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Full text of "3&4"

Score 



Norbert Rudolf Hoffmann 



Fantasmas 

fur sinfonisches Blasorchester 
for symphonic wind orchestra 



Besetzung/Instrumentation : 





name in the score 


abbreviation 
in the score 


Percussion (5...6 players): 




1 

2 


Flauto piccolo 
Flauto 


Pice 
Fl 




2 


Oboe 


Ob 






1 
1 

3 


Corno inglese in Fa Cor Ing 
Clarinetto piccolo in Mi b CI pice 
Clarinetto in Si b , 1. anche Solo CI 


3 piatti piccoli sospesi 
2 piatti grandi sospesi 
Piatti chiodati 


3 piatti pice 
2 piatti grandi 
Piatti chiod. 


1 
1 


Clarinetto contralto in Mi b 
Clarinetto basso in Si b 


CIA 
C1B 


Tam-tam 

3 Woodblocks 


Tarn 
3 WB1 


1 


Clarinetto contrabbasso in Si b 


Cl.contrab. 


Tamburo militare 


Tamb 


2 
1 
1 
1 


Fagotto 
Contrafagotto 
Saxofono soprano in Si b 
Saxofono contralto in Mi b 


Fag 
CFag 
SaxS 
Sax A 


3 tom-tom 
Gran cassa 
Marimba 
Vibrafono 


Tom 
Gr.C. 
Mar 
Vib 


1 


Saxofono tenore in Si b 


SaxT 






1 


Saxofono baritono in Mi b 


Sax Bar 






3 


Tromba in Si b 


Trb 






2 


Trombone 


Trbne 






1 


Trombone basso 


Trbn bas 






4 


Corno in Fa 


Cor 






2 


Cornetta in Si b 


Cortta 






1 


Eufonio in Do 


Eu 






1 


Tuba bassa 


TbI 






1 


Tuba contrabbassa 

Percussion 

Timpani 


Tbll 
Timp 







Alle Instrumente sind in den iiblichen Transpositionen notiert. 
All instruments are written with the usual transpositions. 



Auffuhrungsdauer/Duration: 15 min. 



Inhalt/Contents: 

Erlauterungen/Explanations 2 

Parti tur/S core 4 



Copyright: Creative Commons Attribution Non-commercial No Derivatives 3.0 



-2- 

Erlauterungen/Explanations 



Allgemein/Generally 



> > > 



r r r r 



Metronomangaben dienen lediglich 
zur Orientierung. 

Die einzelnen Stimmen diirfen 
mehrfach besetzt werden. 



timing by metronome is for orientation 
only 

each part may be played by more than 



one musician 



gestrichelter Haltebogen: Gelegenheit broken tie: possibility to breath or change 

zum Luft holen bzw. Bogenwechsel of bow 

in einem Atem, Akzente durch all in the same breath, accents by shortly 

kurzfristiges Verstarken des increasing the breath - a kind of rhythmic 

Atemdrucks erzeugen (sozusagen ein volume vibrato 
rhythmisiertes Lautstarke-Vibrato) 



Mundstiick 



Mundstiick vom Instrument abnehmen take the mouthpiece away from the 

instrument 

Falls die Zeit zum Wechseln nicht If there is not time enough to remove the 
reicht, ist ein separates Mundstiick zu mouthpiece, use a separate mouthpiece 
verwenden. 



Gliederung 



structure 



Blaser/Wind instruments 



tonlos (ohne 

Lippenspannung) blasen 

blow without sound 

bl. 



Mundstiick/mouthpiece 

mit Ton blasen (Lippenspannung) Ende mit dem Finger verschlieBen; 

tonlos saugen blow with sound (with lip abruptes Ende des Tons (Keil) 

suck without sound tension) Close the end with the finger; gives 

s. abrupt end of sound (the wedge) 



x * F ^ T 






A 


A 



























Posaune/Trombone 



2. Posaune/Trombone 



Zug mit Wasser fullen. So dosieren, pour water into the slide - in sufficient 
dass beim Blasen ein blubberndes quantities that playing makes sound of 
Gerausch entsteht. bubbling 



-3- 



Horn/French Horn 



rf glissandn | 




f 4- 



F13 1 



Ventilnummern: 

kein Ventil gedriickt 

1 Ganzton tiefer 

2 Halbton tiefer 

3 kleine Terz tiefer 

Beispiel: Ventilstellung F13 
Instrument auf F eingestellt 
Ventile 1 und 3 gedriickt 
Klang: Quart tiefer 

Glissando nach unten durch 
zunehmende Handdeckung 

B3: Instrument auf B eingestellt, B3: instrument tuned to B b , valve 3 
Ventil 3 gedriickt, daher Grundton D pressed, gives the fundamental tone 
(Notierung; eckiger Notenkopf). D (notation; angular note). 

