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I
*
.' '
Contributed by 20,000 People
And by them Contributed in the Search for Treasured Songs
Initiated by the
NATIONAL MAGAZINE
PublUhed by
THE CHAPPLE PUBUSHING COMPANY, Ltd.
BOSTON. MASS.. U.S. A.
Expressly for
WORLD SYNDICATE COMPANY
1 10 West Fortieth Street
New York City
• •
Copyright, 1909
C&Afnjt Publishing CbMPAVk, Lis
BosTOii
Ht
/^)il fl ^j: N-r... k>>
r-
I t
i
The National Magazine
BOSTON. MASS.
■DITBD BY JOB MITOHBU. CMAPPUt
Heartily congratulating you upon
having your favorite selection included
in the splendid book of "HEART SONGS/ I am
pleased to auinounoe that you have been
awarded a prize for your contribution to
this unrivalled collection of popular
"melodies of today » and the days gone by*'
Yours sincerely,
^;::r^,^^:^^Z^(^
We take pleasure in conferring the
above award*
&. W. CA^ccOx^KcA:^
For the Committee
Fao-filmfle of the letter eent out to thoee awarded prises bgr
the Committee* signed by Mr. George W Chadwiclc, Director of the
New England Conservatory o^ Muslo, one of the foremost Americao
musicians and composers, and by Mr. Victor Herbert, the eminent
composer and conductor who* vailed oomposlttons so well oomblne
muneal art aiid popular melody.
w^— »•«•■
r)5241l7
• »•
• •
FOREWORD
T TEART SONGS is more than a collection of music — it is a book com-
^ ^ piled directfy by twenty thousand people, who not only sent in their
favorite songs, but in accompanying letters told how these songs had been
interwoven with the story of their own lives. All have been sent in by
men and women who loved them; who cared little for the prizes, but
desired to add a truly worthy contribution to the collection of Heart
Songs. The personal associations of these melodies add to the familiar
words a new thrill of heart interest. Each song recalls to the individual
reader some tender, sad, joyous or martial association. It is a book
which will be to American musical literature what "Heart Throbs" is
to prose and verse.
For four years contributions have poured in from all parts of the
republic — from neighboring Canada and Mexico; from distant isles of
the sea and almost every continent on the globe — ^}'et the harvest was
erwhelmingly American, and although sectional features have added
much to the variety of songs and to some extent represent days of strife
and dissension, the mass of heart tributes shows how nearly and closely
all true American hearts beat in unison, and how the bonds of music are
strong and universal.
The original plan was to divide the contributions into ten classes as
indicated in the announcements: — Patriotic and war songs; sea songs;
lullabies and child songs; dancing songs, lilts and jigs; plantation and
negro melodies; sacred songs and hymns; love songs; songs from operas
and operettas; popular concert hall songs and ballads; college, school and
fraternity songs. It was soon discovered that no balanced classification
could be made — the tremendous preponderance of love songs, hymns,
college songs, ballads, operatic and patriotic airs, any one of which might
have been adjudged correctly to two or more classes, soon convinced the
judges that to make the book a true reflection of the contributors' tastes
and feelings — a Heart Song book in the true sense — some classes would
dO
have to be abridged, and selections made with a view to securing those
songs about which cluster personal and heartfelt associations.
In the mails came the yellow, ragged, timewom music that had
been on "mother's" piano when as a young man "father" timidly turned
the music and with a glance silently responded to love's message. Old
songs and hymns came in, betwixt covers that were familiar thirty, forty
and fifty years ago. The old-time singing school was represented, and
many a stirring strain that had made the crisp winter air ring, as the
refrain was sung on a sleigh ride.
Contributors in the far West sent in songs that have the breezy
"go" and dash of. the intrepid pioneer. Eastern readers preserved for
us songs that have been factors in history-making, and the consensus
of opinion on patriotic songs reveals "The Star-Spangled Banner," " Dixie''
and "America" as the standard all over the land.
The old-time sea songs, the chanteys and stirring airs, sung at
capstan and halyard, were sent in by those whose memories of old days
were kindled when a request came for music having in it the tang of salt
air, the rush of sharp bows against crested seas, and the vikings of for-
gotten vojiages and old wars. "A Yankee Ship and a Yankee Crew,"
"Blow, Boys, Blow," "A Life On The Ocean Wave" came in side by
side with "Sailing," "Nancy Lee" and many others which suggest the
scud of the white foam and the careening deck.
The lullabies include some rare gems — plaintive minor airs of the
past century, rich with sacred memories of mothers crooning over old
wooden cradles, but modem selections, Etiimet's "Lullaby" and the
sweet refrain from "Erminie" were not overlooked. "Rock-a-bve,
Baby" proved a very popular favorite.
Many of the lilts and dancing tunes are full of suggestions of a remote
past, and martial events possess a close kinship to love songs because of
romantic memories of festal nights when dainty feet kept time to the
strains of "Old Dan Tucker," as the couples mustered reluctantly for "the
last dance."
Southern contributors brought to light stirring and plaintive melod'es
that swayed the hearts of millions during the dark days of the Lost Cause,
nor did the North forget songs that were sung with heartache and tearful
eyes, or cheered march and bivouac. The remarkable interest centering
Chr)
in the old darkey songs — the melodies of the Jubilee singers, breathing
of old plantation days, show that the folk songs of America and even
our national music of the future niust bear the impress of the race that
gave us this class of music. This is already indicated in the popularity
of " rag time, " which has already found its way into well-known sym-
phonies, reflecting the motif that rings through such an air as " Swing
Low, Sweet Chariot."
Strange to relate, the chief diflSculty was in the selection of love
songs. While a wide range of selection was offered, the contributors
were more insistent on the merit of these particular songs than on any
other music sent in, because these melodies had meant so much to them
in the days of "love's young dream." The man or woman who had found
a thrill in singing "Bonny Eloise" could not understand how "Sweet
Genevieve " and more modem songs could mean so much to others. Con-
sequently the judges reduced them all to the common denominator of
heart interest and found that the old, old story is ever new, and always
bewitching, no matter how the melody may vary. "Annie Laurie"
is the one great international favorite ballad of all English-speaking
people.
There was remarkable unanimity in the choice of hymns. The
universal selection seemed to turn to "mother's favorite," which had
meant so much at the turning point of life's highway. The choice of
" Lead, Kmdly Light " and " Come, Thou Fount," "Rock of Ages," " Nearer,
My God, to Thee" and other hymns loved by many celebrated men,
proved these songs to be also the favorites of people all over the world.
In operatic selections the familiar arias of Verdi, echoed around the
world, were most in favor. The song of Manrico in the tower appeared
to touch more hearts than any other aria sung behind American operatic
footlights. Popular opera airs were mingled through the other classes.
The long list of concert songs submitted contained many beautiful
and rare selections, but the greater number were songs that have been
household words for many a day, and some are still largely sold after
nearly a half century of publication. These contributions throw an inter-
estmg light on national character. The popularity of "Old Folks at Home"
and "My Old Kentucky Home" was emphasized, and "Massa's in de
Cold, Cold Ground " was a strong universal favorite. The melody and senti-
<T)
ment of the songs of Stephen C. Foster come close to the affections of
the American people, and Dan Emmet, Henry C. Work, Root and other
composers who flourished between 1840 and 1880 are well represented.
"Old Black Joe," "Cany Me Back to Old Virginny" and many other
sweetly human songs were sent in by large numbers.
The choice of college songs proved to be a matter of location. There
were prime old favorites that have been inherited from the halcyon days
of early schools, and are full of patriotic sentiment; many of these are
almost classics, being standard tunes with only a variation in the words.
"My Bonnie lies over the Ocean" and "The QuUting Party" appeared
equally attractive to various alma maters.
like " Heart Throbs/' this book represents the history, the sentiment
of the American people of today, as well as of the various European races
who, in this new world, have been moulded into a great and powerful
nation. "Heart Songs" is a valuable and striking gauge and indicator
of the popular taste of the people now comprising the republic of the United
States of America. Few "rag time" songs were sent in; operatic selec-
tions were not largely in favor. Love ballads, patriotic, sacred and concert
melodies were the most popular.
Songs that have entertained thoiisands from childhood to the grave
and have voiced the pleasure and pain, the love and longing, the despair
and delight, the sorrow and resignation, and the consolation of the plain
people — ^who found in these an utterance for emotions which they felt
but could not express — came in by the thousands. The 3'ellow sheets of
music bear evidence of constant use; in times of war and peace, victory
and defeat, good and evil fortune, these sweet strains have blended with
the coarser thread of human life and offered to the joyful or saddened
soul a suggestion of uplift, sympathy and hope.
It b not imlikely that a second volume of "Heart Songs'' will be
demanded by the American public if the publishers can judge by the
orders already received for the first. There is ample material not drawn
upon, and still more contributions indicate that the mine has only begun
to yield its treasury of heart songs.
BOATON, 1909
J
M
HEART SONGS
*Tis All That I Can Say
t. I toTB thee, I love thee, 'tis all that I can say ;
*. I li>T« thee, I lOTB thee, U er - er oa mjr toogne ;
3. I lore th«e, I love thee, thy bright and tia-iel{laiice;
It is my Tia - ion
Id all my prond-est
The mel-low lute up -
10
^
Robert Buvrs
p Slow
Auld Lang Syne
Scotch Folk Song
I. Should auld ac- qnaintance be for -got, And ner-er hnmghtto mind? Shonld
a. We twa ha'e run a - boot the braes^And pu'd the gow- ana fine ; But we're
3. We twa ha'e sport - ed i' the bum Frae mom - in' aun till din*, But
4. And here's a hand, my trust- y frien'^And gie's a hand 0' thine; We'll
P
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Chokus
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auld acquaint-ance be for -got. And days of auld lang syne ?
wan - der'd mony a wea - ry foot Sin' auld . lang . syne.
seas be-tween us braid ha'e roared Sin' auld . lang . sjme.
tak' a cup 0' kind - ness yet, For auld . lang . syne.
For auld lang
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Bepeal Chorus J}
syne,my dear, For auld lang syne ; We'll tak' a cup 0' kindness yet For auld lang syne.
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Three Blind Mice
Traditional Round
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Three blind mice, three blind mice, See how they run, see how they run I The
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cat
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ran af - ter the far - mer's wife. She cut off its tail with a
carv -ing knife 1 Did you ev-er see such a eight in your life As these blind mice?
Homeward Bound
U
W. p. Wakxen
4 ^
C. S. Harrington
I. Out on an o - cean all bound - less we ride. We're home-ward bound,
a. Wild - ly the stonn sweeps us on ' as it roars. We're home-ward bound,
3. In - to the har - bor of heaven now we glide; We're home at last;
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home-ward bound ; Tossed on the waves of a rough, rest -l^ss tide. We're home-ward
home-ward bound ; Look ! yon - der lie the bright heav - en - ly shores : We're home-ward
home at last; Soft-ly we drift on its bright sil-vertid.: We're home at
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bound, home-ward bound ; Far from the safe, qui - et har - bor we
rode,
bound, home-ward bound ; Stead - y 0
last, home at last; 6I0 - ry to
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pi - lot I stand firm at the wheels
God I all our dan - gers are o'er|
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Seek - ing our Fa - ther's ce - les - tial a - bode ;
Stead - yl we soon shall out- weath - er the gale;
We stand se - cure on the glo • ri - fied shore;
Prom - ise of
Oh, how we
Glo - ry to
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which on us each He be - stowed : We're home-ward bound, home-ward bound,
fly 'neath the loud - creak - ing sail I We're home-ward bound, home-ward bound.
God! we will shout ev - er more: We're home at last, home at last
12
Brother, Tell Me of the Battle
Thomas Mam ahax
Gbokgk F. Root
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X. Brotb-er, tell
3. Brotb - er, tell
3. Biotii - er^ tell
of the bat -tie, Eonr the eol
of the bat - tie, For they eaid
of the bat -tie, I can bear
diers fought aod
your life was
to hear it
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fell; Tell me of the weaHry march-ee, Shewholovee will lia-ten well.
o'er ; They all told me yon had fall - en, That I'd netr - er see yon more,
now ; Lay yvur head np • on my bo - som, Let me soothe your fe-vered brow.
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Broth - er, draw thee dose be- side me, Lay your head up - on my
Oh, rve been so sad and lone - ly. Filled my breast has been with
Tell me, are yon bad - ly wonnd - ed ? Did we win the dead - ly
tit - ^.i
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Brother, Tell Me of the Battle
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breasty Whilftyoa'nteU - ing of the bat- tie. Let your fe - vered fore-head rest,
pain, Since thay said my dear -est broth -er I should nev - er see a -gain,
fight? IMd the Tic - t'rycrownoor baii-ner? Did yon put the foe to flight?
The Loreley
I. 0 tell me what it mean-ethyXhia gloom and tear-ful eye? 'Tis mem-'ry that re-
ft. A - b07e,the maid-en sit- teth^A won-drous form and fair; With jew -els bright she
3. The boat-man on the riv - er Lists to the song^spell- bound; Oh I what shall him de -
^3^t Jr^i-f. • f^
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tain - eth The tale of years gone by; . The fad -ing light grows dim-mer, The
plait - eth Her shin -ing gold -en hair: With comb of gold pre-pares it, The
Ut - er From dan - ger threat'ning round ? The wa - ters deep have caught them^Both
Rhine doth calmly flow, .The loft-y hill-tops glim-mer Red with the sun-set glow.
task with song be -gulled; A fit- ful bur-den bears it, That mel - o - dy so wild.
boat and boatman brave ; *Tis Loreley 's song hath brought them Beneath the foaming wave.
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14
Strike the Harp Gently
AndatUeaffeUi€$o
L B. WOODBUXT
I. KcriKe tbe harp gent- ly^ To the mem -'ry of those Who etr - er loved foDd-ly,
a. Strike the harp gent - ly. And breathe thy sweet strain For those that lored fond - ly ,
3« Strike the harp gent -ly, Ohl monmfor them not; In the fold that is loye-ly.
Ere
But
Tha
call'd to re -pose; Be-neath the green tarf. Where the wild flow-ers bloom,
who ne'er a -gain Can meet to ca- ressthee, In all this lone world. Th»
shep-herd has brought Per -haps a kind fa-ther. And moth - er most dear, A
#^#=S=f
Scent-ing the earth, And em - broid-'ring the tomb ; Oh 1 strike the harp gent - ly To the
dear ones are hap -py With ser-aphsnn - told; Ohl strike the harp gent- ly. To the
child or a broth-er Or sis - ter so near; Ohl strike the harp gent- ly To tho
ADELIKA PATTI
The famoiu operatic lingrr. She it of Italian eitraetion. bom in Mad-
rid. 1843, nnd ant in New York at an parly age. Her career has been
unuaually suceeBfuI. She has Bune in all paita of Europe and America,
and has been decorated by the Emperor of Russia. She non IIvm in
Flow Gently, Sweet Afton
IS
Robert Burns
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J. E. Spilman
piU4U4-i U i=^^i^^
z. Flow gen - tly, sweet Af - ton, a-mang thy green braes ;Flow gen - tly, I'll sing thee a
fl How loft-y, sweet Af - ton, thy nelgh-bor - ing hills, Far marked with the conrs-es of
3- Thy crys-tal stream, Af- ton, how love- ly it glides^ And winds by tho cot where my
song in thy praise :My Ma - ry's a - sleep by thy mnr-mur - ing stream,Flow gen-tly,8weet
clear-wind-iqg rills IXheredai- ly I waiter, as morn ris - es high, My flocks and my
Ma - ry re - sides I How wan-ton thy wa- ters her snow -y feet l&ve, As, gath-'ring sweet
Af - ton, dis - tnrb not her dream. Thon stock-dove, whose ech - o re - sounds from the
Ma - ry '8 sweet cot in my eye. How pleas -ant thy banks and green val-leys be-
flow -'rets, she stems thy clear wave I Flow gen - tly, sweet Af -ton, a -mang thy green
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hill, Te wild whist-llng black-birds in yon thorn -y
low. Where wild in the wood-lands the prim-ros - es
braes. Flow gen -tly, sweet riv-er, the theme of my
dell, Thott green-crest - ed
blow I There oft, as mild
lays; My Ma-ry's a-
\ I I
lap-wing, thy scream-ing for-bear, I charge yon, dis-turb not my slam-ber-ing fair.
eve-ning creeps 0 - yer the lea, The sweet-scent -ed birk shades my Ma- ry and me.
deep by thy mnr- mnr • Ing stream^ Flow gen-tly, sweet Af - ton, dis - turb not her dream.
i4t
16
P 1ST Voice
Star of the Twilight
Za. O. EitxtaoN
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i.Star.. of the twi-light. Bean - ti-fol star,
a. Ba - ger-ly watch- ing, Wait - ingfor thee.
GUd - ly I hail thee,
Looks the lone maid - en
^^
2D Voice
Shi-ning a - far; • Rest from yonr la - bora, Chil - dren of toil, • . Hight doa-ea
O'er the dark tea; Soon aathon ahi-neat Soft on the air,.. Borne by thy
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O'er ye. Rest, .ye a -while; This is thy greet - ing, Sig-nalled a • far ;
light breeze, Float - eth her pray'r ; Watch o'er him kind - ly. Home from a - far ;
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star., of tbo twi-Ught, Bean - tl-ful sUr;
light . thou hU path -way, Bean - ti-ful atar;
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SUr of the twi - light,
SUr of the twi - light,
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Bean - ti- fnl star; . .
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Star .. of the twi -light, Bean- ti -fnl star.
-5? SI-
The Battle Cry of Freedom
(RALLYING SONG J
George F. Root
I. Tm, m'll nl - Ij nnmd Uit flag, boTa, we'll ral - I7 once a-galn,
9. Ve are spring -ing to the call of oar brotb -era gone b* - foie,
3. We will wel-come to onr nnm - bera the Joy - al tnie andbrare,
4. So we'K spdag-liis to the call from the Saat and from the West,
Choat-lnf thebat-t]< cry of Free • dom. We will ral - 17 from tke liill - aide, we'll
Shout -lag the bat-tla cry of Free - dom, And we'll All the va -cast ranks with a
Skont-fng Uubat-tle cry of Free • dom, And al - tho* they may be poor, not a
8hont-lsg thebat-tta cry of Free • dom. And we'll hnrl the reb-elcrew from the
18
The Battle Cry of Freedom
P
Chorus
Fortiasimo
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boya, Hnr-rahl Down with the trai- tor.
The Un - loo for-er - er. Har - rah
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Up with the star; While we ral - ly round the flag, boys.
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Kal - ly once a - gain, Shont - ing the bat - tie cry of Free - dom.
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The Dying Volunteer
From the •• New Orleans Times *'
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a. Thott'lthearideareet moth-er, a - las 1 not f rom me, I hunt-ed the foe thro' green
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see thee once more, A - gain I would feel thy dear hand on my brow One mo - ment on
Yal - ley and crag, For stamped on my brain were the last words from thee/' Tho' life be the
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earth, ere the stmg-gle is o'er. Ere life's pulse is stilled, and the cold chill of
for - feit, be trne to thy flagl" Those words nerred my arm when I struck the bold
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death Creeps o'er my heart I would see thee once more.Fond words of fare - well with my
blow For my country,my flag. For glo - ry, for thee.But now all is o - Ter,I'Te
tr
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▼er - y last breath I'd whis - per to thee from e - ter - ni - ty's shore,
done with earth's foe, For hea- Ten's bright por - tals are op' - ning to me.
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20
Take Me Home
Andante affettuoso
Raymond
^=t-^-=£^
^^^m
I. Take me home to the place where I first saw the light, To the
fl. Take me home to the place where the or-ange trees grow. To my
3. Take me home, let me see what is left that I know. Can it
D. C TaJk£ ■ me home to the place where my lit- tie ones sleep^ Poor
^
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sweet san-ny South take me home,
cot in theey- er - green shade,
be that the old house is gone,
mas-sa lies bur - ted close by^
Where the mocking-bird sung me to
Where the fiow-ers on the riv - er's green
The dear friends of my chUd-hood in -
0*er the grave of the loved ones I
s
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Fine
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rest ev - 'ry night,
mar - gin may blow
deed must be few,
long to weep.
Ah 1 why
Their sweets
And I
And a • mong
was I tempt-ed
on the bank where
must la- ment all
them to rest when
to roam?
we play'd.
a - lone.
/ die.
FiNi
Take Me Home
21
•1^ 1
I think with re-gret of the dear ones I left. Of the
The* path to our cot - tage they say has grown green, And the
But yet I'll re -tnrn to the place of my birth, Where my
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ss
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warm hearta that shelt-er'd me then;
place is quite lone -ly a -round;
chil - dren have play'd at the door ;
Of the wife and the dear ones of
And I know that the smiles and the
Where they pull'd the white bios- soms that
D.a
3
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1
whom I'm be -reft, And I sigh
forma I haTeseen,Now lie deep
gar - nish'd the earth, Which will ech
for the old place
in the soft moss
0 their foot - steps
a - gain.
y ground,
no more.
3
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22
To the Evening Star
From Wagnui's •fTaimhliiaei*
0
thott tub - lime
•waet ere
fling tUr,
Joy
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greet . • . thee from . . .
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glow - iDg heart, that ne'er . . dis-clos'd,
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To ine Evening Star
23
^
•he
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in thy light
re-posed,
When put - ing from
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a Ti • sion, c^he rl - ses
to
an an - gel's mis - sion,
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34
Sweet Genevieve
G«Oft6K COOPKK
Henky Tuckee
X
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I. 0 Gen - e - Tieve I'd £!▼» the world To liTe a - gain the
a. Fair Gen - e - Yiere my ear - ly lore. The years hnt make thee
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loT«-l7 paati The iom of yoath wm dew- im-pearled;Batiioir it with -en
4eu-er far I Mj heartthall ner - er, ner - er roT«:Thoa art mj on- Ij
in the blast. I see thj face in er- 'ly dream, Hj wak • ing tho'ts are
gnid - ing star. For me the paat has no le - gret, What - e'er the years may
m
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full of thee ; Thy glance is in the star - ry beam That falls a - long the
bring to me ; I bless the hour when first we met, — The hour that gave me
I 11
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By permUtioB Wm. A. Pond AC Co., •wnen of tho copyright
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Sweet Genevieve
/*N /*N
^y^CHORUS
A
26
• mer sea.
loYe and thee I
Gen - e-Tiere, Sweet Gen - e-yieve, The
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26
Tenderly
EEd;
EEc
The Faded Coat of Blue
J. H. McNaughton
V
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1. My brave lad alecps in his fad - ed coat of bine ; In n
2. Ua cried, " Give me wa - ter and just a lit - tie crumb, And n:y
3. Long, long years hare Tan - ished, and thongli' he comes no more, Yet my
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lone - ly grave nn-Imown lies the heart that beat so true. He sank faint and hun - gry a -
moth-er she will bless youthio'all the years to come ; Ohl tell my sweet sis - ter, so
heart will start-ling beat with each foot -fall at my door; I gaze o'er the hill where he
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mong the fam-isli'd brave, And they laid him sad and lone - ly with - in his nameless grave,
gen - tie, good and true, That I'll meet her up in heaven, in my fad - ed coat of blue."
waved a last a -dieu, But no gal-lantlad I see, in his fad -ed coat of blue.
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The Faded Coat of Blue
27
H f Chokus
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more the bu
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- gle calls the wea - ry one,
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in thygraye an-knownl I'll find you, and know you, a -mong the good and true.
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When a robe of whit^ is giv'n for the fad - ed coat of blue.
/IS
We're Tenting To-Niglit
1
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'^•■y H
u W^n teat-iaf t^^d^kt «■ theoldcaaipsn'aad,Give » a Mot to cheer Our
s. We're betB teat 'ias to-ai^kt mi the #ld caaip gwwmd^Thialriag of days gpoe by. Of the
3^ We «re tiieA of wer oa thooldcaaiptraaBdyXa-Bj are deed aad sooe. Of the
4. We've heeaight-iaf to-day oa theoldcampt'^oaBdylEa-By axe ly - iac aear;
wea • ry hearte, a song of hOBie» Aod friends we lore so dear,
lored ones at hoaie thatfavens the hand, Aadthe tear that said **ffM'^^^"
brare and tme who've left their homes, Oth-ers heeawoond-ed Ions.
Some are deed and some are dy-iag, lEa-ay are ia tesrs.
Ma- ay are thehesrtstliatare wea-ry to-aight, Wish-ing for the war to cease;
f- f- T-
lUrVf 9X9 tlie hearts looUag tat the right, To see the dawn of peace. Tent-ing to-night.
Last v^f^. — Dy-ing to-night,
V^^Jgj Jii m^^^m
Tent-ing to-night, tent-ing on the old camp gnmad.
Dy-ing to-night, {Omit ) Dy-ing on the old campground.
The Switzer's Farewell
»
GlO&GK LiNLXY
J^^M^ J-/^3
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I. A - diMiydear land, With bean-ty teem - ing, Where first I rov'd
a. Far from my home I eoon most wan - der, In stran - ger land
a care - lees
be doom'd to
!s;
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ES
m
legato.
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child;
dwell.
f
thee my heart
0 ! best be - loved I
Will e'er be dream
My heart grows fond
i^
ing, Thy snow-clad
er, While thns I
hfsathe
and monn-tains wild. Dear
my last fare -well. Re -
land ! that I cher- ish. Oh 1 long may'st thon
ceiTe this sad to - ken, I leave thee, heart
koor- iah; My mem
hro - ken, Our jMirt •
'ry mnst per
ing is spo
ish, Ere
ken, Be -
I "for - get . . . thee,
loved one! fare - well.
so
ModercUo
Nut Brown Maiden
(Malb Voices)
^^^^^^^^^^^^m
z. Nut brown maid -en, Thou hast a bright bine eye for loye, Nat brown maid-en, Thou
3. Nut brown maid -en, Thou hast a ru - by lip to kiss, Nut brown maid-en, Then
3. Nut brown maid -en, Thou hast a slen - der waist to clasp. Nut brown maid-en, Thon
4. Nut brown maid -en. Thou hast such pearl -y, pearl - y teeth. Nut brown maid-en, Thon
■i— I — O-. . .. . . . . . . , I — I — o
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Fine
n^D,a
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hast a bright blue eye ; A bright blue eye is thine,loyel The glance in it is mine, love I
hast a ru - by lip ; A ru - by lip is thine,loyeI The kiss-ing of it's mine, love I
hast a slen-der waist ; A slen-der waist is thine,loyeI The arm a-round it's mine, loye 1
hast such pearl-y teeth ; The pearl-y teeth are false,loyel They rat-tie when you waltz,loye 1
^
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How Gentle God's Commands
p. DODDKIDGE
H. G. Nageli
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X. How
a. Be •
3. Why
f-
gen - tie
neath His
should this
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God's com - inands 1 How
watch - fal eye Hit
ai^ - iom load Preaa
fe
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kind His pre
saints se - cure
down your wea
cepts are I
ly dwell :
ry mind?
T
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Come, cast your bur- dens on the Lord, And trust His con - stant care.
That Hand which bears ere - a - tion up Shall guard His chil - dren well.
Haste to your heay'n-ly Fa - therms throne. And sweet re - fresh - ment find.
♦ ^'
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Kathleen Aropn
31
Words by Mrs. Crawford
mf Andante
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Music by Franz Abt
mf
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z. Why should wo part - ed be, Kath-leon A
3. Give me thy gen - tie hand, Kath - leen A
3. Why should we part - ed be, Kath-leeo A
rooni
roonl
roonI
When thy fond
Come to 4 the
When thy fond
i
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heart's with me, Kath - leen
hap - py land, Kath - leen
heart's with me, Kath - leen
A-
A -
A-
roont
roonl
roonl
f
i
Come to those
Come o'er the
Ohl leave these
FFH^
gold - en skies,
waves with me,
weep - ing skies.
t
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pocoril.^^^^ p ZZ
Bright days for ns may rise, Ohl dry those tear - fnl eyes, Kath-leen A - roon.*
These hands shall toil for thee. This heart will faith- ful be, Kath-leen A - roon.
Where man a mar - tyr dies, Come dry those tear - ful eyes, Kath-leen A - roon.
' Mcrat troMurt of my heart.'*
92
The Vacant Chair
Gko. F. Root
I
fe
s
4 ^,: ?if^=i— r%~^
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■A-
i^
X. We shall meet, but
a. At oar fire - side,
we shall mias him, There will
sad and lone - ly, Oft - en
I
be
wUl
one ya - cant
the bo - som
3. True, they tell us wreaths of glo - ry £y - er - more will deck his
D. C. IVe shall meeU but we shall miss him. There will be one va - cant
g^
S
t
X
/
1/
SaEiEEf
t(
~J
FlKF.
W^f¥^^^
"^5^"
chair ; We shall lin - ger to ca - ress him, While we breathe our eye - ning pray'r.
swell At re-mem-brance of the sto - ry. How our no - ble Wil - lie fell ;
brow. But this soothes the an-gnish on - ly Sweep-ing o'er our heart-strings now.
chair ; We shall lin • ger to ca - ress him^ While we breathe our eve • ning pray*r.
•I^g
When
How
Sleep
i^
a year
he stroye
to - day.
a - go we gath-ered,
to bear our ban - ner
0 ear - ly fall • en.
Joy was in his mild blue
Thro' the thick - est of the
In thy green and nar-row
^^^^
E^a
D.a.
9
t
4-
fight,
bed,
■Iji-
But a gold -en cord is fey-ered, And our hopes in
And up- hold our conn-try's hon - or. In the strength of
Dir - ges from the pine and cy - press Hin- gle with the
£1
r
-fi»-
I
ru - in lie.
man-hood's might,
tears we shed.
Andanie con espresHone
Cradle Song
( Sung by Jenny Lind )
33
Swedish
She can Inll thee with her numbera, To the cradled heav'n of rest.
And her in-most life de - light-eth, Drink-ing from thy cup of glee.
dim. ^
^
3t
//
i
5
m] r3iJ"jJ|J"J^ir f ir r
E
Se
i
S
In her heart is lore re - volr-ing, Like the plan- eta round the moon;Hopes and
O'er thee now her spir - it bend-eth ; Child of prom-iae, cher-ish'd well ! With thine
pleas-uresfond-ly solving^Keep-ing ev - 'ry tho'tin tnne.
own, her be - ing Uendeth, Ho- lied \fj af - faction's spell.
-iSh
34
A Warrior Bold
Edwin Thomas
Stephen Adams
7^:
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^
z . In days of old, when knights were bold And barons held their sway, A war- rior bold, with
a. So this brave knightyinar-mor bright, Went gayly to the fray; He fought the flght,bat
^
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spurs of goldySang mer-ri - ly his lay, Sang mer-ri - ly his lay : " My loye is young and
ere the night,His soul had pass'd a-way, His soulhadpass'da-way. The plighted ring he
M
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fair, My love hath gold - en hair,
wore Was crushed and wet with gore.
And eyes
Yet ere
so blue, and heart so true, That
he died, he brave - ly cried," I've
A Warrior Bold
36
none with her coai-pare. So whU care I, tho' death be nigh, Pll live for love or
kept the yow I swore. So what .are I, tho' death be nigh, I've fought for love and
■ rr
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t
m
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die, So what care J, tho' death be nigh, PU live for lore or die." death be nigh, Pre
^m
adia. iw*.. r"*"!^"""-
r-^^ !\ 'i ^\^Jljl\ ^**-
m
fonght for loye,IWe fonght for l0Ye,Pye ifought for 10Ye,For 10Ye,for loYe I die.
»>
M
pin lento
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crcs.
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36
The Orphan Boys
DUET
From •* The Young Choir," 1840
^ii-n i\nir.4in^
X. Onr cot was thel-ter'd in a woodyAnd near a lake's green mar - gin stood; A
a. Wlien scarce-ly old e - nonghto know The mean-ing of a tale of woe,'Twas
3. Bat soon for motk - er as we grew, We work'd as mnch as boys conld do ; Onr
AccoMPT. .^ .^ -. ^. -m- -m. -«. -M- -M.
monn-tain bleak be -hind n^ fr^wn'd, Whose top the snow
then by moth - er we were told, That fa - ther in .
dai - ly gains to her we bore, Bat oh! she'll ne'er
. in snm - mer crown 'd;
. hto graye was cold !
re - oeive them more :
1/ -#--#--•- -#- 1/
Bat pas - tares rich, and warm to boot, Lay smil-ing at the mountain's foot ; There
That live - li- hoods were hard to get, And we too yonng to la - bor yet, And
For long we watched be-side her M, Then sobb'dto see her lie there dead; And
_ _ _ ^^
Tpfe — g
I
s
W=f
t
hand
eyes
t
^
X
first
tears
now
we frol
with - in
we wan
Ick'd
he
der
in hand. Hand
would stand. Eyes
in hand, Hand
in handy
would stand,
in
Two in - fant boys of Switz - er
For her two boys of Switz - er
Two or-phan boys of Switz - er
^
land ! Two in - fant boys of Switz-er - land.
land 1 For her two boys of Switz-er - land.
land 1 Two or - phan boys of Switz-er • land.
P
m
F
The Campbells are Coming
87
Lively ^gt
Old Scotch Air
The CAmpMltarecom-in'y 0 ho, 0 ho, The Campbells are com- in*, 0
nn'- I p:
T^
m
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:t^^
,r-0 ^
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tH-f-h
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ho,
hoi The Camp- belli are com - in' to bon - nie Loch -ley - en, The
^
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I. Up - on the Lo-mondsl
Camp -bells are com • in% 0 ho, 0 ho la. The great Ar - gyle, he
3. The Camp -belli they are
<f\
T
f i \i
fcfe
lay,
goea
a'
^
^^
^ N
^J J I g i=rg:
-f4^VlM
I lay, Up - on the Lomondsl lay, I lay, I look'd down to
be - fore. He makes his can - non loud - ly roar ; Wi' soand of tram-pet,
in arms,Their loy - al faith and trath to show ; Wi' ban- ners rat - Uin'
^
T=^3:
4=&:
?5^
T
=n
_^^
D.S. al Fine,
bon- niaLoch
pipe, and
in • . the
1/
ler - en And heard three bon - nie pi
dram, The Camp-bells are com - in', 0 • ho,
wind. The Camp-bells are com - in', 0 • ho.
pers play. The
0 - hoi The
0 - hoi The
S
ISCZ
i
38
Buy a Broom
^
-CfTT^tii
3^
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X. From TentschUnd •! come with my light wares all la -den, To the land where the
a. To brush a - way in - sects that sometimes an - noy you, You'll find it quite
3. Ere win -ter comes on, for sweet home soon de-part-ing, My toils for yoor
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fa
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bless-ing of free-dom doth bloom; Then lis - ten, fair la - dy, and young pret-ty
hand - y to use night and day; And what bet - ter ez - er - cise pray can em
fa - Tor a - gain I'll re - sume; And while grat-i - tude's tear in my eye - lid is
^
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maid-en, Oh, buy of thewand'ringBa-Ta-rian a brocm.
ploy you,Than to sweep all Tex - a-tious in - tru-ders a - way ?
start-ing,Bless the time that in England I cried,buy a broom.
iti^z:^
3^
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Buy a broom,
Buy a broom,
Buy a broom,
Buy a Broom
Spoken
U4
m
Bnya broom, (Buy a broom.) Oh, bay of the wandering Ba-ya-rian a broom.
Buy a broom, And sweep all vex- a-tions in- tm-ders a -way.
Bnya broom, Bless the time that in England I cried boy a broom.
J ^
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0 mein lie-ber An - gns - tin. An - gns - tin. An - gns - tin, 0 mein lie - ber
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An - gns - tin, Al - les ist weg :
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Bock ist weg, Stockist weg,
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Anch ich bin in dem Dreck 0 mein lie- ber Au - gns - tin, Al - les ist weg.
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40
AndanHno
O Ye Tears
Franc Abt
^^^=gMr r • iJJT^^m
X. 0 ye tears t
2. 0 ye tears I
3. 0 ye tears 1
m
^-
■^-
0 ye tears!
0 ye tears!
0 ye tears 1
that have long re-fus'd to flow,
I am thank - fnl that ye run,
till I felt ye on my cheek,
Te are
Tho' ye
I wae
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p
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con espreasione
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wel - come to my heart, thaw -ing, thaw
come from cold and dark ye shall gift
self - ish in my sor - row; I was stab
ing like the snow;
ter in the snn:
bom, I was weak;
f
^
The
The
Tehare
ioe-bonnd cloud has yield-ed, and the ear - ly snow-drops spring,
rain- bow can - not cheer ns if theshow'rs re-fuse to fall,
giT'n me strength to oon-qaer,and I stand e - rect and free.
And the
And the
And
O Ye Tears
41
p
m
m
t
i
heal - ing fonn-tains gosh, and the wil - der-ness shall sing.
•yea that can - not weep are the sad - dest eyes of all.
know that I am hu - man, by the light of sym - pa - thy.
j^i^a « I f >^ jfji^jjjl^
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0 ye tears!
O ye tears!
O ye tears 1
S
0 ye tears I
0 ye tears I
0 ye tears 1
-*-*■
— —I 1 1 L— f-
4 0 ye tears ! 0 ye tears ! ye relieye me of my pain,
The barren rock of pride has been stricken once again ;
Like the rock that Moses smote amid Horeb's burning sand,
It yields the flowing water, to make gladness in the land.
0 ye tears 1 0 ye tears I
5 There is light npon my path I there is sunshine in my heartt
And the leaf and fruit of life shall not utterly depart ;
Te restore to me the freshness and the bloom of long ago,
0 ]re tears 1 0 happy tears I I am thankful that ye flow.
O ye tears 1 happy taars 1
42
Johnny Sands
u
John Sinclair
pi
t
^
J J ;I/J ^
!==fs:
^
X. A man whose name was Jobnny Sanda Had mar-ried Bet - ty Hague,
save my life,
m
a. "For fear that I should courage lack And try to
And
Pray
p\ ■ I rn-grr^
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though she brought him gold and lands, She proved a ter - ri - ble plague ; For
tie my hands be -hind my back;" « I wHV re - plied his wife. She
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£
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oh ! she was a soold - ing wife, Full of ca - price aaC whim. He said, that he was
tied them fast as yon may think,And when se - cure - ly done, "Now stand" she says "up-
^a^ — j--^
f, i. if.^— f^
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tired of life,And she was tired of him, And
on the brink And ni prepare to run. And
she was tired of him. And she was tired of
I'll pre -pare to run, And I'll prepaxe to
*
Johnny Sands
43
' T\^-
him. Says he "Then I will drown myself— The riT-er nins be -low," Says
nm." All down the hill his Iot - ing bride Bow ran with all her force To
I
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J'lr J'' : I J ■ "^^ff^M^ J^^
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she, "Pray do, you sil-ly elf, I wished it long a - go." Says he "Up -on the
posh him in; — he stepped a - side, And she fell in of course. Now splash-ingydashing
1-4
4-
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f' IE t^f
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brink rUstand. Do you run down the hill, And push me in with all your might, "Says
like a fish, "Oh save me, John-ny Sands." "I can^t.
my dear, tho' much I wish. For
^^
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she "My love, I will," Says
you hayetied my hands. For
she "My love, I wm,"Says
you hayetied my hands. For
she"Myloye, I wiU."
you hayetied my hands."
■^^
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pp
44
The British Grenadiers
1 6th Century
AUegro con spirito
^m^^^^
b'lrr
X. Some talk of Al - ez - an - der, And some of Her - cu - lee,
a. When-e'er we are com-mand - ed To storm the pal - i - sades,
3. Then let ns fill a bump - er, And drink a health to those
P
Of
Our
Who
m
^
^
^m
Hec - tor and Lj - san - der,
lead - ers march with fn - sees,
car - ry caps and ponch - es,
And such great
And we with
And wear the
names as
hand- gre
loup - ed
these;
nades;
clothes:
m
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P
cres.
f
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But of all the world's braTO he - roes There's none that can 00m •
We throw them from the gla - cis A - bout the en • e - mies'
May they and flieir com - mand - ers Ure Imp - py all their
The British Grenadiers
45
With a tow row row row row row, To the Brit-lah Gren - a - dier.
tan, Sing tow row row row row row, The Brit- ish Gren - a - diers.
years. With a tow row row row row row, For the Brit- iah Gren- a - diers.
^
m
I
^
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4.
i
Free America*
Tune— "BRITISH GRBNADIBRS
ff
t That seat of science, Athens,
And earth's proud mistress, Rome ;
Where now are all their glories ?
We scarce can find a tomb.
Then gnard your rights, Americans,
Ifor stoop to lawless sway,
Oppose, oppose, oppose, oppose
For North America.
s We led fair Franklin hither,
And, lo I the desert smiled ;
A paradise of pleasure
Was opened to the world 1
Tour harrest, bold Americans,
Ko power shall snatch away !
Huzza, huzza, huzza, huzza
For free America.
3 Tom from a world of tjrrants,
Beneath this western sky,
We formed a new dominion,
A land of liberty.
The world shall own we're masters here ;
Then hasten on the day :
Hnzza, huzza, huzza, huzza
For free America.
4 Proud Albion bowed to Caesar,
And nnmerous lords before ;
To Picts, to Danes, to Kormans, ^
And many masters more ;
But we can boast, Americans,
We've neyer fallen a prey ;
Huzza, huzza, huzza, huzza
For free America.
5 God bless this maiden climate.
And through its yast domain
May hosts of heroes cluster.
Who scorn to wear a chain :
And blast the venal sycophant
That dares our rights betray ;
Huzza, huzza, huzza, hnzza
For free America.
6 Lift up your heads, ye heroes,
And swear with proud disdain
The wretch that would ensnaro yon
Shall lay his snares in vain ;
Should Europe empty all her foroe,
We'll meet her in array.
And fight and shont, and shout and fight
For free America.
7 Some futun day shall crown us
The masters of the main.
Our fieets shall speak in thunder
To England, France and Spain ;
And the nations o'er the oceans sproad
Shall tnmble and obey
The sons, the sons, tho sons, the sons
Of brave America.
* By Toiee, sword and pen, Joseph Warren contributed to the cause of Independence. In 1772 and 1775« he
delivered orations on the Boston Massacre. During tlie delivery of the second oration, tho British soldiery lined
the pulpit stairs, bat nefertheless ft was pronounced in defiance of their threats. Not long. It is tbooght, before
Us V»^"*^ death, he wrote the abo' . "^allad.
46
The Land o' the Leal
Lady Nairns
m'jj Adagio
m
X. I'm wear - in' a-wa% Jean, Like snaw-wreaths in thaw Jean,!' m wear-in' a'-wa' To the
a. Ye aye were leal and true Jean, Your task's ended nooJean,And I'll wel-comeyou To the
3. Then dry that tearfu' e'e, Jean,My soul langs to be freeJean,And an-gels wait on me To the
#-
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land 0' the leal. There's nae sor - row thereJean,There's neither cauld nor care, Jean, The
land 0' the leal. Our bonnie bairn's there,Jean,She was baith gude and fair, Jean,And
land 0' the leal. Nowfareyeweel,my ain Jean,Thi8 warld'scare is vain, Jean, We'll
day is aye fair In the land 0' the leal,
we grudged her sair To the land 0' the leal,
meet and aye be fain In the land 0' the leal.
i
i
The Mariner
47
^ssi-i i' ti^n^^'^ i-\rju'ftM
X . Soft blew the air, and amooth flow'd the tide,And blue the heaT'n's in ita mirror smiled; The
2. Eye yields to night^the breeze of wintry gales^In one vast head the seas and shores repose^He
3. Oh! what avails the seaiman's toiling care?The straining cords are burstythe mast are riy 'n,Sad
white sail trembling and ex-panding wide,The bos-y sail- or at the an-chortoil'd. The
turns his ach-ing eyes,his spir -its fail, The chill tear falls,sad to the deck he goes, The
sonndsof ter - ror groan a -long the air, Then froma-far,the bark on rock was driy'n;Fierce
t=r
I I I i~n
-inj^r . n
^
t
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last dread moment comes.the sail or vonth Hides the big drop and smiles a-mid his pain;
storm of midnight swells,the sails are furled, Deep sonnds the lead,but sounds a-las in vain,
o'er the wreck,the whelming wa-ters passed. The help-less crew sunk in theroar-ing main.
_ _ . . _ ^^
m
2
A-
i^
m
s
m
Soothes his sad bride and vows e-ter - nal truth,"Fare- well, fare -well, fare -
Then o'er the waves, the- wretch-ed bark is hnrled,''Fare - well, fare - well, fare -
Hen - ry's faint ac - cents trem-bled in the blast,''Fare- well, fare -well, fare -
well, "he crys,"we soon shall
weU,"he crys,"we ne'er shall
well, my love, we ne'er shall
meet again."
meet again."
meet again."
mf
48
Come Where My Lrove Lies Dreaming
S. C. FOSTSR
I
1
J=3^tt:;Et?^^
An
Come where my lore lies dream - ing, ]>reaming the hap-py honrs a - way,
In
▼i-sions bright re -deem - ing The fleeting joys of day; .
j-pirpKNl
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Dream
ing thehap-py hours,. . Dream-ing the happy hoars a - way.
cres.
riten.'
dim.
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Come,where my lOTe lies dream - ing,so sweetly dreaming the happy hoan a- way
gES^grfrs
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Come Where My Love Lies Dreaming
49
iBT Soprano
Chorus, a tempo
mf
dim.
-« — ^
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2d Soprano
My own lore is sweet-ly dreaming,
Herbean-ty beaming;
t±H-\t7rrr.
^^
ComeyWheremylore lies dreaming, dreaming,
Tbnor and Bass
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Come with a lute - ton'd lay ;
1
-e^
CoBie,where my love lies dreaming,dreaming, . . Come with a Inte - ton'd lay ;
mp crts
erts.
W=^
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dim.
-^
My own lore is sweetly dreaming thehappy honrsa - way*
dim.
Como,where my love lies dreaming,dreaming,
Come where my lore lies dreaming|dreaming, dream-ing the happy honrsa - way. . .
^ u ^ >
dreaming the happy hours a - way. . .
CO
Come Where My Love Lies Dreaming
^E^
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My own
P
love is 8weet-ly dream-ing,
-y — k* — ^
Her beauty
fe^^^E^^^jj^ajuJi^-^^B
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Come with a lnte,com« with a lay. Coiiie,coiiie, come, come, come, come, come, come,
P.
Comewitha Ittte, oomewith alay. Come,come, come, come, come, come, come, come,
t r J
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beaming;
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tnp cres.
My own loye is sweetly dreaming the happy hours a- 1
dim.
«:
UJ-UJ.
le happy hours a- *
com'e,come,come,oome,Comewheremy loye lie8dreamlng,dreaming, dreaming the happy
mp b
mp v^ .^ .^. it :ft.* :2: :£:* J: jl jl ^l.
1/ k 1/ J'
come,come,come,come,Come where my loye lies dreaming ,dreaming, dreaming the hap-py hours a-
^f
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Come Where My Love Lies Dreaming
51
CT
PP rUen.
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Fins
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Dream -ing the luip-py hoars
PP riten.
a - way.
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way,
way,
s
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Dream - ing the hap-py hours
pp riUn. ^
a - way.
1/ u u
Dream -ing the hap-py hours a
- way
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Soft is her 8lamher,Tho't8ybright and free, Dance thro' her dreams like gushing melo-dy,
WT-rrjrj:
riten.
D.S. al Fine
J-JUiU^
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Light ia heryoniiKlieaityUghtiiuiy it b«,
Come, where my lore lies dream - ing.
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52
Wbbs
Then You'll Remember Me
fe:
M. W. Balfb
* ihi J f riLT'^^^f J'lj ^m
X. When oth - er lips and oth - er hearts ^heir tales of love shall
oold-ness or do- celt shall slight The bean -ty now they
^A*' V
' ^a^Jii^Ji^jjil^i
WK*
P\^l*^-^* /ix [tN^x j,ix l/nn jTtl X |[i n M [
P
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priie,
I J r- n^y'tjr- ^1^- -^^r-
ii
In laft-goage whose ez-cess la -parts Thepow'r they feel
And deem it bat a fad - ed light Which beams with-in your
v«.
Then You'U Remember Me
88
m
~^m\^ ur^^
1T~1
8101 • . . .«]id70a'Ilrd-member,7oa']ln - mem -ber me.
. . . tkat7oa11re-member,7oa'Ure -mem -ber (Omit,
a. When
.)
Clime Beneath Whose Grenial Sun
Old Scotch Folksong
I. Olime
9. Crown
3. Km -
be-neath whose ge - nial enn Kings wereqnell'd and free
less Ja - dah monms in gloom ; Greece lies slum - b'ring in
pire ef the braye and free I Stretch thy sway from sea
dom won :
the tomb ;
to sea,—
U'ji L J J. / ;: ; J I r- ff F- I r f-
f/J.n. n:,Ni
Wliere the dnst of Washing-ton Sleeps in glo - ry's bed,— He - roes from thy syl - van shade
Some hath shem her -ea - gle-plome, Lost her conqn'ring name. Yonthfnl Na - tion of the West,
Wlio shall bid thee bend the knee To a tyrant's throne? Knowledge is thine armor bright.
/IN
ChJUBg'd the plough for bat-tie blade ; Ho - ly men lor thee have pray'd, Pa - triot martyrs bled.
ttiBe I with tru - er greatness blest; Sainted bands from realms of rest Watch thy bright'ning fame.
Irib -er-ty thy bea-con- light, God Hlm-self thy shield of might, Bow to Him a-lone.
r-(! F'-^ J""
M
Captain Jinks
Ananged by Charles E. Pratt
X. Pm Cap- tain Jink8,of the Horse Ha-rines ; I feed my horse on com and beana^And
2. I joined my corps when twen-ty- one, Of course I thought it cap- i - tal fun ; When the
3. The first time I went out to drill. The bn- gle sound- ing made me ill; Of the
£
m.
^
Sport
en -
bat
:*==*
^
s
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young la -
e - my came,
- tie - field
dies in their teens,Tho'
of
Pd
course
had
I
my
run.
For
For
a
I'm
I'm
cap - tain
not cut
not cut
in
out
out
the
for the
for the
^^'--f-
--&
^
£
I teach young la - dies how
When I left home. Ha - ma,
The of - fi - cers, they all
to dance. How
she cried, Ma - ma,
did shout. They all
to dance,
she cried, Ha -
did 8hout,T]iey
How to dance, I teach young la -dies how to dance,For I'm the pet of the ar-my.
ma she cried, When I left home^Ma- ma she cried,He's not cut out for the ar-my.
all did 8hout,The of - fi - cers they all did shout,Why! kick him out of the ar-my.
4 — -^-^ .J J^-._j:i_i LJ J. ^
Captain Jinks
65
CnoRcs
m
w=^
\-7-H:
t
s
s
Cap - tain Jinks of the Horse Ha-rines; I feed my horse on corn and be^ns^And
iiij n j'lj jj ji
Chinese Baby-Song
m
ATl^fffO
^
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I
H" N-
HJ! ,.
8nail| snail, comeont and be fed. Put out your horns, and then your head,
i
ff— *--«i--=r±
i
H
^
^
And your Pa - pa and your Ha - ma Will give yon boiled mut - ton.
Bepeaied ad infinHum.
56
Call Me Pet Names
Poco andante
Mrs. Osgood
z. CaU
a. Call
3. Call
4. CaU
me pet
me fond
me sweet
me dear
ydearestl Call me a bird. That flies to tliy breast at one
,dearestl Call me a star, Whose smile's beaming welcome thou
jdarling ! CaU me a flow'r I That Uvea in the light of thy
ydar-Ungl CaU me thine own I Speak to me al- ways in
sosientUo
f If' p rir f -^aJj-i-^j-^
cher-ish-ing word; That folds its wUd wings there^ne'er dream-ing of flight, That
feePst from a - far ; Whose Ught is the clear - est, the tm - est to thee, When the
smile each hour; That droops when its heav-en thy lore . . . grows cold. That
love's low tone; Let not thy look nor thy yoice . . grow cold.
ten - der-ly sings there in lov-ing de- light I Oh I my sad heart keeps pining for
"night time of sdir- row" steals o-yer life's sea. Ohl tmst thy rich bark, where
shrinks from Ae wick-ed, the false and bold. That blooms for thee on - ly, thro'
Let my fond wor-ship thy be- ing en - fold ; Lore me for - ev - er, and
^7S /IN
T
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m
i
1^
i
3
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3
5
9-^
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Call Me Pet Names
W
^
one fond word I Call me pet names, dear-est 1 Call me a bird I
iU warm rays are. Call me pet names, dar-ling 1 Call me thy star !
siin- light and show'r. Call me pet names, dar-ling 1 Call me a flow'rl
lore me a- lone I Call me pet names, dar-ling ! Call me thine own I
/f\
See at Your Feet
M. W. Balpx
From ** Bohemian Girl "
I. See atyoorfeet a suppliantone,Whoseplaceshonldbe . . jroar heart; Be-holdtheon-ly
a. Oh ! do not spurn the on - ly friend On whom she coold de - pend ; I was the on- iy
jjji ifilv I Hffm
^m
To which she had to ding.
mun
And saved her life,watch'd o'er her years,
^^
mj7ttii-f^ti^.
^^^m
With all the fondness faith endears,And her affec-tion won.
Rend not such ties a-part .
i^
58
»f
"Vive La Compagnie
As sung by the Maryland Cadets
fes
6^ft=^
a-i
i=*
N (K ^
^
-»-»■
I. let B«c-cbDt to Ve-nus li - ba- tions pour fast, Vi-ve lacom- pa-gnie, And
a. Let ev -'ry old bach - e - lor fill np bis glass, VI -re lacom- pa-gnie, ^i
3. Let cT-'ry old mar-ried man drink to bis wife, Vi-ve lacom- pa-gnie,
Tbe
r-
f-
f
m
E
-i-n-
i
:i=i
A-
t
^^
t
E
let us make use of our time to the last,
drink to the health of his fav - 0 - ritt lass,
friend of his bos-om and com -fort of life.
^
Vi - ve la com - pa - gnie. . . Oh I
Vi - ve la com - pa - gnie. . . Oh I
Vi - ve la com - pa - gnie. . . Oh 1
^t^ttrt
-\ 0 ■ — 1-^ — I 1
m
Chorus
^gi!-naj^^
w
Vi - ve la, vi - ve la, vi - ve Pa-mour, vi - ve la, vi-ve la, vi - ve Pa-mour,
4k — ^-
^^^^
^
i
^S
:j <l «l-
Vi - ve la, vi - ve la, vi - ve I'a -moor, vi-ve la, vi-ve la, vi - ve I'a-mour,
^^i^E^^^FrfY^f^t^=h£m3^^-^m
^=^VrfhiTM-^=^
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Fed.
55S
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1^
IfPed.
I
i
m
« Ped.
5
m
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S
!*Vivc La Compagnie'^
!^^^
m
^^
: r r f "1^"^^ J hU-a
Vi - ve Pa- mour,
▼i - ve Pa-moar, vi - ve la com - pa - gnie.
i
rTTF^
t--' J — d-
7 J^ /J /I j.^i
Vi - ve Pa mour,
vi - 79 Pa-moiLT.
vi " ve la com - pa - gnie^
4 Come till ap your glasses — I'll give you a toast,
Vi/e la compagnie.
Here's a health to our friend —-our kind, worthy
host,
Vive la compagnie. Cho.
5 Since all, with good humor, I've toasted so free,
Vive la compagnie.
I hope it will please you to drink now with
me,
Vive la compagnie. Cho
How Can I Leave Thee
M '•ierato
Thuringian Folksong
3
¥
u liow can
a. 1 .me is
3. ^ onld I
I leave thee I How
a flow'r - et Called
a bird were I Soon
W"
t
can I from thee parti Then on - ly
the "For - get - me - not," Wear it up -
at thy side to be, Fal - con nor
^C :U
m
^52-
m
F=f
f
f=
^
^ I iij
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t=*
I
hast my heart, . Dear one, be - lieve.
on thy heart. And think of me I
hawk would fear, Speed - iig to thee.
^^
i
a-
Thou hast this soul of
Flow -' 'ret and hope may
When by the fowl - er
-19-
m
e?-
22
J--^
pm
:f±
1 1:
-S —
mine
die,
slain,
_^2
t
-^
I
3
So
I
2^
^^
r
-(St-
4
■^<
m
-«•— K
^
i
close - ly bound to thine. No oth - er can I love. Save thee a •
love with us shall stay, That can - not pass a - way, l>ear one, be •
at thy feet should lie, Thou sad - ly shouldst complain, Joy - ful I'd
lone I
lieve.
die.
^
33:
i=f
Mf r r: it^
p m f9 — -P -P-
r=^
I
f^r^r
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I
60
The Bonnie Blue Flag
Harry Macartht
z. We are a iMwd of broth-en,
s. At long as the old Un-ton
and na - tive to the aoil, .
was faith - fnl to her trust, .
Like
^
t f' J- u n j
t
w
Fight - ing for the prop - er - ty we gain'd by hon - est toil; . . And
friends and like broth - ers, kind were we and jnst ; . . But
|n— J' J J' I ;^
t
&
t
I
±^
m
when our rights were threatened,
now, when llorth-«m treach-ery
the cry rose near and far, . . . Har-
at-tempts onr rights to mar, . . . We
rah for the Bon - nie Bine Flag, that bears a Sin - gle Star,
hoist on high the Bon - nie Blue Flag, that bears a Sin - gle Star.
^^
¥
jt
j-j^i' /Ur-J-d
^i
— u
j ^ I 7 " j • ^'-^^
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The Bonnie Blue Flag
61
Cbosus
x-6. Hnr - rah!
7. Hot - rah I
Hnr - rah I
Hur - rah I
for South - ern Rights, Hur - rah I
for South - ern Rights, Hur - rahl
I J -U=^J-
3 Firsti gallant South Carolina nobly made the stand ;
Then came Alabama, who took her by the hand ;
Nexf, quickly Mississippiy Georgia and Florida,
All raised on high the Bonnie Blue Flag that bears a Single Star. Cho.
4 Te men of valor, gather round the Banner of the Right,
Texas and fair Louisiana join us in the fight ;
Davis, our loved President, and Stephens, statesman rare,
Now rally round the Bonnie Blue Flag that bears f Single Star. Cho.
5 And here's to brave Virginia I the Old Dominion State
With the young Confederacy at length has linked her fate ;
ImpelPd by her example, now other states prepare
To hoist on high the Bonnie Blue Fag that bears a Single Star. Cho.
6 Then here's to our Confederacy, strong we are and brave,
Like patriots of old, we'll fight our heritage to save ;
And rather than submit to shame, to die we would prefer.
So cheer for the Bonnie Blue Flag that bears a Single Star.
Cho.
7 Then cheer, boys, cheer, raise the joyous shout,
For Arkansas and North Carolina now have both gone out ;
And let another rousing cheer for Tennessee be given —
The Single Star of the Bonnie Blue Flag has grown to be Eleven.
Cho.
Kiss Me Quick, and Go
AUeffrettomafnoderah
F.BUCKLST
Mti-f. i J'l; J' J- jlJ J M4A^^^^^
z. The oth-er night, while I was sparking Sweet Xar-li -na Spray, The more wewhis-per'd
a. Seen af - ter that I gave my love A moonlight prom-e - nade. At last we fetched up -
3. One Snn-day night we sat to - geth- er, Sigh-ing, side by side, Just like two win - ter
>'W J i , j>\i^-r7 \W t^^^
onr love talk - ing,The more we had to say : . . The old folks and the
to the door, Tust where the old folks stay'd; The clock struck twelve,her
leaves of cab - Sage, In the son -shine fried. . Hy heart with love was
f^
t
:^ '-f- '^
*-^
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S
^m.
^
^
#^^-^Ay=^
roll.
±
£i-rr^^-f-^^i
lit - tie folks,Wetho'twere
heart struck too, And peep-ing
nigh to split,To ask her
fast in bed,
0 - ver head,
for to wed,
We heard a foot-step on the stairs,
We saw a night-cap raise the blind,
Said I,'' Shall I go for the priest, ^
l^^^^ir^-^^l^
m
H
^
fv-^
t|j^=t:^a
1 N-!^
1
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3^
tfc
i
y g ?
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^
/ts atempo
?
m
m
And what d'ye think she
said ? 01** Kiss me quick, and
go I my hon-ey.
Kiss Me Quick, and Gk>
63
J' ^ic r J
KiM me quick and go I . . To cheat fiirprise,«iid prying eyes^Whyykias me quick and go!'*
i%^i^Ti
ife
T=m
■n^
^
-&•
Chorus
''KiM me quick I and gol my hon-ey, Kisa bm quick and got • • To cheat sur-priae^and
Sing one octave onlu -#-•#- . .
. %. # ^% . f f ^ ^.. ^ ^ ^ ^- , J ^
c^n.
rolZ.
.pry-ing eyes, Why, kisa me quicksand got"
^m [ [ir r r'^^
^
nfft-irfi^^i
*^
64
A Thousand Leagues Away
m
W. C. Bennftt
Allegro con spirito
J. Barnbt
t
1
f-
^
-». —
*
±
m
z. The wind is blow-ing fre8li,Kate,The boat rocks there for me ;
a. I half could be a landsmaiiyWhile those dear eyes I see,
3. One kiss ; the tide ebbs fastilove ; I mast not lag- gard be
One kiss andPm a -
To hear the gale rave
Up - on the voy - age
i
H
^
rail.
i
a tempo ,
3
T
t
4^9 — *-
4=:*
1
way, Kate, For two . long years to sea ;
by with- outyWhile yon sat snug with me;
to me.
oy wiin-ouiywaiie you sai; suug
which, I hope, Will give my Kate
For two long years
' But I must hear
to
the
Pray for us, Kate ; such
n
n
x=x
^^E^Sfe
--y----;
%^-
think of yon, Dream of you night and day,
storm howl by, The salt breeze whist - ling play
pray'rs as yours God bids the winds 0 - bey,
*
m
T=X.
I*
5^:
ztr.
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To long for you a -
Its weird sea -tune a -
By for - tune heard,your
W
-«— *
' — «-
i
-•-
A Thousand Leagues Away
65
dim.
metzavpoe
i^- ^' JM^
^
-«^
cross the sea, . . A thon- sand leagues a - way,
mong tho shrouds, A thou- sand leagues a - way,
loy - ing word Will speed us far a - way,
=i^=^=^
A thou- sand leagues a -
A thou- sand leagues A •
A thou- sand leagues A -
-8 X ^ X
i*i- j-jTiJ'J
way, d«arKate,A thousand leagues a -Way, While round the pole we toss and roll,. . A
way, dear Kate, A thousand leagues a -way. While south we go, blow high, blow low, . . A
way, myKate^A thousand leagues a -way, God will bo-friend the lad you send. . A
^
tf #-
^
thoo- sand leagues a -way.
I
66
The Girl I Left Behind Me
Author Unknown
Old Irish Air
z. The dames of France are fond and free, AndFlem-ish lips are will - ing, And
a. For she's as fair as Shannon's side. And pur - er than its wa - ter, Bnt
3. She says/'My own dear loye,come home, My friends are rich and ma - ny, Or
4. For nev - er shall my true love brave A life of war and toil - ing, And
m
f^-
^5?-
(9-
fS*-
^=t^^^=^T-=^^^^^
soft the maids of I - ta - ly, And Span-ish eyes are thrill -ing; Still
she re - fus'd to be my bride Though ma-ny a year I sought her ; Yet,
else a -broad with you I'll roam, A sol - dier stout as
nev - er as a skulk-in g slave VVL tread my na - tive
m
r
an - y; If
soil on ; But
-«>-
^
i
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t
i
though I bask be - neath their smiIe,Their charms fail to bind me, And my
since to France I sail* d a - way, Her let - ters oft re - mind me, That I
you'll not come, nor let me go, I'll think you have re-signed me," My
were it free or to be freed. The bat - tie's close would find me To
i
^
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ster-J' . -I
The Girl I Left BehinS itle
67
7-77i7^^r-p ; I J7^ j'-n
heart falls back to B - rin's Isle, To the girl I
prom-is'd nev - er to gain -say The girl I
heart nigh broke when I an-swered "No'' To the girl I
Ire - land bound, nor mes- sage need From the girl I
left be - hind
left be - hind
left be - hind
left be - hind
me.
me.
me.
me.
i
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A Song of the Sea
Written from memory, by Mrs. W. A. Fisher
Probably loo years old
X. A sail-or's life is a roy-ing life, It robbed me of my heart's de - light,
a. Go boild me up some lit - tie boat, That I may on the o - cean float,
3. I had not sailed far . o'er the deep, Be - fore a large ship I chanced to meet.
4. " A deep blue jack - et he used to wear. With ro - sy cheeks and coal black hair.
f—r I r 1^^
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Andcaus-ed me to la-ment and mourn,And sad-ly wait
And ev - 'ry ship that I do pass by, I will in - quire
I said " Bold Cap - tain, 0 tell me true, Does my ^weet Wil
His lips were of a vel - vet fine. And oft time used
■\
r
for
±=f
- r-
his re - turn,
for my sail- or boy.
- liam sail with you?
to meet with mine."
9
^
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X
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\ I
5 " Oh no, fair maid, he sails not here,
He's drowned in the deep, I fear,
Near that lone island, which you passed by.
You've chanced to lose your sailor boy."
6 She wrung her hands, she tore her hair,
Like some fair maid in deep despair.
Her boat against the rocks she run.
Crying, "Alas, I am undone.
T
^-
s
r=F=r
g--:-J
:|Se
^
a
7 " Now, I'll go home and write a song,
ril write it true, I'll write it long.
On every line I'll shed a tear.
On every verse, * Fare you well, my dear,' "
8 Go dig my grave both wide and deep,
Place a marble stone at my head and feet.
And, on my breast, a trrtle dote.
To show this world, I died for lovo.
68
Beautiful Star in Heaven so Bright
Allegretto con anirna
S. M. SATLX8
^ — ^ — ^ — ^ — N— c-
1^=t!:
J'U J J
X. Beau-ti-fol star, in heaT'n so bright, Soft - ly falls thy sil - y'ry light,
s. fa fan - cy's eye thou seem'st to say, "Fol- low me,come,from earth a -way;"
3. Shine on, oh I star of love di - Tine, And may our sonls' af - fee - tion twine A
^^^
V=c
m
mi
2
^
As thou movest from earth a- far, Star of the eve - ning,bean-ti - ful star,
Up-wardthy spir-it's pin -ions try, To realms of love be - yond the sky, To
round thee as thon moT'st a - far, Star of the twi-light,beau-ti- ful star,
lit
( • f r
f-rr
-f
^
CTtS,
Star of the eve - ning, bean-ti - ful star,
realms of Iots be - yond the sky.
SUr of the twi - light, bean-ti - ful star.
Beau
Beau
Beau
cres.
^^
ti - ful star, . .
ti - ful star, . .
ti - ful star, . .
T
^
r '4-; ; -i L-JJ uXlj V — =te
Beautiful Star in Heaven so Bright
dim.
69
Bean - ti-fal stai, . .
Star .. of the eye - 'iiiiig,Be«ntiful,beaati-fal star.
Crarlks Wsslst
Arise, My Soul
kl'"tj ij J; Jij^jiJ H jL
i
Lewis Edson
J_i_
t
X. A - rise, my sonl, a- rise; Shake off thy guilt -y fears; The bleed-ing Sac - ri -
a. He ev - er lives a - bove, For me to in - ter - cede ; His all-re-deem-ing
3. Five bleeding wounds He bears, Re-ceived on Cal - va - ry ; They pour ef - feet - ual
4. My God is rec- on- ciled; His pardoning voice I hear: He owns me for His
J t i » ,^ — r^ J r i
^\n % It
T
F=f
X
^1
T
i
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T
f
t
m
\iHrri\\ i i JIJ
i
i
fice In my be - half ap - pears : Be - fore the throne my
love, His pre - cions blood, to plead ; His blood a - toned for
prayers, They strong-ly plead for me: ''For- give him. Oh, for
child ; I can no Ion - ger fear : With con - fi - dence I
iM.3 3 3 < ii ^j^r^
Sure - ty stands, Be
all our race, His
give," they cry," For
now draw nigh,With
msi
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J.
*
£
^
f
^S
m^r-H-lfzttiM-^-^
^
fore tho throne my Sure - ty stands. My name is writ - ten
blood a - toned for all our race. And sprin-kles now the
give him, Oh, for -give," they cry,'' Nor let that ran-somed
con - fi - dence I now draw nigh, And,"Fa-ther, Ab - ba.
His
r
-<ie
i
on HIS hands,
throne of grace,
sin - ner die."
Fa - ther," cry.
%' f f ■ P
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i
70
Angels Ever Bright and Fair
Largheiio
Handel
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An - gels 67 - er bright and fair, take^oh, take me.
take,ohy take me to your
-If Zjl III I^
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rt
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care.
take me, take,oh, take me,
An - gela
Angels Ever Bright and Fair
71
|fe^^^=^=^^
J^TJ .^H^^
ev - er bright and fair, take, oh, take me to yonrcare,
^ -i -^ i 'i j ^
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Fink
1
take, oh| take me to your care.
4
^^=?^^^
Tf C J J— g
ga
Speed to your own courts my flight, clad In robes of ^ir - gin
t
IS:
*
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r^—^r^
D.S.
Wf=rrTm
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whitejClad In robes of vir - gin white, clad in robes of vir - gin white, take me,
^^m
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1
72
A Yankee Ship, and a Yankee Crew
C. M. King
P
I. A yan - kee ship and a yan-keecrew, Tal-ly hi ho, yon know; (Her the
a. A yan - kee ship and a
3. A yan - kee ship and a
4. A yan - kee ship and a
yan -kee crew, Tal-ly hi
yan -kee crew, Tal-ly hi
yan -kee crew, Tal-ly hi
WW w
ho, you know ;
ho, you know ;
ho, you know ;
With
The
rT^^rrrPTJ
mEt±±^^^
P
t^=^
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f==f
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bright blue waves like a sea - bird flew, Sing hey a -
hearts on board both gal-lant and true; The same a-
boats all clear, the wreck we now view/' All hands '' a -
Free-dom de - fends the land where it grew,We're free a -
loft and a - low. . Her
loft,and a - low. . The
loft and a - low. . A
loft and a - low. . Bearing'
^
f
^=?
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Hifcitlt:^
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3
S
t
S:
P^ g (■-
s
wings are spread to the fai - ry breeze The spray sparkling as thrown from her
black - en'd sky, and the whist - ling wind. Fore - tell the ap - proach of the
ship's his throne, the sea his world, He ne'er sheers from a ship* mate dis
down is a foe in re - gal pride, De - fi - ance at each mast
A Yankee Ship, and a Yankee Crew
73
i
sa:^*
^m
i
^
P=s.
