DEC*
/
FROM THE LIBRARY OF
REV. LOUIS FITZGERALD BENSON, D. D.
BEQUEATHED BY HIM TO
THE LIBRARY OF
PRINCETON THEOLOGICAL SEMINARY
****** ^cB
Section <^?{/T)'/
qp
" .
T H K
JUBILE
AN EXTENSIVE
COLLECTION OF CHURCH MUSIC
FOB
THE CHOIR, THE CONGREGATION, AND THE SINGING-SCHOOL
2STEW EDITION",
CONTAINING
ADDITIONAL ANTHEMS, OPENING AND CLOSING PIECES. ETC
BY WILLIAM B. BRADBURY.
\E\Y YORK:
PUBLISHED BY MASON BROTHERS.
Boston: MASON A HAMLIN. Philadelphia : J. B. LLFPINCOTT A 00. Cincinnati: BABOENT, WILSON", i IIINKLK.
Chicago: IiOOT A CADT.
Kntered, aoooramg to Act of Congress, m tne year 1S5S, oy William B. Bradbury, ui the Clerks Orfiee of the District Court lor ihe Southern District of New Yor*.
To Teachers of Sacred Music, Choristers, Choirs, and Classes, and to the Musical Public generally, whose favorable regards he has
had abundant occasion to acknowledge, this look is most respectfully inscribed by
THE AUTHOR.
PREFACE,
Of the various Collections of Church Music in which the editor of the present work has
been engaged, viz. : " The Psalmodist," published in 1844 — " The Choralist," in 1847
— "The Mendelssohn Collection," in 1849 — "Psalmista," in 1851 — and "The
Shawm," in 1853, the last-named has perhaps proved the most extensively useful.
Encouraged, and grateful for past success, and the mission of good that he hopes has
already been accomplished, he lias made it his constant study to ascertain the present
wants of the musical public at large, including the Elementary Singing School, the Choir,
and the Congregation. " The Jubilee" is the result of his experience and observation dur-
ing the last four years. The material of which it is composed has been increasing upon
Lis hands during this time ; and, unless he greatly errs in judgment, it will be found to
«xceL by far, any former efforts. He certainly was never before so favorably situated —
never received so many words of encouragement, and never were half so many willing
hands extended to aid him ; for all which his warmest thanks are tendered.
To aid in the selection of tunes, a number in the first part of the work will be found
designated as "Choir Tunes," "Congregational Tunes," etc., etc., not that the author
would assume to dictate what a choir or congregation should or can sing, for of that mat-
ter they are themselves the sole arbiters ; but simply to hint to the leader that a tune so
marked, is, in his judgment, one of a class well adapted to "Choir" or "Congregational"
use, etc., etc.
Besides a great variety of Psalmody in all meters, numerous short pieces, such as Hymn
Chants, short Metrical Pieces, Introits, Opening and Closing Pieces, and short Anthems
rdapted to the various occasions of public worship, will be found. And to these is added
t n unusual variety of larger Choruses, Anthems, etc., for Concerts and various other public
occasions.
Variet}r of styles, rich and natural harmonies, and pleasing and graceful melodies, it is
believed, will be found leading characteristics of " The Jubilee." While the artistic
singer and choir have not been neglected, the wants of the people — " all the people" —
have been mainly considered and provided for — for they are especially called upon to
"praise the Lord"
Congregational Singino. — In immediate connection with the permanent establish-
ment of a good Choir, the practice of. Congregational Singing is strongly advocated ; and
as it is evidently a part of every chorister's duty to encourage and facilitate this mode of
public worship, he is urged to introduce, every Sabbatli, and at every service, one tune at
least that is familiar to the congregation ; and if sufficient interest is manifested on the
part of minister and people to warrant the movement, let Congregational Singing Meet-
ings, for the practice of such tunes as seem desirable to use on the Sabbath, be established.
Popular Tunes. — a. tune, to become a favorite either with choir or congregation, and
hence useful, must be attractive to the popular ear. It must be a thing of life, possessing
a character of its own ; and if happily wed to poetry of a congenial temper (to continue
the simile), it may stand the test. It must please, not merely upon its introduction, but
also upon a more familiar acquaintance. Some tunes, like some persons, make a favorable
impression at first, but soon become insipid ; they have no depth — they are all surface.
Like sight-friends, such tunes are not to be trusted Others, apparently less prepossessing,
improve on acquaintance, and you soon become fast friends.
Nothing can be more evident than the fact that in the composition of devotional music,
the soul of the composer must be fiDed with the spirit of the psalm or hymn he undertakes
to clothe with melody and harmony. His music must be, as it were, the outgushing of
the poetical sentiment expressing itself more eloquently and powerfully, by the aid S
song-language, than it can do through its own simply. The most popular and useful tunes
are those that seem to have composed themselves, or to have sprung up spontaneously from
the beautiful language of the poetry, or to have been, from the first a necessity, and not a
mere appendage to the poetry.
Again, music to devotional poetry should be duly modest, not attracting so much to
itself as to detract from the sentiment whose help-mate it is designed to be. Through its
gentleness and modest beauty, it should ever impress more strongly the tender sentiments
of devotion, confession, penitence, and humble adoration with which it is laden. And
when, at other times, it has occasion to break forth
" In loud and joyful song,"
let it still be remembered that mere noise is not music. Let the singing, in no instance,
be so rapid as to be undignified, so loud as to be boisterous, or so slow as to be dull and
heavy.
Whether in this work the views herein expressed have been successfully carried out
must be left to those who sing the music to judge. One thing is asked viz. : that the
Teacher, Chorister, or private singer, who takes up this work for examination, would try
the tunes thoroughly before deciding upon their merits ; and if any are found that wil
not bear the test of frequent repetition, let them be discarded. It is also suggested that
the singer who reads what is written in the paragraph preceding might do well to ask •-'
some of the same characteristics therein mentioned as essential to a good tune, are noi
equally essential to a good singer. Certainly, without the cultivation of a spirit becom-
ing an humble worshiper, no one, though he possess the voice of an angel, can ever sc
interpret the sentiments of the devout poet or successful composer as to be able to sing U
the edification either of himself or of others.
t^~A larce portion of the Music in " THE JUBILEE" is COPYRIGHT PROPERTY, and compilers and publishers are cautioned against u&ing it without permission
Eubitbotyheu »v T. B. Suits & So*.
Puvxav bi C. A. ALVOiU..
THE NEW SINGING CLASS.
LESSON I.
the scale.
en 1. 1 upon this the character! re] the Scale and other musical exercises and
tun, ■ are written.
§ I. "The Scale" is a ■nflffflMJrm of HOHI Musical Sounds or Tones.
Not* -The TWelMf will ilag "r play ths wale, slow | al lint, allowing the pupil- to count each
aHum tofijr*/. All.-, becoming familiar with lUto ei \v isti ung, let in.-m then
ng it themselves many limi on to its written
form, either in the t>. »«>^. 01 upon the blockl
NUMERALS OR NAMES OF THE SCALE.
§ II. The scale is numbered or named from the lowest to the highest tone, thu :
ONE, TWO, THUS, POm, EIVE, SIX, SEYM, EHIIIi.
T1IF. STMT
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PR \( ITIOAJL 1X1 i:' ! 3
-In the following i i indicated by the
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i- oil the lowi - urnllr
relative ; ©sWon, irrespective i
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■ ing »ome practical idea ol
lh.it follow— r
ifs. "OSE THIWO AT i TSMI «'» mOllO.
SYLLABLES.
§ III. "Stllables" like the following are used to aasial the beginner in reading music.
L e., producing the ritfht tones. Wl SO nil the sounds I f the scale have been made i:
miliar l.v practice, these "syllables," (which nre mere helps to the beginner), may b
: . or wholly dropped, Ud one syllable, (L*,) or the words ordinarily set to the
inusio, may be need instead.
Syllables, .w Writ Do, EU, Mi. Fa, Sol, La. Si. Dn.
Btuabus, as Pronounced. Do, Ray, Mte, Fnk, Bole, Lah, 8s*, Do.
Numebals, or Xanus. 1 'J 3 4 5 0 i 8.
REPRESENTATION OF THE SCALE, WITH BYLLARLES AND NUMERALS.
SlNO, ascending and descending.
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Do, Re. Mi, Fa, Sol. 1. 1. SI, Do.
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TIT E ST A P P.
§ rV. Five horizontal lines with the spaces between them constitute the illusion! Staff,
iSiso.)
>o. 1.— Tin: SCALE IIPOH THE STAFF.
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syllables. Do, Re, Mi, Pa, Sol, La, Bi, Do Do,
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La, - . I >• Mi. Ke, Do.
If©. 2.— T1IK SCALE IN ANOTHER POSITIOH (Hiode).
Nots.— The teacher will taki ■ laUttle higher, and atng the et^e^se, ©ailing at)
to the n
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(Sara.)
No. 3 T NOTHEB POSmOH (Lowm).
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Praise Qod, item wlwm ail Ueeauigs flow, r>aisehim,aJl creatures here be-low.
THE NEW SINGING CLASS.
r
§ V. It will be seen from the foregoing exercises that the scale may be placed in any
position upon the Staff, higher or lower, at the option of the writer. In the above a
short line below the staff has been added, in order to begin the scale lower. This is
usually called a Leger line, or Added line.
NOTES AND RESTS.
§ VI. The relative length of musical tones is represented to the eye by characters
called Notes.
The different forms of these notes represent the different lengths of musical sounds ;
while also by their position (higher or lower), they are made to represent the different
tones or sounds of the scale.
Silence is indicated by characters called Rests. Each Note has a corresponding
Rest.
PRACTICAL EXERCISES.
Wo. 4.— "LET US NOW BE UP AND DOING."— Scale Exercise
ILLUSTRATION OF NOTES WITH THEIR RESTS.
Whole Note, Half Note, Quarter Note, Eiohth Note, Sixteenth Note, Thirty-Second Note,
also called also called alto called also called also called also called
Semibreve. Minim. Crotchet. Quaver. Semiquaver. Demisemiquavee.
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Whole Rest. Half Rest. Quarter Rest. Eighth Rest. Sixteenth Rest. Thirty-Second Rest.
- — r - ;• « 1
Note.— By practice the pupil becomes familiar with the different forms and shapes of the above
notes and rests, and soon learns to govern the length of his tones entirely by them. This is called
keeping time.
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Let us now be up and do - ing, With a heart for a - ny fate, Still a - chiev-ing, still pur - su - ing, Learn to la - bor and to wait.
Up and down, o'er hills and meadows, Rid-ing, walking, quick or slow, On wher-ev - er fan - cy leads us, O'er the fair, bright world we go.
SLOW.
Ifo. 5 "LET US, WITH A JOYFUL MIND."— Tune.
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1. Let us, ^. ith a joy - ful mind, Praise the Lord, for he is kind; For his mer-cies shall en - dure Ev - cr faith-ful, ev - er sure.
2. He with ..11 - coin-niand-ing might Filled the new-made world with light; For his mer - cies shall en - dure Ev - er faith-ful, ev - er sure.
3. All things liv - ing he doth feed, His full hand sup -plies their need; For his mer-cies shall en - dure Ev - er faith-ful, ev - er sure.
No. 6.— "SWIFTLY ROLL THE SEASONS ROUND."— Song Exercise.
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Swift - ly roll the sea - sons round; Sum-mer's passed a - way, Now the f o - liage strews the ground, Leaf-less mourns the spray.
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From the sad and na - ked bower, From the bit - ter storms that lower, Far each feathered song - ster flies, Seek -ing mild - er skies.
Til I : .\ i: w BINGING CLASS.
5
L E S 8 0 N 11.
CLASSIFICATION OF ELEMENTARY
CHA U At 1' E RS.
To THI TlAl IliE.— IlltriHlllcl- Ml I LttUg Time. .If
§ I. There arc three department! in the element! of mmie, u* followe:
Riiytumks. treating of the length of ton
M» i odii -. treating "f the j j i t «-l » of tones.
DvsAMiro, treating of the power of tones,
MEASURES.
£ II. Music i* divided into small equal portions; these portions are called Measures.
§ III. Measures and parts of measure* may lie indicated. 1st, to the ear, by equally
counting or t> lling oyer the • iroj one. two, Ac. , and 2nd, to th» «ye, by
.'■.■: im. Tin
r I V. A in- wore m nth ti an aea nl on the fimt [.art — i« en
Mi -, , mi' . i -.i ■
; V. A met — is ealled Tiifu
Mi v-i i:i . ai "He. two, tlii- •• . on . > >tc.
g \ 1 \ mi i ire with (bar pari — haying an aeoenl on the Arat and third part* — is
called QnADainru Mj isi ai . a- one. two, three, torn ■
g VIL A I and fourth parts — it ealled
Bkxtdtli Mi ^nit.
5 \ III. Large Bgnre! placed at the beginning of a piece of music denote the fr;.
proportion of the whole nob . and 'lie Dumber of part* in a maanur. , thus, for
example, 7 shows that four quarter notes, "r an amount equiva n, are con-
tain, d in a measure . } ihowi that three quarters, ..r their equivalent, fill the measure;
■3. that two iim.f notes fill the measun
" i, IX. Measures are 1 interspaces between vertical lines; the
dividing lines are called Bars.
I'KACTK'AI, I.M.UCISES IN RHYTHMICS AND MELODII 3.
\o. 7. — Exercise ix Doible Mea-irk. \o. §. — "NOW REJOICE." — Soso Exercise in Double MlllWI
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Now re - joice, Now re - joice, Sing a - loud with cheerful voire.
Jen - ny Lind, Jen - ny Lind, Come a - gain, dear Jenny Lind.
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Now re - joice. Now re - juice. Sing a- loud with cheerful voice.
Jen - ny Lind, Jen - ny Lind, Come a- gain, dear Jen -ny Lind.
(No, 8— CONTINUED.)
So. 9.— THE MEADOWS. — Sowa Exxeaai in Qdasbupli Mi i
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Now re -joice, Now re -joiee. Sing a- loud with cheerful voice. 1. TIow I love the mea-dows, Pleasant lights and sha-dows, Lore-ly, purl-ing,
Jen-ny Lind, Jen- ny Lind, Come a- gun, dear Jen- ny Lind 2. Winds are gen - tly blow-ing, All a-r^und are strew- ing A-crns. moss and
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ail - ver streams;
pleas - ant flowers ;
Sear the young birds twit - ter,
Larks and rob - ins join - iiiir,
See the fo-liage glit - ter, To : mora -ing beams
All their powers com - bin - ing, Praise the Ion - lv morn- ing hours:
THE NEW SINGING CLASS.
EXERCISES WITH SKIPS.
(Omitting or passing over certain tones of the scale.)
To the Teacher.— Exercise the class on the skips of one, three, and five, and explain the Repeat and Da Capo.
Wo. 10.— SKIP OF THE THIRD. (Omitting one tone.) jVh». 11 — SKIP OF THE FIFTH. (Omitting theee tones.)
What kind of measure? What kind of measure ?
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One, two, three, one, three, one,three, Conie,and skip this third with me. One, two, three, four, five, one, five, five, one, five, Af-ter wisdom let us strive,
No. 12 "THE CHEERFUL DAY."— Song.
Commencing on the seeond part of the measure.
FINE. -(End).
Da Capo.'
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Mi, Sol,
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let us strive. •, <> The cheerful day is dawn - ing, I hear the cuckoo sing, )
{ To greet the ear-ly morn - ing, And ush-er in the Spring, \ 0, welcome, welcome, cuck-oo ! 0, welcome, gen-tle Spring 1
D. c. 0, cuck-oo, cuckoo, wel - come ! 0, welcome, gentle Spring !
* Da Capo— Return to the beginning.
No. 13.— "NOW THE GENTLE MAY."— Song Exercise on One, Theee, and Five.
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1. Now the gen-tle May approaching, Shin-ing, fleec - y clouds are seen, And a joy-ful song of welcome Sounds from ev-ery cop-picc green.
2. Dai - ly come the feathered her-alds, From a - far, a - cross the sea ; And a - broad the hap - py children Shout and sing in harm-less glee.
3. O'er the hills and meadows scat-ter, Low-ing cat - tie, far and near; And on zeph-yrs gen-tly floating, Mark the sheep-bell tinkling clear.
SPRIGHTLY.
l\"o. 14 "IIP AND OFF, BOYS."— Song Exercise on One, Three, and Five.
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Up and off, boys, Sun is ris - ing, Let him not be - hold you here ; Up and off, boys, fields are smil-ing, Ev - ery bird is sing-ing clear.
Light -ly step-piug, gay-ly step-ping, Still our hap- py voic - es join; If the storm comes, we can bear it, If the sun shines, let it shine.
T II i: \ K W SIN(1 I NO C L A
TREBLE STAFF with TBM LSTTBB8 M LBKED.
LESSON III.
A I {SOLUTE PITCH — LETT K US — CLHFS.
To th« Tsachs*.— Introduce Absolut* Pitch or Te i, •<•■•-
| I. Tho Absolute I'it. ii of 1 * in IndioEted bj tbi letter* A. B, C, l>. B, I'. 0.
£ IX Either of these may be takeaai the bask of the series of soundi tlmt we call
TlIK Sl'AI.K.
i III. The male takes its name from the letter upon which it ii founded, ns t, n \ a
m-alo bcgmdng oa ('. it called 'I'm; Soau of ('.and 0 is taken as om (Do); A seal o
beginning on 1), is calk 1 Tn Scau ok I), aud D is taken as one. am, ,t.\
N her will explain further, and sine or plav ttic toandl of 'lie above letters, nam-
Ing thriii. an i especially drawing tin- attention of the pupils to the fart tii it musical sounds .ire dis-
tinguished froio each other u to .urn pitch, or difference of pilch, 67 thr i.tl r.«, and not by lyllables
or DIMM
,i I\ In order to determine the position and pitch of the scale upon the staff, a char-
acter is used to repreeenl one of the litters,* ami is placed at the beginning of the staff.
This is Bailed ■ Our.
g V. There are two clefs b goueral use, called the Tbeble or 0 Ci-ar, and the F or
Bask Clef.
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STAFF WITH mi; I Kl D.
A —
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0 CLEF.
Not!.— Another, called the C Ct.gr,
F CLEF.
NoTg -The pupil* should all <ing Base StaC Frequently h»lf the school
may sing the Base, gybill ,'mlf are sin»(i . . [1 I < part*.
ADDED LIN E s .
§ VITT. The compass of the staff may l>e extendi 1 Mow or above by additional short
lines, called Added or Ln.i.u Lom Tin-' with tin* spaoes int<rrcning, derive their
names also from the letters i:i the same mmn u the *'-^ pro]
§ IX. The degrees of the staff are numbered from the lowest upward, the lowest being
reckoned as the nasi Una
j X. It is important to become familiar with the lines and spaces of the stares, by
name, thus :
C CLEF.
U ased in many parts of Europe, but Bel '-'m in this country, the two above named being regarded
sufficient for all practical purp
j VI. The Q clef is placed Opon the second line, and represents the letter 0 upon that
line.
;» VII. The F clef is placed upon the fourth lino, and represents the letter F upon that
line.
Eaoh line and space of the staff is then named after the letters, as follows:
• A lsttss was originally used instead of what »c now call tho clef.
TREBLE STAFF.
Lines.
1st Added line ahnrr. \
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let Addrd spare aberr. f.
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gXI Notes placed upon cither decree of the staff receive their melodic name from
the letter of the line or spaec on whi<-h they are placed. TJius, a note on the first line
I of the Treble staff is called E; on the first spnee, K. <tc
Practice reading tunes and exercises by the letters.
8
No.
THE NEW SINGING CLASS.
PRACTICAL EXERCISES.
15. — "SING "WE REJOICING." — Song Exercise in two Parts — Quadruple Measurb.
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Ho, Ml, Sol,
1. Sing we re -
2. Land of our
3. Though oth - er
4. Heaven shield our
GENTLEMEN'.
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boun-teous heavenly Hand, Scat-tering ev -
ev - er we may roam, Dear - est na -
right - er hopes ful - fill, Dear - est na -
ev - ery hos - tile band, Free-dom, love,
f r * J ^ -r--— » *
ery bless
tive land,
tive land,
and plen
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IV©. 16.— "THE WOOD."— Two Part Song. Scale Exercise, founded on C.
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1. I love the wood, the lone-ly wood, 'Tis there I find my high-est good; O.where's a place like that so free? Or one so fraught with cheer and glee?
2. How sweet thy smiles when gentle Spring Returns, its golden joys to bring! And when,thro' all thy verdant bounds, The twitt'ring, chirping song resounds.
3. I love thy calm and cool retreat,When Summer sheds her sultry heat; 0 .then whatcharms thy walks pervade .'How sweet tositbeneath thy shade!
4. And when the Autumn, deemedsodrear,Makesallthyverduredunandsear,TliouRtillhastcharms to every view, In live-ly tints of va-ried hue-
5. And ev - en Winter's chilling night,Does not thy lovely pleasures blight;Tho' Nature else is wrapped in dread, Yet thou art cheer'd by sportsman's tread.
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Then shout aloud, shout a-loud, shout, shout a -loud, Shout aloud and swell the eh.orus, Happy days are yet be-fore us, Shout, shout, shout aloud.
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Not
vcr
a
lay,
tear,
Mea-sure gay
Not a fear
c
Exercise for two Notes to the Beat.
a I <3 <t» 9 | 0 0 0
la,
la,
la,
la,
c c r \c c C C\r
la, la, la. la, la, la, la, la, la, la. la, la, la, la, la, la, la. la.
Chas-ing ev - ery care a - way, Voic - es free, Joy - ous - ly Swell in har - mo - ny.
Ev - er mar our plcas-ures here, Sweet the strain Wakes a - gain, Sooth-ing ev - cry pain.
t u i; N 1; w B i n Q tNG class
9
LESSON- IV.
R ii v r ii m.
In a former chapter we considered the lenjrth of sounds as indicated by the ditf.r-
snt (bnuof tli.' notes, *a, bat the tun* "f ■ pieo* of music nwv b« slower or faster
without taMfering with rWoftee proportiona
sj II. Whan, for example, we epplj ton* beat* to tin- whole note, we must allow two
••• the half note, and one beat t.> the quarter-note, Ac, j bat when we apphj onlj
tw.> l>«ats to the whole note, we must allow liui one beat to the half note, An.
ill! There nay be various kinds «'f notee m the measure, bat there must be an e«pial
amount in every measure ; that is, one measure must contain as much in the aggregate
as another.
Notk. -Et.imin<\ .iiv>. tones m the n>!\ of thw work. Question on the
i i. in .if the note*, 4 ■
Not« -To aid in com French mechanist,
Invented in instrument calli la Metronome It hae a pendulum, which swings
ami i..ki v regular inter* d« of i me, iik.- t hit of .i ctocl (The instrumeol i*.
k turned upafcle down, bui without If the
weight in moved upwards, the pendulum will swing slower, if dowi ■
. t where you will, in motion* will always be In ti/uai
timt . nrwr hurrying, never dragging;.
In tlie performanoe of .i piece of music the time should be computed with the
SAHie teeunc] an i regulantj a» by a Metronome, or a clock.
VARIETIES Ol TIM B, AND MOTIONS Ol l I I I
HAND IN BEATING.
IV. There are in genera] use rot a kinds of Measures, and each kind has mars
VAKltTIKS.
