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The New
Musical Comedy
UNIV£flS/Ty OF^LUMOia
P.G.Wodehou^e
andGuuBoliort <
M«^ic In, JEROME KERN
T B. HARM J
AND
FRANCIJ. DAY & HUNTER-
NEW YORK
LtBRARl
Henry W. Savage Offers
The New Musical Comedy
HAVE A HEART
Book and Lyrics by
GUY BOLTON and P. G.WODEHOUSE
Music by
JEROME KERN
staged by
Edward Royce .^ \^
VOCAL SCORE TWO DOLLARS
NEW YORK
Published by T.B. Harms & Francis, Day & Hunter
62 West 45^^ Street.
Cop)/ right MCMXVII hy T. B.Harvis & Francis, Day & Hunter,
All Rights Reserved. International Copyright Secured.
Performing rights exclusive property of H.W. Savage.
'-0,
CHARACTERS
(In the order of their appearance)
HENRY, the elevator boy at Schoonmaker's Billy B.Van
TED SHELDON Donald Macdonald
LIZZIE O'BRIEN Marie Hollywell
DETECTIVE BAKER, of the Blueport Police ; . Eugene Keith
RUTHERFORD 9CH00NMAKER, proprietor of the Schoonmaker Department Store . Thurston Hall
CAPTAIN CHARLES OWEN Roy Gordon
PEGGY SCHOONMAKER ... Margaret Romaine
MRS. PYNE, Peggy's aunt Flavia Arcaro
MATTH-EW PYNE James Bradbury
DOLLY BRABAZON • " Louise Dresser
YUSSUF, the entertainer Josepn del Puente
MAITRE D'HOTEL Eugene Revere
Shoppers Misses Rosalie Mellette, Helyn Eby, Charmion Furlong, Dazie Burton, Anue
Sands, Grace Du Bois, Annette Besuden, Margaret Fritts.
Salesgirls —Misses Doris Predo, Martha Parsons, Alice Maurice, Mabel Guilford, Marie
Hollywell, Helen Lane, Belle Bowman, Helen Donohue.
Men — Messrs. William Deacon, Will Smith, Paul Mountaney, Bert Pullaney, Roy Wells,
Will Cobb, Earl Jordon, Walter Burke, Jules Rigoni, Arthur Eley.
SYNOPSIS OF SCENES
ACT I.
Lingerie Room at Schoonmakers.
ACT II.
SCENE 1 -Lounge T)f the Ocean View Hotel. Night.
Curtain will remain down half a minute to djenote lapse of time.
SCENE 2 -The Same. Next morning.
Place -Blueport, R.I. Time —The Present.
Musical Numbers
Conductor, Gustave Salzer
Page
Overture 2
ACT I.
1 Entrance —"Shop" Salesgirls 12
2 Duet — "I'm So Busy" Lizzie and Ted 16
3 Musical Scene —"Have a Heart" Ruddy 20
4 Song —"Look In His Eyes" Pegg-y and Ensemble 25
,s
5 Duo —"I Am All Alone" Ruddy and Peggy 32 ^ o-)^-t_-
6 Song —"I'm Here, Little Girls, I'm Here" Ted and Girls 35
7 Dance Duet —"Bright Lights" Dolly and Henry 40
8 Musical Scene —"The Road That Lies Before" .... Ruddy and Peggy 44 /
9 Finale Ensemble 51 C^
^\-^3
ACT II.
1 (a) — Opening Chorus Guests 64 C'i^_a-
(b) —"Samarkand" Yussuf and Ensemble 7^^^ tr"-/_^
2 Song — "Honeymoon Inn" Peggy and Ensemble 76
3 Song —"Its a Sure, Sure Sign" Dolly 80
4 Duet —"My Wife My Man" Peggy and Ruddy 84/6^ '«^'
5 Duo —"You Said Something" Ted, Lizzie and Ensemble 88
6 Song —"Daisy" Peggy 91
7 "Reminiscences" Orchestra 94
8 Song —"Napoleon". Henrj', Flunkeys and Girls 95
Have A Heart.
Selection.*
Allegro brillante.
JEROME KERN.
arr. by Chas.Miller.
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5480-10 Cojiyright MCMXVII by T. B. Harms & Francis, Day & Huntfr; N.Y.
All Bights Reserved. International CopyrightSecured.
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12
Words by
P. G. WODEHOUSE.
Shop.
(Entrance of Salesg-irls.)
JEROME KERN.
Moderate.
Piano.<
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Its time that we were firm and lodged a strong com-
Copyright MCMXVII by T.B. Harms & Francis, Day & Hunter, N.Y.
5483-4 All Rights Reserved. International Copyright Secured.
13
UNIS.
plaint,
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14
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5483 - 4 Shop.
15
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3483-4 Shop.
16
"Words by
SCHUYLER GREENE
and
P. G. WODEHOUSE.
Im So Busy.
Music by
JEROME KERN.
Piano.
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5462-4 Cojtyright MCMXFI h,!/ T.B.Harvfis & Frwncis,l}ay & Hunter, Jf. Y,
All Rights EeseTved, Int«riiatioHal Copyright Secured.
17
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po -
stop
?
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si - tion sub - lime,
work - ing at all.
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One
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whose chief plea - sure would be
may have loafed in the past,
make
But
mg
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5462.4 I'm So Bussy.
18
^^
TSTi-
for - tune for me;
bus - y at last,
One
Iv'e
T r I V
^
who would toil all the
found em - ploy-ment and
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day, Down in the mar - ket and say-
I m work - ing a - way all the time.
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Refrain.
i
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Liz - zie, Liz - zie Im
Liz - zie, Liz - zie I'm
so
so
bus
bus
4
y, Dont know what to
y. Bus - y lov - ing
m
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do.
3'ou
- I A A I A A A A -
Good
That's
A
by dear, I'm off to the
the job that suits me the
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5462-4 I'm So Bussy.
ttst
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street,
best,
^
19
^
Can't
Though
stop now
I nev
I'm
er
cor - ner - ing wheat,
get an - y rest.
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shall
shall
keep
keep
on
on
till
till
fm
I'm
diz
diz
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zy
zy
till
But
the
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deal
shan't
goes
get
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through,
through.
Liz
Liz
zie
zie
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so
so
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bus
bus
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Im mak -ing a pile for you.
So wont you get bus - y too-
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5462-4 Tm So Bussy.
20
Have A Heart.