^
prow, Her flag is the proudest that floats on the seas^Her way homeward she's steering
gale; As home and its joys flit o'er each mindyHosbandsIlOTersI "on deck there,a
tress'd; All's well ; the reef 'd sails a - gain nnfurled , O'er the swell^he is cradled to
head. One's a wreck and she bears, as she floats a - longsidOyStars and stripes e'er to Tie-to- ry
-■^^
m
^=i
f=rf
£
Vft/
>4/
now.
saUl"
rest,
wedy
A yan-keeshipand a yan-keecrew, Tal-ly hi ho, you know, O'er the
A yan-kee ship and a yan-keecrew, Tal-ly hi ho, yon know; Dis -
A yan-kee ship and a yan-kee crew, Tal-ly hi ho, yon know, Storm past,
For a yan-kee ship and a yan-kee crew, Tal-ly hi ho, yon know, Ne'er
bright blue waves like a sea-bird flew, Sing hey a -loft and a- low.
tress is the word, God speed them thro',Bear a hand, a - loft and a- low.
drink to "wives and to sweethearts " too, All handsl a - loft and a - low.
strike to a foe while the sky is blue, Or a tar's a - loft or a- low.
74
Oh t Willie, We Have Miss'd You
Mlegretlo moderato ^- ^- ^ostm
^11 r ir i'-rrr ^hJLxi^tif±-i-^^^-^
X. OhlWil-llei is it yon, dear, Safe,8af a at home? They did not tell me true, dear, They
a. We'velong'd to see yon nightly,Bnt this night of all; The fire was blaz-ing bright-ly, And
3. The days were sad without yon,The nights long and drear ; My dreams have been about you, Oh I
ife
40^ ^ T ^
3^1 n H
^
t=*
<>-^-;j_/ J Vi; p j" gr:f=^^^^^fe=
■y ^ » ■
said you would not come. I heard yon at the gate, And it made my heart re-joice,
lights were in the haU; The lit -tie ones were up Till 'twas ten 0' -clock and past,
wel-come,Wil-Us dear! Last night I weptandwatch'dBythe moonlight's cheerless ray,
ere8.unpoco
-Ji *■
i
I
^ j 1 J I
m
,^ a tempo
For I knew that wel-come foot- step, And that dear, fa - mil - iar voice, Hak - ing
Then their eyes be - gan to twin-kle, And they're gone to sleep at last; But they
Till I thought I heard your foot - step, Then I wip'd my tears a - way ; But my
Oh I WilUe, We Have Miss'd Yoa
rail
75
^
E
Si=*
E
S
^
^ afempo
I
ma - sic on my ear,
lis - ten'd for your yoice,
heart grew sad a - gain,
In the lone - ly mid- night gloom: Oh I
Till they thought you'd ner - er come: Ohl
When I found yon had not come: Ohl
i
I
£
m
m
r
i
-^-
p a tempo
£
5=?
f
T
T
^
Willie, we have miss'd yon; Welcome, welcome home I
a tempo.
ores.
English Chanty
u // Solo
Chorus
it
^
m
?
*=
I. Come, ship - mates and broth - ere. Ho
a. The wind it blows hard, Ho
3. Come, loose ev - 'ry sail. Ho
4. Oar hearts they are Ught, Ho
Solo Chorus
yol Cheer - ly, men,
yo I Cheer - ly, men,Each
yo I Cheer - ly, men,We'll
yol Cheer - ly, men,Each
Solo
Haul all to - geth-er, Ho
tar knows his card, Ho
soon face the gale, Ho
eye it seems bright, Ho
Chorus
yol Cheer -ly, men. Help one an - oth-er,
yol Cheer- ly, men,We'll soon man the. yards,
yol Cheer- ly, men,8tout hearts which ne'er fail,
yol Cheer- ly, men,We bid you good -night.
Bb yol ChAer*ly, men, 0 han-ley, ho yo, Cheer-ly, meal
n
De Boatmen's Dance
Dan D. Smith
High row, de boat -men, row, floftt-in' down de rib - ber, de 0 - hi -
o. I. De
2. De
3 I
boat-men danoo, de boat -men eing, De boat -men up to eb - ry ting,
oye " ter boat should keep tode shore, De fish - in smack ehoaldTcn- tare more,
went on board de od - der day To seie wbatdebAoat-mon had to say;
An
De
An
^ittTH
when de
schoon-er
dar I
boat -men gets on shore, He spends his cash
sails be • fore de wind, De steam-boat leases
let my pas - sion loose, Andey cram me in
an works for more, Den
a streak be - hind. 0
de col - la -boose. 0
rfo'. j»; Jif "ci: J' ; /u ^j'^^
t
dance de boat -men dance, 0 dance de boat -mon dance, 0 daneeall night till
m
f -ij: ■!]
De Boatmen's Dance
T7
It f f J' ji-juJ— f! f ; J' J- 1 J' J'
i
broad day - light An go homo wid de gals in de morn - ing.
4 I'to como dis time, PU como no more,
Let me loose, I'll go aahore ;
For dey whole hoes, an dey a bnlly crew
Wid a hoosier mate an a captain too.
0 dance, etc.
5 When yott go to de boatmen's ball.
Dance wid my wife, or don't dance at all;
Sky bine jacket an tarpanlin hat,
Look out, my boys, tot de nlniHtall cat.
0 dance, etc.
6 De boatman is a thrifty man,
Dar's none can do as de boatman can ;
I nebber see a putty gal in my life
Bnt dat she was a boatman's wife.
0 dance, etc.
7 When de boatman blows his horn,
Look oat, old man, your hog is gone ;
He cotch my sheep, he cotch my shoat,
Den pat em in a bag an toat em to de boat.
0 dance, etc.
Just as I Am
CHAELom Elliott
Wm. B. Bradbu&t
I. jnst as I am, with* oat one plea, Bat that Thy blood was shed for me.
a. Just
3- jMt
4. Just
5. jMt
I am, and wait - ing not To rid my soul of one dark blot,
I am, tho' tossed a- boat With man - ya con - llict, man - y a doubt,
I am ; poor, wretch-«d, blind,Sight, rich - es, heal - ing of the mind,
I am; Thon wilt re-ceiTe,Wilt wel- come, par •don,clean8e,re-lieve;
And that Thon bidd'st me come to Thee, 0 Lamb of God,
To Thee,wh08e blood can cleanse each spot, 0 Lamb of God,
Fightings and fears with- in, with -out, 0 Lamb of God,
Tea, all I need, in Thee to find, 0 Lamb of God,
Be - cause Thy prom - ise I be - lieve, 0 Lamb of God,
come,
come,
come,
comOi
come.
I
I
I
I
I
^
f
come!
cornel
come I
cornel
come!
I
78
Larboard Watch
DUET
T. WlUJAMS
z. At drear - y
a. Withanz - iou
mid - night's cheer - less hoar, De-sert
care he eyes each ware, That swell
ed e'en by
ing, threat-ens
^^
t^i f f f E
i ^ i i d ^ '
i
P
m
^R=n:
zc
f
■d^
^^
Cyn-thia's beamsy When tempests beat and tor-rents ponr, And twinkling stars no Ion - ger gleam ;
to o'er-whelm, And his storm-beat-en bark to save, Di-rects with skill the faith-ful helm.
^. ..:,^. ;o[7T^^
The wea - ried sai - lor, spent with toil,Clings firm-ly to the weather shrouds And
With Joy he drinks the cheoringgrog/Mid storms that bellow loud and hoarse^Witli
,Clings nrm-ly to the weather shn
* ' ji
H^— ^n \P\i. =rj
stm
joy
the lengthened hour
he heaves the reel
^
; r ^ I — ^^ — t^r
to guile. And still the lengthened hour to guile,
inglog, With Joy he heaves the reel-ing log,
Larboard Watch
79
^ ^ J- .
J7-/J7-;jJ^
m
m
3?
Sings as he views the gath - 'ring donds,
And marks the lee - way and the conrsei
Sings as he views the
And marks the lee - way
doL<^ \y o»- >jr "^ ^- .
^
t
^
1=»:
I
m^
i
4.
A
^
i
-^
g> ,
^rti J.
t
<g* X
/9N . /T\
' P IF' P ir"^
gath - 'ring clonds, ** Lax - board Watch, A - hoy 1 Lar - board Watch, A - hoy I "
and the conrsOi *' Lar - board Watch, A • hoy I Lar - board Watch, A - hoy I "
But who can speak
the joy he feels While o'er the foam
his ves-sel
Andhistir'deye • lidsslumb'ringfally Herons-es at the welcome call Of
80
Larboard Watch
adagio ad lib.
** Lar - board Watchi A- hoy 1 Lar-board WatchyLar - board Watch^Larboard Watch^A- h oy !
i^;jij,iff.i^4^{;ij;i]fjif.AijlH
^
^m
s
m
p
f
-«>-
Vft/ Vft/
Walter Scott
Bonnie Dundee
M c r M^^ ^ r f i-'^
X. To the Lords of Con - Ten - tion 'twas Cla - ver - house spoke, " Ere the
a. Dan - dee he is mount - ed, he rides np the street, The
3. There are hills be - yond Pent - land, and lands be - yond Forth, If there's
4. Then a - wa' to the hills, to the lea, to the rocks, Bre I
^
n a I
p
E
S
^A J J , J J' ,. 1^^
c c c c
?
King's ciown go down there are crowiM to be broke, So each Ca-va - Uer who lore*
bells they ring back-ward,the drums they are beat, Bat thePrO'TOst (donee nun) said "Jnst
lords in the sonth,there are chiefs in the north ; There are brave Dannie was- sels, three
own a n-sarp-er I'll croachwi' the fox; And trem-ble, false Whigs, in the
^^
T~i i- i if w
E
E
i
Bonnie Dundee
81
and me, Let him fol-Iow the bon^nets of Bon-nie Dan -dee."
km - «r and
e'en let it be, For tbetown is weel rid o' that de'U o' Don -dee;"
thou -sand times tliree, Will cry "Hey for the ton- nets of Bon-nie Dun -dee."
midst of yoor flee, Te hae nas seenthe last o' my bon-nets and me.
T r
^
^
T f
i
5^
^
: : :
/ I ; ,-
Gonw, fill up
Biy ^Pi
citiiie.
r=?
t
?
i
fill Up my ctai, Comoy
\l^\> J- J- J' j' ; J' I J' / ;
flXIXj^^^
Bad -die my hors - es, and call out my men, Un-hook the west port and
f=*
3=^
•#■ -r
I S3
#
i
^
s^
a:
rr
^
W"^
|feJ:d^_^^4xJLi I ; J , ji^-^fT^^^^
?^
let us gae free. For it's up with the bon-nets of Bon- nie Dnn - dee.
82
Hard Times Come Again No More
S. C. FOSTKE
I / / ; 'I ;i/ ; / j^
BJ J^ Jl
E
X. Xet OS pause in life's pleas -vres, and eovnt its ma - ny tears, While we
a. WMle we seek mirth and bean - ty, and mn - sic light and gay, There are
3. 'Tie a sigh that is waft - ed a - cross the tron - bled wave, 'Tis a
ms3:
U^ 4 i i^iu 4 ^ ; i i
P
i
5
i
^F=f
f=r- J'lj i ;
*=;f
all sup sor - row with the poor ;
frail forms faint -ing at the door:
wail that is heard np - on the shore ;
W-
• There's a song that wjll lin-ger for
. Tho' their Toi - ces are si - lent, their
• 'Tis a dirge that is mnr-mur'd a -
mi b ^=£=
er - er in our ears, "Ohl Hard times, oome
plead -ing looks will say, ''Oh I Hard times, come
round the low - ly grave, "Oh I Hard times, coma
ns
a • gain no
a - gain no
a - gain no
more." •
more." .
more." .
m
Hard Times Come Again No More
88
Fira^ Solo; then^ Chorus
t>b [ ['
P=5
=P
Hard times, hard times,
* — -r » — V—
p )l p >c=
+
t:
tX^TUi!;' ^=^=M#
i-
£
i
^-»-fr— f— -i-
m
:^
:!
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miTO
^^
/ts cre«.
^
:?^=:;
3
fc
3f=f=
come a - gain no more;
Ma
r
:i^
*
- ny iays you hare lin - ger'd
a -
as^^^
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-ft.
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t=x=g:
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cres.
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ri^n. dm.
# J : ; J' iijji i i i m
^■•At !. n. :
t
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ronnd my cab - in door, Oh ! Hard times, come a - gain no more.
0 ^
i-^
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dim.
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84
Douglas! Tender and True
Author Unknown
Soave
Lady John Soorr
J J' J ^L.7' t 17
B
^
^^
■# — *-
T
f
i
X. Could ye come back to me, Doog-lael Dong-lesI
s. NoY - er a scorn - fnl word should pain yon,
3. I was not half wor-thy of yon,Dong-lasl
4. Oh I to call back the days that are not ;
5 Stretchout yoor hand to me, Doag«lasl Dong-las 1
i
^
i
3?
3?
In the old like-ness that I knew, I wonldbe so faith-fnl, so 10T-ing,I>onglas 1
I'd smile as sweet as an - gels do; Sweet as yonr smile on me shone er-er,
Not half wor-thy the like of yon; Now all men be -sides are to me like shadows,
Mine eyes were blinded,yonr words are few; Do yon know the truth now up in Hearen?
Drop forgireness from Heay'n like dew,As I lay my heart on your dead heart,Douglasl
^
i
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^^
?:
I
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iiJ'^J'j
Dong - las ! Doug - las ! ten-der and tme.
When the Swallows
86
Franz Abt
Whr^M^H^^^^^m
z. When the swal - lows home -ward fly, Wheathe ro - - ses scat- tered
2. When the white swan south - ward roves, To seek at noon the or - ange
3. Hush, my heart I why thus com -plain? Thon must, too, _ thy woes con-
i^4H-iLzt:p t i:,:j ;j
rr4.ii:/ij rp'^
i^
lie, When from net - ther hill nor dale Chants the sil - y'ry night - in - gale ;
groyes, When the red tints of the west Prove the sun has gone to rest ;
tain. Tho' on earth no more we rove, Fond - ly breath-ing words of love.
¥
fc=ff:
f
m
=F^
^m
z
■Of-
p
M
^WH4M
In these words my bleed -ing heart
In these words my bleed -ing heart
Thon, my heart, must find re - lief,
- I .. .. ^
Would
Woold
Yield
J-
A
i
to thee
to thee
ing to
^
its grief im
its grief im
these words be
part,
part,
lief:
J ;. /i.j. ;-nJHj^
-f-
^ iM4
^
" When
"When
"I
^m
I. .
1. .
shaU
thns thy im
thus thy im
see thy form
n^
age lose,
age lose,
a - gain,
Can I,
Can I,
Though
ah, can I
ah, can I
to - day . . .
1^-^^
^%-
i
^
—fSh
cte£
'f9-
e'er know re - pose,
e'er know re - pose,
we part in pain,
I J u
m
3
=y-4^-^
^^i
Can
Can
Though
I, ah, can
I, ah, can
to - day
I e'er know re -pose?"
I e'er know re -pose?"
we part in pain."
Ef
test
J- J I J
^=g^
86
I've Left the Snow-Clad Hills
AUegrelio ma rum troppo
G. LiNLKT
^^t^^n^
M4C' f n.
:*=*
X. I've left thesnow-cUd hills, Where my fa - ther'shat doth stand, . My
s. Be - side those snow-clad hills, Where my fa - ther's hat doth stand, . Dwells
rail
^
t
nrrr : \ t^
^mTj
but
not
a poor, young girl.
In my sim - pie, peas - ant gnise ; . Un -
with - ont a heart. Would I pledge with word or yow, .
And
gfc
i
tji j. i.'' ii W
i
i
^VF^
^
/r\
nOl.
:^
^
^
skilPd
I're
in all
no heart
the arts
to give
and wiles
him. For
^
That world - lings prise;
he has it now.
P
I
That
/VN
s
?
m
I
w
f
n.
n-nFH^
ft'
&J!
P
fefe
■#
I*ve Left the Snow-Clad Hills
87
Pkitnosso
/r\
^
roll.
¥'± J' J' ^'^
i
^
^
sweet the song to me, For it takes me back to home. No
soon - er than de - sort him I'd lie mo in my grave. No
^
A tempo
/r\
raU.
S^
; I ;: } : ; I ^^
m
plactt can er - er be, to me, Like that dear home,
won - der, I am pi - ningthen, For home a - gain.
My
/ts
nrf^
roll.
m^ : J. i;:^
bz:^
m
■ifk—^
i
own,sweet homel My own* be - lor - sd home I
rilard.
88
i
% ,j;. j^-
^^
^
Upidee
^
^
X. The shades of night were fall-ing fast, Tral la la, Tral la la, As
a. His brow was sad, his eye be-neath, Tral la la, Tral la la, Flashed
0 stay,'' the maid -en said," and rest," Tral la U, Tral U U, "Thy
«t
^
T
■f=r^
i J 'ij
^
# ^ q
i
I
^ /' J- ;
rr-i^i-
^
t
I
through an Al - pine ril - lage passed, Tral la la la
like a fanl-chion from his sheaf, Tral la la la
wea - ry head up - on this breast," Tral la la la
la!
U!
lal
▲
And
A
^^m
X
M
3
i i I
i
m.
3:
^^
I
^^~r7:
-^
ritard.
^=^B
^
youth, who bore, 'mid snow and ice A ban - ner with the strange de - vice,
like a sil - ver dar - ion rang The ac- cents of that on- known tongne,
tear stood in his bright blue eye, But still he an-swered with a sigh,
i
^^
LU'"
/"Chorus
*¥-)' jv; ;
m
^
■A — K
; ; ; j
m
U - pi - dee - i, dee - i, da, U - pi - dee, U • pi - da, U - pi - dee - i, dee - i, da,
■^ -#
Upid
89
pl-dee-i-dal •r-r-r-r-r-r-r-r-r-r-r-r-r-r-r-r - r-r-r-r-r-r-r-ryahlyahlyahlyalil
4 At broak of day as beaTenward
Tral U U, Tral U la 1
Tbe piova monks of Saint Bernard,
TralUUUlal
Uttered tbe oft repeated prayer,
▲ TOice cried tbroagb tbe startled air,
Cboras.
' InHadDg a wityhman's rank.
1 i i
5 A tray'ler, by tbe faitbful bound,
Tral la la, Tral la la !
Half buried in tbe snow was found,
TralUUUUI
Still grasping in bis band of ice,
Tbat banner witb tbe strange device,
Cborus.
Jerusalem the Golden
St. BuLNARD,' A.D., 1 150. Neals, Tr.
Alexander Ewing.
^m
i
-Jr
f
2. Te - ru - sa-lem tbe gold - en ! Witb milk and bon - ey blest, Be-neatbtby con-tem-
a. Tbey stand,tbose balls of Zi - on, All ]n - bi - lant witb song, And brigbt witb many an
3. And tbey wbo witb tbeir Lead - er Have con-quer'd in tbe flgbt. For • ev - er and for -
4. Ob, sweet and bless -ed ooun-try, Tbe borne of God's e - lect! Ob, sweet and blessed
pla - ^n Sink beart and TOice op - pressed. I know not,— H>b, I know
an - gel| And all tbe mar-tyr tbrong. Tbere is tbe tbroneof Da -
OY - er Are clad in robes of wbite. Ob, land that see'st no sor -
conn - try, Tbat ea - ger bearts ez - pect ! Je - sua, in mer - cy bring
£
r^
m
M^
A
not,
▼id,
row I
us
i==i
^=^m
w
=t
rr-
Wbat Joys a -wait me tbere, Wbatra-dian • cy of glo - ry,Wbat bliss be - yond com-pare.
And tbere firomtoil re - leased,Tbe shout of them that tri - umpb,The song of them tbat feast.
Ob,statetiiatfear'stnostrifeIOh, roy - al land of flow-ersi Oh,realmandhomeof life!
To that dear land of rest ; Who art, with God the Fa - tber. And Spir- it ey - er blest.
L ! L P L iF' 1 1 u— f-fe J I ^ r f
1
90
Break, Break, Break
Alfred Tennyson
Wbc. R. Dsmpstbr
X. Broak, break, break, On thy cold gray stoneSyO Sea ! And I would that my tongne conld
2. Break, break, break, At the foot of thy crags,0 Sea I Bnt the ten - der grace of a
/VN
nt-ter . . The tho'ts that a-riao in
day that ia dead Will nev-er come back to
0 wellforthefi8h-ennan'aboy,Thathe
me. And the atate-ly ahipa go on To their
Ui-4J 1^ M-H^i^=4^
^j j j; N -i
^ ff T'f : '
^9^
r I r c c f
ahonte with hia aia - ter at play I 0 well Tor the aail - or lad, That ho
ha- yen nn - der the hill; Bnt, 0 for thetonchof aYaniahedhand,And tho ;
Break, Break, Break
91
sings in hia boat on the bay I. Break,break, break, On thy cold graystones^O Seal
sound of « voice that is still I Break,break, break. At the foot ofthycrags,0 Seal
AndarUino
Oft in the Stilly Night
Thomas Moors
X. Oft in
a. When I
the stiU-y
re - mem- ber
tke still' y
night. Ere slum - ber's chain has bound
all The friends, so link'd to - geth
nighty Ere slum - her* s chain has bound
er,
g
VI V I c ^
■^
%
^m
i
Fond
I've
Sad
^
^m
*
m
i
mem - 'ry brings the light Of oth - er
seen a • round me fall, I.ike leaves in
mem - 'rjf Mngs ihe light Of oth ' er
# , (>' n n n r-jt ^-
p ^ FiNB
T
f * ^
^
e
r^
X
X
X
t=J
days a - round me.
win - try weath - er,
days a - round me»
f^ >— r-Hi ^
t
g '5 r I I
^^
^.jM n ^ jltfi 4^^-U-i
m
The smiles, the tears Of boy-hood's years, The words of love then spo - ken. The
I feel like one Who treads a -lone Some ban- quet hall de - sert - ed, Whose
■^—r-f^ r r— i-r-^r f> . ^ * • P ^ , • (»-
eyes that shone, Now dimm'd and gone. The cheer- ful hearts now bro - ken I
lights are fled. Whose gar - lands dead. And all but he de - part - ed.
^
ff p* ft
P
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^
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Dream Faces
^^m
W. M. Hutchinson
Ts:
t
I
??:
t
X
^
t
X. The shad
s. Once more
owe lie
I
a - cross the dim old room,
a -cross the dis-tant years
The fire
▲ face,
light
long
^^m
i
^
^
3
^
-\ —
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6=?E
SE
^
£
r^t
32:
t
t
I
glows
gome
and fades
with aU
in - to the gloom,
its smita nod tears,
While mem
OUctomoiti
'ry sails
I
to
a
^
?sc
E
?2
f
J J|J. N'JH
/fS
child -hood's distant shore, AnddrMOU, and dreams of days that are no more,
ten - der, lor-ing hand, And with my dar - ling 'neath the old oak stand.
^^
Dream Paces
93
^ pAllegrr
m
£
X
X
Sweet dreamland fa
h^-^
3
*:-i
pass-ingto and fro,
ifc^
-tftf 'erf
^
3.
■" ■" i 3 ■*"•
^
^^
«
le
X
^^
mem • 'ry
days of long a-go, . . . Mar - mar - ing gent - ly
p'' n i\\, ;-^Hj. jJlf
^-l^l-!^
vn^ v
•»■
T
^
thro' a mist of pain,
^^^JJ-J
"Hope on,dearloyedone,
we shall meet a - gain ! " Once
i 5
. 2 'a -JT—':^
Si/
Si/
2/fs^ndantep
^^
3^^ — r
^^
t5-a-
S
gain ! "3. Bat all
I loYed are gone, And I a - lone in life, To wait,and wait, and
l^'^^Mj
t
i
t
t
^
■^
t
■*»-
■3-; -3-
1^
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■«-
■^^ — Z^
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^
3^=g^
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94
A^P^'-
t
?
t=t
^
Dream Paces
pp cres
■f^
'-it=ri
P=^^
■* (•-
r I I
^
-«>-*■
wait, Till Death shall end the strife ;Un - til once more I join
The
cen
^^m
do
PPraU.
X
^
hearts that lored me best,
- ed cease from
pp rail.
ad lib.
D.S-
-f9-
■V — t^-
^
3z:
-ZSHr
i
troub - lingi
And the wea-ry are at rest I
- ^ 4 J: :fk f: .±±ih it
€ut lib. In.
^D.S.
a
:Et
if
f
^ — J — g
3=^
^
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j=#yf^
>A/
^^1 r cf Jig, r J._jJ:
s
/tN
■«-=^
i
gain. We shall meet, shall meet a- gainl"
^^^
Bridal Chorus, from Lohengrin
95
Andante
mm^^^^m
Richard Wagnbr
thricehap-py pair, En-ter this door-way, 'tis love that in -rites;
^»Se5
iEES
1=^
J-^H^^tofe^
f
m^^^^^^^^
All that is brave, all that is fair, Love now tri-umph-ant for - av - er n - nites.
^^^dki
m
J,
i
-*-^-*-
^^^^^^e^Uej
Cham-pion of vir -
ly ad-vance,Flow'r of all beau - ty, ^en - tly ad-vance ;
^^^n^^^
^^^m
^m
Now the loud mirth of rev -'ling is end- ed,Night,bring-ing peace and bliss, has de-
ti=fe
^
^
-^ 1^-
^^^
S
s
«:
;
^^
p-tr
scend-ed. Fann'd by the breath of hap-pi-nees,re8t,Clos*d to the world, by love on -
^^fRiF^
nmph-ant for ev
- er u - nites.
i±4r£—fh
ti:s=
(^
/ y
f-
for - ev
er
u - nites.
W=^^.
-&
T
J- ^^n j^-
:3:
I
90
Oh! Don't You Remember Sweet Alice
Or Ben Bolt
X. Oh ! donH yon n-mem-ber sweet Al - ice, Ben Bolt,
a. Oil 1 doa't you le-mem-ber the wood, Ben Bolt,
3. Oh ! don't yon re-mem-ber the school, Ben Bolt,
Sweet Al - ice with hair so
Near the green snn - ny slope of the
And the mas - ter so kind and so
brown, . • She wept with de -light when yon gare her a smile, And
hilly . • . When oft we have snng'neath its widespread - ing shade, And kept
tme, . . . And the lit- tie nook by the dear mn-ning brook, Where we
trem-bled with fear at yonr frown; .. In the old church-yard, in the ral-ley, Ben Bolt,
time to the click of the mill; . . The mill has gone to de-cay, Ben Bolt,
gath -ered the flow'rs as they grew; . . On the Has -ter's grave grows the grass, Ben Belt,
1
— u
f
^
X '|X .
^
i
m
Ohl Don't You Remember, Sweet AUce
vr
Id a cor-ner ob • teim and a - loaa • . Xlieykava flt*tad a dab of
And a qiii-et nowrdignaall a - roimd. • See the old rna-tiepofeh withita
And the mn-oiiig lit-tlebrook ia now dry; . . And of all tbe frlendawbowere
^' ty'>f'JU
gran-ite so gray. And sweet Al - ice liea vn - der the atone. . . They have
lo - aea soaweety Liea aoat-ter'd and fallen to tba ground*. • See the
achool -matea then, Then n- maini Ben, bat yon and I And of
m
E
M
t
f
f
fit-tad a slab of gran-lte so grey, And sweet Al-lce lies an -der the stone.. •
old ras-tic porch,wlth its ro-ses so sweet, Liea acatter'd and fall'ntotha gronnd. .
idl thofrienda,whowenachool-matesthon,Therenmaln,Ben,batyoaand I. • . •
98
Fading, Still Fading
AndatUino mf
Portuguese Melody
^g
t
t
3
i.
t
-tSh
z. Fad
2. Fa
ing, still fad
ther in heay
ing, the last , . . beam is
en, Oh 1 hear . . • when we
shin
ing,
cally . . .
fe£
m
i
■€h
-^-
Fa
Hear
ther in heav
for Christ's sake,
en, the
who is
day . . is
Say - iour
de
of
clin
all,.
= ~rj~T =#=4-J— I- J-4
ing;
i^-R
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^
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Safe
Fee
ty and in
ble and faint
no - cence fly
ing we trust
with the light,
in Thy might,
Temp
In
te
X
i
X
^^
fl
-<5>-
ta
doubt
tion
ing
and
and
dan
dark
ger. walk forth with the
ness Thy love be our
night; From the
light; Let us
Fading, Still Fadings
99
f=^=Ei
1^=t
m
-^-
-^ >-s^
faU
sleep
of the shade
on Thy breast
tiU the
whUe the
morn
night
Ing bells chime,
ta - per burns,
PFf^
-JiJi-l^ 1^
^mnn.
And
iltlili
^^
Sfc
-^-
-<5^
-^-
■^
^
Shield
wake
^s
f
^
^
-^-
me from dan
in Thy arms
ger and save me from crime,
when the mom - ing re - turns.
r=3:
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f
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Quartet
ffi^ p-^— I —
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f
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ther, hare mer
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K
Fa
ther,
hare
T
mer
£
cyi
Fa
^:
^
£
^
^j-^^M-b^-E!^^
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Fa
gi: h ( I r
F4=f= — p-^
ther, have mer - cy, thro* Je - sus
^ f ,f f
I
r~T I L L -^
Christ our Lord.
.1^ n
T
i
100
Katey's Letter
Lady DuTFE&lN
I. Och girls dear, did you ev - er hear, I wrote my love a let - ter, And al
a. My heart was fall, bat when I wrote I dar'd not pat the half in, The
3. I wrote it, and I fold - ed it, and pat a seal np - on it, 'Twas a
4. Now girls,woald yon be*lieye it, that post- man so con -salt - ed. No
fatz^-^
^=^4' i I J' rU
J' J' !■ J'
tho' he can - not
neigh-bors know I
seal al - most as
an - swer will he bring me, so
read, sore I tho't 'twas all the bet - ter, For
loTe him, and they're might • y fond of chaff -ing, So I
big, as the crown of my best bon - net, For I
long as I hare wait-ed, Bat
I
j I j^ I I 111
i
i
I
k
LJ\1' ^ ^13,
why should he be paz -zled with hard spell -ing in the mat - ter, When the
dar'd not write his name oat - side, for fear they woald be laugh - ing. So I
would not hare the Post - mas - ter make his re - marks up - on it, As I
may - be there mayn't be one, for the ra -son that I stat - ed. That my
-J J
T=
s
• • ^ m m
Katey'?- Leftet .
mane - ing was so plain that I loye him faith -ful-ly,
wrote/'From lit - tie Kate to one whom she lores faith -ful-ly,"
said in - side the let-ter, that I loy^d him faith - fol - ly,
lore canneith-er read nor write but he loyesme faith -fnl-ly,
101
-*-^
I
I
I
He
U*J' / fl;|j ;j'|^ f, t nr ;^jl^^;: J-|J.||
lore him faithfnl - ly, And he knows it, oh 1 he knows it, with -out one word from me.
love him faithfnl - ly, And he knows it, ohl he knows it, with -out one word from me.
love him faithful • ly, And he knows it, oh 1 he knows it, with -out one word from me.
lores me faithful -ly, And I know where'er my loye is, that he is true to me.
I'j ^ H
^^
J MJ H I
m
i
^
A
i
k^^
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3
m
j^
m
Baby Bunting
i
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t
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m
Bye,
i
t
0 B« - by Bunt - ing, Dad -
T"
^
t
dy's gone
hunt - ing, To.
If^ — f^ —
i
E
pr If r ■''1'^ ■^' ^ ri'
t
z=^
i
get a lit - tie rab - bit -skin To wrap his Ba - by Bunt - ing in.
i
1
102
■ • • -
Long Ago
Frank Musgkats
te
ModeraU)
E
f
I
B
5S
I. "Long, long a - go, . . long, long a - go,"
a. " Long, long a - go,'' when ma - ny a oonnd
3. ''Long, long a - go," the hopes we nnra'd
4. "Long, long a - go," who breathes there here,
Do not these words re -
A - woke to mirth that
In sol - i - tnde — of
O'er whom the past hath
nrt
^**
t
-Gh-
caU
sad
earth
no
past years. And scarce - ly know-ing
dens now. And ma - ny a spark-ling
ly fame Were bright as bub-bles
snchpow'r? Young heart if now
why they flow,
eye went round,
are that burst,
thy sky is clear.
m
t
-(^■
-<5>-
2^
i
I
X
-^.
agitato
3-
-j
Bring to the eyes
That weeps be - neath
A glit-t'ring drop.
Be - ware, be - ware
nn - bid
a dark
an emp
the fu
t
±
den tears ; '
en'd brow ;
ty name :
ture hour :
Do
When
Oh,
Per
you not
with our
but to
chance the
^
M
feel
whole
be . .
tones
back
young liap
one honr
that ech
Long Ago
103
they
py
a -
0
come, .
hearts, .
gain
now. .
I 0
Those
We
(What
In
^
dim sweet
lOY'd and
ev - er
af - ter
dreams
langh'd
that
years
of old
a - way
sweet hoar
thon'lt hear
en
the
might
a
days, .
time, .
costl) .
gain; .
A yearn - ing to yoar
Nor thought how quick - ly
Free from mem - 'ry's
And gaz - ing on each
H
^
w
dim.
m
-J-i-'^f^
7
T
r^
r
?
SI
f
-6-
chUd
. hood's
home.
aU
de -
parts,
tor
turing
pain,
fa -
ded
brow,
J ; ij ^ r. r
Peo - pled with tones of lore and praise.
So Cher - ish'd in life's ear - ly prime.
With those we loved, with those we lost.
Wilt sigh -ing say, I heard that strain.
104
Long Ago
I
±
t
■fii-
f
^
izh-
m
■jst.
i
Longylong a -go,
/
Longflong a - go,
In the young sonl's ear -ly flow
^
^
^
4-g>^
■«»-
long a- go, Long,
long a-go. In the young soul'tear - ly flow
Long,
long a- go, Long,
m.
'V l\ IJ'
long a-go, In the young eonl't ear - ly flow,
r riJ J
H AUegreUo moderato
ii ii ii iii^ii ii^ ii if
We sang the eongt of home and lore.
I
Sound thefira - ■Ida's Ungh-ing glow.
roll.
^^
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3
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Long
long a-go,Lottg, long
^S
a-go,Sonnd the fire - side's laughing glow.
rail.
r'crU JIJ i J|JUii^-U
t
^
Long,
P
long a-go,Long, long a-go,Sound the fire -
i
side's laughing glow.
r<Ul
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i
i
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I
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i.^^'^^r^^r^^
IDS
Drink to Me Only with Thine Eyes
Ben Jon son W. A. Mozart
t. Drink to me on - ly with thine eyes, and I will pledge with mine,
a. I sent thee late a ro - ey wreath, not so much hon- 'ring thee,
Or leave a kiss with - in the cop, and I'll not ask for wine ; . . The
As giT-ing it a hope that there it could not with- ered be; . . . But
^^^
t
f
fed
^Jlni
thirst that from the soul doth rise, doth ask a drink di - vine, . .
thou there -on didst on • ly breathe,and send'st it back to me,. . .
But might I of Jove's nee -tar sip, I would not change for thine, . . for thine.
Since when it grows and smells, I swear, not of it -self, but thee, . . but thee.
toe
Tempest of the Heart
From VxKDi's " II Trovatore "
^^^i^^ij i-i'ijij^^^^
X. Her bright eyes whose ra - dlast gleam- ing Pales the
2. Airs that wan - der, mnr-m'ring round us, Waft the
I. II ba • len del sua sor - ri - so d*u - na
stars . in yon fair'
prayer that I, so
stei ' la vin • ce il
is^
IS
^^
heay-^n^With her smile in beauty beam-ing, Sound me throw their witching tpell,new ardor
lottely,6reathe for those blest ties that bound ns^ While her loye,ohl rare sweet dream^is mine,mino
rag ' gio ; il ftU-gor delsuo hel vi - so no - vo in -/on • dts no -voinfomUame co~
s s
'^ I I rTi Tf— rr^T
mw-r-
i
^^
^^
lizft:
giy - en I Ah 1 this pas - sion pure with - in me bum - ing, Sore than
on - ly 1 Ah 1 this pas - sion pure with - in me bum - inf , Sere than
fag ' gio. Ah! Va mor^ Va -mo - re ond* ar - do le fa
i
t=s=E
T
f=F
t-wJ— J^
f^^Q^^^TO^jTrn
words shall plead a Iot -er's part; .... Her bright glan -ces on me
vel - li in mi - o /a ^ vor sper - da il so - le d*un suo
1 — 1 I i^ I 1^ " ' r r ' i
r ' I I I
^
Wi j f'i ijim-hi J ''JaT^
turn - ing,
sguar ' do
la
the
tern
tern - pest, Calm the tern - pest, in my heart.
pes ' ta^ la tern -pes • ta del mio cor.
».'-f f nr^
f-M/Y-^-i^^
f
1=
1
Tempest of the Heart
107
eon espressione
^
.^=-S=^
i
-m — I
^^
. J J,^J j'J I
This pure pas - sion in me burn - ing, More than words shall win me
Ah! Fa f mor^ Va • mo-nond* ar - do U fa - w/ - liin mio fa
^Ss.
^^
^m
^
\>^
^1^
f
^
^
^^4^.-^ \-f^-^^-f\i ■j-^.J^
fa - TOr, Her bright glan-ces on roe tarn - ing Calm the tem-pest in my
V0 - r/, sptr - da il so - /< d*un suo sguar - do la tern -pes - ta del mio
f
f \-\ f ,^ n
heart. This pare pas - sion in me bam
cor. Ah I Fa - ntor^ Pa - mo-nond* ar
ing More than words shall win me
do le fa - vel - liin mio fa
^
5=t^
fa - Tor, Her bright gUn - cm on me
vo - re, sper - da il so • it d'un itio
torn - ingy Calm the tem - pest,
sguar - do la Um • pes • ta
^^
'f==^
J
■t»^ I I. h — p r
T
f
:=P=5:
n u*^
^
^
tti
3=t
fe_L
fi=^^=^
tiriTt
C%u2eniBa od lib.
i;tr}2
Ahl
^
calm the tem-pest in my heart.
si\ la tern- pes - ta del mio cor.
106
Tempest of the Heart •
From VxKDi's " II Trovatore '•
^fc^^^^^
X. Her bright eyes whose ra - dlast gleam- ing Pales the
2. Airs that wan - der, mur-m'ring round as, Waft the
I, II ba • len del suo sor • ri - so d^u - na
fe^fi-^-i
stars in yon fair'
prayer that I, so
stei - la vin • ce il
^*^-^-f4-TI
^^^^^
heay-en» With her smile in beanty beam-ingy Sonnd me throw their witching spellynew ardor
lonely,Breathe for those blest ties that bonnd ns^ While her loye,oh! rare sweet dream,is mine^mine
fag-gic; il ful'gor del suo lei vi • so no • vo in -/on • de^ no •voinfondeame co-
j I ,; f -f trfjj^^
gi¥ - en I Ah I this pas - sion pnre with - in me bum - ing, Sore than
on - ly 1 Ah 1 this pas - sion ptire with - in me btrn - ing , Kere than
^ag - gio. Ah! fa tnor^ Va - mo - re ond* ar - do le fa
words shall plead a Iot -er's part; .... Her bright glan -ces on me
vel - li in mi • o /a • vor sper - da il so - le d'un suo
s . _^^-^_ s
-^ f \ if-LLf^B
^
f=f=i
f j J f"JH3iffFf^H^
turn - ing,
sguar ' do
Calm the
la tem
^
^m
tem - pest, Calm the tem - pest, in my heart.
pes ' ta^ la tem -pes • ta del mio cor.
I
t
^^
«^fe«
t
trs»_n
I
F
r
Tempest of the Heart
107
eon espresstane
i^i r'n
Tbia pure pat- slon in me burn - ing^ More than words shall win me
A A ! Fa » mor^ Va - mo- re otuP ar
do
fa - vel - // in mio fa -
I i ii i'l I
^
=^^
^
^
Y^-y\ ;-|y cifRipiU.m^
ia - Tor, Her bright glan-ces on roe tarn - ing Calm the tem-pest in my
vo - re, sper - da il so • U d*un suo sguar 'do la tern - pes - ta del mio
0 ^"tit ♦ ^ ^
^^i-^^^
^^m
heart. This pure pas - sion in roe bnm - ing More than words shall win me
eor. Ah ! Fa • mor, Fa - mo -re ond * ar - do le fa - vel - // in mio fa
^^^J^-^
-"^h-H—
I
'^^m
**
n
g+^p^P^
^
fa - yor, Her bright glan - ces on me tnrn - ing. Calm the tem - pest,
vo ' re, sper - da il so - le d*un suo sguar 'do la tem • pes - ta
-I -i I* * . . t T y til -
l^f—f.
le a
T T I -I
^
I
T
i
/IN
I
trt^-*-^
r a
:t
V=^
i-l,Ul±
Cadenza ad lib.
i|i3:ti±^
/IN
Ah!
Ah!
^wm^^
calm the tem-pest in my heart.
sty la tem- pes - ta del mio cor.
108
Bonny Bloise
The Belle of the Mohawk Vale
A song taken up by Military Bands North and South in 1861
C. W. Elliott
J. R. Thomas
niJ iJ- /'
C I c c
^
z. 0, sweet
a. 0, sweet
3* O9 sweet
is the Vale where the Mohawk gent - I7 glides On its
are the scenes of my boy-hood's sun - ny years, That be
are the mo - ments when dream • ing I roam, Thro' my
m
■rt
E
^
E
W' ^
t:
^ r ■ c c j~7"^
ZZ
OiUi' J' r c p
clear wind -ing way
span - gle the gay
loved haunts now mos
to the sea,
▼al - ley o'er,
sy and grey,
And dear • er than all sto-ried
And dear are the friends seen thro'
And dear - er tlum all is my
i
?S
rt
f
^3
■=r
^ J ji- J
J' «■
^
■ I » I ■■ I
E
E
/ JlJ J
>^' t r / J'
. ■ ...
streams on earth be - sides, In this bright roll - ing rir - er
mem - o - ries' fond tears That have lived in the blest days
child-hood's hal-low'd home. That is crumb -ling now slow - ly
to me;
of yore ;
a - way;
^rAV
^
^
mp^
f #* *»
^
i
rr
i
:^
■AWMMk^MM
— »-
Firsts Solo ; then Chorus
Bonny Eloise
109
Bat 8weet-«r dear - er, ye8,dear-er far than these Who charm where othert all
^
fall
(H-
f
^rt
/fS
g^-^
Is blne-eyedy bon-ny,
bon- ny E - lo - ise, The Belle or the Mohawk Vale.
t:
?
Soft, Soft Music is Stealing
German Melody
X. Soft, soft mu-sic is steai-ing,Sweet,sweet lingers the strain: Loodyloud now it is
a. Join, join, chil-dren of sad -ness,Send, send sor-row a - way ; Now, now changing to
3. Sweetysweet mel - 0 - dy's nam-bers,Harkl hark ! gen - tly they swellyDeep,deep,wak-ing from
peal - ing, Waking the ech-oes a- gain. Yes, yes, yes, yes,Wak-ing the ech-oea a -gain.
glad-ness,Warble a bean-ti- ful lay. Yes, yes, yes, yes, War-ble a bean-ti-ful lay.
alnmbers Thoughts in the bosom that dwell. Yes,yes, yes, yes,Thoughts in the bosom that dwell.
110
Hoop de Dooden Do
A. NisR
-4r^i-ji-\-
^
^
^^
m
4^-J^-t^
i=f'
X. Some bun - dred years a - go or so, . . Good oleMas - sa set me free,
3. I walk'd a-loog a mile or two, Wid-out a boot, wid- oat a shoe;
3. I did - n't go so ber - ry far, Be- fore I seen de rail - road car,
4. I went to pick a ba - by np, And look to see if H was hnrt,SooB
I:
-rv
^
■^^=£^=^
/IN
t:
T
r=^=f-
g
^
Den
Den
Jump
^ it
de mis
my feet
ing ober
be- gan
sns she did cry; "Hoop de doo - den
did hurt me so,- "Hoop de doo - den
a turn - pike bar; ''Hoop de doo - den
a squeal - ing out ; " Hoop de doo - den
do I"
do I"
do!"
do I"
I
I
I
An
clap't my trunk up - on my back, And start - ed for de rail - way track, And
stood my trunk down on de ground. Just for to take a look a - round, De
heard de noise and see de sight, ben run a- way wid all my might :
oth - er fel - low broke his leg, He now goes on a wood - en peg ; Don't
ALICE NIELSEN
CO. moA made her Ant public appear-
mia. She was a popular member o(
- — -■ ■— lUywi in both light and
MARV GARDEN
u^on [n Parli. She was for some time with the
"'km Bella'ot Scwiand'— Hewt Songs, p. sS?.
Hoop de Dooden Do
111
soon I heard the wbia-tle
whis - tie scream'd wid all hia
(All de cars went off dt
ask for an - 7 more I
hoi • ler ;
might
track)
beg-
''Hoop de doo - den dot
''Hoop de doo - den del
"Bof^f de doe - den dol
de doe - den del
Holy, Holy, Holy
R. Heber
J. B, Dykes
Nfr?
1. Ho - Ijr, ho - ly,
2. Ho - ly, ho - ly,
3. Ho - ly, ho - ly,
4. Ho - ly, ho - ly,
ho - ly 1 Lord Qod Al - might - y 1 Ear - ly in the
ho - lyl all thesainta a - dore Thee, Cast- ing down their
ho - ly 1 though the dark- nesa hide Thee,Though the eye of
ho - ly 1 Lord God Al - might - y 1 All thy works shall
i^^^^^
morn - ing onr
gold - en crowns a -
ain - ful man Thy
praise Thy name in
song shall rise to Thee. Ho - ly, ho
ronnd the glass - y sea; Cher - n - bim
glo - ry may not see, On - ly Thou
earth, and sky, and sea. Ho - ly, ho
ly, ho - ly,
and Ser - a - phim
art ho - lyl
ly, ho - ly 1
rJ j^
■ T
mer-ci- fnl and
fall -ing down be
there is nose be
mer-ci- fnl awl
might - y, God in three per
-fore Thee, Which wert,and art,
- side Thee Fer - feet in pew
might - y, God is three per
and
er, in
bless
ev -
l0««,
blees
-ed Trin - i - tyl
er- more shaH be.
and pu - ri - ty.
-ed Trin - i - tyl
^^
113
The Heart of a Sailor
Cb»<pMCo
Stephen Adams
^^IJ JJt ff\i J J JJOp^
I. Now who's the man for « Um to wod,To be tnie and nev - er fail her ? You may
a. Then he haato be so oft at sea, Which sayes a deal of both-er, For
3. So laas-es all^ when he comes to 70a And de-clares hia a - do - r^-tion, Your
2^fB
*
0
fc=^
I I r I
*
p
*
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trust to me, for Pre sail'd the sea^There's none like an hon-est
hns-bands and wiTes don't al- ways a -gree As they should with one an -
lore con - fees, and an - swer "yes " With-out an - y hes - i -
sai - lor 1 For his
oth - er. And
ta-tion. For
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thoughts are free as the wind or sea. And he's got such a dash of the bri - ny, His
if he flirts with one or two In the ports of st - 'ry na - tion. You can
he's the man for a laa - sie's hand, To be true and ner - er fail her, And of
:fr It
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heart is light and hia laugh so brlght^He makes life all sun-shi - ny. He 'may
all do the same without an - yblamOyWhich is surely a con - so - la - tion. He may
all the hus - bands in the land There'S'none like a true born sai - lor. He may
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sail in a smack or a man-o'-war, Or a -board of an Arc- tic wha - ler,
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The Heart of a Sailor
118
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Bat it's all the same, If
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got the heart of a aai
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KOBBRT BUENS
Lively
Comin' Thro* the Rye
I. If a bod - 7 meet a bod - y
a. If a bod - y meet a bod - j
3. Amang the train there is a swaia I
Com- in' thro' the rye, If a bod- 7
Com-in' frae the town, If a bod - y
dear-ly lore my-seP; Bat what's his name,or
^^
kiss a bod -y, Need a bod - y cry? St- 'ry las-sie has her lad -die
greet a bod -y, Need a bod - y frown? St- 'ry las-sie has her lad -die
Where's his hame, I din - na choose to tell. Bv - 'ry las - sie has her lad -die
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Nane,theysay,ha'e I; Yet a' the lads they smile on me,Whencom-in' thro' the rye.
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114
Some Day
Hugh Conway
ModercUo p
Milton Wkllings
z. I know not when the day sIiaII be, I know not where our eyes may
a. I know not are yon far or aear. Or are you dead, or do you
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meet, What wel> come yon may |iTe to me, Or will your words be sad or
live; I know not who the blame should bear, Or who should plead, or who for -
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sweet ; It may not be till years have passed, . Till eyes are dim and tress - es
give. But when we meet some day, some day, . . Eyes clear -er grown the truth may
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gray, . . The world is wide — but,love,at last, Our hands,our hearts^must meet some day.
see, . . And ey - 'ry cloud shall roll a -way. That dark-ens love,'twlzt you and me.
VisUsso tempo
Some Day
115
i
Someday, some day, Some day t ahallmeet yon, Love, I know not when or how.
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Lore, I know not when or how, On - ly thia, on - ly this, thia, that once you loved me,
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On - ly thia, I lore yon a«w, I love you now, I lovi yon now.
•116
Darling Nelly Gray
Moderaio espresHuo
6. R. Hanby
X. There's a loDe green Tal-ley by the old Ken-tuck - y shore Where we've
2. When themoon had climb'd the mountain and the stars were shin- ing too, Then I
3. Oh I my eyes are get- ting blind-ed and I can- not see my way ; Harkl there' 1
HB3
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whil'd many hap - py hours a - way ;
took my loye-ly Nel-ly Gray,
some - bod - y knock-ing at the door.
A - sit-ting and sing- ing by the
And I trayell'd down the Ht - er in my
I . . hear the an- gels call -ing and I
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lit - tie cot - tage door Where dwelt my love - ly Nel - ly Gray,
lit - tie red ca - noe While the ban - jo so sweet - ly I did play.
see my Nel - ly Gray, Fare - well to my old Ken -tuck - y shore.
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Darling Nelly Gray
UT
p First, Solo ; tAfn Chorus
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Oh 1 my poor Nel
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they hATt tak
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I am sit -ting by the riT - er and I'm
ner-er see my dar-ling an- y more;
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weep - ing all the day. For yon're gone from the old Ken - tuck - y shore.
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lis
Beautiful Dreamer
Serenade
Moderaio
'^^^-x^
Stephen C. Foster
( His last song )
z . Bean-ti - f ul dream - er, wake utt - to me,
2. Bean-ti -fal dream -er, ott on the sea
Starlight aod davdreps are waiting for
Kennaids are chanting the wild lore-
;^to^
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Lnll'dby themoonlightjIuiTeanpMa'dA • way I
Wait-ing to fade at the bright coming morn.
• • • •
Bean-ti - f nl dream - er,
Bean-ti - ful dream - er,
qneen of my song,
beam on my heart,
List while I woo
E'en as the morn
thee with soft mel - o - dy ;
on the streamlet and sea ;
Beautiful Dreamer
119
Gone are the cares of
Then will all clouds of
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life's bu - sy throng,
sor-row de-part,
Bean - tl - f ul dreamer, a-wake un - to
Beau -ti-ful dreamer, a-wake un-to
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Beau - ti - ful dream-er, a - wake un - to me.
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Our Baby
French Folksong
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z. Cheeks of
a. Month so
3. Thee I
4. Crow
rose,
Ti - ny toes,
fair, Skin so clear,
love. Sweet - est doye,
All the day,
Has our lit - tie
Just as soft AS
Dar - ling lit - Ue
Hap - py lit - tie
ba
may
ba
ba
by;
be;
by I
by!
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Eyes of blue,
Bon - ny eyes,
WhUe I live.
Fin - gers too, Cun - ning
Look - ing wise, Such a
Thee I'll give Kiss - es
Hay your life. Free from strife. Pure as
'tis
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all as may
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be.
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120
The Old Folks at Home
m
Moderalo
S. C. F08TBE
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I* Way down up - on the Swan - ee
8. All nmnd the lit - tie f ann I
3. One lit -tie hnt a-mong de
rib - ber, Far, far
wander'dy When I
bQsh-es, One dat
a - way, • •
waa yoiuigi • •
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Pere'a wha my heart la tnm - ing eb - ber, Dere's wha de old folke stay ;
Den man-y hap-py days, I aqnander'dyKan • y de songs I song; .
Still sad-ly to my mem-'ry msh-esi No mat -ter where I rove; .
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All up and down de whole ere - a - tion, Sad
When I was play-ing wid my brnd - der, Hap
When will I see de beee a - hum - ming. All
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round de comb I
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The Old Folks at Home
121
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Still long-ing for de old pUn - ta - tion^And for de old folks at borne.
Oh t take me to my kind old mod - der, Dere let me live and • die. .
When will I hear de ban - jo tnm- ming Down in my good old home.
Fsrsf, Soix> ; tAfn CHORUS
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All de world am sad and wea - ry, EW - ry- where I roam,
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Oh I dark- ies, how my heart grows wea - ry, Far from the old folks at home.
St 10
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122
Old Shady
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B. R. Hanby
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z . Oh 1 yah 1 yah 1 dar - kies,
2. OhyMass' got scared and
3. Good bye, Mass' Jeff, good •
4. Good bye, hard work wid
5. OhyPve got a wife and
langh wid me, For de white folks say Old Sha-dy's free ; 80
so did his la - dy, Dis chile breaks for old Uncle A - by ;
' bye, Mis'r Ste - pheils, 'Sense disniggah fortak-in his leav-ens ;
nerer an-y pay, Ise a gwine np North where de good folk say Dat
I've got a ba - by, Lib-in up yon- der in Lower Can - a - dy ;
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don't yon see dat de ]n - bi - lee is a - com-ing,
0- pen de gates out, here's old Sha-dy a -com-ing,
'Spect pretty soon yon'll hear Un-cle A- bram's com-ing,
white wheat bread and a dol - lar a day am com-ing.
Won't dey langh when dey see old Sha - dy a - com-ing.
coming,
coming,
coming,
coming,
coming.
Haill
Haill
Haill
Haill
HaUl
might - y
might - y
might - y
might - y
might - y
day.
day.
day.
day.
day.
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Den a-way.
a-way, I can't wait an- y longer, Hoo-ray, hoo-ray,
I'm go-ing home.
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Adagio
's Battle Prayer
123
HlMMKL
/ J / ;
A-
I. Fa - therl I bend
3. Fa - therl I trust
3. All I give back
to^ Thee, Life, it was Thy gift,
in Thee, When midst the bat -tie's strife,
to Theel When at Thy call, I my
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Thou now canst shield it. From Thee it came, And to Thee I yield it 1 In
Death did sur-round me. E'en at the can-non's month Death has not found me.
life then shall yield. When in the cold tomb My fate shall be seaPd,
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life or death, For-sake not me.
Fa -ther,'twas Thy Willi I trust in Thee.
Fa - ther,my soul take nn - to Thee!
Fa - ther, I bend to Thee.
Fa - ther, still guide Thou me.
Fa -ther, for-sake not me.
SEE
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124
Darby and Joan
F. E. Weathsrly
• J. L. MOLLOT
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X. Dar
2. Dar
3. Hand
by dear, we are old and gray, Fif - ty years since our wed -ding -day,
by dear, bat my heart was wild When* we bur - ied onr ba - by child,
in hand when oar life was May, Hand in hand when oar hair is gray,
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ow and sun for ev - 'ry one As the irears roll on:
til you whis - pered " Heav'n knows best I " And my heart loand rest ;
ow and san lor tr - 'ry one As the years roll on;
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Dar - by dear ,when the world went wry. Bard and sor-iow-fol then was I.
Dar - by dear,'twasyoar Iot - ing handShow'dmethe way to the bet - ter land;
Hand in hand when the long night -tide Gen - tly oor-ers va side by aide:
Darby and Joan
125
rail.
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lady how yon cheer'd me then/' Things will be bet - ter, sweet wife, a - gain ! "
lad, as yon kissed each tear, Life grew bet - ter and heav'n more near :
lad,thonghwe know not when, Love will be with ns for - ev - er then:
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Al - ways the same, Dar - by my own, Al - ways the same to yoar
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126
Make Me No Gaudy Chaplet
From Donizetti's " Lucreaa Borgia**
Make me no gau - dy chap - let, Weave it of sim - pie flow - era;
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Seek them in low -ly yal - liee, Af-ter thegen-tle show- ere. Bring me the dark red
:fe
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Gay in the sun -shine glow - ing. Bring me the pale moss
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rose - bud, Be-neath the fresh leaves growing.
Bring not the prond-eyed
MARCELLA SEMBRICH
ing«r who patticulorly pndeaitd hei
, in Lemberg. C.alicia. 185S. and m
hcTTS. Hrr fint American ippcaran
ral American tourSr Hrr popular t
the Rye"— He»n Songs, p. 11:1.
u Kellogg wu
made in Lond
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Make Me No Gaudy Chaplet
127
t
n
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:=^j L/sriy^
bloa - 80m, Darling of Eastern daagh -ters, Bring me the snow -7 li I7,
sintHe
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Floating on si - lent wa - tors. Gems of the low-ly Tal • ley , Buds which the leaves are
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shad ing ; Li-lies of peace-f ul wa - ters, Smblems be mine nn - fad - ing.
cres.
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Li • lies of peace - fnl wa • ters, Smblems be mine, be mine.
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128
Last Night
^
Allegretto
P^
Halpdan Kjerulf
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1. Last night the night -in -gale woke me, Last night when all was still,
a. I think of yon in the day - time, I dream of you by night,
3. 0 think not I can for - get yon ; I could not, tho' I would 1
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sang in the gold - en moon •
wake, and would you were here,
see you in all a - round
light,From out .
loye, And tears
me. The stream,
the wood - land hill. I
are blinding my sight. I
the night, the wood, The
\t/
Tempo Jo, dolce
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0-pen'd my win - dow so gent
hear a low breath in the lime
flow'rsthat slum-ber so gent
ly ; I look'd on the dream-ing dew, . . And
tree, The wind is float -ing thro', . And
ly, The stars a - bOT<^ the blue, . . Oh I
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Last Night
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ohl the bird, my dar- ling, Was sing- ing, sing - ing of yon, of you.
oh I the night,my dar-ling, Is sigh- ing, sigh - ing for you, for you.
heav'nita - self, my dar-ling, Is v^ray- ing, pray- ing for you, for yon.
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129
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Lightly Row
Spanish Melody
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I. Light -ly row I Light -ly row I O'er the glass - y wartk we go;Smooth-ly glide I
a. Far a - way 1 Far a - way I Ech - o in the rock at play Call - eth not,
3. Light- ly row 1 Light -ly row I O'er the glass - y wayes we go;8ffiOOth-ly glide I
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Smooth- ly glide! On the si - lent tide.
Call - eth not To this lone - ly spot.
Smooth- ly glide! On the si - lent tide.
Let the winds and wa - ters be
On - ly with the sea-bird's note,
Let the winds and wa - ters be
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Min- gled with our mel - 0 - dy ; Sing and float I Sing and float I In onr lit - tie boat.
Shall our dy - ing mn - sic float 1 Light- ly row ! Light -ly row I Sch - o's Tofce is low.
Min- gled with omr mel - o - dy ; Sing and float ! Sing and float I In onr lit - tie boat.
130
Far Away
Miss M. Lindsay
Hre. J. W. Bliss
m
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X
I. Where is now themer-ry par - ty T re- mem - ber long a - go? Laughing
a. Some have gone to lands far dis - tant. And with stran - gers made their home; Some np •
3. There are still some few re - main - ing Who re -mind ns of the past, But they
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'round the Christmas fires, Brighton^ by the rud-dy glow. Or in summer's balmy
on the world of wa-ters All their lives are forc'd to roam ; Some are gone from us for .
change as all things change here,Nothing in this world can last : Years roll on and pass for *-
ere-nings, In the field, up -on the hay? They haye all dispersed and wander'd Far a-
ey - er, Lon-ger here they might not stay: They haye reach'd a fair- er re-gion Par a-
ev - er, What is com- ing^who can say ? Sre this clo - se8,man- y may be Far a -
Par Away
131
i
CMfJ'^l.
i-i- J ;iJ J J: J(a
way,
way,
way,
Far a - way ; They have all dia-pers'd and wander'd Far a
Far a- way ; They have reach'd a fair- er re - glon, Far a
Far a - way ; Sre this clo - see, man - y may be Far a
way,
way,
way,
Far a- way.
Far a- way.
Far a- way.
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Come, All Ye Faithful
J. Reading
I. 0 come, all ye faith -fnl, Joy-fuland tri - am-phant, 0 come ye, 0 come ye to
a. Sing al - le - la - ia. All ye choirs of an - gels ; 0 sing, all ye blissful ones of
3. Yea, I.ord,we greet Thee,Bom this happy morn- ing ; Je - sns, to Thee be the
Ad ' €s ' U^ fi • dt ' Us, La - it iri -urn- phan - /«, Ve - ni • U^ ve • ni - te in
^^
^— g
^ f f f .f^ f r ^^k-^
:f=F
BetET - le- hem.
HesT'n a -bove.
glo - rygiy'n.
Beth ' le • hem;
aa^
as
J.
E
Come and be-hold Him, Mon-arch of An -gels I 0 come,let ns a -
Glo - ry to God In the highest, glo - ry I 0 come,let ns a -
Word of the Fa- ther,Now in flesh ap- pear- ing, 0 come,let us a -
Na - turn vi ' de - ie Regem an -ge • lo - rumlVe - ni - //, a - do •
5Q
a^j^
s
f=S
m.
dore Him, 0 Gome,let ns a- dore Him, 0 come,let ns a - dore Him, Christ the Lord.
re ' mus, Ve -nt - ie, a • do - re - mus, Ve -«/ • te^ a - do - re - mus Do - mt 'num.
id2
Christians, Awake
^
An old English Christmas Carol
i
j U: j. li i ^
j=ii— j-i+l=j
M=J-^
i
3z:
-tf>-
3
i
^
^
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Sr
1
kind was born. Rise to a - dore
YOice "Be - hold, I bring good tid
fore, con - spire, The prais - es of
wrought for man, And found, with Jo
the
ings
re
seph
mys - ter - ry of loye,
of a Sav-iour's birth,
deem-ing love they sang,
and the bless - ed maid.
t
-»
i
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i
9-
u
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r
I. Chris - tians, a - wake 1 sa - lute the hap - py mom, Where - on the Saw - iour of man -
a. Then to the watch - ful shep-herds it was told. Who heard th' angel - ic her - aid's
3. He spake; and straight-way the ce - les - tial choir In hymns of joy, un-known be -
4. To Bethl' hem straight the hap - py shepherds ran To see thewon-der God had
i
m
i^ ] . j Q"#=M
vi i i u
^
I
f»-r
r
Which hosts of an - gels chant -ed from a
To you and all the na-tions up - on
And heaven's whole arch with al - le - lu - ias
Her Son, the Sav-iour in a man - ger
bove; With them the joy
earth; This day hath God
rang: God's high -est glo
laid; A - mazed, the won
t
- ful
ful •
- 17
- drous
I
tid - ings first be - gun. Of God in
filled His prom-ised word. This day is
was their an - them still, Peace up - on
sto - ry they pro - claim. The ear - liest
P^^a
i
I
^
1
ftf-J-H^H
fr
22:
-^-
i
car - nate and the Vir - gin's Son.
born a Sav - iour, Christ the Lord.'*
earth, and un - to men good - will,
her - aids of the Sav - iour's name.
=F
■A — P-
t
t
3:
1
Christians, Awake
133
5 Let ns like these good shepherds, then employ (
Oor grateful TOices to proclaim the joy ;
Trace we the Babe, who hath retrieved our loss,
From His poor manger to His bitter cross ;
Treading His steps, assisted by His grace,
Till man's first hearenly state again takes place.
Then may we hope, the angelic thrones among,
To sing, redeemed, a glad triumphal song ;
He, that was bom upon this joyful day,
Around us all His glory shall display :
Saved by His love, incessant we shall sing
Of angels and of angel-men the King.
Hush, My Babe
Isaac Watts
J. J. Rousseau
^m
I
I. Hush, my babe, lie
a. Soft and ea - sy
3. Hush, my child, I
still and slum-ber, Ho - ly an - gels
is thy era - die. Coarse and hard thy
did not chide thee,Thongh my song may
f r
guard thy bed.
Say - iour lay :
seem so hard :
^<=^^
^
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^
^^^-t*-^^?ff^
?
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3^
Heav'n- ly bless - ings
When His birth-place
'Tis thy moth - er
with - out num - ber, Gent - ly
was a sta - ble. And his
sits be - side thee, And her
fall - ing
soft - est
arms shall
r r
on thy
bed was
be thy
head.
hay.
guard.
^
t=^
f
t=S=.£=^t=^
m
. How much bet - ter
Oh, to tell the
Kay'st then learn to
thou'rt at - tend-ed Than the Son of God could be,
won - drous sto - ry. How his foes a - bused their King ;
know and fear Him, Love and serve Him - all thy days ;
When from heav - en
How they kiUed the
Then to dwell for
'hen to^c
He de
Lord of
ev - er
t
t r
scend- ed, And be - came a child like thee I
glo - ry, Makes me an - gry while I sing,
near Him, Tell His love and sing His praise.
^^r^
r?
1 — r
^9-
i
134
AndatUino
iL^J * ^ I J ' ^
Roy's Wife of Aldivalloch
^
1,3,3. Roy's wife of Al - di - taI - loch 1 Roy's wife
of Al - di - yal-loch I
m
t. ... .S S Jl L_i •. S •. • w • • __J^M^
I
t
ns
f-
f±
ad lib.
/^FlNE
O' g "^^ /ijhj ,!^ ;. I
Wat ye how she cheat- ed me, As I came o'er the braes of Bal-loch;
^ /FN . /TN Fink
f
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13:
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N-i->
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H-^=iKI ;: j» / ^^
She vow'd, she swore she wad be mine, She said that she loo'd me best of o-ny,Biit
Oh , she was a can - ty quean, And weel cou'd she dance the High - land walloch ; How
Her hair so fair, her een sae clear. Her wee bit mou' sae sweet andbon-ny. To
yMU^^S: Ji I ;; J, ;. f f^
oh I the fie • kle, faith -less quean She's ta'en the carl and left her John - nie !
hap - py I, had she been mine. Or I'd been Roy of Al - di -Tal- loch I
me she ev - er will be dear, Tho' she's for - ey - er left her John -nie!
Maggie By My
136
Allegretto
S. C. Foster
I
^
m
«
^=r=x:j
3
N — I
I. Thtt land of my home is flit -ting, Flit-ting from my view, A
a. The wind howl - ing o'or the bil - low From the die - tant lea, The
3. Storms can ap - pal me neT-er, While her brow is clear,
qg ji j- J _ ; M r— C-:-g:=g
I
gale in the sails is sit-ting,Toils the mer-ry crew,
storm rag -ing round my pil - low Brings no care to me.
Fair weather lin - gers ot - er Where her smiles ap - pear.
Here let my home be,
Roll on, ye dark waves.
When sorrow's break-ers
-~i — J J I i — I I J
J:
roll.
a tempo
On the wa - ters wide,
O'er the trou-bled tide,
Ronnd my heart shall hide.
roam with a prond heart, Maggie's by my side ; My
heed not your an - ger, Maggie's by my side ; My
Still may I find her, Sit-ting by my side ; My
136
Maggie By My Side
cres.
J^^^U'^fr^
n\ /^
/^
own loTe,MAggie deaiySit-ttng by my side. Kaggie dear^my own loTe^Sitting by my side.
Jordan Am a Hard Road to Trabbel
Animato con spirUo T. F. Briggs
^. I ri - bed in - to NewYork,
a. Den I look to de Norf,
3. Clem in de hay-loft,
4. I went an' made a ban-]o,
i^
to pass de time a - way, I
and I look to de East, And I
try'n to get a -sleep,
so well I kept it Strang, An'
i
=^*
trabbel'd ober de RnsspaT'ent ac- cord-in'.
hol-ler for de oz - cart to come on,
Mas-sa John went out tomanlom,
rang'd all my ma - sic now ac - cord-in',
Dargawnetohab it fln-ish'dwhende
Wid fonr grey hor-ses a
He hit him on dehead wid a
I play'd np a tnne eall'd
,^
la:
I
3
Jordan Am a Hard Road to Trabbel
137
Repeat this burden in Chorus, forte
fe
P — K-x JF=^
tt
Cit - y Hall bell Soonds o - ber on de or - der side of Jor - dan.
drit-ea on delead. To take ns to de or - der side of Jor -dan.
1»ar of soft soapy An' It sonnd-ed on de or - der side of Jor - dan.
goitwliile]ron're]roiing,"An'deysingit on de or -der side of Jor -dan.
f
I
I
I
I
M
=£=^ J==fctg^^^-J J; J^tTf
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took off mycoat^nd roll np myBlMTe, Jor -dan am ahaidioad to trabbel.
f
mp
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drrdL
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^m
m
t-trt
5 3 3
Repeat from this sign in Chorus :§:
^^^^^^
tookoif mycoat,and roll np my sleeve, Jor-danam a hard road to trab-bel^ I be-lieve.
^f^=^
Ji^ '-1 a — i- - - ^ -^ J-
M^i i
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i
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138
\l
Killarney
m
Moderato
^jjjij i J IM-H
1317
&4
M. W. Balp>'s Last Song
1=t
^
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m
or
z. By Kll-lar - ney's lakes and fells, £m'rald Ules and wind-ing l>ays,Mountain paths and
2. In - nis-fal - len's ra - ined shrine May suggest a pass-ing sigh ; But man's faith can
3. No place else can charm the eye With such bright and va - ried tints, £y-'ry rock that
4. Hu- sic there for ech - odwells,Makeseachsoanda har-mo-ny; Ha-ny-voic'dthe
f^^^^^mm.
^
i^
i I J
woodland dells, Hem - 'ry ot - er fond - ly strays. Boun-teons na - tare loves all lands,
ne'er de - cline Snch God's won - ders float - ing by ; Cas - tie Longh and Glen - a bay ;
yon pass by, Ver-dnre broid-ers or be-sprints. Vir - gin there the green grass grows,
cho-ms swells,' Till it faints in ec - sta-sy. With thecharmful tints be - low,
Bean - ty wan - ders ev - 'ry - where. Foot-prints leaves on ma - ny strands,
Houn- tains Tore and £a - gle's Nest; Still at Hu- cross yon must pray
£▼ - 'ry morn springs na - tal day, Bright-hned ber - ries daff the snows,
Seems the heav'n a - bove to Tie, All rich col - ors that we know
^" r r r ; i,-^ p
/Ts
«
e=^=t
^
^
P
&
rail.