Zahl 4: Oberton Nr. 4 (Ton D) number 4: overtone nr. 4 (tone D) 



valve numbers: 

no valve pressed 

1 whole tone lower 

2 half tone lower 

3 minor third lower 

Example: valve position F13 
instrument tuned to F 
valves 1 and 3 pressed 
fourth lower 

glissando downwards by the hand 



Durch die veranderliche 
Handdeckung ergibt sich eine 
Dynamikanderung; diese ist durch 
den Atemdruck auszugleichen. 

Mit vorgegebener Ventilstellung 
verschiedene Obertone blasen. 

Die Pfeile geben Tone an, die 
deutlich hoher bzw. tiefer als die 
temperierten Tone sind (vgl. 
Jagdmusik). Diese Tonhohen diirfen 
nicht korrigiert werden. 



The glissando gives a decreasing 
volume; this must be compensated 
by the breath 

Using the given combination of 
valves play the different overtones. 

The arrows mark notes which are 
higher or lower than the tempered 
notes. These pitches must not be 
corrected. 



Schlagzeug/Percussion 



P ® O Schlagel: 



hart ... weich 
y. ^ Trommelstock / Trommelschlagel 



a ~a — Wirbel (beide Schreibweisen sind 
gleichwertig 



sticks: 
hard ... soft 

drum stick / big-headed drum stick 
roll (the two symbols mean the same) 



Trommeln/Drums 



U *^; 



s »»»»*Springschlage, aber moglichst schnell, 
Anzahl der Impulse ist nicht festgelegt 



press roll, as fast as possible, number 
of beats is not fixed 



Largo (J = 54) 



-4- 

Fantasmas 



Norbert Rudolf Hoffmann 



Corno inglcsc 



Clarinctto contralto 



Clarinctto basso 



Clarinctto contrabbasso 



2. Fagotto 



Trombone basso 



Timpani 




Cor ing 



l.Fag 



2.Fag 




J JJJJ 



J JJJ JJJJJJ J JJJJJJJJJ- 



>>>> >>>> >>>> 




> > > > 



l.Fag 



2.Fag 




Cor ing 



l.Fag 



2.Fag 




J J J J J J J J J J J J J J J J J J J J 



J J J J J 

> > > > 



>>>> >>>> 




Cor ing 





mmnmmn m- ' > ccrca'ccrccrca'ccr cg 



-/ 



10 



l.Fag 




2.Fag 



grandi 



UJUJUJ UJUJI 



umium=- 



11 



l.Fag 



2.Fag 




12 



l.Fag 



2.Fag 




13 



l.Fag 



2.Fag 




14 



l.Fag 



2.Fag 




15 




2.Fag 



16 



l.Fag 



Timp 




l.Fag 




CI pice 



l.Fag 



2.Fag 




CI pice 




f conco, 



> > 



LULULX. ' 



> > > * V 




> > 



1 J J J J 1 i ' $ 



> > 



> > > 3 V 

LI/LULL' * 



> > ? V 



X£TEg 



CI pice 




> > > > 



" -4 



> > 



lj- uj uj uj uj u= uj uj uj uj uruu 




Coring 



CI pice 




Cor ing 



CI pice 



l.Fag 



2.Fag 




> > > 



j j j rn — 3 \ t 




i ) rrr 



LJ=J=J f_J = 



> > 



^^B > L^J= 



#=— / 



> > > 




CI pice 



l.Fag 



2.Fag 




r f r f > 



■ 3+ 



r r r 



grar 



> > > > 



> > » 



> > 



r r r r r r r r r r 



-r — f- 



> > 



> > > 



/ gj uj m us m ^j- m 



> > > 



>>>>> > > > 



pp p 



CI pice 




Cor ing 



3 piatti 

pice 




Cor iiig 



CI pice 





"W 




^X. 



