THE HI STORY OF
THE ROYAL SOCIETY
OF ARTS I
A HISTORY OF
THE ROYAL SOCIETY OF ARTS
I.Tftvlcr Sc.
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JtOJi&MY •
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A HISTORY OF
THE ROYAL SOCIETY
OF ARTS
BY SIR HENRY TRUEMAN WOOD
SECRETARY OF THE SOCIETY
WITH A PREFACE BY
LORD SANDERSON, G.C.B.
CHAIRMAN OF THE COUNCIL
WITH ILLUSTRATIONS
LONDON:
JOHN MURRAY, ALBEMARLE STREET, W.
1913
-Tl
Navigia atque agri culturas moenia leges
arma vias vestes et cetera de genere horum,
praemia, delicias quoque vitae funditus omnis,
carmina picturas, et daedala signa polire,
usus et impigrae simul experientia mentis
paulatim docuit pedetemtim progredientis.
sic unumquicquid paulatim protrahit aetas
in medium ratioque in luminis erigit oras.
namque alid ex alio clarescere et ordine debet
artibus, ad sum mum donee venere cacumen.
LUCRETIUS, De Rerum Natura, v. 1448.
DEDICATED BY PERMISSION
TO
HIS MAJESTY KING GEORGE V.
FOR NINE YEARS PRESIDENT OF THE SOCIETY
AND NOW ITS PATRON
295419
Ail rights reserved
PREFACE
(By LORD SANDERSON, G.C.B., K.C.M.G., Chairman of
the Council of the Society for the years 1911—13)
IT is perhaps at first sight rather remarkable that the
Royal Society of Arts should have been approaching the
i6oth year of its existence before any attempt was made
to write its history. One reason may be assigned for the
omission which is of a re-assuring character. Retro-
spection is the proverbial consolation of old age and
declining strength. We may take it as no unhealthy
symptom, but rather as an indication that a Society is
still in the prime of life, when it is so much absorbed in its
actual work as to be content with a very misty knowledge
of its origin and early history.
Such certainly was the mental condition of a large
proportion of the Members of the Royal Society of Arts
(not excepting the Council) before the appearance in the
Journal of the series of articles which are now presented
in a collected shape. We were fully occupied with the
various activities of the Society — its meetings and papers,
its examinations, and the distribution of its medals. As
regards the past, most of us were conscious that the
Society had done much good work under the beneficent
presidency of the Prince Consort, and could claim to have
taken a leading part in the promotion of the great Inter-
national Exhibitions of 1851 and 1862. But it came upon
us as a revelation that the names of the elder Pitt, Lord
North, Lord Rockingham, Lord Bute, and other historic
Ministers of the time of George in., were enrolled among
its earliest members in somewhat uncongenial company
with John Wilkes and Woodfall, the printer of the Letters
of Junius ; that Dr. Johnson is believed to have made, at
viii PREFACE
one of its meetings, the only speech which he is known to
have delivered on his legs ; that Oliver Goldsmith was
anxious to offer himself as a candidate for the post of
Secretary, but was deterred by the refusal of Garrick to
support him ; and that the Society's efforts to introduce
the bread-fruit tree into the West Indies led to Captain
Bligh's expedition, which terminated in the mutiny of the
Bounty and the colonisation of Pitcairn Island.
An illustrious past may, however, be reckoned in the
balance-sheet of a Society as an asset of no inconsiderable
value, whether it be regarded as establishing a prima facie
claim to continued support, or as an incitement to further
achievements. In both these respects it may fairly be
claimed that the Society's records afford material for
stimulating thought, and it was a happy inspiration
which prompted its present Secretary to add the prepara-
tion of this volume to the many services which he has
rendered during more than thirty years of office. It
has been a somewhat laborious undertaking, for which the
Society owes him a deep debt of gratitude.
From the short note appended to this Preface it will
be seen that although materials were not lacking, much
research was required to fill up gaps and put the whole into
complete shape.
The Society's origin is an instance of evolution, very
typical of British methods. Nothing can have been less
ostentatious than its entry into the world. The scheme
was devised by a drawing-master of no great eminence,
and was put into concrete shape at a meeting of eleven
persons, of whom the most important in social position
were two peers, Viscount Folkestone and Lord Romney,
and three members of the Royal Society, Dr. Hales and Mr.
Baker, both naturalists, and Mr. Brander, an antiquary
and a Director of the Bank of England. Once started, the
Society was found to conform to the needs of the time.
It waxed and prospered, affording one among many illus-
trations of the proposition that the permanence of in-
stitutions is best assured by a process of steady growth.
The doctrine described some years ago in the graphic
words that " there is nothing like beginning with a bang "
PREFACE k
may be excellent from a party point of view, but finds little
confirmation in history.
The first impression, on a survey of the Society's work,
is one of some bewilderment at the multiplicity and diver-
sity of the subjects with which it has dealt in rapid
succession or even simultaneously. Nothing seems to
have been regarded as too homely for its attention. Side
by side with the account of efforts to encourage improved
systems of industrial hygiene, of saving life at sea, of the
ventilation of mines, of producing coal gas, we find the
notice of a gold medal awarded for the invention of the
transparent slate which was the delight or torment of our
childhood. In 1851, unexhausted by its efforts in connec-
tion with the First International Exhibition, the Society
was offering a medal for the production of a shilling box
of colours. The box which carried off the prize had an
unexampled success, and I well remember being myself
the happy possessor of one of the eleven millions which
were sold. At one moment the Society is endeavouring
to further the improvement of labourers' cottages, at
another it is proposing a reform in the standard pitch of
musical instruments. It encourages with equal energy
the planting of osiers for basket-making, the development
of the fish supply of London and the introduction of the
Dutch system of curing herrings, the use of machines for
sweeping chimneys in substitution for boy chimney-
sweeps, the introduction of artistic designs in household
crockery, and the placing of memorial tablets on London
houses connected in the past with eminent men.
Such ubiquitous energy presents obvious difficulties
to the historian, who finds himself confronted with the
task of arranging a patchwork quilt into some kind of
ordered pattern. The author has dealt with it by a system
partly chronological, but in the main of classification
into subjects. This has necessitated some repetitions and
numerous cross-references, but it was the only practicable
method of making the story clear and consecutive in its
various portions.
Another notable feature of the Society's work is the
frequency with which it originated, or led the way in,
x PREFACE
movements which were taken up with general favour and
gave occasion for the formation of independent associa-
tions. Thus in the first half-century or more of its
existence it devoted itself largely to endeavours for the
development of various branches of agriculture and in-
dustry in the Colonies — a work which the Colonial and
Imperial Institutes would now regard as their peculiar
province. Up to the time of the formation of the Royal
Agricultural Society in 1838, the Society of Arts was the
prime mover in the development of agriculture in this
country also, receiving in this respect much assistance
from the advice of the well-known agriculturist, Arthur
Young. It seems to have done a good deal towards the
adoption of improved methods of cultivation, and we are
largely indebted to it for the introduction of the swede
turnip and the mangel-wurzel. It offered many prizes
for the invention and improvement of agricultural
machines, and can claim to have been instrumental in the
planting of some fifty millions of forest trees. In 1760
it made the first attempt at a public exhibition of the works
of artists, and the success of this experiment led to the
foundation of the Royal Academy of Arts. By drawing
attention to the need for changes in the Patent Laws, it
contributed to the passing of the great Patent Law
Reform Act of 1852. In 1852 it held the first exhibition of
photographic pictures. In 1858 it took a prominent part
in the demand for legislation to protect copyright in
works of art. From 1857 onwards it was busy in advo-
cating various Postal reforms, including the purchase
of the telegraphs by the State. Between 1867 and 1873
it took a leading part in promoting the establishment
of the National Training School for Music. It worked
strenuously in aid of the formation of Mechanics' Institutes
throughout the country, and in 1867 it organised a con-
ference on the means of promoting technical education ;
at the end of 1886, it started a movement for encouraging
drill in schools. Among various other subjects which it
took up at different times may be mentioned the production
of county maps, the question of our food supplies, sanita-
tion and water supply, economy in the consumption of
PREFACE
XI
coal, increased comfort in the passage across the Channel,
improvement of London cabs, and the development of
mechanical road traction. The organisation and promo-
tion of the scheme for the International Exhibition of
1851, with all the results that flowed from it, including the
creation of a Government Department of Science and
Art, must, however, no doubt be considered the Society's
greatest achievement in this field of starting enterprises
which have had an independent development.
As regards the efforts of the Society for the advance-
ment of Art pure and simple and their success, ample
evidence is given by the distinguished names which will
be found in the list of Medallists. It is interesting to
notice how many eminent painters, engravers, and sculp-
tors, including several Presidents of the Royal Academy,
received in early youth perhaps their first encouragement
to persevere in an artistic career by the award of one of the
Society's Medals.
Among a host of less well-known names, we find those
of Bewick, Hablot Browne, C. W. Cope, Cosway, Cousins,
Sir C. Eastlake, Flaxman, Frith, Goodall, Hook, Sir E.
Landseer, Sir T. Lawrence, Sir J. Millais, Mulready,
Nollekens, Romney, Sir W. Ross, some of whom obtained
their first medal at the age of ten or eleven.
The development of Industrial Art and Commercial
Industry has, however, naturally been the principal
object of the Society's attention, and in this field of labour
it has shown such a catholicity of interest that the present
volume has become a sketch of the whole industrial pro-
gress of the country, incomplete, no doubt (for complete-
ness could only have been attained by a work of encyclopae-
dic dimensions), but still eminently suggestive and useful
as a starting-point for further research in regard to any
particular branch of industry. In this respect Sir Henry
Wood has rendered an important service not merely to
those who are interested in the Society, but to the much
larger class who may wish to study the subjects with which
it has dealt.
There is a saying often quoted, though not always
with assent, that history repeats itself. Those who
xii PREFACE
contest it ignore the qualification added by some sagacious
observer, that history repeats itself, but always with a
difference. The work of the Society follows the general
rule. Like many other British institutions, the Society
owes its permanence to the power which it has shown of
adapting itself to altered conditions and circumstances,
it repeats its history with a difference ; its objects and
principles are in the main the same, though in many
respects it has altered its methods. It leaves to other
Associations, more recently formed, various branches of
work which it was itself the first to undertake ; it has
changed in character from an Institution offering premiums
for specified inventions and improvements, to one having
for its main object the dissemination of information on
all branches of Art and Industry, affording facilities for
the publication of particulars as to the most recent in-
ventions, and thus making publicity the substitute for
encouragement by the award of prizes. For this purpose
it has adopted in recent times the practice of holding weekly
meetings during a considerable portion of the year for the
reading and discussion of papers, and it is provided with
the means of arranging for courses of lectures. The
proceedings at all these meetings, with much other in-
formation, are published in its weekly Journal. But the
Society's medals are still awarded for the more remarkable
papers contributed, and occasionally for some special
invention in regard to which competition has been invited.
Since 1863 it has annually awarded the gold medal in-
stituted in commemoration of the Prince Consort, to some
person selected for eminent merit in the promotion of
arts, manufactures, and commerce. In another field of
work it has during the last half-century instituted a system
of examinations, which are now held not only in London,
but in all the more important commercial and manu-
facturing centres in the provinces, and in which the
candidates have increased from an initial figure of 62 to a
yearly average of 28,000.
It may be claimed for the Society that it is a striking
example of the useful work which may be done by a
voluntary association, formed for the advancement of
PREFACE
Xlll
public objects, dependent on public support, but free to
enter upon new fields of work and inquiry, and to make
experiments, unhampered by the trammels which beset
a Department of State, the restrictions of hard-and-fast
rules, and the constant ordeal of Parliamentary questions
and criticisms. The Empress Catherine's compassion for
the unfortunate savants who might not say, " I don't
know," might be extended to those who must not embark
on fresh ventures because under a system of party Govern-
ment they may not confess to a failure.
The increased share now taken by the State in the
active promotion of social progress does not diminish
the need for such voluntary associations, though it may
in some degree affect the nature of their work. They
are still required as the cavalry of intellectual advance,
scouting in front, extending its flanks, procuring supplies
and information, and performing various indispensable
services for which the infantry and heavy artillery of
Public Departments are little adapted.
The present volume is a record of change and adaptation
from the foundation of the Society in 1754 to 1880, the
year when the Author commenced his duties as Secretary.
At that point, for obvious reasons, he has preferred to lay
down his pen. Since that date there have been further
changes, and we may no doubt look forward to others in
the future. But of the spirit which led to the Society's
formation, and maintains it in unabated vigour after a
century and a half of existence — the spirit which underlies
so many British institutions — the desire to give voluntary
and unremunerated service for the advancement of the
community, to work strenuously for the general increase
of knowledge, refined taste, and useful industry — there is
no one who will not say Esto perpetua.
S.
Nothing like a history of the Society has ever been written. A
great deal of information is contained in a lengthy paper read
in 1868 (see Journal, vol. xvii. p. 10, et seq.^by S. T. Davenport,
who was Financial Officer of the Society from 1853 till his
death in 1876. The best account of the Society is to be found
in a series of articles contributed to Engineering in July and
August 1891, by H. B. Wheatley (Assistant Secretary, 1879 to
1909). A short but brightly written sketch of the Society is
given in Scientific London (B. H. Becker), 1874. The Micro-
cosm of London, published by R. Ackermann in 1811, gives a
good account of the Society as it existed at that date, and
contains an interesting picture of the Great Room, showing
the arrangement of the room before the modern alterations.
Charles Knight's London, vol. v. (1843), a^so contains an
illustrated chapter on the Society. The Penny Cyclopaedia
(1842), under the heading " Society of Arts," gives an excellent
short history of the Society up to that date. Some other
accounts might be mentioned, but on the whole, outside of its
own publications, the history of the Society must be sought
in the magazines and newspapers of the last two centuries,
from the Gentleman's Magazine and the Public Advertiser
down to the periodicals and journals of our own time.
H. T. W.
CONTENTS
CHAP. PAGE
I. THE ORIGIN OF THE SOCIETY . . . . i
II. THE EARLIEST LISTS OF MEMBERS . . .26
III. THE SOCIETY'S OFFICES . . . . -53
IV. THE SOCIETY AND THE COLONIES . . -83
V. THE SOCIETY AND AGRICULTURE (1754-1830) . .114
VI. THE SOCIETY AND FORESTRY (1758-1835) . . 143
VII. THE SOCIETY AND THE FINE ARTS (1755-1851) . 151
VIII. THE FINE ART PRIZE-WINNERS (1755-1849) . . 162
IX. THE SOCIETY AND THE FINE ARTS (1755-1851) — Con-
tinued ....... 213
X. THE SOCIETY'S EARLY ART EXHIBITIONS . . 226
XI. THE PREMIUMS (1754-1851) .... 235
XII. THE PREMIUMS (1754-1851) — Continued. . . 257
XIII. THE PREMIUMS (1754-1851) — Concluded. . . 286
XIV. THE SOCIETY'S MEDALS . . . . .314
XV. THE OFFICIALS. THE " TRANSACTIONS." THE COUNCIL.
THE CHARTER (1761-1847) . . . .321
XVI. THE PRESIDENCY OF THE PRINCE CONSORT (1843-1861) 353
XVII. THE 1851 EXHIBITION ..... 401
XVIII. THE 1862 EXHIBITION . . . . .416
XIX. THE SOCIETY'S EXAMINATIONS .... 425
XX. THE PRESIDENCY OF KING EDWARD VII. (1862-1880) . 442
XXI. THE PRESIDENCY OF KING EDWARD VII. (1862-1880) —
Continued — CONCLUSION .... 474
APPENDIX I. THE SOCIETY'S OFFICIALS (1754-1913) . . 509
APPENDIX II. THE ALBERT MEDAL (1864-1913) . .512
APPENDIX III. PORTRAITS IN THE SOCIETY'S POSSESSION . 518
INDEX . . . . . . . .521
b
LIST OF ILLUSTRATIONS
FACING PAGE
ELEVATION OF THE SOCIETY'S HOUSE. BY ROBERT ADAM
(Original Copper-plate) .... Frontispiece
PORTRAIT OF WILLIAM SHIPLEY, THE FOUNDER (Original
Copper-plate) . . . . . .10
PORTRAIT OF LORD FOLKESTONE, THE FIRST PRESIDENT (Original
Copper-plate) . . . . . .12
PORTRAIT OF LORD ROMNEY, THE SECOND PRESIDENT (Original
Copper-plate) . . . . . .16
PORTRAIT OF DR. TEMPLEMAN, SECRETARY (Original Copper-
plate ........ 22
FACSIMILES OF SIGNATURES OF EARLY MEMBERS . 47, 48, 49, 50
REPRODUCTION FROM OLD MAP, SHOWING THE SOCIETY'S OFFICES
OPPOSITE BEAUFORT BUILDINGS . . . .54
PORTRAIT OF ROBERT ADAM . . . . .58
Photograph from a Medallion by TASSIE.
THE SOCIETY'S HOUSE IN 1911 . . \ _. . 60
THE SOCIETY'S REPOSITORY IN 1843 AND AN EARLY VIEW OF
THE ADELPHI ...... 64
THE COUNCIL-ROOM IN 1911 . . . . . 66
THE SOCIETY'S MEETING-ROOM IN 1804 . . .70
BARRY'S PICTURE OF " THE SOCIETY " . . . .76
MAP OF THE NORTH AMERICAN COLONIES . . .84
SHERWIN'S FRONTISPIECE TO VOL. I. OF THE "TRANSACTIONS" 151
THE SOCIETY'S PRIZE PALETTE . . . . .160
COMMEMORATIVE MEDALS REWARDED BY THE SOCIETY . 220
THE SOCIETY'S EARLY MEDALS . . . . .314
THE SOCIETY'S LATER MEDALS . . . .318
THE LATEST MEDALS OF THE SOCIETY . . . .320
PORTRAIT OF SAMUEL MORE, SECRETARY . .326
From SHARP'S Engraving after the Portrait by WEST.
PORTRAIT OF ARTHUR AIKIN, SECRETARY . . 336
From a Daguerreotype
xviii LIST OF ILLUSTRATIONS
FACING PAGE
THE SOCIETY'S " HONORARY TESTIMONIAL " (Original Copper-
plate) . . . -354
PORTRAIT OF SIR HENRY COLE, CHAIRMAN OF COUNCIL . 358
From a Photograph by Mrs. CAMEROK.
INVITATION CARD TO THE SOCIETY'S FIRST DINNER (Original
Copper-plate) . . . . . 396
THE SOCIETY'S SEALS ...... 398
PORTRAIT OF SIR FREDERICK BRAMWELL, CHAIRMAN OF COUNCIL
AND PRESIDENT ...... 474
From a Photograph.
A MEETING OF THE COUNCIL IN 1900 . . .. . 500
From a Picture in The Graphic.
IN THE TEXT
PAGE
PLAN OF HENRIETTA STREET, SHOWING SITE OF RAWTHMELL'S
COFFEE-HOUSE . . . . . .13
PLAN SHOWING POSITION OF THE SOCIETY'S OFFICES, OPPOSITE
BEAUFORT BUILDINGS . . . . . 56
DESIGN BY BARRY FOR A MEDAL . . . . 82
THE BREAD-FRUIT . . . . . .113
EARLY CHAFF-CUTTER . » . . . .142
FRONTISPIECE TO THE PREMIUM LIST (1803) . . .156
THE SOCIETY'S ORIGINAL BOOK-PLATE . . . .161
"ARTS, MANUFACTURES, AND COMMERCE," FROM AN OLD DIE. 212
STAGHOLD'S GUN-HARPOON . . . . . 225
ALMOND'S LOOM ....... 256
STURGEON'S ELECTRO -MAGNET . . . . .285
SIGNALLING BY HAND (1809) . . . . .313
BARRY'S DESIGN FOR THE SOCIETY'S MEDAL . . .317
THE FELIX SUMMERLY TEA-SERVICE .... 406
THE 1851 EXHIBITION . . . . . .415
THE 1862 EXHIBITION ...... 424
THE SWINEY CUP ...... 441
TABLET TO PETER THE GREAT . . . . .470
JOHNSON'S HOUSE AND MEMORIAL TABLET . . .473
HISTORY OF THE ROYAL
SOCIETY OF ARTS
CHAPTER I
THE ORIGIN OF THE SOCIETY
Early Technical Societies : Royal Dublin Society — American Philo-
sophical Society — Select Society of Edinburgh — Anti-Gallican
Society — Economical Society of St. Petersburg, etc. — Early
proposal for a " Chamber of Arts " for London — Shipley publishes
proposals for Premiums to promote Arts and Manufactures — Some
account of Shipley and his Academy — Meeting at Rawthmell's
Coffee-House and Foundation of Society — Names of the Founders —
Determination of Site of Rawthmell's House — Decision to offer
Premiums — Further Meetings — First Annual Meeting- — Lord
Folkestone elected the first President — Four Vice-Presidents —
Shipley first Secretary — Title, Constitution, and Character of the
Society — Finance — Shipley becomes Registrar and Box Secretary —
Decision to appoint new Secretary — Templeman elected — Duties
of the Officials.
AMONG the results of the revival of learning in Italy
in the fourteenth century was the establishment of
Academies — associations of men interested in the cultiva-
tion of the humanities or the advancement of natural
knowledge, with the purpose of mutual improvement,
or the promotion of common objects.
These Institutions, most numerous and most successful
in Italy, were soon imitated in other countries. In
England the attempts under the earlier Stuart Kings to
establish an Academy came to nothing. But after the
Restoration, the Royal Society, which had a somewhat
precarious existence during the later and troublous days
of the Commonwealth, was definitely established under
2 THE ORIGIN OF THE SOCIETY
the patronage of the second Charles. The Royal Society,
though it enjoyed court favour, was, unlike the French
Academy, independent of court influence, and this position
it has maintained until the present day. Instituted for the
general promotion of natural knowledge, it included within
its scope all branches of science, both pure and applied,
and among its earlier Transactions are many papers dealing
with purely technical and industrial subjects.
For more than half a century it had the field to itself,
and for more than a century its control of purely scientific
matters was undisputed. Towards the end of the
eighteenth century the advance of Science led to the
establishment of subsidiary Societies devoted to particular
branches of knowledge. Their establishment, at first
strenuously opposed by the members of the Royal Society,
was before long accepted as inevitable, and the Royal
Society became the parent of numerous daughter Societies,
each devoted to a special branch of natural knowledge,
while the main supervision and control of scientific re-
. search was still retained in her own hands.
At an earlier date however — a date which we might
fix as a little before the middle of the century — the growth
of Trade and Industry, and the progress which the in-
dustrial arts were already beginning to make, had led to
the institution of various technical Societies, the object
rof which was the promotion of the Arts, Industries, and
Commerce of the kingdom. The oldest of these is
the Royal Society of Dublin. This was founded in 1731,
under the title of the Dublin Society for Improving
Husbandry, Manufactures, and other Useful Arts. Previous
to this, in 1683, a Philosophical Society, on the model of
I the Royal Society of London, had been formed. This had
rather a chequered existence, and seems to have come
to an end before the close of the seventeenth century.
The second Dublin Society was established mainly by
Dr. S. Madden, who himself provided prizes for useful
inventions and for proficiency in the Fine Arts.
In 1 749 this Society was incorporated under the name
of the Royal Dublin Society, in which name it has ever
since carried on much valuable work. It had the advantage
EARLY TECHNICAL SOCIETIES 3
of Government aid, and between 1761 and 1767 it distri-
buted Government grants to the amount of £42,000 in
the promotion of agriculture and manufactures.
The London Society of Arts, therefore, dating as it does
from 1754, though the oldest association of the sort in
Great Britain, is younger by some twenty-three years than
the sister society in Ireland. j
Two other technical societies founded in the eighteenth
century still survive, the Highland and Agricultural
Society of Scotland (1784) and the Bath and West of
England Agricultural Society (1774).
In America, before the foundation of the Society of Arts,
Benjamin Franklin had already published ( 1 743) a Proposal
for Promoting Useful Knowledge among the British Planta-
tions, and this led to the formation of the American Philo-
sophical Society, which still flourishes, but devotes itself
exclusively to pure science. In 1765, after the establish-
ment of the London Society of Arts, a similar society was
formed in New York, and a number of prizes were offered
for industrial advances in the Province of New York. The
first list of such prizes, which varied in amounts from £30
to £2, was sent to the London Society, and is still in exist-
ence. Many other societies, some of an industrial character,
were started in America later, after the independence of
the United States.
All the other technical societies established about this
time had but a brief existence, and few of them have left
any records behind them. A Society of Improvers in
the Knowledge of Agriculture in Scotland was established
in 1723. Twenty years later, in 1743, the Select Trans-
actions of this Society were collected and published by
Maxwell.1 In 1754 there was founded the Select Society
of Edinburgh for encouraging the Arts and Manufactures
of Scotland . The principal promoter of this was Elizabeth,
Duchess of Hamilton — one of the beautiful Miss Gunnings.
Mrs. Palliser refers to this society in her history of lace,
and mentions the award of prizes for Scottish lace for
some few years. At one time this institution was in
1 Lecky, England in the Eighteenth Century, vol. ii. p. 318 (Edition
1909); Encycl. Brit., s.v. " Agriculture."
4 THE ORIGIN OF THE SOCIETY
correspondence with the Society of Arts in London. It
appears to have continued for about eight years, for Sir
A. Dick, writing in 1774, says that " for these twelve
years past " there has been no Society of the sort in Scot-
land. This would give about 1762 as the date when the
^ Scottish Society came to an end.1
In 1743 there seems to have existed in Edinburgh a
Society for the Promotion of Natural Knowledge, but
the only evidence of such existence of which I am aware
is to be found in an advertisement in the Caledonian
Mercury, 23rd August 1743. This advertisement asks
for information about the discovery of new minerals, and
offers to analyse samples of such minerals if they are
sent to the offices of the Edinburgh Philosophical Society.
We may therefore conclude that it was associated with
but distinct from this last-named Society, which was
founded in 1731, and afterwards developed into the
Royal Society of Edinburgh.
Perhaps the most curious of these institutions was the
Anti-Gallican Society, which was established in London in
1 750 or 1751, for the protection of native industries and the
discouragement of French imports. This Society seems,
by reports which appeared from time to time in the Gentle-
man's Magazine, to have held quarterly meetings up to
1754 or thereabouts, at which meetings small prizes were
awarded for English lace, needlework, etc. In 1753 a
medal was presented to one Captain John Mead, " for
having caught the greatest number of whales last season, "
and another medal to Captain Cockburne " for his gallant
behaviour to the commander of the French squadron at
Annamobar , on the coast of Guinea ." On another occasion
the Society made a grant of five guineas to "an honest,
industrious old couple," whose cow had died from " the dis-
temper." For some time there is no further available in-
formation about their proceedings ; but in 1759 they appear
1 Dossie, Memoirs of Agriculture and other (Economical Arts , vol. iii. p.
208. This book really constitutes the earliest Transactions of the Society,
and numerous references to it will be found in the following pages.
An account of the book and its connection with the Society, together
with such information as I have been able to collect about Dossie
himself, will be found in Chapter XV, p. 330.
EARLY TECHNICAL SOCIETIES 5
to have taken more strenuous action by starting the " Anti-
Gallican " privateer. This ship captured a French India-
man in Spanish waters, whence arose considerable difficulty;
eventually the prize was declared illegal, and had to be
given up. It looks as if this last effort for the promotion
of British industries brought this Society to an end, for no
further record of their proceedings appears.
There may have been other precursors of the Society
of Arts, but research has failed to find evidence of their
existence. After the Society was founded it had a certain
number of imitators. The Gentleman's Magazine for 1755,
p. 505, contains an account of a society established that
year in Breconshire on the model of the Society of Arts,
for the encouragement of local agriculture and manufactures
by the offer of prizes, and the suggestion is put forward
that other like societies might usefully be established in all
the counties. After 1768, when, as hereafter mentioned,
Shipley, the Society's founder, had retired to Maidstone,
he founded a local society there which for some years did
useful work.
A Society for the Promotion of Industry in the
Southern District of the parts of Lindsey in the county of
Lincoln, was established in 1783, and was carried on for at
least six years. It is mentioned by Archdeacon Cunning-
ham in his well-known work,1 but he gives no further
information about it. From an account of the proceedings
of this Institution, published in or after 1790, it appears
that it was intended to encourage industry among the
poor. For several years it gave small prizes, consisting
generally of garments, to women and young people for
spinning wool and for knitting. It also made small grants
of money to young people on their apprenticeship. It
thus appears that there was little in common between this
Society and the Society of Arts, except a certain similarity
in the titles.2 It was really a charitable Society, and its
object was rather the reduction of the Rates than the
1 English Industry and Commerce, vol. ii. p. 993 (Edition 1907).
2 There is a copy of the book in the London Library. It contains
a good deal of curious information about the conditions under which
the spinning industry was carried on in the east of England at the time.
6 THE ORIGIN OF THE SOCIETY
promotion of Industry. Arthur Young mentions an
attempt to found a similar Society in Rutlandshire
about ten years later.1
In the Society's minutes before 1775 there are references
to Societies for the promotion of Agriculture in Norfolk,
Pembroke, Carmarthen, and Cardigan. Other similar
county associations were formed a little later. In 1791 a
Society for the Improvement of British Wool was started
in Edinburgh.2 Sir John Sinclair, afterwards President of
the Board of Agriculture, was associated with this Society,
and delivered an address at its first meeting. A Society
of Arts was established in Barbados in 1781, and con-
tinued to publish proceedings till 1784. Its publications
are mentioned in Cundall's Supplement to Biographia
Jamaicensis.
On the Continent the Society had at least one direct
imitator, for it is recorded that the Empress Catharine n.
of Russia was so much pleased with the account of the
premiums offered by the Society of Arts, that in 1766 she
established in her own dominions the Free Economical
Society of St. Petersburg, with objects similar to those
of the English Society. Arthur Young was elected a
member of this Society about I78o.3
Later on there were many societies founded, both at
home and abroad, with similar objects to those of the
Society of Arts, but all these were started after 1800.
The closing years of the eighteenth century saw many
more scientific, philosophical, and literary institutions
founded, but none of these were of the same character
as, or had similar aims or objects with, the Society of Arts.
The earliest proposal of which any record exists for
the foundation of a Society of Arts in London goes as
far back as 1721, when it is said that a pamphlet was
published, entitled, Three Letters concerning the forming
of a Society to be called the Chamber of Arts, for the pre-
serving of Operative Knowledge, Mechanical Arts, Inven-
1 Annals of Agriculture, vol. xxii. p. 421, 1794.
8 An account of this Society and of its objects is given in The Bee,
a weekly magazine started in Edinburgh in 1791 by Dr. James
Anderson, vol. i. pp. 116 and 266.
3 Autobiography (Edition 1898, by M. Betham Edwards), p. 85.
FIRST PROPOSALS FOR A SOCIETY OF ARTS 7
tions q,nd Manufactures.1 Probably the time of the South
Sea Bubble was not a fortunate one for the exploitation
of such schemes ; certainly nothing came of the proposal.
In 1753, William Shipley2 published in Northampton,
where it is said he was established as a drawing-master,
certain " proposals for raising by subscription a fund to be
distributed in premiums for the promoting of improve-
ments in the liberal arts and sciences, manufactures, etc."
This was followed a little later in the same year by " a
scheme for putting the proposals into execution," published
in London.
Shipley was a portrait and landscape painter of no
great merit. According to Redgrave 3 he was " better
known as the founder of the St. Martin's Lane Academy,
known as Shipley's School, where the best artists of a
whole generation studied." Where Redgrave got his in-
formation from is unknown, and he is certainly mistaken.
1 Short Account of . . . the Society, etc., by a member (Edward
Bridgen), 1765. A scarce pamphlet, giving an account of the Society
of Arts' origin.
Another rather similar pamphlet, A Concise Account . . . of the
Society, was published two years earlier, in 1763. It also was anony-
mous, but was written by Thomas Mortimer. The information it
contains is rather fuller.
2 The materials for a life of Shipley are scanty. A certain amount
of information is to be found in the Society's minute books and ac-
count books. The writer of the Concise Account of the Society, above
referred to, states that an account of Shipley's proceedings in connec-
tion with the foundation of the Society was drawn up, and a copy pre-
sented to " the Antiquarian Society," by James Theobald, one of the
Society's first Vice-Presidents. No such document, however, either
in print or MS., is now to be found in the library of the Society of
Antiquaries. The author of the Concise Account, however, extracted
a good deal from Theobald's narrative, and it is from this source that
most of what we know about Shipley and his efforts to start a society
is derived. A short life of Shipley is given in Russell's History of
Maidstone (1881), and this gives some particulars of his later years.
This information was reproduced in a short article in the Journal (vol.
xxx. p. 933), written by H. B. Wheatley. The account in the Dictionary
of National Biography is based on this article, though other references
are given. One or two mistakes appear in this account. Shipley
was in all probability born in London, not in Maidstone, and he
certainly died in Maidstone, and not in Manchester.
3 Dictionary of A rtists of the English School.
8 THE ORIGIN OF THE SOCIETY
No evidence can be found to prove that Shipley's Academy
was in St. Martin's Lane, though the Academy founded by
Sir William Thornhill in the Piazza, Covent Garden, was
transferred there after his death by his son-in-law,
Hogarth.1 Later on, in 1763, we find that special prizes
were awarded by the Society to the pupils in this school,
and also to the pupils of the school 2 established by the
Duke of Richmond in Whitehall.
There really does not appear to be any satisfactory
evidence that Shipley had any Academy in London before
1754, or indeed that he lived in London before that date.
At the time of the foundation of the Society he was staying
with his friend Messiter the surgeon in Great Pulteney
Street, and Messiter 's house was given as his address till
he moved into Craig's Court. The earliest reference to
the Academy that I have been able to find locates it in
Castle Court,3 whither the Society's offices were moved
1 The St. Martin's Lane Academy was in Peter's Court, between no
and in St. Martin's Lane. Hogarth, "thinking that an academy
conducted on proper and moderate principles had some use, proposed
that a number of artists should enter into a subscription for the hire
of a place large enough to admit thirty or forty people to draw after
a naked figure " (William Hogarth, by Austin Dobson, 1907, p. 48).
The room was originally a dancing-school, afterwards the studio of
Roubiliac. Later still, the place was rebuilt and turned into a Friend's
Meeting-House. Messrs. Chatto & Windus's premises now occupy the
site. The school was extremely successful and nourished for some
thirty-four years, till the foundation of the Royal Academy in 1768,
when its " anatomical figures, busts, statues, etc." were handed over to
it. Hogarth's painting of the Life School was purchased by the Royal
Academy and is now in their possession.
2 A note in the Gentleman's Magazine, March 1758, p. 141, records the
opening of this school. A room was supplied with busts and pictures
for the use of art students. Wilton and Cipriani were engaged to attend
at certain times and examine the students' work. Robert Drummond,
Archbishop of York (1761-76), was a patron and supporter of the school.
3 " My late father, Nathaniel Smith, and Joseph Nollekens were
playfellows, and both learned drawing together at Shipley's School,
then kept in the Strand, at the eastern corner of Castle Court ; the
house, now No. 229, is at present occupied by Mr. Helps. What
renders the building the more interesting is that it was not only in this
house that the Society of Arts had its first meetings, but it was subse-
quently inhabited by Rawle, the antiquary, and friend of Captain
Grose " (J. T. Smith, Nollekens and His Times, 1828, vol. i. p. 3).
WILLIAM SHIPLEY 9
in 1756. It may have been started in the house taken
by Shipley for the Society in Craig's Court in 1755, and
it is possible that when, as hereafter described, the Society
moved to the house opposite Beaufort Buildings, Shipley's
Academy may have been accommodated in part of the
premises.
After this, when Shipley's official connection with the
Society had ceased, it appears to be certain that his
Academy was moved to the house at the corner of Beaufort
Buildings (afterwards No. 96 Strand), which later on be-
came Ackerman's Fine Art Repository, and later still
Rimmel's well-known perfumery shop. After Shipley left
London, the School was carried on for some time by Henry
Pars, the brother of William Pars, A.R.A., and its pupils
took many of the Society 's prizes -1 Beaufort Buildings dis-
appeared about 1902-4, when the new Savoy Hotel build-
ings were erected, and the Strand frontage was set back.
Not very much is really known about Shipley's life.
He is said to have been born in London in 1714? His
father was Jonathan Shipley, " Citizen and Stationer " of
London. He was a native of Leeds, who afterwards
lived in Walbrook. William's mother was Martha Davies.
Her family owned Twyford House, near Winchester,
and the property was inherited by Shipley's brother
Jonathan, the Bishop of St. Asaph. He was a liberal-
minded divine, and a friend of Franklin. It was said,
probably without truth, that he might have been appointed
1 Shipley " erected the Academy in the Strand, opposite Exeter
'Change, where, by his zealous assiduity, and the diligent attention of
Mr. Henry Pars, his successor and the present conductor of the School,
the greatest number of Contendants for the Rewards of this Institution
were formed " (Dossie, Memoirs of Agriculture, vol. iii. p. 394).
2 This is the date given in all the biographical dictionaries. The
same year is given as the date of the birth of his brother Jonathan,
and in his case correctly, as is shown by his monument in the church-
yard at Twyford, near Winchester. On William's tombstone in All
Saints' Churchyard, Maidstone, which was renovated at the Society's
cost in 191 1, it is stated that he died on the 28th December 1803, set. 89.
This is so far vague that it might equally well mean that Shipley was
over eighty-nine, or in his eighty-ninth year. It looks as if the correct
date of his birth might be 1715. Probably Jonathan was the elder
brother. He inherited his mother's property at Twyford.
io THE ORIGIN OF THE SOCIETY
Archbishop of Canterbury but for his strongly-expressed
opposition to the American War.
William Shipley appears to have been an active-
minded man, full of ideas, and with some capacity
for organisation, but perhaps devoid of ambition, for
he never seems to have troubled himself to obtain
either credit or profit out of the successful realisation of
his ideas. According to a Maidstone tradition he was an
absent-minded man, so much so, that on his way to church
to be married he was led away by the sight of a rare
butterfly to start on its pursuit, and consequently he
arrived late for the ceremony. At all events, as soon as
the Society he suggested was successfully established
and flourishing, he retired from its concerns, though for
some four years he seems to have devoted himself ener-
getically and without much pecuniary reward to its estab-
lishment. For the first year after the Society was formed
he acted as secretary without pay. When the Society
was formally constituted in 1755 he was appointed secre-
tary, and this post was afterwards, in 1757, changed to
that of registrar.
In October 1760, at a regular meeting of the Society,
a letter from Shipley was read " acquainting the Society
of his having lately engaged in business of such importance
as to render him incapable of discharging his duty to the
Society as their register without very much injuring
his own affairs." What this business was does not appear.
It may have been the development of his Academy. At
all events, his resignation was accepted with thanks for
his past services. That his retirement was not due to
lack of appreciation of those services may be assumed
from the fact that he was made a " perpetual member "
of the Society in 1755, was presented with its gold medal
in 1756, and had his portrait painted for the Society by
Cosway, his former pupil. The portrait of Shipley which
faces this page is not from Cosway 's painting, but from a
miniature by W. Hincks. It is printed from the original
copper plate engraved by Hincks for the frontispiece of
Volume vi. of the Transactions. The miniature itself is
now in the Maidstone Museum, having been presented to
MR ~W™ SHI P L E Y,
"/^,- J^//,;- ^;,/,/ ,,^v yv/,-^
Society Inftituted at London,
-/f / sty /' ////'/// 0r'*^rt& ^/sTsf // ////s c//s ;'t
(„,„>/'"<""•»•>••
FIRST MEETING OF SOCIETY— THE FOUNDERS 1 1
the Museum by the person into whose hands it passed
after Shipley's death. How it came into Shipley's posses-
sion is not known.1
It may be that Shipley's capacity lay rather in the
direction of origination than of administration. At
all events, we hear little more of him in connection
with the Society after 1760. He occasionally attended
meetings of the Society, and of its committees, and in
1776 he was awarded a silver medal for a life-saving
appliance of no great merit.2 When the date of the
Society's jubilee (1804) was approaching, some sugges-
tions were made that this would be a fitting occasion for
doing honour to its founder, but his death in 1803 put a
stop to all proposals of the sort. In 1768 he went to live
at Maidstone, where he was married, and remained until
his death in 1803. He was buried in the churchyard
of All Saints' Church. All that is known of his life at
Maidstone is that he established a local Society on the
same lines as the Society of Arts, and busied himself in
philanthropic work.
Shipley, having published his scheme, set to work to
secure the help of influential people, and succeeded in
interesting, amongst others, Lord Folkestone and Lord
Romney, to whom, with Shipley himself, must be given
the credit of founding the Society of Arts. Indeed, it
appears that if Shipley originated the idea, Lord Folkestone
carried it into execution ; and, in all probability, without
his practical help and his influence there never would have
been a Society of Arts.
On 22nd March 1754 there was held at Rawthmell's
Coffee- House, Henrietta Street, Covent Garden, " a
meeting of some Noblemen, Clergy, Gentlemen, and
1 "The picture from which this print is taken was painted from the
life by Mr. Wm. Hincks, who also engraved the copper-plate, and
presented them both to the Society for the purpose of perpetuating
the memory, and recording the likeness of Mr. William Shipley"
(Transactions, vol. iv. p. xviii, Preface). According to Redgrave,
Hincks was an engraver and painter of moderate merit, who exhibited
occasionally at the Royal Academy from 1781 to 1797.
2 See Chapter XIII, p. 298.
12 THE ORIGIN OF THE SOCIETY
Merchants in order to form a Society for the Encourage-
ment of Arts, Manufactures, and Commerce in Great
Britain." Eleven in all attended : Viscount Folkestone ; J
Lord Romney ; 2 Dr. Stephen Hales, F.R.S. (the eminent
physiologist, botanist, and inventor, a friend of Pope) ;
Henry Baker, F.R.S.3 (naturalist and author; he married
Defoe's youngest daughter) ; Gustavus Brander, F.R.S.
(merchant and antiquary, a director of the Bank of
England) ; James Short, F.R.S. (optician and astronomer) ;
John Goodchild (afterwards treasurer to the Society) ;
Nicholas Crisp (watchmaker, of Bow Churchyard) ;
Charles Lawrence ; Husband Messiter (a surgeon, then
resident in Great Pulteney Street, with whom Shipley
was living at the time) ; William Shipley.
The exact position of the house where the meeting
was held was for long a matter of doubt. It was known
to have been Rawthmell's Coffee-House in Henrietta Street,
Covent Garden ; but the precise position in Henrietta
Street of the house had never been accurately ascertained,
until, at the request of the writer, Sir Laurence Gomme,
the Clerk of the London County Council, very kindly caused
an inquiry to be made among the records of the Council,
and by means of the old sewer-rate books he was able to
identify the house as the fourth on the north side of the
street, at the western, or Bedford Street, end.
Armed with this information, the writer applied to the
1 Sir Jacob des Bouveries (afterwards Bouverie) was created Vis-
count Folkestone in 1747. His father and grandfather were well-
known Turkey merchants in London. His ancestor, Laurence des
Bouveries, a native of Flanders, and a silk-weaver, settled in Canter-
bury in 1568, about the time when so many Flemish immigrants came
to England to escape the persecutions of Alva. The title was merged
in that of Radnor when the second Viscount Folkestone was created
Earl of Radnor in 1765.
2 Robert, Lord Romney, was the second Baron. He was a brother-
in-law of Lord Folkestone, who had married his sister, the Hon. Eliza-
beth Marsham.
3 He was the founder of the Royal Society's Bakerian Lecture.
He took a very active part in the formation of the Society and in its
early work. In Nichols's Literary Anecdotes, vol. v. p. 275, it is stated
that he "all along took the minutes, though Mr. Shipley's name ap-
peared as the nominal Secretary of the Society."
JACOB. L.ORB VISCOUNT FOGLKESTONE,
**w
RAWTHMELL'S COFFEE-HOUSE
Duke of Bedford's office,1 and he was at once supplied with
a full history of the premises. It appears that in March
1729 a building lease was granted by the then Duke of
Bedford to " John Rawthmell, of the Parish of St. Paul,
Covent Garden, in the County of Middlesex, Coffeeman," of
a house on the north side of Henrietta Street, the third
(or the fourth counting the corner house, which is reckoned
in Bedford Street) from the western end of the street.
The lease was for sixty-one years from Lady Day 1729, and
Il"ue4dy ::;skin Peter's Hospital
3 • ,,24 ; 25 26 .
Bedford
Mansionsv
31 32 33
HENRIETTA
STREET
Scale 81 feet = i inch
1050 ID 20 30 40 50 60 70 80 go 100
•%$$!$&The hatched portion represents the old Site of No.2&
Plan of Henrietta Street, showing site of Rawthmell's Coffee-House.
the rent was £12 a year. On the expiration of that lease,
leases for varying periods, mostly for twenty-one years each,
were granted up to 1880. In that year the whole block of
houses on the north side of Henrietta Street, except the
westernmost one at the corner of Bedford Street, was pulled
down in connection with a local improvement scheme. The
original houses had abutted directly on the churchyard of
1 He has to express his thanks for the trouble which Mr. Rowland
E. Prothero, M.V.O., Mr. Alfred R. O. Stutfield, and Mr. f James W.
Marchant all took in hunting up detailed particulars about the history
of the old house.
14 THE ORIGIN OF THE SOCIETY
St. Paul's, Covent Garden, with the result that the drainage
of the churchyard passed into the basements, and the
whole block was in a somewhat insanitary condition.
The new houses constructed on the site do not coincide
with the old buildings. The space to the west of the site
of the old coffee-house is now occupied by Macready House,
the ground floor being in the occupation of The Family
Herald newspaper. The actual site of Rawthmell's Coffee-
House is now occupied by No. 25, the ground floor of which
is in the occupation of Messrs. Stuart & Company, seed
merchants, the present house extending some six feet
farther east than the old one. This is clearly shown in the
accompanying map, the materials for which were supplied
by the Duke of Bedford's office. The upper part of No. 25
forms part of St. Peter's Hospital. The block of buildings
was erected for the hospital, the ground floors being let
off as shops. It will therefore be seen that the site of the
old coffee-house has been identified with perfect certainty.
Before 1743 the original John Rawthmell must have died,
as in that year the house was in the occupation of Sarah
Rawthmell, widow.
The coffee-house was one of the favourite resorts of
the well-known Dr. Richard Mead,1 and amongst the dis-
tinguished frequenters of the place were many Fellows of
the Royal Society. Daniel Wray, F.R.S., addressed an
amusing poem to his friend, Mr. Wollaston, of Charterhouse
Square ( 1 738), in which he refers to his literary and scientific
friends, and specially mentions Rawthmell's. John Nichols,
who published extracts from this poem in his Literary
Illustrations (vol. i., 1817, p. 31), specially notes that there
exists a very scarce satirical portrait of Rawthmell " in
the character of Pan, by Vertue, engraved at the expense
of some of the members of the Royal Society who frequented
the coffee-house."
At the meeting above mentionedaverymodest beginning
was made by considering a suggestion by Shipley that two
prizes should be offered, one for the discovery of cobalt, and
1 Dr. Mead was physician to King George n. and to St. Thomas's
Hospital. He was the author of ' ' Suggestions for the Prevention of the
Plague," and successfully inoculated seven condemned criminals.
THE SOCIETY ESTABLISHED 15
the other for the growth of madder,1 in the kingdom. It
was determined to make further inquiries and a decision
was postponed. The meeting also resolved " to bestow
premiums on a certain number of boys or girls under the
age of sixteen who shall produce the best piece of drawing,
and show themselves most capable when properly ex-
amined," " it being the opinion of all present that the Art
of Drawing is absolutely necessary in many employments,
trades, and manufactures." This early anticipation of
views which in our own time were put forward as novel by
the advocates of technical education is interesting. That
they were really Shipley's ideas, and that his intention in
proposing the formation of the Society was not merely to
extend or improve his own " drawing academy " is shown
by a letter written a couple of years later by him in the
Gentleman 's Magazine? in which he combats vigorously
the suggestion that the Society was merely occupied in
training young people to become artists, and announces
as one of the chief objects of the Society the training of both
boys and girls in the industrial arts. Thus it can be truth-
fully said that from its first foundation the Society has taken
an active part in the promotion of technical education, j
A fortnight after the inaugural meeting a second
meeting was held (29th March), and at this further progress
was made. A definite decision was arrived at to offer the
cobalt and madder premiums, and a subscription list was
opened. Lords Folkestone and Romney headed the list with
a donation of ten guineas apiece, and also promised to
guarantee whatever further sums might be required, so
that an announcement might be made of the offer of prizes.
The Earl of Shaftesbury also sent ten guineas, and four
others gave two guineas each. Funds being thus available,
1 Few better selections than madder could have been made. The
plant was not grown in England on a commercial scale, though a
great deal was imported from the East and from the Low Countries,
where its cultivation had been established. The fact that it was
grown in large quantities in Flanders was one of the reasons why
cloth, made in England, was still sent over there to be dyed. Until
the introduction of the coal-tar colours, more than a century later,
madder was of course the principal source of all red dyes.
8 z8th January 1756, p. 61.
16 THE ORIGIN OF THE SOCIETY
an advertisement was inserted in the Daily Advertiser,
offering prizes of £30 each for specified amounts of cobalt
and madder, and two sets of prizes amounting each to
£15 for drawings by boys and girls below fourteen and
between fourteen and seventeen. The competitive drawings
were to be sent in on isth January 1755, and the prizes
were to be awarded a fortnight later. Thus the practical
work of the Society was begun.
Six more meetings were held during the year in a
circulating library in Crane Court, Fleet Street, in which
court was the house then occupied (from 1710 to 1780) by
the Royal Society. These were all small meetings, of the
nature really of committees, and at them the organisation
of the Society was worked out, subjects for premiums
discussed, and a general plan of action decided upon.
Amongst other things it was decided to have a regular
meeting on the second Wednesday in each month, and a
committee on each fourth Wednesday.
By the end of the }rear all preliminaries seem to have
been arranged, and it was decided to organise the Society
on a more regular basis with a .president and officers.
This decision was arrived at at a meeting held in January
1755, at Peele's Coffee- House at the corner of Fetter Lane
and Fleet Street.
At the same meeting the prizes offered for drawings
were adjudged. The only name amongst those of the prize-
winners which is still generally known is that of Richard
Cosway, who took the first of the five prizes offered for
drawings by young people under the age of fourteen.
J. T. Smith, in his Life of Nollekens, tells us that Cosway
was then employed as a waiting lad at Shipley's Academy,
but as the fact is recorded in the Society's minutes that
he was brought up to London from Tiverton at the
instance of the Society, it must have been at a later
date that he was taken into service by Shipley.1 He
1 Minutes of the meeting of 2/th November 1754. " Specimens of
Drawings done by Richard Cosway of Tiverton were produced, it was
thought proper his Parents be writ to to know what will be the expence
of his coming to Town." At the next meeting (i8th December) Shipley
reported " that he had wrote about the boy, and he is coming up to
ROBERT,
THE FIRST OFFICES— THE SOCIETY'S TITLE 17
was afterwards a Royal Academician and an eminent
portrait painter and miniaturist. John Smart, who took
the second prize in the same class as Cosway, afterwards
obtained considerable success as a painter of miniatures,
and exhibited miniatures and oil portraits at the Royal
Academy up to the time of his death in 1 8 1 1 . The third
prize went to John Alexander Gresse, afterwards a painter
of reputation ; and the fourth to Barbara Marsden, who
became a flower painter, and married Jeremiah Meyer,
R.A. None of the candidates in the senior class appear
to have achieved any artistic success in after life.1
In the following month (5th February) Viscount Folke-
stone 2 was elected the first president, with Lord Romney.
Charles Whitworth, James Theobald, and Stephen Hales,
vice-presidents. John Goodchild was made treasurer, and
William Shipley secretary. At the same meeting Shipley
and Henry Baker were elected " perpetual members."
The Society was thus formally constituted, and from that
date forward meetings were regularly held for the election
of new members and the transaction of business.
The title of the Society has always remained that which
Shipley suggested in his original scheme, " The Society
for the Encouragement of Arts, Manufactures, and Com-
merce," but this soon proved too long and cumbrous, and
very soon after its foundation the shorter name, " Society
of Arts," was adopted. In the Gentleman's Magazine of j
July 1755, it is so called, and this soon became the name
by which it was popularly known. Sometimes it is referred
town." Smith's version of the story (vol. ii. 1829, p. 401) is as follows :
" The students, among whom were Nollekens and my father, good-
temperedly gave Dick, for so he was called, instructions in drawing,
and also advised him, finding him to have some talent, to try for a prize
in the Society of Arts ; and in 1755 he obtained a premium of 5!. 55.
for a drawing." It is quite clear that our gossipy chronicler's memory
was in this case untrustworthy.
1 The names of all the prize-winners, and such information as has
been discovered about their after-careers will be found in the list of the
Fine Art Awards, Chapter VIII, p. 162, et seq.
2 The portrait of Lord Folkestone which faces p. 12 was engraved
by Sherwin from the full-length portrait by Gainsborough. It served
as the frontispiece for Volume n. of the Transactions, and is from the
original copper-plate.
3
iS tHE ORIGIN OF THE SOCIETY
to as the " Society of Arts and Sciences," l and in its
own early books of accounts it is called " The Premium
Society/' though this title does not appear to have been
used elsewhere. The earliest known official use of the
shorter name appears in the minutes in February 1811,
and from that time onwards it is constantly found. The
full title was rather unfortunately adopted in the Charter
in 1847, and the two names have always been used. In
1908 King Edward vn. granted the Society permission to
add the word " Royal " to its title.
/ The constitution of the Society, at first and for very
many years, was on a purely democratic basis.2 It had
no governing body. There were certain standing com-
mittees and others appointed from time to time for special
purposes, but their duty was merely to prepare the work
for the general body of members, by whom all the business
^was transacted. The " ordinary meetings " were held
first on alternate Wednesdays, and afterwards on every
Wednesday from November to May, with less frequent
meetings from May to November. The ordinary meetings
were not competent to alter the " rules and orders." This
could only be done at " general meetings," the number of
which seems to have varied from time to time. At the
ordinary meetings all the regular business of the Society
1 Boswell sometimes refers to the Society by this name, and Horace
Walpole in one of his letters uses the same title. There was at one
time some correspondence in the Gentleman's Magazine on the subject.
2 Curiously enough, this characteristic of the Society was commented
on by Smollett, who, though never a member, had a great admiration
for it, as is shown by the passage from his history quoted on p. 5 1 . In
Humphrey Clinker (published 1771, the year of Smollett's death) he
makes Melford, the nephew of old Squire Bramble, write as follows to
his friend and constant correspondent, Sir Watkin Phillips. Melford
is by way of describing his adventures on his visit to London with his
uncle, his aunt Miss Tabitha, and his sister Lydia. His letter bears
the date 5th June (Collected Works, 1872, vol. vii. p. 161) : " We are
become members of the Society for the encouragement of the Arts,
and have assisted at some of their deliberations, which were conducted
with equal spirit and sagacity. My uncle is extremely fond of the
Institution, which will certainly be productive of great advantages
to the public, if from its democratical form, it does not degenerate
into cabal and corruption." As will be seen later on, Smollett's fears
were not without justification.
THE SYSTEM OF PREMIUMS 19
was transacted, members were proposed, balloted for, and
elected, bills were ordered for payment, and expenditure
was discussed. Above all, subjects for the award of
prizes were considered and voted upon.
It must be borne in mind that the sole object of the
Society was to award premiums for meritorious discoveries
and inventions, and for advances of any kind in arts, manu-
factures, and commerce. The meetings had before them j
descriptions of such advances, reports upon them, sug-
gestions for new premiums, applications from inventors,
but all these were merely intended to assist in the selection
of suitable subjects for awards. The Society of Arts did^
not, like the Royal Society, welcome the description of new
branches of knowledge (even of practical or applied
knowledge) ; it did not invite its members to contri-
bute essays or read memoirs or give lectures — all that came
later. It simply hoped to encourage industry and art
by rewarding those who helped in the promotion of art
and industry, and to give them either substantial money
gifts, or honorary rewards in the nature of medals. Later, |
when the Society came to publish transactions, it received
suitable information readily enough, gave the author a
medal, and printed his communication. Eventually the
publication became more important than the award ; but
this was not so at first, or for very many years after the
Society's foundation.
It will therefore be seen that the one idea of the founders
of the Society was to encourage arts and industries by the
offer of prizes. It appeared possible to them that a com-
mittee of gentleman, sitting in London, would be able to
ascertain what the pressing needs of the public were, to
foresee the course \vhich industrial development could
most wisely take, to select those inventions which could
most usefully be encouraged, and generally to direct, by
the judicious apportionment of medals and money prizes,
the development of industry and the progress of art. To
us, nowadays, the whole scheme seems impracticable, and
at the best, Utopian, but at the time it was perfectly
reasonable, and it commended itself to the shrewdest
economists. As a matter of fact, it obtained a very con-
20 THE ORIGIN OF THE SOCIETY
siderable measure of success, and that it was extremely
popular is shown by the support it received from the most
influential people of the time.
An attempt has been made by the writer in a previous
volume x to indicate the industrial conditions of the era.
Here it may suffice to remind the reader that the time was
essentially one of industrial change. The old conditions
of regulance and support had long since disappeared. The
new conditions of competition and the absence of restriction
were not yet conceived, let alone formulated. The various
young industries, textile, metallurgical, chemical, ceramic,
and the rest, all wanted patronage and help. They wanted,
too, advertisement and notoriety. All this they got from
the newly-formed Society, and it may fairly be said that,
having due regard to the then existing conditions, and to
the state of public knowledge, it would be very difficult
indeed to suggest any scheme better adapted for its
purpose than that of Shipley and his patrons.
The annual subscription to the Society was fixed at
11 not less than " two guineas, and for a long time it
was the practice of the more wealthy or more liberal
members to pay three guineas. This excellent custom,
however, has for many years been abandoned, though
the wording of the old rule has been preserved. Peers
were expected to pay five guineas, and for the most part
did so. In a single instance this practice survived into
our own time. The late Marquis of Ripon (who was
elected in 1856 and died in 1909) always subscribed five
guineas annually. The composition for life membership
was settled at twenty guineas, and has never been altered,
though occasionally larger contributions were made. The
great Earl of Bute, Prime Minister to George in., not by
reputation a liberal or extravagant donor, gave forty
pounds for his " perpetual membership."
/ The Society has never received any official aid. Less
fortunate than the sister institution in Dublin, or than many
>£>f the great London societies which have taken over much
1 Industrial England in the Middle of the Eighteenth Century. Murray,
1910.
THE SOCIETY'S FINANCES 21
of its original work, it has never been supported or helped /
in any way by Government. Lecky, in his History of \
the Eighteenth Century,1 says that it received a grant of
£500 from the Corporation of London, but a careful search
through the early account books has produced no con-
firmation of this statement.2 In 1765 the Society received
a donation of £100 from the Corporation of Liverpool, and
this appears to have been the only contribution of the sort.
The Society was soon in a very satisfactory financial
position. In 1755, the first year after its formal con-
stitution, its income was £360. In the following year it
was £632, and in 1757 it was £1203. In the next six years
it mounted steadily, £1731 in 1758, £2001 in 1759, £3482
in 1760, £3656 in 1761, £4533 in 1762, £4614 in 1763.
Then in 1764 there was a drop to £4131.
At first all the Society's cash was in the hands of the
treasurer, who was subject only to the control of a finance
committee, which audited and reported on his accounts
at intervals. The first treasurer was John Goodchild, one
of the founders. He was elected in 1755, and held office
until his death at the end of 1756, when he was succeeded
by his son, also John. A year later we find a committee
reporting on the treasurer's accounts " that the receipts and
disbursements are right, but kept in rather a perplexed
method." Probably the younger Goodchild was a bad
accountant, for in 1759 he was in difficulties, and had to
compound with his creditors, the Society in consequence
suffering some small loss. The office of treasurer was
thereupon declared vacant, and subsequently abolished.
Careful regulations were then laid down as to finance, and
it was ordered that all the Society's funds were to be kept
in an account at the Bank of England in the names of the
President and Vice-Presidents.
In an appendix to the premium list issued by the
Society in 1764, there is a tabular statement of the
1 Vol. vii. p. 207 (Edition 1907).
2 The books commence with 1755, the first entry being dated April
of that year. If such a grant had been made in 1754, it could hardly
have escaped notice in the minutes which record all the meetings, from
the first at Rawthmell's onward.
22 THE ORIGIN OF THE SOCIETY
" Receipts and Disbursements " for the nine years 1755 to
1763. The total receipts were £22,295, and the total
expenditure was £18,756. Of this, £8496 was spent in
money prizes and medals, £3507 on a special grant for a
system of land carriage for fish, £291 on the Society's
exhibitions, and the balance of £6462 on general ad-
ministration, including rent, salaries, advertising, printing,
etc. It is clear from this that the affairs of the Society
were carefully and economically managed, for the cost of
management as compared with the amount of the funds
expended is quite reasonable.
A later statement, issued in 1778 in the form of a
" Register of the Premiums and Bounties given by the
Society " up to the end of 1776, showed that the total
amount given away by the Society was then £24,616, of
which £23,552 had been money prizes, and £1064 the
value of the medals awarded. It may be noted that
" premiums " were awards to " candidates who claim under
the terms of the annual advertisements of the Society,"
and that " bounties " were " bestowed on merits that have
not been previously called for by the Society, or that do
not precisely come within the terms of the annual ad-
vertisements." It is added that " these amounts have been
distributed all over Great Britain, Europe, and America " —
a good general statement, which perhaps was not intended
to be taken as minutely accurate.
As previously mentioned, during the first year of the
Society's existence, Shipley acted as secretary, at first
unpaid. When the Society was formally organised in
February 1755, Shipley was appointed secretary. He
appears to have had some clerical assistance provided for
him, and in January 1756, George Box was appointed
assistant secretary. In March 1757, Shipley was elected
registrar, and Box was made secretary. The registrar
was apparently the more important officer of the two, but
the secretary did most of the work. It looks as if it had
been desired to make his duties a little easier for Shipley,
and to find somebody who was more methodical and
businesslike to carry on all the routine business. Not
very much is recorded of George Box, though it is evident
, PETER TEMPLEMA^T,MJ>,
THE FIRST OFFICIALS 23
that he was a most efficient and competent official. He
served the Society faithfully for twenty-five years, and such
records of him as appear from time to time in the minutes
show that he was entirely trustworthy and possessed the
regard and confidence of the members.
In 1760, soon after the Society, as will be hereafter re-
lated, had established itself in the house opposite Beaufort
Buildings in the Strand, where it remained until it moved
to the Adelphi, it was decided that a more competent and
better-qualified secretary was required. A committee
reported in February 1760, that the proper conduct of
the Society's work required a man of " general and
technical knowledge," able to deal with scientific questions
and conversant with foreign languages. " He ought to be
a man of character and a man of learning," and such a man
the committee thought might well deserve a salary of £200
a year. The general body of members approved the
qualifications, but set a lower estimate on their value, and
considered that the required person might be obtained for
£150. The committee went on to recommend the appoint-
ment of an assistant secretary with a salary of £50, and a
commission of 6d. in the pound on subscriptions, which at
the time must have meant another £75 a year, so that the
pay of the two officials was not very different. It is
evident that the committee wished to do the best they
could for Box, though they felt that he was not quite quali-
fied for the more important post, since they add that they
" take the liberty from the long experience of the diligence
and integrity of your present secretary to recommend
him to the office of assistant secretary and receiver."
Later resolutions decided that the names of both officials
were to appear in the Society's lists and other publications.
It was finally decided to appoint Box assistant, and to
advertise for a secretary. As regards the office of registrar,
the committee considered " the present register a very
proper person to be continued in that office, and that he
should do the business as usual " ; that he should " have
the salary and appartments now allowed him," and that
he should be " allowed £10 a year more for taking care of
the rooms, cleaning them and the furniture^ and keeping
24 THE ORIGIN OF THE SOCIETY
all things in proper order for the reception of the Society."
This looks as if the Society desired to provide a home
and an easy post for Shipley without expecting from
him very much useful work.
In response to the advertisement four candidates ap-
plied— Dr. Peter Templeman, Dr. Maty, Dr. Mitchell, and
Mr. Robert Dossie. It has often been said that Oliver Gold-
smith was a candidate, but, as a matter of fact, though
he thought of sending in his name, and applied to Garrick
for a testimonial, he never actually went so far as to make
formal application. The authority for the statement is
Thomas Davies, who, in his Life of Garrick, * tells us
that Goldsmith asked Garrick to recommend him, but
that Garrick had been annoyed by Goldsmith's criticisms,
and rather curtly refused. Forster, in his Life of Golds-
smith, adopted Davies 's story : —
" Thomas Davies tells us that when, somewhere about
the time of his connection with the Bee, Goldsmith sought
to obtain, what a struggling man of letters was thought
to have some claim to, the vacant secretaryship of the
Society of Arts, Garrick made answer to a personal ap-
plication for his vote, that Mr. Goldsmith, having ' taken
pains to deprive himself of his assistance by an unprovoked
attack upon his management of the theatre in his " Present
State of Learning," ' it was ' impossible he could lay claim
to any recommendation from him.' '
The compiler of this chronicle would like to think
that Oliver Goldsmith had been an occupant of the post
he now holds, though he realises that the talents of that
charming writer were better employed in producing the
Vicar of Wakefield, She Stoops to Conquer, and The Deserted
Village, than in discharging the routine duties of an office
which no doubt was better filled by the successful com-
petitor, Dr. Templeman. Still, the name of Goldsmith on
the list of the Society's officials would have added not a
little distinction to that list, even if, as would probably
have been the case, he had not held an uncongenial office
for very long.
Of the four candidates who actually did enter, Temple-
* Vol. ii. p. 149. 2 Forster's Life of Goldsmith , vol. i. p. 239,
DR. TEMPLEMAN 25
man was elected by a considerable majority. Box was
appointed assistant secretary, in accordance with the
recommendation of the committee. Later in the year
Shipley, as previously mentioned, resigned his office of
registrar, perhaps not liking the new conditions, or perhaps,
as he said, on account of his other occupations.
Templeman was a man thoroughly well qualified for
the post of secretary to a young and growing society. He
had had a distinguished career at Cambridge, where he
graduated from Trinity in 1731. He studied medicine in
Germany, and in 1737 he obtained the degree of M.D. at
the University of Leyden. After this he started practice
in London, but being fairly well off he devoted himself to
literature rather than to the duties of his profession. In
1758 he was appointed Keeper of the Reading-Room at
the newly-established British Museum, and he gave up
this post for the secretaryship of the Society. He was the
author of numerous medical books, and in 1762 he was
elected a Corresponding Member of the Royal Academy
of Science of Paris. He was a fine scholar, a good linguist,
and an accomplished man, well fitted for the post to which
he was elected, and which he held until his death in I769-1
The portrait of Templeman which faces page 22 is from the
original plate engraved by Evans after Cosway's portrait,
which was published as a frontispiece to Volume xvn.
of the Transactions.
The duties of the three principal officers were laid
down with great precision in the Society's " Rules and
Orders." The secretary was generally responsible for the
proper conduct of the Society's business and the due
keeping of its records. The assistant secretary had to do
all the clerical work, and the registrar had charge of the
Society's property, and was required to look after the
premises. In addition, there was a collector, who had to
collect subscriptions and to pay them into the bank. He
was paid by commission and had to give security.
1 There is a good account of Templeman in the Dictionary of
National Biography. It was written by Thompson Cooper, who also
contributed a note about him to Notes and Queries, 9th S. i, i2th
February 1898. I have been able to find little further about him, and
nothing of any importance.
CHAPTER II
THE EARLIEST LISTS OF MEMBERS
The Society's original Signature- Book — First List of Members and
other Early Lists — Selection from these Lists: (i.) Peers, (ii.)
Commoners.
IT was some little time before the ideas started by Shipley
and his patrons really got hold of the public. At first no
special efforts seem to have been made to obtain subscrip-
tions and attract public support. From the date of the
first meeting till the constitution of the Society, nearly a
year later, only seventeen members were enlisted. In the
first two months after the election of officers in February
1755, the number was raised to eighty-one, and after that
the increase was fairly rapid.
The most interesting record of these early days is an
ancient signature-book, which, according to its title-page,
was a " List of the Nobility, Clergy, Gentry, Merchants,
etc., who have subscribed towards raising a Fund for the
Encouragement of Arts, Manufactures, and Commerce,
1754." The signatories of the book bound themselves by
the undertaking : " We promise to pay annually during
pleasure the several sums to which our names are respect-
ively prefixed."
This seems to have been the original form of the list of
members, and as it contains the autographs of a very large
proportion of the distinguished persons who from the first
supported the young Society, it is really a document of
very great value, even though a considerable proportion
of the members never signed it at all. Some of the more
interesting signatures have been reproduced in facsimile,
and a selection from these is given on pages 47-50. The
book remained in use as a signature-book for about ten
26
THE ORIGINAL SIGNATURE-BOOK 27
years, but in 1775 a regular register was started, with the
names and addresses of members, the amounts of their
subscriptions, the .dates when they became due, and the
dates of their deaths or resignations. The first volume of
this register contains the elections from 1755 to 1767, and
it has been continued, almost in the same form, up to the
present date. Then, as now, the book lasted for about
ten years, and at the end of that time a fresh book had to be
opened, the names of surviving members being transferred,
and space provided for the receipt of new entries.
The first printed list of members was issued in October
1755. It is a mere broadside, and contains no names.
The next list which has been preserved is dated 1758, in
which year the numbers had increased to 708, and in the
next following to 1760. From that date the lists were
produced regularly at short intervals, until their regular
annual publication. A careful examination of these lists
affords very remarkable evidence of the popularity of the
Society, of the way in which it rapidly attracted public
support, and of the esteem in which it was held. A very
large proportion of the peerage supported the Society with
contributions and patronage. Men of distinction in every
class of life subscribed, and there is hardly any class or
rank without eminent representatives. When it is borne
in mind that the whole object of the Society was the pro-
motion of public welfare, and that not the slightest advan-
tage or benefit was offered to individual members, the
character of the list seems still more remarkable.
" As the condition of England in the middle of the
seventeenth century brought about the foundation of the
Royal Society and the popular and widely-spread interest"
in the investigation of science, so the condition of the
country in the middle of the eighteenth century brought
about the formation of the Society of Arts for the en-
couragement of the applications of science for the general
good. As Dry den, Waller, Evelyn, and the literary^
coterie of the Restoration period largely supported the
Royal Society, so the circle that surrounded Dr. Johnson
took a lively interest in the success of the Society of Arts.
The lines upon which the Royal Society was founded were
28 THE EARLIEST LISTS OF MEMBERS
not followed by the founders of the Society of Arts. The
latter made an entirely new departure and were strictly
original in their scheme. Their objects were national, and
the members gave their money and their time not for their
own private advantage, nor for the increase of their
personal knowledge, but in an attempt to raise the produc-
tive powers of the nation itself." *
To justify these statements it seems worth while to give
a selection of the most eminent names which are to be
found in the lists of the Society's members for the first ten
years of its existence. The latest list examined is that
dated March 1764.
The following may be taken to be a fairly complete list
of the Peers whose names are given in one or other of the
lists above mentioned. Many of the Peerages are extinct
or have passed to the holders of other titles, and no doubt
some may have been overlooked. The holders of courtesy
titles have not been included, and it would be too much to
hope that some mistakes have not been made in identifying
individuals : —
Peregrine Bertie, 3rd Duke of Ancaster. Raised a regi-
ment of foot in the 1745 rebellion. Lord Great
Chamberlain of England. The Dukedom became
extinct on the death of his brother, the 5th Duke.
John, 4th Duke of Argyll. He married the beautiful and
witty Mary Bellenden.
John, 4th Duke of Bedford. English Minister-Pleni-
potentiary at negotiations for Peace of Paris, 1763.
William, 4th Duke of Devonshire. First Lord of the
Treasury, 1756-7.
Augustus, 3rd Duke of Grafton. He held various offices,
and was the nominal head of the Chatham Adminis-
tration, 1766.
Evelyn, 2nd Duke of Kingston. He married the notorious
Elizabeth Chudleigh, Countess of Bristol, who was
afterwards convicted of bigamy.
1 H. B. Wheatley's account of the Society of Arts, Engineering,
24th July 1891,
SELECTED NAMES 29
George, 4th Duke of Manchester. He was elected in 1 761 ,
when he was Viscount Mandeville. He became Duke
in 1762.
George, 4th Duke of Marlborough.
William, 2nd Duke of Portland. When he died in 1762
his successor, William (the 3rd Duke), became a
member. The latter was twice Prime Minister in the
reign of George in.
Charles, 3rd Duke of Queensberry. This was the cousin
and predecessor of " Old Q."
Charles, 3rd Duke of Richmond. Ambassador at Paris,
and subsequently Secretary of State in the Cabinet
of the younger Pitt. Vice-President of the Society.
His portrait appears in Barry's Picture.
James, Marquis of Carnarvon. Eldest son of the 2nd Duke
of Chandos. He afterwards became the 3rd Duke,
and the title died with him in 1 789.
Charles, 2nd Marquis of Rockingham. Prime Minister,
and head of the Rockingham Administration, of which
Fox and Burke formed part.
James, 8th Earl of Abercorn.
Arthur, 7th Earl of Anglesey. His title to the English
Peerage was pronounced invalid.
John, 2nd Earl of Ashburnham.
William, 2nd Earl of Bessborough. Postmaster-General,
etc.
John, 3rd Earl of Bute. Prime Minister. He paid £40
as a " perpetual member."
George, 4th Earl of Cardigan, afterwards (1766) created
Duke of Montagu.
Robert, ist Earl of Catherlough.
Philip, 4th Earl of Chesterfield. The celebrated Lord
Chesterfield.
Smith, i ith Earl of Clanricarde.
William, 2nd Earl of Dartmouth.
John, 2nd Earl of Egmont.
30 THE EARLIEST LISTS OF MEMBERS
Charles, 2nd Earl of Egremont.
Brownlow, 9th Earl of Exeter.
Robert, Earl of Farnham. He was the 2nd Baron Farn-
ham, and was created Earl of Farnham in 1763, but
died without male issue, so the earldom lapsed.
Washington, 5th Earl Ferrers, younger brother of the
notorious Earl Ferrers, who was executed in 1 760.
John, 7th Earl of Galloway. Elected in 1761 as Lord
Garlies.
Charles, ist Earl Grey. General. Commander-in-Chief
in America and the West Indies.
George Montagu, 3rd and last Earl of Halifax, First
Lord of the Admiralty, Lord Lieutenant of Ireland,
etc.
Simon, ist Earl Harcourt. Ambassador at Paris, and
Viceroy of Ireland. His eldest son, George Simon
Viscount Nuneham, was also a member. He suc-
ceeded his father as 2nd Earl Harcourt in 1777.
Philip, 2nd Earl of Hardwicke. Elected when he was
Viscount Royston. Vice-President of the Society.
Wills Hill, ist Earl of Hillsborough, afterwards (1789)
Marquis of Downshire. Statesman.
Robert, 4th Earl of Holdernesse. Ambassador and
Secretary of State.
Francis, loth Earl of Huntingdon.
George, 3rd Earl Lichfield. Chancellor of the University
of Oxford , 1762. Vice-President of the Society .
John, ist Earl Ligonier. Field-Marshal. He served
under Marlborough in Flanders, and received several
steps in the Peerage, becoming Earl in 1766. He
died in 1770 at the great age of ninety-one and was
buried in Westminster Abbey.
Henry, 9th Earl of Lincoln, afterwards 2nd Duke of
Newcastle.
George Parker, 2nd Earl of Macclesfield, P.R.S. He took
an active part in the introduction of the New Style
in 1751. Thomas, the 3rd Earl, was also a member.
He was elected in 1 75 7 as Viscount Parker.
Charles Henry, 7th Earl of Montrath.
James, 8th Earl of Moray.
SELECTED NAMES 31
Charles, 7th Earl of Northampton.
Spencer, 8th Earl of Northampton.
Hugh, Earl of Northumberland. Elected under that title
in 1757. He was in 1766 created the ist Duke of
Northumberland .
Henry Herbert, loth Earl of Pembroke.
Other, 4th Earl of Plymouth.
George, 2nd Earl of Pomfret.
Henry Arthur, Earl of Powis (Lord Herbert of Cherbury).
The Extinct earldom, after the death of his son, was
conferred on the eldest son of Lord Clive.
Neil, 3rd Earl of Rosebery.
John, 4th Earl of Sandwich. The famous First Lord
of the Admiralty, the inventor of the sandwich, which
he ate when too busy for a meal. Known as " Jemmy
Twitcher," from the character in the Beggar's Opera,
in consequence of his attack upon Wilkes, his former
friend and associate at Medmenham Abbey.
Antony, 4th Earl of Shaftesbury. He married a daughter
of Lord Folkestone, and was one of the first sub-
scribers, having given ten guineas to the original fund
started in 1754 to provide prizes.
William, 2nd Earl of Shelburne. Prime Minister in
George m.'s reign, afterwards ist Marquis of Lans-
downe.
Harry, 4th Earl of Stamford.
Philip, 2nd Earl Stanhope, the father of the Earl Stanhope
who improved the printing-press.
William Alexander, Earl of Stirling. This was the " Com-
mander-in-Chief of the American forces," who claimed
and bore the title after the death of the 5th Earl in
1739. He died in 1795.
William, i8th Earl of Sutherland. His daughter married
Earl Gower, afterwards Duke of Sutherland.
Richard, ist Earl Temple, brother of the Prime Minister,
George Grenville.
Percy, ist Earl of Thomond.
John, 2nd Earl Tylney . He was the grandson of Sir Josiah
Child, the great merchant and economist, chairman
and for long absolute ruler of the East India Company.
32 THE EARLIEST LISTS OF MEMBERS
Ralph, 2nd Earl Verney, F.R.S. At his death, in 1791,
the title became extinct.
James, 2nd Earl Waldegrave. First Lord of the Treasury.
Francis Greville, ist Earl of Warwick. He was the 8th
Baron, and first Earl Brooke.
Thomas, 8th Earl of Westmorland. His eldest son, John,
Lord Burghersh, was also a member. He succeeded
his father in 1771 as 9th Earl of Westmorland.
William, 2nd Viscount Barrington. Chancellor of the
Exchequer, etc.
John, 2nd Viscount Bateman.
Frederick, 2nd Viscount Bolingbroke.
James, 3rd Viscount Charlemont, afterwards Earl of
Charlemont.
Henry, ist Viscount Conyngham.
William, 2nd Viscount Courtenay. The title became
extinct with his son, who, however, had established
his title to the Earldom of Devon.
John, 4th Viscount Downe.
John, ist Viscount Dudley.
Lucius, 7th Viscount Falkland.
Richard, 6th Viscount Fitzwilliam.
Jacob, ist Viscount Folkestone. Founder and First
President of the Society. His portrait by Gains-
borough is in the possession of the Society, and
Barry also included his portrait in his painting of
" The Society."
Richard, 4th Viscount Howe. The celebrated Admiral
Howe, afterwards Earl Howe.
Charles, 9th Viscount Irvine.
Thomas, 4th Viscount Kenmare.
George, 3rd Viscount Midleton.
Henry, 2nd Viscount Palmerston, father of the well-
known statesman.
Edward, 2nd Viscount Powerscourt.
John, ist Viscount Spencer, afterwards (1765) Earl
Spencer. His son was the founder of " the finest
SELECTED NAMES 33
private library in Europe," and the well-known
statesman.
George, Viscount Townshend, the 4th Viscount and ist
Marquis. Field-Marshal, Lord-Lieutenant of Ireland,
Brigadier-General under Wolfe in Quebec Expedition.
He was elected in 1757 as General Townshend, before
his accession to the Peerage.
Thomas, 2nd Viscount Wentworth. His father, the ist
Viscount, was elected a member before his promotion,
and his name appears in the list as Baron Wentworth.
Thomas, 3rd Viscount Weymouth, afterwards (1789)
created Marquis of Bath. Secretary of State and
Lord-Lieutenant of Ireland.
George, ist Baron Anson. The great Admiral, First
Lord of the Admiralty. Celebrated for his voyage
round the world. He had no children, so his title
died with him.
Frederick, 7th Baron Baltimore. At his death the title
became extinct. The first Lord Baltimore was the
coloniser of Maryland in the reign of James i., and it
was from him that the city of Baltimore took its
name. Barry heard of Baltimore's charter to the
Indians after he had finished the picture in the
meeting-room. So in his etching he made Baltimore a
prominent figure, and thrust William Penn into the
background.
Charles, 3rd Baron Cadogan, afterwards (1800) created
Earl Cadogan.
John, ist Baron Carysfort. Lord of the Admiralty.
Robert, ist Baron Clive of Plassy. The great Indian
statesman and General.
Gabriel, ist Baron Coleraine.
Richard, 2nd Baron Edgcumbe. He died in the year
following his election, 1761, when his brother and
successor became a member.
George, 3rd Baron Edgcumbe, created Earl of Mount-
Edgcumbe in 1789.
Thomas, ist Baron Foley.
4
34 THE EARLIEST LISTS OF MEMBERS
George, ist Baron Lyttelton, scholar and author.
Thomas, 2nd Baron Montfort.
Frederick, Lord North, afterwards (1790) 2nd Earl of
Guilford. The eminent statesman ; Prime Minister,
1770 to 1782.
Francis, ist Baron Orwell, afterwards (1776) Viscount
Orwell and (1777) Earl of Shipbrook.
John, ist Baron Pollington, afterwards Earl of Mex-
borough.
George, ist Baron Rodney, the great Admiral. He was
elected in 1757 as Admiral Rodney, and was made a
peer in 1782.
Robert, 2nd Baron Romney. Founder, first Vice- Presi-
dent, and second President of the Society. His
portrait by Reynolds is in the possession of the
Society.
John, i ith Baron St. John of Bletsoe.
Nathaniel, ist Baron Scarsdale.
Thomas, 3rd Baron Southwell, created Viscount Southwell
in 1776.
John, ist Baron Waltham.
John, 6th Baron Ward, afterwards (1763) Viscount Dudley
and Ward.
Edward, Baron Wentworth, afterwards (1762) ist Viscount
Wentworth. His son was also a member, and his
name is included among the Viscounts.
John, 6th Baron Willoughby de Broke.
Hugh, 1 5th Baron Willoughby de Parham. P.S.A., F.R S.,
Vice-President of the Society.
Edward, ist Baron Winterton, afterwards (1766) Earl
Winterton.
We may now leave the Peerage, and attempt a selection
from the general body of members, dealing as before with
the lists previous to, and including that of, 1764. The
task of picking out the names of persons eminent at the
time or afterwards distinguished has proved rather difficult .
Without the help of that admirable work, the Dictionary
of National Biography, it would have been hopeless . Wider
SELECTED NAMES 35
historical knowledge, and a greater familiarity with the
records of the time would no doubt have rendered the
task easier and the results more complete. In many
cases, also, the information given is too slight to render
identification certain. The list, therefore, must be taken
as representative rather than exhaustive, though probably
there are not many names of real eminence that have been
overlooked. At all events, the following list is so long
that perhaps no apology is needed for not making it
longer : —
Robert Adam (elected in 1758), William Adam (elected
in 1762), and James Adam (elected in 1764), the
architects of the Adelphi.
Anthony Addington, M.D., physician to the great Lord
Chatham and father of the Prime Minister, who was
nicknamed " The Doctor," in allusion to his parentage.
Ralph Allen, philanthropist, improver of the Post Office,
friend of Pope, Fielding, and others.
William Almack, founder of Almack's Assembly Rooms
and of the gaming club in Pall Mall which afterwards
changed hands and developed into Brooks 's Club.
John Julius Angerstein, whose fine collection of pictures
formed the nucleus of the National Gallery.
Thomas Arne, the well-known musician ; composer of
" Rule Britannia."
Robert Arthur, St. James's Street, proprietor of Arthur's
and White's Clubs.
Thomas Astle, antiquary, Keeper of the Records, author
of Origin of Writing.
John Astley, portrait painter, and friend of Horace
Walpole.
David Erskine Baker, author of Companion to the Play-
house, enlarged to Biographia Dramatica.
Henry Baker, F.R.S., naturalist and author. Defoe's
son-in-law. Founder of the Bakerian Lecture of the
Royal Society. He took a very active part in the
foundation and early organisation of the Society.
He was elected a " perpetual member " in 1755 for
his services.
36 THE EARLIEST LISTS OF MEMBERS
Samuel Baker, founder of Sotheby's Auction Rooms.
Sir Joseph Banks, for forty-one years the autocratic
President of the Royal Society.
Sir Francis Baring, founder of Baring Brothers and Chair-
man of the East India Company.
Robert Barker, the reputed inventor of panoramas.
Sir Edward Barry, physician, medical writer.
John Baskerville, the eminent printer.
Topham Beauclerk, the fashionable friend of Dr. Johnson.
William Beckford, Lord Mayor 1762 and 1769, the staunch
supporter of Wilkes.
Jeremiah Bentham, the father of Jeremy Bentham,
the great utilitarian philosopher. He was elected in
1755, when his son Jeremy was sixteen.
James Boswell, elected in 1760 when he was twenty, on his
first visit to London and before he knew Dr. Johnson.
Alderman John Boydell, the reviver of English engraving
by his munificent patronage.
Gustavus Brander, F.R.S., antiquary, director of Bank of
England, benefactor to British Museum. One of the
Society's founders.
Owen Salusbury Brereton, antiquary, Recorder of Liver-
pool, Bencher of Lincoln's Inn. Vice- President of
the Society. His portrait is in Barry's picture.
Jacob Bryant, classical scholar.
Charles Burney, the well-known author of the History of
Music, and the father of Fanny Burney the authoress.
He was elected in 1 764, when he was living in Poland
Street, and before he took the degree of Mus.
Doc. His portrait appears in Barry's picture, "The
Thames," amongst the sea-nymphs.
William Cadogan, M.D., physician to the Foundling
Hospital.
William Caslon, the famous typefounder.
The Hon. Henry Cavendish, the great philosopher and
experimentalist.
Sir Robert Chambers, one of the judges in the trial of
Nuncomar.
Sir William Chambers, the architect of Somerset House.
He acted as architect to the Society when it
SELECTED NAMES 37
moved into new premises in Little Denmark Court,
1759-
Samuel Chandler, D.D., Nonconformist minister and
bookseller.
Charles Chauncey, physician and collector.
Sir Henry Cheere, statuary, patron of Roubiliac.
Thomas Chippendale, the famous furniture maker.
Giovanni Cipriani, R.A., historical painter and engraver.
George Colman the elder, dramatist.
Sir Eyre Coote, the famous Indian General and conqueror
of Hyder Ali. At the time of his election he was
Colonel Coote.
Richard Cosway, R.A., the celebrated miniature and
portrait painter. One of the first of the Society's
prize-winners.
James, Thomas, and Patrick Coutts. James at the time of
his election was already a partner in the great banking
firm, then in the " New Exchange," and carrying on
business as " Campbell & Coutts." Thomas was
elected in 1762, the year after he had been taken into
partnership, after the death of Campbell. Patrick
was at the time of his election (1767) a partner in
the bank in St. Mary Axe, first started by the Coutts
brothers.
Sir John Cust, Speaker of the House of Commons, 1761
and 1768-70.
George Dance, the elder of the two architects, father and
son. He designed the Mansion House.
Sir Francis Dashwood (Baron le Despencer), Chancellor
of the Exchequer, and leading member of the Dilettanti
Society ; founder of the " Hell Fire Club " at Med-
menham.
Captain (afterwards Colonel) Thomas Desaguliers, F.R.S.,
son of J. T. Desaguliers, author of various books on
mechanical and experimental philosophy.
Sir Alexander Dick, president of the Edinburgh College of
Physicians and friend of Dr. Johnson.
Robert and James Dodsley, the well-known book-
sellers.
John Dollond, the eminent optician, Copley Medallist.
38 THE EARLIEST LISTS OF MEMBERS
Robert Dossie, the editor of the Memoirs of Agriculture,
etc., in which the Society's early Proceedings were re-
corded. Some record of him will be found in Chapter
XV, p. 331. His Memoirs are constantly referred to
in these pages.
Robert and John Drummond, the bankers, whose bank
was then, as now, at Charing Cross, were both members.
The former was elected in 1757 and the latter in 1762.
Robert was the son of Viscount Strathallan, who
was killed at Culloden and was attainted, as was also
his eldest son. John married a granddaughter of the
first Duke of St. Albans (Nell Gwynne's son), and it
was through this connection that the Adelphi estate,
acquired by the second Duke of St. Albans on his
marriage with the daughter of Sir John Werden,
whose trustees had purchased it, came into the
possession of the Drummond family. The Drum-
monds have ever since been connected with the
Society ; and Mr. George James Drummond, the
owner of the Adelphi, is now (1913) the Society's
landlord. The bank was founded in 1707 by Andrew
Drummond, the father of John, above-mentioned.
Sir John Fielding, the magistrate, half-brother to the
novelist.
Sir Samuel Fludyer, Lord Mayor in 1761. Fludyer
Street, Westminster, was called after him.
John Fothergill, M.D., F.R.S., botanist and physician,
associated with Franklin.
Benjamin Franklin, the great American philosopher and
politician. He was elected a corresponding member
in 1756, but paid the amount of a Life Subscription,
and his name afterwards appears among the ordinary
members. He kept up a correspondence with the
Society, and in 1761, while in England, he accepted
the office of chairman of the Committee of British
Colonies and Trade.
David Garrick, the great actor.
Edward Gibbon, the historian.
Thomas Gisborne, M.D., President of the College of
Physicians.
,
SELECTED NAMES 39
Oliver Goldsmith, whose address when he was elected in
1763 was the Chapter Coffee- House.
Major-General Sir John Griffin, afterwards Field-Marshal,
and (1784) 9th Baron Howard de Walden.
Admiral Thomas Griffin, served in the West Indies and
elsewhere, but left an unfortunate reputation for lack
of intrepidity and for unpopularity.
Thomas Grignion, the clockmaker, who presented to the
Society the clock in the meeting-room.
Francis Grose, antiquary and author.
Stephen Hales, D.D., F.R.S., Copley Medallist, physio-
logist, botanist, and inventor. One of the Society's
founders. His portrait is in Barry's picture of " The
Society."
Jonas Hanway, the historian of commerce and the intro-
ducer of umbrellas.
Sir Charles Hardy, Admiral, Governor of NewT York ;
served in command under Hawke at Brest and
Quiberon Bay, M.P. for Portsmouth
The Hon. Thomas Harley, afterwards Lord Mayor (1767),
opponent of Wilkes.
Sir Edward Hawke, the distinguished Admiral, after-
wards (1776) ist Baron Hawke.
John Hawkesworth, LL.D., friend of Dr. Johnson, and his
successor as compiler of the Parliamentary reports
in the Gentleman1 s Magazine.
Sir Caesar Hawkins, the eminent surgeon.
Sir George Hay, lawyer and politician.
Francis Hayman, original R.A. ; friend of Hogarth and
Garrick.
William Heberden (the elder), physician and scholar ;
attended Johnson, Cowper, and Warburton. He, like
Caesar, wrote his Commentaries, and a bookseller is
said to have recommended one as a substitute for the
other.
William Hoare, of Bath, original R.A.; distinguished
portrait-painter .
William Hogarth. His signature is crossed out in the
signature-book ; why, there is no saying. He was
duly elected in December 1755, and subscribed for
40 THE EARLIEST LISTS OF MEMBERS
two years. His name appears on committees in 1757.
He died in 1764.
Thomas Hollis, republican and author. Presented por-
trait of Newton to Trinity College, Cambridge, and
portrait of Cromwell to Sidney Sussex College.
John Howard, the philanthropist.
Richard Huck, army surgeon and physician of reputation.
In 1 777 he took the additional name of Saunders.
Dr. William Hunter, the physician, who was as well known
in his day as his younger brother John.
Dr. Robert James, the inventor of James's Powder.
Richard Jebb, M.D., afterwards (1778) baronet. Friend
of Wilkes and Churchill.
Soame Jenyns, a great man in his day, but now best
known as having had his Nature and Origin of Evil
unfavourably reviewed by Dr. Johnson.
Samuel Johnson, LL.D. He took a great deal of interest
in the Society, attended its meetings, and took part
in its deliberations, though by his own account he
was no orator. He told Boswell that he had " several
times tried to speak at the Society of Arts and
Sciences, but had found that he could not get on."
Also he " acknowledged that he rose in that Society
to deliver a speech which he had prepared ; ' but
(said he) all my flowers of oratory forsook me.' '
Boswell (Edit. G. Birkbeck Hill, 1887), vol. ii. page
139-
Hugh Kelly, a playwright who considered himself a rival
of Goldsmith.
Admiral Augustus Keppel, afterwards (1782) created
Viscount Keppel.
Gowin Knight, M.D., F.R.S., Principal Librarian of the
British Museum.
Sir Charles Knowles, Admiral, Governor of Louisburg and
of Jamaica.
Abraham Langford, auctioneer and playwright.
Colonel Stringer Lawrence, called the " father of the
Indian Army/' He left India in 1 759.
Thomas Lawrence, friend and physician of Dr. Johnson.
Sir Wilfrid Lawson, the 8th Baronet.
SELECTED NAMES 41
Henry Bilson-Legge, financier, Chancellor of the Ex-
chequer, etc.
James M'Ardel,one of the best English mezzotint engravers.
Robert Mackreth, the well-known waiter at Arthur's
Chocolate- House, known as " Bob," afterwards M.P.,
and knighted.
Sir Richard Manningham, known as a great " man-mid-
wife/1
William Markham, D.D., headmaster of Westminster
School ; afterwards (1777) Archbishop of York.
Matthew Maty, M.D., F.R.S., secretary R.S., Principal
Librarian of the British Museum. He was a candidate
for the secretaryship of the Society in 1760, when Dr.
Templeman was elected.
Israel Mauduit, F.R.S., political pamphleteer and preacher,
Agent in England for Massachusetts.
John Mitchell, F.R.S., botanist, made a map of the British
and French Dominions in North America.
Sir Henry Moore, Bart., Governor of Jamaica and of
New York.
Robert More, F.R.S., botanist.
Charles Morton, M.D., Principal Librarian of the British
Museum.
George Michael Moser, chaser and enameller, first keeper
R.A. Engraved George m.'s first Great Seal. Father
of Mary Moser, R.A.
Lieut .-General Lord John Murray, M.P. for Perth.
Robert Mylne, F.R.S., constructed Blackfriars Bridge,
engineer to the New River Company.
John Newbery, publisher and bookseller. He employed
Johnson and Goldsmith.
Frank Nicholls, F.R.S., physician.
Lieut .-General Oglethorpe, M.P., founder of Georgia.
Dr. Johnson offered to write his life. Austin Dobson
calls him a " Paladin of Philanthropy."
James Paine, a successful and industrious architect. He
built numerous country houses and several in London.
He was President of the Society of Artists, 1771. He
rebuilt Salisbury Street in 1783. There is a good
account of him in Chancellor's British Architects, 1909.
•
42 THE EARLIEST LISTS OF MEMBERS
Sir Robert Palk, Bart., Governor of Madras. Palk Strait,
between Ceylon and India, is called after him.
James Parsons, M.D., F.R.S., physician and antiquary.
Sir Lucas Pepys, Bart., M.D., President of the Royal College
of Physicians, physician to George in. Attended the
King in his insanity. He was elected in 1764, when
twenty- two years of age.
John Lewis Petit, M.D., F.R.S., physician.
Constantine John Phipps, commanded the Racehorse in
expedition of 1773 to discover a north-eastern route
to India, and attained a high latitude to north
of Spitzbergen. Afterwards 2nd Baron Mulgave,
M.P., and Lord of the Admiralty, etc.
Christopher Pinchbeck, son of the inventor of copper
and zinc alloy named after him.
Charles Pinfold, Governor of Barbados,
Thomas Pingo, medallist, assistant engraver to the Mint.
William Pitcairn, M.D., President of the College of Phy-
sicians, 1775-85. A ward in St. Bartholomew's
Hospital is named after him.
George Pitt, afterwards Baron Rivers, author of Letters
to a Young Nobleman, etc.
William Pitt, the great statesman, afterwards Earl of
Chatham.
Admiral Sir George Pocock. He took Havana in 1762.
Sir James Porter, F.R.S., Ambassador at Constantinople.
Governor Pownall, politician. His work on The Ad-
ministration of the Colonies went through several
editions. He was elected in 1760, and his name in
the List is altered from " Governor " to " Thos., Esq."
Sir Charles Pratt, afterwards created Earl Camden, Lord
Chancellor and Chief Justice ; decided in the case of
John Wilkes that general warrants were illegal, and
thereby gained immense popularity.
William, Viscount Pulteney, the son of the well-known poli-
tician who was made Earl of Bath by Walpole. He
died before his father, and the earldom became extinct.
Sir Thomas Pye, Admiral. " A man of slender ability,
thrust into office by the Bathurst influence "
(Diet. Nat. Biog.).
SELECTED NAMES 43
Allan Ramsay, portrait painter to George in., acquaintance
of Dr. Johnson.
» Sir Joshua Reynolds, first President of the Royal Academy.
Elected in 1756 before he was knighted.
General Robert Rich (afterwards 5th Baronet), wounded
at Culloden.
Samuel Richardson, the novelist.
Sir Thomas Robinson, Governor of Barbados and Com-
missioner of Excise.
John Robison, went to Jamaica for the test of Harrison's
chronometer.
Francis Louis Roubiliac, the sculptor.
Sir John St. Aubyn, 5th Baronet, M.P., F.R.S.
Lord George Sackville, afterwards Viscount Sackville, of
unhappy reputation for his behaviour at the battle of
Minden in 1759.
Paul Sandby, R.A., water-colour painter and engraver.
Sir Charles Saunders, Admiral, served on Newfoundland
station, and First Lord of the Admiralty.
Sir George Savile, Bart., M.P., F.R.S. , well-known
independent politician, and Vice-President of the
Society.
Gregory Sharpe, D.D., F.R.S., Master of the Temple.
Peter Shaw, physician and author.
Thomas Sheridan, author and actor (father of Richard
Brinsley). Proposed by Garrick.
The Rev. Laurence Sterne, author of Tristram Shandy.
John Stock, painter to His Majesty's dockyards. He died
in 1781, leaving the bulk of his property, upwards of
£60,000, to the Painters' Company, with instructions
that the interest should be distributed to the aged
blind, the poor of the Company, and others. He left
£ i oo to the Society, with the condition that the interest
should be applied for the promotion of drawing,
sculpture, and architecture.
Sir Robert Strange, the eminent English engraver.
General William Strode. It was he who erected the statue
of Queen Charlotte in the centre of Queen's Square,
and that of William, Duke of Cumberland, in Cavendish
Square.
.
44 THE EARLIEST LISTS OF MEMBERS
James Stuart, author, member of the Dilettanti Society,
generally known as " Athenian " Stuart. Designed
the Society's first medal (see Chapter XIV, p. 316).
George Stubbs, the well-known animal painter.
Robert Taylor, M.D., F.R.S., a well-known physician.
James Theobald, F.R.S., F.S.A. One of the first Vice-
Presidents of the Society. He took an active part in
the movement for obtaining a charter for the Society
of Antiquaries, of which Society he became the
Secretary in January 1727-8. Afterwards he became
a member of its Council and one of its Vice-Presidents,
He made many communications to that Society, and
there are frequent references to him in its minutes.
He died in 1759. He is mentioned several times in
Nichols's Literary Anecdotes, but is ignored by the
Diet. Nat. Biog.
Sir Noah Thomas, M.D., F.R.S., physician.
Bonnell Thornton, well-known wit and writer, member of
the " Nonsense Club," which organised an " Exhibition
of the Society of Sign- Painters," in ridicule of the
Society of Arts Exhibition (see Diet. Nat. Biog.).
He only subscribed for one year, so perhaps the
Society's methods did not commend themselves
to him.
John Thornton, one of the first of the well-known Clapham
family, the great evangelicals.
Henry Thrale, the brewer, Dr. Johnson's friend.
Jacob Tonson, great- nephew of Jacob Tonson, Dry den's
first publisher, employed Warburton and Johnson
among others.
Rev. James Townley, headmaster of Merchant Taylors'
School, author of High Life below Stairs ; friend of
Hogarth.
Charles Townshend, Chancellor of the Exchequer, etc.,
and brilliant wit.
Jonathan Tyers, proprietor of Vauxhall Gardens.
Robert Vansittart, Regius Professor of Civil Law, Oxford.
Horace Walpole, the great connoisseur and well-known
author and collector. Afterwards (1791) 4th Earl of
Orford.
SELECTED NAMES 45
Joshua Ward, " Spot " Ward, the well-known quack and
nostrum-monger, whose statue by Agostino Carlini
decorates the Society's Hall. He acquired a fortune
by the sale of pills and potions, and a reputation by
his introduction of improved methods of making
sulphuric acid.
Richard Warren, M.D., a well-known physician.
Sir William Watson, M.D., F.R.S., physician and man of
science. Physician to Foundling Hospital.
Philip Carteret Webb, F.R.S., M.P. He was joint solicitor
to the Treasury and a leading official in prosecution of
John Wilkes.
Alexander Wedderburn, Lincoln's Inn, afterwards Lord
Loughborough and Earl of Rosslyn.
Saunders Welch, a magistrate of Westminster, friend of
Fielding and Dr. Johnson.
Benjamin West, R.A., the painter. President of the
Royal Academy.
Samuel Whitbread, brewer, father of the better-known
politician.
Caleb Whitefoord , wit and diplomatist . Friend of Franklin,
Johnson, Goldsmith, and Horace Walpole. He was a
Vice- President of the Society, and a very active member
of it. He was instrumental in obtaining the portraits
of Shipley and Templeman. The Society possesses
his portrait by an unknown painter.
Charles Whitworth, M.P., Chairman of Ways and Means,
1774-78. Knighted in 1768. One of the first Vice-
Presidents of the Society.
John Wilkes, the notorious politician, elected 1758, when
thirty-one years of age. He was proposed by his
brother, Israel Wilkes, who joined the Society in
1757, and was a very active member, constantly
taking the chair at committee meetings.
Sir Edward Wilmot, Bart, M.D., F.R.S., Physician-
General to the Army.
Sir John Eardley- Wilmot, Chief Justice, Common Pleas.
Educated with Johnson at Lichfield.
Joseph Wilton, sculptor, foundation member of R.A.,
associated with Sir William Chambers, the architect.
46 THE EARLIEST LISTS OF MEMBERS
Henry Sampson Woodfall, the printer of the Letters of
Juniusy and conductor of the Public Advertiser.
Sir George Yonge, Bart., Governor of the Cape.
Christian Friedrich Zincke, enamel painter ; produced
many portraits in enamel.
In addition to the subscribing members, the Society
had also a number of corresponding members, men dis-
tinguished in various capacities, or who had rendered ser-
vices to the Society. They were for the most part foreigners
or resident abroad. The greatest name on the earlier
lists is that of Linnaeus, which appears for the first time
in the list of 1770.
/ Amongst the names which came up for election there
were very few rejected, as would naturally be the case
when the object of the Society was to collect subscriptions
for a certain purpose. However, one was that notorious
free-lance, Dr. John Hill, or Sir John Hill, as he called
himself after he had been made a knight of the Order of
Vasa by the King of Sweden. He was proposed for election,
but was unsuccessful, as he also was when he tried to get
into the Royal Society, so that he might put F.R.S. after
his name in the title-page of one of his books . TheDictionary
of National Biography describes Hill as " a versatile man
of unscrupulous character, with considerable abilities, great
perseverance, and unlimited impudence." He appears
to have been at loggerheads with all his contemporaries.
He paid out the Royal Society for not admitting him by
an attack upon them which certainly found out some of
the weak joints in the armour of that distinguished body.
He tackled Fielding and got rather the worst of it. When
Garrick spoke slightingly of a play written by him, he
attacked him also. Garrick retaliated by the well-known
epigram : —
" For physic and farces his equal there scarce is,
His farces are physic, his physic a farce is."
He does not appear to have been much affected by his
i t//a
/
LADY MEMBERS 51
rejection by the Society of Arts, though he wrote what was
for him a temperate letter of protest.
From the first foundation of the Society ladies
been eligible for membership, and the Lists of Members
have always contained a certain number of women's names./
The first list of October 1755 contains the names of Miss
Elizabeth Vaughan and Lady Betty Germain, daughter
of the Earl of Berkeley, and wife of Sir John Germain, who
came with William the Third to England and served under
him. She inherited a large fortune from her husband,
and bequeathed it, in accordance with his desire, to Lord
George Sackville, who took the name of Germain. She
was a friend of Swift and other literary men. Miss Mary
Cook — who, like Miss Vaughan, is now but an unknown
name to us — was elected a little later in the same year
(I7$$)t and Mrs. Elizabeth Montagu — whose name is
spelt Mountague in the list — the earliest " blue stocking "
and the well-known authoress and leader of intellectual
society, became a member in 1758. Her portrait appears
in Barry's picture of the Society. Later lists include the
names of the Countess of Denbigh, the Countess of Maccles-
field, the Countess of Northumberland, and Viscountess
Falmouth.
There can be no doubt that the list from which the
above names have been selected was a very remarkable
one, and one which may challenge comparison with that
of any other society, however distinguished. Statesmen,
philosophers, philanthropists, painters, lawyers, divines,
physicians, authors, dramatists, actors, musicians, bankers,
soldiers, sailors, architects, historians, mechanicians, mer-
chants, all are to be found, and many of them are the
most eminent of the time. Besides these, there is a crowd
of peers and wealthy men who seem to have been quite
ready to support, with their purses and their influence,
a scheme which commended itself as likely to promote
the growing industrial and commercial interests of the
kingdom.
Other evidence as to the early popularity of the Society,
52 THE EARLIEST LISTS OF MEMBERS
and of the public esteem in which it was held, is to be found
in contemporary literature. Smollett, in his History?
gives a full and laudatory account of the institution and
proceedings of the Society : " The protection, countenance,
and gratification secured in other countries by the in-
stitution of academies, and the liberalities of Princes, the
ingenious in England derived from the generosity of a
publick, endued with taste and sensibility, eager for
improvement, and proud of patronizing extraordinary
merit. ... In a word, the Society is so numerous, the
contributions so considerable, the plan so judiciously laid,
and executed with such discretion and spirit, as to promise
much more effectual and extensive advantage to the publick
than ever accrued from all the boasted academies of
Christendom."
Anderson, in his History of Commerce? speaks of the
Society as " One of the noblest designs for the improve-
ment of the Commerce of Great Britain which could possibly
have been devised." Perhaps in both cases the laudation
is a little exaggerated, but the quotations may serve to
show the estimation in which the early efforts of the
Society were held.
1 Book iii. chap. x. § iv. * Vol. iii. p. 298.
CHAPTER III
THE SOCIETY'S OFFICES
First Offices of Society in Craig's Court — Moved to Castle Court —
Proposal to rent Exeter Change — House taken in Little Denmark
Court, opposite Beaufort Buildings — Exhibition Room built —
Agreement with the Brothers Adam for Premises in the Adelphi —
The Adams and the Adelphi — The Society's House in the Adelphi —
The Meeting-Room — Its Decoration — Changes in the Building —
Lighting and Warming — Barry's Pictures — Barry and his Aspira-
tions— His History — Devotion to his Ideas — Description of the
Pictures — Portraits of Lords Folkestone and Romney — Barry
wishes to substitute Portraits of George in. and Queen Charlotte
— Portraits of Queen Victoria and Prince Albert.
THE first permanent offices of the Society were in Craig's
Court, Charing Cross. At a meeting held on iQth February
1755, at Peele's Coffee- House, arrangements were finally
made with Shipley that he should take a house in Craig's
Court, and sublet a portion to the Society. Whether the
rest of the house was used by Shipley for his Academy or
not, there is nothing in the Minutes to indicate. The
rent paid was £20 a year, including coals and candles.
The first meeting at Craig's Court was held on ist March
1755. Here the Society remained for a year, but the rooms
were too small, so they moved to a house at the corner of
Castle Court on the east side, " opposite the New Ex-
change," on 2nd June 1756. For this they paid to John
Fielding a rent of thirty-five guineas for the first floor
and some other part of the house. Castle Court was a
narrow alley leading from the Strand to Chandos Street.
It disappeared when the district was rebuilt in the reign
of William iv., the date being commemorated by the
names of King William Street and Adelaide Street. The
ground on which the house containing the Society's offices
53
54 THE SOCIETY'S OFFICES
stood now forms part of the site of the British Medical
Journal office .
The accommodation, however, soon proved insufficient
for the growing needs of the Society. It was increasing
rapidly in numbers and in wealth, and it soon seems to
have felt the need of more spacious quarters. Two years
after it was established in Castle Court we find in the
Minutes that inquiries were being made for new premises.
Several localities were suggested and rejected. In May
1758 a committee reported favourably on a proposal to
acquire Exeter Change. It appeared that a total outlay
of £2500 would have been required for necessary repairs
and alterations, and that Lord Exeter was willing to grant
a lease for about sixty years at a rent of £200 a year. As a
set-off against this, there was the rent of certain shops
forming part of the building, and to be sub-let by the
Society. The outlay, however, was considered too great,
and the proposal was declined.
Eventually the Society came to terms with Messrs.
Williams & Woodin, who carried on the business of up-
holsterers and carpenters in premises opposite Beaufort
Buildings in the Strand. These premises included the
house afterwards No. 380 and 381 Strand, and a ware-
house and yard behind. Messrs. Williams & Woodin
agreed to build a Great Room for the Society on the site
of their warehouse, and to let this room, with another good-
sized room on the ground floor, together with a certain
part of the house, for a payment of £200 and a rent of £120
a year for three years, and £100 afterwards, for a term of
fifteen years from Midsummer 1759. The first meeting
in the new rooms was held on i8th July in that year.
The various alterations in, and additions to, the buildings
were made under the superintendence of Mr. (afterwards
Sir William) Chambers, who acted as the Society's
architect. He later achieved a great reputation, his best-
known work being Somerset House.
The house stood on ground which was then part of the
property of the Duke of Bedford, and the plan on page
56 has been prepared from records still preserved in the
office of the Bedford estate. The area, which, so far as
THE HOUSE OPPOSITE BEAUFORT BUILDINGS 55
can be made out, was occupied by the Society's premises,
is indicated by dark shading. A is the Great Room, B is
the smaller room on the ground level, used for the Society's
collection of models, and C shows the offices with an
entrance to the Strand. D is the house taken a year and
a half later, in January 1761, for a residence for Dr.
Templeman, the newly appointed secretary. The descrip-
tion in the lease is rather vague, and it is doubtful whether
the whole, or only a portion of the shaded part, was in-
cluded. This house was leased from Woodin, Williams
having died in 1 760, and his interest having been acquired
by Woodin. The position of the present Exeter Street
is shown in dotted lines on the plan, and it will be seen
that nearly the whole of the area occupied by the Society's
area is now covered by the modern extension of that
street, the rest of it being now occupied by the recently
erected building of the Strand Hotel. Exeter Street
originally extended only from Catherine Street to Burleigh
Street. The L-shaped extension leading southwards into
the Strand was a later enlargement of Denmark Court
(which, as shown in Horwood's map, circa 1800, was an
extension of Exeter Street) and of Little Denmark Court,
which led from the end of Denmark Court, at right angles,
down to the Strand. Little Denmark Court was a narrow
alley for foot-passengers only, and probably its entrance
to the Strand was an arcrrway under the first-floors of
the adjacent houses.
It has not been found possible to make out precisely
how much of the Strand frontage was occupied by the
Society. It certainly had an entrance on the Strand,
and perhaps it had the whole or part of the first floor.
Or the original house may have been divided into two,
and this idea is suggested by a comparison of the entries
in the sewer-rate book for 1763 and subsequent years.
The earliest entry shows one house, in the occupation of
Thos. Wooden [sic] ; the entry for 1765 shows the same
house as occupied by Geo. Box (in whose name the lease
to the Society had been taken out) and formerly by Price,
while subsequent entries show two houses. It was cer-
tainly for long in the joint occupation of the Society and
56 THE SOCIETY'S OFFICES
the landlords, for both Williams and Woodin, who were
members, have their addresses recorded in the lists as
" Society's Offices."
The original house and buildings had been leased by
the Duke of Bedford in 1753 to John Price, by whom it
The present course of Exeter Street la
shown by thich dotted lines
Emery Walker sc.
Plan showing position of the Society's Offices, opposite Beaufort Buildings.
was demised to Williams & Woodin. It was, when let to
Price, the Greyhound Tavern, but presumably Price or his
successors gave up the tavern and used the premises for
other purposes. The district extending a certain way
eastwards from Southampton Street is designated in the
rent-books of the Bedford estate " Fryers' Pyes," but up to
THE HOUSE OPPOSITE BEAUFORT BUILDINGS 57
the present it has not been found possible to ascertain
the meaning of this curious title or to find any explana-
tion of it.1
For the information which has enabled the site of the
Society's old offices to be identified the writer is entirely
indebted to Sir Laurence Gomme, the accomplished Clerk
of the London County Council, and to Mr. A. R. O. Stut-
field, the steward of the Bedford estate. The writer
has much pleasure in acknowledging the valuable and
ready help they have given. It has always been
known that the Society occupied offices " opposite
Beaufort Buildings" from 1759 to 1774, but it had
been assumed that these offices were at the north-east
corner of Beaufort Buildings, in the house afterwards
No. 96 Strand, long well known as Rimmers, the per-
fumer's. The fact that Shipley's Academy was, as
previously mentioned, established in this house, probably
led to the mistake. The solution of the problem, and the
identification of the Society's old premises, had been the
cause of considerable gratification to the present writer,
because it completes the history of the Society's migra-
tions before it found a permanent home in its present
buildings in the Adelphi.
The position of the Society's house is also indicated in
the old map of this part of London, a portion of which is
reproduced in the plate facing page 54. In the narrow
street opposite Beaufort Buildings, which is not named, but
is really Little Denmark Court, the square block with the
reference letter " c " is, as stated in the margin of the map,
' The Society of Arts and Sciences, Strand." The map was
published by Thomas Jeiferys, and the date on it is 1766.
The copy from which the reproduction was made is in the
possession of the Athenaeum Club. Jefferys was a well-
known cartographer, and would probably have received a
prize from the Society for his map of Yorkshire but for
his death in 1771. 2 It is clear that the building shown
on the map is merely the " Great Room " where the
1 Hare in his Walks in London (vol. i. p. 31, 2nd edition, 1894) says
that Covent Garden was in 1222 known as Frere Pye Garden.
2 See Chapter XIII, p. 299.
58 THE SOCIETY'S OFFICES
exhibitions were held, the Society's offices being, as above
stated, between this building and the Strand.
All this district was altered under the Act (7 Geo. iv.
cap. 77) passed in 1826 for the widening of the Strand,1
and in the various improvements carried out Exeter
Change itself disappeared. The principal building erected
on its site was Exeter Hall, long a well-known concert
room, opened in 1831. Now it too has followed its prede-
cessor, and its place is occupied by a big hotel. Beaufort
Buildings remained until 1902, when the extension of the
Savoy Hotel swallowed it up, and all the old buildings on
this part of the south side of the Strand were demolished.
The courtyard of the hotel now occupies the ground which
was formerly the roadway of Beaufort Buildings.
If the conclusions drawn from an examination of
the plans and documents in the Bedford estate offices
are correct, the " Great Room " was worthy of its name,
being an apartment 80 ft. long by 40 ft. broad, almost
identical in dimensions with the large Gallery of the
Royal Academy in Burlington House, which is 82 ft. by
42. It was here that the first exhibition of pictures by
British artists was held in 1760. The smaller room on
the ground level was 40 ft. by 20 ft. In this the first
exhibition of models and machines was held in 1761.
A considerable amount was expended in fitting and
furnishing the rooms and offices, besides the cost of struc-
tural alterations. Among other improvements it was
found necessary to make a " crossing " in the Strand,
at a cost of three and a half guineas, to facilitate the
access to the Society's entrance door.
In 1770 the lease of the Society's premises having
nearly expired, and the accommodation being again
found insufficient, it was decided to advertise for new
premises, and accordingly an announcement was inserted
in some of the daily papers inviting any person who had
1 The Act authorised the widening of the Strand " on the north
side thereof opposite Cecil Street in an easterly direction to the East
end of Exeter Change." The sewer-rate book for 1830 shows that
the demolition had then began. A note in a subsequent rate book
states that sixteen houses had been pulled down. Among these were
Nos. 380 and 381,
ROBERT ADAM.
From a Medallion by Tassie.
To face page 58.
THE ADELPHI 59
proposals to make for the accommodation of the Society
to communicate with the secretary.
The result of this advertisement was that the Brothers
Adam,1 who were then occupied with their scheme for the
construction of the Adelphi, offered to include in that
scheme a suitable house for the Society's purposes.
The history of the Adelphi has often been written.1
The site was long occupied by the historic buildings of
Durham House, the residence of the Prince-Bishops of
the northern See. The house and grounds originally
occupied the area between Adam Street and Buckingham
Street, from the Strand to the river. The New Exchange
was built in 1608 by Lord Salisbury on the site of the
Durham House stables, and extended from George Court
to what used to be Durham Yard, but is now Durham
House Street. It thus included the site of Coutts's
Bank.3 It was pulled down in 1737, when shops and
houses were erected along the present line of the Strand.
In the space between these buildings and the river, where
old Durham House once stood, fronting the river, with
its gardens reaching to the Strand, were " a number of
small low-lying houses, coal-sheds, and lay-stalls, washed
by the muddy waters of the Thames." The ground sloped
down from the Strand level to the brink of the river,
which must have been, at high water, somewhere about
the inner edge of the Embankment Gardens.
On this slope the Brothers Adam (Robert, William,
James, and John) proposed to build a great terrace,
level with the Strand, the idea being taken from the
arched terrace or gallery in the Palace of Diocletian at
1 The head of Robert Adam, facing page 58, is a reproduction from
a fine medallion by Tassie, now in the collection of the Edinburgh
Board of Manufactures.
2 The fullest history of the Adelphi is contained in three articles
by Mr. H. B. Wheatley in the Antiquary magazine for June, July, and
September 1884. In these a great deal of information will be found
which it has not been thought needful to include here, as it has no
special connection with the Society of Arts. Mr. Austin Brereton's
Literary History of the Adelphi (1907) is the most recent book on the
subject. Mr. Percy Fitzgerald devotes the best part of a chapter of
his Picturesque London (1890) to the Adelphi.
3 The bank was moved in 1904 to the opposite side of the Strand.
6o THE SOCIETY'S OFFICES
Spalatro,1 which Robert Adam studied with great care, and
described in a monumental folio.2 The ground was in the
possession of the spendthrift Duke of St. Albans, or rather
of his trustees. By the year 1642 the estate had finally
passed out of the possession of the Bishops of Durham, and
under the provisions of an Act of Parliament it became
the property of the Earl of Pembroke and Montgomery,
a rent-charge only of £200 a year being reserved to the
See of Durham. This rent-charge, it may be interesting
to mention, is still paid by the present owner to the
Ecclesiastical Commissioners. In 1677 the estate was
sold by the Earl of Pembroke to Sir Thomas Monpesson,
and in 1716 it was again sold by the representatives of
Sir Thomas Monpesson to the trustees of the will of Sir
John Werden, whose daughter Lucy married Charles,
the second Duke of St. Albans. Their son George, the
third Duke, brought the estate into settlement, and in
1767 a private Act of Parliament was passed for vesting
part of his estates in trustees for the purpose of raising
money to pay his debts.
These trustees, Lord Charles Spencer and Sir Philip
Musgrove, in 1768 granted a lease to the Brothers Adam
for ninety-nine years at a rent of £1200 a year. It has
seemed worth while to record these details because they
have never been accurately stated in previous accounts of
the Adelphi, and it is only by the obliging assistance of
Mr. George Drummond, the owner of the Adelphi, and of
Messrs. Fladgate, the solicitors to the estate, that it has been
possible to trace out the manner in which this historic bit of
London passed into the possession of its present owner.
The design proposed by the Brothers Adam was duly
carried into effect, the requisite height on the river side
being obtained by the construction of tiers of super-
imposed arches.3 Some of these arches formed public
1 Fitzgerald, Picturesque London, p. 39.
* Ruins of the Palace of the Emperor Diocletian at Spalatro in
Dalmatia, by R. Adam, F.R.S., F.S.A., 1764.
3 The view of the Adelphi (facing page 64) shows the terrace with the
houses as originally built, and justifies Horace Walpole's criticism
(quoted by Mr. Wheatley) that the Adelphi buildings resembled " ware-
houses laced down the seams, like a soldier's trull in a regimental old
The Society's House in 1911.
THE ADAMS 63
thoroughfares, and later gained an unenviable reputation
on account of their nocturnal frequenters. Others were
let as storehouses ; at one time a number of cows were
stabled in some of the arches, and supplied milk to a large
part of the West End. Others, again, served as cellars
for the houses built on the substructure. The Society's
house has two stories of cellars below the south-western
part of the building, while the foundations of the north-
east corner are in the original ground. The house has
undergone a certain amount of repair, but it seems now
as sound as when it was first built.1
When the Thames Embankment was made,2 the build-
ings on the south side of the estate, near the river, were
affected, and some reconstruction work had to be carried
out on the arches, but the ground on which the Society's
house stands does not seem to have been at all disturbed.
The work, commenced in July 1768, was practically
completed in about six years, but before it was finished
the Adams were in financial difficulties. In the course of
their operations they encroached on the foreshore of the
Thames, and thereby involved themselves in a dispute
with the Corporation, their difficulties being increased by
the political circumstances of the time, as the Corporation
were strongly Wilkesite, while the Adams enjoyed Court
favour. Eventually they succeeded in obtaining an Act
of Parliament to authorise their proceedings. In this
they were assisted by their patron, the Earl of Bute.
Their pecuniary difficulties were set right by means of a
second Act, which empowered them to organise a lottery,
the chief prizes in which were the houses then in course
of building on the estate. In many cases the prize-
winners sold their rights, and thus the sub-leases became
the property of various owners. Their tenures expired
coat." There are still two or three houses in the Adelphi which
preserve this old form of decoration — long vertical mouldings extending
from the ground to the uppermost story. The illustration is from a
contemporary print.
1 The view of the front of the building opposite page 60 is from a
drawing by Mr. Howard Penton. It shows no changes since the house
was built.
*The Embankment was commenced in 1862 and opened in 1870.
64 THE SOCIETY'S OFFICES
at the termination of the principal lease in 1867, long
before which time (in 1787) the property had come into
the possession of the Drummond family. George, the
third Duke of St. Albans, had no son, and was succeeded
as fourth Duke by George Beauclerk, the grandson of
Lord William Beauclerk, the second son of the first Duke,
who had married (in 1744) Charlotte, the other daughter
of Sir John Werden above mentioned. Lord William
Beauclerk 's daughter Charlotte married John Drummond,
the son and successor of the Hon. Andrew Drummond,
the founder of Drummond's Bank, and to her the Adelphi
estate was devised by her nephew, the fourth Duke. From
her son George the estate passed to his son, his grandson,
and his great-grandson, George James Drummond, the
present owner of the estate and the Society's landlord.
John Drummond and his cousin Robert were among
the earliest members of the Society,1 and the connection
of the family with the Society has since continued.
Negotiations, the progress of which is described,
though not very fully, in the old Minute-books of the
Society, went on for some time, and eventually the Adams
undertook to build a house such as was required for a
premium of £i 170, and a rent which was finally settled at
£200 a year. The plans, after much discussion, were
finally approved, the foundation-stone was laid by Lord
Romney in 1772, and the Society entered into possession
in 1774, though the lease only dates from 1775. It was
for 91 1 years, from Midsummer 1775, ending at Christmas
1866 — a quarter before the end of the landlord's lease.
Such was the origin of the historic building in which the
Society has carried on its work for 139 years. It really
consists of two houses, one of which was intended for the
private residence of the secretary. There has always been
a communication between the nouses on the ground and
first floors (as well as in the basement), and a few years ago
a third one was constructed on the second floor. Other-
wise the two houses are separate and distinct. The last
secretary to live on the premises was Sir George Grove.
No structural alterations of any importance seem
1 See Chapter II, p. 38.
THE SOCIETY'S "REPOSITORY," A.D. 1843.
THE ADELPHI.
From an old Print.
To face page 64.
DECORATIONS OF THE MEETING-ROOM 65
ever to have been made in it. Such changes as have
been made were for the most part in the meeting-room
and in the " Model Room," now the Library. In
1815 the old skylight in the meeting-room was altered,
the existing lantern being substituted for the original
oval light. In 1846 the room was re-decorated by
D. R. Hay of Edinburgh. A full account of his scheme
of decoration is given by Hay in a paper he read after the
work was completed.1 Originally the treatment of the
room had been extremely simple, and indeed there had
been little attempt at decoration. According to the short
description given by Hay in his paper : " The wall termin-
ates in a narrow and lightly enriched cornice surrounded by
a plain cove of 8 ft. 4 in. wide ; this cove is terminated by
a narrow border of stucco work, between which and the
aperture for the cupola light there is a flat space, also
quite plain. The aperture towards the cupola light is
thrown into eight panels by a plain narrow moulding, and
this completes the architectural decoration." The lower
part of the ceiling with the cornice is shown in the picture
facing page 70, and the whole upper part of the room is to
be seen in a coloured print in the Microcosm of London.2
In place of this Hay introduced a somewhat elaborate
scheme of colour. The walls above and below the pictures
were covered with purple cloth, in order to set off the effect
of the pictures. The cornice was coloured " Etruscan
brown or deep terra cotta hue," and the cove and span
above it enriched with coloured mosaic. For further
details, the reader may be referred to Hay's paper.
When the original lease of the premises had to be
renewed, a new lease for thirty years from Lady Day
1867 was obtained. In additional to the renewal fine,
which together with other charges amounted to £2361, the
Society had to incur an expenditure of £2800 for repairs.
A good deal of work was done in 1863, and considerable
changes were made in the arrangements of the Great Room.
The position of the platform and the chairman's seat
in the meeting-room was altered. Originally they were
1 Transactions, vol. Ivi. (Supplemental volume, 1852), p. 13.
z Vol. iii. p. 67.
6
66 THE SOCIETY'S OFFICES
on the north side of the room, facing the entrance. They
are now on the east side. The object of the change was
to give greater facility of access from the offices to the
officials' seats. The old arrangement was inconvenient in
this respect, but in all other respects it was certainly
better.1 The present decorations of the ceiling, which
were designed and executed by Messrs. Crace, are of the
same date. At the same time the existing glass cases in
the lo\ver room — which was originally designed for the
" Repository " of the Society's collection of mechanical
inventions — were substituted for the pillars which previ-
ously gave apparent support to the ceiling and to the floor
of the room above. This change had nothing to recom-
mend it, and should never have been made. The appear-
ance of the room as it was originally designed was much
better, and the present cases are at once ugly and useless.2
In 1 847 the mosaic pavement in the entrance hall was
presented by Messrs. Minton (then Minton & Blashfield) ;
it is interesting as being one of the earliest examples of the
application of mechanically produced tesserae under
Prosser's patent, afterwards the foundation of an extensive
industry. The glass mosaic on the staircase was laid down
in 1874 by Messrs. Powell. This, again, was one of the
first uses of a novel and ingenious method of manufacture,
though it had previously been utilised in one of the stair-
cases of the South Kensington Museum.
When the house was first built, the meeting-room was
warmed by two large fireplaces, one at each end of the
1 The illustration opposite page 70 shows the arrangement of the
room in 1 804. It is copied from a print in the Crace Collection, now
in the British Museum.
2 The picture of the " Model Room " or " Repository " (facing page 64)
is copied from a print in Knight's London (1843), an^ shows very well
the difference between the room as it now is and as it was originally
built. The Act for the establishment of the British Museum (26 Geo. n.
cap. 22, 1753) is entituled " An Act for the Purchase of the Museum
or Collection of Sir Hans Sloane, and of the Harleian Collection of
Manuscripts, and for providing one general Repository for the better
reception and more convenient use of the said Collections," etc. So it
would appear that what is now called a Museum was then termed a
Repository, while the word Museum was applied to its contents,
THE LIGHTING OF THE GREAT ROOM 69
room. Later a furnace was fitted in the basement, and
the heated air from it passed up through gratings into the
present library, and thence by other gratings into the Great
Room. This arrangement was naturally very inefficient.
The existing system of heating by hot-water pipes was
introduced in 1877.
At first the Great Room seems to have been lighted
by candles, though I have never been quite able to satisfy
myself whether the six chandeliers or " branches " brought
from the old house, and placed in the corners and the
middle of the room, were for candles or oil. At all events
oil lamps were not long afterwrards employed, and their
use was continued up to the middle of the last century.
There were five chandeliers, one in the centre of the
room, and one at each corner of the skylight. These
were suspended by chains, and were pulled up and
down for cleaning and lighting. They seem to have
given a great deal of trouble and to have caused a
great deal of complaint. The Society had in 1796 a
contract with a lamplighter, one George, who was paid
4|-d. per lamp per night, and on one occasion when fault
was found with the badness of the light, George attri-
buted it to " the villainy of his servant, who defrauded
him of the oil." Seven years later the contract price was
raised to 6d. on the ground of the increased cost of oil,
and nine years later still, in 1 8 1 2, it was raised to 7d. The
annual charge for lighting in the last few years of the
eighteenth century, and the first few of the nineteenth, was
about £33 . In 1 8 19 the lamplighter having again failed in
his duties, Miss Cockings, the energetic housekeeper, volun-
teered to undertake them, and from that time forward the
lighting appears to have been both better and cheaper.
The first use of gas by the Society seems to have been
about 1815, when a proposal to have a gas-light over the
entrance was approved and apparently carried out. The
imperfectly purified gas of that date was not considered
fit for indoor lighting, and it was not for some time later
that gas was introduced inside the house. In 1835 a pro-
posal to light the meeting-room with gas was considered,
but rejected as " inexpedient." In 1847 the stairs were
70 THE SOCIETY'S OFFICES
lighted by gas at a cost for installation of £7, 55. In the
following year it was introduced into the model-room, and
a single central light was fitted in the Great Room. In
1 849 it was brought into the Hall and the committee-room.
In 1853 the four hanging chandeliers in the meeting-room
were ordered to be altered to gas, and in 1854 a central
sunlight was fitted in the room.
In 1882 electric light was first installed, the installation
being one of the first in London. The current was obtained
from a Siemens dynamo driven by a gas-engine, both being
placed in one of the cellars. Later a storage battery
(E.P.S.) was added. The cost of the installation was met
by a subscription from past and present members of the
Council. In 1899 this private installation was given up,
and the current was taken from the then newly-established
street mains.
In 1774, when the Society was about to move into its
new house in the Adelphi, the question of the decoration
of the Great Room naturally gave rise to a good deal of
discussion. It was determined that it would be desirable
to procure " proper historical or allegorical pictures," to
be painted by the most eminent artists. Further, it was
decided that there ought to be eight historical and two
allegorical pictures ; that the subjects of the historical
pictures should be taken from English history, and that
the allegorical pictures should be " emblematick designs
relative to the Institution and views of the Society."
A proposal was accordingly made to eight artists, that they
should paint each a historical picture, and to two others
that they should paint allegorical pictures, the conditions
being that they should not be paid, but should receive the
profits arising from an exhibition of the pictures, to be held
for four months. The historical painters were Angelica
Kauffmann, Sir Joshua Reynolds, West, Cipriani, Dance,
Mortimer, Barry, and Wright ; the allegorical painters,
Romney and Penny. Valentine Green, the engraver,
was requested to communicate with the selected artists,
and to report their answer. Unfortunately, the answer —
mainly, it appears, owing to Sir Joshua Reynolds — was a
BARRY AND HIS PICTURES 71
refusal. The portraits of the first two presidents of the
Society, Lord Folkestone and Lord Romney — the first by
Gainsborough and the second by Sir Joshua — were placed
over the two chimney-pieces, and there the matter rested
for a while.
Three years afterwards, viz. in 1777, Barry authorised
the same Mr. Green — a member of the Society who took
a very active interest in its welfare, and who afterwards
received a gold medal on that account — to inform the
members that one of the Royal Academicians they had
applied to was willing to take the whole work upon himself,
and to decorate the Great Room " with a series of pictures
analogous to the views of the Institution." It was esti-
mated that the canvas, frames, and colours would cost
£100, and there was a further expense of £30 for models,
which the artist offered to discharge, but which was eventu-
ally paid by the Society. The proposal, made at an
ordinary meeting of the Society, was referred to the
committee of " Polite Arts." The committee considered
and accepted it before it was known who the artist was to
be, and thereupon the chairman produced a letter from
Barry, stating that the offer was his. Barry was then
young and little known, full of confidence in his own powers,
and assured that nothing but opportunity was wanting
for him to make a reputation. Nor were his objects wholly
personal. He was impressed — as well he might be — with
the degraded condition of English Art, " fitted for nothing
greater than portraits, and other low matters, from whence
no honour could be derived either to the artist or the
country," x and he believed that the production of " some
great work of historical painting " would refute the
assertions of those foreign critics who declared English
painters to be incapable of any permanent work, and would
also serve as an example to his countrymen. Feeling at
once the necessity of the work, and the capacity within
himself for executing it, he set himself to do it, without,
1 An Account of a Series of Pictures in the Great Room of the Society
of Arts ... By James Barry, R.A., Professor of Painting to the
Royal Academy. London : Printed for the Author, by William
Adlard, Printer to the Society. . . ." 1783 (Introd.).
72 THE SOCIETY'S OFFICES
as it seems, considering or caring even how he was to live
during the years so long a task must occupy.
On the whole, his hopes of fame were realised, for such
reputation as Barry now possesses rests entirely on the
great pictures he painted for the Society. The man
himself was of a strange character, his life was by no means
happy. An artist of considerable power, his talents were
yet not equal to his own estimation of them ; and his life,
like that of Haydon, a few years later, was embittered by
what he considered a lack of appreciation of his deserts.
He was born at Cork in 1741. The ability he showed
in various early pictures gained him the notice of Burke,
who assisted him in various ways, and gave him an allow-
ance of £50 a year to visit Rome. In 1770 he returned to
London, and in 1771 he exhibited his first picture at the
Royal Academy — the " Adam and Eve " now belonging to
the Society. It was in 1 777 that he began his great work,
the pictures in the Society's meeting-room. In 1 782, after
they were completed, he was appointed Professor of Paint-
ing to the Royal Academy. His career in this office was
by no means happy. He seems to have been afflicted with
an irritable, cross-grained temper, and this led him into
disputes with everybody with whom he came in contact.
He quarrelled with the artists at Rome ; with anybody
who criticised his pictures ; with his pupils ; and with
many influential friends who tried to assist him. Finally,
he quarrelled with the Royal Academy itself, so that he was
expelled from it in 1799. He grumbled at the Society,
which seems to have treated him with sufficient liberality,
for it had either given him, or assisted him to procure by
exhibitions, a sum amounting altogether to £700, while
the members of the Society raised £1000 for him, and
purchased an annuity of £120 ; but, unfortunately, only a
month before his death.