^im. pp a tempo
But her home is snre - ly there I An-gels fold their wings and rest, In that £ - den
Tho' the monks are now at rest. An - gels won-der not that man There would fain pro-
Smil-ingwin- ter's frown a - way. An - gels of t - en paus-ing there,Doubt if £ - den
Tinge the cloud-wreaths in that sky. Wings of an-gels so might shine,Glanc-ing back soft
pi:
1^ . f=^ t' I 1 |i |-
t
X
CT68,
2^S
1
r
t
Killaraey 139
r
m^
of the West, Beaa-ty's home,Kil - lar
long life's span, Beau-ty 's home,Kil - lar
were more fair, Beau-ty's home,Kil - lar
light di - vine, Beau-ty's hoine,Kil - lar
ney,
ney,
Bey,
ney,
Ey - er fair
Sv - er fair
Et - er fair
Sv - er fair
T
Kil-lar - ney.
Kil-lar - ney.
Kil-lar - ney.
Kil-lar - ney.
t
rr-r
If:
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I
Song of the Fowler
^
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From MozART*s ** Mag^c Flute
^^
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1. A
2. I
» — 9 — w — w
fow - ler bold in me yon see, A man of mirth and min-strtl - sy ; My
am a few - ler bold and free, A man of mirth and min-strel - sy ; My
^m
^^^^^^^p
^3
name is
name is
i^^p^^^^^^
f
ev - er
ev - cr
a.'
-t?L
i^
in de-mand,With old andyonngthro'-ont the land. I
in de-mand,With old andyonngthro'-ont the land. A -
?Z,::.8E^^f-
-t/- ^ y— t-v
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s
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J
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^- — ^ — ■ ^ A — J 1 — I —
1/ b/ b/ i/
set my trai>s,the birds flock romia I whis - tie and they know the sound, For
far from men who 4elTe with span^^ Ho I mine's the rar - est of all trades ! For
■# — # — • i .'f'\ T p — i — r* — f? — 5" — ^
^"^ ']/ ^ y U
1/
wealth my lot Td not re - sign, For ev - 'ry bird that flies is mine,
e'en the sweep of moun-tain blast Bnt brings my birds all fly - ing fast.
^fe
t
■V w^- — y^
g. f f
s
I
fe
^
^
140
O Dear! What Can the Matter Be?
M
!• 0 dear ! what can the mat - ter be? Dear, dearlwbat can the mat-ter be?
a. 0 dear I what can the mat - ter be ? Dear, dear ! what can the mat - ter be ?
-rf»Ht ^ f" ( ir p F ^ — p— M \P' — f—-Tf^ — ^ f p —^ — 4—1
r
^
f
f^hi.ii i^ i /-=fTt^-^/^i
0 dear 1 what can the mat-ter be?John-n7'8 so long at the fairl
0 dear I what can the mat-ter be?John-n7'8 so long at the fair!
•P , T" — 0t 0 — ^ — ft ^ . 0 ft — f: — ft — ft.
.~ 0t 0 IP ft y
tfrm; ; ; t fr\t-ri~TTj^-T-
He prom-iaed to bring mt a fair-ing to please me. And then for a
He prom-iiod to bring me a bas-ket of po-sies, A gar -land of
iH I [r^-1. \t. l t ^. i 'A-[-[-
iA
^^^^^^^
&hH-^L^
kissy Oh I he vowed he woold tease me ;
lil - ies, a gar - land of ro - ses ;
He prom-ised to bring me
A lit - tie straw hat to
set
9^^^
t
£
r=f
i
'' M^ r-H=^
pH^-i-^T7TJ i i /'j'-jo^^
bvnch of blue rib - bona To tie up my bon - nie brown hair,
off the bine rib - bona That tie up my bon - nie brown hair.
-^ it ^ i ■ ■■■ p^ >^-^ ^J^' ^' {i^ --^
r r r I >
i
Landlord, Fill the Flowing Bowl
141
ifci
f-
»
I 0 h^ r-A , IK ^ ^ — ft . I
^ J J r ij
3
X. Come,land-lord, fill the flow-ing bowl, Un -til it doth ran o - Tor, Come,
2. The man that drinks good whia - ky punch^And goes to bed right mel -■ low, The
3. The man who drinks cold wa - fer pare, And goes to bed quite so - ber, The
4. But he who drinks jnst what he likes,And get - teth "half seas o - rtx,*' But
5. The pret - ty girl that gets a kiss, And goes and 'tells her moth - er. The
N
^
s^
^^
^^
1^
e^
;
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f
D"
i
ifc=?
t
^
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i
#=#=#
f
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land - lord, fill the fiow - ing bowl, Vn - til it doth ran 0 - Ter,
man that drinks good whis - ky punch, And goes to bed right mel - low,
man who drinks cold wa - ter pare. And goes to bed quite so - ber,
he who drinks just what he likes, And get - teth "half seas 0 - Ter,"
pret - ty girl that gets a kiss, And goes and tells her moth - er,
For to -night we'll mer - ry, mer-ry be. For to-night we'll mer - ry, mer - ry be,
- Uto,
faU,
dies,
thing,
u
Lives as he ought to
Falls as the leaves do
Will live on - til he
Does a Ter - y fool - ish
live. Lives as he ought to
fall. Falls as the leaves do
dies, WiU live un - til he
thing, Does a ver - y fool - ish
■^=t:^
For to - night we'll mer - ry, mer - ry be, To - mor - row we'll be so
Lives as he ought to live, And dies a jol - ly fel
Falls as the leaves do fall. So rare - ly in Oc - to
Will live an - til he dies, per- haps, And then lie down in clo
Does a ver - y fool - ish thing, And don't de - serve an - oth
- ber.
- low.
- ber.
- ver.
- er.
142
i
I.
* Tempo di nuusurha
The Danube River
^
Hamilton Aids
t] I J' J. H
^i
^
t
z. Do yoa re - call
a. Oar hoai keptmeas
that night
are with
in June,
iti oars,
Up
The
on the Dan-nbe riT-er?
mu - sic rose in snatches
list-en'd to
From peas-ants danc
a Land-ler tune, We
ins on the shore, With
watch'd the moonbeams qnlT-er.
boist' - rotts songs and catch -es.
I oft since then have watch'd the moon, But
I know not why that Land-ler rang Through
m^JJiLim
^
±=:=^
^
a^
P
*
P
i
i
m r I- iM
/«\
original lime
s
i
nev - er, love, oh, ner - er,
all my sonl, but nev - er,
i
t=t
noT - er
noT - er
Can
Can
I
I
for -get
for -get
that
the
w^
#
£
:3:
-Bl-
r
m
f
±
^
i
*
5
P
* To be played in moderate tUne bat with greet TvUtioo ecoordiag to the aentiBMat of the woide.
The Danube River
/TV
^^
ST' f r --
A--
■^^
^=^
toilh acprestion
^
night in Jane, Up - on the Dan - nbe riv - er,
songs they sang Up - on the Dan - nbe riT - er,
Can
Can
sn T
^
for- get
for- get
that
the
s^^^
f- f' t
m
f
4— -t
^^
*
P
#^
i
^
3
ifefe^
^^^F-I-F^-^H
V
T
1^:==^
night in June, Up - on
songs they sang Up - on
»^r
The Dan - nbe riT - er,
the Dan - nbe riT - er,
Can I
Can I
for -get that
for -get the
v«/
ben marc.
fe^
.4X-JU,
/ j- "Mi:'
night in Jnne,
songs they sang
E
m
Up - on the Dan
Up - on the Dan
nbe riT - er,
nbe riv - er,
Can I for - get
Can I for - get
that
the
night in .Tnnoy Up -on thoDan-nbe rir-er.
songs they sang U^p-iOmiL ) on the
Dan- nbe riT- er.
144
Sing, Smile, Slumber
(Canti, Ridi, Dormi)
kf,^'j' / JTif i j'^^^f^H
Charles Gounod
^
l^
E^
*-=»-
-^-•
I. When at twi
a. When the smile
3. In the si
/. Quand tu chan
light so soft - ly thy Toice breaks in - to song,
on thy lip chas -es doubt far from my breast,
lence of night when mine eye vig - il doth keep,
t€s ber - ci ' e Le soir en - tre mes bras.
s
fe
3
^
m
*1 *1 X *i
^^F^m^¥^^^m
p-^
:S3±
-n-=^fr
1
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Can'stthott tell . . the sweet mem- 'ries of old that round me throng,
All my gloom . is dis-pelled and for
And thy lips . . murrmur soft - ly of
En - tends tu . . ma pen - sS - e Qui
ev - er in light I
rest.
love, e'en in thy
sleep,
ie ri - pond tout
bas.
n-=^-jf-s4~
f^HU^Qt^t-H=^^3^
i
All the dear bap - py days then tetani to me.hallowed by thee.
In thy sweet smile confldin{,'tis in - nocence on-ly I see. .
Ah 1 the sif ht of thy bean-ty my sonl with rapture doth fill. .
Ton daux chant me rap -pel - le let plus beaux de mes jours;
.ores. 1 . p
-"^-rn-^-n:^
W
Ah I
Ah!
Ahl
then
then
then
Chau'
m±m
t
sing, ah I sing for - st
smile,ahl smile for -ev
slum-ber on, my fair
/«, cAan - tes, ma be/
-^:t^-^=r^f-W-l
er, then sing,ah I sing to me, Then sing, ah 1 sing for -
er,thensmile,ahl smile on me. Then smile, ahlsmilefor*
one, ahl slumber, slum-ber still, Then slum - ber, fair one,
le, chanteg^ chan - tez tou- jours, chan- tez, chan-tez, ma
\ _
fc M g'Fi P. ■ ■ ig!!"! F — F— p-
Sing, Smile, Slumber
i:
xO
me.
m
er-erySing still to me. Ahl sing for - ey-er, still sing to
ey-er,8mile still on me. Ah! . smile for - ev-er, still smile oo
slum-ber,8liim-ber still/ Then (Omit). . • . • ,
M'UiChan -tet tou -jours^ chan • tez, ma bel4ey chan - tn t6u • jourSm
fe
^r¥^
^
%
f
■sj-n-
^m
rr \\ \ I in
^^^
stomber, my
slum - her
^r,c
P
1!!:
P
f±
r
Good-night
Male Voices
^^
s
/ Sostenuio
i
W:
^^
m
t^ I ? t^f' *\r ^
z. Good - night, U - dies I
2. Fare - well, la - dies 1
3. Sweet dreams, la - dies !
good - nighty
fare - well,,
sweet dreams,
U - dies !
la • dies I
U - dies I
Good - night,
Fare - well.
Sweet dreams.
E?ieEE^fe
-fS-
T
^
s
f
^
Ji»
e
E
Allegro
I i- -T J. f I >J I i- .^ -T >^ 1 i -r-
la - dies I We're going to leave you now.
Mer - ri - I7 we roll a - long,
igzftrp .f 1 1^- (^^
Bepeatpp
I ir \': I i^
WWW'- " •-"' w w w^ w- ^ ^ ^ ^
roll a - long, roll a - long, Her - ri - 17 we roll a - long. O'er the dark bine sea.
F^S ■ i/ '-§
i=?c
146
The Last Rose of Summer
English Air
^"^fT^-^nfrr^fnrx^
z. 'Tis the last Rose of Sam - mtr left bloom - ing ;a - lone. All her
a. I'll not leave thee, thou lone one, to pine on the stem; Since the
3. So soon may I fol - low, when friend -ships de - cay. And from
±
^
m
i
i
^
2
i
~tS^ •
■<St-r
'^-7
^^
fc3=t
loTe-ly cqp- pan-ions are fa - ded and gone. No flow'rof her kin-dred, no
lOTe-ly are sleep-ing, go sleep thon with them ; Thos kind-ly I scat-ter thy
lOTe's shin - ing cir - cle, the gems drop a - way ! When tme hearts lie withered, and
i
i
i
t
rs
^i
-at-
r=t
*
m
3::
^s
#
3
>
..L
■f-r
%
m
'~\
^
-5^
ad lib.
^^gE;»N;#fem^-^^ftiM^^i^l
rose -bad is nigh .
leaves o'er the bed , .
fond ones are flown,
01 who would in - hab - it this bleak world
. . To re-flect back her blush - es, or give . . sigh for sigh.
. Where thy mates of the gar -den lie scent - less and dead.
lone?
No, Never, No
Written from memory by Edna Dean Procfor
1«
Old Ballad
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They sat by
"I'U giT9 him
" 0 did ye
" It if but
Pre - pare ye,
the fire -aide, hia fair daagh-tera three, They talked of their
thia Test aU of aat - in so fine;" ''And I'U be his
not hear it? "the ais-ters de- clare/'There'ssure-ly a
the tern -peat that ra - gea ao atrottg;The gale will it-
fair maid-ena, pre- pare ye to weep! Your fa- ther lies
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fa - ther who aail'd on the sea : '' Oh ! when he cornea back, we will all lOTe him
car-Ter when he aita to dine ;" ''And Pll climb hia knee and auch kias-es be -
apir-it thattalkain the air; Andwheth-er we apeak eith-er lond-ly or
aelfwaft oar fa -ther a - long; Go look at the Tane and aee how the winda
cold in the dark-roll - ing deep ; Look not at the Tane nor aak how the winds
^r\
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SO, . .
ato-y .
low, .
blow : .
blow , .
. He noT-er a- gain to the aalt aea ahall go. No I
. He neT-er a- gain to the aalt aea ahall go. Nol
It an-swers in accenta all moamful and slow, ' No I
. He'll bring as gay things for he promised ns so. ' ' " No !
Hia ghoat in the atorm whiapers moamful and slow: " No 1
noT-er,
ttOT-er,
nev - er,
ney - er,
neT-er,
no!"
no!"
no ! ' "
nol"
no!"
148
Allegro mf
Jingle, Bells
X. Dash - ing thro' the snow,
2. A day or two a - go
3. Now the ground ii white;
In a one - horse 0 - pen aleigh ;
I thought I'd take a ride,
Go it while yon're yonng ;
And
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O'er the fields we go. Laughing all the way; ' " Bells on bob-tail ring
soon Hiss Fan -nie Bright Was seat-ed by my side. The horse was lean and lank; Ills-
Take the girls to-night, And sing this sleighing song. Just get a bob-tail'd bay, Two-
Mak-ingspir- its bright; What fun it is to ride and sing A sleighing song to-night I
for-tnneseem'dhislot; He got in -to a drift-ed bank, And we, we got up-eot.
for - ty for his speed ; Then hitch him to an o-pen sleigh,And crackl you'll take the lead.
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Jin-gle, bells I Jin-gle,bells! Jin-gle all the way I Oh I what fun it is to ride In a
* Accompanied by iingling g 1
Jingle, Bells
149
one-horse 0 - pen sleigh I Jin-gle,bell8 1 jin-gle,bells I Jin-gle all the way I
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3
Gaily the Troubadour
Thomas Haynes Bayley
I . Gai - ly the Tron-ba-donr tooch'd his goi-tar,When he was hast-en-ing home from the war ;
a. She for the Troo-ba-donr hope-less- ly wept; Sad - ly she tho't of him when others slept ;
3. HarkI 'twas the Tronbadonr breathing her name; Un *- der the bat - tlement soft - ly he came ;
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Sing-ing/'From Pal-es-tine,hith-er I come ; La - dy loTe, la - dy love, wel-come me home."
Sing-ing/'In search of thee would I might roam; Tronbadonr»Troabadour,come to thy home."
Sing-ing,''From Pal-es-tinSyhith-er I come ; La - dy Ioto, la - dy love, wel-come me home."
/rs
p— ti I 1 1 u_e^
150
i
Birds in the Night
Lionel H. Lewin
Andante^ ma non troppo lento
Arthur S. Sullivan
ms.
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z. Birds in the night that soft - ly call,
2. Life may be sad for as that wake,
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Winds io the night that strange - ly sigh,
Sleep, lit - tie bird, and dream not why.
Come to me, help me,
Soon is the sleep but
one*^ and all. And marmnr,mQr-mor,mar-mnr,mttr-mttr ba by's
God can break, When an - gels whis-per,whis-per, an - gels whis - per
Birds in the Night
161
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lol - U Inl • U lul • U lal - U - by.
Lnl - la - by ba • by,
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While the honrs run,
?
Fair may the day be. When night ia done,
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Lttl-la-by ba - by, While the hours run
an, Lul -U - by,
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162
Kingdom Coming
Words and music by Henry C. Work
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z. Say, dar - keys, hab yoo seen de mas- M,Wid de nmff-stasli on his
fl. He fix loot one way, two foot tud-der,An' he weigh tree hun- dred
3. De dar-keya feel to lone-oome lib-ing In de log-hooee on de
4. De 0 - ber - seer he made as troa-ble,An' he dribe ns round a
face, Go
pound. Hit
lawn, Dey
•pell ; We
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long de
coat 80
moye dar
lock him
road eome time dis morn- in'. Like he gwine to leab de place? He
big, he couldn'tpay detail -or. An' it won't go half way round. He
tings to mas - sa's par -lor For to keep it while he's gone. Dar's
up in de smoke-house eel - lar, Wid de key trown in de welL De
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whip
a smoke, way up
so much dey call
an' ci - der in
is lost, de han'
de rib - ber, Wharde Link- um gum- boats lay; He
him Cap- 'an,An' he get so dref - ful tann'd, I
de kit-chen,An' de dar - keys dey'U hab some ; I
cuff bro-ken. But de mas - sa'll hab his pay. He's
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Kingdom Coming
168
i
K ^/i-^i^nxj-g g JM;-f! r sir- i
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took his haty an' lef ber-ry lod-deiiyAn' I ipec he'i ran
spec he try an' fool dem Yan-keesFor to tink he'i con
spoM dey'll all be con - fis - ca - ted When de Lin - kum so -
ole e-nough, big e-nongh, onght to know bet - ter Dan to went an' run
a - way 1
- tra-band.
jers come,
a - way.
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De mas - sa ran? ha, ha I
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dar - key stay? ho,
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be now de king-dom com-in', An' de year
bi- lo!
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154
The Blue Juniata
Mrs. M. D. Sdluvan
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I. Wild rov'd an In - dlan girl. Bright iU • f a • ra - U,
a. Gay wa* the moun-taia aong Of bright Al - fa - ra - ta,
3, Bold is my war-rior good,TheloT« 9t Al - fa - ra - ta,
4. So aang the la - dian girl, BMght Al - fa • ra - ta,
Where sweep the
Where sweep the
Prond wares his
Where sweep the
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wa - ters Of the blua Jn - ni - a - ta.
wa - ters Of the blue Ju - ni - a - ta.
snow - y plnme A - long the Jn - ni - a - ta.
wa - ters Of the bine Jn - ni - a - ta.
i
Swift as an an -te • lope,
Strong and true my ar-rows are
Soft and low he speaks to me, And
Fleet-ing years have borne a - way The
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Thro' the for - est go-ing, Loose were her jet-ty locks In wa- yy tress- es flow-ing.
In my paint-ed qulT - er, Swift goes my light ca - noe A-down the ra - pid riv - er.
then his war- cry sounding, Rings his yoice in thun-der loud From height to height resounding.
Yoice of Al - fa - ra - ta, Still sweepsthe rir -er on Blue Ju - ni - a - ta.
Dutch National Song
155
Andante
Composer Unknown
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I. Let liim in wbom old Dstch blood flowsi Ua-Uint- ed, free and strong ; Whose
a. Webiotli-eny tme'iin -to a nun , Will sing the old song yet; A-
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heart for Princeandconn-tryglowSyNow join ns in our song; Let him with ns lift
way with him who ey - er can His Prince or land for- get ; A hn - man heart glow'd
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np his YOice, And sing in pa - triot band,
in him ne'er, We turn from him onr hand,
The song at which all
Who cal - Ions hears the
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hearts re - joice, For Prince and Fa- ther-land, For
song and pray'r,For Prince and Fa- ther-land, For
Prince and Fa -ther-land 1
Prince and Fa -ther-landl
156
My Old Dog Tray
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Andantino con moto
S. C. Foster
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I. ° Th« mora of Ufa is p«tt, And er' - sing comM at Ust, It
a. The form* I cali'd my own Bare van - ish'd on* by one; The
3. And once when near • ly drown'd, The no - Ue heart - ed honnd, From
4. When thoughts re • call the ^ast, His eyes are on me cast, I
brings me a dream of a once hap -py day; Of yonth-fnl forms Pre seen, Up -
lOY'd ones, the dear ones hare all pass'd a - way ; Their hap-py smiles haTe flown,Their
death's 0 - pen jaws snatch'd his mas - ter a - way ; And bore me safe to shorSi Where I
know that he feels what my poor heart would say ; Al-thongh he can - not speak,I should
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on the Til - lage green A sport - ing with my old dog Tray,
gen - tie yoi - ces gone, I're noth - ing left but old dog Tray,
ney • er, ney - er more Shall haviB bet- ter friends than old dog Tray,
rain - ly try to seek A bet - ter frien4 than old dog Tray.
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My Old Dog Tray
167
jJ'/Ji ^^fJs^r fire j-^'*' J
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gentle, he is kind, I shall neYer,nev-er find A bet-ter friend than old dog Tray. .
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America
National Hymn
I. My conn-try ! 'tis of thee,Sweet land of lib - er - ty ! Of thee I sing ; Land where my
a. My na - tire oonn-tryl thee, Land of the no - ble free,Thy name I lore ; I loye thy
3. Oar Fa-ther's God I tothee, An-thor of lib - er-tyl To thee we sing ; Long may onr
1-r-rg- ' ' * -. * * J.
J'JIi'/^pl; Jjlj^^
fa- there died,Land of the pil-grim's pride,From ey - 'ry monn-tain side Let free- dom ring,
rocks and rills,Thy woods and templed hills,My heart with rap-tore thrill8,Like that a - bove.
land be bright, With freedom's ho- ly Ught,Pro- tect as by Thy might,Great God,oar King.
k f • F f II f r ifl^
158
Dearest Mae
Francis Lynch
L. H. V. C&osBY
I. Now dar
a. My Mm
3. Be - Death
kies. mt
•a gib
de eba
en to me, a sto - ry I'll re •
me a ho - 11 - day, he said he^d gib me
dy old oak-tree, we sat for ma - ny
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late, It hai^peii'd in
more, I tank him ber
hours, As hap-py as
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de yal - ley of de old Car - li - na State ;
ry kind - ly, and I posh'd my boat from shore ;
de bnx - xard bird dat flies a - mong de flow'rs ;
A -
As
Oh!
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way down in de mead - owe 'twas dere I mow'd de hay, And I
down the rib • ber I glide a - long, wid a heart so light and free, To dm
dere's de spot Where's dear-est Mae, she al - ways looks so sweet, Her
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Dearest Mae
169
m
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a1 - ways work de hard - er when I tink ob dear.- ett Hae. . .
cot - tage ob my dear - est Mae, I lob'd so much to see. . . .
eyes dey spar - kle like de stars, and her lips as red as beet. • .
P FirsL Solo; then Chorus
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Ob I dear - Mt Xm, yon'relub- ly at de day, Yonr eyes so bright dey
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shine
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night, When de moon am gwan
a - way.
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Goodbye, Sweetheart, Goodbye
J. U Hatton
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z. The bright stars fade,
a. The snn is op,
the mom is break - i]ig,The dew - drops pearl each
the lark is soar - Ins^Lond swells the song of
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roll, un poco
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bud and leaf. And I from the* myleayeam tak-ing, With bliss too brief, with
Chan - ti-^leer. The leT-'r«c bonnds o'er earth's soft flow'ring,Yet I am here, yet
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bliss,
I, •
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With bliss .
yet I . .
too brief,
am here.
How sinks my heart with
For since night's gems from
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fond a-Urms, The tear is hid - ins in mine eye, For tine doth tear me
hear'n ' do fade, And morn to llo - ral lips doth hie, I could not leave thee
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Goodbye, Sweetheart, Goodbye
eon colore
161
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from thine arnu, Good-bye, 8weet]ieart,good - bye,
though I said Good-bye, 8weetheart,good - bye,
Good - bye, 8weetheart,good-
Good - bye, 8weetheart,good-
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bye,
bye,
For timedothtear me from thine arm8,Good-bye,8weetheart,good-bye.
I conld not leayethee though I faid Good-bye,8weetheart,good-bye.
^4» -. M^
Heaven is My Home
T. R. Taylor
A. S. Sullivan
X. I'm but a 8tran-gerhere,HeaT'n is myhome;Earthi8 a des-ert drear ,HeaT'n is my home.
2. What tho' the tempest rage,Heay'n is my home; Short is my pil-grimage, Heay'n is my home.
3. There at my Sarioar's side,HeaT'n is my home ; I shall be glo - ri - fled, Heay'n is my home.
^=frx^
Dan- ger and sorrow stand Round meoner'ry hand,HeaT'nismy father-land,HeaT'n is my home.
Time's cold and wintry blast Soon will be o-yer-past,I shall reach home at last,Heay 'n is my home.
There are the good and blest,Those I loy 'd mostand best,There,too,I soon shall rest,Heay'n is my home.
1G2
My Old Kentucky Home
S C. Foster
( Th« sun shines bright in the old Ken-tnck-y home, 'Tis sam-mer, the dark-ies are gay:
\ The young folks roll on the lit -tie cab -in floor. All mer-ry, all hap-py and bright;
( They hunt no more for the pos-«umandthe ooon,Onthe mead-ow,the hill and the shore;
'* ( The day goes by like a shad-ow o'er the heart, With sor -row where all was de- light;
( The head must bow and the back will have to bend, Wher - ey - er the dark-ey may go ;
^l A fow more days for to tote thewea-ry load— No mat-ter/twillner-er be light;
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The corn-top's ripe and the meadow's in the bloom, While the birds make music all the day.
By'm-by hard times comes a-knock-ing at thedoor,Thenmy (^>^ot// )
They sing no more by the glim-mer of themoon,On the bench by the old cab -in door.
The time has come when the dark-ies haye to part, Then my (C^m/V )
A fow more days,and the trou-ble all will end. In the field where the sugar-canes grow;
A fow more days till we tot-ter on the road,Then my ((?»// )
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Chorus
if
old Ken-tnck-y home,good-night 1 Weep no more, my la-dy, 0 weep no more to - day I
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We will sing one song for the old Kentucky home,For the old Kentucky home,for a - way.
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Marching Along
163
March movement
William B. Bradbury
z. The ar - my is gath - 'ring from near and from far. The trum-pet is sound -ing the
a. The foe is be-fore us in bat - tie ar-ray, But let us not wa - rer, or
3. Our wiyes and our chil - dren we leaye in your care, We feel you will help them their
4. We sigh for our coun - try, we mourn for our dead, For them now our last drop of
5. The flag of our coun - try is float - ing on high, We'll stand by that flag till we
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the war ; Mc - Clel - lan's our lead - er, he's gal - lant and strong,We'll
the way; The Lord is our strength,and the Un - ion's our song. With
to bear; 'Tis hard thus to part, but we hope 'twont be long, We'll
will shed ; Our cause is the right one — our foe's in the wrong. Then
or die; Mc- Clel - lan's our lead - er, he's gal - lant and strong, We'll
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on our ar- mor and be march-ing a-long. March-ing a- long, we are marching a-long,
cour-ageand faith we are march-ing a-long.
up our hearts as we're march-ing a-long.
- ly we'll sing as we're march-ing a-long.
on our ar- mor and be march-ing a-long.
keep
glad
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Gird on the ar- mor and be march - ing a - long ; Mc- Clel - lan's our lead - er, he's
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gal - lant and strong, For God and our coun-try we are inarch - ing a - long.
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1*64
Carry Me Back to Old Virginny
Moderato
James Bland
p^' r r n\^' //^'"ij ^- 1 r"r c irfr^?^
I. Car-ry me(>ackto old Vir-ginny, There's where tJie cotton and the com and tatoes grow,
a. Car-ry mebaekto old Vir-ginny, There let me liye till I wither and de- cay,
fei
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There'swherethebirds war- ble sweet in the spring-time, There's where the old dar-key's
Long by the old Dis-mal Swamp haye I wan-dered, There's where this old dar-key's
i
heart am long'dto go, There's where I la -bored so hard for old Mas -sa,
life will pass a -way. Mas - sa and Mis -sis have long gone be -fore me.
Day af - ter day in the field of yel- low corn,
Soon we will meet on that bright and gold -en shore,
No place on earth do I
There we'll be hap - py and
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Died by imnfement with the Ouvsi Ditson Company, owners of the copyright ^
Carry Me Back to Old Virginny
166
ritard.
lOYd more sin-cere -ly Than old Vir-g;in-tty, the state where I was bom.
free from all sor-row, There's where we'U meet and we'll ney- er part no more.
ritard.
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Chorus
Soprano and Alto
Wm Jj: JiJ^ni'ij j: liilU
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Car - ry me t>ack to old Vir - gin - ny, There's where the cot - ton and the
Tenor and Bass
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ccnn and ta - toes grow, There's where the birds war - ble
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«. ritard. Repeat pp last lime
sweet in the spring-time, There's where this old dar-key's heart has long'd to go.
166
Dixie
Adapted by CoLLiN Cos
Dan Emmet
'J- -^ -d-
I, I wish I WAS in deland ob cot -ton, Old times dar am not for -got -ten, Look a -
a. Old Mi8-8U8 mar -ry ''Will de Wea-ber/'Willinm was a gay de-ceab-er; Looka -
3. His face was sharp as a butcher's clea-ber, But dat did not seem to greab 'er ; Look a -
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way 1 Look a-way I Look away 1 Dixie Land. In Dix-ie Land whar I was bom in,
way ! Look a-wayl Look away I Dixie Land. But when he put his arm a-round 'er,Hd
way I Look a-way I Look away 1 Dixie Land. Old Mis-sus acted de fool-ish part, And
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Ear - ly on one frost - y mornin' ,Look a-way 1 Look a - way I Look a-way I Dixie Land .
smiled as fierce as a for - ty-pounder,Look a-way! Look a - way I Look a-way I Dixie Land.
died for a man dat broke her heart,Looka-wayl Look a- way 1 Look a-way 1 Dixie Land.
167
£3 "^Ic ^ I' ^ \^ — g
Den I wish I was in Diz-ie, Hoo-rayl Hoo-rayl In
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take my stand. To lib and die in Diz - ie, A - way, A - way, A -
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way down south in Diz - ie, A - way, A - way, A - way down sonth in Diz - ie.
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4 Now here's a health to the nezt old Mistua,
An all de gals dat want to kiss na ;
Look away I etc.
Bnt if yon want to drive ^way sorrow,
Come and hear dis song to-morrow.
Look away ! etc.
Clio. Den I wish I was in Dizie, etc.
5 Dar's buckwheat cakes an' Ingun' batter.
Makes jron fat or a little fatter ;
Look away I etc.
Den hoe it down and scratch jronr grabble.
To Dizie's land I'm bound to trabble,
Look away 1 etc.
Cho. Den I wish I was in Diziei ete.
J
168
Italian National Hymn
Canto.
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X. All for-ward 1 All for- ward 1
a. All for-ward I All for- ward I
3. All for-ward I All for-ward 1
All for-ward to bat-tlelThetrampetsare
All for-ward for Freedom! In ter • ri - ble
All forward to conqaerl Where free hearts ar«
fe^^r-^t^if ill fifT^^^jg^
cry - ing, All for - ward 1 All
splen - dor She comes to the
beat • ing, Death to the
for -ward 1 Oar old flag is
I07 - al who die to de -
cow -ard who dreams of re-
fly - ing.When lib - er - ty
fend her ; Her stars and her
treat-ingi Lib - er - ty
calls ns we lin-ger do Ion -ger; Reb - els,come on 1 tho' a thou- sand to one I
stripes o'er the wild ware of bat - tie Shall float in the heavens to wel-comens on. All
calls tts from monntain and val- ley; WaT-ing her ban -ner, she leads to the fight.
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Lib - er - ty 1 Lib - er - ty 1 death-less and glo - rions, Un - der thy ban - ner thy
for -ward! to glo - ry,thongh life-blood is
For- ward I all for - ward I the trum -pets are
pouring, Where bright swords are flaahing,and
cry - ing ; The drum beats to arms, our old
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sons are yic-to- rions, Free souls are val - iant,and strong arms are stronger,
can • ons are roar - ing. Wei -come to death in the bul • let's quick rat • tie,
flag, it is fly • ing; Stout hearts and strong hands a - round it shall ral - ly,
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Italian National Hymn
169
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God shall go with us, and bat - tie be won. Hnr - rah for the
Fight - ing or fall - ing shall free - dom be won. Hnr - rah for the
For - ward to bat - tie, for God and the Sight I Hnr - rah for the
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ban - ner 1 Hnr-rah for the ban - ner I Hnr-rah for onr ban - ner, the flag of the free.
Joy to the World
Isaac Watts
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Tune, «* Antioch." I^ Mason
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X. Toy
a. Joy
to the world 1 the Lord is come ; Let earth re - ceive her King ;
to the world I tho Say - ionr reigns; Let men their songs em- ploy;
3. 'He rules the world with truth and grace. And makes the na - tions prove '
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Let ey - 'ry heart pre - pare Him room, And heay'nand na - inre
While fields and floods, rocks, hills and plains, Se - peat the sound - ing
The glo - ries of His right -eons - ness. And won-ders of H&
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And
Re -
And
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■ing,
lore.
And heay'n and na - ture sing.
Re -peat the sonnd-ing joy,
And won-ders of His love.
And neav'n,and heav'n and na- ture sing.
Re - peat, re - peat thesound-ing joy.
And won - ders, won - ders of His love.
i
bMT'naadoatare sine,
peat the MmadtBS Joy,
woa-den of Hit im.
^ ^ 1^ ^ ^
And beav'n and nature sini;,
Re - peat the sounding Joy,
And won-ders of Hit lOTe.
170
M. S. B. Shindlek.
AlUgrtUo con amour
^
I'm a Pilgrim
ItaHan Mdodjr
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z. Pm a pil-srioii aodPm « stran-ger,
a. There the sttn-beams are ev-er shin-ing,
3. Of that coun-try to which I'm go - ing.
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I can tar-ry, I can tar-ry bnt a
I am long-ing, I am long-ing for the
My Re- deem-er, my Re-doem-er ia the
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night ;
light ;
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I'm a pil • grim.
There the tun - beams
Of that conn - try
and I'm a stran - ger,
are er - er shin - ing,
to which I'm go - lag.
m
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I am
My Re
tar - ry, I can tar-ry bat a night ;
long-ing, I am long-ing for the sight I
deem-er, my Re-deem- er is the light;
Do not de-tain me, for I am
With -in a conn -try, unknown and
There no sor - row, nor an - y
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I*m a Pilgrim
171
go - lag
drear - y,
•igh - ingy
To where the stream-lets
I have been wandering,
Nor an - y sin there.
are er - er flow - ing.
for -lorn and wea - ry.
nor an - y dy - ing.
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I'm [a
I'm a
I'm a
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pil- grim, 'and I'm a stran-ger, I can tar -ry, I can tar -ry but a night.
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Cradle Song
C. M. VON Weber
ModercUo
1/1/ \/ ^ 'V
I. Sleep,my heart's darling, in slnmber re - pose ; Let the fair lids o'er those blae eyes now close ;
llow,dear-est ba - by, is mom's golden time ; Not thus thon'lt slnmber in life's U - ter prime ;
An - gels from heav-en, as love-ly as thon. Watch o'er thy cra-dle and smile on thee now;
4. 81eep,my heart's darling,straight cometh the night; Mother doth watch by thy bed with de - light ;
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All is as peaoe-fnl and still as the tomb, Nor shall the gnats wake thee with their low hnm.
8or - row and care then will watch by thy bed,Ne'er more sweet peace will there pillow thy head.
An - gels will tend thee in life's la • ter years; Then they will come to dry manhood's sad tears.
Tho' it be ear- ly, or late it maybe. Mother's love slumbers not, watch-ing o'er thee.
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172
Oh! Susanna
Allegretto
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came from A - la - bA - ma, Wid my ban - jo on my knee, I'm
jumped a - board de tel - e - graph, And trab - bled down de rlber, De
had a dream de od - der night When eb - 'ry ting was still, I
soon will be in New Or -leans. And den I'll look all round. And
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gwyne to Loni - si - a - na. My
true love for
to
lee - trie flu
thought I saw
when I find
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id mag - ni - fled. And killed five hun - dred nigger.
Su - san - na A - - com - ing down de hill ;
Su - san - na, I will fall up - on de ground.
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rained all night the day
bull - gine bust, de horse
buck-wheat cake was in
if I do not find
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I left, Theweath- er it was
run oil, I real - y thought I'd
her mouth, The tear was in her
her, Dis dar - kie'l sure - ly
dry,
die;
eye;
die.
The
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Oh ! Susanna
173
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shut my tytB
I, ** Vm com -
when rm dead
I froze to
to hold my
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and bar - i
death,
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Sn - san- na
Sn - san- na
Sn - san- na
Sn -
don't
don't
don't
don't
yon cry.
yon cry.
yon cry."
yon cry.
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Oh I Sn - san - na, Oh
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come from A - la - ba - ma Wid my ban - jo on my knee.
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174
Old Dan Tucker
te
Allegro
; ; ;
y — ; ; J' / 1 J J' ; ;
I. I come to town de nd - der
a. Old Dan he went down to de
3. Ole Dan and I we did fall
4. Ole Dan be - {an in ear • I7
5. And now Ole Dan is a gone
nighty I hear de noiae an
mill. To get some meal to
ont And what yon tink it
life To play de ban - jo
snck-er And neb - ber can go
saw de flsht, De
put in the swill; The
was a - bout? He
and de fife; He
home to snp - per ; Ole
i
watch -man was a run
mil-ler he swore by the point
tread on my com ; I kick him
play de nig - gers all
Dan he has had his
nin ronn, Cry - in
of his knife He
on the shin And
to sleep An
last ride And do
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life!
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Old Dan Tucker
178
S
Ole Dai
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get ont da way, Ole Dan Tuck - er, get out de way, Ole Dan Tnck - er
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get out de way, Ole Dan Tuck - er, You're too late to come to sup - per.
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Adieu ! *Tis Lovers Last Greeting
X. A -dien! 'tis love's last greet-lng. The part-ing hour is come! And fast thy soul is
a. A-dieul go thou be - fore me. To join the ser - aph throng! A se - cretse^ comes
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fleet-ing, To seek its star - ly home! Yet dara I mourn when Heaven Has bid thy soul be
o'er me, I tar - rybero not long I A-dieul there comes a morrow,To er - 'ry day of
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free ; A life of bliss has giv- en For - ev - er -more to thee I Yet ev - er- more to thee I
pain! On earth we part in sor-row,To meet in bliss a -gain! A- meet in bliss a -gain!
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176
The Kerry Dance
;S: Vtvaee ( Bepeai first eight measures after stanzas I, 2 and 4 )
J. L. MoixoT
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X. Ob, the days of the Ker - ry danc - ins ! Oh, the ring of the pi - per's tune I
a. Was there er - er a sweet - er col - leen In the dance than £i - ly More I
4. Lot - ing voi - ces of old oom-pan - ions^Steal - ing out of the past once more.
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Fine
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Oh, for one of those hours of glad -ness, Gone — a -las I like oar youth, too soon I
Or a proud - er lad than Tha - dy, As he bold - ly took the floor I
And the sound of the dear old mu - sic, Soft and sweet as in days of yore.
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When the boys be - gan to gath - er In the glen of a sum - mer night,
"Lads and lass - es, to your pla - ces, Up the mid -die and down a -gain,"
When the boys be - gan to gath - er In the glen of a sum - mer night,
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The Kerry Dance
177
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X
X
X
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And tbe Ker • ry pi - per't ton • ing Made us long with wild de - light :
Ah I the mer • ry- heart -ed langh-ter Sing - ing through the hap • py glen I
And the Ker • ry pi • per's tun - ing Made ne long with wild de - light :
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Oh, to think of it, Oh, to dream of it, fUla my heart with tearal
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3. Time goes oii| and the hap-py years are dead, And one by one the mer-ry hearts are
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Si -lent now is the wild and lone- ly glen^Where the bright glad laugh will
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178
The Kerry Dance
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ne'er a-gain, On - ly dreaming of days gone by, in my heart I hear, j^ q
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Castanets are Sounding
Spanish ** La Cachuca "
AllegreUo
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I. Com«, 0 comelCas-ta • nets are gal • ly sound - ing ; Light iMt to their notea are
3. Day is past : Stars now bright-ly beam a - bove ns, Hearts are near that fond - ly
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bound- ing ; Mer - ry dance and joy - ons song Glad-den now that hap - py throng,
love us; Sweet gui- tar and man-do-lin Give new pleas-ure to the scene.
> I'M ^
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Nev - er, ner - er yet did mu - sic's meas - nre 8«i>r snch thrill- ing notes of
Come, then come 1 nev-er yet did mn - sic't meas - nre Beaa. incn thrill- kig notes of
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pleasure; Hearts and - eyes are filled with glee,And gay - est of the gay we'll be
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Bonnie
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X. My Bon - nie lies o
a. Oh, blow, ye winds, o
3. The winds have blown 0
▼er the 0
ver the 0
▼er the 0
- cean,
- cean,
- cean.
179
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My Bon - nle lies
And blow, ye winds,
The winds have blown
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▼er
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the
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My Bon - nie lies 0 - ▼er the
Oh, blow, ye winds, 0 - ▼er the
The winds ha^e blown 0 - ▼er the
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0 - cean,
0 - cean,
0 - cean.
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Oh, bring back 1117 Bon - nie to me.
And bring back my Bon - nie to me.
And brought back my Bon - nie to me.
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Bring back, bring back.
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bring back my
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Bon - nie
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Bring back.
bring
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back,— Oh 1 bring back my Bon - nie to me.
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180
See-Saw Waltz Song
Tempo di Valae
A. G. Crows
1^: U U: U. y
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See -saw, see - saw^now we're up or down. See-saw, see- saw, Now we're
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off to Lon-don Town. See - saw, see - saw,Boys and girls come out and play, See - saw.
Fine
see -saw. On this oar hoi - i-day. i. There's Pol- ly and John-ny and Kit-ty and
2. Then come,boy8 and girl8,and all join hands a -
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Jane, All nin-ning to get on the See-saw a - gain, But Bob-by and Sal - ly al -
round, And mer - ri - ly skip with de - light o'er the grottnd,Sttch frol - ic-«ome games ne'er be -
k
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read - y are there. And swinging the See-saw up high in the air. Ha I ha, ha, ha, ha,
fore have been seen. As we'll have to - day on the old Tillage green. Ha I ha, ha, ha, ha,
See- Saw Waltz Song
^^^
181
y^ D.C. cdfine
ha, ha, ha, ha, What fnalHalha, ha, ha, ha, ha, ha, ha, ha, Whatfnol
Angelic Songs are Swelling
Rev. F. W. Fabbr
J. M. Armstrong, smr.
X. Hark I hark I my Mml, an -gel- ic songs are swell -ing O'er earth's green fields and
a. On - ward we go, for still we hear them sing - Ing,' 'Come, wea-rv souls, for
3. Far, far a -way, like bells at eve -ning peal -ing. The Toice of Je - sns
4. Rest comes at length; tho' life belong and drear -7, The day must dawn, and
5. An - gels, sing on I your faith-ful watch- es keep -ing; Sing us sweet frag- ments
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o-cean's wavebeat shore.
Je-sns bids you comet
sounds o'er land and sea; .
darksome night be past ;
of the songs a - bove ;
»
How sweet the truth those bless-ed strains are tell - ing
And,through the dark, its ech-oes sweet- ly ring -ing,
And la - den souls by thousands meek- ly steal -ing.
All Jour -neys end in wel-come to thewea-ry,
Till morn-ing's Joy shall end the night of weep- ing,
Of that new life
The mu - sic of
Kind Shep-herd,tum
And heaT'n,the heart's
And life's long shad •
f
when
the
their
true
ows
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sin shall be no more.
gos-pel leads us home,
wea - ry steps to thee,
home, will come at last,
break in cloud - less sky.
- gels of Je
- gels of light. Sing - ing to wel - come the pil-grims of the night.
t
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182
Good-Night, Farewell
^
Cananima
F. KOCKSN
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X. Qood-night, fare -well, my own true heart,
a. I see thy heart re* - fleet - ed by
A thoa - sand times good -
A star with - in the
»en*pre
Fed.
hjt^H * f H *-^^N
s
t
?
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night ; .
stream;
• • •
Sachthonght of thee. bids grief
It shines forth from thy clear
de - part, And
blue eye, And
is
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Fed.
poco animato
m Fed.
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ren
sheds
ders joy more bright :
o'er me its beams:
Tho' far.
And thoagh
thy im - age
no more than
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rtrrn
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Fed.
Good-night; Farewell
183
sempre ores
cres..
« Fed.
184
Good-Night, Farewell
i
A A
m
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dark - 'ning clouds I see, Thy lore. . guides me a - far.
heart will e'er en - trance. And ren - der er - er blest.
3:?i:
18S
Ah! So Pure
From Flotow's " Martha"
Modtraio. Dolce ed espress.
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Ah I 80 pare, Ah 1 80 brightiBurst her beauty on my sight; Oh 1 so mild, so di - Tine,
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She be-fuil'd this heart of mine: . . . Reft of aim, E'er she came, Dark the
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fn-tvreseem'dto loom, Till her clear Bril - liant sphere New with light dis-pelled the
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186
Ah I So Pure
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gloom. Woe I she fled, Quick -ly sped All my Joy in fleet - ing gleams ; As I
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wake, Hopes for-sake, Rob-bing me of god - like dreams, of god - like dreams.
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Ah I 80 pure. Ah I so bright Burst her beau-ty on my sight, Oh 1 so mild, so di -
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sm
W^&ir^T^! r-i'-^^
▼ine, She beguU'd this heart of mine. M«r-th«,llarth«l Thoa has ta-ken er - 'ry
oolla voce.
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M.4.i. AjlA. J-J-d-
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Ah I So Pure
;■ ;ij » icr \:\^m
QffreL
187
m
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bliss a-way with thee 1 Canstthou leare mOyThns f or-sak-en 1 Come and share thy boon with
Lauriger Horatius
Fitch in ^ when possible ***^® ^®*^*®
^_j — ^ — ^ e 1
X. Lau - ri - ger Ho - ra - ti - ns, Qnam diz - is - ti ye - ram 1 Fu - git £a - ro
a- Cre - scit n - ya mol - li - ter Et pu - el - la ere - scit, Sed po - e - ta
3. Quid ju-yat » - ter-ni-taa No-mi-nis, a - ma - re Ni - si ter - rs
}^-t.-Ur-f^
Chorus
f
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d - ti - usy Tem-pus e - dax re - ram I
tor - pi- ter Si - ti -ens ca - ne - scit.
fi - li-as Li- cety et po - ta - rel
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Doi-ci-o - ra mel-le, Riz-8e,paz et os-cn-la.
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Rn-ben-tis pu - el -Is.
I
188
The Enchanted Isle
Allegro con Mo
From VsRors " Hernani**
I. The morn
a. The air
Bizfcfi=t
is fair, our hearts are light, And mn - eic eings her aweet-est lay ; The
is calm, the sky is clear, That bends a - bove that is - land fair ; And
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lake is sleep - ing calm
si - ren mu - sic there
1^ •" •" ? I
and bright, Come, let ns a - way ; We'll ply the
we hear, Car hearts to en - snare. The flow'rs may
5^ife
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oar, and o - ver the aea Oar boat will bear na hap - py and free, And aeek a -
bloom, bat aoon de - cay ; The aonga be8weet,yet aeem to aay, "Be -ware the
far the flower - y isle To rest our oar where ro -
false, de - Itt - aive smile That lights np life's en-chant '
m.
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ses smile ; And seek a -
ed isle; Be- ware the
hr-H-tl
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far the flower - y isle To rest oar oar where ro - ses smile; And seek a -
false, de - lu - sive smile That lights np life's en - chant-ed isle ; Be- wf ^e the
The Enchanted Isle
189
tf,A hi ij ill ^
±
^
'^=4
far
falae,
MHt-*-H
the flower - y isle To rest our oar where ro - tea smile,
de - In - aiye amile That lighta up life's en - chant - ed isle."
v-A r - r
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Jamie's on the Stormy Sea
Bernard Covert
I. Ere the twi- light hat was flit-ting. In thesnn-set, at her knit-ting,
a. Warm - ly shone the snn - set glowing ; Sweet - ly breath'd the young flow'rs blowing ;
3. Cur - few bells ro - mote-ly ring-ing Min - gledwith that sweet yoice sing - ing,
4. How could I but list, and lin - ger. To the song, and near the sing - er,
P^r^ f MM
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It It [f
Sang a lone- ly maid - en, sit -ting Un - der-neath
Barth with beau - ty 0 - yer - flow- ing,Seemed the home
And the last red ray seemed cling-ing, Lin - gering - ly
Sweet - ly woo - ing Heav'n to bring her Ja - mie from
-I
t-. l-t^g
i
I
her three - hold tree ;
of love to be.
to tower and tree;
•the storm - y sea ;
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And, ere day - light died
As those an- gel tones
2Vear - er as I came
And while yet her lips
— 1 — J> X'
be - fore us, And the yes - per stars shone o'er us,
as-cend-ing, With the scene and sea- son blend-ing,
and near -er, Fin - er rose the notes and clear- er I
did name me, Forth Isprang,my heart o'er -came me;
.# . • 0.
1/ U
Fit - ful rose her ten - der cho - rus, " Ja-mie's
Ey - er had the same low end - ing, " Ja-mie's
Oh I 'twas Heayen it - self to hear her, " Ja-mie's
"Grieye no more, loye, I am Ja- mie. Home re
on the storm - y sea.''
on the storm - y sea."
on the storm - y sea 1"
turned to loye and thee. "
190
The Heart Bowed Down
1^
LargheUo cantabile
M. W. BALrs
f
f
^
s
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by weight of woe,
its worst de - spair,
I
X. The heart bowed down by weight of woe. To
a. The mind, will, in its worst de-spair, Still
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weak - est
pen - der
hopes will cling ;
o'er the past.
To thought and
On mo - ments
im - pnlse
of de -
while they flow,
light,that were
i
That can no com - fort bring, that can, that
Too beau - ti - ful . . . . to last, too bean - ti -
can no com - fort bring,
ful, too bean-ti- ful to last.
those ez - ci - ting
long de - part - ed
, lUn by birth. Her finil
in San Pranciaco, followed by tiiumphs in London nnd Euro-
flute-like qualities of her voice are the marvel of audiences.
■Bonnie Dundee"— Heart Son([s.
JESSIE BARTLETT DAVIS
ho wu moit B'dcccuful aa Alui-a-
ber in the rnle.) Shi wu bora
nuiiciBiu. Her prafHsioiu] debut
Her popular encore w« "Robin
The Heart Bowed Down
191
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■cenes will blend,
years ez-tend
O'er pleas - iire*B
Its vis • lone
path - way thrown ;
with - them flown,
But
For
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own:
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192
C. KXNGSLEY
K Jndantino
Three Fishers Went Sailing
J. HULLAH
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z. Three fish - ere went sail - ing out
a. Three wives sat up in the
3. Three corps - es lay out on the
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in - to the west. Out in - to the west as the sun went down ; Each
light - house tow'r And they trimm'd the lamps as the sun went down; They
shin - ing sands, In the morn - ing gleam as the tide went down, And the
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thought on the wo-man who loy'd him the best, And the chil-dren stood watching them
look'd at the squall,and they look'd at the show'r, And the night-rack came roll - ing up
wo -men are weep-ing and wring -ing their hands For those who will nev - er come
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Three Fishers Went Sailing
a tempo
193
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ont of the town ; For men must work and wo - men must weep. And there's
rag - ged and brown 1 But men mnst work, and wo - men must weep, Thongh
back to the town; For men mnst work, and wo -men must weep, And the
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lit -tie to earn, and man-y to keep;Tho' the har - bor bar . . be
storms be sud-^en,and wa - ters deep, And the har - bor bar . . be
soon-er it's o-ver, the soon-er to sleep. And good-bye to the bar and its
fz cres.
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194
The Tar's Farewell
Mkterato eon ertergia
Stxpksn Adams
^j=;5:^^
I. When forced to bid fare -well to Loo,PuU a-way, myboysypulla-way, I
a. But tben if false should prove my fair^Pall a-way, my boye^pull a-way^ I'd
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did not know what I should do, pull a - way,
burn this lit - tie lock of hair, pull a -way,
^
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pull a -way,
pull a-way,^
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left her weep-isg on the quay, She said she would be true to me, Aa we
she be false and I be free, I'll sail a - gain to thesouth-ern sea, Where
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sailed a - way to the south - em sea. Pull a - way, my boys, pull a -
there are plen - ty as good as she, Pull a -way, my boys, pull a -
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The Tar's Farewell
roll.
199
f-
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pull a-way^pnll away^pnll a - way.
For the wind moat
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blow,aiid the ship must go, And Iot - ing souls must part,
But the ship wUl
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tack and the Tar comeback. To the first loTe of his heart.
For the wind must
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, blow,andthe ship most go, And Iot - ing souls must part,
And the ship wU
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196
The Tar's Farewell
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tack and the Tar come back, To the first love of his heart, To the first love
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of his heart.
To the first lore of his heart.
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■25^'
Rocked in the Cradle of the Deep
Mrs. Emma Willard
^
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Joseph Philip Knight
1*
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I. Rocked in the era -die of the deep, . • • I lay me down ... in peace to
a. And such the trust that still were mine . • . Tho'storm-y winds. . . swept o'er the
■±
sleep; Se-cure I restup-on the waTe, . • Forthon,01 Lord, hastpow'r .to
brine, ^,^' Or tho' the tempest's fiery breath . Rons'd me from sleep to wreck and
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Rocked in the Cradle of the Deep
197
y ^'
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death 1
I know Thou wilt not slight my call,
In o-cean'8caye still safe with Thee,
For Thou dost mark the sparrow's
The germ of im-mortal - i •
^^
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fall! And calm and peaceful is my sleep, Rock'd in the cradle of the
ty; And calm and peaceful is my sleep, Rock'd in the cradle of the
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deep.
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And calm
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andpeace-ful is my sleep, . . .
ir
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Rock'd in the cra-dle of the deep.
Rock'd in the cra-dle of the deep.
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198
I Would That My Love
From the German of H. Hkink
AttegreUo eon moto
4i
Faux MlNDKLSSOHN
^=r^
I. I would tliAt my loTeoonld si -lent - ly flow in a sin- gle word; Pd
a. To thee on their wing8,my fair-est, that aonl-felt word they would bear^Shoold'at
give it the mer - ry breez - ea, They'd waft it a -way in sport, I'd
hear it at ey - 'ry mo - ment, And hear it ot - 'ry-where,Should'st
crts, crea.
£1
m
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give it the mer-ry breez -es, They'd waft it a- way in sport, a -way in
hear it at ey - 'ry mo - ment, And hear it ot - 'ry-where, and ot- 'zy
l^js dim.
g: f ,=.
Sport, a-way in sport, they'd waft it a-way in sport. 3. At night, when thine eye-lids in
where,andey-'ry- where, and hear it ot -'ry-where.
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slum -ber have closed thine bright heay'nlybeam8,Stillthere,myloye, it will haunt thee,
cres.
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I Would That My Love
199
ft
e'en in thy deepest dream«,StiU t]iere,m7 lore,it will haant thee.e'ea in . . thy deepest
^4-Uu;nfm
dreams, e'en in thy deep-eatythy deepest dreamSyS'en in . .
_ ^ dim.
I
tliy deepettydeep -
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Sleepy Beloved, Sleep
W. Taubbrt
Andaniino can molo i
is-' — L
t-^uU]44^^^
^
I . Sleep, be - loT - ed, sleep; Round thee watch we keep ; Li&t how the rain doth fall,
a. Close thy wea - ry eye ; Wiiid doth nis - tie by ; Hare doth lift a list- 'ning ear,
3. Sleep, till morn a- rise In yon as - ore skies; Watch-dog now hath ceased to bark;
p^^^^^^^^
How the neighbor's dog doth call : He hath bit - ten some one stray- ing,That's the cause of
As the hun-ter's foot draws near;Coat of green is hun - ter wear- ing But the hare is
Beg - gar hides where all is dark ; Lit - tie dove her young is tend- ing Where no hun -ter's
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all this bay - ing,Round thee care - ful watch we keep. Sleep, be - lor - ed, sleep.
lit - tie car - ing ; Hun - ter can - not come him nigh. Close thy wea - ry eye.
foot is wend-ing ; Hare is hid in ver -dure deep. Sleep, my dar-ling,8leep.
9^*j| I ITT I/— ni--»-
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200
Bunker Hill
Sung at the Dedication of Bunker Hill Monument^ June 77, 1B43
JAMKS B. Taylor Henry L. Tuckkrman
i.Lone-ly and still was the wood and hill, And the waves be - low yet slumbered. The
3. The he-roes tho't as they braTe-lywroughtyTheir ooun-try's al - tar rear-ing, Of a
3. Then wav'd the sword,then blood was pour'd,Op - pres-sion's host dis - may - ing. Death
4. Once more the skies with sum-mer dyes, A - bove the fields are bend -ing, And the
5. To - day a throng with fes - tal song, The sa - cred mount o'er - flow - ing, Have
breez-es light of a sum-mer night All the dew- y hours nnm - bered. The
no - ble land by Tal - or's hand Hade free and home en - dear - ing. In
rent the air and the can -none' glare O'er Free-dom's birth were play - ing. And
wa - ters still be - neath the hill Their crys - tal waves are blend - ing. But
gath-ered there with pomp and prayer,All hearts with rap-tnre {(low -ing. On the
\
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sen - try's tramp from the foe-man's camp, With his tone of has - ty warn - ing, Came
firm ar - ray when broke the day, The dead - ly charge they wait - ed. And
that green height,with the eye - ning light Its crim-son turf o'er- shad - ing, Had
Peace di - Tine a - round the shrine. Her bound-less har-yest wear - ing. Bids
go - ry bed of the mar -tyred dead. Its shade ma - jes - tic sleep - ing. Stands
Bunker HiU
201
low and clear to the yeo- man's ear Ashewatch'dthe ear - ly dawn-ing.
aide by aide in ai - lent pride With akill their prow - esa mat - ed.
ho - ly grown aa Free^om'a throne Like her star -ry crown nn - fad - ing.
118 pro -claim to a death- leaa fame, Our fa - there' match-less dar -ing.
Free - dom'a pile in glo - ry'a smile, B - ter - nal yig - il keep - ing.
p
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Bishop Hbbbr
Missionary Hymn
L. Mason
I . From Greenland'a i - cy monn-tains,From In - dia's cor - al atrand, Where Af - ric's snn - ny
a. What tho' the spi-cy breea-es Blow soft o'er Cey-lon's isle; Though ey-'ry proa-pect
3. WaftyWafty ye windSfhis sto - ry, And you, ye wa-ters, roll, Till, like a aea of
4.
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foun - taina Roll down their gold - en
pleaa - ea And on - ly man is
glo - ry, It spreads from pole to
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sandy— From ma-ny an an-cient riy - er, From
vile ; In vain with lay - ish kind - ness The
pole ; Till o'er our ran-somed na - ture The
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ma-nya palm-y plain, They call us to de - liy - er Their land from er - ror's chain.
gifta of God are strown;The hea-then,in his blind-ness,Bows down to wood and stone t
Lamb for sin-ners slain. Re - deem-er, King,Cre - a - tor. In bliss re -turns to reign I
202
Rory O 'Moore
S. LoyKR
l^a^i / ; J"/ I /■ I ^ ; f-f-^-fM-is !• j' r^
X. Toong Ro-xy 0- Moore oourt-ad Katli-leeii Bawn^Hewaa t>old as a hawk and she
a. '< In- deed then/'saysKathleeOy^don't think of the like,For I half gave a prom-iae to
3, ** Arrah,Kathleen,m7 dar - lint, you'ye teaa'd me enough^And Pye thrash'd for your sake Binny
^/li J. J- J J i'J|; ;. ;, r/ / ;i; ; ; f i m
soft as the dawn, He wish'd in his heart pret - ty Kath-leen to please,And he
Sooth - er - ing Mike; The ground that I walk on, he loTes,rU be bound;" "Faith" says
Grimes and Jim Duff,And I've made my - self drink- ing your health quite a baste, So I
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thought the best way to do that was to tease. "Now Ro - ry, be ai - sy," sweet
Ro - ry, " Pd rath - er loTe you than the ground." "Now Ro - ry, Pll cry, if you
think af - ter that, I may talk to the Priest." Then Ro ▼ ry, the rogue,stole his
Rory O' Moore
20S
Kath-leen would cry, Re -proof on her lip but a smile in her eye, "With your
don't let me go, Sure I dream ev - 'ry night that I'm hat - ing yon bo V ''Oh 1'' says
arm round her neck, So soft, and so white, with-out free - kle or speck. And he
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tricks I don't know, in troth, what I'm a-bout,Fait you've teas'd till I've put on my
Ro - ry, ''that same I'm de-ligl^-ed to hear, For dhrames al- ways go by con-
looked in her eyes that were beam-ing with light,And he kiss'd her sweet lips— don't yon
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cloak in - side 6ut." "Oh ! jew - el " says Ro - ry " that same is the way. You've
thrair - es, my dear ; Oh ! jew - el, keep dream-ing that same till you die, And bright
think he was right ? "Now Ro - ry, leave off, Sir— you'll hug me no more. That's
^n^
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204
Rory O' Moore
j^-jUlJ^-j%--:d^=jM^
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thrat-ed my heart for this ma - ny a day, And 'tis plaz'd that I am,
mom- ing will give dir - ty night the black lie. And* 'tis plaz'd that I am,
eight times to - day that you've kissed me be-fore;" "Then here goes an - oth •
m
and why
and why
cr " says
M :■ ^ ;,!ff^jLu : J' J^ r f i^^^
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not to be sure, For 'tis all for good lack " says bold Ro - ry 0'- Moore.
not to be sure ? Since 'tis all for good lock " says bold Ro - ry 0'- Moore.
he ''to make sure, For there's luck in odd num-bers,"saysRo - ry 0'- Moore.
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W. W. Walford
Sweet Hour of Prayer
W. B. Bradbury
tf'«ii;ij ;ij j'N ^if iu iwlwm
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K Sweet honr of prayerl sweet honr of prayer!That calls me from a world of care,
{ And bids me, at my Fa-ther'8throne,Make all my wants and (C>mi/ .) wish-es known.
j Sweet hour of prayerl sweet honr of prayerlThy wings shall my pe- ti - tion bear
' { To Him whose truth and faith- ful- ness Bn- gage the wait- ing ( Omit .) soul to bless :
^^
D.c. And oft
D.C. J*U east
es-caped the timpt-et^s snare^ By thy re-tum,jwert (Omit . J\ hour of prayer,
on Him my ev - *ry care^ And wait for thee^ s7veet\OiDit . .) hour of prayer.
^■'il Jii /iJ j'lJ n\ fij ;ij ;ijB
In sea - sons of dis-tress and grief, My soul has oft - en found re - lief.
And, since He bids me seek His face, Be - lieve His wordy and trust His grace,
a^ — y^
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Danish National Hymn
J
20S
JORANNRS EkAID
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X. King Chris-tian stood by loft - j mast, In mist and smoke. His sword washam-mer-
a. Nils Juel gave heed to th' tempest's roar,Now is the hour I He flew his blood-red
3. North sea! a glimpse of Wes - sel rent Thy murk - 7 seal Then cham-pionsto thine
4. 0 Path to Ban -ish fame and might! Dark roll- ing waYo! Re - ceiye thy friend who,
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ing so fast, Thro' Goth - ic helm and brain it pass'd,Then sank each hos - tile
flag once more. And smote up - on the foe full sore. And shout - ed loud thro'
arms were sent; Death's ter - ror glared wher- e'er he went; And oft was heard a
scorn - ing flight,Meets tr - 'ry dan - ger with de - spite, As thou dost meet the
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hulk and mast, In mist and smoke. ''Fly, "shout- ed they;''fly he whocanl"Who
tern - pest's roar,"Now is the hour.""FlyI" shouted they,''for shel - ter fly!" Of
wail, that rent Thy murk - y sky 1 From Den -mark thun-ders Tor - den - skicl 1 Let
tern - pest's might , Dark roll - ing ware! 'Mid min-gled pleasures and a-]arm8,And
braves of Denmark's Chris-ti - an, Who braves of Denmark's Chris-ti - an the stroke.
Den-mark's Juel who can de - fy, Of Den - mark's Juel who can de- fy the pow'r?
each to Heav'n commend his soul. Let each to Heav'n commend his soul and fly.
war and vie -fry, be thine arms,*Mid war and vie -fry be thine arms my gravel
206
Sally Come Up
T. M. Skwkll, air.
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X. Has -sa's gone de news to hear, An' he has lef de o - ber-seer To
a. Mon- day night I gare a ball, And I in - vite de nig -gars aU; De
3. De fiddle was played by Pom - pey Tones, Un - cle Ned he shook de bones;
I
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look to all de nig - gers here, While I make lab to Sal-ly.
thick, dethin, de short, de tall. But none come to Sal-ly.
Joe he played de pine stick stoneSyBut I madelub to Sal-ly.
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poco piu lento
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She's snch a belle, A real dark swell. She dress so slick, and look so well, Bar's
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Sal - ly come up, Sal - I7 go down,
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LILLIAN NORDICA
ton^ M^ne, 1859""s'he'5l^d14""tiie New Engird tSioMfSlofj
■John Anderson. My Jo'— Heart SqnE». p. 378.
Sally Come Up
207
#=FfT^.TT-J' J ■ ^M :■ ^' J- J r ■ F r ^ I
Sal- ly oom« twist ytmrhMl a-ronnd; De ol' man he's gone down to town, Oh
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Sal - ly, comedown the mid - die.
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Interlude ad lib.
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j^Ttdan^ gttosi allegreUo
Little Bo-Peep
J. W. Elliott
X. Lit- tie Bo-Peep has lost her sheep, And can't tell where to find them;
a. Lit -tie Bo-Peep fell fast a - sleep, And dreamt she heard them bleat - ing ;
3. Then up she took her lit - tie crook, De - ter - mined sare to find them ;
unin
m'r - r M-t^'P l:j \M-^ liQ - 1
cres.
/ dim. z=^
Leave them a - lone, and they'll come home, Wag-ging their tails be - hind them.
When she a - woke 'twas all a Joke, Ah I cm - el vi-sion so fleet - ing.
What was her joy to be- hold them nigh, Wag-ging their tails be -hind them.
208
Farewell, My Own
From Sullivan's " Pinafore "
Ralph
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JOSEPHINE
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a -tone;
In the meantime, fare-well I
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Fine
Sir J. Porter
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lone Re-joice in your dun - geon
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Farewell, My Owft
209
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pick with this sai-lor fell ;
3:
Let him be shown at once to his dun - geon cell.
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^ Soprano & Alto.
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He'll hear no tone
Tenor & Bass
Of the maid - ea he lorei to well I Ho td • e -
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Little BuTTBRCUP (Mystericudy)
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Wide will bethrown The door of his dun -geon cell.
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210
Old Rosin, the Beau
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1. I . . live for the good of my na - tion,
2. In the gay round of pleas -are Pve trav-eled,
3. When Fm dead and laid out on the coun-ter,
4. Oh 1 when to my grave I am go - ing,
5. Then shape me out two lit - tie do - nochs,*
And my eons are all grow-ing
Norwill I be - hind leave a
Thepeo-ple all mak-ing a
The chil-dren will all want to
Place one at my head and my
fc-^-O-
low,
foe;
show,
go;
toe,
But I
And
Tust
They'U
And
hope that my next gen - e -
when my com - pan - ions are
sprin r kle plain whis - key and
run to the doors and the
do not for - get to scratch
la - tion Will . re -
jo - vial, They will
wa • ter On the
win - dows, Say - ing,
on it The
SI/
sem - ble old Ros - in, the
drink to old Ros - in, the
corpse of old Ros - in, the
** There goes old Ros - in, the
name of old Ros - in, the
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I've trav - el'd this conn - try all
But my life is now drawn to a
ini have to be bur- ied, I
Then pick me out six trust - y
Then ' let those six trust - y good
0 - ver,
clos - ing,
reck - on,
fel - lows,
fel - lows,
And
And
And the
And
Ohl
now to
all will
la - dies
let them
let them
the
at
will
next I will go:
last be so :
all want to know,
all stand in a row,
all stand in a row.
For I
So we'll
And they'U
And
And
• XMakiBS-ffittXB.
Old Rosin, the Beau
211
know that good quar-ters a - wait me,
take a full bump -er at part-ingi
lift up the lid of my cof-fin,
dig a big hole in a cir-cle|
rake down that big bel-lied bot-tle,
To wel-come old Rob - in, the beau. . .
To the name of old fios - in, the bean. . .
Saying/ *Here lies old Roe -in, the beau." .
And in it toss Ros - in, the beau. . •
And drink to old Ros - in, the beau. . . .
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Old Black Joe
P
Foooadagio
Stephen C. Foster
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I. Gone are the days when my heart was young and gay; Gone are
s. Why do I weep when my heart should feel no pain? Why do
3. Where are the hearts once so hap - py and so free? The chil - dren
my friends
I sigh
so dear,
Hu'ii f[ifrix;.aM^u=
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from the cot - ton - fields a- way; Gone from the earth to a bet • ter land, I know,
that my friends come not a - gain, Griey - ing for forms now de- part - ed long a - go ?
that I held np - on my knee? Gone to the shore where my soul has longed to go,
N_.-_ ^,__ -w- -^ -^ -^ -^ -^ -^
Chorus
rr^u-j;!^^^
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I hear their gen - tie vol - ces call -ing,' 'Old Black Joe. "Pm com- ing, I'm com -ing,
-f»- 1?^ !-#-•- jif^ -«- -^ -#- -#- J -^
For my head is bend- ing low; I hear those gen -tie Toi-ces call -ing,''01d Black Joe!"
-^ -{■- -^ -^ -#- -^- -#- -^- ifl •^. -#. ulfl ^ ^ ^ ^ \ f^ ft\
212
The Hazel Dell
MbdercUo
G. F. Root
f a r r If J ; Js
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X. In the Ha -Ml Dell my Nel-ly's sleep -InSi
2. In the Ha - zel Dell my NeMy's sleep - ing,
3. Now I'm wea-ryyfriendleas and for- sak - en.
Nel-ly lOT'd 80 long I
Where the flow -ere waTe,
Watch- ing here a - lone.
And my
And the
Nel-ly,
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lone - ly, lone-ly watch Pm keep -
si- lent stars are night -ly weep -
thon no more will fond - ly cheer
ing,
ingf
me,
Nel-ly lost and gone;
O'er poor Nel- ly's grave;
With thy loT - ing tone;
Here in
Hopes that
Tet for-
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moon -light oft- en we have wan
once my bos -om fond -ly cher
OT - er shall thy gen -tie im
der'd Thro' the si - lent shade,
ish'd Smile no more for me,
age In my mem-'ry dwell,
i
Now where
Er-'ry
And my
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The Hazel Dell
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213
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leaf - 7 branch- 68 droop -ing down - ward, Lit -tie
dream of Joy, a - las I has per - ish'd, Nel-ly
tears thy lone-ly grave shall moist - en, Nel-ly
Nel - ly's Uid.
dear, with thee.
dear, fare - well.
