
34, 36-37, 39, 43
Rubbra, Edmund 44,53
Runeberg, Johan Ludvig 1-2,5-6,
10, 12, 15, 20, 23, 61, 67
Rydberg, Viktor 5, 7, 10, 12
Rydman, Kari 79
Saalasti, Education Minister vii
Saarenpaa, Toivo 54
Saarikivi, Sakari 70
Saarits, Sulo 32, 51-52
Saike, Antero 28, 44
Saikkola, Lauri 54
Salmenhaara, Erkki 60, 63
Salminen, Kimmo 64
Salzman, Eric 75
Sanderling, Kurt 71
Sanroma, Jesus Maria 49
Sarasate, Pablo 43, 54
Sargent, Sir Malcolm 27-28, 30,
32-33, 73-74
Saturday Review 72-74
Schermerhorn, Kenneth 73
Schippers, Thomas 35, 49
Schneevoigt, Georg 43
Schneider 39
Scholes, Percy A. 75
Schubert, Franz 35, 54
Schybergsen, Gerda 12
Schybergson, Gosta 20, 25
Scottish National Orchestra
28, 31-32, 41
Sevitzky, Fabien 8
Shakespeare, William 18
Shapiro, Harvey 38
Shawe-Taylor, Desmond 79
Shelley, Henry C. 67
Shostakovitch, Dmitri 42, 54
Sibelius, Jean. Manuscripts or mss.
facsimiles xii, 1-3, 7, 9, 15, 20,
21, 22-24, 55, 62, 64, 68-70
Sibelius Centenary Committee 64
Sibelius Festival Commission 76
Sibelius Museum iii, 56, 69-70
Sibelius Park 70
Sibelius Society 70,77
Siirala, Seppo 47
Simila, Martti 39, 41, 52-53, 64
Simon, Robert A. 30, 32, 36, 38
Simpson, Robert 62
Sinfonia of London 35
Singing Brothers of Viipuri 25
Sipan (i.e. Sibelius) 22
Sipila, Asser 50
Sitkovecky, Julian 37
Siukonen, Wilho 21
Sj6blom,Paul 16,58,64,66
Smetacek, Vaclac 36
Smith, Carleton 75
Snoilsky, Carl 14
Sola, Waino 24
Solantera, Kyllikki 6, 14
Solantera, Lauri 64
Sonninen 33, 38, 54
Sonderstrom, Elisabeth 47
Sora, Rafael 50
Spivakovsky, Tossy 37
St. Louis Symphony 43, 52
Stenius, Hanna 65
Stereo Review 73, 75
Stem, Isaac 37
Stock, Frederick 29
Stockholm Festival Orchestra 37
Stockholm Philharmonic 35
Stockholm Radio Orchestra 32, 44
Stockholm Radio Symphony
Orchestra 33, 35, 40, 42-43
Stoeckel, Cari 69
Stokowski, Leopold 31, 33-35, 45,
48, 53, 71
Storg^rd, Ina 7
Strauss, Richard 61, 73
Stravinsky, Igor 38, 54
Strickland, Daniel 35
Strindberg, August 9
Suomalainen, Yrjo 64
Suomalainen Suomi 78
Suomen Kansallismuseo 69
Suomen Laulu 51, 70
Suomen Lukko 22
Suomen Kubalehti 79
Suomen Musiikin Kuva 64
Suomen Musiikin Vuosikirja 64
Suomi-Finland USA vii, 60, 76
Suonio, Aino 23
Susman, Margarete 9
Symphony Orchestra 28,33-34
Symphony Orchestra of Olympia
28,44
Symphony Orchestra of Radio
Stockholm 29,37
Symphony Orchestra of the South
West Gennan Radio 42-43,54
Szalkiewicz, Cyril 50-51
Szoke, Tibor 42-43, 54
Taipale, A. E. 3,20-21
Tammaro, Ferruccio 64
Tannberg, Hubert 6
Tanzberger, Ernst 65
Tarasti, Eero 60
Taubmann 2-3, 5, 10, 11
Tavaststjema, Karl August 2,10 14
Tawaststjema, Erik x, 58, 60,
