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HOMER
ILIAD, BOOKS XIII-XXIV
D. B, MONRO
ii.
HENRY FROWDE, M.A.
PUBLISHER TO THE UNIVERSITY OF OXFORD
LONDON, EDINBURGH, NEW YORK
TORONTO AN0 MELBOURNE
S\
fcfarcnfcon (pveee Settee
HOMER
ILIAD, BOOKS XIII-XXIV
WITH NOTES
BV
D. B. MONRO, M.A.
PROVOST OF ORIEL COLLEGE, OXFORD
HON. LL.D. (GLASGOW); HON. D. LITT. (DUBLIN)
FOURTH EDITION, REVISED
OXFORD *f
AT THE CLARENDON PRESS
MDCCCC III
OXFORD
PRINTED AT THE CLARENDON PRESS
BY HORACE HART, M.A.
PRINTEP TO THE UNIVERSITY
PREFACE TO THE FIRST EDITION.
The present volume completes the school edition of the
Iliad, the first part of which was published at the Clarendon
Press in 1884. The plan of the commentary is substantially the
same, but I have assumed that my readers are no longer
troubled by the first difficulties of Homeric language.
As in the case of the preceding volume the notes have had
the advantage of being revised by Mr. R. W, Raper, to whom
my best thanks are due.
D. B. M.
Oxford, October 14, 1888.
PREFACE TO THE THIRD EDITION.
In this edition the text and notes have been carefully revised.
In the introduction to the notes on Book XVIII an attempt has
been made to show how the questions relating to Homeric Art
have been affected by recent discoveries at Mycenae and else-
where.
Oxford, September 11, 1893.
CONTENTS.
PAGE
ILIAD, Books XI1I-XXIV i
NOTES 26 3
IAIAA02 N.
Ma^j; err! ra?9 vavalu.
Zeus 8' e^ret ovV Tp<3ds re Kat "Efcropa yjjucrt ireAacro^,
tows pey ea 7rapa ti]<ti ttovov t kyi^v kcu oi(vv
ycoAepeW, avrbs 8e 7rdAii> rpkmv oWe (paeivco,
v6a(f)Lv ((pi 1 liTTioiToXoiV ©prjK&v KaOopdptvos alav
Mvcrcov t dyyjejid\cav koX ayavu>v < \Tnrr]po\y5)v 5
yXaKToepdycov, ' A/3<W re, 8iKaiordra>y dvOpcaircov.
is Tpou]v 8' ou itdp-nav ert rpzirev owe ^aeu-co"
ov yap o y' aOavdrcav tiv ee'A7rero oy Kara dvpbv
t\66vT i] TpcazcrcTiv apr\£epev i] Aavaoicnv.
Ov8' dAaoa-K07m/y ei\e Kpeicoy evocriydoiv' 10
*at yap 6 0atipd(,W tjctto irrdAepoV re pax 1 ! 1 ' re
w^ou eir' aKpoTo.Ti]s Kopvtyyjs 2ap.ov vA^eW?}?
©pvjiKirjs' ey0ey yap e<paiVero 7rao-a pey "IS*/,
(paCvero Se ITptdpoto 7rdAts /cat y^es 'A^atiSy.
ey0' ap' o y' e£ ctAos e£er icoy, eAe'aipe 8' 'Axatovs 15
Tpcoa-iy hapvap-ivovs, Aa 8e /cparep<3s eyepeVcra.
AvTina 8' e£ opeos Kare/3rjo-ero Tra67raAdeyros
Kpanrva ttoctI 7rpo/3i/3dy rpkpe 8' oypea p.a.Kpa kcu v\r)
â– noa-alv im' aOavaroicn ITocreiSdcoyos loyros.
rpts pey 6pi£aT la>v, to 8e rirparov wcero reVpoop, 20
Aiyds* ev^a 8e 01 KAura. 8wpara /3e'y0ea-i Xipvris
XpyVea pappaipoyra rereux aTat » o,<p6ira atet.
ey$' eXOoiv vtt > o\€cr(f)i tltv<tk€TO xakKOTrob' nr7rco,
VOL. II. I!
2 13- IAIAA02 N.
uKVTTtTa, xpv(r<E->iaru.< tOziprjcriv KOjxoMvre,
Xpvabv 8' avrbs ebvve irepl XP '^ ytvTO 8' \\xaar6\-qv 25
Xpvcritrjv evTVKTOv, eou e7re/3?/<rero bi(ppov,
firj 8' ekdav em KV[xar' draWe be Ki)Te vt: avrov
TTavTo6ev €< Kevd/xCov, ov8' 7]yvoii](Tev avanra'
yi]0o(rvvr\ be Oakaacra Stt'crraro- rot 8' eirerovro
pip.(j>a pdA', 01/8' virevepde btaivero ^aAxeo? d£(ov' 30
rbi> 6' is 'AxciL&v vijas i'v<rKapdp.oi cpepov 'linroL.
v Eart 8e tl cnreos evpv /3a6eii]S ftevOecri kijxvqs,
fxea-a-iiyvs Teveboio /cat "lp/3pou iranrakoe<r(Ti]s'
ev6 tmrovs ecrrrjo-e Tiocretbdoiv ivocrtxObiv
kvvas e£ oxeoov, irapd 8' dp/3pda-tov fidkev et8ap 35
ebpevar dp.(jn be noa-al irebas efiake XPVo-eCas,
uppijKTOvs dkvrovs, ocpp 1 qx-nebov avOi p:evotev
vocTTTjcravTa am/era - 6 8' is (rrparbv w^er' 'A^aiwi-.
Tpcoe? be (pkoyl Ictoi uokkees i)e Ovekk-q
'FtKTopi Y\ptap.ibi] ap-orov pepacore? eirovro, 4 o
afipofxoi avtaxoi' ekirovro be vijas 'A^atwy
alpij<reiv, KTeveeiv be irap avroOi navras dpiarrovs.
dkka TloaeibcMtiv yai?jo)(o? ivvocriyaios
'Apyeiovs &rpvve, fiaOeirjs e£ akbs ikQuv,
elcrapevos Kakxcvn Sepas koX dreipia (patvijv* 45
AZavre 7rp<ora> Trpoaecpr], jue/xawre /cat avrca'
" Ata^re, ar<pa) peV re crawcrere Aaoy 'A^atcSy
aA/<J/s [xvrjcrapievoo, p)/8e Kpvepolo (pofioLO.
likkij /xe^ yap eyw y' ov 8et'8ia xetpas da7rroi>s
Tpwcov, ot peya reives VTrepKaTef3r](rav optAar 50
e£ov<Tt.v yap Travras evKVijpubes 'A^atoi 1
tj] be bi] alvorarov 7rept8ei8ta p?j rt Trdd<x>jxev,
fi p" y 6 kvcrcrcabqs (pkoyl eli<ekos â– tiyep.ovevei,
"Ektcop, os Aibs evx^T epurOeveos irdls elvai.
trcpmv 8' uJbe deGtv rt? ei>t (ppevl TToirj<reiei> 55
13- IAIAA02 N. 3
ahrut & eordpcrai Kparep&s kcu dzwyepey akkovs'
tco ne Kal ecravLievov Trep epu)?;cratr' airb vi]S>v
CoK.vn6p(av, el /cat \xiv 'OXvpLinos avrbs eyeipei. '
V H, Kal crKr}-navi<$ yan]oyo$ evvo<riyai.os
dp<pore'pa) K€KOTtu>s 7t\tj<t€V p.eveos KpaTepoio, 60
yvia 6' e6i]Kev ekacppa, -nobas kcu ^elpas vixepOev.
CLVTOS 5' (2? T Xpi]^ WKVTTTepOS u>pTO irerecrdai,
o? pa t ai? alyiknros Trerpiis irepLjxrjKeos apOels
6pp,i]crr} irebiOLO buaKeiv opveov akko,
&? 0.770 t&v i'fi^e Ylocreibaaiv evocrlyOtav. 65
toIiv 5' eyvco irpocrOev 'O'ikijos ra^vs Atas,
al\j/a 0' ap Atavra irpocrecpri Tekajxu>VLov vlov
" Alar, enel tls vSii OeStv, o\ "Okvjxirov 'iyovcri,
fiavrei elbop:evos Ke'Aerai Trapa vrjvcrl p.a\e(rdai,
ovb' 6 ye KdAxas eori, deoTrporros oI(dvmtti]$' 70
i^'ia y«P p^ruTTKrOe TTobSJv i]be Kviyxaow
pei' eyvoov clttlovtos' apiyvoaToi be 0eoi 7rep #
Kat 8' epol avra) 6vp.bs evl OT?j#etrcri <pi'Aoi<n
p.akkov e(popparat, Tiokepl^eiv fjbe p,a\ecrQai,
paipcococri 5' evepQe Trobes Kal X € ^P €S vjrepOe." 75
Toy 5' d"n - apei/3dpei'os Trpocrecpr) TeAapwz'ios At as*
" ovrco M Kal epoi 7rept Sovpart X e V e? daTrroi
lxatp.b)(TLV, Kai poi p.evo$ wpope, vtpQe be Ttocrali'
eo-<rv[xai dp<porepo<,cri' jxevoivcoco be Kal olos
"EKTopt. TIpt.ap.ibr] ap.oTov p.ep.aSiTi pd)(eo-0ai." 80
*I2s 01 pey roiairra 7rpos dAA^Aous dyopeucw,
Xapp.T) yr\Q6crvvoi, ti']v atyiv debs qxfiake 6vp<s>'
To<ppa be tovs omdev yatrjo)(os copo-ev 'A^cnovs,
0% irapa vrjval 6of\cnv avtyvyov (pikov i\Top.
tS>v p° apa r dpyaAew Kapdrw (pi'Aa yvla kekwro, 85
Kat cn/uy a^os Kara 6vp.bv eylyvero bepKOp\evoicn
Tpcoas, rot \xeya rax ? VTrepKaTefirjcrav 6ptA&).
B 2
4 13 IMAA02 N.
tovs ot y elrropooovTes vV d(ppvai bdxpva ketfiov'
ov yap eobav (}>ev£eo-dai vttck kclkov' aAA' ivoari\dan>
pela p.eTeio-dp.evos tcparepas (arpvve (pdkayyas. go
TevKpov eiri TtpG>Tov Ko.\ Aij'Crov ?]A0e nekevoov
ni]vekeu>v 0' ijpooa Qoavrd re ArfLTrvpov re
Niipiovvv re nal 'AvTikoyov, p-ijo-Tcopas avrfji'
tovs 6 y eiroTpvvoiv enea iTTepoevra Tipoo-qvba'
" albcos, 'ApyeToi, Kovpoi veoc vp.p.iv eyco ye 95
p.apvap.evoio-1 nenoiQa o-a.ooo-ep.evai, veas ap.as'
d 6' vp-els irokep.oio p.e6i]creTe kevyakeoto,
vvv hi] elberat r\p.ap vtto Tpweo-cri bap.rjvai.
w ttottoi, ?) /xe'ya 6avp.a ro'8' 6<p6akp.olo-iv 6pQ>p.ai,
beivov, b ov 7ror eyw ye reAei>r7yo-e(r<9ai eabao-KOv, ioo
Tpams ecp' i]p.erepas levai veas, o'l to irapos irep
(pv(atavris ekdcpoiaiv eoUeo-av, at re Had vkr\v
Oaitov irapbakioov re kviaov t ij'ia TiekovTai
avrcos 7/Aao-Koycrat dvdkmbes, ovb' eVi x^W?"
u>s Tp<Ses ro 7rpiv ye p.evo$ koX yelpas ' Ayj:uG>v 105
p.ip.veiv ovk eOekeaKOv evavTiov, ovft ?//3aioV
vvv be eKtxs irokios noCkrjs eirl in]vcrl p.ayovTat
yyepLovos KaKOTrjTi p.ed^poo-vvr\o-L re kaSiv,
o'l KeiVw epto-avTes ap.vveiJ.ev ovk edekovan
vrj&v o)KVi:6p(ov, dkka KreivovTai dv avrds. no
aAA' ei bi] koI Trdp.irav eTt]Tvp.ov a'iTios eoriv
{jpcos 'ATpeibi]S, evpvKpeioov 'Ayap.ep.vaiv,
ovveK a7TrjTLixi]cre 7ro8w/cea Hrjkeuova,
i]jxeas y' ov 7ra)s ecrri p.edte\xevai r>okep.oio.
aAA' d.Kedop.e9a Oacrcrov' d/ceo-rat rot (ppeves ecrOk&v. 115
iyxeTs 8' ovKeTi naka p.e6ieTe dovpibos dkKrjs
TT&vres apiorot eovres dvd crrporoV. ovb dv eyd> ye
dvbpl p.a\eo-o-ai\xr)v 6'j ris TroAe'/aoto p.e6eir\
kvyphs eiLv' vp.lv be vep.eo-acap.at. Trepl'xfjpi.
13. IAIAA02 N. 5
w viiroves, rdxa 8?/ n kclkov irou/o-ere p.el(ov no
rr)5e p.edrip,oanjvr)' d/W ev (ppevl deo-Qe eKaoros
ai8<3 Kat vep-ecriv' 8?j yap /ie'ya reiKO? opupev.
"Ekt&p br) Trapa vr)V<rl ftorjv ayadbs TTo\ep.i(et.
Kaprepos, eppr\£ev be irvkas Kal p.aKpbv oxW
"Q.S pa KeAeurioW yatTjoxos iop<rev 'Axaiotfy. 125
ap.(f>l 8' ap Alavras boiovs tcrravTO (pdkayyes
Kaprepai, as ovr dv Kev "Aprjs ovovairo p.eTe\0o>v
ovre k 'A.6r]vairi Xaoaa-oor o'l yap apioroi
Kpivdevres Tpcod? re Kal "ExTopa btov tp.ip.vov,
cppagavres bopv bovpi, o-cikos araKe'C Ttpodek.vp.va' 130
cktttIs ap' do-7Tt8' epei.be, Kopvs Kopvv, avepa 8' avr\p'
y\ravov 8' lirTTOKop.01 KopvOes Xa\mpol(ri qbaXoun
vevovTcov, us ttvkvoX e<pio-Tacrav aWijKoicnv
eyX* a 8' €tttvo~o~ovto Opacreidoiv cnrb x* l P& v
<ret.6pt.ev' ol 8' Wvs (ppoveov, p.ep.a<rav be p.ax^cr9au 135
Tpwes be itpovTwfyav doXXees, fjpx* 8' ap "Ektwp
di'TiKpv p.ep.a(o$, oXoofopoxos &s diro Tre'rp?)?,
ov re Kara o-Tefyavqs Trorap-bs x^Wappoos wo-?;,
prj£a$ do-ireTM op.fipu> aVaiSe'o? exjuara ireTprjs'
{h/a b' dva9ptoo-K(tiv Trererai, KTVireei be 0' vt? avrov 140
vXrj' 6 8' acr(pa\e<t)S diet qxTtebov, 170? frcrjrai
IcroTrebov, Tore 8' ov tl KvXivbeTai ecravpLevos irep'
&$ "Ektcop ijos p.ev diieLXei p.^XP l OaXdo-crr]s
pea bieXev(reo~6ai KXiaias Kal vrjas 'Axai&v
KTetvcov' dXX' ore brj ttvkiv{js eveKvpae (pdXay£i, 145
arrj pa paA' eyxpip.</>#eis* ot 8' clvtCoi vies 'Axatwv
vvcrcrovTes £i(peo-Cv re Kal eyxecrty dp.(ptyvot.o-iv
Zarav d-nb o-(j)eiaiV 6 be x a<ra ' a l J - €V0 ^ neXep-ixQi]-
ijijo-ev be biaTtpvaiov Tpatecro-t. yeymvm'
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•nappi-ever'' ov roi bv,pbv ep.e crxwovaiv 'Axaioi,
6 13- IAIAAOS N.
kcu p.d\a ~vpyt)bbv crcpeas avrovs dprvvavres,
aAA , 6i(o, \d(T(rovTai V7r' eyyeos, el ereov \ie
copcre 6e<sbv copiaros, epiyboviros ttoctls "Hpris. '
,v X2s el-ncov urpvve p,evo$ koX 6vp.bv eKaarov. 155
A?;ic/>o/3o? 8' ev roun peya (ftpoveayv ej3efi/]Kei
npLaptbrjs, itpoaBev 8' ex ey a 0-77 18 a ir<£iro<r e'io-qv,
Kod(f>a TTOtrl TTpofitfias kcu vTracnrihia TtpoTiohl^uiv.
'Shipiovrjs b' auroio ri7WKero 8ount cpaeLvu),
kcu /3aAei>, ov5' ac/mpapre, kclt' do"nlba Travrocr e'Ccnjv 160
T<xvpeii]v' Tijs 8' ov n Su/Aacrez^ aAAa 77oAv 77pii>
ey KauAw edyr\ boXiybv bopv Arjicf)o[3o$ be
dcnriba ravpeii]v oyed' dub eo, belcre Se 6v\i^
eyyos Mi]piovao ba'tcppovos' avrap 6 y ijpoos
a\}/ erdpoov eh eOvos e^d(eTo, ydxraTO 8' alv&s 165
dp-iporepov, vUi]9 re kcu eyyeos ° ivviafc,
jiff 8' levcu TTapd re KAio-ias /cat vijas 'Ayauov
olo~6p.evos bopv p.aKpov, 6 ol k\ktu]<Pl XeXetTrro.
01 8' aAAoi p.dpvavTo, fioi] 8' ao-j3eo~TOs dpojpei.
Teu/cpo? 8e 77p<3ro? TeAa/zcoi-tos dvhpa KareKTa, 170
"\p.fipiov cuyjxr\Ti}v, ttoXvlttttov Mez/ropos vlov
vale he Ylijbcuov, Trplv ekdelv vlas 'A^atcof,
Kovp-qv be Hpidfioio v60r\v eye, Mrjbeo-iKa(TTi]v'
avrap eirel Aavacov vees ijkvdov apc/ueAio-crai,
a\}f els "IXlov rj\6e, ixeTeirpeire be Tpcaecrcn, 175
vale be Trap Ylpidp.^' 6 be p.iv riev Icra reKecrcn.
rov p vlbs Te\ap.a>vos vtt' ovaros eyyel p.aKp(H
vvg, eK 8' ecr-acrev eyyos' 6 8' avr e-neaev p.e\ii] aw,
7; t opeos Kopvcjij] eKaOev Trepufraivonevoio
XaA\w Tap.vop.evt] repeva yOovX c/>i/AAa TteXdaay' 1S0
a>? irecrev, dpc/u be ol ftpc't\e revyea TioiKiXa \a\K(Ji.
TevKpos 8 wpfxyOii pepaws otto revyea bvtraL'
'Ektu>p 8 6pp.r]0evTos aKovricre bovpl (paeivQ.
13. lAIAAOS N. 7
a\\' 6 p.ev avra Ibuv i)\evaTO x^xeov eyxos
tvtOov' 6 8' ' kp-fyipayov , Krearou vV 'A/cropiWo?, 1S5
vicropLtvov 7To'AepdV8e Kara (rrrjSos /3aAe bovpi'
bovir-qcrev be TTeacov, apafir)(re 8e rev^e e7r ' cwr<3.
"Exrcop 8' b)p[M'}di] KopvOa Kporacpois apo.pvlav
KpctTos CKpap-na^ai p.eya\r\Topo$ 'Ap^ipdxoio*
Aia? 8' 6pp.r]9evTos ope^aro bovpl (p'aeivto 190
"EKropo?" dAA' ow tt>/ XP 00? eicaro, 7ra? 8' dpa ^aA/cco
cpepSaAe'to KeKa\v(f)8 , ' 6 8' dp d<T7uSos djA(pakbv ovra,
Sere 8e piv o~6eve'C peydAa)* 6 8e xacro-ar' ottlo-ctco
vtKpwv ap.cp'oTepcov, tovs 8' e£eipvo~<rav 'Avouch.
'Ap(/u'paxoi> pei> dpa Srt^tos 8ids re Me^ea-flews, 195
dp^ot ^Adrjvaioiv, Ko\xi(jav perd Aadz> 'A^ataiy
'Ip.fipiov avr Atavre, \xep.aoTe dovpibos akKrjs,
ws re 8u' aiya Xeovre kvv&v vtto KapyapobovTUjV
apira£avT€ cfrepriTov ava poairrfia ttvkvo,,
v\}/ov v-nep yairjs perd yaix(prj\f](TLv e^ovre, 200
c2j pa rdv vv^ou e^oi're 8Ja> Aia^re KOpvorra
rev^ea <rv\i]Tt]v' K€(f)a\i]v 8' d77aA?/9 a7rd beiprjs
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?^/<e 8e' piy crtyaiprjbbv eAi^dpeyos 8t' dpi'Aov
"E/<ropi 8e TrpoTrapoiOe Trob&v irecrev ev kovli]o~i, 205
Kat rdre 8rj irept K??pt noo-etSdooy eyoktodr)
vtcoiXHO 77ecro'yros ey atyry brfioTrjTi,
firj 8' te'yat 7rapd re /cAtcrta? Kat i;?]as 'A^atwy
orpvvecov Aavaovs, Tpcoecro-i 8e K?j8e' ereuxey.
'I8opez>ei)s 8' dpa 01 SoupiKAvros avTe^okrjo-ev, 210
ipXop-tvos nap kraipov, 6 ol veov e/c 7roAepoto
>]A#e Kar' lyv\n]v /3e/3A?]peVo9 6£e'C xaAKco.
Toy pey eratpot eveinav, 6 8' ujrpois e7rtrei'Aas
Tpey es K\i<ji.r\v' ert yap 7roAepoto p.evoiva
dyrtdaf rdi> 6e -npo(re(pr] KpeLcav £vo(tL)(6(i}v, 215
8 13 IAIAA02 N.
ezVdperos <f)doyyi]v ' Avbpaipovos vu Qoavri,
OS 77(1(77/ nAcvpWIH KOI ailTfll'T] KaXvliovL
AirioXolcnv avaarcre, 6(bs 8' &s tUto 8j/u(o*
" ISopereu, KpyjT&v j3ov\i]<p6p€, ixov rot d-eiAai
<u\orrai, raj Tpaxrtr d-ei'Aeoz' yte? 'A^aia)]- ; j_>o
Tbv 8' avr 'Iboixevevs, Kpjirah' dyo'j, drrioy i]vba'
" ai 8dVur, ou ns dz-z/p put* y' airtoy, o<rcrov eyw ye
ytyrwo-Ka)' -dzTe? ydp eTTio-rdpetfa vroAqif£eur>
ovre rird Se'os tercet aKz/pioz-* ot/re rts oKvoi
(Xk(ov avhv€Tai Tro'Aepoz' kcik6v nAAd 7rotj oiJno 2;,s
pt'AAei 8») cpiXov eiz'ai vveppcvei Kporuori,
jtoiTjurovs oTToAfa-^ai d:r' 'Apyeo? ertfdd' 'A\otoJj.
dAAd, 0daz', *ai yap ~b xapos flfPfBrjiOS >]crtfa,
orpw'eis 8e kciI aAAoz', otfi petfte'rra tSz/af
rw iti> pT/r chrdXifyc KeAeve' re (pwri ijcaoTat." 23?
Tbv 8' 7/pei/3er' e~eira FlocreiSdior eVcxn'xtfuov
"'I8opez'eP, pi) Keiro? dz-z)p en roarz/creiez'
ex Tpoftis, dAA' avdi. kvvQv p.e'A7rr^pa yeYoiro,
oj rts «~' z/pan T(38e eKiz- pe#u/0"i pdxeo-tfai.
dAA' aye rer\ea 8ei~po Aa^Scor Wr raf'ra 8' apa \PV 3 35
a-Tret'Seiz 1 , at k d(peAdj tl yez-wpetfa xal bv' Zovt*.
oT.'p(peprz/ 8' dpeTTj -e'Aei arbour ko.1 pdAa Avyp<Sf"
rCo'C 8e *cai k' dya^oiirir eTrtcrraipecrtfa p.d\€<r6ai."
A i2y etTTajz' d per ciitls fir? tfed* dp tto'zw dz'Opah''
'ISoperei'j 8' ore 8r; kAio-itzp evrvKroz* Ckop^j 240
fafcrgro ra\ea xaAd -epi \pot, yiiTO 8e 8orpe,
/3f) 8' fpez- dirrepoTTT/ eraAiy/cio?, ijv re KponW
\eipl Aapiz- triVa^ez- cit' aiyAr/eiTos 'OXvp-ov.
OCWVS (n]|bia jSporouru*' api£r]\oi 8e' 01 avyai'
As row x.akKB5 tAaprre rrept orr/tWa-i SeoiTos. 245
Mi)/hovi)S 8' dpa 01 t°t -. jvs iyrc/9qXiy t»
«'•■:>• In kXi r i'/!>' perd yap 8o'pr \aAKeoz- »;et
13. IAIAAOS N. 9
ola-ofxa-or toi- 8e :rpocre'<p>) wBhus 'I&qpOfOS*
'■Mr/pio'r//, Mo'Aov vie. -odcis ra\t', cptAratf' «rai>.or.
r.-rr i)\0€$ -oXcpov re Ai-tor Kai Srji'orrjra ; "5°
• : r. iciArja:, ie'Aeos 8e (re reipe: a*a>K>j,
>]e rev ayyeAiV juer' ep' ftofes ; oi'Se rot avros
j]<rdcu h'l KXicriycri. AiAcuo/xai, dAAa fiaxeixtJai."
Tor 5' ay Mr/pio'rr/j -e-zrpeYos dmcr rjvoa'
" 'ISoperev, Kprjrcor /SovXijcpope \a\KO\iT(a: »55
lp\o/.iat, el ri roi lyxos ez-i KAtcru/cri Xe'Xei-rat,
owofiaws' to' it; yap Karea£auer, o Trpir e\eo-Kor,
dcnri'Sa A^icpo'^oio ,3aAwr iTreprjrope'ozr -.
Tor 8' avV *I8afKVC&, Kprjrair dyoV, ojTior ^a'
"8oi'para 5', al k ede'\r/crt?a, koi b kcu eiKOO"! 6>/eis j6o
ecrraoV er kXictitj -po* ei'corrta Trapcpaio'toiTa,
Tpona, ra Krape'rcor a-oaiVi'juai- ov yap ouo
avbpwv Svcrperetoz- exa* tcrrapez-oj -oXepi(,W-
rJ poi Sovpard r &m Kai acr~i'5ej opcpaXo'ecrcrai,
koi KOpvOes mai daphnes Xap.~pbv yaz-o'cozre*. 265
Tor 8' av MrjpioVris reTrrvp.e'ros dx-rior TjvSa*
" kcu toi e>oi raptt re kXio-u/ Kai vrjt peXai'177
tto'AX' erapa Tpckoz- dXX' ou (rxeSoV ecrrir eXe'crtfai.
ovoe yap ot'8' epe cfcr/pi XeXacrpe'ror epperai ciAkt/9.
dAAa pera TrpaJroicn pcix'/i-' «'« *v8idreipar *7°
icrrapa;. 6--o're reiKOS opcJprjrat -oXe'poio.
dAXor irov nra paXAor 'Axaicor xaAKOxtrajztor
A;j0co papraperos, ere 8e ISpez-ai avror diW
Tor 8' avr 'ISopereiV, Kpr;r«r ayos, anCov y)('ba'
"'oi8' aperTJr olo'j ecrar ri ere XP'J n&m Ae'yecrtfai; :;•
ei yap viv zapa. rrjt'crl Aeyoi'petfa raPTCS apurroi
h Ao'xoz-, ezda pdAtcrr aperi] 8taet8erat dz-ep^'.
eYt?* re 8etA6j cin;p as r aAxtpos e^ecpadz^r?*
rot pez' y«V re \axoC- rpeTrerai XP^ J aAAvSis aAArj,
io 13. 1AIAA02 N.
uvot oi aifjcfjias i\cr6ai kpr\TV(.T kv cppeal Ovfxos, 280
dXXa uero/cAd£et /cat eV dp-fporepovs irobas '{(ei,
iv oe' re ol Kpabir] p.eydXa vripvoMTi irarao-creL
Krjpas 6'Cop.ivu>, irdrayos 8e re yiyver ooovtcov'
rod 5' ayaOov ovt ap TpeTterat XP^? °^ Te TL Xu]v
rap/3et, €Treihav Trpcarov £<ri£r)TCu Xo^ov dvbp&v, 285
apaTai be Ta^iaTa p.iy/]p€vai ev bal Xvypfj'
ovbi Ktv cvOa reov ye jxivos /cat \elpas ovolto.
ei irep yap /ce /3Aeto irovevp-evos »}e TVTreCrjs,
ovk av kv avyjv* oiucrde Tre'croi /3e'Ao? ovb' ein v(*>T(p,
dXXd aev rj arepvcov r) vrjbvos dzmdcreie 290
Trpocraoi lepe'yoto p.€Ta -pop.d^cov dapurTvv.
dAA' dye, p.r)K.€Ti ravra Xeycop-eda vrjTTVTioi a>s
eoradres, /xtj ttov ris virepcpidXios yepeo"?}o-?j'
dXXa on; ye /cAio-irji'Se kiwv eAeu oftpipov 'iyyos?
*X2s cpdro, Mrjpto'yj/5 Se flow drdXavTos "Aprfi 295
KapiraXipcos kXktli]0€v dyei'Aero x<*A/ceoi> eyx°?»
jSt) 6e per' 'I8o/A€i'iya pe'ya -nroAe'poto /^e/xrjAco?.
otos oe fipoToXoiybs "Apr\s iroXepiovbe pe'retcrt,
T(3 5e 4>o/3oy (piXos vlbs dp.a /cparepo? /cat aTapftijs
eo-7rero, os t e(poj3i](re TaXdcppovd irep iioXep.i<TTr\v' 300
ra) pey ap' ex ®pr\Kr)$ 'E(pvpovs p.ira 6a>prj<r<recrdov,
?}e pera. 4>Aeyuas peyaArjropas' ovb' dpa tw ye
zkXvov dpicpoTepcov, erepotat 8e /cCSos coco/cav*
toioi MrjpioVr/s re /cat 'ISopereus, ayot dvbpS>v,
ij'iaav es TroXepov /ce/copuflpeVot aWoin yaXKu. 305
Tor /cat M^pio'i^s TrpoTepos irpbs p.v9ov eei7re'
" Aeu/caAt8rj, th] r ap pepovas Karabvvai opuXov '
i] e7rt be£i6(pLV Travrbs a-rparov, 1) dvd p.€<rcrovs,
7) eV dpt(TT€p6(piv ; e7ret oi; 7ro^t eXtropai ovroi
biveaOai noXipoio /cdp>; Kop.6covras 'Axaiovs." 310
Toy 6' avr 'ISo/xerev?, KpijT&v dyos, dvriov qvoa'
13. IAIAA02 N. 11
" vvjvctX p.ev kv H€(rcnj(riv a{xvvtiv elal nal aXXoi,
Alavres re bvca TevKpos 0\ os apurTos 'Axa-itiv
to£octvvii, ayaObs be nal kv (TTabir\ vap.ivr\'
ot puv abrjv kXocacn nal ko-o-vp.evov â– KoXep.oLO, 315
"Enropci YIpiapLibrjv, kcu el pdAa naprepos kcrnv.
oxiiv ol k<r<reiTai p.dXa irep p.ep.aG>Ti pdxecrtfcu
Kelvwv VLKr/a-avTi p.evos nal y^etpas ddirrovs
vijas kviirprjcrai, ore p.?/ avros ye Kpov'mv
kp.(3dXoi aWopevov baXbv z-'J/ecrcrt Oorjcriv. 330
dvhpl be k ovk ei£eie p,eyas TeXapoovios Aias,
0? dvijTos t etrj Kal eboi ArjpijTepos aKTijv,
XaAKw re pi]KTos peydXoicri re xepp.abioicnv.
ov& av ' A\iXXr(i prj^rjvopi yu)pr\<reiev
kv y avTocrTabhy Ttoal 8' ov tt<os earnv kpi£eiv. 325
v&'iv 8' a>8' kii dpiaTe'p' k\e crrparou, ocppa ra^tora
etbop.ev 77c rw eS^o? 6pe£op.ev, ?)e rts rjpuv"
*X2? cpdro, Miipiovrjs be 00(3 draAa^ros "ApijC
IPX fy* €I, j o0p' cKpUovro Kara arpaTov, fj p.iv dinayei.
Ot 8' w? 'ISopei>?)a i8ou $Aoyi eiKeAou dXnyv, 330
avroi' xal Oepdirovra, <rvv evrecri 8ai8aAe'oi<ri,
KenXopevoi k<x6' opuXov >%ir airy irdvres e(3t]o-av
tu>v 8' 6poi> icrraro velxos eVi TTpvpi'TjcrL veecrcnv.
&>? 8' od' vtto Xiyecov dvep,u>v cnrepyacnv deXXai
?Jpart rw ore re TrAeiorTj koVis dp$l KeAeiJtfous, 335
01 r' apvbis KOvh]s p.eydXi]v Xfrrdmv op.iyXr\v,
As apa Tu>v opocr' rjXde p-dyj], p.ep.ao-av 8' eVi 0vp(i>
dAArjAot;? Ka6)' opaXov kva.ipep.ev 6£ei ^aA/cw.
etypi^ev be p.dyr\ (p6urip.(3poTOS ky\eir\(Ti
paKpijs, a? efyov rapecn'xpoas" oWe 8' dp.epbev 340
avy?/ \aX<eii] KopvQoov (xtto Xap,vojJi.evd(ov
6oipr\K(X)V re veocr^KTCov araKeutv re (paeiVMV
kpyop.evonv ap.vbfi' paAa Key OpacrvKapbios elrj
12 13. IAIAA02 N.
o? 7oVe yr)6rjcrei.ev lba>v ttovov ov5' d/caxoiTO.
To> 5 dp(f>ls cppoveovre bvoo Kpovov vie KpaTaioa 345
avbpdcriv ijpdecraiv eTev^Tov dXyea Xvypd.
Zeus p.ev pa Tp(d€<T<rt /cat r 'E/cro/n fiovXero viki]V,
Kvbaivuv ^A^iXija nobas Tayyv ovbe tl Ttdp-nav
ij6eXe Xabv oXecrOai 'A^ati/cor 'IAto#i irpo,
aXXa QItiv Kiibaive /cat vlea KaprepoOvpiov. 350
Apyeiovs be Yloaeibduiv opodvve pereXd&v,
XdOpy inre£avabvs iroXiijs dXos' r/x^ ero yap pa
Tpcoa-lv bapivap.ei>ovs, Ail be KparepQs evep.eo-aa.
rj p.dv aiA(poTepoio-iv opbv yevos 578' ta irarpr],
aXXa Zevs Ttporepos yeyovei na\ nXetova rjbr). 355
raJ pa /cat ap.<f>abCr)v pev dXe^epevai dXeeive,
XaOprj b alev eyeipe Kara crTparov, avbpl eoiK<as.
rot b epibos Kpareprjs /cat 6/xoaou TroXep.oio
â– nelpap eiraXXd^avres eir dpcpoTepoia-i Tavvcrcrav,
apprjKTov t dXvrov re, to ttoXX&v yovvar eXvcrev. 360
Evda p-ea-ai-noXios -nep eotv Aavaoiai neXevaas
Ibopevevs Tp&ea-cri pi.eTaXp.evos ev (po(3ov wpcre.
Tte<pve yap 'Odpvovija Kaj3r]o-6dev evbov eovra,
os pa viov TroXep.010 p.eTa KXeos elXrjXovOei,
fjree be Hpidpoio Ovyarp&v elbos dpLcrTijv, 3 6 5
Kao-o-dvbpr]v, dvdebvov, v-nea-^eTo be p.eya epyov,
e/c TpoCrjs deKOVTas aTrcaa-epev via? 'A^aiuiv.
â„¢ 5' 6 yepcov Ylpiapos vtto t evxero nal Karevevcre
baxrepevai' 6 be p-dpvad' v-noo-^ecririo-i TriO-qaas.
\bop.evevs 8' ai/Toio riTw/cero bovpl (paeivu, 370
/cai fidXev v\j/i fiifiavra tv)((6v ovb' ijpKeo-e 6copri£
XaXKeos, bv cpopeeo-ne, p.e<rrj 8' ev yaarepi irri£e.
bovirqaev be irea-mr 6 8' e-nev^aro <p(ovrj<rev re'
" 'OOpvovev, irepl bij ae fipoT&v alvLCop.' d-ndvTuv,
el erebv by irdvra TeXevTijaeis 6V vTreo-Tijs 375
13- IATAA02 N. 13
Aapbavtfa) npuip.10' 6 8' inreo-xero dvyarepa r\v.
mi k£ tol 7]p.eis ravrd y v7ioa\6p.evoL Te\ea-aip.ev,
bolp.ev 8' 'Arpetbao Ovyarp&v elbos apicrTrjv,
'Apyeos e^ayayovres, duvieiiev, el k€ avv aiip.iv
'lAiou eKTrepcrys ev va.16p.evov -nrokUOpov. 380
dAA' €7reu, 5(pp en\ vi]vo~\ o~vv(ap.e6a novTOTiopoicnv
ap.<pl ydpco, eTtel ov roi eebvuiTal /ca/coi elp.ev.
A £ls eliro>v 77060s cAkc Kara Kparepi]v vo-p.ivr]v
rjpcos 'Ibop-evevs' rco 5' 'Actios rj\6ev dp-vvrcop
Tre^o? ^poo-D' i-manv' rw 8e Tiveiovre /car &p.oov 385
aiez> ex' fjvioxos Oep&Troov' 6 be tero 6vp.<2
y lbop.evija /3aAeu>" 6 8e /xty (p9ap.evo$ j3d\e 8oupl
kaipbv vii dvdepe&va, biairpb be \aXKov e\aa<rev.
ijpLTte 8' cos ore ns 8pus ripmev i] a^epoats,
qe t:Ltv$ /3Aa>0p?/, t^v f ovpeo~i renroves avbpes 390
e£eTap.ov TTe\eKeo-<ri vei]Keo~i vrj'Cov elvac
&s 6 TTpoo-6' Iitttcov Kal bicppov neiro TavvcrOeis,
8e(3pvxtos, kovios bebpayp.evos alparoecrcrqs.
e/c be 61 fjvio\os ir\i]y>] (ppevas, as Tfdpos eix^
ov8' y er6\p.i]crev, brjtoov virb x«ipas aAi>£as, 395
a.\}f Xtiitovs arpev//-ai, rbv 8' *Avr(ko)(ps p.evexdppt]s
bovpl p.eo~ov Trepovqcre rv\(av' ovb' rfpnecre 6a>pr}£
xdAfceos, bv (popeeaKe, pecnj 8' ev yaarepi irij&v.
avrap 6 y' dcrdp.aL'(i)v evepyeos eKTceae bicppov,
iitttovs 8' 'A^rtAoxo?, p.eyadvj±ov Nearopos vlos, 400
e£eAacre Tpdxxtv p.er evKvijpabas 'Axaiows.
Ai]i<po(3os be p.dAa crx^bbv rjkvdev 'Ibop-evrjos,
'Acriou dyvvp-tvos, Kal anovricre bovpl (paetvio.
dAA' 6 p.ev avra ibwv 7]kevaTO yaXneov tyx°?
*lbop.evevs' Kpvcpdrj yap vii do-nibi iravToa eicrrf, 405
tt)v dp' ye pivotal (3oa>v /cat vatpo-ni xaA/cco
bivoiTijv (popeecrKe, bvco Kav6ve<r<T apapviav
i 4 13- IAIAAOS N.
TJj VTTO TTUS Zdkl], TO 8' VZepTTTdTO )(a\K€OV tyX°*j
napcjiaAeov be ol do~nl$ eindpe^avTOs dvcrev
ey\eos' ovb' dkiov pa fiapetrjs \eipbs dcprJKev, 410
aAA' e/3aA' 'linrao-ibrjv 'Yyjnjvopa, itoip.eva kadv,
yirap bub irpaTribcov, elOap 8' virb yovvar ekvcre.
AijicpO/Sos 8' eniraykov eirev^aTo, p.aKpbv dvcras'
" ov p.av avr cltltos k(It "Actio?, dkkd e (plH- 1 -
els "A'ibos ~nep lovra irvkaprao KparepoTo 415
yt]6i](T€iv Kara, dvpov, eireC pa ol wrrao-a Trop-rrov."
A f2? e<par\ y Apyeloicri 8' d^os yiver 1 ev^apevoio,
'AirtAo'xw be jxaXia-ra baicppovi 6vp.bv opivev'
akk' ovb* d^vvpevos irep eov ajue'Ajjcrei/ fraipov,
dkkd Oecov 7rcpi/3i; /cat 01 o-olkos dp.(peKakv\jfe. 420
tov piev e~eid' virobviTe bva) eptypes eTalpoL,
MjjKio-revs', 'Evicno 7rais, /ecu Sioj 'AAacrrcop,
r?/as fwt ykaepvpas (peperriv fiapea arTevaxovra.
*\bop.evevs b' ov krjye p.evos pJya, tero 8' cuc-i
?}e rtra Tpcaoiv epe(3evvr} vvkt\ Kakv\j/ai, 425
rj avrbs bovTT?]<rai dp.vvcov koiybv 'A^atois,
tvO* AlcrviJTao bioTpecpeos <p~ikov vlov,
ijpoj 'Akitddoov, yap.]3pbs 8' i\v 'Ay^icraOj
TTpeo-fivraTriv 8' drnvie dvyarp&v, 'W-aobap-eiav,
ri]v t:ep\ Ktjpi (pikrjae Trcmjp Kal TTOTVia p^Trjp 430
ev p.eydp(t>' Ttduav yap 6p.rjkLKU]v e/ceKaoro
KaAAet nal epyounv Ibe (ppeo~C" rovveKa Kai puv
yrjp.ev dvijp wpto-ro? evl Tpobj evpeCrj-
tov toO vtt lbop.evrj'1 Yloaeibdiov ebdp.aao-e
dek£a$ dacre <j>aeivd, Trebrjcre be (paCbcpia yvla' 435
ovre yap c£oTrto~u (jwyeeiv bvvaT ovt dkeacrOai,
akk' cos re crTiqKrjv rj bevbpeov v\j/LiTiTi]kov
drpep.as ecrraoTa cttT]6os p.eo-ov ovTacre bovpl
tfpu>s Ibopevevs, prj£ev be ol du<pl yaGtva
13. IAIAA02 N. r,5
X&XneoVy os ol irpoadev airb xpoos vpxet o\e6pov 440
Sj) Tore y avov avcrev kpeiKOjievos nepl bovpi.
botnrrjo-ev be neaau', bopv 8' ev Kpabiy tireirijyu,
i] pa ol ao-rraCpovo-a nal ovpiayov Tre\ep.i(ev
ZyX €0S ' * v ® a °^ ^ 7r€tr ' a<pfei> p-zvos ofipijxos "Apjjs*
'Ihop-evevs 8' e.Ki:ay\ov kirev^aro, p.aKpbv avcras' 445
" A?]i<po/3', ?] apa br\ tl klo'Kop.ev u£lov elvat
rpeis h'bs avTi irecpao-dai ; kirel av nep evyea.L ovto>'
SaiuoW, a\X.a nal euros kvavriov 'iaraa e/xeto,
6(ppa Iby oTos Ztjz'os yoVos kvOab' Ikclvco,
os -npSiTov Mu'caa re/ce Kpijrri k-niovpov' 45°
MCvuts 8' av re'/ce^' vlbv apviiova AevKaXiwva,
AevKaXicav 8' kp.e tlkt€ •7ToA.e'c^o• , avbpecrcrLV avaKTa
\\pi]T7] kv evpeiry vvv 8' kvOdbe vijes eveLKav
vol re Kanbv koX irarpi Ka\ d'AAotcri Tpcoecrcnv.
*I2s (paro, Arjicpofios be biavbixa p.epp.r\pi^ev, 455
i] Two. ttov Tpwcoy erapurcrairo \xeyaQvp.(av
a.\jf amx &>p?/ eras, rj '7retp?/crairo Ka6 otos.
(5Se Se 01 (ppoveovTL bodaaaro nepbiov elvai,
fiijvai kit AiveiaV tov 8' vcrTarov evpev opiXov
eo-raoV* atet yap ITptapw kne^r/vie bC<a, 460
ow'fK ! dp' kcrdXbv kovra uer' ay8pao-iy ov n rieoKev.
ayyov 8' icrrduei'os eVea rrrepoevra Trpoarjvba'
" Alvela, Tpwoov fiovX-qcpope, vvv ae /udAa xp?j
yap,fip<2 ap.vvip.evai, el nep tl o~e Ktjbos laavei.
dAA' eVeu, 'AXuadocp kirapi.vvop.ev, os ce rrdpos ye 465
yap/3p6s ewv eQpe^re 80'pots an rur^oz; kovra'
rbv be tol 'lbop.evevs bovpLKkvrbs k^evapi^ev."
A X2s (paro, rw 8' apa Ovp.bv kvl cmj6e<rcnv opive,
Bi] be per 'lbop.evi]a \xeya nroXep.oLO p.€urj\u>s.
dAA' ova 'Ibop.evija cpofios Xafie Tt}\vyzTov ws, 470
dAA' ep.ev\ a>s ore rts avs o£peo"ii> a\ru Treiroidoos,
16 13. IAIAA02 N.
09 T€ peV€l KoXoaVpTOV eiTep^opeVOV ITOXVV CLl'bp&V
\(ap<a ev otoTTo'Aw, (j>piaaet be re v&tov virepOev
oifrfaXjAo) 8' apa ol Tivpl XapureTov' avrap obovras
6ijXei, aXe^acrdat. pepao>s kvvcls i)be kclI dvbpas' 475
&s pevev 'Ibo/xevevs bovptKXvros, ovb' v-neytopei,
Alveiav eirtovra ftor)Q6ov' ale 8' eraipovs,
' AcrKa.Xa<j)6v t ecrop&v 'A^ap^a re Arjiirvpov re
Mrjpiovrjv re /cat ' AvriXoyov, ^Tjcrrcopas avrrjs'
tovs 6 y' eiroTpvvuiv kitea irrepoevra Trpocrrjvba' 480
" bevre, 4>l\ol, KaC /x' oicp apxwere' beibia 8' aiVwy
Alveiav eiriovra nobas raxyv, 6s poL ejreicnv,
bs /xdAa naprepos eart paxy evi (p&ras evalpeiv
kol 8' e'xet 7'//3?js cu'0oj, re updros ecrrl p.eycarov.
el yap b\xr\XiKir] ye yevoipeOa r«8' e7rl 6vjx<a, 485
al^a Key ?}e (pepoiro ptya npuros, i)e <f>epoCfxr}v"
*£ls e(pa6\ ol b' apa iravres eva <ppea\ 6vpbv e\ovTes
â– jrXrjcriot ecTTja-av, a-ane' &p.oicn nXivavres.
Alveias 8' erepooOev eKeaXero oh srdpoicn,
Ai]i(j)0(36v re Ylapiv r kcropGiv kolI 'Ayijvopa biov, 490
o'i ol ap yyepoves Tpcocoy ecrav avrap e-netra
Xaol e-nov6\ cos el re juera nriXov eo-nero p.i]Xa
iTiopev en jSoravrjs' ydvvrai 8' apa re <ppeva i:oip.rjv'
cos Alveia. Ovp.bs evi arijOecro-i yeyi]0ei,
cos I8e Xau>v eOvos eiiio"n6p.evov eol aiirco. 495
01 8' ap.tf> 'AXfiaQoo) avrocrxebbv ibpp.r\9i](rav
paKpolcTL £votoioV irepl cm;0ecrcri be ^aAxoy
apepbaXeov Kovafii^e Tirvo~nop.evoov nad' 6p.iXov
aXXi]Xu)v' bvo 8' dvbpes 'Aprfloi e^oyov aXXoiv,
Alveias re nal 'lbop.evevs, drdXavroi "Apifi, 500
Xevr aXXrjXoov rapeeiv xpoa vrjXei ^cAkcS.
AlveCas be Trocoros aKovTio~ev 'Ibopievijos'
&XX' 6 /.tez/ avra ibu>v rjXevaTo x<& K * 01 ' ^Vx oy »
13- TAIAAOS N. lj
vlXM 8' Alveiao Kpabaivopevi) Kara yairjs
w)(€r', eirei p dXiov <rTij3aprjs airb x^-pos dpovaev. 505
']bopevevs 8' dpa Olvdp.aov fidXe yaarepa p.ea-<ri]v,
pj/£e Se 6(api]Kos yvaXov, 8id 8' evrepa x^Xkos
tjipvrr' 6 8' €i> Koviijcn ireawv e'Ae yatay ayoorw.
'I^ojueyeus 8' (K pev veKVOs SoAt^ocrKtoy ey^os
eo-ndaar , ovb' dp' er d'AAa bwijcraro Tev\ea naXa. 510
(apoav dcpeXecrOai' eTreCyero yap (3eXeecr<nv.
ov yap lr' ep.ireba yvla irobotv rjv bppr\devTi,
ovt dp" eirai^ai p.ed' ebv (3eXos ovr dXeacrdat.
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ea-^ev' 6 8 1 ey KOvtr}o~i 7re<roi)y e'Ae yatay dyoor<3. 520
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tno? eolo nerrovTos evl Kparepfj vapivj],
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addvaroi deol rjaav eepyopevoi TroXepoio. 525
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Ai]t(po(3os p.ev di? 'AcrKaXdcpov irriXrjKa (paetyr/y
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avX&ins rpucpdAeia ^apal /3dp/3r;o-e 77ecro5o-a. 530
Mrjptdy?]? 8' e£avTis eitdXp,evos, alyv-ibs cos,
e^epvcre irpvpvolo fipa\Lovos o(3pip.ov eyxos,
ch/r 8' erdpoav els edvos exd(ero. tov be rioAtrr;?,
avTOKa(Ttyvi]Tos, Trepl p-ecrata x e V e rmjvas,
e£ijyev TtoXep.01.0 bv<rrixeos, d<pp 'Ue(f lttttovs 535
vol. II. c
T 8 13. IAIAAOS N.
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(aTaaan ijvloxov re Kat app-ara ttoikiA' *xpvres'
0% tov ye Trporl dcrrv (pepov fiapea (TTevaxovra
reipop-evov' Kara 5' atjua veovrdrov eppee xeipos.
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ei>0' Alveas 'Acpapija Ka\->]Topibr]v eVopoi/cras
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13- IATAAOS N. 19
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yiyvtr "Ap)j? akeyewbs oi(vpol<n fipoTolcriv.
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/3?) 8' e7ra7reiA?/o-as 'EAeVto r/pco'i aya/crt,
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ter' a/coyrtcrcrat, 6 8' onro vtvpy)<piv di'crrcS. 585
IlptaptSTj? /xev eVeira /caret arrjdos /3aAei> Zc3
datprjKos yvaXov, and 8' eWaro TW<pbs di'crrds.
cbs 8' or' arrb 7rAare'os irrv6<piv p.€yakr]v /car' aAcor/v
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Ti)v (3a\cv fj p ' ex* rd£oy Zvgoov' h apa rd£co
drriKpu 8tct xeipbs eA?/Aaro x^A/ceoy eyxos. 595
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Xetpa TtapaKpepao-as' to 8' ecpe'A/cero p.eikivov ey\os.
/cat rd p,ez/ e/c x^ipd? epvaev peyaOvpos 'Ayijvcap,
ovtt)v 8e ^iWSjjcrei' eiJo-rpe<peT oto? dcorco,
2 o 13- IAIAAOS N.
o-<pevb6nj, rjv dpa ol depdircov e\e noip.evi Aa<3y. 6oc
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croly Meve'Aae, bap.y]vai ev alvfj brfioTr/TL.
ol 8' ore bi] (rxebbv rjcrav en aWijkoicnv iovres,
'Arpei'Srjs piev dfiapre, napaX be ol erpdner eyx°?> 605
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ecr^eOe yap o-dnos evpv, KciTeK\d(r$ii 8' evl /cauAw
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"Xefyere 6i]v ovroi ye veas Aava&v TayyncaXcav, 620
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vvv avT ev vr]va\v p.eveaivere novTonopoiat.
nvp oXobv (3aXeetv, KTelvai 8' ijpcaas 'Axacovs.
o.XXd 7TO01 o-yr\<re(r6e koi eo-avp.evoC nep "Apfjos. 630
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13- IAIAA02 N. 2i
avbp&v i)be Oe&V <r£o 8' e/c rabe ixavTa zeXovrar
olov bi] dvbpeo-ai xapi'Ceai vfipwryvi,
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(pvXoinbos Kopeaao-Qai 6p.odov 7roAe'poio. 635
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ttoivi] 8' ov tls iiaibbs eyiyvero Te6vi]Gnos.
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ijv be tis Evx^wp, FfoAviSou pdrrios utov,
22 13- IAIAAOI N.
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os p ev etoo)? K?/p oaoi]v tni y>jos epai^e 1 665
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fo-K€ Miboiv, Atavros dbeXcpeos' avrap fvaiev 695
13- IATAA02 N. 23
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13. IAIAA02 N. 27
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3© 14- TAIAAOS H.
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14. IAIAA02 3. V
ovTay br) peporas TpaW iioktv tvpvayviav
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32 i4- IAIAAOS E.
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14. IATAAOS g. 33
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VOL. II. D
34 14- IAIAA02 H.
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olov ore Ttp&Tov irep ep.io~yeo-dr)v {/nAoVrjri, 295
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38 14- IAIAAOS S.
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Ti]v 8' aTtap.eiji6p.evos TTpocrecpr] vecpekriyepira Zeus*
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VOL. II. K
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lis el7To>v kiire kabv 'A^auKov evvoo~iyaios,
bvve be itovtov lav, TroOea-av b' tfpaoes 'A^atoi.
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" epxeo vvv, (pike ^ot/36, p.e6' "EKTopa xo-kKOKopv(TTi]V
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15- TAIAA02 O. 53
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ecro-eiWro KvVes Te Kat dyepes dypotcorat*
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vva-o-ovres £(<f)eo-Lv re Kat zyyjecnv apcpiyvoto-iv'
avrdp eiret 1801; "Ektop' iirot^opevov a-ri^as di-'8pco>,
54 1 5- 1AIAA02 O.
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olov- brj avr e£avris dviarr) Ktjpas aXv£a$
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bovptxT dvaayopLevoL' tov 8' otta kcu pep.acora
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*£ls etpa6\ 01 8' dpa tov p.dXa p.ev kXvov ?}8' kiridovTo'
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15- IATAA02 O. 55
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"EKTcap p.ev ^rvyjov re kcu ' ApKecrihaov eitecpve,
tov p.ev Boicorcov r)yr\Topa xaAKOX<.rcoVcoz>, 330
tov be Meveadijos pi.eyadvp.ov ttio-tov eralpov*
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r] toi 6 p.ev vodos vlbs 'OiAt/os Oeioio
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yvwrbv p.r)TpvirjS 'Epico7n§os, r)v e'x' 'OlXevr
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7rpcor?j ev v<xp,Cvrj, Kkoviov 8' eAe 8tos 'Ayijvcop. 340
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"0<pp' ol rovs evapi(ov aii eWea, rocppa 8' 'Axaioi
56 15- IAIAA02 O.
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" vrjva-lv eino-crevecrOai, eav 8' evapa fipoToevra'
bv 8' av eyb>v airdvevOe ve&v krepoaOi voijcroo,
avrov ol Qavarov [xrjTLaropiai, ovbe vv tov ye
yvonToi re yvcorai re itvpbs Kekd-^uxn Oavovra, 350
ahXa Kvves epvovcri irpb ao-reos r/juerepoio."
*Hs elirtbv p.a<TTiyi KaT<x>p.abbv j]\curev Ittt:ovs,
KexXop-evos Tpcoecro-i Kara crrtxa?* ol be avv clvtu>
Travres 6p,oi<\ijcravTes e\ov epvcrapixaras linrovs
tdq] dearirea-Lrj' Ttpoitapoide be <J>oi/3os 'A7ro'AAcoi> 355
peV 6y6as KcnreTOLO fiaQeLrjs irocralv epeiiroiv
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p.<XKpi]v tjb' evpelav, ocrov t eirl bovpbs epcor)
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rfj p' ol ye irpoyeovro (pakayyrjbov, "npb 8' 'Atto'AAooi' 360
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pela /xaA\ w? ore rts \}/dp.adov ttcils ayyj. 6ahacro-i]s,
os t e~ne\ ovv ironjcrr] c\6vpp.ara vr\-nUr\cnv,
axff avris avveyeve Troalv koX \epcr\v dOvpcov.
(2? pa o~6, i'fle <i>olfie, ttoXvv Kap.arov kcu oi£vv * 365
avyxeas 'Apyeicov, avTolai be <pv£av eva>p<ras.
A 12s ol \ikv irapa. vqvalv eprjTvovro p.evovTes,
aWr/XoLcrC re KeK\6pt,evoi ko.1 ttclo-i deolcn
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Neorcop avre p.dAicrra Tepr\vios, ovpos 'Axcu&v, 370
ei>x*TO, X € ^p' opeycov els ovpavbv dcrrepoevTa'
" Zev TTCLTep, el Tiore rts rot ev "Apye'l irep iroXviTVpdi
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tq»v p.vrjcrat. nal dp.vvov } 'OAv/xtuc, vr]\ees fjp-ap, 375
15. IAIAAOS O. 57
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*X2s e<£ar' ev\6^vos, pe'y a 8 ' eKTUffe p??riera Zeus,
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vavixaxa KokkijevTa, Kara <TTop.a e\p.eva xaA/<a>.
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t6(pp' 6 y ev\ Khujir) ayairrivopos Evpvirvkoio
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Tbv p.ev dp a>? ei7rdvra 7ro'Ses (pipov avrap 'Axaioi
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5<S 15. IAIAAOS O.
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tov p.ev ap.ap6\ 6 b' enevra AvKocppova, MdaTopos viov,
AXavTos depd-novTa Kv6r\piov, 6s pa irap avTu 431
vat, eirel dvbpa Kare'/cra KvBrjpoLcri. (adeoio-i,
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15- IAIAA02 O. 59
tov 8' "EnTcop peydOvpos a-neKrave. ttov vv rot lot 440
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vevpi]V 8' e£eppi]£e veo&Tpocpov, rjv evebr\cra
irpmov, o(pp* aveyoiTO Oapd OpuvKOVTas oto-rov?." 470
Tbv 8' rjp.ei(3eT e-neira p.eyas TeXapd>vios Alas'
6o 15. IATAA02 O.
" (o ttcttov, akka fiibv p.ev ea Kal rapcpeas iovs
KelaOai, eirel awe^eve Oebs Aavaolai p.eyr\pas'
avrap y^epcrlv ekbiv bokiybv bopv Kal o-clkos &p.<a
p.apva.6 re Tpcoecrcu Kal akkovs opvvQi kaov<s. 475
\xt) p,av a<TTTOvh£ ye bap.a<ro-apLevot itep ekoiev
vr}a$ evaaekp.ovs, akka p.vt]cr(opie6a yapW?"
*&s (pad', 6 8' av to£ov piev evl KAtcm/crty eOrjKev,
avrap y ap.(fi &p.oi<n aaKos 6ero rerpaOekvp-vov,
Kpari 8' eV icp6Lp.u> Kvverjv evrvKTOv eOrjKev 480
l-nirovpiv, beivbv be ko<pos KadvnepOev evevev'
elkero 8' akKip.ov eyxos, anayjievov o£ei ^oAkm,
fir} b levaiy p.dka 8' to/ca Oecov Alavri irapeaTrj.
"Enrcop 8' a>? etbev Tevupov fikacpdevra fiekep.va,
Tpaxrt re kcu Avkioktiv eneKkero p.aKpbv avcras' 485
"Tpcoes koI Avkloi Kal Adpbavoi ayyjip.a)(y]Tai,
avepes core, (ptkoi, p-vrjcrao-Qe be Oovpibos akK7)$
vrjas ava ykacpvpas' brj yap cbov 6(f>6akpt.oi(riv
avbpbs api&TTJos Aiodev (3ka<ptieuTa (Bekep.va.
pela b' apiyvtoTos Ato? avbpdcri, yiyverai oAk?/, 490
r\p.ev oreoKriv Kvbos vireprepov eyyvaki^rj,
?}5' onvas pnvvOrj re Kal ovk edekrjcriv apvveiv,
els vvv 'ApyeCcav p.ivv6ei p.evos, ap.pu 8' aprjyei.
dkka p.dyeo-Q' eirl vrjvulv aokkees' os be Kev vpeoov
fikrjp.evo$ i)e Tvirels Odvarov Kal 'norp.ov eTtia-irrj, 495
TeOvdroi' ov ol aeiKes dp.vvop.ev(a irepl Trdrp-qs
redvajxev' dAA' akoyos re cror; koX ixaibes OTu'crcra),
xal olkos Kal Kkrjpos aKrjpaTOs, et Kev 'A^aiot
ol^cavTai crvv vrjva\ <pikrjv es Trarptba yalav."
*£ls elirvv h>Tpvve p.evos Kal Ovpbv eKaorov. 500
Alas 8' avd' erepcoOev eKeKkero oh erapoiariv'
" albcas, 'Apyetoi* vvv apKiov r\ aTTokeadai
ife aacaOfjvaL Kal d7rcocracrt1ai KaKa vr)&v.
15. IAIAA02 O. 61
77 t\iT€crd\ r)v vrjas c'Atj KopvOaCokos "ExTayp,
ep.(3abbv i£eo"0cu rjv itarpiba yaiav e/cacrros ; £05
?) ovk OTpvvovros d/covere kabv airavra
"E/cropos, bs 87) vrjas evLirprjcrai p.eveatvei ;
ov [xav €S ye x°P°v k^A.<et' ek6ep.ev, dkkd p.ayjeo-6ai.
fjp.lv 8' ov tls rovbe VOOS KCU pS]TlS ap-eivoiv,
7) avroo-^ebiy px^ai yelpds re fievos re. 510
fiekrepov, r) dirokeaOai eva \povov r)e fii&vai,
r) brjOd crrpevyeaQai ev alvfj brfioTrJTi
<38' avT<as Trapa vr\vcr\v vtt' b\vhpao~i yeipoTtpounv"
lV X2s u-noiv vrpwe p.evos kclI 6vp.bv €k<xcttov.
ei>0' "EnTcop p.ev eke S^ebLov, Ilepi/MT/Seos vlov, 515
apxbv <P(OKijcov, Aias 8' e'Ae Aaobapiavra
i]yep.6va Trpvkecov, 'Avnjvopos aykabv vlov'
Ylovkvbdp.as 8' s Q.tov Kvkkijviov e^evdpi^e,
<I>7jAei8ea) erapov, p,eya6vp,o)v ap^bv 'Eirei&v.
T(2 8e Me'yrjs enopovcrev ibcav' 6 8' viratOa kida6rj 520
Ylovkvbdixas' kcu rod p.ev dmjju/Sporev* ov yap 'Airokkcov
eXa HdvOov vlbv evl irpop-d^oLcrL bap.rjvai'
airap ye Kpoicrp.ov arrrjdos p.eo~ov ovracre bovpL
bovirrjcrev be irecratv' 6 8' ctar' S>p.(av T€V\€ eo~vka.
rocppa be T<a eitopovare Aokoxjr, al\p.rjs ev ei8co?, 525
Aap-irerlbris, bv Adp,7ro? eyeivaro (peprarov vlov,
Aaop.ebovTt,dbr)s, ev elbora dovpibos dkKrjs,
bs rore ^vketbao jxiaov cranos oiirao-e bovpl
eyyvOev bpp.r\6els' tivkivos be ol rjpKecre Ocaprj^,
tov p° ecpopei yvdkotaiv dpr\pora' tov wore Qvkevs 530
7;yayey e£ 'E^vprjs, 7rora/xou airo 2eAA7/ei>ro?.
£elvos yap ol ebconev aval; avbp&v Ev<pr)Ti]s
es TTokepiov cpopeeiv, br\'c<x>v dvbpS>v dkeooprjv'
6s ol iced Tore iraibbs dub xpobs 7/pKecr' okeBpov.
tov be Meyrjs KopvQos \akKf]peos iTmobao-eCrjs 535
62 15- IMAAOS O.
KVixfiayov aKporarov vv£' eyx.*C o^voevri,
pij£e 8' d0' XtnieiQv \6(pov avrov' iras be )^ap.d(e
Kainreaev ev xovirjcn, veov (poiviKi (paeivos.
rjos 6 T(5 iroXep-t^e p.eva>v, en 8' eKirero vCky]v,
Tocppa be ot Meve'Aaos 'Aprj'ios rjkdev ap.vvTu>p, 540
or?/ 5' evpa£ vvv bovpl \a9a>v, j3d\e 8' S/xov SirurOcP'
aixM be arepvoLO biiacrvTo p.aip.dtwa-a,
Trpocrao) lep-evt]' 6 8' dpa Trpr]vi}s eXiacrdr].
ra> //ev eei<racr9i]v ya\Kr\pea rev^e' a7r' aj/^cov
av\rj(reiv' "Enrcop be Ka.(nyvi]Toi<rL nekev<re 545
â– naai p.aka, irp&Tov b \KeTo.ovibr]v evevmev,
'((pOip-ov MeXduLTTirov. 6 8' ocppa p.ev elKi-nobas (3ov$
86(tk ev YlepKb>Tr\, bificav aTrovo<r<f>iv eovrajv'
avTap eirel Aava&v vees i\kv6ov ap.<pie\icr<rai.,
a\jf ds "IXiov r\\de, p-erenpe-ne be Tp<ae(r<n, 550
vale be Trap Upiapco, 6 be pav riev Zero. reKetnrf
tov p bjKToip evevmev eiros t e<par e< t ovop.a{eV
" ovtoo br], MeXavmire, p.e6r\<rop.ev ; ovbe vv vol rrep
evTpeiteTai (pt\ov r\rop ave\\nov Krap.evoio ;
ovx opaqs olov Aokonos Trepl rev^e' enovcriv ; 555
aAA' eTrev' ov yap er ecrriv airocrTabbv 'Apyeioicri
p.dpvaa-6ai, irpiv y ?/e KaraKTap.ev ?je tear aKpijs
"lkiov alireivi]v eX.eeiv KT&aOai re 7roAiVas."
ils eiTTuv p.ev rjp^ ,00 ap. ecnreTo to-odeos (/>&>?•
'Apyetovs 8' &Tpvve p.eyas Te\ap.(ovios Aias' 560
"d> (pi'Aoi, avepes eare, nal ai8<3 6ea~6' evl Ovpu,
d\\i]Kovs t albelaOe Kara Kparepas vo-p-Cvas.
albop.eva)v 8' avbpG>v Trkeoves croot r\e ire<pavTai.'
(pevyovTOiv 8 ovt ap K\eos opvvrai ovre rts oAk?;."
lis ecpaO , ol be nal avrol a\e£aadat. p-eveawov, 565
ev 6vp.& 8' efiakovTO eiros, (ppd^avro be vrjas
tpKe'C xaAKetw" eVi 8e Zevs Tpaias eyeipev.
15. TAIAA02 O. 6$
'AvriXoyov 8' <wrpwe fior]V ayaObs Meve'Aaos*
" 'Avtl\ox, ov Tis (reio vewrepos dAAos 'Avatar,
ovre TToalv dao-craiv owr' dXnip-os a>s cri; p.axe<x0ai" 570
et nrd ttou Tpuxav e^dApei'OS' avbpa (3a\oi<r6a.
*X2s eiVwy 6 ph> atlris a-nicrcrvTO, rbv 8' op66vveW
f\ 5' €0Op€ 7TpOfld\(OV, KOL CLKOVTMTe bovpl (pCL€t.V<?
apcpl k TTaTTTijvas' virb 8e Tpwes neaabovTO
avbpbs aKOVTicrcravTos' 6 8' ov% akiov fitXos r\Kiv, 575
dAA' 'iKeraovos vlov, virepdvpov Mekavnnrov,
vmt6\xz.vov TrdAepoVSe /3ciAe ctti]6os irapa p.a£6v.
b0VTTT]Cr€V 8£ TT€(T(tiV, TOV 8e CTKOTOS OCT(T€ Ka\viJf€V>
f AvtlXo^os 8' e7ro'poucre kvcoi; <o?, o? r C7H vefipu
/3A77/xej;<j> dif?7, rdV r' e£ evvij<pL dopovra 5S0
6r]pr]Tr\p Zruxjicrz fiakav, im&vare be yvla'
&s eVi (yoi, MeXavLtnte, 0op' 'Azm'Aoxo? juerexap^'J ?
reject ctuAtJctcoi'' dAA' ov \adev *&KTopa blov,
os pa 01 clvtCos ?]A#e 64a>v dva bt]XoTrJTa.
'AyriAo^os 8' ov ptivz doos irep Zuv TroXepuaT-qs, 585
«AA o y ap erpecre pijpt kolkov pegavrt eot/cw?,
oy re nvva ktzIvols rj fiovKoXov ap.<pl /3o€<ro"i
(f>e6yei irpCv irep opiXov ao\\io-Qr\p.zva.i avbp&v'
&s roeo-e NearopiS?}?, e7rt 8e Tpwe'j re /cat "E/crcop
?5xf? Oeo"ir€o-Cri /3e'Aea o-tovozvtcl yj.ovTO' 590
or?) 8e /X€racrrpe<p0ei?, eirei ikcto efli'os' kralpuv.
Tp<3es 8e Aeioucriv eouoVes copoc/bdyoicri
yTjucty eTreo-crevovro, Aid? 8' ere'Aeiov e^er/xay,
o o~<pio~iv al\v eyeipe p.£vos p-zya, OiXyz 8e dvpbv
'ApyeiW kcu nvbos aitaivvTO, tovs 8' opodvvev. 595
"Efcropi yap 01 0vp.bs kfiovXtTO kOSo? dpe£ai
npiapiSr;, ?j/a yrjucri KopoivLvi 0eo"7ri8aes wCp
6jbi/3dAoi andpaTov, Qirtbos 8' e^aiVtoy dpijv
Tracrai' e7rtKp?jvete* rd ydp /xeVe p?;rtera Zev?,
64 15- IMAA02 O.
vqbs Kaioptviis cre'Aas octjdaXpolo-iv lUcrQai. 600
Zk yap brj rod epeAAe -naXLu^v irapa. vrj&v
dt](ri[X€vaL Tpcaaiv, Aavaola-L 8e nvbos ope'£e«;.
ra <j)pove(ov vijecro-iv eVi yXacpvpyo-iv eyeipey
"ExTopa npiap[br]v, pdka 7rep pepawra /cat avrov.
pawero 8' a>s St "Aprjs iyx^o-rtaXos r) oAooy irvp 605
01/peo-i p.aivrjTa.1, /3a0dr]s Iv rdpcpecriy {/A?;?*
dcpAoicrpos 8e 7repi orojua yiyrero, r&> 8e' ol ovae
kap-n£cr6r)v fi\o(rvpfj(nv W ocppvaiv, dp(pl be th/At/^
apepbaXeov KpoTafyoicri Tivdva-tTO papvapivoi.o
"EnTopos' avTos yap ol d-n alOepos r\ev apcvvTup 61c
Zeus, os piv -nXeoveo-o-i per avbpao~i povvov kovra
rlpa KaX Kvbaive. pivvvOdbios yap epeAAev
eWeo-fl'* 7/877 yap ol iircapwe popaipov iipap
UaXXas 'Adr\vaiy] virb U^Xdbao (Su](J)lv.
Kai p' e'0eAei> pi)£ai ariyas avbp&v TteiprjTifav, 615
17 by] TtXeiaTov optkov opa nal rev^e apicrra'
dAA' ovb' &s bvvaro pi)£ai pd\a -nep peveaivow'
i(T)(pv yap irvpyiibbv dpvpores, r)vre ntTpr)
T)\i(3aTos peydXrj, ttoXitjs d\bs eyyvs eovaa,
rj re p,e'i>ei AiyeW avzpoiv Aat^^pd KtkevQa 620
Kvpard re rpoc/>dei>ra, rd re 7rpoo-epevyerai avTi']v'
&s Aavaol Tpcoas* pivov epirebov ovb' e<pe'/3oi'ro.
avrap 6 Xapir6p.evos irvpl iravroOev hOop' opi'Ao),
eV 8 eVeo- a)? ore Kvpa 6ofj ev vrfc T:io~i]o-i
Xafipov viral i>ecpeW dreporpecpeV ?/ 8e' re -naaa 625
h\vri inreKpvcpQr), avzpoio 8e betvbs d/]ri]s
tort'tf) ep/3pe'percu, Tpopiovai be re <f>pt=va vavrai
SeiStdres" tvtOov yap {men davdroio (pepovrai'
&s eSat^rro dvpbs ivl <rTr)Qe<r<nv 'A^aL&v.
avrap 6 y a>s re AeW oXoocppcov fiovcrlv k-neX6<av, 630
ai pa t Iv dapevrj eAeos p.eydAoto vipovrat
15- IATAA02 O. 6$
pvpiai, ev 8e re rfja-i vop.ev$ ov 7rco adcpa et8o>s
drjpl ixayJacraaQai. eAtKOs (3oo$ ap.(p\ (povrjaiv
i) rot pey 7rpcorj]crt Kat vo"rart??crt (56e<rcriv
aUv bjxoa-Tiyaei, 8e r' ey peVo-?]crty opovVas 635
/3o{5y e8et, at 8e' re 7racrai V7re'rpecray A? ro'r 'A^atot
deairecrCcos ecpd/3?)0ey y(p' ^E/cropi Ka£ Att 7rarpt
7rdyres, 6 8' 0101; eirecpye Mu/c?jyatoi' Ileptcpijnjy,
Koirpj/os 1 <t>&ov vlov, os Evpuo-flrjos dyaKro?
dyyeAi'77? ot)(yea-Ke /3^rj 'HpaxArjetrj. 640
rou yiver ex 7rarpos 7roAi> \eipovos vtos ay,zivu>v
TiavToias dperd?, ??pey 7ro8a? 7]8e ya^a-dai,
Kat yooy ey irpcorotcri MuK^vauor ere'ruKro'
o? pa rd0' ''EKropt k£8os virepTepov eyyudAt£e.
arpecpflets yap perd7rto-0ey ey ao-nibos avrvyi iraXro, 645
rr)i> avros (popeeovce TrobrjveK4\ epKOS aKovroav'
ti] y* eft fiXacpOels ireVey v7rrto?, dpcpt 8e 7t?jA?j^
o-pep8aAeoy novafi-qcrt irepl Kpordcpotcrt 7recro'yros.
"E/cra)p 8' d£y vor}(T€, Oecav 8e ot ayxt irapeVrrj,
crrTj^et 8' ey 8o'pu 7T?/£e, cpt'Acoy 8e p.ty eyyvs eratpcot' 650
KreTy'* ot 8' ov/c eSvyayro Kat ayvvp.tvoi irep Iralpov
Xpato-peTy* avrot ydp pdAa Set'8ta-ay r/ E/cropa Stoy.
Etcrco7rot 8' kyivovro ye<Sy, irepl 8' ecrfctdov aKpai
vrjts, ocrat irpwrat dpvaro' rot 8' iire^vvTO.
'Apyetot 8e ye<3y pey ex^P'^o'o.v teal avayKr\ 655
rcoy Trpcorioov, avrov 8e Trapd KXi(rir\<nv epetyay
aOpooi, ov8' eKe'Sacrfley dyd arpaTov' ta^e yap ai'Sa>s
Kat 8e'os* d^Vj^e? yap dp.oK\eov dAATjAota-t.
Ne'crroop avre pdAtara Tepij^to?, ovpos 'A^atwy,
Xlo-cred' virep Toni&v yovvovyevos avhpa eKacrrov' 660
" S» (pi'Aot, avepes £(TT€, Kctl at8<3 0e'o-0' e^t 0upa>
dAAa>y avdptoTrcav, km 8e p.vr\<jacrde eKao-ros
TTatbaiv 178' dAo'^coy Kat KrTjcrios ?)8e roK?]a)i.',
VOL. II.
66 15- IAIAA02 O.
7]pev orew {woixn nal <£ KaTare0vi]Ka<rt'
t&v virep evddb' eyci) yovvd(op.at. ov Trapeovrcov 665
eaTauevai Kparepco?, pjoe Tpcoirda-Oe cpofiovbe.
*I2s ei7rcW &rpvve p.ivos nal 6vp.bv ckcmttov.
tol<tl 5' a7r' 6(pQakpG>v ve<pos dykvos axrev 'Afliji'?;
dea-Trecriov' p.d\a be (npi 0da)S yiver dp^orepcaOev,
rjpev TTpbs vr)G>v nal opouov TtoXepoio. 670
"FiKTopa be (ppacrcravTo fior]v dyaObv nal eratpovs,
r\pev oaoi. p.eTOTUo~dev cupearaaav ovd' ep.d\ovTO,
7)8 oVcrot irapa vrjvcrl p.dyjjv ep.dyovro Oofjcnv.
Ovb y dp It AtavTL peya\i]ropi rjvbave dvpco
eardpev evOa Trep dA.A.01 dcpea-racrav vies 'Ayai&v' 675
dAA' o ye vr)G>v XKpi eTrcayero p.ax.pd fiifiao-Oajv,
voipa be £v<ttov peya vavp.ayov ev TiaX.djxrj(TL,
KoWrjTov (3\iJTpoi<ri, bvaxaieiKoo-iirrixv.
coj or avrjp lttttokti KeAr]Tt.£eiv ev eioa>s,
os r' eirel en iroAecov Ttiavpas o-vvaeiperai Xttttovs, 680
aevas eic 7reoioio aeya irporl cuttv bir\Tai
\aocpopov Kad' obov' iroAees re e OrirjcravTO
dvepes r}8e yvvaLK.es' 6 b' ep.Ttebov do~<paAes alel
dpuo-Koyv dkkoT en* aXKov dp.ei(3eTai, 01 be ireTOVTai.'
&s Atas enl TroAAa Oodcov I/cpia vr\G>v 685
(polra p.a.K.pa fitfids, (poivrj be oi alOep tKavev,
alel be o-pepbvbv fioou>v Aavaola-i. KeAeve
vr)V(ri re /cat K\i<rir\cnv dp.vvep.ev. ovbe pev "E/cnop
pipvev evl Tpuxuv 6p.dboa irvKCt, 6u>prjKTda)v'
dAX' a>s t dpvidu>v ireTerjv&v alerbs alQuav 690
edvos e<poppdrai Ttorapov irdpa j3o<TKopevdcov,
yr\vG>v r\ yepdvcav ?) kvkvu>v bovXiyobeLputv,
&s "E/crajp Wvcre vebs KvavoTrpypoio
avTios ca£as tov be Levs axrev oiuaoe
\eipl p.dka p^eydKri, &rpvve be Xabv ap' avrio. 695
15. IATAAOS O. 67
Avtis Se bpip.da p-dyj] irapa vi]va\v €Tv\0i].
(pair]$ k aKjUT/ras nal dreipeas dAA.7]Aoi(rty
di>recr0' ev TroAe'pw, cos ecrcrupeVcos ep.d\ovTO.
Toicri 8e \xapvap.ivoi(TLV 08' r\v voos' q tol , Amatol
ovk ec/>a<rai> (pzv^tcrOai virtu kclkov, dAA' okeea-Qai, 7°°
Tpooaiv 8' ikirero 6vp.bs ez/i crrTjflecra-ii; efcdcrrou
vijas €vnrpii<ret.v KTtvieiv 0' ijpcoas 'Ax.ai.ovs.
ol p.ev ra (ppoviovTts £(p£<TTao~av akkrjkoi.o~(,v'
"E/crcop 8e TrpviJLvi]s vebs rjxj/aro TtOVTOiropoLo,
nakrjs b)Kvdkov, rj Upcoreo-ikaov eW/cez; 705
ey Tpoirjv, ovb' ovtls airriyaye Trarpiba yalav.
tov irep 87) irepl vqbs 'Axatoi re Tpwes re
bjiovv dkkrjkovs airoo^ebov' ovb' apa toC ye
to£o)v diKcis ap.(pl$ p.ivov ovbi t' clkovtccv,
dAA' ol y kyyvQzv lordpei'tu, tva Qvp.bv fyovrts, 710
d£ecri brj ireAe'/cecrcri nal a^ivrjcn n&yovTO
nal £t(p€cnv peydAoicri nal 'iyyjzcriv ap.<pLyvoicri.
irokka. be (pdayava naka peAdz/8era Konnqevra
akka pex/ e/c ^etpwy ^apadi? iricrov, dkka 8' dw' wpcoy
dvbpSiv p.apvapLtva)V pe'e 8' aipari yata peAaiya. 715
*E/crcop 8e Trpvp-vrjOev eVel kafiev oi)(l pefliei,
acpAaorov perd ^pci^ eyo^v, Tpwo-tz; 8e Kekeve'
" oicrere -TiCp, apa 8' awrcu doAAees opvvT avrrjv'
vvv rjp.lv itdvTcov Zeus d£ioi> r]pap e'Sto/ce,
pfjas eAeiy, at 8et)po tfefii' de'/CTjn p.okovcrai 720
^piv irripiaTa irokka dicrav, Ka/cdYjjri yepovraiv,
of p' kOikovra pa^eo-flai evrl Trpvp.vrjcn vzecrcnv
avrov t ioyavdavKOV kpr\TvovTo re Aady*
dAA' et 8?; pa rdre /3Ad"nre cppivas evpvoira Zevs
57pere'pa?, i>{w airos eTrorpwei <cat dvooyei." 725
*I2s e(pad > , ol 8' dpa paAAcu> en - ' 'Apyetoto-tv opovaav.
Atas 8' ovk€t €\xip.ve' /Stdfero yap /DeAe'ecrcriv*
68 15. IAIAA02 O.
aAA' avexa&ro tvtOov, oiopevos davesvOai,
dprjvvv eft liTTaTTobrjv, Anre 8' Upia V7]bs Harfs.
h&' ap 6 y eo-nj/cet behoKrj^vos, ey^eX 8' aid 730
Tpcoa? afivve ve&v, o$ rts <pepoi aKap-arov iivp'
alii 8e o-p.epbvbv fioocor Aavaoicn Ke'Aeue*
" & $i'Aoi rjpoes AavaoC, OepairovTes "Aprjos,
avepes core, tfu'Aoi, pLvrj<ra<r6e 8£ Oovpibos &\Ktjs.
rji nvas (pap,€v ilvai doa-o-rjTrjpas 6irC<r<r<o, 735
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or?) Se -napoid' kXQu>v Kktcrirjs, ert 8' ?;0eAe flupw 255
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€K vq&v kyiovTo' ftor) 8' ao-fltcrTOS opapei.
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" Mup/xiSoVes, erapoi IT?;ATjid8ea) 'A^iAt^os,
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a>s ay n^Aeffij/i; TLp.tjcrop.ev, bs pe'y' dpicrro?
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yv<£ 8e Kat 'Arpei8?7S tvpvKpeCoov 'Ayap.ip.vcov
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avrbv Kal depairovTa, <rbv ivrzcri p.app.a(povTas,
78 i6. IA1AA02 n.
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ekirop.evoi irapa vavtpi irobotKea Hj]\eiu>va
p.r\vi6pbv piev aTropplxf/ai, (ptXoTrjTa b' £k4(r6cu'
irdiTT^vev be e/cacrro? onrj <pvyoi alirvv okeOpov.
YldrpoKkos be Trp&Tos olk6vtkt€ bovpl (paeiv^i
avTLKpv Kara piacrov, 061 TrAetoroi nkoviovTO, 285
i>7]i' Tidpa Trpvp.vri p.eya0vp.ov Ylpcareo-ikdov,
<al /3dAe Ylvpaiyjxr\v, 6s Tlatovas iTnronopvcrTas
yyayev e£ Ap.v0(avos am A£iou evpv peovros'
tov /3dA.e be^ibv u>p.ov 6 b' vtitlos ev Koviyai
Kcnnrecrev olp.(o£as, erapoi be puv ap.<pe(p6j3i]dev 290
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f)yep.6va KTetvas, bs dpio-revecrKe p.dyeo-dai.
en vrj&v 5' e\acrev, Kara b' eo-fiecrev al66p.evov irvp.
fipubai]s b' apa vtjvs XiireT avroOc rol 5' e<pofiT]dev
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a>s b' 6t acp' v\j/r)\fj$ Kopv(prjs opeos p.eyakoio
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Ik r e(pavev irao-ai crKOTnal Kal irputoves a/cpot
Kal vdirai, ovpavdOev §' dp* viteppdyrj denreros alOrjp, 300
ws Aavaol vr\G>v p.ev dira>o-dp.ei'ot. brjiov irvp
tvtOov dveitvevcrav, TroX.ep.ov 8' ov yiyver epcorj-
ov yap irdb ti Tp&es dpr]'i(ptXo}v vtt' 'A^aicSi;
7TpoTpOTrdbr]v (pofieovTo p.eXaivaoiv curd vrj&v,
dXX' er dp dvdlo-ravTo, veQv 8' viroeiKOV dvayKt]. 305
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eyxe'C 6£voevTi, biairpb be \aXnbv lAacrcre*
prj^ev b' oo-Ttov ey\os, 6 be i:pr]vy\s eitl yatrj 310
KaTmeo- ' drdp MeveXaos 'Apifios ovra Qoavra
1 6. IAIAA02 n.
79
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^>v\eibr]s 8' "Ap.(piK\ov e<poppj]6evTa botcevcras
e<pdr] 6pe£dp.evos Ttpvpvbv aKtkos, evOa Ttd\i(TTos
pvu>v avdpcoTTOv TxekeTai' irepl 8' ey^eos alyjlij 315
vevpa bieayJ.o-dr}' tov be ctkotos ocrcre Kakv\j/e.
NeaTopiSat 8' 6 p.ev o#ra<r 'Arup-viov d£ei' 8oupl
'AyriXoxo?, kairapris be biijkao-e x^ K€0V *yX 0? *
57piTre 8e Trpoirapot.de. Mapts 8' avrocr^eSa 8oupl
'ArnAo'xw eTtopovcre Kao-iyvrJTOio \o\(aOeis, 320
oras TrpocrOiv venvos' tov 8' dvTideos Qpaavpijbqs
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ojp.ov d<pap' Trpvpvbv be Ppa\Lova bovpbs cikcok?)
8pm//-' aito p-vvvcov, dub 8' ocrriov d^pis apa£e"
bov7rr]o~ev be Trecrcav, Kara be o~kotos dWe KaXv^ev. 325
&s Tb> pev boioXcri. KaaiyvriToicn bap.evTe
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vies aKOVTiCTTal 'Apucrcabapov, os pa X.tp.aipav
6pi\jfev dp-aip-aKeT-qv, itokeariv KaKov dv6p<oiroLo-(.v.
Atas be K\eo(3ov\ov 'O'CXtdbrjs eTropovo-as 330
(oobv e'Ae, fikacpdevra Kara kXovov' dXXd oi avdi
kvo~e p.evos, TrXij^as £L<pei avyeva KU>itr\evTi.
Trav b' VTre6epp.dv6r) £i(pos aifian* tov be /car' dWe
eAAa/3e iropcpvpeos ddvaTos icai juoipa KpaTai-q.
Yl7]ve\eu)S be Avkcov tc avvebpapov' ey^ecri pev yap 335
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to) 8' avTis £i<peeo-o-i avvebpapov. evOa Avku>v pev
iTTTiOKop.ov KopvQos (pd\ov ifX-acrev, dp<pl be navXbv
(pdcryavov eppaCo-Or)' 6 8' vir 3 ovaros avyeva delve
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beppa, TiapijepOr} be Kap-q, vTiekvvTO be yvla.
MrjpLovrjs 8' 'AK.dp.avTa Ki\e\s ttoo~\ Ko.p-nakipoio-i
vv£' iTtTitiiv e7Tij3r]o-6pLevov Kara betjibv S)pov'
8o 16. IAIAAOS n.
ypiire 8' e£ 6)(_e(ov } Kara 8' 6(pOakpS)V k4\vt dxkvs.
1 lbop.evev$ 8' 'Epvptavra Kara gtojjlo. vrikei \akK<S 345
vv£e' to 8' avTiKpv bopv xaA/ceoz; e^eireprjae
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ex 8' erivayOev obovres, evenkricrOev be ol dp.(p(a
atparos 6(p6akp.oi' to 8' ava o~Top,a kcu Kara plvas
7Tprj(T€ \avu>v' Oavdrov be p.ekav vecpos dp.(peK.dkv\lrev 350
Ovtol dp' r}yep.6ves Aavawv ekov dvbpa e/caoros.
<u? 8e Xvkol dpvea-criv e-ney^paov 77 epicpouri
aivTai, viteK p.i]k(av alpevp.evoi, at r ev opecro-i
•noip-evos a.(ppabir](TL bieT\xayev' 01 8e ibovres
al\}/a biapiraCfiVcriv avdkxiba 6vp.bv e^ovcras' 355
<y? Aavaol Tp&ecrcnv eirey^paov' oi be (pofioio
bvcrKekdbov p.vrjo~avTO, kdOovro be Oovpibos dA/c^y.
Atas 8' 6 p.eya$ alev e<p' 'E/cropt xakKOKopvcrTTJ
itr' aKOVTivcrai.' 6 be lbpeir\ itokep.oio,
di77rt8t Tavpeijf K€Ka\vp.p.ivo$ evpeas w/xou?, 360
cr/feWer' di'crr<Sz> re poi£ov Kal bovirov aKovTcav.
?] fiey 8r) yiy^coovce p-dyjis IrepaA/cea vinrjv'
akka xat &s avep.ip.ve, adco 8 1 epCrjpas kraipovs.
'12s 8' or' oV OvX.vp.irov vecpos ep^erai. ovpavbv etcrco
aWepos en bCrfs, ore re Zevs kaikana reivrj, 365
a>s T&v en vr)G>v yevero ta^ re (pofios re,
ov8e Kara p.olpav Trepaov ttclXlv. "EiKTopa 8' i7T7roi
eK<pepov &KVTTobes crvv rev^ecri, Aei7re be kaov
Tpui'iKov, ovs aeKovras opvurrj rdcppos epvKe.
irokkol 8' ev Tacppu) epva-dpp.ares chuees lttttoi 370
a£avr ev 7rpcor(i) pvp.u> kinov appear avaKTo&v,
YlarpoKkos 8' eTrero acpebavbv Aavaolcn nekevasv,
Tpcocri nana. (ppoveu>V oi be la^f/ re (po(3q> re
irdcras Trkijaav obovs, eirel ap Tp,dyev' v\}n 8' aeAAa
o-KibvaO' vtto ve(pec»)v, ravvovro be p.dvv\es Xttttoi 375
i6. IAIAA02 n. 8 1
a\}/oppov Trporl acrrv vecav ixixo koX kXktlo.u>v.
Tl&TpoKXos 8' ?/ 7rAeToroz> 6pivop.evov Xbz Xaov,
t{) p' !;(' op.OKX'qa-as' vtto 8' a£o<ri (p&res firnrrov
irprivees e£ o^cav, bicppoL 8' avaKvp.fiaXta(pv.
avTiKpv 8' apa rdcppov viripdopov w/cees i-mroi 380
[ap/3poroi, ox)s YlrjXrj'C 0eol boaav ayXaa Swpa,]
7rpdcrcra> Up.evoi, zttI 8' "Efcropi kckXzto dvp.6$'
icro yap filaXiziv' tov 8' €K(p€pov axcees tinroi.
&>s 8' v7ro AaiAa7rt 7racra KeAcuvr) /3e/3pi0e x^^y
?)/xar' d7ra)pu>(3, ore XafiporaTov )(ea v'Scop 385
Zevs, ore 817 p ' avbpecrcn norecro-apLevos x. a ^ €7t V v lh
ol /3tr/ etv ayoprj cr/coAia? KpCvaxri Oepnarras,
ck 8e Sikqv eAd<raxri, #e<3y 07ru> ov/c aXiyovres'
t&v bi re iravres p.ev Trorapol TtXr]dovcn ptovrts,
iroXXas be kXltvs tot airorpiriyovcn ya.p6.bpai, 390
es 8 aXa Txop<pvpir\v peydAa a-Ttvayovo~i piovcrai,
e£ opecov ewt Kap, y.ivvQei bi re epy avOpcaTrcav'
&s itttioi, Tpwai peydAa orerdxovro Oiovarai.
TlaTponXos 8' e7iel ovy irpcoras €7reKepo-e <£dAayyas,
<Z\/r €7H l>?/ as €fpy€ TTaXip.TT€T€S, OvSe 77oA?]OS 395
eia lejueVoi;? £7nj3aivzp.€v, aXXa p,eo~riyv
vt]G>v koI TTOTap.ov Kal ret'xeo? v^/rjXo'io
KTelve p.€Ta'io-o~a>v, TtoXicov 8' aTrertz/uro iroivrjv.
ti/0' 17 rot ripo^-ooz/ irp&Tov /3dAe 8oupl <paeiv<a,
crTtpvov yvp-voodivTa 7rap' dcr7rt8a s Awe 8e ywa' 400
bovirrjcrev 8e Treo"wi/' 8e QiaTopa, "Hvoiros vlov,
bevTtpov opjirjdtCs — 6 p.\v ev£eoT&> ivl bCcppio
rja-ro aXeis' e/c ydp irX^yt] <ppeva$, en 8' apa yeipQi'
fjvla rjtxdr]o-av — 6 8' eyx et *^£ f TTapacrras
yvadp.bv 8e£irepdj>, 8td 8' ai/roC irelpev obovTcav, 405
e'A>ce 8e bovpbs kXuv imep avrvyos, a>s ore ris 0ws
7reVp?7 eVt irpo(3Xi}Tt, KaOr\p.evos iepbv l\6vv
vol. 11. G
82 i6. IAIAA02 n.
€K TTOVTOLO OvpOL^t X[v(j> Kal l]VOTiL \oXk^'
cos (.Xk i< Sicppoio K€yj]voTa bovpl (paeww,
K<xb 8' dp' ZttI oto'/x' ewcre" Treaovra be p.iv Xlttc Qvp.65. 410
avTap eiteir 'EpvXaov eneaavp-evov /3dA.e 7reroco
p.(<Tcrrjv kolk Ke<paXrjv' f) 8' avbixa Traaa Kedadr]
ev Kopvdi fipLapfi' 6 8' apa TTp7]vrjs eiu yairj
ncnnreo-ev, ap-cpl be p.iv Odvaros yvro Ovp-opdiarri's.
avrap eireiT 'Epvp,avTa Kal ' Ap.<poTepbv Kal ^EttclXt^v, 415
TXrj-noXep.6v re Aap.aaTopibr]v ^E^lov re Ylvpiv re,
\<pia t Evittttov re Kal ' Apyedbr\v YIoXvp,r]Xov,
iravras eiraaravTepovs ireXacre \9ovl irovXvfioTeipr\.
Sap-nrjb&v 8' cbs ovv 18' dp.\.rpoyj.T(x)vas eralpovs
yepv vtto YlarpoKXoLO MevoiTidbao Sa/xe'yras, 420
KenXer dp avTiOeoicri Ka9a7rTop.evos AvkLomtiv'
" cuScos, u) Avkloc TToae (pevyere ; vvv Bool eore.
cW^trco yap eyco ro08' avepos, ocppa 8aeico
os ris obe Kpareei Kal br) /ca/cd iroXXa eopye
Tpcoas, eirel ttoXX&v re Kal eo-9Xa>v yovvar' eXvcrev. 425
*H pa, Kal e£ o^e'coy crvv Tevx_ecnv dA.ro \ap.d^e.
ndrpoKXos 8' erepco9ev, eirel tbev, eK9ope bl<ppov.
ol 8' cos t alyvniol yap.'ty (a wyes dyKuAoxetAai
7re'rp?; e$' v\jrr]Xrj p.eydXa KXd(ovT€ [xd^covTai,
tos ol Ke/cA^yoyres e7T dAATjAoitni/ opovcrav. 430
toi/s 8e iScoy eXerjcre Kpovov Trd'is dyKvXopLijreoo,
' Hprjv Se TrpocreeiTre Ka(Tiyvi]Trjv dXoyov re"
" a> poi eycoV, o re' ju.01 2a/)7n]8o'ya, (piXrarov avbpQv,
p.olp viro YlaTpoKXoio Mei»otrid8ao bap.rjvat.
8i\0d 8e' p.01 Kpabirj p.ep.ove (ppecrlv 6pp.aLvovTi, 435
?) /iiz; £cooi> eopra p.d)(rjs diro baKpvoeaar]S
Beica avapTrd£as Avkltjs Iv ttlovi Stj/xw,
?) ijbri vtto X € P (rL MefotrtdSao bap.d(ro-oi."
Tov 8' â– qp.eLj3eT ewetra fio&ins norvia "Hpjj*
i6. IAIAA02 n. 83
" alvorare KpovCbq, -noiov tov jxvdov eet7re?. 440
avbpa dwrirbv kovra, irakai ireT:pu>p.£vov 010-77,
axf? e0e'Aets Oavdroio bvcrrj^os e£avakv<raL ;
ep8'* arap ov rot iravres e7raiye'opei> deol dAAot.
aAAo 8e rot epew, <ri> 8' eyt (ppecrt /3dAAeo o-fjcnv'
at K€ (wv irepxf/rjs 2ap7njSo'z;a ovbe bopLOvbe, 445
<ppa£eo JL07 rts eVetra 0e<3z> efle'AT/crt nal dAAoy
irepmeiv ov cptAoy vlbv airb KpaTeprjs vo~p.ivr\$'
TioWol yap 7rept aoru pe'ya Flpidpoto /adxoyrat
vtees aOavaTcav, roiariv kotov alvbv cvqaeis.
aAA el rot cpikos ecrrt, reoy 8' dAocpvperat ?]rop, 450
»/ rot p.iv [uv zacrov kv\ Kparepfj vcrp.ivr)
X*p<r viro ITarpo'/cAoto Mei'Otrtd8ao bap.rjvai'
avrap iirrjv brj tov ye XCirrj xf/vxi] re /cat aldtv,
â– nep-ireiv p.iv Gavarov re (pepetv /cat vi]bvp.ov "Titvov,
eis o K€ br) Avklt]s evpetrjs br,pov t/cawrai, 455
ez/0a e Tapxyo-ovcri Ka<riyvi)To(. re erat re
Tvp./3<a re cm^Ar? re* ro yap yepaj ecrrt 9av6vTa>v."
1 >Qj ec/>ar , ovS 1 airCOrjae irari^p avbpcov re tfecoy re*
aiparoeVcras 8e i/WdSas /carc-'xeuev tpa£c
iralba (pikov Tip.S>v, tov ol ndrpojcAo? epeAAe 460
(pOCcreiv ey Tpoi'77 ept^wAa/ct, tt]X69l 7rdrp?7S.
Ot 8 ore 8?j o-^bbv rjcrav e7r' dAA?/Aotcriz/ tdVres,
er0' i] rot ndrpo/cAos dyaKAetrov 0pacnjpr7Aoz/,
os p' i}us Otpa-nuv Sapirqbovos 7/ev az>a/cros,
roy /3dAe vetaipav /caret yaaTepa, AScre 8e yuta. 465
2ap7rrj8coy 8' avrou pei> a7r?/p./3pore Soupt cpaetyto
8evrepo*> 6pp.rj6eCs, 6 8e njj8aa-oy ovTaaev Irntov
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rw 8e 8tacrr?jr?7z;, Kpt/ce 8e Cvyo'^, ^^a 8e crc/>t 470
ai;y^ur' ; ewet 8?; Ketro irapijopos kv /coyu/crt.
c; 2
84 iff. IATAA02 n.
roto [xkv Atrope'8a>i> bovpLxXvTos €Vp€TO re/CpCOp*
(nra(r<rap.evos ravvrjKes aop Tra^os irapa [xripov,
ai£a$ cnreKoyj/e irapijopov ovb' kp.a.Tr\(TC
to) b' WvvO^ttjv, ev 8e pVTijpo-t, TavvaOev 475
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ndrpoKAo?' rod 8' o^x dAtov ^e'Aos e/ccpuye x^poSj 480
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ws 6 ^lp6a6 , tWcoy /cat btypov Ketro ravvcrOeis, 485
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rftre ravpov iirecpve AeW ayzkr)(pi pereAflcoV,
aWcova p.eya6vp.ov, kv eiAt7ro'8ecrcri /3decrcn,
coAerd re ore^axwy v7ro yapcpjjArJa-i Aeoiro?,
&>? V7TO narpd/cAco AvkCow ayos a(nu<TTao)V 490
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yCv rot eeASe'crflco TrdAepos KaKos, ei 0oo's ecrcri.
7rp<3ra pei» orpvvov Avklojv j]yqropas avbpas, 495
7rdi>r?/ e770txdperos , ) 2ap7T?j8o^o? dpc/updxecr#ai*
avrap ewetra /cat caro? epeu 7re'pt p.apva.0 xaAKco.
crot yap eyco Kat eVetra KarrjcpeCi] ko.1 ovetbos
ecrcropat ijpara Trdvra 8tap7repe's, et kc' p' 'Axatot
revx ea oojA^crcocrt vecoy ey dycoi't Trecro'yra. 500
dAA' ex^o Kparepcoy, orpvve 8e Aaoy airavTa."
1 11$ dpa ptv eiirovTa re'Aos ^a^droto /cdAu^ey
1 5. IAIAA02 n. 85
6<p0a\povs pivas 0'' 6 be Aaf h oT7]0eo-i fSatvvv
€K XflOOS eAKe b6pV, TTpOTL be (ppeVCS dVT(a CTTOVTO'
Toio 8' apa ^fVXW re Kat *yx e0? ef-ipvv alyji-qv. 505
MupptSoVe? 8' avrou cryedov Ximovs (pvo-Looovras,
lep.evovs cpofieecrdai, eirel XCirov app-ar' dixz/crcoy.
TAavKO) 8' ait'ov a)(OS yevero (pdoyyrjs atovTC
wptvdr] be 01 ?]rop, o r ov bvvaro irpoo-apLvvai.