DOUBLE bTEABUBE
1„, two heats; the apper figure is '1. Th< rarietiee a:. ^ | ~ The motions of the
luiml are dn\m, up; accented on the first part.
TRIPLE MEASURE
has three bents; the upper figure b ft 1 :j- ^ \\ TV motions of ths
hand ai<- <Wn, left, up ; accented on the first and third parts.
QUADRUPLE MEASURE
1ms four beats; the appei 1 The rarietiea are % ||. T "n" motions of the
hand ■ ted on the fl
SEXTUPLE MEA8UJ I
l beats; the upper figure is 6. The rarieties are §. ^. P. The BO
banal i 'am, left, right, »/'. <>p ; aeeented on the first and fourth pur
•ions of the
parts.
-When the morenu m iii Beituple Measure is rapid, it maj
-•■ performed with t late
ed.
SCALE SONGS.
OR RHYTHMICAL EXERCISES WITH THE SCALE, FOR BEATING TIME AND SINGING.
Ifo. 17.
Down, left, rljjht, up. down, left, ncht, up. down, left, right, up, down, left, right, up. &c.
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. the gen ■ tie Maj approanhing, Shining, fleecy clouds are flv-ing, Ch'eerly Bound our notes of wclmine.WI.ile with natur- ..-ii.g
Ifo. 1*.
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Shepherds from their sleep arc waking, Morning light is gtu-tly breaking, Ro-sy beams in beau-tv ipni pi -W hile all nature , voice is sing-mg.
10
THE NEW SINGING CLASS.
122:
No. 19.— "PRAISE GOD."
m
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Praise God, from whom
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all bless - ings flow ; Praise him, all crea
No. 20.—" VOICES RINGING."— Two Notes to each Beat.
'<* r r f:
tures
here
be
low.
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Sing backwards.
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Voic-es ring-ing, All are singing; Flowers springiug,Beauty bringing; Hearts are bounding, Music's sounding, Countless treasures, Countless pleasures.
DOTTED NOTES.
§ V. By the addition of a Dot (•), a note is made to represent a tone one half longer
No. 21.— "AH, MY HEART IS WEARY."
than it does otherwise : thus a dotted whole note is equal to a whole and half note,
(C2 • equal to ^ <^) ; a dotted half note is equal to a half and quarter note (f2 ' equal
to P~j*). Ac.
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my heart is
wea
ry, wait - ing, wait - ing, wait - ing, for the May-
Wait - ing for the
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pleasant ram - bles, Where the fra - grant hawthorn brambles, With the wood - bine al - ter - nat - ing, Scent the dew - y way.
LESSON V.
DYNAMICS.
(POWER OF SOUND.)
§ L To sing in good taste, our sounds must be varied with respect to their Power or
stress, sometimes singing louder, and sometimes softer, according to the character of the
song or sentiment. For this purpose, Dynamics are used.
DYNAMIC CHARACTERS EXPLAINED.
Piano marked p Soft.
Pianissimo marked pp Very soft.
Tone marked/ Loud.
Fortissimo marked^ Very loud.
Mezzo marked m Medium.
Mezzo Piano marked mp Rather soft.
Mezzo Forte marked mf Rather loud.
Crescendo marked Cres., or — ==. . Commence soft and increase.
Diminuendo marked Dim., or r=— . . Commence loud and dimmish,
Swell marked — ==— Swell.
Sforzando, or Explosive marked sf, or> Sudden and full.
Staccato marked •' ., or ft Short and distinct.
Legato marked ' s Connected and smooth.
Ifo. 22.
-r>^£
DYNAMIC MARKS APPLIED.
IVo. 23.
p . - , m .
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Breezes softlj now «.re blowing,Streamlets gently now are flowing. Softly now, Softly now, Lightly raise the song; Loudly now, Loudly now, Loud and very strong.
T ii 1: N k w SINGING class.
W \I.K BUNOH i (i.STIM El>
l\'o. til.— ■•MAY DAY MoRN'."— May be euu- in Two Tart*. S. ■•■ 6gurea 1 and 2.
II
if
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ay day mom is suiil-ing, Hearts ut' grief be - guil-ing; Tuneful choirs arc wak-ing N are gay - lj In-akin-. Porta reOTOWBed I
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Social friends surround u>. List to what we're saying, Let us go a - May-ing.
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May day morn is H&il-ing II- irte of grief bc-gtiil-ing
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Tuueful choirs are wak - ing, Notes arc gay - ly break-ing. Fortune's gifts liave crowned us, Social friends surround us; List to what we'ru MJ-iog,
>o. 25. — Docblk MxaSUU — Tiui-i i ts : three to each beat.
6
ti'JJJ Ji J
P
Let us go a - May - ing.
n.i. Do, Do,
h h h
/ // /
//
i
Sise, lUEWilM,
3
* *
-^-M—*'
Re, Ri Re, Mi. Mi. Hi, Pa, J I - - . \
Beau-ti- ful, bi-au-ti - ful, beau-ti- ful, beau - ti - ful, beau-ti-ful, b-.iu-ti- ful,
No. 26. — Sextuple Measi-re. — When sun- rajiillv t ho effect is the same a.-* with triplets, in N'". 25.
LEGATO.
$
Si. Si, Si. Do, Do, I) I
beau - ti - ful, beau - ti - ful.
No. 27. — Scale with 1,
-m- ♦ w
h h h
— K K h N h
* * • • »
z z z z z Z
Beau- ti - ful, beau-ti ■ ful, bean - ti - ful, beau-ti - ful, beau-ti - ful, bran ti - ful, beau-ti - ful, beau-ti - ful
No. 2*i. — Scale with Hi-,t>
J
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No. 39 SOLPAnro."— Rourrn
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Co,
Re,
Mi,
Mi.
Fa,
I am tired of this sol - fa - ing, And I know not what you're say-ing.
S.n^iaij with syllables.
13
Cres.
THE NEW SINGING CLASS.
No. 3©.— ■■ WHETHER YOU WHISPER."
/
Dim.
S
^=E
Whether you whis - per low, or
) at ml a) *
loud
- ly call,
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m
Dis - tinct - ly, Dis - tinct - ly speak, or do not speak at
• t
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all.
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MOVEMENT.
EXPLANATION OF TERMS IN GENERAL USE.
Adagio — slew.
Allegro — quick.
Allegretto— not so quick as Allegro.
Allegro Assai — very quick.
Andante — gentle, and rather slow.
Andantino — somewhat quicker than Andante.
Cantabile — pronounced Kan-tah-bi-lee — graceful, flowing.
E — and.
Grate — slow and solemn.
Largo — slow.
Larghetto — not so slow as Largo.
Moderato — in moderate time.
Pastorale — applied to graceful movements in Sextuple time.
Presto— quick.
Prestissimo — very quick.
Rallentando — Slower and softer by degrees.
Ritardando — retarding the time.
Tempo — time.
VrvACE — quick and cheerful.
The above are the most common terms in use among musicians for expressing the dif-
ferent degrees of movement.
ALLEGRO.^
No. 31 "SIL.TER L.AY."— Three Part Song.
Cres.
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Sil - ver lay,
Not a tear,
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Mea-sure gay, Chas-ing ev - ery care a - way, Voic - es free, Joy - ous - ly Swell in har - mo - ny.
Not a fear, Ev - er mar our pleas-ures here, Sweet the strain Wakes a - gain, Sooth -ing ev - ery pain.
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Sing also with La, Letters, and Numerals.
LESSON VI.
MUSIC IN PARTS CLASSIFICATION OF
VOICES.
§ I. A Part in musie is represented to the eye by a single set or number of notes on
any staff. The treble, for example, is one Part, the base is another Part, Ac.
§ II. Music is composed of one, two, three, four, and often more parts. When in two
or more parts, it is said to be in Harmony, and is so composed that the different paits
agree, or harmonize together.
§ LTL Music for choirs is usually written in four parts.
CLASSIFICATION OF VOICES.
§ IV. The vmm is nsitwallv divided into fou- classes, viz • LoTpsf n"1^
i<v<i. Babe.
T II E N K W 8 I N (1 I N (J CLASS.
13
it male voices, Trvon. T/rwest female voioes, Alto. Highest female TQJoea, j V. Pari del the Bbove there is a BxaiToxr voice, between the Base and Tenor • ami
TftUU «'r BomSJTO, Boja dug Ai ro until their voices change. Young Misses should the Ifano Soi'iiano, between the Alto ud 1 r- I
\» ro until their roioea beoome firm.
Ro. 89.— U81 Al, COMPASS OB EXTENT OF VOIl
-from 0 In-low to <« above.
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Alto — from (1 l» Ion (■• C, 8d spaoe.
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TkRos— from C Iwlow to (! above.
a
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iVi. in F below t" ( ' a
<*• *
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Nora.— While learning . . advantageous to rnanir* nam
' n.H
' t*il
adapted 10 his or In r r< il
mm. < OMMON CHORD.
lu ru Taacaaa.— Practice in.
g V I. The oombinatioo of thi -muds 1, 3. ,„, v\,^,anq
k foriuoJ harmony. It is termed the Comvoa Chobd. Then r HiA ,,f
ohorda which tlie student ol harmony must learn, but thi» (tlie Common ch.nl) should be
| - (miliar to every singer.
Mi'DERATO E LEGATO
Tenor nip
No. 33 THE VXdil, LVDK >i.\lt, or BY IM> HI.
/rv A'
/'■
- •
o o
1. There is an an -gel ov - er near, When toil and trou-ble vex and try. That hi is our Esint-ing hearts take cheer.And whiapen to us — * By and by.'
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8, \\ • hear it at our mo-triers knee .With ten-der smile and love-lit eye, She n on ehild-iah plea : by.1
:i. What visions crowd the yonthfnl breast, What ho - ly as - pi - ra-tkms high Nerve the young heart to do hi I •• and
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ILLEGRO. -sprightly.
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*o. 31.
nri,!,1* ARE T5IRG I !%"<=. *" — Sona Exxacrsx. — Sam of Thirds
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B.-ll
■IU are ring-ing, ring-in) Maids are -in -in,-, aing :'•■'-•' • rlanansj.
are ring-ing, ring-iug, Maids
are sing-ing, sing-ing, Birds
are fly - Log, fly - ing. All
are try - Lug, try - ing, Fleet
14
THE NEW SINGING CLASS.
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glanc-ing, glane-ing, Light-ly danc-ing, danc-ing, danc-ing. Bi itjlit in crush -cs, gush-es, gush - es. Smiles and blush-es, blush-es, blush-es, Come and flit a -way, a - way
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glanc-ing, glanc-ing, Light
SLOW.-LEGATO.
ly danc-ing, danc-ing, Bright in gush-es, gush - es, Smiles and blush-es, blush-es, Come and flit a -way, a - way.
Ladies and Gentlemen change parts.
No. 35 — "PEACEFUL, SLUMBERING."— Sonq Exercise on Seven.
LEGATO.
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1. Peace-ful slum-bering on the o - cean, Sea -men fear no dan - ger nigh, Winds and waves ;n gen- tie mo - tion, Soothe them with their lul - la- bv.
2. He who, when the waves are roll-ing, Sets his heart on God on high, Midst the tern - pest's fierc - est howl - ing, Still en - joys a lul - la - by.
ms
TEE^
£
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IV©. 36 — " CULL THE FLOWERS."- Song Exercise.— Skips of 4, 6, and 2.
To the Teacher. — Practice the skips before singing the song.
3
1
3
f^UUJ
=3=
m
T-
i — ~= — m m -m — I
Do, Mi, Sol, Do, Do, Fa, La, Do. Si, Sol, Fa, Re. Do, La, Sol, Si, Do, La, Sol, Mi, Fa, La, Sol, Mi. Re, Fa, Mi, Sol, Do. Sol, Mi, Do!
Cull the flow-ers, 'Mong the bow - ers, Sweet-est po - sies, Pinks and ro - ses, While the thrushes In the bush -es Sing to - geth - er This warm weather.
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Do, Do, Mi, Mi, Fa,
MODERATO.
ft fS IS
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No. 37 MUSIC — Quartette.
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\<U 1. Music spok-en, Music brok-en. By the rushing of a rill; What is this but what doth en - ter In - to every heart's deep center.And doth all with gladness fill?
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2. Music dwelling Where the swelling Of the wind and wave is near; What is this great heart of o- cean, But our own oft changed emotion, Now a smile, and now a tear?
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3. Music ringing.Wherethe singing Of the woodbirdfills the dell; What is this delight of be-int: But our own.when we are seeing What no words but song can tell?
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Til K N K \V SIMilMi CLASS.
*o. 3«.— "AM. Tin: DAI 1'JB SINGING LIVELY."— Kj ale.
15
t
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M .
It.-.
Mi.
Re,
g^-3-T7
s
Do
All the day I'm ling-ing live - ly, Though the day is long, And from morning dawn to evening, Bounds my hip - pj gong
- •
.
--
Do, Si, La, Sol, Fa, Sol, La, Si, Do, Re, Ml, Fa,
>.>!. Fa, Mi, u<\ Do, - i.. i - i.
I*,
LESSON VII.
IN T E RVA I.S.
§ I. The scale may be compared t.> a flight of steps, or ladder. It i* fr<'<jueutlv
represented t>\ a ladder with the rounds or ste|*i at unequal distances apart:
^ II. Hi. steps or iHrtllMlnl olworvable in the passage of the voice up and down the
scale or ladder, are railed Intervals.
| III. An I\rmvAL is the distance from any sound of the scale to the next above or
Ul,,u — the difference of pitch between any two sounds.
£ IV. There are two kind* of Intervnls in the scale — Labor and Small.
j: V. The larger intervals are called Tones or Steps. The smaller Half-tones or
- im
Vnn-non ! teachers differ as |r> the proper use or application of these nn.l n'.her terms. Such
.1 not ronsi ler of much Import*] <> ».. long a^ pupils make themselves
familiar with iirr ..f the musical art. and understand it-, application, we
should beat W« have en en above i*jih term*, teachers will adopt whichever the] prefer.
THE INTERVALS OF THE SCALE.
£ VL The intervals, as they roeeeed • Moll other in the scale, are in the following order.
From l to 2, I.aroe.— Tone or Step.
From J to 3. Laroe,— Tone or Step
From 3 to i. Small.— Half-tone or Half-step.
From 4 to J, Laroe,— Tone or Step.
From 5 to A, Lutm- Tone or Step.
From A to 7, Laroe. — Tone or Step.
From 7 to 8, Small,— Half-tone or Half-«tep.
The intervals of the letters are as follows, viz. :
F"r..rii ( to I). I.AROE, — T
I'lOMI I) tO B, I.AROE.— T^ilie 0
1m. iii B to F, HAtry— Half-tone or Half-step.
From F to (;. i.aroe,— Tone oi
I '... B, LaBOI I
From B to ( . Il»i > , II 01 ton) "■' II I
.Sort .—If the pupils observe carefully where the small inti not be
to ina^e miitssftf, h they » ... thi a have onl) ire large
BOALE WITH Till: SMALL INTKRVALS DESIGBTATED.
Do.
STAVES WITH THE SMALL INTKRVALS (IX THE LETTERS)
DESIGNATED.
SMALL,
' ' '•.
SMALL,
► V III..
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O
Ce »
C?
O
fi =
= O
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C?
2
3 4
5
A
T
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A
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1
Do,
Ue,
Mi. Fa,
-
La.
Do
Do, -
La.
F». Mi,
lie
W=^'— z-r-
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Note I.— Practice in key of G. D. or A. Ac, plain tunes, or any of the folloming ezerciaea, mak-
ing no allusion to signatures, other td
Note 2 .— Dl Minuing the plan of pr. alopted as the basis of th<
menta, intcr*[icrsin!r the practical with the theori erto let the clans pr.-
different keys, befon - The lesson''
rail is a very important one— indispensable, if they would understand Transposition. h>
therefore, learn this thoroughly, and sin/ on.
1G
THE NEW SINGING CLASS.
No. 30.— SONG OF TSSfr:
ALL.
3 $ T V SiV A I-S.— Dialogue.
SCHOLARS.
Teachee and Pupils.
Feom "The Musical Boquet.'
A song of the Intervals, Song of the Intervals, What skull it
Lai JVam. One to Two is a whole
Letters. 0 to D is a whole
^FFES^^BH^Fir r^
TEACHER, or MALE PUPILS.
3=2i:
step;
step ;
S IN > N 1
Two to Three is a whole
D to E is a whole
II
-O—O Of
step ;
step;
* — « — _ — «— j —
m 4 * »r
Num. One to two 's a whole step ;
Letters. C to D'sa whole step ;
Two to three 's a whol e step;
D to E's a whole step;
i
1
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3
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step ; Six to Seven is a
step; A to B is a
tilt
Three to Four is a ha, ha, ha, ha, half-step ; Four to Five is a whole step ;
E to F is a ha, ha, ha, ha, half-step ; F to G is a whole step ;
-4
Five to Six is a whole
G to A is a whole
r-f — ? %
0 m
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z
^
Three to Four
E to F
ha, ha, ha, ha, half-step ;
ha, ha, ha, ha, half-step ;
Four to Five 's a whole step ;
F to G 's a whole step ;
Five to Six 's a whole step ;
G to A's a whole step;
M
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step ; Seven to Eight is a ha, ha, ha, ha, half-step ; ha, ha. ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, What a queer song is the song of the Intervals
is a ha, ha, ha, ha, half-step ; ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, "What a queer song is the song of the Intervals,
whole
whole
step ;
B to C
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Six to Seven 's a whole step,SEVEN to Eight is a ha, ha, ha, ha, half-step ; ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, Now you've learnt the song of the Intervals.
A to B 's a whole step, B to C is a ha, ha, ha, ha, half-step ; ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, Now you've learnt the song of the Intervals.
SIGNS OF ELEVATION AND DEPRESSION.
§ I. A sign is used in music which, when placed before a note, indicates a sound a
half-tone (half-step) higher than the letter upon which the note is written would other-
wise represent. This is called a Sharp, (t).
§ II. A sign is used in music which, when placed before a note, indicates a sound a
half tone (half-step) lower than the letter upon which the note is written would other-
wise represent. This is called a Flat, (b).
T& wtoM skachbh fh-afitw plain twn-e* *u znu A-cv
§ III. A sign is used in music which will counteract the influence of either of the
above. This is called a Natural, (D).
EXAMPLE OF THE SHARP, FLAT, AND NATURAL
C, CI, B, Bb, D«, Dfl, Fl, Ftt
SE
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«^Read, C, C sharp. B, B flat, D sharp, D natural, F sharp, F natural.
§ IV. By the aid of these signs any change of the intervals can be made.
T II R \ i: \V 8 I NO] N <; OLAl
17
L BSSO N VII 1.
Nil NOB BO ALB.
I i. n a i i| onto the Diatonic Scale n explained in Lesson VlJ, then i« another
djatonio ecale, differing from that in respect to Intervals, oalled the Moron Scale. The
former scale is sailed nLuoa.
j5 II. Tlu v are two fori S< ill in ose, Wt b them from
eaeh other by the trims Pnui Poaa and Baooiro Form of the Minor Sealo.
§ III. In both forma of the liinof scale the Lnterrala differ from those in the Major.
j I\'. The chief difference (to the ssar) between the Major and Minor sealea is in the
Tjiiun; tint of the Major being composed of two steps (two tones), while that of the
Minor is on] I half (tone and half). See Minor genie below.
wnii the lnterrala of thi ale will
readiU i t< ii aied.
I V. b the first form of the Minor seal.' the intervals are uot the same in descending
as in aseen .
MINOR SCALE— FIRST FORM.
£
m *
* • -
i* =•
:-
1 2 :: 4 5 fl 7 8. 8 7 6 6 4 8 2 1.
A, H, 0, D, !'. i:. <■'-. A. \. <!. F. K. D, C. B, A.
La, Si, Do, Re, Ml, Ti. si. La, La, Sol. Fa, Mi. Re, Do, Si, La.
intervals of letter*, and then pre the form or •
■ 'liun
MINOR SC.\ OHD FORM.
H:
o =*
CrC
12 1 '.6 7
La, s . Do, Re. Mi. Fa, :^i, La,
8 7 6 u 4 a 2 l.
La, B l)„, 85, I-a.
Note. Pi iame the order of interval* in nerond form < • tcale.
QcaiTtons: Wherein do the two Mine
rail in the Irst bnn Si rVaereia ■ Eiarn-
§ VI. Tlie Minor f,. I noes on tlie numeral 6. syllaMe La, of the Mai
(La), of the Major is taken U 1 of the Minor, but the syllable (1a) id retained. See
scales shore.
§ VII. When the Major and Minob scale* have the same signature, they are said to
he relatki). 17ms the kc\ of A MrjrOX is the Rf.i.ative Minor of C ; and the key of 0
is the Rklative Major of A Minob.
5 VIII, The "Relative Minob" to any Major key is found a sixth above, or a third
below, the Major key ■
i ! X. Every Major geale or key has its " Relativb Minor," and, as above stated, both
have the same signature.
!¥«. 10.— KVE^HG PUAITR. 7s.— Ket or A Minor.— Relative of »
«il.n\V. skit. :iml fif!\T! \TO.
I, . B9 with aye, On my ] lace-fnl bed I Fa-ther, ni.iy thy an - eels keep Watch a- r while 1
- — n 1 ^ , — ■ — — — ^ — ~S'^.
2 Hive I through the day in aught Sinned in word, or deed, or tl Pa-ther, f ho - ly tbrom a «av - in? par-don down.
3. 11 Dri tl • end ?mai' alL
Notk.— Practiec also L*
fjriur.'-*— °1
■Barsma. Prnctice piam lie, •f-in.f
18
THE NEW SINGING CLASS.
i
No. 41.— EXERCISE IN A MINOR.— Relative Minor of -
93E
£
en
^
Sit
y
— I — '
La, Do, Si, La, SL Si, La, Si, La, Si, Do, La, Si, Si, Mi,
1T3-
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La,
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Mi, Re,
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Mi,
Mi,
La.
LESSON IX.
THE CHROMATIC SCALE.
Note. — The Chromatic Scale, being more difficult to sing than the Diatonic, and not being much
required in plain music, it is not usually studied or practiced until pupils are well versed m the Di-
atonic Scale, and able to read with considerable facility. But we would urgently recommend the
introduction of either a part or the whole of the Chromatic Scale, as an exercise for the voice and
ear, just as soon as pupils can read plain music in the Diatonic Scale. Do not attempt too much of
this kind of study at any one time. One or two chromatic exercises at each lesson will generally
be found sufficient, and, by judicious management, pupils will not become wearied. The easiest,
and perhaps the most useful, is the sharp fourth. Next in order may follow the fiat seventh ; then
the sharp second, rlat third, &c, then, from sharp one on, gradually introducing the whole Chro-
matic Scale. If you have an instrument, play the chromatic scale often, that they may become ac-
customed to its progression. Seepage 31, Song Exercise, for the study of Chromatic Intervals.
§ I. All the intervals of the Bcale that are a whole tone (step) distant from each other
may be divided into halftones, (small steps), forming an entire scale of small intervals,
(half tones), called the Chromatic Scale.
Note 1. — Chromatic. From a Greek word, signifying color, the intermediate, or chromatic tones,
having been formerly written with colored ink. The term may also have a figurative signification
as chromatics in music may be regarded as analogous to coloring in painting.