He died under very miserable conditions. After his
expulsion from the Academy he seems to have supported
himself mainly by the sale of his etchings from his own
works. He was taken ill in an eating-house near his
home in Castle Street, Oxford Street ; and, his own house
being locked up, he wras carried to that of a neighbour,
BARRY AND HIS PICTURES 73
where he expired on 22nd February 1806. Even in his
death his morose nature was shown, for he locked himself
in for forty-eight hours, refusing medical aid ; and this,
when it did come, came too late. When his works were
sold at Christie's in 1807, they fetched very fair prices, the
" Adam and Eve" being purchased for 100 guineas. One
of them, however, the " Pandora/' which brought, though
unfinished, 230 guineas, when resold in 1846, to pay the
expense of warehouse room, only fetched nj guineas.
His body was placed in the Society's Great Room for a day
before it was carried to St. Paul's, to be laid beside that of
Reynolds.1
When Barry began his task he had, it is said, only
sixteen shillings in his pocket, and he supported himself
while it was in progress by etching. He applied to patrons,
principally members of the Society, for a loan to assist
him while he was at work, but it does not appear whether
his applications were successful or not. The exact date at
which the work was commenced is not stated in the Society's
Minutes, but the pictures were well advanced by the recess
of 1778, when the key of the Great Room was entrusted
to Barry in order that he might work without interrup-
tion ; and the work was continued until October 1781.
During its progress the Society's meetings were at first
held in the Great Room, the pictures being covered up
with canvas ; but in 1781 the meetings were held in the
committee-room — i.e. the present council-room — the
Great Room being given up entirely to the artist. In
the same year, frames, designed by Barry himself, were
procured from Mr. Adrian Maskens, of Compton Street,
Soho, at the expense of £100, 175. These frames are
those in which the pictures now are, though they have, of
course, been regilt since they were first put up. Not
much information as to the progress of the pictures is
1 Further information about Barry's life is given in S. Redgrave's
Dictionary of Artists of the English School. A longer life, written by the
late S. T. Davenport, for a Dictionary of Painters, was printed in the
Society's Journal, vol. xviii. p. 803. There is also a life in the Dictionary
of National Biography. In 1 880, Mr. J. Comyns Carr read a paper before
the Society on " The Influence of Barry upon English Art " (Journal,
vol. xxix. p. 20).
74 THE SOCIETY'S OFFICES
given in the Society's Minutes. There are occasional
references to the work, and payments on account of
expenses incurred are authorised from time to time.
A suggestion made by the painter, that some portraits
of members of the Society should be introduced, gave rise
to considerable discussion, and seems to have exercised
the minds of the committee of " Polite Arts " for some
time, but eventually a selection was made. As soon as
the work was finished, a public exhibition of the pictures
was held for the painter's benefit. They were shown for
two months during 1783, and for the same time during
1784. The cost of these two exhibitions was defrayed
by the Society, and amounted to £174. About 6500
persons attended the first exhibition, and about 3500
the second, among them being Jonas Hanway — the
introducer of umbrellas — who was so pleased with the
pictures that he showed his gratification by the very
practical step of changing the shilling he had paid for
a guinea as he left. The exhibitions produced £503, 125.
Congratulations poured in upon the artist, accompanied
in some few cases at least by subscriptions or orders for
paintings. But the measure of praise his pictures received
was by no means equal to the artist's estimate of their
deserts. In a letter, dated October 1784, to the president
and members of the Society, we find him complaining
bitterly of this want of taste on the part of the public.
Sixteen or eighteen thousand pounds had, he says, been
squandered that year at Westminster upon a " Jubilee of
hackney'd German musick," " an empty hubbub of
hundreds of fiddles and drums, which was dissipated in
the air as soon as performed." This, too, had been
attended by " well-dressed people of the first rank and
condition, great Lords and Ladies with white wands, blue
ribbans, and medals." Meanwhile his pictures, which
were to have revolutionised English art, were being
neglected in the Adelphi.
A full account of the pictures is given in Barry's own
work, above referred to. A shorter account was printed
in the third volume of the Society's Transactions (1785),
and this has been since republished in the Journal, with
DESCRIPTION OF THE PICTURES 75
alterations (vol. xvi. p. 604). Various other descriptions
have been printed at different times, but they all seem
to be derived, either directly or at second hand, from
Barry's book. The whole series of pictures was intended
" to illustrate this great maxim or moral truth, viz.
that the obtaining happiness, as well individual as public,
depends on cultivating the human faculties. To prove
the truth of this doctrine, the first picture exhibits man-
kind in a savage state, full of imperfection, inconvenience,
and misery. The second represents a Harvest Home, or
Thanksgiving to Ceres and Bacchus. The third, The
Victors at Olympia. The fourth, Navigation, or the
Triumph of the Thames. The fifth, the Distribution of
Rewards by the Society. And the sixth, Elysium, or the
State of Final Retribution. Three of these subjects are
truly poetical, the others historical." l
The height of all the pictures is the same, 1 1 ft. 10 ins.
The first, second, fourth and fifth, being those at the
ends of the room, are each 15 ft. 2 ins. long ; the third
and sixth, which occupy the north and south sides of the
room, are each 42 ft. long. They take up all the upper
portion of the wall, leaving a space beneath them of 10 ft.
6 ins. down to the ground.
The description of the pictures is too long for repetition,
though its quaintly serious style makes it worth consulta-
tion. It may, however, be desirable to try to give a very
brief explanation of the meaning of the pictures, for the
use of those who care to follow out the story they are
meant to tell. The first picture, the " Orpheus," is on
the left-hand side of a person entering the room, and
occupies the southern half of the west wall. It is intended
to represent a savage people, living in a wild and desert
country, while Orpheus is explaining to them the advan-
tages of culture.
In the second picture, " A Grecian Harvest Home,"
we have the second, or agricultural, stage of civilisa-
tion.
The third picture, " The Victors at Olympia," which
faces the visitor as he enters, is typical of the most advanced
1 Transactions, vol. iii. p. no.
76 THE SOCIETY'S OFFICES
culture. At the right l of the picture the conquerors
in the games are receiving the prizes at the hands of the
judges. Two of the athletes are carrying their father,
Diagoras, a former victor. Near this group is another,
the chief person in which is Pericles, who has borrowed
the face of the Earl of Chatham. The personage in the
chariot is Hiero of Syracuse ; the leader of the chorus is
supposed to be Pindar ; the statue at the right end of the
picture is Minerva ; that at the other end is Hercules.
The figure seated at the base of the statue of Hercules
represents Barry himself.
The fourth picture, " The Thames," is emblematical
of the triumphs of modern commerce. The central
figure represents Father Thames sitting in a triumphal
car, steering with one hand, and holding in the other the
mariner's compass. The car is borne along by Sir Francis
Drake, Sir Walter Raleigh, Sebastian Cabot, and " the
late Captain Cook, of amiable memory." In the front
of the car are four figures, representing Europe, Asia,
Africa, and America. Mercury, " the emblem of com-
merce," is represented at the top of the picture as sum-
moning the nations, and the Nereids following the car
carry several articles of the principal manufactures of
Great Britain. " The sportive appearance of some of
these Nereids gives a variety to the picture, and is intended
to show that an extensive commerce is sometimes found
subversive of the foundation of virtue." In order to intro-
duce the personification of music into " this scene of
triumph and joy," the artist has placed amongst the sea-
nymphs " his friend Dr. Burney, whose abilities in that
line are universally acknowledged." ' This," remarks
a writer in the Microcosm of London (1809), was " a
whim equally absurd and incomprehensible which no
raillery or good counsel could induce him to dismiss from
his canvas."
The fifth picture, " The Society,"2 represents a dis-
1 In every case right and left mean right and left of the spectator.
2 The illustration is taken from Barry's etching, not from the
painting, and the two vary considerably. The description in the text
corresponds with the painting.
THE PICTURE OF "THE SOCIETY1' 77
tribution of the rewards in the Society. The figure near
the left in nobleman's robes is Lord Romney, who was
president when the picture was painted ; near him is
the Prince of Wales (George iv.) ; sitting at the corner of
the picture, with a manuscript in his hand, is William
Shipley, the originator of the Society ; one of the farmers
carrying specimens of grain is Arthur Young ; the figure
near him, holding a pen, is Mr. More, the then secretary.
On the right of Lord Romney is the Hon. Charles Marsham,
one of the Society's vice-presidents ; on the left is another
vice-president, Mr. Owen Salusbury Brereton. About the
centre of the picture is " that distinguished example of
female excellence, Mrs. Montague, who long honoured
the Society with her name and subscription." Near
her are the Duchess of Northumberland, Earl Percy,
Joshua Steele, Sir George Savile, Dr. Hurd, Bishop of
Worcester, Soame Jenyns, James Harris, and the two
Duchesses of Rutland and Devonshire. Between these
ladies " the late Dr. Samuel Johnson seems pointing out
this example of Mrs. Montague to their graces' attention
and imitation." Further to the left is the Duke of Rich-
mond, and near him Edmund Burke ; still nearer the right
side of the picture are Edward Hooper and Keane Fitz-
gerald. The Duke of Northumberland, the Earl of Radnor
(the second Earl), William Locke, and Dr. Hunter are
examining some drawings by a youth. Near the right side
of the picture are Lord Folkestone, first president of the
Society, his son, the first Earl of Radnor, and Dr. Stephen
Hales. The introduction of Somerset House and St.
Paul's Cathedral is intended to show that the Society is in
London ; the picture (Barry's " Fall of Satan ") and the
medallion represent the arts of Painting and Sculpture.
The sixth picture represents " Elysium, or the State of
Final Retribution." In it are " brought together those
great and good men of all ages and nations, who have
acted as the cultivators of mankind."
According to the account in the Transactions, the first
group on the left consists of Roger Bacon, Archimedes,
Descartes, and Thales ; behind them stand Sir Francis
Bacon, Copernicus, Galileo, and Sir Isaac Newton ; near
78 THE SOCIETY'S OFFICES
these is Columbus with a chart of his voyage ; and close
to him, Epaminondas with his shield, Socrates, Cato the
younger, the elder Brutus, and Sir Thomas More. Behind
Brutus is William Molyneux, holding " his book of the
Case of Ireland " ; near Columbus are Lord Shaftesbury,
John Locke, Zeno, Aristotle, and Plato ; and in the open-
ing between this group and the next are Dr. William
Harvey, the discoverer of the circulation of the blood, and
Robert Boyle. King Alfred is leaning on the shoulder of
William Penn, who is showing his code of laws to Lycurgus ;
standing round them are Minos, Trajan, Antoninus, Peter
the Great of Russia, Edward the Black Prince, Henry the
Fourth of France, and Andrea Doria of Genoa. Then
come patrons of genius, Lorenzo de Medici, Louis the
Fourteenth, Alexander the Great, Charles the First,
Colbert, Leo the Tenth, Francis the First, the Earl of
Arundel, and " the illustrious Monk Cassiodorus " ; behind
the archangel are Pascal and Bishop Butler, behind
whom again is Bossuet, his hand resting on the shoulder
of Origen. Behind Francis the First and Lord Arundel
are Hugo Grotius, Father Paul, and Pope Adrian.
" Near the centre, towards the top of the picture,
sits Homer, on his right hand Milton, next him Shakespeare,
Spenser, Chaucer, and Sappho ; behind her sits Alcaeus,
who is talking with Ossian ; near him are Menander,
Moliere, Congreve, Brahma, Confucius, Mango Capac, etc.
Next Homer, on the other side, is the Arch Bishop of
Cambray, with Virgil leaning on his shoulder ; and near
them Tasso, Ariosto, and Dante. Behind Dante, Petrarch,
Laura, Giovanni, and Boccaccio. In the second range of
figures, over Edward the Black Prince and Peter the Great,
are Swift, Erasmus, and Cervantes ; near them Pope,
Dryden, Addison, and Richardson. Behind Dryden and
Pope are Sterne, Gray, Goldsmith, Thompson, and Field-
ing ; and near Richardson, Inigo Jones, Sir Christopher
Wren, and Vandyck. Next Vandyck is Rubens, with his
hand on the shoulder of Le Sueur ; behind him is Le
Brun ; next are Giulio Romano, Domenichino, and Anni-
bale Carracci, who are in conversation with Phidias,
THE PORTRAITS IN THE GREAT ROOM 79
behind whom is Giles Hussey. Nicolas Poussin and the
Sicyonian maid are near them, with Callimachus and
Pamphilus ; near Apelles is Correggio ; behind Raphael
stand Michael Angelo and Leonardo da Vinci ; and behind
them Ghiberti, Donatello, Masaccio, Brunelleschi, Albert
Durer, Giotto, Cimabue, and Hogarth. In the other corner
of the picture the artist has represented Tartarus, where,
among cataracts of fire and clouds of smoke, two large
hands are seen ; one of them holding a fire-fork, the other
pulling down a number of figures bound together by
serpents, representing War, Gluttony, Extravagance,
Detraction, Parsimony, and Ambition ; and floating down
the fiery gulph are Tyranny, Hypocrisy, and Cruelty,
with their proper attributes." x
It is stated in the Transactions, vol. xxiii. p. 18, that
on the death of Lord Nelson in 1 805 " the Society proposed
to commemorate that hero by introducing his portrait
in one of the pictures which decorate the Great Room,"
and Barry undertook to execute the work, but his death
prevented the design from being carried into execution.
The six pictures did not occupy the whole wall of the
room, the spaces over the chimney-pieces at either end
being filled by the portraits of Lords Folkestone and
Romney, before referred to. It does not appear that
Barry's original design included pictures for these spaces,
but we find him, in 1801, expressing a wish that these two
portraits should be placed in some other room of the
Society, and that he should be allowed to execute pictures
which might fill the vacant places. This he was willing
to do without charge, and without interruption to the
business of the Society. The cost of them would not, he
said, exceed £10 for canvas and stretchers. It may be
supposed, and indeed it appears from the style of the
letter, that he was at that time perfectly well satisfied
with the treatment he had received from the Society, for
1 Transactions, vol. iii. p. 128. I have ventured to rectify the
spelling of some of the names. Brahma appears in the Transactions
as Bruma, which I take to be a misprint for Brama, the name given in
pne edition of Barry's boolv
8o THE SOCIETY'S OFFICES
he expresses himself as being " both gratified and flattered
with the publick reputation of the pictures." Permission
was given to Barry to carry out his scheme, and it may
be presumed that it was upon the receipt of such permis-
sion that he prepared the two designs which are still pre-
served amongst his etchings, representing George in. and
Queen Charlotte. But, although the proposal was at first
readily accepted, it seems to have given rise to some
difference of opinion, for the then president, the Duke of
Norfolk, notified his intention of moving to rescind the
resolution of the Society for the removal of the portraits.
Under these circumstances Barry at once withdrew his
offer, at the same time disclaiming any intention to show
disrespect to the memory of the first two presidents of the
Society. He urges very fairly that another position might
be found for the pictures, which would be in no way
injured, and that his design could then be harmoniously
completed. Coming from a man of his temper, it must be
allowed that his second letter is most dignified, and in
excellent taste. The portraits consequently remained in
their places until 1864, when they were removed to make
way for the portraits of the Prince Consort and Queen
Victoria, by J. C. Horsley, R.A., and C. W. Cope, R.A.
These, with the bust of Prince Albert now standing in the
ante-room, form the memorial which was provided in
1863 by subscriptions from members of the Society in
memory of their President.1
It is needless to say that Barry's celebrated pictures have
always been an object of great care to the Society. Look-
ing through the Minutes since the commencement of the
last century, we find constant references to the attention
bestowed upon them. In one place, instructions are given
to the housekeeper that they should be carefully wiped
down every year ; in another we find West, and later on
Mulready, reporting on their condition. The frames were
regilt several times, and so on. The pictures have been
cleaned at various times ; about 1834 it is said that a
thick coat of olive oil, which had been applied to them
under some mistaken notion of preserving them, was
1 Chapter XVI, p. 400, and Appendix III,
BARRY'S ETCHINGS 81
removed. In 1846, when the room was redecorated by
Hay, of Edinburgh, the way in which the pictures had
been treated called forth a good deal of adverse criticism,
and it was then that Mulready was called in to report upon
them. His report was that they were in excellent condi-
tion,* and that nothing appeared to have been done to them
which had inflicted the slightest injury. This opinion was
confirmed by the opinion of Seguier, the picture restorer.
" The Orpheus " had, either then or at some previous time,
been badly varnished, and stains from this treatment are
still perceptible. In 1861 (Sir) John Robinson l was asked
to report upon them, and this he did at some length.2
In accordance with his advice they were relined and
stretched upon new frames by Merritt, a well-known
picture cleaner, at a cost of £220. This work was com-
pleted in 1863. In 1880 they had got to be extremely
dirty, and they again underwent a thorough cleaning.
Since that date they have been cleaned every year.
Besides the pictures in the Great Room, the Society
possesses the plates of a number of etchings by Barry,
most of which were presented to the Society in 1851 by
Miss Barnett. Some of these may have been done while
he was at work upon the pictures, but most of them prob-
ably during his later years. Six of them represent the
six pictures. They were etched after the completion of
the pictures, and were copied from the originals by the
artist himself, yet, curiously enough, they differ in many
of the details from the paintings. It is true that some
slight alterations were made by Barry in the pictures
after they were first painted, but this does not seem
sufficient to account for all the variations. The other
etchings are nearly all from pictures of the artist, most of
which are no longer extant. The Society also possesses
Barry's " Adam and Eve," one of his more important
works, which, as above mentioned, was sold after Barry's
death at Christie's. It was presented to them by Mr.
1 Sir J. C. Robinson was superintendent of the Art Collections of
South Kensington Museum, and surveyor of Pictures to Queen Victoria.
He died in April of the present year (1913).
2 Council Minutes, 27 th November 1861.
7
82
THE SOCIETY'S OFFICES
R. H. Solly. This picture has been for some years on loan
at the Victoria and Albert Museum. There is also a
portrait of Barry, painted by himself, which is hung up in
the ante-room, and an oil painting which is said, it is not
known on what authority, to be a portrait by him of his
mother. The former was presented to the Society by Mr.
W. Moffat. There seems to be no record in the Society's
Minutes of the way in which the latter picture came into
the Society's possession, and there is some doubt as to its
authenticity.
Design by Barry for a Medal.
CHAPTER IV
THE SOCIETY AND THE COLONIES
(1754-1847)
The Colonies in 1754 — The NORTH AMERICAN COLONIES — Silk in
Georgia — Ben j amin Franklin — Wine — Potash — Saltpetre — Iron —
Hemp — Sturgeon — Isinglass — Myrtle Wax — Pipe-Staves — Saw-
mills— The WEST INDIES — Introduction of Economic Plants from
the East — Cochineal — Bread-Fruit — Mango — Cinnamon — Indigo
— Cotton — Logwood — Botanic Gardens in St. Vincent and Jamaica
— Results of Society's Work in the West Indies — INDIA and the
EAST — The East India Company — Tin, Cotton, Cinnamon, etc. —
Roxburgh and the Calcutta Botanic Gardens — Caoutchouc — Ramie
— Gutta Percha — Tea — Dr. Wallich and his Collection of Woods
— Similar Collection by Captain Baker — CEYLON — Machine for
Decorticating Rice — CANADA — Hemp — Mackenzie and his Ex-
plorations— Survey of Canada — AUSTRALIA — Wool — Wine —
Tanning Materials — Other Australian Products— NEW ZEALAND —
Phormiumtenax — MINORCA— Silk — MAURITIUS— Silk— CAPE— Wine.
IT is proposed in this chapter to deal with the efforts
which, during the first century of its existence — from
its foundation in 1754 to the grant of its Royal Charter
in 1847 — the Society made to encourage and develop
the resources of the British colonies.
During that long period our colonial empire underwent
many and great changes, both of restriction and of expan-
sion. At its commencement " His Majesty's Colonies
and Plantations abroad " meant, with some insignificant
exceptions, only the North American colonies l and the
West Indies. Before its close the American colonies had
1 The original from which the map facing page 84 is reproduced is
contained in Jefferys' American Atlas, London, 1776. It is in the
possession of the Royal Geographical Society. In the original the
Mississippi is marked as indicating the western limit of the British
possessions.
8.1
84 THE SOCIETY AND THE COLONIES
developed into the United States, Canada had become
British, Australia had been partly explored and settled,
the Cape and Ceylon had been taken from the Dutch,
and many other additions, in many parts of the world,
had been made to the British possessions. India also —
for the earlier associations of the Society with India must
be included in our review — had during this period definitely
become a part of the Empire, which it assuredly was not
in 1754.
It was in America, and before the Declaration of Inde-
pendence, that during the first twenty years of its exist-
ence the most important part of the Society's colonial work
was done. The only reference to the West African settle-
ments that has been noticed in the Society's Minutes or
Transactions about this time relates to the offer of a
gold medal for the importation of cotton from Africa,
and though the Society was ready to extend its efforts
to the East Indies, and occasionally did so, its proposals
do not appear to have been welcomed by the East India
Company, which had distinctly monopolistic views as
regarded its possessions. For example, in 1758 it was
proposed that a prize should be offered for the production
of cinnamon in " our own Territories in the Island of
Sumatra," but the court of directors of the Company
were " under apprehensions that if so valuable an article
should be produced in the island, the Dutch will use their
best endeavours to get possession of it." So the proposal
was dropped, as was also a similar one for the encourage-
ment of the production of cochineal.
At one of the first meetings of the Society after it had
moved into its rooms in Craig's Court, in April 1755, Lord
Romney informed the members that 300 Ibs. weight of
raw silk had lately been brought to England from Georgia,
and that the silk was of very excellent quality, equal to
the best Piedmont. He therefore suggested that the
Society, by way of encouraging the production of silk in
the colony, should offer a prize for planting mulberry
trees, and it was thereupon resolved that a premium " of
£10 sterling money " should be offered to the person
" who shall plant, and properly fence, the greatest number
MAP OF THE NORTH AMERICAN COLONIES.
To face page 84.
THE NORTH AMERICAN COLONIES 85
of white mulberry trees on his own plantation in the
province of Georgia before the first day of March 1756."
Prizes of £5 and £3 were added for the second and third
largest number. An announcement of this prize appears
in the earliest list of premiums, dated April 1756, the date
being extended to March 1757.
In 1758 the nature of the offer was modified, and a
payment of threepence a pound was offered for cocoons
raised in Georgia, and two shillings and sixpence a pound
for merchantable raw silk produced in Connecticut,
Pennsylvania or North Carolina, with another shilling
per pound for silk imported into England. Franklin was
interested in the development of the silk industry, and
acted as one of the Society's referees for distributing the
awards. Certain of the colonial governors also helped
by their influence and interest. The British Government
gave encouragement and a bounty, and a public filature
was established in Georgia. The offer of premiums was
continued up to 1763, by which time a sum of over £i 100
had been expended. Although at one time the promoters
of the scheme seem to have been sanguine about success,
the industry was never established. The absence of
cheap and abundant labour may have been one reason
for this, but the outbreak of the War of Independence
put an end to this attempt to nurse into existence what
was really not a very suitable industry.1
Much the same fate attended the efforts made to start
wine-making in some of the colonies, though it, too,
promised well for a time, and vineyards stocked from
European sources were actually established in -Virginia
and elsewhere. The first offer of a prize for wine appears
in the 1758 list, in which the amount of £100 is promised
for five tuns of good wine made at a plantation in any
colony, provided that one tun was imported to London.
In 1763, Mr. Charles Carter sent a dozen bottles of two
1 James i. had long before endeavoured to introduce the silkworm
into his American Colonies, and had urged the colonists to devote
their attention to the mulberry tree instead of to " that pernicious
and offensive weed," tobacco. Much information about his Majesty's
proposals will be found in Porter's Treatise on the Silk Manufacture
, p. 32.
86 THE SOCIETY AND THE COLONIES
kinds of wine from grapes which grew in vineyards of his
own planting in Virginia. One of these samples was the
product of vines brought from Europe, and the other of
American wild vines. The gold medal was awarded to
Mr. Carter " as the first who had made a spirited attempt
towards the accomplishment of their views respecting
wine in America." l Amongst other awards for wine
produced in the North American colonies, £200 was
given to Mr. Edward Antill in 1768, for vines planted
for making wine near Brunswick, North America ; the
Earl of Stirling2 received a gold medal in 1769, for
planting 2100 sets for wine ; and Mr. Christopher Sherb
got £50 in 1771, for planting and cultivating vines in
South Carolina, and producing wine from them.
Much greater success attended the Society's efforts to
encourage the production of potash and pearlash (a rather
less impure form of potassium carbonate than the crude
form of the salt then sold as potash). By the prizes
offered, and still more by the information supplied as to
the best means of manufacture, an important industry
was set up, and one very suitable for a country abounding
in forests. This prize was offered in 1758, the amount
being £100 for fifty tons of potash.
There was a large and growing industrial demand for
alkali, especially for use in glass-making, soap-making,
and dyeing. Until the great discovery by which carbonate
of soda was manufactured from common salt, the founda-
tion of modern chemical industry (it is interesting to note
that the Society's premium list for 1783 includes an offer
of a gold medal for the production of " Fixt Alkaline
Salts'1 from common salt), this demand could only be
supplied by alkali procured from the ashes of plants,
and to a smaller extent by imported natural saltpetre.
When such ashes are treated with water the salts of potash
are dissolved, and on the evaporation of the solution they
are recovered . Certain plants give much larger proportions
1 Dossie, Memoirs of Agriculture, vol. i. p. 242.
2 This was William Alexander, " Commander-in-Chief of the
American forces," who claimed and bore the title after the death of the
5th Earl in 1739. He was a member of the Society, and died in 1795.
THE NORTH AMERICAN COLONIES 87
of alkaline salts than others. Plants of the genus Salicornia,
or glasswort (the Eastern name of which, " kali/' was the
origin of the term " alkali "),give the best material, and it
was known as barilla. In England large amounts of alkali
were obtained by burning kelp, and this was an important
industry on the Scotch and Irish coasts. All plants, how-
ever, contain more or less potash, and therefore the raw
material for the manufacture was abundant in America.
There were some difficulties at first in the production and
purification of the salts, but these were eventually over-
come by the full and detailed instructions sent out by the
Society at the request of the colonial authorities.
It is interesting to note that in 1766, Robert Dossie,
the able and accomplished editor of what was practically
the first series of the Society's Transactions, was presented
with a gold medal for " effectually aiding to establish the
manufacture of potash in North America.''
The result of the attempt to encourage the production
of saltpetre in America was less satisfactory. It seems
that the prize was really offered (in 1 764) in the hope that
it might lead to the discovery of natural sources of supply
of nitrate of potash or soda, though Dossie tells us that
the Society was also encouraged by reports of some new
method of manufacturing the salt having been discovered
in America. The old system of obtaining nitre from
" nitre-heaps," mixtures of animal excreta with wood-
ashes and lime, was obviously not well suited for a sparsely
populated country like America, and it was not to be
expected that there would be any artificial nitre produced
in excess of the requirements for home consumption.
But the hope of discovering natural sources of supply of
natron,1 the neutral carbonate of soda (Na2O.CO2.io Aq.),
1 The word natron, never common, is now practically obsolete,
though Murray's Dictionary gives an authority as late as 1876. It is,
perhaps, derived from the Arabic natrun, the Greek equivalent being
virpov, the Latin nitrum. Our words nitre is now only used as the
equivalent of saltpetre (potassium carbonate), but it was originally
employed as identical with natron. Skeat suggests that the sense of
the word has been changed, but it is probable that it is merely a case of a
word, originally used in a general sense, having its application reduced,
as chemical technology became more accurate, to a specific substance.
88 THE SOCIETY AND THE COLONIES
was perfectly reasonable. The salt existed in various
forms, sometimes as an efflorescence on ground or rocks,
sometimes in mineral springs or lakes, and sometimes as
solid deposits in " pits," in many countries. The " soda
lakes " in the Libyan desert and in Upper Egypt were
known from remote antiquity. Herodotus (ii. 86) describes
the use of the nitron obtained from them in embalming.
The natron pits of Khaipur in Sind have long been a
source of revenue to their owners, and there were numerous
other places in the Old World whence the material was
brought to England before the secret of making " artificial
saltpetre " was purchased from the German Honrick by
Queen Elizabeth. There was, therefore, every reason to
believe that similar deposits might be found in the New
World. Indeed, in our own days, the anticipations of the
Society have been justified by the discovery of the vast
nitrate fields of Chile, from which nearly all the world's
supplies of nitrate of soda are now derived.
However, the hopes were not realised at the time, and
as no response was made to the offer, it was withdrawn
after a few years, though at a later date it was renewed, and
in 1786 a silver medal was actually awarded to H. Scott, a
surgeon in the East India Company's service in Bombay,
for a sample of "native Indian fossil alkali." This was "a
brown earth brought from Sindy." It was stated that large
amounts of the earth were available, and on analysis it
proved very rich in alkali. Very probably this was the first
introduction to England of soda carbonate from the natron
pits of Sind above mentioned, though it may indeed have
been imported without its source of origin being known.
The only connection between the Society and the
manufacture of iron in America seems to have been that
a prize was offered for making iron from " black sand "
(magnetic oxide of iron). The offer was a reasonable one,
but the solution of the problem was far beyond the metal-
lurgical knowledge of the time, and indeed, until lately,
it has never been possible to treat this ore successfully.
Still a certain amount of success was attained, for a gold
medal was given in 1763 to Jared Eliott for malleable iron
THE NORTH AMERICAN COLONIES 89
from American black sand. According to Scrivenor,1
iron was first made in America in 1715, and the amount
made steadily increased, until about 1776 some 4000
tons were exported. Ten years later the amount pro-
duced in England and Wales was only 13,000 tons, the
production having fallen off in consequence of the
diminished supply of wood, the only fuel by the aid of
which iron could at that time be produced.
With its enormous forests, America might well have
supplied the English market for iron, and from time to
time provisions were grudgingly introduced into Acts of
Parliament with the view of encouraging the industry,
but when any encouragement was given it was either so
set round with limitations as to be useless, or was soon
taken away at the appeal of the English iron-makers, in
spite of the demands urged by those who wanted iron but
were not makers. An account of the legislation from 1719
to 1769 is given by Scrivenor, and it is as little creditable
to the British Government as were most of the dealings
of this country with its American colonies.
The Colonial Manufactures Prohibition Act, 1750,
so far encouraged the production of raw iron that it
removed the duties on bar or pig iron, but it not only
forbade the working up of such iron, but prohibited the
establishment in America of furnaces, tilt-hammers, or
slitting-mills for the purpose. England at this time was
always ready to help the colonies, provided only they did
not compete with her own manufacturers. Raw materials
to any extent they were encouraged to provide, but
manufactured articles of any sort they were not permitted
to export, or even, in most cases, to produce.
A considerable amount of hemp has always been
grown in England, but large quantities were imported
from abroad, especially from the Baltic ports. It was
thought that the North American colonies might become
sources of supply, and a prize was therefore offered for
American imported hemp. Soon, however, it was realised
that, as there was a great local demand for hemp for rope-
1 History of the Iron Trade (1854), p. 69*
90 THE SOCIETY AND THE COLONIES
making, and the price was consequently higher in America
than in England, it was not likely that the fibre would be
sent over here, and the conditions of the offer were changed,
so that it might serve to encourage the actual production
of the fibre without calling for its export. The scarcity of
labour, however, again proved an obstacle, and though
some hemp was grown, there were difficulties in obtaining
labour to treat the stalks for the production of the fibre.
As regards one important application of hemp at the
time, the manufacture of sail-cloth, it soon found a rival
in the native American fibre, cotton, which was exten-
sively applied to sail-making in America, before its use was
ever adopted for the purpose on this side of the Atlantic.
Later on, as will be seen, when Canada became a British
possession, the cultivation of hemp in that country was
successfully established by the Society's efforts.
The Society expended a good deal of money in the
attempt to organise a supply of pickled sturgeon from the
North American colonies. It appears that there was a
considerable import of this fish from Russia, and that which
was brought over from the colonies was nearly as good.
The attempt seems to have been moderately successful,
but the demand was not very large, and no doubt the trade
was a small one. The premium was first offered in 1760,
and was continued for some time, various sums of £50
and less having been paid for importations on a commercial
scale of the preserved fish.
The offer, made in 1768, of a reward for American
isinglass, might seem more likely to have had good results,
but it was dropped on an appeal from the owner of a
patent l for making isinglass in England, who hoped to
obtain abundant material for the manufacture from the
Newfoundland cod fisheries. Dossie 2 tells us that these
hopes were not realised, though the Society was led to
abandon its offer.
The sturgeon of the American Great Lakes and rivers
(Acipenser rubicundus) is a different species from the
1 An examination of the lists of patent grants about this date has
not afforded any clue to this patent. 2 Vol. i. p. 276.
THE NORTH AMERICAN COLONIES 91
Russian sturgeon (A. stellatus), and is less abundant.
Economically, however, it is equally valuable, and it is
now the subject of a considerable industry. The flesh is
pickled, while caviar and oil are also obtained from the fish.
The offer, therefore, of the Society, though fruitless at the
time, was reasonable enough, for it only anticipated by a
century or so the establishment of an important industry.
Another object on which a good deal of trouble and
some money was spent, was an attempt to import myrtle
wax, or, as it is now commonly called, myrtleberry wax,
from North America. This is a well-known vegetable
wax, the produce of Myrica cerifera and other species of
Myrica, which are found in North and South America,
Africa, and elsewhere. The plant is not a myrtle at all,
but is allied to the willow tribe.1 The British representa-
tive of the genus is Myrica gale, gale, or Scotch or Dutch
myrtle, also " bayberry tallow," common in moist heathy
grounds. A kind of wax can be obtained from this plant
when it is boiled. Some foreign species supply wax in
greater abundance, the succulent fruit being covered
with a waxy secretion. The product of the American
species, known as bay myrtle, or candleberry bush, had
long been used, in combination with beeswax, for the manu-
facture of wax candles, and at the time when there was
a great demand for materials for candle-making, it was
thought that the importation of such a material would be
valuable, if on a sufficiently large scale. Accordingly, a
prize of £20 was offered in 1759 for the importation of the
material in commercial quantities. Prizes were awarded
in 1760, but after that they were dropped, as it was not
considered that a sufficient amount of the wax was likely
to be imported ; in fact, as Dossie said, the only applica-
1 The myrica of Virgil (and Pliny) is not the same plant at all,
but a tamarisk. When in his Eclogues (viii. 54) Virgil includes in his
list of portents the production of amber by the tamarisk —
" Pinguia corticibus sudent electra myricae,"
he was perhaps influenced by the knowledge that the tamarisk really
does produce a secretion, so-called manna, the result of the action of
a coccus inhabiting the tree. Hence the botanical name of one species,
Tamavix mannifera.
92 THE SOCIETY AND THE COLONIES
tion of the material was the " sophistication of plasters
in the manufacture of them by some wholesale dealers in
medicinal preparations."
In 1776 an application was made to the Society by
certain coopers to give assistance in promoting the im-
portation of pipe staves from America in place of those
brought from Germany.1 The committee which was
appointed to consider this matter, found that at least
£100,000 was annually paid for staves imported from
Germany, and that Quebec oak made into staves would
answer all the purposes of the German ; but whether any
practical result came of the suggestion does not appear.
Such were the more important or interesting colonial
products, the growth or importation of which the Society
strove to promote. Amongst others of minor value may be
mentioned olives, raisins, logwood, cochineal, scammony,
opium, safflower, persimmon, aloes, and sarsaparilla.
Besides encouraging the production of new com-
modities in the colonies, the Society rendered valuable
service on occasion by sending out machinery. As will be
mentioned in a future chapter,2 the Society succeeded in
establishing a saw-mill in England, and the result of this
was an inquiry from America, where there would be much
greater scope for the use of such machinery.
Accordingly the Society paid Stansfield, the original
constructor (he cannot well be called the inventor, for the
machinery had long been in use in Holland and Germany),
£60 for a model of his apparatus, and sent it out to America.
It appears to have been useful, for " the good effects of it
have been acknowledged in the strongest terms by the
governor of one of the colonies and some other principal
persons." 3 As Dossie remarks that from this model the
colonists were able to make great improvements in their
saw-mills, it is evident that such mills were in use in
America before they had been established in England.
1 Pipe stave, a "stave used for making pipes or casks." — Murray,
Engl. Did.
* Chapter XI, p. 247. 3 Dossie, vol. i. p. 126.
THE WEST INDIES 93
A gold medal was awarded in 1766 to Sam Brown, of
Georgia, " For his useful observations in China, and
industrious application of them in Georgia." No record
has yet been found of these observations, so it is not known
what they were.1
The Declaration of Independence in 1774, and the
resulting separation of the United States from the Mother
Country, of course put an end to the attempts of the
Society to develop the resources of the North American
colonies, and from that date till the end of the century
the attention of the Society was practically confined to the
West Indies. Here a considerable amount of useful work
was done. Sometimes the offer of prizes produced immedi-
ate practical results, sometimes the suggestions originated
experiments and inquiry, so that ultimately useful in-
dustries were started, and valuable imports obtained.
Among the vegetable products, for the growth of which
in the West Indies prizes were specially offered, may be
mentioned mango, bread-fruit, olive, opium, cinnamon,
nutmeg, sarsaparilla, aloe, safflower, indigo, cotton,
anatta, vanilla, clove, pepper, mace, camphor, quinine,
various tinctorial plants, and ornamental woods. For
several of these rewards were claimed and awarded, but
in other cases the offers produced no practical result.
The main idea which directed the efforts of those who
were trying to develop the West Indies was the introduc-
tion of the known and tested products of the ancient civilisa-
tion of the East into the new lands of the West. Those
who in the eighteenth century were working with this
object were only following the lead of the earliest colonisers
of America. The Spaniards introduced the sugar-cane into
San Domingo before the end of the fifteenth century, and
it flourished as it had never done in the Eastern lands
where it was indigenous. It is said to have been first
1 According to a letter in the Museum Rusticum, vol. i. p. 442
(1764), tea was introduced into South Carolina by a Dutchman who
had lived in China. It is said that this man died before there was
any practical result from his work, except that the tea tree was culti-
vated as a garden plant. The letter is signed " Americanus."
94 THE SOCIETY AND THE COLONIES
cultivated in Jamaica by Sir Thomas Modyford in 1660. ,1
Coffee was introduced by the French into either Cayenne
or Martinique about 1722, and it soon spread to the other
islands.2 By 1770 or thereabouts it was a staple product
of Jamaica. The insurrection of the blacks in Haiti at
the close of the eighteenth century drove a number of
coffee- planters and their loyal slaves from Haiti to Jamaica
and Cuba, and this gave an impulse to coffee- growing in
both those islands. The Oriental bamboo is believed
to have been artificially planted in Hispaniola, whence it
spread to Jamaica and the other islands. Cotton was
indigenous in the Western Hemisphere, though the species
was different from the cotton of the East known to Hero-
dotus, Theophrastus, and Pliny, the wild tree bearing
fleeces from which the Indians made cloth. The cotton
grown in the islands was no doubt brought from the
mainland. The orange is believed to have been introduced
by the Spaniards into the West Indies, and to have been
transplanted thence to Florida. Long, in his History of
Jamaica (i 774), speaks of it as growing wild in that island,
but not being properly cultivated, as it was in South
Carolina. The mango is said to have been first introduced
from the East Indies into Brazil by the Portuguese, and
to have been transplanted thence to the islands, but of this
more hereafter.
In continuation of these importations, the English
colonists and their associates at home hoped to transplant
to the tropical western islands the economic flora of India
and the spice islands, especially the latter, while they were
also not unmindful of the resources placed at their disposal
by the recent discovery of the islands of the South Seas.
1 Hortus Jamaicensis, vol. ii. p. 205, quoted in an article in the
Jamaica Handbook for 1899 on " Public Gardens and Plantations/'
which contains a great deal of information about the introduction of
numerous economic plants into the West Indies.
2 In a little History of Coffee, by W. Law, of Edinburgh, " coffee
merchant to the Queen "(1850), it is stated that the coffee plant was
introduced by the French into Cayenne from Surinam in 1722, and
five years later into Martinique. According to another account it was
sent to Martinique direct from France, a coffee tree having been pre-
sented to Louis xiv. by the magistrates of Amsterdam.
THE WEST INDIES
95
The first mention of the West Indies occurs in the
Premium List for 1760, which contains a special offer of
£100 for cochineal from Jamaica, though in the previous
lists various prizes were included which were open to the
West Indian in common with the other colonies.
The story of the introduction of the bread-fruit (Arto-
carpus incisus], with its incidents of the mutiny of the
Bounty in 1789, the abandonment of Captain Bligh,
and the colonisation of Pitcairn Island by the mutineers,
is well known.
The first suggestion that the bread-fruit might be
introduced into the West Indies is said 1 to have come from
Valentine Morris, the Captain-General of St. Vincent, who
wrote in 1772 on the subject to Sir Joseph Banks, and it
was no doubt as the result of this letter that a prize was
offered in 1777 by the Society. In 1786, Sir Joseph, urged
by Mr. Hinton East, of Kingston, Jamaica,2 who was then
in London, brought the matter before George in., and the
result was that the expedition of which Captain Bligh was
the commander, was sent to the South Seas in the Bounty
to collect bread-fruit trees and to transport them to the
West Indies. The fullest instructions were drawn up by
Banks, the ship reached Otaheite, and a number of plants
were collected. All went well until the return voyage from
Otaheite, when the mutiny took place, and Bligh was
sent adrift in the ship's launch. A second expedition was
more successful, and in 1793 a cargo of bread-fruit trees
was safely conveyed to the West Indies by Captain Bligh
in H.M.S. Providence. On his return, Captain Bligh sent
in a full report to the Society,3 from which it appeared that
over 300 bread-fruit plants had been successfully landed in
St. Vincent, and a like number in Jamaica, besides a large
number of other plants from the Pacific Islands. Most
of these are only described by their native names, but the
1 E. Smith, Life of Sir Joseph Banks (191 1), p. 123.
2 Hinton East was Receiver-General of the Colony and member of
the Assembly for Kingston. His botanical garden is referred to
later on.
3 Transactions, vol. xii. p. 305.
96 THE SOCIETY AND THE COLONIES
list includes mango, pomegranate, coco-nut, coffee, almond,
and plaintain. The gold medal was, on this report,
awarded to Captain Bligh.
From reports made to the Society in 1795 by General
Melville (St. Vincent) and by Dr. Dancer (Jamaica) in
I796,1 it appears that the trees grew and flourished in the
islands, and a little later further information was received
from St. Vincent. Dr. Alexander Anderson, the superin-
tendent of the Botanic Gardens in that island, reported
fully in 1798 on the condition of the trees there, and stated
that they were well established and were producing an
ample supply of the fruit.2 Later reports in 1802 and
1803 were equally satisfactory, and in 1807 he writes that
though it is one of the most valuable productions sent to
the West Indies, it is not appreciated at its proper value.
He adds that it was said that the negroes did not like it, but
that he did not believe this. Its want of popularity he
attributes to the apathy of the planters. It may be added
that in 1799 a gold medal was awarded to S. Mure for a
plantation of bread-fruit trees in Jamaica, and two gold
medals were given in 1802 and in 1803 to the Hon. Joseph
Robley, the Governor of Tobago, for his plantation of
bread-fruit trees in that island.
In 1760 a gold medal was offered for the introduction of
the mango into the West Indies, but after three years the
offer was dropped. Twenty years after this, in 1784,
Walter Maynard, of Nevis, wrote to the Society that in
1770 he had brought some young mango plants from the
Island of Bourbon to St. Vincent, that they had fruited
there, " and are now propagated in almost all the West
India islands." The statement was supported by evidence,
and it was said that one of the plants had been given to
Dr. Young, the superintendent of the Botanic Gardens at
St. Vincent.3 It appeared, however, that this was not the
1 Transactions, vol. xii. p. xviii., and vol. xiv. p. xv.
2 Ibid., vol. xvi. pp. xii. and 327.
3 In his report on the Botanic Gardens, referred to on p. 99,
Young mentions the " East India mangoe " as having been introduced
into St. Vincent. This was in 1773.
THE WEST INDIES 97
first introduction of the mango, for on inquiry being made
of Mr. Joshua Steele, a member of the Society, and the
President of the Barbados Society of Arts, that gentleman
sent the Secretary an account of an ancient mango tree
then existing in a plantation in Barbados, called " The
Guinea."1 This tree had, it was believed, been imported
and planted by Edwin Lascelles in 1742 or 1743, but it
bore no fruit till 1761. It is very likely that this was the
tree mentioned by Dossie 2 as having been brought from
the Brazils, where the mango was said to have been intro-
duced from the East Indies by the Portuguese missionaries.
From this tree others had been propagated, and were
growing in different parts of the island. It is clear, there-
fore, that the mango was well established in the West
Indies in 1784. It has been said that Lord Rodney intro-
duced the fruit in 1782, but this is not quite correct. One
of Lord Rodney's captains (Captain Marshall, of the^Flora
frigate) certainly captured a French ship carrying some
economic plants from Bourbon to Hispaniola, and these
plants were sent to Jamaica. According to Bryan
Edwards,3 some mangoes included in the cargo were
planted in Hinton East's Botanic Garden. The mango is
now one of the commonest trees in the island. It is also
possible, and by no means unlikely, that the French may
have introduced the mango into Martinique, with other
plants they sent there, before it was established in any of
the British islands.
Among the plants whose destination was thus altered,
were some young cinnamon trees, and this appears to have
been the first introduction of the Eastern cinnamon to
Jamaica, for which the Society had offered a prize as far
back as 1760, though the Guadaloupe cinnamon is men-
tioned by Dr. Young. Dr. Dancer, the superintendent of
the Jamaica Botanic Gardens, writing in 1789 to the
Society, gives an account of the condition of the cinnamon
trees then growing in the island, and describes them as
flourishing, but not very numerous.4
1 Transactions, vol. iv. p. 219. 2 Vol. i. p. 286.
3 History of the British West Indies, 4th ed. (1807) vol. i. p. 257.
* Transactions, vol. viii. pp. viii. and 207. See also vol. iv. p. 229.
8
e>& THE SOCIETY AND THE COLONIES
Indigo was at one time largely cultivated in Jamaica,
but heavy import duties imposed by Parliament l de-
stroyed the industry, the revival of which seems to have
been stimulated by the Society, not only in Jamaica, but in
the other islands ; for in 1778 a gold medal was awarded
to John Robley for growing and manufacturing indigo in
Tobago. The account given in the Transactions 2 states
that in one year as much as 10,000 Ibs. of good indigo was
raised on a plantation formerly devoted to sugar-planting.
The indigo was presumably the indigenous Mexican and
Guatemalan variety, /. disperma, not the East Indian
sort, I. tinctoria. Four years previously, in 1774, a gold
medal had been awarded for the production of indigo in
East Florida.
A gold medal was offered in 1768, and the offer was
continued till 1777, for the best specimen of cotton equal
to " the best Brazilian," produced in any of the American
colonies, but it appears not to have attracted any claimants
till 1778, when it was awarded to Andrew Bennet, of
Tobago, for cotton grown in that island.
A prize offered for logwood from British colonies was
abandoned, because it was found that the wood produced
in Jamaica was inferior to native Honduras and Cam-
peachy logwood, and besides that the cultivation of log-
wood in the sugar islands was unnecessary and undesir-
able, since its luxuriant growth sometimes interfered with
the cultivation of the sugar-cane. Perhaps this conclusion
was reached on insufficient evidence. Certainly logwood
was for long a valuable product of Jamaica.
A great deal of valuable work was done in the West
Indies by the establishment of Botanic Gardens, and they
were aided in various ways by the Society. In one of
the earliest Premium Lists, that for 1760, it is suggested
that land should be allotted in the colonies for " gardens
or nurseries for the making experiments in raising such
rare and useful plants as are not the spontaneous growth
of the kingdom or of the said colonies," and it is added
1 Long, History of Jamaica (1774), vol. iii. p. 680. 2 Vol. ii. p. 233.
BOTANIC GARDENS 99
that if the colonial legislatures, or " other incorporate
bodies," would help to establish such gardens, the Society
would provide " proper premiums " for plants raised
in them. This undertaking was liberally and fully carried
out. The suggestion soon bore fruit. The first of these
gardens was started in St. Vincent in 1765 by General
Melville, the Governor-General of the " Southern Caribbee "
or Windward Islands, a member of the Society whose
attention was attracted by the notice.1
Dr. George Young, an army surgeon in the island,
took charge of the gardens. He was acting as super-
intendent of them in 1774, and in that year sent the
Society a full report 2 on the gardens, for which he received
a gold medal. For a time the island was in possession of
the French, but the garden was kept up. In 1784, St.
Vincent was restored to Great Britain, and Dr. Alex-
ander Anderson took charge of the garden. In 1798 he
received a silver medal from the Society for an account
of the plants cultivated in it, and in 1 802 he was awarded
a gold medal for the " culture of cloves and cinnamon."
He was a corresponding member of the Society, and a
constant contributor to the Transactions. He died in
i8u.3
The first Botanic Garden in Jamaica was, according to
a letter written by Dr. Hope (the Professor of Botany at
Edinburgh) to Sir Joseph Banks,4 founded in 1775. This
may have been the garden of Hinton East at Liguanea 5
(Gordon's Town) which was purchased in 1792-3 by the
Government. James Wiles, who had sailed with Captain
Bligh, was made superintendent about twenty years later.
In 1 8 10 the garden was sold, and the site is now private
property.
1 Dossie, vol. iii. p. 460. 2 Dossie, vol. iii. p. 196.
3 In 1825 the Rev. Lansdown Guilding published at Glasgow an
account of the St. Vincent Garden from its establishment to 1825. The
book contains a good deal of information about Anderson and his
work. A copy is in the Society's library.
4 E. Smith, Life of Sir Joseph Banks (191 1), p. 122.
6 Bryan Edwards' History, before quoted, gives as an appendix a
catalogue, " Hortus Eastensis," of the plants in the garden at the time
of East's death.
ioo THE SOCIETY AND THE COLONIES
In 1777, Dr. Thomas Clarke, " Practitioner in Physic
and Surgery/' went to the island at the request of Sir
Basil Keith, and became superintendent of a second
garden established at Bath. Both the gardens were of
the greatest service to the island. Clarke introduced the
camphor tree, and the sago palm.
Later, Dr. Dancer had charge of this garden. He
received the Society's silver medal in 1790 for his account
of the cinnamon tree in Jamaica above referred to. He
was a valued corresponding member, and, like Anderson,
a frequent contributor to the Transactions.
In the year 1793 the Society offered ioo guineas for the
establishment of a Botanic Garden in the Bahamas. This
offer was repeated annually up to 1802, but no response
having been made, it was then withdrawn.
The Society does not seem to have had any association
with the Botanic Garden in Trinidad, but in 1831, David
Lockhart, " Botanical Gardener to the Government of
Trinidad," received a gold medal for the successful culture
of nutmegs and mace in that island.
In the case of the West Indies, as with the North
American colonies, useful service was rendered by the
transmission of seeds, samples, etc., the provision of
machinery and models, and the supply of information.
A good deal of correspondence has been preserved in
the old guard-books of the Societ}^ showing the anxiety
of the colonial officials and others to obtain information,
and the readiness of the Society to collect and supply it.
It appears quite certain that the aid thus rendered was
fully appreciated. That the Society was so successful in
this branch of its work was due to the fact that it was
in constant communication with the officials on the spot,
and with those colonial residents who took an interest
in the economic progress of the islands, and could supply
information as to local requirements. On the other hand,
it had the command of the best advice from scientific
men at home who could provide the requisite botanical
and chemical knowledge (so far as such knowledge existed
at the time), and from manufacturers and traders who
knew what products would best find a market in Europe.
WEST INDIAN PRODUCTS 101
The staple products of the islands were not considered
to need encouragement or help, and so we read little in
the Society's colonial records about sugar or tobacco.
The object was to discover new sources of revenue, to
introduce fresh industries and new economic plants, and
there is no great reason for surprise if we find that many
of the suggestions bore little or no fruit. On the whole,
the efforts of the Society to aid colonial progress during
the first fifty years or so of its existence were well applied,
and had very considerable practical results.1
In the early years of the new century the interest
which had been taken in the West Indies, so far as relates
to the introduction of new economic plants, grew less.
This may have been partly due to the death of those men
in the islands who had devoted themselves to the work ;
for when Young, Dancer, and Anderson had all passed
away, the Society lost its most important correspondents,
and there were none to take their place. But beyond
much doubt the real cause was the dislike of the planters
to anything which interfered with the cultivation of the
sugar-cane. Sugar was firmly established as the staple
industry of the islands ; it was successful and profitable,
and the planters not only did not desire, but were inclined
to oppose, the introduction of any other crop which
might interfere with its cultivation. In one of the letters
which Anderson wrote to the Society in 1807, he refers
to this feeling. The result was that the efforts of those on
this side who had tried to encourage the introduction of
new economic plants were relaxed, and though the special
offers of prizes for the growth of West Indian products
remained in the Society's lists, the awards became fewer,
though some were occasionally claimed. For instance,
in 1824 a sum of fifty guineas was presented to Francis
Le Cadre for his plantation of clove trees in Trinidad.
1 From the account published in 1783 of the amounts awarded in
premiums up to that date, it appears that £2785, 133. 8d. had been
expended, and fourteen gold medals awarded by the Society as rewards
in the colonies. Of this amount, £17$ was spent for importing earth nuts,
myrtle wax, sturgeon, and zebra wood ; ^50 for making indigo, iron, and
saltpetre ; £1666 for planting vines and mulberry trees, and producing
silk and cotton ; and ^895 for the manufacture of potash and pearlash
102 THE SOCIETY AND THE COLONIES
As before stated, the Society in its early years had
but little connection with India and the East, though on
occasion it was consulted by the East India Company, and
information wras supplied to it by the Company. A few,
but not many, prizes were offered for the productions of
the British possessions in the East Indies, and only a small
proportion of these were claimed. The award of a gold
medal in 1792 to George Unwin " for reviving the trade of
tin from this country to India and China," was intended
as an encouragement to British rather than to colonial or
Indian industry, but it is curious, because it was after the
importation of Eastern tin to Europe had begun. It was
about 1787 that the first samples of tin from Banca, in
Sumatra, were brought over, and a source of supply of the
metal made known which soon interfered with the mono-
poly possessed by the Cornish mines. Before many more
years the course of trade was in the other direction, and
large amounts of tin were being brought from Banca to
England.
From 1800 to 1821 a prize was open for the importation
of" Bhaugulpore cotton " — " from which clothes are made
in imitation of nankeen, without dyeing " — but without
any effect. This offer was at first confined to the " British
Settlements in the East Indies," but it was afterwards
extended to the other colonies. In 1 792 a silver medal was
presented to Mrs. Anstey, of Madras, for the introduction
of cinnamon in 1781. In 1801, Andrew Stephens, of
Calcutta, had a silver medal for " Lake from stick lack."
The award of a prize for Sind natron in 1786 has been
mentioned previously on page 88. About the end of
the century, however, a greater interest seems to have been
aroused in Indian matters on the part of the Society, and
perhaps the Company were more ready to avail themselves
of such advantages in the way of technical advice and
publicity as the Society was able to supply.
It is probable, too, that the new interest in East Indian
matters was to a large extent due to Dr. William Rox-
burgh, the great Indian botanist, who was superintendent
of the Calcutta Botanic Gardens from 1 793 to 1813. Rox-
burgh became a corresponding member of the Society
INDIA AND THE EAST 103
in 1797, and from that date until the time of his death in
1815 he was constantly forwarding communications,
most of them of considerable interest and value, to the
Society. In 1798 he sent the first specimen of Malayan
rubber to the Society, having discovered the source of
the rubber in the tree which he described and named
Ficus elastica. Caoutchouc had been known since the
middle of the eighteenth century, but only as a curiosity,
and as useful for rubbing out pencil marks. Priestley, in
his book on Perspective (1770), refers to this use, and
mentions that the price of a block half a cubic inch in size
was three shillings. The sources of rubber in Para, and
the method of collecting it, were well known ; samples
frequently reached Europe, and the gum was described
to the Paris Academy of Sciences by La Condamine, who
had been sent out by the Academy in 1736 to make
certain observations near Quito, with a view to the deter-
mination of the figure of the earth. Its properties were
afterwards investigated by Fresnau, who submitted
a memoir on the subject to the French Academy in 1751.
It may be added that at a later period rewards were offered
by the Society for caoutchouc from Africa, the West Indies,
and elsewhere, but without any result.
Roxburgh was also the first to introduce to Europe
the important fibre ramie (now classified as Boehmeria
Nivea, var. tenacissima, but named by him Urtica tena-
cissima). He reports d that he had plants growing in 1804
in the Botanic Gardens, Calcutta, from Malay seed. Nine
years later, in 1815, a silver medal was awarded to Captain
Cotton for growing ramie (which is termed " calooee
hemp ") in Bengal, apparently from plants or seed obtained
from Sumatra by Dr. Roxburgh. Captain Cotton's
communication to the Society is probably the first account
of the plant and its treatment.2 From that date up to the
present the development of ramie has formed a constant
topic of discussion at the Society of Arts. In 1860, Dr.
Forbes Watson prophesied that the fibre from this and
other plants of the nettle species would occupy a place
second only to that of Flax. Dr. Watson's prophecy has
1 Transactions, vol. xxiv. p. 148. 2 Ibid. vol. xxxiii. p. 182.
104 THE SOCIETY AND THE COLONIES
perhaps not yet been quite realised, but it is certainly on
the way to realisation, as the various difficulties of manu-
facture are being overcome.
Various other communications were made by Dr.
Roxburgh to the Society, but none of them have quite the
same present interest as the two above referred to. He
received a gold medal in 1805, and another in 1814 for his
communications on East Indian products, and on many
other occasions he was formally thanked by the Society
for the valuable information he supplied to its Transactions.
A portrait of Dr. Roxburgh forms the frontispiece to Vol.
xxxiii. of the Transactions, and the same volume contains
a memoir of him.
In the year 1843, Dr. William Montgomerie, of Singa-
pore, sent to the Society some samples of gutta-percha,
and in the same year Dr. Jose D' Almeida presented some
specimens to the Royal Asiatic Society. Nothing was
done with D' Almeida's specimens, but those of Mont-
gomerie were examined by the Joint Committee of
Chemistry, Colonies, and Trade, which resolved " that this
substance appears to be a very valuable article, and might
be employed with great advantage in many of the arts and
manufactures of the country." This resolution was
passed at a meeting on 23rd January 1845. At the
ordinary weekly meeting on I9th March, the Secretary,
Francis Whishaw, described the specimens and showed
a piece of pipe and a lathe-band made by him, which were
afterwards exhibited at the Great Exhibition of 1 85 1 . He
also produced some good impressions of medals. It was
at this meeting that (Sir) William Siemens became
acquainted with the new material, and obtained a
sample which was subsequently sent to his brother
Werner in Berlin, to try whether it was suitable for
insulating telegraph wires. In June of the same year
the gold medal was awarded to Dr. Montgomerie for
his discovery. He had previously (in 1842) received a
gold medal from the Society for the cultivation of nut-
megs in Singapore.
Nothing was said or apparently known about D 'Almeida,
on whose behalf a claim was made many years later, in
CAOUTCHOUC— INDIAN TEA 105
1 858, by his son, whose letter will be found in the Journal.1
Such evidence as there is appears to show that in point of
time Montgomerie was the first to realise the value of the
gum, because in March 1843 he had already submitted
samples of gutta-percha to the Bengal Medical Board
before sending the samples to London. But whichever
of the two claimants may have been first to suggest the
practical value of gutta-percha, there is no doubt that it
was Montgomerie's action which first introduced it to
public knowledge, and rendered its practical applications
available.
The subject had been very thoroughly worked out by
the late Dr. Eugene Obach in his Cantor Lectures on
" Gutta-percha." Many further details will be found in
the report of his first lecture,2 and there is much other
information about the early history of the gum in the
appendixes which were added by Dr. Obach when the
lectures were republished.
As far back as 1788, Sir Joseph Banks suggested to the
court of directors of the East India Company the practic-
ability of cultivating the tea plant in British India ; but
nothing came of the suggestion, probably because the
H.E.I.C. then had the monopoly of the China tea trade,
and saw no advantage in starting a competition. In the
year 1822 a gold medal was offered by the Society to the
person who should communicate, from information ob-
tained in China, the best and most authentic account of
the culture of the plant or plants, the leaves of which
furnish the different kinds of tea, together with the method
of gathering, drying, and otherwise preparing the leaves.
This offer was supplemented in the following year by one
of a gold medal or fifty guineas to the person who should
grow and prepare the greatest quantity of China tea of
good quality, not being less than 20 Ibs. weight, in the
island of Jamaica, or in any other British West Indian
colony, and should import the same into Great Britain.
The same premium was offered for the colonies of the Cape
of Good Hope, Mauritius, and New South Wales. These
1 Vol. vii. p. 20. 2 Journal, vol. xlvi. p. 98.
106 THE SOCIETY AND THE COLONIES
offers, opportune as they certainly were, seem to have been
in advance of their time, for they produced no response.
Twelve years later, in 1834, when the East India Com-
pany's monopoly had expired, and there was no longer any
objection to a rival to the China trade, it was realised that
it was not safe or desirable that England should be depend-
ent on China for its supplies of tea, and steps were taken
to ascertain the possibilities of raising tea in India. A
committee was appointed by the Governor-General, Lord
William Bentinck, with Dr. N. Wallich, the successor to
Dr. Roxburgh as superintendent of the Calcutta Botanic
Gardens, as its secretary. The existence of wild tea in
Assam had been discovered " perhaps originally by Major
Bruce, subsequently in Manipur by Mr. Scott " (Watt)
between 1821 and 1826, but no attention had been paid
to the discovery, and China plants were imported. In the
meantime the Assam tea tree had been rediscovered by
Captain Charlton and Captain Jenkins. The general
belief is that the introduction of the Chinese plant was a
mistake, and that the hybrids which were produced were
inferior to the native Indian shrub. Eventually tea plan-
tations were established in Assam, and in 1836 Mr. C. A.
Bruce was appointed superintendent. Samples of the tea
were sent to England in 1838, and were presented by the
H.E.I.C. to the Society. In 1839 a Committee of the
House of Commons on the subject reported favourably
on Mr. Bruce's work, and in consequence of this the gold
medal offered seventeen years before was awarded to him
in the session 1839-40, " for his meritorious services in
discovering the indigenous tea tracts and cultivating and
preparing tea in Assam." There seems no doubt that
Mr. Bruce's work was well deserving recognition, but it
seems equally certain that he was in no sense the discoverer
of the tea plant or " the indigenous tea tracts." 1
In 1831, Dr. Wallich, the superintendent of the Calcutta
Botanic Gardens, presented through the court of directors
1 Watt, Commercial Products of India, s.v. Camellia Thea ; Berry
White, " Indian Tea Industry," Journal, vol. xxxv. p. 734 ; Transactions,
vol. lii. p. 200 ; vol. liii. p. 30.
CEYLON— CANADA 107
of the East India Company a very fine collection of Indian
woods, containing 456 specimens,1 and for this in the
following year he was presented with a gold medal. Dr.
Wallich, who was a corresponding member of the Society,
had previously sent some valuable communications on
Indian economic plants, which appeared in the Society's
Transactions. In 1834 another collection of Indian and
other woods (comprising 452 specimens) was presented by
Captain H. C. Baker of the Bengal Artillery.2
Ceylon was not a British colony till 1802, when it was
ceded to Great Britain by the Treaty of Amiens. It seems
to have received but a small share of the Society's atten-
tion. In 1815 a silver medal was awarded to Thomas
Hoblyn for the introduction of coco-nut oil from the
island, and in the following year he received a gold medal
for inventing and introducing into Ceylon a machine for
decorticating rice. This machine, as well as a press for the
production of the coco-nut oil, is described in the Trans-
actions? The decorticating machine appears to be the first
of its kind, at least the earliest patent for such apparatus
is dated 1819 ; it anticipates in many of its details the
principles on which later machines for the purpose were
based, especially the application of adjustable mill-stones
for husking the rice. Before this invention the operation
was carried out with a pestle and mortar, the result being
that the grains were, to a large extent, broken and rendered
useless.
For Canada it cannot be said that very much was done
by the Society. When the Society began its colonial work,
Canada was still French ; it was only partly explored and
quite undeveloped, and for some time after it passed under
the British flag there were few industries of value except
the exportation of furs. Yet, as time went on, and the
country was settled, the Society endeavoured to do its
duty to what was then the greatest colony, or group of
1 A catalogue is printed in the Transactions, vol. xlviii. p. 441.
2 Transactions, vol. 1. part ii. p. 173.
3 Ibid. vol. xxxiii. p. 60 ; vol. xxxiv. p. 250. The press was
constructed by Bramah, and the decorticating apparatus by Maudsley.
io8 THE SOCIETY AND THE COLONIES
colonies, belonging to Great Britain, and much of interest
about Canada is to be found in the Transactions. In the
early part of the nineteenth century a strong effort was
made, and with a good deal of success, to encourage the
growth of hemp, a fibre then in great demand for naval
purposes, as it was practically the only material available,
not only for ropes, but also for sails. In 1801 various
medals and prizes were offered for the growth of hemp in
the two Canadas, Nova Scotia and New Brunswick, and
these were continued for thirty years. Many of these were
awarded. In 1804 a gold medal was awarded to J. W.
Clarke, a similar medal and 100 guineas to Jacob Schneider,
and a silver medal to Daniel Mosher. In 1806 silver
medals were awarded to Philemon Wright, Frederick
Arnold, and Joshua Cornwall, also a prize of twenty dollars
to G. Ward. In 1809 a silver medal " set in a broad gold
border " was given to C. F. Grece, and a silver medal to Mr.
Durand. All the above were Canadians. It is stated in
the Transactions that, as a result of the attention which
had been drawn to the subject by the Society's announce-
ments, a considerable trade in hemp had been set up, and a
large amount of fibre imported.
The offer of a prize for the growth of hemp was a little
later extended to the other colonies, and there was added a
reward for the discovery of a good substitute. In announc-
ing this award in 1823 a note was added, drawing special
attention to the Phormium tenax, or New Zealand flax, of
which specimens had lately been brought to England.
The importation of the fibre rapidly extended, and
between 1828 and 1832 no less than £50,000 worth was
shipped to Sydney alone.1 The present annual value of
the export from New Zealand is £307,000.
It does not appear what prompted the offer in 1792
of a gold medal for the discovery of a " North- West Passage
by land from Canada to the South Sea." It is possible
that the disputes between Spain and England about
Nootka (now St. George's) Sound (on the west coast of
Vancouver) and the adjacent regions, which nearly led
1 Morris's Cantor Lectures on Commercial Fibres (1895). Journal,
vol. xliii. p. 923.
CANADA 109
to war but were settled by the Treaty of the Escurial in
1790, may have directed public attention to those little-
known lands. More probably it was reported that
attempts were being made to explore the north-west of
Canada, and the Society wished to encourage them, and
to identify itself with them. However, soon after the
offer was made, Alexander Mackenzie completed the
adventurous journey which brought him to the shores
of the Pacific near the present boundary between Alaska
and British Columbia. After exploring much of the
north-west, and discovering the great river which now
bears his name, he started in 1789 from Lake Athabasca
to make a passage to the coast, which he reached in June
J793-1 The richly-deserved gold medal was awarded to
him in 1800, a rare, if not a unique, instance of a reward
made by the Society for exploration alone. About this time
Mackenzie came to England, and in 1802 he was knighted
by George in. He died in 1820.
In 1807 a silver medal was awarded to William Bond
for a communication printed in the Transactions 2 contain-
ing information about Canadian industries and resources.
In 1816, Lieutenant-Colonel Joseph Bouchette, Govern-
ment Surveyor to the Commission for settling the boun-
daries between the British colonies in North America and
the United States, presented an extensive survey or map
of Canada to the Society, for which he received the gold
medal.
Mr. William Green, secretary of the Literary and His-
torical Society of Quebec, communicated to that society
in 1827 a paper on colouring materials produced in Canada.
The paper and a box of colours prepared from these
materials were sent to the Society of Arts at the instance
of the Earl of Dalhousie, Governor of Canada, and the
Society in 1828 awarded a gold medal to Mr. Green for
the pigments, which consisted of certain ochres and lakes,
with some colours of vegetable origin. They were pro-
nounced by the authorities to whom they were referred
1 A brief and singularly modest report of his journey by Mackenzie
himself appears in the Transactions, vol. xviii. p. 289.
2 Vol. xxv. p. 147.
i io THE SOCIETY AND THE COLONIES
for examination to be good, though perhaps the influence
of the Governor-General had as much to do with the award
as the importance of the products.
The first reference which has been discovered in the
Transactions to the Australian colonies occurs in the
volume containing the list of premiums for 1820, when
two gold medals were offered, one for the greatest quantity
of fine wool imported from New South Wales, and one
for the finest sample of wool from the same colony. It is
probable that the offer was prompted by the knowledge
that Australian wool was being shipped to England, for
in 1822 both medals were claimed by John M' Arthur,
the " Father of New South Wales," and the founder of
the Australian wool trade. M* Arthur had imported
merino sheep from the Cape in 1795, and from that time
he had devoted himself to the growth of wool on land
near Sydney, which had been granted to him for the
purpose by the Government. Whether this was his first
consignment to London does not appear from the account
of his labours given in the Transactions, but it amounted
to over 15,000 Ibs., and so complied with the conditions
of the Society's offer. It is clear that the importation
was in no sense the result of the offer, but the award of
the medals, the report made by the Society on the high
character of the wool, and the publicity gained by the
account contained in the Transactions, appear to have
helped considerably in making known the new and im-
portant source of supply thus opened up. At the instance
of the Society, some cloth was made from the wool, and a
silver medal was given to the manufacturers, Starkey,
Buckley & Co., of Huddersfield.1
In the same year, 1821, a silver medal was given to
John Raine for the importation of wool from Van Diemen's
Land.
In 1824 a second gold medal was awarded to John
M' Arthur, and also a silver medal to Hannibal M' Arthur, a
nephew of John, for the importation of the next greatest
quantity of fine wool . Besides these, there were some prizes
1 Transactions, vol. xl. pp. xxxix. and 230.
AUSTRALIA 1 1 1
to manufacturers for cloth made from the wool, and after
this the offer of rewards was dropped, the trade in
Australian wool being established on a firm basis.
In 1822 a gold medal was offered for the importation
of " the finest wine, not less than twenty gallons, of good
marketable quality, made from the produce of vineyards
in New South Wales." For some years this produced
no response, but in 1833 a silver medal was presented to
Mr. Gregory Blaxland for wine the produce of his vine-
yard at Paramatta. " On examination by the Com-
mittee, it appeared to be a light but sound wine, with
much of the odour and flavour of ordinary claret, . . .
though the present sample, from the inexpertness of
the manufacture and the youth of the vine, is by no
means of a superior quality, yet it affords a reasonable
ground of expectation that by care and time it may
become a valuable article of export."
From a memorial to Governor Macquarrie from
Mr. Blaxland, in October 1818, printed in the Trans-
actions,1 it appears that he was preparing his land for a
vineyard in September 1816. He had really been antici-
pated by M' Arthur, who had started a vineyard, and
had also planted olive-trees some years before.
In 1828 a second medal, this time a gold one, was
presented to Mr. Blaxland for a pipe of wine the produce
of his vineyard in 1827. " On tasting the samples, it
was the general opinion that both of them are decidedly
better than the wine for which, in 1823, Mr. Blaxland
obtained the large silver medal of the Society, and that
they were wholly free from the earthy flavour which
unhappily characterises most of the Cape wines."
Many years after this, in 1856, a silver medal was
awarded to James King for wine from New South Wales.
In 1824 the sum of thirty guineas was given to Mr.
T. Kent, for preparing and importing from New South
Wales extract of mimosa bark for the use of tanners,
and in the following year (1825) a gold medal was awarded
to Messrs. Petchey & Wood for similar material from
Van Diemen's Land. In 1824 the thanks of the Society
1 Vol. xli. p. 286.
ii2 THE SOCIETY AND THE COLONIES
were accorded to Mr. R. W. Horton, M.P., Under-
secretary for the Colonies and Vice-President of the
Society, for sundry articles from New South Wales which
he had presented.
There were a few, but not very many, other prizes to
Australia. In 1830 a gold medal was voted to Sir John
Jamison, President of the Agricultural Society of New
South Wales, for his method of extirpating the stumps
of trees in order to clear forest land for cultivation ;
in 1834 a silver medal was awarded to James King, of
Sydney, for his discovery of a sand in New South Wales,
which was reported upon by Apsley Pellatt as being
eminently fitted for the manufacture of the finer kinds of
glass ; and in 1845 a silver medal was given to Mrs. Allom
for the " Introduction of Bees to New Zealand."
The award in 1775 of a small prize (first offered in 1773)
to a resident in Minorca for growing silk in that island
is of interest, as reminding us that at various times,
including a period from 1769 to 1782^ Minorca was
subject to this country, and was therefore included
in the list of British colonies. After Malta was taken
in 1800, it also became eligible] for the Society's awards,
and so in 1 8 1 1 a prize of a gold medal or fifty guineas
was offered for Maltese silk. The offer was extended
in 1819 to the "Isle of France "(Mauritius), which
had been taken in 1810, possession being confirmed
to England by the Treaty of Paris in 1814. The medal
for Mauritius was taken in 1824 by M. de Chayal, who
had been entrusted in 1815 with some silkworms' eggs ob-
tained from Bengal by the Governor of the island, Sir
R. T. Farquhar. The silk sent to London was reported
on as being of good quality, but not first-class. In the
Session of 1825-6 a gold medal was awarded to M. Barbe,
of Mauritius, for the importation of coco-nut oil.
In 1822 an attempt was made to foster the growth of
the vine at the Cape, which had then been definitely
British about eight years, and a gold medal was offered
1 Minorca was assigned to England by the Peace of Utrecht, 1713 ;
after changing hands more than once, it was finally ceded to Spain by
the Peace of Amiens in 1803.
CAPE OF GOOD HOPE 113
to the person who should import the finest wine made from
the produce of vineyards at the Cape of Good Hope, or the
parts adjacent. It was announced that this premium was
not offered for the sweet or Constantia wine, but to en-
courage the improvement of the vineyards more recently
established. Viticulture had been introduced by the
Dutch settlers in 1653, and developed by the Huguenot
refugees in 1688. The premium was awarded in 1827 to
Francis Collison, who stated that about three hundred
pipes of the same quality had been sent by him for sale in
the London market. " The wine was examined at the
Committee by dealers and other competent judges, and
was considered by them to be far superior to the Cape
wines in general. It is free from the unpleasant, earthy
flavour by which such wines are usually characterised,
and was considered to bear a near resemblance to that
made at Teneriffe." l
1 For an account of the later colonial work of the Society, and the
formation of the Colonial Section, reference may be made to Chapter
XX, p. 453-
The Bread-fruit (see p. 95).
CHAPTER V
THE SOCIETY AND AGRICULTURE
(1754-1830)
Condition of Agriculture in 1754 — Work of the Society's Committee
on Agriculture — Value of the Society's operations — Arthur Young's
Opinion of them — Publication of Agricultural Information — Food
for Stock — Winter Fodder — Introduction of the Turnip — Kohl-rabi
— Swede — Mangel-wurzel — Agricultural Implements, Ploughs,
Drills, Horse-hoes — Reaping Machines, The Origin of the Reaping
Machine, Common's Early Machine, Bell's Reaper — Threshing
Machines — Chaff-Cu t ters — Roo t-Cu t ters — Manures — Raising and
Fattening Stock — Land Reclamation — The Board of Agriculture
— The Royal Agricultural Society.
WHEN the Society of Arts first included agriculture among
its objects, but little real advance had been made on
mediaeval methods. Yet new ideas were in the air, and as
far back as the very beginning of the eighteenth century
the commencement of the change can be discerned which
was soon to abolish the old order of things, and to modify
in the course of a comparatively short period the ancient
system which had sufficed for so many generations. The
time was favourable for improvement, and some central
authority was badly needed to co-ordinate and direct the
scattered efforts which were being made in England,
Scotland, and Ireland to bring about an improved system
of husbandry. As a matter of fact, side by side with the
industrial revolution, an agricultural revolution was in
progress, and the two great movements had their reciprocal
influences upon each other. The development of the
factory system was at once drawing the agricultural popula-
tion into the towns, and was depriving them of their ancient
means of livelihood by the destruction of domestic industry,
AGRICULTURE IN 1754 115
while the growth of the urban population demanded more
abundant food supplies and thus necessitated improved
systems of cultivation, by which alone those supplies could
be provided. The old open-field system had by no means
come to an end by the middle of the century, but the
system of enclosure and the division of previously common
land had made sufficient progress to render possible the
existence of those large farms on which alone any attempt
at scientific agriculture could be made. While the arable
land of a village was divided up afresh every year among
the commoners to whom it belonged, none of its temporary
owners could do much, if anything, for its permanent
improvement, or even for its systematic cultivation
to the best advantage. Again, it was only on farms
of considerable size that experiments in new methods of
cultivation could be made, and there were many ready to
try such experiments, for scientific agriculture had already
made some advance. The system of a proper rotation
of crops had been invented, and was being rapidly ex-
tended. New crops had been introduced, which alone
made rotation possible. Of these, the most important
was the turnip, but clover and lucerne had also not long
before been added to the list. The new ideas promulgated
by Jethro Tull, of the highest practical value, if based on
erroneous theory, were attracting attention. Bakewell
had just commenced his experiments in stock-breeding
by the help of careful and judicious selection. Such were
some of the main elements of the agrarian revolution
in the successful development of which the Society of Arts
was certainly one of the main factors .
In the original scheme of the Society agriculture
was not included, and when the suggestion was made to
Shipley that it should be so included, he met it with the
not very conclusive objection that all the awards would
be taken in those districts of the country in which the
greatest progress had been made. Indeed, in the first
list of premiums, that of 1756, there is no prize offered for
any agricultural subject, unless, indeed, madder be
considered as such. But this was soon altered. In the
next list (1758) there are a number of prizes offered for
n6 THE SOCIETY AND AGRICULTURE
agricultural improvements, and from that date onwards
for the next fifty years agriculture occupied an important,
indeed the most important, part in the lists of premiums.
In fact, the Society was for long mainly an agricultural
society, and by far the most important one in the kingdom.
There were some provincial societies in existence when it
was founded, and others were soon formed, but it was in
communication with all of them, and it was the centre to
which information was sent, and from which it was dis
tributed to the various parts of the country.
In agriculture, as in the other divisions of its work,
the fundamental idea which directed the Society's efforts
was the offering of rewards, either pecuniary or honorary,
for the successful carrying out of its objects. These
rewards varied greatly in value, and they were carried
on from year to year until the end sought for appeared to
have been attained, and the new industry or method of
tillage, or crop, or whatever it might be, was so firmly
established as not to require further assistance or pro-
tection. The scope of the prizes offered under the direc-
tion of the Committee on Agriculture was very wide. It
included the successful rearing of all sorts of crops, even of
such well-known crops as wheat, barley, oats, and rye ; the
introduction of new forage plants and of roots for cattle-
feeding ; the suggestion of new methods of husbandry,
their discussion and the supply of information about them ;
the invention of new implements or appliances and the
improvement of old ones ; information on the use and
value of manures ; suggestions on soil analysis ; the
treatment of cattle and sheep, and in fact any advance or
improvement calculated to aid the progress of agricultural
knowledge and practice. An annual list of suggested
subjects was published, but the rewards were by no means
confined to these lists, and the Society was quite as ready
to consider and reward any useful proposal submitted to
it from outside, as it was to award the prizes enumerated
in its own catalogues.
The lists were prepared with great care, and modified
from year to year, though we find the same offer repeated
time after time, sometimes over a long period, even though
ARTHUR YOUNG 117
large amounts had already been paid away among success-
ful competitors, for it is to be remembered that the pre-
miums were not, as a rule, in the nature of prizes to be
taken once for all, but rather as grants-in-aid, to be re-
peated as long as there seemed to be any need for such
assistance.
The value of the help thus rendered to agricultural
progress is made evident by much contemporary testi-
mony. In such a matter there is no higher authority than
Arthur Young, and he, in his Farmers' Letters? speaks in
terms of high commendation of the Society's work, and
comments on the premiums offered for 1766. Arthur
Young was a member of the Society from 1769 till his
death in 1820, and in 1774 he became Chairman of the
Committee on Agriculture. He was therefore thoroughly
well acquainted with the Society's work, and he was also
a very outspoken person, and very candid in the expression
of his opinions, so that any laudatory expressions from him
are likely to be well justified. But, while on the whole he
appreciated the Society's action, he thought that it might
be improved upon, if, instead of merely offering prizes for
successful agricultural experiments, it would undertake the
direction of such experiments by selecting a number
of intelligent farmers who could be trusted to carry out
the work, and itself would subsidise them, giving them also
additional premiums in proportion to the manner in which
the work was carried out.
There cannot be much doubt that a great deal of useful
information might have been accumulated by following
out Young's suggestions, though it might have been diffi-
cult to carry them into effect without more expense in the
way of supervision than he contemplated. If the Society
could have secured Young's services and got him to under-
take the supervision of a scheme such as he suggested, the
1 Letter VI. vol. i. p. 214. The edition to which reference is made is
the third, published in 1771. The first edition was published in 1768,
the second in 1769. Some sixteen years later, in his Annals of Agri-
culture, vol. i. (1784) p. 65, Young comments in extremely laudatory
terms on the work of the Society of Arts and its members. " It is
probable," he says, " that the kingdom has been benefited a thousand
pounds for every guinea these men have expended."
n8 THE SOCIETY AND AGRICULTURE
difficulties might have been overcome, but in the absence
of a thoroughly competent expert to control the whole
working of such experiments, it is difficult to see how they
could have succeeded. In Mr. Wynn Baker the Dublin
Society had such an expert, and they wisely placed con-
siderable funds at his disposal, with very satisfactory
results. It may, however, be observed that during the
many years while Young was Secretary to the Board of
Agriculture after 1793, he never seems to have made any
attempt to carry out the excellent suggestions he prof-
fered for the benefit of the Society of Arts.
But while the distribution of rewards for successful
experiment or invention was the principal device by which
the Society endeavoured to attain its objects, it must not
be thought that it was the only one. The diffusion of
information by means of its publications was one almost
equally important method, though its value was not
recognised for some time. At first in the publications in
which its proceedings were reported, to begin with in the
Museum Rusticum, afterwards in Dossie's Memoirs of
Agriculture ,x and eventually in its regular Transactions,
it recorded and disseminated a vast deal of agricultural
information, and in this way aided most effectually the
progress of agricultural science and practice. Another
important agency was its " Repository of Inventions,"
which, during the first half century of its existence, con-
tained an excellent collection of models of agricultural
implements. This was opened freely to the public, and by
its means an opportunity of examining the latest imple-
ments and appliances was afforded to all who cared to profit
by it. On occasion also the Society purchased machines
and models in foreign countries, and obtained from abroad
plants and seeds, which were distributed to the members.
When the Society began its agricultural operations one
of the greatest difficulties which pressed upon the farmer
was the need for a supply of winter fodder. He was then
entirely dependent upon a meagre provision of hay, and
1 Museum Rusticum et Commercials (6 vols. 8vo, 1764-66); Memoirs
of Agriculture and other (Economical Arts, by Robert Dossie (3 vols.
8vo, 1768-82).
ROOTS AND FORAGE 119
that not of the best quality. The use of turnips for cattle
food was only gradually making way, for although Arthur
Young,1 writing about 1769, speaks of " vast fields " of
turnips in Norfolk, it is probable that the epithet was
only used in comparison with the scanty crops grown in
other counties, and, indeed, the remark was made by way
of drawing attention to the small amount of the root
which was actually being cultivated. The use of oil-cake
for cattle food was hardly thought of. The editor of the
Museum Rusticum? in a note on a correspondent's article
on feeding cattle, says that in Flanders the refuse from oil-
mills had been given to cattle of all kinds, and in another
similar note in the same volume,3 he adds that oil-cake
from which the oil has been expressed, had been tried
with success in England as well as in Flanders. It had
not really come into use, however, by that time, for in the
first volume of the Society's Transactions (1783), in con-
nection with the offer of a prize for oil from cotton-seed, it
was suggested that the seed, after the extraction of the oil,
might form a useful food for cattle. Ten years later its use
must have become fairly general, for in 1794 we find
Arthur Young in his Annals of Agriculture referring to
cattle being fed on oil-cake as an ordinary thing.4
One of the first things taken up by the Society was
the production of grass seed, and Arthur Young thought
this a matter of the highest importance. Previously the
only grass seed used was the sweepings of the hay-lofts,
in which all sorts of seeds were mixed together, with a
large proportion of seeds of undesirable weeds. The
Society offered in 1 762 several prizes for clean grass seed,
giving instructions as to the way in which grass should
be specially cultivated for seed, and promising also to
find a market in London for any parcels of seed of a
suitable character . Prizes were also offered for hand-picked
grass seed, provided the seed was all of the same species.
*Tour through the Southern Counties (2nd edition, 1769), p. 25.
2 Vol. iv. (1765), p. 378. 3 Vol. iv. (1765), p. 398.
4 Mr. R. E. Prothero in his Pioneers of British Farming (1888) attributes
the introduction of oil-cake as cattle-food to Coke of Holkham (p. 80),
but does not suggest any precise date.
120 THE SOCIETY AND AGRICULTURE
Awards were also offered and conferred for the
growth of crops considered to be suitable for winter
or early spring food, including burnet, borecole, sainfoin,
lucerne, winter clover, buck-wheat, cabbages, beans,
vetches, etc. These crops were then little known and
sparsely cultivated.
The ordinary field turnip had been known for less than
a century ; it had been introduced some time — it is not
really known by whom — near the end of the seventeenth
century. Arthur Young gives the credit of its intro-
duction to Jethro Tull (1674-1741), the father of scientific
agriculture in England, but in this he was certainly mis-
taken. Both sheep and cattle were folded upon turnips,
which were used to a very limited extent for winter food.
Carrots and also parsnips were grown for cattle food, but
their growth had hardly got beyond the experimental
stage. Potatoes were only to be found in gardens, and
were not used for cattle l until some time in the early
part of the century. In 1779, Arthur Young received a
gold medal for an account of the " Clustered Potatoe."
This was one of the two medals 2 he had from the Society.
For the cultivation of all these roots and for information
as to the best methods of cultivating them, the Society
offered many rewards, extending over a long series of
years. The list also, at a later date (1805), included
beet, on account of its use for cattle food, not for its
sugar - producing qualities, which were a much later
discovery.
All agricultural authorities are agreed as to the great
1 Although the potato was introduced into Ireland by John Hawkins
in 1565, and into England by Sir Francis Drake in 1585, it had attracted
so little attention that in 1663 the Royal Society urged such of its
Fellows as possessed land to plant potatoes, and to persuade their
friends to do the same, in order to alleviate the distress that would
accompany a scarcity of food. Nothing, however, seems to have
come of this recommendation, and so little was thought of the potato
for some years after that Bradley (Historia Plantarum Succulentarum ,
1716-27) speaks of it as of little note, and in the Complete Gardener
of London and Wise (1719) it is not mentioned at all.
2 He also received two small prizes in 1765 and 1767 for growing
madder.
THE SWEDE TURNIP 121
part played by the introduction of the turnip into British
agriculture. Without it any proper rotation of crops
would have been impossible, and, until it was available
for the purpose of feeding stock through the winter, farmers
and graziers were in bad seasons forced to kill their stock
cattle and salt the .meat down for winter use. Hence for
centuries the only meat generally available in the winter
was salt meat. The extended cultivation of the turnip
rendered possible the supply of butchers' meat in winter
time to the rapidly increasing population, and so this
modest vegetable was not only a prime factor in the
agrarian revolution, but a valuable if overlooked agent
in the progress of industrial development, and, indeed, of
civilisation.
In encouraging the cultivation of the turnip the Society
did its full share. Many pages in many volumes of the
Transactions are devoted to the discussion of the best
methods of growing it, and to dissertations upon the com-
parative advantages of drill and broadcast husbandry.
But besides encouraging the growth of crops already
known, if not extensively cultivated, the Society was
directly the means of introducing into England two roots
which are now as important as the turnip itself — the swede
and the mangel-wurzel.
Among the forage plants which had been introduced
into England about this time was the turnip-cabbage
(Brassica oleracea caulorapa], or chou-rave, now known
under its German name of Kohl-rabi. This plant, accord-
ing to Young, was brought into England from Carniola
in 1749 by the Rev. Mr. Haste, Canon of Windsor, well
known at the time as the author of Essays on Husbandry.
It had attracted a good deal of attention, and was to some
extent being cultivated. It was the subject of two long
articles in the Museum Rusticum in 1 766, * which gives two
good illustrations of the plant. It appeared to the Society
that this little-known plant was well worth further atten-
tion, and amongst the premiums for 1867 was one for its
cultivation. The offer attracted the notice of John
Reynolds, a farmer of Kent, and he, being unable to obtain
1 Vol. vi. pp. 46, 220.
122 THE SOCIETY AND AGRICULTURE
a supply of the seed in England, sent to Holland for some.
The plants grown from this seed proved to be quite differ-
ent from what he expected, and turned out to have large
roots resembling that of the turnip, instead of the succulent
stem of the Kohl-rabi.
As a matter of fact he had been supplied with seeds
of the Swedish turnip (Brassica campestris rutabaga) ;
and this was the first introduction of the now well-known
swede, then cultivated to some extent in Sweden, Russia,
and Northern Germany, but absolutely unknown in
England. This unknown plant he christened " the turnip-
rooted cabbage," a not very suitable title, for though both
it and the field turnip (Brassica rapa) are members of the
cabbage family (Brassicacece) the swede is not a bit more
like a cabbage than is the ordinary turnip. He grew
a small crop of it and sent specimens to the Society. The
value of the introduction was at once recognised, and a
grant was made to Reynolds of £50. Seed from his plants
was also distributed among the members for trial, and
the new crop was recommended for its hardy nature and
its capacity for withstanding frost.
A full account of his experiments is given by Dossie,1
and this is supplemented by some further observations
on the nature and character of the plant, apparently
written by Dossie himself. The full information on the
subject first published by the Society attracted a good deal
of attention, and for many years the Society continued
to offer and present rewards for persons growing the
" turnip-rooted cabbage " and for those who supplied
information as to the best methods of securing large crops
of it. The similarity of the two names evidently caused
confusion, for appended to the offer of one of the prizes
in 1769 is a note : " The plant here called the Turnep-
rooted cabbage is not the same with the Turnep Cabbage,
but that kind newly introduced into this country." For
a long time it is only mentioned under this name in the
Premium lists and Transactions (though it is said also to
have been known as " Reynolds 's Turnip "), but eventually
the title seems to have been dropped, and the now well*
1 Vol. i. p. 421.
MANGEL-WURZEL 123
known name of swede,1 applied to the plant from the
country of its origin, came into use.
The introduction of the mangel-wurzel came a little
later. In 1 786 some seeds of the Racine de disette, or " root
of scarcity," were given by Sir Richard Jebb 2 — a very
well-known physician at the time, who died in the following
year — to the Secretary of the Society, Dr. More, by whom
they were distributed to some of the members. This
" root of scarcity " — soon better known by its German
name " mangold-wurzel " 3 — according to a statement
made by Jebb's executor, Granville Sharpe, had been
discovered by a French cultivator in search of a new
forage plant. It was suggested that both the leaves
and the roots might serve as a table vegetable.
Amongst the members who received samples of the
seed was J. C. Lettsom. He grew the seeds, and tried the
leaves cooked like a cabbage and also the root, but does
not seem to have greatly appreciated their flavour, though
he thought that, as its name implied, the vegetable might
be useful in times of scarcity. He was much interested
in the new plant, which he considered much more suitable
1 In Les Plantes Potageres (Vilmorin-Andrieux et Cie, Paris, 1883,
p. 141) the authors, tinder the heading of " Choux-Navets," give as
synonyms : Chou-rave en terre, chou turnep. Noms etrangers : —
Anglais : Turnip-rooted cabbage, swede, Swedish turnip ; Allemand :
Kohlrabe, etc.
The Vegetable Garden — a translation (1905) by W. Robinson of the
above — (p. 166), under the heading " Turnip-rooted cabbage (Swedish
turnip) ; French, chou-navet ; German, Kohlrabi," etc., says : " The
varieties of turnip-rooted cabbages differ from the Kohlrabi (chou-rave)
in that, instead of having the stem swollen overground, they produce
partially buried in the soil, a thick root which is about as long as it is
broad, resembling a huge turnip, and of which the flesh is yellow in the
Swedish turnips and white in the other kinds. The characters of the
leaves and flowers of these plants indicate plainly that they are true
cabbages. . . . The Swedish or turnip-rooted cabbage is an excellent
vegetable."
In vol. xv. of the Transactions (1797) it is mentioned that Lord
Romney had presented the Society with " a quantity of Swedish
Turnep-Seed."
2 The seeds were sent to Jebb from Metz by T. B. Parkyns. See
his letter in the Transactions, vol. v. p. 52.
2 Mangel-wurzel is a beet, its botanical name being Beta hybrida.
On its introduction it was known as Beta vulgaris macrorhiza.
I24 THE SOCIETY AND AGRICULTURE
as a food for cattle than for human beings, and translated
a treatise on it by the Abbe Commerell, which was pub-
lished in London in 1787 under the name of An Account of
Mdngel-wurzel. The particulars here stated are taken
from the preface to that book. The value of the plant
does not seem to have been recognised at first, and it was
some time before it received the attention it deserved.
In 1814 a gold medal was awarded to Leonard Phillips,
*' Portsmouth Road, beyond Vauxhall Turnpike," for
" the growth of mangel-wurzel."
The implements then available for the farmer's use
were very few and of a very inferior sort. For tillage
there was the plough, varying in character in different
districts of England, and the harrow. The horse-hoe l
had not long been introduced, and the drill was known but
rarely used. The crops were all got in by hand, the
scythe, the sickle, and the reaping-hook being the only
known implements, as for centuries before. When the
corn was harvested the only means for separating the grain
from the straw was by the use of the flail.
This state of things, however, was very soon to be
altered. In all industrial processes the substitution of
mechanical power for hand labour was making rapid
progress, and the change was beginning to be felt in agri-
culture as well as in manufactures. As the writer of the
article on "Agriculture" in the Encyclopedia Britannica
puts it : " The quarter of a century immediately following
1 760 is memorable in our agricultural annals for the intro-
duction of various important improvements." And the
introduction of these improvements was mainly due to
the eiforts of the Society of Arts. As evidence of this
another similar authority may be quoted, for in Rees'
Cyclopaedia (edition of 1819) the writer of the correspond-
ing article, referring to the work of the Society, tells us
that " a vast variety of different machines for facilitating
1 The date of the introduction of the horse-hoe into this country
does not seem to be known. It was probably first employed in the
vineyards of Italy and France, and that long before it was known
here.
IMPLEMENTS 125
the practice of agriculture have been invented and pre-
sented to the public, in consequence of the large premiums
and bounties which have been offered " by it.
To trace in detail the history of all the improvements
in agricultural implements and machinery which were
due, in whole or in part, to the rewards paid by the Society,
to the suggestions it put forward or to the information it
collected, would be a long and difficult task and the result
would not be either interesting or valuable, but it may
safely be asserted that of all the implements new and old
used by the farmer during the fifty or sixty years from
1760 onwards (not including, of course, ordinary hand
tools), there was not one which was not either introduced
or improved in consequence of the Society's exertions and
influence.
Even the ordinary plough underwent a larger amount
of development during this period than in the century
or more preceding, not so much in consequence of any
direct offer of premiums for improvements, as because the
Society was always ready to take up and reward any
ingenious advance in this or any other implement. Such
changes as were effected were mainly in detail. The frame
was made lighter and better balanced ; iron was sub-
stituted for wood in many parts of the frame, etc. ; the
shape of the share, coulter, mould-board, and other details
were improved ; the draught was lessened, and — a very
important matter — the price was lowered, so that, as a
general result, many of the ploughs commended and re-
warded by the Society became popular, and are said to
have sold well. All these improvements, however, were
the result of rule-of-thumb experiment, and it was not
until 1839, when the question was taken up by the Royal
Agricultural Society, that any scientific investigation was
really made into the principles which should govern the
construction of ploughs. In that year Mr. Philip Pusey
published, in the first volume of the R.A.S. Journal
(p. 219), the results of an experimental inquiry on draught
in ploughing made by him, and the dynamometrical tests
which he conducted upon the different sorts of ploughs had
an immediate effect in improving plough construction.
126 THE SOCIETY AND AGRICULTURE
The Society also, besides improving the character of
the ordinary plough, did much to introduce ploughs of
special types, applicable for trenching, draining and sub-
soiling, paring and scarifying, etc.
The drill had been invented by the enthusiastic and
eccentric Jethro Tull in 1707, and its use advocated in
his remarkable book, Horse hoeing Husbandry, in 1731,
but it had not really come into use except to a very limited
extent. Dossie1 is responsible for the statement that
Tull " only started the notion. The practice was very
little pursued till the Society awakened the public atten-
tion to it by their premiums." That this statement was
correct seems indisputable. The offer of a gold medal in
1762 for the best set of experiments and observations on
the comparative merits of drill and broadcast husbandry
produced a series of communications from Sir Digby
Legard, extending from 1763 to 1768, and giving the result
of a very careful series of tests carried on during those
and previous years in Yorkshire, and also one from the
Rev. Mr. Lowther, giving an account of similar experiments
in Cumberland in or before 1 763 . Both these gentlemen
received a gold medal, and their papers were the first of a
long series of communications on the subject, which event-
ually established the value of the then novel system.
Tull himself, in the various editions of his well-known
book,2 describes his drill in full detail and with abundant
illustration. It must have been an excellent piece of
apparatus, well suited for its work, and in its mechanical
details considerably in advance of most contemporary
machinery. Very probably its actual construction may
have been deficient, and it was less effective in operation
than appears on paper, for in those days the means of
accurate machine construction were sadly lacking. But
1 Vol. i. p. 73.
8 The book was first issued in an incomplete form in 1731. The
first complete edition appeared in 1733. A further edition, with
additions, was published in 1739. After Tull's death in 1740, other
editions were issued, 1751, etc. Cobbett published an edition, with
much of the original omitted, in 1822. An interesting account of
Tull and his work, by the late Earl Cathcart, appears in the Journal of
the Royal Agricultural Society, 1891, 3rd series, vol. ii. p. i.
DRILLS, HORSE-HOES 127
by all accounts it was a good practical implement, and
quite effective in operation.
Sir Digby Legard speaks favourably of the original
machine, though he suggests certain additions and seems
to have made some. Still it was not considered satisfactory,
and prizes were therefore offered in 1761 for " drill
ploughs which should cut several furrows, deposit the
seed, and cover the seed with earth at one operation."
The earliest award under this head was to the Rev. H.
Gainsborough, a brother of the great painter, in 1766.
He received £30 for a " drill plough." Other prizes
followed in 1770, 1771, 1775, and for many years later.1
The earliest patents for drills are those granted to Proud
(in 1781) and to Cooke (in 1783). After this date the
patents are numerous ; there were about ten others in
the next eight years.
Cooke 's patent drill was submitted to the Society in
1787, and was commended, not — as the subject of a
patent — being eligible for reward. Two reports, speaking
well of the apparatus, were printed in the Transactions. 2
Still, though the advantages of the drill were recognised,
and the machine itself became well known, it was very
many years before its use became general. As late as
1 839, Mr. Pusey, in his inaugural address to the then newly-
founded Royal Agricultural Society, addressing an assembly
of farmers, thought it necessary to describe the drill as a
machine " by which the seed is laid in regular rows," and
mentioned that " it was not very much used, although
it had lately become frequent."
Another implement which, though not invented by
Jethro Tull, was the subject of his earnest advocacy,
was the horse-hoe. A clumsy-looking implement is
figured and described in the Museum Rusticum? and
various prizes for horse-hoes were awarded at different
1 The best, among the early inventions, seem to have been those
of Gale and Craik, both Scotchmen, to whom gold medals were awarded
in 1771.
2 Vol. v.'p. 71 et seq. A description, with a drawing, will be found
in the patent specification.
3 Vol. vi. (1766), p. 402,
128 THE SOCIETY AND AGRICULTURE
times by the Society. The earliest of these was a gold
medal to the Rev. Mr. Hewett in 1771.
Numerous awards were also made for harrows and for
rollers, including a " spiky roller " in i?66.1 In 1801 a
silver medal was awarded to W. Lester for an implement
" named by him a cultivator." The implement, as de-
scribed and figured in the Transactions, is typical of the
older form of cultivator before its modern improvements
and alterations. It has vertical tines, slightly curved at
the points. As is well known, the modern cultivator has
various forms, is applied to many purposes, and is called
by several names. It had, as originally designed, vertical
coulters or tines, and was used for breaking up unre-
claimed or fallow land. Probably the first description of
it is that contained in Lester's communication to the
Transactions.2
In its efforts to encourage the invention of a reaping
machine, the Society was certainly much less successful,
and this chapter of the Society's history is decidedly less
satisfactory to its historian than those which deal with
other agricultural implements.
In the premium list for 1774 appears the first offer
of a reward for a machine capable of reaping corn, and
this offer was continued with certain variations up to
1820, a period of forty-six years. During all this long
period not a single award appears to have been made,
and this is really inexplicable, because a number of inven-
tions were brought out during this period, and several
were at different times submitted to the Society. Most
of these were impracticable and useless, but there was
certainly one which was beyond much question the origin
of the modern reaper. In the year 1812, Earl Percy sent
to the Society a model of a machine made by John Common
of Denwick, Northumberland, together with a certificate
from John Thew and Thomas Appleby that the machine
1 Museum Rusticum, vol. vi. p. 371.
2 Vol. xix. p. 142. This, however, is not the first use of the term,
for in the list of implements in the Society's Repertory in 1783, a
" cultivator " is mentioned. Murray's Dictionary gives a still earlier use
in a translation of Puhamel's Husbandry, 1762,
REAPING MACHINES 129
had successfully cut a patch of ripe oats. The apparatus
is described, not very fully, in the committee minutes of
1 5th April ; but the description is sufficient to show that
the principal feature of the machine was a set of angular
knives mounted on a horizontal bar, to which reciprocating
motion was given by a crank, the corn being guided to
the cutters by means of spikes or " fingers." This is pre-
cisely the mechanism of all existing reapers. Previous
inventions, and some of a later date, used reciprocating
blades or revolving scythes, but none of these gave the
shearing or drawing cut which alone answers for cutting
corn. The verdict of the committee was that the inven-
tion was incomplete, and they did not recommend it for
an award — a verdict which simply shows that the com-
mittee as then constituted was unfortunately incapable of
appreciating a most important invention, the very novelty
of which was probably too great for them to realise its
value.
The history of the invention is given in full detail in
an article and some letters contained in the Journal of
the Society for 1 878. * From these it appears that Common
co-operated with Ogle, who was the inventor of an unsuc-
cessful reaping machine of the rotating scythe class, and
that he employed one Brown to make certain castings
for him, the patterns for which Brown in 1830 took to
America. There he either constructed a machine, and
disposed of it to McCormick, or gave the patterns to
McCormick, and provided him with information from
which McCormick was able to construct a machine. At
all events there seems no doubt whatever that Common's
reaper was the original of the machine brought out by
McCormick, and exhibited by him in the American section
of the 1851 Exhibition as his own. In consequence
McCormick had for long the credit of being the inventor
of the modern harvester until the true facts were brought
out, and the invention attributed to its real author, John
Common. At the same time it should not be forgotten
1 Vol. xxvi. pp. 369, 419, and 479. The information contained in
these papers, with some further additions, was republished in a little
book in 1907 by R. F. J. Common, the grandson of the inventor.
130 THE SOCIETY AND AGRICULTURE
that while the evidence seems to disprove McCormick's
claim to be an original inventor, it does not in any way
diminish the value of his public services in the intro-
duction of the reaping machine. It often needs two men
to make a success of an invention, one to invent and
one to publish. Generally the second man gets the
profit, and it is not always certain that he may not
deserve it ; he does not generally get the credit, though
there seems no reason why he should not fairly claim a
share of it. John Common's first machine appears to
have been made about the year 1803, and to have
grown out of a suggestion made by Ogle. Two other
machines were made by him — one about 1 8 1 1 , and the
third in 1812.
It makes it the more remarkable that Common's
reaping machine was never rewarded by the Society, that
later, in 1818, he received a gold medal for a turnip drill,
and later still, in 1844, a silver medal for a plan of putting
new roots to old trees, neither of them comparable with
his really great invention of the reaping machine. John
Common was living in 1860, and a letter of his of that
date is published in one of the Journals above quoted.
John Thew, one of the witnesses of the trial above men-
tioned, was living in 1878, and was able at that date to
confirm his former statements.
Nor was the Society more successful with another
inventdr of an original reaper, the Rev. Patrick Bell,
whose machine was submitted to the Society in 1830,
but was not rewarded on the ground that the description
of the machine, which was an excellent one, had brought
it sufficiently before the public, and that it did not there-
fore require the Society's aid to bring it into notice. Bell,
who was then a young man studying for the ministry
at the University of St. Andrews, invented his reaper in
1827, and it was tried the following year on a farm in
Perthshire belonging to his brother, George Bell. He
appears only to have constructed one machine, which
worked regularly from about 1828 to 1868, when it was
purchased for the Museum of the Patent Office. It is
now in the Mechanical Engineering collection of the
REAPING MACHINES 131
Victoria and Albert Museum.1 A full account of his
invention was given by Dr. Bell at the meeting of the
British Association at Dundee in 1867, but unfortunately
only a brief report of the paper appears in the Pro-
ceedings of the Association. Bell's machine was never
patented, but later on, after attention had been drawn
to McCormick's machine in the 1851 Exhibition, many
machines were made after his model, and came into
extensive use.2
Unlike most of the new agricultural implements, the
reaping machine, when once attention had been drawn
to it, came rapidly into use. Morton, in his Cyclopedia
of Agriculture, writing in 1851, refers briefly in his article
on <( Harvesting Machines," to Bell and McCormick, and
says : " Notwithstanding all the ingenuity, however, that
has hitherto been applied to the subject, reaping has been,
and no doubt for many years, as we have said, will
continue to be, a manual operation." In the same work,
in a later article on " Reaping Machines," which must
have been written in or before 1855, he recants his views
of four years before and describes at considerable length,
with illustrations, an improved form of Bell's machine,
and also those made by Hussey and by McCormick.
The earliest reference to a threshing machine must cer-
tainly be contained in the grant of Letters Patent in 1636
to Sir John Christopher Berg, for an " invencion to be
agitated by winde, water or horses for the cleane threshing
of corne," but about this no further information exists,
and the first machine which is known to have been used for
1 The excellent catalogue of this collection contains (Part ii. p. 227,
edition 1908) a brief historical note on harvesting machines and (p. 232,
Nos. 1515 and 1516) a description of Bell's machine (No. 1515 is the
original machine somewhat altered, and No. 1516 is a model of the
original). There are also models and descriptions (pp. 232 and 233, Nos.
1517, 1 518, and 1519) of McCormick's reaper. No reference is made to
Common, and it is to be hoped that the omission may be rectified in
any future reprints.
2 Much information about the earliest attempts to make reaping
machines will be found in the Appendix to the Specifications of English
Patents for Reaping Machines, by B. Woodcroft, published by the
Patent Office. This work is now seldom to be met with.
132 THE SOCIETY AND AGRICULTURE
the purpose of threshing corn was that patented by Michael
Menzies in 1734. No specification was filed, and the
only information afforded by the terms of the grant is
that the machine " threshes with common swipples." l
A description, however, is given by Maxwell in the Trans-
actions of the old Scottish Society of Improvers in the
Knowledge of Agriculture, which he published in 1743.
This machine appears to have consisted of a number of
flails, probably mounted on a central shaft or drum,
which was either operated by hand or " by means of a
great water-wheel and triddles." Though Maxwell recom-
mends it, it does not appear that Menzies' machine was
ever much used, and the first practical threshing machine
was that of Andrew Meikle, patented in 1788, and stated
to have been working in 1 798 in Clackmannanshire. From
the description in the patent specification it is evident that
this machine may be regarded as the precursor of the
modern threshing machines, since the principle on which
it was constructed is really that which has been elaborated
in the modern machine — a revolving drum with what he
called " scutchers " working under a curved shield. This
apparatus soon came into practical use, and it was later
largely improved upon, until it developed into the
apparatus now in common use.2
The first award made by the Society for a threshing
machine was in 1761, when £15 was given to John Lloyd.
No description of this appears to be extant. A machine
" for threshing and winnowing corn," for which fifty
guineas was awarded in 1769 to John Evers, is highly
commended by Dossie,3 but it appears to have been
rather a clumsy apparatus, and must have absorbed a
1 Swipple is a north-country name for a flail, or the head of a flail.
2 Young, in his Annals of Agriculture, vol. xxii. p. 426, states
that Meikle's (or Mickle's) machine was an adaptation of one which
F. Kinlock had brought to Meikle's father's mill that its capacity for
being driven by water power might be tested. Young gives a few
details about the apparatus, and says that in 1794 the use of threshing
machines was becoming general in Northumberland, where they had
been introduced twenty years before (i.e. about 1774) from Scotland
by Edward Gregson.
8 Vol. i. p. 86.
THRESHING MACHINES— CHAFF-CUTTERS 133
great deal of power. The corn was spread on a revolving
floor, and thus brought under the action of " a row of
a kind of flails." This anticipated Meikle's by some
twenty years, but was certainly inferior and worked on
a very different principle.
Four years before this, in 1765, a bounty of £15 had
been awarded to a Mr. Harvey for a threshing machine
" used in Connecticut." From the note upon it in the
manuscript minutes of the Committee on Agriculture,
it consisted of a cone with longitudinal ribs revolving from
a fixed centre over a floor on which the corn was laid.
Nothing more is known of the apparatus.
After this the subject was neglected till 1801, when
a gold medal was offered for a threshing machine which
should be an improvement on any then used. This was
awarded in 1810 to H. P. Lee. His machine consisted
of four vanes or beaters on a central shaft working in a
concave. Motion was given by a horse-gear through spur
gearing to the shaft, A special merit of the apparatus seems
to have been the high speed at which it could be driven.
The earliest suggestion of the use of apparatus for
cutting or chopping straw for fodder is probably contained
in the first volume of the Museum Rusticum (1761), p. 258,
and further details are given in the volumes for 1765 and
I766.1 In the first of these a " cutting-box " for fodder
is described as a novelty, and in the second a fuller account
with illustrations is given of a machine devised by Thomas
Comber. It is simply the old form of chaff-cutter, common
enough fifty years ago, in which the straw or straw and
hay is pushed along a trough by hand, and cut by a hinged
blade working across the end of the trough, the straw,
etc., being held down, while the cut is being made, by a
presser worked by the foot or otherwise. The machine is
spoken of as something quite new and useful, and from the
description it appears that the idea of using chopped straw
for the food of cattle and horses was previously unknown .
This machine does not seem to have been submitted
to the Society. The first award for a chaff-cutter was
one of twenty guineas in 1768 made to J. Edgill. This
1 Vol. v. p. 208, and vol. vi. p. 8.
134 THE SOCIETY AND AGRICULTURE
is interesting because the machine, which is described in
Bailey's Mechanical Machines (vol. i. p. 42 J,1 contains in
principle all the elements of the modern chaff-cutter.
A single blade, curved so as to give a slicing cut, is mounted
on a horizontal axle fitted by the side of a trough. A
winch handle, also on the end of the axle, gives a rotary
motion to the knife, which works across the mouth of
the trough, in which the straw to be cut is placed. The
straw is fed through the trough by means of a block carry-
ing prongs, which is mounted to slide to and fro in the
upper part of the trough. An intermittent motion is given
to this block by means of a tappet on the axle, which
engages with a pin rack sliding by a wheel at the side of
the trough, and connected with the block. When the
block had reached the front of the trough it was lifted
and moved back by hand. There is also a weight to keep
the straw down. It will be seen that this machine there-
fore anticipates all the movements of a modern chaff-cutter.
Two years later, in 1770, a William Bailey received
twenty guineas for an improved straw-cutter, but of
this no description seems to be extant. In 1774 Stephen
Smith received twenty guineas and a gold medal for
a machine rather resembling Edgill's, but having a
double-bladed knife, so that there were two cuts in each
revolution. The feed mechanism, as figured and described
by Bailey, seems to be of a somewhat complicated
character ; but an intermittent motion appears to be
given to a sliding board on the bottom of the trough by
worm gearing on a shaft mounted on the side of the
trough. Bailey's drawings are all in perspective, and
therefore, though they are extremely good, it is sometimes
difficult to follow the action of the mechanism.
The next award was in 1786, when twenty guineas
were given to James Pike, a watchmaker of Newton Abbot,
for a machine in which the chief improvement appears to
be that the feed was effected by means of rollers operated
by a worm and spur wheels from the main axle. So far
1 W. Bailey was registrar to the Society. Some information
about him and his book will be found in Chapter XI, p. 239, and in
Chapter XV. p. 329.
CHAFF-CUTTERS 135
as can be judged from the illustration in the Transactions l
the feed in this way was continuous, the rollers being
simply driven by spur wheels gearing with a worm on the
main shaft. He also mounted his knife (he only used
a single blade) on a fly-wheel, instead of using one or two
blades fitted radially on a shaft, and this was an obvious
economy of power.
In 1797 the final improvement was introduced by
Robert Salmon,2 the ingenious land agent of the Duke of
Bedford, who made the feed intermittent by driving the
feed rollers through the intervention of a ratchet wheel oper-
ated by a connecting rod from the main shaft. Salmon's
machine, however, was in other respects inferior. His
cutters were carried by two wheels mounted on an axle
which was at right angles to the trough and some little
distance in front of it, so that as the wheels revolved the
cutters were brought successively across the mouth of the
trough. It is evident that in this machine the power was
employed at much less advantage than in those in which,
as in the modern machine, the wheel and cutters revolved
across the line of the trough.
It will thus be seen that the whole evolution of the
modern chaff-cutter may be traced in these early im-
plements to which prizes were awarded by the Society.
A little later on great improvements in the mechanism
were effected. The first patent for a chaff-cutter, taken
out by James Cook in 1794, was of the same character as
Edgill's and Pike's, but he fitted three knives on his fly-
1 Vol. v. p. 62.
2 Robert Salmon was a most ingenious inventor. He received
numerous medals and prizes from the Society for the most diverse
machines and appliances, including surgical apparatus, a man trap,
a canal lock, and a method of transferring pictures from the surfaces
on which they were painted. He took out eleven patents, the first
in 1796 and the last in 1821, three of which were for surgical appliances.
He invented one of the earliest reaping machines (1807), but, so far
as I have been able to ascertain, he did not submit it to the Society. A
short account of him is given in the Journal of the Royal Agricultural
Society, vol. ii. (3rd series), p. 132. He was a member of the Society,
and his name appears on the lists from 1816 to 1820. He died in 1821,
at the age of eighty-nine.
136 THE SOCIETY AND AGRICULTURE
wheel, a great but obvious improvement. He also added
a fixed blade, against which the revolving blades acted.
Later inventors made the feed intermittent by means
of a worm of varying pitch, or by driving the gearing
through a wheel with only one tooth on each side, and
improved the construction generally, but the chaff-cutter
now universally known is only an improved version of
those of Edgill and Pike.
The offer of a prize in 1766 for a machine for slicing
turnips was condemned by Arthur Young l as rather
trivial, but the apparatus sent in in answer to the offer
was the first of a long series of inventions upon which a
vast amount of ingenuity has been spent. The turnip-
cutter of the present day is the result of the best part of
a century's work, and it is not very long since the apparatus
has been brought to perfection, so that it will not only
slice the roots but will cut them into " fingers " of a
convenient size and shape for the food of cattle. In the
following year, 1767, two rewards were given, £20 to
James Edgill, and ten guineas to William Bailey. Dossie,
who speaks well of Edgill 's machine, does not describe
its action, but Bailey gives some figures of it. A circular
tub is mounted to revolve on a central vertical spindle.
The tub has no bottom, but it has four cutting blades
mounted radially in place of its bottom. The tub is
supported by friction rollers on a base which is perforated
at intervals to allow the cut roots to pass through. Rotary
motion is given to the tub by cross handles. The tub
being filled with roots, and motion being given to it, the
roots are sliced by the knives — the size of the slices being
determined by the space between the knives and the
base, which is adjustable.
The implement would no doubt work perfectly well,
as Dossie said it did. But it would certainly require a
good deal of power, and the whole idea, though ingenious,
is a little clumsy. Bailey states that twro men could work
the machine with ease and facility, and that it would slice
twelve bushels of turnips in five minutes. The award to
Bailey was for improvements on Edgill's machine.
1 Farmers' Letters, vol. i. (2nd edition, 1771), p. 234. , *
ROOT-CUTTERS 137
According to a statement made by Lovell Edgeworth in
his autobiography, a machine of his was tested in com-
petition with Edgill's. From his own account it appears
to have been inferior to the apparatus above described,
though he himself did not think so. In view of the fact
that nothing seems to be known of these early attempts
to construct what eventually proved to be a very valuable
agricultural implement, it is worth while to quote Edge-
worth's own account.1
11 I sent also to the Society of Arts a machine for
cutting turnips, which consisted simply of a circular
trough with a dropping knife moving on a pin in the
centre, so that the person who worked it had nothing to
do but walk round the circle, and to lift the cutter up and
down, as a turner works his paring knife. This was put
in competition with the machine for cutting turnips which
is now in common use, and for which the Society adjudged
to Mr. Edgehill the premium. Very little difference was
perceived in the performance of our machines, and I still
employ my own because it can be made anywhere, of any
coarse timber, has but one knife, which can be easily
kept from rust and readily sharpened ; in short, it performs
nearly as much work as Mr. Edgehill's turnip-cutter, and
does not cost one- fourth part as much. The machine
which I use is a trough on three legs, about five feet long,
a foot wide, and a segment of a circle of six feet diameter."
In succeeding years other machines were commended
or rewarded by the Society, but to judge by the records
of the Patent Office it was very long before attention
was really directed to this class of apparatus. The
earliest patent for a turnip-cutter was granted in 1 803, and
it was not till 1834 that Gardner's machine, which after-
wards came largely into use, was invented. After this there
were numerous improvements, but Gardner's machine in
its modified and modern form is still considered the best.2
The use of manures was very limited, and, indeed,
1 Memoirs of R. L. Edgeworth (Edition 1821), vol. i. p. 167.
2 R. P. Wright's Cyclopedia of Agriculture, 1910, s.v. " Root-cutter,"
vol. x. p. 139. The writer of the note says that "it has practically
been unimproved since its introduction," seventy years ago.
138 THE SOCIETY AND AGRICULTURE
manure could hardly be applied with much effect so long
as the open-field system endured. The practice of apply-
ing marl had been lately revived in Norfolk,1 and a writer
in the Museum Rusticum (vol. ii. p. 132) states that the
Suffolk farmers were in the habit of using " cragg " contain-
ing " remains of marine shells." Farmyard manure was, of
course, available, and the manuring of fields by folding
sheep and cattle upon them was also practised. Lime was
used to a very limited extent, and so were ashes. On
the sea-coast, seaweed seems to have been utilised. Town
nightsoil was employed in some localities where it was avail-
able, and the system of paring the surface and burning it
was also found serviceable. Young, writing about 1769,
mentions that oil-cake was imported from Holland for
use as a manure at a cost of 155. an acre. Its value as a
cattle food was not then generally known, though, as
previously mentioned, such application had been pro-
posed, and indeed tried.
In 1758 a prize was offered for a dissertation on " The
Nature and Operation of Manures," the following being
specified : " Soot, coal-ashes, wood-ashes, lime, and night-
soil." The offer was continued in the same terms for very
many years, " bones " being added to the list in 1817, and
" salt " in 1 825 . After this date the prize was discontinued.
During its continuance a good many awards were made,
and various papers, none, perhaps, of very great value,
were published in the Transactions.
1 Elton, in his Origins of English History, p. 116, edit. 1890, tells
us that the Gaulish immigrants into Britain before Caesar's invasion
were familiar with the agricultural applications of marl and chalk.
They were good farmers and had large fields. There were among
them no traces of the co-operative system of farming. Elton doubtless
got his information on this point from Pliny, who (Hist. Nat., xvii. 4)
treats at some length on the employment of marl (marga) and refers
to its use in Gallia and Britannia. A writer in the Museum Rusticum
(vol. ii. p. 376), who signs his letter " X. Y. Z.," a Member of the Society
of Arts, and who was very likely Arthur Young, relates his own ex-
perience, and gives instructions for the use of marl. Young, in his
Annals of Agriculture, gives a good deal of information about marl,
and (vol. xxii. p. 547) refers to the above-cited passage of Pliny. A
Charter of Henry in. of 1225 gave every man a right to sink a marl-pit
on his own ground.
MANURES 139
The same list (that of 1758) which contains the first
reference to manures, includes also a premium for a
dissertation on " Soils and their Natures." This was
afterwards developed into an offer of a gold medal for
" ascertaining the component parts of arable land/' by a
series of experiments. Detailed instructions were laid
down as to the nature of the analysis of the soil, and
practical proof was demanded of the improvement of
sterile soil, by the addition of such " components " as
appeared to be lacking, and the absence of which might
be assumed to be the cause of the sterility. A good deal
of information was supplied to the Society from time to
time, and published in the Transactions, but it does not
appear that the exhaustive series of experiments laid down
by the Society were ever carried out in their entirety.
The proposal, however, is not without interest, as marking
the commencement of agricultural chemistry, which may
be said to have first taken definite form in England when
Sir Humphry Davy, after delivering a course of lectures
in 1803 on the " Connection of Chemistry with Vegetable
Physiology " for the Board of Agriculture, was ap-
pointed by the Board Professor of Chemical Agriculture,
with the duty — besides that of delivering annual courses of
lectures — of analysing soils and manures at fixed fees for
those who required such work. Davy had been preceded
by Duhamel in France, where science — especially chemical
science — was ahead of English knowledge ; but the work
of Davy soon surpassed that of his foreign rivals.1
The question of stock-raising never seems to have
received any attention at all from the Society, and this is
rather remarkable, because the successful experiments
of Bakewell — commenced just about the time the Society
was established — had attracted a great deal of attention,
and had been followed up by numerous breeders of stock,
cattle as well as sheep, all over the country. He was the
first to indicate and to emphasise the necessity for proper
selection in breeding, and the principles he laid down had
1 See a "Life of Davy/' by H. B. Wheatley, Journal of the Royal
Agricultural Society, vol. Ixv. 1904, p. i ; also Humphry Davy, by Sir
Edward Thorpe, 1 896, pp. 94-99.
HO THE SOCIETY AND AGRICULTURE
the greatest possible effect in improving the character of
British stock. George in. was an enthusiastic farmer and
breeder, and many of the great landowners were devoting
themselves to what was really the scientific raising of new
breeds of sheep and cattle. All this, however, seems to
have been regarded as outside the Society's province.
There are occasional papers in the Transactions on feeding
cattle, horses, and sheep, on treating their various illnesses,
etc. Arthur Young had a gold medal in 1769 (his first
medal from the Society) for his system of fattening hogs,
and from time to time a few unimportant premiums of a
like nature were offered and bestowed ; but, on the whole,
the Society appears to have left this important subject
severely alone.
Very many other objects were suggested in the Society's
lists, or received premiums when submitted to the Society's
notice. One of the most important of these was the
reclamation of land from the sea, and there is a long list of
those who received medals for such additions to the
cultivable area in many places on the coast. The cultiva-
tion and improvement of waste land, the proper rotation
of crops on different soils, irrigation, the destruction of
insect pests, methods of marking sheep so as to avoid the
use of tar, harvesting crops in wet weather, the draining
of land, were all matters to which attention was directed,
and on which, from 1760 till about 1830, considerable
amounts of money were expended. Bee culture was at
one time (from 1760 to 1770) one of the minor industries
that was warmly supported, and a large number of small
prizes were given for keeping bees, and for producing wax
and honey. Beeswax was then a more important article
than it is now, as it was practically the only material
available for the best candles.
By the end of the second decade of the nineteenth
century the value and importance of the Society's agri-
cultural work had greatly fallen off. In the Preface to the
volume of Transactions for 1819 (Vol. xxxvu.) we find a
suggestion that " The object of the Society in the early
and enlightened liberality with which they fostered the
most important of the practical arts, agriculture, has for
BOARD OF AGRICULTURE 141
the most part been accomplished." 'The fact probably
was that while the prosperity of the Society was at this
time waning, the attention of its most active supporters
was directed to other subjects than agriculture, and it did
not appeal specially to them. At all events, from this
time forward the Society was content for the most part to
leave to other agencies the direction of agricultural pro-
gress. After this date, though occasional rewards were
given for agricultural implements, they were neither
numerous nor important. A few years later (in 1827),
in place of the various detailed descriptions of apparatus
which were required, the premium list contains only a
general offer of rewards for " machines for performing any
agricultural operations," and eventually the prizes seem to
lapse altogether. The work had indeed been taken up by
another agency. The " Board of Agriculture " had been
established in 1 793, and had carried on a not very valuable
life till 1 822. It was not really a Government department,
but a sort of independent commission, enjoying a subsidy
of £3000 a year from the State. It had the good fortune
to secure Arthur Young as its secretary, and if he had had
a free hand it might have effected more useful work ; but
for the first part of his tenure of office he was hampered
by the proceedings of the chairman, Sir John Sinclair,
whose influence had obtained from Pitt the Treasury grant
by which the Board was established, and after 1 808 Young
was incapacitated by blindness and old age. The Board
produced one valuable piece of work in the Statistical
Surveys of the counties of England, and it did good service
when, as above mentioned, it appointed Davy its professor.
It followed the example of the Society by offering premiums,
when the time for such offers had passed away, and beyond
this it really did very little. It is probable that the fact
of the Board's existence diminished the Society's interest in
agriculture, and made its agricultural work less necessary.1
Soon after the Board was abolished, a very different
institution for the promotion of agricultural science came
1 An account of the Board of Agriculture, by Sir Ernest Clarke, will
be found in the Journal of the Royal Agricultural Society, vol. ix,
(3rd series), p. i.
142 THE SOCIETY AND AGRICULTURE
into being, for the Royal Agricultural Society was founded
in 1838. From its first start it secured the support of
all interested in the subject, and was at once recognised
as the fit representative of British agriculture. From that
date there was nothing more for the Society of Arts to do.
But until the interests of this great industry passed into
its competent hands it can be truly said that they were
well looked after by the older Society. Amongst all its
multifarious objects there were none more zealously
pursued than those associated with agriculture. " Nor,"
in the words of the writer of the above-quoted preface —
probably Arthur Aikin — " is it unjust to suppose that the
unexampled rapidity with which the art of cultivation
has advanced to its present state is in no small degree
owing to the protection originally conferred by this in-
stitution."
Early Chaff -Cutter (see p, 133).
CHAPTER VI
THE SOCIETY AND FORESTRY
(1758-1835)
Need of Timber for Fuel and Shipbuilding — Evelyn's Sylva — Proposal
to Encourage Tree-planting — First Offer of Prizes — Names of
some of the Recipients — Summary of the Results of the Awards.
FROM a very early date in English History we find re-
current complaints of the lack of timber. Wood was almost
the only fuel. It was one of the principal materials for
construction on land, and the only one available for naval
purposes. The forests which once covered the country had
been cut down, and the timber used for a thousand pur-
poses, of which the most important were shipbuilding and
ironfounding. The places where the iron manufacture
was located were decided, not as now by the existence
of coal, but by the neighbourhood of forests. Sussex and
the Forest of Dean were the chief centres of the iron
trade, not so much because of the abundance of iron ore,
as because of the abundance of wood. Sheffield became
the chief seat of the cutlery business because it was sur-
rounded by forests ; and as the wood was used or burnt
no efforts were made to replace it.
Even in Tudor times we find attempts by legislation
to provide a remedy by limiting the destruction of woods
and coppices, and by preventing waste of timber. The
demand for fuel in London and the need of timber for
shipbuilding led to a statute of Henry vm. for the
preservation of woods, and there were several Acts of
Elizabeth to the same effect.1 At the time of the
1 35 Henry vni. c. 17 ; I Elizabeth c. 15 ; 23 Elizabeth c. 5 ; 27
Elizabeth c. 19. Cunningham, in his English Industry, vol. i. (edit.
1907), pp. 64, 525, and elsewhere, refers to these and other Acts, and
discusses the subject fully.
144 THE SOCIETY AND FORESTRY
Restoration the need of timber for shipbuilding had
grown urgent.
In or about 1662 the Navy Office, alarmed at the
increasing lack of timber for naval purposes, applied for
advice to the Royal Society, who passed on to John
Evelyn the questions they had been asked. The result
of his investigations was the well-known book, Sylva,
or a Discourse of Forest Trees and the Propagation of
Timber in His Majesty's Dominions.1 In it Evelyn
appealed to the landowners to improve their forests and
woods, and provided them with the fullest information
as to how they should set about the work. " To you
princes, dukes, earls, lords, knights, and gentlemen, noble
patriots (as most concerned), I speak to encourage and
animate a work so glorious, so necessary." It is, however,
doubtful whether this remarkable book, which has become
an English classic, had any very great practical or permanent
effect, though the author was able to boast that " many
millions of timber trees have been propagated and planted
at the instigation and by the sole direction of this work."
At all events, things were no better a century after
Evelyn's time, though the use of " sea-coal " for fuel
had increased, and it was applied for various manufactur-
ing purposes. Iron, however, still had to be made with
charcoal, since it was only about 1 730 or 1 735 that Abraham
Darby first succeeded in employing coke for the purpose,
and about 1750 that he had established the manufacture
on a commercial basis. For many other manufacturing
purposes, coal, with its sulphurous fumes, was not con-
sidered suitable, and nearly all over the country wood
was still the only domestic fuel. Not only were the
trees cut down, but they were either pollarded or stripped
of their branches. Arthur Young, in his Farmers' Letters,
says that in many parts of the country the result of this
practice had been to convert the trees into " May-poles."
Attempts had been made by legislation to limit the
use of wood for fuel, but apparently there had been no
serious efforts to replace the stock of timber by acting
1 The " discourse " was " delivered " to the Royal Society on i5th
October 1662, and the complete book was first published in 1664.
NEED OF TIMBER SUPPLIES 145
on the principles laid down by Evelyn, until the Society
of Arts took up the question.
The first suggestion came from Mr. Henry Baker, who,
according to the minutes of the meeting of 26th March
I75S> presented to the Society from the author, Mr.
Edward Wade, " a quarto pamphlet published by him
to promote the planting of timber trees in the common
and waste ground all over the kingdom for the supply
of the Navy, the employment and advantage of the poor
as well as the ornamenting the nation." This led to the
inclusion in the 1758 prize-list of three premiums for tree-
planting. A gold medal and two silver medals were
offered for sowing the greatest quantity of land with
acorns (five acres at least), four bushels to the acre.
Similar premiums were also offered for planting Spanish
chestnuts, elm, and Scotch fir. In 1759 the same prizes
were offered, with the addition of similar awards for
Weymouth pine,1 " being the properest sort for masts."
As time went on various additions were made to the list,
and the conditions were varied, but not very widely.
Eventually the list included besides oaks, which were to
be planted as well as raised from acorns, and the trees
above mentioned, red Virginia cedar, spruce fir, silver
fir, larch, Norfolk willow, alder, red willow, ash, Lombardy
poplar, elm, and walnut. At one time, about 1795, a
special prize was offered for oak trees in " compass forms "
for shipbuilding, but this elicited no response, and the
offer was dropped.
The first award was in 1758, when a gold medal was
given to the Duke of Beaufort for sowing twenty-three
acres in Hawksbury, Gloucestershire, with acorns.2 In
1761 the Duke of Bedford received a silver medal for
sowing eleven acres with acorns at Woburn, and in 1763
1 The "white pine of the United States, Pinus strobus, first brought
from the St. Lawrence in 1705, and planted in Wiltshire by Lord
Weymouth " (Lankester).
2 The entries up to 1783 are taken from four sources: The Register
of Premiums, 1778 ; Dossie's Memoirs of Agriculture, etc., vol. iii. 1782 ;
the list in Vol. n. of the Transactions, 1784 ; and a list in Vol. XLIX. of the
Transactions, part ii. p. i. These lists do not always agree. From
1784 on we have the annual prize-lists in each volume of the Transactions.
ii
146 THE SOCIETY AND FORESTRY
a second similar medal for 16,000 Scotch firs planted at
Millbrook, Bedfordshire. In 1761, Earl Winterton had
a gold medal for sowing twenty acres near Plaistow with
acorns. Lord Winterton also received another gold medal
in 1767 for planting 2000 elms in Ash Park, Sussex, and
two more in 1776 — one for sowing acorns and the other
for planting Lombardy poplars. In 1763 the Earl of
Portsmouth had a gold medal for planting 6100 small-
leaved or English elms. After this date the prizes become
more numerous, and the following awards were made to
various noblemen for plantations on their estates ; 1766,
silver medal to Lord Scarsdale for planting Scotch firs ;
1776, gold medal to Viscount Tumour for Spanish chest-
nuts, gold medal to the Earl of Moray for planting 7,646,000
oaks, firs, and other trees ; 1779, gold medal to Lord
Paget for sowing acorns, silver medal to the Earl of
Donegal for planting oaks ; 1784, gold medal to the
Earl of Upper Ossory for his plantations (not specified) ;
1788, gold medal to the Earl of Fife for his plantations
in Scotland. The same nobleman got a second gold
medal in 1803 for planting forest trees. In 1797 a gold
medal was given to Lord Brownlow for planting osiers,
but this was a special offer, quite apart from the prizes
for raising timber.1 Two years before, Lord Brownlow
had a grant of £20 for the same thing, which was a very
unusual thing in the case of noblemen, since members of
the peerage were only considered entitled to honorary
rewards. In 1800 the Marquis of Titchfield had a gold
medal for sowing acorns ; in 1803 Viscount Newark
received a gold medal for planting oaks ; in 1805 the Earl
of Breadalbane had a silver medal for firs. In 1808 the
Earl of Mansfield had a gold medal for oaks. A gold
medal was presented to the Duchess of Rutland in 1816,
but this was for ascertaining the best method of raising
oaks, and was not a prize for planting. In 1820 the
Duke of Devonshire received a gold medal for planting
forest trees . The last award for plantations to a nobleman
was the gold medal given to Lord Newborough in 1828
for planting forest trees.
1 See Chapter XIII, p. 306.
AWARDS FOR TREE-PLANTING 147
Richard Watson, who was Bishop of Llandaff from
1782 to 1816, received three gold medals from the Society ;
in 1 788 for larch, in 1 789 for ash, and in 1 808 for larch. All
his plantations were on an estate which he inherited in 1 789.
The awards to other landowners are too numerous to
set out in detail, but some may be mentioned, on account
of their comparative importance, or because of the person-
ality of the recipient.
In 1759 a gold medal was awarded to Dennis Rolle, of
Hudscot, Southmolton, for sowing about twenty-five
acres with acorns, and three silver medals were given to
Philip Carteret Webb, John Berney, and T. Drew, for sowing
smaller areas. Dennis Rolle received a second gold medal
in 1761 for planting over 100,000 Scotch firs. In 1763,
four gold medals in all and two silver were awarded for
elms, chestnuts, and fir.
