4s
HISTORY
— OF —
Sculpture, Painting,
— AND —
ARCHITECTURE.
TOPICAL LESSONS,
— WITH —
SPECIFIC REFERENCES
VALUABLE BOOKS.
BY CHAS. S. FAKKAR, A. M.,
PRESIDENT OF MILWAUKEE COLLEGE
CHICAGO:
TOWNSEND MAC-COUN.
issi.
ENTERED A«'<>UI>IV; TO ACT OF CONGRESS, IN THE YEAR 1881, BY CHAS. S. KAKKAJ
IN THE OFFICE OF LIBRARIAN OF CONGRESS, AT WASHINGTON.
Preface to Second Edition.
The first edition of these lessons having become exhausted, it was
deemed wise to make the work more complete, in a second edition,
by adding a third .part, devoted to the History of Architecture. The
whole has been carefully revised, and it is hoped, with considerable
improvement.
Influenced by a large number of letters of enquiry, received during
the last year, I will offer the following
PRACTIC A L SU( i< rESTK )NS.
Private possession of, at least, a few books, on the subject in hand,
is of great advantage to the student.
1. Some good elementary work, as D'Anvers,' or DeForest's Ele-
mentary History of Art, or Radcliffe's Schools of Painting, and, .for
ready reference at all times, Clement's Handbook of Sculptors, Paint-
ers, etc.; hence references to these are omitted in this edition.
2. If only one higher work can be afforded, let it be Luebke's
Outlines of the History of Art.
3. If two higher works can be afforded, let these be Luebke's
History of Sculpture, and the Kugler Handbooks of Painting — last
edition; and if to these could be added the new History of Painting
by Messrs. Woltmann and Woermann, the equipment would be excel-
lent, indeed.
Good photographs of the masterpieces of art, when examined in
connection with reading, are almost as valuable as actual visits among
the originals. A full portfolio is indispensable to every class or club
of non-professional readers. C. S. F.
MILWAUKEE, Sept. 1881.
PREFACE.
The following scheme for a -branch of historical study has grown
out of the actual experience of guiding large classes of students in
the history of art; and, printed on separate lesson-slips it has already :
found considerable appreciation as a convenient instrument for the
use of a non-circulating library.
It is believed that the best text-book for the study of any history ;
is but a syllabus; the study of history, as well as of science, in :
order to result in solid edification, must involve the characteristics of
real investigation, compelling the use of the judgment at every step.
Especially is this true, at present, in the History of Art, where good
sources of information and criticism are so various and even contra-
dictory.
The catalogue of works referred to, purposely embraces elemen-
tary, as well as the more exhaustive in history and criticism.
C. S. F.
MILWAUKEE, 1880.
CONTENTS.
PART I.— HISTORY. OF SCULPTURE.
Page.
I. Introductory 1
II. The Daedalian Sculptures—The Bold Style P,
III. The Transition from Daedalus to Phidias— The Athletic Style 4
IV. The Phidiaii Period— The Grand Style 6
V. Great Sculptors Contemporary with Phidias 8
VI. The Period of Scopas — The Impassioned Style 10
VII. The Period of Praxiteles— The Graceful Style 11
VIII. Sculpture in the Peloponnesus — The Periods of Scopas and Praxi-
teles 1.°,
IX. The Schools of Rhodes and Pergamus— The Pathetic and Tragic
Style 15
Etruscan and Greek Sculpture among the Romans 18
Roman Sculpture from Augustus to the Decline of the Empire 21
The Pisan School of the Fourteenth Century 23
The Florentine School of the Fifteenth Century 25
The ( rreat Masters of Florentine Sculpture 28
Modern Students of the Antique 30
PART II.— HISTORY OF PAINTING.
I. Painting in Egypt and Asia 33
II. Ancient Painting in Europe , 35
III. Early Christian Painting— Transition from Symbolism to Fine Art.. 37
IV. Italian Painting from 1200 to 1340 A. D.— Cimabue and Giotto 39
V. The Decline of Mysticism and the Rise of Realism— Masaccio 42
VI. The Second Generation of Classic Realiste 45
VII. Leonardo Da Vinci— The Universal Genius 51
VIII. Michael Angelo as a Painter 53
vi. CONTENDS.
IX. Raphael Sanzio, the Common Culmination of Spiritual Eleva-
tion and Natural Beauty oo
X. Correggio, the Greatest Master of Chiaroscuro •">•'
XI. The Great Venetian Colorists and Modern Realists '>2
XII. The Last Revival of Painting in Italy — The Eclectic and Naturalis-
tic Schools (if>
XIII. Painting in Elanders— The Early Period 70
XIV. Painting in Flanders— The Later Period 72
XV. Painting in the Netherlands — Representation of Actual Life 76
XVI. Early Painting in Germany ... 80
XVII. Later Painting in ( iermany 84
XVIII The Great Painters in Spain So
X J X. The Leading Masters of the French School— The Early Period 88
X X. The Leading Masters of the French School— The Later Period 92
XXI. The Principal Masters in England J)fi
XXII. Chronological Perspective of Early Painters— Five Centuries 10o
X X 1 1 1 Chronological Perspective of Later Painters— Three Centuries 100
PART III.— HISTORY OF ARCHITECTURE.
I. Technical Terms 107
11. Egyptian Architecture Ill)
III. Indian Architecture 1 1,",
IV. Architecture of Ancient Greece 115
V, Architecture of Ancient Rome Hi)
VI. Early Christian, Ry/antine and Romanesque Styles of Architect tin- 122
VII. Saracenic Architecture 12(1
VIII. Gothic or Pointed Architecture 12S
IX. Renaissance and Modern Styles of Architecture 131
Appendix— Catalogue of Books of Reference KVT
THE
UHn RSITY)
PART FIRST.
History of Sculpture.
L— INT RODUCTOilY.
1. Definitions of terms and illustrations of the varie-
ties of sculpture; the technical varieties of reliefs and
intaglios.
LUKBKK, Hist. Sculp., Vol. 1, pp. 1-2. FAIRHOLT, Dictionary of Terms in Art.
FLAXMAX, Lect. on Sculp., pp. 152-4.
2. Different materials employed in sculpture, and
their respective merits.
LUEBKE, Hist. Sculp., Vol. 1, pp. 68-9. WINCKELMANN. Hist. Anc. Art, Vol. 1,
FLAXMAN, Lect. on Sculpture, p. 155. pp. 143-52, 154-5; Vol. 2, pp. 6511-6,
KNIGHT, Pict. Gal. Arts, Vol. 2, Text 666-7.
pp. 275, 278-9, 286-7, 290.
HISTORY OF SCULPTURE.
3. The various mechanical methods of sculpture, and
the successive stages of these in the development of a
statue.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text ENC. BRITANNICA, Art, "Sculpture."
pp. 283-7. ENG. CYC., Arts and Sci., Vol. 7, p. 367.
WlNCKELMANN, AllC. Art, Vol. 1, pp.
143-52, 154-5, 283-7; Vol. 2, pp. 51-3,
57-60, 65-8, 71-7.
4. General relation of sculpture to architecture;
position (out of doors or within, elevated or on the line)
as one of the elements of design in sculpture.
LUEBKE, Hist. Sculpture, Vol. 1, pp. ZEKFFI, Hist. Dev. Art, pp. 20-1, 186-7.
1-5, 64, 67-8.
5. Statement of the favorite subjects of sculpture in
different nations and ages.
LUEBKE, Hist. Sculp., Vol. 1, pp. 3-5. ENG. CYC., Arts and Sci., Vol. 7, pp.
WINCKELMANN, Anc. Art, Vol. 1, pp. 37Q-1.
312-3.
6. Historic questions as to drapery and color in
sculpture.
LUEBKE, Hist. Sculp., Vol. 1, pp. 5-6, FLAXMAN, Lect. on Sculp., pp. 188-92,
68-9. 196-214.
WINCKELMANN, Anc. Art, Vol. 1, pp. KNIGHT, Pict. Gal. Arts, Vol. 2, Text
148-9, 181-5, 188-9; Vol. 2, note 18, pp. 294-5, 298-9, 302.
p. 428.
HISTORY OF SCULPTURE.
II.— THE DAEDALIAN SCULPTORS.
THE BOLD STYLE.
[BEFORE 600 B. c.]
1. General account of the primitive sculptures of
Asia, Africa and America; materials, subjects, aims, and
relation to nature.
LUEBKE, Hist. Sculp., Vol. 1, pp. 9-57;
Hist. Art, Vol. 1, pp. 36-46, 61-6, 74-7,
106-9; Mon. Art, Vol. 1, Pis. 3, 6, 6A,
8, 11, Text pp. 8-10, 18-26, 30-3, 38-40.
FLAXMAN, Lect. on Sculp., pp. 54-78,
216-7.
KNIGHT, Pict. Gal. Arts, Vol. 2, II.
pp. 164-5, 168-9, 172, Text pp. 162-78.
KOEHLER, Hist. Art, Pis. 2-5.
WINCKELMANN, Anc. Art, Vol. 1, pp.
167-72, 173-90, 195-207, 210-9.
D'AGINCOURT, Hist. Art, Vol. 2, Text
pp. 3-4.
ZERFFI, Hist, of Dev. of Art, pp. 45-131.
WILKINSON, Anc.Egypt.,Vol.2,pp.263-91.
VIARDOT, Wonders of Sculp., pp. 5-41,
42-61.
2. Conditions favorable to originality in art among
the early Greeks.
LUEBKE, Hist. Sculp., Vol. 1, pp. 61-6;
Hist. Art, Vol. 1, pp. 121-4, 167-75.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text p.
179.
WINCKELMANN, Anc. Art, Vol. 1, pp.
ZERFFI, Hist. Dev. of Art, pp. 153-66,
209-11.
TAINE, Art in Greece, pp. 10-63, Phil.
Art, pp. 119-37.
EUSKIN, Mod. Painters, Vol. 3, pp.
175-83 Vol. 5, pp. 222-6.
FELTON, Anc. Greece, Vol. 2, pp. 5-12.
WORDSWORTH, Greece, pp. 62-4.
ST. JOHN, Greece, pp. 29-44, 289-313
GROTE, Hist. Greece, Vol. 1, pp. 458-61.
JARVES, Art Idea, pp. 29-34.
VIARDOT, Wonders of Sculp., pp. 71-2,
95-8, 101-4.
HISTOKY OF SCULPTURE.
3. The historic question as to Daedalus
gorical myth or a historical character ?
KNIGHT, Pict. Gal. Arts, Vol. 2, Text DWIGHT, Mythology, pp. 344-5, 413-5.
pp. 179, 182.
KEIGHTLY, Clas. Mythology, pp. 353-4,
FLAXMAN, Lect. on Sculpture, pp. 81-3. ANTHON, Clas. Diet., pp. 308-9.
VIAEDOT, Wonders of Sculpture, p. 74-
SEEMAN, Mythology, (Bianchi Ed.) p.
229.
ENG. CYC. and ENC. BRIT., "Daedala",.
"Daedalus."
4. Characteristics of the Daedalian statues, distin-
guishing them from Oriental and Egyptian sculptures.
LUEBKE, Hist. Sculp., Vol. 1, pp. 74-5; WINCKELMANN, Ano. Art, Vol. 1, p. 138;
Hist. Art, Vol. 1, p. 176; Mon. Art, Vol. 2, p. 176.
Vol. 1, PL 16, Text pp. 59-60. ZERPFI, Hist, of Dev. of Art, pp. 190-3.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text p. WORDSWORTH, Greece, pp. 340-2.
182. VIARDOT, Wonders of Sculp., pp. 72-4.
FLAXMAN, Lect. Sculpture, pp. 81-4, 217. KOEHLER, Hist. Art, Pis. 22-3.
III.— THE TRANSITION FROM DAEDALUS
TO PHIDIAS.
THE ATHLETIC STYLE.
[600-470 B. c.]
1. Ageladas, the first master of the dramatic group
in marble and bronze. Myron, the sculptor of nature ;
his conceits in art.
HISTORY OF SCULPTURE. 5
LUEBKE, Hist. Sculp., Vol. 1, pp. 29, FLAXMAN, Lect. Sculpture, PI. 24, p. 231.
116-20; Hist. Art, Vol. 1, pp. 184-5, ZERFFI, Hist, of Dev. of Art, pp. 193-4-
190-1. JAMESON, Sketches of Art. p. 192.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p. VIARDOT, Wonders of Sculp., pp. 79-80.
241, Text. p. 254. GUHL, Greeks and Romans, pp. 222-3,
WINCKELMANN, Aiic. Art, Vol. 1, p. 338 ; KOEHLER, Hist. Art, Pis. 24-5.
Vol. 2, pp. 178, 186-7, 207-9.
2. The ^Eginetan marbles; ancient importance of
^Egina ; theory as to the origin of the respective pediments
of the temple.
LUEBKE, Hist. Sculp., Vol. 1, pp. 100-1, JAMESON, Sketches of Art, pp. 189-91.
102-6; Hist. Art, pp. 186-8; Mon. Art, VIARDOT, Wonders of Sculp., pp. 80-90.
Vol. 1, PI. 16, Text pp. 61-2. EATON, Rome, 19th Cent., Vol. 2, pp.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. 313-7.
pp. 24-5, Text. pp. 30, 187, 190-1. KOEHLER, Hist. Art, PI. 23.
WINCKELMANN, Aiic. Art, Vol. 2, p. 180.
3. Statement of the peculiar features of the new style
— the athletic.
LUEBKE, Hist. Sculp., Vol. 1, p. 103-6,
117.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text
pp. 183, 191.
FLAXMAN, Lect. on Sculp., pp. 82-6.
WINCKELMANN, Anc. Art, Vol. 2, pp.
123-4, note p. 407.
VIARDOT, Wonders of Sculp., pp. 101-2.
4. The occasion of the athletic style ; the history of
the palaestra and the gymnasium.
FLAXMAN, Lect. oh Sculp., pp. 162, 177-9, WORDSWORTH, Greece, pp. 313-6.
219. GUHL, Greeks and Romans, pp. 105-10,
TAINE, Art in Greece, pp. 107-19, 143-62 ; 213-25.
Phil. Art, pp. 124-37; Rome and Na- WINCKELMANN, Aiic. Art, Vol. 1, p. 312.
pies, pp. 55-7, 111-4, 119-26. CURTIUS, Hist. Greece, Vol. 2, pp. 78-80.
THE PHIDIAN PERIOD.
THE GEAND STYLE.
[470-400 B. c.]
1. Outline of the history of Greek thought culminat-
ing in this period ; the Homeric poems ; the Persian war mr
the Athenian constitution.
LUEBKE, Hist. Sculp., Vol. 1. pp. 123-4. Cox, Greece, pp. 97-210; Greeks and
WINCKELMANN, Anc. Art. Vol. 2, p. 190. Persians.
ZERFFI, Hist. Dev. of Art, pp. 193-4. JEBB, Greek Literature, pp. 19-48,
TAINE, Art in Greece, pp. 168-78. FROUDE, Short Studies, 1st Series, pp.
FELTON, Anc. Greece, Vol. 1. pp. 89-126; 406-39.
Vol. 2, pp. 71-110. GLADSTONE, Homer.
GROTE, Hist. Greece, Vol. 2, pp. 118-
209; Vol3, pp. 88-162.
2. The character and the administration of Pericles*
WINCKELMANN, Anc. Art, Vol. 2, pp. Cox, Greece, pp. 255-85; Athenian Em-
191-3. pire, pp. 37-62.
CURTIUS, Hist. Greece, Vol. 2, pp. 412- PLUTARCH, Lives, "Pericles."
609; Vol. 3, pp. 1-85. FELTON, Anc. Greece, Vol. 2, pp. 133-45.
3. The leading doctrines of the dramas of ^Eschylus ;
the various real functions of the theatre at Athens.
CURTIUS, Hist. Greece, Vol. 2, pp. 577-84. SCHLEGEL, Dram. Lit. pp. 92-118.
FELTON, Greece, Vol. 1, pp. 196-213. ST. JOHN, Greece, Vol. 2, pp. 220-68.
JEBB, Greek Lit. pp. 69-83. GUHL, Greeks and Romans, pp. 121-33*
HISTOKY OF SCULPTURE.
4. Phidias and his rank in the state ; enumeration
of the statues and reliefs ascribed to him.
LTJEBKE, Hist. Sculp., Vol. 1, pp. 124-35;
Hist. Art, Vol. 1, pp. 191-9; Mon. Art,
Vol. 1, PL 17, Text pp. 63-4.
FLAXMAN, Lect. on Sculp., Pis. 19-20,
pp. 86-93, 108-11, 116-7, 223-5.
KNIGHT, Pict. Gal. of Arts, Vol. 2, Text
pp. 206-7.
WINCKELMAN, Anc. Art, Vol. 2, pp.
193-5, 198, notes on pp. 406, 430.
ZERFFI, Hist. Dev. Art, pp. 194-6.
CURTIUS, Hist. Greece, Vol. 2, pp.
606-19.
D.
The Parthenon as a type of the Greek temple,
especially as showing the relation of architecture to sculp-
ture in Greece ; detailed description and analysis of its
sculptures — pediments, metopes, friezes, statue of the god-
dess and incidental sculptures.
LUEBKE, Hist. Sculp., Vol. 1, pp. 147-58;
Hist, of Art, Vol. 1, pp. 203-11; Mon.
Art, Vol. 1, PI. 14, 'Text pp. 51-2.
KNIGHT, Pict. Gal. Arts, Vol. 2. II. pp.
180-217, Text pp. 207-26.
FERGUSSON, Hist, of Arch., Vol. 1, pp.
241-68.
STUART, Antiq. Athens, pp. 49-61.
VIARDOT, Wonders of Sculp., pp. 157-80.
HAZLITT, Essays on Fine Arts, pp. 278-
308.
GUHL, Greeks and Komans, pp. 25-9.
FELTON, Anc. Greece, Vol. 1, pp. 453-4.
GROTE, Hist. Greece, Vol. 6, pp. 21-4.
ZERFFI, Hist, of Dev. Art, pp. 196-9.
WORDSWORTH, Greece, pp. 135-43.
CURTIUS, Hist. Greece, Vol. 2, pp. 620-32.
KOEHLER, Hist. Art, PL 26.
6. The temple of Olympian Jupiter at Elis : the
great statue of Jupiter and the subordinate sculptures;
the pediment groups.
CURTIUS, Hist. Greece, Vol. 3, pp. 45-6.
LUEBKE, Hist. Sculp., Vol. 1, pp. 129-30;
Hist. Art, Vol. 1, pp. 195-8; Mon.
Art, Pis. 14A, 17, Text pp. 54-5, 63-4.
WORDSWORTH, Greece, pp. 307-13.
FLAXMAN, Lect. on Sculp., PL 20, pp.
223-5.
GUHL, Greeks and Romans, pp. 34-7.
KOEHLER, Hist. Art, PL 25.
HISTORY OF SCULPTURE.
V.-GREAT SCULPTORS CONTEMPORARY
WITH PHIDIAS.
THE GRAND STYLE, CONTINUED.
.(470—400 B. c.)
1. Attic artists — sculptors of the gods; Alcamenes
of Athens; the respective characteristics of the gods as
shown in his statues of them; his statues of Vulcan, Bac-
chus, ^Esculapius, etc; his group in the pediment of the
temple of Jupiter Olympia.
, Hist. Sculp., Vol. 1, pp. 134-8; VIARDOT, Wonders of Sculp., pp. 98-100.
Hist. Art, Vol. 1, pp. 199-20. KOEHLEE, Hist. Art, PI. 24.
WINCKLEMANN, Anc. Art,Vol. 2, pp. 195-6.
2. Other Attic artists and works of the Phidian
period.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text p. LUEBKE, Hist. Sculp., Vol. 1, pp. 139-43.
258. KOEHLER, Hist. Art, Pis. 24-5.
3. Peloponnesian artists — sculptors of men and
Amazons; Polycletus of Argos; his style, favorite subjects
and most important works.
HISTORY OF SCULPTURE. 9
LUEBKE, Hist. Sculp., Vol. 1, pp. 161-4, CURTIUS, Hist. Greece, Vol. 2, p. 603.
165-70; Hist. Art, pp. 213-7; Mon. WINCKELMAN, Aiic. Art, Vol. 1, pp. 350,
Art, Vol. ], PL 18; Text pp. 67-8. 472; Vol. 2, pp. 199-200, 407.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text p. KOEHLER, Hist. Art, Pis. 26-7.
258.
4. Multitude of representations of Amazons and
Centaurs in Greek art ; theories of the historic and the
allegorical meaning of these.
LUEBKE, Hist. Sculp., Vol. 1, pp. 164-5; WORDSWORTH, Greece, pp. 198-9.
Mon. Art, Vol. 1, PL 17, Text p. 67. ZERFFI, Hist. Dev. Art, pp. 200-1.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text p. SEEMAN, Myth. pp. 180-4.
234. R. P. KNIGHT, Symbolical Art, pp. 32-4.
5. The temple at Bassse and the Phigalian marbles ;
history of their discovery and a critical account of them.
LUEBKE, Hist. Sculp., Vol. 1, pp. 170-5; KNIGHT, Pict. Gal. Arts, Vol. 2, II. pp.
Hist. Art. pp. 217-9; Mon. Art, Vol. 24, 213-4, 216.,Text pp. 30, 230-1,234-5.
1, Pis. 12, 14, 17, Text pp. 43, 50, 66. WORDSWORTH, Greece, pp. 318-21.
VIARDOT, Wonders of Sculp., pp. 151-2. KOEHLER, Hist, Art, PL 27.
6. The frieze arid metopes of the temple of Theseus
at Athens.
LUEBKE, Hist. Sculp., Vol. 1, pp. 144-6; KNIGHT, Pict. Gal. Arts, pp. 204-5, Text
Mon. Art, Vol. 1, PL 14, Text pp. p. 226.
49-50. STUART, Antiq. Athens, pp. 94-9.
HISTORY OF SCULPTURE.
VI.— THE PERIOD OF SCOPAS.
THE IMPASSIONED STYLE.
(400-350 B. c.)
1. General characteristics of the period and style ;
respects in which this style was a development of the grand
or Phidian style.
LUEBKE, Hist. Sculp., Vol. 1, pp. 175-6; ZERFFI, Hist. Dev. Art, pp. 201-2.
Hist. Art, Vol. 1, pp. 219-20. CURTIUS, Hist. Greece, Vol. 5, pp. 205-6.
2. Cephisodotus, the master of the transition; his
works, especially his Irene and Plutus.
LUEBKE, Hist. Sculp., Vol. 1, p. 177-9p; VIARDOT, Wonders of Sculp., pp. 133-4.
Hist. Art, Vol. 1, pp. 220-1. KOEHLER, Hist. Art, PI. 29.
3. The two pediment groups of the temple of Mi-
nerva at Tegea.
LUEBKE, Hist. Sculp., Vol. 1, pp. 180-1. ENC. BRIT., Art. "Tegea".
4. Scopas' statues of the gods : his selection of atti-
tudes and "moments"; Apollo, Mars and ^Isculapius.
LUEBKE, HIST. Sculp., Vol. 1, pp. 181-2; KNIGHT, Pict. Gal. Arts, Vol. 2, Text
Hist. Art, Vol. 1, pp. 221-2; Mon. p. 258.
Art, Vol. 1, PI. 18,' Text pp. 68-9. ZERFFI, Hist. Dev. Art, pp. 202-5.
HISTORY OF SCULPTURE. II
5. The reliefs of the Marriage of Neptune and
Amphi trite.
LUEBKE, Hist. Sculp., Vol. I, pp. 182-6. ESCHENBERG, Manual Clas. Lit., p. 98.
SEEM AN, Mythology, (Bianchi Ed.) pp. KOEHLER, Hist. Art, PI. 28.
101-5.
6. Leochares: evidences of the high rank he held
in his time; his group of Ganymede.
LUEBKE, Hist. Sculp., Vol. 1, p. 186; ANTHON, Clas. Diet., p. 733.
Mon. Art, Vol. 1, PI. 18, Text p. 70. KOEHLER, Hist. Art, PI. 28.
ENG. CYC. and ENC. BRIT., "Leochares."
VII.— THE PERIOD OF PRAXITELES.
THE GRACEFUL STYLE.
%
(360-300 B. c.)
1 . Praxiteles, his relation to Cephisodotus and Sco-
pas; his style and execution compared with theirs.
LUEBKE, Hist. Sculp., Vol. 1, pp. 187-8; WINCKELMANN, Anc. Art, Vol. 2, pp.
Hist. Art, Vol. 1, pp. 222-3. 133-5.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text ZERFFI; Hist. Dev. Art, pp. 205-6.
p. 258. CURTIUS, Hist. Greece, Vol. 5, pp. 206-8.
2. Praxiteles' statues of Venus compared with those
of earlier and later periods.
12
HISTORY OF SCULPTURE.
FLAXMAN, Lect. Sculp., PL 22, pp. 93-4,
230-1.
WINCKELMANN, Anc. Art, Vol. 2, notes
pp. 409, 442-4.
VIARDOT, Wonders of Sculp., p. 110.
EATON, Rome, Vol. 2, p. 78.
LUEBKE, Hist. Sculp., Vol. 1, pp. 188-9;
Hist. Art, Vol. 1, p. 223; Mon. Art,
Vol. 1, PL 18, Text p. 69.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text p.
258.
3. His many representations of Cupid ; how differ-
ent from those of later art.
LUEBKE, Hist. Sculp., Vol. 1, pp. 189-90;
Hist. Art, Vol. 1, pp. 123-4; Mon.
Art, Vol. 1, PL 18, Text p. 69.
ESCHENBERG, Manual of Clas. Lit. pp.
106-7.
4. Special characteristics of his statues of Bacchus, of
Apollo and of Satyrs.
LUEBKE, Hist. Sculp., Vol. 1, pp. 190-3;
Hist. Art, Vol. 1, pp. 224-5; Mon.
Art. Vol. 1, PL 18, Text p. 69.
WINCKELMANN. Anc. Art, Vol. 1, pp.
322-3; Vol. 2. pp. 136, 216, notes on
pp. 442, 444.
VIARDOT, Wonders of Sculp., p. 108.
JAMESON, Sketches of Art, pp. 192-3.
HARE, Walks in Rome, pp. 80. 561.
KOEIILER, Hist. Art, PL 28.
5. The group of Niobe and the group of Medea;
statement of the stories and of the "moments" selected.
LUEBKE, Hist. Sculp., Vol. 1, pp. 196-
200,215-6; Hist. Art, Vol. 1, pp. 225-7;
Mon. Art, Vol. 1, P1.18, Text pp. 69-70.
KMCJIIT, Pict. Gal. Arts, Vol. 2, II. p.
224, Text pp. 258-9, 262.
AVlNCKKLMAN, AllC. Art, Vol. 1, p. 361;
Vol. 2, p. 201.
ZERFFI, Hist, of Dev. Art, pp. 206-7.
TAIXE, Florence and Venice, pp. 70-1.
VIARDOT, Wonders of Sculp., pp. 125-9.
SKKMAX, Mythology, (Bianchi Ed.) pp.
176-9, 235-7.
KOEHLER, Hist. Art, PL 29.
HISTORY OF SCULPTURE. 15
6. Praxiteles' numerous groups illustrating the sto-
ries of Ceres, Proserpine, Latona, etc.
LUEBKE, Hist. Sculp., Vol 1, pp. 193-4. KEIGHTLEY, Myth., pp. 100-1, 151-64,
SEEMAN, Mythology, (Bianchi Ed.) pp. 457.
137, 145.
7. The Monument of Lysicrates and the Mausoleum
of Halicarnassus.
LUEBKE, Hist. Sculp., Vol. 1, pp. 200-1, STUART, Antiq. Athens, Pis. 12-7, Text
207-14; Hist. Art, Vol. 1, pp. 163, pp. 34-41.
227-8; Mon. Art, Vol. 1, PI. 18, Text VIABDOT, Wonders of Sculp., p. 152.
p. 70. KOEHLER, Hist. Art, PI. 29.
SEEMAN, Mythology, pp. 116-7.
VIII.— SCULPTURE IN THE PELOPONNESUS.
THE PERIODS OF SCOPAS AND PRAXITELES.
(400-300 B. c.)
•
1. Lysippus, the master in bronze : his portrait
statues of Alexander and his ideal statues of historic char-
acters.
LUEBKE, Hist. Sculp., Vol. 1, pp. 216-8; WINCKELMANN, Anc. Art, Vol.2, p. 226,
Hist. Art, Vol. 1, pp. 228-9; Mon. Art, note on pp. 451-2.
Vol. 1, PI. 19, Text p. 74. KOEHLER, Hist. Art, PI. 30.
KNiGHT,Pict.Gal. Arts,Vol.2,Text p. 258.
14 HISTORY OF SCULPTURE.
2. Lysippus' various statues of Hercules and the char-
acteristics of his type of the hero.
LUEBKE, Hist. Sculp., Vol. 1, p. 217; SEEMAN, Mythology, pp. 197-216.
Hist. Art, Vol. 1, p. 229; Mon. Art,
Vol. 1, PL 18, Text p. 72.
3. The bronze gods of Lysippus: Jupiter, Neptune,
Apollo, Mercury and Bacchus ; criticism as to the proper
material for ideal statues.
LUEBKE, Hist. Sculp., Vol. 1, pp. 216-7, SEEMAN, Mythology, pp. 22-30, 40-8,
222; Hist. Art, Vol. 1, p. 229. 100-4.
4. Lysippus' devotion to the truth of nature, as shown
in his Apoxyomenus ; Mars Ludovisi ; Mercury resting.
LUEBKE, Hist. Sculp., Vol. 1, pp. 219-22; HARE, Walks in Rome, pp. 355, 553.
Hist. Art, Vol. 1, pp. 229-30; Mon. JARVES, Art Thoughts, p. 30.
Art, Vol. 1, PI. 18A, Text p. 73. TAINE, Rome and Naples, pp. 120-2.
WINCKELMANN, Anc. Art, Vol. 1, note KOEHLER, Hist. Art, PI. 30.
on p. 463.
5. Lysippus' artistic spirit compared with that of his
great predecessor. Polycletus.
WINCKELMANN, Anc. Art, Vol. 2, pp. LUEBKE, Hist. Sculp., Vol. 1, pp. 218-9.
133-4.
6. Sculpture applied to genre subjects by the pupils
and followers of Lysippus in the Peloponnesus ; Drunken
HISTORY OF SCULPTURE. 15
Flute Player, Wild Horse, Boy with Goose, Thorn Ex-
tractor, etc.
LUEBKE, Hist, of Sculp., Vol. 1, pp. 220, KNIGHT, Pict. Gal. of Arts, Vol. 2, II. p.
225-7. 220, Text p. 263.
WINCKELMAX, Anc. Art, Vol. 2, pp. 141-2. KOEHLER, Hist. Art, Pis. 28, 30.
Lysippus' School as the continuation of those of My-
ron and Polycletus — the naturalistic.
LUEBKE, Hist, of Sculp., Vol. 1, pp. WINCKELMAN, Anc. Art, Vol. 2, pp. 133,
221-5. 227, note on p. 429.
IX.— THE SCHOOLS OF RHODES AND PERGAMUS.
THE PATHETIC AND TRAGIC STYLE.
(300-146 B. c.)
1. The signs and the causes of the decay of Greek
art becoming evident at this time.
LUEBKE, Hist. Sculp., Vol. 1, pp. 229-32; WINCKELMANN, Anc. Art, Vol. 2, pp.
Hist, of Art, Vol. 1, pp. 231-2. 143-4, 148-9, 240-3.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text p- JAEVES, Art Thoughts, pp. 51-2; Art
266. Hints, pp. 20-1.
ZERFFI, Hist, of Dev. Art; pp. 208-11.
2. The circumstances and spirit of the Rhodian
people — The Apollo of Rhodes*
16 HISTORY OF SCULPTURE.
LUEBKE, Hist, of Sculp., Vol. 1, pp. 224, MERIVALE, Hist. Romans, Vol. 3, pp.
232-3; Hist, of Art, Vol. 1, p. 232. 107-8.
KNIGHT, Pict. Gal. of Arts, Vol. 2, Text TIIIRLWALL, Hist. Greece, Vol. 2, pp.
p. 258. 339-42.
FLAXMAN, Lect. on Sculp., PI. 48, pp. ROLLIN, Anc. Hist, Vol. 2, on pp. 31-6,
184, 225-6, 237. 95.
SEEMANN, Mythology, pp. 89-91.
3. The Laocoon group: its subject story; artistic
merits compared with those of groups of the earlier periods,
especially with that of Niobe.
LUEBKE, Hist. Sculp., Vol. 1, pp. 233-7;
Hist. Art, pp. 233-4; Mon. Art, Vol.
1, PI. 19, Text pp. 74-5.
KNIGHT, Pict. Gal. of Arts, Vol. 2, 11. p.
223, Text p. 262.
FLAXMAN, Lect. on Sculp., pp. 97, 233.
WINCKELMAXN, Anc. Art, Vol. 1, pp. 338,
361; Vol. 2, pp. 228-32.
D'AGINCOURT, Hist, of Art, Vol. 2. PI. 1.
ZERFFI, Hist, of Dev. Art, pp. 206-7.
TAIXE, Rome and Naples, pp. 129-:
JARYKS, Art Thoughts, pp. 61-2; Art
Idea, pp. 52-4.
Kvrox, Koine, 19th Cent,, pp. IK
BELL, Anat. Exp., pp. 173-5.
VIARDOT, Wonders of Sculp., pp. 141-2.
LESSING, Laocoon.
SEEMAN, Mythology, pp. 254-6.
BULFINCH, Age of Fable, pp. 311-:].
KOEHLER, Hist. Art, PL 31.
4. The group of the Farnese Bull: its merits com-
pared with those of the Laocoon.
LUEBKE, Hist. Sculp., Vol. I, pp. 2:57-9: WIXCKKI.MAXX, Anc. Art, Vol. 2, pp.
Hist. Art, Vol. 1, p. 235; Mon. Art, 243-5.
Vol. 1, PI. 18, Text p. 75. ZERFFI, Hist, of Dcv. Art, pp. 207-S.
FLAXMAN, Lect. on Sculp., pp. !>7, 23.",. TAINE, Rome and Naples, p. 5S.
VIARDOT, AVonders of Sculp., pp. 146-7. KOKHLKK, Hist. Art, PI. 32.
SEEMANN, Mythology, pp. 172-5.
5. The group of the Wrestlers at Florence, and the
statue of the Fallen Warrior at Venice.
HISTORY OF SCULPTURE. 17
LUEBKK, Hist. Sculp., Vol. 1, pp. 239-40; AVINCKELMANN, Anc. Art, Vol. 2, pp.
241-2. 201-2, 218.
FLAXMAX, Lect. on Sculp., pp. 114-6. VIARDOT, Wonders of Sculp., pp. 133-4.
EATON, Rome, 19th Cent., Vol. 1, p. 4. KOEIILER, Hist. Art. PI. 31.
GUIIL, Greeks and Romans, pp. 221-2.
6. The votive offering of Attains to Athens — fonr
extensive battle groups.
LUEBKE, Hist, Sculp., Vol. 1, pp. 241-4; ANTHON, Clas. Diet., p. 231.
Hist, of Art, Vol. 1, pp. 235-6. ENC. BRIT., Art, "Pergamus."
7. Statues of the dying: the dying Alexander; the
dying Gaul ("Gladiator"); the tragic Group of the Gauls
("Arria and Psetus").
LUEBKE, Hist, of Sculp., Vol. 1, pp. 239, JARVES, Art Thoughts, pp. 62-3; Art
241-7; Hist, of Art, Vol. 1, pp. 235-8. Idea, pp. 54-5.
KNIGHT, Pict. Gal. of Arts, Vol. 2. II. p. EATON, Rome, 19th Cent., Vol. 2, pp.
224, Text pp. 262-3. 79-82.
WINCKELMANN, Anc. Art, Vol. 2, pp. BELL, Anat. Exp., pp. 176-9.
104-5, note on pp. 301, 408. KOEHLER, Hist. Art, PI. 31.
D'AuiNcouRT, Hist, of Art, Vol. 2, PI. 1.
8. Contrasts between the pathetic and tragic of this
school and the impassioned of the school of Scopas.
LUEBKE, Hist, of Sculp., Vol. 1, pp. WINCKELMANN, Anc. Art, Vol. 2, p. 153.
23(5-7; Hist, of Art, Vol. 1, pp. 234-5. ZKTJFFT, Hist, of Pev. Art, pp. 206-9.
18
HISTORY OF SCULPT LIKE.
X.— ETRUSCAN AND GREEK SCULPTURE
AMONG THE ROMANS.
THE DECLINE OF CLASSIC SCULPTURE.
[246 B. c.— 14 A. D.]
1. Etruscan Sculpture
of art to ancient Home.
XUEBKE, Hist. Sculp., Vol. 1, pp. 258-73;
Hist, of Art, Vol. 1, pp. 253-70; Mon.
Art, Vol. 1, PL 25, Text pp. 90-3.
"WlNCKELMANN, AllC. Art, Vol. 1, pp.