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All a- lone my watch I'm keep
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In the
Ha - zel Dell, For my
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Nel - ly's near me sleep
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dear, fare - well.
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214
The Bowld Sojer Boy
Samuel Lover
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I. 0, there's not a thrade that's go - ing. Worth show - ing or know - ing Liko
a. But when we get the rout. How they pout and they shout , While
3. Then come a - long with me, 6ra - ma - chree, and yon'U see How
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that from glo-rygrow-ing For a bowld so-]er boy I Where right or left we go, Sure you
to the right a - bout, Goes the bowld so- jer boy; 'Tis then that la-dies fair. In de-
hap-py yon will be, With your bowld so -jer boy; Faith if you're up to fun, With me
^^^=j^a
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know, friend or foe, Will have the hand or toe From the bowld so - jer boy, There's
spair tear their hair, But the Div'l a one I care, Says the bowld so -jer boy; Forth^
run, 'twill be done In the snap-ping of a gun. Says the bowld so - jer boy. And 'tis
The Bowld Sojer Boy
216
'j,k ti' ;-JJi ^ : / J- j^ r MP k-\
oot a townwemarclithro'BQt la - dies look-ing arch thro' The win -dow-panes, will
world iB all be -fore uSyWhere the land -la -dies a-dore us, And ne'er re-fuse to
then that with-ontscan-dal, My - self will prond-ly dan -die The LH - tie farth-ing
©*-#
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Tiyn- J' J ^ i'-^
saich thro' The ranks to find their joy, While up the street,each girl you meet With
score us. But chalk us up with joy ; We taste her tap, we tear her cap, '' O
can - die Of our mn - tual llamo, my joy ; Kay his light shine as bright as mine,'Till
m
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look so sly will cry ''My eye! Oh, is -n't he a dar - ling. The bowld so-jerboy!"
that's the chap for me,"saysshe,"Ohl is -n't he a dar - ling, The bowld so-jerboy!"
in the line he'll blaze and raise The glo-ry of his corps, Like a bowld so-jer boyl
/TS
216
The Bonnie Banks o' Loch Lemon'
#^
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ndarUe ^^ ;g; Con espressione
Scotch Folksong
W:
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z. By yon bon- iiiebank8,and by yon bon - nie braes, Where the
a. 'Twas there that we part -ed in yon eha -dy glen, On the
3. The wee bird - ies sing, and the wild flow -era spring, An' in
Nft/
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son shin^ bright on Loch Lo - mon', Where I and my lore were
steep, steep side 0' Ben Lo - mon',Where in pnr - pie hne, the
sun - shine the wa - ters are sleep - in'; Bnt the bro - ken heart it
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er - er • )nt to gae, On the bon-nie, bon-nie banks 0' Loch Lo - mon'.
high-land hills we Tiew, An' the moon com -in' oot in the gloam - in',
kens nae se- cond spring, Tho' thewae-fn' may cease frae' their greet - in'.
The Bonnie Banks o' Loch Lomon*
217
Firsts Solo ; then Chorus
Pooopiu mosso
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0, yon'U tak' the high road, and ru tak'
m
Pocopiu mosso
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the l0W| An'
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First lime p, second f
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m be in Soot -land a - fore
f f f ^
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and my true lore will
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ney - er meet a - gain, On the bon-nie, bon-nie b&nks o' Loch Lo - mon'.
218
The Rose of Alabama
i
S. S. Steele
With spirit
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52
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I. A - way from Mis -sia -sip -pi's Tale, Wid my old hat dar for a sail, I
a. I land-ed on de sand bank, I sat ap-on a hol-ler plank, An'
3. Oh, ar - terd'reck-ly, by an' bye, De moon rose white as Rose's eye, Den
4. De riv - er rolled, de crick -ets sing, De light -nin'-bug he flash'dhis wing, And
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cross'd up - on a cot - ton bale, To Rose
dare I made the ban - jo twank, For Rose
like a young coon out so sly. Stole Rose
like a rope my arms I fling Round Rose
Ob
Al
- a - ba -
Ob
Al
- a - ba -
Ob
Al
- a - ba -
Ob
Al
- a - ba -
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Oh| brown Ro-sey, The Rose of Al-a -ba-ma, A sweet to-bac-co po-sey Is de
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The Rose of Alabama
219
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Rose of Al-a- ba-ma, A sweet to-bac -co po-sey Is de Rose of Al - a- ba-ma.
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The Hardy Norseman
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RisoltUof
Norse National Song
^Lj_ii'i;,;rp^
X. The bar - dy Norseman's home of yore Was on the foam-ing wave 1 And there he gathered
a. What tho' our pow'r be weak-^r now Than it was wont to be, When bold- ly forth our
bright re-nown, ThebraT-est of the brave. Oh 1 ne'er shonld we for - get onr sires, Wher-
fa - there sail'd, And conqner'd Nor-man -die ! We still may sing their deeds of fame In
#
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♦ ^
fed==i
IB
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ev-erwemay be; They bra ve-ly won a gal-lant name And rul'd the stormy sea.
thrilling har- mo -ny; For they did win a gal-lant name And ruPd the stormy sea.
220
jiik
Shakbspeake ^
u
TJii
EB2
i
Who is Sylvia
One of ih€ world V purest vocal gems '
p
t
x=^
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t
Schubert
3
X
X. Who
a. It
3. Then
is Syl-TiA?
she Undi as
to 87I - tU
What
she
let
is
is
she,
fair?
sing,
That
For
That
all our swains commend her ?
beauty lives with kind - ness;
8yl-t1a is ez-oel - ling;
Ho
To
She
ly, fair,
her eyes
ez - eels
and
lOTe
each
m
1^
wise
doth
mor
3
I
j=i=ii
;
is she;
re - pair,
tal thing
^
The heay'ns such grace did lend her.
To help him of his blind - ness;
Up - on the dnll earth dwell - ing ;
Who is Sylvia
221
p Andante
Soldier's Farewell
MALE VOICES
poco riten. ^=*"
Johanna Kinkel
Crescendo epoco occtLalfine
u How can I bear to leave theeyOne part-ing kiss I gire thee; And then what-e'er befalls me,
a. Ne'er more may I be-hold thee. Or to this heart en-fold thee; With spear and pennon glancing,
3. I think of thee with longing,Think thon when tears are throngingiThat with my last faint sighing,
1" I! f P I \.\-*4^:
;2-^ ^ Tempo 1, TranguiUo e moUo espress.
I go where honor calls me. Farewell ,farewell,my owr true loye,Farewell,farewell,m7 own tme lore.
I see the foe advancing. Fare well,farewell,m7 own true love,Farewell,farewell,m7 own tme lore.
I'll whisper soft when dying. Farewell,farewell,my own true loTe|Farewell,farewell,my own true love.
^.«if-nrtt^i3^
222
Ever of Thee
Geosok Linlet
FoLBY Hall
I. Ey - er of thee I'm fond • ly dreaming, Thy gen-tle voice my spir - it can cheer ;
3. Sv-er of theOi when sad and lone -lyiWand'ring a -far mysonljoy'dtodwell,
J 1 r^^-\ Nt- -P*« : r-H P^!^ ir5^^ r-l P^ kT
Thon wert the star
Ahl then I felt
that mild - ly beam - ing. Shone o'er my path when
I loT'd thee on - ly All seemjd to fade be -
m
n
M9 ^N
raU.
^^
m
all was dark and drear,
fore af-fec- tion's spell.
Still in my heart thy form I
Years have notchill'd the love I
Cher
Cher
ish, Sv
ish, True
'ry kind thought like a
as the stars hath my
I =*=r^
fe
Ever of Thee
223
birdyflies to thee; Ah I ney-er tUl liie and mem-'ryper-ish, Can I for-get how
heart been to thee ; Ah I ney-er till life and mem-'ryper-ish, Can I for-get how
i
w I / :^~u
?
^
dear thou art to me;
1/ ^-
Morn, noon, and night, Wher-e'er I maybe, . .
fe=g=E=^
e
m
piu lento
fiiSEi
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Fond - ly I'm dream - ing ey - er of thee,
Fond - ly I'm dream - ing
224
Beautiful Isle of the Sea
Gbo&ge Coopbr
u Allegro tnoderato
J. R, Thomas
ftj._j-7jj;^
-*— =^
X. Bean - ti-fnl isle of the seal
a. Oft . • . onyonrshell-gird-led shore,
^^
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Smile . . on the brow of the
Sve - sins has found me re -
m
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pt
s
X *1 X— n-
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wa - ters,
clin - ins,
ih - J P] JT^^
Dear . . areyonrmem'ries to me,
Yi - - siona of yonth dreaming o*er,
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Sweet as the songs of your daughters ; 0 - yer your mountains and yales,
Down where the lighthouse was shin-ing ; Far from the glad-ness you gave.
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Down by each murmnr-ing riy - er,
Far . . . from all joys worth pos-sess - ing,
Cheer'd by the flow'r-Ioy-ing
Still . . o'er the lone wea-ry
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ware.
Beautiful Isle of the Sea
calando
22B
nr r c r ^ ^^^^ ^'-
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Ohy • • could I wan-der for-er - eri
Comes, to the wand'reryonr bleu - ing.
-^-r
-« =V
r' r g t' ^' J'"i^
of the True and the Old,
Home. . er-er dearnn-to
tf»-r
difn.
J ^if c p c c p cir-
■» =^
Fenn - tain of pleaa-nres on - told, . . .
cres.
Bean - ti-fnliale of the seal
Fonn - tain of pleas-nres un -
226
ten.
Beautiful Isle of the Sea
sUrUando
told| . . .
Beau - ti - ful, beau - ti - ful isle of the
seal
\t/
i
Integer Vitae
Horace. Ode XXII. Translated by W. N. Eayrs
P Andante con moto^ i
M/
F. Flemming
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X. He who is up - right, kind, and free from er - ror, Needs not the
a. What tho' he jour - ney o'er the barn - ing des - ert, Or climb a -
3. Place me where fate de - nies to man a dwell - ing, Con - scions of
42. ^. ^. .#- ^. ■ ^f. ^- . I J
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aid of arms of men to guard him; Safe - ly he moves, a
lone the dread -ful, dan- g'rousmoun-tains^ Or taste the wa - ters
right, all oth - er cares neg - lect - ing ; There could I liye, . thy
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child
of the famed Hy - das
charms and yir - tnes tell
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rors. Strong in his yir -
pes, Gods will at - tend .
ing, Sweet smil - ing maid
- tnes.
him.
den.
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z Integer yitas scelerisque pnms
Non eget Mauris jaculis nee arcn
Nee yenenatis gravida sagittis.
Fusee, pharetra.
fl Siye per Syrtes iter aestuosas
Siye facturus per inhospitalem
Caucasum yel quae loca fabnlosna
Lambit Hydaspes.
3 Pone sub curm nimium propinqui
Solis in terra domibus negata :
Dulce ridentem Lalagen amabo,
Dulce loquentem.
Dost Thou Love Me, Sister Ruth
237
P
Adapted by John Parry
Simon
From Haydn's " Surprise Symphony **
Ruth
S^
s;
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X. Dostthonloye me, SU-ter Ruth? Say, say, say I As I fain would speak the truth,
a. Wilt thou prom-ise to be mine, Maid -en fair? Take my hand,my heart is thine,
3. LoYe like ours can neY - er cloy. Humph! humpht humphl While no jeal - ous fears an - noy.
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Yea! yeal yea!
There, there, there.
Humphl humph! humphl 0! how blest we both should be. Hey down,ho down hey 1
Simon
N— ft
m
t
Long my heart hath yearn'd for thee, Pret-ty Sis -ter Ruth;
Let us thus the bar-gain seal, 0! dear me, high-ho !
p 1 — I— *— t
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Ruth
^— A-
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Rising cdtemately on their tip-toes^
y— t^-tei
I
That has been the case with me,I>ear engaging youth I
LauklhowYer-y odd I feel! 0! dear me, high-ho !
I could almost dance with glee,Hey down, ho down hey I
i
228
Moderate
Flee as a Bird
Written and adapted by Mrs. Bl S. B. Dana
I. Flee as a bird to your moun - taia, Thou who artwea- rr of
a. He will protect thee for er - er, Wipe er - 'ry fall - ukg
sin; . .
tear; .
Go to the clear flow-ing foun - tain, Where yon may wash and be
He will for-eake thee, 0 ney
er,
Shel- tered so ten - der -ly
i
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J-^J'ffi' J' I
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Clean; Fly, for th'ayen-ger is near ..thee; Call and the Sav-ionr will
there; Haste, then, the hours are fly - ing, Spend not the moments in
Fl 'Xi luTIU
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J J'. J' J J'. J] J. ^j>ij| j'.jij j'-j'i
hear thee, He on His bo - som will bear . .thee, Thou who artwea- ry of
sigh - ing. Cease from your sor- row and cry - ing, The Sav-ionr will wipe ev-'iy
m
3
Flee as a Bird
229
un poco ritentUo
sin, 0 thou, who artwea-ry of sin.
tear, The Say- lour will wipe er-'ry tear.
O Paradise
Rev. F. W. Fabbr
Joseph Barnby
i .^ ' # » ji^ ft S '
X. 0 Par - a- dise I 0 Par - a -diael Who doth not crave for rest? Who would not leek the
a. 0 Par - a- diael 0 Par - a -diael We're lookins^waiting here ; We long to be where
3. 0 Par - a- diae I 0 Par - a -diae ! We want to ein no more, We want to be aa
4, Lord Je - 8ne,Prinoeof Par- a -diae I Oh|keep us in Thy lore, And guide us to that
r rrr
Chorus
Where loy - al hearti and true
bap -
Je -
pure
bap -
=^ j ij J I J:-1-J^^^^
P7 land Where they that lOYedyare blest? Where toy
sus is, To feel, and see Him near,
on earth As on thy spot-less shore,
py land Of per - feet rest a - bove.
al hearts and true Stand
j^.^i «,ii^-
er-er in the light, All rap-ture thro' and thro',In God's most ho - ly sight. A -men.
ill
"7 ' 'r^"
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Come Home, Father
Words and Music by Henry C. Work
r^r r r^i-i^^'j' jm; //J' ; Ji^^
I . Fa -ther,dear £a-ther,come home with me now 1 The clock in the steeple strikes one ; Yon
fl. Fa -ther,dear fa-ther^come home with me now 1 The clock in the steeple strikes two ; The
3. Fa -ther,dear fa-ther^come home with me nowlThe clock in the steeple strikes three ; The
mm
3.
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3.
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s
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said yon were com-ing right home from the shop. As soon as your day's work was done. Onr
night has grown cold- er, and Ben- ny is worse^But he has been call- ing for yon. In -
house is so lone-ly— the hours are so long For poor weeping moth-er and me. Yes,
i
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fire has gone out— onr house is all dark —And moth-er's been watch-ing since tea, . . With
deed he is worse — Ma says he will die, Per-haps be-fore morn-ing shall dawn ; And
we are a -lone— poor Ben-ny is dead, And gone with the an-gels of light; And
*
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Come Home, Father
231
poor broth-er Ben - ny so sick in her arms, And no one to help her but me. . . Come
this is the mes-eage she sent me to bring — ''Come quickly, or he will be gone.'' Come
these were the ver - y last words that he said — "I want to kiss Pa- pa good-night. "Come
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home ! come home I come home I . Please,fa - ther, dear fa - ther, come home. . .
= N
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Chorus
Hear the sweet yoice of the child, . Which the nightwinds re-peat as they roam t . Oh,
jP^rT^
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232
Come Home, Father
whoconld n- sisttliisiiiott pleading of prayers? <^leafle,£atlier, dear fa-tlier,coiiie home I "
rF — P P P P \P \ P M M A \P" •■■
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The Three Sailor Boys
Merrily
Theo. Marzials
J\r f J Tr If f ^
I. Oh, we're three jol-ly, Jol-ly sal- lor ^ys. And we're new - ly home from
a. There were three pretty {Iris in mer-ry Portsmouth town, And each one was like a
3. Then np we spoke, we jol - ly sal - lor boys, All arm in arm so
§^^
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ind,
South A - mer - i - kee, With our hearts still ting - ling with the salt, salt wind. And the
po - sy on the tree. There was great-eyed Mar - ga - ret and trim - set Sal, And sweet
jol - ly for to see."There are girls beside the waiter at Ja - nei-ro or 6ib-raltar Who can
«
H ' I ■ I I I I I -t4 — (■
r~^
The Three Sailor Boys
288
m
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m
t
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tnm-ble and the
Kit - ty from the
dance ae right
toes - ing
north
mer - ri
of the
ooan
ly as
sea,
tree,
ye;"
0, hon - ey, we're our
N0| hon - ey, tho' your
So hon - ey, while oar
^s
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pocoralL
pock-ets foil of mon-ey. Will yon trip, trip, trip, will you trip it on the Quay For the
pock- et's full of mon-ey,We won't trip, trip, trip, we won't trip it on the Quay, Till you'ye
pock- et's full of mon-ey,Come and trip, trip, trip, come and trip it on the Quay, For we
a tempo
nim^.-i^'^^^
wind's in the sail and the thunder in the gale And our good ship plunging to be free,
set the clerk a-singing,and the wedding bells a-ringing,And the parson has pocketed the fee.
sailors lore the ocean and the change,and the c6mmotion,And the good ship plunging on the sea.
^
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3
4—1 1-
234
My Trundle-Bed
Moderalo
J. C. Baker
H
^y.. -■■ Si.
1 N —
1^ — 1
r — N —
s -K — 1
2
^ff;:;-aT-^— j?-
n" F f^
— ^
f^ N K
P —
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f 1 . mi
•^^ vl '■- K •
r : • •
I 1 i •
Tj }j at
\x
f ^ J^.
L 'j
M
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■" r^ - i
"O ^ WW
X. As I nim - mag'd thro'
the at - tic, List-
'ning to
the f aU - ing
3. So I drew it from
the re - cess, Where
it had
re-main'd so
3. As I Us- ten'd, rec -
ol - lee - tionSyThat
I thought
had been for -
4. Then it was with hands
so gent - ly Placed
up - on
my in - fant
5. Years hayepass'd, and that
dear moth - er Long
has mould
- er'd 'neath the
6. This she taught me, then
she told me Of
-H^ 1 N
its im -
f^ — 1
portygreat and
— ^ ly — ,
jL
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1 T =i J^
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head,
sod,
deep —
E
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That she taught my lips
to
And
I trust her saint - ed spir - it
A( - ter which I learned to
ut - ter
«
Rey
Wow
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As it pat - ter'd on the shin - gles And a -
Hear - ing all the while the mu - sic Of my
Came with all the gush of mem - 'ry. Rush - ing,
ut - ter Care - fnl-
els
i
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gainst the win - dow pane ;
moth - er's yoice in song ;
throng - ing to the spot ;
ly the words she said ;
in the home of God :
lay me down to sleep : "
tr
I
Peep- ing 0 - yer chests and box - es.
As she sung in sweet- est ac - cents.
And I wan-der'd back to child -hood,
Ney - er can they be for - got - ten.
But that scene at sum - mer twi - light,
Then it was with hands up - lift - ed.
F^=^
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My Trundle- Bed
23o
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the farth-est cor - ner
Which with dust were thick -ly epread; Saw I
What I eince haye oft - en read— {Omii
To those mer - ry days of yore, When I knelt be -side my moth-er,
Deep are they in mem-'ry riyen — (Omit,
Ney - er has from mem -'ry fled. And it comes in all its fresh -ness
And in ac - cents soft and mildi (Omit. . ^
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What was once my trun- die - bed.
By this bed up -on the floor.
When I see my trun- die -bed.
2, 4. 6
yLarghetto
ad lib.
A
ai
^=g=g
^PS
m=u^
a. "Hushymy dear, lie still and slum - ber, Ho - ly an - gels guard thy bed. ''
4. "Hallowed be Thy name, 0 Fa - ther ! Fa - ther I Thou who art in heayen."
6. That my moth- er asked—'^Onr Fa - ther I Fa -ther! do Thou bless my child!''
Nl/
Tom Bowling
I. Hmo ft shMrhnlk, IIm poor Tom Bow-Uii{,Tlie dar-llBg of oar crew, Ho
a. Ton noT-er from hia word de - part- od, His rir-tUM were m rare, HI*
$. Tet •luUl poor Tom flndpteu-ant wutli-er,Wheii He who all com - maad* Shall
more be'll bear the tem-peat howUnK.Fordeatliliaibroacb'dUmto. HUform wm of tb*
frieadBwcrema-ay and ttiie-beart<ed,Bla Poll was kind and fair ; And than he'd alog m
gin, to callUfe'screw to - getb<er,Tb« word to pipe all bniiil8;Thna Death who king* and
Tom Bowling
237
cres.
^^
^^E^
did his du - ty. And now he's gone a - loft, . . Ani now he's gone a - loft,
mel - an - cho - ly. For Tom has gone a - loft, . .For Tom has gone a - loft,
an - der hatch-es. His sonl has gone a - loft, . . Els soul has gone a - loft.
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Moderato
Pirates' Chorus
'^^
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Balfb
#-i # 0 ^ ^Sf-i ■
Kt - er be hap - py and light as thou art. Pride of the Pi - rate's heart I
^ J J.-.
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s:
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—
\L i i, /-f ^4-^=^^;^
^ — fe-
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Long be thy reign, O'er land and main, Ey the glaivei by the chart, Queen
m 9-7-9—0 1 r- —« 0 •-5— • • 9
of the Pirate's heartl Queent Ey-er behap-py and light as thou art, Pride of the Pi -rate's
I
hMTtl Pride, pride of the PI- rate's heartl Prid^, pride of the Pi -rate's heart.
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238
The Blue Alsatian Mountains
Claribel
Not too slow
Stephen Adams
I. By theblae Al - sa - tian moun-tains Dwelt a maid -en yonngand fair, . Like the
a. By the blue Al - sa - tian moun-tains Came a stran - ger in the Spring, And he
3. By the blue Al - sa - tian moun-tains Ma - ny spring-times bloom'd and pass'd. And the
-fcp5 ta 1 P
^ ^ T
care-less - flow - ing foun-tains Were the rip - pies of her hair. Were the rip - plea
lin-ger'd by the foun-tains Just to hear the maid -en sing. Just to hear the
maid-en by the foun-tains Saw she lost her hopes at last, She lost her
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of her hair ;
maid -en sing;
hopes at last.
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An-gel mild her eves so win - ning,An-gel bright her hap - py smile.
Just to whis-per in the moonlight, Words the sweetest she had known,
And she with - ered like a flow - er That is wait - ing for the rain ;
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When be - neath the foun-tains spin - ning,Tott could hear her song the while.
Just to charm a - way the hours. Till her heart was all his own.
She will noT - er see the stran-ger, Where the foun-tains fall a - gaiji.
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. Such songs will pass a - way,
. Such dreams may pass a - way,
. The years have passed a - way.
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Tho' the blue Al - sa - tian
But the blue Al - sa - tian
But the blue Al - sa - tian
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The Blue Alsatian Mountains
Chorus
239
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pass a - way, Tho'the blue Al - sa-tlan mountains Seem to watch and wait al - way.
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Lulu is Our Darling Pride
P A little lively
Arr. by C. Jarvis
I. Lu - lu is our dar - ling pride, Lu - lu bright, Lu - lu gay, Dane -ing light -ly
3. As theflow'rsof ear - ly spring Seem more gay, seem more light, As their per -fume
3. When the clouds of tron - ble come, Lu - lu soothes all our care ; Ah ! how dark would
^
at our side All the live - long day.
first they fling Fra - grant at our feet,
be our home. Were not Lu - lu there 1
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Not a bird that wings the air,
So tho' oth - ers loved there be,
Lu - lu with her sun - ny smiles.
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Soar-ing to the sun, Free-er is from st- 'ry care. Than our dar- ling one. Oh!
Blooming in our bower, Lu - lu wins our hearts,n>r she Is our loveliest flow 'r. Oh I
Cheer-ing ev - 'ry heart, Till each trou - ble she be-guiles. And the clouds de-part. Oh I
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240
They All Love Jack
F. E. Wkatrkklt
Stkpren ADAm
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I. When the ship is trim and rea-dy,
a. Where he goes their hearts go with him,
3. When he's sail'd the world all o-rer,
And the ]ol - ly days are done. When the
E'en his ship he calls her '' she ; " Up a -
And a - gain he steps a - shore, There are
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last good-byeo are whisper'd, And Jack a -board is gone; The lass, -es fall a-
loft that '' lit - tie che-mb" 8nreamaid-en she must be. Andaa o'er the sea he
scores of lass - eo wait-ing To love him all the more; He may lose his gold -en
-^iij iJ J'U'jjUtJ'i J'll'^Ai'^'i
weep-ingy As they watch his yes -ael's track. For all thelanda-men lor - ers Are
triT - els, The mer-maids down be - lew Would give their crys - tal kingdoms For the
gni-neas. Bat a wife he'llnoT - er lack, If he'd wed them all,they'd take him,For they
They All Love Jack
241
j rail,
noth - ing af - ter Jack, For all the laiid»-meii lor - en Are noth-ing af - ter
loTe of Jack, I trow, Wonld give their crys-tal kingdoms For the love of Jack, I
all lore Jack I If he'd wed them all, they'd take him,For they all, they all lore
Jack. For his heart is like the sea,
trow. For his heart is like the sea,
Jack I For his heart is like the sea.
Et- er 0
Et- er 0
Ey - er 0
pen, brave, and free, And the
pen, brave, and free. And the
pen, brave, and free. And the
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girls must lonely be, Till his ship oomas back; But if love's the best of all. • That
P R B^
242
They All Love Jack
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can a man be - fall, . . Why Jack's the king of all,. . For they all lore Jackl
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Rev. H. D. L. Webster
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Lorena
J. p. Webster
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I. The years creep slow-ly by, Lo-re - na. The snow is on the grass a - gain, The
3. Ahundred months have pasa'djLo- re - na, Since last I held that hand in mine, And
3. We loved each oth- er then, Lo-re - na. More than we ev-er dared to tell;
4. The sto - ry of that past, Lo-re - na. A- las! I care not to re-peat,
5. Yes, these were words of thine,Lo- re - na. They burn with-in mymem-'ry yet;
6. It mat-ters lit - tie now, Lo - re - na. The past— is in th' e-ter • nal Past,
And
The
They
Our
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sun's low down the sky, Lo - re
felt that pulse beat fast, Lo - re
what we might have been,Lo - re
hopes that could not last, Lo-re
touched some tender chords, Lo - re
heads will soon lie low, Lo - re
na,The frost gleams where the flow'rs have been.Bnt the
- na, Tho' mine beat fast -er far than thine. A
- na. Had but our lov-ings prospered well — But
- na. They lived, but on - ly lived to cheat. I
- na, Which thrill and tremble with re • gret. 'Twas
- na. Life' 8 tide is ebb-ingout so xast. There
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Lorena
243
J- -T J J- J
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heart throbs on as warmly now,
hundred months/twas flow-'ry May,
then, 'tis past— the years are gone,
would not cause e'en one re - gret
not thy woman's heart that spoke ;
is a Fu-ture 1 0 thank God,
As when the summer days were nigh ;
When up the hill - y slope we climbed,
I'll not call up their shadowy forms ;
To ran - kle in your bo - som now ;
Thy heart was al-ways true to me ;
Of life this is so small a part ;
Oh I the
To
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dip so low.
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sun can nev - er
watch the dy-ing of the day
say to them, ''lost years,sleep on I
" if we try, we may for - get"
du - ty stern and press-ing, broke
dust to dust be-neath the sod ;
A- down af - fection's cloud-less sky ;
And hear the dis-tant church-bells chimed ;
Sleep on I nor heed life's pelt - ing storm ;"
Were words of thine long years a - go ;
The tie which linked my soul with thee ;
But there, up there, tis heart to heart :
The
To
I'll
For
A
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sun can ney-er dip so low, . .
watch the dy-ing ox the day . .
say to them,"l08t years,sleep on I .
"if we try, we may for - get" . .
du - ty stern and pres8ing,broke .
dust to dust be-neath the sod ; . .
A -down af-fec-tion's cloud - less sky.
And hear the dis-tant church - bells chimed.
Sleep on I nor heed life's pelt - ing storm. "
Were words of thine long years
The tie which linked my soul
But there, up there, 'tis heart
a - go.
with thee,
to heart.
244
I Dreamt That I Dwelt in Marble Halls
From Balfe's « Bohemian Girl**
Andanlino
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I. I dreamt tbat I dwelt in mar - ble halla. With
a. I dreamt tliat suit - on aought my hand; That
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▼aa -sals and serfs at my side, .
knights np -on bend- ed knees.
. And of allwhoas-sem-bledwith-in those
And with TOWS no maid-en heart could with-
walls That I was the hope and the pride,
stand. They pledg'd their faith to me,
I had rich-estoo great to
And I . dreamt that one of that
count; could boast Of a high an - ces - tral name ; . . . But I al - so
no - ble host Came forth my hand to claim; . . . But I al -
%
I Dreamt That I Dwelt in Marble Halls
245
dreamt, which pleas'd me most, That yon lor 'd me still the same,that you lov'd me, yon
dreamtyWhich charmed me most, thatyoalov'd me still thesamSythatyoulOT'dme, you
lOT'd me still the same,That you loy'dme,yottloT'dme,8till the same.
same.
Retreat
H. Stowbll
T. Hastings
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X. FromeT - 'ry storm -y wind that blows, Fromev - 'ry swell -ing tide of woes,
a. There is a place where Je - bus sheds The oil of glad-ness on our heads,
3. There is a scene where spi - rits blend. Where friend holds f el - low -ship with friend ;
4. There,there,on ea - gle wings we soar. And sense and sin mo - lest no more.
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There is a calm, a sure re -treat; 'Tis found be - neath the mer - cy
A place than all be -sides more sweet; It is the blood-bought mer -cy
Though sundered far, by faith they meet A -round one com -mon mer - cy
And heaT'n comes down our souls to greet, Andglo - ry crowns the mer - cy
seat,
seat,
seat.
seat I
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246
Moderato
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My Mary Anne
M. Tyte
Fare
- you - well, my own Ma -ry Anne, Fare - you - well a - while. For the
2. Don't you see that tnr - tie doye. Sit - ting on yon pine, La -
3. A lob-ster in a lob - ster pot, A blue fish wrig-gling on a hook, Xay
4. The pride of all the pro-duce rare, That in the kit- chen gar-den grow'd. Was
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ship it is read - y. And the wind it is fair, And I am bound for the
ment - ing the loss of its own true love ? And so am I for
suf - fer
pump - kins,
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some,
but
but
none
oh,
no,
not What I do feel for
could com - pare. In an - gel form to
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sea, Ma - ry Anne, I am bound for the sea. . .
mine, Ma - ry Anne, So am I for mine. •
my Ma - ry Annet What I feel for Ma - ry Anne. .
my Ma - ry Annel Could compare with Ma - ry Anne. .
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247
Barbara Allen
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Old Song
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I. In Scar -let town,where I was born. There was a fair maid dwell-in^ Hade
a. And death is print - ed on his face, And o'er his heart is steal -in% Then
3. When he was dead nd in his gravoi Her heart was struck with sor - row ; " 0
month of Hay, When green buds then were swell-in' , Young Jem - my Grove on his
she came up, And slow- ly she came nigh him; And all she said, when
yir-gins all, And shun the fault I* fell in; Hence -forth take warn - ing
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death- bed lay, For love of Bar- b'ra Al - len.
there she came,"Young man, I think you're dy - ing."
by the fall Of cru - el Bar - b'ra Al - len."
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248
Believe Me if All Those Endearing Young Charms
Tom Mours
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X. Be-lieye me if all those en - dearing young charms Which I gaze on jo fond - ly to -
a. It is not while beauty and youth are thine own, And thy obeeks unpro-fan'd by a
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day, Were to change by to - mor - row, and fleet in my arms, Like fai - ry gifts
tear. That the fer-yor and faith of a soul can be known. To which time will but
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fad- ing a -way,. Thouwould'stotillbe a-dor'd, as this mo - ment thon art, Let thy
make thee more dear. . • OhI the heart that has tm - ly loT'dneT -er for -gets, Bat as
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lore - li - ness fade as it will ; . . And a - round the dear m - in each
tm - ly loves on to the close; . . As the sun - flow-er turns on her
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Believe Me if All Those Endearing Young Charms
249
i
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wish of my heart Would en -twine it - self
god, when he sets, The same look which she
▼er - dant - ly
turn'd when he
Fair Harvard
»
X Fair Harvard I thy sons to thy jubilee throng,
And with blessings surrender thee o'er,
By these festiyal rites, from the age tfiat is past,
To the age that is waiting before.
0 relic and type of our ancestor's worth.
That has long kept their memory warm.
First flower of their wilderness I star of their night.
Calm rising through change and through storm I
a To thy bowers we were led in the bloom of our jrouth,
From the home of our infantile years,
When our fathers had warned, and our mothers had prayed.
And our sisters had blest, through their tears ;
Thou then wert our parent, the nurse of our souls.
We were moulded to manhood by thee.
Till freighted with treasure-thoughts friendships, and hopes,
Thou did'st launch us on Destiny's sea.
3 Farewell I be thy destinies onward and bright I
To thy children the lesson still gire.
With freedom to think, and with patience to bear.
And for right ever bravely to live.
Let not moss-covered error moor thee at its side,
As the world on truth's current glides by ;
Be the herald of light, and the bearer of love,
TiU the stock of the Puritans die.
The Graduates' Farewell
W. T. Adams
How sad mid the sunshine that gladdens this scene,
Comes the thought that to-day we must part ;
That the bond which aifection has ever kept green
Must be severed to-day in the heart ;
That we meet in this home of our childhood no more,
As we lovingly meet to the last ;
That we never again on this time-bounded shore
Hay unite in the songs of the past I
But fondly our thoughts will return to the spot
On the wings of remembrance borne up ;
And our hearts shall rejoice, while we cherish the lot
That permits us to drink of this cup.
Then farewell to our school, and farewell to the friends
Who have lighted our pathway with love ;
Though to-day we must part, yet our prayers will ascend
That our school be united above 1
250
Tom-Big-Bee River
S. S. Steele
I H-i — 1^ ft N — r ~K s-
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I. On Tom -big -bee riy - er so bright I was born, In a hut made eb
a. AH de day in de field de soft cot - ton I hoe, I tink ob my
i
ife
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husks ob de tall yal - ler corn, And dar I fust meet wid my Ju - la so
Jtt - la an sing as I go ; Oh, I catch her a bird, wid a wing ob tnie
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true. An I row'd her a - bout In my gum - tree ca - noe. Sing-ing row a-way,
blue, An at night sail her round In my gum - tree ca - noe.
i
row, O'er de wa - ters so blue. Like a fea- ther we'll float, In my gum-tree ca-noe.
fr\
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Tom-Big-Bee River
3 Wid my hands on de banjo and toe on d« oar, * 4 One night de stream bore ns so far away.
251
I sing to de sonnd ob de river's soft roar ;
While de stars dey look down at my Jala so true.
An' dance in her eye in my gum-tree canoe.
Singing row away, etc.
Dat we couldn't cum back, so we thought we'd
jis stay.
Oh, we spied a tall ship wid a flag ob true blue,
An' it took us in tow wid my gum-tree canoe.
Singing row away, etc.
Swing LoW| Sweet Chariot
Slave Hymn
*• * If- i I I I
Swing low, sweet char - i - ot,
Fine
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S^ing low, sweet char - i - ot,
^ If y
Com- ing for to car - ry me
home.
I
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X. I looked o-ver Jor - dan, and what did I see, Com-ing for to car-ry me
a. If yon get there be -
3. The bright -est day that
4. I'm some- times up and
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fore I do, Com-ing for to car-ry me
ev- er I saw, Com-ing for to car-ry me
some - times down. Com-ing for to car - ry me
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home? A band of an -gels com-ing af-ter me, Com-ing for to car-ry me home,
home ? Tell all my friends I'm com - ing too, Com-ing for to car-ry me home,
home ? When Je - sns wash'd my sins a - way, Com-ing for to car-ry me home,
home ? But still my soul feels heav-en - ly bound,Com-ing for to car - ry me home.
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252
Good-Bye
Andante
I
J. C. Engklbkscbt
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X. Fare-well, fare- well is a lone-ly aoond And al - ways brings a sigh,
a. Fare-welly fare- well may do for the gay When pleas-ure's throng is nigh,
3. A - dien, a - dien, we hear it oft With a tear, ^r-haps witii a sigh,
4. Fare-well, fare - well is ney-er heard When the tear's In the moth-eifs eye.
Bat
isnc
Bottho
A .
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give to me when lor 'd ones part, That sweet old word, ''good-bye,"
give to me that bet - ter word That comes from the heart,"good-bye,"
heart feels most when the lips move not,And the eye speaks the gen-tle '' good - bye,"
dien, a- dien, she speaks it not,But"mylOYe,good-bye, good-bye,"
That
That
And the
Bot <'my
sweet old word, "good-bye,"
comes from the heart, "good-bye,"
eye speaks the gen-tle "good-bye,"
love, good - bye, good - bye,"
That sweet old word, "good- bye,"
That comes from the heart "good-bye,"
And the eye speaks the gen-tle "good-bye,"
But "my love,good - bye, good - bye,"
P
Bat
Bat
Bnttho
A-
Ouod-Bye
263
giye to ma when lOY'd ones part^ That good old word ''good - bye."
giye to me that bet - ter wore* Jhat comes from the heart/'good - bye."
heart feela most when the lips move not^And the eye speaks the gen-tle "good - bye "
dieu, a-dien, she speaks it not^But ''my love, good -bye, good-bye."
Ariel
S. Mbdlxt
Arr. by L. Mason
X. Oh, could I speak the match- less worth. Oh, could I sound the glo - ries forth,
a. Pd sing the pre - clous blood he spilt, My ran - som from the dread - ful guilt,
3. I'd sing the char - ac - ters he bears. And all the forms of love he wears,
4. WeU— the de - light - ful day will come. When my dear Lord will bring me home.
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Which in my Say-iour shine ! I'd 8oar,and touch the heay'nly strings. And vie with Ga-briel,
Of sin and wrath di-vine ! I'd sing his glo- rious right-eous-ness. In which all-per-fect
Ex- alt-ed on his throne: In loft-iest songs of sweet-est praise, I would to ev- er-
And I shall see his face : Then with my SaY-iour,Broth-er,Friend, A blest e - ter - ni -
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while he sings In notes al-most
heav'n - ly dress My soul shall ev •
last - ing days Make all his glo
ty I'll spend, Tri - um - phant in
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di - vine, In notes al -most
er shine, My soul shall ev
ries known, Make all his glo
his grace, Tri - um-phant in
- vine.
di
er shine,
ries known,
his grace.
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264
m
I Wandered by the Sea-Beat Shore
JIfoderaio con espressione J. W . C hkrry
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I. Ont ram-mer eve, with pen-sive thonght, I wander'd on the sea-beat
3. Istoop'dnp-on the peb-bly strand To cull the toys thattonndme
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shore, Where oft in heed - less in -f ant sport I gath-«r'd shells
lay. But as I took them in my hand, I threw them one
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by one a
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I gath-er'd shells in
I threw them one by
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days be - fore. The plash-ing waves like ma - sic
one a- way. ''Oh I thus," I said, "in ev - 'ry
8va.
* 4 *
1 Wandered by the Sea-Beat Shore
spell, Ithottglitl WM a -gain a chiU; Adieamcameo'er m» like a
as«, And then we laare thetnllke a child; We |ath-et iheUa from youth to
The Independent Farmer
W. W. FOSDICK
AlkgrM. ,
G. F. Root
k i\i i i iAM 1 i i i m <\ 1 ^^
Ut Hll-on ttiiK
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of
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Mji de«p,l4t Ml - dlenpiaiMUioit
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is myhout thia toaatI'Ukeep,The lo - de-pend-ent Fann- er.
Ha cans not how the
k-r r r Mf-r r r if r r r u j i»i,^ -^r^
256
The Independent Parmer
^)^ i j_i_j^~rj fji^
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worU iiut7moT«,Ifo doubts nor fears con - found Um, His lit -tlo flock islinicedin love as
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house-hold an - geU round him. The gcay old barn whoao doors en-fold His am - pie store in
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meas- ore. More rich than heaps of hoard-ed gold, A pre-cions^bless-ed treas - ore.
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He lOYes his coon - try and his friends,His hon - es - ty's his ar -
mor. He's
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He is na-ture's no - Me -man, The in - de - pend - ent farm
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Onward, Christian Soldiers
267
S. Baring-Gould
Sir Arthur Sullivan
e
-«?-
1 — r
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z.
2.
3-
4-
5-
On-wardjChria-tian sol
At the sign of tri
Like a might - y ar
Crowns and thrones may per
On-ward| then, ye peo
£
- diers,Marching as to war, With the cross of Je -
. umph Sa - tan's host doth flee ; On, then,Christian sol - diers,
- my MOYOS the chnrch of God ; Brothers, we are tread - ing
- ish. Kingdoms rise and wane. But the Chnrch of Je - sns
- pie. Join our hap-pythrong,Blend with ours your voi - ces
_^ ) J r."-
F
iiffi
Go ' ing on be - fore, i
On to vie - to - ry. ]
Where the saints have trod ;
Con - stant will re - main ;
In the tri -umph song;
Christ, the
Bell's foun
We are
Gates of
Glo - ry.
Roy
- da-
not
hell
laud.
-al
• tions
di -
can
and
Mas - ter, .
quiv - er
vid - ed,
nev - er H
hon - or
Leads a- gainst the foe,
At the shout of praise ;
All one bod - y we;
Gainst the Church pre- vail ;
Un - to Christ the King,
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For -ward in - to bat - tie, See, His ban-ners go. On-ward,Christian sol - diers,
Broth- ers, lift your vol - ces, Loud your an-thems raise. On-ward,Christian sol - diers.
One in hope and doc - trine. One in char-i - ty. On-ward,Christian sol - diert.
We have Christ's own prom - ise, And that can -not fail. On-ward,Christian sol - dlers.
This thro' countless a - ges Men and an -gels sing. 0n-ward,Chri8tian sol • dien,
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March-ing as to war. With the cross of Je - sus Go - ing on be • fore.
f^r h f h
i V t t
258
You Never Miss the Water
Harry Linn
R. Howard
I. Whan a child, I liyed at Lin -coin with my par -ents at the farm. The
a. Aa years roU'd on, I grew to be a mis - chief -mak - ing boy, De
3. When I ar - riv'd at man- hood, I em-bark'd in pnb - lie life, And
4. Then I stnd-ied strict e -con - 0 - my, and found to my snr- prise. My
Pm
I
mar-ried now and hap - py, I've a care - ful lit - tie wife, We
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les - sons that my moth - er taught to me were quite a charm ;
stmc - tion seem'd my on - ly sport, it was my on - ly joy ;
found it was a rug - ged road, be-strewn with care and strife ;
funds in -stead of sink - ing, ve - ry quick - ly then did rise;
live in peace andhar - mo^- ny, de-YOid of care and strife;
She would
And
I
I
Kind
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3
A-
^
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For -tune smiles up - on us, we hsYe lit - tie chil - dren three,
?
of - ten take me on her knee when tir'd of child - ish play. And
well do I re -mem- ber, when oft-times well chas-tised. How
spec - u - la - ted fool - ish - ly, my loss - es were se - Yere,
grasp'd each chance, and al - ways struck the i - ron while 'twas hot,
But
I
The
^
i
You Never Miss the Water
259
i
I
y ^
-^^ (
as she preM'd me to her breast, Vvt heard . my moth - er say :
la - ther sat be - side me then, and thus ' has me ad - vised :
still a ti - Dy lit - tie Yoice kept whis-p'ring in
seiz'd my op - por - tn - ni - ties,
les - son that I teach them, as
/Tk
;i
and ney - er once for - got:
they prat - tie round my knee:
Waste not, want not, is the max- im I would teach, Let your watch-word be des-patch,and
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prac - tise what you preach ;
Do not let your chan - cos like
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sun-beams pass you by. For you ner - er miss the wa-ter till the well runs dry.
I
te
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260
SOL<>
Co-ca-che-lunk
I. When we first came on this cam - puSyFresh - men we, as green
a. We havefonght the fight to-geth - er, We have stnig- gled side
3. Some will go to Greece or Hart- ford, Some to Nor-wich or
4. When we come a -gain to-geth - er, Vi - gin -ten - ni - al
as grass;
by side ;
to Rome;
to pass.
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Now, as grave and rey-er-end sen - iors,Smile we 0- yer the yer - dant past.
Bro - ken is the bond that held us— We most cut our sticks and slide.
Some to Green- land's i - cy mountains— More, per - haps, will stay at home.
Wiyes and chil - dren all in -dud - ed,— Won't we be an up - roar- ious class ?
Chorus (Male Voices)
A'i. J. i> j J. J|J; ^
iLjLSLMtLJ^
Co - ca - Che - lunk - che- lunk - che-la - ly, Co - ca - che -lunk - che-lunk - che-lay.
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Co-ca-che-lunk
261
Co - ca - che- lank - che - lunk - cha - U - ly, Hit 0 chick-a - che-lank-che-Ujr.
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i
Lead, ICindly Light
Cardinal Newman
^m
J. B. Dykes
P
I. Leadykind-lyLighty a-mid th'encir - cling gloom, Lead thoa me on; The night is
a. I waa not ev - erthusynor pray'd that Thon Should'st lead me on; I lOY'd to
3. 80 long thy pow'r hath blest me,8iire it still Will lead me on; O'er moor and
dark, and I am far from home. Lead thou me 't" ; Keep then my feet ; I
choose and see my path ; but now Lead thou me o a ; I lov'd the gar - ish
fen, o'er crag and tor -rent, till The night is gone, And with the morn those
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do not ask to see . . The dis - tant scene ; one step e - nongh for me.
day; and,roite of fears, . . Pride ruled my will ; re- mem-ber not past years,
an -gel fa-
ces
smile, . Which I hare loved long since and lost a - while.
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262
It's a Way We Have at Old Harvard*
iy 1^ — b^
X. It's a way we have at old Har-yard, It's a way we have at old Har-vard, It's a
a. For we think it is . . no sin, sir, To take the Fresh - men in, sir, And
$. For we think it is . . but right, sir, On Wednesday and Saturday night, sir, To . .
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way we have at old Har-vard, To drive dull care a - way ; To drive dull care a -way. To
ease them of their tin, sir. To drive dull care a - way ; To drive dull care a -way. To
get most glorious-ly tight sir. To drive dull care a - way ; To drive dull care a -way, To
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drive dull care a - way, .It's a way we have at old Har-vard, It's a way we have at old
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*The name *' Htnrard " may be mnfed to ttwt of any coUegs
It's a Way We Have at Old Harvard
/IN
263
1=lf=5
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Ear - Tard, It's a way we have at old Ear - yard. To driye doll care a - way.
g^J^J ST' L^
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Rev. Wm. O. Gushing
ModercUo
When He Cometh
Geo. F. Root
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I. When He com - eth, when He com - eth To make ap Hie jew - els ; All Hie
a. He will gath •■ er, He will gath - er The gems for Hie king- dom ; All the
3. Lit - tie chil - dren, lit • tie chil - dren Who lore their Re - deem - er, Are the
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jew - els, pre-cious jew - els, His loved and His own. Like the stars of the morn-ing,
pure ones, all the bright ones, His loved and His own.
jew - els, pre-cious jew - els. His loved and His own.
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His bright crown a-dorn - Ing ; They shall shine in their beaa-ty .Bright gems for His crown.
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2U
Tapping at the Garden Gate
J. LOKER
S. W. New
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z. Who's that tap-ping at the gar -den gate? Tap, tap, tap-ping at the gar -den gate?
a. Oh, yoo sly lit - tie " Fox " yon know, Fid - get - ting a - bout un - til yon go,
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£y- 'ry night I have heard of late, Some-bod -y tap-ping at the gar -den gate.
Drop' d the sagarBpoonIWhy,there it Ileal Bless the girl, where are your eyes?
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What? 3ron, sly lit -tie pnss, don't know Why do yonblnshand
Were I a - ble to leave my chair, Soon would I find out
fal - ter so?
who is there ;
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What are yon look-ing for un-der the chair? The tap, tap, tap-ping
Don't tell me you think it's the cat, Cats don't tap,
comes not from there,
tap, tap like that.
m
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Tapping at the Garden Gate
266
P a tempo.
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St -'ry night a - bout half past eight There's tap, tap, tap-ping at the gar -den gate,
Cats don't know when it's half past eight,And come tap, tap-ping at the gar -den gate,
M ^ — ^ ^ ^ ^-P-H^
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Sy - 'ry night a -bout half past eight,There's tap, tap, tap-ping at the gar -den gate.
Cats don't know when it's half past eight. And come tap, tap-ping at the gar -den gate.
m
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Take Back the Heart
Claribel
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z. Take back the heart that thou gav - est. What is my an-gnishto thee? . .
a. Then, when at last o-ver-tak - en. Time flings its fet-terso'er thee, . .
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Take back the free-dom thou cray
Come with a trust still un-shak
est,
en
Leav-ingthe fet-ters to me. . .
Comeback a cap-tive to me. . .
266
Take Back the Heart
Take back the vows thon hast tpo - ken, Fling; them a -side and be free.
Comeback, in sad-nessor sor - row, Once more my dar- ling to be;.
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Slrinaendo
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V V ^ V"
Smile o'er each pit - i - fnl to - ken, Leav-ing the sor -row for me.
Come as of old, loye,to, bor - row Glimp-ses of sun-light from me.
i^-4 1' i ii'ri^A I' U..^^^^^
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roll, coUaparte
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Drink deep of life's fond il - lu - sion,
Love shall re-sume her do-min - ion,
Gaze on the storm-cloud, and flee,
Striv-ing no more to be free.
Swift-ly thro' strife and con - fu
When on her world wea-ry pin
sion,
ion
Leay-ing the bur-den to me.
Flies back my lost love to me. .
My Ain Countrie
267
IdARY LEB DBMAKBST
i
^^r-i"i it-^r-^iP^
i
(I am far frae my hame, an' I'm wea-ry aft - en-whiles, For the
* ( An' I'll ne'er be fa' con - tent, an - til mine een do see The
D.c. Buf ikese
sights atC these sounds
wi/t as naeth-ing be
e
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langed-for hame-bring - in% an'
gow-den gates o' heav'n an'
hear the an - gels sing-in' in
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Fine
r^i
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my Fai-ther's wel-come smiles, }
i Omit f ain
{ Omit am
my
my
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conn - trie.
coun - trie.
(The
I The
earth is fleck'd wi' flow - ers, mon - y tint - ed, fresh an' gay. )
bird - ies war - ble blithe - ly, for my Fai - ther made them sae : )
^^m,
i=f
a I'Te His gnde word o' promise that some gladsome day, the King
To His ain royal palace His banished hame will bring ;
Wi' een an' wi' hert rinnin' ower, we shall see
The King in His beanty, In oor ain countrie.
My sins hae been mony, an' my sorrows hae been sair,
Bat there they'll never yez me, nor be remembered mmlr.
For His bluid has made me white, and His han' shall dry my e'e,
When He brings me hame at last, to my ain conntrie.
3 Satf little noo I ken o' yon blessed, bonnie place,
I only ken it's Hame, whanr we shall see His face ;
It wad sarely be eneach forever mair to be
In the glory o' His presence, in oor ain conntrie.
Like a bairn to his mither, a wee birdie to its nest,
I wad fain be gangin' noo nnto my Sayionr's breast,
For He gathers in His bosom witless, worthless lambs like mSi
An' carries them Himsel', to His ain conntrie.
4 He is faithfn' that hath promised, an' He'll surely come again»
He'll keep His tryst wi' me, at what hour I dinna ken ;
But He bids me still to wait, an' ready aye to be.
To gang at ony moment to my ain countrie.
Sae I'm watching aye, and singin' o' my hame, as I wait
For the soun'ing o' His footfa' this side the gowden gate.
God gie His grace to ilka ane wha' listens noo to me.
That we a' may gang in gladness to oor ain conntrie.
268
My Last Cigar
^^^^^^^^
i
z. 'Twas off the blue Ca - na - ry Isles, A ^lo-rious sum - mer day, I
2. I leaned up - on the quar - ter - rail, And looked down in the sea, E'en
3. I watched the ash - es as it came Fast draw-ing to the end; I
4. I've seen the land of all I love Fade in the dis - tance dim, I've
^ ^ y y y y ^ ^
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sat up - on the quar - ter - deck. And whiffed my cares a - way ; And
there the pur - pie wreath of smoke Was curl - ing grace - ful - ly. 0,
watched it as a friend would watch Be - side a dy - ing friend; But
watched a - bove the blight - ed heart. Where once proud hope had been ; But I've
?
I
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*
£=Ui■"-lXil.£^f+-jiftf-^
as the vol-umed smoke a - rose,Like itt^- cense in the air, I breath 'd a sigh to
what had I at such a time. To do with wast - ing care ? A - las ! the trem-bling
still the flame crept slow -ly on. It van-ished in - to air, I threw it from me,
nev-er known a sor - row That could with that com -pare. When off the blue Ca -
think, in sooth. It was my last ci - gar.
tear pro-claimed It was my last ci - gar.
spare the tale. It was my last ci - gar.
na - ry Isles, I smoked my last ci - gar.
was my last d - gar,
was my last ci - gar ; I breath'd a sigh to think, in sooth, It was my last d - gar.
^m
lune in Second Tenor
My Moustache
(Male Voicb
se9
na lenor ^ ^ ^ ^ n f\
I. My mons-Uche ii grow-ing. Its ge - nial warmth be-stow-ing; Its
a. But when I am drink -ing, I oft - times amthink-ing, There's
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beau - ty charms the eye of all Broad - way. Come forth like a fair - y so
one thing yon will hin - der re - ry much ; The rap - tnr - ous bliss-es of
U b L^ I l U P 1/ I a^-. i lb I
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ittxrtit
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light and so air - y, And ram - ble o'er my up - per lip so gay.
sweet stol - en kiss - es, You'll scarce - ly let the girls our two lips touch.
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Refrain
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Come t come t mous-tadie come, Come e'er the dye on thee fades ;
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Come
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0 come, oome, come, come
forth like a fai-ry, so light and so air - y, And ram-bleo'ermy up-per lip so gay.
^^^3
270
/ Eliza Cooke
Andante con espresHone,
The Old Arm Chair
Henry Russell
^^
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I. I love it,
a. I sat
3. 'TU ' past !
I lore it, and who
and watch'd her man
'tis past! but I gaze
shaU
y «
on it
dare To
day, When her
now With
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chide me for lor - ing that old arm chair ?
eye grew dim, and her locks were grey,
quir-er - ing breath and throb-bing brow;
I're treas-nred it long as a
And I al - most wor-shipp'd her
'Twas there she nurs'd me/twas
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ho - ly prize, I're be - dew'd it with tears, and em - balm'd it with sighs ; 'Tis
when she smil'd. And tum'd from her bi - ble to bless her child,
there she died; And mem-'ry flows with la - ra tide.
The Old Arm Chair
271
bound
Years
Say
by a
rollM
it is
thOQ
on,
fol
sand bonds
but the last
ly, and deem
to my heart,
one sped,
me weak.
Not a
My
While the
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tie
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scald -
will break, not a link
was shattered, my earth
ing drops start down
will start ! Would ye learn
star fled; I learnt
my cheek ; But I love it.
the spell ? A
how much the
I love it, and
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moth-er sat there. And a sa - cred thing is that old arm chair,
heart can bear. When I saw her die in that old arm chair.
can - not tear My soul from a moth - er's old arm chair.
i
272
Ca&olinb Nokton
Love Not
x« Lore
a. Lore
3. Lore
4* LOTO
p
not!
not I
not I
not!
lore
lore
lore
love
notl ye hap-less sons of clay;
notl the thing you love may die,
not! the thing yon love may change,
not I 0 wam-ing vain-ly said !
John Block lev
X
Hope's gay -est
May per - ish
The ro - sy
In
pres-ent
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wreaths
from
lip
hours,
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are made of earth - ly flow'rs ;
the gay and glad - some earth ;
may cease to smile on you,
in the years gone by.
Things that are made to
The si - lent stars, the
The Idnd-ly beam-ing
Love flings a ha - lo
fade and fall a-way. Ere they have blossomed,
blue and smiling sky, Beams on its grave as
eye grow cold and strange,The heart still warmly
round the dear one's head. Fault - le88,im - mor-tal,
for a few .
once up -on
beat,yet not .
short hours,
its birth,
be true.
till they change or die.
LfOve Not
278
ad lib.
Ere they hare blossomed
Beams on its grave as
The heart still warmly
Fault - Uss^im - mor-tal,
for a few short hours,
once up-on ita birth.
beat,yet not be true,
till they change or die.
LoTe notl love notl
Lore not! love not!
Love not! love not!
Love notl lore not!
SCHMOLRX
Tr. BORTHWICK
My Jesus, as Thou Wilt
Webkr
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X. My Je - sua, as Thou wilt: 0 may Thy will be mine; In - to Thy
a. My Je - sus, as Thou wilt: Thoaghteen thro' ma-ny a tear. Let not my
3. My Je - sua, as Thou wilt: All shall be well for me; Each chang-ing
£Ln ^ . Si
hand of lore I would my all re - sign. Thro' sor - row or thro'joy,
star of hope Grow dim or dis - ap - pear. Since Thou on earth hast wept
fu - ture scene I glad-ly trust with Thee. Straight to my home a -bore,
Con -duct me asThineown, And help me still to say/' My Lord^Thy will be done."
And sor- row 'd oft a -lone, If ImustweepwithThee/'My Lord,Thywill be done."
I trav-el calm-ly on, And sing in life or death/' My Lord,Thy will be done."
hrffW^l]
274
Your Mission
Jessie R. Gates
ModereUo
S. M. Grannis
te
U-T J. .'-^
^s
X. If you can not on the o - cean Sail a - mong the swift- est flett, Rock-ing
a. If you are too weak to jour - ney Up the moun - tain,8teep and high ; You can
3. If yon have not gold and sil • ver Et - er read - y to command; If yon
4. If yon can not in the con - flict Prove your - self a sol - dier true. If, where
5. Do not, then,stand i - dly wait-ing, For some great- er work to do; For -tune
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on the high - est bil - lows, Laugh- ing at the storms you meet ; You can
stand with - in the val - ley, While the mul - ti - tudes go by ; You can
can not towards the need - y, Reach an ev - er 0 - pen hand ; Yon can
fire and smoke are thick- est. There's no work for you to do; When the
is a la - zy god - dess, She will nev - er come to you. Go and
t
cres.
dim.
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gtand a - mong the sail - ors, An - chor'd yet with - in the bay, You can
chant in hap - py meas - ure. As they slow - ly pass a - long, Though they
Yis - it the at - flict - ed. O'er the err - ing you can weep, You can
bat - tie - field is si - lent, You can go with care - ful tread. You can
toil in an - y vine -yard. Do not fear to do or dare, If you
^
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Your Mission
276
PP roll
/?i
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s
lend a hand to help theniyAs they launch their boats away, As they launch their boats away.
may for- get the sing-er, They will not for -get the 80ng,Xhey will not for- get • the song.
be a true dis-ci- pie, Sit -ting at the Sav-iour's feet, Sit - ting at the Saviour's feet.
bear a -way the wounded, You can cov- er up the dead, You can cov-er up the dead.
want a field of la - bor, You can find it an - y-where,You can find it an - y-where.
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W. E. HiCKSON
Maestoso
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God Speed the Right
German Air
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I. Now to heav'n our pray'r as - cend - ing, God speed the right; In a no - ble
a. Be thatpray'r a -gain re- peat -ed, God speed the right; Ne'er de - spair - ing,
3. Pa - tient, firm, and per- se -rer-ing, God speed the right; Ne'er th'e-7ent nor
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cause con -tend -ing, God speed the right
tho' de - feat - ed, God speed the right
dan • ger fear - ing, God speed the right
W^
Be our zeal in heav'n re - cord - ed,
Like the good and great in sto - ry,
Pains, nor toils, nor tri - als heed -ing.
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35
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sue - cess on earth re - ward • ed, God speed the right,
we fail, we fail with glo - ry, God speed the right,
the strength of heay'n sue - ceed - ing, God speed the right.
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e
God speed the right.
God speed the right.
God speed the right.
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97
76
G. Clifton Bingham
Love's Old, Sweet Song
J. L. MOLLOT
I. Chic« la tha dnar dead days be-yond re -call. When on the world uie mist be-gan to fall,
a. S - Ten to - day we hear Lore's aong of yraOyDeep in our hearts it dwells for-er -er more ;
ii^i^^^'^^Uj
Out of the dreams that rose in happy throng Low in our h^rts lore sang an old sweet song;
Foot-stepe may fal - ter, wea-ry grow the way , Still we can hear it at the doee of day ;
And in the dnsk where fell the firelight gleam,Softly it wore iteelf in - to oar diSm.
So till the end|When life's dim shadows (allyLow will be foond the sweetest song of all.
/T\
Just a song at twi- light, when the lights are low,
,^- '"n,!
And the flick-'ring sha -dows
P eantando
tengare Fed.
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LfOve's Old, Sweet Song
/
277
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•oft - ly come and go. The' the heart be wea - ry, sad the day and long,
JX-^
Still to US at twi- light comes Lore's old song, comes Lore's old, sweet song.
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Jack and Gill
^fcrft;
i^=^— N:!^^^
H. L. Handy
m r: ij
Jack and Gill went
Lit - tie Jane ran
3. Nim - ble Dick ran
4. Care- ful Mat took
5. Whined one young pike, " I
6. Here came a tront, and flounced a -
7. 'Xwas pike and trout, now in, now
8. And all this ill, when Jack and
up
up
up
up
do
the
the
80
the
not
hill, To draw
lane, To hang
quick, He tum •
cat. And flung
like A cat
bout. And »made
out. Till when
GiU Went for
a
pail of
wa -
• ter.
her clothes a -
dry-
■ing.
-bled
o'er a
tim-
-ber.
her
in the
wa -
- ter.
here
in the
rir
. er,'"
his
gills to
rat-
-tie,
they
both went
lin •
dor.
that
pail of
wa •
■ ter.
^
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Jack fell down and broke his crown,And Gill came tum- bling
6he called for Nell to ring the bell. For Jack and Gill were
He bent his bow to shoot a crow. And killed poor puss in the
The fish - es 'round came at the sound. To
"Hush I hush! she's dead," an old pike said, And
**LeaTe her for me a - lone," cried he: And
An eel slipped in as sly as sin, And
And Jack fell down and broke his crown,And
what made the
I will eat her
then there came a
car - ried off the
Gill came torn - bling
af - ter.
dy - ing.
win - dow.
splat -ter.
liT - er."
bat - tie.
plnn-der.
af - t«r«
278
ni Hang My Harp on a Willow Tree
Andante moderalo
r^n^
HE
=i
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"W. GUBKNSKT.
z. ril hang my harp on a wil - low tree, I'll oS to the wars a -
a. She took me a - way from my war - like lord. And gave me a silk - en
3. Then I'll hide in my breast er - 'ry self - ish care, Til flush my pale cheek with
4. Bat one gold -en tress of her hair I'll twine, In my hel-met's sa - ble
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gain, My peace-f ul home has no charms for me, The bat - tie field no pain ;
suit, I tho't no more of my mas - ter's 8word,Bat play'd my mas - ter's lute ;
wine ; When smiles a - wake the bri - dal pair, I'll has - ten to give them mine,
plume, And then on the field of Pal - es-tine I'll seek an ear - ly doom;
The
She
I'll
And
la-dy I love will soon be ' a bride, With a di - a-dem on her brow. ;;!il
seem'd to think me a boy a - hove Her pa • ges of low ae - gree. Oh I
laugh and I'll sing tho' my heart may bleed. And I'll walk in the fes - tive train. And
if by the Sar-h-cen's hand I fall, 'Mid the no - ble and the brave, A
i^^
ij:
J.
•* .-
• •
I'll Hang My Harp on a Willow Tree
279
\1
•yT
d^=i=i=i=i:
^ — LlJ
K-I^-^-h'^-:
■*— *-
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P^l
why did she flat- ter my boy-ish pride,She'8 go-ing to leare me now, Ohl
had I but lOT'd with a boy-ish love, It would have been better for me, Oh 1
if I sur-yive it I'll mount my eteed^And off to the wars a -gain, And
tear from my La - dy love is all I ask for the war-rior's grave, A
now.
me.
gain,
grare.
-y-y—
Uv I
iTitrd-
Rest for the Weary
S. Y. Harmer.
Rev. J. W. Dadmun
I. In the
a. He is
3. Pain nor
4. Death it -
5. Sing, 0
te
X
Christian's home in glo - ry. There re - mains a land of rest, There my
fit - ting up my man-sion. Which e - ter - nal - ly shall stand, For my
sick-ness ne'er shall en -ter, Grief nor woe my lot shall share; But in
self shall then be ranquished. And his sting shall be with-drawn ; Shout for
sing, ye heirs of glo - ry. Shout your tri-umph as you go ; Zi - on's
/«N
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Chorus
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Saviour's gone be- fore me, To ful-fil my soul's re -quest. There is rest
for
stay shall not be tran-sient In that ho-ly, hap-py land,
that ce - les - tial cen - tre, I a crown of life shall wear,
gladness, 0, ye ransomed. Hail with joy the ris - ing morn,
gate will 0- pen for you. You shall find an entrance through.
On the oth-er side
the
of
wea-ry,There is rest for the wea-ry,There is rest for the wea-ry,There is rest for
Jor- dan. In the sweet fields of E-den, Where the tree of life is blooming,There is rest for
irj=p=3:
■p=p=*=!0--<S
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280
Twenty Years Ago
i
Not ico fast
^^
William Wilung
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I. I're wan-der'd to the Til-lage,
s. The grass is Jnst as grsen^dear
3. The riT - er*s run - ning just as
4. The spring that bub - bled 'neath the
5. Hear by the spring, up - on an
6. My lids haye long been dry, dear
7. Some now are In the chnrch-yard
Tom, I'Te sat
Tom, bare -foot
still ; the wU •
hilly close by
elm, yon know
Tom, but tears
laid, some sleep
be-neath the tree,
- ed boys at play
- lows on its side
the spread-ing beech,
I cut your name,
came in my eyes;
be-neath the sea.
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Up.
Were
Are
Is
Your
I
But
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on the school-house play-ing
sport - ing jnst as we did
larg - er than they were, dear
▼e - ry low, 'twas once so
sweet-heart's just be - neath it,
thought of her I loved so
few are left 0^ our old
ground, which shel-ter'd you
then, with spir-its just
Tom, the stream ap - pears
high that we could al -
Tom, and you did mine
well, those ear - ly bro -
class, ez-cept-ing yon
aod me.
as gay;
less wide,
most reach;
the same;
ken ties;
and me;
But
But the
The
And
Some
I
And
none were there to greet me, Tom ;
Mas - ter sleeps up - on the bill
grape -Tine swing is ru - ined, nuw
kneel - ing down to get a drink,
heart* - less wretch had peeled the bark.
Tie - it -.ed the old church-yard,
when our time shall come, dear Tom,
and few were left to know,
which, coat - ed o'er with snow,
where once we played the beau,
dear Tom, I start -ed so
'twas dy - ing sure but slow,
and took someflow'rs to strew
and we are called to go,
^^3^
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And
To
I
9
Twenty Years Ago
281
m
^
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s
^ ¥ "^ -^ir. 1^—
play'd with us up - on the s^^ss, some twen -
ford - ed us a slid - ing place just twen -
swung our sweet-hearts/' pret - ty girls/' just twen -
see how much that I was changed since twen -
as that one, whose name was cut, died twen -
on the graves of those we loved some twen -
hope they'll lay us where we played just twen -
ty
years
a -
go
ty
years
a -
go
ty
years
a -
go
ty
years
a -
go
ty
years
a -
go
ty
years
a -
go
ty
years
a '
go.
B?^:
*
S
Clara L. Hayes
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O Weary Feet
^^
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1. 0 wea - ry feet",
2. In self - ish toil
3. Be strong in hope,
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Alfred Beirly
r
^^
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the way seems drear and long;
you can- not find the way;
nor doubt your Fa - ther's care ;
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g
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fit:
0 tir - ed
To seek re -
Bright is God's
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eyes, you peer in - to the night;
ward will nev-er bring you. gain;
world, the clouds are all your own;
T%L J*-
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Soul, sing a - gain hope's
0 trust God's love, your
Sun - shine, and joy, and
¥- 1 I —
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^
long - for - got - ten song ;
ef - fort He'll re - pay,
glo - ry ev - 'ry - where,
"rz?2:
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uk —
3^3
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-a^
Look up, dear heart, bo - hold the per
no giv - eth smiles for tears, and joy
Make earth a heav'n where dark-ness is
i
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^HEE^EE
- J.
f-
feet light,
for pain,
un - known.
I
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m
282
I Cannot Sing the Old Songs
Claribkl
X. I can - not sing the old songs I sang long years a - go, For
2. I can - not sing the old songSyTheir charm is sad and deep ; Their
3. I can - not sing the old songs, For yis - ions come a - gain,
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heart and voice wonld fail me, And fool - ish tears would flow ; For by - gone hours come
mel - 0 - dies would wak - en Old sor • rows from their sleep ; And tho' all un - for -
gold -en dreams de - part - ed, And years of wea - ry pain ; Per - haps when earth - ly
V
— « K K-
t=:|£
^^
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o'er my heart, With each fa - mil - iar strain, I can - not sing the old songs, Or
got - ten still, And sad - ly sweet they be, I can - not sing the old songs. They
fet-ters shall Hare set my spir-it free. My voice may know the old songs, For
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I Cannot Sing the Old Songs
283
m
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X
^^
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X:
dream those dreams a-gain,
are too dear to me,
all e - ter - ni - ty,
I
I can - not sing the old 80ngs,0r dream those dreams a-gain.
I can - not sing the old songs,They are too dear to me.
My voice may know the old songSyFor all e- ter- ni - ty.
-(5»-
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Shall We Meet
H. L. Hastings
Elisha S. Rick
J
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*— ^ — _
z. Shall we meet be-yond the riy - er, Where the surg - es cease to
a. Shall we meet in that blest har - bor, When our storm - y voyage is
3. Shall we meet in yon- der cit - y. Where the tow'rs of crys-tal
4. Shall we meet there ma - ny loved ones, That were torn from our em
5. Shall we meet with Christ, our Sav - iour, When He comes to claim His
5"#3-:
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roll,
o'er?
shine,
brace ?
own?
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Fine
Where in all the bright for - ev - er.
Shall we meet and cast the an - chor
Where the walls are all of jas - per.
Shall we lis - ten to their vol- ces,
Shall we know His bless - ed fa - vor,
Sor - row ne'er shall press the soul ?
By the bright, ce - les - tial shore?
Built by work -man- ship di - vine?