Note 2. — Let the pupils recall the intervals of the scale, and then name such only as must be di-
vided in order to form the Chromatic Scale,
§ II. The division of the large intervals, (tones), is represented by the sharp, or flat.
See Chromatic Scale below.
§ III. All the tones (steps) of the scale being thus divided, either by means of the
sharp or flat, we shall have for our Chromatic Scale, thirteen intervals, of a half tone
(small step) each.
§ IV. The scale heretofore used, consisting of five tones (steps) and two half tones,
(small 6teps), is called the Diatonic Scale.
Note 1. — Diatonic. From two Greek words, signifying through the tones, or from tine to tone.
Note 2 — In singing the Chromatic Scale, or exercises, with syllables, use the vowel sound off long,
as in mete, for the sharps, (Di pronounced Die, Ri Ree ), and a long, as in fate, for the flats, (Se pro-
nounced Say, Le Lay, &c.) By observing this rule, we are enabled to preserve uniformity in print-
ing the syllables.
Note 3. — Read the numerals thus — one, sharp one ; two, sharp two ; seven, Jla( seven; six, flat
six, &c. Read the letters thus — C, C sharp ; D, D sharp ; <fec. &c.
I
Ascending.
Mo. 42 THE CHROMATIC SCALE, NOTES, LETTERS, AND SYLLABLES.
Descending.
s£
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321
321
321
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3
$&
ft
2, b2,
D,
Re,
ic
1, «1,
c, Cf,
Do, Di,
SLOW.
2, $2, 3,
D, DI, E,
Re, Ri, Mi,
^ '~^
4, U-, 5, $5, 6, J6, 7, 8.
F, FJ, G, Gl, A, At, B, C.
Fa, Fi, Sol, Si, La, Li, Si, Do.
8, 1, b7, 6, b6, 6, b5, 4, 3, b3,
C, B, Bb, A, Ait, G, Gb, F, E, Eb,
Do, Si, Se, La, Le, Sol, Se, Fa, Mi, Me,
P
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Mo.
^
Note to the Teacher —Exercise the Class in Sharp Four, in connection with Five, Four, 4c, thus, 5, #4, 5 ; 3, J{4. 5 ; 6, J4, 5, 4c.
43.-"LIGHT OF THOSE WHOSE DREARY BWEtXING."— Shakp Foub.
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Light of
Fi, Sol,
those whose drear
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Fi. Sol, Fi, Re, Do. Fi, La, Sol.
y dwell -ing, Bor-ders on the shades of death, Rise on us, thy -self re - veal - ing, Rise and chase the clouds be- neath.
T ii i: n E \v BINdiMi 01 \ BS.
No. II.— ">OW hi:i,i. HUG TO G.M— Shasf ]
J!)
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* Vowvell m.-'' (i, Ami ii"w u. ,i ■«;: vweHeingto I ibarp, f iharpand 0. barpandQ, PaharpandG, <;, A, B ii, A. Q, y. B D 0.
L1VI , , no. uv— "torn; joi\ with hebbt roundelay*"— a
fOama loinwitJ l'iN voioe let bar-mo- nj o - bar, Each heart with gladnest Lei mu- bio I . ,
.l„i„. nil jommer-n-lj the etrem, Flj grid; and ner-er come *gajn; Benoa, gloom and aa *,Hopebidi . gloom and aadww. Bop
ii'. joia witli inorrv round. lav. lay Toioe let har-mo-nv o- l>fv. Each heart with gladness Lei mu - sic inapin ■ ' u ,
J Join, all juin tniT-ri - ly the »t:ain. Fly grief, and nev-er come argain; Hence, gloom and Hope bids thee retire |
\>m an 1 sadness, 1 1 • <• re • tire.
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Practice Mahaltlh, 112 — Lysl'a. 1 1>- H'rith. 115 — M.iinn, 88— .Yrfto, 77, atu/ my of*»r ^;oin luvi in >i 'iir* S».iry Four ocrwrt
LESSON X.
TRANSPOSITION.
§ I. Transposition is removing the scale from one place, or position upon the staff, to
mother, either higher, or lower.
§ II. TV Male takes it-* name from the letter on which it commences; as for example,
a scale Bommeneil said to he in the key of C, and is termed the Scale of C,
S III. Tli.- <o:i | imenOC on nnv letter of the musical nlphnl
^ IV. The proofs* of transpnsirii n wi'l he explained in a future leaaoa
s \ Bran of tuf Soalb ob Sionatdbjb, — When music is written on any other scale
than that of 0, th -n of the key is plaeed at the beginning "f the piece of
music. Thane signatures, or si rns are one or more *h \!:r-> or flats taon for using
these as the sign of the key Trill he apparent so Boon as the prooeaa of transpoaitioo is
understood. In order to read"musio in other scales or keys with as much ease and read-
iness as in the key of C, the pupil has only to make himself familiar with the signatures,
and then continue his practice,
? VI. SxORATDUa to w i tuf Kets wtth Shabps. — The signature to the key of O,
(first transpositi n wit's - one -bar;
5 VII. Tli.- sistiature to the kev of u. (second transposition with sharps), is two sharps,
--■■
i V III. The signature to the key of A, (third transposition by sharp), is three sharps,
:::
j} IV. Tlie sip-nature to the key of E, (fourth transposition bj sharps), is four sharps.
§ V. Tlie signature t" the key of B. (fifth transport i..n by sliarps), is five sharps,
lift!)
; XI. Tli. kev of ¥ ahar] >, (sixth transposition bv sharps), is six sharps,
j XIL The " relative minors" have the same signatures as above.
THE NEW SINGING CLASS.
Major
No. 46
KEY OF G.
Relative Minor. — First Form.
No. 47 — THE CUCKOO Round.— Rests.
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*^ Sweet the pleasures of the Spring, When we hear the cuckoo sing, Cuckoo! Cuckoo! Cuckoo! Cuckoo! Sweetthepleasuresof theSpring,Whenwehearthecuckoosing.
Bio. 4S.-THE CUCKOO.— Round in Three Parts.— Tied Notes and Rests.
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Sweet the pleas - ures off the Spring, When we hear the cuck - oo sing, Cuck-ool Cuck-oo! Cuck-oo! Cuck-oo!
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When we hear the cuck -
GENTLY.
00 sing,
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hark!
Hark! hark! hark ! hark 1 Cuck-oo ! Cuck-ool Cuck-oo! Hear the cuck-oo sing.
No. 49 NOONTIDE Tied Notes and Repeat.
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( 'Tis noontide, 'tis noontide, so glowing and still. )
I No shade on the meadow, no breeze on the hill, J
No wave on the waters that Ian - guid - ly glide — 'Tis noontide in summer, the dreamy noontide.
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At noontide, how pleasant to lie near the rill
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"'1 Where the waters fall bright o'er the wheel of the mill, , And gaze on their sheen, half a --wake, half a dream, Till vou think they are Naiads that dwell in the stream.
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\ Or deep in the green-wood to loi-ter a- Ion -. /
j And list to ih.- black-bird and grnss-hopper's song, f And mark on the. leaves -where the bub - Bbow- ers ielTre -waves on a moon-lighted lake.
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ln..,l--.t not.., rr..-l..-1-j. But of-tCTihonldy(niBingthn».y,.iirn..L-hb.>niyoU-tlr..rri>t.t,\Vl,ii.. th. - p, . ,„ . ,JV\, . v„ Zr " '
ba-m smooth to La, Thenoanw.th.bold Ex- plootswio, H.i. ha". 1,.,". h*! ),a ha" ho.
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ha, ha, ha, hi, ha, ha, ha, ha, ha, ha. ha ha, ha. ha. ha, ha, ha. ha,
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22
THE NEW SINGING CLASS.
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ha, ha, ha, ha, ha, ha, ha, Thus ends our song, ha, ha, ha,
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ha, ha, ha,
fr fr |S -fr-
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ha, ha, ha, thus ends our song.
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Steady, steady, or-der, or-der, or-der, all, (Sh!) Or-der, (Shi) Or-der, Hark ! 'tis time to end our song,
"POOR ROBIN RED-BREAST."— Round.— Minor Key.— Triplets. ^
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Poor rob - in red-breast, look well to your nest, The cold -weather, the cold weather comes on, Poor rob - in red-breast, look well to your nest, The cold weather, the
« ^ . . I lift ■ -r- -r- -r- -^2. - ■ ^ - a. - ■ »-! '
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cold weather conies on.
.r-k-k-i — k k v k -
' I care not a rush, For I'll hie to my bush, I'll hie to my bush, And put my bill un-der my wing, un-der my wing,
KEY of n.
Relative Minor. — First Form.
under my wing.'
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Do, Re, Mi, Fa, Sol, La, Si, Do, Do, Si, La, Sol, Fa, Mi, Re, Do.
^-gi^-f-.-r i*
La, Si, Do, Re, Mi, Fi, Si, La, La, Sol, Fa, Mi, Re, Do, Si, La.
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"IF YOUR VOICES ARE TITLED."— Round.
No. 52.
2
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are tuned, Let us hear how they sound, Like the songs that you sing, You must let
go
round.
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come in next, Must keep pace with me, The mu - sic is
not
sung
Ex
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Thus cheer-ful-ly we cv - er siog, Both at school and at play, And when the singing hour is o'er, "We wLU join the birds up - on the spray.
■No. .VI. MODERATO.
i in; \ i; W B I N G I N G OLi
"THOSE EYElflHG BEIXS.**— Boron
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1 1 1 1 .si , g | inrr-rtrr^r u-j-j J ig H
« -n,,,.. [,jhigfan& .-v.-iiii- bails, How many a tale their mn-sio tells, Those evening bells, those evening »• air mu-sic tell*.
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3 1. Thank God for pl.-a.-ant wui-;iier; Chant it, mer-ry lit - tie rilLs, And dap your bands to-getb-er, -.n-tle hills. Thank him,Thank him, t-eming
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.
J a/Jgg^ZaE— J-afc J at J ip
1 J. Thank God of good the GiT-eH Shout it, sportive lit- tie breese, Re-spond, O tune- ful riv - er, tdmg lit tli ink hii.i.Thank him, bird and
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' S. Thank God with eheerfal .*[ i - rit. In a glow of pr< sent 1 n a, For what we here in - hat - it, >->ve. Thank him. U - ni - ver - sal
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val - ley .Thank him.Thank him, fer-tile plain, Thank him. For the gold -en sun - shine. And the sil - ver rain. And the sil - ver niin. And the sil - ver rain.
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bird-ling. Thank him. As ye ?row and cine Thank him, Min-gle in thanks-giv - in?, Ev - ery liv - ing thing. F.v-erv liv - irur thine Every liv - ing thing.
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Na - ture Revels in her birth,_ When God. in pleasant wea - thor. Smile* up - on the earth, Smiles upon the earth. Smiles upon the earth.
Na - ture Rev - rls
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24
WO. 55. LIVELY.— PRESTO.
THE NEW SINGING CLASS.
"BRIiYG T3IE SONG BOOK."— Round.
Bring the song book, quickly bring, Here we '11 sit, and here we '11 sing, Mer-ri-ly, mer-ri-ly, singing here to-geth-er. La, la, la, la, la, la, la, la, la. la. la, la, la, la.
Or, Do, Re,Mi,Fa,Sol,La, Si, Do, Si, La, Sol, Fa, Ml, Re.
Ko. 56.
"THE WEDOW Atf2> THE FATHERLESS."- Quaetette.
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j When the cry of the fa - ther-less child is heard From his poor and lone - ly dwell - ing, )
*' j Let thy heart by bis wail - ing com-plaint be stirred, By bis voice of sor - row tell - ing. J
2. Go and bind up the woes of the
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( When she sits by the side of her fad - ing coals, And her babes are round her quak - ing, )
( Let her share in the boun - ty that o'er thee rolls, And soothe thou her bo - som's ach - ing. J
4. Oh, pre - pare thou a balm for the
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wi - dow's breast, Burst the clouds that gath - er round her, Go and show her that where she had hoped it least, Hath Mer - cy's an - gel found her.
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or - phan's grief, Go and cheer them in their sad - nesg, For the hun - gry and na - ked pro -vide re - lief. For the weeping, songs of glad - ness.
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NO. ft7. MODI.K VID. PIANO. <.1MII
m:t U6 LOVE OWE asotiii:k.—
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UM loveone ao-oth-. .maywesUy, In this bleak *, nf^ ,luv . S-n, tall c.o t» noon, Ar,J few lin-gertill eve, O there
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• NoTl TO TEACM*. Tht ,*sy R«u..<i.i in l.i < '*" *• 27' a"* w-
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breaks not n heart I ~ .me one to grieve.
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k[lowa. -rlay. \U.-r.;..ven.n? n im.ld-.r. And I
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* , There Peace dwells wi'h Freedom; TK <*TW JJ*
5. There heart* frno and humble. Their thai 'Sft^tawi? tKv '
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• For three- ( parts.
26
No. 59.
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THE NEW SINGING CLASS
GOING A MAYING — Canon.
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*y Come, let us all a Maying go, Come, let us all a Maying go, And lightly trip it to and fro. to and fro, The bells shall ring and the Cuckoo sing, The
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t drums shall beat, and the life shall play, And so we'll pass the time a - way, The drums shall beat, the fife shall play, And so we'll pass the time a - way.
No. 60. moderato. MY OWN NATIVE I.ANI>.
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I. I've roved o - ver nioun - tain, I 've crossed o- ver flood, I've traversed the wave- roll - ing saud;
Tho' the fields were as green, and the
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2. The right hand of friendship how oft I have grasped, And bright eyes have smiled and looked bland ;
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Yet hap - pi - er far were
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3. Then hail, dear Co - lum - bia, the land that we love, Where flour - ish - es lib - er - tv's tree;
'Tis the birth - place of Free - dom, our
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moon shone as bright, Yet it was not my own na - tive land.
No, no, no, no, no,
No, no, no, no, no, no.
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hours that I passed In the West — in my own na-tive land.
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Yes, yes, yes, yes, yes, yes.
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Yes, yes, yes, yes, yes, yes.
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own na - tive home ; 'Tis the land, 'tis the land of the free !
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Yes, yes, yes, yes, yes, yes.
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First time sine Hip small notes.
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Cheor - Iv to eu.h
As tlie poarl - J 'I'1 'I
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or call,
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ingt good morn - ing, good mora - big; p> - •■ I mora - i
ing, g<«xl morn - ing, good mora - ing, good morn ■ ing, good
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2! On winder's night,wben oar hearts are light, And breathia on tl..- wind,
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When bobfa keep 1 tne I •
\\ the plain,
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8 With laugh and aong * B ■•■ »-*ong. A-croea the float -nog anew
4. The rag -ing sea hee the joya for me, When gale and tern-peat roar;
With friends beside ha H rid< Tl beau -ti- full low. As
But give 1 ■ - 1 III »-k («r wa A§
mer-ri-lv nn, aa mer-ri-ly on, ns mer-ri-ly on we 1 nd v.-e b<
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28
THE NEW SINGING CLASS.
"B3E1LEN ANO MARY."— Round.
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1. He - len and
2. All in - to
Ma - ry, your
ser - vice in
sing - ing books bring, In
mu - sic we'll bring, Thus
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Sex - tu - pie mea - sure a 6ong we will sing,
gay - ly and cheer - ly our voic - es shall ring,
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Come Jo - seph and Hen - ry, bring Wil - lie a - long, With Net - tie and Sa - rah
All ring - ing and sing - ing, all mer - ry and glad, O, none should be mood - y,
to join in the Bong.
0, none should be sad.
m
Major.
K E 1' OF E.
Relative Minor. — Second Form.
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No. 64.
4a
La, Si,
Hfo. 65 HARD WINTER — Round.
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On rapid wings Time forward springs.Ne'erreturning.Ne'er returning. Hard the win- ter is in- deed, When a wolf, a wolfup-on his mate will feed.
N„. 6G. DILIGENCE.- Round.
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Let all your work be ear - ly done, By la - zy sloth no prize is won,
No. 67. Ol'R BONNY BOAT.— Round.
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And time and tide will wait for none.
No. 0*
T ii i; -\ 1; \\ BINGING CLi B
"THERE'S RH7CH THAT GITES PEEASEBE."
■
29
e. II timf.
round in tti.' mi 1 <lre.ni . . . In, la,
•t. There's pleasure in toil-ing, that a . la, in. la, la, la, la, la, la.
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6. There's pleasure io sor-row,bj con-trust of joy, 'i I ouldwebo thatao-ooy
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On
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When day's light is
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2. Day's last li'i the west still glow
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30
No. 70.
PRESTO
THE NEW SINGING CLASS.
TEIK FARMER'S SONG.
( Sue- cess to thejol-ly old far - mer, Whosings as be follows Lis plow;
"/ The monarch of prairie and for - est, 'Tis on- ly to God be may low.
I He is sure - ly a for - tu-nute fel - low, He rais - es bis bread and Lis
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, When the reign of the winter is bro - ken, And spring comes to gladden and bless ;
" / When the flocks in the meadows are sporting, And the robin is building Ler nest —
„ ( His banks are all chartered by na - ture, Thair cred-its are am-ple and sure;
\ His clerks never slope withde-pos - its, Pur -sued by the curse of the poor;
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\ The farmer walks forth to his la-bor, And man - ly and firm is his
J His stocks are the best in the mar-ket; His shares are the shares of his
Bit.
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. j When bis crops are all gathered and sheltered, When his cattle are snug in the fold,
| He sits himself down bv the fire - side, And laughs at the tempest and cold,
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) A stranger to pride and am - bi - tion, His du - ty he strives to fill-
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Tempi
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And tho' hard is his la-bor in summer, In win-ter he lives at his ease, ha, ha, ha, ha, In win-ter he lives at his ease.
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As he scatters the seed for the harvest, That yields to the na- tions their bread, ha, ha, ha, ha, That yields to the nations their bread. bread, ha, ha.
They bring the bright gold to his coffers, And pleasure and health to his brow, ha, ha, ha, ha, And pleasure and health to his brow. brow, ha, ha.
Tempo. Rit 1st time. 2d time.
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De - terminGd,whatev-er be-tideshim, To let the world jog as it will, ha, ha, ha, ha, To let the worlo jog as it will,
will, ha, ha.
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T 11 i: \ E^ BINGIN G 0 I. A
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BONG EXERCISES FOE THE STUDY OF CHROMATIC INTERVALS.
10 BE USED in CONNECTION WITH OTHEfi BOB
\o. 71. Siivitr Foot ami Flat Six.
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All
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voi All our v./i - eel ly cliini
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While our
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are f it. I - ! . < !. n, - ing.
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Brook lit flow - ing, Qen - tly go - lug On-ward, downward Far
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home in
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Do, - - . La, 1 ! - i
live there bo hap - j>y, *> hni« - py and
AHAV WITH NEEDLESS SORROW."— • Foot.
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1. A - tav with n. 'til - loss ?or - row, Though tr.m -Me mav be - fall—
•I. We can not toll the r.a - son. For nil the elands we see,
3. L«t us hut do our du - tv. In ran-ahme <>r in rain.
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\ thine up - on m. alL
V. r cv - ery :i i '•' ,,r • '!■
And heaven, all bright with bean - tv. Will bring m joy n •
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Sharp Ovf and Fiat Tiirfe.
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Sharp Fivr am> Fl
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No. 7 9. — Sharp Five and Flat Seven.
THE NEW SINGING CLASS.
No. 79. — Sharp Four and Flat Seven
Si, La, Se, La,
No. 80. — Sharp Eight, Sharp Six, Sharp Four, and Sharp Two.
No. 81. — Chromatic Scale.
Ri, Mi,
Fi, Sol,
f-irFTfrTf^
Do, Si, Se, La,
Le, Sol,
Se, Fa,
Me, Re,
Re, Do
"YOU PROVOKE 178."— Chromatic Scale.
Note.— At first sing very slow, and gradually accelerate, being careful always that the intervals are truly given.
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You pro - voke us, ho - cus, po - eus, Your Chro-niat - ic Scale, ha, ha,
Si
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Do, Si, Se, La, Le, Sol, Sol, Fa, Mi, Mi, Re, Re, Do.
But pur - su - ing, aud sub - du - ing. We will yet pre - vail, ha, ha.
No. §3.
"O, WIPE AWAY THAT TEAM, LOTE."
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1. O, wipe a - way that tear, love, The pearl-y drop I see ; Let hope thy bo - som cheer, love, Let hope thy bo - som cheer, love, As yon bright stars
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2. Yes, when a-way from thee, love, Sweet hope shall be my star ; We do not part for aye, love, We do not part for aye, love, I'll welcome thee a - far.
3. At close of part-ing day, love, Ere yon bright star is set ; Still meet me while a - way, love, Still meet me while a - way, love, 'Mi J scenes we'll ne'er for-get.
4. I'll watch the set-ting star, love, And think I look on thee; And thus, tho' sundered far, love, And thus, tho' sundered far. love. How near our hearts may be.
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T ii i: N 1: W SINGING CLASS.
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33
Ar.RAKcr.B moM tiik Oiaaua
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Exercise with m liable*.— The above is an excellent Itadj ; let it be practiced until all the tones are correctly and promptly siren, as indicated by the dynamic marks.
TIIK .TIOirSTAH BOY.- Song oi ti Flat. W. II. II.
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Now for B flat, sing B what'* that f what's that »
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1. a lit • Of a mer - ry moim-tain boy, With a heart m light) And with eye*, ao Thus ho
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'2. When I I n the lamb- kins hear my gone. • 'ore they a ■:iv. TV"' tli^ir Moim-tain home, Thrc.' •
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34
THE NEW SINGING CLASS
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Sinn's liis song of joy, Tra, la, la.
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Rise with the ris - ing 6un
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Sleep with the ris- iug moon, For the moun - tain boys
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hap - py moun - tain home, Tra, la, la.
Rise with the ris - ing sun,
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Sleep with the ris - ing moon, For the nnun - tain boys,
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moun - tain boys, Ev-cr, ev - er, thus they live, Tra, la, la, la, Moun - tain boys, moun - tain boys, Ev - er, ev - er thus they live, Tra, la, la.
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moun - tain boys, Ev - er, ev - er, thus they sing, Tra, la. la, In, Moun - tain boys, moun - tain boys, Ev - er, ev - er thus they
Tra, la, la.
H©. §<». ALLEGRO.
THE WANDERER'S FARKWELL.
Popular German Student's Song.
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The sails are all swelling, the streamers float gay,
The an • chor is lis - ing, and I must a
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A - dieu, my dear mountains, A - dieu, my dear home !
I turn from your
o j The sun through the heav-ens e'er hastes to the west ; )
' / The waves of the o - eean are nev - er at rest ; )
The bird, with its pin - ions un - fet-teredand free,
Ca - reers in its
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TH B N i: w SINGING 0 L a
35
kLrah-old, i 1 turu from .
5
to i Ju val-le-ra," ju Tal-le-ra, ju
&^^§
^
,-..
^W
-
9 *
:!*--
.*
r
6 :.
.! in o'e* in. Min -tain ami i-ea, C'u - iv.ts in its f: . e-iioni o'er mountain mi!
and
pj=4:
.