233-8, 237-40, 247-56; Vol. 2, p. 163.
ID'AQINCOUBT, Hist, of Art, Vol. 2, PL 1.
.Z'EBPPI, Hist, of Dev. Art. pp. 112-24.
and Etruscan contributions
»., pp. 62-fl
VIARDOT, Wonders of Sculp., pp. 62-9.
HARE, Walks in Home, pp. 571-5.
JABVES, Art Thoughts, pp. 36-48.
MOMMSEN, Hist, of Rome, Vol. 1, pp.
605-10.
PERKINS, Tuscan Sculptors, Vol. 1, In-
troduction, pp. 17-26.
:2. Art spoils of the Roman conquests of the Etrus-
<can and of the Grecian cities ; the important place these
-spoils received in the triumphal procession.
LUEBKE, Hist. Sculp., Vol. 1, pp. 273-4. MERIVALE, Hist, of Romans, Vol. 6, pp.
ANIGHT, Pict. Gal. of Arts, Vol. 2, Text 275-8.
pp. 266-7. ROLLIN, Anc. Hist., Vol. 2, pp. 227,
FLAXMAX, Lect. on Sculp., pp. 100, 239-40, 447-8.
-_7-8. GUHL, Greeks and Romans, pp. 586-91.
ZKUFFI, Hist, of Dev. Art, pp. 247-9. PLUTARCH, Lives, pp. 198-9.
3. The revival of Greek sculpture in the service of
the Romans.
HISTORY OF SCULPTURE. 19
LUEBKE, Hist. Sculp. Vol. 1, pp. 274-5; PERKINS, Tuscan Sculptors, Vol. I, In-
Hist. of Art, Vol. 1, pp. 302-3. troduction, pp. 27-33.
KNIGHT, Pict. Gal. of Arts, Vol. 2, Text FLAXMAN, Lect. on Sculp., pp. 99-100,
pp. 266-7. 195-6.
ZERFFI, Hist, of Dev. Art, pp. 250-8. WINCKELMANN, Anc. Art, Vol. 2, pp.
VIARDOT, Wonders of Sculp., pp. 181-2. 161-2, 166-7, 170, 272, 276, 282.
4. The Torso of the Belvedere ; the Farnese Hercu-
les ; The Medician Venus and its various copies.
LUEBKE, Hist. Sculp., Vol. 1, pp. 276-8; WINCKELMANN, Anc. Art, Vol. 1, notes
Hist, of Art, Vol. 1, pp. 303-4; Mon. on pp. 276, 467; Vol. 2, pp. 263-6.
Art, Vol. 1. Pis. 18-9, Text pp. 72, 75. D'AGINCOURT, Hist, of Art, Vol. 2, PI. 1.
KNIGHT, Pict. Gal. of Arts, Vol. 2, II. p. TAINE, Florence and Venice, p. 140;
236, Text pp. 259, 262-3. Rome and Naples, pp, 58, 132.
FLAXMAN, Lect. on Sculp., pp. 26, 138, VIARDOT, Wonders of Sculp., pp. 129-31,
141. 142-3, 145-6.
HARE, It. Cities, Vol. 3, pp. 21-2. KOEHLER, Hist. Art, Pis. 32-4.
5. Caryatidse ; the various theories of the origin of
the employment of human figures in place of columns.
LUEBKE, Hist, of Sculp., Vol. 1, p. 160; WINCKELMANN, Anc. Art, Vol. 2, pp,
Hist, of Art, Vol. 1, pp. 304-5. 282-3, 294.
FERGUSSON, Hist, of Arch., Vol. 1, pp. GWILT, Enc. Arch., pp. 700-1.
258-9.
6. The Borghese Gladiator ; the Apollo Belvedere ;
the Colossi of Monte Cavallo.
LUEBKE, Hist. Sculp., Vol. 1, pp. 248-52, FERGUSSON, Hist, of Arch., Vol. 1, pp.
279-80; Hist, of Art, Vol. 1, pp. 238-9; 258-9.
Mon. Art, Vol. 1, Pis. 18A, 23, Text D'AGINCOURT, Hist, of Art, Vol. 2, PI. 1.
pp. 72, 115. HARE, Walks in Rome, pp. 58-60.
KNIGHT, Pict. Gal. of Arts, Vol. 2, II. COUSIN, True, Beautiful and Good, pp.
p. 220, Text pp. 259, 263. 145-7.
FLAXMAN, Lect. on Sculp., pp. 25-6, VIARDOT, Wonders of Sculp., pp. 138-41.
96-7, 229-30. KOEHLER, Hist. Art, Pis. 32-3.
20
HISTORY OF SCULPTURE.
7. Diana of Versailles; the sleeping Ariadne
Agrippina of the Capitol.
LUEBKE, Hist. Sculp., Vol. 1. pp. 282-4; D'AGINCOURT, Hist, of Art, Vol. 2, PL 1.
Hist. Art, Vol. 1, pp. 305-6, 309; Mon. VIARDOT, Wonders of Sculp, pp. 94-5.
Art. Vol. 1, PI. ISA; Text pp. 72-3. HARE, Walks in Rome, pp. 73, 563.
WINCKELMANN, Aiio. Art, Vol. 2, p. 308. KOEHLER, Hist. Art, PI. 33.
8. Roman portrait statues compared with those by
Praxiteles and Lysippus.
TAINE, Phil. Art, pp. 52-8; Rome and
Naples, pp. 114-6.
HARE, Walks in Rome, pp. 73-6.
EATON, Rome, 19th Cent., Vol. 2, pp.
69-70.
LUEBKE, Hist, of Sculp., Vol. 1, pp. 195,
282-3: Hist, of Art, Vol 1, pp. 307-9;
Mon. Art, Vol. 1, Pis. 32-3, Text pp.
114-7.
JARVES, Art Thoughts, pp. 30-3.
9. The Achillean portrait statues ; some distinguished
examples.
LUEBKE, Hist. Sculp., Vol. 1, pp. 283-5;
Hist, of Art, Vol. 1, pp. 309-12; Mon.
Art, Vol. 1, Pis. 32-3, Text pp. 114,
116-7.
KNIGHT, Pict. Gal. of Arts, Text pp.
267, 270.
HISTORY OF SCULPTURE
2L
XI.-ROMAN SCULPTURE FROM AUGUSTUS TO THE
DECLINE OF THE ROMAN EMPIRE.
HISTORIC AND DECORATIVE RELIEFS.
(14-235 A D.)
1. The national traits of the Romans compared with
those of the Greeks ; religious, political and aesthetic.
LUEBKE, Hist, of Sculp., Vol. 1, p. 272; MERIVALE, Hist. Romans, Vol. 4, pp.
Hist, of Art, Vol. 3, pp. 271-5. 17-28, 302-3.
KNIGHT, Pict. Gal. of Arts, Vol. 2, Text LECKY, European Morals, Vol. 1, pp.
p. 270. 175-7.
FLAXMAN, Lect. on Sculp., pp. 147-8. DRAPER, Int. Dev. Europe, Vol. 1, pp.
WINCKELMANN, Aiic. Art, Vol. 1, pp. 257, 263-5.
288-9. GUHL, Greeks and Romans, pp. 297-9,
ZERPFI, Hist, of Dev. Art, pp. 228-45. 303-5.
JARVES, Art Thoughts, pp. 32-3, 49-50.
2. The relation of sculpture to architecture among
the Romans ; great variety of public buildings and the
profusion of decorative sculpture.
LUEBKE, Hist. Sculp., Vol. 1, pp. 285-7;
Hist, of Art, Vol. 1, pp. 275-302; Mon.
Art Vol. 1, Pis. 27-31, Text pp. 96-112.
KNIGHT, Pict. Gal. of Arts, Vol. 2, II. p.
44, Text pp. 42-54.
D'AGINCOURT, Hist. Art, Vol. 1, Pis. 1-3.
ZERPFI, Hist. Dev. Art, pp. 238, 245-58.
FERGUSSOX, Hist, of Arch., Vol. 1, pp.
293-351.
ROSEXGARTEN, Arch. Styles, pp. 109-5; ).
HARE, Walks in Rome, pp. 26-8, 105-18.
134-43, 478-82.
JARVES, Art Thoughts, pp. 105-7; Art
Idea, pp. 108-9.
TAINE, Rome and Naples, pp. 44-52,
132-9.
GUHL, Greeks and Romans, pp. 306-30,
357-75, 399-406.
PERKIXS, Tuscan Sculptors, Vol. 1, In-
troduction, pp. 33-6.
HISTORY OF SCULPTURE.
3. The introduction of perspective into sculptured
reliefs ; the historic reliefs of the arch of Titus; of Trajan's
column; of the sarcophagi in the Capitol.
LUEBKE, Hist. Sculp., Vol. 1, pp. 293-7, ZERFFI, Hist. Dev. of Art, .pp. 255-7.
301-8; Hist, of Art, Vol. 1, pp. 312-9; HARE, Walks in Rome, pp. 99-100,
Mon. Art, Vol. 1, Pis. 32-3, Text pp. 129-30.
112-7. D'AGINCOURT, Hist. Art, Vol. 2. Pis. 1-2.
KNIGHT, Pict. Gal. of Arts, Vol. 2, Text TAINE, Rome and Naples, pp. 112-3.
. pp. 270-1. GUHL, Greeks and Romans, pp. 387-96,
PERKINS, Tuscan Sculptors, Vol. I, In- 481-4, 580-91.
troduction, pp. 35-8.
4. The finest statues of this period: the youthful
Centaur ; the father Nile ; Pallas Giustiniani ; Silenus hold-
ing the child Bacchus ; the dancing Faun and the Faun
in red marble.
LUEBKE, Hist. Sculp., Vol. 1, pp. 287-92; TAINE, Rome and Naples, pp. 112, 123.
Hist. Art, Vol. 1, pp. 305-6. VIABDOT, Wonders of Sculp., pp. 113-5.
5. Sculptures found in the ruins of Herculaneum and
Pompeii.
LUEBKE, Hist, of Sculp., Vol. 1, pp. 287, KNIGHT, Pict. Gal. of Arts, Vol. 2, II.
293. pp. 257, 260-1, Text pp. 271-4.
DYER, Pompeii, pi>. 160-5, 29H-300, 566. KOEHLER, Hist. Art, Pis. 32-4.
HISTORY OF SCULPTURE. 23
XTL— THE DEVELOPMENT OF CHRISTIAN SCULP-
TURE, CULMINATING? IN THE PIS AN SCHOOL
OF THE FOURTEENTH CENTURY.
RUDE SYMBOLS, CHURCH STATUARY AND PICTURESQUE1,
RELIEFS IN MARBLE.
1. General account of the rude sculptures of the
early Christian centuries. (Before 700 A. D.)
LUEBKE, Hist. Sculp., Vol. 1, pp. 335-57; D'AGINCOURT, Hist. Art, Vol. 2, Pis. 4-27.
Hist, of Art, Vol. 1, pp. 372-4, 534-8, JARVES, Art Hints, pp. 33-5.
540-50; Mon. Art, Vol. 1, PI. 36, Text LACROIX, Arts of Mid. Ages, pp. 339-57..
pp. 127-9. KOEHLER, Hist. Art, Pis. 40-1.
PERKINS, Tuscan Sculptors, Vol. 1, In- TYRWHITT, Christ. Artx pp. 34-70.
troduction, pp. 38-41, 42-3.
2. The more artistic sculpture developed with Chris-
tian architecture as everywhere seen in church porches,,
portals, facades, choir-screens, etc. (1000-1200 A. D.)
LUEBKE, Hist, of Sculp., Vol. 1, pp. 357- VASARI, Lives, Vol. 1, p. 60; Vol.2,,
409; Hist, of Art, Vol. 1, pp. 344-7, pp. 58-67.
362-3, 372-3, 396-7. SYMONDS, Renaissance, pp. 40-60.
KNIGHT, Pict. Gal. of Arts, Vol. 2, Text PERKINS, Tuscan Sculptors, Vol. 1,, Iii-
pp. 58, 67. troduction, pp. 41-2, 43-6.
TYRWHITT, Christian Art, pp. 75-102.
3. Nicola Pisano, the first to revive the antique
(1206?— 1278); the Descent from the Cross on the portal
of the Cathedral of Lucca ; the pulpit in the Baptistery at
24
HISTORY OF SCULPTURE.
Pisa ; the pulpit in the Cathedral of Siena ; the fountaii
at Perugia.
LUEBKE, Hist. Sculp., Vol. 2, pp. 111-7;
Hist, of Art, Vol. 1, pp. 564-7; Mon.
Art, Vol. 1, PI. 48, Text pp. 15<)-(;0.
KNIGHT, Pict. Gal. of Arts, Vol. 2, Text
p. 303.
D'AGINCOURT, Hist, of Art, Vol. 2, PI. 32.
LACROIX, Arts Middle Ages, p. 358.
JARVES, Art Thoughts, p. 81 ; Art Hints,
- pp. 35-7, 204; Art Studies, pp. 127-8.
PERKINS, Tuscan Sculptors, Vol. 1, pp.
3-35.
TAINE, Florence and ATenice, pp. 43-7,
61 -2.
VASARI, Lives, Vol. 1, pp. 67-71.
TYRWHITT, Christian Art, pp. 102-3.
YIAUDOT, Wonders of Sculp., pp. 201-2-
NORTON, Church Building, pp. 126-34.
HARE, It. Cities, Vol. 2, pp. 282-3, 451-3;
Vol. 3, p. 267.
KOEHLER, Hist. Art, Pis. 108-10.
SYMONDS, Renaissance, pp. 100-9.
4. Giovanni Pisano, the author of a new style — th<
Christian subjective (1240-1320); sculptures on th<
fa$ade of the Cathedral of Orvieto ; allegorical statues of
the city of Pisa and of the spiritual graces and attributes.
LUEBKE, Hist. Sculp.. Vol. 2, pp. 123-7;
Hist, of Art, Vol. 2, pp. 94-7; Mon.
Art, Vol. 1, PL 61, Text p. 196.
KNIGHT, Pict. Gal. of Arts, Vol. 2, Text
p. 303.
D'AGINCOURT, Hist. Art, Vol. 2, Pis. 52-4.
I'KIIKINS, Tuscan Sculptors, Vol. 1, pp.
37-60.
SYMONDS, Renaissance, pp. 110-6.
NORTON, Church Building, pp. 137-40.
HARE, It. Cities Vol. 2, pp. 452-3, 466,
517; Vol. 3, pp. 324-5, 364: Days Near
Rome, pp. 122-5.
KOEHLER, Hist. Art, Pis. 10-11.
LACROIX, Arts Mid. Ages, p. 358.
5. The " Professor" monuments and other sarcophagi
of this school and period.
Ln:i>,KE, Hist. Sculp., Vol. 2, pp. 120-1, HARE, It. Cities, Vol. 2, pp. 464-5, 475,
i:V»; Mon. Art. Vol. 1, PL 61, Text p. 515-6.
1<H>. D'AGINCOURT, Hist. Art, Vol. 2, Pis. :V2,
PKUKINS, Tuscan Sculptors, Vol. 1, pp. 35.
44, 48, 51-3. TAINE, Florence and Venice, pp. 166-7.
HISTORY OF SCULPTURE. 25
6. Andrea Pisano (1270-1345) : his bronze gate of
the Baptistery at Florence and his other works.
LUEBKE, Hist, of Sculp., Vol. 2, p. 129; D'AGINCOURT, Hist. Art, Vol. 2, Pis. 32-5.
Hist, of Art, Vol. 2, pp. 97-8; Mon. SYMONDS, Renaissance, pp. 119-22.
Art, Vol. 1, PL 01, Text p. 197. HARE, It. Cities, Vol. 3, pp. 101-2; Days
KNIGHT, Pict. Gal. Arts, Vol. 2, Text Near Rome, pp. 123-4.
p. 303. PERKINS, Tuscan Sculptors, Vol. 1, pp.
LACROIX, Arts of the Mid. Ages, p. 359. 63-70.
Xltt— THE FLORENTINE SCHOOL OF SCULPTURE
OF THE FIFTEENTH CENTURY.
PICTURESQE RELIEFS IN BRONZE AND TERRA-COTTA.
1. The prominence and influence of the goldsmith's
art, at this time in Italy.
LUEBKE, Hist Sculp., Vol. 2, pp. 155-8. LABARTE, Arts Mid. Ages, pp. 237-58.
TAINE, Florence and Venice, pp. 116-9, KNIGHT, Pict. Gal. Arts, Vol. 2, Text
209-10. p. 303.
SCOTT, Fine Arts, pp. 148-56.
2. The occasion of the combination of arts in the
same profession at this period.
LUEBKE, Hist. Sculp., Vol. 2, pp. 108, SYMONDS, Renaissance, pp. 40-1, 53,
153; Hist. Art, Vol. 2, p. 94. 78-90.
3. Lorenzo Ghiberti and the history of the produc-
tion of the second and third bronze doors of the Bap-
tistery at Florence (1378-1455).
26
HISTORY OF SCULPTURE.
LUEBKE, Hist. Sculp., Vol. 2, pp. 158-
62: Hist. Art, Vol.2, pp. 186-7.
KNIGHT, Pict, Gal. Arts, Vol. 2, Text
pp. 303-6.
SYMONDS, Renaissance, pp. 127-8.
OLIPH ANT, Makers of Florence, pp. 124-8.
NORTON, Church Building, pp. 236-9,
265-6.
HEATON, Hist, of Painting, pp. 77-8.
JARVES, Art. Studies, pp. 101-2;
Thoughts pp. 81-2.
VASARI, Lives of Painters, Vol. 1, pp.
361-6.
GRIMM, M. Angelo, Vol. 1, pp. 32-4.
LACROIX, Arts, Mid. Ages, p. 365.
VIARDOT, Wonders of Sculp., p. 203.
PERKINS, Tuscan Sculptors, Vol. 1, pp,
122-5.
4. Subjects, number and size of these reliefs, and a.
critical comparison between them and the earlier reliefs.
LUEBKE, Hist. Sculp., Vol. 2, pp. 159,
161; Hist. Art, Vol. 2, pp. 187-8; Mon.
Art, Vol. 2, PI. 65, Text pp. 204-5.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text p.
306.
FLAXMAN, Lect. on Sculp., pp. 252-3.
D'AGINCOURT, Hist. Art, Vol. 2, Pis. 41-2.
GRIMM, M. Angelo, Vol. 1, pp. 34-6.
KOEHLER, Hist. Art, Pis. 112-3.
JAMESON, Hist. Our Lord, Arol. 1, pp.
90-1, 96-8, 119, 131, 167-8.
SYMONDS, Renaissance, pp. 128-36.
TAINE, Florence and Venice, pp. 95-7,
HARE, It. Cities, Vol. 3, pp. 62-3, 98, 102,
VASARI, Lives of Painters, Vol. 1 , pp.
366-87.
PERKINS, Tuscan Sculptors, Vol. 1, pp,
125-37.
5. Donatello, the sculptor of dramatic reliefs (1386-
1468) ; the reliefs of the Sacristies of the Cathedral and of
San Lorenzo at Florence ; of the Singers' Gallery of Sau
Antonio at Padua ; the entombment in San Lorenzo at
Florence.
LUEBKE, Hist. Sculp., Vol. 2, pp. 163-9; GRIMM, M. Angelo, Vol 1, pp. 43-7.
Hist. Art, Vol. 2, pp. 190-3; Mon. JARVES, Art Thoughts, p. 82; Art Hintsv
Art, Vol. 2, Pis. 65-6, Text pp. 205, p. 215.
207. TAINE, Florence and Venice, pp. 95, 147V
KNIGHT, Pict. Gal. Arts, Vol. 2, Text 204.
p. 306. HARE, It. Cities, Vol. 1, pp, 347-51 ; Vok
FLAXMAN, Lect. on Sculp., pp. 250-1. 3, pp. 61, 84, 87-8, 107.
HISTORY OF SCULPTURE. 27
JAMESON, Sacred Art, Vol. 2, pp. 403-4, OLIPHANT, Makers of Florence, pp..
618-9. 129-31, 138-42.
SYMONDS, Renaissance, pp. 136-42. VIARDOT, Wonders of Sculp., p. 203.
PERKINS, Tuscan Sculptors, Vol. 1, pp. KOEHLER, Hist. Art, Pis. 113-4.
137-58.
6. Luca della Robbia, the sculptor in terra- cotta.
(1400-1481); his marble reliefs on the Campanile and
of the Singing Boys in the Cathedral at Florence.
LUEBKE, Hist. Sculp., Vol. 2, pp. 169-72; OLIPHANT, Makers of Florence, pp..
, Hist. Art, Vol. 2, pp. 188-9. 146-8.
JAMESON, Hist. Our Lord, Vol.1, p. 272; VIARDOT, Wonders of Sculp., p. 204.
Vol.2, pp. 229-30; Legends of the Ma- VAS ART, Lives of Painters, Vol.1, pp..
donna, p. 188. 335-44.
Renaissance, pp. 148-9. KOEHLER, Hist. Art, Pis. 114-5.
7. Della Robbia's terra-cotta reliefs ; Madonna with
(Angels; Annunciation; vaulted ceilings of S. Croce, of
San Miniato, etc.
LUEBKE, Hist. Sculp., Vol. 2, pp. 172-4; SYMONDS, Renaissance, pp. 149-50.
I Hist. Art, Vol. 2, pp. 199-200; Mon. PATER, Renaissance, pp. 68-77.
Art Vol. 2, PI. 66, Text p. 206. OLIPHANT, Makers of Florence, pp.,
Lu-'irKMART, Ceramic Art, pp. 243-6. 148-52.
PERKINS, Tuscan Sculptors, Vol, 1, pp. LABARTE, Arts, Mid. Ages, pp. 284-7.
! 192-8.
28
HISTORY OF SCULPTURE.
XIV.— THE GREAT MASTERS OF FLORENTINE
SCULPTURE.
[1500—1550 A. D.]
1. Andrea Sansovino (1460 — 1529); the Madonna
with St. Anna of St. Agostino at Rome; the statues and
reliefs of the Casa Santa at Loreto.
LUEBKE, Hist. Sculp., Vol. 2, pp. 341-8;
Hist, of Art, Vol. 2, pp. 356-60.
HAKE, Walks in Rome, p. 443.
SYMONDS, Renaissance, pp. 166-8.
PERKINS, Tuscan Sculptors, Vol. I, pp.
241-6.
2. Jacopo Sansovino (1477-1570); his statues of
Apollo and Mercury, and of Mars and Venus at Venice;
the series of reliefs in San Antonio at Padua.
LUEBKE, Hist. Sculp., Vol. 2, pp. 362-7; TAINE, Florence and Venice, pp. 205-6,
Hist. Art, Vol. 2, pp. 272-7. 220-3.
•SYMONDS, Renaissance, pp. 168-71. PERKINS, Tuscan Sculptors, Vol. 1, pp.
HARE, It. Cities, Vol. 1, p. 350. 246-53.
3. Michael Angelo the first great reviver of the an-
tique; his experience with Lorenzo de Medici.
LUEBKE, HIST. Sculp., Vol. 2, pp. 370-3;
Hist. Art, Vol. 2, pp. 2(50-:;.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text
p. 306.
FLAXMAN, Lect. on Sculp., pp. 250-4.
SYMONDS, Renaissance, pp. 171-2, 384-9.
•JAJJVES, Ait Thoughts, pp. 140-2; Art
Studies, pp. 66-7, 72-4,418-28.
Rosi'OE, Lorenzo de Medici, pp. 312-6.
UI,\CK, M. Angrlo, pp. 1-8.
OLIPHANT, Makers of Florence, pp.
353-60.
TYRWHITT, Christ. Art, pp. 139-71.
VASARI, Lives, Vol. 5, pp. 227-34.
GUI MM, M. Angelo, Vol. 1, pp. 1-169.
WILSON, M. Angelo, pp. 1-20.
PERKINS, Tuscan Sculptors, Vol. 2, pp.
1-12 54-71; Raphael and Michael
Angelo, pp. 30-3, 36-43.
HISTORY OF SCULPTURE.
29*
4. Michael Angelo's early works in sculpture: Her-
cules and Centaurs; the Angel with Candelabrum; the
Pieta; the Madonna at Bruges; the David at Florence.
LUEBKE, Hist. Sculp., Vol. 2, pp. 370-8;
Hist. Art, Vol. 2, pp. 260-3; Mon. Art,
Vol. 2, PI. 27, Text p. 218.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text p.
307.
D'AGINCOURT, Hist, of Art, Vol. 2. PI. 47.
FLAXMAN, Lect. on Sculp., pp. 257-8.
SYMONDS, Renaissance, pp. 389-91.
OLIPHANT, Makers of Florence, pp.
360-2.
BOHN, M. Angelo's Outlines, Pis. 1, 5,
7,17.
JARVES, Art Thoughts, pp. 67-8; Art.
Idea, pp. 64-5.
HARE, It. Cities, Vol. 3, pp. 131-2.
VASARI, Lives. Vol. 5, pp. 234-42, 273-4.
GRIMM, M. Angelo, Vol. 1, pp. 183-7,.
231-9.
BLACK, M. Angelo, Pis. 4-6, pp. 9, 13-8,
WILSON, M. Angelo, pp. 49-57, 394-5.
KOEHLER, Hist. Art, PI. 119.
PERKINS, Tuscan Sculptors, Vol. 2, pp,
12-20; Raphael and Michael Angelo,
pp. 43-4, 47, 51-3, 67-71.
5. The story of the monument of Pope Julius II.;
the sitting statue of Moses now at the monument; the
statues of the two Slaves now in the Louvre.
LUEBKE, Hist. Sculp.,Vol. 1, pp. 378-81;
Hist. Art, Vol. 2, pp. 263-7; Mon. Art,
Vol. 2, PI. 72, Text p. 218.
D'AGINCOURT, Hist. Art, Vol. 2, Pis.
46-7.
SYMONDS, Renaissance, pp. 398-404.
OLIPHANT, Makers of Florence, pp.
364-9.
EATON, Rome, 19th Cent., Vol. 1, pp.
456-7.
VIARDOT, Wonders of Sculp., pp. 216-
HARE, Walks in Rome, pp. 367-70.
GRIMM, M. Angelo, Vol. 1. pp. 268-71,
418-26; Vol. 2, pp. 325-7, 400-2.
BLACK, M. Angelo, PI. 7, pp. 21-9, 47-9,
78-81, 123-4.
WILSON, M. Angelo, pp. 73-8, 193-200,
437-54.
BOHN, M. Angelo's Outlines, Pis. 7-13.
KOEHLER, Hist. Art, Pis. 119-20.
PERKINS, Tuscan Sculptors, Vol. 2, pp.
22-30, 36-43; Raphael and Michael
Angelo, pp. 80-92, 139-40, 203-17.
6. Monuments of the brothers Guiliano and Lorenzo
de Medici.
'30
HISTORY OF SCULPTURE.
•LUEBKE, Hist. Sculp., Vol. 2, pp. 3S1-4;
Hist. Art, Vol. 2, pp. 267-9; Mon.
Art, Vol. 2, PI. 72, Text p. 219.
D'AGINCOURT, Hist. Art, PL 47.
SYMONDS, Renaissance, pp. 513-21.
OLIPHANT, Makers of Florence, pp.
380-4.
BELL, Anat. Exp. pp. 186-92.
KOEIILER, Hist. Art, PI. 120.
VIARDOT, Wonders of Sculp., p. 214.
HARE, It. Cities, Vol. 3, pp. IK
TAI.VI;, Florence and Venice, pp. 147-50.
GRIMM, M. Angelo, Vol. 2, pp. 136-8j
152-8.
BLACK, M. Angelo, PI. 8, pp. 49-54.
WILSON, M. Angelo, pp. 388-94.
BOHN, M. Angelo's outlines, Pis. 5-6.
PERKINS, Tuscan Sculptors, Vol. 2, pp,
46-8; Raphael and Michael Angelo,
pp. 217, 221-7.
XV.— MODERN STUDENTS OF THE ANTIQUE.
NEW EFFORTS TO REVIVE GREEK ART.
[1600—1850 A. D.]
1. Lorenzo Bernini (1598-1680); the chief sculptor
•of the affected dramatic style of the period between Michael
Angelo and Canova.
a. Statues for churches.
b. Sculptures of the suffering and of the dying.
c. Monumental reliefs and allegorical figures.
LUEBKE, Hist. Sculp., Vol. 2, pp. 416-20;
Hist. Art, Vol. 2, p. 516; Mon. Art,
Vol. 2, PI. 96, Text pp. 267-8.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text
pp. 310-1.
FLAXMAN, Lect. on Sculp., pp. 259,
282-4, 291-2.
ENG. CYC. andENC. BRIT., "Bernini."
KOEHLER, Hist. Art, Pis. 122-3.
HARE, Walks in Rome, pp. 357, 401,
495, 521-2.
TAINE, Rome and Naples, pp. 16-7,
31-2, 205, 255-8, 262-3.
JARVES, Art Thoughts, pp. 71-2.
VIARDOT, Wonders of Sculp., pp.
226-7.
EATON, Rome, 19th Cent.,Vol. 1, p. 459,
HISTORY OF SCULPTURE.
31
2. Winckelrnann and Lessing; general art study
criticism.
LUEBKE, Hist, of Sculp., Vol. 2, p. 433.
JABVES, Art Studies, pp. 1-21.
PATEE, Renaissance, pp. 164-225.
-GEIMM, M. Angelo, Vol 2, pp. 468-86.
WINCKELMANN, Anc. Art, pp. 1-104.
ENG. CYC. and ENC. BEIT., "Winckel-
mann".
3. Antonio Canova and his partial success after the
spirit of the antique (1601-1667); Kreugas and Damox-
•enes ; Hercules and Lychas ; Theseus and the Centaur ;
monument sculptures of Clement XIII ; of Christina of
Austria ; of Lord Nelson.
LUEBKE, Hist. Sculp,, Vol. 2, pp. 434-8;
Hist. Art, Vol. 2, pp. 601-2; Mon. Art,
Vol. 2, PI. 103, Text p. 289.
KNIGHT, Pict. GaL Arts, Vol. 2, II. p.
317, Text. pp. 318-9.
EATON, Rome, 19th Cent., Vol. 1, pp.
107-9; Vol. 2, pp. 299-304.
KOEHLEE, Hist. Art, PL 128.
ALBEIZZI, Works of Canova, (Osgood
Ed.)
JAMESON, Sketches of Art, pp. 201-2.
TAINE, Florence and Venice, pp. 248-9 ;
Rome and Naples, pp. 128, 351.
HAEE, Walks in Rome, pp. 520-1, 638-9.
FLAXMAN, Lect. on Sculp., pp. 30^-
4. John Flaxman, the English master of classic
design, and his efforts after the spirit of antique reliefs
'(1755-1826.)
KNIGHT, Pict. Gal. of Arts, Vol. 2, IL p.
316, Text pp. 315-8.
, Iliad and Odyssey, Illustrated by
Flaxman..
LUEBKE, Hist. Sculp., Vol. 2, p. 440;
Hist. Art, Vol. 2, p. 602; Mon. Art'
Vol. 2, PI. 103, Text p. 289.
32
HISTORY OF SCULPTURE,
5. Bertel Thorwaldsen, the real "posthumous
Greek" (1770-1844).
a. Reliefs: Achilles and Briseis; Ganymede and
the Eagle; Dance of the Muses; the Four Seasons, etc.
b. Groups; the Graces; Bacchus and Ariadne, etc.
c. Monuments: Pius the VII.; the Dying Lion, etc,
d. Sculptures of the Frauenkirche at Copenhagen,
LUEBKE, Hist. Sculp., Vol. 2, pp. 440-6;
Hist. Art, Vol. 2, pp. 602-3; Mon. Art,
Vol. 2, PI. 103; Text p. 290.
HARE, Walks in Rome, pp. 523-4.
PALGRAVE, Essays on Art, pp. 226-36.
EATON, Rome, 19th Cent., Vol. 2, pp.
304-7.
THIELE, Thorwaldsen and His Works>
Vol. 1, pp. 12, 16-8, Pis. 14, 17-8 ;
Vol. 2, pp. 20-6, 32-42, 51-2, Pis. 108-
12, 115-41, 147-52; Vol. 3, pp. 30, 37-8,
Pis. 53, 68-71; Vol. 4, p. 37, PL 182.
JAMESON, Sketches of Art. pp, 201-2,
HISTORY OF PAINTING.
33
PART SECOND.
History of Paintin
I.— PAINTING IN EGYPT AND ASIA.
1. Painting in Egypt; best period 1400-523 B. C.
a. Mural paintings in the tombs around the pyr-
amids and in the grottoes.
b. Paintings on the mummy cases and cloths.
Paintings on the papyrus rolls.
c.
LUEBKE, Hist. Art, Vol. 2, pp. 47-8;
Mon. Art, Vol. 1, PL 6, Text p. 19.
KNIGHT, Pict. Gal. Arts, Vol. 2, II.
pp. 321-4, Text pp. 322-6.
HEATON, Hist. Painting, pp. 1-9.
WILKINSON, Anc. Egypt., Vol. 2, pp. 155,
278-89; Vol. 3, pp. 435-6.
WINCKELMANN, Anc. Art, Vol. 1, pp.
208-9.
LEPSIUS, Egypt, pp. 52, 111, 246, 268.
3
WOLTMANN and WOERMANN, Hist.
Painting, Vol. 1, pp. 3-21.
SHARPE, Hist. Egypt, Vol. 1, pp. 78-80,
193-5, 232-3.
HAWKS, Mon. Egypt, pp. 50-3, 73-80.
MANNING, Land of Pharaohs, pp. 92,
102-3, 127-32, 172.
WRIGHT, Hist. Caricature, pp. 1-12.
KOEHUSR, Hist. Art, PI. 187.
34
HISTORY OF PAINTING.
2. Painting in Nineveh and Assyria.
HEATON, Hist. Painting, pp. 9-11. RAWLINSON, Anc. Monarchies, Vol. 1 ,
WOLTMANN and WOEEMANN, Hist. pp. 331-3, 357-65, 377-82, 389.
Painting, Vol. 1, pp. 22-9. ENG. CYC., Arts and Sci., Vol. 6, Col.
LAYAED, Nineveh, Vol. 1, pp. 71-2; 196.
Vol. 2, pp. 17-8, 238-43. ENC. BEIT. Art. "Nineveh".
KOEHLEE, Hist. Art, PI. 187.
3. Painting in China and India; dexterity without
artistic expression.
JOHNSON, Oriental Religions, China, LUEBKE, Hist. Art, Vol. 1, p. 109.
pp. 79-81. HEATON, Hist. Painting, p. 12.
JAEVES, Art Thoughts, p. 221.
4. Painting in Japan; masterly suggestion and char-
acterization.
JOHNSON, Oriental Religions, China, pp. PALGEAVE, Essays on Art, pp. 185-92.
81-3. ALCOCK, Art in Japan, pp. 82-101.
JAEVES, Art Thoughts, pp. 221-9, Art in LUEBKE, Hist. Art, Vol. 1, pp. 116-7.
Japan, pp. 13-47, 167-211.
5. Conditions retarding the development of any
fine art among the Orientals.
ALCOCK, Art in Japan, pp. 244-5, 249-54, ZEBPFI, Hist. Dev. Art, pp. 45-6, 153-5.
273-5. WINCKELMANN, Anc. Art, Vol. 1, p. 162.
JOHNSON, Oriental Religions, China, pp. WOLTMANN and WOEEM ANN, Hist. Paint-
113-4. ing, Vol. 1, pp. 29-30.
HISTORY OF PAINTING. 35
II.— ANCIENT PAINTING IN EUROPE.
1. Gradations in the early development of painting
in Greece: skiagraphic, monographic and
ESCHENBERG, Manual Clas. Lit., pp.
409-12. 105-6.
2. The several varieties of classic art in color: en-
caustic, fresco, tablet and mosaic.
LUEBKE, Hist. Art, Vol. 1, p. 246; Mem. VIARDOT, Hist. Painting, pp. 29-30.
Art, Vol. 1, PI. 22-3, Text pp. 82-6. SCOTT, Fine Arts, pp. 242-5, 246-57.
WOLTMANN and WOERMANN, Hist.Paiiit- GUHL, Greeks and Romans, pp. 471-5.
ing, Vol. 1, pp. 92-4. ESCHENBERG, Manual of Clas. Lit. pp.
BLANC, Gram. Painting, pp. 180-1, 199- 412-:'>.
200. WINCKELMANN, Anc. Art, Vol. 2, pp.
LACROIX, Arts Mid. Ages, pp. 269-71. 106-14.
3. The four epochs of painting in Greece and the
masters of each: Bularchus; Polygnotus and Apollodorus:
Zeuxis and Parrhasius; Apelles and Protogenes.
LUEBKE, Hist. Art, Vol. 1, pp. 246-53. WOLTMANN and WOERMANN, Hist. Paint-
KNIGHT, Pict. Gal. of Arts, Vol. 2, Text ing, Vol. 1, pp. 38-65.
pp. 330-5. ST. JOHN, Anc. Greece, Vol. 1, pp. 306-7.
HEATON, Hist. Painting, pp. 17-23. VIARDOT, Hist. Painters, pp. 9-10.