And be- hold them face to face?
And sit down up - on His throne ?
mi
}/ Xf T ^ 1/ 1^
D. s. Shall we meet he - yond the riv - er^
X
£^
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Whert the
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sur^" - es cease to roll?
Chorus
Z).5.
Shall we meet, shall we meet, Shall we meet be-yond the riv - er?
L-*-
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284
When Shall We Three Meet Again
I . Wb^n shall we three meet again? When shall we three meet a-gain? Oft shall glowing hope ex-pire,
a. Tho^ in dis-tant lands we sigh^Parch'd beneath the burning sky ;Tho' the deep beneath us rolls,
3. When aronnd theyonthfnl pine Moss shall creep^nd iyy twine ;When these bnrnish'd locks are gray,
4. When the dreams of life are fled, When its wast-ed lamp is dead; When in cold ob - liYion's shade
^f^ P^-f 1 > M
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Oft shall wearied love re -tire, Oft shall death and sor-rowreign,Bre we three shall meet a-gain.
Friendship shall unite our souls ; 8 till in Fan-cy 's rich domain Oft shall we threa meet a-gain.
Thinned by ma-ny a toil-spent day, May this long-lovM bow'r remain,Here may we three meet again.
Beau-ty,wealth,and pow'r arelaidyWhere immortal spirits reign,There shall we three meet again.
-p-j-#- — M I # F F— I U^ -H — I ' * I • • — ^ . I I ^ \-
E!3E
P=t^
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X
?±^^tb^3=n
When This Cruel War is Over
Chas. C. Sawyer
H£NRY Tucker
ModercUo e carUabiU
X. Dear -
a. When
3. If
4. But
est one, do you re - mem - ber
the sum-mer breeze is sigh - ing
a - mid the din of bat - tie,
cur conn-try called you, loved one,
When we last did meet?
Mourn -ful - ly a - long;
No - bly you should fall ;
An - gels guide your way ;
^^A-^~lht^
m
t
When you told me how you loved me,
Or when autumn leaves are fall - ing,
Far a -way from those who love you,
While our " Southern boys" are fight - ing.
Kneel -ing at my feet?
Sad - ly breathes the song.
None to hear you call :
We can on - ly pray.
2
m-^
When This Cruel War is Over
285
Oh I how proud yon stood bo - fore
Oft in dreams I see you ly
Who would whis-per words of com
When you strike for God and Free
me,
ing
fort?
dom,
In your suit of grav ; .
On the bat - tie plain; .
Who would soothe your pain ?— .
Let all na - tionssee . .
0
U
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E
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When youTOwedfromme and coun
Lone - ly,wound-ed, ev - en dy •
Such are ma - ny cru - el fan -
How you loTO our South-ern ban <-
. try
■ in«i
cies
ner.
Ne'er to go a - stray 1
Call -ing, but in vain.
£▼ - er in my brain I
Sm-blem of the free.
i"^ J '.J:t}J~^^
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Chorus
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Weep -lug, sad and lone
t^=f
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Sighs and tears, how Tain;
When this cru - el war is o - ver, Pray - ing then to meet a - gain I
Paddle Your Own Canoe
M. HOBSON
I. I've traV-eU'd
a. I have
3. It's all ve -
4. If a hur - ri -
a -
no
cane
bout
wife
well
rise
to
in
a
to
de -
the
bit
both
pend
mid
in
er
on
my time And of
my life, No
a friend,— That
day sides, And the
3Ji=^
*
^
*-^^^=^■
=^-
t^
=f
V-
trou-bles I've seen
lov - er to prove
is, if you've prov'ed him true,— . . . But you'll find
sun
a few, .... But found it bet - tar in
un - true, .... But the whole day long with a
it
is lost
to view.
bet - ter by
Move stead -i - ly by with a
^^m
m
f
f
f
ev - 'ry clime To pad - die my own ca - noe.
laugh and a song, I pad - die my own ca - noe.
far, in the end. To pad - die your own ca - noe.
stead - fast eye. And pad - die your own ca - noe.
My wants are small, I
I rise with the lark, and from
"Tobor-row is dear-er by
The dai-sies that grow in the
Paddle Your Ovrn Canoe
not at all If 1117 debts are paid wh«D doe.
day-ligbt till dark I do what I have to do.
far than to buy,"-:- A max- im, tho' old, itill tnio;
bri(lit giMn fielda, An bloom -in( so sweet foi vou.
28g
Robin Adair
Andante affetiuoso
I. What's thia dull town tome? Rob-in's not near; Whatwaa't I wiah'd to aee?
I. Wliatmadeth'Aa-eembly shine? Rob-in A - dairl What made the ball so fine?
3. Bnt now thon'rt cold tome, Rob -in A - dairl Bnt now thon'rt cold to me.
F— x-x
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What wlsh'd to hear? Where'* all the Joy and mirth Made this town a
Bob - in was there I What, when the play was o'er, What nude mj
Sob - in A - dairl Tet,him I tor'd so weU StUl in my
95:
1
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fe
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Heay'n on earth ? Oh I they're all fled with thee, Rob - in A
heart so sore?— Oh 1 it was part-ingwith Rob- in A
heart shall dwelll Oh I I can ne'er for- get Rob -in A
dairl
dairl
dairl
/IS
m
289
AUegretto
Miss Lucy Long
6=1^
IK TV-
: nO^^\t F J' JMJ ^;
*=*
^
z. I ]i8t Gome <mt a -fore you, To sing a llt-tl« song, I pUyt it on da
a. I ask her for to mar-ry, She hadn't mvchto say, Bnt said she'd rath - er
3. My mam-ma's got do tis-ic, Xy dad-dy's got de govt, Good mom-ing, Mis - ter
4. If I had a scold-ing wife, As sure as she was bom, I'd take her down to
^
TW-
^W
p
f
s
Chorus
;■ J- 1 J ^ ^ii^^^==H-r^"---t^
ban- jo. And dey calls it Lu - cy Long,
tar - ry, So I let her have her way.
Phis-ick, Does your mother know yon're out?
New-Orleans And trade her off for com.
Oh, take your time,Xiss Ln - cy, Take your
^m
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i ' j;hj]l
^m
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','j'U 'JJIJ' J';';ij'^J'-^ir r./^^J
time,Xiss Lu-cy Long, Oh,take yonr tinie,Miss Ln-cy, Take yonr time,Mis8 Lo-cy Long.
290
Stonewall's Requiem
m^\j^ijL^
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1. The muf - fled drum is beat - ing, There's a sad and sol- emn tread,
2. They've borne him to an hon - or' d grave, The lau - rel crowns his brow,
Oar
By
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Ban-ner's draped in moum-ing,As it shrouds "th' illustrious dead." Proud forms are bent with
hal-low'd James's si - lent wave He's sweet-ly sleep - in g now; Vir-gin-ia to the
S^^^
V — : — : — -• V, — ♦ • -' f -t T -t ttT
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very slow
S
sor- roWyAnd all South-em hearts are sore, TheHe-ro now is sleep-ing, No-ble
South is dear,She holds a sa - cred trust, Our fall - en braves from far and near Are
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a tempo
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stone -wall is no more,
cov - ered with her dust ;
'Mid the rat - tling of the mus - kets And the
She . . shrines the spot where now is laid The
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Stonewall's Requiem
i
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tu=:^
9
^
291
4^
can - non'8thun-drou8 roar,
bray - est of them all,
He stained the field of glo - ry With his
The mar - tyr of our coun-try's canse. Our
rUard,
^
— — 1-
^
brave life's pre - cions gore, And though our flag waved proud - ly, We
i - dol - ized Stone-wall ; But though his spir - it's waft - ed To
b 1 — r^
were
the
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ritard.
Sg^i^^i . J' I ;:-3imU^i^^^. J: j; I J . H
vie - tors ere sun - set, The gal-la nt deeds of Chance-lors-ville Will min-gle with re - gret.
hap-pyrealmsa - bove, His name shall live for - ev - er link'd With rev- er-ence and love.
The Lord's Prayer
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X Our Father, who art in heaven, | hallowed | be Thy | name ; i| Thy kingdom come. Thy will be
done in | earth, as it | is in | heaven ;
a Give us this | day our | daily | bread ; || and forgive us our trespasses, as we iotgive \ them that
I trespass a- | gainst us.
3 And lead us not into temptation, but de- 1 liver | us from | evil ; || for Thine is the kingdom, and
the power, and the | glory, for- | ever. A- | men.
The First Nowell
Moderato
Andent Song
4.
^
I. The ilnt Now -ell
a. They looked a - bore,
3. And by
4. The star
5. Then en
6. Then let
the liffht
drew nigh
tered in
aU
the an - gela did say^ Was to cer - tain poor
and there aaw a etar, Aa it shone in the
of that same bright star There were three wise men
nn - to the north-west ; 0 - yer Beth - le - hem
Ihoee wise men all three Ver-y rer - er- ent-
with one . . ac - cord Sing prais - es nn -
S
\>M rip
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^
9-
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shop-herds in Holds aa they lay— In Holds
east but be-yond them a - far; And to
came from the east conn -try far;
pans - ed, and there it
ly up - on bend
to . . onr heay-en -ly Lord,
J nhfip\'i p^^
To seek
did rest ; And there
ed kneOi
where they lay keep-ing their
the earth it gave forth great
the King it was their in -
did shine most bright,and did
And of - f ered there in His pros -
That made the heav - ens and earth of
n
m
t
sheep, On a cold win - tor's night, that was
light, And con - tin - n - ed so both day
tent. And to f61 - low the star wher - ev - er
stay 0 - Tor where the yonng Child and His moth
ence Gifts of gold and of myrrh and of frank
nanght, And with His blood man - kind
SO deep,
and night,
it went,
er lay.
- in -
hath bought.
-L U
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Chorus f
I - r
Now-elly Now-ell, Now-ell, Now - ell, Bom is the King of Is - ra - el.
^f \¥fT\^ ffrrfTTTf-pfTi
293
'Tis Midnight Hour
Moderaio seherzando simplice
'»3ij,|j. J. c^4g^£^^^^-^^jT^ J- j: j^
z. 'Tis midnight hour, the moon shines bright,The dew-drops blaze be-neath her ray, The
2. 'Tis midnight honfi from flow'r to flow'r The way-ward ze - phyr floats a - long, Or
■ i'\^' J ;. J
m
twink-ling stars their trembling light Like bean -ty's eyes dis-play;
lin-gers in the shad-ed bow'r To hear the night- bird's song;
Then
Then
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ritard.
ad lib.
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mid -night song with mag- ic art Shall chase that dream a -way.
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294
The Lost Chord
Adelaide A. Proctor
Andante modercUo
Arthur Sullivan
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I ' I III ^—-^1 I'll- tom.
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Seat- ed one day at tlie oi • gan, I was wea- 17 and ill at
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ease, Andmyfin-gerewander'd i - dly O-yerthenoi-ay keye; I know not what I was
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play-ing, Or what I was dreaming then, But I struck one chord of mu - sic, Like the
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The Lost Chord
295
n cres. f
e2~^dtm.
sound of a great A - men,Likd the sound of a great A - men.
t flood - ed the crim-son twi-light,Like the close of an An-gel's
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PsalniyAnd it lay on myfev-er'd spir - it, With a touch of in - fi-nitecalm, It
8va
qui-et-ed pain and sor-row,Like love o -ver-oom-ing strife, It seemed the har-mo-nious
8va j
1^! I I ... ■ i«, J i -U-L
296
The Lost Chord
tranquillo sempre
ech - 0 From oar dis-oord-ast life, It link'd all per-ploz- od mean-ings In -to
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jDoco a poco piu avvmaUi
J":!.' J' /-^-ni
one per- feet peace, And trembled a -way in -to si-lence, Aa if it were loth to
cease;
I have Bonght but I seek- it vain-ly,
W^f^
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t=f
That one loot chord di
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Which came from the sonl of the Or - gan.
And
en - ter'd in - to
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The Lost Chord
f grandiose
297
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mim.
It may be that Death's bright Angel Will speak in that chord a-
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gain; It may b^ that on - ly inHeay'n I shall hear that great A- men. It
s
may be that Death's bright Angel Will speak in that chord a -gain, It may be that o i - ly in
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HeaT'n, I shall hear that grand A men
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co//a voct con yranforza
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298
Go 'way, Old Man I
Song of Louisiana Negroes
Arranged by A. M. Kxith
ft I -N ^ ^ ^ J I
^
X. Oh ru build me a lit -tie hut. In the moun-tains so high For to
a. Oh t her eyes spar-kle like de di - a-mondyLike de bright morn-in' star. Oh I her
3. Oh 1 she do look so sweet. Like de
4. Now s'posin I should go to New Or- leans An'
rose on de Tine, Long
take sick an die, Likede
5. Then come back to your true lOToWhende pun'kinsamin bloom. When de
in
*
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■Oh
I
gaze on my true love. As she do pass by I Go 'way, old .«»«,
cheeks am so lub - ly Her face am so fa'rl Go 'way, old man, .
lib dat lubMy la - dy Dat dwells in my min'l Go 'way, old man, .
flies in - to de conn -try, My spir-it would fly 1 Go 'way, old man,,
hummin^ birds am a sing - in' In de sweet month of June 1 Go 'way, old man, .
T
and
and
and
and
and
slower
Lilly Dale
299
AntUuUe
fe/ijjr rj-jtr-f;^^
t
H. S. Thompson
^— ft:
X
V-
X. 'Twas a calm, still nisht^and the moon's pale light Shone soft o'er hill and
9. Her cheeks that once glowed with the rose tint of health^By the hand of disease had turned
i<
go,
she said, to the land of rest," And ere my strength shall
4. 'Neath the chest- not tree,where the wild flow'rsgrow,And the stream rip-pies forth thro' the
i
:^^
t
▼ale;
pale,
fail,
▼ale,
fj^iuLi r r? I ;:j?^^=^^
When friends mute with grief stood around the death-bed Of my poor lost Lil-ly Dale.
And the death damp was on the pure white brow Of my poor lost Lil - ly Dale.
I must tell you where, near my own lo^ed home. You must lay poor Lilly Dale.
Where the birds shall war - ble their songs in spring,There lay poor Lil - ly Dale.
m^44^^^^=^
Oh ! Lil - ly, sweet Lil - ly, dear Lil - ly Dale, Now the wild rose blossoms o'er her
4^JH-
^
-J -I 1 i^ET-h^:^
i
lit - tie green gra^e, 'Neath the trees in the flow - 'ry ▼ale.
m
I
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i
300
MbTA OKtKD
Andante
In the Gloaming
Annie Fortkscue HAKKiaoN
I. In the gloam-ins 0 my dar - ling I when the lights are dim and low—
». In the gloam-ing 0 my dar - ling I think not bit - ter - ly of me I
^^^^
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And the qui - et shad - owe fall - ing, soft - ly come and soft - ly go, —
Tho* I passed a - way in si - lenoe, left you lone - ly, set yon free.
M
When the winds are sob- bing faint - ly with a gen -tie, nn- known woe,
For my heart was crushed with long - ing, what had been could ner - er be.
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Lff
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amamma
g=ici:
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Will you think of me and love me, As you did once long a - go ?
It was best to leave you thus, dear. Best for you and best for {OmU,)
In the Gloaming
301
M
raU.
cms.
^^
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t
VW-
n
A — ^■
JtlL
t
me, — It
was best to leare yon thus, . . . Best for you and best for me. . .
i
Annie Laurie
Tenderly
Lady John Scott
I. Has- wel- ton's braes are bon-nie. Where ear-ly fa's the dew, And 'twas there that
a. Her brow is like the snaw-drift. Her throat is like the swan. Her face it
3. Like dew onth'gow-an ly - ing Isth' fa' 0' her fair - y feet. And like winds in
kft. .p: Fif F fltp:»Hlj
ores.
* ^i-- PI. ;U
1/ I
An- nie Lan-rie Gave me her pvam - ise tme. Gave me her prom - ise tmOi Which
is the fair -est That e'er the snn shone on. That e'er the sun shone on. And
snm-mer sigh-ing, Her TOice is low and sweet. Her yoice is low and sweet. And she'i
-=p^-»
B :^3 I'^y
g> ]!! i 3;; 3 u
ne'er for-got will be. And for boii-nie Aa-nie Lan- rie I'd lay medoon and dee.
dark bine is her e'e. And for bon-nie An*nie Lan- rie I'd lay medoon and dee.
a* the world to me. And for bon^iie An-nie Lan- rie I'd lay medoon and dee.
ejuiee
802
My Grandma's Advice
Anonymons
1. My Grand -ma liTes on yon- derlit-tle green,
2. These false young men they flat -ter and de-ceive,
Fine
SOy
old la - dy
my loTe, yon most
3. The first came a court - ing was lit - tie Johny Green, Fine young man as
4. The next came a court - ing was young Sl-lis Groye^'Twas then we met with a
5. Thinks I to my-self, there's some mis- take: What a fuss these
I
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-V i^
OT - er was seen
not be - lieye
ey - er was seen
joy - ons love
old
■tf — ^— ^
f-r~j^^
She of - ten can- tioned
They »n flat - ter, they'll coax, till
But the words of my Grand - ma
With a joy - ous lore I
me with care. Of
you are in their snare, And a-
ran in my head. And I
couldn't be a - fraid. You'd
folks make 1 If the boys and the girls had all been so a - fraid. Then
i
I
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^
-^-
^
all false young men to be -ware. Tim-e
way. goes poor old grand - ma's care. Tim - e
could not hear one word he said. Tim-e
bet-ter get mar - ried than die an old maid. Tim-e
Grand-ma her - self would have died an old maid. Tim - e
tim - e - um tum
tim - e - um tum
tim-e- um tum
tim - e - um tum
tim - e - um tum
My Grandma's Advice
303
m
^T^.
>• ^ ^ J' jj J' jgr^ j^ J' '' rn^-^' J' i' B
tim - e - nm pa ta, • . . Of all false young men to be - ware,
tim - e - um pa ta, . . And a - way goes poor old Grand - ma's care,
tim - e • um pa ta, And I could not hear one
tim - e - um pa ta, . .
tim - e - um pa ta, • .
word he said.
. You'd bet- ter get mar - ried than die an old maid.
. Then Grandma her - self would have died an old maid.
i
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O Come, Come Away
^i^^
Oh come, come a - way, from la - bor now re - pos - ing, Let bu - sy care a -
From toil, and the cares, with which the day is clos - ing, The hour of eve brings
While sweet Phil - o - mel the wea - ry tray - 'ler cheer - ing, With eve - ning songs her
The bright day is gone, the moon and stars ap - pear - ing, With sil - yer light il -
t
tti-^ |J' J' f a
t
s
^
^m^^3^=fifiU4_u-a^m
while for - bear, Oh, come, come a
sweet re - prieYe,Oh, come, come a
note pro - longs, Oh, come, come a
lume the night, Oh, come, come a
- way. Come, come our so - cial joys re - new,
- way. Oh, come,where lore will smile on thee,
- way. In an-sw'ring songs of sym - pa - thy,
- way. We'U join in grate -ful songs of praise.
MM^=js3
gjT J' J' J'j^=J^=JH
^^
> -
a^=}^rrt=H^^^m
And there, where love and friendship grew,Let true hearts welcome yon,Oh, come, come a - way.
And round its hearth will gladness be. And time fly mer - ri - ly. Oh, come, come a - way.
We'll sing in tune-ful har-mo-ny. Of hope, joy, lib-er- ty. Oh, come, come a- way.
To Him who crowns our peacef!il days, With health,hope,happiness. Oh, come, come a - way.
804
Embarrassment
Andantino grazioso
v. Abt
^fe
W
pT^fTjTTJU^jJ- J^J *-^
X.I fain a winning tale would tel! tbee, And know my-self scarce what it isi And
a. I fain would sing in plain-tive mea-sure A lay that to thy heart should go. But
3. I fain would write a loT-ing let - ter That might to me thy heart in-cline. But
Con leggerezza
$'' J . ^/ J: J J '■ A
PP
poeortt.
^
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SB
if the question thou shouldst ask me, My an - swer should be on-ly this: 'Tit
when I seek the tuneful trea - sure, A voice 'within me an-swers so : 'Tia
here a - gain I fare no bet - ter For all my tho'ts in this com-bine : I
*-^ I n. r II. I Oi?
"3^^
moUo espressivo
i
t
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-^—^t
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moUo ores, e appcggionato
^ f-^
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thee I love with aU my heart, 'Tis thee a - lone, yes, thee, . . I
thee I love with all my heart, 'Tis thee a - lone, yes, thee, . . I
love but thee with all my heart. But thee a - lone, yes, thee, . . I
Wr\^
^=S^-U*^i
OL
^ b 4. g>-*
Embarrassment
306
f>
m
±t=w.
Pfi
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1
lOTe but thee with all my heart, Bat thee a - lone,ye8, thee 1
8 ^<#-
The Son of God Goes Forth to War
Bishop Hkber
H. S. CUTLBK
^^^^^4^4r=m^m
X. The Son of God goes forth to war, A king-ly crown to gain; His blood-red han-ner
2. The mar-tyr flrst,whose ea- gle eye Could pierce beyond the grave. Who saw his Mas-ter
3. A glo-rions band,the cho - sen few On whom the Spir-it came, Twelve yaliant saints,their
4. A no - ble ar - my, men and boys,The ma- tron and the maid, A- round the Saviour's
m^=mi=^,
^±ri\t\tiH-^[^
■ / j I
streams a- far: Who fol-lows in His train ? Who best can drink His cup of woe,
in the sky. And called on Him to save : Like Him,with par -don on his tongue
hope they knew,And mocked the cross and flame : They met the ty - rant's brandished steel,
throne re-Joice, In robes of light ar-rayed : They climbed the steep as - cent of heay'n
f"' ^ F ■ ^ — n« — § — t^ — <> .^g^ ■f' .b" b" — "T r— flf-
Tri-umphant 0 - yer pain. Who patient bears his cross below,He fol-lows in His train.
In midst of mor-tal pain, He pray 'd for them that did the wrong: Who follows in his train ?
The li- on's go - ry mane ; They bowed their necks the death to feel: Who follows in their train?
Thro' per-il,toil,and pain : 0 God, to us may grace be giv'n To fol-low in their train. A-men.
806
In Old Madrid
Clifton Bingham
H. TRoriui
I
1
-£4P CT~^
^
li^^^V^-
gOy in old Ha-dridyWhere soft -ly sighs of love the light gni - tar, Twoqparkling
way from old Ha-drid, Her lor-er fell, long years a - go, for Spain;— A con- rent
A A
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i
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t
j" Hu-f" *" "f"
^=S?
UJ ' I -w J
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eyes
▼eil
a lat - tice hid. Two eyes as dark - ly bright as lore's own star 1
those sweet eyes hid. And all the tows that love had sigh'd were vain I
There
But
^^
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tst
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ftd:=:M;-T-r I g • t r - JMi- ri~^V'
m
on the casement ledge,when day was o'er, A ti - ny hand was light - ly laid ; A
still, between the dusk and night, 'tis said. Her white hand opes the lat - tice wide, The
m
In Old Madrid
807
i) [ tJ^
rail.
E
5
■^
;E^=r^E^^
face looked out, as from the rlT
faint sweet ech - o of that ser
er shore
e-nade
There stole a
Floats wierd - \j
ten - der ser
o'er the mist
e
7
a tempo
i
f.
t
^ — I ir ^s
I
t^
nadel .
tide I .
Rang
StiU
the loT
she lists
er's hap
her lOT
py Bong,
er's song,
Light
StUl
and low from
he sings up -
#*-->"=H^-^
^w^
g ^j* jt ^
.ftg:^
■^
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shore to shore. But ah I
on the shore, Though flows
^ ^j ijj
the riT - er flow'd a - long
a stream than all more strong
Be -
Be -
308
In Old Madrid
m
contenereMta
t. i- J1 ^- t-r-j
J I va J
" Come, my love, the stars are shin - ing. Time is fly - ing, Lore is sigh - ing ;
^ ^ A
^f;^ > . fi. -^ ^- ^ fl- -a*-
w^^~
w
tr
^
a tempo •
^
■i * *
I
j=i=^=^
Come, for thee a heart is pin - ing. Here a - lone I wait for thee I
^^
pi
S»-H-S*-
t:^=t
V&/
i
In Old Madrid
dim.
309
<<1S
if 1^
^^^
^
thee, my lore, for thee I
X. Sweet and low, sweet and low, Wind of the west - em sea ; Low, low,
9. Sleep and rest, sleep and rest, Fa-ther will come to thee soon; Rest, rest on
^ k "v
breathe and blow, Wind of the west - em sea ;
moth - er's breast, Fa - ther will come to thee soon ;
0- Ter the roll - ing
0 - - - yer the
Fa -ther will come to his
Fa - - - ther wlU
wa - ters go. Come from the ' dy - ing moon and blow, Blow him a - gain to
WA - ters go, Come from the moon and blow,
babe in the nest, Sil ver sails all out of the west, Un - der the sil - yer
cope to his babe, Sil - yer sails oi^t (f the west,
1 —
yer sans out oi
m
M
me,
moon, oico
i
V I
rail, e dim.
While my lit - tie one, while my pret - ty one sleeps. . .
Sleep, my lit - tie one, sleep my pret- ty one, sleep. . .
*' - - - . -Qu"
i
310
Marching Through Georgia
Henry C. Work
i
J' J- J'
i
-^
X. Bring the good old ba - gle, boys 1 we'll sing an-oth - er song —
2. How the dar - keys shout - ed when they heard the joy - fnl sound 1
3. Yesy and there were Un - ion men who wept witrf joy - ful tears,
4. ''Sher- man's dash - ing Yan - kee boys will ney - er reach the coast 1"
So
we made a thor - ough-fare for Free - dom and her train.
i
^
p
^i
V
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^m
5
i
i-> J' J' J' J' i
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Sing it with a spir-it that will start the world a- long — Sing it as we used to sing it.
How the turkeys gobbled which our oom-mis-sa - ry found 1 How the sweet po-ta - toes e - yen
When they saw the honor'd flag they had not seen for years; Hardly could they be restrained from
So thesau-cy reb-els said,and 'twas a handsome boast^Had they not for- got, a -last to
Six - ty miles in la - ti-tude— three hundred to the main ;Treason fled be- fore us, for re-
M
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fif - ty
start - ed
break-ing
reck - on
sis-tance was
thou
from
forth
with
- sand strong, While
the ground, While
in cheers. While
the host. While
in Tain, While
we were march -Ing through Geor - gia.
we were march - ing through Geor - gia.
we were march -ing through Geor - gia.
we were march - ing through Geor - gia.
we were march - ing through Geor - gia.
i
fe
i
t
^
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Chorus
Marching Through Georgia
811
I
r-^ ^-^ — s — I—
'* Hur-rah t Hur- rah 1 we bring the Ja- bi- lee 1 Hnr-rah I Hnr-rah I the flag that makes you free 1"
Stars of the Summer Night
MALE VOICES
m
P dolce
I. B. Woodbury
f
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sum- mer night, Far in yon ax - nre deeps. Hide, hide your
sum- mer night, Far down yon west- ern steeps,Sink, sink in
sum- mer night, Where yon -der wood- bine creeps. Fold, fold thy
sum- mer night, Tell her, her Iot - er keeps Watch, while in
X. Stars of the
a. Moon of the
3. Wind of the
4. Dreams of the
i
i
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t
i
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rail, pp
^f^=ff^
gold - en light,Shesleeps,myla - dy sleeps,
sil - Yer light,She sleeps,my la - dy sleeps,
pin-ions light,She 8leeps,my la - dy sleeps,
slumbers light She sleeps,my la - dy sleeps.
She sleeps, she sleeps,my la - dy sleeps.
She sleeps, she sleeps,my la - dy sleeps.
She sleeps, she sleeps,my la - dy sleeps.
She sleeps, she sleeps,my la - dy sleeps.
S12
Battle Hymn of the Republic
Julia Ward Howb Old Plantation Melody
^^^lU'lU t i UflUi im
X. Mine eyes hare seen the glo - ry of the com-ins of the Lord ; He is
a. I have seen him in the watch-fires of a him-dred cir- cling camps; They haTe
3. I have read a fler - y gos - pel, writ in bnr-nished rows of steel, '' As ye
4. He has sonnd-ed forth thetmm-pet that shall nev-er call re -treat; He is
5. In the beau - ty of the lil - ies Christ was born a - cross the sea, With a
p- ; ;■ I i-'^ f- Ji/. .'w J iW
tramp - ing ont
bnUd - ed Him.
deal with my
sift - ing ont
glo - ry in
•y-V I O
the Tin - tage where the grapes of wrath are stored ; H9
' the eve - nxng dews and damps ; I
with von my grace shall deal; Let
be - fore his jndg-ment-seat; 0,
His bo - som that trans - fig - nres you and me ; As
an al - tar in
con - tem - ners, so
the hearts of men
^=^
fc=^
V:
^-Hf-j^
^^
■J ^^
"O^T"
loosed the fateful Ughtning of his
read his righteous sentence by the
He - ro, bom of wo-man,crush the
swift,mysoul,to an-swer Him I be
died to make men ho -ly, let us
ter - ri - ble quick sword : His truth is march - ing
dim and flar - ing lamps : His day is march - ing
ser-pent with his heel, Since God is march -ing
ju - bi - lant, my feet : Our God is march - ing
die to make men free,While God is march -ing
on.
on.
on.
on.
on.
Chorus
^
M
■A
i=i=*
Glo - ry, glo - ry, hal - le - lu - Jah 1 Glo - ry, glo - ry, hal - la - lu -
=a
t
-cit Lxt;^^^
^^^^.
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t; V
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/
il3
John Brown's Body
z John Brown's body lies a-monld'ring in the grave,
John Brown's body lies a-monld'ring in the grave,
John Brown's body lies a-mould'ring in the grave,
His soul is marching on I
Glory, glory, hallelujah I
Glory, glory, hallelujah 1
Glory, glory, hallelujah I
His soul is marching on I
t The stars of heaven are looking kindly down.
On the grave of old John Brown i Cho. — Glory, ett.
3 He's gone to be a soldier in the army of the Lord I
His soul is marching on. Cho. — Glory, etc.
4 John Brown's knapsack is strapped upon his back i
His soul is marching on. Cho. — Glory, etc.
JOHN BROWN'S BODY ( Another Version )
I Old John Brown lies a-mouldering in the grave.
Old John Brown lies slumbering in his grave —
But John Brown's soul is marching with the brave.
His soul is marching on.
Glory, glory, hallelujah I
Glory, glory, hallelujah I
Glory, glory, hallelujah I
His soul is marching on.
% He has gone to be a soldier in the army of the Lord,
He is sworn as a private in the ranks of the Lord —
He shall stand at Armageddon with his brave old sword,
When Heaven is marching on.
Glory, glory, hallelujah, etc.
For Heaven is marching on.
3 He shall file in front where the lines of battle form-^
He shall face to front when the squares of battle form-^
Time with the column, and charge with the storm,
Where men are marching on.
Glory, glory, hallelujah, etc.
True men are marching on.
4 Ah, foul tyrants 1 do ye hear him where he comes ?
Ah, black traitors 1 do ye know him as he comes ?
In thunder of the cannon and roll of the drums,
As we go marching on.
Glory, glory, hallelujah, etc.
We all go marching on.
5 Men may die, and moulder in the dust —
Men may die, and arise again from dust,
Shoulder to shoulder, in the ranks of the Jnat,
When Heaven Is marching on.
Glory, glory, haUelujah, etc.
The Lord is marching on.
H. H. Brownsll
814
I
The Old Sexton
Park Benjamin
Hbnky Russbll
^^^^^^^
eeg
t
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X.
a.'* I
3.
4. "I
Nigh
gath
«*Ma -
gath -
to a graye that waa new - I7 made, Lean'd a sex - ton old, on his
-erthem in; for, man and boy, Year af-teryear of
ny are with me, but still I'm a - lone ; I'm king of the dead—and I
er them in and their fl - nal rest is here, down here, in the
i
EE
t
^H=^^^^^=i=^^^
^^
earth - worn spade ; His work
grief and joy, I've build
make my throne On a mon
earth's dark breast 1 " And the Sex
was done, and he pansed to wait The
ed the hous - es that lie a - round, In
Q-ment slab of mar - ble cold. And my
ton ceased— for the fn - n'ral train Wound
^^=
m
^
fu - n'ral train thro' the 0 -
ey - 'ry nook of this bu -
seep - tre of rule is the spade
mute - ly o'er that sol
pen gate : A rel - ic of by - gone
rial ground. Moth - er and daugh - ter,
I hold ; Come they from cot-tage or
emn plain; And I said to my heart— when
The Old Sexton
315
^^
/^ ^^ ^^
S=*:
iL-i—j!:
^i*
days was he, And his locks were white as the foam - y sea ; And
fa - ther and son, Come to my sol -i - tnde, one by one,— But
come they from hall, Man - kind are my sub - jects— all, all, all! Let them
:rb
time is told, A might -ier
4-
TOice than that sex - ton's oM
Will
^^ ^^ ^^
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r
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a :j: J- •»• zi 3"
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these words came from Us lips so thin, "I gath-er them in, I gath -er them in,
come they stran- gers or come they kin, — I gath-er them in, I gath -er them in,
lol - ter in pleas - are, or toil -ful-ly spin — I gath-er them in, I gath -«r them in,
sonnd o'er the last tramp's dread-ful din— "I gath-er them in, I gath -er them in,
-1
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gath-er,
8va .
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gath-er,
gath-er,
-it -*■
gath-er them in."
gf < ,r- .
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I
316
The Sword of Bunker Hill
W. R. Wallace
Allegretto
B. COVSRT
t=t
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5
V:
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I
I. He lay up -on his dy-iog bed; His eye was grow-ing dim, When
a. The sword was bro% the sol-dier's eye Lit with a sud-den flan^; And
3. '" Twas on that dread, im - mor-tal day, I dared the Brit-on's baolJS, A
4. ''Oh, keep the sword!" — his ac-cents broke — A smile — and he was deadl His
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t
with a fee - ble voice he call'd
as he grasp'd the an-cient blade,
cap -tain raised this blade on me —
wrin - kled hand still grasped the blade
His
weep-ing son
to him:
"Weep
He
murmured War -
ren's name :
Then
I
tore it from
his hand;
And
Up
- on that dy -
ing bed.
The
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not, my boy 1" the vet-'ran said, "I bow to Heay'n's high will,-
said, "Hy boy, I leave you gold,— But what ie rich - er still,
while the glo - rious bat - tie raged. It light - ened free -dom's will -
son re-main«; the sword re-mains — Its glo - ry grow-ing still-
m
But
I
For
And
The Sword of Bunker Hill
317
quick - ly (i-om
leave yon, mark
boy, the God
yon ant - lers bring The Sword of Bun-ker Hill; But
me, mark me now— The Sword of Bun-ker Hill; I
of free - dom blessed The S word of Bun-ker Hill; For,
twen-ty mil - lions bless the sire,
And Sword of Bun-ker Hill; And
m
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quick - ly from
leave you, mark
boy, the God
twen - ty mil
^^
t
■^
yon ant - lers bring
me, mark me now —
of free - dom blessed
lions bless the sire.
The Sword of Bun-ker Hill.''
The Sword of Bun-ker Hill.
The Sword of Bun-ker Hill.
And Sword of Bun-ker Hill.
-SJ-
]]
i
1
The Spring
ROUND
pU'.i |J:_J J'p-MJ'J J'f-T
l=t
Dr. Hayes
-<5^
The Spring is come, I hear the birds that sing from bush to bush.
■t
-Oh
-Of-
hear them
-iS^T
^
HarkI
harki
sing.
N— r
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t=^-
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The lin • net and the lit - tie wren, the black-bird and tho thmah.
318
The
of Monterey
M. D»^ ^nuijjvan
J J' '" J' J J'^
-H m a #-
I. The fweet church bells An peAl-ing ont A cho - ma wild and free,
3. When spring wee herewith op -'ning flow'rs And I the prond Mayqneeni
3. The per-eim- men is blneh-ing now, The paw-paw's fmit la red,
4. The ba-glee swell their wild - est notee And lood the can - non roar,
#i^-i-^-r— ^
^
^n
And
And
But
And
u^^m4
i
5
W-
^^^m
er ' *Tj thing re - Joic- ing For the
all the yonng and gay were met To
he, the loyed and man - ly one, Lies
mad - ly peal the sweet chnrch bells For
glo - rions yic - to - ry;
dance up - on the green;
low a - mong the dead,
ho - ly rest no more;
^
Bnt
The
And
But
g^
t — I — t
-* — *
s
i
5
5
i
-Oh
bit - ter tears are gosh - ing
no - blest and the man -li-
bit - ter tears are fall - ing
lone - ly hearts are bleed -ing
For the
est Was
For the
Up- on
gal - lant and
by my side
gal - lant and
this glo - ri -
the gay,
that day,
the gay
ons day.
1
Z
i
^^m
m
Who
Who
Who
For the
4
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The Field of Monterey
/IS
819
/ts
f-; \I\ J' ^
1
m
now in
now in
now in
loved in
death are . sleep - ing On the field
death is sleep - ing On the field
death are sleep- ing On the field
death are sleep- ing On the field
of Mon -
of Mon -
of Mon -
of Mon -
te - rey ;
te - rey ;
te - rey ;
te - rey ;
On
On
On
On
the
the
the
the
m
w
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t
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m
m
f
f
h
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y. Who
/ts
ss
I
field of Mon- te-rey» W^o now in death are sleep- ing On the field of Mon- te- rey.
field of Mon- te- rey. Who now in death is sleep- ing On the field of Mon- te- rey.
field of Mon- te- rey. Who now in death are sleep- ing On the field of Mon- te- rey.
field of Mon - te - rey,For the lov'd in death are sleep- ing On the field of Mon - te - rey.
/IS
t
?
f
m
/IS
i
f
i
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P
NA/
Our Native Song
NA/
MSTHPBSSKL
P
T
T
rr
^\l il JlJ Ji-i
X. 0 sing with vol - ces
a. Thou old - en, bard - ic
3. With thee for aye we
1
clear and strong,The song of songs up
fa - ther-land, Thon land of troth and
cast our lot ; To home and vir - tue
^
rais -
beau -
tru -
T
ing; Our
ty, Thou
ly We
kJi^' }^ ^^• ^^trtt-M
^
m
I -Pit "T^
JlJ; /j
7
-*-^
t^^s
-«-
own, our fa -thers' na -
dear, thou well - be - Iot -
ded - i-cate our hand,
tiye song, Set wood- land ech - oes
ed land. Thy praise is joy and
and heart, And soul, and spir - it
prais
dn
new
1^
ing.
ty.
ly.
I
T' T T fizl:
I I
^"^^nr^
t fJ
^
r
m
820
Gaudeamus Igitur
AndanU
^^
^m
A
I. let OS now In yonth ra^ • Joice, None can just - ly
a. Where hsTe all onr fa - then gone? Here Tve'll see them
3. Raise we, then, the joy - ous shoot: Life to Al • ma
blame ns ;
nev - er:
Ka - terl
!5
i
1^
If
^m
m
*
For, when gold
Seek the gods'
Life to each
en youth haa fled,
Be - rene a - bode
Pro - fee • 8or here,
And In age
Cross the dol
Life to aU
our
'rons
our
joys are
Sty-gian
com-rades
dead,
flood;
dear,
^^
?
&
h-^ftj-t
1 L L I
J^
n
^m
:fc
Then the dust
There they dwell
May they leare
a^S
:Ji:
I
doth claim
for - cv
us ney
¥
t
ns, Then the dust
er, There they dwell
er, May they leave
f-^-'z*-^
f
^
3ET^
i
doth
for
us
claim
ev
nev
-f-f-^
er.
er.
j=^
m
Gaudeamus Igitur
Gaudeamus igitur,
Juvenes dum snmns ;
Gaudeamus igitur,
Juvenes dum sumns ;
Post jucundam juventutem,
Post molestam senectutem,
Nos habebit humus,
Nos habebit humus.
Ubi sunt, qui ante nos
In mundo fuere ?
Ubi sunt, qui ante nos
In mnndo fnaro ?
Transeas ad superos,
Abeas ad inferos,
Quos si yis Tidere,
Quos si yis ridere.
Viyat academia,
Vivant prof essores,
Virat academia,
Vivant professores,
Virat membrum quodlibeti
Vivant membra quslibet,
Semper slut in flore,
Semper sint in floio.
J
The Dutch Company
Male Voices
821
— ^
I
-J f\-r— i^ — ^=--^-a-* 1
I . Oh 1 when you hear the roll of the big bass drum, Then yon may know that the
a . When Greek meets Greek, then comes the tug of war , When Dei tch meets Deitch , then comes the
£^:^2EI!±;IEI±J£l±=li=feEE
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1/ U -y
Deitch have come; For the Deitch oom-pa-ny is the best com-pi- ny Tliat
1& - ger beer; For the Deitch com-pa-ny is the best com-pa- ny That
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la la la la, Ho • ra, Ho - rs, ho - ra la la la la,
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Tra la la la la, Tra la la la la,
He is my oys - ter raw.
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Love's Young Dream
Thomas Hoorb
I. Oh I tlie daya ara {cme, when bean - ty bright K7 beart'a chain
3. Tko' the bard to a pur - m ttam may aoai When wild youth's
3. Oh I that hal • lowed fnm ia ne'er fof - got Which flrat lore
When ny dream of life, from mom Ull night, Wae lore, still
The* he win the wise, whofiown'd be- fore, To smile at
Still it lin - g'rlng hannts the green- est spot On mem - 'ly't
Love's Young Dream
m
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323
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t.
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beam, But there's nothing half
fame, As when first he sung
dream, 'Twas a light that ne'er
80 sweet in life, As lore's young
to wo - man's ear His soul - felt
can shine a - gain On life's dull
m
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7eet in life,
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dream I Oh Ithere's noth-ing half so sweet in life. As lore's young dream i
flame, And, at ey-'ry close, she blush'd to hear The one lor'd name!
stream 1 Oh 1 'twas light that ne'er can shine a -gain On life's dull stream.
>«/
Cradle Song
i^^~~
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1. Sleep,
2. Sleep,
3. Sleep,
S
X
ba
ba
r ' r
by, sleep I Thy fa -ther guards the sheep, Thy moth - er shakes the
by, sleep 1 The large stars are the sheep. The lit - tie ones the
by, sleep 1 Our Say -iour lores His sheep. He is the Lamb of
f
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dreamland-tree. And from it fall sweet dreams for thee ; Sleep, ba - by, sleep 1 Sleep, ba - by, sleep 1
lambs, I guess,The gen-tle moon the shep-herd-ess ; Sleep, ba - by, sleep I Sleep, ba - by, sleep !
God on high,Who for our sakes came down to die ; Sleep, ba - by, sleep I Sleep, ba - by, sleep I
Nrrffftft^f f F if f-vf|g
fe:
fcrt
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i
Jerusalem
Rknsy Pakkkx
way, Th« Prince of Peace leads on-ward A pil-grlmband thia day.
■tate, The palm-leaTea waTB a-tonndHim, The peo- pie tbions the gate.
326
Jerusalem
From the German, by IT. ZiCK
m^
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Farewell Song
I.
3:
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1. A last good - bye I The part - ing hour draws near- er, So
a. For - get as not I This word shall be the to - ken, Onr
3. Fare - well 1 fare - well I Thou can'st no Ion - ger lin - ger. Time
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grows our friend- ship dear - er, Anf Wie - der - seh'n i Ant Wie - der-seh'a I
faith shall not be bro -ken. For -get ns not I For -get as not I
bends tlie wam-ing fin - ger. Fare-well, fare -well, For - get iu notl
^
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Home Again
327
Marshall S. Pikb
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X. Home a- gain, home a- gain From a for-eign shore 1 And oh, it
2. Hap- py hearts, hap - py hearts, With mine have laaghed in glee, Bat oh, the
3. Mu - sic sweet, mu - sic soft, Lin - gers round the place, And oh, I
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fills my soul with joy To meet my friends once more. Here I dropped the
friends I loved in youth Seem hap - pi - er to me ; ^nd if my guide should
feel the child-hood charm That time can- not ef - face. Then give me but my
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part - ing tear. To cross the 0 - cean's foam. But
be the fate Which bids me long - er roam. But
homestead roof, I'll ask no pal - ace dome. For
# ^-2 — ^—
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DOW I'm once a -gain with those
death a - lone can break the tie
I can live a hap-py life
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Chorus
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Who kind - ly greet me home. Home a- gain, home
That binds my heart to home.
With those I lore at home.
a- gain, From a for-eign shore 1
^m^^mM^^^-
And oh, it fllla my sool with joy
-*— .^-= 0 ^— ^
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To meet my friends once more.
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328
Belle Mahone
J. H. McNaughton
With Hn^liqUff
M i 7TJ I." J.
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dim.
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I. Soon be-yondthe har-bor bar,
a. Lone-ly like a withered tree,
3. Calm-lyySweet-ly slumber on.
Shall my bark be sail-ing far,— O'er the world I
What is all the world to m««? Life and light were
(On-ly one I call my ownt) While in tears I
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wan-der lone,
all in thee,
wan-der lone.
Sweet Belle Ha - hone. .
Sweet Belle Ha - hone. .
Sweet Belle Ma - hone. .
O'er thygrayel weep good-bye,
Dai- siespale are grow-ing o'er
Fa - ded now seems ey - 'ry-thing,
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dim.
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Hear, 0 hear my lone - ly cry, 0 without thee what am I, Sweet Belle Ha - hone ?
All my heart can e'er a - dore. Shall I meet thee ney-er - more. Sweet Belle Ha - hone ?
Bnt when comes e - ter-nal spring,With thee I'll be wan-der - ing. Sweet Belle Ha - hone ?
Belle Mahone
329
Chorus
P dolce
^^; i iij'j.jipi
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Sweet Belle Hahone 1 Sweet Belle Ma-hone 1 Wait for me at Heayen's gate,Sweet Belle Mahone !
i
Thomas Moors
«
X. Come, ye
a. Toy of
r
Come, Ye Disconsolate
Samuel Wbbbe
I — ^J-s — ^^ — si ^s i^ "L »— ^
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dis - con - 80 - late 1 wher - e'er ye
the des - 0 - late I light of the
3. Here see the bread of life:
see
Ian - gaishy
stray - Ing,
wa - ters flow - ing
Come to the
Hope of the
Forth from the
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mer - cy-seat, fer - vent - ly kneel I
pen - i - tent, fade - less and pure 1
throne of God, pare from a - bove:
Here bring year wound -ed hearts.
Here speaks the Com - fort -er,
Come to the feast of love;
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here tell yoor an - guish ; Barth has no sor - row that heay'n can - not heal.
ten - der-ly say - ing, Barth has no sor -row that heav'n can - not cure.
come, ey-er know -ing, Barth has no sor -rows but heay'n can re-moye.
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Would I Were with Thee
Mrs. NoxTON
Caxlo Bosetti
&
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X. Woold «I were with
a. Would I were with
3* Wonld I were with
4. Would I were with
i=f
thee ey - 'ry day and hour,
thee when, the world for - get - ting,
thee when, no Ion - ger feign - ing
thee when the day is break- ing.
^
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Which now I
Thy wea - ry
The hur - ried
And when the
4
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pass fo sad-ly far from thee;'
limbs up - on the turf are thrown,
laugh that sti - tee back a sigh,
moon has lit the lone - ly sea.
Wonld that my form pos-sess'd the ma - gic
While bright and red our eye - ning sun is
When thy young lip pours forth its sweet com -
Or when in crowds some care - less note a -
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power To follow where my heayy heart would be ;
set-ting,And all thy tho'ts be-long to heav'n a-lone ;
plaining, And tears haye quench' d the light within thine eye,
waking Speaks to thy heart in mem-o- ry of me I
:p=3=:
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What-e'er thy lot
While hap-py dreams
When all seems dark
In joy or pain.
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Would I Were with Thee
331
o'er land or sea,
thy thoughts em - ploy,
and sad be - low,
by sea or shore,
T=J
Would I were with thee
Would I were with thee
Would I weie with thee
Would I were with thee
e - ter - nal- ly I
in . . . thy joy 1
in . . . thy woe 1
ey - - er-morel
J L
T^ Zy-
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Allegro moUo
Lutzow's Wild Hunt
Wbber
X . From yon- der dark for- est what horsemen advance? What sounds from the rocks are rebound
a. Why roars in yon val-ley the dead - ly fighi— Whatglit-ter-ing swords are clash -
3. 'Tis our huntl the proud tyrant and das-tard-ly slave, Be - fore our hunt-ers are fly -
^^H^
ing ? The sunbeams are gleaming on sword and on lance. And loud the shrill trumpet is
ing? Our true-heart-ed rid - ers main - tain the right,Andthe torch of free-dom is
ing. And weep not for us if our country we save, Al - tho' we have saved it by
i
at
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Marcato
_K — N_^K h ^ K ^ ^ . \ 1
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sound - ing. And loud the shrill trum- pet is sound - ing. And if yon
flash - ing. And the torch of free - dom is flash - ing. And if you
dy - ing I Al - tho' we have saved it by dy - ing. From age to
m^-j-^f=m^^
332
Lutzow's Wild Hunt
m
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Slower
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I & a. ftsk what yoa there be - hold —
3. age it shall still be told —
/V\
'Tis the hunt,
'Twas the hunt.
'Tis the hunt.
'Twas the hunt.
^j^Allegro vivace
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;
i&a. 'Tit
the
'Twas the
S
hunt of Lut - zow the free -and the bold, the bold ;
hunt of Lut - zow the free and the bold, the bold ;
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'Tie
'Twas
the
the
hunt
hunt
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Repeat ff
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Lut - zow, the free and the bold.
Lut - zow, the free and the bold.
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a
Lovely Night
MALE VOICES
F. X. Chwatal
Andaniino crea*
m
X. Lore- 17 night! 0 loye- ly night, Spreading 0 * Ter hill and meadow Soft and slow thy
a. Ho - ly nightl 0 ho - ly night, Plac - ing brighter worlds be-fore us, Hap - pi-ness thou
ha - zy shadow, Soon oar wea-ried eyelids close^nd slum-ber in thy blest re - pose ;
•hed-dest o'er us, 0 that we might ne'er re - tarn To this dull earth, to weep and mourn ;
cres.
wPfS'fii^-yfr^mi
Soon our wea - ried eye - lids close. And slum-ber in thy blest re-pose.
0 that we might ne'er re -turn To this dull earth, to weep and mourn.
333
Santa Lucia
mf
M=^M
Neapolitan Boat Song
fe I .^ T
I. 0, moon, whose mys - tic yell, From the skies tall - ing. Gilds sigh - iDg
a. Zeph - yrs are ne'er at rest O'er the sea bring - ing Cool - ness to
3. What great - er joy can be In our love-dream-ing. Than thus to
Moderato
mf
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f
wave -lets pale. To our hearts call -ing; Glo-rions the sum - mer night,
brow and breast, Far a - way sing - ing. Still waits my bark for thee,
drift with thee. O'er waye - lets gleam- ing ? Bride borne o'er sum - mer sea,
mm
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Sea - strand and billows white,
Come,dream and drift with me,
Na - pies, thy pride to be,
-^TPf-f-
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rail.
^ "^
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San-ta Ln - ci - a, San - ta Lu - ci - a !
San-ta Ln - ci - a, San - ta Lu - ci - a I
San-ta Lu - ci - a, San - ta Lu - d - a I
334
Robin Ruff
HSNXT Russux
Mr. U I J J'^E^
i
it
^^
X. If I liad
a. The best wieh
3. Pd do
But when
4*
5. I scarce - I7
6. There's a place that
bat a thoa -
70a coald hare,
I . . scarce
70a are a -
can tell
is bet -
i
e^
sand a year. Oaf
take my word, Rob
- I7 know what, Oaf
ged and grey, Rob
what yon mean, Gaf
ter than this, Rob
- fer Green I If I
- in Ruff, Would scarce
- fer Green, Pd
- in Raff, And the
- fer Green, For year
- in Raff, And I
^
?
E
?
What a man woald I be, and what
Bat be hon - est and trae, and say
I'd scat - ter the chink and leave
Say what with voar pains woald yon
qaes-tions are al-ways so qaeer, . Bat as oth - er folks die, I sap -
hope in my heart yoa'U go there, . . Where the poor man's as great thoagh he
had bat a thou-sand a year, .
find yon in bread or in beer ; .
go, faith I I hard-ly know where;
£iy of yoar death it draws near, .
y^^ jT^
^
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as
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sights would I •««,
what would you do
oth - ers to think,
do with your gains,
pose so must I. —
hath no es - tate.
s
m
^m
m
Robin Ruff
335
i
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5i
5
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year, Gaf - fer Green I If
year, Rob - ia Ruff ? If
year, Gaf - fer Green t If
year, Rob - in Rufi ? If
I had but a
yon had but a
I had but a
you then had a
thou -sand a year!
thou - sand a year ?
thou - sand a year 1
thou -sand a year?
year, Rob - in Ruff ? And
give up your thou -sand a year?
year, Rob- in Ruff, Aye, as if he'd a thou -sand a year.
The Homeland
H. R. Haweis
A. S. Sullivan
J L
I, The Home- land I 0 the Home - knd t The land of sonls free- born! Nogloom-y night is
a. My Lord is in theHome-land, With an- gel« bright and fair; No tin -ful thing, nor
3. For lored ones in the Home-land Arewait-ing me to come Where neither death nor
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known there, But aye the fade - leas morn : I'm sigh - ing for that conn - try, My
e - vil. Can ev - er en - ter there ; The mu - sic of the ran - somed Is
sor -row In- vades their ho- ly home: 0 dear, dearna-tive coun - try ! 0
^^
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heart is ach -ing here; There is no pain in the Home-land To which I'm draw-ing near,
ring - ing in my ears ; And when I think of the Home-land,])a[y eyes are wet with tears,
rest and peace a - bovel Christ bring us all to the Home-land Of His e - ter - nal love.
m^^
336
When the Lights are Low
Moderaio
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Ge&ald M. Lanb
i-~
It
m
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X. When twi- light falls on the dim old walls. And day is past and done; As we
a. With dis- tantaonndsin the streets a - round, The throng goes surg - ing by ; But
i
JJMJ J i
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W^
sit and dream in the fad - ing gleam,Conie mem - 'ries one by one. . . .
far a - way in dreams we stray, Where yer - dant mead-ows lie. . . .
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Old friends known in the years long gone, In fan-cy greet ns stiU,
There once more, as in days of yore. To roam each well-known way,
T
And
Till
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ces dear, that we long to hear, The si - lence seem
yer all night's shad- ows fall, And dreamland fades
u
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P Allegretto
When the Lights are Low
837
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Just when the day is o
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Just when the lights are low, . . .
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Back to the heart re - turn - eth Life's gold - en long a - go ; . . .
Fed. ^ Fed. ^ Fed,
a tempo
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Watch-ing the fire - light gleams ; . . "
^TfJ^' r r ^'1^' ^ c ''
i
Far, far a - way from the world's shadows grey, In - to
the land of
dreams.
VA/
338
Henry c. Watson O Loving Heart, Tmst On
L. M. GOTTSCHALK
-smj-*;
i
Andante moderato
X. There are
a. Tliat happy
tho'ts which seem to come from heay'n. . To calm all pain , all pain and strife ;
tho't . . shed o'er my life . . . A bright^a bright and joy - ful ray.
As dew falls
As son-light
the parch*^ flower
the night's dim clouds
To nur-tnre it,
Bre breaks,ere breaks
to nourish it to
the glo-rions
_i I 1
There came to me a hap - py thought,
My soul is bath'd in sun - shine.
One morn when hope seem'd
All gloom - y dreams are
tLUtU-J r^
p
O Loving Heart, Trust On
cre8, animalo
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.=, — ^ — ^ i — _«
If
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I
gone;
gone;
It whis-per'd low
For that hap- py thought,
in ao-oentd sweet,
that hap - py thought,
it whis-per'd
that hap - py
P rtl.
un poco piit letUq
:i^=^ip^
v—p-
low . . in ac - cents sweet,
thought . . still . . . whis-pers.
** 0 lOY - ing heart,
'' 0 lOY - ing heart,
armonioso, colla voce
is=i=z
trust on, trust
trust on, trust
340
O Give Me a Home by the Sea
i
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Con spirUo
£. A. HosMSR
WE:
X
X. Ohl glye me a home by the sea,
a. At morn when the enn from the east
3. At ere when the moon in her pride
Where wild wayee are crest - ed with
Comes man -tied in crim- son and
Rides queen of the soft sum-mer
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' foam,
goM,
[night,
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Wlien ahrill winds aie car-ol • log free,
WboM biies on the bil-Iows are caat,
And gleams on themnr-mor-iag tide.
As
Which
With
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itit;
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O'er the bine wa-ters they come;
spar - kle with splendor un - told, —
floods of her sil-yer - y light,^
For I'd list to the ocean's lond
Oh! then by the shore would I
Oh earth has no bean-ty so
i
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O Give Me a Home by the Sea
341
^m
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roar. And joy in its stonnl - est glee. Nor ask in this wide world for
stray, And roam as the hal- cy - on free. From en - yy and care far a -
rare. No place that is dear- er to me. Then giye me so free and so
^■
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g
more, . . . Than a home by the deep heay-ing sea,
way, . . . At my home by the deep heay-ing sea !
fair, ... A home by the deep heay-ing sea I
A home.
My home,
A home,
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home,
home,
home,
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My
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home by the heay - ing
home by the heay - ing
home by the heay - ing
sea,
u- ; ! I i I ! I I I j i I I M I i I i i J ! I I I ■ I ■ I I I
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342
O Give Me a Home by the Sea
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home,
home,
home.
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A home,
My home,
A home,
2s:
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A home by the heay - in^ sea.
My home by the heay - ing sea.
A home by the heav - ing sea.
s:
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W
There's Music in the Air
^p
I. There's mn-sic in the air, When the in-£ant mom is nigh, And faint its blush is
a. There's mu-sic in the air, When the noontide's sul-try beam Ro- fleets a gold - en
3. There's mn-sic in the air. When the twilight's gen-tle sigh Is lost on eve-ning'i
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p=rf=r?=r='
^^^^^^
--A H H 4-
-a^—^-m m — m-
I
seen On the bright and laughing sky. Many a harp's ecs - tat - ic sound Thrills us with its
light On the distant mountain stream. When ben6ath some grateful shade Sorrow's ach- ing
breast,As its pensive beauties die ; Then, 0, then,the loved ones gone Wake the pure, ce -
^S
£1333^
ti^=t
joy pro -found, While we list, en - chant - ed there, To the mu-sic in the air.
head is laid. Sweet -ly to the spir - it there Comes the mu-sic in the air.
les-tial song;An-gel - ic voi-ces greet us there, In the mu-sic in the air.
^^3|=f^
Rig-a-jig
(Male Voices)
343
Presto
m/i\i. f ;. -^^i { wn' ^^
z. As I
a. Sai4 I
WAS walk - lag down the street. Heigh -o, heigh -o, heigh -
to her, '' What is yont trade ?" Heigh - o, heigh - o, heigh -
N^^^^^^^^^^^^hf=--ri^'"=^=fe^
^^.EM^^^g^g^iipCrdg^gil
0, heigh- 0, A pret - ty girl I chanced to meet, Heigh-o, heigh-o, heigh-o.
0, heigh- 0, Said she to me/' I'm a weay-er's maid/' Heigh-o, heigh-o, heigh-o.
Chorus
^^-tjfm^: M J'j^^^^^f^
Rig - a - jig - jig, and a - way we go, a -way we go, a -way we go;
8 8
^^^^^^^^^m
«••
iEz±:
^^^^^^^^^^
- -tr^ — t — *—* — *z
K, Fine
¥ 1?"
8 "8
Rig - a - jig - jig, and a - way we go, Heigh-o, heigh - o,
t
T
heigh - 0.
3
^_^JV Jv ^^s ^ > -,-- .^ j^— N- J
■+-—
,_^_
J
t; ^ p
?
heigh-o, heigh-o, heigh-o, heigh-o, heigh-o, heigh-o, heigh-o, heigh-o.
N N K ^ V 1^ K 1^ ^ ^
"^^^^jrztk^^^^^^^l^
344
Mra. C. B. Wilson
Solo Orazioso
What Fairy-like Music
J. Db-Pinna
K— ^■
^gi — I
X. What fai-ry- like mu-sic steals o - ver the sea. En -trancing the sen-ses with
a. The winds are all hnsh'd and the wa-ters at rest; They sleep like the passions in
^^^
i
w
• •
r I 1
&
ii 'ill
• •
• •
i
m
2
• •
DUBT
charm'd mel - o - dy ? What fairy - like mn- sic steals o- rer the sea. En-trancing the
in - fan- cy's breast I The winds are all hushed and the waters at rest ; They sleep like the
Sg3
m
33
LET
^P
j^|yp^!^^fin^g
sen - ses with charm'd mel - o - dy ? 'Tis the voice of the mer-maid, that floats o'er the
pas- sions in in - fan - cy*s breast. Till storms shall un- chain them from ont their dark
w • — * — *^^
I
^^^
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rr
m
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• •
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^^
t=t
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What Fairy-like Music
346
main, As she mingles her song with the gon-do - lier's strain I'Tis the voice of the
cave, And break the re - pose of the soul and the wave, 'Till storms shall nn -
h!^
m
poco cres.
as
-::t
r-J-
H r
nr
i
1 — r
V4/ w' b fcj =»-
mermaid that floats o'er the main. As she mingles her song with the gon - do - lier's strain,
chain them from out their dark cave, And break the re - pose of the soul and the wave.
P^Hg^
M=-€
t=J
^
-H -^ H— f-
Vl/
i=p:
?
i^'=^^
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m
Mary Had a Little Lamb
^j'lJ. ;j JiJ J ^ff^
s
-tf^
E
iz
X. Ma - ry had « lit - tie lamb, lit - tie lamb, lit - tie lamb, M« - ry had a
2. And ev - 'rywhere that Ma - ry went, Ma - ry went, Ma - ry went, And ev - 'rywhere that
-i9-
^^
^
t
9^^
lit- tie lamb,It8 fleece was white as snow.
Ma - ry went , The lamb was sure to go.
m
rBT
1^
$^
ja.
t
n
S It fdUowed her to school one day,
Which was against tho mle.
4 It made the children langh and play
To see a lamb at school.
5 And so the teacher tnmed him oiit»
Bat still he lingered near.
6 And waited patiently abont
Till Mary did appear.
346
Over the Garden Wall
Harry Hunter
Viv€tce
G. D. Fox
X. Oh, my love stood un-der the wal - not tree, O-ver thegar-den wall, She
a. But her fa - ther stampedyand her fa - ther raved, 0-ver the gar -den wall, And
3. One day I jumped down on the oth - er si^e, O-ver thegar-den wall. And
4. But where there's a will, there's al-waysa way, O-ver the gar -den wall, There's
m
-n — T
rrj'ij M
whis-per'd and said she'd be true to me, 0 - ver the gar - den wall. She'd
like an old mad -man he be-haved, O-ver the gar- den wall. She
brave -ly she prom-ised to be my bride, O-ver the gar -den wall; But she
al-ways a night as well as day, O-ver the gar -den wall, We
i
^j-^iij. uP^^^m
s
J' J j|j g
*=!:
beau - ti - ful eyes, and beau-ti- ful hair. She was not ver - y tall so she
made a bou - quet of ro - ses red. But im - me - di - ate - ly I
scream'd in a fright, "Here's fa - ther, quick, I have an im-pres-sion he's
had -n't much mon-ey, but wed-dings are cheap, So while the old fel-low was
m
m
t
p
s
i
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m
F^
J
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i
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Over the Garden Wall
347
^
t=t
stood on A chair, Aad ma-ny a time have I kissed her there, 0-verthe gar-den wall.
popped up my head, He gave me a buck-et of wa-ter instead, 0-verthegar-den wall.
bring-ing a brick;'' But I got the im-pression of one good kick, 0-verthegar-den wall.
snor-ing a-8leep,Witha lad and a lad-der she managed to creep O-ver the gar -den wall.
i^^^
izTJt
_._^_ J ^ ^
t=m
^
Chorus
^
X
m
^^
t
-^s^
0 - yet the gar - den w«U, .
^ f
^^
The sweet -est girl
-A^= — ^
^ — I-
of ' all, . . There
^
^^
b^f=ffffNf-fTf-tTiif"r^
rt Mc c
T
s
nev-er were yet such eyes of jet. And you may bet, I'll nev-er for- get The
- ^ - ^^^£^tf f,f f^ f.^ ^
^
J — r
^
i
^ t t I
I
night our lips in kiss - es met,
E=J=£
0 - ver the gar
^- ^ ^ r
den
^
wall. .
i
I
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^^
^
i
I
i
848
Simon the Cellarer
W. H. Bbllamy
P
J. L. Hattoh
^^^^&LUJJJ\
■m — ^ ly^
V
+
m
X. Old Si-mon the Cell-ar - er keeps a r&re store, Of Malm-sey and Mal-yoi- sie . .And
a. Dame Mar- ger-y sits in her own still room. And a ma - tron sage is she. . . From
3. Old Si-mon reclines in his high-back'd chair ^And talks about tak -ing a wife; . And
i5H^
^sM
S-~i
^^^^^^^p^^^^^i
Cyp-ms^andVho can say how man-y morel For a char - y old sonl is he. . . A
thence oft at cur - few is waft - ed a fnme ; She says it is Rose -ma - rie, . . She
Mar-ger-y of- ten is heard to de-clare She ought to be settled in life,. . She
3^1^=^^
^m
char-y old soul is he. .
says it is Rose - ma - rie. .
ought to be set-tied in life. .
j.I^j_/_jLJ
Of Sack and Ca - na - ry he nev - er doth fail, And
But there's a small cupboard behind the back stair, And the
But Mar-ger - y has (so the maids say) a tongue And she's
aa^zj^
t—
Mf
:=*t:-.c:n^
Simon the Cellarer.
349
adl^.
/1\ WJb »•€/•
all the year rottfid there is brew-ing of ale, Tet he ney-er all-eth, he
maidasay they of -ten see Mar-ger - y there^Now Mar-ger-y says that she
not ver - y hand-some, and not yer - y young, So somehow it ends with a
8va
/IS
9QSten.
W^^-^-r-f^^m=i=^^^=S^rrT^
a tempo
quaint - ly doth say, While he keeps to his so - ber six flag - ons
grows Ter - y old And must take a some-thing to keep out
shake of the head. And Si - mon he brews him a tank - ard
i
i
a day;
the cold I
in - stead,
/ss
a tempo
£:
$
m
w^$
m
v^
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But ho I ho I ho I His nose doth show How oft the black Jack to his lips doth go.
But ho I ho 1 ho I Old Si -mon doth know. Where many a flask of his best doth go.
While ho 1 ho 1 ho I He will chuckle and crow. What 1 marry old Mar-ger-y no, no, no 1
F^^iTIK^^
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t: ^ r r nf^^=^
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9
860
Massa's in de Cold Ground
Stephen C. Fostbk
z. Roand de mea-dows am a-ring-ing De dark -ey's mourn -fal song, . While de
a. When de an-tnmn leayes were £all-ing, When de days were cold, 'Twashard to
3. Mas - ea make de dark-eye loye him, Cayse he was so kind ; Now, dey
C^pif
^=i
■i^^
s
^-^
mock-ing-birdam sing-ing, Hap-py as da day am long. Where de i-vy am a-
hear oldmas-sa call-ing, Cayse he was so weak and old. Now de or-ange-treesam
sad - ly weep a - boye him, Monm-ing cayse he leaye dem b»-hind. I can-not work be - fore to -
W W J- r^^
t*— J '^'
t5=i
4:
— ^
creep - ing
bloom - ing,
1=1
■»— i-
-f
^
O'er de grass - y monnd,
On de sand - y shore,
mor - row, Cayse de tear - drop flow ;
g
*-t:
Bare oldmas-sa am a -sleep -ing,
Now de snm-merdays am com -ing,
I try to driye a - way my sor - row,
P
t
^
X
t
t
>-
^ajiiZ^^
Chorus
\f=^=tu
m
i=*
4
Sleep-ing in de cold, cr!d ground. Down in de corn-field Hear dat
Mas - sa ne - ber calls no more.
Pick -in' on de old ban - Jo.
[at mourn - znl
a
NFrtt"rp=^s
:^
•ft -^ ■*»-
t
E
■W-
t
f=T
i^M-f-f-l
sound ; All de dark-eys am a - weep - ing, Mas-sa's in de cold, cold ground*
•^ -^ -^ ^ J^
LOUISE HOMER
A nofed Ameiicu coatralto. in prints life the wife of Sidney Homer, t]
pota. She wu bom in Pitubiush. and made her debut M an open «
Farii. 1S9S. She has nini at Covent Gaidsn. London, and for ten ni
•eoKm* al the Mrtiopolitan Opcni HouM, New York. Her popular e
"Abide With Me"— Heart Songi. p. 447.
Annie Lisle
SBl
H. S. Thompson
Andante moderato
P^ff'jf^^fft,
i
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r
f
p
t
PI
il;-"
X. Down where the way-ing wil-lows 'Neath the sunbeams Bmile,
2. Sweet came the hal4ow'd chiming Of the Sabbath bell,
3. " Raise me in your armSydear mother, Let me once more look
Shad-ow'd o'er the
Borne on the
On the green and
'^nt^z^
^^^
m=^=^
t=t
^
^^s^^
A-
:^E3
mnrm'ring wa-ters Dwelt sweet Annie Lisle ; Pure as
morn-ing breez-es Down the wood- 7 dell. On a bed
way -ing wil-lows^And the flow-ing brook ; Hark I those strains
the for - est lil - y,
of pain and an-guish
of an - gel mu - sic,
tzt
p
N— N-
^^^^^£^^^^
g
■a-
tt
Key - er thought of guile
Lay dear An-nie Lisle,
From the choirs a- boye,
Had its home within the bo-som of sweet Annie Lisle.
Chang'd were the loyely f ea-tures,Gone the htfp-py smile.
Dear-est moth - er, I am go - ing ; Tru- ly ' God is Loye.' "
■^. 4 *
1:
352
Annie Lisle
Solo; then Chorus
fe
1^ ^- f-* — fs
^5=
li— i — ^
I
&si«
Waye
L
wil-lowSy
mnr-mnr wa-ters. Gold - en sun-beams, smile I
lafeai
^li
#
Repeat pp
-^m^
/IS
^
1
^^^i^
Earth
ly mu
sic can - not ' wa - ken Lore - ly An - nie Lisle.