In 1764, Robert Fenwick, of Lemington, Northumber-
land, had a gold medal for 104,000 Scotch firs. In 1765
he had a second for another 102,000, and in 1766 a third
for yet another 100,000 — 306,000 in all.
William Beckford, the author of Vathek, in 1769
received a gold medal for planting 61,800 Scotch firs at
Fonthill, the celebrated estate where he ruined himself
by his lavish expenditure on fantastic decoration.
Richard Muilman Trench Chiswell, of Debden Hall,
Essex, had a gold medal in 1776 for planting Lombardy
poplars, and two gold medals, in 1777 and 1778, for plant-
ing elms. His name was originally Muilman, and he
changed it on succeeding to the Debden Hall estate. He
was an antiquary, and wrote on the history of Essex.
Thomas White, of West Retford, Notts, received six
gold medals in 1778 for his plantation of poplar, larch,
Scotch fir, occidental plane tree, spruce fir, and silver fir.
He also received two gold medals in 1779 for Norfolk
willow and ash, one in 1785 for elm, one in 1786 for alders,
and a silver medal in 1788 for oaks, making in all ten gold
medals and one silver medal.
In 1778 a gold medal was awarded to William Mellish,
of Blythe, Notts, for planting 101,600 spruce firs, and in
1780 a second medal for 475,000 larches.
1 48 THE SOCIETY AND FORESTRY
Richard Slater Milnes of Fryston Hall, Yorks, the
grandfather of Richard Monkton Milnes, the first Lord
Houghton, had three gold medals, one in 1789 for planting
200,000 larch, a second in 1700 for 20,000 elms, and a
third, also in 1790, for 38,400 timber trees.
Lewis Majendie, of Hedingham Castle, Essex, received
four gold medals for planting oaks, chestnuts, and ash
(two) in 1792, 1 794, and 1797.
The most extensive plantations were those made by
Colonel Thomas Johnes, of Hafod, Cardiganshire, a man
of considerable reputation in his time. He was Lord-
Lieutenant of Cardiganshire, and from 1774 to 1816 he
represented a Welsh constituency. He was well known
as a book collector and as the translator of Froissart,
Monstrelet, and other chroniclers. Between 1 795 and 1801
he planted 2,065,000 trees, of which number i ,200,000 were
larches. Besides this, fifty-five acres of land were sown
with acorns or planted with oaks, and it was subsequently
stated that he had raised 922,000 oaks. He received
altogether six gold medals from the Society, in 1800, 1801,
1802, 1805, 1 8 io, and 1813. A special account of his
plantations is given in the Preface to Vol. xiv. of the
Transactions (p. x).
John Christian Curwen, M.P., of Workington Hall,
Cumberland, received four gold medals, in 1797, 1802, 1804,
and 1809, for sowing acorns and for planting larch (two)
and timber trees. In 1801 and 1802 he planted 814,000
trees. He was a member of the Society from 1798 to
1827, and a Vice- President from 1809. Besides these
awards for planting, he received seven gold medals and
one silver for cultivating wheat, beans, carrots, cabbages,
and potatoes, for draining and improving land, and for
feeding cattle. In all he received eleven gold medals
from the Society, which must certainly be the largest
number presented to any single individual. He contri-
buted numerous papers to the Transactions, and also
published a good deal on agricultural matters, and on the
condition of the labouring classes. According to a state-
ment made by himself, it was due to the Society that he
first took up farming.
AWARDS FOR TREE-PLANTING 149
An award of a silver medal in 1 806 to Robert Salmon
may be mentioned, though it was not for planting, but for a
paper on pruning fir trees.1
Dr. William Makepeace Thackeray, of Chester, received
a gold medal in 1809 for extensive plantations of ash,
beech, chestnut, elm, and other forest trees, and another
one in 1819 for planting 188 acres with forest trees. He
was a first cousin of Richmond Thackeray, the father
of the novelist. The plantations, according to the account
he gave of his work in the Transactions, were made on
property in Denbigh and Merioneth, belonging to his
stepson, J. M. Jones, for whom he was trustee.
Dr. Henry Ainslie received a silver medal in 1803
for planting timber trees, and a gold medal in 1812 for the
same. He was a distinguished physician, Senior Wrangler,
and a Fellow of Pembroke.
Charles Fyshe Palmer, M.P., of Oakingham, Berks,
received two gold medals for forest trees (893,000) and
oaks, and a silver one for sowing acorns — all in 1821.
Before this, in 1819, he had a silver medal for planting
1 1 5 acres with forest trees.
The last award for tree-planting was in 1835, when a
gold medal was given to Edward Rogers of Stanage Park,
Radnor, for plantations carried on from 1799 to 1831 by
Mr. Rogers and his father. The number of trees planted
was about 700 ,000. 2
In all, 127 gold medals and forty silver medals, besides
certain pecuniary grants amounting to about £200, were
given by the Society for arboriculture. Nearly all these
were awarded in the period from 1758 to 1821. After
1821 there were very few awards, only seven in all. The
offer of prizes was continued down to 1846, but was not
renewed after that year.
It is impossible to state with exactitude the number of
trees planted which these awards represent, for although
in some cases the particulars are given in the records of
1 Transactions, vol. xxiv. p. 68. In the previous chapter, p. 135,
reference has been made to this ingenious inventor, and to the awards
he received from the Society.
2 Transactions, vol. 1. part ii. p. i.
i5o THE SOCIETY AND FORESTRY
the Society with extraordinary precision, in others such
phrases as " extensive plantations " are used ; but at
the very lowest estimate this number must have consider-
ably exceeded fifty millions, of which some twenty millions
were firs and larches, and some fifteen million oaks.
On the whole, it may certainly be said that the attempt
was extremely successful, thousands of acres were planted,
and, as a practical result, the supply of timber was, to a
certain extent, renewed. Many of the woods throughout
the country owe their present existence to the initiative
of the Society of Arts.1
1 Dr. Alexander Hunter, F.R.S. (1729-1809), who produced
several additions of the Sylva, in one of his notes (Introduction to the
1812 Edition, p. 2) says, " The Society of Arts, etc., established in
London in the year 1754, have greatly contributed, by their honorary
and pecuniary premiums, to restore the spirit for Planting."
CHAPTER VI I
THE SOCIETY AND THE FINE ARTS
(1755-1851)
The First Fine Art Prizes — Early encouragement of Industrial Art — •
Change of system and establishment of Prizes for Artists —
Development of the system — The Fine Art Premiums gradually
become the most popular part of the Society's work — Their value
and the results they produced — The Prize-winners — The specific
Prizes offered.
IT has sometimes been suggested that the early offer of
prizes to young artists was due to the fact that Shipley
was a drawing-master, and that his principal object was
to establish a society for the encouragement of painting
and drawing, thereby serving his own professional interests.
There is, however, no vestige of evidence of this in any
of the Society's records. As before mentioned,1 it was
quite clearly stated that the reason for the offer was the
belief of the founders of the Society that " the Art of
Drawing is absolutely necessary in many employments,
trades, and manufactures." It will also be remembered
that Shipley himself controverted in the Gentleman's
Magazine, in 1756, the idea that the intention of the
Society was to train young people as artists, and declared
that its main object was to fit them for the pursuit of the
Industrial Arts.
The history of the origin of the Society's Fine Art
prizes has already been told in the first chapter.2 It
was there recorded how, out of the limited funds sub-
scribed for the purpose of offering prizes, a certain portion
was devoted to rewards for young people of both sexes in
drawing, and how the first prizes were taken by Cosway
1 See Chapter I, p. 15. 2 See Chapter I, p. 16.
152 THE SOCIETY AND THE FINE ARTS
the painter, Smart the engraver, Gresse the painter, and
Barbara Marsden, the clever girl who afterwards married
Meyer, one of the original members of the Royal Academy.
From this modest beginning there soon developed a
well-organised system for the encouragement of Pictorial
Art, which lasted for nearly a hundred years, and had
very real influence on the growth of English Art.
The prizes were at first intended to encourage Industrial
Art, Art applied to manufactures, but it is not difficult to
trace the changes in the Society's plans, which ended in
the development of a scheme for encouraging young
artists pure and simple.
In the first list of premiums, a list published as an
advertisement in the newspapers, but only preserved by
the Society in MS., prizes are offered to boys and girls
under the age of seventeen, for " the most ingenious and
best fancied designs, composed of Flowers, Fruit, Foliage,
and Birds, proper for Weavers, Embroiderers, or Callico
Printers."
In the oldest printed list of premiums, that issued in
1758, the objects of the Society in including " Premiums
for improving Art s , etc . , ' ' are very clearly set out . " Fancy,
Design, and Taste being greatly assisted by the Art of
Drawing, and absolutely necessary to all persons concerned
in Building, Furniture, Dress, Toys,1 or any other Matters
where Elegance and Ornament are required," it is " judged
proper " to offer certain prizes to young persons, according
to a schedule carefully drawn out, for drawings of the
Human Figure, Landscapes, Casts, etc. Some of these
are confined to students in " The Academy for Painting,
etc., in St. Martin's Lane " ; * others are open to candi-
dates who had studied in the Duke of Richmond's gallery,3
and others were quite open.
In the same list, besides these prizes for drawing, etc.,
1 Toys, — trinkets, wares made of polished steel or iron, buckles,
brooches, braces, watch-chains, sword hilts, purse mounts, chatelaines,
etc. (Timmins, Birmingham and the Midland Hardware District, p. 216).
The term is still used in the trade. It was with this meaning of the
word in his mind that Burke called Birmingham the " Toy-shop of
Europe."
2 See Chapter I, p. 8. 3 See Chapter I, p. 8.
INDUSTRIAL AND PICTORIAL ART 153
we find special offers for designs for weavers and calico-
printers, cabinetmakers and coachmakers, as well as
for manufacturers of iron, brass, china, earthenware, or
" any other Mechanic Trade that requires Taste." All
these were for young people. There was also a prize for
a copper medal, open to candidates a little older, but still
under twenty-five.1 All this goes to show that the founders
of the Society were anxious to encourage the application
of Art to industry, and were fully conscious of the need
existing at the time for such encouragement.
During the next few years the list was extended by
the addition of engraving, mezzotint, etching, wood-
engraving (with which is included engraving on type-metal),
gem - engraving, cameo - cutting, modelling in pastes
(cameos), bronze- casting, mechanical drawing, architectural
design, furniture design, etc. Many prizes were awarded
under these various heads (Bewick got a prize of seven
guineas in 1775), but, on the whole, the response was
hardly satisfactory. The number of entries in the purely
artistic classes was far more numerous, and the result
was that by 1778 all the technical subjects had been
practically dropped out, and the list confined to the
artistic classes alone — including, of course, all the methods
of reproduction — engraving, modelling, carving, casting,
etc., but omitting the industrial applications. No doubt
the Society moved in the direction of least resistance,
and endeavoured to supply what the public demanded ;
but it is impossible to suppress a feeling of regret that the
work so wrell begun was not continued, and that a further
effort was not made to improve the artistic quality of the
various industrial products then being manufactured in
rapidly increasing amounts in England.
However, the Committee of Polite Arts evidently
took greater interest in Art pure and simple than in its
industrial applications, though some of them must have
seen the importance of encouraging the " Lower branches
of the Polite Arts, such as drawings for Patterns for Silk-
weavers and Callico-printers," for in the observations
appended in the list of Fine Art awards in the " Register
1 See Chapter IX, p. 219.
154 THE SOCIETY AND THE FINE ARTS
of Premiums," etc., published in 1778, credit is claimed
for the work done by the Society in the promotion of the
application of Art to textile manufactures.
" The elegance of pattern adopted by them [weavers
and calico-printers] may with justice be attributed in a
great degree to the rewards and attention bestowed upon
them by the Society."
Nevertheless, the Society stopped its rewards and
turned its attention elsewhere, practically abandoning
the whole field of industrial Art. Now and again prizes
were offered for designs. In 1801 " chints " patterns
were asked for, and copper-plate patterns for calico-
printers, but both offers were dropped after a few years,
and it may be said with truth that very little was done to
advance industrial Art until Prince Albert told a deputa-
tion from the then newly-formed Council of the Society,
that " The department most likely to prove immediately
beneficial to the public would be that which encourages
most efficiently the application of the Fine Arts to our
Manufactures." The result of this advice was that the
Council arranged a special list of prizes for artistic manu-
factures ; among which was one for " A plain and cheap
Earthenware Tea Service in one colour, consisting of
Teapot, Basin, Milk-jug, Cup and Saucer, and Plate."
This prize was taken by " Felix Summerly, of 12 Old
Bond Street," the pseudonym or trade-name adopted by
Henry Cole ; and as will be hereafter related this particular
award had really a close association with the origination
of the 1851 Exhibition.1 Of this more will be said here-
after, for Cole's connection with and services to the
Society belong to a much later chapter of its history.
The foundation of the Royal Academy in 1768 might
seem to have left nothing for the Society of Arts to do,
so far as the Fine Arts were concerned, and it is evident
that those who were responsible for the direction of the
Society's work were anxious to avoid any rivalry with the
new Academy. They did not carry out the intention,
which at one time appears to have been favoured, of
confining the Society's work to the encouragement of
1 See Chapter XVII, p. 406.
THE FINE ART COMPETITIONS 155
industrial Art, and in all probability the suggestion was
not very popular, and doubtless at the time appeared
impracticable ; but they did definitely restrict the artistic
awards to young students — either young people who " are
intended hereafter to become artists," as the Transactions
rather quaintly put it, or to young folk of the upper class
who were studying Art as amateurs.
It appears to have been thought that the Society's
work in encouraging Art might gradually be dropped, and
that it would be taken over by the Royal Academy ;
but things worked out differently. The Academy wisely
confined itself to the instruction of the best class of Art
students, and insisted on a high standard in those whom
it admitted to its instruction, while the Society continued
to offer rewards to all who cared to enter for its competi-
tions. The value of its work was soon realised. The
rewards of the Society were evidently highly appreciated,
and it became clear that there was a keen competition
among the younger Art students for the Society's prizes,
and that they provided a valuable incentive to such
students, both professional and amateur.
At first only boys and girls were allowed to compete ;
then classes of prizes for rather older candidates were formed,
and there were some special classes without limitation of
age. But the general idea evidently was that the Society
would be wise to confine its competitions to young people,
so this was for the most part done ; and at all events so
far as drawing, painting, and sculpture were concerned,
the prizes were restricted to youthful candidates of both
sexes. There were various classes, with various limita-
tions of age, and from time to time the rules were modified.
Sometimes special subjects were set ; sometimes the young
artists were allowed to choose their own. When they
were permitted to send in works of their own choice they
had to execute sketches of a similar character in the
presence of examiners, to prove their capacity. The tests
seem to have been quite fair, and the correctness of the
adjudicators' judgment is sufficiently proved by the long
list of distinguished artists who won their earliest successes
in the Society's competitions.
i $6 THE SOCIETY AND THE FINE ARTS
At first nearly all the prizes were in money, but " In
order to encourage a love of the Polite Arts, and excite an
Emulation among Persons of Rank and Condition," there
was included in the 1758 list an offer of a gold and a silver
medal for drawings by " Young Gentlemen or Ladies under
the age of Twenty," and a similar offer to those under six-
teen. The same prizes were offered in the following year,
Austin's design used as a Frontispiece for the
Premium List of 1803 (see p. 163).
but were not continued after that. In 1762, however,
a still more exclusive class was introduced — perhaps the
definition of " rank and condition " was found difficult —
for gold and silver medals were offered for drawings by sons
and daughters of peers or peeresses. This queer distinc-
tion was carried on almost, but not quite, continuously for
many years, with the addition of another generation, grand-
childrenof the nobility being included. A good many awards
were made under this regulation to youthful aristocrats.
PREMIUMS IN POLITE ARTS 157
In or before 1783 a class was added for " young
gentlemen " or " young ladies/' and it was added that it
was intended for those who " ma}^ hereafter become
Patrons or Patronesses of the Arts." It was not,
therefore, open to professional artists or their children.
The rules were varied from time to time, but the
distinction of rank was kept up till 1839, after
which the privileges of the nobility disappeared, and
the only distinction drawn was between amateurs and
professionals.
In the closing years of the eighteenth century the
interest in this department of the Society's work evidently
flagged. The number of premiums offered was not very
large, and the list of awards was a short one. It seems
likely that this was mainly due to the feeling before
referred to, that the Ro}^al Academy was the proper
authority for controlling all Art education, and that the
Society ought to relinquish to it the work it had initiated.
However, it was soon found that there was a public
demand for artistic education of a more elementary
character than was provided by the Academy, and that
the Society's prizes indirectly supplied this demand. The
result was that the Society was influenced to provide what
was demanded, and that the natural popularity of the
Society's prizes led to a great increase in the number of
the awards. Whatever the cause, it is certain that by
the end of the first quarter of the nineteenth century the
section of " Polite Arts " had evidently grown to be the
most popular part of the Society's work. As before
mentioned, industrial Art, the application of Art to
industry, received but scant attention. No doubt the
Society was influenced by the general state of public
opinion ; but all branches of artistic industry were en-
couraged, so far as the award of prizes could encourage
them. As regards drawing, painting, and sculpture, the
prizes were still confined to young people only ; but in
the case of such Arts as die-sinking, gem-engraving,
cameo-cutting, casting in metals, wood-engraving, and
even line or mezzotint engraving and etching, there were,
as a rule, no limitations of age, and many of the best
i SB THE SOCIETY AND THE FINE ARTS
workers of the time looked for their recognition to the
medals or premiums of the Society.
In the classes for drawing and painting, the limitations
of age (with a few rare exceptions in earlier years) were
always preserved, the limit being generally twenty-five,
though in some of the classes it was lower. By far the
largest proportion of the prizes was taken by these
young candidates, and contemporary press descriptions
of the Society's prize distributions refer almost exclusively
(when speaking of the Art awards) to the young people
who came up to receive them from the President. So
long as the system of premiums was continued, the award
of prizes to young artists was an essential part of it. Even
when it was being revised in the years before the 1851
Exhibition, with the avowed object of substituting the
application of Art to industry for the cultivation of
pictorial Art, the prizes for painting and drawing were
not discontinued, and the names of numerous recipients
of such prizes are to be found in the lists down to that of
1 849. There was no prize distribution of any sort in 1 8$ i ;
at the last distribution in 1853 only one solitary medal was
given in the class of Fine Arts.1
On the whole, the result of the Society's efforts for the
promotion of Art during the first century of its existence
must be regarded as distinctly valuable. The same
causes which gradually rendered less and less effective
the general offer of prizes for inventions and discoveries,
by no means applied in the case of Art. If the medals
and money prizes of the Society had obviously no direct
educational influence, they had without any question a
very genuine value as a means of discovering hidden
talent, as an incentive and stimulant to youthful effort,
and as a much-appreciated reward for success. Hundreds
of young artists received from the Society the first recogni-
tion of their powers, and were thus encouraged to per-
severe in careers which in many cases led to reputation
and success — in some to fame and fortune. And the
prizes given were often of large amount, so as to afford
substantial assistance to young artists. Prizes of ten,
1 Journal, vol. i. p. 365.
VALUE OF THE AWARDS 159
fifteen, and twenty guineas were common, and when
they recognised cases of unusual merit the Committee
did not hesitate to grant sums of fifty or a hundred
pounds.
The best evidence of the value of the Society's
Fine Art awards is to be found in the list given in the
following chapter, a list selected from the very much
longer catalogues of prize-winners. In it an attempt
has been made to pick out those who afterwards
became professional artists, and attained some amount
of success in their profession. Some other names of
persons who attained eminence or reputation have also
been included. It will be seen that the list contains a
great number of Royal Academicians and Associates,
amongst them three Presidents — Sir Thomas Lawrence,
Sir Charles Eastlake, and Sir John Millais ; many of the
best-known English engravers ; several celebrated sculptors;
numerous architects of eminence ; a large proportion of
our best-known medallists and gem-engravers ; and besides
these a very large number of artists of distinction in all
classes. There are also many of reputation in their day,
but now forgotten, and some who showed promise in their
youth not fulfilled in after years. The 450 or so names
printed have been collected out of a list of about 3000
awards, extending over a period of ninety-five years,
1755 to 1849. In the mass this represents a very
considerable amount of volunteer labour, carried out
by a committee of artists and amateurs, and it may
certainly be regarded as reflecting very great credit
on the institution by whose members it was faithfully
undertaken.
The task of selection has been one of some difficulty,
and has involved a certain amount of labour. Though
pains have been taken to ensure accuracy, it is certain
that there must be many errors and inaccuracies in the
list. Completeness was not to be expected, and it can
only be hoped that not many names of importance have
been overlooked. In many cases identification was not
found to be possible, and no doubt in others awards may
have been attributed to the wrong persons.
160 THE SOCIETY AND THE FINE ARTS
The accounts of the subsequent careers of the prize-
winners are mainly based on Redgrave's and Bryan's
well-known dictionaries. The notes about some of the
medallists and gem-engravers are taken from Ferrer's
Dictionary of Medallists.1 The Dictionary of National
Biography has, of course, been invaluable, though only a
small proportion of the candidates attained its standard
of distinction. Graves 's Dictionary of Exhibitors has
supplied numerous references . Dossie 's list of the Society 's
awards down to 1775 contains a certain amount of bio-
graphical information, but the notes are unfortunately
very brief.
The Society's rewards in the class of " Polite Arts,"
as in all the other classes, were at first always pecuniary.
In 1756 it was determined to provide also " Honorary
Premiums " in the form of gold and silver medals, but
this decision was not carried into effect until 1758, by
which time, after a good deal of discussion, a design
for the medal had been approved and a die cut. The
first medals were awarded in December of that year,
and amongst them was a gold medal to Lady Louisa
Augusta Greville for a landscape drawing in Indian
ink. This was the only medal awarded in the Art
class in 1758, but after that year the awards of
medals became numerous, at first only to amateurs,
but later to professional artists also. The " Honorary
Palette " was devised in 1766. An illustration of the
Palette is given on the opposite page. A description of
it will be found in Chapter XIV, p. 318. It was in two
sizes, in gold and silver, sometimes in silver-gilt.
The awards (other than money prizes) given by the
Society in the class of Fine Arts were : The Society's Medal
(often called the "Large Medal"), in gold and silver;
the Isis Medal (sometimes called the " Small Medal "),
in gold and silver ; the Palette, in two sizes and in both
metals, also rarely in silver gilt. On a very few occasions
the silver medal was " set in a gold border." There was
1 When the list was drawn up this Dictionary had not yet reached
letter R, but Mr. Forrer very kindly supplied some information collected
for the later volumes.
, Si
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t*Xv-. « A' »
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\% ^X
MEDALS AND MONEY PRIZES
161
also the Stock Medallion,1 nearly always given for Archi-
tecture, but occasionally for Sculpture.2
The " Premiums " mentioned in the list are all money
prizes. They vary in amount from £150 to a few
pounds, when a given amount had to be divided in
shares amongst a number of candidates. It has not been
considered necessary, except in some special cases, to
state in the list the value of the prizes. Sometimes a
medal and a money prize were both given.
1 This was awarded under the bequest of John Stock, " Painter to
His Majesty's Dockyards," who in 1781 left £100 to the Society, with
the condition that the interest should be applied for the promotion of
Drawing, Sculpture, and Architecture. See also Chapter XIV, p. 319.
2 A fuller account of the Society's various medals will be found in
Chapter XIV, p. 314.
The Society's Original Book-Plate.
CHAPTER VIII
THE FINE ART PRIZE-WINNERS
(1755-1849)
Artists and others who received the Society's Medals and Prizes —
A Selection from the Premium Lists.
ABSOLON, JOHN. Silver Palette in 1832 for a Portrait
in Chalk. Water-colour painter. Treasurer N.W.C.S.
Died 1895.
Adams, Francis. Premium in 1760 for a Drawing.
Portrait painter and engraver. " Did not attain any
excellence " (Redgrave).
Agar, John Samuel. Silver Palette in 1793 for Historical
Drawing. Portrait painter and engraver.
Aglio, Augustine. Silver Medal in 1831 for a Bust. An
Italian artist, who came to England in 1803 to assist
William Wilkins, R.A., the architect of the National
Gallery. Died 1857.
Alcock, J. Rutherford. Gold Medals in 1825 and 1826
for Anatomical Models in Wax (coloured). Sir
Rutherford Alcock, K.C.B., Consul in China; the
first British Envoy and Consul-General in Japan ;
afterwards British Envoy at Pekin. He gave up
medicine for diplomacy in 1837. He was for long a
member of the Society, and from 1880 to 1883 one
of its Vice-Presidents. In 1882 he read an important
paper on the Opium Trade. Died 1897.
Aliamet, Francis Germain. Premiums in 1764 and 1765
for Engravings. Engraver. Brother of the cele-
brated French engraver. Worked for Boydell and
others. Died 1790.
SELECTED NAMES 163
Allason, Thomas. Gold Medallion in 1810 for a Design
for an Academy of Arts. Architect. Alliance Fire
Office in Bartholomew Lane said to be his chief
work (Redgrave).
Andras, Catherine. Silver Palette in 1801 for Models
of Princess Charlotte and of Lord Nelson. Medallist.
Modeller in wax to Queen Charlotte. Produced
Portrait Medallions in the enamelled paste of Tassie
(q.v.), under whom she probably studied. Exhibited
at Royal Academy 1799-1824.
Artaud, William. Silver Palette in 1776, 1777, and 1782
for Drawings. Painter of portraits and historical
pictures. Exhibited at Royal Academy up to 1822.
Austin, Richard. Silver Medal in 1802, Silver Medal
(and 10 guineas) in 1803, and Silver Palette in 1804
for Wood Engraving. The 1803 medal was for a
wood-cut (reproduced on page 156), " England,
Scotland, and Ireland receiving the offerings of
Genius, alluding to the rewards of this Society/'
used as a frontispiece to the Premium List for the
year (1803), and printed in Vol. xxi. of the Trans-
actions (facing page i). Wood engraver. Pupil of
Bewick. " He was a clever artist, and much em-
ployed by the booksellers, but he did nothing to
promote the art " (Redgrave). Exhibited at Royal
Academy 1803 and 1806.
Bacon, John. Premium in 1759 (aged eighteen) for a
figure of Peace ; subsequent awards were made to
him in 1760, 1761, 1764 (two), 1765, 1772, 1774, 1776,
1777, and 1778, all for Casts or Models. In 1778
he was also presented with a Gold Medal in recogni-
tion of his gift to the Society of the statues of Mars
and Venus. An engraving of his Mars, by Bartolozzi,
is prefixed to Vol. v. of the Transactions, and one
of his Venus to Vol. vn. Sculptor. R.A. Eminent
and popular in his own day. Carried out many
important works and monuments. The Mars and
Venus are now in the Victoria and Albert Museum.
Died 1799.
164 THE FINE ART PRIZE-WINNERS
Baillie, Edward. Silver Medals in 1833 and 1837
Enamel Painting. Glass painter. Exhibited in 1851
Exhibition. Died 1856.
Daily, E. Hodges. Silver Medal in 1808 for a Plaster
Cast of the Laocoon. A pupil of Flaxman. Sculptor.
R.A. Retired 1863 and died 1867.
Ballantyne, John. Silver Medal in 1833 for a Drawing
from an Antique Statue. Copyist and portrait
painter. R.S.A. Died 1897.
Banks, Charles. Premiums in 1764, 1765, 1767, and 1768
(two) for Bas-reliefs. Sculptor. Brother of Thomas
Banks, R.A. Gold Medallist R.A. 1774. Exhibited
at Royal Academy 1775-1792.
Banks, Thomas. Premiums in 1 763, 1 765, and 1 766 for Bas-
reliefs ; Premiums in 1 769 for a Cast and for a Design
for Furniture. Sculptor. R.A. Monuments in St.
Paul's and in Westminster Abbey. " Takes high rank
among England's sculptors " (Redgrave). Died 1805.
Barney, Joseph. Silver Palette in 1774 for a Drawing of
Flowers ; Gold Palette in 1781 for Historical Draw-
ings. Fruit and flower painter. Exhibited at Royal
Academy 1786-1827. Drawing Master at Royal
Military Academy.
Barralet, John James. Gold Palette in 1774 for a Land-
scape. Water-colour painter. Exhibited at Royal
Academy from 1770. Died in America about 1812.
Barret, George. Premium in 1764 (£50) for a Landscape
Painting. Landscape painter. R.A. One of the
founders of the English school of water-colour painting.
A painter who " enjoyed great reputation in his
lifetime, which his works have not since maintained "
(Redgrave). Died 1784.
Barret, Joseph. Gold Palette in 1775 for an Ornamental
Design. Gold Palette in 1 777 for Landscape Drawing.
Landscape painter. Son of George Barret, R.A.
Exhibited at Royal Academy 1785-1800.
Barron, Hugh. Premiums in 1759, 1761, 1765, and 1766
for Drawings. Portrait painter. Exhibited at Royal
Academy 1782-1786. "The first amateur violinist
of his day " (Redgrave). Died 1791.
SELECTED NAMES 165
Barren, William Augustus. Premium in 1766 for a Chalk
Drawing ; Silver Palette in 1774 and Gold Palette in
1775 for Landscapes. Landscape painter. Brother
of Hugh Barren, and like him a musician. Exhibited
at Royal Academy 1774-1777.
Barry, James, R.A. Gold Medal and 200 guineas in 1798,
" In testimony of his public zeal and eminent abilities,
manifested in the series of Pictures in the Great Room
of the Society."
Bassett, Henry. Gold Medal in 1823 for a Design for
British Museum ; Gold Medallion in 1825 for a Design
for a Church . Architect. Exhibited at Royal Academy
down to 1844.
Beauvais, John. Premium in 1765 for a Drawing.
Miniature painter. A native of France. " Practised
with success as a miniature painter at Bath " (Red-
grave).
Behnes, William. Silver Medal in 1814 for an Outline of
the Gladiator Repellens ; Gold Medal in 1819 for the
invention of an Instrument for Transferring Points
to Marble. Sculptor. He was originally a portrait
painter, but afterwards obtained considerable fame
as a sculptor, and was specially successful with his
busts. Exhibited at Royal Academy 1815-1863.
Died 1864.
Bellingham, John. Premiums in 1758 and 1759 for
Ornamental Designs; in 1760, 1761, and 1763 for
Drawings. Draughtsman and drawing-master .
Bentley, Charles. Silver Medal in 1826 for Landscape in
Water-colour. Water-colour painter. Member Wat er-
Colour Society and constant exhibitor. Died 1854.
Benwell, Sarah. Silver Palette in 1806 for a Drawing.
Mentioned by Peter Pindar. Redgrave thinks the
poet really referred to her sister, Mary Benwell, a
better-known artist.
Berridge, John. Premiums in 1 766 and 1 767 for Drawings.
Portrait painter. Pupil of Sir Joshua Reynolds.
Exhibited at Royal Academy 1785.
Bewick, Thomas. Premium in 1775 (seven guineas) for
an allegorical Vignette on Wood. The great wood-
166 THE FINE ART PRIZE-WINNERS
engraver must have been just out of his apprentice-
ship, as he was born in 1753. Died 1828.
Biffin, Sarah. Silver Medal in 1821 for an Historical
Miniature. Miss Biffin, although born without hands
or feet, succeeded in making a name for herself as a
miniaturist.
Billings, Robert William. Silver Medal in 1833 for a Draw-
ing ; Silver Medal in 1835 for an Engraving; Silver
Medal in 1836 for a Water-colour Drawing; Silver
Medal in 1838 for an Oil Painting ; Gold Medal in
1837 for an Etching; Gold Medallion in 1839 for
" an Analysis of the great east window of Carlisle
Cathedral." Architect. Writer on architecture and
archaeology. Died 1874.
Birch, William. Silver Palette in 1784 for Pictures in
Enamel. Enamel painter and engraver. Went to
America and died in Philadelphia. Painted miniature
of Washington.
Blackmore, John. Silver Palette in 1772 for a Drawing.
Mezzotint engraver. Engraved some of Sir Joshua
Reynolds's portraits. Died about 1780.
Blore, Edward. Silver Medal in 1809 for a Drawing of
Fotheringham Church. Architect. F.R.S. Built
Sir Walter Scott's house at Abbotsford. Architect
to King William iv. and to Queen Victoria. Designed
the front of Buckingham Palace. Died 1879.
Bond, John Daniel. Premiums in 1764 and 1765 for
Landscapes. Landscape painter. " Resided chiefly
at Birmingham, where he conducted the decorative
branch of some large manufactory " (Redgrave).
Died 1803.
Bonner, Thomas. Premium in 1763 for an Etching of a
Landscape. Topographical draughtsman and engraver.
Illustrated several topographical works. Exhibited
at Royal Academy in 1807.
Bonomi, Joseph. Silver Medal in 1815 for a Bas-relief.
Sculptor. Son of Joseph Bonomi, A.R.A. Exhibited
at Royal Academy 1809-1838. The well-known
Egyptologist. Curator of Sir John Soane's Museum.
Died 1878.
SELECTED NAMES 167
Bouvier, Augustus Jules. Silver Medal in 1841 for a
Chalk Drawing. Water-colour painter. Died 1 88 1.
Boydell, John. Gold Medal in 1773 for Encouraging the
Art of Engraving. Engraver and publisher . Published
celebrated ' ' Shakespeare Gallery . ' ' Lord Mayor 1 790 .
Died 1804.
Brandenburgh, Anspach, and Bareith, etc., The Margravine
of (previously Lady Craven). Silver Medal in 1806
for a Model in Bas-relief of the late Margrave.
Branston, Allen Robert. Silver Palette in 1806 and
Silver Medal in 1807, both for Wood-engraving.
Wood-engraver. Died 1827.
Branwhite, Charles. Silver Medal in 1837 for a Figure
in Bas-relief. Landscape painter. Died 1880.
Brigstocke, Thomas. Silver Medal in 1826 for a Chalk
Drawing ; Silver Medal in 1827 for an Oil Painting.
Portrait painter. Exhibited at Royal Academy from
1842. Died 1881.
Brockedon, William. Silver Medal in 1823 for a Rest for
painters engaged in minute work. Subject and history
painter. He was an F.R.S. and made various in-
ventions, some of which were patented. He received
another Medal for a Surgical Apparatus in 1825. He
was Chairman of the Committee of Polite Arts from
1824 to 1831. " He displayed no ordinary talent in
the various departments of painting — historical,
landscape, and portrait " (Bryan). His portrait by
himself is in the Uffizzi Gallery at Florence. Died
1854.
Bromley, James. Silver Palette in 1821 for an Etching.
Mezzotint engraver. Engraved many well-known
portraits. Died 1838.
Bromley, John Charles. Two Silver Palettes and a Silver
Medal in 1808, 1809, and 1810 for Etchings. Mezzo-
tint engraver. He was born in 1 795, so that he cannot
have been more than fourteen when he took his first
prize. Died 1839.
Bromley, William, A.R.A. Gold Medal 1821 for an
Historical Engraving. This was not an award to a
student, for Bromley had been an Associate Engraver
1 68 THE FINE ART PRIZE-WINNERS
of the Royal Academy since 1819. He was the father
of J. C. Bromley and of James Bromley. Died 1842.
Browne, Hablot Knight. Silver Medal in 1832 for a Group
of Figures in Pencil ; Silver Medal in 1833 for a " Free
Etching of historical composition." Two years before
he gained his first medal (at the age of seventeen)
he began the association with Dickens on which his
reputation was founded. Under the well-known
signature of " Phiz " he illustrated the latter part
of Pickwick, Nicholas Nickleby, Martin Chupzlewit,
Dombey, Copper field, Bleak House, Little Dorr it, and
A Tale of Two Cities (Bryan). Died 1882.
Browne, John. Premium in 1763 for a Drawing. En-
graver. A.R.A. Apprenticed to Tinney the print-
seller, and to Woollett. Exhibited at Royal Academy
1771-1783. Died 1801.
Bryer, Henry. Premium in 1762 for an Etching. Pre-
miums in 1763 and 1764 for Engravings. Engraver.
Engraved some of Angelica Kauffmann's pictures.
Pupil and partner of W. W. Ryland. Died 1799
according to Redgrave and Bryan, but Dossie in the
list published in 1783 speaks of him as dead.
Bunning, James Bunstone. Silver Medal in 1822 for a
Drawing of Bow Church. Architect. Surveyor to
Foundling Hospital, architect to Corporation of
London. Amongst his chief works were Billingsgate
Market, Coal Exchange, Islington Cattle Market.
Died 1863.
Burch, Edward. Premiums in 1762, 1763, and 1765 for
Gem Engraving. Sculptor and medallist. R.A. "As
a gem engraver he was unrivalled in his day " (Red-
grave). Died 1814.
Burgess, Thomas. Silver Palette in 1771 and 1773 for
Drawings. Portrait painter and teacher. "Mr. Bur-
gess's Academy in Maiden Lane produced many able
claimants for the Society's awards " (Dossie). Ex-
hibited at Royal Academy 1778-1786.
Burgess, William. Premium in 1761 for a Drawing.
Portrait painter and teacher. He was connected with
Thomas Burgess's Academy in Maiden Lane, and
SELECTED NAMES 169
was probably related to him. Exhibited at Royal
Academy 1774-1799. Died 1812.
Burt, Albin R. Silver Medal in 1830 for a Portable Easel.
Engraver and portrait painter. Produced a print
of Emma, Lady Hamilton. Died 1842.
Buss, Robert William. Silver Medal in 1 826 for a Portrait
in Oil. Portrait and subject painter. Illustrated
numerous books. Exhibited at Royal Academy
1826-1859. He was employed to make illustrations
for Pickwick after the death of Seymour, and before
Hablot K. Browne (" Phiz") took up the work, but
his engravings were not used. Died 1874.
Byrne, William. Premium in 1765 for an Engraving.
Landscape engraver. Engraved Hearne's (q.v.) draw-
ings for the Antiquities of Great Britain. "May
be justly ranked among our eminent engravers of
landscape " (Bryan). Died 1805.
Calvert, Frederick. Silver Medal in 1833 for an Oil Paint-
ing. Topographic draughtsman. Published various
series of views, etc.
Carr, Johnson. Premiums in 1757, 1758, 1759, and 1764
for Drawings of Figures; Premiums in 1760, 1761
(two), 1762, and 1763 for Landscape Drawings. Pupil
of Richard Wilson, R.A. He died young, at the
age of twenty-two. " This promising young man,
at the early period of twenty-one years, executed
drawings equal to those of the ablest masters then
in this country. He died, much regretted, in 1764 "
(Dossie).
Carter, James. Silver Medal in 1819 for Architectural
Drawing. Engraver. Engraved for the Annuals and
for the Art Union. Died 1855.
Casali, Andrea. Premiums (100 and 50 guineas) in 1760,
1761, 1762, and 1766 for Historical Oil Paintings.
Historical painter. Casali was an Italian who came
to England before 1748, and returned to Italy about
1766. He painted an altar-piece for the Foundling
Chapel, some pictures for St. Margaret's, Westminster,
some ceilings at Fonthill, etc.
1 70 THE FINE ART PRIZE-WINNERS
Chalon, Maria Ann. Silver Palette in 1 8 1 3 for a Drawing ;
Silver Medal in 1818 for a Painting. Miniature
painter. Daughter of H. B. Chalon, the animal
painter. She was miniature painter to the Duke of
York. Exhibited at Royal Academy 1819-1866.
Married H. Mosetey. Died 1867.
Chamberlin, Mason. Premium (50 guineas) in 1764 for
an Historical Oil Painting. Portrait painter. R.A.
His portrait of Dr. Hunter is in the Royal Academy,
and his portrait of Dr. Chandler at the Royal Society.
Died 1787.
Cheesman, Thomas. Silver Palette in 1781 for a Draw-
ing ; Gold Medal in 1814 for an Engraving. En-
graver and draughtsman. One of Bartolozzi's best
pupils. Exhibited drawings and portraits at Royal
Academy 1802-1820. Engraved Hogarth's " Lady's
Last Stake."
Clack, Richard Augustus. Silver Medal in 1825 for a
Landscape; Silver Medal in 1826 for a Portrait.
Portrait painter. Exhibited at Royal Academy 1830-
1857.
Clennell, Luke. Gold Palette in 1806, and Gold Medal in
1809, both for Wood Engraving. Wood engraver
and subject painter. He was apprenticed to Bewick,
and succeeded as a wood-engraver, but abandoned
that art for painting. Exhibited at Royal Academy
1812-1816. Became insane in 1817. Died 1840.
Clevely, John, Premium in 1765 for a Sea Painting in
Oil. Silver Palette in 1774 for a view of a Castle
in the Isle of Wight. Marine painter. Exhibited
at Royal Academy 1770-1786. Draughtsman to
Captain Phipp's Arctic Expedition, and illustrated
the Journal of the voyage. Died 1786.
Clint, George. Gold Medal in 1819 for an Historical En-
graving. Portrait painter and engraver . A. R.A. Died
1854.
Clint, Raphael. Gold Medal in 1825 for an Intaglio of a
Head. Gem engraver. Son of George Clint, A.R.A.
" Possessed considerable talent " (Bryan).
Clint, Scipio. Gold Medals in 1824 and 1826 for Medal
SELECTED NAMES 171
Dies. Medallist. Son of George Clint, A.R.A.
Medallist to the King. Died 1839 at the age of
thirty-four.
Coleman, William. Premiums in 1775, 1776, and 1777
for Engraving on Wood. Wood engraver. Died
1807.
Collyer, Joseph. Premium in 1761 for a Drawing. En-
graver. A.R.A. Engraved some of Sir Joshua Rey-
nold's portraits, also for Boydell. He was about
thirteen when he took the prize. Died 1 827.
Cook, Richard. Gold Palette in 1802 for a Drawing of
Mucius Scaevola. History painter. R.A. Died
1857.
Cook, Thomas. Premium in 1761 for a Drawing; Silver
Palette in 1770 for a Drawing. Engraver. " Rose
to the very top of his profession " (Redgrave).
Worked for Boydell. Died 1818.
Cooley, Thomas. Premiums in 1763, 1764, and 1765 for
Architectural Designs. Architect. Built the Royal
Exchange in Dublin, and other buildings in Ireland.
Died 1784.
Cope, Charles West. Silver Medal in 1828 for a Finished
Drawing from a Statue ; Silver Medal in 1829 for an
Oil Painting. Historical painter. R.A. The por-
trait of Prince Albert in the Society's meeting-room
was painted by Cope. Died 1890.
Corbaux, Fanny. Silver Medal in 1827, and Gold Medal
in 1830 for Miniatures ; Silver Medal in 1829 for
a Water-colour. Water-colour painter. Exhibited
numerous pictures at Royal Academy, and also at
the New Water-Colour Society. Writer on Oriental
subjects and Biblical exegesis. Died 1883.
Corbaux, Louisa. Silver Medal in 1828 fora Drawing;
Silver Medal in 1829 for a Water-colour. Water-
colour painter. Sister of Fanny Corbaux. Exhibited
at Royal Academy, but more frequently at New
Water-Colour Society.
Corbould, George. Silver Palette in 1806 for a Drawing.
Engraver. Brother of H. Corbould. Died 1846.
Corbould, Henry. Gold Palettes in 1804 and 1805, both
172 THE FINE ART PRIZE-WINNERS
for Historical Drawings. Historical painter and
draughtsman. He prepared the drawings of the
Elgin Marbles. Died 1844.
Cosway, Richard. Premium in 1755 for a Drawing in
Chalk, the First Prize in the Society's first competi-
tion ; Premium in 1757 for an Ornamental Design;
Premiums in 1758, 1759, and 1760 for Drawings.
Miniature and portrait painter. R.A. A pupil of
Shipley. The Society possesses two portraits by
him, Shipley and Templeman. Died 1821.
Cotman, John Sell. Silver Palette in 1800 for a Drawing.
Landscape and marine painter. Worked both in oil
and water-colour. Exhibited at Royal Academy.
Lived some time in Norfolk, and much of his work
was done in that county. Died 1842.
Cousins, Samuel. Silver Palette in 1813, and Silver
Medal in 1814, both for drawings. His first award
was obtained when he was eleven years old. En-
graver. R.A. " His ceuvre consists in all of about
200 plates " (Bryan). An apprentice and assistant
of S. W. Reynolds, the engraver, he lived to engrave
Millais's " Cherry Ripe." Died 1887.
Crellin, Henry Pickersgill. Premium in 1820 for a Draw-
ing. Nephew of H. W. Pickersgill, R.A. Did not
follow artistic pursuits, but practised as a medical
man. Brother of H. N. Crellin. Died about 1843.
Crellin, Horatio Nelson. Premium in 1819 for a Drawing.
Engraver. Gave up the pursuit of Art and became
a medical man. Died about 1881.
Cross, Richard. Premium in 1758 for a Drawing. Minia-
ture painter. Exhibited at Royal Academy 1770-
1795. Died 1810.
Dall, Nicholas Thomas. Premium in 1768 for a Land-
scape. Landscape painter . A.R.A. He was a Dane,
and settled in London about 1760. Was a scene
painter at Covent Garden Theatre before his election
into the Royal Academy. Died 1777.
Daniell, Thomas. Premium in 1780 for Landscape Paint-
ing. Landscape painter, R.A. Painted in India
SELECTED NAMES 173
for ten years, and made his reputation by Indian
views. Died 1840.
Davis, John Scarlett. Silver Palettes in 1816 for an
Engraving, and in 1821 for a Head in Pen-and-ink.
Subject painter. Successful as a painter of interiors.
Exhibited at Royal Academy 1825-1841. Died 1841.
Dean, Hugh Primrose. Premium in 1765 for a Land-
scape. Landscape painter. Exhibited at Royal
Academy 1779-1780. Died about 1784.
Deare, Joseph. Silver Medal in 1823 for a Plaster Model.
Two Silver Medals in 1824 for a Bas-relief and for
a Copy of a Group. Sculptor. Exhibited at Royal
Academy 1825-1832.
De la Motte, William. Silver Medal in 1 82 1 for an Etching.
Water-colour painter. Pupil of West. Exhibited at
Royal Academy 1 796-1 848 . Drawing-master at Royal
Military Academy. Died 1863.
Denman, J. Flaxman. Silver Palette in 1822 for a
Drawing in Indian Ink. Subject painter. Exhibited
at Royal Academy in 1839. Presumably a relation
of Mrs. Flaxman.
Denman, Maria. Silver Medal in 1807 for her Drawing
of Flaxman's Design for the Society's Medal, printed
as the Frontispiece to Vol. xxv. of the Transactions ;
Silver Medal, also in 1807, for " a Beautiful Plaster
Model of a Cupid's Head." She was the sister of
Flaxman's wife, and his adopted daughter. She
founded the Flaxman Gallery at University College,
London.
Denman, Thomas. Silver Palette in 1807 for a Plaster
Model. Sculptor. Exhibited at Royal Academy and
elsewhere 1815-1837. Possibly Mrs . Flaxman 's brother .
Derby, Louisa. Silver Medal in 1828 for a Pencil Drawing
of a Landscape by Claude. She afterwards married
Henry Room, a portrait painter of some reputation.
Their eldest son, Howard Henry Room, was a valued
official of the Society from 1861-1900.
Devis, Antony. Premium in 1763 for a Landscape.
Landscape painter. Exhibited at Royal Academy
1772 and 1781, Died 1817,
174 THE FINE ART PRIZE-WINNERS
Dickinson, William. Premium in 1767 for a Mezzotint
of R. E. Pine's Portrait of King George n. Engraver.
Engraved after West, Morland, Stubbs, Reynolds,
etc. Died 1823.
Dighton, Denis. Silver Medals and Palettes in 1807,
1808, 1810, and 181 1 for Drawings and an Oil Painting
(Battle of Agincourt). Battle painter. Exhibited at
Royal Academy 1811-1825. Son of Robert Dighton.
Died 1827.
Dighton, Robert. Silver Palette in 1768 for a Fancy
Head in Pen-and-ink after Worledge. Portrait
painter and drawing master. Exhibited at Royal
Academy 1775-1777. Died 1814.
Dobson, William Charles Thomas. Silver Medal in 1841
for an Oil Painting, " The Prodigal Son." Painter
in oil and water-colour . R.A. Died 1898.
Donaldson, John. Premium in 1764 for an Historical
Painting; two Premiums in 1768 for Enamels.
Miniature painter. Apparently a man of varied
accomplishments, but unsettled and wanting in
application. He seems to have failed in life, and died
in poverty 1801.
Donaldson, Thomas Leverton. Silver Medal in 1815 for an
Original Architectural Design. Architect. P. R. I.E. A.
Author of works on architecture. Died 1885.
Downman, John. Premium in 1779 for an Historical
Painting. Portrait and subject painter. A.R.A. Died
1824.
Drummond, Eliza Anne. Gold Medal in 1822 for " an
original portrait/' no doubt the portrait of Ann
Cockings, the Society's Housekeeper, now in the
Society's possession (see page 343 and Appendix
III.). Silver Medal in 1823 for an " Historical com-
position." Exhibited at Royal Academy and else-
where.
Dubourg, Richard. Premium in 1755, at the first of the
Society's competitions, at the age of fourteen, for a
Drawing. Dossie says that he devoted himself to
the reproduction of examples of ancient Italian
architecture, and had some sort of exhibition of
SELECTED NAMES 175
reproductions in cork of " Venerable Remains of
Antiquity." His name does not appear in Redgrave
or Bryan.
Dunkarton, Robert. Premiums in 1761, 1762, 1763,
1764, 1765, and 1766 for Drawings of various sorts ;
Premium in 1767 for an Engraving of Chamberlin's
Portrait of Dr. Chandler, the antiquary and traveller
(now in the possession of the Royal Society). Mez-
zotint engraver. Exhibited portraits at Royal Academy
1774-1779. " As a mezzotintist ... he was rarely
surpassed " (Redgrave). Engraved portraits by Rey-
nolds, West, and others. After 1811 "there is no
trace of him " (Bryan).
Durant, Susan. Silver Medal in 1847 for an Original
Plaster Bust. Sculptor. Exhibited at Royal Acad-
emy 1847—1873. The Princess Louise was her pupil.
Died 1873.
Durnford, Elias. Premium in 1755 for a Drawing of
Flowers (third prize in the class between fourteen
and seventeen) ; Premium in 175 7 for an Orna-
mental Design. Went to America, and became
Lieut .-Governor of Pensacola (Dossie).
Durno, James. Premiums in 1762 and 1765 for Draw-
ings ; Premiums in 1766, 1770, and 1773 (100 guineas)
for Oil Paintings. Historical painter. Died in 1795
in Rome, where he lived from 1774.
Earlom, Richard. Premiums in 1757 (under fourteen
years of age), 1758, 1759, 1760, 1761, 1762, 1763,
1764, and 1765 for Drawings in various classes ;
Premium in 1766 for an Etching. Engraver. A
pupil of Cipriani, and afterwards one of the most
distinguished of English engravers. " His ' Liber
Veritatis/ comprising mezzotint engravings after
200 drawings by Claude, published in 1777, is well
known " (Redgrave). Died 1822.
Eastlake, Charles Locke. Silver Medal in 1810 for a
drawing of Cupid and Psyche. Historical painter.
Sir Charles Eastlake, P.R.A. Director of the National
Gallery. He acted as Chairman of the Society's
1 76 THE FINE ART PRIZE-WINNERS
Committee which procured the passing of the Art
Copyright Act, 1862. Died 1865.
Eckstein, John. Premiums in 1761 and 1764 (50 guineas)
for Bas-reliefs. Modeller and portrait painter. Ex-
hibited wax models and portraits at Royal Academy
1770-1798.
Eddis, Eden Upton. Silver Medal in 1828 for a Drawing.
Portrait painter. Gold Medallist R.A. 1837. Ex-
hibited at Royal Academy 1834-1881. Popular and
successful artist. His portrait of Theodore Hook is
in the National Portrait Gallery. Died 1901.
Edwards, Edward. Premium in 1762 for a Drawing;
Premiums in 1764 and 1765 for Historical Pictures ;
Gold Medal in 1770 for an Historical Painting;
Premium in 1781 for a Landscape. Portrait and
subject painter. A.R.A. Teacher of perspective at
Royal Academy. Published Anecdotes of Painters,
a supplement to Walpole's work. Died 1806.
Edwards, John. Premiums in 1757 for a Drawing ; in
1 760 for an Ornamental Design ; in 1 760 for a Land-
scape Drawing; in 1761, 1762, 1763, and 1767 for
Drawings of Flowers ; in 1764 for an Historical
Drawing ; Gold Palettes in 1 769 for a Figure Draw-
ing, and in 1771 for a Drawing of Flowers. Historical
and flower painter. Pupil of Maberley. Exhibited at
Society of Artists, etc., up to 1812.
Eggbrecht, John E. Silver Medal in 1821 for a Chalk
Drawing ; Silver Medal in 1824 for an Oil Painting.
Painter of still life. Exhibited at Society of British
Artists 1826-1828.
Engleheart, Thomas. Premium in 1777 for a Model
of a Human Figure. Sculptor and modeller in wax.
Exhibited at Royal Academy 1773-1786. Gold
Medallist R.A. 1772.
Engleheart, Timothy Stansfeld. Silver Palette in 1821
for a Chalk Drawing. Line engraver. Engraved for
the Annuals. Son of William Francis. Died 1879.
Engleheart, William Francis. Silver Palette in 1798 for
an Outline Drawing. Engraver. Engraved after
Stothard, Cook, and Smirke. Died 1849.
SELECTED NAMES 177
Ensom, William. Silver Medals in 1815 and 1816 for
Pen-and-ink Drawings. Engraver. Died 1832.
Fairland, Thomas. Silver Medals in 1822 and 1823 for
Drawings. Engraver, lithographer, and portrait painter .
Died 1852.
Falconet, Peter. Premium in 1766 for an Historical
Painting; Premium in 1768 for an Oil Painting.
Portrait painter. Exhibited at Royal Academy in
1773-
Farey, Joseph. Silver Palette in 1809 for an " Original
Drawing of a Steam Engine " ; Silver Palette in
1809 for a " Perspective Drawing of London Bridge
Water- Works." Engineer and draughtsman. He was
the son of John Farey, geologist and consulting
surveyor, and the brother of John Farey, jun., a civil
engineer of eminence, who received a Gold Medal from
the Society for his ellipsograph. As a young man,
John Farey supplied mechanical drawings to various
works, and some of the illustrations in Vols. xxvi. to
xxxi. of the Transactions are by him. It is possible
that some may also be by Joseph, as the initials of
the brothers are the same. Joseph Farey later on
took over part of his brother's work. He died about
1829.
Farington, George. Silver Palette in 1770 and 1771 for
Landscapes; Silver Palette in 1771 for a Drawing.
History painter. Brother of Joseph Farington, R.A.
Pupil of West. Gold Medallist R.A. 1780. Ex-
hibited at Royal Academy in 1773 and 1783. Died
1788.
Farington, Joseph. Premiums in 1764, 1765, and 1766
for Landscape Drawings. Landscape painter. R.A.
Illustrated Boy dell's great work on the History of the
Thames. Died 1821.
Faulkner, B. Premiums in 1819, 1820, and 1822 for
Die Engraving. Medallist. Forrer mentions several
of his medals, all produced in or before 1826. He
suggests that he may have been identical with
B. R. Faulkner, a portrait painter of reputation who
13
i;8 THE FINE ART PRIZE-WINNERS
exhibited at the Royal Academy 1821-1849, but this
is improbable, for the Faulkner (or Faulkener) who
took the prizes lived in Birmingham, whereas B. R.
Faulkner was at the time living in Newman Street,
London.
Feary, John. Premiums in 1766 for a Drawing and
in 1776 for a Landscape. Landscape painter. Ex-
hibited at Royal Academy 1772-1788. Painted
views of gentlemen's seats and parks.
Fennell, John G. Silver Medal in 1827 for a Chalk Draw-
ing. Engraver. Pupil of Henry Sass. Super-
intended the Findens's establishment.
Finden, Edward. Silver Palette in 1810 for an Outline
of the Laocoon. Engraver. Younger brother of
William Finden. Died 1857.
Finden, William. Silver Palette in 1807 and Silver
Medal in 1808 for Drawings ; Gold Medal in 1813
for an Engraving. Engraver. The two Findens,
Edward and William, worked together. They en-
graved some of Landseer's and Wilkie's works, and
produced many illustrations for books. Died 1852.
Finlayson, John. Premium in 1764 for an Enamel
Painting; Gold Palette (and 30 guineas) in 1773
for his Mezzotint of Sir Joshua Reynolds 's Portrait
of Lord Romney. Mezzotint engraver. Engraved
portraits after Hone, Coates, Zoffany, and Reynolds.
Died about 1776.
Flaxman, John. Premium in 1766 (at the age of eleven)
for Modelling in Clay ; Premiums (two) in 1769 for
the same; Gold Palette in 1770 for Modelling a
Statue of Garrick ; Gold Medal in 1 807 for Designing
the Society's Medal and presenting it to the Society.
In the latter year a Silver Medal was awarded to his
sister-in-law, Miss Maria Denman (q.v.), for a Drawing
of the Medal, which forms the Frontispiece to Vol.
xxv. of the Transactions (1807). Sculptor. R.A.
Died 1826.
Fox, Charles. Silver Medal in 1847 f°r an original Com-
position in Plaster. Modeller. Died 1854.
Freebairn, Alfred Robert. Silver Palette in 1810 for a
SELECTED NAMES 179
Drawing. Engraver. " Chiefly known by his en-
graving of Flaxman's ' Shield of Achilles ' " (Bryan).
Died 1846.
Frith, William Powell. Silver Medal in 1836 for Drawing
in Chalk from a Bust ; Silver Medal in 1837 for a
finished Drawing from a Cast . Subject painter. R.A.
Painter of the celebrated and popular pictures, " The
Derby Day," " The Railway Station/' " Margate
Sands," etc. Frith was born in 1819, so he must
have been about seventeen when he received his first
award. Died 1909.
Frost, William Edward. Silver Medals in 1829, 1830, and
1831 for Drawings ; Silver Medal in 1832 for Com-
position in Oil in Still Life ; Gold Medal in 1834 for
a Portrait in Oil. Subject painter. R.A. Died 1877.
Gahagan, Sebastian. Premium in 1777 for a Model.
ScUlptor. Assistant to Nollekens. Exhibited at
Royal Academy 1802-1835. The Duke of Kent's
statue at the top of Portland Place is by him.
Gandon, James. Premiums in 1757 for a Drawing;
in 1758 for a Design for Weaving; in 1759 for a
Landscape; in 1762, 1763, and 1 764 for Architectural
Designs. Architect. Gold Medallist R.A. 1769.
Exhibited at Royal Academy 1774-1780. Carried
out important works in Dublin. Died 1823.
Gardner, Rev. John. Premium in 1767 for a Landscape
in Oils. Amateur. Vicar of Battersea. Died 1808.
Garvey, Edmund. Premiums in 1769 and 1771 for Land-
scapes. Landscape painter . R.A. Died 1813.
Geddes, Margaret. Silver Medal in 1812 ; Gold Medals in
1813 and 1814 for Oil Paintings. Portrait painter,
" who secured great reputation " (Bryan). She
married W. H. Carpenter, Keeper of Prints and
Drawings in the British Museum. Three of her
portraits are in the National Portrait Gallery. Died
1872.
Godby, James". Silver Palette in 1787 for an Outline
Drawing. Engraver. Illustrated Fine Arts of the
English School, 1812, etc .
1 8o THE FINE ART PRIZE-WINNERS
Goldicutt, John. Silver Medallion in 1815 for an Archi-
tectural Design. Architect. Secretary R.I.B.A.
Published an account of the Pompeian paintings,
etc. Died 1842.
Gooch, Thomas. Silver Palette in 1778 for Drawings
of Animals. Animal painter. Exhibited at Royal
Academy 1781-1802, principally portraits of horses
and dogs.
Goodall, Edward. Silver Medal in 1837 for a Water-
colour Painting. Water-colour painter. Brother of
F. Goodall, R.A.
Goodall, Frederick. Silver Medal in 1837 for Water-
colour Drawing ; Silver Medal in 1838 for Oil Paint-
ing, " Interior of Thames Tunnel." He was not
sixteen when this, his first oil painting, was produced.
It led to a friendship with Sir Isambard Brunei and
to a visit to Normandy, where he found the materials
for his first Royal Academy picture," French Soldiers
Playing at Cards," exhibited 1839. From that
date his career was one of successful and deserved
popularity. Subject painter . R.A. Died 1904.
Gott, Joseph. Silver Palette in 1808 for Original Plaster
Cast. Sculptor. Gold Medallist R.A. 1819. Ex-
hibited at Royal Academy 1820-1848.
Graham, George. Silver Palette in 1780 for a Drawing.
Engraver. Produced book illustrations, etc.
Grant, William. Silver Palette in 1837 for a Pencil
Drawing. Historical painter. Exhibited at Royal
Academy 1847-1866. Died 1866.
Green, Benjamin Robert. Silver Palette in 1824 for a
Chalk Drawing ; Silver Medal in 1825 for an Out-
line Drawing ; Silver Medal in 1827 for a Portrait in
Oil. Water-colour painter. Died 1876.
Gresse, John Alexander. Premium in 1755 (aged twelve)
for a Drawing ; Premiums in 1756, 1757, 1758, 1759
(three), 1761, and 1762 for Drawings; Premium in
1769 for a Landscape in Oils. Water-colour painter.
Fashionable drawing-master. Taught the daughters
of George in . Died 1 794.
Greville, Lady Louisa Augusta. Gold Medals in 1758,
SELECTED NAMES 181
1759, and 1760 for Drawings. She was the first to
take one of the honorary awards offered to amateurs.
Gold Medal in 1759 for an Etching. She was a
daughter of the eighth Earl of Warwick, and an
amateur of considerable skill who produced some
good etchings.
Grignion, Charles. Premium in 1765 for a Drawing;
Silver Palette in 1768 for a Drawing. Portrait and
history painter. Son of Thomas Grignion, the clock-
maker. Gold Medallist R. A. 1776. Painted Nelson's
portrait. Exhibited at Royal Academy 1770-1784.
Died 1804.
Grignion, Thomas. Premium in 1761 for a Drawing.
This wras the son and successor of Thomas Grignion,
one of the earliest members of the Society, an eminent
clock-maker, and the donor of the clock now in the
meeting-room. Thomas Grignion the younger was
also a well-known clock-maker.
Gwilt, George. Silver Palette in 1818 for a Drawing.
Architect. Best known by his restoration of St.
Saviour's Church, Southwark (1822-25). Died 1856.
Habershon, Matthew. Silver Medallion in 1813 for a
Design for a Palace. Architect. Built several churches,
public buildings, and country houses in Derbyshire,
Yorkshire, Worcestershire, etc. Exhibited at Royal
Academy 1807—1827. Published Ancient Half-Tim-
bered Houses of England, 1836. Died 1852.
Hakewill, John. Premiums in 1759, 1760, 1761, 1762,
1763, and 1764 for Drawings in Various Classes ;
Silver Palette in 1772 for a Landscape. Landscape
and portrait painter . Died 1791.
Hall, John. Premium in 1756 for a Drawing ; Premium
in 1761 for an Engraving. Engraver. Engraved after
West, Reynolds, Gainsborough, Hoare, and Dance.
11 Ranks among our best historical engravers " (Red-
grave). Died 1797.
Hamilton, Hugh Douglas. Premiums in 1764, 1765, and
1 769 for Historical Picture and Oil Paintings. Portrait
painter. R.H.A. Died 1806.
1 82 THE FINE ART PRIZE-WINNERS
Handasyde, Charles. Premiums in 1765 and 1768 for
Enamel Paintings. Miniature and enamel painter.
Exhibited at Royal Academy in 1776.
Harding, James Duffield. Silver Medal in 1815 for a
Drawing ; Silver Medal in 1 8 1 8 for an Original
Landscape. Water-colour painter. Died 1863.
Hardwick, Philip. Gold Medallion in 1809 for Original
Drawing of an Academy of Arts. Architect. R.A.
Amongst his principal works were Euston Square
Station, the Goldsmiths' Company's Hall, and Lincoln's
Inn Hall and Library. Died 1870.
Hart, Solomon Alexander. Silver Medal in 1826 for a
Finished Drawing from a Statue. Subject painter.
R.A. Exhibited from 1826—1880. Librarian of
the Royal Academy for some years. He was about
twenty when he gained the medal. Died 1881.
Hassell, Edward. Silver Medal in 1828 for an Oil Painting
of the Altar-piece of St. Margaret's ; Silver Medal in
1829 for Painting of Interior of Edward the Con-
fessor's Chapel. Landscape painter. Secretary to
Society of British Artists. Most of his exhibits were
interiors of Gothic cathedrals. Died about 1852.
Hassell, John. Silver Medal in 1810 for Improvements
in Aquatint. Draughtsman and engraver. Worked
in aquatint. Published Illustrated Guide to Bath,
and some other works.
Hayter, George. Silver Medal in 1821 for an Etching
from a picture by Titian. Sir George Hayter. Portrait
and historical painter. He was appointed portrait
and history painter to Queen Victoria on her
accession. Died 1871.
Head, Guy. Silver Palettes in 1 781 and 1 782 for Historical
and Landscape Drawings. Portrait painter. Resided
many years in Rome. " Best known as a copyist "
(Redgrave). Died 1800.
Hearne, Thomas. Premiums in 1763 for a Drawing, in
1 764 for a Drawing of a Horse, in 1 765 for an Etching,
in 1767 for a Landscape ; Gold Palette in 1776 for
a Landscape in Oils. Water-colour painter. Worked
first as an engraver. Exhibited at Royal Academy
SELECTED NAMES 183
up to 1802. His drawings for the Antiquities of Great
Britain were engraved by W. Byrne (q.v.). Died
1817.
Hebert, William. Premium in 1760 for a Flower Picture.
Engraver. Published some landscapes.
Henderson, John. Premium in 1762 for a Drawing.
Engraver. Pupil of Shipley. Abandoned his art and
became a successful actor. Died 1785.
Henning, John. Silver Medal in 1816 for a Plaster Cast.
Modeller. Copied some of the Elgin Marbles. Died
1851.
Hilditch, George. Gold Medal in 1823 for an Original
Landscape in Oil ; Silver Medal in 1824 for a Copy
in Oil ; Silver Medal in 1825 for an Original Picture
(still life) in Oil. Landscape painter. Exhibited at
Royal Academy 1823-1856. Died 1857.
Hoare, Prince. Premium in 1772 for a Flower Picture.
Portrait and historical painter. Exhibited at Royal
Academy 1781-1815. Son of William Hoare, R.A.
Wrote several books on Art. Foreign Corresponding
Secretary to Royal Academy. Died 1834.
Hodges, William. Premium in 1759 for Modelling in
Clay; Premiums in 1762, 1763, and 1764 for River
Views. Landscape painter. R.A. Errand-boy in
Shipley's School. Appointed in 1772 draughtsman
to Captain Cook's second expedition. Died 1797.
Hodgson, Thomas. Premium in 1775 for Wood Engraving.
Wood engraver. Employed by Bewick, and practised
on his own account.
Hole, Henry. Gold Palette in 1804 for Wood Engraving.
Wood engraver. Pupil of Bewick.
Hollis, Thomas. Gold Medal in 1837 for a Water-colour.
Draughtsman. Son of George Hollis, engraver, and
worked with him. Died 1843.
Hook, James Clark. Silver Medals in 1837 and 1838 for
Drawings in Chalk ; Silver Medal in 1 840 for Two
Portraits in Oil. Marine painter. R.A. Died 1907.
Hop wood, James. Silver Palette in 1803 for an Outline
Drawing. Engraver. " Designed and engraved some
clever book illustrations " (Redgrave),
1 84 THE FINE ART PRIZE-WINNERS
Horsley, John Callcott. Silver Medal in 1830 for a Chalk
Drawing from a Bust ; Silver Medal in 1831 for a
Finished Drawing from a Statue. Subject painter.
R.A. He painted the portrait of " Queen Victoria and
her Children " in the Society's meeting-room. As
Horsley was born in 1817 his first award was taken
when he was thirteen. Died 1903.
Horwell, Charles. Silver Palette in 1787 for a Figure
of Psyche. Sculptor. Gold Medallist R.A. 1788.
Exhibited at Royal Academy 1787-1807.
Howard, Frank. Silver Palette in 1822 for a Chalk
Drawing. Designer and draughtsman. Son of Henry
Howard, R.A. Exhibited at Royal Academy 1825-
1846. Published various works, mostly manuals
of instruction in Art. Died 1866.
Hughes, Edward. Silver Palette in 1846 and Silver
Medal in 1847 for Drawings. Portrait painter. Ex-
hibited at Royal Academy 1855-1884. Painted
portraits of Queen Mary, Queen Alexandra, and
other members of the Royal family. Died 1908.
Hullmandel, Charles Joseph. Silver Medal in 1819 for
Specimens of Lithography. This same year a Gold
Medal was awarded to Senefelder for the invention
of lithography. Hullmandel, who was an artist, took
up lithography in 1818. From that time he devoted
himself to it, and with great success. He introduced
many improvements, and was associated with the
production of many important works. Died 1850.
Humphreys, William. Premium in 1764 for a Drawing ;
Premiums in 1 765 and 1 766 for Mezzotints . Engraver.
" His mezzotints . . . possess very high merit, and
were esteemed among the best of the time " (Red-
grave.)
Hurlstone, Frederick Yeates. Silver Palette in 1812 for
a Drawing ; Silver Medals in 1813 and 1814 for Draw-
ings ; Silver Medals in 1816 and 1821 for Oil Paintings.
Portrait and history painter. Exhibited at Royal
Academy 1821-1845. Took Gold Medal at Paris
Exhibition 1855. President of the Society of British
Artists, Died 1869,
SELECTED NAMES 185
Hurlstone, Richard. Premiums in 1763 and 1764 for
Drawings. Portrait painter. Exhibited at Royal
Academy 1771-1773. Died about 1774.
Inwood, Henry William. Silver Medal in 1 816 for Original
Architectural Drawing. Architect. Joint architect
with his father of St. Pancras' Church. Exhibited
at Royal Academy 1809-1838. Died 1843.
Ireland, Samuel. Premium in 1760 for a Drawing.
Engraver. Exhibited at Royal Academy in 1782.
Published several works. His son, William Henry
Ireland, was the author of the famous Shakespearean
forgeries. Died 1800.
Jeffereys, James. Gold Palette in 1774 for an Historical
Drawing. Marine painter. Gold Medallist R.A.
1773. Exhibited at Royal Academy in 1783. Died
1784.
Jones, George. Silver Palettes in 1802, 1804, and 1805
for Drawings. Battle and subject painter. R.A. He
was supposed to resemble the great Duke of Welling-
ton, and acted the part. Died 1869.
Jones, Thomas. Premiums in 1764 and 1765 for Draw-
ings ; Premiums in 1767 and 1768 for Landscapes.
Landscape painter. Exhibited at Royal Academy
1784-1798.
Jukes, Francis. Premium in 1778 for a " Map of Boston
in Aqua Tint a." Painter and engraver. " Successful
in aquatint, principally sea-pieces and landscapes "
(Redgrave). Died 1812.
Keith, Elizabeth. Premium in 1755 for a Drawing.
She obtained the second prize in the class between
fourteen and seventeen in the Society's first competi-
tion. According to Dossie, she died young.
Kelsey, Charles Samuel. Silver Medal in 1846 for a
" design for a ticket of admission to the Society's
Rooms " ; Silver Medal in 1 847 for a figure. Sculptor.
Exhibited at Royal Academy 1840-1877.
Kelsey, Richard. Silver Medal in 1819 for a Design for
a Mansion ; Silver Medallion in 1820 for a Design
1 86 THE FINE ART PRIZE-WINNERS
for a National Museum. Architect. Gold Medallist
R.A. 1821.
Kendrick, Emma Eleonora. Silver Palette in 1811 for a
Drawing ; Silver Medal in 1812 for a Miniature ;
Gold Medals in 1814, 1815, 1816, and 1817 for Minia-
tures. Miniature painter. Daughter of Josephus
Kendrick. Exhibited at Royal Academy 1811-1840.
Miniature painter to William iv. Died 1871 .
Kendrick, Josephus. Silver Medal in 1811 for a Plaster
Cast. Sculptor. Gold Medallist R.A. 1813. Ex-
hibited at Royal Academy 1813-1829.
Keyse, Thomas. Premium in 1764 for a Method of Fixing
Crayon Drawings. Painter of still life. Keeper of
Bermondsey Spa. Died 1800.
Kirby, Sarah. Premiums in 1757 and 1758 for Orna-
mental Designs. Daughter of Joshua Kirby, F.R.S.,
architect and writer on perspective. Afterwards
Mrs. Trimmer, the once popular educational writer.
Kirby, William. Premiums in 1760 for an Etching, and
in 1761 for a Landscape Drawing. Son of Joshua
Kirby, F.R.S. Died 1771.
Kirk, John. Premiums in 1759, 1762, and 1763 for
Die Engraving. The 1762 premium (30 guineas)
was for " the Seal for the Society's letters, after a
design of Cipriani." Medallist. Died 1776.
Kirk, Thomas. Silver Palette in 1785 for Historical
Drawing. Painter and engraver. Exhibited at Royal
Academy 1785-1794. " An eminent artist," who
" passed like a meteor through the region of art "
(Dayes, quoted by Redgrave). Died 1797.
Kitchingman, John. Premiums in 1762, 1763, 1764, 1765,
and 1766, and Gold Palette in 1770 for Drawings in
various classes. Miniature painter. Pupil of Shipley.
Exhibited at Royal Academy 1770-1781. Died 1781.
Lambert, James. Premium in 1770 for a Landscape.
Landscape painter. Exhibited at Royal Academy
1774—1778. A well-known scene-painter and a friend
of Hogarth. He was the first President of the
Incorporated Society of Artists . Died 1 779 .
SELECTED NAMES 187
Landseer, Charles. Silver Palette in 1815 for a Drawing
of the Laocoon. Subject painter. R.A. Brother
of Sir Edwin Landseer. Died 1879.
Landseer, Edwin. Silver Palette in 1813 for Drawing
of Animals from Life ; Silver Medal in 1814 for a
Drawing of a Horse ; Silver Medal in 1815 for a
Painting of a Dog ; Silver Medal in 1 8 1 6 for an
original Painting, " The Stable Guardian." As he
was born in March 1802 he was only eleven when he
received his first award. The eminent and popular
Animal painter, Sir Edwin Landseer, R.A. Died
1873-
Landseer, George. Silver Medal in 1841 for " Water-
colour Drawings of Birds and Beasts from Nature " ;
Silver Palette in 1842 for an " Oil Painting of a Lion
from Nature." Portrait and landscape painter. Only
son of Thomas Landseer, A.R.A. Was in India from
about 1844 to 1870. Died 1878.
Landseer, Miss. Silver Palette in 1813 for an Original
Landscape. This was probably Jessica, daughter
of John Landseer, R.A. (and sister of Edwin), who
" used the painter's brush and the etching-needle,"
and " etched a few designs after her brother Edwin "
(Bryan). Exhibited at Royal Academy 1816 and
afterwards. Her younger sister Emma (Mrs. Mac-
kenzie) did not begin to exhibit until 1838.
Landseer, Thomas. Silver Palette in 1810 for an " Etch-
ing of Sheep and Goats " ; Silver Medal in 1813 for
an " Etching of Animals"; Silver Medal in 1814
for a Painting of a Horse. Engraver. A.R.A.
Eldest brother of Sir Edwin Landseer, many of whose
pictures he engraved. Died 1880.
Lane, John Bryant. Silver Palette in 1806 and Gold
Medal in 1807 for Historical Drawings. Historical
painter. Exhibited sacred and classical subjects at
Royal Academy 1808-1813. Then went to Rome
and devoted fourteen years to the production of what
he hoped would be a masterpiece, but proved a failure,
" The Vision of Joseph." Afterwards he showed
some portraits at the Royal Academy 1831-1834.
1 88 THE FINE ART PRIZE-WINNERS
Lawranson, William. Premiums in 1760, 1761, 1762,
1763, 1764, 1765, and 1766 for Drawings. Portrait
painter. Exhibited at Royal Academy 1774-
1780.
Lawrence, Thomas . Silver Gilt Palette and Five Guineas in
1784 for a Copy of the" Transfiguration " of Raphael.
The committee found that the drawing had not been
executed within the limit of time specified, and
therefore that it was disqualified, and they conse-
quently withheld the Gold Medal offered. Subse-
quently they decided to make the above-named
award, " as a token of the Society's approbation of
his abilities." The award, therefore, does not appear
in the printed list. The only record of it is in the
Society's minutes and the committee minutes (Com-
mittee of Polite Arts, 9th and 3Oth March 1784).
The candidate was afterward Sir Thomas Lawrence,
P.R.A. He was not fourteen years of age when the
award was made, as he was born in May 1769. Died
1830.
Lawrie (or Laurie), Robert. Premium in 1770 for a
Drawing ; Premiums in 1773, 177 5, and 17 76 for Orna-
mental Designs ; Silver Palette in 1773 for a Study
of Flowers ; Bounty of 30 guineas in 1 776 for Improve-
ment in Mezzotint Colour Printing. Engraver.
Besides producing a large number of engravings,
he carried on the business of a publisher of prints,
maps, etc. Died 1836.
Leake, Henry. Premium in 1 760 for a Drawing. Portrait
painter. Pupil of W. Hoare, R.A.
Legrew, James. Silver Palette in 1822 for a Plaster
Model. Sculptor. Pupil of Chantrey. Gold Medallist
R.A. 1829. Produced many groups of merit. Died
1857.
Le Jeune, Henry. Silver Palette in 1834 for a Copy
of a Figure in Indian Ink. Historical painter . A.R A.
Gold Medallist R.A. 1841. Died 1904.
Liart, Matthew. Premiums in 1764 and 1765 for Draw-
ings. Premium in 1766 for an Engraving. Engraver.
Died about 1782.
SELECTED NAMES 189
Lines, Samuel. Silver Medal in 1825 for Pencil Draw-
ing. Painter and drawing-master. One of the
founders of the Birmingham School of Art. Died
1863.
Linwood, Mary. Silver Medal in 1786 " for submitting
to the inspection of the Society, as examples
of works of art, and of useful and elegant employ-
ment, three pieces of needlework, representing a
hare, still life, and a head of King Lear." Miss
Linwood opened her celebrated exhibition of em-
broidered pictures at the Hanover Square Rooms
in 1798, and afterwards removed to Leicester Square,
where her exhibition was considered one of the chief
sights of London. Died 1 845 .
Loat, Samuel. Silver Medal in 1825 and Gold Medal in
1827 for Architectural Designs. Architect. Gold
Medallist R.A. 1827. Exhibited a design in 1831,
" after which there are no traces of his art " (Red-
grave).
Lochee, John Charles. Premium in 1775 (30 guineas)
for a Statue; Premium in 1776 (50 guineas) for a
Statue ; Silver Medallion in 1 790 for a Bust of
the Prince of Wales (afterwards George iv.). An
engraving of this bust forms the Frontispiece to
Vol. x. of the Transactions. Sculptor. Exhibited
at Royal Academy 1776-1790. Some portrait
medallions by him were reproduced by Wedgwood
and by Tassie.
Long, J. St. John. Silver Medal in 1825 for a Land-
scape. Brought up as engraver, but did not follow
the profession. Not successful as an artist he set up
as a quack doctor. Died 1834.
Lucy, Charles. Silver Medal in 1834 for an Oil Painting.
Historical painter. Exhibited at Royal Academy
1838-1873. Most of his works related to the history
of England, and were meritorious but not very
successful.
Lupton, Thomas Goff. Gold Medal in 1822 for a Mez-
zotint on Soft Steel. He introduced the use of soft
steel for mezzotint (see his paper, Transactions , Vol. xi.
190 THE FINE ART PRIZE-WINNERS
p. 4I).1 He worked both on steel and on copper, and
produced many fine plates after Turner. Died 1873.
Malton, Thomas. Premium in 1774 for a Drawing of a
Tide-Mill. Architectural draughtsman. Gold Medal-
list R.A. 1782. Published several topographical
works and views. Died 1804.
Malt on, William. Premiums in 1775 and 1777 for Draw-
ings of Machines . Architectural draughtsman . Brother
of Thomas Malt on.
Manning, Samuel. Silver Medals in 1831, 1832, and 1838
for Busts ; Gold Medal in 1833 for a Model of a
Figure ; Silver Medal in 1840 for a Group. Sculptor.
Son of Samuel Manning, also a sculptor. There is
some confusion in the books between father and son.
According to the account in the Dictionary of National
Biography, which seems the most correct, the " Pro-
metheus," for which the 1833 award was made, was
shown in marble at the Royal Academy in 1845.
Died 1865.
Marchant, Nathaniel. Premiums in 1761, 1762, 1763,
1764 (two), and 1765 for Engraved Gems. Gem
engraver and medallist. R.A. Pupil of E. Burch,
R.A. Engraver to the Mint. Designed some coins
and medals. " Chief of English gem engravers of
the eighteenth century " (King, quoted by Forrer).
Died 1816.
Marsden, Barbara. Premiums in 1755 and 1756 for
Drawings; Premiums in 1757 and 1758 for Orna-
mental Designs. She married Jeremiah Meyer, R.A.
(q.v.). The 1758 award was in a class limited to
candidates under fourteen, so she cannot have
been twelve years old when she took the prize in
1755.
1 The credit of having produced the first mezzotint on steel has
always been given to William Say, the mezzotint engraver, and it would
appear with justice, since there is a mezzotint print by him, dated
1817, which is said to be from a steel plate. See Chapter IX, p. 216.
The two inventors were probably working independently. There is
nothing in Lupton's paper to suggest that his work was not original,
and probably it was.
SELECTED NAMES 19 1
Martin, David. Premiums in 1759, 1760, and 1761 for
Chalk Drawings. Portrait painter and engraver. Died
1798.
Martin, William. Gold Palette in 1776 for an Historical
Drawing ; Premium in 1 780 for a Landscape. History
painter. Pupil of Cipriani. Exhibited at Royal
Academy 1775-1816. History painter to George in.
Mason, William. Silver Medal in 1776 for a Drawing of
a Horse. Animal painter .
Masquerier, John James. Silver Palettes in 1794, 1795,
and 1796; Silver Medal in 1799, all for Drawings.
Portrait painter. Born at Chelsea of French parents.
Studied in Paris. Pupil of Vernet. Exhibited at
Royal Academy 1796-1838. Painted Napoleon's
portrait. Died 1855.
Mayor, Barnaby. Premium in 1765 for a Landscape
Etching. Engraver and painter . Died 1774.
Medland, Thomas. Silver Palettes in 1777, 1779, and
1780 for Drawings. Engraver. Illustrated numerous
books. Exhibited at Royal Academy 1777—1822.
Metz, Conrad Martin. Gold Palette in 1783 for an
Historical Drawing. A German artist who came to
London.
Meyer, Jeremiah. Gold Medal in 1761 for Profile Like-
ness of George in. from memory, intended to be,
but not actually, used in cutting a die for the coinage.
Miniature painter to the king. Miniature painter.
R.A. Enameller to King George in. and miniature
painter to Queen Charlotte. Married Barbara
Marsden (q.v.), who took several of the Society's
prizes. Died 1789.
Milbourn, John. Premiums in 1763, 1764, and 1765 for
Drawings. Portrait painter. Exhibited at Royal
Academy 1773 and 1774.
Millais, John Everett. Silver medals in 1839 for Drawing
in Chalk from a Bust ; in 1 840 for an Historical
Composition in Pencil ; in 1841 for an Historical
Composition in Sepia ; Gold Medal in 1846 for an
Original Historical Painting ; Gold Medallion in 1 847
for an Original Composition in Oil. Subject, landscape,
192 THE FINE ART PRIZE-WINNERS
and portrait painter. Sir John Everett Millais, Bart.,
P.R.A. As Sir John Millais was born in 1829, his
first award was obtained when he was only ten.
Died 1896.
Miller, John. Premiums in 1764 for a Flower Picture ;
and in 1766 for an Engraving. Flower painter and
engraver. Published an illustrated botanical work,
1770-77.
Mills, George. Gold Medals in 1817 and 1818 for Medal
Dies, and in 1823 for presenting the Society with a
new Die for the Vulcan Medal. Medallist. Produced
medals of General Moore, Watt, West, George iv.,
and Sir F. Chantrey. Exhibited at Royal Academy
1816-1823. Died 1824.
Mitchell, Thomas. Premium in 1766 for a Sea-piece.
Marine painter. Exhibited at Royal Academy 1774-
1789. Had appointments in the dockyards, and
worked as an amateur.
Moore, Francis John. Premium in 1766 for an Alle-
gorical Bas-relief ; Silver Palette in 1769 for a Statue.
Sculptor. Died 1809.
More, Samuel. Premiums in 1763 and 1764 for two sets
of Impressions of Pastes resembling Antique Cameos
and Intaglios. Afterwards Secretary of the Society.
Moring, Thomas. Gold Medal in 1845 f°r " an Engraving
on White Cornelian." Seal engraver. Practised as
a professional seal engraver and medallist. Died
1884.
Mortimer, John Hamilton. Premiums in 1759 (two),
1760, 1761, and 1762 ; Premium in 1763 (50 guineas)
for an Oil Painting " Edward the Confessor taking
his Mother's Treasures"; Premium in 1764 (100
guineas) for " St. Paul Preaching to the Britons." The
last picture was placed as an altar-piece in the church
of High Wycombe, Bucks, where the painter is buried.
History painter. A.R.A. Died 1779.
Moser, George Michael. Premium in 1758 for " A Model,
chased in gold, of an Honorary Medal proposed by
him to the Society . . . afterwards engraved by
John Kirk " (Dossie). Enameller and modeller. R.A.
SELECTED NAMES 193
One of the founders of the Royal Academy, and its
first Keeper. " Had high merits as an artist, excelling
not only as a chaser, but as a medallist, and he
painted in enamel with great beauty and taste "
(Redgrave).
Moser, Joseph. Premiums in 1762, 1763, and 1765 for
Modelling in Wax. Enameller. Nephew of G. M.
Moser, R.A. Exhibited at Royal Academy 1774—
1787. Afterwards a London Police Magistrate.
Moser, Mary. Premium in 1758 for an Ornamental
Design; Premium and Silver Medal in 1759 for a
Flower Picture. The Silver Medal was a special and
additional award " presented to her as a further
Reward for her extraordinary merit . ' ' Flower painter .
R.A. Daughter of G. M. Moser, R.A. Original
member of Royal Academy, and one of the two
woman Academicians (the other being Angelica
Kauffmann). Married Captain Hugh Lloyd. Died
1819.
Moses, Henry. Silver Palettes in 1800 and 1801 for
Drawings. Engraver. Produced plates after Barry,
Northcote, Opie, and others. Died 1870.
Mulready, William. Silver Palette in 1801 for a Drawing.
Subject painter. R.A. Mulready was born in 1786,
so he was only fourteen at the date of the award.
In 1848 a collection of Mulready 's works was ex-
hibited in the Society's house. Died 1863.
Nesbitt, Charlton. Silver Palette in 1798, and Silver
Medal in 1802, for Wood Engraving. Wood engraver.
A pupil of Bewick. Successful illustrator of numer-
ous books. Died 1838.
Netherclift, Joseph. Premium in 1829 for Lithographic
Transfer Paper. Lithographer and printer. This was
the first practical transfer paper, for though the
earliest lithographs made were transfers, the diffi-
culties attending the process were so great that the
work was all executed direct on the stone until a
suitable paper was produced. Died 1863.
Nollekens, Joseph. Premium in 1759, at the age of
H
194 THE FINE ART PRIZE-WINNERS
eighteen, for a Drawing ; Premiums in 1759, 1760,
1761 (two), and 1762 for Bas-reliefs. Sculptor. R.A.
One of Shipley's pupils. This celebrated sculptor
amassed a large fortune by his work. His peculiarities
are well known from the Life by Smith, Nollekens and
His Times. Died 1823.
Norton, Christopher. Premium in 1760 for a Drawing.
Engraver.
Okey, Samuel. Premiums in 1 765 and 1 767 for Mezzotints .
Engraver. Engraved after Sir J. Reynolds, Pine, and
others.
Pain, George Richard. Gold Medal in 1812 for a Design
for a Church ; Silver Medal in 1813 for a Design for
a Palace. Architect. Apprenticed to Nash. Went
to Ireland about 1817, and practised there. Died
1838.
Papworth, Edgar George. Silver Medal hi 1825 for a
Pencil Drawing; Silver Palette in 1827 for a Bas-
relief. Sculptor. Died 1866.
Papworth, John Woody. Silver Medal in 1838, Gold
Medal in 1840, and Gold Medallion in 1845 f°r Archi-
tectural Designs. Architect and heraldic painter. De-
signed for glass, pottery, and textiles. Brother of
Wyatt Papworth. Died 1870.
Papworth, Wyatt. Silver Medal in 1 836, and Silver Palette
in 1 838 for Architectural Drawings. Architect. Editor
of the Dictionary of Architecture. Curator of Soane
Museum. Died 1894.
Parke, Henry. Silver Medals in 1807, 1808, 1810, 1811,
1812 ; and Gold Medal in 1814 for Sea-pieces. Archi-
tect. Pupil of Sir John Soane. Made many drawings
of monuments of Italy and Egypt, and, according to
Redgrave, " Some naval drawings of much ability."
A collection of his drawings is preserved by the
R.I.BA. Died 1835.
Parker, John. Premiums in 1762 and 1763 (two in each
year) for Drawings in different classes. Landscape
painter. Exhibited at Royal Academy 1770-1778,
SELECTED NAMES 195
Parry, William. Premiums in 1760, 1761, 1762, 1763,
1 764, and 1766 for Drawings in various classes. Par-
trait painter. A.R .A. Died 1 791 .
Pars, Albert. Premiums in 1759, 1764, and 1765 for
Modelling in Wax : Premium in 1767 for a Bronze
Cast. Modeller. Brother of William Pars, A.RA.
" Successful modeller in wax " (RedgraTe).
Pars, Anne. Premiums in 1764, 1765, and 1766 for Draw-
ings. Sister of William Pars, A.RJV. Exhibited at
Royal Academy in 1 786.
Pars, William. Thirteen Premiums from 1756 to 1764 in
various classes, including Drawings of Landscapes,
Animals, Still Life, and Ornamental Design, Wax
Modelling, and an Oil Painting. In 1757 he was ad-
mitted to the class under fourteen, so he cannot have
been thirteen when he took his first award. Portrait
painter. A.R.A. Produced also views of temples
in Greece and in Asia Minor, and some Swiss views.
Brother of Henry Pars, Shipley's successor as the
Master of the Academy in the Strand. Died 1782.
Parsons, William. Premiums in 1757, 1758, and 1760 for
Drawings. Portrait painter (amateur). Died 1795.
Patmore, Coventry. Silver Palette in 1838 for a Pencil
Drawing. The well-known poet. He contributed to
the Germ, and was a friend of the first pre-Raphaelites,
but does not appear to have continued his artistic
studies or work . Died 1 896 .
Patten, George. Silver Palette in 1816 for a Miniature.
Portrait and history painter. AJtA. Exhibited at
Royal Academy 1819 to about 1865. Portrait painter
in ordinary to Prince Albert. Died 1865.
Pearson, Mrs. C. Silver Palette in 1816, Silver Medal
in 1817, Gold Medal in 1819 for Oil Paintings.
Portrait painter. Exhibited at Royal Academy
1821-1842. Her maiden name was Dutton, and
the first two awards were gained before her marriage.
Died 1871.
Peart, Charles. Silver Medallion in 1783 for Modelling
from the Life. Sculptor. Gold Medallist RA. 1782,
Exhibited at Royal Academy 1778-1798,
i96 THE FINE ART PRIZE-WINNERS
Peters, Matthew William. Two Premiums in 1759 for
Drawings. Portrait and history painter. R.A. Be-
came a clergyman and abandoned painting, except as
an amateur. Died 1814.
Pether, William. Premiums in 1756 for a Drawing and
for an Ornamental Design ; in 1760 and 1767 for
Mezzotints. Mezzotint engraver. Exhibited minia-
tures at Royal Academy 1781 to 1794, but " his true
art was mezzotint," in which he " gained great dis-
tinction " (Redgrave). Died about 1794.
Physick, Edward Gustavus. Silver Medals in 1823 and
1824 ; Gold Medal in 1826 for Plaster Models. Sculptor.
Exhibited at Royal Academy and elsewhere 1822-
1868.
Physick, E. J. Silver Medal in 1846 for a Plaster Cast;
Silver Medal in 1847 for a Modelled Figure. Sculptor.
Pinches, Thomas R. Silver Medals in 1836 and 1837 f°T
Medal Dies . Medallist . One of the well-known family
of London die-sinkers and medallists. " Cut many
military, academical, and private medals " (Forrer).
Amongst them was a memorial medal of the Duke of
Wellington, 1852.
Pine, Robert Edge. Premium in 1760 (100 guineas) for
an Oil Painting, " The Surrender of Calais " ; Pre-
mium (100 guineas) in 1763 for " Canute Rebuking his
Courtiers." History and portrait painter. Exhibited
at Royal Academy and elsewhere 1760-1784. Went
to America. Died at Philadelphia 1790.
Pingo, Benjamin. Premiums in 1765, 1766, and 1769 for
Drawings. Youngest son of Thomas Pingo.
Pingo, Henry. Premiums in 1756, 1758, 1759, 1760, and
1 761 for Ornamental Designs. Second son of Thomas
Pingo. Exhibited flower pictures at Free Society of
Artists, 1772 and 1773.
Pingo, John. Premiums in 1759, 1760, 1762, 1763, and
1765 for Die Engraving. Medallist. Assistant En-
graver to the Mint. Eldest son of Thomas Pingo.
Pingo, Lewis. Premiums in 1756 and 1759 for Drawings ;
Premiums in 1759 and 1 760 for Medallions ; Premiums
in 1757, 1758, 1760, and 1761 for Ornamental Designs ;
SELECTED NAMES 197
Premiums in 1761, 1763, and 1764 for Die Engraving ;
Premium in 1 763 for Gem Engraving ; Gilt Palette
in 1770, Gold Palettes in 1771 and 1772 for Medallions.
Medallist. Third son of Thomas Pingo. Engraver
to the Mint. Died 1830.
Pingo, Mary. Premiums in 1 758 and 1759 for Ornamental
Designs ; in 1761 and 1762 for Drawings of Flowers.
Daughter of Thomas Pingo.
Pingo, Thomas. Paid 80 guineas in 1758 for making the
dies for the Society's First Medal from a design by
James Stuart, the Architect, " Athenian Stuart."
Medallist. Engraver to the Mint. Died 1776.
Pitts, William. Gold Medal in 1812 for a Wax Model.
Sculptor. Exhibited at Royal Academy 1823-1839.
Produced much successful work. Died 1840.
Pocock, William Fuller. Silver Medallion in 1807 for an
Architectural Design. Architect. Exhibited at Royal
Academy 1799-1841.
Porter, John Ashwood. Premium in 1755 for a Pen-and-
ink Drawing. He was the last of the five candidates
who took the first prizes offered by the Society for
young people under fourteen. " He was the son of a
drawing-master in Wapping " (Dossie), but nothing
more seems to be known about him.
Porter, Robert Ker. Silver Palette in 1 793 for an Historical
Drawing. History painter. Sir Robert Porter,
brother of Anne and Jane Porter, the novelists. " He
was by turns, during his adventurous career, artist,
soldier, author, and diplomatist " (Redgrave). Died
1842.
Poynter, Ambrose. Silver Medallion in 1818 for an
Architectural Design. Architect. Father of Sir Ed-
ward Poynter, P.R.A. Exhibited at Royal Academy
1817-1852. Foundation Member of R.I.B.A., and
its vSecretary 1840, etc. Took important part in
establishment of Schools of Design. " Had con-
siderable practice as an architect " (Dictionary of
National Biography}. Died 1886.
Proctor, Thomas. Gold Palette in 1787 for an Historical
Drawing. Sculptor and history painter. A brilliant
198 THE FINE ART PRIZE-WINNERS
but unfortunate genius. Gold Medallist R.A. 1784.
Exhibited at Royal Academy 1785-1794. Died in
misery and want 1794.
Pugh, Hubert. Premium in 1765 for a Landscape in Oil.
Landscape painter. ' There is a work of his in the
Lock Hospital " (Redgrave). Died after 1788.
Pye, Charles. Silver Palette in 1791 for a Drawing.
Engraver.
Radclyffe, George Edward. Silver Medal in 1824 for an
Etching. Silver Palette in 1826 for an Engraving.
Engraver. Worked for the Annuals and Art Journal.
Died 1863.
Raimbach, Abraham. Gold Palette in 1806 for Wood
Engraving. Engraver. Exhibited miniatures at
Royal Academy 1797-1805, but afterwards devoted
himself to engraving. Engraved many of Wilkie's
pictures. Died 1843.
Ranson, Thomas Frazer. Silver Medal in 1814 ; Gold
Medals in 1821 and 1822 for Engraving. Engraver.
He was interested in the question of preventing the
forgery of bank-notes, and barely escaped conviction
for having a forged note in his possession.
Ravenet, Fran£ois Simon. Premiums in 1761, 1762, and
1764 for Engravings. Engraver. A.RA. Native of
France. Came to England about 1750. Worked for
Hogarth and Boy dell. Engraved the " Mariage a la
Mode.1' Died 1 774.
Read, Nicholas. Premiums in 1762 (100 guineas) and in
1764 (140 guineas) for Statues. Sculptor. Pupil of
Roubttiac, and his successor. Some monuments by
him are in Westminster Abbey. Died 1787.
Read, Richard. Silver Palette in 1771 for a Drawing.
Engraver. Worked chiefly in mezzotint.
Reinagle, Philip. Premium in 1767 for a Drawing.
Animal and landscape painter. RA. " His hunting
pieces, sporting dogs, and dead game were excellent "
(Redgrave). Died 1833.
Revel, Richard. Premium in 1755 for a Chalk Drawing
of a Horse. This was the fifth prize in the class
SELECTED NAMES 199
between fourteen and seventeen in the Society's first
competition. " Nothing seems to be known of his
after career" (Dossie).
Richardson, George. Premium in 1765 for an Archi-
tectural Drawing. Architect. Author of the New
Vitruvins Britannicus and other works on architecture .
Rigaud, Stephen Francis. Silver Palette in 1794 ; Gold
Palette in 1799 for Drawings. Water-colour painter.
Exhibited at Royal Academy 1797-1815.
Roberts, James. Premium in 1766 for a Drawing.
Portrait painter. Exhibited at Royal Academy
I773-I799-
Robertson, George. Premiums in 1760 and 1761 (three)
for Drawings. Landscape painter. Pupil of Shipley.
Went to Jamaica and painted views of the island,
which were exhibited in London and engraved. Died
1788.
Rochard, Frederick. Silver Medal in 1823 for a Water-
colour Portrait. Miniature painter. Exhibited at
Royal Academy from 1819. Died 1858.
Rogers, Philip Hutchins. Silver Medal in 1808 and Gold
Medal in 1 8 1 1 f or Oil Paintings . Marine and landscape
painter. Exhibited at Royal Academy and elsewhere
1808-1851. Died 1853.
Rolls, Charles. Silver Medal in 1818 for a Drawing.
Engraver and draughtsman. Assisted the Findens in
their Gallery of British Art.
Romney, George. Premium in 1763 (20 guineas) for an
Oil Painting of the Death of General Wolfe ; Premium
in 1765 (50 guineas) for Oil Painting of the Death of
Edward the First. The celebrated Portrait painter.
Died 1802.
Romney, John. Silver Palette in 1806 for Outline Draw-
ing. Engraver and draughtsman. Engraved some of
Smirke's illustrations to Shakespeare, etc. Died
1863.
Rooker, Michael Angelo. Premiums in 1 759 for a Drawing
(age under fourteen), and in 1760 for a Landscape.
Water-colour painter and engraver. A.R.A. Died
1801.
200 THE FINE ART PRIZE-WINNERS
Ross, William. Silver Palette in 1807 for a Drawing (at
the age of twelve) ; Silver Medal in 1 808 for a Draw-
ing ; Silver Palette in 1809 for a Miniature ; Silver
Medals in 1 8 1 o and 1 8 1 1 for Drawings ; Silver Palette in
1 8 1 3 for a Drawing ; Gold Medal in 1 8 16 for a Portrait
of the Duke of Norfolk ; Gold Medal in 1817 for an
Historical Painting. Sir William Ross, R.A., the
well-known Miniature painter. He was Chairman of
the Committee of Fine Arts 1845-6, and a Member
of the first Council 1845 and 1846. An exhibition of
his works was held by the Society in 1860. Died
1860.
Rossi, Charles. Premium in 1794 (50 guineas) for a Group
of Statuary. Sculptor. R.A. Sculptor to George iv.
and to William iv. Executed several monuments in
St. Paul's Cathedral. Died 1839.
Rossi, Henry. Silver Medal in 1815 for Copy of Plaster
Cast. Sculptor. Designed terra-cotta ornaments for
interior of St. Pancras' Church.
Russell, John. Premiums in 1759 and 1760 for Drawings.
Portrait painter . R . A . H is best work was in crayons ,
and he published a book on Painting with Crayons.
Died 1806.
Ryder, Thomas. Premium in 1766 for a Drawing ; Gold
Medal in 1803 for a Line Engraving. Engraver and
draughtsman. " One of the best engravers of his
time " (Redgrave). Executed eight plates for
Boy dell's Shakespeare Gallery. Died 1810.
Ryley, Charles Reuben. Premium in 1770 for a Drawing.
History painter. Gold Medallist R.A. 1778. Ex-
hibited at Royal Academy 1780-1798. Died 1798.
Samuel, George. Silver Medallion in 1784 for a View of
the Front of the Society's House. Landscape painter.
Exhibited at Royal Academy 1786-1823.
Samuel, Richard. Premium in 1773 for a Tool for Laying
Mezzotint Grounds ; Gold Palettes in 1777 and 1779
for Drawings. Portrait and historical painter. Ex-
hibited at Royal Academy 1772-1779.
Sass, Henry. Silver Medal in 1807 for an Outline of the
SELECTED NAMES 201
Laocoon, Portrait painter and teacher. According
to Redgrave he was more successful in the latter
capacity than in the first. Exhibited at Royal
Academy 1808-1838. Died 1844.
Savage, William. Silver Medal in 1 825 for " Block Printing
in Colours in Imitation of Drawings." Painter and
engraver. Experimented in printing in colour from
wood blocks, and published a book on the subject in
1822. Died 1843.
Say, Frederick Richard. Silver Palette in 1817 for a
Drawing ; Silver Medal in 1819 for a Chalk Drawing ;
Silver Medal in 1820 for Crayon Drawings. Portrait
painter. Exhibited at Royal Academy from 1825.
Died probably about 1860.
Scharf, George. Silver Palette in 1835 and Silver Medal
in 1836 for Drawings. Sir George Scharf, K.C.B.,
Keeper of the National Portrait Gallery. Died 1895.
Scheemakers, Thomas. Premiums in 1765 for Modelling
in Clay, and in 1766 for a Bas-relief. Sculptor. Son
of Peter Scheemakers, a Belgian sculptor who settled
in London. Exhibited at Royal Academy 1765-
1804. Died 1808.
Schiavonetti, Lewis. Silver Medal in 1807 for Engraving
of the British Troops in the Bay of Aboukir . Engraver.
Pupil of Bartolozzi. Died 1810.
Scott, John. Gold Medal in 181 1 for two Original Engrav-
ings of Fox- Hunting. Engraver. Successful as an
engraver of animals. Died 1828.
Scoular, James. Premium in 1755 for a Drawing (at age
of fourteen). Miniature painter . Exhibited at Royal
Academy 1761-1787.
Scoular, William. Silver Medals in 1816 and 1819 ; Gold
Medal in 1820; all for Models. Sculptor. Gold
Medallist R.A. 1817. Exhibited at Royal Academy
1815-1846.
Scriven, Edward. Gold Medal in 1813 for an Engraving
after Gerard Douw ; Gold Medal in 1 8 1 5 for Engravings
after West . Engraver. Worked for Dilettani Society,
Shakespeare Gallery, etc., and was much employed
by publishers. Died 1841.
202 THE FINE ART PRIZE-WINNERS
Seddon, Thomas. Silver Medal in 1848 for Drawings
of an Original Design for an Ornamental Carved
Sideboard. He was the son of a cabinetmaker.
Landscape painter. Exhibited at Royal Academy
1852-1856. A collection of his works was shown at
the Society in 1857, when an address was delivered
by John Ruskin (Journal, vol. v. p. 360). Died 1856.
Senefelder, Aloys. Gold Medal in 1819 for the Invention
of Lithography. The process had been perfected
in 1798, and lithographs had been published in
England in 1801, but in 1818 Senefelder published
his book on the subject.
Setchel, Sarah. Silver Palette in 1829 for a Pencil Draw-
ing. Water - colour painter. Exhibited at Royal
Academy and elsewhere 1831—1867. Gained great
popularity by her picture, " The Momentous Ques-
tion." Died 1894.
Sharp, William. Premium in 1760 for a Drawing;
Premiums in 1761, 1763, and 1764 for Designs. En-
graver. " One of the most celebrated of English
line engravers " (Bryan). Engraved West's portrait
of Samuel More, the Society's Secretary. Died 1824.
Shelley, Samuel. Silver Palette in 1770 for a Figure
Drawing. Miniature painter. Exhibited at Royal
Academy 1773-1808. Died 1808.
Shenton, Henry Chawner. Silver Medal in 1844 for a
Clay Model of Sabina. Sculptor. Son of the engraver
of the same name. Died 1 846.
Sherlock, William. Premium in 1759 for a Figure Draw-
ing ; Premium in 1760 for an Engraving. Portrait
painter and engraver. Exhibited at Royal Academy
1802-1806. Engraved portrait heads for Smollett's
History of England.
Sherwin, John Keyse. Silver Palette in 1769 for a Draw-
ing ; Premium in 1772 (50 guineas) for a Drawing ;
Premium in 1774 for an Engraving; Premium in
1775 for an Engraving; Gold Medal in 1778 for
" Excellence in Engraving." The engraving (repro-
duced in the plate facing page 157) for which the
1774 Premium was awarded was used for a vignette
SELECTED NAMES 203
on the title-page of the Register of Premiums and
Bounties issued in 1778, and was reprinted as a
frontispiece to the first volume of the Transactions.
Engraved the portraits of Lord Folkestone (p. 12)
and Lord Romney (p. 16). Engraver and history
painter. Worked under Bartolozzi. Gold Medallist
R.A. 1772 (for a Painting). " It is as an engraver
that he will rank high among our artists " (Redgrave).
Engraver to George in. Died 1790.
Sievier, Robert William. Silver Medal in 1812 for a
Pen-and-ink Drawing. Engraver and sculptor . After
practising as an engraver for some years he devoted
himself to sculpture. A man of varied accomplish-
ments and of scientific tastes, he became an F.R.S.
Died 1865.
Simmons, William Henry. Silver Medal in 1833 f°r an
Engraving. Engraver. " For many years perhaps
the chief of English workers in his own line " (Bryan).
Engraved after Landseer, Millais, Faed, Holman
Hunt, Frith, Rosa Bonheur, and Hook. Died 1882.
Simpson, Philip. Silver Medal in 1822 for a Copy of a
Portrait ; Gold Medal in 1823 for a Portrait. Portrait
and subject painter. Exhibited at the Royal Academy
up to 1836.
Skelton, William. Silver Palettes in 1778 and 1779 for
Drawings. Engraver. Published series of portraits
of the family of George in. Died 1848.
Smart, John. Premiums in 1755 and 1756 (aged twelve)
for Drawings ; Premium in 1757 for a Portrait
in Chalks of Shipley ; Premium in 1758 for a Draw-
ing. Miniaturist. Exhibited at Royal Academy
1770-1811. Spent some years in India. Died 1811.
Smirke, Robert. Silver Medallion in 1797 for Drawing
of the Water-Gate at York Buildings. Sir Robert
Smirke. Architect. R.A. Died 1867.
Smith, Emma. Silver Palette in 1803 for an Historical
Drawing. Water-colour painter. Exhibited at Royal
Academy in 1805. She was a granddaughter of
"Smith of Derby."
Smith, George. Premiums in 1760, 1761, and 1763 (50
204 THE FINE ART PRIZE-WINNERS
guineas each) for Landscapes in Oil. Landscape
painter. Known as " Smith of Chichester." " In
his day they [his works] were lauded beyond their
merits " (Redgrave), and he acquired considerable
reputation and popularity. Died 1776.
Smith, Joachim. Premium in 1758 for a Medallion Model
in Wax; Premium in 1761 for a Composition for
Modelling Portraits in Miniature. Modeller. Dossie
says that he practised his invention successfully
for some years. Some of his models were reproduced
by Wedgwood and by Tassie.
Smith, John. Premiums in 1760 and 1761 (25 guineas
each) ; Premium in 1762 (50 guineas) for Landscapes
in Oil. Landscape painter. Younger brother of
George Smith, and not so good a painter. Died 1 764.
Smith, J. Catterson. Silver Medal in 1825 for an Oil
Painting. Portrait painter. President of the Royal
Hibernian Academy. Died 1872.
Smith, Nathaniel. Premiums in 1758, 1761, and 1762
for Modelling Figures in Clay; Premiums in 1759
(two) for Drawings ; Premium in 1760 for a Bas-
relief. Modeller. Pupil of Roubiliac. Assistant to
Nollekens.
Smith, Thomas. Premium in 1760 for an Engraved
Gem. Seal engraver. No record of any later work
of his has been found.
Solomon, Abraham. Silver Medal in 1838 for a Chalk
Drawing from a Statue. Subject painter. Exhibited
at Royal Academy 1843-1862. Died 1862.
Spang, Michael Henry. Premium in 1758 (30 guineas)
for Modelling the " Seal of the Society used for
Letters " designed by Cipriani and engraved by
Kirk. Modeller. Carved the decorations on the
Admiralty Screen, and the figures on the pediment of
Spencer House. Died about 1 767.
Spicer, Nehemiah. Premiums in 1762, 1763, and 1764,
and a Gilt Palette in 1768 for Gem Engraving. No
further record of his work has been found.
Spiller, John. Silver Palettes in 1778 and 1780 for
Outline Drawings. Sculptor. Exhibited at Royal
SELECTED NAMES 205
Academy 1778-1792. " The statue of King Charles,
which stood in the centre of the piazza of the Royal
Exchange, before the fire in 1838, was his work "
(Redgrave). Died in 1794.
Spilsbury, John. Premiums in 1761, 1762, and 1763 for
Mezzotints. Mezzotint engraver. Engraved some
of Reynolds 's portraits. Drawing-master at Harrow
about 1782.
Stannard, Mrs. Joseph. Gold Medal in 1828 for an
Oil Painting. Wife of Joseph Stannard, a well-
known landscape and marine painter of Norwich.
Some members of the Stannard family designed for
the Lowestoft Pottery Works.
Staples, Robert. Premiums in 1763, 1764, 1765, and
1766 for Gem Engraving. He was a jeweller in Harp
Court, Fleet Street. Nothing more seems to be
known of his work.
Stevens, Edward. Premiums in 1762 and 1763 for Archi-
tectural Designs. Architect. A.R.A. Pupil of Sir
William Chambers. Died 1775.
Strange, Mary Bruce. Premiums in 1764 and 1765 for
Drawings. Daughter of Sir Robert Strange, the
eminent engraver.
Stubbs, James Henry Phillipson. Silver Medal in 1826
for an Etching ; Silver Palette in 1828 for a Pen-and-
ink Drawing. Engraver. Pupil of the Findens.
Produced book illustrations and some sporting plates.
Died 1864.
Swaine, Francis. Premium in 1764 for a Sea-piece.
Marine painter. " Two small paintings by him are at
Hampton Court " (Redgrave). Died 1782.
Swaine, John Barak. Silver Palette in 1831 for a Chalk
Drawing ; Silver Medal in 1833 for an Etching.
Redgrave, under John Swaine, the father of J. B.
Swaine, says he died in 1828, and Bryan follows
him, but this seems to be a mistake. A John Barak
Swaine exhibited in 1837 at the B. I.
Tallmache, William. Silver Medal in 1813 for a Bronze
Cast. Sculptor. Gold Medallist R.A, 1805. " He
206 THE FINE ART PRIZE-WINNERS
does not appear to have followed up this success "
(Redgrave).
Tassie, James. Premium in 1767 for " Figures, Heads,
and Portraits of his composition resembling antique
onyx." Gem engraver. Exhibited at Royal Academy
1769-1791. Successful in reproduction of ancient
engraved gems, and produced many fine originals.
Died 1799.
Taylor, Isaac. Gold Palette (and 25 guineas) in 1791 for
an Engraving of Opie's " Death of Rizzio." Engraver.
Pupil of Bartolozzi. " Known chiefly by his works
for Boydell's Shakespeare Gallery " (Redgrave). Died
1829.
Taylor, John. Premiums in 1761 and 1762 (two) for
Drawings. Portrait and subject painter. Exhibited
at Royal Academy 1 7 79- 1 800 . Died 1 8 3 8 .
Taylor, John. Premiums in 1763 and 1764 for Designs for
Medals. Jeweller at Bath (Dossie).
Taylor, Simon. Premiums for Drawings in 1756, 1757,
1758, and 1759; Premiums in 1759 and 1761 for
Pictures of Flowers ; Premium in 1759 for an Etching.
Botanical draughtsman. Pupil of Shipley. Employed
by Lord Bute and by Dr. Fothergill. Died about 1 798.
Theed, William. Silver Palette in 1820 and Silver Medal
in 1822 for Copies of Statues. Sculptor. Son of W.
Theed, R.A. Exhibited at Royal Academy 1825-
1885. Produced many statues and busts. His most
important work is the group of " Africa " in the Prince
Consort's memorial. The bust of the Prince Consort
in the possession of the Society is his work . Died 1891.
Tomkins, Charles. Silver Palette in 1776 for a View of
Millbank. Painter and engraver. Son of William
Tomkins, A.R.A. Exhibited at Royal Academy
1773-1779.
Tomkins, Peltro William. Silver Palette in 1780 for Land-
scape Drawing ; Gold Medal in 1813 for Method of
refining Ox-Gall for artistic purposes. Engraver. Son
of William Tomkins, A.R.A. Published various works,
original and after other artists. Engraver to Queen
Charlotte, Died 1840.
SELECTED NAMES 207
Tomkins, William. Premium in 1762 for a Landscape.
Landscape painter. A.R.A. Also painted some pic-
tures of dead game . Died 1 792 .
Toussaint, Auguste. Premium in 1766 and Silver Palette
in 1768 for Drawings. Miniature painter. Ex-
hibited at Royal Academy 1775-1788.
Towne, Francis. Premium in 1759 for a Design. Land-
scape painter. Exhibited at Royal Academy 1775-
1810. Died 1816.
Towne, Joseph. Silver Medal in 1826 for a Model of a
Skeleton ; Gold Medal in 1827 for a Wax Model of the
Brain. The skeleton is now in the museum of Guy's
Hospital. He was seventeen when he constructed
it, and it served as an introduction to Sir Astley
Cooper, who at once put Towne in the way of obtaining
employment. Anatomical modeller. Though self-
taught, he was soon " engaged continuously in the
practice of the art which he originated and brought
to perfection, though it died with him " (D'Arcy
Power, in the Dictionary of National Biography).
He made over a thousand wax models of anatomical
preparations, remarkable both for their verisimilitude
and for their artistic qualities. Towne was also a
capable sculptor. Died 1879.
Turner, William. Silver Palette in 1793 for a Landscape
Drawing. This may have been " Turner of Oxford,'1
who exhibited as a water-colour landscape painter
at Royal Academy, etc., for fifty-four years (Bryan),
and died 1862.
Turnerelli, Edward Tracy. Silver Medal in 1833 for a
Drawing. Son of Peter Turnerelli, a sculptor of
reputation. Studied at Royal Academy. Achieved
notoriety by collecting money for a gold laurel wreath
for the Earl of Beaconsfield, which Lord Beaconsfield
refused. Died 1890.
Twining, Elizabeth. Silver Medal in 1824 for a Water-
colour Painting of Flowers. Amateur painter. Phil-
anthropist and botanist. Daughter of Richard Twin-
ing. One of the founders of Bedford College. Died
1889.
208 THE FINE ART PRIZE-WINNERS
Tytler, George. Silver Medal in 1825 for a Lithographic
Drawing. Lithographer. Published some views of
Italian scenery. Died 1859.
Underwood, Thomas. Silver Palette in 1828 for a Pencil
Drawing of a Landscape. Engraver and writer on art
and archaeology. Lived in Birmingham. Died 1882.
Vacher, Charles. Silver Medal in 1837 f°r a Lithograph.
Water-colour painter. Died 1883.
Van Rymsdyk, Andries. Premiums in 1765 (at the age
of eleven), 1766, and 1767 for Drawings ; Premium in
1767 for a Mezzotint. Son of John van Rymsdyk,
history painter.
Vendramini, Caroline. Silver Medal in 1821 for a Drawing.
Daughter of Giovanni Vendramini.
Vendramini, Giovanni. Gold Medals in 1819 and 1829 for
Engravings. Engraver. His reputation rested chiefly
on his reproductions of the Old Masters. Died 1839.
Vendramini, R. Silver Palette in 1829 ; Silver Medals
in 1 830 and 1 833 for Drawings. Daughter of Giovanni
Vendramini . It is uncertain to which of the two sisters
the 1829 and 1830 awards were made.
Vickers, Alfred Gomersal. Gold Medal in 1828 for a
Marine Painting. Marine, subject, and landscape
painter. Exhibited at Royal Academy and else-
where 1827-1837. Died 1837.
Vivares, Mary. Premiums in 1759 and 1761 for Drawings ;
Premium in 1763 for an Engraving. Daughter of
Francis Vivares, the engraver.
Vivares, Thomas. Premiums in 1758 for an Ornamental
Design ; in 1 760 for an Etching ; in 1 76 1 for a
Drawing; in 1762 for an Etching; in 1763 for a
Landscape ; in 1764 and 1765 for Engravings ; in
1766 for an Etching. Engraver. Son of Francis
Vivares, the well-known engraver. Exhibited at
Royal Academy 1783-1787.
Vulliamy, Benjamin. Premium in I758*for a Drawing.
He was a son of Justin Vulliamy ani the father of
Benjamin (the second) and Lewis Vulliamy. Justin
SELECTED NAMES 209
and the two Benjamins were eminent clock-makers.
Benjamin the elder was favoured and consulted by
George in. in connection with Kew Observatory,
which was a hobby of the King . Died 1 8 1 o .
Vulliamy, Lewis. Silver Medal in 1813 for an Archi-
tectural Design. Architect. Gold Medallist R.A.
1813. Exhibited at Royal Academy 1822-1838.
Son of Benjamin Vulliamy the elder. Architect of
many public buildings in London, and of numerous
mansions, including Dorchester House, Park Lane.
Died 1871.
Ward, Edward Matthew. Silver Palette in 1831 for
" a copy in Indian ink of figures." Historical painter .
R.A. From 1839, when he first exhibited at Royal
Academy, his work was popular and successful.
Painted several of the pictures in the corridor of the
House of Commons. Died 1879.
Ward, Francis Swaine. Premium in 1765 for a Sea-piece.
Landscape painter . Entered the service of the H.E.I.C.
and went to Calcutta. Made numerous drawings of
Indian temples, etc. Died about 1805.
Ward, John Raphael. Silver Medal in 1823 for a Water-
colour Portrait (copy). Engraver and copyist. Pro-
duced miniature copies of some of Sir Thomas Law-
rence's portraits. Son of James Ward, R.A. His
daughter married E. M. Ward, R.A. Died 1879.
Ward, William. Silver Palette in 1805 f°r a Drawing of
Ewell Church. Mezzotint engraver. A.R.A. En-
graved many of the pictures of George Morland, whose
sister he married. Died 1826.
Ward, William James. Silver Medals in 1813, 1814, and
1815 for Drawings. Mezzotint engraver. Son of
William Ward, A.R.A. Engraver to the Duke of
Clarence, afterwards William iv. Died 1840.
Waring, John B. Silver Medal in 1843 f°r an Architec-
tural Design. Architect. Superintendent at 1862
Exhibition. Author of the three volumes on the
Industrial Art and Sculpture of the Exhibition, and
of other works on Art. Died 1875.
15
2io THE FINE ART PRIZE-WINNERS
Warner, William. Gold Medal in 1827 for an Intaglio.
Seal engraver. Started a business in London, which
is still carried on by his son. Engraved seals for
Queen Victoria. Died 1872.
Warren, Charles. Gold Medal in 1823 for Improvements
in the Art of Engraving on Steel. Engraver. He
had been employed in engraving for calico printing.
Came to London in 1802 and was successful in book
illustration. Chairman of Committee of Polite Arts,
1822. Died 1823.
Watson, John Burgess. Gold Medal in 1824 for a Design
for a House ; Silver Medal same year for a Drawing
of a Crane. Architect. Died 1847.
Webber, Henry. Silver Palette in 1783 for an Historical
Drawing. Gold Medallist R.A. in 1779 for a Group.
As his address was " Etruria," he was presumably em-
ployed by Wedgwood.
Westall, William. Silver Palettes in 1798 for a Drawing ;
and in 1800 fora Landscape. Landscape painter. He
was draughtsman to Captain Flinders 's voyage of
Australian discovery, was wrecked, and had many
adventures. Died 1850.
Wheatley, Francis. Premiums in 1762 and 1763 for
Drawings ; and in 1767 for a Landscape. Landscape
and subject painter. R.A. Pupil of Shipley. Died
1801.
Wickstead, Philip. Premiums in 1763, 1764, and 1765 for
Drawings. Portrait painter. Pupil of Zoffany. Went
to Jamaica. Died before 1790.
Wilkins, Robert. Premiums in 1765 and 1766 for Sea-
pieces. Marine painter. Exhibited at Royal Academy
1772-1788. Died about 1790.
Williams, Penry. Silver Medal in 1820 for a Landscape in
Water-colour; Silver Medal in 1821 for a Chalk
Drawing. Landscape painter. Exhibited at Royal
Academy 1827-1869. Died 1885.
Williams, William. Premium in 1758 for a Drawing.
Subject and portrait painter. Exhibited at Royal
Academy 1770-1792.
Wilson, Andrew. Gold Medal in 1810 for Stereotype
SELECTED NAMES 211
Printing. Some examples of his work are given in
Vol. xxvin. of the Transactions, p. 317.
Winkles, H. Silver Medal in 1820 for Pen-and-ink Draw-
ing of St. Mary's Abbey, York. Architect. Joint
author (with B. Winkles) of works on the English
and French Cathedrals.
Woollett, William. Premium in 1759 for a Drawing. En-
graver. His " were the first English engravings that
gained notice on the Continent." " His works gave a
high character to the English school " (Redgrave).
Died 1785.
Woolner, Thomas. Silver Medal in 1845 f°r " original
modelled design, entitled ' Affection.' " Sculptor.
R.A. Died 1892.
Wright, Richard. Premiums in 1766 and 1768 for Sea-
pieces. Marine painter. His best-known work is
his " British Fishery," engraved by Woollett. Died
about 1775.
Wyatt, Henry. Silver Medal in 1812, and Silver Palette
in 1813 for Drawings. Portrait and subject painter.
Exhibited at Royal Academy after 1825. Died
1840.
Wyon, Anne. Silver Medal in 1821 for Modelling Wax
Flowers. She was the wife of Thomas Wyon the
elder, and the mother of Benjamin.
Wyon, Benjamin. Gold Medals in 1819 and 1821 for
Medal Dies. Seal engraver. Chief engraver of seals.
Son of Thomas Wyon the elder. Died 1858.
Wyon, James. Silver Medal in 1820 for a " Head in
Miniature." Die engraver. Engraver at the Mint.
Son of George Wyon, brother of Thomas Wyon the
elder.
Wyon, Thomas, junr. Gold Medals in 1810 and 1811 for
Die Engraving. The award in 1810 was for a head
of Isis, adopted for the Society's Isis Medal. Medal-
list. Son of Thomas Wyon the elder. Chief en-
graver to the Mint. Died 1817.
Wyon, William. Gold Medals in 1813, 1814, and 1820
for Medal Dies. Medallist , R.A. Chief engraver
to the Mint. Nephew of Thomas Wyon the elder.
212 THE FINE ART PRIZE-WINNERS
The Medal in 1813 was for engraving the head of
Ceres for the Society's Medal ; that of 1820 was for
designing and executing the dies for the " new large
Medal of the Society/' which he presented (see Trans-
actions, Vol. xxxvin. p. xxxiii). Died 1851.
" Arts, Manufactures, and Commerce."
From an old Die in the Society's
possession.
CHAPTER IX
THE SOCIETY AND THE FINE ARTS — (Continued)
(1755-185!)
Prizes for Artists' Instruments and Materials, Crayons, Colours, Pencils,
Paper, Etching Fluids, etc. — The Society's Shilling Colour-Box —
Steel Engraving — Acierage — Aquatint — Colour Printing — Die-
Sinking, Medals, and Medallists — Gem-engraving — Pastes for
Cameos — Tassie and his Medallions.
BESIDES the prizes given to artists as encouragement for
technical skill or in appreciation of genius, there were
also a certain number for inventions and improvements
connected with the Arts. A good many of these are
trivial, but there are others of interest and some of im-
portance in the history of the technics of Art.
A few prizes were at various times offered and awarded
for artists' instruments and materials. In 1 764 a premium
of thirty guineas was given to Thomas Keyse for a method
of fixing crayon drawings. Keyse was a still-life painter
of some repute. He was also the keeper of Bermondsey
Spa, where he had a gallery of his own works. The
masterpiece was the interior of a butcher's shop, and over
it certain of the wits of the time made merry.
In 1772 twenty guineas were given to Joseph Pache
for preparing crayons, and " establishing a manufactory
thereof in England." In 1781 the greater silver palette
was awarded to Thomas and William Reeves for improved
water-colours. In 1794 the palette and twenty guineas
were awarded to George Blackman for his method of
making oil-colour cakes. These were reported on favour-
ably by Cosway and by Stothard, and the method of their
preparation is described in the Transactions.1 In 1803 a
1 Transactions, vol. xii. p. 271.
313
214 THE SOCIETY AND THE FINE ARTS
silver medal and ten guineas were given to James Harris
for a syringe for preserving oil-colours. The syringe was
of the ordinary sort, when it was filled with colour the
piston was inserted and secured by screwing on the head.
It was certainly an improvement on the then existing
method of supplying artists* oil-colours in bladders, and
received the approval of Sir Thomas Lawrence, P.R.A.
An award to William Brockedon in 1823 for a rest for
painters engaged in minute work, may be noticed on
account of the inventor's personality, rather than because
of its intrinsic importance. Brockedon was a versatile
genius, an excellent painter, a man of science (he was an
F.R.S.), and an ingenious inventor. He was Chairman
of the Committee of Polite Arts 1824-1831.
Besides these there were rewards for various drawing
instruments and appliances, sculptors' instruments, etching
fluids, drawing tablets, pencils, paper for copper-plate
printing, etc. Reference to some of these will be found
in Chapter XIII, which also records the award to
Senef elder for the invention of lithography.1
One of the most popular things the Society ever did
was its offer of a medal for a shilling colour-box, and
mention may be made of it here, though we are antici-
pating by some half a century at least the proper course
of the Society's history. This offer was made in 1851,
and in the following year the medal was awarded to J.
Rogers, of 133 Bunhill Row, E.C. The box has long since
been obsolete, or rather has been superseded by better
appliances of the same sort ; but it was a very great
advance on anything which existed at the time, and
its enormous popularity was sufficient evidence of its
value.
The proposal was put forward by Henry Cole, and was
carried out with the promptitude that characterised all
that remarkable man's ideas. The offer was advertised
in September 1851. The competing boxes were received
on ist December, and the award was published on i4th
January 1852. The medal was presented at the distribution
of awards held by Prince Albert in 1853. According to
1 See Chapter XIII, p. 305.
ARTISTS' COLOURS, ETC.— STEEL ENGRAVING 2 1 5
a statement made by Sir Henry Cole,1 the maker reported
to him in 1870 that eleven millions of these boxes had
then been sold.
At the same time a medal was offered for a cheap set
of drawing instruments, to contain a pair of compasses,
a drawing square, and a graduated ruler. This was
awarded to J. & H. Cronmire, of Cottage Lane, Com-
mercial Road, for two sets of instruments, one to be sold
at 2S. 6d., and one of a superior character at 6s. A good
many of these were sold, but the drawing instruments
never attained the popularity of the shilling colour-box.
Two prizes awarded in 1822 and 1823 mark an im-
portant though temporary modification in the technique
of the engraver, the substitution of steel for copper plates.
Although steel had been employed for etched plates by
Albert Durer in 1510, it had never really come into use,
and until the middle of the nineteenth century copper was
in practice always used by engravers. It had the advan-
tage of being easily worked upon, and the disadvantage of
only giving a small number of impressions. The precise
date of the invention of the modern steel plate seems
uncertain, and the name of the inventor (if any single
person can claim the credit) is also doubtful. S. T.
Davenport 2 attributes the invention to Jacob Perkins,
whose " siderographic " process for printing bank-notes
will be described later.3 In the volume of the Trans-
actions for 1820, in which the process is fully described,
Perkins states that his method had been " in successful
operation many years in America," and it certainly
involved the use of engraved steel plates, but he makes no
claim to having been the first to engrave on steel. He
merely refers to such plates as if they were in ordinary
use.4 In the specification of his patent, taken out in
October 1819, Perkins describes a method of " decarbonat-
1 Fifty Years of Public Work, vol. i. p. 385.
2 " Engraving and other Reproductive Art Processes," Journal,
vol. xiii. p. 134.
3 See Chapter XIII, p. 303.
4 E. Turrell, in a communication (Transactions, vol. xlii. p. 43),
says that Perkins first used steel plates " in his bank-note manufactory
in the United States."
216 THE SOCIETY AND THE FINE ARTS
ing " and " reconverting " steel plates for engraving, and
refers to the use of steel plates as a thing commonly
known.
Early in the century Abraham Raimbach, the engraver,
made some unsuccessful experiments with steel, but it
seems to have been considered that the difficulties of
engraving on the metal, even in a soft state, and of after-
wards hardening it, were practically insuperable.
Raimbach, in his Memoirs* does not refer to his
experiments, and he only alludes to steel-plate engraving
as a cause of the deterioration of the art from the numbers
of plates produced to comply with the popular demand,
and the consequent inferiority of the work.
In 1822, T. G. Lupton was awarded a gold medal for
introducing the use of soft steel for mezzotint. In a
communication on the subject,2 he says that the method
of working is precisely the same as for copper plates,
except that greater strength has to be used in laying the
ground, and the plate has to be gone over with the tool
a greater number of times.
The medal was evidently given to Lupton under the
idea that he was the first to employ steel, at all events for
mezzotint, and in his paper he appears to claim this credit
for himself. As a matter of fact, however, he seems to
have been anticipated by William Say, since there is in
the collection of the British Museum a mezzotint by the
latter engraver, which is dated 1817, and this is said to
have been printed from a steel plate. It is from a portrait
by G. Dawe, R.A., of the Princess Charlotte, the daughter
of George iv., who died in 1817. This has always been
believed to be the first mezzotint on steel, and inasmuch
as Lupton 's plate, submitted to the Society in 1822,
appears from his paper to have been his first success,
there is no reason to question Say's claim to priority.3
In 1823 a gold medal was given to Charles Warren for
" Improvements in the art of engraving on steel." These
improvements consisted in substituting a plate of soft
steel for the ordinary copper plate. His process is described
1 Memoirs of Abraham Raimbach, 1843. 2 Transactions, vol. xl. p. 41 .
3 See also Chapter VIII, p. 190 n.
STEEL ENGRAVING 217
in the Transactions,1 and it appears that he was led to
experiment in the use of steel from early training in
engraving for calico printers, and from observation of
methods used in ornamenting articles of cast steel. He
began by decarbonising steel plates, and, after engraving
on the softened steel (or iron), re-hardening it, but he
found that plates of sufficient thinness for the purpose were
apt to warp in the hardening, while there were other
difficulties in using thicker plates. He was then led to try
printing from the plates in their soft state, and found no
difficulty in producing large numbers of impressions.
The details of the method of softening the plates were
improved, and it was found that editions of 4000 and 5000
prints could be produced without the plates showing
signs of deterioration. Warren died suddenly, after the
award of the medal, and before its presentation, so the
account of his process in the Transactions is contained in a
report by the committee, not in a communication from
himself. So far as can be judged, the method is princi-
pally intended for etching, though available also for line
engraving.
Probably the truth about the invention of steel-plate
engraving is that many engravers tried to employ steel.
Perkins was successful with the small plates that served
his purpose, and probably those who tried to use larger
lates found difficulties in the processes of softening and
hardening the steel. Very likely, therefore, it was not till
Say (possibly) and Lupton and Warren (certainly) found
that steel plates could be employed without the necessity
for hardening them, that such plates came into extensive
use. That they did come into such use, and very rapidly,
is, of course, well known. The facilities they afforded for
printing large editions enabled publishers to produce the
flood of " Annuals " which were popular in the thirties and
forties of the last century, and served to popularise Art,
if they did little to elevate it.
The copper plate came to its own again when it was
found possible to deposit upon its surface a thin film of
steel, or rather iron, and thus to give it a hard " face "
1 Transactions, vol. xli. p. 88.
2i 8 THE SOCIETY AND THE FINE ARTS
which would stand the wear of printing. The process was
termed " acierage," and was, as all the evidence goes to
show, the invention, about 1858 or a little earlier, of
Henry Gamier, a Paris engraver, with whom F. Joubert,
also an engraver, co-operated. Joubert brought the
process over to London, and in November 1858 he read
a very full description of it before a meeting of the Society.1
The process was patented in England, 29th March 1858,
by E. A. Jacquin, as a " communication " from Henry
Gamier. The process, which was merely a method of
electro-deposition, came rapidly into use, and for a time
was associated with Joubert 's name. It proved to be of
the utmost value, and has ever since been extensively
applied to copper plates of every description, including
those produced by photographic methods.2
When steel was first used for etching, a difficulty was
found in discovering a suitable etching fluid. Nitric acid
acted too violently, and Warren recommended a solution
of copper nitrate, acidified with nitric acid. In the
following year (1824) Edmund Turrell 3 received a gold
medal for his etching fluid, composed of pyroligneous acid,
nitric acid, and alcohol, and this fluid, with some modifica-
tions and the omission of the spirit, seems to have been
largely used for some years for etching steel.
A few other awards in connection with plate-printing
may be mentioned. In 1773, Richard Samuel received
fifteen guineas for a tool for laying mezzotint grounds.
Samuel was a portrait painter of no great merit, according
to Redgrave. In 1776, Robert Lawrie (or Laurie), an
engraver, who took several of the Society's prizes, received
a " Bounty " of thirty guineas for an invention which
facilitated the printing of mezzotint plates in colours.
In 1810 a silver medal and thirty guineas were given
to John Hassell for improvements in the aquatint process.4
His invention consisted in drawing direct on the plate
1 Journal, vol. vii. p. 15.
2 S. T. Davenport, in his paper above mentioned, quotes a letter
from Joubert, in which it is stated that the process was patented in
in 1848 by M. Jacquin ; but this is merely an unfortunate misprint.