Xetpt 8' eXoiv eirieCe fipa.yj.ova' retpe yap avrdy 510
eA/co?, o 8tj p.ti> TeC/cpos eireo-crvp.evov fiakev t&>
ret'xeos v\j/i]\olo, apr]V kra'poicnv ap.vvu>v.
ev^op-evos 8' apa etirey eKTi/3o'A&> 'AttoAAcoi/i'
" kKv0i, ava^, os ttov AvKtrjs ev ttlovl hjpLcp
eis 7) ert Tpoirj' bvvacrai be av TravTo& anoveiv 515
avept Kt]bop.4i<(a, ws i;{5y ep.e nrjbos iKavei.
eknos pev yap e-^ca robe naprepov, dp<pt be pot >(etp
o^eCjis obvvrjo-LV eArpVarat, ov8e pot atpa
repcn/z/at bvvarai, filapvQei bi pot oopos vtt avrov'
eyX 0S S' ov bvvapai, cr^elv eparebov, ovbe \xayj.cr6ai 520
e\6(bv bva-p.eveea-(nv. avijp 8 1 wptaros oAcoAe,
2ap7ni8<ai>, Atos utoV 6 8' ov8' o?j -^aiSo? apvvet,.
ctAAa ot; 7rep pot, ava£, robe naprepbv e'Afcos a/ceo-crat,
KoLp.7)crov 8' dSiW?, 80? 8e upaTos, o(pp' erapoto-i
neicKopevos Avkloktiv eiroTpvva) noXepl^eiv, 525
avro's' r' dp(pt yeKUt KaraTe6vr\G>Ti p,dxa)pat."
*X2s etpar' ei)(6p,evo$, rod 8' e/cAue ^otySo? 'A7ro'AAa)i>.
avTiKa Ttavcr' obvvas, airb b' eXKeos apyaXeoio
aXp.a p.ekav repcrrive, p.evos bi ol ep/3aAe 6vp.(&.
TXavKos 8' eyyco rja-ty ei>£ cppeal yr\Qy\crev re, 530
orri ot d)/c' 7/Koucre p.eyas debs ev£ap.evoio.
TrpQra piev &Tpvvev Avkigov fiyijropas avbpas,
iravTT) enoiy6p.ev(y5, 2ap7np5oVo? ap.<pip.aye<TdaC
avrap eVetra pera TpQas ute p.aKpa fiifiao-Q&v,
86 1 6. IAIAA02 FT.
nov\vbS.p.avT eVt UavOoibrjv Kal 'Ayrjvopa blov, 535
fii) be per' Alveiav re /cat "E/cropa yakKOKopvarriv,
ayxov S 1 lora/^eyo? eVea Trrepoevra irporrrjvba'
" r E/crop, vvv br] -ndyxv kekacrp.evos els emKovpcav,
ot aeOev eu>e/ca r?p\.e (pCkcov Kal 7rarpi8o? atrjs
6vp.bv cnrocpOivvOovcri.- av b' ova edekeis e-nap.vveiv. 540
/cetrat ^apTrrjbdtv, AvkIohv aybs a<nn<TTaoiv,
os AvkItjv dpvro bUrjai re /cat crdevei (J*
rov 8' ti7ro rTarpo/cA.0) Sapacr' eyxet x^A/ceos *Ap?7?.
dAAd, cpikoi, 7rdp(TT7]T€, vep.e<Tcrrjdr]Te 8e 0upa>,
p.r) airb Tevx* e'Acoz/rat, dei/a'cro-coat 8e veKpbv 545
Mvppuboves, Aava&v /cexoAcopeVot 0W01 okovro,
tovs enl vjjuo-t 6ofj<riv eire<pvop.ev eyx^irjcnv."
*X2s ecfiaro, Tpcoas be Kara Kprjdev kafie TrevOos
aa^rov, ovk e-nieiKTov, eirei acpunv epp.a ttoAtjos
eo-Ke /cat akkobairos irep e<av Trokees yap ap.' a£ra> 550
Aaot 'i-novr', ev 8' atro? dptarevecnce pdxeo-flat*
(3av 8' itfus Aam<3y kekirjp.evoi' ?ypxe 8' apa o-cpiy
E/crcop x^op.evos ^apirr/bovos. avrap 'Amatol's
copo-e Mei'otrtdSeco Ilarpo/cATjos Ad(7tov /c^p*
Ataz^re 7rpcorco irpocrefprj, pepa<2re /cat awrcu* 555
" Ata^re, HJv <r<pG>lv ap.vvz.aQai <pikov eorra>,
otot Trep napos fre per' avbpaaiv, rj Kal dpetou?.
/cetrat dzn)p 0? 7rp<Sros ecr?p\.aro retxos 'Axatwz/,
SapirrjbtoV dAA' et ptz; det/cto-craipetf' eAcWes,
revxea r' copottz; acfiekotpieda, /cat rtv' Iratpcoy 560
aurou ap.vvop.eva>v bap.acraip.eda vrjkei xaA/c<S."
Os ec^afl 1 , 01 8e /cat avrot ake£acr6ai p.eueaivov.
ol 8' e7rei ap.(poTepo}$ev enapruvavTo (pakayyas,
Tpwe? /cat Avmoi Kal Mvppaboves Kal 'Axatot,
<rvp,(3akov ap,<pl vUvi /carare0i>??<Sri paxea-flai 565
leivbv ava-avres' p.eya 8' e/3pa X e rev'xea </Kora>i>.
16. IAIAA02 n. 87
Zevs 5' em vvkt oXorjv rdwae Kparepfj vo-pCvrj,
otppa (p[\(o irepl Ttaibl p.d\^rjs 6\obs ttovos elrj.
9 £lo-av be irporepoi. TpQes eXiKcoiras 'A^aiovs'
fiXrJTO yap ov ri KaKiaros avyp p.eTa Mvppibovecrcnv, 570
vlbs 'AyaxA^o? pKzya.dvp.ov, bios 'E^e^ye?;?,
os p' ev Bovbetb) ev rai.op.ivu> ijvao-ae
to Ttpiv' drap Tore y ea-QXov dve\\fibv e£evapC£as
es TiT]\rj' UeYeucre ko.1 es QItlv dpyvpoite^av"
ol b' a//,' 'A-^iWrfC pr\fr']vopi itepjixov eirecrdai 575
"IXlov els eviruXov, tva Tpcoecrcri p.dx_oiTO.
top pa rod' airTop-evov vIkvos /3dAe (paibipos "EKroop
X€pp.abiwt Ke<pa\r\v' r) 5' avbi)(_a Ttaara Kedadi]
ev Kopvdi fipiapfj' 6 5' apa Ttpy\vr)s eiii veKpQ
Kairireo-ev, apcpl be p.iv Qdvaros yyro Ovpopa'Ca-Tijs. 580
ITarpoKA&) 5' cip' a\os yevero <p6ip.ivov erdpoio,
Xdvaev be bta 7rpop.d^(av tprjKt, wuwj
audi, os t k(p6fir]o~e koXolovs re \j/rjpds re*
&? Whs Avkloov, YlaTpoxXees lintOKeXevde,
eo-crvo /cat Tpwcoy, Ke^oXcoo-o 8e K?7p trdpoio. 585
*cai p" ej3aXe 2#ei>eAaoi/, 'I^cupeVeos (ptXov vlov,
av\eva yepp.abi(a, prj£ev 5' awo roto revovras.
\a>pi]o-av 5' i57ro re i:p6p.ayoi koi (paibipos "Efcrcop.
ocro-rj 5' alyaverjs pari] ravaolo rervKrai,
rjv pd t dvr)p defter] Treipcopefo? r) ev dedX(j> 590
r)e Kal ev TroXepoi, brj'tcov vtto dvp-opa'Cvreoov,
Tocrcrov eyti>pr\o-av Tpcoes, ucravTO b' 'Amatol.
TXavKos be irpooTos, Avkiwv dybs do-nio-rdcav,
erpdneT , enreivev be BadvKXrja p.eydOvp.ov,
X.d\KO)vos (piXov vlov, os c EAAa8t olnia. vaicov 595
oX(3u> re irXovTM re pereVpeTre Mvpp.ib6vecrcri.
tov pev apa TXavKos ctttjOos p.ecrov ovracre bovpl
o~Tpe(p9els efaiu'wjs, ore ptv KarepLapirre bitoKoav'
88 i6. IAIAA02 U.
hovi:ri<Tev 8e ireadv' ttvklvov 8' ax os eAAa/3' 'Axatovs,
<i)9 eVeo*' €<r0\bs avr/p' pzya 8e Tpcoe? KeyapovTO, 600
crrav 8' apc/V avroy lovres aoAA.ee?* otjS' ap' 'Axatol
d\K7]s e£e\a6ovTO, [xivos 8' t0y? (fiepov olvtG>v.
ey0' av Mrjptovqs Tpwcoy eAey avbpa Kopvcmjv,
Aaoyovov, Opacrvv vlbv 'OyTjropos, 09 Atos tpevs
TSatou ereVuxro, 0e6s 8' a>s rt'ero St^xco. 605
roy /3dA' y7ro yva.6p.oio Kal oucltos' S/ca Se dvpbs
wx er ' ^7to peAe'coy, o-Tvyepbs 8' dpa piy ctkoVo? elAey.
Aiveias 8' e?Ti Mrjpiojnj 8o'pu )(aAKeoy TjKey*
e\TT€TO yap rey£ecr#at virao-nioLa TrpofiifiavTO?.
dAA' 6 pey aira i8&>y ?}Aeyaro xaXneov ey\os' 610
TTpoo-au) yap KareKV^/e, to 8' efoTTtfley 80'pu paKpbv
ovbei €VLCTKLp.<p9ri, em 8' ovpiaxos ireXepiyOr]
eyxeos* ey^a 8' eVetr' etc/net pevos ofiptpos "Apr)$.
[atxpTj 8' Atyeiao Kpabaivopzvr) Kara yair\s
to^er', e7rei p' aAtoy aTifiaprjs euro x* L P°$ opoucrey.] 615
Atyeta? 8' apa Ovpbv exwa-aro (pcoyTia-e'y re*
" Mrjpiovr], Ta^a kzv ere /cat opx 1 ?^ 7 " 7 ? 1 " 7rep eoyra
eyX ? epoy KareVaucre Stapxrepe'?, ei a - ' e/3aAoy 7rep/'
Toy 8' av MTjptdyrjs SouptKAuros olvt'lov TjySa*
" Atyeta, x a Ae7roy ere /cat icpdipov 7rep eovra 620
iravTcav av6p<tiTTU>v o-/3eVcrat pe'yo?, os Ke o-eu ayra
eA077 ap.vv6pevos' dvrjTos Se' yu /cat o-7j rerv£at.
et Kat eya> o-e /3aAotpt ruxtW pecrov d£e'i' xaA/cu,
at\^d Ke Kat Kparepos 7rep ewy Kat X 6 / 30 "' 7re7;ot^(o?
evx 0? ^M ' 801779, xj/vxrjv v Ai'8i KAuro77coAco. 625
*X2s (pdro, tov 8' eye'yi7re Meyotrtou aAKtpos vtoV
" Mrjpiov>i, tl av ravra Kal ecr0Aoj ecoy dyopeyety ,*
a> iriirov, ov rot Tp«3e? o'yetSeiois e7reecro-t
yeKpou x^P^o^ "'" "n&pos rtyd yata Ka^e^ei.
ey ydp x*/ 30 "' re'Aos TTo\4pov, kiiioiv 8' eyt /3ov\f}' 630
16. IAIAA02 n. 89
r<p ov ti xprj nv0ov dcpe'AAeti', aXXa p-a^a-Qai.
*£2s d-nhv 6 pev rjpx, 6 8' a/x ecnrero tcro'fleoy <f><a$.
tS>v 8* cos re bpvTopuov avbptov dpvfxaybbs opcaprj
ovpeos iv (Srjcrcrrjs, HicaOev be re ylyvsr anovrj,
&s tQv u>pwro bovrros curb x,8ovbs evpuoSefyy 635
XaA.Ko£! re pivov re j3o<av t tvTroirjTacov,
W(T(ropL€va>v ££<pecrii> re kcu eyxecnv ap<piyvoi<nv.
ovS' hv 2rt cppd8pa>v 7rep avrjp SapTrrjhova blov
lyyco, eirel /3eAe'ecrcrt kcu aipart Kat kovitjo-iv
Ik K€<pakf)s etAuro otap7repe? es TrdSa? anpovs. 640
ot 8' atet irepi veupbv 6p.C\€ov, <us ore pinai
trraflptS eVt /3pope'a><rt 7reptyAaye'as Kara 7re'AAas
cop?j ez> elapivfi, ore re yAdyos dyyea 8evef
<os apa rot irepl veicpbv dptAeoy, ov8e 7rore Zeus
rpe\f/ev cltto Kpareprjs vo~p.ivr\s ocrcre (paeevco, 645
dAAd Kar' avrovs alev opa nal cppaCiTO 6vp.a>,
7roAAa pdA' dpept (pdva) ITarpoKAou p;eppr7pt£coy,
7/ 5787; Kat Ktivov evl Kparepfj v<rp.Cvrj
avrov en avTi6£(j> 2ap7n78dVt (patSipos "EKroop
j(aAK(3 brj(oa~rj, cltto t cSpcov rev^e' e'A.7?rat, 650
r] en Kat irkeovecrcrLV dcpe'AAetez' irovov clIttvv.
<S8e 8e ol <ppov4ovTL bodcro-aro Ktpbtov etvat,
oepp' ?]7js Oepdiroiv II?7AT?id8ea) 'A^tArJo?
e^aSris Tpcods re Kat "EKropa -^aXKOKopvaTrjv
tixrairo Trporl curry, iroXecov 8 a7ro 6vp.bv eAotro. 655
"E/cropt 8e 7rpa)rtcrr&) dydAKtSa 6vp.bv ivrjuev'
is bC<ppov 8' avafias (pvyatf erpaire, KeVAero 8' aAAouy
Tpwa? <pet/ye'p,ez>at* yy<3 yap Ato? tpa rdAayra.
eV0' ov8' t<p0tpot AvKtot peVoy, dAA' i(\)6fir\6€v
Travres, e7ret fia<n\fja Ibov j3€^\apLp,evov ??rop, 660
Keipeuov ey vckvcov dyvpet* 7roAe'e? yap e7r' aircp
Ka7nrecroi', evr ept8a Kpa.Tepi]v erdyvcrcre Kpoi'uoi/.
9°
i6. IAIAA02 n.
ol 8' b\p a-n wfj-ouv Sapirrjbovos eyre' eXovTO
XaAKea pappaCpovTa, to. pkv KOtAa? eirl vrjas
Sake (pepetv krapoicri Mevoirtoi) aXKtpos vlos. 665
kcu tot ' ArroXXcova Trpoo-icpr) vefaXiiyepeTa Zevs'
" ei 8' aye vvv, <ptXe <J>ot/3e, KeXaive<pes alpa Ka6i]pov
eX6b)v en fieXecov Sapirqbova, Kat piv ZireiTa
ttoXXov aTTOirpo (pepu>v Xovarov iroTapolo pof]cn
y^plcrov t apfipoaty, irepl b' apfipoTa e'lpara ecrcrov' 670
irepire be piv Tropirolo-iv apa Kpamvoicri (pepecrdai,
"Tirv(p kcu @ava.T(p bibvpdouLv, ot pa piv 2>Ka
6r\(T0V(T ev Avkit]S evpeir]s ttlovi brip.(i>,
ev&a e rap)(y(rov(ri KaaiyvtiTOL re erat re
Tvpj3(p re <tti]\i] re' to yap yepas earl davovrcov. ' 675
A £Ls ecpar, ovb' apa Tiarpbs avrjKOVo-Trjaev ' AiroXXwv.
fir} be KaT 'lbaioov opecav es (pvXo-mv alvrjv,
avTLKa 8' e/c fieXecov Sapiriibova blov aeipas
ttoXXov airoiipb cpepmv Xovaev itoTapolo pofjo~i
XpTcre'i; r' ap.(3poo~ir}, irepl b apj3pora etpara ecra-e' 6S0
irepire 8e piv 'nop-nolo'iv apa Kpanrvolui (p4pe<rdai,
"T^w /cat QavaTco bibvpaoaiv, ot pa piv 2>Ka
Kardecrav ev AvKi-qs evpeirjs itCovi StJ/lxco.
FlarpoKAo? 8' t7nrotcri /cat AxiTop.ebovTt KeXevcras
Tpcoa? Kat Avklovs pereKiaOe, /cat pey aacrdr) C85
vrjirios' et be tiros TlrjXifCdbao qbvXa^ev,
7) t av VTteKifivye Krjpa KaKrjv peXavos davaroio.
6.XX' atet re Atos Kpetcrcrcoj/ voos i)e irep avbp&v
[os re Kat aXKLp.ov avbpa (po(3el Kat acpeiXero vIkt\V
pqibCoiS, ore 8' avros cTTOTpvvrjo-i. payecrd ai'~\ 690
05 ol Kat rore 0u/xoy evl cmjflecrcrii; avrJKev.
*Ev6a Tiva trp&Tov, riva 8' vo-rarov e^ev&pi^as,
riarpoKXets, ore 877 ere 0eot davaTovbe KaXecraav ;
"AbpqcrTov pev irp&Ta Kat Avtovoov koX "E^kXov
i6. IAIAA02 n. 91
/cat TlepLfiov Meydb-qv /cat 'EirCo-ropa /cat Mekdvnnrov, 695
avrap eVeir' "Ekaaov /cat Movkiov rjbe Ylvkaprrjv'
robs ekev' ol 8' dAAot cpvyo.be p.v(i>ovTo e/caaro?.
"EvOa Kev mj/LTtvkov Tpou]v ekov vies 'A>(ai(3i'
YlarpoKXov inrb X e P°^° nepLTrpb yap ey\ei Qvev
el /ex?/ 'ATTokkoov ^ot/Sos evbp.ijrov eirl irvpyov 700
ecm], tu okoa (ppoveoov, Tpcoeacri b' apr]yu>v.
Tpls p.ev e7r' dy/cwyo? (3rj ret'xeos v\}fqkolo
YldrpOKkos, rpls 8' avrbv direorrvfyeki^ev ' Arrokkoov,
Xetpeo-o-' c\6avaTr\cn (paeivi]V dcnriba vvcrcru)v.
dAA' ore bi] to reraprov eirecrcrvTO baip,ovt tcros, 705
beivd 8' 6po/cA?/aas eVea TTTepoevra Trpoo-t]vba'
" x^C eo J Stoye^es narpd/cAees' ov i>v rot aura
aco t/7rd 8oupt irokiv irepdac Tpuxov dyep(i>\(jiv,
ov8' vii 'A^tXAT/os, 09 7rep ae'o irokkbv dp.elvu>v.' t
tV 12? cpdro, YldrpOKkos 8' a^exa^ 1 " Trokkbv diricrcrto, 710
p.rjvtv dkevdp.evos eKarqfiokov 'Aitokkoivos.
"E/crcop 8' ey S/cairjcrt irvkys e\e p.<i>vvyas iirnovs'
8t£e yap i)e pidyjoiTo Kara nkovov avris eAda-aa?,
?/ Aaoi^s is relxos opo/cA?;<retei> dkrjvat.
ravr dpa ol cppoveovrt 7raptcrraro ^oifios Airokkiav, 715
d^e'pt elo~dp.evos at^w re Kparepu re,
'Acruo, os p.r/rpa)? ?]y "E/cropos t7T7ro8apoio,
avTOKaaiyvrjTos 'EKdj3i]s, vlbs be Avpaz^ros,
0? 4>puyt?/ iWecnce pofjs eirt 2ayyaptoto'
rw pty eeto-ctpei'os 7rpoo-e'(p^ Aids tnos 'A7rdAAcoy 720
""E/crop, rt7rre pdx?7S d-nonaveai ; ovbe ri ere XP">'h
at0' ocrou i]cro-(iiv etpt, Toaov creo (peprepos eu]v'
ra> /ce rd^ct crTvyep&s irokepiov a7repcorjo-etas.
dAA' dye, rTarpd/cA(i> ecpeire /cparep&Wxas ittttovs,
at k4v 7rcos ptv e'A??s, 8&»/ 8e rot etJxos 'A^dAAc^.' 725
A Os etircW' 6 pey avris e/3?/ debs dp irovov dvbp&i',
92 i6. IAIAA02 n.
Kefipiovr] 8' e/ce'Aeucre baicppovt <paCbip.os "Ekt<hp
ittitovs e? vokep.ov TT€Tr\riyeij.€v. avrap 'Airokkcov
bvaed' dpukov l<av, ev 8e kKovov 'Apyeictcriz/
rJK€ kclkov, Tpaxrlv be nal "E/cropi nvbos dira^ev. 730
"Ektu>p 8' dkkovs p.ev Aavaovs ea ovb' evapi^ev'
avrap 6 YlarpoKku) eepeire KpaTep(6pv%as 'lttttovs.
ndrpoKXos b' erepuiOev 0.$' lttttcov akro x a Ma&
a-naifi Zyxos e\(oV ere'pqcpi be kd(ero irerpov
fj.dpp.apov oKpioevd', ov ol -nep\ xeip eKakvxj/ev, 735
77/ce 8' epeio-dp.evos, ovbe brjv x«C ero <p(t>r6$,
oib' aAiWe /3e'Ao?, /3aAe 8' "EnTopos fjvioxija,
Kefipiovqv, v69ov vlbv dya/cAr/os flpidpoio,
LTTTuav 7}vC ey^ovra, p.eTa>7nov 6£ei kai.
dp.(pOTepa$ b' otfipvs (rvvekev kiOos, ovbe ol eo-^ev 740
ocrreov, 6(p6akp.ol be ^ap-al iriaov ev Koviyo-tv
avrov TrpoaOe Trobow 6 8' dp' apvevrypi eotKcbs
Ka-mrecr an evepyeos btcppov, kine 8' dore'a #17x09.
top 8' eTTLK€pTop.i(ov Trpoa-e^s, UarpoKkees linrev'
"00 7707rot, ?) pdA' ekacppbs dvrip, a>? peia Kvfiio-rq. 745
ei 8?/ 7rou /cat irovro) ev lyOvoevri yevoiro,
-nokkovs dv nopeaeiev dvi]p obe rrjOea bi<pG>v,
vrjos airo0p<i>o-K(tiv, el ko.1 bvo-nep.<pekos fir],
a>s vvv ev 7re8ia> e£ lttitoov pela KU/3io-ra.
?/ pa /cat ev TpaWo-i KVJ3io~Tr}Trjpes eao-iz.'." 750
,V X2? elncav eirl Kefipiovp ijpoo'C /3e/3?/Ket
oipa keovros e^av, 6s re o-Tadp.ov$ Kepaifav
efikrjTo Trpbs o-Trj9os, £ri re pav wkeaev dA/c^-
&s eirl KefipLovy, rTarpbVAees, aAcro p.ep.a(as.
"E/crcop 8' aiitf' erepcodev d<p' ittttcov aAro xc^C^- 755
ra> 7:ept Kefipiovao keoiO' d»s bypcvdyryv,
at t opeos Kopv(pf]o-i irepl KTap.£vr)s ekdcpoio,
dp.<pa) Tieivdovre, p.eya (ppoveovre p\d\eo-6ov'
i6. IAIAA02 n.
93
wj 7repi Kefipiovao 8wo) p?/crra)pes avrrjs,
ITdrpo/cAos re MevoiTidbrjs Kal cpatbipLos "Enroop, 760
letr' dAA?7Aa)i> rape'eiy XP^ a vr i^-£i> \akKi2.
"Ektoop p.ev KecpaXrjcpiv enel Ad/3ei", ovx} p-eOUt'
YIdTpoKX.os 8' erepcoOev e\ev 77080s* 01 8c 8?/ dAAoi
Tp<Ses ml Aavaot avvayov Kparepi]v va-p.(vr]v.
'I2s 8' ESpo's re No'ro? r epibalverov dWijXoLW 765
ot/peos ev j3i]<TO")i$ (3a6er]v Tre\epu(ep:ev v\r]v,
<pr\yov re p.ekir]v re ravixpXoiov re Kpavuav,
at re Trpos dAAr/Aas ej3a\ov ravviJKeas o£ovs
rixjj Oeo-ireo-h], Trdrayos 8e' re ayvvp.evdcov,
<%s Tpwes Kal 'A^atot ctt' dAATjAoicri dopovres 770
byovv, ovb' erepoi pLVtoovr 0A0010 (pd/3oto.
770AA0; 8e Ke[3piovr)v dp,(p' 6£ea 8oup' e7re7n/yei
lot re Trrepoevres dub vevpf)(pi dopovres,
7roAAd 8e \eppdbia peydA' do-7Ti8as ecrrvcpeki^av
pLapvap.ev(ov dp<p' avrov' 6 8' ey crrpocpaAiyyi kovit]s 775
â– ceiro p.eyas peyaAoocrri, \e\aap.evos linToo-vvdoov.
"Ocppa pev 'He'Atos p.ecrov ovpavbv dp(pi/3e/3?/Kei,
rocppa pdA' dp.(poTep(ov /3e'Ae' ij-nrero, TTLirre 8e AaoV
?/pos 8' 'He'Atos p-ereviareTo fiovXvrovbe,
Kai rdre 8*7 p' V7rep atfTaz- 'Amatol (peprepoi rjcrai-. 780
e* pey Kej3ptovr]v /3eXeu>v r/pcoa epvcro-av
Tpuxov e£ evoirrjs, Kal a-n wpcoy revx e ' e^ovTo,
HaTpoK\os be Tpuxrl KaK<x cppovewv evopovcre.
rpls pev e7retr eiropovcre 0o(Z drdkavTos "Apr/'i,
<Tp.epbaX.ia Id-^cav, rpls 8' ewe'a (paras enecpvev. 785
dAA ore Srj ro reraprov eirecrcrvTo baip.ovi tcros,
evd' dpa roi, FTarpoKAe, (/barn? /3io'roio reAeur?/'
7]i'Tero yap tol <£>olfios evl Kparepfj vcrplvr\
betvos' 6 p.ev rbv lovra Kara kXovov ovk evorjcrev'
rjept yap TroWy KtKaKvpjxevos avTej3o\r}(re' 790
94 16. IAIAAOS n.
crri} 8 oiriQev, irkij^ev be p.erd(ppevov evpee t w/xco
Xeipt KaTaTrprjvtl, o-Tpe(pebCvridev be ot ocrcre.
tov 8' a.7ro pey Kparbs Kvveiqv (3d\e <I>oi/3os 'ATro'AAcoy*
?/ 8e KvXivbop.evt] Kavay^v e\e 7roo-criy ii(p' i7T7rcoz;
av\(oi7t,$ rpvcpaXeca, p.Lav9r]aav be eOetpai 795
cupari /cat Koviijcn' irdpos ye pev ov 6ep.is rjev
iTnTOK.op.ov Tn]\t]na picuVecr^ai KOv\.r\cnv,
bXk dvbpbs Oeioio Koipi] yapUv re p.eTu>Tiov
pver 'A)(iAA?/os - Tore be Zeus r 'E«ropi Sakey
17 K€(pa\f] (popeeiv, o-^eboOtv be ol rjev o\e0pos. 800
7rai; oe' ot ey xeipeo-o-iv dyq bohiyoaKiov eyyos,
ftpiOv \xeya o-rifiapbv KtK.opv6p.ivov' avrap dii &p.a)v
aairls crvv reAapwm x.ap,al ireo-e repp-ideo-aa.
kvo~e 8e ol 6u>pi]Ka ava£ Aibs vlbs 'A7ro'AAa)^.
roy 8' dry] (ppevas elXe, XvOev b' vtto (paibijxa yvla, 805
or?) oe Ta(pu>v' oinOev be p.eTa(ppevov ofe't 8oupl
&p.oiv p.ecro-riyv'i o-^cboOtv /3aAe Adp8ou>os dy?;p,
nai'^otS?/? E#<pop/3os, Ss i)\lku]v eKe'/caoro
eyx.e'6 0' i7T7rocrj;i>?/ re 7ro'Sea-cri re Kap7raAip,oiov
Kai yap 8?/ ro're <p(aras eei/coot firjcrev d(f> lttttcov, 810
7rp<Sr' ekdcov o-vy o)(eo-(pt, bt.bao-K6p.evos uo\ep.oio'
os toi irpSiTos e<pi]Ke ftekos, UarpoKXees 'nnrev,
ovbe bdp.ao-o-''' 6 p.ev avris avebpap.e, piVro 8' 6piAa),
e« xpoos dp7rd£as bopv p.eikivov, ovb'' v-nep.eive
YldrpoKkov yvp.v6v irep eovr ev Srpon^n. Si
narpoxAos 8e Oeov -nX^yfi xai 8oupi 8apao0els
ch/f erdpcoy ds edvos exd(ero Ki)p aheeivuv.
"Ektup 8' o>s etSey ITarpo/<Aj/a pt.eyddvp.ov
a\lr dvaxa(6p.evov, j3e{3ki]p.evov 6£el xaA/cw,
dyxip-oXov pa ol ?/A0e rard o-riyas, ovra be bovpl 820
veiarov es Keve&va, biairpb be x^A/coy eko-aae'
bovir^o-ev be TTeaonv, p.eya 8' iJKa\e kabv 'Axai&v'
s
1 6. 1AIAAOS n. 95
cos 8 ore crvv d/edpajra \eu>v e/3t?/craro x.dpp7/,
& T dpeos Kopvcpijai. jue'ya (ppoviovre \xa\ea-Qov
TTibaKos dpep' dAty?/?" etfe'Aoucri be TTtep-ev dpcpa/ SJ5
TTokXa be r' acrdpLaivovra \ecov eSdpacrcre (3ir](ptv
<ys 7roAeaj ire(pv6vTa MevoiTLov dA/apoy vlbv
'Ektcop IlpiapiST/s (r^ebbv eyX et 6vp.bv cnrrjvpa,
k<xL ol eirev^op-evos eirea Tirepoevra Trpoo-rjvba'
" ndrpo/cA', 7/ ttotj ecpT/crfla ttoXlv Kepat£epev dp7/y, 830
Tpcoi'aSas 8e ywaiKas ekevOepov r\p.ap airovpas
a£eiv ev vi]€(T(Ti (pi\i-\v es Ttarpiba yaiav,
vr\T>ie' tcmov oe 7rpo'crt9' ''E/cropos a>Ke'es nnroi
7rocrcrii> opcope^arai Tiokep.i£eiv ey^e'i ^' a7 Ji"os
Tpcocrt (piAo77roAe'potcrt pLeTaTrpeiroo, d crcpty ap-vvoa 835
7/pap a^'ayKatoi'• (re 8e' r kv6a.be yvires ebovrau
a 8etA', oi8e' rot ecrc9Aos ecW xpaio-p-rjerev 'A^iAAeTJs,
6s 7rov rot pdAa ttoXXci \xevu>v eitereWeT ioVti*
'p?/ pot 7rpty teWt, llarpo'/cAees iTTiroKekevOe,
i>?/as eirt yAacpupds, nplv "EKTopos avbpocpovoto 840
atparo'eyra ^trcSm 7rept crn/tfecro-i bateau
cos 7rov o-e 7rpoo-ec/)r;, croi 8e (ppevas depport iret#e."
Tov b' oktyobpavecov 7rpoo-e'cp?;s, riarpo'KAees I7r7re73*
" 7/877 iw, r 'E/crop, peydA' ei^eo' crot yap e'Scojce
th/o/z; Zevs Kpovibi]S kcli 'A7ro'AAcoy, 01 p' e8dpacrcray 845
pifibiais' avrol yap air' top,u>v rev^e' ekovro.
roioOrot 8 et 7re'p pot eetKOcrtj; avTef36kr](rav,
iravres k avToO' okovro epco 7^770 8o7jpt 8apeVres.
dAAd pe potp' 0A07/ kcu At/tous enravev uto's,
dz/8p<Sz/ 8' Evcpopfios' av be pe rptros e^erapt^ets. 850
dAAo 8e' rot epe'eo, cri) 8' eVt eppeert /3dAAeo OT/crijr
ov t97/y ot!»8' avros 8?/poy /3e'7/, dAAd rot 7/87/
dy)(t TTapeo-TtiKev Odvaros kcu potpa Kparauj,
\epo-l bap.ei<T 'A^iAt/os ap.vp.ovos Ata/a8ao."
9 6 1 6. IAIAA02 n.
*I2s apa pnv ditovra rikos Oavdroio Kakv^re' 855
^X^ 8' eK peOewv ^rap-ivr] "A'iboo-be (Be(BiJKei,
bv -noTfj-ov yooaxra, knrova avbporriTa ko.\ ijfirjv.
tov K<xl Tedvi](0Ta Trpoa-qvba <palbtp.os "EnTcop'
" narpoxXets, tl vv p.01 p-avreveai alirvv okedpov ;
tis 8' 018' a k 'Axikevs, Qhibos ndCs tjuko'jlcoio, 860
(p6r\r\ epw viro bovpl TVTtets a-nb 6vp.bv oAeWai ;
*Hs apa (pavrjcras bopv ^akKCOv e£ wretATjs
eipuae Aa| Trpocrftas, tov 8 1 vtttiov uxf and bovpos.
avTiKa 8e £vv bovpl fxer AvTop-ibovra /3e/37y/cet,
avrCdeov OepairovTa rrobaxeos AlaKibao' 865
Uto yap fiakUiv' tov 8' hcpepov coKf'e? ittitol
ap./Sporoi, ovs IItjAt/i 0eoi 800-ap dyAaa 8<Spa.
IAIAAOS P.
IS/ieveXdov apicrrela.
Ov8' eAa0' 'Arpeos vlov, aprji<pikov Mevekaov,
YlaTponkos Tpcoeovri bafxeh (v bifioTrJTi.
/3?/ 8e 8id Ttpopayav Ke<opvdp.ivos aWoiri x a A*<f^
dpc/u 8' dp' avT<2 ftalv cos us 7repi iropraKi pr\ri]p
irpoiTOTOKOS Kivvpr\, ov Trplv elbvla tokolo' 5
cos Titpl HarpoKkco fialve £av6b$ Mevekaos.
irpoa-de 8e ol bopv t ecr^e K.ai acn:iba TtavTOV lia-rjv,
tov KTap-tvai pepacos os ris rod y avrios kk9ot.
ovb' apa Ylavdov vlbs €vppekir]s dpeArjcre
narpd/cAoio tt€(t6vtos ap.vp.ovos' ay\i 8' ap avrov 10
ecrTrj, /cat irpoo-tenrev aprji^ikov Mevekaov'
"'Arpeibr] Mez/e'Aae biorpecpis, opxape AacoV,
X&Ceo, Aenre 8c veKpov, ea 8' eWpa pporoevra"
ov yap ris irporepos Tpuxov KAeiT<3z> t eTriKOvpuv
UdrpoKkov /3dAe 8ot>pi Kara Kpareprjv vo-p.ivr)V 15
rep pe ea kAcos £<r6kbv hi Tpcoecrcny apiarOai,
p.-q <re fiakoo, a-nb 8e p.ekirjbea Ovpbv e'Acopat."
Toy 8e pe'y' dyd^o.'S irpocricpr] ^avObs Meve'Aaos*
" Zev TraTtp, ov p.iv nakbv v-ntpfiiov evxerdacrtlai.
ovt ovv Ttapbakios roo-crov p.ivos ovre Aeoiros 20
OVT€ CTUOS KCLTTpOV 6ko6(ppOVOS, OV T€ ptyiCTTOS
dvpbs evl arrideacn irept o-Oeve'l /3Aepeaiuei,
oaaov Yl6.v6ov vies eiippeAiai (ppoveovcnv.
VOL. II. H
98 17- IAIAA02 P.
ovbe p.ev ovbe (SLr\ 'YTreprjvopos iTntobdp.oto
rjs rjfirjs a.Ti6vr\6\ ore p? lovaro kcli p? viTep,€Lve 25
kul p. t(par ev AclvcloIo-lv eKey^Larov 7roAe/jiioTT)i'
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ev<pprjvai dXoyov re qbi\r\v nebvovs re Tonrjas.
cos Or\v Kal (tov eyo> Awco p.evos, ei zee' /xev dyra
crTi]j]s' dAAd a eyco y' dya)(cop?jcrai'ra KeAevto 30
es 7rArjc9w levat, p.-qb 1 olvtios lOTacr' e/xeio,
7rpuj n kcikov iraOeetv pe\6ev be re zn;7nos eyvu)."
,v X2s (pdro, tov 8' ov â– 7reTt9ey' ap.eij36p.tvos be irpocrrivba'
" vvv p.ev bi], MeveXae bioTpecpes, ?] /xdAa ritreis
yvojTov ep.6v, tov enecpves, eTtev\6p.evos 8' ayopeveis, 35
X^pcocras 8e yvvaiKa p-vx<2 6a\ap.0L0 veoio,
apr/Tov be roKeucri yoov kcu iievdos eOrjKas.
?) me acpiv SeiAoicri yoov KaTcmavp-a yevoip.r\v i
el Kev eyco Ke(paXi]v re Teijv noil Tev\e eveiKas •
TlavOto ev \eipecrai /3dAco ko.\ QpovTibi bill. 40
aAA ov p.av en brjpbv aiieipr]Tos ttovos ecrrac
ovbe t abr/ptTos i]T dkKtjS ijre cpd/3oto."
Us ei7rcW ovTrjare /car' ao-niba ttolvtoo^ eicrrjy*
oib' eppi]£ev \akKOv, dveyvdp.(j)6r] be ol alyp.i]
dairCbi ev Kparepfj' 6 be bevTepos wpvvTO x«Akc3 45
'ATpeib)]s Mevekaos, eirev^dpevos Ail irarpi
a\j/ 8' dvaya^op.evoio kclto. crTop.dyoio Qep.edka
vv£\ em 8' clvtos epeicre f3apetj] X ft P' inOijo-as'
avTLKpv b airakolo 81 avyevos ?/Au0' cikcok?/,
bovTTi]<rev be itecrdiv, dpdfirjcre be Tev\>e eir" awrto. 50
ai'ixari 01 bevoi'To Kop.ai Xapireo-a-ii> 6/xoiai
â– nXoyp-OL 6', ot xpvo-io re /cal apyvpip eo~(pi]Ka>i>TO.
olov be Tpecpei epvos avvp eptOip\es eXairjs
Xwpco ev oio7ro'Aco, 6'$' dAis avafiefipoy^ev vboop,
kcl\ov TrjXeddov' to be re irvoiai boveovat 55
ly. IAIAA02 P. 99
TravTOLcov dvep.o)V, /cat re ftpvet, dvOe'i Aet>/<(3*
iXdcov 8' e^cnru'ris dvepios crvv XaCXaTrt ttoXXtj
fiodpov t e^ecrrpe^e koX i^Tavva-a-' Itt\ yaity
toXov YldvOov vlbv euppeAt'jjy Evcpopfiov
'Arpe'1'877? Meye'Aaoj e7ret KTave, rei^e' eavXa. 60
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(3o(TKop.€vt]s dyeXr/s /^ow ap-navy, rj rts dpCo~Tiy
rrjs 8' e£ avyiv ea£e Xafivv Kparepoicnv 6bov<rt,
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bij&v' ap.<pl 8e roV ye wVe? r dvbpes re vofxrjes 65
7roAAa pdA' iv£buo-ii> aTtoirpoOev 01/8' kOiXovcriv
avrtov kX6i\i€vac fxdXa yap xXcopbv 8e'o? atper
a>? rwy oil run 6vp,bs kv\ a-T^deo-cnv ero'Apa
dvriov eA0e'pez>at MereAdou KvbaXip.010.
tvQa K€ peta (pe'pot kXvtcl rev^ea YlavOo'ibao 70
Arpe't'8?js, et p.?/ 01 dydo-o-aro <J>ot/3o? ' AttoXXcov,
6s pa ol E/crop' e7r<3po-e 6o<2 drdXavrov "ApifC,
avepi ela-afxevos, Klkovcov i]yr\Topi MeVrrj'
Kai p.iv <p(avi]cra5 tirea TTTepoevra TTpocn]vba'
" E«rop, vvv o~v p.\v <58e 0e'ets aKiyjira biG>Koov, 75
'lttttovs AlaKtbao batcppovos' ol 8' dAeyeti'ot
avbpaaL ye Qvr\To1cri 8ap?/pei'ai rjb' o^eo-dai,
dAAa) y 7] 'A-fciXfj'L, tov ddavdrr] re'/ce pi]Tr]p.
rocppa 8e rot Meve'Aao?, 'Apjpos 'Arpe'os vtd?,
rTarpoKAo) 7rept/3d? Tpuxav tov dpio~Tov e7re(pi>e, 80
rTai>0ot8rjr F.v<pop(3ov, eTravat be dovpibos aXKijs"
£ls eliriav 6 pev aSrts ef3r] 9eb$ dp irovov dvbpa>v,
EKTopa 8' auw d^o? iru/cao-e <pph>as dpcpt peAau'a?"
â– jraTTTrjvtv 8' ap* eVetra Kara ari^as, avriKa 8' eyvco
roy pei^ diraivvixevov kXvto, rev^a, tov 8' e7rt yat?/ 85
neipevov' eppet 8' atpa Kar' ovTap.ivr]v a>retA?7i'.
/3t) 8e 8ta TTpofxd^cov K€Kopv9p.ivos aWom \aX<(2,
H 2
ico 17. IATAA02 P.
o^ea KeKA?;yw9, cpXoyl et/ceAo? 'Hc/mtcrroio
ao-(34(TT(i)' ovb* vlov Xddev 'Arpe'os 6£v /3o?/cras*
dy6r\(Tas 8' dpa enre 7rpo? ov p,eyaXi]Topa 6vp.6v' 90
" co pot eycoV, ei p.ev Ke AtVa) Kara revx ea KaAd
ndrpo/cAo'v 0', o? Ketrat ep.rjs eW/c' iv9a.be Ttp.rJ9,
p?/ rt? pot AavacoV vepecr?70-erai, os Kev t8?jrai.
et 8e Key "E/cropt powos ecou /cat Tpcoo-t pa)(a)pat
albeo~0eis, p?/ 7rcos pe Ttepio-Tijoda eW 7roAAoi - 95
Tpwas 8' ev0d8e 7rayras ayet KopvdaCoXos "EnTcop.
aWa tit] pot ravra <pt'Ao? 8 teA e'cfaro flupd? ;
d-mroT avyp e6e\r] npbs baip.ovo. (pari pa^eo-flat
ov /ce debs rtpa, rd)(a 01 pe'ya 7r?/pa Kvk(.cr8y].
r<2 p' ov rt? Aaracuy i>epecn/crerai, 6's *ev tS^rat 100
'EKropt x^P?/ " ^ 7 "'? eTft e/c Oeocpiv 7roAept£a.
ei oe 7Tou Atai/ro? ye /3or)v dyatfoto itv6oip.i]v,
dpcpa) k clvtls lovres eTnp.vricraLp,e6a ydpp.rj<i
/cat irpbs ha.1p.0vd irep, et 7rco? epvcra(,p.e6a veKpbv
Ui]\e'tbr) 'A)(tA7/'t - /ca/cco> be /ce (peprarov eXr]." 105
'Ho? 6 TaC0 coppatt'e Kara (ppeva /cat Kara 6vp.6v,
ro(ppa e7rt lpcoa>i> arises Yjkvuov t)pX € a P Jk/crcop.
avrdp 6 y e£o7ricrco dvexd^eTO, Aet7re 8e venpov,
evrpoi:a\i£6p.evo<i cos re Ats ?}iiyeY'etos,
ov pa /awes re /cat dvbpes dirb crrac9poto 8<Wrat no
eyxecrt /cat (pcavfj' tov 8' ei> (ppealv dX.KLp.ov ?]rop
Ttayvovrai, de'/ccov be t e/3r; a7ro pecrcravAoto"
a>? a7ro riarpd/cAoto /cte £av9b$ Mevekaos.
o~rr) be peraorpecp^ets, e7ret t/cero ec^vos eraipcav,
TTaTrraivoyv AXavra p.eyav, Te\ap.a>vLOv vlov. 115
rw be pdA' au// evorjo-e p.d)(ris err' dpicrrepd TrdcDj?
8apcrvvov& erdpovs /cat e^orpvvovra p.d\e(r6ai'
deo-TTeo~Lov yap o~(piv (pofiov ep/3aAe <I>ot/3os 'Atto'AAco/"
/3rj 8e Oeetv, eldap be 7raptcrrdpeyo? e7ros ^v8a,
17- 1AIAA02 P. 101
" Alav, bevpo, Treirov, rrepi WarpoKkoio davovros 120
(TTTtvcrofxev, at Ke venvv nep 'A^iAXj/' 1 Ttpocpeptopiev
yvp.vov' drdp rd ye rev^e e\ei KOpvOaCokos "KKTcop.' 1
tV X2? (-(par, Atavri be batcppovt Ovpbv opive'
fir} be bid irpop-dyoiv, ap.a be £av66s Mevekaos.
"Earcop p.ev YldrpoKkov e-JTei K\vrd Tev\e : dirr)vpa, 125
ek\', Xv dii &p.ouv KetpaXyv rdp.01 o£et \a\iap,
tov be veKW Tpcorjcriv epvcr<jdp.evos kvctI 80177.
Atas 8' eyyv#ey r/A0e (pepcov crd/cos ?}ure irvpyov'
"EttTcop 8' a\^- es 6p.ikov lo)v dveyd^eO' eralptov,
es b'uppov 8' dvopovcre' bibov 8' o ye re^x ea KaAd 130
Tpcocri (pepeiv irporl dcrrv, p.eya /cAe'os ep.pi.evai avrto.
Atas 8' dp<pi MevomdSrj o-aKos e^pt* KaAin/ras
eomJKei cos tis re kecov itepi olcn reKecrcnv,
to pa re vr^iti dyovri crvvavT^acovTai ev vkji
dvbpes eTraKTtjpes' 6 be re crOevei /3AepecuVei, 135
â– ndv be t eTncnaiviov narco e'A/cerai ocrcre KaXvirrcov'
cos Atas 7repi riarpd/cAa> ijpto'C /3e/3?jKet.
'Arpei8?]s 8' erepcoOev, dprjicpiXos Mevekaos,
eorr/Kei, p,eya TrevOos evl tTTijdecrcnv de^cov.
FkavKos 8', 'Ii77roAo'xoto irais, Avkllov dybs dvbpcov, 140
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""Ektop, etbos apiarre, p.dxi]S dpa nrokkbv ebeveo.
77 (r avrcos xkeos ecrOkbv e^ei cpv^rjkiv eovra.
cppd^eo vvv oinTcos K€ ttoXlv koI dcrrv aatotnjs
olos crvv Aaouri, roi 'IAup eyyeydauiv' 145
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eio-i 7rept tttoXios, enel ovk dpa tis xdpis r\ev
p.dpvacr6ai briioitnv en dvbpdcn vtokep.es aleC.
ttcos «e crv yeipova (ptoTa cracocreias p.e0' 6p.ikov,
o"xe'r At' j eirel 2ap7T?j8oV ap.a £elvov kcu eralpov 150
/cdAAt77es ' ApyeiotcTLV e'Acop nal Kvpp.a yeveadai,
102 i J. IAIAA02 P.
os toi irokk! ocpeAos yevero, 7rrdAe't re kcu avrio,
(coos ecoV vvv 8' ov ol dAaA/ce'peyai Kvvas erA?js.
rco vvv ei ris epoi Avkicov e7n7reio-erai dvbpdv
o'tKaS' ipe^, Tpoir) 8e Trecp^creTai alirvs okeOpos. 155
ei yap iw Tpweo-crt peVos Trokvdapaes tveit],
arpofAov, olov r avbpas ecre'pxerai <A -rrepl 7rdrprjs
avhpaai bvap-eviearai ttovov kcu bfjpiv eOevro,
al\j/d zee UarpOKkov epucraipefla "Iktov eurco.
ei 8 oSros 7rpori dcrri> peya YIpidp.010 avaxros 160
eA0oi Tedvqcos Kai \xiv epvcraip.e6a X^PM 1 ?^
alxfra K€v Apyeuu SapTrrjbovos eVrea Kaka
kvo-eiav, Kai k avrbv ayoip.e6a "I\iov eicrco'
tolov yap Oepaircov 7re'cpar' avepos, os p.ky dpioros
Apyeicav irapa. vr/vcrl Kal ay\ip.ayj3i Oep&Trovres. 165
dAAd (TV y Aiavros p.eyak/]Topos ovk eraAacrcras
o~T7]p.evai dvra /car' oWe i8coi> 8rpcoz/ ev dvTrj,
ovb Whs paxe'cracr0ai, eVei o~io cpe'prepds etrri."
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a>? p.ivov dcnpaAe'cos TrepiKaAAe'a hicppov e'xo/'Tes.
o#8et evLa-Kip.\jravT€ Kapijara] haKpva hi crept
Oeppa Kara /3Ae<pdpcoi> yap-ahes pie pvpopiroicriv
7]Vi6)(Oio Ttodbi' dakepi] 8' ipiaivero \aiTi]
17- 1AIAA02 P. m
(evyX-qs e£epnrovcra irapa Cvybv dp.(poTepoo6ev. 440
p.vpopevoo 8' apa too ye Iboiv eAe'ijo-e Kpovtoov,
Kivrjcras be K&prj irporl bv pvOr/aaro Ovpov
" a beiXoo, t( crcpco'i bopev n?jAj/t olvclkti
6i'7]T<2, vp.el$ b' eo~Tov ayrjpoo r adavara) re.
i] tva bvcrrrivoLcn p.eT avbpacnv aAye' eyy]Tov ; 445
ov pev yap ri ttov eaTiv oiCppooTepov arbpos
iravroov, ocrcra re yalav eirt -nveiei re Kal epiret.
dAA ov p.av vp.lv ye Kal appacrt baibaXeoio-tv
'E/crcop IJpiapibrjs e-noyjia-eTaf ov yap edo-co.
?) o^x aAis a>s Kat rev^e exet Kal e7re^x erat aurcos; 450
o-(p<tilv 8' ei> yov^ecrcrt /3aA<3 peVo? 778* eiu Ovpoo,
ocppa kou AvTopebovTa o~aooo~eTov ex 7roAe'poio
yr/a? eVi y\a<pvpas' ert yap crtpicn Kvbos 6pe£oo,
KTe.ive.iv, els Ke vf/as evcr(Te\povs cupiKoovTai.
bvrj t rjekios Kai eirl Kve<pas lepbv eA07/." 455
i2s eliTcbv iTnroicriv everrvevo-ev peVos r)v.
too 8' cnrb yairaoov kovit]v ovbdabe /3aAoWe
ptp0' ecpepov dobv appa p.era Tpwa? /cai 'Axaiovs.
roicri 8 e7r' Ai/Topeboov p.a\eT ayyvp.ev6s irep eraipov,
tirnoLS aio-o~oov cos T alyvirios p.erd \fjvas' 460
pea pev yap (pevyea-Kev inreK Tpcooov opvp.aybov,
pela 8' eTrai£a<TKe ttoXvv KaO' opiXov 6ira£oov.
dAA' 01)% //pet cpQras, ore crevaiTo biooKeiv'
ov yap ttoos r\v olov eovd' lepoo evl bi(ppoi
ey^et etpoppaadai Kal e-nicryjeiv ooKeas Xttttovs. 465
6\(/e be bi] piv eralpos din]p ibev 6(pdakpdlo-iv
' A\Kip.eboov, vibs Aae'p/ceos AipoinSao*
crrrj 8 oiudev b'uppoio, koX AvTop.ebovTa iipocn]vbo'
u AvTop.ebov, tCs tol vv deoiv vrjKepbea fiovXijV
ev a-Trjdeao-iv edrjKe, Kal efe'Aero oppevas eaOkds ; 470
olov irpbs Tpooas \xd\eai irpooToo ev 6piAa>
ii2 17. IAIAA02 P.
Hovvor drdp rot fraipos airiKTaro, rev^ea 8' "Exrcop
avTos e\u>p topotcriy dydAAerat Ata/ciSao."
Toy 8' at»r' Avrop.4bu>v 7rpocre'(p?7, Attopeos tuoV
'* AA/apeSoy, t(s yap rot 'A)(at<Sy aAAos opotos 475
i7T7ra>v aOavarcov k\ep.ev bp.rjcrCv re p.4vos re,
ei p?) ndrpo/cAos, 0eo'a3ty p?/o-ra>p drdAayros,
(/00s ecoy ; y£Sy av Oavaros nal p.olpo. Kiydvei.
dAAd av p.kv p.dariya /cat fjvia aiyakoevra
8e'£at, iyo) 8' Xttttcov aTrof3ijaop.ai, ocppa p.dyu>p.ai" 480
' 12? ecpar, 'AAjape'8coy 8e j3otj06ov app? kiropovaas
KapTta\Lp.(x>s p.danya ml v/yta Ad£ero \epaiv,
Avrope'Scoy 8' airopova-e' v6r\crz 8e (pai'8tpos ''Exrcop,
avTiKa 8' Atyetay 7rpoo-e<pa>yeey Zyyvs edyra'
" Atyeia, Tpwcoy fiovk-qcpope x a ^ K0 X lT( * >V(0V > 4 8 5
t7T7ra) rco8' evoriaa irobcaKtos AtaKi8ao
e? TTokep-ov irpocpavevTe avv f]vi6yoiai KaKoiai'
ro) Key iekiroip-qv alpr)aep.€v, ei o-y ye #vpa)
o-(5 etfeAeis, e7ret oi>k ay icpopp-rjOevre ye y<3t
rAatey eyayrt/3toy crrdyres p.a\iaaa6ai "Aprji." 490
*X2? e^ar', oy8' diridyjaev eiis 7rdi'9 'Ay^t'crao.
ra> 8' i#vs $r\TX]v /3oe'?7s eiAupe'ya) wpoi>5
ayjyo-i oTeperjac irokvs 8' e-nekijkaro \akKos.
rotcri 8' dpa Xpo/xtos re *at "Apjyros 0eoei8?)?
ijiaav apcporepoi' p.dka 8e' a(piaiv eA7rero 6vp.bs 495
ai/rco re xrevzeiv Zkaav t ipiav\evas 'lttttovs'
vrjmoi, ovb dp epeAAoy dyatpoort ye vieaOai
civtls d-n Ai/rope'8oyros. 6 8' ev£dp.evos Ait 7rarpt
dkKtjs K<xl crtfe'yeos 7rA?;ro (ppevas dp(pt peAat'yas'
avTiKa 8' 'AkKip-ebovra Trpoarjvba, iriarbv kraipov 500
"'AA/apeSoy, p.?) 877 juo: duo-npodtv la%ep.€v iTnrovi,
dkka paA' ep7ryetoyre juera^pe'yw* ov yap eyco ye
Exropa I7ptapt8?iy peyeos cr^r/creo-flat d'too,
1 7- IAIAAOS P. H3
TtpLv y eV 'AxiAAr^o? /caAAtrptxe (3i]p.€vai iimon
vS>'i /cara/cretyayra, <poj3fjo~aL re cniyas dvhp&v 505
Apyetcoy, ?/ k avros eyt TTpcbroLcnv aAot?/."
' X2s" ei7ra)y Aifayre /caAe'crcraro /cat Meye'Aaoy
" Atarr', 'Apyetcoy jjyijrope, /cat Meye'Aae,
?; rot pey tov veKpov €^T^Tpa^T€^ , ot 7rep aptcrrot,
a/x0 aurco /3e/3dpei> /cat ap.vv€o-dai trrC\as avhpu>v, 510
i'(5ij> 8e (cooto-ty apLvvere y^Aee? rjp.ap'
r^Se yap tfipicrav 7ro'Aepoy Kara baupvoevra
f E/crcop Atyeias 1 , 01 Tpwcoy dcrlv apioroi.
aAA ?} rot pey raura ^uy ey yovvacn /cetrat'
j'/o-o) yap /cat eyco, rd 8e' Key Att 7rdyra peA?/(rei." 515
H pa, /cat dp-ireiraXcov irpo'Uc SoAtxoV/ctoy eyx ?)
/cat /3aAey 'Ap?/roto /car' c\cn:Lha Ttavrocr' eto-r/y*
t) 8 ovk tyxos epuro, hiairpb 8e dcraro xaA/cdV,
vetaiprj 8' ey yaorpt 8td £iwar?7pos e'Aacrcrey.
ws 8' 6V ay d^vy ex^y Tre'Ae/cvy ai^p'os dy?7p, 520
Ko\j/as e£o'7rt0ey /cepdcoy /3o6s aypavkoio,
Xva rap.!] Sid Ttaaav, 6 8e npoOoplov ept7n/criy,
ct>? dp' ye irpoOoptav ire'crey {hmos* ey 8e' ot eyX 0S
vr\hvioi(Ti pdA 6£v Kpa.bcuv6p.evov Ave yyta.
E/crcop 8 Ayro/ie'Souro? d/cdyrto-e 8oypt $aetya>' 525
dAA' 6 p.ey dyra i8a>y ?}Aevaro xdA/ceoy eyxos'
Trp6<rcra> yap /care'/cyv/z-e, to 8' e£o7udev bopv pa/cpdy
oy8et kvi(TKip.(p6r], eVt 8' ovpiayos TxeXqxiydr]
eyxeos" ey0a 8' e7retr' dcpiet pe'yos d/3ptpos "Ap/]s.
/cat yy /ce 8t) £i(pe'ecrcr' avTocryjthov 6pp.r]dr]Triv, 530
ei pr/ cnpco' Atayre 8te'/cptyay p.£p.aG>T£, .
oi' p i]\0ov naO' dptAoy kraipov klkXi'jo-kovtos'
tovs VTT0Tap(3i'](ravTes k\(api-](rav irdkiv avris
"E/crcop Aiyetas r' ?}8e Xpopios 0eoet87/?,
"Ap^roy 8e /car ay0t Atuoy 8e8a't'ype'yoy r)rop, 535
vol. 11. 1
ii4 17- IAIAAOS P.
Keip.evov' Avrop,eb(ov be 6oS> araXavros " Aprji
revved t e£erapi£e /cat evyop.evos tiros rjvba'
" ?j brj p.av okiyov ye MewnnaSao Oavovros
nfjp d^eos p.eder\K.a \epeiovd irep KaTa-netyviDv"
' £2s el~(bv es bicppov ekvv evapa fipoToevra 540
Otjk , av 8' avrds ejiatve irobas nal \elpas imepOev
aiparo'eis' cos tls re kecov Kara ravpov ebi]ba>s.
A\j/ 8' eirl rTarpoKAa) reVaro uparepi] vcrp.ivr}
dpyaker\ TroXvbaKpvs, eyeipe 8e reuo? 'A^Tjyrj
ovpavodev KaTafid<ra' irpofjKe yap evpvoira Zeis 545
opvvjxevai Aavaovs' bi] yap voos erpaTrer clvtov.
rjvre irop^vperiv Xpiv 6vr\Toi(Ti ravvo-arr]
Zeis e£ ovpavodev, re'pas eppe^ai rj irokepioio,
r] kclI xeip<2vos bvaOakireos, 8s pa re epycov
avdptoTTOvs dveisavcrev kill \80vC, p?/Aa be K?;Sei, 550
a>s 7; Trop<fivpei] vetpekj] TtVKCurao-a e avr-qv
bvo-eT ^ AyaiGiv eOvos, eyeipe 8e (pona eKacrrov.
â– np&Tov 8' 'Arpe'os vlbv eiiOTpvvovaa TTpoarjvba,
t(p6ip.ov Mevekaov — 6 yap pa ot eyyvOev i)ev —
el<rap.evri 4>oiVi/a Se'pas Kai dretpea (pwvrjv' 555
" crot pey 877, Meve'Aae, Karr](peir] nal ovecbos
ecrcrerai, ei k' 'Ax/A^os dyauot) timttov eralpov
Tei\ei i'770 Tpwcoy razees kw« ekKri<Tovo~iv.
dAA' e^eo /cparepws, orpvve be kabv airavTa."
Tt)v 8' avre 7rpoae'et7re /3o?jy aya$bs Meye'Aaos' 560
" <I>oti><,£, aYra yepate irakaiyeves, el yap ' A6i]vr]
80177 napros epoi, fiekeoov 8' direpvKOL epcor/ir
roo Key eyw y' eOekoipu T:apeo~Tap.eva\. nal ap.vveiv
YlarpoKku)' pdAa yap pe #aya)i> eaepao-aaro 6vp.6v.
dAA' "E/crcop irvpbs alvbv eyei p.evos, ovS' d?7oA?/yei 565
XaAxa) Sti'io'gov' ro3 yap Zeis kS8os o7ra£ei.
*£2s tparo, yr/^?;crei' 8e ^ea yAauKO>7rts 'A^?ji;?;,
17. IAIAAOS P. 115
ottl pa ol -ndpirpuiTa 6eoJv i]pi]o-aTo irdvTOiv.
ev be j3li]v wpoio-i Kal ev yovveaatv eOi]Ke,
nai ol pvd]s Odpcros evl crTijOecraiv evi]Kev, 570
ij re kcu epyopevr] pdKa itep ypobs dvbpop.eoio
lo-yavda baKeeiv, Xapov re ol alp.' dvdpconov'
toCov piv Odpcrevs T:\rjo~e (j)pevas apcpl p.e\aivas,
j3fj 8' enl riarpo'/cAa), koX <xk6vtlo-€ bovpl (paet^w.
eo~Ke 8' evl Tpaecrai rioS?/?, vlbs 'HeTtaovos, 575
dcpveios t dyaOos re" paAiara be p.iv tUv' Exrcop
bi]pov, enei ol eralpos ei~v (pikos elXaTnvao-rijs'
tov pa Kara (/ocrr?}pa /3aAe £av6bs MeveXaos
ai^avra <po/3oi>8e, btairpb be yaXKOv e\ao-o~e'
bovTTr\o~ev be itecr&v' arap 'Arpet'Srjs Mevekaos 580
veupbv vireK. Tp<au>v epv&ev p.era edvos eraipcav.
"F.KTopa b eyyvOev lardpevos wrpwev ' AitoXkayv,
fyaivoin 'AcnaS?/ evakiyKios, os ol airavToyv
£eiva>v (pi'Araros eo-Kev, 'A(3vb66i ol«ia vaCoov'
[tw piv eet.o~ap.evos irpoo-ecpri eKaepyos ' AttoAAooz;]' 585
""E/crop, tis <e a - ' er aAAos 'Axatwz; rap/3 rjcreter ;
otov 8?j Meye'Aaou vireTpeo-as, os to napos ye
pakOaKos alyjp.r)Tr\s' vvv 8' olyerai olos aeipas
veKpbv {men Tpcocov, o~bv 8' eKTave ttlo-tov eraipov,
eo~6\bv evl ixpopdyoio-i, Ylobijv, vlbv 'HeTLuvos." 590
*X2? (f)dro, tov 8' dyeos vecpekrj eKa\v\j/e peXaiva,
(3fj be bib, -npop.d\oiv KeKopv6p.evos aWoni yaknti.
Kal tot dpa Kpovibr]s eker alyiba Ovcro-avoeo-crav
pappapei]v, "Ib-jv be Kara, vetyeeo-ai KaXvtyev,
do-Tpd\\ras be. pd\a peyaA' eKTvne, Tip 8' eriva^e, S'js
vitit]v be Tpcaeo-cri bibov, e(poj3ricre 8' 'A^atovs.
ITpwros Yl-qvekeais Bomtlos i]pxe (f>6/3oLO.
/3A?/ro ydp copov bovpl irpocnti Terpappevos alel
dupov eniklybr)v' ypd\jfev be ol ocrTeov d\pis
1 2
n6 17. IAIAAOS P,
al\p.i] YlovXvbdp.avTos' 6 yap p ej3aXe a-^ebbv eX6cov.
Arj'irov avQ^ 'EnTojp a^ebbv ovracre X € 'P' ^l Kap7ri3, 601
vlbv 'AXeKTpvovos pi.eyaOvp.ov, iravcre be xdpp.i]s'
Tpecrcre be TraTTTrjvas, eVet ovk£ti eX-nero dvp.<o
^Vx os *X C0V * v X ei P L Ho.xrj<r€<r$aL Tpcaecrcnv.
"E/cropa 8' 'Ibop-evevs pera Atj'Ctov 6pp,rj6evTa 605
/3e/3A?;/cet 6u>priKa Kara o-ttjOos irapa p.a(j!>v'
ev KavXco 8' edyri boA.t,x.® v ^dpv } to\ 8' efiorjcrav
Tp<3es' 6 8 lbopLevfjos aKo'rricre AeuKaAi8ao
bicppu ecpeo-Taoros' rov p.ev p dub tvtOov dp-aprev'
avrap 6 M^pio'vao dirdovd 0' r]vio\6v re, 610
Koipavov, os p" eK Avktov evKTLp,evi]s eirer a^rco —
7re£bs yap to, 7rpcora Xittoov veas dpc/ueAicrcras
ijXvOe, Kai Ke Tpcocn pe'ya /cpdros eyyvdXi£ev,
el p7j Kotpaz-'os £/ca irobooKeas ijXacrev Xttttovs'
not rto pey cpdos iiXOev, dp.vve be yriAees *}p-o.p, 615
avTos 8' coAetre 6vp.bv v<fi "E/cropos dvbpocpovoio- —
t6^ /3dA' vtto yva6p.oio Kal ovaros, eK 8' dp obovras
cbcre 8opu itpvp.v6v, bid be yX&o-crav rdp.e p,eo-o~r]v.
?/pt7re 8 e£ o)(ea)y, Kara 6 r/z-'ia x^ve^ ^pa^e.
Kal rd ye MripioVris eXafiev X£ip ecr(n </>iA?Jcri 620
Kvxj/as en irebioio, koX 'lbop.evija irpoa"t]vba'
u \xacme vvv, rj6s Ke dods em vfjas i/cjjaf
yiyrcocnceis be Kal avrbs T ovKeri Kapros 'Axaicoi\"
' X2s e(par , Ibojxevevs 8' lp.aaev KaXXirpi^as Ittttovs
vijas em yXa<pvpds' by yap beos ep.7reae dvp.<$. 625
Ov8 eXa6 , A'lavra p.eyaXi']Topa Kal MeveXaov
Zevs, ore 8?) Tptoetrcri 81801; erepaA/ce'a viktjv.
toIo-l be p.v6a)v 7/px* pe'yas TeAapcoinos Atas'
" w ttottoi, ?/8?; p.ev Ke ko.1 09 pdAa vi]ttios ecrri
yvoirj otl Tpcoecrcrt warTip Zeis avrbs ap?/yet. 630
rcoy pef yap Travrcoy /3e'Ae' aVrerai, os ris d(pipj,
ly. IATAA02 P. it;
?/ kcikos i] ayados Levs 8 ep7n;s ttclvt ivvvei
rjpuv 8' avroos iracnv erwo-ta TrtVret epa^e.
dAA' dyer avrot irep </>pa£cope0a p,iJTiv apiaTi)v,
•qfikv otto)s tov veupbv epvo-arop.ev, ?/8e kcu avrot 635
yapp.a (piXois erdpoio-t yevcap-eOa voaTr\o-avTes,
o'l 7rov 8eup' opoaivres d/crj)(e8ar', ot>8' ert (paa\v
"Enropos avbpocpoi'oto peVo? Kat ^elpas ddirrovs
<T)(ri(T€(rd\ dAA' eV ^7]ucrt p-eXaivrfcrtv neo-eecrdai.
eh] 8' os rt? eratpos ditayyeiXeie ra^tora 640
n?jAei8?/, eVet ov fxiv oiopai ov8e -jreirva-dat
Xvyprjs dyyekir\s, ort 01 <pC\os wAe#' eratpos.
dAA ov 7H7 bvvap.ai ibeeiv tolovtov A^atcav'
?}e'pt yap Kareyovrai 6p<2? avrot re Kat nnroi.
Zev irarep, dAAa a-v pvoxu vV 7/e'pos vlas A^aLcav, 645
Ttoh](Tov 8' aldprjv, bos 8' 6(p6a\p.olcnv IbecrOai,'
ev be <pdei Kat okeo-crov, eirei vv rot eva8ev ovrcos."
,v X2s (faro, tov be 7rar?;p 6\o<pvpaTo b&Kpv yjovra'
avTLKa 8' ?}e'pa pei> o-nebacrev kol duSiO'ev 6p.L)(Xr]v,
?}e'Ato? 8' eireAap^e, pd)(?j 8' e7Tt 7rao-a cpadvOiy 650
Kat ro'r ap' A£as enre f3oi]v ayaObv MeveXaov
" o-K€7rreo vvv, MeveXae 8torpe^>e's, at' Key t8?/ai
fabv er' 'AyrtAo^oi', p.eyadvp,ov Neo-ropos vlov,
orpvvov 8' 'AxiAtji ba'icppovi 6do~o~ov iovra
et7rety orrt pa ol ttoXv (piXraros wAe#' eratpo?." 655
*12s efpar, ov8' airidr\cre (3or)v ayadbs Mei>eXaos,
/3?) 8' te'mt c5s rts re Xeaiv a7ro p.eo~crav/\oLO,
os t eVet ap Ke Kap.r\cn nvvas r avbpas T epe6i£<ov,
o'l re' ptv ovk eta><rt /3oc3i' eK 7rtap eXeadai
7rdwvxot iypi]ao-oi>Tes' 6 be Kpeiwv eparCfav 660
t0wei, dAA' ov rt Trprja-o-ec 6ap.ees yap aKOvres
avTLOV ai(Tcrovo r L dpaveiacov airb xetp<3z',
Kaiofxevai re berai, rds re rpet e<jcrvp.ev6s irep'
n8 17. IAIAA02 P.
•q&dev 8' aTTOvocrcptv e/3?] rert?]dri 6vp.Cp'
us airb rTarpoxAoto fio-qv ayaObs MeveXaos 665
?/te 7ro'AA' aeKicv' ire pi yap 8te p.r\ \xiv 'Avouch
apyaXeov irpb (pofioio eXuip brjioicn Xiiroiev.
ttoXXcl be M^ptdi'?} re /cat Atdrreo-a-' ZireTeXXev
" Aiavr, 'ApyeCoov i]yr}Tope, Mripiovr] re,
zw rts evqeirjs YlarpoKXijos beiXolo 670
p.vri<Ta(rd(o' Ttacriv yap e7H<rraro p.eiXt,)^os etrat
£a>o? ewy* iw av Oavaros Kal p.oipa Ki\av£i. '
1 Sis apa (poivijo-as airef^rj £avdbs MeveXaos,
iravToa-e TraTTTaCviov &s r atero?, 6V pa re qbao~LV
o^vrarov bepKecrOai inrovpavtoyv Trererjvaiv, 675
ov re Kat v\l/66' eovra irobas ra^vs ovk eXade tttm^
OafAvo} vtt > d/x<ptKo'pa) KaTaK.eip.zvos, aXXd r e7r' avra)
eo-cruro, /cat re' fuv aj/ca Xafioiv e£et'Aero 0vp,6v.
a>? rdre (rot, MeyeAae biorpefpes, owe qbaeivb)
iravTocre biveia-Orjv iroXewv Kara edvos eraipcov, 680
et 7rou Ne'oropo? tuo/> ert £a>oz;ra t8otro.
roi> 8e pdA' at\j/' evorjo-e jud^s e7r' dpicrrepd 7rda-)j?
6apo"vvovQ' erapovs Kal eirorpvvovTa p.a\eo~6ai,
ay^ov b icrTap.evos irpoa-ecpij £av6bs MeveXaos'
11 'AvtlXox', et 8' aye bevpo, biorpecpes, ocppa TTV07]ai 6S5
Xvypijs ayyeXir\s, i) p.r] wcpeAAe yevecrdai.
ijbr] p.ev ere Kal avrbv di'opai elcropowvTa
yiyv(i>(TKeiv on %r\p.a 6ebs Aavaolcri KvXtvbet.,
vikt] be Tpcoaw itecpaTai 8' aipicrro? ' Ayai&v,
YlarpoKkos, p.eyaXr\ be irodr} Aavaolat. reruxrai. 690
dAAd crv y an/f' ' A\lXijL Oecov e~nl vrjas ' A\atG>v
elirelv, at Ke rd^tcrra vIkvv eirl vfja o-aiacnj
yvpwov' arap ra ye Tevye e^ei KopvOaioXos "E/crcop."
"Sis ecpar, ' ArrtAoxos 8e Kare'oruye p.v6ov aKOvcras'
bi]V be p.iv ap.<paa-iii etreu>v Ad/3e, rw 8e' ot oa-0-e 695
17. IAIAAOS P. 119
haKpvofyi Tr\rjo~8ev, daXepi] be ol ea^ero (pctivrj.
dAA' ov8' &s MeveXdov e(p~ripoo~vvr\s dp,eA?7a-e,
firj be Oeeiv, ra be rev^e' dp.vp.ovt, b&Kev eratpw,
Aao8o/ca), os ol a-^ebbv ecrrpecpe p.u>vv^as lttttovs*
Toy p.ev baKpv yeovra irobes (pepov e< 7roX.ep.oio, 700
YlrjXe'tbyj 'A^iAt/i kcikov cttos dyyeXeovra.
ovS' apa aoi, Mez^eAae biorpecfyes, rj6e\e 6vp.bs
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avrap 'A^tAAevs copro bd(pi\.os' dp<pt 8' At^m?
copot? l(pdip.0L(Ti /3dA' atyi'8a Ovo-cravozao-av,
dpcpt 8e' ot K€<pa\fj v4(pos ecrrec/>e 8ta 0edcoz> 205
Xpvcreov, eK 8' avrou 8ate <p\6ya irap.(pav6u)crav.
cos 8' ore Kairvbs tcW e£ dcrreos' at0ep t/cjjrai,
Ti-jkodev eK j^crou, njy 8)jtot dpc/>tpd)(coi>rai,
01 re 7rayrju.e'ptot crruyepco Kpivovrat "Apri'i
doreos e/c (rcperepov dp.a 8' ?/eAico KaraSwrt 210
â– nvprrol re (pAeye'c9ot>crti> e7n/rptpot, i^o'cre 8 avy?j
ytyyerat d'ttrcroucra TreptKrtdz^ecrcrty Ibicrdai,
at Ktv ttcos crbv v)]vcr\v apyjs dXKTrjpes tKcorrat'
cos d7r' 'A)(tAAj/os Kec/>aA?/s cre'Aas atfle'p' t/caye'
crrT/ 8' eVi rd(ppov tcoy dwo ret^eos, ov8' es 'A^atovs 2 15
128 1 8. IAIAA02 2.
ptcryero* ixrjrpbs yap ttvkivijv a>7ri£er' e<perp.rjv.
ev6a crras ijvcr , ) airdrepOe be TlaWas 'Adijvrj
(pdey^ar' drdp Tpooecrcnv ev avneTOV utpcxe Kvboijxov.
cos 8' ot api&jkij (pcovij, ore T tax* crdA7rty£
acrrv 7repnr\op.evoov brj'toov viro 6vp.opaia-reu)v, 220
w? tot dpt^Arj (pcovij yever Alatiibao.
ol 8' cos ovv aiov oira xdAKeoy Ata/ct8ao,
â– nacnv 6piv6ij 6vp.6s' drdp KaAAirptx.es Xttttol
a\}f o^ea rpoireov' oaaovro yap akyea 6i>p.(o.
ijvioyoi 8' eKirXrjyev, eirel 1801; aK.ap.aTOV rrvp 225
bewbv virep Ke(pa\ijs p.eyadvp.ov YlrjXeicovos
baiojxevov' to be 8ate 6ea yAai>KC07ris ' AOijvrj.
rpts p.ev vrrep Ta(ppov peydA' layje bios 'AxiAAevs,
rpts be KVKijdrjcrav Tpcoes KAetrot r eirtKovpoi.
evOa be koX tot oKovto bvcabeKa (pares dpiaroi 230
dpc/u a-001? dxeecrcrt feat eyx. 60 " 117 ' avrdp 'Axatol
dcr77acricos Fldrpo/cAoi' V7re/c /3eAecoi> epvaavres
KarOecrav ev \eykeo~cn' </h'Aoi 8' ap.<\>k(rrav eralpoi
p.vp6p.evof p.era 8e crept irobtoKrjs et7rer 'AxiA\evs
baxpva depp.a x^v, ^€t etcriSe marbv eralpov 235
Keip.evov ev (pe'prpcp beba'iyjxevov o£4'C xaAxco,
toV p° ?j rot jutey e.Tiep.'ne aw Xttttolo-iv /cat oxetrtpiv
es irokepLOv, ov8' aSrts ebe£aro vocrTijo-avra.
'He'Aioy 8' a.Kap.avTa /3oco7rts -noTvia "Hprj
Trep.\j/ev eri 'Xl/cearoto pods deKovra veecrdai' 240
?/e'Atos pev e'8u, Travcravro be 8101 'Axatol
(pvXoinbos Kparepijs Kat ojxouov rto\ep.oio.
Tpcoes 8' avc9' erepuOev dirb Kparepijs vo-p.ivrjs
Xcop?/aaures eK.vaav v<p' apiiaaiv co/ceas nnrous,
es 8' ayopijv dyepovro, Tripos bopnoio p.ebea6at. 245
dpd&v 8' earao'rcoz; dyopjj yever , ovbe rts |rAi|
e'£ieo-0ar 7rdi>ras yap e'xe rpojxos, ovveK 'AxiAAeus
i8. IAIAA02 2.
129
e^ecpavi], brjpbv be /xax?}? eTreiravr akeyeivrjs.
roicn be Ylov\vbdp.as ireirvvpLevos ?]px' dyopeveiv
Hav6oibr]s' 6 yap otos opa irpocrcroo kcu oirio-cru)' 250
' EnTopi 8' yev eralpos, lf\ 8' ev vvktX ykvovTO,
dAA.' 6 p.ev ap p.vdoio~iv, 6 8' ey\ei itoXkbv eviKa'
crcpiv evcppovecov ayopijcraTO kcu p.eTeenrev'
" dp.(pl juaAa (ppa^ecrOe, (piXoc Ke\op.aL yap eyco ye
darvbe vvv levai, p.?/ p.ipveiv ?)<3 blav 255
ev irebm irapd vtjvctlv' eKas 8' a7ro retx^ds elp.ev.
ocppa p.ev ovtos dvi]p ' 'Ayap,ep,vovi p.ijvte 8uo,
rocppa be prjirepoi. Tiokep.C£eiv r\o~av 'Axaioi*
\aipea-KOv yap ey<6 yedofjs eVi vr)vo\v lavmv,
eki:dp.evos vr\as alpi]a-ep.ev ap.<piekLo-o~a$. 260
vvv 8' alvas beiboiKa irobtonea Y\r]ke'ioiva'
otos Keivov 6vp.bs v7repj3i.os, ova eOeXtjaei
p.ip.veiv ev 7re8ta), 0B1 irep Tp&es Kal 'Axatot
ev peato ap.<poTepoi pevos "Apr/os bareovrai,
dkka irepi Trrdkids re p.a\i]aerai r\be yvvaiK&v. 265
dAA' top-ev Trporl aoru, Tridecrde por &be yap ecrrai'
vvv p.ev vv£ aTreirava-e irobcoKea Urjkeicava
ap-fipoo-ir)' el 8 ap.p.e Kiyj](reTai evdab* edvras
avpiov 6pp.rj6eh <rvv rev^eo-iv, ev vv tls ovtov
yvuxrerai' ao-T:ao~ia>$ yap acpl^erai "IAioy Iprjv 270
o? Ke <pvyr\, irokkovs be Kvves Kal yvires ebovrai
Tpuxov' ax yap 8?/ pot a-n ovaros <38e yevoiro.
el 8 av epoT? eTreea-cn TTi9u>p.e6a Kr\bdp.evoi Trep,
vvKTa p.ev elv dyopfj crdevos e£op.ev, daTV be irvpyoi
v\j/r]kaL re irvkat cravibes t eirl rf\s dpapvlai 275
pa/cpai ev^ea-TOL e£evyp,evai elpvcraovTai'
TTpwii b VTrrjoloi avv Tev\eo-i Q(apt])(6evTes
oTTjo-ope0' ap, irvpyovs" rw 8' dkytov, at k eQekija-Lv
ekOvv eK vr\Siv Trepl rei)(eos ajupt pLa^ecrdai.
VOL. II. K
130 1 8. IATAA02 2.
a\j/ -na\iv cto"' em vijas, eirei k eptav^evas Xttttovs 2S0
iravToiov bpop.ov da-ij virb tttoKiv i]ka.(TKa£a>V
elcro) 8' ov \xiv 6vp.bs e(popp.7]6rjvai edaei,
ovbe ttot eKirepcrei' irptv p.tv KWf? dpyol eboi'Tai."
Tbv 8' dp' virobpa IbuiV TTpoaecpi] KopvOaiokos "EKTOip'
" Ylov\vbdp.a, ctv p.ev ovk£t ep.ol cpika tclvt dyopeveis, 285
os KeAeai Kara dory dX{]p.evai aSns lovras.
t) ov 7ra) neKopiqo-Qe ee'\p.evoL evbodi nvpyiov ;
irplv p.ev yap Ylpiap.010 ttoAlv p-epoires dvOpooTrot
irdvres p.vd£(TKOVTo TroXv^pvcrov nokvyaXKov'
vvv be br\ e£a7ro'AcoAe bop-cav Keip.r)\ia KaAd, 290
-/ToAAd be 817 QpvyiTqv nal Mrfovlr\v epareLvi)v
/cr?//xara irepvajxev facet, e7rei p.eyas d)bv<ra.To Zevs.
vvv 8' ore 7re'p /xot l8a)Ke Kpovov ttolCs dyKvAop.iJTea>
Kvbos apeo-O' eirl vi]V(tl, 6akdo-o-r\ r ekaat ' Ayaiovs,
vrjine, p,r]KeTL ravra vor]p.ara (paiv kv\ bijp.(i>' 295
ov yap tis Tp<tio>v e77i7reiVerat' ov yap edo~a>.
dAA' dyed' wj av eya> ei7ra>, ireidcopieda 7rdz>res.
yw pey boptrov eXevde Kara arparbv ev TeXeeacn,
Kat <pvX.aK.rjs pvyjo-ao-de, koX eyprjyopde eKaoros'
Tpiowv b' os Kredrecro-ty VTreptpidkajs dvid(et, 300
o-yAAe'^as Aaoi(H 80'roo KaTabrjp.o(3oprj(rai'
tQv tlvcl fieXrepov ecmv eiravpep-ev ?/ 7rep 'A^aiovs.
itpGti 8' imrjoloi o~vv revyjeai 6(i>pr}ydevTes
vi]vo~lv €7rt yka(pvp[]cnv eyeipop.ev o£vv "Apr/a.
el 8 ereoy 7raod vavcpiv dveo-Trj 8tos 'Ax/AAevs, 305
dXyiov, at k e0e'A?/o-i, tw ecrcrerar ov piy eyo5 ye
<bev£op.ai en irokep.oi.0 8uo-rj)(e'os, dAAd pdA' dvrr\v
(TTT]<ropai, ?/ Ke (peprjai p.eya Kpdros, t) Ke <pepoip.r]v.
gvvbs 'EwdAios, Kat re uraveovTa KarenTa."
*£1$"Ektu>p ayopev', eirl be Tp<Ses Ke\dbi]o-av, 310
j'//77tof e'K yap acpeooi' cppevas et'Aero FlaAAds 'A^?;w;.
1 8. IAIAA02 2. 131
' Enropt p.ev yap eTtr\vi]crav Karta p?;rioau>ri,
YIovXvbdp.avTi 8' ap ov tls, bs eo-6Xr]v (ppd(ero fiovXijv.
bopirov eVei0' eiXovro Kara, o-rparov' avrdp 'Amatol
iravvv^ioi Yla.TpoK.kov aveo-Tevd^ovTo yo&vres. 315
Total be YlrjXeibris abtvov e£rjpxe ydoio,
\elpas eir dvbpo(p6i>ovs 6ep.evos cmjdecrcnv eratpov,
ttvkvo. p.aXa crTevd\(ov cos re Ais r/vyevetos,
to pd 0' virb 0-Kvp.vovi eAac/)?7/3o'Aos apirdaij avi]p
vki]s Zk TTVKivrjs' 6 be t d\yvTai wrepos eX6d>v, 320
TToWa be r ay*ce' enyXOe p.er dvepos !yv 1 ' ^pcyv&v,
el irodev e^evpoi' p.dXa yap bpip.v$ yoXos alpel'
cos 6 /3api/ o-revayuiv p.ere<pcoi>ee Mvpp.Lboveo-o-iv'
" co ttottoi, ?) p dXiov tiros eK(3aXov ?/pan Keivw
6apo~uv(i)v ijpooa Mevoiriov ev p.eydpoio-L' 325
(prjv be oi els 'Oiroevra TrepiKXvrbv vlbv ditd^eiv
IXtov eKTrepaai'Ta, Xayovra re Xr\ibos alaav.
dXX ov Zevs dvbpecro-i voijp.ara navra reAeura"
ap<pco yap 77e'7rpcorcu 6p.oii]v yalav epevaai
avrov h'l Tpoi?j, e7ret ovb' epe voo-rrjcravTa 330
be^erat. ev peydpoicri yepcov iTnrrjXaTa Ylr]\evs
ox/be ©e'ris p.i]Trjp, dAA' avrov yala nade^ei.
vvv 8' e7ret ovv, IldrpoKAe, crev wrepos elpf inrb yaxav,
ov ere irplv /crepico, irpCv y "E/cropos evOdb' evelKai
revyea koX Ke(paXi]v, p.eya6vpov trato cpovrjos' 335
ba>beK.a be Trpoiidpoide Trvprjs dTtobeipoTop.r\o-a>
Tp<o<ov dyXad reKva, aeOev KTap.evoio yoXoodeis.
ro(ppa be poi irapd vrjvo~i Kopoivicn Keio-eai avrcos,
dpc/n be ere Tpcpal Kal Aapbavibes fiaOvKoX-not.
KXavo-ovrai vvKTas re koX ?//ixara bdnpv yeovcrai, 340
rds aiirot Kap.6p.eada /3tr;c/)t re bovpi re p.aKpu>,
Trieipas TrepOovre iroXets p.ep6iia>v avOpaiTKav"
*I2s ei7rcW erdpotcru' eKe'/<Aero 810s 'Ax'AAevy
k 2
132 1 8. IAIAA02 2.
apcpl Tivpl (TTijcrai. rpiiroba p.eyav, 6(ppa rdxiora
YlarpoKXov Xovaeiav diro fiporov alpLaToevra. 345
ol be Xoerpoyoov rpnroS' Xa-ratrav ev Trvpl KrjXew,
ev b dp vboyp e^eav, vtto be £vXa batov eXovres.
ydcrrpr]v pkv rp'mobos irvp dp.(peT:e, 6epp.ero 8' vhiop'
avrap eirel hi] (ecrcrev vbcop evl ijvo7n ^aA/co),
nal Tore hi] Xovo-dv re kcu yXecxj/av AiV eAcua), 350
ev b wreiAas TrXrjcrav aXeicparos evvecopoio'
ev XeyJ.eo~ni be Oevres eavy XltI KaXvij/av
es irobas en KecpaXrjs, KadvirepOe be (pdpe'C Aei)K<3.
TTCivvvxioi p.ev e~neira irobas ra)(vv dp.^> ^A^tXija
Mvpp.tb6ves IlarpoKXov avea-revayovTO yo&vres' 355
Zeis 8' "Hpt]v Trpoveente Kaviyvtynqv aXo^ov Te'
Ci eirpri^as nal eireiTa, /3ou>TTts ttotviol r 'Hp?j,
avo-Trjcracr ' A^iXija TTobas Tayyv' ?] pa vv creio
e£ avTijs eyevovro Ka.pi] KO/xoWres ' Ayaioi."
Tbv b' iip.eifieT eVeira fiocoius irorvia "Hprj' 360
" ah'OTare Kpovibr], nolov tov p.v6ov eeiires.
koX p.ev bt] ttov tls ju,e'AAei fiporbs avbpl reAe'cnrai,
os irep 6vi]t6s t earl koX ov roVa p.i]bea olbe'
7ra>? 8t) eyu> y\ rj cp-qpn Oeautv ep.p,ev apCaTt],
ap.(poTepov, yevefj re kcu ovveKa 0-?/ irapaKOiris 365
KeKXr]p.ai, av be irao-i p.er aOavaroicnv dvdcrareis,
ovk ocpeXov Tpu>eao-L Korecro-ap.evr] kuko. pa\\fai ; "
12? ot p.ev roiavra irpbs aXX^Xovs dyopevov
H<paiaroi> b LKave bop.ov ©e'ris apyvpoire^a
a(p6tTop acrrepoevTa, p,era7rpe7re" adavdrotai, 370
X^aXKeov, ov p avrbs Troirjo-aTo KvXXoTTobtwv.
tov b evp ibp<i>ovTa eXio-aop.evov irepl (fwaas
airevbovra' Tpiirobas yap eeiKoai iravras erev^ev
eo-rdpevai irepl rol^ov evaTaOeos p.eydpoio,
Xpvaea be o-0' virb KVKXa e/caara) 7rvdp.erL OrJKev, 375
i8. IA1AA02 2. 133
6'(ppa 01 avTOfiaroi dtiov bvcraiaT aywva
?j8' clvtis 7rpds 8<Spa veoiaro, 6av\xa Ibiadai.
ol 8' ?; rot Tocraov pey ex ov T ^°^> ovara 8' ov -nu>
8at8dAea Trpoo-cKeiTO' rd p ijprve, Koirre 8e 8eo-povs.
6(pp ye ravr e7rovetro IbvCijcn 7rpa7rt8eo-cri, 380
Tocppa ol eyyvdev ?/A0e #ed ©ens apyvpoTie^a.
Ti]v 8e t8e Tipop-okoxxra Xdpts ki-napoKpi]bep.vos
KaXi], ri]v coirvu irepiKkvTos ap-cpcyvqets'
ei> r apa ot (pu X et P l e77 " 0? r ^<P« 1 " eK r oropa£e
" rt7rre, ©e'rt Tai.'V7re7rAe, i/cd^eis rjpLerepov 8(3 3S5
aiboirj re <£tA?} re ; 7rdpos ye per ov rt 0apt£ets.
akk' eVeo 7rpore'pco, tVa rot 7rdp £eivia 0etco."
*X2s dpa (pa>vrj(ra(ra irpoaoi aye 8ta Oecuav.
tt]v pei> eVeira nadelcrtv eVt dpovov apyvpoi]kov
Kakov baibakiov vtto 8e Opfjvvs Troalv i)ev' 390
Ktukero 8' f/ H(paiaroy KkvroT6\vi]v elirt re piddov'
""H^atcrre, 7rpo'poA' aSSe* ©e'rts w rt o-eto x.art(ei-"
r?/y 8' ?}pei'/3er' e7retra TrepiKkvrbs dp^tyDTjets'
" 77 pd yv pot 8etyrj re Kat atSotrj 0eos tvbov,
i] p' ecrdcoo-', ore p' dAyo? d0t/cero r?)Ae irecrovTa 395
p?jrpos epj/s 16tt}Ti KW(oinbos, ij p' efleArja-e
K.pv\j/ai xcoAozj iovra' tot clv ndBov dAyea 6vp.<p,
ei p?j p' Evpvv6p.r] re ©e'rt? 0' v7re8e'£aro Kokirco,
Eipwoixi], dvyarrip axj/oppoov 'i2/ceaz>oto.
r^ai 7rap' eti>deres x c *^ Keuoz; 8at8aAa 7roAAd, 400
TTopiras re yyap7rrds 0' e'AtKas /cdAvKas re Kat opp.ovs
Iv aririj'i ykacpvpti' irepl 8e poos 'ilKeayoto
d(f)p<2 p.opp.vp(DV peev do-7reros* oi»8e rt? dAAos
ijbeev ovtc dzG>v ovtz dvr\TGiv avdpu>Tr<ov,
akka ©e'rt? re Kat Evpiwdprj to-ay, at p ecracoo"ay. 405
j; yCy {jfAtTepov 8dpoy tKef rw pe paAa XP ea)
Trd^ra ©e'rt KaAAt7rAoKapa) (coaypta Tivtiv.
134 i8. IA1AA02 2.
aAAci av p.ev vvv ol irapdOes £eivq'ia xakd,
6<pp av eyu> (pvcras airodeiojxai orrka re irdvTa.
H, kglI aii a.KixodeTot.0 irekoop ah]rov aveo~Tr) 410
Xcokeviov' vtto be Kvrjp.aL pu>ovro dpaiai.
(pvcras p.ev p" cntdvevde tlOcl irvpos, oirka re Tiavra
kapvaK es apyvpirjv crvkke^aro, rot? e77wetro"
cnroyyu) b a.p.(pl TrpoacoTra /cat ap.(pa> \elp' aTTop.6pyvv
ai^eva re (m(Sapbv nal o~Trj6ea ka^vijevra, 415
bv be xit&v, eke be crKijiTTpov itayy, j3i] be dvpa^e
\(J)\eVU)V VTTO 6' dpLCpLTTokoL ptoOVTO aVCLKTl
Xpvcretai) fafjcn verivuriv eioi/cviat.
ttjs ev p.ev voos eari juera (ppecriv, ev be koX avbi]
kcu o~9evos, adavdroiv be deuv duo epya icracrLV. 420
at p.ev xnraiOa clvciktos eTto'nrvvov' avrap 6 epp<av
7r\rj(r[ov, evQa ©e'rt? rrep, errl Opovov l(e ajaetvov,
ev t apa ol cpv X et P l erros r ecpar en r ovop.aQe
" TiTTTe, ©e'rt TavvTreirXe, iKaveis ijpLerepov 8<3
alboirj re <pi\r] re ; Trupos ye p.ev ov tl da/iC^eis. 425
avba o tl (ppoveeLS' reAeVat be pe 6vp.bs dvoiyev,
el bvvap.aL reAeVat ye kcll el rerekeapievov en-riv. '
Tor 8' ?/pet/3er' eVetra ©eYis Kara bdnpv \eovaa'
""HcpaLcrT, r) apa brj rts, ocraL 6eai elcr ev 'Okvpana,
Too-crab' evl <f>peo~lv i)o-lv avea\ero Kijbea kvypd, 430
6V0-' epot eK Trap-ea>v Kpovibr^s Zeus aAye' ebainev',
eK p.ev p? akkaav aAtacoi' auSpt bdp.ao'crev,
AlaKibr] Tlrjkrj'L, Kat erkrjv avepos evvi]v
irokkd paA' ouk edekovcra. 6 piev bi) yr\pai AuypcS
Ketrat Ivt jueyapots dpr\p.evos, ciAAa 8e' ftot uw' 435
i>t6y e7ret pot Sake yeveaOaL re Tpa(pep.ev re,
e£oxov f]p(ti(t)v' 6 b" 1 dvebpapiev epve'i Xvos'
tov pev ey<o 6pe\}/a(Ta (pvrbv a>s youz'w aAw^s,
vr\vcr\v eiTLTTpoer)Ka KopwviaLV "IAtor etcra;
1 8. IAIAA02 2. J 35
Tpcotu paxwopwov' tov o' ovx V7rooefopai a£m 44°
owcaoe voamjaavTa bopov Wi]Xr{iov eto-co.
ocppa 6e pot £coet Kal opa cpaos rjeAioto,
a-xwrcu, ovbe tC ol bvvapai xpaia-p?}rrai lovo-a.
Kovprjv rjv apa ol yipas e£e\ov utes 'Axatcor,
ri]v a\p- e« x.eipG>v e'Aero KpetW ' Ayapepva>v. 445
?] rot 6 r?/s a\€U)V cppevas ecpfltez'" avrap 'Axaiobs
Tpcoes e7rt irpvpinjcnv eet'Aeor, ovSe 0upa£e
etcoi> e£teVat" rw 8e kiacrovTO yepovres
'ApyeiW, Kal iroAAa TreptKAura ocop' oVopa^bi;.
ez>#' avro? pey e7retr' r)vaivtTo Xotybv ap,vvai, 45°
avrap 6 ndrpoKAoy wept pey rd a rei^a e<ro " e >
Trip-ire be ptv irokepovbe, ttoXvv b' apa Aadf 07racra*€.
7ray 5' ?]pap pApvavro irepl Skoit/o-i ttvAtjcti'
Kai vv Key avTrjfxap ttoXlv eupaQov, el p.r) Atto'AAcoz'
7roAAd Ka/ca pe£avra Mevoiriov akKipov vlbv 455
furav evl irpofjiaxoun Kal ''Ejcropi kC8os e'8coKe.
rovyefca yuy ra trd yovvaff iKa.vop.ai, at k e6eki]o~0a
vlel epw wKvpopco bopev ao~iriba Kal rpv<pakeiav
Kal KaAas Kvi]pibas eTTicrcpv plots apapvias,
Kal 6u>pr]x' o yap rjv ol aTrcoAecre ttio-tos eralpos 4 6 °
Tpcocrt 8apetV 6 be Ketrat eVi x^ ^ ^upov dxevcor."
Ttji; o' r)peij3eT e-neira TrepiKkvTos dpcptyrn/eis -
" Oapaei' p?/ rot raura perd cppecri crfjtrt pekovT(»v.
at yap piy 0aydroto bva-qx^os &be bvvaipr\v
voo-(pLV a-noKpvy\rai, ore. p.iv popos alvbs Uai/oi, 4 6 5
cos ol revx ea «aAa irapeVo-erat, old rts aire
avdpcaiT(ov 7roAeW t9aupao-crerat, os Key t8?jrat.
*12s et7ra>y rrjy pey At7rey ai/rou, /3t) 8' eVi (pvo~as 4
rds 5' es 7n;p erpe\j/e Kekevo-e re epydCecrflat.
<puo-at o' ey x°tt^ oto ' iy hUocn iraaat ecpwrcoz', 47°
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VOL. II. I.
146 19- IAIAA02 T.
ey)(e'i x.a\Keiu> Tptocov 6\eKOVTa (pd\ayyas.
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19. IA1AA02 T. 147
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" yaCpia crev, AaepridSjj, tov pvdov aKOvaas' 185
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7roAAdV, €7m irporepos yevop.i]v /cat irkeiova 018a.
t<2 rot e7nrA?/rco /cpaSu; \xv6oimv epotcrt/'. 220
al\j/d re (pvXoTnbos 77e'Aerat /co'pos avdpooiroLcriv,
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kiTTa pei; e/c /cAto"i?;s rpnroSas (pepov, ovs ol vnio~Tr\,
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19- IATAAOS T. 149
?}px\ «pa 8' dAAoi 8<wpa <p£pov Kovprjres 'Axaiah'.
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i5o 19. IAIAA02 T.
280
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p.vr]crdp.evoi to. enaaros evl p.eyapoiaiv ekenrov'
p.vpopevovs b' dpa tovs ye lb(bv ekeijae Kpovttov, 340
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civti] be irpb? Trarpos epicrdeveos ttvklvov bo> 355
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19- IAIAA02 T. 153
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20. IAIAA02 T. 161
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210
VOL. II. M
1 62 20. IAIAAOS T.
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20. IAIAAOS T. 163
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ot efley e^eyevovro yvvaiK&v re 6vi]Tau>v. 305
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vvv be bi] Alveiao /3t?7 Tpcaecrcnv ava£ei
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20. IAIAA02 T. 165
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Alveiav b' ecrcrevev enrb xOovbs ityoV deipas. 525
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eWerai, 6s /cat vvv (pvyev dcrp.evos e/c Oavdroto. 350
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20. IAIAA02 T. 167
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Tapftrjcras, ot anovcre Beov otto. cpuvrio-avTos. 380
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ap.epbaXea la^iov, irp&Tov 8' eXev 'Icpiriowa,
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dkk' 77 tol p.ev ravra decov ev yovvaai nelrai, 435
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20. IAIAAOS T. 169
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crp.epbaXea la\u>V tov 8' e£rjpTra£ev 'AttoXXcov
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rjXde kcxkoV vvv avre <r epveraro <J>o?/3os 'A7ro'AAcor, 450
co pe'AAeis evxecrflcu icor es bovirov aKovTuv.
?] $771; cr' k^avvao ye Kat varepov cu>Ti/3oA?jeras,
ei ttou ris kou ep.oiye flecoz; eiuTappodos ecrrt.
roi; au rox)s aXXovs emeuropcH, ov kc /axeuo. '
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eK be ol Tjirap 6'Xicrdev, a.Tap p.eXav alp-a Kar avTov 470
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170 2o. 1AIAA02 T.
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bovpl Kar ovs' eWap be 81' ovaros 7]A0' erepoio
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pea-o-qv ko,k Ke(paki]V £i(f)€L ykacre KOiirrievTi, 475
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alxiJ-fj \a\KeCrj' 6 be [uv p.eve \eipa flapvvOeis, 480
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rrjk avrfj Tir}krjKi Kapt] /3aAe' p.vekbs avTe
cr(f)ovbv\ioov enTrakd', 6 8' eirl yOovl nelro TavvcrOeCs.
avrap 6 (3rj p 1 levat, p.er ap.vp.ova UeCpeca vlov,
Viyp.ov, bs £k &p^Kt]s epificokanos elkrjkovOeL' 485
tov flake p.eo-aov olkovtl, Trdyrj 8' ev vrjbvi xaA/cos,
ijpnre 8 1 e£ o^ecov' 6 8' ' Apyidoov OepdirovTa
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&>s 6 ye TrdvT7] Ovve o~vv ey^ei baipovi Tcros,
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IAIAA02 <I>.
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172 21. IAIAAOS <t>.
8eiSio'res # p,d\a yap re KarecrdUi bv Ke kd/3i]<TLv'
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Troivrjv Yla.TpoK\oio Mevoindbao davovros.
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^ /xaAa 8r/ Tpwes p.eyaA?;ropes, ovs 7rep eire<pvov, 55
2i. IAIAA02 *. 173
avTis ava.(TTr\(T0VTai vtto (ocpov i]epoevTos,
olov hi] kcCl 08' rj\6e (fivyuv vtto vrjXees tfp-o-P)
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?/ dp' 6p<3s ml neldev ekevcreTai, 77 piv epv^et
yf] (pvcrlfros, i] re Kara Kparepov itep epv/cei."