Words by
P.G.WODEHOUSE.
Music by
JEROME KERN.
Piano .<
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A girl in a de - part-ment store has quite a wretch-ed
Each girl in my em - ploy-ment on ar - riv - ing in the
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time of it. I should - nt care to
morn - ing is Pro - vid - ed with re -
have her job my-
fresh ments on a
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self,
tray.
It seems to me a fool - ish way To
It costs but lit - tie to sup - ply Dill
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Copyright MCMXVI by T.B. Harms & Francis, Day & Hunter, N.Y.
5468 - 5 All Rights Reserved. International Copyright Secured.
21
#
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have to spend the
pick - las and Mar
^^
whole damn day, Stuck up be - hind A
tini' - s dry, Which put her in A
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32
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coun-ter haul-ing what-no^s off the shelf. I
mood to face the la . bors of the day. If
hate your strict em -
la - ter she should
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ploy-ers who are
be fa-tig-ued, she
nut - ty a - bout
tot - ters to the
dis - ci - pline, Who
read - ing room Or
P
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run a store with pun - ish-ment and fine._
stag-gers to a mov - ing pic - ture show,.
Why
Or
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5468-5 Have A Heart.
22
1
$
*
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pick on some poor lit - tie thing- Whos been out all night tan-go - ing, Be -
in the Rest Room she may get a so - da and a cig - a-rettejThese
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cause she gets to work at one o - 'clock in - stead of nine,
sim -pie acts of kind-ness mean a lot to her you know.
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Have a heart!
Have a heart!
Have a heart!
Have a heart!
Re
Re - col
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mem-ber she is hu - man just like 3'OU._
lect a sales-girl is - nt a ma - chine.
Would - nt
Ev - 'ry
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5468-5 Have A Heart.
23
^t^.
^^^
r r r N'
^
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you re - gard
day with much
with loath - ing, Hats and coats and un - der
com - plete - ness, I am scat - tring- light and
*
J J J
1 I _^
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cloth - ing-, If
sweet- ness, So
A
you had - nt got to bed till half - past
she gets a chance to rest her ach - ing
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two?_
bean.—
A
A shop - girl in the ci - ty is de
Im lead - er of the move-ment for ef
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serv - ing of your pi - ty, Of
feet - ing an im - prove -ment, The
pleas - ure life for
bat - tie flag- of
5468-5 Have A Heart.
24
^^
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her is not a whirl,
free - dom I un - furl.
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So Im mak - ing- it my
She grows wea - ry show- ing'
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mis - sion To im - prove her sad con - di
cor - sets, If she nev - er lies down or
tion, And like
sits, So like
(
P
rit.
rail.
a tempo.
^
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Heav
Heav
- en,
- en.
I pro
I pro
tect_ the_
tect_ the_
work
work
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ing girl,
ing- g-irl.
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rail.
3
a tempo.
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5468-5 Have A Heart.
-B.S.
Look In His Eyes
Words by
HERBERT REYNOLDS.
Allegro moderate.
25
Music by
JEROME KERN.
Piano.
i
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4 ^ ^ t j) j) I r p Q ^' I P 7 J' J -7^
In the game of love,_ the points that count are
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sub- tie - ty and fi - nesse.
Not crude dis- plays of your
s
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men - tal craze that ad - ver-tize dis - tress!
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Copy right MCMXIII by T. B. Harms & Francis, Day & Hunter, N.Y.
7 All Rights Reserved. International Copyright Secured.
26
}) -y ^) })
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- I -. I J J^ J"]
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rip - pling laugh and a fund of chaff, with nev - er the sound of
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win at love, Al-ways
sighs'. And all else a - bove, if you'd
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Valse lente.
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look — in your part - ners eyes!
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Valse lente con espressione.
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Look in his eyes, Look in his eyes,
s
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Take my ad
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Look In H*s Eyes. 7
<!' ^ r r
27
^
vice and be wise.
m
Hints that you need, in your
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plans to sue - ceed! Plain-er than print you'll be a-ble to
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read. Look in his eyes,
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Look in his eyes, If
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love an - y - where in them lies!
With-
Look In His Eyes?. 7
28
^
[Bouche fermee.)
^
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out an- y doubt, it is bound to peep out. Umm, Umm, Umm,.
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Valse. Brillante.
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In the
t
Through his eyes!
dance,
there's your
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a tempo.
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122
chance.
then the stage is all set for the play!
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With his arm 'round your waist, you are
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Look In His Eyes. 7
23
te
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pro-per-ly placed for sur - vey! Your ro - mance,
P I f T P
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may ad-
kt
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iff
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To the thought of the trous-seauyoull buy!
vance,
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And you're plan-ning the house.
To a .rhythm by
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32
Strauss! — As you watch
the love - light
in his
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molto es press
pressando.
poco
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Look In His Eyes-7
4
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eyes._
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Look in his eyes,
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Look in his eyes, Take my ad - vice and be wise.
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Hints that you need in your plans to sue- ceed. Plain - er than
TEN. -0- Sh- A -•- A
RASS.
Hints
W^
23
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that you need to sue - ceed. Plain
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print you'll be a - ble to
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read.
his eyes,
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^ er than print you can read.L-
^ cresc. >B^
Look in his eves
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lis eve
SOLO.
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Look In His Eyes.'?
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Look in hisk eyes And if love an - y - where in them lies
d^
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With - out an - y doubt it is bound to peep
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out, Umm, Umm, Umm,
through his eyes.
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through his eyes.
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his eyes
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Fine.
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Look In His Eves. 7
32 Words by -, t a a ii a i
JEROME KERN and And 1 Am All Alonc.
p. G.WODEHOUSE. Music by
Allegretto. JEROME D. KERN
VOICE.
Piano.
(
P^'H g J' rr " I T r ' i i JiJ'J'j.
Morn-ing and night
^
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I find no rest from the pain
r
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That comes be - cause I
cant for - get you
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All of the time
j'ou come to haunt me a - gain.
J
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_ Just as you were when first I met
you, I see you
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5461-3 Copyright MCMXVI by T. B. Harms & Francis, Day & Hunter, N. Y.
All Rights Reserved. International Copyright Secured.
Refrain.
33
M
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1
there
Just as you
used to be
A
so sweet and
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fair,
i
You stand and gaze at me.
. Your form is
i
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moth - er"'s smile of
ten - der - ness.
I hear your
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5461_3 And I Am All Alone.