3 See his paper in Vol. XLII. of the Transactions above referred to.
4 Transactions, vol. xxviii. p. 97.
COLOUR-PRINTING—DIE-SINKING 219
with a specially prepared ink, which, when removed from
the varnished plate, left the lines clear for etching. Such
devices were at a later date known to and employed by
aquatint workers, but the method may have been new at
the date of the award.
The idea of producing prints from wood blocks in
various colours is very old, and the method of colour
printing for which William Savage obtained a silver medal
and fifteen guineas in 1825 really involved no novel
principle. He used different blocks for the different
colours, and employed various devices for ensuring accurate
register. Savage produced some excellent work, and devoted
much attention to the subject, on which he wrote a book.1
The work done by the Society in encouraging the art
of die-sinking during the latter part of the eighteenth
century deserves special note. In the 1758 prize- list is an
announcement that " The Medallic Art being capable of
great Improvement in this Nation," a prize of twenty
guineas will be given for a copper medal, " after a model
first produced by the candidate, and approved by the
Society," the competition being limited to persons under
the age of twenty-five. The offer was continued for
several years, the terms being slightly varied. The age
limit was raised to forty, and a second prize was offered
for younger candidates.
The effort to improve the character of British medals
was successful, for the result was that a number of admir-
able medals were produced. In some cases the candidates
were allowed to choose their own subjects, in others the
subjects were specified by the Society. Most of the
selected subjects were British victories, of which there
were, fortunately, about that time a sufficient number to
provide ample choice. Several of the prizes were taken
by members of the Pingo family, and, according to a
statement by Dossie,2 the designs from which the dies were
cut were prepared by their father, Thomas Pingo, the
engraver to the Mint.
1 Practical Thoughts on Decorative Printing, 1822.
3 Vol. iii. p. 428,
220 THE SOCIETY AND THE FINE ARTS
Thomas Pingo himself did not enter for any of the
competitions, but he was paid eighty guineas for cutting
the dies for the Society's first medal. His two sons, John
and Lewis, carried off a number of the awards for medals,
and his other children, Benjamin, Henry, and Mary, took
numerous prizes in other classes. Thomas Pingo was an
Italian who came to England, and was appointed Engraver
to the Mint, an office afterwards filled in succession by
his sons, John and Lewis. In October 1758, John Pingo
produced a model for a medal with a head of Britannia
on the obverse, with the legend, " O fair Britannia, hail ! "
taken from Akenside's " Ode on leaving Holland.'' On
the reverse was the figure of Victory standing on the prow
of a ship, with the inscription, " Louisburg taken,
MDCCLVIII." This referred to the taking of Louisburg
and Cape Breton by the English, under Amherst and
Boscawen, in July 1758. The model was accepted, but
before the year was out the small island of Goree, on the
west coast of Africa, was captured from the French by
Admiral Keppel, and the glory of this achievement was
supposed to eclipse that of the taking of Louisburg.
Pingo was therefore directed to make a new die for the
reverse of his medal, and to cause the words " Goree
taken " to replace " Louisburg taken." Hawkins in his
book on Medals l tells us that this and other medals re-
warded by the Society were produced under the direction
of Thomas Hollis, the republican writer, and that he
presented copies of the Goree medal to Pitt, Keppel, and
Akenside.
Three other medals were produced in connection with
the conquest of Canada, one by John Pingo (1759) with
the inscription " Quebec taken " ; a second by Lewis
Pingo (1761), "Canada subdued " ; and a third by
John Kirk (1763), " Conquest of Canada completed."
In 1762 a prize was given to John Kirk for a medal
in commemoration of the brilliant exploit of Admiral
Hawke off Belleisle, on 2Oth November 1759, usually
called the " Battle of Quiberon." Hawkins did not know
1 Medallic Illustrations of the History of Great Britain and Ireland.
Edward Hawkins. 1885.
fcd
d- ^
g H
^ U
8
Q
W
U
D
Q
O
PRIZES FOR MEDALS 221
the real name of the artist, and says that the medal was
"probably by Thomas Pingo." Kirk had been a pupil
of J. A. Dassier, who had been engraver to the Mint
about 1750. He died young in 1776. In 1763, John
Pingo received a prize for a medal, the subject of which
was the Battle of Minden, fought in August 1759, and
in 1765 one for a medal commemorating the Battle of
Plassy, 23rd June 1759.
Lewis Pingo also received, in 1764, 1771, and 1772,
three other premiums for medals commemorating victories,
the capture of Guadaloupe in 1759 ; the naval victory at
Lagos in 1759 ; the capture of Havana in I762.1
Besides these, John Pingo received an award in 1762
for an allegorical group of the Arts — " Painting, Sculpture,
and Architecture " ; and Lewis Pingo two awards, one
in 1759 for a medal representing the granting of Magna
Charta, and a second for a portrait medal of King George in.
John Kirk also received a premium in 1762 for engraving
a seal for the Society from a design by Cipriani, modelled
by Spang, and Spang was rewarded for his model.2 This seal
was used for many years, and when the Society was in-
corporated it was adopted as the corporate seal until it
was abandoned for the vastly inferior design now em-
ployed. It also served as a book-plate for the books
purchased under the bequest left in 1797 by W. B. Earle.
There were also a few other awards for medals about
this time. One was to G. M. Moser (the first Keeper of the
Royal Academy) for a medal for the Society, which does
not seem to have ever been adopted ; two to his nephew,
Joseph Moser, in 1 762 and 1 763 ; and two to John Taylor,
afterwards a jeweller at Bath, for allegorical designs.
After the date when these prizes were awarded, the
subject of die-engraving dropped out of the Society's
lists. Indeed, the last offer of a prize for medals appears
in the list for 1765 ; though prizes for wax models for
medallions were continued to 1770. It was one of these
1 The four medals for Belleisle, Minden, Guadaloupe, and Plassy
are in the possession of the Society. Illustrations of them are given
in the plate facing p. 220.
2 See the plate facing p. 398.
222 THE SOCIETY AND THE FINE ARTS
that Lewis Pingo obtained in 1772, and it was many
years before attention was again given to the art of the
medallist. Indeed, it is not until 1807 that an offer of a
premium for medal die-engraving again appears, and then
it does not seem to have attracted much attention. In
1817, George Mills, a medallist of repute at the time,
received a gold medal for a medal die, and he followed
up this success by obtaining similar awards in 1818 and
in 1828, the last prize being for a new die for the Society's
Vulcan medal. From 1813 to 1820 a number of gold
medals were taken by members of the Wyon family,
several of them were for medals for the Society. Of these a
fuller account will be given later on.1 The name of Pinches
appears in the list for the years 1836 and 1837, when silver
medals were awarded to T. R. Pinches for medal dies, and
Scipio Clint, the son of George Clint, A.R.A., the engraver,
received gold medals for dies in 1824 and 1825.
It seems not unreasonable to assume that the revival
of gem-engraving, which occurred in the latter part of
the eighteenth century, was due to a large extent, and
perhaps entirely, to the Society of Arts. In 1759 a prize
of ten guineas was offered for an intaglio on red cornelian,
and it is stated that the prize was offered because, although
" the Art of Engraving in Gems is a very ancient, useful,
and curious Art, and has always been esteemed, yet [it]
is but little practised in this nation. " The age of the
candidates was limited to twenty-six. The prize was
taken in 1760 by Thomas Smith, jun., for an engraving
of the statue of Meleager in the Vatican Gallery. In
the following year the age of the candidates was reduced
to twenty-four, and the prize was taken (1761) by
Nathaniel Marchant, then a young man of twenty-one.
In the list of prizes offered in 1761 the age was again
raised to twenty-six. This prize was taken by Edward
Burch. Both Marchant and Burch became Royal
Academicians, and were undoubtedly the finest gem-
engravers of their day. Mr. Cecil Thomas, a most com-
petent authority, expresses a preference for the work of
1 See Chapter XIV, pp. 319 and 320; also Chapter VIII, p. 211.
GEM-ENGRAVING 223
the younger artist. " Marchant was easily the foremost,
many of his figure-subjects being admirable and delicate
examples of intaglio engraving." l
The offer of prizes was continued down to about 1770,
the conditions being varied from time to time, and separate
prizes being added for cameo-cutting. In the 1762 list
there is no age limit. During the ten years or so for which
prizes were offered Marchant took six, Burch three,
Nehemiah Spicer four, Robert Staples four, John Fruin
two, and Lewis Pingo one.
Cordial testimony to the value of the help given by
the Society in the encouragement of gem-engraving is
borne by Burch himself, who says in his catalogue of
engraved gems : —
" The first step of lifting the arts from obscurity may
justly be ascribed to that truly laudable and patriotic
Society for the Promotion and Encouragement of Arts,
Manufactures, and Commerce ; the Duke of Richmond's
Gallery ; with a valuable collection of gesses from the
most admired figures and busts of the antique ; and the
Artists Subscription Academy for studying after Nature :
if we take these collectively, we shall there find an ample
field for encouragement and improvement. First, the
above honourable society who gave (with a liberal hand)
premiums for history paintings, large and small models
for sculpture likewise, and engravings on gems ; and it
is with thankfulness that I acknowledge the share I had
in these honors and emoluments. Premiums were also
given for engravings on copper plate, drawings in various
branches : in short, what was most for the fame and
opulence of their native country was generously under-
taken by them, and carried on with a spirit which must
do honor to any institution." 2
In the same year (1759) in which the prize for gem-
engraving was first offered, a prize was also proposed for
1 " Gem Engraving/' Journal, vol. Ix. p. 366.
2 From the Introduction to A Catalogue of One Hundred Proofs from
Gems Engraved in England, by E. Burch, R.A., Engraver to His Majesty,
for Medals and Gems ; and to His Royal Highness the Duke of York.
London: 1795. Printed for the author. (Pp. ix, x.)
224 THE SOCIETY AND THE FINE ARTS
" casts or impressions in glass, commonly called pastes,"
" nearest in excellence to antique pastes, as well cameos
as intaglios." The offer was continued in successive lists
up to 1764, and after this occasionally prizes were offered
for cameos and intaglios. It did not produce very much
result. Two awards of twenty guineas each were made
to Samuel More, afterwards Secretary to the Society and
then a member, in 1763 and 1764 for two collections of
such impressions, and in 1765 premiums of ten and five
guineas were given to Edward Carter, a jeweller, and to
Robert Fruin, a gem-engraver. No information about
More's imitation cameos seems to be available.
Of more interest and importance is the award of ten
guineas in 1767 to James Tassie for " Figures, heads, and
portraits of his composition resembling antique onyx."
Tassie soon acquired a considerable reputation, both for
his copies of ancient gems and for portrait cameos modelled
by himself. The paste was, according to an analysis by
Professor Crum-Brown, " a very easily fusible glass,
essentially a lead potash glass," and as it was reduced by
a very moderate heat to a pasty consistency, it was admir-
ably suited for taking casts from moulds of plaster or other
material.1 Tassie was not only a competent chemist, but
a skilful modeller, and he eventually established a con-
siderable business, which, after his death in 1799, was
carried on by his nephew William. His portrait medallions
and reproductions were highly appreciated, and Mr. Gray,
in his memoir, quotes a letter from Shelley to Thomas
Love Peacock in 1822, asking Peacock " to get me two
pounds* worth of Tassie's gems, in Leicester Square, the
prettiest, according to your taste." At the present time
his works are of value. There is a collection of them in
the possession of the Edinburgh Board of Manufactures.
Miss Catherine Andras, who received a silver palette in
1 80 1 for her portrait-models in wax of the Princess
Charlotte and Lord Nelson, is thought by Mr. Gray to
have been connected with the Tassies, as some of her
models were cast in their paste by them.
1 James and William Tassie, by John M. Gray. 1894. Mr. Gray
died in the year in which his book was published.
GEM-ENGRAVING
225
During a long interval the subject of gem-engraving was
quite neglected by the Society, so far as the offer of prizes
was concerned. The subject reappears in the premium
list for 1823, and from that date on prizes were occasionally
given. In 1828 a gold medal was presented to C. Durham
for an intaglio, and a silver medal to J. S. Phillips for a
cameo. F. F. Cuisset took silver medals for intaglios in
1830 and 1832. Nothing more has been discovered about
these artists' work, and their names do not appear in
Ferrer's Dictionary.
A gold medal was awarded in 1827 to William Warner
for an intaglio of a group (Mare and Foal) which has been
preserved, and is a nice piece of work. He was a seal
engraver established in London, who afterwards cut some
seals for Queen Victoria and the Prince Consort, as well as
some medallion portraits of Napoleon in. and the Duke
of Wellington. The last award which requires mention
is a gold medal in 1845 to T. Moring, for an engraving on
white cornelian. This is still in existence, and the
writer has an impression of it.
Abraham Staghold's Gun-Harpoon (see p. 249).
CHAPTER X
THE SOCIETY'S EARLY ART EXHIBITIONS
The Society originates Exhibitions of Artists' Works — The French Salon
— The Foundling Collection — The first Picture Exhibition in
London — Its Successors, the Free Society of Artists and the
Incorporated Society of Artists — First Suggestions for an Academy
of Arts — The Royal Academy.
A VERY important service rendered by the Society to the
promotion of the Fine Arts in England was the establish-
ment of periodical exhibitions of the works of contemporary
artists, since it was directly as a consequence of those
exhibitions that the Royal Academy was founded. The
Society, therefore, may legitimately claim to have been
not only the precursor of the Academy, but the original
source from which that great institution was developed.
That English artists should never before have adopted
this method of making their works known to the public
is the more extraordinary, because it had long been
well known and popular in Paris. Exhibitions of con-
temporary pictures had been held regularly in France a
century before the idea was started in this country. As
a French writer on the subject says : " C'est a la France
que revient 1'honneur d 'avoir institue les expositions
periodiques des artists vivants." On the advice of Colbert,
Louis xiv. suggested to his Academy of Painting and
Sculpture that its members should hold an annual ex-
hibition of their works. The proposal was accepted in
1663, though it was not till 1667 that the first Salon des
Beaux Arts was opened. By the advice of Colbert the
exhibition was made biennial instead of annual, and
from that time it has been continued, with certain short
intervals and occasional irregularities, at first biennially
326
PARIS SALON— THE FOUNDLING PICTURES 227
and afterwards annually, down to the present day. There
is no need to follow the history of these exhibitions. Those
who wish to do so will find an excellent account, succinct,
but with full detail, in Larousse's well-known Dictionary,1
from which source the above particulars are taken. Mention
may, however, be made of Diderot's studies on the Salons,
from 1759 to 1781, collected and published in 1796, and
afterwards included in a more complete form in the edition
of Diderot's works, edited by Mons. Assezat.2 It does
not look as if many English artists contributed to any
of these Salons. The only English name mentioned by
Diderot is that of Strange, the engraver.
There seems reason to believe that the idea of holding
an exhibition of pictures in London was suggested by the
popularity attained by the collection of pictures at the
Foundling Hospital. This collection was formed by the
liberality of various artists, who contributed pictures for
the decoration of the walls of the new building of the
hospital, Hogarth being a principal donor, and the most
eminent among the contributors. According to the
statement in Austin Dobson's Life of Hogarth, which is
corroborated by information in Brownlow's account of
the Foundling, the collection was formed about 1746. It
soon became a popular resort, and the artists who had
given the pictures found a good deal of benefit from the
advertisement, though there was no actual profit, as nothing
was charged for admission.
The very moderate publicity thus given to the pictures
of a few artists seems to have suggested the idea that
an exhibition on a larger scale would be highly profitable,
by attracting the attention of the public and giving
artists generally an opportunity of making their works
known. At any rate, it is certain that, whether in con-
sequence of the Foundling collection or not, a committee
of artists was formed in 1759 or 1760, at the " St. Martin's
Lane Academy " — the well-known painting school pre-
viously referred to 3 — with the object of promoting the
1 Grand Dictionnaire Universel du XI Xe Sticle, art. " Salon," vol. xiv.
p. 136(1875).
2 (Euvres completes de Diderot. Par J. Assezat, 1876.
3 See Chapter I, p. 8.
228 THE SOCIETY'S EARLY ART EXHIBITIONS
formation of a regular exhibition of paintings. Of this
committee, Mr. Francis Hayman, an active member of
the Society of Arts, and afterwards an original Royal
Academician, was chairman.
The Society had moved into its new premises opposite
Beaufort Buildings in 1759,* and one of the reasons for
its move was the acquisition of a " Great Room," in which
could be exhibited the pictures and other works of Art to
which its premiums had been awarded. It had, therefore,
facilities for holding an exhibition on a large scale (the
Great Room was 80 ft. by 40 ft.), and had already held
exhibitions of a less important character. Hayman,
therefore, very naturally appealed to the Society for its
aid.
This he did by making a formal application, since it
appears from the minutes of the Society of Arts that on
2 /th February 1760, " A letter from Mr. Francis Hayman,
Chairman of the Committee of Artists, was read, desiring
the use of the Society's room for exhibiting paintings,
etc." The letter was referred to a large and important
committee, including among its members, Israel Wilkes,
R. E. Pine, Sir George Savile, Lord Ward, P. Carteret
Webb, Mr. Chambers, Lord Midleton, Sir Thomas
Robinson, Thomas Hollis, Dr. Knight, and Henry Baker.
The committee reported on 5th March that " they are of
opinion that the Society may allow a Public Exhibition
of Productions in the Polite Arts for one fortnight this
year under such regulations and restrictions as the Society
shall hereafter prescribe." 2
Regulations were accordingly prepared, under which
all pictures sent in by the committee of artists were to
be accepted, all other pictures being selected by a com-
mittee of the Society. The Society's committee was to
be the hanging committee, and to " appoint the places
where all the productions may be hung or exhibited, in
case any dispute shall arise among the artists about
1 See Chapter III, p. 54.
2 Much of this account of the Society's early Exhibitions of pictures
has been taken from the article by Mr. H. B. Wheatley in the Journal,
6th September 1895.
THE FIRST PICTURE EXHIBITION 229
placing them." No charge was to be made for
admission.
It is quite clear that, although the Society accepted
the proposition of the artists for an exhibition, its com-
mittee took care to reserve to themselves all the arrange-
ments— so that it was, in fact, the Society's exhibition.
All the costs and charges were borne by the Society, and
it appears from the account books that though they paid
all the expenses, they received nothing whatever in return.
More than this, the Society's committee were responsible
for all the details of the arrangements, the printing of the
tickets, the preparation of the catalogue, etc. Pictures
sent in by the committee of artists were accepted, but
that was all they had to do with the management of the
exhibition.
In the exhibition there were 130 pictures by sixty-
nine painters. The best artists were well represented.
Reynolds had four portraits, Richard Wilson three
landscapes, Hayman his well-known picture of Garrick
as Richard in., and Cosway the portrait of Shipley.
Among other important exhibitors may be mentioned
Highmore, Morland, Pine, Sandby, Carlini, Moser,
Pingo, Roubiliac, Wilton, MacArdell, Gwynn, Rooker,
Strange, and Woollett.
The exhibition was a success, but, unfortunately, a
success which led to disaster, for a disagreement arose
among the exhibitors as to the use to be made of the money
received at the door in payment for catalogues. This
amounted to one hundred pounds, and the money was,
apparently, left to the disposal of the contributors. The
Society certainly never had or asked for any of it. It
appears to have been invested, and was probably added to
the fund devoted, as is mentioned later, to charitable
purposes. In consequence of the dispute there were two
rival exhibitions in 1761. The chief artists seceded, and
formed themselves into the Society of Artists of Great
Britain, which exhibited in Spring Gardens, and the
Society of Arts continued its patronage to the others,
who subsequently styled themselves the Free Society of
Artists. Each body took credit for the exhibition of
23o THE SOCIETY'S EARLY ART EXHIBITIONS
1760, and counted its own exhibition of 1761 as the
second.1
The Society's exhibitions were continued for four
more years — 1761 to 1764 — and they were principally
supported by those artists who eventually became the
Free Society of Artists. These exhibitions all seem to
have been well supported . But the artists who contributed,
although distinguished, were neither so numerous nor so
important as those who contributed to the rival exhibi-
tion of the Society of Artists of Great Britain.
It was definitely decided, and notices were printed on
the catalogues, that the money arising from the sale of the
catalogues, which formed the only profits of the exhibition,
was to be given " by the artists immediately after the ex-
hibition to some public charity." There seems to have
been a certain amount of trouble in consequence of the
numbers of visitors, as no admission fee was charged, and
it was found necessary to employ a number of constables
to control the crowd.
After 1764 the Society decided to discontinue the ex-
hibitions, but the artists held exhibitions in 1765 and 1766
in " Mr. Moreing's Great Room in Maiden Lane, Covent
Garden." In 1767 the Free Society of Artists was de-
finitely formed, and they held annual exhibitions up to
1783 — first in " the two new Great Exhibition Rooms in
the Pall Mall, near the bottom of Hay Market," then in
"Mr. Christie's new Great Room, next Cumberland
House, Pall Mall," 2 and after this, in rooms in or near
the Haymarket.
" The Society of Artists of Great Britain," on leaving
1 Dr. Johnson, writing in June 1761 to Baretti, who was then in
Milan, speaks of this second exhibition : " The artists have instituted a
yearly exhibition of pictures and statues, in imitation, as I am told, of
foreign academies. . . . They please themselves much with the multi-
tude of spectators, and imagine that the English School will rise in
reputation. . . . Surely life, if it be not long, is tedious, since we are
forced to call in the assistance of so many trifles to rid us of our time,
of that time which never can return." — Boswell's Life, edited by
G. Birkbeck Hill, vol. i. p. 363.
2 Cumberland House was afterwards part of the War Office, and was
pulled down when the Automobile Club was built in 1910.
SOCIETY OF ARTISTS 231
the Society of Arts, went to " the Great Room in Spring
Garden, Charing Cross." It is not quite certain where
this room was situated, but it is supposed to be now
incorporated in the offices of the London County Council.
As previously stated, the chief cause of the split among
the artists was a dispute as to the use to be made of the
money obtained from the sale of the catalogues ; but it
is evident that the ruling of the Society of Arts, that no
charge should be made for admission, had much to do
with the decision of the chief artists to go elsewhere, for
in the preface of the catalogue of the Society of Artists
for 1762, which was written by Dr. Johnson, we read : —
" Of the price put upon this exhibition some account
may be demanded. Whosoever sets his work to be shown
naturally desires a multitude of spectators, but his desire
defeats its own end when spectators assemble in such
numbers as to obstruct one another. Though we are far
from wishing to diminish the pleasures or depreciate the
sentiments of any class of the community, we know,
however, what every one knows, that all cannot be judges
or purchasers of works of art, yet we have already found by
experience that all are desirous to see an exhibition. When
the terms of admission were low, our room was throng 'd
with such multitudes as made access dangerous, and fright-
ened away those whose approbation was most desired."
The exhibition of the Society of Artists of Great
Britain for 1761 is styled on the catalogue " the second
year," but no explanation of the secession from the
exhibition of the Society of Arts is given. This catalogue
contains a frontispiece by Hogarth, representing Britannia
as watering the roots of three trees, labelled respectively
painting, sculpture, and architecture, from a fountain
surmounted by a bust of George in. Hogarth himself
exhibited no less than seven pictures, among which
were his celebrated " Sigismunda," the " Gate of Calais,"
" Picquet, or Virtue in Danger," and " The Election."
Gainsborough sent a portrait, Reynolds five portraits,
Richard Wilson six landscapes, and Francis Hayman a
picture of " Sir John Falstaff." The receipts from this
exhibition were £650.
232 THE SOCIETY'S EARLY ART EXHIBITIONS
The Society of Artists of Great Britain obtained a
charter and a coat of arms in 1765, and became known
as the Incorporated Society of Artists. George Lambert
was appointed the first president, Francis Hayman the
first vice-president, and F. M. Newton the first secretary.
The Incorporated Society seemed to be on the high road
to prosperity, but, in spite of complaints, it did nothing
for teaching, and formed no school, so that many of the
leading artists became disgusted, and again there was a
secession. The seceders applied for a charter for an
academy, which was granted, and the Royal Academy was
founded in 1 768. From that date the Incorporated Society
steadily declined, although for a time some of the
Royal Academicians continued to send to its exhibitions.
The exhibitions of the Incorporated Society continued
to be held in Spring Gardens until 1771 . In the following
year the Society removed to their " new room near
Exeter Exchange," which was on the site of the
present Lyceum Theatre. In 1777 the Society went to
Piccadilly, near Air Street ; in 1780 to Spring Gardens,
and in 1783 to Exeter Change again. No exhibition
was held between 1783 and 1790, when a final exhibition
was held, and after this the Incorporated Society came
to an end.
For at least fourteen years previously various proposals
had been made in different quarters for the formation of
an Academy of Arts. Soon after the Society of Arts had
been established, a suggestion was considered that the
Society itself should apply for a charter for an Academy
of Painting, Sculpture, etc. The principal advocate
of the scheme was Henry Cheere (afterwards Sir Henry
Cheere), and he was warmly supported by Dr. Madden.
The full text of his proposal, with the draft of a charter
for a Royal Academy, is preserved in Dr. Templeman's
MS. volume of Transactions hereinafter referred to.1 The
proposal, however, was not approved, and the Society
even refused to offer one of its prizes for a scheme for
such an Academy.
Even before the establishment of the Society a definite
1 See Chapter XV, p. 328.
THE ROYAL ACADEMY 233
proposal for an Academy of Fine Arts had been put
forward. In 1753, a number of artists, under the chair-
manship of Francis Hayman, actually held a meeting to
discuss the project. The official notification of the
meeting, held on i3th November, is as follows : —
" There is a scheme on foot for creating a public
Academy for the improvement of painting, sculpture, and
architecture, and it is thought necessary to have a certain
number of professors with proper authority in order to
making regulations, taking subscriptions, etc., erecting
a building, instructing the students, and concerting all
such measures as shall be afterwards thought necessary.
Your company is desired at the Turk's Head, in Gerard
Street, Soho, on the i3th November, at five in the evening,
to proceed to the election of thirteen painters, three
sculptors, one chaser, two engravers, and two architects,
in all twenty-four, for the purpose aforesaid.
(Signed) Francis Milner Newton, Secretary ." l
No agreement was come to at the meeting, and the
projectors were satirised by their fellow-artists, and became
the objects of several caricatures.
The reason why those proposals all failed, and why the
Royal Academy succeeded, was, as has been pointed out
by Messrs. Hodgson and Eaton in their History of the
Royal Academy, that its projectors had realised that
there was a source of revenue in the holding of exhibitions
of pictures. The hundred pounds taken at the Society's
first exhibition proved that, and further confirmation was
provided by the larger receipts at those exhibitions when
a charge was made for admission. The founders of the
Royal Academy made good use of their experience, and
from their day to our own the Academy has earned much
money by its exhibitions, and has applied that money
wisely and well to the education of artists.
It is interesting to note that while the constitution of
the Academy, as defined in the " Instrument " or charter,
granted by George in., is entirely different from that
1 Rimbault's Soho (1895), pp. 194, 195, quoted by Mr. H. B.
Wheatley.
234 THE SOCIETY'S EARLY ART EXHIBITIONS
proposed in the scheme for an Academy of Painting
submitted to the Society in 1755 by Sir Henry Cheere, its
objects, and the methods of attaining them, are identical
with those set forth in the original proposal. Those who
drafted the older scheme evidently had in their minds
the establishment of an institution similar to the Royal
Society, and consisting of an unlimited number of Fellows
with a president and a council, whereas the founders of the
Royal Academy took for their model the French Academy
of Louis xiv. with its forty members, the governing body
being a council of eight, on which all Academicians served
in rotation. When, however, they came to details, they
practically adopted the scheme set out in Cheere 's draft
charter, which proposed an annual exhibition, the appoint-
of professors (anatomy, geometry, perspective, architecture,
antiquity, and " other studies "), and a drawing-master,
the establishment of a school with models, the provision
of medals, etc. Practically the same establishment is
provided in the " Instrument/' which, though obsolete
in some particulars and modified in others, is still the
fundamental charter of the Academy.
Had the original proposal been carried out, there can
be little doubt that the Society of Arts would have been
merged in the Academy, which would almost certainly
have developed on its present lines. It is therefore
probable that much of the useful work carried out by the
Society in the first half century of its existence would never
have been accomplished, and it is highly unlikely that
any improvement would have been effected in the methods
of the Academy. Probably the net result would have
been that Art would not have benefited, while agriculture,
invention, industry, and commerce would, for a time at
least, have suffered. So while the Society of Arts may
take a legitimate pride in the share it had in preparing
the way for the establishment of the Royal Academy, it
may also congratulate itself on the fact that the attempt to
concentrate in the hands of a single institution the work of
supervising and promoting all the arts and industries of the
country did not succeed.
CHAPTER XI
THE PREMIUMS
(1754-1851)
Object of the Premiums — Committees of Award — Method of Adjudi-
cation— The Premium Lists — Character of the Premiums offered
— General Results of the System of Prize-giving, its Good and
Bad Points — Exclusion of Patented Inventions — Motive Power
before the Steam Engine — Its Applications, Weaving, Sawmills,
etc. — Lovell Edgeworth's Inventions — The Screw-jack — The Gun-
harpoon — Mechanical Telegraphs — Mining, Pumps, Ventilation,
Safety Lamps — Civil Engineering, the first Iron Bridge — Naval
Construction — Various Mechanical Appliances.
As previously mentioned, the sole original object of the
Society was to promote art, industry, commerce, and
invention, by granting rewards and premiums for meri-
torious discoveries and inventions, for success in the
various branches of the fine arts, for increasing the
economic resources of the kingdom by the import of new
or little known materials of industry, or for developing
those resources by novel or improved methods.
We have seen what the Society did to aid the progress
of the fine arts, by the award of prizes and in other
ways. We have also considered what it did for agri-
culture before the foundation of the Royal Agricultural
Society, and for forestry, which may be looked upon
almost as a branch of agriculture. An account has also
been given of its early relations with the Colonies, and of
its share in the development of Colonial resources. It
now remains to consider the manifold and miscellaneous
work it did in the promotion of invention, and to give
some account of the objects for which it offered and
335
236 THE PREMIUMS
awarded prizes in every branch of industry and every
class of technical science.
The Society took infinite pains to prepare a list of
suitable objects for its premiums. Each year the list was
carefully revised. Some items were omitted, either
because the offered award had been made, or because it
had elicited no response. Fresh entries were constantly
added, and changes made in the terms of those which
were not dropped. And besides the specified articles in
the list, the Society was ever ready to consider any suitable
application, so that it constantly made grants for things
entirely outside its own proposals, so long only as the
object was deemed worthy.
The classes under which the awards were arranged
varied from time to time, but eventually they were distri-
buted among six committees : —
i. Polite Arts. 2. Agriculture. 3. Manufactures.
4. Mechanics. 5. Chemistry. 6. Colonies and Trade.
The subject-matter with which the different committees
dealt is sufficiently indicated by their titles. " Polite
Arts " included painting, drawing, sculpture, die-sinking,
designs for manufactures, and also, to a certain extent,
literature. Agriculture included forestry. Mechanics and
Manufactures were at one time dealt with by one committee,
but were afterwards divided. Chemistry was industrial
chemistry only, but comprehended also other branches
of applied science. The work of the committee on Colonies
and Trade was practically restricted to colonial matters.
There were at various times other committees, such as those
on Correspondence, on Miscellaneous Matters, etc., but these
were not concerned in the adjudication of the premiums.1
At first a number of members were appointed on each
of these committees. At a later period this practice was
abandoned, two chairmen were elected at the annual
meeting for each committee, and it was left to those
members who thought fit to attend.
1 As in the case of the classes already dealt with, the awards con-
sisted of money prizes and medals. A full account of the Society's
medals and their history will be found in Chapter XIV, p. 314.
METHOD OF AWARD 237
The practice seems to have been that a general notice
was sent round to those who were in the habit of attending
the committees, and also to other persons, who were not
necessarily members of the Society, known to be interested
in, or conversant with, the subjects which were to come
before the meeting. The whole proceedings were conducted
with a good deal of formality. Any communication which
was received was referred by the Secretary to the com-
mittee to which it seemed appropriate — the committee
consisting, as above shown, of a certain number of persons
who might be considered as more or less experts, and of
any members of the Society who liked to attend. The
candidate for the premium was also invited to be present
to give such an account of his invention as he thought
proper. After he had given his own version, and had
replied to any questions which were addressed to him, the
subject was discussed, first in his presence, and then after
his withdrawal. Formal resolutions were then put as to
the award to be made, and these recommendations were
submitted to the next ordinary Wednesday meeting of the
Society, when they were generally confirmed, but in some
cases disapproved. If any award was made, the paper
was generally referred to the Committee on Papers, with
a view to its being inserted in the next volume of Transac-
tions, if suitable.
It is thus evident that a great deal of trouble was taken
to ensure a fair adjudication of the premiums. But it
must often have happened — and, indeed, from the records
it is evident that it did, at all events, sometimes happen —
that the committee were by no means competent to deal
with the invention, especially if it was of a new and original
character. The committee must also, in the nature of
things, have generally been composed of amateurs, who,
however well-meaning and hard-working they might be,
were sometimes incapable, and, in all cases, naturally
biased by their own opinions. On the whole, however,
it may be said that no one who makes a careful investiga-
tion of the awards made — and probably there are not very
many who would care to undertake such a task — can fail
to be of opinion that a genuine effort was made to do
238 THE PREMIUMS
justice, and that in a great majority of cases fair justice was
done. As a matter of fact, it is quite certain that most
of the awards leaned to the side of generosity. But while
a great many undeserving inventions were rewarded,
there are not a great many which were rejected and after-
wards proved themselves of any value.1
The first actual premium list issued was that of 1756,
and this only exists in manuscript. The first printed
list is the second issued, and that is dated 1758. From
that date the lists were issued annually. Till the publica-
tion of the first volume of Transactions, in 1783, the lists
were issued separately; from 1783 they were included
in each volume of the Transactions, besides being printed
separately. The Society's set of lists before 1782 is, un-
fortunately, not complete, a volume in which the lists from
1763 to 1767 inclusive were bound up, having apparently
at some time been lost. A separate copy, however, of the
list for 1764 has been preserved. A partial list for 1765
and the complete list for 1766 are printed in the Museum
Rusticum? The British Museum set is complete from
1758 to 1781 inclusive.
After 1829 many changes were introduced in the lists.
The importance of the Society's prizes was much dimin-
ished, and the character of its work was changing. The
lists were shortened. Sometimes the offers of prizes were
in general terms instead of being made for specific objects.
From 1 843 to 1 847 the list was onlyissued in alternate years.
With the grant of the Charter in 1847 the Society's system
of prize-giving practically came to an end. Special prizes
were offered and awarded from time to time, but the
practice of issuing a general list of subjects for awards,
though it was not formally abandoned, was really obsolete.
A sort of attempt to renew it was made in i863,3 when a
list of the old character was published in the Journal.
1 A full and detailed account of the method adopted in making the
awards will be found in the address delivered by Arthur Aikin, at the
distribution of awards by the Duke of Sussex, as President, in 1817.
Transactions, vol. xxxv. p. 209.
2 Vol. v. p. 90 ; vol. vi. p. 339.
3 Journal, vol. xii. p. 9,
THE PREMIUM LISTS 239
The last such list appeared in 1 873, 1 but hardly any awards
were made upon it, and in practice the whole system had
been defunct for at least a quarter of a century.
The first lists of awards made by the Society are con-
tained in Dossie's Memoirs of Agriculture, in which they
were published by the Society's authority. The list
down to the end of 1767 (exclusive of " Polite Arts lf)is
given in the first (1768) of Dossie's three volumes (page 3).
The complete list of the awards in " Polite Arts," to the
end of 1776, and the other awards, from 1768 to 1776
inclusive, appear in his third ( 1 782) volume (page 447).
The same list was also published by the Society in 1 778, 2
and in a few cases where the two lists differ it may be
assumed that the Society's list is accurate. There are
very few discrepancies. There is yet another list, down
to 1770, given in the Descriptions of the . . . Machines
. . . in the Repository of the Society, etc., published
by William Bailey, the Registrar of the Society, in I772.3
In the second volume of the Transactions (1784) a list
is given of the awards from 1775 to 1782 inclusive. This
list is by way of being a continuation of Dossie's lists,
though, as a matter of fact, the two overlap as regards
the years 1775 and 1776. From this date onwards the
awards are given year by year in the annual volumes of
the Transactions, down to what is really the last volume
of the series, that for the session 1843-4, Vol. LV. In
the interval between the cessation of the regular Transac-
tions and the commencement of the Journal, lists for the
years 1845 to 1850 were issued, and all of these are
extant, that for 1847 being in MS. only. In 1851, the
year of the Great Exhibition, there was no distribution
of prizes, on account of the exhibition, and consequently
no list. In 1853 there was a meeting for the distribution
of prizes, and a list was printed in the Journal*
1 It was issued as the "Premium List for the Sessions 1873-4-5."
2 Register of Premiums and Bounties, 1754-1776.
3 This is a quarto volume with a collection of fine illustrations in
folio. In 1782 another edition was issued by A. M. Bailey, who
succeeded his father as Registrar in 1773. It is in two volumes, folio.
See also Chapter XV, p. 329.
* Vol. i. p. 365.
240 THE PREMIUMS
The premium lists were advertised and circulated as
widely as possible. At one time the Society received
a little official help in obtaining publicity for its work, for
in 1775 the Postmaster-General sent a copy of the list to
the local post offices, with instructions to the postmasters
to let all persons coming to their offices have an oppor-
tunity of reading it.
An examination of the old prize-lists, especially those
between 1760 and 1800, affords an interesting indication
of the state of scientific and industrial knowledge at the
time. Naturally, we now possess a great number of the
things for which the Society then offered prizes. Some
of these offers produced good results, some were abandoned
as Utopian, though the machines or articles asked for are
now commonplaces of industry and manufacture. Some
of the proposals show what our modern conceit may
regard as lamentable ignorance, others afford evidence
of considerable shrewdness ; others, again, indicate a
quite natural incapacity to realise the direction of future
progress .
That in the lists so many familiar names are missing
is certainly disappointing. One would like to have found
the names of Watt, Hargreaves, Crompton, Roebuck,
Arkwright, and Cort, amongst those whose inventions
were recognised and rewarded by the Society of Arts.
But in the early records none of these names appear.
Why is this ? The best reason that can be suggested is
that all these men were in advance of their time. Like
all great inventors, they had to wait for recognition until
they had overborne the opposition of ignorance and of
rival interests. When recognition came, it was too late
for the prize or contribution which would have eased the
early struggles. A committee which could anticipate
the direction in which industry or science would progress
would have to be composed of men with prescience be-
yond their fellows, and they would not have received
the acquiescence or approval of their contemporaries.
It has always been so throughout the history of inven-
tion. The great inventor must, of necessity, be a man with
ideas ahead of his contemporaries. He has never had
OPPOSITION TO INVENTORS 241
their sympathy or their appreciation. On the contrary, he
has always had to struggle against their active opposition.
If his invention, as has generally been the case, has for its
prime object the substitution of mechanism for human
labour, he incurs the violent hatred of those who can
only realise that their livelihood is being taken away
from them.
The history of the introduction of textile machinery,
by which millions of operatives now make their living,
is a record of the attempts of the progenitors of these
operatives to wreck the new machinery, and, if possible,
to murder the man who designed it. As long ago as 1710
the Spitalfields weavers rose in riot and smashed their
frames in protest against the introduction of improvements .
A hundred years later, in 1816, the Luddite riots — after
the wholesale destruction of factories and machinery in
the Nottingham district — were only suppressed by the
stern expedient of hanging a number of the ringleaders.
In the first half of the nineteenth century the hatred
of new machinery was combined with strikes, often justi-
fiable enough, for better pay, but certainly for nearly three
centuries — since James Lee invented his stocking frame
in 1589 — the workers of the textile trades have done their
very best to prevent any improvement in the tools of
those trades. If the spinners and weavers had had their
own way, all yarn would now be spun by the spinning-wheel
and woven on the hand-loom. The artisan fought for the
ancient system of economic organisation, for domestic in-
dustry and handiwork. Forces were too strong for him.
The growth of capital and its systematic industrial
application conquered in the end, but only after a long
struggle against excusable ignorance and natural incapacity
to appreciate the inevitable.
And the opposition did not come from workmen alone.
Manufacturers a hundred and fifty or two hundred years
ago were no more anxious to change all their methods
and scrap all their machines than they are now. When
an invention had proved its value, and had been taken up
by the more enterprising manufacturers, the rest had
perforce to follow suit, but in the meantime the original
17
242 THE PREMIUMS
inventor had had but a poor time of it, and in all probability
had died a pauper.
Nor did the inventor as a rule get much sympathy from
the general public, or even from those members of the
public who might have been expected to know better.
After some centuries of mechanical and scientific progress
we have perhaps learnt the lesson. Nowadays we are
so accustomed to the rapid multiplication of scientific
inventions that we readily accept any marvel, however
marvellous. Yet there can be hardly any great invention
which has not been condemned or depreciated by a com-
petent and well-qualified authority. The working of the
same spirit may be traced from the beginning of the
industrial revolution down to our own day. When Dr.
Lardner demonstrated beyond cavil that no steamship
could carry coal sufficient to take her under her own
steam to America, the statement was accepted as the
opinion of one of the best authorities of the time. The
heads of the Admiralty declined to consider the use of
the electric telegraph because the excellent and efficient
semaphore arrangement fulfilled all their needs. We
might have had mechanical transport on roads fifty years
before it was accomplished, but for the opposition —
partly interested and partly ignorant — to the early con-
structors of road locomotives. A year or two before the
incandescent filament lamp was perfected the best
authorities were agreed that the " subdivision of the
electric light " was impossible. The internal-combustion
engine found but small favour amongst the older mechanical
engineers (there was one brilliant exception). The idea
of a " rotary steam-engine " was regarded with derision
before the steam-turbine was perfected. The members
of the old Aeronautical Society were for years
looked upon as harmless visionaries. When the first
paper on the basic process of steel-making was offered to
the Iron and Steel Institute, the council of that body, a
competent tribunal if ever there was one, declined to
accept it.
Other instances might be cited, but these may serve
to show the value of contemporary opinion on new dis-
PATENTS AND PRIZES 243
coveries, and the extreme difficulty of forming a sound
judgment as to the direction which future progress in the
application of science to industry is likely to take.
What can we expect if we go back a hundred and more
years into a non-scientific age, when men were beginning
dimly to realise the value of machines, and to recognise
that processes which had for centuries been wrought
by human hands alone might possibly be aided by inani-
mate mechanism if it were only possible to devise it ?
What wonder, then, if those who were most anxious to
improve the manufactures and industries of their country,
could imagine no better means than to reward small im-
provements in the crude existing appliances, if they
could not imagine a development which astonished their
successors, or foresee an advance which we, a century
later, regard with wonder and admiration ?
Another reason which prevented the Society from
taking cognisance of many important inventions was the
regulation which excluded patented articles. In one of
the earliest lists of Rules and Orders — that for 1765 — it
was expressly laid down that " No person will be admitted
a candidate for any premium offered by the Society who
has obtained a patent for the exclusive right of making
or performing anything for which such premium is offered."
This rule continued in force until 1844 or 1845, when it
was finally abolished. The first suggestion for its abolition
appears to have been made in a report of a Committee
of which Thomas Webster was chairman, presented in
1841. Several resolutions were passed in 1843, 1844, and
1845, all apparently rescinding the old rule. In Vol. LIV.
of the Transactions (1841-3), the disqualification is for
the first time omitted in the Regulations, and in the
Preface to Vol. LV. attention is drawn to the fact that
Patented Inventions are no longer disqualified from
competition. At all events, from 1845 onwards they were
eligible for awards.
So strong was this feeling of opposition to patents
that it was at one time proposed to require every prize-
winner to agree not to take out a patent, but this
proposal was negatived. In later years, when patents
244 THE PREMIUMS
became more numerous, the restrictive effect of this rule
became much more injurious than in 1765 (in which year
only fourteen patents were granted), but even at that
time it shut out many valuable improvements. However,
the motion that the grant of a patent was an injurious
restriction on industry, only to be condoned if the public
could not get the benefit of a useful invention unless
it bribed the inventor with a monopoly, survived long
after the end of the eighteenth century. Indeed, it was
only in our own generation that the value of protection
by patent was fully realised, and that — to quote once more
an often-quoted saying of the late Sir William Siemens —
if an invention were found lying in the gutter, it would be
worth while to assign it to an owner who would have an
interest in looking after it. Of course, this general state-
ment, like all such statements, has its exceptions. Some
inventions do not need a foster-mother. A case in point
is that of the safety-lamp, for which Sir Humphry Davy
refused to take out a patent. The need was so urgent, its
fulfilment so complete, that no advocacy or advertisement
was wanted. But the invention of the safety-lamp was
exceptional, not only in this respect.
On the whole, we should admire the amount of useful
work done by the Society's premiums rather than cavil
because it did not accomplish more. What it really did
effect may be judged from the following selection of the
more interesting or more important of the subjects to
which its energies were devoted. The task of selection
has been by no means easy. Its successful accomplish-
ment would demand an amount of technical and expert
knowledge to which the present writer can make no claim.
The examples chosen out of a century's work may, how-
ever, show how much was really accomplished, and how
much those earnest industrial pioneers effected who
worked in the name and on behalf of the Society of Arts.
The period covered is just a hundred years, from the
foundation of the Society to the 1851 Exhibition. Of this
period the first half was by far the more fruitful, and it is
really to this half that our attention must principally
be directed. By the expiration of the eighteenth century
MOTIVE POWER 245
the system of prize-giving had practically fulfilled its work.
It gradually became less and less effective till at last it
died out. The work of the Society tended in other
directions. For some years the Society languished ;
indeed, it nearly collapsed, to be revived again in the
middle of the nineteenth century. The record of these
changes is, however, a matter for future consideration.
For the present we are concerned only with the history of
the useful work effected by the Society during that first
prosperous portion of its career, when its sole aim and
object was the awarding of premiums for the promotion
of Art and Industry, and the discovery of suitable objects
for its awards.
Of all the inventions upon which, at the time when the
Society commenced its work, the advance of industrial
progress principally depended, the most important were
certainly those dealing with the generation and application
of motive power, and yet it was not to these inventions
that most attention was directed. If those who devoted
themselves to this department of the Society's work were
unconscious of the change shortly about to be effected
by the substitution of mechanical for animal power
in every branch of industry, it is not to be wondered
at. The modern steam-engine and the Society of Arts
were almost absolutely contemporaneous. James Watt
began his scientific career in the year in which the Society
was founded, though it was eleven years later that he
conceived the idea of the separate condenser, and four
years later still (in 1769) that he took out his first patent.
In 1754 the need for some agency which could drive
heavier machinery than could be worked by a man or a
team of horses was hardly existent, and almost wholly
unrealised. Yet it must, to some small extent, have been
in men's minds, and we may find evidence for this in the
desire to improve those elementary methods for utilising
the known natural forces, wind and water, which showed
itself in the work of the earliest engineers — millwrights,
as they were called — and in the technical literature, such
as it was, of the time. Amongst other places, we find it
in the Society's premium list. The list for 1759 contains
246 THE PREMIUMS
two offers of £50 each, one for a tide-mill, and one for an
improved wind-mill which should more effectively utilise
the force of the wind than previously existing forms, and
should also, with varying wind-velocity, communicate a
uniform motion to the mill-shaft. As a result of these
offers, several rewards were paid, one for a tide-mill going
to the Rev. Humphry Gainsborough,1 a brother of the
painter, who seems to have been an inventor of considerable
ingenuity. These and similar offers were repeated from
time to time during the next fifty years, and various
sums of money were paid for improvements in wind-
mills and also in water-wheels. Dr. Erasmus Darwin
corresponded with the Society at one time about his
idea of a horizontal windmill, but no award was made
to him.
It is some time before the steam-engine makes its
appearance in the list. In 1780 we find a gold medal
offered for an engine for " working at one time, the
greatest number of looms, not fewer than three." The
offer was continued for some time, but there is no record
of a prize ever being awarded. As a matter of fact,
the first recorded use of the steam-engine in a factory
is in 1786. Cartwright's power-loom was brought out
in 1785, and was driven by steam in 1790. John Austin,
of Glasgow, also claims, in a communication to the
Society,2 to have constructed a power-loom in 1789, and
to have had one running in 1798 at Pollokshaws, near
Glasgow. He adds that, after this, a building was con-
structed to hold two hundred of his looms at the same
mills. He received a gold medal from the Society in
1806. It is probable that the first to invent a power-loom
was John Kay, whose patent of 1745, taken out jointly
with Joseph Stell, included, as Kay himself says, " tape
lomes to weave by water." 3 No description, however,
of Kay's loom is extant. Kay was, at all events, indirectly
1 He was a friend of R. L. Edgeworth's, who says that he had
never known " a man of a more inventive genius " (Edgeworth's
Memoirs, 1821, 2nd ed. vol. i. p. 153).
2 Transactions, vol. xxiv. p. 93. See also Chapter XII, p. 263.
3 Journal, 8th December 1911, p. 81,
SAW-MILLS 247
the inventor of the power-loom, because it was his fly-
shuttle that enabled a mechanical movement to be sub-
stituted for the action of the human hand.
Up to the end of the century references to the steam-
engine are rare. A vague offer of a reward for " increasing
the force or quantity of steam " in steam-engines was
published in 1783, and long kept its place on the list, but
it elicited no response. Would a modern triple-expansion
engine or a turbine be eligible for the prize ? They utilise
the energy, but cannot be said to increase it.
The first substitution of mechanical power for handwork
in the timber trade in England is certainly due to the
Society. A premium for a saw-mill was awarded to James
Stansfield in 1761, and sums amounting in all to over
£300 were given to him to help him in improving and
working his mill. By the instrumentality of the Society
Stansfield was also introduced to one Charles Dingley,
who found the capital for setting up a mill at Limehouse
which was driven by wind-power. This mill, after work-
ing a short time, suffered the usual fate of all mechanical
improvements, and was destroyed by a mob, but the
owner was compensated, the rioters punished, and the
mill reinstated.1 For his services in the matter, a gold
medal was awarded to Dingley. The backward state
of English industry is shown by the fact that saw-mills
worked by water and by wind had previously been in
existence on the Continent, and even in America, though
there seems reason to believe that Stansfield *s was an
improvement on the older types.
That eccentric mechanical genius, Richard Lovell Edge-
worth, received several rewards. The most important
of these was a gold medal awarded in 1769 for various
inventions communicated to the Society. What these
were, it is not very easy to say. It is just possible that
one of them was a proposal for a steam carriage, which
seems to have arisen out of a suggestion by Dr. Erasmus
Darwin, who was a friend of Edgeworth.2
This, however, is not mentioned by Edgeworth himself,
1 Dossie, vol. i. p. 123. Transactions, vol. i. p. 41.
2 Thurston, History of the Steam Engine (1879), p. 150,
248 THE PREMIUMS
who, in his Memoirs,1 enumerates only a carriage with
springs and a new form of frame, a waggon " divided
into two parts," 2 a cover for haystacks, and a turnip-cutter.
He also says that he afterwards submitted a dynamometer,
and from a letter of his it appears that he suggested a new
form of camera-obscura.
For his " Perambulator, or instrument for easily measur-
ing land," he had a separate silver medal in 1767. The
idea of using a wheel for the purpose was not novel. Such
an apparatus was known in the seventeenth century, and
was called by the same name. Edgeworth's machine
consisted of a wheel, or rather a framework of spokes
without a tyre, to the axle of which was fitted a long
screw projecting horizontally. A nut loosely fitted on
this screw was prevented from revolving with it, when the
wheel was run over the ground, by a suspended weight,
so that the motion of the wheel caused the nut to travel
along the screw, one thread for each revolution, and the
distance traversed was thus indicated. The apparatus
would, no doubt, be effective, but it must have been
clumsy, and rather inconvenient to work. The circum-
ference of the wheel was to be one pole (5^ yards).3 In
1 Vol. i. p. 167.
* This was the invention for which Edgeworth took out a patent
in 1770, his only patent. It was really a " portable railway." Neither
the specification of the patent (there is no drawing) nor Edgeworth's
own account of the invention is very clear. It is possible that the
railway was an endless or continuous one, but I am inclined to think
that it consisted of a number of separate platforms, laid down before
the carriage wheels, and picked up after they had passed, by some
sort of lever arrangement. It is the first of a long series of patented
inventions of a similar kind, none of which have come into general
use, though I believe supporting rails cr platforms carried on endless
chains travelling over wheels have been successfully applied to traction
engines and other implements for use in heavy soil, where even wide
wheels are liable to sink in. Edgeworth's idea was, as he himself
says, anticipated by the carriage with wheels travelling on an endless
chain of rollers described in vol. iii. p. 7 of the Machines Approuvees
par I'Academie Royale des Sciences (1713). There is a note on this in
the abridgments of specifications relating to Aids to Locomotion,
published by the Patent Office in 1858.
8 There is an illustration of the apparatus in Bailey's Machines,
etc,, vol, i. p. 59 (edition of 1782).
THE SCREW-JACK— THE GUN-HARPOON 249
the Memoirs he states (vol. i. p. 171) that the instrument
worked with great accuracy, having run over a measured
mile twice with a difference of only one inch between the
two results. Edgeworth's eldest son Richard also received
a silver medal in 1 778, " for early mechanical genius shown
in the constructing several models and machines." As
he was born in 1765, he must have been about thirteen
years old at the time. This reward seems to have re-
mained unique.
The award of a gold medal in 1770 to Abraham Stag-
hold for a screw-jack is of peculiar interest, because the
jack, which is figured and described by Bailey,1 is identical
with the well-known modern implement, which, many
years after Staghold's invention, was the subject of a
patent. The vertical screw is operated by a worm-wheel
working thereon as a nut, which worm-wheel gears with a
horizontal worm driven by a winch-handle. The screw-
jack, however, was known before this date. Murray in
his English Dictionary gives a reference to it in 1703, and
readers of Robinson Crusoe (the first edition of which
was published in 1719) may remember that " a great
screw jack " was one of the things that Crusoe brought
ashore from the wreck. Without placing too implicit
reliance on the accuracy of Defoe's narrative, we may
accept his statement as proof that he was aware of the
existence of the implement. Abraham Staghold was a
blacksmith of Maldon, in Essex, and appears to have been a
man of considerable inventive ingenuity, for he was also
the inventor of the gun-harpoon, for which he received a
grant of twenty guineas in 1 770. His inventions, however,
do not appear to have brought him a fortune, for in 1 774
he sent in a petition to the Society, " desiring relief in his
state of distress." The Committee on Correspondence
were unable to recommend the Society to devote its funds
to a charitable purpose, so the unlucky inventor got nothing
by his application.
This first award for a gun-harpoon was followed by
several others. For many years the Society continued
1 Bailey's Machines, etc., vol. i. p. 168 (edition of 1782).
250 THE PREMIUMS
to offer prizes for improved forms of the apparatus,
and they also spent over £100 in experiments and
tests.1
As soon as a satisfactory weapon had been obtained —
and this involved the improvement of many details both
in the gun and in the harpoon — they continued to offer
rewards for whales taken by its use. One of the recipients
of these grants, Captain Humphrey Foord, of Hull, wrote
an interesting account of his experiences with the new
weapon, and made several pertinent suggestions for
its improvement. He concludes his letter with a quite
unnecessary apology for " the blunders of an illiterate
tar, who is unacquainted with writing to the great."
Up to 1792 something like £400 had been expended,
but after this the number of claimants diminished, and
though the offer was not discontinued till 1821, the
awards made in later years were few and the amounts
paid inconsiderable.
Scoresby, in his history of the northern whale fishery,2
gives an account of the Society's efforts to introduce the
use of the gun-harpoon. He says that the weapon was
invented in 1731, and was used with some success . ' ' Being,
however, difficult and somewhat dangerous in its appli-
cation, it was laid aside for many years. In 1771 or 1772
a new one was produced to the Society of Arts, which
differed so materially from the instrument before in use
that it was received as an original invention." On the
whole, Scoresby says, in spite of the great improvements
resulting from the Society's premiums, " on account of
the difficulty and address requisite in the management
of it, and the loss of fish which, in unskilful hands, it has
been the means of occasioning, together with some accid-
ents which have resulted from its use, it has not been so
generally adopted as might have been expected." Later
on, still further improvements mere made, and at the
date of Scoresby 's writing (1820) it was coming to a
certain extent into use. At the present date, under
the different conditions of the whale fishery, the gun
1 A picture of Staghold's harpoon is given on p. 225.
* The Arctic Regions, by W. Scoresby (1820), vol. ii. p. 227.
MECHANICAL TELEGRAPHS 251
is always employed to the practical exclusion of the old
hand weapon.1
Just about the end of the eighteenth century a great
deal of attention was paid to the subject of mechanical
telegraphs.2 The first suggestion for such a method of
conveying intelligence was made by Robert Hooke, who
described, in a paper before the Royal Society in 1684, a
method of exhibiting signals to be observed through a
telescope, which, though rather complicated, might have
been perfectly efficient had it ever been put into practice.
The credit of making the first practical telegraph may be
assigned to R. L. Edgeworth, who, as has been already
mentioned, received several prizes from the Society.
There is, however, no evidence to show that he submitted
his telegraphic system to the Society. He says in his
Memoirs that his attention was first drawn to the sub-
ject by a bet that he could report in London the result
of a race at Newmarket before it could be brought by
mounted messengers. Later on he described his method
in the Transactions of the Royal Irish Academy (Vol. vi.
1 795). In his system it was proposed to use four triangular
pointers, each pivoted to the top of a mast, and represent-
ing units, tens, hundreds, and thousands, the precise figure
being indicated by the position of the pointer. These
numbers corresponded with words or sentences in a vocab-
ulary.
The mechanical telegraph, however, was first intro-
duced by a Frenchman — Monsieur Chappe — about 1794*
Several lines of his telegraph were set up, and it was
regularly used for military purposes. According to his
system, six discs were mounted side by side in a frame in
such a way that either or all of them could be turned
edgeways, so as to be practically invisible, or vertical, so
1 The latest information on the subject will be found in a paper
read before the Society by T. E. Salvesen in March 1912. Journal,
vol. Ix. p. 515.
2 Rees's Cyclopedia, vol. xxxv. 1819, has a very full and excellent
account of mechanical telegraphs. Most of the Society's awards are
mentioned.
2S2 THE PREMIUMS
as to be seen. By various combinations of these discs a
great number of signals could be sent. For use at night,
lamps were substituted for discs. A practically similar
arrangement was submitted in 1805 to the Society by
J. Davis, and he received a silver medal for it. Two
other awards were made by the Society in 1808 — a silver
medal to Major Le Hardy for a rather ingenious device
for indicating numbers by means of index discs capable
of being set in different positions on a polygonal frame,
and a silver medal to Chevalier Edelcrantz, a Swede, for
a telegraph composed of vanes or shutters capable of being
turned edgeways.
Two awards made in 1809 are also worthy of notice,
because they refer to methods of hand-signalling. In
one of the communications Lieutenant James Spratt,
who was wounded at Trafalgar, describes a method of
signalling by a handkerchief held in different positions ;
and in the second, Knight Spencer submitted what he
termed an " anthropo telegraph " — a method of signalling
by different positions of the arms. This idea has been
developed, and is now in common use in the Navy and
the Army.
The device, however, which superseded all of these
was that invented by Admiral Sir Home Popham, which
received a gold medal from the Society in 1816. This was
a semaphore arrangement, in which two masts were
employed, each with an arm capable of being set at any
desired angle to the vertical. It was by this apparatus
that information was transmitted from Portsmouth and
elsewhere to the Admiralty, until it was at length superseded
by the electric telegraph. This was the apparatus with
which Barrow (not yet Sir John) was so well satisfied,
that when Ronalds in 1816 offered to the Admiralty his
pith-ball telegraph, which was really the first practical
electric telegraph, Barrow, then Secretary to the Admiralty,
wrote, with his compliments to the inventor, " that
telegraphs of any kind are wholly unnecessary, and that
no other than the one now in use would be adopted."
This historic communication is dated 5th August I8I6.1
1 History of Electric Telegraphy, J. J. Fahie (1884), p. 136.
COAL-MINING 253
Popham applied his apparatus to ships, and it was for
long used in the Navy, chiefly from the bridges of ships
and from positions comparatively low down in the vessels.
Within quite recent years the practice arose of fitting
masthead semaphores so as to signal over longer distances
during the day. Difficulties, however, arose in carrying
the heavy weights of the semaphores at the mastheads,
and the practice was abandoned. The introduction of
wireless telegraphy has of course rendered such apparatus
obsolete.
The list of awards connected with mining is not a
very long one. There were a few inventions for raising
water from mines, the most important of these being
William Westgarth's hydraulic engine, for which a gold
medal was awarded in 1769. Nearly twenty years later,
in 1787, a silver medal was presented to Smeaton, the
great engineer, for a description of the apparatus which
he communicated (after the inventor's death) to the
Society.1 Smeaton had a very high opinion of the value
of the apparatus, which, he said, was much appreciated
in the Cornish tin-mines. Various methods of raising
minerals were also rewarded by the Society, and described
in the Transactions. All of these became obsolete when
the steam-engine was applied to that purpose.
In 1816 a gold medal and 100 guineas were presented
to James Ryan for his system of mine ventilation. Gallo-
way 2 speaks in terms of high commendation of Ryan's
system, which was to drain off the gas by " passages or
gas drifts so arranged as to collect and draw off the gas
at the highest level." It was largely introduced into
Staffordshire, where it suited the character of the coal
measures, but in the northern districts, where it was not
so useful, it met with less approval and was not adopted.
The first person to provide miners with a fairly good
and safe light was Dr. Clanny, of Bishop Wearmouth. He
devised various forms of lamps into which air was forced
by a bellows, its exit being controlled by valves of various
1 Transactions, vol. v. (1787), p. 181.
8 History of Coal Mining (1882), p. 135.
254 THE PREMIUMS
device. After working for some time at the subject, he
described one form of his lamp to the Royal Society in
1813. In 1815 he submitted an improved form to the
Society of Arts, and received a silver medal, while in 1816
he was awarded a gold medal for a steam safety-lamp.
These various devices were undoubtedly valuable and of
practical utility, but they never came into general use.
They were soon quite superseded by the safety-lamps of
Davy and Stephenson, both of which were invented
independently in 1815.
Civil engineering also hardly received its due meed of
attention from the Society. The Duke of Bridgewater
in 1800 received a gold medal in recognition of the great
system of canals which he constructed, a well-deserved
award, though perhaps it might have been more fittingly
bestowed upon Brindley, the great engineer, whose genius
was so wisely utilised by the Duke.
In 1788 a gold medal was given to Abraham Darby
for the iron bridge he built over the Severn, near Coal-
brookdale. This was the first iron bridge ever constructed.
The beautiful model which Darby presented to the Society
is now in the Victoria and Albert Museum.
The award in 1762 of fifty guineas to G. Weldon for a
machine for planing cast-iron is of interest, because it
seems likely that this is the earliest true planer of which
there is any record. No picture or description of the
machine has been discovered in the Society's records, but
Dossie l says that " it planed large iron plates as effectually
as a common plane does boards ; making curled shavings,
and completely smoothing the surface of the plates."
As might naturally be expected, a good deal of attention
was paid by the Society at the end of the eighteenth and
the beginning of the nineteenth century to questions of
naval construction. The old records of the Society show
that it was frequently consulted by the naval authorities
on questions of timber for use in building the King's
1 Vol. i. p. 161. A note on early planing machines, and some
references to authorities, will be found in Industrial England in the
Middle of the Eighteenth Century, p. 27.
NAVAL CONSTRUCTION 255
ships, and such information as the Society could furnish
was readily supplied. Some important awards were made
by the Society in the class of naval architecture. In
1759 a prize offered for " Ships' Blocks," that is to say,
models of ships of new construction, was awarded to
Joseph Aldridge, and in 1804 a gold medal was voted to
Robert Seppings (afterwards Sir Robert, and Surveyor of
the Navy), for his invention of suspending instead of
lifting ships in dock.1 For this Seppings was granted
£1000 by the Admiralty. It was the first of many im-
portant inventions which gained him the reputation of
being the greatest naval architect of his time. It was
he who first introduced the extensive use of iron in the
construction of ships, which, by the additional strength
provided by his diagonal braces and trusses, prevented
the arching of their keels, technically called " hogging,"
which always occurred when ships were laid by. Although
in the use of iron for shipbuilding he had been partly
anticipated by T. Roberts (Assistant Surveyor to the
Navy) — who in 1808 received the Society's silver medal
for " attaching the end of the beams of ships to their sides
by iron instead of wooden knees " — it was Seppings who
really revolutionised the art of shipbuilding by the
extended use of iron framing. The Howe, launched in
1815, was the first ship built entirely on Seppings's method,
although the system had been partially applied before
that date.
As may be supposed, a great variety of mechanical
and engineering inventions besides the few mentioned
above received awards from the Society. In the first
half-century of its existence these included corn and other
mills, canal locks, dredgers, cranes, pile-driving machines,
carriages of many sorts, a packing press, tools of many
descriptions, mechanical movements, locks, clocks and
watches, etc.
Later on, in the early years of the nineteenth century,
most of the mechanical inventions submitted to, and
rewarded by, the Society, were of a minor character,
1 Transactions, vol. xxii. (1804), p. 275. See also Seppings's Life in
the Dictionary of National Biography.
THE PREMIUMS
though many of them were valuable. The offer of a prize
for an original screw brought out several methods for
obtaining one, but not of the accuracy required for
astronomical and other scientific purposes. There were
many awards for improvements in clocks and watches,
devices for cutting wheels for watches, watch-springs, etc.
The prizes connected with lathes and turning were also
numerous, including chucks, self-centring and other.
Various mechanical appliances and devices now well
known and familiar were brought out by the Society's
awards, and descriptions of them will be found in the
pages of the Transactions.
Almond's Loom, 1771 (see p. 263).
CHAPTER XI I
THE PREMIUMS — (Continued)
(1754-1851)
Textile Machinery — Invention of Spinning Machinery — Spinning-
Wheels — John Kay and his Relations with the Society, his Carding
Engine and the Drop-box of Robert Kay — Looms and Stocking-
frames — The Drawboy — Silk Manufacture, and the Production of
Silk in England — Lace — "Quilting in the Loom" — Carpets —
Brocade- weaving — Manufacture of Fishing-nets by Machinery —
Industrial Hygiene — Fire-gilding — Apparatus for Protection from
Noxious Vapours and Dust — Leadless Glazes — Chimney Sweeping
and Climbing Boys — Industrial Chemistry, Saltpetre, Natron,
Verdigris, Cobalt, Ultramarine, etc. — Dyes and Dye-stuffs —
Madder, Orchil, etc. — Substitute for White Lead — Pigments and
Varnishes — Marsh's Test for Arsenic — Illuminating Oils — Medicinal
Plants, Rhubarb, Opium.
»
IN the first twenty years or so of its existence, down to
1776, the Society expended a little over £i 500 in premiums
connected with the manufacture of textiles — part in
establishing, or attempting to establish, new branches
of the industry, part in endeavouring to improve textile
machinery. With regard to the latter part of the work,
it is easy to see, after a century's experience, that they
were working on wrong lines ; but that is merely to say
that the members of the Society who directed its pro-
ceedings were no wiser (or not much wiser) than their
contemporaries. They took immense pains to improve
existing apparatus, instead of — as, if they had been gifted
with sufficient prophetic insight, they might have done —
anticipating the slow course of inventive progress, by
encouraging the production of new methods. It is reason-
able to wish they had been more enterprising ; it is un-
18
258 THE PREMIUMS
reasonable to blame them for their lack of non-existent
knowledge. Ex post facto criticism of the sort is as foolish
as it is easy.
The Society's treatment of the important question of
spinning mechanism is a good case in point, and it is very
clearly stated by Dossie.1 At the time when he was writing
(1768) a certain amount of progress had been made in the
construction of spinning machinery. Just thirty years
before (1738) Paul and Wyatt's machine for " spinning by
rollers " had been patented, and soon after the patent
was granted the apparatus was in successful operation.2
Yet Dossie, with full knowledge of the facts, gives his
deliberate and reasoned opinion in favour of improving
the ordinary spinning-wheel.
" I am authorised," he says, " to give this judgment
on the principle of spinning by mechanism instead of the
hand, from my own observations, as well as those of two
other very judicious members of the Society, who were
best acquainted with that matter, in the spinning machine
invented by the late Mr. Paul, which carried this applica-
tion of mechanics to the greatest extent it is perhaps
capable of. By a very great expense, and the assistance
of the most ingenious theoretic, as well as practical,
mechanicians of our time, he attained to the construction
of a machine that, being moved by water, horses, or any
other power, would spin, in the most perfect manner, any
number of threads, without other assistance of the hand,
than to supply the carded cotton, take away the finished
roll of thread, and rectify any accidental disorders of
the operation. But the delicacy of the work of the
machine, equal almost to that of clocks, which subjected
it to be easily disordered, and at the same time so expensive
to be repaired, and the peculiar manner of carding, which
was likewise very expensive, have occasioned this machine
to be wholly laid aside as unprofitable, after sixty or
seventy thousand pounds have been spent in various
attempts to establish its use."
Now these remarks are perfectly sensible, and it was in
1 Vol. i. p. 93.
8 Industrial England in the Middle of the Eighteenth Century, p. 53,
TEXTILE MACHINERY 259
consequence of the ideas and opinions that they embody
that the attention of the Society was devoted to the im-
provement of the spinning-wheel. Various prizes were
offered, and certain small improvements were duly re-
warded. None of them, however, were of any great value,
and, as we fully recognise now, the efforts of the Society
were quite futile, and its energy was entirely misdirected.
Hargreaves had already (1764) invented his " Jenny," and
Arkwright had patented (1769) his " water-frame," while a
little later (1780 or thereabouts) Crompton brought out his
" mule." One wishes that those three names were to be
found in the Society's lists, instead of three of the improvers
of the venerable spinning-wheel, who were duly rewarded.
The name of a greater inventor than any of these, if,
as must surely be the case, the value of a man's discovery
is to be estimated by the effect it has upon an industry,
does appear in the Society's records, that of John Kay, who,
though he lived neglected and died a pauper, revolutionised
the whole textile industry by his invention of the fly-shuttle.
Kay was a prolific inventor. He began by devising
wire " reeds " for looms, and by the sale of these he made
his living.1 His greatest invention was the fly-shuttle,
which doubled the output of the hand-loom, while improv-
ing the quality of its product, and rendered possible the
construction of the power-loom. He has a fair claim, as
previously mentioned, to be considered the inventor of the
power-loom, but this claim can now never be substantiated.
Also he constructed a machine, or rather a pair of
machines, for making wire cards for carding wool.2 These
1 Thin strips of cane or reed (whence the name). They may be
regarded as the teeth of the comb or grating, in the interstices of which
the threads of the warp pass, so that by the swinging of the frame in
which the reeds are set, each successive thread of the weft is pressed
into its place between the warp threads, and the whole fabric rendered
close and compact.
2 The preparation of wool for spinning was at the time all done
by hand, as it is even now to a very limited extent in the domestic
production of genuine homespun goods.
The hand cards used may be described as stiff wire brushes. The
wires are fixed in a tough leather backing, which is supported by a
further backing of wood. Two of them are employed in the process of
260 THE PREMIUMS
are his more important inventions ; none of his others
appear to have been of much practical value.
The story of Kay's relations with the Society is rather
curious and interesting. It has long been known that
Kay had applied to the Society, but it was not known
which of his inventions he submitted. It was generally
believed that he exhibited his fly-shuttle to a committee
of the Society, and the Society has been blamed for not
recognising the value of so important an invention. This,
however, is very far from the truth. The facts have only
recently been discovered ; they show that the invention
submitted was not his fly- shuttle, and that Kay was quite
fairly treated by the Society's committee, but also that
the committee had no true idea of the merits of the man
or of the value of his ideas. They give us a rather pathetic
picture of the inventor in his old age, poor, unknown,
and rather hopeless, yet still full of faith in the value of
his earlier inventions, and confident also as to the merits of
certain newer ideas which he puts forward — though with
the fuller knowledge now available, it is easy to see that
these later notions are of no particular value, the sort of
ideas which are always the output of an active and in-
ventive mind. It is the weakness of the born inventor
that he must be always inventing, and a large proportion
of his inventions are worthless. Very often he himself
is not the best judge of the value of his own work.1
carding, the lock of wool being laid upon one and combed out with
the other. The result is to straighten out the fibres — a process required
in all materials used for the manufacture of textiles, except silk, which
is produced as a natural thread. The sliver produced by the action
of carding is ready for the spinner, who spins it into a thread.
1 In 1911 I was fortunate enough to find in one of the Society's old
guard-books several original letters of Kay and some other papers
relating to his inventions, and as these seemed to me of very great
interest, both from the fresh information they gave about this great
but unfortunate inventor, and because no specimen of his handwriting
was known to be in existence, I published in the Society's Journal
(vol. Ix. p. 73) a long article, in which all the letters and papers were
reprinted with extracts from the Committee Minutes and facsimiles of
some of Kay's signatures. To this, all who are interested in the subject
may be referred. Kay was born in 1 704, and it is clear from the evidence
in these documents that he died somewhere about 1770.
KAY'S WIRE-CARD MACHINE 261
It was his apparatus for making wire cards that
brought Kay to the Society.
In November 1765 he wrote that he had devised
t( two engines " for making wire cards, and in January
of the following year he attended a committee and demon-
strated the working of his machines. The committee
reported favourably, and advanced Kay two guineas
that he might get six pairs of cards made from " wires
crooked and leaves pricked J> by his machines, but there
is no record of his having done so and no further minute
on the subject. Of course, the committee missed an
opportunity of doing credit to the Society, but there is
no fault to be found with them for that. The apparatus
was not of the highest order of importance, and it is quite
clear that it received full attention. If Kay had done what
he was asked to do, he would certainly have got a reward.
It may seem remarkable that the name of a man who is
now recognised as one of our greatest industrial pioneers
should have been quite unknown to his contemporaries,
but so it was. It is evident that the name of the inventor
of the fly-shuttle meant nothing at all to a committee
of mechanical experts just thirty years after the invention
was patented, though we know that it came largely into
use in the wool-working districts soon after it was first
invented. Probably the committee did not know that
the John Kay who showed them his " engines " for making
cards had ever invented a shuttle.
Nine years later, November 1774, William Kay, John's
youngest son, attended a committee which had before them
another wire-card making machine, and he told the com-
mittee that he had " used a machine upwards of ten years
for this purpose invented by his father." At a later
meeting of the committee William Kay stated that he
had improved his father's apparatus and had made cards
for sale by his improved machine, which his father had
never done. Eventually a bounty of 50 guineas was
awarded to William Kay. The award was recorded in
the Register of Premiums issued in 1778. Unluckily,
Dossie l printed the name Ray in his list of awards, and
1 Memoirs of Agriculture, vol. iii. p. 458.
262 THE PREMIUMS
this is probably the reason that no mention, so far as I can
find, has ever been made of an award being given by the
Society for Kay's machine for making wire cards.
A few years before William Kay brought before the
Society his improved form of his father's card-making
machine, his brother Robert, the eldest son of John Kay,
submitted his own improvements on the " wheel-shuttle "
(the name by which the fly-shuttle, as it is now called, was
then generally known).
This application was made in 1 764 (the original patent
for the fly-shuttle is dated 1733) and was considered at
two meetings of the Committees of Mechanics and Manu-
facturers. Nobody familiar with the working of the
apparatus could be found in London, and Robert Kay
suggested that it might be tested in Bolton or Manchester
and a report made to the Society. This, however, was
apparently not done, and there is no further record of any
proceedings in the matter.1
In the article in the Journal of the Society mentioned
above, I discussed at some length the question as to
what the invention really was which Robert Kay brought
under the Society's notice, and I believe I succeeded in
showing that it was in all probability his own invention
of the " drop-box," a device by which a weaver could
bring into use any one of three different shuttles, each
containing a different coloured weft. This drop-box of
Robert's (first brought out about 1760) is always stated
to be the first device for weaving cross-striped fabrics con-
veniently, without stopping the loom to change the shuttle,
or to re-charge it with different coloured weft. On the
whole it appears fairly certain that Robert Kay's" Improve-
ments on the Wheel-Shuttle " consisted of the addition of
his own drop-box to his father's fly-shuttle, and that this
is the only theory which satisfies all the statements made
in the papers brought before the Society's Committee, and
published in the Journal of the Society in 1911.
1 Along with Robert Kay's papers are two letters from John Kay
referring to various inventions of his, and probably of the same date as
Robert's application, 1764. The letters were reprinted in full in the
number of the Journal above referred to.
LOOMS AND WEAVING 263
A good many rewards for improvements in the loom
were made at different times by the Society. In 1764 a
prize of £100 was offered for improvements in the stocking-
frame, and in the minutes of 1 765 is an interesting descrip-
tion of the competition, for which a large number of
frames were entered. These were set up in the " machine
room," and a number of expert workmen were employed
to test them. After a careful examination a prize of £80
was awarded to Samuel Unwin ; but in the following year
(1766) a still better frame was submitted by John Why-
man, and to this the full prize of £100 was given. The
grant was also supplemented by an amount subscribed by
a number of manufacturers . This encouragement to British
stocking weavers was of special value, because the manu-
facture was in a depressed condition at the time, and
suffering severely from competition with the better pro-
ductions of French looms.
In 1771 a prize of £50 was awarded to John Almond
for a hand-loom, which is interesting because it resembles
in many respects the form eventually adopted for the
power-loom.1 In 1798, according to a statement by him
in the Transactions? John Austin erected a number of
power-looms for a Mr. Monteith, a Glasgow manufacturer,
and these, according to Mr. Hooper (Cantor lecture above
quoted), were extremely like Almond's hand-loom. A
model of one of Austin's looms was for some time in the
possession of the Society. He received a Gold Medal in
1806, as well as a Silver Medal in the previous year for
his improvements in the loom.
The premium lists contain mention of occasional
awards down to the year 1830, and amongst these were
some for improvements of considerable value. Porter,
writing in 1 83 1,8 refers to the improvements in silk weaving
rewarded by the Society, which he says, " has done more
for the encouragement of ingenious artisans in this branch
of industry than has been, or than could be, effected by
1 Luther Hooper, "Cantor Lectures on Hand-loom Weaving, "
Journal (1912), vol. Ix. p. 995.
2 Vol. xxiv. (1806) p. 93.
3 Silk Manufacture (Lardner's Cabinet Cyclopaedia), p. 35.
264 THE PREMIUMS
the patent laws under the present system." Amongst
these may be noted the improvements in the " drawboy,"
for which a prize was awarded in 1807 to A. Duff. The
mechanical drawboy was invented by Joseph Mason, to
whom, in 1687, a patent was granted for " weaveing such
stuffes as the greatest trade in Norwich now doth depend
upon, without the helpe of a draught-boy." Before his
invention the cords of the loom, which had to be drawn
in a prearranged succession in order to produce the pattern,
had to be pulled down by a boy who stood at the side of
the loom and used a large fork and lever for the purpose.
When a mechanical device was substituted for the boy
who acted as the weaver's assistant, the apparatus took
its name from the original worker whom it replaced.
The actual invention of the drawboy has erroneously
been attributed to Duff, but what he did was to introduce
very considerable improvements. He himself, in his
paper in the Transactions, disclaims novelty for his
invention, which he describes as an improvement on
methods previously known. Three years later, in 1810,
J . Sholl was rewarded for further improvements on Duff's
apparatus.1 A little later still came the great invention
of Jacquard, on which various improvements in details
were made by English inventors. Some of these were
rewarded by the Society, the most important being
the invention of W. Jennings, a weaver or loom-maker
of Bethnal Green, who reduced the great height of the
Jacquard apparatus, and thereby rendered it available
for use in the rooms in which the silk weavers then
generally worked.2
The manufacture of silk in England had been firmly
established by the two great immigrations of Flemish
weavers in the sixteenth century and of Huguenots in
the seventeenth. Mills for " throwing " silk had also
been set up in the eighteenth century. But the various
attempts which had been made to produce silk in this
country had all failed. The success of Louis xiv.'s great
minister, Colbert, in establishing the production of silk
1 Transactions, vol. xxv. p. 51 (1807), and xxviii. p. 123 (1810).
2 Porter, Silk Manufacture,^. 253. Transactions, vol. xlviii. p. 175.
SILK PRODUCTION 265
in France aroused emulation over here, but without
practical result. James i., whose efforts to encourage
English manufactures perhaps deserve more credit than
they have received, tried to acclimatise the silkworm,
and for this purpose he had mulberry trees planted in
St. James's Park on the site of the present Buckingham
Palace. The experiment was continued for some time,
since it is recorded that in 1628, Charles i. appointed
Lord Aston keeper of " His Majesty's mulberry garden
at St. James's, and of the silkworms and houses thereunto
appertaining " ; but the garden, as far as its original object
was concerned, proved a failure, and was eventually turned
into a place of public entertainment.
A scheme started in 1718 had no better success. Large
plantations were laid out in Chelsea, but after a short
trial the project collapsed. Dossie, in two letters which
he wrote (under the signature of " Agricola ") to the
Museum Rusticum in I/66,1 relates how a person, whose
name is not given, sent some specimens of English-grown
silk to the Society in that year, and how the Society, not
considering his silk deserving any serious reward, yet
encouraged him by the gift of a reel and basin such as
were used by the silk-growers of Piedmont.2 This seems
to have been one of several attempts to grow silk in this
country at the time, for some small prizes were awarded
in 1763 and in 1778 for raising and winding silk.
The Society seems to have held the view that the
production of silk in England was not practicable, and
while, as previously recorded,3 it took a good deal of trouble
to promote silk-growing in the American colonies, it did
nothing at first to encourage it in Great Britain. The speci-
mens, however, above-mentioned drew fresh attention to
the matter, and Dossie rather vigorously combated the re-
ceived opinion, urging that further experiments should be
made. Accordingly, in 1768, a prize for English-raised silk
1 Museum Rusticum, vol. vi. pp. 89 and 241.
2 It appears from the minutes that the correspondent wrote under
an assumed name, " Rusticus," but it seems, from a note by Dr.
Templeman on one of his letters, that he was really John Delamare,
a member of the Society and a silk manufacturer of Spitalfields.
3 See Chapter IV, p. 84.
266 THE PREMIUMS
was offered, and from time to time after this date efforts
were made to encourage the planting of mulberry trees
and the raising of silkworms. The Hon. Daines Barring-
ton contributed a paper to the second volume of the
Transactions on the subject, and in it he also urged the
advantage of silk-growing in England, and gave some
information as to the practice in the East and on the
Continent. The Society continued to offer rewards for
the plantation of mulberry trees, and for the production
of silk, with the result that from time to time small
quantities of cocoons were produced, but the matter never
got beyond the experimental stage, where indeed it now
remains.
Many years later, in 1825, a vigorous attempt was
made to raise silk here on a commercial scale, and a
company with a large capital was started. It, however,
was unsuccessful, and though even later proposals have
been put forward for the plantation of mulberry trees and
the raising of silkworms, they have never led to any
practical result. In 1840, W. Felkin, of Nottingham, sent
the Society some samples of British-grown silk, and was
formally thanked for them, and in 1873, Sir Daniel Cooper
produced some similar experimental specimens.
The latest communication on the subject to the Society
is a paper read in 1877 by Mr. Francis Cobb, in which the
writer recommended the raising in England of silkworm
" grain," or eggs, for exportation abroad. The reason
generally put forward for the failure has been the lack of
cheap labour, but whatever the cause, the fact remains
that while it has been shown that perfectly good silk can
be produced in this country, nobody has ever succeeded in
obtaining it in profitable quantities.
At various times attempts were made to encourage
the production of lace in England. The first award was
taken in 1762 by Dorothy Holt, who made the ruffles
worn by George in. at his coronation. Several other small
prizes were given about the same time, but the matter
dropped, and though some years later the offer of prizes
was renewed, nothing very much came of it. Lace-making
was one of the very few domestic industries which survived,
QUILTING IN THE LOOM 267
and perhaps it neither needed nor profited by artificial
stimulation.
Between the years 1761 and 1765 the amount of £410
was expended in rewards for what was known as " quilting
in the loom " — that is to say, weaving fabrics having a
diagonal pattern like a quilt. Such fabrics were imported
from the East, and " Indian quilting " was much admired,
as appears from occasional references in contemporary
literature. Some, perhaps all, of the material was hand-
made. It was not, however, produced in England till
the Society, in 1761, offered a prize for " a quantity of
quilting, made in a loom in imitation of, and nearest in
goodness to, the Marseilles or India quilting." In success-
ive years samples of a gradually improving character
were produced in silk, cotton, linen, and wool, until in
1765 the Committee on Manufactures reported that " the
manufacture appears to be sufficiently established," and
the prizes were discontinued.
The writer of the " Observations on the Effects of Re-
wards " in the class of manufactures, appended to the list of
awards published in 1778, writes in a very jubilant strain
about the result of these particular prizes, for he says : —
1 The manufacture is now so thoroughly established
and so extensive, being wrought in all the different
materials of Linen, Woollen, Cotton and Silk, that there
are few persons of any rank, condition, or sex in the kingdom
(and we may add within the extent of British commerce,
so greatly is it exported) who do not use it in some part
of their clothing ; so that we may safely say, if the whole
fund and revenue of the Society had been given to obtain
this one article of trade, the national gain in return should
be considered as very cheaply purchased."
In the first half of the eighteenth century a number
of factories had been started in England by Walloon,
Flemish, and French weavers for the manufacture of
tapestry and pile carpets, apparently with but moderate
success.1 The subject was one to which a good deal of
1 A good summary account of these is given in the latest (eleventh) edi-
tion of the Encyclopedia Britannica, in the article on "Carpets," by Mr.
Alan Cole. The history in the earlier editions is neither full nor accurate.
268 THE PREMIUMS
attention was paid by the Society, and premiums were
given in 1757 to Moore, of Chiswell Street, and to Whitty,
of Axminster ; in 1758 to Passavent, of Exeter; and in
1759 to Jeffer, of Frome. It seems probable that Passa-
vent's factory was the one founded about three years
earlier, and mentioned by Johnson's friend, Baretti, two
years later (1760).
By these awards, it is stated,1 the manufacture of
carpets " is now established in different parts of the
kingdom, and brought to a degree of elegance and beauty
which the Turkey carpets never attained."
The drugget, for the manufacture of which a prize
was offered in 1758, was not the floorcloth now known
by that name, but a " sort of stuff very thin and narrow,
usually all wool and sometimes half- wool and half-silk."2
It was used as a material for clothing, and as late as 1832
Bulwer Lytton describes one of the characters in his
Eugene Aram as wearing a " spencer of light brown
drugget." There was a great demand for it in the Lisbon
market, and this market was mainly supplied from France,
so it was thought that there was a good opening for British
trade. Various awards were made during the next four
years, and satisfactory samples were produced, but
" owing to exterior circumstances attending the course
of our trade with Portugal," the importation to Lisbon
was never established. Dossie, who reports the matter,
comforts himself with the philosophical reflection that if
such a branch of the woollen manufacture had been
established it would only have come into competition with
branches already existing.
In 1809 the Society awarded a " silver medal set in a
broad gold border " to " The Patrons and Committee of
the Flag Association, for a matchless specimen of double
brocade-weaving in a flag now executing in Spital-fields."
A full account of this flag is given in a curious and
rather interesting pamphlet which has been preserved in
the Guildhall Library.3 It appears that one Samuel Sholl
1 Transactions, vol. i. (1783), p. 28. * Chambers' s Cyclopedia, 1751.
3 Short Historical Account of the Silk Manufacture in England. By
Samuel Sholl (1811).
BROCADE-WEAVING—NET-MAKING 269
and some other journeymen weavers formed a committee
to produce a piece of work which would afford proof of the
capacity of British workmen to manufacture something
as good as any foreign production. With this object they
collected subscriptions to defray the cost of weaving a
very elaborate flag. They collected over £570, but when
the flag was finished they found themselves in debt for
£380 more. The flag was exhibited at the Society's
distribution of prizes in 1811, when the medal was pre-
sented, the flag being then finished. It seems by the
description to have been a very remarkable piece of work,
and from the terms of the award it was evidently highly
approved by the committee. Its after history is not
known, Shell's work having been published in 181 1 .
About the end of the eighteenth century the idea
of making fishing-nets by machinery seems to have
attracted some attention both in France and in England.
The Societe pour 1 'Encouragement de ITndustrie Nationale
(founded in 1801) offered a prize of 10,000 francs, a part
of which (according to the Encyclopedia Britannica)
was awarded to Jacquard. In 1771 the Society of Arts
offered a prize of twenty guineas for a similar object.
Awards were made in 1776, 1796, and 1806, and the two
machines (by Boswell, of Barnstable, and Robertson, of
Edinburgh), for which the last two awards were made, look
from the descriptions as if they would have worked well
enough, but the above-quoted authority states that the
first efficient machine was by Paterson, of Musselburgh
(the date of which was about 1820). The devices of some
of these net-making machines were afterwards embodied
in some of the later lace-making machines.1
Amongst the first subjects to which attention was given
was what is now termed " Industrial Hygiene " — that is
to say, methods of preventing injury to workmen engaged
in dangerous or unhealthy occupations, or proposals for
the substitution of innocuous substances for those in the
1 Felkin's History of the Machine-Wrought Hosiery and Lace Manu-
facture (1867), p. 156.
270 THE PREMIUMS
preparation or use of which there was risk of injury to life
or health.
The late Mr. Benjamin Shaw, therefore, when in 1876
he founded a prize for inventions devised to minimise
the risks incidental to industrial occupations, wras only
carrying out a very old tradition of the Society.
The first prize of the sort was offered in 1771, for any
means of lessening the injurious effects of the process of
fire-gilding or water-gilding, as it was sometimes called.
In this process a coating of an amalgam of gold and
mercury is applied to the metallic surface to be gilt. The
mercury is volatilised by heat, and the gold is left as a thin
adherent film. The process has now been to a large extent
superseded by electro-plating ; but it is still used for fine
work, as it gives a very good solid deposit. The mercurial
vapours given off are, however, extremely injurious to the
operator, and before proper appliances were devised to
carry them away, the early workers suffered severely
from them. The offer produced an apparatus intended
to remedy the objections, and in 1774 a prize of twenty
guineas was awarded to its inventor (J. Hills), who kept
a curiosity shop in Berwick Street. According to the
description of Dossie,1 who (like the present writer) found
Hill's own description unintelligible, the apparatus con-
sisted of a funnel fixed in front of the furnace and over the
article under treatment. This funnel was connected by a
pipe to the furnace chimney, and a draught produced by a
bellows drew up the fumes and discharged them into the
flue. If necessary, glass screens could be added, with
openings through which the workman could pass his hands,
enclosed in leather gauntlets. After inspecting a model,
the Society's committee ordered a full-sized apparatus
to be constructed and set up. A " Mr. Platts, a workman
in the water-gilding way," was engaged to work it. "A
day being fixed, several members of the Society went to
see its effect, and reported that they had not felt any of the
so-called sweet vapour during the operation." Having
thus assured themselves, by personal immunity from
mercury poisoning, of the value of the apparatus, they
1 Dossie, vol. iii. p. 370.
MERCURIAL GILDING 271
decided to award Mr. Hills the offered prize. A little later
Platts wrote that he had made use of the apparatus
" ever since the trial." He added, "I ... wish I had
been so happy as to have had the use of such an invention
twenty years ago ; I make no doubt but that I should have
been free from the disorder I have so long laboured under."
The actual process of fire-gilding is practically identical
now with that seen by the Society's committee in 1774,
and a certain amount of risk is still run by the workman.
But he works under very much better sanitary conditions,
and he has the advantage of various appliances, such as
india-rubber gloves, unknown to his predecessors of a
hundred and fifty years ago.
Forty years later we find the same grievances existing,
and a fresh attempt made to remedy them. In 1811 a
prize of twenty guineas was awarded to Richard Bridgen
for " a method to prevent the inhalation of noxious \*apours
in gilding metals." This time it was a mask to be fitted
over the workman's nose and mouth, and connected to a
tube, which was led to the back of the head, so that the
air breathed was not charged with the fumes immediately
proceeding from the heated metal. If preferred, the tube
might be lengthened and led to a window, so as to provide
communication with the external air. That the device
was quite practical and effective, though decidedly incon-
venient, may be admitted as certain. That it is still
regarded in some quarters as a novelty is shown by the
fact that when, ten years ago, in 1903, a special prize
was offered by the Society for a dust-arresting respirator,
several masks, identical in principle with Bridgen 's, were
submitted in competition.
A considerable further advance was made by John
Roberts, who in 1825 received a silver medal and fifty
guineas for " apparatus to enable persons to breathe in
thick smoke, or in air loaded with suffocating vapours."
This apparatus would appear to be the original of the
various modern devices, firemen's helmets, respirators,
and the like, used — or proposed — for enabling persons to
breathe in smoke or noxious atmospheres. It consisted
of a leather helmet, padded so as to fit airtight to the
272 THE PREMIUMS
wearer's neck and shoulders, and fitted with glass or mica
eye-pieces. From the front of the helmet was suspended a
flexible leather tube, with a helical wire inside, and ter-
minating in a trumpet-shaped mouth. The object of this
was to draw the air for respiration from near the floor
level, where there was less smoke. The trumpet was filled
with moist sponge covered with coarse cloth. For con-
venience, the pipe wras strapped to the wearer's thigh. If
the cloth was sufficiently porous, this must have been a
very efficient and practical appliance. It is evident that
the pipe was an unnecessary detail, and might have been
dispensed with. Roberts 's apparatus was carefully tested
by the Society's committee, and was found to work very
well, according to the account given in the Transactions -1
He himself was a working collier of St. Helens.
Considerable public attention was drawn a little later
still (in 1830) to the Chevalier Aldini's * wire-gauze mask 3
or screen for the use of firemen, and the Society gave him
a gold medal, with the remark : " Something is still
wanting to give to his ingenuity all the practical utility
of which it is capable ; and it is in the hope of this being
effected that the Society again call it to the public atten-
tion." 4
The dangers to health from any dusty trades, in which
the harm is done by mechanical particles breathed by the
workman, was not overlooked, and in 1805 a gold medal
was offered for " obviating the prejudicial effects that
attend the operation of pointing needles by grinding them
dry, during which the particles of grindstone dust and
steel, being thrown into the air, and received with it into
the lungs, occasion asthma, consumption, and other pain-
ful disorders." The offer was afterwards extended to
include other processes of dry grinding, and was con-
1 Transactions, vol. xliii. p. 25.
2 Giovanni Aldini (1762-1834) was an Italian physicist of some
distinction, and Professor of Physics at Bologna.
5 In 1827 a reward of five guineas had been paid to J. Callaghan
for a wire-gauze " face-guard for smelters." This was intended merely
to protect the face from heat, but it might have been applied to other
purposes (Transactions, vol. xlv. p. 152).
* Transactions, vol, xlviii. p. 141,
DUST- ARRESTING RESPIRATORS 273
tinued for twenty years. In ordinary grinding work
with a wet stone, the stone cuts more quickly, because
the water washes away the metallic particles and
fine dust, so that the grain of the stone is not, as
the grinders say, "choked," but the dry stone, though
it cuts more slowly, leaves a finer surface, and there-
fore has always been used for needle-pointing and for
similar work.1
Of the various appliances submitted, some of which
received rewards, the best was that of J. H. Abraham,
of Sheffield, to whom, in 1822, the Society awarded its
gold medal for a magnetic guard to protect persons em-
ployed in dry grinding. The apparatus is described in
the Transactions.2 The stone is enclosed in a wooden
casing, so that only a portion is exposed, and the current
of air generated by its revolution carries the dust into a
tube, by which it is led away. The invention also includes
a respirator to cover the mouth and nose. This respirator
was fitted with magnets, for the purpose of arresting
the fine particles of steel thrown off in the process of point-
ing needles, and in other processes of dry grinding. Al-
though the invention was greatly appreciated at the time,
and was actually brought into practical use, it never
became popular, the main objection to it having been
raised by the workpeople themselves, who feared that
the lessened risk attached to their employment would
lower their wages. Similar considerations have always
stood in the way of the introduction of various appliances
intended to limit the risks associated with all trades in
which the workpeople breathe a dusty atmosphere.
The question of producing a leadless glaze for pottery,
which would be effective without injuring the health of
those employed in the manufacture, is a very old and a
very important one, and one that has not yet been solved.
At a very early date it came before the Society, and in
1793 a prize of a gold medal was offered for " glazing
earthenware without lead."
As is well known, the glaze on earthenware is merely
1 Holtzapffel, Mechanical Manipulation, vol. iii. (1850), p. in i.
'Vol. XL. (1822), p. 135.
19
274 THE PREMIUMS
a thin coating of glass, or silicate of soda. On many of
the coarser forms of pottery the glaze may consist of
pure silicate of soda, and may be obtained by the use of
common salt. But such a glaze is only applicable to
clay bodies, which will stand a very high temperature —
a class which includes a very large number of the roughest
sorts of pottery, and also what is known as stone-
ware. By the use of lead a very much more fusible
glaze is obtained, and this is available for all the more
delicate kinds of porcelain and other more easily fusible
ware.
The offer, in 1793, induced an application from one
Law, who submitted specimens of an " East Indian
material called by him ' She Kaw.' ' Samples were sub-
mitted to Thomas Wedgwood for report, and he reported
adversely on the material, which proved to be some sort
of selenite.
For many years the offer was continued without any
result, until 1820, when a claim was made by John Rose,
of Coalport. " The principal ingredient of my glaze/'
he wrote, " is felspar of a somewhat compact texture,
and a pale flesh-red colour, which forms veins in a slaty
rock adjoining to the town of Welsh Pool, in Montgomery-
shire. This material, being freed from all adhering pieces
of slate and of quartz, is ground to a fine powder, and
being thus prepared, I mix with 27 parts of felspar, 18
of borax, 4 of Lynn sand, 3 of nitre, 3 of soda, and 3
of Cornwall china clay. This mixture is to be melted
to a frit, and is then to be ground to a fine powder,
3 parts of calcined borax being added previously to
the grinding." This was perhaps the first of the many
felspathic glazes which have been suggested as sub-
stitutes for lead glaze. It was no doubt an excellent
glaze, and probably well deserved the gold medal
which was awarded to Mr. Rose for his invention. Two
years later, in 1822, another premium was awarded to
J. Meigh, of Shelton, Staffordshire, for another felspathic
glaze.
The offer of the prize was continued for another two
years, and in the meantime arsenic had been added to
LEADLESS GLAZE 275
the prohibited ingredients. But after 1823 the premium
was discontinued.
As is well known, the problem has not yet been
satisfactorily solved. As late as 1910 a Departmental
Committee reported on the dangers attendant on the
use of lead in the manufacture of earthenware and
china, and this report contains the fullest and latest in-
formation on the subject of leadless glazes. Many such
glazes have been added to that of John Rose, but
none of them are so effective as, and all of them are
more expensive than, a glaze in which lead forms a part.
Very great improvements have naturally been made
in the manufacture, and to a very large extent the
desired end has been attained by the method of pre-
paring the lead glaze, which is now made of a much
less soluble character than of old, so that the pro-
cesses of manufacture are much less dangerous to the
workmen. By such means, and by insisting upon
proper sanitary precautions, the death-rate has been so
largely reduced that practically the object sought for
is believed to have been attained without the necessity
for prohibiting certain methods of earthenware-making.
It is to be hoped that this belief is well-founded, since
the proposed legislation, whatever might be its result upon
the health of the workers, would only, in the opinion of
those best qualified to judge, have the result of driving
the manufacture of high-class ware out of this country,
and placing it in the hands of foreigners.
Until quite the end of the eighteenth century, chimneys
were always swept by climbing- boys, and nobody seemed
to see any hardship in this occupation for children. Even
so kindly a soul as Charles Lamb, in his essay on chimney-
sweeps, ignores the enormous amount of brutality and
cruelty which fell to the lot of " those tender novices,
blooming through their first nigritude." Mrs. Montagu,
the celebrated " blue-stocking," gave the climbing-boys
an annual dinner, and so, if Elia is to be believed, did his
old school-fellow, James White. But the first to make
a serious effort to improve their condition appears to
2;6 THE PREMIUMS
have been Jonas Hanway, who was instrumental in intro-
ducing into Parliament the Bill which was passed in 1788.
This Act (28 George in. c. 48) imposed certain restric-
tions on the business, but, on the whole, was ineffective.
In 1796 the Society offered a prize for an apparatus
for " obviating the necessity of children being employed
within flues." A note to this announcement refers to
the great hardships endured by, and to the frequent fatal
accidents occurring to, the children employed. The
prize offered was a gold medal or forty guineas, and
the offer was renewed at intervals up to 1803. Various
proposals were submitted, including a machine by G. M.
Smart, but no awards were made before 1805, when
Smart sent in an improved machine, and to this the prize
was awarded. This apparatus was practically the same
as that which is now used — namely, a number of rods
connected together, and carrying a brush at the top. In
Smart's apparatus the rods were hollow ; they fitted one
into the other by means of sockets or screws, and were all
held together by a cord running through them. This
machine was afterwards known as the " scandiscope," and
soon came into general use.1 According to a note in the
Transactions, Smart had given up his own profitable
business from philanthropic motives, and devoted himself
to the invention and popularisation of chimney-sweeping
apparatus.
In the year 1800 the Society for Improving the Con-
dition of the Poor took up the subject, and in 1 803 a special
society was formed for superseding climbing-boys. The
treasurer of this society at one time was William Tooke,
a vice-president of the Society of Arts, who many years
later, on the death of the Prince Consort in 1862, held
the presidency of the Society for a year until the
election of the then Prince of Wales (King Edward
1 A great deal of information about the climbing-boys and the
reform which led to their suppression will be found in Mayhew's
London Labour and the London Poor (edition of 1861), vol. ii. p. 399.
Hone, in his Everyday Book, vol. ii. p. 518, also gives many curious
and interesting details, including a quaint advertisement of the
scandiscope.
CHIMNEY-SWEEPING-CHEMISTRY 277
vii.).1 It was due to the exertions of Mr. Tooke, and to the
appeal of Mr. J. J. Angerstein, the well-known philanthro-
pist, that the Society of Arts associated itself with the newly
formed society, and renewed its offer of prizes for machines
for sweeping chimneys. In 1817 a Parliamentary inquiry
was held, at which Tooke, Smart, and others gave evi-
dence, and this led to the passing of a second Act in 1834
(4 & 5 Will. iv. c. 35). Eventually a third Act (3 & 4
Viet. c. 85) was passed in 1840. This came into force
in 1842, and at last put an end to the use of climbing-boys.
After the award to Smart various other prizes were
given for other chimney-sweeping machines, including
some in which the brush was dragged through the flues
by means of a rope. But none of these seem to have
come into general use in this country, although the rope
machine is extensively employed in France, and the flues
in the high buildings erected of recent years are usually
swept by means of what is known as a " ball and line,"
the ordinary sweep's broom not being capable of the
necessary extension.
Considering that the foundations on which the science
of chemistry was eventually built were only laid in the
last years of the eighteenth century, it is obvious that
such industries of a chemical nature as existed could only
be of a purely empirical character, and were not really
conducted on scientific principles at all. Some progress,
it is true, had been made in technical chemistry abroad,2
but in England there had been but little advance. In-
deed, it was the discovery by Leblanc, in 1792, of the
method of making carbonate of soda from common salt
that really formed the basis of modern industrial chemistry,
since it provided a cheap source of alkali, previously only
obtainable from vegetable ashes as an impure carbonate
of potash and soda, or in the form of saltpetre (nitrate of
potash), either native or artificial. In an early premium
1 See Chapter XX, p. 444.
2 Sir Edward Thorpe, in his History of Chemistry (1909), gives the
names of Gahn, Marggraf, Duhamel, Reaumur, Macquer, Kunkel, and
Hellot as the pioneer technical chemists of the eighteenth century.
278 THE PREMIUMS
list (1770) is included a prize for barilla,1 " made from
Spanish kali raised in Great Britain." The offer was
continued for thirty years, but produced no results, nor
was a similar offer for barilla grown in any British pos-
session more effective, though the barilla industry was an
important one in India, and Dr. Roxburgh, the great Indian
botanist, who died in 1815, reported that one species of
Salicornia, abundant on the Coromandel coast, might yield
barilla sufficient to make soap and glass for the whole world.
No better result was obtained by a similar prize offered for
British-grown kelp richer in alkali than the ordinary sort.
Later on (1783) the true way of supplying the demand
for alkali was suggested in the offer of a prize for obtaining
soda from sea-salt, a problem which, after exercising the
minds of many chemists and inventors (among the most
notable of these was Roebuck, the friend of Watt and
Priestley, who ruined himself in the attempt), was
eventually solved by Leblanc, in response to a prize offered,
not by the Society of Arts or any other society, but by
the Emperor Napoleon.
The Society's efforts to increase the supplies of salt-
petre, or " fossil fixt alkali," have already been referred
to in the chapter dealing with the Colonies.2 An attempt
was also made to establish works for the production of
saltpetre in England, but the only result of these efforts
was to demonstrate the impracticability of- manufacturing
it on a commercial scale at a price which would compete
with that of imported saltpetre, and, after a few years,
the attempt was abandoned.
Rewards were also offered for the production in Great
Britain of borax, sal-ammoniac, bismuth, and some other
materials, but naturally without result. Somewhat better
fortune attended an effort to establish in England the
manufacture of verdigris (basic acetate of copper), used as a
pigment and a dye, and then imported from France, where
it was made by treating copper plates with wine-lees.3
1 Barilla was the ash of plants of the genus Salicornia or glasswort.
It contained only about a fourth of its weight of carbonate of soda.
a See Chapter IV, p. 87.
3 The chief seat of the manufacture is still Montpellier, in France.
VERDIGRIS— COBALT— ULTRAMARINE 279
In this country the necessary vegetable acid was obtained
by using the pulp of apples from cider-presses, and other
fruit-juice. By the offer of liberal and continued grants,
the industry was actually started, and a considerable
amount of the material was produced, but no regular
manufacture was established.
One of the first two prizes offered by the Society was
for English cobalt, the object being the production of
smalt and zaffre, both silicates of cobalt associated with
silicate of potash, and made by melting the oxide of cobalt
with sand and potassium carbonate. The glasses thus
obtained form useful blue colouring matters. The first
offer (1754) produced some samples, and an award of £50
was paid for cobalt from a Cornish mine in 1755. Nine
years later, a similar sum was granted to Nicholas Crisp,
the watchmaker, one of the founders of the Society, for
making zaffre and smalt. Again, in 1810, the attempt
was renewed, but without practical result.
In 1 80 1 a gold medal was offered for the production of
artificial ultramarine. The offer was continued for a good
many years, and in the list for 1812 a note was added that
" it appears from the analysis of lapis lazuli by Klaproth,
and the experiments of Guyton (related in the Annales de
Chimie), that ultramarine is a blue sulphuret of iron, and
that a blue substance much resembling it is constantly
found amongst the scoriae of blast furnaces where iron is
reduced." Nobody was found, however, to act on the
suggestion. Foreign chemists were more enterprising, for
after Tassaer in 1814 observed the spontaneous formation
of a blue compound in the soda furnaces at St. Gobain,
the Societe pour I'Encouragement offered a prize for
an artificial ultramarine. Ultimately the problem was
solved by Guimet and by Gmelin, the latter of whom was
then at Tubingen, and an industry was started which
still flourishes in Germany. The material is a silicate of
alumina and iron, together with iron sulphide. The manu-
facture has never been established in this country.
Among the earliest objects to which attention was
directed was the improvement of methods of dyeing textiles,
28o THE PREMIUMS
wool, silk, and cotton, and the encouragement of the
domestic production of the materials (mainly vegetable)
which were then employed. England was much behind
other countries in its methods of dyeing and calico-
printing (as it was in most other industrial processes)
when the Society was founded, and much of the cloth
woven here had to be sent abroad to be dyed, as much of
the linen had to be sent abroad to be bleached. The very
first prize offered by the Society was for a dyeing material,
madder, and this was followed by others for dyeing
cloth, silk, linen, and cotton, sometimes of specified colours,
and sometimes by improved or cheaper methods, or by
materials not previously used. The Society worked hard
for twenty years to establish the cultivation of madder
in England, and by 1775 it had expended a sum of £1516
in the effort. After the first two or three years it paid a
definite amount of £5 per acre of madder grown annually,
and these payments varied from £5 for a single acre up
to, in one exceptional case, £145. After 1775 the rewards
were discontinued, the Society's object having so far been
attained that the price of imported madder was reduced,
and its quality improved, by the competition of the
home-grown product. It is also recorded that the Society
was instrumental in obtaining an Act of Parliament,
which modified the amount of tithe levied on land used for
the growth of madder.1
Numerous rewards were offered for the importation
of new or little known dye-stuffs from the colonies, and
some rather unavailing efforts were made to start in
England the growth of tinctorial plants better suited for
other climates. Such, for instance, were the orchella
weed (Rocella tinctoria), a lichen native to many parts of
the world and producing the colouring matter archil, or
orchil, long used for dyeing red and purple ; and, even a
less reasonable proposal, indigo. A premium for growing
1 Dossie, vol. i. p. 42. The Act was 31 Geo. n. 1755, c. 12, " An
Act to encourage the growth and cultivation of madder in that part
of Great Britain called England by ascertaining the Tithe thereof
there." The Act was for fourteen years, and was continued for a
second fourteen by 5 Geo. in. c. 18 (Gents, Mag. vol. Ixvi. pt. i.
February 1796, p. 115).
DYES-VARNISHES 281
the former in Great Britain was offered in 1763, and a
similar offer was published in 1817 with reference to indigo.
A suggestion in 1763 as to the employment of Prussian
blue (sesqui-ferrocyanide of iron) may be noted. The
material was known at the time, but appears not to have
been used as a dye.
Besides thus endeavouring to add to the list of materials
available for the dyer, the Society included in its premium
list the production of new or improved colouring matters
for use as pigments. Amongst these perhaps the most
important was a substitute for white lead. For over
fifty years from 1788, when it was first offered, a prize
for a " substance for the basis of paint " " equally proper
for the purpose as the white lead now employed," appeared
in the premium list . The value of the prize was at first £30,
but it was afterwards raised to 100 guineas. That the
prize was never awarded is not perhaps very remarkable,
since it is only of quite recent years that even a partial
substitute for white lead (a basic carbonate of lead) has
been found in zinc-white (zinc oxide), and even this,
though it is non-poisonous and is unaffected by atmo-
spheric influences, does not combine with the oil of the paint
as effectively as the lead, while the paint has less " covering
power," and is more costly.1
In the first printed list of premiums is a prize for
improved varnish, and from time to time prizes were
offered for varnishes, materials for varnish- making, methods
of bleaching lac, etc. Although some small rewards were
given, the offers appear to have had no practical result
until 1833, when a gold medal was presented to J. Wilson
Neil for a paper on the art of making copal and spirit
varnishes. Until the publication of this memoir, varnish-
making had always been professedly a trade secret, and
the methods of its manufacture were jealously concealed.
Mr. Neil, however, who was a varnish-maker of great
experience and of considerable reputation, put an end to
this state of things by giving full and copious details of
1 The subject of white lead substitutes has recently been discussed
with much ability in a paper read before the Society in March 1913 by
Mr. Noel Heaton (Journal, vol. Ixi. p. 458),
282 THE PREMIUMS
all the methods and materials employed. His paper 1 was
for long the principal, if not the sole, source of information
on the subject, and though its contents have often been
republished, it remains to the present day a valuable
treatise on the manufacture, and may still be consulted
with advantage.
In 1821 a gold medal was offered for a test for arsenic,
and the offer was continued for six years without result.
Fifteen years later, however, it produced a communication
from James Marsh, the well-known chemist of Woolwich
Arsenal, and to him the medal was awarded in 1836, for
the test since known by his name. Marsh's test for arsenic
is described in all chemical text-books, and is familiar to
all chemists. It is only necessary to say that the descrip-
tion given in the Transactions 2 holds good to-day. The
test is one of extraordinary delicacy, and the cautions
given by the inventor as to the need for special care in
securing the purity of the reagents employed are as
necessary now as when they were written.
At a time when oil was the chief source of illumination,
and vegetable oils were scarce and expensive, many at-
tempts were made to get rid of the foetid smell of the train
oil, which was for many purposes, on account of its cheap-
ness, the only sort available. A very early prize was
offered by the Society (in 1757) for the " edulcoration "
of oil. According to Dossie,3 the result can hardly be
considered to have been satisfactory, for when samples
of the " edulcorated " oil were compared with some
of the same oil before treatment, " it was difficult to
say which was the worst. For the operation had
added an empyreumatic smell to the putrid feet or,
which was very little diminished." Dossie, however,
can hardly be considered an impartial critic, for he
afterwards (1761) produced a process of his own, for
which the Society gave him £100. His process con-
sisted in treating the oil with chalk or lime, and adding
1 It occupies fifty-five pages in Vol. XLIX. of the Transitions (183^-3) .
PP. 33-87.
2 Transactions, vol. li. p. 67 .
3 Vol. i. p. 1 88.
MEDICINAL PLANTS 283
either common salt or potash. It was said to have been
very successful.1
A good example of the results of the efforts of the
Society to introduce new medicinal plants is afforded by
the introduction of rhubarb (Rheum palmatum) into Great
Britain. In 1763 the Society appointed a committee
" to pursue the requisite measures for introducing the
culture of the true rhubarb/' and eventually a gold medal
was offered.
The committee obtained specimens of the plants and
roots from various sources, but were doubtful if they had
got hold of the genuine rhubarb, until they found that Dr.
Mounsey, an English physician settled in Russia, had, at
the suggestion of Sir Alexander Dick, President of the
Royal College of Physicians of Edinburgh, sent over some
seeds of the plant, which had been planted by various
persons in England and Scotland. Dr. Hope, the Pro-
fessor of Botany at Edinburgh, had raised some plants,
and others, it is stated, had been " raised in the garden
of the Museum in London."2 Accordingly, in 1769, gold
medals were awarded to Dr. Mounsey for " having intro-
duced the seed of the true rhubarb some years before/' and
to James Inglish3 for raising plants from it.4 Seven
years later (1776) Sir A. Dick was awarded a gold medal,
1 Dossie's paper was published in full, some time after the author's
death, in the Transactions, vol. xx. (1802), p. 209.
2 There cannot, I think, be any doubt that by this is meant the
Chelsea Physic Garden, since some of the first rhubarb seeds (R.
Rhabarbarum, not the true medicinal rhubarb) were sown in that
garden by the curator, Isaac Rand, about 1732 (Rees's Cyclopedia,
edit. 1819, s.v. Rhubarb). Rhabarbarum was first named by Linnaeus,
who afterwards found that Palmatum was a different species, and
named it also (Species Plantarum, 2nd edit. 1762). Hope described the
plants he had raised in a communication to the Royal Society, 24th
Sept. 1765 (Phil. Trans., vol. Iv. No. xxxii.). In that paper he gives the
date of his receiving the seeds from Mounsey as 1763.
2 The name is thus given in the prize-lists, and in the MS. Committee
Minutes, but Dossie spells it " English."
4 A full account of the history of the introduction of rhubarb is
given in Dossie, vol. ii. p. 258 ; and in vol. iii. p. 208, there is a very
interesting letter from Sir A. Dick.
284 THE PREMIUMS
and Mr. Callendar, of Newcastle, a silver one. The Society
still continued its rewards in order to secure the growth of
the plant on a commercial scale, and during the following
twenty years various medals were given, amongst others
a silver medal, in 1789, and a gold one, in 1794, to William
Hayward, of Banbury, which town became, and still
remains, the principal seat of the industry in England.
Another medicinal plant, the growth of which it was
attempted to encourage, was opium. In 1796, John
Ball, of Williton, Somerset, sent to the Society some
samples of home-grown opium, and, as on examination
the drug proved to be of good character, a " bounty " of
fifty guineas was presented to him. Full details of his
method of growing the poppies and of obtaining the extract
were supplied by Mr. Ball,1 who wrote enthusiastically
about the prospects of his crop, and said that he expected
to be able to dispose of all that he could grow to a London
druggist at the price which foreign opium then fetched,
viz. twenty-two shillings a pound.
In the premium list for the following year, 1797, gold
and silver medals were offered for specified amounts of
British-grown opium, and this offer was continued for some
time, though without much response. In 1800 the larger
prize was awarded to Thomas Jones, who for some years
had grown opium at Enfield and elsewhere.2 Though he
says he found more difficulties than Mr. Ball had reported,
and had suffered in some years from unfavourable weather,
he had produced considerable amounts of saleable opium,
which was reported upon as equal to the best Turkey. It
was concluded that the possibility of producing the drug
commercially in England had been demonstrated.
After an interval of nearly twenty years, yet another
gold medal was awarded, in 1819, to John Young, an
Edinburgh surgeon, who had successfully grown opium in
Scotland. He, like his two predecessors, contributed a
very full and interesting paper to the Transactions? and he
writes as if he had had some experience of Indian opium-
growing. He states that he had obtained 56 Ib. of opium
1 Transactions, vol. xiv. p. 253. 2 Ibid. vol. xviii. p. 161.
8 Ibid. vol. xxxvii. p. 23.
OPIUM 285
from an acre of ground, which, at 363. per pound (the
London price at that time), would bring in a little over
£100. The total net profits per acre are estimated at
£110, 73. 6d. It was therefore demonstrated that opium,
as rich in morphia as the Eastern product, could be grown
in Great Britain, but it is one of those crops which requires
an abundance of cheap labour, and probably for that
reason its cultivation has never been permanently estab-
lished here.
Sturgeon's Electro-Magnet,
1825 (see p. 292).
CHAPTER XIII
THE PREMIUMS — (Concluded)
(1754-1851)
Optical Glass — Microscopes — Standards of Weights and Measures —
Saccharometer — Hydrometers — Tachometer — Counters — Stur-
geon's Electro-magnet — Smee's Battery — Plumbago for Electro-
deposition — Drawing Instruments, Surveying Instruments,
Surgical Apparatus, and Philosophical Instruments — Gas-making —
Residual Products — Gas-holders and other Apparatus — The Life-
boat— Life-saving Apparatus — County Maps — William Smith's
Geological Map — Horwood's Map of London — Steel Engraving —
Paper-making — Printing — Lithography — Basket-making and the
Supply of Osiers — Straw-plaiting — William Cobbett — Leather
Manufacture — Saving Life from Fire — Uninflammable Fabrics —
Fish Supply — Curing Herrings — Miscellaneous Awards.
DOLLOND'S invention of the achromatic telescope in 1758
(for even if he was anticipated by Moor Hall, Dollond
was an original inventor) rendered necessary the production
of glass, especially flint glass, of great purity, perfectly
homogeneous and free from striae. Not only was improve-
ment in the quality of the glass required, but large discs
were wanted for astronomical refractors. With this object
the Society offered prizes for optical glass in 1768. Two
such prizes were proposed — one of £60 for a sample of
optical glass not less than 20 Ib. in weight, " fit for those
purposes for which flint glass is used in achromatic tele-
scopes," and a second of £20, for glass " suitable for the
general purposes of opticians." The minutes of the com-
mittee at which the proposal was discussed do not give
any further particulars, nor has any record been found
to show with whom the proposal originated. It is possible
that the committee hoped to obtain glasses which in com-
2S6
OPTICAL GLASS— MICROSCOPES 287
bination would prove achromatic for all the colours in
different parts of the spectrum, and so to get rid of the
" secondary spectrum " or " residual dispersion," which
can never be entirely abolished by the use of two kinds of
glass only, though the Jena factory has recently produced
glasses which go near the attainment of this end. It is
also evident, from the stipulated weight of the specimen,
that the committee had in view the production of larger
discs than could at the time be manufactured. At all
events, the committee wisely drafted their proposal in very
general terms, so as to cover any possible improvements
in the manufacture.
Two prizes were awarded — £30 to Abraham Pelling in
1770, and £40 to Richard Russell in 1771 — but no practical
result followed, and the offer of prizes was not continued
after 1779.
It was indeed many years before the need was supplied.
The French Academy also offered prizes for perfect discs
of optical glass, but without any better success than the
Society of Arts. The first to produce such discs was
Pierre Louis Guimand, a Swiss watchmaker, about 1790.
He was afterwards (1805) associated with Fraunhofer,
and on his discoveries are based all the great modern
improvements in the production of large discs for refract-
ing telescopes. For any serious improvement in the
character of the glass itself we have had to wait till our
own times, since it is only within the last twenty years
that the Jena laboratory has furnished the makers of
optical instruments with glasses in which high refractive
power is combined with low dispersion, and high dispersive
power with lower refractivity.
Henry Baker, the microscopist, was one of the founders
of the Society, but this does not seem to have led him to
propose any premiums for improvements in the microscope.
Nor, indeed, had any such offers been made, could they
have had much practical result, since it was not until
the achromatic object-glass had been perfected that the
modern microscope came into existence. Fraunhofer
seems to have been the first to make an achromatic
288 THE PREMIUMS
objective of any practical use (about 1816), and this was
very imperfect, for five years later ( 1 82 1 ) M. Biot expressed
the opinion that " opticians regarded as impossible the
construction of a good achromatic microscope." l Dr.
Wollaston also thought that " the compound microscope
would never rival the single." However, in 1824 satis-
factory objectives were independently produced by
Chevalier, in Paris, and by Tulley, in London, and the
development of the microscope went on apace. The use
of high powers necessitated the provision of rigid stands,
and gradually led to the invention of the various mechanical
devices for accurate focussing, and for imparting minute
movements to the object, as well as all the other details
of construction, which have brought the instrument
to its present perfection. In the third and fourth
decades of the nineteenth century, prizes for various
improvements in the microscope were awarded to Varley
(1831), Powell (1835 and 1841), Goadby (1835), and Ross
(i837).2 The Transactions about the same time contain
other communications on the subject. Hogg, in his
book above referred to, attributes the Society's action
to the influence of Edward Solly,3 who, he says, " has
been the means of making its Transactions, since 1831,
the vehicle through which nearly all the improvements
in the construction of telescopes and microscopes have
been made known to the world."
In 1782 a gold medal was offered for " a cheap and
portable transit instrument which may easily be converted
into a zenith sector, capable of being accurately and
expeditiously adjusted for the purpose of finding the
latitudes and longitudes of places." This prize was
continued till 1819, but without any result. The transit
instrument was invented in 1690 by Olaus Romer, the
great Danish astronomer, who was the first to measure
1 The Microscope, Jabez Hogg (1855), p. 8.
2 For the prize ofiered later for a cheap microscope, see Chapter
XVI, p. 390.
3 It was really R. H. Solly, F.R.S., not Edward Solly, to whom this
credit was due. See Cornelius Varley's paper on the Microscope,
Transactions, vol. xlviii. p. 400.
TRANSIT INSTRUMENT— STANDARDS 289
the velocity of light by observing the eclipses of Jupiter's
satellites. The first transit instrument was set up at
Greenwich in 1721 . It is not very obvious why this prize
should have been offered, except that the great improve-
ments in accurate timekeepers, resulting from the work of
Harrison, Arnold, and the other skilful chronometer-
makers of the time, rendered possible the use of more
accurate astronomical instruments, and thus created a
demand for them.
In 1774 a gold medal was offered for an invariable
standard of weights and measures, and it was pointed out
in the notice of the offer that previous suggestions for the
determination of a standard by means of the pendulum
had not been successful. The first of these suggestions
was made by Picard in 1671 , who proposed that a pendulum
beating seconds should be employed, and that one-third
of its length should be adopted as the standard foot.
Nevertheless, the only two candidates who received any
awards both proposed to use the pendulum, and both
submitted devices which could only give results of
moderately approximate accuracy. One of them, Hatton,
a watchmaker, who received thirty guineas in 1779, speaks
of his apparatus as correct to the twentieth of an inch,
though he proposes to employ an adjusting screw to ensure
even greater accuracy ! Fifteen years later, in 1794,
Dr. More, the secretary, submitted a communication to
the Society,1 in which he very sensibly deprecates a
reference to natural constants for the construction of a
standard, and proposes the accurate copying of the then
existing pound, preserved at the Exchequer. It seems
likely that More was led to publish his paper by the
attempts then being made by the French National Assembly
to fix on a theoretical standard. In 1790 they passed a
decree adopting a system of measures based on the seconds
pendulum, but in the following year they abandoned the
pendulum, and decided to base their standards on a
quadrant of the meridian. When the Republic was pro-
claimed this proposal was confirmed, and the one ten-
1 Transactions, vol. xii. p. 292.
20
29o THE PREMIUMS
millionth part of the arc of the meridian from the Pole
to the Equator, was, as is well known, declared to be the
metre or standard of length for France.
Dr. More really anticipated the course of our own
legislation on weights and measures, which has simply
ordained the accurate copying of certain ancient examples,
and has declared that these copies are the actual standard
weights and measures of the country. Practically the
French Government have had to do the same thing, for
the metre is not a fractional part of the earth's meridian,
but the length of a certain platinum bar, preserved in
Paris, just as our yard is the length of a certain bar (or
rather the distance between certain marks on that bar)
preserved in London.
The premium was only continued for a very few
years. It is exceptional, inasmuch as it was open to
" persons residing in any country whatever." Had the
prize been continued for another 120 years or so, it would
therefore have been available for the very beautiful
suggestion, made about twenty years ago by Professor
A. A. Michelsen, that the length of the metre might be
stated in terms of the wave-lengths of red light.1
In 1777 a gold medal was offered for a method of
measuring " the degrees of sweetness in saccharine sub-
stances." This does not seem to have meant a saccharo-
meter, but some means of establishing a standard of
sweetness. Nothing came of this offer, which was con-
tinued for some time, and then abandoned, nor is it con-
ceivable that such a standard could be set up. It was
soon after this, in 1784, that the brewer's saccharometer
was first introduced by Richardson, of Hull. It was a
form of Martin's hydrometer, which indeed had been
used in brewing in 1768. It had a scale adapted for the
use of brewers, and was indeed merely a hydrometer
which indicated the difference between water and wort,
water containing a percentage of saccharine matter.
1 Valeur du metre en longueurs d'ondes lumineuses. Paris (1894).
Chaney's Weights and Measures (1897), p. 23.
HYDROMETERS— TACHOMETER 291
Richardson's calculations are said not to have been quite
correct, but sufficiently so for practical purposes.
The hydrometer in its modern form was described by
Robert Boyle in the Phil. Trans. 1675. It remains the
same in principle, but has been improved in details, and
has been fitted with weights and various scales to adapt
it to liquids of different specific gravities. In 1771 a
prize was offered for an instrument to measure the strength
of spirit, and in 1781 a silver medal was awarded to Matthew
Quin for his hydrometer. In 1790 a second silver medal
and twenty guineas were given him for an improved instru-
ment, the principal feature of which was a sliding scale to
adapt it to different temperatures. Other awards were
made, the latest in 1820, but Quin's appears to have been
the most important instrument recognised by the Society.
Two gold medals were at different times awarded to
the eminent mechanical engineer, Bryan Donkin ; one, in
1 8 10, for his tachometer, and one, in 1819, for his counting
machine. Mr. Donkin was for long a Vice- President of the
Society and Chairman of its Committee on Mechanics.
He was the leading mechanician of his time, and was best
known for his share in the completion and construction of
Fourdrinier's paper-making machine. It can hardly be
doubted that he would have received some recognition
for this also from the Society, if the machine had not
been the subject of a patent.
The tachometer was so named by himself, and was
intended, in his own words, " for indicating the velocity
of machines." According to the description in the
Transactions,1 it was meant to indicate the varying velocity
of machines rather than to measure their speed. This it
did by means of a rotating cup filled with mercury, to
which motion was given from some part of the machine.
The spinning of the cup caused the level of the mercury
to sink at the centre and to rise at the rim. The variations
of level were indicated by the rise and fall of a column of
spirit in a glass tube, the lower end of which was immersed
in the mercury.
1 Transactions , vol. xxviii. p. 185.
292 THE PREMIUMS
The counter would appear to be the original form of the
now well-known device in which a train of wheelwork
indicates on a series of dials for units, tens, etc., the
revolutions of any spindle. Two arrangements are shown,
both working by ratchet-gear, and indicating by clock-
hands on a single dial.1
The award in 1825 of a silver medal and thirty guineas
to W. Sturgeon, for " Improved Electro-Magnetic
Apparatus," is of extreme interest, because the account of
his apparatus contributed by Sturgeon to the Trans-
actions,2 proves him to have been the inventor of the
electro-magnet. The whole subject has been very care-
fully worked out by Professor Silvanus Thompson,3 who
quotes a letter from Dr. Joule to Mr. Angus Smith, in
which that great philosopher says : "I have sifted Mr.
Sturgeon's claims to the utmost. I have examined all
the periodicals likely to throw light on the history of
electro-magnetism, and find that Mr. Sturgeon is, without
doubt, the originator of the electro-magnet, as well as the
author of the improved electro-magnetic machine. The
electro-magnet described by Mr. Sturgeon in the ' Trans-
actions of the Society of Arts for 1825 ' is the first piece of
apparatus to which the name could with propriety be
applied. . . . To Mr. Sturgeon belongs the merit of pro-
ducing the first electro-magnet constructed of soft iron."
Dr. Joule also states that Sturgeon was " without
doubt the constructor of the first rotary electro-magnetic
machine," the inventor of the commutator, and the first
to use amalgamated zinc plates in batteries.
Professor Thompson reproduces the pictures of
Sturgeon's electro-magnets from the Transactions, and
expresses the regret, which all interested in the subject
must share, that the actual instruments given by the
inventor to the Society's museum have not been pre-
served. He also, in an appendix, gives a very full account
of Sturgeon's life and researches. Like so many other
1 Transactions, vol. xxxvii. p. 116. 2 Vol. xliii. p. 37.
3 The Electromagnet, by Silvanus Thompson, F.R.S. (2nd Edition,
1892), pp. 2-9, and Appendix A, p. 412.
STURGEON'S ELECTRO-MAGNET 293
inventors, Sturgeon never received in his lifetime either
the recognition or the reward he deserved. After his
death his discoveries were utilised and developed by his
successors, whose increased knowledge enabled them to
realise the value of researches which his contemporaries
were not sufficiently well informed to appreciate.
Two years previously, in 1823, a similar award had
been made to James Marsh, the chemist, whose discovery
of the well-known test for arsenic has been noticed in the
preceding chapter,1 and with whom Sturgeon had been
for some time associated. In the note appended to
Sturgeon's communication to the Transactions, attention
is drawn to several points in which Sturgeon's apparatus
is considered superior to that of Marsh.
The award of a gold medal in 1840 to Alfred Smee
for his galvanic battery was certainly well deserved. A
convenient source of electrical energy was then much
wanted, and Smee's cell was a great advance on all its
predecessors. It was fairly constant, moderately cheap,
of high electro-motive force, free from fumes, and readily
put in and out of action without loss or waste.
The negative element was a thin sheet of platinised
silver, the platinum being deposited as a fine adherent
powder on the surface of the silver, which had previously
been slightly roughened. This plate was supported
in a light wooden frame between two zinc plates which
formed the positive element. The exciting fluid was
diluted sulphuric acid.
Smee's battery came into very general use for experi-
mental work, and was for long used and greatly appreci-
ated. A well-known and popular writer on electrical
matters said, in 1875, after the battery had been in use for
over thirty years, that it was " one of the most valuable
gifts ever made to electrical science." 2
The now universally used method of obtaining a
conducting surface for electro-deposition by means of
plumbago was the discovery of Robert Murray, and for it
he received a silver medal and ten pounds in 1841 . In his
1 Chapter XII, p. 282.
* ].T. Sprague, Electricity (1875), p. 91.
294 THE PREMIUMS
paper in the Transactions,1 he says that Edward Solly was
the first to obtain a conducting surface on a non-conducting
material by the use of nitrate of silver, and he goes on to
describe his own process, which is identical with that now
used. In fact, the instructions he gives describe in every
detail the present method.
In the later volumes of the Transactions are to be
found descriptions of a great variety of instruments which
received rewards of different value from the Society.
Many of these are obsolete, many contain the germs of
appliances since improved and perfected, some are now
familiar. Drawing instruments, " perspectographs," etc.,
are numerous. Amongst these may be mentioned the
ordinary child's " transparent slate," which now common
toy received a gold medal in 1814, as a valuable means
of teaching writing. There are several ellipsographs
(including those devised by Farey, Cubitt, Clement, and
Hicks), Ross's first spherometer (1841), with a central
axial sliding rod, mounted in a truly-turned supporting
ring, afterwards perfected by the substitution for the ring
of a frame with three supporting points. Surveying
instruments, sextants, and their predecessors, quadrants
and octants, appear in the lists. Surgical and dental
instruments are also fairly numerous. The list is a very
long one. As to the value of its contents, only an expert
in each class could speak with confidence, but its immense
variety, at all events, bears testimony to the catholicity
of the Society's objects and operations in the first half of
the nineteenth century.
After the application of gas for illuminating purposes
by Murdock in 1792, we find a few prizes offered and
awarded for improvements connected with gas-lighting.
In 1797 a prize was offered for a " substitute for tar,"
but though the offer remained open for many years, it
does not seem to have attracted any competitors. This
is remarkable, because the production of tar from coal
had been known and practised for a considerable period.
1 Vol. liii. part ii. p. 10.
GAS AND ITS BY-PRODUCTS 295
In 1 68 1 letters patent had been granted to John Joachin
Becher and Henry Serle for " a new way of makeing
pitch and tarre out of pit coale." These inventors were
followed by several others, amongst them the Earl of
Dundonald, who had a patent for obtaining tar and other
products from coal.
In 1810, B. Cook, of Birmingham, described a process
for the distillation and utilisation of gas-tar, which he
said was at the time a waste product, though consider-
able amounts were made in the production of gas, and
the coking of coal.1 The tar, Cook stated, was superior
to the " common tar " for paying ships' timbers. The
more important part of the communication related to a
method of distilling the tar, from which a " liquor or
volatile oil " (light oil) was obtained, and a " residuum "
(pitch) " equal to the best asphaltum." He had varnish
made from the pitch and the light oil, and sent in a sample
of work treated with the varnish. For this paper, which
was certainly among the early practical proposals for the
utilisation of the by-products of gas-manufacture, Cook
received the very inadequate reward of a silver medal.
Cook, however, had been anticipated by Winsor,
whose patent specification of 1 804 refers to the production
and utilisation of various by-products from gas-making.
Still, Cook's paper is full of interest, as he appears to
have been an original worker and to have achieved a
considerable measure of practical success.
In 1808 a silver medal was given to Samuel Clegg
" for his apparatus for making carbonated hydrogen gas
from pit coal, and lighting factories therewith." The
apparatus included a gasholder of the form now generally
employed, of which Clegg was apparently the inventor.
He was apprenticed to Boulton and Watt, and was in
business in Manchester as a builder of steam-engines.
He was the inventor of the gas-meter, which he patented
in 1815, but (probably because it was the subject of a
patent) he did not submit it to the Society. In 1819 a
gold medal was given to John Malam for improvements
on Clegg 's original meter.
1 Transactions, vol. xxviii. (1810), p. 73.
296 THE PREMIUMS
It is worth mention that the well-known telescopic
gas-lamp, or chandelier, which is in common use up to
the present date, was invented by William Caslon, who
received a silver medal for it in 1817. Caslon was one of
the well-known family of type-founders, being the grand-
son of the original William Caslon who started the business.