Ju val-le-ra.* ju t»1 - 1« - ra, ju
U J J
1 1-
r^f^g
mm*
val - le, vul - It-, val - le
k', val - le, vul - le - ra.
3g3^t^-&£&
* <r<.
d^fc£=fc£
+m^i
:;. A.li.ii. ■ leatreal i: ■ •>:. r ' dear
I - are all shining ai,.j blue,
WlilT'' fl'.w. T«
Where fruit loadl th«- 1 ranches from harvest -Xo Spring.: J
Ju vallein
: A. When fir in I •■ - I see.
Pi I plant •'■! f.r '
An 1 when the - -'ers repeat in my --ar
Tlie D
[Omit .In i altera.]
val - le, val - le, val - le • rn.
ju val - le - ra,
val - le - ra,
z <
' '
val - le, val - le, val - le
-M^m-m-
^-g-^-g-^r-^
ZJ
5. And when, on ■ ;
1 fancy thi trod thy footetepe lm
Tlie wm a- 1 •!.• fl •■>■■• n whan I roam,
Will bring yon before me, and make me :a boo
Ju vallera, Ac
• Pronounced CvaUerah.
TRANSPOSITION.
ILLUSTRATED AND EXPLAINED,
B '■ 'N order to tin ..- the scale to anj position (any key) two thing:
are necessary to be borne in mind, viz.: —
2. That the BOtmdfl ai are permanent — " »; the
sound of C, f>r insta •• tame soutnl b as in another. In different scales
it simply !• ar- a different relation to the other sounds; in one »eale it may 1* the fir*t
or key-note, in another scale it mnv be the third, in another the fourth i ia crer
C.
'ters.
1. Tlint tl e intervals of the scale must be tho same as represented in Lesson VII — sub- it * m lieu the scale commences on C. its) intervals eomapoud w.ih the in-
ject, I- - ;.age 15
..s of the letters.
36
THE NEW SINGING CLASS
Illusteation, No. 1 — SCALE ON C, Inteevals eight.
C step D step E i step F step G step A 6tep B % step C.
12 34 6 6 7 8.
Do, Re, Mi, Fa, Sol, La, Si, Do.
Illusteation, No. 2 — SCALE ON D, Inteevals whong.
step
D step E | step F step G
12 3 4
Do, Re, Mi, Fa,
A step B i step C step D.
5 6 7 8,
Sol, La, Si, Do.
8 III. In the above it 'wall be perceived that the half-steps occur between 2 and 3, and
6 and 7, (these now being E F, and B C,) instead of between 3 and 4, and 7 and 8, as
they should. Here is a discrepancy for which a remedy must be provided. The intervals
of the letters must be made to correspond with those of the scale, wherever we choose
to place it. But before providing for the discrepancy here alluded to, let us sec that the
discrepancy itself is manifest.
Note.— The tearher can not be too particular about this, if he would have his pupils thoroughly
understand the subject.
Illusteation, No 3 — SCALE ON E, Inteevals weong.
E * step. F step G step A step B £ step C step D step E.
1234567 8.
Do, Re, Mi, Fa, SoL La, Si, Do.
Note.— Pupils examine the above and point out the wrong intervals.
Peocess. — From 1 to 2 there must be a large interval — step : but from E to F is a
half-step — wrong. From 8 to 4 must be a half-step, but from G to A is a step — wrong.
From 7 to 8 must be a half-step, but from D to E is a step — wrong.
§ IV. It will be observed that in the above there are small intervals where there
should be large, and vice versa. It will be seen also, we think, by all who have examined
the subject, that we now need the signs of elevation and depression — sharps and flats —
representing half-steps, by the use of which we may introduce larger or smaller intervals
at pleasure, thus correcting all the faults above alluded to, as will be seen by the fol-
lowing:
Peocess. — Scale on E. — E to F is a half-step. E is now one, F is two. Wrong, Vie
cause from one to two a step i; required Insert ? before F aud the sound is no longeii
F, but FJ. (F sharp) a sound a half -step higher than that of F. Now from E to Ft, (one
to two) is a step — right.
Again — from two to thsee must be a step, but from Ft (which was taken in place of I
F) to G is but a half-step. Question : " What shall be done?" Answer : Insert $ before Q,
introducing GS, a half -step higher than G. From theee to foue a half-step is required,
and from GS (3) to A (4) is a half-step — right.
Illusteation, No. 4. — SCALE ON E.
6
Inteevals whong.
Intervals eight.
SE
Z22T
II
1
Do,
2
Re,
3
Mi,
4.
Fa.
c
:2Z
Z£2I
l
Do,
2
Re,
3
Mi,
4.
Fa
Note.— Let the pupils complete the transposition or construction of this scale, according to the
principles given above, and transpose also into G, D. A, F, ic Music slates or music paper will be
convenient for tins purpose, while some will be willing to go to the black-board, (which should al-
ways be on hand for illustration.) and transpose the scale before the class. It will be well to let
this study follow- some half hour"s practice in singing.
SUCCESSION OF KEYS.
TRANSPOSITION BY FIFTHS.
§ V. The differed scales requiring sharps succeed each other regularly, by taking
Five (Sol) as One (Do) of the next scale, and in each succeeding transposition an addi-
tional sharp will be required, to preserve the proper order of Intervals, (steps and half-
steps,) viz. :
Step,
1 2,
Step,
Half-step,
Step.
Step.
Step.
Half-step.
2 3,
3 4,
4 5,
5 6,
6 7,
7 8.
KEY OF C.
No sharp required. — Why ?
Example.
KEY OF G.
One sharp (J) required. — Where ' — Why !
o
~j» i*
y
O r9 "^
( ' "\ m P
m 1* * ^
\\) ~ 0 f*
1 2
Do, Re,
3 4 5 6
Mi. Fa, Sol. La,
7 8. 1 2 3 4
Si, Do. Do, Re, Mi, Fa,
5 6
Sol, La,
7 8.
Si, Do.
KEY OF D.
Two sharps (it) required. — Where ? — Why?
I
t1
-0— rf^-
KEY OF A.
Three sharps (JtjfJ) required.— Where ?— Why
— a — =* — *T_
irsr
J5-
1234567 8. 1234 5 67 8.
Do, Re, Mi, Fa, Sol, La, Si, Do. Do, Re, Mi, Fa, Sol, La, Si, Do.
T 11 E N i: W 8 LNGING < L a S 8.
37
E. KKY OF I!.
Koui '• ' ' " ' '~:
ttm &*• •**■
II
Do, Uo, Mi. I ... BoJ, La, SI, Do. 1).'. Re, Hi, V ,, Bol, L.i, Si, Do.
KEY OP P BHABP.
Htd| When- '-Wliv '
EEL ,. ;t» fc
^ 5
I
Do,
g
Re,
8 4
6
0
La,
7 8.
Si, Do.
ki:v OF Q n at
Six fluu (Jn»r—
i >»~ **-***■£===
Hi, Fa, 8ol, La, Hi, Do.
8IONAT1
B VII. Tlio sharps and flats required in thcM different scale* are plated ;■■■
ning of the itaff, nunc lintel; after the eh f. iin.-t.-ad ol before each not--. as aWe.) and
are called tb u (cign) ■ I
TRANSPOSITION' BY FOURTHS
I VI. The different scales requiring flat.-* succeed each other regularly, l»y taking Four
(Fa) as One (Do) of the next scale . and in each other rameediog transposition an addi-
tional flat will be required to preserve the proper order of Intervals.
KEY OF C.
required.
KEY OF F.
One (l.it ?i required.— Why I— v
* *
* 1m, Re, Hi, i'' -i. '">'<'." l-i" Vi.'°Do." Do, Ke, Mi, F i." SoL' * Li," '«," 'iJo.
KEY OF R FLAT,
Two I red. — Wbl re '- V
KEY OF E FIAT.
Three flats Qjife) required.— Where '—Why I
: l'be» m " . =
KEY OF O.
3
KKY OF D.
"F A.
1
Do.
KKY OF E.
1
Do.
OF B.
^
1
Do.
KKY OF F SHARP.
m
o
s
z.
1
Do.
KEY OF F.
1
Do
KKY OF B FLAT
c *
z:
m
i
l>o.
KKY OP K FLAT.
$
Do, Be, Hi, Pa, Bol, i... Si, Do, Do, lie. Hi, Fa. Sol, La, Si, Do.
KEY OP A FIAT. KKY OF D FLAT.
Fourfl.r- ■ dred.— Where ?-Why1 Five flats ihhhho) required.— Where t— Why 1
"»— • —
-„ 2aer
1
Do.
KKY OF A FLAT.
1
Do.
.
,""
Z7
KKY OF D FLAT.
I
Btfe
1
Do.
~C7"
1
Do.
1
Do.
KKY OF 0 FLAT.
1
Do.
Do, Re. Ml. Fa'." ' Sol"." " Li,' ' V'.' Do." DO, Re, Mi. Pa." ' *8oV " La. ' 81. f>
g VIIT. Tl e letter on which the - ale is formed (that which is taken as 0*«) U
termed the Kxt-k Rnr.
38
Major
T H E N E W SINGING CLASS.
.7:' E V OF F.
Relative Minor.
*o. §7.
?I1^tO TOES ©W.\ RESO"IS§$.— Round.
I
^n2
e^
£#
^ ^ y g
i
ffia
<^ a» *h
« at *-
m m m~
-w—*-
» A &
-»- -«- -^-
Keep to the work you best can do, And let all oth - er business go; And hold this homely proverb fast, "Good cobbler, ne'er for- sake your last."
m
Jfo. §§. "CO?IE, J03X V.1TH HEE.M— Round.
1 , , ,| | ||9 J ||. ,.||n_ _ _|r» ^^^Tt4
7^~
ufcrtf:
22:
-* • *
s
i
No. §9.
fe^*I
KEEP THY HEART."— Round.
■|2 1 , lift ' I iri-
s
±
=
4-a^-afH-W
^t
*±t^
-1 — v-
Comejoinwithme, Singing in glee, Mer-ri - ly, joy-ful-ly, Hap-py and free. Keep thy heart from sad re-pin-ing, And thy sun is always shining.
Uf©. 90. ALLEGRETTO.
P.
=«c=R
4-HJ^ '-^TO
^^
sezp:
THE EfETTER'S PRIZE
■0-0-
Arranged from the German.
'-+ I* W
t?-?-
<5 <B
£=£=
^=^
-K-K-
^=^
£=*
3*=S:
U1 i^ V U1
V • > ^
^=^:
1. A hunter ear- ly ranging A -long the forest wild. Saw o'er the green sward tripping, tripping, trip
is P» .1 , .L^-?uy-
ping, Three maidens fair and mild. Three maidens fair and mild.
^=J5=^
ZN|=^
m.
4*t=F
£=*
5^h^^
\* # m
m> & &
> l» S N
•y * ^ be
^ 1 ^i g1 I ^
zi:
^ *fcj
* *^V
-^ ^ ^
2. Fair queenly Faith came foremost, Next Love before him passed,W;th Hope, all bright and smiling, smiling, smil - ing, The gayest and the last, The gayest and the last
3. She said, " Now choose between us, For one with thee will stay -.Choose well, or thou may'st rue it, rue it, rue it,'Wben two have passed away. When two have passed away.
t^ -^- _ .
-W-^9—^-
j^^L
-= — N
m m 9-
-*-*-*-
-o-
-* — har
m \&-
^=^
=*=^
4. Said he, "All bright and lovely, O.why must two depart? Faith, Hope, and Love, come sweetly, sweetly, sweet
ly Possess and share my heart, Possess and share my heart.
Z£j^±*=*
-s— *
-*«— X
p> ^ -j* y
Jit?
Z*±
3C3C
>=>:
*—m-
* S
tripping, tripping, tripping,
rill. \ i, w SINGING !L a 8 8.
.'*!)
Ho. 01. aim (;i:m
Qua
EM LPE FBOIQ Tin: < itv.
.-:
n :^^-s; -
? >
;
..:. i aou FlOtOW. From tdi - N. Y. fan a™ <'ii<.e, ! L
x
.
£=^
. '• NV'"' ^ f,":" : ! ' '■'■>■■■ '""" """' ; fW ad hw I -
D. (. La, la, la, la, la, la, la, la !..",. \:[, ,■ ■ •
HHi I ; z±-^«-||
I »•
r ;■ i
i-j J- ^ J-iM, j j-k-
iti.l lull, on rale and lull. Bird - wings greet my ear, i Eg nil, aj.d man - lag
»yway, 1 take my way, Then thro" t ••! bar* I strai [ „nJ
1 ltiiz.- with joy on rait and fain, on vale and hill, Bird -songs gre
8. When far from the I I take myiray, 1 take my «ray, Ihen thro" t - ed Ear* I .in., i
M
'
3
r^trCrr
;• <
.*. -* ."
.
rt-tvs-^
men far from the town I take my way, I take my wav, Then thro' fields de-ligt
•
» '
f^
* *
I stray, yea U I I stray; I
r r w *> w v * * V W I l ^ ? • • ^ K ' * ' ' ' -£
1 k*" ,:i ";" "rf 1';i'- <«> Tale and hill, Bi and gush- teg rfll, U mg rill . f
- • r - % ' r " * m^
* £ * * * ' ' *
laugh and ra - rol. foil
■fj- * « -aa- -a»- -**- -a»-
e, Like oap-tm bird from cage eel free; Uu^h and ca - rol, full of glee. Like cap -tire bird from cage set
i) a
>
r * * v
'j-t
T»- t^ -*»- -if- *+■ Z^ -»
V > *~ \f £ \f ~ p If'*'*''*'**'*'' * *
nld bird, soar an. Or build their neat, or plume their wing; Watch the wild birds soar and sin*. Or I ^ wiDg.
PFP
• From Hie (*) Bask, Tk.aus auU Aliu may sing ;u. h,, Instead of the words.
40
THE NEW SINGING CLASS.
No. 92. slow.
Solo, or Chorus of Tenors.
•SWEET IS THE SUMMER.'
^=3t
Chorus. | f
-—
^
S^=
<Sbfc>, o?' Chorm of Sopranos.
Chorvs. pp
*
* *
J *> a>
5t
w~T~w-
^
-S -
S
Three half - o - pen ro - ses on one tree grew, Sweet
The dews of the eve - ning had bathed each root, Sweet
The ro - ses are scattered, the bird is flown, Sweet
But then at his roots still doth life re - main, Sweet
And ro - ses will bloom in their beauty once more, Sweet
De - spair never more should come near thy heart, Sweet
Good an - gels will guard ev • cry leaf and hair, Sweet
:£
m^&
S
is the
is the
is the
is the
is the
is the
is the
summer, A nightin-gale sang the whole night thro', Sweet is the summer,
summer, A brooklet flowed round it and watered its roots, Sweet is the summer,
summer, The tree now is na - ked and stands a - lone, Sweet is the summer,
summer, And soon will its leaf -lets grow green a - gain, Sweet is the summer,
summer, And birds soon will sing as they sang be - fore, Sweet is the summer,
summer, Tho' blossoms may fall and the birds de - part, Sweet is the summer,
summer, And give all the good that thy hea: t will bear, Sweet is the summer.
-r ~ r * — r^ r- -r , r
E
-p
■
^=k
-p-
^
Major
U F li Jl T.
Relative Minor.
1. See the shining dew drops, On the flow'rets strewed, Proving as they sparkle, God is ev * er good, God
2. See the morning sunbeams, Lighting up the wood, Si- lent -ly proclaiming — God is ev - er good, &c.
is ev - er good,
God is ev - er good.
1
ml ~s>l "*
+
;s£
T
w d
__E? ^)-
2=£
St
z£i
3. Hear the mountain streamlet, In the sol - i - tude, With its rip -pie saying, God is ev -
- er good, God
is ev - er
good.
4. In the leaf-y tree tops, Where no fears iu - trude, Joyous birds are singing, God is ev
6. Bring, my heart, thy tri-bute, Sonera of gra - ti - tude, While nil na-tm-e ut-ters, God is ev
good,
is ev - er
God if ev
good.
er good.
2=f
ft*
WZ--^=^i
z&—F~
t=
^=£z
P=:fc^
^t-
-£l
-&-
«£
to. J> I. HODKB \to
T ii i; n i: w BING1 N G CLi
M FES, <>?{ *0."
11
i si,
^^
* o
> >
~rw
z.
!
m * . < a * *
s %
• * -
-
-
5?
-'• Hm.1 ..mersW; While he permit* it Sty or No. If ha ,
MUM
'
s f
P3
« «
r •
»
1— &-^
III J. K
* *
HI
8. D*epm.j the im-port, For joy or woe. Be in the utterance Of Y«s, or No. if,, these, then, You
* «•
-J-
-*_4ft„*L
t=> • -
Ko. ».'..
:ti©R.\av.; \v\Uis.
from your slumber, md oome with a bod • /
< Thr ' : «■* m,d woo44anda a - bog; \ The birds sing to wel-come . , I yon, A..-I np their Bret break! dew.
Ti
m^
| "g^tg^
2 j The woodlands are £Ue4 with sweet breath from the sky, |
( Our step is un - tir - ing, Our rj i - rits are hi^h"; J
P^^^^^^
The town at om d the mountains in new, Whatjoj ii .-i
9 -*
3. \ V-af ° " v,>r 'j10 chasms with wings to our feet) /
| Climb up to the the hear-ene to p
«*' a*
. „
**-*,
»*^ ^
II
No onk of the for -art for at Is too hiph. The further frnm earth, we nr<> near-er Bn
42
i
No. 06. ALLEGRO.
.Tutti.
THE NEW SINGING CLASS
BLOW ! BLOW ! BLOW !— Stormy Night Song.
F. Schmidt*
r#±=l=
^m
* — J — s—
^^r=f
rr#
~p-
:et
-Y-t
1. Blow ! blow ! blow !
Tutti.
How the winds do blow! Shake I shake ! shake ! How the case-merits shake 1 Roan roarl roar\
How
±5=£
J
5±
4-
\_
I
the tem - pest
&=*EE-{
2
*=*
i
^
*£
t"
• 2. Sing! sing! sing!
.Tutti.
While the winds do blow ! Sing ! sing ! sing ! While tne case-ments shake 1 Sing 1 sing ! sing ! While the tem - pest
%±
P P-
4 — J Jz
-£z
-f—f—r—e:
Soli.
Ores.
Ores.
^ — ^ — J-Ht^^j^^F
P
~» ' A.
f—Qm-^p-
-r — <m— at*
-r—r—r
32=3=
t? t? ££=feic
Shut the doors, and bar them,
Soli. , f Vcs. w ^ ^»
_K -^ — —p» J±-rj£ fc-
M
Shut the doors, and
Ores. s fc,
bar
them !
t
Let the fire blaze clear and strong, Then join and sing a
P*. fc
M M
^=
fr4~fc->-
:£=£=
±
pt
^t
^
<■?
Friend .... and friend an
Soli. Ores.
meet- ing, Friend. . . . and friend are greet
I 'res. ,
Let the tem - pest roar and ring, But we will gay - ly
P
^=^=
£=fc£
^^
S
J- 7fc»i.
\o. 07.
Words bt Wo. IV [QforrtS, EM.
H \! «. I USD
SOLO, nw m or bopr uco
T" B \ i: W s i \<; ! \ ,, o I. ASS.
Til E FLAG OF OTH UN io\.
I [ONAL BOKO.
43
n Uni. it. nnftm
if
^=^=^^
* *
££=fc^-
i*ja.? z)re&tts#&£l*Lig*£ ^ i,-.s iRHH?
r
• 2
g r r ff
^^^^
Brm.
* » .-
.;
";ul -;m1 w* f'11";1;, •■■ made and p™*™™ a na . &mi
*o - turns combined, Have the power to con-qner or snn-derl
^^^^
I u - oion of lakes-
The ii - oion of la
s >
u-nionoflandVrheu-ni,, of Stat,, Doneoan sever- The u - nionof hearta-the uniooof hand,, A:,i u, .,;,,, „f ^ ,V '7 .' *
trOTJTre
CHORUS
/
^^^^^^^^^^
- *
feg^L^ j
^^_Jo^v^ for cv - erl The u - nion of heart—the u - nion of hands, A d the Bag of our U - nion for ev - er
frorer-er, for ev - tr. for-ev-«rl T!,„ :«. „*i «.. _ ., , . .. . *• * * ~ er-
Fire f — * ^ — ' * — ■* g** m
m /v-cr, rorer-er, f,>r-ev-er! The n - nion of hearte-the u - nion of hands, And irU-nkmft eTT
■ — i * — "> " ------- jr ,-v j
h
^^jjgg
S^lpH
" 7" f°r " " 7' f'ir °V " 7! The u " ninn of l"*rts_the ■ - ™" ofhands, A d d ■• fiagof <mrTJ- nion for er - er.
* - g f* * = * ' N S— —i : -=— — f*,
i — r
' r :
;u*
44
Major.
,-tjUiS*-',
raacas,
THE NEW SINGING GLASS.
MtJE y OF li FEsJlT.
Relative Minor.
Do.
IV©. 98. SLOW
"'TIS HUM IMSUM."— Round.
fc3±
:*=£:
K fc K
n ! nft
^2Z
&:
d:
=f
J— J-*>
5=P:
r * w
j g
i=j=j=^
j
^t
'Tis bum drum, 'tis mum, mum, what, no -body speaks; Here's one looks very wise, and another rubs his eyes, then gapes, and yawns, and cries — . Heigh! ho! hum!
TWILIGHT.
IV©. 99. SLOW and SOFT
-I I 1
-I \~r~ J
^—J-J-
^=^
«£
*
«T
Hi
^_J_^)_L^=d:
dz±3t
^—S-
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tf-j
L
Now the light fail - ing, Darkness pre - vail - ing, Na - ture re - pos - es, So the day clos - es ;
The moon now ap - pear - ing,
V s>- ~<zr -^- -<3-
-& — &—&
d=
^=
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^
d=
^
*
d-^§£
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T-
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gzzgiJ^J_J_3
^=
^^Z^lQ-^J I d d -4.
zl
=^=3±d
* ** J-J-Ld S-&=3
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Now the light fail - ing, Darkness pre-vail-ing, Na-ture re - pos - es, So the day clos - es; See the night cheer - ing, The moon now ap- pear- ing,
2fi^P^
gJ — d — 1&-
T
=£2=
m
~rzr
^
f^ r^>
i m |*
zafczatflsEEstz:
-I — l
£>•-
^
£=st
z2=«t
S— — 5— 3-
d=d=
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,d— gL
Slow-ly as - cend - ing, The stars her at - tend - ing : Now the light fail - ing, Da rkness pre-vail-ing, Na - ture re - pos - es, So the day clos
Z$~_ — rx— — n : n «*-
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d'd d I «-=*—*-*
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=st
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Slow-ly as - cend - ing, The stars her at-tend - ing: Now the light fail- ing, Darkness pre-vail-ing, Na - ture re - pos - es, So the day clos
m
:*-3
r(s;— ^:
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§
Til i: N E W BINOINQ CL A Bfl.
ir>
1o. 100. Wout pt 7Ir<*. Lydla tl. <1i ■]<!«.
UILEEP WELIi.w
?d
'-
-J.
-
*rr
.
rr Wm. II. Itradburv.
• * *
eep welll Bleep well ! Bleep well, sleep well, to ma- sic's spell;.