WINCKELMANN, Anc. Art, Vol. 1, pp. CURTIUS, Hist. Greece, Vol. 2, pp.
297-9. 596-600; Vol. 5, pp. 210-2.
4. Vase painting in Greece and in the Grecian col-
onies.
36
HISTORY OF PAINTING.
LUEBKE, Hist. Art, Vol. 1, pp. 253-7; HUNT, Bits of Travel, pp. 103-11.
Mon. Art, Vol. 1, Pis. 20-1, Text pp. ESCHENBERG, Manual Clas. Lit., pp.
77-82.
387, 415.
PRIME, Pottery and Porcelain, pp. 90-1. GUHL, Greeks and Romans, pp. 142-8.
WOLTMANN and WOERMANN, Hist. CURTIUS, Hist. Greece, Vol. 5, pp. 212-4.
Painting, Vol. 1, pp. 70-85.
HARE, Walks in Rome, -pp. 572-3.
KOEHLER, Hist. Art, PL 188.
5. Mural paintings found in the tombs of Etruria.
LUEBKE, Hist. Art, Vol. 1, pp. 267-70; HEATON, Hist. Painting, pp. 24-5.
Mon. Art, Vol. 1, PI. 26, Text pp. 93-6. WINCKELMANN, Anc. Art, Vol. 1, pp.
WOLTMANN and WOERMANN, Hist. 244-6.
Painting. Vol. 1, pp. 99-101, 103-10. KOEHLER, Hist.; Art, PI. 189.
6. Roman painting as revealed by the
Pompeii and Herculaneum.
of
LUEBKE, Hist. Art, Vol. 1, pp. 319-23;
Mon. Art, Vol. 1, P1.31A, Text p. 112.
KNIGHT, Pict. Gal. Arts, Vol. 2, II.
pp. 325, 328, 332, 336.
WOLTMANN and WOERMANN, Hist. Paint-
^ing, Vol. I, pp. 95-8, 110-39.
HEATON, Hist. Painting, pp. 28-9.
WINCKELMANN, Anc. Art, Vol. 2, pp. 86-
102, 332-3.
D'AGINCOURT, Hist. Art, Vol. 3, PI. 4.
DYER, Pompeii, pp. 273-96, 310-1, 312-4,
375-82.
GELL, Pompeiana, Pis. 41-3, 76-7, pp.
82-7.
ESCHENBERG, Manual of Clas. Lit., pp.
415-6.
TAINE, Phil. Art, pp. 46-8.
GUHL, Greeks and Romans, pp. 350-67,
466-71.
VIARDOT, Hist. Painters, pp. 2-3, 10-3.
MOMMSEN, Hist. Rome, Vol. 2, pp.
567-8.
KOEHLER, Hist. Art, Pis. 188-91.
7. Indirect evidences of the superior excellence oi
painting in Greece; the question as to chromatic sculpture
in Greece.
HISTORY OF PAINTING. 37
LUEBKE, Hist. Sculp., Vol. 1, pp. 68-9; WINCKELMANN, Anc. Art, Vol.1, pp.29,
Mon. Art, Vol. 1, PI. 15A, Text, pp. 102-4, 219-23, 330.
18-9. VIARDOT, Hist. Painters, pp. 1-2^
Wo LTM ANN and WOERM ANN, Hist. Paint- MOMMSEN, Hist. Kome, Vol. 2, pp,,
ing, Vol. 1, pp. 35-7, 140-2. 567-8.
FELTON, Anc. Greece, Vol. 2, p. 143.
IIL— E1RLY CHRISTIAX PAIXTIXG.
TRANSITION FROM SYMBOLISM TO FINE ART.
[200-1200 A. D.]
1. Paintings in the Catacombs and Christian ceme-
teries of Rome and Naples.
a. General account of the galleries, chambers and
chapels.
b.' Conversion of mythological symbols and char-
acters to Christian uses.
c. Original symbols in the early development of
Christian art.
KUGLER, It. Schools of Painting, Vol. 1, HARE, Walks in Rome, pp. 273-83, 340,
pp. 1-15. 446-7.
LUEBKE, Hist. Art, Vol. 1, pp. 372-6; SCOTT, Fine Arts, pp. 9-17,28-9.
Mon. Art, Vol. 1, Pis. 36-7, Text pp. WOLTMANN and WOERMANN, Hist.
129-32. Painting, Vol. 1, pp. 151-64.
JAMESON, Sacred Art, Vol. 1, pp. 22-38; ROSENGARTEN, Arch. Styles, pp. 174-6.
Hist. Our Lord, Vol. 1, pp. 16-8. JARVES, Art Hints, pp. 182-5.
KNIGHT, Pict. Gal. Arts, Text pp. 339, MILMAN, Latin Christ., Vpl. 8, pp. 464-8.
342. KOEHLER, Hist. Art, PI. 192.
D'AGINCOURT, Hist. Art, Vol. 3, Pis. 6-11.
38
HISTORY OF PAINTING.
2. Byzantine Painting: its characteristics, subjeci
and uses.
KUGLER, It. Schools of Painting, Vol. 1,
pp. 43-89.
LUEBKE, Hist. Art, Vol. 1, pp. 388-91;
Mon. Art, Vol. 1, PL 37, Text p. 131.
HEATON, Hist. Painting, pp. 35-40.
WOLTMANN and WOERMANN, Hist.
Painting, Vol. 1, pp. 181-7, 221-3,
236-43.
TAINE, Florence and Venice, pp. 183-5.
LACROIX, Arts Mid. Ages, pp. 272-4,
MILMAN, Latin Christ., Vol. 8, pp. 473-6. 284-6.
3. Mosaics and manuscript illuminations of this
period: Byzantine and Romanesque.
KUGLER, It. Schools of Painting, Vol. 1,
pp. 17-39, 92-100, 112-4.
XUEBKE, Hist. Art, Vol. 1, pp. 383-7,
391-400, 551-7; Mon. Art, Vol. 1, Pis.
37, 49, Text pp. 130-2, 161-2.
WOLTMANN and WOERMANN, Hist.
Painting, Vol. 1, pp. 165-81, 188-96,
218-20, 223-36, 324-40, 344-6.
JAMESON, Hist. Our Lord, Vol. 1, pp.
18-20.
VIARDOT, Hist. Painte s, pp. 25-9.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text pp.
342-3.
HARE, Walks in Rome, pp. 234-5, 405-6;
Cities of Italy, Vol. 2, pp. 26-30, 306-8.
LABARTE, Arts Mid. Ages, pp. 58-64,
91-6.
RUSKIN, Stones of Venice, Vol. 2, pp.
20-1, 77, 122, 124.
LACROIX, Arts Mid. Ages, pp. 434-75.
FAIRIIOLT, Rambles of an Archaeolo-
gist, pp. 9-11, 18-22.
4. The various edicts of church authority regarding
the use of images and pictures in worship, from that of
Leo the Isaurian, 726 A. D. to that of the Council at
Constantinople, 879 A. D.
DRAPER, Int. Dev. Europe, Vol. 1, pp.
357, 360, 372-3, 413-22.
MILMAN, Latin Christ., Vol. 2, pp. 293-
384, Vol. 8, pp. 452-f! ).
GIBBON, Hist. Rome, Vol. 5, pp. 1-18.
FELTON, Anc. Greece, Vol. 2, pp. 352-4.
JAMESON, Legends of the Madonna, In-
troduction, pp. 23-5.
SCOTT, Fine Arts, pp. 35-45.
NEANDSR, Hist. Christ. Church, Vol.
3, pp. 197-243, 532-53.
HISTORY OF PAINTING. 39
5. The discussion among the bishops as to the most
appropriate representations of Christ.
MILMAN, Latin Christ., Vol. 8, pp. JAMESON, Hist. Our Lord, Vol. 1, pp.
468-73. 31-53.
DEAFER, Int. Dev. Europe, Vol. 1, p. 361.
IV.-THE DAWN OF ITALIAN PAI1VTING AS
A FINE ART.
[FROM 1200 TO 1340 A. D.]
1. The three nurseries of new art: Siena, Pisa and
Florence.
TAINE, Florence and Venice, pp. 48-54, LANZI, Hist. Painting, Vol. 1, pp. 15-9,
108-9. 39-42, 372-8, 455.
WOLTMANN and WOERMANN, Hist. SYMONDS, Renaissance, pp. 182-3, 261-5.
Painting, Vol. 1, pp. 423-5.
2. The two great repositories of Italian painting of
this period: tha church of St. Francis at Assisi and the
Campo Santo at Pisa.
LUEBKE, Hist. Art, Vol. 2, pp. 52-4; FERGUJSSON, Hist. Arch., Vol. 2, pp.
Mon. Art, Vol. 1, PI. 57, Text p. 185. 325-6.
TAINE, Florence and Venice, pp. 16-27, H\R-S, Cities of Italy, Vol. 2, pp. 452-3;
62-9. Vol. 3, pp. 382-5.
TYTLER, Old Masters, pp. 24-6. SCOTT, Fine Arts, pp. 257-8.
40
HISTORY OF PAINTING.
3. The forerunners of Giotto: Nicola and Giunta of
Pisa; Guido and Duccio of Siena; Andrea Tafi and Cima-
bue of Florence.
KUGLER. It. Schools of Painting, Vol. 1,
pp. 105-15.
LUEBKE, Hist. Art, Vol. 1, pp. 564-9;
Mon. Art, Vol. 1, PI. 49, Text p. 160.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p.
341, Text pp. 343, 346.
HEATON, Hist. Painting, pp. 40-51.
VIARDOT, Hist. Painting, pp. 38-9, 44-5.
LANZI, Hist. Painting, Vol. 1, pp. 5-23.
VASARI, Lives, Vol. 1, pp. 35-45, 60-93,
241-4.
OTTLEY, Early Florentine Schools, Pis.
2-10.
JARVES, Art Studies, pp. 111-21.
4. Giotto the leading master of the period (1276-
1336); outline of his life, incidents showing his character
and proofs of his great industry.
SYMONDS, Kenaissance, pp. 187-9.
WOLTMANN and WOERMANN, Hist.
Painting, Vol. 1, pp. 425-33.
TAINE, Florence and Venice, pp. 51-2,
78-9.
OLIPHANT, Makers of Florence, pp.
95-100.
JAMESON, It. Painters, , pp. 7-24; Sacred
Art, Vol. 2, pp. 589-90, 599; Hist.
Our Lord, Vol. 2, pp. 9-39, 58, 64,
168, 174, 181, 215-6, 276, 279-80, 399;
Legends of the Madonna, pp. 64-6,
76-7.
KOEHLER, Hist. Art, PL 198.
KUGLER, It. Schools of Painting, Vol. 1,
pp. 120-1.
KNiGHT,Pict.Gal.Arts,Vol.2,Textp.346.
WOLTMANN and WOERMANN, Hist.
Painting. Vol. 1, pp. 435, 450.
HEATON, Hist. Painting, pp. 53-5, 63-4.
LANZI, Hist. Painting, Vol. 1, pp. 23-7.
JARVES, Art Studies, pp. 141-5.
VASARI, Lives, Vol. 1, pp. 93-5, 102-3,
115-6, 119-22.
TYTLER, Old Masters, pp. 8-12, 20-2.
VIARDOT, Hist. Painters, pp. 40-1.
JAMESON, It. Painters, pp. 25-8, 36-7,
41-6.
OTTLEY, Early Florentine Schools, Pis.
12-21.
5. The great literary contemporaries of Giotto and
their influence on art.
HISTORY OF PAINTING.
41
OLIPHANT, Makers of Florence, pp.
1-91 ; Foreign Classics, pp. 7-17.
REEVE, Petrarch, pp. 19, 44.
TAINE, Florence and Venice, pp. 21-6,
66-9.
JARVES, Art Studies, pp. 139-41.
WOLTMANN and WOERMANN, Hist.
Painting. Vcl. 1, pp, 443-4.
GRIMM, M. Angelo, Vol. 1, p. 479; Vol.
2, pp. 77-83.
RUSKIN, Stones of Venice, Vol. 2, pp.
358-61.
6. Giotto's masterpieces in fresco painting: the
series in the Arena chapel at Padua; the series in the
church of St. Francis at Assisi; the several chapel series in
the church of Santa Croce, at Florence.
KUGLER, It. Schools of Painting, Vol. 1,
pp. 121-35.
LUEBKE, Hist. Art, Vol. 2, pp. 103-6;
Mon. Art, Vol. 1, PI. 62, Text pp.
198-200.
LANZI, Hist. Painting, Vol. 3, pp. 9-10.
WOLTMANN and WOERMANN, Hist.
Painting, Vol. 1, pp. 435-43, 444-50.
VIARDOT, Hist. Painting, p. 41.
JARVES, Art Studies, pp. 130-2, 134-6.
KOEHLER, Hist. Art, PI. 195.
JAMESON, It. Painters, pp. 29-36; Hist.
Our Lord, Vol. 1, pp. 303-4; Vol. 2,
pp. 37-8, 309-10; Legends of Monas-
tic Orders, pp. 259-61, 265-7.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p.
341, Text p. 346.
VASARI, Lives, Vol. 1, pp. 95-115.
SYMONDS, Renaissance, pp. 190-1.
HEATON, Hist. Painting, pp. 55*62.
TYTLER, Old Masters, pp. 16-9.
TAINE, Florence and Venice, pp. 20-1.
7. General criticism of the works of Giotto in com-
parison with those of his predecessors.
KUGLER, It. Schools of Painting, Vol. 1,
pp. 135-6.
LANZI, Hist. Painting, Vol. 1, pp. 23-8.
TAINE, Florence and Venice, pp. 100-3,
201-2.
WOLTMANN and WOERMANN, Hist.
Painting, Vol. 1, pp. 440-1, 442-3.
SYMOXDS, Renaissance, pp. 192-7.
JARVES, Art Studies, pp. 128-30, 132-3,
137-8, 146-9.
42
HIbTORY OF PAINTING.
V.— THE LAST OF MYSTICISM AND THE BEGIN-
NING OF REALISM.
[1300-1450 A. D.]
1. The Giottesqui or the followers of Giotto: Taddeo
Gaddi, the militant (1300-1366); Simone Martini, the
spiritual (1283-1344 .
KUGLER, It. Schools of Painting, Vol. 1,
pp. 137-40, 165-9.
LUEBKE, Mon. Art, 'Vol. 1, PL 62, Text
p. 199.
WOLTMANN and WOERMANN, Hist.
Painting, Vol. 1, pp. 452-3, 463-6.
KOEHLER, Hist, of Art, Pis. 196-8.
D'AGINCOURT, Hist. Art, Vol. 3, Pis.
118, 122.
IIANZI, Hist. Painting, Vol. l,pp. 58-60,
388-92.
JARVES, Art Studies, pp. 193-8.
VASARI, Lives, Vol. 1, pp. 181-91, 191-
203.
HARE, It. Cities, Vol. 3, pp. 74-5.
VIARDOT, Hist. Painting, pp. 41, 45.
OTTLEY, Early Florentine Schools,
26-8.
SYMONDS, Renaissance, pp. 216-8.
JAMESON, Legends of the Madonna, pp.
141-2; Monastic Orders, pp. 377-8;
Hist. Our Lord, Vol. 2, pp. 9-10,
105-7, 245-6.
2. The great subject of the period — the Last Judg-
ment; Andrea Orcagna ( ?-1376); the master or mas-
ters of the Triumph of Death in the Campo Santo at Pisa.
D'AGINCOURT, Hist. Art, Vol. 3, PI. 119.
TYTLER, Old Masters, pp. 25-30.
LANZI, Hist. Painting, Vol. 1, pp. 54-6.
TAINE, Florence and Venice, pp. 64-8.
HARE, It. Cities. Vol. 2, pp. 454-8.
OTTLEY, Early Florentine Schools,
PI. 31.
SYMONDS, Renaissance, pp. 199-205.
JARVES, Art Studies, pp. 175-82.
WOLTMANN and WOERMANN, Hist. Art,
Vol. 1, pp. 456-63.
KOEHLER, Hist. Art, Pis. 197-8.
KUGLER, It. Schools of Painting, Vol.
1, pp. 149-58.
LUEBKE, Hist. Art, Vol. 2, pp. 107-10;
Mon. Art, Vol. 1, PI. 63, Text p. 200.
HEATON, Hist. Painting, pp. 68-71.
VIARDOT, Hist. Painters, p. 43.
JAMESON, Hist. Our Lord, Vol. 2, pp.
399-402, 405-7 ; Sacred Art, Vol. 1, p.
90; Legends of the Madonna, pp.28,
319.
VASARI, Lives, Vol. 1, pp. 204-18.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p.
341.
HISTORY OF PAINTING.
43
3. New impetus given to painting by the gold-
smiths; the creation of Ghiberti's bronze doors of the Bap-
tistery at Florence.
LUEBKE, Hist. Art, Vol. 2, pp. 186-8;
Mon. Art, PL 65: Text pp. 204-5.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p.
344, Text pp. 303-6.
D' AGING DURT, Hist. Art, Vol. 3, Pis.
41-2.
HEATON, Hist. Painting, pp. 75-8.
GRIMM, M. Angelo, Vol. 1, pp. 32-47.
OLIPHANT, Makers of Florence, pp.
124-8.
TYTLEU, Old Masters, pp. 30-3.
JAMESON, It. Painters, pp. 64-75; Hist.
Our Lord, Vol. 1, pp. 96-8, 119, 131,
168.
OTTLEY, Early Florentine Schools, Pis.
34-8.
VASARI, Lives, Vol. 1, pp. 361-87.
SYMONDS, Renaissance, pp. 126-34.
TAINE, Florence and Venice, pp. 95-7,
116-9.
HARE, It. Cities, Vol. 3, pp. 62-3, 102.
4. Fra Angelico, the last master under the reign of
pure faith (1387-1455); history and character of the
man; select works of the master: Last Judgment in the
cathedral of Orvieto; Coronation of the Virgin; Descent
from the Cross; Madonna of the Star ; Angel pictures.
KUGLER, It. Schools of Painting, Vol.
1, pp. 179-86.
LUEBKE, Hist. Art, Vol. 2, pp. 111-4;
Mon. Art, PI. 67, Text pp. 250-1.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text
p. 350.
HEATON, Hist. Painting, pp. 81-6.
JAMESON, It. Painters, pp. 89-94; Hist.
Our Lord, Vol. 1, pp. 266-7,358; Vol.
2, pp. 16-7, 76-7, 188-9:5, 229, 259-60,
409, 413-6. Legends of the Madonna,
pp. 17-9; Sacred Art, Vol. 1, pp.
100-1, 265-6; Vol. 2, pp. 438-9, 536-7.
LANZI, Hist. Painting, Vol. 1, pp. 75-6.
VASARI, Lives, Vol. 2, pp. 24-40.
D'AGINCOURT, Hist. Art, Vol. 3, PL 145.
OTTLEY, Early Florentine Schools, Pis.
40-1.
VIARDOT, Hist. Painters, pp. 48-9.
HARE, It. Cities, Vol. 3, pp. 118-22, 127.
PHILLIMORE, Fra Angelico, pp. 25-56.
SWEETSER, Fra Angelico.
TYTLER, Old Masters, pp. 36-40.
TAINE, Florence and Venice, pp. 8-9,
131-9; Ideal in Art, pp. 175-6.
JARVES, Art Hints, pp. 341-2, 344-7;
Art Studies, pp. 230-40.
RUSXIN, Stones of Venice, Vol. 1, pp.
428-30.
44
HISTORY OF PAINTING.
5. Masaccio, the greatest pioneer master of realisn
in painting (1402-1429); his frescoes in the Brancacci
chapel; in the church Santa Maria del Carmine at Flor-
ence; the characteristics of these frescoes making pupils
of all the succeeding masters down to the time of Raphael.
KUGLER, It. Schools of Painting, Vol. 1,
pp. 220-4.
LUEBKE, Hist. Art, Vol. 2, pp. 203-8;
Mon. Art, PL 67 A, Text pp. 210-1.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p.
344, Text pp, 347-50.
JAMESON, It. Painters, pp. 75-83; Sacred
Art, Vol. 1, pp. 210-1.
HEATON, Hist. Painting, pp. 79-81.
LANZI, Hist. Painting, Vol. 1, pp. 73-5.
VASA.RI, Lives, Vol. 1, pp. 401-13.
VIARDOT, Hist. Painters, pp. 51-2.
TYTLER, Old Masters, pp. 35-6.
D'AGINCOURT, Hist. Art, Vol. 3, Pis
147-55.
OTTLEY, Early Florentine Painters, Pis,
42-4.
KOEHLER, Hist. Art, PI. 200.
DOHME, Early Masters, pp. 292-315.
PHILLIMORE, Fra Angelico, pp. 16-24.
SYMONDS, Renaissance, pp. 228-31.
JARVES, Art Studies, pp. 253-8.
TAINE, Florence and Venice, pp. 123-7
6. Other masters contributing to the great develop-
ment of this period; Paolo Uccello (1396-1469?) and
Pietro della Francesca (1415-1509?) — perspective and fore-
shortening.
KUGLER, It. Schools of Painting, Vol.
1, pp. 216-7, 255-8.
LUEBKE, Hist. Art, Vol. 2, p. 220.
HEATON, Hist. Painting, pp. 78-9.
LANZI, Hist. Painting, Vol. 2, pp. 23-6.
VASARI, Lives, Vol. 1, pp. 348-61'; Vol.
2, pp. 13-23.
VIARDOT, Hist. Painters, pp. 50-1, 7' 5-4.
PHILLIMORE, Fra Angelico, pp. 2-10.
SYMONDS, Renaissance, pp. 231-2.
JARVES, Art Studies, pp. 250-3, 269-70.
KOEHLER, Hist. Art, PI. 201.
OTTLEY, Florentine Schools, PL 33.
D'AGINCOURT, Hist. Art, Vol. 3, PI. 146.
HISTORY OF PAINTING.
45
7. Followers of Masaccio and of Angelico; Fra
Filippo Lippi (1412-1469); Benozzo Gozzoli (1424-
1496).
KUGLER, It. Schools of Painting, Vol. 1,
pp. 224-7, 236-9.
LUEBKE, Hist. Art, Vol. 2, pp. 208-10,
214-7.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p.
344, Text p. 350.
JAMESON, It. Painters, pp. 84-8, 95-101;
Hist. Our Lord, Vol. 1, pp. 305-7.
LANZI, Hist. Painting, Vol. 1, pp. 77-80.
VASARI, Lives, ATol. 2, pp. 73-87, 115-21.
HEATON, Hist. Painting, pp. 86-92.
PHILLIMORE, Fra Angelico, pp. 58-67,
74-80.
DOHME, Early Masters, pp. 317-32.
VIARDOT, Hist. Painters, pp. 52-3.
OTTLEY, Early Florentine Schools, Pis.
46-9.
D'AGINCOURT, Hist Art, Vol. 3, PI. 163.
KOEHLER, Hist. Art, PI. 201.
SYMONDS, Renaissance, pp. 239-47.
JARVES, Art Thoughts, pp. 258-66, 302-6.
TAINE, Florence and Venice, p. 127.
VI.— THE SECOND GENERATION OF CLASSIC
REALISTS.
DEVELOPMENT OF THE DRAMATIC ELEMENTS IN PAINTING AND
THE MORE SKILFUL USE OF COLOR.
[1450-1500 A. D.]
1. The respective aesthetic tendencies of Umbria,
Padua, Florence and Venice.
KUGLER, It. Schools of Painting, Vol. LANZI, Hist. Painting, Vol. 1, pp.
2, pp. 290-2, 325-6. 147-50; Vol. 3, pp. 91-9.
LUEBKE, Hist. Art, Vol. 2, pp. 211, TAINE, Florence and Venice, pp. 110-1.
223-4, 240-2. JARVES, Art Studies, pp. 312-5, 319-20.
VIARDOT, Hist. Painters, pp. 34-7, 73. SYMONDS, Renaissance, pp. 180-4.
46
HISTORY OF PAINTING.
2. The influence of the Medici on art — Cosmo,
Lorenzo and Leo X.
GRIMM, M. Angelo, Vol. 1, pp. 27-32, SYMONDS, Renaissance, pp. 262-5.
90-118. ROSCOE, Lorenzo De Medici, pp. 306-12,
LANZI, Hist. Painting, Vol. 1, pp. 68-70. 316-24.
TAINE, Florence and Venice, pp. 111-9.
3. Sandro Botticelli (1447-1515); History of Moses,
Temptation of Christ and Punishment of Korah in the
Sistine Chapel; Madonna with angels and the Birth of
Venus at Uffizi gallery, Florence.
KUGLER, It. Schools of Painting, Vol.
1, pp. 229-30.
LUEBKE, Hist. Art, Vol. 2, pp. 210-1;
Mon. Art, Vol. 2, PI. 67 A, Text pp.
210-1.
HEATON, Hist. Painting, p. 94.
JAMESON, It. Painters, pp. 104-5;
Legends of the Madonna, pp. 111-2,
202-3, 256; Hist. Our Lord, Vol. 1,
p. 312; Vol. 2, p. 230.
LANZI, Hist. Painting, Vol. 1, pp. 35-6.
VASARI, Lives, Vol. 2, pp. 230-40.
VIARDOT, Hist. Painters, pp, 58-9.
UOHME, Early Masters, pp. 341-55.
OTTLEY, Early Florentine Schools,
PI. 50.
SYMONDS, Renaissance, pp. 249-55.
JARVES, Art Studies, pp. 266-9.
PHILLIMORE, Fra Angelico, pp. 90-5.
D'AGINCOURT, Hist. Art, Vol. 3, PI. 173.
KOEHLER, Hist. Art, Pis. 201-3.
4. Luca Signorelli (1441-1523); his great fresco
paintings in the Cathedral of Orvieto; Madonna alter-
piece in the Academy at Florence; School of Pan in the
Museum at Berlin ; Meeting of Moses and Joshua.
HISTORY OF PAINTING.
47
KUGLER, It. Schools of Painting, Vol. 1,
pp. 247-51.
LUEBKE, Hist. Art, Vol. 2, pp. 220-1;
Mon. Art, Vol. 2, PI. 67, Text pp.
209-10.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p.
344, Text p. 350.
HEATON, Hist. Painting, pp. 105-7.
JAMESON, It. Painters, p. 105; Legends
of the Madonna, pp. 131-2; Hist.
Our Lord, Vol. 2, pp. 410-1.
LANZI, Hist. Painting, Vol. 1, pp. 98-9.
VASARI, Lives, Vol. 2, pp. 347-56.
VIARDOT, Hist. Painters, pp. 57-8.
OTTLEY, Early Florentine Schools, Pis.
52-4.
SYMONDS, Renaissance, pp. 279-94.
PHILLIMORE, Fra Angelico, pp. 110-4.
PATER, Renaissance, pp. 54-67.
D'AGINCOURT, Hist. Art, Vol. 3, PI. 156.
KOEHLER, Hist. Art, Pis. 202-4.
5. Andrea Mantegna, the plastic or sculpturesque
.painter and the master of the Paduan School (1431-1506);
Madonna della Vittoria in the Louvre ; series of paint-
ings, the Triumph of Caesar, now at Hampton Court;
Judith with the head of Holofernes.
KUGLER, It. Schools of Painting, Vol.
1, pp. 294-9.
LUEBKE, Hist. Art, Vol. 2, pp. 224-9;
Mon. Art, Vol. 2, Pis. 67 A, 69, Text
pp. 210, 212.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p.
345, Text p. 351.
JAMESON, It. Painters, pp. 113-33; Hist.
Our Lord, Vol. 2, pp. 168-9, 230-1,
238-9.
KOEHLER, Hist. Art, PI. 205.
LANZI, Hist. Painting, Vol. 3, pp, 70-2;
Vol. 4, pp. 6-11.
VASARI, Lives, Vol. 2, pp. 267-73.
VIARDOT, Hist. Painters, pp. 66-7.
TYTLER, Old Masters, pp. 64-9.
DOHME, Early Masters, pp. 373-401.
SYMONDS, Renaissance, pp. 266-78.
JARVES, Art Studies, pp. 311-2.
D'AGINCOURT, Hist. Art, Vol. 3, Pis.
139-40.
CARR, It. Masters, Pis. 1-2, Text pp. 1-5,
6. Giovanni Bellini, the painter of every excellence
in moderate degree and the founder of the Venetian
school (1422-1516); his various Pietas; Madonna with
Saints and Singing Angels; Feast of the Gods.
48
HISTORY OF PAINTING.
KUGLER, It. Schools of Painting, Vol.
2, pp. 327-32.
LUEBKE, Hist. Art, Vol. 2, pp. 234-9;
Mon. Art, Vol. 2, PI. 69, Text p. 212.
JAMESON, It. Painters, pp. 134-40;
Legends of the Madonna, pp. 109-10.
HEATON, Hist. Painting, pp. 199-211.
SYMONDS, Renaissance, pp. 365-6.
LANZI, Hist. Painting, Vol. 3, pp. 5(
VASARI, Lives, Vol. 2, pp. 159-73.
KNIGHT, Pict. Gal. Arts, Vol. 2, II.
344, Text p. 351.
VIARDOT, Hist. Painters, pp. 82-3.
TYTLER, Old Masters, pp. 54-64.
D'AGINCOURT, Hist. Art, Vol. 3, PL 143.
7. Filippino Lippi (1459-1504); his fresco paintings
in the Brancacci chapel; Triumph of St Thomas over the
Heretics in the church of Santa Marie sopra Minerva,
Florence; vision of St. Bernard in the Badia, Florence.
KUGLER, It. Schools of Painting, Vol.
2, pp. 232-5.
LUEBKE, Hist. Art, Vol. 2, pp. 211-12;
Mon. Art, Vol. 2, PI. 67, Text p. 209.
HEATON, Hist. Painting, pp. 94-6.
LANZI, Hist. Painting, Vol. 1, pp. 92-4.
VASARI, Lives, Vol. 2, pp. 174-84.
VIARDOT, Hist. Painters, p. 60.
DOHME, Early Masters, pp. 330-41.
D'AGINCOURT, Hist. Art, Vol. 3, PI. 149.
OTTLEY, Early Florentine Schools,
PI. 51.
JARVES, Art Studies, pp. 282-7.
SYMONDS, Renaissance, pp. 247-9.
TAINE, Florence and Venice, p. 127.
8. Domenico Ghirlandajo, the master of "motive"
who completed the development which Masaccio began
(1449-1494); Calling of Peter and Andrew in the Sistine
Chapel; Birth of the Virgin; Adoration of the Magi in
the church of the Innocents, Florence.
KUGLER, It. Schools of Painting, Vol.
1, pp. 239-44.
LUEBKE, Hist. Art, Vol. 2, pp. 217-20;
Mon. Art, Vol. 2, PI. 67, Text pp.
209-10.
VASARI, Lives, Vol. 2, pp. 200-20.
VIARDOT, Hist. Painters, p. 59.
TYTLER, Old Masters, pp. 69-73.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p.
345.
HISTORY OF PAINTING.
49
HEATON, Hist, Painting, pp. 96-100.
JAMESON, It. Painters, pp. 106-12; Hist.
Our Lord, Vol. 1, pp. 263-4, 374;
Legends of the Monastic Orders, pp.
263-7.
LANZI, Hist. Art, Vol. 1, pp. 94-6.
DOHME, Early Masters, pp. 356-72.
KOEHLER, Hist. Art, PI. 203.
JAR YES, Art Studs, pp. 287-90. ie
SYMONDS, Renaisrance, pp. 258-61.
GRIMM, M. Angelo, Vol. 1, pp. 83-90.
TAINE, Florence and Venice, pp. 127-30.
9. Pietro Perugino, the first great master of the
Umbrian school (1446-1524); Christ's Charge to Peter in
the Sistine Chapel; series of frescoes in the Sala del Cambio,
Perugia; Pieta in the Pitti Palace; Madonna Enthroned
and Four Saints at Perugia.
KUGLER, It. Schools of Painting, Vol.
1, pp. 269-71.
LUEBKE, Hist. Art, Vol. 2, pp. 242-3.
HEATON, Hist. Painting, pp. 110-6.
LANZI, Hist. Painting, Vol. 2, pp. 29-32.
JAMESON, It. Painters, pp. 104-5.
VIARDOT, Hist. Painters, p. 76.
VASARI, Lives, Vol. 2, pp. 306-8.
TAINE, Florence and Venice, pp. 9-15.
SYMONDS, Renaissance, pp. 294-5, 297-
301.
JARVES, Art Studies, pp. 324-7.
10. The best period of Perugino (1490-1505); the
period and the occasion of his decline.
KUGLER, It. Schools of Painting, Vol.
1, pp. 271-5.
LUEBKE, Hist. Art, Vol. 2, pp. 243-5;
Mon. Art, Vol. 2, PI. 70, Text p. 213.
JAMESON, It. Painters, pp. 147-8;
Legends of the Madonna, pp. 261-2;
Hist. Our Lord, Vol. 1, pp. 312-3;
Vol. 2, pp. 230-1, 310-1.
KOEHLER, Hist. Art, PI. 205.
D'AGINCOURT, Hist. Art, Vol. 3, PI. 182.
LANZI, Hist. Painting, Vol. 2, pp. 32-4.
VASARI, Lives, Vol. 2, pp. 308-23.
CARR, It. Masters, Pis. 3-4, Text pp. 7-8.
VIARDOT, Hist. Painters, pp. 76-7.
GRIMM, M. Angelo, Vol. 1. pp. 309-10.
JARVES, Art Studies, pp. 327-33.
SYMONDS, Renaissance, pp. 295-6, 299-300.
11. Fra Bartolommeo (1475-1517); Holy Family in
the Cowper collection; Marriage of St. Catharine; Ma-
HISTORY OF PAINTING.
•donna della Misericordia at San Romano, Lucca; Pieta al
Pitti Palace, Florence.
pp.
It. Schools of Painting, Vol.
2, pp. 390-5.
XUEBKE, Hist. Art, Vol. 2, pp. 315-8;
Mon. Art, Vol. 2. PI. 67, Text pp.
325-6.
TONIGHT, Pict. Gal. Arts, Vol. 2, II. p.
345, Text pp. 354-5.
HEATON, Hist. Painting, pp. 137-41.
LANZI, Hist. Painting, Vol. 1, pp. 187-93.
JAMESON, It. Painters, pp. 159-69;
Legends of the Monastic Orders, p.
374.
VASARI, Lives, Vol. 2, pp. 445-63.
12. Andrea del Sarto (1487-1531): his Last Supper
in 'tke convent of San Salvi; Madonna del Sacco; Dispute
•on the Holy Trinity; Madonna of St. Francis.
TYTLER, Old Masters, pp. 77-81.
VIARDOT, Hist. Painters, pp. 97-8.
OLIPHANT, Makers of Florence,
347-51.
DOHME, Early Masters, pp. 402-21.
SCOTT, Fra Bartolommeo, pp. 1-70.
D'AGINCOURT, Hist. Art, Vol. 3, PI. 200.
HAMILTON, Schola Italica, PI. 6.
TAINE, Florence and Venice, pp. 158-9;
Rome and Naples, pp. 165-6.
SYMONDS, Renaissance, pp. 304-10.
JARVES, Art Studies, pp. 338-48.
KUGLER, It. Schools of Painting, Vol.
2, pp. 399-403.
,LUEBKE, Hist. Art, Vol. 2, pp. 318-22;
Mon. Art, Vol. 2, Pis. 76, 79 A, Text
pp. 226-7, 234.
JAMESON, It. Painters, pp. 223-7 ; Sacred
Art, Vol. 1, pp. 272-3; Hist. Our
Lord, Vol. 1, pp. 164-7, 308-9; Le-
gends of the Madonna, pp. 148-9.
JARVES, Art Studies, pp. 363-70.
LANZI, Hist. Painting, Vol. 1, pp. 194-
202.
^VASAEI, Lives, Vol. 3, pp. 180-236.
HEATON, Hist. Painting, pp. 189-93.
VIARDOT, Hist. Painters, pp. 99-102.
TYTLER, Old Masters, pp. 81-2.
DOHME, Early Masters, pp. 422-47.
SCOTT, Fra Bartolommeo, pp. 72-114.
CARR, It. Masters, PI. 17, Text pp. 31-2.
HISTORY OF PAINTING.
51
VII.— LEONARDO DA VINCI.
THE UNIVERSAL GENIUS.
[1452-1519 A. D.]
1. Leonardo da Vinci; outlines of his life; his gen-
ius and gifts and their comparative unfruitfulness.
KUGLER, It. Schools of Painting, Vol.
2, pp. 347-9.
LUEBKE, Hist. Art, Vol. 2, pp. 280-3.
KNIGHT, Pict. Gal. Arts, Vol. 2,Text pp.
351-4.
JAMESON, It. Painters, pp. 170-7.
VASARI, Lives, Vol. 2, pp. 366-75.
HEATON, Hist. Painting, pp. 122-6.
TYTLER, Old Masters, pp. 83-7.
LACEOIX, Arts of Mid. Ages, pp. 92-3.
SWEETSER, Leonardo da Vinci, pp.
7-41, 54-7, 68-75, 90-140.