— ^^-^ g^""" — b
r-
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1
Allegro vivace
Camptown Races
S. C. Foster
^^rn
::
1
Z
— A-
±
I. De Camptown la - dies sing dis song, Doo-dahldoo-dahl De Camptown race -track
a. De long-taiPd fil - ly, and de big black boss, Doo-dahIdoo-dahlD$y fly de track,anddey
3. Old mu- ley cow came on to detrack,Doo-dah!doo-dah!I>e bob-tail fling her
4. See dem fly -in' on a ten-mile heat, Doo-dahldoo-dahl Round de race - track.
Camptown Race*
363
i^^^
a
nine milea long. Oh ! doo -dah day I I came down dar wid my hat cav'd in, Doo- dah I
both Cttt a-€ro88y Oh ! doo -dah day I De blind boss stick' n in a big mnd-holOyDoo- dah t
o-berhis back. Oh I doo -dah day) Den fly a- long like a rail-road car, Doo- dah 1
den re- peat— Oh! doo -dah dayl I win my money on de bob-tail nag, Doo- dah 1
r-t^
1 •-;
■^-^
doo - dah ! I go back home wid a pock-et full of tin, Oh ! doo - dah day 1
doo - dah 1 CanU touch de bottom wid a ten - feet pole. Oh 1 doo - dah day 1
doo -dah I Rnn-nina race wid a shoot -in' star. Oh! doo -dah day!
doo -dah! I keep my mon-ey in an old tow bag. Oh! doo- dah day!
^nrTTi
WTr^
t
' y 'i
jTT'^
T
^y
■ir-^
^^i
^^
f
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m
I
Solo ; tAen Chorus
Owine to ran all day, . . I'll
f .f f
^
^m
n
n^a 'I'
m
354
Camptown Races
m±±=tt^^Lj^i I; /-ff
■t« — ^c■
■^ — ^r
^^1
m
bet my mon-ey on de bob -tail nag. Some- bo -dy bet on de bay. . •
■# ^ ^ ^ f^ ^^-T-*^ ^= ^ r4^ f^ ^ ^-
Gentle Annie
te
Andante con moto
S. C. Foster
• ; ;|J r^
*=tV^
i
^
-N—
X. Thon wilt come no more,gen-tle An-nie,
a. We hare roamed and lov'd 'mid the bow-era,
3. Ah I the houra grow sad while I pon-der
Like a flow'r thy epir- it did de -
When thy down - y cheeks were in their
Near the si - lent spot where thou art
fe
1 _p-- n
:t^'
J U-i *i I'zn^
i
s
5=*
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^
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part;
bloom;
laid,
Thon art gone, a - las! like the man-y
Now I stand a - lone 'mid the flow- ers,
And my heart bows down when I wan-der
That have
While th«7
By the
m
i
I
-*
Gentle Annie
D'd Id the sam-mM of tlia heart,
min ' gle their perfume* o'er thy tomb,
■tieama and the meadowawheie we Btraj'il.
Shallwe ner-er mote be-
Shall ir« ner - er mote be -
Shallwe oer-ar more be*
366
Baby Mine
ffi^-^
Ckaklks Mackky
p
Akcribald Johnston
t=i
i
I JIJJ J
J. J\i*i
X
f
2Z
X. !'▼•
2. Oh,
3. Pm
a
I
let - ter from thy
long to aee hit
gUdy I can- not
siroi Ba
face, Ba
aloep, Ba
by mine, Ba
by mine, Ba
by mine, Ba
by mine; I coold
by mine; In hie
by mine; Pm so
i
^^ ■
3
T^
^^
crw.
i
s
rnT-^rr^q
5^
-^
readand ner-er tire, Ba-by mine, Ba - by mine; He is eail-ing o'er the
old ac- cns-tom'd place, Ba-by mine, Ba-by mine; Like the rose of May In
^P*P7» I ooifM. weep, Ba-by mine, Ba -by mine; He is eail-ing o'er the
^
crts.
3
3
i
-zt
?
f
fe
^
t=i.
If -^ ^ "'I ^-^^.
E
S
eea, He is com-ing home to me, He is com-ing back to thee! Ba-by
bloom, Like a star a - mid the gloom, Like the sun-shine in the room, Ba-by
sea, He is com-ing home to me, He is com-ing back to theel Ba-by
Baby Mine
867
minel B« - by mine; He is com-ing back to
minel Ba - by mine; Like the tun-ehine in the
minel Ba - by mine; He is com-ing back to
theel Ba - by mine,
room, Ba - by mine,
thee 1 Ba - by mine.
Ten Little
ers
m
/ ; J J -u^
^
^
3
z. Ten lit - tie nig - gers go - ing out to dine,
a. Eight lit - tie nig - gers slept un - til e - leren,
3. Six lit - tie nig - gers play - ing with a hire, A
4. Foot lit - tie nig - gers go - ing ont to sea, A
5. Two lit - tie nig - gers sit - ting in the snn,
6. One lit - tie nig - ger with his lit - tie wife,
t
One chok'd his
One 0 - yer«
bum - bib - bee
red her- ring
One got
LiTed all his
lit - tie self, and
slept him - self, and
killed one, and
swal-low'd one, and
friz-zled up, and
days a
then there were nine;
then there were seren ;
then there were five;
then there were three ;
then there was one;
hap-py lit - tie life;
Nine
Seven
Fire
Three
One
One
lit - tie
lit - tie
lit - tie
lit - tie
lit - tie
lit - tie
nig - gers
nig - gers
nig - gers
nig - gers
nig - ger
con - pie
I <f>* ; jij^_ ^ r i
' J'_ J' L f~Tl\i J. jTl~q
cry o ing at his fate, One cried him - self a - way, and then there were eight.
cut "ting np sticks, One chopp'd him - self in halve8,and then there were six.
go - ing in for law, One got in chan-cer - y, and then there were fonr.
walk -ing in the Zoo, A big bear end -died one, and then there were two.
liT - ing all a - lone, He got mar - ried, and then there were none,
dwell-ing by the shore, Soon raUed a fam - 1 - ly of ten nig - gers more.
Chorus
i
1-5. One m-tle,two lit-tle,tbree lit -tie, four lit -Ue, five lit -tie nig -ger boys;
6. One lit-tle,two lit-tle,three lit - tie, four lit -tie, five lit -tie nig -gers more;
i
1
^m
V-
«^
Six lit - tle,seTenlit- tie, eight lit - tie, nine lit - tie, ten lit - tie nig - ger boys.
Six lit - tle«seyen lit - tie, eight lit - tie, nine lit - tie, ten lit - tie nig - gers more.
868
Hark! I Hear a Voice
Allegro
Hark I I hear a roice, Way np ia the monn - tain top, tip - top, De -
HizBtizit::
-# 0-
T
^
^Rl-I-^^
Tn
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s
It
F
^
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t
^
fi
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t
pi^d
'rT~~r"r
V2 ^1
t
^^iPP^PI
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scend - ing down be - low, De - acend • ins down be - low. low.
^I
Chorus
f^^^
j
1=
I
Let lis all
^=«=#
il:
-«»T
:z^
-»+
-f — ^
a - nita in loye, Trust - ing
S-
■«—*»■
:t==t
■=i — *-
•*— ^— ^=£=^
f
a - nite in love.
Let ns aU
I? ' f^
^
-t^-
^^
^
I
in the pow'rsa - bOTe.
Mer - ri - ly now we
^ii^
■*—^
^
^
=^
t
the pow'rs a-boye.
-; , r^ ^ ^ ^ ^^
Trnst-ing in
^^
4 h— J.
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i
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*
:J5=:?^
t—rt
rolli we roll, we roll, we roll, we roll, we roll, Mer - ri - ly now we
T — p— r
jg^
^
t==E
■p-T
roU,
Wtt
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roll,
m
Hark 1 1 Hear a Voice
^^^^m
O'er
£
^
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±
thtt deep
i
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blue
•ea
• • •
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1
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Andante
Peter Gray
(Malk Voices)
^Tr!S^
I
-f-
-=»- ^ —
^
Once on a time there was a man, his name was Pe - ter Gray ; He
-•- JL. ^. rit.
-U
^^^^^^
lired way down in that 'ere town call'dPenn - syl - ts - ni - a.
Chorus
-::t— cz=!
I
T
•■EEEIEEfl^^EES
1^3
Blow, ye winds of the mom - ing, Blow, ye winds, heigh - o ;
i^PE^^
n
i
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i^^^lEEi- ?-Mg-^i-^*
t
T
^m
£=J:
lit
faj— r-j^
lu-
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i
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I
Blow, ye winds of the morn - ing.
Blow,
blow.
^^-i-
m
r
?
fi^
t
» —
blow!
/IN
m
r
ei
a Now Peter Gray he fell in lore, all with a nice young girl ;
The first three letters of her name were L-U-C, Anna Quirl. Cho.
3 Bnt jnst as they were going to wed, her papa he said "No 1"
And consequently she was sent way off to Ohio. Cho.
4 And Peter Gray he went to trade for furs and other skins.
Till he was caught and scalp-y-ed, by the bloody Inji-ins. Cho.
5 When Lucy Anna heard the news, she straightway took to bed,
And nerer did get up again until she di-i-ed. Cho.
360
The Mermaid
Moderato
j^.
^P^W^
I. 'Twat Fri - day morn . when we • . set . . eail, And we
a. Then up apake the cap - tain . • of our gal - lant ahip, And a
3* Then np spake the cook of oar gal - lant ship, And a
4. Then thne times a - round went onr gal - lant ship, And
m=m^
-<5
fe^=^^
were not ' far from the land. When the cap - tain spied a
well - spok-en man was he; "I haye mar - ried a wife in
red hot cook was he; "I care mneh more for my
three times a- round went she; Then three times a -round went our
^^^1=*--
-t- f- t-
T
^^^
-^^9^
■»'
^ —
' ^ ^ — P— 1
m^--n=i:M
love - ly mer - maid, With a comb and a glass in her hand.
Sa - lem town, And to - night she a wid - ow will be."
ket-tles and my pots, Than I do for the depths of the sea."
gal - lant ship. And she sank to the depths of the sea.
0, the
0, the
0, the
0, the
^w^^m
0 - cean waves may roll. And the storm - y winds may blow, While
1
^5
F
^
t
V ^ — ^
^
^
^^
we poor sail-ors
g
U-i- — I
*z fc
go skip-ping to the tops. And the land- lub-bers lie down be-
f=^f=rf
The Mermaid
A-
361
mrf i : f f TTTt i J-H4#^
low, be - low, be - low. And the Und - lab - bers lie down be - low.
'^V p: 8 i' '^^
r T t
;
V
m
t
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Slow
Forsaken
(Malb Voices)
KOSCHAT
T
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f
i
IT
I. For - sak • en, for - sak • en, for - sak - en am I ; , Like a
a. A monni in the cfanrch-yard, that blee - aoma hang o'er; It is
Pfy
t
m
i i ^^ I
f
m
fct
m]
f-H fif f-Mf^
tei
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^^
stone in the cause-way, my bur • led hopes U^; I go to the
there my lore sleep -eth, . to wak - en no more; 'Tis there all my
^
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chnrch-yard, my eyes fill with tears;
foot -steps, my pas*sions all lead;
^
1 — r
t— g-A
:£
And kneel -log I weep there, Oh, my
And there my heart tnm - eth ; I'm for -
J^ ♦ ff-0- -0- ■*■ -0- Ps ^
1 — I — r
rf^mr
t
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t^.
p=t
fc^=*
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loye, loTed for yoars; And kneel -ing I weep there ; Oh, my loye,10Ted for years,
sak - en in - deed ; And there my heart turn -eth ; Pm for - sak -en in- deed.
^^
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I
362
Beautiful Bells
Duet and Chorus
George Cooper
First Voice
Arr. by W. F. Wellman, Jr.
t
T
m
X
■sf-
^^t^Ef-i^^
-^
1 . Beau - ti - f ul bells 1 0 beau- ti - f ul bells 1 Ring-ing so sweetly a-galn and a-gain 1
2. Voice of the morn And voice of the night, Wak-en, 0 wak-en the mem'ries of old 1
Bass viih octaves throughtmt
t
i
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.tZTI— Z3t
X
^ge;
Welcomes of joy and wea-ry fare-wells, Chim-ing in sunlight and rain.
Bring to my heart your dreams of delight, Vis-ions of beauty un-toldl
9^i^
I
Second Voice
^f^«— *
T X X
m
jet
j_i._i/i i^^^
Long, long a - go.
so dear un - to me.
0 hap-fy andpurtwas the
==15^
* — X-M= — X— *-
I
X- -X-
T
Second Voice
Both
U
^ j-jj— g-=-t|JI
j Tt
^
i=it5=it
-«-
:Bit
r
mes-sage you bore.
Loud o'er the yale, and soft o'er the sea, 0 could I but
._^=i^d^^^^i.i^=y^^u^^-pgii
f
-X— *-
•X— X
^— X-
f
■X— X-
f=x— x-0- X X I
hear you once more I
rip:
Beau- ti - ful bells! ormer-ry or sad,
-^— X-X
Beautiful Bells
363
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Tell - ing your mes - sage of good - ness to all ; Whis - per of
lt=i
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j=|fS5|-i=3EE$
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mo - menta hopeful and glad,
Van-iahed be-yond our re- call 1
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^iS=fe^:^*£^
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II "I
Beau- ti - ful bells 1 0 beau-ti - ful bells I Ring-ing so sweet-ly a- gain and a- gain
^^^
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f
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Beaa-ti - ful,beaa-tl-fal,beaa-ti - fal bells t
r-r— r
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r— r-i!f
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Beau- tl - fal,bean - ti - ful, beau- ti- fitl bellBl
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rcUL
ifii^hif^^
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t
( "I
Welcomes of joy and wea-ty farewells, Beaa-ti- fnl, bean-ti- ful, beao-ti • fnl bells I
r f f ,— r.f-f-f- ,f ,f f f- ^,f f- f ^.f- f—fygii-
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Beatt - tl - fal,beaa- tl-fal,beaii- tl - fal bells I Beaa-ti - ful, beao-tl - ful, bean- tl - ful bellsl
i
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864
Modtraio
Lullaby
From Jakobowski's **Erminle"
•d'la s
i^^^^^^
•-1--
- -A-
i^SsEtfc^^^^^
I. Dear moth -er, in dreams I see her, . . With lor'd face sweet and calm, . .
3. Ah I e'en when her life was ebb - in(, . . Her words were all to me, . .
And
My
^^
^^^m
hear her voice With lore re -loice When nest -ling on her arm
fa - tare years Were all her zearsy Her late 'twas not to see. . . .
^m
I
My
to
[ink how she soft - ly pressed me, Of the tears in each glist'-ning eye,
fa - ther, I heard him weep - Ing, As in sor-row he hOT - er'd nigh,
As her
And my
i
^^
^
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X
t
^^^^=1=^^^^
watch she'd keep,When she rock'd to sleep Her child with this lol - la - by, Bye,
moth - er's plaint, In her ac - cent faint. Was ot - er this Inl - la - by. Bye,
m
#=*?
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Lullaby
366
fe^
n
i
I
bye, bye, bye, bye, bye, bye, bjre, bye, bye, bye, bye, bye, bye.
i
^i
mf First Solo, then witk Chorus.
=:*;:fc=1!=p:
£i&=i^E3
Bye, bye, drowsinese o'er-Ukins, Pret-ty lit-tle eye - lids sleep.
P {Only second time.)
f
S
Bye, bye.
S3
t
t
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Bye, bye, bye.
-4-
bye.
±
bye.
bye.
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bye,
ft—
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bye, bye, bye,
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pp.
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Pllawaitthywakins. Dtarling, bethyslnmbersdeepl deep, bye, bye, bye, bye.
ra/^ dim.
t
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bye.
bye,
bye.
^
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bye.
^^
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bye, bye, bye, bye, bye.
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366
Buffalo Gals
te=
^J' ^|D~Q
X. As I went lam -brin' down de street,
2. I azM her if she'd hab some talk,
. • 3. I'd like to make dat gal my wife,
*1 ) -\
1^;
t^r-1:T^.^_t:J:
t^fS
• • • M ' I
F— 1 ly
fe
¥
::?5:
^gi^
ig=H
down de street ,4own de street, A lub - ly gal I chanc'd to
hab some talk, .hab some talk, Her feet ooy-er'd up de whole side
gal my wife, gal my wife ; I would be hap - py all my
meet. Oh!
walk. As
Ufe, If I
she was fair to view,
she stood side by me.
had her by my side.
OhIBuf-fa-lo
OhlBuf-fa-lo
OhlBuf-fa-lo
gals, will ye come cut
gals, will ye come out
gals, will ye come out
to-night,will ye
to-night,will fb
to-night, will ye
i
f
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come out to-night, will ye come out to-night, Bnf- fa - lo gals, will ye
i
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^
MARIA GAY
by birth. > native c
ERNESTINE SCHUMANN-HBINK
lu prima domu. She wu bom near Pngue. AoaWU. I80I,
nveatecD wmi leadini contralto at the Drodea Court Open.
L popular in Germjuir and in America, and bai appeared ta
ig clti« of the United Statu. Her popular encore ii ''Home to
Oui Mountains"— Heut Sonsa. p. 452.
Buffalo Gals
367
f
a
^
^S
■^ — ^-
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come out to-night, And dance by de light ob de moon?
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• • •
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^:^D
f Maestoso
i
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Keller's American Hymn
ii^i^
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t
M. Keller
-I-
^
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I
3
i=^g < 1
z. Speed our Re - pub - lie, 0 Fa •
a. Fore - most in bat -tie, for Free
3. Rise up, prond ea - gle, rise up
ther
dom
to
1^
"^
P^
3
fnl"-t-rJ
S
i
d.
\9-
on high. Lead us in path-ways of
to stand, We rush to arms when a -
the doudSySpread thy broad wing o'er this
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p
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cres.
m
3:
jus - tice and
roused by its
fair west - ern
-19-
■Sh
right; Bui - ers
call ; Still as
world I Fling from
■£1
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ns-
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as WiU as the ruled, one and all,
of yore when George Wash - ing • ton led,
thy beak our dear ban - ner of old I
Gir - die with
Thunders our
Show that it
▼ir - tue, the ar - mor
war - cry,"We con - quer
still is for free - dom
of might 1 Hail 1 three times hail to our
or fall 1" Hail t three times hail to our
un - furled 1 Hail 1 three times hail to our
f=^
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coun
coun
coun
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try and
try and
try and
FlNEWl/
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flagl
flag!
flagl
Rul - ers
StUl as
Fling from
-^st-
i
i
as
of
thy
well
u
I
t
D.8.
as the ruled, one and
yore when George Wash- ing - ton
beak our dear ban - ner of
■J.
aU,
led,
oldl
X
X
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£
p
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868
'Tis but a Little Faded Flower
AndanU semplice
J. R. Thobias
X. 'Tis but a lit -tie fa-dedflow'r,
a. Where is the heart that doth not keep
Buf, ohy how fond -ly dear I 'Twill
With - in its in - most core, Some
Nf^
espress.
^^
m
t
■et-
%
5s=:Js:
bring me back one sold- en hoar, Through nuny,tliTO' ma-ny a 'wva-ry year,
fond remembranoe.hid-dni deep, Of days, of daya that are no more?
I:
may not to the world im- part The se-cret, the se- ret orltspow'r,
Who hath not saT'diome trifling thing. More prix'd, more priz'd than jewels rare 1
Bnt
A
treas - m''d in my in - most heart,
fad-edflow^r^a bro - ken ring,
I keep
A tress
my fad
of gold
- ed flow'r, I keep mj
- en hair, A tress of
'Tis but a Little Faded Flower
369
i
I
§=^u^
t
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i
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fad - edflow'r. 'Tis bat a lit -tie fad-ed flow% Bnt oh| how fond - ly
gold - en hair? 'Tie but a lit -tie fad-ed flow'r, But oh, how fond - ly
ppcoriL ^
if'' Jii ''VJ "
dearl 'Twill bring me back one gold-en honr, Through ma-ny^thro' ma-ny a wea-ry year.
p colla voce
P<^'W¥^
^ "J If
va/
m
Old Hundred
Rev. Isaac Watts
GOTTDIMEL
jhiw j j-i-ff^irjzH-^
ij J j-
T
X. From all that dwell be - low the skies, Let the Cre - a - tor*s praise a - rise ;
a. S - ter - nal are Thy mer - cies, Lord ; S - ter - nal tmth at - tends Thy word ;
m^
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Let the Re-deem-er's name be sung Through ey -'ry land, by ev - 'ry tongue.
Thy praise shall sound from shore to shore, Till suns shall rise and set no more.
n
N^Tf r f |i| f
<j i f
* J.
f
m
870
G. F. Root
Just Before the Battle, Mother
G. F. Root
mU=i=H=-muUM=i^M^
z. Just be - fore the bat - tie, moth-er, I am think - ing mos^bf yon,
2. Hark I I hear the bu - glee sounding, 'Tia the sig-nal for the fight;
^H^
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* ' ' — »* ■ '^. g i^^^* ■ •-^
T*
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While up - on the field we're watch-ing. With the en - e - my in Tiew.
Now may God pro -tect us, moth-er, As He oy - er does the right.
^— ^— r— r-i g c:_ J. I T J" ^
T
^
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t
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Ck>m-radesbraTe are round me ly-ing, Filled with tho'ts of home and God;.. For
Hear the "Bat -tie Cry of Free-dom," How it swells up - on the air; .. Oh,
P^H^^^^iU^^^=^
rx^
]
well they know that on the mor-row Some will sleep be- aeath the sod. .
yes, we'll ral - ly round the standard, Or we'll per - ish no - bly there.
Chorus
u I N N ^ N
4 ^--t
izig:
X> t~* I t *~'^*
I I I — ^ — M — m-
X
X
rpr^
'• '• u w 1/ 1/ w «^ I
Far5-well|moth-er, you may ney-er9youmayneTer,mother,Pressmeto your heart a-gain ; . . Bnt
b U u I' u lU^-k
Just Before the Battle, Mother
HL
^^m
^rrj^rrnt
371
Bepeat pp.
-i- — I -■
i^bi
-!— H— -; -In
-i-
-JM
t- U U U 1/ l^ 1/ "*•
oh,you'U not for- get me,]Ioth-«T,you will not forget me If I'm numbered with the slain.
_ (tj_# « »— |t— >»— rP— f»— »— * A t m A v^ ^ C — ^—^—t—\ f- n
mf Andante
Juanita
t
l£i±^£
^%^igir^^^fe^-^p
1. Soft o'er t]l« foun- tain, Ling-'ring falls the south -ern moon; Far o'er the monntaia,
2. When in thy dreamingyMoons like these shall shine a- gain. And day-light beam- ing
3i» ^_g.l_ez=g=rfz=:f--rf * g-L_g-cg±=r— |— -up
P
t
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f
i
^^^E^^^P^^^l^
1=:^
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i
Breaks the day too soon t In thy dark eye's splendor, Where the warm light lOYes to dwell.
Prove thy dreams are vain, Wilt thou not, re - lent-ing. For thy ab - sent lev - er sigh,
pi
f
t^
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1:^ — ^ — F— "^ ' •— t^ P-^- h-- ^ — p— I—
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JD slower
■-^-
mf a tempo
B^±
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I
Wea-ry looks, yet ten-der. Speak their fond fare -well I
In thy heart con- sent- ing To a pray'rgone byl
i"i ti - tizi=:cg±-g— f — ^
grit
;^'^^^_^
Ni - ta ! Jua - ni - ta 1
Ni - ta 1 Jua - ni - ta I
— V — V
t=.— c:
I
It
:^-^
:S:
I
T
ife
^g
p tenderly, riL
M jO tenaeriy, rw.
Ask thy soul if we should part 1 Ni - ta t Jua - ni - ta I Lean thou on my heart.
Let me lin - ger by thy side I Ni - ta ! Jua - ni - ta 1 Be my own fair bride I
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872
A Little More Cider
A. Hait
I. I lore the white girl and the black. And I lore all the rest,
a. When first I saw Misa Snow - flake 'Twaa on Broadway I spied her,
3« Oh! I wish I was an ap pie, And Snow-flake was an-oth-er,
4. But now old age comes creep - ing,We grow down and don't get bigger,
I
I*d
Okl
pB^^^^^^^^
p
w^^^^m^
i
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lore
giro
what
ci -
the girls
my hat
a pret
der sweet
for lOT - ing me, But I love my - self the best ; 0,
and boots, I would, If I could have been be - side her ; She
ty pair we'd make. Up -on a tree to - geth-er; How
and sour then, And I am just de nig-ger; But
S^i^z^z^t
"B'-s-
t
t>=:H-J -J— l-^j=j
T
m
J=t
dear, I am so thirst - y, I've just been down to sup - per,
look'd at me, I look'd at her, And then I cross'd the street,
bad the dar - kies all would feel. When on the tree they spied her,
let the cause be what it will. Short, small, or wi - der.
t
I've
And
To
She
'^
1?- --rffirz
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A Little More Cider
378
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drank three pails of ap - pie jack, And a tub of ap -
then she smil - ing said to me, '' A lit - tie more ci -
think how lus - cious we would be, When we're made in -
am de ap - pie of my soul, And I'm bound to be
pie
der
to
be
bat-ter.
sweet.*'
ci - der.
side her.
^
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Chorus
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P
A
lit -tie more ci - der too,
^£:_[i. L L ^
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^
lit - tie more ci - der too,
« — # — 0 (t
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cres.
lit - tie more ci - der for Miss Di - nah, A lit - tie more ci - der too
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374
i
John Howard Payne
Modernto
4s-
Home, Sweet Home
Henry R. Bishop
■4=^^
t-
-y-
^i^==^
X. 'Mid pleas - ures and pal -
2. An ez - ild from home,
3. How sweet 'tis to sit
4. To thee I'll re -turn.
a - ces,
splendor
'neath a
o-ver
though we may roam,
daz - zles in vain;
fond fa - ther's smile,
bur - den'dwith care,
Be it
Oh!
And the
The
j:^n^lH^-r^
-^m
^m
m=^
^
E
i
ble, there's no
ly thatch'd cot -
er to soothe
lace will smile
place like home I
tage a - gain;
and be - gnile;
on me there ;
A
The
Let
No
ii
i
:fe-r
£
S
ir.
IT-
i
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A-
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^ 1
charm
birds
oth -
more
from
sing
ers
from
the skies
ing gai
de- light
that cot
seems to hal
ly, that come
'mid new pleas
tage a - gain
low us
at my
ures to
will I
there,
call;
roam,
roam.
Which,
Give me
But
Be it
Home, Sweet Home
876
^^
E
4-
^^
seek thro' the world,
them with that peace
gire me, oh I give
er • er so horn -
is ne'er met with
of mind, dear - er
me the pleas-ares
ble^there's no place
m
BL
else - where ;
than aU.
of home,
like home.
^
Home!
Homel
Home I
Homel
ad lib.
^^^ir.h' iLj^
^ — »-
tt=*
heme!
home!
homel
homel
sweet,8weet home^There's no place like home, there's no place like home !
8weet,8weet home;There's no place like home, there's no place like home !
Bweet,8weet home; But give me, oh ! give me the pleasures of home !
8weet,sweet home;There'8 no place like home, there's no place like home !
^^
1^
ad lib.
K-* li-' /•M^-' 1'^'^
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f
Cmokus
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Home, home, sweet, sweet home ! There's no place like home,There's no place like home.
^,, r ,f-: -r,i^_-^-feF
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376
Kathleen Mavoumeen
Mrs. Crawford
AttdanU e penseroso
mf- mf
F. NiCHOLXS Croucr
3=^:
9=£
s
t
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mf
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z. Kath
3. Kath
leenMa-TOur
leenMa-TOur
neenlthe grey
neenl a-wak»
dawn ia break-ing, . . . The
from thy fliuii-bers; . . The
^^m
m
:^
^
m
:^
^
pE^-^r^^^
horn of the hun - ter ie heard on the hill ;
blue mouniains glow in the sun's gold- en light;
I^HJJ^J jljij^
±
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The lark from her
Ah I where is the
ir**»* *»»» *
:3:r
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S
light wing the bright dew is shak ing, Kathleen . . Mavour-neen t what,
spell that once hung on my nam - bers ? A - rise in . . . thy bean-ty, thoa
roXl-L^
: ii'iit^ q^jfj: j:' ;
TWf* * *W » *
-4-
•f-r-f-f- -f-
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Kathleen Mavoumeen
877
*»/
IrfAJ. JjIm;
2:
m
mf
I
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t
b'ring still ! Oh, hast thou for - got-ten how soon
of my night. Ma-vour - neenyMa-voarneeo, my sad
EspresHvo e legato
we must sev-er ? Oh,
tears are falling, To
t
iTf^«5«T»?
■^
3:
^m
^
^^
-Of-
hast
think
2Z
thou for -got -ten
that from E- rin
-^^-
this day
and thee
we must part? It may
I moat part; It may
^i^
t^^^t^t^:
^i^^ij^^
be for
be for
Ul4i 4 '
i
a«
^m
m
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3:
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and it may be for-ey-er; Oh, why . . art thou si - lent, thou
and it may be for-ey-er; Then why . . art thou si - lent, thou
378
Kathleen Mavoumeen
m
i
■i9-
.i^JLUll
i 1-
YOica of
my heart? It nuy . • . be for years, and it maybe for -
i
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5:
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■Oh
t
m
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er-er; Then why. • • . art thoo si - lent, Kath-leen Ma-yonr-neen?
r^j.^j.j'j.j^j. i ^
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Robert Burns
John Anderson, My Jo
W
t^^lTx
m
I. John An - der - son, my jo,
a. John An - der - son, my jo,
3. John An - der - son, my jo,
4. John An - der - son, my jo,
John, When we were first ac - quent,
John, We clamb the hill the-gith-er,
John, When na - tore first be- - gan
John, We've seen oar bairns' bairns.
Your
And
To
And
m
5
^1
m
nt
P
Pe=^^ f \r^^
i
m
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m
f
John Anderson, My Jo
i
i
t
±
■^^m
379
t
-^T«'-
locks were like the
mon-y a can - ty
try her can - ny
1 c/
ra - Ten, Toor bon - ny brow was brent ;
day, John, We've had wi' ane an - ith - er ;
hand, John, Her mas - ter-wark was man;
yet, my dear John An - der-eon, I'm hap - py in your arms.
I
I
EfT^"*^-
^
I r-i I j.^T-r-T— 1
t
-Oh^
-^
But
Now
And
And
U —
¥
m^-
m
m
fS^
^
3
^
t
f
now your brow is held,
we maun tot - ter down,
you a-mang the lave,
sae are ye In mine,
John, Your locks are like the snaw;
John, But hand in hand we'll go ;
John, Sae trig frae tap to toe—
John; I'w sure ye'll ne'er say no.
Yet
Andwe'U
She
Tho' the
^
u
iT\
^
i
riL
i
I
bless - ings on yonr
sleep the - gith - er
proved her - sel' nae
days are gane that
frost - y pow, John
at the foot, John
jour - ney - wark, John
we ha'e seen, John
An
An
An
An
±
-unf-
der-son, < my
der-son, my
der-son, my
der-son, my
jo I
jo.
Jo.
jo.
380
Her Bright Smile Haunts Me Still
Wilh agression
W. T. Wrighton
^i^SZf.
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X. 'Tia yean since last we met, And we may not meet a -gain;
2. At the first sweet dawn of light. When I gaze np- on the deep,
3. Fyo sail'd 'neath a -lien skies, I hare trod the des-ert path.
I haTa
Her
I have
W^
fe
' I '
^
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^-
X
1 I J rt
i— j 4 i ^
t±
3trt
^^^E^
Ugaio
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5
i^
^Ffe^
raff.
^
atefiipo
BE
stmg
form
seen
^^
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t
^S
gled to for -get,
still greets my sight,
the storm a -rise.
But the stmg
While the stars
Like a gi
gle was inyaia;
their yig - lis keep ;
ant in his wrath ;
^
For her
When I
Er-'ry
-T-
3
t
i
M
t
i
t
i
^^
ralL a imnpo
y?e-
:?
^S
voice lires on the breeze,
close mine ach-ing eyes,
dan - ger I have known,
And her spir-it
Sweet dreams my
That « reck-less
oomea at will;
sen-ses fill;
life can fill;
In th«
And froni
Yet her
ytg=^
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i
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Her Bright Smile Haunts Me Still
ralL/t\
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J3^^=r^
381
a tempo
X
^
mid - night, on the seas,
sleep when I a - rise,
pres - ence is not flown.
Her bright smile haunts me still.
Her bright smile haunts me still.
Her bright smile haunts me still.
For her
When I
Ev-'ry
1^
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t:t=d=:t
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It
a tempo
^
1=3:
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vi/
TOice llres on thebreexe,
close mine ach - ing eyes,
dan - ger I have known.
And her spir
Sweet dreams
That a reck
it comes at will ;
my sens- es fill,
less life can fill ;
In the
And fiom
Yet her
I I I III
n
X
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rrr
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3
ft\
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night, on the seas,
when I a - rise,
ence is not flown,
-^ — ' — ' i:^
I
t
is
t
-«— »H
Her bright smile liaunts ice still.
Her bright smile haunts me still.
Her bright smile haunts me stilL
-1—4—1
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882
Yankee Doodle
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X.
Fath'r and
I went down
to
camp A - long with Cap -
-tain Good
-win, And
a.
And there was
Cap -tain Wash-
-ing
- ton Up - on a slap -
ping stal •
- lion, A
3-
And then the
feath-ers on
his
hat, Theylook'd so tar -
- nal fin
- ey, I
4-
And there they
had as wamp
-ing
gnn, As big as a log
of ma
- pie.
5-
And
er - 'ry
time they ilred
it
off It
took a horn
of
pow
- der; It
m.
6. I went as near to it my - self. As Ja - cob's on - dor - pin - in% And
fe
^s&
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I
there we saw the men and boys. As thick as has - ty pud - ding.
giv - ing or - ders to his men, I guess there was a mil - lion,
want - ed pes - ki - ly to get. To give to my Je - mi - ma.
On a deu - ced lit - tie cart,— A load for fa - ther's cat - tie.
made a noise like fa - ther's gun. On - ly a na - tion loud - er.
fa - ther went as near a - gain,— I tho't the deuce was in him.
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Chorus
P^J^=if=F=fR^
ft K
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Tan - kee doo - die keep it up,
Tan - kee doo- die dan - dy.
te
s
■«•
:X-
i
Yankee Doodle
383
^J' ; /I / \^=r-nr=f=^^iii
Mind the mu - sic «nd the step, And with the girls be hand - y.
7 It scared me so, I ran the streets,
Nor stopped, as I remember,
Till I got home, and safely locked
\n granny*s little chamber. Cho.
8 And there I see a little keg,
Its heads were made of leather,
They knocked upon't with little sticks.
To call the folks together. Cho.
9 And there they'd fife away like fun.
And play on corn-stalk fiddles.
And some had ribbons red as blood,
All bound around their middles. Cho.
xo The troopers too, would gallop up.
And fire right in our faces ;
It scared me almost half to death
To see them run such races. Cho.
XX Uncle Sam came there to change
Some pancakes and some onions,
For 'lasses cakes to carry home
To give his wife and young ones. Cho*
xa But I can't tell you half I see,
They kept up such a smother ;
So I took my hat off, made a bow.
And scampered home to mother. Cho.
Bohunkus
^
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jHjEEIg:
1==*=±
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There was a farm - er had two sons. And these two sons were brothers;
2. Now, these two boys had suits of clothes, And they were made for Sun - day ;
3. Now, these two boys to the thea - tre went,When-ey - er they saw fit ;
4. Now, these two boys are dead and gone Long may their ash - es rest I
5. Now, these two boys their sto - ry told,And they did tell it well :
^iz4=«3«±E|
EM3
F — t?— r— r^-
I
I
Bo -
Bo -
Bo -
Bo -
Bo -
n
m
H-*
hunk -
hunk -
hunk -
hunk -
hunk -
us was
us wore
us in
us of
us he
the
his
the
the
to
iJL
^
*
name of
ev - 'ry
gal - Pry
chol - era
hear - en
one, Jo
day, Jo
sat, Jo
died, Jo
went; Jo
sc-phus
se-phus
se- phus
se - phus
se - phus
p
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384
Listen to the Mocking Bird
Alice Hawtroxnb
^^^^m^^^^^^^^^^^
I. I'm dream-ing now of Hal-ly,
a. Ah I well I yet re - mem-ber,
3. When the charms of spring a - wak - en,
sweet Hal- ly,
re - mem- ber,
a - wak - en,
sweet Hal-ly, I'm
re - nem-ber, Ahl
a - wak-en, When the
m
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dream-ing now of Hal - ly,
well I yet re - mem - ber
charms of spring a - wak -en
For the tho't of her is one that ner - er
When we gath-er'd in the cot - ton side by
And the mock-ing bird is sing - ing on the
3^
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dies;
side;
bongh,
pr^
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She's sleep
Twas in
I feel
X
-i~
m
JtX
ing in
the mild
like one
the Tsl -ley,
Sep - tem - ber,
for - sak « en.
A
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1
Listen to the Mocking Bird
385
t
i-^^
^^^
t
val -ley,
tem- ber,
aa-keDy
the val - ley,
Sep - tern- ber,
for - sa - ken.
She's sleep
'Twas in
I feel
F*=^=J=«=J
ing in the
the mild Sep -
like one for -
:3=:|i=i==d=rt::t
(S
E
-6«-
r
r
val - ley,
tem-ber,
sa - ken,
And the mock-ing bird is sing-ing where she lies.
And the mock-ing bird was sing-ing far and wide.
Since my Hal - ly is no Ion -ger with me now.
^4=f=
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Firsts Solo ; then Chorus
ii=it=t
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Lis -ten to the mock-ing bird,
^ ^ ^ s
^ ^ ^
Lis-ten to the mock-ing bird,
^F^^3t.
^^
l=f=^
p:*
3==i
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tr
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Va-
9-
The
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386
Listen to the Mocking Bird
^— A
^^m
mock-ing bird still siag-ing o'er her grare,
3=^
Lie-ten to the mock-ing bird,
> J" ^ I' S' ^ ^
±
m
Lie-ten to the mocking bird , Still sing-ing where the weeping willows wave.
:d—4==Mz=: t-r i I I — i — I — I — r—f-jd:
i=d=r*
- — ^-"b"— b — t"!/ — ^ — ^ — ^ — ^
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t-
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Fr-n °
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1 — r— r
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O Music
ROUND
i
m
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mu - sic sweet mu - sic, your prais - es we'll sing, We
±
t
t
m
T
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will tell of the plefs - nre and glad -ness yon bring.
The Blue Bells of Scotland
387
i
Mrs. James Grant
Andante modercUo
Folksong
^m^^^^mt^=£=i=i=t
^P
5
X. Oh I where^tell me where is your Highland lad- die gone? Oh! where,tell me where is yonr
a. Oh I where,tell me where did your Highland lad- die dwell? Ohl where,tell me where did yonr
3. Oh 1 what, tell me what if yonr Highland lad be slain? Ohl what, tell me what if yonr
p5
^
High - land lad - die gone?
High - Und lad - die dwell?
High - land lad be slain?
9^stt
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P
t
t
f
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A—
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He's gone with streaming ban - ners where
He dwelt in bon - nie Scot - land, where
Oh, not true love will be his guard and
^E
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J-irzi
■^ ♦
a
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— a.
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B
no - ble deeds are done, And it's oh, . . in my heart I wish him safe at home,
blooms the sweet blue bell, And it's oh, . . in my heart I lo'e my lad - die well,
bring him safe a -gain. For it's oh,my heart would break if my Highland lad were slain.
388
We'd Better Bide a Wee
Moderaio
M V 1-* 0 # I
; M I N -x±
-fczd
1. Tht pair odd folk st hameyye iBled^Aic fnil and faiMac sair. And wed I ken tlMy'd
2. Whea iivt we told oar oto -ry, ladyTkeir bleasuc fell eae free, Tkej %xw^ bo tko't to
3. I tear Booalr,tke3r»refailtecbaitk^orwbenl8it a - part, Tbey'Utalko'HeAT'naae
^^^"n^^nr^ ^ j^^
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miae me, Ud, Gin I came hame nae mair; The griat is out, the
aell at all, They did bnt think of me ; Bnt, Ud - die, that's a
earn - est - ly, It well nigh breaks my heart ; So, lad - die, din - na
^w^
i
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Jfe
i^f
^^
^feiic^-i3Jrc
fc=t
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m
times are hard. The kin are on - ly three,
time a-wa, And mith-er's like to dee,
urge me mair, It sure - ly win - na be.
I can-na leave the auld folk now, We'd
I can*na leave the auld folk now,We'd
I can-na leave the auld folk now, We'd
pt^^^^m
■^■%
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P
X
€-?biff-
pj- ^j 'LU ^ 'i- ^ —
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We'd Better Bide a Wee
389
I j
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bet-ter bide a - wee, I can -na leave the auld folk now, We'd bet-ter bide a - wee. . .
dr
^
ll f it I
^m
^^^
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He Leadeth Me
Rev. Joseph H. Gxlmore
W. B. Bradbury
i^^^j^
m,
l!^=t
Si|=^^^
r
I. He lead- eth me I O blesa - ed thought 1 0 words with heav'n'ly com -fort fraught 1
a. Lord, I would clasp Thy hand in mine, Nor ev - ermnr-mur nor re -pine;
3. And when my taak on earth is done, When by Thy grace, the Tic -fry's won,
1^^
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What -e'er I do,wher-e'er I be. Still 'tis God's hand that lead - eth me. He
Con - tent, what-ev - er lot I see, Since 'tis my God that lead - eth me. He
B'en death's cold wave I will not flee, Since 'tis my God that lead - eth me. He
g^ff^Pf^
i
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3::
i=i=F
r^H
m
^^^^^^^^^^^m
lead- eth me. He lead- eth me ! By His own hand He lead-eth me. He lead - eth me.
4L J .^. .^L ^. ^. .0. -p.
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wm
390
Sailing
Godfrey Marks'
gj;:xmj'^'ir'rr-i^^g^^
3==t
-^
I. T'hesayelKol
a. The sal -
3. The tide
my lads,
lor'8 life
is flow
the wind blows free ; A pleas - ant gale is oa our lee, And
is bold and free ; His home is on the roU-ing sea, And
ing with the gale ;T>heayeho ! my lads, set er - 'ry sail. The
^4-
P^^p^p^^i^^^
isd
^1
cres.
soon a - cross the 0 -cean cl^r Our gal - lant barque shall braT - ly steer ; Bntere we
nev-er heart more tme or brave t£sji he who lannch-eson . . the ware. A-far he
hsr-borbar we soon,shair clear, Fatb-well once more to home so dear; For when the
^^^^^^^
part from England's shores tonight A song we'll sing
speeds in dis-tant climes to roam ; Withjo-cund song
temp - est ra - ges loud and long, That home shall be
3i^g^^S
for home and beau-ty bright,
he rides the sparkling foam,
our guid-ing star a - mong.
Sailing
391
^
^
^-tr
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¥-
T
Then here's to the sail - or and here's to the hearts so true Who will think of him up -
^^
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ad lib.
s^iin^^m
d=3:
t:-:|?-±t±i^f
t
on the wa-ters bine.
Sail - ing, sail - ing o -Ter the bound-ing main ; For
4 nJ . ,.< ! I I fr
#-»-
t
m.
^1=^=?=^
iiut-ny a storm - y wind sluill blow ere Jack comes home a • gain.
^^
^^
ttrf^i^Jffc-
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Sail - Ing, sail- ing
/
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o-rer the bounding main ; For ma-ny a stormy wind shaU blow ere Jack comes home a - gain.
Those Evening Bells
Thomas Moorb
FtnHvely and in tnoderate Ume
Attributed to Bekthovkit
^
^
t
t^
^
^
JTJLJ ^
1, ThOM ere
a* ThOM joy
3. And BO
ning bells,
ons boun
'twiU be
thoeeoTe
are past
wben I
ning bells,
a - way,
am gone,
How ma - ny a
And, ma - ny a
That tune - fnl
^
n
X
.in
T=:q=5
T=:t
J-
■i=t
^
e
legato
i> r- ^ J' I f ■ t4L(jaki^i^^
p
tale . their mn - sic tells, Of youth and home and that sweet time, When
heart, that then was gay. With - in the tomb now dark - ly dwells, And
peal will still ring on, While oth - er bards shall walk these dells, And
^-r-t
^^$
t
V 2
last I heard their sooth - ing chime! Of sooth
hears no more those ere - ning bells! With - eve
sing your praise, sweet ere - ning bells. While eve
^
t
ing chime I
ning bells !
ning bells.
i
Modcraio
The Bull-Dog
393
I. Ohl tlM boll-dog on the bank I And the bull- frog in the pool; Oh! the bull-dog on the
a. Oh I the bull-dog etoop'd to catch him,And the snapper caught his paw; Oh I the bull-dog stoop'd to
3. Says the mon-key to the owl, ''Owhat'll you hare to drink ?" Says the mon-key to the
4. Pharaoh's daughter on the bank; Lit - tie Mo- ses in the pool ; Pharaoh's daughter on the
^^^3
m^.
— f-
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i
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Piu allegro
^^mm^m^
i
bank I And the bull -frog in the pool ;
catch him. And the snap-per caught his paw ;
owl, "0 what'll you have to drink?"
bank; Lit -tie Mo -ses in the pool;
_ rilard, /f^
Oh 1 the bull-dog on the bank, And the
Oh I the bull-dog stoop'd to catch him,And the
Says the mon-key to the owl, *'0
Pha-raoh's daugh-ter on the bank ; Lit - tie
S^
^-
-i-
^
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»--«-
^ — ^- 1-* — m — ri — ^-t^—M—m — p —
X- 1-^ U U 1^ iJ — l^-l-^ M — 21-
bull-frog is the pool. The bull - dog call'd the bull-frog A green old wa - ter fool,
snap- per caught his paw; The pol-ly-wog died a-laughing To see him wag his jaw.
what'll you have to drink?" ''Since you are sover-y kind, I'll take a bottle of ink."
Mo -ses in the pool; She fish'd him out with a ten-foot pole,And sent him oil to school.
^a=p
■r- -■
g-q-W -U-:qr-C=^- C:^:
¥
p^^^=^^
Z
Chorus
Slttg-ing tra, la, U, la, la, la, Sing-ing tea la, la, la, la, la, la, Sing-ing
J U-l-
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F=FFi^H£|ZE£
r I M
-H^ -4^.
Repeat pp
V — jr^' ■ — ^' ^^ — I' — " — I tK — tf — v—\ p — V — »■ — t' — ^
tea, la, la, Sing-ing tea, la, la, tea, la, la, la, tea, la, la, la, tea la, la, la, la.
Essrsr- J bi-J ■ -2
^-W—d *=¥* M—lt
^-•M=i
F=F=tt
+
^jv_|^4v_4
■Sh-
-F 1-: 1 ■ 1-
-l^^-Js-l
M-$ -ft-0
u-S=L,_^.
9H
Nancy Lee
Fred E. Weathult
WilhspirU
Stephen Adams
X. Of aU
a. The bar
3. Th« boa'
^pKi
m
UiftwiTas as e'er yoo know,
bor'8 past, the bieex - es blow,
- f'n pipes the watch be - low ;
• • • •
Teo
Teo
Yeo
ho! . . ladsl
hoi . . ladsl
ho ! . . lads I
Pt=i^^
"VITJ
t:-n-^l — ^
a:^^^
tS
hoi Teo
hoi Yeo
hoi Yeo
ho I . . yeo ho I There's none like Nan -cy Lee I trow,
hoi. . yeo ho I 'Tis long e'er we comeback I know, . .
hoi. . yeo hoi Then here's a health be -fore we go, . . .
Nancy Lee
395
^
m — P P-
■F
paJ^^^fa^J^
t
s
waves her hand up - on . . the quay,
morn till night my home . will be,
my sweet wife and mates . at sea,
An' er - 'ry day when I'm a-way, she'll
An' all so neat an' snug an' sweet,for
An' keep my bones from Dar - y Jones wher-
H^^
-«M^
gr=£^e^..£JSs^^^g^g
watch . for me.
Jack . at sea,
o'er we be,
An' whis-per low when tem- pests blow, for Jack
An' Nan - cy's face to bless the place an' wel
An' may you meet a mate as sweet as Nan
at
come
cy
^^m
13^
t
-«-^
-*-=»-
sea; Teo hoi . . lads! ho!
me; Teo ho! . . lads! ho!
Lee; Yeo hoi . • ladsl hoi
yeo hoi
yeo ho!
yeo hoi
^
^
The sail - or's wife, the sail-or's
The sail - or's wife, the sail-or's
The sail - or's wife, the sail-or's
^^^
:m=»:
T--
H^^
ii;^E
896
Nancy Lee
•Ur • fballbe, Teo
hoi
we go a -
the sea! . The sail-oi's
: — :i-r$:-; — -— -
wife, the eail-or'f ftar
•hall be, The sail - or's wife his etar shall be.
Samuel K. Cowan
mf Allegro moderato
Out on the Deep
Fkedeeic N. Lohb
^^^^^m
-^-
dziJSiJSft
I. Out . . onthedeepy whentheson
a. Out . . oa the deep, when the aim
is
is
N— ^
low, . . And the sea with splen - dor
dead, . . And the lirst sweet stsr doth
^^^m
mf
- y
mareoto
^m
e
3=^
*1 *1 ^
eres.
^ — ^ ^ — I
*:
^g^^^^F^^
With his sea - ly spoil from his ere - ning
Of a day that is dead and a lore is
toil, The
ded, The
^£"^=^3
-1^
Out on the Deep
897
^^
i
^w^^m.
■3s^^
— K— -N-
fish - er home - ward turnsi
fish - er oft will dream, .
And his oars flash bright, in the
And he thinks, though far, . . like that
0 - cean light, . . And he knows that eyes on shore
first bright star, . . She is still . . be-yond, as of yore, .
Look
And his
J-
out
oars
• • •
on the deep
gleam bright
for his bright
in its sweet
oar sweep; . And he
pale light, . . And he
H.
* * * *
-*■ tt-
m
=;4:
r=*4
^-
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5^
:±
■ri~
i^*
i-ft*.
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f
•-•—-»—*-
t:}^
■-■^
^fctrit
sings as he swings his oar: .... "A long sweep, lads, and a strong sweep,
sings as he plies his oar: .... "A long sweep, lads, and a low sweep.
I
— q
i5
.51-—
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£^ss!^i&a[
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r
0:r:=-inz
r
±n
898
Out on the Deep
^j. jj'j'ir
cres.
:Z5Hr
boys, And a soog as a - way we go I ... .
boys, And a song as a - way we go 1 ... .
For the hearts that
For the star of
^tefji^^^^^
s^^
1 — \-
^m
fe
i
^
yearn for our home re - torn, When the eye - ning sun is low, . . .
Lore, that is bright, a - bove, And its gleam in the wave be - low, . . •
t¥
■^
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f
^j. J- i"i°
-jtL
fe
bjr«=5:
*:
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molto ralL
^ mf a tempo
dim. poco a poco
Out on the Deep
399
Aura Lee
t. As the black - bird in the spring, 'Reath the wU - low tree
a. On her cheek the rose was born ; 'Twas mu - sic when she spake ;
t
t
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4= tr-
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tr.
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Sat
In
^ r
and pip'dy I heard him sing. Sing of An - ra Lee.
her eyes the rays of morn, With sad - den splen - dor break.
f=f
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Jlziidi:^^
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An
ra
Leei
X
X
f
An -
ra
Lee!
t
t
Maid of gold - en
-4r-, V -f -tr-
hairl
f:
;
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^y
i
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i=(*
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Sun - shine came
a - long with thee. And swal-lows
in the
air.
i
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i
£
-(5>-
1
40PS
BL C« SltWMMM9Cf9
Let Me Dream Again
I^
»- « i
Jbit
•toad bc-sidatke wide - M sate,
•( tlM «T - cr - iect - iMf haw.
= ^ — y—
Tke bdls are riBg-ta(
tke
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TS:
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s** T
-.mr-rt
«— «
*— *■
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dy - iflg dajr The chil - dren sing-ing on their home - waid way, Aad
- ward sUdee, For time may pass a - way, but lore a -bides I I
jf^
W
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Fi
t
F4"q|:'.-.. .-=::;i;^^l
if
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_i jg X •
cre#.
dim.
p
zij:=w:tfsi
V
he la whiap'rins; words of sweet in - tent, While I, half donbting^
feel hia kias - es on my fer - 'red brow, If we must part.
^^^^^
r-i--i— r
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(Hm,
e^^
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ran.
t
tK
r .^ -P^
t
Let Me Dream Again
un pooo piu lento
2^
— * — zj — r
whis - per a con- sent,
ah ! why should it be now ?
t
pp
^^
401
t
a dream?
a dream?
then
then
wak - ing would bo pain.
Oh I do not wake mo.
mo dream a -
^^
m
m
ores.
8
I J. i\f'
8
cres.
?
i
s
s
N — ^-
m
gain.
Is thia a dream?
then wak - ing would bo pain,
I
/
//
ap^assioncUo ad lib. conforza
?»=?
■tr— y-
MTr^rj-T^
/IN
^
Oh I do not wake me, do not wake me, let me dream a - gain.
402
Sally in Our Alley
Henry Camxy
Andante
Old English Mr
^^^^^
^
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f
T
m
A-
1=t5:
I. Of all the girls that are so smarty There's none like
a. Of all the days with - in the week, I dear - ly
3. My mas - ter, and the neigh- bors all, . . Kake game of
pnt- ty
lore bnt
and
^^E^^^^-
z
P
V
1
rnr
Sal - ly ; She is the dar - ling of my heart,
one day ; Anl that's the day that comes be - twizt
Sal- ly; And but for her I'd rath - er be
^
=f==S
i^=|:
t
And Utcs in oar . .
The Sat - nr - day and
A slave, and row a
t
:£
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f
^
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g^^^B^^
O r r ^ ?
al - ley : There is no la - dy in the land That's half so sweet as
Hon -day: Oh, then I'm dress'd all in my best, To walk a -broad with
gal - ley. But when my seven long years are ont, Oh, then I'll mar - ry
i
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i-
1
i
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p
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Sally in Our Alley
403
/rs
t:^:t::X=}
t
■* — ^
4:
:^E^:
Sal - ly; Sha is the dar - ling of my heart, And lives in our
Sal - ly; She is the dar - ling of my heart, And lives in onr
Sal-ly, And then how hap -pi- ly we'll live I But not in onr
r^
:t=r^
B
aT- ley.
al-ley.
ml - ley.
The Quilting Party
AndanU
^^^^^^^
I. In the sky the bright •tars glit-tered, On the bank the pale moon shone ; And 'twas
a. On my arm a soft hand rest - ed, Rest - ed light as o - cean foam ; And 'twas
3. On my lips a whis - per trem - bled) Trem-bled till it dared to come ; And 'twas
4. On my life new hopes were dawn-lng, And those hopes have lir'd and grown; And 'twas
3
t — r=^
T
m
cres.
-%
— =3— f-j — 1^ — r=^3 d — 3— FS^ —
-it
I
3 — ^
U_^_- 1
9t
T
from Annt Di - nah's quilt - ing/ par - ty, I was see - ing Nel - lie home.
r — r
t
^ V ]/ \/ i>
t
t
P Refraim
r
1
^^^^^^m
t=M^-J=M=i:
4
i^^
4-
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cres.
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.:piiz
■~tS^
I was see - ing Nel - lie home, I was see - ing Nel - lie home ; And 'twas
T- r — ■ i—^-=-T~^ f — F-r-T-^-T— T— T-^
Jc::^:
V — t?-
*:
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^
h=i:
t
4^— J-
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m
T
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V-
-jL
^
dim. e rit,
\ N I
g^^l
^i
from Annt Di - nah's qnilt - ing par - ty, I was see - ing Nel - lie home.
I
1 — r
X
E
tt
r
I
404
The Star-Spangled Banner
Francis Scott Key Samusl Arnold
rmrri
^
^
t=^
X. Oh I say, can yon
a. On the 8hore,dim - ly
3. Oh I thus be it
f=«
by the dawn's ear - I7 U{lit, Wluit so prond-ly we
seen thro' the .mists of the deep, Where the foe's hsnghty
eT - er when free- men shall stand Be - tween their lored
z5^^=^S
t=t
^.
n?f=^
f
i
i
BEE
P
^
r^
r
^m
hailed at the twilight's last gleam -ing, Whose broad stripes and bright stars thro'
host in dread si - lence re - po - ses. What is that which the breeze, o'er
homes and wild war's des-o - la- tion ; Blest with Tlc-t'ry and peace, may
the
the
the
^
per - il - ons fight, O'er the ram-parts we watch'd, were so gal-lant - ly streaming ? And the
tow - er - ing steep, As it fit - ful - ly blows, half conceals, half dis - clos - es? Now it
heay'n-res - cued land Praise the pow'r that hath made and pre-served ns a na - tion. Then
— W — b^jt
*
t
E
T
^m
i
T
^
irJJ ill jiijj'i
rock-et's red glare, the bombs bursting in air. Gave proof thro' the night that oar
catch -es the gleam of the morn-ing's first beam In full glo - ry re -fleet - ed, now
con - quer we must, when our cause it is just, And this be our mot-to, — " In
^^^^^m
^
^^^
t
^^F^
^^m
r
i
pocorilard. ^^
*=*
T*
3
T
flag was still there. Oh, say, does that star - span - gled ban - ner yet
shines on the stream ; 'Xis the star-span - gled ban - ner : Oh, long may it
God is our trust 1" And the star-span - gled ban - ner In tri - umph shall
The Star- Spangled Banner
poooritard.
405
^^^gii
wave O'er the land
I '■*v I a tempo
. of the free, And the home
^ poco rilarcL
of the brave.
Too Late! Too Late
Miss M. Lindsay
^^g3=^7T7. ^-E^s^^UtgfeEEE^I
I. Late, late, so late I and dark the night, and chill I Late, late, so late I But
a. No light had we : for that we do re - pent. And, learn - Ing this, the
"^^^m^
12^
;^
we can en-ter stilU
bride-groom will re - lent.
Too
Too
late! too
late I too
Ute, ye can-not en-ter
Ute, ye can-not en- ter
y^
now,
Too
t
latel
too
±
?
W:
-^
^:d•
r— * ■
i
late, ye cannot en-ter now.
^^11^:35;
i-
■^
is^
— ♦-- <
— I — I — t — . J-Ht 1— I — I 1 1 j i I — I
3*11
i
406
LfOch Lomond
Andante eon moto
Scotch Folksong
^
X
t
i
rZJJ ; J' J ^^E^ggEiiEgEl
^ — IS:-*
z. Bj yon bon - nie banks, and by yon bon-niebraeSyWhertthesun sbinea bright on Loch
a. 'Twas there that we part - ed in yon sha-dy glen, On the steep, steep side o' Ben
3. The wee bir- dies sing and the wild flow-era spring, And in son-shine the wa -tera are
i
ss
t
a=£f=i=j=pi^^^
Lo • mon', Where me and my true lore Were er - er wont to gae, On the
Lo - mon'. Where in pur - pie hue The Hie -land hills we view, And the
sleep - in'. But the bro-ken heart it kens Nae sec-ond Spring a - gain, Tho' the
^^
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m
b:
t^
■■^
f— ^--J— >
^i
*
-dr-ir
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^
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m
i
m
3
/:^ Faster
I-.
t
5
bon-nie, bon-nie banks of Loch Lo - mon' Oh ! ye'U tak' the high - road and
moon com-ing out in the gloam - ing. Oh ! ye'll tak' the high - road and
wae-fu' may cease frae their greet - in'. Oh ! ye'll tak' the high - road and
/s\
Loch Lomond
407
^ ens.
roll
t=*
t=t
V=^-
I'll tak' the low-road, And I'll be in Scot-land a - fore ye, Bnt me and my true lore will
5 ♦ ■#•
3
a tempo
^^
-^
ner- er meet a- gain On the bon-nie, bon-nie 1>anke of Loch Lo
/IS
mond.
Anonymous
German Folksong
I. Sl-lent night, peace-ful night! AH things sleep^shepherds keep Watch on Bethlehem's silent hill,
a. Bright the star shines a - far, 6uid-ing tray'lers on their way , Who their gold and incense bring,
3. Lighta -ronnd I joyous sonnd I An - gel voices wake the air; '^Glo-ry be to God in heav'n ;
r-5-N
— 1 wts '- — t^f —f
I
And nn - seen,while all is still. An - gels watch a - bove, An - gels watch a - bove.
Of -fringe to the prom-ised King, Child of Da- Yid's line, Child of Da-Tid's line.
Peace on earth to you is giy'n,ChristtheSay-iour's come, Christ the Saviour's come."
408
Michael Roy
AUegreUo mf
A^*' u =^
^fe^JEEJ^gi^^SB
■* — »w
i
ft JS (
I. In Brook-lyn cit-j there lived a maid, And she wai known to fame; Her
a. She fell in lore with a char - coal man, Mc - Clos - key, was his name ; His
3. Mc - Clos-key shout-ed and hol-lered in vain, For the don - key would - n't stop, And he
^^
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A. ji_!!_ aj — sf — 4^
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3
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moth - er's name was Ma - ri Ann, And hers was Ma - ri Jane ; — And
fight- ing weight was sev- en stone ten, And he loved sweet Ma - ri Jane; He
threw Ma-ri Jane right 0 - ver his bead, Right in- to a pol-i-cy shop ; When Mc -
i
BfciJt
fe*ESi
^^m
m
f^mi
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r
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htzf.
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-- t-
ev - 'ry Sat - ur- day morn - ing She used to go 0 - ver the riv - er, And
took her to ride in his char - coal cart, On a fine St. ' Pat - rick's day, But the
Clos - key saw t'lat ter - ri - ble sight. His heart it was moved with pi - ty, So he
'^^-
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1
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Michael Roy
409
p£M=f^^?^^t=t!ii2l^:j^rLj_i j-|;7^
i
went to mar-ket where she sold eggs. And sass - a - ges, like -wise Ut - er. . .
don-key took fright at a Jer - sey man, And start -ed and ran a - way. . .
stabbed the don-key with a bit of char-coal. And start -ed for Salt Lake Cit - y. • .
^^g
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Chorus/
shoMted
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For oh !
for oh! . . he was my dar - ling boy, • . FOR
^
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Repeal Chorus pp
3zi
=Si
he was the lad with the au - burn hair, And his name was Mi - chael Roy. .
ate
m^
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4.
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410
Aht I Have Sighed to Rest Me
C. JerFEKTS From Vbrdi's "II Trovatore"
JndatUe aostenuto
^
X
xp:
*— ^
4*-
a^
2. Ahl • • • . Iharesigli'dto rest. . . me
a. Out . • . '. of tlieloTe I bear . . thee,
Deep • ... in the qni-et
Yield . . . • I my life for
1 1ll 1
1 111 1
,,|4!.,«I-«F
'-J J ^
J^
*1 *1 J *1
i
I
z
t
-» +■
-V — >^
graye,—
thee;
aigh'd to rest me
Wilt thoa not think, . .
Bat in vain do I
wmthou not think of
#=^#"^:^^^^^^^
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crave,
me?
0 fare
0 think
m
thee well, my Le - o - no - ra,fare thee well 1 . .
of me, my Le - o - no - ra,fare thee well I . .
^^^|^i^^^j^^^^4
-Jr
^^q-g^-=i[= *i *i J^
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Ah!
I have sigh'd for rest.
s
Tet all in vain do I crave.
w=-9;==.n=^
-=»— ^
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i
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■=1 !V
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Ah I I Have Sighed to Rest Me
411
^)'f~r ;
t-^
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^
^
^
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fare . . thee-well, my Le - o - no
rAyfare-thee-well I
weUI
J~j j^ n K-n-^^-^m""ri§
col canto — -^ a tempo
' J 4 J- -4- ^
"5
a tempo
tcitzrt:
E
^S
=: K:
^ ^ 'i_M^
V — k
«
Oat of the love I bear thee,
Tho' I no more be - hold thee,
Yield I my life for thee. Ah 1 think of
Yet is thy name a spell, Yet is thy
me,
name
ah I think of me, my Le - o - no - ra, fare -thee -well I
yet is thy name a spell,
412
Ah ! I Have Sighed to Rest Me
Andante
The Two Roses
Malb Voices
Werner
i
r ^ 1— a=^
I. On a iMink two ro-sM fair, Wet with morn-ing show -en, Fill'd with dew in
a. Thus in leaves of white ar-rayed, Not a speck to dim them, So I find the
3. Like her cheeks the blnsh-ing ray, Which the bud en - clos - es. Bright-er far than
cres.
^^
■^ ^^-1^ tni\! ^^
fra*grance grew, As I, pen - sire, full of care, Gath-ered two sweet flow - ers ;
spot -less mind Which a - dorns my spot-less maid. In - no-cen - ce's em-blem.
yon they are; But her charms, if I should say, You'd be jeal - ous, ro - ses.
^^^Tg M? C i; ^'J J''l^ ^^ Jl^' ^1
ki:^=g-H+M=f- f' \) F [ ^ri=^^
Meerschaum Pipe
413
m
s
■* fS
ri-rrm
^
i
r t r
?
z . 0 who will tmoke my meerschaum pipe,meer8chanm pipe,0 who will smoke my meerschaum
2. 0 who will use my green nmbrell', green um-brell% 0 who will use my green nm -
3.0 who will wear my cast-off boots, cast- off boots, 0 who will wear my cast - off
0 who will go to see my girl, see my girl 0 who will go to see my,
0 who will kiss her ra - by lips, m - by lips, 0 who will kiss her ra - by
^^^ i-r^ffi^=H
32:
■^r
y-HJ^
^
r~;iJ- ^int
r 1 1
^^
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f
pipe, meerschaum pipe,0 who will smoke my meerschaum pipe. When I
brell', green umbreU', 0 who will use my green um-brell', When I
boots,cast -off boots, 0 who will wear my cast - off boots, When I
girl, see my girl, 0 who will go to see my girl, When I
lips, ru - by lips, 0 who will kiss her ru - by lips. When I
am gone a
am gone a
am gone a
am gone a
am gone a
1
i
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rzi
-^-
■»■
^
I
?=7T'~J^
t
T
r
-s-
T
way ? Al - lie Ba - xan, Pat - sey Mo - ran, Ma - ry Mc- Cann,Cann,Cann I*
way ? Some oth-sr man. Some oth - er man. Some oth - er man, man, man I
way ? Al -lie Ba • san, Pat - sey Mo - ran. Ma - ry Mc -Cann,Cann,Cann I
way ? Al - lie Ba - xan, Pat - sey Mo - ran. Ma - ry Mc -Cann,Cann,Cann I
way ? Al - lie Ba - zan, Pat - sey Mo - ran. Ma - ry Mc - Cann,Cann,Cann 1
•< * ■■ ' ' ■ ' ■ '
• Or, on last two notes, any stanxa, **Bad Man I"
414
Fred. E. Wbathxrlt
Con spiriio
The Midshipmite
SvKPHKN Adams
MU^m
^ — » — J. • —
^
I. 'Twasin fif - ty- five, on a win-ter's night, Cbeer-i - ly, my lads, yo hoi We'd
a. We Unnch'dthe cut - terandshCTodber out, Ch«er-l - ly, my lads, yo hoi The
3. " I'm done for now ; good - Kft I " says he, Stead-i - ly, my lads, yo ho I " Ton
J
UEK
m
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atzzat
-ka,^ — <t
got the Roosh - an lines In sight. When up comes a lit - tie
lab - bers might ha' heard .us shont. As the Hid - dy crled| " Now^my
make for the boat, ney-er mind for mel" "We'll take 'ee bact, sir, or
g^Nj ;j^,,^te^
Mid-ship-mite, Cheer-i - ly, my lads, yo ho 1 " Who'll go a - shore to-night, " says he, "An'
lads,put a-bont ; Cheer-i - ly , my lads, yo ho ! We made for the guns an' ramm'd 'em tight,Biit the
die," says we 1 Cheer-i - ly, my lads, yo ho 1 So we hoisted him in, in a terrible plight,An' wr
^7 •••• •
The Midshipinite
416
spike their gann a - longwi'meV^'^Why, bless 'ee, sir, come a-long I " says we,
mns-ket shots came left and right, An' down drops the poor lit- tie Mid - ship-iAite,
poU'd ey -'ry man with all his might. An' say'd the poor lit -tie Mid -ship-mite.
Cheer-i - ly, my lads, yo ho 1
Cheer-i - ly, my lads, yo
hoi
• ■ •
With a
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roll.
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a tempo
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row.
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long, long pull,An' a strong,strong pull, Gal - ly, boys, make her go ?
. And we'll
i
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^=^
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drink to-night To the Mid - ship-mite,Singing cheer-i - ly, lads, yo ho 1 .
• • •
roT^:
I
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416
With energy
Firmly Stand, My Native Land
(Male Voices)
Nagkli
I. Firm-ly stand, flrm-ly stand, my
a. Safe - \j dwell, safe - ly dwell, my
3. Sing for joy, sing for joy, my
m
±A:
HI— «-
fcig:
r — r
na
IM
na
1/ ? I ' y
tiye land. Firm - ly stand, firm - ly
tiye land. Safe - ly dwell, safe - ly
tiye land. Sing for joy, sing for
^
=?^f=
i
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S!
r
i
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stand, my
dwell, my
Joy, my
I
^i
3^
■x-*-t-
na
na
na
tiye land. Free in heart, and true in hand, All that's love
tiye land. May thy sons n - ni - ted stand, Firm and tme
tiye land, In thee dwells a no - ble band. All thy weal
for-
to
fS
S-
M
f
m
M
I — "^S^-
m
Cher- ish ; Thus shall God re-main thy friend. Then shall heay'n thy walls defend, Free^dooi I
ey - er ; God for-bid the day should rise, When 'tis said our free-dom dies ! Free-dom 1
Cher- ish ; God with might will guard thee round. While thy steps in truth are found, 1 teedom I
H
i^r
z--=^
Free - dom 1
Free - dom !
Free - dom 1
•-I-
5^
■'=-= n
1/ ^
Freedom shall not
Freedom die? Oh,
Freedom shall not
tf
7
=5-
per
ney
per
ish!
erl
ishl
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1
Firm-ly stand, firm-ly stand. Firmly
Safe-ly dwell, safe-Iy dwell, 8afe-ly
Sing for Joy, sing for Joy, Sing for
417
Dear Evelina, Sweet Evelina
^
^
mf AlUgreUo
^^
t=t
irrr
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^^
I. Way down in the mead -ow where the lil - y first blows. Where the wind from the
a. She's fair like a rose, like a lamb she is meek, And she nev - er was
3. Ey - e - li - na and I one fine eve - ning in June Took a walk all a -
4. Three years have gone by, and Pye not got a dol-lar, Ey- e - li - na still
m
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tnf
i-i ■ i i
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P'^^^i-*=^ — »
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t
moun-tains ne'er ruf - fles the
known to pnt paint on her
lone by the light of the
liyes in that green gras - sy
rose; Lives fond Er
cheek ; In the most grace
moon ; The plan - ets
hoi - ler ; Al - though I
J— I I
e - li - na, the
ful carls hangs her
all shone, for the
am fa - ted to
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sweet lit - tie dore, The pride of
ra - Ten black hair. And she ner - er
hear • ens were dear, And I felt round
mar - ry her ner - er. Pre iwom that
the yal-ley, the girl that I loye.
re - quires per- fum - er - y there.
the heart tre-men - doni - ly queer.