■j. Bli ■ I' welll Mary dreams bring near All who arc
'
Pram car- \y hoars, V.
■
l. Sleep well ! Bleep
[i welll sleep
i
■w.-m: -
well '. E
" 5 ■
I
With festal flowen . boon While, toft • lj
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e£
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.
t=t
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p well, sleep well, To mo. - Bio's spell ; Thus hushii ■ rev-er-ie
May dreams bring near All who are ilcar; With festal flowers, From ear-lj I.
s!.-ep Weill
■J. Bleep well! sleep well!
While
^:4 "- ■ I ,
:> well '
;> welll sleep
well !
well !
.-
p
^
o- C
J
C <f
Sleep well, sleep well, TV) ma- do's spell; Thushushin er-ie, Lib
Ma y dreams bring near All who are dear; With festal flowers, Prom ear-ljhonrs, While, soft - It
U - A
• "ring
oryandthe lay ! i-lv v. - w.n ..
inol -o - i i thro' thy t ■ II -lies on .-.
. dream-i - ly a - ws
li- lies on s p well.
a -
i a
; *
f B
'
i
war.. .
drcam-i - ly
li -
•
•
1 *-y-~*~
-:
■
■
dy, mel-o - dy Drifts tijro' thy tranquil dr. am, Like li
II
II
way.. .
Btream
i - ly
li-li
a - ™
a stream; Sleep
well, sieoj ■
dafen su vokl," (sleep well), is the Gcr. n. u\ <■ . ■ iingi
4G
No. 101.
THE NEW SINGING CLASS.
O, COME, MAIOEIVS, COME TRAHTCAOIEEO.
3
^
^==^
• ■ S
St
-^ — p-
3t
0 come, mai - dens, come, O'er the blue roll - ing wave, The love - ly should still bo the care of the brave.
-x
2±
5
_s?:
5
-BlH
1
St
^
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9^
J
^T
■^-T
^
St
^t
ft
*>=J J-
i=t
3 3-
St
come, mat - dens, come, O'er the blue roll - ing wave,
The love - ly should still be the care of the brave.
^SE
_s&
St
^t=
5
*
=?2I
S
2±
=*=£
*.
?=
$^
■P—P-
W-
r r r
I
lo, Tran - ca - dil - lo, Tran - ca
bil - low, the
k f ^ ^
dil - lo,
bil- low,
dil - lo,
bil -low,
dil - lo,
bil -lew.
&— I
dil - lo,
bil - low,
With
With
moon
moon
■light
■light
and star ■
and star
light
light
We'll
Well
bound o'er
bound o'er
the
the
bil
bil
low.
low.
at-
■> I* ps_4*-£L_fr
~&t — 9* — ^ — & — e1 — ^~
=s=l=
-<2P — fl' — j tf*~ ■
st=it
^=^
3=3-
I
3t
> ^ f» fv^zjs
r~r~
!&-
r — r
^
J1 a1 <*~ & «f mt~
±z
r
bound o'er
bound o'er
/B. ^_
j Tran-ca - dil - lo, Trai
\ Bright bil - low, ga
:a - dil - lo, Tran - ca
bil - low, the
dil - lo,
bil -low,
§111=1!
^
=S=5
dil - lo,
bil -low,
dil - lo,
bil -low,
dil - lo,
bil -low,
With
With
moon
moon
light
•light
and star
and star
light
light
We'll
We'll
tz=tc
the
the
bil
bil
low. )
low. )
I
-m l ML
3=3=2
3=3-
* U*
X*-^r
V-
Wake the chorus of song and our oars shall keep time,
While our hearts gently beat to the musical chime.
Traucadillo, Traneadillo, etc.
With oar-beat and heart-beat we'll bound o'er the billow.
Bright billow, gay billow, etc. ,.
See the helmsman look forth to yon beacon-lit isle.
So we shape our heart's course by the light of your smile.
Traneadillo. Traneadillo, etc.
With lovelight aud smile-light we'll bound o'er the billow.
Bright billow, gay billow, etc.
With oar-bent and heart-beat we'll bound o'er the billow, j With lovelight aud smile-light we'll ~»ouiid o'er the billow.
4.
And when on life's ocean we turn our slight prow,
May the light-house of hope beam like this on us now,
Life's billow, frail billow, the billow, billow, billow.
With hope-light, the true light, we'll bound o'er life's
billow.
Life's billow, frail billow, etc.
With hope-light, the true light, we'll bouud o'er life's, eto
T II E
Whom, whom,
Whom, whom,
Whom, whom,
Whom,
. whom,
shall
shall
Fl.all
shall
.-hull
we
V ■
we
lei
let
ht
let
let
in ?
in I
in I
in!
In!
Whom
Whom
Whom
Whom
Whom
shall
shall
shall
shall
shall
we
we
wa
lei
lei
ht
let
ht
in?
in?
in?
in I
in?
I .- • . sin» -
All eyes thai em phi - ter, AH t ■ •
Who- 6T - « ■
is rur - »u • mg, And ... . , . , ,.
,,,N" fW fill win, Aj 1 they mm come
""■"J ,ov« - 'y din, : : may come
'-''':' ' 0 ha may come
cbe ■ enrds t >;! io— 1 n1 man
C'T " ' Bin, \ , ],;„,
And pome
All such may come
I). h<> may COme
That man nun
We '11 I
at,
in,
in,
in,
i:i.
And cume in.
All Piirh may <-..me in,
0, he may o mo in,
man may c >mc in,
We '11 wcl- c ;..•■ him in.
And
All such
I -wcl
come
in.
in.
in.
in.
ia
knight! Good niKht: Tin* *^^ all. Time sounds its warning call. S«. rest descend on all. Goodnight! *
48
IV©. 30o».
i kano ob Tknoe Solo
THE NEW SINGING CLASS.
"^OFT1 A^fS) SWEET." — Chromatic Scale Exercise, with Chorus Accompaniment.
&^&^zE£ej^&e^&&^£3
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J=p=
S^TM^f^^^ ~X=-^=S-
Ah Ah.
Mi, Fa, Fi,Sol,Si, La, Li, Si, Do, Sol, Mi, Sol, Spl, Fi, Fa, Mi, Re, Fa. ... Mi, Hi, Mi, Do.
Tekoe. pp
gSf-f — g
/g f& (& 1» Cs
^
p--tf»-
r — r
^
^
tS-
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1 1 1 1 1"
1. Soft and sweet the zeph-yrs sigh, zeph - yrs sigh,
Alto, pp
1-
zeph - yrs sigh, 'Neath a calm and pla - cid sky, 'Neath a pla - cid sky.
4
-l 1-
^t
A \-
^
±=S ^— ^t
Soprano, pp
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2. Glad I hear the chirp-ing song, chirp - ing song,
Base, pp
chirp - ing song, Raised by spring-birds, Imp - py throng, Spring-birds, hap - py throng.
ft-
i* # |g
~p ~n~
=£2=
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All our sens - ea now re - gal - ing, Sweet-est fra - grauee now ex - hal - iug, All a - long the path we tread, 'Long the path we tread.
-I 1
t±=t
ss>
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l3-\-£ i d *>' \J1-^ — ai~ jag:
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All the car- ly morn- ing break-ing, Sweet-est son^s the birds are mak - ing ; First to tell of Spring's bright day, Tell of Spring's bright day.
"=? J 1-4
5FE !|!!
ip-j?— ^ tf at
3S ■/» |g M-
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T i; i. N K\\ BINGING CL A
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e Da
Mo. IOC.
;» WOit.I) C.SI.VO A IIAIM'V LIFE." m Ca.io».
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-
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mm*
He who would li lif>\ He who would lead a hap - py I i r. - . Mart keep himself from bi -.• ftrif. . f.-nman-gry *irife.
>o. 107. "OEJD JOll* CRO§8.w— Rociro, n
^
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I l» K
.
ey ^_jp_
• *> * « * *
* J »
;
E
- - -
;;
~m m m g=g
• •
• .
r
>* * i
f
• y
m
*&
Old John CroM I sge day-school And a queer old man was he, was he; For he eparednot the rod, end he kept the old rule, A* he beat in the A I!
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K K K K K
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o <*
t> v m * o m c,
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C. A B Oj
Kv-crv Kt-ttr in the lit -tie boy's noddle Was driven as fast, as fu.it en M be; .So C af - tt-r B like
;= j^srffg:OT^
/:
y •
u.iils all the A, B, OL
Old John Cross kept the vil - lage day-school, And a queer old man was he, vu he
APPOGGIATTJ
An l— Prom en Italian word, wluch signifies,
■ ■ upon. Usually represented by notes oi
harmony, as not be-
: to the chord in which they occur,
ILLl si 'RATlOM
«P ".WED.
RA TURN SHAKI OK 'J III !.!. ! '■ '! I NT •
Tom. — A tone sung
eonjoint tones above and below it, so as to
bog or turning melodic motion or movement, is cai..
Turn. The turn has a variety i 1 forms, a few of which
may be illustrated, as follows:
WRITTEN
Tmk Smakk oa Tana. — The i nation of a tone
witli the conjoint tone above it r.f an interval of either a
- i \ke or Trill.
.: hment.
1
ILLCSTRAT1 >N
WRIT OR __ — —
:?c i\
Port vmhvto. — When the voice is in-^.intaneouslv con-
duct'" 1 • a oonereu passage, or rraceful and almost im-
perceptible elide from one rvte to another, BO as to pr
a momentary previous recognition or anticipation <>f 'be
coming tone, such a carriage or tran.si'ion of tlia voice, or
I ing oj one tone into another, is called
PoaTAW
I
i
when
mg, i> -
•ircounterf. I
.
■ ■
should be most watchlu'llr anil lielerminately eschewed.
CLLUSTB \ TI
WRT-
THE STUDY OF SINGING.
BY LABLAGHE.
THE VOICE AND ITS FORMATION IN GENERAL.
What is called the voice, is the sound which human beings have the faculty of producing with
their own organs. The lungs and the larynx are the principal agents of it ; but it is modified
by the co-operation of the maxillary sinuses, the nasal cavnies, and the frontal sinuses. The
greater or less opening of the upper extremity of the larynx, called the glottis, produces sounus
more or less grave. The purity of the voice depends upon the exact relation which there should
be between the degree of opening of the glottis, and the degree of elevation of the sound which it
is desired to produce.
What is called talent for singing consists then principally in the aptness to seize this relation,
and in the promptness with which tins organ can articulate the sounds with which the mmd has
conceived.
ON THE REGISTERS OF THE VOICE.
Men have the faculty of forming two series of sounds, which are called Registers of the Voice.
The first series commences with the lowest note of the voice and extends for the Base as far as
and is called the Chest-register. Above this sound would begin another series, which
would be called the Head-register ; but the base voice has such a force in its chest- regis-
ter, that it is almost impossible to well unite or equalize these two qualities of sounds.
m
Hence the use of sounds of the head-register has been discarded in this kind of voice.
Baritone and Tenor voices, which are softer and more flexible, can make use of the two registers ;
and these are distributed in the following manner :
TENOR.
0 e
Chest-Toice.
-#-£— ft
Head-voice.
mm
P=^
Chest-voice.
BARITONE.
The female voice is divided into three series of sounds, or registers— the Chest, Medium, and
Head registers.
The Contralto voice, which is the base of the female voice, rarelv employs the head-register*
The Mezzo-Soprano and the Soprano divide their sounds in the following manner-
* This voice varies in its capacities with almost every individual ; hence it is impossible to fix the
Unuts of its register precisely.
OF THE MANNER OF EXERCISING THE VOICE.
Experience has shown that in order to lonn the voice and equalize it, the pupil should sing much
on the vowel sound a, and a little also, but at a later period, on the sound a- This is called vocal-
izing.
Vocalizing— by laying bare, so to speak, all the faults of the voice, which would be m part
disguised by the employment of words— becomes for this reason the most efficacious means of com-
bating them.
The conditions of good vocalizing are 1st, to know how to hold the mouth well • 2d to breathe
well ; 3d, to form and send fortli the sounds of the different registers ; 4th, to pass' insensibly from
the sounds of one register to those of another ; 5th, to attack and connect sounds for forming suc-
cessions. We proceed to devote a special section to the analysis of each of these conditions.
ON THE POSITION OF THE MOUTH
The mouth should be kept smiling, without distortion, and opened sufficiently to admit the end
of the forefinger.
The jaws should remain not always perpendicular one over the other, as has been wrongly
said, but in the position which is most natural for the conformation of the pupil's mouth.
The tongue should be suspended, and placed in such a manner as to leave the greatest possible
open space.
ON THE RESPIRATON.
A long and easy breathing is one of the most essential qualities for the singer. Hence we per-
suade the pupd to practice holding his breath for a long time, even w ithout singing. In order to
take In the breath, he should be careful to contract the abdomen, and to make the chest rise and
swell as much as possible. He should remain in this position as long as he can, and then he
should let the breath flow out very slowly, until his abdomen and his chest have regained their
natural position. Afterwards he should begin again, observing that the mouth is moderately open,
as well in drawing in the air. as in pressing it out again. By this exercise, lungs of a moderate
capacity will become able to furnish a well-pitched sound winch will last from 18 to 20 seconds-
TO FORM SOUNDS OF DIFFERENT REGISTERS.
The sounds of the chest-register should be produced by sending forth the breath freely, and in
such a manner as not to strike against any part of the mouth on its passage ; the least rubbing
against the glands destroys the "vibrating quality of the tone. Females will obtain them more
easily by keeping the mouth a little rounded.
The medium sounds are produced by directing the breath against the upper teeth.
The head sounds are made by directing the breath entirely towards the frontal sinuses*
Every sound ought to be uttered without feeling or groping about for it. Many persons when
they are required to sound one, are disposed to strike s«- or seven and then lead the voice rapidly
up to the required tone. This occurs frequently in striking notes which are pretty high. It is a
fault which must be carefully avoided. t
'There are two faults to be avoided in the delivery of the voice — 1st the guttural sound ; 2d. the
nasal sound. The first proceed- almost always from this, that the tongue is too much pressed back-
wards and against the lower part of the mouth. It mav be avoided bv pushing the tongue forward
a little, and keeping it suspended. The second fault proceeds from this, that the breath is forced into
the cavities of the nose With attention, beginners who may have a tendency to this, will be able
to avoid it easily ; but in order to eradicate it with persons with whom it is a habit of long stand-
ing there is no other means than that of making them vocalize at first upon the vowel 0, then upon a
and upon 5, holding the nose p-nched in such a manner that the breath can not pass at all. This
expedient is the only one the efficaciousness of which has been proved to us by experience ; vo
point it out without fear of ridicule, pursuaded as we are, that when tha pupil shall have be-
come able to send forth his vniee in this manner, the fault will have disappeared entiielv Observe
0 H s. that one should not atten : t to sing with words in this manner, it is quite impossible.
\Ve must also avoid commencing a sound by preceding it with a kind of preparation, wlucb.
may be expressed by um.
STUDY OF SINGING.
51
No. 1. Exercise for Soprano.
i n
11
o.
:.
-
fril
the c. •
'The > • d be performed ' .e sounds according to the principles given above,
and breathing on each I
For Baritone and ilexxo-Sopnino ti i lerrise should be commenced a third lower, and
f*r Contralto and i: '. a fourth.
OF THE MANNER OF UNITING SOUNDS OF DIFFERENT REGISTERS
Tin- two regitier* ol
iitv Jim ■ be attained by study. Tin-
v>nes of toe cbesl .ire verv strong, bv i rhich they require, while
arc rarj soft an I often feeble. Hence H n necess iry I"
and sortenin< ihe former As ..ir ■>: • \ - permit us to prodnre the • register
in the nexl
angle i rom the chest-rc
EXERCISES FOR UNITING THE CHEST-VOICE WITH THE HEAD-VOICE.
Thr latter C indj i ind the letter H indicates the head-voice.
No. '2. For Tin: Male V
■ an form a kind <■' ad mil • :. because it combines the fH
■
.• .
ora who, in di m fr%~ and only
>iiig **—
Hence we • ■ .... ...
'. the habit of the r
Fob THE M:\i.: V
Ss
- 5s
fts fts
*=£
5rC
r=
t
'"-
,-h frrnnle i re from
-uin to the Hi
the union of the cl
ne is ihe same which mei experience, and I
' mg the high
EXERCISES FOR UNITING THE CHEST-VOICE WITH THE MEDIUM-VOICE.
The letter I M '.c me hum i •
zz
-
No. 5. For the Female Voice.
* o. m. c. si.
o
o
i
r.
=,
£2
-
e
o
±
rz
^
a
4H
$
No. 3. For the M e V
0- ll.=— o.
^
•
When one 111 ih< - i
to stop the rer
agreeable to be ir. U « abool 1 1 - . i.
Men who b ive Tenor voices will do well to exercise themaelTea m singing the entire scale
Ir at the chest-voice.
As Iti
i y must
... . ,
TO ATTACK AND OOHVECI BOOR
- • to he
» ..cb.we
-
i iiv.eim' » r i« for the master to duting-iush wba
era.
53
STUDY OF SINGING.
We should pass suddenTv from one to the other, but without giving to each of them an impulse
of the chest or of the throat, which would make the singing resemble the manner of playing on
the piano of one who should strike all the keys successively with the same linger. The chin, the
lips, and the tongue should be entirely motionless.
The articulation of the sounds should be forme., by the throat alone.
SWELLING SOUNDS.
To swell a sound is to strike it with firmness, but as softly as possible, augmenting the force
gradually to the middle of its duration, and from this point to the end, insensibly diminishing to the
degree of force with which it was commenced.
To succeed well with the exercise of the scale with the swell, it is necessary to take breath before
each note, to remain a moment with the chest raised, before giving forth the voice, and then to strike
the sound in the manner we have before suggested, takingcare to make no movement either with
the mouth or with the tongue while the sound lasts.
The practice of scales with a swell is the most useful exercise which can be performed for good
singing. By this means one corrects the faults of the voice, gives firmness to it, increases- its power,
and acquires the flexibility which is indispensable fur coloring the melody. Pupils who desire to
speedily gam command of their vocal organs, should sing at least four scales with the swell, tilery
day for two months.
OF THE MANNER OF CARRYING THE VOICE.
The true carrying of the voice, which the Italians call Portamento, occurs principally between
two sounds pitched at the distance of at least one third, and m a rather slow movement. It consists
in quitting the first sound a little before the total expiration of its rhythmical value, in order to slide
the voice udod the following sound, after the manner of the very sngntiv perceptible anticipation.
This sli le ought always to be made with augmenting the force when the voice is carried upon a
higher sound, and diminishing it when carried upon a lower sound;* all this may be very nearly in-
dicated. For Example see last" Illustration," p. 49.
* It is necessary to avoid with care leaning strongly npon the carriage of the voice in the descending. This would
produce a kind of yawn, which would be very disagreeable.
ON PRONUNCIATION AND ON ARTICULATION.
\
Pronunciation in singing is subjected to the same rules as in speech. Good pronunciation con-
sists m giving to eaeh letter or to each syllable the sound which belongs to 11 . bul as syllables liaie
generally more force and duration when sung, and as defects become thus more striking, it is neces-
sary that the pupil in singing should take still more care to follow the directions of the grammar
for the formation of each syllable. The rolling of the 11, or the hissing of the S ought to be avoided •
but it is necessary, above all, to apply one's self to giving to each of the vowels the sound which is
proper to it. but not to excess m the pronunciation of E and of U. which, to favor the emission o{
the voice, shoulu be uttered with the mouth closed as littie as possible
The merit ol a good pronunciation would disappear with the singer, if he did not add that of a
articulation, which consists in giving more or less force to the consonants.
We would advise pupils to articulate rather > xtravagantly in study ; for then if in singing before
people they io.se a little of their precision, they will . nil nave enough to do well.
CONCLUSION.
Having now set forth such rule? as have bee pr.)Ve<l t<> us by experience to be useful, it remains
for us to say a few words on the manner ■• governing the voice, and practicing.
The voice is the fines; oi ins rum al o the most delicate. A well regulated life is neces-
sary to pre.-rrve it ; all eiccess tends to destroy it. It 1- even .• ecessarj to ;■. islam from singing too
long at a time; for as it is mdispeusaole ;o always sing with a foil and sonorous voce, the organs
would suii'--r by too long continued exercise. The singer shou! ca o leave oil singing a
little while before being fatigued, ii is impossible to fix a limit to the tim< < stui y . this depends
on the strength of the individual. But we repeat that this study shot I u . tably lie lerfnrmed,
not always with the entire fullness of the capacities o: the voice, bin always with an open and
sonorous voice ; nothing is more injurious, and nothing more retards the progress than the habit of
singing through the teeth, or of practicing a mere humming tone. The chest is fatigued, the throat
acquires not real facility, and the voice gams neither certainty nor development.
-*-»— *^ »-*—
No. 1.
VOCALIZING EXEECISES.
1 with sy
No. 3.
From Mason's Vocalizing Exercises and Solfeggios.
To be sung with vowel sounds, (principally Ah.) for flexibility of voice, and with svllables for distinctness and facility in articulation. May be repeated several times before «inging the last note-
JVo( so fast as to be indistinct.
No. 2^, >, „ No. 3. ^ h. ^ «*,
Ho. 4
F.i-i <-nr to fill the hmgs tltorougkly, and without noise, however short the time for taking the breath. Sometimes loud, and sometimes soft, sometipies increasing, and sometimes diminishing.
These le-'sons should sometimes be sung in G or A, to suit the lower voices Be careful not to force the voice upwards.
No. 5.
No. 6.
^m^mg^g^^^^g^^^m^^m
mmm^m^mi
No. 7
No 8.
3-2K*-
^E^Sfi'SpE^
ST C J) V O F S I N<J I NQ
|; : ^^-^1. = fe ^%^, ^: , § ,:- i :, - !!
No. 9.
53
>'i - — >; = = = =
j *"""*''*'*'.' S ||
No. 1.
SOLFEGGIOS. Zb ft* Jiu/iy with \<nrti t„n„.U <,r . T, oookk. No 2
_
i T- C00KF- Ho, a T. ooon,
•^ * > * *. ^
No 4.
:#l# ;
Q
I
r-Ftf-Y 3
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No 5.
, I , ~, |j ("V -. ] - - /< fr UCDljTCTO, rf T. DOOKE.
No. fl.
GACTA.10 XAVA.
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No. 7.
• ■-'■•
S4TA.
— t— r -w. i — • "in 1 z**, rr~ is. , r
> * *■
^--^. ^w^l- - '^"^ '"'• ': "ill
54
PRACTICAL EXERCISES IN ARTICULATION.
SYLLABIC COMBINATIONS.
1. — Initial Syllables.
[The common faults m the enunciation of syllables, consist in
a slack, obscure articulation of the single elements of which they
are composed, and, in addition, the fault of negligently allowing
a vowel sound to intervene between the consonants , thus, " bdla"
for bid. It is undoubtedly one of the greatest faults of our lan-
guage, that it abounds in unmusical collocations in the sounds of
letters and syllables. But true taste will never allow this fact to
excuse a slovenly style of articulation, but will always maintain
a neat, clear, and exact sound of every element, in whatever
combination it may occur.]
Bl, cl, fi, gl, pi, tl, spl.