/ s 



Timp 




Cor ing 



CI pice 



l.Fug 



crag 



3 pialli 

pice 



Timp =§E3 




1 .Fag 



2. Fag 



CFag 



Fimp 




CI pice 



l.Fag 



2.Fag 



2 piatli 

grandi 




31 



l.Fag 



2.Fag 



CFag 



2 piatii 
yrandi 




32 



l.Fag 



2.Fag 




r r r — r r r 



33 



2 piatti 
grandi 



Piatti 
chiod. 





r L^r L^r i^r i^r 




3J J 3 J J/3J J 3 J J/3J J/3 



3j J/3J J/JJ J/JJ J/3J J /3 



l> J i ■ « L J i ■ « L _J i 



^P 



J_mU7t-L^J-^jLJ f^L^lL^lL^lL^lL^lL^lLm 



3 piatti 
pice 



r r r r r r r r r r r r- 



34 








3 3 3 3 


3 3 3 3 










£—\ *?~~ 












1-^- 
























+ 3 3 3 3 3 3 3 3 










































































f\ 3 3 3 3 


3 3 3 3 










u , _ 7 -_ , _ 7 _ , -_ , -_ , _ , _ 7 _ , _ , -_ , , 




pf/-'~ "'>' 


















P 




/ PP 
































,,.. 

















185/IV 

I.F1 



CI pice 




CI pice 




36 



Cl pice 




, i ,i— ?-; , i , mj , wj , mj a a j . i -gjj . i -gi . i , wj , wj , h?i, i ,w 



# 




pOCO libera 
re of drumhead 



-\ — 



r r r r r ^ 



#= 



37 



Cor ing 



CI pice 



2 piatti 
Lirandi 



Piatti 

chiod. 




38 



Cor ing 




j ^ j ^ j mm m 



- 7 W S~ 7 "S- 7 ~ 7 TJ - 



m m m \ ^m 

■ 7 " ^ 7 ^7 7 "S- — 7 V- 



7TT 7 



CFag 




39 



Cor ing 




l.Fag 





Cor ing 



CFag 




Cor ing 




Cor ing 




omit some notes to breathe 
ritmo poco libero 



JltLJTli- 



2 pkitti 



dim. by muffling 

ff : — : 



/ muffle 



42 



Cor ing 




iS 



J J J i * = 



f* 



<o poco libera 



ff 



#==- / 



rrr r rrrr rrrrrrrr 



c c r r c r r r c c 



-» — \- 



ff 



? 




43 



Cor ing 



l.Fag 




44 



mouthpiece 



l.Fag 




ff=~f 



45 



Cor ing 



l.Fag 



2.Fag 



CFag 



2 piatti 
yraiuli 



3WB1 [ i 




-46- 



CI pice 



I .I-ag 




CI pice 



Cl-ag 



2 pialli 
Lzrandi 




48 



Cl pice 



l.Fag 










I tr rr rr a ^ rr r r rr *^-i Vfr ■ ? t r r r r r r r r r 



Cl pice 



Piatti 
chiod. 




185/IV M 



From this point until F: moments 
of attack and speed slightly tree 



CI pice 



2.Fag 



2 piatti 
yrandi 




,2, St. 