JARVES, Art Studies, pp. 380-90.
RUSKIN, Stones of Venice, Vol. 2, p.
189.
SYMONDS, Renaissance, pp. 311-25.
PATER, Renaissance, pp. 105-26.
GRIMM, M. Angelo, Vol. 1, pp. 48-56.
2. Leonardo's life and works at Milan; history and
analysis of his Last Supper.
KUQLER, It. Schools of Painting, Vol.
2, pp. 351-7.
LUEBKE, Hist. Art, Vol. 2, pp. 284-6;
Mon. Art, Vol. 2, PI. 74, Text pp.
22-3.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p.
348, Text p. 354.
JAMESON, It. Painters, pp. 178-81;
Hist. Our Lord, Vol. 2, pp. 21-3.
LANZI, Hist. Painting, Vol. 4, pp. 244-7.
VASARI, Lives, Vol. 2, pp. 376-82.
VIARDOT, Hist. Painters, pp. 92-4.
HEATON, Hist. Painting, pp, 126-31.
SWEETSER, Leonardo da Vinci, pp. 42-53.
TYTLER, Old Masters, pp. 87-8, 92-4.
D'AGINCOURT, Hist. Art, Vol. 3, Pis.
175-6.
KOEHLER, Hist. Art, PI. 207.
GRIMM, M. Angelo, Vol 1, pp. 239-42.
BLANC, Grammar of Painting, pp. 80-3.
JARVES, Art Studies, pp. 391-9.
TAINE, Florence and Venice, pp. 350-3.
SYMONDS, Renaissance, pp. 325-7.
PATER, Renaissance, pp. 128-32.
3. A full and critical history of the treatment of the
subject of the Last Supper in painting, especially by Giotto,
Angelico, Signorelli, Ghirlandajo, Raphael, Andrea del
Sarto and Titian.
JAMESON, Hist. Our Lord, Vol. 2, pp.
18-21; Sacred Art, Vol. 1, pp. 261-77.
WOLTMANN aild WOEBMANN,
Painting, Vol. 1, pp. 284-5.
Hist,
4. Leonardo's life and works at Florence; Battle
of the Standard; Mona Lisa; St. Anna and the Virgin.
KUGLER, It. Schools of Painting, Vol.
2, pp. 349-51, 357-61.
LUEBKE, Hist. Art, Vol. 2, pp. 278-90;
Mon. Art, Vol. 2, PI. 74, Text p. 223.
HEATON, Hist. Painting, pp. 131-4.
JAMESON, It. Painters, pp. 181-9.
VIAEDOT, Hist. Painters, pp. 89-91.
TYTLER, Old Masters, pp. 89-90.
SWEETSER, Leonardo da Vinci, pp. 55-9,
62-5.
LANZI, Hist. Painting, Vol. 4, p. 224.
VASARI, Lives, Vol. 2, pp. 382-7.
WILSON, M. Angelo, pp. 69-71.
GRIMM, M. Angelo, Vol 1, pp. 24:5-5,
289-91.
HAMILTON,. Schola Italica, PL 5.
TAINE, Florence and Venice, pp. 155-6.
PATER, Renaissance, pp. 132-9.
JARVES, Art Studies, pp. 399-401.
5. Other works showing the great versatility of this
master.
KUGLER, It. Schools of Painting, Vol. D'AGINCOURT, Hist. Art, Vol. 3, Pis.
2, pp. 359-60. 174-5.
VIARDOT, Hist. Painters, pp. 89-92. CARR, It. Painting, Pis. 9-11, Text pp.
HEATON, Hist. Painting, pp. 30-1. 15-7.
VASARI, Lives, Vol. 2, pp. 173, 383, 387.
HISTORY OF PAINTING. 53
VIII.— MICHAEL, ANGELO AS A PAINTER,
[1475-1564 A. D.]
1. General outline of Michael Angelo's life, as to
places of residence, journeys, patrons and greatest works
—the whole in chronological order.
KUCILER, It. Schools of Painting, Vol.
2, pp. 370-4.
LUEKKE, Hist. Art, Vol. 2, pp. 301-2,
311-5.
HEATON, Hist. Painting, pp. 169-75.
JAMESON, It. Painters, pp; 191-203, 207-
10, 214-22.
LAN/I, Hist. Painting, Vol. 1, pp. 162-7,
176-8.
VASARI, Lives, Vol. 5, pp. 227-44, 246-
54, 267-80, 291-370.
VIAKDOT, Hist. Painters, pp. 105-6.
BLACK, M. Angelo, pp. 147-218.
WILSON, M. Angelo.
GRIMM, M. Angelo.
CARR, It. Masters, pp. 21-2.
SWEETSER, M. Angelo.
ROSCOE, Lorenzo de Medici, pp. 78,
313-9.
CLEMENT, M. Angelo.
JARVES, Art Studies, pp. 412-28.
TAINE, Rome and Naples, pp. 186-9;
Florence and Venice, pp. 147-9; Ideal
in Art, pp. 21-4.
SYMONDS, Renaissance, pp. 342-4, 384-
95, 397-402, 413-23, 428-36, 512-28.
PATER, Renaissance, pp. 78-104.
REYNOLDS, Discourses on Art, Vol. 1,
pp. 370-4;- Vol. 2, pp. 306-19, 348-50.
OLIPHANT, Makers of Florence, pp.
352-62, 364-84, 386-9.
TYTLER, Old Masters, pp. 96-102, 104-5,
107-11.
2. Michael Angelo's first great cartoon — Soldiers
Bathing in the Arno.
KUGLER, It. Schools of Painting, Vol.
2, pp. 374-5.
LUEBKE, H,ist. Art, Vol. 2, pp. 302-4;
Mon. Art, Vol. 2, PI. 77, Text p. 229.
JAMESON, It. Painters, pp. 198-9.
LANXI, Hist. Painting, Vol. 1, pp. 167-9.
VASARI, Lives, Vol. 5, pp. 244-6.
HEATON, Hist. Painting, pp. 175-6.
VIARDOT, Hist. Painters, pp. 106,
109-12.
SWEETSER, M. Angelo, pp. 31-3.
CLEMENT, M. Angelo, pp. 23-6.
GRIMM, M. Angelo, Vol. 1, pp. 287-
90, 426-9.
WILSON, M. Angelo, pp. 68, 71, 87-90.
BLACK, M. Angelo, PI. 16, pp. 20-1, 56-7.
BOIIN, Angelo's Works, PI. 29, Text
p. 7.
JARVES, Art Studies, pp. 431-2.
SYMONDS, Renaissance, pp. 395-7.
OLIPHANT, Makers of Florence, p. 363.
54
HISTORY OF PAINTING.
3. The ceiling of the Sistine Chapel; architectural
analysis; subjects and description of the four wide and
the five narrow frescoes; the twelve triangular pendentive
and the corner frescoes; the artistic unity of the whole.
KUGLER, It. Schools of Painting, Vol.
2, pp. 375-81, 387-9.
LUEBKE, Hist. Art, Vol. 2, pp. 304-8;
Mon. Art, Vol. 2, PI. 77, Text pp.
227-8.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p.
349, Text pp. 355, 358.
JAMESON, It. Painters, pp. 203-7 ; Hist.
Our Lord, Vol. 1, pp. 83-4, 93, 103-5,
128-9, 252-6.
LANZI, Hist. Painting, Vol. 1, pp.
169-71.
V AS ART, Lives, Vol. 5, pp. 254-67.
VIARDOT, Hist. Painters, pp. 106-8.
WILSON, M. Angelo, Pis. 9-10, Text pp.
117-90.
BLACK, M. Angelo, Pis. 10-3, pp. 32-46,
198-200.
HEATON, Hist. Painting, pp. 177-9.
TYTLER, Old Masters, pp. 33-4.
HARE, Walks in Rome, pp. 541-4
GRIMM, M. Angelo, Vol. 1, pp. 315-48,
374-8.
SWEETSER, M. Angelo, pp. 48-58.
CLEMENT, M. Angelo, pp. 38-44.
D'AGINCOURT, Hist. Art, Vol. 3, Pis. 200,
203.
HAMILTON, Schola Italica, Pis. 1-4.
OTTLEY, Florentine Schools, PI. 55.
KOEHLER, Hist. Art, PI. 208.
JARVES, Art Thoughts, pp. 90-3.
TAINE, Rome and Naples, pp. 189-94,
344.
SYMONDS, Renaissance, pp. 344-6, 404-12.
BLANC, Grammar of Painting, pp.
77-80.
OLIPHANT, Makers of Florence, pp.
370-1.
4. The Sistine fresco of The Last Judgment; its
composition compared with that of other frescoes of the
same subject.
KUGLER, It. Schools of Painting, Vol. WILSON, M. Angelo, PI. 16, pp. 405-35.
2, pp. 38Z-5. BLACK, M. Angelo, PI. 14, pp. 84-100.
LUEBKE, Hist. An, Vol. 2, pp. 308-11; BOHN, M. Angelo's Works, PI. 26, Text
Mon. Art, Vol. 2, PI. 77, Text pp. p. 5.
288-9. D'AGINCOURT, Hist. Art, Vol. 3, PI.
JAMESON, It. Painters, pp. 210-4; Hist. 180.
Our Lord, Vol. 2, pp. 392-416.
SWEETSER, M. Angelo, pp. 98-104.
HISTORY OF PAINTING.
LANZI, Hist. Painting, Vol. 1, pp.
171-5.
VASARI, Lives, Vol. 5, pp. 280-2, 285-90.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text
p. 359.
VIARDOT, Hist. Painters, pp. 108-9.
HEATON, Hist. Painting, pp. 182-4.
HARE, "Walks in Rome, pp. 545-9.
EATON, Rome, 19th Cent., Vol. 2, pp.
39-43.
GRIMM, M. Angelo, Vol. 2, pp. 200-22.
CLEMENT, M. Angelo, pp. 62-7.
KOEHLER, -Hist. Art, PI. 208.
JARVES, Art Studies, pp. 429-31; Art.
Hints, pp. 250-1.
RUSKIN, Mod. Painters, Vol. 2, pp.
178-85.
TAINE, Rome and Naples, pp. 170,.
194-5.
SYMONDS, Renaissance, pp. 423-8.
OLIPHANT, Makers of Florence, pp.
384-6.
IX.— RAPHAEL SANZEO.
THE COMMON CULMINATION OF SPIRITUAL ELEVATION AND-
NATURAL BEAUTY.
[1483-1520 A. D.]
1. Raphael's early conditions — home, parents, neigh-
borhood and master.
KUGLER, It. Schools of Painting, Vol.
6, pp. 406-9.
LUEBKE, Hist. Art, Vol. 2. pp. 323-5.
JAMESON, It. Painters, pp. 228-32.
LANZI, Hist. Painting, Vol. 2, pp. 51-3.
VASARI, Lives, Vol. 3, pp. 1-4.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text
p. 355.
VIARDOT, Hist. Painters, pp. 113-4.
PASSAVANT, Raphael, pp. 9-34.
SWEETSER, Raphael, pp. 7-16.
TYTLER, Old Masters, pp. 125-7.
D'ANVERS, Raphael, pp. 1-5.
JARVES, Art Studies, pp. 321, 439-42.
TAINE, Florence and Venice, p. 15.
SYMONDS, Renaissance, pp. 302-3.
2. Raphael's Umbrian life and earliest independent,
works; Infant Jesus and St. John; the Crucifixion; Cor-
onation of the Virgin at the Vatican; the Espousals of
the Virgin now at Milan.
HISTORY OF PAINTING.
KUGLER, It. Schools of Painting, Vol.
2, pjx 409-15.
LUEBKE, Hist. Art, Vol. 2, pp. 320-7.
LANZI, Hist. Painting, Vol. 2, pp. 53-60.
V AS A m, Lives, Vol. 3, pp. 4-6.
HEATON, Hist. Painting, pp. 142-6.
PERKINS, Raphael and Michael Angelo,
pp. 55-64.
D'AXVERS, Raphael, pp. 6-9.
KOEHLER, Hist. Art, PI. 209.
PASS AY ANT, Raphael, pp. 35-49.
JARVES, Art Studies, pp. 442-3.
JAMESON, It. Painters, pp. 233-4; Le-
gends of the Madonna, pp. 24-5, 160-1.
S\VEETSER, Raphael, pp. 16-24.
3. Raphael's Florentine life and modifications of
style ; Madonna of the Goldfinch ; Madonna in the
Meadow; Holy Family under the Palm ; the Entomb-
ment.
KUGLEB, It. Schools of Painting, Vol. 2,
pp. 415-23.
LUEBKE, Hist. Art, Vol. 2, pp. 327-30.
JAMESON, It. Painters, pp. 234-5.
LAN/I, Hist. Painting, Vol. 2, pp. 60-4.
VASARI, Lives, Vol. 3, pp. 6-13.
HEATON. Hist. Painting, pp. 146-9.
VIARDOT, Hist. Painters, pp. 114-15.
TYTLER, Old Masters, pp. 128-9.
PERKINS, Raphael and Michael Angelo,
pp. 64, 72-9, 151-3, 191-6.
GRIMM, M. Angelo, Vol. 1, pp. 259-61.
PASSAVANT, Raphael, pp. 49-80.
SWEETSER, Raphael, pp. 25-40.
D'ANVERS, Raphael, pp. 70-22.
OLIPHANT, Makers of Florence, pp.
1344-6.
WALKER, Raphael's Madonnas, PI. 5,
pp. 45-6.
JARVES, Art Studies, pp. 443-5.
HARE, It. Cities, Vol. 3, pp. 176-9.
4. Raphael's Roman life and his relations with other
masters and prominent men.
LUEBKE, Hist. Art, Vol. 2, pp. 325-6.
JAMESON, It. Painters, pp. 235-6, 274-7.
LAN/I, Hist. Painting, Vol. 2, pp. 64-8,
87-103.
VASAUI, Lives, Vol. 3, pp. 53-64.
HEATON, Hist. Painting, pp. 149-50,
153-6.
REYNOLDS, Discourses on Art, Vol. 2,
pp. 48-54.
SWEETSER, Raphael, pp. 41-6, 56-8, 66-72,
135-44.
D'ANVERS, Raphael, pp. 50-&
TYTLER, Old Masters, pp. 133-5.
JARVES, Art Studies, pp. 444-60.
TAINE, Rome and Naples, pp. 150-1 .
SYMONDS, Renaissance, pp. 312, 327-;!!'.
PERK i xs, Raphael and Michael Angelo,
pp. 93-4, 108-13, 133-4, 158-9, 187-9.
HISTOEY OF PAINTING.
57
5.
Raphael's Madonnas compared with those of
other masters; especially the Madonnas di San Sisto, del
Baldacchino, della Sedia, di Foligno and Belle Jardiniere.
KUGLER, It. Schools of Painting, Vol.
2, pp. 450-60.
LUEBKE, Hist. Art, Vol. 2, pp. 342-6;
Mon. Art, Vol. 2, PI. 78, Text pp.
229-32.
JAMESON," It. Painters, pp. 269-70,277-8;
Legends of the Madonna, pp. :>•">, :>'.>,
75, 113-5, 117-8, 123-4, 257-8.
LANZI-, Hist. Painting, Vol. 2, pp. 94-6.
VASARI, Lives, Vol. 3, pp. 25-6, 32.
KNIGHT, Pict, Gal. Arts, Vol. 2, II. p.
360.
D'AGINCOURT, Hist. Art, Vol. 3, Pis.
184-5.
CARR, It. Masters, PI. 6, pp. 10-12.
VIAKDOT, Hist. Painters, pp. 115-6, 121-2.
HEATON, Hist. Painting, pp. 162-8.
PASSAVANT, Eaphael, Pis. 5, 12-14, 17,
20, Text pp. 188-90, 279-80, 293-5,
304-5.
TYTLER, Old Masters, pp. 148-52.
SWEETSER, Raphael, pp. 54-6, 62-3, 109-
15, 119-22.
WALKER, Raphael's Madonnas, pp.
39-42, 51-3, 63-7, 79-80, 97-101, Pis. 4,
6, 8, 9, 12.
D'ANVERS, Raphael, pp. 20, 39, 82-3,
88-90.
JARVES, Art Studies, p. 461 ; Art Hints,
pp. 355-6.
~ TAINE, Florence and Venice, pp. 154-5.
>• BLANC, Grammar of Painting, pp. 113-6.
6. Raphael's decorations of the three state apart-
ments in the Vatican — the Stanza frescoes; School of
Athens; Dispute of the Sacrament; Expulsion of Heliodo-
rus; Incendio del Borgo.
&UGLER, It. Schools of Painting, Vol.
2, pp. 424-37.
LUEBKE, Hist. Art, Vol. 2, pp. 330-6;
Mon. Art, Vol. 2, PL 79. Text pp.
232-3.
JAMESON, It. Painters, pp. 236-44; Hist.
Our Lord, Vol. 2, pp. 358-9.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p.
352, Text pp. 358-9.
LANZI, Hist. Painting, Vol. 2, pp, 69-82.
PASSAVANT, Raphael, Pis. 7-10, pp. 84-
105, 116-24, 221-7, 235-8, 242-5.
SWEETSER, Raphael, pp. 46-50, 63-5, 73-5,
92-5.
D'ANVERS, Raphael, pp. 25-37, 43-9, 64-5.
D'AGINCOURT, Hist. Art, Vol. 3, Pis.
186-94.
KOEHLER, Hist. Art, Pis. 210-1.
JARVES, Art Studies, pp. 464-5; Art
Hints, pp. 360-3.
58
HISTORY OF PAINTING.
VASARI, Lives, Vol. 3, pp. 13-24, 26-32, RUSKIN, Lect. Arch., pp. 168-70.
40-4.
VIARDOT, Hist. Painters, pp. 117-9.
HEATON, Hist. Painting, pp. 150-3, 156-7.
PERKINS, Raphael and Michael Angelo,
pp. 113-31, 135-9, 153-8, 173-7.
TAINE, Rome and Naples, pp. 141-2
144-6, 156-8.
SYMONDS, Renaissance, pp. 334-5.
HARE, Walks in Rome, pp. 581-6.
7. Raphael's series of fresco paintings of Bible His-
tory in the Loggie of the Vatican.
KUGLER, It. Schools of Painting, Vol.
2, pp. 439-42.
LUEBKE, Hist. Art, Vol. 2, pp. 339-40.
JAMESON, It. Painters, pp. 245-6; Hist.
Our Lord, Vol. 1, pp. 113-5, 172-8,
152-3, 163-5.
VASARI, Lives, Vol. 3, pp. 45-6.
PERKINS, Raphael and Michael Angelo,
pp. 184-7.
VIARDOT, Hist. Painters, p. 116.
HEATON, Hist. Painting, pp. 157-8.
HARE, Walks in Rome, pp. 579-81.
PASSAVANT, Raphael, pp. 164-6, 245-55
SWEETSER, Raphael, pp. 87-92.
D'ANVERS, Raphael, pp. 66-70.
EATON,Rome,19th Cent., Vol.2, pp. 56-7
TAINE, Rome and Naples, pp. 141, 156
TYTLER, Old Masters, pp, 130-3.
8. The cartoons for the Sistine tapestries; methods
of transfering the designs from the cartoons to the tapes-
tries; history of this series of cartoons and description of
the several designs.
KUGLER, It. Schools of Painting, Vol.
2, pp. 442-8, 472-4.
LUEBKE, Hist. Art, Vol. 2, pp. 336-9 ;
Mon. Art, Vol. 2, PI. 79, Text p. 233.
JAMESON, It. Painters, pp. 246-67; Hist.
Our Lord. Vol. 1, pp. 372-3; Vol. 2,
pp. 311-2.
LANZI, Hist. Painting, Vol. 2, pp. 82-3.
TYTLER, Old Masters, pp. 130-3, 152-6.
PERKINS, Raphael and Michael Angelo,
pp. 180-4.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. pp
353, 356-7, Text pp. 359, 362-3.
HEATON, Hist. Painting, pp. 158-60.
PASSAVANT, Raphael, PL 16, pp. 166-74,
256-67.
SVVEETSER, Raphael, pp. 95-101.
D'ANVERS, Raphael, pp. 71-5.
BLANC, Grammar of Painting, pp. 21
86-9.
VASARI, Lives, Vol. 3, pp. 49-50,
HISTORY OF PAINTING.
59-
9. The Transfiguration; portraits of Julius II, Loren-
zo de Medici and Leo X; the design of the battle of Con-
stan tine and other important works of his later years.
KUGLER, It. Schools of Painting, Vol.
2, pp. 462-71.
LUEBKE, Hist. Art, Vol. 2, pp. 347-50.
JAMESON, It. Painters, pp. 272-3, 278-9;
Hist, Our Lord, Vol. 1, pp. 342-6.
LANZI, Hist. Painting, Vol. 2, pp. 85-7.
VASARI, Lives, Vol. 3, pp. 57-8, 61.
PERKINS, Raphael and Michael Angelo,
pp. 143, 189-91. >
VIARUOT, Hist. Painters, pp. 119, 121,
GRIMM, M. Angelo, Vol. 1, p. 434; Vol.
2, pp. 196-7.
PASSAVANT, Raphael, Pis. 10-11, 18-9,,
pp. 195-7, 274-9, 284, 286.
SWEETSER, Raphael, pp. 129-30, 132-5,
138-9.
D'ANVERS. Raphael, pp. 53, 80-7, 94-8.
HEATON, Hist. Painting, pp. 160-1, 168.
X.— CORREGGIO (ANTONIO ALLEGRT).
THE GREATEST MASTER OF CHIAROSCURO.
[1494-1534 A. D.]
1. Incidents of Correggio's life and his relations to
other masters.
KUGLER, It. Schools of Painting, Vol.
2, pp. 497-9.
LUEBKE, Hist. Art, Vol. 2, pp. 354-5;
Mon. Art, Vol. 2, PL 75, Text p. 224.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text
pp. 366-7.
JAMESON, It. Painters, pp. 290-2, 295-8.
LANZI, Hist. Painting, Vol. 4, pp. 79-85,
87-91, 101-12.
VASARI, Lives, Vol. 2, pp. 402-1 , 409-12.
SCOTT, It. Painters, pp. 49-51.
HEATON, Hist. Painting, pp. 241-3; Cor-
reggio, pp. 1-88, 114-9, 251-4.
HARE, It. Cities, Vol. 2, pp. 210-1.
GRIMM, M. Angelo, Vol. 2, pp. 198-202.
VIARDOT, Hist. Painters, p. 153.
TYTLER, Old Masters, pp. 185-6, 187-92.
HALL, Gems of European Art, Vol. 1,
pp. 35-6.
SYMONDS,Renaissance, pp. 312-3, 339-42^
41)-V(J.
60
HISTORY OF PAINTING.
2. Correggio's great dome frescoes; the Ascensi<
of Christ in the church of San Giovanni and the Assumi
tion of the Virgin in the cathedral of Parma.
KUGLER, It. Schools of Painting, Vol. 2,
pp. 500-2.
LUEBKE, Hist. Art, Vol. 2, pp. 356-8;
Mon. Art, Vol. 2, PL 75, Text p. 224.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text
p. 366.
LANZI, Hist. Painting, Vol. 4, pp.97-101.
VASARI, Lives, Vol. 2, pp. 404-6.
JAMESON, It. Painters, pp. 292-5; Hist.
Our Lord, Vol. 2, pp. 312-3; Legends
of the Madonna, pp. 324-5.
3. Correggio's Madonnas and altar pieces: general
•criticism; Adoration of the Shepards or "The Night"; St.
Jerome or "The Day'.'; St. Sebastian; Madonna Enthroned;
Madonna della Scodella; the fresco, Madonna della Scala.
HARE, It. Cities, Vol. 2, pp. 212-6.
VIARDOT, Hist. Painters, pp. 153-4.
HEATON, Hist. Painting, pp. 244-5; Cor-
reggio, pp. 143-78, 275-6.
SCOTT, It. Painters, pp. 52-3.
GRIMM, M. Angelo, Vol. 3, pp. 204-6.
D'AGINCOURT, Hist. Art, Vol. 3, PI. 203.
JARVES, Art Studies, pp. 470-1.
TOSCHI, Engravings from Correggk
Pis. 14-24.
KUGLER, It. Schools of Painting, Vol.
2, pp. 499-500, 502-4.
LUEBKE, Hist. Art, Vol. 2, pp. 356,
358-60; Mon. Art, Vol. 2, PI. 75, Text
pp. 224-5.
KNIGHT, Pict. Gal. Arts, Vol. 2, II.
p. 365, Text pp. 366-7.
JAMESON, It. Painters, pp. 292, 301; Le-
gends of tfhe Madonna, pp. 100-1,
126-7, 252-3, 263-4.
TYTLER, Old Masters, pp. 192-3.
HARE, It. Cities, Vol. 2, pp. 220, 222.
LANZI, Hist. Painting, Vol. 4, pp.
85-7, 91-4.
VASARI, Lives, Vol. 2, pp. 406, 4Q8-9.
VIARDOT, Hist. Painters, pp. 154-7.
HEATON, Correggio, pp. 89-95, 123-32,
179-203, 276-86.
TOSCHI, Engravings from Correggio,
PI. 5.
4. Correggio's mythological paintings; Diana Re-
turning from the Chase and the Arbor pictures in the
HISTORY OF PAINTING.
Convent San Paola at Parma; Jupiter and lo; Leda and
the Swan; Venus teaching Cupid, etc.
KUGLER, It. Schools of Painting, Vol.
1, pp. 500, 505-6.
LUEBKE, Hist. Art, Vol. 2, pp. 356,
360-2; Mon. Art, Vol. 2, PI, 75, Text
p. 225.
JAMESON, It. Painters, pp. 298-9, 301.
HARE, It. Cities, Vol. 2, p. 224.
LANZI, Hist. Painting, Vol. 4, pp. 96-7.
VASABI, Lives, Vol. 2, p. 407.
D'AGINCOURT, Hist Art, Vol. 3, PI. 202,
GRIMM, M. Angelo, Vol. 2, pp. 202-3.
VIAEDOT, Hist. Painters, pp. 154-5.
HEATON, Correggio, pp. 103-13, 121^
220-37, 288-94; Hist. Painting, pp.
245-6.
TOSCHI, Engravings from Correggiox
Pis. 6-13.
TAINE, Ideal in Art, pp. 21-4.
5. Other important paintings by Correggio; Ecce
Homo; the Reading Magdalene; Marriage of St. Cathe-
rine, etc.
KUGLER. It. Schools of Painting, Vol. 2,
pp, 504-6.
LUEBKE, Hist. Art, Vol. 2, p. 359.
JAMESON, It. Painters, pp. 299-301; Le-
gends of the Madonna, p. 284.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p.
365, Text p. 367.
LANZI, Hist. Painting, Vol. 4, pp. 95-6.
KOEHLER, Hist. Art, PI. 214.
HEATON, Hist. Painting, p. 245; Cor^
reggio, pp. 95-100, 122-3, 133-8, 203-6,
286-8, 2*94-300.
VIARDOT, Hist. Painters, pp. 154-6.
GRIMM, M. Angelo, Vol. 2, pp. 200-1.
HAMILTON, Schola Italica, Pis. 17-8.
SCOTT, It. Painters, PI. 13.
HALL, Gems of European Art, Vol. 2t
Pis. 14-6, Text pp. 41-2.
62
HISTORY OF PAIXTING.
XI.— THE VENETIAN SCHOOL,
THE GREAT COLORISTS AND MODERN REALISTS.
[1450-1600 A. D.]
1. Giorgione (1477-1511); the first great master of
color in landscape.
KUGLER, It. Schools of Painting, Vol.
2, pp. 508-12.
LUEBKE, Hist. Art, Vol. 2, pp. 362-6;
Mon. Art, Vol. 2, PL 80, Text p. 237.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p.
365, Text p. 367.
JAMESON, It. Painters, pp. 310-8; Hist.
Our Lord, Vol. 1, pp. 153, 176; Sa-
cred Art, Vol. 1, pp. 152-3.
LANZI, Hist. Painting, Vol. 3, pp.99-103.
VASARI, Lives, Vol. 2, pp. 394-402.
VIARDOT, Hist. Painting, pp. 86-7.
HEATON, Hist. Painting, pp. 212-7.
TYTLER, Old Masters, pp. 181-5.
HARE, It. Cities, Vol. 2, pp. 53-5.
D'AGINCOURT, Hist. Art, Vol. 3, PI.
162.
HAMILTON, Schola Italica, PI. 20.
KOEHLER, Hist. Art, PL 206.
GRIMM, M. Angelo, Vol. 2, pp. 73-4.
RUSKIN, Mod. Painters, Vol. 5, PI. 79,
pp. 301-3, 306-7, 353-5.
SYMONDS, Renaissance, pp. 366-9.
2. Titian (1477-1576); the universal painter in
whom the Venetian school culminated: facts of his life
and grade of his character; peculiarities of his style.
KUGLER, It. Schools of Painting, Vol. 2,
pp. 530-4.
LUEBKE, Hist. Art, Vol. 2, p. 367. '
JAMESON, It. Painters, pp. 319-33.
LANZI, Hist. Painting, Vol. 3, pp. 135-
46, 148-50.
VASARI, Lives, Vol. 5, pp. 382-5, 390-1,
393-5.
VIARDOT, Hist. Painters, pp. 134-5.
HEATON, Hist. Painting, pp. 220-2, 225-7.
SWEETSER, Titian.
TYTLER, Old Masters, pp. 157-8.
JARVES, Art Hints, pp. 368-9; Art
Studies, pp. 313-4.
TAINE, Florence and Venice, pp. 301-3.
HEATH, Titian.
HALL, Gems of European Art, Vol. 1,
pp. 107-10.
CARR, It. Masters, PL 15, Text pp. 25-7.
HISTORY OF PAINTING.
63
3. General comparison of Titian's religious pictures
^s such, with those of Raphael; Assumption of the Virgin;
Death of St. Peter Martyr; Presentation of the Virgin;
•Christ and the Tribute Money; Magdalene; Madonna and
St. Sebastian; Madonna of the Pesaro Family.
KUGLER, It. Schools of Painting, Vol. 2,
pp. 534-7.
LUEBKE, Hist. Art, Vol. 2, pp. 367-72;
Mon. Art, Vol. 2, PL 80, Text, pp.
236-7.
JAMESON, It. Painters, pp. 322-3, 329.
HARE, It. Cities, Vol. 2, pp. 38-9; Walks
in Rome, pp. 593-4.
LANZI, Hist. Painting, Vol. 3, pp. 137,
150-1.
VASABI, Lives, Vol. 5, pp. 385, 387,
389-90, 392-4, 398-9.
D'AGINCOURT, Hist. Art, Vol. 3, PL 203.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. pp.
364-5, Text p. 367.
GRIMM, M. Angelo, Vol. 1, pp. 73-5.
CARE, It. Masters, PL 14, Text pp. 23-5.
VIARDOT, Hist. Painters, pp. 135-7, 138,
140-2.
HEATON, Hist. Painting, p. 224.
TYTLER, Old Masters, pp. 164-8.
SCOTT, It. Painters, PL 10.
SWEETSER, Titian, pp. 37-9, 54, 60-2, 67-8,
96-8, 106, 117-8, 136-8.
JARVES, Art Hints, pp. 373-6.
RUSKIN, Mod. Painters, Vol. 5. pp.
240-3.
TAINE, Florence and Venice, pp.
303-6, 308-9.
SYMONDS, Renaissance, pp. 379-83.
HEATH, Titian, pp. 14-5, 21-3, 26, 30-2,
38-40, 41-2, 70-1, 74-5, 80-1.
KOEHLER, Hist. Art, Pis. 213-4.
4. Titian's treatment of mythological subjects; his
pictures of Venus and Cupid; Bacchus and Ariadne.
KUGLER, It. Schools of Painting, Vol.
2, pp. 537-9.
LUEBKE, Hist. Art, Vol. 2, pp. 372-5;
Mon. Art, Vol. 2, PL 80, Text p. 236.
JAMESON, It. Painters, pp. 321-2.
LANZI, Hist. Painting, Vol. 3, p. 141. '
VASABI, Lives, Vol. 5, pp. 386-7, 394.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p.
365.
VIARDOT, Hist Painters, pp. 137, 141.
TYTLER, Old Meters, pp. 164-5.
HEATON, Hist. Painting, pp. 222-4, 225.
SWEETSER, Titian, pp. 47-9, 105-6, 119,
128, 132-3.
JARVES, Art Hints, p. 371.
RUSKIN, Mod. Painters, Vol. 5, pp.
228-9, 242.
TAINE, Rome and Naples, pp. 63-4,
167-8; Florence and Venice, pp.
141-2, 306-7.
HEATH, Titian, pp. 29, 33-4, 59, 72.
KOEHLER, Hist. Art, PL 214.
04
HISTORY OF PAINTING.
5. Titian's place among the great portrait painters.
KUGLER, It. Schools of Painting, Vol. 2,
pp. 539-41.
LUEBKE, Hist. Art, Vol. 2, pp. 375-6.
JAMESON, It. Painters, pp. 320, 323-6,
334-5, 338.
LANZI, Hist. Painting, Vol. 3, pp. 146-8.
VASARI, Lives, Vol. 5, pp. 389, 390,
391-2, 393, 395-7, 399-402.
D'AGINCOURT, Hist. Art, Vol. 3, PI. 143.
HBATON, Hist. Painting, pp. 225, 227-8.
SCOTT, It. Painters, PI. 2.
TYTLER, Old Masters, pp. 165-7.
SWEETSER, Titian, pp. 36, 44-6, 70-3,
76, 91-2, 95-6, 108-9, 114-5.
JARVES, Art Hints, p. 359.
TAINE, Florence and Venice, pp. 156-8.
HEATH, Titian, pp. 37, 01, 72-3.
ViARDOT,Hist. Painters, pp. 137-40.
6. Tintoretto (1512-1594); the greatest master in
the shadow of Titian; the circumstances and character of
the man.
KUGLER, It. Schools of Painting, Vol. 2,
p. 547.
LUEBKE, Hist. Art, Vol. 2, pp. 380-2.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text
p. 370.
JAMESON, It. Painters, pp. 343-5.
LANZI, Hist. Painting,Vol. 3, pp. 187-8.
VIARDOT, Hist. Painters, p. 148.
HEATON, Hist. Painting, pp.
HARE, It. Cities. Vol. 2, p. 120.
OSLER, Tintoretto, pp. 15-23, 31-43.
TAINE, Florence and Venice, pp. 312-3.
TYTLER, Old Masters, pp. 194-6.
148.
r-
01 40
7. Tintoretto's religious pictures: the Crucifixion;
Miracle of St. Mark; Presentation of the Virgin; Marriage
at Cana; Entombment of Christ; Betrothal of St. Cath-
erine.
KUGLER, It. Schools of Painting, Vol. 2,
p. 549.
LUEBKE, Hist. Art, Vol. 2, p. 382; Mon.
Art, PI. 88, Text p. 257.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text
p. 370.
OSLER, Tintoretto, pp. 23-7, 29-30, 35,
45-6, 48, 59, 68.
TYTLER, Old Masters, pp. 196, 202-3.
KOEHLER, Hist. Art, PI. 214.
TAINE, Florence and Venice, pp. 314-6,
319, 324-5.
HISTORY OF PAINTING. 65
JAMESON, It. Painters, p. 345; Sacred HARE, It. Cities, Vol. 2, pp. 121-5.
Art, p. 153. RUSKIN, Stones of Venice, Vol. 3, pp.
VIARDOT, Hist. Painters, p. 149. 299-301, 304-7, 312-5, 316-8, 328-9,
LANZI, Hist. Painting, Vol. 3, pp. 189-90. 333-6,339-69, 371-4; Mod. Painters,
HEATON, Hist. Painting, pp. 233-4. Vol. 2, pp. 170-1, 173-7.
8. Tintoretto's mythological pictures; Bacchus and
Ariadne; the Nine Muses.
JAMESON, It. Painters, p. 346. OSLER, Tintoretto, pp. 46-69.
LUEBKE, Mon. Art, Vol. 2, PI. 88, Text RUSKIN, Stones of Venice, Vol. 3, pp.
p. 257. 306-8.
9. Paul Veronese (1528-1588 ; the last great mas-
ter before the decline of Italian painting; the leading
features of his style.
KUGLER, It. Schools of Painting, Vol. HEATON, Hist. Painting, pp. 235, 238-9.
2. pp. 551-2. JAMESON, It. Painters, pp. 347-8.
LUEBKE, Hist. Art, Vol. 2, pp. 382-3. TYTLER, Old Masters, pp. 205-9.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text LANZI, Hist. Painting, Vol. 3, pp. 212-3,
p. 370. 224.
VIARDOT, Hist. Painters, p. 150. SvMONDS,Renaissance, pp. 369-5.
10. The four feasts by Paul Veronese: Marriage at
•J c?
Can a; Feast at the House of Sim on , the Pharisee; Feast at
the House of Levi; Supper at the House of Simon, the
Leper.
KUGLKR, It. Schools of Painting, Arol. VIARDOT, Hist. Painters, pp. 150-2.
2, pp. 554-6. HEATON, Hist. Painting, pp. 237-8.