*i2s &ppaive p,ev(av' 6 be ol cr\ebbv rjkOe Te9i]7T(os,
yovvoov d^racrdai p,ep.aa>s, irepl 8' rjdeke 6vp.io 65
eK<pvyeeiv ddvarov re kcikov kcu Ktjpa p,e\aivav.
i] tol 6 p.ev bopv paupbv avia-yjzro bios 'AxiAAeu?
ovTap.zvai p.ep.aws, 6 8' virebpapLe kcu kdj3e yovvoav
Kvxjsas' kyyjdr] 8' ap irrrep vo>tov evl yai?/
ecrTi], iep-evi] \pobs dpevaL dvbpopeoio. 70
avrap 6 rrj eTept] pev e\b)V eAXicrcrero yovvoiv,
rfj 8' kriprj eyev *Vx o? dnaxpevov ovbe peOCeL'
kcu piv (pcovqa-as eitea irrepoevTa Trpoa-qvba'
" yovvovpai o~\ ' AyjXev' cv be pJ albeo <cai pC e\ei]o~ov
avTL tol elpH iKerao, biorpecpes, alboioio' 75
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rjpari r(S ore p? el\es evKTip-evrj ev dXcafj,
/cat p eirepaa-aas avevOev dycov Trarpos re (pi\a>v re
Ar)p.vov es T)ya6er]v, enaTopftoLOv be tol r\k$ov.
vvv be kvprjv rpls roWa irop&v ?')ws be pot ecrriv 80
ijbe bvoibeKarri, or es "1\lov elXijXovda
iroXka iradtov' vvv av pe Tens ev xepaiv eOrjKe
p.olp 6kor\' pe'AAco ttov aireydeo-dai Au irarpi,
os p.e o-o\ avTLS ebaiKe' pivvvOabiov be p.e priTrjp
yeivaTO Aaodor], dvyaTnp v AArao yepovTos, 85
"AXreco, bs AeXeyea-ai <pikoTTTo\epoio~LV dvdcraeL,
Hrjbacrov alTrrjeo~crav e\(av em 'SarvioevTi.
174 «• IMAA02 <J>.
rot) 8' e^f dvyarepa TlpCapos, TroXXas be /cat dXXas'
ttjs Se 8vco yevop.ecr6a } ctv 8' dp</)a> SeiporopTjcreis.
t] rot roy TTptoToiai perd TrpvXeeo-crt bapaaa-as, 90
avrideov YIoXvba>pov, eiiel /3dXes d£e'i' bovpC'
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dXXo be tol epeco, o~v b evl cppeal j3dXXeo trrfav
pr\ pe KTtlv , eiiel ov\ opLoyao-rpios "E/cropo's eipt, 95
o? roi fralpov eirecpvev evrjea re Kparepov re."
*i2s apa piy ITpidpoio TTpocrrjvba <pai.bip.os vlbs
Xicro'o'p.evos eTreecrcnv, ap.eiXt.KTOv 8' 6V a/coixre'
" ^7j7rie, p.rj p.01 airoiva Tn<pavo~Keo pT?8' dyopeve'
TTplv piev yap TlaTpoKXov eirta-neXv ai<rip.ov r\p.ap, 100
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Tpoaoiv, Kal ttoXXovs £coovs eXov ?}8' e-nepao-aa'
vvv 8' ovk eo-0' os tis ddvarov <pvyr], ov Ke 0eds ye
'IXiotj TrpoitdpoiOev epfjs ev X 6 / 30 "' P&Xrjo-i,
Kal Travroiv Tp<ti(i)V, irepi 8' aS ITpidpoid ye Traibcav. 105
dXXa, (pt'Xos, 0dre /cat try* raj oXocpvpeai ovtcos ;
narOave Kal YldrponXos, 6 7rep cre'o iroXXbv apeivoov.
ov\ Spaas olos Kal eyco /caXds re peyas re ;
irarpos 8' eip' dyafloto, 0ea 8e pe yetVaro p^rr;p*
dXX' e7rt rot /cat epoi 0dz/aros Kat p.olpa /cparaiT/* no
ea-crerai ?) r}a)s t) 8eiXrj 7) fticov rjp-ap,
oinroTe tis Kal epeto "Ap?/ e« 6vp.bv eXrjrat,
?; o ye 8ovpt /3aXcW r; airo vevpijcpiv diariS.
*X2s (pdro, rod 8' atrou Xvto yowara xai cpiXov i]Top'
tyxps p.iv p' dcpirjKev, 8' e^ero x e V e 7rerdcro"as 115
ap-cporepas' 'A^tXevs 8e €pvcro~ap.€vos ££<pos 6£v
rvype Kara KXr/'iba Trap 1 c.v\iva, ttclv 8e ot eio-co
85 £i(pos dpc/)7]Kes* 6 8' apa TTpi]vy]S e7u yat'?/
Ketro raOels, ex 8' atpa p.iXav pie, beve be yalav>
21. IAIAAOS <f>. 175
Toy 8' 'A)(tAeus 7rorapo'y8e Aa/3au> Trobos r/Ke (p£pecr6ai }
xai 01 e^eux )^ 1 ' 05, eirea TrrepoevT ayopevev' 121
" kvTavOoi vvv Kelao per' fyOvcriv, ot a-' wretAr/y
alp' a7roAixp?/o-oi>rai a.KT]bees' ouSe (re p-r/T-qp
evdep.evq kexeecrcn yo?/o-erai, dAAd ~2,Kap,avbpos
olo~ei $iz>??eis eicra> dAo? evpea koXttov. 125
OpuxTKoov tls Kara Kvp.a p.ekaivav <ppix' virat^ei
Ix^vs, os kc <pdyrj(TL Avk&ovos apyera brjfxov.
(pdeCpeo-6 , } els 6 Kev aarv Kix-eiop.ev 'IAiou Iprjs,
vp.els p.ev (pevyovTes, eya> 8' oiriOev Kepa'tfav.
o?38' vjnTy TTOTap.6s irep evppoos apyvpoblvr\s 130
apKeaei, (0 8?/ 8770a iroXeas lepevere ravpovs,
faovs 8' ei> bivrjcrt KadUre pcdzwxas i7T7TO?j?.
dAAd /cat a>? dAe'eafle kixkov p,6pov, els 6 zee 77avres
ricrere rTarpo'/cAoio qbovov not \01ybv 'Axai<3i>,
ovs eTrt iniuo-l dofjertv eirecpvere v6o~(j)iv epeio." 135
*12? ap' ecpr?, Trorapbs be xoAwcraro KrjpoOi p.aXkov,
u>pp.rjvev 8' dm 6vp.bv ottois Travo-ete ttovoco
blov ' AxtAA?/a, Tpcoecrcri 8e Aoiydy dAdA/coi.
ro'eppa be Il»?Aeo? vid? ex^oy 8oAixdo-/aoz/ eyxo?
'AoTepo77ata) e7rdAro Ka.TaKTap.evai p.eveaiv<av, 140
Viet IlriAeyoVo?' roy 8' 'A^tos evpvpeedpos
yeivaro /cat riepCfiota, ' A/ceo- crapeyoio dvyaTpdv
-jTpecr/3urdrri - rr] yap pa ptyri Trorap-bs fiadvbivr\s.
ra> 8' 'AxiAews eiropovcrev, 6 8' avrios e/c 7rorapoto
eorrrj ex 001 ' °^° 8oCpe* p.evos be ol ev <ppeo-i 0J/ Ke 145
Haz/flo?, €7ret KexdAcoro bdiKTap.evoiv al(r)G)v,
tovs 'AxiAevs e8di£e /card po'oy ov8' ekeatpev.
01 ore or) axeooy Tjcrar eir aAA?/Aotcrii> lovres,
top irporepos TTpocreenre T:obapKr\s bios 'AxiAAei/s*
" ris TToOev els avbpcov, o p.ev erAr/s avrios eXOelv ; 150
bva-TrjViov be re iralbes e/aw jtxeVei dvrto'cocrt,"
176 21. IAIAA02 <J>.
Toy 8' av riTjAeyoVo? irpoa-ecfxavee cpai'Sipo? vlor
" UrjXdbr] p.eyadvp.e, rir\ yeverjv epedveis ;
eip' e/c ncuoi/177? epi/3(oAou } ti]\66' kova"t]s,
Uaiovas dvbpas aycov boki^eyx^ar ijbe be p.01 wd 155
))w? evbeKarr), or es "IAioy elX-r/kovOa.
avrap epoi yever] e£ 'Agiov evpv peovros,
['A^toO, os kclWio-tov vba>p ivl yaiav 'vq(Tiv,~\
os rUe Tlrjkeyova kKvtov eyxe'i' top 8' ep.e (part
yeivavQac vvv avre pax&>pe0a, cpai'Sip,' 'AxiAAeu." 160
' 12s (par aTreiX-qcras, 6 8' aveoyeTo bios 'Axikkev?
EfyAtaSa p.ekii]V 6 8' ap.apTr) bovpacriv dp<pis
ijpm 'Aorepo7ra?09, eirel 7repi8e'£ios rfev.
/cat p erepu> per 8oupi o-clkos fiakev, ovbe biairpb
prj£e o-a/cos- xP V(T °s yap epwca/ce, 8<Spa Oeola- 165
Tfa> 6' erepa) p.Lv irrjxw e-niypajZbi]v fiake x et P°?
be&repTJs, (tvto 0' atpa Kekaive<per fj b' virep avrov
yairf eWor^pi/cro, kika.iop.evr) xP°os acrai.
8evrepo? avr 'Axikevs pekii]v Wvirricova
Ao-repo7rai(j) ec/^Ke /cara/crdpemi p.eveaiv(av. 170
/cat toS peV p' acpapaprev, 6 8' vxj/rikrjv (3akev ox^r,
peo-o-o7rayes 8' ap' etfjj/ce /car' ox^?]S p.eikivov eyx $-
Urjkdbrjs 8' aop o£i» epvo-(rap.evos irapa p.rjpov
akr eni 01 pepaco?' 6 8' apa pLekirjv 'AxiAtjos
o£ 8war' ex Kprjpvolo epva-o-ai x ft P' 7ra X et ?/- *75
rpts peV piy -nekepi^ev epvaaaardai p.eveaiv<x>v,
rpls be p.edfJKe fiir]s- to be rerparov rjdeke 6vp.ta
a£ai einyvdp.\}/as bopv p.eikivov Pdadbao,
dkka 7rpt*> 'A^iAev? crxebbv aopi ^vpov a-nr]vpa. 179
yaarepa yap p.iv Tvxf/e 7rap' dpcpaAoV, e/c 8' apa 7racrai
X^ 70 X ^ ' X°^ es ' """oy Se o-kotos oo-cre Kakvxj/ev
aa-6p.aivovT' 'AxiAeu? 8' ap' e*u o-Ti)6earo-iv dpovo-as
revxed t k£evapi£e nal evxope^os e7ros TjvSa*
2i. IAIAA02 *. 177
" Kiia ovto)s' x a ^ e7roi; 70t epivQtvios Kpovicovos
Tiaiaiv ept^e'pemt Trorap-oio irep eKyeyacort. 185
(prjaOa crv pey Tiorap-ov yivos eppe^at evpv pzovros,
avrap eyco yeverjv p.eya\ov Atos tvyop.ai etmt.
tikt€ pf avr\p noXkoZcnv avaaaoov Muppt8cu>ecrcri,
n^Aevs AlaKibrjs' 6 8' ap AtaKos e/c Ato? r\iv.
7(5 Kpei(T(rot)v pey Zevs ixoTap.G>v aXip.vpr\£vTa>v, 190
KpeC<rcru)v avTt Alos yev€i] 7rorapoto re'ruKrat.
Kal yap crol Trorap-os ye trapa p.eya$, ei hvvarai rt
Xpaicrpeu>' dAA' ovk ecru Ait Kpovmvi pdxecrflai,
Tw ot/8e Kpetcov 'A^eXmos ttro<papi£ei,
ov8e fiadvppeirao p.iya crOivos 'Q-Keavolo, 195
ef ov 7rep 7rdi>res 7rora/xot Kat 7rdcra ddXaacra
Kal itaaai Kpijvcu Kal (ppeiara paKpd vdovcriv'
dAAd Kal os 8et8otKe Atos peydAoto nepavvov
beivrjv re f$povTr\v, or ait ovpavodev crpapayT/cnj.
'H pa, Kal eK Kpr]p.volo kpvaa-aTo xdAKeoy eyx 0? > 20 °
roy 8e /car' avToOi Aet7rei>, e7rel <ptAot> r\Top a-nr)vpa,
Ketpe^oy kv ■fyap.dOoicn, b£at,ve 8e' p.w peAay {/Scop.
rw pei> dp' kyytkvts re Kat tx^es apupeirevovro,
brjp.bv epe7rrdpej'(H £inve(ppibiov Keipovres'
avrap j3rj p' teVai perd riaioyas t7nro Kopucrras', 205
01 p' en irdp irorapibv â– necpo^aro bivrjevTa,
cos et(W rdy dpLcrrov ei>i Kparepr\ vap^ivr)
Xeptr' {/7ro IlTjAe'iSao Kal dopt ttpt Sapeyra.
ei>0' e'Ae ©epcrtAoxdV re Mv8coz/d re 'Acrrv7riAdV re
Mi>r/crdy re Qpacriov re Kal Aunoz> ?)8' 'OcpeAe'crrrjy' 2 10
Kat fu k en Ttkiovas ktclvc YlaCovas cokvs 'AxiAAev?,
et p?) x' 00 ""/^ 6 ^ ? Trpocre'cprj irorap-bs fiadvbivrjs,
dvept ettrdperoy, ^adir\s 8' Ik (pOiy^aro bhrqs*
" to 'AxtAeu, 7rept pey Kpare'ets, 7;ept 8' ato-uAa pe'^ets
avbp&v' atel yap rot apwoucrty 0eol ovtol. 215
VOL. 11. N
178 21. IAIAA02 #.
e'i tol Tpwas ebcoKe KpoVou 7rcus Tra^ras oAe'crcrcH,
e£ ep.e0ev y ekdcras irebiov Kara p.epp.epa pe'£e"
TrXijOet yap brj p.0L veKVcov epareLvd peeOpa,
ovbe tl 7r?/ hvvap.ai TTpo^eeLV poov els aka blav
aTe.iv6p.evos veKveaac, crv be KTeiveis d'ibrikcos. 220
aAA aye oi] kcu eacrov ayr] p. e^ei, op\ap.e kacov.
Tbv b aTTap.eLf36p.evos TTpocrecprj uobas o)kvs ' AxLkkevs'
" lorcu rama, 1 l Kap.avbpe biorpecpes, els crv KekeveLS.
Tpcoas 8' ov Trplv A?j£a> virepcpLdkovs evapi^oiv,
Trplv ekcraL Kara, dcrrv Kal "ExropL TTeLpriOrjvai 225
avTLf$Lr)v, i) Kev p.e bap.dcrcreTaL, rj Kev eyco tov."
X2s eL7Th)v Tpa>ecrcrLV e-necrcrvTO baip.ovL Xcros'
Kal tot ' ATTokkcava Trpocrecjyq TTOTap.bs fiaOvbLvqs'
" co ttottol, apyvporo^e, Aids TeKos, ov crv ye t 3ovkas
elpvcrao Kpovioovos, 6 tol p.dka irokk' eTterekke 230
Tpcotri Trapeo~Tap.evaL Kal ap.vveLV, els 6 Kev ekdi]
beiekos 6\j/e bvcav, tr/adcn/ b' epifiatkov apovpav."
'H, Kal A-^Lkkevs p.ev bovpLKkvTos evOope petrcrct)
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irdvTa b" 1 opLve peeOpa KVKa>p.evos, £>cre be veKpovs 235
TTokkovs, oi pa Kar avTov akis ecrav, ovs KTav } A\Lkkevs'
tovs eKfiakke Ovpa^e, p.ep.vK&)s i)vTe ravpos,
Xtpcovbe' ffcoovj be. crdco Kara Kaka peeOpa,
KpVTTToov ev bivr\crL {Sa6eLi]<JLv p.eydkr\crL.
beLvbv b' dpc/>' 'Axikija KVKu>p.evov icrraro Kvp.a, 240
&deL 8' ev aaKe'l ttltttoi)v poos' ovbe TrobeacrLV
eix* CTTripi^aadaL' 6 be TTTeker\v eke \epa\v
evcpvea p.eydkr\v' ?/ b eK pi£ecoi> epnrovcra
Kprjp.vbv atravTa bL&crev, eirecr^ be Kakd peeOpa
o^ohtlv TTVKLvolcn, yecpvowaev be p.LV avrbv 245
e'icra) 7racr' epLTrova' 6 8' dp eK bivys dvopovcras
7)'C£ev TrebioLo ttoo-1 KpaL-nvolaL TreTecrOaL,
21. IAIAAOS 4>. 179
heiaras' ovbe T ekrjye debs peyas, copro 8' en avrio
aKpontXaiviooiv, Xva p.iv Travaete ttovoio
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2i. IAIAA02 <J>. 183
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a>s e^o's, oS p' a^os o£i/ Karoto-erat "Mhos euro, 425
' EKropos' a)? ocpekev Qavii.iv ev ^epalv kp.r\cn'
™ Ke Kop€o~o~ap.e9a KAaiWre' re p.vpop,ivo> re,
WTrjp 8\ 77 pti> ert/cre bvcrdpp.opos, rjb } eyw avros."
' 12? (-(paro KAaicoy, e7u 8e arez'dxoj'ro ToAtrat'
Tpw^crty 8' 'E/cd^Tj dStyoO e^p^e yo'oto' 430
" tzkvov, eyw 8etA?p rt i>u /3etopat atz/d uaOovara,
aev aTTOTtOvri&Tos ', o pot vVKTas re Kat ?}/xap
ev-^ooXi] Kara aarv 7reAe'crKeo, 7raa-t r' ovetap
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SeiSe'^ar'* ?) ydp Kat o-^)t paAa pe'ya k£8os eqcrda 435
£oos ecoz/ i^Cz; av 0d^aros Kat potpa Kixdvet."
'lis ecparo nXaiovv , dAo^os 8' ov 7rco rt tt€7tvo-to
'EKropos' ov yap o'i rts eTijTupos ayyeAos eA0a)f
?'/yyetA' orrt pa ot 7ro'(rts cktoOl p.Lp.vt ttvXckov,
22. IAIAA02 X. 205
dXX' ?/ y larov xxpaive p-v^w bopov v^ikolo 440
hiirXaKa Trop<f)vper]v, h> 8e Opora ttoikOC eVao-cre.
Ke\A.ero 8' dp.(p nr 0X0 mtiv ivirXoKapoLS Kara 8(3ua
apc/u TTvpl (TTT]<Tai Tp'nroba p.£yav, ocppa ttcXoito
"ExTopi 0epp.a Xoerpa p-dx^s ^ K voarTrjaaim,
ri]7tirj, ovb' ivoijaev o p,iv p.dXa rrjXe Xoerpwv 445
Xepcriy 'Ax>-XXf]os bdpacrc yXavK&TTis Adi]vrj.
KU>KVTOV 8' 1}K0V(T€ KO.I olp.U>yi]S OffO TTVpyOV"
tijs 8' eXeAtx^Tj yvla, x«pai 8e' ol tKireo-e Kep/aV
77 8' avris bp.u>fj(JLV zvTiXoKap.oi(Ti perriiJSa'
" 8eCre, bvui pot tTrevQov, t8a)p' otiv epya reru/crat. 450
alboirjs €KVpi)s ottos ckXvov, iv 8' epot air?)
aTrjdeo-L TtaXXeraL rjrop ava crrdpa, ye'ptfe 8e yovva
irriyvvTai' eyyvs 8?j rt kclkov Ilpiapoio re'/ceo-crty.
at yap air' ovaros etri epeO eVos" aXXa paA.' aivG>s
8et8a> pr) h] pot Opaavv "EKTopa bios 'AxtAAei>? 455
jjiovvov a.7TOTp.7]£as ttoXlos TTebCovbe 8uirat,
Kal 8?/ pir naTaTTavcnj ayi-\vopir]s aXeyeivrjs,
rj (xlv exeo-zc', e7ret ov ttot hi ttXtjOvI p.kvzv avbp&v,
aXXa ttoXv 7rpo0eecnce, to ov pt,ivcs ovbevl ei/cooy."
*£2s (pap-ivrj p,cyapoiO SteWuro p.aivdbi 'icnj, 460
â– naXXoixivT] Kpabir\V dp.a 8' dp<pnroA.ot kIov airy.
avTcip e7ret iivpyov re Kal dvbpG>v l£ev op.iXov,
€o-tt] TTaTTTT)vao J em retxei, tov 8' horja-ev
eXi<6p.evov irpoardev ttoXlos' rax^es bi p.iv Xttttol
ZXkov dKrjbea-TOis KoiXas ZttI vijas 'Axatwy. 465
ri]V 8e /car' ocpOaXpL&v Zpefievvr) vv£ €Ka.Xv\j/ev,
ijpiTT€ 8' e£o7rio-co, euro 8e i/^xV eKa-Truo-cre.
r?)Ae 8' cbrd uparbs /3aAe beo-p.a.Ta o-tyaXoevra,
dp-rrvKa KO<pv(paX6v re t8e ttXcktiiv dvab4crpr]v
Kprjbep.vov 6\ pd ol ScoKe xpvcrzr) 'Acppobirrj 470
rypart r<2 ore pu> nopvOaioXos r]ydye0 y 'Ektu>p
2o6 22. IAIAA02 X.
ck bop.ov 'Heriau'os, eVei 7rope fxvpia ebva.
dp.cpl be pti> yaAo<o re Kai elvarepes aAis ecrrav,
ai e pera crcpicnv et)(oi' arv^op.evr\v airoXecrOai.
7} 8' e7rei ovv ep.irvvTO Kal es cppeva dvp.bs ayepOi], 475
ap.fi\r\br)v yoouxra p,erd Tpiofjcriv eei7r«;*
" "Exrop, eyw Svorrj^os' 177 apa yiyvop-eO^ atari
apuporepoi, crv piev ev Tpoir\ Yiptdp.ov /cara 8(2pa,
avrap ey&) Qij(Sri<Tiv vtto TiXanui vXrjecrcrr}
ev 8o'pa) 'Heriawo?, o p.' erpecpe tvtOov eovcrav, 480
bvcrp.opos alvop.opov ws p?) wcpeXke TeKecrOai.
vvv be crv piev 'AiSao 80'poi;? tj7to Kevflecri yairjs
ep\eai, avrap ep.e oruyepa) eVi irevOei Aenreis
XVPlv ev p.eydpoicri' ndis 8' en i»77rios ai/ra)?,
oy TeKOp.ev crv r eyca re bvcrdpp.opoi' ovre crv tovtu) 485
ecrcreai, f Exrop^ oveiap, enel Oaves, ovre crol ovtos.
i]v irep yap Tr6\ep.6v ye cpvyrj irokvbaKpvv ' kyai&v,
alei tol tovt(i> ye ttovos Kal Kijbe' 0Tricrcra>
ecrcrovT' aXhoi yap 01 airovpicraovcnv apovpas.
rjp.ap 8' opcpaviKov Travacpr/XtKa iralba Ti&rjaV 490
itavra 8' VTrep.vqp.VKe, bebaxpyvrai. be iiapeiai,
bevop.evos be t dveicri 77019 es irarpbs eraupovs,
aWov piev )(\aivris epvcov, aXXov be ^ircavos'
tS>v b' eXericrdvTcov KOTvkrjv tis tvtOov eirecr^e,
yeikea p.ev r ebirjv, vTrepoprjv 8' ovk ebirjve. 495
tov be Kal apLcpiOaX^s e/c bairvos ecrTvcpeki^e,
^epcrlv 7re7rA?7yci)9 Kai ovetbeioicnv evicrcrutv'
' epp' ovtcos' ov cros ye 7rar?;p perabaivvTai rjp.lvi'
baxpvoeis be r dveicri ird'is is p.rjTepa XVPW)
' AcrTvdva£, bs irplv piev eov eirl yovvacri Trarpos 500
p.ve\bv olov ebecrKe Kal ola>v iriova brjp.6v'
avrap 00' vttvos e'Aoi, Travcrairo re vt]Tria\evuiv,
€v8eo"K' ev XeKTpoicnv, ev ayKaXtbecrcri. Tidrjvrjs, r
22. IAIAA02 X. 2o;
evvfj €vl fxaXaKjj, 0a\eW ep.TrXricrap.ivos Krjp'
vvv 8' av TroWa -naOrio-i, tfiiXov cnrb irarpos ap.apT(ov, 505
'A(rTvava£, ov Tp&ks eTTLKkrjcriv KaXiovcriv'
olos yap (rcpcv epvao irvkas nal reined p.a<pa.
vvv be <re p.ev irapa vr/val KopcavLvL voacpt TOKrjiov
aloXcu evkal ebovrai, eireC kc kvvzs Kop£<ro)VTai,
yvp.vov' ardp rot eXp-ar kv\ p.€yapoicxi Ktovrai 510
XeTTTa re /cat yapUvra, rervyp-eva x^P "' yvvaiK&v.
aAA.' 77 roi Tabe iravra KaracpXe^ot) irvpl KrjXea),
ovbev (rot y 6(pekos, eirel ovk lyKticreai avroiy,
dAA.a 7rp6? Tpwcoy /cat TpaH'aScoy nkeos elvai."
A i2y ecparo Kkaiovo-', e7rl 8e o-reyaxo^o yui>awce?. 515
IAIAAOZ ^.
,V X2? oi p.ev o-TtvayovTO Kara tttoXiv' avrap 'Axcuoi
eirel by vrjds re kol c EA\r/ o-rrovrop ikovto,
ot [ikv dp' ka-Kibvavro kr\v eVi vrja Hkclo-tos,
Mvopibovas 8' ovk eta aTroo-KibvavOai 'Ax^XXevs,
dXX' o ye oh hapoicn (piXo7TToXep.oi(n perrjvba' <
" Muppi8dW? raxwcoAot, epoi epirjpes eratpot,
^?7 877 7T(«) V7J-' oxeo-(/)t Xv<6p.eda pcavv^as ittttovs,
aAA' avrois 17777010-1 /cat dpp.ao-iv a<ro~ov iovres
YldrpoKXov KXa(.u>p.eV o yap yepa? eori Oavovroiv.
avrap eire'i k 0X0010 reTap7r&>peo-0a yo'oto, ic
i7r7roi>? Xvcrdpevoi bopTn]<rop.ev kv6a.be i:dvTes"
*X2s e</>a0\ ot 8' up.(o£av doXXees, ^pxe 8' 'AxiAWs.
01 8e rpt? 7repi veupbv evrpiyas ijXao-av lttttovs
p.vpopevoi' ptTa be atpi 0ert? yoov tp.epov copcre.
bevovro \j/dpa9ot, bevovro be rev^ea cpoircov 15
baicpvo-i' rolov yap noQeov \i.j]o~ru>pa cpofioio.
Toio-i be nr)Xeibt]s abivov e£//pxe yooio,
Xetpas eV dvbpo(povov$ 6ep,evo$ o-rijdeo-o-iv eraipov
"X a V e ' H- ^ a> UdrpoKKe, nal elv ' Aibao 8o'poiar
rravra yap 7/877 rot reXea> to. irdpoiOev viteo-ri)v, 20
E/cropa bevp epvaas bauew kvctIv a»pa bdo-ao-Qai,
bhibena be Trpo-ndpoiOe Trvprjs aTrobeiporo[j.r)(Teiv
Tpa>a)v dyXaci rUva, aeOev K.rap.evoio xoAcofletV
23. IAIAA02 4>. 209
? H pa, mi "EKTopa blov detKe'a p?/8ero epya,
Ttpiivea Trap Aexeecnrt MefotrtdSao raiwcras' 25
eV kovli]s' ol 8' eire' acpomki^ovTo e/caoros'
XaA/cea p.app.aipovTa, Kvov 8' vi\rr])>J.a$ timovs,
nab 8' T£by 7rapa vijt 77o8w/<eos AtaKi'8ao
pvpioc avTap 6 rourt rcupov pevoet/cea 8au>u.
ttoWoI p.\v floes apyol op^d^ov dpc/n cri8?/p<i) 30
<T(pa(6p.evoL, -TroAAot 8' oies /cat p.rjKab€s atye?"
-TroAAol 8' dpyto'Soires' tfes, daktdovres dAotc/>f/,
evop.€VOL Tavvovro 81a cpAoyos 'Htpaioroio"
TTavrr] 8' dpcpt i>e'/<i)i> KoruA.yjpvroi' eppttv atpa.
Avrap rov ye ai>aKra 7ro8coKea n^Aeuora 35
eis 'kyap.zp.vova blov ayov (3ao-i\ijes ' k\ai&v,
o-novhy TrapTT€TndovT€S tTaipov x^o'pe2>oi> K?/p.
01 8' ore 8?) KAicnTjy 'Ayap.tp.vovos l£ov toVres,
avrUa KrjpvK.€<T(n Xiyv(p66yyoicn /ce'Aeucray
ap.(pl irvpl (TTrjaai rp'nsoba pe'yay, et TtrnLOoitv 40
T\i]kdhr]V kovaaaQat, ano ftporov alp-aroevra.
avrap 6 y -qpvtlro trrepecos, eVt 8 opuov 6p.oo~o~€.v'
" ov p.a Zijv, os ris re 6tS>v vitaros /cat dptcrros,
ov tfe'pis eort \otrpa Kapijaros aaaov t/<eo-0ai,
7rpu> y kv\ HarpoKkov 6£p.zvai Trvpl o~rjp.a re x*Sai 45
KtlpacrQai re Kop-rjv, eiret ov p' en bevrepov c38e
t£er' d)(os Kpabir\v, ocppa £a)oto"t peretco.
dAA' ?) rot jw pei> o~Tvyepf} TT€L6<t>p.t6a bairi'
Tj&Oev 8' orpvvov, ava^ avbpS>v Ayap.tp.vov,
v\i]v t d£e'peyat irapd re axeir oatr eixtetKes 50
veKpbv e^ovTa ye'ecr^at vtto (6(pov riepoevra,
ocpp' 77 rot rouroi; p.\v eTTKpAe'yri aK.ap.aTov irvp
daao-ov ait 6cp6a\pG>v, Aaot 8' e-rrt epya TpairaivTai.
*X2s tcpad', ol 8' apa rou pdAa pei> kXvov 778' ItiLOovto.
eao-upeVcos 8' apa bop-nov Z(poirklo~o~avTes exaoroi 55
VOL. II. P
2io 23. IAIAA02 *.
baivvvr , oi>oe tl Ov/jlos ebevero bairbs eunjy.
avTap e7ret 7ro'crtos /cat ebrjTvos ef epov eWo,
01 pej> KCLKKeiovTes cfiav KkKrirjvbe e/caoros,
n^Aeiorys 6' ewt 0tzn 7roAi></)Aotcr/3oto ^aAacrcrrj?
Keiro /3api> crrei'd^coi;, irokiaiv perd Mvppiibovtcrcnv. 6o
ev Kadapu>, o6i Kv/xar €tt' rj'iovos kXv^ctkov'
(vt( rbv viTvos epap7jre, kvcov peAe8?/para Qvp-ov,
vi]bvp.os d\x(piyyQtis — pdAa yap KapLt c/>atotpa yvla
Exrop' €ijai(T(T(i)v TtpoTi "Ikiov r/vepo'etrcrai' —
rjKde 5' e7Tt yf/vx}] TlarpoKkrjos oetAoto, 65
7TavT avT(2 p.iyz66s re Kal 6p.p.ara Kak' IlkvIcl,
Kal (pcovrjv, kcu Tola irepl xpol (.tjxara 'icrro'
(TTi] b dp virep Kecpakijs kcu p.iv irpbs [xvdov ecinev'
" ei>§ets, avrap epeto AeAacrpeVos' e7rAet>, 'A^ikXev.
ov peV pev (caovTos d/o/Sets - , dAAd. Oavovror 70
OairTt pe orrt ra^tora, TTvkas 'A'tbao 7rep?/o-a>.
r?)Ae pe etpyoucrt i/a^ai, et§coAa Kap.6vT(ov,
ovbe pe' 7rco pitryecrtfai inrep irorap-olo eucnv,
dAA' avTu>s akakr\p.ai av eipvirvkes "A'Cbos o<5.
Kai pot bos rip x e V> oko(pvpop.ai' ov yap er' avrts 75
vi(Top.ai e£ 'Atbao, kirijv p.e irvpbs AeAd^re.
ov ph> yap {coot ye (pikoov cnravevOev eratpcoy
fiovkas e^o'pefot (3ovkeuo~op.€V, dAA' epe pey /c?)p
dp.(pe)^av€ o-Tvyeprj, ij 7rep Adxe yiyv6p.tvov Ttep"
Kal be croi cwrto p,olpa, deols e7nei/<eA' 'A^tAAey, 80
rei'xei #7ro Tptocoy ev^cpere'coy duokiadat.
dkko 8e' rot epe'to kcu ec/>?/cropat, a? Ke 771^7701*
pr) epd awl' airdvzvdz Ti6i]p.€vai, dtrre', 'AxtAAeu,
dAA' dpoC, cbs krpdcprjv 7rep ei> vperepotcrt oo'pottrij;,
eure' pe tvtOov iovra Mei'otrtos e£ 'OTro'e^ros 85
ijyaytv vp.tTepovb' avbpoKTaahis viro kvypijs,
?/part rto ore 7ratoa KartKTavov 'Apc^tSdpafros,
33- IAIAA02 *. 2ii
vrjmos, ovk efle'Acoy, dpcp' dm-paydAoto-t xoAcofletV
evda pe Sefapero? kv bu>p.acnv X-nnoTa Ilr]A.ei/s
zrpacpi r er8t>Ke'cos /cat crew Otpd-novT 6v6p.i]veV 90
cos 8e /cat dorea rcoi'v dp?j cropds dp<piKaAv7irot
Xpvcreos dpcptcpopevs, rov rot irdpe itorvia ptjnjp.
Tbv 0' dirapet/3dpezJos Trpo<r4(pr] Trobas ukvs 'AxiAAeiV
" rurre /not, ?}0etT] KecpaA?/, bevp' etA?/Aou0as,
Kat ju-ot raura e/caor' e7nre'AAeat ; avrap eyco rot 95
7ra^ra paA' eKreAe'co Kat 7retcropat cos cru KeAevets.
dAAd /not acrcroy otjjcV \xivvv6a -nep dpcp t/3aA oVre
dAA^Aous dAooto rerap7rcopecr0a ydoto.
tV I2s apa (pa>vi]cras a>pe'£aro X^P " 1 tpt'Ar/criy,
ov8' e'Aa/3e* ^//ux*) ^> e Kar " X& ovos V^ T€ i«mvbs 100
co'xero rerptyuta* racpcoy 8' avopovaev 'AxtAAevs
Xepcrt re cru/x7rAardyijo-ey, eVos 5' okocpvbvbv lewcv"
" co ttottoi, rj pa rts ecrrt /cat etv 'A'i'Sao Sdpoicri
x/^X 7 ? «at et8coAor, drdp cppeVes ovk eVt napjiav'
â– navvv\ir\ yap pot ITarpoKAr^os SetAoto 105
\^vx^ e<pecrTi]KeL yoococrd re pupope'z/?] re,
Kat pot eKacrr' e7rereAAez>, etKro 8e OtvKtkov avrco.
*I2s cpdro, rotcrt 8e Traaiv ixp' tpepoy coper e yo'oto*
pvpopeVotcrt 8e rotcrt cpdmj pooo§aKruAos Hcos
dpcpt ye'Kijy eAeet^oV. drcxp KpetW 'Ayape'p^coy no
ovpijas t corpwe Kat avipas a£<=p.tv i/A^y
TravTodev €K KAtcrtcoy eVt 8' dn/p ecr0A6s dpcopet,
Mr/pio'yrjs, Oepcnruv ayairrivopos 'ISopeyr/os.
01 8' to-af vkoropovs ireAe'Keas ly \ipcr\v eyovTts
cretpds r' einrXinTovs' irpb b' dp' ovpijes kiov avrcoy. 115
7roAAa 8' avavra Karavra irdpavrd re 80'xpid r' rjkdov'
dAA' ore 8?/ Kvr]p.ovs npocrifiav TtokvnibaKos "\br\s,
avTLK dpa bpvs v\j/iKop.ovs Tavar\Ktl xoAkco
rdp.vov e7retyo'pei-'of rat 8e peydAa Krvniovcrah
p 2
212 23. IAIAAOS *.
ttItttov rds p.ev eireiTa biairkijo-o-ovTes 'A^diol 120
enbeov 7][xi6v(tiV ral be \66va Tiocral barevvro
ekbop.evaL irebioio bid pa)Tnj'La ttvkvo..
irdvres 8' vkoTop.01 (purpovs cpepov' ws yap avvyet,
M-qpLovris, depdirwv dyain]vopos 'I8o/xej>7/os.
Kab 8' dp eir d/cn/? fidkkov eincr^epto, evd' ap ' Ay^ikkevs
<ppd(T(raTo ITarpoKAa) p,eya Tjp(ov ?/8e 61 atir<3. 126
Avrap eirel iravTi] irapaKa.fi fiakov do"nerov vki]v t
ijar dp' av6i p.evovres dokkees. avrap 'A^kkevs
axiTLKa Mvpp.ib6veo-o~t, (pLkoirrokep.oLO't, Kekevo~e
Xakubv £aWucr0CHj £ie£>£cu 8' vt: o\ea~(pLv eKaa-rov 130
t7r770us" ol 8 1 wpvvvro Ka\ ev Tev\earaiv ebvvov,
dv 8' efiav ev bi(ppoL<ri Ttapaifidrai yvloypi re,
Trpoade p.ev liTTTrjes, p.erd be vecpos eXirero Tte&v,
p.vpioc ev be p.eo~OLcn <pepov UdrpoKkov kralpoi.
6pi£i be irdvra veKW Karaeivvaav, as iirefiakkov 135
Keipop.evoi' oitiQev be Kaprj e\e bios 'A^kkevs
d\vvp.evos' erapov yap ap.vp.ova Trep.Tr' "A'Cboo-be.
Ol 8' ore y&pov luavov 68l crcpCo-i Trecppab' 'A^tAAci;?,
Kardeo-av, al^/a be ol p.evoeiKea vrjeov vkr\v.
evd* avr dkk' evor\cre TiobdpKr\s bios 'Ay^ikkevs' 140
o-rds andvevOe irvprjs £avdi]V cnreKeCpaTO yalriiv,
ti']v pa 27repx et( p Trorap-co rpe(pe Tr\ke66oicrav'
o^O^o-as 8' dpa etirev Ib&v eirl olvoita ttovtov'
fi "2iiiep\eC , dkkcos crol ye TTarrjp ?}p?/(raro Ylrjkevs,
nelo~e p.e voo-Ti]o~avra <piki]v es narpiba yaiav 145
aoi re Kop.t]v nepeeiv pe£eiv & lepi]v eKaTop.fir\v,
TrevTiJKOvra 8' evop^a 7rap' avroOi, p.rjk' lepevcreLv
es Trrjyds, odi tol rep-evos [3(op.6s re 0i»/eis.
a>s TipaG" 6 yepaiv, av be ol voov ovk erekeo-aas.
vvv 8' eirel ov veop.al ye (pikr\v es Trarplba yalav, 15°
n.aTpoi<ku> ijput'C Kop.rjv OTrdaaipa. (pepecrOai.
23. TAIAA02 *. 213
*I2? eliroav ev X^P " 1 - K dp- r l v ^dpoio <piAoio
drJKev, roicri 8e itacnv v<p' tp.epov 2>pcre ydoto.
kch i>u k' 6bvpop.evoicnv ebv cpcios ?}eA.ioio,
ei ft?/ 'A^iAAe^? an// ' Ayap.ep.vovi ei7re 7rapaoras' 155
" 'ArpeiST?, crol yap re p.dA.tard ye Acids 'Axcuwv
â– neicrovTai p,v6ot(n, yooio piev eari kgu da-cu,
i>w 8' a7ro 7rvpKai?/? (TKtbao-ov kcu belnrvov avayOi
oirkeo-Oai" Tabe 8' ap.(pll^ovr|cr6p.e6 , o!<n ju,dAi<rra
KT/8eds eo-rt z^kus* 7rapd 8' 01 r' dyoi dpp.6 p.ev6vT<t>v" 160
Avrap e-nel rd y' aKovaev ava£ avbpG>v ' Ayap.epvo>v,
avrUa Xabv p.ev o-Kebacrev Kara vrjas eicras,
K7]bep.6ves be irap' av6i p.evov koi vqeov v\r]v,
TroCrjaav be Trvpipj eKaTop,7rebov evQa kcu evOa,
ev be Ttvpfi vTraTrj veupbv deaav ayvvp.evoi Ki]p. 165
TioKka be i<pia p?)Aa <al eiAuroSas e'Ai/ca? fiovs
irpocrOe irvpris ebepov re nal ap.(pe7Tov' en b' dpa iravrajv
bripbv e\(i)V enaXv^e venvv p.eyadvp.05 'AxiXkevs
es TTobas eK Ke$aA?}?, 7repi be bpard adop-ara vr\ei.
ev 8' eriflei piAiro? icai dAeicparos ap.(pi<poprjas, 170
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23. IMAA02 ♦. 217
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2i8 23. IAIAA02 *.
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'ArpetScco' auTos 1 ydp excby p.zd£r]KZV eAaweir,
p?j 7rcos a-uyK?jp(retay 68w !w pain^x*;? 'iiriroi, 435
hi<ppovs t avo~Tp4\l/eiav evirkentas, Kara. 8 avrot
e*> KovLflcn TrtcroLtv tTTtiyop-evoL Tiepl vikt]s.
tov koX v€iK€iu>v irpoo-ecprj £av6bs MeyeAaos*
" 'AirtAox') ov us ceio fipor&v dAocorepos' dAAos'
222 2$. IAIAAOS ^.
epp\ e7ret ov a ervp.6v ye (pdp.ev ireTrvva-Oat 'A^atoi. 440
aAA ov pav ovo a>? arep op/cou otcrrj aeuAov.
*X2? et7Twi; '(.'nnoicnv ex-inkero qb(ovrj(Tev re'
" p?j pot epvKeadov pfjS' ecrTarov dx^vpevco K.rjp.
(f)d7]aovTai tovtomti irobes /cat yowa Kapovra
rj vplv' dpcpoi yap aTep,fiovTai veoTrjros" 445
*I2s e<pa6\ ol be clvclktos v-nobeio-avres 6p.0K\rjv
pdkkov e-nibpaper-qv, Tcixa hi cr(pL<Tiv ayxt yevovro.
'Apyetot 5' ev dy&vi Ka6r\p.evoi elaopoonvTO
ITTTTOVS' Tol he TTeTOVTO KOVLOVTeS TTebiOLO.
TTp&ros b' 'Ibopevevs Kp^rcof ayos ecppdaad' tirirovs' 450
t\(tto yap eKrbs ay&vos vTiepraros ev 7repta>7n/*
toIo 5' dvevdev Zovtos opoKkrjTrjpos aKOVcras
eyvco, (ppdcrcraro b' Xttitov apLTTpeirea Trpov\ovTa, .
bs to p.ev dXko roaov <pou>t£ rjv, ev be pera)7ra>
kevubv oT/p,' erervKTo Ttepirpoyov rjiJTe p.r\vr\. 455
crrrj b' 6p9bs Kal p.v6ov ev 'Apyetoicriz; eenrev*
" 2> cpi'Aot, 'Apyeta>i> ?/y?/Topes r/be p.ebovres,
oTos eycav tirirovs avydC,opai r\e Kal vp.el$ ;
ciAAot pot boKeovcn isapo'nepoi ep.pevai ittttol,
aAAos 6' i]vlo)(os IvbaWerai' al be ttov avrov 460
ej3Xa/3ev ev 7re8ta), at Ketcre ye (peprepai i)aav'
rj rot yap ras irp&ra tbov irepl reppa j3a\ovaas,
vvv 8' ov ttt] bvvapai ibeetv, — Travrr] be pot ocrcre
Tpco'tKov ap, irebtov iraTTTaLverov elo~op6a>vTL'
-qe tov rjvioy^ov abvyov fjvia, ovb' ebwdaOij 465
ev o-\e6eeiv irepl reppa, /cat ova eTvyj]o-ev eAt£as'
ev8a p,iv eKTreo-eetv 6'tco o~vv #' dppara a£at,
at 8' e£r\pd>Tt]crav } enel pevos ekXafie dvpov.
aAAa i§eo-^e Kat vpp.es avaarabov' ov yap eyo> ye
ev biayiyvbHTKUi' boneei be pot ep.pevat dvi]p 470
AtrcoAos yeveijv, perd 8' 'Apyetotcrty avdaaei,
33. IAIAAOS *. 223
Tvbios iTnrohdixov vios, xparepbs AiojutjStj?."
Toy 8' aicrxpcos ZvtVLTTtv 'Ot Ar/o? tclxvs Atas*
" 'I8opeyey, r* -rrdpos kafipeveai ; al hi t avzvOev
'Ittttoi aepaiTrobes irokios 7re8toto bUvrai. 475
oyre yecorards ecro-t per' 'Apyetotcrt toctovtov,
ovre rot o^vrarov Ke<pa\rjs e/c 8e'p/<erat d'crcre'
dAA 1 atet p-vdois Aa/3peveat" ovSe n (re XP 7 ?
kafipayopr\v epeyar Trdpa yap /cat ap.tivoves akkoi.
ittttol 8' airai eacrt Trapotrepat, at r6 7rdpos irep, 480
Evp.77A.ot>, ey 8' clvtos e'xcoy eyAijpa /3e'/3?7Ke.
Toy 8e xoA.cocrap.eyos Kpjjrcoy dyds olvt'lov yvba'
" Atay, yewcos dptcrre, KaKoeppaSe's, aAAa re 7rayra
8eveat 'Apyetcoy, on rot yoos eariy aTrrjviis.
bevpo vvv, ri rpt7ro8os 7rept8cope0oy r}e ki/3r]Tos, 485
tcrropa 8' 'Arpe'i8riy ' Ayap.ip.vova fletopey dpcpco,
o7r7ro'repat irpoaO' Ittttol, tva yyco?/? aTTOTLvcov."
*ils ecpar', copwro 8' ayrtV 'O'tAT/os rax^s Ata?
Xcoo'peyos x a ^- e770 '' (rty dp,ei\//acr0at e7reecrcri"
Kat yv Ke 8?/ 7rpore'pco er epis yiver dpcpore'potcriy, 490
e£ p.77 'AxtAAevs ayros dyicrraro Kat cpdro fxvdov
" priKe'ri yyy xaAe7rotcrty dpet/3ecrt9oy e7reecrcrty,
Atay T8opeyeu re, KaKot?, e7ret oySe eotKe.
jcat 8' dAAco yepecrdroy, oris rotayrd ye pe'£ot.
dAA' ypets ey ay&VL Ka6r\p.(.voi etcropdacrfle 495
t7T7rous* 01 8e rdx' ayrot e77etydpeyot 7rept yuois
ey0d8' eAeycroyraf ro're 8e yycocrecrfle e/cacrros
t7T7roys 'Apyetcoy, ot 8eyrepot ot re TtapoiOtv.
*X2s cpdro, Ty8e'i8ris 8e p,dAa cry^zbbv fjkde StcoKcoy,
pdcrrt 8' atey e'Aavye /carcop.a8oV ot 8e' ot ittttol 500
v\\roa aeip£crQr]v ptpcpa 7rp?;crcroyre Ke'Aev0oy.
atet 8' i]vioyov Koytris padapuyyes e/3aAAoy,
app-ara 8e XP 110 "*? TTZTTVK.ao~p.tva Kacrcrtre'pco re
224 23- 1AIAA02 *.
i7T7rots <aKVTr6bz(T(nv i-ntTp^ov ovbi tl 770AA7/
yiyver €.TTi<T<T<tiTp(x>v dpparpox"/ KaToino-Ozv 505
iv kiTrrfj Koviy rw 8e (nrevbovre -nerio-Qr\v.
(nr\ 8e peVa) iv dyS>vt, tto\vs 8' dvaajiaev ibpvs
LTTTTUiV CK T€ k6(p(i>V KCU CLTTO <TT€pVOLO )(ap.d(z.
avros 8' ex bitypoio ^ap-al 66pe irap-cpavooovTos,
nklve b' apa pdo-riya ttotI (yyoV ovb\ p.drt](T€v 510
l<pdip.os Sdivtkos, dAA' io-o-vp.iv<os Ad/3' aeOkov,
Sake 5' ayety krapoicriv vTrepOvp-oicn yvvaiKa
kgu rpi'7708' d)Tu>€VTa <pipeiv' 6 8' e'Aver i<£' U7770t;s.
Tw 8' ap' eV ' AvTiko^os Nykr/'ios ?/Aacrey i77770i>s,
Ktpbecriv, ov ti ra^ei ye, itapa(p6dp.zvos Mevekaov' 515
dAAd /cat wj MereAao? ex.' eyyvflei' co/ceas 177770US.
oaaov 8e rpoxov 177770? d^torarai, os pa r' iivaKTa
kkK7](TLV 77e5lOlO TlTU.LVOp.tVOS 0~VV O^eCTCpL'
tov p.tv re -^ravovcnv emcrowpou Tpi\es d/cpat
ovpalai' 6 bi t ay^i pdAa rpe'^et, ovSe' rt 770AAT) 520
X^p^ p.eo-0-qyvs, Trokios 77e8ioio diovros'
too-(tov bi] Mez>e'Aaos dp.vp.ovos 'AirriAo'xoio
Aei77er'* drdp rd 77/Kora Kat es bicrKovpa Ae'Aei77ro,
dAAa pii> at\^a Kt^avtv d<pe'AAero ydp p.ivos r\v
177770U tt/j ' Ayap.€p.vovii]s, nakkiTpi^os AWrjs' 525
e£ 8e k' en 77pore'pco yeVero bpopos dp(pore'pcuo-t,
7(3 Ke'v piy Tiapikao-a ovb' dp.(pr\pio-Tov ed-qntv.
avTap Mripiovqs, Oepdirajv ivs Ibopavrjos,
AetVer' dya/cAi/os Me^eAdou 8oupos ipioijv'
/3dp8iorot ph> yap 01 eVay KaAAiVpt^es 1777701, 530
i}klo-tos 8' rjv avTos ika.vvzp.ev dpp! iv dy&vt.
vibs 8' A8p?/roto 77ai'Vcrraros ykvdtv dkkcov,
eknoov app.aTa nakd, ikavvcov irpoo-crodev Xttttovs.
tov 8e i8a>y wKretpe irobdpKris bios 'AxiAAevs,
oras 8' dp' e^ 'Apyetots e77ea TTTtpoevT dyopeve' 535
23. 1AIAA02 *. 225
" koiaOos avi]p topiaro? ekavvei p.d*vvyas Ittttovs'
dAA' dye bij ol bobp-ev deOkiov, gk e-nieiKes,
hevrep' drap ra irp<Sra cpepecrOa) Tvbeos uto's."
*i2? e(pa6\ ol 8' apa 7rdi>res eTrrjveov a>s eKekeve.
Kat yv kc oi iropev Xttttov, eTtrjvrjirav yap 'Axatot, 540
el ^r) ctp' 'AirtAo^os pi.eya9vp.ov Ne'crropos utos
n^Ae'iS^y 'AxiA?)a 8ik?/ ?/pet\//ar' dvao-ras*
" w 'AxiAetS, p.dka rot KexoAcoVopat, at Ke reAeo-o-Tjs
rouro euros' jue'AAet? yap d(paipi]o-eo-6ai dedkov,
to. (ppoveaiv otl ol j3kdj3ev dppara /cat Ta^e' iT77ra) 545
a^ro's r ecrOkbs ecav' dAA' &<fiekev aOavaToiaiv
evyecrdai' r<j) k' ow rt iravvaTaTos rjk6e btuxoiv.
el be p,iv oiKxelpeis Kai rot (plkos eirkero 6vp.&,
ecrrt rot ev kKlctli] ypvo-os Trokvs, eari be yakKos
K.a\ Trpofiar, ela-l be rot Sp.a>at Kat pwwxes Ittttol' 550
t&v ol eTreiT avekibv bop.evai Kat p.el£ov deOkov,
?}e Kat avrUa vvv, Iva <r alvr\o-(*>cnv 'Axatot.
Ti]v 8' ey&Y ov bcocroi' irepl 6' avTrjs Tretprj^Tjrco
avbp&v os k' e6ekr\cnv ep.ol -yeipeacn p.a\ecr6ai.
lV 12s <pdro, p.eLbr)o~ev be irobapuris bios 'AyiXkevs 555
yaipoov 'AyrtAo'xa), on ot cptkos rjev eralpos'
Kai p.iv ap.eL[36p.evos eirea irrepoevra Trpoo-qvba'
"'A^rtAox', ft p*v brj p.e nekevets oti<odev dkko
Evp?jAa) eiribovvai, eyco 8e Ke Kat ro reAea-a-&).
8wo-a) ot 6d>pr]Ka, top ' Ao-repoiralov dir^vpcav, 560
XaAKeoz>, w 7rept \evp.o. (paeivov Kacro-trepoto
dp,(p 18 e8ii»] rat" irokeos be ol d£tos eorat.
'H pa, Kat AirropeSoirri <ptAa> eKekevcrev eTacpu
olaep.evai Kki(rir]6eV 8' <px^ ro «at ot eveiKev,
Evp?]A(j) 8' e*> x^P " 1 ri'0er 6 8e 8e£aro yaipoav. 565
Toto-t 8e Kat Mevekaos dincrraro 6vp.bv ayjevav,
'A^rtAo'xw ap.0T0v KeyokcapLevos' ev b" 1 apa Kr\pv£
vol. 11. Q
226 23- IAIAAOS *,
Xftp't CTKrJTTTpOl' tOrjKZ, (TKOTTTICraC T €Ke\€V(T€V
T ApyeCov$' 6 8' eiretTa p.err]vba Icrodeos <£coV
" 'AiriAoxe, TrpocrOev TT€Trvvp.4v€, ttoiov epe£a$. 570
f]0"xyvas \xev kp.r\v aperr/v, /3Ad\^a? 8e pot Xttttovs,
tovs o~ovs TrpocrOe /3aAtoV, ot rot ttoXv xetpoye? r\crav.
dAA' dyer, 'ApyeiW ^y?/rope? ?}8e pe'Sot-res,
Is p.eaov dpcporepotcrt 81/cdo-crare, pjjS 1 e7r' apmyfi,
p.i] itotc rt? eLTTTjcnv ' A\aLcov xa\Ko\LTa>v(ov' 575
1 'Avtl\o^ov \f/evbe(T(TL /3t?prdpe2'o? Meye'Aao?
oixerai Xintov dycov, on ol iroXv ^eipoves rjaav
Ittttoi, avrbs 8e Kpeicrcrcov aperfj re f3irf re.'
et 8 dy eycoy avrbs 8t/cacr<», /cat p' o# rti>d (prjpu
aXXov e7rt7rA?/£ety Aaracoy i0eta ydp eVrat. 580
' AvTiho\ , ei 8' dye 8e{5po, Storpecpe's, ?) 0epis ecrri,
ord? t7r7rcoz; 7rpo7rdpot0e /cat dpp.aros, avrap lp.dcrdkr]v
X^porlv e)(e pablvqv, f\ irep to irpocrdsv eAawes,
ittttcov d\j/dp.evos yair\oyov kvvoaiyaiov
opivvdi p?j pey e/ccoy to tp.bv SdAcp dppa 7re8?/crai." 585
Tbv 8' avr 'AyrtAoxos Tte.'nvvp.&vos avTiov ifvba'
" dycr)(eo vvv' TTokkbv yap iy<a ye vecoTepos etpt
creto, dra£ Me^e'Aae, av be 7rpdrepos /cat dpeioiv.
olcrd' otat vkov dvbpbs V7rep/3acriat reAe'tfoucrr
KpaLTTVorepos pey ydp re fdos, AeTrr?) 8e' re p?/ris. 590
tu rot e7rtrA^rco /cpaStTj" Xttttov 8e' rot cnirds
Scocrco, T7]v dp6p.r]v. ei /cat w nev oiKodev dAAo
pet^bz; e7ratr?/cretas, dcpap /ce rot olvtiko. bovvai
[3ov\oLp.rjv ?; crot ye, 8iorpecpe / s , J ijp.aTa TtdvTO.
e/c Qv\xov Trecreeiv /cat baip.ocriv etz>ai dAtrpds." 595
'H pa, /cat lttttov dycov jJ.tya.dvp.ov Ne'crropo? uto?
ey yeipecro-i ri'0et MeyeAdou' roto 8e dvp.bs
IdvOt] co? et re irept crrax^o"0"t^ eepar]
Krjiov dXbijo-KOVTos, ore (ppCcrcrovcnv dpovpaC
23. IAIAA02 *. 227
a>? apa <ro(, Meye'Aae, juera (ppeal Ov/xbs lavdrj. 600
Kat pti> (pcovrifras eVea 7rrepo'ez>ra 7^poo■T]v8a•
" 'AirtAoxe, *w pe'i> rot eycoy virotl^ofxai airbs
yu>6p.zvo$, eVei ov tl Trapr\opos ovft deo-tcppcoy
i]<r6a irdpos' vvv avre voov vUricre veoii],
bevrepov avr' a\ea<r6ai apt-eivovas rjirepoireveiv. 605
ov yap k(v pe rd)^ aAAos dv7]p TraptTreurev 'A^atwy*
dAAa av yap brj tto'AA' eVa^es Kat 7ro'AA' ipoyrjaas,
cros re TraTrjp ayadbs /cat ctSeAcpeos etVeK epeto*
rc3 rot Ato-o-opeVto e7j"t7reicropai, ?}8e Kat 'lttttov
hcocroi cpr/v 7rep kovcrav, tva yvaxacn, /cat ot'8e 6io
a>s epd? oii 7rore Ovptbs virepcpiakos /cat cbr^i'?}?. '
'H pa, Kat 'AzrrtAo'xoto No?/poz>t Sakey eratpa)
linrov aytiv' 6 8' eVetTa kip-riO* e'Ae TTap.(pav6(i>VTa.
Mripiovr/s 8' dydetpe 8vco XP V0 ~°^° T&Xavra
Ttrparos, us iXacrcv. TrefXTtTov 8' vireAenrer ae#Aoy, 615
dpc/>t0ero? tptdArj' r^y Necrropt 8<3Kez> 'A^tAAeiis
'Apyeuoz; ay' dycS^a (pepcov, Kat eet7re Trapacrras'
" r?/ rov, Kat 0-01 rotSro, ytpov, Ketp?]Atoz> ecrrco,
naTpo'KAoto Tci0ou p.vr\p! '4pp.evai' ov yap eV avrbv
6\j/i] iv 'Apyeiotov 8t8oopi 8e rot ro8' ae#Aoy 620
ai/rcos* ou yap 7rv£ ye pa)(?jcreat, o£8e irakalcreis,
ovbi t clkovtmttvv ecr8vo-eai, oi8e 7ro8ecrcri
c9evo-eaf ?/S?7 yap xaktirbv Kara yijpas e7retyei."
*X2s et7rcW ef x 6 / 30 "' r ^f' o §' e8e'£aro yalpoav,
Kat p«> <pu>vr)cra$ eVea 7iTepoez>ra Trpoo-qvba' 625
" vat S?) raCrd ye 7rdyra, rinos, Kara p.oipav Genres'
ov yap eV ep7reSa ytna, <pi\os, irobes, ovbi rt X e ^P es
copcoi> dpLcporipooOev i-naicraovTai eAacppat.
et0' ws ?//3cooipt /3trj re pot ep7re8os etTj
cos o7ro're Kptiovr ' 'Afxapvynia Ocltttov 'E7retot 630
BouTrpao-ttp, 7rat8es 8' tOeaav (3ao~i\fjos ae0Aa*
Q 2
228 23. IAIAA02 *.
eV0' ov ris [xol opoios dyryp yiver, ovt ap 'EireiSp
oiV aircoy nuAicoz; ovr' Airco\<5z> jiteya^/xcoy.
ttv£ \x\v kviKr\(Ta KAvrop?]8ea, "Hz>07ros vlov,
'Ayncuov 8e 77aA?7 II A eupeoiuoiJ, o? pot avicrrr)' 635
'](pu<kov be Trobecrcn Trap4bpa.iJ.ov eo~6kbv eoVra,
bovpl b' vTteipefiaXov tyvXrjd re /cat nokvboopov.
oloicriv p' 'iTTTroicTL Trapr\kao-av A/cropiWe,
TrXr\dei irpoaOe /3aAoVres, dyacrcrape^oi 7repi viki]s,
ovveKa by] ra pe'yiora 7rap' avrodt, Aether' aeOka. 640
01 8' ap' co-ay bihvp.oi' 6 pei> ep.7rebov r)vi6yjevev,
ep-nebov r)vi6)t€v\ 6 8' apa paoriyi Ke'Aeuey.
ws 7ror' eov' vvv avre vewrepoi clvtio(ovtu)V
epycov toiovtcov' epe 8e XP?) yr/pai Auypto
jreideo-Oai, Tore 8' avre p-ereTTperxov r)p(aecrcnv. 645
dAA' i#i /cat oroy eralpov aeOXoLcri Krepei^e.
roOro 8' eyco irpocppcav be^opat, \aipei be pot ?)rop,
cos pew dei pep.vr\crai evrjeos, ovbi ere Xi]6(a }
ripr)s r)s re p' eoiKe reripr]a6ai per' 'AxaioTs.
oVi 8e 0eoi r<3i>8' avrl yapiv peroet/ce'a 8oiez>." 650
lN £2s (pdro, rirjAeiSqs 8e rtokvv Ka0' opikov ' Ayat,G>v
tp^er, e7ret ttclvt alvov erteKkve N?)Aei8ao.
avrap 6 7rt>ypax»]S dAeyea'^s Orjuev aedXa'
fjptovov rakaepybv aycov Kare'Srpr' ev ay£>VL
e£e're' abp.f]r>]v, 17 r' akyCcrri] 8apdcrao-0ai* 655
ra> 8' apa viki]64vtl ridei 8eVas ap<piKV7rek\ov.
cm) 8' dp0os Kat pvdov ev 'Apyeioio-ti; eenrev'
" 'ArpeiS?] re *ai dXAot eiJKW/piSes 'A^atoi,
avbpe bvco rxepX rco^Se KeXevopev, to rrep apicrrca,
ttv£ pdA' avao~)(opL€va> nerrXiiyepev' co 8e k AttoAAcop 660
8(077 Kappovlr\v, yrcocoo-i 8e 7rdt'res Axcuoi,
fjfLiovov rakaepybv ayoov Kkia-irjvbe veeadoy
avrap 6 vtKrjOels berras oia-erai ap.(piKVTr€\\ov.
23. IAIAAOS *. 229
A «Qs ecpar, copvvTO 8' olvtLk avi]p r$s re fieyas re
eiSws TTV/jxax^s, vlbs Uavoirrjos 'Eireios, 665
axlraro 8' i)[j.l6vov rakaepyov (pcavria-ev re'
" ao-0-oi> trto os tls beiras oto-erat ap.(pLKVTrekkov'
T}p.iovov 8' ov (pTjpt rii/' a£ep.ev akkov * kyai&v
irvyp.fi viKi](ravT, errel evyop.ai elvai dpioro?.
77 ovx akis ottl p-axv* eTnbevop.aL ; ovb' apa ircos rjv 670
ev Ttavrtcra epyoicrt bai]p.ova (pcora yeveadai.
<S8e yap e£epe'a), ro be kcu Terekeo-p-evov eorai'
avriKpv \poa re p?/£<w <ruy r' dcrre" apa^co.
Kt}bep.6ves be 01 ei>0d8' doAAe'es a5#i p.evovT(DV,
ot ne p.iv k£oi<rov(Tiv ep.f\s v7ro yjEp<r\ bap.evra." 675
*X2s ecpa0\ ol 8' apa mb/res d/c^y eyevovro anioTtfj.
F,ipvakos be ol olos avia-raro, iaodeos <p(os,
M?jKio-re'os vlbs Taka'iovibao avanros,
0$ 7Tore 07]/3a<r8' ?p\0e 8e8ou7rdros Oi8i7rd8ao
es TcicpoV evda be 7rdrras eVi/ca Kabp.e Lavas. 680
r6y pei> Tvbeib-qs bovpLKkvrbs ap-tyeirovelro
Oapa-vvoiv eveo-iv, p,eya 8' avrio fiovkero vikijv.
£G>p.a be ol TtpQiTOv TtapaKafifiakev, avrap eVeira
8a>Kei> i/wras evrpr/rou? /3ods aypavkoio.
T<s> be (oio-ap.evoi firjTrjv es jueWov ay&va, 685
avra 8' avao-xop.evoo x^P^ 1 o-ri^apycriv ap? ap.<pa>
avv p eTrecrov, (rbv be <r(pi /3apeiai x^P^s t^X®™-
beivbs be xpop-abos yevvcav yever, eppee 8' i8pa>s
iravToOev en p,eAeW* eirl 8' wpvvTo bios Eirecos,
Ko-^re be. Txaixr-qvavTa TTaprj'Cov' ovb' ap en bi]v 690
eo-Tr\Keiv' avrov yap V7n/pi7re <pat8tpa yvla.
a>s 8' 6'0' vtto (ppmbs Bope'aj dj>a7rd AA era 1 t^^ 5
OLv ev cpvKLoevTL, p.ekav be e Kvp.a Kakv^ev,
ws TTk-qyels aveirakro' drdp p.eyddvpos 'E7retos
Xepo-l kafiwv updoiae' cpikoi 8' <ip.<pe<TTav eraipot, 695
230 23- IAIAAOS *.
01 \iiv ayov bC ay&vos e<peAKopeVo«ri irobecrcnv
cupa Traxy tttvovto., Ka.pt] fiak\ov6' ere'pooo-e"
Kab 8' akko<ppove.ovTa /xera atylcnv elcrav ayovres,
avrol 8' olyop.evoi Kopuaav Se^as ajj,(f)LKviT€Wov.
n^Ae'iS^s 8' an// dAAa Kara rptra OrJKev aed\a, 700
bei.Kvvp.evos Aavaolo-i, Tra\aLo-p.oa~vvrjs aXeyeivrjs,
r<5 pey viKrjcravTL p.eyav rpnroS' ep.7;vpL(3riTr]v }
tov be bvcobenafioiov evl cnpicri rioy 'A^aioi'
di'Spt 8e vLKrjdivTL yvvaxK es p-ecrcov eOrjKe,
TToXXa 8' e7Hcrraro epya, tlov be e Tecraapajioiov. 705
or?) 8' op^6s koX p.v8ov ev 'ApyeuHcriy eearev'
" 6pvvcr0 y 0% kcu tovtov aeOkov Treiprjo-ecrOov"
&s ecpar, oopro 8' eVeira pe'yas TeAapamos Aias,
av 8' '08uaevs TTo\vp.i]Tis drtcrraro, Kepbea elb(6s.
(/oa-apeVco 8' apa rw ye /3drrp7 es peVcroy ayG>va, 710
dy«as 8' dAA?jAa>i> \afierr\v xepcrl aTLfiapf\criv
a)? or' ap.e(,/3ovTes, tovs re KAur6s tfpape tckto)v
b(ap.aros v^rjAoio, /3tas avep,(ov aXeeivcav.
Terplyei 8' apa ^<3ra 0pao~eiaa)V curb xeipcSz;
e\Kop.eva crrepe<Ss" Kara be ydrio? pe'ey i8p<us, 715
77UK^at 8e o-pco8iyyes di>a irAevpds re *ai wpous
al'pari (poiviKoecraai avebpap.ov ol be paA' aiet
rt.'ojs Ucrdriv rpiirobos irepi 7roi?jroio'
ovr' 'OSDcrei)? 8waro o-<p?/Aai o#8ei re 7reAd(rcrai,
our' Aias 8iWro, Kparepi] 8' e^ey is 'O8U0770S. 720
dAA' ore 877 p' avia^ov evK.vrjp.ibas 'A^aiovs,
8?) ro're pii> 7rpocre'et7re p.eyas TeAapojj/ios A?a?'
" 8ioyeye? Aaeprtd8?7, TroAup?;;^' 'OSuacreO,
?/ p avaeip , 1) eya> o-e ra av An iravra peA?)o-ei.
A 12s ei7rcbz' avdeipe' 8oAou 8' ov kr\OeT 'OSvcrcrevs* 7 2 5
Ken// oiriOev Ku>kr]TTa tv\u>v, v7reAvo"e 8e yina,
Ka8 8' e/3aA' e^o7rtVco" e77i 8e crr?;^eo-o-ti' 'OSuao-ei'S
23. IAIAA0.2 *. 231
Kaimecre' kaol 8' av 6i]€vvt6 re dapL^Tqaav re.
8evrepos aSr' dydeipe TToAurAas 810s '08iKro-ev?,
Kivr]aev 8' apa tvtOov curb ydovos, ovbi t atipev, 730
ev 8e yovv yvap.\\rev' inl be x.0oin Kcnnreaov ap.<pa>
7rXrj(riot akkijkoicrL, fAiavdrjcrav be kovltj.
Kai vv K€ to rpirov avTis ava't^avr eixakaiov,
el fxi] 'A^ckkevs avros avia-raro Kai KarepvKe'
" ixr\KtT epeibeadov, pr;8e TpifievOe kglkoZo-l' 735
vlkt] 8' ap.(poTepoL(nv' aeOkia 8' ur' avekovres
ep^eo-0', ocppa Kai akkot. ae6kevu>o~iv 'A^atoi."
^Xis e(pa6\ oi 8' apa rou p.dAa pey kKvov t)8' IhIQovto,
Kai p° aiTop.op£ap,ev(o Kovir\v bvaavro y^ir&vas.
n?jAei87;s 8' ai\// dAAa n'0ei raxir^ros aeOka, 740
apyvpeov KprjTrjpa, TeTvyp.evoV e£ 8 1 apa perpa
XaySayei', avrap Kakket. e^tKa iracrav en alav
Trokkuv, eirel 2i8dyes Trokvbaibakoi, e5 ijo-Krjo-av,
<t>oiviK€s 8' dyoy avbpes en i)epoeibea novrov,
(TTrjo-av 8' ey kip.evecro-i, @dai>ri 8e bwpov ebcoKav' 745
inos 8e FTptdpoto Au/cdoi'os' Svop ebcaKe
ITarpd/cAa) f/pan 'I?7(roj>iS?7? Ewrjos'.
/cat rov 'A^tAAevs diJKev aeQkiov ov erapoio,
6s tis ekacpporaros ttoo~o~1 Kpcuirvoio-i nekoiTO'
8eurepa> av /3oCi^ 0?}Ke p.eyav Kai ttiovcl brjp.<2, 750
fjpuTaXavTov be xpua"o£> Aoicr0jp' e6r}K€.
o-Trj 8' 6p6bs Kai pvOov ev , Apyeioio-iv eenrev
" dpvvo-O' 0% Kai tovtov aedkov ireipijo-eo-9e."
ws ((par', wpvvro 8' ovtik 'OiAy/os rami's A?a? 5
&V 8' 'OSuo-evs irokvp.i]T is, eVeira Se Neoropos uio? 755
'AyrtAo^os' 6 yap avre veovs ttocti Trdiras eviKa.
\jttolv be perac-roi^i* o-r\p.i]ve be reppar 'A^tAAevs.]
roia-i 8' a7ro vvo~o~r\s reraro 8pdpos" a>Ka 8' iVeira
^(pep' 'Oi'Aid87]s' e7r/. 8' wpfirro 8tos '08uo-creus
23a 23. IAIAA02 4'.
ayxt p.dA\ cos ore rts re yvvaiubs Zv(a>voio 760
<TTT)6e6s eari Kavtov, ov t ev pdAa X e P (rL ravvcrcrr}
TT^viov e^ikKOvaa Trapes, ixltov, ay-^odi 8' tercet
vT-qdzos' cos 'OSucrevs Oeev tyyvQzv, avrap oinaOtv
l\yia tvttt€ Trooecrcrt irdpos koviv afj.(pL)(y6rjvai'
Kab 8' dpa 01 KecpaAr^s x e " dvr\i.kva 810s 'Obvtrcrevs 765
atet ptpcpa dicov Xayov 8' eVt 7rarres 'A^atoi
viKr\s tepeVco, pdAa b\ cnrevbovTL niXevov.
dAA ore brj -nv\iarov re'Aeor> bpop.ov, ai/rtV 'Obvo-aevs
tvytT 'AOrivaLji yAauKC07rt8i bv Kara 6v[jl6v'
" kXvOi, 0ed, dyaOrj pot lirlppoOos eA0e -noboliv." 770
cos ecpar' evxdp-zvor tov 8' ckAuc IlaAAds 'Ad-qvr],
yvla 8' tOrjutv eAacppd, 7ro'8as Kat x e W as vuepdiv.
dAA' ore 877 rd^' epeAAoy iirat^eo-Oat dcdXov,
hO' Alas pey oKiaOe decav — (3Xd\j/ev ydp 'AOr/vi] —
rfj pa j3o&v k^vt ovOos d'noKrap.ivoov kpip-VKOiv, 775
ovs eVt HaTpoK\u> irtcpvev uobas cokvs 'Ax/AAei/s'
ev 8 ovOov fioiov ttXtjto oro'/xa re pivds re'
Kpt]Tj]p avr drdetpe uoXvTXas bios 'Obvo-o-evs,
cos ?)A0e <p6dp.evos' 6 8e /3oiw e'Ae cpai'8tpos Alas.
o-Trj 8e Ke'pas p,erd \epo-\v ex°°v fiobs dypavXoio, 7S0
ovOov diroiTTvoov, perd 8' 'Apyetotcriy eeiiTtv'
" co ttoitol, ?} p' e/3Aa\//-e 0ed 7ro'8as, 77 ro 7rdpos 7rep
p?/r7/p cos 'OSucrj/'t 7rapicrrarat ?/8' e7rap?/yet."
' X2s ecpatf , ot 8 dpa 7rdvres eV' a?jrcp 5781* yikaarcrav.
'AvtlAoxos 8' dpa 87; Xoio-Orjiov eVcpep' dzdkov 785
petStoW, Kat p.v9ov kv 'ApyeioLaiv tevnev'
" et'80'crty i;pp' epe'co 7racrti', c/u'Aot, cos ert Kat w
aOavaroi rtpcoert TraXaiorepovs dvOpamovs.
Alas p.ev yap epet' dAtyo.v TipoyzviaTepos ecrrti;,
oSro? 8e TTpoT€pi]s yeverjs 7rporc-'pcoy r' dvdpanrctiv' 790
o>p.oyipovra Se' ptV cpacr' eppei'at" dpyakiov 8e
23. IAIAAOS *. 233
TTOcrcrlv tpihria-acrdai 'Axatots, ei p?? 'A^tAAei."
*X2s cpdro, Kvbrjvev be 7roSci)Kea n?iAe'ta>ya.
tov 8' 'AxtA.evs p.v6ot(nv dpa/3o'pei>o? irpocreenrev'
" 'A^riAox', ou peV rot pe'Aeos etp?;o-erat atyos, 795
dAAd rot ?/ptrdAazrroi> eyw XP U0 " ^ eiu07Jo-co.
*12s et7ra)y ey x e P<™ rt'0ei, 6 5' eSe£aro yaipmv.
avTap TliiXdbrjs Kara p.ev SoAixoVkioz; eyx 09
07/k' es aySiva (pipcov, Kara 8' da-?Tt8a Kat Tpvtydktiav,
revx ea 2ap7r?j8oi'ros, a pti> IldrpoKAos airrjvpa. 800
or?/ 8' dp0os Kat p.v6ov ev ' Apydouriv f-enreV
" dvbpe bva) 7rept r<5i>8e Kekeuop,ev, u> Trep apicrTO),
re^x ea £<T<Tap.£vu>, ra/xeo-t'xpoa \oXkov eXovre,
aWij\(ov TrpoirapoiOev opt'Aou TreipriOrjvai.
OTTTTOTepOS K€ (p6fj(TLV 6p€^dp.€VOi XP°' a Ka ^° v > 8o 5
\}ro,v(rri 8' kvbivoiv bed r tvrta Kat pe'Aay alp-a,
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KaXbv Qpri'LKLOv, to p,ev 'Ao-Tepotraiov dir-qvpcov'
re^x ea 5' ap.(p6repoL ^vvi]ia ravra (pepeo~6ayv'
Kat cr$iv 8atr dya0?)i; irapadi]<Jop.ev kv KkLcrirjcriv. 810
tV £2s {(par', 2>pro 8' eVetra p.4ya$ TeAapwjuos Atas,
av 8' apa Ti^ei'Sris oopro, Kparepbs Atop?/8??s.
01 8' e7ret ow knaTepOev optAou Ooipi^drjcrav,
es p.£o~ov dpcporepco avviT-qv p.ep.aG*T€ paxeo"#at,
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rpts pey 677?/'t'fai', rpts 8e crxeSoy o)ppt,rjdr]crav.
£vd' Ata? pey eVetra Kar' do-niba Travrocr' iicrrjv
vv£\ ovbk XP°" iK-avW 'ipvTo yap 'ivboOi 6wpr]£'
Tvbdbtjs 8' ap' e7retra 7j7rep o-aKeos p.eydkoio 820
atef e7r' avyivi Kvpe (paeivov bovpbs anwar).
Kat ro're 8?/ p' Atayrt Tttpibdo-avTts 'Axatot
7raucrapeVovs eKeAeucray deflAta l<r di>eAe'cr0at.
234 23. IAIAA02 *.
avrap Tvbe'Cbrj b&Kev p.eya cpacryo.vov rjpoos
crvv KoAeco re (f>epoov Kal evrp.r\r& rekap&vi. 825
Avrap Urikeibr]s OrjKev crokov avro\6oovov,
ov rrpiv pev ptVracrKe p.eya crdevos 'HeriWos*
dAA 77 tol rbv erte<pve 7roba.pK.ris bios 'AxiAAeus,
rbv 8' ayer* ev vqecrcn avv dAAotcri Kreareacn.
arrj 8' opObs Kal p.vdov ev 'ApyecoLo-Lv eewiW 830
" opvvcrQ' o\ Kal rovrov aedkov 7ieipr\creo-6e.
e'i 06 /cat p,aAa irokkbv artonpoQi nioves aypoi,
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\pe(x>p.evos' ov pev yap ol arep.l36fji.ev6s ye o~ibr)pov
Trotprjv ovS' aporrjp ear' es rrokiv, akka 7rape'£ei." 835
' lis e<par , copro 8 erreira p.eveTrr6kep.os UokvTroi r ris,
av be Aeovrfjos Kparepbv p.evos avnOeoio,
av 8 Aias TeX.ap.oov Labi] s Kal bios 'Encios.
e£elr]s 8' laravro, o~6\ov 8' eke bios 'Erreios,
rJKe be bivijoras" yekacrav 8' ertl rravres 'Ayaioi. 840
bevrepos avr d(pe?;/<e Aeovrevs, o^os " Aprfos'
to rpirov avr eppi^re p.eyas Tekapcovtos Alas,
X^tpos oltto arifSapijs, Kal virepfiake arjpara rravroov.
dAA ore brj aokov elke peveirrokepos Tlokviroirrjs,
oaa-ov tls T eppi\(/e Kakavporta fiovKokos avrjp, 845
T) be 0' ekio-0-op.evrj nererai bia j3ovs ayekaias,
roacrov rravros ayoHvos vrrepfiake' rol 8' efi6r\crav.
avaravres 8' erapoi Ylokviroirao Kparepolo
vijas ern yka(pvp<xs ecpepov (3ao~ikTJos aeOkov.
Avrap 6 ro£evrr\o-i riOei ioevra crCbripov, 850
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Icttov 8' earr]o~ev vrjbs Kvavoirpiopoio
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kerrrfj p.rjpivddd bficrev rrobos, rjs ap' avojyec
ro^eveiv' " bs pev Ke /3dA?/ rpijpoova rrekeiav, 855
23. IAIAA02 *. 235
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23 6 23. IAIAAOS *.
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IAIAA02 Q.
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Toy 8' r/pei/3er eireLTa yepaov Up[ap.os deoeibrjs'
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" 7retpa epeto, yepate, Kat etpeat "EKropa 8toy. 390
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"et pey 87) Oepcnrow riijArjtdSeco 'A^iAtJo?
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250 24. IAIAA02 X2.
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Toy 8' at>re 7rpocreet7re hiaKTopos 'Apyeicpo'yrrjs* 410
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olov eepo^eis Ketrai, 7repi 8' aipa ye'yi7rrat,
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/cat venvos 7rep eo'yro?, e7rei axpi <pt'Ao? 7rept Krjpi."
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" S reKoy, 7] p' ayaOov koX eyatVipa 8copa 8i8oSyai 425
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Tuvr\ 8' etcreA0a)i> Aa/3e yoiWra n^Ae'i'toro?, 465
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AtVo-eo Kai TtKeos, tva 01 o-w 6vp.bv optvrjs.
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2$z 24. IAIAA02 Q,.
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6dp.[3r](rav 8e /cat aAAot, e? aAATjAous 8e t8oz>ro.
roy /cat Atcrcrop.ei'os rTpiap.os irpo? p.v6ov tfetire* 485
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tov av Trpwrjv KTelvas apvv6p.evov irepl irarprjs, 500
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24. IAIAAOS a. 253
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ayapievos apa )(etpos a7rwo-aro ?/Ka yepovra.
ra) 8e p.vrj(rap.ivu), 6 p.zv "Enropos avbpocpovoio
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kcu e KaraKrei^ete, Aids 8' dAirrjrat ecperpds.
rdi; 8 e7ret ovz> 8pcoat kovaav nal yplo-av eAatco,
dpept 8e' pti> <fiapo$ Kakbv (3dkov ?}8e x'^ya,
ai/rds rdy y' 'AxiAei)s Aexecov eireOriKev detpas,
crw 8 J e'rapot 7/etpaf kv^earTr\v e7r' a7T7jyrjy. 590
copcofeV r dp' eVeira, (pikov 8' 6v6p.r\vev kreupov'
" p?/ pot, ndrpoKAe, crKvb\mivep.ev, a'i kc ttvOtjcu
elv "A'ibos irep ecov otl r 'EKropa blov e'Aucra
Trarpt c/>tAco, e7ret o# pot det«e'a b&nev airoiva.
aol 8' au eyco «at r<Sz;8' a7ro8dcrcropai ocro"' kirioLKev.' 595
^H pa, Kat es Kkt,(rir\v irdkcv ?/te 8tos 'A^iAAevs,
e^ero 8' ev KAtcrpw 7roAv8at8dA(p, e'^ey dye'ernj,
rot'xou rou krepov, 7tot\ 8e Ilpt'apoy (pdro fxvdov
" vlos pikv 8r; rot Ae'Aurat, yepov, ws e«e'Aeues,
2$6 24. IAIAAOS 12.
Ketrat 8' ev ke^eea-o- 1 ' dp.a 8' ?}ot (paivop.evi]^>iv 600
o\f/eai avrbs dyutv' vvv be p.vr\(T(i>p.eda bdpirov.
Kal yap t rjVKOfjLos N toftr] epi^craro ctltov,
rf] irep bcabeKa iTcubes evl p-eydpotaiv okovTo,
e£ pev dvyarepes, e£ 8' tue'es fjfivovTes.
tovs pev 'Airdkkojv irecpvev a7r' dpyvpeoio /3toto 605
\codpevos Nio/3?/, ras 8' "Aprepis loyeaipa,
ovveK apa AtjtoI icracr/cero KakkLirapija)'
(pi] 8ot&) TeKeetV, Tj 8' O.VT7] yelvaTO TTokkoVS'
to) 8 1 apa Kal b<ua> irep edvT airo iravras okecrcrav.
ol pev dp' kvvrfjxap KeaT ev (pdvco, ovbe tis i)ev 610
/<ar#d\|/-ai, Xaovs be kCOovs TroCrjcre Kpovio^v'
tovs 8' apa Trj 8e«drr; 6d\j/av deol Ovpavluves.
i] 8' apa o~'itov pvi)(raT, et:el Kap.e banpv \eovcra.
vvv be ttov ev TteTpijmv, ev ovpeo-iv olo-ndkouriv,
ev SiTrvkh). o6i (paaL 6edu>v eppevaL evvas 615
vvpLcpaaiv, at r dp.(p 1 A^ekmov eppoiaavro,
evOa kidos Trep eovcra 6eG>v Ik Ki]bea 7re'cro"ei.
dkk' dye 8?) Kal vm peb(i)pe9a, ble yepaie,
o-'itoV eireird Kev avre <pikov iralba Kkaioicrda,
"Ikiov elo~ayaya>v' TrokvbaKpvTos be rot earat. 620
V H, Kal avai£as oiv dpyv(f>ov o)kvs 'A^ikkevs
o-cpd^' erapoi 8' ebepdv re Kal dpcpenov ev Kara Koo~pov,
picrrvkkdv t dp' eTTLo-TapLevoiS irelpdv T ofiekolcnv,
coTTTrjo-dv re irepicppabeoos, epvaavro re iravra.
AvTop.eboiv 8' apa ctItov ek<i)v eiteveip.e rpa7re'£r/ 625
Kakols ev Kaveoiatv' drdp Kpea velpev ^A^ikkevs.
01 8' eV oveiaO' erolpa irpoKeip.eva x^Tpas takkov.
avTap eirel ttoctlos Kal ebrjrvos ££ epov evro,
rj rot AapScu'tS?]? riptapos 6avpa£ 'A^ikija,
oaaos er\v olds re' 0eourt yap dvTa ewKet' 630
avrdp 6 Aapbavibrjv Ylpiap.ov 6avp.a£ev 'A\ikkevs,
24. 1AIAA02 n. 257
daopocov o\jtu> r aya6i]i> koX pvOov aKovodv.
avrap eirel Tapirr/crav es akkr/kovs opocovrts,
tov TTporepos Trpoaeenre yepcov Ilpiapos - 0eoei8?yj #
" k4£ov vvv pe rd)(icrra, Storpe^e'?, oc/>pa Kat 7/877 635
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akk' atet crreydxa) /cat K7/8ea p.vpCa 7recrcra),
avA^s ey yoproicri nvkivbopievos Kara Koirpov. 640
i>w 877 Kat rrtrou •naaap.iqv kclI aldoita olvov
kavKavir\s Kadti]Ka' 7rdpos ye pev ou rt ireTTa(rp.riv. y '
'H p', 'A^tAei»s 8 erapoio-ii> t8e bfi(sf}<ri nekevcre
bep,vL in aWovarj fle'perat /cat pijyta naka
■nop(pvp€^ Zp.ftakitiv, oropeVai r tcpvirepOt Tairi]Ta<i, 645
\katvas T iv6ep.(vat ovkas KaOvirepdtv 'Icracrdai.
at 8' to-ay e/c peyapoto 8ao? pera xepcrlz/ e\ovcrai,
al\pa 8' apa o-Topeo~av 801&) A.e'^e' ZyKOv4ovcrat.
tov 8' kTriKepTop.£u>v TTpocrecpr] 7ro8a? cokv? 'A)(tAA.€vs'
" e/cr6? pei> 877 Ae'£o, ye'poy tfJt'Ae, p77 rt? 'Axatcov 650
evOab' €Trik6ri<nv fiovkrjtyopos, 01 re pot atet
fiovkas fiovkevovcrt. irapr\p.€voi., rj #epts eart*
Tcoi' et rts (re t8otro 0O77i> 8ta vvktol p.ikaivav,
avTLK av e£et7rot 'Ayap.ep.vovi, Ttoip,£vi ka&v,
/cat /cey ava(3kr](ris kvo~ios venpolo ykvr\Tai. 655
aAA' aye pot ro'8e et7re Kat drpeKe'cos narake^ov,
7roo-crf]pap p.ep.ovas /crepet^epei' r 'E/cropa 8toy,
ocfjpa re'cos avros re peVco Kat Aaoi> epwKco.
Toy 8' 7)pet/3er' eVetra yepcov ITptapo? ^eoet8»/s'
" ei per 877 p' e^e'Aets reAe'crat rcupov "E/cropt 8tco, 660
co8e Ke pot pe£a>v, 'A^iAeS, KexaptcrpeW OeCr/s.
o1cr8a yap a>? Kara acrru ee'Ape^a, r?jAo^t 8' vA?/
a£ep.ev ef opeos, pdAa 8e Tpwe? 8e8tacrtr.
VOL. II. S
258 24- 1AIAA02 O.
kvvrjpap piv k avrbv ivl peydpois yoaoipev,
rfi benarri 8e Ke 6a.iTT01y.ev baivvro re Aaoj, 665
kvb€Ka.Ti] 8e Ke rvp.(3ov kit avr<2 Tron]o~aip.€v,
Ti] 8e bvoobeKarrj 7roAepi£opey, et 7rep dyayxr;."
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(t earat roi kcu ravra, yepov ITpiap', w? av KeAeueis*
cryjicriti yap ttoKcjjlov tocto-ov xpovov ocrcrov avcoyas." 670
*X2? apa (pcovijcras eirl Kapirio xeipa. yepovros
e'AAa/Se be^LTepijv, p.r\ ttu>s Seurei' evl 6vp.<2.
ol pev ap kv TTpobopno bopov avrodi K.oip.i]o~avTO,
Krjpv£ koI Tlpiapos, ttvklvci <ppeo-i prjbe e'xovres,
avrap 'A\tAA.ey? ei»8e pv\<p kAktiijs eiJ7r?7Kroir 675
rep 8e Bpto-fjis irapeAe'^aro KaAAnrdpr/os.
v AAAoi piv pa deoi re /cat avepts i7nroKopucrrai
evbov 7ravvv\LOL, /xaAaxa) bebp.i-ip.evoi, virvip'
dAA' ot>x. 'EppeCav epiovviov virvos UpapiTTev,
bppaivovr ava Ovpbv ottcos Ylpiapov j3aai\rja 6S0
vr\G)v €KiT€p\}/€L€ XaOuv Upovs wXacopovs.
crTrj 8' ap imtp Ke(paA?/s Kai piv irpbs p.vdov eetTTey
" 00 yepov, ov vv tl o~oi ye pe'Aei KaKOv, olov 26' e#8eis
avbpdo-Lv kv br)ioicnv, eVei a elacrev 'A^iAAe^s.
/cat vvv p.\v (pCkov vlbv ekvcrao, 7roAAd 8' eSco/cas" 685
creio 8e Ke (/oou koi rpis roVa 8oTey airoiva
7rai8e? rot pero'7rio-#e AeAeippe'yoi, at k Ayap.ep.vdiv
yvcarf a "'Arpeibrji, yvuxacn be iravres 'A^atoi."
12? e<par , eoeto-ev o yepcav, Ki]pvKa avLo-rr].
rolaiv 8' 'Eppeuz? £ei)£' ittttous rjptovovs re, 690
pipcpa 8' ap' avrbs ekavve Kara orrparov, ovbe rt? eyvoi.
'AAA' ore 8?) iropov l£ov evppelos irorapolo,
EavOov bivqevTos, ov aBavaros Tenero Zev?,
'Eppeta? pey e7reir' a7re'/3^ 7rpo? paxpov "OXvpirov,
'Ha)s 8e KpoKOTTeirXos (Kibvaro irao-av err' atav, 695
24- IAIAA02 £1. 2,59
oi 8' eis acrrv £\<t)V oip.u>yr\ re (rrovaxfj re
17T7TOVS, l][l(.OVOl 8e VtKVV <\>£pOV. Ovbt TLS akkoS
tyvoi â– npo<T&' avbpS>v Kakki^vcav re yvvaiK&v,
akk' apa Ka<r<rarbpri, lucki] \pv(rei] 'AcppobiTj],
Ylepyafxov elo-avafiacra (plkov 7rare'p' tlcrtvoriarev 700
eoraor' ey 8t<pp<{>, KijpvKa re ao-Tvf3o<oTr]v'
tov 8' ap' e<p' f]p.i6vh>v t8e Keipevov kv Ae^e'ecro-i*
KtoKVatv t ap > eVetra yiyutvi re Tray Kara derm"
" oty-ecrfle, Tpwes Kai Tpa)d8e?, f/ E«rop' toVres,
ei 7rore Kal (d>ovTL pax^js eK jJOOTTycrai'ri 705
^atper', eVet pe'ya yapp.a 7rdAet r ?]z> Travrl re br]p.(o. '
*X2s {(par , ovbk rts avToO' Ij/t 7rro'Ae't Anrer' dyrjp
o^8e yum/* 7rayras yap da<r^eroy ucero ttzvOos'
ayyov 8e £vp.(ikr\vTO Trvkdcov veKpbv dyovTi.
7rp<3rai roV y' dAoxo's re (ptA^ Kal Tiorvia p-rJTrjp 710
Tikk£crdr]v, eTr' ap,a£av ivrpo\ov d't£ao-ai,
a7rTop.evai, K€(pakrjs' ukaicov 8' ap-cpCo-raO' optAos.
Kat iw Ke St) irpoirav r\p.ap Is rjtkiov KaTabvvra
"EKropa 8aKpu x* oi; ' res obvpovro irpo 7ruAda)i>,
et p?) dp' ck 8t<ppoto ytpoov AaoTo-t perrpJSa* 715
" et£are pot ovpeucrt 8teA0epei;' avTap e7retra
dcrear^e Kka.v6p.oio, €irr}v ayaycopu. b6p.ovbt."
,v i2? l-cpaO', ol 8e bUo-rrjo-av Kal e?£av aTnjvrj.
ol b' eVei etcrdyayoi> KAurd b(ap.ara, tov p.ev eVetra
rpi)Tols kv kzykzo-vi Bkaav, irapa 8' elcrav aoibovs 720
6pr\v(ov l^dpyovs, ol re crroi;deo-craz> dotSTjy
ot per dp' eOpr/vtov, eirl 8e <rrej>dxoirro ywatKe?.
rrjo-ty 8' ' Avbpop.dyji kevKtokevos ?)px^ ydoto,
"EKropos avbpo<povoLO Kapr\ p-era \epo~lv zyovaa'
" cbep, d7r' atwros reos wAeo, Ka8 8e pe \ripr]v 725
Aenreis ey peydpoto-t' 7rat? 8' en znjTnos al/ra)?,
ov reKopey o"u r' e'yw re bvo-dp.p.opoi, ov8e pty otco
s 2
26o 24. IAIAA02 a.
ijf3r]v i£eo-0ai' irplv yap irokis ?/8e kclt } ci/cprjs
â– nkpaerai.' ?] yap okcakas kirio-KOiros, 6$ rk p.iv ai>Ti]v
pvcrKev, exes 8' a\6\ovs Kebvas Kai vr]ma rkKva, 730
at 817 roi ra^a j>?pjcrii> 6\rj(rovTai yXa<pvpf](n,
Kai pey eya> perd rfjcn' av 8' av, re/coy, 77 epoi at»r?/
'k\j/eat, evda Kev (pya deiKe'a epyd^bio,
dOkcvcov rrpb avanros dpeiAi'xov, ?/ ns 'Axai<5i>
pn//ei x et P 0S eA.a)y d7ro Trupyou, kvypbv okzOpov, 735
yu>6p.£vos, w 8?j 7Tou dbek(pebv (KTavev "E/crcop
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"EKropos e*> TTakap.r\cnv d8d£ e'Aor do-7reroy ot»8as.
ov ydp pei'Aixos e(r/ce 7rarr/p reds kv haX kvypfy
t<2 Kai p.w kaol p.ev obvpovrai Kara acrrv, 740
aprjTov 8e TOKivat ydov Kai TtkvOos e^TjKa?,
"Ektop" epoi be pdAicrra AeAetyerai dAyea Auypd.
ov ydp po6 6vf\<TKu>v keyki»v eK ^etpas operas',
o?38e' ri poi eures hvkivov tiros, ov rk Key aiei
pLtp.vrjp.rjv vvKTas re Kai i)p.aTa baKpv \kovcra" 745
*f2? ecparo KAaioucr', e7u 8e o-rej>dxoyro ywaiKes.
Tjjo-iv 8' aS0 EiKafir) abivov k^rjp^e yooio'
""Ektop, epa> flupw iravTOiv irokv (pi'Arare Traibatv,
r] pe'y poi £ods 7rep eaw (pikos r)o~6a OeoZcnv'
o\ b' apa o~ev Krjbovro Kai kv Oavdroio 7rep aio-?;. 750
dkkovs p.ev yap nalbas kp.ovs irobas wkvs 'AxiAAevs
irkpvao-\\ ov tlv e'Aeo-Ke, -nkprjv dAds drpvykroio,
es "2,ap.ov e? t "lpt.j3pov Kai Arjp.vov ap.iydakoeo-0-av'
aeu 8' e7rei efe'Aero \\rvyr)v ravarjKei xaAK(j>,
7roAAd pucrrd£e<rKei> kov irept crr)p! krapoio, 755
ITarpoKAou, rbv eTrecpves' avkcrTr\o-ev bk p.cv ovb' u>s.
vvv bk poi epcnjei? Kai irpdo-cpaTos kv p.eyapoicn
KeTo-ai, rc5 iKeAos ov t apyvporo^os 'AttoAAgozj
oh ayavoiai /3e'Ae(ro-iy e7roixdpe/'os Karkirecpvev."
24. IAIAA02 a. 261
<v X2s tcparo ukaiovcra, yoov 8' dkiaarov opiye. 760
TJjcn 8' €7T€t^' 'EAeV?; TpLTCLTI] e^T/p^e yOOLO'
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7] fXiV jXOL TTOCTIS eOTll> ' Ak<££avbpOS 8eO€l&js,
os p. ayaye Tpoir|vb , ^ 0)s -nplv hxpekkov oAeVflai.
ijbrj yap vvv p.01 rob' €€lkoo-tov ctos ko-riv 765
e£ ov KtWev €j3t]v /cat Zp.rj$ aireki']\v6a 7rarp)js"
ctAA' ov 7TO) (reu aKOUcra kolkov eVos o^S' ao-v(pi]\op'
dkk ei n's pe Kai akkos iv\ p.eydpoLo-Lv £vlttto<.
baepcav ?/ yaAoojy ?} eirarepcoj; evircTrkaiv,
?/ I/cup?/ — eKupos 8e 7rar7/p a>? ijinos atei — , 770
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to) (re 0' a/xa xAaio) Kat ep.' ap.p.opov ayvvp.(vr) Ki)p'
ov yap tls pLOL er' akkos ivl Tpoii] zvpeCri
7/7TIOS' oti8e <p[kos, TTavres 8e p.e 7recppiKao-u>." 775
' X2y (.(paro KkaCovo-', cttI 8' earez>e brjp.os aireipoiv.
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1 lis t(pad\ ol b vi: ap.d^j]aLV /36as 7]p.i6vov$ re
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(W7Jp.ap p.zv rot ye aytveov acnrtTov t/Arjy*
aAA ore 8?j 8e/<dr?] etyavi] (paecrLp.fipoTos i)<0$, 785
/cat tot' ap' k££<ptpov Opacrvv "Enropa banpv xeWres,
cv 8e 7rvp^ viraTrj vexpbv decrav, ev 8' €)3akov iivp.
'Hpoy 8' ?7piyeWia (pay?; poSoSd/cruAos' 'Hwy,
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[avrcLp e7rei p' 7)yzpQ(.v bp,y\yzpit<i t lyivovro^\ 790
7rpcoro^ f*ev Kara 7ri>pKa't^i' crfiecrav aWom euro)
262 24. IAIAAOS 12.
â– ndcrav, oTioacrov eT:ecr\e irvpbs fxevos' avrap eiretra
oarea kevKa keyovro Kaaiyvr)roi 0' erapoi re
livpoixevoL, Oakepbv be Kareij3ero baKpv rtapeidv.
ko.1 rd ye \pvcrelr\v es XdpvaKa 6i]Kav ekovres, 795
iropcpvpeois TreirXoLo-L Ka\v\j/avres p.a\a.Kolcnv'
alxfra 8' dp es kolXtjv Kairerov Oecrav, avrap virepde
ttvkvoictiv kdecat Karearopeo-av jueyaAoioV
pip.(pa be crrjfji' ex eav > ire P t °"e ctkottoI rjaro TTavry,
p.rj irpiv ecpoppLfjOelev evKvruxtbes 'Amatol. 800
\evavres be rb o~f}p.a ttoKlv klov' avrap eireira
ev avvayeipop-evoi baivvvr epiKvbea baira
ba>p.ao~iv ev TipidpLOLO, biorpe(peos fiacrikrjos.
*i2s oi y apLcpUiTov ra<pov "EKTopos imrobapoio.
NOTES.
BOOK XIII.
The narrative of the thirteenth and two following books of the Iliad
consists of incidents by which the main course of events in the poem is
for a time arrested, or rather turned in the opposite direction. The
agency of Zeus, by which alone the promised humiliation of the Greeks
can be brought about, is removed, and other agencies, chiefly that of
Poseidon, restore to them their natural superiority over the Trojans.
When Zeus awakes to the changed condition of things the lost ground
has to be gradually recovered. Thus the catastrophe which was im-
pending at the end of the twelfth book is still impending at the end of
the fifteenth.
The thirteenth book was anciently known under the title Max*? hrl
reus vavaiv. These words would properly describe the whole episode
now in question ; but as books XIV and XV received other titles, the
phrase was restricted to book XIII. The narrative may be analysed as
follows : —
Zeus now turns his eyes away from the battle, and Poseidon comes to
the aid of the Greeks. He encourages the two Ajaces, then other heroes.
The Trojans under Hector find their onset checked (11. 1-205).
Idomeneus now becomes the principal figure, with Meriones as his
Otpa-rrtov or companion in arms. Both heroes place themselves on the
left wing, where they are most needed (11. 206-344). The poet here
pauses to dwell on the spectacle of the two armies urged forward by
the two great ' sons of Kpuvos,' Zeus and Poseidon (11. 345-360). Then
follows what may be called the Aristeia of Idomeneus. He slays
several warriors of subordinate rank — Othryoneus, Asius, Alcathous.
Over the body of the last a general combat arises, in which Idomeneus
engages Aeneas. At length he retires, wearied but not conquered, and
leaves the battle to younger heroes (11. 361-525). It is carried on by
Meriones, Antilochus and (especially) Menelaus (11. 526-672).