Blame, bleed, blithe, blow, blew, black, bled, bliss, blot, blood,
blind, blest
Claim, clean, clime, close, clew, clap, cleft, clip, clot, clutch,
cloy, cloud.
Flame, flee, fly, flow, flew, flat, fleck, flit, flock, flute, flood,
flower.
Glare, gleam, glide, glow, gloom, glad, glim, gloss, glut, glass,
glimpse, glance.
Place, plea, ply, plow, plan, plat, plot, please.
Slay, sleep, slide, slow, slack, slept, slip, slew.
Spleen, display, splendor, explore.
Br, cr, dr,fr, gr, pr, spr, tr, str, shr.
[The following words need attention to a clear, distinct enun-
ciation of the hard r,— free, however, from prolongation.]
Brave, bread, brink, broke, brisk, brow, brook, brink.
Crave, creep, cried, croak, crest, crook, crop, crust.
Dram, dream, dry, drove, drag, dred, drip, drop, draw, droop,
drag, drown.
Frame, free, fro, fruit, fret, froth, frown, freeze.
Gram, green, grind, groan, grand, grim, ground, graft.
Pray, preach, pry, prone, pride, prove, proud, prow.
Spray, spring, sprung, sprang.
Trace, tree, try, trust, track, tread, trip. true.
Stray, street, strife, strown. struck, stream, stress, strength.
Shrine, shroud, shrub, shriek.
Sm, sn, sp, st.
Small, smite, smoke, smooth, smile, smote, smear.
Snare, snear. snow, snug.
Space, speed, spike, spoke, spare, sped, split, spear.
Stay, steer, stiie, store, stack, step, stick, stop.
2. — Final Syllables.
Id. If, Ik, Im. Ip, Is, It, Ive.
Bold, hailed, called, held, filled, tolled, culled, pulled, howled,
ipoiled, hurled, world.
Elf, wolf, gnlph, sylph. Milk, silk, hulk. hulk.
Elm, he'm, whelm, film. Help, gulp, alp. scalp.
Falls, tells, fills, hills feels, tools, howls, toils.
Fault, melt, bolt, hilt.
Elve, delve, helve, selves, twelve, valve, devolve, revolve.
Partly /rum " Russel's Elements ok Musical Akticulation."
m'd, ms, rut, ns, nk, nee, nt.
Maimed, claimed, climbed, gloomed.
Fleams, streams, slimes, stems.
And, band, hand, land, lined, moaned, pained, crowned.
Gains, dens, gleans, vines, groans, screens, wins. suns.
Bank, dank, drink, link.
Dance, glance, hence, whence, once, since, wince, ounce.
Ant, want, gaunt, Haunt, sent, went, joint, point.
rb, rd, rk, rni, rn, rse, rs, rt, rnc, rb'd, rk'd, rm'd, rn'd, rst, rs'd, rv'd.
Barb, erb, orb, curb, bnrb'd, orb'd, curb'd, disturb'd.
Hard, herd, hir'd, board, lord, gourd, bar'd, barr"d.
Hark, lark, jerk, stork, work, mark'd, jerk'd, work'd.
Arm, harm, farm, alarm, arm'd, harm'd, farm'd, alarm'd, con-
tirui'd.
Earn, learn, scorn, thorn, burn, turn, worn, shorn, earn'd,
scorn'd, burn'd, tum'd.
Hearse, verse, force, horse, dar'st, burst, first, worst, hears'd,
vers'd, fore'd, hors'd.
Bars, bears, hears, wears, pairs, tares, snares, repairs.
Mart, dart, start, hurt.
Carve, curve, serve, starve, carv'd, curv'd, serv'd, starv'd.
ra, s'n, sp. st, ks, ct, k'd.ftff'd, pt, p'd, p'n, k'n, cCn, uV
Chasm, sclnsim, prism.
Reas'n,* seas'n, ris'n, chos'n.
Asp, clasp, gasp, wasp, lisp, crisp.
Past, mast, lest, nest, dust, lost, mist, wist.
Makes, quakes, likes, strikes, looks, streaks, ricks, rocks.
Quak'd, wak'd, lik'd, look'd, rock'd, shock'd, reject, respect.
Waft, qnaff'd, laiigh'd, oft. left, sift, soft, scoff'd.
PipM, ripp'd, supp'd, slop'd.
Op'n.* hanp'n. weap'n, rip'n.
Tak'n. wak'n, weak'n, tak'n.
Sadd'n, gladd'n, lad'n, bnrd'n, hard'n, yard'n, wid'n, hidd'n.
Ev'n,+ heav'n, giv'n, dnv'n, wov'n, grav'n, leav'n, ov'n.
1st, nst. rst, dst, rdst. rmdst, rndst.
[Many of the following combinations occur in the singing of
hymns, and need much attention, from their difficulty in articu-
lation.)
Call'st, heal'st, tell'st. fill'st. roll'st, pull'st, reveal'st, unveil'st.
Canst, runn'st, gam's-t. rain'st.
Dur«=t. fir^l. worst, erst, barr'st. car'st. hir'st, lur'st.
Mid'st. call'dst. fill'dst. roll'dst.
Heard'st. gnard'st, reward'st, discard'st.
Arm'dst. harm'dst, eliaroiMst, form'dst.
Learn'dst, scorn'dst, tum'dst, burn'dst.
* These words should always be read as if spelled without o or
e, in the last syllable. In singing, the o or the e must be sounded,
when the verse requiro=. hut should never, through neglieenee,
be made broad or full, in the faulty style of " o-yun," " ta-un," &c.
t The-e words are usually to be sung, as well as read, without
the sound of e after v, but never in the low style of " e-wn,n
" heav-un," ic.
ble, pie, die, rl, bVd, ptd, rt'd
Able, feeble, bible, double, troubl'd, bubbl'd, babbl'd, doubl'd.
Ample, steeple, triple, topple, tnpl'd, toppl'd, dappl'd, cnppl'd
Cradle, saddle, idle, bridle.
Marl, hurl, whirl, furl, world, hurl'd, whirl'd, furl'd.
ngs, ngst, ng'd.
Rings, wrongs, hangs, songs.
Hang'st, sing'st, wrong'st, bring'st
Wrong'd, hang'd, clang'd
DIFFICULT COMBINATIONS.
EXERCISES IN ARTICULATION.
By careful training on such difficult combinations as the follow-
ing, one will soon acquire great command of the muscles of the
face, (generally too rigid), and the tongue will move with fluency
and precision.
Practice at first slowly, and then more rapidly.
The Twister. {Tongue Exercise.)
When a twister, a twisting, will twist him a twist,
For twisting his twist, he three twines doth intwist;
But if one of the twines of the twist do untwist,
The twine that untwisteth untwisteth the twist
Muscle Breakers.
Thou waf'd'st the skiff over the mountain height cliffs, an
saw'st the full orb'd moon, in whose effulgent light thou reef'd'st
the haggled sails.
He was unamiable, disrespectful, formidable, unmanageable,
inextricable and pusillanimous.
Lip and Tongue Exercise.
Peter Prinkle Prandle picked three pecks of prickly pears from
three prickly prangly pear trees ; if then Peter Prickle Prandle
picked three pecks of prickly, prangly pears, from three prickly,
prangly pear trees, where are the three pecks of prickly pears
that Peter Prickle Prandle picked from three prickly piangly
pear trees ; success to the successful prickly prangly pear picker
R. ( With one trill of the tongue only.)
The rough rock roars ; round and round the rough rocks trie
ragged rascal ran.
The Thistle Sifteb.
Theopholis Thistle, the successful thistle suter, in sifting a
sieve full of unsifted thistles, thrun three thousand thistles throurh
the thick of his thumb ; if then Theophol * Thistle, ihe successl u
thistle sifter, thrust three th usand thistles through the thick of
his thumb, see that thou, in siftinc a sieve full of unsifted thistles,
dost not thrust three thousand thistles through the thick of thy
thumb-
PRACTICAL EX E R C [S3 -
.).>
PRONUNCIATION-
The
The. before a word begun
,..| Willi I I' MMHI I I
giuuitix with - M '"
uroad u.
sh.iri' with ■■ ioui ""' "l,r"1 •'•
R|li, .... BUI BUmUj tlicy
• • full
M
■tyla . .in I in the
i uty, »s 111 n | . '■ mj Go
in --\ .<■. ihould retain the --iioit y .
my hand, my heart, uij mouth,— not " '"y BM '•' " " "" »
A ■ .. nif
i»- uot "<y h>rds, <!• i
I y
Tkt teimdtatic
In the n
-
,. a. isl •! u regit iled b] the i ei i m n
SOUIld i)l Hi.-, i
The uordi Ovidt, Guard, Rtgard, Sky, fi
.
of y, following f and I I tie i ,1011 of i
Bcotland an lof Ni I
no doubt, the sanction oi reason ami ayetem. but gi
m If the only law «f upokrn language. V. > | ■ ., u al
Kicai deduatiuai.
The trortl* Amrn, de.
■
Mini- . » il.'i
I
■
-
- labU
• l ind unmusical, and that of an o.
• • ':• nd this rule to the word my, gluing It the
long y in all drvutional in
SINGING EXERCISES.
7"> It <un;' MawMNlM '•• Stole ind snmrUmes in Quiet fimf, sometimes Piano and sometimes Forte. The scale may be transposed to ruit <i\ffer" •■•
No. 1. Monosyllables. ,
g^gij J JJl»B
i i i i
■ttana:
. .o • .-
(■ P r* P
"-
4-1 ll-r-T
■m m m *
d-^-d-d-
* * m m
i:
r
I " 7i £ ' ~ ' fall. All. ball, call, fill. All, bull, rail, fall. All.ball.call.fall. All, 'jail, call, fall, All, I .a 'I.e. ill, fall. All. All, ball.rall.fall. AU.ball.call.fall. All. ball.call.fall. All. bell. call, fall
No. 2. Words of two Syllables, accented on the first
16
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I I I I
S
* » * * w
^
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• *
ffff^fffi
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3=3=1
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All. ball, call, fall. All. ball, call, fall. All, ball, call, fall. All'. ~ Awful, la.% nil, dawning, drawing. Awful, lawful, dawning, drawing. Awful, lawful, daw iik.c;. drawing. Awful. I»w fu! dawning. drawing
No. 3. Words of two Syllables, accented on the second.
i N li
3s=t
-j
S I ,
d=d^d J-
^
m ~- a>
m "■
J I J S-J- * I* * *
-
A - larm, dis - arm, de - part, discharge. A - larta, dis - arm, de - part, dis-cbarge. A - larm, (lis - arm, de - part, discharge. A - la .-rn. de - part, dis -charge.
6
."
.
i S I i
"
Tir-arg
*^5t^±^
-. Ss
>
v .
^c
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A - larm, dis - arm, de - part, dis-charge. A - larm, dis - arm, de - part, dis-charge. A - larm, dis - arm, de - part, discharge. A - larm, dis - arm.
No. 4. Words of three Syllables, accented on the first.
* -m- V V V
X-
part, din - charge.
Lawful-ly, wa-tering. Lawful-lr, wa-toring. Lawful-ly. wR-terim;. Lawful-ly,
wa-terine. T.«^vf.0-lv. trn-t.-rin.' T^wfnl-lv wa-t.> i-i • T «wfr.l-lT. w»-torin^. lv»W
56
PRACTICAL EXERCiSES.
3^
m
No. 5. Words of three Syllables, accented on the second.
« 1 JL '-ai^L -J- ^l -W- V- -»- V * ' * * ^-<g-e>-^
De - parture, un-guarded, discharging. De - parture, unguarded, disc
discharging. De • parture, unguarded, discharging. De- parture, unguarded, discharging. Depurture.unguarded, discharging. De-
parture, unguarded, discharging. De - parture, unguarded, discharging. De - parture, unguarded, discharging De - parture, unguarded, discharging. De - parture, unguarded, discharging. De-
- p-.utu re. unguarJed,dischargi!ig.Departuie,unguarded,discharguig. Departure, unguarded.discharging Departure,unguarded,discharging.Departure,unguarded,dischargmg.Departure,unguarded. &c
No. 6. For Monosyllables, or Words of two Syllables, accented on the first
No. 7. For Words of two Syllables, accented on the second, No. 8. For Words of three Syllables, accented on the first.
=ff£ ^-^~ ~fe
No, 9. For Words of three Syllables, accented on the second.
33^^
EXPRESSION.
The preceding exercise's havtnp been repeater!, with strict re-
vwr '■_: of tone, and the gradations of r.,rCt and
ons from 1 hero mav- be practiced for the purpose
■ ai-cus Lbe voice to maintain a -perfectly distinct articu-
■i th the effects of feeling in expression
The most important effects of expression which are common to
vocal music and to elocution, are dependent on what Dr. Rush
terms stress,— meaning by this designation the mode of applying
firre to a sound, as in a regularly increasing swell, in an' abrupt
an :! sudden explosion, or in a jerking and impatient style, which
begins moderately, but ends forcibly and violently.
Median Stress.
Pathetic, tranquil. a"d soUmv feeling, adopts a regular and grad-
ual swell nnd diminish, as may be observed in the tones of the fol-
lowing lines, which exemplify this mode of voice, termed, in
elocution, median stress.
Pathos:— "Oh! 1 have lost you all, Parents, and home, and
friends '"
Tranquility :— " How sw eet the moonlight sleeps upon this bank "'
Soleim :j —"How sweet, and solemn' is this midnight sci ni
Repent a selection from the musical examples, with the expression
of median stress.
Radical Stress.
Anger, alarm, and haste, are distingmsl e 1 by an abrupt hurst of
explosive sound, which strikes, with sudden force, on the opening,
or radical, part of a note.— as in the following examples:—
Anger .-— " You shall die. base dog ! and that before yon cloud
has passed over the sun I"
Alarm: — "To arms! they come' the Greek! the Greek!"
Haste : — " Sisters, iicnce ! with spurs of speed !"
Animation and courage have the same species of stress, but
without violence.
Animation: — "Come forth. O ye children of gladness, come !"
' 'age:- "Once more umollie breach, dear friends, once more!"
Repeal examples from the musical exercises, uith the expression of
radical stress. t
Vanishing Stress.
Impatient, indignant end revengeful fee I ir.g is indicated by van-
ishing stress, — the opposite to radical stress; as it begins moder-
ate1 i and ends violently, on the vanish, or last audible portion, of a
sound.
Example .-— " Away ! away ' I will not hear of aught but death
or vengeance now "'
Repeat, with vanishing stress, a selection from Vie musical ex-
amples.
T IT E J U B I L E E
fV A RRI\«T O \. L. If.
Rrv. It. IIarri«on.
—
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trto the Lord a do - bla long; A - wake, my soul, a ■>• , Bo-ea aim.
■ shioei iu Je - sus'
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f.i'-i', Tlic bright- est i i age of I liTs - nil ln-
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S. Thoa spread' ins of the night, Great Guardian of my sleep- lngl -^s the li
3. I yield mypowci I eom-mand;To thee T eon -se- orate mv '
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SPIRITED. Hather Staccato.
CHE^A^IAH. L. M. (Choir Tune.;
W. «. a.
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1 The Lord iu Ziou -ever reigns, And o'er her holds his guardian hand ; Her worship and her law maintains, Whieh, like himself, unmoved shall stand, Which, like himself &c
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2. Oh come, behold what he has done, Whom we delight to call our Lord ; The vict lies which his arm has won ; And faithfully his deeds record, And faithfully his deeds record.
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2d hymn. Soft be the gently breath -ing notes That sing the Saviour's dy-ing love; Soft as the eve - ning zeph - yr floats, Aud soft as tune-ful lyres a - bove.
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si Ji?'lt8I"'nk; '■'■}' T-^rd. and calm my fear; Am I not safo bo-n.alli t!i
1 Tl « i • strike me here, Her Sa- tan dare my | ;. y,>.
| D.C. Ho-i i-na to my Sa-viour God, And my best honors to fad* i
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1. With glo - ry clad, -with strength arrayed, The Lord, that o'er all na - ture reigns, The world's foirn - da-tions firm-ly laid, And the vast fab-rie still sus-tains.
3. The floods, O Lord, lift up their voice, And toss their troubled waves oa high; But God a - bove can still their noise, And make the an-gry 6ea com-ply.
4, Thro' end-less a - ges stands thy throne ; Thy promise, Lord, is ev - er sure; The pure in heart — and they a - lone, Shall find their hope of heaven se-cure.
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1. When thickly beat the storms of life, And heavy is thechasteni: n ,-u!, beyond the waves of strife, Views the e-ter-nal rock, her God.
2. When hope tjispels the ppirit's gloom. When sinking 'neath afflict ion's shock ! Faith, thro' the vista of the tomb, Points to the ev - er-last-ing Rock.
3.
is there a man who can not see
That joy and grief are from above '
O, let him humbly bend the knee,
And own his Father's chastening love. .
Hope, Grace, and Truth, with gentle hand.
Shall lead a bleeding Saviour's flock,
And show them, in the promised land,
The shelter of th' eternal Rock.
GENTLE.
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1. Lord, thou hast seen my soul sin-cere, Hast made thy truth and love ap-pear; Be - fore mine eyes I set thy laws, And thou hast owned my righteous cause.
A\Ti;t sore tempta-tions broke my rest ! What wars and strugglings in my breast I But through thy grace, that reigns with-in, I guard a-gainst my dar-ling sin.
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BOLD. ENERGETIC.
CilLUIER. L. m.
(Choir Tune.)
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1. A -wake, our souls, a - way, our fears, Let ev - ery trem-bling thought be gone, A - -wake, and run the heavenly race, And pat a cheer
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2. True, 'tis a strait and thorn-y road, And mor-tal spi - rits tire and faint; But they for - get the migh-ty God. "Who feeds the strength of ev-ery saint
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Time, little more than one half Second to each Quarter Note.
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Loud may the troubled ocean roar —
In sacred peace our souls abide,
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Trembles.and dreads the swelling tid^
1. Godis the refuge of his saints, When storms of sharp distress invade; Ere we can of-fer our complaints, Behold him present with his aid. 5.
-m- _ _ Zion enjoys her Monarch's love
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Nor can her firm foundation move,
Built on his truth— and armed wita
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1. Come, wea-ry souls, with sin oppressed, Oh come ! ac> cept the pro -mised rest ; The Sa-viour's gra - cious call o - bey, And east your gloomy fen.-s a - way.
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tJ 2. Op-prersed with guilt — a pain -ful load, Oh come, and bow be - fore your God ! Di - vine com- pas - sion, mighty love-, Will all the pain-ful load re - move.
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3. Here mer-cy's bound-less o- cean flows, To cleanse your guilt, I □ I h< al y pur woes, Here's par-don, life, and end-less peace— How rich the gift! how free the grace!
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JORA1. L. M. (Choir Tune.)
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2. So fades a summer-cloud a - way; So sinks the gale when storms arc o"er; So gently shuts the eye of day ; So dies a wave a- long the shore, So dies a
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In robes of judgment, lo, be comes ! Shakes the wide earth, and cleaves the tomb; Before him bums devouring' fire, The mountains melt, the seas retire, The mountains melt, <fec.
Is ( Great God ! what do I see and hear ! The end of things ere - a - ted 1 \
M. \ The Judge of man I see ap-pear, On clouds of glo-ry seat- ed. \ Beneath liis cross I view the day When heaven and earth shall pass away, And tlras prepare to meet him.
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ALLEGRO.
SAB23ATUS. 1a. M.
(Choir and Singing School.)
0, how I love thy ho - ly word, Thy gracious cov -en - ant, 0 Lord
It guides me in the peaceful way, j
[ think up - on it all the day, \ 1 think up - on it ail the day
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' | \ . mid the darkness and the deepe, Thou art my oomfort, th.>u my stay; Tliy staff sup- port fu! way.
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When sins and fears pre -vail-ing the, And fiunt-ing hope al- most expires; Je-sna, to thee I lift mine eyes, To thee I br<
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L ( 1 1 i <t nail my wants' rap • ply, And guard me wtth a watehful My soon-day walks he snail nt - tend, Ami all my rr bight boon
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"' \ To for - tile vales and dew - ymends My weary, wandertng steps he leads, f Where peaoeftal rivers, soft ami plow. A • mil the land-sear* fl-.w.
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(>« > SPRIGHTLY.
SPBINGVALE. L. M. (Choir anb Sixgixg-School.)
1. With all my powers of heart and tongue,!'!] praise my Maker with mj b lall hear the notes 1 raise, Approvethe song, and join the praise.Angelsshaii hear the notes i raise, Approve, &i
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2. To God Icriea, when rrouoie»rose ; He heard ine, and subdued my foes ; lie did my rising fears control, And strength diffused through all my soul, lie did my rising fears control, And strength, &c.
4. Ill sing thy truth and mercy, Lord ; I 11 sing the wonders of thy word ; Not all the w.ir :s an I names lioio'v. So murli t'iv "oner and glory show ; Not all the works an ! name« below, So i mi htliy, i
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How pleasant, howdi - vinely fair, 0 Lord, of hosts, thy dwellings nre ; With long desire my spirit faints, To meet th'assembly of thy saints, To meet th assembly of thy saints.
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MALOA. jfcu M. (Choir.)
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1. I will nut mingle with the throng/yVhose guilt theirsorrow multiplies ; I will not name thein with my tongue, Nor join their bloody sacrifice, Nor join their bloody sa-cii - fice.
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2. Preserve thy faithful servant. Lord, Who art the ta-fuge of the just; To me thv sheltering aid afford, For in thine arm a-lone I tt-ust, For in thine arm alone I trust.
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3. Thrice happy man I thj Maki 's ear* Shall keep thee from 1 Mtan, the tempter, who betrays 1
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W O O D XV O K T El. L. Id.
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MAESTOSO, M..il.r:ii- i ii.ii.l. < hrrrful
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BLEND ON. L. M.
(Choir Tune.)
F. Giartiii&i.
1. Great is the Lord ! -ft hat tongue eari frame An hon - or e - qual to Lis name ? How aw -ful are bis glo -rious ways ! The Lord is dread- ful uj ins piaibe.
2. The world's founda-tions by bis hand Were laid, and shall for ev - er stand ; The swelling billows know their bound, While to bis praise they roll a - round.
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3. Thy glo-ry, fear- less of de - cline, Thy glo -ry, Lord, shall ev - er shine ; Thy praise shall still our breath employ, Till we shall rise to end -less joy.
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RATHER -SLOW. Gentle and Subdued.
AS II WEE I,. E. M.
Lowell ."tlason. Br permission.
Pjl Our harps, that, when with joy we sun?,
Tjffi Were vi out their tuneful parts to bear,
2^ 'With silent stril gs, neglected hung.
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1. When we our wearied limbs to rest, Sat down by proud Euphrates' stream. We we| t, with doleful thoughts oppressed, And Zion was our mournful theme. ,
How shnll we tune our voice to sing,
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I I jS- --Shall hymns of joy, to God our Kins,
r^ I ~H" Be sung by slaves in foreign lands 1
CHANT. BOLD and JOYOUS.
I S C A II . \a. m.
(Congregational and Choir Tune.)
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1. When, marshaled on the nightly plain, The glittering host bestud the sky, One star a - lone, of all the train, Can fix the sinner's wandering eye.
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2. Hark ! hark ! to Cod the chorus breo.L_, From every host, from every gem ; But one a - lone the Saviour speaks, It is the star of Bethle - hem !