LUEBKE, Hist. Art, Vol. 2, p. 385; Mon. JAMESON, It. Painters, pp. 348-9; Hist.
Art, Vol. 2, PI. 88, Text pp. 257-8. Our Lord, Vol. 2, pp. 394-5.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text TYTLKR, Old Masters, pp. 209-10.
p. 370. LANZI, Hist. Painting, Vol. 3, pp. 227-9.
KOKHLER, Hist. Art, PI. 215.
5
HISTORY OF PAINTING.
11. Allegorical and historical pictures by Paul Ve-
ronese; Apotheosis of Venice; Rape of Europa; Con-
secration of St. Nicholas; Family of Darius at the Feet
of Alexander; Presentation of the Family of Veronese to
the Virgin.
KUGLER, It. Schools of Painting, Vol. 2,
pp. 552-4.
LUEBKE, Hist. Art, Vol. 2, pp. 383-6.
VIARDOT, Hist. Painters, pp. 150-2.
HEATON, Hist. Painting, pp. 236-7.
TAINE, Rome and Naples, pp. 116-7.
JAMESON, Hist. Our Lord, Vol. 1, pp.
365-6; Sacred Art, Vol. 2, pp. 421-2.
LANZI, Hisb. Painting, Vol. 3, pp. 225-6.
CARR, It. Masters, PI. 16, pp. 29-30.
RUSKIN, Mod. Painters, Vol. 5, pp.
235-40.
Xir.— THE LAST REVIVAL OF PAINTING IN
ITALY.
THE ECLECTIC AND NATURALISTIC SCHOOLS.
[1575-1686 A. D.]
1. Lodovico Garacci, the founder oi the Eclectic
school (1555-1619*; his theory of painting; his famous
academy at Bologna.
KUGLER, It. Schools of Painting, Vol. 2,
pp. 570-3.
LUEBKE, Hist. Art, Vol. 2, pp. 524-5.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p.
368; Text pp. 370-4.
TYTLER, Old Masters, pp. 212-4.
LANVJ, Hist. Painting, Vol. 4, pp. 2*13-5;
Vol. 5, pp. 06-8, 106-7, 112-5.
HEATOX, Hist. Painting, pp. 250-1.
VIAHDOT, Hist. Painters, pp. 164-5.
SCOTT, It. Painters, pp. 17-S, 10-21.
HISTORY OF PAINTING.
67
2. Annibale Caracci (1560-1609) ; his Adoration
of the Shepards; Madonna of "Silence"; St. John in the
Wilderness.
KUGLEK, It. Schools of Painting, Vol.
2, pp. 570-5.
LUEBKE, Hist. Art, Vol. 2, pp. 525-7;
Mon. Art, Vol. 2, PL 94, Text pp.
270-1.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p.
368, Text pp. 370-4.
TYTLER, Old Masters, pp. 215-8.
KOEHLER, Hist. Art. PI. 217.
JAMESON, Hist. Our Lord, Vol. 1, pp.
383-4; Vol. 2, pp. 269-70; Sacred
Art, Vol. 2, p. 771 ; Legends of the
Monastic Orders, pp. 345-6.
LANZI, Hist. Painting, Vol. 2, pp. 179-80;
Vol. 5, pp. 98-110, 117-23.
HEATON, Hist. Painting, pp. 250-1, 254.
VIARDOT, Hist. Painters, pp. 165-6.
SCOTT, It. Painters. PI. 4, pp. 18-25.
3. Domenichino (1581-1641); Martyrdom of St. Ag-
nes; Madonna of the Rosary; St. John at St. Petersburg;
Last Communion of St. Jerome.
KUGLER, It. Schools of Painting, Vol. 2,
pp. 516-8.
LUEBKE, Hist. Art, Vol. 2, pp. 527-8;
Mon. Art, Vol. 2, PL 94, Text p. 271.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text
p. 374.
JAMESON, Sacred Art, Vol. 1, pp. 229,
298; Vol. 2, pp. 482, 594-5, 599-600,
607, 612; Legends of the Monastic
Orders, pp. 35-8, 366-7.
LANZI, Hist. Painting, Vol. 5, pp. 127-35.
TYTLER, Old Masters, pp. 220-2.
HEATON, Hist. Painting, pp. 254-6.
VIARDOT, Hist. Painters, pp. 170-3.
HARE, Walks in Rome, pp. 219-20, 598-9.
SCOTT, It. Painters, PI. 5, pp. 26-30.
KOEHLER, Hist. Art, PI. 217.
EATON, Rome, 19th Cent., Vol. 2, pp.
13-4, 57-9, 88-9.
TAINE, Florence and Venice, pp. 175-7.
HALL, Gems of European Art, Vol. 2,
PL 2, pp. :5-(».
4. Guido Reni (1575-1642 >; Madonna della Pieta
at Bologna; Massacre of the Innocents; Abduction of De-
janira; Crucifixion in the Modena gallery.
HISTORY OF PAINTIXG.
KUGLER, It. Schools of Painting, Vol. KNIGHT, Pict. Gal. Arts, Vol. 2, II. p.
2, pp. 579-80. 369, Text pp. 374-5.
LUEBKE, Hist. Art, Vol. 2, pp. 528-9. HEATON, Hist. Painting, pp. 256-7.
JAMESON, Hist. Our Lord, Vol. 1, p. TYTLER, Old Masters, pp. 218-9.
205.
SCOTT, It. Painters, pp. 31-4.
SWEETSER, Guido, pp. 7-26, 45, 53-4, 79- VIARDOT, Hist. Painters, p. 167.
150.
KOEHLER, Hist. Art, PI. 217.
5. Guide's fresco in Rospigliosi Palace — Phoebus
and Aurora; Beatrice Cenci in Barberini Palace.
KUGLER, It. Schools of Painting, Vol.
2, pp. 580-2.
LUEBKE, Hist. Art, Vol. 2, p. 529; Mon.
Art, Arol. 2, PI. 94, Text p. 271.
SWEETSER, Guido, pp. 27, 34-41.
HEATON, Hist. Painting, p. 257.
SCOTT, It. Painters, p. 32.
VIARDOT, Hist. Painters, pp. 167-9.
6. Guercino or Guercio (1590-1666); St. Petronilla
in the Capitol at Rome; Aurora in Villa Ludovisi; Doubt-
ing Thomas.
KUGLER, It. Schools of Painting, Vol. JAMESON, Hist. Our Lord, Vol. 1, pp.
2, pp. 582-3. 141, 258.
LUEBKE, Hist. Art, Vol. 2, pp. 530-1; LANZI, Hist. Painting, Vol. 5, pp. 164-9.
Mon. Art, Vol. 2, PI. 94, Text pp. VIARDOT, Hist. Painters, pp. 173-4
271-2. HEATON, Hist. Painting, pp. 257-8.
SOOTT, It. Painters, pp. 35-6.
7. Carlo Dolce, the Florentine Eclectic and master
of excessive finish (1616-1686); Christ Child; Angel
with Lilies; Madonna and Child; St. Cecilia; St. Andrew
Praying before the Cross.
KUGLER, It. Schools of Painting, Vol. 2, LANZI, Hist. Painting, Vol. 1, pp. 310-1.
p. 5S<). VIARDOT, Hist. Painters, pp. 178-9.
LUEBKE, Hist. Art, Vol. 2, p. 531. SCOTT, It. Painters, pp. 57-9.
HISTORY OF PAINTING. 69
8. Caravaggio — Michelangelo cla Caravaggio — the
Roman Naturalistic (1569-1609) ; Descent from the
Cross; Christ at Emmaus; Fortune Teller; the Gamesters.
KUKLER, It. Schools of Painting, Vol. LANZI, Hist. Painting, Vol. 2, pp. 179,
2, pp. 591-3. 199-202.
LUEBKE, Hist. Art, Vol. 2, pp. 531-3; VIARDOT, Hist. Painters, pp. 182-4.
Mon. Art, Vol. 2, PI. 94, Text p. 272. HEATON, Hist. Painting, pp. 258-60.
JA.MKSON, Legends of the Madonna, p. KOEHLER, Hist. Art, PI. 218.
316; Sacred Art, Vol. 1, p. 146.
9. Salvator Rosa, the Neapolitan Naturalistic (1615-
1673); Conspiracy of Cataline; Witch of Endor; Sam-
uel Appearing to Saul; Soldiers Gambling; St. Jerome at
Prayer; Diogenes Searching for an Honest Man.
KUGLER, It. Schools of Painting, Vol. TYTLER, Old Masters, pp. 222-4.
2, pp. 590-3, 596-8. HEATON, Hist. Painting, pp. 261-2.
LUEBKE, Hist. Art, Vol. 2, p. 580; SCOTT, It. Painters, PI. 8, pp. 37-40.
Mon. Art, Vol. 2, PI. 94, Text p. KOEHLER, Hist. Art, PI. 218.
272. HALL, Gems of European Art, Vol. 1,
VIARDOT, Hist. Painters, pp. 186-7. PI. 8, pp. 25-8.
HISTORY OF PAINTING.
XIII.— PAINTING IN FLANDERS.
THE EARLY PERIOD
[1410-1530 A. D.]
1. The earliest development of painting in Germany
and the Netherlands.
KUGLER, German, Flemish and Dutch
Schools, Vol. 1, pp. 1-48,
LUEBKE, Hist. Art, Vol. 1, pp. 551-6;
Vol. 2, pp. 85-94, 420-4.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text p.
375.
WOLTMANN and WOERMANN, Hist.
Painting, Vol. 1, pp. 257-76, 304-11,
312-5, 369-74, 399-404, 406-21.
CROWE and CAVALCASELLE, Flemish
Painters, pp. 1-29.
VIARDOT, Hist. Painters, pp. 231-5.
HEATON, Hist. Painting, pp. 309-:
361- ?..
SCOTT, The Little Masters, pp. 1-16.
KOEHLER, Hist. Art, PI. 219.
TAINE, Art in the Netherlands, pp.
61-80.
,
2. The brothers Hubert and John Van Eyck (1366-
1440); characteristics of their style; their altar-piece, the
Mystic Lamb; John Van Eyck's Triumph of the Church
and portrait of the "Man with the Pinks."
KUGLER, German, Flemish and Dutch
Schools, Vol. 1, pp. 49-74.
LUEBKE, Hist. Art, Vol. 2, pp. 420,
425-36; Mon. Art, Vol. 2, PI. 81, Text
pp. 238-9.
D'AGINCOURT, Hist. Art, Vol. 3, PI. 164.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text
pp. 375, 378.
LACROIX, Arts Mid. Ages, pp. 299-301.
VIARDOT, Hist. Painters, pp. 269-74.
DOHME, Early Masters, pp. 209-30.
HEATON, Hist. Painting, pp. 363-83;
Flemish Art, pp. 14-20, 26-9.
TYTLER, Old Masters, pp. 41-8.
TAINE, Art in the Netherlands, pp. 83-
110.
STEPHENS, Flemish and French Pict-
ures, pp. 31-3.
CROWE and CAVALCASELLE, Flemish
Painters, pp. 34-73.
JAMESON, Sacred Art, Vol. 1, pp. 113,
156; Vol. 2, pp. 448, 496.
HISTORY OF PAINTING. 71
3. Roger van der Weyden (1400-1464); Last Judg-
ment; Adoration of the Kings.
KUQLER, German, Flemish and Dutch STEPHENS, Flemish and French Pict-
Schools, Vol. 1, pp. 77-85. ures, pp. 38-40.
r LUEBKE, Hist. Art, Vol. 2, pp. 437-41. VIARDOT, Hist. Painters, p. 274.
—KNIGHT, Pict. Gal. Arts, Vol. 2, Text p. -^-KOEHLER, Hist. Art, PI. 220.
378. CROWE and CAVALCASELLE, Flemish
HEATON, Hist. Painting, pp. 387-90; Painters, pp. 182-229.
Flemish Art, pp. 29-31.
4. Hans Memling ( ?-1495) ; Last Judgment at
Dantzic ; the series of pictures on the Reliquary of St.
Ursula.
KUQLER, German, Flemish and Dutch HEATON, Flemish Art, pp. 32-6; Hist.
Schools, Vol. 1, pp, 92-104. Painting, pp. 390-4.
LUEBKE, Hist. Art, Vol. 2, pp. 441-4; KOEHLER, Hist. Art, Pis. 220-1.
Mon. Art, Vol. 2, PI. 81, Text pp. CROWE and CAVALCASELLE, Flemish
239-40. Painters, pp. 251-99.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text VIARDOT, Hist. Painters, pp. 277-9;
pp. 378-9. Wonders of European Art, pp. 120-8.
STEPHENS, Flemish and French Pict- JAMESON, Hist. Our Lord, Vol. 1, pp.
ures, PI. 3, pp. 40-7. 137-8.
TYTLER, Old Masters, pp. 48-50.
5. Quintin Massys (1466-1530): altar-piece now
in the Museum at Antwerp; the Misers; the Money
Changer in the Louvre.
KUGLER, German, Flemish and Dutch STEPHENS, Flemish and French Pict-
Schools, Vol. 1, pp. 114-7. ures, pp. 54-61.
LUEBKE, Hist. Art, Vol. 2, pp. 446-7. HEATON, Hist. Painting, pp. 396-401.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p. VIARDOT, Hist. Painters, pp. 280-2;
376, Text p. 379. Wonders of European Art, pp. 128-30.
DOHME, Early Masters, pp. 253-73. TYTLER, Old Masters, pp. 50-2.
KOEHLER, Hist. Art, PI. 228.
HISTORY OF PAINTING.
X1V.-PAINTING IN FLANDERS,
THE LATER PERIOD.
[1600-1670 A. D.]
1. Peter Paul Rubens, the greatest Flemish master
(1577-1640); his fortunate life; his visits in Italy, Spain,
France and England.
KUGLER, German, Flemish and Dutch
Schools, Vol. 2, pp. 275-82.
KNIGHT, Plot. Gal. Arts, Vol. 2, Text p.
387.
JAMESON. Sketches of Art. pp. 217-21.
KETT, Rubens, pp. 1-62, 73-100, 109-14.
VIARDOT, Hist. Painters, pp. 294-6;
Wonders of European Art, pp. 133-5.
HEATON, Hist. Painting, pp. 418-21,
423-5, 426-8; Flemish Art, pp. 80-9.
RUSKIN, Mod. Painters, Vol. 1, pp.
88-90; Vol.5, pp. 266-7.
STEPHENS, Flemish and French Pict-
ures, pp. 94-7.
LUEBKE, Hist. Art, Vol. 2, pp. 541-3.
CASSELL, Art Treasures, pp. 186-90, 195-
202, 204-11.
TYTLER, Old Masters, pp. 225-36.
JARVES, Art Thoughts, pp. 182-4.
TAINE, Art in the Netherlands, pp.
78-80, 135-60.
REYNOLDS, Discourses on Art, Vol. 2,
pp. 228-36.
2. Church pictures by Rubens ; Descent from the
Cross ; Last Communion of St. Francis ; Holy Family in
the church of St. Jaques at Antwerp ; Last Judgment in
the Pinakothek at Munich.
KILLER, German, Flemish and Dutch VIARDOT, Hist. Painters, pp. 290-S;
Schools, Vol. 2, pp. 282-6. Wonders of European Art, pp. 130-42.
LUEHKE, Hist. Art, Vol. 2, pp. 54:5-5; KETT, Rubens, pp. 66-8, 71-3.
Mon. Art, Vol. 2, PI. 95, Text pp. HEATON, Hist. Painting, pp. 422-3.;
272-3. Flemish Art, pp. 84-5.
HISTORY OF PAINTING. 73
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p. GRIMM, M. Angelo, Vol.2, pp. 462-5.
384, Text p. 387. STEPHENS, Flemish and French Pict-
KOEHLER, Hist. Art, PI. 231. ures, pp. 97-8.
JAMESON, Sketches of Art, p. 210; Sa- CASSELL, Art Treasures, pp. lt)K>.
cred Art, Vol. 1, p. 110; Vol. 2, p. 430; TYTLER, Old Masters, pp. 236-7.
Hist. Our Lord, Vol. 1, pp. 61-2,373; REYNOLDS, Discourses on Art, Vol. 2,
Vol. 2, pp. 224-5, 234-5, 349-50. pp. 146-50, 152, 155, 157-61, 164-7, 177-
BURNETT, Rembrandt, pp. 36-S, 58-60. 81, 220-2.
3. Dramatic and historical pictures by Rubens ;
History of Marie de Medici in the Louvre; Battle of the
Amazons in Munich ; St. Ambrose and the Emperor The-
odosius.
KILLER, German, Flemish and Dutch JAMESON, Sacred Art, Vol. 1, p. 307.
Schools, Vol. 2, pp. 284, 286-9. VIARDOT, Hist. Painters, pp. 299-300;
LUEBKE, Hist. Art, Vol. 2, pp. 545-7; A Venders of European Art, pp. 143-8.
Mon. Art, Vol. 2, PL 95, Text pp. CASSELL, Art Treasures, pp. 190-1, 194-5,
273-4. 203-5.
KOEHLER, Hist. Art, PI. 230. KETT, Rubens, p. 51.
4. Rubens' works in landscape and animal painting;
various pictures of the chase in Munich, Dresden, Berlin
and Vienna.
KUGLER, German, Flemish and Dutch KOEHLER, Hist. Art, PI. 231.
Schools, Vol. 2, pp. 290-1. VIARDOT, Hist. Painters, pp. 299-300.
LUEBKE, Hist. Art, Vol. 2, pp. 547-8. HEATON, Flemish Art, p. 88.
KNIGHT, Pict. Gal. Ails, Vol. 2, II. p. TYTLER, Old Masters, pp. 238-45.
384, Text p. 387.
5. Allegorical pictures by Rubens; the Four Quarters
of the AYorld; Peace and War; the Victor's Apotheosis.
LUEBKE, Hist. Art, Vol. 2, pp. 546-7. VIARDOT, Hist. Painters, pp. 295-9.
KOEHLER, Hist. Art, PI. 230. KETT, Rubens, pp. 100-1 .
>F PA1
6. Portraits by Rubens; Marie de Medici; Helena
Fourmeiit; Himself, Wife and Child; Himself, Brother
and Friends; His Sons.
TYTLER, Old Masters, pp. 240-5.
REYNOLDS, Discourses on Art, Vol. 2 ,
pp. 187-8.
KETT, Rubens, pp. 64, 110-1.
German, Flemish and Dutch
schools, Vol. 2, p. 289.
KOEHLER, Hist. Art, PI. 230.
VIARDOT, Hist. Painters, p. 299; Won-
ders of European Art, pp. 142-3, 146.
7. Anthony Van Dyke, the Flemish master in por-
traiture (1599-1641).
KUGLER, German, Flemish and Dutch STEPHENS, Flemish and French Pict-
Schools, Vol. 2, pp. 301-2.
LUEBKE, Hist. Art, Vol. 2, pp. 548, 550.
ures, pp. 102-5.
TYTLER, Old Masters, pp. 333-8, 342-7.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text CASSELL, Art Treasures, pp. 150-s.
pp. 387, 390.
VIARDOT, Hist. Painters, pp. 304-5;
Wonders of European Art, pp. 150-1 .
HEATON, Hist. Painting, pp. 428-9;
Flemish Art, pp. 90-1.
SWEETSER, Van Dyke, pp. 7-25, 33-41,
59-70, 124-38.
HEAD, Van Dyke, pp. 1-17, 20-2. 3
50-9.
8. Van Dyke's religious pictures compared with
those of Rubens ; Holy Family with Angels ; Marriage of
St. Catherine ; Entombment of Christ ; Descent from the
Cross ; the Crucifixion ; Ecstacy of St. Francis.
KUGLER, German, Flemish and Dutch
Schools, Vol. 2, pp. 302-4.
LUEBKE, Hist. Art, Vol. 2, pp. 548-9;
Mon. Art, Vol. 2, PI. 95, Text p. 274.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p.
385, Text pp. 389-90.
VIARDOT, Hist. Painters, pp. 315-6.
HEATON, Flemish Art, pp. 91-2.
CASSELL, Art Treasures, pp. 158-9.
SWEETSER, Van Dyke, pp. 40-6, 52-8.
HEAD, Van Dyke, pp. 17-8, 22-4, 30-4,
81-2.
HISTORY OF PAINTING. 75
9. Van Dyke's rank among the portrait painters;
General Francesco in the Louvre; Charles I. and his Horse
in the Louvre and in Windsor Castle; Children of Charles
I.; Pembroke Family; Rubens; Van Dyke and his Family;
Duke of Nassau.
KUGLEK, German, Flemish and Dutch HEATON, Hist. Painting, pp. 430-2;
Schools, Vol. 2, pp. 305-7. Flemish Art, pp. 92-5.
LUEBKE, Hist. Art, Vol. 2, pp 549-51 ; STEPHENS, Flemish and French Pic-
Mon. Art, Vol. 2, PI. 95, Text pp. hires, pp. 105-8.
272, 274. TYTLER, Old Masters, pp. 338-41, 348-53.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p. CASSELL, Art Treasures, pp. 159-66.
385, Text p. 390. SWEETZER, Van Dyke, pp. 28-33, 46-52,
VIARDOT, Hist. Painters, pp. 306-8; 74-83, 87-123.
Wonders of European Art. pp. 152-6. HEAD, Van Dyke, pp. 26-7, 46-8, 60-81 .
KOEHLER, Hist. Art, PI. 231.
10. David Teniers the younger, the greatest Flem-
ish painter of common life (1610-1694); examples of
genre painting before his time.
KUGLER, German, Flemish and Dutch VIARDOT, Hist. Painters, p. 313; AVon-
Schools, Vol. 2, pp. 321-4. ders of European Art, pp. 158-60.
LUEBKE, Hist. Art, Vol. 2, pp. 566-7. HEATON, Hist. Painting, pp. 434-7;
STEPHENS, Flemish and French Pic- Flemish Art, pp. 95-8.
tures, pp. 23-4, 112-4. CASSELL, Art Treasures, pp. 367-71.
11. Teniers' pictures of village feasts and smoking
scenes; scenes in kitchens, taverns, shops and laboratories.
BUGLER, German, Flemish and Dutch VIARDOT, Hist. Painters, pp. 313-5;
Schools, Vol. 2, pp. 325, 327. Wonders of European Art, pp. 159-63.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p. CASSELL, Art Treasures, pp. 371-4, 375-8,
392. 379-83.
HEATON, Flemish Art, pp. 98-9.
76
HISTORY OF PAINTING.
12. Teniers' pictures of serious subjects; Prodigal
Son; Temptation of St. Anthony; Archers at Antwerp; Sac-
rifice of Isaac; Peter Denying Christ.
KUGLER, German, Flemish and Dutch
Schools, Vol. 2, pp. 324-6.
LUEBKE, Hist. Art, Vol. 2, pp. 566-8.
STEPHENS, Flemish and French Pict-
ures, p. 113.
VIARDOT, Hist. Painters, pp. 313-4;
Wonders of European Art, p. 116.
HEATON, Flemish Art, pp. 98-9.
CASSELL, Art Treasures, pp. 374-5,
378-9.
XV.-PAINTING IN THE NETHERLANDS
REPRESENTATION OF ACTUAL LIFE.
[1630-1680 A. D.]
1. Rembrandt Van Ryn, the greatest master of the
Dutch School (1607-1669); his peculiar personal traits
and artistic style; criticism of his contemporaries.
KUGLER, German, Flemish and Dutch
Schools, Vol. 2, pp. 363-8.
LUEBKE, Hist. Art, Vol. 2, pp. 555-6.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text
pp. 390-1.
VIARDOT, Hist. Painters, pp. 330-1;
Wonders of European Ait, pp. 174-6.
CASSELL, Art Treasures, pp. 219-21'.
STEPHENS, Flemish and French Pict-
ures, pp. 136-43.
HEATON, Hist. Painting, pp. 442-5;
Flemish Art, pp. 100-7.
TYTLER, Old Masters, pp. 245-9.
JAMESON, Sketches of Art, pp. 221-3.
SWEETISER, Rembrandt, pp. 7-35, 48-9,
84-98, 114-6, 127-46.
MOLLETT, Rembrandt, pp. 1-22, 27-8,
34-6, 46-52, 68-72.
JARVES, Art Thoughts, pp. 182-4.
RUSKIN, Mod. Painters, Vol. 4, pp.
38-42.
TAINE, Art in the Netherlands, pp.
180-5.
1 1 AMKIITOX, Ktrhings and Etchers, pp.
72-82.
BURNETT, Rembrandt, pp. 1-15, 17-21.
HISTORY OF PAINTING.
77
2. Rembrandt's treatment of religious subjects ;
Descent from the Cross ; Woman Taken in Adultery ;
Tobit and the Angel ; Jacob and the Sons of Joseph;
Good Samaritan.
KUGLER, German, Flemish and Dutch
Schools, Vol. 2, pp. 369-72.
LUEBKE, Hist. Art, Vol. 2, pp. 557-9;
Men. Art, Vol. 2, PL 96, Text p. 275.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. pp.
385, 388, Text pp. 391-4.
KOEHLER, Hist. Art, PI. 235.
VIARDOT, Hist. Painters, pp. 332, 334-6;
Wonders of European Art, pp. 177,
185-7, 190-1.
)ASSELL, Art Treasures, pp. 222-7, 231-5.
BURNETT, Rembrandt, pp. 21-9, 60-3.
JAMESON, Legends of the Madonna, pp.
192-3; Hist. Our Lord, Vol. 1, pp.
150-1, 330-1, 360, 363; Vol. 2, pp. 32-3,
94-6, 212, 225, 241-2, 296-7.
SNVEETZER, Rembrandt, pp. 35-6, 67-8,
70-1, 74-5, 77-81, 111-3.
MOLLETT, Rembrandt, pp. 25-6, 39-40,
54-5, 62-6.
GRIMM, M. Angelo, Vol. 2, pp. 465-6.
HAMERTON, Etching and Etchers, pp.
82-8.
3. Rembrandt's pictures of local interest; Night
Watch; Anatomical Lecture; Two Philosophers.
K.UGLER, German, Flemish and Dutch
Schools, Vol. 2, pp. 368-9, 373-4.
LUEBKE, Hist. Art, Vol. 2, p. 557; Mon.
Art, Vol. 2, PI. 9J, Text pp. 274-6.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text p.
394.
KOKHLKK, Hist. Art. PI. 234.
VIARDOT, Hist. Painters, pp. 332-3, 336;
\Vonders of European Art, pp. 177-82,
189-90.
GASSELL, Art Treasures, pp. 227-30,
235-8, 240-1.
MOLLET, Rembrandt, pp. 23-5, 43-5, 60-2.
STEPHENS, Flemish and French Pic-
tures, pp. 143-5.
HEATON, Hist. Painting, pp. 445-8;
Flemish Art, pp. 107-9.
SVVEETZER, Rembrandt, pp. 37-9, 82-5,
108-10, 127-8.
REYNOLDS, Discourses on Art, Vol. 2,
pp. 198-9.
HAMERTON, Etching and Etchers, pp.
88-91, 95-6.
BURNETT, Rembrandt, pp. 4-5, 40-2,
47-51, 74-7.
78
HISTORY OF PAINTING.
4. Rembrandt's peculiar style in portraiture ; Old
Man with a Beard; Burgomaster Six; Rembrandt's Wife
Rembrandt's Mother; Man with a Large Hat; Shipbuildei
and his Wife; Jewish Rabbi; Old Woman of Eighty -three.
KUGLEK, German, Flemish and Dutch STEPHENS, Flemish and French Pic-
Schools, Vol. 2, pp. 372-3. tares, pp. 138-9.
LUEBKE, Hist. Art, Vol. 2, pp. 556-7, TYTLER, Old Masters, note on pp. 249
560-1 ; Man. Art, Vol. 2, PL 96, Text
p. 275.
50.
SWKETXER, Rembrandt, pp. 36-7, 39-42,
VIARDOT, Hist. Painters, pp. 333, 335-6; 49-60, 71-4, 100-1, 105-7.
Wonders of European Art, pp. 183, MOLLETT, Rembrant, pp. 22-3, 2S-33,
187-9. 36, 38-9, 53-4, 57-9, 72-4, 76-7.
CASSELL, Art Treasures, pp. 226, 231, HAMERTOX, Etching and Etchers, pp.
238-40.
BURNETT, Rembrandt, pp. 42-7, 72-3.
91-4.
5. Gerard Dow, the master of details (1613-1680);
Tobit and his Son; Woman sick of the Dropsy; Evening
School; Burgomaster WerfF and his Wife.
KUGLER, German, Flemish and Dutch
Schools, Vol. 2, pp. 405-7.
LUEBKE, Hist. Art, Vol. 2, pp. 571-2;
Mon. Art, Vol. 2, PL 96, Text p. 276.
VIARDOT, Hist. Painters, pp. 242-3;
AVonders of European Art, pp. 198-
200.
KOEHLER, Hist. Art, PI. 235.
HEATOX, Hist. Painting, pp. 449-52; GOWER, Figure Painters of Holland,
Flemish Art, pp. 126-30.
pp. 35-9.
6. Adrian von Ostade, the Rembrandt of genre
painters (1610-1685); Itinerant Fiddler; Peasants at the
Tavern; Game at Cards.
HISTORY OF PAINTING. 79
KUGLEK, German. Flemish and Dutch HEATON, Hist. Painting, pp. 457-8 ;
Schools, Vol. 2, pp. 418-21. Flemish Art, pp. 143-7.
LUEBKE, Hist. Art, Vol. 2, p. 568; Moil. CASSELL, Art Treasures, pp. 243-59.
Art, Vol. 2, PL 100, Text p. 282. KOEHLER, Hist. Art, Pis, 236-7.
VIARDOT, Hist. Painters, pp. 340-2; GOWER, Figure Painters of Holland,
Wonders of European Art, pp. 197-8. pp. 21 -(i.
7. Philip Wouvermans (1619-1668), Paul Potter
(1625-1654) and Albert Cuyp (1606-1672), landscape
and animal painters.
a. Wouvermans' Hawking Scene, Pistol shot,
Riding School and Going to the Ferry.
b. Paul Potter's Young Bull, Farm -yard Scene,
landscape of Animals at St. Petersburg.
c. Cuyp's Pasture on the Meuse; Landscape Num-
ber Nine, Dulwich Gallery; his many other pictures of
iver, meadow and cattle.
BUGLER, German, Flemish and Dutch CASSELL, Art Treasures, pp. 259-71,
Schools. Vol. 2, pp. 430-:], 435-40, 277-91.
459-62. KOEHLER, Hist. Art, Pis. 236, 238-40.
UEBKE, Hist. Art, Vol. 2, pp. 586-7; HAMERTOM, Etching and Etchers, pp.
Mon. Art, Vol. 2, PL 101, Text pp. 101-2, 105.
2*4, 2X1). RI-SKIX, Mod. Painters, Vol. 5, pp. 268-9,
/IARDOT, Hist. Painters, pp. 350-1, 274-5, 293-6.
354-8 ; Wonders of European Art, pp. GO\VER, Figure Painters of Holland,
194-6, 204-5, 209-14. pp. 40-4.
[EATON, Hist. Painting, pp. 459-63; HALL, Gems of European Art, Vol. 1,
Flemish Art, pp. 1.10-25. Pis. 15, 26, 39; pp. 49-52, 87-8, 127-8.
8. Jacob Ruysclael, the greatest Dutch master of
andscape and marine painting (1625 ?-i682); Chase in
80
HISTORY OF PAINTING.
Dresden; Storm at Sea in the Lansdowne Collectioi
Jewish Cemetery.
KUGLER, German, Flemish and Dutch
Schools, Vol. 2, pp. 470-5.
LUEBKE, Hist. Art, Vol. 2, pp. 582-4;
Mon. Art, Vol. 2, PI. 101, Text pp.
285-6.
KOEHLER, Hist. Art, Vol. 2, Pis. 239-40.
VIARDOT, Hist. Painters, pp. 359-61
Wonders of European Art, pp. 217-21,
CASSBLL, Art Treasures, pp. 299-311,
STEPHENS, Flemish and French Pio
tures, pp. 156-7.
XVI. EARLY PAINTING IN GERMANY.
THE GOLDEN PERIOD.
[1500-1550 A. D.]
1. Some account of Martin Schon and Michael
Wohlgemuth, the masters of Albert Durer.
KUGLER, German, Flemish and Dutch
Schools, Vol. 1, pp. 134-8, 148-9.
IJKBKE, Hist. Art, Vol. 2, pp. 457,
459-60, 469-70; Mon. Art, Vol. 2, PI.
70, Text p. 240.
JAMISON, Sacred Art, Vol. 1, pp. 78, 103?
•_MO, 290-1; Vol. 2, pp. (>06, 752; Le-
gends of the Madonna, pp. 27, <>7-S,
2St>; Hist. Our Lord, Vol. 1, p. :591 ;
Vol. 2, pp. 40, 80-1, 119, 155-7, 2411*
281-2,363,377-8.
KOEHLER, Hist. Art, PI. 222.
HEATOX, Hist, Painting, pp. :>24-:54;
Flemish Art, pp. 52-7.
VIAKDOT, IHst, Painters, pp. 2:'.4-r>, 242;
Wonders of European Art, pp. 75, S:>.
FAIRHOLT, Rumbles of an Archaeologist,
pp. 190-204.
RUSIUN, Mod. Painters, Vol. 4, pp. :>22-5.
DOHME, Early Masters, Vol. 1, pp. 73-8X.
K\U;IIT, Pict. (nil. Arts, Vol, 2. Text [».
879.
HISTORY OF PAINTING.
81
2. Albert Durer,the many-sided genius of painting and
engraving (1471-1528); general account of his life and time.
KUGLER, German, Flemish and Dutch
Schools, Vol 1, pp. 152-5, 170-1.
LUEBKE, Hist. Art, Vol. 2, pp. 471-9,
482-3, 487-8.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text
pp. 379-82.
DOHM'B, Early Masters, pp. 89-97, 102-7,
117-22, 125-31.
VIARDOT, Hist. Painters, pp. 242-4;
Wonders of European Art, pp. 83-6.
CASSELL, Art Treasures, pp. 487-94,
496-503
HEATON, Hist. Painting, pp. 333-5, 340-3;
Flemish Art, pp. 57-64.
TYTLEB, Old Masters, pp. 169-75.
RUSKIN, Mod. Painters, Vol. 5, pp.
244-9.
FAIRHOLT, Rambles of an Archaeologist,
pp. 187-99, 204-15, 223-8, 255-9.
WOLTMANN, Holbein, pp. 454-60.
3. Albert Durer's various portraits of himself, both as
an independent subject, and as introduced in his pictures.
KUGLER, German, Flemish and Dutch DOHME, Early Masters, pp. 97-8.
Schools, Vol. 1, pp. 155-7. VIARDOT, Hist. Painters, p. 244; Won-
LUEBKE, Hist. Art, Vol. 2, pp. 486-7; ders of European Art, p. 86.
Mon. Art, Vol. 2, PI. 83 A; Text p. 243. HEATON, Flemish Art, p. 61.
KOBHLER, Hist. Art, PL 224. TYTLER, Old Masters, pp. 175-6
4. Albert Durer's paintings; Martyrdom of Ten
Thousand Saints; Assumption of the Virgin; Adoration
of the Trinity; Four Apostles or Four Temperaments.
KUGLER, German, Flemish and Dutch
Schools, Vol. 1, pp. 158-62, 165-7,
169-75.
LUEBKE, Hist. Art, Vol. 2, pp. 479-82,
485-6; Mon. Art, Vol. 2, Pis. 83, 83A,
Text pp. 243-4.
JAMESON, Sacred Art, Vol. 1, p. 162.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. pp.
372-3.
KOEHLER, Hist. Art, Pis. 224-5.
6
DOHME, Early Masters, pp, 108-14, 122-4.
VIARDOT, Hist. Painters, pp. 244-8;
Wronders of European Art, pp. 86-95.
TYTLER, Old Masters, pp. 177-8.
CASSELL, Art Treasures, pp. 490-4.
HEATON, Hist. Painting, pp. 336-9;
Flemish Art, pp. 64, 67.
FAIRHOLT, Rambles of an Archaeologist,
pp. 215-8, 228-31.
82
HISTORY OF PAINTING.
5. Albert Durer's engravings; Knight, Death and
the Devil; Melancholia; St. Jerome in his Study; the
Passion Series ; Triumphal Arch and Triumphal Car
of Maximilian.
KUGLER, German, Flemish and Dutch
Schools, Vol. 1, pp. 156-8, 162-5, 167-9,
171-2.
LUEBKE, Hist. Art, Vol. 2, pp. 483-5,
488-90; Mon. Art, Vol. 2, PL 83; Text
pp. 241-3.
JAMESON, Hist. Our Lord, Vol. 2, pp.
367-9 ; Legends of the Monastic Orders,
p. 186; Sacred Art, Vol. 2, pp. 735-7.
KOEHLEK, Hist. Art, Pis. 224-5.
D'AGINCOURT, Hist. Art, Vol. 3, PL 165.
DOIIME, Early Masters, pp. 98-102, 114-7,
124-5.