The scene then changes again to the centre, where Hector is still
264 ILIAD. BOOK XIII.
pressing on to the attack, while the defence is maintained by the
Telamonian and Locrian Ajax, supported by the contingents from
Boeotia, Attica, Locris and Phthia. The Trojans are like to give way.
On the advice of Polydamas Hector goes off to the left wing, where
he finds Paris alone bearing the brunt of the fighting. The two
brothers hasten to the centre, and Hector is challenged by Ajax
(11. 673-837).
The main subject of the poem, the anger of Achilles, is kept in view,
as in most of the earlier books, not only by his absence from the field,
but also by at least one express mention. This is in the speech of
Poseidon (11. 95-124), in which the wrong done by Agamemnon is put
forward as a motive, or at least an excuse, for the conduct of the Greek
army (of kuvoj kpiaavTis dpwvifxfv ovk IdiXovoi vrjvjv wnvnopwv, aWa
KTeivovrai dv' avras). Again, as Lachmann himself pointed out, although
the observation told against his theory, all the books in this part of the
Iliad (i.e. from the eleventh onwards) agree in the circumstance that
the three chief heroes, Agamemnon, Ulysses, and Diomede are disabled,
and continue to be so throughout the remaining battles. Another
point of agreement in these books is to be found in the absence of the
gods: see especially the notice as to Ares in 13. 521 ff. {Aibs (3ov\ri<ni>
it\fjievos, tvda irtp d\\ot dddvaToi Oeol fiaav htpydfuvoi vo\tp:oio).
The actors in this book are not materially different from those of the
two preceding: except that Sarpedon and Glaucus, who are so con-
spicuous in the twelfth book, now disappear. On the other hand,
Idomeneus and Menelaus now take a larger part of the action. The
distinction between the centre and the left wing, which Ave noticed as
running through books XI and XII, is still observed.
Of the various flaws that critics have seen in the texture of the
narrative one of the most obvious meets us at the very outset. The
sudden indifference of Zeus comes as a surprise : there is nothing to
make it natural for him to turn his eyes away to the blameless people
of the north. Moreover, it contradicts a later passage (11. 345-360),
in which Zeus and Poseidon are described as working against each
other. Most critics accordingly pronounce this passage to be an
interpolation. Possibly we ought rather to reject the first lines of the
book (1-9), which are open to suspicion on independent grounds 1 .
1 Viz. as mentioning nations of which Homer elsewhere shows no
knowledge. It is perhaps worth noticing that in the next lines Poseidon
is not said to have seen that Zeus had turned away his eyes. He was
watching the battle (1. 11), and saw the Greeks being worsted. And
his arrival in the Greek army was so far secret that he left his chariot
behind in the deep sea off Tenedos.
NOTES. 265
The separation between the battle in the centre — where Hector is —
and the battle on the left is carried out, on the whole, with greater con-
sistency than before. It is true that Deiphobus first appears in Hector's
neighbourhood (1. 156), and afterwards on the left (1. 402); and that
the same thing may be shown for Antilochus and Deipyrus (com-
paring 11. 91-93 with 11. 479, 480). But it must not be forgotten
that we have to do with a mere poetical artifice, devised for the
purpose of grouping the combatants in a picturesque way. We
must not expect a degree of accuracy which would be without poetical
value.
There is more reason to suspect some passages in the last part of the
book (11. 673 ff.). The list of tribes given in 11. 685-700 is unlike
Homer. Their names are not familiar in the Iliad ('laovts and <£0toi
do not occur elsewhere, Aoitpoi only in the Catalogue, "Eiruoi in the
interpolation n. 670-762). In the same passage the statement as to
the ships of Ajax (1. 681) is at variance with 11. 7 : and the use of ixtra
with a gen. (1. 700) is suspicious. It is strange to be told in 1. 687
that the Greeks could not repulse Hector, and in 1. 723 that on account
of the Locrian archers the Trojans were on the verge of a miserable
defeat [tvOa «« XfvfaXiws k.t.K.). This impending rout brings Poly-
damas on the scene, and here again the thread of the story is difficult
to follow. Polydamas, in his usual character of cautious adviser, urges
Hector to call the leaders together, and consult whether to make a con-
centrated attack on the ships or to retire (II. 740-744". Hector goes
to the left wing, and there finds Paris alone upholding the battle, all
the other chiefs being killed or wounded. The dialogue which follows
is a conventional rebuke of Paris (as in 3. 39 ff.), and quite unsuited to
the present occasion. The sequel, too, is unexpected. The brothers
leave the left wing to itself: no more is heard of the proposed con-
sultation : and Ajax and Hector — who have been face to face all through
the book — formally defy each other to mortal combat. Throughout
these incidents the help of Poseidon is no more heard of.
Whatever may be thought of individual points, it is manifest that the
conclusion of the book is inferior in force and naturalness to the part
which we have called the Aristeia of Idomeneus.
One curious contradiction remains to be noticed. The Paphlagonian
chief Harpalion, son of Pylaemenes, is killed by Meriones, and his bodv
is followed to the camp by his weeping father (1. 658). But in the fifth
book (11. 576 ff.) Pylaemenes himself was killed by Menelaus. The
difficulty has been met in various ways, by ancient as well as modern
scholars. The true explanation doubtless is that in subordinate incidents
and details, which the poet does not derive from any tradition, but puts
in as they are needed to complete his picture, we are not to look for the
exactness of a historian.
266 ILIAD. BOOK XIII.
2. tovs includes the Greeks, who are indirectly implied by the word
vt]v<rl in 1. i.
3. TrdAiv, lit. 'backwards.' This is not geographically correct: to
a spectator on Mt. Ida, Thrace must have been nearly in the same
direction as the Greek camp. The poet, however, only means that Zeus
averted his eyes from the battle.
4. *m, ' over,' governs aiav, as in 14. 227 aivar t<p' Iv-nottoKwv ®pr)Ku>v
opta VHpotvra. For InironoXos, ' having to do with horses,' cp. al-noKos,
'goat-herd,' 6vtipoir6\os (1. 63).
5. 6. The difficulty here is to distinguish the proper names from the
epithets. The best ancient critics seem to have read 'A-yavwv as the
name of a Thracian tribe, 1^1711^0X7^, as an epithet. Modern editors
take the reverse view (dyavuv 'ImtrjfioXywv), which is probably right,
since dyavos is a very common adjective in Homer. If so, ykaKTO<\>ayuv
is also probably an epithet of the Hippemolgi, explaining the name.
The"AJ3ioi are to be recognised under the form TdPioi in a fragment of
the Prometheus Unbound of Aeschylus :
tnura 5* r]£(ts Srjpiov ivSiKdirarov
Pporuiv d-naVTOiv teal (f>iko£(vwTa.Tov,
TaPiovs, IV ovt' dporpov ovn yarop-os
rkpvei Si/ceAA' dpovpav, d\\' avToanopot
yvat. (pipovai P'torov d<p9ovov Pporots.
If the reading TaPiovs is right, we must suppose either that Aeschylus
read Topicov in Homer, or that he identified Homer's "AQiot with some
rdPtoi of his own time. Notice how he has amplified the Homeric de-
scription and made it more marvellous. Some ancient critics took
dPiwv as an epithet, explaining it to mean ' not using the bow ' (0ios),
or 'without violence' {Pia). The passage shows some real knowledge
of the countries to the north of Greece. The description ' living upon
mares' milk ' agrees with the ancient accounts of the Scythians, and is
applicable at this day to the Kalmucks. The"A/3tot answer in character
to the 'Apyimraioi of Herodotus (4. 23). The tendency to idealise dis-
tant nations appears again in the Hyperboreans, who are unknown to
Homer (see Hdt. 4. 32).
10. dXaoo-KOTn.T)v, 'blind watch,' i.e. failure to watch : an oxymoron
like our ' fight shy.' The irony lies in professing to add a mere qualifi-
cation (as if blind watch were a kind of watch), when a wholly different
or opposite thing is meant. See § 60.
1 2. 2df*,ov ©pTjiKiTis, ' the Samos of Thrace ' : the other 2a/ios i^or
%dp.r\) being Cephallonia. The compound ~%a.\ioQpdKr] is post-Homeric.
Notice that the historical Samos is not mentioned in Homer. The
fitness of Samothrace as a point of view for overlooking the Troad is
the subject of a well-known passage in Mr. Kinglake's Eothen, ch. 4.
NOTES. LINES 2-47. 267
15. cft-r' icov, 'had gone and seated himself: «£«to is an Aor., here
equivalent to our pluperfect.
20. optjar', ' strode.' Tttcp.u>p, in its literal sense, ' end.'
21. Al-y&s. Several places of the name were sacred to Poseidon, but
no one is known that will suit this passage, which evidently contemplates
a place under Samothrace.
22. d<J>0iTa diet, an unusual hiatus, excused by the frequency of the
phrase d<p6iTos alii.
The passage which follows has suggested some difficulties. Why
should Poseidon go round by Aiyai ? Why should he take his chariot,
which he had to leave half-way, when his object was to reach the Greek
camp as quickly and as secretly as possible ? The explanation doubtless
is the same as in the case of the arming of Agamemnon before his
apicTTtia (see on 11. 16), viz. that it serves an artistic purpose. The
interference of Poseidon gives a new direction to the course of the story :
accordingly his entrance is marked by a special piece of description.
27. p-fj 8' «XAav, a construction on the model of fSrj 8' Uvai, fir} 5e
Oitiv, &c. These phrases are properly used only of going on foot
(/3aiVcu).
vit' avTov, ' by reason of him,' 'at his coming.'
28. dvaKTO, ' their master.'
29. There is little to decide between f(fio<rvvi\, the reading of Aris-
tarchus, and -y^^oo-vvT). The latter is supported by 21. 390, and many
similar uses of the Dat. (§ 38, 3).
Suo-tcito, ' divided,' so as to make a way : cp. 24. 96 dpupl 8' dpa
oepi \ia£(TO Kvpa 8a\aaarjs.
36. ireSas. ' shackles ' or ' hobbles.'
38. voa-rqa-avTa dvaKra, ' the return of their master.' For this use
of the Aor. Part. cp. 1. 545 pxtraar pe<pOfvra SoKfvaas, ' watching for his
turning ' : also Is r/i\iov KaraSwra, ' till sun-set.'
41. dPpop.oi aiiaxoi. It has been usual to take the a- of these com-
pounds in the intensive sense, on the ground that elsewhere (3. 2 ff. and
4. 429 ff.) the Greeks march silently, the Trojans with clamour. But the
Trojans are here represented as advancing with the intense ardour
(p.«p.cuoTes) which causes silence : in fact, the description of the Greeks
in 3. 8, 9 has come to apply to them, auiaxos is for a-fia-^os, the f
being vocalised, as in raXa-vpivos, e-vafie.
42. Here and in several other places the MSS. vary between imp'
aviToOi [or TTapavToQt) and Trap' avr6<|>i. The latter can hardly stand
for ' beside them,' viz. the ships, since this would require a Fem. For
irap' avTO0i cp. 23. 147, also tear' avroOi (10. 273., 21. 201), &c.
45. eicrajisvos, ' putting on the likeness.' 5cp.as, Ace. § 37, 4.
47. <raa>cr€Te. The Fut. has a hortatory force: 'it will be your part
to save.'
268 ILIAD. BOOK XIII.
52. ircpiSciSia, ' fear for them,' see on 5. 566.
53. The double Art. (o y' 6) is harsh, but both uses are Homeric : 6
Y« is substantival, but explained by a Noun ('TS.KTwp) later in the sentence
(,§ 47, 2, a). 6 Xvcro-u>8-r)s is a kind of exclamation, the Art. expressing
contempt ^§ 47, 2, g). Cp. Od. 18. 114 tovtov . . . tov avaXrov, II. 2.
2 75 T ^ v kwf3r]TTJpa,
56. avPTu, the Ace, in spite of <r<J)<oiv, because taken closely with the
Inf. €crrap.«v<u. See on 2. 113.
57. €pa>T)<raiT€, 'drive' or 'force back': elsewhere the Verb ipaiicx)
is always Intransitive, but the Transitive force appears in dirtpuevs,
8. 361.
60. K«Koir<is. The Pf. of Verbs oistriking apparently has an intensive
force. There was an ancient variant HtKoiruu, a form like KftcX-qyovrts
(16. 430.^17. 756).
63. al-yiXin-os, a word of unknown meaning (§ 57, 2).
64. Join irtSioio 8iu>K€iv (§ 39, 3, b).
66. touv, Gen. in a partitive sense, ' first of them.'
68. The clause *ir«i tis tc.r.K. has no apodosis expressed. The in-
tended apodosis, ' let us be encouraged to fight,' is suggested by 11.
73-75, which however is grammatically part of the protasis. See on
3- 59-» 6 ; 382-
70. otiS' o ye KaXxas to-ri should not be separated by a colon or dash
(— ) from the preceding lines : the sense is, ' since it is a god who is
bidding us fight, and not Calchas.'
71. ixvta, 'the outlines,' 'fashion.' The notion seems to be that
Poseidon began to assume his own form as he departed.
72. Join p€i' tyvuv, cp. 15. 490 ptia 8' aplyvwros Aios avbpaoi yiyverat
aXicfj. The scholiasts take pact with amov-ros, comparing 1. 90 pua
fj.eTfHTapi.fvos.
73. Kal 8' tp-ol auTu k.t.\. is put as another reason for recognising
the presence of a god, and at the same time expresses the encouragement
which is the main point of the speech.
78. topopt, sc. 6f6s. Most editors suppose upopc to be intransitive;
but the assumption of an ellipse seems less harsh, especially as Oebs upopt
is a recurring phrase (Od. 4. 712., 23. 222).
79. €<j<rvp.ai expresses the state of eager excitement : § 26, 2.
82. x<*PR)> tne 'joy,' or perhaps literally the ' brightness ' or 'glow,' of
the combat; hence simply = ' battle.'
83. To<})po, 'meanwhile.' tovs oiriOev, 'the others behind,' — not
simply ' those behind,' as in Attic.
88. vir' 64>pti(n.. The Gen. is commoner in this use ; but cp. 18. 244
'iKvaav xxp' apptaffiv. The difficulty of bringing the forms 6<ppvcvv, dpfxd-
tuv into the hexameter has something to do with the unusual syntax.
96. p.apvap.«voi<n. is emphatic, ' if you but fight.'
notes. unes 52-T2T. 269
<raco<rtp.£vai, 'for the hope that you will save.'
98. €i8«t<u, * seems,' ' is like to be.' rjp.ap, in a vague sense, as in
the phrases t\tvQtpov fjpap ' freedom,' Sov\tov %t*ap, fifiap 6p<pavac6v
(II. 22. 490) : 'the time seems to be come for you to be subdued.' Cp.
15. 719 vvv i/niv iravraiv Z«v? a£tov $p.ap tdcoKe vrjas tAtiV.
99. Oavfia, in sense the Predicate: 'a great marvel is this that I see.'
101. Tpdias Uvai, Inf. after Oavjia tu'5« opaifiai = ' this is wonderful.'
The Ace. c. Inf. is not used with opdeu.
103. f\ia, ' food.' The origin of the word is unknown.
104. av-uos gives emphasis to T|Xdo-Kovo-ai, ' seeking to escape and
nothing more.' oiS' JPiri x<*pp-T) explains avTtos, ' there is no spirit in
them.' For *m cp. i. 515 ov toi tin Sios.
108. KaKonjTi., ' by the fault.' p.e0T]p.o(â„¢vr|<n, ' slackness,' ' neglect.'
The Plur. of abstract Nouns is often used in the same sense as the Sing.
109. 01 Ktivw tpio-av.-fs k.t.\. The notion that the rest of the Greeks
were angry with Agamemnon for his treatment of Achilles appears here
and in the next book (14. 49-51). In this place it is put forward as an
excuse for the defeat of the Greeks: cp. 6. 326 ff., where Hector makes
a similar excuse for the cowardice of Paris.
no. KTtivovTat, in a peculiar Middle sense, ' suffer themselves to be
killed.'
115. dK*u>p.e0a, ' let us set it right,' 'heal the breach,' viz. between us
and Agamemnon (not the quarrel with Achilles).
Toihasan affirmative force, ' surely,' ' after all ;' see on 9. 15S. Some
ancient authorities had t«, which would suit the gnomic character of the
sentence (§ 49, 9) ; cp. 15. 203 CTpeirrai \ikv re tppivts kaOkluv.
116. oukcti softens the rebuke, as though he said ' you are going too
far in slackening.'
118. p.ax«cro-aip.i]v, ' quarrel with,' ' complain of,' cp. 5. 875.
p-eOeiT], Opt. § 34, 1, a.
119. Xvypos, lit. 'woeful,' 'pitiable,' hence 'contemptible,' a
' coward.'
irtpl K-qpt, 'with my whole heart' ; lit. 'all over the heart,' or per-
haps ' beyond measure with my heart.' See Horn. Gr. § 186, n. 2.
120. Z> irriroves, a familiar form of address, 'good friends' : see the
note on 5. 209.
ti is adverbial, nearly = ' methinks,' 'perchance'; cp. 8. 282., 9.
197., 19. 56., 20. 184 (La R.).
121. <v 4>p«al 0€cr0e, cp. 15. 561, where cu'Sw 0iaO' ivl $vpicji is ex-
plained by aW-qkovs aiSuade, and 15. 661. alBios, as used in Homer,
includes all sensitiveness to the blame of others, vcpeo-is all sense of
wrong-doing : thus the two words together express such rudiments of
'moral sense' as were then recognised. Cp. Od. 2. 64 vfpnaarjOrjTf
Koi avToi, a\Kovs r aibiaOr)T( ireptKriovas avOpwirovs.
270 ILIAD, BOOK XII T.
124. ox-qa, cp. 12. 455.
128. Xaocrcroos, ' urger on of armies' : -<roos is to a'tvcu as X" oy to
Xtvai (x«'/ ra ')) 0°'" y to Oiai, &c.
of yap apio-Toi is best taken as a Relative clause (sc. eieri), cp. 1. 313
os ap<o"roy (sc. tori).
130. TTpoOeXvp-vw, ' overlapping,' i.e. so close that each shield over-
lapped the next (as in the Roman testudd) ; see on 9. 541.
132. The 4>dXos was a ridge of metal (hence Xap.irp6s), in which the
plume of horse-hair was set.
133. vcvovTtov, with Kopuflts (of the warriors), 'as they nodded.'
<S>S = otj ovtcvs, cp. 4. 157.
134. €-imJo-<rovTo, 'bent to the strain,' as they were brandished
(o-eiojieva). Some understand it of the serried mass of spears, which
presents the appearance of folds or layers (Ebeling's lex. s. v.).
135. lOtis 4>poveov, cp. 16.697 <pvya8e javwovto, 'turned their thoughts
to flight.' So dvTiKpvp p.€p.au)s in 1. 137.
136. irpovTvij/av, ' charged forwards.'
137. 6XooiTpoxos, ' a boulder,' ' rolling stone.' This first part of the
word is usually connected with uKoj (for fixfai), Lat. volvo. In the ab-
sence of any trace of an Adj. 6\o6s rolling, this must remain doubtful.
Buttmann (Lexil. s. v.) derived it from 6\o6s destructive, which gives a
satisfactory sense.
138. o~r«<j>dvT]s, 'the brink' or 'crest' of the rock.
139. dvaiS^os, 'unfeeling,' 'unconscionable,' that has not a thought of
the mischief it will do : or simply ' monstrous ' in size. i=xi AaTa > ' the
fastenings,' ' holding ground,' i.e. the earth, &c, that holds the stone.
141. do-<j>aX«us, 'unswervingly,' ' in unbroken course.'
143. €ios p.€v, ' so far,' i. e. until he reached the Greek lines (cp. 1. 145
dXX 1 ore . . .). The form ' he boasted so far, but when he reached . . .'
is the regular Homeric way of saying ' he boasted until he reached, and
then . . . ': cp. 15. 277., 17. 277, and so with 6<ppa. (iev (15. 547), and
Tocrov nkv (4. 130, &c).
146. cYxp^r 1 ^*' 5 ' pressing close on them.'
147. dn^i-yvoio-iv, probably ' two-edged,' i. e. with a leaf-shaped head
(see Helbig, das horn. Epos, p. 245).
148. ireXep.ixO'q, ' was sent reeling.'
151. irapp.«v€T', 'stay by me.'
152. irupyrjSov, ' in close column' ; for wvpyos cp. 4. 334.
158. iTpoiroSiftov, 'advancing foot by foot,' one foot in front of the
other; irpo having the same force as in irpoOe\v/j.vos (1. 130) and
npuKpoaaos (14. 35).
vTrao-rrCSia, adverbial Ace, ' under cover of the shield.'
162. tv KavXco, i.e. where the head of the spear is joined to the shaft.
166. viKtjs, ' for (the loss of) his victory,' Gen. § 39, 5.
NOTES. LINES T 24-222. 27 T
J 75- "tyj ' back,'— the first time being when he went as a suitor.
177. iy\A. Elsewhere Teucer fights only with his bow.
178. i-ifXiT) us. When us goes with a single word it almost always
follows it, and is treated for metrical purposes as if it began with a con-
sonant, — as was originally the case (os for 70s, Sanscr. yas).
185. tutOov, ' by a little.'
190. 6p*'£a.TO, ' made a thrust at.'
191. ov iT-fl xpoos €io-aTo, lit. 'nowhere in the flesh did he go straight'
(to the mark): cp. 11. 358 oOt 01 Karauaaro yaiTjs, and the recurring
phrase Stanpo 5« tiffaro, ' went right through.' eio-aro expresses the
straight course taken (nearly = tOvat) : cp. Od. 22. 89 'OSvarjos iuaaro,
' went (straight) at Ulysses.' It takes a Gen. of the aim, but in this
place it is better to construe xpoos with ov irn.
192. ovTa, ' pierced ' ; usually of wounding a person.
197. oXktjs, here equivalent to ' battle ' : cp. 5. 732 fifnavt' tpiSos Kal
di/Ti/s. Editors generally put a full stop at dAicfjs, understanding
tcop-urav from the preceding clause. It is better to consider the sentence
tf Ip.(3pi.ov avT AiavTe k.t.\. as interrupted by the simile, and taken up
again in 1. 201 wy pa tov . . . Aiavre k.t.\. Cp. 13. 427-434., 14. 409-
412., 16. 401-404., 17. 306-309.
198 ff. The comparison was imitated by Aeschylus (Glauc. fr. 30) :
cTKkov 8' avu \vht]56v, ware 5in\6oi
\vkoi vefipbv ipkpovaiv a/x<pl /xaaxa^ts.
kvv&v v-rro, ' from the protection of the dogs.'
202. Mutilation of the dead seems to have been thought excusable
when a special revenge was desired, cp. 16. 345., 18. 176. In historical
Greece it was considered the mark of a barbarian : cp. the speech of
Pausanias, Hdt. 9. 79 vtxpw XvfxaivtaOat ... to irpitrti paWov 0ap-
Papoiai TToUtiv i]iTtp"E?0*.i)(7i.
204. o-<f>aip-r)S6v, ' like a ball,' i.e. as though he were playing at ball.
IXtJa^evos, ' wheeling round ' (towards the Trojans).
81' 6p.i\ov, with tjk€.
207. vtwvoio, viz. Amphimachus, since Poseidon was the father of the
'AnTopicuvts (11. 750). But it is unlike Homer to leave this to be un-
derstood. The Gen. is to be taken with t'xoAwO-n.
210 ff. This incident is not made as clear as is usual in Homer. The
name of the companion who has been wounded (1. 211) is not given,
and there is nothing to show why Idomeneus is going to his tent in quest
of armour (1. 214).
211. 01 is an 'ethical Dative' (§38, 1): ' a companion whom he had
found coming.'
217. I7Aevpk>vi, KaXvSuivi are locatival Datives.
222. ov tis avTip, ' no man ' (but a god).
272 ILIAD. BOOK XIII.
223. €iri<rTdjA€0a, 'we know how,' a modest word, implying also
readiness to fight, as the next lines show.
224. aKT|piov, ' without heart,' with 8«os. Properly it is the person
who is ' disheartened,' but the epithet is transferred to the feeling which
causes him to be so : cp. 5. 812.
225. dvSveTat, lit. ' emerges from,' hence 'shirks,' 'gets out of: the
opposite of Svvat (nokefiov, &c). Cp. the Attic use (which may be
imitated from Homer), Plat. Theaet. 154 C ftij dvaSvov rd wptokoyrjfieva :
Demosth. 109. 12 &xpt tov Oopvffijaai Kal inaiviaai airovSa(ouTts, eav 51
5tj7 ti irouiv dvaSvo/ievoi.
226. ficXXti. Cp. 2. 116 ovtcu irov Ad /likkti vireppKvti (pikov thai.
229. jie6i«vTa, ' one giving way' =pe6ievTa riva. For this use of the
Part, see on 2. 234, 291., 6. 268., 14. 63.
233. |i«ATnj0pa, 'sport,' 'play.'
234. eir' TJp.aTi t»8«, ' for this day,' ' while this day last' : cm as in
f<p-7)fitpiOS.
235. SeOpo i0i, as 3. 130. TavTa, ' this business,' referring especially
to the fetching of the arms (§ 45).
237. <rup-4>«pT^ 8' ApcTTJ -rrikti, lit. ' brought together it becomes
prowess,' i.e. union makes prowess. dpeT-q is in sense the Predicate, to
which crv(j.<J>epTTi is made to agree: cp. II. 801 bkiyq 8e t avairvevais,
' a little (space) is a breathing space ' : and the common idiom avrrj Sikt]
laii, ' this is the custom,' ^ Befits lar'i, &c. Xvypwv, see on 1. 119.
247. fYYvs tri kXictitjs, ' while (Idomeneus was) still near the tent.'
p.«T<i, ' after,' in quest of: so in 1. 252 per Ifte.
252. t«v, probably Masc, 'on a message about some one,' as 3. 206
<rtv ivtx' dyyfkirjs (see the note a. /.). ayyt\iy\% goes with fjXv0es as a
Gen. of space, § 39, 3, h. It implies an uncompleted task : ' have you
come on, in the course of, a message ' ?
avros, i. e. of my own wish, without being sent for.
253. TJcrOat, ' to sit idle.'
257. KaT€a£ap.€v. The use of the Plur. when a person really means
himself only is not common in Homer: cp. II. 3. 440., 15. 224., Od.
I, 10., 16. 442., 19. 344. In the next line (3aXwv is attracted by the Sing.
«X<o"Kov.
260. 8e at the beginning of a speech is very rare. Perhaps we should
read dovpard y', with some MSS.
Kdl «v Kal eiKoo-i, 'one or if you like twenty,' i.e. any number.
The first tcai emphasises the two numerals : the use of Kal — Kai for
' both— and ' is not Homeric.
261. â– n , ap.<|>av6<DVTa, a fixed epithet, which seems to show that the
wood used was polished in some way.
262. ovi -yap otto, ' I have no mind ' : as we say, ' no notion of.'
263. ttcds 10-Tap.tvos iToXtpafciv, 'to fight standing aloof,' i.e. with
NOTES. LINES 223-301. 273
missiles only: cp. IJ\ 374 aK\r\\cxiv aXaivovrts @e\ea arovotvra ttoWov
affxaraoTts. Only the wpofiaxoi can win the spoils of an enemy.
267. irapd t« ic.t.X. These words are used elsewhere (1. 329., 10.
74) to describe the outside of a tent, and are therefore not quite in place
here.
273. Xt)6w, ' I am unobserved by' ; the sense is, ' whoever else might
not know my prowess, you at least, whose Otpairwv I am, should
know it.'
275. 0I8' dp€Ti)v 016s t'cro-i, ' I know as to prowess what you are,' the
Ace. de quo, § 37, 7 : cp. 8. 535.
X«Y«cr0a.i, ' to recount,' ' set forth at length,' cp. 1. 292.
276. A€Y°iH-«0a, 'were to be chosen,' 'mustered.' There seems to be
an intentional play on two senses of \kyo\iai : cp. Od. 4. 451, 453.
279. tovp Koxoti. The Art. marks the contrast, § 47, 2, d.
Xpiis, ' his colour.'
2S0. a/rpenas tjcrOai, ' so that he can sit quietly.'
283. Kfjpas, ' fates,' forms of death. 6'iop.tvcp, ' looking forward to/
' boding.' The use of uto/xat with an Ace. is common in the Odyssey.
285. The form timSctv, here found in all the MSS., is not Homeric:
we may read t-irel B-q, lirti to, or tirsi k« (cp. Od. II. 221).
â– n-pcoTov, ' when once he takes his place,' from the moment when the
ambush is set.
to-ifiiTcu.. We expect rather the Aor., which would be ia-t^rai
(cp. Imper. f£eo, Part. i£6p.tvos).
286. 8at, Dat. of 5di'-y, by Hyphaeresis for Sai-t.
287. ovoito. The commentators generally supply tis, but there is no
good analogy for this. We expect a description of an imaginary spec-
tator, as in 4. 540 tv6a kw ovksti epyov dvfjp ovooairo fitreXOwv, os tis
ct' a0\i]Tos . . . divtvoi Kara fieaaov, or Od. 1. 229 8s tis vivvtos ye
fiCTtKdot. It is possible that some such clause has fallen out of the text.
288. pXcto, Opt. of i&X-q-n-qv, the Homeric 2 Aor. Mid. (§3). PdWoj
implies that the weapon is thrown, tvtttoj that it is held in the hand.
291. 6apio-Tvis properly means friendly intercourse or companionship;
the use here is therefore ironical, as in 17. 228 17 yap woXeptov oapiarvs.
Cp. 7. 241 Sijtw fxeKrreadai "Apr]i, and the note on 13. 10.
292. X€yw^«9ci, see on 1. 275. ws, 1. 178.
293. viTepqStdXios, ' in scornful fashion,' or perhaps ' impatiently,' his
ill-humour breaking out. The word virepfiaKos is generally taken as =
vntp<pvT)s, lit. ' over-grown ' : cp. aia\os from avs.
294. %\ev, ' get for yourself.' The meaning ' choose ' is later than
Homer.
301, 302. According to Strabo the Homeric v E<j>vpoi were the
people of Kpavvwv, and the QXtyves the people of Tvprwvi) — both in
Thessaly, and exposed to invasion from the neighbouring Thraoians,
VCL. 12. T
274 ILIAD. BOOK XIII.
the favourites of Ares Od. 8. 361). Neither name occurs in the
Catalogue.
307. wfj t dp, § 49, 3.
308. 5e£io<j>iv and dpio-repo^iv may be either Locatives or Genitives.
309. sXirop-ai with a Pres. Infin. means properly ' I comfort myself,'
trust (that something is the case', ov iroOi (Kiropiatis — eKnopai oti ov
nodi (^as ov frjpi is often equivalent to ' I deny '). .
ovTto has a vague reference : the meaning seems to be ' I do not
think the Greeks are anywhere so weak as to be especially in need of
help. Cp. /• 198 nrfl ov5' ffXi vifiba y ovtoos tKnopai kv Xakaptvi yevioOai
re rpatpeptv re, and Od. 9. 419 ovtoj yap ttov p? rjX-rrtT hi typed vrjmov
uvcu. Most commentators take ovtco to be = 'so much as on the left':
but this is harsh, and the other interpretation is well supported by
passages such as those quoted.
310. Seveo-Gcu TToXtp-oio, lit. 'fall short of war,' i.e. fail in what is
needed for war : cp. 17. 142 pdxqs dpa ttoWuv kSeveo.
312. dpvveiv, Inf. of purpose, 'are there to defend'; cp. 1. 814 X ( V ts
dpvvuv elal ko.1 rip.iv, also 9. 688., 15. 129.
315. ireXtp.oi.0 maybe construed with ia-crv\ievov cp. II. 717 ioffv-
pivovs no\(pi£(iv , or with dS-nv tXoaxn, ' will drive him to his fill,'
'keep him going till he has enough' ; cp. 19. 423 adr/v kXdaai no\epoio,
Od. 5. 290 olo'tjv k\dav KaKurrjTos. a8t]v is the reading of Aristarchus :
others wrote d8i]v. It is probably from the root sa ; see on 19. 402.
316. This line is not found in good MSS., and is clearly superfluous.
319. ot« p.T| is nearly = €< pr).
For the Opt. in 1. 320 and 1. 322 see § 34, 1, a.
326. (\e, ' hold thy way,' ' bear to the left.' vwiv is an ethical Dat.
' show us the way.'
333. ojxov . . . vsikos, ' common ' or ' mutual strife,' explained by 6p,6o-'
t|\6« p-axT] in 1. 377; cp. dpvots in the simile (1. 336), and again 1. 343.
340. Tap.€(7(xp°is. For the place of the epithet in the Relatival
clause cp. 14. 172 to pa oi reOvwpivov r)ev, 15. 389 rd pa a<p' tirl vrjvolv
tKtiTo vavpa-^a Ko\Kr)evra.
343. epxop-svcov, ' as they came,' Gen. governed by KopvOwv, &c.
345. dp.<(>is, ' opposite ways,' cp. 2. 13 dp<pls . . . (ppd^ovrai.
346. «t€vx €tov - The MSS. generally have t€t€vx«tov, following Aris-
tarchus : but this form is impossible. The true reading is preserved
by the scholia, and on the margin of Yen. A. It is an irregular form
for tTevxfTrjv (which could not be used in hexameter verse).
352. Tpucriv 8ap.vap.t'vovs = on vwb rwv Tpwaiv tSapvavro, construed
wilhiixfoTO as an Ace. of the thing or matter of vexation, § 37, 7.
358. 359. This highly wrought metaphor is suggested by the Homeric
use of Tavvcu and kindred words to express the ' tension ' or ' strain ' of
an equal combat. The contest in which the two armies are joined (opvv
NOTES. LINES 307-395. 275
vukos, see the note on 1. 333) is spoken of as a piece of rope K irtipap ,
passed over both by the two gods ;«iTa\Ad£avT€s), and drawn tight
^Tavvtrcrav , by which accordingly they are knit together inseparably.
For the notion of a god stretching or drawing tight a battle cp. 11.
336 tv9a a<piv Kara Tcra ^.dxqv trdvvcro-e Kpoviaiv, 14. 389 5»; pa tot'
alvoTaTTjv ipi?>a TrroKf/xoto xdvvcrcrav Kvavoxaira HoatiSdaJv «oi (paibipio?
"E/rray>, also 16. 662., 20. 101. This is the main idea of the passage: a
farther touch is given by impap «Tra\\d£avTes, a play between the
literal sense, ' end of a rope,' and the abstract sense which we have in
dKiOpov ireipaTa, ' the ends of destruction' ( = utter destruction^, irttpap
dityos, 'crisis of woe' (Od. 5. 289); cp. re\os Oavdroto, rekos -noXipov,
Tt\os p.v6ov, &c. The same double use of impap is seen in "j. 102 v'iktjs
â– ntipaT ex WTa h ' the ends of victory are held ' = ' victory is controlled,'
and 12. 79 bkzOpov neipar' (ffjirTai = ' destruction is made fast, secured'
(Cp. 2. 13 KT]5t' €(pTJTTTai\
Most editors take *ira\\dj;avT€S to be 'swaying to and fro' : but this
would require a different Tense. The sense of ' passing the rope over
the two sides' i,so as to Join theml, which is adopted by La Roche, is
satisfactory in every way.
For toi in 1. 358 it is probable that Aristarchus read tu, and this read-
ing has the advantage of making it clear that it is the two gods, not the
armies, that draw tight the 'rope' of war. (Mr. Leaf in the Journal
of Philology, xvi. 157.)
360. Note the play in dAv-rov — IXvcre.
361. fteo-aiiroXios, 'half-grey': p-eaai- seems to be a Locative form
(like xap.ai, iraKat), so that the literal meaning is ' half-way to grey.'
363. ?v8ov covTa, = imoTjfj.ovvTa, ' a visitor in (Troy) from ' &c. : cp.
15. 438., Od. 16. 26.
364. |xtTo k\«os, ' after the report of war/ i. e. brought by the news,
cp. II. 227 (Ji(Ta K\ios 'iKtr 'Axaiwv.
372. irfj£«, ' he planted it' (the spear).
376. 6 8' virtorx€TO belongs in sense to the relatival clause, = ' and
for which he promised.'
381. avvio(i€9a, 'agree' {avvirjpu). The regular Homeric form would
be avvr]6p.(6a, § 13. em vtjvcti, ' by the ships,' i. e. in the camp.
382. ceSvwxal Kaxoi, hard to satisfy in our character as receivers of
the price for the bride. The verb ieSvooj is used in the Middle of the
father, with the meaning ' to give away for a price' (i-eSvov), as Od. 2.
53 ws k avTos (ibvijjaaiTo OvyaTpa. For this use of verbs in -ow cp.
piaOovfiat I lend for hire, \vTpovpiai /ransom.
385. kot' uSficov, ' over his shoulders,' close behind him.
393- P € Pp v X"S, 8«8paYp.tvos, § 26.
395. a\v£as, with o-TptiJ/ai, the Aor. Part, expressing exact coinci-
dence ; wheeling the horses would have been equivalent to escape. We
T2
2j6 ILIAD. BOOK XIII.
might rather have expected akv£ai crpiipas, ' to escape by wheeling ' ;
but o-Tpe'vJ/at. is better, as giving the particular thing which his terror
prevented him from doing (ouk €to\jjit]o-€v).
397. irepovrjo-t, properly ' pinned,' ' fastened with a brooch ' (irtpovrj) :
the use of such a word for a spear-thrust may be a piece of grim play-
fulness.
407. 8ivcott|v, 'rounded,' 'made of round pieces': Dat. of materia/,
as Od. 19. 56 SivaiTTju t\itpavTi ical dpyvpw (of a couch, cp. II. 3. 391).
The Kav6v«s are in all probability the bars or straps that served to
hold the shield : the left arm passing behind one, and the hand grasping
the other (see Helbig, p. 229). Mr. Leaf has shown (_/. H. S. iv. p. 289)
that in Homeric times the shield usually hung from the neck by a
baldrick (reKafxcuv) : the use of o\ava, handles by which it was held on
the left arm, having been introduced, according to Hdt. 1. 171, by the
Carians. He accordingly supposes that the two Kavoves served to
attach the ends of the baldrick to the shield. But the Kavovts are
mentioned as a special feature of the shield ; which may accordingly be
meant to be exceptional in having both baldrick and handles ; as was
the case with the shields on an Egyptian relief figured in Helbig (/. c).
409. tm0p(£avTos, ' as it grazed (the shield) in its course ' : tiri must
here have the sense of passing over.
423. Ancient critics were divided between the readings o-t«vcLxovt€
and <TT6vaxovTa. The analogy of similar passages (8. 334., 13. 538.,
14. 432) is in favour of the Ace. Sing. The objection of Aristarchus
was that Hypsenor is now dead : but this is hardly clear, though the
wound is doubtless mortal.
424. oi Afj-ye p-t'vos p-«Y a > ' slackened not in fierceness ' : Xtj-ye is
probably Intransitive, and p.«'vos an Ace. of reference, § 37, 4.
426. BovTTTJercu, ' to fall,' a sense which is apparently derived from the
formula Sovtttjcki' 8« ttiowv.
431. 6jit]Xikitiv, in the collective sense, the body of upr/Kina.
434. tov t66' k.t.K., resumption of the sentence which left off with
the name 'AXkcLOoov, 1. 428. Note that the words fit on equally well to
the end of the parenthesis, tov referring to dvTjp in 1. 433.
439. ol is a true Dat. (§ 38, 1), — not governed by 04*41, which is
used adverbially.
XiTwva x°-Xk€ov is apparently a periphrasis for the thorax. (See
the note on 4. 133.) The chiton proper was worn under the thorax, and
was not a piece of armour ; but the word is used loosely, as in the epithet
XakKo-xiTwvts, ' in garb of brass.' Cp. also II. 3. 57 XaiVos x tT " Jv y ' a
shirt of stones,' = ' death by stoning' (Helbig, p. 198).
443. 01, again an ethical Dat., ' his panting heart shook ' : cp. 1. 200
Scti'oJ 5*' 01 vacre (paavBtv, ' her eyes appeared terrible.'
: 444. d<^ici \kivos, ' let go the fury ' of the spear, i. e. allowed it to rest.
NOTES. LINES 397-524. 277
The'Apj;? spoken of here as controlling the nivos of the spear is not the
personal god (who was in Olympus, and did not even know what was
passing, 11. 521 ff.), but the 'spirit of war' that is always present in
battle, and is thought to inspire weapons as well as men.
446. rj dpa k.t.\. ' surely we may reckon it a fair set-off.' ti is ad-
verbial, see on 1. 120. d£iov, 'an equivalent,' 'a good price, — three for
one': cp. 14. 471 npodoTjvopoi avrl necpdaOai dfios.
450. KpT|TT), ' for Crete,' the Dat. proper.
456. tTapio-o-airo, ' shoidd take as comrade.'
460. This quarrel of Aeneas with Priam is not elsewhere noticed.
461. Join €<T0Aov p-St' dvSpdenv, cp. 17. 590 ioQXov \v\ irpopaxoiffi.
464. K-qSos, the grief due to a kinsman. iKavei, ' reaches,' ' touches.'
470. 4>dpos, ' flight,' as elsewhere.
-rnXvyeTov, a word of unknown etymology (see on 5. 153), probably
meaning ' tender ' or ' caressed,' hence in the contemptuous sense, ' a
spoiled boy,' ' minion.' Idomeneus, on the contrary, was neoacnokios
(1. 361).
473. vwtov, Acc. of 'part affected,' (ppiaacu being properly Intrans.
4/7- PotjGoov, ' swift to the battle-call,' to be taken with tmovra as a
predicate ( = swiftly).
481. p." otco, for fioi oict).
485. cp.tjXiKiT], a collective Noun, here used as a predicate = ' one of
the 6^rj\iKi-q ' : cp. II. 12. 213 Sripov eovra, ' being one of the Sfjfws.'
Ta>8' «m 0vp.<a, ' with this spirit,' ' keeping the spirit that we have ' ;
iiri somewhat as in 4. 175 &T(\evTT]Ta> inl (py<p.
49 1 - °i> governed by ap.a, as 1. 251 oi oi irp6a9ty apa rpafev.
493. «K Porav-qs, ' after feeding' : ck expresses coming st?-ciigJit from.
499. dXXTjXcov, governed by TiTVCTKop.eva>v, which again is governed
by x a ^ K 6s (1. 497). Cp. 6. 3.
504. Kara Yairjs, ' down to the earth.'
507. yvaXov. The thorax consisted of two -yvaXa, breast-plate and
back-plate, joined at the side and over the shoulder : see on 4. 133.
8id, with TJ4>v<re, by Tmesis.
512. 6pp.T]6(VTi, with €irai£<n and dXsao-Oai, implying coincidence
>ee on 1. 395) : the quick movement {bpp.r\\ might be either charging
forwards «irai£<u\ or springing aside d\«ao-0aO. The two infinitives
follow tp.ir€8a -rjv, ' were not sound so as to,' ' had not the sureness
for.'
515. Tpto-o-ai is a similar Inf.: 'for taking to flight,' = 'so that he
could escape by flight.'
516. pdStjv, ' step by step,' ' at a foot's pace.'
521. ti, ' at all.' |3pi-T|irvos, ' mightily shouting' (J3pi- as in o-fipi/xos,
Ppi-apos^.
524. «€\p.«'vos, ' confined.'
278 ILIAD. BOOK XIII.
525. itpy6y.tvo\., ' suffering themselves to be debarred,' cp. 1. no.
530. aiXums, 'with tubes for eyes,' i.e. eye-holes (Helbig, p. 205'.
This seems better than the explanation given on 5. 1&2.
532. irpvp.volo, the upper arm, the part next the shoulder.
542. T«Tpan.ji.«vov, with 'A^aprja not Xaijji6v).
543. €irt — «&<}>9t], ' fell over ' or ' with ' him. Ia4>6i] is probably from a
root fair-, expressing violent motion, seen also in the reduplicated
Present iairTu. It only occurs here and in 14. 419.
545. |i€Tao-Tp€4>0€VTo, 8oK«VP(ras, ' watching for his turning away,' as
8. 340 (ktaaofifvov re Soicevu, also 16. 313. For the use of the Aor.
Part. cp. 13. 38.
546. <j>X*|3a, ' artery.'
552. navcuoXos, an epithet generally applied to light or flexible parts
of the armour. It expresses the play of light on a shifting surface : see
on 12. 167, 208.
556. avev, 'away from '; in this sense avtv6tv is more usual.
558. e\«\iKTO, 'shook,' 'quivered': cp. 22. 448 tj}s 5' kXtXixOrf yvia
(of shaking in terror). Or perhaps ' kept wheeling,' i. e. turning this way
and that; cp. 8. 340 kKiaaofievov re SoKtvet, also 18. 372 and 12. 49
note). On the forms with k\e\- see Horn. Gr. § 53.
559- crx«8ov 6pp.-n6-fjvcu, ' to attack, charge, in hand to hand conflict,'
i.e. to make a sudden thrust (opp. to aKovr'taaai).
562. dp.€vf)v<ocrev, ' deadened the force of; cp. 5. 887.
563. {3i6toio ^€yT|pas, ' begrudging it the taking of life.' The spear
is baulked of its natural prey, the life of an enemy. For the personifica-
tion see on 2. 444. The Avords might also be referred to Adamas,
' gaging him longer life ' ; but this does not fit the context so well.
Htfaipai is used of disappointing an effort, as 23. 865 utivp* 7«/> 0<< T " 7'
'AiruWuv, ' refused success in this.'
fjioroio is a gen. of materia/, § 39, 4.
569. "Api]S, in the half-impersonal sense, ' the fate of war ' ; see the
note on 1. 444.
570. «-mr]£ev, sc. Mrjpwvrjs.
!o-ir6|ievos, 'giving way' to the force of the blow : cp. 12. 398.
571. Tjo-iraipe, ' plunged,' 'struggled.'
577. OpTjiKico. Thrace was famous for swords, cp. 23. 808.
^84. 6p.apTf)8T]v, 'together,' 'at the same moment/ cp. unaprrjaavTi
12. 400 \
585. 6'urnS, with aKovTio-croi by Zeugma.
590. epcofj, the ' swing ' or impulse from the winnower.
592. diTOTTXaYx^S) 'glancing off,' cp. n. 351.
597. irapaKpep-do-as, ' letting it hang at his side.'
to 8' «4>«Xk«to p.€iXivov «yx os ' ar »d (meanwhile" the ashen spear
was trailed after him.' The Art. marks contrast.
NOTES. LINES 525-658. 279
600. <t4>€v86vt), in Apposition to ctco-rco, explaining it : ' wool that
was a sling,' = the woollen band taken from a sling.
ol i\e. ' held for him,' handed him, (Agenor 1 ). -iroifjuvi Acuiv, added
to explain oi, as in 21. 249 iVa piv waver fie novoto Siov 'Ax<-XXfja.
602. 0avaTOto Tf'XotrSe, 'to the end, consummation, of death.'
608. tcrxtGt, ' held,' i. e. resisted (the spear\
611. €i\«to, 'got out.' vitto, ' from under.'
612. dp.<j>i, 'set upon,' i.e. with a double head which the handle
{ni\(KKOs) was let into. The battle-axe appears in the Iliad only here
and in 15. 711.
615. aKpov, sc. cjwlAov, •' at the edge,' where the plume started.
616. iTV(j.aTT]S. In a projecting object -nv/xaTOi (like irpvLu/Ss) denotes
the end from which it starts ,the root &c), dxpos the point. The pas-
sage suggests that the nose was not protected by the helmet (Helbig,
p. 207^ ; cp. 5. 290 ff.
621. dicopijToi, 'though you never have enough,' *; e. good warriors
as you are.
622. ouk €iu8ev€is, sc. tlffi, 'there is no lack,' see on 9. 225. Perhaps
we should read (iriSevts, sc. tan. Contraction is rare in the declension of
the adjectives in -rjs.
The apodosis comes at 1. 628 vvv av-r' k.t.X.
623. t]v (XujPtjv), cognate Ace. otr8e ti. . . t8eio-a.T€, ' and have not
feared,' without being deterred by.
626. Kovpi8t"nv, see on 5, 414.
627. (idi|/, 'wantonly.' avirfj is emphatic: 'you carried off even her
who had entertained you.'
630. "Apijos is best taken with <rxf\<yio-Qe, see on 1- 3 X 5-
633. olov 8tj introduces a fact as an example, to support what has
been said: it is especially used after an exclamation, as 15. 286 w ironot,
77 fiiya Oavfia to8' 6(p6aX/j.oto~iv opw/xai, olov 8r) clvt' fgavris dviaTq k.t.X. :
Od. 5. 182 77 8t) dXirposy' tool . . . olov 877 tuv jxvOov iTruppaaOrys dyopevaai :
see also II. 17. 587., 21. 55., Od. 11. 429., 18. 221. In this place the
tone is ironical : ' for a sample of your wisdom and power, you do the
will of violent men.'
635. <j>v\6iriSos Tro\tp.oio, like veinos noXf/j-oto (1, 271 >.
638. «{• <pov slvoi, a phrase elsewhere found only in the formula l£
epov tvro it. 469, &cA
649. tiraijpT), ' lay hold of,' ' get at,' cp. II. 391.
650. dirtovTOs, Gen. with t€i as a verb oi aiming, § 39, 5.
653. 4£6|A€vos 8J KaT' avOi, =Ka9e£o/xei>os avOi.
657. dv«cravT€s, ' seating,' ' placing ' root c8-\
658. iraTTip, viz., Pylaemenes : but he was already slain by Menelaus
(5. 576. The ancient critics thought that the two lines 658, 659 which
contain the contradiction must be interpolated : and certainly they are
280 ILIAD. BOOK XIII.
not necessary for the connexion of the passage. But considering the
number of subordinate figures in Homeric battles the wonder rather is
that this should be the only contradiction of the kind.
667. 4>0io-0<h. The Aor. Inf. is used as with Okatyarbv tan (Od. 4.
562).
669. 0wf)v, ' penalty,' for refusing to serve.
676. T<ixa 8" dv . . . ifirXcro is subordinate in sense, — part of what
Hector did not know : ' so that soon victory (kv8os) would have been
with the Greeks.'
678. irpos £«, 'and besides.'
679. «x ev ' 'kept on,' fought in the same direction.
682. 0iv*, i.e. 0tva: cp. 1. 350, Od. 6. 236.
685. 'Idoves. This is the only place in Homer where this famous
name occurs. Apparently it is = 'AO^vaioi, cp. 1. 689.
(Xk€xito)V€s, ' with long trailing chiton.' In archaic art, according
to Helbig (p. 116), the long chiton is generally a mark of old age or
high position, but was worn by all as a festival dress.
686. #0ioi, a name only found here.
687. Join o-TTOvSfj vewv t\ov, ' were hard put to it trying to keep him
from the ships.'
689. The structure of this sentence is irregular. The poet intended
to say that the leaders of the Athenians were Menestheus, who was their
chief, then Pheidas, &c. ; but after the announcement of the subject
(01 piiv 'ABrjvaiwv TrpoXtXt-fixivoi) he goes on with a parenthesis about
Menestheus [lv 8' dpa roto-iv . . . M«v«o-0eiis\ and then completes his list
in a fresh clause (01 8' Sji' ?itovto k. r. \.). Cp. the anacoluthon in 11.
833 ff. Irjrpol /xtv -yap . . . rov p.tv . . . d Se . . ., where (as in the text) a
subject is divided between two clauses, the first of which is gram-
matically a parenthesis. Cp. also 8. 268-271 (with the note), 16. 401.
691 . 'Eirtiwv, sc. ^px ov > repeated from ^px*) !• 690.
692. In the Catalogue the 'Eireioi have four leaders (2. 620 ff.\ none
of whom occur here : while Meges is there said to have been banished
to Dulichium, and to be leader of the ships from that place and the
Echinades.
693. Medon and Podarces appear in the Catalogue as commanders
of two different contingents", both however from southern Thessaly (2.
704, 727). There is a slight contradiction involved in the statement
that Medon dwelt in "fcvXdicT], since the force from that place, according
to 2. 695, was commanded by Podarces.
700. vav4>iv is an ablatival Gen., § 39.
p.trd with the Gen. is extremely rare in Homer.
701 ff. These lines explain why Ajax son of Oileus was not leading
the Locrians, as we should have expected him to do ; see the note on
2. 527-529-
NOTES. LINES 667-765. 281
704. dp.<j>i, with K«pd«cr<ri, = ' at the root of both horns.'
<r<|>iv is the ethical Dat., = ' their (homs),' § 38, 1.
706. {vyov oiov, 'the yoke only,' i.e. they were as close as the yoke
would allow them to be.
707. repel, sc. aporpov. The form Ttfia) only occurs here. Possibly
it means 'touches,' 'reaches,' — the sense that we find again in the
Reduplicated Aor. trtTp.ov.
t«Xo-ov, the end or head ridge of the field, as 18. 544, 547.
705. pdAa strengthens irapPePawTC.
711. Kap-oros expresses the main idea, I8ptis is subordinate: hence
the phrase •youvaO' Tkoito fits KapaTOS only.
712. oviBt is here = dAA' ovk.
719. In the Catalogue the Locrian Ajax is \ivo6wpr)£ (2. 529).
726. dp.T)X av °s «<ro-i, the personal construction, § 36, 2 : cp. 1. 546.
irapappT]TOicri, ' the words of persuasion.' For this sense of the
verbal adjective cp. tvKjd, 'boasting' ^14. 98), tyvKrd, 'escape' ;i6.
128).
72S. 1rept.18p.eva1, 'to know beyond,' to excel in knowledge.
729. auTos, ' of yourself,' at your own will and pleasure : cp. 3. 66
(kwv 5' ovk av ris eKoiro. For the sentiment cp. 4. 3.
731. The line is wanting in most MSS.
734. KaC emphasises iroXtos : the t«, as in the preceding line, marks
the sentence as general (gnomic\ § 49, 9.
kcuitos, for kcu avTos, as 6. 260. For the sense cp. Od. 6. 185
p.d\tffra 5t t' (k\vov avroi.
736. -yap is used by anticipation, introducing the ground of the advice
given in 1. 740 : cp. 2. 803.
irepi, with 8«8tj«, as 12. 35 dp.<pl . . . 5«5ijet T«fxos.
737. Ka/rd — «p-no-av, Tmesis, ' have passed over.'
742. See on 9. 235.
743. €iT€iTa is used in the second of two clauses expressing alterna-
tives, meaning ' (if not) then ' j so 24. 356 d\\' dye 5?) tf>evyajp.tv €i/>'
'tmrojv, r\ p.iv tirtira . . . XiravtvaopLtv : cp. also Od. 20. 63 (Hentze).
745. to x0 l £6 v . Art. as in 1. 794 1)01 rf/ -nporipT), % 47, 2, d.
diroo-rr|crwvTai, lit. ' weigh back ' (iotjj/m as 19. 247, Sec.) : hence
' make good,' ' make full payment for.'
749. The line is wanting in Ven. A. and some other MSS.
752. dvTioco, Fut., ' will deal with,' ' see to.'
754. The comparison of Hector to a snowy mountain is a violent
hyperbole, unlike the Iliad, and is especially inappropriate where he is
described as rushing swiftly through the battle.
762. 01 p.tv refers to the last mentioned, Adamas and Asius, ol Si in
1. 764 to Deiphobus and Helenus, by the figure called Chiasmus.
765. tov 8€. The Art. marks the antithesis: 'but him ;the other)
282 ILIAD. BOOK XIV.
they found, to wit Paris,' = ' but instead they found Paris ' : cp. I. 20,
and see § 47, 2, a.
770. irov toi, Dat. ethicus, as if Paris had charge of them.
772. ko.t' aKp-qs, 'from its highest point,' 'from top to bottom,'
utterly. Cp. Virgil's imitation, Aen. 2. 290 ruit alto a culmine Troja.
773. Here toi is the Particle, ' surely.'
775. The clause tim toi — has no apodosis; see on 3. 59.
aiTiaao-9ai, Inf. with Ovjios (fori), 'you have a mind for blaming.'
776. aXXore k. t. \., = * this is not a time when I am likely to shrink.
tpcoTJo-ai, ' to recoil,' cp. 1. 57 : for the tense with p«XXw cp. 1. 226.
779. S« of the apodosis. 6p.iXtop.tv. see on 11. 502.
787. to-crijp,€vov, with indefinite Subject, ' for one that is all eager' :
cp. 2. 234., 6. 268.
793. <ip.oi.poi, ' taking their turn,' replacing others who had gone
home.
796. vir6 Ppov-rfjs. The thunder is imagined to cause the wind.
799. KvpTa, ' curling.' 4>aXT)pi6a>vTa, ' rising in a ridge ' or ' crest.'
em, here adverbial, ' after,' ' behind.'
805. o-eiero, ' shook to and fro ' : apparently the helmet did not fit
closely.
806, S07. irpoiro8ifa>v, virao-TTiSia, see 1. 158.
Sio. ootids, = without following up your threats by action.
812. Aios p.ao-TiYi, see the note on 12. 37.
S14. a<j>ap . . . eio-i, lit. 'are straightway,' 'are (ready) at once,' i.e.
you will speedily find that we too have hands to defend ourselves.
817. crx € S° v «p-H«vai oiriroTt, ' the time is at hand when — .'
820. tt«8ioio, 'over the plain,' § 39, 3, /'.
824. apap-rotires, 'blundering in speech,' cp. 3. 215.
825. ovpto) *y« . . . ws, ' as surely — as.'
829. ire<j)T|o-€ai., ' shalt be slain,' from the root <p(v-.
BOOK XIV.
The fourteenth book is entitled Aioy a-narrj — ' the. beguiling of Zeus'
— from the contrivance by which the aid of Poseidon is secured to the
Greeks for a little while longer, and the critical moment once more
postponed. The agent in this last effort is Here. The story is as
follows : —
The sudden noise of the battle is heard by Nestor, who is still with
Machaon, and also by the three wounded chiefs, Agamemnon, Ulysses,
NOTES. 283
and Diomede. They come forth from their tents, and resolve to do
what they can in spite of their wounds to stir up and direct the defence.
Poseidon encourages Agamemnon and the rest of the army (11. 1-152).
At this point Here resolves upon a new and bold device. She
furnishes herself with the magic girdle of Aphrodite, obtains the aid of
"T77T09, and lulls Zeus to sleep on Mount Ida (11. 153—353)-
On hearing of this Poseidon again encourages the Greeks, who under
the guidance of the wounded kings arm themselves afresh for the final
struggle. Hector, on encountering Ajax, is struck down by him with a
stone, and compelled to retire. The Trojans are driven back across the
rampart (11. 354-522).
The anger of Achilles and his consequent absence are mentioned
in two places, a speech of Agamemnon (1. 50), and a speech of Poseidon
(1. 366). These references make us feel that he is uppermost in the
thoughts of the Greeks.
Much difficulty has been felt in reconciling the part now played by
Here with the action of Poseidon in the preceding book. If Poseidon
has been watching for the moment when the eye of Zeus is withdrawn,
and at once takes advantage of his opportunity, how comes it that Here,
who is watching with no less interest (14. 153), does not also act?
And when she does act, after much scheming and preparation, what really
new result is attained ? These considerations led Hermann to condemn
a large part of the thirteenth and fourteenth books as an interpolation.
By striking out 13. 39 — 14. 152 he made the action of Here follow
immediately on the coming of Poseidon to the Greek camp.
On the other hand it has been pointed out by Nutzhorn ' that this
backwardness on the part of Here is justified by the earlier part of the
Iliad. In the eighth book Here and Athene come down to the battle-
field in spite of the command of Zeus, and are called back and rebuked
by him. It is natural that a new attempt should be made by a different
god, and that Here should wait a little before she is sufficiently en-
couraged by Poseidon's success. And this form of the episode has
dramatic value in other ways. In the first place it is so contrived as to
give variety to the poem. The thwarting of the will of Zeus which is
the ground idea) arises in an unexpected quarter. Poseidon is a new
figure, and his presence leads to a series of new situations. In the second
place the scenes of the episode are of gradually increasing interest. We
see Poseidon first with Ajax and Idomeneus, and again, as the danger
grows more pressing, with the three greater chiefs. Then the intervention
of Here marks a new stage in the development of the action Without
Entstehung der horn. Gedichte, p, 160,
284 ILIAD. BOOK XIV.
some such new element there would be a want of the sense of gradation
or ' thickening of the plot ' which is essential to dramatic effect.
If it is objected that the action of the two gods leads to no tangible
result, the answer is that the poet's object is to raise expectations, not to
satisfy them. The episode does not end with any definite event, precisely
because it is an episode. Why does the victory of Menelaus over Paris,
or the irresistible career of Diomede, lead to no solid advantage for the
Greek cause ? The reason lies in the poetical unity of the Iliad as a
whole, which does not tolerate the appearance of a satisfying conclusion
before the true conclusion is reached. In this case, accordingly, it is
essential that Zeus should awake in time to turn the course of events
back into its proper channel 1 .
It must still be admitted that the situation at the opening of the
fourteenth book does not quite harmonise with the end of the thirteenth.
There is indeed an excellent formal transition : the noise of battle
described in the last lines of book XIII is heard by Nestor in his tent.
But what he sees, and presently relates to the wounded chiefs, is the
storming of the rampart and disorderly flight of the Greeks, — not the
comparatively successful resistance which is now being made by the
help of Poseidon. We seem to be taken back to the end of the twelfth
book, when the fortunes of the Greeks were at their lowest point. But
in Nestor's view the main fact evidently is that the Trojans have carried
the Greek fortification. Moreover, the poet wishes to find a motive for
the action of the wounded kings. And the dark colours in which the
state of things is now painted belong to the general heightening of the
interest in the fourteenth as compared with the preceding book.
The last part of the book tells us how the Trojans were driven back
across the palisade and ditch, the chief event being the combat of Hector
and Ajax. This is introduced with curious abruptness 1. 402 Atavros 5e
1 When the rational sequence of events is neglected, we can generally
see that it is sacrificed to some dramatic necessity. At the very beginning
of the Iliad we are met by the insuperable difficulty that there is no
sufficient reason why Achilles should have allowed Brise'is to be taken
from him (see the note on II. 1. 221). So in the present instance we
might ask, not only why Here is so slow to act, but also why Athene
and other gods who take the Greek side do not act at all. A modern
scholar (Bischoff, in the Philologns, vol. xxxiv. p. 20 f.) has pointed out
with perfect justice that the sleep of Zeus gave them time to secure all
that they desired, — the victory of the Greeks and the destruction of Troy.
It seems very unlikely, when we think of it, that they should have thrown
away the opportunity. The true explanation is that the story is not, and
cannot be, free from improbability. The poet is satisfied if the improb-
abilities do not jar upon his hearers, or injure the general effect of his
work.
NOTES. LINES I -31. 285
irpwros duuvTtffe (palSifios "Enrup), as though the meeting of the two
heroes had been already described. Lachmann accordingly conjectured
that we have here the latter part of a ' lay ' which begins in the eleventh
book, and breaks off there with a meeting of Ajax and Hector (11.
557 ff.). An equally good point of junction is obtained without going
further back than the end of book XIII, where Ajax challenges Hector,
and Hector replies with confident words. It is harsh, however, to
suppose that even this meeting is still fresh in the mind of the hearer.
Perhaps the difficulty is best got over by supposing the loss of one
or two lines before 1. 402.
The last fifteen lines of the book (11. 508-522) do not stand well after
11. 440-507. Both passages describe the series of individual victories
which marked the retreat of the Trojans : but evidently there is not
room for two such descriptions, each with its own beginning and end
(cp. 1. 442 (v6a no\v npwTtffTos k.t.\. with 1. 509 6s t<s 8r) irpwros, and
again the concluding 1. 507 rra-nTrjvtv hi tKaaros k.t.X. with 1. 522
avhpwv TpfoaavTcuv, k.t.X.). It seems probable, therefore, that one of
the two passages is an interpolation.
1. irivovTa irep. This takes us back to the scene in Nestor's tent,
where Nestor and Machaon drink the kvkuwv of Pramnian wine : see
esp. 11. 641 ff. «p,Trrjs = the Attic '6p.m.
3. oitws to-Tai TdSt cpYa, i. c. ' what is to be done ' : cp. 1. 61.
8. eio-o^ai, Fut. of olSa Join «X0iov ss TTtpuoirTiv.
14. 6pivop.«vovs, ' driven,' 'in rout,' cp. 9. 243.
16. iT-opclnjpT), 'is stirred,' 'troubled': vopfvptos was applied originally
to any turbid, murky colour. ko>4>cS, i.e. making no plash ; ' noiseless,'
' sullen.'
17. 6cro-6fji«vov, 'looking for,' awaiting with dread.
18. avTcos, i. e. ' doing no more,' explained by 0C18' dpa t« k.t.X.
19. K€Kpip.tvov, ' decided,' ' settled.'
26. vv<T(7ou.€V(ov, ' as they pierced each other,' Mid. The Gen. depends
on xa^Kos, cp. 13. 499. We might have had the Dat. agreeing with
cr$i, but the other construction is more characteristic of Homer.
31. irpwTas, 'furthest forward,' i.e. furthest from the sea, as in 15.
654, 656 (but otherwise in 1. 75, q. v.). The clause is subordinate in
sense to auTdp . . . t8«i(xav, the two clauses together meaning ' they built
the wall by the sterns of the ships which they drew furthest towards the
plain ' ^in prose, as irpwras (ipvaav, tovtoiv km rais irpvpvats tb~eipav\
This is said to explain how there were ships that were ' far from the
battle,' so that the wounded heroes could be met irdp vtjwv dyiovTes
(1. 28). Some commentators accent irpvp-vijo-iv, from the oxytone Adj.
npvp.vcs, and take it to mean ' the hindmost ships,' i. e. those furthest
286 ILIAD. BOOK XIV.
landwards, 77 punas being = ' nearest the sea.' But npvpv^i vavs can only
mean the stern of a ship : cp. 1. 51.
35. irpoKpocrcras, ' row after row,' cp. npoO(\vpvos (13. 160). The
passage is evidently imitated in Hdt. 7. 188 al p\v 5fj irpuirai riuv vtwv
wpptov irpvs yrj, dWai 8' eV fKtivjifft in' dyKvpioov are yap rod aiyia\ov
iovros ov p.(yd\ov, npoKpoaaai wppiovro is nuvrov ical inl oktu vtas.
Some (as Stein a. /.) take npoxpoooai of the vertical position of the files
of ships, standing out like battlements. But a single row of ships
drawn up in the usual way would answer to this description, icpoaaai
(the word is only found in the Plur.) seems to be applied to objects
placed in a row, e.g. to the successive courses of stones in the pyramids
(Hdt. 2. 125).
36. o~r6p.a, the bay or opening, formed by the space between the two
headlands (aKpat) ; cp. Od. 10. 90. The headlands were Rhoeteum and
Sigeum.
40. â– n-TTJ^e, 'smote with dismay' ; elsewhere Intransitive.
45. The reference may be to 8. 182 dis nvpl vrjas tvi-np-qaai, kthvoj 8e
nal avrovs.
46. p-rj d-rrov«cr0ai, ' that he would not return ' : pjf| (instead of ou
as with Verbs of swearing, see on 6. 133.
49. As to this anger of the Greeks see on 13. 109.
50. «p.oi is construed with the whole phrase ev Ovp.(i |3d\XovTcn x°^ ov
( = tcexo\cop:evoi tiai).
53. (Toip.a. ' fulfilled,' turned into fact: cp. Od. 8. 384 r/pev diruKrjoas
firjrdppovas (Tvat dpiarovs, 778' dp' tToipn rirvKTO.
54. irapaTeKT-qvaiTo, 'order otherwise': irapd repeats the idea already
expressed by dXXos. Note that it does not here imply change for the
worse.
59. 6inroTtpw6ev, ' from which side,' i. e. whether from their own or
the enemy's.
60. &S = oti ovtojs, cp. 13. 133-
62. p«£«i, ' is likely to do.' voos is emphatic, being contrasted with
-rroXepov in the next clause.
63. p«pXT]p.€vov, indefinite, cp. 13. 787.
67. tXirovTO 8t k.t.\., 'which they hoped would be.'
71, 72. ot« is temporal in both places : ' I knew when — and I know
(it) now when — .' The change to on in 1. 72, made in most editions,
is harsh and unpoetical ; the two clauses are evidently meant to be
parallel.
73. €8"r]<7€V, cp. Od. 4. 380 neSdq Kal 'ib-qot Kt\(v6ov.
75. TrpwTai, explained by d.y\i OaXdacrns as 'the furthest' in the
direction of the sea, i.e. the nearest to the sea. Cp. 1. 31, where irpairai
^TTsS/oeSt) has the opposite meaning because it is used from the opposite
point of view.
NOTES. LINES 35-125- 287
vf ( ts is Norn, by the attraction of the clause oo-ai h.t.K.
77. vijn, ' in deep water,' ' afloat.' in eivdwv, ' at anchor ' ; the tvvai
being blocks of stone thrown out as anchors at the bows, while the stern
was fastened to the shore by the npvfivrjata ; see on 1 . 436.
78. Kal ttj, ' even in it.' The suggestion that the Trojans may fight
by night is ironical ; such a thing was unknown in Homeric warfare.
79. dirdcras, i. c. the other ships as well.
So. ou vtjxeo-is, ' it is no matter for vifKCis,' ' no blame.'
dvd vvKTa. Night is thought of as a space of darkness.
Si. |3«ATepov os, 'it is better (with him) who — ,' i.e. it is better
when one &c. : cp. Od. 15. 72.
84. ou\6(Jiev€, 'miserable man ! ' see on 1. 2.
o-Tpa-rov, with <n]p.aiveiv, which elsewhere governs the Dat.
89. 6ifiio|A€v, Impf., ' we have been suffering.'
90. tis t«, ' some or other,' § 49, 9.
91. 8id o-Top-a d-yoiro, 'suffer to pass through his mouth' : see on
2. 250.
95. vvv, i. c. ' as it is,' since you have uttered such a speech.
«ovo<rdp.tjv, ' I blame ' ; properly ' I have blamed ' (like ttrXtTo, ' has
come to be,' ' is '). The idiom is common in Attic, as tjoOtjv, ' I am
pleased,' iirrjyeaa, ' I approve.'
98. evKTa, ' boasting,' see on 13. 726.
i'p.Tn]s, ' still,' see on 1. 1 : the meaning is, 'have (more) cause to
boast, though they are (already victorious.'
99. ciripptirji, ' turn the scale,' ' be decided as our lot' ; the metaphor
which is turned into a symbolical act in 8. 69-74.
101. diroiTaTTTaveovai, ' will look about them away ' i^from the war ,
*". e. look out for escape, and so give up the fight.
104. KaOiKco, ' hast hit,' ' touched.'
108. do-p.tvtp is in sense the predicate : ' it would be welcome to me.'
So in prose, $ov\oy.tvw /xoi kari, &c.
113. y«' v °s is Ace, see on 5. 544.
119. aiiToOi, ' where he was,' at home.
121. OvyaTpiov, partitive Gen., (one) 'of the daughters.'
123. opxaToi, 'rows,' i.e. plantations.
dp-4>is, 'round' the fields, i. e. separating them : cp. 3. 115.
125. p.«XX€T6, see on 13. 226.
aKov€p.«v, ' to have heard.' Homeric language does not distinguish
the fact of hearing from the impression that remains with the hearer ;
cp. Od. 15. 403 vqaos tis 'Xvpi-q KiKKijaKtrai, t'i nov anovns, also II. 20.
204., 24. 543., Od. 3. 193., II. 458. The Pf. aKr)Koa, which would be
the proper tense to express the result of hearing, is not found in Homer.
«tc6v (sc. tan is construed as a substantive, ' truth.' The principle
is the same as in ovk dyaOov noKvKoipavirj (a. 204), &c.
288 ILTAD. BOOK XIV.
126. owk dv with the Opt. is a gentle form of request ; see on 2. 250.
•y«vos, Ace. of reference with ko,k6v.
127. •n , «4)ao-|j.«vov ; ' set forth,' uttered: cp. 18. 295 vorjuara ^aa'' ivl
Sr)fJ.q}, Od. 4. 159 iv((X0o\ias avcupaivfiv.
130. «k PeXcuv, ' out of range of weapons,' cp. 4. 465., 16. 122, &c.
132. 6v\k<£ TJpa 4>«povres, ' doing the pleasure of, giving way to, their
temper,' i. e. ' in waywardness ' : see on 1. 50.
135. dXaoo-KomT|v, see on 13. 10.
141. StpKojitvw, 'as he beholds,' Dat. with Kr\p ynGel, notwithstand-
ing the Gen. 'AxiXfjos : see on 9. 636.
142. ios connects a wish with a state of things: here 'may he as
surely perish ' (^as he exults over our defeat).
145. Kovicrovcnv, ' will make dusty' : cp. the common phrase koviov-
t«j rreSj'oio, ' raising (a track of) dust in the plain.' kovIo) has a Transi-
tive meaning here.
154. o-T&cra, ' taking her station.'
*£ OviXup-iroio, with €io-€i8e, is further denned by d-rro piou, ' looked
forth from Olympus, from a peak.'
155. €io-€i8e. The clause here becomes independent, instead of carry-
ing on the construction with cyvw (1. 154).
<rTVY«p6s implies either hate or fear : in this place they need not be
distinguished ; Here ' sickened ' on beholding Zeus.
162. tv-rvvao-av, Ace. because it goes with cXOelv, ' to array herself
and go ': see on 2. 113. For t outt|v it would be more correct to write
V auTT|v : the form it (/or eft) is here required by the metre.
165. x*vr\, Subj., expresses Here's purpose where she is herself the
agent, in contrast to l^eipaiTO, an expected consequence of her action.
The use, however, is irregular, the poet forgetting that the whole depends
on a Past Tense (<J>aiv*TO in 1. 161) ; see § 34, 2, c.
167. «'iri}p<r«, ' fitted,' ' made to close.'
168. Kpvirrfj, ' secret ' or ' private,' explained by the clause ttju 5' ov
Otus d\\os avwfev, = ' one that no other god could open.'
170. dp.ppocriT|, here imagined as a kind of cosmetic: cp. 19. 38,
where it preserves the body of Patroclus.
171. Xiir', i. e. klwa, an adverb with aXdiparo.
172. ISavi, a word of unknown meaning, which only occurs here. It
may be = ' eatable,' from root eS- (so Brugmann) : if so, it should be
written iiavos. The derivation from a fab {avSavu) is untenable.
to pi 01 T<=8va>p.«vov -f|€v, ' sweet-scented oil that she had '513. 340.
173. tov, Gen. with dvTp.T|, 'from it when stirred.'
1 74. tp.irr|S, ' even ' (though stirred in the palace of Zeus).
1 76. irXoKap-ovs, ' plaits ' (not ' locks ' of hair), cp. I /. 52 v\o\fioi 6'
ot xP vcr V Te /fa ' upyvpcu (cr<prjicojVTo. This artificial mode of dressing the
hair is seen in the oldest Greek statues and vase paintings. The free
NOTES. LTA T ES 126-230. 289
style characteristic of the best period of Greek art is not found before
the fifth century u. c. TIelbig, p. 164I.
4>a«i.vovs, ' shining,' viz. with oil.
177. ck KpaaTOs, i. c. hanging down from the head.
178. lavov, see on 3. 385.
1 79. «£vct€, ' smoothed ' ; do-KT|cra.o-a, ' having wrought it ' : the two
words = ' wrought to clue smoothness,' cp. 4. no dow'/Tos . . . ijpapt.
180. tvrrfjo-i, ' clasps,' ' brooches.' Kara o-rfjOos, ' on the breast,' i.e.
at a point on it : Kara, with Ace. as in ko.t wfxov (used of a wound in
the shoulder), tear' aamSa, &c. See Helbig, p. 200 of the second ed.
182. ?pp.a,Ta, ' ear-rings.'
183. Tpi"y\T)va, of three drops or beads, see on 8. 164.
p-opoevra, probably ' consisting of berries,' i.e. clustering, from fiopov,
' a mulberry.'
184. The KpTj8«p.vov appears to have been a kind of mantle, covering
the back of the head and the shoulders, but leaving the face free
Helbig).
185. vnyaTew. The meaning of this word is unknown ; see on 2. 43.
190. mOoto, Opt. equivalent to a gentle Imperative, see on 4. 93.
191. to y« - ' therefore,' ' at the idea that,' § 37, I.
196. T«T«\«<rp.«vov, ' accomplished,' i. e. that can be accomplished.
199. 8ap.va, 2 Sing. Mid. of Sa/xvau. But we should perhaps read
8dp.vao-cu, which is metrically better.
203. 'Peias, Gen. with Se^ap-tvn, as 1. 596.
205. aitpiTa, lit. 'undistinguished,' as in 7. 337, hence 'involved,'
'with measureless issues.'
206. o,XXt|X<ov, governed by evrv-qs Kal <{>i\6tt]tos.
208. K€iva>, with avto-aipA (see on 13. 657).
213. tavtis, cp. p. 325 (with the note), 18. 258.
214. k€o-tov tp.dvTa, a thong or band of pierced work ; probably not
a piece of dress, but simply a charm. It was placed in the bosom (cp.
1. 219) simply as the easiest way of carrying it safely (Helbig, p. 156).
Cp. 3. 371, where the band of the helmet is tto\v/{«jtos inas.
215. OeXiorfipia -n-avTO, ' all manner of seduction ' : for nAvra cp. I. 5.
217. irap^ao-is is in apposition to <}>i\6rr]S tp-tpos and oapicrrus :
'these things are the persuasion (means of persuasion) which beguiles' &c.
For the concrete sense cp. ytvtots (1. 201), avanvtvois (n. 800), &c.
221. airpt]KTOv, ' without accomplishment,' in the active sense. 5 ti
with ellipse of the antecedent ; (in respect of) whatever &c.
225. dt£a<ra, 'with a swift movement,' ' shooting down.'
226. IIitpii\v, east of Mt. Olympus. 'H|j,a0iT]v, the later Macedonia.
228. dKpoToras Kopv(Jxis, in apposition, explaining opca : a common
construction in Homer, see 1. 284, also 2. 145., 8. 48.
230. Note that Lemnos and its king take no part in the war.
VOL. II. u
290 ILIAD. BOOK XIV.
240. iroo-Cv, ' for the feet ' ; viro being adverbial, ' under it.'
248. ot« jit), see on 13. 319.
249. d\Xo is used adverbially with Imvvcrcrsv (§ 37, 1), 'taught me
in another matter,' i.e. once already gave me a lesson. Some MSS. have
the reading of Zenodotus, rtfj iniwaatv €<J>€Tp.T), ' taught me by reason
of, on the occasion of, a behest of thine.' For dXXo cp. T(S5« in 1. 298.
252. «X«£a, 'laid to rest.'
253. vt)8v(aos, see on 2. 2.
256. x a ^*' Traiv ' e pfn-raftov =' showed his rage by hurling.'
258. d'iorov, as a predicate with ?p-PaXe itovtw, 'would have cast me
so that I had perished.'
265. tj <J>-[js, ' dost thou indeed think ?' Ss — ws — , ' will as surely — as
he was angered about (ir«pi-) Heracles.'
271. dda-rov, an obscure word, found in the Od. with a different
scansion (ddaros). It is probably derived from daoo (which shows the
same variation of quantity"), and means ' not to be done foolishly against,'
not to be treated with ar-q, befooling.
2 7 2 > 2 73- So in 9. 568 Althaea beats the earth in calling Hades and
Persephone to witness. The gods of the nether world, however, are
beneath sea and land alike, cp. 8. 478 ov5' ti K€ rd veiara ireipa.6' iK-qai
yal-qs Kol ttovtoio, IV 'laniTos re Kpovos re k.t.X. Accordingly a victim
sacrificed in taking an oath by them might be thrown into the sea, as in
the case of Agamemnon's oath, 19. 267 ; see on 3. 310.
282. €<r<rop.€V(i) is subordinate to irp-qcrcrovTe.
284. Asktov, in apposition, see on 1. 228.
286. wdpos Aids 6<rcr€ iS«o-0ai, ' before he met the gaze of Zeus,'
i.e. came into his presence: cp. 15. 147 iTrtjv e\6r]T( Aibs 8' (is Siira
iS-rjadf. Commentators generally take 6<r<rt as subject.
288. d-qp is the lower misty region, alO-qp the bright upper air.
290. tvaXiyKios, i. e. taking the shape.
tv Speo-cri belongs in sense to the principal clause ; see on 13. 340.
291. x a ^ K ^a, so called from its bronze colour. The divine name is
the one which has a good meaning, see on 1. 403.
295. iTtp strengthens the whole phrase olov ot« irpurrov — , ' even as
when first.'
298. t68« is adverbial, 'thus,' 'this time,' § 37, I. Cp. Hdt. 5. 76
riraprov tovto im rfjv 'Attiktjv dmxofievoi.
308. Tpa<|>«pT|v> ' dry land,' lit. ' solid ' (rpt(pa> as in 5. 903).
314. Tpair€iop.€v, 'let us take our pleasure' : see the note on 3. 441.
316. irspiTrpoxvSeis, ' shed all round,' cp. apuptKaXvipt (I. 294).
31 7-327. These lines are probably an interpolation. Such a piece of
genealogical learning is unlike Homer, and doubtless comes from some
later versifier of the Hesiodic school.
317. 'I|iovit]S dXoxoio, Dia.
NOTES. LINES 240-386. 29 1
321. <IÂ »(hvikos Kovprjs, Europa, daughter of Agenor.
332. rd 8« Trpoir«4)avTai S-iravra is subordinate in sense, ' on the top
of Ida, where all is open to view.' rd, ' the place ' (vaguely).
The clause ti v€v k.t.K. has no grammatical apodosis. The intended
apodosis — ' we should be seen ' — is sufficiently implied in rd 5^ irpo-rrt-
(pavrat, and its place is taken by the new sentence irus k' ?oi k.t.K,
which draws out the notion further.
337. tirXtTO, ' has come to be' : so in 1. 340, «tia8€v, ' has pleased.'
342. to y«, adverbial with 8€i8i0i, ' have not this fear.'
nva is here Ace. de quo (§ 37, 7), ' fear not as to any one of gods
or men, that he will see.' Cp. Od. 22. 39, 40 —
ovt( Otovs SeicravTts 01 ovpavbv evpiiv tx ovaLV >
ovr( nv' avOpunrwv vtp.tciv KaTomadtv iatoOai.
345. Join 6|vtcitov €io-opdao-0ai, ' most keen for beholding.'
4>dos blends the notions of ' light ' and ' eye-sight.'
347. Tot<ri, ' for them,' two being adverbial.
349. espy*, ' kept them off' (the ground).
354 ff. This message serves as a transition from the scene on Mt. Ida
to the field of battle.
357. irpo<J>pa>v, ' with your will,' i. e. as much as you desire.
360. tv 4>i\6tt)ti, with «uvT)0TJvat.
363. n«Y a > w ^^ «K«tavo-6, ' aloud.'
369. OTpvvup-tOa, ' bestir ourselves.'
370-387. Exception has been taken, not without reason, to the scene
described in these lines. Poseidon puts himself at the head of the Greeks,
and urges them to make a general exchange of arms, — the best warriors
taking the largest shields &c. and giving inferior weapons to the less
brave men. Such a proceeding is exceedingly improbable in itself —
any exchange of arms being exceptional — and especially if it is to be
imagined as carried out in the crisis of a battle. The difficulty is con-
siderably diminished if (with Cauer and others, quoted in Hentze's
Introduction to the book, p. 63) we strike out 11. 376, 377, 381, 382*
thus getting rid of the idea of an exchange, and reducing the incident to
a general putting on of the best arms within reach.
371. do-iri8«s, Norn., cp. 1. 75.
376, 377. It is evident that these two lines come in awkwardly, after
the natural close of the speech.
377. 6 St. The subject is the same, but the Art. marks the contrast
between the acts, § 47, I. There seems to be a play of sound in the
two verbs 86tu — 8vt&>.
38 1. dp.eif3ov, ' changed,' i. e. directed the exchange.
382. \(pt\.a,=x f P tl0Va > l^e 7r\««j for irXtovts (see on 2. 129).
386. to . . . p.iyfjvai, ' to meet it ' (the sword).
ov dtps, ' it may not be,' it is not to be thought of.
U 2
292 ILIAD. BOOK XIV.
389. Tdvvo-crav, see on 13. 358-360.
391. 6 p.«'v, i.e. Hector, the last mentioned, by Chiasmus (13. 762).
392. The sea rises and dashes on the shore in sympathy with
Poseidon as the god of the sea.
395. ttovtos in Homer always means the deep sea.
399. n&Xio-Ta, ' more than all,' qualifies p.«y a Ppe|*€TOi,
403. 01 is Dat. ethicus (§ 38, 1) : Ajax ' was turned (so as to be) in
a straight line for him,' so that he (Hector) had him right in the line of
his throw.
404. t^j pa, with aKovrure (1. 402), ' shot his spear at the place
where — .'
T€\ap.wv«, ' the two baldricks,' which both passed over the right
shoulder. The shield in Homeric times hung from the neck; cp. 13.
407.
409. tov governed by /3f0\rjHft in 1. 412, where the sentence is taken
up again : see on 13. 197.
410. tA pa iroXXd, 'one of the many which,' as Od. 5. 422 (ktjtos)
old T( TToWa Tpi<pu kXvtus 'AfjuptTpiri] ; Od. 6. 150 el p.kv tis Otos (<xat rol
ovpavbv tvpvv t\ovaiv.
411. €kv\iv5€to, ' were rolling about.'
tuv tv dcipas repeats x € P(-ia8ia>, — 'with one of these in his hands.'
413. caaeve, ' sent spinning.' irepl 8' tSpup.6, sc. "E/f7a»p.
419. «yx os i his second spear, cp. 1. 402. ta4>(h), see 13. 543.
428. ai-roti, with irapoiOev.
436. dnirvvvGir), ' came to himself : see on 5. 697.
449. r<£, Dat. with TJXOev dp/jVT(op.
452. terx«v, ' held on,' ' kept its way.'
455. Tn)8fj<rai, ' has leaped.'
456. Kop-itrt, ' has received.'
457. ovitco o-K-q-irTop-evov, ' taking it for his staff' : aviT<£ is emphatic,
the staff ' as it was,' ready to his hand ; he would need no other on the
way to Hades.
461. KapiraXip.(ds, with aKovnae.
463. Xucpi(J>is, ' sideways.'
465. avveoxn4>, ' the joining' (avv-€X«).
466. vtiaTOv, ' the last,' in this case the highest.
474. -y€V€T|v, ' in descent,' 'kinship,' z'. e. he had a family likeness.
477. 6 8' v<f>eXKt, =v<pe\K0VTa, ' as he was dragging him away.'
ttoSouv, Gen., ' by the feet.'
479. lop-upoi, ' arrow-heroes,' mere archers : see on 4. 242.
482. evSei, ironically of death.
484. djiTos, ' unpaid.' The long 1 is against all analogy, see 13. 414.
The common reading is Kat k« tis, but there is also MS. authority for
teat t« tis and tcai tis. With this evidence we are entitled to restore
NOTES. LINES 389-522. 293
the t« ^see § 49, 9}, and the Homeric order Kat tis t« v cp. Lat.
quisque),
485. ap^s dXKTfjpa. The phrase recurs in 18. 100, 213. In all three
places Aristarchus read "Apsco, Zenodotus dpfjs : the MSS. generally give
dpetos here and in 18. 213, but dp-qs in 18. 100. dpf,s is supported by
the recurring phrase aprjv (rdpotaiv afxvvav (12. 334., 16. 512, &c).
491. 'Epp.uas, as god of herds {vupnos, im/ifi\ios).
493. 0€p.€6Xa, the ' root ' or ' bed' of the eye.
498. aviTT), ' as it was,' helmet and all : cp. 8. 24., 9. 194.
499. <j>T| KioSetav, ' like a poppy-head ' : on <j>T| see 2. 144.
500. ir€<j>pa8«, ' bade them mark it,' not quite the same as *8€i£«.
503. 0&8* y^P "H marks a contrast to -narpl Kal p.r]Tpi = ' for (as they
will not, so) neither will — .'
504. dvSpt «\66vti. = ' by her husband's coming,' the Dat. being instru-
mental.
508-522. The appeal to the Muses in 1. 508 and the list of Trojans
slain by Greek chieftains are both indications that we have reached an
important turning-point in the story.
516. 'ArpciSTjs, viz. Menelaus.
522. dvSpwv Tpscro-dvTcov, ' when men have taken to flight,' Gen. Abs.
For Tpiaai, ' to run away,' cp. Hdt. 7. 231 ovtibos t( «fx« o rpiaas
'ApiOTuSrjpios Ka\e6fievos.
BOOK XV.
In this book the reaction in favour of the Greeks is suddenly brought
to an end ; the position of the armies is soon restored to that which
they occupied when Poseidon interfered ; and finally the Trojans press
on to the Greek ships, and all but set fire to one of them. Thus
the decisive moment is reached which is to bring Patroclus again to the
field.
The action is simple in its general outline. It begins with scenes on
Ida and Olympus, which show us the gods submitting with much ill-
humour to the will of Zeus. The rest of the book traces the gradual
progress of the Trojan attack : except that the poet turns aside for a few
lines in the middle of the book to describe Patroclus hastening back to
Achilles with the object of urging him to come to the rescue of the
Greeks. The digression serves to mark the last stages of the Greek
defence, and to allay the impatience with which we are now awaiting
the crisis of the poem. The argument is as follows : —
294 ILIAD. BOOK XV. '
Zeus awakes, and seeing the position of affairs rebukes Here and sends
her to Olympus, to bid Iris and Apollo come to him. Ares, hearing
of the death of his son Ascalaphus, is about to go down to avenge
him, but is restrained by Athene (11. 1-148).
Iris is sent by Zeus to Poseidon, who makes his submission (11. 149-219).
Apollo is next charged to restore Hector to strength, and drive the
Greeks back to the sea. Hector accordingly returns to the battle.
The Greeks on the advice of Thoas fall back : Apollo leads on the
Trojans, levelling the rampart. The Greeks prepare to defend the ships,
while the Trojans attack with their chariots (11. 220-319).
Patroclus leaves Eurypylus to return to Achilles (11. 390-404).
The battle is in suspense, while Ajax and Hector are opposed. Ajax
is aided by Teucer with his arrows, also by Menelaus and Antilochus.
At length the will of Zeus prevails, and the Greeks are forced back from
the outer line of ships (11. 405-652).
The final conflict is engaged within the camp. Ajax leaps from one
ship to another, encouraging the Greeks to defend the tents. Hector
fastens upon the ship of Protesilaus, and calls for fire. Ajax is forced
back from the deck to the stern, but continues to repel the Trojans who
endeavour to set fire to the fleet (11. 635-746).
The references in this book to the main subject of the Iliad are
unusually full. In the opening dialogue Zeus declares to Here his
resolution to fulfil the prayer of Thetis (11. 74-77). The promise which
Zeus gives to Apollo, — that when the Greeks have been driven to
the Hellespont he will himself bethink him of ways by which they
may recover from their distress (11. 234, 235), — may be regarded as a
vague foreshadowing of the action of Patroclus and Achilles. Then we
have the passage about the return of Patroclus (11. 390-404). Again,
in the final attack, Zeus is represented as looking for the flame of
a burning ship, as the sign that the prayer of Thetis has been fulfilled
(11. 596-600).
The connexion with the immediately preceding books is maintained
by the absence of the three wounded kings, and the confinement of the
gods to Olympus, except under the direct commands of Zeus. The
reference to Ares in the thirteenth book is taken up again (1. no),
evidently for the purpose of bringing out this element in the situation.
The chief actors are the same— first Hector and Ajax, then Antilochus,
Menelaus, and Teucer : but Ajax, son of Oileus, dues not appear.
Hentze observes (in his Introduction to the book, p. 94) that perhaps
there is no part of the epic which in regard to arrangement of incidents
and internal connexion {Motivientng) has raised so many difficulties as
this. And certainly there is no part of his commentary which places
before us a greater number of views and suggestions, proceeding from
NOTES.
295
scholars who seek either to smooth away discrepancies by striking out
passages as interpolated, or to use these discrepancies as proof of
different date or authorship. The following are some of the chief points
which have been discussed : —
x. When Hector returns to the battle (11. 262-280), Thoas advises
the Greeks to retreat. The ' multitude,' he says, should return to the
ships, while the best warriors withstand Hector. Yet the following
lines indicate that the whole army keeps up the fight ; cp. 1. 312 'Apytioi
8' vnffxeivav doAAies, also the mention of arrows, which were not the
weapons of the chiefs (1. 313), and the comparison to a herd attacked
by wild beasts (1. 323). The contradiction perhaps would disappear if
we knew how an army in Homeric times would effect its retreat behind
fortifications. We may infer that it would fall to the chiefs to cover
the movement ; but some support from the Kaos might still be needed.
2. When Hector and the Trojans a second time pass the Greek ram-
part, they do so with their chariots (1. 385), for which Apollo has
smoothed the way. Then ensues a battle in which the Trojans attack in
chariots, while the Greeks mount on their ships (of piv dc/>' 'i-mraiv, oi 5'
diro V7]uv vipi fi(\aivdaiv enifidvTes). And when Hector and Ajax meet
they fight over a ship (nifjs irepl vrjos, 1. 416). Yet in the same context
we hear of squadrons (tpdKayyes, 1. 408 and 1. 448), masses of men
(doA\«'es, 1. 494), and hand to hand fighting (1. 510), as though both
armies were in the open field. So, a little later, the Greeks protect their
ships with a 'barrier of bronze' (1. 566),— language which would not
naturally be applied to men posted on the ships. Probably, however,
the difficulty arises from a too narrow interpretation of the phrases
d<p' tinrcuv and dwo vqwv. The Homeric ' horseman ' did not keep to his
chariot, but mounted and dismounted as the occasion required ; never-
theless he would be said to fight from a chariot. So doubtless in the
defence of a line of ships drawn up on shore, which was evidently
a recognised branch of tactics, we may presume that the defenders would
be said to fight from the ships : but it does not follow that they were
all on board. The analogy of the chariot rather suggests that in this
kind of fighting the art lay in the use of the ship as a post of vantage or
of retreat. As such it was superior in size and stability, as we see from
the use of much larger spears {vav fia-^a) l : while the chariot had the
advantage in the power of movement.
3. In the passage relating to Patroclus (11. 390-404) it is said that he
remained with Eurypylus as long as the Greeks and Trojans fought
about the wall, but when he perceived the Trojans rushing at it, and the
1 Helbig is of opinion that these spears were only used in the species
of fighting now in question, not in naval battles properly so called. See
on 1. 389.
296 ILIAD. BOOK XV.
cry and flight of the Greeks, he hastened to Achilles. Here, apparently,
fighting about the wall (rei'xeos afKpt/iaxovTo) is distinguished from
attacking it (tuxos lirtaavpiivovs^. It may be that the text is in fault,
and that we ought to read vr)vo\v (-rrfaav^ivovs, as elsewhere (cp. 1. 593).
But the words as they stand are intelligible if we take them with the
next clause {arap Aavaaiv fevero laxt) Tt <]>6Pos re), and regard it as ex-
pressing the main point: — 'when he perceived that the Trojan attack
had ended in their victory and the flight of the Greeks.'
4. The same passage raises a doubt which affects the whole ques-
tion of books XIII-XV. As the story is told, the Trojans are repre-
sented as having twice passed the Greek rampart, first at the end of book
XII, again in book XV. At which of these points did Patroclus leave the
tent of Eurypylus ? Taken by itself the language now used would be
understood of the first time that the rampart was stormed : — or, rather,
it implies that such an event had only happened once. In the context, how-
ever, it can only refer to the immediately preceding description of the
Trojan advance (cp. 1. 384 ws Tpwes . . . Karai tux os *P<uvov with 1. 395
tuxos (iTtaavfj.(vovs tvo-qoe Tpwas). The inference drawn by many scholars
is that in the original poem there was only one storming of the rampart,
consequently that the whole episode of the interference of Poseidon and
Here is a later addition. The alternative hypothesis — surely a more
probable one — is that the poet has not felt it necessary to remind
his hearers that the rampart had been already stormed. As a step in
the course of events that success had been cancelled by the intervention
of Poseidon and Here. The language used favours this view. When
it is said that Patroclus waited so long as the Trojans and Greeks
T€i'x* oy apcpe/xaxovTO 6oa<uv e/croOi vtjujv,
the words seem intentionally wide, and intended to cover everything
that happened before the attack reached the ships.
5. The last stage of the Greek defence is reached when they are driven
from the outer line of ships, as is related in 11. 592-654. The first words
of this passage have been objected to. They tell us that the Trojans
' rushed upon the ships' — whereas the attack upon the ships had then
been going on for some time. This however involves no contradiction.
The tense is the imperfect {vrjvalv tn-fcraeiWro), which does not imply
a new event, and the words are to be read with the next clause — A10? 8*
(T(\(iov tipiTjxas, k.t.\. A later writer would say that ' the attack which
was going on began to prevail' : Homer makes this into two clauses, —
' the attack went on, the Trojans prevailed.'
It would seem, on the whole, that the difficulties now in question
arise from our ignorance of the conditions of Homeric warfare, or from
the tendency to lay undue stress on isolated expressions. For cases in
which there is some reason to suppose interpolation see the notes on
11. 63 ff., 1. 214, 11. 263-268, 11. 668-673.
NOTES. LINES 3-86. 297
3. imp' ox«o"4 >lv - The chariots had been left on the other side of the
trench before the T«<x°^ a X' a ; see I2< 76 ff.
10. dmvvcrcrwv, ' lying senseless.'
] 3. 8«ivd qualifies the phrase viroSpa iSiov, — ' with a fearful scowl.'
14. ko.k6t€xvos, with 86Aos.
17. ciravpijai, lp.dcrcr<o. Subj. of deliberation § 29, 3), though
grammatically the clause is dependent.
18. The want of a caesura might be easily cured by reading ore t«
Kptp.oj, but possibly the unusual rhythm is intended to answer to the
sense, by suggesting the idea of swinging in the air.
22. irapaoTaSov, nearly = -napaaravTcs, 'at close quarters'; cp. 1. 105
acrcrov !6vt€s. The opposite word is dnoaraSuv (1. 556 s ).
Xafjoip, Opt. § 34, i,b.
23. ikt]tcu, the Subj. after a past Tense generally implies that the
event is still future (§ 34, 2, c). Either this is meant here — of course
ironically, — or the Opt. ikoito should be read.
24. dviei, ' let go its hold of,' ' left.'
33. Tjv is cognate Ace, § 37, 2.
37. to, § 47, 2, b : see on 1. 340. os t«, Masc. by attraction to
the predicate opicos.
41. |a.t] is the negative used in swearing : it belongs only to the words
81' tp-riv loTT)Ta. Cp. 10. 330., 19. 261 (note).
45. Trapap.v0T]cralp.T|v, without dv, because the Opt. expresses conces-
sion, 'I am ready to advise,' § 30, 4. But in 9. 417 /cat 5' av . . .
rrapafiv6r]craifii]i' = ' I should advise.'
58. ira.vcrdp.evov, Ace. because it goes with iKtcrOai, ' that he cease from
war and go,' see on 14. 162.
63 ff. The next few lines give a picture that does not answer to the
course of events. The Greeks never reach the ships of Achilles ; the
na\iw£is does not begin with the death of Hector (see 15. 601 ff.), — on
the contrary, the death of Hector causes a long pause in the war ;
finally, the taking of Troy lies quite outside the action of the Iliad,
and certainly cannot fix the point at which Zeus will cease his anger
(\. 72 to irplv 8' ovr' dp' iyeb Travaj xuA.01/). It is clear that 11. 64-71 are
an interpolation. The iraXito^is is suggested by 1. 601.
66. 'IXiov, § 19, 3.
71. This may refer to the Wooden Horse, rw 'Eirubs enoirjaev aw
'AOtivt, [OA. 8. 493).
"IAios is elsewhere Fern. ; we may read olirvv, as Faesi suggests,
comparing 19. 97 "Hprj Orjkvs iovaa.
80. The use of dv in a simile is irregular, § 33, 1, b.
82. eii)v, Opt. of wish. p.c-voivT]T)crt iroWd, 'forms many desires,' of
going from place to place.
86. 8«iKav6wvTO, 'welcomed,' 'pledged,' see on 4. 4.
298 ILIAD. BOOK XV.
87. ©tp-o-Ti, with 8«kto, ' took for Themis,' i.e. in compliment to
her.
90. P«'pi]Kas, ' art afoot ' : the Pf. expresses simply the attitude of
walking (§ 26), either coming or going. See on II. 1. 221.
97. m<J>avo-K«Tai, 'puts forth,' allows to be seen as his deeds; cp. 12.
280 nttpavoKofjLevos ra a KrjKa.
103. IdvO-q, ' softened,' ' cheered.'
v(\>.tcr<rt]Q(icra, ' in self-rebuke,' checking the rebellious temper ; see
on 1. an.
105. ao-crov lovres, see on I, 567.
109. €x«Te, Imper.
no. cXTTojiai, see on 1. 288.
in. See 13. 518 ff.
116. iovt', i.e. iovra, see on 1. 58.
124. 8wk iTpoOijpov, i.e. following Ares, who had already left the hall
of Zeus.
128. avTtos, i.e. without being the better for them.
1 29. alScis has a vague meaning, ' sense of fitness,' ' discretion ' (in
a moral sense) : see on 13. 121.
130. oiiK diets, 'hast thou not heard' ; for the tense see the note on
aKovt/xev, 14. 125.
136. KvSoi[A-f)cra>v, ' to drive in wild confusion.'
153. 0vo€v vt'<J>os, cp. 14. 350.
154. irdpoiGe Aios, with o-rf|-rr]v.
155. For o-^wiv Heyne rightly proposed <r<|>u)€ : so Cobet, Misc. Crit.
p. 258.
o£8t cxoXwo-aTo, i. e. was right well pleased, § 59.
162. The combination «l ouk ( = el ^17) is regular in Homer, but only
when the verb is in the Indicative : cp. 11. 4. 160., 9. 435., 20. 129.
164. p.T| TaXdcro-T), construed with <\>palio-Qu>, ' let him take heed,' as
with a verb of fearing.