34
i
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laugh,
r r rv
— it''s like an
S
^
pril morn I see you
^
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nf
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weep
a ti - nj
pearl is born I breathe your
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name, And find the
vis - ion has flown.
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331
And I am all
lone.
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546i_3 And I Am AH Alone.
I'm Here Little Girls Im Here
35
Words by
P.G.WODEHOUSE
Piano.
.45
^^^
mp
LLa
Music by
JEROME D. KERN
S
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H i i I n
GIRLS Ah there! 1 it-tie boy, Ah there!
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iCiirls) Thats true. .
{Ted) No play?.
\ b j> J^ j aXJ-ii< h JH I g
^m
^reri) La- dies, Im here just to be good to you,
tetr>is)Life, for us, is quite the re-verse of gay
So will you
With all our
' !^" i i
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m
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HE
Copyright MCMXVII by T.B.Harins & Francis, Day & Hunter, NY.
5487-.^ All Rights Reserved. International Copyright Secured
36
i
A
I J' , J^ J'' J; I i' i' ii > J'
(G 7 rls) There s one thing we 11 call your at-ten-tion
{Ted) I must own it does seem a tri - f le
It K J^ J^ J> l > iij' i h j^l I 1
(Ted) Say if there is an - y - thing I can do.
(Gt'Ws) Jacks and Freds and Bil -lies so far a - way.
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to.
gray.
ffftVis) Oh you
(Ted) I say,
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clue,
day!
(Ted) V\\ cor-rect it, if you will give the
(6irls)'iiio a- muse-ment, think of it, all the
(Ted) Ke - ly on
(Ted) If that is
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((?rr/,s) We
''Girfe) We'll
needi as
find you
* l l J ^J^ ff J'
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J^ n^' p ^' 1 p pa ^J M i
me. A friend and help - er, 1 want to be.
so, it seems to me that Im not de - trop.
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5487 - 5 I m Here Little Girls I'm Here
37
h B flfttorT^
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lu will, no doubt, a- ffree A lot of cheer-ful ;
^a^
^
you will, no doubt, a- gree A lot of cheer-ful so-ci - e - ty.
such a re -lief, 5'ou know,^\Tienthingshave start- ed to get too slow.
±
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(Ted) I
(Ted) Oh
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(Girls) Yes, our
(Girls) You re the
quite un-der.stand, Leave that to me; 111 justmaike a note,you see.
yes, we'll have lots of fun, al-though Most care -ful how far we go.
life is rath-er flat,
nic - est man in town
f(?tWs) Will you
(Girls) If we
i
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f.
(Ted) Let me make a note of
(Ted) Let me get that jot - ted
that,
down.
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5487-5 Im Here Little Girls I'm Here
38
P-^ .P p P ^ ^
^}\ JHi' i, Ji
^
^^
help ii you can?
gave you a kiss,
f^efl') When you want a co - sy chat,
^I'e</) Why, I should-nt e - ven frown.
^ais J^
J t I ^
^
1^
^
(Te(f) Lad-ies, Im your man.
(ffirls) Would it be a miss?
m
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foirZ») Do! Do!
(ffirU) Do! Do!
^^^
g^ ^
drop in and com - fort that..
want to be good to you.-
When ev - er you're feel - ing
When ev - er you want me
iw=f
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it.
m
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ioirls) Some - times, we feel so lone - ly.
(Oirls) Some - times we feel de - sert - ed.
:*
If
But
i
i' J' p I r
~~a —
blue,
to.
(Ted) As I can see.
(Ted) That we 11 may be .
^
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5487-5 Im Here Little Girls ImHere.
39
M
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P
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you would on - ly.
if we flirt - ed
p p i r r
(Ted) I want to be good to
(Ted) I want to be good to
^
^ J^ J' p I r > :
i
(Ted) Leave that to me.
(Ted) Leave that to me.
P
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M- M.
t==^t
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you. Trust me! In
you. Trust me! In
fu - ture,_
fu - ture,_
111 be near So pleasedont get dowTi
111 be near If you re -quire flir-
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heart- ed. Bearthis m mind: Im here, lit-tle girls, I'm here,
ta - tion, Just make a note: Im here, lit- tie girls, Im here.
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5487-5 Im Here Little Girlslm Here.
40
Bright Lights
Words by
P. G. WODEHOUSE
Allegretto
Piano
Music by
JEROME KERN
rr
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/T\ DOLLY
^
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How I
We will
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a tempo.
^
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S'
love to g"o out to some live spot,
drink the cham-pagne that is fiz - zy,
Where there's
Then, some
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*ll J' il ^ J' j^ j^
HENRY
W^^
ligrht, and an or - ches - tra
danc - ing-, of course, I'd a
plays,
do re.
Where j'ou
All the
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Cofyri/^ht MCMXVII by T.B. Harms & Francis, Day & Hunter, N. Y.
5486-4 ^]i Rig-hts Reserved. International Copyrig^ht Secured
41
%^P ^
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s
ind the head wait - er a five -spot, C
^N^
hand the head
peo - pie will whis - per,"Who is he?'
'TJn.^m
Or you dont get a ta - ble for
Whenthey see me come out on the
DOLLY
}l }\ I J' }\ > Ji J^ }M}\ J J i Jl
da3's.
floor.
Where the g-owns are all up to the min - ute, Andwhere
Do j'ou think j'oucouldg-et throug-hsome one steps, Or at
V^\ ^' }\ > i^ h i
HENRY
Un fi }\
^^m
p. ^' p p»^^p
w
ev - 'rj'- things love - ly and gay,
danc-ing-, are you quite a dunce?
And the nights gone be- fore you be
It is true that Ive nev - er yet
JyJ ^'p I P ,;^ j^ J) j\ >u
gin it; So j-ou fin - ish things up throughthe day.
done steps, But, ah gee! Ill try an - y - thing- once!
i^^
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5486-4 Bright Lights
42
Refrain
BOTH
^IF'/' ttJ) J. J .J' J^ > j]
W
Come with me
A A A
where there are brig-ht
lights,
i ff iti'r^n^n i' ^
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Where the white '. ligrhtsg-Ieam and glow
AAA r— — I
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Where the fes
tive u - ka - le - le
Tin - grles
pm
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g:ai - ly, let us
go.
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We will sup.
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54H6-4 Bright Lights
43
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Till the mer
AAA
with one an - oth
er
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ry mom - ing- chime.
lh--[} cj
Say g'ood - bye.