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CAR Til. L. TI. Double. (Choi* Ttrwx.) .1. n. GO
' 1. Ob happy day,that fixed my choTce On thee, mj I my God; Well may thi r-11 a-br
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8. Tia done, the great transaction's dope; I am my Lord's, and he is mi ■■ II< sdri w inc, and I : '-ah di •
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'1. Oh happy bond,that seals my tows To him who mer-ito all my Ioto 1 Let cheor-rul an-thems fill the house, While to his al-tar now 1 n
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' E7ow rest^mylong-dmded heart, Fixed on this blissfol center, rest; Here haTe I found a no - Wet !; ififlmybi
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Now to the Lord a no - Lie song : Awake, my soul, a-wakc, my tongue ; li th'e - ter-aal name, And all his b
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Double. \ I'he song shall wake with opening light, And warble to the si - lout night. \ 2. When envious care would break my rest, And grief would tear my throb-bini; b
d. c. The notes of praise as - ceud - ing ki0'h, snail check the murmur and the sibh. >
Ax L. M. Single, or Six When death o'er natiu-e shall prevail , And nil tho powers of language fail, Joy thro' my swimming eyes shall break. And mean the thanks lean - not sj >enk.
lines, omitting the repeat, o. c. Joy thro' my swimming &yes«hall break, And mean the thanks I can not speak.
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ST. EDMllVD'S. Ii. M.
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1. The hour of my de-parture's come, I hear the voice that calls nie home : Now, 0 my God, let trou.-ble 'cease, And let thy ser- van t die in peace.
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LEGATO. With Strong Expression.
SO 15 A. Ii.
(Choir.)
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1. Loud hallelujahs to the Lord, From distant worlds, where creatures dwell : Let heaven begiu the solemn word, And sound it dreadful down to I ell-
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2. The Lord, how ab-so-lute he reigns ! Let ev-ery angel bend the ]-i , Sing of his love in heavenly strains, And speak how fierce his terror
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1. Thiuo earth-ly Sabbaths, Lord, we love ; 'But there's a no - bier rest a- bove ; To that our long-ing souls as - pi.e, Wjth cheerful hope, and strong de - sin
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3. No rude a -Linns of rag-ing foes, No cares to break the long re -pose; No mid-night shade, no cloud - ed sun, But sn - cred, high, e - ter - nal noun.
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TVho 6hall as-cenl thy heavenly place, Great God, and dwell be - fore thy face? The man who loves re - li-gion now, And hum-bly walks with God be - low.
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1. 'T was from thy hand, my God, I came, A work of such a curious frame: In me thy fearful wonders shine, And each proclaims thy skill divine, And each proclaims thy skill divine.
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'2. Great God ! my feeble nature pays Immortal tribute to thy praise ; Thy thoughts of love to mo surmount The power of numbers to recount, The power cfmimbei s to leeouut.
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*■ i We all, 0 Lord, 1 utray, And wandered from thyl ■y:llie^rild»ofeinourfeetli»vel • . Ae.
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•J. His terrors keep the world in awe ; Bis justice guards his ho- ly law; Hia love re-veals a smil-ingfai His tratb and promise seal the grace
3. Turu' all his works his wisdom shines, And 1 ton's deep designs ; BispowerisE to fol - fill The nobl bis ■ L
1. Return, my wandering soul, return, And Be k an injured Father"- face . Those warm deairi a that in thee burn, Were kii ming grace.
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1. At an - ehor laidj re-mote from home, Toil - ing I cry, "Sweet Spi-i it come; C-> - les-tial breeze, no long-er stay, But swell my sails an J speed my way.
2. Fain would I feel my spi-iit move, In breathing of ce - les - tial love; Vud while I spread my fee - ble sails, O send thy gen - tie, quicken-iug gales.
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'( Cease thy complaint, suppress thy groan, [Omit ]( And let thy tears for - get to flow; Be-hold, the precious balm is found,
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When at this distance, Lord, we trace The various glories of thy face, What transport pours o'er all our breast, And charms our cares and woes to rest !
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SWEET HILLELUAIIS. E. M. With Chorus.
1. Now let us all to - ge - tl.er sing The praise of Zi - on's glo - rious Kiug ; Tis he who sits on yon - der throne, Tis he who reigns.au
2. Great as he is, his peo - pie dare Ap-p.oach him, and pre - sent their prayer, He hears his peo - pie's cry, and grants A fall sup - ply 1
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4. To him be praise, for praise is due To him who died, ye saints, for you ; Sweet is the sense of sins for - given, But who can tell the
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, ( Pre -serve me, Lord, in time of need, For sue - cor to thy throne I flee ; )
( But have no me - rits there to plead, My good-ness can not reach to thee. )
plead, My good-ness can not reach to thee. \ 2. Oft have my heart and tongue confessed How emp-ty and how poor I am
d. c. My praise can nev - er make thee blest, Nor add new glo - ries to thv name.
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1. Wlien I sur - vey the wondrous cross Oa which the Prince of glory died, My rich-est gain I count but loss, And pour contempt on all mv pride.
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MAESTOSO
Feom Mohul's " JosepBj," bt 2>. 71.
%j , ~r ' — ' — ' — ' '""".' — ' ' — ' ' — ' Soon shall thy radiance stream afar.
Zion, awake! thy strength renew, Put oa thy robes of beauteous hue, Church of our God, ai ise and shine, Bright with the beams, if truth divine. Vl ,f, thf, n ,. n ,.,,,,,« ;irc
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All shall admire and lcve thee too.
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1. Lord, when my thoughts delighted rove Amid the wonders of thy love, Sweet hope revives my drooping heart, And bids intruding fears depart, And bide intruding fears, <fcc
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all my heart, and all my days. Devoted to my Saviours prai ! my c:'.ad obedience prove How much T owe, how much I love. How much I owe. how mue% I love.
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ALLEGRO. —ISOLD.— Rather Staccato.
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Jesus dematls the voice of joy, — Loud thro' the laud let triumph ring ; His honors should your songs employ, — Let grateful praises hail the King.
2. Shout to the Lord, adoring own, Thy works thy wondrous might disclose, Thine arm victorious power has shown; Thus did thy cross confound thy foes.
VERY BOLD ami SPIRITED.
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1. Give to our God im - mor - tal praise; — Mer -ey and truth aro all his 'ways; Wonders of grace to God be -long; — Re - peat his mer - cies in your song.
3. He built the earth, he spread the sky, And fixed the star - ry lights on high; Wonders of grace to God be - long ; — Re -peat his mer - cies in vour song.
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1. My Shepherd is the liv - ing Lord, Now shall mywants be well-sup-plied: His prov-i-dence and ho - ly -word Be-come my safe - ty and my guide.
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1. Come, weary souls, with sin distressed. Come, and accept thi drest; The Saviour's gracious call ol
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2. Oppressed with sin, a painful load, O.c i I' m, mighty love, Tl
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1. A-rise I arise ! with joy survey Theglory of the lat-ter day: Al-read-y is tbe dawn be - gun Which marks at hand the ris-ing sun ! Al - read-y is tLe
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O Lord of hosts, thy dwell-iiigs are ! With long de - she my spi - rit faints To meet th'as-sem - blies of thy saints.
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1. There is a calm for those who weep, A rest for wea - ry piljrLns foua 1 ; They sof:-ly lie, anl sweetly sleep. Low ia th* grouud, Bow in the g-i-ouao.
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Sweet is the work, my God, my King ! To praise thy name, give thanks and sing; To show thy love by morning light, And talk of all thy truth at night, And talk of all, ic-
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1. 'Tis by the Litb of joys to come, We walk thro' deserts daik as night ; Till we ar-:ive at Leaven, our home, Fahh is our guide — and faith our light.
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Soft-ly the shade of eve - ning falls, Sprinkling the earth with dew - y tears ; While nature's voice to slum-ber calls, And si - lence reigns a - mid the spheres.
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ALLEGRO.
A PR A. L.. M.
Wm. B. Bradbury. From the "Shawm.'
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1. Thus far my God bath led me on, And made his truth and mercy known ; My hopes and fears alternate rise, And comforts min-gle with my sighs.
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2. Thro' this wide wilderness I roam. Far distant from my blissful home ; Lord, let thy presence be my stay, And guard me in this dangerous way.
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bdarathy glo • ry, Lord, la a^ary tar tlry wi. . dam ahmaa; Bat when <mreye.be- hold thy x ff readfty,»memfcir-a.
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*" 1 Behold th' expected time draw near/The shades disperse, tlie dawn appear '. Behold the wilderness assume The beauteous tints of Eden's bloom, The beauteous tints of Eden's, <fc
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S3. The unt^u"ht heathen waits to know The joy the gospel will bestow ; The exiled cap-tive, to receive The freedom Jesus has to give, The freedom Je-sus has to give.
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DUKE STREET. L. M.
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1. Lord, when thou didst as-cend ou high, Ten thousand an - gels filled the sky ; Those heavenly guards a - round thee wait, Like chariots that at-tend thy state.
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1. There is a stream whose gentle flow Sup-plies the ci - ty of our God ; Life, love, and joy, still glid-ing through, And watering our di - vine a-bode
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1 "B the nan whoee abouldera take My yoke, and bear it with da - light ; My yoke fa ea-ay to
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$ Come, O my soul, m sa - cred lays, Attempt thy great tJre - a-tor s praise : <"
I But, O, what tongue can speak his fame ? What verse can reach the lof-ty theme V $ Enthroned amid the radiant spheres, He glo - ry like a
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gar-ment wears ; To form a robe of light di - vine, Ten thousand suns a-round him shine, Ten thousand suns a-round him shine.
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While thus thv throne of grace we seek, Oh God, -with
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BLOO^FIELD C EI A N T. I,. JH.
Win. B. Bradbtirv. From "Tr?E Shawm."
1. Ye Chi-istian heralds, go proclaim Salvation in immanuels's name ; To distant climes the tidings bear, And plant the rose of Sharon there, And plant the rose of Sharon there.
2. He'll shield you with a wall of fire, With holy zeal your hearts inspire, Bid raging winds their fury cease, And calm the savage breast to peace, And calm the savage breast. it-.
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3. And when our labors nil are o'er, Then shall we meet to part no more, Meefewith the blood-bought throng to fall, And crown the Saviour Lord of all. And crown the Saviour.it c.
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1. 'Tis midnight, and on Olive's brow, The star is dimmed that lately shone : 'Tis midnight, in the gar-den now, The suffering Saviour prays a-lone.
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Hail ! soveroign love, that first be - gan The scheme to res-cue fall -en man; Hail! match -less, free, e - ter - nal grace, That gave my soul a hid - iug place.
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1. The flow-cry spring, at God's com-mand, Perfumes the air, and naints the land : The summer rays with vig- or shine, To raise the corn, and cheer the vine.
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2. His hand in autumn rich - ly pour?, Thro' all her coasts re - dundant stores ; And winters, sr .ft cned by his care, ~8o more the face of hor-rorwear.
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hL Is. I. To God the Father, Ged the Son, And Ged the Spi- rit, three in one, Be hon-or, praise, sod glo-ry given, I5y sll on esrth, and all in Leaven.
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(Jlo-ry to theo, my God, this night, For all the Missings of the lii;lit ; Keep ine, O keep me, King of king*. Be Pith the »ha •!■>*
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1. How sweetly flowed the goapel sound From lips of gentleness and grace, When listening thousands gather) d ronnd,Andj tdnees filled the place
- From heaven he came.of heaven he epokc.To heaven he led his followers' way; Dark elonds of gloomy night he broke, Unrailing an im - nor- tal day.
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Who can describe the joys that rise Thro' all the courts of Par-a - dise ? To see a prod - i - gal re-turn, To see an heir of glo - ry born ?
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Loud swell the pealing organ's notes, Breathe forth your soul iu raptures high! Praise ye the Lord,with harp and voice ; Join the full chorus of the sky,
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My soul, thy great Cre - a-tor praise ; When clothed in his ce-les tial rays, He in full ma - jes - ty ap-pears, And like a robe his glo-ry wears
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Now shall the trembling mourner come, And bind his sheaves,and bear them home;The voice,long broke with sighs,shall sing,Till heav'n with hallelujahs ring.
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1 1. There is a re-gion lovelier far Than sages tell or po-ets sing, Brighter than noonday glo - ries arc, And softer than the tints of spring.
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Sweet is the work, my God, my King, To praise thy Dame, give thanks, and sing ; To show thy love by mora-ing light, And talk of all thy truth at night.
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1 Tho' I walk thro' the gloomy vale,Where death and all its terrors are, My heart and hope shall never fail, For God, my Shepherd's with me there.
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2 A-mid the darkness and the deeps, Thou art my comfort, thou my stay; Thy staff supports my feeble steps. Thy rod directs my doubt-ful way.
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1. Behold a Mtrangcr at tiie doorl Be gently knock.-* —lias knocked before; Has waited long, is waiting still ; JTon treat no other friend so ilL
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2. Oh ! lovely attitude — he stands. With melting heart and loaded handti : Oh ! matchleM kindness — and be fthowi This Batehless kiadneei to hi" foes
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2. Boftssthe morning dews de - scend While warbling birds ex-ult - ing eonr, So soft to our al-might-y Fri<-nd Be cv - try tigfa our \- ■< :i<< pour.
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1. Sweet is tbo work, my Ood. my King, To praise tby name, trive thank.', an 1 ?ing : To »bo-.v thy love by moro-ing light. And talk of all thy truth at night
2. Sweet is the day of sa-ered rest; Bo mor-tal oare shall seize my hremt ; 6, may inv heart in tana be found. like Da- viT* harp of ftoi • emr i
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1. Kingdoms and thrones to G»d l>e - long: Crown him, ye na - tious, in your song; His wondrous nanfe uud power rehearse ; His honor* shall en - rich you:* verse
2. God is our sh.eld, our joy, our res;.; God is our King, pro - claim him blest; Wheuter-rors lise, when nations faint, He is the strength of ev -" ery saint.
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1. Kingdoms and thrones to God be-long; Crown him, ye na - tions in your song; His wondrous name and power rehearse ; His honors shall en - rich your verse
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1. How blest the sacred tie that lands In sweet communion kindred minds ! How swift the heavenly course they ruu.Whose hearts.whose faith, whose hopes are one.
Tenor. 2. To each, the soul of each how dear ! What ten-der love 1 what holy fear ! How does the generous flame witlun Re - fine from earth — and cleanse from sin.
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1. How blest the sa-cred tie that binds In sweet communion kindred minds! How swift the heavenly course they run, Whose hearts, whose faith, whose hopes are one.
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2. To each, the soul of each how dear 1 What tender love! what body fear! How dues the generous flame with-in Re --fine from earth, and cleanse from sin I
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1. There is a stream whose gentle Bow, Supplies the ci - ty <>f ow God, Lil .. I till glid-ing throngh,
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Ami gire new strength to faint - ine souls.
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CHRISTIAN'S SLEEP. E. M.
W. B. B.
the spot where Christians sleep, And sweet the strain which an-gels pour; 0, why should we in an • guish weep ? They are not lost — but gone be - fore
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2. Say, why should friendship grieve for those Who safe ar - rive on Ca - naan's shore ? Released from all their hurt - ful foes, They are not lost — but gone be - fore.
3. How ma - ny pain-ful days on earth Their fainting spi - rite numbered o'er I Now they en - joy a heaven-ly birth ; They are not lost — but gone be - fore.
4. Dear is the Spot where Christians sleep, And sweet the strain which au-gela pour; O, why should we in an - guish weep J They are not lost — but gone be - fere.
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Who is this stranger in dis • tress, That tra-vels thro' this wil-der-neas ? Oppressed with sorrow and with sin, On her beloved Lord she leans, On her beloved Lord she leans.
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1. My spi • rit sinks with-in me, Lord ; But I will call thy grace to mind, And times of past dis-tress record, When I have found my God was kind.
2. Yet will the Lord command his love, When I ad - dress his throne by day, Nnr in the night his grace remove , The night 6hall hear ma sing and pray.
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I Faith is the brightest evidence Of things beyond our sigh! Breaks tbro' the clouds of flesh i I I dwells in be*
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Beetle, Thiers isan hour of peaceful rest. To inouruing wanderers r eisajoy foraoultdistre ted A balm for er - ery wounded breael
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There ban hour of pesee-ful Teat, To tnonrmiigvBndereregrren: There is a joy i balm Cor ; »-i,.n« in I
2. There it a borne f>r wea-ry sin nn>l sorrow driven; When toss< Ion
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S. There, faith lifts up the tear-fa] eye. The heart no lnn^or rimn.
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2. Yet sovereign mer-cy. calls, " Return !" Dear Lord ! and may I eome? My vile in - grat - i - tude I mourn ; Oh ! take the wanderer home.
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3. Ami canst thou, wilt thou, yet for p;ive, Ai;d bid my crimes re - move ? And shall a pardoned reb - el live, To speak thy wondrous love?
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1. O could our thoughts and wish - es fly, A - bove these gloom-y shades, To those bright worlds be - yond the skv, Which sor - row ne'er ro-vades.
2. O then, on faith's sub - lim - est wing. Our ar - dent souls shall rise, To those blight scenes, where pleasures spring, Iin - mor - tal in the skies.
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4. Al - mighty grace ! thy healing power, How glorious, how di - vine ! That can to life and bliss re-store A heart so vile as mine
5. Thy pardoning love — so free, so meek, Dear Saviour, I a - dore; 0 keep me at thy sacred feet, And let me rove no more.
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1. 'rUe Saviour calls; let ev - ery ear Attend the heavenly sound; Ye doubting souls, dismiss your tear; Hope smiles reviving round. Ye doubting souls, dismiss your fear, Hope smiles reviving round!
2. For every thirsl-y, longing heart, Here streams ot bounty (low, And life, and health, and bliss, impart. To banish mortal woe, And life, and health, and bliss, impart, To banish mor-tal woe.
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EKIESTON. C.
From "The DnLoiMEE." *• ■*• Woodlmry.
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1. When the worn spirit wants repose. And sighs her God to seek, How sweet to bail the eve-ning close, That ends the wea-ry week, That ends the wea-ry week.
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1. Awake, mv soul, to sound his praise; Awake, my harp, to sing; Job all my powers, the song to raise, And morning in - cense biing. 2. Among the people of Lis
d. c. sougs of praise will 1 pre-pare, And there his uame re - sound ; Glad songs of praise will I prepare, And there hi:- name re-sound.
3. Be thou ex-alt - ed, 0 my God, A-bove the star - ry frame; Dif-fuse thy heavenly grace abroad, And teach the world thy name. £TSo shall thy chosen sons n
d. c. sinners hear thv pardoning voice, .' d '. tai te re-deem-ing love, While sinners hear thv pardoning voice. Anil tasW- re-deem-ing love.
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1. With songs and honors, sounding loud, Address the Lord on high ; Over the heavens he spreads his cloud, And waters vail the sky. 2. He sends his showers of blessings down, To
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HAHAL'ETH. C. III.
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1. Un - shak-en as the sa - crcd hill, Aid firm as mountains stand, Firm cs a rock, the soul shall rest, That trusts th 'Almighty hand.
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2. Nor walls, r.or hills, could guard so well Old Sa-lem's hap - py ground, As those e - tcr -nal arms of love, That ev-ery saint surround.
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1. How sweet the name of Je-sus sounds In a be-lLev-er's ear! It soothes his sor-rows, heals bis wounds, Anddiives away his fear. And drives away his fear.
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EIPHRATA. C. M.
1. Since all the varying scenes of time God's watchful eye surveys, Oh ! who so wise to choose our lot. Or to appoint our ways ! Or to appoiLt, our wars!
2. Good, when he gives — supremely good ; Nor less, when he denies ; E'en crosses, from his sovereign hand, Are blessings in disguise, Are blessings, &c.
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1. How oft, a - laa! this wretch-ed heart ITas wandered from the Lord! How < ft mv rov - ing thoughts de - part, For-eet - fill of his word.
2. Yet 6ov-ereign mer - «y calls, P^e - turn ! Dear Lord, and mav I come? My vile in - grat - i - tude I mourn, 0, bring- the wandei rr home.
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•2. •• They die in Je - sus, and are blessed, How kind their slum- bers are\ From Biif-ferings and f-nm fins re - leased And freed from ev - ery snare.
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2. I love iu sol- i - tude to shed The pen - i - ten - tial tear; And all his promis- es to plead, When none but God is near.
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1. Thy law is perfect, Lord of light ! Thy testimonies sure ; The statutes of thy realm are right, And altogether pure, And al-to-g&tk - er pure.
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' L 3. Let these, O God ! my soul convert, And make thy servant wise ; Let these be gladness to my heart. The day-spring to mine eyes, The day-spring, &c.
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Come, let us join our cbeer-ful songs, With an-gelsrouud the throne ; Ten thousand thousand are their tongues, But all their joys are one. But all their joys are one.
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1. To our Redeemers' glorious name A - wake the sacred soug ! Oh may his love, immor-tal flame ! Tuoe every heart and tougue. 2. His love what mortal
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blissful theme, Fill ev - ery heart and tongue, Till strangers love thy charming name, And join the sa-cred song, And join the sa-cred song.
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1. To heaven I lift my waiting eyes; There all my hopes are laid ; The Lord, who built the earth and skies, Is my per-pet-ual aid.
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When verdure clothes the fertile vale, And blossoms deck the spray, And fragrance breathes in every gale, How sweet the ver - nal day ! How sweet the ver - nal day !
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1. While thee I seek, pro - tect-ing Power, Be my vain wish- es stilled: And may this con - se - crat-ed hour With bet -ter hopes be filled.
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2. Thy love the power of thought bestowed ; To thee my thoughts would soar ; Thy mer-cy o'er my life has flowed ; That i;ier-cy I a - dore.
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MODERATELY STACCATO
LAWlf. C. M.
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1. See Israel's gentle Shepherd stand, With all-engaging charms ! Hark 1 how he calls the tender lambs. Hark ! now he calls the tender lambs, And folds them in his anus '
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All hail the power of Jesus' name I Let angels prostrate fall ; Bring forth the royal diadem, And crown him Lord of all ; Bi nig forth the roy al diadem, And crown him Loi d < f all.
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the time when first I felt The Sa-viour's par-doniog blood Ap-plied to eh soul from guilt, And bring me home to God.
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1. To our
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1. When musing sor-row weeps the past, And mourns the present pain, How sweet to think of peace at last, And think that death is gain,
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1. Let not de-spair, nor fell re-vensre, Be to my bosom known ; O, give me tears for oth-ers' woe, And patience for my own.
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Thro' all the clumping scenes of life,
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£ Deliverance he affords io all
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ALLEGRO >IO»ERATO.
CKOYDOX C
Theme from Beethoven.
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And wipe my weep-in? eyes, And wipe my weeping eyes.
1. When I can read my ti-tle clear To mansions in the skies, I bid farewell to every fear, And wipe my weeping eves, .. . And wipe my weep - iug exes.
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2. Should eurtli against my soul engage, And fiery darts be hurled, Then I can smile at Satan's rage, And face a frowning world,. . And face. a frown - ing world.
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4. When God ap-peara To wipe the tean From ev - ery pil - grim's eye, What tongue can tell Th<
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Hark! from the tombs a dole - ful sound, Mine ears at - tend the cry! Ye liv - ing men, come, view the ground, Where you must short- ly lie.