167. io-ov is adverbial, ' alike,' 'on equal terms,' see on 1. 187.
171. aiOprjYevtos, 'born of clear skies,' because the north wind comes
with clear weather.
185. d-yaOos iTcp ewv is put in apologetically, like our 'with all
respect.'
189. irdvTci, with Tpi\9d, as in phrases with numerals, such as StKa
â– navra, ' ten in all' (19 247).
191. -n-a\\op.<va>v, partitive Gen., 'of us when we drew lots': cp.
Hdt. 3. 128 iraWofifvcuv 5e \ayxavtt ik navrwv Bayaios.
194. oil p€op.ai, 'I will not live': Pdofiai or ^iojxat is 2 Aor. Subj.
from the root giv, Gr. f3i- (/3i'-iy). The true form is perhaps piop.ai
(cp. nioixcu), which is preserved in the MSS. of the Homeric hymn to
Apollo, 1. 528. For the Subj. with ov see § 29, 6.
NOTES. LINES 87-247. 299
Aios <t>p€<riv, ' by the mind of Zeus,' i.e. at his will. Perhaps the
literal meaning is ' by means of the <pptves — the vital organs — of Zens ' :
to ' live with the heart ' of another being a phrase for absolute depend-
ence (cp. our ' not able to call his soul his own ').
196. 8€t8icrcr«o-0&), 'threaten,' 'bully,' see on 2. 190.
197. The Datives Ovyaxtpso-jiv and vlacri are construed with P«XT«pov
eiT|, though in sense they belong rather to the Inf. «vuro-ep.€v : ' it were
better (more fitted) for his daughters and sons, to scold them,' = ' better
to scold his daughters and sons.' See on 7. 409. The reference is
doubtless to Athene and Ares, who were also in the battle. The Opt.
without Ktv expresses concession : ' let him, if he likes, scold.'
202. <j>«pw is Subj., ' am I to bear ?'
203. (i«Tao-Tp«\|;eis, Intrans.
204. 'Epivves, see on 9. 456. €ttovt<h, ' attend upon,' ' are at the
service of.'
207. This line is referred to in Pind. Pyth. 4. 494 dyyckov t<r\bv ecftct
[sc. "O(xrjpof\ Ttfiav fxeyiarav wpdy/xaTi naurl (peptcv.
209. av is out of place here, as the meaning is general, not referring
to a future case. The original doubtless was onwoTf {f)la6fiopov.
6p.fi TreiTpa)p.(vov aio-rj is an epexegesis of icr6p.opov : lit. ' destined
with like portion,' i. e. ' one to whom a like fortune is given.'
211. v€p.eo-o-T)0«is, 'with self-rebuke,' i.e. repenting of his purpose of
resisting Zeus. For this sense of vep.ecrdop.ai cp. Od. 2. 64 vefieaarjOrjTe
ml avTo'i, d\\ovs 5' aldtaOrjTt k.t.K. So Vfixfai^ojxai in Od. I. 263., 2. 138.
212. 6vp.<S, ' in my heart,' i. e. in earnest, not with words only.
214. This line is doubtless an interpolation, suggested by the 0(o/j.axia
of book XX — the only place where Hermes and Hephaestus are ranked
as enemies of Troy.
215. ir€c|)i8if)cr€Tai, Fut. with at k«v.
224. •f|p.«T«pov, cp. 13. 257.
ItttjOovto, of hearing the actual noise : cp. 20. 61-66.
227. tirXe-ro, cp. 14. 95.
v€p.€crcrn0€is, see on 1. 211.
2 28. x«ip°-s> with viroeijje, an unusual construction.
230. tt), 'therewith,' is the reading of the best MSS. : others have
tt|v. The construction with the principal verb is generally preferred to
that of the participle.
240. vt'ov, ' newly,' i. e. lately. tcrayelptTo, ' was collecting again,'
' recovering.'
242. voos, ' the purpose' ; Zeus here acts without instruments, by his
mere will.
245. TJcr', i. e. T|crcH.
247. Join tis 0€uv ; 'who of the gods?'
avrqv, 'face to face '; = ' who is speaking to me and asking ?
300 ILIAD. BOOK XV.
248. ouk aieis ; 'art thou not aware?' see on 1. 130.
252. d'iov, ' breathed out.'
258. lim-tvo-i-v, the Dat. with «TroTpwo> is unusual.
263-26S. This simile has been already used in 6. 506-511 to describe
the return of Paris to the field. It is less appropriate here as a descrip-
tion of the movements of a commander in rallying his forces (iiroixop.tvov
arixas avSpaiv, 1. 279% But perhaps the poet meant it to apply only to
Hector's rush to the scene of action, from the ford of Xanthus where he
had been carried (14. 433 ff.\ If so we should write in 1. 270 oTpvvetov
Inirrjas — a reading mentioned by the scholiasts.
273. T|XiPaTOs, only used as an epithet oiirirpt]. It probably meant
'without moisture' (A.fij8u, \i/3as, &c.\ being related to d\//3ay, 'a
skeleton,' as aSpr/ros to d5d/xas, d.Ka/j,a.Tos and aK/xrjTos to axapias. Cp.
our phrase ' dry as a bone.'
274. aio-ijiov, 'fated,' 'their lot.'
275. viro laxTJs, 'because of, roused by, their cry.'
276. els 686v, with €<}>dvT] (which implies motion).
277. â– Jjos \iiv, 'so far,' explained by avrdp iirti k.t.K, to be = ' till
they saw Hector': cp. 13. 143.
282. aKov-n, ' with the lance,' *. e. in wielding it.
284. iTcpl p.uOcuv, lit. 'over words,' for superiority in the play of words;
as Od. 8. 225 kpi^taitov wept to£wv. The reference is probably not to
the serious debate of the Agora, in which the elders took the chief part :
cp. Hdt. 6. 129 els b\ dwo Sfinvov kfivovro ol pLvrjrrrfjpts tpw tlx ov
apiipi re pLOvaiKri Kal Ta> Xeyo/uevq) ks to piicrov.
287. otov 8t|, see on 13. 633.
2S8. «\tt€to, lit. 'was comforted,' 'was pleased to think.' This is
the original sense of (k-rrofmi, cp. Lat. volup-tas.
297. irpwrov, with dvxidcravTes.
299. 0vp.<B, with 8eicrecr6a!..
301. For this use of dp.c}>£ see on 3. 146-148.
305. f) ttXtjOvs, Art. of contrast, cp. 2. 278.
309. dp.<|>iBdcmav, ' thick all round,' viz. with tassels, cp. alyiSa
BvoaavotcFoav (1. 229).
310. Is 4>6|3ov dvSpuiv, in a concrete sense — ' to the scene of flight ' ;
cp. is TTu\ep:ov (popietv (1. 533V
316. iiravptiv, 'to reach,' 'take hold of,' cp. 11. 391.
320. tear' tvuira IStov, ' looking in the face,' ' placing himself face to
face with.' ivdna. is an Ace. Sing., like the simple wna in the phrases
eis uira iSiaOai, &c.
321. Totcri 8«, apodosis, the 8e repeating the aiiTap of 1. 320.
326. dvdXiaBes, ' without making a defence,' ' helpless.'
328. KeSatrOtio-qs vo-|jiivrjs, ' the close order of battle being now
broken,' cp. 1. 303 iiofjiivrjv r\pjvvov.
NOTES. LINES 248-428. 3OT
330. tov (At'v, viz. Arcesilaus, the last mentioned (13. 762\
Lines 333-336 are repeated from 13. 694-697.
344. Kal (TKoXoiKo-o-iv is subordinate in sense to Ta4>pa>, ' the trench
with its palisade ' ; hence opvKTr) is construed with T&4>pc>> only.
350. \fXax«JO"t, Subj. with ov as an emphatic negative, § 29, 6.
354. <?x ov > 'guided.'
357. is \i.i<ro-ov, ?'. e. of the trench, so as to fill it up.
•y€<j>vpwo-€v, ' embanked ' ; yifyvpa, in Homer means a mound or
dam, not a bridge.
360. irpo 8' 'AiroXXcov, sc. (@atvt, understood from irpox«ovTO.
362. i|/dp,a9ov, sc. epeiwr;, or a similar verb understood out of tpeiiTe.
363. aOvp\xara, 'a plaything,' i.e. of the sand.
364. ddvpcov, ' playing ' : we should make this the principal verb,
'amuses himself with levelling it again.'
365. 4ji«, an epithet of unknown meaning.
369. «vx«t6o)vto. We expect a Participle, answering to kckXoluvoi.,
see § 58, 1, also the notes on 3. 79., 8. 347.
3?i- X«ip'> i- e. X«ip*.
372. t'v'Ap-yet -n-«p, ' in Argos,' not merely here : the point being that
they did not start without the promise of return from Zeus.
382. Ka.Ta(3T]<reTai, 1 Aor. Subj. : so in 1. 384 Ka/rd -retxos if|3ai.vov,
' passed over the wall.'
389. va.vp.axa, Nom. from the attraction of the clause rd . . . ?k«ito.
Naval battles are unknown in Homeric times ; ' ship-fighting ' weapons,
however, were needed for such a defence as the Greeks were now
making.
KoXXT|evTa, ' made with clinchers,' ?'. e. of pieces clinched together :
cp. 1. 678.
391. Tevx«°s, Gen. because dp.<|>€p.dxovTo here means 'fought about,'
i. e. disputed the possession of.
393. Xoyots, * with talk ' : the word \6yos occurs only here and
in Od. 1. 56.
394. aKfo-para, with dSvvdcov, 'as means of healing the dark pains.'
409. Lu,-yf|p.evai,, ' to get among.'
410. a-TdOp/i], 'a rule.'
412. <to<|ht]s, 'art': the word only occurs here, and the Adj. cro4>6s
is post-Homeric.
415. dv-r', i.e. dvra. This line should follow the preceding one
closely.
418. The force of ye is to show that liri\a<r<r* is to be taken strictly,
' brought up to the ship, but no further.'
426. <TT«ivei, ' press,' ' hard struggle.'
428. d-yuvi, ' gathering,' or ' place of gathering' ; this is the original
sense of ayd/v, cp. 24. 141 iv vrjwv dyvpet.
302 ILIAD. BOOK XV.
438. ?v8ov t'ovra, see on 13. 363.
441. wioj|Aopoi, 'swift in bringing fate': generally it means ' suffer-
ing a swift fate,' ' short-lived.'
443. iraXivTovov, see on 8. 266.
447. tt«7t6vt]to, ' was busied.'
450. Wp.svcov, partitive Gen., with ov tis.
456. eio-opocovTd, ' keeping him in view,' watching the battle.
460. dpurreuovTa, ' as he was proving himself the apiorcvs,' 1 the hero
of the day.
465. em T<S tptiovTi, ' as he (Teucer) was drawing it on him (Hector).'
467. tiriiccipei, ' cuts short,' brings to naught.
468. o t«, ' in that,' ' in respect that,' § 48, 2 : the snapping of the
string is a proof that a god is working against him.
473- |*«YnP a s> ' taking up a grudge ' : cp. 13. 563.
476. [ir\ tXoicv, deprecatingly, ' let us at least hope that they will not
take' : see on 8. 512.
484. /3Xa<j>6tvTa, 'broken down,' 'failing' : cp. 16. 331.
489. AioOev, ' by power from Zeus ' ; this is the only Adverb in -6(v
formed from the name of a person.
490. Aids oAkt|, ' the valour that is from Zeus.' dv8picri, ' among
men ' ; i. e. it is easily seen in man when Zeus gives or takes away
valour.
491. k€8os vir«pT€pov, ' the glory of overcoming' (cp. 12. 437).
492. ovik tOe'Aflo-iv, ' refuses,' a single notion, hence ouk is admissible.
496. This passage was often imitated, e.g. by Callinus, 1. 6 : —
TipTJiv Tf yap kffri xal ayKaov dvSpl fxaxecOai
yfjs Trtpi Kal naiScuv KovpiSitjs t' cLKoxov
where Ttftrjiv re Kal dy\a6v is an amplification of the Homeric o\J ol
deiKt's. Cp. also Tyrt. x. 1 ff., Simonid. fr. 105.
502. dpKiov, 'sure': see on 2. 393, and cp. 13. 773 vvv rot <kuj alirvs
oKtdpo?.
505. tp.pa86v, ' on foot.'
508. ye emphasises «s x°P° v > contrasting it with p.dx«cr0ai.
510. tj awToo-x«8iT) p.t^ai is in Apposition to to08«, so that the Com-
parative has both constructions : cp. Od. 6. 182 oil ptv yap rod ye Kpeta-
aov Kal apeiov tj '6$', k.t.\.
511. r\ — r\i, ' either — or.' ?va xpovov, ' once for all.'
513. i8' avTios, ' thus without change,' thus hopelessly.
517. irpuXtcov, ' champions,' see on 11. 49.
520. tnratOa, 'from before him ' (lit. under).
528. os, sc. Dolops.
530. YvaXoicriv dp-qpoTa, ' weU-fitted with its plates,' ?'. c. consisting of
(two) plates well fitted together.
536. Kipp.paxov, ' the head' or ' top.'
NOTES. LINES 438-637. 303
537. avrov, ' from him ' (Dolops). Some refer it to Kvpjjipaxov.
543. €\iao-0Tj, ' gave way,' ' sank ' (headlong).
544. €«i<ra<r0t]v, from dfju, ' made a move forward,' cp. 1. 415.
545. Ka<nYVT|T 0l<T, '> 'kinsmen ' ; Melanippus was cousin to Hector.
547. o<j>pa [iiv, 'for a time,' i.e. 'till the time came,' referring to
avTap €ir«l k.t.\., cp. 13. 143.
555. irtpl eirovcri, ' deal with,' ' handle.'
556. d-rroo-TdSov p.dpvao-0ai, 'to fight holding aloof, without coming
to close quarters,' — here perhaps a euphemism for declining battle, like
our 'fight shy' (§ 60) : but cp. 17. 375.
557. 558. irpiv y' t|« — t|« — . The speech continues in the ironical vein :
' we cannot decline battle before we either slay or are slain,' meaning ' we
cannot decline at all, but must either ' &c. There is a somewhat harsh
change in the clauses i\k — t|s — , since 'Apyeiovs must be understood as
Object to KaraKTcijAsv and again as Subject to IXteiv. However the
main antithesis, ' slay or be slain,' is clearly given by the verbs koto,-
KTa|xev — KTacrGai.
561-564. These lines are repeated from 5. 529-532.
566. iv 0vp.tp «pd\ovTO, ' took to heart,' ' gave heed to.'
569. ov Tis v€u>T€pos, = ot; Tts twv vtoiTipaiv : o-elo is governed by
0d<To-wv in the next line ; ' none of the younger warriors is swifter or so
mighty.'
571. «i . . . |3dXour0a, a form of wish, here equivalent to an exhortation,
cp. 10. in, 222. The ending -o-0a is very rare in the Opt., see § 2.
575. dvBpos dicovTurcravTos, with viito, ' from before the spear-throw.'
580. pX-qp-tvo), Aor. ' which has just been struck.'
581. rrvxT} "* PaXtov, = Tvxi7<ray e/JaXe (12. 189), 'has hit his mark
{iri)\rjffe) and so wounded.'
587. dp.<|>i Po€o-cri, ' over the oxen,' in an attack on them ; cp. 1. 633
Poos dfi(pi <povTJai.
598. «'£aunov, 'not according to alaa' 'undue,' 'monstrous.' Or
perhaps simply ' out of the ordinary course,' turning aside the natural
order of events. With the former interpretation the word is one of the
few traces of the poet's sympathy for the Greeks.
599. irdcrav is emphatic, ' accomplish to the full.'
602. 6p«'£«iv. The MSS. vary between this form and the Aor. opejjat :
the context seems to require a Future Infinitive.
605-637. In this description of Hector's attack we may distinguish
three successive stages, each illustrated by a striking comparison. First
his furious onset is met by unbroken ranks, compared to a-rock beaten
upon by wind and waves (11. 605-622% Then he fills them with terror,
as a great wave falling upon a ship makes the sailors tremble (11; 623-
629V At length he breaks in, as a lion dashes into a herd of oxen, and
slays one, while the rest are put to flight (11. 630-638). .
3°4 ILIAD. BOOK XV.
609. fiapva^tvoio, ' as he fought,' Gen. with KpoTa<j>oicri.
614. two Ili^iSao |3iT]<t>i, ' at the hands of the son of Peleus'
Ur]\etSao Pirj = ni]\d8r]s).
618. i'o-xov, 'held their ground.'
620. K«'\€v0a, ' coming ' ; the Plur. has the force of an abstract
625. viro v«<|>«cov, ' rising up under the clouds,' as 16. 374 vifit 8' aeWa
OKibvaB' tmo vecpfcov. The picture suggested is that of the wave seen
against the clouds as it is about to fall.
626. Most MSS. have <1t|tt]s, but dT|Tt] was the reading preferred by
the ancient critics, and is found in Ven. A. 8«iv6s with a Fern, substan-
tive is defended by the similar use of k\vtos (II. 2. 742., Od. 5. 422) ;
but the word is suspicious on another ground, viz. that it usually lengthens
a preceding vowel, as if Sfeivos {Horn. Gr. § 394).
628. tvt06v, 'by a little,' 'hardly.'
63c o 7«, Hector: the form of the sentence is changed after the
simile (1. 637 ^o^Oey v<|)'"Ekto P i), so that o y« has no verb. This
anacoluthon is softened by the Norn. X«ov at the beginning of the
simile : see § 58, 4.
631. elafxevrj, ' flat- lying land,' cp. 4. 483.
634. irpiorncri xal vcrrarivfo-i, i. e. now with the foremost, now with
the hindmost.
635. ofioo-nxasi, 'ranges himself with.'
640. dYY«A.it)s, according to some ancient grammarians a Norn.
= d'77«\os, but see on 3. 206.
641. tov . . . «k irarpos, ' from him as his father.'
642. dperds, cognate Ace. with dp.€ivcov.
645. irdXTO, ' he was thrown against,' ' let himself be dashed against.'
646. iro8T)V€K«'a, in the relatival clause, see on 13. 340.
647. p\a<f>0eis, ' caught,' see on 6. 39., 16. 331.
653. elo-coTroi, ' facing ' ; they (the Greeks) were now behind the first
line of ships, and therefore had them in sight as they looked towards the
Trojans. That this is the meaning seems to be shown by the next words,
-rrepl 8' «7xe0ov dxpai v-fjes, ' the furthest ships encircled them.'
656. aviTov, ' where they were.'
662. tirl \Lvr\fTacr9e, Tmesis.
666. p--n8t TpcoirdaOe, return to a finite Verb : cp. I. 369.
668-673. These lines were, condemned by Aristarchus, on the ground
that no darkness has been mentioned. The distinction that is made in
11. 672,673 is also unsuited to the context, since all except Ajax had
fallen back {acpiaraaav, 1. 675^.
670. T)p.€v— Kai, for ■q/iiv—^SL irpos, ' in the direction of.'
677. vati(jiaxov, see on 1. 3S9.
678. fi\T|Tp<H<n, 'clamps,' or 'clinchers,' for fastening the several
pieces together : cp. HoKK-qivra, 1. 389.
NOTES. LINES 609-J42. 305
679. k«\t]tiJ€iv, 'to ride/ cp. Od. 5. 371, where Ulysses bestrides
a plank KtXrjO' us i-mrov (Xavvcuv. It is evident from these passages that
riding was known as a show performance, but it does not seem to have
been in ordinary use : see on 10. 513.
680. o-vvatiperai, Aor. Subj., ' has harnessed together ' : for this
sense of the word see on 10. 499.
681. <revas, ' urging on their way.'
Bitjtcu, ' drives at speed ' : so Siwho).
684. dXXo-r' *7r' dXXov dp.€i{3€Ta.i, ' passes in turn to (Ina/m/Sercn) now
one, now another,' cp. 6. 339 vikt] 5' i-naixfifitrai avSpas.
ol 84 ire-rovTai, ' while they still fly on.'
6S5. €iri, as in eTrwxcTo (1. 676).
690. aiOwv, * dark red.'
^95- X €l pt- This immediate personal agency is not elsewhere ascribed
to Zeus : cp. 1. 242, where it is his mind which influences events.
705. IIpaiTco-iXaov. As he was the first to be slain in the war
(2. 701 ff.), so his ship is the first to be set on fire.
709. dp.cf>ts, ' apart.' The MSS. have ov8e t' cLkovtuv, but t« has no
force here, § 49, 9 : read ov8' eV.
713. fi€Xdv8€To, 'bound with black,' with black {i.e. iron) bands to
secure the hilt.
714. dir' wfuov, viz. when the Warrior was not using his sword at the
moment.
716. ov\i is a form which only occurs here and in 16. 762. Zenodotus
read ouk tp.e0Ui.. Aristarchus rejected the form tfitOiu, but we do not
know what he read : perhaps o<5 n.
719. TJ|i.ap, in a wide or metaphorical sense, ' day of requital' ; see on
13. 98. For d£iov cp. 13. 446.
720. vfjas eX«tv explain d£iov TJp.ap, the requital of taking the
ships.
721. 6tcrov, cp. 1. 2 a\yi' i6tjk€. KaKc-rrjTi, cp. 13. 108.
729. Opf,vvv, probably (as Mr. Leaf suggests) the bridge or gangway
over the hold, connecting the after and fore decks.
730. 8«8oKT)p.€vos, 'on guard,' ' at bay.'
735. doacrr|Tfjpas, ' helpers,' ' comrades.' The root is sek, Gr. itr-o(xai,
Lat. sequor, sociits.
736. tsixos dpeiov, as 4. 407, ' a wall built for war.'
738. €T«paXK«a, = iripav d\/crjv dtSovra, 'giving fresh help,' able to
furnish a reserve force : see the note on 7. 26. 8tjp-os does not properly
mean the actual body of men (\a6s^, but the district which they belong to
740. KtKXip-tvoi, ' hard upon,' cp. 5. 709 \!f^vri KocXiptvos KrjtpioiSt.
741. iv x«P<rt> ' in the strong hand' : cp. 16. 630.
ov fmXixtl) > ' not * n lukewarmness.'
742. ifytire, ' went to work,' plied his spear.
VOL. II. X
306 ILIAD. BOOK XVI.
744. x*P lv > Acc - describing the sum or result (§ 37, 3), ' the pleasure
of Hector who had commanded it,' i. c. yielding compliance to Hector's
command.
BOOK XVI.
With the sixteenth book the story of the Iliad returns once more into
its main channel. The sense of expectancy roused by the vicissitudes
and delays of the preceding books is fully satisfied ; and from this
point to the end of the poem the march of events is not sensibly inter-
rupted. The argument of the book is simple ; it is as follows : —
Achilles allows Patroclus to go with the Myrmidons to the aid of
the Greek army, warning him not to pursue the Trojans too far.
Meanwhile Ajax is at length forced to retreat, and a Greek ship is set
on fire (11. 1-129).
Patroclus, wearing the armour of Achilles, falls upon the Trojans,
and forces them back from the burning ship. After some resistance
he drives them across the trench, slaying many (11. 130-418).
The Lycian chief Sarpedon comes to the rescue. Zeus wishes to
save his life, but yields to Here, and suffers fate to take its course.
Sarpedon is slain by Patroclus. His companion Glaucus is healed by
Apollo of the wound which he received in the t^x^X" 1 ) and defends
the body. The battle which follows ends with the flight of the Trojans.
Zeus commands Apollo to send Sleep and Death to carry the body of
Sarpedon home to Lycia (11. 419-683).
Patroclus forgets the warning of Achilles and pursues the Trojans
to the city wall. Hector is encouraged by Apollo to attack him.
Patroclus slays Hector's chariot-driver, Cebriones : a long battle follows
over his body. At length Patroclus is disarmed by Apollo, and slain
by Euphorbus and Hector (11. 684-857).
The sixteenth book is in some respects the most important in the
Iliad. The episode which it relates— the Patrocleia or story of the
victorious career and death of Patroclus— is of the highest tragic
interest, and is also the poetical device by which the denouement or
'untying of knots' in the story of the Iliad is brought about. The
' knots ' or dramatic problems which meet us in the earlier part of the
poem are mainly two, viz. (1) what is to be the result of the defeat
which Zeus is bringing upon the Greeks? and (2) how is the wrath of
Achilles to be appeased ? In the natural course of things the victory of
NOTES. 307
the Trojans would mean the destruction of the Greek army, except
Achilles and his men. The poet's task is to find a different issue from
the position which he has created, — one that shall be at once interesting
in itself, consistent with the memories or legends of the war, in harmony
with the character of his hero, and springing naturally out of the
previous circumstances. The story of the sixteenth book fulfils these
requirements. The intervention of Patroclus at the supreme moment
saves the Greeks : the death of Patroclus brings the wrath of Achilles
to an end, quenched in the stronger passion of grief for his friend.
Thus the book constitutes the pivot upon which the plot of the Iliad
hinges. It opens an escape from the difficulties which up to that point
have been closing round the Greeks ; and it prepares the way for the
events of the remaining books, — the victory of the Greeks, the reconcilia-
tion with Achilles, and the final appeasing of his spirit.
Along with the cardinal importance of the Patrocleia in relation to
the structure of the Iliad, we have to notice its value in other ways for
the development of the story. The agents and forces which it brings
into play do not merely give a new turn to events, and lead to new
combinations; they bring about a change in the whole position and
circumstances of the hero. Achilles, who has been losing our sym-
pathies by his arrogance and indifference to the distress of his country-
men, suddenly becomes an object of the profoundest compassion. Such
a change, amounting to a irfptntTeia or complete reversal of fortune,
has always been recognised as the most powerful source of dramatic
effect. Moreover, the apiarda of Patroclus forms an excellent prelude
to the later battles. Coming after the defeat and humiliation of the
other Greek chiefs, and before the final manifestation of the prowess of
Achilles, it has the effect of an additional grade in a scale, a middle
platform, by which the chief hero is set aloft, out of reach of all com-
parison with other warriors.
It remains to consider the means by which the leading incidents of
the sixteenth book, the sending forth of Patroclus, and his death, are
brought into connexion with the preceding narrative. Why is it, in the
first place, that Achilles allows Patroclus to come to the aid of the
Greeks, but will not aid them himself? And again, what is the
necessity or ground for the determination of Zeus that Patroclus shall
be slain ? In regard to the former question it must be admitted that
it is difficult to account for the action of Achilles on an intelligible
principle, and still more difficult to trace any such principle in the text
of Homer. What we do find in Homer is the art by which this want
of motive is disguised. The sending of Patroclus in place of Achilles
is first heard of in the eleventh book, where Nestor suggests a reason
for it. ' If,' he says, ' Achilles is held back by fear of some warning
given from Zeus, let him send thee forth' (n. 794 ff.). This is duly
X 2
308 ILIAD. BOOK XVI.
repeated by Patroclus (16. 36 ff.), and Achilles at once answers that
that is not the reason of his holding aloof from the war. But he gives
no reason which does not equally tell against sending Patroclus. His
answer is virtually the confession of the poet that there is no reason.
Yet the two speeches (16. 20-100), though they do not logically
account for the action of Achilles, nevertheless furnish it with a tolerable
poetical motive. That is to say, the entreaty of Patroclus, and the
reason which he gives, are sufficient to prepare us for what follows and
to remove the sense of harshness which entire absence of motive would
involve.
On the question of the death of Patroclus it is worth observing,
that the poet takes pains to lead up to it, and even to suggest a cause
which will bring it about. "When Achilles first sends Patroclus to
enquire as to the wounded Macbaon, we are told that ' it was the
beginning of evil for him' (11. 604). And when Patroclus addresses
his entreaty to Achilles, ' he was destined to entreat death and fate for
himself (16. 44, 45). Then we have the more definite warning of
Achilles, which we know will be disregarded, against pursuing the
Trojans to the city (16. 91 ff.), with the reason given, that 'a god
may step in — Apollo loves them right well.' These intimations serve
not only to lay stress on the death of Patroclus as a crisis in the story,
but also to soften the causeless nature of the event.
Among the subordinate actors of this book we have especially to
notice the Lycian leaders, Sarpedon and Glaucus. These were pro-
minent in book XII, but are not heard of in the intervening books
XIII-X V. The fortunes of Sarpedon form in several ways the counterpart
to those of Patroclus. The sense of being determined by an irresistible
fate is the leading motif in both. Ajax, who is so prominent in the
last books, is now in the background ; but this is because he is
especially a hero of defence.
4. aiYiXi/iros, an unexplained word.
7. 8«8aKpua-ai, ' art in tears,' § 26.
22. toiov, referring to p.T| v«p.«cra, ' such that you should not condemn
me.' j3«Piir]K«v, ' holds in its power,' ' constrains.'
23-27 repeat Nestor's words, 11. 658-662; and similarly 11. 36-45
are a repetition of 11. 794-803. The events of books xii-xv are
ignored.
30. <J>v\do-o-€is, ' cherish,' used like rpt<pw in Attic poets {e.g. Soph.
Aj. 1 1 24 fj •yKwaaa aov rov Ovfiuv ws Stivdv -rpifpii).
31. alvapeTT], Voc, 'accursed in thy heroism.'
ir«p emphasises oiju-yovcs in contrast to 'Axaioicriv : Patroclus
ironically asking if Achilles, in now leaving the Greeks to perish, is
doing a service to some later generation.
NOTES. LINES 4-66. 309
33 ovik apa Tjv, = ' is not, as we thought he was ' ; cp. 8. 163.
35. on, ' because,' gives the ground of the assertion just made ;
(I know that) ' the sea is your true mother, since you are so hard of
heart.' Cp. the note on 4. 32, also Horn. Gr. § 269 (2).
36. 0€oirpoii-iTjv dXeetveis. ' shrink from a divine warning,' cp. 1 1. 794.
40. upioiiv, with 6tdp-qx0f 1 vai, as 1. 64 uifioiiv rtvx<o- 8i>9i.
43. 'A little is a breathing-space,' i.e. a little space is enough to
enable men to recover breath. oXCyi] is Fem. by attraction to dva-rrvsvo-is :
see on 11. So 1 .
50, 51. Achilles does not necessarily mean that Thetis has told him
nothing (cp. 9. 410-416): he only denies that anything she may have
told him is the reason of his refusing to fight. So in the New Testa-
ment : ' Neither hath this man sinned nor his parents,' = ' it is not that
this man hath sinned' (Prof. Packard, in the Trans, of the Amer. Phil.
Assoc. 1876).
53. tov op-otov, 'his peer,' the Art. is used as with words of com-
parison, § 47, 2, d.
dp.tpo-cu, 'to do a mischief to,' ' spoil.' The literal sense ofd/xepSaj
seems to be ' to dull,' ' to bedim,' hence 'to impair,' deprive of posses-
sions or rights.
54. o re, Art. as a Relative, referring to dviqp.
-7rpoP«pT|Kfl, ' stands forth,' is pre-eminent.
55. to refers to the following sentence, the meaning being alvbv d'xo?
€<7TlV UTl KOvprjV K.T.\.
57. iroXiv, Lyrnessus, according to 2. 690 ff.
59. n€Tavdo-rr]v, 'a sojourner' (= the Attic fitrotxos): d-rip.-r]TOv,
because such a one could have no rights or assured position. The
Ace. is governed by «k (x«ipwv) IAsto : l^eiXtro takes a double Ace.
(15. 460., 17. 678).
60. irpoTe<rux0 at €ao-op.ev, 'we will let them go their way,' i.e. put
them away from us. The common explanation is ' let them have hap-
pened before,' i.e. ' treat them as past and done with ' ; but this is not
the exact force of the expression. The Inf. irpoT€Tvx^ at is not = woirep
TrpoTtrvyfieva, but = ware irporeTV-ffxeva uvai. And it is more natural
to take irp6 = ' forth,' ' away ' ; cp. Trpo-icupe (1. 3), Trpo(Se@T]Ke (of stars
far on their course, 10. 252), npv 65ov iyevovro, 'had got forward on
the way ' (4. 382), &c.
068' dpa irws tjv, = ' it may not be,' see on 1. 33.
61. r\ toi, = Attic KaiTot, 'though I did think.' «<j>-qv need not refer
to any actual speech ; cp. however 9. 650 655.
62. dX\' ottot' dv Si'i, 'but only when': this form is more emphatic
than the Inf. after -npiv.
66. dp,<j>i,p«|3T]K€, ' has settled round ' ; elsewhere d^</xj8a<Vcu with a
Dat. means c to bestride ' (a fallen warrior).
310 ILIAD. BOOK XVI.
68. KticAicLTai. see on 15. 740.
60. cm iTao-a P«'{3t]>c«, 'has all come upon them' ; the * whole city'
put for 'all the citizens,' as 877/ior (15. 738).
71. «'vavXovs, 'channels,' 'water-courses.'
72. This is one of the passages which Grote regarded as incon-i
with the Embassy of book ix. Bnt Achilles does not refer to a re-
conciliation, such a-, Agamemnon then offered ; he rather means that
if Agamemnon 'were of gentle mind' to him, i.e. behaved as a good
friend generally, such mischief would not arise. For this meaning of
t)ttui tiStiT) cp. Od. 15. 557 ai'i'iKTcriv ijirta fIA£f 'of Kurnncus , also
II. 4. 361 r/ma brjvta olfie ra yif <l>povitts a. J iyw mp.
74. Here, as in the earlier books v viii , Diomedc is recognised at
the chief warrior after Achilles.
75. (laivtrat, ' rages unchecked,' >aid of a victorious career, ep. S. til.
76. ouSt tto» «kXvov, 'I have not yet heard.' i.e. he has not yet
come to the rescue.
7- TrfpidyvvTai, ' ech<v s round.'
80. dXXd Kal u»s, 'even SO,' i.e. although it is Agamemnon's own
fault that the Trojans are so triumphant. This is the leading thought
of the Speech, as we see from 11. 61 6 j -f| toi ?4>t]v y« . . . tvvtj 6' *.t.A.
' I did resolve not to help the Greeks, but — .' Thai dXXd Kal Zj\ —
in substance repeats 1. 60 dXAd ra fiiv TTportrvxO'u k.t.K. ' Agamemnon
has done a grievous wrong, but I will send him help.'
«'u.-rr«o-j. ' throw yourself.' irupos, Gen. of material, § 30, 4.
83. p.v0ov t«Xos, the final, decisive word.
8«io), Subj. of purpose, > 29, 1.
84-- .rote pointed out, Achilles has already in book ix)
rejected the very things which he is now anxious to secure. liut this
is only part of the change of temper which he proclaim*. And now
the danger is as Phoenix warned him, Q. 001-605) that th« I -v ill
1* victorious without hirn, and thus he will sacrifice his revenge and
the gifts of Agamemnon as well. Patrocloa there fo re Is only to reb'
the immediate danger, and to leave him to do the rest on his own terms
«-i owfxjt-., o. 603). Afl i<j. 147 ff . , Achilles W
the gifts with as much disdain as ever : but the change is equally tru
nature. Grief for I'atroclus then fills his mind with the same absorbing
force which the wrath had exercised. The present passage may Ix:
defended as showing him in a calmer mood, when the glory and
rewards of victory have their natural place in h\-> thoughts. Possibly,
however, the line -j 96 are interpolated. They come in awkwardly
between the introductory tt«i9*o x.t.A. and the injunction itself Tl
may have been suggested by the words drifiurtpov hi jit Oljunt in 1. 00,
which some rhapsodist wished to make more explicit
<j-. at -yap K.T.h . The wish has the tone of a curse like
votes, ' -â– >8-i6a. 311
v ?•} ;',m \«i. t, \ ; 340 \ •• 1 do not care ii' V-
mnl Greeks both went to perdition, and you and l were left to take the
: [Yo]
00. vABl can only 1h> ;\ \om D in 06*. :;» 5:.
OcSxjio ■• I \ »pt : cp. 81 • in Od, 18, ; l86\
104. <| <rt « iv, i- The adj., at the end of the line, belonging to a
lite In the next line, is against Homeric usage.
106. <$>aAapa. 'cheek-pieces,' >m. according to Helbig (p. na),
'bosses' or ' knobs 1 on the side of the helmet.
108, epeV arTv mXtptfrw, ' to shake ii (the shield from its place
round him (from covering his Ij ^< \«... s '-v means ' to cause to reek 1
in the Mid. ii is applied to the movement of man who loses his
footing and staggers backward.
Mi. • Evil was buttressed up by evil*; the different evils formed a
mutuall} supporting mass, which resisted .ill rem<
1 1 ) tl. At the end of the fifteenth book Ajax has retreated to the
stem of a ship 1 .- but this detail is novi ignored.
115, Join elxpejt auw t t v , ' behind the spear-head.'
ira ( >.i KnvXof lit. past the shai ost where it ends, just at
the point.
its, jk Pf\ t 'u)v. out of range '
1 1 ( lp4ew*V| ' was bus] with,' ' took hold of.'
1 sj i«nn . the rush ' or ' blast.'
1 ;S. (iv| ;\u\n. 'they must not take!' expressing fear that they will,
§ HP. 5. The clause is grammatically independent.
4>vkT\i. • means of fleeing, ' ' flight ' see on />
t jo. fcyetpw, tVor. Subj., expressing conditional purpose, * 81, t,
131- i;,o. nearly the same as 3 530 338
1 to i)}. These lines were rejected bj Zenodotus. A; | they
are intended to account for the circumstance that the spear of Achilles
is not lost will) the test of his ainiour : op. 1 o 38J tV . when
lines describing the spear 11. 141 t (0 recur.
1 1'. 1 1.; tike DM] of sound in the Words irV\\rtv and lli]\u»5a
evidently intentional.
1 |s. Jm^i'iui. int'. with Irregular 0, cp
iso IpwviA, a personification of the storm-wind, imagined
semi divine being in the form of a mare.
i . : irtipi]opi,jiriv. "the side ha: .'.ie mpfopot was a -
horse, fastened to one ol the yoke h
154. Jn-fTo. • kept up with." played h:s part with.
1 . •. n <( n ^pacCv, ' about,' 1 t. filling, the • .■<•■«.
\(^o. awe k|'i]ii]«, with keVhevret. rhis use ol >> , ' , ' , but cp
':. ;:o. also l . suS.
1 1 fan ay, • on the surfs
312 ILIAD. BOOK XVI.
4>6vov ot|xaTOs, ' life-blood' (of their prey). 4>6vos is ' slaughter,'
then, in a concrete sense, ' slaughter-stuff,' ' blood-shed.' ai|xaros is a
kind of Gen. of material, — ' <povos consisting of af^a' — , like dvipoio
OveWa, *i<pos dx^voi. In such phrases it is the wider notion that is
put in the Gen.
163. irepio-Tt'vtTcu, 'is choked,' 'chock-full': the verb only occurs
here and in 21. 220 oruvopuvos viKvtaai, said of the river choked with
dead. The point here is that the wolves, though gorged, are still
ravenous.
172. cr^jiaiveiv, with T|-yf(xcvas TroiT|<ra.TO. A distinction is intended
between oripaivtiv, ' to lead ' (the divisions), and rjvatrffev.
177. tuiKX^o-iv, ' in name,' i. e. his surname was ' son of Bonis.'
180. x°P<p K °M|> 'beautiful in the dance.'
187. u-oyoo-ToKos, for the derivation see on 11. 270.
188. irpo is adverbial, ' forth to the light.'
199. Kpivas, ' ordering them,' cp. 2. 446 Kpiv dvSpas /card ipv\a KaroL
(fipr/rpas.
200. p.T| X«XaO«o-6w, Aor. Tmper. with p.t], contrary to the rule
which obtained in later Greek : cp. 4. 410.
202. viro, of time, 'during,' here and in 22. 102.
203. x°^<P> ' with 5 a ^>' m 'h e literal sense.
207. |a', for pf, a second Ace. after ravra e'j3a£«T« : cp. 9. 59.
iT€<|>avTai, 'is set before you,' see on 11. 734.
208. trjs, for fjs, a form only found here. Read perhaps oitjs (« -).
an. dp6«v, ' were fitted,' ' closed ' : cp. dpTwOrj 5i pdxr).
214. apapov is here Intrans., or rather it is = d\\i7\ov? apapov, which
is used in this sense in 12. 105.
218. irpcirdpoiOe, ' in the forefront ' (not of time).
221. dv«p-y«, with Ace. of the covering taken off, as with dito-
KaXvTTTU, &c.
227. ovt6 t«o k.t.X. The form of the clause is changed, so that
oiiSe ris aWos (1. 225) does not construe with it : see § 58, 1.
ot€ U.T), like el p.rj, ' unless,' ' except.'
231. u.€<ru> <pK€i. The tent, like every house, had its court-yard in
front, where the altar of Zfiis epxeTos was.
234. StXXoi. There was an ancient variant dpcpl S« a' "EXXoC, prob-
ably giving the tme form of the name, of which 'EWds, "EWtjv, &c. are
derivatives. But 2eAA.ot is at least as old as Sophocles (cp. Trach. 1 167).
235. t>iTO<J>TJT<H, = irpo<p7)Tai , givers of oracles. <roi, ' for thee,' as thy
prophets.
243. t-rrio-rnTcu, Subj. ' shall know,' i. e. ' shall be found to be able.'
245. lyiit irtp, '/' (not he alone), ' I myself.'
259. avrriKa, i. e. immediately after they set out on their march
(«cttixov, cp. 2. 287 ivOdd' in ardxovra aTr'^Apytos). The parenthesis
NOTES. LINES 1 63-333. 3 X 3
6<pp iv Tpoju't . . . opovoav anticipates the description which follows in
11. 259-276. Perhaps we should read ati-rUa 8-q.
260. tOovTss, ' after their wont ' ; see on 9. 540.
262. TiOsicri, sc. the children, by provoking the wasps.
263. TIS T€, § 49, 9.
264. 01 8«, apodosis.
265. iros ir«T€Tai. The slight anacoluthon caused by the change to
the Sing, gives a certain liveliness of style : cp. the use of iKaoros in
apposition to a Plural.
272. Kal OepairovTts, — (he) 'and his followers,' = ' and whose followers
too are the bravest,' put in by way of afterthought.
273, 274. Patroclus here repeats the language of Achilles, 1. 411, 412.
280. opivS-rj, 'was shaken' (with terror).
281. tXirop-svoi, in Apposition to <t>d\cryy«s, by a construction ad
sensum : cp. 18. 604. for the meaning see on 15. 228.
irapd vaO<j>i, = -napa vfuv, the next line implying motion from the
ships.
287. iiriroKopvcrnis, 'wearing helmets (with plumes) of horse-hair,'
see on 2. 1.
300. ai0T|p, properly upper air, here includes the high clouds which
break up ' from the face of the sky ' (ovpavoetv) and leave it clear.
See on 8. 558.
302. «po)-f|, ' recoil ' ; there was no sudden giving way in the war.
304. irpoTpoirdS-nv, 'in downright flight,' lit. 'turning right away'
(in the direction of their retreat) : irpo as in 1. 60.
308. oaitik' dpa, with o-Tpe^Otvros, ' at the moment when he turned
away.'
312. o-r«pvov, with ovTa (1. 311), not with yv^vwOivra.
irap' dcrmSa, ' past the shield,' uncovered by it.
314. «<|)9t) 6pe£du,evos, ' was first in delivering a blow,' with an Ace. of
the part wounded ; so in 1. 322, and 23. 805. It appears to be a con-
struction ad sensum, 'ifpOrj ope£ap.evos being = e@a\e.
321. toO 8' — u>p.ov. Aft er 6 p.«'v (1. 317) we expect 6 5e (epacrvp:i)5r}s),
but the form of the clause is changed, tov may be taken with ?4>9t]
(cp. II. 51 <pOav h\ pey' 'nnrqwv), or perhaps with ijxov.
322. irplv ouTdo-ai, 'before he (Maris) gave the blow.'
323. u>p.ov, with «<j>9tj 6pe£dp.evos, cp. 1. 314.
324. dxpis, i. e. close by the shoulder.
329. dp.aip.aK«rnv, c of monstrous size,' see on 6. 179. The word is
predicative, = ware apainaKiTrjv tfvai.
331. p\a<j>0«'vTa. The word describes any failure or break-down:
here probably 'hustled,' 'entangled,' and so put at a disadvantage. Cp.
15. 484, 647.
333. vTT€0€pp.dv0Ti, 'was hot with blood' ; vir6 = ' by reason of.
314 ILTAD. BOOK XVI.
338. xavXov, here the hilt of the sword.
340. ?<rx€0€, 'held on,' i.e. was not cut through.
341. irapTjtpGr), ' swung (loose) at his side' ; cp. naprjopos.
343. tin.pT)o-6p.€vov, Aor. Part. (Indie. i-neli-qatTo), see on 5. 46.
350. irp-qo-«, ' blew out,' ' made to spirt'; cp. 1. 481.
352. eTT«'xpaov, 'assail,' Aor. of similes. The Pres. is not found: it
would be xpa/oi (for xp a f-y al , like natai, Sa'iai). For the form cp. Sdrjrai,
2 Aor. Subj. of Saiaj, burn.
353. 01 T€ refers to dpvso-criv and e'pi^oio-i, instead of following
p.T|\cov in Gender. For similar change between Fern, and Neut. cp.
5. 140., n. 245.
354. d4>pa8iT)<j-i, ' heedlessness.' SicTpayev, ' have been scattered.'
358. 6 p-«Y a s, to distinguish him from Ajax son of Oileus, the last
mentioned (in 1. 330) : § 47, 2, d.
361. o-kcttt6to, * watched ' (= Attic (okottuto}.
362. IrspaXKta vikt^v, ' victory by other strength' (than their own),
see on 15. 738.
363. <rd'j, Impf. as if from a Pres. iraw/u (= <xauai) : see § 8, 2.
364. ovpavov €i<ra>, ' towards the sky,' i. e. spreading ever it. surco
in Homer does not necessarily mean ' within.'
365. aldcpos «k 8it]S, ' coming out of the clear upper air.' This
phrase does not contradict dir' OuAvp/irou : the cloud seems to come
out of the cloudless sky, and the overclouding spreads from the top of
the mountain.
t«ivt), so I. 567 Ztvs 8' im vvkt' v\otjv Tavvot : cp. also 17. 547.
367-383. The narrative here is not free from difficulty. It has been
asked (1) why is the trench mentioned while nothing is said of the
wall? (2) how is Hector able to cross the trench, when the other
chariots are stopped by it (1. 369) ? (3) what has become of the space
levelled by Apollo, through which the Trojans have already passed
(15. 355 ff.) ? On the two last points it may be enough to point out
that the trench is not represented as a complete or insuperable barrier.
It is only said that many chariots broke down in it (1. 370), and that
this caused fatal disorder (1. 377). The omission of the wall is less
intelligible. As it was a mere palisade (12. 36), perhaps the hearer in
Homeric times would understand that when once passed by an attacking
army it would no longer be a serious obstacle.
367. o-uSs Kara ^oipav, ' in no regular fashion,' i. e. in hideous dis-
array : § 59.
369. ovs, after Xaov, is a construction ad sensum : cp. 1. 28 1. There
seems to be a play of sound in opuK-rf] — ipvxe.
371. djlav-r', i.e. a£a.vT(, the .Dual being used distributively for each
pair of horses. So for app.a-r' dvaK-riov the original reading doubtless
was app.a favaKTwv, the Sing, being used as in 1. 351 avhpa tKaoros.
NOTES. LINES 338-419. 315
irpcoTO) £vp.«, the foremost point, where the yoke was fastened.
It is evident that traces were not used ; cp. 6. 38.
374. tUXXa, the whirl of dust.
375. two v€<J>«wv, see on 15. 625.
TaviiovTO, ' strode out,' i. e. galloped : cp. Od. 6. 83.
378. d£oo-i, sc. of their own chariots.
381. This line is wanting in the best MSS.
384. P«ppi0€, 'is loaded,' 'oppressed,' viz. by the rain, cp. 5. 91 or
emfipicTTi Aios opfipos.
388. 0€wv 6'mv, ' the regard of the gods.'
3S9. tuv, ' of these men.'
390. kXitvs, ' slopes,' such as would be cultivated.
392. «ii Kap is obscure. The corresponding adjective imieapffios is
used in Od. 9. 70 of ships driven by a wind that comes suddenly from a
new quarter (at fitv (ireir ecpepovr' kirtKapotai), probably =' athwart their
course.' In later Greek it means ' crosswise,' ' at right angles' to what-
ever is the main direction in the case. Here the notion may be that
the streams leave their channels and ' cut across ' the slopes of the hills.
The word Kap is probably connected with Kftpa : cp. liwcfipaj, ' to cut
short,' used (e.g.) in 1. 394 of intercepting a retreat. The explanation
'headlong' (from ledpr], head) has little point in the two Homeric
passages, and is at variance with the later use.
fjwvviOet, Intrans., ' are wasted.'
394. Patroclus had cut his way through the Trojans and passed the
trench before them (11. 377-380) : he now cut off their retreat.
395. ttoXtjos, with €7rifjaivt|j.ev, ' to set foot in the city.'
397. This line is probably an interpolation. The mention of the
river is out of place, and u.€o-t)vvs gives a good sense if taken abso-
lutely, 'in the mean space,' i.e. 'between them and the city': cp. 11.
573. T€Cx«os is the wall of the city; they remained outside.
398. ttoivt|v, ' the price of bloodshed,' — used ironically of payment in
kind.
400. See on 1. 312.
401. 6 8« ©ecr-ropa k.t.\. The sentence is interrupted by a paren-
thesis about Thestor, and resumed in 1. 404 6 8' eyx 41 - v ^£ e k.t.\., in the
form of a clause answering to the parenthesis. Cp. 13. 689, 690 (with
the note).
403. dX«Cs, ' crouching.'
405. avroO oSovtcov, ' the teeth of the man.'
406. Sovpos IXtov, ' taking him by the spear.'
407. Upov, perhaps in the original sense, ' goodly,' ' mighty '
(Sanscr. is/iiras) : see on 5. 499.
419. dp.iTpoxiTcovas, ' having a dress without pirprj,' ?'. c. simply
wearing no pirprj. The H-iTpi) was a broad belt worn about the loins,
316 ILIAD. BOOK XVI.
over the thorax; so that dfUTpoxiTcovts cannot refer to the chiton
proper — with which the ixirpr^ had no connexion — but is used like
Xa^Kox'tTwvfs, ' clothed in brass' (Helbig, p. 201).
428. d-yKv\ox€iXai, ' with crooked beak.' But the derivation from
X«Ao? is unsatisfactory : probably we should read dy/cvKoxfj^at, ' with
crooked claws' (Wackemagel in K. Z. xxix. 125).
430. k€k\t)yovt€s, found here and in 17. 756, is a ' metaplastic' par-
ticiple, i.e. it implies a Pres. K<K\r\yw, related to the Pf. K(K\rjya as
dvwyco, TretrKrjyw to dveoya, Tri-nXrjya. There was an ancient variant
k«k\t]y«t«s, with which we may compare Terptywras (2. 314).
432-458. These lines have been suspected because Here is not now
on Mount Ida with Zeus (15. 78 ft). Cp. the note on 11. 666 ff.
433. o t«, ' in that.' p.01, Dat. ethicus.
435- J om <|>p«o"lv opp-cuvov-ri, cp. 10. 4 iroWd (pptolv opuaivovTa.
438. 8ap.d(rcrco, i. c. suffer him to be vanquished.
441. ire'n-pcop.evov aurn, lit. ' destined with a portion,' see on 15. 209.
Note that alaa, fioTpa, &c. do not mean death except by a euphemism,
like our word 'fate.'
449. Toto-iv, viz. the immortals.
454. Join ir«(j.ir«iv Odva-rov <j>«'p€iv \iw ; the place of fju.v obeys the
general rule that enclitics follow the first word in the sentence. Cp.
2I - 347 X a 'V 6 ' ^ e ' /«" o'y T(s iedprj. Some take ji.iv with Trtp/imv, ' send
him for Death to carry'; though apparently supported by 1. 681, this
involves a use of the Ace. with the Inf. that is not Homeric.
467. o\iTao-«v, here of a thro7v, contrary to the general rule.
468. «0pax«, used of the crash of armour, &c, here denotes the harsh
snort or roar of the horse : p.aictov is applied to any animal's cry of
pain.
470. 8iao~rT|TT]v, ' parted,' ' wheeled asunder,' i. e. with their hinder
quarters, since their necks were still fast in the yoke (La R.) : cp. 1. 371
as to the absence of traces.
472. Toto is Neut. ; ' this (state of things).'
474. d'i£as, ' with a quick movement,' making a dash : cp. 8. 88
(paaydva) alaowv.
475. IOwOtittjv, 'were turned right,' the opposite of Siao-T-fiTTjv.
TavvcrOtv, ' got into straight order,' out of the entanglement of reins ; or
perhaps 'got into their stride,' cp. the Impf. ravvovro, ' galloped ' (1. 375).
pvT-fjpo-i, ' reins ' (not traces).
476. tJ>, the two combatants. cpiSos irt'pi, 'to fight out their
quarrel,' see on 7. 301.
481. epxaTai, ' are closed in,' ' are packed,' from tpyta : cp. 5. 89.
d8ivov, ' close,' ' tight ' : cp. irvKival (ppivts : the notion appa-
rently being that the heart, midriff, &c. are solidly packed together
in their places. For the different meanings of the word see Buttmann,
NOTES. LINES 428-542. 317
Lexil. s. v. Others (as Mr. Leaf on 2. 87) make the primary notion to
be 'quick, restless motion' ; here accordingly ' throbbing.'
482-486 repeated from 13. 389-393.
487. dY«\t]<j)i, Dat. 'amid the herd,' = cV tl\nr6b«joi jiotooiv.
491. n«v«uv«, « was full of mettle ' — 'showed fight.'
492. iToXeiAicrra fi€T* dvSpdcri, ' warrior (chief) among men ' ; per'
avSpaoi implies comparison, like the Gen. in dta Otdwv, Sia ywaiKUV.
494. teXSto-flw, ' be thy desire.'
606s has a wide meaning, — a man of action, spirit, &c. : cp. 1. 442.
500. vcuv cv d-ywvi, see on 15. 428.
504. a«Tw, sc. the spear.
506. iirirovs, viz. the horses of Sarpedon.
507. tire! Xiuov, ' when they (the horses) had parted from,' cp. I. 371.
Aristarchus read Xiitsv (so Ven. A. and other good MSS.), taking it
as an Aor. Pass. = ^prj/xwOrjaav, 'when the chariot was bereft of its
masters.'
509-531. This passage is rejected by Hentze as an interpolation,
inserted to reconcile the account of the battle over the body of Sarpedon
with the wounding of Glaucus in the ruxoh a X^ a ( I2 - 3^7 #•)• It is
true that in the preceding speech (16. 497) Sarpedon takes no notice of
the wound, which in 12. 392 he is expressly said to have observed.
But unless 12. 290-429 is condemned on other grounds (see the intro-
duction to book xii), this contradiction cannot have much weight.
510. ovtov is emphatic : he was himself suffering from a wound.
512. t«Cx«os, with cWecro-vp-evov, as in 12. 388.
515. irdvToo-', i.e. navToac. Verbs of hearing take an adverb of
motion to a place, as 11. 21 -ntvOtTO yap KvirpovSe ftiya ic\eos.
516. dvepi. The Dat. with Verbs of hearing is rare in Homer, and
only used in prayer to a god, — doubtless to indicate that the hearing is
a favour to the suppliant.
517. dp.<j)i, 'on both sides,' i. e. all over.
519. Tepo-TJvcH, 'to get dry' (also Ttparjftevat, Od.) : cp. <popt<u, Inf.
(poprj/xtvai, (poprjvai.
avirov, the wound.
522. ov iraiSos, so Aristarchus: the MSS. have cp iraiSC. The Dat.
is more usual with dp.wu.
531. €i>£ap.€voi,o, Gen. with t\kovo-€, in spite of 01: see on 14. 26.
In this place €t>£ap.*voio is nearly = tvxys, so that the construction may
be compared with Od. 4. 767 6ea 5e oi enXvev dpijs.
540. d-n-o4>6ivv0ovo-t may be Intrans. (as in 5. 643), since 0vp.6v ma y
be an Ace. of respect. So 1. 491 <p0ivv6(crKe <pikov tcr)p.
542. tipvTO, 'upheld.' SiKT|tn Tt ko.1 o-Ocve'i J, cp. Aesch. fr. 298:
oirov yap loxvs av^vyovoi Kal Sikt),
iroia (wupls rwvSe Kaprepuripa;
318 ILIAD. BOOK XVI.
544. v«h«(T(tt|0tjt€ ) see on 15. an.
548. Kara Kp-fjOev, an obscure phrase, perhaps ' down from the head '
(na.pt]), i.e. from head to foot, completely. There was also a reading
Kar a.KpT)9ev, = icar' aKprjs (13. 77 2 )-
554. Xdo-iov K-qp, explained as ' shaggy breast ' ; but this use of ktjp is
strange, see on 2. 851.
558. According to the account in 12. 397 ff. this is not correct.
Sarpedon tears down a breast-work, but it is Hector who irpw-ros
t<rf|\aTO Teix°s 'Axauov (12. 43S).
559. el with the Opt. expressing wish: see 15. 571.
561. avTov, emphatic, 'the leader himself,' opp. to his arms.
574. ik«t€vo-€, ' had come as suppliant' (iKtr-qs, lit. one that comes).
581. iTapoio, ' objective' Gen. with axos.
587. diro toio, i.e. from the neck.
589. piirf|, ' the throw,' i. e. the range.
591. 8t)iu)v viro, ' because of, under stress of, enemies.'
598. jwv, sc. Glaucus. KOTtp.ap-n-T«, ' was coming up with.'
600. ws, = '6ti ovtojs, ' that a brave man had thus fallen ' : cp. 23. 648.
602. Cp. 5. 506 ixivos x ft pu>v '^vs (pepov.
609. viracriTiSia, ' under cover of the shield,' cp 13. 158.
612. ir€\€p.ix0Tj, 'staggered,' 'quivered'; see on 13. 148.
613. d<j>i«i p.«vos, see on 13. 444.
614. 615. These two lines, which repeat 13. 504, 505, are omitted
here by nearly all the MSS.
617. opx^cTTiv, 'a dancer,' a contemptuous way of accounting for the
nimbleness with which Meriones had avoided the spear (1. 610).
621. os Kt, after irdvTtov, used distributively.
628. tirtecro-i, with \o)pr\crovcn, 'will not give way before words.
630. €irecov 8' evl povXfj. The sentence takes this form because the
phrase t«\os jroXtp-ov suggests rikos fiv8ov (9. 56., 16. 83). Thus,
instead of the simple point that the issue of war lies in deeds, not
words, we get the conceit that as the issue of war lies in deeds, so the
issue of words lies in counsel, i.e. it is only an issue of words that is
settled by counsel. Cp. Ion, fr. 63 (Nauck) : PovXfj ix\v dpx^i, X«'V 5 *
fTrt£epya£eTai.
635. twv, with Soviros, which also governs x°-^ K0 ^ T€ p^°v t« — 'a
noise of them, the noise of brass.'
636. powv, ' shields.' Aristarchus proposed to omit the t after powv,
doubtless on the ground that pivov and ^odv are not distinct, both words
referring to the shields.
637. vvo-crop.evtov, with riov, ' piercing one another' ; cp. 14. 26.
638. 4>pd8p.wv, ' watchful,' acute.
642. Trepi/yXaYeas, ' overflowing with milk.'
646. aviTOiJS, ' the men ' implied in vo-fiivqs.
NOTES. LINES 544-687. 319
649. aviToO, explained by in' avriOew 'SapmjSovi.
650. 8t)u)ctt), t'XtjTai, Subj. of deliberation, though depending on a past
tense, § 34, 3. Possibly we should read 8tjo)o-«i' and ?Xoito, like 6<j>«X-
Xuev in 1. 651. If anything were meant by a change of mood it should
be that the Opt. expressed the less immediate alternative, whereas the
reverse is the case.
653. 6<J>pa, properly 'until' : 'thought it to be better until he should
drive back,' seems to mean ' thought it better that he should go on so
far as to drive back,' i.e. that he should at least drive back. See on 4.
465-
657. cTpaTre, ' turned,' sc. his chariot.
658. ipd TaXavra, ' the heavenly scales,' cp. 8. 69 ff. No visible
sign is meant here ; the phrase is a concrete way of representing the de-
cisive influence of Zeus.
660. fje|3Xap.p.€vov does not necessarily mean ' dead,' but ' struck
down,' the powers of life ' thrown out of gear ' : cp. 1. 331.
661. <vyvip€i, ' the gathering-place.'
662. €Tdvvcro-€, see on 13. 359.
666-683. This digression has been suspected on the ground that
Apollo is not now on Mt. Ida with Zeus. We have seen that in the
corresponding passage, 11. 432-458, the same question arises as to the
presence of Here. It is difficult to know how much weight should be
given to inconsistencies of this kind, which may be due to the vague
notions of the poet as to the nature and powers of the gods. In this
place it is clear that 1. 684 does not fit on smoothly to 1. 665. And we
expect some account of the fate of Sarpedon's body. Still it seems by
no means improbable that these two passages were interpolated in
order to bring the Homeric story of Sarpedon into harmony with local
legend, as well as with monuments or places which were associated with
his name.
667. el S' d-y«, a formula in which el is (practically at least) a mere
interjection: see on 1. 302., 6. 376.
KaOtjpov takes a double Ace, like Verbs of taking azvay: cp. 18.
345., 21. 122.
668. €K fjeXe'wv, see on 14. 130: not to be taken with «X0ibv; the
sense being, 'go, and when out of range of weapons cleanse,' &c.
670. &p.ppoo-iT|, thought of as an unguent; so 19. 38, cp. 23.
186.
671. <j>€p€<r0at, in the Middle sense, ' to carry with them ' ; cp. tyipuv
in 1. 454.
686, 687. These lines are not quite consistent with 647 ff., where the
question is whether Patroclus is to be slain at once, or to drive the
Trojans further towards the city. Here it is implied that if Patroclus
had refrained from the pursuit the will of Zeits would have been of no
320 ILIAD. BOOK XVI.
effect. The difficulty perhaps arises (as in the instance discussed under
11. 666 ff.) from the want of a clear conception of divine power.
688. t« is here gnomic, § 49, 9.
689, 690. These two lines are wanting in Ven. A and other good
MSS. : they recur in 17. 177, 178.
697. <|>vYa.8e nmoovro, 'turned their thoughts to flight,' cp. 5. 252.
698 -7 1 1 . This scene does not harmonise very well with the rest of the
narrative. It is clear from 11. 713, 714 that the Trojans are still in the
plain, and Apollo is with them (11. 720, 728). It is hardly possible
that Patroclus should have already tried to scale the wall. Moreover
the passage is almost entirely made up of lines that occur elsewhere :
thus 1. 698 = 21. 544, 1. 659=11. 180; and 11. 702-711 are closely
parallel to 5. 436-444.
702. d-yKuvos, an angle or ' bend.'
708. ir€p0Qi, ' to be sacked,' a non-thematic Aor., § 3.
714. Xaovs, Ace. before dXfjvai.
720. |wv, with irpocr€<J)T|.
723. o-rvY€poos diTepo)Ti<7€ias, 'you would shrink back in fearsome
fashion,' i.e. you would suffer for shrinking back. Cp. Od. 21. 374 to>
Ke rdxa CTvytpws tiv' «7w iripapaip.i vitoOai, also Od. 4. 672 ws dp
intapvy(pujs vavTiWerat el'vaca naTpus.
735. tov ol is the reading of the MSS., but involves the neglect of the
digamma in foi. Modern editors (following Bentley) write oKpiotvO' 5v
01. A better change perhaps would be tov ou, ' a stone which his hand
did not quite cover.'
736. ouS« Srjv xd£«TO, ' did not long give way from,' an ironical way
of saying 'was not long of reaching': cp. 11. 539 f.uvvv9a Se X"C 6T0
Sovpos. The best MSS. generally have a£tTo, ' respected ' : but this
word always takes an Ace. 4 )C0T ° S > tne man struck, viz. Cebriones.
740. o-vvtXtv, lit. ' took together,' ' crushed into one ' : cp. Od. 20. 95.
e<rx ev 3 'held,' i.e. withstood the blow.
742. oviToO, 'just there,' emphasising irpoaOe tto8wv = ' before his feet
as he stood.'
dpvevT»}pi, 'a diver,' cp. 12. 385.
745. Kupio-Ta, ' tumbles,' ' throws somersaults ' : cp. 18. 604.
746. Kal irovTO), i.e. as well as on land {hv irfSiai, 1. 749).
747. TTjGea, ' oysters.' They are not thought of here as delicacies,
but as possible means of satisfying the hunger of a crew at sea.
748. 8vcriT€|i(f>€Aos, 'rough,' 'stormy' (sc. ttovtos).
752. oip.a, the ' rush ' or ' spring.'
756. 8T)piv6-fiT^v, Aor., 'joined battle.' Their combat does not lead
to anything decisive, but is merged in the general battle of 11. 764-
776.
758. H«Y a <t>p*v«ovT«, ' with high spirit.'
NOTES. f.l.YES 688-827. 321
762. K€<|>aXTJ4>iv, Gen., ' by the head.'
766. TTeXep.iJtp.ev, with «'pi8aiv«Tov, ' contend in tossing about, swirl-
ing.'
767. Tavv4>\oiov, ' with well stretched bark,' i. e. smooth and stiff
(Helbig, p. 134).
76S. TavvT|Keas, ' long-pointed,' epithet applied elsewhere to a sword.
775. p.apvap.eviov, ' as they fought,' governed by x<pp-dSia and d<r-
iriSas.
777. p.eaov oupavov dp.(f>iPepT]Kei., 'bestrode, stood high in, mid
heaven.' No precise point of time is meant : nevertheless it is hard to
reconcile this passage with 11. 84 ff., where the Aristeia of Agamemnon
takes place about the time of the midday meal.
779. p.«T€vio-CTO, ' moved past ' : pifra as in ptTa@ai.va, &c.
781 ff. Notice the change from the position described in 11. 760 ff.,
where Hector and Patroclus contended for the body of Cebriones.
Hector now seems to be in a different part of the field : cp. 11. 818, 820.
789. Seivos, with emphasis, ' in terrible fashion.'
iovTa, ' as he went ' : tov does not go closely with Iovto.
792. o~rp€<{>€8tvT]0€v, a strong expression, ' went wheeling round.'
793 - 8°4- There is some difficulty in reconciling this account with the
passages in the next book which represent Hector as spoiling Patroclus
of his armour (see 17. 125, 187, 205). And 1. 805 tov 5' art] <ppivas elke
k.t.\. follows more naturally on 11. 791, 792 (arptcfxUvrjOiv 5« ol oocrt),
the bewilderment being an effect of the blow given by Apollo, not of
the loss of armour. But if the lines in question are condemned, we
must also reject 1. 815 and 1. 846. And we expect some reference to
the armour, which was the armour of Achilles himself, and if not taken
off as the passage relates, must have been pierced by the weapons of
Euphorbus and Hector.
803. Ttpp-ioeo-o-a, commonly explained as ' reaching to the feet,' from
repels a foot (Hesych.). But the word would mean ' furnished with a
Tippis? and Mr. Leaf suggests that this reppus — lit. ' end' or ' fringe' —
was the ' appendage, apparently of leather, which we frequently find
hanging from shields in vase-paintings' {J. H. S. iv. p. 286). However
this may be, it is clear that ' fringed' is the most probable meaning of
rtppiotis.
805. a.Tt\, ' blindness,' i.e. bewilderment.
811. irpwr' t\6ci>v, ' having come for the first time,' ' being just come.'
8i8ao-Kop.evos, 'learning,' as a beginner.
823. tPi-qo-aro, ' overpowers.'
825. dp.<f>i, ' over,' of the object of a contest. The Gen. is rare with
apupi, but is found in this use with nepi.
827. ire4»v6vTo. This word is proparoxytone according to Aris-
tarchus, and in the MSS., though it is an Aor. Participle.
VOL. II. Y
322 ITJAD. BOOK XVII.
830. K«pa'i£eu.(v. the MS. reading, Was changed by Bekker to Ktpai-
£«p.tv, to suit d£«iv in i, 832. If the Pres. is retained we must translate
' you thought you were laying waste our city,' as though the slaughter
caused by Patroclus was equivalent to laying waste the city.
834. optoptxaTai, Pf. Mid. of upeyu, 'are astretch,' i.e. are put to
their full stride.
835. o cr<f>iv dp-iivw. The Art. 6 is used as a Relative, with a causal
force, = ' in that I — .'
852. P«fl, ' shalt live,' see on 15. 194.
857. dvSpo-rfJTa is the reading of nearly all MSS., here and in 22.
363., 24. 6. If the meaning is ' manhood ' we may conjecture that the
true form, required by the metre, is d8poTTJTa. Such a form, with d8p-
instead of dv8p- (for the original dvp-), would be parallel to dfiporos in-
stead of dfuPpoTos (for dfxp-). Another trace of this dSp- may be found in
the phrase 'EvvaXiw avSpeifpovrr) (2. 651, &c), in which the metre
clearly points to the form a8pi-<p6t>Tt)s (or &$po-<p6vTrjs), ' man-slaying.'
BOOK XVII.
The seventeenth book relates the course of the battle which followed
upon the fall of Patroclus, down to the time when the news of that
disaster was brought to Achilles. The main subject is the contest over
the body of Patroclus, which the Greeks, though driven back to the
lines of their camp, succeed at last in recovering. The ancient title
Mff(\aov dpiarela is very partially applicable. Menelaus is brought
into prominence by the absence of so many of the greater chiefs, but
Ajax is still the chief support of the defence. The argument is as fol-
lows : —
Menelaus defends the body of Patroclus, and kills Euphorbus, but
retreats on the approach of Hector, calling Ajax to his aid. Hector
seizes the armour, and retreats (11. 1-139). Glaucus upbraids him,
upon which he puts on the armour of Patroclus, and exhorts the Trojan
allies. Ajax and Menelaus call upon the Greek leaders (11. 140-261).
The Trojans at first have the advantage, and gain possession of the
body, but Ajax repulses them (11. 262-318). Then Apollo encourages
Aeneas, assuring him that Zeus is siding with the Trojans. The Greeks
are exhorted by Ajax to close their ranks over the body. The centre
of the battle is shrouded in mist (11. 319-399).
NOTES. 323
Achilles does not yet know of the death of Patroclus (11. 400-41 1).
The battle is still obstinate (11. 412-423).
The horses of Achilles weep for his loss (11. 424-440). Zeus pities
and promises to save them, though Hector is to be victorious for that
day (11. 441-455). Automedon, the driver of the chariot, is joined by
Alcimedon. Hector and Aeneas advance to attack them, but they call
upon the Ajaces and Menelaus, who come to their aid, and Hector and
Aeneas retreat (11. 456-542).
The contest over the body again waxes fierce : Athene comes down
to encourage Menelaus : Apollo rebukes Hector. Then Zeus gives
victory to the Trojans (11. 543-596). Idomeneus is nearly killed by
Hector. Ajax begs Menelaus to seek out Antilochus, and send him to
tell Achilles of their loss and peril (11. 597-699). Menelaus and
Meriones take up the body of Patroclus and carry it out of the battle,
while the Ajaces keep the Trojans at bay (11. 700-761).
The narrative of the seventeenth book, it is evident, holds a place of
secondary importance in relation to the main story of the Iliad. Its in-
terest lies chiefly in the enhanced value which it gives to the events of
the preceding and succeeding books. Patroclus having led the Greeks
far across the plain of Troy, it becomes necessary to bring them back,
on. the one hand to show the immediate effect of his fall, and on the
other hand because the fullest room has to be left for the impending
victories of Achilles. Again, the book serves to prepare us for the
scene in which Achilles hears of the death of his friend. This, the
critical moment in the history of the wrath is intentionally delayed, ob-
viously with the view of raising expectation to the highest pitch. The
poet even stops in the middle of the desperate battle over Patroclus to
tell us that Achilles had not yet heard the tidings (11. 400-411). The
successive steps taken by Ajax and Menelaus (11. 628-693), and the
shock which the message gives to Antilochus (11. 694-700), have the
same poetical purpose.
It is doubtless owing in the main to the subordinate character of the
incidents, rather than to any want of poetical skill, that they do not
exhibit the rapid and simple movement of the preceding book. In some
cases, however, it is not improbable that the effect has been marred by
interpolation. Hentze has called attention to the number of places
about the middle of the book in which the poet gives a short general
description of his main subject, in the form which marks either the en-
trance upon a digression or the return from one. Thus we have —
(1) 1. 366 ws ol fiiv papvavTO k.t.X. (^introduces description of dark-
ness over the battle — mention of Antilochus).
(2) 1. 384 toTs 5e iravT/fieplon epidos (ttya vukos upupei k.t.X, (return
to main subject).
Y 2
324 ILIAD, BOOK XVII.
(3) 1. 400 toTov Zfvs iiri TlaTpoKkcu avSpwv re nal iWcue
tffiaTi tw tTavvoot kclkov ttovov.
(digression — Achilles has not yet heard the tidings).
(4^ 1. 412 01 8' aid tiepl vtKpdv a.Ka\p.iva Sovpar' (\ovTfs
VCt)\fpliS kfXpipLTTTOVTO K.T.X.
(5) 1. 424 aiy 01 p\tv fxapvavTo k.t.K. (introduces incident of the horses
of Achilles).
The repetition of these forms at such short intervals certainly breaks
upon the continuity of the story, and critics have naturally sought to
. reduce their number. Lachmann got rid of four by striking out 11. 366-
423, and some recent writers reject the fifth as well, viz. 1. 424 with
the incident which it introduces. On the whole the arguments for
rejecting 11. 366-388 seem to have most weight. The passage about
Antilochus and Thrasymedes, 11. 377-383, can hardly be genuine (see
the note a. 1. , and the preceding description, 11. 366-376, is connected
with that digression, is itself of little value, and may well be only an
exaggerated repetition of the shorter mention of the darkness at 1. 270.
The other passages — the reference to Achilles (11. 400-411), and the
incident of Automedon and the horses (11. 424 ff.) — serve at least to
deepen the impression of the Patrocleia.
In the latter part of the book the chief passages suspected are 11. 459-
542 (the sequel of the passage about the horses), and 11. 543-592 (where
Athene and Apollo encourage the two sides). The points at issue are
briefly noticed in the notes.
The most marked characteristic of the battles in this book is the
' cloud ' or thick mist which covers the centre of the field, where the
body of Patroclus is. It is described in three different places, 11. 268 ff.,
366 ff., 644 ff., but (as has been said) the genuineness of the second of
these is doubtful. The last contains the famous prayer of Ajax (1. 647
\v 5« (pan Kal ohtooov), in answer to which the cloud is rolled away.
It is not easy to understand the meaning of this marvellous feature. At
first it is represented as a protection from the Trojan attack (1. 272),
as in 5. 506 dp.(pl 5t vvxra Oovpos "Apr/s (Ka\v\pt po-XV Tp&xcraiv ap-qyaiv :
but generally it seems merely to increase the toil of the combatants,
as in the parallel case of Sarpedon (16. 568 ocppa . . . pax?)? oXous
â– nuvos f'i7]). Poetically, therefore, as a mark of divine sympathy, it
heightens the interest of the battle : and it adds at the same time to
the sense of delay and expectancy which belong to this part of the
story. Another characteristic — subserving a like object — is the number
of prophecies. Zeus foretells the victory of Hector, and his
speedy death (11. 201-208) : also the escape of the horses of Achilles,
and the term of the Trojan success (11. 451-455). We may add
the dying prophecy of Patroclus (16. 851-854). These intimations
are rightly placed in the part of the Iliad where the hearer begins to
NOTES. LINES 2-70. 325
look forward to the end, and so to realise the course of the story as a
whole.
2. IldTpoKXos 8ap.«is, 'that Patroclus had fallen'; it is this fact
that is the logical subject to tXa0€.
17. |at| cr€ fJaXu is in form independent, ' see that I do not strike
you,' but is practically a subordinate clause, dependent on ta. It is a
good illustration of the way in which \i-i\ with the Subj. comes to be
used in Final clauses: ' do this, let not that happen ' = ' do this lest that
happen.'
19. ou \Ltv tcaXov, 'nay, it is not well.' virepPtov, Adverb.
21. p-eyio-Tos is in sense the predicate, = ' whose spirit is greatest.'
22. irepl crQivei pXep.eaiv€i, ' swells with the fulness of strength.'
The phrase oOivi'C /3A.€/t€cuVet (without -rr(pi) occurs in 8. 337 : hence
irepi is to be taken as an adverb, = ' exceedingly.'
24. The slaying of Hyperenor is mentioned in 14. 516, but without
the details which Menelaus now fills in.
25. <5vo,to, 'made light of : this form occurs only here.
28. €u4>pfjvai, 'has gladdened.'
31. p.TjS' . . . !(j.«io is subordinate in sense, 'instead of standing up
against me,' § 57. Accordingly TTpCv in the next line goes with uvai.
32. So Hesiod, Op. 216 iraOu/v 5e re v-qinos (jvai. Cp. Liv. 22. 39
ncque eventus modo hoc docet, — stultorum iste jnagister est.
35. €irevxofi€vos 8' d-yopcveis, ' and (over whom) thou dost utter
boasting speech.'
37. dpTjTov, ' prayed about ' \i.e. against\ ' accursed.' Many MSS. have
dppTjTov, ' unspeakable,' but the word is not Homeric in this sense.
42. dSTipi-ros, ' unfought,' since irovos implies battle.
y\ t« — tJ t€, cp. 11. 410. qXktjs and 4>6fjoio, are governed by ircvos,
the Gen. being used to express a vague connexion or description :
' whether the struggle end in (take the side of) victory or flight.' This
Gen. appears when two alternatives are opposed ; as Od. 1. 24 oi fxlv
Svcroftevov 'Ynepiovos ol 8' aviuvros.
44-46. Repeated from 3. 348-350.
47. dvaxa£op.«voio, governed by crrop.dxoi-0.
51. XapiTtcTCTiv 6p.oIai, 'like (the hair of) the Graces.'
52. irXoxp-oi, ' plaits,' cp. 14. 176.
54. dva{3e{3pox€v, Pf. of dva,pp«x", is the reading of Zenodotus.
Aristarchus read dva|3«|3pvx€v, a form that can hardly be explained.
58. p60pov, ' the trench,' in which the olive was set.
59. toiov, Masc, used predicatively, = ' thus' : cp. 16. 164.
65. 8t)uv, 'rending,' 'making havoc of it.'
70. 4>tpoi. ' would have carried off,' Opt. with k«v used as the Indie,
with dv in Attic, § 30, 6.
$2,6 ILIAD. BOOK XVII.
71. d-ydtrcraTO, 'had grudged' : cp. p.eY a ip w 03- 563).
73. M«vtt). In the Catalogue Evfrjixos is the only leader of the
K'tKovts. The name Mentes recurs in the Odyssey.
75. dKiXTjTa, Neut. Plur. used in a half abstract way, ' without hope
of attainment ' : cp. <J>vKTa, 'escape' (16. 128).
76-78. Repeated 10. 402-404.
83. TTUKacre 4>p€vas dp.<(>i p.e\aivas, 'covered Jit. packed close the
midriff (till it was^ black on both sides': cp. 10. 271 irvKacrev napt]
an(piT(9(ioa, and see on 1. 103.
89. The -w of do-p«o-ru> must be scanned as one syllable with o\58\
Perhaps we should read ou8' via Xd0\
93. v6fx6a-T|(T6Tai, Aor. Subj., see § 29, 5.
98. irpos 8aip.ova, 'against a higher power.' This use of irpos is
very rare in Homer, and indeed only found in this book (11. 104, 471.-
Cp- ttotI f>6ov, 1. 264.
100. p.', i.e. fioi, § 51, 5.
v€p.€o-f|a€Tai, Fut. or perhaps Subj. ^§ 29, 6).
102. TTv0otp.Tjv, 'learn of,' 'discover.'
105. <J>€pTaTOv, ' the most tolerable.'
112. iraxvovTai, 'is stiffened,' chilled with fear.
115. iTaTrraivcov, with Ace. 'looking about for,' so 4. 200.
121. v«w utp, his body at least (since we cannot save himself .
7rpo<f>€pci>p.sv, 'bear forth' (from the battle).
122. This line recurs 1. 693 and 18. 21. It is here premature, as we
have not yet heard that Hecto'- has taken the arms (1. 125). Moreover
it gives a false opposition to the emphatic vikw ir«p of 1. 121.
1 33. A«uv, ' a lioness ' : Homer uses \«ov (Masc.) for both sexes.
135. <TraKxfjp€S, 'hunters.'
139. p-«Y a wtvOos d«£cov, 'letting his sorrow swell in his heart.' The
phrase occurs several times in the Odyssey (11. 195, &c .
141. virdSpa, 'with a scowl," see on 1. 148.
142. tSevso, ' dost fall short in ' : Impf. with dpa, see on 16. 33.
143. avTws, 'for naught,' lit. 'with nothing more,' nothing for the
k\(os to rest upon.
147. irspi, ' about,' in defence of: Gen. as in 1. 157.
ovik dpa with Impf., as in 1. 142.
\dpts, ' matter of thanks,' the phrase is one like ov vipaois, ' it is no
blame,' see on 9. 316.
149. mos k« craaxreias, 'how should you save,' i.e. how can we
expect you to save. \itQ' op.iXov, ' amid the throng,' ' through the press
of battle": fxfra as 2. 143.
155. ip.«v is best taken as an Inf., 'will listen as to going.' = ' will be
persuaded to go.' The clause is conditional in form, with implied
apodosis, ' if any one will go, (let him ' : see 0:1 6. J50.
NOTES. LINES 71-233. 327
u€<J>T|cr€TCH, Fut. Pf. of tpaivofiat, only found here: cp. II. 147
dvcKpaivtrai aiirvs 6\t9pos.
161. x<ipnT]S, ' from the battle,' ablatival Gen., as 5. 456.
163. Xvcreiav, 'would release,' deliver up.
164. toiov, i.e. great enough (^to induce them to exchange,!.
165. = 16. 272.
167. kcit' overt iSiov, ' looking him in the eyes.'
173. <Lvoadp/nv, see on 14. 95.
1 76-178, = 16. 68S-690.
181. dXKfjs is most naturally taken with [i.ep.awTa, cp. 13. 19/
fj.tfj.auTt Oovptoos dKttrjs. Some take it with a-yfycro, and perhaps it
should be regarded as belonging to both.
i83-i85, = 8. 172-174-. J 5- 4 8 5-4 8 7-
187. «vdpi£a, with double Ace, person and thing, cp. 15. 343.
197. Yqpds, Aor. Part., as if from an Indie, tyrfpav.
198. diTdv€\j0€v, with KopvcrcrojAtvov in 1. 199.
202. <rx«8ov cto-i, so Aristarchus : most MSS. have <rx«56v ctrri.
204. cvrjea, ' gentle.'
205. ov Kaia Kocrp.ov, because it was against the due order of things
that Hector should win the armour of a mightier hero (Achilles).
207. is adverbial, = ' in that,' 'because.' toi, Dat. cthia/s, 'take
for you ' = ' do you the service of taking in charge.' The negative goes
with the whole phrase voo-rf|o-avTi B^ctcm., 'never will Andromache
take your armour on your return from battle.'
210. TJpp.ocT€, Intrans., as in 3. 333., 19. 385.
213. IvSdXXeTO, ' showed himself,' 'filled all eyes.'
214. Aristarchus read p.«Ya0v>p.co ntjXeioJvi, and so Ven. A: the other
MSS. have p-€Ya6tip.ov UriXticovos, which is probably right. There is
no instance of IvbaWofim with a Dative meaning ' to seem like.'
221. -yap refers forward to the main point of the speech, 1. 227 to
tis vvv k.t.\. ; ' since I did not call you hither — let every one now,' &c.
-ttXt]0ijv 8i£T]p.evos, ' because I wanted a host of men,' i.e. merely
for the pleasure of having them here.
224. vtto, 'from before.'
225. Stopouri, 'by gifts,' i.e. by exacting gifts.
226. Gujiov ai£w, viz. with food and drink: cp. 261 fxivos fitya olvos
ai£ti: also 19. 161-170.
228. 'For that is the sweet converse of war,' — an oxymoron, since
dapio-rvs properly means ' social meeting' : see on 13. 291.
229. Kai T€0vT)<oTa -iTtp, 'though already slain,' so that there is the
less to do.
231. The division of a single suit of armour is difficult to understand.
233. ppi<ravT«s, ' pressing on,' throwing their weight into the attack :
cp. 1. 512.
328 ILIAD. BOOK XV I L
236. tir' ovitw, emphatic, ' over it as it lay.'
237. Ajax appeals to Menelaus as commander in the absence of
Agamemnon. From the same point of view in 1. 249 Menelaus couples
himself with Agamemnon as giver of feasts to the chiefs.
239. aurii irep, 'ourselves,' i.e. without the body of Patroclus.
240. It matters little whether we read (here and in 1. 242) irtpi 5ci8ia
or ir€pi8€i8ia. The meaning in either case is ' I fear about.' The Gen.
is used with irtpi of the object of a contest.
243. It seems best here to take v«<j>os as Object after KaXvir-rei :
' Hector spreads the cloud of war over the whole field.' This con-
struction is supported by 14. 359 fiaKaKov ntpl /cwpia. KaXvipa, cp. 14.
343 i'i<pos aix<piKaXv\p(i}, also 17. 132. It is possible to take ve<j>os as
Nom., with "Etcriop in Apposition (like n. 347 vw'Cv 5t) toS« itijfta
Kv\ivo(T<n 60pip.os "EKTaip) : but the metaphor is a harsh one.
250. 8T(p.io, ' at the public cost,' the ytpovaios oTvos (4. 259) provided
by the people. Cp. the note on 18. 301 (KaTaSTjpioPopjjaai).
254. aiTos, 'of himself,' without waiting for exhortation.
256. 6£v, ' clearly.'
259. dv8pei4>6vrn, see on 16. 857.
260. tjo-i <J>peo-tv, i.e. by his own powers of memory.
264. Kvpu, 'the waves' (of the sea\ the Sing, in a collective sense;
see on 1. 482. |3e{3pvxev, 'roar,' i.e. dash with a roar, ttoti poov,
' against the stream ' of the river.
aKpai gloves, ' projecting points of beach,' sandy headlands : cp.
Od. 6. 138 €7r' rjiovas TTpov\ovaai.
265. dXos, in its proper sense, ' the salt water.'
«£«>, ' forth ' tTrom the sea).
268. 4>pax6«vT«s, 'making themselves a screen' of shields: cp. 15.
566 <ppa£avTO Si vfjas tp/cu x a ^ K( 'V-
Join ap.<J>i Kopv0eo-o-i, taking o-<t>iv as a true Dat., ' about their
helmets.'
272. p-i<rr](r€v, 'hated,' 'could not bear that — ' ; Aor. of the access of
feeling.
277. Ipvovro, Impf., 'sought to drag off.'
kch tov, ' that same,' the dead body. The commentators join
Kal 'Axaioi, against the order of the words : the contrast with Tpwes is
sufficiently marked by emphasising toO.
278. (X«Xi^€v, 'wheeled,' i.e. rallied; cp. 1. 283, also Horn. Gr.
§ 53-
283. tXi£ap.€vos, ' wheeling,' turning to bay. Sid /3T)<roras, with
«K€8a<T<7€.
285. peta with tKtSacrcre. For p.eT«icrdp«vos see on 13. 90.
290. dp.4>i, 'on both sides,' i.e. of both feet, nearly = api<poTipvvs : cp.
18. 414 apxpi Trpuawna Kal cipupa) X ( *P ( -
NOTES. LINES 236-368. \K)
294. auro<TX«SiT)v, originally a Fern, adjective, sc. irX-qyrjv, 'a blow
given at close quarters.'
295. TjpiKe, ' was shattered' : Aor. of epttKcv with Intrans. meaning.
297. au\6v, the sheath or ' tube ' by which the head of the spear was
fastened to the shaft: cp. Od. 9. 156 aiyavias SoXixavXovs. In pre-
historic weapons this part is made of bone or horn.
300. av-roio, emphatic, 'where it (the body) lay,' cp. 1. 236.
302, 303, = 4. 47S, 479.
309. tov takes up 2x«8iov in 1. 306 : cp. 13. 197 (note).
310. dveo-x £ . ' came out.'
3H. 3?5- Repeated, 13. 507, 508.
321. inrtp Aids aio-av, 'beyond the portion {i.e. destiny) decreed by
Zeus.'
324. 'HttutiSt), a patronymic taken from his calling : cp. 7. 3S4
fjirvra KTJpv£.
325. (j>i\a cjjpecrl ji.T)8ea €i8cos. Knowledge and feeling are not clearly
distinguished : ' whose heart was ready with kindly wisdom.' See on
6- 35 1-
327. ttws &v k.t.K., 'how can you deliver Troy' ? Apollo begins by
assuming that Aeneas thinks the gods hostile, this being the most
polite way of accounting for his inactivity.
eipuo-o-aio-Oc, Plur. meaning ' you and the Trojans.'
328. us 8^ i8ov k.t.X. Apollo goes on to tell Aeneas that others
have not been hopeless, even with the gods against them ; then that
the gods are not really adverse ; finally he puts plainly what he had
begun by hinting, 1. 332 dXX' aurol k.t.X.
330. Kai, 'even.' V7rep8€a, 'very scanty,' by Hyphaeresis for vnfp-
Ste'a : cp. ti>8er]s.
331. povXerat, • wishes rather,' cp. 1. 112.
334. p.«Y a > w ' [ h P°T|cras, ' with a loud shout.'
338. «Ti, with eivcu, which is in sense the main verb.
Yap, cp. 1. 221.
340. p.T)8' . . . -n-sXao-aiaTO, i. e. ' let us hope that they will not bring':
see on 15. 476.
354. €ix«, 'was- able,' cp. 16. no ovSe 7177 tr^ef dptirvtvaai.
tpX<iTO, ' were packed together,' formed a barrier, cp. 1. 268.
359. uaXa, with du<j>' atrru PefJdp.ev, ' to take their stand well over
him.'
361. dYx<-o"rtvot, 'thick and fast,' cp. 5. 141. The word does not
come from the Superl. d-y\i<jTa, but from ayxi, through a verb dyx'C w:
cp. -npofivrjaTLVoi, ' one after another.'
363. dvaiutoTi, 'without bloodshed,' i.e. without some loss.
366-376. As to these lines see the introduction, p. 323.
368. p-dx^js «m 0' octo-ov, — e(p ' uffov re pax*!** 'over so much of the
330 ILIAD. BOOK XVII
battle as,' ' over that part of it in which — .' This seems to have been
the reading and interpretation of Aristarchus. It leaves the t« unex-
plained, for there is no parallel for tni 6' '6<jov = t<f ocsov rt. The MSS.
have ftaxrjs i-ni 0' oo-crot., Eustathius tin oo-ctoi (so Wolf and Bekker).
The simplest reading would be tiri oo-o-ov, with hiatus after ewi, as in
twiop/cos, (muiLofiat.
372. 6£eia, ' undimmed.'
373. YaiTjs, Gen. of place after a negative, § 39, 3, a.
jjt€Tauav6fi€vov, lit. ' ceasing by turns,' with intervals of rest.
377-383. These lines seem to be an interpolation. They were
probably meant to reconcile the statement that all the apioroi
were in the middle of the battle over Patroclus with the subsequent
mention of Antilochus.
381. «moo-o-op.«va>, 'looking out for,' watching against.
384. iravnu-spiois. This word often means, 'for the rest of the day';
but even in this limited sense it is not appropriate here.
opcopei, ' was astir,' raged.
387. iraXdo-o-€To, Sing., perhaps because the parts of the body
enumerated are thought of as a mass ( = p:t\ea); or because -yovvaTa
is the most prominent in the list.
fiapvap-tvouv Dual, generally explained of the two opposed sides.
Possibly it is distributive, referring to the several pairs of combatants;
see on 16. 370. Some good MSS. have (xapvap-tvouriv.
The text of this passage, however, can hardly be sound. The com-
bination Kap.aT(p t« Kal t8pai iraXdcrcreTO is defended on the ground that
l8pco contains the governing notion (k«/«xto? re Kal I5pws = 'ihe sweat
caused by toil'). But (1) in other places where the phrase occurs
(13. 711., 17. 745) ndfiaros is evidently the important word; and (2)
Idpw -naKaaotTo, 'was bespattered with sweat,' is an extremely harsh
expression. On the whole it seems probable that 11. 384-388 were
added along with 11. 377-383, in order to mark the return to the main
subject.
390. Aaoioxv, 'his men.' p.«6vovo-av, in the literal sense, ' dripping,'
' soaked.'
392. kvkXoo-c, ' in a ring,' i. e. pulling it every Way as they stand
round.
iKp.ds, 'the moisture.' «f3-n, ' passes from' the skin.
398. dypios is emphatic, explained by the following clause: hence
the Asyndeton.
401. «Tavvcrcj-€ = ' brought to a height ' : see the note on 13. 359.
402 . II(1tpok\ov T€0vt]OTa expresses the thing known — that P. was dead.
404. to, 'wherefore' (cp. 19. 213, &c). Some take it to refer to the
Inf. T«6vdp.€v, as in 1. 406 to refers to tKiripativ. This would leave to
p.iv k.t.X. without connexion with the preceding clause.
NOTES. LINES 372-542. 331
405. tvixpiH-4>9« VTa miXflcnv. Achilles had forbidden Patroclus to
advance near the city ; but he may be supposed to see that the in-
junction had been disobeyed.
406. Achilles did not suppose that he had been slain, nor again
^ou8« to) that he would take Troy : hence he expected him to return.
407. ovSi <r$v aw-rw, ' nor with himself,' = nor even with him.
408. to -yt, thstt he should not take Troy. voo-<j>iv, ' apart,' secretly.
410. 8ij tot€ y ov 01 «t.ire, = ' then indeed (it turned out that) she
had not told him ' ; i.e. a thing had come to pass which she had never
told him. At the beginning of book XVIII Achilles is represented as
foreboding the death of Patroclus, and remembering a prophecy of
Thetis which pointed to it.
416. 70,10. x°-voi, a form of wishing for death — not implying an earth-
quake, as Virgil seems to have understood, Aen. 4. 24 sed mihi vel tellus
optem prius ima dehiscat: see on 4. 182.
417. a<J>ap, 'at once,' i.e. without doubt.
418. cl |i€0T)o-°n.ev, ' if we are to give up.'
424. o-i8f|peios, ' hard as iron,' i. e. unyielding, ceaseless.
431. apeifj, 'scolding,' harsh words.
437. €vio-Kip4avT€, lit. ' sticking fast,' i.e. stiffening their necks, with
heads bent to the ground. So of a spear, 1. 528 ov5u iviaKtfKpOr].
440. £«vyXTis, 'the yoke-cushion,' i.e. one fastened under the yoke,
where it rests on the horse's neck. Such a cushion would confine the
mane, but only so long as the horse's head was in the usual position.
443. avaKn, 'as your master.'
445. sxtov, Subj. after the Aor. 86p.ev. because the fulfilment of the
purpose is still future, § 34, 2, c.
450. Kal Tevxea, ' so much as the arms.'
auToos, 'as it is,' without better reason (than the arms).
453. o-4>Co-i, viz. the Trojans, implied in"EKT<op.
454. This purpose of Zeus is carried out with tolerable exactness, as
the Trojans are driven back by Achilles just before they reach the ships,
and the sunset immediately follows (18. 240). See on 11. 193, 194.
459-542. This passage, which forms a sequel to the incident of the
horses weeping for their charioteer, has been pronounced spurious by
some critics. It certainly seems unlikely that at the height of the
contest over Patroclus the two chief Trojan warriors should be tempted
away by the hope of seizing the horses : and the more so as Hector has
already made the attempt, and has been warned by Apollo that they
are not within his reach (11. 75-78). The same may be said of Ajax
and Menelaus, whose absence at the the call of Automedon amounts
to stopping the main action of the book. The words which mark its
renewal (1. 543 aip 5' inl UarpuKXcf) Ttraro k. t. k.) seem hardly
sufficient. On the other hand the Trojans are not fighting in the close
$â– $2 ILIAD. BOOK XVII.
order of the Greeks (1. 564), so that the movements of individual
heroes are freer : and the attempt of Automedon to join in the fighting
offers a new opportunity to Hector.
460. ittttois, ' with the chariot,' Dat. in the comitative use, § 38, 3.
462. 6iTd£a>v, 'pressing on' (in pursuit).
464. Upu>, cp. the note on 16. 407.
465. €Tmrxeiv, ' to direct,' ' drive aright.'
471. oiov, 'in respect that thus — '; see on 13. 633.
475. ydp shows that this question gives the reason for the following
Imperative dXXd o-tt k.t.X.
476. 8p.-fjcriv t€ jitvos T«, taken with «X«H- €V m somewhat different
senses (,by Zeugma) : ' to hold (i.e. exercise) the taming and control the
fiery temper.'
477. ei p/q, 'except' : d'AAo? d fMT)=a\\os f\.
479, 480. diTop-fio-ofjiai, because the TrapaipaTrjs leaves the chariot
as soon as he reaches an antagonist whom he wishes to engage. See on
5. 226, 227, where the same lines occur, and II. 49.
481. Pot)06ov, 'swift at the call to battle'; elsewhere an epithet
applied only to warriors.
486. Tu>8e, = • here.' c'vo-qo-a, ' I perceive,' Aor. as 14. 95.
487. -f]vi6xoicri, used loosely, to include the irapai@6.Tr]s : for KaKotcri
means ' unwarlike.'
488. The best MSS. have tu or tu, but the Dual gives a better con-
nexion.
489. The MSS. are divided between tQtXtis and eOsXois. The Indie,
suits the context best, since Hector would not speak as if the willingness
of Aeneas were doubtful.
«'4>opn,T)0«vT€ ye vu>'i, ' our onset,' governed by TXatev. The con-
struction is ' endure us so as to fight,' = ' endure to fight with us.'
499. dp.<t>£, with irXf|TO, see on 1. 83.
502. €p.irv€iovT€ |A6Ta4>p«va>, cp. 13. 385 -nvtiovTi «ar' uifiaiv.
506. t\ k' — d\oiT), change to independent construction.
509. tov veKpov, Art. of contrast, to vw'iv 8t £woio-iv k.t.X.
Of 7T€p dpiCTTOl, = TOIS aptOTOlS OVCTl '. Cp. I. 23O.
510. Pepdp-ev. Inf. of purpose, 'for them v the apiaroi) to bestride it.'
512. <?Ppi<rav, 'have pressed,' ' thrown themselves ' : cp. 1. 233.
514. Otwv cv yovva<ri KeiTai. The origin of this famous phrase is
obscure. The most probable account is that resting on the lap was
symbolical of complete power and possession. Objects were dedicated
to the gods by being placed on the knees of their statues, which were
sitting figures; cp. 6. 273 row Oh 'AOrjyalrjs tirl -yovvaaiv.
522. tva, the mass of sinew, called in Od. 3. 449 tIvovto.s avxtvtovs.
524. p-dX' 6£v, with Kpa8ai.v6p.tvov as a predicate, ' right keen as it
was.'
NOTES. LIMES 460-612. 333
526-529, = 16. 610-613.
531. jiep.auT€, with o-<t>ue, ' in their eager rush ' (with their swords).
538. M«voiTid8ao OavovTos, with dxtos, 'my grief for the death of — .'
539. \ttQii)Ka, ' I have let go,' 'lightened.'
540. Join €s 8i<|>pov 6tjk«.
543 ff. The descent of Athene from Olympus can hardly have been
at the bidding of Zeus, who is on Mt. Ida, as we hear directly after-
wards (1. 594). Moreover, the change in the mind of Zeus (1. 546 £f)
yap voos irpairer' avrov) is inconsistent with 1. 596, where he still gives
victory to the Trojans. Zenodotus rejected 11. 545, 546. There is,
however, a further and somewhat marked contradiction between the
words of Menelaus about Hector (1. 565) and those of Apollo in 1. 587.
Hence many reject the whole scene, 11. 543-592.
547. irop<j>vp«T]v. This word contains the point of the comparsion ;
cp. irop4>vptTi v€<j>«X-n in 1. 551. Hence it must mean 'dark,' 'turbid,'
— an epithet that may be due rather to association with the ideas of
storm and gloom than to the violet and indigo among the colours
of the rainbow. For its use as a rtpas iroKifj.oio cp. 11. 27. The
sentiment which looks upon it as a sign of hope and comfort is foreign
to Greek imagery.
558. IXktio-ovo-i, 'are to drag about, tear.' The Fut. with ef Kev is
rare: but see 5. 212., 15. 213.
564. Oavwv, ' his death.' to-sp-do-cra-TO, ' has touched to the quick.'
571. Kal €pYOp.€vi} p.dXa irep XP°°S> an unusual order, for ml p.a\a
ntp xpoos epyofiivrj: cp. I. 217 nal fid\a irep Ovpw K(\o\cop:(vos.
573. dp.<{>! p.«Xaivas, see on 1. 83.
575. 'H€Tia;vos, not the father of Andromache, since his sons were all
killed by Achilles, 6. 423.
577- The substantive eiXamvacrTT|s defines craipos (as in the com-
binations /3ovs ravpos, &c), ' a companion who is a giver of feasts.'
587. oiov 8t|, ' considering how,' see on 13. 633.
589. veKpov, sc. Podes, cp. 1. 581. <tov 8' ?KTav« is paratactic, § 57.
594 ff. In this overclouding of Ida, accompanied by thunder, we may
trace the original notion of the aegis as the ' storm-cloud ' of Zeus.
599. tmXiySTiv, shearing away the surface ; the word explains dicpov,
cp. Od. 2 2. 279 XiySrjv, aKp-qv 5e pivbv brjX-qaaro \o-^kos.
609. 8i<|>pw, the chariot, as the next line shows, of Meriones. It was
a matter of course that Idomeneus, having failed to wound Hector,
should retreat to a chariot.
611. avTu, 'the master,' Meriones.
612. The sentence here returns to the main subject, Idomeneus, to
explain why it was not his own chariot.
Ta TTpun-a Xiirwv, 'when he originally left,' i.e. at the beginning of
the day.