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to home and moth
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long:, long- time.
time.
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5486-4 Bright Lights
44
The Road That Lies Before.
Wo r d s by
P. G. WODEHOUSE.
Moderate. ^
Duet: Ruddy & Peggy.
JEROME KERN.
Piano.
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RUDDY.
I) > > ji I J^ J' J I ;^ j^ J' p I p
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If there's noth - ing more to say; If things can't be mend - ed;
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PEGGY.
J' P P
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Well, the chap - ters end - ed, Lets say good - bye.
I I -I = ' — ™»
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RUDDY.
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^\ait, though, I've some things of yours, I had best re - turn them..
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Copyright MCMXVII by T. B. Harms & Francis, Day & Hunter, N.Y.
5484-7 All Rights Reserved. International Copyright Secured.
^1
PEGGY.
^
RUDDY.
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What! 3'ou did - nt burn them? Burn them? not I. These
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^-^-^-^r-^t:^ ! J- ;^ I Ji Ji^^^^^
I J ;> Ji
sou - ve - nirs of you, Were once a lov - er's to - ken, And
^■
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IS
I"* J' J> Ji J' I J J) J) I J) j^ J^ ^^fi
now our vows are brok - en, There's on - ly this to
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(Slowly)
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5484-7 The Road That etc.
46
(^^ J d
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which once, you used to wear, I . now give back to you.
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PEGGY. (Spoken)
RUDDY.
^
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You used this once to bind your
iTo, keep it!
$
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PEGGY. (Spoken.)
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hair, 111 give it back to you..
No, keep it!
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RUDDY.
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The love that once you gave me, I now give back to you.
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5484-7 The Road That etc.
47
♦
PEGGY. (SpoA:en.) RUDDY.
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No, keep that ^oo. Then our first kiss,.
111 now give
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back to you.
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(They kiss.)
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PEGGY.
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Once more, loves path, well
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5484-7 The Road That etc.
48
^^
f r I f r I r
try.
To - geth - er, you and I.
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The
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dim.
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road
that lies
#
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be -fore,.
o
Is dark,
and
P
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hard
to see^
What -e'er fate holds in store.
P^
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Try it with me, try it with me!
i.
What though we
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5484-7 The Road That etc.
19
^
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J'lr J) If W
missed
^
it once,
We did
not un
^
d<'r.
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§
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d^ ,1 i -i^^^ i ii|- n^ r i r
stand.
Bet-ter to - day, we know the way,
^
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So let us
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154
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set out hand in hand ,
#
p^;
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Love for our path, a light will
A
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u—^
cresc.
^-H ^
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make, Shin-ing to guide the steps we take..
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5484-7 The Road That etc.
50
Dialogue.
^ con estasi.
P
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21
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delicato.
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5484 - 7 The Road That etc.
«uat_
Finale Act I.
Words by
P. G. WODEHOUSE.
Vivace.
Music by
JEROME KERN.
i
Piano.
W
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SOP. & ALTO.
J i^ i' J I J J J I J J J I J. I J J J
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Just think of it
TEN. & BASS.
r r r r r r r- r^^
Woo - zy has real - ly e - loped, Poor dear old
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Rud-dy has fled
He's tak - ing a deuce of a chance,
unis. -^
S
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5482- 13 Copyright MCMXFII by T. B.Harvis & Francis, Day & Hunter, N. Y.
All Rights Reserved. International Copyright Secured.
52
/ t\ unis.
%
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Think of the dance she's going to lead the man af - ter theyVe wed..
4 ^ J
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They used to be spliced to each oth - er be - fore,
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Mar-vel-ous nerve, the chap shows.
±
Now will they be
§
r r r I f r
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5482-13 Finale Act I.
J
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H
'r r r I
wed-ded once more, Or will their life be-come Cou-leur de - Rose?-
53
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Good
ness knows..
A-
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y *1 UNCLE & AUNT.
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f I r ^ r ^ f i r t ' r r 'r ' r
Liz - zie, Liz- zie, Quick, get bus - y, Tell us what to do.
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5482-13 Finale Act I..
54
OVfEH. (spoken.)
LIZZIE.
rTpTTr f ii ni
I can't think what youVe a-bout
Oh, cut it out!
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AUNT-
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Liz - zie, Liz - zie, say where is he? What's the good of you? His
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game, we must be balk - ing, Dont lets stand here talk - ing.
m
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Poco press.
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5482.13 Finale Act I.
CHORUS.
poco piu e cresc.
55
ffH^
j=j=j
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Phone up ev -Vy-where, Do some-thing, some -bo - dy! Lets be quiet and
J J . ^- J J
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Dont stand gap -ing there! Cant you do an- y- thing?
J,. ^ J .^ J J i i J i J i
cool..
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stand
gap
ing
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^ ^ HENRY. (Spoken)
v-J^ I fi •? ^ I ^ ii kI j'^
p
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Oh! you poor lit - tie
fool. Have a heart! JimminyChfristmas!Y{s\e a heart!
^P
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Oh!
you
fool.
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5483-13 Finale Act I.
56
>
Gee! you girls are al ways pick ing on a man
^m
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Dont you see I'm do - ing ev-'ry-thing I can
If you'll
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Can that
kind -ly keep your dis-tance, I might be of some as - sis-tance. j^^^^-^^ y^^
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CHORUS.
4
M' JW' I J) J-^ ;, ;j J li^if^^
f
"Clar - a Kim-ball Young'^stuff be a man!
see Tm do - ing ev -'ry-thing I can? _
Have a heart!
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5482-13 Finale Act I.
J
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57
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Have a heart'.
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You must go and make in - quir - ies in tl^e
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You wont find out where your niece is, if you pull the boy to
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They will
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5482-13 Finale Act I.
58
fan - cy just as
fk
^^
you did, that pur - suit they have e - lud - ed
L^ K
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prob - a - bly have
tar-ried at the par -sons to be mar -ried, There are
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slips be-tween the
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Some-things
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5482-13 Finale Act I.
59
)
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P P ' P t
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fe:
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time its ijet-tuiK lat - er! What a rot -ten piece of luck. You can
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fix it if you try boy; Cant you start the thing on high, boyPWas there
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HENRY (Sjjnkeii)
ev- er such an in -ef - f ic- ient pup? Go-ing up! e:o-ing up!
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5482-13 Finale Act I.