He sold his share of the type-founding business and started
another in Sheffield in 1819. The drawings in the Trans-
actions 1 show a chandelier identical with the most modern
form, with sliding tubes, water-slide and counter-balance
weights.
In the year 1802 a gold medal and a grant of fifty
guineas were given to Henry Greathead, of South Shields,
for the invention of the lifeboat. There seems very little
doubt that Greathead was the builder of the first practical
lifeboat, but it is uncertain how far the actual invention
was due to him. The subject has been very carefully
and exhaustively worked out by Sir John Lamb in a
paper on the lifeboat, which he read before the Society
in ipio.2 Sir John Lamb considers that Lionel Lukin,
of Long Acre, not Greathead, should have the credit of
having made the first lifeboat, and that the prizes and
rewards should have been given to him. In 1785, Lukin
took out a patent for an " unimmergible boat." Nothing
very much seems to have come of Lukin 's invention,
though in the year that he took out his patent he converted
a coble into a safety-boat, which was afterwards employed
at Bamburgh, Northumberland, in saving life from ship-
wreck. Lukin 's boat was fitted with a cork gunwale
and airtight cases at the end. Another inventor was
William Wouldhave, of South Shields.
In April 1789, the Brethren of the Newcastle Trinity
House had before them a proposal to station a boat per-
manently at the mouth of the Tyne for the saving of ship-
wrecked persons. A committee was appointed to con-
1 Vol. xxxv. p. 162.
2 Journal, vol. Iviii. p. 354. The paper, with some additions and
many fresh illustrations, was republished in 1911 under the title of
The Lifeboat and its Work.
LIFEBOATS 297
sider suggestions for the construction of a suitable boat,
and to this committee both Wouldhave and Greathead
submitted models. Neither was adopted, but Greathead
who was a skilled boatbuilder, was instructed to build
a boat, which he seems to have done, partly carrying
out his own ideas and partly those of some of the members
of the committee.
The various claims of the three inventors have long
been the subject of discussion, and are never likely to be
settled. But it is clear that Greathead 's was the first
practical lifeboat, and the credit of its construction has
generally been allotted to him. Besides the awards from
the Society, Greathead received a grant of £1200 from
Parliament, and 100 guineas each from the Trinity House
and from Lloyd's, besides various other rewards.
A little earlier than this, attention had been directed
to means of saving life from shipwreck by methods for
effecting a communication between stranded ships and
the shore. In 1792 the Society had given a " bounty "
of fifty guineas to John Bell (then a sergeant, but after-
wards a lieutenant in the Artillery), for a method of throw-
ing a rope from the ship to the shore.1 But a great
improvement upon this was brought before the Society
sixteen years later, when Captain Manby received a gold
medal 2 for his device for establishing communication
from the shore to a stranded ship by the use of a mortar
by which a line was thrown. The apparatus itself was
devised in 1807, and was successfully used in the follow-
ing year at the wreck of the brig Elizabeth. It was
reported upon favourably by the Board of Ordnance,
and before many years were over it was in extensive use
1 Transactions, vol. x. p. 203 ; vol. xxv. p. 135. It is interesting to
note that among the most recent improvements in devices of this sort
is a proposal for sending a line from the ship to the shore by the usual
rocket apparatus. As ships are usually wrecked on a lee shore there
are obvious advantages in starting the communication down-wind from
the vessel, instead of from the shore in the teeth of the gale. Bell's
mortar apparatus was too heavy and clumsy to be carried on board
ship, but this objection would not seem to apply to modern rocket
apparatus.
2 Ibid. vol. xxvi. p. 209.
298 THE PREMIUMS
all round the coast. After some twelve years' experi-
ence, the invention had been used so successfully, and
had saved so many lives, that a Committee of the House
of Commons recommended a payment to Manby of £2000.
The invention is still widely used in this and in other
countries, but for many years past rockets have been
substituted for the original mortar.
Other inventions of the same character were also
rewarded by the Society about the same time, but none
of them have stood the test of experience in the same
way as Manby 's well-known apparatus.
In 1776 a silver medal was given to Shipley, the
originator of the Society, for a lighted buoy for saving
life at sea. As the invention does not seem to be either
specially valuable or remarkably original, it may, perhaps,
be assumed that a certain friendliness of feeling dictated
the award, as respect for his memory may have led to the
publication of a description of the apparatus in the Trans-
actions 1 a few years after the inventor's death. A similar
feeling may justify its mention now.
In the last half of the eighteenth century a great
number of county maps were published. Their issue
may without much doubt be traced to the offer by the
Society of a prize of £100 for the map of any county on the
scale of an inch to the mile. In justification of this state-
ment it may be said that, of the county maps mentioned
by Gough in his great work on " British Topography,"
published in 1780, as being issued or in hand at that
date, nearly all appear to be of a later date than 1762 ;
and the same may be said of a list of such maps, which
has been most obligingly placed at the disposal of the
writer by Sir H. George Fordham, the great authority on
this subject. Speaking of the survey of Yorkshire, which
1 Vol. xxv. (1807), p. 94. This life-saving device was evidently an
old hobby of Shipley's, for in the minutes of one of the earliest
meetings, 2/th November 1754, it is recorded that — "A model of a
Float was produced by Mr. Shipley, contrived by himself, to preserve
the Lives of them that fall overboard at Sea, it was ordered that
Enquiries be made of Persons skilled in Sea Affairs."
COUNTY MAPS 299
was carried out by Thomas Jefferys, the well-known
cartographer, Gough says : " Jefferys undertook this,
and other such surveys, in consequence of a premium
of £100 offered by the Society of Arts for a county
map." Jefferys died in 1771 ; and this may account
for his never having received a premium. After his
decease the map was purchased and published by Robert
Sayer.
This prize of £100 l was first offered in I7S9, though
it was not included in the regular premium list before
1762. To avoid needless competition, a special announce-
ment was made that the Society would accept an offer
for the production of each map, and would afterwards
pay the premium when the map was completed to its
satisfaction. The first offer accepted was for a map of
Dorset by Isaac Taylor. This was published in 1765,
and is described by Gough as a capital survey of the
county, but he adds : " This, though the most particular,
is very faulty in the place names." Whether on this
account or for other reasons, no award was made to
Taylor. There was some correspondence with him, and
the last entry is in December 1765, when the con-
sideration of his map was " postponed." The first
actual award was to Benjamin Donn, who in 1765
received £100 for his map of Devonshire. This was
engraved by Jefferys.
The offer of prizes was continued in various terms up
to 1 80 1, after which it does not appear in the premium
list, though awards were made as late as 1809. Smaller
amounts than the original sum of £100 were sometimes
paid, and in some cases medals were given instead of
money prizes. In all, an amount of £460 was expended,
besides four gold medals, three silver medals, and a
1 It was, however, but a small contribution to the actual expenditure
on the production of such maps, if we are to rely upon the statement
contained in Gough's notes on Sussex, in which a projected map of
that county on a scale of two inches to a mile, in eight large sheets,
is referred to as estimated to have cost more than ^2400 for surveying,
drawing, and engraving, and to have taken six years in execution,
four hundred subscribers at six guineas for the whole map being asked
for.
300 THE PREMIUMS
silver palette. Maps were obtained of the following
counties and districts : —
Devonshire (1765). Lancashire (1787).
Dorsetshire (1765). Hampshire (1793).
Derbyshire ( 1 767) . Sussex ( 1 796) .
Northumberland (1773). Oxfordshire (1797).
Leicestershire (1778). North Wales (1802).
Somersetshire (1783). Cardiganshire ( 1 804) .
Suffolk (1784). Shropshire (1809).
Many of these are mentioned by Gough.
For the map of Derbyshire P. P. Burdett received £100.
This map was said to have been produced under the
direction of the Rev. John Prior, of Ashby-de-la-Zouch,
who himself received a silver medal and twenty guineas in
1778 for a map of Leicestershire, which was really made
by J. Whyman, an assistant of Burdett, and was published
in 1777. Burdett also produced maps of Cheshire and
Lancashire.
William Faden, who received £50 for a map of Hamp-
shire in 1793, and a gold medal for one of Sussex in 1796,
was a well-known map-maker. He afterwards presented
to the Society a number of county maps which he had
produced.
John Cary (whose name is given as Carey in the list)
received a gold medal in 1804 for his map of Cardiganshire.
This engraver and map-seller is best known as the publisher
of the New Itinerary, a road-book which ran through
eleven editions, 1798 to 1828, but he and his successors,
G. and J. Cary, engraved and published between 1769
and 1850 a very large number of maps, atlases, and
topographical works.1
The map of Northumberland, for which, in 1773, Lieu-
tenant Armstrong received fifty guineas, is said to have
been a capital map. It was engraved by Kitchin in
1769. Lieutenant (afterwards Captain) Armstrong was
1 See John Cary, Engraver and Map-seller, a paper by Sir H. G.
Fordhara, read in 1909 (6th December) to a meeting of the Cambridge
Antiquarian Society, and published in pamphlet form. Cambridge,
1910, 8vo.
SMITH'S GEOLOGICAL MAP 301
a son of an earlier map-maker of repute, also Captain
Armstrong.
Besides the Society's prize maps, a good many other
county maps were issued. The Transactions for 1801 l
give a list of twenty-six such maps of English counties
in the possession of the Society, and some were afterwards
added. In all, about fifty seem to have been produced,
besides the great series issued by the Greenwoods ( 1 829-34).
In 1802 the Society offered three gold medals for
mineralogical maps of England, Ireland, and Scotland.
Each map was to be on a scale of not less than ten miles
to the inch, " containing an account of the situation of
the different mines therein, and describing the kinds of
minerals thence produced."
It is not reported that any of these medals were
awarded ; but the offer had the important result of assist-
ing William Smith to publish his great geological map of
England and Wales.2
William Smith is known as the father of British geology.
As Canon Bonney says of him, in his life in the Dictionary
of National Biography, " he found the key to stratigraphy
— viz., the identification of strata by their fossil contents."
Though a well-known and successful canal engineer (he
received a medal from the Society in 1805 for draining
Prisley Bog), he was a poor man, and had great difficulties
in publishing his map. He was assisted by the Society
with £50, and his map of England and Wales and part of
Scotland — in fifteen sheets, measuring 8 ft. 9 in. high by
6 ft. 2 in. wide, and on a scale of five miles to the inch,
with geological colouring — was engraved and published
by John Cary on ist August 1815, with a dedication to
Sir Joseph Banks, P.R.S. It was accompanied by a
memoir to the map (London, 1815, 4to), also published by
Cary, who, in addition to stratigraphical tables issued in
1816 and 1817, published a series of six detailed geological
sections across various parts of England (1817-19), and also ,
1 Vol. xix. p. 43.
2 An " explanation " of the map and some most interesting " ob-
servations "by Smith, are given in the Transactions,, vol. xxxiii. (1815),
p. 51.
302 THE PREMIUMS
between 1819 and 1824, twenty-one out of the full number
of the county maps in his large folio atlas (Gary's New
English Atlas, 1809), with Smith's geological colouring
and marginal notes on the strata.
In the same year (1802) as that in which the prizes for
mineralogical maps were offered, the Society also offered
a gold medal for a Natural History of any English or
Welsh county. This was to be really an account of the
natural resources of the county, " so that the public may
be enabled to judge what arts or manufactures are most
likely to succeed in such county." This information was
more effectively provided by the " Statistical Surveys " of
the counties, published by the Board of Agriculture. The
first of these is dated 1 793, so the offer of the Society seems
rather superfluous.
In 1803 the Society gave fifty guineas to R. Horwood
for his map of London. Some sheets of the map had
previously been submitted, in 1791, but the Society
declined to make any award to the work in its incomplete
state, though it passed a vote of thanks to the author.
There had been a number of maps of London published
since Ralph Aggas issued what is believed to be the first
map of the sort somewhere about 1560. Horwood's map
was certainly a considerable advance on those of his pre-
decessors, and more elaborate than any of them. It was
one of the few maps of London made from an actual
survey, carried out, as he says, by Horwood himself. All
the houses are numbered, and it is stated that the publica-
tion of Horwood's map led to the general adoption of
numbering, which had previously only been applied to a
few streets. This statement, however, does not seem to
rest on any very good authority. Not a great deal is known
about Horwood. He was surveyor to the Phoenix Fire
Office. It is said he produced his map for the use of that
office, but he makes no reference to this in the letter from
him printed in the Transactions.1
Although no actual award, beyond the thanks of the
Society, was made to Messrs. Perkins & Co. for their
1 Vol. xxi. (1803), p. 311.
BANK-NOTE PRINTING 303
description in the Transactions 1 of their process of steel-
engraving for bank-notes, it is too interesting to be passed
over. This absence of any award is doubtless due to the
fact that the process was in use in America and by private
English banks.2 It was afterwards applied to the pro-
duction of postage stamps, when the introduction of the
Penny Post in 1840 caused a demand for a large number
of identical stamps.3 Jacob Perkins, the principal of the
firm, was a very ingenious inventor, and received several
gold and silver medals from the Society. An American
by birth, he passed much of his life in England. He was
a pioneer in the use of high-pressure steam, and in this he
was followed by his son, Angier March Perkins, and his
grandson, Loftus Perkins, the last-named of whom built
several of the first high-pressure steam-engines, and
suffered the usual fate of those who are in advance of
contemporary ideas.
In the " siderographic process," as it was termed, a
soft steel roller was rolled to and fro over the surface of an
engraved steel plate, until the design was transferred to
the roller, which was then hardened, and used to produce
other steel or copper plates. From these, impressions
could be taken on paper in the usual way. As any number
of these duplicate plates could be obtained, it was possible
to produce as many identical paper prints as might be
required. In the case of bank-notes, it was proposed that
several artists of repute should be employed, each to
produce a small vignette. All these vignettes were to be
transferred to a single plate, on which also engine-turned
patterns might be engraved. Thus prints, both artistic
and complicated, would be produced, which certainly it
would be beyond the power of any forger to copy, before
the invention of photography.
From the commencement of the eighteenth century
the paper industry had been developing, but it was chiefly
concerned with the production of low-class papers. In
1 Vol. xxxviii. (1820), p. 47. 2 See also Chapter IX, p. 215.
3 Sir Rowland Hill and the History of Penny Postage, by G, Birkbeck;
Hill (1880), vol. i. p. 407.
3o4 THE PREMIUMS
the finer qualities English manufacturers could not compete
with the productions of French and Italian mills, until
about 1775 Whatman succeeded in manufacturing paper
not only equal but superior to that made abroad. As
Mr. Rhys Jenkins puts it, the " export of paper in 1775
by Whatman seems to mark a turning-point in English
papermaking." The same writer goes on to remark :
" Between 1 754 and 1 782 the Society of Arts was endeavour-
ing to promote the manufacture of high-class paper in
this country by the award of premiums and medals for
the production of paper for copper-plate printing.
The manufacture of silk-rag paper and of embossed
and marbled paper also engaged its attention." l
As Mr. Rhys Jenkins says, many prizes were offered
at different times for paper and paper-making materials,
and these were continued for many years after the date
he mentions. The first was the prize offered in 1757 for
paper for copper-plate printing, and one of the latest
that proposed, in 1830, for methods for manufacturing
paper equal to China paper. At an early date an earnest
attempt was made to obtain materials for paper other
than rags, and a prize was offered in 1790 for paper from
raw vegetable substances. In the announcement of
this it was stated that the Society already possessed
specimens of paper made from " thistles, potatoe haum,
poplar, hop binds, etc." This offer was continued for
thirty years without any addition being made to the list
of materials, but it possesses a good deal of interest,
because it was an intelligent anticipation of the course
of future progress. Now, of course, practically all paper
is made from " raw vegetable substances," that is to say,
from cellulose which has not already been made up into
some textile material. The volume of Transactions for
1823-4 (Vol. XLII.) was printed upon paper which, it is
stated in a note, was made from " pure flax." The paper
is good and is in excellent condition now, which is more
than can be said for the paper of many of the volumes.
It was really not until about 1 860 that paper materials
1 See article on " Paper-making in England (1714-1788)," by Rhys
Jenkins ; Lib. Assoc. Recordtvol. iv. pt. i. (1902) pp. 135 and 136.
PAPER-MAKING—LITHOGRAPHY 305
other than rags were generally used. About that time
esparto began to be employed to a considerable extent.
In 1856 fifty tons of esparto were imported, and perhaps
this may be taken as the beginning of its application to
the extensive manufacture of paper.1
It is rather remarkable that so little was done by the
Society for printing, in connection with which there are
practically no awards of any importance. Perhaps the
most interesting entry in this class is that of the gold
medal awarded in 1819 to Aloys Senefelder as the inventor
of lithography. The Society was a little behindhand in
this award, for the process had been perfected by the
inventor in i/pS.2
The justification for the medal being given at this
time was no doubt the fact that in the year 1 8 1 8 , Senefelder
published his Lehrbuch der Steindruckerey , and that it was
this book that really drew attention to the new art, though
before that date lithography had been applied to artistic
purposes. The first dated English lithograph is a repro-
duction of a pen drawing by Benjamin West, P.R.A. It
bears the date 1801, and was published with other similar
plates by Fuseli, Barry, and others in i8o3.3
Senefelder was much gratified with the award, and
he sent to the Society, through Mr. Ackerman, one of his
lithographic presses. In the same year that Senefelder
was thus honoured, a silver medal was awarded to C.
Hullmandel " for a lithographic drawing," and in 1829
Joseph Netherclift received £20 " for his improved methods
of making lithographic transfers."4
In 1793 an application was made to the Society by
some of the principal London basket-makers, who stated
1 See paper by Robert Johnston. Journal, vol. xx. (1871), p. 96.
2 See the introduction (by E. F. Strange) to the catalogue of the
collection of lithographs exhibited at the South Kensington Museum,
1 898-9. This collection was organised and shown by the Science and
Art Department, in response to an application from the Society of
Arts, suggesting the commemoration of the centenary of Senefelder's
invention by an exhibition of lithographs.
3 See Chapter VIII, p. 202, and Chapter IX, p. 214.
4 See Chapter VIII, p. 193.
21
306 THE PREMIUMS
that their business was almost at a standstill for want
of osiers, because " great quantities of these twigs had
annually been imported from France, and all intercourse
with that country being stopped, a sufficient quantity,
the growth of England, could not be obtained." As a
consequence of this a great number of the workmen had
been thrown out of employment. A number of prizes
for planting osiers were offered, and the result was very
satisfactory. Many landowners started osier plantations,
and numerous prizes were awarded, including a gold
medal in 1797 to Lord Brownlow, so that in 1806 the
Society was able to announce that its object had been
accomplished, and a sufficient supply of English osiers
provided. The offer of prizes was consequently dis-
continued.1
It does not appear to be known with any certainty
when the straw-plaiting industry was first introduced into
England ; but it was certainly established at Luton and
Dunstable by the middle of the eighteenth century. A
little later the Society did a good deal to encourage it.
In 1762 and the three following years a number of small
premiums were given for " chip hats like the Italian,"
and at the same time prizes were offered for straw hats like
those made at Leghorn ; but without any result.2 In
1805 a gold medal was awarded to William Corston for
making straw-plait similar to the Leghorn plait from
rye straw grown in Norfolk.3 Again, in 1822, a silver
medal was given to John Parry for the manufacture of
1 Transactions, vol. xi. (1793) P- 2&2 > v°l- xu^ (J794) P- xn* '> v°l-
xiii. (1795) p. x; vol. xv. (1797) p. 131 ; vol. xxiv. (1806) p. vii.
In one place there is a mistake in the date, 1774 being printed for 1773.
2 The superiority of the foreign production is shown by a curious
illustration. In 1810, Capt. Thomas Borrow, the father of George
Borrow, was in charge of the large prison at Norman Cross, Huntingdon-
shire, where 6000 French prisoners were confined. These prisoners used
to make and sell straw-plait, but as the quality was superior to that
made in England, the practice was forbidden, and the soldiers were
ordered to destroy all the straw-plait they found (A. Jenkins, Life of
George Borrow, 1912, p. 13).
3 Transactions, vol. xxiii. p. 223 ; vol. xxviii. p. 130,
STRAW-PLAIT
307
Leghorn plait from straw imported from Italy. In the
same year a silver medal was given to Miss Sophia Wood-
house, of Connecticut, U.S.A., for a new material for
straw-plait, which turned out to be the Poa pratensis.
Through the agency of the Society seeds of the grass were
imported, and grown here.
William Cobbett thought he saw an opportunity of
encouraging a useful industry in England, and printed an
account of what had been done in his Register. An
importer of Italian straw then applied to Cobbett to know
whether he could not get some of the American straw. The
result of this was that Cobbett set to work in his usual
energetic manner * to see if English grasses might not be
used for the same purpose, and he was successful in
utilising various native straws and grasses. In apprecia-
tion of his efforts, the Society gave him a silver medal.
Cobbett not being by any means a popular character at the
time, the award did not meet with general approval.
Edward Smith, Cobbett 's biographer, says that the news-
papers announced the award with the heading, " The
Society of Arts humbugged at last." The award was of
course perfectly well deserved, and apparently the real
objection was to Cobbett 's political views, not to the
useful work he had promoted. However, the Society
continued to encourage the industry, which it hoped might
occupy numbers of the unemployed, and for three or four
years it continued to give a number of small rewards,
varying in value from fifteen to two guineas for the
manufacture of hats and bonnets made of English
straw.2
1 Cobbett, than whom " no sturdier cudgel player had stepped into
the literary ring, since his master had published The Drafter's Letters"
(Leslie Stephen). " No man ever fought in a nobler cause, or with more
sincerity, with more persuasiveness, with more courage " (Lewis
Melville in the Fortnightly Review, April 1912).
2 A very full account of the development of the straw-plait trade
is to be found in a paper read by Mr. A. J. Tansley on ipth December
1860, and printed in the Journal of the 2ist of that month (vol. ix.
p. 69). In the discussion, the secretary (Peter Le Neve Foster)
gave a full list of the awards made by the Society from 1805 down
to 1825.
3o8 THE PREMIUMS
The manufacture of leather received less encourage-
ment from the Society than might have been expected,
considering that the industry had one of its most important
seats close to London, in Bermondsey. In the year after
the Society's formation (1755) a prize was offered for buff
leather, then principally imported. The prize was duly
awarded, and the manufacture started, with a certain
amount of success. " The Kentish Militia and some
other corps had their accoutrements made of it."1 It
does not, however, appear that the production of such
leather was continued.
The story of the introduction of the method of " Dying
leather red and yellow as practised in the East for that kind
called Turkey Leather " is rather a curious one. Dossie2
tells us that one Phillippo, " an Asiatic " who was in
England, was induced by two members of the Society to
" try, on his return to the East, to make himself master
of this and some other arts not known here, in order to
communicate them, by means of the Society, in case he
should come again to England." The Society agreed to
pay him £100 if he succeeded, and on his return to this
country with the secrets of the process, the money was
paid him, with the additional complimentary gift of a gold
medal.
The tanning industry was a long-established and
flourishing one in this country, but it was hampered by
protective legislation. Only certain materials, of which
oak-bark was the principal, were allowed to be used. This
provision was not apparently for the benefit of the tanners,
but to secure the use of proper materials, and, perhaps, to
encourage the growth of timber. As a matter of fact,
not only was the bark of timber trees used, but oaks were
grown in coppices, which were cut for the sake of the
bark alone. The Act in which this provision was included
was held to prevent the use of oak saw-dust, and therefore
a method, said to be successful, of utilising this material
could not be employed. The Society gave the inventor
£100, and protested against the clause in the Act — with
what effect is not recorded. Prizes were offered, and a few
* Dossie, vol. i. p. 170. * Vol. i. p. 230,
FIRE-ESCAPES, ETC. 309
awarded, for new tanning materials and methods, but the
list is not a long one.
A great many inventions for saving life from fire and
for extinguishing fires were rewarded by the Society.
Among the latter was an invention of Ambrose Godfrey
for extinguishing fires, which was brought under the notice
of the Society in 1760 by the inventor's son. To test
the device, a building was erected in Marylebone Fields.
On 2 ist May 1 761 , the building was set on fire, and when it
was in full blaze Godfrey's shells were thrown into the
house. According to a contemporary description, " their
explosion immediately extinguished the fire, and even the
smoke soon disappeared." This demonstration was
carried out in the presence of the Duke of York, Prince
William, afterwards William iv., Prince Henry, afterwards
Duke of Gloucester, and a numerous crowd, which was kept
in order by a guard of two hundred men.
There were also a good many fire-escapes. One of
these, for which fifty guineas were voted in 1810 to John
Davis, is practically identical with the modern fire-escape
with its telescopic ladder and carriage. In his descrip-
tion of his apparatus, the inventor says that his attention
was drawn to the subject by the death of a woman at
Chelmsford, who had fallen off a " parish ladder " when
trying to escape from a burning house.
In 1805 a prize was offered for a method of rendering
muslin uninflammable without injuring the quality or
appearance of the fabric, but though the offer was con-
tinued for many years, it met with no response.
The proposal was a very old one. As early as 1735 a
patent was granted to Obadiah Wilde, who added a mixture
of alum, borax, and vitriol to paper pulp, with the view of
producing incombustible paper. In the early part of the
nineteenth century the subject attracted the attention of
many chemists, amongst others of Gay-Lussac, who in
1830 proposed the treatment of fabrics with the carbonates
of potash and soda. Fuchs suggested water-glass. In
1 859 an elaborate paper was read to the British Association
by Versmann and Oppenheim, who gave a full account of
3io THE PREMIUMS
their own researches. An abstract of this paper, and an
account of the valuable investigations by Sir Frederick
Abel carried on from 1855 to 1 88 1 , will be found in a report
of a committee of the Society on fire prevention, published
in 1 883 -1 This gives a fairly complete history of the various
attempts to render fabrics and other materials uninflam-
mable, down to the date of its issue.
The supply of fish to London had always been a diffi-
culty, and though many attempts had been made to
bring fish by land, none of them had succeeded.2 In 1761
a scheme for the supply of the markets of London and
Westminster — a new fish-market had been started in
Broadway, Westminster, in 1752 — with fish brought up
from the coast by land was laid before the Society by
John Blake. The Society took up the proposal very
warmly, and agreed to give Blake £1500 for the purpose
of carrying it out. Eventually no less than £3500 was
spent on this scheme. The proposal was taken up with
a great deal of enthusiasm. According to a statement
in the first volume of the Transactions, Parliament also
made Blake a grant of £2000, and by the energy of the
Society an Act of Parliament was obtained by which the
tolls on fish carriage were reduced, and other facilities
granted for breaking down the monopoly in the London
fish supply which then existed.
At first the Society were very much gratified with
the result of their efforts, and they awarded Blake a gold
medal with the inscription, " Fish Monopoly Restrained."
But the practical results of the procedure do not seem
to have been very satisfactory, for in the article above
mentioned 3 it is stated that the " plan has not in every
degree answered the sanguine expectations of the Society ."
Still, it is stated that a good deal of fish had been brought
up by land, and the fish-supply of London increased.
It also appears that the Society were not quite satisfied
1 Journal) vol. xxxi. (11883) P- 687.
2 Some information about this subject will be found in Industrial
England in the Middle of the Eighteenth Century, p. 165.
8 Transactions, vol. i. p. 57.
HERRING FISHERY 311
with Blake himself, because there is evidence in the
minutes of disputes having arisen about his accounts.
A later attempt to develop British fisheries was more
successful. In 1805 a reward was offered for " curing
herrings by the Dutch method." For some years this
does not seem to have had much result, but in 1819 and
1820 two rewards of fifty guineas and £50 respectively
were paid to J. F. Denovan, of Leith, for his success in
the " curing of British herrings," and for introducing
them into the market. Two communications in the
Transactions l give an interesting account of the way in
which, after many unsuccessful attempts to get hold of
the secrets of the business in Holland, he secured the assist-
ance of six experienced Dutch fish-curers, and with their
help started to. catch and cure herrings on the west coast
of Scotland. After a good deal of trouble and various
misadventures, he was quite successful in his enterprise,
and succeeded in sending to Edinburgh and London
cargoes of herrings equal to the best Dutch. The method
employed, then as now, is merely, after gutting and clean-
ing the fish, to pack them in barrels with salt or brine.
Many other awards followed, and this was the beginning
of the Scotch cured herring trade, which developed into
an important business, and has, of quite recent years,
spread to the East Anglian fishing ports. At the present
time it is a thriving industry at Lowestoft.
In 1783 the Society proposed to deal with the ques-
tion of general education, and the following announce-
ment was made in the first volume of the Transactions : 2
" The Society, desirous to improve the present mode of
education, hereby offer the gold medal to the master of
any academy or school for boys situated within or not
more than thirty miles distant from London, who shall
within three years from the date of this advertisement
teach the greatest number of scholars, not less than four,
to write and to speak Latin in common conversation
correctly and fluently. Also the gold medal for teaching
1 Vol. xxxvii. (1819) p. 183 ; vol. xxxviii. (1820) p. 186.
2 Vol. i. (1783) p. 194.
3i2 THE PREMIUMS
in like manner each of the following languages, viz.
the German, the Spanish, and the Italian, being com-
mercial languages, not usually taught at schools in
England."
In December 1786, Dr. Egan, the master of the Royal
Park Academy, Greenwich, brought up five of his pupils,
whose ages were between eleven and fifteen, and they,
after being duly examined by the committee, were each
awarded a silver medal, the gold medal being given to
Dr. Egan.1
In its earlier years the Society offered various prizes
of a miscellaneous sort, prizes which may be taken as
evidence of the catholic nature of its objects from its
very foundation. Such, for instance, was the gold
medal for a treatise on the " Arts of Peace " offered in
1759, a time when the arts of peace must have been
less in men's minds than those of war, since the
country was engaged in fighting in Europe, Asia, and
America.
Among social and economical questions the question
of female employment crops up again and again from
1768 onwards. Sometimes a reward is offered to those
who employ the greatest number of women and girls in
specified industries. Then more general offers are made —
requests for suggestions, and so on. The general question
of want of employment also comes up, and proposals are
requested for providing employment for the poor, and for
workhouse paupers especially.
It might be thought that the question of housing the
agricultural labourer is a fairly modern one. It is certainly
an object of discussion at the present moment. In 1799
the Society offered a gold medal to the landowner who
should build in that year the greatest number of cottages
with an allotment of two acres apiece, and another gold
medal to the landlord who should apportion allotments
of two acres to existing cottages on his estate. The offer
1 An account of this examination is given in a letter from John
Symonds to Arthur Young, printed in Young's Autobiography (Edition
1898, by M. Betham-Edwards, p. 147).
LABOURERS' COTTAGES
does not appear to have attracted any response, and,
after a few years, it was discontinued.
Many years later the subject was again taken up,
and with rather more success, as will be related
later on.1
1 See Chapter XVI, p. 392, and Chapter XXI, p. 491.
Signalling by Hand, 1809 (see p. 252).
CHAPTER XIV
THE SOCIETY'S MEDALS
First proposal to offer Medals — The First Medal, Stuart's design —
Barry's suggestions — Flaxman's Medal — Smaller Medals, Isis,
Ceres, and Vulcan — The Palette — Wyon's large Medal — President's
Head adopted for Medal — W. Wyon's Head of Prince Albert — King
Edward's Head, by L. C. Wyon — The same, by Emil Fuchs — King
George's Head, by Bertram Mackennal — The Albert Medal, Prince
Consort's Head, by L. C. Wyon.
THE first prizes offered were all in money, but the Society
was hardly a year old before the proposal was made to
substitute medals for cash in some of the awards. At
the meeting held at its rooms in Craig's Court on 3oth April
1755 :—
" Some discourse arose concerning the Society's
bestowing Medals on some Occasions instead of Money,
but as nothing of that kind can take place this year, the
further consideration of it was deferred to another Time."
The idea evidently was that some " Honorary Premium"
was desirable in cases for which a money award was un-
suitable, and this idea was formally submitted to the
Society by Henry Baker on 24th March 1756. Baker's
paper does not appear in the Minutes, but it has been
preserved in one of the old guard-books. The sentiments
by which he was actuated may perhaps best be indicated
by quoting his own expression of them : —
" Whoever would lead Mankind, even to their own
Good, must take Advantage of their Passions, amongst
which the Desire of Gain, and the Desire of Esteem, are
two of the most prevailing. This Society, as far as is
at present in its Power, with due Caution and great
Judgment, applies itself to the former ; nor has it been
314
v,
*
,~* r/r, y2i ,A^;/ - <-/*
SOCIETY'S ORIGINAL MEDAL,
1757-
CERES MEDAL.
VULCAN MEDAL.
Isis MEDAL.
THE SOCIETY'S LARGE MEDAL
(FLAXMAN).
THE SOCIETY'S LARGE MEDAL
(WYON).
THE SOCIETY'S EARLY MEDALS.
To face page 314.
THE FIRST MEDAL 315
altogether forgetful of the latter ; but, with all submission,
may not your extensive and noble Views be greatly
forwarded by adverting to it a little more ?
" The Desire of Reputation and Esteem is strongest in
the most ingenious and most ingenuous Minds, and can
set those Heads and Hands to work which the Hopes of
Gain can give no Motion to. Undoubtedly your Premiums
in Money are, in general, the best Encouragement to the
Mechanic, the Manufacturer, and the Planter, and to all
the Multitude in whom the Desire of Gain prevails ; but
may we not suppose that some honorary Token of Esteem
would more effectually bring to your Assistance the
Scholar, the Philosopher, and the Gentleman of Estate ?
By many Others too it would perhaps be preferred to
Money.
"It is therefore proposed that a dye be made for
striking Medals of Gold, Silver, and Copper (with proper
Devices), to be occasionally bestowed by the Society as a
Token of Honour and Esteem on such as shall practice
or produce some new Manufacture or Discovery that may
employ many Hands, some considerable Improvement of
Public Utility, or some valuable Branch of Commerce (in
one or the other Metal), according to the Nature and
Consequence of the Improvement or Discovery ; which
Medals in Gold shall be of 5^ Value, and proportionately
in Silver and Copper ; tho', in all of them, the Honour
of being thus distinguished is the principal Object of
Regard."
This paper was referred to a committee, which reported
that they were of opinion that the giving of medals would
be of utility, and that a special committee should be
appointed to consider a proper device. This committee, of
which Baker, Nicholas Crisp, Hogarth, Henry Cheere, and
Nicholas Highmore were members, agreed upon a design,
but after it had been chased upon gold plates, and the
order given for the dies to be cut, a difficulty arose. It
had been decided that the value of the medal should not
exceed ten guineas, but when specimens of the selected
design were produced it was found that not less than
fifteen guineas' worth of gold was required. This was
316 THE SOCIETY'S MEDALS
considered too much, and the report of the committee
was referred back to them, with instructions to obtain a
new device which should only need gold to the amount
of five guineas. This, however, was not found to be
possible, and after a good deal of discussion, the com-
mittee refused to make any report. Thereupon James
Stuart, the painter and architect, well known as " Athenian
Stuart " from his studies in Greek Architecture, came to
the rescue with a design of his own, which after being
executed by Thomas Pingo, the engraver to the Mint, was
adopted. Pingo made the necessary dies and medals
were struck from them in 1757.
The design of the medal, as shown in the illustration
facing page 314, represented Britannia receiving awards
from Minerva and Mercury, " the classical tutelary deities
of Arts, Manufactures, and Commerce."
There was much discussion as to the inscription, but
eventually it was decided that the legend should be
11 Arts and Commerce Promoted." At first the date of
institution was given as 1753, but afterwards it was
changed to 1754.
Curiously enough the earlier and incorrect date was
preserved for many years when the design was adopted
for the Society's book-plate.1
The Medal was used for nearly half a century,
until the die was worn. In 1801, James Barry, while
approving the idea symbolised in the medal, criticised the
execution and proposed " to substitute instead of the
little entire figures of Minerva and Mercury, only two large
heads of those deities, and he would omit the head of
Britannia altogether, and by a wreath of the shamrock,
rose, and thistle, totally rising round the edge of the medal,
playing in and out in a graceful gustoso manner, he would
represent the present happily United Kingdom of Great
Britain and Ireland, with a felicity at least equal to the
owl, the horse's head, or the dolphin on the Athenian,
Punice, or Sicilian coins." 2
Barry's design is here reproduced from the en-
graving in his account of the pictures in the Meeting-
1 See figure, p. 161. 2 Transactions, vol. xix. pp. xxxvi-xxxix.
FLAXMAN'S MEDAL
Room.1 It is a fine vigorous sketch, evidently the work
of an artist accustomed to express himself by the strength
of his lines, rather than of a medallist.
His suggestions do not seem to have commended
themselves to the Society, and the Committee of Polite
Arts asked Nathaniel Marchand, the well-known medallist,
to prepare a design in accordance with their suggestions,
one of which was to have the President's head on the
Barry's design for the Society's Medal.
obverse, and a symbolical Society, with statues of the
" tutelary deities " on the reverse. Either Marchand
did not care for the suggestions, or he was dilatory ; but
for whatever reason, nothing came of the proposals.
Then in 1805, Flaxman was asked to furnish a design,
and he produced the very beautiful medal shown in
the plate facing page 314.
This, as will be seen, embodies Barry's ideas, and, it
may be added, justifies them. Nevertheless, the design
1 See Chapter III, p. 71.
3i8 THE SOCIETY'S MEDALS
was not adopted without some opposition from Barry's
friends, who wished that the preparation of the medal
should be entrusted to him. But Barry's death in 1806
put an end to any proposals of the sort, and no further
objections were raised to Flaxman's work. The dies
were cut by Pidgeon,1 entirely to Flaxman's satisfaction,
and from 1806 onwards this medal served as the chief
of the Society's awards. A very beautiful engraving
of the medal forms the frontispiece to Vol. xxv. of the
Transactions?1 It was drawn by Maria Denman, Flax-
man's sister-in-law, and engraved by Anker Smith.
Besides this large medal, three smaller medals were
afterwards used, the Isis Medal, designed by Thomas
Wyon the younger in 1810, the Ceres medal by William
Wyon, a nephew of the elder Thomas, in 1813, and the
Vulcan medal by George Mills in 1818. These were
given respectively for Fine Arts, Agriculture, and
Mechanics, and were often designated the smaller Society's
medal, while Flaxman's was called the larger medal.
They were struck in gold and silver.
The weight and value of the different medals is given
in a note in the Committee Minutes 3 for 1 843 : —
Large Gold, weight 3 oz., value ^13, 155.
Small Gold, weight i oz. 8 dwts., value £6, 145. 6d.
Large Silver, weight 2 oz. 8 dwts., value £i, 43. 6d.
Small Silver, weight i oz. 8 dwts., value 195.
In addition to the medals there was in the class of Fine
Arts the palette, an illustration of which is given in the plate
facing page 160. Reference to it has already been made in
the chapter on the Fine Art prizes.4 It was a miniature copy
of an artist's palette, bearing on the obverse the Society's
title, and on the reverse a scroll with the recipient's name.
It was struck in two sizes (2^ in. and 2 in. long respect-
ively), and was generally silver, sometimes gold, and
1 Probably G. F. Pidgeon, a medallist who worked at the Soho Mint
under Matthew Boulton. He is mentioned and some of his work
described in Ferrer's Dictionary of Medallists, but it is said that " no
particulars of his life appear to be known."
2 See plate opposite p. 354. 3 Miscellaneous Minutes, 1843, p. 76,
See Chapter VII, p. 160,
SOCIETY'S MEDAL, 1849-1861.
SOCIETY'S MEDAL,
1863-1900.
SOCIETY'S MEDAL,
1900.
THE SOCIETY'S LATER MEDALS.
To face page 318.
LATER MEDALS 319
occasionally silver gilt. It was devised in 1760, as a
special sort of prize to be given instead of medals or
money to youthful candidates. Later on, the restriction
to young persons was not always observed.1
When, in 1811, the " Isis Medal" was introduced,
it was intended to substitute this for the palette, but this
idea was not carried out. Both medals and palettes were
awarded for many years — in fact, as long as any Fine Art
prizes were given ; but it is not very easy to say what
was their precise relative value. At the first institution
of the medal, the two were of equal value, and the candidate
was given the option of selection. The last award of a
palette was in 1847. The Isis Medal was awarded in the
last two distributions of awards in 1850 and i853.2
In 1 820 a new die was designed and executed by William
Wyon to replace the one made from Flaxman's design,
which was worn out. It is a design of much beauty, and
of exquisite workmanship, but, in the opinion of competent
critics, not equal to Flaxman's. This die was used for
about thirty years, but in 1 849 it was found to be wearing
out, and at the suggestion of Henry Cole a new design
was adopted, with the head of the President, Prince
Albert, upon it. The die for this was also prepared by
William Wyon, and must have been one of his latest
pieces of work, for he died in 1851. Probably in conse-
quence of Wyon's death there was some delay in the
preparation of the new medal, and the old die was cer-
tainly used for striking some, if not all the medals pre-
sented in 1853, but from that date onwards the new medal
was always used, until the death of the Prince Consort.
1 There was also the " John Stock Medallion," awarded, as stated in
Chapter VII, p. 161, for Architecture, Sculpture, and Drawing. When, in
1782, arrangements were under consideration for the award of the prize
founded by the testator, it was at first proposed to strike a special
medal for the purpose, but afterwards this idea was abandoned and it
was "ordered that the medallion ... be composed of the Greater
Silver Pallet, hung on a swivel within an oval frame of the same
metal." — Minutes of Committee of Polite Arts, 22nd March 1782, 3rd
April 1782, 22nd January 1783.
2 In 1850 there were no Fine Art prizes, but th? Isis Medal was given
for some of the awards in Industrial Art, Jn 1853 it was given for
gome purely technical inventions,
32o THE SOCIETY'S MEDALS
At the election of the Prince of Wales (King Edward
vii.) to the Presidentship in 1863, his head was placed
upon the obverse of the medal. At the same time the
reverse was re-engraved ; the wreath and inscription
remained the same, but the engraving was bolder. The
die for this medal was the work of Leonard Wyon, the
successor of William.
No further change was made till 1900, when, the need
again arising for a fresh die, a new design was prepared
by Mr. Emil Fuchs, whose portrait of the Prince was
preferred by His Royal Highness. When, in the follow-
ing year, King Edward came to the throne, he authorised
the continued use of his head on the Society's medal, his
title being changed, and the word " Patron " being substi-
tuted for " President " in the inscription.
On the accession of King George v. in 1910, when he
resigned the Presidency and became Patron, he was asked
by the Council if he would allow his head to be engraved
on the medal. His Majesty consented, and expressed
his wish that the work should be executed by Mr. Bertram
Mackennal, A.R.A. An excellent likeness of the King
was modelled by Mr. Mackennal, and from it a die was
engraved by Mr. Allan Wyon, the present representative
of the firm.
Since 1853 the medal with the President's head upon
it has been the only one employed by the Society for all
its ordinary awards. It is struck in gold, silver, and
bronze ; gold for special prizes, silver for the medals for
papers, for examination awards, and for other purposes,
bronze for examination prizes, and occasionally for other
minor awards.
In addition to this the Society possesses the Albert
Medal, founded, as hereinafter stated, in 1863, to com-
memorate the Presidency of Prince Albert.1 The designs
for both obverse and reverse of this were by Leonard
Wyon, the head being intended as a likeness of the Prince
during the later years of his life, and the reverse sym-
bolical of Arts, Manufactures, and Commerce.
1 See Chapter XVI, p. 400,
SOCIETY'S MEDAL,
1901-1911.
SOCIETY'S MEDAL,
1911.
ALBERT MEDAL OF THE SOCIETY.
THE SOCIETY'S LATEST MEDALS.
To face page 320.
CHAPTER XV
THE OFFICIALS. THE "TRANSACTIONS." THE COUNCIL.
THE CHARTER
(1761-1847)
Presidencies of Lord Romney, the Duke of Norfolk, and the Duke of
Sussex — Annual Prize Distributions — The Prince Consort elected
President — The Vice- Presidents — The Committees — The Secre-
taryship of More — The Transactions — The Museum Rusticum —
Dossie and his Memoirs of Agriculture — Charles Taylor succeeds
More, and is succeeded by Arthur Aikin — Aikin and his services
to the Society — His Lectures and his Suggestions for the reading
and discussion of Papers — His Resignation and his Successor,
W. A. Graham — The Assistant Secretaries, Box, Thomas Taylor
the "Platonist," Thomas Woodfall — The Registrars, Shipley,
Tuckwell, W. Bailey, E. M. Bailey, George Cockings, Ann
Cockings — The Society's decadence — Attempts at Reform by
Thomas Webster and others — Their eventual Success — Whishaw,
Secretary, succeeded by Scott Russell — Formation of a Council —
The Charter.
WE have now considered the proceedings of the Society
during the first century of its existence, and the methods
it adopted, by the distribution of its awards, to encourage
the progress of Agriculture, Fine Arts, Industry and
Commerce in the Kingdom and the Colonies. We may
now devote a chapter to the personnel of the Society, its
officials and the principal members of its staff, its general
history, and the changes which were gradually effected in
its character and its methods.
On the death of Lord Folkestone in 1 761 , Lord Romney
was elected President, and he held the office till his own
death in 1793. From its foundation he had always taken
the greatest interest in the Society, and during his presid-
22
322 THE OFFICIALS
ency he continued to attend regularly. There is no
doubt that the Society owed a great deal of its early success
to its first two presidents.
Lord Romney's portrait, facing page i6,is the head from
the full-length picture by Sir Joshua Reynolds, painted
for the Society in 1770. It was engraved by Sherwin
for the frontispiece to Vol. in. of the Transactions, and
is now reprinted from the original copper-plate.
During Lord Romney's presidency a proposal was
made that the Prince of Wales should be elected patron,
and His Royal Highness seems to have agreed. At the
meeting of the Society on i4th December 1785, a letter
was read from Caleb Whitefoord,1 saying that the Prince
would become patron, and the proposal was approved.
However, at the meeting of the following week (2ist De-
cember) other counsels prevailed, and the consideration of
the question was " postponed," not to be revived. The
reasons for this action are veiled in what was perhaps a
judicious reticence.
Lord Romney died in November 1793, and was suc-
ceeded in the following year by the Duke of Norfolk.
The Duke had been elected a member of the Society in
May 1769, as Charles Howard, jun., his father, also Charles
Howard, having become a member in 1758. The elder
Howard became tenth Duke of Norfolk in 1777, when his
son became Earl of Surrey. The tenth Duke died in
1 Caleb Whitefoord was for long a prominent member of the Society.
He was a friend of Franklin, being his neighbour in Craven Street, and
was proposed by him in January 1762. He continued a member till
his death in 1810. He was then a Vice-President, having been elected
in 1800, and for many years, from 1786 onwards, he served as Chairman
of the Committee of Polite Arts. He was Secretary to the Commission
which concluded peace with America in 1781, but had a greater reputa-
tion as a wit than as a diplomatist. Burke described him as nothing
more than a diseur de bons mots, but he was well known and popular in
Society. He was a friend of Johnson, Goldsmith, Garrick, and Foote.
The Society possesses a portrait of him painted by an unknown artist,
and another portrait, engraved by Holl from a painting by Stuart,
forms the frontispiece of Vol. xxix. of the Transactions. He presented
Templeman's portrait to the Society, and was also instrumental in
obtaining the portrait of Shipley. A short memoir of him is included
in the preface to the volume of the Transactions above mentioned.
LORD ROMNEY— DUKE OF NORFOLK 323
1786, when he was succeeded by his son as eleventh Duke.
He was made a Vice-President in 1791, and was elected
President at the election of officers in 1 794 „
He was a man of considerable natural ability and of
independent character. He was distinctly eccentric, and
was a frequent subject for Gilray's caricatures. Slovenly
in his habits and dress, and too much addicted to con-
viviality, he was yet a liberal patron of literature and the
arts, a ready speaker, and endowed with plenty of common
sense. He was extremely popular, especially in Cumber-
land, and in the borough of Carlisle, which he repre-
sented for some time in Parliament. But he lacked self-
control, and allowed himself a licence in speech and be-
haviour for which only his great rank procured toleration.
He insulted the King, and was deprived of certain of his
commissions. At one time he was intimate with the
Prince of Wales, but they quarrelled. Their reconcilia-
tion was celebrated by the disgraceful practical joke
played upon the Duke in his old age by the Prince, and
described in scathing language by Thackeray in the Four
Georges. The Duke, himself a sufficiently seasoned toper,
was invited from Arundel to the Pavilion at Brighton,
and there made most disgracefully drunk. Readers of
Thackeray's brilliant but very one-sided essays will
remember the sorry story well enough.
He certainly did not take the same keen personal
interest in the Society's welfare as did his two predecessors,
but he made a good and attentive President, and at all
events performed efficiently the ceremonial functions of
his office. He attended regularly at the annual distri-
bution of prizes, and occasionally at other meetings
when important business had to be transacted. It was
owing to the Duke's objection to the proposal that the
resolution giving permission to Barry in 1801 to substitute
portraits of King George in. and Queen Caroline for those
of Lords Folkestone and Romney, then in the Great
Room, was rescinded.1
The Duke of Norfolk died in December 1815, and his
death was formally reported at the ordinary meeting
1 See Chapter III, p. 80.
324 THE OFFICIALS
of the Society on the 2Oth of that month. At the next
meeting, on loth January 1816, it was proposed that the
Duke of Sussex should be nominated in his stead. The
Duke was a member of some four years' standing, having
been elected in April 1811, when he paid the usual life
membership fee of £21. An extraordinary meeting was
called for ist February, and His Royal Highness was
elected by 180 votes to 24 over the Earl of Liverpool,
who had also been proposed. At the same meeting a
deputation was appointed to wait on the Duke and to
invite him to accept the presidency. The deputation was
received at Kensington Palace on the twelfth of the same
month. The Duke made a very courteous and com-
plimentary reply to the elaborate address presented by the
deputation, and accepted the office, apparently with some
gratification. He attended the next meeting of the
Society two days later (i4th February 1816), was duly
inducted into the chair, and conducted the regular business
of the meeting.
The sixth son of George m., the Duke of Sussex was a
man of liberal sentiments, genial manners, and intellectual
tastes. He took a genuine interest in art and in science,
and was well qualified for such a post as the presidency.
He liked the work, and did it well, and enjoyed acting as
figure-head on all ceremonial occasions. Afterwards (from
1830 to 1839) he acted as President of the Royal Society,
and in both offices he made himself popular. That he
should take any active share in the management of either
society was not to be expected, but he was always ready
to attend any functions which required his presence, and
discharged the duties required on such occasions with
unvarying amiability and dignity.
So far as the Society of Arts was concerned, the most
important functions for its President were the annual
dinner and the annual distribution of premiums. The
latter ceremonial was for many years held in the Society's
own room, but the attendance grew too large for the
limited accommodation, and after a good deal of con-
sideration, when it became clear, after several years'
experience of inconvenient crowding, that the meeting-
DUKE OF SUSSEX— PRINCE CONSORT 325
room was too small for the numbers attending, a move was
made in 1816 to Freemasons' Hall. In 1820 the distribu-
tion was held in the Argyll Rooms,1 and in 1822, as the
crowds still grew, Drury Lane Theatre was hired for the
occasion. It is clear that the event had become an im-
portant social function. There was a military band, a body
of stewards was organised, and a staff of policemen was
engaged. Altogether it was a very important ceremonial,
requiring not a little fuss and organisation. The secretary
was required to deliver an appropriate address — two of
Aikin's are printed in the Transactions.2
For some years these celebrations were continued at
Drury Lane or at the King's Theatre,3 but in 1829, either
the attractions of the ceremony had diminished, or the
decreasing funds of the Society rendered economy desir-
able, and it was decided to return to the more modest
arrangement of a prize distribution in the Society's Great
Room. In that year two separate meetings were arranged,
one for the prizes in Polite Arts, and the second a month
later for the other awards. In the following year a single
meeting only was held and all the prizes were presented on
the same day. This arrangement, however, was not
popular, and in 1831 Exeter Hall was engaged. The same
plan was followed for the next four years. Then for three
years (1836 to 1838) the Society went to the Hanover
Square Rooms, and in 1839, again hampered by failing
resources, it came back to the Adelphi and had its annual
distribution in its own meeting-room.
In June 1840, the Duke of Sussex proposed Prince
Albert for membership of the Society, and he was at once
elected. The Duke of Northumberland and Lord Radnor
were his other sponsors. His Royal Highness qualified as a
life member. His marriage with Queen Victoria had taken
1 These Rooms were on the east side of Regent Street, at the corner
of Little Argyll Street. They were built by Nash in 1818, and must
not be confounded with the Argyll Rooms in Windmill Street, which,
as Mr. Wheatley says in London Past and Present, acquired an " un-
savoury reputation " and had no history.
2 Transactions, vol. xxxv. p. 209 (1817), and vol. xxxvi. p. 179 (1818).
3 The King's Theatre or Haymarket Opera-House, later known as
Her Majesty's Theatre.
326 THE OFFICIALS
place in the previous February, when an address was pre-
sented by the Society to Her Majesty.
Three years later, in April 1843, the Duke died, and
it was at once determined to invite Prince Albert to suc-
ceed him. A deputation of three of the most distinguished
Vice-Presidents — the Duke of Buccleuch, the Duke of
Sutherland, and the Marquis of Northampton — was
appointed to invite H.R.H. to accept the presidency. The
Prince at once acceded, and was elected President on
26th May of the same year. He entered on his duties by
presiding at the annual distribution of awards in June.
The number of Vice-Presidents varied from time to
time. There were twelve at the end of the eighteenth
century, nearly all great noblemen, with a few distinguished
men, who took a more active share in the Society's pro-
ceedings. The numbers were afterwards increased to about
twenty, most of the additions being of the latter class,
more or less active workers, and in 1843 a distinction was
actually drawn between the " Honorary" and the "Acting"
Vice-Presidents. There were also eighteen Chairmen of
Committees, two for each of the nine Committees, which
remained unchanged for very many years. These were the
six Premium Committees — Arts, Agriculture, Manufactures,
Mechanics, Chemistry, Colonies and Trade, with three
others — Accounts, Correspondence and Papers, and Mis-
cellaneous Matters.
The paid officials were the Secretary, Assistant-
Secretary, Registrar and Collector. These, with the
President, Vice-Presidents, and Chairmen of Committees,
were all elected at the annual meeting.
Dr. Templeman 1 was succeeded as secretary by
Samuel More, who had indeed discharged most of the duties
of the office during the long illness which preceded Temple-
man's death. He held the post for over thirty years, for
he was elected in January 1769 (Templeman died in
the preceding October), and died in October 1799, at the
age of seventy-four. He was evidently a capable and
efficient secretary, keenly interested in the Society's work.
1 See Chapter I, p. 25.
SAMUEL MORE, SECRETARY, 1769-1799.
From an Engraving by W. Sharp, after the Portrait by B. West, P.R.A.
To face page 326.
SAMUEL MORE 327
He had been an active member for some ten years before
he became secretary, and seems to have been both respected
and popular. Of his private life not very much is recorded.
A short paragraph in the Gentleman's Magazine reports
his death, and in the Preface to Vol. xvm. of the Trans-
actions there are some laudatory comments on his work.
No biographical information is given, " because it is
expected that a full account of him will be prefixed to the
publication of some valuable papers which it is said he has
bequeathed to the world. " This intention, however, does
not appear to have been carried out, as no trace of such a
publication can be found.
The estimation in which he was held by the members
is shown by the fact that he was presented with a gold
medal in 1794 "For eminent services," and also by the
inclusion of his portrait in Barry's picture, " The Society."
His portrait was also painted for the Society by Benjamin
West, P.R.A., in 1796. A fine engraving of the picture
was made by W. Sharp,1 and this is reproduced in the
plate facing page 326. He contributed two papers to the
Philosophical Transactions,2 and one, on standards for
weights and measures, to the Society's Transactions ,3
besides his unsigned contributions.
He seems to have been interested in gem-engraving
and die-sinking. Before he was Secretary he received
two premiums for collections of " Impressions of Pastes
resembling Antique Cameos and Intaglios," and it is
stated in Forrer's Dictionary of Medallists that he made
-some designs " for the coinage and medals which were
engraved by Hancock." Forrer gives a cut of a pattern
halfpenny, which is also described in Crowther's English
Pattern Coins, p. 45, and in Montagu's Copper Coinage, etc.,
1885, p. 63. The name is misspelt Moore, but it is stated
that the designer was the Secretary of the Society of Arts.
1 William Sharp (1749-1824), " One of the most celebrated of English
line engravers " (Bryan).
2 " Some Scoriae from Iron Works," Philosophical Transactions
Abr. vol. xv. p. 182 (1782); "Account of an Earthquake felt in the
Northern Part of England," ibid. vol. xvi. p. 176 (1787).
3 Transactions, vol. xii. p. 292.
328 THE TRANSACTIONS
It was during More's secretaryship that the Transactions
were commenced. The need of some permanent record
of the Society's proceedings was recognised at a very
early date. It was obviously of little use to stimulate
invention or to reward progress, unless full information
of the results obtained could be made public. The
Society soon became possessed of a good deal of valuable
information contributed by the competitors for the
awards, and this it was at first proposed to publish in an
Historical Register, arrangements for the preparation of
which, it appears from the minutes, were on several
occasions discussed. Instructions were given to Templeman
to prepare such a Register, and two MS. volumes are in
existence, apparently bound at a later date, and entitled
Dr. Templeman 's Transactions. These, however, consist
merely of extracts and compilations from the minutes, a
copy of the 1759 premium list, the Rules and Orders, a
list of members elected from April 1755, to April 1758,
and similar matter. There are only two documents of
any importance. One is a manuscript copy of the
pamphlet published in 1721, containing a proposal for
the formation of a London " Chamber of Arts," referred
to in the first chapter.1 As no copy of this pamphlet, so
far as the present writer is aware, has been preserved,
Dr. Templeman's MS. copy is of interest. The scheme
suggested is so much like that of the Society, that it
looks as if Shipley, or some one of the founders, was familiar
with the proposal. There is also a copy of a draft charter
for an Academy of Arts without any date. This was no
doubt the draft submitted to the Society in 1755 by Sir
Henry Cheere, but not approved. It is very full and
complete, but the scheme was one for an Academy of Arts,
not for an industrial Society, such as was really in the
minds of the founders of the Society of Arts.
On the whole, it is fairly evident from the contents of
these volumes that if Dr. Templeman had been able to
complete and publish his Historical Register, it would not
have added very much to the information available about
the Society's early years.
1 See Chapter I, p. 6.
EARLY PUBLICATIONS 329
According to a statement by Arthur Young,1 a good
many of the communications made to the Society were
published as pamphlets, in the book De Re Rustica,2 in
the Gentleman's Magazine, or in other periodicals. De-
scriptions of some of the machines rewarded by the
Society are to be found in an illustrated work entitled
The Advancement of Art, Manufactures, and Commerce, or
Descriptions of the Useful Machines and Models contained
in the Repository of the Society, published in 1772, by
William Bailey, who was then Registrar to the Society.
Various references to this book have already been made.
It is a quarto volume with a collection of fine illustrations
in folio. In 1782 another edition was issued by A. M.
Bailey, who succeeded his father as Registrar in 1773.
It is in two volumes, folio. The book is of some value,
as it contains accounts of several pieces of apparatus not
elsewhere described, and the illustrations, mostly drawn by
A. M. Bailey and W. Bailey, jun., are very good. William
Bailey received a bounty of 50 guineas in 1 769 for this work.3
The first publication, however, which regularly pub-
lished a selection from the proceedings of the Society was
the Museum Rusticum et Commercial, a monthly journal,
of which six volumes were issued, each containing six of
the monthly parts. This commenced in 1764 and came
to an end in 1766. It had no official connection with the
Society, but it provided a means of publication for some,
at all events, of the more important and interesting
matters which were brought before it, though it was by
no means restricted to the Society's proceedings.4
This casual and unofficial method of publication
1 Farmer's Letters (2nd ed. 1771), vol. i. p. 256.
2 De Re Rustica, or the Repository for Select Papers in Agriculture,
Arts and Manufactures, London: 2 vols. 8vo. 1771.
3 Some further information about the book is given in Ch. XI, p. 239.
4 Two of the chief contributors to the Museum were Arthur Young
and Robert Dossie. Young states in his Autobiography (edition of
1898 by M. Betham-Edwards, p. 33) that the Farmer's Letters
consisted of his scattered papers in the Museum Rusticumy which, at
the suggestion of the Rev. Walter Harte, he republished, with additions,
in a volume. Dossie contributed several articles signed " Agricola,"
and possibly other papers.
330 THE TRANSACTIONS
proved unsatisfactory, and its failure suggested to Robert
Dossie, an active member of the Society, the production
of a similar work which should contain such memoirs as
the Society desired to publish, together with other con-
tributions, and also selections from the published pro-
ceedings of foreign societies devoted to the Arts and
Sciences. An arrangement was entered into between
Dossie and the Society, under which he undertook to
publish, and they to provide, such communications as
seemed suitable to both parties. With this understanding,
Dossie started his Memoirs of Agriculture and other
(Economical Arts, the first volume of which was published
in 1768, and contains a resolution, passed by the Society
in June 1767, to the effect that they " will occasionally
publish in this Work such Pieces as they shall think proper
to lay before the Public." It is entirely made up of the
Society's proceedings, and begins with a list of all the
awards, other than those in Polite Arts, up to the end of
1767 ; next follows a brief statement of the Society's
receipts and expenditure to the same date ; and after this
is a well-written and excellent account of the Society's
proceedings, presumably prepared by Dossie himself.
This occupies the greater part of the book, and it is in
these pages that the whole early history of the Society
is to be found. The last hundred pages contain seven
articles, all but one devoted to agricultural subjects, the
one exception being an account of the methods for dyeing
Turkey leather, for disclosing which a reward had been
granted to one Phillippo.1 This first volume was followed
by two others, Vol. n. in 1771, and Vol.iii.in 1782. The
later volumes contain a few articles besides those con-
tributed by the Society, and are for the most part devoted
to agricultural subjects. Vol. in. continues the list of
awards down to the year 1776, and also gives a complete
list of the premiums in Polite Arts down to the same year,
with some useful biographical notes about the prize-
winners. Dossie 's intention of continuing the general
history of the Society was, unfortunately, never fulfilled,
and, indeed, it is probable that it was interrupted by his
1 See Chapter XIII, p. 308.
DOSSIE'S MEMOIRS OF AGRICULTURE 331
death, which happened certainly not later than 1783.
The catalogue of the Advocates' Library gives 1777 as
the date, but this can hardly be correct. ^In Vol. n.
of the Society's Transactions (published in 1784) he is
referred to as " the late Mr. Dossie," and the preface
to Vol. in. of the Memoirs of Agriculture (1782) is signed
by him.
Not very much is known of Robert Dossie, who was
certainly a skilful chemist and an accomplished writer.
He was a friend of Dr. Johnson's, and almost the only
reference to him which appears in contemporary literature
is to be found in Boswell : —
" Johnson was well acquainted with Mr. Dossie,
author of a treatise on agriculture, and said of him, ' Sir,
of the objects which the Society of Arts have chiefly in
view, the chymical effects of bodies operating upon other
bodies, he knows more than almost any man.' Johnson,
in order to give Mr. Dossie his vote to be a member of
the Society, paid up an arrear which had run on for two
years.'' 1
There is a short and inaccurate notice of him in Donald-
son's Agricultural Biographies, and beyond this there
seems nothing beyond scattered references in the Society's
records, and his own books. He was the author of
several works on chemistry, and he was connected, as
a contributor, if in no other way, with the Museum Rusti-
cum. He received a gold medal from the Society in
1766 for " aiding to establish the manufacture of potash
in North America,"2 and before this, in 1761, he had re-
ceived a grant of £100 for his method of purifying oil.3
As he was a member at the time this would appear to
have been irregular, as members were not eligible for
money prizes , but the grant was made in consideration of
the expenses to which he had been put in experimenting,
and no doubt this was considered sufficient justification.
He was a candidate for the office of secretary in 1760,
1 Boswell' s Life of Johnson, Birkbeck Hill's Edition, 1887, vol. iv.
p. ii. Dr. Johnson paid two years' subscriptions on 25th March 1760.
Dossie was elected on 2nd April of the same year.
* See Chapter IV, p. 87. 3 See Chapter XII, p. 282.
332 THE TRANSACTIONS
when Dr. Templeman was elected, and it was after his
failure to secure this office that he became a member,
He was an active and useful member of the Society,
and a frequent attendant at its committees.
It may have been Dossie's death, and the consequent
discontinuance of the Memoirs of Agriculture, that
brought to a head the proposals for a regular series of
Transactions. Valentine Green claimed the credit for
carrying the proposal through, and from the minutes it
appears that the final decision to publish transactions was
due to his efforts, but Arthur Young, apparently with
justice, claims to have originated the idea. In his Auto-
biography he says,1 under the date 1772: "This year
I attended very much the meetings of the Society for the
encouragement of Arts, Manufactures, and Commerce, as
well as the Committee of Agriculture, of which I was
chairman. In a letter from Mr. Butterworth Bayley, he
lamented the want of a respectable publication by the
Society of Arts, and called on me to think of some means
of remedying the misery. When I became chairman of
the Committee of Agriculture, I was the first to propose
that annual publication which afterwards took place.
This proposition was at once acceded to, and Valentine
Green, the engraver, had the impudence to assert that
it originated with him."
In this Young probably refers to his remarks above
referred to in the Farmer's Letters of 1771, in which
he dwells very earnestly and with much force on the
necessity of the Society publishing Transactions, and
points out that the value of the premiums, though in some
cases they are " truly munificent," is greatly lessened by
the absence of any published record. When the Trans-
actions began to appear Young spoke of them very
favourably in his Annals, and took the opportunity
of praising the Society's work generally, as he ve^
often did.2
The first volume of the Transactions was published
1 Autobiography of Arthur Young (ed. by M. Betham-Ed wards),
1 898, p. 59.
2 Annals of Agriculture^ vol. ii. p. 323.
THE SOCIETY'S PUBLICATIONS 333
in 1 783.* It compares rather unfavourably with Dossiers
skilful compilation. The original papers are neither
numerous nor important, and the bulk of the volume is
made up of mere official records, necessary but insufficient
by themselves. Subsequent volumes show a marked
improvement, and the records of the Society's proceedings
bear a more reasonable proportion to the purely official
matter. The series was continued to 1844, when it
ceased with Vol. Lv.2 Up to 1830 an annual volume
was published, but from that date to 1843 (Vols. XLVIII.
to LIV.) each volume consisted of two annual parts.
Vol. LV. contains only the proceedings of a single session,
that of 1 843-4. In 1 848, a few years later, an attempt was
made to start a new series, and a volume was published
purporting to contain the proceedings for the sessions
1846-7 and 1847-8. It is a handsome quarto volume,
containing some good illustrations, a selection of papers
read before the Society, and the Charter. This was
eventually treated as Vol. LVI., though on the title-page
(which bears the date 1852) it is called a " Supplemental
Volume." In December 1851 a volume called Vol. LVII.
was published, containing the proceedings for the session
1850-1. It corresponds in form with the original series,
and is in no sense a continuation of Vol. LVI. After this
no further Transactions were published.
In 1845 there was commenced the issue of a publica-
tion called the Abstract of Proceedings. This was published
weekly during the session while meetings were being held.
At first it consisted only of a few octavo pages of notices
and general information about the Society, but from 1 848
onwards it contained abstracts of the papers read. A
little later it was entitled Weekly Proceedings, and in this
form it continued till the end of the session for 1851-2,
1 Vol. in. was printed by John Walter at the "Logographic Press."
He applied for the contract for Vol. iv. but did not get it. The Minutes
record rather fully the negotiations with Walter, who replied to a
question as to whether he considered he had any claim to another
order, that he would show no "bad temper " if he did not get it.
2 A general index to the contents of previous volumes of the Trans-
actions is given in Vols. xxvi. (1808), XL. (1823), and L. (1836). At the
end of Vol. vm. there is a Catalogue of the Library.
334 THE OFFICIALS
the last number being dated i7th July 1852. The
number for i2th June contains a note stating that the
Council were considering the publication of " a stamped
weekly Journal/' and with the new session the Journal
of the Society of Arts was started. The first number of the
Journal was published on 26th November I852.1
After the death of More in October 1799, the usual
steps were taken for the election of a new secretary.
Amongst the candidates who applied, besides Charles
Taylor, who was successful, were included the Rev. Ed-
mund Cartwright, the inventor of the power-loom, and
Valentine Green.2 Valentine Green had for very many
years taken a leading part in the Society's affairs, but he
had been involved in a very serious loss by the failure
of his scheme for publishing a collection of prints from
the pictures in the Dusseldorf Gallery. It was no doubt
this which made him apply for the secretaryship, as it
afterwards led him, on the foundation of the British
Institution in 1805, to accept the office of its Keeper.
The committee, which subjected all the candidates to a
severe catechising, rejected Green but recommended as
qualified Taylor, Cartwright, and another.
Cartwright submitted a special memorial of his quali-
fications, which was afterwards published 3 in a volume
together with some further information relating to his
improvements in the steam engine, and his mechanical
inventions. Much of the matter it contains was incorpor-
ated in the memoir of his life afterwards published by his
daughter, Mary Strickland. His qualifications were con-
1 For some account of the origin of the Journal, see Chapter XVI,
P- 373-
2 Valentine Green (1739-1813), the well-known mezzotint en-
graver, was a member of the Society from 1772 till his death. He was
one of the most regular attendants and took an active share in its
proceedings. He was Chairman of the Committee of Polite Arts from
1780 to 1786, and Chairman of the Committee of Correspondence and
Papers from 1787 to 1797. In 1773 he received a gold medal " For
repeated services."
3 A Memorial read to the Society of Arts . . . With an Appendix."
1800.
CHARLES TAYLOR— ARTHUR AIKIN 335
siderable, for his experience not only of textile machinery
but also of agriculture, was very great. He received three
medals from the Society, a silver medal in 1 803 for a plough,
a gold medal in 1816 for a horse gear, and a gold medal in
1817 for experiments on manures. Shortly before the
date of the election, Cartwright withdrew, and this left
the field practically open for Taylor, who was elected by
a large majority in February 1800.
Taylor was a competent chemist, and, according to
his statement to the committee, he was known to almost
all the chemists in Europe. He informed the committee
that he was the inventor of a method of calico printing
" by wooden cylinders and sliding metallic cylinders."
He also claimed to have furnished the Government with
valuable information on indigo, which had led in the
eight years from 1789 to 1797 to an increase in the value
of the export of indigo from the East Indies from £i 10,000
to £558,000. Taylor was for some time engaged in the
cotton manufacture in Manchester, but, as the short
notice which appeared in the Transactions after his death
states, " the opulence which flowed so exuberantly to
many of his fellow-townsmen did not find its way to him."1
He was also among the first to utilise Berthollet's discovery
of the applicability of chlorine for bleaching, and was said
to be " the first to produce for sale in the Manchester
market an entire piece of calico bleached by oxy-muriatic
acid." His death took place in 1816, after sixteen years'
service. He appears to have devoted himself energetically
to his duties, and to have made an efficient secretary,
without being a man of scientific eminence.
Arthur Aikin,who succeededTaylorin the secretaryship,
had, even when he was elected in February 1817, though he
was then only about thirty-four years of age, acquired a
much greater scientific reputation than his predecessor.
He had already been one oi the founders of the Geological
Society, which was established in 1807, and had published,
in connection with his brother Charles, a dictionary of
chemistry and mineralogy and some other works. From
1 8 1 1 he had been honorary secretary of the Geological
1 Transactions, vol. xxxv. (1818) p. 8.
336 THE OFFICIALS
Society. He was an accomplished chemist, and was
familiar with several branches of industrial chemistry.
He told the committee, on his examination for the post of
secretary, that he was then occupied in drawing up patents,
and in advising on scientific matters. He had also a
very considerable knowledge of metallurgy, and was a
good botanist. He was the eldest son of John Aikin, M.D.,
a brother of Lucy Aikin, and a nephew of Mrs. Barbauld.
His father was a friend of Priestley, and it was his associa-
tion with that distinguished philosopher that led Arthur
Aikin to the study of science. He was first intended for
the Unitarian ministry, but he abandoned this idea in
early life, and devoted himself entirely to science. He held
the office of secretary for twenty-three years, and after
his resignation in 1839 he became chairman of the Com-
mittee on Chemistry. He also became the first treasurer
of the Chemical Society, which was founded in 1841 at a
meeting held in the Society's room, and afterwards (1843-
45) its President.1 He was never married, and died in
1854.
To Aikin was certainly due the initiative of a change in
the Society's methods, which ultimately had the result of
turning the Society from a purely premium-giving body
into one whose main object became the dissemination of
information about the industrial arts and sciences, and the
publication of new discoveries and inventions of an
industrial character. The change was not effected during
Aikin 's secretaryship, but it was certainly completed
before his death, though that completion was effected by
other hands than his. The foundation was laid by his
proposal that courses of lectures on manufactures should
be organised, and arrangements made for the reading and
discussion of papers at the evening meetings.
So far as the lectures were concerned Aikin not only
suggested that they should be given, but gave them him-
self. From 1829, when the scheme was first started, to
1The first regular meeting of the Chemical Society was held on
3Oth March 1841. After this, for some time, its meetings were held
fortnightly at the Society of Arts' House. See Gentleman's Magazine
(N.S.), vol. xv. pt. i. p. 527.
ARTHUR ATKIN, SECRETARY, 1817-1839.
From a Daguerreotype.
To face page 336.
ARTHUR AIKIN 337
1842, after he had resigned the secretaryship, he continued
to deliver, year after year, excellent and well-illustrated
courses on various branches of manufacture. The subjects
were very varied. They included glass, pottery, paper-
making, furs, tanning, silk, sugar, artificial lighting, timber,
horn and tortoiseshell, and other equally divergent topics.
At first practically the whole of the work was carried
out, and very efficiently carried out, by the secretary,
though after two or three years Aikin only gave annually
one or two of the " illustrations," and the bulk of the work
was taken over by others. The lectures were much ap-
preciated, and did something to keep up the waning popu-
larity and reputation of the Society. Aikin received no pay-
ment for the work, and a proposal in 1831 to present him
with a gold medal was not carried, though the award was
fully merited, and might well have been given. There is
nothing in the minutes to show why the proposal was not
adopted, but it appears that Aikin himself declined it, on
the ground that he was an officer of the Society. At all
events, a vote of thanks was substituted, couched in very
warm and complimentary terms. Before he resigned his
office, however, a testimonial was presented to him, in
the form of a valuable microscope, with an inscription testi-
fying to the esteem in which he was held, and to the value
at which his services to the Society were rated. The
instrument is now in the possession of his grand-nephew.
Moreover, he got his gold medal eventually, for when he
retired in 1839 it was voted to him unanimously, and he
was also made a life member. Few compliments could
have been better deserved, for during his twenty- two
years' service he devoted himself earnestly to the Society,
and it was certainly no fault of his that his single-minded
efforts were not entirely successful. In after years his
labours bore fruit, and he lived long enough to see their
results.
Even more important as regards its permanent effects
wasthe substitution of papers and discussions at the ordinary
meetings for the mere consideration of inventions compet-
ing for prizes. There is no definite evidence in the records
to prove that this change was Aikin 's doing, but there is
23
338 THE OFFICIALS
not much doubt that it was due to his initiative. Among
the suggestions made in 1828 for rendering the meetings
more attractive was one that, instead of confining the
discussions to inventions submitted for awards, a notice
should be issued that the Society would welcome communi-
cations of interest on suitable subjects for reading and
consideration only. Such papers had indeed always been
received, and, if considered worthy, printed in the Trans-
actions. As far back as 1784, Daines Harrington made
two interesting communications to the Society, one on silk
and one on tobacco, and both were published in the second
volume of the Transactions. But such papers were rare,
and it was considered to be contrary to the spirit of the
Society to invite them, because it looked like holding out
an oifer of a prize and so prejudging the decision of the
members. It was, however, realised that publication
was often more important than the grant of a medal, and
that many inventors and students would welcome the
chance of publishing their ideas who would not care to
enter in competition for a prize, or might, for various
reasons, not be eligible if they did. Accordingly a notice
was issued in the Transactions for 1829, that papers would
be received for reading and publication only. The pro-
posal proved popular, and before long such papers were
found to be among the most important contributions
to the annual volume. The system gradually developed,
until in another ten years we find that the reading of such
papers came to be the most important business of the
meetings, as eventually it became the most important
business of the Society. And when, as we shall see later,
the whole proceedings of the Society were reformed, a
special committee was appointed to secure suitable papers.
At first they were only printed in abstract, but even in
this form they are interesting, and among them are many
communications of importance.
It was in May 1839 that Aikin sent in his resignation,
but he did not actually retire till the beginning of the new
session in the autumn. In December, W. A. Graham was
elected as his successor, but he only held office for three
years, for he resigned in December 1842
THE ASSISTANT SECRETARIES 339
During the period covered by the secretaryships of
Templeman, More, Taylor, and Aikin, there were many
changes in the staff of the Society. As previously stated,1
Box became assistant secretary on the appointment of
Templeman as secretary. He held the office till 1779,
when he retired from failing health, having served the
Society in various capacities for twenty-three years. Till
1 771 he also acted as collector, but he then gave up that part
of his duties, no doubt in consequence of his health, which,
it appears, was but feeble for some years before he actually
resigned. He was succeeded as collector by Abraham
Brockelbank, the man who was first appointed (Thomas
Dawson) being discharged after a few months, because he
was unable to find the necessary security. As assistant
secretary Box was followed by Richard Samuel, who was
elected in May 1779. He died in the summer of 1787,
and was succeeded by John Samuel, presumably a relation,
who was first appointed temporarily to do the work, and
was formally elected in November 1787. He served for
a little over ten years, and died just before the annual
election of officers in March 1 798, when the post of assistant
secretary was left vacant. Bowman, the collector ,| was
engaged to fill the vacancy, pending the regular appoint-
ment of a new assistant secretary, and in April 1798
Thomas Taylor was elected.
Taylor, known as the " Platonist," was distinctly an
eccentric character. He was an ardent student of the
Greek philosophers and of mathematical philosophy,
though he was absolutely unqualified either by aptitude
or education to appreciate either branch of knowledge. He
was the son of a London stay-maker, and was born in 1758.
Though he was at St. Paul's School for three years, he does
not seem to have profited much by the teaching he got
there. After serving as an usher in a Paddington school
he obtained a clerkship in Lubbock's Bank, and appears to
have eked out his moderate financial resources by literary
hackwork. Being lucky enough to have an annuity of
£100 left to him, he gave up his clerkship, and applied for
the assistant secretaryship. He held the post for seven
1 See Chapter I, p. 23.
340 THE OFFICIALS
years, till November 1805, when he resigned on the
ground of ill-health. He wrote in a very desponding tone
about his health, but recovered, and lived for another
thirty years, devoting himself assiduously to the work of
translating and expounding the writings of the ancient
philosophers. " His equipment for this enterprise left
much to be desired. Critical faculty he had none. No
doubt of the historic personality of Orpheus or the
authenticity of the hymns ascribed to him ever crossed his
mind ; the mystical neo-Pythagorean mathematics he
esteemed the true science, which the Arabians and their
European successors had corrupted. . . . But with an
ardour which neither neglect nor contempt could damp, he
plodded laboriously on until he had achieved a work never
so much as contemplated in its entirety by any of his
predecessors." l This is rather a hard saying, but it
appears to be justified. Still, Taylor seems to have been a
kindly and amiable character. Although he was, and
probably always will be, regarded as a half-crazy enthusiast,
he had many friends, and appears to have been much liked.
The list of his translations and dissertations occupies nearly
three columns of the Dictionary of National Biography,
so he was a most laborious and industrious author. The
best, perhaps, that can be said of his writings is that they
were voluminous. They were certainly but little appreci-
ated when they were written, and the lapse of time has
added neither interest nor value. He died in 1835.
When Taylor resigned, his post was temporarily filled
by John Taylor, who was apparently a relation, perhaps
his son, as he is spoken of as " Mr. Taylor, jun.," and
in February 1806, Charles Combe was appointed. He
held the post for less than a year, for he resigned in
January 1807, and in the following March Thomas Wood-
fall was appointed. He was a son of William Woodfall,
a brother of Henry Sampson Woodfall, the publisher of
Junius's Letters , and the conductor of the Public Advertiser.
William was a journalist and reporter, endowed with an
extraordinary memory, on which he relied for his reports.
1 Life of Taylor, by J. M. Rigg, in the Dictionary of National
Biography.
THE ASSISTANT SECRETARIES 341
Thomas Woodfall had a printing business, which he was
allowed to retain after he became assistant secretary, and
he seems to have done some of the Society's printing. He
continued in the Society's service till I842.1
When, in October 1760, Shipley resigned the office
of Registrar (the title is always spelt " register "), he was
succeeded by E. G. Tuckwell, who continued in office till
1766. On his resignation William Bailey was appointed.
His excellent account of the machines and models in
the Society's collection has already been mentioned >2
He died in January 1773, and the post was given to
his son, Alexander Mabyn Bailey. He held it for six
years, but resigned in March 1779 to avoid discharge.
He seems not to have given satisfaction, and the Society,
for some reason, disapproved of his action in bringing out
a second edition of his father's book, or, at all events, in
soliciting subscriptions for it. This second edition was,
however, duly brought out, and, so far as the work itself
goes, it is a credit to the Society.
He was succeeded by a man whose name was associated
with the Society for nearly eighty years. George Cockings
Was appointed porter in November 1765, in place of a man
discharged for accepting a gratuity of £5 from a candidate
for a premium. In 1777, when Brockelbank died, he suc-
ceeded him as collector, and when A. M. Bailey resigned, he
was appointed registrar. He had wished to offer himself
for the post in 1 766, but this had not been permitted. His
election as registrar took place in May 1 779, at the meeting
when Richard Samuel was elected assistant secretary.
Before he entered the Society's service, Cockings had
held some small Government appointment in Boston,
North America. He is noticed in various biographical
dictionaries (including the Dictio nary of National Biography)
on the ground of his having produced certain inferior
poems and dramas. Of most of these the present writer
is not in a position to offer any opinion, as he has not
felt it his duty to study them, but one particular epic,
" Arts, Manufactures, and Commerce," written in 1766,
no doubt in the first flush of satisfaction at being ap-
1 See p. 349. 2 See Chapter XI, p. 239, and Chapter XV, p. 329.
342 THE OFFICIALS
pointed porter, he has sampled, and he can only express
a regretful belief that the very contemptuous opinions of
the critics of his other works are probably fully justified.1
But Cockings was a better official than he was a poet.
He worked himself up from a very humble post to a
responsible position. In one capacity or another he
served the Society well for thirty-seven years, and he
evidently gained the esteem and approval of his employers
long before his death in February 1802.
For some years previous to his death he had been
assisted in his work by his daughter, Ann Birch Cockings,
and she was appointed his successor, with the title of house-
keeper, but practically with the same duties as her father.
This office she held for forty-two years, till her death in
February 1844. She was evidently a very remarkable
woman, endowed with great force of character, and it is
quite clear that during the later years of her life she practi-
cally ruled the Society. Tradition records that she had a
1 It may be but reasonable to give readers an opportunity of judging
for themselves. The following extracts are fair specimens, and are
selected because of the courage they show in compelling the muse to
treat subjects generally held to be beyond her competence : —
" On Principles of Skill (well understood,)
With plain intelligible Aptitude,
To polish Glass, a "new Machine comes forth,
(Whose future Trials may proclaim its Worth ;)
'Tis work'd by windy Pow'r, or watry Force,
Or by a circumambulating Horse :
Two diff'rent Ways the Crank, the Runner guides,
As o'er a subject Plate it gently glides ;
By other Cranks, some Polishers are made
At first t' advance, and then turn retrograde ;
And as they o'er the Spheres, and Basons pass,
Polish the convex, and the concave Glass."
And again : —
"Efford contrives a Rod, by Rules of Art,
For Mensuration of th' internal Part
Of any Cask, which gives th' exact Contents,
Better than any other Instruments :
Inserted thro' the Bung, compactly shut,
And thro' the Liquid perpendic'lar put,
By an expanding Pow'r, 'tis open thrown,
Both Bung, and Length, at once are truly shown."
THE REGISTRARS, ETC. 343
bitter tongue as well as a strong will, and she was appar-
ently a lady of some humour. She is said to have retorted
to an importunate applicant who wanted to interview
the secretary, that " one old woman ought to do as well
as another." The story may serve to show the view
she took of her own duties, and of her relation to the other
officials of the Society. She became eventually, in name
as well as in fact, registrar and librarian, as well as house-
keeper, and if she never assumed the title of secretary,
she probably did her share even of the secretary's work.
Apparently a truculent and masterful old lady, she was
an earnest and devoted servant, who was appreciated
and esteemed by the masters whom she ruled. When
she died, they subscribed for a monument in Kensal
Green " in grateful remembrance of the perfect integrity
and the constant and zealous diligence with which she
performed the duties of her office." * The Society
possesses her portrait, a work of moderate merit, by Miss
E. A. Drummond.2
Aikin was certainly the most accomplished secretary
the Society had had since the death of Templeman, but
this did not prevent the Society's decline during the term
of his office. This is not to say that he was in any way
to blame for the result. Indeed it appears from what
has been said above that he realised that the time had
come for a change in the Society's methods, and he did
his best to initiate such a change. There is good authority
for believing that he in later life stated to his brother and
his nephew that he could never get his ideas properly
supported by the influential members of the Society,
and the history of the years immediately following his
resignation renders the accuracy of such a statement
not only probable but obvious. It is very likely that
he was not specially endowed with those qualities which
go to make a good man of business, but he was a man of
refined and cultivated intelligence, who had also the
gift of making himself liked by those with whom he had
1 Transactions, vol. Iv. (1845) P- xvi-
2 See Chapter VIII, p. 174, and Appendix III.
344 THE SOCIETY'S REVENUES
to work. Still the fact remains that at the end of his
secretaryship the influence and reputation of the Society
had reached a very low point. Its resources had fallen off
and the number of its supporters had seriously diminished.
As a matter of fact, the Society's revenues had
been for some years decreasing. Its period of greatest
prosperity had been in the first ten years of its existence.
The largest amount subscribed in any one year was in
1763, when a sum of £4614 was collected. In succeeding
years we find a gradual falling off, till at the end of the
century the average income was about £2000. In 1804
a careful examination was made into the Society's financial
condition, and an analysis of receipts and expenditure for
the seven years ending with 1803 is given in one of the
volumes of committee minutes. From this it appears
that the annual receipts just balanced the annual expendi-
ture, there being a trifling surplus, about £150, on the
results of the seven years' work. At this date about
£50,000 had been expended in premiums since the Society's
foundation. For the next quarter of a century the income
fluctuated about this same figure of £2000, with a tendency
to decline, and then it began to drop, till we find that
the balance-sheet for the year ending June 1837 shows a
total revenue of only £1235, and a debt of nearly £300.
After this things went from bad to worse, until, as we
shall see later on, the Society was reorganised, and its
affairs again put on a prosperous and satisfactory footing.
The causes for this unfortunate condition of an institu-
tion which had for long been so prosperous and so popular
were no doubt various. The political and economic
state of the country may have contributed. For long
after the end of the Napoleonic wars there was serious
industrial depression, and this must have reacted on a
Society whose main objects were industrial. Also it had
to contend with the competition of many similar institu-
tions. By the end of the first half of the nineteenth
century there had been founded the Royal Academy, the
Linnean, Geological, Chemical, Agricultural, and Geo-
graphical Societies, the Royal Institution and the London
Institution, the Institutions of Civil Engineers and of
CHANGES IN THE SOCIETY 345
British Architects — all occupying ground once left to the
Royal Society and the Society of Arts. But it is certain
that the main factor was the obsolete character alike
of the Society's objects and of the manner in which they
were carried into effect. Its constitution badly needed
reform, and until that reform was effected, as it was a
few years later, the Society remained incapable of useful
work, and was consequently not likely to receive public
support.
The idea of encouraging industrial progress by the
award of prizes, useful at a time when practical applications
of science were unknown, and invention required all the
artificial stimulus it could get, was out of date. As the
distribution of such prizes was obviously ineffective, people
were less ready to provide money for them, and so the whole
scheme came near collapse. Besides, had the scheme
been sound, the manner of its administration was in-
effective. The whole business of the Society was carried
on in open meetings, which all members had a right to
attend, and at which consequently the attendance was
always varying. The natural result was that the less
work there was to do, the greater was the expenditure
of time and talk.
Much time was occupied in discussing the proper way
of transacting business, and in making elaborate regula-
tions to that end. The story goes that Lord Brougham,
on one occasion attending a meeting of the Society, went
off with an outspoken declaration as to what he hoped
might be his final fate if he ever wasted his time with a
Society that spent all its time in discussing " rules and
orders/' Thus was lost to the Society the energy after-
wards expended in promoting the Society for the Diffusion
of Useful Knowledge and the Social Science Association,
two institutions which owed much to Lord Brougham's
exertions.
To such a serious condition had the Society's affairs
come, that at the first meeting of the session 1841-42, the
Committee of Accounts reported that it had practically
used up all its available resources, that its revenue was
insufficient to meet its expenditure, and that of its accumu-
346 THE COUNCIL
lated funds only some £400 was available to meet future
deficiencies. A special committee was at once appointed
to consider the position of the Society and to suggest
" means by which the Society can be rendered more
efficient, both as regards its objects, management, and
constitution." The chairman of the committeewas Thomas
Webster,1 and its appointment was the beginning of the
much-needed reforms which he, and a small party of which
he was the leader, eventually succeeded in bringing about.
This committee, which was only appointed on i7th
November, produced at the meeting of 15th December
an excellent and exhaustive report, one characteristic of
which was its extreme candour, and another the clear
insight it showed into the causes of the Society's decay.
Two passages are worth quotation : —
" Among the causes which have contributed to the
present state of the Society the most prominent appears
to be the want of an efficient governing body to direct the
general proceedings and the internal regulations, upon the
proper control of which the success of every society so
much depends.
" From the period when the Society was established
to the present time, the system pursued has differed from
that of all other societies instituted for the promotion of
science and art, in which a council or committee of general
management has always been considered essential.
' The want of a superintending council was not for
many years perceived or felt. But with the rapidly
spreading taste for useful knowledge and scientific pursuits,
other societies arose of a popular character, and the
consequences soon became apparent in the diminished
1 Thomas Webster (1810-75), afterwards Q.C., and an eminent
patent lawyer. At this time he had only lately been called to the Bar,
after acting for two years (1837-39) as Secretary of the Institution of
Civil Engineers. Associated with him in the reform of the Society
were Edward Speer, George Bailey, J. Scott Russell (the eminent
engineer, afterwards Secretary), John Bethell, Joseph Woods (architect,
geologist, and botanist), and William Tooke, solicitor. Thomas
Webster's second son, Richard, afterwards became Lord Alverstone,
L.C.J., and he has followed his father's example by his devotion to
the interests of the Society.
PROPOSALS FOR REFORM 347
funds of this Society, whose great object is the promotion
of the useful arts rather than the personal gratification
of its members."
" Another prominent cause has been the withdrawal
of active members from the committees, the consequence
of which has been a want of confidence in the decisions
and a falling off in the number and value of the reports of
the committees. These, and other causes combined, have
led to a decline in the interest of the weekly meetings,
the proceedings of which are now principally confined to
discussions of rule and order, accounts and other matters,
not tending to promote the interest of the Society."
After some very judicious remarks on the wide field
open to the Society, notwithstanding the competition
of newly-instituted societies with more specialised objects,
in the application of science to the arts and manufactures,
it goes on to suggest the formation of a governing body
or council, to consist of the chairmen of the six principal
committees, the president, two vice-presidents, and
two treasurers. The three other committees would be
abolished, their duties being transferred to the council.
Among the various other suggestions made in the report,
certainly the most important are that the principal object
of the Wednesday evening meetings should be the reading
and discussion of communications on the arts and manu-
factures of the country, and that the exclusion of patented
inventions from awards had been " extremely detrimental
to the interests of the Society."
However, when this very judicious report was sub-
mitted to a general meeting of the Society in the following
January (1842), it met with distinct opposition. Eventu-
ally most of its proposals were disapproved, and after a
good deal of argument another committee was appointed,
which in its turn reported advising a number of economies,
the result of which must certainly have been the winding-up
of the Society for good and all. One of these suggestions
was that there should no longer be a salaried secretary,
but that the office should be placed in commission, its
duties being discharged by a committee of five members.
348 THE COUNCIL
Graham, the secretary, promptly resigned his office, and
things appear to have got into a general muddle. Webster's
committee was reappointed, and they prepared a report
practically on the same lines as their previous one. This
time they took the precaution of submitting it to the
President, the Duke of Sussex, who cordially approved it,
adopted it as his own, and sent it as such to the general
body. It was, of course, accepted without much further
demur, and in April 1843 it was finally adopted. In the
following month a resolution of thanks to Webster was
passed, which shows that, in spite of what seems to have
been merely factious opposition, the Society appreciated
his labours on their behalf. This was the last service
rendered by the Duke to the Society, for he died in the
same month, April 1843. It was, however, no trifling one,
for it enabled the necessary reforms to be effected, and thus
helped to start the Society on a new and prosperous career.
Part of the committee's work was to provide for the
immediate carrying on of the regular work of the office.
They therefore recommended that a temporary arrange-
ment for filling the office of secretary should be made, and
at their request Webster undertook to find a suitable person.
He had but lately resigned the office of Secretary of the In-
stitution of Civil Engineers, and was therefore thoroughly
familiar with the ordinary routine of a society's work.
At a meeting of the Miscellaneous Matters Committee, in
January 1843, he produced a letter from Francis Whishaw,
an engineer, who was then known principally as the
author of a volume published in 1 840 on The Railways of
Great Britain and Ireland, in which Whishaw offered to
act temporarily as secretary on the terms proposed — two
guineas a week, together with the use of certain of the
rooms in the secretary's house. This offer was accepted,
and Whishaw was appointed. At the annual election,
in April 1843, Whishaw 's name was placed on the balloting
list, and he was duly elected at a salary of £150 a year
and a house.
Among other recommendations of the committee was
included one to the effect that it was not desirable to
continue the office of assistant secretary, and notice was
CHANGES IN THE STAFF 349
given to Woodfall, in March 1843, tnat his services would
be dispensed with, but that his salary would be paid until
the end of the session, and that he would have an addi-
tional grant of £ i oo . A very complimentary vote of thanks
was also passed to him at the annual meeting, and he was
presented with a set of Barry's etchings, a gift which at
the time was made by the Society to various people to
whom it was desired to pay a compliment. Woodfall at
first protested, but eventually expressed himself as entirely
satisfied, although he said that it was with very great
regret that he gave up a post which he had held for
thirty-seven years. He appears to have discharged all
his duties efficiently. On several occasions additional
grants were made in augmentation of his salary, which was
always on a moderate scale.
For some months Whishaw carried on the work without
assistance, but in October 1844 he was authorised to
engage somebody to help him, and he engaged S. T.
Davenport, then a young man of twenty-one. Davenport
developed into a very valuable and trusted official, for
he served the Society in various capacities for over thirty
years till his death in i8?6.1
Whishaw held the secretaryship for nearly two years,
until November 1845, when he wrote that he wished to
resign, as he had accepted some other work which would
prevent his giving proper attention to that of the Society.
This work appears to have been an appointment in con-
nection with Prosser's wooden railway.2 At tr;e same time
he stated that Mr. Scott Russell was willing to undertake
the work of secretary, and proposed that he should be
1 See Chapter XVI, p. 366.
2 This was a scheme for the use of wooden rails, which it was thought
would be cheaper than rails of iron. The inventor was William Prosser,
the Secretary of the Metropolitan Railway Company, who took patents
out for his invention in 1843 and l844- An experimental line was laid
down on Wimbledon Common. Although favourably reported on by
Major-General Pasley, Inspector-General of Railways, the scheme never
came into practical use. Prosser himself did well out of it, for his
rights were purchased by the London and South- Western for £20,000.
He also received £32,000 from an Irish line. A full account of the
system will be found in the Engineer, 5th January 1900, p. 9.
350 THE COUNCIL
nominated jointly with himself. This offer was accepted,
and Scott Russell was appointed. At the annual election
in the following year, in April 1846, Scott Russell was
elected secretary, Whishaw being elected corresponding
secretary. In 1 848 he was made auditor, and after this his
official connection with the Society terminated ; but he
had been elected a life member on his resignation of the
secretaryship, and he continued to take an interest in the
Society's work. The chief thing for which he is to be
remembered is that he originated the idea of holding ex-
hibitions, first on a small scale in the Society's rooms, and
afterwards in the form of a national exhibition of industries.
A full account of this work will be found in the chapter
dealing with the early history of the 1851 Exhibition.1
Although, both before and after his connection with
the Society, Whishaw appears to have been fully occupied
in work associated with the construction of railways and
of electric telegraphs, his career was, on the whole, not a
fortunate one. In later life he seems to have suffered
a good deal from illness, and eventually he died, in October
1856, in Marylebone Workhouse.2
The most important reform, however, suggested by
Webster's committee was that a Council or managing
committee should be appointed, which should have full
control of the Society's business, thus taking it out of the
hands of the general body, and this was really the crux
of the whole business. Though the change was greatly
disliked by the excellent persons who had found amuse-
ment and occupation in the control of the Society's affairs,
the reform had been passed, and, in order to carry it into
1 See Chapter XVII, p. 403.
2 A full biography of Whishaw is given in the Proceedings of the In-
stitution of Civil Engineers, vol. xvi. p. 143. The account of his connec-
tion with the Society requires a little modification, for it attributes to
Whishaw's efforts rather more importance than is actually their due.
It does not mention his unhappy end, about which, however, there
is no doubt. It is recorded in Boase's Modern English Biography
(1901), vol. iii. p. 1306, and in the Gentleman's Magazine (November
1856, p. 642). The facts have also been verified by the Clerk of the
Marylebone Board of Guardians, who, at the request of the writer, very
kindly made a search in the records of the Marylebone Workhouse.
FIRST MEETING OF THE COUNCIL 351
effect, a complete revision of the old rules and orders of the
Society was necessary. Such a revision was made, and in
December 1845 new rules and regulations were passed,
establishing a managing committee or Council, and giving
that body the necessary powers. It was to consist of the
chairmen of committees, together with a certain number
of elected members. The first meeting of the Council was
held on 6th December 1845, with Edward Speer in the
chair. For the first few months of its existence the
Council seems to have had no regular chairman, but after
its election, at the annual meeting in March 1846, Edward
Speer and George Bailey l were elected chairmen, and this
arrangement was repeated in 1847 and 1848.
The Council very soon got into active work, and the
wisdom of the change became evident. Its proceedings,
however, and the many useful alterations it introduced
into the work and the character of the Society, will be more
fitly considered when we come to deal with the history of
the Society after the grant of a Royal Charter, the obtain-
ment of which was one of the first matters with which the
new council dealt.
It is rather remarkable that no steps had ever before
been taken towards making the Society a chartered body,
although, as will be remembered, the suggestion that a
charter should be applied for was one of the very earliest
matters considered. Whether the original proposal con-
templated a charter for the Society in its original form, or
a charter for an academy of painting and sculpture, is
not quite clear, but at all events it was in the latter form
that the proposal was submitted to the Society in 1 75 5 , and,
as previously mentioned, a complete draft of a charter for
a Royal Academy of Arts is preserved among Dr. Temple-
man's papers . It may have been intended that the Society
1 George Bailey (1792-1860) was the first Curator of the Soane
Museum, having been designated for the post by the founder. He
was articled to Sir John Soane, and remained in his service first as
architectural assistant, and afterwards as confidential clerk. He
became a member of the Society of Arts in 1821, and continued until
his death in 1860. After serving, as above mentioned, as one of the
two chairmen of Council for three years, he resigned membership of
the Council in January 1849.
352 THE CHARTER
should be merged in such an academy. Probably this
idea was not consonant with the notions of the original
promoters of the Society, and it was for this reason that it
was opposed and dropped, to be resuscitated later on by
the committee of artists and successfully carried out in the
foundation of the Royal Academy.1
The question does not appear to have been brought
up again till 1 843 . In December of that year the secretary
(Whishaw) reported to the Committee on Miscellaneous
Matters, that " the subject of the Society obtaining a
Royal Charter had lately been a matter of conversation
by two or three members, who were willing to subscribe
£5, 55. each towards this desirable object." But nothing
was done. In February 1845 tne question of applying
for a Royal Charter was raised at one of the meetings, and
was referred to the Committee on Miscellaneous Matters,
but again no result followed. At last, in February of the
following year (1846), the newly-formed council took the
matter up seriously, and recommended that steps should be
taken to make application for a Royal Charter. In De-
cember of the same year we find that a draft of the Charter
was submitted by William Tooke, who was then acting as
the Society's honorary solicitor. This being approved,
/ in the following March (1847), Tooke brought up a draft
of the Charter, together with a petition, which, after they
had received the approval of H.R.H. the Prince Consort,
as President of the Society, were lodged in the PrivyCouncil
Office. In June, Tooke reported that the Charter had been
passed, and that fees amounting to £400 in all were re-
quired— of these the official charges amounted to £308,
95. 2d., and there was about £75 for office expenses.
With the grant of a Royal Charter the first period of
the Society's history may be held to have come to an end.
After this it may be said to have entered on a new chapter
of its existence. It found new aims and adopted novel
methods ; not only its constitution but its character was
to a large extent altered, and with a reorganised system it
may certainly be said to have started on a fresh career of
usefulness.
1 See Chapter X, p. 232, and Chapter XV, p. 328.
CHAPTER XVI
THE PRESIDENCY OF THE PRINCE CONSORT
(1843-1861)
The Council and its Work — Influence of the Prince Consort — Sir
Henry Cole — The Chairmen of the Council, 1850 to 1862 — The
Leading Members of the Society — The Officials, Scott Russell, George
Grove, Edward Solly, Peter Le Neve Foster, Samuel Davenport,
James Forrest, Charles Critchett — The Work of the Council —
Education — The Union of Institutions — Educational Exhibition
— The Journal — South Kensington Museum and the Science and
Art Department — Trade Museum — Lectures on 1851 Exhibition —
Annual Exhibitions of Inventions — Gallery of British Art — Minor
Exhibitions — The Society's Collections — Patent Legislation, the
Act of 1852 — First Exhibition of Photographs — Fine Art Copy-
right— Musical Pitch — Public Lavatories — Prizes for Industrial
Art — Other Prizes — The Society's Microscope — Cheap Writing
Case — Prizes for Essays — The Swiney Bequest — Industrial
Pathology — Postal Reform — Paper Duty — Centenary of the
Society — The Annual Dinner — Finances — Death of the President
— The Prince's Services to the Society — The Albert Medal.
IN the last chapter, which dealt with the internal organ-
isation and constitution of the Society, we left off at the
point when a Council had just been appointed, and a
Charter obtained for the Society. The task before the
new Council was no light one, and it started on its work
of reform with many difficulties in the way. It had to
rescue the Society from the condition of torpor and in-
eptitude into which it had fallen, to arrange its finances,
and indeed to provide funds for its work. It had to justify
its existence, to rouse public interest, and to find fresh
directions for its efforts to carry out the objects for which
the Society was originally founded. To do this it had
first to organise itself, and to distribute the work between
24
354 PRESIDENCY OF THE PRINCE CONSORT
itself and the various committees into whose hands the
details might safely be entrusted. At first the original
six " Premium " Committees were maintained, the com-
mittee on " Miscellaneous Matters " being merged in the
Council. But it is hardly worth while to enter into an
account of the various changes which were made in the
number and duties of the committees. Sometimes the
number was increased ; sometimes it was diminished ; at
one time there were as many as thirty. But eventually the
sensible system was adopted of appointing committees from
time to time as questions arose for their consideration.
Inasmuch as all the business of the Society at once
passed under the control of the new governing body, there
was nothing of this nature left to occupy the attention of
the ordinary meetings, which had hitherto been taken up in
the award of the premiums, and in the continual discussion
of the Society's rules and orders. This naturally led to an
increased importance in the scope and character of the
papers, the reading of which rapidly became, at first, the
most important, and very soon the only function of these
meetings. By the time we have now reached, the system
started by Aikin had grown and developed until it became
the recognised practice that every Wednesday evening
during the session should be occupied, either by a paper,
followed by a discussion, on some new invention or some
novel industrial development, or else by a lecture (which
was not discussed) on some branch of industry, some
fresh application of science, or, less frequently, some appli-
cation of artistic principles or methods.
The desire to encourage the reading of papers is
shown by the fact that in 1845 it was determined to
" prepare a form of Honorary Testimonial to be presented
to persons making communications which may appear to
the Society deserving of such notice." The Committee
of Fine Arts, with the help of its chairman, Sir William
Ross, decided on the design shown in the plate on the
opposite page,1 in which the principal feature is Miss
Denman's drawing of Flaxman's medal,2 with a wreath
1 This is reproduced from the original copper-plate.
2 See Chapter XIV, p. 318.
-, .':••. '::. : , '
* r , r.
INFLUENCE OF THE PRESIDENT 355
and a crown, executed after the Committee's instructions
by S. Davenport, the father of S. T. Davenport, a
member of the Society's staff from 1844 to I8/6.1 This
" Testimonial," besides being employed for the purpose
for which it was designed, was also used to supplement
the award of medals, as a sort of " Honourable Mention "
for cases not quite deserving a medal. It was employed
in this way up to 1850.
Perhaps unfortunately, the series of lectures, for the
introduction of which, as previously mentioned, Aikin was
responsible, gradually died out. Aikin himself had no
successor among the officials able and willing to devote
himself to popular exposition, though Scott Russell had all
the capacity for such work had he cared to undertake it.
And so after Aikin 's time the Society, less fortunate than
the Royal Institution, found no Faraday to draw intelli-
gent audiences to its meeting-room by brilliant expositions
of the applications of science and art, and it really was
not until the receipt of the Cantor bequest provided
funds for the payment for lectures that this valuable
means of diffusing knowledge on industrial subjects was
utilised. There was, however, no very great difficulty in
securing suitable topics or capable authors for filling up
the programme for the Wednesday evening meetings, and
this important portion of the Society's labours rapidly
developed, and eventually became its principal duty.
But if the regular routine of the Society's work was
thus provided for, there were many outside objects to which
the Council now began to direct its attention. In this they
were very greatly helped by the fact that they had as
the Society's President the Prince Consort, who assisted
them not only by his influence, which at the time was
naturally much less powerful than it became in later years,
but by the interest which he took in, and the attention
which he devoted to, the Society's affairs during the
first years of his Presidency. He realised — and he him-
self told the Society — that the main object of its exist-
ence was the application of science and of art to industrial
purposes. These were matters in which he took a genuine
1 See page 366 of this chapter.
356 PRESIDENCY OF THE PRINCE CONSORT
personal interest, and so long as the Society was ready to
promote the objects he had at heart, he was quite willing to
assist it as far as the numerous other occupations of his
exalted position allowed him sufficient leisure.
It has often been said that too much credit has been
given to the Prince Consort for the Society's success about
this time, especially for its success in starting the 1851
Exhibition, but a careful study of the Society's records
has satisfied the present writer that his influence was by
no means exaggerated. It is quite clear that the Prince
did not initiate the reforms — economic, social, and in-
dustrial— which started from the Society of Arts. But
most new suggestions of any importance appear to have
been submitted to him, and he discriminated with extreme
shrewdness between those w^hich were of value and those
which it was not worth while to press. He evidently
had an extremely quick and active mind. His judgment
on the questions submitted to him seems generally to
have been prompt and correct, and this is surely as much
as can reasonably be looked for from one occupying a
position such as he occupied. The period on which we
are now engaged may justly be considered as the period
of his Presidency, and there may be a little more to be
said about the value of the services he rendered the Society
when we come to deal with the termination of that Presi-
dency by the Prince's death in 1 86 1 .
During that period by far the most important of the
public works carried out by the Society was the starting
of the two great Exhibitions of 1851 and 1862. The
history of these two Exhibitions, so far as the Society
was associated with them, is important enough to deserve
separate treatment, and may be left alone for the present.1
The next most important piece of public work was the
establishment and organisation of a system of examina-
tions carried out simultaneously all over the kingdom, which
had the very greatest influence on industrial, middle-class,
and scientific education during the fifties and sixties.
The history of the examinations also will be more con-
veniently dealt with by itself, and any further account
1 See Chapter XVII, p. 401, and Chapter XVIII, p. 416.
REORGANISATION OF THE SOCIETY 357
of them is therefore deferred to a later chapter.1 The
present chapter will therefore be devoted to the con-
sideration of the various other matters which the Society
had in hand during the period extending from the date
of its charter (1847), or the assumption of the Presid-
ency by Prince Albert (1843), down to the date of the
Prince's death (1861) and the holding of the second great
Exhibition in 1862.
The subjects pursued by the Society during this period
were so diverse and so numerous, that it is not at all easy
to give any connected history of its proceedings. Perhaps,
when those who had in hand the reconstitution of the
Society realised that the purpose of its original institu-
tion had been served, and that some other methods must
be devised for carrying out the objects of its foundation,
they found it difficult to set a limit to the scope of its
work, and the result was that they extended its operations
a good deal beyond what was intended or contemplated
by its original founders, somewhat, indeed, beyond
what was intended by the framers of its charter.
The newly-constituted Council was a strong body,
and the very fact that it was newly-constituted made it
anxious to effect reforms, not only in the Society itself,
but in all the departments of public life and administra-
tion with which the Society could, by any reasonable
extension of its objects, claim association.
The Council, as a body, was quick to realise the value
of the Society's organisation as an instrument for the
promotion of many useful social and economic as well as
industrial changes. Many of its members were active-
minded, energetic men, keenly interested in the promo-
tion of special reforms, full of enthusiasm for the causes
they had espoused, and anxious to utilise the growing
influence of the Society for the realisation of their own
particular objects.
Prominent among these was Henry Cole, a man of
inexhaustible energy and indomitable perseverance, full of
enthusiasm for his own ideals and of confidence in their
value. At the instance of Scott Russell he joined the
1 See Chapter XIX, p. 425,
358 PRESIDENCY OF THE PRINCE CONSORT
Society in 1846, and at once became a member of the
Committee of Fine Arts. In January of the following
year we find him attending a meeting of the Council, to
explain, as a representative of the Committee, the scheme
he had laid before them for annual exhibitions of the works
of British artists, and suggesting as a commencement an
exhibition of the works of Landseer, then at the height
of his popularity. In the same year (1847) he was nomin-
ated for the Council, and from that time till the date of
his death, in 1882, he continued to exercise the strongest
personal influence over the Society, influence which, for
the first half or so of this period, really amounted to absolute
control. A man of singularly active mind, he was per-
petually conceiving fresh projects for the improvement
of public welfare and the benefit of mankind. Some of
these were eminently successful, such as the Victoria and
Albert Museum, and, it may be said, the 1851 Exhibition,
since, if he did not originate the idea of a great inter-
national exhibition, it was his capacity for organisation
that rendered the scheme practicable. Others naturally
enough were failures, but the bulk of his proposals were
valuable, and of genuine public utility. With very nearly
all of them the Society of Arts was associated. He
utilised its influence and its organisation to the full, and
he repaid its help by useful guidance and administrative
direction.
He was not a skilful or a cautious financier. Certain of
his schemes cost the Society dear, but if he wasted some of
its funds, it was mainly due to him that the Society had any
funds to waste. It is the matured opinion of the writer,
who knew him well and admired his great qualities, without
being in the least unaware of his faults, that Henry Cole
ought to be looked on as the second founder of the Society,
and that it was owing to his influence and authority that
the Society was raised from a state of impotence and
insignificance to a condition of prosperity and influence.
This does not imply that he started the improvement.
He did not. The Society had been rescued from dissolu-
tion before he became a member of it ; but he infused
fresh vigour into its growth, and in a few years from his
SIR HENRY COLE, K.C.B., CHAIRMAN OF COUNCIL, 1850 AND 1852.
From a Photograph by Mrs. Cameron, taken about 1872.
To face page 358.
SIR HENRY COLE 359
joining its governing body it had trebled the number of
its members and quadrupled the amount of its funds.
It may be admitted that Cole had in full measure the
defects of his qualities. He liked having his own way,
and he generally got it. He disliked opposition, and was
ruthless with his opponents. He was a born fighter, and
his methods of fighting were often questioned and disliked.
Naturally enough, this made him unpopular, while the
objects he sought often laid him open to the ridicule
which is generally the lot of those who first advocate
schemes for the accomplishment of which others in a
later age are hailed as the benefactors of their kind.
However, he cared little for ridicule or for unpopularity,
so long as he got what he wanted, as he usually did.
His best friends and admirers must wish that he had
had greater regard for the feelings of others, and that he
had been content to attain his objects without thrusting
aside and trampling down those who did not agree with
him. But that was not his way, and perhaps gentler
methods might have proved less successful. At all events,
it is likely that they would have been slower, and of all
things, delay was hateful to the impatient soul of Henry
Cole.
Of course, he had a fight soon after he joined the
Council, and, unhappily, it was with one of the best and
staunchest friends of the Society, Thomas Webster.
Webster, doubtless disapproving of Cole's arbitrary
methods, and his somewhat reckless expenditure, opposed
his proposals for annual exhibitions, industrial and
pictorial. His criticisms were supported in the Council,
and, in 1850, Cole resigned. But he organised an opposi-
tion at the next annual meeting, and circularised the
members, with the result that at a largely attended
meeting, on 3rd April 1850, when 207 members voted,
Cole and his friends were elected by a considerable majority,
while Webster and his supporters were turned out. Inas-
much as it was Webster who, by the introduction of much-
needed reforms, had saved the Society from certain
dissolution in I842,1 the vote of the electors appears.
* See Chapter XV, p. 346,
360 PRESIDENCY OF THE PRINCE CONSORT
ungracious, especially as bitter feeling was engendered
by it. But, as above said, those who got in Henry Cole's
way generally had to get out of it. His differences with
Webster are the more to be regretted as Webster had the
scientific knowledge to which Cole never made any pre-
tensions, and his experience as a great patent lawyer might
not improbably have led the Society to take a larger part
in the guidance of industrial progress and the application
of science to manufactures than it actually did take.
Cole was Chairman of the Council in 1850, and again
in 1852. One of the most prominent of his successors
was Went worth Dilke, who was Chairman in 1857 and
1858. He took an active share in the arrangements for
the two great Exhibitions of 1 85 1 and 1 862, and a baronetcy
was conferred upon him at the close of the latter Exhibi-
tion. He was so keen about the Society's welfare that
he brought his relations into it. His father, the well-
known editor of the Athenceum, became a member of the
Society in 1849 — Dilke himself having joined four years
earlier — and he made his two sons, Charles and Ashton,
life members when they were boys . Another very energetic
and capable Chairman was Sir Thomas Phillips, who suc-
ceeded Dilke, and was found so useful in the post that the
by-laws were altered so as to allow him to hold the Chair-
manship for four consecutive years, 1859 to 1862. Sir
Thomas Phillips was a man of some character. He
earned his knighthood by his action in quelling a Chartist
riot in a mining district of South Wales, when he was
wounded. He was a liberal and public-spirited man.
Besides devoting himself strenuously to the Society's
work, he took an active part in the work of King's College
and of many metropolitan societies.
Another most useful member was Harry Chester, who
was Chairman in 1853. He was the originator of the
Union of Mechanics' Institutions and of the Society's
examinations, and continued an active worker on behalf
of the Society until his death in 1868. He held certain
official appointments, including the Assistant Secretaryship
of the Committee of Privy Council on Education. The
public work he did, mainly through the Society of Arts,
CHAIRMEN OF THE COUNCIL 361
never received due recognition ; he is even ignored by
the Dictionary of National Biography. Lieut .-Colonel
Owen was elected Chairman in 1853, but was compelled
by pressure of his official work to decline office before
actually taking any active part in it. But he was in
many respects a useful member of the Council, and took
his full share of its work. He was a brother of Sir Philip
Cunliffe-Owen, who in later years was closely associated
with the Society. The Rev. James Booth became Chair-
man in 1855. The work he did in suggesting the establish-
ment of the Society's Journal, and in the development of
its examinations, will be referred to later on.
Other Chairmen of Council during this time were
Colonel W. H. Sykes, M.P., F.R.S. (1856), Chairman of
the Board of Directors of the East India Company ; Lord
Ebrington (1854), afterwards Earl Fortescue, who lived
and preserved his interest in the Society until 1905 ; and
William Saunders, F.R.S. (1851), a naturalist of some note
in his day, who wrote much on botany and entomology,
and served as President of the Entomological and Horti-
cultural Societies.
Amongst other members of the Council who took a
prominent part in the Society's work, and attended most
constantly at its meetings, the following should be men-
tioned : Dr. Lyon Playfair (afterwards Lord Playfair),
the eminent chemist ; Richard Redgrave, R.A., and his
brother Samuel, the author of the useful Dictionary of
Artists of the English School ; Sir Joseph Paxton, who
designed the 1851 Exhibition building; Robert Stephen-
son, the great engineer ; Richard Dawes, the Dean of
Hereford, who gave valuable help in organising the ex-
aminations ; J. C. Macdonald, the manager of the Times ;
Sir W. H. Bodkin, the eminent lawyer, who co-operated
with Thomas Webster in the reform of the Society ;
Thomas Graham, Master of the Mint ; William De la Rue,
F.R.S. ; Sir John Pakington (afterwards Lord Hampton) ;
Sir William Page Wood (afterwards Lord Chancellor
Hatherley) ; J. J. Mechi, the enthusiastic agriculturist ;
Sir William Fairbairn, the engineer, who was a commis-
sioner for the 1851 and 1862 Exhibitions, and took a
362 PRESIDENCY OF THE PRINCE CONSORT
particularly active part in the organisation of the latter ;
Thomas Winkworth, a man not much known outside the
Society, but one who did much hard work within it for
the Exhibitions, and other matters ; Thomas Twining,
the earnest advocate of many philanthropic schemes ;
Joseph Hume, the Radical M.P. and economical reformer ;
Sir John Boileau, an archaeologist of repute ; and William
Tooke, for many years a Vice- President, and the Society's
honorary solicitor.
These were among the most active supporters of the
Society. Something may now be said about the per-
manent officials. In the early part of the period with
which we are now concerned, the office of secretary changed
hands rather frequently. In the ten years, 1843-53,
there were six occupants of the post. As previously
mentioned,1 when Graham retired in 1843 (after holding
office for two years only), Whishaw was appointed, and in
1845 he was succeeded by John Scott Russell. Scott
Russell was a worthy successor to Templeman and Aikin,
and, indeed, as a scientific man he was superior to either.
Born in 1808, he was thirty-six years of age when he came
to London and became a member of the Society of Arts.
He had already acted as Professor of Natural Philosophy at
Edinburgh, and had acquired a reputation for his original
researches on Wave Motion. He had also carried out,
with much success, the construction of several large
vessels in which his principles were embodied. These
were all designed by him as manager of the shipbuilding
establishment at Greenock, afterwards belonging to Messrs.
Caird .
Before his election as secretary, he had taken an active
part in the deliberations of the Committee on Miscellaneous
Matters. Though he was too active-minded to confine
his attention to the Society's work, he made a most efficient
and energetic secretary, and took his full share in the work
of reconstructing the Society, which may be said to have
been completed during his term of office. The steady
improvement in the character of the papers brought before
the evening meetings was certainly to a large extent due to
1 §ee Chapter XV, p. 348,
SCOTT RUSSELL— GEORGE GROVE 363
him. He seemed ever ready to place at the disposal of
the Society not only his abilities, but what he had in much
less abundance, the contents of his purse ; for he frequently
took upon himself the provision of expenses which assuredly
he was not called upon to meet, and which, indeed, he could
not properly afford.
His energy in helping on the preparations for the 1851
Exhibition led to his being appointed, jointly with Mr.
Stafford Northcote (afterwards Earl of Iddesleigh), Secre-
tary to the Royal Commission when it was appointed in
January 1850. After this he resigned the secretaryship of
the Society, and, having been elected a life member, was
placed on the Council. In later life he resumed the practice
of his profession, with a result that cannot be better stated
than in the words of the author l of the account of his life
in the Proceedings of the Institution of Civil Engineers : —
" In summing up Mr. Scott Russell's connection with
the profession of naval architecture, it may be said that
on commencing his career he found it the most empirical
of arts, and he left it one of the most exact of engineering
sciences. To this great result many others contributed
largely besides himself ; but his personal investigations,
and the theories he deduced from them, gave the first im-
pels to scientific naval architecture." 2
A man of real genius, he took high rank in his profes-
sion among a race of great engineers, and in his own par-
ticular branch of it he was far ahead of his contemporaries.
But, spite of his great talents, his worldly success was
never equal to his deserts, and when he died in 1882 he was
in straitened circumstances.
Scott Russell's successor was George Grove, who was
appointed jointly with Russell in February 1850, and,
alter a month's trial, sole secretary in March. Grove, like
his two predecessors, was an engineer, and he had practised
his profession to some extent before his appointment,
though never afterwards. His tenure of office was very
1 Sir George Holmes, a pupil of Scott Russell's, and at one time
Secretary of the Institution of Naval Architects.
2 Obituary notice, Proceedings of the Institution of Civil Engineers^
vol. Ixxxvii. p. 435.
364 PRESIDENCY OF THE PRINCE CONSORT
short, for when the Crystal Palace was established at
Sydenham he was (in May 1852) offered the appointment
of secretary, and thereupon he gave up his post at the
Society. He was a thoroughly capable official — in this
respect superior to his immediate predecessors — and with
a longer period of service he would doubtless have left his
mark on the administration of the Society. As it wras,
his powers were devoted to other institutions — first the
Crystal Palace, and afterwards the Royal College of Music
— where they had full scope and were greatly appreciated.
Grove was the last secretary to live on the Society's
premises. When he quitted office the house in which all
the secretaries since Templeman had lived, and in which
one of them (More) had died, was added to the Society's
offices.
When Grove retired, Edward Solly, long an active
member of the Council, was appointed secretary, and
held the office for a year — May 1852, to May 1853.
Solly was an old member of the Society. He had been
elected in 1838, and had served on the Council since
1850. At the time of his appointment as secretary
he was actually deputy-chairman. He was a chemist
of some reputation. He became a Fellow of the Royal
Society in 1843, and in 1845 was appointed a Professor
at the Addiscombe Military College. He resigned the
secretaryship of the Society of Arts that he might
devote himself to the organisation of the Trade Museum
started by the Society, of which more hereafter. Though
not a man of brilliant talent, he possessed considerable
intellectual powers and some literary capacity, which
he devoted in later life principally to antiquarian and
bibliographical subjects. He died in 1886.
Solly was succeeded in the secretaryship in 1853 by
Peter Le Neve Foster, whose genial and kindly nature
gained him the regard and esteem of all those with whom
he worked. He is still remembered by many of the older
members of the Society ; by none outside those of his
own family can his memory be more affectionately
cherished than by the writer of this narrative. He, like
his predecessor, had for some years been connected with
LE NEVE FOSTER 365
the Society, which he joined in 1837, at the instance of
his grandfather, Abraham Osorio, who had become a
member in iSoo.1 His father (also Peter Le Neve) joined
the Society in 1807, so that he had a long family connec-
tion with it. When the first Council was formed, he
became an ex officio member of it, as he was at the time
Chairman of the Committee of Accounts. He was at
once elected treasurer, and this office he held till 1852,
when he became an ordinary member of the Council.
Foster took his degree in the Cambridge Mathematical
Tripos of 1830, and became a Fellow of his college (Trinity
Hall). In 1836 he was called to the Bar at the Middle
Temple, and he practised as a conveyancer until his election
to the secretaryship, which he held for a period of not quite
twenty-three years, till his death in 1879. He had taken
his full share in the reorganisation of the Society, and
by the time that he became secretary its various difficulties
had been surmounted, and its second era of prosperity
had commenced. This prosperity continued unabated
during his term of office, and much of the credit for this
state of things may fairly be claimed for him.
If he did not originate any changes or introduce many
fresh ideas, he carried out efficiently and well all the
executive work of the Society, and it may fairly be said
that its public reputation for practical work stood a good
deal higher at his death than it did when he became
secretary. Possessed of much sound scientific knowledge,
of wide general reading, and endowed with considerable
intellectual capacity, he was well qualified for the duties
of his office, for which also he was equally well fitted by
character and taste. Of a kindly genial nature, singularly
patient and forbearing, tactful and full of common sense,
he made an admirable secretary. If he was devoid of
1 Abraham Osorio's father, Jacob, was also a member, and of a very
early date (1766). His brother Abraham, who died unmarried, joined
the Society in 1761. Three sons of Mr. Peter Le Neve Foster and one
of his grandsons are now (1913) members, so that six generations of
the family have been associated with the Society during a period
extending from 1761, seven years after its foundation, down to the
present time.
366 PRESIDENCY OF THE PRINCE CONSORT
ambition and inclined to be somewhat " easy-going," this
only made him more contented with his duties, and never
induced him to neglect them, for he was a steady and
regular worker, who took a pleasure in his work.
He had various interests outside the Society. Among
the first to practise, as a scientific amateur, the art of
photography, he was one of the founders of the Photo-
graphic Society, and for many years on its Council. He
followed with interest the developments of the art during
its most interesting period, from the first photographic
application of collodion to the introduction of the gelatine
dry plate, and wrote a good deal on the subject. At one
time he served on the Council of the British Association,
and was for thirteen years secretary of Section " G,"
Mechanical Science.1
Some reference is also due to certain of the other
officials of the Society. Of these Samuel Thomas Daven-
port comes first, both from his seniority and because he
devoted his whole life to the Society's service.
His appointment in 1 844 as a sort of clerk or assistant
to Whishaw has been mentioned,2 and from that date he
served the Society faithfully and well in various capacities,
being always ready to undertake any work that might be
required of him. His pay was very moderate, and occa-
sionally small grants were made to him, which were
certainly well deserved. In April 1848 he was given
the title of assistant secretary, and in January of 1849 his
salary was made up to £100 a year. Six months later
W. Ellis was appointed assistant secretary, but he only
held office for less than a year, as he resigned in March
1850, when the post was left vacant. Davenport was
then made " Curator and Collector," at a salary of £150,
and in 1853 his title was .changed to that of " Finance
Officer," afterwards modified to " Financial Officer," an
appellation which he bore, with much personal pride and
gratification, till his death in 1876. It would not be easy
1The fullest account of P. Le Neve Foster will be found in the
notice published after his death in the Journal, vol. xxvii. p. 316.
There is also a short life in the Dictionary of National Biography.
2 See Chapter XV, p. 349.
S. T. DAVENPORT 367
to overrate the value of Davenport's services to the
Society, though they were in the earlier part of his life
of an unpretending nature . Later on, his very considerable
experience, and his minute knowledge of the Society's
history, gave him much influence with the Council, and his
opinion in matters connected with the internal administra-
tion of the Society carried great weight. He had had in
youth some artistic training, and would have made a
capable engraver had he followed the profession for
which he was intended, but in other subjects he was
mainly self-educated. He had acquired a curious and
extensive knowledge of the contents of the Society's records,
and this led him to produce, in the form of a paper read at
one of the meetings in 1 868, a short history of the Society,1
which has been more than once referred to before.
Though it contains much information, it is badly put
together, and shows a want of literary skill. The same
criticism may be applied to his other communication to
the Society, on " Prints and their Production," 2 though
it has a distinct value as recording much which is not to
be found elsewhere about the earlier attempts to produce
printing surfaces by means of photography, since at the
date of the paper many such attempts had been made,
but none had yet succeeded.
His single-minded and whole-hearted devotion to the
interests of the Society rendered him a zealous and valuable
official. The present writer, who, of course, knew him
intimately during the last eleven years of his life, and had
for him a genuine liking and regard, can testify to the
kindliness of his nature and to his popularity amongst
those with whom he was associated.3
From the date of Ellis 's resignation in 1850 to the
middle of 1852, the office of assistant secretary was left
vacant. In June of that year James Forrest, who had
1 Journal, vol. xvii. pp. 10, 127, 143, 160. He had previously (in
1 864) read a paper on the Society's promotion of industrial education
(Journal, vol. xiii. p. 88).
2 Journal, vol. xviii. p. 62. The paper had been preceded by an
article on the same subject in the Journal, vol. xiii. p. 131.
3 A notice of Davenport will be found in the Journal, vol. xxiv. p. 1 39.
368 PRESIDENCY OF THE PRINCE CONSORT
previously been assistant secretary to the Institution of
Civil Engineers, was appointed. He held office till April
1856, when he resigned in order that he might return
to his old office at the Civil Engineers, with a view to his
succeeding Charles Manby, who was about to give up the
secretaryship of the Institution. This arrangement was
duly carried out, and Mr. Forrest was appointed in 1860.
All engineers know with what credit to himself, and with
what benefit to the Institution, he filled his office, till
he resigned in 1896. His name will always be associated
with the Institution by the Forrest Lectures, founded to
commemorate his secretaryship. Mr. Forrest is still living
in retirement at St. Leonards, now one of three surviving
representatives of the Society of Arts of sixty years ago.
It was determined to fill up the vacancy caused by
Forrest's retirement by an open competitive examination,
the time being one when the value of test examinations
ranked higher than it does now after half a century's
experience. Accordingly, the appointment was adver-
tised, and the candidates who applied were submitted to a
regular examination, both viva voce and by papers . Charles
Critchett, who had taken his degree at Cambridge (Trinity)
in 1855, was successful and he was duly appointed. It
must be said that the experiment was quite successful.
Critchett made a perfectly efficient assistant secretary for
thirteen years. He resigned of his own accord in 1869,
though his connection with the Society was preserved by
his appointment as educational officer, in which capacity
he had a nominal responsibilty for the conduct of the
examinations. He held this office till 1879, and when he
gave it up he was made a life member. As he was quite
comfortably provided for there was no need for him to work,
and he naturally enough preferred a life of leisure to a
continuance of official routine. He was a man of artistic
tastes, cultivated manners, fond of society, and popular
in a large circle of friends. He died in I9O6.1
Having dealt with the principal individuals who
carried on the Society's work during the period which
1 A notice of his life will be found in the Journal, vol. liv. p. 528.
MECHANICS' INSTITUTIONS 369
began with its incorporation and ended with the 1862
Exhibition, we may pass on to a consideration of the work
itself. At the commencement of the period, the attention
of the Council was chiefly occupied with the organisation
of the first great exhibition, and during its last years with
the preparations for the second ; but in spite of this, time
was found for a great variety of other business, the chief
items of which have now to be described.
Of these, the most important was education, industrial
education as it was then termed, though by this was
meant the general education of those engaged in. industry,
not what we now know as technical education, the training
of industrial workers in the subject-matter of their
trades.
The first efforts for the promotion of popular education
in this country took the form of the establishment of
Mechanics' Institutions. Their origin ma}'' be traced as
far back as 1800, when Dr. Birkbeck, who had succeeded
Dr. Garnett as Professor of Natural Philosophy at the
Andersonian University of Glasgow, established courses of
lectures, to which working men were admitted at a low fee.
The mechanics' classes thus established were for a long
time a successful department of the University, and in
1823 this department became the Glasgow Mechanics'
Institution, apparently the first genuine institution of the
sort.
The establishment of this institution suggested the
formation of a similar organisation in London, where Dr.
Birkbeck had been resident for about twenty years. He
took the lead in the movement, and, with the assistance
of Lord Brougham and others, established the London
Mechanics' Institution, which later on became the well-
known Birkbeck Institution, the name being changed in
honour of its founder and first president.
The London and Glasgow Societies had many imitators,
and in 1848 the Society passed a resolution that any such
institution established not less than fifteen miles from
London might join the Society for the same subscription
as an individual, so that its members might enjoy, under
certain conditions, the advantages of membership of the
25
370 PRESIDENCY OF THE PRINCE CONSORT
Society. A few institutions availed themselves of the offer,
and a little later, in 1851, Mr. Harry Chester addressed a
letter to the Council, suggesting that " the Society should
exert itself to increase the efficiency of the metropolitan
and provincial mechanics' institutes." The result of
this letter was that the Society called together a con-
ference on the subject, which was held in May 1852, under
the presidency of the Earl of Lansdowne. At this con-
ference a union of institutions was suggested, and such
a union was formed in the following July by a resolution
of the Council. The object of the union was to enable
the scattered institutions to co-operate, and thereby to
strengthen their educational powers. The intention of
the Society was to provide a central organisation, from
which information could be distributed to the institutions,
lists of lecturers provided, and other facilities for their
development arranged.
In addition to holding this conference, the Society
issued in 1853 a long report on Industrial Instruction ,
which had been prepared by a committee appointed for
the purpose. This committee took a great deal of evidence
from schoolmasters, manufacturers, representatives of
mechanics' institutions, and others, and the information
they supplied forms the principal and the most valuable
part of the report.
It was determined to hold an annual conference for the
discussion of subjects relating to the institutions and their
organisation, and such a conference was held at the
Mansion House in May 1853, by the then Lord Mayor,
Mr. Thomas Challis, at the request of the Society, by which
time two hundred and seventy institutions had joined the
union. In connection with this conference a small exhibi-
tion of educational appliances was held in the Guildhall,
and this led to a proposal for a similar exhibition on a
larger scale to be held in the following year, the centenary
of the Society. The proposal was readily taken up.
Prince Albert expressed his warm approval of it, and
promised a subscription of £100. The accommodation
on the Society's premises being quite inadequate for an
exhibition on the scale proposed, St. Martin's Hall — a large
EDUCATIONAL EXHIBITION 371
concert hall which had been built for John Hullah in
Long Acre — was taken for the purpose.1
The exhibition proved to be a great success, and quite
justified the very considerable amount of labour which
was expended upon it by the Council. Contributions
(through the assistance of the Foreign Office) were secured
from France, Belgium, Holland, Sweden, Norway, Den-
mark, Austria, Prussia, Switzerland, Spain, and the
United States. The exhibits included educational appar-
atus and appliances of all sorts, school buildings (shown
in plans and models) and fittings, books, maps, etc.,
together with samples of work produced at schools. It
was opened in July 1854 by Prince Albert, and remained
open until September. Arrangements were made for the
delivery of lectures by the most eminent authorities on
Science and Education. The list of lecturers included
Dr. Whewell, Professor De Morgan, Dr. W. B. Carpenter,
Dean Trench, Cardinal Wiseman, Professor Alexander
Williamson, Professor Huxley, Dr. Hullah, and many other
names of almost equal renown.2
Including the donation from the Prince Consort, the
subscriptions amounted to £1079. This involved a
pecuniary loss of £363, which was made good by the
Society. The success of the exhibition led to the suggestion
that it should be made permanent, and this view was
impressed by the Council upon the Government, with the
result of the foundation of the educational collection and
library at South Kensington as part of the Museum, now
the Victoria and Albert Museum. A great number of
the exhibits were presented to the new Museum, and
formed the nucleus of the educational collection, and
also of the fine library now forming part of the Victoria
and Albert Museum.
The conference of representatives of institutions became
1 St. Martin's Hall was built in 1847-50 ; it was No. 89 Long
Acre. It was burnt down in 1860, and its destruction nearly ruined
Hullah, who had invested most of his money in it. Later on, the
Queen's Theatre was erected on the site, which is at present occupied
by private premises.