64-65, 70
Tchaikovsky, Peter Ilych 37, 43,
45, 54, 73
Tegenden, Elis 67
Telmanyi, Emil 37
Teosto 65
Terrell, Gisela Schliiter 75
Terhi, Kaarlo 25
The Age 78
The American Record Guide
71-72, 74, 79
The Atlantic Monthly 74
The Etude 71, 73
The Geographical Magazine 58
The Guardian 51
The Listener 78
The London Sunday Times 79
The Monthly Musical Record
Guide 71-72,74
The Musical Quarterly 74
The New York Times 74
The New Yorker 75
The Saturday Review 72, 75
The Spectator 73-74
Thoor, Alf 32, 44, 78
Time M agazine 75
Tolonen, Jouko 43,46,54,60
Tompuri, Elli 68
Tolvas, Ilpo 70
Topelius, Zachris 1, 6, 12, 21, 52
Toscanini, Arturo 34, 38
Tome, Bengt Axel von 64, 66
Tovey, Donald Francis 66
Travers-Borgstroem, Arthur 67
Trotter, William R. 75
Turjas, Ilmari 78
98
Name index
Tuninen, Martti 32-33,38,46, 50-51,
53-54
Tuukkanen, Kalervo 51, 54
Tuxen, Erik 42
Tyrell, John 61
Tyrvainen, Vdkko 50
Tyyri, Joukko 79
U.S. Department of State 75
USSR Radio Symphony 29
Uusi Musiikkilehti 66
Uusi Kuvalehti 78
V— i, M— i or "mivi" [Helsingin
Sanomat music critic] 76
Vaisanen, A. O. 25,77
Vala, Katri 51
Valsta, Tapani 51, 70
Vehanen, Kosti 38,40
Veinus, Abraham 30-1,38-39, 41-2,45
Vienna Philharmonic 27-28, 30, 32-33,
35,39,41,43,45
Vienna State Opera 29, 35, 50
Viitanen, Usko 27
Vuorenjuuri, Martti 79
WAJC (Butler University) 69
Wagner, Richard 44, 54
Wallace, William 7
Ward, John Owen 75
Wasastjerna, Nils 24
Watanabe, Akeo 46, 72, 75
Waterhouse, J. F. 78
Waterhouse, John C. G. 78
Wecksell, Josef Julius 5-6
Wegelius, Martin viii
Weijola, Yrjo 5
Weiss, Emil Rudolf 9
Wenstrom, Oscar E. 66
Werba, Erik 46
Werder, Felix 78
Westerberg, Stig 32, 44
Wharton-Stork, Charles 67
Whittall, Arnold 75
Wicks, Camilla 37
Wihuri Foundation 75
Williams, Richard 75
Winograd, Arthur 29, 40, 53
Wood, Ralph W. 56
Woss, Kurt 31
WuoUe, Aino 68
Yale Review 74
Ylioppilaskunnan Laulujat 53
Ylioppilaslehti 79
Yorkshire Post 79
Young, Percy M. 61
Zweygberg, Lennart von 58
KALEVALA: RUNON SYNTY (THE BIRTH OF THE RUNE)
Voices from Finland. An anthology of Finland's verse and prose in English, Finnish and Swedish. Helsinki, 1947.
Excerpts, pages 22-26.
I am minded, my heart moves me
And my understanding urges
Me to make a start of singing,
and of saying and of speaking.
And of telling tales of kinship.
Tales of race to be reciting...
By the frost were songs framed in me.
Runes were by the rain suggested.
Other songs the winds have sung me
And the sea's waves others wafted....
These into a ball I bound fast
Wound and bound into a bundle...
Laid it farthest back on barnloft
In a little brazen bushel.