60
^
CHORUS
Unisono
^
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W
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We see them there.
Unisono
^
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Just as they
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used to be A hap-py pair,
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they go con - tent - ed - ly
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5482-13 Finale Act I
61
^
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m
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f ! > I '-^f ^ f
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gin their sec- ond hon - ey- moon with-out a
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for what may lie be -fore.
Re-solved to dare.
What fate may
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But wheth-er it he good or ill, How
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5482-13 Finale Act I.
62
V- k I ^
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chance, The sun will shine up - on them still, The sun- shine of ro
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ev - er fate may bring, Its blows can hold no
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What fate may bring, There 11 be
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sting. As in the days when he would sing. I see you
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5482-13 Finale Act I
-^ -^
63
^
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there ,
Just as you used to be.
so sweet and
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fair,.
You stand and gaze at me.
I breatheyour name, and
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Violin
And I am all a
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5482-13 Finale Act I
64
Opening Chorus Act II. And Song-.
Words by
P. G. WODEHOUSE.
Piano.
te
Moderate.
\ ■
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Music by
JEROME KERN.
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Not fast.
J ^ GIRLS.
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The wea - ry sun has fled, and the day is o'er.
MEN.K h K ^ j) I > ji . j' J' ^J-
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5485-12 Copyright MCMXVII by T. B. Harms & Francis, Day & Hunter, N. Y.
All Riphts Reserved. International Copyright Secured.
65
^
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The moon reigns in his stead o - ver sea and shore.
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The sooth - ing shad-ows fall like a cool oa - ress
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hap
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5485-12 Opening ctiorus Act II and Song.
66
m
ness.
■V-^ —
Who knows what woes may come to
P
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5485-12 Opening Chorus Act II and Song.
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To - mor - row is a long way
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67
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To - mor
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Moderato pomposo.
TURK.
i' ^ i) i. ii
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Cig - ar - ettes,.
m
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Cig-ars and cof - fee!
Of the
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0485-12 Opening Chorus Act II and Song.
68
^
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ver-y fin -est, these!
Cig - ar - ettes,
^
J^ J'. J^
PJ^
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Cig-ars and
i*
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GIRLS.
fe
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cof - fee! At your ser-vice, if you please!
So
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let's be gay, Let soft mu - sic play Be - neath the
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ray of moon -light so bright. Though trou - bles may me^
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122
548.5.12 Opening Chorus Act II and Song.
69
J
^
GIRLS.
^m
4
^^
h
Be
hap - py
i
to
night.
TURK.
The
^
sa
^
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turn with the day,
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moon that shines up there, Shines on my na-tive land.
My
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|b''lHJ J J ^
J J J J
heart is far a - way in Sam - er
kand.
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1.^
GIRLS.
MEN.
^
GIRLS.
Slowly.
^^
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p
Ee-ah!
te=^
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Ee-ah!
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5485-12 Opening Chorus Act II and Song.
70
«Jt
Andante moderato.
TURK.
^^
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Long a - go in Sam- ar -kand,such nights Tve known
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In that gar -den when I stand and wait a - lone
^CT
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Pf^M
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p P P EJ I P t J I P P ^-^
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In the moon-light wan and pale, Sing - ing with the
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1st
night - in - gale
Su - 11 - ma, your lov - er stands be -
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5485-12 Opening Chorus Act II ..nd Song.
71
^
TURK.
li^ ^ /. i' i^
Ci
J
M
GIRLS.
'n.' KJi J'
^^
ist
Show your face and
P P "' P P
f
Oh, that scent- ed gar -den, long a
BOYS
go.
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J'' J' J' J-
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let it dim the jeal - ous moon.
With 3'our beau - ty,
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turn the night to flam - ing noon
See how bright - ly
U485-12 Opening Chorus Act II and Song.
72
tfJ'' J'^j \ t^' i'tip p uJ'' J\j I iiJ' J' "p p
yon-der star Glit - ters down from heav - en's bar; Your bright eyes will
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gleam more bright - ly far,
My Su - li - ma!
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Molto cantabile.
it
^
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gale,
Took up the tale.
i J J J I J
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-We sang to - geth - er there
To Su - li - ma, the fair.
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5485-13 Opening Chorus Act II and Song.
73
^
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Soft breez - es fanned
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The list-ning land.
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While the night - in - gale and I
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Sang out our love be-neath a sil - ver sky, When the moon shone
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a tempo.
a
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The night - in
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down on Sam - ar - kand.
5485-12 Opening Chorus Act II and Song.
74
gale,
3
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Took up the
S
tale.
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We sang to
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5485-12 Opening Chorus Act II and Song.
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and I
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75
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Sang out our love be-neath the sil-ver
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When the moon shone down on Sam- ar
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5485-12 Opening Chorus Act II and Song
76
Words by
P. G.WODEHOUSE
Honeymoon Inn.
Music by
JEROME KEKN.
VOICE.
$
Piano.
Moderate.
P^
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but be - yond the
Hap - py lov - ers
far hor - i - zon,
there are a - ble
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It ''' l l *! ' t t
There's a place Ive
To hold hands be
not set eyes on. Where a hap - py
neath the ta - ble, If they're caught em
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hav- en wed - ded lov -ers may win.
brac-ing there is no one to grin.
Cov-ered deep in
No one pays the
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Copyright MCMXVIhy T.B. Harms & Francis, Day & Hunter, N.Y.
5466-4 All Rights Reserved. International Copyright Secured.
77
*
P I'P "P p 1^' ^^
^^
^
^
hon - ey suck - les. Near a stream that
least at - ten - tion; Kiss - ing is a
laughs and chuck- les.
great in - ven - tion
I * i> j> J> J^ I J^ Ji J^ j^ I Ji
Bathed in gold - en sun-shine. Stands the Hon - ey
Ev - 'ry bod - y does it At the Hon - ey
moon Inn.
moon Inn.
*
s
^
k
^m
I
w ■'
•tJ^
I
T
^
m
p
p
^
^
Refrain.
W
■^
f
f
f
g
— •
Life's
al - ways
fe
z^l
May there. For
A
^
2C
sweet - hearts who
\
i
x*^^ ^v;
r
s
sm^
r
^' J >
J ' J i'
r
^
*
r
r
r
5466-4 Honeymoon Inn.
78
^1* ^j p j. I J' p ^9 f^ m
*
stray there,
A
way from the bus
tie and
m
w
^B
m
Y
"yi tt'^ J ii
^
r
^
c^
p j^ I t
#
:z2
din.