334 ILIAD. BOOK XVII.
613. tYY u *^ l £ €v > would have 'put in their hands,' 'presented them
with.'
615. 'Came as cbdos,' i.e. his coming was salvation.
617. tov pd\' k.t.X. Takes up the sentence begun at 1. 610, tov
also referring to avros in the preceding line.
61S. irpupvov can hardly be put for dupov, as the commentators say.
It is not elsewhere applied to a spear, but might possibly mean the
thick part of the head. Duntzer reads irpvpivovs.
621. *k ir«8ioio, with tXafltv: cp. 16. 668.
627. o t«, after ov8' tXaO' AiavTo. Ztvs, = ' Ajax perceived that Zens — ';
cp. 1. 537 ovSe fui'"HpTj fj"fvoir](Jiv ISova' oti k.t.X.
«T€paXK«a, ' by strength not their own,' see on 7. 26., 15. 738.
631. d<|)T|T]. The MSS. show great variety here, — «</>«'»;, d<ptit), d</>/f<,
uiprjfi, &c. The Subj. is required by the general Homeric rule, § 33, i.e.
633. avTws, ' merely,' without doing anything more.
639. trxif|o-€cr0ai, ' will be held back,' checked in his course.
«v vTjvo-l irtcrUcrQai, 'that he will fall upon the ships,' of a hostile
attack, as in 13. 742 : see on 9. 235.
647. Koi points to 6Xecro-ov as one of two alternatives : ' let it be in
the light if you destroy us' (as well as if you save us) : cp. 5. 685
ijidTo, pt kcu XiiToi alwv, = ' then I am content to die or live.'
657 ff. This simile has already been used in book XI to describe
Ajax, 11. 659-664 being identical with 11. 550-554.
658. os t' €Trcl k.t.X. The sentence is not finished grammatically :
it is interrupted by the description 01 t« p.iv k.t.X., and resumed at
664 T|U)0«V 8' K.T.X.
659. powv, Plur. with an indefinite sense : ' the fat of some ox.'
666. irepi, see on line 240.
667. irpo 4>6/3<ho probably means 'away in flight,' irpo being used
as in npb 68ov eytvovTO (see on 16. 60).
671. eTTicTTaro, ' it was his character' ; cp. 14. 92 osns imoraiTo -pat
(ppeolv dpria 0a£etv : and the similar use of oTSa, as 16. 73., 17. 325.
676. irrwf;, ' the hare ' ; lit. the animal that crouches [TTT-qctcrai) : used
as an adjective in 22. 310 vtwkol Xayaiov.
677. dp.4uK6p.cp. 'with leaves all round,' ' full-foliaged.'
681. fSoiTo, so Aristarchus, and the best MSS.: 18010 is also an
ancient reading. The change to the Third Person is not more harsh
than in 16. 586: cp. also 17. 705. Some supply 6o-o-« as Nom. to
i'8oito : but this is not according to Homeric usage.
685. €i 8' dye, see on 16. 667.
686. p.T| with the Ind. ucfxXXc because it is an expression of wish.
689. Tpcotov, 'belongs to, is with, the Trojans': cp. 3. 457.
692. tliretv, ai k* cracbcrT), ' say to him if he will save,' i.e. ask if he
will : see on 7. 375 (H. G. § 294).
NOTES. LINES 6 1 3-756. 33$
694. KartfTTvyt, 'sickened': cp. 14. 158 OTvyepui St 01 tirktro Ovfiw.
699. ?o-Tp«<j>«, ' guided about,' i. e. kept at hand wherever they were
wanted in the battle.
703. ivQev, = a<p' Siv (tTaipaiv).
705. o y«. F° r the change to the Third Person see on 1. 681.
710. Itvai, in the Future sense, 'will go forth.'
717 ff. So, according to the Acthiopis of Arctinus, when Achilles
himself fell, the body was carried by Ajax, while Ulysses kept the
Trojans back.
720. 6p.u>vvp.oi, 'even as we have one name.'
723. €iri, 'thereat,' in rage at seeing it.
727. fws |X€v, ' so far,' ' until' (the time given in the next clause) : see
on 13. 143.
728. !At£«Tai, Aor. Subj., of what happens repeatedly.
732. ko.t' avTOvs, ' over against them/ i.e. at the point for attacking
them, cp. 1. 484 Kara arparov (of the ship arriving) 'off the camp.'
twv 8«, apodosis.
735-741. These lines are condemned by some critics, perhaps rightly.
The words us 01 y' €p.p.€p.ao)T« v«kvv 4>tpov come well in 1. 746, after the
simile of the mules, but less appropriately here, where the preceding
lines describe the Ajaces, not those who carried the body.
736. €ir! TCTaTO, 'was intense, was at its height, behind them,' cp.
14. 389 ipiba 7TTo\(fioio javvaaav, and the note on 13. 358 ff.
737. iroXiv, governed by iir*<rcrv\t.evov (cp. 12. 143, 15. 395, Od. 6. 20),
rather than by $\eyiQei, which is elsewhere Intrans. : cp. 21. 13.
739. cmpp<|ici, lit. 'roars on to,' *.*. the wind drives on to the fire
with a loud blast.
741. tpxop.€voi<nv,' as they retreated.'
742. dn.4>i|3aX6vT€s, 'putting on,' 'arming themselves with'; we
expect the Middle (cp. 5. 738), but the Participle 0a\6p:evos is im-
possible in hexameter verse.
747. icrxaviTr\v, ' held back ' (the Trojans) ; the same as 1. 752 fiaxrjv
avetpyov dwioaai Tpujcuv.
748. t«tvxt««os, nearly = r(Tvyp.(vos, 'fashioned,' 'made to be': —
' whose form stretches out dividing the plain.' Sia-irpuo-iov, from Siairpo,
see on 11. 275.
749. dXeYe>-va, 'grievous,' 'cruel,' the cause of distress (akeya)).
750. -n-«8iov8e tiOt]o-i, ' sets,' causes to flow, 'towards the plain.'
751. irXdJwv, ' thrusting it aside,' i.e. out of its course.
755. twv has no construction except the attraction of i|/ap<£v and
koXoicov : see on 4. 433.
756. ovXov, lit. 'thick,' close in the texture, hence ' in full, unbroken,
cry.' Here, as in 16. 430, the ancient texts were divided between k€kXt|-
yovTts and k«kXi}7wt«s. The Part, is construed ad sensum, v«4>os ij/ap&v
336 ILIAD. BOOK XVIII.
being = tpfjp(s. Cp. Od. II. 1 5 Kipt/ifpiuv avhpwv firjfios re ttoKis t(, r/ipt
Kal vt(pfKrj KtnaXvunivoi.
761. Aavcuov. with T€tix«a, ' of the Greeks as they fled.'
BOOK XVIII.
The eighteenth book consists of two parts. The first consists mainly
of scenes which serve to show us the effect upon the mind of Achilles
of the news that his companion has fallen. The second relates how the
armour which was lost with Patroclus is replaced by new armour, the
work of Hephaestus. The two parts are connected by the presence of
Thetis, first with her son, then in the house of Hephaestus. The argu-
ment is as follows : —
Antilochus brings the news of the death of Patroclus. Thetis hears
the cry of her son, and comes with the Nereids. She promises to
obtain new armour for him (11. 1-147).
The body of Patroclus is near falling into the hands of the Trojans,
when Iris, sent by Here, bids Achilles go and show himself at the trench
(11. 148-238). Here brings on sunset (11. 239-242).
Assembly of the Trojans : Polydamas advises retiring into the city
(11- 243^3i4)-
Lament of Achilles over the body of Patroclus (11. 315-355). Dia-
logue of Zeus and Here (11. 356-378).
Thetis goes to Hephaestus, who promises to make new armour for
Achilles (11. 369-477). The shield is fully described (11. 478-617).
The scene at the beginning of the book, in which Thetis and Achilles
are the actors, is the necessary complement of the Patrocleia. While
the death of Patroclus is the external event upon which the plot of the
Iliad hinges, it is the effect of that event on the mind of Achilles that is
the ultimate source of interest,— the true crisis of an epic of which the
' wrath of Achilles ' is the true subject. It is in this dialogue that the
change of purpose resulting from the death of Patroclus is enacted, as it
were, before the eyes of the hearer. Achilles makes his confession to
Thetis, repents bitterly of his quarrel (1. 107 us tpis t« re OtSiv U t'
ai'Opunrav dnvKoiro, k.t.K.), and desires only to return to the field, in
order to avenge his friend (1. 114 vvv 8' dfx' of pa (piKrjs ne<pa\TJs bXtrripa.
/«X« a 0- Tnus tne situation created in the first book by the quarrel and
all its consequences is finally brought to an end.
The relation of this passage to the events of the first book is further
NOTES, 337
emphasised in the working out of the scene. The appearance of Thetis
at once reminds us that it is the second time that she has come at the
call of her son. Her complaint on hearing his voice strikes again the
key-note of the Iliad — the shortness and unhappiness of the life to which
the hero is destined. The dialogue which follows is evidently meant to
recal the former meeting, to contrast it with the new state of things, and
thus to place before us the main outlines of the story, the crisis of which
we have now reached. We see that the prayer of Thetis, which up to
this time has been the motive force behind the action of the poem, can
be so no longer. The boon that she obtained from Zeus has turned to
bitterness (1. 80 a\\a ri /xoi twv qSos ;), and Achilles has to go back to
her for counsel and help. In doing so he reveals the change which, as
has been already pointed out (p. 3o7\ is the true dramatic nfpurtTeta,
viz. the change from anger against Agamemnon to grief and thirst for
vengeance. Of this new situation the remaining events are the natural
and obvious consequence. The scene therefore has a double value, first
as being in itself — i. c. simply as an event — the turning point or cata-
strophe of the story, and secondly from the way in which it brings the
last part of the poem into palpable relation to the beginning.
The interval between the meeting of Thetis with Achilles and her
arrival at the house of Hephaestus is filled by incidents of a subordinate
character. The changes of scene are frequent, and there is little inter-
dependence between the action that goes on at different places. The
Trojan assembly, the lament of Achilles, the dialogue of Zeus and Here,
and the making of the new armour are more or less contemporaneous.
Moreover, the transitions from one to another are not made with the
smoothness that belongs to the Homeric manner. Partly on these
grounds, and partly owing to difficulties of detail, the genuineness of
much of this part of the book has been seriously contested. The
following are the questions most worth notice : —
(1) The circumstances which lead to the appearance of Achilles on
the rampart do not tally with the picture given in book XVII of the
rescue of Patroclus. Though Lachmann exaggerates the differences in
detail \ it must be allowed that the two passages cannot be easily read
as parts of a connected story. The passage in book XVII loses some-
what in point if it is not the account of a final rescue. Again, there is
no apparent reason why the sending of Iris to Achilles should be secret
(11. 168 and 185), since Zeus certainly did not wish the body to fall
1 He makes a curious mistake in saying that in the seventeenth book
the two Ajaces are represented as carrying the body of Patroclus on
their backs {Betrachtiuigen, p. 79 s !. The only discrepancy is that the
carrying of the body \b\ Menelaus and Meriones" is not expressly noticed
in book XVIII,
VOI . II. 'L
3$8 ILIAD. BOOK XVIII.
into the hands of the Trojans. On the other hand, it may be thought
that the last lines of book XVII (especially the words TroXtfxov 5' ov
yiyver' epwrj) are a hint that Patroclus is not yet safe. We may compare
the end of book XV, where the last stage of the Greek defence runs over
into the next book (.16. 101 ff.), just as the last stage of the contest over
Patroclus is made to do here. And the interference of Here may be re-
garded as in defiance of the injunctions of Zeus, repeated in book XIV,
and not withdrawn till book XIX. For difficulties of language see the
notes on 11. 151, 168, 192, 209, 231 . The interpolation (if it is one) doubt-
less extended from avrap 'Axaioi in 1. 148 to the same words in 1. 231.
(2) If the appearance of Achilles is an addition, the scene of the
Trojan assembly must be condemned with it. Further reason has been
found in the two speeches, which are generally regarded as below the
Homeric level. See the notes on 11. 245, 259, 272, 274, 294. Bergk
and others reject the whole passage about the Trojans, 11. 243-315.
But possibly the original text contained the three lines 243, 244, 314.
After a day of fighting we expect some notice of both the armies.
(3) The short dialogue between Zeus and Here (11. 356-368) must
also be struck out if the appearance of Achilles is not part of the
original story. It has however been condemned on its own merits by
nearly all critics ancient and modern. Wolf gives it as a decisive
instance of a passage inserted by the supposed hiaaKtvaarai, for the
purpose of connecting two originally distinct rhapsodies {Prolegomena,
c. xxx). It can hardly be thought to have much value of that kind,
since the journey of Thetis makes a much more natural transition from
the Troad to Mount Olympus. But it may fairly be regarded as a specimen
of the kind of accretion to which the Homeric poems were liable during
the period of oral transmission.
It will be seen that these three passages all turn on the notion that
the contest over the body of Patroclus was ended by Achilles showing
himself to the Trojans over the rampart of the Greek camp. It can
hardly be maintained that this incident is necessary to the story, and all
the three passages can be detached without violence from the context.
It seems possible, therefore, though it cannot quite be proved, that we
have in them a series of additions to the original text.
The difficulties that have been felt in regard to the latter part of the
book are mainly chronological. It has been argued that Thetis does
not reach Olympus till the day after the Patrocleia, consequently that
the making of the arms occupies a whole day, during which the two
armies are idle l . It is true that several events are placed in the interval
after Thetis leaves Achilles (11. 148-368), and that one of them is the
sunset (1. 239 : but we may suppose that the poet, in returning to
1 Bekker, Hon. Blatter, ii. p. 232.
NOTES. 339
Thetis, goes back to the beginning of that interval, and that the journey
of the goddess takes no appreciable length of time. Thus the making
of the arms will occupy the time from the scene between Thetis and
Achilles to the dawn of the next day.
The book ends with a digression that takes our thoughts wholly
away from the story of the Iliad. The divine pictures with which
Hephaestus adorns the shield of Achilles do not illustrate anything
in the context in which they are placed, and indeed have no relation to
history or legend. They are representations of common ever-present
objects ; the great phenomena of nature — earth and sea, sun, moon and
stars — then the various events and occupations that make up the round
of human life. The passage, therefore, has properly no dramatic
interest. It comes in as a sort of interlude, like some of the choral
odes of Euripides, to fill a pause in the action of the poem. For the
history of the earliest Greek art it is obviously a document of first-rate
importance.
Within the last few years — even since the first edition of this book
was published— archaeology has thrown much new light upon the
character of the art represented in the Homeric poems. The discoveries
of Schliemann at Mycenae have been followed up by other finds, which
have revealed the traces of a pre-historic civilisation of which the coasts
and islands of the Aegean were the seat. To this civilisation the term
' Mycenaean ' has been applied. The date of it is still a matter of
dispute, but the evidence seems to show that it covered a period of
several centuries, and that the age of the Iliad and Odyssey — an age of
Achaean chiefs, united more or less closely in an Achaean nationality —
falls within that period, and probably towards the end of it. This
appears, in the first place, from the general correspondence in geo-
graphical area between the sites of Mycenaean remains and the Homeric
Catalogue of the ships. The eastern districts of European Greece —
Argolis, Attica, Boeotia, Thessaly — with Laconia and Crete, hold the
chief place in both lists. Again, the fortified citadels of which we find
the foundations and even the walls at Tiryns, at Mycenae, at Hissarlik,
answer to the Homeric palaces, such as those of Priam and his sons on
the acropolis {iv iroKti axpri). In historical Greece the acropolis was
generally reserved for the temples of the gods. And the plan and
structure of the palaces offers many points of comparison. In the poems,
as in the existing remains, we find the av\r) or enclosed court, with its
porticoes, and the altar of Zevs ipiceios in the middle ; the ptyapov, with
the central iaria surrounded by pillars, against one of which the mistress
of the palace may be seen leaning as she spins (Od. 6. 307) ; and even
such details as the bronze plating of the walls, the frieze of blue (Optyitos
Kvavoio), the door-sills of wood or stone. Finally, in the arts of design,
with which we are especially concerned in the eighteenth book of the
Z 2
34° ILIAD. BOOK XVI II.
Iliad, we find remarkable coincidences between Homer and the My-
cenaean objects, both in technique and in style of treatment.
In respect of technique the most striking feature is the inlaid metal
work, and the use of metal, especially gold, of different colours. On
a dagger-blade found in one of the graves at Mycenae there is a picture
of a lion-hunt, formed by various metals inlaid on a thin bronze plate
(Schuchardt, p. 230 of the translation). The lions and the men are
inlaid in gold, the trousers and shields of the men in silver, the shield-
straps and other accessories in a black substance. On a second dagger-
blade from the same grave there are three lions inlaid in gold, with
manes of a somewhat redder gold : some lines are given by means
of a lighter gold. In another grave was found a dagger-blade with
a representation of ducks hunted by cats, in a river in which plants of
papyrus are growing — doubtless an Egyptian subject. The cats, the
bodies of the ducks and the plants are inlaid in gold, the wings of
the ducks are silver, the fish are of a dark substance. On one of the
ducks a drop of blood is given in red gold. Another dagger-blade
is ornamented with flowers, each with three inlaid stamens, and there
are similar flowers on the gold plate covering the hilt (Ibid. p. 264).
There is also a cup of silver, ornamented with inlaid gold-work repre-
senting flower-pots with lotus-plants {Ibid. p. 240).
These objects find their counterpart in several pictures of the Homeric
shield. There is a vineyard (561-565), with dark-coloured grapes, poles
of silver, a ditch round it of cyanus (blue paste), and a fence of tin:
there is a herd of oxen (573-578), wrought of gold and tin, with four
herdsmen all of gold : and a dance of youths, with golden daggers
hanging by silver belts (598). Again, in the ploughing scene the
earth as it is turned up by the plough is shown ' dark-coloured, though
of gold' (xpvaur] tup eovaa).
Moreover, in choice of subjects and in the manner of treatment there
is a remarkable agreement between the Mycenaean remains and the shield
of Achilles. All the pictures, as has been said, are taken from incidents
of everyday life. The siege represented on the shield (509 ff.) finds a
parallel at Mycenae in a representation of warriors fighting outside
a city, on the walls of which women and children are seen with uplifted
hands. Similarly the lion-hunt already mentioned may be compared
with the scene of two lions carrying off a bull from the herd. The
details are different, but the genre of the design is evidently the same.
Finally, the correspondence may be traced in the way in which the
various scenes of the shield are arranged. We do not indeed know
exactly what the arrangement was. It is not difficult to devise a
probable scheme, but no one scheme proposed is clearly the right one.
We can see, however, that the composition of the scenes is governed by
the principle of balance and symmetry. The city at peace, with its
NOTES. LINES 2-55. 34 1
wedding and its law-suit, is contrasted with the city at war, represented
doubtless in a corresponding number of scenes. The pictures of country
life appear to be intended to illustrate the seasons of the year. The
same principle is splendidly exemplified by the two gold cups, of the
best period of Mycenaean workmanship, found in 1889 at Vapheio near
Sparta (Schuchardt, p. 35b). On each cup is a beautiful design, in
repousse work, representing a group of bulls. On one cup the bulls are
wild : of the three shown in the design one has been caught in a net, in
which he is struggling fiercely, another has just tossed a man on his
horns, a third is rushing away at headlong speed. On the other cup the
bulls are tame : three of them are standing or feeding together, and
another is being led away with a rope fastened to one of its hind feet. In
style and subject, but above all in the ethical contrast which governs
the composition, these cups breathe the very spirit of Homeric art.
The absence of mythological subjects is the most striking feature
of the Shield. It may be added that among the occupations depicted no
form of seafaring life has a place. Ships of war, maritime commerce
and fishing are alike wanting. The reason has been pointed out by
Helbig. There was then no commerce which could be placed side
by side with agriculture in a picture of Greek life. The most con-
siderable traders were the Phoenicians. The great commercial and
colonising movement of the Ionians was post-Homeric.
It is worth notice that in the Hesiodic 'Shield of Heracles'— an
imitation of the Homeric shield — there are several mythological scenes
(the Centaurs and Lapithae, Perseus and Gorgons, &c), and a scene of
fishing in a bay.
2. aYY«Xos, with-rjXOs, 'came as messenger.'
3. opGoKpaipdwv, ' with upright horns,' also an epithet of oxen. As
applied to ships it describes the two ends rising in a curve (Helbig\
8. 0v(xw, in the locative sense, ' bring to pass griefs in my heart,' =
grieve me at heart. For the sentiment cp. Od. 9. 507 ff., 13. 1 72 ff. w ttottoi,
77 fxd\a 817 pe -na\ai(para OiOfpaO' Imvet k.t.X.
*3- o"X*tAios, ' perverse'; explained by -rj t' Uiktvov k.t.K. 'though
I enjoined on him.'
33. 6 8' «o-T€ve, 'while he (Achilles) groaned.'
34. This is the only reference to suicide in the Iliad ; but cp. Od. 4.
539> IO - 5°. 11. 277.
39~49- The ancient critics condemned this passage, with its long list
of unimportant names, as being Hesiodic in character. Cp. Hes.
Theog. 243-262. The repetition of the words /card. PevBos d\ds tirjprjiSes
fjaav (1. 38 and 1. 49) seems to mark the limits of an interpolation.
50. Kai belongs to the whole clause, as in rotai Si /cat nereeiiie — .
54- SvcrapurroTOKtia, twl kokw tuv dpiarov Tfxovcra (Schol.).
55. tjt'k.tA. The sentence is finished grammatically by the two
342 TLIAD. BOOK XVIII.
clauses tov piv — rdv 8' — , but in sense the former of these is paren-
thetical : ' after I had brought him up, shall not receive him back.'
60. vocrTT|cravTa, Aor. Part., see on 13. 38.
67. pT|-yvvTO, 'parted' : cp. 13. 29 OaXacraa SuVtoto.
68. 6ap.ei.ai is predicative, ' in close array.'
71. d£v, ' shrill,' making a contrast to |3apv orevaxovri.
75. The prayer here attributed to Achilles is that which he begs
Thetis to make to Zeus: 1. 409 tovs 5« Kara irpvpvas rt kcu apcp' a\a
eKaai 'Axaiovs KTfivopevovs.
77. deKT|Xia, lit. 'unquiet' (tKrjXos).
85. IpPaXov, ' cast,' alluding to the unwillingness of Thetis.
88. vvv 8' ivo ic.t.X. The ellipse is easily supplied from the wish of
the preceding lines : ' but now (it has so happened — you have become
the wife of Peleus) in order that — .'
90. ouS' — avco-ye, ' does not bid,' = ' bids me not to — .'
93. i'Xcopa, Plur., used in an abstract sense, 'the spoiling,' i.e. slaying.
Cp. Plat. Apol. p. 28 C (i ripa>pT]<Teis HarpoKKw tw eraipep tov <f>uvov Kal
"EKTopa a-troKTtvtis.
95. 01' d-yopEU€is, ' with what you say,' i. e. if you do as you say.
96. tToipos, ' at hand.'
99. KT«ivop.€vtp, ' in his death struggle.'
100. 8-fjaev, 'needed,' i.e. has come to need. The form must be
referred to 5e'a> ^SiSrjpit}, ' to bind,' whence the impersonal Se? (9. 337), —
not to Sevcu, ' to come short,' Aor. (Stv-rjae. The word maybe taken im-
personally here, 'there has come to be need.'
up-»is, see on 14. 485.
101 ff. vvv 8' «irel k.t.\. The sentence is taken up again at 1. 114
vvv 8' €ip' 6<j>pa k.t.\., where the main point of the speech comes in,
the resolution to go forth against Hector.
v€op.ai may be either Pres. with future meaning (cp. dpi), or Put.,
formed like rtXew, KaXeai. See on 23. 76.
1 10. dt£«Tai, ' grows,' ' mounts up.'
112. See on 16. 60, where this characteristic phrase first occurs.
1 16. TtAtcrai, ' to bring it (Kjjpa) to pass.'
1 17. Heracles is always spoken of in the Iliad as a mere mortal. So
the Dioscuri, see on 3. 243.
121. dpoipTjv, Opt. ofwis/i, as €<f>eiT]v (1. 124).
125. -yvoUv 8', 'and may they know,' as a consequence of the wish
already expressed. This shows how an Opt. of wish may pass into one
of end.
1 28. t-nfrTvpov goes best with oi kokov to-rt (as La R.) : ' this is of a
truth no evil thing.' Most editors put a stop at «TT|Tvp.ov : but there is
no good parallel for ravra 7' ir-qrvpov (sc. iarl, or enres) ; and the point
required by the context is not that A:hilles has spoken truly, but that
NOTES. LINES 60-192. 343
what he proposes to do is good — kr-qTvpiov ov aaKuv Inn. For «tt|tv|aov
= ' really,' cp. 13. ill el ot) Kal irau-nav errjTvpov a'irivs eariv ijpcos
'Arpei'Siji, h. Apoll. 64 alv&s yap kTrjTVfiuv eipu ovarjxv* avUpaaiv, Archil,
fr. 64. The word seems to mean ' real,' ' genuine,' rather than ' true
as an assertion ' \^d\r]9r]s, vqp.epT-fis).
133. outu, emphatic, ' to him as well.'
134. [iT| with Aor. Imper., see on 4. 410.
136. vevpn, see on viopai, 1. 101.
148 ff. As to the scenes which follow — the message of Iris to Achilles,
the appearance of Achilles by the trench, and the assembly of the
Trojans— see the introductory remarks (p. 338}.
150. ' The ships and the Hellespont,' put vaguely for the Greek camp.
The flight of the Greeks did not go beyond the trench.
151. ovi8« k« spvtravTO. The apodosis begins at 1. 166 ei utj k.t.X.
the original protasis is repeated in substance in 1. 165 nai vv nev elpvaakv
re k.t.X. Another reading is ovS' apa, with which we must translate
' had not saved Patroclus' (viz. at the time now in question^.
152. «k peX«ov, 'out of range of weapons,' cp. 14. 130.
153. Xaos re Kal ittttoi, i. e. foot and chariots.
155. The picture of the body of Patroclus carried by Menelaus and
Meriones is now dropped or forgotten ; see 17. 722 ff.
158. tp-ireSov, ' ' n unshaken course.'
159. tirai^aonce, 'dashed on'; cp. 7- 2 4°-
161. o-to(AaTos, 'a carcase' : see on 3. 23.
167. O&)p-f|o-(T€o-0ai, 'to bid him arm.' Achilles in fact does not arm
(188 ff; ; but this need not affect the language used here, especially as
the line is a recurring one ^cp. II. 715).
168. The place of p-iv is unusual : see Horn. Gr. § 365 (ed. 2).
172. €0-TT]K€, Cp. I3. 333 OflOV 'IffTCLTO VftKO<i.
175. sir-iOuovo-i, ' make it their aim,' 'make efforts.'
178. crifSas, properly 'awe' : 'let it be felt in your mind a shocking
thing (nefas) that — .'
180. croi \<l>fii\, sc. tarat. eAOfl. 'shall be brought in,' cp. 17. 160
tl 5' ovtos irpori aarv . . e\0oi TtBvrjws. It is not clear, however, how
the dead body is to be recovered in the case supposed.
182. yap in a question indicates going back to the reason of what has
been said. Here we might translate, ' nay, but which of the gods — ' ?
See on 10. 61.
1S8. rap', § 49, 3: cp. 1. 8.
191. a-nvTo, ' showed herself ready,' see on 2. 597, 3. 83.
192. The Gen. with otSa should not be explained by the Attraction
of t«v in the dependent clause. In the passages usually quoted in
support of this explanation, as 10. 416 <pv\anas 5' as uptat, the attracted
word is not in a distinct clause. The reason for the Gen. rather is that
344 ILIAD. BOOK XVIII.
ov Ttv o?8a does not mean ' I do not know (generally) of any one,' but
'I do not know as to any one ivhcthcr I can wear his arms.' Cp. II.
657 oiide ri oU( irtvOtos, oaoov opcopt : and similar uses with yiyvwaKoj
(4. 357), TTwOavofiai (1. 257), &C.
The peculiarity of this passage is the use of the direct Interrogative.
Apparently the speaker begins as if he meant to say ' I do not know
any one's arms, which I could put on ' (ov rev T€ux«x, to «« Svotpt), and
changes abruptly to the direct question — ' whose arms can I put on ? '
If the indirect form had been retained we should probably have had the
Opt. ; cp. 5. 192 tnirot 5* ov iraptacn Kal dpfxara, tujv k (m(laLr)v.
1 98. avT«s, ' as you are.'
199-201, = 11. 799-801., 16. 41-43.
205. €<tt€(J>€, ' set close,' i. e. ' covered (his head) with.'
206. aviTO-0, ' himself,' ' his figure.'
209. 01 T€ refers back to do-reos, as implying ' citizens.' This, how-
ever, is a harsh construction, and probably we shoidd read ol 8i, as
Heyne proposed.
210. Ik implies that the city is their base, — not necessarily that they
fight from the walls.
211. irvpo-oC, 'signal-fires.'
212. Join v\\i6<re "yi-yveTat, ' rises aloft' : duro-ovo-a, 'shooting forth,'
is added as a description.
213. dp-fjs, see on 14. 485.
215. <rri] !cov, 'went and took his stand' : uov is used as an Aor.
Participle, diro T€ix«os, ' clear of the wall,' i.e. not on it.
oviS' Is 'Axaiovs h.io"Y«to, ' but not so far as to join the Greeks ' :
who must be supposed not to have been driven back to the trench.
218. wpcre, sc. Achilles ; the clause about Athene being parenthetical.
219. o-d\m-y£. AVe do not hear of a trumpet in any Homeric battles.
This simile (supposing it is not a later addition) would show that it
was known, although not ordinarily employed in the field.
220. Join vtto 8t)iojv •n-«pvTrXop.«v(ov, 'by reason of enemies compassing
about' ; cp. 16. 591.
224. oerorovTO, ' looked for/ implying dread (as 14. 17 oaao\itvov cW-
nuv KeKfvOa) : ' their hearts were filled by images of pain.'
230. For 8c Kal see on 1. 50.
231. d(j.4>l envois 6x«o"o"t Kal «YX €0-1 ' 'over their own chariots and
spears,' i. e. in the confusion of the flight. The expression is a some-
what harsh one ; cp. Thuc. 7. 84 ntpl 5« rots Bopariois Kal OKtvtoiv ol
fitv tvOvs SiHpOflpovTo, k.t.\. — perhaps a reminiscence of this passage.
240. v«€O-0ai, ' to go,' with ir«p.v|/«v (not dtKovTa).
244. v<}>' apjxaeriv, Dat. in spite of iXvo-av, — partly perhaps because
of the metrical form of the Gen. : cp. 13. 88.
245. |A<Sco-0ai. The Pres. Inf. after irdpos is very rare.
NOTES. LINES 1 98-293. 345
246. opGcuv is predicative, — ' of men standing up.' This was a signal
mark of alarm and confusion.
248. S-rjpov 8« k.t.\. is subordinate in sense, ' after long ceasing from
battle.'
250. irpoo-o-cj Kal oirio-o-co, i.e. on all sides, cp. dp.<|>i (1. 254).
252. \iv9oia-iv, 'in speeches,' i.e. in the council.
257. o\)Tos = Lat. istc, § 45.
259. x<"P«0" K °v. The Iterative is somewhat strange, since the Tro-
jans had only spent one night near the ships.
On tatitov, 'spending the night,' see on 9. 325.
262. olos has a Causal force: 'so overweening is the man's spirit
(that) he will not consent.'
264. 'Divide the rage of Ares,' fight with equal fire (6/xws fi(fiaaaii>).
265. irepi, here of the assailant: cp. 9. 327 avSpdai papvdfxevos udpwv
'ivena a<pertpdwv (for their wives).
272. Tpcitov with iroXXovs.
at "yap k.t.K., ' would that it may so happen away from my
hearing,' i.e. 'may I never hear of such a thing.' This is of course
a way of wishing that it may never happen.
<L8e = ' as I say.' dir' ovaros is in sense the predicate ( = dir ovaros
ut] to ui5t ytvtoOai ravra] ; cp. 22. 454 at yap an' ovaros eir) e/xtv iiros.
274. vvKra p.ev tlv ttYop-rj crOevos «jjop.€v, 'during the night (remain-
ing) in the Agora we shall keep in reserve our strength.' This seems
to be the only possible meaning of the obscure phrase. eiv d-yopj)
implies that they were neither to disperse nor to take the field. o-Oe'vos
is generally explained as = 'our forces' {die Heeres;nacht, Hentze"; ; but
there is no trace of such a use in Homer. For oOtvos ex flt/ > m the sense
of 'checking the exercise of strength,' cp. 21. 308 adtvos dvepos dpupi-
Tepoi irtp a\SiyLtv : also the phrase aOivos ovk kmtiKTov (8. 32, 463), and
similar uses of pievos, as 12. 166 a\i\anv rjiiirepdv ye /xtvos.
279. irepi t«ix«os, 'for the wall,' as -ntpl tttoKios (1. 265).
280. ai|/ irdXiv k.t.X., an explanation of tu 8' uXyiov : hence the
asyndeton, which also serves to bring out the contrast l/f vrjUbv — eirl
vfjas.
281. T|XacrK&£tov, 'scouring idly to and fro' : cp. 2. 470 of flies at re
Kara. araOp-ov Ttoiixv-qiov ij\daKovai.
2 86. dXT|p.«vai, ' to let ourselves be cooped up.'
288. -yap refers really to the second of the clauses irplv y.h — vvvBe — ,
the sense being ' for whereas of old Troy had great possessions, now it
has lost them through the siege.' p-epoires dvflpcoiroi in the Norn, only
here : the irregular metre is probably due to the more familiar nept'ntuv
avOpw-nwv.
293. The connexion is, 'after we have suffered so much by being
shut up in Troy, now when I have a chance of driving the Greeks into
346 ILIAD. BOOK XVIII.
the sea you wish to retreat to the city.' In most editions there is a
comma at 'Axaiovs, so that 1. 295 is the apodosis to the clause ot€
•irsp — . But the passage gains in effect if we regard vvv 8' o« as with-
out a grammatical apodosis (see on 1. 88 and 1. 101). The apostrophe
vr|me, k.t.\. fills the blank, finishing the passage in a somewhat abrupt
way: 'now when Zeus gives deliverance (you wish to throw it away), —
nay, do not let such counsel be heard.' The words (jujKt-n. TavTa
voT]p.aTa <j>aiv' tvi St)|xu> are evidently the climax of the speech, which it
is in Homer's manner to introduce with a sudden transition : see on 3.
406., 4. 37, 351., 12. 244.
295. TavTa, ista, §45. <j>atv6, 'utter,' 'publish,' cp. 14. 127.
299. €-ypT|Y°p0 e . ' be awake,' Imper. Mid. of eyp-qyopa. Analogy
requires the form eyp-qyapOe, cp. 5ie<p0opa, 8it<p0appai.
300. •uTr€p<J)ia\ciJS dviajet, ' is vexed beyond bearing,' finds his
possessions too great a weariness to him. The point of the sarcasm is
that only a person who is tired of his possessions would wish to be
longer besieged (referring to 11. 288 ff.).
301. KdTa8T]p.oPopTJcrai, 'to make public feast with.' So 5r/pol3upos
(3aci\fvs (1. 231) is 'a public-feasting king,' one whose only function is
to eat at the public cost.
306. Hector repeats the words of Polydamas (1. 278), giving them a
new force : Achilles will suffer, not merely (as Polydamas promised) by
failing to take Troy, but by meeting Hector himself.
308. y] K6 <^(p-^cn — fj Ke <j>«poi|AY]v, ' whether he shall bear away
the victory, or I may bear it away myself.' The Subj. is used for the
alternative on which the emphasis falls ; the sense being, ' I will meet
him, let him be ever so victorious.' So in Od. 4. 692 dWov k ix^ ai PV ai
PpoTwv, d\\ov «€ <piKolrj the sense is ' he will hate some (though he
may love some).' For the Mid. 4>epoi|j.Tjv cp. 13. 486.
309. KravsovTo. is probably not a Fut. Part. : the regular Fut. of
KT(iva) is KTevta), and the Fut. Part, is only used in Homer with Verbs
of motion (like the Lat. Supine in -uni). Kravkai may be a distinct
Present, with desiderative force.
317. €iri, with 0€p.«vos (Tmesis).
319. w, 'from whom,' a 'true' Dat.
viro, with apirao-r), ' snatch from under,' i.e. from the possession of.
321. (X€T ix vta > ' following the track,' further explained by cptw&v.
341. Kap.6p.€cr0a, ' have gained by our toil.'
344. dp.(J>L -n-xipi, ' over the fire' ; d(Ac|>i because the feet of the tripod
surround the fire.
345. AoOereiav u-rro, with double Ace, see on 16. 667.
350. Aiir', i.e. Xiwa, ' richly,' ' thickly,' see on 10. 577.
351. tvvstopoio, ' of nine seasons,' /. e. years. This is the most obvious
rendering, and is supported by Od. 11. 311. But the meaning which
NOTES. LINES 2 95-40 1. 347
suits all the places is 'mature,' 'in season' (see Merry and Riddell on
Od. 10. 14^ : hence the true form (as Mr. Raper has suggested) may be
ivv-copos, = kv Sipa (cp. 4V8<oj, timr/ps) : the vv being due to the original
y of wpa, Engl.jwr. Such a word might easily be confused with the
form iwtupos from tvvta.
357. (-n-p-n^as, 'thou hast accomplished it,' 'succeeded.'
•cat l-imxa, lit. 'afterwards if not at first),' hence 'at length.'
358. tj pa vv k.t.K., ' the Greeks must be thy own children,' ironically
said.
362. pcAXci, 'is likely to,' meaning that such a thing is quite in the
ordinary course. ppo-ros dvSpi = ' one mere man for another.'
367. pa'4>cu, 'to bring about'; sov(pai.va),T(KTa'ivop:ai, &c. — metaphors
from the most familiar industries of the time.
Lines 356-368 are probably an interpolation. The dialogue in-
terrupts the course of the story with an abrupt double change of scene :
whereas the change from the Greek camp (1. 355) to the house of
Hephaestus (1. 369) is smoothed, in the Homeric way, by the passage
of Thetis from the one to the other. Moreover, there is nothing to
indicate that the return of Achilles was especially the work of Here, or
that it was against the desire of Zeus.
369. The narrative goes back to the point at which Thetis left
Achilles.
372. eXi.o-o-6p.evov, 'wheeling about,' in busy movement.
375- Join o^t «Kao-T(p, ' for them each one,' and two (0tjk«v)
irv0p.€vi.
376. Otiov dywva, 'the assembly of the gods,' see on 7. 298, also 15.
428.
378. tocto-ov . . ov iroj irpocrtKtiTO, i.e. were finished except that the
ears were not yet put on : see on 4. 130 and 13. 143.
379. Tipi-ve, 'was fitting on,' explained by k6ttt« S« Seo-pous, 'was
forging the fastenings.'
382. Xdpis, a personification of the beauty which belonged to the
work of Hephaestus: cp. 14. 183 x«/" y 5 ' direXapinfTo voWij. In the
Odyssey this notion takes the more definite form of the marriage of
Hephaestus and Aphrodite.
3S6. Tripos, with the Pres. Indie, 'before this thou hast not been a
frequent comer.'
392. diSe, lit. 'as things are here,' i.e. 'here at once,' ' to join us.'
395. This is evidently another version of the myth told in II. 1. 590-
594, where the fall of Hephaestus is brought about by Here, though in
a different way, and is connected with the Sinties and the island of
Lemnos.
401. The TropTnr) was a brooch = vtpovq). The ?Xi£ was probably a
kind of brooch or clasp, formed of spiral work whence the name). The
348 I HAD. BOOK XVI IT.
k&Xv£ seems also to have been a fastening of some sort (Helbig, p.
191). The opjios was a chain long enough to fall down over the
breast.
405. urav, i.e. fiaav, 'knew.'
407. Jtoaypia, ' ransom for life.'
410. aiTjTOv is a very obscure word, probably one of those which only
survived in the conventional epic language.
414. ' His face on both sides.' dp.<|>i is adverbial, not governing
â– n-pocrwira : cp. 17. 290, also 6. 117 (note\
417. viwo, Adv. 'underneath.'
avaKn, 'for their master,' i.e. supporting him.
418. eIoikuicu, an anomalous form, for ei'Kviai ( fefiKViat).
420. 0«wv airo tpya. itrao-i, ' they have skill in working that is of the
gods.' Cp. Od. 6. 18 x a p' lTQJ ' / airo kclWos t\ovaai 'also Od. 6. 12., 8.
457^. <PYdj ' woman's work,' cp. Od. 20. 7 2 «7>7 a $ 'AOrjvair] 5e'5ae
k\vto, epya£eo~0ai.
421. i'ppwv. The original meaning is obscure, but some kind of
painful or helpless movement is evidently implied : see on 8. 239.
422. ttXtjo-iov tvGa, ' near to where — .' 0«tis, sc. ffe.
426. 0ap.i£€is, see 1. 386.
426, 427, = 14. 195, 196: also Od. 5. 89, 90. The lines represent
a formula of intercourse = ' what can I do for you ?'
429. ocrai, after ns, =t«v ocrai, ' of all that — .'
431. «k Trcurtajv, 'above, more than, all' : so in the next line.
435. dprjucVos seems to means 'vexed' or 'broken down,' and to be
connected with the dp-q noticed on 14. 485.
dXXa 8« p.01 vuv, sc. a\yt' iSwKtf 1. 431). But the ellipse is very
harsh.
437-443 are repeated from 11. 56-62, and 444, 445 from 16. 56, 58.
446. «<j>0i€v, the only instance of the form <p6i<o. Apparently it is
Impf., not Aor. Cp. 1. 491 (pOivvOefftce <f>i\ov KTJp.
447. Ovpaft, ' forth,' ' out ' ; see on 5. 694.
450. We should gather from this passage that the sending out of
Patroclus was the immediate result of the embassy of book IX.
458. viil tp.<a u>Kvp.6pw. The unusual Synizesis (-to ci- as one
syllable) may be avoided by reading vV kpS> wKvp:6pa> (with two MSS).
464. uSe, ' as surely' : cp. 13. 825 tl yap kywv ovrai ye — , oi? — .
465. IkAvoi, Opt. because the principal Verb is an Opt., § 34,
1, a.
467. dvflptoTTcov -jToXtcov, ' of the many' ^who will see it : cp. Od. 9.
352 iru/s niv tis at koI vffrepov d\\os 'Ikoito avOpwwaiv iroXiaiv ; ^ = 'and
many might do so'\ 0avudcrcr«Tai may be Aor. Subj.. implying
purpose ; cp. 3. 287.
470. x°dvouriv, 'melting-pots,' 'crucibles."
NOTES. LINES 405-500. 349
471. iravTOit]v, i.e. of all degrees of strength.
473. oititus k.t.K. This clause takes the place of the alternative to
o-rrevSovTt. : instead of fir) airevSovTi or pi) irape/j.fifi'ai (or some equi-
valent phrase) the poet uses words which logically cover every case.
The reason evidently is that there are not hvo alternatives, but various
degrees ^iravToirjv auT/j.r)i> ) 1. 471).
481. atiToC, the body of the shield (opposed to avrv£ and t(-
Xafxwv).
irnlx«s. The five ' coats ' or ' layers ' were circular plates of metal,
successively diminishing in size in such a way as to form concentric
rings, — the fifth or smallest being visible as a complete circle, in the
centre of the shield. On this central plate, and the four rings sur-
rounding it, the pictures were wrought. The description begins with
the innermost circle and proceeds outwards.
485. Teip«a, 'constellations.' The Art. makes a contrast to the sun
and moon : ' and the starry signs too — .'
«crTe<|>av<i)Tai, 'is set round with.'
488. avrov, ' in the same space,' always in the north.
SoKevei, ' watches,' as an animal expecting to be attacked. Orion
is imagined as a hunter.
490 ff. The two cities now described probably occupy the next ring
of the shield. They are evidently typical of the two conditions of
peace and war. The city at peace is represented in two scenes, a
marriage procession (491-496), and a law-suit (479-508).
491. Yapoi, the Plur. of indefiniteness : the picture represented
marrying and feasting by means of one marriage-feast. So in the next
line vti^^as and 0aXd.ji.uv, though we need not suppose more than one
bride in the actual scene.
492. tiiro, 'by the guidance of.'
495- «X 0V > ' kept up,' as 16. 105 Kava\y]v 4'x«.
499. «vx«to, ' maintained,' ' claimed credit for.'
500. iri(|)avio-Kwv, < setting forth the case,' assuring all men that it
was so.
dvcuv€To prjSiv IXcorGai, ' refused to take anything.' The phrase is
usually translated ' denied that he had received anything,' but, as Mr.
Leaf has lately pointed out (/. H. S. viii. 122 ff.), avaivofxai means 're-
fuse,' not ' deny ' ; and besides the poet would hardly choose to represent
a suit arising out of homicide— the most interesting chapter of primitive
law, — where the dispute had nothing to do with the homicide itself, but
was a mere question whether certain money had been paid or not. It
gives a much better picture if we suppose the case to belong to
the period when the obligation to accept a money payment was coming
to be recognised, but might still be disputed in particular circum-
stances.
3$0 ILIAD. BOOK XVIII.
|xr]8«v, the only instance of this form in Homer : the Homeric
words are oti tjs, ixt/ tu, The use of pf| (instead of oi) is for the sake
of emphasis, as with Verbs of swearing.
501. €-rrl ia-Topi, 'with a daysman'; properly ici-cop is one who
knows, i.e. witnesses, the agreement by which he is called on to
decide: see 23. 485-487. So in the case of an oath (e.g. 7. 411 vpicta
5« Zti/s iotu) a god is called to witness it, and is expected to know
and punish its violation. Thus the word comes to mean an arbiter or
referee.
irtipap IX«cr0ai, ' to take an ending, decision.'
502. The scene here changes to the actual trial. The chief difficulty
is to reconcile the I'o-Twp to whom the parties wished to resort with the
yepovTts or Elders who now give judgment. The true explanation seems
to be that quoted by Hentze from A. Hofmeister, viz. that the 'iarwp finds
the case too grave for him to decide alone, and accordingly brings it
before the Elders. This is not expressed in the passage, but perhaps is
implied by the description of the people taking sides, and so making the
matter one of public concern. Mr. Leaf adopts this view, and (among
other illustrations) traces an interesting parallel with the trial of Orestes
in the Eumenidcs, where Athene acts as larup, and lays the case before
the court of the Areopagus.
505. o-KTJ-n-Tpa, the indefinite Plural, referring to what was done
several times. Each elder received a sceptre in turn from one of the
heralds, and held it in his hand while he spoke : see on 1. 234.
506. Toioriv, ' with these,' Dat. in the comitative use, § 38, 3.
i^tcrerov, 'started up.'
8Cica£ov, ' gave judgment.'
507. 508. These lines have been much discussed. The main question
is whether the two talents of gold represent the iroivq in dispute — in
which case 1. 508 is to be understood of the disputants, and BiK-qv
€iiroi = ' plead his cause,' — or form a kind of prize, to be given to that
one of the elders whose decision (Siktj) is most approved. The latter
interpretation is accepted by Sir Henry Maine {Ancient Lata, p. 375),
who compares the Roman procedure, and points out that in primitive
times the agreement under which two parties resorted to a judicial
decision took the form of a wager, and the stake went, as ' fees of
court,' to the judge. The language of the passage is clearly in favour
of this view. The two talents are connected with the description of
the elders giving judgment, not with the iroivq, — which was a sum
claimed, but not an object to be produced in court. Moreover, the
sum is too small for the 'were-gild' of a man: cp. 23. 269, where
the two talents serve as the fourth prize of the chariot-race. And the
words 8ikt)v lOvvTara sittoi apply properly to a judge : so Sim] lOtia
(lies. Op. 36), ' righteous judgment ' ; cp. 11. 16. 387 d . . otto\ias Kpivuai
NOTES. LINES 501-541. 35 1
Oi/xiaras, and Hes. Op. 221 aKokijis Se 8ikt|s npivwai Qiniaras. The
chief difficulty urged on the other side is that there would have to be
some way of deciding which of the elders gave the best judgment.
But this difficulty would not arise in practice. Homeric debates end
without any formal voting : either some one opinion is adopted by
the ' evident sense ' of the assembly, or else no decision at all is
arrived at.
509 ff. The two armies are probably both besiegers (not besiegers
and besieged, as has been thought). The artist of the shield could
only give the notion of surrounding a city by showing it between two
sets of assailants (see the examples given by Helbig, p. 305). The
words 8ix a Se o-^icriv T)v8av€ j3ovX"q need not refer to the two
armies (as though each supported one of the two proposals). They
only imply an assembly in which the usual alternatives (cp. 22.
1 1 7-1 21) were supposed to be debated, perhaps with envoys from the
besieged.
513. vir€0copT|o-crovTO. 'armed themselves to meet' , the enemy) : vrru
as in inravTiafa, vnofttva), inroKpivofiai. The usual explanation, 'armed
in secret,' cannot be supported by a good parallel.
515. «<j>€crra6T€s, Masc. because the boys and old men are in the
poet's mind : cp. 2. 137.
519. d^is, 'standing out] not mixed with the crowd.
viroAifovts, 'smaller under' (them), iitto as in vno8fj.ws, vnopov-
ko\os, l<prjvioxos, — words implying a lower position. Editors generally
write vtt' 6\i£ov€S, taking iiwo as an Adverb with -fjcrov.
520. «iK€, lit. 'gave way,' 'made room for,' hence 'was fit for.'
The Pres. (Uoj fei/cai), 'to yield,' is probably the same verb as the Pf.
totica, 'to be fit' or 'like' (Curt. GZ. 5th ed. p. 663). This passage
shows the transition of meaning : cp. 22. 321.
523. Join dirdvevOe Xawv, ' away from the main body.'
527. tA, i.e. the herds.
528. tcxhvovt' dfi.4>t, 'cut off' (so as to drive them away): cp. Od.
II. 402 /3ou$ irfpiTafj.vufiei'oy T)8' oluu nana Ka\d ( = ' making raids').
531. elpdwv, 'the place of assembly,' where the debate (1. 510) was
supposed to be going on.
«(}>' iirjTtov PAvt«s, ' mounting their chariots.'
533. crTr]0'dp.«voi, 'setting (the battle) in array.'
537. iroSoii'v, Gen. ' by the feet.'
539. wfjuXevv, vcrsabantur : the actions and movements of the
groups were like those of living men.
541 ff. At this point a fresh set of subjects begin, doubtless on a new
ling of the shield. The chief occupations and pleasures of country life
are illustrated, and apparently arranged in the order of the Seasons. Spring
is represented by ploughing (11. 541-549 ; Summer by reaping (11. 550-
3$2 ILIAD. BOOK XVIII.
560) ; Autumn by the vintage (11. 561-572) : and Winter by cattle and
sheep feeding, with a hunting incident (11. 573—589).
544. TtXo-ov, a word which only occurs here and in 13. 707, clearly
means the 'headlands' or boundary of the field at the end of the
furrows.
548. The dark colour given to the gold points to the use of an
enamel (Helbig, p. 303).
550. T€j».€vos, a ' close,' exempt from common occupation. Cp. the
Tt/xevos given by the Lycians to Bellerophon (6. 194), and Sarpedon
12. 313), and by the elders of Calydon to Meleager (9. 578). Many
MSS. have the reading PaOvXTjiov, ' deep in standing corn ' ; but this
epithet could hardly apply to the whole t^cos, and the character of
the Tt'/xfo? as a domain attached to the kingly position (-n/n) $afft\t]is)
is clearly shown from the passages quoted (Mr. Ridgeway in the/. II. .V.
vi. p. 336).
552. SpdYjiaTa, 'handfuls,' the stalks of corn grasped by the left hand
at each stroke of the sickle : cp. the Part. StSpayntvos.
H«t' oYp.ov. ' along the furrow,' as the reaper followed it.
553. 8<ovto, ' bound ' : Cobet reads 5i5evro.
555. SpaY(i«vovT€S, ' gathering the handfuls.'
?z,6. iTap«x ov : ' handed on,' kept supplying the binders.
560. Beiirvcv, 'for the mid-day meal' jiot 'supper,' as in Attie N > : see
on 8. 53.
irdXvvov, lit. 'sprinkled.' as Od. 10. 520 em 5' aKfiTa Xtvica naXvveiv,
of sprinkling into a libation. Hence it may mean to ' grate ' or ' shred,'
in making some kind of broth or pottage.
562. |A«Xav«s, 'dark,' in contrast to the other gold (cp. 1. 548).
563. ecn-T|Kei., sc. dkcorj, 'was set up, supported.' The Dat. icdp.a|i is
instrumental or comitative (§ 38, 3;, cp. 6. 243.
570. Xivov 8' vitto KaXov deiS*. These words are generally under-
stood of the Linus-song, or dirge in honour of AiVos, which the boy
'sang to the accompaniment' (vtto of his lyre. The subject of the
song, a beautiful youth cut off by an untimely death, belongs to a type
represented in most mythologies. It is more than doubtful, however,
whether this is the true account of the passage. Zenodotus read Xivos,
i.e. the linen string of the lyre, which 'sang sweetly, in answer' to the
touch of the player ; and this view — which is equally tenable with the
reading Xivov, taken as a Neut. Nom.— is strongly supported by Od.
21. 411 fj 5' inro KaXov actae, x«*-'8oi/j UKikr] avdrjv (said of the bow-
string tried by the hand of UlyssesX In any case KaXov is an Adv.
571. pT|o-o-ovTes, ' beating the ground ; prjoaa) is generally taken to be
another form of prjyi'Vfju, but this is doubtful.
573. opOoKpeupdwv, see on 1. 3 (where it is applied to ships).
NOTES. LINES 544-6 1 3. 353
575. Koirpov, ' the farm-yard.'
583. Xa(j>voro-€Tov, for \a<pvaakjr\v, a form which is impossible in
hexameter verse : cp. (revxeTov (13. 346).
584. iv&iea-av, 'set on,' 'hounded on.'
avT<os, 'without doing more,' i.e. without attacking the lions
themselves.
585. Sclkcciv, 'in regard to biting,' i.e. shrank from biting the lions.
The construction is like 7- 409 oh yap tis (peiSuj vtKvaju . . irvpos [xuXicr-
atp.iv, ' there is no grudging as to the dead for soothing them with fire,'
= as to soothing the dead with fire.
590 ff. This dance probably occupied a ring of the shield. According
to Pausanias the work of Daedalus was a relief in white marble that
was still shown at Cnossus in his time. The figures of the dance are
supposed to have represented the windings of the labyrinth in which
Ariadne guided Theseus. ttoikiXX* is a word which only occurs here.
Elsewhere WiOu or noiTjat is used of the different scenes.
593. dX<j>€o-i(3oiai. 'oxen-earning,' i.e. purchased with oxen- by their
suitors.
594. Kapir$, Sing, used distributively : ' holding their hands (each) on
a wrist.' Cp. 13. 783., 16. 371. 621., 24. 647.
596. tiaTO, from 'ivvvpt, Pf. Mid. elp-at.
600. dpp.«vov «v iraXdp.T)o-iv, ' well-fitted (for holding") in his hands ' :
so in Od. 5. 234 (of an axe).
6or. ir<ipT|<r€Tai, Aor. Subj. Trapaofiat does not elsewhere take an
Ace, hence rpoxdv should be regarded as an Ace. de quo, § 37, 7.
602. €irl CTTixas aXXr|Xot.o-i, lit. ' in rows as regards each other,' i.e.
forming themselves into answering lines, — in contrast to the simple
movement in a circle of 1. 599 ff.
604-606 = Od. 4. 17-19.
T«pir6p.«vot, in apposition to ojaiXos, cp. 16. 281.
The words p.eTa 8« cr(j>tv . . . <}>opp.i£cov are not in any MS. of the Iliad.
They were inserted by Wolf from the passage of the Odyssey, chiefly on
the authority of Athenaeus (V. p. 181). No trace of them is to be
found in the ancient scholia. The picture of the dance and the two
tumblers is simpler and more intelligible without the player on the lyre.
If the words are not inserted we must read «£dpxovT«s (or possibly
c£dpxovr«) in 1. 606. In the other case t£dpx<>vTos is better, taken as a
Gen. absolute (sc. aotSov).
613. Kao-ovrcpoio. The use of tin is strange, since it is too soft a
metal for such a purpose. See Helbig, p. 196.
VOL. II. A a
354 TLTAD. BOOK XIX.
BOOK XIX.
The chief subject of this book is the 'renunciation of wrath' —
fiTjviSos airupprjcris — which Achilles has to make in the Greek assembly
before he can again take his place in their ranks, and exact the ven-
geance for which he is thirsting. There are four scenes, divided as
follows : —
Thetis brings the new arms to Achilles (11. 1-39).
Achilles calls the Greeks to an assembly, declares his quarrel at
an end, and presses for immediately taking the field. Agamemnon re-
peats his offer of gifts as atonement. Ulysses warns against going into
battle hungry (11. 40-276).
The gifts are brought to Achilles in his tent. Briseis laments over
Patroclus. Achilles refuses food and drink, but Athene strengthens
him with nectar (11. 277-355).
The Greeks arm and sally forth. The arming of Achilles is de-
scribed. The horse Xanthus foretells his death (11. 356-424).
In this book, as in the last, the narrative stands in the closest rela-
tion to the events with which the story of the Iliad begins. Just as the
meeting of Achilles and Thetis, which is the first and most important
incident of book XVIII, recals their former meeting in book I, so the
assembly described in this book takes us back to the assembly which
was the scene of the quarrel between Achilles and Agamemnon. The
' wrath ' which was then kindled in the sight of the Greek army has its
counterpart in an equally public 'renouncing of wrath,' and reconcilia-
tion of the two chiefs.
The speeches now put into the mouth of Agamemnon contain a
reference evidently intended to connect the present position of affairs
with the Embassy to Achilles in book IX. The gifts then offered to
Achilles by way of atonement are again pressed upon him by Aga-
memnon, and his attitude towards the offer is essentially the same as it
was then, namely, one of complete indifference. He does not refuse
the gifts, for he has formally renounced his quarrel with Agamemnon ;
but he makes it clear that they are nothing to him. See the note on
16. 84-86.
Mr. Grote and those who with him regard the Embassy to Achilles
as an addition, inconsistent with the original plan of the Iliad, are
necessarily led to maintain that the passages in book XIX which refer
to it, viz. 11. 140, 141, 192-195, and 243, are interpolations. But
11. 192-195, at least, cannot be spared, unless we also strike out the pas-
sages which describe the gifts being brought to Achilles, 11. 238-249,
27S-281. Homer would not make Ulysses go to the tent of Aga-
NOTES. 355
memnon and fetch the gifts without being first commanded by Aga-
memnon to do so; and this command is given in 11. 192-195. It is
significant, too, that Ulysses is not told what gifts he is to fetch.
He simply goes to bring ' the gifts,' and he finds everything ready to
his hand, in a way that would be unintelligible unless the episode of
book IX had preceded.
These considerations seem to show that if book XIX has been
tampered with in order to bring it into harmony with book IX, the
changes made must have been greater than Mr. Grote supposed.
Among later theories the most plausible is that of Hentze, who would
leave out 11. 140-302 (except 11. 270-277), so as to make the final
apostrophe of Achilles — Ztv -ndrtp, 77 p.eya\as dras avSpeaai diSoioOa —
follow directly on the main speech of Agamemnon. Hentze urges with
much show of reason that after the appeal for immediate action which
Achilles has made (1. 68 dAA' dye Qaaaov orpvvov iroXefiovSe k.t.A.),
the long speeches about the gifts, and on the question whether the army
ought to breakfast before taking the field, are tasteless and out of place.
This however is a line of argument which we must be careful in apply-
ing to Homer. We certainly find speeches made by Homeric heroes at
critical moments, when a single word would seem to be more than
enough. In such cases a conventional license is given. The speech is
allowed to be long enough to give room for a sufficient picture of the
situation ; and the improbability is tolerated for the sake of the artistic
effect. Now in the present instance the aim of the poet is to bring out
the lofty impulsiveness, mingled with grief and desire of vengeance,
which now characterises Achilles, and he does this by contrasting him,
first with the neutral type represented by Agamemnon, then with the
patience and practical wisdom of Ulysses. The debate about the ex-
pediency of sending out the army without food would doubtless seem
to a Greek hearer to be a very fit occasion for the exhibition of these
qualities. And in regard to the gifts it is to be considered that the
acceptance of them by Achilles would probably be regarded as bind-
ing him anew to the cause of Agamemnon. Achilles might himself
be willing to return to the war, even without gifts {drep Swpuv,
like Meleager in the story told by Phoenix, see 9. 598-604) ; but the
morality of the time may have recognised them as a pledge of good-
will which the other chiefs could not safely neglect. In any case the
presentation of the gifts tends to exalt the hero (cp.9. 605), and has the
character of a solemn overt act cementing the reconciliation.
Many short passages in this book have been rejected by critics as
later interpolations. The most important is the passage in which
Achilles is made to speak of his son Neoptolemus, whom he had left in
the island of Scyros. Some critics content themselves with leaving
out 1. 327, in which the name Neoptolemus occurs; others reject 11.
A a 2
tf*
ILIAD. BOOK XIX.
326-337, so as to get rid of all mention of Scyros. The latter view
is supported by peculiarities of language in the passage (see the notes on
11. 326, 331, 332), and the complete silence of the rest of the Iliad as
to the marriage of Achilles. The Scyros adventure was told in the
Cyclic poem called the Cypria, and the coming of Neoptolemus from
Scyros was an incident of the Little Iliad. The present passage may
have been suggested by either of these poems, or may have come from
some common source.
The dialogue between Achilles and the horse Xanthus (11. 404-424)
has been suspected, on the ground that the chariot is not heard of in the
next book. But the Homeric chariot, when it has once brought the
warrior to the field, has little to do except to wait in case he should
be wounded, or hard pressed by an enemy. The scene contains one ot
the prophecies that are a feature of this part of the poem, and the
miraculous incident of the horse speaking — one of a kind that is rare in
the Iliad — gives additional emphasis and solemnity.
8. tovtov, Lat. istum, implies some degree of impatience.
15. <Tp«rov, 'they turned and fled'; cp. 14. 522, also Od. 6. 13S
rptooav 5' aWvSis dWij (of Nausicaa's maidens).
17. 8«ivov is an Adv. qualifying €^€<j>aav9tv (not an Adj.).
19. T«Tapir«TO, a reduplicated 2 Aor., § 4.
22. oia is predicate with *p.ev, 'such as it is like the works of im-
mortals are.' dvSpa should perhaps be dvSpi, as in 18. 362 fieWei
PpoTos dvSpl TtXiaaai (Nauck).
24. viov, Ace. governed by Ka88v<rai in the next line.
26. y.^ e-yy«ivwvTai, ' lest they have engendered.'
27. 'The life is slain out of him,' i.e. is taken by slaying. The
clause is parenthetical.
trairffrj, sc. vacpos, xp» a being Ace. of ' part affected,' § 37, 4.
32. K-rJToi is read by Ven. A. : other MSS. have k€it<u. The regular
Homeric Subj. would be Ktitrat (cp. e<p0iTO, Subj. (peitrai), becoming
KtfTat, which is probably the true reading here.
35. dirotiTTiiv {atto-f airwv), ' declaring at an end,' ' renouncing.'
38, 39. It is probable that some primitive process of embalming is
in the poet's mind : see on 16. 670.
42. d-ywvi, see on 15. 428.
43. 01 T€, sc. rfoav. «x ov > ' wielded.'
49. <?x ov > ' bore,' ' suffered from ' ; so in 1. 52.
50. iTpu>TT), 'the foremost part.'
56. ti expresses doubt or hesitation, which here is of course ironical, =
' can we say that it has been well ? ' Cp. Od. 9. 1 1 tovtu t« p.01 xa\-
Xiarov tvl typfalv ('iSerai thai =' this seems perhaps best.'
upeiov ' well (and not ill) ' : Compar. as in l. 63.
.VOTES. LINES 8-85. $57
57. This is one of the places in which it is difficult to decide be-
tween or*, 'when ' and o re, ' in that,' 'in respect that' (§ 48, 2). The
latter suits t68«, which gains by being taken as an antecedent to the
Relatival clause : cp. Od. 20. 333 viiv 5' ijorj r6oe 5f)kov r ovKtri
voart/xos (art: also the combination to — on (II. 5. 406, &c), tovto —
on (II. 15. 207), to — o (II. 19. 421., 20. 466).
60. €\6|xi]v, 'gained her' (as a prize).
62. «p.«v diro|iT)vto-avTOs, 'from the time of my great anger'; onto
expresses that it was an utter quarrel, see on 2. 772.
63. Kc'pSiov, ' profitable for the Trojans ' (not for me). The Com-
parative expresses this contrast, not a higher degree of the quality
'profitable.'
65. irpOTeTvx&n ta.crop.ev, see on ]6. 60.
70. in, ' once more,' as before the quarrel.
71. tavetv, i. e. ' to bivouac,' see on 9. 325.
77. airodev eg «8pi]s, 'without moving from his seat'; so in Od.
13. 56 avroQtv ef kopioiv, opposed to avh 5' 'iara.ro. Two of the old
texts which were used by Aristarchus (those of Massilia and Chios)
had instead of 11. 76, 77 the two lines —
roiat 5" aviorantvos p.(re<f>r] icpeiwv 'Ayafitfivcov
firjvty avaartvaxoiv Kal u</)' (\ieeos d\yta â– naoxosv.
The text of Zenodotus had the first of these lines only. The great
difference in the two versions of 1. 77, and the fact that both were
unknown to Zenodotus, make it probable that both are spurious, — are
in fact two different attempts to explain the obscure words at the begin-
ning of Agamemnon's speech.
79, 80. Aristarchus understood these lines as Agamemnon's plea for
indulgence in speaking from his seat, and apparently took v|3{3dX\€iv
(*. e. vnoPaWetv) as meaning ' to prompt,' to put up some one else to
speak for one. ' It is a goodly thing to listen to one standing,' — i. e. it
is well for a speaker to stand (which I cannot do on account of the
wound) — ' and it is not fitting to speak through the mouth of another '
— so that I am driven to speak ef eSprjs. This explanation is evidently
very forced, and is only tenable at all on the assumption that Agamem-
non was not standing. If we reject 1. 77 the lines are naturally taken
as an appeal for silence : ' it is well to listen to him who stands up (to
speak), and unseemly to interrupt.' With 1. 79 so understood cp. Od.
*■37° A"? "* Potjtvs 'iarw, \-nt\ to ye ica\ov a/tovf/Mtv kariv aoioov : and
for vfiPaWeiv, ' to take up,' ' interrupt,' see on II. 1. 292, where the Adv.
vitoP\t)Otiv has this force.
82. p\dj3ETai, ' breaks down,' see on 16. 331.
83. <v5ci£op.ai, ' will declare the matter.'
84. orwOto-Oc, cp. 1. 76 aii ot avvOto, ' give heed.'
85. tovtov, Lat. is turn, 'that word of yours' (§ 45), refers to the
358 ILIAD. BOOK XIX.
foregoing speech of Achilles. ' The Greeks have already said all this
that you say now.' For this use of ovros cp. 11. 187, 213.
89. aviTos airr]vpcov, 'took by my own act,' see 1. 356.
90. 8id, with TcXtvTa, ' brings to the end.'
91-93. Aios Ovya-nip is predicate. Note the shifting play of personi-
fication : Ate — moral blindness — is first a thing put into the soul by
Zeus, Fate and the Erinys, and then suddenly becomes a living agent.
She goes with soft tread ' along the heads of men,' i. c. she enters men's
minds before they are aware of her deadly power. So the Erinys
is T|tpo<})oiTis, ' moving in mist ' (like ' the pestilence that walketh in
darkness'). Cp. Shelley, Adonais xxiv :
Out of her secret Paradise she sped
Through camps and cities rough with stone, and steel,
And human hearts, which to her aery tread
Yielding not, wounded the invisible
Palms of her tender feet where'er they fell,
ddrai, Mid. in a transitive sense, ' infatuates.'
94. cTtpov ye, ' one at least ' (if not both himself and Achilles).
95. Z«vs do-a-ro, so Aristarchus : the MSS. have Zt>v' do-oxo, sc.
"Kir). The transitive sense may be defended by the use of aarai in
11. 91, 129.
103. p-o-yo-o-Totcos (so divided), probably 'staying labour' (root
stek) ; see 11. 270.
105. twv dvSpuv Yev€-fjs, ' one of the race of those men.'
ot 0' atp,a.TOs k% tp-ev clo-i, ' who are of blood from me.' So in
1. in 01 arjs e£ ai/xciTos elai yevedXrjs, 'who are of blood from thy
stock,' joining ot}$ e'£ elai yei'eOKrjs : cp. Od. 13. 130 roi nep toi i/jitjs t£
clai ytvtOXrjs. The Gen. aiparos is partitive, in the wide sense of 'be-
longing to ; cp. 20. 241 TavTqs toi yevtfjs re ical aifiaros evxo/xat dvat,
and Od. 4. 611 ai^aros els ayaOoio.
107. ovt6 indicates the relation of promise and fulfilment : ' you will
not, when the time comes round, crown your word with fulfilment.'
no. t-ir' tjnan twSc, ' with this day,' as the event of this day. See
on 13. 234.
113. i'lrtiTa, ' thereupon,' i.e. therein.
1 15. â– jjSt], ' knew of,' ' knew that there was.'
117. lo-TTjKei, ' was on,' ' was running ' as we say, with a different
metaphor.
118. T|XiT6p.T)vov, 'of the wrong month' (dKiTtii/).
120. ayytXiova-a. The Fut. Part, is properly used in Homer only
with verbs of motion. Perhaps â– npoo-qvb'a has this force : ' addressed
herself to Zeus with the news.'
126. XiiTapOTr\oKdp.oio, 'with plaits shining (with ointment)': cp.
14. 176.
NOTES. LINES 89-183. 359
131. «py' dvOptomcv means especially 'tillage,' as in 16. 392. In the
heroic age this comprehended all settled life.
140. S8« irapa<rx€p.«v, ' am here to furnish,' as 9. 688 del ical oi'St rah'
tlirtpifv.
141. x^ l £°s is incorrect, at least according to our mode of dividing
time, since the Embassy was in the night before last. But possibly
Homer reckoned the day from sunset to sunset, as the Jews still do.
147, 148. The construction here is mainly a question of stopping.
Recent editors put a comma after cOcXtjo-Oo, and again after €x«p-«v,
and read irdpa ( = ndpeari ) : — 'Gifts it is for thee, if thou wilt, to
offer, as is becoming, or to withhold them ' ; or (taking the Inf. for
the Imperative) 'Gifts, if thou wilt, do thou offer,' &c. It seems
better, with the older editors, to join €0€X-n<r0a irapacrx«p.€V, and to
read «x«'p- €V ira-pd" o-oi (with the MSS.) : ' Gifts if you choose to offer,
as is meet, or to keep them with you, (do so) : but now ' &c. The
ellipse of the grammatical apodosis is quite Homeric : cp. 7. 375 at «'
e6(\euai iravaaoOcu Tto\eftoio Svarjxtos, eh o Kf veitpovs KTjOfXfV varepov
avre p:axr](Tvfj.e6' k.t.K. See also on 6. 150. The presumption is in
favour ofthe interpretation which requires the fewest stops. For -napci
aoi = ' in thy keeping ' cp. Od. 11. 175 rj en noip kuvohtiv tpibv yipas r\k
tis 7/877 avSpwv aWos 4'x*<.
fj T6 is nowhere else used exactly as in this passage, = ' or.' Perhaps
the true reading is ei t\
149. tcXo-roireuciv, a word only found here, said to mean ' to make fine
speeches ' ; but this is a mere guess from the context.
151. ws K€ tis . . iBtjtcli is best taken after p.vi)<ru>p.€0a x^-PH- 1 ^ ;
' that so men shall see Achilles,' &c. Some take tos K€ tis — w8« tis as
correlatives : ' as each one of you shall see Achilles . . so let him ' &c.
But this separates the three lines too much from the rest ofthe speech.
158. oLitX-qcrcoiTi, ' meet ' (in combat).
163. d'Kp.i]vos, ' unfed,' a word that occurs in this book only (11. 207,
3^o, 346)-
169. yvla, ' in his limbs,' Ace. of ' part affected.'
172. oirXeo-Ocu, ' to make ready,' found here and at 23. 159.
176. jjtTj after Verbs of swearing, cp. 15. 36.
ttjs is governed by evivfjs, ' her bed ' : see on 9. 1 33.
180. 8ikt]s *m8«v«s, 'a falling short in right,' failure to receive what
is due.
181. €it' dXXcp, 'with another,' ' in another case.'
183. ciirapto-o-ao-Oai, ' to make his peace again with.' The Ace.
{3a<riXTJa. is to be taken as subject to airapfcrcraaGai, and av8pa as
object (the same construction as ere apto-atrOw in 1. 179): 'it is no
matter for blame (?'. e. it is only right) that a king should make atone-
ment to a man when he is the beginner in the quarrel.' x a ^ (wa ^ vaj ' s
360 ILIAD. BOOK XIX.
'to storm,' 'chafe,' xa\nrr\va\. (Aor.) 'to lose one's temper,' 'break
out in strife.' Some editors take Pa<nX-rja avSpa together : the rhythm
is against this. Heyne takes aTrapi<T<Ta<T9ai = 5vaapt<JTt?v : 'it is only
natural that a king (viz. Achilles) should show displeasure when one
provokes him.' But this would be a mere truism. The form of the
line reappears in the conventional av$p' airapLvvaoOai ore rts irportpos
Xa\tir-h v V C 11 - 2 4- 369., Od. 16. 72., 21. 133).
186. «v poip-rj, ' in fitness,' 'duly.'
187. TavTa, ista, ' what you propose,' cp. 1. 175.
189. Aristarchus read avOi t«os, the best MSS. have av8i t«ds i«p.
Here the form t*g>s, which had crept in instead of the original Homeric
T-fjos, spoiled the metre, and so led to further corruption. We have
first to reject irtp (with Aristarchus), and then to change aiOv into
avToOi (Bekker ; or av-rov.
193. KovpTjTas, used here and in 1. 248, apparently = novpovs.
194. «v€iKe'p.«v is an exceptional form in Homer; elsewhere TjvtiKa is
the Tense-form used, §5,3.
195. x^i-Sov, here an Adv. : but perhaps we should read x^t^ ( so
the passage is quoted in Strab. X. 467).
202. xjcnv. The usual Homeric form is q?.
2015. orpvveTOv, ' you two,' viz. Agamemnon and Ulysses.
208. Ttt>(;€cr0<u, the Fut. to show that this is not properly part of the
command : cp. 6. 70 dvSpas nreiva}p.(v, firtira 8e . . ovX-qatrt. But
the Opt. Tio-aip.«0a shows that the clause is grammatically dependent
on avioyotp-i. See § 34, 1, a.
212. dva irpoOvpov T€Tpa(ip.evos, i.e. with his feet pointing through
the doorway.
213. TavTa, 'your theme,' viz. food, cp. 11. 85, 187.
216. We may read n^X-fjos, scanning vU as an iambus (cp. 4. 473.,
6. 130, &c), or IlTjXtos vli ( ).
218. iTpoPaXoip.T)v, 'may surpass,' 'should be found to surpass' ; lit.
' throw myself in front ' ; cp. 6. 68 hvapmv emf}a\\6p:tvos.
221. T€ marks a general statement, § 49, 9. So Od. 1. 392 aT\pa ri
01 Sw afvtiw TTf\(rai, and lies. Theog. 86 6 S' aaipaXiais dyopevwv alipd
t« ml ptya vtixos tTTMTTafj.fi'cos KaTtnavat (Duntzer\
222. KaXdp.T|v, 'the straw.' War is a harvest in which there is much
cutting down, but little ingathering of fruit. In this fine metaphor the
slaughter in war is compared to the work of the sickle, the word xciXkos
applying to both. dp.T]TOs 8' oXi-yion-os is an ironical under-statement,
a way of saying that in war there is nothing answering to the a/xtjTos of
the husbandman :— it is *a harvest that is all cutting down, no storing
up of what is cut. The d/^ros is clearly not the slaughter (as L. & S.)
To understand it of the booty is logical, but somewhat impairs the
poetical effect.
NOTES. LINES 1 86-36 1. 361
223. c'ittjv kXivtjcti TaXavTO ZtOs, ' when Zeus strikes the balance,' i. c.
decides the issue ; cp. the symbolical weighing of opposing champions,
8. 69 ff.
225. yao'Ttpv, i.e. by fasting.
227. ttot* K€v tis dvairv«u<T€i€ itovoio ; 'when can a man have a
breathing-space from the toil ' (of fighting) ? This parenthetical ques-
tion simply dwells on the notion implied in iroXXol ko.1 *Trf|Tpip.oi — that
there can be no respite (and therefore no time for fasting or cere-
monious mourning of any kind). Some make it refer to the ' hardship '
of fasting: but this is a post-Homeric sense of irovos, and does not
give so good a connexion of thought.
229. vtj\«o, for vrjkiia (Nom. vtjK(tis), by hyphaeresis : cp. a>c\eas,
vntpSia, also ai'Seo for aiSe-eo.
tir' ^p-an, ' for the day,' *. e. on the day only. BaxptPcravTas, Aor.
because it means ' performing the weeping,' regarded as a single act.
230. irepl XiircovTcu, < are left over from ' : ir«pi as in ntpUtfxi, &c.
234. Xawv, with tis.
2 35- l^e -yap oTpwrvs KaKov tacreTai os K€ \Lm\rai, ' for this call to
arms will be ill for him who shall stay behind,' *. e. after this call to
arms it will go hard with him who shall stay behind. The commenta-
tors generally take tJ8€ oTpwrtis to be the S.X\i) orpwrvs of the pre-
ceding line. But surely r\8t can only mean ' this present,' opposed to
any future or distant one; cp. 7. 358 olaOa ical d\Xov (xv$ov a/j-dvova
TovBe vorjaai.
247. <rTT|(ras, ' having weighed.' iravTa, ' in all.'
254. airo Tpixas dp£dp.€vos, ' cutting off hair as the beginning of
the rite.' dpx«r6at is applied to any preliminary rite, and as the rite
is in this case cutting off hair dirdpx«o'6ai is equivalent to ano-
Tfftveiv, and is construed accordingly: see on 1. 471 (knapgafitvoi 8e-
irataoi).
255. «r' avTo<J>iv, generally explained 'by themselves,' 'withdrawn
into themselves' (Leaf), as 7. 195 (tvxtoO*) ai-IV «</>' i/fiuaiv. But this
reflexive use of auros is very questionable, and r)oOai i<f> kavrwv can
hardly be made to mean ' to sit withdrawn into themselves.' Probably
the true reading (as Nauck suggests) is auTofii, and hit' — faro means ' sat
by ' (Lat. adsistebani).
258-260. The chief deities called upon to witness oaths are Zeus,
the Sun, and the Earth. In 1. 197 Agamemnon mentions only Zeus and
the Sun. The three are named together in the similar passage, 3. 104,
and a ram is allotted to each. The avenging powers ' beneath the
earth' appear in the prayer 3. 276-279, but the name Erinyes is only
given to them here.
261. p/q tir€v«iKai, ' that I never laid hand' ; for p.T| with the Inf. in
oaths cp. 1. 176 }xi] irort . . imft^/nevai. The Nom. iyu> however is
362 ILIAD. BOOK XIX.
unexplained: and as the formula io-tw vvv is elsewhere (10. 329., 15. 36)
followed by p/f| with the Indicative, and the form cveiKai does not
elsewhere occur (cp. 1. 194), it is probable that the true reading here
is €ir«v€iKa (so La Roche).
262. «wvfjs is governed by k«xptip-«vos in the sense of ' desiring.'
irp6<j>ao-iv is adverbial, as in 1. 302, = ' professedly.' The npu-
<paois is the ostensible ground, whether it be the true ground (as here),
or not.
265. Otis o-<j>' aXiT»]Tai, ' to whoever offends,' to every one who
offends. <r<j>' for o-<|>«, Ace. Plur.
271. ovik &v k.t.A.., ' else surely Atrides would not have stirred.'
273. dp.f|X avo s, lit. 'impracticable,' 'with whom no contrivance is
of avail,' hence 'perverse,' ' unconscionable ' : cp. 13. 726 a^x^vos
iaai trapappjjToiai mOeoOai.
aXka. iroOt k.t.X., 'but, it seems, Zeus wished ' — ' unless Zeus had
wished.'
276. alvJ/tipTiv, ' speedy,' i. e. so that it separated speedily.
290. «*>s introduces a reflexion founded on the fact just men-
tioned : ' even as for me evil always waits upon evil,' ' showing how
evil waits upon evil.'
8«x«Tai, used without an object, 'waits for its turn,' is ready to
carry on the series.
293. tovs p.01 (Aia, see on 3. 238.
294. kt]8«iovs, ' much cared for,' beloved.
298. KovpiSnrjv, see on 5. 414.
a£eiv, ' that he would carry me ' ; the change of subject is some-
what harsh, but the name of Achilles is the chief word in the previous
clause.
Saicreiv yap-ov, ' to give a marriage-feast ' : Od. 4. 3 Satvvira ya/tov
noWoioiv trrjertv.
302. Trpocjjao-iv, as in 1. 262, does not imply that the mourning for
Patroclus was a mere pretence, but only that it was the immediate
occasion : so in 11. 338, 339.
305. tmimOeO', for iirmiiOfTm, ' listens to my prayer.'
306. irpiv, ' sooner,' sc. than sunset ; this is expressed by a fresh
sentence (1. 308), cp. 16. 62., 24. 699.
312. TtpirovTts, Pres., 'seeking to comfort.'
313. iro\€|iov o-Top.a, ' the open gulf of war.' The word is ap-
plied to any opening, e.g. a bay between headlands (14. 36). War
is perhaps thought of as an open space, an abyss, into which a man
may fall and be lost. But we must not press the metaphor too
closely.
314. p.vT]o-dp.€vos, ' bethinking himself,' viz. of Patroclus.
dvevtiKaTO, • fetched a sigh.'
NOTES. LINES 262-375. 363
315. iroTt, nearly = 'many a time,' like ris = ' many a one.' (Ot)kos,
' hast served.'
321. af) iroOfj, 'with longing for thee': so 1. 336 (p-r)v dyyekirjv,
' news of me.'
ov irdOoip-i, without dv or Ktv, § 31, 4.
322. toC iraTpos, 'my father' (instead of you): the Art. marks
the contrast, as in Od. 2. 134 e« yap tov irarpos tcaKa wdaoftat, aWa
ot K.T.\.
324. 6 8'.. iroXepigfa). This combination of the Art. with the
First Person is only found here: but cp. the similar use with 5s, 15.
257, &c.
325. pi-ysSav-fjs, ' to be shuddered at,' ' abhorred.'
326. tov has no construction : the Ace. is used as though the last
sentence had been in the form tov iraripa. diro(p9ip.ivov irvOoip:r]v.
4>i\os vi6s is construed with the Relatival clause : cp. 13. 340, &c.
330. t« is not in place here (§ 49, 9) : we should probably read <ri
8' in, ' that you would yet.'
There is some reason to regard the lines which speak of Neopto-
lemus (11. 326-333) as interpolated: see p. 355. The construction of
I.326 is defective, and 1. 327 has been generally condemned. The place
of the p.01 in 1. 326, and the neglect of the f of Ssicao-Ta (1. 332), are also
suspicious. The expectation of Achilles that Patroclus woidd return
without him (11. 329, 330) does not agree with 18. 10, where he says
that he ought to have known that Patroclus must die first.
337. o/y-yeXiTjv ot«, ' the news (which there will be) when ' &c. : cp. 8.
229 eux^a' ore 87) <pdpev, 'the boasts (which we made) when we said.'
344. ksivos, with deictic force, ' yonder he sits.'
351. Either Kar-i-naXro (ndWw), ' hurled herself down from,' or kclt-
tn-akro, 'leaped down to him from.'
357. Aios, here in the original sense, ' heaven.'
358. aiGpTjYtvtos, see 15. 171.
361. Kpa/ravyvaXoi., ' with stout 71/aXa,' i.e. breast and back pieces.
362. 7«\acro-€, ' was brightened ' : this is perhaps the literal meaning
of ye\dct).
364. The narrative here goes back to the arming of Achilles, which
must have been over before his followers left the camp.
365-368. These four lines were rejected by Aristarchus, on the ground
that it is absurd to represent Achilles as gnashing his teeth.
366. «v 8e 01 T)Top 8vv' dxos, 'grief entered his heart': cp. 11. 268
vSwat Svvov p,ivos 'ArpeiSao, Od. 18. 348 Svrj dxos KpaZi-qv.
. 375. This simile comes awkwardly after the simple comparison in
1. 374 atXas yivtr' tjvt( p.rjvr]s. The use of dv in 1. 375 is unusual in
Homeric similes, § 33, 1, b.
«k ttovtoio, ' out at sea ' : the light is seen from the sea.
364 ILIAD. BOOK XX.
380. irtpi, with OtTO.
383. i«i 6ap.€tas, ' set thick' : cp. 18. 612 iirl 5« xpvotov \6tpov rJKt.
385. €<j>ap^6cro-€i€, ' if the armour would fit' ; the verb is intransitive,
as 17. 210 "Enropt b" tfpfxooe t«i/'x«' «tj XP°t- Cp- 1 Sam. xvii. 39 ' And
David said unto Saul, I cannot go with these ; for I have not proved
them.'
386. Cp. Xen. Cyr. 2. 2. 14 ifiol 5o«ef rd rwv oir\wv (poprjixara
tTTtpois fiaWov toitcivat t) (popriq>.
388-391 = 16. 141-144.
392. *AXki(xos, apparently a shorter form of the name 'A\Kinidoji> (16.
197), like ndrpoKXos for narpoit\(T]s, "EKaros for 'Ekcltt)I16\os.
395. ko\Xt]t6v, ' well put together.'
396. «<(>' tinrotiv, 'on to the chariot' : Gen., cp. 18. 531.
399. -n-aTpos, since they had been given to Peleus, 16. 381.
401. aAXus, 'in another fashion,' i.e. better than you did for
Patroclus.
<t>p<if«cr0e, ' bethink you how.'
cra<i><r«p.€v, Aor. in -gov, § 9, 3.
402. lujiev may be the 2 Aor. Subj. of 'Irjfjii, used in the sense of
fitOirjfu, ' let go from,' ' cease.' But more probably it is from the root
sa, Greek d-, meaning ' to have enough,' which we have in d-Z-qv,
and Lat. sa-tur, sa-tis: cp. 1. 423 dorjv ikdaai noXepoio. Thus ?<op.ev
would be for do/xtr or rjofiev, formed like (S-qopLtv (Curt. Verb. ii. 69).
404. {vyo<|)i, for the Gen., ' from under the yoke.'
ir68as aloXos, ' with glancing feet.' The word al6\os is especially
used of the effect of quick movement.
418. cpivvts, the powers that punish violation of divine laws. So
Heraclitus said that if the Sun went out of his due course the Erinyes
as the helpers of justice would find him out (fr. 29 By water).
421. o, 'that '=07-!, § 48, 2.
423. a8ijv tXdcrai TToXep.oio : cp. 13. 315.
BOOK XX.
The next three books, XX-XXII, bring the action of the Iliad to
the cidminating point. The grief of Achilles for Patroclus, which the
preceding book has shown us in its effects on the quarrel with Aga-
memnon, is now translated into deeds in the field. He goes forth to
avenge his friend ; and the battle ends with the death of Hector.
NOTES. 36/;
In the events which follow three stages may be distinguished, cor-
responding to the three books of our text : (XX) preliminary incidents
in which Aeneas has a leading part; (XXI) the fighting by the river,
and combat with the river-god himself, and (XXII) the final combat
with Hector. The argument of book XX is as follows : —
Zeus holds an assembly of all the gods, and grants them permission
to take part in the war. They descend and range themselves accord-
ingly (11. 1-75).
Aeneas is urged by Apollo to single combat with Achilles. The gods
retire to watch events. Achilles and Aeneas meet. In the combat
which follows Aeneas is on the point of being slain, but is saved by
Poseidon (11. 75-352).
Achilles and Hector exhort their followers : Hector withdraws before
Achilles (11. 353-380^.
Achilles slays many Trojans. Hector seeks to avenge the death of
Polydorus, and is about to be slain, when he is rescued by Apollo. Still
Achilles rages unchecked (11. 381-503).
The plan of the book brings out one of the contradictions which are
the stumbling-blocks of critics, but which really lie deep in the nature
of epic poetry. Achilles is burning to avenge his friend ; he ought
therefore to seek out Hector and bring his quarrel to a speedy issue.
Instead of this he is drawn away into a slaughter of Trojan rank and
file, with incidents which occupy two books. The reason is that the
poet has to fill his canvas. The death of Hector must not stand by
itself in the picture, but form the climax of the last and greatest of the
days of battle. The difficulty is met, as Hentze has well pointed out,
by the Olympian assembly at the beginning of the book. The gods
that are friendly to Troy are again left free to act, and their in-
terference brings about the due ' retardation ' in the course of events.
The scene is of use at the same time in recalling the former assembly
in book VIII, in which Zeus imposed the restraint which he now re-
moves.
The ' battle of the gods ' (Otofiaxta), from which the book has had the
misfortune to take its title, has long been condemned as spurious. The
passage announces with great circumstance the breaking out of ' war in
heaven,' but no actual conflict follows. What we expect after the
speech of Zeus is that the gods should descend to the plain of Troy,
and there kindle fresh strife between the opposed armies. Doubtless
this was all that was intended by 1. 31 ; but not unnaturally the words
Tr6\enoi> a\iaoTov tyeipe suggested warfare between the gods themselves,
Hence an interpolator bethought him of bringing all the chief gods on
the scene, several of whom — as Hermes, Hephaestus, Leto, Artemis — do
not take part in the war on either side. The extent of the interpolation
366 ILIAD. BOOK XX.
is not certain. The most natural limits are 11. 33-7 j, but parts of this
passage may be genuine.
A little further on 11. 11 2-1 55) we find a sort of council held by the
gods who are ranged on the Greek side, to whom Here speaks of the
danger of Achilles and the need of giving him encouragement. This
seems quite out of place here, especially when Zeus had just proclaimed
as his motive of action the fear that Achilles would carry everything
before him and anticipate fate by the utter destruction of the Trojans.
The passage may have been inserted to account for the comparative
inactivity which takes the place of the expected Gtopaxla. A more
important question is raised by the next two hundred lines (11. 156—
352), in which Achilles and Aeneas play the chief part. The arguments
which Kammer has urged against the genuineness of this episode seem
conclusive. It opens with the meeting of the two heroes, which the
poet describes as though it came about accidentally, when the two
armies approached each other, thus ignoring the encouragement already
given to Aeneas (1. 79), and the main impulse of Achilles, his desire
to be avenged on Hector. The death of Patroclus seems for the time
to be forgotten, and the whole character of the speeches is out
of keeping with the fierce and rapid movement which distinguishes
books X1X-XXII. Poseidon, who is elsewhere a relentless enemy of
the Trojans, now rescues Aeneas, and foretells the glory of his house.
It is this prophecy, indeed, which forms the chief interest of the episode.
Evidently it has a local source, and is intended to point to some dynasty,
ruling in the Troad and claiming to be descended from Aeneas, to
which Poseidon may have stood in the relation of family patron-god.
Hence if the passage had been undoubtedly Homeric we should have
had a strong argument for the connexion of the poem with the actual
scene of the Trojan war, the later Aeolis. As it is, we are rather led
to conclude that the local traditions of the Troad were not well known
to the author of the Iliad.
The remainder of the book, at least from 1. 3S1 kv 8' 'Ax^eis Tpwuroi
66pe k.t.\., satisfies every requirement of epic art. We feel that this
Achilles is the Achilles of the Iliad, and that his deeds are bringing us
by swift stages to the crisis which is to be reached by the death of
Hector.
3. 0ptL>o-|j.u) TreSioio, cp. 11. 56.
4. &i\i.i<rra, see 15. 87.
5. Kparos air', to be taken with Ktkevtrt.
18. ayxicrra. S«St)€, 'most nearly blazes up,' i.e. is on the point of
blazing up (Heyne, Faesi). This seems the most natural sense : but the
phrase is a strange one.
21. uv lv«Ka, ' on what account,' epexegesis of PovXtjv.
26. otos, ' alone,' without the help of any god.
NOTES. UNES 3-rOJ. 367
27. c£ov<n, ' they (the Trojans) will keep back, withstand.'
30. viTcppopov, so Aristarchus : the MSS. generally have viTtp p.6pov,
but vir«pp.opov is supported by the corresponding plural vntppopa (II.
2 - 155); "
31. dXiao-rov, 2. 420.
32. 8(xa. 'two ways,' divided.
34. tpiowns, ' giver of blessings ' (fobnjfti).
35. «m . . KtKao-Tai (Tmesis), ' excels,' cp. 24. 535 itavTas yctp W
avOpwnovs tKeKaaro.
42. KviBavov, ' gloried ' : Intrans. only here.
45. 50' may be either ot«, ' when ' or o T€ ( = on), ' because.'
48. According to Aristarchus the apodosis begins at ave 8' 'A0t|vti : cp.
1. 193 ?j\6e 5' 'A.ei]vij. But the shouting of Athene is a mere incident
of the combat now suddenly stirred up, and it is this combat which is
contrasted with the former panic of the Trojans (1. 44 ff.). Hence it is
better to make the apodosis begin at wp-ro 8".
50. dvT«, instead of avriovaa, § 58, 1.
53. 6«(ov is best taken with Iwl KaXXiKoXwvT] ; the Callicolone or
' Fairhill ' being an outlying height near the river Simois, to which
Ares rushed from time to time in order to be nearer the battle.
Commentators mostly join irdp 2ip.6evTi Ot'cov, but the Dat. is against
this, whether irapd means 'to the side of or 'along.' The reading
of Aristarchus was 0«ov, so that Ares would stand ' on the gods' fair
hill.'
55- pTJY vuv T° seems to mean 'caused to break out.' €v aurots,
'among them,' viz. the two armies. Some take it in the reflexive
sense, ' among themselves ' : but this use of avros is extremely doubt-
ful.
62. p.T| k.t.\. This clause should not be taken as dependent on
Seio-as, but on dXro Kal tax*.
63-65. Cp. the imitation in Virgil, Aen. viii. 243-246.
65. o-rvyiova-i, 'dread,' see 14. 158.
67. The f of avaKTos is neglected : but the passage is doubtless
spurious, see p. 365.
72. 'Epp.TJs, the contracted form, not elsewhere found in the Iliad.
77. tov, with ai^a-ros, ' with his blood.'
78. TaXavpivov, 'with shield of stout bull's hide,' cp. 5. 289.
83. direiXai, ' boastings,' boastful offers.
85. iroX«p.ij;€i.v. Most MS. have troXep-ifeiv, but A has irroXep.tgeiv.
The Fut. Inf. is usual after a verb of promising.
87. TaOra, Lat. ista ; explained by the next line, avrla . . paxtrrOai.
95. Ti0«t <J>dos is metaphorical, = ' gave him success.'
99. dXXus, i. e. apart from the aid of a god, ' in any case.'
1 01. to-ov T«iv€itv iroXcfxov t«Xos, ' stretched even the decision of
358 IIJAD. BOOK XX.
war,' ?'. c. pulled evenly at each end of the line. The metaphor of
a rope is a favourite one; see on 13. 358. We should say, using a
different figure, ' held the balance evenly between us.'
101, 102. ov k« is the reading of A : most MSS. have ov p.«. In the
next line vikt)o-«i' is Bentley's restoration for the vulgate vuc-qatt. The
Fat. is clearly out of place in speaking of a purely imaginary case. The
adoption of the Opt. does not necessarily involve reading ov k€ : see on
19. 321.
108. I0vs <J>«p«, ' bear right on,' 'aim straight before you.'
109. XeuyaXtois, ' pitiful,' fit for one who is KevyaKtos,
dpeifj, ' scolding.'
114. dp.v8is o-TTjoracra, 'bringing together': cp. 13. 336.
Ocovs, viz. the gods who were on the same side.
117. 88e, 'here.'
120. aviToOev, ' from where he is,' hence 'at once.'
«ir«iTa, = ' failing this, then,' i. c. as the next best thing, cp. 13. 743.
121. irapoTaiTj, Opt. of gentle command : 'it were well that some
one should stand by.'
125. avTio&)VT«s, Fut. Part, of avridfa.
126. ird&QOi, Subj, after KaTT|A0op.«v, because it refers to what is still
future : § 34, 2, c.
129. ov after «l is not uncommon in Homer : cp. 15. 162.
131. xaXciTOi 4>aiv€<r0ai, ' are dangerous in respect of appearing,' /. e.
their appearing is dangerous.
135. This verse is wanting in many MSS.
136. circira, i.e. if there is not to be a strife of gods, cp. I. 120.
1 38. dpxwcri, so Aristarchus and the best MSS. : but Zenodotus read
dpxxio -1 - The plural is defended on the ground that it is used as if the
subject had been "h.pr)s teal 'AiroWaiv. But there is no parallel for such
an anomaly. Probably dpx-no-i is the true reading, changed to suit
ivx oJO ~ l Ka ' 0VK f ' l <*>°~ 1 in the next line.
140. irap' avToOi, ' on the spot,' ' at once,' cp. 13. 42., 23. 147. The
MSS. have irap* atix6<J>i..
142. ip-* v ) nere m the Fut. sense, ' will go.'
145. du<})ixvTov, lit. 'thrown up (?'. e. built of earth) round him,' a
round earth-work.
147. to ktjtos, ' the sea-monster,' the one sent by Poseidon, in revenge
for the faithless treatment which he and Apollo suffered from Laomedon
king of Troy. This defining use of the Art. is very rare in the Iliad
151. trtpcocrt, viz. on the Trojan side.
152. dp.<j>l o-« k.t.X., i.e. the group of which Apollo and Ares were
the chief. For this use of dp.<j>i see 3. 146.
r\'ii is an epithet of unknown meaning.
1 54. povXds is emphatic, opposed to iro\«p.oio.
XOTES. LINES IOI-213. 369
156. Twv introduces dvSptov t|S' iirirwv, marking the transition from
gods to men.
158. The meeting of Achilles and Aeneas is introduced as if they had
not been already mentioned : for the formula cp. 1 3. 499.
161. The Aor. Participle oir«i.\T|o-as describes the forward movement
of Aeneas expressed by ifiifi^Kt*. \ ' strode on with (a word or gesture
of) defiance.'
162. KopvOi, comitative Dat., § 38, 3.
aT<xp . . «x*j a fresh sentence, though logically parallel to vtvorxdftov,
§ 58, 1
166. d.Ypop.Evoi Tras 8-qp.os. For the Plur. with a Collective Noun
cp. 18. 604 o/u\os Tepn6jjL(i>oi. irds 8TJp.os = the whole people of the
Sijfios, like naaa itokis : the local sense of Srjuos being the older one.
168. «<x\t), ' gathers himself together,' 'crouches.'
173. 4>6ieTai, Subj. answering to e-<p6t-To, § 13, A.
178. Too-crov, 'so much,' qualifies the whole phrase 6p.iXov iroXXov
tVeXOwv, ' coming far on in respect of the throng,' i. e. far to the front of
the battle.
179. «ttt]s, 'hast taken a position' (not 'stopped'): cp. 17. 342
ito\v npo/xdxojv (gaKfitvos tari]. For the Aor. cp. 21. 561.
181. Tip,fjs,withdvd£eiv, 'wilt be master of the dignity ': cp. Od. 24. 30.
183. d«cri4>pcov, probably ' smitten in mind,' from the root seen in the
Aor. aatra, cp. Od. 21. 296 <ppivas aaaev o'ivcu, II. 16. 805 rbv 5' art)
<ppivas ti\e, Od. 21. 301, 302. If so, it ought to be written axxaitppoiv, a
form given by Hesych. Others take it from arjpu, ' to blow/ hence
Might-minded,' cp. II. 3. 108 <ppivts r/fpedoyrai. This makes a good
opposition to tp-irtSos. The force of the line is that Priam is still able to
rule, and if he were not, has sons to whom to hand over the kingdom.
186. «oXira, ' I comfort myself,' flatter myself.
195. pv«<r6ai, ' that he (Zeus) is sheltering yon.'
Ivl 0vp.u j3dXXeai, ' the thought is passing in thy mind.'
196-198=17. 30-32.
202. aurvXa, ' unseemly.' The word, however, is out of place here :
the conjunctions rip.kv — rjSe imply some opposition between the terms
which they connect. Hence we should probably read <ucri|xa (Diintzer).
204. iTpoKXvTa, ' sounded far and wide,' ' famous.'
qkovovtss, ' having heard,' cp. 14. 125.
207. dXoo-vSvrjs, usually explained as ' daughter of the sea ' (Curt.),
but this is quite uncertain.
210. <?T«po{ -ye, ' one pair or the other.'
212. w8«, 'as we are,' without a serious result.
213. «l 8' e0«X€is k.t.X. There is no apodosis, except the story to be
told in 215 ff. : see the note on 6. 150.
VOL. II. j; b
370 ILIAD. BOOK XX.
215. av has no obvious force : possibly it has crept in from 1. 219.
We might read dp, with some inferior MSS.
216-218. A parallel to this piece of history may be found in Sicily.
The Sicel chief Ducetius ray p\v N«'ay, 77ns r/e avrov irarpis, p.tTwKiatv
(Is to irebiov, Kal . . (Knot ttoXiv agiukoyov, f}e . . wvopa^t YlaXiKrjv
(Diod. xi. 88. 6).
229. aKpov «m pi]Yp.ivos, ' along the top of the surf.' With this
reading aKpov is taken substantively. But probably Ahrens was right
in proposing iiri pi)Yp.iva, with hiatus after the caesura : cp. 1. 227, also
16. 162 vScup aKpov. The word pTj-yp-is here seems to mean 'the breaking
waves ' generally, not merely the line of breakers along the beach.
230. Tpuecrcriv, 'for the Trojans,' cp. 13. 452 «'/*' tTiKTt iroXtaa av-
Sptaatv avaKTCL.