I'll lore her for ey - er and oyer.
^
i
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9
i
^SiEl
H«-
418
Dear Evelina, Sweet Evelina
^
Chorus
3
m
t
ate
^m
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Dear Ey - e - 11 -
sweet Et - e - 11 -
My love for
m
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thee
shall ney - er, ney - er die ;
neT - er, ney-er die.
^^m
3
9
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Hail! Columbia
J. HoPKiNSON Phyla
W F^^ *=^ — ^ — >— at-^tp.^^ p I ' • i=i
X. Hall 1 Colom - Dia. hap - py land I Hall I ye he - roes, heay'n-bom band. Who
9izfcfizi=
X. Hall 1 Colom - oia, hap - py land I Hall I ye he - roes, heay'n-bom band. Who
a. Im - mor - tal pa - triots, rise once more I De - fend your rights, de-fend your shore ; Let
3. Sound, sound the trump of fame I Let Wash - ing-ton's great name Ring
4. Be - hold the chief who now com-mands, Once more to senre his coun - try stands^ The
N ^^. -^. - - - . { :^'p^ _ f: ?: ^ ^ -
]
f^g=
N^^^
1- — r — r — r
^
fought and bled in
no rude foe, with
through the world with
rock on which the
j-^^. — .-
free - dom's cau8e,Who fought and bled In
im - pious hand, Let no rude foe, with
loud ap - plause I Ring thro' the world with
storm will beat I The rock on which the
free - dom's caQse,And
im - pious hand In -
loud ap- plause! Let
storm will beat ! But
¥
J
4^
^
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a
Hail! Columbia
419
^^^^^mi^^ii±Asn
1/ I t/
when tbe storm or war was gone, En - joyed tbe peace yonr yal - or won ; Let
yade the shrine where sa - cred lies, Of toil and blood, the well-earned prize; While
ey - 'ry clime, to free - dom dear, Lis - ten with a joy - ful ear ; With
armed in yir - tue^ firm and true, His hopes are fixed on Heay 'n and you ; When
^^^
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In - de-pen-dence be yonr boast, By - er mind-fnlwhat it cost,
off - 'ring peace, sin -cere and jnst, Inheay'nwe place a man-ly trust. That
e - qnal skill, with stead -y pow'r. He goy-ems in the fear - ful hour Of
hope was sink-ing in dis - may. When gloom ob-«cured Co - lum-bia's day, His
^wf-^nj^^^^^3:^=^^^
i
^^^^^^^^^
t=:t
Xy - er grate -fnl fur the prize. Let its al - tar reach the skies,
tmth and jus - tice may pre - yail. And ey - 'ry scheme of bond - age fail I
hor - rid war, or guides with ease. The hap - pier time of hon - est peace,
stead - y mind, from chang-es free, Re-solyed on death or Lib - er - ty.
9•u'^b L I
SH
F=f^
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Chorus
R^feNg
Firm, n- nit - ed, let
us
T
be, Rally - ing round cur lib - er - ty.
m
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—»_=«-- ■— f-^f — r — I — Y
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As a band of
t
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broth - ers joined. Peace
-■j-i
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and safe - ty we shall find.
m
f
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420
Kitty Tyrrell
m
Charles Jefferys
AfidarUe nan iroppo
■frHV
C. W. Glover
*» — p^ — ^
m
N— ^-
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fK
t. You're look-ing as fresh as the morn,
a. I'ye bniltme a neat lit-tle cot,
3. You're smil-ing, and that's a good sign,
dar - lingyYon're look-lng as bright as the
dar-ling,I'Te pigs and po- ta*toes in
dar-ling,Sa]r"yes"andyoa'llneT-er re -
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day;
store;
pent;
t
m
p=r:
But while on your charms I' m di-lat-ing. You're steal-ing my poor heart a -
Pre twen-ty good pounds in the bank, loye, And may-be a pound or two
Or if yon would rath-er be si-lent, Your si -lence I'll take for con-
^^
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Its loss I'm not go-ing to
But I'msuch a cor- e - tovs
Now all that I have ia your
Kitty Tyrrell
421
i
*-- ^
i^—* ji/g '^«^' ^i']
t
=^a::^Tji
monnx;
elf,
Tet one heart's e-noagh for a bo-dy, So pray{;iTeiiie70iir8iii re-
I can't help still sigh - ing for some-thing, And,dar-ling,that some-thing*8 yonr-
This^eekyonmaybe Kit-ty Tyr-rell, Neit week yonll be Mis-tress Ka-
aplacere
/tN
[|a^^iqiff^^^^^%fe^feLjy.=^
torn.
self.
lone.
Ha-Tonr-neen,
Ma-TOur-neen,
Ua-Yonr-neen,
ma-Yonr-neen,
ma-Yonr-neen.
ma-YOor-neen
0 1 pray glYo me yours in re-turn.
That some-thing,you know is your-self .
Tou'Ube my own Mis-tress Ha-lone.
Rock of Ages
A. M. TOPLADY
Thomas Hastings
^m
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X. Rock of A -
D.c. Be of sin
a. Could my tears
D.c. In my hand
3. While I draw
D.c. Rock of A ^
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Fine
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ges, cleft for me, Let me hide my- self In Thee:
the dou - bU cure^ Save from wrath and make me pure,
for - eY - er flow, Could my zeal no lan-guor know,
no price I brings Sim 'Ply to Thy cross I ding.
this fleet - ing breath, When my eves sluul dose in death,
ges^ clefi for me^ Let me hide my - self in Thee,
U I L
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Let the wa - ter and the blood. From Thy wound - ed side which flow'd,
These for sin could not a - tone. Thou must saYe, and Thou a - lone:
When I rise to worlds un - known, And be - hold Thee on Thy throne,
i. f ^^9^ 0 -■?= •— r-i2 fc i—r^-^ • "t—
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422
My Mother's Bible
GiORGK P. Morris
^With great feeling and expression
Hknry Russkix
zxjL
J — f^p-
t
^^
X. This book is all that's left me now I Tears will un -bid - den start 1
a. Ah, well do I re - mem -ber those Whose names these rec-ords bear I
3. My fa-therread this ho - ly book To broth-ers, sis - ters dear !
4. Thon tm - est friend man er - er knew 1 Thy con-«tan - cy I'to tried !
With
Who
How
When
iS\ * \rp I
j..^" 4..J.
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ft
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fal - t'ring lip and throb - bing brow, I press it to my heart. For
round the hearth-stone used to close, Af-ter the ere - ning prayer; And
calm was my poor moth - er's look, Who leaned God 'sword to hear! Her
all were false I fonnd thee true, My conn • eel - lor and guide. The
fe
-^
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- ny gen - er - a - tions passed Here is our fam - 'ly tree I
speak of what this Tol - ume said, In tones my heart would thrill : .
an - gel face 1 I see it yet I What throng-ing mem - 'ries come 1 .
mines of earth no trees - ures give, From me this book could buy ; .
My
Though
A.
For,
wm
i
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My Mother's Bible
ralUntando
s^s^
423
H
^
X
I
moth - er'8 hands this bi - ble cIasp6d,She dy-ing gave it me.
they . are with the si - lent dead, Here are they liy - ing still. ,
gain that lit - tie gronp is met With-in the halls of home 1
teach - ing me the way to live, It tanghtme how to die. .
S. F. Adams
fe-j— 1
Nearer, My God, to Thee
L. Mason
^^^
I. Near - er, my God, to Thee^Hear- er to Thee;
a. Thonghlike the wan-der-er, The sun gone down,
3. There let the way ap-pear Steps un - to heaven;
4. Or if on joy - ful wing,Cleav-ing the sky,
^^^
X
X — t-t
H F W-
E'en tho' it be a cross
Dark-ness be 0 - ver me,
All that Thou send -est me
Sun, moon, and stars for - got,
J.
v^
t
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T
X. *— #-
r
If-
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si^^PS
m
i=s
A-
r — r
r— r-
— I-
-er.
-er.
my Goi, to Thee,
my God, to Thee,
That rais- eth me, Still all my song shall be. Near
My rest a stone, — Yet in my dreams Pd be Near
In mer - cy given ; An - gels to beck - on me. Near - er, my God, to Thee,
Up - ward I fly. Still all my song shall be, Near - er, my God, to Thee,
4U
The Flowers that Bloom in the gyring
W. S. GlLMCST FniM SULUTAX'S
i ' r T—^-^^^-m.^^^^ -^ j— ^—^ 1
« ^ — I — ^ 0 __i
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^
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w«l • COBM the hope that they brint, Tra la. Of a anm • mer of lo - ees anl
BMMt ttn-at- trac -tiTe old thing, Tn la, With a car - i - ca-tme of a
mi
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PA .^;^^^-m=^^m
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wine, Of a sum -mer of ro - aetaadwine,
face, With a car - i-ca-ture of a face,
^ ft -'^-r^"'^ip^
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And that's what we mean when
And that's what I mean when I
3 5
The Flowers that Bloom in the Spring
425
t^
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— N
i
1^
e
My that a
M7 or I
thing Is wel-come as
sing, "Oh, both - er the
flow - era
flow - era
that bloom in the spring, Tra
that bloom in the spring I "Tra
±
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la la la la, Tra la la la la. The flow - ers that bloom In the spring,
Tra
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4.
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V^
Cooper's Song
m
Alleqro deciso
From Von Suppr*s •• Boccacio**
«— ^
t
s
^^
±
■^t-*
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I. From day to day my wife doth scold, it is my fate, And noth-ing else but
a. I tri - nmphyfor she flies be - fore my ham-mer's sound ; And peace to me is
ir
426
Cooper's Song
■■^-
-| — »-
m
^m
*
K=:t=K=J?
sing-ins;, With an - vil loud- ly ring- ing,
giy -an, For far a-way she's driy-en,
And joy - ial tra -la -ra - la, . . Can
By mer - ry tra - la -ra - la, . . It
ifa=j-^3
/T\
A V
:i=--w
t
S
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bring her down, tra - la.
makes her flee, tra - la.
Tra - la - ra la la la la la
Tra -la-rala lala la la
01 - a
oi - a
Twinkling Stars are Laughing, Love
427
I
Ddoe t kgato
J. P. Ordwav
^=*
It
:-t:
-«>■
X. Twink - ling
a. Gold - en
stars
beams
X
love,
love,
fztrfrirrrq
tritr
legato e delieaio
^=i
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t
t
t
:rd:
*
^
$
t
4:
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Langh-ing
Shin - ing
on yon
on yon
and
to
me;
bless ;
1=^
m
'^
7E^-
t
While
Like
your bright
the qneen
eyes
of
look
night
in
ron
mine,
fill .
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t
X
The Bass Staff alone may be need as an Accompaniment for the first eight measures.
428
Twinkling Stars are Irfnighing, Love
. t —
e-4.
-*■
■* 1-
F
Tron
btet ooBe and go, lore,
rer lUn kow Mckt, lore,
MMb-er
nCkt;
mthnme-ly Big;ht,
— +-
X ! x = ! X
i
a:
^m
t
t
X
T
^m
But ' tlMttar of hope, lore,
Gam OS OS to bloM, lore,
Shiaeo with n - dUat bouu to-olcht
Put - ootTOws bore made to-aigbt.
^^T^^'^^^^IJ: i ' JTJ i '
i
m
*=*
f
f
Chorus
mri^
Twink-ling sUts an Uingh-iog, ><>▼•, Langh-ing oa yon and rae;
r I I
j^^^-^ ,f f ft r 1^
I
t=t
r-F-g-F-F:
4
•t
fr-t^-M^
Twinkling Stars are Laughing, Love
429
t
^g
T
^-.--f —
I
While your bright eyes look in mine, Peep-ing stars they seem to be.
fee^fe
Brace's Address
Robert Burns
Andante fnaestoso
Scotch Melody
z. Scots, whA bae wi' Wsl -lace bled, Scots,whom Brace has of - ten led, Wei- come to your
a. Wha will be a trai-tor's knaye ? Wha will fill a cow-ard's grays ? Wha sae base as
3. By op-pre»-sion's woes and pains. By your sons in ser - yile chains, We will drain oor
— — - #t ^ • «
b! — h ^— »
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§U ! J Wr
t
#^t^H-^
go - ry bed, Or to yic - to - ry I
be a slaye, Let himtnm and fleet
dear- est yeins. But they shall be free!
Now'sthe day, andnow's the honrl
Wha for Scot-land's king and law.
Lay the proud « - surp - ers low.
f
— — 5_L g-
5=P
^^
See the front of bat-tlelow'r. See approachpnmdSdward'spow'r, Chains and slayery!
Free-dom's sword will strongly draw,Freemanstand,or free-man fa'? Let him fol -low me I
Ty-rantsfall in ey-'ry foel Lib-er-ty's in ey-'ryblowl Let as do and die!
430
Do They Think of Me at Home
Chas. W. Gix>^
io-
I. D9 tfeeftkiak of ne at
%. Do thejtbink of ae at ««^,
3. Do thejtluak of bov I knred
Do thej or - cr tfciak «f ae?
Of tbeooacy I ved to anc?
la wcf b^ - pj, ear - ]j daja?
shared their er-^ry S^ief, I who miauled ia their glee ? Haye their hearts growa ooU and
harp I stmcfcantoochedy Does a stran-^er wake the string ? Will no kind, for-gir - ing
think of him who came Bnt ooold ner-er win their praise ? I am hap - py by bia
i
^g-^^-^
^=itfgi;
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^^=p=-if^r
strange To the one now doomed to roam ? I would give the world to know, " Do they
word Come a - cross the rag - ing foam ? Shall I ney - er cease to sigh, " Do they
side, And from mine he'll ner - er roam, Bnt my heart will sad-ly ask, " Do they
/IS
think of me at home? " I would give the world to know/' Do they think of
think of me at home? "Shall I ney - er cease to sigh, '' Do they think of
think of me at home? ''But my heart will sad - ly ask/' Do they think of
at home?"
at home?"
at home?"
m
T-t-t
t^-t-
^ — ^— ^-t I L>~r=g
<TS
431
B^ Sakoknt
1^
A Life on the Ocean Wave
\r- ■ fS
Henry Russell
jfffn fi^ — ^ — s Is]
^B3!
syt
o=p
I. A life on the o - c^n wave, A home on the roll -ing deep, Where the
a. Once more on the deck I stand Of my own swift-glid - ing craft, 8et
3.' The land is no longer in yiew, The clouds have be - gun to frown, But
•- -^
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scat - tered wa - ters rave,
•ail I fare - well to the land,
with a stout Yes -sel and crew
And the winds their rev - els keep:
The gale fol-lows far a - baft.
We'll say ''Let the storm come down 1"
^
^^'^sr'h^ — ^Sssr^y
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fitt ^p
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Like an ea - gle caged I pine On this dull, un - chang- ing shore ; Oh I
We shoot thro' the sparkling foam. Like an 0 - cean bird set free ; Like the
And the song of our heart shall be, While the winds and the wa - ters rave, A
^ ^ mp ^ ^ ^ ^
*^^i ^
agitato
SxThg first verse in i). C.
— N-T N-rr — N ■ ■ N fS_ — N N-i r^^"*!. n
giye me the flash- ing brine,
• - cean bird, our home
life en the fceav- ing sea.
The spray and the tem • pest
We'll find far o«t on the
A home on the bound - ing
roar!
seal
ware I
/TV
432
WUhfuUng
9
Rock Me to Sleep, Mother
I. Bttdc-wardy tent badc-vaidyOfc, timt ia your i^fct,
%• 0 - ▼« Bjr kesity in the days that an iown,
3. Comay let jonrbcova hair, jnat light- ed with fold.
1/
a child
Ko love likfe moth
Fall on your ahonl- den n -
}aat lor to-night!
er - er haa ahone;
gain aa of old;
Moth-er, eome back from the ech - o - less shoro.
Ho oth - er wor - ship a - bides and en - dues.
Lot tt drop o - Ter my foie-head to - night.
^^
/-^Uv-^^-j;^^^^
Take ao a - gain to yonr heart as of yore; Kiss from my fore-head the
Faith -fnl, nn - aelf -iah, and pa-tientlike yonrs; None like a moth-er can
8had - ing my faint eyes a - way from the light; For with its son - ny -edged
* * * - - ' .irr^-itr'i'i
1/ y y^
for -rows of care. Smooth the few sil -yer threads out of my hair, 0 - rer my
charm a - way pain, From the sick sonl and the world-wea-ry brain; Slnm-ber's soft
shad -ows once more, Hap-ly will throng the sweet tIs - ions of yoro, Lot- ing -ly,
m
rilard.
:ifEi
^^m
slnm-bers your Ioy - ing watch keep ; Rock me to sleep,moth-er, rock me to sleep.
calms o'er my heay - y lids creep ; Rock me to 8leep,moth-er, rock me to sleep.
soft - ly, its bright bil-lows sweep ; Rock me to 8leep,moth-er, rock me to sleep.
^^^^m^M
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m^
Solo
The Lone Fish-ball
4SS
W^TT^'
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£P
I. There wu a man went op and down To seek a din - ner tliro' the town,
a. What wretch la he who wife for -eakea. Who best of jam and waf-fles makes?
3. He feels his cash to know his pence, Add finds he has but )nst six cents.
^^Ff
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Chorus
r$
■■♦— -sr
^^i^=^4i^^^m
There was a man went np and down. To seek a din - ner thro' the town.
( Repeal words of stanza each time )
F^nnnr^^
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4 He finds at last a right cheap place,
And enters in with modest race.
5 The bill of fare he searches throngh.
To see what hia six cents will do.
6 The cheapest viand of them all
la '^TwelYO and a half cents for two Fish-balla."
7 The waiter he to him doth call,
And gently whispers, — '' one Fish-ball."
• The waiter roars it through the hall,
The guesU they start at " one Fish-baU 1"
9 The gaest then says, quite ill at ease,
'' A piece of bread, sir, if yon please."
zo The waiter roars it throngh the hall,
" We don't give bread with oq^ FUh-baU !'*
HOHAL
xz Who wonld have bread with hia Fish-ball,
Must get it first, or not at all.
I a Who would Fish-ball with fixin's eat.
Must get some friend to stand the treat.
We'll Pay Paddy Doyle
Chantey Song
4U
Go to Sleep, Lena Darling
3« Brifkt te iB HOfB - iflfy mj dtf-lisgyVeB job ope johi cyc^.; Si
daa-fefy Le - mul; More not, dear Le - na, my dar-luq^^Fn- your bio»-dervatdt«s
fosad jroa, Le - aa. Peace te with tlwe, knra, my dar-liaSyBlse iidcl— dim be tbe
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nigh yoOyLe - ha dear. As- gels guide thee^ - aa dear,my dar - ling, Hoth-iog e - Til
eky te Le - lu dear. Birds eing their bright eongi for thee,my dar - ling, FnU of eveet-est
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can come near; Brightest flow -ere blow for thee, Dar - ling sis-ter^dear to me.
mel - 0 - dy; An- gels er-er hOY-ernear, Dar -ling si8-ter,dear to me.
-^ ff # — -# •- 1-|- — w — J r~— "i h
.^ _ J. — , — =r-»— r— I — ^=^ — ^
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Chorus
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Go to eleepy go to sleep, my ba - by, my ba - by, my ba - by;
, Oje
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Go to Sleep, Lena Darling
435
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Go to sleep, my ba - by, ba - by, oh, bye I Go
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sleep, Le -* na, sleep.
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H
Long, Long Ago
4
T. H. Bayly
— H ^ — s — \ — H
]
1/ I
I. Tell me the tales tkat to me were so dear, Ii«>g, long a - go, Long, long a- go;
3. Do you re-mem-ber the path where we met, Long, I*&g a - go, Long,long a- go?
3. Though by your kind-ness my fond hopes were rai8ed,Long,long a - go, Long, long a - go ;
*=P;
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Sing
Ah,
You
g
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me the songs I de- light -ed to hear. Long, long a - go, long a -go.
yes, you told me yM at'erwonldfor-get, * Long, long a - go, long a -go.
by more el - a- fvtatUfs have been praised, Long, long a - go, long a - go.
=1 r^r,; ; I f-f^
— ^ — r— r — "^ — t^~l I ^ — ^
m
p^^n
Now you are come, all my grief is
Then, to all oth-ers my smile you
But by long ab-eence your truth has
re-moved. Let me xor-get that so
pre-f err 'd,Love, when you 8poke,gave
been tried. Still to your ac- cents I
long you have roved,
a charm to each word,
lis - ten with pride^
m
p
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Let
Still
Blest
1
me be-lieve that you love
my heart treas-ures the prais
as I was when I sat
^
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as you loved. Long, long a
-es I heard. Long, long a
by your side. Long, long a
go,
go,
go.
firf-^ff
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long a - go.
long a - go.
long a - go.
i
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Potty^-woUy-doodle
uOk, I
J, Ok, least tea
ti mm
I
Bjr Sal, Siac
Pil-l7
Pil-ff
Fai-lj
-17
'if
an
an
an
Solo
Caoars
Kf Sal- ff
With en ' If
Am Ifnt^d
-It t^
laack- inf kair,
,» ItfeanfcawaaakOKySiasPoMf-
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Csoaus
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Van thM wan.
f
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I
Van-wen,
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fare
Faie Oae
- wen, Faie Oae
f
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For Fm goinf to Loa' - ai - a - aa. For to
PC II [— £ L £— g- g C
[ '[ r~^ — t — 1/ u t c
fe-T-^-rj:^j^^^^'H=^#^
•M Bj 8a - (7 - «n - lu, Sing Pol - I7 - wol - I7 - doo - die all the day.
t? p b 1? 1/^^-
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P IT )■ P=y
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i
4 Ohy a graaa-hopper eittin' on a railroad track,
A-pickin' hia teef wid a carpet tack.
5 Oh, I went to bed, but Vi waen't no use,
My feet stuck ont for a chicken rooet.
a Behind de bam, down on my kneea,
I thought I heard that chicken
7 He sneexed so hard wid de hoopin'-covgh.
He sneezed his head an' his tail right oil.
And so pHp ad infim.
4,""
bOI
Speed Away! Speed Away
I. B. Woodbury
N jw .N
-y X I 1 II I I
^ »- m"^ 1 ■ ■ t ■ ■ < -J
X. speed a- way I Speed a - way 1 on thine er - rand of light 1 There's a young heart a -
a. Wilt thoa tell her, bright song- ster, the old chief is lone; That he sits all the
3. And ohl wilt thott tell her, blest bird on the wing, That her moth- er hath
4. Go, bird of the sil - Tor wing I fet - ter - less now ; Stoop not thy bright
wait-ing thy com-ing to -night; She will fon-dle thee clOBOiShe will ask for the
day by his cheer-less hearth-stone ;That his torn -a- hawk lies all nn- no- ted the
OT - er a sad song to sing; That she stand-eth a - lone, in the still qni - et
pin-ioaa on yon monn^ain's brow; Bat hie thee a -way o'er rock, iIt- or and
li>-v li N N ^
• ■ 1^
knred. Who pine vp -on earth since the "Day Star*' has rored; She will ask if
while, And his thin lips wreathe er-er in one snn -less smile ; That the old chief -tain
night. And her fond heart goes forth for tho be -ing of light, Who had slept in her
glen, And And our yonng "Day Star "era night dose a- gain. Upl on-wardllet
miss her, so long is her stay. Speed a-waylSpeed a -way I
mooms her, and why will she stay? Speed a-waylSpeed a -way!
bo - som, bnt who would not stay ? Speed a - way ! Speed a -way !
noth-ing thymis-sion do - lay. Speed a - way 1 Speed a -way I
Speed a-
Speed a -
Speed a-
Speed a-
way !
way I
way I
way I
438
Come Back to Erin
Moderate
^g
;-
V-
Tt
^
T
T
I ft D.c. Comeback to E - rln, Ha-ronr - neeiiyKa-TOiir - neen, Come back, A-roon, to tlie
3. O ' Ter thefreea sea, Ha-Yoar - nceiiylla-TOiir - neeii. Long skOBetbewliite sail tkat
3. Ob, &a7 the an - gels while wak - is' or sleep - in'. Watch o'er mjblrd in the
laod ef thy birth;
bore thee a - way ;
land far a - way,
Come with the sham-rocks and spring-time, Ka-^voor-neen,
Rid - ing the white waves that fair snu-mermom -in'.
And it's mypray'rawfn con-sign to their keep - in\
And its Kil-kir - noy shall ring with our mirth. Sure, when yon left as, oar
Just like a May - tower a - float on the bay. Oh, but my heart sank when
Care o' my jew - el by night and by day. When by the fire - side I
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beaa - tl - ful dar - ling, Lit - tie we thought of the lone win - ter days,
clonds came be-tween us, Like a grey cur - tain the rain fall - ingdown;
watch the bright em - bers, Tlien all my heart flies a - way o'er the sea,
-■rs^!^
Come Back to Erin
489
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If.
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tif
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Lit - tie wetho't of the hush of the star - ehine 0 - ver the moun- tain, the
Hid from my sad eyes the path o'er the o - cean, Far, far a - way,where my
Cra - yin' to know if my dar - lin' re-mem - bers. Or if her thot's may be
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bluffs and the brays I Then And its Kil - lar - ney shall ring with our mirth.
Col - leen had flown. Then
cross - in' to me. Then
hi
/IS
^^^^
^^
collavoce.
-St
m
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1st
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S^^Pi^H
ss/
Three Little Kittens
• CHANT
I
Tenors
-<s-
^
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32:
1 , 2, 3 . Once upon a time there were three Ititle kittens who lay in a basket •f saw - aw - dust ;
Basses ^^-^.^ I
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4/26r last stanza
or
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Said the
fii^st ^ (other two ) ( If yra don't get )
sectnd j little kitten un-to the J j.^^^ ^^^ j j out ef this, then \
I most 1 ThoTs all.
m-
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Sil
440
Hail to the Chief
Sir Walter Scott
Maestoso ,
James Sandseson
to the Chief who in tri-nmph ad - Tan - ces I Hon - or'd and bless'd be the
is no sap - ling,chance-oown by the foan-tain. Bloom -ing at Bel- tane, in
for the prideof
1. HaU
2. Onrs
3. Row, Tas- sals, row
the prideof the High-landalStretch to your oars, for the
UwU
Long may the tree, in his ban-ner thatglan -ces,
I urhirlivind hAs atrinn'd «▼- 'rv leaf on the monn - tain.'
er - er - green Pine 1
win- ter to fade ;When the whirlwind has stripped e¥ - 'ry leaf on the moan - tain,Tlie
OT-er-green Pinel . . 0, that the rose -bud that gra-ces yon is - lands, Were
t
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Floor - ish, the shel - ter and grace of onr line ! Hail to the Chief who in
more shall Clan-Al - pine ex - ult in her shade. Ours is no sap - ling, chaiio»-
wreath'd in a gar - land a - round him to twine 1 Row, yas - sals, row, for the
^
X
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t±
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X
^
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tri - umph ad - yan - ces, Hon - or'd and bless'd be the . ot - er - green Pine t . .
sown by the foun - tain, Bloom- ing at Bel - tane, in win -ter to fade, When the
prideof the High - landsl Stretch to your oars for the e¥-er -green Pinel . .
*
=ir.
*
t r T T
^
IT T
X
^
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*
i — i-^f-i
Long may the tree, in his ban - ner that glan - ces, Floor - ish, the shel - ter and
whirl- wind has stripp'dev-'ry leaf on the moun - tain,The more shall Clan- Al - pine ez-
0, that the rose - bud that gra • ces yon is - landSfWere wreath'd in a gar - land a -
,_, f-' f-f-- 1- f- /- -f- f T r^M I I % t T T—m-
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Ran to the Chief
^
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^
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grace of our line 1 Haay'ii send it hap-py dew, Earth lend its sap a-n«>
alt in her shade.Hoor'd in the rift - ed rock, Proof to the tern - pest shot
round him to twine 1 0, that some seed- ling gem, Wor - thy such ho * ble stei
^ f- V 5-
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Gal - ly to hour - geon and broadly to grow ; While ot • 'ry High-land gltn^
Firm - er he roots him, the ru - der it blow;Hentieth and Bread-al - bane,tlMay
Hon - or'd and bless'd in their sha-dow might grow 1 Loud should Clan-Al - pine thM
/TV
^ I-
^ ■* Bi
i
Sends our shout back a-gain, "Rod-er-igh Vlch Al - pine dhu, hoi 1 - e-roe!"
Ech - 0 his praise a -gain, ''Rod- er-igh Vich Al - pine dhu, hoi i - e-roel"
Ring from the deepmost glen,''Rod-er-igh Vich Al - pine dhu, hoi 1 - e-roel"
C. Weslby
Come, Thou Almighty King
F. GlARDINI
I. Come,Thou
s. Come,Thou
3. Come, Ho -
Al-might-y King,HelpusTby name to sing. Help us to praise; Fa-therl all-
in- car - nate Word,Gird on Thy might - y sword; Our pray'r at-iend;Come,and Thy
ly Com- fort- erl Thy sa-cred wit - ness bear, In this glad hour :Thou, who al-
ML JL A. JL
glo - ri-ous, O'er all Tie-to - ri-ous,Come,and reign o - Ter us, An-dent of days,
peo- plebleM2AttdgiYeThywordsuo-oess,8pir-tt of ho - li-nesslOn us de-scend.
might -y art, llownile in ot - 'ry heart,Attd ne'er from us de-part,8pir-it of pow'r!
rrrrrT
I
X
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i
442
The Low-Backed Carj
Samuel Lovkr
I. Wbenfirst I saw sweet Peg- sy, 'Twas on a mar-ket day, A law-back'dcar slie
a. In bat - tie's wild com- mo - tlon, The proud and might-y Mars, With hos- tile scytiies, d»-
3. Sweet Peg - gy round her car, sir, Has strings ef ducks and geese. But the scores of hearts aha
4. I'd rath - er own that car, sir. With Peg - gy by my side, Than a oaach-and-fonr and
^g^
g-imj
^i~u=^^
t
i
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droye,and sot Up - on a truss of hay; But when that hay was blooming grass, And
mands his tithes Of death. In war -like cars; While Peg - gy, peace-ful god - dess, Haa
slaugh - ters By far out-num- ber these ; While she a - mong her po«l-try sita^ Just
gold ga-lore. And a la - dy for my bride ; For the la-dy would sit for - nlnst me, On a
^^^^
^^^^^
deck'd with flowers of spring. No flow'r was there that would com-pare With the blooming girl I
darts in her bright eye. That knock men down in the mar-ket - town, As right and left they
like a tur - tie dove. Well worth the cage, I do en-gage , Of the bloom-ing god of
cush-ionmade with taste. While Peg-gy would sit be -side me With my arm around her
^^
=}=*
i7=«
^ 1/
sing. As she sat in her low-back'd car ; The man at the tnrn - pike bar
fly. While she sits in her low-back'dcar,— Than bat -ties mere dan-gerous far.
Love ! While she sits in her low-back'd car, The lor - ers come near and far
waist. As we drove in a low-back'd car. To be mar-ried by Fa - ther Mah'r
Nev-er
Ferthe
And
0, my
^i^-rry^
The Low-Backed Car
aienipo
ralk ad lib.
ask'dfor the toll^But just nibbed his auld poll, And look'd af-ter the low-back'd car.
doc - tor's art Can -not cure the heart That is hit from the low-back'd car.
en-yy the chick-en That Peg-gy is pick -in', As she sits in the low-back'd car.
heart would beat high At her glance and her sigh, The' it beat in a low-back'd car.
t--f-T--^f-f
i
443
^JTXP^^
i
The Miller of the Dee
Charles Mackay
^m
w
:t^=t
t=fi=i
=^
I. There dwelt a mil - ler, hale and bold, Be-side the riy-er Dee ; He wrought and sang from
a. "Thou'rt wrong, my friend P'said old King Hal,''As wrong as wrong can be ^For could my heart be
3. The mil -ler smiled and doff'd his cap :''I earn my bread" quoth he ; ''I love my wife, I
4. "Good friend," said Hal, and sigh'd the while, ''Farewell 1 and happy be ; But say no more, if
*
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m
morn till alflit, no lark more blithe than ho ; And this the bar - den of his song For -
light as thine, I'd glad - \y change with thee. And tell me now what makes thee sing With
lore my friend, I love my chil-dren three. I owe no debt I cav - not pay, I
thott'dst b« true, That no one en - Ties thee ; Thy meal - y cap is worth my crown ; Thy
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07 - er used to be> ''I en - vy no one, no, not 1 1 And no one en - yie- me I"
▼tlce M laud and free, While I am sad, tho' I'm the King, Be-side the riy • e- Dee ?"
thaak the riy - er Dee, That turns the mill that grinds the corn To feed my babes nnd me 1"
miU my king-dom's fee 1 Such men as thou are Sng-land's boast, 0 mil-ler of tli i Dee I"
4^4
Farewell
From the German, by H. ZiCK
wi/ Andante ^
SiLCHBft
1. Lore ! so beau - ti - fnl and trae I I must leave
2. In true friend-ahip heart to heart Close -ly clings
3. When soft breez - es kiss your cheek, Touch your hands
ts^ — ^^~ ^ — ^ ^-
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to - mor - rowy
for - eT - er,
ca - ress - ing.
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Can no lon-ger be with yon,
Snn and moon on high may part.
Sighs they are and thee may seek, Sent by
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Part
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sor- row.
Bnt
true
friends
wUl
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Sent
by
me
with
bless - ing ;
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Ah 1 I love thee faith - ful - ly, More than words can tell to thee ;
Who the depths of woe can tell, When two Ioy - era say ' fare-welly
Thou - sands send I day by day, And with thee I bid them stay.
P
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Yet
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Yet
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• ev
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Say
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from thee must wan - der.
fare -well for - er - er.
re - call me to thael
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Auld Robin Gray
Lady Ann Lindsay
LargheUo
446
Old Melody
m^-=^
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I. Yonng Ja - mie lo'ed me weel, and he sought me for his bride. But
a.-fla had na been gone a week but on - ly twa, When my
3. My fa - ther niged mo salr, my mith - er did - na speak, But she
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saT - ing a crown he had naeth-ing else be-side ; To make that crown a pound ^my
fa-ther brake hit arm, and our cow wasstowna-wa'; My mith -er she fell sick, and my
look'd in my face till my heart was like to break ; They gied him my hand tho' my
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Ja-mie g««d to aea, And the crown and the pound were (with for
Ja-mie at the tea, And auld Bob -in Gray cam' a -court- ing
heart wae at the aea ; And auld Rob - in Gray is gnde - man to me
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Tempo 4t vmlm
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1. Fm PSetre ie B«i -tM «• Pa-ne,4« Pa-m,
2. rm PWm 4e B«i -tM «• P)B-ne,de Pa-ree,
I dnak By di -
Vm caScd bj ks
I go
1 y VT- : • • ■ ^ • ! ■ ' ■ ■ ■ ■ 1
pfi ^'-* — I — f-1
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Tip« ean • de - Tie, eaa -de - Tie. Aa I ride out each da^ to my lit - tie coa -
dam*?* \xH jo - 11 ; \xH jo - 11; When I ride on^ each day m my lit - tie om -
lore at my eaae, at my eaae. I go to her p^re and de-mand to my
p^i I tell yon I'm aomo-thing to aee.
p^y I tell yon I'm some-thing to see.
own The hand of my sweet Ro - sa - lie.
But I care not what
But I care not what
Bnt I care not what
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Rosalie
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m
oth • ers maj say, .... I'm in tor* with Ko - m - U«.
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Rosa,
pret-ty Rose, • . I'm in lore witli my Ro - sa - lie. . . •
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Abide with Me
W. H. Monk
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a. Swift to its close
3. Hold Xhoa Thy croM
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Fast falls the tr - en - tide, The daxle-ness
ebbs out life's lit - tie day ; Earth's joys grow
be - fore my clos - ing eyes; Shine thro' the
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deep - ens — Lord, with me a
dim, its glo - ries pass a
gloom and point me to
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bide I When oth - er help - ers fail, and
way ; Change and de - cay in all a -
the sides; Heav'n's morn-ing breaks, and earth's rain
com • forts flee,
ronnd I see ;
shad - ows flee ;
t
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Help of the help -less, 0 a - bide with
0 Thou who Chang -est not, a - bide with
In life, in death, 0 Lord, a - bide with
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448
.. Allegro
The Laird o' Cockpen
o' Cock - pea fee's
tbe dyke - side a
WAS weel - pontfe-er'd, ss
pioiid sn'
U - dy
good
fee's tjnut^
did dwdl.
His
At Us
His
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mind is ta'eo up wi' the things So* the state; He
U - ble - hesd fee thocht she'd look well ; M'
waist -coat was white, his coat it was bine; He
want - ed
- Cle-ish's
pnt on
wife feis
doch-ter a'
ring, a
¥
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brawhonse to keep, But fa - Tonrwi'
ClaT - en' - ha' Lee, A pen - ni - less
sword, and cock'd hat ; And wha
woo - in' was fash -ions to seek.
lass wi' a lang ped - i - giea.
could re - fuse the Laird wi' a' that ?
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4 He mounted his mare, and rade cannilie :
An' rapped at the yett o' Clavers'-ha' Lee.
'^Gae tell Mistress Jean to come speedily ben :
She's wanted to speak wi' the Laird o' Cockpen."
5 Mistress Jean 4he was makin' the elder-flower win
<< What brings the Laird here at sic a like time ?"
She put aff her apron, an' on her slik goun,
Her mutch wi' red ribbons, an' gaed awa' doun.
0 An' when she came ben, he bowed fu' low ;
An' what was his errand he soon let her know.
Amazed was the Laird when the lady said-"Na.''
An' wi' a laigh curtsie she turned awa'.
7 Dumbfonndered was he— but nae sigh did he gie';
He mounted his mare, and rade cannilie ;
An' aften he thocht, as he gaed through the glen,
''She's daft to refuse the Laird o' Cockpen."
Tramp! Tramp! Tramp
449
Geoxgk F. Root
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I. In the pris - on cell I sit, Think - ing,Moth -er dear, of you, And onr
a. In the bat - tie front we stood When their flerc-est charge they made, And they
3. So, with - in the pris - on cell, We are wait - ing for the day That shall
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bright and hap- py home so far a -way; And the tears they fill my eyes Spite of
swept ns oC a hnn - dred men or more ; But be - fore we reached their lines They wero
come to 0- pen wide the i - ron door; And the hoi - low eye grows bright. And the
P* r-^ — E r^ — n-^ — j" . g* ^
W ^ b/ ^ u ^
D.s. neatA the star • ry flag We shall
Fink
an that I can do. Though I try to cheer my com-radesand be gay.
beat - en back, dis-mayed, And we heard the cry of vie - fry o'er and o'er,
poor heart al - most gay. As we think of see -Ing home and friends once more.
^.■L ^^ "T I- — ^ — ^ — ^ — ^— r^-* — ^*— ^ — ^ "g": i -- ^: ^ K ^. ■
breathi the air a - gain Of the free land in our own be • lov - ed home.
Choxus
D./S.
g _ _ —
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Trampl trampltrampl the boys are march-ing, Cheer op, com-rades,they will come, And be -
march -lag oui 0 cheer vp, com - radtt, theywilloome,
450
Rosa Lee
Allegretto
X. When I lib'd in Ten-nes-tee,
a. iBaid^'Yonlnb-by gal,dat'8 plain.
tr-li-a-li o-la-e, I wentconrt-in'
U-li-a-U o-la-dy Brdf as sweet as
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Ro - sa Lee,
so - gar-cane,
U-li-a-li o-la-e. S]res as dark as win - ter night,
U-li-a-U o-la-e. Feet so large and come - ly too,Hight
L-C C I C l—^
Lips as red as ber - ry bright, When first I did her woo - ing go, 81m
make a era - die ob each shoe. Ro - sa, take me for yonr bean, 81m
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-A-
•aid "Now don't be lool-ish,Joe.'' U-li-a-li o-la-e, Conrt-in' down in
Rosa Lee
4S1
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Were You Ever in Rio Grand
(A «*HEAVE THE ANCHOR" CHANTEY-SONG)
Chorus Solo
Solo
Chorus
'^^^E^^^^l^rrP
-N-
X. Were you er-er in Ri - o Grand? Way, Ri-o, 0 were yon ev- er on that strand ?We're
2. Where the Portngee girls can be found, Way, Ri-o, And they are the girls to waltz aronnd, We're
bound for the Ri-o Grand? Way, . . Ri -o.
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Way, . .Ri-o,
Then
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Grand.
fare yon well, my pret - ty yonng girl, we're bound for the Ri-o . .
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452
C. Jefferys
Home to Our Mountains
From Verdi's • 11 Tiovatoie •
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Home to oar mooii'teiiis Let ne re - tom, Unre, There in its jonag day*
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Peace liad its r^ign; Tliere shall thy sweet song fall on my slnm- bers.
Manrico
Home to Our Mountains
AZUCENA -^ -^
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f-TC^ al!-MF-g 1 1 I i.j^i^
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troll - ba - dour lay.
8va
Oh, sing and wake now thy. sweet Inte'a soft
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Bom-bers, Loll me to rest, charm my sor-rows a - way, Oh, way.
Man&ico
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Yes, I will pour forth . . my trou - ba - dour lay.
S. Baking-Gould
Now the Day is Over
J, Barnby
I. Now the day is 0 - rer,
a. Je - tus, give the wea - ry
3. when the mom- ing wak - ens,
Night is draw - ing
Calm and sweet re
Then may we a
nigh,
pose,
rise
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Shad - ows of the evs
With Thy ten - d'rest bless
Pore and fresh and sin
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ning
ing,
less
r: V V -
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steal a*^- cross the sky.
May our eye - lids dose.
In Thy ho - ly eyes.
ere - ning Steal a • eross
•ky.
4S4
The Rainy Day
H. W. LONGFKLLOW
p Andante
S^trt
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William ILDkhfstu
crt».
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s. The day
3. My life
3. Be sUU,
is cold,
is cold,
sad heart I
and dark,
and dark,
and oeaee
and dieu-y; It raini,
and dnir-y; It lains,
re - pin-lnc; Be - kind
^
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is neT
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Is the snn
wind
wind
dottde
er wea - ry ; The Tine
er wea ry; My thoughts
8tiU shin-ing; Thy fate
ttUl dings
still cling
is the com
to the
to the
mon
dim.
/s\ con espress.
moul-der - ing wall, Bnt at ev - 'ry gust the dead lesTea fall. And the
moul-der - ing past, But the hopes of youth fall thick in the blast, And the
fate of all, In - to each life some rain inns{ fall. Some
The Rainy Day
485
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day
days
days
is dark
are dark
must be dark
and drear- y,
and drear- y,
and drear- y.
And the day
And the days
Some days
is
are
must be
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dark
dark
dark
and drear-y,
and drear-y,
and drear-y,
• •
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And the day is dark and drear - y.
And the days are dark and drear - y.
Some days must be dark and drear - y.
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E. Caswall
Jesus! the Very Thought of Thee
J. 6. Dykes
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2. Norvoice can sing, nor
3. 0 hope of ev - »ry
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thought of Thee With sweet -neM fills
heart can frame, Nor can the mem
con - trite heart I 0 joy of all
my
'ry
the
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breast;
find
meek I
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But sweet -er far Thy face to see,
A sweet - er sound than Thy blest name,
To those who fall, how kind Thou artl
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And in Thy pres
0 Sav - iour of
How good to those
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ence rest,
man - kind I
who seek I
12:
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.456
Maryland! My Maryland
J. R. Randall, adapted
P
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IT
X. Thou wilt not cow - er in the dust. Ma - ry-land! my Ma - ry - land 1
a. Thou wilt not yield the Van - dal toll. Ma - ry - land I my Ma - ry - land I
3-
4-
I
I
see no blush up - on thy cheek, Ma - ry - land 1 my Ma - ry - land I
hear the dis-tant thun - der hum. Ma - ry-landl my Ma - ry - landl
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Thy gleam - ing sword shall ner - er rust.
Thou wilt not crook to his con-trol,
Tho* thou wast ev - er brave - ly meek.
The Old Line bu - gle, fife and drum,
:t
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t
f
Ma - ry - land I my Ma - ry - land I
Ma - ry - land I my Ma - ry - land I
Ma - ry - laud ! my Ma - ry - land I
Ma - ry - land 1 my Ma - ry - land I
i>-
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Re-mem - ber Car - roll's sa - cred trust. Re - mem - ber How - ard's war - likethruH,
Bet - ter the fire up - on thee roll, Bet - ter the shot, the blade, the bowl.
For life and death, for woe and weal. Thy peer - less chiv - al - ry re - real.
Come to thine own he - ro - ic throng. That stalks with Lib - er - ty a - long.
.5q_f-
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And all thy slum-b'rers with the just,
Than cm - ci - fix - ion of the soul.
And gird thy beau-teous limbs with steel.
And ring thy daunt - less slo - gan song.
m^-
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f
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Ma - ry - land 1 my Ma - ry - land I
Ma - ry - land 1 my Ma - ry - land 1
Ma - ry - land 1 my Ma - ry - land I
Ma - ry - land I my Ma - ry - land 1
^' f f
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457
The Old Cabin Home
z. I am go - ing far a -way, Far a -way to leave you now, To the
a. I am go-ing to leave this land. With this, our dark-ey band, . . To
3. When old age . . comes on us, And my hair is turn-ing gray, . .I'll
^g^
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L I- I
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^ — ^ — ^ ^ ^—\ fi^-^^
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^^^^^^^^^^^m
His - sis -sip - pi val - ley I am go- ing;
trav - el all the wide • . world . . o - ver,
hang up the ban - jo all a - lone ; .
I will take my old ban -jo.
And when I get . . tired,
I'll . • sit down by the fire.
^^^^i^
And I'll sing this lit -tie song, A - way down in my Old Cab -in Home.
I will set - tie down to rest, A - way down in my Old Cab -in Home.
And I'll pass the time a- way, A - way down in my Old Cab -in Home.
m
Chorus
#
■* — ^
i^^j±EiEl±i^"FE^^
Here is my Old Cab - in Home,
Here is my sis - ter and my broth-er.
^^
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|±ES^±ESE!E-Zt!
^ ^ ^ ^ W—
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Here lies my wife, the joy of my life, And my child in the grave with its mother.
458
Looking Back
Louisa Gray
Arthur Sullivah
^jtrt.'. :\p^.
1, I heard a Toica long years a - go, A voice so wondrous sweet and low, That
2 . But ere oar snm - mer pass'd a-way, That gen-tle voice was hosh'd for aye ; I
/Pi
trem-bling tears an- bid-den rose From the depths of lore's re - pose. .
watch'd my lore's last smile and knew, How well the angel's lov'd her too. .
It
Then
fe
a^^Ej^^^^^^^ij^sfep^g
bright, Itwhis-per'd to my heart, "My love," Antl nest -ling there for -got to
years And laid it with my dreams of old, . . Where all I lov'd slept white and
^m
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Looking Back
UnpocopJulerUo e eon moUo tenerezza
469
I
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rare. .
cold. .
W=^^=P
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0 my love, I lor'd her ao, My lore that lor'd mo
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years a - go
I.-
. . my l2T5i * •
•?• T" f' 1~,t7g T — ^-
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my loye, .
P
tres largemeni
i-i^ tr-.
my loTe. I lov'd her >o, My lore . . .
1 1 1 l—J
cre«. /I r
that lov'd me years a - go.
^
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I
Haul on the Bowlin'
Solo
(A SHORT-HAUL CHANTEY-SONG)
Chorus
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X. Haul on the bow-lin% Oar bal - ly ship's a - roll - in'l Haul on the bow-lin%the bow- linShaul 1
a. Haul oa the bow-lin*, Our cap-tain he's a - growl-inM Haul on the bow-lin',the bow- lin',haul 1
3* Haul on the bow-lin', 0 Kit - ty, you're my darl- in'l Haul on the bow-lin',the bow- lin'^haul 1
460
For You
Akthus Chapman
AndanU tspressivo
Stditxt Smitr
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I. They aay the y«ars hare swallow's wiiigs,Bat mine hare leaden feet, Since last we stood and
3. Tbeytold me if we linked our lives,That yon would me the day, And when the sor-rows
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said "good-bye,*' That eye in Jnne-tide sweet ; I read the an-guiah in yonreyetyAa
gath - ered round, Your love woiud pass a -way ; But had I known what life would be When
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Md yon turned a-way. But oh I you guessed not what I bore,The tears I could not stay. For
ev -'ry hope had fled, Those cm - el words I spoke that night,Had ne'er by me been said. For
Refrain Lento, e con molo espressivo
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you I for you! my dar
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loved yoa, And broke my heart for yon I . .
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For you I for you I my dar - ling, I spoke those words un-tme,
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left youy tho* I loved
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you,
And broke my heart for yon.
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462
Alice, Where art Thou
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Andanle con espressione
J. AscHUt
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I. The birds sleep - ing gen - tly,
a. The sil - ver rain fall - ing
Sweet Ly - ra gleam-eth bright,
Just as it fall-eth now;
Her
And
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rays tinge
all things
the for - est,
sleep gen - tly I
And all seems glad to-night.
Ah 1 Al - ice, where art thon ?
The
I've
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wind sigh - ing by me,
Cool- ing my fev-er'd brow;
by lake - let, Pye sought thee en the hill, . .
The
And
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pleas-ant wild - wood, When winds blew cold and chill ;
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Alice, Where art Thou
469
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year back this e - yen, And thon wert by my side,
sought thee in for - est ; I'm look - ing heay'nward now,
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And
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look - ing heav'nward now ;
Vow
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lore me; One year past
star-shine,— I've sought thee
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this e - yen,
in for - est,
And thou wert by my side,
I'm look-ing heav'nward now.
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Vow - ing to love
Oh 1 . . . there a - mid
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me, Al-ice, what - e'er might
the star-ahine,Al • ice, I know,
be -tide,
art thou.
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464
No One to Love
A. H. G. Richardson
Andante
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I. No one to love,
a. In dreams a - lone,
3. No one to loye,
none to ca-ress,
lOTed ones I see,
none to ca - ress.
Roam-ing a - lone throngh this
And well-known vol - ces then
None to re-spond to this
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(For D.C, sing words of first stanza)
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world's wil - der - ness;
whis - per to me ;
heart's ten - der - ness I
Sad is
Sigh - ing
Trust - ing
my heart,
I wake,
I wait ;
joy is un-known,
wak - ing I weep ;
God in His Ioto
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Fine p
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For in my sor -row
Soon with the loved and
Prom - is - es rest in
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I'm weep - ing a - lone ;
the lost I shall sleep.
His man - sions a - bore :
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No gen -
Oh, bliss -
Oh, bliss
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ful rest I
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No One to Love
465
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no ten - der smile
what heart would Btay,
oh, joy mine own,
Makes me re-joice,
Un-lOTed, un-bless'd.
There nev - er-more
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or cares be - guile. . .
fromheayena - way? • •
to weep a - lonet .
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Blow, Boys, Blow
(A HOISTING CHANTEY-SONG)
Chorus
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X. Blowi my bul - lies, I losf to hear you. Blow, boys, blow ]
a. A Tan - kee ship's gone down the riv - er, Blow, boys, blow I And
3. Dan - dy- funk and don - key's liv - er. Blow, boys, blow! Then
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Blow, my bul-lies, I come to cheer you, Blow, my bul - ly boys, blow 1
what do you think they got for din - ner ? Blow, my bul - ly boys, blow I
blow, my boys, for bet - ter wea - ther. Blow, my bul - ly boys, blow I
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466
One Sweetly Solemn Thought
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One sweet -ly sol - emn thonght
Comes to me o'er and o'er.
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am near - er home to - day Than I'ye ey - er been be - fore.
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Near - er my Fa - ther's house, Where the man - y man - sions be,
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Near - er the great white throne, . .
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Near - er the crys - tal sea.
One Sweetly Solemn Thought
467
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Near-er thebonndsof life, Where wo lay oar bur- dene down,
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Near - er loay - ing the crosB, . . Near - er gain - ing the crown.
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If the si - lent, un - known 8tream,That leads at last to the light.
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One Sweetly Solemn Thought
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Fa - ther, be near when my feet
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Are slip -ping o'er the brink,
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I am near - er home. Near -er now than I think.
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Blow the Man Down
(A HOISTING CHANTEY-SONG)
Chorus
Solo
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1. As I was a- walking down Para-dise Street, (Way I Heyl Blow the man downl) A
2. Says she to me, "Will you stand treat ?" (Way 1 Heyl Blow the man downl)<*De-
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pnt-tyyoanedam-Ml I chanced for to meet. (Gire me some time to blow the man down.)
lighted," says I, "for a charm-er so sweet." (Gire me some time to blow the man down.)
469
D. T. Shaw
The Red, White and Blue
Thomas a Becket
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I. 0 do-lum-bia, the gem of the o-cean,
a. When war wing'd its wide dee - o - la - tion,
3. The star - span - gled ban - ner bring hitb -er.
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The home of the brave and the
And threat-en'dtbe land to de -
O'er Co - lum - bia's true sons let it
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free, The slirine of etch pa-triot'sde-TO-tion, A worldof-fershom-age to
form, The ark then of free-dom's foun-da-tion, Co - Inm-bia, rode safe thro' the
ware ; May the wreaths they hare won ner-er witb-er, Nor its stars cease to shine on the
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thee ; Thy man-dates make he-roes as - sem- ble, When lib - er - ty's form stands in
storm; With the gar - lands of yic-t'ry a- round her, When so proud-Iy she bore her braye
bravf' ; May the ser - Tice n - nit - ed ne'er sev - er, But hold to their col - ors so
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view; Thy ban-ners make tyr - an - ny trem-ble, When borne by the red, white and blue,
crew, With her flag proud-ly float-ing be-fore her. The boast of the red, white and blue,
true; The ar-my and na-vy for-ev-er, Three cheers for the red, white and blue,
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When borne by the red, white and blue. When borne by the red, white and blue, Thy
The boast of the red, white and blue, The boast of the red, white and blue, With her
Three cheers for the red, white and blue. Three cheers for the red, white and blue. The
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Nora O'Neal
Will S. Hays
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I. Ohl rm lone - ly to-night,loye,with-ont yon,
a. Oh I the night - in-gale sings in the wild-wood,
3. Oht whyshonldl weep tears of sor-row?
And I sigh for one glance of your
As if er - er-y note that he
Or why does my hope lose its
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For sure there's a cluirm, lore, « - boot yon,
Was learned from yonr sweet roice in child-hood,
Won't I meet yon, my dar -ling, to-mor-row.
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er - er I know you are nigh,
mind me, sweet No - ra, of you.
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Like the beam of the star when *tia
But I think, lore, so of - ten a
mina me, sweei no - ra, 01 you. isut i ininK, lore, so ox - ten a
smile on your bean - ti - f ul face ? Will yon meet me ? Oh, say, wiU you
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smil - ingy
bont you,
meet me
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Is the glance which your eye can't con-ceal,
And y<m don't know how hap - py I feel.
With a kin, at the foot of the lane?
And your
But I'm
And I'll
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▼oice is 80 sweet and.be -guil-ing That I lore yon,8weet No- ra O'-Neal.
lone-ly to-night^lovei without yon, My dar-ling,8weetNo-ra O'-Ifeal.
prom-ise when-ev - er you greet me, That I'll nev - er be lone - ly a -gain.
Oh!
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don't think that ey-er I'll doubt you,
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My love I will ney - er con-ceal ; Oh I Pm
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lone-ly to-night, loTe,with-out you, My dar-ling, sweet If o - ra 0' Neal.
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472
Kind Words are Dear to All
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AndatUe eon molo
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I. Speak gen - tly,thert'8e-iiough of care! Be-neath the bright-est smile, • . . The
a. Speak gen - tly, kind words bless the lips From whence they sweet-ly fall .... Like
lips may nt - ter mer - ry words, The heart ^ sad the while, • • TT The
dew- drops to the droop-ing flow'rs, Kind words are dear to all, Kind
heart be sad
words are dear
the while,
to all.
A kind word is a lit - tie thing, Bvt
The heart grows strong be - neath their light, Dark
S
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oh 1 how great
vis - ions fade
its pow'r
a - way.
To light ns on to no - ble deeds. In
We wake as from a tron- bled dream, To
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Kind 'Words are Dear to All
473
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some sad, si - lent hour,
wel - come hope's bright ray,
In some sad, si - lent hoar,
To wel - come hope's bright ray,
To
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light US on to
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no - ble deeds. In some sad, si - lent hour,
tron - bled dream, To wel -come hope's bright ray.
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The Promised Land
JM^U-U^^^ms^^^^
I. I have a Fa-therintheprom-isedland, I have a Fa-therin the prom-ised land,
a. I hare a Sav-iour in the prom-ised land, I have a Say-iour in the prom-ised land,
3. I have a crown in the prom-ised land, I hare a crown in the prom-ised land,
4. I hope to meet you in the prom-ised land, I hope to meet you in the prom-ised land,
D.c. rila-way^rU a - way to the promised land J^Ula-waytril a - ivay to the prom-ised land^
B.C.
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My
My
1/ 1/
Fa - ther calls me,
Say-ionr calls me.
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must
must
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go To meet Him in the prom- ised land,
go To meet Him in the prom-ised land.
When Je - sus calls me, I must go To wear it in the prom-ised land.
At Je - sus' feet a joy - ous band ; We'll praise Him in the prom-ised land.
Fa - ther calls me I must go To meet Him in the prom - ised land.
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474
The Soldier's Tear
Alexandxk Lem
Largheifo
T. H. Batlt
1. Up- OB tbehill hetoniad
2. Be -side that oot-tngepordi
3. He tnrn'd and left the spot,
To take a last fond look Of the Tal - ley and the
A girl had knelt in pra7'r;Slie held a -loft a
Ohy do not think him weak, Fw daontlesawaa the
Tillage chnrchyAnd the oot4age by the brook,
snow-y scarf Which flut-tered in the air;
sol-dier'sheart,Tho' tears were on his cheek.
He list-ened
She breathed
Go watch
to the sounds ao ta-
a sigh for him, A
the foremost ranks In
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not hear. But he paused to bless her as
ca - reer, Be sure the hand most dar
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his sword, And
she knelt, And
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The Soldier's Tear
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When to Thy Vision
y
From Gounod's «' Faust *•
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I. When to thy rU - ion life ap • pears sweet • ly smil - ing, Then all a -
a. As two fond flow'r • ets on one stem a - nit - ed. So link'd by
bout me seems to smile on moi Bat if sad tears come and naught seems life be -
des - ti - ny our hearts are bound. Should ey - er sor • rows come, or hopes be
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guil -ingyXhen, 0 my lov'd one.then, 0 my lov'd one,then I will weep for thee, will weep for thee.
blight-ed, Then ey-er f aith-ful, then ey- er faith-ful, I shall be faithful, ey - er faithful found .
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476
LURLINB
LargamenU
Sweet Spirit^ Hear My Prayer
Wm. Vincent Wallaci
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I. OhI Thoa, to whom this heart ne'er yet Turned in an - guish or re - ^et,
a. OhI Thou, to whom my thot's are known, Calmi ohI calm these trembling fears ;
The
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Sweet Spir - it, hear mypray'rl
And dry my fall - ingtearsi
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leave me not a - lone in grief.
Send this blight-ed heart re - lief !
Send this
blight - ed heart re - lief! . . . MakeThoa my life thy fn-ture care.
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Sweet Spirit, Hear My Prayer
con espressiane^
477
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Spir - it, hear my pray'r I
Hear, oh I hear my pray'r ! Ah I hear . . my pray'r !
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G. W. DOANB
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Softly Now the Light of Day
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C. M. VON Weber
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X, Soft - ly now the light
a. Thou, whose all - per - yad
3. Soon for me the light
4. Thoa who, sin - less, yet
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capes, with - ont,
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Free from care, from la
Par - don each in - firm
Then, from sin and sor
Then, from Thine e - ter
bor free. Lord, I
i - ty, 0 - pen
row free, Take me,
nal throne, Je - sus,
would com - mnne
fault and se •
Lord, to dwell
k>ok with pit
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with Thee.
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with Thee,
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478
When You and I Were Young
Gbo. W. Johhsoh
J. A.
t. I wm4- d«r0d to4«7 to th» kill,
3. A ci-tj foti- Int aad lose,
3. Thej Mjr I «a te - ble wttli af^.
To watch tfce wow be -
Where the yonagjuid the fsy and the
My atepe aieleea epricht-lj thaa
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The creek aad the creak - ing old nun,
la pol - iehed white man - sions of stoney
My face ia a well - writ- ten page^
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Mag-giBy Have
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we need to long a - go.
each found a place of rest,
time a - lone was the pen.
The green grove ia gone from the
la built where the birds naed to
They say we are a - ged and
When You and I Were Young
47*
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play.
Mag-giei Where first
Mag-gie, And join
Mag-gie, As sprays
the dai - sies sprung;
in the songs that were sung :
hy the white break-ers flung ;
The
For we
But to
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stilli Mag-gie, Since you and
they, Mag-gie, When you and
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creak- ing old mill is
sang as gay as
me you're as fair as yon were, Mag-gie, When you and
I were young.
I were young.
I were young.
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God is Love, His Mercy Brightens
John Bowring
Ithamar Conkby
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I I. God is lore; His mer - cy brightens
' a. Chance and change are bu - sy ot - er ;
3. S'en the hour that dark • est seem-eth
4. He with earth- ly cares en-twin-eth
All the path in which we roye;
Man de - cays, and a - ges moye ;
Will His changeless good - ness prove ;
Hope and com - fort from a - bove ;
g
Bliss He wakes and woe He light-ens: God
But His mer - cy wan - eth nev - er : God
From the gloom His bright - ness streameth : God
St - 'ry -where His glo - ry shin-eth : God
1 f- J -*• '
is wis-doffii God is lore,
is wis - dom, God is love,
is wis - dom, God is love,
is wis-dom, God is love.
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180
Oh, Hush Thee^ My Baby
AndanHno
I. Oh, hush thM, my ba-byl tliy sire was a knight, Thy moth -er a la-dy so
a. Oh| rest thee, my dar-Ung, the time soon will come^When sleep shall be bpk-en by
3. Oh, fear not the bii-gle tho' loud - ly it blows, It calls but the ward-era that
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loye - ly and bright ; The woods and the glens from these tow'rs which we see, They
trum - pet and drum ;Then rest thee, my dar - ling, oh sleep while yon may, For
guard thy re - pose ;Their bows would be bend -ed,their blades would be red. Ere the
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all are be - long - ing, dear ba - by, to thee. Oh, rest thee,babe,rest thee,babe,
strife comes with man-hood, as light comes with day. Oh, rest thee,babe,rest thee,babe,
step of a foe - man drew near to thy bed. Oh, rest thee,babe,re3t theoybabe.
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Oh, Hush Thee, My Baby
481
0laep on till day! Oh, rest thoe, babe, rest thee, babe, sleep while you may !
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The Three Little Pigs
^^^^^^^^^
A. S. Gatty
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z, A ]ol - ly old sow onceliyedin a sty, And three lit - tie pig-gies had she,
a. "My dear lit- le brothers,"saidoneof thebrat8,'<Mydearlit-tle pig-gies,"saidhe,
3. Then these three lit- tie pig-gies grew skin-ny and lean,And lean they might yer-y well be,
And she wad-died a -bont,say - ing''Umph,Umph>Umph,>'While the lit-tle ones said" Wee, Wee ;"
"Let us all for the fa- tore sayUmph,nmph,nmph,'Tissochi]d-isht6 say Wee, Wee;*'
For some-how they ponld-n't say^'nmph,nmph,Umph,"And they wovldn't say" Wee, Wee, Wee ;**
T X^ T X^
I So after a time these little pigs died.
They all died of/f/o dt u^
Fro::! trying too bard to say "Umph, Vmph,
XTmph,"
When they only ooold say "Wee, Wee."
1/ •♦-
MORAL
5 A moral there is to this little song,
A moral that^s easy to see.
Don't try when you're young to say "Umph,
Umph, Umph,"
For yon only ca|i say "Wee, Woe."
482
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AUtgrtUo eon deUeatezza
Mary of Argyle
B^
X. i have heard the nut -via sing-ing Hia lore aong to themoni, I have
a. Thoagh thy yoice nay loae ita aweet-neaa. And thine eye tta bright-neea too.Tboagh thy
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lack its fleet- ness, And thy hair
jnst new
ita snn
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ny hoe, Still
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song has cheer'd me At the eye - ning's gen - tie dose,
then be dear - er Than all the world shall own ;
Andl'Te
I have
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Than the dew-drop on
But not for that
the rose ; 'Twas thy
a - lone ; I have
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Mary of Argyle
483
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TOice, my gen - tie Ma - ry,
watched thy heart, dear Ma - ry,
And thine art - less win-ning smile.
And ita good-ness was the wile
That
That has
a tempo
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made this world an
made thee mine for
B - den, Bon - ny Ma - ry
er - er, Bon - ny Ma - ry
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of
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Ar-gyle.
Ar -gyle.
ad lib.
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My Faith Looks Up to Thee
Kev. Ray Palmbr Lowell Mason
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z My faith looks up to Thee, Thou Lamb of Cal - ya - ry , Say - lour di- yine I Now hear me
a. May Thy rich grace Im-part Strength to my faint-ing heart, My zeal in- spire I As Thott hast
3. While life's dark maze I tread, And griefs a-round me spread, Be Thou my Guide ; Bid darkness
4. When ends life's transient dream, When death's cold,sullen stream Shall o'er me roll,Blest Sayiour,
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while I pray ; Take all my guilt a-way ; Oh, let me from this day Be whol - ly Thine 1
died for me, Oh, may my loye to Thee Pure, warm,and changeless be,A liy - ing fire 1
turn to day. Wipe sor-row's tears a-way, Nor let me ey - er stray ,From Thee a - side,
then, in loye, Fear and dis - trust re-moytr ; Oh, bear me safe a-boye, A ran-somed soul.
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484
XVUh spirU
Solo
When Johnny 'Comes Marching Home
Louis Lambest
Chorus
Solo
1. When Johnny comes nutrching home a-^nin, Hur-rah, hnr - rmh I We'll gire him a heait-y
2. The old church bell will peal with joy, Hnr-rah, hnr - rah I To wel - come home our
3. Get rea - dy for the Jn - bi - lee, Hnr-rah, hnr - rah I We'll giTo the he - ro
Choeus
Solo
wel-come then, Hnr - rah, hnr - rah I
dar - ling boy, Hnr - rah, ' hnr - rah I
three timet three ; Hnr - rah, hnr - rah I
The men will cheer, the boys will shont. The
The ril-lage lads and las - sies say, With
The lau - rel wreath is rea - dy now To
Chorus Repeat ad lib.
la -dies, they will all turn out, And we'll all feel gay, When Johnny comes marching home.
ro -ses they will strew the way. And we'll all feel gay. When Johnny comes marching home.
place np-on his loy-al brow ; And we'll all feel gay, When Johnny comes marching homo.
I V
There Were Three Crows
(TUNE:" WHEN JOHNNY COMES MARCHING HOME**)
485
I I: Then wen time crows sat on « tne,
0 BUly McGee, IfcGaw :||
Then wen thne crows sat on a tne.
And they wen black as crows conld be,
Kef. And they all flapped their wings and cried
( Spoken : Caw ! Caw ! Cawl) Billy McGee, HcGaw.
iHepiot last two lines without ''CVricf.**)
a ||:Said one old crow Unto his mate, etc.:|
*< What shall we do for gmb to eat ?" Set
3 ||: "There lies a horse on yonder plain, etc.:||
Who's by some cruel butcher slain. Ref .
4 ||: We'll perch upon his bare back-bone, etc.:||
And pick his eyes out, one by one." Hef.
Sweet By-and-By
Joseph P. Webster
* i ^ -^ — « — • — 9 $. 'jd. #T-*^^* it^-0 d—'-a ■
z. Then's a land that is fair - er than day, And by faith we can see it a - far ;
a. We shall sing on that beau- ti -ful shore Theme-lo - di - ous songs of the blest,
3* To our boun - ti - ful Fa - ther a - bore, We will of - fer our trib -ute of praise,
■f- -0- -0-
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For the Fa - ther waits o - yer the way.
And our spir - its shall sor - row no more.
For the |^o - ri - ous gift of His lore.
To pre- pare us a dwell -ing-place there.
Hot a sigh for the bless -ing of rest.
And the bless-ings that hal - low our days.
St-
» — 1 ! I — ^=y
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Chorus
In the sweet
by -and -by.
We shall meet on that beau-ti - ful shon.
I
In the sweet
by-and-by.
by-and-by.
by-and-by. We shall meet on that beau-ti - ful shore.
iNHHr-H^^^gB
by-4ind-by, by-and-by, by-^nd-by,
Bjf€miadoa d Xh^ QU^^* Ditson CeitvAVff
486
The Carrier Dove
ji Slowly and with tnuek eipresHon
^ — ^'
u FlfA-waj to my oa - threUmd, sweetdorey Flya-WAj to my
3. Ohl flj to ber bower, and ny, tlieduda Of tlw tj -nat la •'cr ki
j« lahallmiaa thy rim -it at dawn, wmtttdowtf Ishalliiiiaa tky via- it at
-y-
Daxiel J<
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are.
And bear these linea to my la - dy lofe, Tkatl*ve
ThatI ner-er ahallmoimt my steed a-gaia, Witfc
But bring me a line from my la - dy lofe.
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traced with a fee - ble hand,
hel-met up -on my brow,
then I shall cease to grieve ! .
-av— at
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• • •
She mar-Tels much at my long de-lay, A
No friend to my lat - tice a sol - ace brings, Sz-
I can bear in a don-geon to waste away youth, I can
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The Carrier Dove
487
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nt - mor of death she has heard,
cept when your Yoice is heard,
fall by the con-qner - or's sword,
Or she thinks per-haps I
When yon beat the bars with yonr
But I can- not en -dure she should
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false - ly stray, — Then fly to her bower, sweet
snow - y wings, — Then fly to her bower, sweet
doubt my truth, — Then fly to her bower, sweet
dove,
doye.
doye.
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Sun of My Soul
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I. Sun of my soul. Thou Say - iour dear,
a. When the soft dews of kind - ly sleep
3. A - bide with me from morn till eye.
It is not night if Thou be near ;
My wea-ried eye - lids gen - tly steep,
For with-out Thee I can - not liye ;
4. Come near and bless us when we wake. Ere thro' the world our way we take.
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Oh, may no earth-born cloud a - rise To hide Thee from Thy ser-yant's eyes.
Be my last thought, how sweet to rest For - ey - er on my Say - iour's breast !
A - bide with me when night is nigh, For with-out Thee I dare not die.
Till in the 0 - cean of Thy loye We lose our - selyes in heay'n a - bove.