All days are
A
^
gay there And
A
m
rzt.
W^
rt
f — ^►^
)
f
•HI- r^ fJ
^
^^^ — ^
T
5^
f
T
7
J p ji l^^p JH i' P ^P P I P^p
no days are gray there When you're at the Hon
A .^ A
ey- moon
i
;^
^
~g — ■'.'-
m
s
T
f
V:tt ,tii^ J ^
^=^
f
cJ ^ P
*
f> J^ , I J^ ^. J'
^
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f
f
Inn.
You live on bread and cheese and
*
m
SJP * f> V
^>:it ri f]
f^^
^=P
■:=^
5466-4 Honeymoon Inn.
79
^
kiss - es
^ (k^^ . |J
^
^
You know that this is
^Ji J> 4
the thing to
P n
P^
P^
ft ^ e
>M n
^
r ' ff
9-»
1
P > ' #^ P
S
do.
^
Id
\
?
go and stay there, I'd
-A
^
Z2
'Li ' !
If
r
f
m
^ J ji
> J ji
-*^- . — 1 =;
*
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r
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5466-4 Honeymoon Inn.
80
It's A Sure, vSure Sign
Alleg retto
Piano
!'■ V
L.H.
mf
^3
i-^k^^
'r^-TJ
M
R.P.WESTON
and
JEROME KEKN
w
¥
^
(ff.)
p Langs am
>^ J' I ^- i' l p p F P I J' J^
Ive got a book
This lit - tie verse
Girls, if the beau
I would- nt lose for an - y - thing. I
is in the cause of tern - per - ance, For
who wants to make a fuss of you Should
I H J J': J^
^
P^ h h h ^
might let you look,
drink is a curse,
boast of his dough,''
but I should hold it tight.
that's why we put it down.
his yachts and mo - tor cars,
i
r^
m
£
It's
Per
To
^
5^3
f
n.
7 £ 1 £
S
^
CopyHg'ht MCMXVIJ by T.B. Harms ,«• Francis, Day & Hunter, N.Y.
5488-4 All Rights Reserved. International Copyright Secured
81
'i' /) ji ;^ ;^ I j^ ^ jr~j^ UJ' > J-' ^
called "Ad -vice to La - dies,' it is
haps you dont know when youve had e
find out what he real - ly is, is
full of wis - dom's
nough, and want some
ea - sy if you re
i
^^
H~^~T '
t *w_ — • *
stacc.
^^
^
r-^ r--1
r-1 r-l
*
r p i p p p ^ i ^\^^' ^'^^
fe
i
^
pearls;
more,-
fly;
For
Well,
For
in -stance, if youre itch - ing in the palm, dear girls,
if you're jug-gling hard boiled eggs at half - past four,
in-stance, if for good-night, he just says "Bye - bye!"
k
3^ .i ' g
m-
pi
n
r
r
r=if
S
m^^
^^
?^
:«
Refrain p-f
g^^
^
"o —
sure,
sure,
sure,
It's a
Its a
Its a
sure
sure
sure
:*
^m
i
sign,
sign,
sign.
^
That you're
That your
He's a
^
^
^^
f
^r/
tlfi^Lf
na-
?"
54RS-4 It's A Sure, Sure Si?n
82
i
om - ing m - to
^
J^ h I h
^
^m
c6m - ing m - tc
brain is in a
but - Cher, and he'll
rich - e§, If your hand, it is that
mud - die, When you lie down in a
grip you, With his thumb and fin - ger
" i t t^ J' \^
S
, - -&
itch -es, Its a sure,
pud - die, Sing - ing "Auld
nip you, Say- ing "Lamb,
sure
Lang
plump,
sign! —
Syne'^
fine! 11.
^
^^
i
^
• *
s
k
t^u
ZM^
3.
^
S
$
P >'.. P P I P
^
^
^
If your ribs should make you wrig - gle, Then you're
Ab - so - lute - ly di - a - bol - ic - 'ly. And
Then a - round you, he will fum - ble-, "One and
i^
m
a 1' •.
n
P
m
^
3
^
fi-oinff to have a '"tig - gle." If your ears are itch - ing
going to have a '"tig - gle." If your
breath -ing al " co - hoi - ic - 'ly. At
two. a pound" he'll mum-ble. If in
ears are itch - ing
last you clam - ber
stead of say - ing
f ^
^
^ ^^
w^^
H
^''h ■ [[ ^ ^
^a
5
T
5488-4 It's A Sure, Sure Sign
83
^J^Ji i'ltJ'
some -one talks a -
up in - to your
'"Sweetheart"' he says
r f i r
J' ill h
bout
bed
you,
room -
"Sweet - bread"
But-
And
Oh!-
if your li
^^5
iS
m
#=^
i
ips are
then just as the
won't you take this
F 1,^11
f » ^ ^f ^
^
u-
T~t 7 f
T^f
^
^
*
'" i\ ;^ J^ -i'
S
f' J M Ji ^ J' 1
itch - ingi oh, its
sun be - gins to
ten- der heart of
fine! .
shine,
mine?-
By a man with scrub-by
If you wake in nine e -
If when you an - swer
I h ;, J^ J: J^ I j> > J' J> I j' J' ^
whis-kers,youll be
lev - en when your
yes, he goes to
kissed up - on your birth -day. Its a
room is six o sev - en, Its a
wrap it up in pa - per. It's a
sure?
sure,
sure,
I
i^
rr
^^
i
^ ^
sure
sure
sure
sign! .
sign!-
sign!.
Its a
It's a
Its a
signl.
sign!.
s ign ! .
i
^
^5
3^
*
^
^2
''^ ' m
S
i
fe:
f.
^
i
5488-4 Its A Sure, Sure Sign
84
The Road That Lies Before
Words by u^ Wife My Man" ^"""^^ ^^
P.S.WODEHOUSE JEROME KERN
Andantino
VOICE
Piano
^
r r If r r r i^
Is this just a dream once more?
^^
^
-p^
mf
^
i?
g
f
311
XSI
-O-
£
^
Allegretto grazioso
P^ ^^
I
P^
Just the dream I dreamt be - fore
Ruddy-. Oh7 the
^ ^''1' jf J J- J
=^^
igc
i^S
-^
«=J
w
r
<F.