CASSELL, Art Treasures, pp. 494-5.
HEATON, Hist. Painting, pp. 339-40;
Flemish Art, pp. 64-5.
RUSKIN, Mod. Painters, Vol. 5, pp. 252-4.
FAIRHOLT, Rambles of an Archaeologist,
pp. 219-21.
TYTLER, Old Masters, pp. 178-80.
6. Lucas Cranach, the painter of the Reformation
(1472-1553); Fountain of Youth; Crucifixion at Weimar;
Fall and Redemption ; Christ and Children; Portrait
of a Lady at Munich.
KUGLER, German, Flemish and Dutch
Schools, Vol. 1, pp. 188-94.
LUEBKE, Hist. Art, Vol. 2, pp. 507-11;
Mon. Art, Vol. 2, PL 83, Text pp.
246-7.
VIARDOT, Hist. Painters, pp. 251-3; KOEHLER, Hist. Art, PL 223.
Wonders of European Art, pp. 80-3.
JAMESON, Sacred Art, Vol. 1, pp. 291-2,
334-5; Hist. Our Lord, Vol. 1, pp.
106-7.
HEATON, Hist. Painting, pp. 353-6;
Flemish Art, pp. 75-9.
7. Hans Holbein the Younger, the complement of
Albert Durer (1497-1543); his life at Basle and London.
HISTOEY OF PAINTING.
KUGLER, German, Flemish and Dutch TYTLER, Old Masters, pp. 309-18.
Schools, Vol. 1, pp. 198-201, 208-9} HEATON, Hist. Painting, pp. 346-7,
212-6.
LUEBKE, Hist. Art, Vol. 2, pp. 490-1;
Mon. Art, Vol. 2, PL 84, Text p. 245.
VIA ROOT, Hist. Painters, pp. 237-8;
Wonders of European Art, pp. 76-7.
349-50; Flemish Art, pp. 69-75.
WOLTMANN, Holbein, pp. 60-9, 87-9,
104-5, 110-2, 297-306, 322-32, 388-91,
439-40, 451-61.
8. Holbein's pictures of Bible subjects; the votive
Madonna of Burgomaster Meyer; Meeting of Saul and
Samuel; Crucifixion; Christ on the Mount of Olives.
KUGLER, German, Flemish and Dutch
Schools, Vol 1, pp. 202-7, 216.
LUEBKE, Hist. Art, Vol. 2, pp. 491-6;
Mon. Art, Vol. 2, PI. 84, Text pp. 245-6.
KOEULER, Hist. Art, PI. 223.
VIARDOT, Hist. Painters, pp. 237-8;
Wonders of European Art, pp. 77-8.
TYTLER, Old Masters, pp. 319-21.
HEATON, Hist. Painting, pp. 348-9;
Flemish Art, p. 74.
JAMESON, Legends of the Madonna, pp.
' 102-3.
WOLTMANN, Holbein, pp. 31-7, 89-103,
123-6, 127-30, 132-7, 141-59.
9. Holbein as a portrait painter; portraits of Eras-
mus, of Sir Thomas Moore and of Archbishop Warham.
KUGLER, German, Flemish and Dutch
Schools, Vol. 1, pp. 204-5, 207-8,
209-12.
VIARDOT, Hist. Painters, pp. 238-40;
Wonders of European Art, pp. 76-7,
79.
TYTLER, Old Masters, pp. 323-30.
LUEBKE, Hist. Art, Vol. 2, pp. 496-9;
Mon. Art, Vol. 2; PI. 84, Text p. 246.
HEATON, Hist. Painting, pp. 350-1.
WOLTMANN, Holbein, pp. 69-81, 113-7,
176-90, 196-7, 309-22, 332-4, 339-44,
359-60, 391-4U5, 422-6, 432-8, 441-8.
BLANC, Gram. Painting, pp. 234-5, 262-9.
10. Holbein as a master of engraving; Triumph of
Riches; Triumph of Poverty; Dance of Death, a favorite
subject of his time.
84
HISTORY OF PAINTING.
KUGLER, German, Flemish and Dutch
Schools, Vol. 1, pp. 212-3, 217-8.
LUEBKE, Hist. Art, Vol. 2, pp. 499-500;
Mon. Art, Vol. 2, PI. 84, Text pp.
245-6.
TYTLER, Old Masters, pp. 321-3, 330-3.
VIARDOT, Hist. Painters, pp. 240-1.
HEATON, Hist. Painting, p. 351.
WOLTMANN, Holbein, pp. 130-3, 137-40,
190-6, 204-32, 236-44, 245-86,
373-87.
XVIL— LATER PAINTERS OF GERMANY.
[1800-1850 A. D.]
1. Peter von Cornelius, the representative of modei
German idealism, (1784-1867); colossal frescoes in the
Glyptothek, the Pinakothek and the church of St. Lud-
wig, Munich; Four Riders of the Apocalypse in the
Royal Mausoleum, Berlin.
LUEBKE, Hist. Art, Vol. 2, pp. 616-7;
Mon. Art, Vol. 2, Pis. 106, 119, Text
pp. 293, 315.
VIARDOT, Hist. Painters, p. 266.
JAMESON, Sketches of Art, pp. 197-200.
TYTLER, Mod. Painters, pp. 198-202.
CLEMENT, Artists 19th Cent., Vol. 1, pp.
156-8.
EOSSETTI, Fine Art, pp. 122-3.
2. Friedrich Overbeck, the chief of the revivalists of
German art, (1789-1869); Triumph of Religion in the
Arts, in the Stadel Institute, Frankfort; Entrance of
Christ into Jerusalem, in Lubeck; fresco of the Vision
of St. Francis, in the church of St. Agnes, Assisi.
LUEBKE, Hist. Art, Vol. 2, pp. 614-5;
Mon. Art, Vol. 2, Pis. 106, 119, Text
pp. 293, 315.
VIARDOT, Hist. Painters, pp. 265-6.
TYTLER, Mod. Painters, pp, 196-8.
CLEMENT, Artists, 19th Cent., Vol. 2,
pp. 157-9.
HISTOKY OF PAINTING. 85
3. Wilhelm von Kaulbach, painter of classic and
historic allegory, (1805-1874); frescoes in the New Mu-
seum, Berlin; Apollo and the Muses in the Odeon,
Munich.
LUEBKE, Hist. Art, Vol. 2, pp. 618-9; VIARDOT, Hist. Painters, pp. 267-8.
Mon. Art, Vol. 2, PL 125, Text pp. BENJAMIN, Contemporary Art in Eu-
323-4. rope, pp. 115-7.
CLEMENT, Artists, 19th Cent., Vol. 2, pp. ROSSETTI, Fine Art, p. 123.
19-20.
XVIII.— THE GREAT PAINTERS OF SPAIN.
VELASQUEZ AND MURILLO.
[1600-1680, A. D.]
1. Limits of Moorish Art; influence of the Inquisi-
tion on painting in Spain.
LUEBKE, Hist. Art, Vol. 2, pp. 533-4. HEATON, Hist. Painting, pp. 268-9, 272-3.
STOTHERT, French and Spanish Paint- JARVES, Art Hints, pp. 272-4, 275-6
ers, pp. 2-4. Art Thoughts, pp. 177-8.
2. The early history of painting in Spain; the four
schools.
LUEBKE, Hist. Art, Vol. 2, pp. 533-4. HEATON, Hist. Painting, pp. 269-72,
VIARDOT, Hist. Painters, pp. 192-4; 277-9,
Wonders of European Art, pp. 1-6. JARVES, Art Hints, pp. 269-74, 276-7;
STOTHERT, French and Spanish Paint- Art Thoughts, pp. 178-9.
ers, pp. 1-2, 4-7. KNIGHT, Pict. Gal. Arts, Vol. 2, p. 386.
3. Some of the early masters in Spain; Francisco de
Herrera (1576-1656); Francisco Zurbaran (1598-1662).
HISTORY OF P \TtfTI TO.
LUEBKE, Hist. Art, Vol. 2, pp. 534-5;
Mon. Art, Vol. 2, PI. 97, Text p. 277.
VIARDOT, Hist. Painters, pp. 202-3;
Wonders of European Art, pp. 23-5.
BAXLEY, Spain, Vol. 2, pp. 38-55.
HEATON, Hist. Painting, pp.
289-91.
STOTHERT, French and Spanish Paii
ers, pp. 34-7.
4. Josef de Ribera (II. Spagnoletto,) the Spaniard in
Italy (1585-1609); Deposition from the Cross; Commun-
nion of the Apostles; Martyrdom of St. Bartholomew.
LUEBKE, Hist. Art, Vol. 2, p. 523; KOEHLER, Hist. Art, PI. 241.
BAXLEY, Spain, Vol. 2, pp. 323-9.
STOTHERT, French and Spanish Pain
ers, pp. 23-5.
JAMESON, Hist. Our Lord, Vol. 1, p. 279.
Vol.
Mon. Art, Vol. 2, PL 94, Text p. 272.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p.
380.
VIARDOT, Hist. Painters, pp. 196-8;
Wonders of European^Art, pp. 9-17.
•
5. Diego Velasquez, the greatest master of the school
of Castile (1599-1669); his life, character and style.
LUEBKE, Hist. Art, Vol. 2, p. 535.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text
p. 387.
VIARDOT, Hist. Painters, pp. 220-2;
Wonders of European Art, pp. 50-5,
68-9.
STOTHERT, French and Spanish Paint-
ers, pp. 37-41, 50-1, 54.
HEATON, Hist. Painting, pp. 291-5, 297-9.
JARVES, Art Thoughts p. 179; Art Hints,
p. 278.
BAXLEY, Spain, Vol. 2, pp. 296-7, 316-7,
322.
SHEDD, Famous Painters, pp. 162-4.
TYTLER, Old Masters, pp. 260-7, 269-75.
Characteristic works of Velasquez : Spinners; Forge
of Vulcan; Surrender of Breda; Drinkers; Maids of
Honor; Water Carrier; Boar Hunt in the National Gal-
lerv, London.
LUEBKE, Hist. Art, Vol. 2, pp. 535-6.
VIARDOT, Hist. Painters, pp. 223-6;
Wonders of European Art, pp. 59-67.
HEATON, Hist. Painting, pp. 295-6.
TYTLER, Old Masters, pp. 271-2, 278-80.
STOTHERT, French and Spanish Paint"
ers, pp. 43, 46-8, 51-4.
BAXLEY, Spain, Vol. 2, pp. 306.-12,
KOEHLER, Hist. Art, PI. 241.
HISTORY OF PAINTING. 87
7. Velasquez' religious pictures, especially his Cru-
cifixion.
JAMESON, Legends of the Madonna, pp. STOTHERT, French and Spanish Paint-
23-4, 49; Hist, Our Lord, Vol. 2, pp. ers, p. 45.
82, 205-6. BAXLEY, Spain, Vol. 2. pp. 295-6, 312-6.
VIARDOT, Hist. Painters, p. 223; Won- TAINE, Florence and Venice, p. 360.
ders of European Art, pp. 58-9. KOEIILER, Hist. Art, PL 242.
TYTLER, Old Masters, pp. 267-8.
8. Velasquez as a portrait painter; portraits and
portrait groups of the king, Philip IV.
LUEBKE, Mon. Art, Vol. 2. PL 97, STOTHERT, French and Spanish Paint-
Text p. 277. ers, pp. 41-3, 48-50.
VIARDOT, Hist. Painters, pp. 222-3; BAXLEY, Spain, Vol. 2, pp. 297-305.
Wonders of European Art, pp. 56-8. TYTLER, Old Masters, pp. 268-9, 275-8.
HEATON, Hist. Painting, pp. 294-5. KOEHLER, Hist. Art, Pis. 241-2.
9. Bartolome Esteben Murillo, the great master of
the Andalusiari school (1618-1682); his life, character and
style.
LUEBKE, Hist. Art, Vol. 2 pp. 536-9. STOTHERT, French and Spanish Paint-
KNIGIIT, Pict. Gal. Arts, Vol. 2, Text ers, pp. 55-60.
p. 387. BAXLEY, Spain, Vol. 2, pp. 26, 278-80,
VIARDOT, Hist. Painters, pp. 204-6; 284.
Wonders of European Art, pp. 25-9. JARVES, Art Hints, pp. 280-1 ; Art
SWEETSER, Murillo, pp. 7-21, 30-6, 41-3, Thoughts, pp. 177-9.
55-7, 62-7, 95-111. SHEDD, Famous Painters, pp. 192-5.
HEATON, Hist. Painting, pp. 299-303, HALL, Gems of European Art, Vol. 1,
305-6. pp. 31-6.
TYTLER, Old Masters, pp. 280-4.
10. Murillo's religious pictures; St. Anthony of Pa-
dua; St. Elizabeth of Hungary; St. Francis and the Para-
lytic; Prodigal Son; Apotheosis of the Virgin; Madonna
pictures, etc.
88
HISTORY OF PAINTING.
LUEBKE, Hist. Art, Vol. 2, pp. 539-40;
Mon. Art, Vol. 2, PL 97, Text pp.
277-8.
KNIGHT, Pict. Gal. Arts, Vol. 2, II.
p. 381.
JAMESON, Hist. Our Lord, Vol. 1, pp.
368-9; Vol. 2, pp. 380-1; Legends of
the Madonna, pp. 36, 46-7, 49-50,
120; Sacred Art, Vol. 1, pp. 127-8,
312-3, 361-2; Vol. 2. pp. 676-7.
VIARDOT, Hist. Painters, pp. 206-11;
Wonders of European Art, pp. 29-42.
SWEETSER, Murillo, pp. 38-41, 70-7,
88-91, 94.
HEATON, Hist. Painting, pp. 303-4.
STOTHERT, French and Spanish Paint-
ers, pp. 58-9, 61.
BAXLEY, Spain, Vol. 2, pp. 11-26, 30-1,
33-6, 274-7, 280-4, 285-94.
TAINE, Rome and Naples, p. 163.
TYTLER, Old Masters, pp. 284-5.
SHEDD, Famous Painters, p. 194.
KOEHLER, Hist. Art, PL 242.
HALL, Gems of European Art, PL 4,
1]. Murillo's pictures of beggar children: Playing
at Dice; Eating Grapes; Counting Money; Beggar Boy,
etc.
LUEBKE, Mon. Art, Vol. 2, PL 97, Text
p. 277.
KNIGHT, Pict. Gal. Arts, II. p. 381.
VIARDOT, Hist. Painters, p. 211.
SWEETSER, Murillo, pp. 105-8.
JARVES, Art Hints, pp. 281-2.
TYTLER, Old Masters, p. 285.
KOEHLER, Hist. Art, Pis. 241-2.
HALL, Gems of European Art, pp.
29-30.
XIX.— THE PRINCIPAL, FRENCH PAINTERS.
THE EARLY PERIOD.
[1600-1700 A. D.]
1. General outline of the early history of art in
France; architecture, book illumination and glass painting.
LUEBKE, Hist. Art, Vol. 2, p. 577. VIARDOT, Hist. Painters, pp. 369-72;
KNIGHT, Pict. Gal. Arts, Vol. 2, Text Wonders of European Art, pp.
p. 395. 232-41.
STEPHENS, Flemish and French Pic- STOTHERT, French and Spanish Paint-
tures, pp. 181-94. ers, pp. 75-100.
HISTORY OF PAINTING.
89
2. Nicolas Poussin, the
ing in France, (1594?-1665);
sonal characteristics.
LUEBKE, Hist. Art, Vol. 2, pp. 562-3,
577.
VIARDOT, Hist. Painters, pp. 372-3;
Wonders of European Art, pp. 241-
3, 249.
HEATON, Hist. Painting, pp. 262-3.
STOTHERT, French and Spanish Paint-
ers, pp. 100-4.
SHEDD, Famous Painters, pp. 159-60.
TYTLER, Old Masters, pp. 286-92.
first great master of paint-
his Roman training; per-
JARVES, Art Thoughts, pp. 233-5; Art
Studies, p. 127.
RUSKIN, Mod. Painters, Vol. 3, p. 330;
Vol. 5, pp. 261-3.
DOHME, Early Masters, pp. 486-507,
509-10.
ECLECTIC MAGAZINE, March 1853, "Nico-
las Poussin."
REYNOLDS, Discourses on Art, Vol. 1,
pp. 357, 445.
3. Poussin's study and use of the landscape; Shep-
herds of Arcadia; Scene near Athens; Heroic Landscape.
VIARDOT, Hist. Painters, p. 375; Won-
ders of European Art, p. 246.
RUSKIN, Mod. Painters, Vol. 1. p. 88.
BLANC, Grammar of Painting, pp. 23-4.
TAINE, Rome and Naples, pp. 197, 222-3.
DOHME, Early Masters, pp. 508-9.
KOEHLER, Hist. Art, PI. 244.
HALL, Gems of European Art, Vol. 1,
PI. 23, pp. 81-2.
TYTLER, Old Masters, pp. 292-6.
4. Poussin's religious pictures; Ecstacy of St. Paul;
sacred allegories of the Four Seasons, viz.: Adam and
Eve in Paradise, Ruth Gleaning, Return of the Spies
and the Deluge; Moses at the Well.
LUEBKE, Mon. Art, Vol. 2, PI. 98, Text
pp. 278-9.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p.
377.
JAMESON, Works, see Index "Poussin."
VIARDOT, Hist. Painters, pp. 373-5;
Wonders of European Art, pp. 244-5.
STOTHERT, French and Spanish Paint-
ers, p. 104.
DOHME, Early Masters, pp. 507-8.
90 HISTORY OF PAINTING.
5. Poussin's historical pictures; Rape of the
bines; Will of Eudamidas; Death of Germanicus.
VIARDOT, Wonders of European Art, BLANC, Grammar of Painting, p. 43.
p. 245. DOHME, Early Masters, p. 508.
6. Poussin's mythological and allegorical pictures;
Triumph of Flora; Triumph of Neptune; Death of Eury-
dice; Triumph of Truth.
LUEBKE, Mon. Art, Vol. 2, PI. 101, RUSKIN, Mod. Painters, Vol. 3, p. 330,
Text p. 285. DOHME, Early Masters, p. 508.
VIARDOT, Wonders of European Art, KOEHLER, Hist. Art, PI. 243.
pp. 245-6.
7. Claude Lorraine, the first master of landscap
proper (1600-1682); his industrious life, and faithful
study of nature on the Campagna.
LUEBKE, Hist. Art, Vol. 2, pp. 578-9. TYTLEK, Old Masters, pp. 296-8.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text STOTHERT, French and Spanish Paint-
p. 383. ers, pp. 105-6.
HEATON, Hist. Painting, pp. 263-4. SWEETSER, Lorraine, pp. 7-44, 66-74, 91*
VIARDOT, Hist. Painters, pp. 375-6; 100, 107-12, 119-34, 137-40,
Wonders of European Art, pp. CASSELL, Art Treasures, pp. 384-7.
249-50. JARVES, Art Studies, pp. 236-7.
8. Select examples of Lorraine's landscape paint-
ing: Mill in the Doria Palace, Rome; Marriage of Isaac
and Rebecca; Worship of the Golden Calf; Hagar in the
Desert; Noon; Evening; Study of Trees.
HISTOKY OF PAINTING.
LUEBKE, Mon. Art, Vol. 2, PI. 101,
Text p. 285.
VIAEDOT, Hist. Painters, pp. 376-8;
Wonders of European Art, pp. 250-6.
KOEHLEB, Hist. Art, PL 243.
TYTLER, Old Masters, pp. 298-303.
LANZI, Hist. Painting, Vol. 2, pp. 247-8.
HARE, Walks in Rome, p. 52.
SWEETSER, Lorraine, pp. 44-52, 74-5, 78-
81, 83-6, 100-6.
RUSKIN, Mod. Painters, Vol. 1, preface,
pp. 38-40, pp. 191-2, 205-6, 274-7; Vol,
5, pp. 258-61.
CASSELL, Art Treasures, pp. 387-96.
HALL, Gems of European Art, Vol. 2,
PI. 26, pp. 67-8.
9. Select examples of Lorraine's marine pieces; Em-
barkation of the Queen of Sheba; Landing of Cleopatra;
Seaport at Sunset; Morning.
VIARDOT, Hist. Painters, pp. 375-8; SWEETSER, Lorraine, pp. 75, 81-3, 86-8,*
Wonders of European Art, pp. 253-4. 134-7.
RUSKIN, Mod. Painters, Vol. 5, p. 259. CASSELL, Art Treasures, pp. 393-4.
10. Charles Lebrun, first President of the Royal
Academy of France (1619-1690); his peculiar theory and
style; series of paintings of the Battles of Alexander.
LUEBKE, Hist. Art, Vol. 2, p. 563; HEATON, Hist. Painting, pp. 473-4.
Mon. Art, Vol. 2, PI. 98, Text p. STEPHENS, Flemish and French Pic-
279. tures, pp. 196-7.
JAMESON, Works, see Index, "Lebrun." STOTHERT, French and Spanish Paint-
KNIGHT, Pict. Gal. Arts, Vol. 2, Text ers, pp. 91-5.
p. 395.
DOHME, Early Masters, pp. 511-26.
VIARDOT, Hist. Painters, pp. 379-80; KOEHLER, Hist. Art, PI. 243.
Wonders of European Art, pp. 261-3. TYTLER, Old Masters, pp. 303-5.
11. Eustache Lesueur, painter of scenes from monas-
tic life (1617-1655); History of St. Bruno; Vision of St,
Bernard; Preaching of St. Paul at Ephesus.
92
HISTORY OF PAINTING.
LUEBKE, Hist. Art, Vol. 2, p. 563; STOTHERT, French and Spanish Paint-
Mon. Art, Vol. 2, PI. 98, Text p. ers, pp. 87-91.
279. JARVES, Art Thoughts, pp. 233, 235-6.
JAMESON, Works, see Index, "Lesueur." STEPHENS, Flemish and French Pic-
KNIGHT, Pict. Gal. Arts, Vol. 2, Text p. tures, p. 197.
395. DOHME, Early Masters, pp. 513-4.
VIARDOT, Hist. Painters, pp. 378-9; BLANC, Grammar of Painting, pp. 43,
Wonders of European Art, pp. 258- 60-1.
60. KOEHLER, Hist. Art, PI. 242.
HEATON, Hist. Painting, p. 473.
XX.-THE PRINCIPAL, FRENCH PAINTERS.
LATER PERIOD.
[1700-1850 A. D.]
1. Antoine Watteau, painter of fashionable life
(1684-1721 ; Embarkation for the Island of Cytheria;
Fete Champetre, in the Dulwich gallery.
LUEBKE, Hist. Art, Vol. 2, p. 574.
VIARDOT, Hist. Painters, p. 382; Won-
ders of European Art, pp. 267-8.
STOTHERT, French and Spanish Paint-
ers, pp. 110-4.
HEATON, Hist. Painting, pp. 474-5.
SHEDD, Famous Painters, pp. 215-6.
TYTLER, Old Masters, pp. 305-7.
KOEHLER, Hist. Art, PI. 243.
HALL, Gems of European Art, Vol. 1,
PI. 1.
2. Claude Joseph Vernet, the best marine painter
of the French School (1714-1789); Seaports of France,
Nos. 596 and 615 in the Louvre; View of St. Angelo,
Rome, in the National gallery.
LUEBKE, Hist. Art, Vol. 2, p. 580.
VIARDOT, Hist. Painters, p. 384; Won-
ders of European Art, pp. 271-2.
STOTHERT, French and Spanish Paint-
ers, pp. 134-8.
HEATON, Hist. Painting, p. 477.
HISTORY OF PAINTING. 93
3. Jean Baptiste Greuze, painter of domestic and
rural life (1726-1805); Broken Pitcher; Village Bride;
Patdrnal Curse.
LUEBKE, Hist. Art, Vol. 2, p. 574. STOTHERT, French and Spanish Paint-
VIARDOT, Hist. Painters, p. 385; Won- ers, pp. 119-23.
ders of European Art, pp, 272-4. KOEHLER, Hist. Art, PI. 244.
TYTLER, Old Masters, pp. 307-8. AMERICAN ART REVIEW, 1880, p. 313.
4. Jacques Louis David (1749-1825) ; revival of
the classic style in painting; Oath of the Horatii; Leoni-
das at Thermopylae; Sabine Women.
LUEBKE, Hist. Art, Vol. 2, pp. 612-3; STOTHERT, French and Spanish Paint-
Mon. Art, Vol. 2, PI. 104, Text p. ers, pp. 126-34.
291. HEATON, Hist. Painting, pp. 477-81.
VIARDOT, Hist. Painters, pp. 386-7; TYTLER, Mod. Painters, pp. 157-60.
Wonders of European Art, pp. 275- KOEHLER, Hist. Art, PI, 246.
82. STEPHENS, French and Flemish Pic-
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p. tures, p. 216.
393, Text p. 395.
5. Pierre Paul Prud'hon, master of the graceful
style (1758-1823); Justice and Divine Vengeance Pursu-
ing Crime; Assumption of the Virgin and the Dying
Christ, in the Louvre.
VIARDOT, Hist. Painters, pp. 389-90; STEPHENS, Flemish and French Pic-
Wonders of European Art, pp. 286-90. tures, pp. 217-22.
STOTHERT, French and Spanish Paint-
ers, pp. 154-8.
6. Jean Auguste Dominique Ingres (1781-1867);
Francisca de Rimini; Stratonice; La Source; Apotheosis
of Homer, in the Louvre.
HISTORY OF PAINTING.
LUEBKE, Hist. Art, Vol. 2, pp. 612-3;
Mon. Art, Vol. 2, PI. 129. Text pp.
331-2.
VIARDOT, Hist. Painters, pp. 391-2;
Wonders of European Art, pp. 297-8.
TYTLER, Mod. Painters, pp. 161-5.
EOSSETTI, Fine Art, pp. 103-4.
CLEMENT, Artists, 19th Cent., Vol. 1,
pp. 379-82.
STOTIIERT, French and Spanish Paint-
ers, pp. 196-200.
STEPHENS, Flemish and French Pic-
tures, pp. 246-8.
7. Horace Vernet, painter of battles (1789-1863);
Battle of Fontenoy; Battle of Montmirail; Defence of the
Barrier of Clichy.
LUEBKE, Hist. Art, Vol. 2, pp. 629-30;
Mon. Art, Vol. 2, PI. 129, Text pp.
333-4.
VIARDOT, Hist. Painters, p. 392; Won-
ders of European Art, pp. 298-301.
TYTLER, Mod. Painters, pp. 166-70.
ROSSETTI, Fine Art, pp. 104-5.
CLEMENT, Artists, 19th Cent., Vol. 2,
pp. 316-20.
STOTHERT, French and Spanish Paint-
ers, pp. 161-6.
STEPHENS, Flemish and French Pic-
tures, pp. 241-6.
REES, Vernet, pp. 1-52.
8. Jean Louis Gericault, the opponent of the classi-
cists (1790-1824); Raft of the Medusa; Hunter Wounded.
LUEBKE, Hist. Art, Vol. 2, p. 628.
VIARDOT, Hist. Painters, p. 391; Won-
ders of European Art, pp. 290-2,
TYTLER, Mod. Painters, pp. 165-6.
STOTIIERT, French and Spanish Paint-
ers, pp. 150-4.
STEPHENS, Flemish and French Pic-
tures, pp. 224-6.
9. Louis Leopold Robert (1794-1835); Reapers in
the Pontine Marshes; Madonna del Arco; Departure of
the Fishermen.
LUEBKE, Hist. Art, Vol. 2, p. 630;
Mon. Art, Vol. 2, PI. 129, Text p. 333.
VIARDOT, Hist. Painters, p. 393; Won-
ders of European Art, pp. 292-6.
STOTHERT, French and Spanish Paint-
ers, pp. 173-8.
STEPHENS, Flemish and French Pic-
tures, pp. 227-8.
HALL, Gems of European Art, Vol. 1,
PI. 3, pp. 7-12.
HISTORY OF PAINTING. 95
t
10. Ary Scheffer (1795-1858); St. Augustine and
liis Mother; Magdalene; Dante and Beatrice; Christ the
Comforter; Christ the Judge.
LUEBKE, Hist. Art, Vol. 2, pp. 628-9; VIARDOT, Hist. Painters, p. 393; Won"
Mon. Art, Vol. 2, PI. 129, Text pp. ders of European Art, p. 298.
332-3. STEPHENS, Flemish and French Pic-
TYTLER, Mod. Painters, pp. 178-90. tures, pp. 232-3.
ELEMENT, Artists, 19th Cent., Vol. 2, pp. STOTHEET, French and Spanish Paint-
237-9. ers, pp. 178-82.
11. Paul Delaroche, the painter of recent history
(1797-1856); Assassination of the Duke of Guise; Execu-
tion of Lady Jane Grey; Charles I. in the Guard Room;
Princes in the Tower; the Hemicycle series, in the Acad-
emy of Fine Arts, Paris.
-LuEBKE, Hist. Art, Vol. 2, p. 630; Mon. TYTLER, Mod. Painters, pp. 170-7.
Art, Vol. 2, Pis. 129-30, Text pp. STOTIIERT, French and Spanish Paint-
334-5. ers, pp. 167-83.
YIARDOT, Hist. Painters, p. 394; Won- STEPHENS, Flemish and French Pic-
ders of European Art, p. 301. tures, pp. 228-32.
CLEMENT, Artists, 19th Cent., Vol. 1, REES, Vernet, pp. 57-87, and analysis
pp. 197-8. of Hemicycle, pp. I-XXX.
12. Eugene Delacroix, leader of the Romantic
School (1799-1863): Dante and Virgil; Massacre of Scio;
frescoes in the Throne-Room of the Chamber of Depu-
ties, Paris.
LUEBKE, Hist. Art, Vol. 2, p, 629; Mon. ROSSETTI, Fine Art, pp. 108-11.
Art, Vol. 2, PI. 130, Text p. 335. STOTHERT, French and Spanish Paint-
VIARDOT, Hist, Painters, p. 394; Won- ers, pp. 182-92.
ders of European Art, p. 298. STEPHENS, Flemish and French PIC-
CLEMENT, Artists, 19th Cent., Vol. 1, tures, pp. 233-6.
pp. 194-6.
96
HISTORY OF PAINTING.
13. Alexander Gabriel Decamps, the French master
of chiaroscuro (1803-1860); Defeat of the Cimbri; Watch-
Guard at Smyrna; Turkish Guard-Room.
LUEBKE, Hist. Art, Vol. 2, p. 630; Mon. ROSSETTI, Fine Art, p. 111.
Art, Vol. 2, PI. 130, Text pp. 335-6. STOTHERT, French and Spanish Paint-
VIARDOT, Hist. Painters, p. 395; AVon- ers, pp. 200-4.
ders of European Art, p. 301. STEPHENS, Flemish and French PIC-
CLEMENT, Artists, 19th Cent., Vol. 1,
pp. 188-9.
tures, pp. 237-41.
14. ' Constant Troy on, animal and landscape painter
(1810-1865); Oxen going to Work; Valley of the Toque;
Ferry-Boat.
LUEBKE, Hist. Art, Vol. 2, p. 632;
Mon. Art, Vol. 2, PL 135, Text p.
344.
VIARDOT, Hist. Painters, pp. 395-6.
TYTLER, Mod. Painters, pp. 191-3.
CLEMENT, Artists, 19th Cent., Vol. 2,
pp. 301-2,
STOTHERT, French and Spanish Paint-
ers, p. 221.
STEPHENS, Flemish and French Pic-
tures, pp. 248-52.
BENJAMIN, Contemporary Art in Eu-
rope, pp. 90-1.
XXI.— THE PRINCIPAL, ENGLISH PAINTERS.
[1700-1873 A. D.]
1. The early history of painting in England; influ-
ence of foreign schools on English art.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text KNIGHT, Hist. England, Vol. 5, pp.
pp. 395, 398. 461-3; Vol. 7, pp. 65-72.
HEATON, Hist. Painting, pp. 490-5. REYNOLDS, Discourses on Art, Vol. 1,
VIARDOT, Hist. Painters, pp. 397-402. Intro, pp. 2-26.
HISTORY OF PAINTING. 97
2. William Hogarth, the founder of the English
School and master of satire (1697-1764); his independent
spirit and peculiar style of painting.
LUEBKE, Hist. Art, Vol. 2, p. 574, WEIGHT, Hist. Caricature, pp. 434-5.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text TEUSLEB, Hogarth's Works, Vol. 1, pp.
p. 398. 1-19.
VIARDOT, Hist. Painters, pp. 402-4. LONG, Art Laws, pp, 143-5.
HEATON, Hist. Painting, pp. 495-500. DOBSON, Hogarth, pp. 7-18, 85-6, 93-
CASSELL, Art Treasures, pp. 110-8, 127- 109.
34. KNIGHT, Hist. n
ROSSETTI, Fine Art, pp. 8-9, 146, 149. 463-6.
PAETON, Caricature, pp. 133-46.
3. Hogarth's several series of works , illust
the evils of his time; Marriage a la Mode; Rake's Progress;
Idle and Industrious Apprentice, etc.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p. WEIGHT, Hist. Caricature, pp. 435-40.
396. DOBSON, Hogarth, pp. 19-29, 38-9, 47-
VIAEDOT, Hist. Painters, p. 404. 60, 65-7, 79-83, 91-3.
CASSELL, Art Treasures, pp. 118-9; 126-7. KNIGHT, Hist. England, Vol. 5, pp.
TEUSLEE, Hogarth's Works, Vol. 1, pp. 470-2.
1-128; Vol. 2, pp. 133-47, 168-75.
4. Hogarth's single pieces; March of the Guards to
Finchley; Enraged Musician; Sleeping Congregration;
Gin Lane; Beer Street, etc.
LUEBKE, Mon. Art, Vol. 2, PI. 98, Text TEUSLEE, Hogarth's Works, Vol. 1, pp.
p. 280. 129-32; Vol. 2, pp. 147-66, 175-201.
JAMESON, Sacred Art, Vol. 1, pp. 222-3. DOBSON, Hogarth, pp. 29-30, 42-6, 63-5,
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p. 69-71, 86-90.
396. KNIGHT, Hist. England, Vol. 5, pp.
VIAEDOT, Hist. Painters, p. 404. 468-70, 472-3.
CASSELL, Art Treasures, II. pp. 117-8, KOEHLEE, Hist. Art, PI. 245.
Text pp. 119-23. BICKEE'S ED., Examples of Modern
PAETON, Caricature, pp. 134, 138, 142-6. British Art, PI. 1.
WEIGHT, Hist. Caricature, pp. 440-5.
HISTORY OF PAINTING.
5. Richard Wilson (1713-1782); Ruins of the Villa
Maecenas at Tivoli and Destruction of Niobe's Children r
in the National Gallery; Landscape No. 215, in the Dul-
wich Gallery.
LUEBKE, Mon. Art, Vol/2, PI. 136, Text CASSELL, Art Treasures, pp. 99-110.
pp. 345-6. REYNOLDS, Discourses on Art, Vol. 2,
KNIGHT, Pict. Gal. Arts, Vol. 2, Text pp. 89-90.
p. 399. TYTLER, Mod. Painters, pp. 37-41.
HBATON, Hist. Painting, pp. 508-10. BICKER s ED., Examples of Modern
VIARDOT, Hist. Painters, p. 405. British Art, PI. 2.
6. Joshua Reynolds, the first President of the
Royal Academy and reformer of English portraiture
(1725-1792); his method of study and discourses on Art.
LUEBKE, Hist. Art, Vol. 2, p. 564. HEATON, Hist. Painting, pp. 501-5.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text p. SWEETSER, Keynolds.
398. LONG, Art Laws, pp. 148-52.
VIARDOT, Hist. Painters, pp. 406-8. ROSSETTI, Fine Art, p. 152.
CASSELL, Art Treasures, pp. 51-5, 58-61, TYTLER, Mod. Painters, pp. 13-26.
66-7.
7. Portraits by Reynolds: Miss Kemble; Mrs. Sid-
dons as the Tragic Muse; Admiral Kepple; Samuel
Johnson, etc.
VIARDOT, Hist. Painters, p. 408. SWEETSER, Reynolds.
CASSELL, Art Treasures, pp. 55, 58. TYTLER, Mod. Painters, pp. 19-20.
8. Historic and poetic paintings: Macbeth and the
Witches ; Hercules strangling the Serpent ; Strawberry
Girl; Robinetta.
HISTORY OF PAINTING.
LUEBKE, Mon. Art, Vol. 2, PI. 98, Text HALL, Gems of European Art, Vol. 1,
p. 279.
JAMESON, Sacred Art, Vol. 2, p. 592.
KNIGHT, Pict. Gal. Arts, Vol, 2, II. p.
397.
VIARDOT, Hist. Painters, p. 408.
CASSELL, Art Treasures, pp. 55-8, 61-5.
pp. 113-8.
KOEHLER, Hist. Art, PI. 245.
BICKER'S ED., Examples of Modern
British Art, PI. 3.
SWEETSER, Reynolds.
9. Thomas Gainsborough, the first painter of English
landscape (1727-1788); Cottage Door; Shepherd Boy in a
Storm; portrait of Mrs. Siddons in the National Gallery;
the Blue Boy.