2 Some of these lectures were published in a volume (Routledge,
1855). Others were reported, more or less fully, in the Journal,
372 PRESIDENCY OF THE PRINCE CONSORT
an annual function, and was continued regularly on the
same day as the annual dinner, so long as the dinner was
held. It lasted for a little over twenty years, until 1875,
by which time its usefulness had quite passed away,
In the following year it was changed into a special con-
ference on Adult Education, at which Sir Henry Cole
presided, and in 1877 its place was taken by a conference
on Domestic Economy, held at Birmingham, at the sug-
gestion of the same gentleman, who had by that time
retired from the public service, and was then temporarily
resident in Birmingham. After that the conference was
allowed to lapse.
It would, indeed, have died out long before, but for the
institution of the system of examinations, which has now
for over fifty years been a very important part of the
Society's work. It was in December 1853 that Mr.
Harry Chester, the founder of the Union, suggested the
establishment of a system of examinations for the benefit
of members of the affiliated institutions. As above
mentioned, a full account of the origin and growth of the
Society's examinations will be found in a later chapter.1
Probably the real value of the Union of Institutions
was that it encouraged the establishment and develop-
ment in provincial towns of educational organisations,
which a little later provided suitable centres for the local
science and art schools, and thus served as a basis for the
whole system of education, scientific, artistic, and technical,
which has grown up around those schools.
When the Society took in hand the organisation of
local institutions, some of them were flourishing and doing
serious work, but many others were in a feeble condition.
Such education as these latter afforded was of a trivial
sort, and they were devoted rather to amusement than to
instruction. The Society provided a standard to which
all were expected to conform, and a central organisation
from which all could get information and help.
After some twenty years or so the work of the Union
was done, and there was no longer much need for its
existence. When in 1882 the examination system was
1 See Chapter XIX, p. 425.
UNION OF INSTITUTIONS 373
remodelled, and the examinations were thrown open to
everybody, the last reason for its maintenance disappeared,
and though there are still a few institutions which like to
preserve their old association with the Society, it must
be admitted that the practical advantages they derive from
that association are now inconsiderable.
It was the existence of the Union of Institutions that
led to the establishment of the Society's weekly Journal.
The first suggestion of such a thing was made by the Rev.
Dr. Booth in a letter which he addressed to the Council in
June 1852. In this letter he set out in considerable detail
the scheme of a weekly newspaper which should record all
the Society's proceedings, serve as a medium of communi-
cation between the Society and the allied institutions,
and form a permanent record of the progress of science,
art, and industry. The proposal had evidently been
thoroughly well thought out, and was, indeed, eventually
adopted without any considerable modifications.1
As mentioned in a previous chapter,2 the Transactions
of the Society had stopped in 1844, and from that time
there had been no regular record of the Society's pro-
ceedings. The occasional publication first known as the
Abstract of Proceedings, and afterwards, when it got to
be published with greater regularity during the session,
entitled Weekly Proceedings, had increased slightly in
size, and it, at all events, recorded in brief abstract the
papers read before the Society, and gave some amount of
information about its other proceedings. This from 1844
to 1852 was the only publication regularly issued by the
Society, for the odd volume of Transactions published in
1852, and intended to form the first of a new series, had
no successor, and can only be regarded as an unsuccessful
1 The Rev. James Booth, LL.D., F.R.S., was at this time Vicar of
Wandsworth. His suggestion led to his being elected on the Council
(1852), and he afterwards (1855) became its chairman. He took a
very active and useful part in the establishment of the examinations,
but later on some friction arose between the Council and him, and
after a quarrel, the details of which are certainly now not worth recording,
he was called upon to resign his seat on the Council, and did so. He
died in April 1878.
2 See Chapter XV, p. 333.
374 PRESIDENCY OF THE PRINCE CONSORT
experiment, as it proved too costly for repetition. A
volume issued in 1851, and entitled Vol. LVII. of the
Transactions, is really nothing more than the weekly pro-
ceedings for the year bound together. Even the meagre
record preserved in the Weekly Proceedings would not now
be available but for the care of Davenport, who in Novem-
ber 1852 presented to the Council a " volume containing
a complete set of the papers published in the years 1844-9,
during which time no regular transactions were published,
and consequently no record of the Society's proceedings
existed." l Davenport had no doubt carefully preserved
a copy of each issue, which nobody else seems to have done,
and his volume is the only set of them in the Society's
possession.
Booth's suggestion commended itself to the Council,
and after some discussion and consideration it was
accepted, the form of the Journal settled, and its regular
publication commenced, the first number appearing on
26th November 1852. This number, after a preliminary
notice dealing with the proposed scope and character of
the new publication, contained the address of the chairman
(Henry Cole) at the opening meeting of the session, an
interesting account of the Industrial Societies of the
United States, one of the replies (from British Guiana)
to a circular asking for information about the productions
and commerce of the Colonies ; reports of the proceedings
of many of the affiliated institutions, and a list of applica-
tions for patents under the new Patent Law Amendment
Act of 1852. There are four pages of advertisements, but
three of these are Society's notices. Succeeding numbers
contain the papers read at the ordinary meetings — at
first in abstract, and afterwards in full — with brief notes
of the discussions, reports and notices dealing with the
various matters on which the Council and the numerous
committees were engaged, and much miscellaneous in-
formation on subjects connected with the objects of the
Society. From the first the Journal was a newspaper,
and was stamped with the newspaper stamp required at
the time. This duty on newspapers was originally
1 Council Minutes, loth November 1852.
THE 1851 EXHIBITION SURPLUS 375
imposed by the Stamp Act of 1712, and, after several
reductions, was finally abolished in 1853.
When the accounts of the 1851 Exhibition had been
made up, it was found that there was a surplus profit of
£186,000. Of this, however, £67,896 was the amount
which had been subscribed before the Exhibition was
started, and it was expected that this would be returned
to the subscribers, or at all events given back to the
various localities in which it had been subscribed. The
Society, which had collected the money, also put in a
claim for a share. However, it was decided that the money
should be kept, and used for the foundation of a central
institution " for the dissemination of a knowledge of
science and art among all classes."
This caused a good deal of natural disappointment at
the time, but, looking back at all the circumstances, it
may fairly be admitted that the decision was a wise one,
and that better results have been obtained than if the
money had been frittered away by distributing it in com-
paratively small sums for provincial objects. Eventually,
as is well known, the estate at Kensington Gore was
purchased, and the 1851 Commissioners were formed
into a permanent body for its administration. Many
schemes were proposed and discussed. Prince Albert
had a large and comprehensive scheme of his own, which
included the erection of suitable buildings, and the trans-
plantation of the principal learned societies to South
Kensington. The idea was a fine one, and if it could
have been carried out we might perhaps have had,
years ago, a single comprehensive board or institution for
dealing with education, science, and art, instead of our
present system, which, whatever its merits, cannot claim
to be a model of organisation, economy, or uniformity.
But there was much opposition, and there were many
difficulties. The story is too long for repetition here.
Those who care may find much of it in Sir Henry Cole's
Life.1 It may be sufficient to say that the immediate
outcome was the South Kensington Museum and the
1 Fifty Years of Public Work.
376 PRESIDENCY OF THE PRINCE CONSORT
Science and Art Department, with the foundation of
both of which the Society had much to do.
The second report of the Commissioners of the 1851
Exhibition, published at the end of 1852, and' reporting
the purchase of the Kensington estate, referred, amongst
other matters, to the formation of a trade museum, and
invited the co-operation of the Society of Arts. The
Council at once took the matter into consideration, and the
result was that in May 1853 they offered to undertake
the formation of a collection of animal products used in
manufactures, and to devote to it a sum of ^400, to be
expended in the course of two years, if the Commissioners
would provide a similar amount. This was at once agreed
to, and the formation of such a collection was immedi-
ately put in hand. Professor Solly undertook the task,
and for that purpose resigned the secretaryship of the
Society. He devoted himself energetically during the
following two years to the work, and the result was that
in May 1855 a very complete collection was exhibited
in the model room, and was formally opened by the
reading of a paper by Mr. Solly. The exhibits fully
illustrated the utilisation of animal products for in-
dustrial purposes, and comprised textiles (wool and silk),
leather and furs, horn and bone, bristles, feathers, hair
and shell, also wax and lac, oils, and, finally, refuse
materials.
The collection, after being for some time exhibited by
the Society, was made over to the Science and Art Depart-
ment, and was placed in the South Kensington Museum,
which was opened, in the temporary buildings for long
known as the " Brompton Boilers," in 1857. As a matter
of fact, the original intentions of the 1851 Commissioners
about the formation of a trade museum were never carried
out. The collection of animal products was transferred
to the Bethnal Green Museum, when, new buildings having
been built for the South Kensington Museum, the old
" boilers," with certain additions, were re-erected at
Bethnal Green in I872.1
The total amount expended by the Society, including
1 Th3 building was opened in March 1872 by the Prince of Wales.
THE VICTORIA AND ALBERT MUSEUM 377
the £400 originally granted by the Commissioners, was
£976. On the transfer of the collection, the Commissioners
agreed to repay the Society's expenditure, and the balance
(£576) was accordingly repaid to the Society.
This collection and the educational collection previously
mentioned were the chief contributions of the Society to
the Museum. Both of them were valuable, not so much
for themselves, but because they formed a nucleus about
which, by continual accretions, the scientific and educa-
tional collections now forming part of the Victoria and
Albert Museum have grown. It must, of course, be
understood that this does not refer to the Art Museum, to
the contents of which the Society was never in a position
to make any but trifling contributions.
As regards the Science and Art Department, the Society
can only claim the credit of having done a good deal of
pioneer work, and of having prepared the way for its
establishment. Though Schools of Design1 were started
in 1839 or 1840, they were, by all accounts, not very
successful, and in 1851 a vigorous attempt was made by
the Society to encourage the formation of such schools on
an independent basis. The proposal was well taken up
in several provincial towns and in London, but in the
following year the Department of Practical Art was formed
by the Board of Trade, and this a year later became the
Science and Art Department. It took over the existing
Schools of Design, and there was no further need for the
Society to persevere with its scheme, which was accordingly
dropped.
Still more useful service was rendered to the new
Department by the Society's development of Mechanics'
Institutions and by its examinations. It was at these
institutions that the Science Schools and Art Schools
were first formed, and it was on the model of the Society's
examinations that the much larger scheme of Government
science examinations was carried out.
1 They were not really Schools of Design at all. They were called
so because they were imitations of the French £ coles de Dessin, and
were simply, like the French originals, drawing-schools.
378 PRESIDENCY OF THE PRINCE CONSORT
Before the opening of the 1851 Exhibition the Council
announced the offer of prizes for essays or treatises on
certain sections of the Exhibition. But before the time
came for the award of these prizes, Prince Albert, in the
autumn of 1851, suggested that a series of lectures should
be given at some of the Society's meetings, " on the prob-
able bearing of the Exhibition on the various branches of
Science, Art, and Industry." This proposal was at once
adopted, and the offer of prizes withdrawn.
In all twenty-four lectures were delivered during the
session 185 1-52, l and these were afterwards published in
two volumes, which attained a considerable amount of
popularity. The first lecture was given by Dr. Whewell,
at the opening meeting of the session in November 1851,
and dealt with the general bearing of the Exhibition on
the progress of Art and Science. Among the other emi-
nent lecturers were Sir Henry de la Beche, on Mining, etc. ;
Professor Owen, on Raw Materials ; Dr. Playfair, on
Chemistry ; Dr. Lindley, on Food Substances ; Professor
Willis, on Machines ; Professor Royle, on the Arts and
Manufactures of India ; Sir Thomas Bazley, on Cotton ;
and Digby Wyatt and Owen Jones, on the Decorative
Arts. The concluding lecture on the " International
Relations of the Exhibition " was given by (Sir) Henry
Cole.
After the great international exhibition of 1851 the
Society still went on holding exhibitions on its own account.
In 1848 an exhibition of recent inventions had been held.
This was composed partly of objects belonging to the
Society's own collection, which had not then been finally
disposed of, and partly of inventions recently patented or
registered under the Designs Act of 1851 . This exhibition
was a fairly good one. It contained 446 exhibits in all,
of a rather miscellaneous character, some, however, of
permanent interest and value. It remained open from
26th December 1848 to 3Oth January 1849. It was the
1 Sir H. Cole's lecture had to be postponed, and was delivered in
December 1852.
EXHIBITIONS OF PICTURES 379
first of an annual series continued regularly up to
1 86 1. By that time the character of the Exhibitions
had depreciated, and Sir Thomas Phillips, in the ad-
dress which he delivered as Chairman of the Council in
November 1862, remarked that " the series have not
kept pace with the progress of science, and have not
been worthy of the present position of the Society."
It was determined, in consequence of the 1862 Exhibi-
tion, not to hold an exhibition of inventions that year,
and the opportunity was taken of letting the series come
to an end.
Besides these exhibitions of an industrial character,
the Society organised several exhibitions of pictures. As
mentioned in a previous part of this chapter, the first
action taken by Henry Cole in connection with the Society
was the submission of a proposition for the holding of
exhibitions of pictures by modern artists, the idea being that
they would be a source of profit, from which funds might
be provided for the establishment of a National Gallery of
British Art. The proposal was that the profits from the
exhibition of each artist's works should be expended in
purchasing one or more of his pictures, and that these
should be lent to the National Gallery, until enough had
been collected to fill a special gallery. The idea was an
admirable one. But the means proposed were quite in-
adequate, and, in spite of the enthusiasm which Cole
devoted to the scheme, it proved financially an absolute
failure. The proposed series was started with an exhibi-
tion in 1848 of Mulready's works, the original idea of
beginning with a collection of Landseer's' not having for
some reason been carried out. The financial result of the
Mulready Exhibition was a small surplus, which was later
on expended in the purchase of two of the artist's studies,
and these were presented to the National Gallery. In
1849 an exhibition of Etty's works was arranged. But
this resulted in a loss, and the idea of making money for
the proposed gallery was abandoned. In fact, the Society
was a heavy loser, for the expenses were ultimately paid
only by the diversion, with the donor's consent, of a gift
of £500 from Mrs. Acton, the widow of a member, which
380 PRESIDENCY OF THE PRINCE CONSORT
had been intended for the general purposes of the Society.1
Some years later, in 1855, an exhibition of the works of
the two brothers John and Alfred Chalon (both R.A.'s)
was held, but it does not appear that this had any connec-
tion with Cole's scheme.2 After the death of Sir William
Ross, an exhibition of his miniatures was held in the
Society's rooms in 1860, which attracted a good deal of
interest, but did not produce any profit. Ross, as may be
seen by reference to the list of the Society's prize-winners,3
took many of the Society's prizes as a youth. He was
long a member of the Society, was Chairman of the Com-
mittee of Fine Arts, and served as a member of the first
Council.
In December 1860 a proposal was made that an
exhibition should be held in the following year of the
works of C. R. Leslie, R.A., who had died in 1859.
Although a number of owners of his pictures, including
Queen Victoria, promised to contribute, it was found
that a representative collection could not be brought
together, and the proposal was consequently abandoned.4
It may be sufficient to mention that an exhibition of
lithography was held in 1847, one of bookbinding in the
same year, and a second of lithography in 1853. The
photographic exhibition of 1852 will be referred to later,
and the educational exhibition of 1854 has already been
described. In the year 1852 the idea was started of
holding an exhibition of the products of India. The East
India Company was approached, and promised assistance,
and some steps were taken for organising such an exhibi-
tion in London. Eventually, however, there wrere diffi-
culties in finding a suitable locality, and the collection was
sent to the Dublin Exhibition of 1853, of which it formed
an important section.
1 Mrs. Acton gave this money in 1837 o found prizes in memory
of her husband, Samuel Acton, an architect, the prizes to be generally
for subjects connected with architectural design or construction. She
herself became a member after her husband's death.
2 It is stated that this exhibition did not attract much attention,
the works of the Chalons never acquiring much popularity.
3 See Chapter VIII, p. 200.
4 See Council Minutes, 1860 and 1861.
THE COLLECTION OF MODELS 381
Since the first exhibition held by the Society in 1761
of agricultural and other machines for which the Society
had offered prizes,1 it had always kept up a permanent
collection of mechanical and other models. As these
accumulated from time to time, their disposal was always
a matter of difficulty, and every now and again we find
notices of the older models, for which it was difficult to
find room, being sold, or given away, or destroyed. Many
of these one may legitimately regret. It would have
been satisfactory if the original model of Sturgeon's electro-
magnet had been preserved, and we should certainly be
glad to possess now the whole collection which was shown
in 1761.
But it must be remembered that such things accumulate
rapidly, and that they soon become obsolete and unin-
teresting ; while they have to be kept for a great many
years before they acquire antiquarian interest — an interest,
indeed, which only belongs to the survivals because nearly
all the apparatus or models have been destroyed.
When the Society began to hold temporary exhibitions
the space occupied by the old models was required,
and they were finally disposed of in various ways. The
bulk of them was presented in 1850 to Bennet Woodcroft,
who was then Professor of Machinery at University College,
London, the trustees of the College having undertaken to
repair and preserve them.2 Some of these eventually found
their way into the Patent Office Museum 3 at South Ken-
sington, which grew into the collection of engineering
models now forming part of the Science Museum. Others
were given to the South Kensington Museum at its founda-
tion in 1857, and no doubt a great deal of what was really
rubbish was quietly disposed of.
1 See Chapter III, p. 58. 2 Transactions, vol. Ivii. p. xvii.
3 The contents of this museum were the property either of the Com-
missioners of Patents or of their clerk, Bennet Woodcroft. They were
to have been placed in the principal museum building, but Woodcroft
objected to the admission fee of sixpence on " Students' days." Cole
insisted, and neither would give way. The result was that the models
of inventions were crowded into an unsightly iron shed, which was
always open free. So the authorities had their way, and nobody
suffered except the public.
382 PRESIDENCY OF THE PRINCE CONSORT
Reference has already been made to the injurious effects
on the Society's Premium List of the exclusion of patented
articles from its awards, and the alteration in the regula-
tions by which in 1845 patented articles were made eligible
for such awards has also been mentioned.1 Not very long
after this date, the Society, taking a different view of the
value of patents, turned its attention to the amendment of
the patent law, and in 1849 the Council, at the instiga-
tion of Henry Cole, appointed a Committee on the Rights
of Inventors. It cannot be said that Cole had any deep
or accurate knowledge of patent law ; but he had on this,
as on most subjects which he took up, very clear and
definite ideas, and he never hesitated as to their correct-
ness. The committee, however, which was appointed
by the Council, included many members who were quite
competent to supply any deficiency in Cole's knowledge,
and he provided the moving force, which eventually
brought about the much-needed reform in the law of
patents in this country.
About a year after the appointment of this committee,
Charles Dickens published in Household Words his well-
known " Poor Man's Tale of a Patent " ; 2 this, by the
public attention it attracted to a very dull and uninter-
esting branch of legislation, greatly aided in securing the
required reform.
The committee published several reports — reports
containing many suggestions of considerable practical
value . The general tendency of the reports was rather in
favour of the French system — simple registration, sans
garantie du gouvernement — a principle which has com-
mended itself to a great many authorities on Patent Law.
As a matter of fact, this has always really been the English
system, which, while professing to make a grant direct from
the Crown of an important monopoly, gave, as has often
been said, nothing but a licence to go to law, and a
registration of the date on which the inventor might com-
mence his action. The logical French mind naturally
agreed to a simple statement of the facts as they were.
1 See Chapter XI, p. 243, and Chapter XV, p, 347.
* Household Words, I9th October 1850.
PATENT LAW REFORM 383
But the Englishman preferred something which appeared
a great deal more important, although the imposing docu-
ment, with the Great Seal attached to it, actually gave
no more right than would have been conferred by a simple
entry in a ledger. On the other hand, it has to be re-
membered that an invalid patent, which could not be
maintained for a moment in any court of law, is often ex-
tremely valuable as a scarecrow, warning off trespassers
from a territory to which the professed owner has no
legal right, and this, perhaps, is after all the reason why
the pretentious but illogical British system has so long
been maintained.
In America and in Germany the opposite ideal has pre-
vailed, and the attempt is made to provide a patentee with
a genuine monopoly, by certifying to the originality of his
ideas. The system in America used, if all tales be true,
to be modified by the friendly relations existing between
the patent agents and the officials, though no doubt this
is no longer the case ; while the German carried out his
ideas to the utmost, and reduced them ad absurdum by
such cases as refusing Siemens a patent for his regenerative
furnace on the ground that it was anticipated by a mediaeval
oven, in which bread was baked after the material by
which the oven had been heated was removed.
Whichever may be the better of these two opposite
systems and ideals of patent law, it may suffice to say
here that the view of the Society's committee was not
adopted when the Bill, which in 1852 became an Act, for
the reform of the Patent Law, was introduced into the
House of Commons ; but many of the other provisions were,
and many parts of the Act were founded on the Society's
suggestions. This Act, which came into force on ist
October 1852, introduced many and great changes into the
system for granting patents. It abolished the " hanapers "
and " chaffwaxes," whom Dickens had held up to scorn ;
it simplified procedure, and it reduced cost. It continued
to be the law for many years, as it was not until 1883 that
any important alterations were made, and in that later
reform the Society, as will hereafter be recorded, had its
due share, For the present, the work of the committee
384 PRESIDENCY OF THE PRINCE CONSORT
having been more or less satisfactorily accomplished, no
further action was taken, and it was not reappointed after
the passing of the Act.
The natural result of the new Act was an enormous
increase in the number of patents applied for, and a conse-
quent considerable revenue to the Patent Office. In the
course of a few years the amount of patent fees had totalled
up to a large sum, and suggestions began to be made that
money provided by inventors ought to be applied in some
way for their benefit, instead of being added to the public
revenue. Sir Joseph Paxton, in 1856, addressed a letter
to the Council on the subject, and the result was a com-
mittee, and a memorial to the Commissioners of Patents.
Nothing, however, came of it, though the Commissioners
seem to have been sympathetic enough, for they published
year after year in their annual report a sort of mute appeal
to the Treasury in the form of a statement of the accumu-
lated surplus income they had earned. The last time this
statement appeared was in 1881, in their report for the
previous year. At that time the aggregate surplus income,
from ist October 1852 to the end of 1880, was stated
(with a meticulous accuracy) as £2 ,04 1,159, J6s. lod. The
Treasury, however, were deaf to the appeal, and apparently
saw no reason to abandon so convenient a source of revenue.
In December 1852 an Exhibition of Photographs
was arranged by the Society. This was the first public
exhibition of photographs which had ever been held,
though a few specimens had been exhibited in the Philo-
sophical Instrument Section of the 1851 Exhibition. One
hundred and twenty-nine pictures were shown, nearly
all of them by the paper processes, though there were some
collodion positives. At that time collodion had not been
applied to the production of negatives, though a few
months later (July 1853) it was found that the picture
on the collodion film on glass could be employed as a
negative, and from that time forward it was so employed,
to the*] ultimate exclusion of the earlier methods, in
which paper rendered transparent by wax or other means
had been used.
EXHIBITION OF PHOTOGRAPHS 385
The formation of a Photographic Society was first
proposed by Roger Fenton in April 1852, and in the
same month Robert Hunt applied to the Society,
asking for the use of the meeting-room for an inaugural
meeting to establish such a society.1 The request was
granted, but the meeting was not held until January 1853.
At this meeting Le Neve Foster, who had previously
obtained the sanction of the Council to his suggestion,
brought forward a proposal that, instead of forming an
independent society a special section of the Society of
Arts should be established dealing with photography.
This proposal, however, did not meet with the approval
of the photographers present, who were strongly in favour
of an independent organisation, and the Photographic
Society of Great Britain was established on 2Oth January
1853. Sir Charles Eastlake, then President of the Royal
Academy, became the first president of the new society.
This, the earliest of all photographic societies, became the
parent of many other similar bodies in this country, and its
example was also soon followed in other countries.
The question of copyright in works of Art was
taken up in March 1858, when a committee was ap-
pointed by the Council to inquire into this subject.
Of this committee Sir Charles Eastlake, P.R.A., was
appointed chairman, and he held the post until the
termination of its work four years later. At that time
there was almost no copyright in works of Art. The
only Act in which any protection at all was given them was
1 Roger Fenton was one of the earliest photographers, and among
the most successful of his time. He was one of the principal contributors
in the Society's Photographic Exhibition of 1852. He took a number
of pictures in the Crimea during the war. He died in 1869. A short
notice of him will be found in the Photographic Journal, 1 5th September
1869. Robert Hunt, F.R.S., was a man of varied pursuits and attained
reputation in more than one of them. His Researches on Light is
believed to be the earliest book on photography. He was Keeper of
Mining Records for over thirty years, and professor at the School of
Mines. He was a copious yet accurate writer. He was a candidate
for the Secretaryship of the Society in 1853 when Le Neve Foster was
elected. There is a life of him in the Dictionary of National Biography
26
386 PRESIDENCY OE THE PRINCE CONSORT
that known as Hogarth's Act (8 George n. c. 15), passed
in 1735. It was connected with the name of Hogarth
because it was obtained by him, mainly at his own expense,
in order to protect his engravings from the piracy by which
he suffered considerable loss. It merely provided a cop}^-
right of fourteen }^ears in original engravings. There had
been several amending Acts, but none which gave the
author of an original work of Art the power of preventing
its being reproduced and copies being sold.
The committee drafted a Bill to establish copyright
in works of Fine Art, and this was introduced in the Session
of 1860. In spite, however, of all the pressure that the
Society could bring to bear, by deputations to the Govern-
ment, petitions, and otherwise, the Bill was not passed
until July 1862, and then only in an emasculated form,
because the promoters were obliged to abandon its more
important provisions in order to get the Act passed at
all. Nevertheless, it was a very important reform, and it
continued for many years to be the law on the subject.
It established the existence of a copyright in works of Art,
though, owing to the way in which one of the clauses was
drafted, it left in uncertainty the question as to whom the
copyright should belong in cases in which the artist had
executed the work for a valuable consideration, or when
he had disposed of the work itself without either retaining
or transferring the copyright. In spite, however, of its
admitted imperfections, it worked fairly satisfactorily,
and though it has been adversely criticised, it was at the
time a great and valuable advantage to artists.1
Its main provisions have been preserved in the most
recent legislation on the subject, the Copyright Act (i &
2 Geo. v. c. 46) passed in the Session of 1911, and in force
since ist July 1912.
In 1859 the Society, at the suggestion of Wentworth
Dilke, who was then the Chairman of Council, took up the
1 A few years later, on the receipt of an influentially signed memorial
from artists and picture dealers, the Council drafted an amending Bill,
and it was introduced into the House of Lords in 1868 by Lord West-
bury, but nothing came of it (Journal, vol. xiv. pp. 213 and 544, vol.
xv. p. 526, vol. xvi. p. 580).
MUSICAL PITCH 387
question of musical pitch. The French standard pitch,
then and since known as the Diapason Normal, became
legal in France on ist July 1859 ; and it was no doubt the
fact of the French having adopted a musical standard that
led to the endeavour in this country to follow their example.
The proposal that an attempt should be made to standardise
musical pitch here was referred to a meeting of musicians,
and after this a committee was appointed, which produced
a very comprehensive and valuable report drawn up by
Dr. Hullah.1
On the recommendations of the committee, a standard
was suggested of 528 vibrations for the middle C of the
pianoforte. The French Diapason Normal was 435 for
the corresponding note A. The Society's note A would
naturally be 440 ; but instead of this, A was made 444
vibrations, on the equal temperament system.
It is certainly unfortunate that the Society's com-
mittee did not adopt the "just" A 440, which would
have been near enough to the French pitch for the two to
have been treated as practically identical, and the probable
result would have been that the French pitch would have
been adopted in this country, and we should have got a
uniform musical pitch many years ago. The question
was further complicated by the fact that Mr. Griesbach,
a musician who had concerned himself with experimental
acoustics, and who had been entrusted by the Society with
the tuning of the standard forks, unfortunately was incor-
rect in his determination. His C fork was 534.5, instead
of 528, and his A fork 445.7, instead of 444. 2
The Society's well-intentioned efforts had no practical
result, and the suggested pitch was never to any
extent adopted here or elsewhere. Much later on its
existence became one of the obstacles to the adoption
in this country of a standard pitch, and in 1886 it was
referred to a committee to consider whether it was still
1 The report was printed in the Journal for 8th June 1860, vol. viii.
P- 572.
2 These particulars are taken from a most interesting paper by Mr.
A. J. Hipkins, read before the Society in February 1896, and published
in the Journal, vol. xliv. p. 535.
388 PRESIDENCY OF THE PRINCE CONSORT
desirable for the Society to maintain its theoretical C 528.
On the advice of this committee, the Council, in February
1886, formally abandoned the Society of Arts pitch,
and published their reason for so doing.1
The committee further advised that the Society in
abandoning its own pitch should use its influence in
furthering the adoption of the French pitch, from which,
as before said, the Society's pitch, when accurately
measured, did not really differ very much.
One of the schemes taken up by the Council aroused
a great deal of ridicule, although it provided for what has
now got to be considered as one of the necessaries of
civilization — that is, the supply of public water-closets
and lavatories. Such conveniences had been provided
in the 1851 Exhibition, and the charges made for their
use resulted in a considerable profit.2 It was thought,
very properly, that similar conveniences ought to be
available in all great cities, and (Sir) Samuel Morton Peto,
the well-known contractor, offered to defray the cost of
the experiment, if the Society of Arts would undertake
to provide waiting-rooms with suitable accommodation
in London. Arrangements were made for two such
places — one for gentlemen in Fleet Street, and one for
ladies in Bedford Street, Strand.
The experiment turned out a complete failure, as the
cost of establishment and current expenses for a period of
about six months amounted to £492, i;s. 4d., whereas the
total receipts were only £15, 135. nd. Mr. Peto (as
he then was) paid up the balance of £477> 3s- 5^., and the
experiment was brought to an end. It, however, served
its purpose in drawing attention to the necessity for such
places. Later on the matter was taken up by the City
Corporation, mainly owing to the recommendations of
William Hay wood, the City engineer (1846-1894), who
originated the system of underground lavatories ; and
now London, which fifty or sixty years ago was probably
1 Journal for I2th February 1886, vol. xxxiv. p. 265.
2 The receipts were £2470, and the expenses about £680 (Transactions,
vol. Ivii. p. xvii).
PRIZES FOR INDUSTRIAL ART 389
the worst supplied of any capital in Europe with sanitary
conveniences, is certainly the best.
Although the Society had long since given up the
practice of making the bestowal of premiums its chief
object, it never wholly abandoned that practice. Refer-
ence has been made more than once to the special prizes
which were given during the years which preceded the
1851 Exhibition, and, indeed, gave the first stimulus to
the idea of such an exhibition. The award of these
special prizes was carried on from 1846 to 1850, and
during that period the following well-known firms, amongst
others, received the Society's medals : — Minton & Co.
and Copeland (pottery) ; Osier & Co. and Pellatt & Co.
(glass) ; Woollams & Co. and W. B. Simpson (paper-
hangings) ; the Coalbrookdale Co. (iron castings) ; Hunt
and Roskell (jewellery) ; Crossley (carpets) ; Chubb
(safes) ; and Leighton (bookbinding). Mention should
also be made of the gold medal awarded to W. C. Siemens
in 1850 for his regenerative condenser. This was an
early and not very successful application of the regenerative
principle. It was included in the patent for a regenerative
engine (1847), and was the subject of a later patent (1849).
The regenerative furnace was patented by Frederick
Siemens in I856.1 Many years afterwards, when he
occupied the post of Chairman of Council, Sir William
Siemens said that this prize, the first he ever received,
had been of the greatest encouragement to him. In the
same year (1850) Henry Bessemer also had a gold medal
for one of his minor inventions — a sugar-cane press. His
improvements in steel manufacture were of a later
date, his first patent connected with the " Bessemer
process " having been taken out in 1855.
Inasmuch as the Society never formally discontinued
its practice of awarding medals for meritorious inventions,
it was always open to anybody to submit anything which
he considered worthy of award, and from time to time
new inventions of various sorts were so submitted, were
1 Life of Sir William Siemens, by William Pole, 1888, p. 75
et seq.
390 PRESIDENCY OF THE PRINCE CONSORT
referred to a small committee or to some individual expert,
and received prizes.
During the period with which we are now engaged some
special prizes of importance were offered. The Society's
colour-box has already been .mentioned.1 This was the
most popular of all its awards. The most important was
the prize offered for a microscope. In the summer of 1854
Dr. W. B. Carpenter suggested to the Council that a prize
should be offered for a cheap microscope, the cost of such
instruments being then such as to put them out of the
reach of students and teachers of elementary science.
The proposal was approved, and on the recommendation
of a committee of microscopists, two medals were offered,
one for a simple and one for a compound microscope, to
be supplied at the price of IDS. 6d. and £3, 35. respectively.
It was said that at such prices nothing of any practical
use could be provided, but Messrs. Field, of Birmingham,
produced two excellent instruments at the stipulated
prices, and the prizes were awarded to them. In the
simple microscope, a tubular stem, which screwed into
the top of the box containing the instrument when not in
use, carried an inner rod fitted with a rack and pinion,
and on this rod the lenses were mounted. There were
three lenses, giving separately or in combination a range
of magnification from about five to forty diameters. The
top of the stem carried a stage, to which could be fitted a
condensing lens for illumination or a stage-forceps. The
little instrument, which was sold for los. 6d., was well
suited for the examination of botanical and other natural
history specimens. In construction and design it seems
to have been quite novel at the time.
The compound microscope was a really excellent
instrument. It had a cast-iron stand, very firm and
steady, two eye-pieces, two objectives giving a range from
25 to 200 diameters, a stage with rotating diaphragm,
coarse and fine adjustments, adjustable mirror with plane
and concave sides, separate condenser, stage-forceps and
live-box. It was not, of course, an instrument suited for
scientific research, but it was a thoroughly serviceable
1 See Chapter IX, p. 214,
THE PRIZE MICROSCOPE 391
one, and nothing like it had ever before been produced
at such a price. Dr. Carpenter, in his well-known book on
the microscope, speaks highly of it, and in his third edition,
published in 1872, he says that by the end of the year
1 86 1, 1800 instruments had been sold.
The principal value of the award was that it proved that
a serviceable microscope could be produced at a cost far
lower than that of any previous instrument, and the natural
result followed that it had many successors, some of them
improvements on the original, though perhaps there were
none which competed with it in lowness of price. Certainly
more than twenty years after its introduction microscopes
were being sold which professed to be the Society of Arts
pattern, and resembled it more or less closely both in
character and merits. Later still, of course, much greater
improvements were made, especially in the optical part,
and inexpensive microscopes can now be bought com-
pared with which the original Society's microscope is but
a very inefficient tool. But it remains the first of its sort,
and its introduction was a great boon to the scientific
student of fifty years ago.
In 1857 Mr. John MacGregor offered the sum of £10
for a prize for a cheap writing-case suitable for the use
of soldiers and sailors. The donor was well known as
" Rob Roy " MacGregor, from his having invented what
he called the u Rob Roy " canoe. This was a canoe
rather larger than the double-paddle canoes which were
then coming into fashion, covered in fore and aft, and
capable of standing heavier weather than the ordinary
canoe. MacGregor made various voyages in his favourite
craft, including one down the Jordan (1868), which he
described in a book that attracted a good deal of atten-
tion at the time. MacGregor 's offer being considered
insufficient, it was supplemented by a donation of an
equal amount from the Rev. T. Trench, and the full prize
of £20 was awarded in 1859 to Messrs. Parkins and Gotto
for a writing-case which was sold at the price of is. 6d.
It achieved a considerable amount of popularity, for
within a year 20,000 of them were sold ; but its chief use
was, like that of the colour-box and microscope, that it was
392 PRESIDENCY OF THE PRINCE CONSORT
succeeded by various forms of cheap desks and writing-
cases, which were improvements on the original, and were
sold at an almost equally moderate cost.
The offer in 1848 of a Gold Medal or Thirty Guineas
for a design for Labourers' Cottages attracted sixty-
one competitors. In the result a prize of £15 was
awarded to T. C. Hine of Nottingham, and a prize of £10
to S. J. Nicholl. Both these designs were for a double
cottage. Under the terms of the offer, the cost of a
double-cottage erected in Middlesex was not to exceed
£300. There does not seem to be any evidence to show
that there was much practical outcome of the competition.
But it attracted a good deal of public attention, and both
the prize-winners published a description of their designs,
with working drawings and specifications.1
In addition to these there were several prizes for
essays. In 1853 a prize of £50 was awarded to James
Hole, of Leeds (Honorary Secretary to the Yorkshire Union
of Mechanics' Institutions), for an essay on Mechanics'
Institutes. To this reference has already been made.
In 1855 a prize of twenty-five guineas, offered by Ben-
jamin Oliveira, M.P., was awarded to Charles Wye Williams2
1 Reference to an earlier offer of similar prizes will be found in
Chapter XIII, p. 312, and to a later one in Chapter XXI, p. 491.
2 Charles Wye Williams was a man of a certain importance in his
time. He founded the City of Dublin Steam Packet Company, which
for long maintained the service between Holyhead and Kingstown.
He was the Managing Director of this Company until the time of his
death in 1866. He also took an active part in the formation of the
Peninsular and Oriental Steam Navigation Company, and is credited
with having applied watertight bulkheads to divide a ship into separate
compartments at an early date. He was the patentee of a steam boiler
furnace, the principle of which is described in his Essay, and he wrote
several books on coal combustion and the production of steam. The
value of his work in this direction, however, is a little doubtful. His
principal book has been described to the writer by a very competent
authority as a " queer mixture of sense and nonsense." It was
vigorously attacked by Armstrong and Bourne in their book on Boiler
Engineering (1856), and also by Bourne in a review published in 1843.
He was for many years a member of the Society, and a long obituary
notice of him appears in the Journal , vol. xiv. p. 383.
THE SWINEY PRIZE 393
for an essay on " The Prevention of the Smoke Nuisance,"
and two years later, in 1857, a prize of £200, which had
been offered by Henry Johnson for an essay " On the
Present Financial Position of the Country " was awarded
to Edward Capps.
It should be added that in 1850 Scott Russell made a
suggestion that medals should be given to the readers of
the best papers every year. The suggestion was adopted
and at once acted upon. The practice has been continued
from that date down to the present time.
As the first award of the Swiney Prize was made in
1849, this would seem to be the proper place to insert some
account of this curious bequest.
At the meeting held on 7th February 1 844, Arthur Aikin
reported that during his secretaryship thirteen years
before, which would mean some time in 1831, " a stranger
called at this office and put into my hand the will of Dr.
Swiney, sealed up in an enclosure, and immediately left."
Dr. Aikin endeavoured to find out the doctor's address,
but without success. When he retired from the secretary-
ship (1839) he took legal advice as to what had better be
done with the packet, and was advised to open it, when he
found a note from Dr. Swiney addressed to himself, express-
ing a wish that he should take charge of the will. This
note was dated from Sidmouth Street, Gray's Inn Road,
but no trace of Dr. Swiney could then be found, though
inquiries were at once made.
Aikin handed over the will to William Tooke, the
Society's honorary solicitor, and it remained in his hands
until January 1 844, when Aikin was summoned to attend
at Dr. Swiney 's lodgings in Grove Street (now Arlington
Road), Camden Town, where he had died on 2ist
January.
On the will being read, it appeared that the deceased
had bequeathed, amongst other legacies, £5000 Three per
Cent. Consols to the Society of Arts, and a like amount
to the British Museum, on the condition, so far as the
Society of Arts was concerned, that a sum of £100 contained
in a silver cup of the same value should be awarded on
394 PRESIDENCY OF THE PRINCE CONSORT
every fifth anniversary of Dr. Swiney 's death as a prize to
the author of the best published book on Jurisprudence.
Not a great deal has ever been found out about Dr.
George Swiney. He was said to be a son of Admiral
Swiney, and a relation of Sir Humphry Davy. He was
about fifty when he died, and had resided in Grove Street
for about fifteen years. He was an M.D. of Edinburgh,
where he graduated in 1 8 1 6 . He was certainly an eccentric
character, and it was thought that some of his relations —
for he appears to have had some — would have disputed
the will. Nothing of the sort was done, and in due course
the Society received its bequest. His eccentricity was
displayed in the provisions made in his will for his funeral.
These were all duly carried out. His coffin was covered
with a yellow velvet pall, and followed by three girls in
gay dresses. So curious a procession naturally attracted
a great deal of attention, and the crowd was so great that
there was some difficulty in carrying out the funeral. He
was buried in the burial-ground in Pratt Street, Camden
Town. His tombstone having fallen into disrepair, it was
twice repaired at the cost of the Society, the second time
in 1899, when the old stone was in so bad a condition that
it was thought best to renew it entirely and re-cut the
inscription, which runs as follows —
Hie JACET
GEORGIUS SWINAEUS, MED. DOCT.
ANGLUS, SCOTUS, ET HIBERNICUS.
VlXIT SlMPLICITER
LUBENS OBIIT
12 KAL. FEB. MDCCCXLIV.
ANNO AETATIS SUAE L.1
Although the bequest was made to the Society of Arts
alone, the adjudicators were, by the terms of the will, to
be the members of the Society and the members of the
Royal College of Physicians, " with the wives of such of
them as happen to be married." It may be supposed
1 A few further details will be found in two articles in the Journal,
vol. xlvii. p. 660, and vol. Ivii. p. 440,
THE SWINEY PRIZE 395
that it was his connection with medicine which led him to
drag in the College of Physicians ; but it is only another
proof of the man's eccentricity that on deciding to found
an award connected with Jurisprudence he should select as
adjudicators the members of two institutions neither of
which has any connection with the law, or their members
any special qualifications for the task. It, therefore,
became desirable to consult with the College of Physicians
as to the disposition of the prize, and before the time for
the first award came round the Council communicated
with the College, with the result that an arrangement
was arrived at that the award should be given alternately
for Medical and General Jurisprudence. This arrangement
has been amicably adhered to up to the present date.
When the question of designing a cup arose, Daniel
Maclise was invited to submit a design, which was approved
and accepted by the Council in May 1849, the execution
of the design being entrusted to Messrs. Garrard, the
silversmiths. On two occasions since — in 1856 and 1894 —
the question has arisen of substituting a new design for
that of Maclise, and the Council on both occasions went so
far as to offer prizes for such a new design. In neither
case, however, was the result satisfactory, and the cup is
now, with some trifling alterations, the same as that
originally designed by Maclise.
Besides the various matters already mentioned to
which the special attention of the Society and its Council
was directed, there were many other topics of which little
more than bare mention must suffice.
In 1854 a Committee on Industrial Pathology was ap-
pointed, of which the most important members were Dr.
T. K. Chambers and Mr. (afterwards Sir John) Simon.
This committee produced two reports.1 Dr. Chambers
also read a paper on the subject in June 1854. In this
paper,2 and in the first report of the committee, the
subject was dealt with in a general manner. The second
report had special reference to trades which affected the
1 Journal, vol. ii. p. 364, and vol. iii. p. 119.
2 Ibid., vol. ii. p. 491.
396 PRESIDENCY OF THE PRINCE CONSORT
eyes. Nothing very much seems to have come of the
committee's efforts, and, indeed, this important subject
hardly met with adequate treatment at the Society's hands.
The question of cheap international postage was taken
up as early as 1851, and in 1852 the Council sent a deputa-
tion to Lord Granville, then Foreign Secretary, on the
subject. In 1855 a parcel post was proposed for the first
time. A committee reported on the proposal, and there
was much discussion upon it, which bore fruit eventually,
but not for many years.
The effects of the Paper Duty came under considera-
tion from time to time, first in 1853, when the Council
undertook an elaborate investigation into the effect of the
duties, and collected the opinions of those whose interests
were affected by them, including paper-makers, stationers,
publishers, newspaper proprietors and editors, authors and
traders using paper for manufacturing and other purposes.
A considerable amount of information collected from
these various classes was published. In 1860 a petition
against what was called " taxes on knowledge " was
addressed to the House of Commons. The duties were
abolished in 1861, after a dispute between the two Houses
of Parliament.
It is curious to note that when a proposal for national
holidays was brought up before the Council in 1861, a
resolution of disapproval was passed.
The centenary of the Society occurred in 1854, and
was duly celebrated by a dinner at the Crystal Palace,
at which Earl Granville presided. The Society's annual
dinner was continued regularly up to 1862, when Mr.
Gladstone was in the chair. This dinner was held in one
of the refreshment rooms of the 1862 Exhibition building.
Two years previously Mr. Disraeli presided. Other chair-
men had been the Duke of Argyll, Lord Ashburton, Lord
Stanley, the Earl of Carlisle, Lord Napier, and the Earl of
Elgin. The numbers attending the dinner had gradually
fallen off (there were 750 in 1854), and after 1862 it was
not continued.
It is worth mentioning as a matter of record that the
present Common Seal of the Society dates from 1856. It
THE SOCIETY'S FINANCES 397
was adopted by a resolution of Council passed on i8th
June in that year, and the old seal, with the design by
Cipriani, which had been adopted in 1 848, was given up.
When the Council met for the first time in December
1 845 , the Society was not far from being bankrupt . All the
available stock had been sold, and only a few trust funds,
amounting to just £1000, were left. The receipts for the
year were insufficient to meet the annual expenditure ;
there was just £i 1 7 in the bank, and the Society was about
£1000 or so in debt. The accounts are not very clear, but
that seems to have been about the actual state of the
finances. It was obvious that if the Society was to go
on at all, money had to be provided. Various plans were
considered. Among other expedients suggested was the
raising of a loan fund amongst the members. Various
liberal offers were made to contribute to such a fund
without requiring any interest, and several hundred pounds
were thus paid, or promised, by some of the members. These
contributions kept things going for a year or two, and then
the Council received an offer from one of the members,
Mr. Henry Hobhouse, to lend the Society a sum of £1000
at 4 1 per cent, interest, to be secured by a debenture on
the Society's property. This offer was gratefully accepted
in May 1848. It enabled temporary difficulties to be
tided over, and in a year or so from this time the Society
became practically solvent, the receipts from the increasing
number of members and other sources being just about
enough to balance the expenses. Still, when Mr. Hob-
house died in 1854 and his executors required the debenture
to be taken up, the Council were not yet in a position to
discharge the liability, but Mr. Thomas Twining, who was
then a member of the Council, advanced £1000 in the
following year to pay Mr. Hobhouse's estate. This
amount he was repaid in three instalments, the last in
December 1857.
The 1851 Exhibition and the growing reputation of
the Society caused a large influx of members, and a similar
result accrued from the Exhibition of 1862, so that the
balance-sheet for the year ending June 1862 showed a
398 PRESIDENCY OF THE PRINCE CONSORT
total of actual revenue of nearly £9000, and a balance
of income over expenditure of more than £1000. The
moneys in hand, and the amounts actually due and re-
coverable, were much more than sufficient to balance the
actual liabilities.
That the actual financial condition of the Society
was not generally appreciated, or its independence of official
support generally known, is shown by an order made by the
House of Lords in 1856 for a return of the sums of money
granted by Government to the Society during the five
years ending April of that year. The officials of the House,
unable to supply the information themselves, applied for
help to the Society, whereupon the Council directed the
Secretary to reply that the Society had existed for over a
hundred years, and had never received any public money
whatever, and that, therefore, the amount in question
was " nil." There does not appear to have been any
further correspondence. If the question were repeated
at the present date, the same answer would serve.
When all the arrangements for the 1862 Exhibition
had been successfully completed, and the Society, then
in the full tide of prosperity and success, was looking
forward to the realisation of a considerable financial
endowment from the anticipated profits of the Exhibition,
their hopes were suddenly destroyed by the sudden and
unexpected death of their President. The Prince Consort
died in December 1861. Though it was decided that the
Exhibition should still be held, it was held during a period
of national mourning, and without any of the pomp and
circumstance which are essential to the success of such an
undertaking. The result was a financial failure, which
deprived the Society of any advantage whatever, though
it did not involve it in any actual loss.
But the loss of prospective revenue was not the greatest
of the Society's deprivations. For eighteen years Prince
Albert had been the active and watchful President of the
Society. He had taken office when its fortunes were at
their lowest ebb, its members few and falling away, its
resources exhausted. If he had not consented to accept
the Presidency, a very few more years would have seen its
THE SOCIETY'S FIRST SEAL.
THE SOCIETY'S PRESENT SEAL
To face page 398.
THE DEATH OF PRINCE ALBERT 399
extinction. When he died it was flourishing and rich, the
number of its supporters was just as many thousands as they
had been hundreds, and it had accomplished an amount
of public work of which any institution might have been
proud. To attribute all this to the Prince Consort alone
would be the merest sycophancy ; but it is absolutely
certain that but for his influence and his inspiring interest
the work would never have been done. At his last
appearance at the Society, when, in May 1861, he pre-
sided at one of its meetings, he expressed his regret that of
late he had been unable to give to its work the attention
and the care he had given in earlier years. The Society
of Arts was one of the first public institutions in the
country to which he lent his patronage and his help. It
repaid his attention by being amongst the first public
bodies in England to value him at his true worth . For years
he was unappreciated, misunderstood, almost unpopular ;
but by the members of the Society with whom he worked,
in pursuance of aims and objects on which his heart was
set, he was from the first appreciated, understood and
esteemed. It is something to the credit of the band of
workers who used the organisation of the Society for the
promotion of much public good, that they estimated at
its true value the character of a man who for long lacked
fit recognition at the hands of his adopted countrymen,
and whose genuine worth was only fully realised in the
closing years of his life among them.
When the question of a national memorial to the Prince
came under consideration, the Council at once voted what
was — considering the Society's resources — the very large
sum of £1000 towards it, and also took steps to collect
subscriptions among the individual members. Yet to
many outside the Council this seemed insufficient, and a
proposal was put forward for a separate special memorial
of the Society's own. This was at first opposed by the
Council, who were aware of the Queen's desire that the
monument to her late husband should be the result of
a single united national effort. The feeling, however,
was too powerful. An influentially-signed memorial was
presented to the Council calling on them to summon a
400 PRESIDENCY OF THE PRINCE CONSORT
second general meeting — one had already been held to
endorse the action of the Council in contributing from
the Society's funds to the national memorial — and the
Council, submitting to the evident wishes of the members,
at once abandoned all opposition and took the lead in the
proposed movement. The result was that a fund was
subscribed by the members, out of which were provided
the two portraits of the Queen and of the Prince now in the
meeting-room, and the bust of the Prince now in the ante-
room.
A still finer memorial of the Prince is the Albert Medal
founded in 1863, " for distinguished merit in promoting
Arts, Manufactures, and Commerce," and awarded for the
first time in 1864. This was established by the Council in
pursuance of a suggestion made at the general meeting
above mentioned, and is, of course, provided at the cost of
the Society.
It has been awarded annually since it was first
founded. This year (1913) completes a half-century of
awards, and the occasion has been emphasised by the
presentation of the medal to his present Majesty, King
George V. The list of its recipients forms a record of the
greatest of those who during that period have laboured to
apply the advances of science to the practical benefit
of mankind. Their names are fitly associated with that
of the earnest philosopher and philanthropist, to com-
memorate whose association with the Society the medal
was established, and while the renown of the recipients
adds a constantly increasing value to the honour of the
award, the services recognised by the medal may fitly
be held to lend some further lustre to the reputation of the
sagacious and benevolent Prince in whose memory it was
founded.
CHAPTER XVI I
THE 1851 EXHIBITION
Origin of National and International Exhibitions — The First French
Exhibition — The "National Repository," 1828 — First Proposals
for a National Exhibition of Industry — Attempts to carry out the
Proposal — The Society's Exhibitions of Manufactures — Exhibi-
tion of Ancient and Mediaeval Art — Proposal for a National
Exhibition — Idea taken up by Prince Albert — International
Exhibition decided upon — First Steps to carry out the Scheme —
Agreement with Contractors for a Building — Royal Commission
appointed, and work handed over to it.
PROBABLY the most important piece of work ever under-
taken by the Society of Arts was the foundation of the
Great Exhibition of 1 85 1 , and through it of that long series
of international exhibitions which have had such far-
reaching influences on the arts, as well as on industry
and trade.
In the history, therefore, of the Society of Arts, the
chapter dealing with its connection with exhibitions is a
very important chapter, and so it becomes necessary to
set forth in some detail an account of the steps which
led to the successful inauguration of the Great Palace of
Industry in Hyde Park. Now that so many exhibitions
have been held, and that experience has established a
system — even a routine — for their management, we may
easily overlook the difficulties which surrounded the path
of those who started — without example or experience to
guide them — so novel an experiment, and who, indeed,
realised a success not surpassed by any of their followers.
Some of these men are now forgotten. Others never
received their due share of credit. Perhaps, now that all
27
402 THE 1851 EXHIBITION
of them have passed away, it may be possible to set out
without invidious comparisons their various shares in the
great enterprise, so far as the records of the Society enable
it to be done.
As it was only with the initiation of the undertaking
that the Society was concerned, it will be only the early
steps of preparation that will be recorded here. As soon
as success was assured, and national support was certain,
it was decided that so important a movement should be
under Government control. Probably in no other w7ay
than by means of a Royal Commission could the great
enterprise have been so successfully accomplished. Still,
the historian of the Society of Arts may be pardoned a
regret that the Society should not have been able to
carry out to the end the scheme it had brought so far, and
to reap the full reward of its early and devoted labours.
The question of the origin of national and international
exhibitions has often been discussed, and there seems
no doubt that the earliest industrial exhibition of which
there is any record was the Exhibition, held by the Society
of Arts in 1761, of Agricultural and other Machines, for
which the Society had offered prizes. Thus it may
certainly be claimed for the Society that it initiated the
idea of Industrial as well as of Fine Art exhibitions.
The idea was also independently originated in France.
In 1797, in the time of the Directory, an exhibition of
French manufactures was organised in the then dismantled
Chateau of St. Cloud. The execution of the scheme was,
however, interrupted by the decree for the expulsion of
the nobility, and the consequent enforced sudden flight
of the originator — the Marquis d'Aveze, who was then
commissioner for the State manufactures, Gobelins, Sevres,
etc., and had proposed the exhibition as a means of raising
these works from the state of decay into which they had
lapsed.1
In the following year the scheme was actually carried
into effect in a temporary building on the Champ de Mars.
1 A full account of this first French exhibition, and of its successors,
will be found in the Report on the 1849 Exhibition, prepared by Mr,
Digby Wyatt for the Council of the Society.
EARLY EXHIBITIONS 403
This was the first of a series of French national exhibitions,
the last of which was held in 1849. The success of these
national shows was avowedly one of the causes which led
to the promotion of similar exhibitions in this country.
Such an attempt was made in 1828. An influential
committee was formed, with the Hon. G. Agar Ellis as
chairman, and King George the Fourth gave his patronage.
The Committee proposed to hold a series of annual ex-
hibitions " of new and improved productions of our
artisans and manufacturers." The place fixed upon was
the King's Mews, which stood on the site of the National
Gallery, and were pulled down in 1833. The scheme
was well thought out, but seems to have been in advance
of its time, for the manufacturers of the country did little
to support it. The " National Repository," as it was
termed, was continued for four years ; in 1833 it was
moved from the King's Mews to a house in Leicester
Square, and after this it was discontinued.1
Mention should also be made of the triennial exhibitions
of the Royal Dublin Society, held from 1827 to 1850 ; of
an exhibition held in Covent Garden in 1845, of which,
however, no complete record appears to have been pre-
served ; and also of attempts by Mr. S. Richards to get
up an exhibition of industry, including foreign manu-
factures, in Birmingham, in i836.2
In November 1844, Francis Whishaw, the Secretary
of the Society, started a scheme for an annual exhibition
of the products of national industry, and inserted ad-
vertisements in the Times, Athenceum, and other papers,
offering prizes to the amount of £300. In this scheme
Whishaw had the assistance of Joseph Woods ; it came
to very little, for the public gave it but slight support.
A small exhibition of works of art and mechanical inven-
tions was, however, held in the Society's rooms on the
1 A full account of this exhibition is given in Mr. Hollingshead's
introduction to the official illustrated catalogue of the 1862 Exhibition.
2 Local exhibitions were held at Munich, 1818 ; Hanover, 1835 ;
Brussels, 1835; Lausanne, 1839; Vienna, 1839; Berlin, 1844; and
at many other places on the Continent. A list of these is given
in the Introduction to the British Catalogue for the Philadelphia
Exhibition, 1876,
404 THE 1851 EXHIBITION
6th December 1 844, and a similar one on the 28th January
1845. So far as appears from any remaining records,
these little exhibitions were held for a single evening each,
but they deserve notice as being really the first sign of
the movement which eventually led to the Great Exhibi-
tion. Whishaw states, in a memorandum he left on the
subject, that, in 1844, he had an interview with Mr.
Anson, Prince Albert's private secretary, and that he
had asked for the Prince's patronage, apparently without
any result.
At a meeting of the Miscellaneous Matters Committee
of the Society, held on the 2ist of May 1845, with Thomas
Webster in the chair, William Fothergill Cooke, apparently
at the instance of the Secretary, Whishaw, suggested that
steps should be taken for the establishment of a national
exhibition of the products of industry, and that efforts
should be made to raise funds for the purpose, he himself
offering to start a loan fund with the sum of £500. The
matter was brought under the notice of H.R.H. Prince
Albert, the President of the Society, in the address read
to him at the distribution of the Society's rewards on the
2nd June in that year ; and it is stated that His Royal
Highness then directed the matter to be brought again
before him as soon as the plan for carrying the proposal
into effect had attained a practical form. A Committee 1
was appointed for the purpose, and succeeded in obtaining
the promise of a certain amount of funds. Hyde Park
was suggested as a suitable site, and other plans were
proposed. The committee even entered into communica-
tion with the owner of Baker Street Bazaar. However,
when they took steps to ascertain the views of manu-
1 The Committee consisted of W. F. Cooke (well known in connection
with the establishment of the electric telegraph; d. 1879); Joseph
Woods, G. T. Kemp, Alfred Ainger, J. Scott Russell (then a member
of the Miscellaneous Matters Committee), Thomas Webster, Q.C. ;
Thomas Winkworth (partner in the firm of Winkworth & Proctor, silk
brokers; an active member of the Society ; d. 1865), Francis Fuller,
Bennet Woodcroft (F.R.S., Professor of Machinery at University
College, London ; clerk to the Commissioners of Patents ; d. 1879),
Thomas Sopwith (F.R.S., Civil and Mining Engineer ; d. 1879), and
Francis Whishaw as Secretary.
ORIGIN OF THE EXHIBITION 405
facturers generally on the subject, though many promised
support, they did not meet with sufficient encouragement,
and the proposal for a general national exhibition was
for a time allowed to drop.
But the idea was not permitted entirely to perish.
Steps were taken by those who directed the Society's
action to prepare the public mind for a great national
exhibition. The Prince Consort had, since his election
as President, continuously impressed on the Society the
necessity of its taking steps to improve the condition of
the artistic industries of the country, then in a very back-
ward condition, and had urged on the Society, as its proper
work, the encouragement of the application of art to
practical purposes. As a means to this end, the Council
were induced — at the original suggestion, it is believed,
of Scott Russell, who was then associated with Whishaw,
as secretary,1 and succeeded him in the following
March — to offer prizes for improved designs of u useful
objects calculated to improve general taste." A fund for
the purpose was subscribed, and a first offer of prizes
was made in the year 1846. The response was meagre,
but among the articles sent in was a tea-service designed
by (Sir) Henry Cole (under his well-known pseudonym
of Felix Summerly), and manufactured at his instance
by Messrs. Minton. This service was simple in form,
excellent in shape and thoroughly artistic in design.
It afforded an admirable example of the true principles
which should be followed in the manufacture of articles of
common daily use, and, indeed, it effected a revolution in
that manufacture. It is because this offer of prizes led
to the first Exhibition of British Manufactures, and
because this first Exhibition led to that of 1851, that it
has often been said that this tea-service was the origin
of the Exhibition. There is perhaps just enough founda-
tion in fact to justify the epigrammatic statement that
11 the Exhibition started from a tea-cup." It is, how-
ever, much more true to say that Felix Summer ly's tea-
1 At the first meeting of the Council, 6th December 1845, a sum
of 50 guineas was offered " through the Secretary," for prizes. It
appears that the offer came from Scott Russell himself.
4o6 THE 1851 EXHIBITION
cup originated that application of art to industry which
has changed the whole character of those British manu-
factures to which artistic principles are applicable. It
was, indeed, the commencement of the present school of
art-workmanship in this country.
Although, as above stated, the response to the first
offer of prizes was unsatisfactory, it was renewed in
the following year (1847), and it was the prize articles
of 1846, together with the articles submitted in com-
petition in 1847, which formed the basis of the Society
The Felix Summerly Tea-service.1
of Arts' first exhibition of " select specimens of British
Manufactures and Decorative Art," which was opened at
the Society's house in March 1847. The exhibition itself
would have been but a poor one had it not been supple-
mented by examples lent at the urgent solicitation of
Henry Cole, Scott Russell, and another member of the
Society. These three devoted men, as Russell himself
afterwards said, spent three whole days travelling about
London in four-wheel cabs calling on manufacturers and
shopkeepers, till they had at last succeeded by personal
1 Reproduced by permission of Messrs. Bell & Sons from Sir Henry-
Cole's Fifty Years of Public Work.
FIRST PROPOSALS FOR AN EXHIBITION 407
entreaty in inducing some of them to send sufficient
goods to fill the exhibition room. The event more than
justified the effort ; the exhibition turned out a complete
success, and it was visited by 20,000 people. Still greater
success attended a repetition of the experiment in 1848,
for manufacturers began to realise the advantage of the
cheap advertisement provided by exhibitions. This
second exhibition was attended by over 73,000 visitors;
and for the third, in 1849, the accommodation on the
Society's premises proved quite inadequate.
Even more successful was the exhibition held in 1850
" of works of Ancient and Mediaeval Art." The success
of this exhibition was due to a large extent to the exertions
made by Mr. (afterwards Sir) Augustus Wollaston Franks,
the eminent archaeologist, who in later years was the
head of the British Museum Department of British and
Mediaeval Antiquities. He acted as honorary secretary to
the exhibition, and took infinite pains to ensure its success.
This attracted even more public attention than the ex-
hibitions of manufactures. Collectors, who had not
then the numerous applications for loans to which they
are now subjected, were liberal, and generously lent many
objects of interest and value. The newspapers at the
time were full of accounts of the exhibition and its
contents.
The next definite step taken by the Council of the
Society was to send, in March 1848, a deputation to the
President of the Board of Trade, Mr. Labouchere (after-
wards Lord Taunton), suggesting that the articles shown
at the Society of Arts annual exhibitions should be circu-
lated amongst the provincial Schools of Design, then under
the Board of Trade.1 The memorial presented by the
deputation (which bears on the face of it evident signs
that it was the work of Henry Cole) further proposed that
1 The members of the deputation were : — Sir J. P. Boileau, Bart, (a
well-known archaeologist and an active Vice-President of the Society ;
he died 1869), Mr. G. Bailey (Curator of the Soane Museum), Mr.
Henry Cole (afterwards Sir H. Cole, K.C.B.), Mr. P. Le Neve Foster
(at that time one of the Society's Treasurers), Mr. J. S. Lefevre,
Assistant Secretary of the Board of Trade (afterwards Sir John Shaw
Lefevre), and Mr. J. Scott Russell.
408 THE 1851 EXHIBITION
every fourth year the Society should make a collected
exhibition of the principal objects, and others specially
prepared, in a suitable building in London ; that
the site for the building might be Trafalgar Square ;
that the Government should provide the building ; and
that the Society should have the management of the
exhibition.
Mr. Labouchere approved of the proposal, and promised
the assistance of the Schools of Design, but, on the question
of site, referred the deputation to the Chairman of the
Commission on Woods and Forests,1 Lord Morpeth (after-
wards Lord Carlisle). The same deputation waited on
Lord Morpeth two months later (in May 1848), and
though he refused the use of Trafalgar Square, he offered
the use of the quadrangle of Somerset House.
The progress which had been made was duly reported
by the Council to the Society in an address read on the
occasion of the opening of the third Exhibition of British
Manufactures in March 1849. This address definitely
stated that the annual exhibitions were " only parts of a
series of displays which it is proposed shall culminate every
fifth year in a great national exhibition, embracing all
manufactures/' and it suggested 1851, the fifth year from
the first of the Society's Exhibitions of Manufactures, for
the first national one. The address then went on to state
what had been done by the deputation above mentioned,
claimed that the Society had " practically demonstrated
the means of establishing such exhibitions, and educated
most successfully a numerous public of all classes of society
to appreciate them and crowd to see them," and concluded
by urging on Government that it should " provide, once
in every fifth year, a suitable building, in which national
exhibitions, duly representing the best productions in all
branches of manufactures, may be found."
A little later in the same year — in April 1849 — a
petition from the Council, which had been drafted by Mr.
1 Trafalgar Square, which is now under the control of the Office of
Works, was then (and until 1851) under the control of the Commis-
sioners of Woods and Forests. It forms part of the hereditary
possessions of the Crown.
PRINCE ALBERT INTERESTED 409
Henry Cole, was presented by Mr. Milner Gibson to the
House of Commons. This petition was referred to the
Select Committee on the Schools of Design, which reported
on it favourably, thinking that there was " every reason-
able probability that a National Exhibition of Decorative
Manufactures, if properly organised, might be made to a
considerable extent, if not wholly, to repay its expenses."
The Committee also thought that the prayer of the
petition was well worthy of the consideration of the
Government.
In the previous year, 1848, Mr. Cole had submitted
to Prince Albert, through his secretary, Colonel Phipps,
the memorial afterwards presented to the Board of Trade,
but its reception was not encouraging. Colonel Phipps
stated that the Prince's opinion was not favourable to
the plan, and that " no reasonable hope could be enter-
tained of any co-operation or assistance, at any rate at
present, from the Government." The time, however,
had now arrived when the Prince was induced to take a
different view of the proposal, and, by lending it the
support of his great influence, to carry it to the success
it eventually attained.1
Careful study of the original records only serves to
confirm the popular idea that the success of the Great
Exhibition of 1851 was due to the wisdom and energy of
the Prince Consort. Had he given but a nominal support
it would doubtless indeed have been carried to a successful
issue, but it would have been on a much smaller scale; prob-
ably it would have been confined to national products alone;
1 The early history of the Exhibition is contained in a report
prepared by Mr. Scott Russell, and read to a general meeting of the
Society held on the 8th February 1850. A great deal of information
about these preliminary steps is given in Sir Henry Cole's Fifty Years
of Public Life. The introduction to the official illustrated catalogue
of the 1862 Exhibition, prepared by Mr. John Hollingshead, contains
an account of the origin of the Exhibition, mainly founded on Mr.
Scott Russell's report. Mr. Scott Russell also made an interesting
collection of documents on the subject, which, after his death, was
purchased by the Society, and is now in its possession. The First
Report of the 185 1 Commissioners gives only a very summary account
of these early proceedings.
4io THE 1851 EXHIBITION
and, while it would certainly have had useful and important
results, it could never have had the effect it certainly did
exercise on the arts, industries, and commerce of the world.
As previously mentioned, an exhibition of French
Industry was being held in 1849 in Paris. This was
visited by Henry Cole in company with Digby Wyatt,
who had been commissioned by the Society to prepare a
report on the exhibition,1 and also by Francis Fuller,2
a member of the Council of the Society. Mr. Fuller,
on his return, wrote to Mr. Scott Russell that, in his
opinion, it would be possible to get up in London a much
better exhibition than the one in Paris. On his way
back to London, as Mr. Fuller stated at a later period, he
accidentally met at Southampton Mr. Thomas Cubitt,3
who was then engaged in building the Royal Residence
at Osborne House, in the Isle of Wight. A few days
later, when Mr. Cubitt returned to Osborne, he mentioned
the idea to the Prince, who is said to have expressed
sympathy with the project. The matter, however, was
more formally brought to His Royal Highness 's notice,
first privately, by Mr. Scott Russell, and then publicly,
in the report of the Council, read at the annual presenta-
tion of the prizes on the i4th June in that year.
From the minutes of the meeting, which are somewhat
meagre, it does not appear that Prince Albert expressed
any views of his own on that occasion, but he shortly
afterwards sent for Mr. Scott Russell, and obtained from
him full information as to the scheme. He also sent for
Mr. Cole, on the occasion of a visit paid by him to Colonel
Phipps, and questioned him about the arrangements for
the proposed exhibition. It was evident that His Royal
Highness 's interest had been thoroughly aroused, for on
both occasions he went fully into the matter, and gave
1 Published the same year for the Society. A copy is in the Society's
library. Sir Matthew Digby Wyatt died in 1877.
2 Francis Fuller was a member of the Society from 1843 till his
death in 1887. He, as will be seen, took a very energetic part in the
preparations for the Exhibition. For some time he was managing
director of the Sydenham Crystal Palace.
3 The founder of the great firm of builders of which he and his
brother William were partners. He died in 1855.
EXHIBITION TO BE INTERNATIONAL 411
his own opinions as to the best means of success. He
suggested Leicester Square as a suitable site, and, in
answer to a question from Mr. Cole as to whether the
exhibition should be national or international, he decided
that it ought to embrace foreign productions, and must
certainly be international. On Mr. Cole suggesting that, in
that case, Leicester Square might not be large enough, and
proposing, in reply to a further question, a site in Hyde
Park, he was directed by the Prince to visit the park, and
to consider whether a suitable site could be found there.
These informal discussions were preliminary to a more
formal meeting, when the Prince summoned Scott Russell,
Francis Fuller, Henry Cole, and Thomas Cubitt to attend
at Buckingham Palace. A formal minute of the proceed-
ings of this meeting was prepared, at the Prince's desire,
by Mr. Scott Russell, and the original MS. of this minute,
with the Prince's own corrections, is amongst the docu-
ments before referred to as having been collected by Mr.
Scott Russell. Sir Henry Cole reproduced in facsimile in
his autobiography the passage in which it was laid down
that the exhibition was to be international. In the
Prince's own words, it was considered " that whilst it
appears an error to fix any limitation to the productions
of machinery, science, and taste, which are of no country,
but belong as a whole to the civilised world, particular
advantage to British industry might be derived from
placing it in fair competition with that of other nations."
At this meeting, also, Prince Albert suggested that the
exhibition should include the four following divisions :
Raw materials, machinery and mechanical inventions,
manufactures, sculpture and plastic art. It will be seen,
therefore, that it was at this meeting that the various
proposals for the holding of the Great Exhibition in 1851
at last took definite form, and here, it may be said, that
the Exhibition really originated.
A second similar meeting was held at Osborne, which
was attended by Scott Russell, Henry Cole, and Francis
Fuller, Mr. Labouchere, President of the Board of Trade,
being also present, by desire of the Prince. At this
meeting it was decided that the best means of carrying
4i2 THE 1851 EXHIBITION
out the proposed scheme would be by the appointment
of a Royal Commission.
At this meeting a definite plan for the exhibition was
decided upon. It was settled that an exhibition should
be held in London in 1851, under the presidency of Prince
Albert, of works of art and industry of all nations ; that
there should be a Royal Commission to control and
regulate the exhibition, and to deal with the question of
prizes ; that the Society of Arts should undertake to
collect funds for prizes and all the other expenses, and
should provide for the holding of similar exhibitions
quinquennially.
It was also decided that steps should be taken to
ascertain the feelings of manufacturers, and to obtain
their support.1
In order to carry these suggestions into effect, the
Prince authorised Mr. Cole and Mr. Fuller to visit the
principal provincial centres of industry, and to hold
public meetings for the purpose of awakening interest
and obtaining promises of support for the proposed ex-
hibition. The costs of these journeys were, at all events
in the first instance, defrayed by Mr. Fuller. The work
of these gentlemen was supplemented by similar efforts
by several other members of the Society, and the result
was that a little later on in the year a report was presented
to the Prince, showing that the proposal had met with
warm support in all parts of the country.
In the meantime the matter had been brought before
the Council of the Society, which was summoned on the
26th July 1849 2 to hear a report from the secretary of the
meeting at Buckingham Palace on the 3Oth June, and to
consider what the action of the Society should be. The
1 Mr. Fuller, in an account of the meeting, published at a later
date, states that Sir Robert Peel was also present, and that he expressed
the opinion that the project was good and deserved support, but that
until a sufficient majority of the manufacturers of the United Kingdom
should declare in favour of it, he strongly advised His Royal Highness
to have nothing to do with it.
2 At this meeting Mr. Thomas Winkworth was in the chair, and
there were present Messrs. Le Neve Foster, S. Hickson (d. 1870), S.
Redgrave (d. 1876), F. Whishaw, and J. Scott Russell (secretary).
CONTRACTORS APPOINTED 413
conclusion arrived at was that the resources of the Society
were not such as to justify the Council in guaranteeing
the necessary preliminary outlay, but that it might be
possible to find some capitalists who would provide the
necessary funds, provided they were allowed to make the
exhibition, to some extent, a source of pecuniary profit.
The total probable cost of the exhibition was naturally
a subject of considerable discussion. It was estimated
by Mr. Cubitt that the cost of the building would not be
much less than £50,000 ; £20,000 was proposed for prizes,
and thus, with preliminary expenses, it was considered that
£75,000 would be required to ensure success. To recoup
this expenditure the following sources were relied upon —
receipts at the doors, payments from exhibitors for their
stalls, and various other miscellaneous sources of revenue.
For a long time great difficulty was experienced in
finding anybody who would undertake the speculation.
The matter was laid before numerous contractors, but
without success, until at last Mr. Fuller, through the
agency of his father-in-law, Mr. George Drew, of Guildford,
succeeded in inducing Messrs. J. & G. Munday to under-
take the risk. Messrs. Munday agreed to advance the
sum suggested for a prize fund — £20,000 — to the Treasurer
of the Society, to be placed in the name of Prince Albert
or of trustees appointed by him. They also undertook
the whole cost of erecting the necessary buildings, and to
provide the money for preliminary expenses. From the
exhibition receipts they were to receive 5 per cent, interest
on money advanced, and of the surplus profits one-third
was to be paid to the Society of Arts to form a fund avail-
able for future exhibitions, while the remaining two-thirds
were to go to the contractors, after payment of all costs
of the exhibition.
To carry on the work the Council appointed an execu-
tive committee and three treasurers.1 When the deeds of
1 The Executive Committee consisted of Henry Cole, C. Wen I worth
Dilke (afterwards Sir C. Wentworth Dilke, Bart. ; he died 1869),
George Drew, Francis Fuller, Robert Stephenson (the distinguished
engineer; he died 1859), and M. Digby Wyatt (secretary). The
treasurers were — P. Le Neve Foster, Joseph Payne, and Thomas
Winkworth.
4i4 THE 1851 EXHIBITION
contract came up for approval, some of the members of the
Council were of opinion that provision ought to be made
in case the Government eventually consented to take over
the management of the exhibition, and by agreement with
the contractors a clause was inserted, empowering the
Society, in the case of the above contingency arising, to
annul the contract on terms to be settled by arbi-
tration.
In the meantime steps had been taken for the appoint-
ment of the Royal Commission, which had been decided
upon as necessary at Osborne on the i4th July. At the
end of that same month the Prince had written to Sir
George Grey, the Home Secretary, asking, as President of
the Society, for the appointment of a Royal Commission,
and had received from him an encouraging reply. The
Commission was published in the Gazette for the 3rd
January iSso.1 Besides the Commissioners, it appointed
four treasurers for the receipts. The three gentlemen
who had been appointed treasurers by the Society of Arts,
were named as treasurers for the payment of the executive
expenses, and the same executive committee was nomin-
ated as had been appointed by the Council of the Society
of Arts.2 Mr. John Scott Russell and Mr. Stafford Henry
Northcote (afterwards Sir Stafford Northcote, and later
Earl of Iddesleigh) were appointed secretaries to the
Commission.
The first step taken by the Commission on the 1 1 th
June 1850, was to terminate the contract which had
been made with Messrs. Munday. It was thought, as the
experiment was of a national character, it ought to rely
upon voluntary subscriptions, and should not be made a
question of profit and loss. The proposal was met in the
most liberal spirit by the Messrs. Munday, who accepted
1 Mr. W. E. Gladstone was the last survivor of the original Com-
mission.
2 The constitution of this committee was afterwards modified.
Mr. Stephenson retired, and his place was taken by Lieut. -Colonel
(afterwards Sir W.) Reid, who became chairman. Mr. Drew and Mr.
Fuller took no part in the proceedings of the committee, though their
names were kept on it.
THE ROYAL COMMISSION
415
an award made by Mr. Robert Stephenson, of £5120, with
costs of £$$7.1
On the 8th February 1850 a special general meeting
of the Society of Arts was held to hear a report by Mr.
Scott Russell on the preliminary steps which had been
taken. A resolution approving the proceedings was
passed, and the Society pledged itself to support its Presi-
dent by every means in its power. It was also resolved
that a subscription list should be opened, and a sum of
£7888, out of a total of £67,896, was eventually contributed
by the members.
The management of the exhibition was now, therefore,
taken out of the hands of the Society, and the undertaking
placed on an independent basis. The success achieved is
matter of history, but it is outside the history of the Society
of Arts.2
JA few months later (i5th August 1850) the Commission was
granted a Charter of Incorporation, by which it was created a corporate
body, with executive powers. Under this authority it still exists.
2 The official history of the Exhibition is given in the first three
reports of H.M. Commission for the Exhibition of 1851, published in
1852 and 1856. A good account of it is also given in the introduction
to the 1862 Exhibition Catalogue, previously referred to.
1851 Exhibition (Front Elevation).
CHAPTER XVIII
THE 1862 EXHIBITION
Proposal for Exhibition in 1861 — Various Plans suggested — Date
deferred in consequence of Franco-Austrian War — Decision to
hold Exhibition in 1862 — Guarantee Fund — Agreement with 1851
Commissioners — The Society's Trustees incorporated as Commis-
sion for 1862 — Financial Failure of the Exhibition — The Jury
Reports published by the Society.
WHEN the proposal for the 1851 Exhibition first took
shape, it was intended that it should be the first of a quin-
quennial series of such exhibitions The importance,
however, and the magnitude of the enterprise quite pre-
cluded any idea of repeating so great an undertaking every
fifth year, but as the ten-year period from 1851 approached,
suggestions began to be made for holding a second exhibi-
tion. Sir Henry Cole tells us in his autobiography that
he and Mr. Wentworth Dilke had discussed the matter in
the early part of 1858, and in February of that year Mr.
Dilke, who was then Chairman of the Council of the Society,
submitted to the Council a memorandum from Mr. J. C.
Deane proposing that there should be held in London
in 1 86 1 a Great International Exhibition of Arts. Mr.
Deane had been associated with the Art Treasures Exhibi-
tion held at Manchester in 1857, and the memorandum was
the outcome of a conversation which he and Mr. Dilke had
had at Manchester. According to Mr. Deane 's proposal,
the exhibition was to consist of two divisions, Ancient Art
and Modern Art. The matter was discussed at numerous
meetings of the Council and various suggestions were
made. Eventually it was determined, on the 28th March
1858, that a series of decennial exhibitions was desirable
EXHIBITION IN 1861 PROPOSED 417
that an International Exhibition should be held in 1861,
and that steps should be taken for the formation of a
guarantee fund. The exhibition was to deal with Art and
Industry (Fine Art had been excluded in 1851) and was to
include Music ; it was to be mainly an exhibition of pro-
gress. As soon as the guarantee reached a certain sum,
£100,000 or £150,000, an Executive Committee of three
was to be nominated. Eventually in May a series of re-
solutions was finally agreed to which practically embodied
these proposals.1
On the 5th May a committee was appointed to wait
upon H.R.H. Prince Albert and to submit the scheme to
him. This Committee consisted of Harry Chester, Henry
Cole, Thomas Winkworth, J. Scott Russell, Sir Thomas
Phillips, Peter Graham, and the Chairman, Wentworth
Dilke. The Prince, however, was away and could not
receive the deputation at the time, so beyond the
publication of the resolutions of the Council no further
step was then taken.
The announcement, however, of the Society's proposals
naturally attracted public attention, and considerable
discussion took place both inside and outside the Society
as to the best site for the exhibition. The sites which
found most public favour were Battersea Park and the
estate at South Kensington, which had been purchased
by the 1851 Commissioners with the surplus of the 1851
Exhibition. This estate at the time consisted of the block
of ground now occupied by the Natural History Museum,
the Imperial Institute, the Albert Hall, and other buildings,
and the site proposed for the exhibition was the southern
extremity of this plot, where the Natural History Museum
now stands. Those who were moving in the business on
behalf of the Society were strongly of opinion that the
proper site was at South Kensington, and indeed it was a
question whether it was not the duty of the 1851 Com-
missioners to take entire charge of the proposed exhibition.
It was early in December 1858 that the Society
brought the matter officially under the notice of the Com-
1 The resolutions agreed to were published in the Journal of the
i6th April 1858 ; vol. vi. p. 333.
28
4i8 THE 1862 EXHIBITION
missioners, and asked them whether they were willing
to undertake the management of the exhibition. They
were the trustees of the surplus of the 1851 Exhibition,
and in that surplus was included the amount of the sub-
scriptions (£67,896) which had been originally given to
start the exhibition. It was urged in many quarters
that the funds thus provided should be available for
exhibition purposes, and that if a second exhibition
was wanted the Commissioners of 1851 were the proper
persons to carry it out. The Commissioners did not
meet until the ipth February in the following year,
when they replied asking for further information as to the
prospects of the scheme, and the support it was likely to
receive from manufacturers, and from the public. They
stated that they had no funds to meet the expenses,
but that if the report was favourable they were willing to
consider how they could effectively help the undertaking.
To this communication the Council replied on the nth
March 1859, promising that they would endeavour to
collect information, and would try to obtain subscriptions
to a guarantee fund of £250,000 on the understanding that
the Commissioners would initiate it by a contribution of
£50,000. It does not appear that any definite steps were
taken to form such a fund", but informal promises were
received from a number of the members of the Council
and their friends of sums amounting in the aggregate to
over £70,000.
In the midst of the negotiations the Franco-Austrian
war broke out (on the 26th April 1859), and after very
careful consideration it was determined by the Council
that it would be wiser to postpone the holding of an
exhibition. This conclusion was not arrived at without
much discussion, for the opinion was warmly urged
that a state of war on the Continent ought not to be
allowed to interfere with an industrial and peaceful
enterprise like an exhibition, and it was further argued
that even if no foreign nations co-operated, a sufficient
exhibition could be formed of British productions alone.
However, the more cautious counsels prevailed, so a formal
resolution of postponement was adopted, and was publicly
DATE FIXED 419
notified at the annual general meeting of the Society, held
on the 2Qth June I859.1
The war, however, was brought to a conclusion much
more rapidly than had been expected, and peace was con-
cluded in July. On the 2nd November 1859, the Council
passed a resolution to resume proceedings, postponing,
however, the date of the exhibition till 1862, and resolved
to take steps to obtain a guarantee fund of £250,000. They
also appointed a committee to prepare a form of guarantee
and to deal with exhibition matters generally. This
committee consisted of Mr. Cole, Mr. Uzielli, and the
Chairman of the Council, Sir Thomas Phillips. The com-
mittee reported on the 22nd February 1860, and in pur-
suance of their report a form of guarantee was adopted and
five trustees were nominated — Earl Granville, the Marquis
of Chandos (afterwards Duke of Buckingham), Mr. Thomas
Baring, M.P., Mr. C. Wentworth Dilke, and Mr. Thomas
Fairbairn, who had been chairman of the Art Treasures
Exhibition at Manchester in 1857. These proceedings
were reported to Prince Albert by a deputation from the
Council on the 28th February.
The guarantee form adopted took the shape of "an
agreement for holding an international exhibition in 1862."
This was signed by the intending guarantors, and after-
wards, when it became necessary to raise money for the
purpose of the exhibition, a formal deed was executed,
and it was signed by the guarantors. Under the provisions
of this agreement it was resolved that no subscriber
should be liable until £250,000 at least was guaranteed ;
that the undertaking was to be under the management
of the five trustees above named, who were to have full
control of the exhibition ; that the trustees should apply
to the Commissioners for the 1851 Exhibition for the
grant of a portion of their estate at South Kensington as
a site for the intended exhibition, but that they should
have power, if they could not obtain such site on favourable
1 The report of the Council, presented at this meeting, gives a full
account of the correspondence between the Council and the Commis-
sioners, and of the proceedings previous to the decision of postponement.
See Journal, vol. vii. p. 557.
420 THE 1862 EXHIBITION
terms, to adopt any other suitable site ; that one-third at
least of the sum expended on buildings should be employed
on erections of a permanent character, to be used by the
Society for holding decennial or other periodical exhibi-
tions, and for other purposes tending to the encourage-
ment of arts, manufactures, and commerce ; that at the
close of the exhibition the temporary buildings should
be sold. If there should be a deficit, which the Society
of Arts declined to liquidate, then the permanent buildings
were to be sold ; and after such sale, if there was still
a deficit, the ultimate loss was to be paid by the sub-
scribers pro rata. If there was a surplus it was to be
applied in a manner to be determined by the guarantors
themselves to the encouragement of arts, manufactures,
and commerce.
In deciding on the terms of this agreement the Council
were evidently inspired by two ideas — first, to secure for
the Society some tangible results from the success of the
project, if success there should be ; and secondly, to
make provision for the regular holding of exhibitions at
stated intervals in the future.
It is noticeable that a financial success was looked
upon as assured. The large profits from the first exhibi-
tion made it but reasonable to expect that a second,
managed with all the benefit of the former experience,
would produce even larger gains, and doubtless it seemed
but prudent to avoid the discussions and controversies
which had arisen about the disposal of the first surplus.
With management as skilful as that of 1851, and
conditions as favourable, it seems probable that 1 862 might
have been made a source of profit, as an exhibition on a
similar scale might be at any time, but this is only a
speculation, and experience has long since taught the
lesson that international exhibitions on the scale on which
they are now held, cannot possibly prove remunerative,
but must always involve a heavy expenditure.
On the 8th March 1860 a copy of the guarantee
agreement was sent to the Commissioners of 1851, and
an application was made on behalf of the Society for
the grant of a suitable site. The Commission being in
COMMISSION APPOINTED 421
doubt as to the means at the disposal of the Society for
carrying out their proposal, delayed response ; but on a
further letter being addressed to them in June 1860,
containing the information that the guarantee fund had
been subscribed to the amount of £308,350, the Commis-
sioners expressed their readiness to appropriate a portion
of their estate, rent free, for the exhibition ; and to vest
in the Society of Arts, at a moderate rent, the site of the
permanent buildings proposed to be erected, provided
that the sum of £50,000 was expended on their erection.
They, moreover, undertook to reserve the remainder of
the ground for an International Exhibition, to be held
in 1872, provided £10,000 were paid to them out of the
proceeds of the 1862 Exhibition.
There was a good deal of further correspondence be-
tween the Society of Arts, the Trustees, and the Commis-
sioners,1 and amongst other suggestions it was proposed,
at the instance of Lord Granville, and with the concurrence
of the other trustees, that the management of the exhibi-
tion should be handed over to the 1851 Commission. This
proposal, however, was not accepted by the Commission
for various reasons, one of them being that, as the guarantee
agreement entrusted the control of the exhibition to a
body of trustees specifically named, the agreement would
fall to the ground if the management was transferred from
the trustees to the Commission. The Commission, how-
ever, undertook to assist the trustees, and on that under-
standing the trustees agreed, in November 1860, to accept
the trust on the condition that a charter of incorporation
was obtained for them by the Society of Arts.
A charter accordingly was applied for by the Council
of the Society on behalf of the trustees, and was granted
under date of the I4th February i86i.2 This charter
incorporated the trustees under the name of the " Com-
missioners for the Exhibition of 1862," and gave them
full power to take all necessary steps for the management
of the exhibition, including the power of borrowing
1 The whole of the correspondence is printed in the Fourth Report
of the 1851 Commissioners.
2 See Journal, vol. ix. p. 205.
422 THE 1862 EXHIBITION
money for the purpose. It stipulated that a sum not
exceeding £50,000 was to be expended on buildings of a
permanent character adapted for the purposes to which
the Society of Arts might put them, as previously agreed,
the conditions for the ultimate disposal of these buildings
being the same as those set forth in the guarantee agree-
ment. If there was a loss, the Society of Arts was to have
the option of making it good, and taking over the per-
manent buildings. If there was a surplus, £10,000 was
to be paid to the 1851 Commissioners for the use of a site
of sixteen acres for an exhibition in 1872 ; the balance,
as above stated, was to be employed as the guarantors
might decide.
The trustees did not wait for the formal issue of the
charter, but took some provisional action before they
commenced their labours, and they soon came to the
conclusion that it would be impossible for them to carry
out the condition of spending not less than £50,000 on
permanent buildings. They therefore proposed that the
sum to be spent on permanent buildings should be reduced
from £50,000 to £20,000, with the understanding that if
at the close of the exhibition the necessary funds were
available, the difference should be made up. This was
agreed to by the Society of Arts and by the 1851 Commis-
sion, and these conditions were substituted for the condi-
tions described as having been stated in the charter.
The full control of the exhibition was now vested in
the Commissioners appointed for the purpose, and passed
out of the hands of the Society of Arts, which however
was still occupied with its duty of increasing the guarantee
fund. This was eventually raised to £45 1 ,070, contributed
by 1157 subscribers.
It will therefore be seen that the Society had a more
intimate connection with the management of the 1862
Exhibition than with that of 1851. In both cases the
preliminary organisation was due to the Society, and in
both cases the early preparations were made by, and at
the risk of, the Society, but the exhibition of 1862 was
managed by a Commission appointed by the Society,
whereas the Commission of 1851 was an entirely inde-
FINANCIAL DEFICIT 423
pendent body, the Society having had no voice in the
selection of its members.1
At the conclusion of the exhibition it was found, as is
well known, that the receipts had been insufficient to
defray the expenses. This unfortunate result was no
doubt largely due to the death of the Prince Consort in
1 86 1. Not only did the exhibition lose the benefit of his
personal interest and sympathy, but it was held during a
period of national mourning, and was of course therefore
deprived of the patronage of the court, and of the pomp
and ceremonial essential to the success of such an under-
taking as an International Exhibition.
Eventually it was agreed that the contractors — Messrs.
Lucas & Kelk — should take over the whole of the build-
ings, alike the temporary erections and those which had
been intended to be permanent, in discharge of their
claims against the Commissioners of 1 862 ; and in addition
to this, one of the members of the firm — Sir John Kelk —
personally gave the sum of £11,000 to the Commissioners
to enable them to balance their accounts without making
any call upon the guarantors. The anticipation of the
Society, therefore, that it would enter into possession of
buildings at South Kensington suitable for the holding of
exhibitions, and for other purposes, was not realised, and,
as in 1851, it derived no profits from the undertaking.
Later on an important service was rendered to the ex-
hibition by the Society of Arts b}^ the publication of the
Jury Reports. After the conclusion of the 1851 Exhibition
the Commissioners published a very valuable volume of
Reports of the Juries, containing not only particulars of
all the awards but a great mass of valuable information
on industrial history, much of which is not to be found
elsewhere.
The financial failure of the 1 862 Exhibition prevented
the Commissioners for that Exhibition from undertaking
1 For detailed information as to the management of the exhibition,
construction of buildings, financial results, etc., reference may be made
to the report of the 1 862 Commission published in 1 863 ; to the fourth
and fifth reports of the 1851 Commission, and to the introduction tQ
the Official Illustrated Catalogue, 1863.
424
THE 1862 EXHIBITION
a similar task. Thereupon the Council of the Society,
anxious, as they said, that a record of the industrial
progress of the previous ten years should be preserved,
undertook the duty of issuing a similar volume to that of
1851. There was some little delay in the publication of
the work, as it was not completed and issued until January
1864. It appeared under the editorship of Dr. Lyon
Playfair, afterwards Lord Playfair, and was of the same
form as its predecessor. It also is a work of considerable
value to the student of industrial history, though, dealing
as it does for the most part only with the ten years from
1851 to 1862, it is not quite so useful as the earlier volume.
Unfortunately, the cost of its production proved to be very
heavy ; the original estimate of £1806 was exceeded by
over £450, and the total cost amounted to £2343 ; of
this £1310 was recovered by sales, leaving a total loss to
the Society of £1033.
The 1862 Exhibition Building.
CHAPTER XIX
THE SOCIETY'S EXAMINATIONS
Origin of the System — First Examination of 1856 — The College
of Preceptors — Qualifying and Competitive Examinations for the
Government Service — Value of Examinations generally — Prof.
Huxley's Views — The Society's Board of Examiners — Changes in
the System — The Existing System — Value of the Certificates —
Special Examinations for Soldiers — Technological Examinations,
their Origin and their Transference to City Guilds Institute —
Examinations in Practical Commercial Knowledge — Viva Voce
Examinations in Modern Languages — Music Examinations.
THE examination system of the Society, which has now
attained such large proportions, was, as previously men-
tioned,1 started as an adjunct to the " Union of Institu-
tions," established in 1852. Though it was many years
before the examinations attained their present dimensions,
they were popular from the first, and much appreciated.
There is this special interest associated with them, that
the system they started was afterwards adopted by the
Universities, the Science and Art Department, the City
Guilds Institute, and many other bodies. There seems
no good reason to claim any direct connection between
the Society's examinations and the local examinations of
the two Universities, though W. Hawes, in his chairman's
address in November i863,2 says that they originated
from " a suggestion of one of our examiners that the
Universities should do for the class immediately above
those for whom our examinations were intended," what
the Society had done for its own candidates, but the
Government system certainly grew out of that started by
* See Chapter XVI, p. 372. 2 Journal , vol. xii. p. 5.
426 THE SOCIETY'S EXAMINATIONS
the Society, and the Guilds Institute took over and de-
veloped the technological examinations founded by the
Society.
It was in November 1851 that Harry Chester sub-
mitted to the Council his scheme for the formation of a
union of mechanics' institutions, the principal object of
which was to encourage the founding of such institutions,
and to develop the educational facilities which they pro-
vided. As they were meant to help the education of
artisans, it was considered that their promotion came
legitimately within the scope of the Society of Arts.
Among the early suggestions for the utilisation and
development of these institutions was a proposal for a
general system of examinations among their members.
In December 1853, Mr. Chester definitely proposed the
establishment of such a system, and in the spring of 1854
a scheme of examinations was published. The scheme
was of a very comprehensive character, and included
the following subjects : (i) Mathematical Sciences ;
(2) Experimental Sciences ; (3) Sciences of Observation ;
(4) Mechanical Sciences ; (5) Social Sciences ; (6) Fine
Arts ; (7) Moral and Metaphysical Sciences ; (8) Liter-
ature. This very elaborate programme proved a little
impracticable, and it is not to be wondered at that only a
single candidate offered himself for examination in March
1854. The promoters of the movement were not, how-
ever, discouraged ; the scheme was remodelled, principally
by Dr. Booth, and in 1856 an examination of 62 candidates
was held at the Society's house. The subjects of this
first examination were : (i) Book-keeping ; (2) Arith-
metic ; (3) Algebra ; (4) Mensuration ; (5) Geometry ;
(6) Mechanics ; (7) Chemistry ; (8) Animal Physiology ;
(9) Botany; (10) Agriculture; (u) Geography ; (12) Phy-
sical Geography; (13) English History; (14) English
Literature ; (15) Latin and Roman History ; (16) French ;
(17) German; (18) Freehand Drawing.
In the following year, 1857, the first attempt at pro-
vincial examinations was made, and an examination
was held at Huddersfield, as well as in London, the ex-
aminers of the Society going down for the purpose. The
THE FIRST EXAMINATIONS 427
desire of increasing the number of examination centres
and the obvious impossibility of sending examiners
simultaneously all over the country, led in 1858 to the
elaboration of the system of local committees to supervise
examinations worked from a single centre.
The system thus started has been developed and
modified in the course of the sixty years which have
passed since it was first devised, but in principle it remains
unaltered. The numbers examined are now (1913) nearly
30,000, the character of the examination has changed,
the subjects have been altered from time to time, but in
the method and general system there has really been no
change whatever. Of this system, it may suffice to say
that the examinations are conducted simultaneously at
a number of different centres throughout the kingdom,
through the agency of local examination committees
established for the purpose by the Society. The papers
in each subject are sent down in separate envelopes to
the secretary of the committee immediately before the
day of examination. The envelopes are opened in the
presence of the candidates, and the papers distributed.
The worked papers are sealed up at once and dispatched
to the office of the Society. They are then distributed
among the various examiners, who report upon them,
and the results are published.
It is, however, proper to say that the Society of Arts
cannot claim the sole credit of the invention of the system
of local examinations. In 1850 the College of Preceptors
(established in 1846) was considering the best means of
examining the schools of its members. It commenced
by sending down examiners, its first school examination
having been held in December 1850 at Nottingham,
but in 1853 the experiment was tried of collecting pupils
to a centre and examining them by means of papers sent
down from London. The experiment proving successful,
the system was regularly organised in the following year,
1854, and has been continued ever since.
It will be seen that the College of Preceptors' examina-
tions preceded those of the Society of Arts by two years,
but the objects, the conditions, and the methods of the
428 THE SOCIETY'S EXAMINATIONS
two systems have been so different that there has never
been any but the most friendly rivalry between them.
The College examinations were school examinations,
whereas those of the Society were intended for students
of all ages, but especially for those beyond school age, and
a special organisation had to be devised for carrying them
on. In 1856 a conference was held at the Society's
house between representatives of the two bodies, the
College being rather afraid that the Society's examina-
tions would interfere with their own. It was soon apparent
that the two systems were intended to occupy different
ground, and were not likely to affect one another. In
practice this has proved to be the result, and it has never
been found that they have interfered in the least with one
another.
The Society's methods had many imitations. The
University local examinations were established in 1858.
They deal with a class quite different from the classes
for whose benefit the Society's examinations were intended,
and have always been of a distinctly higher standard.
The beginning of elementary drawing examinations by the
Department of Science and Art was about contem-
poraneous with the Society's examinations, and when those
examinations were regularly established, drawing was
struck off the Society's list in 1 860. The Science examina-
tions began in 1859, and as these developed it was found
that the Society's examinations were in many respects
competing with those of the Department . The same candi-
dates were being examined in the same subjects, and there
was an evident waste of power. In 1870 this led to the
abandonment by the Society of seventeen out of the
thirty-six subjects then included in its programme.
At the time when the Society's examinations were
started, there was no doubt as to the value of examina-
tions as a means of education, or as a test of fitness for
any employment, especially employment by the State. In
1854 a stringent qualifying examination was introduced for
the Home Civil Service, and in the following year (1855) the
first competitive examination was held for appointments
in the Civil Service of India. Such examinations were
VALUE OF EXAMINATIONS 429
regarded as the only alternative to patronage and jobbery
on the one hand, and as providing the only opening for
deserving merit on the other. After half a century the
pendulum has swung back, and we have now arrived at the
stage of reaction against over-examination, although it
is quite certain that no other remedy against the evils of
patronage in the disposal of minor Government appoint-
ments has yet been discovered. Perhaps it may come to
be recognised that examinations answer well enough as
a rough test or for sorting men into classes. If thirty
or forty clerks are wanted for a Government office and
there are 100 or 150 applicants, it is certain that the men
at the top of the list will, on the whole, be the best, though
one or two who might have special qualifications will
be rejected.
When it comes to selecting men for special posts,
examinations are not very satisfactory, and this has got
by now to be generally admitted. Such, however, was
not the case in 1853. The evils of the old system were
evident and obvious ; the drawbacks to the new had yet
to be discovered, and so it was naturally regarded as a
panacea for all existing ills.
Apart from their value as an impartial method of
distributing State patronage, there are two points in which
examinations have, or may have, a value — first, as a test
of knowledge ; and, secondly, as an incentive to the
acquisition of knowledge. As to their value as a genuine
test of knowledge, it is rather difficult to form an opinion.
They can only test the information there is in the candi-
date's head at the moment, and in too many cases that
information has acquired but a temporary resting-place
there. An examination is, probably, a better test of a
candidate's power of acquiring knowledge than it is of the
amount he possesses, and perhaps that may be considered
as an argument in its favour. As a matter of fact, the
question cannot be answered in general terms. Perhaps
no better test need be desired of a man's mathematical
knowledge than the mathematical tripos at Cambridge.
On the other hand, an elementary examination in physics
or chemistry, or indeed in most other subjects, offers but
430 THE SOCIETY'S EXAMINATIONS
a poor means of estimating the real amount of knowledge
possessed by a candidate. But it must always be remem-
bered that on the whole a student who has passed an
examination is probably a little better informed and a
little better instructed than one who has failed, and if the
possession of an elementary certificate does not amount
to a great deal, at all events it means something.
As an incentive to the acquisition of knowledge, it
is evident that the present system of examination has its
value ; its enormous extent alone is sufficient to show that.
There are very few such earnest students as to be satisfied
with the acquisition of knowledge for its own sake, and
in the case of most people, especially of young people,
an artificial stimulus is required. This stimulus, it
is found, can very satisfactorily be provided by hall-
marking those who have passed an examination, and
allowing them to bear some special title — as "Dr." or
the like — or permitting them to attach certain initials
to their names.
There is, therefore, a good deal to be said in favour of
general examinations, although there is also a good deal to
be said against them on the score of the superficiality of
the knowledge that they tend to produce, and on account
of the very erroneous idea that has been disseminated
that the fact of a student having passed an examination
affords much proof of his possessing a knowledge of the
subject in which he has been examined.
It was not very long before the general system of the
Society's examinations took definite shape, and they
assumed the commercial character they have ever since
maintained. The institutions through whose agency the
examinations were held, were originally intended for the
benefit of the artisan class, but as they developed they
drew their members more and more from middle-class
folk, and adapted whatever education they provided to the
needs of clerks and professional people rather than to those
of work-people. Naturally the examinations were affected
by the same influences, and their character was modified
accordingly. The non-commercial subjects were gradu-
GENERAL SYSTEM 431
ally dropped out, and subjects which were considered to
have a distinct commercial value were introduced.1
It has always been a question whether the system
adopted from the beginning by the Society, of holding
separate examinations in separate subjects, is the best,
or whether it might not be better to classify the subjects,
and only issue certificates on the result of an examination
held in a number of specified subjects. The experience
of the Society certainly shows that the system of separate
examinations is the more popular, and there is much to be
said as to its actual merits. The arguments in its favour
were very strongly put by Professor Huxley many years
ago in an address which he delivered on the occasion of the
opening of the Johns Hopkins University at Baltimore.
He said : " It [the system of separate subject examina-
tions] allows the student to concentrate his mind upon
what he is about for the time being, and then to dismiss it.
Those who are occupied in intellectual work will, I think,
agree with me that it is important, not so much to know a
thing, as to have known it, and known it thoroughly. If
you have once known a thing in this way, it is easy to
renew your knowledge when you have forgotten it ; and
when you begin to take the subject up again, it slides back
upon the familiar grooves with great facility." 2
When the scheme was first started, a very strong Board
of Examiners was formed, including amongst others such
names as the following : Sir George Airy, the Astronomer
Royal ; Dr. Temple, then Headmaster of Rugby, and
afterwards Archbishop of Canterbury ; Dr. Vaughan,
Headmaster of Harrow, and afterwards Dean of Llandaff
and Master of the Temple ; Dr. Liddell, Headmaster of
Westminster, and afterwards Dean of Christchurch ; Dr.
William Sharpey, for long Secretary of the Royal Society ;
William Spottiswoode, afterwards President of the Royal
Society ; Canon Moseley, one of the first Inspectors of
Schools ; Richard Dawes, Dean of Hereford ; Harvey
1 Book-keeping first appears as a separate subject in 1859. Before
that date it was included in arithmetic. Shorthand was introduced in
1876, and typewriting in 1891.
2 Huxley's American Addresses (1877), p. 1 16.
432 THE SOCIETY'S EXAMINATIONS
Goodwin, Dean of Ely, and afterwards Bishop of Carlisle ;
Charles Neate, the well-known economist and political
writer ; Robert Hunt, the Keeper of Mining Records ;
(Sir) E. G. Creasy, the historian, author of the Fifteen
Decisive Battles of the World] and Professors W. B.
Carpenter, A. W. Williamson, Bartholomew Price, Baden
Powell, and T. M. Goodeve.
At first the control of the examinations was left entirely
in the hands of this Board ; but the arrangement was not
found a wholly satisfactory one, and it was thought better
that the Council should take over the direct management.
Accordingly the Board was superseded in 1857, after
which date the examiners were paid a fee. Previously
their services had been honorary.
Until the introduction of a competitive examination
for posts in the Civil Service it was a not uncommon
practice for Ministers to place at the disposal of the Society
a few appointments in their Departments, and from their
first establishment down to the year 1864 a good many
clerkships in Government offices were thus obtained by
candidates in the Society's examinations.
To the examinations in 1858 fifty-eight institutions
sent up 288 candidates ; in the following year there
were 480; in 1860, 586. The numbers increased steadily
till 1865, when there were 1899 ) the next year showed
a slight diminution, and then there was a further
increase, till the number of 2160 was reached in 1869.
This was the largest number examined under the original
system.
In 1871, when the Council was considering the establish-
ment of a system of technological examinations, of which
an account is given below, they passed a resolution to
discontinue the general examinations, but on the applica-
tion of some of the more important of the Institutions
in Union, they rescinded the resolution and determined
to continue the examinations for a further period. This
was done, on the same system as before, till 1876, when
the programme was revised, and the plan on which certifi-
cates were granted was somewhat modified. Previously
certificates had been granted for single subjects, but in
CHANGES IN SYSTEM 433
that year a " Commercial Certificate " was established in
addition, to take which it was necessary to pass in at least
three subjects. Very few of these certificates were ever
taken, the system of single certificates for single subjects
being more popular and better suited to the needs of the
class of students who take up the Society's examinations.
Before his death in 1861, Prince Albert offered a prize
of twenty-five guineas to the candidate who obtained the
largest number of first-class certificates in four consecutive
years (including the year of the award). This was first
awarded in 1862, and after his death the prize was con-
tinued by Queen Victoria. It was awarded annually under
the title of the " Prince Consort's Prize " up to 1879, when
the proposed abandonment of the examinations referred
to below unfortunately led to its discontinuance.
In 1879 the question of abandoning the examinations
again arose, it being thought that the ground was covered
by other agencies. To quote from the report of the Ex-
amination Committee in 1879 : —
" The Committee feel that the time has now come
when the Society should cease to compete with other
educational agencies more influential in the work of ex-
amination. With the Education Department examining
millions of children in elementary schools, and thousands
of young persons in night classes ; with the Universities
holding their local examinations throughout the country
for young persons of a higher class ; with the Science and
Art Department examining students in every branch
of science and art ; with the new City Institute developing
yet further the technological examinations just handed
over to them by the Society ; with other agencies, such
as the College of Preceptors, doing kindred work, the
Society of Arts may well retire from the field, having in
all these various directions acted as pioneer. It held
science examinations before the Science Department,
examinations in literature before the Universities went
afield to meet the classes who could not go to Oxford or to
Cambridge. It has seen the system it established develop,
with the aid of Government funds, as it could never have
grown without such help, and the time has now arrived
29
434 THE SOCIETY'S EXAMINATIONS
when it may cease to compete with the agencies it has
done so much to foster."
In pursuance of the course recommended in this report
no examination was held in 1881, but again some of the
institutions where the examinations were held protested,
and on further consideration it was determined to con-
tinue the examinations, but to try whether they could
not be made self-supporting. Hitherto they had been
free. In 1 882 a fee of 2S. 6d. was charged to each candidate,
and this charge has since been continued. The " Com-
mercial Certificate " was abandoned and the old system
was resumed of giving a separate certificate for each
subject. The natural result of fees being charged was a
considerable falling off in the numbers examined. In
1882 only 695 papers were worked as compared with
2325 in 1880. The numbers, however, soon began to
increase again. In 1890 there were 2474 ; in 1895, 5IQ8 J
and in 1900, 9808. This very considerable increase was
doubtless to a great extent due to the facts that the
County Councils had, by the Technical Instruction Act,
1889, been placed in possession of large funds available
for the promotion of technical education ; and that
certain commercial subjects were scheduled by the
Science and Art Department as subjects coming within
the scope of the Act . The commercial subjects so scheduled
were precisely those in which the Society of Arts
examined.
In addition to its Commercial Knowledge Examina-
tions, the Society conducted, from 1856 to 1894, Ele-
mentary Examinations. These were of the same character
as the general examinations, but much simpler. They
were really carried on by the district unions and local
boards in connection with the Society. All the Society did
was to supply identical examination papers, the results
being examined and certificates awarded by examiners
appointed by the local boards. The Society supplied the
certificates, but accepted no responsibility as to their award.
The system, though useful at its first establishment, was
never found to work in a very satisfactory manner, and
in 1895 it was abandoned ,
FURTHER MODIFICATIONS 435
There was, however, always a demand for examinations
of a more elementary character than the general examina-
tions, and in consequence elementary examinations in
modern languages (French, German, and Spanish) were
established in 1897. These were fully appreciated, and
eventually, in 1901, an elementary or preliminary grade
was added, with two classes only, passes and failures.
The subjects selected for this grade included Handwriting
and Correspondence, Shorthand, Book-keeping, Arith-
metic, Typewriting, Commercial Geography, French, and
German, — Spanish and Italian were added a year or two
later. In the first year in which these Elementary Ex-
aminations were held (1901), there were 4458 papers
worked in the different subjects, of which 2494 passed
and 1964 failed. The percentage of successes and of
failures was, therefore, 56 and 44. There has since been a
continuous growth, till in 1912 the numbers reached 1 1 ,448,
with a percentage of 64*99 successes and 35*10 failures. It
may, therefore, fairly be concluded that the increased
numbers have been accompanied by a perceptible im-
provement in quality.
In 1905 some considerable modifications were made in
the general programme }• I n t he system existing in 1 904 there
were two grades- — Senior and Junior. In the Senior there
were three classes, and in the Junior, or Elementary, there was
one. For some years past suggestions had been made from
various quarters to the Council that it would be desirable
to establish a higher grade of examination, which might be
taken by more advanced students than those entering for
the examinations as they then were. After very careful
consideration, and a good deal of correspondence with the
local committees, it was determined that the examinations
should be arranged under three stages. Stage I. was to be
elementary ; Stage II., intermediate ; and Stage III.,
advanced. The elementary was to be, as before, a pass
examination, and in each of the two upper stages there
were to be two classes. It was proposed that the advanced
1 During the preceding ten years, no changes of importance were
made. Domestic Economy, which had been in the programme almost
from the beginning, was dropped in 1901.
436 THE SOCIETY'S EXAMINATIONS
stage (No. III.) should practically correspond with the first
class of the old Grade II. and the upper part of the second
class, while the idea was put forward that the standard
should be very gradually advanced. The intermediate
stage was made up of the third class and the lower part of
the old second class of Grade II.
This system has since been carried on without any
alteration, and it has been found to work very well. The
advance in the standard has been but trifling, as it was
found from the general character of the papers sent in that
any considerable elevation of the standard would involve
an undue amount of rejections — that is to say, more than
a third of the candidates entering. Some new subjects
were also added to the advanced stage, the principal of
which were commercial law and accounting and banking.
A slight change was also made in the fees, those for the
advanced and intermediate being left as before at
2S. 6d., and for the elementary stage the fee was fixed at
2S., with a reduction of is. for every subject after the first
subject taken up.
The new system resulted in a very large increase of
candidates, from 17,771 in 1904, to 21,253 m *9Q$, 22,597
in 1908, and 28,644 m 1911- This is the highest number
yet reached.
In 1912 the Education Committee of the London
County Council took over the superintendence of the London
examinations, and thus provided an independent local
authority responsible for the work previously carried out
by voluntary committees. The example is being followed
in nearly all the large Provincial centres, and much is hoped
from this most recent development. It is, however, at the
present time too novel for much to be said about it here.
As regards the practical value of the three sets of certifi-
cates, it may safely be said that a certificate of the ad-
vanced grade (especially of the first class) may be taken
to afford an employer a reasonable assurance of a com-
petent knowledge of the subject (so far as it can be tested
by examination) on the part of a candidate for employ-
ment who presents it. A certificate of the intermediate
grade may be taken as evidence that the person presenting
TECHNOLOGICAL EXAMINATIONS 437
it has made a study of the subject and has made some pro-
gress in that study. An elementary certificate in the
hands of a young person shows that special study of the
subject has been attempted, and its successful pursuit
looked forward to in the future. It must be remembered
that this grade is only intended for young persons of, or
just over, school age.
In 1907, at the request of the Army Council, it was
arranged that a special annual examination in Shorthand
should be held for soldiers at any centre fixed by the
Army Council at any place in the Empire. Such an ex-
amination has been held every year since. The number
of centres has generally been about twenty-five ; they
have been situated in the United Kingdom, India, South
Africa, Egypt, and Malta. The average number of candi-
dates is between sixty-three and sixty-four, of whom
75 per cent. pass. This is much above the average of
shorthand examinations. There are also a good many
soldier shorthand writers who hold certificates obtained
at the Society's ordinary examinations.
In 1908 and 1909, also at the request of the Army
Council, a similar examination for soldiers in Typewriting
was carried out. All the work was good, but the entries
were not sufficiently numerous to justify the expenditure,
the cost of printing the necessary papers for such a
subject for a few candidates being relatively consider-
able, and so the examination was discontinued.
The Technological Examinations, referred to on page
432, were instituted in 1873 at the suggestion of Sir John
Donnelly. Some account of their origin will be found
in Chapter XX.1 These examinations were intended to
test the knowledge possessed by artisans of the subject-
matter of their respective industries. It was arranged
that they should be held in connection with the May
examinations of the Science and Art Department, the
technological papers being given out with those of the
Department . Before a candidate could obtain a certificate,
he was required to pass the Department's examination in
certain specified science subjects, these varying according
1 Page 465.
438 THE SOCIETY'S EXAMINATIONS
to the technological subject taken up. Certificates of
three grades were given — elementary, advanced, and
honours — corresponding with those of the Department
examination. No attempt was made to test practical skill,
but each candidate was required to produce a certificate
from his employer in which his competence was stated.
The number of candidates was never great. In the first
year (1873) only six entered, and the numbers gradually
increased to 68 in 1870, and 184 in I878.1
In 1879, on the foundation of the City and Guilds of
London Institute, the Technological Examinations were
handed over to that body. From the funds placed at its
disposal by the City Companies the Institute was able to
offer to teachers payments on the results of the examina-
tions like the grants of the Science and Art Department.
Teachers were thus enabled to form classes and to send
pupils in for the examinations, and a large increase in the
number of candidates took place. These examinations
now form an important part of the Institute's work, and
attract annually a very large number of candidates. In
1910 the number examined was 24,508. Large additions
have also been made to the list of subjects, which now
number seventy- five. No great change has been made in the
general character or system, which remains much the same
as that proposed by Sir John Donnelly, but the details have
been considerably modified, and, in some cases, a practical
examination, to test handicraft skill, has been provided.
In 1889 an attempt was made to establish a system
of examinations in " Practical Commercial Knowledge."
Syllabuses for two subjects, " The Commerce of Food "
and " The Commerce of Clothing," were issued, but no
candidates came forward, and after a second year's trial,
the proposition was dropped.
A question which had been for a long time before the
Council was the holding of viva voce examinations in
1 The following were the subjects included in the 1878 examinations :
Cotton Manufacture, Paper, Silk, Steel, Carriage - building, Manu-
facture of Pottery and Porcelain, Gas Manufacture, Glass, Cloth,
Silk-dyeing, Wool-dyeing, Calico Bleaching Dyeing and Printing,
Alkali Manufacture, Blow-pipe Analysis.
VIVA VOCE EXAMINATIONS 439
Modern Languages, and as far back as 1870 suggestions
made by Mr. Hyde Clarke for holding such examinations
locally, were included in the programme. No definite
arrangements were made for holding the examinations ;
it was merely announced that if any local board could
find a suitable examiner in any modern language, the
Society would grant a certificate to any candidate certified
by him as proficient. The experiment was tried on a
small scale in London, Birmingham, Manchester, Lichfield,
and Penzance for six years, 1870 to 1875, and in that
time only fifteen candidates qualified. The languages
taken up were French, German, and Spanish. After
1875 the experiment was dropped.1
It is quite obvious that no paper examination can be
an adequate test of knowledge of a spoken language ; but
the difficulties connected with the holding of colloquial
examinations simultaneously at a number of different
centres for a long time proved insuperable. In 1902 the
idea of holding such examinations at the same time as
the other examinations was abandoned, and it was
announced that examinations in French, German, and
Spanish would be held at any date at any of the Society's
examination centres where proper arrangements could
be made. Portuguese and Italian were afterwards added
to the list of subjects. The experiment proved quite
successful . In the first year 2 80 candidates were examined .
The numbers rose to 68 1 in 1905, and this has been the
highest number reached up to the present time. About
75 per cent, of the candidates are successful, and it has
been found on the whole that nearly all the candidates
who enter have a very fair colloquial knowledge of the
language, while certificates of distinction have been granted
to a great many who showed thorough proficiency. No
difficulty has been experienced in conducting the examina-
tions satisfactorily.
Although Music was hardly considered as coming
properly within the range of the Society's work, it was
included almost from the first in the list of examination
1 Journal, vol. xviii. p. 654 ; vol. xix. p. 576 ; vol. xx. p. 604 ; also
the examination programmes and lists of results for the years 1870-75.
440 THE SOCIETY'S EXAMINATIONS
subjects. The Theory of Music first appears in the 1859
programme, the examiner being John Hullah. In that
year twelve candidates entered, and the numbers slowly
grew to 324 in 1880. Hullah continued to conduct the
examination till his death in 1 884. He was succeeded in the
following year by W. A. Barrett, who for some time pre-
viously had acted as his assistant. Mr. Barrett carried on
the work till his death in 1 891 . Sir John Stainer acted for
one year (1892), and in 1893 Sir Joseph Barnby took it on.
He acted for three years, and in 1 896 Dr. W. G. McNaught
undertook the work, which he has since carried on. In
1893 a change in the form of the examination was intro-
duced, the subject being divided into two, " Harmony "
and " Rudiments of Music." About 700 papers are now
worked in the two subjects, a certain number of candidates
taking both.
In 1879, at the suggestion of Dr. Hullah, examinations
in Practical Music were established — that is to say, ex-
aminations at which the actual capacity of students to
play an instrument, or to sing, could be tested. For many
years these have been held in London only, at a certain
specified date, though at one time there were also a few
provincial centres. It was intended that these examina-
tions should apply to a less advanced class of candidate
than those who entered for the well-known examinations
of the Royal Academy of Music, at the time when the
Society's system was started, or who now enter for those
of the Associated Board of the Royal Academy and the
Royal College of Music. It is believed that the Society's
examinations have fulfilled their purpose, and have
proved a useful means of encouragement to many musical
students. Dr. Hullah acted as examiner from 1879 till
1884, and was succeeded by Mr. W. A. Barrett. The
work was continued by Sir John Stainer, Sir Joseph
Barnby, and Mr. W. G. McNaught. In 1895, Mr-
John Farmer was appointed, and he continued to act
till 1899, when he was obliged to give up the work in
consequence of illness, which, at a later date, terminated
fatally. Since his death the examinations have been
conducted by Dr. Ernest Walker and Mr. Burnham
NUMBERS EXAMINED
441
W. Horner, who served as Assistant Examiners to Mr.
Farmer.
The numbers examined have never varied within very
wide limits. In the first year there were 117 candidates ;
the numbers increased gradually to 276 in 1891, and to
393 in 1895. The largest number yet examined was 566
in 1900. During the last few years there has been a small
but steady diminution. The standard has not varied
greatly, but is now (1913) a little higher than it was. The
general level of attainment is reported by the examiners
to be slightly higher of recent years.
The Swiney Cup (see p. 395).
CHAPTER XX
THE PRESIDENCY OF KING EDWARD VII.
(1862-1880)
History not carried beyond 1880 — Value of the Society's Publications —
Election of Albert Edward, Prince of Wales, as President — His
relations with the Society and his interest in it — His accession to
the Throne as King Edward vii. — Presidency filled by Sir Frederick
Bramwell — Election of George, Prince of Wales, as President —
His accession to the Throne as King George v. — Presidency filled by
Lord Alverstone, C.J. — Election of Duke of Connaught as President
— Chairmen of Council, 1861-90 — Principal Members of Council —
The Cantor Bequest — Allowance to Dr. Cantor's Mother and
Sister - in - Law — The Cantor Lectures — The Society and the
Colonies — First Suggestion of a Colonial Section — Formation of
Indian Section — African Section, afterwards the Colonial Section,
established — Chemical Section — Art Workmanship Prizes — Food
Committee — Trevelyan Prize for Food Preservation — Value of the
Food Committee's Work — First Applications of Refrigeration —
Failure to award the Prize — Its ultimate disposal — Technical
Education Question raised by Dr. Playfair — Conference and Report
of Committee — Technological Examinations — Other Educational
Work of Society — School Drill — Memorial Tablets ; Suggestions by
G. C. T. Bartley; The Society's Tablets; Work taken over by
London County Council.
THE final chapters of this book are intended to bring
the history of the Society as far as it has seemed desirable
to carry it, viz. to the year 1880 or thereabouts, the time
when the writer succeeded Mr. Le Neve Foster as secretary.
There are obvious reasons for this course, one of them
being that it avoids the need for reference to persons still
alive. It has not seemed necessary to draw a hard-and-
fast line, and in a few cases it has been more convenient
to carry the history of a subject down to the end of the
442
THE SOCIETY'S PROCEEDINGS 443
century, or even later. In many others it has appeared
better to stop at an earlier date. At all events, it may be
taken that this and the next chapter are intended to deal
with the Society's principal work in the period of fifteen
or twenty years after Prince Albert's death in 1861.
Whether I should apologise for the brevity with which
I have treated the various portions of my subject-matter,
or for the length to which the whole narrative has extended,
I am not certain. It is difficult to realise that I may
have erred in both directions.
One portion of my subject I know I have dealt with
most inadequately, and that is the vast mass of literature
which the Society has published in the form of papers
read at its meetings. This publication is the Society's
principal duty. Its execution of it is its chief claim to
public support, and yet in a history of the Society's
labours this department is almost ignored, or left with
only occasional reference. But how could it be properly
treated ? The first thirty volumes of the Journal, record-
ing the proceedings from 1852 to 1882, contain the reports
of about twenty-four meetings in each year, 720 in all.
The 720 odd papers are on the most diverse topics — in-
dustrial, economic, social, artistic, scientific, educational,
mechanical, fiscal, commercial, hygienic, and who shall
say how many other divisions of human polity.
The Society might take for its motto the old Terentian
tag, Humani nihil a me alienum puto. It never refused a
hearing to anybody who had fresh information to give
on any subject likely to be beneficial to human progress
or human welfare. The mere list of the titles of the
papers occupies nearly fifteen pages (large pages and
small type) of the amalgamated indexes to the Journal.
A summary of their contents would easily fill a volume,
and, as any reasonable summary is hopeless, it has seemed
better to be content with a general reference to the vast
mass of information available in the Journal x for the
1 In the first address which, as Chairman of the Council, he delivered
to the Society in 1890, the present Lord Chief Justice, Lord Alverstone,
referred to " the mine of wealth as to the history of invention and
scientific research which lay stored up . . . in the pages of the Journal."
444 PRESIDENCY OF KING EDWARD VII
student of recent social and economic history, and not to
attempt any account of it.
As mentioned before, Prince Albert died in December
1 86 1, and at first the Council considered that the office of
President ought not to be left vacant, for at their meeting
of 1 5th January they decided that a letter should be sent
to General Grey, the Queen's private secretary, " request-
ing him to ascertain any wishes which Her Majesty may
have on the election of a President to succeed the late
deeply-lamented Prince Consort. "
It was, however, soon realised that there was no need
for immediate action, as the letter apparently was not
sent to General Grey, and the matter was allowed to rest
until near the time of the annual meeting, when, in answer
to a letter from the Secretary, General Grey wrote : —
' Her Majesty now commands me to say that, as His
Royal Highness the Prince of Wales is not yet of age, and
would himself be indisposed, young and inexperienced as
he is, to be placed in any office in immediate succession to
his great and beloved father, it would not be desirable that
he should now be chosen. The best arrangement would
probably be to fill up the office for the present in such a
manner, should that be possible, as to admit of a recon-
sideration of the subject on a future occasion."
General Grey's letter was read at the meeting of i2th
June 1862, and the Council accordingly, at their next
meeting ( 1 8th June), invited William Tooke, the senior Vice-
President, to accept the office, and his name was accord-
ingly placed on the balloting paper for the general meeting.
Mr. Tooke was a very old member of the Society, which
he joined in 1802, and he had for many years taken an
active part in its administration. He was a solicitor of
some eminence, and his firm (Tooke, Hallowes, & Price)
had for long acted as the Society's honorary solicitors.
They had carried through all the legal work connected
with the grant of the Charter in 1847. At the time of his
election he was in failing health, and he only held office
for little more than a year, for he died in September 1863,
two months after his second election to the Presidency.
He was in his eighty-sixth year at the time of his death.
ELECTION OF PRESIDENT 445
The Presidency being again vacant, a second applica-
tion was made to General Grey, who intimated in reply
that the Prince would now be willing to receive a formal
deputation from the Council. A deputation was accord-
ingly appointed to wait on His Royal Highness with an
address from the Council, asking him to accept the Presi-
dency. The Prince consented, saying, in his reply to the
deputation, that he accepted the office in the hope " that
he might be better able to promote the great and beneficent
objects which his dear father had so much at heart, and in
which he was so zealously supported by the Society. "
It only remained to complete the formalities of election,
and for this purpose an extraordinary general meeting of
the Society was held at Burlington House on 22nd October
1863, the Society's house in the Adelphi being then under
repair. On the motion of Mr. William Hawes, the Chair-
man of the Council, it was proposed " that His Royal
Highness the Prince of Wales be elected a member of this
Society," and, this resolution having been unanimously
passed, it was further resolved " that His Royal Highness
the Prince of Wales be elected President of this Society/1
The office to which he was thus elected in 1863 the
Prince held for thirty-eight years, until his accession to
the throne in 1901 . If the aims and objects of the Society
did not appeal to his personal tastes in the same way as
they did to those of his father, yet he was led, at first by
filial affection, and afterwards by his natural capacity for
organisation, to pay all necessary attention to the Society's
doings, and to devote to its interests as much time and
thought as could reasonably be expected from the heir to
the throne.
From the earliest years of his Presidency he made it
clearly understood that he did not choose to be a President
in name alone, but that he expected to be consulted in all
matters of importance sufficient to justify their submission
to him. This, indeed, was characteristic of him, not only
in his relations with the Society, but in regard to the
numerous other bodies with which, as time went on, he
became associated as President or Patron.
In later years, when his time was more occupied by
446 PRESIDENCY OF KING EDWARD VII
the numerous demands upon it, he was not able to give so
much attention to the institutions with which he was
associated ; but from the time he assumed the Presidency
until the date of his accession, it may safely be said that
no new action of any importance was ever undertaken by
the Council without its being submitted to the Prince for
his consideration and approval. Furthermore, it may be
added that such advice as he cared to give was generally
well worth taking, for he was gifted with great natural
shrewdness and sense, as his subjects fully realised when
he became King in after years.
The Albert Medal of the Society was never awarded
without the names being submitted to him, and his final
choice of the selected candidate was always more than a
nominal one. The Medal was regularly presented by him
personally in the presence of the members of the Council,
who attended for the purpose at Marlborough House.
In 1887, when the Albert Medal was awarded to Queen
Victoria " In commemoration of the progress of Arts,
Manufactures, and Commerce throughout the Empire
during the fifty years of her reign," the presentation was
made to the Queen by the Prince at Buckingham Palace,
in the presence of the Council, on the 8th March 1888.
After his accession, the Medal was awarded to King
Edward, " in recognition of the aid rendered by His
Majesty to Arts, Manufactures, and Commerce during
thirty-eight years' Presidency of the Society of Arts, by
undertaking the direction of important exhibitions in this
country, and the executive control of British representa-
tion at international exhibitions abroad, and also by many
other services to the cause of British industry." In accept-
ing the medal he expressed the gratification which the
award gave him, and it was clear that he was genuinely
pleased.
When, on his accession in 1901 , he, of necessity, vacated
the Presidency, he became the Society's Patron, and,
indeed, he was the first Patron of the Society ; for though
it appears from the old Minutes that on her accession
a suggestion was made that Queen Victoria should be
invited to become Patron of the Society, that suggestion
KING EDWARD'S SUCCESSORS 447
was not acted upon at the time, and, so far as can be
ascertained, no application was ever made to Her Majesty
that she should accept the position.
It was in his capacity of Patron that in 1908, King
Edward granted the Society permission to prefix to its
title the term Royal.1
After King Edward's accession in 1901, when the date
for the election of a President came round, H.R.H. the
Duke of Cornwall (afterwards Prince of Wales, and now
King George v.) was absent on a journey round the
world, so the precedent of 1862 was followed and a tem-
porary President was elected, Sir Frederick Bramwell,
the eminent engineer, being selected for the vacant office.
Sir Frederick had served every office on the Council, hav-
ing been Vice-President, Treasurer, and Chairman. On
the return of His Royal Highness in the autumn of 1901,
Sir Frederick Bramwell resigned, and the Council, on
behalf of the Society, invited the Prince to accept the
office of President. From that date he continued to act
as President till his accession to the throne in 1910 necessi-
tated his abandonment of the office, and he then became
Patron.
At the annual meeting of 1910, Lord Alverstone, C.J.,
was elected President. He held the office till February
1911, when he was succeeded by His Royal Highness the
Duke of Connaught.
The first Chairman of Council elected after the death
of Prince Albert was William Hawes, and, as previously
mentioned, he was in office when the Prince of Wales
was elected President. Hawes was a capable man of
business, and had great experience in the work of society
administration, as he was for many years treasurer of
the Royal Humane Society, of which his grandfather
had been the founder. He was succeeded by Sir Thomas
Phillips, and when Sir Thomas died in his first year of
office Hawes was again elected, and served for a year.
After him came Lord Henry Lennox. He accepted
office at the desire of the Prince of Wales, who wished
1 The first number of the Journal with the new title was that of
January 1908.
448 PRESIDENCY OF KING EDWARD VII
that the chairmanship should be held by a personal
friend of his own, so that he might be kept in touch with
the Society's proceedings. Lord Henry was a son of the
fifth Duke of Richmond, and for long sat in the House
of Commons. He held various official posts, including
that of Under-Secretary of State for War. His official
position often rendered him specially serviceable to the
Society, and he became a very popular and useful Chair-
man. He was thrice re-elected, and so held office for four
years. His successor was Major-General Eardley-Wilmot,
an officer of singularly high character and of consider-
able reputation. The next Chairman was Lord Alfred
Churchill, the second son of the sixth Duke of Marlborough,
who served for two terms — -1875-6 and 1878-9. Lord
Alfred was devoted to the Society, and gave unremitting
attention to its concerns, both during his tenure of the
chair and afterwards till his death in 1893. Without
any pretence to brilliance, he was a man of much common
sense and infinite tact, to whom his colleagues were much
attached. The interval between his two terms of office
was filled by the election of Major-General Cotton, who
was prevented by illness from taking up any of the work
of his office, and Mr. Hawes, as deputy-chairman, delivered
the opening address of the Session 1877-8. Lord Alfred
Churchill was followed by Sir Frederick Br am well, whose
record of service to the Society is certainly second to that
of none of his predecessors or successors. He read several
papers, and delivered a course of Cantor Lectures before
the Society. He constantly occupied the chair at its
meetings, and still more frequently took part in its dis-
cussions. He served in every capacity on its Council
from 1875 to 1893, and the list of the offices he filled was
(as mentioned above) completed by his election to the
post of President in 1901, in the interval between the
accession of King Edward vn. and the acceptance of the
Presidency by the Prince of Wales (King George v.).
In succession to him (in 1 882) came Sir William Siemens,
the illustrious inventor, who eight years before (1874)
had received the Society's Albert Medal, and thirty-two
years before (1850) had been awarded a Society's gold
CHAIRMEN OF COUNCIL 449
medal.1 His term of office was cut short by his sudden
death, and his place was taken by Sir Frederick Abel,
another recipient of the Albert Medal, and a chemist of
European fame. Abel's successor was Sir Douglas Gait on,
who held office for the two years 1886-88. Like his
two predecessors, Bramwell and Abel, Galton was a
copious contributor to the Society's proceedings. The
list may close with the name of the Duke of Abercorn,
who was chairman in 1888-90, and whose death occurred
this year (1913).
Many of the members of Council mentioned in Chap-
ter XVI. still took a leading part in the direction of the
Society. Amongst others whose work should be recorded
are the following : (Sir) Edwin Chadwick was a member
of long standing; he was elected in 1847, and served
on the Society's Committee of Agriculture before the
incorporation, but he did not join the Council till 1868.
From that date till his death in 1890 he exercised con-
siderable influence. As a young man he had been secre-
tary to Jeremy Bentham, and he was saturated with the
ideas of that philosopher. His persistent advocacy of
sanitation left its mark on his generation, which owed
much to his energy, though his methods did not meet
with the universal approval of his contemporaries. The
valuable service rendered the Society by Hyde Clarke
in the formation of the Indian Section will be referred
to later. He also made his influence felt in the
conduct of the examinations 2 and in other matters.
Sir Antonio Brady, an active member of the Society
for more than thirty years, was the founder of the
Bethnal Green Museum. J. Bailey Denton, the well-
known engineer, and a great authority on matters
connected with sanitation and water-supply, gave a
prize for improved workmen's dwellings. The Rev.
William Rogers (" Hang Theology " Rogers), the wise
educational reformer and genial humorist, took an
active part in the Society's educational work ; as also
did Sir J. Kay Shuttleworth. Sir Daniel Cooper, well
1 See Chapter XVI, p. 389.
2 See Chapter XIX, p. 439.
30
450 PRESIDENCY OF KING EDWARD VII
known first as an Australian statesman and then as repre-
sentative in this country of New South Wales, took great
interest in all the Society's Colonial work. Thomas
Sopwith, mining engineer and geologist, was a member
of the Society from 1843 to 1879, and of the Council
from 1858 to 1864. Sir Charles Trevelyan, the distin-
guished Indian administrator, took an active part in the
work of the Indian Section. All the above were working
members of the Council between 1862 and 1870. Later
on there were others who became more prominent ; Captain
(later General) Sir John Donnelly, Sir Henry Cole's suc-
cessor at South Kensington, devised the system of techno-
logical examinations, since widely developed by the City
Guilds Institute. He became Chairman of the Council in
1894. (Sir) George Hartley, Sir Henry Cole's son-in-law,
afterwards M.P. for Islington, first suggested the erection
in London of memorial tablets to distinguished men,
and helped to carry the proposal into effect. Andrew
Cassels, a member of the India Council, gave great
help towards the establishment of the Indian Section.
(Sir) Robert Rawlinson, the eminent sanitarian, read
his first paper to the Society in 1858 and his last in
1889. Colonel Strange was the constant and trusted
adviser of the Council in all scientific matters. Admiral
Ryder was responsible for the valuable report on life-
saving appliances issued in 1 879.* (Sir) Benjamin Richard-
son gave the Society several of his brilliant addresses on
hygienic subjects. Sir Philip Cunliffe-Owen, the popular
organiser of international exhibitions, joined the Council
in 1879, but his work upon it was of later date. Francis
Cobb, if he was not well known oustide the Society, was
highly esteemed within it for his constant and ungrudging
service. These — though many others might be men-
tioned— were the principal organisers of the Society's
multifarious work during the period under review.