Long have my songs lain there frozen.
Dwelt a length of days in darkness.
Shall I pull them from the frost forth.
Shall I from the cold collect them.
Bring the box into the chamber...
Shall I open up the word-chest.
Rouse the runes, attune the casket.
Start unwinding at the ball's end
And undo the bundle's bondage?
So I shall sing even a good song.
Bang forth even a beautiful one
After having eaten rye-bread
And enjoyed the beer of barley.
But if beer should not be brought me.
If no ale I should be offered,
I will sing from mouth more dry, then.
With tongue wet from water only.
For enhancement of this day-time.
Or for mirthfulness to-morrow.
For the dawning of a new day.
Mieleni minun tekevi,
Aivoni ajattelevi
Lahteani laulamahan,
Saa'ni sanelemahan.
Sukuvirtta suoltamahan,
Lajivirtta laulumahan...
Vilu mulle virtta virkkoi,
Sae saatteli runoja,
Virtta toista tuulet toivat,
Meren aaltoset ajoivat...
Ne mina keralle kaarin,
Sovittelin sommelolle,
Keran pistin kelkkahani,
Sommelon rekoseheni...
Viikon on virteni vilussa,
Kauan kaihossa sijaisnut.
Veanko vilusta virret,
Lapan laulut pakkasesta...
Alle kaunihin katoksen,
Aukaisen sanaisen arkun,
Virsilippahan paan keralta,
Suorin solum sommelolta?
Niin laulan hyvanki virren,
Kaunihinki kalkuttelen
Ruoalta rukihiselta,
Oluelta ohraiselta.
Kun ei tuotane olutta,
Tarittane taarivetta,
Laulan suulta laihemmalta,
Vetoselta vierettelen
Taman iltamme iloksi,
Paivan kuulun kunnniaksi,
Vaiko huomenen huviksi,
Uuen aamun alkeheksi.
99
RARE BOOKS & SPECIAL COLLECTIONS AT BUTLER UNIVERSITY
The Hugh Thomas Miller Rare Book Room houses early and rare books, manuscripts, maps, music scores,
prints, newspapers, and memorabilia in all fields of liberal arts and sciences, education, pharmacy, and the
fine and performing arts. The general rare books collection includes rare and unusual items from almost all
fields of intellectual inquiiy and aesthetic pleasure, such as early medicinal and botanical works, literature
and history, early theological works, modem poetry, and Americana.
The Eliza A. Blaker Room, Irwin Library, memorializes the beginning of childhood education in
Indiana, and the great contributions made by the woman who initiated, shaped, and developed kindergarten
and primary education training. Blaker's Teachers College merged with Butler University in 1931.
The John S. Wright Great Books Room houses finely bound sets of important literary, philosophical,
and historical works, and serves as special conference room.
In addition to the general collection of rare materials housed in the Hugh Thomas Miller Rare Book
Room, there are several important special collections that are maintained separately.
THE HAROLD E. JOHNSON JEAN SIBELIUS COLLECTION
JOINS OTHER SPECIAL COLLECTIONS:
The William F. Charters South Seas Collection
William F. Charters spent his adult working life in Indianapolis. Book collecting was a fashionable
activity in his age. In 1924, he purchased a copy of O'Brien's White Shadows in the South Seas, and became
deeply moved by the author's compassion for the passing native civilizations of the South Seas and the plea
that the irreplaceable records of these peoples and cultures must be preserved, especially so since they
themselves had no written records. Accordingly, Charters built a book collection that would preserve the
knowledge of cultures and civilizations that were quickly changing under the influence of traders, empire
builders, missionaries, and foreign administrators.
A gift to Butler University in 1931, the Charters Collection has grown to some 3,200 books and
periodicals pertaining to the Pacific Islands. Materials range from the earliest circumnavigators' and
explorers' accounts to later studies in anthropology, linguistics, history, natural sciences, arts, and crafts.