LUEBKE, Hist. Art, Vol. 2, pp. 564, 580.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p.
397, Text p. 399.
VIARDOT, Hist. Painters, p. 409.
TYTLER, Mod. Painters, pp. 27-39.
HEATON, Hist. Painting, pp. 505-6.
HALL, Gems of European Art, Vol. 1,
pp. 101-4, 133-4.
CASSELL, Art Treasures, pp. 67-78.
KOEHLER, Hist. Art, PI. 245.
REYNOLDS, Discourses on Art, Vol. 2,
pp. 80-9, 92-7.
THORNBURY, Life of Turner, pp. 247-53.
BICKER'S ED., Examples of Modern
British Art, PI. 4.
10. John Singleton Copley (1737-1815); Death of
Lord Chatham; Siege of Gibraltar; Death of Major Pier-
son; Charles I. Signing Stafford's Death- Warrant.
VIARDOT, Hist. Painters, pp. 410-1.
TYTLER, Mod. Painters, pp. 47-8.
HEATON, Hist. Painting, p. 514.
BICKER'S ED., Examples of Modern
British Art, PI. 5.
ROSSETTI, Fine Art, pp. 152-3.
TUCKERMAN, American Artists, pp. 71-
81.
BENJAMIN, Art in America, Frontis-
piece, pp. 19-21.
11. Benjamin West, the second President of the
Royal Academy (1738-1820); Death on the Pale Horse ;
Christ Healing the Sick; Christ Rejected; Death of General
Wolf.
XUEBKE, Hist. Art, Vol. 2, pp. 505;
Mon. Art, Vol. 2, PI. 98, Text p.
280.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p.
397, Text p. 399.
TIARDOT, Hist. Painters, p. 411.
TYTLER, Mod. Painters, pp. 44-70.
HEATON, Hist. Painting, pp. 511-2.
, Hist. Art, PL 245.
,
LONG, Art Laws, pp. 152-7.
HALL, Gems of European Art, Vol.
pp. 37-41; Vol. 2, pp. 27-8.
TUCKERMAN, American Artists, pp. 196-
202.
BENJAMIN, Art in America, pp. 17-9.
BICKER'S Ep., Examples of Modern
British Art, PL 6.
12, Thomas Lawrence (1769-1830); Hamlet with
Yorick's Skull; Coriolanus; portraits of George IV., Lady
Peel, Mrs. Siddons, Master Lambton, etc.
X.UEBKE, Hist. Art, Vol. 2, pp. 564.
JKNIGHT, Pict. Gal. Arts, Vol. 2, II. p.
396.
"ViABDor, Hist. Painters, pp. 417-8.
TYTLER, Mod. Painters, pp. 80-5.
HEATON, Hist. Painting, pp. 507-8.
Art Treasures, pp. 166-83.
LONG, Art Laws, pp. 152-7.
KOEHLER, Hist. Art, PL 245.
MURRAY, British School of Art, Vol. 2,
PL 13.
BICKER'S ED., Examples of Modern
British Art, PL 8.
THORN BURY, Life of Turner, pp. 253-7.
13. Joseph Mallord William Turner, the greatest
landscape painter of England (1775-1851); his isolated
life and peculiar character; his three styles and periods of
•excellence.
LUEBKE, Hist. Art, Vol. 2, p. 636. MONKHOUSE, Turner.
VIARDOT, Hist. Painters, pp. 420-1. SWEETSER, Turner.
HEATON, Hist. Painting, pp. 518-23. TYTLER, Mod. Painters, pp. 86-106.
CLEMENT, Artists 19th Cent., Vol. 2, pp. RUSKIN, Mod. Painters, Vol. 5, pp.
304-6. 303-13, 358-9; also see Index.
CASSELL, Art Treasures, pp. 91-4, 98-9. ROSSETTI, Fine Art, pp. 291-323.
THORNBURY, Life of Turner.
HISTORY OF PAINTING. 101
14. Masterpieces of the first period of Turner's art
life (1800-1820); Calais Pier; Wreck of the Minotaum;
Death of Nelson; Dido Building Carthage; Crossing the
Brook; Sun Rising in a Mist.
LUEBKE, Mon. Art, Vol. 2, PL 136, Text SWEETSEE, Turner, pp. 44-8, 53-4, 60-2.
p. 345. RUSKIN, Mod. Painters, Vol. 3 , pp. 128-
HEATON, Hist. Painting, p. 521. 9; Vol. 5, pp. 314-29; also see Index.
CASSELL, Art Treasures, pp. 95-8. RICHARDS, Examples of British Art,,
THORNBURY, Life of Turner, pp. 415-36, Pis. 9, 13, 25.
509-16. MONKHOUSE, (Turner), pp. 48-9,, 92-8*.
15. Turner's second and best period (1820-183,5),;
Bay of Baiae; Ulysses deriding Polyphemus; Golden
Bough; Regulus leaving Rome; Ancient Italy ; Modern
Italy.
MURRAY, British Schools of Art, Vol. 2, RUSKIN, Mod. Painters, Vol. 5,. pp.. 330-
PI. 17. 47.
HEATON, Hist. Painting, pp. 521-2. VIARDOT, Hist. Painters, pp. 421..
THORNBURY, Life of Turner, pp. 436- BICKER'S ED., Examples o-f Modem
49,516-20. British Art, PI. 9.
MONKHOUSE, Turner, pp. 97-9, 107-8, RICHARDS, Examples of British. Art,,
114-5. Pis. 2, 4.
SVVEETSER, Turner, pp. 66-77.
16. Turner's third and last period (1835-1844); The
Old Temeraire; Burial of Wilkie; Snow Storm;. Slave
Ship.
THORNBURY, Life of Turner, pp. 323-4, SWEETZEB, Turner, pp. 96^9,, 103r5,.
449-69, 520-5. HEATON, Hist. Painting,, p. 522.
MONKHOUSE, Turner, pp. 118-20, 126-30. RICHARDS, Examples ol British Art,,
RUSKIN, Mod. Painters, Vol. 5, pp. Pis. 7, 22.
347-55.
102
HISTORY OF PAINTING.
17. John Constable, landscape painter (1776-183'
Valley Farm; Cornfield; View on the River Stour.
CASSELL, Art Treasures, pp. 79-91.
VIARDOT, Hist. Painters, pp. 421-2.
TYTLER, Mod. Painters, pp. 145-9.
SHEDD, Famous Painters, p. 272.
BICKER'S ED., Examples of Model
British Art, PI. 10.
TIIORNBURY, Life of Turner, pp. 260-4.
18. David Wilkie, painter of social life among the
common people (1785-1841); his industrious life an<
style of genius.
H EATON, Hist. Painting, pp. 515-6.
CASSELL, Art Treasures, pp. 7-9, 25-7.
VIARDOT, Hist. Painters, p. 424.
TYTLER, Mod. Painters, pp. 106-21.
LONG, Art Laws, pp. 145-8.
SHEDD, Famous Painters, pp. 267-9.
JARVES, Art Thoughts, pp. 203-4.
19. Wilkie's masterpieces: Village Politicians; Rent
Day; Village Festival; Reading of the Will; Chelsea
Pensioners reading the Gazette of the Battle of Waterloo.
LUEBKE, Mon. Art, Vol. 2, PL 132, Text
p. 338.
HAMERTON, Etching and Etchers, pp.
273-6.
TYTLER, Mod. Painters, pp. 121-3.
RICHARDS, Examples of British Art, PI.
BICKER'S ED., Examples of Modern
British Art, PI. 14.
CASSELL, Art Treasures, pp. 4-5. 8-25.
HALL, Gems of European Art, Vol. 1,
pp. 129-32; Vol 2, pp. 21-2, 29-32, 45-
8, 53-6, 79-80, 101-4, 109-10.
20. Benjamin Robert Haydon (1786-1846); Christ's
•Entry into Jerusalem; Judgment of Solomon; Raising of
Lazarus.
VIARDOT, Hist. Painters, p. 425.
HEATOX, I list. 1'aiiiting, pp. 514-5.
ROSSETTI, Fine Art, p. 151.
TYTLER, Mod. Painters, pp. 123-7.
SHEDD, Famous Painters, pp. 209-70.
BICKER'S Ki>., Examples of Modern
British Art, PI. 17.
HISTORY OF PAINTING.
103
21. William Mulready (1786-1863); Choosing the
Wedding Gown; Wolf and Lamb; The Lastlii; Crossing
the Ford.
HEATOX, Hist. Painting, pp. 516-7.
VIARDOT, Hist. Painters, pp. 426-7.
TYTLER, Mod. Painters, pp. 211-6.
BICKER'S En., Examples of Modern
British Art, PL 16.
MURRAY, British Schools of Art, Vol.
1, PL 1, ; Vol. 2, Pis. 1, 7, 25.
CLEMENT, Artists, 19th Cent., Vol. 2,
pp. 137-8.
22. William Etty (1787-1849); Judith and Holo-
f ernes; Benaiah, David's Chief Captain; Youth on the
Prow and Pleasure at the Helm.
VIARDOT, Hist. Painters, pp. 427-8.
HEATON, Hist. Painting, pp. 517-8.
TYTLER, Mod. Painters, pp. 137-45.
SHEDD, Famous Painters, pp. 273-5.
MURRAY, British Schools of Art, Vol.
1, PL 44; Vol. 2, PL 18.
BICKER'S ED., Examples of Modern
British Art, PL 20.
23. Charles Robert Leslie (1794-1859.; Sancho
Panza and the Duchess; Uncle Toby and the Widow;
Merry Wives of Windsor.
VIARDOT, Hist. Painters, pp. 433-4, 456.
HEATON, Hist. Painting, p. 517.
CASSELL, Art Treasures, pp. 137, 140.
TYTLER, Mod. Painters, pp. 219-29.
•SHEDD, Famous Painters, pp. 283-5.
BICKER'S ED., Examples of Modern
British Art. PL 26.
MURRAY, British Schools of Art, Vol.
1, PL 4; Vol. 2, PL 10.
JARVES, Art Thoughts, pp. 203-4.
RICHARDS, Examples of British Art,
PL 14.
TUCKERMANN, American Artists, pp.
71-86.
24. Daniel Maclise (1811-1870); frescoes of the
Meeting of Wellington and Bliicher after the Battle of
104
HISTORY OF PAINTING.
Waterloo and the Death of Nelson, in the House o
Parliament; Play Scene in Hamlet; Undine in the Forest;
Malvolio and the Countess.
LUEBKE, Mon. Art, Vol. 2, PI. 132, Text
pp. 338-9.
VIARDOT, Hist. Painters, p. 439-40.
ROSSETTI, Fine Art, pp. 151, 245-54.
TYTLER, Mod. Painters, pp. 234-42.
MURRAY, British Schools of Art. Vol.
l,Pls. 27, 37; Vol. 2, PI. 40.
25. Edwin Henry Landseer, the English master o
animal painting (1802-1873); Chevy Chase; Hunted
Stag; High Life and Low Life ; Old Shepard's Chief
Mourner; There's Life in the Old Dog Yet.
,
LUEBKE, Hist. Art, Vol. 2, p. 636;
Mon. Art, Vol. 2, PI. 136,' Text pp.
344-5.
VIARDOT, Hist. Painters, p. 436.
HEATON, Hist. Painting, p. 524.
OSGOOD, Engravings from Landseer.
SWEETSER, Landseer.
TYTLER, Mod. Painters, pp. 245-51.
CASSELL, Art Treasures, pp. 28-42.
RUSKIN, Mod. Painters, see Index V
5, "Landseer." •
MURRAY, British Schools of Art, Vol.
1, Pis. 17, 42; Vol. 2, Pis. 5, 8, 31, 34.
RICHARDS, Examples of British Art
Pis. 10, 20.
oL
HISTORY OF PAINTING. 105
XXII.— CHRONOLOGICAL PERSPECTIVE.
EARLY PAINTERS— FIVE CENTURIES.
13th 14th 15th 16lh
17th
OlMABUE
GIOTTO
ORCAGNA
H. VAN EYCK
FRA ANGELICO
ITCCELLO
VAN DEE WEYDEN
MASACCIO
FILIPPO LIPPI
GIOVANNI BELLINI
BENOZZO GOZZOLI.
HANS MEM LING...
MANTEGNA
SlGNORELLI
PERUGINO
BOTTICELLI
GHIRLANDAJO
LEONARDO
FILIPPINO LIPPI...
ALBERT DURER
LUCAS CRANACH...
MICHAEL ANGELO.
'GlORGIONE
TITIAN
RAPHAEL
ANDREA »EL SARTO
HOLBEIN
CORREGGIO
TINTORETTO
VERONESE
A. CARACCI
CARAVAGGIO
GumoRENi
RUBENS
POMENICHINO
NICOLAS POUSSIN...
VAN DYKE
VELASQUEZ
CLAUDE LORRAIXF
REMBRANDT
TENIERS
SALVATOR ROSA ....
CARLO DOLCE
MURILLO ...
106
HISTORY OF PAINTING.
XXIIL— CHRONOLOGICAL PERSPECTIVE.
LATER PAINTERS— THREE ( KNTTRIES.
17lh. 7 Sth.
19th.
BUST ACHE LESUEUR .....
CHARLES LEBRUN ........
ANTOINE WATTEAU .....
WILLIAM HOGARTH ......
RICHARD WILSON .........
JOSEPH YERNET ...........
JOSHUA REYNOLDS ........
BAPTISTE GREUSE .........
THOS. GAINSBOROUGH...
JOHN S. COPLEY ..........
BENJAMIN WEST ..........
Louis DAVID ..............
P. P. PRUD'HON ..........
THOMAS LAWRENCE .....
J. M. W. TURNER .......
JOHN CONSTA HLE ........
JEAN A. D. INGRES .....
PETER VON CORNELIUS.
DAVID WILKIE ...........
BENJAMIN" R. HAYDON
WILLIAM MILKKADY....
WILLIAM ETTY ..........
FRED. OVERBECK ........
HORACE YERNET ........
JEAN Louis GERICAULT
S. LEOPOLD ROP.KUT....
CHAUI.KS If. LESLIE ......
Ai:Y S( 1IKFKKR ...........
PAUL DHI.AUOCHE .......
EDW i N LAM JSEEU ........
GAHUIEL DECAMI-S .......
\V.\i. vox KAVI.I'.A* i! .....
CONSTANT TUOYOX ........
.DANIKL MACLISK .........
PART THIRD.
History of Architecture.
I.— TECHNICAL TERMS.
NOTE. — For intelligent study of even the history of this branch .of the fine
arts, the principal technical terms must be in mind as the most familiar
language. This lesson should not only be learned, but frequently reviewed,
applied to convenient buildings, and illustrated with pen or pencil, however
rude the drawing.
1. Definition of Architecture; the three principal
elements of architectural design in any building.
a. Fitness and convenience for the purposes
r.equired.
FERGI-SHON, Hist. Arch., Vol. 1, pp. 10-6. VITBUVIUS, (Gwilt's) pp. IMO.
LEEDS, Arch. Orders, pp. 1-2. GARBETT. Arch. Design, pp. 1-8.
GWILT, Enc. Arch. pp. 795-7. RUSKIN, Stones of Venice, Vol. 1, pp.
ENCYCLOPEDIAS, especially Enc. Brit., 51-5.
Ninth Edition.
108 HISTORY OF PAINTING.
b. Artistic construction, or the arrangement an<
proportion of parts producing the most stately and
ornamental effect consistent with the purposes of the
building.
FERGUSSON, Hist. Arch., Vol. 1, pp. 14- GARBETT, Arch. Design, pp. 22-30, 46-
31, 39-47. 58, 76-80, 91-7, 120-5, 131-5.
VITRUVIUS, (Gwilt's), pp. 9-10, 63-7, 72-8, RUSKIN, Stones of Venice, Vol. 2, pp.
134-5. 41-2, 133-42; Lect. Arch., pp. 89-114,
ENCYCLOPAEDIAS.
c. Decoration, or the application of ornamen
most harmonious with the construction and appropria
to the purposes of the building.
I
•
FERGUSSON, Hist. Arch., Vol. 1, pp. 31-5. GARBETT, Arch. Design, pp. 10-22.
VITRUVIUS, (Gwilt's), pp. 9-12; Enc. RUSKIN, Stones of Venice, Vol. 1, pp
Arch., pp. 800-3. 39-82, 433-5.
2. Stories or floors; basement, ground story, first
story, second, etc. Entresol, clerestory, attic and its parts
(gable or pediment.)
GWILT, Enc. Arch. PARKER, Glos. Arch.
NICHOLSON, Enc. Arch. FAIRHOLT, Diet. Terms in Art.
3. Constructive ornaments* ; horizontal reliefs or
courses marking on the external walls the divisions
between the successive stories, etc. ; ground table, dado
*NoTE. — Mechanical construciion requires only a plain wall.
HISTORY OF PAINTING. 109
and surbase or water table; string course, corbel table,
etc.
GWILT, Enc. Arch. SMITH, Gothic and Renaissance Archi-
NICHOLSON, Enc. Arch. tecture.
PARKER, Glos. Arch. RUSKIN, Stones of Venice, Vol. 1, pp.
FAIRHOLT, Diet. Terms in Art. 56-66.
4. Constructive ornaments : niche, canopy, boss,
vaulting shaft and rib ; antifixa, bracket, corbel and
mullion.
RUSKIN, Stones of Venice, Vol. 1, pp. KOEHLER, Hist. Art, PL 11.
59-65, 132-60, 168-88, 212-7. ENCYCLOPAEDIAS, &c., as above.
5. Constructive ornaments — Classic* ; column or
pillar, pilaster, pedestal and its parts (base, dado, cornice);
shaft f plain, fluted with arris, fluted with fillet, reeded,
cabled); capital and its parts (neck, bell, abacus); entab-
lature and its parts (architrave, frieze, cornice.)
ROSENGARTEX, Arch. Styles, pp. 73-87. SMITH, Gothic and Renaissance, Arch.
RUSKIN, Stones of Venice, Vol. 1, pp. ENCYCLOPAEDIAS, &c., as above.
76-131, 331-bO.
6. Simplest decorative ornaments — Classic : mould-
ings ; bead, torus, roll, quirk, fillet, band, ovolo, echinus,
cavetto, scotia, ogee and cyma.
RUSKIN, Stones of Venice, Vol. 1, pp. SMITH, Gothic and Renaissance Arch.
293-305, 457-9. ENCYCLOPAEDIAS, &c., as above.
*NOTE — Mere mechanical construction requires only piers for support and plain cross-beam for the
architrave — indeed for the whole entablature
110 HISTORY OF PAINTING.
7. Conventional decorative ornaments — Classi<
frets; rectangular, dovetail, diamond and trellis.
ENCYCLOPAEDIAS, &c., as above.
8. Conventional decorative ornaments — Norman and
Gothic; finial and crocket; billet (roll, square, segmental);
zigzag or chevron; cable moulding; nailhsad, lozenge
and studded ornaments.
ENCYCLOPAEDIAS, &c., as above.
9. Conventional decorative ornaments — Normal
and Classic ; pellet, ball flower, fir cone, chain, doubl<
cone; embattled, scalloped and nebule ; egg and dart
bead and reel ; shield, tooth and head (cat, dog, bird,
man); leaf, flower and fruit.
RUSKIN, Stories of Venice, Vol. 1, pp. SMITH, Gothic and Renaissance Arch,
251-7. ENCYCLOPAEDIAS, &c., as above.
II.— EGYPTIAN ARCHITECTURE.
1. General outline of Egyptian history, as now
known.
FERGUSSON, Hist. Arch., Vol. 1, pp. 88- ZERFFI, Hist. Dev. Art, pp. 103-8.
94, 112-3. ENCYCLOPAEDIAS, "Egypt," especially
ROSENGARTEN, Arch. Styles pp. 15-7. Enc. Brit., Ninth Edition.
LEPSIUS, Egypt, pp. 40(MM>.
HISTORY OF PAINTING. Ill
2. Architecture of the pyramid builders (B. (X
3590-3000); geography and geology of Egypt; account
of the three great pyramids of Gizeh.
FERGUSSON, Hist. Arch., Vol. 1, pp. 95- HAWKS, Egypt, pp. 68-73, 90-1, 96-101.
102. WILKINSON, Anc. Egyptians, Vol. 1, pp.
LUEBKE, Hist. Art, Vol. 1, pp. 17-24; 1-10, 13-4, 36; "VoL 2, pp. 287-9, 360.
Mon. Art, Vol. 1, PI. 4, Text pp. BURY, Arch. Styles, pp. 5-6.
11-3. ESCHENBERG, Manual Class. Lit., pp.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p. 53-4, 419-20.
4, Text pp. 2-7. ZERPPI, Hist, Dev. Art, pp. 119-20.
ROSENGARTEN, Arch. Styles, pp. 17-9. GVVILT, Enc, Arch., pp. 30-4.
LEPSIUS, Egypt, pp. 47-52, 57-9- 61-6. NICHOLSON, Enc. Arch., Vol. 1, p. 353;
SHARPE, Egypt, Vol. 1, pp. 1-2, 5-9, 11 -£p Vol. 2, pp. 347-9.
22-6. ENCYCLOPEDIAS.
3. Architecture of the pyramid builders: smaller
pyramids and tombs in the neighborhood of the great
pyramids.
FERGUSSON, Hist. Arch.,Vol. 1, pp. 102-4. LEPSIUS, Egypt, pp. 61-4.
LUEBKE, Hist. Art, Vol. 1, pp. 25-6. HAWKS, Egypt, pp. 75-7.
WILKINSON, Anc. Egyptians, Vol. 2, pp. KOEHLER, Hist. Art, Pis. 1-2.
272-5, 277.
4. Architecture of the pyramid builders: the great
sphinx and the temple near it.
FERGUSSON, Hist. Arch., Vol.1, pp. 104-6. SHARPE, Egypt, Vol. 1, pp. 67,109-12;
LUEBKE, Hist. Art, Vol. 1, pp. 24-5. Vol. 2, pp. 11-4.
^LEPSIUS, Egypt, pp. 66-8. HAWKS, Egypt, pp. 93-4.
WILKINSON, Anc. Egyptians, Vol. 1, GWILT, Enc. Arch., p. 34.
pp. 40-1; Vol. 2, pp. 93-4.
5. Architecture of the Pharaohs (B. C. 1830-1312) :
geographical position and extent of Thebes ; condition of
f
112
HISTORY OF PAINTING.
its ruins compared with that of the ruins of the other
capital, Memphis.
FERGUSSON, Hist. Arch., Vol. 1, pp. LEPSIUS, Egypt, pp. 192-3, 246-8.
114-6. HAWKS, Egypt, pp. 111-4.
WILKINSON, Anc. Egyptians, Vol. 2, BURY, Arch. Styles, pp. 3-4.
Map 1. ENCYCLOPAEDIAS.
6. General account of the palace-temples and rock-
hewn temples, and the details of some one of them
Karnac, Luxor, Rhamses II; Isamboul or Aboosimbel.
FERGUSSON, Hist. Arch., Vol. 1, pp. 116-
26.
LUEBKE, Hist. Art, Vol. 1, pp. 28-36;
Mon. Art, Vol. 1, Pis. 4-5, Text pp.
14-21.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. pp.
9-16, Text pp. 7-14.
ROSENGARTEN, Arch. Styles, pp. 19-36.
"WILKINSON, Anc. Egyptians, Vol. 1, pp.
73-8; Vol. 2, PI. 14, pp. 291-3, 297-
312, 434.
LEPSIUS, Egypt, pp. 248-56, 259-60.
HAWKS, Egypt, pp. 114-9.
SHARPE'S Egypt, Vol. 1, pp. 15-7, 42-
70-1. 85-7, 96-8; Vol. 2, pp. 99-101.
BURY, Arch. Styles, pp. 4-5.
GWILT, Enc. Arch., pp. 35-9.
NICHOLSON, Enc. Arch., Vol. 1. pp. o
64.
PARKER, Glos. Arch., Vol. 2, PI. 83.
KOEHLER, Hist. Art, PI. 1-2.
7. The rock-hewn tombs and obelisks of the
Pharaonic period.
FERGUSSON, Hist. Arch., Vol. 1, pp. 124-
30.
LUEBKE, Hist. Art, Vol. 1, pp. 26-7.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. pp.
4-9, Text p. 7-14.
SHARPE, Egypt, Vol. 1, pp. 43-5.
KOEHLEU, Hist. Art, Pis. 1-2.
WILKINSON, Anc. Egyptians, Vol. 2, pp.
138, 307-9; Vol. 3, pp. 50, 361.
LEPSIUS, Egypt, pp. 46, 261-6.
GWILT, Enc., Arch., pp. 39, 41.
NICHOLSON, Enc. Arch., Vol. 2, p. 241.
ENCYCLOPEDIAS.
HISTORY OF ARCHITECTURE. 115
8. General criticism of the architecture of Egypt
before the Roman conquest.
FERGUSSON, Hist. Arch., Vol. 1, pp. ZERPFI, Hist. Dev. Art, pp. 130-1.
138-9. SHARPE, Egypt, Vol. 1, pp. 195-6.
BURY, Arch. Styles, pp. 6-7. VITRUVIUS, G wilt's, pp. 138-9.
WILKINSON, Anc. Egyptians, Vol. 2, pp. GVVILT, Enc. Arch., pp. 30-2, 39-40.
291-3, 297. NICHOLSON, Enc. Arch., Vol. 1, pp. 351-3.
III.— INDIAN ARCHITECTURE.
1. General account of the two great religions of
India — Brahmanisrn and Buddhism.
FERGUSSON, Hist. Arch., Vol. 3, pp. 15-7, LUEBKE, Hist. Art, Vol. 1, pp. 97-8.
35-42. ZERFFI, Hist. Dev. Art, pp. 62-75.
CLODD, Childhood of Religions, pp. ENCYCLOPAEDIAS.
136-57, 170-88.
2. Rock-hewn or cave temples, especially those at.
Ellora in Madras.
FERGUSSON, Hist. Arch., Vol. 3, pp. BURY, Arch Styles, pp. 50-5.
105-32, 138-44, 163-6, 231-4. ZERFFI, Hist. Dev. Art, pp. 76-9.
LUEBKE, Hist. Art, Vol. 1, pp. 93-104; BAYARD TAYLOR, India, pp. 45-53.
Mon. Art, Vol. 1, Pis. 9, 10, Text pp. GVVILT, Enc. Arch., pp. 25-8.
33-6. NICHOLSON, Enc. Arch., Vol. 2, pp. 3-4,.
KNIGHT, Pict. Gal. Arts, Vol.r:2, II. pp. 6-10.
16-7, Text pp. 18-9. PARKER, Glos. Arch., Vol. 1, pp. 265-6.
ROSENGARTEN, Arch. Styles, pp. 1-9. ENCYCLOPAEDIAS.
114 HISTORY OF ARCHITECTURE
3. Buddhist architecture: Lats or single columns
their varieties and purposes.
FERGUSSON, Hist. Arch., Vol. 3, pp. 50, LUEBKE, Hist. Art, Vol. 1, p. 99.
52-6, 196-8, 276-8.
4. Buddhist architecture: Topes or Stupas and the
Rails enclosing them.
FERGUSSON, Hist. Arch., Vol. 3, pp. 50, ROSENGARTEN, Arch. Styles, pp. 7-9.
57-104, 192-6. ENCYCLOPAEDIAS.
LUEBKE, Hist. Art, Vol. 1, pp. 99-102.
5. Buddhist architecture: Pagodas and the Vihai
or monasteries.
FERGUSSON, Hist. Arch , Vol. 3, pp. 133- NICHOLSON, Enc. Arch., Vol. 2, pp.
8, 144-59, 169-84, 228-64, 285-302. 12.
LUEBKE, Hist, Art, Vol. 1, pp. 104-6, PARKER, Glos. Arch., Vol. 1, pp. 265-6,
110-4; Mon. Art, Vol. 1, PL 10, Text KNIGHT, Pict. <ial. Aits, Vol. 2, II. pp.
pp. 36-7. 16-7, Text pp. 1S-9.
ROSENGARTEN, Arch. Styles, pp. 9-14. ENCYCLOPAEDIAS.
6. Architecture in southern India, or the Dravidian
style; general ground plan and varieties of structures of
the Indian Temple system.
FERGUSSON, Hist. Arch.. Vol. 3, pp. 319- BURY, Aivh. Styles, pp. .V>-7.
45. ENCYCLOPEDIAS.
7. Dravidian architecture : the Pagoda at Madura ;
at Seringham; at ChillamUiran.
FERGUSSON, Hist. Aivh., Vol. 3. pp. 347- BUKY. Arch. Styles, pp. 57-S.
67. <l\vu/i\ Knc. Arch., pp. 27-30.
ROSKN<; \KTKN. Aivh. Styles, pp. K',-4. I'AVYiM.oiVKDI \S.
HISTORY OF ARCHITECTURE. 115
8. General criticism of the architecture of India,
not including the Mohammedan.
FERGUSSON, Hist. Arch., Vol. 3, pp. 3-46. ZEBFFI, Hist. Dev. Art, pp. 74-6, 78-82.
LUEBKE, Hist. Art, Vol. 1, p. 106. GVVILT, Eric. Arch., pp. 39-40.
BURY, Arch. Styles, p. 58.
IV.— ARCHITECTURE OF ANCIENT GREECE.
1. The Cyclopian or Pelasgic Architecture; the
walls of the cities Tiryns and Mycenae ; the Gate of the
Lions ; the "Treasury" or Tomb of Atreus.
FER< russox, Hist. Arch., Vol. ], pp. 231- BURY, Arch. Styles, pp. 7-12.
40. WORDSWORTH, Greece, pp. 57-60, 339-43.
LUEBKE, Hist. Art, Vol. 1, pp. 121-8; ABERDEEN, Grecian Arch., pp. 38-48.
Mon. Art, Vol. 1, PI. 1, Text pp. 40-4. GUHL, Greeks and Romans, pp. 59-62,
SCHLIEMAN, Myceme, pp. viii-xii, 1-S, 67-8.
28-44, 47-8, 121-2. KOEIILER, Hist, Art, PI. 7.
ROSENGARTEN. Arch. Styles, pp. 56-60.
j!. Temples and palaces of Pelasgic Greece, as
described in the poems of Homer.
FERGUSSON, Hist. Arch., Vol. 1, p. 239. WORDSWORTH, Greece, pp. 277-80.
POPE, Iliad, Book 6, p. 116; Book 12, SCHLIEMAN, Myconse, preface.
pp. 223-4; Book 17, p. 238. GWILT, Eiic. Arch., pp. 59-60.
BRYANT, Iliad, Book 6, p. 162; Book ABERDEEN, Grecian Arch., pp. 32, 38-40,
12, p. 323; Odyssy, Book 1, pp. 15-9. 48-62.
COLLINS, Odyssy, Book 1, pp. 54-5.
HISTORY OF ARCHITECTURE.
3. The Doric style ; some account of the Dorian ,
the Ionian and the Phoenician tribes ; their migrations
and respective characteristics.
FERGUSSON, Hist. Arch., Vol. 1, pp. 248-
53, 257-61.
LUEBKE, Hist. Art, Vol. 1, pp. 129-38.
ROSENGARTEN, Arch. Styles, pp. 60-1,
64, 73-6, 87.
BURY, Arch. Styles, pp. 13-4.
LEEDS, Orders, pp. 1-28.
ZERFFI, Hist. Dev. Art, pp. 177-8.
ST. JOHN, Greece, Vol. 1, pp. 15-28.
NICHOLSON, Enc. Arch., Vol. 1, pp. 290-5
GWILT, Enc. Arch., pp. 60-2, 900-1.
HORTON, Arch. pp. 56-7.
4. Celebrated early specimens of the Doric styl<
(B.C. 650-550): temple of Minerva at Corinth; templ<
of Neptune at Paestum ; temple at Agrigentum ; tempL
of Jupiter at ^Egina ; temple of Jupiter at Olympia.
FERGUSSON, Hist. Arch«, Vol. 1, pp. 242-
4, 261-2.
LUEBKE, Hist. Art, Vol. 1. pp. 143, 146-
50; Mon. Art, Vol. 1, PI. 2, Text pp.
45-8.
ROSENGARTEN, Arch. Styles, pp, 61-2.
STUART, Antiq. Athens, pp. 123-4.
WORDSWORTH, Greece, pp. 311-13, 349-
51.
GUHL, Greeks and Romans, pp. 33-7.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. pp.
20-5, Text pp. 26-7.
BURY, Arch. Styles, p. 14.
GWILT, Enc. Arch., pp. 64-5.
NICHOLSON, Enc. Arch., Vol. 1, pp.
299-300.
ABERDEEN, Grecian Arch., pp. 66-71.
KOEHLER, Hist. Art, PL 8.
5. Later and finer specimens of the Doric style
(B. C. 430-270): temple of Theseus at Athens; temple of
Apollo Epicurius at Basses.
FERGUSSON, Hist. Arch. Vol. 1, p. 243.
KNIGHT, Pict. Gal. Arts, Vol. 1, pp.
230-5.
NICHOLSON, Enc. Arch., Vol. 1, pp.
97-8.
STUART, Aiitiq. Athens, pp. 94-102.
WORDSWORTH, Greece, pp. 148-9, 318-21.
GWILT, Enc. Arch., pp. 67, 815-21.
ABERDEEN, Grecian Arch., pp. 71-3.
LUEBKE, Hist. Art, Vol. 1, pp. 152-3.
HISTORY OF ARCHITECTURE.
117
6. The finest specimen of the Doric style — the Par-
thenon of Athens.
FERGUSSON, Hist. Arch., Vol. 1, pp. 243, WORDSWOETH, Greece, pp. 128-33, 135-7,
260, 263-4. 139-43.
LUEBKE, Hist. Art, Vol. 1, pp. 154-5, FELTON, Greece, Vol. 2, pp. 141-5.
159-60; Mon. Art, Vol. 1, Pis. 1, 3, ST. JOHN, Greece, Vol. 1, pp. 81-91.
Text pp. 45, 51-3. GUHL, Greeks and Romans, pp. 25-30.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p. GWILT, Enc. Arch., pp. 62, 66.
24, Text p. 27. CURTIUS, Greece, Vol. 2, pp. 618-35.
STUART, Antiq. Athens, pp. 47-56. KOEHLER, Hist. Art. PI. 8.
NICHOLSON, Enc. Arch., Vol. 1, pp. 296-7.
7. The various theories of the origin, respectively,
of the Doric and of the Ionic architecture.
FERGUSSON, Hist. Arch., Vol. 1, pp. ABERDEEN, Grecian Arch., pp. 27-32,
110-1, 232-6, 242, 245-6.
62-6, 75-81.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text LEEDS, Orders, pp. 9-10.
pp. 22-3, 38.
ROSENGARTEN, Arch. Styles, p. 76.
NICHOLSON, Enc. Arch., Vol. 1, pp. 300-2.
VITRUVIUS, Gwflt's, pp. 80-1, 86-90.
GWILT, Enc. Arch., pp. 57, 61.
8. The characteristic features of the Ionic architec-
ture stated in contrast with those of the Doric.
FERGUSSON, Hist. Arch., Vol. 1, pp. VITRUVIUS, G wilt's, pp. 73-8, 81-2, 92-4.
253-6.
LUEBKE, Hist. Art, Vol. 1, pp. 139-44.
ABERDEEN, Grecian Arch., p. 81.
GWILT, Enc. Arch., p. 61.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text NICHOLSON, Enc. Arch., Vol. 2, pp. 18-20.
pp. 30, 35. GUHL, Greeks and Romans, pp. 9-10.
ROSENGARTEN, Arch. Styles, pp. 76-81. PARKER, Glos. Arch., Vol. 1, pp. 267-8.
LEEDS, Orders, pp. 31-45.
KOEHLER, Hist, Art, Pis. 7-10.
9. The Ionic style ; specimens of which we have
any satisfactory account : temple of Juno at Samos ; tern-
118
HISTORY OF ARCHITECTURE.
pie of Diana at Ephesus; temple on the river Ilyssus ;
temples of Minerva Polias and Erectheus at Athens.
Vol. 1, pp.
FERGUSSON, Hist. Arch.,
26,5-9.
LUEBKE, Hist. Art, Vol. 1, pp. 150-1,
157-9; Mon. Art, Vol. 2, PL 14, Text
pp. 51, 53.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. pp.
24, 28, Text pp. 30-1.
ROSENGARTEN, Arch. Styles, pp. 62, 101.
STUART, Antiq. Athens, pp. 22-5, 57-73.
BURY, Arch. Styles, pp. 14-5.
NICHOLSON, Enc. Arch., Vol. 2, pp. 20-1,
LEEDS, Orders, pp. 45-6.
WORDSWORTH, Greece, pp. 143-5.
ST. JOHN, Greece, Vol. 1, pp. 80-1.
ABERDEEN, Grecian Arch., pp. 81-7.
GUHL, Greeks and Romans, pp. 18-9,
38-9, 45-7.
GWILT, Enc. Arch., pp. 67-9.
KOEHLER, Hist. Art, PL 12.
10. Origin and characteristic features of the Corin-
thian architecture.
