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9 6 



Journal of American Folk- Lore. 



ESKIMO SONGS. 



BY ELEANOR HAGUE. 



The following Eskimo tunes were recorded by Captain George 
Comer on the west coast of Hudson Bay, near Cape Fullerton. Nos. i 
and 2 are chorus songs sung by women. No. 2 probably accompanies 
the chant of a single singer. No. 3 is a chant sung by a single person. 
The cylinders from which the records were made are rather faint, and 
part of them were so indistinct that it was impossible to catch the tune. 



Introd. 



I. ESKIMO SONG. 1 
Chant. 




i 



V^— y^_ V- 



m 



m 



^+=1- 



■&$ 



—I 1 F=H 1 1 

A wa wa wa wa 



-+-&- 



-4~ -<S- . 



Chant. 




$ 



Refrain. 



m 



-V — v — v v V- 



£*=■-* 



3? 



^m 



fr-i — |- 



4 4 



4 4 4 k 



* * ^L. * ■* 



.t ■*-' •* 



th=W- 



— I 1 F=4 H 



-^r 



-^r^S7 



-#- -g- •#■ -«>-• 



93 



Chant. 



£=* 



rgJjnTj j jJ J. 1 AIT3T3JJJJJ 



13=H 



« #» ' rt ** *u 44 



Refrain. 



-7$& 



m 



m 



- 1 M X --X- 



i ^rn 



1 I 1 



3fS 



*-#- 



4 4 4 4 



1 4 rg- . .^Lv 



1 Actual pitch. The J> sign placed above a note means that it should be sung a little 
below pitch. 



Eskimo Songs. 



97 



i^ 



Chant. 



PN | fZ r-T S. 






■j >" 



■z*- -*• 



^3<-* 




=*j y^y 



JJe/ratn. 



fhiJj3''ii*jjj]ji^Tj j. j j, jjj. 



^■i-ff'i 



i 



Chant. 



w 



-&T- 



Ji J. i 



^T 



^^ 



V -# V 



iii ij.i -JTTJJ^JJ JJ JJ I J JJ J^jQ 



Close. 




~&- •&• ~&~ 



The song consists of five repetitions of a chant, which is irregular in 
rhythmic structure, probably in accordance with the words. Pre- 
ceding the chant are two introductory notes. The first four lines are 
each followed by a refrain, which consists of two parts. Its rhythm 
is fairly well fixed, and it seems plausible that the irregularities may 
be due to imperfections of singing. The close of the whole song con- 
sists of a repetition of the first part of the refrain, which terminates 
with a long-drawn-out note in place of the modulations found in the 
preceding lines. 

2. FRAGMENTS OF ESKIMO SONG. l 



$ 



a 



Moderately increasing the speed with the successive repetitions. 



m 



fr ffii 4 r 



J- J j ' -J- -i i j ' -J- S 



i 



A 



jjj.i'j.J-^4 



-z<- -* 



tt 



I 



^W= 



-<si- -J- T^ 5- +- 



■$. 



4- 1 +i? ' + 



■*■-»*-*■ 



Between these two phrases are passages of indefinite rhythm, but 
on one note, B. 

1 Actual pitch. 
VOL. XXVIII. — NO 107. — 27. 



9 8 



Journal of American Folk-Lore. 

3. FRAGMENT OF ESKIMO CHANT. ' 



$ 



I I I i J 

i.. ^- -sp.. .4. 



_l — 1 — 1 1 — 1 — 1 

J.J.d'dddd'd 



Ah ay yah ay yah 



O - vo ga lay, 



m 



€ ± n h n 1 ^p=\ — r~ :=??q=T 

IF J> * .j lJ> 3 ' t3 Fi F ' J. J- J- 



— I — I p 



# 



^^rruj-hHH^xj 



-* — n- 



-*-*- 



A - vo - ga lay 



ay 



I 



=F 



T 



=3 



-29 — 
yah 



-j- 



"^- 



H- 



^" 



-<*- -«*- -fit" 
ya ya yay 



ya ya 'ya ya 



ay 



-s>- 
yah 



* I I E 



-*-£- 



-a-i ^ -n r* 



O - bo - ga lay 



ah - lo - ah - lo - e - lo 



1 



IE 



— 1 — 1 — 1 — 1 — +- 



- I ■■ I :=T 



-*-5T 



IE 



-i^- 



T7- 



-*— #- 



rpq: 



t) -•--•--«- 



^rrjr 



Ay 



IE 



-3r-^r 



-d- -J-*'* 



mm 



yah yah yah yah yah yay yah yah yah yah yah, 

New York. 

1 Actual pitch. The first part of the cylinder was too faint to catch. 



1