234. dvTjptivJ/avro, 'snatched up.' The word cannot be derived from
tptiirco ; the true form is doubtless avi]p«i|/avTO, from a verb-stem apcir-,
identical with apir- in apwafa. Cp. the phrase in the Od. (1. 241, &c.)
'A.pTrviai avriptixf/avro, ' the snatchers (winds that seize and carry off)
have snatched away ' (Fick, Odyssee, p. 2\
235. olo, used as if Ganymede were the grammatical subject of the
sentence : § 44.
246. 6veiS«a, Norn, 'words of reviling we have both at command.'
247. tKaTojJvyos, ' f a hundred benches,' such a ship being then an
impossibility.
248. uOOoi, ' speeches,' i. e. things to say.
249. vop.6s seems to be used almost in its literal sense of ' portion
allotted': so woXvs voy.6s = ' much room allowed,' ' great license.' The
meaning ' pasture ' is doubtless secondary, arising from the word being
frequently used of ' right ' or ' share ' of pasturage ; much as «Xf)pos, ' a
lot,' came to mean a piece of land.
252. aX\ir|\oicn., Dat. with veiKtlv (not tvavTtov).
253. «pi8os Tr«pt, ' over a quarrel,' see 7. 301., 16. 476.
255. trta t« Kal ouki,' ' true and untrue.'
256. cLXktjs, with airoTp«vJ/€is.
260. \iiya, Adv. with p.vK«, ' rang aloud.'
265. ' The gifts of the gods are not easy as regards yielding,' i.e. do
not easily yield : cp. 1. 131 \a\cno\ 5« 6(01 (paiveoOat tvapytis.
269. (\acrcrt, sc. Aivtias (not eyx os )-
a! 8' k.t.K. ' but there were still three ' : for the Art. here and in
1. 271 ras Svo, see § 47, 2, </.
The four lines 269-272 were rejected by Aristarchus, as inconsistent
with the description of 18. 481, which says nothing of layers of different
metals. Moreover the words XP V(J ^ S 7«P tpvicaKt Swpa Otolo occur in
21. 165, and are there applied to the whole shield.
275. tnro, 'under,' 'close to.' irpwTtjv, 'outermost,' the very rim,
NOTES. LINES 21 5-348. 37 1
— where the shield was thinnest, there being only one layer of bronze
with the corresponding layer of hide.
280. U)X(vt), ' in its eager course,' cp. 13. 563.
dfi(|>OTcpovs kvkXovs, the layers of bronze and hide.
282. kA8 8' dx os °' 1 - Bentley read ko.8 8' dxXvs.
285-287 = 5. 30-2-304. ov . . ^cpoiev, § 31, 4.
289. i]pK€ore, 'would have warded off': the main sentence being
conditional {'ivOa kiv . . /3d\e), the k«v need not be repeated.
296. \pai(r\i-i\(T(i, sc. 'AnoWaiv.
298. ?v«k' dXXoTpuov a\ioiv, 1. e. in a quarrel not his own : dxos (Lat.
dolor) is used for the resentment which makes a quarrel.
301. KsxoXwo-erai. The Fut. Ind. is sometimes used in Final clauses,
but rarely in Homer with firj.
303. dcjxxvTOs is predicative, ' perish and leave no sign.'
306. -qx^P*; ' has come to hate ' : cp. 3. 415 rws tie a dnex^VP 10 ds
i'vv fKirwyX' i<pi\rjaa.
307. This celebrated prophecy may be taken as evidence that, at the
time when it was composed (as to which see the introduction to the
notes on this book) there was a dynasty reigning in the Troad (possibly
on the supposed site of Troy', and claiming to be descended from
Aeneas. The story of the escape of Aeneas to Mount Ida is perhaps a
subsequent amplification : it is known to have been related by the later
epic poet Arctinus in his poem the 'IKiov irtpais.
311. Aiveiov, Ace. de quo, § 37, 7, 'consider as to Aeneas whether
you will protect him or ' &c.
cao-rjs is found in one good MS., and is more in accordance with
Homeric usage than the common reading cdo-eis.
313. iToXtas opKovs, ' by many witnesses ' ; opicoi being the 'objects
sworn by,' there may be many to one oath (Buttmann, Lexil. s. v. op/cos,
§5)-
315. «m with dAe^Tio-etv ^Tmesis). 'That we will not ward off is an
under-statement, really meaning that they would bring it about.
317. See on 21. 376, where this line recurs with a different reading.
322. 6 8t, the subject is the same, see § 47, I.
325. <f<r<r€V€v, ' sent flying.'
329. ir6Xep.ov p.«Ta, ' to mix in the war.'
332. dT«ovTa (scanned — J), ' playing the madman.'
335. <rvp.pXT|<r€ai. The Fut. with ot« ksv is doubtful, but perhaps ad-
missible when used of an event sure to happen. But Cobet's conjecture
|vp.pXT)€<u is very probable : cp. Od. 17. 471 ovwot avr/p . . liXr/eTai.
342. |i«y' *£ 1 8< v j ' looked with wide open eyes.'
345. To8«,'here.'
347. tj pa . . tJ€v, ' is' (though I thought not).
348. avTws, 'merely': 'that his claim was a mere boast.'
HbJ
372 ILIAD. BOOK XX.
353. tirl o-Tixas &Xtq, ' leaped, flung himself, along the ranks.'
357. «<|>tir<iv, ' to deal with,' ' take in hand.'
359. oro^a. The metaphor is obscure : comparing 19. 313 we should
translate ' face ' or ' edge' rather than ' mouth.'
362. a-nxos 8iap.ir«p«s, 'through a rank,' i.e. through the line of men
which I find in my way. It would make better sense if we could read
o-Tixas, but there is no warrant for an Ace. with hiapnrtpis. This is
perhaps one of the cases where the right word — here the gen. plur.
otix&v — cannot be used in hexameter verse.
365. <j>aro 8' ifievcu. 'said that he would go.' This is the common
interpretation : but <j>d-ro properly means ' thought,' and the form
l'fj.€vaL (with long 1) or ip.|i€vai — whichever we adopt — is anomalous.
370. t«X««w may be Pres. or Flit. — probably the former, as KoXoiJti.
377. ck 4>Xoi<tPoio, 'from amid the press of battle ' (instead of meeting
him in front, as a irpupaxos).
8«'8e£o, Pf. of attitude, § 26, 2.
382. 'I<j>mwva, a chief not mentioned in the Catalogue.
385. "TStj was a place in Lydia, according to the Schol. the Sardis of
history.
394. tmo-o-ioTpois, ' with the tires of their wheels.'
8ot«ovto, lit. ' divided up,' made 'mince meat of,' an exaggerated
phrase apparently meaning that they gashed or disfigured the body.
397-400=12. 183-186.
403. dicrOe, ' gasped forth ' ; 16. 468 6 8' «/3pax« Ovpbv diaOaiv.
404. 'EXikioviov. Poseidon is so called from 'EKikt) in Achaia. He
was also worshipped under this name at Mycale (Hdt. 1. 148), where
the Panionion or common sanctuary of the Ionians was consecrated to
him. dp.<j>i, ' in the precinct of,' round the altar ; or (generally) in the
assembly of which Poseidon was the centre, cp. 1. 152.
405. rots, sc. Kovpots. The dragging of the bull was a feature of the
sacrifice, a sort of game proper to the feast.
408. ov ti €iao-K«, 'would not suffer,' i. e. sought to forbid.
409. vewTaTos -yovoio, ' the youngest born.'
414. irapaio-crovTos, Gen. with voara, 'in his back as he sped past.'
Some inferior MSS. have TrapaicrcrovTa, in agreement with tov. This
gives a more usual construction : but the Gen. avoids the awkwardness
of putting together two words (vwra irapaiooovTa) which seem to agree
and do not.
oOi . . ewpT)£, see on 4. 132, 133.
418. \iao-6eCs, ' turning,' sinking to the ground, as 1. 420 \ia£6fxti>ov
ttoti fair).
424. avt-rrdXro, 'started up to meet him': see on 19. 351. If we
read dv^iraXTO, from dvairdWoj, it means ' bounded in the air,' viz. in
excitement.
NOTES. LINES 353-494. 373
425. <<T6p.d<ro-aT0, ' has touched to the quick,' cp. 17. 564.
427. irToXtp.oi.0 Y«4>vpas, see on 4. 371.
43 I -433 = U- 200-202.
435. Tavxa refers properly to the speech of Achilles, 1. 429, which is
taken up in 1. 436 : ' as for your threat of slaying me, it rests with the
gods whether I, weaker as I am, shall slay you.'
437. irdpoiOtv, 'in front,' i.e. at the point. The expression has the
humour of a colloquial phrase.
439. irdXiv, ' back from.'
449-454. This speech has already occurred in n. 362-367.
458. T|pvKaK«, ' stayed in his course.'
463. Tpwa 8' k.t.X. The parenthesis here is of a marked type : it
begins with 6 jxtv (with a change of subject, the Art. referring to a pre-
ceding accusative), and the corresponding 6 8« takes up again and con-
cludes the original sentence. Cp. 16. 401 6 8e Qioropa — 6 p.\v tjoto —
8' «7X" vv(e, = 6 8e QtOTopa, <k rjcro, vv£t. Also 8. 268 avrap o 7' ijpcus,
tirti nva Pt&XTjKoi — 6 piv oXtOKtv — avrap 6 8v<tk(v. In this case the
parenthesis is so long that the first words (6 pkv avrios qXOe k.t.X.) have
to be taken up again 1^0 piv r\-mtro k.t.X.) before the final apodosis.
464. Xaj3«I>v is commonly taken with yovviov, so as to give the mean-
ing ' seizing Achilles by the knees.' The order of the words however
makes this all but impossible : and moreover Tros is not allowed actu-
ally to clasp his conqueror's knees : cp. 1. 469, where he is said to be
Uptvos XlaaiaOai. Hence we must recur to the ancient interpretation
(Eust.), and join ir€(f>i8oi.To XaPtiv, ' spare him, when he had made him
prisoner.' For this rise of Xapj>v cp. 21. 36 j^e XajSwv. The reason for
adding it here is evidently that the poet had not told us yet what had
brought Tros to the necessity of begging for his life.
470. ko,t' avirov, ' pouring from it ' (the liver).
476, 477 = 16. 333, 334.
478. iva, here in the local sense.
479. x €l p°s, the arm as far as the elbow is included.
481. irpoo-0' 6p6<ov, ' seeing before him,' immediately expecting.
482. airrj irf|XT]Ki, ' with the helmet on it,' as it was, § 83, 3.
483. JdcTraX-ro, ' was flung from,' ' scattered forth from.'
484. ITcipco), implies a Nom. Xltipas, or perhaps Tltiptas. Elsewhere
(2. 844., 4. 520) there is a Thracian chief Xltipoos, so perhaps we should
read Ileipoov here.
4S6. vq&ui. The best MSS. have irvevp-ovi, but this is inconsistent with
p.«rcrov : cp. 13. 397 Sovpl p.toov irepuvriffe tv\wv . . p-tcrr/ 5' Iv yaffrtpi
TTT)£tV.
491. paOsta, i.e. not a mere fringe or outside.
494. KT«ivop.«vovs «<j>«ircov, 'busy with them being slain,' i.e. busy
with slaving them.
3/4 ILIAD, BOOK XXI.
497. Xrnr' cYtvovro, ' it becomes peeled grain ' : the verb follows the
predicate in number.
499-502 =11. 534-537-
503. q&ittovs. see on 11. 169, where the same line occurs.
BOOK XXI.
The largest part of the twenty-first book is taken up with the ' battle
by the river ' (i^xv irapairora/uos), which is the last episode in the
story of Achilles before his final combat with Hector. The incidents
of the book are of a more romantic cast, and involve more distinctly
supernatural agency, than in any other part of the Iliad. They are as
follows : —
Achilles pursues the routed Trojans to the ford of the Scamander,
and slays many, defying the river to protect them. He slays Lycaon,
then Asteropaeus. The River-god is roused to anger. Finding his
stream choked with dead, he rises in a flood against Achilles. Poseidon
and Athene give Achilles fresh strength. Scamander calls upon Simois,
and Achilles is like to be swept away, when Here calls Hephaestus to
his aid. The fire of Hephaestus overpowers the flood ; Scamander is
forced to yield (11. 1-384).
War breaks out among the gods. Ares attacks Athene, who fells him
with a stone, then strikes down Aphrodite. Poseidon challenges Apollo,
but he declines combat. Here assails Artemis, who complains to Zeus.
Finally Apollo goes to Troy, and the other gods return to Olympus
(11. 385-520).
Achilles pursues the Trojans to the city, and almost takes it. But
Apollo encourages Agenor to meet his attack; then himself takes
Agenor's form, and so leads Achilles away from the gate (11. 520-611).
In the battle with the Scamander the epic narrative rises with its
theme, and attains a vividness, rapidity of movement, and imaginative
force, which have never been surpassed in poetry. Whether it also
possesses the clearness and smoothness of construction which usually
belong to Homer may be disputed. Critics have found various points
difficult to determine : when Achilles is fighting on the bank, and when
he is in the bed of the river : whether he is on the side next the Greek
camp, or on the further side, where the Trojans are flying to the city ;
whether the river is enraged by the taunts of Achilles (1. 136), or by
the slaying of the Trojans his worshippers (1. 146), or because his
NOTES. LINES I -2 7. 375
stream is choked with dead (1. 2i8\ Some of these questions will
perhaps be solved by further study. For instance, the different reasons
given for the action of the river are not contradictory, and doubtless are
intended to produce a sense of gradually rising anger, bursting forth at
length in uncontrollable violence. Other difficulties, it may be sus-
spected, have their source in the bold and impetuous style of the pas-
sage, which leaves little room for fulness and consistency of detail l .
The 6eojxaxia which follows (11. 385-520) is generally believed to be
an interpolation. The grounds for this opinion are certainly strong.
The episode is of no great poetical merit, and it has the defect,
regarded as a piece of supernatural dramatic machinery, of being with-
out obvious bearing on human affairs — a mere interlude, and that on a
different stage. Moreover, it seems to be a rule with Homer that a
digression is only introduced to fill a necessary pause or interval in the
action of the story. But in this case there is no such pause : on the
contrary, Achilles is still just where we left him, and his career goes en
exactly as we should expect it to do.
The last part of the book is evidently meant to bring the scene of
action close up to the walls of Troy. The incident of Agenor effects
this purpose, and also serves as a natural prelude to the final combat.
1 . iropov, the ford or crossing-place of the Scamander. Half of the
Trojans succeeded in escaping to the city, while Achilles cut off the
retreat of the rest, and so forced them into the deep part of the river.
2. Every river is the ' offspring of Zeus' {8uireTr)s, 1. 268), because fed
by his rain (A<os op/lpos).
5. jiaive-ro, 'raged unchecked': cp. 16. 74, also 8. in (note).
6. its4>v£6t«s, ' in flight,' an irregular form of the Pf. Part.
7. cpvK«|iev, 'to check their flight.' This sending of a mist leads to
no result ; perhaps the words Tjtpa . . ipvitipsv are an interpolation.
11. cvvcov may be either for i-veov (like tWaffe, &c.\ or from the
Compound iv-vtw. -irtpl 8ivas, ' round and round in the eddies,' cp. 1.
317 t\iaaop.iVq TTtpl KaiTVO).
12. T|€pt0ovTai, ' flutter up,' 'rise in a swarm.'
13. <^\«7«l may be Intrans., as <p\tyt9oj : see on 17. 738.
22. p.€-ya.KT|T«os, 'great-bellied,' a common epithet of ships.
27. X^a-ro, ' collected,' 'mustered.'
1 Wilamowitz says of the first book of the Odyssey (which he attri-
butes to a compiler) : ' Diese Exposition will a geben, und falls man
sich nur in die notige Entfernung von dem Detail stellt, so gibt es sie
vortrefflich' (p. 11). But the hearer of poetry, like the spectator of a
work of art, must always place himself at the right point of view.
Whatever is invisible from that point is without value for criticism,
^6 ILIAD. BOOK XXI.
31. The <rrp«rros x^twv, as Mr. Leaf shows (II. 5. 1 13), was a stout
pleated doublet, worn under the 6wpr]£. The ip.dv-r«s here mentioned
were doubtless the straps used to fasten the x'tcu»\
36. dXwfjs, here ' an orchard.'
40. iiripacrcre, ' sent him for sale' (nip-vrjixi).
A-fjjivov, Acc. of the terminus ad quem, which is comparatively rare
in Homer, § 37, 6.
45. olcri <j>iXoio-i, ' with his friends ' : Instrumental Dat. in the ' comi-
tative ' use, § 38, 3.
48. vtWOcu, Inf. after -ir€p.\|/€iv (not iOiXovra).
52. vtto, ' beneath him.'
53. 6x0T|cras 8', apodosis to tov 8' cl>s (1. 49).
54. To8e, ' here,' in my sight.
56. viro, 'from under,' ' up from.'
57. olov, 'to see the way that,' pointing to an example, cp. 15. 287
otov 5fj avr f£avris avkarr] nrjpas aKv£as "Ettrajp, ' even as Hector
has ' &c.
58. TreTr«pT||a.«vos, from irepaco. The regular form would be veirprj-
ftivos, which should perhaps be read here.
59. ttovtos dXos, perhaps with a trace of the original meaning of the
words, ' the pathway of the salt sea.'
62. 6p.us, 'as well ' (as from Lemnos).
6$. irtpl 0vp.u, ' with all his heart.'
68. ovTap-evoi, the proper word for the thrust of a weapon.
70. ap.«vai, ' to glut its desire.'
74. ot8«o, ' have regard to ' ; aldws is the sense of shrinking from a
forbidden act, such as the killing of a suppliant would be. This is
again insisted upon in the epithet ai8otos in the next line.
75. dvTi, 'as good as,' equivalent to: cp. 8. 163 (note).
76. irpcoTW. Cp. Od. 6. 175 d\\a, avaoa, iXtaipc ere 7a/) Kaica no\\a
fioyrjaas ts irpwTtjv iKOfirjV, also Od. 7. 301., 8. 462.
79. €KaT6p.f3oiov, sc. wvov : cp. Od. 15.452 6 8' vp.iv /xvplov wvov
aK<poi.
80. vvv 8« Xvp.T)v k.t.X. This clause is subordinate in the thought ;
' now, when I had been released — and it is but the twelfth day &c.—
now (I say)' &c.
83. |x«XXu irov, 'I must surely': cp. 13. 226.
89. 8apoTop.T]cr€is, i.e. slay in cold blood, cp. 1. 555.
95« °«X op-o-ydcrrpios. This is one of the traces of the ancient
system of reckoning kinship through the mother, which, as we know
from Herodotus, survived in historical times among the Lycians.
101. tu qualifies ^CXxepov, ' it was, I might say, more to my mind.'
104. 'IXiov, for 'IX100, § 19, 3.
105. Kai emphasises -n-dvTtov, ' no not of all,' After a negative ovSt
NOTES. LINES 3I-163. 377
is more regular, but cp. Od. 1. 19 kou fxtra dioi <pi\oi<n, 'not even amid
his friends.'
106. d\\a, <f>iXos, k.t.X. The tone of the speech changes abruptly
into one of sadness and compassion : Achilles sees in the death of
Lycaon a reflexion of the untimely death of Patroclus, and the fate
which is soon to overtake himself. Such transitions of feeling belong
to his character, which is conceived by the poet as one in which reason
is entirely under the dominion of impulse.
no. eiri, ' is assigned, attached to,' i. e. I too am not exempt.
tou calls attention to something general and obvious : ' surely you
know that — .'
in. SsiXtj, 'evening,' elsewhere 5et«\os (1. 232), and StitXov rjfiap.
Perhaps we should write 8««Xos here.
114. auTov, 'on the spot,' straightway.
120. tjk« 4>cpe<70ai, 'sent flying': or perhaps 'sent to be carried
down' (by the river).
122. ji€Ta with the Dat. Plur. is generally used of persons: hence yar'
IxOvo-i may have a contemptuous force, ' with the fish for company.'
123. diToXixn.T|o-ovTai takes an Ace. of the thing taken away (al/xa)
the person (<r«) , and the part (wreiA.ijj'). But some MSS. have (i-mX-fjs.
olkt)S«s, ' paying no rites of burial ' = d«^5«'(TTajj.
126. <|>pix' virat£«i, 'will dart beneath the ripple,' the surface of the
ruffled sea.
127. os K€ ^dyno-i, 'which has eaten,' i.e. after devouring the flesh.
Some take tnrai^si to mean ' will dart up to/ and os K€ ^d-yflo-i,
' which shall eat,' i. c. in order to eat. But the picture of the fish dis-
turbed while feeding on the body is much more natural.
129. Kepai£<ov, ' destroying.'
131. 8T]9d, with the Pres. Up€v«T« has the force oijamditdunt : ' have
long sacrificed.'
144. dvTios «k iTOTap.010, ' facing him from the river,' i. e. with the
river behind him : cp. 20. 377 ht <p\oi<Tpoio St8t£o,
146. BaiKTap-lvtov, 'slain in combat' (Sai's) : we might write 8d'i
KTap.€vcov. The Gen. with /cexoAaj-ro, § 39, 5.
150. o, = oti : 'who are you that you have dared ?' Cp. 1. 488.
156. Asteropaeus, as a late comer, is not mentioned in the Cata-
logue : though, as Mr. Leaf points out (on 2. 848), he must have arrived
before the time at which the Catalogue is placed in the poem.
162. IIt)Xid8a jjl«Xit)v, cp. 16. 143.
Sovpao-iv d|i<t>is, ' with spears from both hands,' with both his
spears at once. We must understand some word meaning ' attacked,'
out of dv«o-x« TO P-«Xit)v in the preceding clause.
163. Tr«pi8t£ios, used here for &fi<piS(£ios, a word that the metre does
not admit.
$j8 TLTAD. BOOK XXI.
166. x* l P°S, ' arm,' cp. II. 252 Kara, \tipa fitarjv afKuvos ivtpOtv.
167. t| 8', sc. alx^rj, understood in Svpv.
awTOv, 'his body.' vtvip — ' passing over,' as 20. 279 inrlp vwrov
tVl 70JJ7 «<XTJ7.
169. lOu-TTT-icova, 'straight-flying' : the termination is the same as in
'Yirtplcov, Kpoviaiv.
172. [iccro-OTra-yss, 'half driven home,' buried to the middle. The
best MSS. have p.«o-croira\«s, ' brandished by the middle,' which does
not suit «0tik€. Mr- Leaf translates it ' quivering up to the middle ' :
but naWai when used of a spear always describes the movement caused
by the act of poising before the throw is made.
174. Asteropaeus now wishes to use the spear of Achilles, but cannot
pull it out of the ground. Apparently he has no sword.
177. (i«0-rJK€ Pitjs, ' let go his force,' relaxed his efforts.
1 78. *m-yvdp.\J/as, ' by bending ' ; he tried to bend it till it should break.
180. Cp. 4. 525, 526.
184. toi marks the lesson to be enforced: 'it is hard, you see.'
185. ircuoriv, Plur. of generality, 'with a son of Zeus': see 11. 190,
499. «KY«Yau>Ti, ' for one that is the offspring.'
186. <J>TJ<r$a, Impf., 'you said just now.'
â– ylvos, Ace. (as ytvei\v in the next line) = ' in respect of descent.'
Hence construe irora\iov <p.p.evai (not ya'os irora/xov).
190. Kpeicr<r<ov (itv k.t.K. This clause is subordinate in thought to
the next : ' therefore as Zeus is mightier than rivers, so the offspring of
Zeus is mightier,' &c.
iroTap.ojv, a Plur. of generality, ' mightier than any river.'
202. 8iaiv« k.t.K. parallel in sense to Keijitvov : 'lying on the sand
and wetted by the dark stream.'
204. K«ipovres is a more general word, qualified by «p€TrTop.€voi :
'plucking at the fat and so making spoil of it.'
206. <?ti TT€<j>opT]aTO, vttei «!8ov is a condensed form = ' were still in
flight, having taken to flight when they saw.'
215. Av8pwv, Gen. after irepi, 'beyond all men.'
217. p.tpp.«pa, ' famous deeds.' The demand of the Scamander — 'if
you must kill Trojans, chase them on to the plain first'— is ironical,
the thing being practically impossible.
220. di'8T)X&>s, ' in all-consuming fashion.'
221. ayr) p.' cx«i. The phrase is elsewhere used of admiration, as in
Od. 3. 227., 16. 243. Here it is rather 'astonishment,' unless it is taken
to be ironical, as is very possible. The tone of the speech is one of
repressed indignation, which breaks out afterwards.
223. TaCro, ' what you ask,' viz. in 1. 217. Achilles puts his refusal
into the form of a modified compliance : 'I will stop, as you bid me. but
not till I have driven the Trojans into the city.'
NOTJtS. LINES 166-275. 379
225. "Em-opi, 'against Hector,' imp^O-fjvai dvTipiivv being='t<>
fight;
226. 8ap.a<r<x«Tai, Aor. Subj.
230. cipvicrao, 'hast maintained,' cp. 1. 126.
232. ScUXos, evening,' perhaps 'the evening sun* (cp. Orl. 17. 606
SfU\ot> ypap), since 6i\it 8vcov applies properly to the sun.
234. oi8p.an Otitov, ' boiling with his swollen waters.'
235. KvK<op.«vos, ' swirling.'
237. 0upa£«, ' forth.' Cp. Italian fuori, from Lat.y^/vV.
240. 8nv6v, Adv. with KVKwp.«vov : cp. 19. 17.
242. «ix € > I0 ^ no.
244. Siuxrev, ' split asunder,' made a gap in.
ittt<r\e, ' reached over,' cp. 1. 407.
245. Y«4>vipa)cr«v, ' dammed,' cp. 15.357. r 1 ^ outov, 'the river itself,'
the whole river.
247. ir«8ioio, with Teirt<rOai.
249. aKpoKtXaiviouv, 'darkling on the surface,' cp. 1. 126 pi\cuvav
(ppiKa.
252. toO 0T]pt]Tfjpos, ' the one called the hunter.' The Art. implies that
the OjjprjT-qp is a particular kind of eagle: cp. 20. 181 rt(irjs tt)s Tlpiap.ov,
and the commoner use with words of comparison, Ai'as 6 p-i-ycis, &c.
(§ 47, 2, d). There was also a reading (xeXavoo-rov, recognised by
Aristotle.
254. «iKa>s. The Pf. Participle generally has the long stem in the
Masc, the shorter in the Fern. : «5cu? ISvta, aprjpws apapvla, &c, and so
iotKws (ti'/fcus only here), Fem. iiKvia.
255. v-rraiOa toio Xia<x0€is. 'turning to one side from before him'
(the river").
2 57- °X €T1 TY°s, 'maker (lit. leader) of channels,' one who makes
channels for irrigation.
258. vBan £>6ov f)Y«|Aov€\Jrj, ' guides the water in its flow ': construed
like 6Sbv TjyetffOai nvi, ' to lead one in the way.'
262. irpoaX«i, ' overhanging,' 'sloping.'
Kal tov a-yovTa, ' even the man who is guiding it ' : the Art. with
Kai as in 1 . 340.
267. 4>op«'ov<ri., ' are causing him to flee,' i.e. are taking part in the
war of elements that is raging against him.
269. irXAfe, ' dashed upon.'
271. tiir-tptirre, ' snatched from beneath,' 'washed away.'
273. ii% expresses astonishment : ' to think that — .'
cXccivov, with \l(, ' in my piteous case.'
274. irtt0oi(u is concessive : ' I am ready to suffer. 1
275. too-ov niTios, ' so much to blame,' i.e. no one is particularly to
blame, except my mother.
380 ILIAD. BOOK XXI.
279. €Tpa<{>€, Intrans., see on 2. 661.
281. €ip.ap-ro, 'it is fated' (though I thought otherwise): the Plpf.
is used like the Impf. with dpa.
283. «vavXos, properly a channel or 'bed,' cp. 1. 312; here 'a
stream.' dirotpo-r), ' sweeps away,' see 6. 348.
X«ip-wvi, ' in a storm.'
286. tirunwavTO, 'gave him assurance.'
2S8. Tp«, ' shrink back ' : the word always implies an act of shrink-
ing or flight (not merely the feeling of fear\
291. u>s k.t.\., to be taken with 1. 288.
292. Aci><J>T|cr ei > 'will abate.' «icreai, 'shalt find it out.'
295. 'IXi6<f>i must here be a ' true' Gen., ' the walls of llios.' Some
take it as a Locative, but the order is against this. Probably we should
read 'IXioo, as in 15. 66., 21. 104 (§ 19, 3).
296. os k« <J>tryT)o-i, ' so many as escape.'
303. dv' lOw, ' in his course,' ' as he strove towards his aim.'
305. «Xt)Y« to ov p.«'vos. ' slackened in his fury,' see on 13. 424.
306: Kopvo-o-c, ' crested,' raised in a crest.
308. dp.<j)6T€poi -irep, ' both together' if one is not enough).
312. vSaTOS, With tp.1Tl7rXT)9l.
317. ovt« Td k.t.X., 'nor again': the Art. emphasises the arms as
specially important in the enumeration.
319. x«P°-8os, an Ace. Neut, according to the best authorities.
322. avTOv, 'where he falls.'
323. Tvp.poxoTjs is the reading of the ancient grammarian Crates.
Aristarchus read Tvp-PoxoTJcr(ai), ' to raise a funeral mound.' But the -at
of the First Aor. Inf. is never elided in Homer ; and the Ace. and Gen.
with xp«I> is a very common construction (9. 75, &c).
ore p,iv OdiTTucriv is covered by the negative, the meaning being
' he will need no mound at his burial ' (because he will have no burial).
Hence the use of ore with Subj. without dv or xtv (§ 33, 1, d).
325. uopp-vpcov, cp. 18. 403.
326. irop4>ijp«ov, ' troubled,' cp. 17. 547, also irop<pvp( (1. 551).
327. Kara tJp««, Impf. 'was ready to overpower.'
332. T|io-Kop,€v, Impf. of continuance in the past, 'we have always
judged Xanthus to be a match in battle for you,' to be your fit
antagonist ; in allusion to the natural enmity of fire and water.
336. Join diro Ki|cn, 'burn up.' The Opt. expresses the more
remote intention (opo-ovo-a being the immediate purpose") : § 34, 2, a.
337. <t>opcovcra, ' carrying with it,' spreading.
338. «v 8' otiTov i«i irvpi, ' plunge the river bodily in fire.'
p.T]8t <T€ «.T.X. = 20. I08, IO9.
342. titvo-kcto, ' got ready.' The common meaning ' to aim ' is de-
rived from this more general sense.
XOTES. LINES 279-453. 381
344. The line is wrongly repeated from 1. 236; here Ka-r' civitov has
nothing to refer to.
346. veoapBt" d\a>T|v, ' freshly watered orchard.'
347. p,tv is governed by «0«ipT], 'tills.' For the order cp. H. G. § 365.
353. of Kcrrd Sivas, so. ?)aav : cp. II. 535 dvrvyts at trtpl 5i<ppov.
356. is itotohoio, perhaps not a mere periphrasis for irorafios.
358. <t>X«Y € 9° VTl agrees with croi (not irvpi).
360. i^fXaatif, Opt. of concession, § 30, 4.
ti p.01 k.t.K., ' what part have I in — ? '
362. €tt€iy6(1€vos, ' urged,' exposed to the force of.
364. dp.fjo\a8i]v, ' throwing up the water,' boiling.
367. Pitj4>i, Gen.
369. «XP a «) <flas attacked,' ' fallen upon,' cp. 16. 352. poov is object
to KTjSeiv, cp. Od. 21. 68 ot rode SSiifxa l\pa(T taOitfitv.
374-376 = 20. 315-317: but most MSS. here have Ka.10p.tvi], icaiuo-i
(instead of daiofxivij, Saiaiat).
386. dijTO, lit. ' blew,' i. e. was stirred, was furious.
388. <rd\iTvy£€v, ' rang as with a trumpet' : see 18. 219.
392. pivoTopos, ' piercer of shields.'
395. aT)TOv is generally explained as from a.rjfii, ' blowing,' hence
' fierce,' ' vehement.' If so it should be oxytone, arfTuv. See the note
on aijjTov, 18. 410.
397. irav64/iov, generally translated "in the sight of all,' either as an
Adv. or agreeing with «?YX°S- The word is probably corrupt.
400. ovn]o-€, ' struck a blow ' (not necessarily inflicting a wound).
411. on k.t.K. expresses the ground of the assertion oiibi vv ir;i irep
€-n-€<|>pdo-G> : ' you cannot have bethought you how much mightier I am,
if you match yourself &c.
412. cpivvas, 'the curses,' Od. 11. 280. tgawoTivois, 'pay {i.e.
suffer) to the full.'
t-?|s p-i^pos, viz. Here. The Art. is used as in 19. 322.
421. -f] Kvvdp.via, Art. expressing dislike, § 47, 2,g.
431. dvriotocra, Fut. of avriafa.
437. aio-xtov, a Comparative of contrast between two oppositcs, i. e.
it means, not ' more aiaxpov,' but ' aloxP" v instead of /caAor.' So in
1. 486 ayporepas (\a<povs = ' wild (not tame) stags.' Cp. 19. 56, 63.
441. €x«s, ' have had,' sc. in helping the Trojans.
450. p.io-0oto TtXos, ' the fulness of payment,' i. e. the performance
when the full time had come.
t£t'4>€pov, ' were bringing,' i. e. should have brought.
451. |3iT|o-aTO, ' did violence,' i.e. robbed us of the hire.
453. avv, with 8t|o-€i.v, by Tmesis. Several MSS. have aoi, which
was*adopted by the older editors. But there seems to be no point in
limiting part of the outrage to Apollo.
383 ILIAD. BOOK XXI.
454. irepdav, ' would send for sale,' see on 1. 40.
455. o-TevTO, see 3. 83. Such mutilations were regarded in later
Greek history as characteristically ' barbarous.'
460. irpoxvv, for np6-yvv, * forward on knee,' abased to the ground.
463. «l S't] irro\€|Ai£a>, ' if I am to make war,' cp. I. 294.
464-466. These lines repeat in a somewhat simpler form the famous
comparison of 6. 146-149.
466. dxTiptoi, ' lifeless,' see on 5. 812.
467. avToi, ' by themselves.'
469. p.iYf|p,«vai «v ira\dp.T)(ri, ' to engage in the hands of,' i. c. to come-
to a hand-to'-hand fight with.
473. €irtTp€4;as, ' hast yielded,' sc. by flying.
p.(\«ov, < idle,' because not founded on actual fighting : cp. 23. 795
fitXtos elp-qcreTat aivos.
475. p.T| . . okoww, ' let me not hear,' cp. 1. 26.
482. p.€VOS, with o.VTv4>«p€cr9ai, as in 1. 411 nivos iowpap'ifas. We
cannot distinguish sharply between the literal sense 'to meet in
combat ' and the metaphorical ' to match oneself, rival.'
487. «l 8' c'OeXcis k.t.X. The apodosis— ' do so'— is omitted as self-
evident: for the other examples of this form see on 6. 150.
488. on (jiot k.t.X. suits the general sense of the preceding clause :
' you wish to know which is stronger, since you offer me battle.'
490. To£a, ' bow and arrows,' including quiver, &c. So in 1. 502.
491. avTOio-iv, 'with these as they were,' going no further for
weapons.
495- X"nP°l*° v > ' a cleft ' : a second Ace, in apposition to ir«TpT|v: cp.
14. 228.
499. iTXT|KTi£«(r0ai, ' to come to blows.' dXoxoioa, see on 11. 185, 190.
503. <rrpo4>dXvyYi kovitjs, ' the whirl of dust.' The phrase belongs
to descriptions of battles (16. 775) ; here it has a mock-heroic effect.
504. 0vyaT«pos, with r6£a.
513. €$ tJs, ' of whose doing.' e^njirrai, ' has got a hold among.'
517. inrtpjAOpov, see on 20. 30.
524. «0t)k«, sc. xaiTvos, the smoke— more properly the fire.
'530. Most MSS. have oTpvvtuv, but the Pres., implying that he called
to the watchers as he descended, seems more vivid : cp. 9. 709.
534. dvairv€vo-(o<nv dXtvTts, 'recover breath by crowding into the
city,' i. e. reach the city, and so recover breath.
535. «irave€p.evai, so Aristarchus: the MSS. have kit' dvj/ Otp-tvai.
536. aXT)T<u, 2 Aor. Subj. of aWofuu, only found here.
537. dveadv t« k.t.K The general statement, ' opened the gates,' is
put before the detail, though that is earlier in time : for the so-called
Prothysteron, or vortpov wpvTtpov, cp. 1. 251., 5. 1 1,8.
NOTES. LINES 454-609. 383
538. T«vi£av <(>dos, ' wrought deliverance,' op. 16. 95 iirrjv </>dos kv
vrjtaai fljjj/s.
539. dvTios, ' to meet ' Achilles. So in 1. 542 6 means Achilles.
Join Tpcicov Xoiyov like Koiydv 'Axcu&v in 1. 134): a\aXK(iv does not
govern an Ace. and Dat.
546. 4>u>tci . . vlov, cp. 4. 194.
551. -irop<j>vpc, 'was troubled': see on 14. 16.
555. 5«ipoTOfj.T]cr€i. see 1. 89.
558. -n-pos irtBiov, ' in the direction of the plain,' i. e. away from the
city. 'IX-qiiov is a form that only occurs here, and has not been satis-
factorily accounted for. It cannot well be the Adj. of "lKios, or of T IXos
(10. 415, &c.), but presupposes a Noun 'IKtvs. An ancient variant is
'Krftov, explained as the plain ' at the foot of Mt. Ida,' i, e. the part of
the Trojan plain on the side furthest from the sea. The chief objec-
tion to this is that the Adj. of "Idy is 'ISaios.
560. ccrrrcpios 8' k.t.\. This may be the apodosis to 1. 556 el 8' av
iy£> k.t.\. Or we may suppose the apodosis to be forgotten, or omitted
as self-evident : cp. 1. 487.
561. tit] 8i«A«£aTO, Aor. in impatient questions, cp. 2. 323.
563. diracipop.€vov, ' starting to go.'
567. Here the apodosis is supplied in sense by the clause Kal -yap
k.t.X., which sufficiently indicates what is meant. Join 01 Kcn-cvavriov
Mw.
568. This contradicts the later fancy of the invulnerability of
Achilles.
575. <|x>p€iTai, of flight, as always.
576. (j>0dp.«vos, has 'begun by' wounding it, i.e. has so far the ad-
vantage that he has wounded it.
578. £vp.p\T|p.€vai, 'get to close quarters,' i.e. reach the hunter with
its teeth or claws.
588. «lpv6|A€cr0a, probably Fut., like t(J>«iJ/€is.
592. p.iv, sc. KVTjfujv. But some MSS. read dfifl Si 01, and the Dat.
is more in accordance with Homeric use.
593. irdXiv opov<r«, 'rebounded off again.'
600. aviTu, the real man : cp. 14. 474., 23. 66.
609. Tr€<J>€v-yoi. One or two good MSS. have Tr«<j>«tPY«i, which fits os
t' tOave better. There is still more doubt in 8. 270 as to &t&kT)Koi, the
only other instance of a Pf. Opt. of this form. In neither place does the
Opt. give a perceptibly different meaning from the Indie. : § 34, i, b.
384 ILIAD. BOOK XXII.
BOOK XXII.
With the twenty-second book of the Iliad the last of the four great days
of battle comes to an end. The two mightiest champions are at length
brought face to face : the death of Hector deprives the Trojans of all
hope of deliverance ; and the vengeance of Achilles is accomplished.
As we approach this climax the march of events becomes so simple and
direct that it is hardly necessary to analyse it. Hector at first resolves
to make a stand outside the Scaean gate. Then he flies before Achilles,
and is pursued three times round the city. Finally the gods resolve
that his fate can no longer be postponed. Athene deludes him with the
expectation of succour, and then helps Achilles to slay him. Achilles
despoils him of armour, and drags the body behind his chariot to the
camp. This outline is filled up by several passages of dialogue, which
serve chiefly to bring out the character of the two antagonists. In vain
Priam and Hecuba, from the walls of the city, entreat Hector to seek
shelter with the other Trojans (11. 25-97). He puts aside the thought
of purchasing safety by submitting to terms (11. 98-130). His proposal
that each combatant should promise to grant burial to his fallen enemy
is fiercely rejected by Achilles (11. 248-272). His dying prayer for the
same boon is received with like bitter contempt (11. 330-366). After
his death Achilles summons the Greeks to return for the burial of
Patroclus (11. 377-394). The book ends with the laments of Priam
(11. 405-429), Hecuba (11. 430-436), and Andromache (11. 437—515).
The poetical attraction of the book, to a modern reader, centres in
the figure of Hector, whose character, as drawn out in successive
speeches and incidents, appeals profoundly to our sympathy. The
student of the Iliad, however, has to consider the value of this por-
traiture in relation to the main subject. It would undoubtedly be a
mistake in art to allow Hector to take away our interest from the chief
hero at the supreme crisis of the poem. What, then, is the relation
which we find between the two characters that now occupy the stage ?
Evidently it is one of the most complete contrast. Achilles, the Greek
hero, the ideal of a youthful warrior, is fighting victoriously, and with
the aid of friendly gods, in the cause of private friendship. Hector, the
champion of the enemy, with inferior prowess, and therefore with little
hope of success, is devoting himself as a matter of duty to the defence
of his country. His conduct, too, is essentially chivalrous, and in con-
formity with the rules which were afterwards recognised in civilised
Greece, while Achilles represents mere primitive savagery. Here we
have a moral contrast, not unlike those which are often made the source
of interest in Greek drama. We may compare the Antigone, in which
NOTES. 385
duty to a brother involves disobedience to the state : or the Philoctetes,
in which just resentment for private wrongs stands in the way of public
interest. In the Iliad, indeed, there can hardly be said to be an ethical
problem. On every ground of morality Hector seems to us to stand
infinitely higher. The question, then, is : are we to infer that the larger
share of sympathy would be given to Hector by the original hearers of
the Iliad ? The poet does not help us much here, because his dramatic
instinct led him to divide the interest between the two great antagonists :
but we can hardly doubt that in his intention the chief place remained
with Achilles, and that it was in order to heighten the glory of Achilles
that he portrayed the noble despair of Hector. If so, we are driven to
suppose that the moral superiority which impresses us was not recog-
nised as such by the contemporaries of Homer, or at least that it was
not felt to have more than a secondary value, as an element of dramatic
effect. And this view is confirmed by the repulsive piece of treachery
by which Athene brings about the death of Hector, as well as the
barbarous mutilation of the dead which follows.
The soliloquy spoken by Hector while Achilles is advancing (11. 98-
130) is rejected by Hentze, on the ground that it is inconsistent with the
vivid simile by which his unconquerable spirit has just been described
(11. 93-97 ; cp. especially 1. 96 aafitarov i\ wv H* vos °^X v-nt\wp(i with
1. 98 6x8r]<ras 8' dpa k.t.\). The change of mood is certainly abrupt,
and perhaps the whole speech is somewhat below the level of Homeric
art. Another doubtful passage is the dialogue in heaven between Zeus
and Athene (11. 167-188), which closely resembles the dialogue between
Zeus and Here about the death of Sarpedon (16. 432-458), and also
recals that between the same speakers in 18. 356-36S. All three passages
are suspected ; and in this case the scene is open to the definite objection
that it anticipates, and consequently spoils, the fine description of Zeus
weighing the fates of Achilles and Hector in the balance (11. 208-213).
After Hector is slain, Achilles addresses the Greeks in a speech which
has provoked much criticism. First he proposes at once to attack Troy,
and see whether the Trojans will make any defence (11. 381-384) ; then
he remembers that Patroclus lies unburied (11. 38 5-390) ; finally he
bids the Greeks return with the body of Hector, singing a paean of
victory (11. 391-394). But instead of the solemn procession which this
implies, he drives his chariot at full speed to the camp (1. 400", dragging
the body behind it. In all this, however, there is surely no greater
inconsistency than we expect from the wayward character of Achilles :
see the note on 16. 84. The poet wished to show that grief for Patroclus
was now the ruling motive in his hero's mind. Perhaps, too, he wished
to explain why the Greeks did not follow up their victory by an assault
on the city. Fick maintains that the original Iliad ended with 1. 394 ;
and certainly the words of 11. 393, 394 (rjpdfxtOa /xtya kvSos k.t.\.)
VOL. II. C C
386 ILIAD. BOOK xxrr.
make a fine conclusion. But it is difficult to think that an ancient
hearer would have been satisfied without some mention of the burial of
Tatroclus.
4. craK*' ujioio-i k\ivo,vt€s, in the attitude of readiness to receive an
attack; cp. II. 593., 13. 488.
5. (icivai, Inf. of consequence, ' for remaining,' so that he remained.
10. <rv 8' do-ir€px«s p-eveaivtis is parenthetical ^§ 57) — 'in the hot fury
of your pursuit.' o-v is repeated to mark the opposition to the preceding
clause : ' you have not recognised me— (on the contrary) you pursue
with unslackened ardour.' So in 1. 12 aii Si Sevpo \iaa6r]s = i while you
have turned aside hither.'
1 1 . irovos, of the ' distress ' of battle, as elsewhere.
13. ov toi uopcrip-os, ' I am not fated for you,' i.e. fate does not give
me to you to kill.
15. «J3Xcu}/as, 'thou hast foiled me,' spoilt my career: cp. 15. 484.
1 7. ' Before reaching ' is of course ironical, as they would never reach
Troy.
19. p^V'Sicos, ' with a light heart.'
23. TiTai.v6p.tvoa, 'at full stride,' cp. 16. 375 tclvvovto Si fwjvvx*s
i'mroi .
24. XaiuYrjpd, with -iroBas Kai. -yovvaTa, the second Noun fixing the
gender; cp. 17. 3S7.
26. irap-^aivovTa (cp. 5. 6) is to be taken closely with €ir«ao-vp.<vov :
' glittering as he rushed on.'
27. 6iru>pT|S, Gen. of time within which, § 39, 2.
29. €tuk\t|0-i.v, cognate Ace. with KaXtovcri, § 37, 2.
34. &vao-x6p.€vos, ' raising ' ^his hands) : put for x"P as o.vaax^ (vos
(Od. 18. 100).
iytyuvei, cp. 12. 337.
38. tovtov, istunt, especially used of an enemy: cp. 19. 2.
41. o-x«tAios, 'hard,' 'relentless one,' said of Hector. Most com-
mentators refer it to Achilles, both here and in 1. 86, where it is simi-
larly used. But o-x«t\ios is especially a word of friendly complaint :
so Achilles uses it of Patroclus (18. 13), Diomede of Nestor (10.
164), &c.
43. K«tp«vov, ' left lying,' sc. unburied.
47. Tpojcov, ' among the Trojans,' partitive Gen.
49. peTa o-TpaTiS, i.e. in the hands of the Greeks.
50. x a ^ K0 ^. Gen. of price. airo\vo-6p.c9a, for the Mid. cp. I. 13.
51. uirao-s, 'gave with,' see on 9. 146. .
52. «lv 'AiBao S6p.oi.cn., sc. tlai.
54. a\\oio-i, see on 2. 191.
57. kvSos, ' glory,' = victory, cp. 15. 491.
NOTES. LINES 4-IO9. 387
59. 4>pov€OVTa, = (wovra v cp. 19. 335) — alive and therefore knowing
what evils are impending.
60. ovSw, lit. ' threshold ' : not however thought of as a door-way
(so that the metaphor would imply that Priam was only entering upon
old age), but as a ' stepping-ground,' ' landing,' which he had fairly
reached.
62. iXicnOeto-as, ' dragged away,' cp. eKKTjOfius (6. 465).
63. GaXdjiovs, cp. the description of Priam's palace, 6. 244 ff.
64. €v alvfj Stjiottjti, ' in the fell havoc' The word has a vague
meaning: cp. Od. 12. 257 x ( 'P as «A< ' optyovTas iv alvfj Stjiottjti (of
the men in the grasp of Scylla).
66. irpioT-ncrt Qvpr\<ri ; = ' just outside the door,' cp. 8. 411.
69. TpairtJ-fjas, ' eating from the table,' domesticated.
70. irepl 0vp.w, 'to the fulness of their hearts,' cp. 21. 65.
71. irdvTO, Nom., as in 1. 73.
72. dp-»]iKTafi.€v(p, Dat. because it means ' if he falls in battle ' : see on
2. 113.
73. Kctadai, cp. I. 43. ot-h. <j>avf|T), ' whatever may present itself,
befal him in the sight of men ' : see on 1 1. 734. Some take it to mean
' whatever is shown, exposed to view,' tpaivw being used as in Od. 18. 67
(paivi 5e firjpovs.
80. dviep.evq, ' throwing back,' ' opening.'
82. Ta8e aiSeo, ' be moved by (do not be callous to) this sight.'
83. auTT|v, nearly ' in my turn.'
86. crxtrXios, 'relentless,' 'unkind,' must be understood as in 1. 41,
of the obduracy of Hector.
ov ?ti, ' I shall no more bewail,' i. e. no more have the hope of
duly bewailing.
88. iTo\v8a>pos, see on 6. 394. p.«Y a > with dvevOe.
94. Kaicd <j>dpu.aKa, ' poisonous herbs.' Virgil's coluber mala gramina
past us (Aen. 2. 471).
95. irepl x« l fi» ' round (inside) his hole.'
100. dva0T|cr€i., 'will fasten upon me': cp. Od. 2. 86 pwnov avaxpai,
also II. 5. 492 (note).
101. f)YT|aacr6ai, ' to lead, direct': see 18. 254 ff.
102. viro, 'during,' as 16. 202 iravO' viro fx.rjfi9fj.6y. The literal sense
will suit if night is regarded as a space of darkness: cp. 2. 57 (note).
107. Tn.0-f|o-as, 'obeying,' i.e. giving way to confidence in: cp. Od.
13. 143 /3(77 Kal Kaprt'C ukoiv.
109. ovtt]v, 'facing' (Achilles). This is the important word, the
meaning being that it is better to face Achilles, whether the consequence
is victory or death.
K<XTaKT€ivavTa, al. KaTaKT«ivavn. Aristarchus gave both readings ;
the Ace. is more correct when the Participle is taken closely with the
C C Z
388 ILIAD. BOOK XXIT.
predicate,— 'to kill and so return'; see on 1. 72. In the next line,
however, Aristarchus wrote avrS, and this is the reading of the best
MSS. If it is right, the Dat. is to be accounted for by the desire of
bringing the Pronoun into apposition with ep-ol in 1. 108, so as to show
that Hector means himself. The Ace. atiTov would naturally mean
Achilles. Aristarchus seems to have thought it also possible to take
qvtoj as = 1/77-' avrov, but this can hardly be defended.
110. k«v has nearly the force of ' else,' as in Od. 4. 546. This is the
only place where it goes with an Inf.
in. el 8e k«v k.t.X. There is no apodosis, the sentence being broken
off abruptly at 1. 122 d\Kd rlrj k.t.X : cp. 21. 556-562, 567-570.
113. auTos, ' in person,' not through a herald or messenger.
116. tj t«, ' which thing,' Fern, by attraction of the predicate dpxTj-
117. d|A<j>is, 'in two parts': cp. 2. 13., 12. 434. Some take it to
mean ' separately,' sc. that the treasure brought by Paris was not to
count in the division of the Trojan possessions : but this is less natural.
119. Tpcoaiv opKov eXupai, ' take an oath from the Trojans,' i.e. im-
pose on them the taking of an oath : cp. Od. 4. 746 (jxtv 5' 'iKtro niyav
OpKOV.
1 20. dvSixa, ' in two parts,' sharing it between besiegers and besieged.
This seems to have been the usual compromise; cp. 18. 511.
123. u.t) p.iv t-yw p.ev . . . 6 Se \i' ovK e\«T|<7€i. The real object of the
fear is given by the apodosis, the sense being ' I fear that after I have
approached him he will not pity me.' Hence we expect «\«T|<rn.
125. avTtos, 'just,' without more effort.
1 26. dwo Spvos ov8' diro irtTpirjs is a proverbial phrase, the original
application of which was doubtless forgotten. The meaning seems to
be ' with anything that comes to hand,' ' at haphazard.' It occurs in
an entirely different connexion in Od. 19. 163 ov yap dirb Spvus hoot
iraXanparov ov5' airbtriTprjs ='yo\x are of flesh and blood.' Cp. Hes.Theog.
35 a\\d tit] pot ravra irepl hpvv rj irep\ ittTprjv ( = not to the purpose).
127. dapi?«p.€vai, lit. 'to keep company' (from vap) : hence = Lat.
conversari.
129. otti rdxicrra, ' as soon as may be,' to be taken with the preceding
Imper., as in the parallel passages {e.g. 15. 146). There was a variant
c4>pa t., which perhaps ought to be adopted here, as it is found in
similar passages whenever a Subj. follows (4. 269, &c).
132. KopvO-diKi, ' darting with helmet,' cp. tcopvOaioKos.
134. dn<{>i, ' round him,' of the armour generally : so irepi in 13. 245.
140. 0'ip.ijcre, ' swoops down.'
141. XsX-qKws, 'screaming'; see § 23, 3.
143. Tpt'trt, 'shrank away,' 'fled,' see on II. 546., 19. 15.
145. o-KomV, 'the look out place'; not that of 2. 792 ff.. which was
some way from the city. tpiv«ov, 6. 433.
NOTES. LINES IIO-171. 389
146. V7T€K, ' away from under,' getting further out as he went on.
dp.a£iTov, ' the waggon-track,' leading to the washing-place.
148. 2Kap.dv8pov, with inrjY^, 'two springs of the Scamander,' i.e.
two of the sources from which it is fed. Some take 2icap.dvSpov with
dvatcro-oven., supposing it to be meant that the springs had an under-
ground connexion with the river. But such a marvel as this would
surely have been described in more explicit language. The passage has
played an important part in all controversies about the site of Troy.
The ' two sources ' were identified by the French traveller Lcchevalier
with a group of springs which he found near the village of Bunarbashi :
and his discovery was thought to tell decisively against placing the site of
ancient Troy at Hissarlik {Novum Ilium). But the Bunarbashi springs
do not satisfy all the conditions. The contrast of hot and cold, on
which so much stress is laid in the Homeric account, is entirely wanting,
all the springs being of the mean temperature of the locality (63° Fahr.).
Moreover, Lechevalier's theory obliges us to give the name ^Ka/xav5pos
to the small stream which is formed by the springs, whereas Homer's
Scamander must be the Mendere, which is the chief river of the Troad.
On the other hand, the Mendere does in fact take its rise from two
springs, one of which is warm, but they are on Mount Ida, thirty miles
away l . It is possible that the poet may have heard of these springs,
and have confused them with some such washing-place as he describes
outside the walls of the city. Dr. Schliemann finds the Homeric irrj-fal
in a cavern just under Hissarlik, with three springs and a conduit of
high antiquity (Troy, p. 64). For the purposes of controversy these
springs may be fairly set against those of Bunarbashi ; but they are
equally without the characteristic contrast of a hot and a cold spring.
153. in aurdcov, 'at them.' ttXvvoi, 'washing troughs.' Cp. the
description in the Odyssey (7. 85 ff.).
157. <j>€vrya>v, ' one flying.' The Part, is used like a substantive, or
as if=(p(vyoov Tij : cp. 2. 234., 6. 268., 24. 528.
159. UpT|tov, beast for sacrifice, ' festal ox.'
160. dpvvcrO-rjv, 'sought to win,' strove for.
ircxrcriv, 'for speed of foot.'
d -re, Plur. by the attraction of the predicate d«0\ia.
162. T€p(iaTa, 'the goal,' mcta\ cp. 23. 309, &c.
163. to St, ' and it, the prize' ; the Art. anticipates the word u'tOXov,
already suggested by deOXcx^opoi.
K€itcu, ' is set out ' ; Kfi/xai serves as Pf. Pass, of tiOij/xi.
164. dvSpos, with u€0Aov, 'prize belonging to, in honour of, a man,'
sc. at his funeral.
171. For the altar of Zeus on Mount Ida see 8. 48.
1 See the account of Prof. Virchow, LandcskuiiJe der Trons, p. 33.
390 ILIAD. BOOK XXII.
179-181, = 16. 441-443; and 182-184 = 8. 38-40.
185. p-*]8* t" tpd>€i, ' do not fail,' see on 2. 179.
188. k\ov«ov c<J>«it«, 'kept in hand as he drove him on' : the phrase
would naturally be used rather of attack on a body of men : cp. 1 1 . 496.
191. tov, the dog, grammatically construed as object to XdOrjcri (§ 58,
4), but placed before the clause €i irtp t« h.t.X., to show that it is the
main subject of the sentence. Hence 0m needs no fresh Norn. : ' he,
even if it hides from him, yet hunts it out with unflagging course.'
193. ov Xfj0«, ' could not hide from.'
194. iruXacov may go with op^-qo-tie, and also with uvtiov ui£ao-6ai.,
which expresses the same idea : ' start for, making a rush towards.'
19 7. -rrpoirapoiOev, not necessarily of time, ' coming in front.'
198. ttotI tttoXios, ' on the side of the city,' keeping next it. It is
difficult to reconcile the description of Hector's successive attempts to
reach the gate with the statement that he was pursued three times round
the walls (1. 165V One would suppose that Hector, if he could keep
away from Achilles at all, would be able to approach the walls at any
point. However the poet's conception evidently is that the speed of the
two heroes was so nicely balanced that Achilles, having once got nearer
the walls, was able to prevent Hector from passing across his course and
reaching them.
199. ev 6veipci>, k.t.K, 'in a dream he (viz. the dreamer) is not able.'
The subject to BvvaTcn is suggested by iv bvupco ( = uvtipwcrcrcov, ' one
dreaming').
201. oi 8' os, § 48, 1.
202. VTTt£i<$>vyev, 'escaped,' viz. during his flight before Achilles
when Apollo came and gave him strength for the last time.
205. Xaolo-iv, ' to his men,' the Greeks, avtveve, properly ' threw
back his head,' i.e. made signs of forbidding, see on 6. 311. Achilles
was between Hector and the walls, and the Greek army might therefore
have attacked Hector on the other side, had not Achilles signed to
them not to do so. This is mentioned as another reason why Hector
escaped as he did : hence there should not be a full stop at the end of
1. 204.
208. dXX' ore 8t| to TtrapTOv k.tX. The connexion requires that
this should follow more closely upon 1. 165 us tcI> rpis k.tX. Probably
much of the intervening text is interpolated — esp. the scene in heaven (11.
167-187), and the obscure 11. 202-207, if not al^o the similes ,11. 1S9 ff.,
and 11. 199 ff.\
209-212. These lines are a repetition of S. 69-72, except that Hector
and Achilles are put for the Greeks and Trojans. The passage was
known in later times as the ipvx'xJTaaia, or 'weighing of the souls.' It
suggested to Aeschylus a famous passage in the play which he wrote
on the subject of Memnon. The final combat between Memnon and
NOTES. LINES 1 79-265. 39 1
Achilles was accompanied by a scene enacted on the 9eoKoyetoi> ^above
the stage \ in which the souls of the two heroes were weighed against
each other by Zeus.
21 3- 4>x«to «' i s 'AiSao. It is not clear whether this is said of the lot
("EicTopos aio-ifiov rip.ap), or of Hector himself. On the former view
it is an exaggerated way of describing the sinking of the lot — more
exaggerated than 8. 73 at ftiv 'Axatu/v Kjjpes enl xGovl TrovKv^ordpri
t^eaOrjv, Tpuwv 5e irpbs ovpavbv tiipiiv atpOtv. If "Exraip is the Norn,,
' he was gone ' is put for ' he was condemned to go.' We may compare
9. 413 w\tro piu fxoi voaros, ' my return is (as good as) lost,' 13. 772
vvv w\ero naffa /car' aKprjs "l\ios. But these instances are in speeches,
where such a boldness of expression is more natural.
217. \iiya kv8os, = victory. 'Axcuoto-i, ' for the Greeks.'
218. aros, 'not to be satisfied,' is for d-aros, which is probably the
true form in Homer: see on 06771', 13. 315.
219. Tre<j>vYp.tvov, i. e. in a state of safety from, cp. 6. 488.
220. iroXXd ircLOoi, • were to give himself much trouble.'
221. irpoirpoKv\i.vS6(ji€Vos. The compound TrpoKv\ivSop.ai means 'to
roll on,' ' roll forward ' ; as in 14. 18, where it is said of a wave ' falling
over.' The second irpo seems to mean 'before' (Zeus). But in Od.
17- 5 2 5 irpoirpoHvKivbopevos must mean 'rolling on and on.'
222. <xp.irwe, 'take breath.' The form points to a Pres. irvvai, or
Aor. tnvvov (like Zn\voi>). Elsewhere we find only the Mid. d/nrvvTo
(or (fj.wvvTo) : hence Cobet {Misc. Crit. p. 348) proposed dpurvvo here.
229. Tjflcte, see on 6. 518, where Paris so addresses Hector.
234. yvwT&v, 'kinsmen,' especially brothers, cp. 14. 485., 17. 35.
235. vo€u>, 'my mind is,' nearly = 8onti fioi. In this sense voi<u,
ippoveai, &c. take an Aor. (not Fut.) Inf. : see on 3. 98.
237. aXXoi 8' €vtoo-0€ p-e'vovai, § 57.
241. Totov, ' to such a degree.'
247. Kai implies that Athene led the way with the same guile with
which she had spoken. KepSocruvn, ' craftiness'; /re'pSos and its derivatives
in Homer imply cunning or skill rather than actual gain.
251. Siov, here = ' fled.'
254. «m8a>p.«0a, 'grant to each other for it,' i.e. allow to be called
as witnesses to the compact.
255. tmcrKoiroi, another word for ' witnesses' : see on 18. 501.
256. ?KTra"yXov, ' outrageously,' in unseemly fashion. It is generally
applied to persons, probably with the notion of ' overweening,' ' un-
governable.'
257. Kap-p-oviiw, ' withstanding,' ' holding one's ground,' a euphemism
for victory.
261. oXao-Tt, 'unforgotten,' because eternally hateful.
265. (JuXTintvcu, a non-thematic form, § S, A, 2.
392 ILIAD. BOOK XXII.
266. ' There will be no treaty between us before one or other falls ' ;
an ironical way of saying that there can be no treaty.
267. = 20. 78.
268. TTdv-roi-qs dpeTTjS, 'prowess of every sort': cp. Hector's words,
7. 237 ff.
271. 8ap.da, Fut. § 12, 3.
272. cTopwv, 'for my comrades/ § 39, 1.
277. 8i8ov, XiOe Si, = 8i8ovcra t\a6e, § 27.
280. -rjtto-ns, Plupf. of dlSa; used with dpo like the Impf. rj toi t<j>T]s
•ye, 'though you thought so' : see on 3. 215.
281. dpTieirqs, 'glib speaker,' the opposite of afiapTOtirl]s (13. 824):
cp. apTiiros, ' sound of foot.'
tirUXoT-os p.\>0wv, 'trickster in speech' : cp. Od. 21. 397 eniKKonos
rigaiv, ' cunning about the bow.'
tu-Xeo, ' you have become,' — you prove to be.
2 84. o-TT|0€cr4>i.v , here for the Gen. arr]6(wv.
2 86. tbs Kop.tomo, ' would that you may receive it.'
293. KaTT]<t>T)o-as, ' cast down in heart': so 0T77 5e rcupwy (16. 806, &c.\
dXX\ for d'AAo : it was usual to have two spears.
295. t[t€€ explains cicdXci, hence the asyndeton.
300. We should probably read oi8' W avevQev, as -re is not in place,
§ 49, 9<j
304. d<rirovSi, ' without an effort,' tamely.
308. OLP.1TJO-6V, cp. 1. 140. dXcis, ' gathering himself together.'
310. irnoKa, 'cowering' (ttttio-coj) : tttw£ is also used as a substantive
to denote the hare (17. 676).
313. d-ypiov, to be scanned d-yptoo, § 19, 3.
KaXuiJ/e, ' spread as a covering ' : cp. 5. 507.
316. 6ap.eids, used predicatively, 'set thick ': cp. 18. 68., 19. 383.
319. dweXap-TTe, ' light shone,' a kind of impersonal verb.
321. elo-opocov, not strictly ' looking at,' but (as the next words show)
'looking towards,' to see how to reach it. €i£«i€ is impersonal, as 18.
520 oOt o<pianv fixe \oxrjaai.
322. d'XXo too-ov is adverbial : cp. 23. 454 to fxtv d'AAo tvoov <potvi£
?)i', ' over the rest of his body ' : and for toctov p.«v — 8« = ' all except,'
see on 4. 130.
324. 4>cuv€to, ' it showed,' was visible.
d-ir' iop.cuv av>x* v ' t'xovo-i, ' hold the neck apart from the shoulder';
cp. 8. 325 u6i K\r)i$ airoepyti avxtva re gttjOus re. We should rather
say 'connect' the neck and shoulder: but cp. also 13. 706 tw /xiv t(
ivyuf . . dfKpls iepyei (of oxen).
325. XavKaviijv was probably the reading of Aristarchus. The Ace.
is to be explained by apposition to auxeva, the XavKoviij or gullet (24.
642) being part of the neck : see on 8. 48., 14. 22S. This is not quite
NOTES. LINES %66-tfi. 393
satisfactory, because XavKavirjv is so placed as to go with the principal
Verb {fait' tro), rather than with the clause t| kXt|i8€s k.t.A. Perhaps,
however, it might be attracted into agreement with auxtva, ( § 58, 4).
Most MSS. have XavKavnrjs, which may be taken as a local partitive
Gen., meaning ' at the part of the gullet where the neck meets the
collar-bone' (viz. the lowest exposed part). For such a Gen. with
4>aiv€xo we may compare 17. 372 vkfos 8' ov <paiv(To iraorjs yairjs.
328. do^ipcryov, ' the wind-pipe.'
333- Join toio docro-T)TT|p, 'for him a champion' (15. 254). dvcvOcv,
' in the background,' explained by vTjvcriv (in k.t.\.
336. diKios, ' hideously ' : elsewhere we only find the form deiK-qs.
339- J om twos 'Axaitov : so Tpwaiv icvves, 13. 831., 17. 241.
340. BtSe^o, ' accept,' cp. 19. 10.
34 2 . 343, = 7- 79. 80.
345. yovvcov and toktjuv go with â– yovvdtjto, which has the sense of
' entreat by,' sc. by appeal to. The history of this Gen. seems to be
that the verb yowafypMi, lit. ' to clasp the knees ' (in supplication),
came to mean generally ' to supplicate,' but retained the construction of
a verb of taking hold: and this was extended to anything appealed to
by the suppliant. Here of course actual clasping is not intended.
Cp. Od. 10. 66 twv oTiiOtv -yovva^ofiat.
346-348. at "yap . . is k.t.K. This is a regular Homeric form of
asseveration, meaning 'as surely as I wish that , so surely shall
: cp. 18. 464 at yap piiv Oavaroio Svarj^fos difie Swalprjv voofiv
a-noicpiixpai . . us oi T(v\(a icaKa. vaptafferat : and see on 8. 538 ff., 13.
S25 ff.
347. ola, = '6ti roiavra, ' after the things you have done to me.'
348. d-iraXdXKoi, Opt., § 34, 2, b.
349. €iKOo-ivT|piTa evidently means 'twenty- times over,' i.e. twenty-
fold the usual ransom. The second part of the word has not been
satisfactorily explained : it is otherwise known in Homer only as the
name of a mountain, Hfrjpirov in Ithaca.
350. o-T-fjo-coo-i, ' weigh.'
351. €pvcracr9ai, ' to outweigh,' i. e. to give your weight in gold.
dvu>Y ol ~ The change to the Opt. marks that Achilles is no longer
thinking of a ransom such as he would expect, but is making a mere
supposition.
354. Kara 8dcrovTai, ' shall divide among them,' feast on as prey.
356. 'irpo-riocro-ouai., ' I watch, mark with foreboding.' oaaop.ai is
especially used of looking in a meaning way, seeing with anxiety, dis-
like, &c. : cp. 14. 17.
358. p.TJvi.ua, 'cause of wrath.'
361-364, = 16. 855-858; and 365, 366 = 18. 115, 116.
371. c.vovtt|tC, ' without a wound,' i.e. without giving one.
394 ILIAD. BOOK XXII.
381. el 8' a-y«T«, the apodosis : see on 16. 667.
o-vv T«vx €<Tl - n , «i.pT)0€<op.€v, = ' make an attack,' cp. 5. 220.
382. *ti, ' further,' as the next step.
383. ttoXiv aKptjv, 'the acropolis': to abandon it was to desert the
city entirely. Cp. 24. 383 ff.
389. Ka.Ta\T)0ovTcu, ' men forget,' to be taken closely with «iv 'Aioao :
' if the dead forget their dead, so will not I.'
391. TratT|ova, a song of thanksgiving, cp. I. 473.
395. p.T)8«To, ' bethought him of,' put in practice.
397. ts o-<J>vpov «k irrepvrjs, ' from the heel to the ancle.' Thus the
strap passed through, or rather perhaps behind, the sinew of the heel.
401. tov . . KovicraXos, ' there was dust from (raised by) him as he
was dragged along'; Gen. as K\ayyfj 0ioTo (1. 49), Kvfiara iravToiwv
dvtftojv (2. 397), &c.
409. kwkvtw of women, olp.wyji OI " men > C P- trie use of kukv«v and
$>p.w£«v in 11. 407, 408.
ti'xovTo, 'were possessed by,' given up to.
410. to) . . cos «l — , ' the case (state of things) as [it would be] if — ' ;
see on 11. 467. Cp. Virgil's imitation, Aen. 4. 669 Non aliter quam si
inunissis mat hostibtis omnis Carthago, &c.
411. 64>pvo€crcra, ' beetling' : ocppvs, cp. 20. 151.
kot' aKp-qs, cp. 13. 772.
412. d<rxa\6tovTo, ' chafing,' cp. 2. 293.
416. Kt]S6p.6voi Tr«p, 'though concerned for me.' This is the reading
of Aristarchus. The best MSS. have KT]86p.€v6v wep, ' in my great
sorrow.'
418. Xicrcra>p.ai, Subj. of purpose or will, § 29, I. tovtov, is turn,
§45.
419. t]\ikiijv, 'my time of life,' cp. 20. 465 uf*T)\u<iT]v !A.ejj<ras.
420. Toi6<r8e, ' such a one as I am.'
425. ov a\os, 'sorrow for whom,' § 39, I.
431. ti vu {Mop.ai, ' how shall I live ? ' i. e. what is to become of my
life? Subj. like ri iraOoj; ti -yiyw/xaL ; &c. (§ 29, 3). For the form see
on 15. 194.
433. ireXco-Kto, ' didst come and go about the city.'
435. 8«i8txaTO, ' saluted,' paid court to.
438. "EKTopos may be construed with aXoxos or (better' with
TTtTTVO-TO.
«TT)Tvp.os, ' sure,' i. e. authentic : she first heard only the wailing
(1. 447\ and feared the worst (1. 455 ff.).
441. 8iirXaKa, ' double cloak': so 3. 126, where Helen is embroider-
ing pictures of the war.
Opova, ' flowers.' tiraaa-e, ' embroidered.'
443. an4i wvpi, 18. 344.
.VOTES. LINES 381 -49 1 . 39 -
44S. eXcXixOi), 'shook.' KepKis, ' shuttle. 5
450. l'8(o|i' may stand for tScofit or (better) tSwfiai : § 29, 1.
452. dvd 0-Top.a, i. e. as though it would come out at my mouth.
454. air-' ovaTOS, see on 18. 272.
455> 45& y.T\ . . BiTjrai, ' lest he have chased.'
457. dX€Y«ivqs, ' unhappy,' because the cause of his death.
461. iraXXop.tvT] Kpo.Si^v, ' her heart beating,' cp. 1. 452.
463. iraiTTT|vaaa, Aor., ' sending a glance.'
465. aKTjSco-TJos, cp. 21. 123.
466. = 5. 659., 13. 580.
467. tKairvcra-t, ' breathed out* : cp. 15. 252 <pi\ov aiov T)rop.
468. Sto-p-axa, ' head-gear.'
469. dp-irvKa, a ' diadem' of metal, hence the epithet XP^FW".
applied to the Muses (Hes. Theog. 916), and Seasons (Horn. h. VI. 5).
K€Kp\j<J>aXov, a coif or hood.
irXeicTTJv dvaSt'o-fjujv, ' plaited band,' probably a thick band passing
round the head behind the ears, represented on some Etruscan monu-
ments of the archaic style (Helbig, pp. 157-160).
470. KpT|Se(jtvov, 14. 184.
474. Join eixov diroXto-Oai, 'stayed her from perishing.'
475. tjAirvin-o, so Aristarchus, the MSS. have dp/irvvro. See on 11.359.
476. dp.{3XT|8T]v, 'uplifting her voice': cp. Od. 1. 155 dviPdWero
i:a\ov ddSeiv, = ' began the song'; so also viro@\r]5T)v (II. 1. 292),
' taking up,' ' interrupting.' Some explain ' with sudden bursts,' or
' with deep sobs' (Mr. Leaf), comparing afi0o\d5rjv (21. 364). But the
frequentative meaning of d/xPoKdSrjv is given by the form of the adverb :
cp. km<JTpo(pdhr)v , eiriTpoxddTjv.
477. y i Y V( V € 0'> Impf. with dpa, ' it seems that we were.'
ifj aio-rj, ' with, under, a like fate ' : an instrumental Dat., § 38, 3.
484. VT|mos avTws, ' an infant and no more,' 6. 400.
487 ff. The passage which follows, with its moralising on the sorrows
of an orphan, was condemned by Aristarchus. It certainly does not
apply very well to one whose grandfather was still alive and reigning ;
and the return to the particular case of Astyanax at 1. 500 is exceedingly
abrupt. The style and tone of thought are rather Hesiodic than Homeric.
Aristarchus obelised 11. 4S7-499. Most editors reject 11. 500-504 also :
and certainly they are somewhat pointless without the preceding descrip-
tion, and may have been added (as Mr. Leaf suggests) to connect the
locus communis about orphanage with the context.
485. tovtw yt, isti, the Pronoun here expressing pity.
489. dirovpicrcrovcriv. ' will mark off (and so occupy, seize).
491. tiTrep.vT|p.vK€, 'hangs his head,' Pf. of vn-rjpvw, apparently for
vn-tfxr]fivK( (Attic reduplication).
irdvTa, adverbial Neut. Plur., = ' completely.'
396 ILIAD. BOOK XXIII.
494. twv with tis, ' one or another of them.'
tXe-rjo-avToov, ' if they take pity.'
tutOov, ' a little bit,' for an instant.
496. Q|A<})L0aXT]s, ' rich on both sides,' i. e. (according to the ancients)
with father and mother both living.
504. OaAeuv, 'with OaKea, fat things,' Neat. PI. of Oa\vs, an adj.
found in the Fern. {Saira 6a\uav, II. 7. 475).
505. iraG-no-t, 'he must suffer,' Subj. of confident prediction, § 29, 4.
506. 507. Cp. 6. 402, 403.
509. aloXau refers to the play of light ; ' with shining scales.'
510. KtovTcu, thematic 3 Plur. of KHfxai, found here and in Od. 11.
341., 16. 232.
513. oOSev croi y' o^eXos. It is not clear whether this means that
the garments will be of no use to Hector, — and therefore may be burnt, —
or that the burning will be of no use, since he will not be laid in them
(iyKila-tai) on the pyre, and therefore will not take them with him to
1 lades. The latter seems more correct, especially if (as is probable on
other grounds) we read auros for au-rois.
514. x\ios elvai, ' to be a glory,' i. e. so that they may do honour.
BOOK XXIII.
The two remaining books of the Iliad form a kind of epilogue,
relating the burial of the two chief heroes who have fallen in the course
of the poem, — Patroclus, the friend of Achilles, and Hector, his great
rival.
The twenty-third book describes the burial of Patroclus, and in
particular the Funeral Games (a6\a tm XlarpuaXw' , which are held in
his honour. Thus it falls into two parts :
I. The Burial. Achilles makes the Myrmidons pass round the body,
and commands the funeral feast (11. 1-58). The shade of Patroclus
appears to him, and entreats speedy burial (11. 59-110). Wood is
brought, the body is placed on the pyre, Boreas and Zephyrus come at
the prayer of Achilles to make it burn (11. 111-225). Next day the
bones are gathered and the mound raised over them.
II. The Games. There are eight contests, but three of these (as we
shall see) are probably not part of the original list : —
1. Chariot-race, described at length (11. 257-652).
2. Boxing-match (11. 653-699).
3. Wrestling, between Ajax and Ulysses (11. 700-739).
4. Foot-race — Ajax the less, Ulysses, Antilochus (11. 740-797).
NOTES.
397
[5. Tournament with spears between Diomede and Ajax (11. 798-825).
6. Throwing the iron weight (11. 826-849).
7. Archery contest (11. 850-883).]
8. Throwing the spear ; Achilles gives the prize without a contest to
Agamemnon (11. 8S4-897).
The two last books have been regarded by many scholars as addi-
tions to the original Iliad, such as may be accounted for partly by the
natural desire to linger over the final scenes of a story, and partly by
the importance attached in common belief to the due performance of
funeral rites. The grounds for this opinion are to be found, in the first
instance, in the relation of the two books to the general structure of
the poem, and to each other. The following points are worth notice : —
1. Neither of the books in question can be said to be necessary to
the poetical completeness of the Iliad. The events of the twenty-
second book bring the story to a conclusion, which— to a modern
reader at least — leaves nothing to be desired. The anger of Achilles
is appeased, his vengeance is satisfied, the danger to the Greeks has
passed away. Hence, as Mr. Grote argued, ' the death of Hector
satisfies the exigencies of a coherent scheme, and we are not entitled
to extend the oldest poem beyond the limit which necessity prescribes'
{Hist, of Greece, Pt. I, ch. xxi).
2. The two books do not stand well together. They seem to repre-
sent two different ways of bringing the poem to an end. It was urged
as an argument against the Doloneia, that the night in which it is
placed is already sufficiently occupied by the Embassy to Achilles
(vol. i. p. 353). So in this case, while there might have been room
(artistically speaking) for one last book — either the Funeral Games or
the Ransoming of Hector, — there is not room for both. A second
episode, which fills nearly the same space on the poetical canvas, tends
to disturb the effect of the first.
3. This want of unity is accentuated by difference of style and tone.
The narrative of the Funeral Games is cheerful and animated, the
incidents in more than one place approaching the character of comedy.
The twenty-fourth book is pathetic, and full of solemn and touching
eloquence. The sudden return from the lighter vein to the gravest
manner of the Iliad is certainly awkward, and unlike the art of Homer.
We turn now to the consideration of the twenty-third book, with the
view of ascertaining how far the incidents and the language are con-
sistent with the belief in its genuineness as part of the original Iliad.
The narrative is composed with evident reference to the preceding
books. The burial of Patroclus was the first thought of Achilles in
the moment of his victory (22. 386). In two places (11. 20-23, and
180-183) be refers to his promise to slay twelve Trojan youths on the
39«
ILIAD. BOOK XXIII.
funeral pyre (i3. 333 ff.)» and his intention to throw the body of
Hector to the dogs (22. 335, 348, also 261 ff.).
On the other hand, there are indications that the agreement is of
a superficial kind. The body of Patroclus seems to be no longer in the
tent of Achilles (19. 211), but on the beach, where all the Myrmidons
pass round it in procession (11. 13— 15). The line rj pa /ecu "EKrcpa
liwv aeucea fi^dero (pya (22. 395) is repeated in 1. 24, but applied in
a pointless way. The same may be said of 11. 17-18, which repeat
18. 316-317, but are not followed by any such solemn lament as they
announce (e£f}px { yooio).
Further, the connexion of the narrative is unsatisfactory. It is not
easy to see why the solemn farewell address to Patroclus — x a *W t* ot < &
ndrpoKXf, k.t.\. — comes in twice (1. 1 9 and 1. 1 79). The preparations for
the funeral feast are described (11. 29-34) ; but Achilles is taken away to
banquet in the tent of Agamemnon. The ghost of Patroclus appears
to Achilles and begs for speedy burial (11. 65-107) ; but the incident
does not hasten the burial in any way. Moreover, it is based on the
notion, of which there is no other trace in the Iliad, that the souls of
the unburied are forbidden to cross the Styx. The funeral procession is
formed by the Myrmidons (11. 122-134), but presently the whole Greek
army seems to be present : the lament, we are told, would have lasted
till sundown, if Achilles had not asked Agamemnon to dismiss the
host (11. 154-162). Meanwhile Hector's body is protected by the gods,
though we do not yet hear of further outrage offered to it (see the note
on 1. 1 8 7). The account of Iris carrying the prayer of Achilles to the
two winds, Boreas and Zephyrus (11. 198-212), is somewhat strange,
as Iris elsewhere acts only as messenger of the gods. Apart from this,
it forms an awkward digression, during which the main action — the
burning of the body of Patroclus— is at a stand-still.
Several of these difficulties may be removed by rejecting particular
lines or passages ; but taken together they point rather to general
weakness in the construction of the narrative.
The description of the Games, which occupies the rest of the book,
is open in part to criticism of the same kind. Thus, Nestor addresses
a long speech to his son Antilochus (11. 306-348) ; but the advice which
he gives has no effect on the issue. In the boxing-match (11. 653-699")
Epeius begins by rude boasting, which by all the rules of poetical
justice ought to ensure his defeat ; but he is victorious. These are
defects which seem to be characteristic of the book. In one place,
however, the evidence points rather to interpolation, to which a narra-
tive made up of distinct unconnected events is peculiarly liable. The
three contests described in 11. 798-883, viz. the duel in armour, the
throwing of the iron weight, and the archery, are in all probability
later additions. The original list is pretty clearly indicated (see the
NOTES. LINES J-l6. 399
note on 1. 63S), and the account of the three additional contests is full
of singularities.
The language of the books shows several traces of comparative
lateness. Chief among these are the post-Homeric uses of the Article
C 11 - 75. 257. 2 95» 303, 34 8 » 37 6 > 465. 5 2 5). a " d o f the Prepositions (11.
671, 703, 742). In these respects the usage approaches most nearly to
that of book X (see vol. i. p. 354). The use of viiv in the sense of
' now ' is peculiar to books X and XXIII. Similarly the form TiOrjfxfvai
(11. S3, 247) is to be compared with rtO-qiitvos (10. 34).
In respect of vocabulary there is not so much of a decisive kind.
Several words and phrases are common to this book and the Odyssey :
e.g. anoirpodi (1. 832), a\T]9eii] (1. 361, also 24. 407), art^PcD (11. 445,
S34, also in the doubtful line II, 705), vypuv tKcuov (1. 281), tirttiKea
toiov (1. 246, cp. Od. 3. 321 fxeya toiov, &c), iir' rjepouSia ttuvtov
(1. 744), irepmXop.h'ovs (Vtavrovs (1. 833), eidu\a napovTwv (1. 72).
Among the ava£ Xtyopuva we may notice koxHpopos, ' the morning star,'
Kr)8e/j.6ves, 'friends' or 'backers,' To£evTTjs (for to£utt]s), ■ntpil'ajp.iOov
(1 Dual), and the Comparative afaprepoi, ' swifter.'
Though it is doubtful whether the account of the ' Funeral Games ' is
part of the original Iliad, there can be no question of its interest, both
as a picture of Homeric or nearly Homeric times, and as a fine piece
of descriptive poetry. Schiller has gone so far as to say that any one
who has lived to read the twenty-third book of the Iliad cannot com-
plain of his lot in the world. As a composition it is full of life and
picturesque effect. The monotony which might have been expected in
a long list of similar incidents is skilfully avoided. The picture of
Achilles in his new position as host and president of the Games, is
singularly stately and life-like. Here and there, especially in the at-
tractive scene between Antilochus and Menelaus, the poet shows in-
dependent power of imagining and delineating character. As an
epilogue or concluding chapter the book has the essential merit of
repose and harmony. The satisfaction of Achilles in his victory over
Hector, and in the payment of due rites to his friend, is felt as an
undertone through the narrative. The reconciliation with Agamemnon,
which is the true conclusion of the 'wrath,' is once more brought into
relief. A special honour paid to him as ' king of men ' forms the last
incident of the day, and may be fairly regarded as striking the key-note
of the whole poem.
7. ox«o-(f>i is for the Gen., ' from under the chariot.'
8. aviTols, ' as they are,' without taking them out, § 38, 3.
9. o ^dp -ycpas «'o-rC, ' for that is the due honour,' cp. 12. 344.
16. toiov, ' so good,' i. c. one who deserved so much sorrow.
p/fio-Ta>pa (j>6poio, cp. 5. 272.
4 CO TLTAD. BOOK XXIII.
20. The reference is to 18. 334 ft".
21. <ipd Sdo-aaOai. Neat. Plur., because itpka. is meant.
27. v4>r)xc«s, perhaps ' neighiag with head aloft,' cp. Virg. Aen. II.
496 arrectisqui J remit ccrvicibns alte Hentze .
29. to.4>ov Saivv, 'gave the funeral feast'; so Od. 4. 3 laivvvra
yOLfiOV.
30. dpyoi, ' shining,' i. e. sleek ; elsewhere an epithet of (logs in the
sense of ' swift.'
opcxOeov, probably a Frequentative from opiyco, 'to stretch out';
hence ' plunged,' moved convulsively. The ancients generally took it to
mean ' bellowed.' In any case it seems to be a description of oxen
being slaughtered <r<pa£6(ifvoi) : so dp.<j>i oT.8-f)pa>, ' with the iron in their
flesh,' cp. vtpl hovpl (13. 441). This is the only place where a knife
of iron is mentioned.
34. kotvXt]pvtov, ' that might be taken up in cups,' i. e. deep enough
to dip a cup in : from apvw, ' to draw water.'
36. cis 'AYap.tp.vova, ' to Agamemnon's tent.'
40, 41, nearly =18. 344, 345.
43. os tis t«, the indefinite Relative, seems out of place here. The
line, however, is evidently an old formula. The meaning may be,
' Zeus, or by whatever name the highest of the gods is to be called ' ;
cp. Aesch. Ag. 160 Z«uy, os ris itot' karlv, u to5' aim? <pi\ov KfKXrjpfveu,
where the idea is presented in a refined form.
4'. o-Tiryep-g, ' importunate,' hateful because it is regardless of cir-
cumstances : cp. Od. 7. 216 oil yap n crrvyepfi eVi yaorepi Kwrepov
aAAo.
50. d£«'p.€vai, Aor., §9,3: so in 1. ill.
oo-cra, after ?xovra, ' what it is fitting the dead should have when
he passes down to the shades of darkness.'
53. Gdo-o-ov, cp. 21. 437. d-ir' 6<|>9aAp<*>v, 'away from before our
eyes.'
55. t^oirXto-o-avTes. Bentley proposed to read ttpoirXioaavro on
account of fiicaoToi, and this is supported by one good MS. (viz. D ,
and by Eustathius.
65, vr|8upos dp4>ixv0€is, 14. 253.
64. "Ektop', probably "EitTopa.
65. T|A0e 8', apodosis: cp. I. 194.
66. avT<L, ' the real man,' i.e. the body.
69. XeXao-pt'vos, Pf., of the condition of forgetfalness.
70. aKTJ8ci.s, Impf., ' thou wast not neglectful of me in life.'
71. ottv Tdxio-Ta might be taken with either clause, but the parallels
are in favour of taking it with the Imperative 0dirr« : see on 22. 129.
-rr«pT)o-w is a Subj. of purpose, § 29, I. Such a Subj. is not uncommon
after an Imperative : cp. 6. 340 iri/tearo* 'kpffia T(v\(a bwu.
V01 'ES. LINES 90-1 1 6, 40 r
75- T V X"P a > 'your hand,' a post Homeric use of the Ail.
6Xo<j>tiponai, generally taken as ' I entreat': but there is no oilier
example ol llus sense. Aristarchus look il as an Aor. Snbj. expressing
purpose 'like n(pi)<rai In 1. ^i) : ' give me yonr hand, I will lament/ i.e.
that I may lament over our parting. This suits the next words, ov 7<i/>
It' auTis k.t.K., and the answer of Achilles, II. 07, <jS. (p. also 14, 32S
,/>iA<>< 8 d/«i WaVTtS inoi'To ttvKK' 6\(Mpvp6/lliVOl un fl Oiivnrui'St Kivvra.
76. vi<r,. U (u. a 1'res., which in this use is equivalent to a Fat.
70. afi(j>f'xav«, ' has opened its maw for me.'
AAx«> ' had me given to it,' became my fate : cp. 20. i >8.
80. |u>i 1 in. sc. tori.
Si. €UT)<j>«v«<ov, sec on 1 1. 4.27. The word occurs as a proper name,
Ebrppivrji (Wilamowitz, Horn. Unttrs. p, 323).
83. Ti0T]p.«vai. The t) is irregular; cp. TiOij^ifvou (10. 34).
S6. Oito, ' by reason of.'
88. dp.(|>' do-TpayAXoKTi, ' over (the game of) knucklebones.'
91. u>s, refers back to <is tTpA<j>-»]v ir«p, 1. 84.
92. Thia line is perhaps interpolated from Od. 24. 74. The golden
jar belongs to a later part of the history, about which the Iliad is silent.
0,4. T|0et-n,, see on 6. 518.
0,7. ii|ic|>i|{ii\,.vi. dXXir|Xovs, ' casting (our anus) about each other.
The commoner Construction (but only found in the < )dyssey) is ,\* '/'"'•
ri/«</>i#<iAA«(i/ Tivt. We should rather expect the Mid. ; cp. 17. 74--
99. i.'.|>if,'i in, ' stretched forth to grasp ' : Pat. as in 1. 102.
Xfpol <rup.iTXaT<iYiicr«, ' clapped his hands.'
101. T«TpiYvia, squeaking ' ; of the cry of a bat, Od. 14. f> p,
103. tis, with (j'^X'H. ' there is a sort of life,' lit, ' breath.'
104. «i!8o)Xov, ' a semblance ' of the bodily form.
<j>p«'v«s, 'midriff,' the physical organ of life and thought, the con-
dition of real life. The clause oerdp /ct.A. is parenthetical.
110. «X««iv6v, perhaps an Adv., with p-vpont'voio-i, cp. 22. 408.
112. ttAvtoO«v «'k kXio-uov, with wrpuvt.
«iti . . 6ptopti, cp. Od. 3. 471 lirl B 1 ivipts icrOKol opovro oivov
ohoxofvvTts, also 14. 104 iwl . . opovTai. Some derive these hums
from the root var yp-noj, I.at. vereor, Germ, wahrtn , comparing
Movpot, ' watcher over.' This gives a very satisfactory sense : but the
Attic reduplication is against an original f. The alternative is to sup-
pose that inl .'.,."/"". ' 1 bestir myself over/ acquired the special sense,
1 1 look after, am in charge of.'
Il6. This line may be meant to imitate the galloping of the mules:
it has the same peculiar rhythm as the famous < >d. 1 1. 598 avris llirftra
nt'SoySc KvAiVSeTo Adds <ivai8li, viz. three trochaic catsuras in succession :
but the jingling effect produced by the repetition of the sound -ni'ra is
without a parallel in Homer.
\0L. 11. 1) d
402 ILIAD. BOOK XXIII.
1 20. 8ia-ir\T|cra'ovT€S, 'cutting up,' cutting in pieces.
121. <k5«ov, so that the mules dragged the wood, cp. 17. 742 ff. •
SaTtCvTo, ' cut up,' trampled into mire : cp. 20. 394.
125. «\86p.€vcu, 'making for,' eager to reach.
132. TrapcupaTcu. This term for the warrior who ' stands beside ' the
driver of the chariot occurs only here : but cp. 11. 104.
135. KaTasivvcrav, ' covered,' as with clothing.
138. "jre<j>pa5e, ' had pointed out to them ' to put him down there.
142. Tp«'<}>€, Impf. = ' had been cherishing.'
144. d\\<DS TjpT|<raTo, 'vowed to another purpose,' i.e. made a vow
which looked for a different event.
147. irap' aviToOi, ' beside the very spot ': cp. 13. 42.
148. «s inrj-yds, ' into the springs,' i.e. so that the blood should flow
into them.
151. oTrdo-aipa, Opt. of concession, ' I may as well give,' 'I am ready
to give,' § 30, 4.
156. Yap indicates that this clause gives the reason for the request
which follows. This is again divided into two clauses 76010 utv — , vw
8' — , the second of which is the important one. For the double Dat.
o-oi |av0oio-i see on 1. 150.
157. ircto-ovTai, Plur., with the collective Noun Xaos, cp. 15. 305.
i'o-Ti Kal do-ai, ' it is possible to be sated ' ; euphemism meaning
that they have had enough.
160. K-f|8eos, Adj., elsewhere KTjfaios: so xpv ffei0i an d xP^ aeos > & c -
01 t' dyoi, sc. daiv, 'those who are chiefs' : cp. 8. 524 pvOos 6" 65
fxtv vvv vyirjs, dprjfxevos 'iarw, also 19. 43., 20. 500., 21. 353.
163. ktj8€(a6v€s, 'mourners,' those to whom he is tcrjSeos.
164. «v6a Kal tv9a, ' each way,' i. e. in length and breadth.
167. dp.<J>6irov, ' made ready,' cp. 7. 316 rbv fiipov dfjtcpi 6' titov.
169. 8paTa, ' flayed' (Sdpco).
171. kXivojv, because the dp.(j>i4>op€vs was made with a pointed end,
so that it could not stand upright.
173. tvvta k.t.\. This is in sense a subordinate clause = ' of the nine
house-dogs which he had,' § 57.
Tpa-rrt^T^s, cp. 22. 69.
177. CTi8"r|p€ov, 'irondike': the word unites the notions ' invincible '
and ' unrelenting'; cp. 17. 424.
v€|xoito, ' consume,' as 1. 182 vvp toOUi.
182. tovs, the Art. repeats vWas : cp. 16. 56-58.
184. dp.<f>€ir«vovTo, 'were busy upon' : said offish, 21. 203.
186. poSoevTi, 'rose-scented': the statement of Pausanias [\\. 41, 7)
that oil of roses served to keep wood from rotting is perhaps only a
fiction suggested by this passage.
187. diroSpv<f>oi., 'scrape off the skin': the line recurs in 24. 21,
NOTES. LINES 120-246. 403
where it is connected with the dragging of Hector's body round the
tomb. Here it is quite out of place: indeed there is nothing to show
even what is the subject of the sentence.
190. irpiv can only mean ' before the burial of Hector ' ; but there is
nothing in the context to suggest this.
191. o-kt)\€i€, ' should parch up,' a form referred to aKtWw, which
however should give 1 Aor. 'iaxeiXa.
192. ouSc €Kcu€to, ' was not like to bum.'
195. Bopfrj, a spondee, as in 9. 5 : we should probably read Bopptt),
cp. the Attic form Boppas.
198. o-evaixo, ' should be stirred to bum,' started burning. So 1. 210
oparjre Karj/xevai.
200. Z«4>tipoio «v8ov, like Aids ivhov (20. 13).
205. ot>x tSos, ' it is not (a time) to sit,' see on n. 648.
214. iKavov <rr|U€vai, 'came blowing': generally compared with 0ij
iivai, Sipro Ttirtodai, &c. : but in all these phrases the governing verb
implies the beginning of motion. Perhaps we should read d-qneuoi.
217. duvSis, ' together,' i. c. both blowing on the same point.
tpaXXov, ' beat upon ' : lit. ' threw at,' as though the blasts were
missiles. Others (as L. and S.) translate 'threw the burning embers
together, 1 viz. by blowing from different sides.
219. dp.({>iKviT«\\ov, 'two-handled,' see on 1. 584.
222. iraiSos may be taken either with oBvperai or with ocrrta; so
frdpoio in 1. 224.
226. cfjoajs tp«ov, cp. Od. 13. 94 (pxeTcu a-fffWaiv <paos.
230. Because the north and west winds come from Thrace, it has
been argued that the poet's standpoint is the coast of Asia Minor. On
the other hand, in this very passage the dawn is described as coming
over the sea (1. 227 virelp aka KtSvarai r/ws), which therefore must lie to
the eastward. We must either find some place which satisfies both
conditions — such as the island of Chios — or else regard this class of
arguments as in their nature indecisive.
232. €irl opovio-ev, ' fell upon him.'
233. ol 8' dp.<J>' 'Arpeiuwi, ' Agamemnon and those about him' : see
the'note on 3. 146. This line is subordinate in sense to 1. 234 (J 57) :
'when the other chiefs gathered round Agamemnon, their approach
roused Achilles.'
237. koto o-p«craT€, 'quench,' Tmesis.
243. <j>id\T), not a saucer-shaped vessel, as in later Greek, but a jar
or urn (Helbig, p. 266).
244. "A'tSi, a locatival Dat., § 38, 2, so that Hades is here used as
the name of a place ; see on 1. 3.
246. tmeiKta toiov, 'just befitting': toiov in this use is not found
elsewhere in the Iliad, but is common, in the Odyssey.
1) d 2
404 ILIAD. BOOK XXIII.
247. -ri0T)[ievai, Inf. for the Imperative, — here the Third Person, for
we cannot well take 'Axaioi as a Voc.
t'jxe To ScuTcpoi, ' behind me,' after my death.
251. PaOcta is predicative, ' had fallen (^and lay) deep.'
254. =18. 352.
255. TopviicravTO, ' rounded off.'
0€p.€i\ia, 'groundwork,' 'basement,' cp. 12. 28. Mr. Leaf com-
pares the description of the tomb of Alyattes, Hdt. 1. 93 f) Kpqms
( = 9efxei\ia) fxiv tori XiBojv fxc^aXwu, to S« aWo afjpia X'"l xa 79 s -
257. irdXiv kiov, ' moved away.' It is unnecessary to take kiov as an
Impf., ' were going' = ' were about to go' ; the line is evidently a piece
of commonplace (cp. 24. 801).
258. awTov, ' where they were.'
d-ywva, ' assembly,' see on 7. 298. The word denotes both the
place of meeting and the audience.
262. iro8(oK€(riv is not quite appropriate as an epithet of charioteers,
Iit7T€vo-iv. The Townley Schol. mentions the reading iinroicriv, which
may be right.
263. ayeo-dai, ' for the (winner to take away.'
264. to-nievTa, 'furnished with handles': the correct form, as Heyne
pointed out, is ovaroevra.
266. d8p.T|TT]v, the fact that the horse had not yet been worked en-
hanced its value : so the caldron is d-irvpos, ' innocent of the fire,' and
1 white as at first ' (avTtos).
269. The TaXavTov in Homer is of very much less value than in
historical times; cp. 1. 751, where half a talent of gold is worth less
than a fat ox.
270. du.4>i0tTov, 'two-handled,' see on 1. 584.
273. 8e8€Yp.€va, ' awaiting,' § 26, 2.
274. eirl dXXw, ' over another.' «i de9X«vioip.€v, Opt., § 30, 6.
275. rd irpuTO, 'the first prize,' as 1. 538.
276. ircptfidXXeTOv, ' excel ' : (Sa\\<u in composition often has a very
vague sense.
280. Toiou -yap k.t.X., 'they have lost the fair renown of (having) so
good a charioteer.' We need not regard kX«os tjvioxoio as a periphrasis
like /Si'?; Tlpiafioio.
283. ir«v0€ieTov, see § 8, B, 1.
284. ^p-qpt'SaTai, 'rest on the ground,' because they keep their heads
sunk in grief. Cp. 19. 405 -qfj.vae Kaprjari, waaa 8« \aiTT] . . . ovSas "ixavev.
285. crxcXXto-Ot, ' make ready' for the start.
287. Tax«ts, predicative = ' quickly.'
aY€p0ev, • assembled,' is the reading of the best MSS. : others have
«Y€p0«v, which was read by Aristarchus, and has some support from
upro in the following lines (288, 290, 293). See on 7. 434.
NOTES. LINES 247-325. 405
291. Tpwovs, 'of the breed of Tros,' see 5. 265 ff. The capture of
the horses of Aeneas is told in 5. 432 ff.
295. tt|v 'A-yau.«p.vovti]v, the Art. of contrast, § 47, 2, d: ' Aethe —
that one Agamemnon's — and (the other) his own.'
299. «vpvxopo>, ' with wide dancing grounds.' Sicyon was under
Agamemnon, hence Echepolus was bound to serve in the war.
300. o ye, Menelaus. icrx aV0(0O " av > T 7- 57 2 -
305. fAvOtl-r' els d^aGa, ' spake to good purpose,' cp. 9. 102 elireiv eU
ayaOov.
<()pov€Oiv voeovTt koA auT<j>, 'speaking with judgment to one who
had understanding of his own.' So (ppovewv in 1. 343.
309. T('pp.aTa, ' turning-point,' Lat. meta.
310. t', probably for toi, as 1. 170 a 6ta>. But the reading is un-
certain, the Syrian palimpsest having tu -y' oiai.
311. d<f>apTepoi, ' swifter.'
ai-rot, ' the drivers.'
314. irap«K-irpo<j>v-yT)o-i, 'give you the go-by.' Mr. Paley remarks
that the word seems borrowed from the language of racing.
317. tp€x0op.«vi]v, 'torn,' 'vexed.'
320. €ul itoAXov, ' over a wide space,' i. c. takes a wide turn.
«v0a Kal tvGa, ' this way and that,' i. c. all round the meta.
321. iiTiroi 8e k.t.X. is generally taken as the apodosis : but this is
unsatisfactory, since it merely carries on the description of the unskilful
driver. Some take os p-«v demonstratively, ' the one ' : but there is no
parallel to this in Homer. Probably then the apodosis to os \t-iv k.t.X.
is intentionally left to be understood from the context : ' if a man lets
his horses take a wide turn, and straggle about, — (you know what
happens).' Thus the whole period will be of the common type seen in
1. 135 dXX' ti per — , el be Ke /it) — , I7W 5e uev — , with the difference that
instead of the unexpressed consequent being cv i'xe« or the like, it is the
opposite idea.