FERGUSSON, Hist. Arch., Vol. 1, pp.
246-7.
LUEBKE, Hist. Art, Vol. 1, pp. 144-5.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text
pp. 31-5.
ROSENGARTEN, Arch. Styles, pp. 81-5.
LEEDS, Orders, pp. 55-64.
NICHOLSON, Eric. Arch., Vol. 1, pj
200-3.
PARKER, Glos. Arch., Vol. 1, p. 45.
VITRUVIUS, Gwilt's, pp. 82-3.
GWILT, Enc. Arch., pp. 61-2.
ABERDEEN, Grecian Arch., pp. 87-9.
11. The Corinthian style : the few Grecian temples,
of this order, of which there still remain interesting
ruins : temple of Jupiter Olympius at Athens; Tower of
the Winds at Athens; monument of Lysicrates at Athens.
FERGUSSON, Hist. Arch., Vol. 1, pp.
256-8, 270-1.
LUEBKE, Hist. Art,' Vol. 1, p. 163; Mon.
Art, Vol. 1, PL 15; Text pp. 55-6.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. pp.
25, 33; Text p. 31.
LEEDS, Orders, p. 61.
STUART, Antiq. Athens, pp. 26-41, 103-10.
GUHL, Greeks and Romans, pp. 105-6.
WORDSWORTH, Greece, pp. 146-7.
ABERDEEN, Grecian Arch., pp. 89-93.
GWILT, Enc. Arch., pp. 68-70.
NICHOLSON, Enc. Arch., Vol. 1, pp.
203-4.
KOEHLER, Hist, Art, PL 15,
HISTORY OF ARCHITECTURE. 119
12. Combination of the different orders in some of
the later Grecian temples, as in the temple of Minerva at
Tegea.
ABERDEEN, Grecian Arch., pp. 89-90, LUEBKE, Hist. Art, Vol. 1, pp. 162-6.
91-4.
13. General account of the decorations in Grecian
architecture.
FERGUSSON, Hist. Arch. Vol. 1, pp. 253, ROSENGARTEN, Arch. Styles, pp. 71-3,
255, 258-9. 80-1, 84-5, 87-92, 93-4.
LUEBKE, Hist. Art, Vol. 1, pp. 137-9; VITRUVIUS, G wilt's, pp. 68-78, 84-6.
Mon. Art, Vol. 1, PL IOA; Text pp. GWILT, Enc. Arch., p. 71.
58-9.
V.— ARCHITECTURE OF ANCIENT ROME.
1. Some account of the early peoples of Italy,
especially of the Etruscans.
FERGUSSON, Hist. Arch., Vol. 1, pp. ROSENGARTEN, Arch. Styles, pp. 102-3.
279-81. MOMMSEN, Hist. Rome, Vol. 1, pp.
LUEBKE, Hist. Art, Vol. 1, pp. 258-60. 166-76, 264-7, 314-5, 609-12.
2. The architecture of Etruria and of Rome during
the reigns of the three Etruscan kings, the Tarquins.
FERGUSSON, Hist. Arch., Vol. 1, pp. ROSENGARTEN, Arch. Styles, pp. 103-11.
281-91. BURY, Arch. Styles, pp. 16-7.
LUEBKE, Hist. Art, Vol. 1, pp. 261-4, GWILT, Enc. Arch., pp. 75-6.
275-7; Mon. Art, Vol. 1, PI. 24, Text MOMMSEN, Hist. Rome, Vol. 1, pp.
pp. 86-90. 311-2, 603-4.
120
HISTORY OF ARCHITECTURE.
3. Excessive ambition of the Romans, during
republic, to collect works of art from conquered citi(
though destitute of all original art among themselves.
.MOMMSEN, Hist. Rome, Vol. 3, pp. LUEBKE, Hist. Art, Vol. 1, pp. 271
568-9, Vol. 4, pp. 734-5.
4. General account of the great national industry
•during the empire; the variety, abundance and grandeur
of the architectural works at Rome.
'FERGUSSON, Hist. Arch., Vol. 1, pp.
297-8.
.BURY, Ar,ch. Styles, pp. 18-9.
MERIVALE, Hist. Romans, Vol. 4, p
390-4.
ESCHENBRRG, Man. Clas. Lit. pp. 427
5. Roman aqueducts, public fountains, basins and
baths.
FERGUSSON, Hist. Arch., Vol. 1, pp.
331-4, 373-4.
LUEBKE, Hist Art, Vol. 1, pp. 296-7;
Mon. Art, Vol. 1, PL 28, Text pp 102-3.
.KNIGHT, Pict. Gal. Arts, Vol. 2, Text
pp. 50-1.
GUHL, Greeks and Romans, pp. 353-
396-406.
GVVILT, Enc. Arch., pp. 92-3, 96-8.
NICHOLSON, Enc. Architecture.
ESCIIENBERG, Man. Clas. Lit., pp. 428-9.
:
d
6. Roman roads and bridges ; tunnels and harbors.
•FERGUSSON, Hist. Arch., Vol. 1, pp. ROSENGARTEN, Arch. Styles, pp. 143-4.
374-5. GWILT, Enc. Arch., pp. 90-2.
*GUHL, Greeks and Romans, pp. 341-52. NICHOLSON, Enc. Architecture.
7. The Roman Forum and other public places of
its class ; basilicas and arcades.
.FERGUSSON, Hist. Arch., Vol. 1, pp. KNIGHT, Pict. Gal. Arts, Vol. 2, Text
:;i<>-23. p. 43.
XUEBKE, Hist. Art, Vol. 1, pp. 292-3, GUHL, Greeks and Romans, pp. 409-21.
298-9; Mon. Art, Vol. 1, PL 29, Text GWILT, Enc. Arch., pp. 90-1, 109.
pp. 105-6. ROSENGARTEN, Arch. Styles, pp. 127-30.
HISTOKY OF ARCHITECTURE. 121
8. Circuses, theaters and amphitheaters — especially
the Colosseum.
FERGUSSON, Hist. Arch., Vol. 1, pp. GUHL, Greeks and Romans, pp. 421-36.
323-31. ROSENGARTEN, Arch. Styles, pp. 134-41.
NICHOLSON, Enc. Architecture. GWILT, Enc. Arch., pp. 79, 93-6, 98-9.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. LUEBKE, Hist. Art, Vol. 1, pp. 290-2;
p. 44, Text pp. 47-50. Mon. Art, Vol. 1, PI. 29, Text pp. 103-5.
9. Monuments of honor — triumphal arches, memo-
rial columns and tombs.
FERGUSSON, Hist. Arch., Vol. 1, pp. GUHL, Greeks and Romans, pp. 375-96.
335-7, 340-62. ROSENGARTEN, Arch. Styles, pp. 130-2.
KOEHLER, Hist. Art, Pis. 16, 19. GWILT, Enc. Architecture.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. LUEBKE, Hist. Art, Vol. 1, pp. 294-9;
p. 36, Text p. 50. Mon. Art, Vol. 1, PI. 28, Text pp. 99-102.
10. The characteristics of the old Roman worship
determining the form of their temples ; the temple of the
Capitoline Jupiter.
FERGUSSON, Hist. Arch., Vol. 1, pp. GUHL, Greeks and Romans, pp. 297-
305-9. 302, 309.
ESCHENBERG, Manual Clas. Lit., p. 233. GWILT, Enc. Arch., p. 75.
11. The Roman temple at Nismes; the temple of
the Sun and the temple of Jupiter at Heliopolis [Baal-
bee] ; The temple of the Sun at Palmyra.
FERGUSSON, Hist. Arch., Vol. 1, pp. GUHL, Greeks and Romans, pp. 311,
307-8, 314-5. 314-5, 327-8.
LUEBKE, Hist. Art, Vol. 1, p. 287. GWILT, Enc. Arch., pp. 81-2, 911-2.
KNiGHT, Pict. Gal. Arts, Vol. 2, Text NICHOLSON, Enc. Architecture.
pp. 43-6.
122
HISTOKY OF ARCHITECTURE.
12. The Roman round temples : the temple of Vesta
at Tivoli ; the Pantheon at Rome.
Hist. Arch., Vol. 1, pp.
FERGUSSON,
309-12.
LUEBKE, Hist. Art, Vol. 1, pp. 284-6.
KNIGHT, Pict. Ga!. Arts, Vol. 2, Text
pp. 33, 46.
GUHL, Greeks and Romans, pp. 319-24,
ROSEXGARTRN, Arch. Styles, pp. 121-3V
GWILT, Enc. Arch., pp. 86-8.
NICHOLSON, Enc. Architecture.
KOEHLER, Hist. Art, PI. 17.
VI.— EARLY CHRISTIAN, BYZANTINE AND
ROMANESQUE ARCHITECTURE.
'1. Early Christian basilicas in what respects differ-
eat from the pagan basilicas. Select examples : St. Paul's
outside the walls, and St. Clement's at Rome.
FERGUSSON, Hist. .Arch., Vol. 1, pp.
407-9, 415.
ROSENGARTEN, Arch. Styles, pp. 163-5,
170-2.
LUEBKE, Ecclesiastical Art, pp. 1-9;
Hist. Art, Vol. 1, pp. 342-50, 446-51;
Mon. Art, Vol. 1, PL 34.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text.
pp. 63-4.
GWILT, Enc. Arch., pp. 109-10.
NICHOLSON, Enc. Arch., Vol. 1, pp,.
29-30.
ZERPFI, Hist. Dev. Art, pp. 277-9.
BURY, Arch. Styles, pp. 20-2.
2. Statement and description of parts and functions,
peculiar to church architecture : presbyterium, choir,
screen and chancel; altar, baldachino and reredos ; tran-
sept, chapel, chantry and crypt ; sacristy, stalls, lecteru
and am bo or pulpit.
ROSEXGARTEN, Arch. Styles, pp. 16>7<>.
LUEBKE, Ecclesiastical Art, pp. 17-26,
115-36, 202-26.
BURY, Arch. Styles, pp. 22-4.
GWILT, Enc. Architecture.
NICHOLSON, Enc. Architecture.
PARKER, Glos. Architecture.
F.vnmoLT, Diet. Terms in Art,
HISTORY OF ARCHITECTURE. 12a
3. Circular or multagonal funeral chapels, churches
and baptisteries.
FERGUSSON, Hist. Arch., Vol. 1, pp. NICHOLSON, Enc. Arch., Vol. 1, pp. 26-7.
429-40; Vol. 2, pp. 312-5. BRITTON, Arch. Antiq., Vol. 1, (see
LUEBKE, Hist. Art, Vol. 1, pp. 350-1, Essays on Round Churches.)
463-4. ROSENGARTEN, Arch. Styles, pp. 172-3,
4. Cloisters and other monastic buildings connected
with the so-called collegiate churches.
ROSENGARTEN, Arch. Styles, pp. 251, NICHOLSON, Enc. Arch., Vol. 1, pp.
257. 167-8, 176.
LUEBKE, Hist. Art, p. 463. BRITTON, Arch. Antiq., Vol.4, pp. 24-6,
) 5. Byzantine architecture : clustered domes ; vaulted
ceilings ; massive piers and arches ; peculiar decoration.
FERGUSSON, Hist. Arch., Vol. 2, pp. KNIGHT, Pict. Gal. Arts, Vol. 2, Text
414-43. pp. 55-9.
ROSENGARTEN, Arch. Styles, pp. 177-9, NICHOLSON, Enc. Arch., Vol. 1, pp.
185-90. 68-71.
LUEBKE, Ecclesiastical Arch., pp. 10-5;
Hist. Art Vol. 1, pp. 359-63.
6. Select Byzantine examples : church of St. Sophia
at Constantinople ; church of St. Mark at Venice ; church
of St. Antonio at Padua.
FERGUSSON, Hist. Arch., Vol. 2, pp. NICHOLSON, Enc. Arch., Vol. 1, pp. 30,
389-95, 443-50. 71-3.
ROSENGARTEN, Arch. Styles, pp. 179-84, BURY, Arch. Styles, pp. 24-6, 29-31.
258-60. GWILT, Enc. Arch., pp. 107-9, 114.
LUEBKE, Hist. Art, Vol. 1, pp. 363-6, ZERPFI, Hist. Dev. Art, pp. 280-1.
502-4; Mon. Art, Vol. 1, PL 35, Text NORTON, Church Building Mid. Ages,
pp. 122-3. pp. 52-61.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text RUSKIN, Stones of Venice, Vol. 2, ppt
pp. 54-5. 63-129.
124
HISTORY OF ARCHITECTURE.
Romanesque architecture : cross-vaulted ceilings
and arch friezes ; cubiform and caliciform capitals an<
plain shafts.
FERGUSSON, Hist. Arch., Vol. 1, pp. NORTON, Church Building Mid. Ages,
416-8, 426-8. pp. 20-35.
ROSENGARTEN, Arch. Styles, pp. 230-8, LUEBKE, Ecclesiastical Art, pp. 44-9;
243-5. Hist. Art, Vol. 1, pp. 451-5.
8. The Romanesque fa9ade : twin towers ; splayed
portal with decorative columns ; wheel window, etc.
FERGUSSON, Hist. Arch., Vol. 1, pp.
424,430-1; Vol.2, pp. 315-6.
ROSENGARTEN, Arch. Styles, pp. 238-40,
255.
LUEBKE, Ecclesiastical Art, pp. 38-42;
Hist. Art, Vol. 1, pp. 455-6.
9. Romanesque decoration : sculptured ornaments
on cornices, capitals, bases and shafts.
FERGUSSON, Hist. Arch., Vol. 1, pp. LUEBKE, Ecclesiastical Art, pp. 27-38;
422-4. Hist. Art, Vol. 1, pp. 460-2.
ROSENGARTEN, Arch. Styles, pp. 241-3,
245-50.
10. Select Romanesque examples in Central Italy :
the Baptistery and the church of San Miniato at Flor-
ence ; church of San Micchele at Lucca ; cathedral of
Pisa.
FERGUSSON, Hist. Arch., Vol. 2, pp.
370-4.
LUEBKE, Hist. Art, Vol. 1, pp. 495-9;
Mon. Art, Vol. 1, PI. 42, Text, pp.
143-4.
ROSENGARTEN, Arch. Styles, pp. 253-5.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text
p. 67.
NICHOLSON, Eric. Arch. Vol. 2, p. 112.
BURY, Arch. Styles, pp. 30-2.
HISTORY OF ARCHITECTURE. 125
11. Select Romanesque examples in Lombardy ;
cathedral of Modena ; church of San Zeno at Verona ;
cathedral of Parma.
FBEGUSSON, Hist. Arch., Vol. 2, pp. KNIGHT, Pict. Gal. Arts, Vol. 2, Text
309-12. pp. 66-7.
ROSENGARTEN, Arch. Styles, pp. 260-2. NICHOLSON, Enc. Arch., Vol. 2, pp,
LUEBKE, Hist. Art, Vol. 1, pp. 505-7; 1.12-3.
Mon. Art, Vol. 1, PL 41, Text p. 142.
12. Select Romanesque examples in Germany and
France : church of Holy Apostles at Cologne ; church of
St. Saturnin at Toulouse ; churches of St. Trinite and St.
Stephen at Caen.
FERGUSSON, Hist. Arch., Vol. 1, pp. LUEBKE, Hist. Art, Vol. 1, pp. 477-9,
474-5, 513-8; Vol. 2, pp. 24-5. 508-11, 514-6; Mon. Art, Vol. 3, Pis.
ROSENGARTEN, Arch. Styles, pp. 266-71, 43, 46; Text pp. 147-8, 153, 180-1.
275-7. KNIGHT, Pict. Gal. Arts, Vol. 2, Text
BURY, Arch. Styles, pp. 35-7. pp. 67-71.
KING, Med. Arch., Vol. 1, Pis. 88-9.
13. The Romanesque of England or the Norman
style : Anglo-Saxon and other elements greatly distin-
guishing the Anglo-Norman from the Romanesque of
other countries (1066-1154 A. D.)
FERGUSSON, Hist. Arch., Vol. 2, pp. BURY, Arch. Styles, pp. 69-91.
119-23, 125-9, 139-40, 145-8, 151, 170-1, GWILT, Enc. Arch, pp. 164-75.
181-7. BRITTON, Arch. Antiq., Vol. 4, pp. 5-24,
ROSENGARTEN, Arch. Styles, pp. 271-5. 103-36.
LUEBKE, Hist. Art, Vol. 1, pp. 516-8. NICHOLSON, Enc. Arch., Vol. 2, pp.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text 234-40, 400-7.
pp. 82-6.
126 HISTORY OF ARCHITECTURE.
14. Select examples of the Anglo-Norman style
Norwich cathedral ; Canterbury cathedral ; Winchestei
cathedral ; Chapter House at Bristol.
PERGUS80N,Hist. Arch., Vol. 2, pp. 130-3, BRITTOX, Catli. Antiq., "Norwich," Pis.
137-8, 172-4. 1-24; Text pp. 18-20, 24-50; "Bristol,"
LUEBKE, Hist. Art, Vol. 1, pp. 518-20; Pis. 3-4, 9; Text pp. 45-7, 53; "Win-
Mon. Art, Vol. 1, PL 44, Text p. 149. cheater," Pis. 1-29; Text pp. 48-9,
WINKLES, Eng. Oath., Vol. 1, pp. 17- 54-104; "Canterbury," Pis. 1-36, Text
40, 121-40; Vol. 2, pp. 85-94. i»p. 25-(>2, '.(4-9.
VII.— SARACENIC ARCHITECTURE.
1. Characteristics of the faith and methods of wor-
ship of the Mohammedans which greatly influence theii
works of art.
ROSENGARTEN, Arch.. Stj^les, pp. 199- BAXLEY, Spain, Vol. 1, pp. 19-20; Vol
200. 2, pp. 132-3.
LECKY, Rationalism in Europe, Vol. 1, LUEBKE, Hist. Art, Vol. 1, pp. 410-4.
pp. 234-6.
2. The principal characteristics of the Saracenic
architecture described : hall for prayer ; court and tank
for ablution ; minaret for proclamation ; stilted and horse-
shoe arches ; scalloped or cusped arches ; stalactite or
honey-comb pendentives ; filigree and interlaced orna-
ment.
FERGUSSON, Hist. Arch., Vol. 2, pp. NICHOLSON, Kuc. Arch., Vol. 2, pp. 208-10.
465-6. KNIGHT, Pict, Gal. Artsr Vol. 2, Text
LUEBKE, Hist. Art, Vol. 1, pp. 414-7. pp. 62-3.
ROSENGARTKN, Arch. Styles, pp. 200-:'>. PARKER, (rlos. Arch., Vol. 1, pp. 32-4.
ti\viiT, Knr. .Vroh., pp. 54-6.
HISTORY OF ARCHITECTURE. 127
3. Peculiar style of mural decoration in Saracenic
architecture ; arabesque patterns.
LUEBKE, Hist. Arch., Vol. 1, pp. 417-9. KNIGHT, Pict. Gal. Arts, II. pp. 60, 64,
ROSENGARTEN, Arch. Styles, pp. 203-6. 69.
NICHOLSON, Enc. Arch., Vol. 2, pp. PARKER, Glos. Arch., Vol. 1, pp. 30-2.
210-1.
4. Select examples in Cairo, Egypt : mosque of
Ibn Touloun. ; mosque of the Sultan Barkook and tombs
of the Mamelukes ; mosque of Sultan Hassan ; palace of
Ohoubra.
FERGUSSON, Hist. Arch., Vol. 2, pp. ROSENGARTEN, Arch. Styles, pp. 201,
507-17. 215-7.
LUEBKE, Hist. Art, Vol. 1, pp. 420-3; KNIGHT, Pict. Gal. Arts, II. p. 61.
Mon. Art, PL 39, Text pp. 136-9.
5. Select examples in India : mosque at Old Delhi ;
mosque at Futtepore Sikri; palace at Delhi; Taje Mehal
at Agra.
LUEBKE, Hist. Art, Vol. 1, pp. 437-9; ROSENGARTEN, Arch. Styles, pp. 221-4.
Mon. Art, PL 40, Text pp. 139-40. FERGUSSON, Hist. Arch., Vol. 3, pp.
KOEHLER, Hist. Art, PL 48. 578-81, 591-9, 600-2.
6. Select examples in Spain ; mosque at Cordova ;
the Alhambra at Granada.
FERGUSSON, Hist. Arch, Vol. 2, pp. KNIGHT, Pict. Gal. Arts, II. pp. 56-7,
522-: '.(i. 60-1 ; Text pp. 59, 62.
LUEBKE, Hist. Art, Vol. 1, pp. 424-33; PARKER, Glos. Arch., Vol. 2, PL 109.
Mon. Art, PL 38, Text pp. 132-6. BAXLEY, Spain, Vol. 1, pp. 199-310.
ROSENGARTEN, Arch. Styles, pp. 206-14. KOEHLER, Hist. Art, Pis. 46-7.
GWILT. Enc. Arch., pp. 51-4.
128
HISTORY OF ARCHITECTURE.
VIIL— GOTHIC ARCHITECTURE.
1. The Gothic style a perfect architectural system
developed from the pointed arch ; the Gothic and the
Romanesque systems of construction compared, especially
as to vaults and supporting walls.
PARKER, Glos. Arch., Vol. 1, pp. 238-40.
RUSKIX, Stones of Venice, Vol. 2, pp.
167-54.
GAEBETT, Arch. Design, pp. 84-7.
FERGUSSON, Hist. Arch., Vol. 1, pp.
397-8.
LUEBKE, Hist. Art, Vol. 2, pp. 1-6.
ROSENGARTEN, Arch. Styles, pp. 297-300.
NICHOLSON, Enc. Arch., Vol. 1, pp. 450-2.
2. Origin, varieties and early history of
pointed arch ; was it a constructive principle or merely
an ornamental form ?
FERGUSSON, Hist. Arch., Vol. 1, pp.
448-53, 506-7.
LUEBKE, Ecclesiastical Art, pp. 49-50;
Hist. Art, Vol 2, pp. 6-7.
ROSENGARTEN, Arch. Styles, pp. 285-93.
NICHOLSON, Enc. Arch., Vol. 1, p. 461.
GARBETT, Arch. Design, pp. 157-79.
GWILT, Enc. Arch, pp. 119-25.
D'AGINCOURT, Hist. Art, Vol. 1, PL 46.
3. Principal characteristics of the constructive orna-
mentation of Gothic architecture : of the fa$ade, portal
and spire ; of the buttresses ; of the clustered column
and vault ribs ; window tracery and painting.
FERGUSSON, Hist. Arch., Vol. 1, pp.
458-60, 552-4, 563-82.
LUEBKE, Ecclesiastical Art, pp. 67-92;
Hist. Art. Vol. 2, pp. 7-16.
ROSENGARTEN, Arch. Styles, pp. 300-19;
322-3.
KOEHLER, Hist. Art, Pis. 66-8.
NICHOLSON, Euc. Arch., Vol. 1, pp.
455-6, 462-71.
GWILT, Enc. Arch., pp. 231-4, 386-7,
589-90.
GARBETT,. Arch. Design, pp. 158-65,
201-13.
HISTORY OF ARCHITECTURE. 121*
4. Prevailing elements of the decorative ornamenta-
tion of Gothic architecture : combination of vegetable
with, geometric forms ; the Gothic choice of plants.
FERGUSSON, Hist. Arch., Vol. 1, pp. GARBETT, Arch. Design, pp. 206-7.
3:5-5. KOEIILER, Hist. Art, Pis. 66-9.
ROSENGARTEN, Arch. Styles, pp. 293-6, GWILT, Enc. Arch., pp. 952-4.
319-22.
5. The first development of the Gothic system in
central and northern France ; the suggestion from Sara-
cenic architecture, and how obtained.
FEEGUSSON, Hist. Arch., Vol. 1, pp. ROSENGARTEN, Hist. Arch., p. 341.
522-7. GWILT, Enc. Arch., pp. 231-4.
LUEMKK Hist. Art, Vol. 2, pp. 17-23.
6. The influence of the society of Free Masons on
the development of Gothic architecture.
FERGUSSON, Hist. Arch., Vol. 1, pp. ROSENGARTEN, Arch. Styles, pp. 289-90.
527-31.
7. The four important typical cathedrals of Gothic
France — of Paris, of Chartres, of Rheims and of Amiens.
FERGUSSON, Hist. Arch., Vol. 1, pp. KING, Med. Arch., Vol. 3, Pis. 49-60,
532-42. 75-88.
LUEBKE, Hist. Art., Vol. 2, pp. 18-21; GARBETT, Arch. Design, pp. 183-90.
Mon/Art, Vol. 2, Pis. 50-1, Text pp. KOEHLER, Hist. Art, Pis. 69-71.
164-7. D'AGINCOURT, Hist. Art, Vol. 1, Pis.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. p. 39-41.
105, Text p. 106. RICKMAN, Gothic Arch., Appendix pp.
GWILT, Enc. Arch., pp. 234-5. 53-4.
130
HISTORY OF ARCHITECTURE.
8. The two great typical cathedrals of this sty]
Germany — of Cologne and of Strasburg.
e in
FERGUSSON, Hist. Arch., Vol. 2, pp.
57, 63, 65-8.
LUEBK.E, Hist. Art, Vol. 2, pp, 27-40;
Ecclesiastical Art, pp. 70-7, 80-1;
Mon. Art, Vol. 2, Pis. 53-4B, Text pp.
172-81.
ROSENGARTEN, Arch. Styles, pp. 355-8.
KNIGHT, Pict. Gal. Arts, Vol. 2, II. pp.
108-9, Text pp. Ill, 114.
GARBETT, Arch. Design, pp. 179-83.
KOEHLER, Hist. Art, Pis. 74-6.
GWILT, Enc, Arch., p. 246-7.
P'AGINCOURT, Hist. Art, Vol. 1, PI. 41.
9. Select examples in Spain and Portugal : the
cathedrals of Toledo and of Burgos, in Spain ; the church
at Batalha, and the convent churches at Belem and at
Thomar, in Portugal.
LUEBKE, Hist. Art, Vol. 2, pp. 58-62;
Mon. Art, Vol. 2, PI. 58, Text p. 188.
D'AGINCOURT, Hist. Art, Vol. 1, PI. 41.
FERGUSSON, Hist. Arch., Vol. 2, pp. GWILT, Enc. Arch., pp. 250-6.
260-5, 290-2.
ROSENGARTEN, Arch. Styles, p. 370.
BAXLEY, Spain, Vol. 2, pp. -224-7.
KOEHLER, Hist. Art, Pis. 83-4.
10. Select examples in Italy : the cathedral of
Siena ; the Duomo of Florence ; the convent Certosa ;
the cathedral of Milan.
FERGUSSON, Hist. Arch., Vol. 2, pp.
328-36, 338-45.
LUEBKE, Hist. Art, Vol. 2, pp. 50-8;
Mon. Art, Vol. 2, PI. 57, Text pp.
186-7.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text
p. 103.
ROSENGARTEN, Arch. Styles, pp. 362-8.
KOEHLER, Hist. Art, Pis. 89-90.
GWILT, Enc. Arch., pp. 256-60.
NICHOLSON, Enc. Arch., Vol. 2, p. 43.
NORTON, Church Building, chapters 3-4.
D'AGINCOURT, Hist. Art, Vol. 1, PI. 41.
SYMONDS, Renaissance, pp. 50-8.
HISTORY OF ARCHITECTURE. 131
IX.-REXAISSANCE ARCHITECTURE.
1. General discussion of Renaissance architecture.
FERGUSSON, Hist. Arch., Vol. 4, pp. 1-10, NICHOLSON, Enc. Arch., Vol. 2, pp.
144-5. 40-2, 362.
LUEBKE, Hist. Art, Vol. 2, pp. 135-6. SYMONDS, Renaissance, pp. 67-72, 78-81.
2. Style of the Florentine Renaissance : Arnolfo
(1250?-! 310); Brunelleschi (1377-1446); Leo Battiste
Alberti (1404-1472) ; churches of San Lorenzo, Santa
Maria Novello and San Spirito at Florence ; church of
St. Andrea, at Mantua; Pitti palace, Riccardi palace,
Ruoellai palace and Strozzi palace at Florence.
FERGUSSON, Hist. Arch., Vol. 4, pp. NICHOLSON, Enc. Arch., Vol. 2, pp. 42-4.
42-55, 93-101. ROSENGARTEN, Arch. Styles, pp. 375-83.
LUEBKE, Hist. Art., Vol. 2, pp. 136-42, SYMONDS, Renaissance, pp. 63-7, 72-8.
150; Mon. Art, Vol. 2, PI. 64, Text KNIGHT, Pict. Gal. Arts, Vol. 2, Text
pp. 202-4. p. 130.
GWILT, Enc. Arch., pp. 131-8. KOEHLER, Hist. Art, Pis. 98-9, 101-2, 105.
3. Style of the Venetian Renaissance : San Micheli
(1484-1549) ; Sansovino (1479-1570) ; churches of Santa
Maria della Salute, Santa Maria Zobenico and San Giorgio
Maggiore ; Doge's palace, Vandramini palace, Grimini
palace arid library of St. Mark.
132
HISTORY OF ARCHITECTURE.
FERGUSSON, Hist. Arch., Vol.4, pp. 74-5, XICHOLSOX, Enc. Arch., Vol. 2, pp.
81-6, 101-12.
LUEBKE, Hist. Art, Vol. 2, pp. 142-0;
Mon. Art, Vol. 2, Pis. 64, 71, Text pp.
204, 216-7.
KOEHLER, Hist. Art, Pis. 97, 101, 103-4.
GWILT, Enc. Arch., pp. 146-51 .
46-7.
ROSENGARTEN, Arch. Styles, pp. 383-93.
SYMONDS, Renaissance, pp. 85-6.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text
p. 135.
4. Style of the Roman Rennaissance ; Bramante
(1450?-1514) ; M. Angelo (1475-1564) ; St. Peters ; Bel-
vedere court and court of the Loggie, Vatican ; Cancel-
laria palace, Farnese palace and Borghese palace.
. FERGUSSON, Hist, Arch., Vol. 4, pp. 51-3, KNIGHT, Pict. Gal. Arts, Vol.2, Text
57-72, 83, 112-26.
LUEBKE, Hist. Art, Vol. 2, pp. 146-57;
Mon. Art, Vol. 2, Pis. 71,' 87, Text
pp. 214-5, 252-5.
GWILT, Enc. Arch., pp. 138-45.
NICHOLSON, Enc. Arch., Vol. 2, pp. 44-6.
SYMONDS, Renaisance, pp. 81-94.
pp. 131, 134-5, II. p. 132.
KOEHLER, Hist. Art, Pis. 97, 101-2, 104,
106-7.
D'AGINCOURT, Hist. Art, Vol. 1, Pis
57-62.
PERKINS, Raphael and Michael Angelo,
pp. 238-43.
ROSENGARTEN, Arch. Styles, pp. 393-415. BLACK, M. Angelo, pp. 109-18.
5. Terra-cotta architecture of northern Italy, of the
Gothic and Renaissance periods ; church of Santa Maria
del Carmine and the Certosa at Pavia ; cathedral of
Cremona.
FERGUSSON, Hist. Arch., Vol. 4, pp. 11, ROSEXGAUTEN, Arch. Styles, pp. 375-6.
18-9,53-4. UKUNER, Terra-cotta Arch., Pis. 7-11,
HARE, It. Cities, Vol. 1, pp. 166-72, 16-24, 29-3.°,, pp. 1-9, 27-30, 37-9, 41,
234-6. 47-52.
6. Style of the French Renaissance ; Delorme
(1518?-1577); Perrault (1613-1688); Mansard (1645-
HISTORY OF ARCHITECTURE. 133
1708); St. Eustache ; Dome of the Invalides ; the
Louvre ; Luxembourg palace ; palace at Versailles ;
church of St. Genevieve, or the Pantheon, of Paris ;
Chateau of Chambord.
FERGUSSON, Hist. Arch., Vol. 4, pp. ROSEXGARTEN-, Arch. Styles, pp. 415-32.
279-84, 190-3, 195-200, 207-14, 223-9, KNIGHT, Pict. Gal. Arts, Vol. 2, Text
232-9. pp. 138-9, II. p. 141.
LUEBKE, Hist. Art, Vol. 2, pp. 162-8. KOEHLER, Hist. Art, Pis. 129-31.
<i\vn;r, Enc. Arch., pp. 152-7.
7. Style of the Spanish Renaissance ; cathedral of
Granada ; cathedral of Valladolid ; cathedral of Zaragoza ;
the Escurial.
FERGUSSON, Hist. Arch., Vol. 4, pp. ROSENGARTEN, Arch. Styles, p. 433.
146-64. KNIGHT, Pict. Gal. Arts, Vol. 2, Text
LI-EBKE, Hist. Art, Vol. 2, pp. 169-70. p. 146.
GwrLT, Enc. Arch., pp. 160-1.
8. Style of the English Renaissance — the Eliza-
bethan style; Inigo Jones (1572-1652); Sir Christopher
Wren (1632-1723); St. Paul's church, Covent Garden;
Banqueting House, Whitehall ; St. Paul's cathedral ;
St. Stephen's church, Walbrook.
FERGUSSON, Hist. Arch., Vol. 4, pp. BURY, Arch. Styles, pp. 136-03, 185-93.
268-72, 284-313. WINKLES, Eng. Cath., Vol. 1, pp. 65-80.
GWILT, Enc. Arch., pp. 195-215. KNIGHT, Pict. Gal. Arts, Vol. 2, Text
NICHOLSON, Enc. Arch., Vol. 2, pp. pp. 147, 150-1, 154, II. pp. 136, 141,
4S-53. . 144-5.
ROSENG/LRTEN, Arch. Styles, pp. 433-9. KOEHLER, Hist. Art, PL 1:52.
134
HISTORY OF ARCHITECTURE.
9. The great perversions of the Renaissance arc]
tecture of the seventeenth century — the Barocco am
Roccoco styles ; Lorenzo Bernini (1589-1680) ; Francesco
Borromini (1599-1667); St. Giovanni Laterano ; San
Carlino alle Quatro Fontaine ; Barberini palace ; colon-
nade in front of St. Peters.
FERGUSSON, Hist. Arch, Vol. 4, pp. 72-4,
125-6.
LUEBKE, Hist. Art, Vol. 2, pp. 159-61,
168-70.
GWILT, Enc. Arch., pp. 145-6.
NICHOLSON, Enc. Arch., Vol. 2, p. 47.
KOSENGARTEN, Arch. Styles, pp. 440-5]
KOEHLER, Hist. Art, PI. 104, 106.
10. Architecture of the present day ; Opera Hous
at Paris ; Theatre and Museum at Berlin ; Glyptothe^
at Munich ; Houses of Parliament at London ; Capitol at
Washington.
LUEBKE, Hist. Art, Vol. 2, pp. 593-601.
KOEHLER, Hist. Art, PI. 142.
FERGUSSON, Hist. Arch., Vol. 4, pp.
368-74, 397-400, 403-5, 500-6, 530-1,
540-2.
KNIGHT, Pict. Gal. Arts, Vol. 2, Text
pp. 142-3, 158-9, II. p. 140.
ROSENGARTEN, Arch. Styles, pp. 459-501.
BURY, Arch. Styles, pp. 170-83.
APPENDIX. 137
CATALOGUE
Of the principal works referred to in these lessons.
ABERDEEN, G. Earl of. Principles of beauty in Grecian architecture. London.
Lock wood & Co. 1874.
AGINCOURT, S. d'. History of art by its monuments. 3 vols. in 1. London.
Quaritch. 1847.
BAXLEY, H. W. Spain : art remains and art realities. 2 vols. N. Y. Appleton
&€o. 1875.
BELL, Sir C. Anatomy and philosophy of expression. 7 ed. London. Bell &
Sons. 1877.
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— . Contemporary art in Europe. N. Y. Harper & Bros.
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. History and antiquities of the cathedral churches of Great Britain.
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Any of these books can be procured of TOWXSKXD MACCOUN, of Chicago. Special rates given to
Clubs and Classes.
WM. H. SHERMAN. 385 Broadway, Milwaukee. Wis., is prepared to furnish photographic repro-
ductions of the works of art considered in these Art Lessons. Size, unmounted, 8x10 inches, or
mounted, on 11x14 mounts. Catalogue may be obtained on application.
138 APPENDIX.
BURN, R. Old Rome: a handbook to the ruins of the city and the campagna.
London. Bell & Sons. 1880.
BUKNET, J. Rembrandt and his works. Re-edited by H. Murray. London-
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CASSELL'S (JOHN) art treasures exhibitions, or masterpieces of celebrated
painters. London. Cassell & Co. u. d.
CLODD, E. Childhood of religions. N. Y. Appleton & Co. 1878.
CROWE, J. A. and G. B. CAVALCASELLE. Early Flemish Painters. 2 ed. London.
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^ FELTON, C. C. Greece, ancient and modern. 2 vols. Boston. Ticknor & Fields.
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X GELL, Sir W. and J. P. GANDY. Pompeiana. London. riuilto <\- .Windus. 1875.
GLOSSARY of terms used in Grecian, Roman, Italian and Gothic architecture
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140
APPENDIX.
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142
APPENDIX.
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