The collection includes bibliophilic gems such as a first edition of William Bligh's A Voyage to the
South Seas (1792) as well as the early scientific memoirs and bulletins of the famous Bemice Pauahi Bishop
Museum. There are examples of early printing presses used in the Pacific Islands, missionary reports, and
literary and biographical accounts of life in the South Seas. Current socio-political, anthropological and
ethno-linguistic works are being added.
National Track & Field Hall of Fame Historical Research Library
An agreement was made in May 1986 between the Irwin Library of Butler University and the
National Track and Field Hall of Fame to house some 250 books and track records as a special collection
within the Department of Rare Books and Special Collections. Since then, it has grown dramatically. Dr.
Ken Doherty donated his entire library; other coaches, athletes, and writers have followed suit. Financial
and material support has come from the Hall of Fame, The Athletics Congress (TAC), the NCAA Division I
Track Coaches Association, and other American and foreign organizations.
At present, the collection holds more than 25,000 items: books, journals, programs, guides, statistics,
photographs... One finds books dealing with old and current training and coaching methods for all events;
autobiographies and biographies of athletes and coaches, many of them signed by their authors; meet
programs from the 1870s to current competitions; Olympic reports; some organizational archives.
Available: details about a sponsored fellowship program, subscription to a complete indexed catalogue,
special film list, and other information about this unique collection.
100
Lincoln and Civil War Collections
These collections include nineteenth century and later rare books and pamphlets about the life and
times of Abraham Lincoln. Many of the early pamphlets and campaign materials, books, and newspapers
were brought together and donated by Charles W. Moores, lawyer, author, and Lincoln collector (1862-1923).
Included are treasures such as an early Lincoln legal manuscript and a first printing of Edward Everett's
oration at Gettysburg.
The Moores Collection was augmented through materials from Donald C. Dumam's library, mostly
about Lincoln portraits in stone, bronze, and wood, and recently through many scholarly Civil War titles from
Dr. David M. Silver's library.
ALSO:
There are several smaller special collections, among them some fine botanical and zoological print
collections, manuscript specimens, the Alice Bidwell Wesenberg Collection of 20th Century American Poetry,
early maps of Indiana.
To add to the variety: the Dellinger Collection of Early American Educational Materials, 19th century
American popular sheet music, an extensive Kin Hubbard/Gaar Williams collection, and a fledgling
collection of award-winning advertising materials in many formats, sponsored by the Indiana Federation of
Advertising Agencies.
The Department of Rare Books & Special Collections also administers Butler University's Archives.
The university opened its doors in 1855; measured by instihitions of higher learning in the American Midwest,
Butler has achieved respectable age and a considerable amount of historical materials that are of interest to
local and regional historians.
SERVICES
Individual patrons and visitors are welcome during all Rare Book Room op>en hours and by appointment.
Some special rules have been established to protect rare and vulnerable materials, but there are no
restrictions to access.
An orientation program on rare books, the history of books and printing, and the collections housed in
the Rare Book Room, is offered by appointment throughout the year to classes and all interested groups.
Sf)ecial arrangements for visiting scholars and out-of-town researchers may be made.
Several major exhibitions on a variety of subjects are mounted each year. These displays serve to
inform the community about special holdings, and are announced by newsletter and other media.
All catalogued holdings are represented in the Irwin Library's on-line catalog and the OCLC database.
The Rare Book Room also offers special files for early imprints, early or famous printers and presses, inscribed
works, works with a famous provenance, manuscripts, music, and a donor file.
All materials may be consulted inside the Rare Book Room; nothing circulates. Whenever possible,
interlibrary loan requests are honored through photocopying. The staff assists patrons with special research
questions through full reference service (with the aid of the Irwin Library's Reference Department), and
contact to other special collections in the country.
On-line access to most library collections is augmented by several catalogues of varying extent,
descriptive checklists, archives' calendars, flyers, and brochures. A list of current publications is available.
101
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