The first intimation of the Cantor bequest was made
known to the Society in November 1 860, when a letter was
received from James Welch, the Administrator-General of
1 See Chapter XXI, p. 494.
THE CANTOR BEQUEST 451
Fort William, Bengal, who in that capacity had been named
executor of the testator's will, stating that Dr. Edward
Theodore Cantor, who had died a few months before,1
had bequeathed his property in equal shares to the Society
and to Wellington College, declaring it to be his desire that
the moneys so given should be applied by the President of
the Society and the Governors of the College respectively,
in such manner as they should deem most conducive to
promote the objects of the Society and of the College.
Dr. Cantor was a surgeon in the Indian Medical Service
and was Superintendent of the lunatic asylums at
Bhowanerpore and Dallunda of Fort William, Bengal. It
does not appear that he was ever a member of the Society.
The bequest was not paid over until 1 862. A technical
difficulty arose because the money was left to the President,
and in January of that year the Society was without a
President. This, however, was settled by the agents of the
administrator of the will consenting to accept the acknow-
ledgment of the treasurers pending the election of a Presi-
dent, and in February the amount of ^5042 was paid over,
and was invested in India 5 per cent, stock. In the
meantime, in November 1861, an appeal was made to the
two legatees by Mrs. Cantor, the mother of the testator,
who had been greatly dependent on her son, and was at
his death left very badly off. The Governors of Wellington
College gave her £50 ; but the Council of the Society
replied that, as the estate had not been distributed, they
could not make any promise for the time. It appeared that
Mrs. Cantor was a Danish lady, living in her own country,
and that her son had allowed her £35 a year. Inquiries
were made at the Danish Legation, and her appeal was
supported by the Minister. The matter was discussed with
the authorities of Wellington College, and it being ascer-
tained that she would be well satisfied with an allowance
of £50, it was agreed that this amount should be given her,
the College and the Society each paying half. The allow-
ance was continued until the lady's death in 1867. Nine
years after this, in 1876, an application was made to the
1 The date of the will was 3rd March 1859, that of probate 3ist May
1680. — Council Minutes, yth November 1860.
452 PRESIDENCY OF KING EDWARD VII
Society by the widow of Dr. Cantor's brother, who was
in reduced circumstances, and a grant was made to her of
£2 5 a year. This was continued until she died in 1 883 .
Some consideration was given as to the best way of
disposing of the money, and eventually it was determined
to expend it upon courses of lectures on industrial tech-
nology. Thus the Cantor Lectures were started, very much
to the advantage of the Society and the promotion of
the interests it was founded to assist. These courses of
lectures have been delivered regularly from 1 864 down to
the present date, the greatest number of lectures in any
one session having been eighteen. With a very few ex-
ceptions, all the lectures have been published in the
Journal, and afterwards in separate form. Many of them
have besides been developed into standard works on the
subjects with which they dealt. The whole series may be
said to form an encyclopaedia of information on matters of
industrial technology, since there are very few important
industries which have not at one time or another formed
the subject of a course.
The first series delivered was one on " The Operation
of the Present Laws of Naval Warfare on International
Commerce," by Dr. G. W. Hastings. It must be admitted
that the subject does not appear to be a particularly
suitable one. But it is to be remembered that at the time
(1864) the American War was being carried on, and the
various points of international law raised by a maritime
war were then of pressing urgency. The two other courses
given in the same session, on " Fine Arts Applied to
Industry," by Mr. W. Burges, the well-known architect,
and on " Chemistry Applied to the Arts," by Dr. F. Crace
Calvert, were certainly very much more suitable, and, as a
matter of fact, it is stated that they attracted very much
larger audiences.
It may be worth while to mention a few of the more
important courses which were delivered before the end of
the period with which this chapter deals. Besides his first
course, Dr. Crace Calvert gave three others, all dealing with
practical applications of Chemistry. The applications of
Geology formed the subject of a course by Professor
THE CANTOR LECTURERS 453
Ansted in 1865. In the following year Professor Fleeming
Jenkin lectured on Submarine Telegraphy. In 1867, Dr.
John Hullah gave a course on Music and Musical Instru-
ments, and Richard Westmacott, R.A., one upon Sculpture.
In the following year Dr. (afterwards Sir) W. H. Perkin
lectured on Aniline and Coal-Tar Colours. In 1 869, and in
1874 there were courses on Spectrum Analysis by (Sir)
Norman Lockyer. Professor A. W. Williamson lectured
on Fermentation in 1870, and in the same year Professor
Barff gave a course on Artists' Colours and Pigments, the
first of many courses which he delivered here. Special
interest attaches to this series, because it led to the
appointment of a Professor of Chemistry by the Royal
Academy, Professor Barff himself being the first holder of
the post. In 1 874, Dr. Charles Graham gave a long course
on the Chemistry of Brewing — these lectures have become
a classic on the subject. Other courses deserving mention
are those by (Sir) Frederick Bramwell on the Steam
Engine in 1 875 ; by (Sir) William Preece on recent advances
in Telegraphy in 1877 (the first of many lectures given to
the Society by Sir William) ; by A. Vernon Harcourt, on
the Chemistry of Gas Manufacture in 1877 ; by (Sir)
Benjamin Ward Richardson on Alcohol in 1875 ; and by
Dr. W. H. Corfield, on the Sanitary Construction of
Dwelling-houses in 1879.
The history of the early association of the Society with
the Colonies was given in an earlier chapter.1 After the
incorporation of the Society, the new Council, when it was
first formed, was perhaps too much occupied with its own
domestic matters to pay much attention to Colonial busi-
ness. So it was not until the 1851 Exhibition attracted to
London a large number of Colonial visitors — amongst them
many Colonial Governors, some of whom were made
honorary members of the Society — and thus once more
brought Colonial affairs to the front, that the Society again
began to devote special attention to the Colonies.
At the instance of the Society, the Secretary of State,
in April 1852, sent out a dispatch in which the British
Colonies were invited to form Associations in connection
1 See Chapter IV, p. 83.
454 PRESIDENCY OF KING EDWARD VII
with the Society ; and, in response to this appeal, a certain
number of such Associations were formed, some of which
are even now in existence. But the dispatch does not
seem to have had a very great effect.
A little later on, the Society endeavoured to include
Colonial Institutions in the Union of Institutions, which
was then being formed, and the Journal for 2ist December
1855 contains a notification that the Council desired to
include such institutions, and states the terms on which
they could be admitted. In return for the usual subscrip-
tion of two guineas, the Council offered to represent Colonial
Institutions in London in business matters, to receive any of
their members who were visiting London, and to give such
visitors the privilege of temporary membership, to purchase
books for their libraries at reduced rates, and to establish
centres for the examinations in the Colonies. A certain
number of Colonial Institutions joined the Union on these
terms, but the response was not very great, and the number
of such Institutions does not appear at any time to have
exceeded sixteen. In 1860 there were fifteen Colonial
Institutions on the list, and from this date the numbers
fell away.
In 1857, however, a proposition, which had much
greater effects in the future, was made by Mr. Hyde Clarke,
who wrote to the Council suggesting that " a special
section be formed for India, another for Australia, one
for English America, and so on." It was suggested
that the Indian Section should meet once a fortnight,
and the Australian once a month, for the reading of
papers. The subjects suggested were " railway exten-
sions, irrigation, canals, European colonisation, tea culti-
vation, fibre products, the iron manufactures, and the
copper mines. " Mr. Hyde Clarke also laid consider-
able stress on the " non-existence of a Colonial centre in
London."
The letter was published in the Journal of i5th May
1857, and a committee was appointed to consider the
matter. Nothing, however, was really done. This was
no doubt due to the fact that Mr. Hyde Clarke shortly
afterwards left this country for Smyrna, where he resided
INDIAN AND COLONIAL SECTIONS 455
for some time. Ten years later he returned to England,
and in 1868 he renewed his proposal, but only proposing
the formation of a committee which should organise
conferences on Indian subjects. This time the suggestion
was taken up more warmly. Hyde Clarke himself was
placed on the Council, and the Indian Conferences, which
soon developed into the Indian Section, were started.
Previous to this date there had been occasional papers
read on Indian matters; but from 1869 onwards, when
the Indian meetings began with a paper on Indian tea by
Mr. C. H. Fielder, read on i2th March in that year, the
Indian Section has continued its regular work. There
were eight meetings in 1869 and four in 1870. The
number of meetings held each year from that date down
to the present time have varied a little, but there have
never been less than five or more than seven.
The Indian Section thus established became a most
important department of the Society. It has had great
results in India by spreading information in that country
as to the directions which the development of Indian
manufactures and Indian products could most usefully
take, and in this country by giving similar information as
to the industrial resources and progress of India itself. The
Section has received great help from the Indian press and it
has in return been of service to the Indian press in supply-
ing useful information to it. It has been of great value to
the Society itself as the means by which many members
have been added to its list, so that in fact, thanks to a
very large extent to the work of the Indian Section and
of the allied section for the Colonies, a large proportion
of the present number of members come from the depend-
encies of the Empire abroad.
The continued success of the Indian Section led to the
establishment in 1874 of the African Section, and this also
was due to a very large extent to the efforts of Mr. Hyde
Clarke. Five years later, in 1879, it was enlarged and
became the Foreign and Colonial Section ; and in 1901 it
was altered into the Colonial Section, under which title
it has been continued to the present time.
It will be seen, therefore, that Hyde Clarke's original
456 PRESIDENCY OF KING EDWARD VII
suggestion of more than fifty years ago has eventually been
carried out, and with remarkable success. Something
might be said on behalf of the scheme in its original form,
in which separate sections for the various portions of the
Empire were proposed. But it is to be remembered that
soon after this idea was put forward, the Royal Colonial
Institute was established, and since its foundation, in 1868,
it has carried out to the full the work which it was sug-
gested in 1857 that the Society of Arts might do, especially
the formation of a Colonial centre in London. There was
no question that a separate Institution, devoting itself
entirely to such work, could carry it out more effectually
than the Society of Arts with all its different aims and
objects could hope to do, and this has in practice proved
to be the case. Still it has been found that there was an
abundance of opportunity for the two institutions, both
of which have, it is to be hoped, carried on work which
has been useful to the Colonies.
The growing importance of industrial chemistry led
to the establishment in 1874 of a special Chemical Section
for the discussion of subjects connected with practical
chemistry, and its application to the arts and manufactures.
The Section was opened with an introductory address from
Dr. Odling, then President of the Chemical Society, who
dwelt not only on the industrial importance of applica-
tions of chemistry, but on the assistance which those
applications had rendered to the growth of chemical
knowledge. It was arranged that six papers should be
read every session, and among the list of contributors are
to be found not only men of considerable reputation at
the time, but also many who have since made a reputation
for themselves.1
In 1879 the scope of the Section was enlarged so that
it might include matters connected with applications of
physical science to the Arts. It continued its successful
work for twelve years, until 1886, when its success led to
its own extinction, for it had resulted in the formation of
1 The first Secretary of the Section was Thomas Wills, a promising
young chemist who died in 1878 in his twenty-eighth year,
CHEMICAL SECTION 457
the Society of Chemical Industry, founded in 1881, the
Institute of Chemistry having also been established in
1877, a few years after the Section was started. The
Council came to the decision to discontinue the work of
the Section, the reason for this action being given in the
following extract from the annual report of 1887 : —
" Since its establishment, the Section has fully carried
out the intentions of those who advised its formation, for
it has been the means of bringing before the Society, and,
through the Society, before the scientific public, many very
valuable applications of science to practical purposes.
Looking back at the list of papers which have been read
before it, it will be seen that many of the most important
of the communications to the Society during the time found
a place in this Section. Since its formation, however,
two independent societies — namely, the Institute of
Chemistry and the Society of Chemical Industry — have
been specially established for the purpose of carrying on
the work to which the Section was originally devoted ;
and it appeared to the Council that the Society of Arts
having, as in so many other cases, originated a movement
of considerable public importance, might, as the work
grew, leave it in the efficient hands of the above-mentioned
Societies." x
In the early part of 1863 the Society of Wood-Carvers 2
applied to the Society of Arts to assist them in holding an
exhibition of wood-carving, in connection with which
prizes were proposed to be offered. The Council agreed
to allow the use of the Society's rooms for the exhibition,
and also offered a silver medal and a grant of £30. This
amount, with a contribution of £1 5 from the Wood-Carvers,
was distributed in prizes to workmen, and the exhibition
was duly held.
Its success led to a proposal for a series of Art work-
manship prizes, and later in the same year the Council
1 Journal, vol. xxxv. p. 775.
2 This was a small society of working wood-carvers that was carried
on successfully for a good many years in rooms in Bloomsbury. It
came to an end about the beginning of the present century.
458 PRESIDENCY OF KING EDWARD VII
offered prizes, amounting altogether to £162, for modelling,
repousse work, hammered work, carving, chasing, enamel
painting, painting on porcelain, and other subjects. In
the following year the scheme was a good deal developed,
and prizes amounting to £623 were offered in a larger
number of subjects for productions from prescribed
designs. A list of subjects for competition was drawn up
with considerable care. It included carving in various
materials, metalwork, etching and engraving, enamel
painting, painting on porcelain, decorative painting,
inlaying, cameo-cutting, engraving on glass, wall mosaics,
gem engraving, die-sinking, glass-blowing, book-binding
and leather work, and embroidery. The examples selected
were mostly in the South Kensington Museum, but some
were in private possession. Reproductions of them in
the form of lithographs, photographs, or casts were
provided at prices in most instances not exceeding a
shilling. There was also a division for works to be executed
without prescribed designs.
The offer was continued annually up to the year
1870. The total annual amount offered in prizes varied
up to £666, but the money awarded never in any one year
reached £300, and was in several years under £100.
Although this seems a sufficiently good result, the Council
at the time appear to have been disappointed. The prizes
certainly were popular, as is shown by the fact that when
a surplus was obtained by the North London Exhibition
in 1864, an amount of £157 was handed over to the Society
to be added to the prize fund.
In the Council Report of 1870 an announcement was
made that these prizes would be discontinued " for the
present, " and that special prizes would be offered for
objects of art workmanship to be exhibited at the Inter-
national Exhibition of 1871, then being organised by the
1851 Commissioners at South Kensington. Such special
prizes were accordingly offered in the form of medals
for manufacturers and* designers, and money prizes to
the workmen employed. The articles which received
prizes were to be shown in the exhibition, and it was a
condition of exhibiting that the names of all engaged in
FOOD COMMITTEE 459
the production of the works should be sent in. Seventy-
five such articles were submitted, and silver medals and
money prizes to the amount of £200 were awarded.1
In announcing the discontinuance of the ordinary Art
workmanship prizes, the Council expressed their regret
that, in spite of the large amount of prizes offered, there
was still wanting anything like an adequate response on
the part of manufacturers, designers, or workmen, the
result being that though the articles rewarded were of a
very satisfactory character, and showed great skill and
taste, yet the competition was small, and the amount of
money awarded far less than the offered total. The hope
was also expressed that the annual exhibitions of industry
would sufficiently encourage Art workmanship, and
would, therefore, take the place of the Society's prizes.
It is hardly necessary to say that these expectations were
not realised.
On the whole, it seems certain that these prizes, with
the accompanying small exhibitions, served a useful
purpose, and helped to encourage the workers in artistic
industries. Some disappointment was expressed in various
quarters at their discontinuance, and if at the time they
were not popular with employers, they were certainly
appreciated by the workmen themselves. It is quite
possible that the real cause of their discontinuance was a
desire on the part of the Council to concentrate the Society's
efforts on the projected series of exhibitions.
The problem of food supply seemed to be specially
urgent in the middle of the last century, or at all events
its urgency was very generally realised. The population
had increased, and was increasing, at a rate far outstripping
the growth of the national resources of the kingdom, and
the means of supply from foreign countries had not yet
been developed. Of actual food-stuffs it may be said
that only cereals were imported. Dead meat could not
be conveyed for any distance, while the trade in cattle
was limited, and confined to European countries. The im-
portation of canned meat had been introduced, but as yet
1 See Chapter XXI, p. 486,
460 PRESIDENCY OF KING EDWARD VII
only on a small scale. Imported fresh fruit was practically
represented by a single sort — the orange. Salted and dried
fish were regular articles of trade, as they long had been,
and so were salt beef and pork ; but even of these the bulk
was supplied from domestic sources.
It was a realisation of this state of things that, in 1866,
led the Council to appoint a committee " to inquire and
report respecting the food of the people," with special
instructions to investigate methods for " the production,
importation, and preservation of substances suitable for
food." In the words of the authors of the most recent
book on the subject,1 the appointment of this committee
was the " most practical step in the direction of providing
a more ample food supply " which had yet been taken,
and the committee did much useful work, though its
labours were not quite so successful as they might have
been.
A proximate cause for the nomination of the committee
was the offer by Sir Walter Trevelyan of a sum of £70 to
form a prize for the discovery of a process for preserving
fresh meat, the prize being specially intended to encourage
the preservation of meat " in countries where it is now
almost valueless." Later on, in 1872, Sir Walter added
another £30 to his offer, making the total sum available
for the prize £100.
Some years before, in 1856, the same gentleman had
given £100 for a prize for an essay on the utilisation of
seaweed ; but, though the prize was offered, the response
was unsatisfactory, and no award was made. The money
was then applied to the more practical object of encourag-
ing the preservation of meat.
The committee met for the first time in December
1866, and it continued its useful labours for fifteen years.
Though one of its duties was to award Sir Walter Trevelyan 's
prize, this was only a part of its work, its main object
being to accumulate and disseminate information on the
best means of increasing the available food supplies of the
country. Its members took a wide view of their duties
1 History of the Frozen Meat Trade, by J. T. Critchell and J. Ray-
mond. 1912.
FOOD COMMITTEE 461
and worked at them conscientiously, and if they failed
in the first-mentioned object of their efforts, they certainly
succeeded in the second and more important part.
The committee collected an enormous amount of
information, which -was published in successive reports
in the Society's Journal. These reports were of great
value at the time in directing attention to what was being
done for the preservation of food, and they are now of
considerable historical interest as a record, which appears
to be fairly complete, of the various methods, more or
less successful, which were proposed for the preservation
and supply of meat before the introduction of cold storage
and the importation of refrigerated meat. The committee
took a large amount of evidence from experts, inventors,
and others, and their reports dealt with almost every
variety of food. At that time canned meats were a
novelty, and the manufacturers who produced them gave
evidence before the committee. All sorts of processes
were described, and the results tested. Many of these
processes were quite useless, but among the samples
shown were some which have since been developed into
valuable commercial products. Samples of meat from
Australia and South America, preserved in various ways,
were examined and reported on, but none proved satis-
factory. The importation of live-stock was also con-
sidered. The supply of milk and that of fish were among
the subjects dealt with by the committee, and they
devoted one meeting to the examination of a witness on
salmon preservation. In one of their reports in 1867 they
suggested a Fishery Exhibition, a proposal which, some
years later, was carried into effect with great success,
not only in London but in several Continental towns.
In 1868 prizes were offered for railway vans for meat
conveyance, and for milk-cans. None of the suggestions
for improved vans were thought worthy of reward, but a
silver medal was given to the Aylesbury Dairy Company
for the best milk-can sent in.
The problem of meat-supply may be said to have been
solved in 1879-80, when a cargo of frozen meat was
brought to London by the Strathleven, which sailed
462 PRESIDENCY OF KING EDWARD VII
from Sydney on 29th November 1879, and arrived in
London on 2nd February 1880; but the results of this
experiment were either not brought before the notice of
the committee, or were not appreciated as they deserved.
It is certainly a matter of regret that this successful ex-
periment met with no award at the hands of the com-
mittee— which for so long had done really excellent work
in publishing information on the food supplies of the
people. However, the value of the discovery was not
realised at the time, and the view taken of it is shown by
the rather desponding report of 1881, the last issued by
the committee, which summed up the situation as follows:
" Though numerous methods, more or less successful,
for treating meat have been before the committee, the
committee have never felt themselves able to select any
one as being so far superior to the rest as to deserve the
award of the prize ; neither have they had from any of
those persons who are now engaged in the importation
of meat preserved by means of cold from America or
Australia, any such precise claim to the credit of the in-
vention as would warrant the committee in thus awarding
the prize. The prize, therefore, still remains in the charge
of the Society, and the Council would gladly welcome the
advent of any process which would justify them in pre-
senting it."
That the committee did not promptly recognise the
value of the new experiment is perhaps not remarkable.
They had been at work for fifteen years, the personnel of
the committee had changed, and probably the interest of
the early investigations had flagged. But failure is the
more to be regretted since at various times they had before
them, and had carefully considered, the question of the
preservation of meat by the application of cold. As far
back as 1869 they had under consideration Reece's freez-
ing machine,1 one of the earliest of the ammonia machines,
1 Recce's machine was the subject of a report by a special committee
(Journal, vol. xvii. p. 829). The report, though commendatory, is not
wholly favourable. It was also described by Dr. B. H. Paul in his
paper on "Refrigeration," read in December 1868 (Journal, vol. xvii.
p. 67).
FOOD COMMITTEE 463
while throughout their reports references are constantly
made to the use of low temperatures for meat preservation.
In 1 868 l they " look with interest at the scheme, proposed
by influential persons at Sydney, to resort ... to cold."
They say that " the promoters of this plan are understood
not to have decided in what form they can most economi-
cally provide the refrigeration, which must, of course, be
kept up during the voyage by some artificial means." In
the following year 2 they " still look with much hope to
the process of preserving meat in cold temperatures," and
they mention some experiments " by which they hope to
be able to determine the conditions most favourable for
the practical appliance to animal and vegetable substances
of this mode of preservation."
In the Journal for 24th April 1 868, a full report is given
of the meeting above referred to, which was held at Sydney
in February of the same year. At it Mr. T. S. Mort de-
scribed the results of his experiments in freezing meat for
exportation, experiments which were certainly the founda-
tion of the whole frozen meat trade of the present day.
It is probable that this report was supplied by Mr. John
Alger, who was present at the meeting, and took an active
part in the movement. He had been treasurer of the
Society of Arts in 1862, and had gone out to Australia.
It is now generally admitted that Mort was beyond doubt
the pioneer of cold storage, and if he had lived a few years
later (he died in 1878) he certainly ought to have had
awarded to him the Trevelyan prize.
After the publication of their rather despondent report
in 1 88 1 the committee abandoned any further attempts
to discover a suitable candidate for the prize, and the
money was eventually awarded in five prizes of £20 each
at the Health Exhibition of 1884. One of these was given
to Messrs. J. & E. Hall for their " cold dry-air machines
and cold storage chamber." Their machine was a carbonic
acid compression refrigerating machine of the type invented
by Giffard, and afterwards supplied by the firm for use on
board ship, and for the preservation of imported meat in
cold storage establishments.
1 Journal, vol. xvi. p. 583. 2 Ibid. vol. xvii. p. 642.
464 PRESIDENCY OF KING EDWARD VII
Still, if they missed the opportunity of awarding the
£100 prize — and after Mort's death it would have been
very difficult to name an individual who deserved it- — the
committee, as was said above, did a great deal of really
useful work which might have been carried to an even
more successful conclusion but for the sudden death in
1877 °f its energetic and devoted chairman, Benjamin
Shaw.
On his return from a visit to the Paris Exhibition of
1867, where he had been acting as one of the jurors, Dr.
Lyon Playfair addressed a letter to Lord Granville com-
menting on the industrial progress which had been made
by other countries as compared with that of Great Britain.1
In Dr. Play fair's opinion, England compared very unfavour-
ably with some of the other principal European countries
who exhibited in Paris, and this state of things he attri-
buted mainly to the advance which had been made on
the Continent in technical or industrial education. As
far back as 1853 Dr. Playfair had published a work on
industrial education on the Continent, and had prophesied
that the result of the attention given to such education
abroad, and its neglect in England, would lead to a much
more rapid industrial advance on the Continent than in
England. He considered that the views he had stated in
1853 were confirmed in 1867.
The result of the attention thus drawn to the subject
was that the Council, in the latter part of the year, ap-
pointed a committee on the subject, and by this committee
a conference was organised, which met in the Society's
Room in January 1868. The list given in the Journal
of the persons attending the conference is a very remark-
able one. It is too long for quotation at length, and the
list of names is too distinguished to justify a selection
from them.2
After the conference, at which the subject was fully
discussed, a committee was appointed by the Council,
1 Dr. Playfair's letter, prefaced by one from Lord Granville, is re-
printed in the Journal, vol. xv. p. 477.
2 Journal, vol. xvi. p. 1 84.
TECHNICAL EDUCATION 465
which, after a number of meetings, published an exhaustive
report l — a report that may with advantage be consulted
at the present date. In it for the first time technical
education was defined as meaning " general instruction in
those sciences the principles of which are applicable to
various employments of life," and it was also resolved
that, for the purposes of discussion, technical education
" should be deemed to exclude the manual instruction in
Arts and Manufactures which is given in the workshop/'
Throughout the report the committee had mainly in
view the education, not so much of the operatives as of
managers and superintendents of works — a wise view
which was afterwards lost sight of, when the subject of
technical education became popular, and the training of
the artisan was advocated as the one remedy for all
industrial shortcomings. At the end of their report
they added an appendix suggesting courses of study for
such persons, and it is evident that these courses were
intended for students having already a certain amount
of general and scientific education, and not for artisans.
It may be mentioned that at the end of the list was in-
cluded a syllabus of higher commercial education, intended
for the use of merchants and commercial men generally.
After the issue of this report, the Council did little more
for a time to promote technical education, though in May
1 869 they presented a petition to the House of Commons
urging its necessity, and asking for legislation such as
would encourage scientific training in secondary schools.
The next step was the proposal for the introduction of
technological examinations, which was brought before
the Council in November 1871, by Captain (afterwards
General Sir John) Donnelly. The first draft scheme
prepared by him was afterwards considerably elaborated,
and was submitted to a conference held in July 1872, at
which H.R.H. Prince Arthur (now the Duke of Connaught)
presided.2 The result of this conference was the estab-
lishment of the technological examinations, described in
a previous chapter.3
1 Journal, vol. xvi. p. 627. z Ibid., vol. Ivii. p. 434.
3 See Chapter XIX, p. 437.
31
466 PRESIDENCY OF KING EDWARD VII
Ever since its foundation the Society had been earnest
in promoting industrial education, but for the most part
this was considered to mean merely general education of
the artisan class, not the provision of scientific or technical
training.
The proper educational work of the Society had always
been for the most part the furtherance of industrial and
technical instruction, though the foundation of the system
of examinations had been an important contribution to
the cause of secondary education in England. The
movement, however, for the improvement of elementary
education, which led to the passing of Mr. Forster's
Elementary Education Act in 1870, drew the Society into
its influence, and in the years 1869 and 1870 it was busy
with the subject of national education generally. By
means of specially-appointed committees, it collected
information about the educational needs and facilities
in several districts in and near London, and published
reports upon them. Of those reports the most remarkable
was the one prepared by G. C. T. Hartley, on " The Edu-
cational Condition and Requirements of one Square Mile
in the East End of London." This was published as a
supplement to the Journal for 25th March 1870, and, as
it well deserved to do, attracted a great deal of attention.
It was a document of considerable value, prepared with
great care, and at the cost of much labour and minute
inquiry.
Before the Elementary Education Bill was introduced
into the House of Commons, a conference was held (February
I87O)1 at which the various proposals already formulated
were discussed, and the opinions upon them of leading
educationalists were elicited. After the introduction of the
Bill, a petition, embodying the views of the Council, was
presented to the House, and a little later a full memor-
andum suggesting various amendments and improvements
was submitted to the Prime Minister (Mr. Gladstone) by
the chairman (Lord Henry Lennox) on behalf of the
Council. The principal demand of the Council, the
appointment of a Minister of Education, was not suc-
1 Journal, volf xviii. p. 238,
DRILL IN SCHOOLS 467
cessful, but some of the other suggestions were not without
effect.
Special attention was drawn to the question of female
education by the paper read by Mrs. Grey on " The
Education of Women," in June 1872. In consequence of
this paper, a committee was, a little later, appointed by
the Council " to promote the better education of girls of
all classes." It was at first proposed to form a " National
Union for the Improvement of the Education of Girls,"
but the actual result was the much more practical pro-
ceeding of the establishment of the Girls' Public Day
School Company, which has been in successful operation
ever since.
At the end of 1868 the Council took up the idea of
encouraging drill in schools. The reasons for their action
are well set out in a paper read in March 1871 by Major-
General Eardley-Wilmot, who laid stress on the value
of drill as a means of physical and also of mental educa-
tion. It was, indeed, as a means of improving the national
intelligence, rather than as a preparation for the national
army, that the encouragement of drill in schools was first
taken up by the Society, and it was on such grounds that
its extension was always advocated.
The efforts of the Society met with a good deal of
success. The first result of the movement was the holding,
in June 1870, of a drill review of 3000 boys from metro-
politan schools at the Crystal Palace, in the presence of
the Prince of Teck. A similar review was held in the
following year, in the presence of the Duke of Connaught,
at the Horticultural Gardens, when banners provided by
the Society were presented to the schools which were
most successful in a test competition. In 1872 the Prince
of Wales patronised the review, which was again held in
the Horticultural Gardens. He afterwards presented
the Society's prize-banners in the Albert Hall. Over
4000 boys attended. Other reviews were held in 1873
and 1875 ; and in 1876 the London School Board under-
took to arrange a public review of the boys in their schools.
This review was duly held in Regent's Park, when over
10,000 boys are reported to have gone through various
468 PRESIDENCY OF KING EDWARD VII
manoeuvres. On this occasion an elaborate challenge
banner, provided by the Society, was competed for.
This banner was embroidered by the School of Art Needle-
work, and cost nearly £100.
For some time the School Board continued these drill
reviews. But there was a good deal of opposition to
them from a certain party, who were afraid they would
encourage " militarism," by which it was presumably
meant that children who had been drilled in early youth
might thereby acquire a pernicious desire to become
soldiers in after life. The total cost of the movement
to the Society, from the start in 1870 down to the
time when the drill reviews passed over to the School
Board, was £944, but of this £400 was recouped to
the Society by the sale of tickets, subscriptions towards
the expenses, etc.
In the year 1864 an anonymous letter was printed in
the Journal, which suggested that the Society might
offer a prize for a design for memorial tablets to be affixed
to houses in which celebrated persons had been born or
lived. In the same year also some suggestions appeared
in the Builder newspaper, to the effect that some sort of
memorial might be set up on certain houses and churches
in London to commemorate their association with eminent
men. Probably in consequence of these suggestions,
the Council appointed a committee to consider the " erec-
tion of statues or other memorials to persons eminent in
arts, manufactures, and commerce/'
This committee does not seem to have done anything
for some time. But in May 1866 (Sir) George Bartley
submitted to the committee a proposal for affixing memorial
tablets to houses in London which were known to have
been inhabited by famous men. In his letter x Mr. Bartley
quotes a reference by Samuel Rogers to the fact that in
various towns in France and Germany such memorials
were in existence, and he added a list of houses in London
which at one time were associated with celebrated persons.
Many of these, as well as many of those suggested by the
* Published in the Journal, vol. xiv. p. 438,
MEMORIAL TABLETS 469
writer in the Builder, have since had tablets attached to
them. Mr. Bartley concluded his proposal by suggesting
that the best kind of indicating label might be some form
of mosaic or marble slab.
The committee at once approved the idea, and Mr.
Hartley's proposals as they stood were practically adopted
and carried out. A list was at once prepared of suitable
houses, and in 1867 the first memorial tablet was affixed
to the house in Holies Street, Cavendish Square, where
Byron was born. The work was continued year by year
for a considerable time, although there were certain diffi-
culties in carrying it out. It was not always easy to
indentify with absolute certainty the house in which it
was recorded that some eminent person had dwelt. Before
the latter part of the eighteenth century the houses in
London streets were not numbered, and since that date
many alterations have been made at different times in
the numbering. Then the owners of houses were often
reluctant to give permission for the attachment of the
tablets to their premises, especially in the earlier years of
the movement. Even so enlightened a body as the
Benchers of the Middle Temple refused to allow the
erection of a tablet in Brick Court, where Goldsmith
lived and died, though later a more reasonable view
was taken, and permission was given for the erection of
a bronze memorial. But, on the whole, the work was
carried out with a considerable amount of success, and it
attracted a great deal of public interest and approval.
In the year 1872 a sum of £50 was presented to the
Council by Mr. Benjamin Whitworth and Mr. H. D.
Pochin, to be devoted to the erection of tablets, but the
rest of the cost, never very considerable, was provided by
the Society.
When the idea was first taken up, the offer of a £10
prize for a suitable design was made, but nothing seems
to have come of this. Later on Mr. Bartley undertook to
obtain a design, and with the assistance of (Sir) Henry
Cole, who took a great interest in the matter, various
designs were prepared in the offices of the Science and
Art Department, South Kensington, under the super in-
470 PRESIDENCY OF KING EDWARD VII
tendence of Godfrey Sykes x and his assistant. Eventually
the matter was placed in the hands of Messrs. Minton,
Hollins, & Co., of Stoke-on-Trent, who appear to have
worked on the suggestions submitted to them, and pro-
duced the tablet which was approved and adopted by
the Council of the Society. One of the main objects in
the design was that the Society of Arts' name should be
given, but that it should not be made too prominent, and
this object was effectively attained by the ingenious
border, in which the name of the Society is introduced.
The same design has, in all cases, been used by the Society,
Tablet formerly on No. 1 5 Bucking-
ham Street.2
with the solitary exception of the tablet to Milton in Bun-
hill Row. The architecture of the building there did not
admit of the convenient erection of a circular tablet, and
consequently the oblong slab which is now in position was
specially designed and erected.
The work was carried on by the Society until 1901, by
which time thirty-five tablets had been set up . The houses on
which four of these were erected have since been demolished.
1 Godfrey Sykes (1825-66) was the talented designer of much of
the terra-cotta and other decoration of the old buildings of the South
Kensington Museum. One piece of his work is very familiar, the design
on the cover of the Cornhill Magazine.
2 The house was pulled down about 1906. It was the last remaining
part of the Duke of Buckingham's house.
MEMORIAL TABLETS 471
The house in Holies Street on which Lord Byron's tablet
had been affixed, was pulled down in 1889. In May 1900,
Messrs. John Lewis & Co. erected on the front of the new
house, which was in their occupation, a fresh memorial
consisting of a bronze relief bust of Byron placed in an
architectural frame of Portland stone. When Furnivars
Inn was pulled down in 1898, the tablet which had been
set up to Charles Dickens disappeared, but two other
residences of the great novelist have since been marked
by the London County Council. About 1906 the house
at the bottom of Buckingham Street, Strand, which carried
a tablet to commemorate the fact that Peter the Great of
Russia had lived there during his stay in London, was pulled
down, and a block of chambers erected on the site. Mrs.
Siddons' house in Upper Baker Street was demolished
in 1904, but the original tablet was re-fixed by the London
County Council on the new premises.
It is always a difficult question whether these tablets
should only be placed on the actual house in which the
person to be commemorated had lived. In some cases
the house had disappeared, and the tablet was set up on
the building which had taken the place of the old house.
Whether this was worth doing must remain a moot ques-
tion, and, on the whole, perhaps it is really not worth
while, for instance, to have a tablet on Archbishop Tenison's
Grammar School in Leicester Square, now occup3dng the
site of Hogarth's old house ; on the other hand, some-
thing might be urged on behalf of the tablet on a ware-
house in Bunhill Row, built on the spot where Milton's
house once stood, because it at all events suggests to
the passer-by the original suburban character of the
locality.
In 1901 the Historical Records and Buildings Committee
of the London County Council proposed to advise the
County Council that it should undertake the work of
indicating houses and localities of interest in London ;
but, before taking any action in the matter, the Committee
very courteously applied to the Society to know what its
views on the matter were. The Council of the Society
readily agreed to hand over the work to the County Council,
472 PRESIDENCY OF KING EDWARD VII
and offered at the same time to render any assistance
in the Society's power. The London County Council
thereupon formally resolved to take upon itself the duty
in future, and since that date they have certainly carried it
out in a most able and efficient manner. Up to the present
time (1913) the Council have set up seventy-six tablets.
They have, probably wisely, in almost every case refused
to indicate merely sites, and have confined themselves to
indicating actual houses. It may be added that their
work in this respect is a little easier, because nearly all
the houses with which they have had to deal are compara-
tively modern. Looking at the list of persons commemo-
rated, it appears that, leaving out of consideration a
few tablets which bear more than a single name,
only ten of the seventy-six tablets refer to persons who
might not certainly be classed as belonging to the nine-
teenth century ; that is to say, their reputations were made
since the beginning of that century ; while there are only
two — Sir Isaac Newton and General Wolfe — who had
died before the last quarter of the eighteenth century.
About two-thirds of the names commemorated are of
persons who have died since the work began in I864.1
The ancient sites are doubtless the more attractive ;
but with the constant changes which have been made
in London streets, especially during the last half-century
or so, innumerable houses of historical interest have of
necessity disappeared. An enormous hotel, or shop, or
block of flats, may now cover ground once occupied by
1 A complete list of the tablets erected up to that date, which include
all except Milton's, will be found in the Journal of 5th October 1900
(vol. xlviii. p. 827). A similar list, which is quite complete, is in the
Directory of the Society, published in 1909, p. 53. An account of many
of the houses bearing tablets is given in two articles by Mr. Henry B.
Wheatley (then Assistant Secretary of the Society), which appeared in
the Journal (vol. xxix. p. 823, and vol. xxx. p. 1066). The London
County Council have published three volumes of Ancient Houses of
Historical Interest in London, the latest of which is dated 1909. Several
parts, which no doubt will form a fourth volume, have since been issued
in pamphlet form. There is also a companion volume, edited by Sir
Laurence Gomme, Return of Outdoor Memorials in London (1910).
This gives a list of all such memorials erected by the L.C.C., the Society
of Arts, and private individuals.
MEMORIAL TABLETS
473
a dozen houses, in some of which painters or poets, or
writers, or scientific men or statesmen of the eighteenth
and earlier centuries may have been born, or lived, or
died. The obliteration is complete, and there is nothing
left to commemorate. On the other hand, during the
past century and a half very many fresh sites of interest
have been created in the birthplaces and residences in
London of some of the men who have been occupied in
making history since the nineteenth century began, and
so fresh work is ever being provided for the Historical
Committee of the London County Council.
Dr. Johnson's House in Bolt Court, with Memorial Tablet.
CHAPTER XXI
THE PRESIDENCY OF KING EDWARD VII. (Continued) —
CONCLUSION
(1862-1880)
Patent Law Amendment — The Government Bills, 1875-9 The
Society's Bill, 1881-2— The Patents Act, 1883— Postal Reform-
Musical Education — The Royal Academy of Music and the Society
— National Training School of Music — Its Successful Establish-
ment by the Society — The Society's Expenditure — School of Art
Wood-Carving — Its foundation by the Society — Subsequent His-
tory— Paris Exhibition, 1867 — Artisan Reports, 1867 and 1878 —
The Annual Exhibitions, 1871-4 — The Society's connection with
them — Memorial Window in St. Paul's after Prince of Wales's
illness — Sanitary Conferences, 1876-84 — Prizes — Issue of Premium
Lists — Special Prizes — Domestic Stoves — Labourers' Cottages —
Channel Traffic — Ships' Life-boats and Life-Saving Appliances —
Blow-pipe Apparatus — Essay on Thrift — Mechanical Road Trac-
tion— London Cabs — Railway Lamp — Steel — Revolution Indi-
cator— Harvesting Crops in Wet — Rating of Societies — Finance —
Concluding Remarks.
AFTER the passing of the Patent Law Amendment Act
of 1852, a measure which, as mentioned previously, owed
a great deal to the Society of Arts, the question of Patent
Law reform was for a long time allowed to slumber, so
far as the Society was concerned. The Act was working
extremely well, and the criticisms of objectors were mainly
directed to matters of detail, which might perfectly well
have been dealt with by administrative rather than
legislative reform. In some quarters a feeling of opposi-
tion to the granting of patents at all had gathered a certain
amount of strength. But the case of the objectors — if,
indeed, they had any case — was demolished by a brilliant
paper read before the Society in December 1874 by Mr.
474
SIR FREDERICK BRAMWELL, BART.
CHAIRMAN OF COUNCIL, 1880-1881. PRESIDENT, 1901.
From a Photograph.
To face page 474.
PATENT LAW REFORM 475
(afterwards Sir) F. J. Bramwell, on " The Expediency of
Protection for Inventions."
In 1875 the Government, urged on by admirers of the
American patent system, brought forward a Bill for the
reform of the Patent Law, in which it was proposed to
introduce into this country a system of examination
similar to that which has always been favoured in the
United States. It was not indeed quite clear whether the
examination proposed by the Bill really extended to points
of novelty ; but there is not much doubt that an examina-
tion for novelty was well within the scope of the Bill, and
it would probably have been introduced. The Bill raised
a good deal of opposition amongst those who were most
competent to form an opinion on Patent Law and admini-
stration, prominent amongst whom was Sir Frederick
Bramwell. The Council of the Society took an active
part in opposing it. The Bill, with various modifications,
was before Parliament for three consecutive years, and it
was persistently opposed during the whole time. Petitions
against it were presented by the Council, on behalf of
the Society, to the House of Lords — in which the Bill
was introduced in 1875 — and in the following year,
when it was brought into the House of Commons, to that
House.
A special meeting was held in March 1877, for the
discussion of the Bill, the meeting being opened by the
reading of a paper which the present writer, who was then
the Assistant Secretary of the Society, had, at the wish
of the Council, prepared. The general feeling of the meet-
ing was strongly adverse to the proposed measure ; and
eventually it was so evident that public opinion was
against it, that it was dropped.
In 1879 a different Bill was brought in by the Govern-
ment, but this, like its predecessors, met with a good deal
of adverse criticism, and nothing came of it.
When Sir Frederick Bramwell became Chairman of
the Council in 1 880, he drew attention, in the address which
he delivered before the Society at the opening meeting of
the Session 1 880—8 1 , to the desirability of certain modifica-
tions which experience had proved to be desirable in the
476 PRESIDENCY OF KING EDWARD VII
Act of 1852, and eventually it was determined that the
best way of bringing the Society's views definitely forward
would be to draft a Bill embodying the amendments which
experience had shown to be necessary, and to get this
Bill introduced in the House of Commons. A committee,
appointed for the purpose, considered very carefully the
main alterations which seemed imperative, and, under
the instructions of this committee, a Bill was drafted by a
Parliamentary draftsman. It seems hardly needful to
mention that the leading spirit of the committee was Sir
F. Bramwell, who read two papers on the Bill — one before
the British Association at York, in September iSSi,1 and
one before the Society in February i883.2 The Bill,
after being submitted to, and considered by, a meeting of
the Society specially held for the purpose in the autumn of
1 88 1, was introduced into the House of Commons by Sir
John Lubbock, Mr. W. H. Smith, and Mr. J. Compton
Lawrance,3 in March 1882, and again in the Session of
1883. It received a good deal of attention, and it had
the effect of inducing the Government to bring in a fresh
Bill in 1883, which embodied many of its main provisions,
and was, in the opinion of all competent judges, a very
great improvement on the Bill of 1879. A comparison of
the Society's Bill with that which eventually passed into
law 4 will show to what a large extent the Act was founded
upon the Society's Bill, although certain of the provisions
which the Society's committee considered of first-rate
importance, especially that of the appointment of paid
commissioners, were not adopted. The Society's Bill
only dealt with Patents, while the 1883 Act included also
Designs and Trade Marks. As is well known, the 1883
Act abolished the old Commissioners for Patents (the
Lord Chancellor, the Master of the Rolls, and the Law
Officers, Irish and Scotch as well as English), and trans-
1 Journal, vol. xxix. p. 809.
2 Ibid. vol. xxxi. p. 285.
3 Sir John Lubbock became Baron Avebury in 1900 and died in May
of the present year (1913). Mr. W. H. Smith, the distinguished states-
man, served in Lord Salisbury's Government of 1886, and died in 1891.
Mr. Lawrance became a judge in 1900, and died last December (1912).
4 As the Patents, Designs, and Trade Marks Act, 1883.
POSTAL REFORMS 477
ferred the Patent Office from their authority to the Board
of Trade, appointing a Comptroller of Patents instead of the
Commissioners.
Mention has already been made of the fact that a parcel
post had been suggested as far back as 1851. This was no
doubt due to the suggestion of (Sir) Henry Cole, who
made his first mark in public life by his advocation of the
introduction of penny postage, and ever afterwards took
a great interest in the development of the Post Office.1
In the period which we now have under consideration, the
Society was specially active in postal reform, and this
time the protagonist was (Sir) Edwin Chadwick, who
in 1857 read a paper urging the purchase of the telegraphs
by the State. The proposal had been made some time
before, and was then under consideration ; but, in the
opinion of Sir John Cameron Lamb,2 a most competent
authority, Chadwick 's paper " had a powerful effect on
public opinion, and helped materially to pave the way
for the telegraph legislation of 1868," by which provision
was made for the purchase.
It was largely owing to the exertions of Cole and
Chadwick that the Society was so earnest at this time in
promoting postal reform. The object was sought by every
possible means ; conferences were held, deputations were
sent to successive Postmasters-General and to the Treasury;
petitions were presented to the House of Commons, and
in every way an agitation was kept up in favour of cheaper
postal charges, the development of a parcel and sample
post, the reduction of telegraph rates, the development of
savings banks, the improvement of colonial and foreign
postal communications and other changes — many of which
have since been introduced, thanks to a large extent to
the persistent recommendations of the Society. Amongst
other matters may be mentioned the provision of facilities
for the purchase of small amounts of Consols, which, at
the suggestion of (Sir) George Bartley, was submitted to
the Chancellor of the Exchequer (Sir Stafford Northcote)
1 Sir H. Cole, Fifty Years of Public Work, vol, i, p. 34.
8 Journal , vol, lix. p. 12,]
478 PRESIDENCY OF KING EDWARD VII
by a deputation in 1 874, though the idea was not adopted
by the Post Office until 1888.
In the Address which Sir John Cameron Lamb delivered
when he was Chairman of the Council in 19 lo,1 he described
very fully, and with special knowledge, the aid which the
Society had rendered in the development of the electric
telegraph, first by encouraging inventors and giving
publicity to their work, and, secondly, by bringing pressure
to bear upon the Government Department for the improve-
ment and development of telegraphy after it had passed
into the hands of the Government. Sir John Lamb's ex-
perience, as a Secretary of the Post Office for many years,
lent great force to what he said, and it is satisfactory
to be able to record that in the opinion of a leading official
of a Department which had been for years worried by the
Society, the efforts of the Society had been judicious and
useful, and that, on the whole, they had secured the
friendly appreciation of the Post Office.
The Art of Music had never been considered to be
one of the arts which it was the duty of the Society to
promote, and, indeed, this view had been definitely stated
on one or two occasions. But in the period with which
we are now concerned this opinion was changed, a larger
interpretation was given to the Society's title, and a very
considerable addition was made, through its agency, to
the existing provisions for musical education in England.
In 1854 or 1856 the Directors of the Royal Academy
of Music asked the 1851 Commissioners for the grant of a
site on the Kensington Estate.2 Nothing, however, came
of the proposal, and the Academy, which was at the time
in a state very far from prosperous, seems to have gone
from bad to worse, for in June 1860 an application was
made by its directors to the Society, asking for suggestions
for the improvement and extension of its system of
management.
1 Journal, vol. lix. p. 7.
2 Sir Henry Cole's Fifty Years of Public Work, vol. i. p. 365 ; Journal,
vol. xiii. p. 593. The former reference gives the date as 1854, the latter
as 1856. The date is not very important.
TRAINING SCHOOL FOR MUSIC 479
The Council thereupon appointed a committee, which
reported in May 1861, and suggested rather sweeping
alterations in the constitution and management of the
Academy — alterations which, in fact, amounted to the
creation of a new institution. It appears that these
suggestions did not commend themselves to the manage-
ment of the Royal Academy, for nothing came of them.
But three years later the Council appointed a committee
on musical education. This was done at the instance of
(Sir) Henry Cole, who became chairman of the committee,
and directed, or rather dictated, all its proceedings.
The first work of the committee was to collect, through
the help of the Foreign Office, and by independent in-
quiries, a great deal of information about foreign musical
education, and full reports were obtained of the working of
the musical academies or conservatoires of Paris, Munich,
Vienna, Prague, Leipsic, Milan, Naples, Berlin, Brussels,
and Liege. Much of this information was published in
the Journal, and was embodied in a long report issued in
1866.
While this committee was at work, Cole conceived the
idea of forming a number of scholarships by public sub-
scription to be tenable either at the Royal Academy of
Music or elsewhere. Negotiations were for a long time
carried on with the Academy. But the conditions sug-
gested were not appreciated by that body, and eventually
the committee, at the instigation of its chairman, pro-
posed the establishment of a separate institution, which
should have for its main object the training of teachers,
and the students at which should all be holders of scholar-
ships to be obtained by competitive examination, the
funds being supplied by public subscription. The idea
once formulated, energetic measures were taken to carry
it into effect. Meetings were held at the Mansion House
in 1875 and 1876, under the presidency of the Lord Mayor
(Alderman Stone in 1875 and Alderman Cotton in 1876),
at Marlborough House, under the presidency of the Prince
of Wales, at Manchester, Liverpool, Bristol, Birmingham,
Dover, Hastings, Rhyl, and elsewhere. At all of the pro-
vincial meetings deputations from the Society attended.
48o PRESIDENCY OF KING EDWARD VII
Sufficient promises of support having been secured, it
was determined that an attempt should be made to provide
a building for a National Training School for Music at
South Kensington. An application was made to the
1851 Commissioners, who agreed to grant a site for the
purpose, and steps had been taken to collect money for
building the school, when (Sir) C. J. Freake liberally
undertook to provide the necessary building at his own
charge. A design was prepared by Lieutenant H. H. Cole,
R.E., and the first stone of the building was laid by the
Duke of Edinburgh, who had joined the committee in
1872, on 1 8th December 1873. The building was com-
pleted and opened at Easter 1876, when the Council were
able to announce that a sufficient number of scholarships
of £40 each had been promised, and that sixty-seven
scholars had already been appointed. The number of
scholarships was soon raised to eighty- two. The Queen,
the Prince of Wales, and the Duke of Edinburgh each
provided one, the Society of Arts founded four, the Cor-
poration of London ten, the City Guilds fourteen, Mr.
Freake five, and thirty-three were provided by various
provincial towns.
These scholarships were to be of £40 each, tenable for
five years, the hope of the founders being that by that
time the institution would be taken over by the State,
and placed on a permanent basis.
The school carried on a very successful career until
1882, when it was reconstituted, and became the Royal
College of Music, the College taking over all the property
of the school, including the house and a balance of £i 100.
When the five years for which the school had been
established expired in 1881, steps were taken to carry
it on for another year until the arrangements for the
new foundation could be completed. Many of the sub-
scribers renewed their payments for a year. The Society
of Arts voted £160 for its four scholarships.
The final report of the school was issued in June
1882, and an abstract of it appears in the Society's Journal
for the pth of that month. From this it appears that since
the opening of the school 180 students had been admitted.
TRAINING SCHOOL FOR MUSIC 481
Of these 152 held free scholarships, and twenty-eight
were private students who paid their own fees, a modifica-
tion having been made in the regulations, which at first
did not contemplate such students . These private students,
like the free scholars, were only admitted after passing
a test examination. The report states that no of the
students were either earning their own living or largely
contributing thereto, by the profession for which they
had been prepared, thirty of them being said to be
artists of recognised merit.
After the establishment of the Royal College of Music,
further negotiations were carried on with the Royal
Academy of Music, in the hope of some amalgamation
between the two bodies being effected. These, however,
were unsuccessful, though in 1889 ^ne two institutions
agreed to form an associated board for their examinations.
The total amount expended upon this object by the
Society of Arts from 1861 to 1882 was £2035. In 1871
six concerts were arranged at the Royal Albert Hall, in
the hope of obtaining funds for the foundation of the
school, but they resulted in a loss of over £87, which
fell upon the Society, and is included in the above
total.
It may be said that the establishment of the School of
Music was the principal object to which the energies of
the Society were devoted for a period of twelve years —
from 1 86 1 to 1873. It expended a considerable amount
of money, an expenditure justified by the hope expressed
in 1 874 that it, or the greater part of it, would be refunded.1
Many of the Society's members devoted much time and
thought to its organisation, and others, like Sir Charles
Freake and Sir Titus Salt, contributed munificently to
its funds. It cannot be said that sufficient credit has
ever been given to the Society for its efforts. When the
school, already an acknowledged success, became the
Royal College of Music, even the trivial compliment of
retaining a representative of the Society on its governing
body was unpaid, and, as a matter of fact, the work of
the original founders was absolutely ignored.
1 Council Minutes, ipth May 1874.
32
482 PRESIDENCY OF KING EDWARD VII
Another educational institution established by the
Society was the School of Art Wood-Carving, which has
now been doing useful work for more than thirty years.
In 1878 the Drapers' Company offered the Society a sum
of money to be applied in the promotion of some branch
of technical education, and the Council, at the suggestion
of (Sir) John Donnelly, determined to devote it to the
encouragement of wood-carving, an art which had long
prospered in this country, but was then languishing. The
Council secured the services of a Florentine wood-carver
of considerable merit, named Antonio Bulletti, and estab-
lished a small school in Somerset Street, Oxford Street,
under the direction of a committee, of which Colonel
Donnelly was the chairman. Nine free students were
nominated, and a few paying students were also admitted.
After being carried on for some time in Somerset
Street, the school migrated in 1879 to the Royal Albert
Hall, where convenient rooms were placed at its disposal
free of rent. In 1880 the City Guilds' Institute took the
school under its protection, and in 1885 it was provided
with accommodation at the Guilds' College in Exhibition
Road. Here it remained until 1898, when, the rooms it
occupied being required for the purposes of the Technical
College itself, it was transferred to the Imperial Institute,
funds for its support being still provided through both the
Drapers' Company and the City Guilds' Institute. In
1900 the grant from the City Guilds' Institute was with-
drawn, but the loss was temporarily made up by a special
grant from the Clothworkers' Company of £50. Two
years later, in 1902, the school had again to move, and
this time it hired premises from the Royal School of Art
Needlework. In 1901 the then newly-formed Technical
Education Committee of the London County Council
made the school an annual grant of £250, increased to £400
in 1903. In 1908 the school moved to premises of its own
in Thurloe Place, and there it has since been carried on.
In 1912 the grant from the London County Council
committee was further increased to enable the school to
add to its staff of teachers. Since 1905 the school has been
recognised by the Board of Education, and it has earned a
PARIS EXHIBITION ARTISAN REPORTS 483
gradually increasing amount each year, thus proving that
the efficiency of its teaching has been well maintained.
Numerous prizes and medals have been taken by the
school and its members at various exhibitions and at the
national competition held under the Board of Education.
It has also trained many teachers, and produced a number
of highly-trained carvers of wood who are now at work in
the trade.1
The connection of the Society with the Paris Exhibi-
tion of 1867 was not very close, though a visit of the
members was organised, and it was really the holding
of the Exhibition which led to the presentation of the
Albert Medal to the Emperor Napoleon in 1865. The
most important movement initiated by the Society in
connection with the exhibition was the organisation of
a body of artisan reporters, who, in accordance with a
resolution passed by the Council — at the instance of Sir
William Page Wood — in November 1 866, were sent to the
Exhibition to report upon it for the Society. The British
Commissioners for the Exhibition placed a sum of £500
at the disposal of the Society, and rather more than the
same amount was obtained by subscriptions. By means
of the funds thus obtained, supplemented by a sum of
£350 from the Society, eighty artisans, representing vari-
ous industries, were selected from different parts of the
country, and arrangements were made for their visiting
Paris, where full opportunities were given them, not only
for examining the contents of the Exhibition, but also for
inspecting French factories and workshops. The result
was the production of an extremely interesting volume of
reports, which was published by the Society in 1867. The
reports are naturally of varying interest and value, but
all of them are useful and interesting.2
1 Notes on the History of the School of Art Wood-Carving, by Thomas
Armstrong, C.B., 1910. Mr. Armstrong succeeded Sir John Donnelly
as Chairman of the Committee of the School in 1902, and devoted him-
self earnestly to its interests until his death in 191 1.
2 In 1855 the Society had organised facilities for artisans visiting
the Paris Exhibition. A reduction in the railway fares was obtained,
484 PRESIDENCY OF KING EDWARD VII
The same idea was carried out at the next great French
Exhibition in 1878, when a greater number of artisans
were sent over and a larger number of reports were printed.
But, on the whole, this second volume is inferior in interest
and value to the one issued in 1867.
As the date approached, various proposals were put
forward for holding an exhibition in 1871, the idea being
that such exhibitions should be held every ten years.
The suggestion, however, met with but scant support, the
financial result of the 1 862 Exhibition not having been such
as to encourage a repetition of the experiment. A scheme,
however, which did not involve so heavy an expenditure
met with greater approval ; and when (Sir) Henry Cole,
in 1868, brought before the Commissioners of the 1851
Exhibition a proposal for holding a series of annual ex-
hibitions, it was, after some consideration, adopted. The
original scheme was modified in some details, and in July
1 869, Cole was ready with his completed programme, which
was approved by the Commissioners, and announced in
the Society's Journal of 6th August 1 869. The idea was to
hold a series of annual international exhibitions of " selected
works of fine and industrial art," to last over a period of
ten years, from 1871 to 1880. A careful classification
was prepared, allotting to the exhibition of each year
certain specified industries, while the fine arts were to form
a section of each exhibition. The 1851 Commissioners
guaranteed a sum of £100,000, and gave the use of a portion
of their land at South Kensington. This land consisted
of the area extending from the Royal Albert Hall on the
north to the site of the 1 862 Exhibition, where the Natural
History Museum now stands. The central portion of the
ground was in the occupation of the Royal Horticultural
Society, and had been laid out as a garden. The part
intended for the Exhibitions was a space on the south
side of the gardens, and the strips bounding the gardens
on the east and west. Certain buildings existed upon
it, including the long gallery now (1913) containing the
lodgings were provided, and other privileges arranged, but no reports
were expected from the visitors.
ANNUAL EXHIBITIONS, 1871-4 485
engineering collection, which was originally part of the
1862 Exhibition, and to these considerable additions
were made, forming a quadrangle which enclosed the
gardens.
In accordance with the programme, the first exhibition
was opened in 1 87 1 . It was quite successful, and attracted
more than a million visitors, the total receipts being over
£75,000. Had a similar amount been earned by the other
exhibitions, the series would have been at least self-sup-
porting. Its successors, however, were less fortunate, for
the attendances gradually dropped off, and the receipts
got less and less satisfactory, until the series was brought
to an end in 1874. The total amount expended by the
1851 Commissioners on the four exhibitions was £303,364,
while the total receipts only amounted to £159,725, thus
involving a loss of £ 143, 639. l
The cause of this financial failure was certainly that
the exhibitions, though of great technical excellence, were
not of a sufficiently popular character, as is proved by
the fact that ten years later a very similar series of exhibi-
tions— the Fisheries, Health, Inventions, and Colonial —
held on the same site, were made so attractive that they
not only paid their way, but produced a handsome surplus.
If, since then, the popular side of exhibitions has been
given undue prominence, it has at all events been clearly
shown that without large concessions to popularity, the
heavy expenditure necessitated by the extent of our
modern shows cannot possibly be met.
But the non-popularity of the older series is without
doubt to be attributed mainly to the dissensions which
arose between the Council of the Royal Horticultural
Society and the exhibition authorities. In the first year
(1871) the gardens of the Society formed part of the
exhibition. But in the three later exhibitions difficulties
were raised, and the use of the gardens was refused,
except under harassing and inconvenient conditions.
This not only deprived the exhibition of its most attractive
and popularjfeature, but seriously affected the use of the
1 These figures are taken from the 6th Report of the Commissioners
of 1 85 1, published 1879.
486 PRESIDENCY OF KING EDWARD VII
buildings for exhibition purposes, because easy communica-
tion between different parts of the buildings was pre-
vented. Although the picture galleries were excellent, the
rest of the buildings were really not very well adapted for
exhibitions, and after the whole central area was taken
away they became very unsuitable. It may be added
that the action of the Royal Horticultural Society not
only wrecked the exhibition scheme, but went far to ruin
the Society itself. A few years later it was removed
from South Kensington, and in new quarters, and under
better management, it became the prosperous institution
which it now is.
The connection of the Society with these exhibitions
was very close. In December 1869 tne Commissioners
applied formally for the co-operation of the Society,
basing their request on the ground that the projected
scheme was really carrying out an idea formulated by a
Committee of the Society in 1858. The proposal was at
once accepted, and the Council undertook to co-operate
with the Commissioners, and to assist the series of ex-
hibitions to the best of their ability. To all four of them
it lent a very active support. As has already been men-
tioned, the scheme of art-workmanship prizes was modified,
with a view of providing a typical collection for the 1871
Exhibition,1 and at all the exhibitions gold and silver
medals were offered under various conditions. The
Journal was made the official organ of the exhibitions,
and its volumes for the years 1870 to 1874 are full of in-
formation about them. Certain of the sections were also
placed under the special charge of the Society, which
appointed committees for their organisation. The Execu-
tive Committee of the Exhibition published reports on
the first of the series, but for the other three the Society
undertook this duty. The reports on the three later ex-
hibitions were published in the Journal, and those for
1872 and 1873 were reprinted separately. Although the
assistance thus rendered by the Society to the scheme was
very considerable, the actual cost was not very great, as
the total amount which is charged to the International
1 See Chapter XX, p. 459.
MEMORIAL WINDOW IN ST. PAUL'S 487
Exhibitions for the four years only amounts to a little
over
After the service held in St. Paul's Cathedral in thanks-
giving for the recovery of the Prince of Wales from his
serious illness in 1872, it was suggested that a permanent
memorial in St. Paul's should be provided by members
of the Society, and that that memorial should take the
form of a stained-glass window. At the time the question
of the decoration of St. Paul's was under consideration,
and the offer of the Society to contribute a window was
gratefully accepted by the Dean and Chapter. A subscrip-
tion list was accordingly opened, and a sum of £343 was
collected among the members. But it was a long time
before the scheme of decoration could be settled, and
there was consequently considerable delay in carrying
the proposal into effect, the Dean not feeling himself
justified in accepting the design for the window, which
had been prepared by F. W. Moody,2 until some decision
had been arrived at upon the whole character of the
decorations. So the matter was hung up for the time, and
the amount which had been subscribed was placed on
deposit with the Society's bankers . In this state the matter
remained for ten years, when the Council renewed negotia-
tions with the Dean and Chapter, and, as there were still
1 A very full account of the series, with minute details, will be found
in the report presented by Sir Henry Cole to the Commissioners for
1851, and published as a Parliamentary Paper in 1 879. The exhibitions
are also dealt with in the Sixth Report of the 1851 Commissioners,
issued in 1879. A brief account of them is to be found in Sir Henry
Cole's Fifty Years of Public Work, vol. i. p. 269, and there is of course a
very large amount of information contained in the Society's Journal
for the period.
2 Instructor in Decorative Art at the National Art Training School.
He was a designer of considerable merit, and was responsible for a
good deal of the decorative work in the Museum, the Royal College of
Science, and the old National Training School for Music. In the
Museum his staircase and the decorations (largely Majolica and
Mosaic) of the Lecture Theatre Gallery are remarkable. His work
on the last-named building was mainly sgraffito. His Lectures and
Lessons on Art (1870) was for long a text -book for art students. He
died before j 890,
488 PRESIDENCY OF KING EDWARD VII
difficulties in coming to any definite agreement, it was
finally resolved that the amount subscribed should be
placed at the disposal of the Dean and Chapter to be
expended upon a stained-glass window in such a manner
as they should decide. The money was accordingly
handed over to the Dean in 1882.
Although numerous papers had previously been read
before the Society on subjects relating to sewage treat-
ment and utilisation, the first definite attempt made by
the Society for the promotion of sanitation may be said
to have been the conference on Rivers Pollution, held in
the December of 1874, with Sir Lyon Playfair in the
chair. At this conference a number of papers were read,
referring not only to the actual pollution of rivers, but to
methods of dealing with sewage which would prevent
such pollution. Indeed, the conference was really one
on sewage treatment, the question of the pollution of
rivers by manufacturing refuse receiving but a small
amount of attention.
The success of this meeting led to the organisation o
a conference in 1876, under the presidency of Mr. James
Stansfeld,1 which dealt with the whole subject of the health
and sewage of towns. This was the first of the important
series of sanitary conferences which was continued for
five years, and included a second meeting on the " Health
and Sewage of Towns " (1877) ; a congress on " National
Water-Supply" (1878); a conference on "National
Water-Supply, Sewage, and Health" (1879); and a
conference on the " Progress of Public Health" (1880).
A second congress on " National Water-Supply " was
also held in 1884. Reports of the proceedings of all
these meetings were duly published, and also a useful
compilation, " Notes on Previous Inquiries," which was
issued before the Water-Supply Conference of 1878.
There is no doubt that this series of health conferences
was mainly instrumental in directing public attention to
1 Rt Hon. Sir James Stansfeld, M.P. (1820-98). Radical politician
Held various offices under Palmerston and Gladstone. President of
Local Government Board, 1871-4.
PRIZE FOR ECONOMICAL USE OF FUEL 489
sanitary questions. If they did not start the movement
in favour of improved sanitation — and this would be no
unreasonable claim — they undeniably popularised it, and
the ultimate result of this rousing of popular feeling was
certainly the great improvement in domestic and muni-
cipal sanitation, which may be dated from the time when
these conferences were held.
As has been previously pointed out,1 systematic prize-
giving practically came to an end with the change in
the Society's character which followed on its incorpora-
tion. But prizes were still offered. A list of subjects
for premiums was published for the Sessions 1863-4
and 1864-5, and another similar list for the Sessions
1873-4-5. This is the last of the series of premium
lists commenced in 1756. Both of these were rather
miscellaneous lists. Many of the desiderata are now
commonplace products, others are as far from realisation
as ever. Probably not very much trouble was spent on
the preparation of the lists, and they do not look like the
production of expert authorities. That they do not to
any extent foreshadow the lines along which industrial
and scientific progress has since advanced, is not, perhaps,
to be wondered at. It would have been a very remarkable
feat to forecast in 1863 or 1873 the advances even of the
remainder of the century. Occasionally a few applications
were made for the offered awards, and still more rarely
medals were awarded.
Yet a good many prizes were actually given as the
result of special offers, generally made by the aid of liberal
donors who provided the necessary funds. The more
important of these deserve record.
A generous donation of £500 from an anonymous friend
of Sir William Bodkin (there can now be no objection to
its being stated that it was Mr. John Noble, a member of
the Society, who died in 1890), enabled the Society to
carry out in 1873 and 1874 some very interesting experi-
ments on the economical use of coal in domestic stoves.
The money was placed at the disposal of the Society in
July 1872, and the intention of the donor was, in his own
1 See Chapter XV, p. 336, and Chapter XVI, p. 389,
490 PRESIDENCY OF KING EDWARD VII
words, to encourage the development of improved means
for the economical use of fuel in private dwellings. The
manner in which it was to be utilised was left to the
discretion of the Council, and they determined to offer five
prizes of £50 each, together with a gold medal, under
certain specified categories, for stoves or grates for warming
and cooking, whether by coal or gas. The competing
apparatus were to be exhibited in the 1874 Exhibition
at South Kensington, and it was expected that the awards
would be made at the conclusion of that Exhibition.
Two hundred and four competitors replied to the invita-
tion, and from the various apparatus sent in 107 were
selected for testing. To carry out the tests a series of
rooms was erected on ground lent for the purpose by the
1851 Commission. Six rooms, fifteen feet cube, were
erected in concrete, and facilities were provided in each
room for fitting the stoves to be tested. A committee
was appointed, and a very elaborate series of tests
was devised ; indeed, the committee were a little too
ambitious in their efforts, for the tests were so elaborate
that it would hardly have been possible to have carried
them to a successful conclusion with the funds pro-
vided. They included careful temperature tests of the
air in different parts of the room and chimney, measure-
ment of the chimney-draught, and of the air coming
into the room, and hygroscopic tests for the amount of
moisture in the air at different stages of the experiments .
It is probable that the value of these last-mentioned
tests was at all events diminished by the character of the
buildings, which were new and possibly not quite dry even
by the time the experiments were finished. However,
a great deal of time and trouble was taken, one member
of the committee — the Rev. Arthur Rigg * — devoting
himself constantly to the work from February 1874 until
1 The Rev. Arthur Rigg was the first Principal of the Diocesan
Training College at Chester, which he converted into a really excellent
technical school, the first of its sort in England (see obituary notice,
Journal, vol. xxviii. p. 820). He gave the Society some valuable
courses of Cantor Lectures, the first of them being the one on
"Mechanism," delivered in 1872. Mr. Rigg was an extremely skilful
amateur mechanic, and a man of considerable scientific knowledge.
PRIZES FOR STOVES 491
the latter part of the summer of that year. No actual
cooking tests were made, but the time required to raise
a measured quantity of water to boiling-point was taken
with all the cooking-stoves, and careful thermometer
tests of the temperature of the ovens were also carried
out.
The committee eventually acquired a great mass of
information, but the results were hardly sufficiently con-
clusive to justify their publication. A number of the
stoves tested were of considerable merit, certainly the
best that were constructed at that date ; but amongst
these the committee did not feel justified in making any
selection for the prizes, and consequently in December
1874 they published a report giving the conclusion, which
they said they had arrived at with very considerable
regret, that they were unable to award any prizes. The
grant of £500 was all expended, and about £75 in addition
was paid by the Society.
Whether the committee might not fairly i have
awarded medals to a certain number of the competi-
tors is a matter upon which it is not now possible
to express any opinion. But it is quite certain that
they could not fairly have discriminated amongst the
different stoves submitted by selecting any particular
one for the first prize.
The competition is specially interesting in being
probably the first attempt to apply an elaborate series of
scientific tests for the purpose of exhibition awards, and it
affords certain testimony as to the inevitable difficulties
in carrying out such tests, which, it may be added, have
often been demanded by exhibitors, and without which,
it must be confessed, exhibition medals lose a great part
of their value.
The efforts made by the Society in previous years to
secure suitable houses for the labouring classes have been
recorded in previous chapters.1 The matter was again
taken up in 1863, when Mr. J. Bailey Denton provided
two prizes of £25 each for approved designs for cottages ,
1 See Chapter XIII, p. 312, and Chapter XVI, p. 392,
492 PRESIDENCY OF KING EDWARD VII
to be built singly or in pairs, at a cost not exceeding
£100 each. One hundred and seven competitors sent in
134 designs, and in the following year one of the prizes,
with a medal, was awarded to Mr. John Birch, on the
recommendation of the committee that, although the
conditions were not strictly complied with, the design
contained so much merit that it richly deserved an award.
The report of the committee, with a plan and elevation
of Mr. Birch's design, will be found in the Journal (vol. xii.
p. 401).
The offer of these prizes, and some discussion which
took place on a paper read by Mr. J. C. Morton, in the
autumn of 1863, on agricultural progress, together with
some statistics collected by a committee on model dwell-
ings appointed by the Society, under the chairmanship
of Mr. Thomas Twining, led to the holding of a conference
in May 1864, at which the subject was fully discussed
and a good many useful suggestions were made. Two
years later, in 1866, a Bill drafted on the lines suggested
by the conference was introduced by Charles Buxton into
the House of Commons. Neither the proposals of this
conference, nor the various offers of prizes through the
Society, successful as they were in obtaining excellent
designs, have done very much to assist the provision of
labourers' dwellings in rural districts, though they cer-
tainly have had their effect by influencing public opinion
in the promotion of the provision of industrial dwellings
in London and other cities. So far as rural districts go,
notwithstanding the constant attention which has been
paid to the subject, the great Royal Commission of 1880,
of which King Edward vn. (then Prince of Wales) was a
member, and the recent special efforts which have been
made to encourage the erection of labourers' cottages, it
cannot be said that much progress has been made since
the Society first offered a prize in 1799, inasmuch as a
writer on the subject was able to say at the present time,
and with perfect truth, that "the deficiency of good cottages
in rural districts is one of the most notorious evils from
which the English countryside suffers." *
1 Daily Graphic, 3rd December 1912.
CHANNEL PASSAGE 493
Those who are old enough to remember the conditions
of the traffic between England and France in the sixties
and seventies of the last century, can realise that the
Council of the Society were well justified in offering, in
1869, gold and silver medals for improved Channel
steamers. The vessels used were small. They were
heavily engined and fine sea-boats, but extremely lively,
while the passenger accommodation was limited, and in
bad weather they were very uncomfortable. For many
years there had been little improvement, and there seemed
small prospect of any. The offer of the prizes cannot be
said to have had much effect, although it produced the
double-hull steamer of Captain Dicey and Mr. Sedley, on
the lines of which the Castalia was afterwards constructed .
This vessel, as many will remember, ran successfully
between Dover and Calais for some years. But the report
of the committee appointed by the Council, and the
evidence they collected, together with the admirable
paper read a few years later, in 1873, by Colonel Strange
on " Ships for the Channel Passage," had a great deal to
do with helping forward the formation of public opinion,
so that eventually sufficient pressure was brought to bear
upon the railway authorities, who were responsible for the
trans-Channel traffic, to induce them to improve the
accommodation as it was improved in the later years of
the nineteenth century.
About the same time as these prizes for Channel
steamers were offered, a prize was offered for improved
ships' life-boats. Although a good many models and
drawings were sent in, none of these were considered
worthy of an award. Later on again the subject was
taken up, attention having been drawn to it by the sudden
sinking of H.M.S. Eurydice, a training-ship which had
capsized in a sudden squall off Ventnor in March 1878,
and a prize was offered for a ready means for saving life
where any apparatus to be of any service at all has to be
available within a very short period, possibly not exceed-
ing five minutes. It was found possible to award this
prize (a gold medal), and it was given to Messrs. J. & A.
W. Birt, for a collection of buoyant articles sent in by
494 PRESIDENCY OF KING EDWARD VII
them, while several other exhibitors received honourable
mention. The most useful work, however, done by the
committee was the production of an exceedingly valuable
report, due mainly to the exertions of Admiral A. P.
Ryder, which appeared in the Journal? and was after-
wards published as a Parliamentary paper.
Among the subjects included in the list of the Society's
technological examinations was the use of the blow-pipe.
This addition was made at the suggestion of !(Sir) Clement
Le Neve Foster, one of the inspectors of metalliferous
mines, who was himself a skilful user of the implement,
and was a great believer in the value of blow-pipe analysis.
The examination was a practical one. Test specimens
were circulated among the candidates, which they were
expected to analyse.
Some difficulty was found by the students who came up
for examination in obtaining a good set of blow-pipe
apparatus at a moderate price, and in 1877 a prize of £10,
which was provided by Colonel Angus Croll, a member of
the Society, was offered for the best blow-pipe apparatus
which could be sold retail for a guinea. Several sets were
sent in, including one by Messrs. Letcher, of St. Day,
Cornwall, and to this the prize was awarded.
After the Technological Examinations were handed
over to the City Guilds' Institute, the committee of that
institute, or its technical advisers, took a different view of
the value of blow-pipe analysis, and the examination was
discontinued.
A sum of £100 was offered to the Council by Sir Joseph
Whitworth in 1873, f°r ^ne purpose of providing prizes
for Essays on Thrift, the subject to be dealt with being
defined as " The advantages which would be likely to arise
if railway companies and limited companies generally
were each to establish a savings bank for the working-
classes in their employ."
Fifty-three essays were sent in, but the judges reported,
in July 1874, that none of them were of sufficient merit
1Vol. xxvii. (1879) p. 298.
MECHANICAL ROAD TRACTION 49 5
to be entitled to the full prize. Thejr, however, recom-
mended that £50 should be awarded for an essay sent in by
Joseph Mason, and this was done. The essay was after-
wards printed, and a small edition issued by the Society.
An attempt by the Society to encourage mechanical
road traction is worth mention. In the premium list
issued in 1873 a gold medal had been offered under the
Howard Trust, for " a traction-engine of moderate power
capable of being employed as a substitute for horse-power
on tramways, and in the streets of cities and towns."
The engine was to form one structure in combination with
the carriage . The power might be generated by any means ,
provided that " noise, noxious fumes, or the discharge of
refuse into the air or on to the road surfaces " was avoided.
John Grantham, an engineer, who died in 1874, had built
an engine purposely to compete for this prize, and after
his death his widow put in a claim for it. (Sir) F. J.
Bramwell, with whom the development of steam traction
on common roads had been since the days of his apprentice-
ship—when he was associated with Hancock, the pioneer
of mechanical road traction — a subject of special interest
and study, sent in a report strongly recommending
Grantham 's engine and car, and on that report the medal
was awarded. The report, which was published in the
Journal ,x is interesting reading at the present time. It
not only gives a clear account of the particular invention
described, but contains a good deal of information on the
early history of mechanical road locomotion, and a lucid
exposition of the principles which should guide the con-
struction of road-cars, now common knowledge, but little
appreciated in 1875.
Grantham Js car was soon after set to work on the
Wantage tramways, and ten years later it was stated in the
discussion of a paper on Steam Tramways, read before the
Institution of Civil Engineers by the Hon. R. C. Parsons,
that it was still working on them. Speaking in the same
discussion, Mr. Edward Woods, the well-known engineer
and a Past- President of the Institution, referred to Mr.
1 Journal, vol. xxiii. (1875) p. 728.
496 PRESIDENCY OF KING EDWARD VII
Grantham as the " pioneer in the introduction of steam
tramway cars for traffic." From Sir Frederick Bram-
well's description of it, it is clear that the car was equally
suitable for work on common roads, and doubtless, but
for the legislative restrictions on mechanical traction, it
would have been so applied. But Grantham, like Loftus
Perkins and many another inventor of steam carriages
about this time, was prevented from carrying out his
ideas, and it was not till the advent of the petrol engine and
the success of the automobile in France compelled the
rescission of obstructive laws that English inventors were
given fair-play in their attempts to develop what has since
proved to be a great and lucrative industry.
In the middle of the last century the cab system of
the metropolis was in a by no means satisfactory con-
dition. In a paper on the subject, read at a meeting of the
Society in 1867, (Sir) Henry Cole expressed the opinion
that, <( on the whole, we had in London the meanest cabs
in the world." The system of cab fares was also a constant
cause of complaint. At that time the rate was 6d. a mile
within the four-mile radius, without the shilling minimum
afterwards introduced. Two years after the reading of
Henry Cole's paper, the Council took up the subject, and
began by organising a conference upon it, which was held
in June 1869, and in this a good many cab proprietors
and others interested in the question took part. A
deputation also waited on the Home Secretary asking
for legislation, and this may have had its effect in hasten-
ing on the Act of 1 869.
In order to encourage the production of a better class
of vehicles, in the same year gold and silver medals were
offered for open and closed hackney carriages constructed
to carry two or four persons. At the same time a silver
medal was offered for an instrument which should indicate
the fare, either by registering the distance or otherwise.
The offer was not successful in the production either of
improved vehicles or of a practical taximeter. Although
a number of instruments were sent in, none of them were
1 Proceedings, Inst. C.E., vol. Ixxix. (1884) p. 129.
PRIZES FOR CABS AND RAILWAY LAMPS 497
approved by the committee, and, indeed, it is probable
that if at the time a good instrument had been constructed,
it would not have been adopted by the trade.
In 1872 the question was again taken up, and this time
with more success. One of the sections of the Exhibition
of 1873 was devoted to carriages, and the Council deter-
mined to offer money prizes, amounting altogether to
£120, for improved cabs, which were to be shown in the
exhibition, and were also to have been regularly used in
London for three months. For this competition a con-
siderable number of cabs were sent in, showing a great
variety of construction and a good deal of novelty. From
them a committee appointed by the Council selected four
as worthy of favourable notice and specially deserving
reward, and they recommended the Council to divide the
total amount offered equally among these four. The
Council, therefore, awarded prizes of £30 each for hansoms
to Mr. C. Thorn, of Norwich, and to Messrs. Forder & Co.,
of Wolverhampton ; and for four-wheelers to Mr. Lambert,
of Great Queen Street, W.C., and Messrs. Quick & Nor-
minton, of Kilburn. Both four-wheelers were capable
of being used either open or closed. As regards the
hansoms, the result of the offer was considerable, as from
that time forward the character of the London hansom
was greatly improved. The prize also seems to have
exerted some influence in improving the character of the
four-wheeler, but it had no effect whatever in promoting
the production of a four-wheeler capable of being used
as an open carriage.
In March 1874 the Council determined to offer a gold
medal for an improved railway lamp, and an announce-
ment to that effect was made in the Journal for 2 9th May
of that year. In response to the announcement, twelve
competitors sent in lamps, some for mineral oil, some
for vegetable oil, and some for gas. A selected number
of these were tested for the light afforded, and the best of
these were subjected to a practical trial on the St. John's
Wood Railway. At that time the Metropolitan Railway
did not extend farther than Swiss Cottage, and there
33
498 PRESIDENCY OF KING EDWARD Vlt
was an unused length of tunnel beyond this which was
available for the purpose. The company lent a railway
carriage and afforded all necessary facilities for the experi-
ments. The lamp which came out the best from all these
trials was Pintsch's Compressed Gas Lamp, and this was
subjected to a further practical trial by the Metropolitan
Railway Company. The trial, which extended over about
three weeks, being reported upon as favourable, the medal
was awarded to Messrs. Pintsch for their lamp. This
lamp afterwards came into extensive use, and the award
of the Society was fully justified.
A gold medal was offered for the best collection of
specimens of steel suitable for general engineering pur-
poses sent to the International Exhibition of 1873. But
the committee appointed to make the award reported that
none of the collections sent in fulfilled the conditions laid
down, and therefore they could not recommend any
award.
In November 1873 a letter was addressed by Admiral
Ryder to the Council, pointing out the need which existed
for the provision of an accurate revolution indicator for
use on board ship, since at the time, although various
plans for indicating the number of revolutions made
by the screw-shaft had been proposed, none had as yet
been successful. In accordance with Admiral Ryder's
suggestion, a gold medal was offered in the following
January for the best revolution indicator " which shall
accurately inform the officer on deck and the engineer in
charge of the engine what are the number of revolutions
of the paddles or screw per minute, without the necessity
of counting them." Eighty-four competitors sent in
apparatus or descriptions, and of these nine were selected
by the committee for trial on board ship. The Admiralty
lent H.M. gunboat Arrow for the purpose, and five of
the selected candidates fitted their instruments on board,
where they were duly tested. As the result of the trials,
the prize was awarded in May 1876 to Mr. T. A. Hearson,
whose strophometer was found to work with complete
REVOLUTION INDICATOR 499
satisfaction. The apparatus was afterwards brought into
practical use, and was found of considerable value.
The wet weather of the summer of 1867, and the conse-
quent injury to the harvest of that year, induced the
Council to offer a prize of fifty guineas and the Society's
gold medal for an essay on harvesting corn in wet seasons,
in the hope that some practical suggestions for drying
crops of all sorts might be forthcoming. Twenty essays
were sent in, and the prize was awarded to Mr. W. A.
Gibbs, of Gillwell Park, Essex, for an essay which appeared
in three numbers of the Journal.'1- This essay gives a very
full account of the various methods proposed for the
artificial drying of crops, including hay as well as corn,
and described at considerable length the devices proposed
by the author, which were the result of long-continued
experiments upon his own farm.
Mr. Gibbs' proposal was to utilise a hot-air blast,
driven through a chamber of suitable construction, and
provided with various devices according to the character
of the crop to be treated. In the case of hay, it was pro-
posed to carry the wet grass through the chamber on a
travelling apron. With corn it was preferred to place
each sheaf on a vertical support, consisting of a pipe,
by which the hot air was delivered into the centre of the
sheaf. The sheaf, when dried, was removed by hand.
Mr. Gibbs' arrangements met with a good deal of approval
by agricultural authorities, but they do not appear ever to
have come into actual use.
Something must now be said about the finances of the
Society in the period after the great Exhibitions, but before
this it may be worth while to find room for a paragraph
about a financial question which at one time exercised
the minds of the Council, though it is really rather curious
than important. The question of the liability of societies
to parochial rates has always been rather a difficult one
since the passing of the Act in 1843 (6 & 7 Viet. c. 36),
which exempted societiesinstituted "for purposes of science,
1 Vol. xvi. pp. 781, 793, and 804.
500 PRESIDENCY OF KING EDWARD VII
literature, or the fine arts exclusively " from " county,
borough, parochial, and other local rates." To enable
it to claim exemption the society must be " supported,
wholly or in part, by annual voluntary contributions,"
and there are certain other conditions. Immediately the
Act was passed the Society of Arts took advantage
of it, and, in accordance with its provisions, applied
to Mr. Tidd Pratt, the Registrar of Friendly Societies, for
his certificate. Mr. Pratt was of opinion that the Society
" could avail itself of the provisions of the Act," and from
that time forward it paid no rates. In 1869, however,
the parochial authorities declined to admit the exemption,
and rated the Society in full. The matter duly came
before the Petty Sessions, and the magistrates decided
against the Society, but granted a case for appeal to the
Queen's Bench. Mr. (now Sir) H. B. Poland was instructed
to state a case, and did so, but he added the opinion that
the Society was rateable, inasmuch as it had been estab-
lished for the promotion of commerce, whereas the Act
applied exclusively to societies for the promotion of science,
literature, and the fine arts.
The Council at the time were inclined to drop the pro-
ceedings, but eventually decided that the case should be
proceeded with. It was accordingly sent by the Society's
solicitors to the solicitors for the parish, who allowed the
matter for a long time to stand over. But in 1872 the
application was suddenly renewed, and the Society then
took the opinion of Mr. Hardinge Giffard (now Lord Hals-
bury), which was to the effect that the proposition con-
tended for by the Society was hardly arguable. He
therefore advised the Council not to proceed further with
the case. Under these circumstances the Council aban-
doned further opposition to the claim of the parish, and
in February 1873 they paid the amount of £246, 195.,
being the rates due from Michaelmas 1 869 to Lady Day
1873.
The Act itself was intended for the benefit of the
various local institutions which at the time were being
founded in different parts of the country — " Athenaeums,"
as they were commonly called — and it was certainly
RATING OF SOCIETIES 501
meant to be of much wider application than it has proved
to be under the interpretation of necessity placed upon
it by the Courts of law. There have been various cases
under it, some of which are reported in a treatise on the
Act published in 1851 by George Taylor, a barrister, and
others in the principal modern authority on the subject,
11 The Law and Practice of Rating," by W. C. Ryde (1912).
In 1878 the liability of the Institution of Civil Engineers
to pay rates was raised, and a special case was argued
before Justices Field and Manisty, who confirmed the rate,
with costs against the Institution, on the ground that a
society the primary object of which is the acquisition of
scientific knowledge for the purposes and in the interests
of a particular profession is not a society instituted for
purposes of science exclusively. Some doubt has, how-
ever, been thrown on this decision by a more recent deci-
sion of the House of Lords in 1890, when the Commis-
sioners of Inland Revenue appealed against a decision of
the Court of Appeal that the Institution was not liable to
Corporation Duty under the Customs and Inland Revenue
Act, 1885 (48 & 49 Viet. c. 51). In that case it was held
by Lords Watson and Macnaghten (Lord Halsbury dis-
senting) that the property of the Institution was entitled
to exemption, because it was in fact legally appropriated
and applied substantially for the promotion of mechanical
and engineering science, and not for the promotion of the
professional interest or advantage of its members.
In the case of the Zoological Society, tried in 1854, it
was held that the Society could not be considered either
as a society for the purpose of science exclusively or as
supported by voluntary contributions.
In 1895 the Imperial Institute appealed to the County
of London Sessions against the assessment of the Institute
and claimed exemption. The Bench (Sir Peter Edlin
being the chairman) decided that the Institute was liable,
but reduced the rateable value from £15,400 to £11,700.
The United Service Institution, the Working Men's Educa-
tion Union, the Art Union, and the British and Foreign
School Society are also among the institutions which have
been held not to be exempt.
502 PRESIDENCY OF KING EDWARD VII
On the other hand, the Linnaean Society and the
Royal College of Music have been held to be exempt.
It appears to have been held, in one case, that by
11 voluntary contributions " are meant free gifts which
the society could not recover by process of law or enforce
in any way, and in return for which the donors received
no benefit. The donor must give " from disinterested
motives, not looking for any return in the shape of direct
personal advantage." Whether under this ruling any
society publishing Transactions, or providing its members
with an annual conversazione, could maintain its right
to exemption, may perhaps be an open question. If so,
on a strict interpretation of the wording of the statute,
there must be few institutions which could take advantage
of its provisions.
Whether it is reasonable that certain parishes should
be called upon to contribute to the funds of institutions,
however meritorious, from which they derive no special
advantage — for, however beneficial to the world in general
may be the work (say) of the Society of Arts, it cannot be
said to profit the parish of St. Martin's more than the
parish of Paddington or of Bethnal Green — is a matter of
opinion. It might be held that such aid might more
properly come from Imperial than from local sources,
while it is hardly disputable that the statute of 6 & 7 Viet.
c. 36 badly needs revision, so that the benefits it is intended
to provide might be distributed with greater impartiality
amongst those morally, if not legally, entitled to them.
Whether any modern Chancellor of the Exchequer would
approve of such a modification of the law is another
question.
During the period of the Society's history with which
we are dealing (1860 to 1880), its resources were sufficient
and its financial position was sound. Looking back to the
period of its greatest depression, before its incorporation, we
see that its membership had been reduced to something
like 300, and its resources were nil. In December 1 843, six
months after the Prince Consort had become President,
there were 685 members . In 1 8 50 the numbers were a little
under 2000. In 1856 they were reported as being about
THE SOCIETY'S REVENUE 503
1700. After this we get a constant and regular increase.
The numbers in November 1861 were 2263, and by the
same date in 1866 they had grown to 3031, an increment
due mainly to the 1862 Exhibition. In the next ten years
the increase was steady, but less rapid — 3200 in 1870,
and 3800 in 1875. The numbers fell to 3300 in 1881, and
rose again to 3656 in 1885.
The Society's income of necessity fluctuated with the
number of its members, since their contributions form its
sole source of revenue. Taking round figures, its income
in 1861 was over £5000, and in 1862 over £6000. In these
two years also a sum of over £2000 was repaid by the
Commission of the 1862 Exhibition, but this amount was
absorbed by the expenditure on the new lease of the
premises, £2361. In addition to the renewal fine and
the charges on the new lease, the Society spent a sum of
£2800 on the premises during the four years 1863-6.
The income was practically stationary for some
years, but by 1880 it had grown to more than £8000, the
increase being mainly due to the dividends from invested
benefactions, increased revenue from the advertisements
in the Journal, and other minor receipts.
During this period the Society was singularly fortunate
in the benefactions it received. The Swiney and Cantor
bequests, already recorded, were of an earlier date, but
in the eight years 1868 to 1876 it came in for a consider-
able amount. It received a legacy of £100 in 1868 from
Dr. Aldred, one of £2000 in 1870 from Alfred Davis, and
another of £200 in the same year from Alexander Robb.
In 1872, Thomas Howard bequeathed to it £500 to found
prizes for treatises on motive -power and for other
purposes ; while in 1875 and 1876 respectively, the
Mulready and Owen Jones Prize Trusts were made over
to the Society. In 1876 also Benjamin Shaw presented
the Society with £133 to found a prize for industrial
hygiene. These last-named donations or trusts, though
of no pecuniary benefit to the Society, yet are valuable
as aiding it to carry out certain portions of its proper
work.
With such abundant resources it might have been
504 PRESIDENCY OF KING EDWARD VII
expected that the Society at the end of this period
would have been in a stronger financial position than it
really was. But it must be admitted that its expenditure
was somewhat lavish, and not controlled with sufficient
care or strictness. Large sums were expended upon
objects no doubt desirable but rather costly, and much
money was spent which could easily have been saved by
a more judicious administration of the funds. The
publication of the Jury Reports of the 1862 Exhibition1
was a creditable piece of work, and the book produced
was of considerable value, but the expenditure upon it
of over £1000 seriously hampered the Society at a time
when it had to provide a sum of £5000 for lease renewal
and repairs. If, as was indeed the case, the 1862 Com-
missioners had no available surplus for publication
purposes, they might reasonably have called upon their
more fortunate predecessors of 1851 for the needed help.
A few years later the National Training School for Music
was successfully endowed with large funds collected
entirely by a committee of the Society, and started in a
building provided by one of its members . Surely this was
sufficient without the Society being called upon to contri-
bute over £2000 in cash . The Society 's efforts to encourage
drill in schools cost £540 . The efforts were quite successful ,
but rather expensive. The contribution of £1000 to the
Prince Consort's Memorial in 1862 is in a very different
category. No money gift could represent the value of
the Prince's services to the Society. Yet is it unreason-
able or ungrateful to feel a wish that the evidence of ap-
preciation had been shown in some other form ? That
while it was liberal, it was yet felt at the time to be
inadequate, is shown by the spontaneous decision of the
members 2 to establish by voluntary subscriptions a
special memorial of their own.
The Society was always solvent, but expenditure of
this liberal character was just a little more than it could
stand, and consequently the annual revenue did not always
meet he annual outlay, and the balance had to be tempor-
arily made good by applications to the bankers. Whether
1 See Chapter XVIII, p. 423. * See Chapter XVI, p. 399.
CONCLUSION 505
an institution like the Society ought to make provision
in prosperous years for possible future needs may be a
matter of opinion. It is certainly not called upon to
accumulate large funds, but all experience goes to show
that it is wise in times of prosperity to use a judicious
economy, and to keep, as long as possible, a sufficient
margin of surplus, so as to provide for the bad times
which are certain some day or other to overtake institu-
tions as well as individuals.
The writer has now brought to an end the task he
started upon about three years ago — the preparation
of a History of the Royal Society of Arts. He has striven
to give some account of the objects for which it was
established, of the work it endeavoured to accomplish,
and of the individuals of whom it was composed. The
work has not been without its special difficulties, the chief
of which has been that of correlating and bringing into
some sort of ordered sequence the multifarious and mis-
cellaneous subjects to which in the course of its long
career the energies of the Society, corporate and individual,
have been devoted. He doubts whether he could have
persevered with the task but for the kind encourage-
ment he received from many members of the Council and
of the Society while the articles of which this volume is
composed were appearing in the Society's weekly Journal.
At all events, he is satisfied that the work of the Society
deserves record, and he is not without hope that the
narrative which he has prepared may add to the Society's
credit and promote its future welfare. Naturally, such an
account must record much wasted energy, but it also
records much strenuous hard work, done by individuals
for what they considered the public service, and without
any personal interest beyond the natural and human
desire to obtain credit and appreciation from their fellows.
The results of the associated efforts of such a combination
of individuals as this Society will be appreciated at
different values according to the point of view of the
observer. The standpoint of one who has served the
506 PRESIDENCY OF KING EDWARD VII
Society for a little over forty years cannot be that of an
impartial critic, but the writer can honestly say that the
fairly minute study of the Society's records to which he
has devoted the leisure of the past three years (added to a
certain familiarity with them acquired during the work of
the past forty) has resulted in a genuine admiration of
the unselfish labours of its dead-and-gone constituents,
and in a sincere conviction that, on the whole, their labours
have been of constant and real service to the State.
Many of their objects were trivial, many of their efforts
were futile, but when all allowance is made, the net result
is an enormous mass of useful work, beneficial to the
country and serviceable to mankind. Certainly no
society has had objects so many or so multifarious. Few
can have endured such vicissitudes. It has earned much
popularity, it has incurred its fair share of ridicule. It
has been often praised and often blamed, generally with
equal lack of reason. It has endured for a period of more
than a century and a half, and is certainly as prosperous
now as it has ever been. There is no reason why that
prosperity should not continue. In the future, as in the
past, it will doubtless find fresh fields of activity, and, as
it has ever done, change with the changing years, and
adapt itself to the fresh conditions of the coming time.
For all institutions depending on voluntary subscrip-
tions the times grow harder. They are in the position of
people with fixed incomes and growing expenses. In
our own case the scale of contribution was fixed 1 50 years
ago, and it cannot well be altered now ; but it is far less
profitable, while nearly all the items of expenditure are
of necessity far more costly. It is difficult to discern a
source from which the Society's revenue can be supple-
mented. It is unlikely that the subsidies given by the
State to certain institutions will be increased. That the
bounty might be more fairly distributed there cannot be
much doubt. Few would question the propriety of
State aid being liberally given to the two great institutions
which are respectively at the head of Science and of Art
in this country. The method of distribution of State
support to other institutions is open to criticism. It seems
CONCLUSION 507
accidental and casual, governed by no particular principle.
At all events, the Secretary of a Society which has always
been left out in the cold when there was any benefit going,
may be forgiven if he does not fully appreciate the manner
in which State patronage has been bestowed elsewhere.
Perhaps, in default of State aid, the private benefactor
may supply the needed help . Many of the best institutions
of the country — Universities, Schools, Hospitals — owe
their existence to the surplus wealth of the pious founder
of ancient days. Numerous modern charities have been
founded, and are still supported, by philanthropic bene-
factors. Education and science have had their full share
of generous gifts. Perhaps in the future it may occur to
some liberal possessor of millions, accumulated from
industrial sources, that an endowment might well be
bestowed on an institution which for the best part of two
centuries has really done not a little to carry out the objects
of its foundation — the promotion of " Arts, Manufactures,
and Commerce.11
APPENDIX I
THE SOCIETY'S OFFICIALS
PRESIDENTS
Viscount Folkestone ..... 1755-1761
Lord Romney ...... 1761-1793
The Duke of Norfolk, E.M. .... 1794-1815
H.R.H. the Duke of Sussex, K.G. . . . 1816-1843
H.R.H. Albert Prince Consort, K.G. . . . 1843-1861
William Tooke, F.R.S. ..... 1862
H.R.H. the Prince of Wales, K.G. (King Edward VII.) 1863-1901
Sir Frederick Bramwell, Bart., F.R.S. . . . 1901
H.R.H. the Prince of Wales, K.G. (King George V.) . 1901-1910
Lord Alverstone, L.C.J., G.C.M.G., F.R.S. . . 1910
H.R.H. the Duke of Connaught, K.G. . . . 1911
CHAIRMEN OF COUNCIL
Edward Speer 1 T .
George Bailey ) Joint Chairmen . . 1846-1848
Edward Speer ...... 1848-1849
Francis Fuller . . . . . .1850
Henry Cole ...... 1850
W. W. Saunders, F.R.S ...... 1851
Henry Cole, C.B. ..... 1852
Captain Owen, R.E. ..... 1853
Harry Chester ...... 1853
Viscount Ebrington, M.P. . . . ' . 1854
Rev. James Booth, LL.D., F.R.S. . . . 1855
Colonel W. H. Sykes, M.P., F.R.S. . . . 1856
C. Wentworth Dilke ..... 1857-1858
Sir Thomas Phillips . . . . 1859-1862
William Hawes, F.G.S. ..... 1863-1865
Sir Thomas Phillips ..... 1866
William Hawes, F.G.S. ..... 1867
509
5io
APPENDIXES
Lord Henry G. Lennox, M.P. .... 1868-1871
Major-Gen. F. Eardley-Wilmot, R.A., F.R.S. . . 1872-1874
Lord Alfred Spencer Churchill . . - ^ . 1875-1876
Major-Gen. F. C. Cotton, C.S.I. . . . 1877
Lord Alfred Spencer Churchill .... 1878-1879
Sir Frederick Bramwell, Bart., F.R.S. . . . 1880-1881
Sir William Siemens, D.C.L., LL.D., F.R.S. . . 1882-1883
Sir Frederick Abel, G.C.V.O., K.C.B., D.C.L., D.Sc.,
F.R.S. .p 1883-1885
Sir Douglas Galton,K.C.B., F.R.S. . . 1886-1887
The Duke of Abercorn, C.B. .... 1888-1889
Sir Richard Webster, Q.C., M.P. . . . 1890-1893
Major-Gen. Sir John Donnelly, K.C.B. . . . 1894-1895
Major-Gen. Sir Owen Tudor Burne, G.C.I.E., K.C.S.I. 1896-1897
Sir John Wolfe-Barry, K.C.B., F.R.S. . . . 1898-1899
Sir John Evans, K.C.B., F.R.S. . . . 1900
Sir William H. Preece, K.C.B., F.R.S. . -. <; . 1901-1902
Sir William Abney, K.C.B., D.C.L., F.R.S. ; . 1903-1904
Sir Owen Roberts, D.C.L., F.S.A. . . . 1905
Sir Steuart Colvin Bayley, K.C.S.I., C.I.E. . . 1906-1907
Sir William H. White, K.C.B., F.R.S. . . . 1908-1909
Sir John Cameron Lamb, C.B., C.M.G. . . . 1910
Lord Sanderson, G.C.B., K.C.M.G., I.S.O. . . 1911-1912
SECRETARIES
William Shipley . ^-. ;
George Box
Peter Templeman, M.D.
Samuel More
Charles Taylor, M.D.
Arthur Aikin
W. A. Graham .
Francis Whishaw
J. Scott Russell, F.R.S. .
George Grove
Edward Solly, F.R.S. .
Peter Le Neve Foster, M.A.
Sir Henry Trueman Wood, M.A.
ASSISTANT-SECRETARIES
George Box
» »
Richard Samuel .
1754-1757
1757-1760
1760-1769
1769-1799
1800-1816
1817-1839
1839-1842
1843-1845
1845-1850
1850-1852
1852-1853
1853-1879
1879
1756-1757
1760-1779
1779-1787
APPENDIXES
John Samuel
Thomas Taylor .
Charles Combe .
Thomas Woodfall
S. T. Davenport .
W.Ellis .
James Forrest
Charles Critchett, B.A. .
H. Trueman Wood, B.A.
Henry B. Wheatley, F.S.A.
G. K. Menzies, M.A.
1787-1798
1799-1805
1806
1807-1842
1848-1849
1849-1850
1852-1856
1856-1869
1876-1879
1879-1908
1908
REGISTRARS, ETC.
William Shipley ...... 1757-1760
Edward Grant Tuckwell . . . . 1760-1766
William Bailey ...... 1766-1773
Alexander Mabyn Bailey .... 1773-1779
George Cookings (Porter, Collector, and Registrar) . 1765-1802
Miss Ann Birch Cockings (Housekeeper and Registrar) . 1802-1844
S. T. Davenport (Financial Officer) . . . 1853-1876
H. Trueman Wood (Editor of Journal} . . . 1872-1876
Colonel E. A. Hardy (Secretary of the Indian Section) 1873-1884
Howard H. Room (Accountant) .... 1876-1900
George Davenport (Chief Clerk) .... 1879
Professor J. M. Thomson, F.R.S. (Secretary of the
Chemical Section) ..... 1879-1886
S. Digby, C.I.E. (Secretary of Indian and Colonial Sec-
tions) ....... 1890
J. H. Buchanan (Accountant) .... 1900
APPENDIX II
THE ALBERT MEDAL
LIST OF RECIPIENTS
1864-1913
THE Medal was instituted in 1862 as a memorial of the Prince
Consort, and is awarded annually for " Distinguished Merit in
promoting Arts, Manufactures, or Commerce." It may be given to
persons of any nation.
1864.— Sir ROWLAND HILL, K.C.B., F.R.S., " for his great services
to Arts, Manufactures, and Commerce, in the creation of the
penny postage, and for his other reforms in the postal system
of this country, the benefits of which have, however, not been
confined to this country, but have extended over the civilised
world."
1865. — His Imperial Majesty NAPOLEON III., "for distinguished
merit in promoting, in many ways, by his personal exertions,
the international progress of Arts, Manufactures, and Com-
merce, the proofs of which are afforded by his judicious patron-
age of Art, his enlightened commercial policy, and especially
by the abolition of passports in favour of British subjects."
1866. — MICHAEL FARADAY, D.C.L., F.R.S., " for discoveries in
electricity, magnetism, and chemistry, which in their relation
to the industries of the world have so largely promoted Arts,
Manufactures, and Commerce."
1867. — Sir W. FoTHERGiLL COOKE and Sir CHARLES WHEATSTONE,
F.R.S., " in recognition of their joint labours in establishing
the first electric telegraph."
1868. — Sir JOSEPH WHITWORTH, LL.D., F.R.S., " for the invention
and manufacture of instruments of measurement and uniform
standards by which the production of machinery has been
brought to a state of perfection hitherto unapproached, to the
great advancement of Arts, Manufactures, and Commerce."
1869. — Baron JUSTUS VON LIEBIG, Associate of the Institute of
France, For. Memb. R.S., Chevalier of the Legion of Honour,
etc., " for his numerous valuable researches and writings, which
512
APPENDIXES 513
have contributed most importantly to the development of food
economy and agriculture, to the advancement of chemical
science, and to the benefits derived from that science by Arts,
Manufactures, and Commerce."
1870. — Vicomte FERDINAND DE LESSEES, Member of the Institute
of France, Hon. G.C.S.I., " for services rendered to Arts, Manu-
factures, and Commerce, by the realisation of the Suez Canal."
1871. — Sir HENRY COLE, K.C.B., " for his important services in
promoting Arts, Manufactures, and Commerce, especially in
aiding the establishment and development of International
Exhibitions, the Department of Science and Art, and the South
Kensington Museum."
1872. — Sir HENRY BESSEMER, F.R.S., " for the eminent services
rendered by him to Arts, Manufactures, and Commerce, in
developing the manufacture of steel."
1873. — MICHEL EUGENE CHEVREUL, For. Memb. R.S., Member of the
Institute of France, " for his chemical researches, especially in
reference to saponification, dyeing, agriculture, and natural
history, which for more than half a century have exercised a
wide influence on the industrial arts of the world."
1874. — Sir WILLIAM SIEMENS, D.C.L., F.R.S., " for his researches in
connection with the laws of heat, and the practical applications
of them to furnaces used in the Arts ; and for his improvements
in the manufacture of iron ; and generally for the services ren-
dered by him in connection with economisation of fuel in its
various applications to Manufactures and the Arts."
1875. — MICHEL CHEVALIER, " the distinguished French statesman,
who, by his writings and persistent exertions, extending over
many years, has rendered essential services in promoting Arts,
Manufactures, and Commerce."
1876. — Sir GEORGE B. AIRY, K.C.B., F.R.S., Astronomer Royal,
" for eminent services rendered to Commerce by his researches
in nautical astronomy and in magnetism, and by his improve-
ments in the application of the mariner's compass to the navi-
gation of iron ships."
1877. — JEAN BAPTISTS DUMAS, For. Memb. R.S., Member of the
Institute of France, " the distinguished chemist, whose re-
searches have exercised a very material influence on the ad-
vancement of the Industrial Arts."
1878.— Lord ARMSTRONG, C.B., D.C.L., F.R.S., " because of his
distinction as an engineer and as a scientific man, and because
by the development of the transmission of power — hydraulically
— due to his constant efforts, extending over many years, the
manufactures of this country have been greatly aided, and
mechanical power benefically substituted for most laborious
and injurious manual labour."
1879.— Lord KELVIN, O.M., LL.D., D.C.L., F.R.S., " on account
of the signal service rendered to Arts, Manufactures, and
Commerce, by his electrical researches, especially with refer-
34
5i4 APPENDIXES
ence to the transmission of telegraphic messages over ocean
cables."
1880.— JAMES PRESCOTT JOULE, LL.D., D.C.L., F.R.S., "for
having established, after most laborious research, the true
relation between heat, electricity, and mechanical work, thus
affording to the engineer a sure guide in the application of
science to industrial pursuits."
1881. — AUGUST WILHELM HOFMANN, M.D., LL.D., F.R.S., Professor
of Chemistry in the University of Berlin, " for eminent services
rendered to the Industrial Arts by his investigations in organic
chemistry, and for his successful labour in promoting the
cultivation of chemical education and research in England."
1882. — Louis PASTEUR, Member of the Institute of France, For.
Memb. R.S., " for his researches in connection with fermenta-
tion, the preservation of wines, and the propagation of zymotic
diseases in silkworms and domestic animals, whereby the arts
of wine-making, silk production, and agriculture have been
greatly benefited."
1883.— Sir JOSEPH DALTON HOOKER, K.C.S.I., C.B., M.D., D.C.L.,
LL.D., F.R.S., " for the eminent services which, as a botanist
and scientific traveller, and as Director of the National Botanical
Department, he has rendered to the Arts, Manufactures, and
Commerce by promoting an accurate knowledge of the floras
and economic vegetable products of our several colonies and
dependencies of the Empire."
3:884. — Captain JAMES BUCHANAN EADS, "the distinguished
American engineer, whose works have been of such great
service in improving the water communications of North
America, and have thereby rendered valuable aid to the
commerce of the world."
1885. — Sir HENRY DOULTON, " in recognition of the impulse given
by him to the production of artistic pottery in this country."
1886. — Lord MASHAM, " for the services he has rendered to the
textile industries, especially by the substitution of mechanical
wool combing for hand combing, and by the introduction and
development of a new industry — the utilisation of waste silk."
1887. — HER MAJESTY QUEEN VICTORIA, " in commemoration of
the progress of Arts, Manufactures, and Commerce throughout
the Empire during the fifty years of her reign."
1888. — Professor HERMANN Louis HELMHOLTZ, For. Memb. R.S.,
" in recognition of the value of his researches in various
branches of science and of their practical results upon music,
painting, and the useful arts."
1889. — JOHN PERCY, LL.D., F.R.S., " for his achievements in
promoting the Arts, Manufactures, and Commerce, through
the world-wide influence which his researches and writings
have had upon the progress of the science and practice of
metallurgy."
1890. — Sir WILLIAM HENRY PERKIN, F.R.S., " for his discovery
APPENDIXES 515
of the method of obtaining colouring matter from coal tar,
a discovery which led to the establishment of a new and
important industry, and to the utilisation of large quantities
of a previously worthless material."
1891.— Sir FREDERICK ABEL, Bart., G.C.V.O., K.C.B., D.C.L.,
D.Sc., F.R.S., " in recognition of the manner in which he
has promoted several important classes of the Arts and Manu-
factures, by the application of Chemical Science, and especially
by his researches in the manufacture of iron and of steel ;
and also in acknowledgment of the great services he has
rendered to the State in the provision of improved war material,
and as Chemist to the War Department."
1892. — THOMAS ALVA EDISON, " in recognition of the merits of
his numerous and valuable inventions, especially his improve-
ments in telegraphy, in telephony, and in electric lighting,
and for his discovery of a means of reproducing vocal
sounds by the phonograph."
1893. — Sir JOHN BENNET LAWES, Bart., F.R.S., and Sir HENRY
GILBERT, Ph.D., F.R.S., " for their joint services to scientific
agriculture, and notably for the researches which, throughout
a period of fifty years, have been carried on by them at the
Experimental Farm, Rothamsted."
1894. — Lord LISTER, F.R.S., " for the discovery and establish-
ment of the antiseptic method of treating wounds and injuries,
by which not only has the art of surgery been greatly pro-
moted, and human life saved in all parts of the world, but
extensive industries have been created for the supply of
materials required for carrying the treatment into effect."
1895. — Sir ISAAC LOWTHIAN BELL, Bart., F.R.S., " in recognition
of the services he has rendered to Arts, Manufactures, and
Commerce, by his metallurgical researches and the resulting
development of the iron and steel industries."
1896. — Professor DAVID EDWARD HUGHES, F.R.S., "in recognition
of the services he has rendered to Arts, Manufactures, and
Commerce, by his numerous inventions in electricity and mag-
netism, especially the printing telegraph and the microphone."
1897. — GEORGE JAMES SYMONS, F.R.S., " for the services he has
rendered to the United Kingdom by affording to engineers
engaged in the water supply and the sewage of towns, a trust-
worthy basis for their work, by establishing and carrying on
during nearly forty years systematic observations (now at
over 3000 stations) of the rainfall of the British Isles, and
by recording, tabulating, and graphically indicating the results
of these observations in the annual volumes published by
himself."
1898. — Professor ROBERT WILHELM BUNSEN, M.D., For. Memb.
R.S., " in recognition of his numerous and most valuable
applications of Chemistry and Physics to the Arts and to
Manufactures."
5i6 APPENDIXES
1899. — Sir WILLIAM CROOKES, F.R.S., " for his extensive and
laborious researches in chemistry and in physics, researches
which have in many instances developed into useful practical
applications in the Arts and Manufactures."
1900. — HENRY WILDE, F.R.S., " for the discovery and practical
demonstration of the indefinite increase of the magnetic and
electric forces from quantities indefinitely small, a discovery
now used in all dynamo machines ; and for its application
to the production of the electric search-light, and to the
electro-deposition of metals from their solutions."
1901. — His MAJESTY KING EDWARD VII., " in recognition of the
aid rendered by His Majesty to Arts, Manufactures, and
Commerce during thirty-eight years' Presidency of the Society
of Arts, by undertaking the direction of important exhibitions
in this country and the executive control of British representa-
tion at International Exhibitions abroad, and also by many
other services to the cause of British Industry."
1902. — Professor ALEXANDER GRAHAM BELL, " for his invention
of the Telephone."
1903. — Sir CHARLES AUGUSTUS HARTLEY, K.C.M.G., " in recogni-
tion of his services, extending over forty-four years, as Engineer
to the International Commission of the Danube, which have
resulted in the opening up of the navigation of that river
to ships of all nations, and of his similar services, extending
over twenty years, as British Commissioner on the International
Technical Commission of the Suez Canal."
1904. — WALTER CRANE, " in recognition of the services he has
rendered to Art and Industry by awakening popular interest
in Decorative Art and Craftsmanship, and by promoting the
recognition of English Art in the form most material to the
commercial prosperity of the country."
1905.— Lord RAYLEIGH, O.M., D.C.L., Sc.D., F.R.S., " in recogni-
tion of the influence which his researches, directed to the
increase of scientific knowledge, have had upon industrial
progress, by facilitating, amongst other scientific applications,
the provision of accurate electrical standards, the production
of improved lenses, and the development of apparatus for
Sound Signalling at Sea."
1906.— Sir JOSEPH WILSON SWAN, M.A., D.Sc., F.R.S., " for the
important part he took in the invention of the incandescent
electric lamp, and for his invention or the carbon process of
photographic printing."
1907.— The Earl of CROMER, O.M., G.C.B., G.C.M.G., K.C.S.I.,
C.I.E., " in recognition of his pre-eminent public services
in Egypt, where he has imparted security to the relations of
this country with the East, has established justice, restored
order and prosperity, and, by the initiation of great works,
has opened up new fields for enterprise."
1908.— Sir JAMES DEWAR, M.A., D.Sc., LL.D., F.R.S., " for his
APPENDIXES 517
investigations into the liquefaction of gases and the properties
of matter at low temperatures, investigations which have
resulted in the production of the lowest temperatures yet
reached, the use of vacuum vessels for thermal isolation, and
the application of cooled charcoal to the separation of gaseous
mixtures and to the production of high vacua."
1909.— Sir ANDREW NOBLE, K.C.B., D.Sc., D.C.L., F.R.S., " in
recognition of his long-continued and valuable researches into
the nature and action of explosives, which have resulted in
the great development and improvement of modern ordnance."
1910. — Madame CURIE, " for the discovery of Radium."
1911. — The Hon. Sir CHARLES ALGERNON PARSONS, K.C.B., LL.D.,
D.Sc., F.R.S., " for his experimental researches into the laws
governing the efficient action of steam in engines of the turbine
type, and for his invention of the reaction type of steam
turbine, and its practical application to the generation of
electricity and other purposes."
1912. — Lord STRATHCONA and MOUNT ROYAL, G.C.M.G., G.C.V.O.,
LL.D., D.C.L., F.R.S., " for his services in improving the
railway communications, developing the resources, and pro-
moting the commerce and industry of Canada and other
parts of the British Empire."
1913. — His MAJESTY KING GEORGE V., " for nine years President,
and now Patron of the Society, in respectful recognition of
His Majesty's untiring efforts to make himself personally
acquainted with the social and economic condition of the
various parts of his Dominions, and to promote the progress
of Arts, Manufactures, and Commerce in the United Kingdom
and throughout the British Empire."
APPENDIX III
PORTRAITS IN THE SOCIETY'S POSSESSION
Portrait group of QUEEN VICTORIA with the Prince of Wales,
the Princess Royal, and other members of the Royal Family.
Painted by J. C. Horsley, R.A., 1864.
Portrait of H.R.H. the PRINCE CONSORT, president of the Society
1843 to 1861. Painted by C. W. Cope, R.A., 1864.
These two portraits, together with the bust of Prince Albert,
form the memorial provided by subscriptions of members of
the Society in 1863 in memory of the Prince.
Portrait of JACOB, VISCOUNT FOLKESTONE, first president of the
Society of Arts. Painted by Thomas Gainsborough, R.A.,
1776. It was a copy of a three-quarter portrait by Hudson
(1749) ; enlarged to full length by Gainsborough to match the
portrait of Lord Romney. The fee paid to the artist was a
hundred guineas. Dance had previously been asked to do the
work, and had undertaken to do so, but eventually was unable
to carry out the commission.
Portrait of ROBERT, LORD ROMNEY, second president of the Society
of Arts. Painted by Sir Joshua Reynolds, P.R.A., 1770. The
price paid to Sir Joshua Reynolds was 150 guineas.
Portrait of WILLIAM SHIPLEY, " whose public spirit gave rise to
this Society." Painted by Richard Cosway, R.A., and pre-
sented by him to the Society in 1785, through the intervention
of Caleb Whitefoord, V.P.
Portrait of PETER TEMPLEMAN, M.D., secretary of the Society from
1760 to 1769. Painted by R. Cosway, R.A., and presented by
Caleb Whitefoord, V.P.
Portrait of SAMUEL MORE, secretary of the Society from 1769 to
1799. Painted by Benjamin West, P.R.A., 1796. The amount
paid the artist was £66, 8s.
Portrait of JAMES BARRY, painted by himself. Presented to the
Society by W. Moffatt.
518
APPENDIXES 519
Portrait, said to be JAMES BARRY'S mother, and to have been
painted by him. Of uncertain history and doubtful authen-
ticity.
Portraits of CALEB WHITEFOORD and of his wife. The painter is
not known. Whitefoord was a member of the Society from
1762 to 1810.
Portrait of Sir JOHN GLADSTONE, father of the Rt. Hon. W. E.
Gladstone. Presented by Thomas Murray Gladstone in 1847.
T. M. Gladstone, who was a member of the Society, was a son
of James, a younger brother of Sir John. He was engaged in
the iron trade, and was a pioneer in the art of galvanising.
The portrait is almost certainly the work of Thomas Gladstone
(a son of Thomas, another brother of Sir John). He is said to
have been an artist of promise, but died early.
Portrait of Sir FREDERICK B RAM WELL, Bart., president of the
Society in 1901. Painted after Sir F. Bramwell's death by
Seymour Lucas, R.A., and presented to the Society by H.
Graham Harris, V.P., in 1904.
Portrait of Sir HENRY TRUEMAN WOOD, secretary of the Society
from 1879. Painted by Sir Hubert von Herkomer, R.A., and
presented by the members of the Council in 1902.
Portrait of Dr. FREDERICK GRACE CALVERT, F.R.S. Presented by
Mrs. Calvert (1876). He delivered several courses of Cantor
Lectures — the first in 1864.
Portrait of Miss ANN BIRCH COCKINGS, housekeeper and registrar
of the Society (1802-1844). Painted and presented to the
Society by Miss E. A. Drummond (1822). This was in all
probability the portrait for which Miss Drummond was awarded
a gold medal in that year.
Bust of the PRINCE CONSORT by William Theed. Purchased by
subscription from the members as part of the Prince Consort
Memorial.
The Statue at the foot of the staircase is of JOSHUA WARD, a well-
known character in his time (1685-1761). Ward, known as
" Spot " Ward from a mark on his face, was a quack doctor who
amassed a large fortune by the sale of his remedies. In his later
life he was very popular, and had many patrons, including
George II. In 1740 he introduced into England an improved
method of manufacturing sulphuric acid, already practised on
the Continent, and set up works for the purpose at Twicken-
520 APPENDIXES
ham and Richmond. The process was afterwards perfected
by Roebuck. The statue is by Agostino Carlini, and was
presented to the Society in 1792 by Ralph Ward, Ward's
grandnephew, and one of his heirs.
The Society also possesses a bronze Bust of Sir GEORGE BIRDWOOD
by Alfred Gilbert, R.A., a replica of one presented in 1900 to
the University of Bombay by some Indian friends of Sir George ;
and a terra-cotta Bust of Sir EDWIN CHAD WICK, the well-known
sanitary reformer (1800-1890), by George Tinworth. It was
presented to the Society by Sir Edwin's daughter in 1905.
INDEX
Abel, Sir Frederick, on methods for
rendering fabrics uninflammable,
310 ; Chairman of Council, 449 ;
Albert medallist, 515.
Abercorn, Duke of, Chairman of
Council, 449.
Abercorn, Earl of, 29.
Abraham, J. H., prize for apparatus
to prevent injury from dust in
grinding, 273.
Absolon, J., 162.
Abstract of Proceedings, 333, 373.
Academy of Arts, draft charter for
an, 328, 351.
Academy of Arts, Royal, first pro-
posals for, 232 ; foundation of, 154,
2 33 I grew out of Society's Picture
Exhibitions, 226 ; effect of its estab-
lishment on Society's prizes, 155,
157 ; Professor of Chemistry at,
453-
Academy, Maiden Lane (Burgess's),
1 68.
Academy of Music, Roj^al, 478.
Academy, St. Martin's Lane, 8, 152,
227.
Academy, Shipley's, 7, 8, 9, 10, 16,
53. 57, 195-
Academy, Sir W. Thornhill's, 8
Acierage, introduction of, 217.
Acton, Mrs., donation to Society,
379, 380 n. ; used to defray de-
ficiency on Etty exhibition, 379.
Adam Brothers, design for the
Adelphi, 60 ; offer to build a
house for the Society, 59.
Adam, J., 35.
Adam, R., 35.
Adam, W., 35.
Adams, F., 162.
Addington, Dr. A., 35.
Adelphi, account of the, 59 ; history
of site, 59 ; Adam's design, 60 ;
completion of scheme, 63 ; Acts
for building, 63 ; lottery for, 63 ;
house in, offered to the Society
by the Bros. Adam, 59 ; its con-
struction, 63 ; foundation - stone
laid, 64 ; conditions of tenure,
64 -, alterations, etc., in, 65 ;
renewal of lease, 65 ; 503.
African colonies, 84, 112, 113.
African section, 455.
Agar, J. S., 162.
Aglio, A., 162.
Agrarian Revolution, 114.
Agricultural implements, 124.
Agricultural Societies, Highland, 3 ;
Bath and West of England, 3 ;
Scotch improvers in knowledge
of agriculture, 3 ; county, 6.
Agricultural Society, Royal, 142.
Agriculture, Board of, 118. 141 ;
account of, by Sir E. Clarke in
Journal of the Royal Agricultural
Society, i^in.; statistical surveys
by, 141, 302.
Agriculture, condition of, in 1754,
114; first connection of Society
with, 115 ; offer of premiums, 116 ;
Society's lessened interest in, 141.
Aikin, Arthur, account of method
of making awards, 238 n. ; elected
Secretary, 335 ; his life and charac-
ter, 335; his death, 336; suggests
courses of lectures, 336 ; portrait,
336 ; organises and delivers lectures,
337 ; offer of gold medal declined,
337; medal awarded, 337; testi-
monial to, 337 ; originates regular
reading of papers and discussions,
337 ; elected life member, 337 ;
resigns secretaryship, 338 ; his
character, 343 ; system of lectures
abandoned, 355 ; relates circum-
stances connected with Dr. Swiney's
will, 393.
Ainger, A., on first exhibition com-
mittee, 404 n.
Ainslie, Dr. H., medals for planting
trees, 149.
Airy, Sir George, acts as examiner,
431 ; Albert medallist, 513.
Albert, H.R.H. The Prince Consort,
portrait in Great Room, 80, 171,
400, 518; bust, 80, 400, 519; on
industrial applications of art, 154;
his head placed on Society's medal,
521
522
INDEX
319; elected a member, 325; ad-
dress on his marriage, 326 ; elected
President, 326 ; approves draft of
charter, 352 ; influence of, on
Society's work, 355 ; approves
scheme of Educational Exhibition,
370 ; opens the Exhibition, 371 ;
proposal for Institute of Science
and Art at South Kensington, 375 ;
suggests lectures on 1851 Exhibi-
tion, 378 ; services to Society, 399 ;
subscription of ^1000 to National
Memorial, 399, 504 ; Society's
memorial to, 400 ; the Albert
medal, 320, 400 ; list of medallists,
512 (App.) ; informed of Whis-
haw's Exhibition proposals, 404 ;
has proposal for Exhibition form-
ally submitted to him, 404 ;
urges importance of application
of art to industry, 405 ; receives
proposals for Exhibition from H.
Cole, 409 ; success of Exhibition
due to him, 409 ; interest aroused
in proposals for Exhibition, 410 ;
receives suggestions about Ex-
hibition from T. Cubitt, 410 ;
decides that Exhibition is to be
international, 411 ; scheme for
Exhibition in 1861 submitted to
him, 417 ; arrangements for or-
ganising 1862 Exhibition reported
to him, 419; founds Prince Consort's
prize, 433 ; death of, 398, 444.
Albert Edward, H.R.H. The Prince
of Wales, see Edward vn.
Albert medal, the, 320, 400 ; list of
recipients, 512 (App.}\ considera-
tion of award by King Edward, 446,
516; presented to Queen Victoria,
446, 514; presented to King Edward
vii., 446 ; presented to King George
v., 517-
Alcock, Sir J. R., medals for ana-
tomical models, 162.
Aldini, Giovanni, prize for fire-
men's mask, 272.
Aldred bequest, 503.
Aldridge, J., prize for ship model,
255-
Alger, J., on frozen meat, 463.
Aliamet, F. G., 162.
Alkali from India, 88, 278.
Alkali from salt, offer of prize for
86.
Alkali manufacture in America, 86.
Alkali, supply of, 278.
Allason, T., 163.
Allen, R., 35.
Allom, Mrs., medal for introducing
bees into New Zealand, 112.
Almack, W., 35.
Almond, J., prize for hand-loom, 263.
Almonds in West Indies, 96.
Aloes from America, 92 ; from West
Indies, 93.
Alverstone, Lord, on Society's pro-
ceedings, 443 ; President, 447.
America, early societies in, 3.
American wine, 85 ; silk, 85, 265 ;
potash, 86 ; saltpetre, 87 ; iron, 88 ;
timber, 89 ; hemp, 89 ; sturgeon,
90; isinglass, 90; myrtleberry wax,
91 ; olives, raisins, logwood, cochi-
neal, scammony, opium, safflower,
persimmon, aloes, and sarsaparilla,
92 ; cotton, 98 ; tobacco, 101 ; saw-
mills in, 92, 247.
Ancaster, Duke of, 28.
Ancient and Mediaeval Art Exhibi-
tion, 407.
Anderson, Dr. Alexander, on bread-
fruit, 96 ; superintendent of St.
Vincent Botanic Gardens, 99 ;
medal for report, 99 ; medal for
cultivating cloves and cinnamon,
99 ; letter by, 101.
Anderson's History of Commerce,
reference to Society, 52.
Andras, Catherine, awards for wax
modelling, 163, 224. •
Angerstein, J. J., 35 ; promotes
suppression of climbing boys^ 277.
Anglesey, Earl of, 29.
Animal products, collection of, 376;
made over to science and art de-
partment, 376; transferred to Beth-
nal Green, 376 ; cost of formation
paid by 1851 Commission, 377.
Annatto, West Indian, 93.
Annual dinner, 324, 396.
Annual distribution of prizes, 158,
319, 324-
Anson, Baron, 33.
Ansted, Prof., Cantor Lectures, 453.
Anstey, Mrs., medal for growing
cinnamon in India, 102.
Anti-Gallican Society, 4.
An till, E., premium for wine from
New Brunswick, 86.
Aquatint, improvements in, 218.
Argyll, Duke of, 28 ; presides at
annual dinner, 396.
Argyll Rooms, distribution of pre-
miums in, 325.
Armstrong, Lieut., prize for map of
Northumberland, 300.
Armstrong, Lord, Albert medallist,
513-
Armstrong, T., History of the School
of Art Wood-Carving, 483 n.
Arne, T., 35.
INDEX
523
Arnold, F., medal for Canadian
hemp, 1 08.
Arsenic, prize for test of, 282.
Art workmanship, offer of prizes
for, 457 ; conditions, 458 ; amounts
offered, 458 ; discontinued, 458 ;
donation from North London Exhi-
bition, 458 ; prizes offered at 1871
Exhibition, 458.
Artaud, W., 163
Arthur, R., 35.
Artisan reports on Paris Exhibitions,
483, 484.
Artists, list of those who received
Society's awards, 162 ; materials
and appliances, prizes awarded for,
213 ; committee of proposed ex-
hibition of pictures, 227 ; Society
of, of Great Britain, 229 ; Free
Society of, 230 ; Incorporated
Society of, 232.
Ashburnham, Earl of, 29.
Ashburton, Lord, presides at annual
dinner, 396.
Assam, wild tea in, 106 ; tea planta-
tions in, 1 06.
Assezat, (Euvres de Diderot, 227.
Associations, Colonial, connected
with Society, 453.
Astle, T., 35.
Astley, J., 35.
Austin, J., power loom, 246 ; medals
for looms, 263.
Austin, R., awards for wood engrav-
ing, 163 ; engraves frontispiece for
premium list, 156, 163.
Australia, first offer of prizes, no ;
olives in, in ; tanning materials
from, in; wool from, no; wine
from, 1 1 1 ; sand for glass-making
in, 114; meat from, 461.
Awards, method of making, 237;
annual distribution of, 158, 324;
see also Premiums.
Aylesbury Dairy Co., prize awarded
to, 461.
Bacon, J., awards for sculpture, 163.
Bahamas, proposal for botanic garden
in, 100.
Bailey, A. M., appointed Registrar,
341 ; resigns, 341 ; his edition of
his father's book, 341.
Bailey, G., on committee for re-
organising Society, 346 ; Chairman
of Council, 351 ; on deputation to
Board of Trade, 407 n.
Bailey, W., prize for chaff-cutter,
134; prize for turnip-cutter, 136.
Bailey, W., appointed Registrar,
341 ; his death, 341 ; his book,
Mechanical Machines, etc., 134,
239, 248, 249, 329.
Baillie, E., 164.
Baily, E. H., 164.
Baker, Capt. H. C., presents collec-
tion of woods, 107.
Baker, David Erskine, 35.
Baker, Henry, attends first meet-
ing, 12; his work, 12 n.\ elected
"perpetual member," 17; in list of
members, 35 ; suggests prizes for
tree planting, 145 ; on committee
of first picture exhibition, 228 ;
proposes institution of medals, 312.
Baker, Samuel, 36.
Baker Street Bazaar suggested for
National Exhibition, 404.
Baker, Wynn, his agricultural work
in Ireland, 118.
Bakewell, stock-raising, 115, 139.
Ball, J., prize for growing opium,
284.
Ballantyne, J., 164.
Baltimore, Baron, 33.
Bamboo, introduction into West
Indies, 94.
Banca tin, 102.
Banknotes, Perkins' method of
printing, 215, 303.
Banks, C., 164.
Banks, Sir Joseph, 36, 95, 99 ;
suggests cultivation of tea-plant
in India, 105.
Banks, T., 164.
Barbados Society of Arts, 97 ; mango
in, 97.
Barff, Prof., Cantor Lectures, 453 ;
appointed Professor of Chemistry
at Royal Academy, 453.
Barilla, 87 ; prize offered for British,
278 ; Indian, 278.
Baring, Sir Francis, 36.
Baring, T., nominated trustee for
1862 Exhibition, 419.
Barker, Robert, 36.
Barnby, Sir J., examiner in music,
440.
Barnett, Miss, presents plates of
Barry's etchings, Si.
Barney, J., 164.
Barralet, J. J., 164.
Barret, G., 164.
Barret, J., 164.
Barrett, W. A., examiner in music,
440.
Barrington, Hon. Daines, on English-
grown silk, 266 ; papers on silk
and tobacco, 338.
Barrington, Viscount, 32.
Barron, H., 164.
Barron, W. A., 165.
524
INDEX
Barrow, Sir J., and the electric
telegraph, 252.
Barry, Sir Edward, 36.
Barry, James, invited to paint picture
for Great Room, 70 ; offers to paint
pictures for the Great Room, 71
his character, 71 ; his history, 72
his death, 72 ; his other works, 73
his execution of the work, 73
his influence upon art, 73 ; ex
hibition of his pictures, 73 ; his
relations with the Society, 74
his account of the pictures, 71, 74
his portrait by himself, 82 ; his
proposal to paint portraits of
King George in. and Queen
Charlotte, 79, 323 ; his " Adam and
Eve," 73, 81 ; his etchings, 81 •
his pictures, — the " Orpheus," 75
" A Grecian Harvest Home," 75
" The Victors at Olympia," 75
"The Thames," 76; "The
Society," 76 ; " Elysium," 77
later history of the pictures, 80
award for the pictures, 165; his
portrait of S. More, 77, 327 ; early
lithographs by, 305 ; suggested
design for Society's medal, 316.
Bartley, Sir George, member of
Council, 450 ; reports on Educa-
tion, etc., in East End of London,
466 ; his scheme for memorial
tablets, 468 ; proposes purchase
of small amounts of Consols,
477-
Baskerville, John, 36.
Basket-makers, scarcity of osiers for,
305-
Bassett, H., 165.
Bath and West of England Agri-
cultural Society, 3.
Battersea Park, suggested site for
proposed 1861 Exhibition, 417.
Bazley, Sir T., lectures on 1851
Exhibition, 378.
Beans for cattle-food, 120.
Beauclerk, Topham, 36.
Beaufort Buildings, Shipley's Acad-
emy in, g, 57 ; demolition of, 58.
Beaufort, Duke of, medal for planting
trees, 145.
Beauvais, J., 165.
Beckford, William, 36 ; medal for
planting trees, 147.
Bedford, Duke of, 28 ; medals for
planting trees, 145.
Bee culture, 140.
Bees, introduction of, into New
Zealand, 112.
Beet for cattle food, 120.
Behnes, W., 165.
Bell, Professor Alexander Graham,
Albert medallist, 516.
Bell, Sir Isaac Lowthian, Albert
medallist, 515.
Bell, J., prize for method of com-
municating with stranded ship,
297.
Bell, Rev. P., his reaping machine,
130.
Belleisle, medal to commemorate
naval action off, 220*
Bellingham, J., 165.
Benefactions to Society, Stock, 43,
161, 319 ; Earle, 221 ; Swiney, 343 ;
Acton, 379, 380 n. ; Cantor, 541 ;
Aldred, 503 ; Davis, 503 ; Robb,
503 ; Howard, 503 ; Mulready, 503 ;
Owen Jones, 503 ; Shaw, 503.
Bengal ramie, 103.