"»•■»"
^
s
fe
^- J J
s
s
5^
3
-O-
T
Ek
^
^
S
^ .P J P P P ^
f
^
sad time Ive had, Peg-g-y dear, a - way from J'ou, Peggy. Oh,
dear, do you fear That per - haps you may re - gret? Ruddy. Not
^' C^ '
5*''^''* Copyright MCMXVT by T.B. Harms & Fra?icis,Day & Hunter, N.Y.
All Rights Reserved. International Copyright Secured.
85
^^
r bfe - lieve you were grlad Of thfe hoi - i - day, Its
3'es,
I!
Do you
lieve J bu we're grlad Of thfe hoi - i - day, It's
wish, nowyoi/re here, You were miles a - way?/>irMy
P P I P P P ^
S
P
=#2
true,
pet!
Con - fessl Huddy.Why it drove me half mad I could
Id^, ^die! Buddy. Can you trust to me, dear, To be
P
*»
» »
S
F y y
^
A
s
^S¥
^"1' UJ cJ
k'l, p p p p 1^ ^
j^ }] I j^ ii i Je e^
find, I swear. No plan Of life, r/i>^^:)Was it real- ly so bad? Did you
al-waj's true Through life? Pe^A'-y:! can; All my doubts dis-ap-pear As I
rfe
Se
m
1
^
(^ -^)
w #
3
^
^
^
'^
Valse
s
J' i' y
^^
S
^
t
real- ly care? My
cling- to you,i?MrfrfyMy
man
wife!.
. (Ruddy^My
.(Peffg-y:)My
wife!
man
The res
The
^
m
i
m
i
:*
fff
If
rff
if
^
s
^
^
f
i
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f
m
5469-4 The Read That Lies Before.
#
world,
hard
you
to
^
see-
see.
For I
what eVr
-7^
was made
fate holds
for
in
JZ^2
^
^
^
tt
;t^E
^^=^
i
7g"i~
m^
p — jy
you
store.
You dear, for me'-
Try it with me!
You dear for me '
Try it with me!
^ \>^ I I I
us
it
Or
We
And life may bring
What through we missed
joy. -
once.
IE!
^
^
g
V
=s:
^
546.9-4 The Road That Lies Before.
m
w
^
w
-©^^
^
87
r ly r
Life
did
may bring
rif't un
us pain
der - stand.
Cru - el or
Bet - ter to
j-^r^v J
kind
day
£1
we
we
1? b ^ »
?
^
^
^
lAl
a
^
i
ft
s
la:
T^^
1^
r
zzn
S
P
^
shall
know
not
the
mind
way,
Now weVe
So let
to - geth
us set
er
out
once
hand
a -
in
:?- -.^^
m
^
t t^ i>
»=^«
w^
I
^
^
gp^
rI:
^
It.
t^-
^
/
fe
&
^
r l Y r
#
gain,
hand.
Glad-ness and grief a
Love for our path a
like we''ll share
light weUl make
W=^
i
^:
^
J-
Grief will be
shin - ing to
S
z_
P
i
W
^^
^
» 9m
#=*
id
Wf^
^
23:
ft
ira:
* q *
iz
»
:^:^r^2:
51:
1=^^
i
s
S
p I ? fj
i 1-^ ^
^
joy if you
guide the steps
aLte
we
there,
take.
EB^
P
(2_
?^
w
(Peggy) Rud - dy take
m
^
nrm
~i
# , #
a
-s>-
^
14
^
1^
i^
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-£:
a
J).S.
dim.
^
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S
&
ti^^
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5469-4 The Road That Lies Before.
^.
*
88
Words by
JEROME KEKN
and
P. G. WODEHOUSE.
You Said Something.
Music by
JEROME KERN.
Allegro.
\
Piano.<
^^
^S
^
^ ^JTI]
^^
an
9-€»-
^
^
^E^
3^
i^3
1
f
^
«
^
^
^
-O-
Tt~
:ZV(/.A11 the grirls I see
Ztzzie. All the men I know
Make a
Fas - ci
hit with me,
nate me so,
f ^'^^ P
i N^i ^
t=t
/>
f
l,il 3
** . •
npT
^^
^^
i
^g^
Se
^
gl &■ *
Where-er I wan - der, I love bru-nettes or some-thing- blon - der
Oh! what ro - man-ces Ive built a -round them in my fan-cies
I
m
s
4jLi
^i i
gFTi;
s
1
t=
5^
fck
9^
*
^
^
-^
^
t
TSZ
Zizzie.l dont care a
Ted.\ am not a
bit
ware
Where your heart may flit 5
Why you think I care;
k=^
^m
fcfe
a=*
W
nrr-f
^p
^^
^^^^
^
Copyright MCMXVl by T.B. Harms & Francis, Day & Hunter, N.Y.
5467-3 All Rights Reserved. International Copyright Secured.
89
s
-^ J tl^ J ^ lj I tjj t l ^J ^
Ted. Why sure - ly
Lizzie .Why sure - ly
k
you knew, dear,
you knew, dear,
I was teas - ing, I love you dear.
I was teas - ing^, I love you dear.
A A A A
^^
tt
i^^
y^^-^^
i^^
te
^m
vr-^
^^
rail.
AAA
r=t
j\ ' ^ if (-
w
^#
Refrain. Meno mosso.
^rffi
i
^
^
* I t »
^o^A. You said some -thing when you said you love me,
Oh, but I
i i F
H5
^
t t i t
^
3
V -sL ||.
S^
E
^^
^ ^ ^
^
P
^
^
i
"^ I r r "
^-^
-o-
r r I !~r^^
won-der for how long it will be.
If you find some-day,youve
1^'''' jJJj ' iJ
^^
^
«:
rrrr
^^^M
^
*^
i
?=
^r r r I" ' rt r i^'Pr r It Y ^
al-tered your mind
Id be for-giv-ing, but sim-ply could not
A , , A
*
W4
§^
i
s
a^^
^
* — a
^?T?
-#• -«s»-
Iv- j'l. r ^ J
^
*^ — ^
546 7- 3 You Said etc.
90
I' T V r i> '
i
J J J ^
— #■
go on liv - inglZigeie.Girls much pret - tier you will meet by
. \ Ted. Men much hand-som - er you 11 meet by
the
the
^
^
^
^^irr
i
score.
Will you re - gret you nev - er met them be -
i i ^ "j
fcfe
ium -
M a :
» aP >
^
1
1
1
:3
s
f f y
i
=s^
p
^
«t-^
fore?