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488
Be Kind to the Loved Ones at Home
^ Andante esffressivo
Isaac BL WooDBUKT
s. BeUfld
a. BeUfld
Z. BeUfld
4. BeUad
to thyift-ther, to wben tbos wnt youiSy Who lor'd thae ao
to thy mother, to lo I on her hrow May tra - cea of
to thy hiother, Ua heart win hoTO dearth^ the asile of thy Joy
to thy aia4ar9 oot nuui - y may know The depth of troe aia
-hr aa
row he
hewith-
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drawn;
lore;
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He canght the firat ac-cento that fell from thy tongne, And
Ohy well may'at then cheriah and com - foit her now. For
The flow - era of tol-ing will fade at their birth. If che
The wealth of the 0 - cean liea fa - thoma be - low The
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Joined in thy in - no -cent glee.
lOT - ing and kind hath she been,
dew of af - fee - tion be gone,
snr - face that apark - lea a - bove.
r^^
Be kind to thy fa-ther, to
Re -mem - ber thy mother, to
Be kind to thy brother wher-
Be kind to thy fa-ther, once
Be Kind to the Loved Ones at Home
489
now he is old,
thee will she pray,
eT - er you are,
fear - less and bold,
His locks in - ter-min - gled with gray ;
As long as God giv - eth her breath;
The love of a broth - er shall be
Be kind to thy moth - er so near ;
His
With
An
Bo
foot - steps are fee-ble, once fear - less and bold, Thy fa- ther is pass-ing a - way.
ac - cents of kindness then cheer her lone way, S'en to the dark Tal-ley of death,
or - na-ment purer and rich - er by far Than pearls from the depth of the sea.
to thy broth-er, nor show thy heart cold. Be kind to thy sis - ter so dear.
Andrkw Rksd
Holy Ghost, with Light Divine
L. M. GOTT$CHALK
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z. Ho
a. Ho
3. Ho
4. Ho
ly Ghost, with light di-Tine, Shine up -on this heart
ly Ghost, with pow'r di-Tine, Cleanse this guilt - y heart
ly Ghost, with Joy di-Tine, Cheer this sad -dened heart
ly Spit- it all di-Tine, Dwell with -in this heart
r^
of
of
of
of
mine;
mine;
mine;
mine;
Chase the shades of night a
Long hath sin, with - out con
Bid my ma - ny woes de
Cast down ot - 'ry i - dol
way, Turn my dark-ness in - to day.
trol. Held do - min - ion o'er my soul,
part. Heal my wound-ed, bleed-ing heart,
throne. Reign su - preme and reign a - lone.
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By the Sad Sea Waves
iKTpt mod pleM - we foae ;
homB op'Oo aesmil'd
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was foir,
the dew.
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01100 sot a care, From theris-ing of the morn to the aet- tins of the8nn;Tet I
flower that I knew Breathed a gen-tle wel-come back to the worn and wea- ry child. I
pine
wake
like a alave, by' the sad sea wave. Come a - gain, bright days of
in my grave by the »ad sea wave. Come a -gain, dear dream, so
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By the Sad Sea Waves
ad lib.
491
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hope and pleasure gone, Come a -gain, brigbt days, Come a - gain, come a - gain,
peace- fnl-ly that 8mil'd,Come a -gain, dear dream,Come a -gain, come a -gain.
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The Glorious Fourth
Old Colomal Melody
' ' ' I
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X. We'll march and shout hur - rah 1 With flags and ban-ners gay ! For is it not the
a. Co - lum-bia's free-men brave Re - joice to do and dare ! This day the winds ex -
3. Our land is broad and fair. Sweet free-dom er - 'ry-where.We wel-come oth- era
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glo - rions Fourth We eel - e - brate to - day? This day gave Free-dom birth ; Its
nit to wave The stars and stripes in airl *Tis North and South no more; One
to our shores. This home with us to share.Though wealth in goods we own, True
U'l n\i i
s
r
fame now fills the earth. For this th*embat-tled he - roes stood To serve their country's good.
Coun-try we a - dore. No stars have from our ban-ner fled,~What glorious light they shed 1
free-men prize a - lone The laws up - held by ev - 'ry one — The peace our fa-thers won.
J-
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492
Afterwards
JOBHMUUai
li-j'JTj
•y-
T
f. Af - ter the day baa funs its tons of Mr * ^vw. And ime bjone
3* Some • timet my heart grows wea-cy of itt tad - nett, Some-timea my lift
tke
P
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goUI-«n ttan appear,
waa-iy of ttapain,
ff^J-JJ j I
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I lin - ger yet, ^here once we metybe - lor - ed.
Then, lore, I wait and lis-ten for yonr whit - per.
P
pocoriL
doice
s-^=?=Eg^
I
And teem to feel
Till ftart de-part
:^^^2^^
^^-l-lori
t
thy tpir-it ttill it near,
and snnthine comes again.
The flow'rt hare fled that
It can - not he that
coUa voce
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P=i=fF^
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3
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M
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blottom'd in that spring -tide,
we should part for - ev - er,
The birds are mnte that sang their songs a-bove,
That loye's sweet song is hush'd for ns al - way;
Afterwards
498
ztrTT^Tin^
a=K:
^^p
And tho' the years liATe drifted ns asim - der. Time can-not break the golden chain of love.
I bear it yet, al-tlio' its theme be al- ter'd/TwiU reach thy heart and bring thee back some day.
^U
dolce
=g-j' Y^ — Jlljy J--ibh^
X
m
Still we can lore
Lore, we can love
al -tho' the shad - owe gath - er. Still we can hope, nn -
al - tho' the shad - owe iath - er. Still we can hope, nn -
1^^
creit.
rrji^ j^^y^^f=^nn--nii
til the clouds be past : Come to r 7 heart and wbispor thro' the silence, ''Hope on, dear heart, onr
^m
• til 1—! ! 1 — i-t--!=J--
VT
7~ ^» <f\ /IN I
Utos shall meet at last«" lives shall meet at last. Hope on, dear heart, onr lives shall meet at laatl "
494
i
y
Conspirito
Marseillaise Hymn
ROUGET DS IjSLS
I. Te sons of France, a -wake to glo - ry ! Harkybark! what myr-iads bid yon
a. 0, lib - er-tyl can man re - sign thee, Once baT - ing felt tby gen-'ioas
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riM 1 Tonr cbiMren,wiye8,and grand-sires boa - ry : Be - hold their tears, and bear tbeir
flame? Can dun-geons,bolt8,and bars con - fine thee? Or whips tby no - ble spir-it
P
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cries, Be-hold their tears, and bear tbeir cries! Shall bate- fnl ty - rants, mis - chief
tame? Or whips tby no - ble spir - it» tame? Too long the world has wept be -
T r-.f r.
breed - ing. With hire-ling hosts, a ruf - flan band, Af - fright and des - o - late the
wail - ing That falsehood's dag-ger ty- rants wield; But free-dom is our sword and
-^^±^=y^^^^^^^^m
^^^^^m
land, While peace and lib - er - ty lie bleeding? To arms, to arms, ye brave I Th'a-
shield. And all tbeir arts are nn - a - vail-ing ; To arms, to arms, ye bravel Tb 'a-
^siJJni-4
^^-
Marseillaise Hymn
496
veng-ing sword nnsheatliel March oii,iiiarch on, all hearts resolved On vie - to - ry or death 1
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T
The Old Oaken Bucket
-\f^—vf'
— »-H — iH5> ri
Samuel Woodworth
How
The
PC. Tke
'•!
dear to this heart are the scenes of my child-hood, When fond rec - ol -
or - chard, the mead -ow, the deep tan-gled wild- wood, And ev - 'ry loved
o/d oak ' en buck - ety the i - ron-bound buck - et^ The most - ctrv - ered
lec-tion pre - sents them to view IM The wide - spread- ing pond, and
spot which my in - fan - cy knew;) (The cot of
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fa - ther.
the
the
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mill that stood by it. The bridge and the rock where the cat - a - ract
dai - ry- house nigh it. And e'en the rude buck - et that hung in the
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The moss-covered bucket I hailed as a treasure, 3
For often at noon, when returned from the field,
I found it the source of an exquisite pleasure.
The purest and sweetest that nature can yield.
How ardent I seized it, with hands that were
glowing.
And quick to the white-pebbled bottom it fell,
Then soon, with the emblem af truth overflow-
ing, (well.
And dripping with coolness, it rose from the
The old oaken bucket, the iron-bound bucket
The moss-covered bucket arose from the well.
How sweet from the green, mossy brim to receive
it,
As, poised on the curb, it inclined to my lips I
Not a full-blushing goblet could tempt me to leave
it.
Tho' filled with the nectar that Jupiter sips.
And now, far removed from the loved habitation.
The tear of regret will intrusively swell,
As fancy reverts to my father's plantation.
And sighs for the bucket that hung in the well.
The old oaken bucket, the iron-bound bucket,
The moss-covered bucket which hangs in the
weU.
r
496
Gun MAcDoifoveB
Very glow and dreamOy
Toyland
I-!!! j,ij ;' J ru-_J >iJ
1. When yon'Te grown np^my dears, And ar^ as old as I, . . . Ton'Uoft-en poo-der
3. WlienyoQ'yesrownnpyiny dears, Therecomesadrear- y day. . When 'mid the locks of
■S-. :=:. -9-. }*: <^*
^^?
on the years That roll so swift - ly by, My dears, that roll so swift
black ap-pears The first pale gleam of gray. My dears, the first pale gleam
-^ -#- r*^. it: ■ 4-g -—J K-r-l d^-l
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poco animaio
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by.,
gray
And of the man - y lands You will have jour-neyed thnmgh, Tonll
Then of the past yon'll dream As gray-haired grown-nps do, . . And
oft re -call The best of all The land yoar child - hood knewl
seek once more Its phan - tom shore. The land your child -hood knew!
Tour
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Copyright, 1909, bj M. Witmamc & Sons. Internarionaj Ccpjfright Second. Used bj kind permiMion of the Pnhl»htn>
Toylaod
496
Because You're You
HzirtT Blossom
MdUofnoderalo
Bektha
Viciox Hnuntrr
Governor
J'lJ J ; '
J J J'.^
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Lore is a queer lit -tie el -fin sprite. Blest with the dead -11 -est aiml
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Bektha
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ShooUiig his ar - rows to left and lisht. Bagging the rar - est game.
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Fill-ing our hearts with a glad snr<
Governor
Bertha
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-prise, A-mo
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mosttoogood to be true I
Aad
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Governor
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still can you tell me why do you love me? On-ly be -cause you are you, deart
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Copyright, 1904. by M* Witmakk & Sons. Inteniatioiial Copyright Second. Used by kiad perniMSioa of th« PnUiahan^
Because You're You
All is QoSet
u An iB qvi - et, «n te still.
Sleep, my dild, aad fmu aot 01,
the pet - als of the
^
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Wia • try winds blow chill and drear, Lnl - U - by, my ba - by dear,
When the ffloro'ing ran shall glow, They shall in - to bloe - somblow,
Win - try winds blow chill and drear,
They ahall in - to bios - som blow.
ig -I- -•51 -J — J^
Lnl - la - by, my ba - by dear.
Wheo the morn- ing sun ahall glow.
.^^^^^ eolla voce.
■J J I I, I s-
FDrrrh
AU is Quiet
'rTT^ag-^gzrTfrr
602
The Long, Long, Weary Day
Allegro moderato
fei^B^
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X. The long, long, wea - ry day Is pasa'd
a. When I, his truth to proye, Would tri
3. A - las I if land or sea Had part •
4. But he is dead and gone ! Whose heart
i
in tears a-way. The long, long,
lie with my lore, When I, his
ed him from me, A - las 1 if
was mine a-lone, Bat he ia
13
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$=^
wea - ry day Is pass'd in tears a -way,
truth to proYSyWould tri - fle with my loTe,
land or sea Had part - ed him from me,
dead and gone 1 Whose heart was mine a - lone,
And still at eve-ning, I am
He'd say, "For me then shalt be
I would not these sad tears be
And now for him I'm ey - er
-0
^
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m
P kgato
t
?
weep - ingyWhen from my win-dow's height, I look out
weep - ing,When at some fu - ture day, I shall be
weep - ing. But hope he'd come once more, And lore me
weep - ing. His face I ne'er shall see, And nought is
on the night, I still
far a - way. Thou shalt be
as be - fore, And say,''CeaM
left to me £at bit - ter
-:l:
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The Long, Long, Weary Day
503
crea.
weep
weep
weep
weep
^-r-
*■ J j^Tj=^^Jg^
i^
ing, Hy lone watch keep-ing. When from my win-dow's height, I look out
^Zt '^^y ^^^^ watch keep-ing. When at some fn - tnre day, I shall be
ing. Thy lone watch keep-ing." But hope he'd come once more. And love me
ing, My lone watch keep-ing 1 His face I ne'er shall see, And naught is
i
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decres.
fit.
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on the night, I still am weep
far a - way. Thou shalt be weep
as be - fore And say ''Cease weep
left to me. But bit - ter weep
ing» My
ing, Thy
ing. Thy
ing. My
lone watch keep - ing.
lone watch keep-ing."
lone watch keep-ing."
lone watch keep- ing !
4-
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decres.
dim.
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Charles Jefferts
mederaio
Blanche Alpen
^^^^^^
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t
Stephen Glovek
S
t
I. Ton speak of sun -ny skies to me. Of or-ange grove
3. Tou teU me oft of riv - ers bright. Where gold-en gal
3. Had you been rear'd by Al-pine hills. Or lov'd in Al
and bower;
leys float,
pine dells.
^
Of
But
You'd
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•wMt con- tent
tbo' I And
•tUl r« - taiflt
Zlx^^
my dayf «re fpeiit — Then where
trae henrU and kind, Thej'ce kind -
•ome death - leee chains. That bind .
tee leave vy
- er etm at
. the heart te
^-^^^
^^
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4
f
Blanche Alpen
505
H^ r • ' - ^^ 1 1 • ^f-TT;r-?4:-^Tj. J rj J' i p
home? In sweet con -tent my daj» are spent^Then wherefore leare my home?
home. But tho' I find true hearts and kind,They're kind-er still at home.
home. Loye still re -tains some death-less chains, That bind the heart to home.
Shining Shore
G. F. Root
I. My days are glid-lng swift-ly by. And I, a pil-grim stran-ger, Would not de- tain them
a. Should comingVlays be cold and dark, We need not cease our sing - ing; That per- feet rest naught
3. Let sorrow's md- est tem-pestbloWySach chord on earth to sev - er, Our King nySyCome,and
Chorus
^
w
'^^^f=f^f^^^^t±ttXl
as they fly,— Those hours of toil and dan-ger. For now we stand on Jor-dan's strand,Oiir
can mo- lest Where gold - en harps are ring - ing.
there's our homOiFor - er - er 1 Oh, for - ey - er I
S^
t
^
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txxjfn
t=b
rt
*— * — ■— ^
frirads are paaa -ing o - Ter ; And jnst be -foie tli« ahis-ing sIiom We may al-moat dia-coT - et .
iL r
M6
Come, Thotk Fount of Every Blessing
i
Robert Robinson
m
3^:
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i^i^-^-^
John Wyeth
-^
X. Come,Thou Fount of er - 'ry bless - ing, Tune my heart to sing Thy grace ; Streams ef
2. Here I raise mine £b - en - e - ser ; Hith - er by Thy help I'm come ; And I
3. 0 to grace how great a debt - or Dai - ly I'm con-strained to be I Let Thy
mer - cy, nev - er ceas-ing, Call for songs of lond-est praise.Teach me some me-lo-dioos son-net,
hope, by Thy good pleaB-ure,Safe-ly to ar-rive at home. Je - sus sought me when a stran-ger,
good-nessylike a fet-ter, Bind my wand'ring heart to Thee:Prone to wan-der, Lord, I feel it.
Sung by flaming tongues above; Praise the mount( I'm fixed upon it )Mount of Thy redeeming lore.
Wan-d'ring from the fold of God ; He, to res-cue me from dan-ger, Interposed His precious blood.
Prone to leave the God I love : Here's my heart,0 take and seal it : Seal it for Thy courts a-teve.
1
f |_S-_-p-r-^
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Happy Land
Hindoostan Air
I. There is a liap-py land, Far, far a -way, WtiereMinta in glo - 17 atand,
3. Come to tliat liap - py land. Come, come a - way ; Why will ye doubt-ii^ atand,
3. Bright, in that hap -py land. Beams er • 'ry eye; Kept by a. Fa-tlier*aliaad,
i^^
4^
I^'^E^
t
s^
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/ ; ; H.
Bright, bright as day. Oh, how they sweet -ly sing, Wor-thy is
Why still de - lay ? Oh, we shall hap - py be, When from sin
Love can - not die. Oh, then, to glo - ry run ; Be a crown
oar
and
and
«?g
:*;
1
Happy Land
Krr
i I i\] ^^E^U4^^^iT=^
I
SaT-kmr King, IiOad let His prais - es ring, Praise, praise for aye.
sor-row free, Lord, we shall liye with Thee, Blest, blest for aye.
king-dom won; And bright, a - boye the sun, We reign for aye.
God Be with You
J. E. Rankin, D.D.
W. G. TOMUL
j_j_i-ajzzr^-;-V--j^f^j^
I. God be with yott till we meet a - gain, By His conn-eels gnide,np-hold you,
a. God be with you till we meet a -gain, 'Neath His wings pro-tect - ing hide you,
3. God be with you till we meet a - gain. When life's per - Us thick con-found you,
with you till we meet a - gain. Keep love's ban-n a float - ing o'er yoo,
. ^ J ^ I -^ -P- -^ -f - -^ -^
a. God be
3. God be
I 4. God be
k'4 f" e
With His sheep se-cure-ly fold 3rou, God be with you till we meet a - gain.
Dai* ly man-na still pro -vide you, God be with you till we meet a -gain.
Put His arms un - fail-ing round you, God be with you till we meet a - gain.
Smite death's threat'ningwaye before you, God be with you till we meet a -gain.
y-Af, f ' r f T [ [f
Chorus
f
^M^^^
V^HORUS I
m
Till we meet, till we meet.
Till we meet,till we meet,till we meet,Till we meet
*f^.
i
Tin we meet at Je-sus' feet,
at Je-
sus' feet,TiUwemeet,
Tillwemeet. . . . t'li we meet, God be with yon till we meet a - gain
Tin we meetftill we meet, til? we meet,
f" f ' f- f- f- f- f- f-' -^ -^ - - ^ J !
508
Come, Ohl Come with Me, the Moon is Beaming
B. S. Barclay Italian Melody
I. Ohl come, oh ! come witb dm, the moon it hoam - ing; GomOy oh I oome with
a. My fklif ia bj the shore; ahe's Ught and free: To ply the feath-er'd
^
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■'S. — »
£
t
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oar
the stars are gleam - ing ; All a-roand, a-bore with beau - ty teem - iag,
la joy to me ; Asd while we glide a-long, my song shall be : My
m
■S3.
^^g
Fine
±
Moon - light hours are meet for lore,
dear - est maid, I lore but thee.
^Ei±f^kkE^
Tra la la la la
Tra U U U' U
U
U
la la, Tra
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INDEX
Pag*
Abide With Me M<mk 447
Adieu! 'Tis Love's Last Greeting Schubert 175
Afterwards Mullen 492
Aht I Have Sighed to Rest Me . Verdi 410
Ah! So Pure Flotaw 185
Alice, Where Art Thou? Archer 462
AU is Quiet, Lullaby, Violin Obli-
gato Rosewig 500
America National . . . 157
American Hymn Keller 367
Angelic Songs are Swelling Armstrong . . 181
Angek Ever Bright and Fair . . .Handel 70
Annie Laurie SeoU 301
Annie Lisle Thompaon . . 351
Ariel Maaon 253
Arise, My Soul Edeon 69
Auld Lang Syne Scotch 10
Auld Robin Gray Old Melody. . 445
Aura Lee 399
Baby Bunting 101
Baby Mine Johneton . 356
Barbara Allen Old Song ... 247
Battle Cry of Freedom, The Root 17
Battle Hymn of the Republic 312
Be Kind to the Loved Ones at
Home Woodbury ... 488
Beautiful Bells WeUman 362
iBeautifui Dreamer Foeter 118
Beautiful Isle of the Sea Thomae 224
Beautiful Star in Heaven so
Bright Saylea 68
Because You're Yo j Herbert 498
Believe Me if all Those Endear-
ing Young Charms Scotdi 248
Belle Mahone McNaughton. 328
Birds in the Night Sullivan 150
Blanche Alpen Glover 503
Blow the Man Down Chantey-Song 468
Blow, Boys, Blow Chaniey-Song 465
Blue Alsatian Mountains, The . .Adam» 238
Blue Bells of Scotland, The Folksong ... 387
Blue Juniata, The Sullivan 154
Boatmen's Dance, De Smith 76
BobunkuB 383
Bonziie 179
Bonnie Banks o' Loch Lomon',
The Scotch 216
Bonnie Blue Flag, The Macarthy 60
Bonnie Dundee Scotch 80
Bonny Eloise Thomas .... 108
Bowld Sojer Boy, The Lover 214
Break, Break, Break Dempster ... 90
^<^9tidal Chorus from Lohengrin . .Wagner 96
British Grenadiers, The IGth Century 44
Brother, Tell Me of the Battle . . Root 12
Bruce's Address Scotch 429
Buffalo Gala ........ t # t ..#. t • • ' . 366
Bull Dog, The 393
Bunker Hill Tuckerman . . 200
Buy a Broom English 38
By the Sad Sea Waves Benedict 490
Call Me Pet Names Osgood 56
Campbells are Coming, The Scotch 37
Camptown Races Foster ....... 352
Captain Jinks Pratt 54
Carrier Dove Johnson 486
Carry Me Back to Old Vlrpinny ^and 164
Castanets are Sounding Spanish 178
Chinese Baby-Song 55
Christians, Awake Engkfsh 132
Clime Beneath Whose Gcmial Sun Scotch 53
Co-ca-che-lunk 260
Come, All Ye Faithful Reading 131
Come Back to Erin Claribd 438
Come Home, Father Work 230
Come, O Come with Me Italian 508
Come, Thou Almighty King Giardini 441
Come, Thou Fount of Every
Blessing ' . . Wyeth 506
Come, Where my Love Lios
Dreaming (Quartette) Foster 48
Come, Ye Disconsolate Webbe 329
Comin' Thro' the Rye Scotch 113
Cooper's Song Von Suppe . . 425
Cradle Song Su^dish 33
Cradle Song Webrr 171
Cradle Song 323
Danish National Hymn Kmld 206
Danube River. The Aitie 142
Darby and Joan Mtilloif 124
Darling Nellie Gray Hanby . ... 116
Dear Evelina, Sweet Evelina 417
Dearest Mae Crosbtf 1.58
Dearest Spot is Home, T!»c. . . . Wrighton ... 8
Dixie Emmet .. 166
Do They Think of Mc at Home 430
Dost Thou I^ve Me, Sister Ruth Haydn 227
Douglas! Tender and True SeoU S4
Dream Faces Hutchinson . . 02
Drink to Me Only with Thine
Eyes Mozart 105
Dutch Company, The 321
Dutch National Song 155
Dying Volunteer, The Muse 18
Embarrassment .46^ 394
Emmet's Lullaby Emmet 434
Enchanted Isle, The Verdi 188
English Chantey 75
Evening Star (Tannhauser ) . . . Wagner . .... 22
Ever of Thee HaU 222
Faded Coat of Blue .McNaughton. 26
Fading, Still Fading Portuiyuese . . 98
Fair Harvard 249
Far Away Bliss....... 130
1
510
INDEX
Pav
Farewell SHeher 444
Farewell, My Own SvUivan 208
Farewell Song 326
Field of Monterey, The SuUivan 318
Finnly Stand, My Native Land .Nagdi 416
First Nowell, The AneUrd 20'^
Flee as a Bird Dana 228
Flow Gently, Sweet Afton SpUman 15
Flowers that Bloom in the
Spring, The SvUivan 424
For You Smith 460
Forsaken Koaehai 361
Free America IQth Century. 45
Gaily the Troubadour BayUy 149
Gaudeamus Igitur .320
Gentle Annie Foster 354
Girl I Left Behind Me, The Irish 66
Glorious Fourth, The Old Melody. . 491
Go to Sleep, Lena Darling Emmet 434
Go 'way, Old Man! KeUh 298
God Be With You Tomer 607
God is Love Conkey 479
God Speed the Right German .... 275
Good-Bye Engdbrecht . . 252
Good-bye, Sweetheart, Good-bye Hatton 160
Good-night 145
Good-night, Farewell Kucken 182
Graduates' Farewell, The 249
Hail, Ck)lumbia PAj/te 418
Hail to the Chief Sandermm . . 440
Happy Land 506
Hard Times Come Again No
More Foster 82
Hardy Norseman, The Norae 219
HarkI I Hear a Voice 358
Haul on the Bowlin' Chantey^ong 459
Hazel Dell, The Root 212
He Leadeth Me Bradbury . . . 389
Heart Bowed Down, The Bal/e 190
Heart of a Sailor, The Adams 112
Heaven is My Home StUlivan .... 161
Her Bright Smile Haunts Me
SUU Wrighton ... 380
Holy, Holy, Holyl Dykes Ill
Holy Ghost, with Light Divine. . Gottschalk ... 489
Home Again Pike 327
Home, Sweet Home Bishop 374
Home to our Mountains Verdi 452
Homeland, The SvUivan .... 335
Homeward Bound Harrington . . 14
Hoop do Dooden Do Nish 110
How Can I Leave Thee Thuringian . 59
How Gentle God's Commands . .Nagdi 30
Hush, My Babe Rousseau. . . . 133
I Cannot Sing the Old Songv . . . Claribd 282
I Dreamt That I Dwelt in
Marble Halls Balfe 244
I Wandered by the Sea-Beat
Shore Cherry 254
I Would That My Love Menddssokn. 198
I'll Hang My Harp on a Willow
Tree Ottemsey . . . 278
I'm a Pilgrim Italian 170
I'm Wearing Awa', Jean » Scotch 46
InOldMadrid Troten 306
In the Gloaming/^^ •. .ffarrison ... 300
In the Sweet Bye and Bye Webster 485
Independent Farmer, The Root 255
Integer Vitae Flemming ... 226
Italian National Hymn 168
It's a Way We Have at Old .
Harvard 262
I've Left the SnowOlad Hills . . Linley 86
Jack and Gill Handy 277
Jamie's on the Stormy Sea Covert 189
Jerusalem Parker 324
Jerusalem the Golden Buying 89
Jesus! the Very Thought of
Thee Dykes 455
Jingle, Bells 148
John Anderson, My Jo Sa^eh 378
John Brown's Body 313
Johnny Sands Sinclair .... 42
Jordan Am a Hard Road to
Trabbel Briggs 136
Joy to the World Mason 169
Just as I Am Bradbury ... 77
Just Before the Battle, Mother. . Root 370
Juanita 371
Katey's Letter Dufferin lOO
Kathleen Aroon Abt 31
Kathleen Mavoumeen Croi'rh 376
Keller's American H3ann KdUr 367
Kerry Dance, The McUoy 176
Killamey Balfe 138
Kind Words are Dear to All ... Van Noorden 472
Kingdom Coming Work 152
Kiss Me Quick, and Go Buckley 62
Kitty Tyrrell Glover 420
Komer'c Battle Prayer Himmd .... 123
Laird o' Cockpen, The Scotch 448
Land o' the Leal, The Scotdi 46
Landlord, Fill the Flowing Bowl 141
Larboard Watch WiUiams . . .'. 78
Last Night Kjervlf 128
Last Rose of Summer, The English 146
Lauriger Horatius 187
Lead, Kindly Light Dykes 261
Let Me Dream Again SvUivan .... 400
Life on the Ocean Wave, A . . . . Russdl 431
Lightly Row Spanish .... 129
Lilly Dale Thompson . . 299
Listen to the Mocking Bird 384
Little Bo-Peep Elliott 207
Little More Cider, A Hart 372
Loch Lomond Scotch 406
Lone Fish-ball, The 433
Long Ago Musgrave ... 102
Long, Long Ago Bayly 435
Long, Long Weary Day, The 502
Looking Back SvUivan 45S
Lord's Prayer, The 291
Loreley, The SHcher 13
Lorena Webster 242
Lost Chord, The SvUivan 294
Love Not moeJdey .... 272
Lovely Night , Chwaial .... 332
Love's Young Dream Moore 322
Love's Old, Sweet Song Mdloy 276
Low-Backed ear, The Irish 442
INDEX
511
Page
LtiUaby . . Jacobotoski . . 364
Lulu is Our Darling Pride Jarvis 239
Lutzow's wad Hunt WOmt 331
Maggie By My Side Foster 135
Make Me No Gaudy Chaplet . . . DonizetU ... 126
Marching Along Bradbury . . . 163
Marchinf Through Georgia Work 310
Mariner, The 47
Marseillaise Hymn, The de hide .... 404
Mary Had a Little Lamb 345
Mary of Ai^gyle 482
Mar>'landl My Marylandl j ^^^
Massa's in de Cold, Ck)ld Ground Foster 350
Meerschaum Pipe 413
Mermaid, The 360
Biichael Roy 408
Midshipmitc, The Adams 414
Miller of the Dee, The 443
Mifls Lucy Long. . . . ,. 289
MisBionary Hymn Mason 201
My Ain Countrie Sooich 267
My Faith Looks Up To Thee . . .Mason 483
My Grandma's Advice 302
My Jesus, as Thou Wilt Weber 273
My Last Cigar 268
My Mary Anne TyU 246
My Mother's Bible RusseU 422
My Moustache 269
My Old Dog Tray Foster 166
My Old Kentucli^ Home Foster 162
My Trundle-Bed Baker 234
Nancy Lee Adams 394
Nearer, My God, to Thee Mason 423
No, Never, No Old Ballad . . 147
No One to Love Everest 464
Nora O'Neal Hays 470
Now the Day is Over Bamby 453
Nut Brown Maiden 30
O, Come, Come Away 303
O Dear! What Can the Matter
Be? 140
O Give Me a Home by the Sea. . Hosmer 340
0 Loving Heart, Trust On Oottschalk . . 338
0 Music 386
0 Paradise Bamby 229
0 Weary Feet BeiHy 281
0 Ye Tears Aht 40
Oft in the Stilly Night .!..... .Moore 91
OhI Don't You Remember
Sweet Alice 96
Oh, Hush Thee, My Baby WhiUaker ... 480
OhI Susanna 172
Oh! WiUie, We Have Miss'd
You Foster 74
Old Arm Chair, The Russdl 270
Old Black Joe Foster 2U
Old Cabm Home, The 457
Old Dan Tucker 174
Old Folks at Home, The Foster V>'j
Old Hundred Gaudimd ... 369
Old Oaken Bucket, The Woodworth . . 495
Old Rosin, The Beau 210
Old Sexton, The RussM 314
Old Shady Hanhy 122
One Sweetly Solenm Thought. . .Ambrose .... -itiO
PoiO*
Onward, Christian Soldiers Sullivan 257
Orphan Bojts, The 36
Our Baby French 119
Our Native Song Methfessd . . 319
Out on the Deep Lokr 396
Over the Garden Wall Fox 346
Paddle Your Own Canoe Hobson 286
Peter Gray 359
Pirates' Chorus Balfe 237
Polly-wolly-doodle 436
Promised Land, The 473
Quilting Party, The 403
Rainy Day, The Dempster. . . . 454
Red, White and Blue, The Becket 469
Rest for the Weary Dadmun .... 279
Retreat Stowe 245
Rig-a-jig 343
Robin Adair Scotch 288
Robin Ruff RusseU 334
Rock Me to Sleep, Mother Ledie 432
Rock of Ages Hastings .... 421
Rocked in the Cradle of the
Deep Knight 196
Rory O'Moore Lover 202
Rosa Lee 450
Rosalie 446*
Rose of Alabama, The 218
Roy '8 Wife of AldivaUoch Scotch 134
Sailing Marks 390
Sally Come Up Seweil 206
SaUy in Our Alley English 402
Santa Lucia Italian 333
See at Your Feet Balfe 57
See-Saw Walts Song Crowe 180
Shall We Meet Rice 283
Shming Shore, The Root 505
Silent Night German 407
Simon the Cellarer Hatton 348
Sing, Snule, Slumber Gounod 144
Sleep, Beloved, Sleep Taubert 199
Soft, Soft Music is Stealing .... German .... 109
Softly now the Light of Day Weber 477
Soldier's Farewell Kinkd 221
Soldier's Tear Bayly 474
Some Day Wellings 114
Son of God Goes Forth to War,
The Cutler 306
Song of a Thousand Years Work 0
Song of the Fowler Momrt 139
Song of the Sea, A 67
Speed Away! Speed Away Woodbury . . , 437
Spring, The Hayes 317
Star of the Twilight Emerson 16
Star-Spangled Banner, The Arnold 404
Stars of the Summer Night . . . .Woodbury . . 311
Stonewall's Requiem Deeves 290
Strike the Harp Gently Woodbury ... 14
Sun of My Soul Monk 487
Sweet and Low Bamby 309
Sweet Bye and Bye WO^ster 485
Sweet Genevieve Tucker 24
Sweet Hour of Prayer Bradbury . . . 204
Sweet Spirit, Hear My Prayer! . .Wallace 476
Swing Low, Sweet Chariot Slave Hymn . 251
Switzer's Farewell, The Ldnley 29
I
612
INDEX
Sword of Bunker Hill, The
Take Back the Heart
Take Me Home
Tapping at the Garden Gate . . .
Tar's Farewell, The
Tempest of the Heart
Ten Little Niggers
Tenting Tonight
Then You'll Remember Me . . . .
There Were Three Crows
There's Music in the Air
They All Love Jack
' Those Evening Bells
Thousand Leagues Away, A . . . .
Three Blind Mice
Three Fishers Went Sailing . . . .
Three Little Kittens
Three Little Pigs, The
Three Sailor Boys, The
'Tis All That I Can Say
'Tis But a Little Faded Fbwer. .
*Tis Midnight Hour
Tom-Big-Bee River
Tom Bowling
Too Late! Too Latel
Toyland
Trampl Tramp! Tramp! ....
Twenty Years Ago
Pao9
Covert 316
Claribd 265
Raymond ... 20
New 264
Adams 194
Verdi 106
357
Kittredge ... 28
Balfe 52
485
342
Adama 240
Beethoven . . . 392
Bamby 64
10
HuUah 192
439
Gaity 481
Mareials 232
Temple 7
Thomas 368
293
250
Dibdin 236
Lindsay 405
Herbert 496
Root 449
WiUing 280
Twinkling Stars are Laughing,
Love Ordway .... 427
Two Roses, The Werner 412
Upidee 88
Vacant Chair, The Root 32
Vive La Compagnie 59
Warrior Bold, A Adams 34
We'd Better Bide a Wee Claribd ....388
We'll Pay Paddy Doyle Chantey .... 433
Were You Ever in Rio Grande?. . Chantey-Song 451
What Fairy-Like Music DePirma. ... 344
When He Cometh Root 263
When Johnny Comes Marching
Home Lambert. . .
When Shall We Three Meet
Again
When the Lights are Low Lane
When the Swallows Abt
When This Cruel War is Over . . Tucker
When to Thy Vision Gounod . . .
When You and I Were Yoimg . . Butterfidd
Who is Sylvia Schubert . .
Would I Were with Thee Bosetti . . .
Yankee I>oodle 382
Yankee Ship, and a Yankee
Crew, A King 7?
Your Mission Grannis 274
You Never Miss the Water Howard .... 258
4'i
284
336
85
284
475
478
220
330
DICTIONARY OF MUSICAL TERMS
A BalUia. In ballad style.
A Battuia. In exact beat; true time.
A Capp«lla. In church or chapel style; for chorus, with-
out accompaniment.
A Capriecio. As you please.
. A Dam TamiM. Two orotchets or beats in a bar.
A Dim. For two voices or instnunents; separately or in
unison.
A Piaeere. At the performer's pleasure as to time.
A Quaira Mains. For four hands* as a pianoforte duet.
A Tampo. In regular time.
A Tra. For three voices or instruments.
AecaUrando. Gradually quickening the movement.
Aodacatura. A species of grace>note.
Accolada. The brace that binds all parts of a score.
Accoppiata. Parts joined by a brace.
Ada^o. Slow and sustained.
Adagio Aasai. Very slow and sustained.
Affatto. Emotion, feeling.
Affliciona. Sorrow. mouirnfulneaB.
Air Ecoasais. A Scotch air.
Alia Polaoca. In style of a Polish danoe.
Alia Sieiliana. In style of Sicilian shepherd's dance.
Alia Zoppa. In constrained, halting, syncopated style.
Allagro. Quick, lively.
Allegro Aasai. Very quick.
Allagro ma non Troppo. Quick, but not too much so.
Allagratto. Cheerful, but not so quick as ^legro.
AUagratto Scharxando. Moderately vivacious, playfully
but without haste.
Al Segno, dal Segnp. To return to the similar preceding
sign and play thence to the wordFiiu.
Altarnativo. Proceeding alternately from one to apfytbfff
movement.
Andante. Slow, gentle, soothing.
Andante con Moto* Slow, but with movement, not drag-
ging.
Aria Buffa. Comic song.
Aria d'AblUta. Song of difficult execution.
Arpeggio. Passages formed of the notes of regular chords,
played in succession. _
B
Ban Marcato. Render passage or air In a dear, distinct
and strongly accented manner.
Bla. Twice. Passage marked bv a curved line under or
over it to be played or sunft twice.
Bravura. Boldness, spirit, dash, brilliancy.
Brillante. Brilliant, showy, sparkling.
Brio. Brilliancy, spirit.
Briae. Split into arpeggios; in violin playing, short, da>
tached strokes of the oow.
Buffo, Buffa. Humorous, comic, espedaUy as applied to
an air or a singer.
Burden. A return of the theme of a song at the cod of eadi
verse.
Burletta. A musical farce
C
Galore. Warmth, animation.
Cantabile. In singing style.
Cantando, Cantante. In singing tt]de. smooth and flo«^
ing.
Cantata. A vocal composition co**ffifting of an tntemix-
ture of recitative, air and chorua.
Capriecio. Fanciful, irregular oompodtion: capriee. »
Che. Than. that.
Coda. A "tail-piece,** or oonduding passage
Col Arco. With the bow.
Colla Parte. Accompanist must accomnkodate his tempt
to the leading part.
Colla piu gran Foraa a
, . As load and quick ai
poaaible.
Come. As, like.
Come Primo. Aa at first.
Come Tempo del Tenuu Same movement aa the theme.
Commodo, Comodo. Quietly, with composure.
Con Amore. Tenderly, with affection.
Con Brio ed Animato. Brilliant and animated.
Con Diligensa. In studied manner.
Con Espressione. With exiuesaion.
Con Fuoco. With fire, with intense animation.
Con Gusto. With taste.
Con impetuoaita. With impetuosity.
Con Energia. With much energy.
Con Moto. With motion, actively, not dragsins.
Con Spirito. With quickness, with q>irit.
Con Variaaloni. With variations.
GonVelocita. In swift time.
Con VIvacita. With animation.
Contrapuntal. In the style of oounterpotat* fngal, with
rich and variedparts or voices.
Counterpoint. Tiie sdence of writing parts or melodisi
in combination.
rraseendo. Gradually increaring the tona-votume.
DICTIONARY OP MUSICAL TERMS
513
Da Capo. Prom the be^ixmisg. repeat from the beghmhig.
Dal Sagno. Prom the tien, or mark of repetitioa.
Decraecando. Gradual decreasing the tona>volttme.
Dallcato, Dalleatamanta. Delicately.
Daatra. Risht, tight hand.
Dlto. The finger.
Divartiaeamant. Short. U^t oomooeitiott; alio airs in-
troduced between the acts of Italian opwa.
Divoto. In solemn style.
Dolanta. Pathetically.
DoloroeiK In a soft, sorrowful style.
E
Enargioo. With energy, force.
Espraaivo. With ez^reaaion.
F
Fina. End.
FlabUa. In mournful style, weepin^y.
Forte. Loud.
Fortiaaimo. Very loud.
Forsa. With force, energy.
Fraaco. Presh. quick, lively.
Furioao. Purioualy. with fire, energy, intense animation.
G
Giuato. Exact, precise.
GUaaando. In gliding manner, sweeping across the keys.
Graixioso. Gracefully.
Gregorian Mualc. Sacred oooopositions, after the style
introduced into the Roman Catholic Service by Pope
Gregory (about 600 A.D.).
Guato. Taste.
H
Harmonic Triad. A common chord, like C-E>G. P-A-C.
G-B-D.
Hauptaats. The principal section of an extended move-
ment.
Hauptatimma. The most prominent voice, or x>art; the
voice or part which has the theme.
Haut-contra. Counter-tenor, high tenor, alto.
Haut-dasaua. First treble, high soprano.
Hinatiich. An up-bow.
Holding-nota. A note that is sustained or continued,
^diile others are in motion.
n PonticaUo. In singing, where the natural tone forms a
junction with the falsetto; the "break" in a voice.
Impatuoao. With impetuosity.
Impromptu. Without study or preparation.
Innooenta. Innocent, natural. unafiFected, ingenuous.
Inatrumentatlon. The art of arranging music for the
various instruments of an orchestra or band.
L
L. H. The left hand.
Largamanta. Sustaining or broadening the chords or
tones, ponderously, with breadth.
Lwr^atto. Time less slow than Largo.
Larghia^mo. Very slowly and broadly.
Largo. A very siow, stately movement.
Legato. Smooth, connected, the opposite of staccato.
Leggiaro. With lightness.
Lanto. Slow.
Lantando. With increasing slowness.
M
Main Droit. The right hand.
Main Gauche. The left band.
Mono Moaao. Slower movement.
Maato. Pensive, sad. melancholy.
Maxaa Voce. With moderate strength of tone.
Macao. Half, middle.
Masso Porta. Moderately loud.
Masao Piano. Moderately soft.
Mit Bagleitung. With accompaniment.
Modarato. With moderation, as AlUgro Modtrato, moder-
ately fast, not too fast.
Molto Adagio. Very slow.
Molto Allasro. Very fast.
Mordant. A quick trill, with but a single stroke of the
grace-note (side-note).
Morando. Dying away, gradually growing softer.
Mermorando. with a gentle, murmuring sound.
Motat. Composition of a sacred character in several parts:
an unaccompanied anthem.
Motiva. Motive. Leading theme of a composition; a brief
and diaracteristic thane.
Musloa di Camera. Chamber^nuale; music in serious
style. Intended for perfwmance in a house or small
hidl — such as string-quartets, violin sonatas, piano trios,
etc.
N
Naehaplal. A postlude.
Non Troppo Praato. Not too fast.
Obi»ligato. Voices or instntmenta indispensable to the
proper performance of a piece; also a part added for
ornament or display.
Opera Buffa. A comic opera.
Ottava. An octave.
Ottava Alta. An octave higher.
Ottava Bassa. An octave lower.
Parte Cantanta. The singing part, the voice or part
which has the sustained melody.
Pastorala. In rustic or pastoral style.
Pardando or Pardandoai. Gradually decreasing In speed
and volume to the last note, which is nearly, if not quite,
lost on the ear.
Piu Forte. Louder.
Piu Lanto. Slower.
Piu Moaao. With more movement.
Piu Piano. Softer.
Piu Presto. Quicker.
Pisaicato. Pluclrad; played with the finger, not with the
bow.
Poco a Poeo. Graduallv. By degrees.
Poco MeiK>. Somewhat less.
Poeo Piano. Rather soft.
Poco Piu. Somewhat more.
Poco i*reato. Rather quick.
Portamento. Gliding from one to another note.
Pramiere. A first performance.
Prestiaaimo. The most rapid possible movement.
Prima. The first.
R
Railantandov fUtardando, Ritananta. Slackening the
speed.
Rondinot RondUetiat Rondinatto* or Rondolatto. A
short Rondo,
Rondo. A composition of several strains, with frequent
return to first theme.
S
Sclieraando. In a li^t, breexy manner.
Seller ao. A joke or jest; the quick movement of a sonata
or symphony.
Seconda Volta Molto Craseando. Much louder the sec-
ond time.
Segua il Coro. Here follows the chorus.
Segue la Finale. Here follows the Finale.
Sagua Sanaa Intarrualone. Go on: do not stop.
Sempra Forte. Continuing loud, without decreasing the
force.
Sempra Tin Forte. Steadily increasing in force.
Sanaa Replica, ^.thout repetition. Ua capo M»sa rtP'
lica, play from the beginning, but disregard repeat-
marks.
Sin' al Fine. To the end.
Slantando. Reducing the sx>eed.
Soatenuto. Sustained.
Sotto Voce. In an undertone.
Spiritoeo. With spirit, animation, energy.
Staccato. Short, pointed, detached; the opposite of
Legato.
Stark. Loud.
Syncopation. A displacement of accent, either by havinff
a rest on a strong beat, or by tying a stron^y accented
tone to a weaker.
T
Taato Solo. Played without chords.
Tempo Giuato. in exact time.
Tempo Primo. In the first or original time.
Tanate Sino Alia Fin del Suono. Keep keys down as long
as sotmd lasts.
Tanuto. Sustained; held for the full time- value.
Tutu. All voices or instruments, or both.
Variaaioni. Variations of an air or theme.
Valoca. In rapid time.
Vivaoa. With animation.
Volta. Time, turn; as prima woUa, the first time; una
voUOt once.
VoltiSubito. Turn the leaf quickly.
(J>
/ A
CLASSIFIED INDEX
Under this head will be found the songs in the alphabetical index, which precedes this. In this index
the same song will often appear in two or more classes; because in its history it has been found popular
under circumstances not originally contemplated by its composer. Thus Dixie appeared originallY as a
negro minstrel song, became popular as dance music, and eventually was played by military hands
North and South during the great Civil War. Bonny Eloise, a sweet little ballad, mingled its strains
with the rhythm of dancing feet all through the winter of 1860-61, and then (like "The Girl I Left
Bebind Me in the English Army ) became the last greeting of hundreds of volunteers to the loving
hearts they left forever. Other compositions have been accepted by fraternal and collegiate singers
for so long that they are also a part of the recognized melodies, simg at fraternal and collegiate
gatherings.
It has been also considered best to recognize this fact, because some have sent songs in in one
class and others the same in another, in either of which its popularity has been recognized.
■I
■ \ /
D
C'-
CLASS I
Page
America . Smith 157
American Hymn Kdler 367
Battle Cry of Freedom, The Root 17
Battle Hymn of the Republic . . Mrs. Howe. . 312
'ionnie Blue Flag, The Macarthy . . . ' 60
Bonnie Dundee Scotch 80
Bonny Eloise Thomas , 108
Bowld Sojer Boy, The . Lover 214
British Grenadiers, The \iyth Century. 44
Brother, Tell Me of the Battle. . Root 12
Bruce's Address Scotch 429
Bunker Hill Tuckerman . . 200
Campbells are Coming, The Scotch 37
Clime Beneath Whose Genial
Sun 53
Danish National Hymn Erald 205
'N^ixie » Emmet 166
Dutch National Song 155
Dying Volunteer, The Muse 18
Faded Coat of Blue, The McNaughton. 26
P^leld of Monterey, The . . » Svllivan 318
Firmly Stand, My Native Land . Nageli 416
Free America Dr. Warren . . 45
Giri I Lpft Behind Me, The Irish 06
Glorious Fourth, The Old Melody. . 491
God Speed the Right German .... 275
Hail Columbia Phyla 418
Hail to the Chief Sanderson . . . 440
Hardy Norseman, The Norse 219
Italian National Hvmn 168
John Brown's Body 313
Just Before the Battle, Mother. Root 370
Keller's American Hymn Keller 367
Kingdom Coming Work 152
Korner's Battle Prayer Korner 123
Lutzow's Wild Hilht Weber 331
Marching Along Bradbury .... 163
^ Marching Through Georgia .... Work 310
Marseillaise Hymn, The de Lisle 494
►sMaryland, My Maryland 456
Old Shady Hanby 122
Red, White and Blue, The Becket 469
Soldier's Farewell, The Kinkel 221
Soldier's Tear, The Bayly 474
Song of a Thousand Years, The . Work 9
Star Spangled Banner, The Arnold 404
Stonewall Jackson's Requiem . . Deeves 290
Switzer's Farewell, The Linley 29
Sword of Bunker Hill, The .... Covert 316
Tenting Tonight KiUredge 28
Tramp! Tramp! Tramp I Root 449
Warrior Bold, A Adams 34
„. Patt
When Johnny Comes Marching
Home Again Lambert 484
When This Cruel War is Over. . Tucker 2S4
Yankee Doodle 382
CLASS II
Beautiful Isle of the Sea Thomas
Belle Mahone McNaughton
• Blow the Man Down Chantey-Song
Blow, Boys, Blow Chantey-Song
Boatman^s Dance, De Smith
Bonnie Scotch
Break, Break, Break Tennyson ....
By the Sad Sea Waves Benedict
Captain Jinks Pratt
Danish National Hymn Erald
English Chantey
Hardy Norseman, The Norse
Haul on the Bowlin' Chantey-Song
Heart of a Sailor, The Adams
Her Bright Smile Haunts Me
Still Wrighton . . .
Homeward Bound Harrington . .
I Wandered by the Sea-Beat
Shore Cherry
Jamie's on the Stormy Sea Covert
Larboard Watch WiUi^ims . . .
Life on the Ocean '^''ave, A Russdl
Lightly Row Spanish ....
Maggie's Bv My Side Foster
Mariner, Tfie
Mermaid, The
Midshipmite, The Adams
My Last Cigar
My Mary Anne Tyte
Nancy Lee Adams
No, Never, No Old Ballad ..
Oh, Give Me a Home by the Se&Hosmer
Out on the Deep , Lohr
Pirates' Chorus Bal/e
Red, White and Blue, The Becket
Rocked in the Cradle of the Deep Knight
Sailing Marks
• Santa Lucia Italian ......
Song of the Sea, A
Tar's Farewell, The Adams
They All Love Jack Adams
Thousand Leagues Away, A . . . . Bamby
Three Fishers Went SaiUng .... HvUah
Three Sailor Boys, The Mareials .
Tom Bowling Dibdin
We'll Pay Padd^ Doyle ChanteySong
Wers You Ever m Rio Grande? . . Chant^/Song
224
328
468
465
76
179
90
490
54
205
75
219
4£9
112
3S0
14
254
l>9
78
431
129
135
47
360
414
268
246
394
147
340
39ti
237
469
196
390
333
67
194
240
64
192
232
236
433
451
CLASSIFIED INDEX
What Fairy-like Miisic DePinna . .
Yankee Ship and a Yankee
Crew, A King
Page
344
72
CLASS III
All is Quiet, Lullaby, Violin ,•
Obligato :'. Roaewig 500
Baby Bunting, Lullaby 101
Baby Mine, Lullaby Johnston 356
Be Rind to the Loved Ones at
Home Woodbury . . . 488
Beautiful Bells Weiiman 3t>2
Chinese Baby Song, Lullaby 55
Come Home, Father Work 230
Cradle Song, Lullaby Swedish 33
Cradle Song, Lullaby Weber 171
Cradle Song, Lullaby 323
First No well. The Christmas Carol . 292
Glorious Fourth, The Revolutionary Song 491
Go to Sleej), Lena Darling Emmet 434
Happy Land 506
• Hush My Babe, Lullaby Rousseau. ... 133
Independent Farmer Root 255
Jack and Gill Handy 277
Kind Words are Dear to All Van Xoorden 472
Lightly Row Spanish .... 129
Little Bo-Pcep EUioU 207
Lord's Prayer, The 291
Lullaby : Jakobowski.. . 364
Lulu is Our Darling Pride Jarvis 239
Marv Had a Little Lamb 345
My bid Dog Tray Foster 156
My Trundle Bed Baker 234
Now the Day is Over Barnby 453
O Come, Come Away 303
Oh, Hush Thee, My Baby WhiUaker .... 4S()
Orphan Boys, The 36
Our Baby French 119
iSee-Saw 'Waltz Song Crowe ISO
Sleep, l^loved, Sleep Taubtrt 199
Softly Now the Light of Day Weber 477
Soft, Soft, Music is Stealing Uernian .... 109
Spring, The Dr. Hayes . . 317
Sweet Bye and Bye Webster 4S5
Sw€»ct and I^ow Barnby 309
Ten Little Niggers 357
There's Music in the Air 342
Those Evening Bells Beethoven 392
Three Blind Mice 10
Three Little Kittens 439
Three Little Pigs, The (iatty 4M
Toyland Herhtrt -iOC)
When He Cometh Root 2t>3
When Johnny Comes Marching
Home Lambert 4S4
Yankee Doodle 3S2
CLASS IV
Songs that have been popular as Dance Music.
Beautiful Bells. Wdlman 302
Blue Juniata, The tiiJiivan 154
Boatnien'.s Dance, De Smith 76
Bonnie Blue Flag, The Macarthy .... (iO
Bonnie Dundee Scott SO
Bonny lOloise Thomas 1 OS
Bi)wl(l Sojer Boy Lover '214
Buffalo Gals 366
Btmker Hill Tuckcrman . . 200
Buy a Broom English .38
Campbells are Coming, The 37
• Caraptown Races Foster 352
Otptuin Jinks Pratt 54
Castanets are Sounding Spanish . .
Come, Oh, Come With Me Italian
• Comin' Thro' the Rye Burns
Darling Nellie Gray Hanby
Dearest Mae .' . . Crosby
' Dixie Emmet ....
Dream Faces Hutchinson
Field of Monterey, The Sullivan . . .
Gentle .4nnie Foster
Girl I Left Behind Me, The Irish
' Home, Sweet Home Bishop. . . .
Hoop de Dooden Do Nish
It's a Way We Have at Old Har-
vard
"• Kerry Dance, The MoUoy . . .
Kingdom Coming Work
Landlord, Fill the Flowing Bowl
Love's Young Dream Moore
Lulu is Our Darling Pride Jarvis
Maryland, My Maryland '
Miss Lucv Long
My Olii Dog IVuv Foster
O Dear, VVhat Can the Matter
Be?
• O Susanna
O Willie, We Have Missed You . Foster
Oft in the Stilly Night Moore
Old Dan Tucker
• Old Folks at Home Foster
Old Rosin the Beau
Rory O'Moore Lovi r
Rov's Wife of Aldivalloch Scotch
Sally Come Up SeirtU
See-Saw Waltz Song Crowe
Siveet Bye and Bye Wcb.'iter ....
Ton Little Niggers
Yankee Doodle
CLASS V
Negro Melodies and Minstrel Songs
Annie Lisle Thompsfm . .
• Aura Lee
Beautiful Bells Wellman
Beautiful Drejuner Fo.^tvr
Beautiful l.sle ot tiie Sea Tfioma.* ....
Boatmen's Dance, De Smith
Bonnie Klois<; Thomas ....
Brffsxlo Gals .
^'.I'.nptown Races Foster
Captain Jinks /''rait
Carry Me Back to Old Virginny Lbtnd
Darling Nellie Gray ." . Hanby
Dear Evelina, Sweet Kvelina
Dearest Mae ( rosht/
Dixie hfnmd
Dutch Company, The
CJientle Annie Fo,\ti r
Go 'way, ( )ld Man! Keith
Hard Times Come Again No
More Foster
Hazel Dell, The Root
lIo«)p de Dooden Do \ish
Jvinlan Am a Hard Road to
TmblH'l Briggs
Kingili)m Coming Work'
KisH .Me Quick and Go Buckley
Kitty Tyrrell Clover
Lilly Dale Thompson ....
• Listen to the Mocking Bird
Little More CMder, A Hart . .
Maggie By My Side Foster
Massa's in de Cold, Cold Groimd Foster
Michael Roy
178
508
113
116
158
106
92
318
354
66
374
110
262
176
152
141
322
239
45(>
289
156
140
172
74
91
174
120
210
202
134
20()
180
4S5
357
382
351
399
302
llN
224
7li
lOS
36l»
352
54
1(}4
116
417
] 58
106
321
354
21) S
• • • • •
S2
212
110
13«')
152
420
299
3S4
372
135
350
408
L
CLASSIFIED INDEX
Page
Ififls Lucy Long 289
My Grandma's Advice 302
My Old Dog Tray Foster 156
. My Old Kentucky Home Foster 162
Nora O'Neal Hays 470
- Oh. Susanna 172
Old Arm Chair RusseU 270
Old Black Joe Foster 211
Old Cabin Home, The 457
Old Dan Tucker 174
Old Folks at Home Foster 120
Old Shady Hanby 122
Over the Garden Wall Fox 346
Peter Gray 359
Quilting Party, The 403
Rosa Lee 450
. Rosalie 446
Rose of Alabama, The 218
Sally Come Up SeweU 206
Sweet Genevieve Tucker 24
Tapping at the Garden Gate . . .New 264
There Were Three Crows 485
Tombigbee River 250
CLASS VI
Sacred Songs, Revival Hymns, etc.
447
181
70
69
132
131
506
329
98
292
228
607
479
Abide with Me Monk
Angelic Songs are Swelling Armstrong .
Angels Ever Bright and If air ... . Handel
Arise, My Soul Edson
Christians, Awake En^ish
Come, All Ye Faithful Reading. . . .
Come, Thou Almighty King Giardini 441
Come, Thou Fount of Every
Blessing Wyeth
Come, Ye Disconsolate Webhe ^
Fading, Still Fading Portuguese .
First Nowell, The Old English
Flee as a Bird Dana
GodBe With You Tomer
God is Love Conkey
Happy Land 506
He Leadeth Me Bradbury .... 389
Heaven is My Home Sullivan 161
Holy, Holy, Holy Dykes Ill
Holy Ghost, With Light Divine . Gottschalk ... 489
Homeland. The SuUivan 335
Homewaxxi Bound Harrington . . 11
How Gentle God's Commands • . . Nagdi 30
• I'm a Pilgrim Italian 170
Jerusalem Parker 324
Jerusalem, The Golden Evring 89
Jesus 1 the Very Thought of Thee . Dykes 455
Joy to the World Alason 169
Just as I Am Bradbury .... 77
Land o' the Leal, The Scotch 46
Lfead, Kindlv Light Dykes 261
Lord's Prayer, The 291
Missionary Hymn Mason 201
My Ain Countrie Scotch 267
My Faith Lookup to Thee Metson 483
My Jesus, as Thou Wilt Weber 273
My Mother's Bible Russdl 422
Nearer, Mv God, to Thee Mason 423
O Paradise Bamby 229
Old Hundred Goudimd 369
One Sw^eetly Solemn Thought . . . Anibrose 466
Onward, Christian Soldiers SuUivan 257
Promised Land, The 473
Rest for the Weary Dadmun .... 279
Retreat Hastings 245
Rock of Ages Hastings ..... 421
Shall We Mee t ? '. Rice
Shining Shore, The Root
Softly Now the Light of Day . . . Weber
Son of God Goes Forth to War,
The Cuaer
Sun of My Soul Monk
Sweet Bye and Bye Webster
Sweet Hour of Prayer Bradbury . .
Swii^ Low, Sweet Chariot Slave Hymn
Too Late, Too Late Lindsay. . . .
When He Cometh Root
When Shall We Three Meet
Again?
Your Mission Grannis. . . .
CLASS VII
Love Songs
Adieu, 'TIS Love's Last GreeUng. Schubert.. . . .
Afterwards MuUen
Alice, Where Art Thou Ascher
Annie Laurie Scott
Annie Lisle Thompson . ,
Aura Lee
Barbara Allen Old Engli^ .
Beautiful Dreamer Foster
Because You're You Herbert
Believe Me, if all Those Endear-
ing Young Charms Moore
Belle Mahone McNaugfUon.
Birds in the Night SuUivan
Blanche Alpen Glover
Blue Juniata, The SuUivan
Bonny Eloise Thomas ,
Call Me Pet Names Osgood
Come Back to Erin Claribd
Come, Oh, Come With Me Italian
Comin' Thro' the Rye Bums . ;
Danube River Aide
Darby and Joan MoUoy
Darling Nellie Gray Hanby
Dear Evelina, Sweet Evelina
Dearest Mae Crosby
Dost Thou Love Me, Sister Ruth Haydn
Douglas! Douglas! Tender and
True Scott
Dream Faces Hutchinson . .
Drink to Me Only With Thine
Eyes Mozart
Embarrassment Abt
Ever of Thee HaU
Farewell Silcher
For You Smith
Forsaken Koschat
Good-bjre, Sweetheart, Good-bye Hatton .......
Good-night, Farewell Kucken
Her Bright Smile Haunts Me
Still. Wrighton ...
How Can I Leave Thee . .« Thuringian. .
I Would That My Love Menddssahn.
I'll Hang My Harp on a Willow
Tree Gtierrisey.
In the Gloaming Harrison . . . .
John Anderson, My Jo Scotch Song. .
Juanita
Katey 's Letter Dufferin
Kathleen Aroon Abt
Kathleen Mavoumeen Crouch
Kiss Me Quick and Go Buckley
Kitty Tyrrell Glover
Last Night KjenUf
Loch Lomond Scotch Song. .
Lorena Wd>ster
Love's Young Dream Moore
I'^gS
283
505
477
305
487
485
.204
251
405
263
284
274
175
492
462
301
351
399
247
118
498
248
328
150
503
154
108
56
438
508
113
142
.124
116
417
158
227
84
92
105
304
222
444
460
361
160
182
380
59
198
278
30O
37S
371
lOO
31
376
62
420
12S
406
242
CLASSIFIED INDEX
Page
Love's Old Sweet Song MoUoy 276
Low-Backed Car, The Irish Song. . . 442
Maggie By Mv Side Foster 136
Mary of Argyle 482
My Grandma's Advice 302
My Manr Anne Tyte 246
Nancy Lee Adams 394
No, Never, No Old Ballad .. 147
No One to Love Everest 464
Nora O'Neal Hays 470
Nut Brown Maiden 30
O Dear, What Can the Matter Be? 140
0 Willie, We Have Missed You . Foster 74
Over the Garden Wall Fox 346
Quilting Party, The 403
Robin Adair Scotch Song. . 288
Sally InOur Allev English 402
Sleep, Beloved, Sleep Taubert 199
Solcfiers' Farewell Kinkel 221
Some Day WeUings 1 14
Sweet Genevieve Tucker 24
Take Back the Heart Claribd 265
Tapping at the Garden Gate. . . . New 264
Then You'll Remember Me Balfe 52
Twinkling Stars are Laughing,
Love Ordway 427
When the Lights are Low Lane 336
When the Swallows Homeward
Fly , AU 86
Would I Were With Thee BoseUi 330
Who is Sylvia Schubert 220
CLASS VIII
Songs of the Great Masters in Operas, Operettas,
Oratorios, Etc.
Ah, I Have Sighed to Rest Me. . Verdi 410
Ah, So Pure Flotow 185
Adieu I 'Tis Love's Last Greeting Schubert 1 76
Angels Ever Bright and Fair. . . . Handd 70
Because You're You Herbert 498
Birds in the Night SvUivan 150
Bridal Chorus (Lohengrin ) Wagner •••... 95
Buy a Broom ^ 38
Castanets are Sounding Spanish 178
Cooper's Song Von Suppe . . 425
Cradle Song Weber 171
Dost Thou Love Me, Sister Ruth Haydn 227
Drink to Me Only With Thine
Eyes Mozart 105
Emmet's Lullaby Emmet 434
Enchanted Isle, The Verdi 188
Evening Star (Tannhauser ) Wagner 22
Fading, Still Fading Portuguese ... 98
Farewell, My Own (Pinafore ) . . .SxiUivan 208
Flowers that Bloom in the Spring Sullivan 424
Hail to the Chief Sanderson . . . 440
Heart Bowed Down, The Balfe 190
Home to Our Mountains Verdi 452
1 Dreamt That I Dwelt in
Marble HalU Balfe 244
I Would That My Love Mendelssohn, 198
Last Rose of Summer, The Moore 146
Lullaby Jakoboweki .. 364
Lutzow's Wild Hunt Weber 331
Make Me No Gaudy C!lhaplet. . . . Donizetti 126
Mariner, The Old Ballad . . 47
No, Never, No Old BaUad , , 147
O Ye Tears Abt 40
Oft in the Stilly Night Moore 91
Out on the Deep Lohr 396
Pirates' Chorus Balfe 237
Robin Adair Scotch 288
Santa Lucia Italian 333
Page
See at Your Feet Balfe 57
Soldier's Farewell Kinkel 221
Sing, Smile, Slumber Gounod, , . . . . 144
Sleep, Beloved, Sleep Taubert 199
Song of the Fowler Mozart 139
Sweet Spirit, Hear My Prayer,
"Naiad Queen" Wallace 476
Tempest of the Heart. Verdi 106
Then You'll Remember Me Balfe 52
Those Evening Bells Beethoven,,,. 392
'Tis Midnight Hour 293
Toyland Herbert 496
When the Swallows Homeward
Fly Abt 85
When to Thy Vision Gounod 475
Who is Sylvia (Shakespeare) .. .Schubert 220
You Never Miss the Water Howard 258
CLASS IX
Concerts, Solos and Quartettes
Adieu! 'Tis Love's Last Greeting Schubert 175
Alice, Where Art Thou Asctier 462
Ariel Mason ....... 253
Auld Robin Gray Scotch Song. . 446
Be Kind to the Loved Ones at
Home Woodbury . . . 488
Beautiful Bells Wellman 362
Beautiful Isle of the Sea Thomas 224
Beautiful Star In Heaven so
Bright SavUs 68
Birds in the Night SuUivan 160
BlancheAlpen Glover 503
Blue Alsatian Mountains, I'he . . . Adams 238
Bonnie Banks o' Loch Lomon' .Scotch Song. . 216
By the Sad Sea Waves Benedict 490
Carrier Dove, The Johnson 486
Come Home, Father Work 230
Come Where My Love Lies
Dreaming (Quartette ) Foster 48
Danube River, The Aide 142
Dearest Spot on Earth, The .... Wrighton ... 8
Do They Think of Me at Home 430
Dream Faces Hutchinson . . 92
Dutch Company, The 321
Embarrassment Abt 304
Far Away Bliss 130
Farewell Song 326
Flow Gently, Sweet Afton Spilman 15
Gaily the Troubadour Bayley 149
God Speed the Right German .... 275
Good-Bye Engelbrecht . . 252
Good-night 14^
Hark! I hear a Voice 358
Home Again Pike 327
I Cannot Sing the Old Songs Claribd 282
1 Wandered by the Sea-Beat
Shore Cherry . 254
I'll Hang My Harp on a Willow
Tree Guernsey ... 278
Independent Farmer, The Root 255
I've Left the Snow-Clad Hills. . . Linley 86
Johnny Sands Sinclair .... 42
Katey's Letter. •• Dufferin 1(X)
Kathleen Aroon Abt 31
Kathleen Mavoumeen Crouch 376
Killamey Balfe 138
Kind Words are Dear to All .... Van Noorden 472
Laird o' Cockpen, The Old Scotch . . 448
Last Rose of Summer, The Moore 146
Let Me Dream Again Sullivan ..... 400
Listen to the Mocking Bird .' . 384
Long Ago Musgrave .... 102
Long, Long Ago Bayly ....... 435
CLASSIFIED INDEX
Page
Long, Long Weary Day, The 602
Loreley, The SiUher 13
Lost Chord, The SvUivan.. j . . 294
Love Not BlocJdey 272
Lovely Night ChwaUd 332
.Low-Backed Car, The Irish Song . . 442
Lutzow's Wild Hunt Weber 331
Mermaid, The 360
Miller of the Dee, The 443
m Now the Day Is Over BamJby 453
O Loving Heart, Trust On GoUschalk . . . 338
O Music 386
O Weary Feet BeiHy 281
O Ye Tears Aht 40
Oft in the Stilly Night Moore 91
Oh, Don't You Remember Sweet
Alice 96
Old Oaken Bucket, The WoodtDorth . . . 495
Old Sexton, The Ruasdl 314
Our Native Song Methfesed . . . 319
Over the Garden Wall Fox 346
Paddle Your Own Canoe Hobaon 286
Rainy Day, The r . . . Dempster. . . . 454
Robin Ruff RtLSseU 334
Rock Me to Sleep, Mother Leslie 432
Santa Lucia Italian 333
Silent Night German 407
Simon, the Cellarer Hation 348
Soft, Soft Music is Stealing German .... 109
Soldier's Tear Bayly 474
Speed Away, Speed Away Woodbury . . . 437
Spring, The Hayes 317
Star of the Twilight Emerson 16
Stars of the Summer Night . . . .Woodbury ... 311
Strike the Harp Gently Woodbury ... 14
Sweet Spirit, Hear My Prayer . . . Wallace .••••. 476
Switzer's Farewell. The Lirdey 29
There's Music in the Air 342
'Tis All That I Can Sav..- Temple 7
'Tis But a Little Faded Flower. TAomo* 368
'Tis Midnight Hour 293
Twentv Years Ago... WHling 280
Two Pa)ses, The Werner 412
Vacant Chair, The Root 32
We'd Better Bide a Wee Claribel 388
What Fairy-Like Music DePinna 344
When the 'Swallows Homeward
Fly Abi 85
When You and I Were Young . . Butterfidd . . 478
' Who is Sylvia? Schubert 220
Your Mission Grannie 274
You Never Miss the Water Howard 258
CLASS X
Page
College and Fraternal Songs
America National 157
Annie Laurie Scott 301
Auld Lang Syne Scotch 10
Bohunkus 383
Bonnie Dundee Scotch 80
Bull Dog, The 393
Co-ca-ohe-lunk 260
Come Where My Love Lies
Dreaming (Quartette) Foster 48
Danube River, The Aide 142
Dearest Spot on Earth, The Wrighton. ... 8
Do They Think of Me at Home 430
Dutch Company, The 321
Fair Harvard 249
Gaudeamus Igitur 320
Good-Bye Engelbrecht . . 252
Graduates' Farewell, The 249
Hail Columbia Phyla 418
Home Again Pike 327
In Old Madrid Trotere 306
Integer Vitae Flemming . . 226
It's a Way We Have at Old
Harvard 262
Jingle, Bells 148
•John Brown's Body 313
Juanita 371
Landlord, Fill the Flowing Bowl 141
Lauriger Horatius 187
Lone Fish-ball, The 433
Mary Had a Little Lamb 345
Meerschaum Pipe 413
My Last Cigar 268
My Moustache 269
Oft in the Stilly Night Moore 91
Old Folks at Home, The Foster 120
Old Oaken Bucket, The Woodworih . . . 495
Old Sexton, The Russdl 314
Peter Gray 359
Polly-woUy-doodle 436
Rig-a-jig 343
Simon the Cellarer Hatton 34H
Star Spangiea Banner, The . . . .Arnold 404
Swing Low, Sweet Chariot Slave Hymn . . 251
Ten Little Niggere 357
Then You'll Remember Me Bal/e 52
There Were Three Crows 485
Those Evening Bells Beethoven.,.. 392
XJpidee 88
/ Vive La Compagnie 5S
When Shall We Three Meet Again? 284
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