Bennet, A., medal for growing
cotton in Tobago, 98.
Bentham, Jeremiah, 36.
Bentinck, Lord William, appoints
committee on Indian tea, 106.
Bentley, C., 165.
Ben well, Sarah, 165.
Berg, Sir J. C., early threshing
machine, 131.
Berney, J., medal for tree-planting,
147.
Berridge, J., 165.
Bessborough, Earl of, 29.
Bessemer, Sir Henry, medal for
sugar-cane press, 389 ; Albert
medallist, 513.
Bethell, J., on committee for re-
organising Society, 346.
Bethnal Green Museum, collection
of animal products transferred to,
37.6-
Bewick, T., prize for wood-engraving,
I53> !65-
Bhaugulpore cotton, 102.
Biffin, Sarah, 166.
Billings, R. W., 166.
Birch, J., prize for labourer's
cottages, 492.
Birch, W., 166.
Birdwood, Sir G., bust of, 520.
Birkbeck, Dr., founder of Mechan-
ics' Institutes, 369.
Birmingham, conference on Domestic
Economy held at, 372 ; attempted
exhibition in, 403 ; meeting for
Training School for Music, 479.
Birt, J. & A., prize for life-saving
apparatus, 493.
Bismuth, offer of prize for, 278.
Blackman, G., prize for oil colours,
213.
Blackmore, J., 166.
INDEX
525
Blake, J., prize for improving fish
supply, 310.
Blaxland, G., medal for Australian
wine, in.
Bligh, Captain, medal for introduc-
tion of bread-fruit into West
Indies, 95.
Blore, E., 166.
Blow-pipe apparatus, prize for, 494.
Board of Agriculture, see Agriculture.
Bodkin, Sir W. H., member of
Council, 361 ; obtains funds for
prizes for stove competition, 489.
Boileau, Sir J., member of Council,
362 ; on deputation to Board of
Trade, 407 n.
Bolingbroke, Viscount, 32.
Bond, J. D., 1 66.
Bond, W., medal for paper on Can-
adian industries, 109.
Bonner, T., 166.
Bonomi, J., medal for sculpture, 166.
Bookbinding, exhibitions of, 380.
Book-plate, Society's, 161, 316; for
books purchased under Earle
bequest, 221.
Booth, Rev. J., Chairman of Council,
361 ; suggests weekly Journal
for Society, 373 ; his connection
with the Society, 373 n. ; his death,
373 n.
Borax, offer of prize for, 278.
Borecole, 120.
Boswell, — , award for net-making
machine, 269.
Boswell, James, 36.
Botanic gardens in West Indies
suggested by Society, 98 ; St.
Vincent, 99 ; Hinton East's, in
Jamaica, 97, 99 ; Jamaica, 97, 99 ;
Trinidad, 100 ; proposed in Ba-
hamas, 100 ; Calcutta, 102, 103,
106.
Bouchette, Col. J., medal for survey
of Canada, 109.
Bouvier, A. J., 167.
Bowman, collector and temporary
assistant secretary, 339.
Box, George, appointed assistant
secretary, 22 ; appointed secretary,
22 ; re-appointed assistant secre-
tary, 23, 25 ; collector, 339 ; retires,
339 ; lease of Little Denmark Court
premises in his name, 55.
Boydell, J., 36; medal for encourag-
ing engraving, 167.
Brady, Sir Antonio, member of
Council, 449.
Bramwell, Sir Frederick, President,
447 ; Chairman of Council, 448 ;
Cantor Lectures, 453 ; paper on
protection for inventions, 474 ;
suggested changes in Law of
Patents, 475 ; promotes Society's
Patents Bill, 476 ; papers on the
Bill, 476 ; reports on Grantham's
steam car, 495 ; portrait, 519.
Brandenburgh, Anspach, and Bar-
eith, etc., The Margravine of,
medal for portrait model, 167.
Brander, Gustavus, one of the
founders, 12, 36.
Branston, A. R., 167.
Bran white, C., 167.
Breadalbane, Earl of, medal for
planting trees, 146.
Bread-fruit, introduction of, into
West Indies, 93, 95.
Brereton, A., Literary History of the
Adelphi, 59 n.
Brereton, O. S., 36 ; portrait in Barry's
picture, 77.
Bridge, first iron, 254.
Bridgen, R., prize for device for
avoiding noxious fumes, 271.
Bridgewater, Duke of, medal for
canal development, 254.
Brigstocke, T., 167.
Bristol, meeting to promote Train-
ing School for Music, 479.
Brocade-weaving, medal for, 268.
Brockedon, W., medal for artist's
rest, 167, 214; Chairman of Com-
mittee of Polite Arts, 167, 214.
Brockelbank, A., appointed collector,
339 ; his death, 341.
Bromley,
Bromley,
Bromley,
Brougham, Lord, on Society's ad-
ministration, 345.
Brown, S., medal for information
about Georgia, 93.
Browne, H. K., medals for drawing
and etching, 168.
Browne, J., 168.
Brownlow, Lord, medal for planting
osiers, 146, 306.
Bruce, C. A., superintendent of tea
plantations in Assam, awarded
medal for services, 106.
Bruce, Major, discovers tea plant in
Assam, 106.
Brunswick, New, wine from, 86.
Bryan, Dictionary of Artists, 160.
Bryant, Jacob, 36.
Bryer, H., 168.
Buck-wheat, 120.
Buff leather, prize for, 308.
Bunning, J. B., 168.
Bunsen, Professor Robert Wilhelm,
Albert medallist, 515.
ms uearn, 3
T, J., I67.
Vj.C., 167.
T, W., 167.
526
INDEX
Burch, E., prizes for gem-engraving,
168, 222, 223 ; his remarks on
Society's prizes, 223 ; his Catalogue
of . . . Gems, etc., 223 n.
Burdett, P. P., prize for map of
Derbyshire, 300.
Burges, W., Cantor Lectures, 452.
Burgess, T., 168.
Burgess, W., 168.
Burke, Edmund, 77.
Burnet, 120.
Burney, Dr. Charles, 36 ; his portrait
in Barry's picture, 76.
Burt, A. R., 169.
Buss, R. W., 169.
Bute, Earl of, life member, 20, 29.
Buxton C., introduces Bill for im-
proved labourers' cottages, 492.
Byrne, W., 169.
Cabbages for cattle food, 120.
Cabs, distance indicator for, 496 ;
conference on London, 496 ;
prizes offered for improved, 496 ;
offer renewed, 497 ; competing
cabs to be shown in 1872 Ex-
hibition, 497 ; prizes awarded, 497.
Cadogan, Baron, 33.
Cadogan, Dr. W., 36.
Calcutta Botanic Gardens, 102, 103,
106.
Callaghan, J., prize for workman's
mask, 272.
Callendar, Mr., medal for growing
rhubarb, 284.
Calooee hemp, 103.
Calvert, F., 169.
Calvert, F. C., Cantor Lectures, 452 ;
his portrait, 519.
Cameo-cutting, 157.
Cameos, pastes for, 224.
Campeachy logwood, 98.
Camphor, West Indian, 93 ; in
Jamaica, 100.
Canada, first association of Society
with, 107 ; hemp, 108 ; industries
in 1807, 109 ; survey of, 109 ;
explorations in North- West, 109;
pigments from, 109 ; medals in
celebration of conquest of, 220.
Canal locks, awards for, 255.
Cantor, Dr. E. T., leaves his property
to the Society and to Wellington
College, 451 ; terms of bequest,
451 ; grant to Mrs. Cantor (his
mother), 451 ; grant to his sister-
in-law, 452 ; application of be-
quest, 452 ; the Cantor Lectures,
452.
Caoutchouc, see Rubber.
Cape, tea from, 105 ; wine from, 112.
Cardigan, Agricultural Society in, 6.
Cardigan, Earl of, 29.
Cardiganshire, map of, 300.
Carlini, A., contributes to first art
exhibition, 229.
Carlisle, Earl of, presides at
annual dinner, 396.
Carmarthen, Agricultural Society in,
6.
Carnarvon, Marquis of, 29.
Carolina, wine from, 86 ; tea in, 93 n.
Carpenter, Dr. W. B., lectures at
Educational Exhibition, 371 ; sug-
gests prize for cheap microscope,
390 ; acts as examiner, 432.
Carpets, awards for, 267.
Carr, J., 169.
Carriages, awards for construction of,
255-
Carrots for cattle food, 120.
Carter, C., prize for Virginian wine,
85-
Carter, E., awards for artificial
cameos, 224.
Carter, J., 169.
Cartwright, Rev. E., power loom,
246 ; candidate for secretaryship,
334 ; medals for agricultural im-
plements and experiments, 335.
Gary, J., medal for map of Cardigan-
shire, 300 ; publishes William
Smith's geological map, 301.
Carysfort, Baron, 33.
Casali, A., 169.
Caslon, William, 36.
Caslon, W., medal for telescopic gas
lamp, 296.
Cassels, Andrew, member of Council,
450-
Castle Court, Society's offices in, 53.
Catharine, Empress of Russia, founds
Economical Society of St. Peters-
burg, 6.
Catherlough, Earl of, 29.
Cattle food, 118, 120.
Cavendish, Hon. H., 36.
Cayenne, coffee introduced into, 94.
Centenary dinner, 396.
Centenary of Society, educational
exhibition held to celebrate, 370.
Ceres medal, 212, 318.
Ceylon, coco-nut oil from, 107 ; rice
in, 107.
Chadwick, Sir Edwin, member of
Council, 449 ; paper on purchase
of telegraphs, 477 ; promotes
postal reform, 477 ; his bust, 520.
Chaff-cutters, 133.
Chalon, J. and A., exhibition of
pictures by, 380.
Chalon, Maria A., 170.
INDEX
527
Chamber of Arts proposed, 6, 328.
Chamberlin, M., 170.
Chambers, Sir Robert, 36.
Chambers, T. K., on industrial
pathology, 395.
Chambers, Sir William, 36 ; acts as
Society's architect, 54 ; on com-
mittee of first picture exhibition,
228.
Chandelier, gas, 296.
Chandler, Dr. S., 37.
Chandos, Marquis of, nominated
trustee for 1862 Exhibition, 419.
Chancy, Weights and Measures, 290 n.
Channel passage, prizes for improved
steamers for, 493.
Chappe introduces mechanical tele-
graph, 251.
Charlemont, Viscount, 32.
Charlotte, Queen, proposal by Barry
to paint her portrait, 79, 323.
Charlton, Capt., finds tea-plant in
Assam, 106.
Charter, early proposals for, 351 ;
first steps for obtaining, 351 ; pro-
posal discussed, 352 ; draft con-
sidered, 352 ; grant of, 352.
Chauncey, C., 37.
Cheere, Sir Henry, 37 ; advocates an
Academy of Fine Arts, 232, 234 ;
member of committee on medals,
315.
Cheesman, T., 170.
Chelsea Physic Garden, rhubarb
grown in, 283 n.
Chemical Industry, Society of, 457.
Chemical section established, 456 ;
discontinued, 457.
Chemistry, agricultural, 139 ; in-
dustrial, awards for, 277.
Chemistry, Institute of, 457.
Chester, Harry, Chairman of Council,
360 ; originates Union of Institu-
tions, 360 ; suggests examinations,
372 ; on committee for proposed
1861 Exhibition, 417.
Chesterfield, Earl of, 29.
Chevalier, Michel, Albert medallist,
513-
Chevreul, Michel Eugene, Albert
medallist, 513.
Chimneys, sweeping, 275.
China, tea imported into Assam
from, 1 06.
Chintz, designs for, 154.
Chip hats, prizes offered for, 306.
Chippendale, T., 37.
Chiswell, R. M. T., medals for
planting trees, 147.
Chou-rave, 121, 123 n.
Chubb, Messrs., prize for safes, 389.
Chucks, awards for lathe, 256.
Churchill, Lord Alfred, Chairman' of
Council, 448.
Cinnamon, from Sumatra, 84 ; West
Indian, 93 ; introduced into
Jamaica, 97 ; in Guadaloupe, 97 ;
in St. Vincent, 99; in India, 102.
Cipriani, Giovanni, 37 ; invited to
paint picture for Great Room, 70.
City and Guilds Institute take over
technological examinations, 438 ;
assists school of wood-carving,
482.
Clack, R. A., 170.
Clanny, Dr., medals for safety-
lamps, 253.
Clanricarde, Earl of, 29.
Clarke, Hyde, proposes Colonial sec-
tions, 454 ; proposes Indian sec-
tion, 455 ; promotes formation of
African section, 455 ; suggests
viva voce examinations in Modern
Languages, 439 ; member of
Council, 449.
Clarke, Dr. T., superintendent of
Jamaica Botanic Garden, 100.
Clegg, medal for making and using
coal gas, 295.
Clement's ellipsograph, 294.
Clennell, L., 170.
Clevely, J., 170.
Climbing boys, abolition of, 275.
Clint, G., 170.
Clint, R., 170.
Clint, S., awards for medal dies, 170,
222.
Clive of Plassy, Baron, 33.
Clocks, awards for, 255.
Clothmakers' Company subscribes to
School of Wood-Carving, 482.
Clover, 1 20.
Cloves, West Indian, 93 ; in St.
Vincent, 99 ; in Trinidad, 101.
Coach-making, prizes for designs
for, 153.
Coalbrookdale Co., prize for iron
castings, 389.
Coal-gas manufacture, 294.
Cobalt, offer of prizes for British, 15,
279.
Cobb, Francis, paper on silkworm
"grain," 266; member of Council,
450.
Cobbett, W., medal for encouraging
straw-plait industry, 307.
Cochineal, East Indian, 84 ; from
America, 92 ; from West Indies, 95.
Cockburne, Captain, rewarded by
Anti-Gallican Society, 4.
Cockings, Ann Birch, 69 ; appointed
housekeeper, 342 ; appointed regis-
528
INDEX
trar and librarian, 343 ; her
character, 343 ; her death, 342 ;
her portrait, 343, 518.
Cockings, George, appointed porter,
collector, and registrar, 341 ; his
poems, 342 ; his character, 342.
Coco-nut in West Indies, 96.
Coco-nut oil from Ceylon, 107 ; from
Mauritius, 112.
Coffee, introduction of, into West
Indies, 94 ; in West Indies, 96.
Colbert and picture exhibitions, 226 ;
silk manufacture in France, 264.
Cole, Alan, on early carpet-making in
England, 267 n.
Cole, Sir Henry, the Felix Summerly
tea-service, 154. 405 ; suggests prize
for shilling colour-box, 214; sug-
gests president's head for medal,
319; influence on Society, 357;
member of Committee of Fine
Arts, 358; proposes exhibitions of
works of British artists, 358;
his character, 358 ; elected on
Council, 358; share in organising
1851 Exhibition, 358 ; dispute with
T. Webster, 359 ; resigns seat on
Council, 359 ; re-elected, 359 ;
Chairman of Council, 360 ; pre-
sides at conference on adult
education, 372 ; suggests con-
ference on domestic economy, 372 ;
Chairman's address in first number
of Journal, 374 ; account of
foundation of South Kensington
Museum, 375 n. ; lectures on 1851
Exhibition, 378 ; National Gal-
lery of British Artists, 379; pro-
motion of Patent Reform, 382 ;
drafts memorial on circulating
objects from Society's exhibitions
among Schools of Design, 407 ;
on deputation to Board of Trade,
407 n. ; submits scheme of exhibi-
tion to Prince Albert, 409; drafts
petition to House of Commons
about National Exhibition, 409 ;
account of early history of 1851
Exhibition in his Life, 409 n. ; visits
Paris Exhibition of 1849, 410; sug-
gests Hyde Park as site for ex-
hibition, 411 ; visits provincial
cities on behalf of 1851 Exhibition,
412 ; member of Society's Exe-
cutive Committee for 1851 Ex-
hibition, 41 3 w. ; proposals for 1862
Exhibition, 416; on Committee for
proposed 1861 Exhibition, 417 ;
on Committee for 1862 Exhibition,
419 ; Postal reform, 477 ; National
Training School for Music, 479 ;
series of Annual International
Exhibitions, 484 ; paper on London
cabs, 496 ; Albert medallist, 513.
Cole, Lieut. H. H., designs building
of National Training School for
Music, 480.
Coleman, W., 171.
Coleraine, Baron, 33.
Collison, F., medal for Cape. wine,
US-
Collyer, J., 171.
Colman, G., 37.
Colonial Institute, Royal, 456.
Colonial Manufactures Prohibition
Act, 89 ; premiums, amount of,
101 n. ; section suggested by Hyde
Clarke, 454 ; section established,
455-
Colonies and Society, 83 ; later
association of Society with, 453.
Colour-box, the Society's shilling,
214, 390.
Colour printing, mezzotints, 218 ;
wood block, 219.
Colouring matters, prizes for, 279.
Colours, artists', prizes for, 213, 279,
281.
Combe, C., appointed assistant secre-
tary, 340.
Comber, T., chaff-cutter, 133.
Commemorative medals rewarded by
the Society, 220.
Commerell, Abb6, Account of Mangel-
Wurzel, 124.
Commission of 1851 proposed, 412 ;
appointed, 414 ; made permanent,
375 ; reports of, 409 n., 485 n., 487 n.
Committees appointed by first
Council, 354.
Committees, the Society's, 236.
Common, J., his reaping machine,
128 ; medals for drill, etc., 130.
Conference of Institutions, see In-
stitutions.
Conferences, on industrial education,
370 ; on adult education, 372 ; on
domestic economy, 372 ; on tech-
nical education, 464 ; on techno-
logical examinations, 465 ; on
elementary education, 466 ; on
postal reform, 477 ; on rivers pol-
lution, 488 ; on sanitation, 488 ; on
water supply, 488 ; on housing of the
people, 492 ; on London cabs, 496.
Connaught, H.R.H. the Duke of,
President, 447 ; presides at con-
ference on technological examina-
tions, 465 ; reviews drill of school
children, 467.
Consols, purchase of, in small
amounts, 477.
INDEX
529
Constitution of Society, 18; altera-
tions in, 346, 350, 352.
Conyngham, Viscount, 32.
Cook, B., medal for distillation of
gas-tar, 295.
Cook, J., chaff-cutter, 135.
Cook, R., 171.
Cook, T., 171.
Cooke, Sir W. Fothergill, proposes
holding national exhibition, 404 ;
on first Exhibition Committee,
404 n. ; Albert medallist, 512.
Cooke's patent drill, 127.
Cooley, T., 171.
Cooper, Sir Daniel, submits samples
of British-grown silk, 266 ; member
of Council, 449.
Coote, Sir E., 37.
Cope, C. W., medals for drawing and
painting, 171 ; portrait of Prince
Consort, 80, 171, 400, 518.
Copeland & Co., prize for pottery, 386.
Copper-plate, steeling, 217.
Copyright, Committee on Fine Art,
385 ; Hogarth's Act, 386 ; Act
passed, 386.
Corbaux, Fanny, 171.
Corbaux, Louisa, 171.
Corbould, G., 171.
Corbould, H., 171.
Corfield, Dr. W. H., Cantor
Lectures, 453.
Corn, prizes for harvesting in wet
weather, 140, 499.
Corn-mills, awards for, 255.
Cornwall, Duke of, see George v.,
King.
Cornwall, J., medal for Canadian
hemp, 108.
Corston, W., medal for straw-plait,
306.
Cos way, Richard, his portrait of
Shipley, 10, 518 ; one of first prize-
winners, 1 6, 151; his portrait of
Templeman, 25, 518 ; in list of
members, 37 ; list of his awards,
172 ; reports on sample of oil
paints, 213 ; contributes to first
exhibition of pictures, 229.
Cotman, J. S., 172.
Cottages for labourers, conference
on, 492 ; prizes for improved, 312,
392, 49i.
Cotton from Africa, medal offered for,
84 ; West Indian, 93 ; American,
98 ; in Tobago, 98 ; from India,
102.
Cotton, Capt., medal for growing
ramie, 103.
Cotton, General, Chairman of Council,
448.
35
Council first proposed, 347 ; forma-
tion of, 351 ; organisation of, 353,
357-
Counting machine, medal for, 292.
County histories, offer of prizes for,
302.
County maps, 298.
Courtenay, Viscount, 32.
Cousins, S., 172.
Coutts, J., 37.
Coutts, P.. 37.
Coutts, T., 37.
Coutts's Bank, 59.
Crace, Messrs., decorations by, in
Great Room, 66.
Craig's Court, Society's offices in,
8, 9, 53- •
Craik, medal for agricultural drill,
127.
Crane Court, Society's meetings in,
16.
Crane, Walter, Albert medallist, 516.
Cranes, awards for, 255.
Crayon drawings, prize for treat-
ment of, 213.
Crayons, prize for making, 213.
Creasy, Sir E., acts as examiner, 432.
Crellin, H. N., 172.
Crellin, H. P., 172.
Crisp, Nicholas, one of the founders,
12 ; member of committee on
medals, 315 ; prize for zaffre and
smalt, 279.
Critchell and Raymond, History of
the Frozen Meat Trade, 460 n.
Critchett C., assistant secretary,
368 ; resigns, 368 ; made life-
member, 368; appointed educa-
tional officer, 368 ; his death, 368.
Croll, Col. A., offers prize for blow-
pipe apparatus, 494.
Cromer, the Earl of, Albert medallist,
516.
Cronmire, J. and H., prize for set
of drawing instruments, 215.
Crookes, Sir William, Albert medallist,
516.
Crops, rotation of, 140 ; prizes for
apparatus for drying, 140, 499.
Cross, R., 172.
" Crossing " made in Strand opposite
Society's offices, 58.
Crossley, Messrs., prize for carpets,
389.
Crowther's English Pattern Coins,
327-
Cuba, coffee in, 94.
Cubitt, T., speaks to Prince Albert
about proposed exhibition, 410 ;
submits estimate of cost of 1851
Exhibition to the Council, 413.
530
INDEX
Cubitt's ellipsograph, 294.
Cuisset, F. F., medals for intaglios,
225.
Cultivators, 128.
Cundall's Biographia Jamaicensis, 6.
Cunliffe-Owen, Sir P., member of
Council, 361, 450.
Cunningham, English Industry and
Commerce, 5, 143.
Curie, Madame, Albert medallist,
Curwen, J. C., medals for planting
trees, 148.
Cust, Sir J., 37.
Dall, N. T., 172.
D'Almeida, Dr. Jose, presents samples
of gutta-percha to Asiatic Society,
104.
Dance, G., 37.
Dance, Sir Nathaniel, invited to paint
picture for Great Room, 70.
Dancer, Dr., on bread-fruit, 96; on
cinnamon, 97 ; in charge of
Jamaica Gardens, 100 ; medal,
100.
Daniell, T., 172.
Darby, Abraham, makes iron with
coal, 144 ; medal for first iron
bridge, 254.
Dartmouth, Earl of, 29.
Darwin, Erasmus, 246, 247.
Dashwood, Sir F., 37.
Davenport, S., design for Society's
Honorary Testimonial, 355.
Davenport, S. T., his life of Barry,
73 n. ; on the origin of steel-
engraving, 215; engaged as clerk,
349 ; his life, 366 ; assistant
secretary, 366 ; curator and
collector, 366 ; financial officer,
366 ; his death, 366 ; his services
to the Society, 367 ; his history
of the Society, 367 ; paper on
prints, etc., 367 ; presents volume
of weekly proceedings, 374.
Davies, Martha, mother of William
Shipley, 9.
Davies, T., Life of Garrick, 24.
Davis bequest, 503.
Davis, J., prize for fire-escape, 309.
Davis, J., medal for mechanical
telegraph, 252.
Davis, J. S., 173.
Davy, Sir Humphry, 139 ; chemical
professor to Board of Agriculture,
141 ; his safety lamp, 244, 254.
Dawes, R. (Dean of Hereford),
member of Council, 361 ; acts as
examiner, 431.
Dean, H. P.. 173.
Deane, J. C., proposes Art Exhibi-
tion for 1862, 416.
Deare, J., 173.
Decadence of Society and attempts
at reform (1841), 345.
De Chayal, medal for conveying
silk-worms' eggs into Mauritius,
112.
Decorticating rice, machine for, 107.
De la Beche, Sir H., lectures on
1851 Exhibition, 378.
Delamare, J., submits English-grown
silk to Society, 265.
De la Motte, W., 173.
De Morgan, Professor, lectures at
Educational Exhibition, 371.
Denbigh, Countess of, 51.
Denman, J. F., 173.
Denman, Maria, prizes for modelling,
173; draws reproduction of Flax-
man's medal, 318; design used for
Honorary Testimonial, 354.
Denman, T., 173.
Denmark Court, Little, Society's
house in, 55.
Denovan, J. F., prizes for curing
herrings, 311.
Dental instruments, prizes for, 294.
Den ton, J. Bailey, member of Coun-
cil, 449 ; offers prize for labourers'
cottages, 491.
Derby, Louisa, 173.
Derbyshire, map of, 300.
De Re Rustica, 329.
Desaguliers, Captain T., 37.
Devis, A., 173.
Devonshire, Duchess of, 77.
Devonshire, Duke of, 28 ; medal for
planting trees, 146.
Dewar, Sir James, Albert medallist,
516.
Dick, Sir Alexander, and Scotch
Society of Arts, 4 ; in list of
members, 37 ; medal for intro-
duction of rhubarb, 283.
Dickens, Charles, Poor Man's Tale
of a Patent, 382.
Dickinson, W., 174.
Dictionary of National Biography, 7,
25, 34, 160, 301, 340, 341, 361, 366,
382.
Diderot on Salons des Beaux Arts,
227.
Die sinking, prizes for, 157, 219.
Dighton, D., 174.
Dighton, R., 174.
Dilke, Sir Wentworth, Chairman of
Council, 360 ; connection with 1851
and 1862 Exhibitions, 360 ; mem-
ber of Society's Executive Com-
mittee for 1851 Exhibition, 413 n. j
INDEX
proposals for 1862 Exhibition,
416 ; on Committee for proposed
1861 Exhibition, 417 ; nominated
trustee for 1862 Exhibition, 419.
Dingley, C., medal for saw-mill, 247.
Dinner, annual, 324, 396,
Disraeli, I., presides at annual dinner,
396.
Distribution of premiums, annual
meeting for, 158, 319, 324.
Dobson, A., Life of Hogarth, 227.
Dobson, W. C. T., 174.
Docking ships, Seppings' method of,
255-
Dodsley, J., 37.
Dodsley, R., 37.
Dollond, J., 37 ; achromatic tele-
scope, 286.
Domestic Economy, conference on,
372 ; examinations in, 435 n.
Donaldson, J., 174.
Donaldson, T. L., 174.
Donaldson's Agricultural Biographies,
331-
Donegal, Earl of, medal for planting
trees, 146.
Donkin, B., medals for tachometer
and counter, 291.
Donn, B., prize for map of Devon, 299.
Donnelly, Sir John, suggests Techno-
logical Examinations, 437 ; member
of Council, 450 ; founds School of
Wood -Carving, 482 ; Chairman of
Committee of School, 483 «.
Dorset, map of, 299, 300.
Dossie, Robert, Memoirs of Agri-
culture, etc., 4 n., 330 ; candidate
for the secretaryship, 24, 331 ;
in list of members, 38 ; medal
for aiding to establish manu-
facture of potash in N. America,
87, 331 ; opinions about spinning
machines, 258 ; prize for method
of purifying oil, 282, 331 ; contribu-
tions to Museum Rusticum, 329 n. ;
his life and character, 331 ; Dr.
Johnson's opinion of him, 331.
Doulton, Sir Henry, Albert medallist,
5I4-
Dover, meeting to promote Training
School for Music, 479.
Downe, Viscount, 32.
Downman, J., 174.
Draining land, 140.
Drapers' Company, subscribes to
School of Wood-Carving, 482.
Drawboy, invention of, 264.
Drawboy, prize for improved, 264.
Drawing, technical need of, 15, 151.
Drawing instruments, set of> prize,
215 ; awards for, 294.
Drawings, first offer of prizes for, 15 ;
list of awards for, 162.
Dredgers, awards for, 255.
Drew, George, introduces Messrs.
Munday as contractors for 1851
Exhibition, 413 ; member of
Society's Executive Committee for
1851 Exhibition, 413 n.
Drew, T., medal for tree-planting, 147.
Drill and broadcast husbandry, 121,
126.
Drill in schools, 467 ; General Eardley-
Wilmot on, 467 ; reviews, 467 ;
review by London School Board.
467 ; challenge banner, 468.
Drills, agricultural, 126, 127.
" Drop-box " for weaving, Robert
Kay's, 262.
Drugget, prizes offered for manu-
facture of, 268.
Drummond, Eliza A., medals for
portrait, etc., 174 ; portrait of Miss
Cockings, 343, 518.
Drummond, George, owner of tbe
Adelphi estate, 60, 64.
Drummond, John, the banker, 38.
Drummond, Robert, the banker, 38.
Drummond, R., Archbishop of York,
patron of Whitehall School, 8 n.
Drury Lane Theatre, distribution of
premiums in, 325.
Drying crops in wet weather, prizes
offered for apparatus for, 140, 499.
Dublin Exhibition, collection of
Indian products sent to, 380.
Dublin, Royal Society of, 2, 118 ;
exhibitions of, 403.
Dubourg, R., 174.
Dudley, Viscount, 32.
Duff, A., prize for improved draw-
boy, 264.
Dumas, Jean Baptiste, Albert medal-
list, 513.
Dunkarton, R., 175.
Durand, Mr., medal for Canadian
hemp, 1 08.
Durant, Susan, 175.
Diirer, Albert, use of steel plates, 215.
Durham, Bishops of, 59, 60.
Durham, C., medal for an intaglio, 225.
Durham House, 56.
Durnford, E., 175.
Durno, J., 175.
Dusty trades,preventing injury in, 2 72 .
Dyeing, prizes for, 279.
Eads, Captain James Buchanan,
Albert medallist, 514.
Eardley-Wilmot, General, Chairman of
Council, 448 ; paper on school drill,
467.
532
INDEX
Earle, W. B., bequest for purchases
of books, 221.
Earlom, R., premiums for drawing
and etching, 175.
Earthenware, innocuous glaze for,
273-
East, Hinton, 95, 97, 99.
East India Company, fdiscourage
offer of prizes in East Indies, 84 ;
consults Society, 102 ; discourages
growth of tea in India, 105 ;
sends samples of Indian tea, 106 ;
forwards collection of woods, 107 ;
promises to assist exhibition of
Indian products, 380.
Eastlake, Sir C. L., medal for draw-
ing, 175; becomes President of
the Photographic Society. 375 ;
serves as Chairman of Copyright
Committee, 385.
Ebrington, Lord, Chairman of
Council, 361.
Eckstein, J., 176.
Edelcrantz, Chevalier, medal for
mechanical telegraph, 252.
Eddis, E. U., 176.
Edgcumbe, Lord, 33.
Edgeworth, R., medal for " early
mechanical genius," 249.
Edgeworth, R. L., turnip-cutter, 137,
248 ; Memoirs, 137 n., 246 n., 251 ;
medal for various inventions, 247 ;
medal for a "Perambulator" for
measuring land, 248 ; portable rail-
way, 24871. ; mechanical telegraph,
251-
Edgill, J., prize for chaff-cutter, 134 ;
prize for turnip-cutter, 136.
Edinburgh, Duke of, lays first stone
of National Training School for
Music, 480 ; provides scholarship
for National Training School for
Music, 480.
Edinburgh Society for encourag-
ing Arts, etc., of Scotland, 3 ;
Society for Promotion of Natural
Knowledge, 4; Philosophical So-
ciety, 4 ; Society for Improvement
of British Wool, 6.
Edison, Thomas Alva, Albert medal-
list, 515.
Education, conference on Adult, 372.
Education, elementary, efforts for
improvement of, 466 ; Act of
1870, 466 ; reports on condition
of, in London, 466 ; Bartley's
report, 466 ; conference on, 466.
Education, Mrs. Grey on female, 467.
Education, industrial, promotion of,
by Society, 369, 466 ; report on,
370.
Educational appliances, exhibition of
at Guildhall, 370 ; at St. Martin's
Hall, 370.
Educational collection at South
Kensington founded on exhibits
from Educational Exhibition, 371.
Edward vn., King, suggestion
about presidency, 444 ; consents,
445 ; deputation to, 445 ; elected
President, 445 ; his head on Society's
medal, 319, 320 ; his services to
Society, 445 ; presents Albert
Medal to Queen Victoria, 446 ;
receives Albert Medal, 446, 516;
becomes Patron on his accession,
320, 446 ; grants Society use of
term " Royal," 447 ; reviews
drill of school children, 467 ;
Provides scholarship at National
raining School for Music, 480 ;
memorial window in St. Paul's on
recovery from illness, 487.
Edwards, B., History of the British
West Indies, 97, 9971.
Edwards, E., 176.
Edwards, J., 176.
Egan, Dr., medal for teaching
Latin, 312.
Eggbrecht, J. E., 176
Egmont, Earl of, 29.
Egremont, Earl of, 30.
Electric lighting of Society's house, 70.
Electro-deposition, use of plumbago
in, 293.
Electro-magnet, Sturgeon's first, 292.
Elgin, Earl of, presides at annual
dinner, 396.
Ellipsographs, prizes for, 294.
Ellis, W., assistant secretary, 366.
Elton's Origins of English History,
138 n.
Employment of women, prizes
offered for encouragement of, 312.
Engineering, awards in, 254.
Engleheart, T., 176.
Engleheart, T. S., 176.
Engleheart, W. F., 176.
Engraving, first offer of prizes for,
153 ; conditions of offer, 157.
Engraving on steel, 215.
Engraving on steel, Perkins' process
of, 215, 303.
Ensom, W., 177.
Esparto, first use of, for paper
making, 305.
Essays, prizes for, 392.
Etching, first offer of prizes for,
153 ; conditions of offer, 157.
Etching fluid for steel, 218.
Etching on steel, 216.
Etty, exhibition of pictures by, 379.
INDEX
533
Evelyn, John, his Sylva, 144.
Examinations in Domestic Economy
435 n.
Examinations, Elementary, 434.
Examinations, importance of, 356
368, 428.
Examinations in Modern Languages
viva voce, 312, 439.
Examinations in Music, 439.
Examinations in Practical Com-
mercial Knowledge, 438.
Examinations of Society, suggested
by H. Chester, 372, 425 ; system
followed by other institutions
425, 428 ; their origin, 426 ;
their original character, 426 ; date
of first examination, 426 ; system
adopted, 427 ; negotiations with
College of Preceptors, 427 ; gradual
development of system, 430 ; ad-
vantages of system, 431 ; Board
of Examiners, 431 ; civil service
appointments given to candidates,
432 ; number of candidates, 432 ;
programme revised, 432 ; " Com-
mercial Certificate," 433 ; Prince
Consort's prize, 433 ; proposed
abandonment, 433 ; system re-
modelled, 434 ; fee charged, 434 ;
increase in numbers, 434 ; effect
of Technical Instruction Act, 434 ;
further modifications, 435 ; in-
crease in numbers, 436 ; co-opera-
tion of London County Council,
436 ; value of certificates, 436.
Examinations for soldiers, 437.
Examinations, suggestions for Col-
onial, 454.
Examinations, Technological, 437,
465-
Examinations, value of, 356, 368,
428.
Exeter Change, proposal to acquire,
for Society's offices, 54 ; demolition
of, 58.
Exeter, Earl of, 30.
Exeter Hall, distribution of premiums
in, 325.
Exeter Street, covers part of site of
Society's offices, 55.
Exhibition of 1851, the Summerly
tea-service, 154, 405 ; importance
°f » 356 ; early history of, 401 ; com-
mittee formed to consider, 404 ;
1851 suggested as suitable date,
408 ; petition to House of Com-
mons, 409 ; committee reports
favourably, 409 ; report by Scott
Russell on early history of, 409 n. ;
discussions at Buckingham Palace,
and decision of Prince Albert to
make exhibition international,
411 ; Royal Commission proposed,
412 ; organisation of exhibition
settled, 412; Executive Committee
appointed by Society, 413 ; Royal
Commission appointed, 414 ; re-
solution of Council as to preliminary
outlay, 413 ; estimate of cost by
Cubitt, 413 ; arrangements with
Messrs. Munday, 413 ; report by
Scott Russell, 415 ; subscription
list opened, 415 ; Charter of In-
corporation granted to Commission,
415 n. ; references for official
history, 415 n. ; Colonial visitors,
453 > Commission made permanent,
375 ; offer of prizes for essays on,
378 ; lectures substituted, 378 ;
financial results, 375 ; disposal of
surplus, 375.
Exhibition of 1862, importance of,
356; first proposals for, 416; deci-
sion to hold exhibition in 1861, 417 ;
guarantee fund to be opened, 417 ;
committee appointed, 417 ; South
Kensington site proposed, 417;
proposals submitted to Commission
of 1851, 417; proposed application
of surplus from 1851, 418 ; date
postponed, 418 ; date fixed as 1862,
419 ; guarantee fund started and
committee appointed, 419 ; trustees
nominated, 419 ; application made
to 1851 Commission for site, 420 ;
application granted, 421 ; Com-
mission decline to manage exhibi-
tion, 421 ; charter obtained for
1862 Trustees, 421 ; financial
failure of exhibition, 423 ; de-
ficiency made good by contractors,
Kelk & Lucas, 423 ; Jury Reports
published by Society, 42 3 ; Reports
of Commission, 423 n. ; loss of
anticipated profits, 398.
Exhibition of 1871-2-3-4, see Exhibi-
tions, Annual, etc.
Exhibition of ancient and mediaeval
art, 407.
Exhibition of art- workmanship, 457.
Exhibition of bookbinding, 380.
Exhibition of British manufactures,
405, 406, 408.
Exhibition in Covent Garden (1845),
403-
Exhibition, Dublin, of 1853, collec-
tion of Indian products sent to,
380.
Exhibition, early, in London, 403.
Exhibition, Educational, 370.
Exhibition, Health, award of Tre-
velyan prize at, 463.
534
INDEX
Exhibition of Indian products pro-
posed, 380 ; collection sent to
Dublin Exhibition, 380.
Exhibition of inventions, 378.
Exhibition of lithographs, 305 «., 380.
Exhibition of models, etc., 58, 66, 118,
239, 381, 402.
Exhibition of photography, 380, 384.
Exhibition of pictures, first, 58, 226.
Exhibition of pictures by modern
artists, proposed, 358, 379 ; of Mul-
ready's pictures, 379 ; of Etty's
pictures, 379 ; of John and Alfred
Chalon's pictures, 380 ; of minia-
tures by Sir W. Ross, 380 ; of
Leslie's pictures proposed, but
abandoned, 380.
Exhibition proposed in Birmingham,
4°3-
Exhibition, suggested Fishery, 461.
Exhibition, surplus from North
London, given to Society, 458.
Exhibition of wood-carving, 457.
Exhibitions, Annual International,
1871-4, 484 ; grant of land at
South Kensington, 484 ; financial
results, 485 ; connection with
Horticultural Society, 485 ; causes
of failure, 485 ; connection of
Society with, 486 ; prizes offered,
458, 486, 490, 497, 498; Reports
on, 486 ; official records, 487 n.
Exhibitions of Free Society of
Artists, 230.
Exhibitions, French, 226, 402, 410,
483, 484-
Exhibitions of Incorporated Society
of Artists, 230.
Exhibitions, increase in number of
members due to, 397.
Exhibitions, Munich, Hanover, Brus-
sels, Lausanne, Vienna, Berlin, 403.
Exhibitions, origin of International,
402.
Exhibitions of Paris, 1849, 403, 410;
1867, artisan reporters at, 483 ;
1878; artisan reporters at, 484.
Exhibitions of Royal Dublin Society,
4°3-
Exhibitions in Society's rooms organ-
ised by Whishaw, 404.
Faden, W., prizes for maps of Hamp-
shire and Sussex, 300.
Fahie, History of Electric Telegraphy,
252 n.
Fairbairn, Sir W., member of
Council, 361.
Fairbairn, T., nominated trustee for
1862 Exhibition, 419.
Fairland, T., 177.
Falconet, P., 177.
Falkland, Viscount, 32.
Falmouth, Viscountess, 51.
Faraday, Michael, Albert medallist,
512.
Farey, John, supplies illustrations
to Transactions, 177; his ellipso-
graph, 294.
Farey, Joseph, awards for mechanical
drawing, 177.
Farington, G., 177.
Farington, J., 177.
Farnham, Earl of, 30.
Faulkner, B., 177.
Feary, J., 178.
"Felix Summerly" tea-service, 154,
4°5-
Felkin, W., submits samples of
British-grown silk, 266 ; his
History of Lace Manufacture, 269.
Felspathic glaze, 274.
Female education, Mrs. Grey on, 467.
Female employment, prizes offered
for encouraging, 312.
Fennell, J. G., 178.
Fenton, Roger, promotes formation
of Photographic Society, 385.
Fen wick, R., medals for planting
trees, 147.
Ferrers, Earl, 30.
Field, Messrs., prize for cheap
microscopes, 390.
Fielder, C. H., paper on Indian tea,
455-
Fielding, Sir J., 38.
Fielding, John, Society's landlord, 53.
Fife, Earl of, medals for planting
trees, 146.
Finances of Society (1755-64), 21 ;
(1776), 22 ; (1840), 344, 345 ;
(1845), 397 ; (1860-80), 502, 506.
Finden, E., award for drawing, 178.
Finden, W., award for drawing, 178.
Fine art prizes of the Society, 151,
213 ; list of recipients, 162 ; re-
marks on character of the list,
159-
Finlayson, J., premium for mezzotint
of Lord Romney's portrait, 178.
Fire-escapes, prizes for, 309.
Fires, means for extinguishing, 309.
Fish supply, improvement of, 310.
Fishery Exhibition, suggested, 461.
Fishing-nets, machines for making,
269.
Fitzgerald, Keane, 77.
Fitzgerald, P., Picturesque London,
59 n.
Fitzwilliam, Viscount, 32.
Flag, medal for weaving, as sample of
brocade, 268.
INDEX
535
Flaxman, J., premiums for modelling
and for designing Society's medal
178 ; designs Society's medal
316 ; design used for Honorary
Testimonial, 354.
Florida, indigo in, 98.
Fludyer, Sir S., 38.
Fly-shuttle, Kay's, 260, 262.
Foley, Baron, 33.
Folkestone, Viscount, co-operate;
with Shipley in formation o:
Society, n ; attends first meeting
12 ; contributes to first prize
fund, 15 ; elected President, 17
in list of members, 32 ; portrai
by Gainsborough, 71, 79, 518
portrait in Barry's picture, 77
death of, 321.
Food Committee appointed, 460
reports, 461 ; meat preservation
461 ; canned meat, 461 ; milk
461 ; fish, 461 ; food transport
461 ; prize for railway van, 461
prize for milk-can, 461 ; firsl
cargo of frozen meat, 461 ; final
report, 462 ; use of low tempera-
tures, 463 ; Australian frozen meat,
463-
Food supply, conditions of, in 1866,
459-
Foord, Capt., uses gun-harpoon, 250.
Forder & Co., prize for hansom cab,
497-
Fordham, Sir G., on county maps,
298 ; his pamphlet on John
Cary, Engraver and Map-seller,
300 «.
Foreign and Colonial Section, 455.
Forestry and the Society, 143.
Forestry, number of awards in, 149.
Forrer's Dictionary of Medallists,
160, 318 n., 327.
Forrest J., assistant secretary, 368.
Forster, John, Life of Goldsmith,
24.
Fortescue, Earl, see Ebrington.
Foster, P. Le Neve, appointed
Secretary, 364 ; his life and
character, 365 ; Chairman of
Committee of Accounts, 365 ;
member of first Council, 365 ; his
death, 365 ; family connections
with Society, 365 n. ; on straw-
plait industry, 307 M. ; takes part in
formation of Photographic Society,
385 ; on deputation to Board of
Trade, 407 n. ; treasurer for 1851
Exhibition, 413 n.
Foster, Sir C. Le Neve, suggests
prize for blow-pipe apparatus, 494.
Fothergill, Dr. J., 38,
Foundling Hospital, exhibition of
pictures at, 227.
Fox, C., 178.
France, exhibitions of pictures origin-
ated in, 226 ; Early Industrial
Exhibitions in, 402 ; 1849 Exhi-
bition, 403, 410; 1867 Exhibition,
483; 1878 Exhibition, 484.
Franklin, Benjamin, originates
American Philosophical Society, 3;
life member, 38 ; Chairman of Com-
mittee on Colonies, 38 ; encourages
American silk industry, 85 ; pro-
poses Whitefoord as member, 322.
Franks, Sir A. W., Hon. Sec. for
Exhibition of Ancient and Medi-
aeval Art, 407.
Fraunhofer's achromatic objective,
287.
Freake, Sir C. J., provides scholar-
ship at National Training School
for Music, 480; provides building
for National Training School for
Music, 480.
Freebairn, A. R., 178.
Freemason's Hall, distribution of
premiums in, 325.
Fresnau, describes caoutchouc, 103.
Frith, W. P., medals for drawings, 179.
Frost, W. E., 179.
Fruin, J., prizes for gem-engraving,
223.
Fruin, R., award for artificial
cameos, 224.
" Fryers' Pyes," 57.
Fuchs, E., engraves Society's medal,
with head of Albert Edward, Prince
of Wales, 320.
Fuel, prizes for economical use of,
489.
Fuller, F., on first exhibition com-
mittee, 404 n. ; reports on French
Exhibition of 1849, 410 ; becomes
managing director of Crystal
Palace, 410 n. ; attends meetings
at Buckingham Palace and at
Osborne, when 1851 Exhibition is
decided on, 411 ; visits pro-
vincial cities on behalf of Ex-
hibition, 412 ; introduces Messrs.
Munday as contractors for Ex-
hibition, 413 ; member of Society's
Executive Committee for 1851
Exhibition, 413 n.
Furniture, prizes for designs for, 152.
Fuseli, early lithographs by, 305.
Gahagan, S., 179.
Gainsborough, Rev. H., prize for
drill-plough, 127; prize for a tide-
mill, 246.
536
INDEX
Gainsborough, T., portrait of Vis-
count Folkestone, 71, 79, 518.
Gale, medal for agricultural drill,
127 n.
Galloway, Earl of, 30.
Galloway's History of Coal Mining,
253 n.
Galton, Sir Douglas, Chairman of
Council, 449.
Galvanic battery, Smee's, 293.
Gandon, J., 179.
Gardens, Botanic, see Botanic
Gardens.
Gardner, Rev. J., 179.
Gardner's turnip-cutter, 137.
Gamier, H., invents method of
" acierage," 218.
Garrick, David, in list of members,
38 ; refuses to recommend Gold-
smith for the secretaryship, 24 ;
epigram on Hill, 46.
Garvey, E., 179.
Gas, first used in Society's house, 69.
Gas-holder, Clegg's, 295.
Gas lamp, telescopic, medal for, 296.
Gas manufacture, prizes for, 294.
Gas manufacture, utilisation of by-
products, 295.
Gas-meter, invention of, 295.
Geddes, Margaret, 179.
Gem-engraving, prizes for, 157, 222.
George in., King, proposal by Barry
to paint the King's portrait, 79.
George v., King, becomes President,
447 ; becomes Patron on his acces-
sion to throne, 447 ; his head on
Society's medal, 320 ; receives
Albert Medal, 517.
Georgia, " observations on," 93 ;
silk from, 84 ; filature in, 85.
Germain, Lady Betty, 51.
Gibbon, Edward, 38.
Gibbs, W. A., prize for harvesting
crops in wet weather, 499.
Gibson, Milner, presents Society's
petition to House of Commons,
409.
Gilbert, Sir H., Albert medallist, 515.
Gilding, prizes for improved methods
of mercurial, 270, 271.
Girls' Public Day School Co., 467.
Gisborne, Dr. T., 38.
Gladstone, Sir J., portrait, 519.
Gladstone, W. E., presides at annua
dinner, 396.
Glaze for pottery, innocuous, 273.
Goadby, prize for improvements in
the microscope, 288.
Godby, J., 179.
Godfrey, A., prize for fire-extinguish
ing apparatus, 309.
Goldicutt, J., 1 80.
Goldsmith, Oliver, 39 ; canvasses for
the post of secretary, 24.
Gomme, Sir Laurence, supplies in-
formation about RawthmeH's
Coffee-House, 12 ; about Society's
Strand offices, 57 ; lists of London
memorials, 472 n.
Gooch, T., 1 80.
Goodall, E., medal for water-colour,
180.
Goodall, F., medals for drawing and
painting, 180.
Goodchild, John, attends first meet-
ing, 12 ; first treasurer, 17.
Goodchild, John, the younger, suc-
ceeds his father as treasurer, 21 ;
account of his treasurership, 21.
Goodeve, Prof., acts as examiner, 432.
Goodwin, Dean, acts as examiner, 432.
Goree, medal in celebration of capture
of, 220.
Gott, J., 1 80.
Gough, British Topography, 298, 299,
300.
Government assistance, absence of,
21, 398.
Grafton, Duke of, 28.
Graham, Dr. Charles, Cantor Lec-
tures, 453.
Graham, G., 180.
Graham, Thomas, member of Council,
361.
Graham, W. A., elected Secretary,
338 ; resigns, 338, 348.
Grant, W., 180.
Grantham, J., prize for steam-car, 495.
Granville, Earl, presides at Centenary
Dinner, 396 ; nominated Trustee
for 1862 Exhibition, 419 ; on
Technical Education, 464.
Grass-seed, prizes for, 119.
Gray, J. M., James and William
Tassie, 224 n.
Great Room (in Little Denmark
Court), 54, 57 ; size of, 58 ; first
London exhibition of pictures
held in, 228.
Great Room (in the Adelphi),
decorations of, 65, 66; alterations
in, 65 ; warming arrangements,
66 ; lighting, 69 ; Barry's pictures
in, 70.
Greathead, H., medal for invention
of lifeboat, 296.
Grece, C. F., medal for Canadian
hemp, 1 08.
Green, B. R., 180.
Green, Valentine, negotiates with
Royal Academicians about pictures
for Great Room, 70 ; reports
INDEX
537
Barry's willingness to provide the
pictures, 71 ; suggestions for
publication of Transactions, 332
candidate for secretaryship, 334
his work for the Society, 334 n.
gold medal for services, 334 n.
Green, W., medal for Canadian
pigments, 109.
Gresse, J. A., one of first prize-
winners, 17, 152 ; prizes for
drawing and painting, 180.
Greville, Lady Augusta, first award of
medal for a drawing, 160; medals
for drawing and etching, 180.
Grey, Earl, 30.
Grey, Mrs., on Education of Women,
467.
Griesbach, constructs forks for
Society's standard of musical pitch,
387.
Griffin, Admiral T., 39.
Griffin, Sir J., 39.
Grignion, C., prizes for drawing, 181.
Grignion, Thomas, presents clock
to Society, 39.
Grignion, Thomas, jun., prize for
drawing, 181.
Grinding mills, awards for, 255.
Grinding, preventing injury from
dust in, 272.
Grose, F., 39.
Grove, Sir George, appointed Secre-
tary, 363 ; becomes secretary to
Crystal Palace, and resigns, 364.
Guadaloupe cinnamon, 97.
Guarantee Fund for 1862 Exhibition,
conditions of, 419.
Guilding, L., account of St. Vincent
Botanic Garden, 99 n.
Guimand, P. L., optical glass, 287.
Gun-harpoon, awards for, 249, 250.
Gutta-percha, introduction of, 104 ;
Obach's lectures on, 105.
Gwilt, G., 181.
Gwynn, J., contributes to first exhibi-
tion of pictures, 229.
Habershon, M., 181.
Hakewill, J., 181.
Hales, Dr. Stephen, one of the
founders, 12, 39, 77.
Halifax, Earl of, 30.
Hall, J., 181.
Hall, J. and E., prize for refrigerating
apparatus, 463.
Hall, M., achromatic telescope, 286.
Hamilton, Duchess of, 3.
Hamilton, H. D., 181.
Hampshire, map of, 300.
Handasyde, C., 182.
Hand-signalling, awards for, 252.
Hanover Square Rooms, distribution
of premiums in, 325.
Hanway, Jonas, in list of members,
39 ; subscribes to exhibition of
Barry's pictures, 74 ; procures
Act for suppressing use of climbing
boys, 276.
Harcourt, A. V., Cantor Lectures, 453.
Harcourt, Earl, 30.
Harding, J. D., 182.
Hard wick, P., 182.
Hardwicke, Earl of, 30.
Hardy, Sir C., 39.
Harley, Hon. T., 39.
Harris, James, 77.
Harris, J., syringe for oil-paints, 214.
Harrows, 124, 128.
Hart, Solomon, medal for drawing,
182.
Hartley, Sir Charles Augustus, Albert
medallist, 516.
Harvesters, see Reaping Machines.
Harvesting crops in wet weather, 1 40,
499-
Harvey, Mr., prize for threshing-
machine, 133.
Hassell, E., 182.
Hassell, J. medal for improvements
in aquatint process, 182, 218.
Haste's Essays on Husbandry, 121.
Hastings, G. W., Cantor Lectures,
452.
Hastings, meeting at, to promote
Training School for Music, 479.
Hatton, prize for standard of length,
289.
Hauling devices for mines, 253.
Hawes, W., Chairman of Council,
447 ; proposes election of H.R.H.
the Prince of Wales as member
and as President, 445 ; Deputy-
Chairman, 448.
Hawke, Sir E., 39.
Hawkesworth, Dr. J., 39.
Hawkins, E., Medallic Illustrations,
etc., 220 n.
Hawkins, Sir C., 39.
Hay, D. R., Decorations in Great
Room, 65.
Hay, Sir G., 39.
Hay, prizes for harvesting in wet
weather, 140, 499.
Hayman, Francis, 39 ; suggests
exhibition of pictures, 228 ; contri-
butes to first exhibition of pictures,
229.
Hayter, Sir G., medal for painting,
182.
Hayward, W., medal for growing
rhubarb, 284.
Head, G., 182.
538
INDEX
Health, conferences on, 488.
Health Exhibition, award of Trevel-
yan prize at, 463.
Hearne, T., 182.
Hearson, T. A., prize for revolution
indicator, 498.
Heberden, W., 39.
Hebert, W., 183.
Helmholtz, Professor Hermann Louis,
Albert medallist, 514.
Hemp in America, 89 ; in Canada,
108.
Henderson, J., 183.
Henning, J., 183.
Herrings, prizes for curing, 311.
Hewett, Rev. J. M., medal for horse-
hoe, 128.
Hicks's ellipsograph, 294.
Hickson, S., attends meeting about
1851 Exhibition, 412.
Highland and Agricultural Society of
Scotland, 3.
Highmore, N., contributes to first
exhibition of pictures, 229 ; mem-
ber of committee on medals, 315.
Hilditch, G., 183.
Hill, Sir Rowland, Albert medallist,
512-
Hills, J., prize for means of obviating
risks of mercurial gilding, 270.
Hillsborough, Earl of, 30.
Hincks, W., his portrait of Shipley, 10.
Hine, T. C., prize for design for
labourer's cottage, 392.
Hipkins, A. J., on musical pitch,
387 «•
Hispaniola, bamboo in, 94.
Hoare, P., 183.
Hoare, W., 39.
Hobhouse, H., lends the Society
£1000, 397.
Hoblyn, T., medals for coco-nut oil
from Ceylon, and for machine for
decorticating rice, 107.
Hodges, W., 183.
Hodgson, T., 183.
Hodgson and Eaton, History of the
Royal Academy, 233.
Hofmann, August Wilhelm, Albert
medallist, 514.
Hogarth, William, founds St. Martin's
Lane Academy, 8 ; in list of
members, 39 ; member of com-
mittee on medals, 315 ; and the
Society of Artists, 231 : Copy-
right Act, 386.
Hogg, J., The Microscope, 288 n.
Holdernesse, Earl of, 30.
Hole, H., 183.
Hole, J. C., prize for essay on
Mechanics' Institutes, 392.
Holidays, proposal for national, con-
demned, 396.
Hollingshead, J., Introduction to
1862 Exhibition Catalogue, 403 n.,
409 n.
Hollis, Thomas, 40 ; promotes prizes
for die-sinking, 220 ; on com-
mittee of first picture exhibition,
228.
Hollis, T., medal for water-colour,
183.
Holt, Dorothy, prize for lace, 266.
Holtzapffel, Mechanical Manipula-
tion, 273 n.
Honduras logwood, 98.
Hone's Everyday Book, 276 n.
Honorary Testimonial proposed for
readers of papers, 354.
Hook, J. C., medals for drawing,
183.
Hooke, R., method of signalling, 251.
Hooker, Sir Joseph Dalton, Albert
medallist, 514.
Hooper, Edward, 77.
Hooper, L., Cantor Lectures on
Weaving, 263 n.
Hope, Dr., on Jamaica Botanic
Garden, 99 ; grows rhubarb plants,
283.
Hopwood, J., 183.
Homer, B. W., examiner in music,
441.
Horse-hoes, 124, 127.
Horsley, J. C., medals for drawing,
184 ; his portrait of Queen Victoria,
80, 518.
Horton, R. W., presents collection
of Australian articles, 112.
Hortus Jamaicensis, 94 «.
Horwell, C., 184.
Horwood, R., prize for map of
London, 302.
Houses, memorial tablets on, see
Memorial Tablets.
Housing labourers, prizes for, 312,
392, 49L
Howard, R, 184.
Howard, J., 40.
Howard Trust founded, 503; prize
for traction engine, 495.
Howe, Viscount, 32.
Huck, Dr. R., 40.
Hughes, Professor David Edward,
Albert medallist, 515.
Hughes, E., 184.
Hullah, John, St. Martin's Hall built
for, 371 ; lectures at Educational
Exhibition, 371 ; examiner in music,
440 ; Cantor Lectures, 453.
Hullmandel, C. J., medal for litho-
graphy, 184, 305.
INDEX
539
Hume, Joseph, member of Council,
362.
Humphreys, W., 184.
Hunt, Robert, promotes formation
of Photographic Society, 385 ;
candidate for secretaryship of
Society, 385 n. ; acts as examiner,
432.
Hunt and Roskell, prize for jewellery,
389.
Hunter, Dr. A., on Society's pro-
motion of tree-planting, 150.
Hunter, Dr. W., 40, 77.
Huntingdon, Earl of, 30.
Hurd, Dr., 77.
Hurlstone, F. Y., 184.
Hurlstone, R., 185.
Hussey's reaping machine, 131.
Huxley, Prof., lectures at Educa-
tional Exhibition, 371 ; on the
use and value of examinations,
431.
Hyde Park first suggested r for 1851
Exhibition, 404 ; recommended,
4x1.
Hydrometer, prizes for, 291.
Implements, agricultural, 124.
Incorporated Society of Artists, 232.
Incorporation of Society, see Char-
ter.
Indian alkali, 88, 102 ; cotton, 102 ;
cinnamon, 102 ; tea, 105, 106 ;
collections of woods, 107 ; barilla,
278.
Indian products, collection sent to
Dublin Exhibition, 380.
Indian Section established, 455 ; its
work and value, 455.
India-rubber, see Rubber.
Indigo, West Indian, 93 ; Mexican,
98 ; Guatemalan, 98 ; in Tobago,
98 ; in Jamaica, 98 ; in East
Florida, 98 ; prize offered for
British, 280.
Industrial art, early prizes for, 152.
Industrial hygiene, 269.
Industrial instruction, Report on,
370 ; conference on, 370.
Industrial pathology, Committee on,
395-
Inglish, J., medal for growing
rhubarb, 283.
Insect pests, 140.
Institutions, origin of mechanics,
369 ; those near London affiliated
to Society, 369 ; H. Chester
. suggests their development, 370 ;
conference on, 370 ; Union founded,
370 ; annual conference started,
370 ; organisation of Union of,
370 ; discontinuance of confer-
ence, 372 ; examinations in con-
nection with, 372, 425 ; use as
centres for Science Examinations,
377 ; prize for essay on, 392 ;
Colonial, 454.
Inventions, exhibitions of, 378.
Inventors, difficulties of, 240 ; opposi-
tion to, 241, 242.
Inwood, H. W., 185.
Ireland, S., 185.
Iron bridge, first, 254.
Iron manufacture in America, 88.
Iron shipbuilding, award for, 255.
Iron, wood only fuel for making,
143, 144-
Irrigation, 140.
Irvine, Viscount, 32.
Isinglass from America, 90.
Isis Medal, 318, 319.
Isle of France, see Mauritius.
Jacquard apparatus, prizes for im-
proved, 264.
Jacquin, E. A., patentee of Garnier's
method of " acierage," 218.
Jamaica, sugar cane first cultivated
in, 94 ; coffee in, 94
94 ; cotton in, 94
94 n. ; cochineal, 95
bamboo in,
Handbook,
bread-fruit
in» 95. 96 ; Botanic Garden, 99 ;
cinnamon, 97, 100 ; cargo of cap-
tured plants carried to, 97 ; indigo,
98 ; logwood, 98 ; camphor, 100 ;
sago, 100 ; tea, 105 ;
James i., efforts to improve British
manufactures, 265.
James, Dr. R., 40.
Jamison, Sir John, medal for method
of extracting tree stumps, 112.
Jebb, Sir Richard, 40 ; obtains seeds
of mangel-wurzel, 123.
Jeffer, prize for carpets, 268.
Jeffereys, J., 185.
Jefferys, T., map by, showing
Society's offices in Little Den-
mark Court, 57 ; map of York-
shire, 299 ; map of Devon, 299.
Jenkin, Prof. F., Cantor Lectures,
453-
Jenkins, A., Life of George Borrow,
306 n.
Jenkins, Capt., finds tea-plant in
Assam, 106.
Jennings, W., prize for improve-
ments in Jacquard loom, 264.
Jenyns, Soame, 40, 77.
Johnes, Colonel Thomas, medals for
planting trees, 148.
Johnson, Dr. Samuel, 40 ; his
portrait in Barry's picture, 77 ;
540
INDEX
writes to Baretti about the Pic-
( ture Exhibitions, 230 ; his Preface
to Catalogue of Exhibition of
Society of Artists, 231.
Jones, G., 185.
Jones, Owen, lecture on 1851
Exhibition, 378 ; prize in memory
of, 503-
Jones, T., 185.
Jones, T., prize for growing opium,
284.
Joubert, F., describes method of
" acierage," 218.
Joule, Dr. James Prescott on
Sturgeon's electro -magnet, 292 ;
Albert medallist, 514.
Journal of the Society first published,
334 ; suggested by Dr. Booth,
373 ; character of, 374 ; contents
of first number, 374 ; value as
record of history of invention,
Jukes, F., 185.
Jurisprudence, Swiney prize for
book on, 394.
Jury Reports of 1862 Exhibition
published by Society, 423 ; loss
on publication, 424, 504.
Kauffmann, Angelica, invited to
paint picture for Great Room,
70.
Kay, John, share in invention of
power loom, 246 ; his relations
with the Society, 259 ; his wire-
card apparatus, 261 ; his fly-
shuttle never submitted to Society,
260, 262 ; fresh information about
him in Society's records, 260.
Kay, Robert, submits his " drop-
box" for weaving coloured fabrics,
262.
Kay, William, submits his father's
wire-card machine to Society,
261 ; premium awarded, 261.
Kay-Shuttleworth, Sir J., member
of Council, 449.
Keith, Elizabeth, 185.
Kelly, H., 40.
Kelp, prize offered for, 278.
Kelsey, C. S., 185.
Kelsey, R., 185.
Kelvin, Lord, Albert medallist, 513.
Kemp, G. T., on first exhibition
committee, 404 n.
Kendrick, Emma E., 186.
Kendrick, J., 186.
Kenmare, Viscount, 32.
Kent, T., medal for Australian
tanning material, in.
Keppel, Admiral A., 40.
Keyse, T., prize for fixing crayon
drawings, 186, 213.
King, J., medal for Australian wine,
in.
King's Theatre, distribution of
premiums in, 325.
Kingston, Duke of, 28.
Kirby, Sarah, 186.
Kirby, W., 186.
Kirk, John, prizes for medal design-
ing, 1 86, 220, 221 ; cuts die for
Society's seal, 221.
Kirk, Thomas, 186.
Kitchingman, J., 186.
Knight, Dr. G., 40 ; on committee of
first picture exhibition, 228.
Knight's London, references to
Society in, 66 n.
Knowles, Admiral Sir C., 40.
Kohl-rabi, 121, 123 n.
Labouchere, Mr., deputation to, 407 ;
attends meeting about 1851 Exhi-
bition, 411.
Labourers' cottages, prizes for, 312,
392, 491.
Lace, encouragement of English, 266.
La Condamine, describes caout-
chouc, 103.
Lady members, 51.
Lamb, Charles, on climbing boys, 275.
Lamb, Sir J. C., on the invention of
the lifeboat, 296 ; on Society's
labours for postal reform, 477, 478.
Lambert, J., 186.
Lambert, Mr., prize for four-wheeled
cab, 497-
Lamp, prize for railway, 497.
Lancashire, map of, 300.
Land reclamation, 140 ; cultivation
of waste, 140.
Landseer, C., prize for drawing, 187.
Landseer, Sir E., medals for drawing
and painting, 187.
Landseer, G., medals for painting,
187.
Landseer, Miss, prize for painting,
187.
Landseer, T., medals for etching and
painting, 187.
Lane, J. B., 187.
Langford, A., 40.
Lansdowne, Earl of, presides at
conference on Mechanics' Institu-
tions, 370.
Larousse, Dictionnaire Universel,
227 n,
Latin, prizes awarded for colloquial,
3".
Lavatories, scheme for establishing
public, 388.
INDEX
Law, W., History of Coffee, 94 n.
Law, submits sample of glazing
material for pottery, 274.
Lawes, Sir John Bennet, Albert
medallist, 515.
Lawrance, J. C., introduces Society's
Patents Bill, 476.
Lawranson, W., 188.
Lawrence, Charles, one of the
founders, 12.
Lawrence, Colonel S., 40.
Lawrence, T., 40.
Lawrence, Sir Thomas, prize for
drawing, 188 ; on method of
preserving oil colours, 214.
Lawrie, R., prizes for drawing, etc.,
1 88 ; prize for method of printing
mezzotints in colour, 218.
Lawson, Sir Wilfrid, 40.
Leadless glaze, 273, 274.
Leake, H., 188.
Lease of Adelphi premises, terms of,
64.
Lease renewal, expenditure on, 65,
503-
Leather, prize for dyeing, 308 ;
prizes for, 308.
Leblanc's process for making soda
carbonate, 277.
Lecky, England in the i8th Century,
3 «M 21.
Lectures, Cantor, see Cantor Lectures.
Lectures, system started by Aildn,
336, 337 ; decadence of this system,
Lee, H. P., prize for threshing
machine, 133.
Lefevre, Sir J. S., on deputation to
Board of Trade, 407 n.
Legard, Sir D., medal for observations
on drill and broad-cast husbandry,
126.
Legge, H. Bilson, 41.
Legrew, J., 188.
Le Hardy, Major, medal for mechani-
cal telegraph, 252.
Leicestershire, map of, 300.
Leighton, Messrs., prize for book-
binding, 389.
Le Jeune, H., 188.
Lennox, Lord Henry, Chairman of
Council, 447 ; presents memo-
randum on education to Mr. Glad-
stone, 466.
Lesseps, Vicomte Ferdinand de,
Albert medallist, 513.
Lester, W., medal for cultivator, 128.
Letcher, Messrs., prize for blow-pipe
apparatus, 494.
Lettsom, J. C., on introduction of
mangel-wurzel, 123.
Liart, M., 188.
Library Catalogue, 333 n.
Lichfield, Earl, 30.
Liddell, Dr., acts as examiner, 431.
Liebig, Baron Justus von, Albert
medallist, 512.
Lifeboat, invention of, 296.
Lifeboats, prize for improved ships',
.493-
Life-saving apparatus, prizes for, 297,
493 ; report on, 494.
Ligonier, Field-Marshal Earl, 30.
Lincoln, Earl of, 30.
Lincoln, local society in, 5.
Lindley, Dr., lectures on 1851 Ex-
hibition, 378.
Lindsey, local society in, 5.
Lines, S., 189.
Linwood, Mary, medal for needle-
work, 189.
List of members, 26, 27.
Lister, Lord, Albert medallist, 515.
Lists of premiums, 116, 141, 152, 236,
238, 240, 489.
Lithography, prize for invention of,
by Senef elder, 214, 305; medal to
Hullmandel for, 184, 305; prize to
Netherclift for transfer paper for,
193. 305; exhibitions of, 305 n.,
.380.
Liverpool, Earl of, candidate for
presidency, 324.
Liverpool, meeting to promote
Training School for Music, 479.
Llandaff, Bishop of (R. Watson),
medals for planting trees, 147.
Lloyd, J., prize for threshing-
machine, 132.
Loat, S., 189.
Lochee, J. C., prizes for sculpture,
189.
Locke, William, 77.
Lockhart, D., medal for culture of
nutmegs and mace in Trinidad,
100.
Locks, awards for, 255.
Lockyer, Sir N., Cantor Lectures,
453-
Logographic Press, vol. iii. of Trans-
actions printed at, 333 n.
Logwood from America, 92 ; in West
Indies, 98 ; Campeachy, 98 ; Hon-
duras, 98.
London County Council and the
Society's examinations, 436 ; and
school drill, 467 ; undertakes erec-
tion of memorial tablets, 471 ;
subscribes to School of Wood-
Carving, 482.
London, prize for map of, 302,
Long, J. St. J., 189.
542
INDEX
Long, History of Jamaica, 94, 98 n.
Looms, awards for, 263.
Louisburg, medal in celebration of
capture of, 220.
Lowther, Rev. M., medal for ob-
servations on drill and broadcast
husbandry, 126.
Lubbock, Sir John, introduces
Society's Patents Bill, 476.
Lucerne, 120.
Lucy, C., 189.
Lukin, L., inventor of a lifeboat,
296.
Lupton, T. G., medal for mezzotint
engraving on steel, 189, 216.
Lyttelton, Baron, 34.
M'Ardell, J., 41 ; contributes to first
exhibition of pictures, 229.
M' Arthur, H., medal for Australian
wool, no.
M'Arthur, John, vineyard in N.S.
Wales, in; medals for Australian
wool, no.
Macclesfield, Countess of, 51.
Macclesfield, Earl of, 30.
McCormick's reaping machine, 129.
Macdonald, J. C., member of Council,
361.
Mace, West Indian, 93 ; in Trinidad,
100.
Macgregor, J., offers prize for cheap
writing-case, 391.
Machinery, opposition to introduc-
tion of, 241.
Machines, etc., exhibition of, by
Society, 58, 66, 118, 239, 402 ; dis-
posal of collection of, 381.
Mackennal, B., designs the Society's
, medal, 320.
Mackenzie, Alexander, medal for
explorations in North- West
Canada, 109.
Mackreth, Sir R., 41.
Maclise, D., design for Swiney Cup,
395. 441-
McNaught, Dr., examiner in music,
440.
Macquarrie, Governor, memorial
about Australian wine, in.
Madden, Dr., and the Dublin Society,
2.
Madder, offer of prize for, 15 ;
amount expended in prizes for,
280.
Maidstone, Shipley died in, 5 ; local
Society in, 5.
Majendie, L., medals for planting
trees, 148.
Malam, J., medal for improved
gas-meter, 295.
Malta silk, 112.
Malton, T., 190.
Malton, W., 190.
Manby, Capt., medal for means of
communication with stranded ship,
297.
Manchester, Duke of, 29.
Manchester, meeting to promote
Training School for Music, 479.
Mangel-wurzel, introduction of, 121,
123.
Mango, West Indian, 93 ; first
introduced into Brazil and thence
to West Indies, 94, 97 ; offer of
medal for introduction to West
Indies, 96 ; introduced into St.
Vincent, 96 ; first introduction
of, in West Indies, 97 ; in Martin-
ique, 97.
Manipur, tea in, 106.
Manning, S., 190.
Manningham, Sir R., 41.
Mansfield, Earl of, medal for plant-
ing trees, 146.
Manures, 137, 138.
Map of Canada, 109.
Maps, county, prizes for, 298 ; offer
of prizes for mineralogical, 301 ;
Smith's geological, 301.
Marchant, N., prizes for gem-en-
graving, 190, 222, 223 ; asked to
design Society's medal, 317.
Markham, Dr. W., 41.
Marl, revived use of, 138 ; ancient
use of, 138 n.
Maryborough, Duke of, 29.
Marsden, Barbara, one of first prize-
winners, 17, 152 ; prizes for draw-
ings and designs, 190.
Marsh, J., medal for test for arsenic,
282 ; medal for electrical appar-
atus, 293.
Marshall, Captain, captures French
ship with plants for Hispaniola, 97.
Marsham, Hon. Charles, 77.
Martin, D., 191.
Martin, W., 191.
Martin's hydrometer, 290.
Martinique, coffee introduced into,
94 ; mango introduced into, by
French, 97.
Masham, Lord, Albert medallist,
5i4-
Mask for use in noxious vapours,
271, 272.
Mason, J., prize for essay on Thrift,
495-
Mason, W., 191.
Masquerier, J. J., 191.
Maty, Dr. M., 41 ; candidate for the
secretaryship, 24.
INDEX
543
Mauduit, I., 41.
Mauritius, silk in, 112 ; coco-nut oil
from, 112 ; tea in, 105.
Mayhew's London Labour, etc., 276 n.
Mayor, B., 191.
Mead, Captain, rewarded by Anti-
Gallican Society, 4.
Mead, Dr., 14.
Measures, standard of, 289.
Meat preservation, see Food Com-
mittee.
Mechanical movements, awards for,
255-
Mechanics' Institutions, see Institu-
tions.
Mechi, J. J., member of Council, 361.
Medals, first offer of, 156 ; first
award of, 160; selected list of
those given for Fine Arts, 162 ;
awards for dies for, 219 ; Society's
dies for first medal cut by Thomas
Pingo, 220 ; account of Society's,
314 ; awarded for papers read, 393.
Medicinal plants, prizes for, 283.
Medland, T., 191.
Meigh, J., prize for leadless glaze, 274.
Meikle's threshing-machine, 132.
Mellish, W., medals for planting
trees, 147.
Melville, General, reports on bread-
fruit in St. Vincent, 96 ; estab-
lishes botanic garden in St.
Vincent, 99.
Members, list of, 26, 27 ; numbers of,
26, 27, 344, 397, 502.
Memorial tablets first proposed,
468 ; committee appointed, 468 ;
scheme prepared by G. Hartley,
468 ; first tablet erected, 469 ;
subscriptions towards expenses,
469 ; design of tablet, 470 ; num-
ber of tablets set up, 470 ; houses
pulled down, 470 ; work taken over
by London County Council, 471 ;
references to lists, etc., of me-
morials, 472 n.
Memorial Window in St. Paul's after
Prince of Wales's illness, 487.
Menzies' threshing-machine, 132.
Mercurial gilding, prize for im-
proved methods of, 270, 271.
Messiter, Husband, friend of Shipley,
8 ; attends first meeting, 12.
Metal-working, prizes for designs
for, 153, 157.
Metz, C. M., 191.
Meyer, J., medal for design for a
die, 191.
Mezzotint, first offer of prizes for,
153 ; conditions of offer, 157 ; use
of steel for, 190 n., 216 ; tool for
laying grounds, 218 ; printing in
colours, 218.
Michelsen, Prof., method of obtain-
ing standard measure in terms of
wave-lengths of light, 290.
Microcosm of London, references to
Society, 65.
Microscope, prizes for improvements
in, 288 ; prize for cheap, 390.
Midleton, Viscount, 32 ; on com-
mittee of first picture exhibition,
228.
Milbourn, J., 191.
Milk-cans, prize for, 461.
Milk supply, see Food Committee.
Millais, Sir J. E., medals for painting,
191.
Miller, J., 192.
Mills, G., medals for die-engraving,
192 ; medal for medal designing,
222; awards for die for Vulcan
Medal, 222 ; designs Vulcan Medal,
318-
Mimes, R. S., medals for planting
trees, 148.
Mimosa, tanning material from
Australia, in.
Minden, medal in commemoration of
battle of, 221.
Mineralogical maps, offer of prizes
for, 301.
Mining, awards for, 253.
Minorca silk, 112.
Minton, Messrs., present mosaic
pavement, 66; prize for pottery,
389 ; manufacture the Felix Sum-
merly tea-service, 405 ; manufac-
ture memorial tablets, 470.
Mitchell, Dr., candidate for the
secretaryship, 24.
Mitchell, J., 41.
Mitchell, T., 192.
Models, exhibition of, 58, 66, 1 18, 239,
402 ; disposal of collection of, 381.
Moffat, W., presents Barry's por-
trait, 82.
Monpesson, Sir Thomas, purchases
Adelphi Estate, 60.
Montagu, Mrs., 51 ; portrait in
Barry's picture, 77 ; dinner to
climbing boys, 275.
Montagu's Copper Coinage, 327.
Montfort, Baron, 34.
Montgomerie, Dr. William, sends first
samples of gutta-percha, 104 ;
medals for discovery of gutta-
percha, and for cultivation of
nutmegs, 104.
Montrath, Earl of, 30.
Moody, F. W., designs memorial
window for St, Paul's, 487.
544
INDEX
Moore, prize for carpets, 268.
Moore, F. J., 192.
Moore, Sir H., 41.
Moray, Earl of, 30 ; medal for
planting trees, 146.
More, R., 41.
More, Samuel, portrait in Barry's
picture, 77, 327 ; awards for arti-
ficial cameos, 192, 224, 327; paper
on standards, 289; elected Secre-
tary, 326 ; his life and character,
327 ; his portrait by West, 327 ;
his design for a coin, 327 ; his
death, 334.
Moring T., medal for intaglio, 192,
225.
Morland, G. H.f contributes to first ex-
hibition of pictures, 229.
Morpeth, Lord, deputation to, 408.
Morris, Sir D., Lectures on Commercial
Fibres, 108 n.
Morris, Valentine, suggests intro-
duction of bread-fruit into West
Indies, 95.
Mort, T. S., experiments on preserv-
ing meat by cold, 463.
Mortimer, T. H., invited to paint
picture for Great Room, 70 ;
prizes for painting, 192.
Morton, Dr. €.,41.
Morton, J. C., Cyclopedia of Agri-
culture, 131; paper on agricultural
progress, 492.
Mosaic pavement in hall and stair-
case, 66.
Moseley, Canon, acts as examiner,
431-
Moser, G. M., 41 ; prize for design
for medal, 192 ; award for
his design of a medal for the
Society, 221 ; contributes to first
exhibition of pictures, 229.
Moser, Joseph, awards for medal
designing, 193, 221.
Moser, Mary, medals for drawing,
etc., 193-
Moses, H., 193.
Motive power, premiums for, 245.
Mounsey, Dr., medal for introduc-
tion of rhubarb, 283.
Mulberry trees, plantation of, in
St. James's Park, 265 ; at Chelsea,
265 ; encouragement of growth of,
266.
Mulready, W., reports on Barry's pic-
tures, 80 ; prize for drawing, 193 ;
exhibition of pictures by, 379.
Mulready prize, 503.
Munday, Messrs. J. & G., undertake
contract for 1851 Exhibition, 413;
contract terminated, 414.
Mure, S., medal for growing bread-
fruit in Jamaica, 96.
Murray, Lieut.-General Lord John,
41.
Murray, R., medal for using plum-
bago to obtain conducting surface
for electro-deposition, 293.
Murray's English Dictionary, 87, 92,
128, 249.
Museum Rusticumt 118, 329.
Museum, Victoria and Albert, see
South Kensington Museum.
Music, examinations in, 439.
Music, National Training School for,
first suggested, 479 ; meetings in
support of, 479 ; scholarships at,
479, 480 ; building for, 480 ;
reconstituted as Royal College
of Music, 480 ; final report, 1882,
480 ; amount expended by Society,
481, 504.
Musical Education, Society's atten-
tion directed to, 478 ; negotiations
with Royal Academy, 478 ; com-
mittee appointed, 479; reports on
musical education abroad, 479 ;
proposals for scholarships, 479.
Musical Pitch, Committee on, 387 ; re-
port by Hullah, 387 ; standard pitch
adopted, 387 ; abandoned, 388 ; A.
J. Hipkin's paper on, 387 n.
Mylne, R., 41.
Myrtleberry wax from America, 91.
Napier, Lord, presides at annual
dinner, 396.
Napoleon in., Albert medallist, 512.
National Gallery of British Art,
proposals for, 379.
" National Repository " the, 403.
Natron, 87, 102 ; natron pits of Sind,
88.
Naval construction, prizes for, 255.
Navy Office and timber supplies, 144.
Neate, C., acts as examiner, 432.
Needles, preventing injury from
dust in grinding, 272.
Neil, J. W., medal for paper on
varnish-making, 281.
Nesbitt, C., 193.
Netherclift, J., prize for lithographic
transfer process, 193, 305.
Net-making machines, awards for,
269.
New Brunswick, hemp in, 108."*
New South Wales, tea from, 105 ;
wool from, no; wine from, in.
New York, Society of, 3.
New Zealand, introduction of bees
into, 112: Phormium tenax from,
108.
INDEX
54S
Newark, Viscount, medal for plant-
ing trees, 146.
Newbery, J., 41.
Newborough, Lord, medal for plant-
ing trees, 146.
Nicholl, S. J., prize for design for
labourer's cottage, 392.
Nicholls, Dr. F., 41.
Nichols' Literary Anecdotes, 12 n. ;
Literary Illustrations, 14.
Nitrates from America, 87.
Noble, Sir Andrew, Albert medallist,
51?-
Noble, John, gives prizes for stove
competition, 489.
Nollekens, J., student at Shipley's
Academy, 17 n. ; prizes for drawing
and sculpture, 193.
Nootka Sound, 108.
Norfolk, Agricultural Society in, 6.
Norfolk, Duke of, elected President,
322 ; his character, 323 ; objects
to Barry's proposal to paint
portraits for Great Room, 323 ; his
death, 323.
North London Exhibition, surplus
from, given to Society, 458.
North, Lord, 34.
Northampton, Earl of (7th), 31.
Northampton, Earl of (8th), 31.
Northcote, Sir Stafford, Secretary to
1851 Commission, 363, 414.
Northumberland, Countess of, 51.
Northumberland, Duchess of, 77.
Northumberland, Duke of, 77 ;
seconds proposal for election of
Prince Albert as member, 325.
Northumberland, Earl of, 31.
Northumberland, map of, 300.
North-West Passage by land, prize
for, 1 08.
Norton, C., 194.
Nova Scotia, hemp in, 108.
Noxious vapours, preventing injury
from, 270, 271.
Nutmegs, West Indian, 93 ; in
Trinidad, 100.
Oaks, planting, see Trees.
Obach, Dr. E., on gutta-percha,
105.
Odling, Prof., address on formation
of Chemical Section, 456.
Offices of Society, 53.
Officials, list of, 509 (App.) ; duties of,
25-
Ogle, co-operates with Common in
invention of reaping machine, 129,
130.
Oglethorpe, Lieut. -General, 41.
Oil, prize for purifying, 282, 331.
36
Oil-cake, first use of, as cattle food,
119.
Oil-colours, prize for, 213.
Okey, S., 194.
Olives in America, 92 ; West Indian,
93 ; in N.S. Wales, in.
Open-field system of farming, 115.
Opium in America, 92 ; West Indian,
93 ; prizes for growing British, 284.
Optical glass, prizes for, 286.
Orange, introduction of, into West
Indies, 94.
Orchella, prize offered for British,
280.
Origin of Society, I.
Orwell, Baron, 34.
Osiers, offer of prizes for growing,
306.
Osier & Co., prize for glass, 389.
Oxfordshire, map of, 300.
Owen, Col., Chairman of Council, 361.
Owen Jones prize, 503.
Owen, Prof., lecture on 1851 Exhibi-
tion, 378.
Owen, Sir P. Cunliffe, member of
Council, 361, 450.
Packe, J., prize for crayons, 213.
Packing press, award for, 255.
Paget, Lord, medal for planting
trees, 146.
Pain, G. R., 194.
Paine, J., 41.
Paints and colouring matters, prizes
for, 213, 279, 281.
Pakington, Sir J., member of
Council, 361.
Palette, the Society's, 1 60, 318.
Palk, Sir R., 42.
Palmer, C. F., medals for planting
trees, 149.
Palmerston, Viscount, 32.
Paper and paper-manufacture, prizes
offered for improvements in, 303.
Paper duty, report on, 396.
Paper for copper-plate printing, prize
offered for, 214, 304.
Papers, regular reading of, suggested
by Aikin, 337 ; definite arrange-
ments made by Council for reading,
354 ; number and subjects of, 443.
Papworth, E. G., 194.
Pap worth, J. W., 194.
Papworth, W., 194.
Para rubber, 103.
Parcel post, 396, 477.
Paris Exhibition, 1849, 410; 1867,
artisan reporters at, 483; 1878,
artisan reporters at, 484.
Paris, picture exhibitions first started
in, 226.
546
INDEX
Parke, H., 194.
Parker, J., 194-
Parkins & Gotto, prize for cheap
writing-case, 391.
Parry, J.f medal for straw-plait, 306.
Parry, W., 195.
Pars, Albert, prizes for modelling,
etc., 195-
Pars, Anne, prizes for drawing, 195.
Pars, Henry, carries on Shipley's
Academy in Beaufort Buildings,
9.
Pars, William, 9 ; prizes for painting,
drawing, etc., 195.
Parsnips for cattle food, 120.
Parsons, The Hon. Sir Charles Alger-
non, Albert medallist, 517.
Parsons, Dr. J., 42.
Parsons, W., 195.
Passavent, prize for carpets, 268.
Pastes for cameos, 224.
Pasteur, Louis, Albert medallist, 514.
Patent fees, proposals for disposal of
surplus, 384.
Patent Law Reform promoted by
Society, 382 ; Act of 1852, 383 ;
Sir F. Bramwell on 474 ; Bill of
1875 opposed by Society, 475 ;
discussed at special meeting, 475 ;
Bill of 1879, 475 ; Sir F. Bram-
well's proposals, 475 ; Bill em-
bodying them, drafted, 476 ;
brought in 1882 and 1883, 476 ;
Government Bill of 1883, 476 ;
becomes law as Patents Designs
and Trade Marks Act, 1883, 476.
Patent Office Museum, 381.
Patented inventions ineligible for
awards, 243, 382 ; rule rescinded,
243 ; detrimental effect of rule,
Patents, early objection to, 243 ;
advantages of, 244.
Paterson, net-making machine, 269.
Pathology, Committee on Industrial,
395-
Patmore, Coventry, prize for draw-
ing, 195.
Patron, King Edward vn., the first,
320, 446 ; King George v. succeeds
his father, 320, 447 ; proposal
that the Prince of Wales (King
George iv.) should be elected, 322 ;
suggestion that Queen Victoria
should be invited, 446.
Patten, G., 195.
Paul & Wyatt's spining machinery,
258.
Paxton, Sir J., member of Council,
361 ; on disposal of surplus patent
fees, 384.
Payne, J., treasurer for 1851 Exhibi-
tion, 41 3 n.
Peace, prize offered for treatise on
Arts of, 312.
Pearlash from America, 86.
Pearson, Mrs. C., 195.
Peart, C., 195.
Peele's Coffee-house, Society's meet-
ings at, 16, 53.
Peers, special offer of prizes for
children of, 156.
Pellatt & Co., prize for glass, 389.
Pelling, A., prize for optical glass,
287.
Pembroke, Agricultural Society in, 6.
Pembroke, Earl of, 31 ; owns the
Adelphi Estate, 60.
Penny, E., invited to paint picture
for Great Room, 70.
Pepper, West Indian, 93.
Pepys, Sir L., 42.
" Perambulator " for measuring land,
248.
Percy, Earl, 77.
Percy, Dr. John, Albert medallist, 5 14.
Perkin, Sir William Henry, Cantor
Lectures, 453 ; Albert medallist,
514.
Perkins, Jacob, his " Siderographic "
process, 215, 303.
Perkins, Loftus, inventor of steam
carriage, 496.
Persimmon from America, 92.
" Perspectographs," 294.
Petchey & Wood, medal for Tas-
manian tanning materials, in.
Peters, M. W., 196.
Pether, W., 196.
Petit, Dr. L. P., 42.
Peto, Sir S. M., defrays cost of ex-
perimental establishment of public
lavatories, 388.
Phillippo, prize for information about
dyeing leather, 308, 330.
Phillips, J. S.f medal for cameo, 225.
Phillips, L., medal for growth of
mangel-wurzel, 124.
Phillips, Sir T., Chairman of Council,
360, 447 ; on Committee for pro-
posed 1 86 1 Exhibition, 417 ; on
Committee for 1862 Exhibition,
419.
Phipps, C. J., 42.
Phormium tenax, prizes for, 108 ;
importation of, 108.
Photographic exhibition, 380, 384.
Photographic Society, formation of,
385.
Physicians, College of, joint adjudi-
cators of Swiney Cup, 394.
Physick, E. G., 196.
INDEX
547
Physick, E. J., 196.
Pictures, exhibitions of, see Ex-
hibitions.
Pidgeon, G. F., engraves die from
Flaxman's design for Society's
medal, 318.
Pigments, Canadian, 109 ; prizes for,
213,279,281.
Pike, J., prize for chaff-cutter, 134.
Pile-drivers, awards for, 255.
Pinchbeck, C., 42.
Pinches, T. R., medals for die-
engraving, 196, 222.
Pine, R. E., prizes for painting, 196;
on committee of first picture exhi-
bition, 228 ; contributes to first
exhibition of pictures, 229.
Pinfold, C., 42.
Pingo, B., prizes for drawings, 196.
Pingo, H., prizes for designs, 196.
Pingo, John, prizes for die-engraving,
196 ; prizes for medal-designing,
220, 221.
Pingo, Lewis, prizes for die-sinking,
gem-engraving, etc., 196 ; prizes
for medal designing, 220, 221 ;
prize for gem-engraving, 223.
Pingo, Mary, prizes for drawing, etc.,
197.
Pingo, Thomas, 42 ; award for die of
Society's medal, 197 ; prizes for
dies of his designing, 219; cuts
dies for Society's first medal, 220,
316 ; contributes to first art
exhibition, 229.
Pintsch, Messrs., prize for railway
lamp, 498.
Pitcairn, Dr. W., 42.
Pitt, George, 42.
Pitt, William (Earl of Chatham), 42.
Pitts, W., 197.
Planer, medal for, 254.
Plantain in West Indies, 96.
Plassy, medal in commemoration of
battle of, 221.
Playfair, Lord, member of Council
361 ; lectures on 1851 Exhibition,
378 ; edits Jury Reports on 1862
Exhibition, 424 ; letter on technical
education, 464 ; presides at con-
ference on pollution of rivers, 488.
Ploughs, 124, 125.
Plumbago for electro-deposition, 293.
Plymouth, Earl of, 31.
Pochin, H. D., subscribes towards
cost of memorial tablets, 469.
Pocock, Admiral Sir G., 42.
Pocock, W. F., 197.
Pollington, Baron, 34.
Pomegranate in West Indies, 96.
Pomfret, Earl of, 31.
Popham, Sir H., medal for mechanical
telegraph, 252.
Portable railway, Edgeworth's, 248 n.
Porter, J. A., 197.
Porter, Sir J., 42.
Porter, Sir R. K., 197.
Porter's Silk Manufacture, 85 «.,
263 n., 264 n.
Portland, Duke of, 29.
Portsmouth, Earl of, medal for
planting trees, 146.
Post office, premium lists distributed
by, 240.
Postage, international, 396.
Postal parcels, 396, 477.
Postal reform advocated, 396, 477.
Potash from America, 86.
Potato, introduction of, 120 n. ;
" clustered," 120.
Potatoes for cattle food, 120.
Pottery, innocuous glaze for, 273.
Powell, prizes for improvements in
the microscope, 288.
Powell, Prof. Baden, acts as
examiner, 432.
Power-looms, 246, 263.
Power scour t, Viscount, 32.
Powis, Earl of, 31.
Pownall, Governor, 42.
Poynter, Ambrose, 197.
Practical Art, Department of, 377.
Practical commercial knowledge,
examination in, 438.
Pratt, Sir C., 42.
Preceptors, negotiations with College
of, 417.
Preece, Sir W., Cantor Lectures, 453.
Premium Lists, 116, 141, 152, 236,
238, 240 ; last issue of, 489.
Premium Society, title used by
Society, 18.
Premiums, annual distribution of,
!58> 319, 324 ; method of awarding,
237 ; decadence of system of award-
ing, 345-
Premiums, Fine Arts, 151, 162, 213 ;
Colonial, 83 ; agricultural, 114 ; in
forestry, 143 ; industrial, etc., 235.
Preservation of food, see Food
Committee.
Presidents of Society, Viscount
Folkestone, 17 ; Lord Romney,
321 ; Duke of Norfolk, 322 ;
Duke of Sussex, 324 ; Prince Albert,
326 ; William Tooke, 444 ; Albert
Edward, Prince of Wales (King
Edward vn.), 445 ; Sir Frederick
Bramwell, 447 ; George, Prince of
Wales (King George v.), 447 ;
Lord Alverstone, 447 ; Duke of
Connaught, 447 ; list of, 509 (A pp.).
548
INDEX
Price, Prof. Bartholomew, acts as
examiner, 432.
Priestley, first mention of india-
rubber, 103.
Printing, awards for, 305.
Printing bank-notes and stamps,
Perkins' process for, 215, 303.
Prior, Rev. J., map of Derbyshire,
300 ; prize for map of Leicester-
shire, 300.
Prize Lists, see Premium Lists.
Proceedings of Society, see Trans-
actions, Journal, Abstract of Pro-
ceedings, and Weekly Proceedings.
Proctor, T., 197.
Prussian blue for dyeing purposes,
281.
Pugh, H., 198.
Pulteney, Viscount, 42.
Pumping engine, 253.
Pusey, P., experiments on draught
of ploughs, 125 ; on use of drills,
127.
Pye, Admiral Sir T., 42.
Pye, G., 198.
Quebec, medal in celebration of
capture of, 220.
Queensberry, Duke of, 29.
Quick & Norminton, prize for four-
wheeled cab, 497.
Quilting in the loom, prizes for, 267.
Quin, M., medals for hydrometer,
291.
Quinine, West Indian, 93.
Racine de disette, 123.
Radclyffe, G. E., 198.
Radnor, Earl of, 77 ; seconds pro-
posal for election of Prince Albert
as member, 325.
Railway, Edgeworth's portable, 248 n.
Railway lamp, prize offered for,
497 ; lamps tested, 497 ; award
made, 498.
Railway vans, prize for, 461.
Raimbach, A., 198 ; his experiments
in engraving on steel, 216.
Raine, John, medal for Tasmanian
wool, no.
Raisins from America, 92.
Ramie, introduced by Roxburgh,
103 ; Sumatra, 103 ; from Bengal,
103.
Ramsay, A., 43.
Ranson, T. F., 198.
Rates, liability of Society to
parochial, 499 ; Act of 1843, 499 ;
action taken by Society, 500 ;
authorities on, 501 ; cases tried,
501.
Ravenet, F. S., 198.
Rawlinson, Sir R., member of
Council, 450.
Rawthmell's Coffee-house, first meet-
ing of Society held at, n ; posi-
tion of the house, etc., 12.
Rayleigh, Lord, Albert medallist,
5i6.
Read, N., 198.
Read, R., 198.
Reaping machines, 128.
Reclamation of land, 140.
Redgrave, R., member of Council,
361.
Redgrave, S., member of Council,
361 ; attends meeting about 1851
Exhibition, 412; his Dictionary of
Artists, 7 n., 73 «., 160, 361.
Recce's refrigerating machine, 462.
Reeves, T. & W., prize for water-
colours, 213.
Refrigeration processes, see Food
Committee.
Register of Premiums, 145 n., 239 «.,
267.
Register, Templeman's Historical,
328.
Registrars of Society, Shipley, 10 ;
Tuckwell, 341 ; W. Bailey, 341 ;
A. M. Bailey, 341 ; G. Cockings,
342 ; A. B. Cockings, 342.
Reid, Sir W., Chairman of Executive
Committee of 1851 Exhibition,
414 n.
Reinagle, P., 198.
" Repository," the National, 403.
" Repository of Inventions," the
Society's, 58, 66, 118, 239, 381, 402.
Respirators for workmen's use, 271,
272, 273.
Revel, R., 198.
Revolution indicator for ships, prize
for, 498 ; instruments tested on
H.M.S. Arrow, 498 ; prize awarded,
498.
Reynolds, John, prize for introduc-
tion of Swede turnip, 122.
Reynolds, Sir Joshua, 43 ; invited
to paint picture for Great Room,
70 ; his portrait of Lord Romney,
71, 518; contributes to first ex-
hibition of pictures, 229.
Rhubarb, prizes for British, 283.
Rhyl, meeting to promote Training
School for Music, 479.
Rhys Jenkins on paper-making, 304.
Rice in Ceylon, 107 ; machine for
decorticating, 107.
Rich, General R., 43.
Richards, S., attempts to organise
exhibition in Birmingham, 403.
INDEX
549
Richardson, Sir B., member of Coun-
cil, 450 ; Cantor Lectures, 453.
Richardson, G., 199.
Richardson, S., 43.
Richardson's saccharometer, 290.
Richmond, Duke of, 29, 77 ; estab-
lishes school in Whitehall, 8, 152.
Rigaud, S. F., 199.
Rigg, Rev. A., superintends tests of
heating and cooking apparatus, 490.
Rimbault's Soho, 233.
Ripon, Marquis of, his subscription,
20.
Rivers' pollution, conference on, 488.
Roads, mechanical traction on, 495.
Robb bequest, 503.
Roberts, J., 199.
Roberts, J., prize for device for
breathing in smoke, etc., 271.
Roberts, T., medal for use of iron in
shipbuilding, 255.
Robertson, G., 199.
Robertson, — , award for net-making
machinery, 269.
Robinson, Sir John, reports on
Barry's pictures, 81.
Robinson, Sir T., 43 ; on committee
of first picture exhibition, 228.
Robinson, W., The Vegetable Garden,
123 «.
Robison, J., 43.
Robley, John, medal for growing
indigo in Tobago, 98.
Robley, Joseph, medal for growing
bread-fruit in Tobago, 96.
Rochard, F., 199.
Rockingham, Marquis of, 29.
Rodney, Admiral Lord, 34, 97.
Roebuck, attempts to manufacture
alkali from common salt, 278.
Rogers, E., medal for planting trees,
149.
Rogers, J., prize for shilling colour-
box, 214.
Rogers, P. H., 199.
Rogers, Rev. W., member of Council,
449-
Rolle, Dennis, medals for planting
trees, 147.
Rollers, agricultural, 128.
Rolls, C., 199.
Romney, Lord, attends first meeting,
12 ; contributes to first prize fund,
15 ; first vice-president, 17 ; his
portrait by Sir J. Reynolds, 34, 71,
79, 518 ; his portrait by Barry, 77 ;
on silk from Georgia, 84 ; presents
Society with some swede turnip
seed, I23W. ; elected President, 34,
321 ; death of, 321.
Romney, George, invited to paint
Eicture for Great Room, 70 ; prizes
)r paintings, 199.
Romney, J., 199.
Ronald's electric telegraph, 252.
Rooker, M. A., prizes for drawings,
199 ; contributes to first exhibition
of pictures, 229.
Root-cutters, see Turnip-cutters.
Rose, J., medal for leadless glaze, 274.
Rosebery, Earl of, 31.
Ross, A., prize for improvements in
the microscope, 288 ; prize for
spherometer, 294.
Ross, Sir William, awards for draw-
ings, paintings, and miniatures,
200 ; approves design for Society's
Honorary Testimonial, 354; exhi-
bition of miniatures by, 380;
Chairman of Committee of Fine
Arts, 380 ; member of Council, 380.
Rossi, C., 200.
Rossi, H., 200.
Roubiliac, F. L., 43 ; contributes
to first Art Exhibition, 229.
Roxburgh, Dr. William, superin-
tendent of Calcutta Botanic Gar-
dens, 1 02 ; sends specimen of
Malay rubber, 103 ; introduces
ramie, 103 ; gold medals for his
communications, 104 ; his memoir
and portrait, 104 ; on Indian
barilla, 278.
Royal Academy, see Academy.
Royal Society, the, i, 27.
" Royal," Society granted permission
to use the term, by King Edward
viz., 18, 447.
Royle, Prof., lectures on 1851 Ex-
hibition, 378.
Rubber, introduction of, 103 ; Ma-
layan, 103 ; Para, 103.
Rules and orders of the Society, 18,
25, 243, 345, 351, 354.
Russell, J., 200.
Russell, J. Scott, on Committee
for reorganising Society, 346 n. ;
his capacity as a lecturer, 355 ;
appointed Secretary, 362 ; his life
and character, 362 ; appointed
Secretary to 1851 Commission, 363,
414; his death, 363; elected life
member, 363 ; suggests award of
medals for paper read, 393 ; on first
exhibition committee, 404 n. ; on
deputations to Board of Trade,
407 n. ; report on preliminary stages
of 1851 Exhibition, 409 n. ; sup-
plies information to Prince Albert
about proposed exhibition, 410 ;
reports to special general meeting
on preliminary arrangements for
550
INDEX
1851 Exhibition, 415 ; on com-
mittee for proposed 1861 Exhibi-
tion, 417.
Russell R., prize for optical glass, 287.
Rutland, Duchess of, 77 ; medal for
method of growing oaks, 146.
Rutlandshire, local Society in, 6.
Ryan, J., medal for mine ventilation,
253.
Ryder, Admiral A. P., member of
Council, 450 ; report on life-saving
apparatus, 494 ; suggests offer of
prize for revolution indicator, 498.
Ryder, T., 200.
Ryley, C. R., 200.
Saccharometer, 290.
Sackville, Lord George, 43, 51.
Safety lamps, Clanny, 253 ; Davy,
254; Stephenson, 254.
Safflower in America, 92 ; in West
Indies, 93.
Sago in Jamaica, 100.
Sail-cloth, cotton, 90.
Sainfoin, 120.
St. Albans, Duke of, owner of the
Adelphi Estate, 60.
St. Aubyn, Sir J., 43.
St. John of Bletsoe, Baron, 34.
St. Martin's Hall, Educational Ex-
hibition at, 370.
St. Martin's Lane Academy, 8, 152,
227.
St. Vincent, bread-fruit in, 95, 96 ;
Botanic Gardens, 96, 99 ; cloves
in, 99 ; cinnamon in, 99.
Sal-ammoniac, offer of prize for, 278.
Salmon, Robert, chaff-cutter, 135 ;
other inventions, 135 n. ; medal for
paper on pruning trees, 149.
Salon des Beaux Arts, first of ex-
hibitions of pictures, 226.
Salt, Sir Titus, subscribes to National
Training School for Music, 481.
Saltpetre in America, 87 ; offer of
prizes for British, 278.
Salvesen, T. E., paper on whale
fishery, 251 n.
Samuel, G., 200.
Samuel, John, appointed assistant
secretary, 339.
Samuel, Richard, appointed assistant
secretary, 339.
Samuel, R., prize for mezzotint tool,
200, 218.
San Domingo, introduction of sugar-
cane into, 93.
Sandby, P., 43, contributes to first
exhibition of pictures, 229.
Sandwich, Earl of, 31.
Sanitary Conferences, 488.
Sarsaparilla from America, 92 ;
West Indian, 93.
Sass, H., 200.
Saunders, Admiral Sir C., 43.
Saunders, W., chairman of Council,
361.
Savage, W., medal for printing in
colours from wood blocks, 201, 219 ;
Thoughts on Decorative Printing,
219 n.
Savile, Sir George, 43, 77 ; on com-
mittee of first picture exhibition,
228.
Saw-mills for America, 92, 247.
Saw-mills, introduction of, 247.
Say, F. R., 201.
Say, William, first mezzotint on
steel, 1 90 w., 216.
Scammony from America, 92.
" Scandiscope," the, 276.
Scarsdale, Baron, 34.
Scarsdale, Viscount, medal for plant-
ing trees, 146.
Scharf, Sir George, awards for
drawings, 201.
Scheemakers, T., 201.
Schiavonetti, L., 201.
Schools of design, 377 ; proposal to
circulate objects from Society's
exhibitions among, 407.
Science and Art Department, assist-
ance rendered by Society to, 377 ;
relation of its examinations with
those of Society, 425.
Scoresby, W., on Society's prizes for
gun-harpoon, 250 ; his Arctic
Regions, 250 n.
Scotland, Society for encouraging
arts and manufactures of, 3 ;
Highland and Agricultural Society
of, 3 ; see also Edinburgh.
Scott, H., medal for sample of
Indian alkali, 88.
Scott, J., 201.
Scott, Mr., discovers tea-plant in
Manipur, 106.
Scoular, J., 201.
Secular, W., 201.
Screw, originating, 256.
Screw-jack, medal for, 249 ; early
references to, 249 ; mentioned by
Defoe, 249.
Scriven, E., 201.
Scrivener's History of the Iron Trade,
89 n.
Sea-coal for fuel, 144.
Seal-engraving, prizes for, 222.
Seal of the Society, engraved by Kirk
from design by Cipriani, 221 ;
adopted as corporate seal, 221 ;
disused, 397 ; present, 397.
INDEX
Secretaries of Society, Shipley, 10, 17
22 ; Box, 22 ; Templeman, 24
More, 326 ; Taylor, 334 ; Aikin
335 ; Graham, 338 ; Whishaw, 348
Scott Russell, 350 ; Grove, 363
Solly, 364 ; Le Neve Foster, 364.
Sections of Society, see Indian
Colonial, African, Foreign, Chemi
cal.
Seddon, T., 202.
Senefelder, Alois, medal for invention
of lithography, 202, 214, 305.
Seppings, Sir R., medal for methoc
of docking ships, 255 ; his applica
tion of iron in shipbuilding, 255.
Setchel, Sarah, 202.
Shaftesbury, Earl of, contributes to
first prize fund, 15 ; in list o
members, 31.
Sharp, W., prizes for drawings, etc.
202 ; engraves More's portrait, 327
Sharpe, Granville, on introduction o:
mangel-wurzel, 123.
Sharpe, Dr. Gregory, 43.
Sharpey, Dr. W., acts as examiner
431-
Shaw, B., prize for industrial
hygiene, 270, 503 ; chairman of
Food Committee, 464.
Shaw, P., 43-
Sheep, marking, 140.
Shelburne, Earl of, 31.
Shelley, S., 202.
Shenton, H. C., 202.
Sherb, premium for cultivating vines
in S. Carolina, 86.
Sheridan, T., 43.
Sherlock, W., 202.
Sherwin, J. K., awards for engraving,
etc., 202.
Shilling colour-box, the, 214, 390.
Ships' models, prizes for, 255.
Shipley, Jonathan, father of William
Shipley, 9.
Shipley, Jonathan, Bishop of St.
Asaph, brother of William Ship-
ley, 9.
Shipley, William, founds local
Society at Maidstone, 5 ; proposes
formation of Society, 7 ; his k'fe,
7, 9 ; his academy, 7, 8, 9, 10, 16,
S3> 57. J95 I his portrait by Cosway,
10,518; byHincks, 10; attends first
meeting, 12 ; elected Secretary,
10, 17, 22 ; elected " perpetual
member," 17 ; registrar, 22, 23 ;
resigns post of registrar, 25 ;
portrait in Barry's picture, 77 ;
opposes inclusion of agriculture
among Society's objects, 115; object
in establishing the Society, 151 ;
his portrait shown at first exhibi-
tion of pictures, 229 ; medal for life-
saving apparatus, 298 ; his death,
ii.
Shipwreck, saving lives from, 297, 493.
Sholl, J., prize for improvements
in the draw-boy, 264.
Sholl, S., organises weaving an
elaborate flag as sample of brocade,
268 ; his Account of the Silk
Manufacture, 268.
Short, James, one of the founders, 12.
Shropshire, map of, 300.
Shuttleworth, Sir J. Kay, member of
Council, 449.
Siemens, Werner, receives sample of
gutta-percha from his brother, 104.
Siemens, Sir William, obtains sample
of gutta-percha, 104 ; medal for
regenerative condenser, 389, 448 ;
chairman of Council, 389, 448 ;
Albert medallist, 448, 513.
Sievier, R. W., 203.
Signalling, methods of, 251.
Signature Book of the Society, 26.
Silk in America, 85, 265 ; from Geor-
gia, 84, 85 ; in Malta, 112 ; in
Mauritius, 112 ; in Minorca, 112.
Silk manufacture in England, 264.
Silk, mills for throwing, 264.
Silk produced in England, prize
offered for, 265 ; samples sub-
mitted to Society, 265 ; paper by
Hon. Daines Barrington on, 266,
338 ; company started for produc-
tion of, 266 ; samples submitted by
W. Felkin and by Sir D. Cooper,
266 ; paper by F. Cobb, 266.
Silk-weaving, improvements induced
by Society, 263.
Silkworm, attempts by James I. to
acclimatise, 265.
Simmons, W. H., 203.
Simon, Sir J., on industrial pathology,
395-
Simpson, P., 203.
Simpson, W. B.f prize for paper-
hangings, 389.
Sinclair, Sir John, President of the
Board of Agriculture, 6, 141.
Sind natron, 87, 88, 102.
Singapore, gutta-percha from, 104 ;
nutmegs in, 104.
Skeat's Etymological Dictionary, 87 n.
Skelton, W., 203.
late, prize for transparent, 294.
Smalt, see Cobalt.
Smart, G. M., prize for chimney-
sweeping apparatus, 276.
Smart, John.one of first prize-winners,
17, 152, 203.
552
INDEX
Smeaton, John, medal for account of
hydraulic engine, 253.
Smee, A., medal for galvanic battery,
293.
Smirke, Sir R., prize for architectural
drawing, 203.
Smith, Anker, engraves Flaxnian's
design for Society's medal, 318.
Smith, E., Life of Sir Joseph Banks,
95 «, 99 «•
Smith, Emma, 203.
Smith, G., 203.
Smith, J. T., Life of Nollekens, 16.
Smith, Joachim, 204.
Smith, John, 204.
Smith, J. Catterson, 204.
Smith, N., 204.
Smith, T., prize for gem-engraving,
204, 222.
Smith, William, medal for draining
Prisley Bog, 301 ; grant for geo-
logical map, 301.
Smith, W. H., introduces Society's
Patents Bill, 476.
Smoke, devices for breathing in, 271,
272.
Smoke nuisance, prize for essay on
prevention of, 393.
Smollett, his opinion of the Society
(in Humphrey Clinker), i8«. (in his
History), 52.
Societies : — Royal, i, 27 ; Royal Dub-
lin, 2 ; Philosophical of Dublin, 2 ;
Highland and Agricultural of Scot-
land, 3 ; Bath and West of England
Agricultural, 3 ; American Philo-
sophical, 3 ; New York, 3 ; Im-
provers in the Knowledge of
Agriculture in Scotland, 3, 132 ;
Select Society of Edinburgh, 3 ;
Anti-Gallican, 4 ; Edinburgh, for
Promotion of Natural Knowledge,
4 ; Edinburgh Philosophical, 4 ; in
Breconshire, 5 ; in Maidstone, 5 ;
in Lindsey, 5 ; in Rutlandshire, 6 ;
in Norfolk, 6 ; in Pembroke, 6 ; in
Carmarthen, 6 ; in Cardigan, 6 ;
Edinburgh for Improvement of
British Wool, '6 ; in Barbados, 6 ;
Economical, of St. Petersburg, 6 ;
Royal Agricultural, 142, 344;
Chemical, 336, 344 ; Photographic,
385; Linnean, 344; Geological,
344; Royal Geographical, 344;
Institution of Civil Engineers, 344,
501 ; Royal Institution, 344 ; Lon-
don Institution, 344 ; Royal Insti-
tute of British Architects, 344
Chemical Industry, 457 ; Institute
of Chemistry, 457; Wood-Carvers,
457; Zoological, 501.
Societies, rating of, 499.
Soils, analysis of, 139.
Soldiers, special examinations for,
Solly, E., obtains conducting surface
for electro-deposition by use of
nitrate of silver, 294 ; appointed
Secretary, 364 ; deputy-chairman,
364 ; resigns, 364 ; undertakes to
arrange collection of animal pro-
ducts, 364, 376.
Solly, R. H., presents Barry's "Adam
and Eve," 82 ; promotes offer of
prizes for microscopes, 288.
Solomon, A., 204.
Somerset House Quadrangle offered
for National Exhibition, 408.
Somerset, map of, 300.
Sopwith, Thomas, member of Council,
450 ; on first exhibition com-
mittee, 404 n.
South Kensington estate purchased,
375-
South Kensington Museum, trans-
ference of educational collections
to, 371 ; establishment of, 375 ;
animal products collection formed
for, 376 ; contributions by Society
to, 377 ; models presented to, 381.
Southwell, Baron, 34.
Southwell, Viscount, 32.
Spalatro, Diocletian's Palace at, sug-
gests the idea of the Adelphi, 59.
Spang, M. H., 204.
Speer, Edward, on committee for
reorganising Society, 346 ; chair-
man of Council, 351.
Spencer, K., award for method of
signalling, 252.
Spencer, Viscount, 32.
Spherometer, prize for, 294.
Spicer, N., prizes for gem-engraving,
204, 223.
Spiller, J., 204.
Spilsbury, J., 205.
Spinning machinery, invention of,
258.
Spottiswoode, W., acts as examiner,
431-
Sprague, J. T., Electricity, 293 n.
Spratt, Lieut. J., award for method
of signalling, 252.
Staghold, A., medal for screw-jack,
249 ; medal for gun-harpoon, 249.
Stainer, Sir J., examiner in music,
440.
Stamford, Earl of , 31.
Stamps, Perkins' process for printing,
215, 303-
Standard of weights and measures,
offer of prize for, 289.
INDEX
553
Stanhope, Earl, 31.
Stanley, Lord, presides at annual
dinner, 396.
Stannard, Mrs. J., 205.
Stansfeld, J., presides at sanitary
conference, 488.
Stansfield, J., premium for saw-mill,
247 ; model of his mill sent to
America, 92.
Staples, R., prizes for gem-engrav-
ing, 205, 223.
Starkey & Co., medal for cloth from
Australian wool, no.
Statistical surveys of Board of Agri-
culture, 141, 302.
Staves for casks, importation of,
from America, 92.
Steam car for common roads,
Grantham's, 495.
Steam-carriage, proposal for, 247.
Steam-engine, offer of prize for im-
provements in, 247 ; application to
drive textile machinery, 246.
Steel-engraving, introduction of, 215.
Steel in Exhibition of 1873, prize
offered for, 498.
Steel, fluid for etching, 218.
Steele, Joshua, 77, 97.
Steeling copper-plates, 217.
Stephenson, Robert, member of
Council, 361 ; member of Society's
Executive Committee for 1851
Exhibition, 41371.; arbitrates on
rescission of contract with Messrs.
Munday for 1852 Exhibition, 415.
Sterne, Laurence, 43.
Stevens, E., 205.
Stirling, Earl of, 31 ; premium for
planting vines in N. America, 86.
Stock, John, 43 ; his bequest, 161 ;
medallion, 161, 319 «.
Stocking-frame, prizes for, 263.
Stothard, T., reports on sample of oil-
paints, 213.
Stoves, prizes for heating and cook-
ing. 489 ; report of committee, 491.
Strand buildings, demolition of, in
1830, 58 n.
Strand, Society occupies No. 380 or
38i, 54-
Strange, Colonel, member of Council,
450; paper on "Ships for the
Channel Passage," 493.
Strange, E. F., on invention of
lithography, 305 n.
Strange, Mary B., 205.
Strange, Sir Robert, 43 ; contri-
butes to first exhibition of pictures,
229.
Strathcona and Mount Royal, Lord,
Albert medallist, 517.
Straw-plait industry, prizes offered
for, 306.
Strode, General W., 43.
Stuart, J., 44 ; designs Society's first
medal, 316.
Stubbs, G., 44.
Stubbs, J. H. P., 205.
Sturgeon in America, 90.
Sturgeon, W., medal for electro-
magnet, 292.
Subscription, amount of, 20.
Suffolk, map of, 300.
Sugar in West Indies, 101.
Sugar-cane first cultivated in
Jamaica, 94; in San Domingo, 93.
Sumatra, cinnamon in, 84 ; tin, 102 ;
ramie, 103.
Summerly, Felix, 154, 406.
Surgical instruments, prizes for, 294.
Surveying instruments, prizes for,
248, 294.
Sussex, Duke of, elected President,
324 ; his character, 324 ; proposes
Prince Albert as a member, 325 ;
death of, 326, 348 ; adopts com-
mittee report advocating reforms,
348.
Sussex, map of, 300.
Sutherland, Earl of, 31.
Swaine, F., 205.
Swaine, J. B., 205.
Swan, Sir Joseph Wilson, Albert
medallist, 516.
Swede, introduction of, 121, 122.
Sweeping chimneys, 275.
Sweetness, offer of prize for measur-
ing, 290.
Swiney, Dr., his will given to Aikin,
393 ; his death ; 393, his bequest,
393 ; his character, 394 ; his
funeral, 394.
Swiney prize, method of adjudicat-
ing, 395; cup for, 39 5,441 .
Sykes, Col., Chairman of Council, 361.
Sylva, John Evelyn's book on
trees, etc., 144.
Symons, George James, Albert
medallist, 515.
Tablets, memorial, see Memorial
Tablets.
Tachometer, prize for, 291.
Tallmache, W., 205.
Tanning materials from Australia,
in.
Tanning, prizes for improvements in,
308.
Tansley, A. J., paper on straw-plait
industry, 307 n.
Tar, prize for substitute for, 294;
from gas-making, 295.
554
INDEX
Tasmania, wool from, no; tanning
materials from, in.
Tassie, James, medallion of Robert
Adam, 59 ; award for his paste for
artificial cameos, 206, 224.
Taximeter, prize offered for, 496.
Taylor, C., elected Secretary, 334 ;
his life and character, 335; his
death, 335.
Taylor, I., 206.
Taylor, I., map of Dorset, 299.
Taylor, John, 206.
Taylor, John (of Bath), awards for
medal designing, 206, 221.
Taylor, Dr. R., 44.
Taylor, S., 206.
Taylor, T., appointed assistant
secretary, 339 ; his life and char-
acter, 339; his writings, 340; re-
signs, 340 ; his death, 340.
Tea in South Carolina, 93 n. ; Indian,
105, 106; in West Indies, 105; in
the Cape, 105 ; in Mauritius, 105 ;
in New South Wales, 105.
Tea-service, the Summerly, 1 54, 406.
Technical education, early associa-
tion of Society with, 15 ; pro-
posals by Dr. Playfair, 464; con-
ference on, 464 ; definition of,
465.
Technological examinations, 437 ;
proposed by Capt. Donnelly, 465 ;
conference on, 465 ; establish-
ment of, 465.
Teck, Prince of, at school drill
review, 467.
Telegraphs, mechanical, 251.
Telegraphs, paper by E. Chad wick on
purchase of, 477.
Temple, Dr., acts as examiner, 431.
Temple, Earl, 31.
Templeman, Dr., appointed Secre-
tary, 24; account of him, 25; his
portrait by Cosway, 25, 518; his
death, 25, 326; his house in Little
Denmark Court, 55; his Historical
Register, 328.
Textiles, prizes for designs for, 152,
1 54 ; premiums connected with,
257.
Thackeray, Dr. W. M., medals for
planting trees, 149.
Theed, W., awards for sculpture,
206.
Theobald, James, one of first vice-
presidents, 17, 44.
Thomas, C., on gem-engraving, 222.
Thomas, Sir N., 44.
Thomond, Earl of, 31.
Thompson, Prof. S., on Sturgeon's
electro-magnet, 292.
Thorn, C., prize for hansom cab,
497-
Thornhill, Sir William, his academy
in Coven t Garden, 8.
Thornton, B., 44.
Thornton, J., 44.
Thorpe, Sir E., Humphry Davy,
139 n. \ History of Chemistry,
277 n.
Thrale, H., 44.
Threshing machines, 131.
Thrift, prize for essay on, 494.
Thurston's History of the Steam
Engine, 247.
Tide-mills, prizes for, 246.
Timber, in America, 89 ; lack of, 143 ;
statutes for preventing waste of,
143, 308 ; Evelyn's Sylva, 144 ;
for naval use, Society consulted
for advice on, 254.
Timber trade, first application of
motive power in, 247.
Tin from Banca, 102.
Titchfield, Marquis of, medal for
planting trees, 146.
Title of Society, 1 7, 447.
Tobacco, American, 101.
Tobacco, paper by Hon. Daines
Barrington on, 338.
Tobago, bread-fruit in, 96; cotton
in, 98 ; indigo in, 98.
Tomkins, C., 206.
Tomkins, P. W., 206.
Tomkins, W., 207.
Tonson, J., 44.
Tooke, William, promotes suppres-
sion of climbing - boys, 276; on
committee for re - organising
Society, 346 ; submits draft of
charter, 352 ; vice-president, 362 ;
elected President, 444; his death,
444-
Tools, awards for mechanical, 255.
Toussaint, A., 207.
Towne, F., 207.
Towne, J., medals for anatomical
models, 207.
Townley, Rev. J., 44.
Townshend, C., 44.
Townshend, Viscount, 33.
Trade Museum, proposal for, 364, 376 ;
its formation undertaken, 376.
Trafalgar Square proposed as site
for National Exhibition, 408.
Transactions, account of, 328 ;
interval between their publication
and the Journal, 373.
Transit instrument, offer of prize
for, 288.
Tree-stumps, method of extirpating,
112.
INDEX
555
Trees, planting, prizes for, 145.
Trench, Dean, lectures at Educa-
tional Exhibition, 371.
Trench, Rev. T., provides prize for
cheap writing-case, 391.
Trevelyan, Sir Charles, member of
Council, 450.
Trevelyan, Sir W., prize for utilisa-
tion of sea- weed, 460; for food
preservation, 460 ; prizes awarded,
463-
Trinidad, Botanic Garden in, 100;
mace, 100; nutmegs in, 100;
cloves, i or.
Tuckwell, E. C., appointed registrar,
34i.
Tull, Jethro, 115; incorrectly
credited with introduction of
turnip, 120; his Horse -hoeing
Husbandry, 126; on the horse-
hoe, 127.
Tulley's achromatic objective, 288.
Turner, W., 207.
Turnerelli, E. T., 207.
Turning-lathes, awards for, 256.
Turnip cabbage, see Kohl-rabi.
Turnip-cutters, 1 36 ; Edgeworth's,
137, 248.
Turnip-rooted cabbage, see Swede.
Turnip, swede, see Swede.
Turnips, 119, 120, 121.
Turnour, Viscount, medal for planting
trees, 146.
Turrell, E., medal for etching fluid
for steel, 218.
Twining, Elizabeth, 207.
Twining, T., member of Council, 362 ;
pays off loan owing by Society,
397; chairman of committee on
model dwellings, 492.
Tyers, J., 44.
Tylney, Earl, 31.
Tytler, G., 208.
Ultramarine, prize offered for arti-
ficial, 279 ; its manufacture
abroad, 279.
Underwood, T., 208.
Uninflammable fabrics, prizes for,
309-
Union of Institutions, see Institu-
tions.
Unwin, G., medal for reviving tin
trade with the East, 102.
Unwin, S., prize for stocking-frame,
263.
Upper Ossory, Earl of, medal for
planting trees, 146.
Uzielli, T., on Committee for 1862
Exhibition, 419.
Vacher, C., 208.
Van Diemen's Land, see Tasmania.
Van Rymsdyk, A., 208.
Vanilla, West Indian, 93.
Vansittart, R., 44.
Varley, C., prize for improvements
in the microscope, 288 ; paper on
the microscope, 288 n.
Varnish, medal for account of manu-
facture of, 281 ; offer of prizes
for, 281.
Vaughan, Dr. C. J., acts as ex-
aminer, 431.
Vehicles, awards for construction of,
255, 495, 496, 497-
Vendramini, Caroline, 208.
Vendramini, G., 208.
Vendramini, Miss R., 208.
Ventilation of mines, Ryan's system
of. 253.
Verdigris, prizes for British, 278.
Verney, Earl, 32.
Vetches, 120.
Vice-Presidents, number and duties
of, 326.
Vickers, A. G., 208.
Victoria, Queen, her portrait in
Great Room, 80, 400, 518; address
on her marriage, 326 ; continues
Prince Consort's prize for examin-
ations, 433 ; suggestion that she
should be asked to become Patron,
446 ; provides scholarhip at Na-
tional Training School for Music,
480; Albert Medal presented to, 514.
Victoria and Albert Museum, see
South Kensington Museum.
Virginian vineyards, 8$.
Vivares, Mary, 208.
Vivares, T., 208.
Vulcan Medal, 192, 222, 318.
Vulliamy, B., prize for drawing, 208.
Vulliamy, L., medal for Architectural
Design, 209.
Wade, E., pamphlet on planting
trees, 145.
Waldegrave, Earl, 32.
Wales, map of North, 300.
Wales, Prince Albert Edward of,
see Edward vn.
Wales, Prince George of, see George
v.
Wales, Prince of (King George iv.),
his portrait, 77 ; proposal that he
should be elected Patron, 322.
Walker, Dr. E., examiner in music,
440.
Wallich, Dr. N., superintendent of
Calcutta Botanic Gardens, secre-
tary to committee on Indian tea,
5S6
INDEX
1 06; medal for presenting collec-
tion of Indian woods, 107.
Walpole, Horace, 44.
Walter, John, prints vol. iii. of
Transactions, 333 n.
Waltham, Baron, 34.
Ward, Baron, 34.
Ward, E. M., prize for drawing, 209.
Ward, F. S., 209.
Ward, G., prize for Canadian hemp,
108.
Ward, J., 45 ; his statue, 519.
Ward, J. R., 209.
Ward, Lord, on committee of first
picture exhibition, 228.
Ward, W., 209.
Ward, W. J., 209.
Waring, J. B., 209.
Warner, W., medal for intaglio, 210,
225.
Warren, C., medal for engraving on
steel, 210, 216 ; his etching fluid,
218.
Warren, Dr. R., 45.
Warwick, Earl of, 32.
Watches, awards for, 255.
Water-colours, prize for, 213.
Water-supply, conferences on, 488.
Watson, Dr. Forbes, on ramie fibre,
103.
Watson,. J. B., 210.
Watson, Sir W., 45.
Wax portraits, award for, 224.
Wax, vegetable, from America, 91.
Webb. P. C., 45 ; medal for planting
trees, 147; on committee of first
picture exhibition, 228.
Webber, H., 2 10.
Webster, Thomas, chairman of com-
mittee on accounts, 346 ; his
efforts to reform constitution of
Society, 346; proposes Whishaw
as secretary, 348 ; dispute with
H. Cole, 359 ; not re-elected on
Council, 359 ; in chair of committee
when exhibition is first proposed,
404 ; on first exhibition committee,
404 w.
Wedderburn, A., 45.
Wedgwood, T., reports on pottery
glaze, 274 ; reproduces Lochee's
medallions, 189.
Weekly Proceedings, 333, 373.
Weight, standard of, 289.
Weight and value of Society's medals,
318.
Welch, S., 45.
Weldon, G., medal for machine for
planing cast-iron, 254.
Wellington College, share of Cantor
^bequest, 451.
Wentworth, Baron, 34.
Wentworth, Viscount, 33.
Werden, Sir John, his trustees pur-
chase Adelphi Estate, 60.
West, Benjamin, 45 ; invited to
paint picture for Great Room, 70 ;
reports on Barry's pictures, 80 ;
lithographic reproduction of draw-
ing by him, 305 ; portrait of S.
More, 327.
West Indies, prizes offered in, 93, 105 ;
introduction of economic plants by
Bligh, 96. See also Cuba, Guada-
loupe, Jamaica, Martinique, St.
Vincent, San Domingo, Tobago,
Trinidad.
Westall, W., 210.
Westgarth, W., medal for hydraulic
engine, 253.
Westmacott, R., Cantor Lectures,
453-
Westmorland, Earl of, 32.
Weymouth, Viscount, 33.
Whale-fishery, prizes for use of gun-
harpoon in, 250 ; Scoresby on, 250 ;
recent account of, 251 n.
Wheatley, F., prizes for drawing, etc.,
210.
Wheatley, H. B., on the Society's
origin, 27 ; his history of the
Adelphi, 59 ; Life of Sir Humphry
Davy, 139 n. ; on Society's first
exhibition of pictures, 228 n.
Wheatstone, Sir Charles, Albert
medallist, 512.
Whewell, Dr., lectures at Educa-
tional Exhibition, 371 ; lectures on
1851 Exhibition, 378.
Whishaw, Francis, describes speci-
mens of gutta-percha, 104 ; elected
Secretary, 348 ; his book on Rail-
ways, 348 ; resigns, 349 ; elected
corresponding secretary, 350 ;
appointed auditor, 350 ; suggests
holding of exhibitions, 350; elected
life-member, 350; his death, 350;
proposes annual industrial exhibi-
tions, 403 ; secretary to first
exhibition committee, 404 n.
Whitbread, S., 45.
White, Thomas, medals for planting
trees, 147.
White lead, substitute for, 281.
Whitefoord, Caleb, 45 ; proposes
Prince of Wales (George iv.), as
patron, 322 ; his life and character,
322 n. ; obtains Shipley's portrait,
and presents Templeman's, 518.
Whitehall, Duke of Richmond's
school in, 8, 152.
Whitty, prize for carpets, 268.
INDEX
557
Whitworth, B., subscribes towards
cost of memorial tablets, 469.
Whitworth, Sir Charles, one of first
vice-presidents, 17, 45.
Whitworth, Sir Joseph, prize for essay
on Thrift, 494; Albert medallist,
512.
Whyman, J., prize for stocking-
frame, 263.
Whyman, J., map of Leicester, 300.
Wickstead, P., 210.
Wilde, Henry, Albert medallist,
516.
Wiles, J., superintendent of East's
Botanic Garden in Jamaica, 99.
Wilkes, Israel, 45 ; on committee of
first picture exhibition, 228.
Wilkes, John, 45.
Wilkins, R., 210.
Williams, C. W., prize for essay on
prevention of smoke, 392.
Williams, P., 210.
Williams, W., 210.
Williams and Woodin, Society's
landlords, 54.
Williamson, Prof. A., lectures at
Educational Exhibition, 371 ; acts
as examiner, 432 ; Cantor Lectures,
453-
Willis, Prof., lectures on 1851 Exhibi-
tion, 378.
Willoughby de Broke, Baron, 34.
Willoughby de Parham, Baron, 34.
Wills, T., first secretary of Chemical
Section, 456.
Wilmot, Sir E., 45.
Wilmot, Sir John Eardley, 45.
Wilmot, General Eardley, chairman
of Council, 448 ; paper on school
drill, 467.
Wilson, A., 210.
Wilson, R., contributes to first
exhibition of pictures, 229.
Wilton, Joseph, 45 ; contributes to
first exhibition of pictures, etc.,
229.
Wind-mills, prizes for, 247.
Wine from America, 85 ; Australian,
in ; Cape, 112.
Winkles, H., 211.
Winkworth, T., member of Council,
362 ; on first exhibition committee,
404 n. ; in chair of meeting about
1851 Exhibition, 412 n. ; treasurer
for 1851 Exhibition, 413 n. ; on
committee for proposed 1861 Ex-
hibition, 417.
Winsor utilises by-products from
gas-making, 295.
Winter food for cattle, 118, 120.
Winterton, Baron, 34.
Winterton, Earl, medals for sowing
acorns, etc., 146.
Wiseman, Cardinal, lectures at Educa-
tional Exhibition, 371.
Wollaston, Dr., on the compound
microscope, 288.
Wood, Sir W. P., member of Council,
361 ; proposes scheme for sending
artisan reporters to Paris Exhibi-
tion, 1867, 483.
Wood-carvers, exhibition by Society
of, 457.
Wood-carving, School of, founded,
482 ; moved to South Kensington,
482 ; supported by city companies
and London County Council, 482.
Woodcroft, B., Appendix to Reaping
Machines, 131 n. ; models pre-
sented to, 381 ; on first exhibition
committee, 404 n.
Wood-engraving, first offer of prizes
for, 153 ; conditions of award,
157.
Woodfall, H. S., 46.
Woodfall, T., appointed assistant
secretary, 340 ; his office abol-
ished, 349.
Woodhouse, Miss S., medal for grass
for straw-plait, 307.
Woodin, Society's landlord, 54.
Woods, E., on Grantham's steam car,
495-
Woods, Joseph, on committee for
reorganising Society, 346 ; assists
Whishaw's exhibition scheme, 403 ;
on first exhibition committee,
404 n.
Woods, collection of, presented to
Society by Wallich and Baker,
107.
Wool, Society for Improvement of, 6 ;
Tasmanian, no ; from New South
Wales, no.
Woollams & Co., prize for paper-
hangings, 389.
Woollett, W., 211 ; contributes to
first exhibition of pictures, 229.
Woolner, Thomas, 211.
Wouldhave, W., inventor of a life-
boat, 296.
Wright, P., medal for Canadian
hemp, 108.
Wright, R., prizes for paintings, 211 ;
invited to paint picture for Great
Room, 70.
Wright, R. P., Cyclopedia of Agri-
culture, 137^.
Writing-case, prize for cheap, 391.
Wyatt, Sir Matthew Digby, lectures
on 1851 Exhibition, 378; reports
on French Exhibition, 402 «., 410 ;
558
INDEX
Secretary of Society's Executive
Committee for 1851 Exhibition,
413 w.
Wyatt, H., 211.
Wyattand Paul's spinning machinery,
258.
Wyon, Allan, engraves die for
Society's medal, 320.
Wyon, Anne, medal for wax flowers,
211.
Wyon, Benjamin, medals for die-en-
graving, 211.
Wyon, James, medal for miniature,
211.
Wyon, Leonard, engraves Society's
medal with head of Albert Edward,
Prince of Wales, 320.
Wyon, Thomas, medals for die-en-
graving, 21 r; designs Isis Medal,
318.
Wyon, William, medals for die-
engraving, 211 ; designs Ceres
Medal, 318 ; designs Society's
medals, 319.
Yonge, Sir G.f 46.
Yorkshire, map of, 298.
Young, Arthur, refers to Rutland-
shire Society, 6 ; elected member
of Economical Society of St.
Petersburg, 6 ; portrait by Barry,
77; on introduction of turnips, 120;
medals awarded, 120, 140; com-
ments on the work of the Society,
117; chairman of committee on
agriculture, 117, 332 ; Farmer's Let-
ters, 117, 136 n., 144, 332; Annals
of Agriculture, 117 «., 132 n., 332 ;
use of oil-cake as cattle food, 119 ;
on threshing machines, 132 ; on
turnip-cutters, 136 ; on marl, 138 ;
Secretary to Board of Agriculture,
141 ; on timber supplies, 144 ;
account of Society's examinations
in Latin, 312 n. ; on Society's
transactions, 329 ; contributions
to Museum Rusticum, 329 n. ; sug-
gested publication of Transactions,
332 ; autobiography, 332.
Young, Dr. George, on mango, 96 ;
on cinnamon, 97 ; superintendent
of St. Vincent Botanic Gardens,
99 ; medal for report, 99.
Young, J., prize for growing opium,
284.
Zaffre, see Cobalt.
Zincke, C. F., 46.
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