You said some-thing when you said you love me, But
^ -5- ha- -S-
zz:
i
a
=5>
^^
a
«-#-#
S
E
*
s
^
fe
s:
=ff
^ :*:
J P J I f ^
'^
r-
&
^^
L lJ)^-il
^^-^
say it a whole lot more.
more.
m
i i~T
m
i
^
IS
^m
m
\j \>J » :
^
^
5
^.^.
Bi
^1
^
3
i
^
5467-3 You Said etc.
Words by
P. G. WODEHOUSE.
Daisy.
Poco Allegretto.
91
Music by
JEROME KERN.
Piano.<
jrr
J J J'
Back in the
s
sk
mf
n.
^
Li
J, r: i J. .
Fl
frf
^
i
"Mt
I
■?
*
^
h JM P J
^
days of child - hood,.
When Life was a joy - ful
^
P
5EEi
^
song.
When skies were blue, and the world was all
^
i
^m
i
I
7 tip- ^^
^w
ff
1 J J^
7 J .ji
&
r- T
r
r
s
^
p
f
new, And when noth - ing at all went wrong.
^
^
i^
^
rf
^
■^ — »;
■r^
^
^
[jTHfir p
*
^
Copyrig-ht MCMXVII by T. B. Harms & Francis, Day & Hunter, N.Y.
5494 - 3 All Rights Reserved. International Copyright Secured.
92
-^J ^J) Jm r r I f ^
As through the fields, I wan - dered.
P
^
^
i
J^^
H
^g
Weav - ing my
^^
r=5
rj
"TT
p
^
ttni
^
-I I J
J J^ J^
r P P
^
dais - y chain,.
Grave - ly I'd pause, While I
#
5kEE^
a
tt
^^
#^=j
7 I V g
^ i^H ^ ^
ff ^^?f^
4V . p
*
J Q I r ^ ]>
fe=y
r i r i r ^' ^' i r ^' ^' ir i r
pon - dered Croon-ing a nur - s'ry re - frain.
^h^
i
i
i
i
i
r?
fPi
T
TT
« — ^
IZf
S
i^
^
P
^^
Refrain.
^
zc
^1
Dais
Dais - y. Tell me all you know.
dE
i
^
^E^
S
|y ^ ^
FT
e
T
P-mf ^
^
^TT
■^
P
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^
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^
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5
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5494 - 3 Daisy.
#
^
'.i\'h' ,'iJ'-
93
^
^
*:
Ev - 'ry time I pluck a pet-al, Se-crets you can
i
^
.U-
LA
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U
idE
^^
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m
^m^^
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P
fcz
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J-
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J.
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^
Does the one I love, love me?.
me;
#
I
■i
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^m
m
i4
^
^i
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ps
5 494-3 Daisy.
94
Reminiscences.
JEEOME KERN.
^gPB
I
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i^
ff^
ibt zif «*f
f^^
1-1
p V ( mmol to esp,
y \> «.^ f r 1 1^
^
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n
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fei
1
m
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m
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3" tp-
^
^ contenerezza.
tip i
dim.
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r
f
Copyright MCMXVII by T. B. Harms & Francis, Day & Hunter, N.Y.
5495-1 ^]i Rights Reserved. International Copyright Secured.
Napoleon.
Words by
P.G.WODEHOUSE.
95
Music by
JEROME KERN.
Moderate pomposo
VOICE
Pi
ano;
%
J' J^ J^ I > ir~^
^^
f
f
po - leon was a
2.po - leon w-as a
3.po - leon was the
lit - tie ^-viy, They used to call him
home - ly gink, He had - n't time to
la - dies pet, He liked to have them
4 ^ r~i
i
-n n
i=*
^
A
^
^
^
m
^
i' ^ ji I h j^ i' J'
i
^
shor
doll
han
ty,
up,
dy-
He on - ly stood a
But though he looked like
He used to blow in
bout so high. His
thir - ty cents. He
half his pay. On
f
P
t=t
it) *
A
> j: r _yi
^
m
m m-
Cojpyright MCMXVI by T.B. Harms & Francis, Day & Hunter, N.Y.
5465-4 All Rights Reserved. International Copyright Secured.
96
f
chest
packed
VI
^
an
¥
=£
un - der
aw - ful
lets and
l^
for
T«^l
can
ty.
lop.
dy.
h I .. ^^ J^ J'
But
And
He
i
W
■«tien they start - ed
all the kings in
knew the game from
^
J' i' i' 1^' ^
S
P P P I P
#
josh - ing him, His
Eu - rope, when they
soup to nuts And
A
pride, it
came to
■worked it
did - nt
know his
on a
in - jure.
hab - its,
sys - tem!
A
Hed
Pulled
He'd
£
i
J
^
^
Iv sav"Ah, fade a -way' He knew that he had gin-ger.
i
i
sim-ply say "Ah, fade a -way! He knew that he had gin-ger. Na -
up their socks,And ran for blocks,Hed got 'em scared like rab-bits. Na -
meet a Queen at five fif - teen. By six o' - clock shed kiss him. Na -
i=j
? ]i ^ J,
i
1~^:
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m
m
5465 - 4 Napoleon.
97
Refrain.
^p- .p p p IP' P P— P-^^ ^
^
po
po
po
A
f^
le
le
le
- on.
- on.
Na
Na
Na
po - le - on, They
po - le - on, \\bnt
po - le - on, The
thought him quite a
out and got a
la - dies thought him
P
fi n
1 1 1
^
w
^
^
r P ip p
^^
p ^' [r~[r
lit - tie pill!" Was the
climb - ing trees, Though he
hard, they did. When he
joke,
"rep;'
great,
Hey!
He
They
take a
had a
fell for
slant at the
lot of 'em
him good and
k
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line of chat - ter that they used to spill . But they could - n t hold Na
weighed a hun-dred in his B. V. Ds. It was eas - y for Na
came and hand-ed them the "Oh, you Kid" Theywere wild a - bout Na
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5465-4 Napoleon.
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po - leon, When he start - ed in - to scrap,
po - leon, And he -wiped them off the map.
po - leon, Fbr his Mxirk was full of snap.
He was
He was
He was
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five feet high, But he was one tough guy, And I take af - ter
not so tall, But he could lick them all. And I take af - ter
sawn off short, But he was one good sport. And I take af - ter
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5465-4 Napoleon.
29 2 03 ^c
48480 '^