Cor ing 




> > > > 



> > 



Cor ing 



1-Fag 




l.Fag 




54 




55 




ff 



ff 



> > 



-+-? — f — f 



= 



ff 



> > > 



r r r r r r r r^^ — r r r r f — r r r — =z r r r 



7 V y 



.iff 

a 

+f — *"- 




56 




CI pice 




fff 



ff 




y j j r~r~3 r~r~j j j j 



j j j r~r~3 r~r~3 j j j 



'>>>>>>>>>>>> 



mmmmmmmmmmmm 



>>>>>>>>>>>> 



as m g ffl m m m m m Lumm 




CI pice 




I i i i i i i i i i -^-E- 



■f f f f f i f f f p f p 




r~r~3 r~r~3 r~r~j r~r~j 



j j j j — r~3 r~j — 3 j j j 



>>>>>> > >>>> 



ujuju u. u. u u. u. u u. u. m 



>>>>>>>>>>>> 



^^u/u-^^u/u/^ t TOffl 



ffl - 



>>>>>>>>>>>>>>> 




j j j j j j j j j j j j j j j j i i j j j j j j j j j j j j j j j j 



59 



Cl pice 




js—j r~r^ r~r~i r~r~i 



j j j r~r^ r~r~i j j j 



>>>>>>>>>>>> 



JSXJ33 E^E^^^E^E^^^E^ES E^E^L^E^E^L^E^EE ESSS^^ESSS^^ESSS 



>>>>>>>>>>>>>>>> 



>>>>>>>>>>>> 



^ESES^^ESSS ESSS^^ESSS^^ESSS ES^^SL^Sb e^ES^^EEZ^^^E^ES 



| t J J J J J J J J J J J ^^ 



J J J J J J J J J J 



60 



Cl pice 




r r r r r r r r r r r r r r r r r r r r 



>>>>>>>>> 



UUUUUUULJ U L^^' 



ffmb. 



J J J J J j r~j—} J J u 



j j j j j m j j j j j j j j j j j j 



> > > > > > > 



>>>>>>>>>>>> 



mrrr rr rrrrrrrrrrrrrrrrrrrrrrrrrrrr 
JS^JSa g^Q^^^f^Q^^^f^Qg EB^^S^^Sb g^Q^^^f^Q^^^f^Qg 



ffsub. — P > 




|| J J J J J J J J J J J J J J J J l || J J J J J J J J J J J J 

ff 



185/IV 

Pice 



61 



fifffFMM?F ^ f 4 



Cl pice 



l.Fag 



2.Fap 



Cl'ag 




H 



62 



Cl pice 



y | y | y y | y | t _M-4- 



Timp 




Timp 





Cor ing 



l.Fag 



2.Fag 



Timp 



J J J J J J ^^ 



J J J J J J J J 



J J J J J J J^E 





j j j j j j j j ; j j j j j j j j m j j j j j j j 



Cor ing 




i pBpjjp jjjjjjj^ jjjj 



ji^Tjp; r| gpF 



JOTTOi 



l.Fag 



2.Fag 




a f B f JM B f B 



I 33 f J3 f ^ r ^ l 



f nnm s 



Timp 




J J J J J J^S= J J J J J J J J =^P J J J J J J 



Cor ing 




i t »WJHJJCT 



OTOTjmim 7 jjjjjj.* j jjjj 



l.Fag 



2.Fng 



m f 




>>>>> >>>> 



jjjjjjjjjjjjjj^ m 



m f 



> > > > 



Timp 





Cor ing 



l.Fag 



2.Fag 



Timp 



J J J J J J J J I J J J J J J J J I J J J J J J J J 




Cor ing 




J J J J J J J J J J J J J J J ' J J J J J J J J J J J J J J J ' J J J J J J J J J J J J ' 



l.Fag 



2.Fag 



Timp 




68 



MIMiMIMI.HMiMMMt . ^MMMMU 



l.Fag 



2.Fng 



Timp 




69 



Cor ing 



l.Fag 



2.Fag 



Timp 



M I I lj I ft u i i i i i i i 1 1 i 1 1 A 




J J r JJJ «' J J ^ £' ^J - 



J J J J' JJJ «' J J J ?" J 




Cor ing 



l.Fag 



2.Fag 



Timp 




71 




I 



• MMMMMMMMMMMMMMMM ^ MM MM f MJUJUL 



w- 



l.Fag 



Timp 




72 



Cor ing 



l.Fag 



2.Fag 




J J J J J J JJ J J JJ J J J 



J J JJ J J JJ J J JJ J J J 



JJJJJJJJJJJJJJ 



Timp 




l.Fag 



2.Fng 



Timp 




74 



1 .Fag 



2.Fag 



Timp 




75 




76 





Pialli 
chiod. 



r r r r r 



i r lx^ 



M 

fmllato 

M 




l—r 



ff 



^ 



Timp 




77 



I .Fag 



2. Fag 



Piatti 

chiod. 



Timp