322. KtpSea elSfj, 'has artful devices in his mind,' elSevai as 2. 213.
323. o-Tp«4>ei lyyvQev, the opposite of enl itoWov kxiaaerai.
324. oirirws k.t.X. , 'just as he has pulled them straight from the out-
set with the ox-hide reins ' ; he sees at once the right course, draws the
reins accordingly, and keeps the Ttpfia steadily in view. Tavvo-r| de-
scribes the act of tightening the reins at starting, necessary to secure a
steady course. Some take oi8« I \r\Qt\. closely with oirn-ais k.t.X.,
translating ' he does not fail to see how he must stretch his horses.' But
the point is, not that he pulled his horses straight at first, but that he
keeps them straight till he rounds the turning-point. And it is better
to take the phrase ou5e e XrjGei as a mere parenthesis : see on 1. 649.
325. «x €u do-<|>aXea>s, ' holds them in an unswerving course.'
tcv iTpovx ovTa , ' the one who is in front.'
4 o6 ILIAD. BOOK XXIII.
326. o-fjjitt seems here to mean an object which Antilochus is to
recognise, by description, and which it will be useful for him to know.
32,7. oo-ov r opyuwi, sc. eari, ' to the length of a fathom.'
328. to \Ltv k.t.X., a parenthetical clause: see on 20. 463.
"329. tp-qpeSaxai, ' are set firm' (on the ground).
330. £woxt)o-iv, ' meeting,' place where tracks met : perhaps the
two parallel tracks of the race-course are meant, but this is not made
clear. l-n"ir6Spo}Jios, a space suited for chariots.
331. 0-fjp.a here means a tomb, 'monument.'
334. e'Yxpir 11 !" 1 ?* l^ ' crushing (the chariot) hard against,' a natural
hyperbole for ' driving as close as possible.' So iyxpth ( P e 'n TW in *• 33 8 -
Cp. 1. 381, where Karaeivre means only ' putting close.' Actual touching,
as Nestor goes on to explain, would be fatal.
335. 8i<|>pc«>, the body of the chariot, tiJirXtKrw, i. e. composed of
plaited work of leather. This may refer either to the platform on which
the driver stood (as Mr. Leaf thought, see his note on II. 5. 727), or to
the breastwork in front (Helbig, p. 102).
336. W dpio-T€pa, i.e. inwards, touv, 'the pair' : but Heyne's conj.
toiov is very plausible, cp. 1. 246. tov, § 47, 2, d.
337. dl-ai k.t.K., 'slacken his reins.'
339. aKpov iKt'o-Oai, 'to reach the surface,' i. e. just to reach and no
more. kvkXov, with itXtnavt].
340. €ir(n>petv, ' to get hold of,' strike upon : used by a touch of
irony of a weapon striking, II. 391.
343. ire^uXaYp-tvos, ' on your guard.' (\>povi<av as in 1. 305.
345. *\t]o-i, 'shall overtake.' ou8t iraptXerj, 'or pass you.' The
Subj. is used as in simple sentences with oi, § 29, 6.
346. si k«v with Opt., § 34, 1, i>: here Ktv shows that the condition
' if you have passed the turning-point ' still subsists.
348. The horses of Laomedon are the breed given to Tros, see 5.
265-269. €v0d8e ye = ' among those bred in Troy,' cp. 21. 279.
350. impon-a, the final or essential points.
352. tv tfidXovTO, 'cast in.' A helmet was generally used, cp. 3. 316.,
7. 176. The lot settled their places at the start.
358. Commentators are divided on the question whether p.€Tao-Toixi
means 'in rank, side by side,' or ' in file,' one behind the other. The
latter view is the more natural, since pera = ' after,' and aroixos in Attic
means ' a file.' It also accounts more fully for the necessity of drawing
lots (though this might be explained by the advantage of an inside
place), and it suits the language of 11. 354~35 6 ( es P- vo-to/tos). Start-
ing in file would of course be unfair, but might be necessary for want
of room on the course. The line recurs in the foot-race, 1. 757, where
the excuse of want of room could not apply : accordingly Aristarchus
rejected it there, as wrongly repeated from this place. On the whole
NOTES. LINES 326-403. 407
the notion of a narrow course, with not more than room to pass, answers
best to the description of the race ; see esp. 11. 419, 427.
359. (tkottov, a watcher, ' umpire.'
361. n€p.vtwTo, Opt. of fit fivi] fiat, apparently formed like the Attic
Tpvywpi from rpvyaw, &c. Analogy would lead us to expect either
fiefxvfiTo (cp. 24. 745 nefxvrnxrjv), or nifivoiTO (cp. fie^vri). The umpire
was to ' remember,' i. e. to observe and be able to report, which chariots
duly passed the turning-point. 8pop.ovs, ' the courses ' of the several
chariots: as to the Ace. with /x4/xvT]fiai see on 6. 151. The MSS. have
8pop.ov, ' the running ' : but 8p6p.ous was read by Aristarchus.
362. Tirirouv, Dual, used distributively, see 16. 371.
363. ip.acriv, perhaps ' the reins.'
365. v6o-(J>i veuiv, ' away from the ships ' : the other end of the course
was somewhere on the plain, cp. 1. 374. The fortification round the
camp is now forgotten.
373. irvp-aTov 8p6p.ov, 'the last part of the course.' It is a question
whether the chariots had to go round the course more than once. The
vvaaa was far off (1. 359), and nothing is said of a second turning-
point, or of the number of ' laps.' Hence it is probable that the
short IwnuSpofios, with its double vvaaa, was a later arrangement. The
change is one that would naturally be made in the interest of the
spectators.
374. €tti with the Gen. expresses direction ' towards,' see on 3. 5.
375. tcLOu] 8p6|xos, 'the running was strained,' i.e. the speed was
raised to the highest pitch : cp. 1. 518.
376. €K<j>«pov, apparently a technical word, * drew away.'
379. €ttiPt)o-o(j.(voio-iv, Participle of the Homeric Aorist enet3rjffeTo,
see on 5. 46., 16. 343. It is generally explained as a Fut, 'about to
mount.' But the Fut. Participle is not used in Homer except after verbs
of motion (cp. the Latin Supine in -uni). And in this place the expres-
sion ' seemed to have mounted ' is only a little bolder than ' seemed to
be about to mount.'
381. 0«pp.€To, Sing., with p.€T&4>pevov as the important word.
KaTa0€VT«, cp. 1. 334.
382. ap.4>T|pio-Tov, 'a matter to dispute over': Virgil's ambiguumve
relinquat (Aen. 5. 326).
387. €(3\a4>0r|<rav, see on 16. 331.
388. €\«<|)T)pdp.evos, ' playing a trick on,' governs Tv8«iSt]v.
392. ■?)£«, ' broke' : the Homeric form is ea£e,
393. d(A<|>is 680O, ' apart in respect of their track.' For the Gen. cp.
â– npo ubov iykvovro, ' got forward on the way.'
398. Trapa.Tpe'4/as, 'turning them aside,' 'making them swerve,' i.e.
so as to pass the broken down chariot.
403. «p-Pt]tov, 'come on,' lit. step on.' TtTaCvtrov, 'draw.'
408 ILIAD. BOOK XXIII.
408. KapiraXipcos, with Kixavert.
409. X«iir€cr8e, 'suffer yourselves to be left behind': see on 13. no.
413. diroKT)8if|<ra.vT€, ' having given up caring,' for want of an effort :
the Dual because the horses are the main subject, though by using the
First Person 4>€ptop.€8a, Antilochus associates himself with his team, in
fact speaks as if he were part of it. On the same principle 'inirca in Homer
= ' a chariot,' including the driver. Some explain the Dual of Anti-
lochus and his team regarded as two parties : see on 5. 487. But this
is very artificial, especially as Antilochus clearly means diroKr)5r]<xavTe
to refer to the horses only.
415. TavTa, explained by the Inf. -irapaSiJLMvai. : cp. 17. 406.
419. koCXtjs, ' hollowed out,' sunk ; as Horn. h. Cer. 177 ko'iKtjv holt
dfiagtrov. The roads of a primitive country are apt to be of this
character ; and in winter to become mere water-courses.
420. pcoxf^os (pTjy-vv/xi), ' a break.'
dXtv, 'confined' : the winter flood, at some point where it had no
sufficient outlet, had carried away part of the road.
421. 60010 is partitive, ' had broken away (part) from the road.'
fjaOvve, 'had let down,' caused it to sink.
422. dp-aTpoxids, 'running abreast': Menelaus wished the chariots
to keep to single file in the narrow place, and therefore was making no
attempt to pass those in front. Antilochus, on the contrary, forced
the pace, and got abreast of Menelaus, who then had to fall behind in
order to avoid a collision in the dangerous narrow place.
424. «8io)Kev, ' pressed on.'
427. â– nupeXaxro-eis. This form is not Homeric: we should read
either iraptXao-crais (with one good MS.), an Opt. to be understood
in the concessive use, § 30, 4 ; or (with Schol. V) evpuTtpr) irapeXio-o-ai,
'it will presently be broader for passing.'
425. dpp.aTi, ' with the car.'
431. ovpa, ' the range.'
KaTwp.a5ioio, 'thrown Karw/iaSov' (15. 352), i.e. with the arm
raised above the shoulder.
433. <iT€8pap.«TTjv, 'ran on,' i.e. ran ahead, gained.
T|pu>T]0"av, 'slackened,' see on 2. 179.
439. 6Xoa)T6pos, 'more mischievous,' cp. 22. 15.
440. «pp«, 'away!' *Tvp.ov, Adv., ' truly.' <f>dp.€v, Impf., 'we have
been saying.'
441. ou8' cos, i.e. even though you have come in first.
444. <}>0t|o-ovtch Kap.6vTa, ' will sooner be wearied out,' ' give way.'
445. &T€p.povTcu, ' are impaired in.'
450. iirirovs, 'a chariot,' — which proves to be Diomede's.
452. Toto anticipates 6p.oKX-nT-fjpos, § 47, 2, a : we might translate
'and while he (or the man) was still far off, he heard the shouting
NOTES. LINES 408-519. 409
driver and recognised him.' We ought not to translate 'heard him
shout,' which would be ofiOKK-qaavTos.
454. dXXo toctov, see on 22. 322. <j>otvi£, 'bay.'
459. dXXoi, 'other' than before. -n-apoiTepoi., 'in front.'
460. avrov, ' where they were,' = left behind.
461. Kctore, 'to that point,' viz. the vvaaa.
462. rds is generally taken as a Relative, vvv 8t being the apodosis;
but this is not necessary: see on 1. 125.
Trpwra, ' before,' opposed to vOv : see on 2. 572., 9. 34.
irepl T«pfia paXovo-as, 'rounding, taking the turn round, the post.'
Mr. Leaf thinks that this Ttppu must be the one at the starting-point,
since ' at the distant vvaaa the horses could not be distinguishable.'
If so, the T«pp-o of the next sentence (1. 466) is a different one, which
involves a somewhat harsh ambiguity. But Idomeneus does not need to
distinguish the horses. If he followed them with his eye from the
start he could tell which passed the vvaaa first.
468. e£t]pd>Tjo-av, 'have swerved from the course,' see on 2. 179.
471. 'ApY«Coio-iv, here in the strict sense, of the city of Argos.
474. Xa/3p€v€ai, 'talk big': XaQpus is applied to a violent wind
(2. 148), a swollen wave (15. 625), &c.
irdpos, ' beforehand,' i.e. before you are sure. For at 8e t' we should
doubtless read ai 8' it' (cp. 22. 300).
476. Idomeneus was fi(aatrr6\tos (13. 361), so that 'not the youngest'
is a litotes, § 59.
480. aurai, 'the same,' ' the very horses.'
483. The T€ seems to connect dXXa 8«v€ai with the two preceding
epithets, the sentence changing from the Vocative form to a finite verb
(compare § 58, 1).
485. iiepi8u)p.€0ov, 'let us wager': the only First Person Dual in
Homer.
486. lo-ropa, ' witness.'
494. p«'£oi, Opt., because the speaker is making a mere supposition,
not looking forward to actual cases : cp. Od. 6. 286.
496. oi Si, 'the men,' implied in IVirovs, 'chariots,' cp. 1. 252.
poo. jido-Ti, Dat. of a form fiaarts : cp. p-rjTt, 1. 315.
504. e-n-€Tpexov, ' ran behind.'
505. cmo-o-dn-pojv, with yiyvtro, 'no deep chariot rut was made (as
the mark) of the tires ' : so rapidly the chariot skimmed over the dust.
510. (idnjertv, ' loitered.'
513. tXvtv tiTro, ' loosed from under' (the yoke).
515. K€p8€o-Lv, 'artful devices,' cp. 22. 247 (note).
517. ddjio-Tarai, 'is separated from,' 'is clear of.'
518. -riTai.v6p.6vos, ' straining,' at the top of his speed, cp. 22. 23.
519. toO, sc. the horse's. 6 8«, 'the wheel.'
410 ILIAD. BOOK XXIII.
521. Ot'ovTos is Gen. absolute, 'as he courses'; or possibly it is
governed by ayX 1 -
523. to. irpuiTa, ( the time before,' viz. when he first fell behind.
«, ' up to,' as much as.
524. ofytWtro, 'waxed great,' i.e. showed itself great: cp. our
colloquial ' came out strong.'
527. Zenodotus read -q dp.<|>T|pio-Tov, as in 1. 382.
529. Soupos €pa>T)v, 'a spear's throw': for the Ace. cp. 10. 357
ane(ra.v fiovprjvtxes.
531. tjkio-tos (al. tJkio-tos), ' feeblest ' : the Positive is only found in
the adverb 77/m, ' faintly.'
533. -irpoo-croGev, 'before him' : the word only occurs here.
536. XotcrGos, predicative, 'is last to drive.'
538. SevTtpa, 'the second prize,' in apposition to dt'9Xiov.
542. 8ikt), 'with a claim of right.' 81*17, 'the setting forth of right,'
in the mouth of a suitor is only a plea, though in the mouth of a judge
it becomes a decision.
546. <3<}>e\€v, 'he ought to have,' — his ill fortune must be taken to
be his own fault.
547. tu k', 'in that case,' if he did that : cp. 19. 61. Most MSS.
have to k«v, but to in this use means ' wherefore,' § 47, ifin.
551. tirei/ra, i.e. after the prizes now won have been given.
558. oiko9«v, ' from my own store ' : cp. 7. 364.
559. €iri8o0vat, 'to give besides,' into the bargain.
561. x e Sp.a, a casting. dp.4>i8€8ivT]T(u, ' is carried round.'
568. o-K-qiTTpov, as a sign that he was to speak, cp. 18. 505.
571. 'You have tarnished the fame of my prowess, and brought my
horses to disaster.' dp«TT| is a general word for powers and accomplish-
ments. In 1. 578 (aperr) re Piy r() it is used, to include 'rank' or
'position'; somewhat as we use 'quality': cp. 9. 498 (of the gods)
rwv irep Hal fitifav aperfi Ti/xr) re Pirj Te.
574. Is p.«rov, ' in the middle,' i.e. as between both.
p.t]8' tV dpio-yf], ' not in view of aid,' not as partisans of either :
cp. 18. 502 dfitpls apwyoi.
577. oTi k.t.K. The second of the two clauses is the important one,
the sense being ' because, though his horses are inferior, he is of higher
rank himself.'
579. 8iKdcro), ' declare what is right,' make my claim : see on 1. 542.
\i\ for p.01.
580. i0€ta, 'justice' (sc. Sikij) : cp. 18. 508 S'atrjv Wwrara f'tirot, also
16. 3S7 ol Ply tiv dyopfi ffnoXias Kpivaiai 9efj.taras.
581. f\ 6«p.is «'cttC, means that in such a case Menelaus is justified in
demanding the oath.
583. «x« is the reading of the MSS. Editors before La Roche give
NOTES. LINES 521-639. 41 1
«X w v, from Eustathius. The change to the finite verb is quite Homeric
(§ 58, i\ and there is no difficulty in taking the clause airrdp — tXavves
as a parenthesis.
587. av<rx«o, 'bear' (with me) : cp. 1. 586 avdox*o HtjSonti'r] irep.
588. iTpoTepos, 'elder,' cp. 15. 166 ytver) irpurepos.
5S9. v«ov dvSpos, with T€\«0ovcri, lit. ' what manner of transgressions
are brought about (in the transgressions) of a young man,' i.e. what
kind of offences a young man is led to commit. The Gen. is used as
often with yiyvtaOou and similar verbs : see on 1. 505.
590. voos, 'his purpose ' : for the whole line cp. 10. 226.
592. koI, with a\\o p.«i£ov ; thus there is an asyndeton, 'the horse
I won, — (nay) whatever else you should ask for,' &c.
595. «k 0vp.ov, ' out of thy good-will,' the opposite of iv6x>nios (Od.
13. 421) : cp. II. 1. 562 clttu dvixov.
dXiTpos, 'a sinner,' with reference to the false oath which Anti-
lochus would have had to make : hence the words amount to an
indirect confession of being in the wrong. The drift of the speech is
judicious evasion of the question whether he had won fairly or not.
8a£p.oaiv, ' with, in the sight of, the gods.'
598. ws €i t« «pcri], 'as the dew,' i.e. as the refreshing caused by it :
cp. icujxai xap'i'reffoii' 6fj.oiat 17. 51.
602. inro€i^op.ai x w °H- €v0S > ' w '^ §' ve vva y ' n i' '"•*• from, my anger.
603. iTapT|opos, 'hanging loose,' erratic, see on 7. 156.
decri4>pwv, cp. 20. 183.
604. vtoiT], a word which only occurs here, evidently means 'youthful
temper.' The alliteration makes it likely that the words come from an
old proverb.
607. dXXd crv -yap k.t.X., ' but inasmuch as — ' : see on 13. 736.
615. Ttrpa-ros is t'Aao-ev, ' fourth, even as he came in ' (fourth).
621. avTios, 'without asking more,' for nothing.
627. Instead of the common formula iroSes Kal x«ip«s, in apposition
to yvla (as in 1. 772, also 5. 122., 13. 75, &c), the second word is
turned into an independent sentence, § 58, 1.
628. tTraicrcrovTai t'Xac^pai, 'pounce lightly on their mark.'
wp.cov, with dp.4>OT€po>0ev, ' on either side of my shoulders.'
631. Join PcktiAtios d«0Aa, 'the prizes in honour of the king': so
1. 748 dtOKia ov erdpoio, and 22. 164 atOKov avSpus KaTaTtOvqurros.
635. avian], as we say 'stood up to,' cp. 1. 677.
638. oioio-iv iTTiroicri., ' in the chariot-race only.' This implies that
the list of contests — iru£, irdX-rj, iroSecrcri, Sovpi, iTnroicri — is a com-
plete one. They are the same as the contests enumerated by Achilles
(11. 621, 622), and probably therefore formed the TrivraOXov of the
heroic age.
639. ir\T|0€i irpocrOe pa\6vT«s. These words can only mean 'getting
412 ILIAD. BOOK XXIII.
them in front by force of numbers,' sc. by being two against one : cp.
17. 330 -nX-qOfi re <r<perfpcu. The advantage which this gave them is
described in 11. 641, 642.
ayacrcr6.\x.ivoi, ' roused to emulation,' put on their mettle : cp. 7. 41
ol S« k ayaaaafxevoi k.t.K., where it means 'piqued by the challenge.'
The word may express simple wonder, as in the formula ixvOov ayaffoa-
Hevoi, or indignation — the feeling that ' this is too much.'
640. ovivcKa must mean 'because' (not 'wherefore,' as La R.). The
.sense seems to be that the sons of Actor were roused to a last effort
because the greatest prize still remained (atiToOi = not carried off by
Nestor). But the line is weak and obscure.
641. tfiircSov, i.e. undisturbed by having to use the whip.
648. tvrjtos, cp. 17. 204.
649. tijjujs is generally construed with cr« \t|0c>>, regarded as --
\av9avri : but this (as Mr. Leaf observes) does violence to the Greek.
Moreover, ovSc ere \-f|0o> simply repeats p-f^vncrcu in a negative form,
and a clause of the kind is generally a mere parenthesis. It is better to
explain Ttji^s by the attraction of the following Relative : see the
examples given on 6. 396, esp. Od. 8. 74. -Jjs may be analogous to
the Gen. of price (so Hentze). Some explain it as attracted to the
antecedent Tip.fjs, but this attraction is not Homeric.
654. TaXaep-yov, ' sturdy worker ' ; not exactly 'enduring work,' which
would be Ta\aepyos (proparox.).
655. d8p.T]Tr|v, see on 1. 266.
660. dvacrxop.tva), ' raising,' sc. their hands, cp. 22. 34.
661. Kajijiovi-qv, cp. 22. 257.
670. tmStvpojiai, cp. 17. 142. The sense is, 'if I am inferior in
battle, is not that all the more reason why I should be superior in
boxing ? '
675. 01 ice *£oicrovcn., 'who shall in the case intended,' — 'in order
that they shall.'
679. os, viz. Mecisteus. BeSoviroTOs OiBiiroSao, 'when Oedipus had
fallen : cp. the formula Sovnrjaev 5e ireawv, also 13.426 avrus Sovirfjo-cu
afivvwv \01yuv 'Axaiofs, where dovirTjaai is = ' to fall in battle ' : and so
probably here. It has been thought that 8«8ovtt6tos refers to some
special incident of the death of Oedipus ; but this seems unlikely. It
is clear that the story of his blindness, &c. is unknown to Homer.
680. cs Ta<j)ov, with TJX0e, ' came for the funeral riles.'
683. iTapaKdfjpaXe should mean 'laid ready to his hand,' as in 1. 127.
684. ip-dvTas, thongs wound about the hand.
688. xpo^aSos, ' grinding' of teeth.
690. iraiTTTivavTa, ' when he peered out.' The Aor. must refer to
a particular occasion or act which gave his antagonist a chance.
691. auTov, 'where he stood ' ; he could not even stagger back.
NOTES. LINES 640-757. 413
692. viTo <j>piKos, 'at the coming of the ripple': see on 7. 63, 64.
tnro is used vaguely of conditions or accompaniment. Bopcco, ' of,' i.e.
raised by, the north wind : cp. 7. 63.
dvairdXXcTai, ' tosses itself,' ' leaps up': cp. 21. 126.
693. 0tv' cv <j>vkio€vti, ' on a beach full of sea-weed,' /. e. in the shoal
water along the beach. The point of the simile is the leap in the air,
followed by sudden disappearance.
698. aXAo4>pov€ovTa, ' wandering in mind ' : cp. the use of dWais
= 'idly ' (Od. 14. 124), and dWorpios (Od. 20. 347) : also Lat. aliena
mens.
701. 8ci.Kvvp.evos, 'offering,' inviting them to contend for it.
702. tp/Trvpi|3T|-n)v, ' made to stand (lit stride) over the fire.'
703. cvl o-<f>io-i, ' to each other,' when they saw it produced.
705. Teo-o-ap&Poiov, 'worth four oxen'; but in the Odyssey (1. 431) a
female slave is worth twenty oxen. It is natural that captives should
be cheap in time of war : but after due allowance has been made for
this, the difference points to a considerable change of circumstances.
707. ir«ipT|o-scrOov, Dual : only one pair of wrestlers was admitted.
709. KepSea €i8ws, cp. 1. 322.
712. dpeifjovres, 'rafters,' like wrestlers because locked together
above, and leaning towards each other.
714. TeTpiyew, 'creaked,' with the strain upon them.
720. «x« v > ' held firm.'
721. dviafov, 'began to vex,' ' try the patience of.' There was an
ancient variant €VKvf|p.i.8cs 'Ax<uoi, with which dviajov must be Intrans.,
with the meaning 'grew impatient.'
725. dvdeipe, Impf., ' proceeded to lift.'
86Xov, ' the trick ' to be used in the circumstances : explained by the
next words koi|/' k.t.K. For the asyndeton, see on 5. S05, 819.
726. K<i>XT)ira, ' the hollow of the knee,' which Ulysses on being lifted
struck with his heel, and so brought Ajax down.
728. 0t]«OVto tc 0ap.|3T]o-dv Tt = 6i6jfiivoi eOa/xfirjaav.
730. ou8c t' deipcv should probably be ouS' «V deipev.
731. t'v 8c yovu yva\L\\iw, ' bent in his (Ajax') knee.'
735. cpei8co-0ov, ' strive,' lit. press against each other. There is also
a reading e'pifccrSov, ' contend.' TpCPcaGc, ' let yourselves be worn out.'
743. 2i86vcs, distinguished from ^oivikcs : the latter, who are not
elsewhere mentioned in the Iliad, are always the sailors or merchants
who bring the works of art; while ^tSuvts (^iSovirj, &c.) is the name
of the nation that produced them (II. 6. 290, 291).
745. o-TTJo-av, 'landed,' as Od. 19. 188 ori^ae 5' kv 'A/xvicai, sc. vija.
746. vios, Gen. with wvov, ' the price, ransom, for — .'
748. dc'SXiov, read ai6\ia, cp. Od. 21.4.
757. Rejected by Aiistarchus, see on 1. 35S,
414 ILIAD. BOOK XXIII.
758. diTo vvcraT)S, 'from the starting-point.' Here (as in Od. S. 121,
where the words recur) there is no mention of a turning-post, which is
the meaning of vvaaa in 11. 332, 338. riraro Spojxos, 'the running was
at their highest speed ' : cp. 1. 374 a\p tcp' akus . . . TaOrj Spoftos.
759. €K(J>€p«, 'drew ahead,' cp. 1. 376.
761. o-tt)0€os ion, sc. ayx 1 - The loom was vertical : the Kavoves,
horizontal rods, to which the lower ends of the threads of the warp
(n'nos) were attached. The weaver had to stand close to the warp in
order to pass the spool {tttjv'iov') across it i.Leaf a. /.).
764. ixvia, 'the footsteps' of Ajax. irdpos kovlv a|xc|>(.xv0f|vai, ' before
the dust (raised by Ajax) had time to rise and cover him ' (Ulysses).
767. fiaXa, with o-tt€v8ovti, ' when (already) striving right well.'
768. Trvjjtaxov Spop.ov, as in 1. 371.
769. ov Kara 0vp.6v, i. e. to himself: see on 6. 524.
773. €iTcu£6a-9cH, 'to rush at, pounce on ' : the best MSS. have the
Aor. eira'iijao-Gai, but /xeWcu in this sense takes the Fut. Inf.
777. €v, with itXtjto.
778. <I>s tj\0€ 4>6dp.€vos, like 1. 615 Ttrparos ws eXacrev.
787. «tl Kal vuv, 'even to this day,' i.e. it is no fable.
791. cop.oy«povTa, ' in green (i. e. early) old age.'
792. tpiS-qo-ao-Oai, 'to rival,' a form only found here.
'Axcuots, with dp-yaXeov, ' hard for the Greeks to contend ' (with
Ulysses). The sense is that though Ulysses is beginning to be an old
man, he is still swifter of foot than all except Achilles.
798-883. The three contests which follow, — the duel in armour, the
throwing of the ou\os, and the archery, — seem to be later additions :
see the note on 1. 638. The language is generally weak, and several of
the incidents are very confused and improbable.
804. This line appears to have been wanting in the text of Aristarchus,
though it is necessary to the construction of the sentence.
805. 4>0fjo-tv 6pejjdp.evos, 'shall be first to reach'; with an Ace.
Xpoa, as in 16. 314, 322.
8c6. 8id t' i'vTea Kal p-tXav atp-a, ' passing through armour and dark
blood ' : a phrase which properly belongs to a description of walking
over a field of battle (10. 298, 469).
807. The Thracian sword appears unexpectedly here after the armour
of Sarpedon has been announced as the prize (11. 798-800). For Thrace
as a place from which swords come, cp. 13. 577.
809. £wT|'fa elsewhere (1. 124) is the 'common stock' of the army.
Here it must mean that the arms (of Sarpedon) were to be held in
common by the two combatants.
810. The offer of a feast to the combatants is also a singularity of
this contest.
813-816. The language is somewhat awkwardly adapted from 3.
NOTES. LINES 758-87 1. 415
340-343, and 6. 120, 121. Thus the pointless dp.4>cm'pco is substituted
for dfuporipcuv (6. 120), which there means ' the two armies.'
S21. Kvpe, ' was like to reach.'
822. The assembly declares them equal, but Achilles gives the prize
to Diomede.
826. atiToxotovov seems to mean 'just as it left the melting-pot,' i. e.
not wrought. Contrary to the rale observed in the other contests, it is
the only prize.
832-835. The general sense evidently is that the croXos will furnish
iron for the needs of his shepherds and ploughmen for five years. The
language however is obscure. In 1. 832 ol must mean the winner, but
this is not given in the context. diroirpoGi., ' far off,' viz. in the country,
cp. Od. 4. 757. It is not clear what difference the distance of the
lands would make : perhaps it is meant that a city would furnish im-
plements ready made. «^€i xp € «>P-« V0 S, ' will have and use,' ' will keep
in use.' In the last clause, ou p.«v k.t.K., the negative goes with dT«p.p6-
p.evos, ' it will not be for lack of iron that your shepherd or ploughman
will go to the town.' -rrap^ei., either 'he' (the owner) or 'it' (the
cu\os) will furnish &c.
840. yikaa-av k.t.X., implies a bad throw ; but it is unlike Homer
to leave this unexpressed.
843. The language is taken from Od. 8. 189, 192, where o-T|p.aTa
means marks put to show the distance thrown by the several com-
petitors.
847. dY&vos, probably 'the assemblage,' as elsewhere.
851. T]p.iiT€\«KKa, single axes, the TrtKticvs being double.
855. For the change to oratio recta see on 4. 303 (where as in this
place it follows the word dvu>Y«i). There is no other example of a
speech beginning in the middle of a line.
857. The offer of a prize for cutting the string seems absurd. Such
an incident is only intelligible as a surprise, giving an opportunity for
the feat of hitting the bird as it flies away. Virgil tells the story in
this way, see Aen. 5. 485 ff.
863. T|iT€i\T)<r«v, ' vowed,' so in 1. 872. This sense of the word is
not found elsewhere.
868. irapsiOi], 'fell loose,' from iraptTjfxi.
870. x* l P° s > sc - °f Teucer : with the reading in the text we must
assume that there was only one bow, which the competitors used in
turn. But the ancients were divided on this point. The Massilian
edition read «TT€0T]KaT' 6'icttov | to£w" tv -yap x^P "^ «X ev » k-t.X., which
allows Meriones to have his own bow, as well as his own arrow.
Other variants are given in the Scholia.
871. is iGwev, generally taken to mean 'while Teucer was aiming'
(so Hentze and Leaf) : but this use of ws is strange, and the change of
41 6 . ILIAD. BOOK XXIV.
subject very harsh. Schol. B. gives «us lOwev, which removes the first
of these objections : but Jus scanned as a monosyllable is doubtful. If
ws i0vv«v is right we must adopt a reading which allows each hero to
have his own bow, and then explain ?x«v irdXai us tOwtv, ' was holding
it ready as he had directed it,' i.e. had placed it aright, and was keeping
it so. For this use of ws cp. 1. 324 omrais to irpwrov ravvari (with the
note) ; also 24. 27 tx ov ws a< t> iV vpuTov anTix^ eT0 - The alternative is
to read ws lOwoi., with Voss and others.
879. o-vv Xiacr0«v, 'sank together,' collapsed.
itvkvo, ' close,' not predicative, but an ordinary epithet of plumage.
880. dir' auTov, 'from where he stood,' cp. 16. 117. The story is
still very confused : the arrow passing through the bird, the return of
the bird to settle on the mast, the arrow falling at the feet of Meriones
— all the incidents are pointless as well as improbable.
886. tj|xov€s, ' throwers ' of the spear.
890. i8p.€v -yap, ' as we know,' see on 13. 736.
897. 8i8ov, Impf., cp. 6. 192, and see § 27.
BOOK XXIV.
The subject of the twenty-fourth book is the ransoming of the body of
Hector {\vrpa "EKropoi) and his burial. The story is told as follows : —
After the funeral games are over, Achilles continues to outrage the
body of Hector. The gods are offended, and desire that the body should
be given back for burial. Thetis is sent for, and bears the message to
her son (11. 1-140).
Zeus sends Iris to Priam, to bid him go to the Greek camp and
ransom the body. Hecuba in vain seeks to prevent him from going.
He calls upon his sons to get ready a wagon, and load the ransom upon
it. After due libation and prayer, Priam and his herald Idaeus set out
(11. 141-328).
Hermes is sent by Zeus to conduct Priam on his way. He appears in
the form of a Myrmidon soldier, and guides Priam past the sentinels,
and so to Achilles (11. 329-467).
Then follows the scene in the tent of Achilles. Priam makes his
appeal : Achilles is moved to pity, and consents to accept the ransom.
After placing the body of Hector on the wagon he presses Priam to eat
meat, and makes ready a sleeping-place for him. ' Priam asks for a
truce, for the burial, which Achilles grants (11. 468-676).
Hermes comes to warn Priam to return, and guides him as far as the
ford of the Scamander. He is first seen by Cassandra : then met by the
NOTES. 417
Trojans at the gate. The body is placed on a bier, and due lamentation
performed, led by Andromache, Hecuba, and Helen. Then follows the
burial (11. 677-804).
The relation of the twenty-fourth book to the rest of the Iliad has
already been touched upon in discussing the twenty-third book (p. 397).
The main difficulty, it was pointed out, lies in the parallelism of the two
books, each of which seems to bring the poem to a close in its own way ;
and the most obvious inference is that both books are later additions.
If, again, the twenty-third book is pronounced to be post-Homeric — for
which there seemed to be considerable ground — it becomes still more
difficult to maintain the genuineness of the twenty-fourth. For it is un-
likely that the burial of Hector would be described at length if the burial
of Patroclus had been passed over in silence. On the other hand, the
incidents of the book, especially the meeting in the tent of Achilles, and
the reconciliation brought about between Achilles and Priam, are pre-
eminently fitted for the closing scene of the Iliad. On this point we
may quote the judgment of a great poet. Writing to a friend, Shelley
says : ' I congratulate you on your conquest of the Iliad. You must have
been astonished at the perpetually increasing magnificence of the last
seven books. Homer there truly begins to be himself. The battle of
the Scamander, the funeral of Patroclus, and the high and solemn close
of the whole bloody tale in tenderness and inexpiable sorrow, are
wrought in a manner incomparable with anything of the same kind'
{Letters from Italy, xliv). In the face of such testimony can we say
that the book in which this climax is reached, — in which the last re-
maining discords of the Iliad are dissolved in chivalrous pity and
respect, — is not the work of the original poet, but of some Homerid or
rhapsodist ?
The discussion of a critical question of this kind raises several issues,
which it is well to keep distinct. First, can the poem have come to an
end at an earlier point, such as the death of Hector, or the burial of
Patroclus ? Again, is there anything that may have led some later poet
to feel the need of a more satisfactory conclusion? And finally, are
there any traces in the incidents, or in the style and language, which bear
out such a supposition ? On the first of these questions something has
been already said (p. 397). The victory of Achilles, with the complete
revenge which he takes for his friend, must have left little for the
ordinary Greek hearer of the Iliad to desire. That Patroclus should
have a splendid funeral was a necessity in Greek eyes : but the poet has
taken pains to show that this was the first thought of the conqueror (II.
22. 3S5-390: see the remarks on p. 385). What then gave rise to the
sequel which we have in the two last books ? In the case of book XXIII,
vol.. 11. E e
41 8 ILIAD. BOOK XXIV.
the answer is easy. The author of that book has merely drawn out the
suggestion of the passage of book XXII just quoted. He has shown us
in detail what we already knew. But the twenty-fourth book does much
more than this. It redresses a wrong to which the poet has so far shown
himself indifferent, namely the savage and unjust treatment of Hector.
And with the atonement offered to a noble enemy it raises our thoughts,
for a time at least, above the fierce passions of the moment, and even
above the strife of Greek and Trojan. The bereavement of Priam, the
loss of Patroclus, the impending fate of Achilles himself, are seen in
their profound tragic meaning, as examples of the infinite sadness of
human things. Sunt lacrymae rcrum, ct mentem mortalia tangunt.
In all this are we to recognise the hand of a ' Homerid,' or is it here
that Homer — in Shelley's words — truly begins to be himself?
The problem is really an ethical one. To a Greek of the age of
rericles, as to a modem reader, the whole conduct of Achilles towards
his fallen enemy must have seemed barbarous and inexcusable. The
atonement now made comes in lame and ineffectual fashion, like the
Prayers of the ninth book, to repair the wrong that has been done. But
of this view of the matter the twenty-second book shows no trace. The
outrage done to the body of Hector, and the refusal of funeral rites, are
related without any apparent suspicion that they are a blot on the
character of the hero. The moral superiority of Hector, as has been
already observed (p. 384% does not seem to attract the sympathy of the
poet. In the twenty-fourth a different spirit prevails. The gods are
offended by the cruelty of Achilles, and oblige him to give up the body
of Hector for burial. There is room, therefore, for the conjecture that
the story of the ' Ransoming of Hector ' really represents a sensible
advance upon the very elementary morality of the Homeric times, and
reflects rather the feeling of an age in which mutilation of an enemy was
no longer approved, and the duty of granting a truce for the burial of
the slain was taking its place in Hellenic religion, — an age, moreover,
in which the civic virtues of a Hector would be sure of sympathy.
The main incident of the book — the expedition of Triam into the
camp of the enemy — cannot have been suggested by anything in the
preceding books, and indeed is unlike the manner of the Iliad. But the
framework of the narrative shows traces of imitation. The periods of
twelve days (1. 31), and nine days (1. 784) remind us of similar periods
in the first book (1. 107, 493, and 1. 53). The account of Achilles
dragging Hector about the funeral pyre is a repetition of the treatment
described in the twenty-second book. The laments put into the mouth of
Hecuba, Andromache and Helen, are too like those of the same book
(22. 430 ff., 477 ft".). At the same time we find characters and motifs that
do not belong to the Iliad. Such are, the part played by Hermes as
' guide of men,' — a function which he has in the Odyssey : the prominence
NOTES. 419
of Cassandra (11. 699 ff. : the twenty years that arc said (1. 765) to have
elapsed since the Rape of Helen ^implying an interval of ten years
before the beginning of the Trojan war) : the mention of Niobe (U. 602-
617), of the Judgment of Paris (11. 29, 30), of Troilus (1. 257), of the
Moipai (in the plural number, 1. 49). The prayer for a sign (11. 292 ff.)
has parallels in the Odyssey, not in the Iliad. Some of these passages
may be interpolated (see the notes on 11. 29-30, 614-617, 720-723):
but taken together they point to a somewhat different date.
The language of the twenty-fourth book shows many coincidences
with that of the Odyssey. We may note especially the number of lines
and half-lines which do not occur elsewhere in the Iliad, but in the
Odyssey have a fixed or conventional character.
1. 8. avhpwv re TTToKfftovs d\(y(iva tc KVfxara rrtipwv (three times
in the Odyssey).
29. ore ol /xiaaavkov 'Ikovto (Od. 10. 435).
33- o'X*' 7 '*""' «°" Tf > e °'h b-qk-qpiovis (Od. 5. 118).
38. Kal inl KTtpta KTtpicraiev (three times in Od.).
56. (it) Key Kal tovto (Od. 15. 435^.
73. opiws vwras re Kal T/nap (four times in Od.).
99. fiCLKapts Otol aiiv ivvres (four times in Od.).
124. kvrvvovT apiarov (Od. 16, 2).
189, 266. apa£av ivrpoxov -qixioveiqv (Od. 6. 72).
200. ais <pa.ro, KWKvaev Si (Od. 2. 361).
211. dndvevOe toktjwv (Od. 9. 36).
230-231, = Od. 24. 276-277.
256, 494. TpoiT) iv ei/peiy (three times in Od.).
774. ivl Tpo'iTi tvptir) (three times in Od.).
262. apvwv 778 1 ip'upwv (three times in Od.).
283. dyxifJ-o\ov be o<p' j)\0e (five times in Od. ; d. 8c 01 r)\0e is a
formula of the Iliad).
309. 80s p\ is 'Ax<AA»)os <pi\ov i\0etv 778' iKeeivuv (Od. 6. 327).
320. ol be ibuvres
•yrjOrjaav, Kal traoiv ivl <ppeo~l Ovpibs IdvOr) (Od. 15. 163-164).
323. (K 8' e\ao~e wpoOvpoio Kal alOovo-qs ipibovwov (three times in Od.).
333. aiipa 8' dp' 'Eppieiav vlov <pikov dvr'tov rjvba (Od. 5. 28).
339-345> = O d - 5- 43~49; J1 - 34°-34 2al so = Od. i. 96-98.
348. irpa/rov virrjvqTT), tov irep xa/>««rrdT7; f^Jj; (Od. 10. 279).
353. <paro <pwvT)<Jtv re (Od. 4. 370 eiros <p. <p, t.).
369. dvbp' dtrapLvvaoOai ore tij irporepos x a ^ (n l v V (twice in Od. ; a
variation on II. 19. 183 dvbp' dnapecaaaOai ore k.t,\.).
376. bepias Kal eTbos dyrjTds (Od. 14. 177).
382. dvbpas is dWobanovs (twice in Od.).
407. dKrjOeirjv Kardke£ov (six times in Od.).
476. eoQwv Kal irtvwv (twice in Od.).
E e 2
420 ILIAD. BOOK XXIV.
484. is dK\rj\ovs 8e tSovro (Od. 1 8. 320).
633. is &?<\t)\ovs opuwvTts (Od. 20. 373).
492. (diro) Tpo'tTjOtv iovra (three times in Od.).
507. us (paro, tw 8' dpa varpbs vtp' t/xtpov Sjpat yuoto (Od. 4. 113).
546. ir\ovT(fi T€ Hal vlaai (Od. 14. 206).
567. ptia fxtTox^icafif (Od. 23. 188).
588. dpupl 5i puv tpapos KaXov /3a\m> ySi x iT ^ va (twice in Od.).
597. *£«to 8' iv K\tafia> (Od. 4. 136).
604. (£ fiiv Ovyaripts, (£ 8* vlies rj^wovrts (Od. 10. 6).
633. airdp iwel rapirrjaav (^three times in Od.).
635. 636, =Od. 4. 294-295., 23. 254-255.
6 44- 6 47.- = Od. 4. 297-300., 7. 336-339: 1. 647 also = Od. 22. 497.
673. ol fiiv dp' iv 7rpo56/xa> dofiov avruOt KoipLrfaavTo (Od. 4. 302).
749. <p'iKos ?j<j6a Otoiaiv (Od. 24. 92).
759. oh dyavois 0e\it<ratv inotx6p.tvos Kari-napvi (five times in Od.).
765~766, = Od. 19. 222-223., 2 4- 5 1 ®-
802. (SaiVwr') ipiKvSia Saira (four times in Od.).
The most noticeable words common to this book and the Odyssey
are, irpi)£is, dvapaws, 877X77/10)1/, atiKtirj, \vms, 701/77 (offspring), i^airj,
alavfivijTTjp, TtrpaKVKXos, Ovoctkoos, neiptvs, <pajpia/x6s, ivSv/ttajs (also 23. 90),
(pataifiPpoTos, Hokoitos, rravZapLarajp, also Saifpojf ' prudent ' ; the verb
dyairdfa ; and the phrases yKavtcwms Kovprj (of Athene), dy/cds ikuvra,
H*\*Z<jtI ra/iwv, avrira tpya, dfidfiero /iv$a>. To these have to be
added some peculiarities of grammar, such as the use of the defining
Article (11. 388, 801, also in books X and XXIII, see p. 399) ; vttl c. Ace.
of extent, without a verb of motion (11. 202, 535, cp. 10. 213) ; 8id vvkto.
0- 363) 5 «v with abstract words (1. 568, see H. G. § 220) ; the Opt. in
the First Person with Ktv (1. 664) ; and, in respect of metre, the neglect
of ' Position ' (11. 324, 795), the toleration of Hiatus {H. G. § 382), and
riais ( w - in 1. 658) : also the formula d\\' dy( pot roSe tlni (11. 197,
656, so 10. 384, 405, and four times in the Od.). On the whole the
weight of argument seems to be in favour of the opinion that the twenty-
fourth book is somewhat later than the bulk of the Iliad, and was
designed to furnish a conclusion in harmony with the feeling of a more
advanced civilisation than that which the original poet represented.
1. i'lcao-roi, Plur. meaning 'each company.'
2. levcu, Inf. of consequence, as in £77 8' Uvai, yrifine vUaBai, &c.
3. wiTvov, as well as Sopiroio, is governed by jjUSovto, the Inf. Tapirr|-
}i.svcu being epexegetical, ' to take pleasure therein.'
6. dvSpoTTjTa, see on 16. 857.
7. t|8' 6iT6<ra k.t.K., sc. ' remembering,' understood out of tto0«ov by
a kind of Zeugma.
NOTES. LINES 1-53- 421
8. TTToXfjxovs, epexegetic of oiroo-a : cp. Od. 8. 1S2 iroWa -yap 'irXrjv,
avSpuf r( vTokf/xovi k.t.X. Thus TTtipwv is added with reference to Kv/xara
only : ' and grievous waves which he passed through.' '
13. \t)0€ctk€v, i. e. the dawn found him watching for it: being the
time when he dragged Hector round the tomb.
15. hk marks the apodosis, as the change to the Indie. 8-rjcrdaK€To
shows. SeXkco-Gcu, 'for being dragged,' that he might be dragged.
18. Toto, governed by XP°i- The construction anexttv riv'i ti is found
in Od. 20. 263, where however the Dat. is a Personal Pronoun.
20. iravTd, Masc, sc. IldTpoKXov.
22. p.«v«aivo>v, 'in his rage': the usual meaning of fUvos is rather
' spirit,' eagerness to fight.
27. «X 0V > Intrans., 'they kept on being.'
28. arrjs, so Aristarchus read, others apx^s, ' the beginning made by
Paris.' There is a similar doubt as to the reading in 3. 100 and 6. 356.
29. v€ik€<tct€, ' flouted.' Lines 25-30 were rejected by Aristarchus.
There is no other trace in Homer of the 'judgment of Paris,' and
the reference to it in 11. 27-30 is vague and indirect, unlike the manner
of Homer.
31. «k toIo does not refer to any event given in the context, but
means ' from the time when all this began,' i. e. the death of Hector.
Cp. 1. 493.
35. veKvv irtp, 'even dead' — much less to bring him back alive.
ovk €tXt)t«, ' you had not the heart,' i. e. resolution : meaning that
they yielded to mere caprice.
38. in\ KTt'pea KTtpio-aisv, lit. ' burn his favourite possessions over
him,' hence generally ' perform due funeral rites.'
41. aypia oiSev, cp. 2. 213 (with the note).
42. os t' €ir«l dp k.t.X. The sentence is not finished: cp. 17. 65S
os t tntl dp K€ K&fXTjcri k.t.\., also 8. 230 ds diror' iv Aij/xvcp Keviavxtts
7)yopaao9f.
45. This line was rejected by Aristarchus. It occurs in Hesiod, Op.
318, where it is more in place. The alSws which does harm cannot be
thought of here.
46. p-tXXei, see on 18. 362.
47. 6p.o-ydo-Tpi.ov, i.e. whole brother. Instances of half-brothers, the
sons of different mothers, are frequent in Homer.
48. KXawas, ' having performed the lamentation ' : p.€0«T)Kev, ' he
leaves it alone,' puts it from him.
49. tXtjtov, Act. in sense, 'able to endure.' p.oipai, the Plur. of this
personification is only found here. Cp. the KaraK\w6ts, Od. 7. 197.
52. KdXXiov, Comparative used as 19. 56 aptiov.
53. frf| with the First Person expresses warning : ' see that we are not
provoked to indignation.'
422 ILIAD. BOOK XXIV.
54. ' Senseless earth/ viz. the dead body.
56. tit] K€v, ' may stand good,' ' may be as thou sayest.'
57. €i . . . 0T)<T€Te, 'if you (gods) mean to give like honour to Achilles
and Hector.' Note the change to the Plur.
58. p.a£6v, in apposition to -ywaixa-) as the part to the whole.
65. diroo-KiiBjicuve, 'quarrel utterly' : diro as in dirofirjvico (see on 2. 772).
68. T|p.dpTav€ 8u)pa>v, 'failed in gifts,' neglected to offer them.
71. K\«i|/ax «do-op.ev, 'we will give up taking by stealth.'
81. Kt'pas, explained by the scholiasts as a sheath of horn placed
behind the hook, to prevent the fish biting through the line : cp. Od. 1 2.
253. cp.f3ePa.vta, ' set upon,' ' fastened into.' The piece of lead is added
to make the hook sink. See the postscript, p. 432.
88. d<}>0i.Ta, ' unfading,' that cannot come to nought.
96. Atd£«To, 'gave way,' made room for them: cp. 13. 29 yrjOoavvri
St OdXaooa StiaraTO.
97. t£ava.pdcrai, ' mounting (the beach) out of (the sea).'
102. «\5<j>pi]V€, ' gladdened her,' gave her welcome.
upc£e, 'reached it to her,' gave it back to her.
106. tov, Art. as a Rel., with Antecedent understood: cp. 20. 21
tyvas . . . wv 'ivtica £vvey(ipa.
in. alSu Kai <t>iX6T^TO T6T|v, ' reverence and love towards thee.' Cp.
alSoT6s re <pl\os re (Od. 5. 88), and similar phrases.
118. !6vt\ for Iovtcl, Ace. before the Inf. Xucrao-Oai : cp. 15. 116.
1 24. dpio-Tov, in Attic with a : hence perhaps we should read \vtv-
vovt dpiarov.
131. P«'t), see on 15. 194.
139. ttj8' €ii) os ic.t.X. The Opt. is concessive: 'he may be here
who may bring the ransom and take away the dead,' i. e. ' I am content
to see some one come with ransom,' &c. rfjSc = ' here,' as 17. 512.
For the form of the sentence cp. 14. 107 vvv 5' (iij os . . . tvioiroi.
Most commentators put a colon at tj?5' t'irj, making 5y dirotva (ptpci
subordinate to dyoiro ; but this is harsh and un-Homeric.
149. KT|pv£ Tis ol Jttoito, the exception is introduced with an Asyn-
deton : ' let none other go with him, (only) a herald may follow,' &c.
154. os d£ei, originally os f d£ €l > as in 1. 183 os a' a£«..
160. tvoir^v, generally of battle-cry.
163. tv-rvirds, ' closely,' lit. 'beating himself into' the cloak. For the
form of the Adverb cp. dy/eds. The common explanation is, ' so that
the form (rvnos) of the body showed through the garment.' But this
implies a use of tvitos which is not to be traced in Homer, and indeed is
due to familiarity with the later art of coining money.
165. K0.Tap.T)O-aTO, 'scraped up': cp. irrafxrjo-aTO, of collecting leaves
(Od. 5. 482).
NOTES. LINES 54-269. 423
172. kcikov 6<rcrop.tvT], ' boding evil.' t68€, § 37, I.
190. iTsipivOa, a basket which, formed the body of the waggon.
192. KtSptvov, pannelled with cedar. -yXT|v€a, see on 8. 164.
202. ?k\«o, for tKXito, cp. anoaipio (1. 275), p.vdiai (Od. 2. 202), &c.
iitl c. Ace. of extent over is not generally used in the Iliad except
with a verb of motion : cp. 10. 213., 23. 742.
206. cupT|o-€i Kal tcr6v|;€Tai., an apparent varepov rrpurtpov, the more
important being placed first : = ' shall catch thee coming within his
sight.' Cp. 21.537.
207. ' The man is bloodthirsty and faithless, he will not pity thee,' a
paratactic way of saying ' he is so bloodthirsty and faithless that he' &c.
iip.T]<rTT|s, elsewhere of animals of prey.
208. dvevOev, ' in absence,' as 22. 88 dv(v9e be at p.kya vwiv k.t.K, cp.
also 22. 508 voo<pi TOKTjOjf.
209. tJ> 8' ws ttoGi k.t.K. The sentence is unfinished in form: 'even
as it was fated that he should be the prey of dogs, (so it has come to
pass).' The commentators make <os demonstrative: but this is less
satisfactory.
213. tot' &v tito.. The best MSS. have avTira (as Od. 17. 51), but
the av can hardly be omitted here.
216. dXecopfjs, 'shrinking aside,' cp. 13. 436 otire yap i£omcraj tpvyiuv
dwaT ovr' a\eaa0at. Elsewhere it is used of things that protect (12.
il; 15- 533).
219. opvis KaKos, ' a bird (i.e. a sign) of ill omen.'
223. On the combination vvv 8« — -yap see on 12. 326.
226. Ka/raiCTtiveie, Opt. of concession,' lam content that he should slay.'
230. air\ot8as, 'single': opposed to SnrA.a£ (3. 126., 22. 441).
235. €^€o-Ctjv, ' on a message' (effy/ii) ; Ace. § 37, I.
239. For €\€-yx«s we should probably read i\iy\ta (as 2. 235, &c.) :
see on 1. 354.
341. 6voo-ao-0e, 'have you complained?' i.e. have you not thought
it (sorrow) enough ?
242. 6X«'crai, with aX-y€* cSioksv, ' the grief of losing.'
243. pt]tT€poi €vaip«p.«v, personal construction (as in English^, 'easier
to slay.'
250. (3ot|v dyaOov, treated as a single word.
260. i\iyx (a TrdvTa, 'all reproaches,' i.e. none that is not a living
reproach. The Art. is used to mark the contrast to tovs p.«v k.t.K.
262. t-m.8Tip.toi, ' among your own people,' instead of robbing strangers
(oKKoSairoi, Od. 3. 74).
267. KaXr|v Trpa>TOTraY«a, cp. 5. 194 5i<ppoi KaXol irpwroiraytls.
269. The yoke ^vyov) is 6p.<f>aXo€v, i.e. furnished with an upupaXus, a
knob or boss in the middle, and has oit|k«s, probably hooks or rings for
the reins to pass through.
424 ILIAD. BOOK XXIV.
270. £vy68«<t|aov, 'the yoke-fastening,' the cord or thong which
attached the yoke to the end of the pole.
272. it^t), apparently the wedge-shaped head in which, according to
Helbig (p. 150, ed. 2), the pole usually ended.
The KpiKos was a ring attached to the middle of the yoke, and the
€ctto>p a peg near the end of the pole. The yoke was got into its place
on the pole by slipping the ring over the peg, and was then secured by
the fuYo8€<rp.ov, which also passed round (and was kept in place by)
the 6ji(J>aX6s of the yoke.
274. !£€Ct]s KaTeSTjaav. These words must be intended to explain
what was done with the rest of the nine cubits of {vYoSecrp-ov. Mr. Leaf
conjectured that the end was fastened to the body of the waggon, serving
as a stay for the pole, IjjeiTjs being a corruption of the word for the part
to which it was attached. This view is adopted by Helbig, who observes
that the pole of an ancient carriage was very liable to break, so that in
the case of a waggon intended for a heavy load some such additional
strength must have been needed.
viro vXtoxlva, ' passing under a hook ' : Ace. § 42, 3.
281. £«vyvijo-0t)v, Mid. 'were yoking their horses.'
285. o<j>pa \€Ci|/avT€ kioitt)v, = ' that they might pour a libation be-
fore going.'
294. Se£i6v is predicative : ' (ask for) one to appear on the right.'
296. ou after el is not uncommon in Homer : see on 15. 162.
304. x*P vl P 0V » the basin into which the water for hand-washing
(ytpviip) was poured; elsewhere called \£&t]s (Od. 1. 137, &c).
irpoxoov, the vessel from which the water was poured.
315. t€\€i6to.tov, the surest to bring fulfilment, cp. 8. 247.
316. p.6p4>vov 0T)pT)TTJpa, 'the dark one, the hunter'; cp. 21. 252
\ik\avos rod drjprjrrjpos.
irepKvov, another word for dark colour (Od. 7. 126).
318. K\i]i'crt, 'with bolts.' The best MSS. have €vkXt|is, the reading
of Aristarchus ; but It)' kXtjio-' was also ancient, and is more Homeric.
325. 8cu4>p<ov, 'prudent': elsewhere in the Iliad Sdi^pwv is applied
to warriors.
326. ittttoi, the verb is understood out of «Xkov diTT]vr]v, 1. 324.
329. ttoXios KaT«Pav, ' had gone down from the city.'
333. The use of Hermes as the messengerof Zeus is not elsewhere found
in the Iliad, but is regular in the Odyssey. This line recurs in Od. 5. 28.
335. Iraipio-o-ai, ' to serve as kratpos.'
cp k' €0«Xr)o-0a, 'whom it pleases thee (to hear) ' : Dat. used of a god,
cp. 16. 516.
338. ITqXeicovdSt, the only instance of this -St with the name of a
person. We might have had the Gen., as in "A'c'SuaSt. For the Ace.
cp. 23. 36 th 'Ayafit/xvova, ' to A.'s tent.'
NOTES. LINES 270-403. 425
339-345, = 0d - 5- 43~49 : n - 34°-34 2 also = Od. 1. 96-98.
347. aicrv\Lvr]Tr\pi, ' a prince': so Aristarchus. The word occurs in
Od. 8. 258 in the form aicrvfivrJTai, apparently = ' stewards of games.'
Some of the best MSS. read aurvT)TYJpi, which is supported by the
proper name At'tru^T^s.
348. irpuTOv tiirnv-f|TT], ' bearded newly.'
354. <j>paStos, Nom. (ppaSr/s, 'watchful,' one of the very few instances
in Homer of a simple Adj. in -t|S : cp. 1. 239, also 4. 235 (if/tvStaai).
355. SiappaicrecrOai, 'will be dashed in pieces.'
356. t(f>' iirrrtov, ' on our chariot,' leaving the mule-waggon.
iireira, 'if not, then': see on 13. 743.
358. crvv x^to, Tmesis, "ytpovri, a ' true' Dat, § 38, 1.
360. atiTos, of his own motion, without being entreated.
367. oveiaTa, ' goodly things,' elsewhere only used of a feast.
tCs av 8-q toi voos eti] ; ' what would be your device (for escape) ? '
368. ouTf — S«. The second clause would regularly be out* ovtos,
but is changed to a distinct sentence : cp. 7. 433.
369. diTap.vvao-0<u, Inf. of consequence with veos and "ytpwv : ' you
and your companion are (too) old to defend yourselves.' But the con-
struction is harsh, and the mention of a quarrel (ot( tj? vportpos x a ^ f -
â– n-qvri) does not fit the context very well, and may have come from Od.
16. 7 1 o-vtos fiiv vios dpi Kai ov ttcp X ( P ai TrivoiOa dv5p k.t.X. (=21.
I32-I33);
370. ov>8tv, adverbial, ' in nought.'
376. ataiov, 'of good omen.' o!os = ore toiovtos, 'in that thou art so
noble in form and feature.'
377. In sense (xaKapwvis the predicate, and the clause is subordinate:
' so that they are happy that call thee son.'
382. tva p-Cp-VT], ' where they shall remain,' in order that there they
may remain.
385. p-ax^s «it«8«v€t' 'Axaitov, 'fell short in fighting, failed to keep
up battle, with the Greeks.'
For the Gen. 'Axaiwv cp. 11. 542 Aiavros 5' iKieive ixaxqv : and for
eireSetJtTO cp. 13. 310 SeveaOai iroXifioto, and 17. 342 fjuix^ apa iroWov
y » /
6061^60.
388. ws after a question gives the ground for asking it: 'who can
you be that you so ' &c.
tov oitov, defining Art., cp. 20. 147., 23. 257, 465.
390. cipcai, ' dost ask about ' : see on 6. 151.
400. twv p,«Ta, a post-Homeric construction, cp. 13. 700. Possibly
t«v is a partitive gen. ; ' of them I was chosen by lot to follow hither.'
402. 0T|o-ovTai p&xuv, 'will bring on a battle'; cp. 17. 158 vovov
ical Sfjpiv iOevro,
403. 018 € Ka6Tj|A€voi, ' sitting still here ' : so 1. 412 iteTvos ' yonder.'
426 ILIAD. BOOK XXIV.
404. Join i'o-x* lv iroXejiov, ' to stay from war.'
413. avTws, ' the same as ever,' ' unchanging.'
417. aKTjSf'o-Tcos, cp. 21. 123 d.KTj8(es (offish devouring the slain).
419. 0,41a is Ace. : ' he is washed clean of blood.'
420. o-vv jxtjiUKev, Tmesis, ' have closed their lips.'
421. ocrcra, cognate Ace, cp. 5. 361 eXKos o p.e fiporos ovraotv avqp.
425. 8iSo\ivcu, one of the very few instances of the Pres. Inf. of a Verb
in -/xi in Homer.
426. ti itot' tt)v -yt has the force of confirming what is being said : ' if
he lived — as he did (i.e. as surely as he lived\ he did not forget.' See
on 3. 180.
430. The 8« shows that -n-tpj/ov 8« p.e is subordinate : ' deliver me by
conducting me,' &c.
434. irap«£ 'AxiXfja, ' past Achilles,' without regarding him.
437. Kat Ke. The sentence makes a kind of fresh beginning here :
hence the pleonasm of ice after dv.
439. ovocroxquvos p.ax«o-aiTO, ' quarrel by making light,' i.e. begin a
quarrel by saying something slighting. The Aorists express coincident
acts.
440. dvati-as, ' mshing up on to (the chariot).'
443-445. The apodosis to dXX' ot« 8t| k.t.X. begins (in sense at
least) at 1. 445 toicti 8' €<j>' vttvov k.t.X., since the connexion is, ' when
they reached the walls, where the sentinels were busy with their supper,
Hermes put them to sleep.' The stop at iroveovro should be a comma
(not a colon, as in most editions).
448. dXX' ore 8t| k.t.X. The apodosis is at 1. 457 8tj £a k.t.X.
451. 6po4>ov, 'reeds,' a kind so called from the use to which they
were put in thatching (kpiQw).
454. tmppT|o-o-€o-Kov, 'were wont to push home' : for prjaaco, see on
18.571.
457- <?£*» contracted form, only found here.
464. dYa/iraf«p.€v, 'greet,' hob-nob with : 0€ov is subject.
467. t«'k€os, Neoptolemus, see 19. 326. o-vv opiv-rjs, Tmesis.
473. tio, the Art. is used with Numerals where a distinction is made,
§47, 2,fl.
474. Auto|a«8u»v t« Kal "AXki^os, 19. 392.
476. ?ti Kal k.t.X., added to explain ve'ov 8' direXTj-yev (SuStjs : hence
the asyndeton.
480. If aTT) here means something which is the consequence of blood-
guiltiness, we must understand it either of madness or of the externa/
consequences, such as the exile of the manslayer. Neither alternative
is satisfactory. The word drr] in Homer always implies an act of folly
or blindness — not simple misfortune ; and the notion of madness follow-
ing on bloodshedding is not to be traced in Homeric times. Probably,
NOTES. LINES 404-544. 427
therefore, the reference is to the arrj which brought about the man-
slaughter, the clause ws ot' fiv k.t.\. meaning ' as when a man through
drrj has shed blood.' In any case the point of the comparison does not
lie in the art], but in the sudden appearance of the exile in the house to
which he comes as a suppliant.
It is unnecessary to suppose that the manslayer of this passage comes
for purification, which is a post-Homeric idea. We may compare the
cases of Phoenix (II. 9. 478 ff.), and Patroclus (II. 23. 85 ff.).
48". tt|Xikov ws irsp iy&v, = fj\iKOs ei/xl eyw : cp. Od. 16. 208 r\ re fxe
roiov (Otjkcv oira)s eOeKet. On the phrase iizl Y^lpaos ovi8cj> see 22. 60.
489. apV) see on x 4- 485-
493. tirel TtKov k.t.X. This clause is subordinate in sense to twv
8' ov Tiva k.t.X.: the two paratactic clauses being — 'since of the sons
born to me in Troy none is left.'
498. twv p.«v iroXXwv, ' of them, many as they were.' For the Art.
cp. Od. 2. 58 ( = 17. 537) rd be noWa Kardverai, 17. 457., 22. 273.
499. av-rovs, 'the men' (in the city) : cp. Od. 9. 40 -nokiv e-npaOov
wXeaa 5' avrovs : also Od. 10. 26 vrjas re teal avrovs.
503. outov, ' (me) on my own behalf : ' have respect for the gods,
and pity for the suppliant on his own account.'
507. irarpos "yooio, 'wailing for his father,' § 39, 1.
515. X €l P°S dvio-TT], ' raised him by the hand.'
522. ?p.irT)s refers forward to axvvp.6voi, ' still amid all our grief.'
524. irp-r|£i.s, ' result,' 'profit ' : a word common in the Odyssey.
526. dxvvp.«vois, so the best MSS. ; the Ace. dxyvpievovs would be
more regular, since it goes closely with the Inf. tyeiv : see on 13. 56.
527. iriOoi, large jars, used for wine (Od. 2. 340). The good and evil
are spoken of as if they were kinds of wine : cp. dp.p.i£as.
«v Aios ov8ei, ' on the floor,' viz. of the palace of Zeus.
528. kqkujv, cTepos 8i (d'jiv, = erepos ptev kcucwv, erepos be edajv, 'one
of ills, the other of blessings.' Cp. 22. 157 napaSpa/xerrjv, ipevyajv, 6
S' oiriode diu/cuv : also 7. 418 veicvds r dyepev, (repot be p:ed' v\t]v.
531. twv Xvypwv, 'miserable things,' 'wretchedness'; Art. of con-
trast to ' good things,' § 47, 2, d.
532. poiippwo-Tis, ' vast hunger,' appetite on the scale of an ox ; fjov-
expressing what is out of proportion, as in the later word fSov\ip.ia.
535. tir' dvOpiotrovs, see on l. 202.
538. tin, with 0-r|K€, 'made for him,' assigned as his lot : cp. 6. 357
otoiv enl Zeis Ofjice kclkov popov, also 21. 1 10.
539. KpeiovTiov, ' riding,' ' to be rulers.'
540. iravcuopiov, 'of all untimely fate ' : daipos (Od. 12. 89).
543. dfcovop-ev, = ' know by hearing,' see on 14. 125.
544. dvw evTos «pY €l > Ht. ' confines upwards,' i. e. to the north, = forms
the southern boundary. For the use oiiepyw of marking a limit see on
428 ILIAD. BOOK XXIV.
2. 617, 845., 12. 201. It is probable that Lesbos was then occupied by
Phoenicians, the name Ma/tap representing the Phoenician Melkart.
545. KaOvirepOe, 'from above,' i.e. to the north: cp. Od. 3. 170 icadv-
ntpOe Xioio, of passing to the N. Strictly speaking, Phrygia is to the E.
and N.E., the Hellespont to the N.W. dva>, ' upwards' and KaGuTrtpOe,
1 from above,' are naturally used of bounding in opposite directions.
546. tuv, 'of these,' i.e. of all within these limits. The Gen. with
K«Kdo-0<u, ' to excel,' is not elsewhere found in Homer.
548. Achilles uses general words — ' fighting and slaying of men ' — in
order to avoid directly speaking of the death of Hector.
551. KaKov ciAAo ird0T]o-0a, euphemism, like naaxdv rj — 'to die.'
Some put a colon before irpiv, and suppose the clause to be paratactic :
' sooner you zvill suffer another evil' ': cp. 1. 29.
554. K-rp-ai, see on 19. 32. cikt]8t]s, 'uncared for.' The word is not
restricted to funeral rites, though these are chiefly intended here.
557. Jfaeras, 'hast left me alone,' spared me: see on 1. 569. The
ancient grammarians who give this interpretation cannot have found
1. 558 in their text : and the line is wanting in good MSS. For the
force of irpun-ov, 'once for all' cp. 13. 2S5., 15. 75, 297.
560. vo«o, of purpose, as in the Substantive voos.
563. a« yiyviixjKU), otti k.t.\. = 'I know that a god has brought
you,' &c, a« being Ace. de quo, § 37, 7-
567. p.€xoxXiao-6i€, lit. 'shift with a lever,' hoist back: the phrase
recurs in Od. 23. 18S.
568. €v a\y«ri. The use of tv with an abstract word is rare in the
Iliad : cp. 10. 245, 279 iv itavnaai vovoiai.
569. €vl kXktit)o-iv edcrco, ' suffer in my tent,' spa"re as under my protec-
tion : cp. Od. 4. 743 ffi) fiiv dp fj.e Kara/crave VT]\t'i xa^xw, i) ta Iv (j.c<japa).
570. Aios «(j>eTp.as, not any special commands, but generally the will
of Zeus as the protector of the suppliant (imTip.j]Toip lutraaiv re £eivcw
re, Od. 9. 270).
572. oikoio, viz. the tent : Gen. with Otipaje.
576. viro {\jy6(j)iv, Gen., ' from under the yoke.'
581. irvKacras is the important word : ' that he might shroud the
dead body before giving it.'
584. ouk epuo-aiTo, after p/f), because equivalent to a single positive
notion, ' allow to break out.' ipvopm here has the sense usually found
only in the form ipvKOj.
5S6. dXiTTjxai, the Subj. can hardly be defended : see on 14. 165., 24.
655. We should probably read &Xitoito, with hiatus due to the imita-
tion of 1. 570 Aids 5' aXirwuat ithtTpias: cp. 13. 22.
594. ovp deiKta, a litotes, § 59.
595. aTro8d<ro-op.ai, Subj. ' will give a share,' probably in the shape of
offerings at his tomb, as in the case of arkpta.
NOTES. HNES 545-673. 429
598. toixov, ' by the other wall,' Gen. of place, cp. 9. 219.
601. dyoiv, ' when you bring him ' (to the city).
608. tj 8' avrf] YtivaTo itoWous, in sense subordinate to $i\ : ' while
she herself was the mother of many.'
610. tv <j)6va>, ' in their blood,' untended.
611. The meaning seems to be that the people who sought to bury the
slain were turned into stone by Zeus. There maybe a play on XcuSsand Kaas.
614-617. These lines have been rejected by many critics, ancient and
modern. The connexion of the story is certainly not clear. Niobe is
not one of the Xaot who were turned into stone ; for it was after this that
she ' remembered to eat meat.' The last line, however, (\160s trip iovaa)
assumes that that change had come about, though it does not tell us how
or why. The Niobe of this passage is usually identified with a figure
which has been discovered near Magnesia, cut in relief on the steep side
of Mt. Sipylus. The ancient local tradition seems to have found the
Homeric Niobe in some natural formation of the rock which at a certain
distance presented the appearance of a weeping woman (see Mr. Ramsay's
article in the^/. H. S. vol. iii. pp. 61-64).
615. cuvAs, apparently = ' abodes ' : but there is nothing to show what
natural objects are intended by the phrase.
616. 'Ax«Xw'iov, a common name for a river, but not otherwise known
in the neighbourhood of Mt. Sipylus.
cppwaavTO, 'pass swiftly,' 'speed,' viz. in the dance: cp. Hes. Th. 8.
The tense is difficult to explain, as the gnomic Aor. is not in place here.
617. Osiov tK, ' from the gods,' by divine intervention : cp. 5. 64.
630. avTa, lit. ' facing,' hence ' by comparison' : cp. 21. 332.
632. t« is placed after oij/iv because the chief ideas coupled are tiffs
and nvOos : the Participles elcropouv and ducovcuv are subordinate.
640. xopToien., ' walled-in spaces' (Lat. /tortus) : cp. II. 774.
644. 8e'p.via, ' bed-steads.'
646. fcraaOai, ' to put on,' ' to cover them with ' (tvvvfu).
647. Sdos, Sing., ' each with a torch': cp. 18. 594.
649. tTriK€p-rop.«Dv, ' taunting,' is out of place here.
651. oi t« refers to fJovA.T]<J>6pos, 'a counsellor of those who.'
655. KaC Kev . . y«vt)tcu, Subj. perhaps to express the certainty of the
consequence, § 29, 4. But some MSS. have y*voito.
658. o(J>pa k.t.X. depends upon clire in 1. 656.
661. w8« refers forward, ' as I shall say.'
662. -yap gives the reason for the following sentence : cp. 1. 123.
663. &£«p.€v, § 9, 3. 8«8ia<riv, the only example of 8«5ia in Homer.
664-666. The Opt. in the First Person with Ktv expresses willingness.
This usage is common in the Odyssey. On the form 8aivvT0 see on
16. 99.
673. iTpo86p.c{>, the regular sleeping place for guests : cp. Od. 4. 302.
430 ILIAD. BOOK XXIV,
68 1. lepovs, cp. 10. 56 (pvKaiccvv Upbv rtkos.
683. olov euSeis, ' to see how you sleep ' ; olov as in 13. 633.
684. ciao-«v, 'has left thee unharmed,' cp. 1. 557.
686. £o>ov, in contrast to ransom for the dead Hector. 8oi«v, • may
give,' i. e. may have to give.
6S7. toi, Art. marking the contrast with Hector.
696. tXcov, Impf. of a form i\aai, found in the Inf. tkaav (in the
phrase naarigtv 8' iKaav, &c), also Od. 10. 83. o'lp-to-yfj, ' with wailing,'
Instram. Dative, in the comitative sense, § 38, 3.
699. Note the paratactic fonn: 'no one knew them beforehand ; but
Cassandra . . .,' = ' no one knew them sooner than did Cassandra, who'
&c. Cp. 16. 62., 18. 403-405., 19. 306-308.
701. do-TvPowTrjv, cp. K<x\T)Topa (1. 577). The proper form would be
daTvPo^Trji.
702. t<j>' -qjiiovajv, 'on the mule-carriage' : cp. «</>' fmr<w = 'in a chariot.'
705. ei ttot€ Kal . . . \aip(T(, 'as surely as once you rejoiced ' : cp. the
phrase (i ttot' irjv yt (1. 426, with the note).
706. Btijuo, ' land ' or ' district,' in contrast to woA«s.
708. ado-x«TOv, see on 5. 892.
711. Ti\\e'o-0T]v, ' mourned,' lit. ' tore their hair in mourning for.'
712. diTTOjievai K€<j>aXfjs, cp. 1. 724.
716. Join etfarc ovpewi, ' make way for the mules,' p.ov being Dat.
ethicus, ' for me.'
719. 8up.aTa, governed by the els of eUrayaYov.
721. doi8T|v 0pT)veov, Cognate Ace, ' bewailed in a song of lamentation.'
722. 01 jitv 8t| may be added after the Relative 01 t«, to mark the
contrast with the following cm 8« o-TtvdxovTo y uva i K «s. But such an
addition is very strange, and it seems probable that a line is wanting after
1. 721. By 7waiK€s are meant Andromache, Hecuba, &c. ; cp. 1. 710.
725. diro oSXeo, ' hast perished from,' i. e. by perishing hast been taken
from. More commonly aiwv, ' life,' is said to be taken from the man :
cp. 19. 27 \k b' alwv vi<parai, ' is taken by slaying,' 16. 453 iwrjv Si) rov
ye \irrr) ipvxrj t( Kal alwv.
729. atiTT|v, ' itself,' as well as the wives and children (1. 730).
730. *x €S > ' didst uphold,' ' keep safe ' : in allusion to the name"E«rwp.
Cp. 5. 473 drfp \au>y irokiv i£tfxev.
733. deiKe'a, ' menial,' unworthy of thy birth.
734. iTpo, ' for,' or perhaps ' in the sight of : in either sense the use of
the Preposition is un-Homeric.
735. 6\e0pov, Ace. of the sum or result of the sentence: cp. 4. 28.
According to the story told by later poets (probably suggested by this
passage) Astyanax was thrown from the wall of Troy by Neoptolemus.
741. dpijTov, see on 17. 37.
744. ttukivov, ' sound,' 'wise' ; lit. 'firm, tight.'
NO 7ES. LINES 6 8 1 -80 2 . 43 1
749. £u>6s Trep, in contrast to iv Oavaroio ircp a'toy. The Dat. p.01 is
ethical : ' I had in you a son dear to the gods.'
751. The main argument introduced by -yap is given in 11. 757 — 759 •
' for,— though Achilles sold my other sons into slavery, and though he
dragged you round the tomb of Patroclus, — yet now you are laid fresh
and sweet in the halls.'
753. djiixOaXoeo-o-av, probably ' steaming, smoking,' the island of
Lemnos being volcanic. The root migh (6//«x*-'?> Sanscr. viegha, ' cloud,'
&c.) might give a Noun afiixdaXos, ' steam ' ; cp. a'iOaXos, KovicraKos.
757. TrpocrcJxiTos, ' freshly slain.' It is difficult to see how the word
acquired this meaning: perhaps it is = irpbs tw <p6vw (or jals <povcui,
' close to the slaying,' cp. 1. 610 Ktar' tv <p6va>, ' lay in their blood ' : also
Hdt. 9. 76 iv Tym (povfioi ItWas, = ' red-handed.'
765. 66ikoc7tov <Tos. Taken strictly this implies an interval of ten
years before the Trojan war began, of which there is no other trace in
the Iliad.
767. do-v<l>-t]Xov, ' insulting,' cp. 9. 647.
768. d fviTiroi, the only instance in Homer of el with an Opt. used
of the past, in the iterative sense.
769. Bae'pcjv, scanned as a spondee. Perhaps we should read bafpuiv
[a. form related to Saepow as varpwv to itaripuv, &c).
775. iT€<|)piKao-i, ' hold me in horror,' § 26.
776. dimpiov, 'boundless,' properly an epithet of Stjjaos, 'land' (1. 706),
but retained in spite of the transference to the sense of ' people of the land.'
778. d£«T«, Aor. Imper., § 9, 3.
779. iruKivov, ' closely packed,' in close ranks.
780. rrrtTsXXs . . , jxt| Trt\y.a\Uw, ' enjoined (with the assurance) that
he would not attack.'
7S9. €Yp«to, ' was roused,' mustered : see on 7. 434.
791 ff. repeat 23. 237 ff.
795. Xdpvaica, ' coffin ' : cp. 23. 253 where we hear of a golden ftikij
used for this purpose.
801. =23. 257.
802. Join tv SaivvvTO, ' they duly held feast.'
432 ILIAD. BOOK XXIV. NOTES.
On 24. 80-82 {postscript).
The main difficulty in the ancient explanation of this passage is the
prominence given to the Ktpas, which is spoken of as if it were the chief
feature of the fisherman's apparatus. So in Od. 12. 251-253 : —
oiy 5' or' enl trpo^oXw aXievs TrepiptTjHe'i pa/35a>
Ix^vcn tois oKlyotfft S6\ov Kara ti'Sara fi&KKav
(s Truvrov Trpo'irjffi 0oos iclpas aypavKoio.
The question naturally suggests itself, whether the Ktpas might not be
the hook itself, made, like so many utensils of primitive times, from the
horn of an animal. On this point Mr. E. 15. Tylor writes to the editor
as follows : ' Fish-hooks of horn are in fact known in pre-historic
Europe, but are scarce and very clumsy. After looking into the matter
I am disposed to think that the Scholiast knew what he was about, and
that the old Greeks really used a horn guard where the modern pike-
fisher only has his line bound, to prevent the fish from biting it through.
Such a hom guard, however, if used then, would probably last on in use,
anglers being highly conservative, and I shall look out for it.'
Since this was written Mr. C. E. Haskins {Journal of Philology, xix.
240) has made the very probable suggestion that the Ktpas was an
artificial bait of horn, probably shaped like a small fish, with hooks of
\a\Kos fastened to it, and used by being thrown out, allowed to sink (a
pLoXvPSaivt] being inserted in it), and then drawn rapidly through the
water. Such baits, he tells us, are still in use.
INDEX TO THE NOTES.
Accent, 16. 827.
Accusative, 19. 299., 21. 258.,
23-29., 24. 338.
terminus ad quant, 21. 40.
de quo, 13. 275, 352., 14. 342.,
18.601., 20.311., 24.563.
of the part affected, 13. 424,
473-, 14- "3, 126, 474., 15.
228., 16. 312., 19. 27, 169.,
21. 186, 305., 22. 461.
of the result of a sentence, 15.
744., 19. 262., 24. 735.
of space, 23. 529.
Cognate, 13. 623., 15. 33, 612.,
22. 29 ; see also 19. 299., 21.
25 8 -, 23. 29., 24. 235, 421,
721.
with Verbs of knowing, &c, 23.
361., 24. 390.
Double, 16. 59, 207, 667., 17.
187., 18. 345 : Triple, 21.
123.
See also Infinitive.
Adverbs :
Neut. Sing., 13. 185., 14. 249.,
15. 167, 240, 628., 17. 19., 18.
128., 19.17, 195., 20.30, 78.,
21. 240., 22. 241, 256, 322,
494., 23. no, 440, 454., 24.
370. See also o, to.
Neut. Plur., 13. 158., 15. 13., 16.
609., 22. 491.
Fern. Sing., 17. 294.
in -Sou, 13. 152, 204., 15. 22,
505, 556., 23. 431, 469.
in -Srjv, 13. 315, 516, 584., 16.
304-, 17- 599-» "• 364-, 22.
476.
in -St, 16. 697., 24. 338.
VOL. II. E
in -$(v, 15. 489., 20. 120.
in -as, 24. 163.
aiows, 13. 121., 15. 129., 21. 74.,
24. in.
Akovo), 14. 125., 20. 204., 24. 543.
dji4>i, 16. 517., 17. 83, 290, 499,
573., 18.414., 22. 134.
in Composition, 15. 391., 16.
777., 18. 528 (tmesis\ 23.
97. *59-
c. Dat., 13. 612, 704., 15. 587.,
17. 268., 18. 231, 344., 22.
443., 23. 30, 88.
c. Gen., 16. S25.
c. Ace, 15. 301., 20. 152, 404.,
23- z$Z-
d^is, 13. 345., 14. 123., 15. 709.,
18. 519., 21. i62 v 22. 117.,
23.393.
ov (irregular), 13. 285., 15. 80,
209., 19. 375.
dva, 14.80., 21.303., 22.452.
Anacoluthon :
sentence interrupted and re-
sumed, 13. 197, 434, 689., 14.
409., 15. 630., 16. 401., 17.
309, 617, 658., 18. 101., 20.
4 6 3-
second of two clauses changed,
16. 227, 321., 18.473.
change to Sing, 16. 265.
See also Apodosis, omission
of.
av«v, 13.556.
dvTi, 21. 75.
Aorist :
of a single action, 13. 597., 16.
756., 17. 272., 19. 229., 22.
463., 23. 690.
f
434
INDEX,
of completion, 14.95., 17. 173.,
20. 306; 'irr\(TO, 14. 337., 15.
227., 22. 281.
in questions, 20. 179., 21. 561.
Gnomic, 16.352., 24.48,616.
Inf., 13. 667., 15. 602., 22,
235: of past time, 14. 455.,
17. 28.
Part., 13. 38, 545., 15. 575.,
18.60.
„ ,, of coincident action,
*3- 395. 5J2, 597-, *4- 225.,
16. 474., 20. 161., 24.439.
,, ,, of past time, 15. 580.
diro, 14. 154., 16. 160., 18. 215,
420.
in Composition, 14. 101., 19. 35,
62., 24. 65.
in Tmesis, 18.345., J 9- 2 54-, 21.
336., 24. 725.
Apodosis, see 8« :
omission of, 13. 68, 775., 14.
332., 17. 658., 18. 88, 101,
293, 19- l47-> 20. 213., 21.
4 8 7> 5 6 °, 5 6 7-> 22. in., 23.
321., 24.42, 209.
Apposition, 13. 600., 14. 217,
228, 284., 21. 495., 22. 325.,
24. 58.
Article :
substantival, 13. 53., 14. 377.,
24. 498.
of contrast, 13. 279, 597, 765.,
14.503, 15. 37-305., 17- 5°9-
18. 485., 19. 322., 20. 156,
322., 21. 252, 262, 317, 412.,
22. 163., 23. 295, 452., 24,
260, 531, 687.
with a word of comparison, 13.
83. 745-, !6. 53, 358-, 23- 33 6 -
with Numerals, 20. 269., 24.
473-
of the First Person, 19. 324.
defining, 20. 147., 24. 388.
of dislike, &c, 13. 53., 21. 421.
repeating a Noun, 23. 1S2.
anticipating a clause, 16. 55.
as a Relative, 16. 54L
post-Homeric uses, 23. 75, 325
(see p. 399^.
Asyndeton, 17. 39S., iS. 279.,
22. 295., 23. 725., 24. 149,
476.
Attraction :
into Gender of Predicate, 13.
237-, !5-37-» 16.43., 22.116,
160.
construction of following clause,
J 4-75, Hi., 15.389., 17.755.,
18. 192., 22. 191., 23. 649.
fromAcc.c. Inf., 13. 56., 14. 162.,
15. 58, 116., 22. 72, 109., 24.
11S, 526.
auTos, 13.627., 16. 646., 17. 611.,
18. 133, 481., 22. 83, 113.,
23.311., 24. 360, 503, 729.
'alone,' 13. 252, 729., 17. 239,
254., 19. 89., 21.467.
of a body, 18. 206., 21. 167,
245, 338., 23.66.
'without change,' 14. 457, 498.,
J 7- 236, 300., 20. 482., 21.
49I-, 23- 8.
Reflexive (?), 20. 55.
auToOi, ovitoO, 14. 119., 15. 656.,
16. 649, 742., 18. 488., 19.
255., 21. II4, 322., 23. 258,
460, 691.
nap' aiiToOi, 13. 42., 20. 1 40.,
23. 147.
axirtos, 'only,' 13. 104, 810., 14.
18., 17. 143, 450, 633., 18.
584., 20. 348., 22. 125, 484,
23. 621.
'without change,' 15. 128, 513.,
18. 198., 24. 413.
yap:
anticipating, 13. 736., 17. 221,
338, 475-, 2 3- I.5 6 , 6 o7, 890.,
24. 223, 662.
in a question, 17. 475., 18. 182.
with a Relative, 23. 9., 24. 68.
Catalogue of ships, 13. 301,
685, 686, 692, 693, 701., 21.
156.
Y«, 15.418, 50S., 19.94., 20.210.
Chiasmus, 13. 762., 14. 391., 15.
33°-
Collective Noun, 13. 431., 17.
264.
INDEX.
435
construed with a Flur., 16. 281,
369., 17. 756., 18. 209,604.,
20.166., 23. 157.
used as a predicate, 13. 485.
Comparative, 19. 56, 63., 21.
437-. n- 53-, 24.52.
Contraction, 13. 622., 20. 72., 24.
457-
Crasis, 13. 74.
Dative, 13. 211, 326, 439, 443,
45°. 7°4> 77°-, 14- H J > 240,
347. 4°3. 449-. J 5- 8 7» 25S.,
16. 235,433,516,522., 17. 268.,
18.319., 20. 230., 24. 19, 335,
358, 716.
Locatival, 13.217., 15.490., 16.
40., 23. 244.
Instrumental, 13. 407., 14. 504.,
22. 477 : in the Comitative
sense, 17. 460., 18. 506., 20.
162., 81. 45., 24.696.
in -<pi(v), 16. 487.
Si, 13. 260.
of the apodosis, 13. 779., 15.
321., 16.264., 17-732-.20.48.,
21.53., 23.65., 24. 15, 445.
8id, c. Ace, 14. 91., 23. 806.
in Tmesis, 19.90., 13.507.
Digamma, 15. 209, 626., 16. 735.,
20. 67., 23.55., 2 4- x 54-
Dual, 16.371., 17.387., 19.205.,
23.362,413.
€*8vOV, I3. 382.
ei, of wish, 15.571., 16.559.
(i 5' dye, 16. 667., 17.685., 22.
t'i wore, 'as surely as,' 15. 372.,
24. 426, 705.
els, 15. 276., 23. 36, 523., 24. 719.
e'iow, 16. 364.
Elision :
of-ot, 13. 481.
of-eti of 1 Aor. Inf., 21. 323.
IXirofjiai, 13.309., 15. 288., 16.281.
«v, 24. 568 : in Tmesis, 23. 777.
«'£, i3- 493-, i4- 154. i77->'i 8 -2io,
43i -i I9-375-, 20.377., 21.144,
4 12 , 513-, 23. 595., 24. 617.
infieKtaiv, 14. 130., 16. 122, 668.,
18.152.
Ff
€W€lTO, I3-743-, IS. 357., I 9 . II3.,
20. I20, 136., 23. 551., 24.
356.
tm, 13. 799., 15. 6S5., 16.69., 17.
7 2 3» 73 6 -, 21. no.
c. Dat, 13. 234, 485., 18. 501.,
19. 110, 229., 23. 274, 574.
c. Gen., 14. 77., 19. 396., 22.
I53-. 23-374-, 24.356, 7°2-
c. Ace, 13. 4., 17. 368., 20.353.,
23. 320., 24. 202, 532.
with form in -</>i(V), 13. 308., 19.
255.
in Composition, 13.409., 23.504,
559-
in Tmesis, 15.662, 684., 18.317.,
20.35, 3!5-> 24-538-
Future, 13. 47., 19. 208., 20. 301.
with ww, 15. 215., 17.558., 20.
335-, 23-675.
Fut. Inf., 13. 96., 15. 602., 16.
830., 17. 710., 20.85., 23.773.
Fut. Part, 18. 309., 19. 120., 23.
379-
Gender, 16.353., 18.515., 22. 24.
Genitive, 15. 640., 17. 42, 689.,
22. 164, 281., 23. 631, 746.,
2 4- 3S5, 5°7-
objective, 16.581., 17. 538., 22.
272, 425; cp. 19. 321., 24.
in.
partitive, 13. 66, 191., 14. 121.,
15.191,450., 19. 105., 22.47,
325., 23.431.
of source, 14.173., 15.490., 16.
635., 22.401., 23.589, 692.
of material, 13.563., 16. 81, 162.
of space, 13. 64, 252, 820., 21.
247.
of place, I7-373-, 2 4- 59 s
of time, 22. 27.
of price, 22. 50.
Gen. absolute, 14. 522., 15. 32^.,
23.521.
with a Verb of emotion, 13. 166,
207., 21. 146., 23. 222.
with a Verb of aiming, 13. 315,
499, 6 5°-, 16.512., 17. 181.,
22. 194.
with XafStiv, &c, 14. 477., 16.
43 6
INDEX.
406., 18. 537., 22. 345., 24.
515;
with oi5a, 18. 192.
with <rr)fj.aiva), 14. 84.
Ablatival, 14. 203., 17. 161.
in -<pt{v), 13. 308, 700., 16. 281,
762., 19. 255, 404., 31. 295,
367., 22. 284., 23.7.
Vap, 13. 98., 15. 719.
Hesiodic style, 14.317 ff., 1 8. 39.,
22.487.
Hyphaeresis, 13. 286., 17. 330.,
19. 229., 24. 202.
lavo>, 14.213., 18.259., 19. 71.
"TXtov (neut.), 15.71.
TXiov, for 'l\loo, 15.66., 31. 104,
295., 22. 6.
Imitations of Homer, 13. 5, 198,
225,772., 14. 35., 15.496., 16.
234, 542, 630., 17. 32» 4 l6 >
717., 18.231., 19.91, 386., 20.
63., 22. 94, 209, 410., 23. 27,
382,857.
Imperfect, 14. 89., 17. 277., 20.
408., 31. 332, 45°-> 2 3- 7°>
142, 192, 440, 725, 821.
of relative time, 22. 277., 23.
897.
with dpa, 16. 33, 60., 17. 142,
147., 20. 347., 31. 281., 22.
280,477.
Indefinite, see Belative.
Infinitive :
ol purpose, li-iu., i7-5 IO -> 2 4-
15-
oi consequence, 13. 280, 512, 515,
775-, M-345-. 16.60., 17. 155,
489., 22. 5., 23. 214., 24. 2,
369.
of reference, 15. 720., 16. 766.,
18.585., 22.474., 24.71,242.
as an Imperative, 23. 247.
with Ktv, 22. no.
Inf. Aorist, see Aorist.
Inf. Future, see Future.
Ace. c. Inf., 16. 454: see Attrac-
tion.
Irony, 13. 291, 397., 14.482., 15.
557-j l6 - 3i» 398, 736., 17-
327., 19. 56., 3i. 217, 221.,
22. 17, 266., 23. 340: see also
Litotes.
Kai, 13. 260, 734., 15. 670., 16.
74 6 -. *7- 33°. 647., 18. 50,
357., 31. 105., 22.247.
Kara, c. Gen., 13. 385, 504., 20.
470.
c. Ace. 14. 180., 15. 320., 17.
167, 732.
in Composition, 15. 382., 24.
329-
in Tmesis, 13. 737., 15. 384.,
22. 354-, 23. 237.
kcivos, 'yonder,' 19. 344.
Litotes, 15. 155., 16. 367, 736.,
20. 315., 24. 594.
\xi\\a>, with Pres. Inf., 13. 226,
776., 14. 125., 21. 83: with
Aor. Inf., 18. 362., 23. 773.,
24. 46.
\itTCL, c. Dat., 16. 492., 31. 122.,
22. 49.
c. Gen., 13. 700., 24. 400.
c. Ace, 13. 247, 364., 17. 149.,
18. 321, 552., 20. 329.
in Composition, 16. 779., 17.
373-
Metaphor, 13. 358., 16. 658., 17.
401, 615., 18. 367., 19. 222.,
20. 101., 31. 482, 538.
Metre, 18. 288., 23. 195.
Caesura, 15. 18.
Hiatus, 13. 22., 20. 229., 24.
586.
metrically impossible forms, 13.
88, 346., 17. 742., 18. 244,
583., 20. 362., 31. 163., 23.
97-
|M|, 15. 164, 476., 17.17,340,686.,
l8. 5OO., 20. 3OI., 21. 475.
in oaths, &c, 14. 46., 15. 41,
500., 19. 176, 261.
with Aor. Imper., 16. 200., 18.
134-
Middle, 13. no, 525., 14. 26., 15.
645., 16. 671., 18. 286, 308.,
22. 50., 23. 409, 735.
of verbs in -ota, 1 3. 38 2 .
veneris. 13. 131., 14. 80., 15, 103,
211, 227., 16. 544.
IXDEX.
437
o, o t«, oti, = ' because,' ' that, ' i 5.
468., 16. 35, 433., 17. 20*7,
62 7-. J 9- 57. 4 21 - 2 °- 45->
31. 150, 411.
Oaths, 14. 272., 19. 258., 20. 313.,
22. 119.
o8«, = 'here,' 17. 486., 19. 140.,
2C - ii7» 345-> 2I - 54v 24.
403-
Optative : 24. 664.
(1) in Principal Clauses:
of zuish, 15. 82., 18. 121, 125 :
as an Imperative, 14. 190., 20.
121.
of acquiescence, 15. 45, 197., 21.
274, 360., 23, 151, 427., 24.
139, 226.
with ov, 20. 286.
with ovk dV, 14. 126.
with fxrj (deprecation), 15. 476.,
17.340.
of unfulfilled condition. 17.
70.
(2) in Dependent Clauses:
of a remote or imaginary case,
21. 336., 22. 351, 494.
of indefinite frequency, 15. 22.,
21. 609., 24. 768.
by 'attraction,' 13. 118, 320,
322., 18. 465., 19. 208., 22.
348., 23. 346.
ot€ |i*j, = e« n-q, 13. 319., 14. 248.,
16. 227.
ov, ovk, 15. 162, 492., 18. 90., 24.
296, 584.
<™X«, I 5-7 l6 ;» l6 - 7 62 -
ov5(=d\\' ovk, 13. 712., 24. 25.
ovtos ( = iste), 18. 257, 295., 19.
8,85, 187,213., 20. 87,435.,
21. 223., 22. 38, 488.
64>pa, 16. 653.
Oxymoron, 13. 10., 17. 22S.
irapd, 13. 267., 16. 115, 312;
irape'f, 24. 434.
in Composition, 14. 54.
Parataxis, 13. 376, 676., 14. 67,
158, 33 2 , 477-, 1 5- 68 4-, J 7-
31- iS- 33. 55, 2 4 8 » 2 S8., 19-
273, 306., 20. 162., 21. 80,
190, 202., 22. 10, 123, 237.,
23- 173. 577-> 2 4- 2 o7, 377>
430, 493, 608, 699.
with Anacoluthon, 15. 369, 666.,
17. 506., 20. 50., 23.483,627.,
24. 368.
Parenthesis, 16. 259., 19. 27.,
2 3- 103,328.
sentence resumed after, 13. 197,
434) 68 9-> J 4- 4°9-> l6 - 4 OI ->
1 7- 309, 61 7., 18. 151., 20.463.
Participle, 15. 364, 581.
indefinite subject understood, 13.
229, 787., 14. 63., 21. 185.,
22.157.
expressing fad as a thing, 13.
38, 35 2 > 545-> M- 5°4-, 15-
575., 17. 2, 402, 489, 538,
564., 18. 60.
constr. with preceding clause,
x 3- i33» 343. 499-» J 4- 2 6,
141., 15. 450, 609., 16. 531,
637. 775-
See also Aorist, Future.
-irds, 14. 215., 15. 189., 19. 247.,
24. 260.
TTSp, I4. 295., I5. 372., l6. 31,
245., I7. 121, 239, 57I., 21.
3°8-> 2 4- 35. 749-
1T€pl, 17. 22.
c. Dat., 13. 119., 16. 157., 21.
65., 22. 70, 95.
c. Gen., 15. 284., 16. 476., 17.
147, 240, 666., 18. 265, 279.,
20. 253., 21. 215.
in Composition, 13. 52, 728.,
17. 240, 666.
in Tmesis, 13. 736., 19. 230,
38o %
irfpinpo, 14. 316.
Perfect (meaning), 13. 60, 79,
393., 15. 90, 730., 16.7, 22,
834., 17. 264, 748., 20. 377.,
22.219, 340,435, 491., 23. 69,
101, 273, 343, 714., 24. 775.
Personification, 13. 444, 563,
569., 16. 150., 18. 382., 19. 91.,
20. 280., 24. 49.
Personal constr., 13. 726., 15.
197., 20. 131,265., 22. 13., 24.
2 43-
438
INDEX.
Play on words, 13. 276, 360., 16.
142, 143., 24.611, 730.
Plural :
of abstract Nouns, 13. 10S., 15.
620., 16. 354., 18. 93.
of generality, 15. 741., 17. 4S7,
659., 18. 49r, 505., 21. 185,
190, 499.
of oneself, 13.257., 15.224.
Post-Homeric :
stories, 14. 317., 21. 568., 23.
92, 679., 24. 29, 735, 765.
arts, usages, &c. 15. 679., 18.
219., 24. 163,480.
Predicate, 13. 99., 14. 108., 18.
272., 20.497., 2 4- 377-
Adjective, 14. 258., 17. 21, 59,
524., 18. 68, 246., 19. 276,
383., 22. 316., 23. 251, 287,
536., 24. 294.
Present, 19.312., 23. 76.
Trpo, 16. 188.
c. Gen., 17.667., 24.734.
in Composition, 13. 130, 15S.,
14. 35., 17. 121., 20. 204., 22.
221.
irpoTi, iTpoS, 13. 678., 24.757.
c. Gen., 15.670., 22.198.
â– rrpcJTOv, TrpwTa :
= 'once,' 'once for all,' 13.
285., 15-297-, 2 4- 2 7, 557-
= ' formerly,' 23. 462.
7-0 7rpwro, 17. 612., 23. 523.
Prothysteron (yortpov irpdrtpov),
17.589., 21.537-, 24.206.
Relative :
(art, &c., understood, 13. 128.,
17.509., 19.43-, 21.353., 23.
160, 327.
epithet in the R. clause, 13.
340., 14. 172., 15. 646., 19.
326.
Plural with Sing, antecedent, 14.
410.
ellipse of Antecedent, 14. 81,
404., 17.509., 18. 422, 429.,
19. 235, 265, 337., 21. 2^6.,
24. 651.
ot(, = ' (the time) when,' 13.
8l 7-, 19-337-
OlOS, = OTl TOIOVTOS, l8. 95, 262.,
22.347., 24.37 6 -
olov (Adv.), 13. 633., 15. 287.,
i7- 47 1 , 587-, 21. 57., 24.
683.
air, = on outws, 13. 133., 14.
60., 16. 600., 19. 290., 21.
273-, 24- 388-
its in a wish, 14. 142., 22.
286.
Singular, used distributively, 16.
371,621., 18.594., 24.647.
Indefinite sense: elos \iiv, 13.
143., 15. 277., 17.727. 6<j>pa
H-«'v, 15-547-
Subjunctive :
(1) in Principal Clauses :
of purpose, 16. 83, 129., 22.
418., 24.595.
of deliberation, 15. 202.
of solemn prediction, 15. 350.,
17. 100., .18.308., 22. 505.,
23-345-, 24- 55 I , 6 55-
of prohibition, 16. 128., 17. 17,
93-, 24- 53-
(2) in Dependent Clauses :
with a Relative, 17. 728., 18.
467.
with ei, ore, &c, 15. 17., 16.
243., 21.323., 24. 382.
after a Past Tense, 14. 165.,
15. 23., 16. 650., 17. 445.,
20. 126., 24. 586.
o-vv, 21. 453 (Tm.)., 24. 358 (Tm.),
420 (Tm.), 467 (Tm.).
Synizesis, 17. 89., 18.458.
Tap, 13.307., 18.188.
â– re, 13. 734., 16. 688., 19. 221, 330.,
22.300., 23.474., 24.632.
ris t(, 14. 90, 484., 16. 263., 23.
43-
ti, 13. 120, 446, 521., 19. 56., 21.
101.
to = ' therefore,' 14. 191, 342., 15.
37., 17.404., 23.547.
TOl, 13. 115, 773., 21. IIO, I84.
vntp, 17. 321., 21. 167.
WO, 14. 24O, 347., 18. 417., 21.
52., 23. 513.
c. Dat., 13. 88.
INDEX.
439
c. Gen., 13. 27, 198, 796., 15.
2 75> 575. 625., 16. 375, 591.,
17. 224., 18. 220, 492., 21.
56., 23. 86, 692.
c. Ace, 16. 202., 20. 275., 22.
102., 24. 274.
with form in -</><(f)> 15. 614., 23.
7., 24. 576.
in Composition, 16. 333., 18.
319 (Tm.)-, t8. 513, 519, 570
(Tm.).
Verbals in -tos, 13. 726., 14. 98,
221, 484., 16. 128., 17. 75.,
24. 49.
Zeugma, 13. 585., 17. 476., 21.
162., 24. 7.
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