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2. 0!i ! Lord, with such a heart as mine, Un - less thou hold me fast, I feel I must, I shall de - clinc. And prove like them at last.
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1. Oh ! what amazing WOl ds of grace Are in the gospel found ! Suited to every siuuer's case, Suit - ed to ev - ery siuner's case, Who knows the joy fui sound, Who knows. <fcc.
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2. Poor, sinful, thirsty, fainting souls, Are free and welcome here ; Salvation, like a river, ro'ls, Salvation, like a river, rolls, Abundaut, free, and clear, Abundant, f'-ee, and clear.
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3. Bowed down be - neath a load of sin, By Sa - t:in sore - lv p-essed, By wars with - out and fears with - in, I eome to thee for rest.
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1. Come, let us lift our joy - ful ex-c* Vjp to the courts a-bove, And smile to see our Father there, Up - on a throne of love.
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2. Coat. i«-t us bow be - fore his feet, And venture near the Lord ; No fie - ry cher - ub guards his seat, Nor dou-ble - flam - ing sword.
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3. The peaceful gates of heavenly bliss Are op-ened by the Son ; High let us raise our notes of praise, And reach th'Al-might-y throne.
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I. O GoJ.our help in a-i»es past, Our hope for years to come, Ovir shelter from the stormy blast. And our e - ter-nal home
1. My Shepherd will supply my need : Je • ho-vah ishisname;
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1. How sweet, up -on this sa - cred day, The best of all the seven, To cast our earth-ly thoughts a-way, And think of God and heaven.
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2. How sweet to be allowed to pray Our sins maybe forgiven ! With fil - ial con - fi - dence to say, '• Father, who art in heaven!"
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( My God, tin' spring of all my joys, The life of my delights, The )
( gl°ry °' my brightest day, And comfort of my nights '. f Iu darkest shades, if he appear, My
dawning is begun ; He is my soul's bright morning star. And he my
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his. f My soul would leave this heavy clay, At that transporting word, And run with joy the sLining way, To
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1. 0 God our Sa-viour, all our hearts To thy o - bedience turn ; That, quenched with our repenting tears, Thy wrath no more may burn.
dear - est Lord.
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2. For why shouldst thou be an-gry still, And thou thy wrath re -tain ? Re - vive us, Lord, and let thy saints Thy wont-ed com -fort gain.
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The friends who in our sunshine live,
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Anl he who has but tears; 1o give,
Must weep those tears alone.
1. O thou, who driest the mourner's tear, How dark th:9 world would be. If, pierced by sins and sorrows here. We could not fly to thee.
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O. who ronl 1 hear life's stormy doom.
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1 M l1' I EEa wor-thy [Omit ) praise proclaim. J Let all the aerranta of (hi ' r-roclaim.
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1. And can mine eyes, •with - out a tear, A weep- or see? Shall I to hear Wl /
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•J. Blest Je - sua, let thi of thine Snh-du< ihhorn foe; Li - vine, i r-roi
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odl my trust, preserve, defend, My Saviour, all di-vine; )
( With saints I love my good may Lkuu, but, cauuoi add to thine. )
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The men who other gods -will seek, In ma - ny sorrows sink ; The names they use I
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1. To God I cried with mournful voice, I sought his gracious ear, In the sad day when trouble rose, And filled mv heart with fear,
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Why do we mourn de - part - fag friends, Or shake at death's a - larms ! 'Tis but the voice that Je - sus sends To call them to his arms.
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2 A spnn is all that we can boast, How short the fleeting time 1 Man is but van - i - ty and dust, In all his flower and prime, In all his flower and prime.
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3. Now I for -bid my carnal hope, My fond desires re - call; I give my mortal interest up. And make my God my all, And make my God my all.
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1 Must J'' - sus ber.r the cross a - loue, And all the world go free ! No, there 's a cross for ev - ery one, And there 's a cross for
2! How hap - py are the saints a - bove, Who once went sorrowing here ; But now they taste un - mingled love, And joy with-out a
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1. The Saviour '. Oh ! what endless charms Dwell in the blissful sound ! Its influence every fear disarms, And spreads sweet peace around, And spreads sweet peace around.
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2. Here pardon, life, and joys divine, In rich ef - fu-sion flow, For guilt -y rebels lost in sin. And doomed to endlpss woe. And doomed to end -less
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3. By cool Siloam's shady rill The lily must decay ; The rose, that blooms beneath the hill, Must shortly fade away, Must shortly fade away.
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} In - fi -Lite day ex - eludes the night, And pleasures l>:ini:-l] pain. J 2.
d. o. Death, like a nar - row sea, di - vides This heavenly land from ou:s.
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1. Our Father, God, who art in heaven, All hallowed he thy name ; Thy king-doni come ; Thy will he done In heaven and earth the same.
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Who sin a - gainst us, so may we For-giv-ing grace re-ceive.
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1. T>> thee be - fore the dawning li^'!it. My r»ra - cious God I pray, I med-i-1 i by ui _clit . .v 1 keep thy lav l.y day.
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FLORA. C. M.
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1. Wheu verdure clothes the fertile vale, And blossoms deck the spray, And fragrance breathes in every gale, How sweet the vernal day 1 IIjw sweet the ver-nal dayl
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2. Hark ! how the feathered warblers sing! 'Tis nature's cheerful voice; Soft music hails the lovely spring, And woods an J fields rejoice, And woods and fields re- joice.
3. 0 God of nature and of grace, Thy heavenly gifts i.n - part; Then shall my medi-ta-tion trace Spring, blooming ia my heart, Spring, blooming in my heart.
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1. Author of good, we rest on thee; Thine ev - er watch -ful eye A - lone our re - al wants can see, Thy haul a - lone sup -pi v.
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2. In thine all - g)-a-cious prnv - i - dence Our cheer - ful hopes con -fide; O let thy power be our de - fense, Thy love our foot - steps guide !
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. ( Up - held by God's al - might - y arm, I passed the shades of night ;
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Se - cure and safe from ev - ery harm, And see re - turn - ing light, j 2. While ma - ny spent the night in sighs, And rest - less pains and -woes ;
d. c. In gen - tie sleep I closed my eyes, How sweet was my re - pose !
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There u a fountain filled with blood, Drawn from Immanuel's reins ; And sinners, plunged beneath that flood, Lose all their guilty stains, Lose all their guilt-y stains.
j ( A - las I and did mv Sa - viour bleed? And did my Sovereign die?;
'(AV')uldhe de - vote that sa - cred bead. For such a worm
as I ? < 2. Was it for crimes that I had done, He groaned up - on that tree ?
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1. I love the Lord, he heard my cries, And pit-ied ev-ery groan: Long as I live, when troubles ris*', FU .to hi*
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Words by T. Hastings, Esq.
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1. Re - turn, O wanderer, to thy home, Thy Fa-ther calls for thee; No long-er now an cx-ile roam In guilt and mis - er - y. Return ! return '. return ! return !
2. Re - turn, O wanderer, to thy home, 'Tis Je - sus calls for thee ; The Spi-rit aui the B:'i.le say — Come ; 0 1 now for ref - uge flee. Return ! return ! return ! return!
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Note. — Among the many beautifully tender hymns of this venerable Poet-Musician, we know of none more sweetly pathetic than the above.
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1. ( My God, the spring of all my joys, The life of my de - lights ; )
(The glo - ry of my brightest days, And com -fort of my nights. \ 2. In dark -est shades, if thou ap - pear, My dawn - ing is be- gun;
d.c. Thou art my soul's bright morn-ing star, And thou my ris - ing sun.
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From " The Manhattan Coll."
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While beau-tv
And fragrance
Soft mu - sic
c'othes the fer-tile vale, And hlos-soms on...
breathes in ev - ery gale, How sweet the rer
hails the love-ly spring, And woods and fields
the spray ; (
nal day 1 ) 2. Hark 1 how the feathered warblers sing, Tis nature's cheer
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Bhi pfaerd, an I my Lord, A grate ful song 1 '11 n
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If I de -part from thee f My Guide thro1 aD this vale, of woi | n.ll tome, Aod throall tn me.
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I \ Lord ' tfhen my raptured thought rarveys Cre - a - tion's beauties o'er, )
'{ ^l\n»-tw« Jo'"8 to teach thy praise, And hid my son] a-d . v r I turn mv rnz - ing eves. Thv radian!
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1. How sweet and heavenly is the sight, When those that love the Lord, In one an-other's peace de-light,
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2. O, may we feel each other's sigh, And with him bear a part; May sorrow flow from eye to eye, And joy from heart to heart.
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1. In mer-cy, Lord, re - member me, Thro' all the hours of night; And giant to me most gra-cious-lv, The safe-guard of thy mi^ht.
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2. With cheerful heart I close my eyes, Since thou wilt not re - move; Oh. in the morn - ing let me rise, Re - joic-ing in thy love.
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1 Praise ye our God! Oh, glo-ry, hal-le - lu-jah! Love and serve the Lord !
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1. O, oonld I find, from day to day, A nearness to my God, Then would my Lours, glide sweet away, Then would my Lours glide sweet away, While leaning ou mv God;
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1. Ohl how I love thy ho - ly law! 'Tis dai-ly my de - light; And thence my med - i - ta-tions draw Di -Tine ad - vice by night.
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1. As pants the hart for cooling streams, "When heated in the chase, So longs my soul, 0 God, for thee, And thy re - fresh-ing grace.
2. For thee, my God, the liv - ing "God, My thirsty soul doth pine; Oh. when shall I be-hold thy face, Thou Maj-es - ty di - vine
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1. Al- mighty Fa-ther, gracious Lord, Kind guardian of my days! Thy mercies let my heart re - cord In songs of grateful praise.
2. In life's first dawn, my ten-der frame Was thine in - dul-gent care ; Long ere I could pronounce thy name, Or breathe the in - fant prayer.
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1. In mer-cy, Lord, re - mcm-ber me, Thro' all the hours of night ; And grant to me, most gra - cious - ly,
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2. With cheerful heart I close my eyes, Since thou wilt not re - move ; O, in the morning let me . rise,
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OH, HAPPY THEY. CM. Quintet.'
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i. 0 hap-py they who know the Lord, With whom he deigns toe1, w ell ! lie feeds and cheers them by his word ; ITisa-m gup - porta them \reTL
2. To tbeui ia each dis-tress - ing hour, His throne of grace is near; And -when they plead Ids love and poV-r, II 3 stands en - gaged to hear.
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BOWER. CM. With ChoraiS. (Phayek a:;d Social Meeting.)
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*^\ K - las ' and did mv Saviour bleed, And did mv Sovereign die ? / O the Lamb, the loving Lamb, The Lamb en Cal-va - ry ! The Lamb that once was s'.ain,That liveth again, To in-tercede f>r me.
IM Would he devote that sacred head For such a worm as I?(
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2' ' A-mazing pi-ty' grace unknown ! And love be-yond de - gree ! i
Wi the sun in darkness hide. Andshuthis pio-ries in. )
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^ Thus m-isht I hide mv blushing face.While his dear cross appears: I O f/te Lami, tAe loving Lamb, The. Lamb on Cal-va - ry'. The Lamb that once u as slam.Titat Uvelh again. To in-tetetOt for m*.
J Dissolve my In uikfulness, And melt my ey es to tears. {
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Lord, hear the voice of my complaint; Ac-cept my se - cret prayer ; To thee a-lone, my King, my God, Will I tor help re-pair.
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Behold thy waiting servant, Lord, De-vot - ed to thy fear ;
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And can mine eyes, with - out a tear, A weep-ing Sa-viour see ? Shall I not weep his groans to hear, Who groaned and died for me ?
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p. E'en now the dis-taut rays ap-pear, To chase the gloom of night; The Sun of Righteousness is near, [Omit - - - - -_ - ] And terrors take their flight
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1. If, thro' un - ruf- fled seas, Tow'rd heaven We calmly sail, With grateful hearts, 0 God, to thee, We'll own the fostering gale, We'll own the f< stering gale,
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Howbeautous are their feet Who stand on Zi - on's hill 1 "Who bring sal-va-tion on their tongues, And words of peace re - veal 1 And words of peace re - veal !
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KONIGSTRASSE. S. M.
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1. Mine eyes and my de - sire Are ev - er to the Lord, I love to plead his prom-is - es, Aud' rest up- on his word.
2. Turn, turn thee to my / oul, Bring thy sal-va-tion near; When will thy hand re - lease my feet Out "of the dead-iy snare.
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How perfect is thy wo rd ! And all thy judg-ments just ! For ev - er sure thy prom-ise, Lord, And we ee - cure-ly trust
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WHI'flVIlY. S. JH.
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1. Se - rene I laid me down, Be-neath his guar - dian care ; I blcpt, and I a - woke, and iwund My kind Pre-terv - er near.
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2. O, how shall I re -pay The boun-ties of my God; This fee - ble spi - rit pants be-neath The pleas - ing, pain -ful load.
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Dear Sa-viour! we are thine By ev - er - last - ing bonds; Our names, our hearts, we would re - si^n — Our hearts are in thy hand.
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1. My soul 1 re - peat his praise Whose mer - cies are so great; Whose an - ger is so slow to rise, So rea - dy to a - bate.
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2. High as the heavens are raised A - bove the ground we tread. So far the rich - es of his grace Our high - est thoughts ex - ceed.
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3. His power sub - dues our sins, And his for - giv - ing iove. Far as the east is from the west, Doth all our guiit re - move.
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2. That rich, a - ton-ing blood, That sprinkled round we see, Provides for those who come to God, Provides for those who come to God An all -pre- vail- ing plea,
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MODERATO.
RIVERSIDE. S. in.
1. Ye trembling captives ! hear ; The gos-pel tiumpet sounds ; No um-sic moie can chaini the ear, No music more can charni the ear, Or heal the heart-fell wounds!
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3. For- givenees, love, and peace, Glad heaven aloud pro-claims, And earth, the ju -bi-lee's re -lease, And earth, the ju-bi-lee's release, With ea - ger rap - ture claims.
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1. How gentle God's commands ! How kind bis pre-cepts are ! Come, cast your burdens on tbe Lord, And trust bis con- stant care.
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1. Grace! — tia a charming sound, — Harmonious to the ear ; Heaven with the echo shall re -sound, A id all
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PG^ITEIVCE. S. M.
From "The Chor.ji.ist.''
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Diil Christ o'er siuners weep, And shall our tears be diy ? Let floods of pen - i - ten-tial grief Burst forth from ev-ery eye, Burst forth from every ev<
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I hear thy word with love, And I would fain o - bey; Send thy good Spi - rit from a - bove, To guide me, lest I stray.
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1. Seek not on earth thy home, Child of re - deem - ing love; Rather in wild - est des - erts roam Than lose -thy rest a-bove !
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2. The hand of faith ex - tend, E • ter - nal life se - cure — "With Je - .sus for thy guide and friend, The heaveLiy prize is sure.
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3. Seek not on earth thy home, Child of re - deem - ing grace ; Seek now, while nearing to the tomb, Thy Fa - titer's smiling face
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1. O for the death of Who slumber in the Lord! 0, be like theirs mj
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1. The pi - ty of the Lord To those that fear hid name, Is such ad tea
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2. He knows we are but dust, Scattered with ev - ery breath ; His an - ger, like a ris - ing wind. Can send us swift to death.
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be found — Rest for the wea - ry soul ! 'T were vain the o - cean
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1. How ten -der is thy hand. 0 thou be - lov - ed Lord; Af - 2ic-tious come at thy command, And leave us at thy word.
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3. A Father's band we felt, A Father's heart we knew: 'Mid tears of pen
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1. How beauteous are their feet, Who stand- on Zi-oa's hill! Who bring sal-va-tion on their tongues, And words of peace re-veal I 2. How charming k tbeir
3. How hap-py are our ears That hear this joy-ful sound ! Which kings and prophets waited for, And Bought, but never found. 4. How blessed are our
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voice! How sweet the tidings are! — " Zi - on, be-hold thy Sa - viour-King, "Zi-on, be- hold thy Saviour-King, He reigns and triumphs here!"
eyes, That ste this heavenly light! Prophets and kings de - sired it long, Prophets nnd kings desired it long And died wilh-out the sight.
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BRAIXERD, S. M.
w. b. b.
1. Come to the house of ] "ayer, 0 thou af-flict-ed, come; Tlie God of peace .shall meet thee there; lie makes that house his home.
2. Come to the house of praise, Ye who are bap - py n In sweet ac-cord your voi-ces raise, In kindred ho-mage bow.
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1. With humble heart and tongue, Isly God, to thee I pray : 0, bring me now, while I am young, To thee, the liv - ing way.
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2. Make an un-guard-ed youth The ob-ject of thy care; Help me to choose the way of truth, And fly from ev - ery snare.
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3. My heart, to fol - ly prone, Re -new by power di - vine; U - nite it to thy - self a - lone, And make it wliol - ly thine.
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Give to the winds thy fears, Hope, and be un - dia - may, d ; God hears thy sia;hs, and sees thy tears, God Trill lift up thy her.d.
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1. I lift my sonl to God; My trust is iu his name: Let not
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While nj Re-deem-er 'a near, M\ S I and ni; I bid fare- well to M
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• Soprano Solo.
OH, CEASE, MY WA:i'D£H?L\« SOUL. S. M. Quintet.*
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Has
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Chorus not too loud, and m If the So, yean hear it.
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2. Be - hold the ark of God! Be -hold the o - pen door; Oh! haste to : n !i dear a - hode. And rove, my soul, no more.
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QV1ET and GHMLE- Legato e Sostennto.
mf. Soprano Solo.
THE LOR© MY SHEPHERD IS. S. M. Quintet.*
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1. The Li 5hep - herd is; i shall be we'l supplied: Since he mine, and I am his. What can I want t be - 5
2. He i ..<■ to Where heaven - ly pasture grovvs;Wherehv - injt ua - ters gen - tly pass, And full sal - vatioii flows, And full sal -va-tion flows.
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1. The Lord my Shepherd is ; I shall be well supplied ; Since he is mine, and I am his, What can I want be- side TWhat can I want be -side? What can I want be - side?
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2. He leads me to the plai ' . rows Where livin ntly pass.And full sal-va-tion flows, And full sal-va-tion flows And full snl-va-l
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should never be sung in public except by a smooth and cultivated S
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•2. The Shepherd sought bis abeep. The Father •ought bit child; Thev ftdlnwi rid hilt, O'ei I
rhej I ound me w th the bauds of \m •■. II ■
Tliov spoke i'i tender love,
The; raised my drooping head ;
They gentry elnee I my bleed tig wounds,
My fai I the; fed ;
Thev washe I my tilth away,
They made me elean nn I fair;
JTher brought me to my home in peace,
Tlu> Long-aoughl
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Jeans my Shepherd n.
'T was be thai lore I > » soul ;
Twns he that waahe I me i i his b no I.
T was be thai made me w bole :
T was he that sought the
Thai f ran 1 tl •• « ao lei in ; sheep,
Twas he thai b m rkt me to the fold —
TSa he that si ill doth keep
8To more n wa>ide"iug she* p.
II.
I love m, ten le Shephc I'a roioe,
I bti e I be peao
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I seek d i am,
I loi •■ my 1 c avenly i
I love, 1 lore his Lnnie.
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1. Blest arc the Bons of peace, Whose hearts and hopes are one ; Whose kind d erveandpl ] ■ ao - tions run.
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PALESTINE. S. M.
•C. W. Keames.
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1. I love thy kmgdom, Lord, The house of thine a - bode, The church our blest lle-deeui-er saved With his owu pre - cious blood.
2. I love thy church, O God ; Her walls be - fore thee stand, Dear as the ap - pie of thine eye, And gra-ven on thy band.
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LUTHER. S. M.
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My soul, be cu thy guard, Ten thousand fuesaieniLjh; The hosts of hell are press - ing hard To draw thee from the sky, To draw thee from the sky.
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1. How ten-der is thy hand, O thou most gra - eious Lord! Af - flic-tions come at thy com-mand, And leave us at thy word.
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2. How gen - tie -was the rod, That chas-tened us for 6in ! How soon we found a smil-iug God Where deep dis - tress had been.
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3. A Fa -ther's hand we felt, A Fa-ther's heart we knew; 'Mid tears of pen - i - tenee we knelt, And found his word was true.
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BO¥L§TOIV. S. HI.
L.. Mason.
SCHNEIDER. S. 71. W. B. B.
I Our days are as 'he grass Or like the morning fluurr . Whenb a^1 ng win !s sweep o'er the field. It withers in an hour;
2. liut thy con Lord! To endless years endure j An J children's children ev-er find The words of promise sure,
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1. O cease, my wandering soul, 0,1 restless wings to roam ; All
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this wide world, to ci - ther pole, Has not for thee a home.
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How sweet the melting lay. Which breaks upon the ear, When, at the hour of rising day, Christians unite in prayer.
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English.
Great is the Lord our God, And let his praise be great ; He makes the churches his abode. His most
delightful seat.
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SLOW. GOEDEI HIIEE. S. M. Western Tot.
soul
O cease, my wandering- soul, On rest-less wing to roam ; All
SPIRITED.
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Ei Mv soul ! be on thv guard, Ti : And bosts of sin a^e p-essio!j hard. To draw thee from the skies,
this wide world, to ei-ther pole. Has not for thee ahome. I Oh! watch, and figl t, and piay;— Thebattl. eery day, And help divine implore^
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*^ 1 Awake ye saints ! awake, Aud hail this sacred day; In loftiest songs of praise, Your joyful homage pay ; Come, bless the day
2 Oa this auspicious morn, The Lord of life a - rose, Aud burst the bars of death, Aud vanquished all our foes; And now he pleads
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1. How p easing is the voice Of God, our heajajuly Iulij, Who bids the frosts re - true, Aud wakes the lovely spring ! Biighcsuus a - rise,
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The morn, with clory erowned,
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His breath perfumes ; In flowers and trees.
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The earth with summer warms :
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Aod rides on wintry storms:
His gifts dirine And round the year
Through all appear ; His glories shine.
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Hark ! what ce-lestia! notes, What me!o-dy we Lear I Soft )
on the morn it floats, And fills the [Omit - - - -] ravished ear: f The tune-ful shell, The gold - - e:i lvre.
And vocal choir The con-cert swell.
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„ ( Th' an -gel-io hosts descend, With harmony di -vine; See,
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Je-sus, your King, Is born to - day.
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HARWICH. H. Iff.
Give thanks to God most high, The uuiversal Lord ; The sovereign King <'f kiu^s : And be his grace a lored. Thy mercy. Lord, Shall still endure, And ever sure Abides thy word.
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^ Where is my Sa - viour now, Whose smiles I once possessed ? >
{ Till he re-turn, I bow, By heavy grief op- [Chirr.] - pressed : \ My days of hap - pi-ness are gone, And I am left to weep a -lone.
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" ^ Ah, who can soothe his woe, And give him sweet re- [Omit.] - lief? \ Earth can not heal the wounded breast, Or give the troubled sinner rest.
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The d willing of thy tore, Thine eerthlj arel)
To thine ahode my heart aspires, iwarmdi-
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| Ihail tliy k' : I/ird, rmike these moments blest: ) From low delights aid mortal toys, I soar to reach im-mor-tal j"T#. I 6oar to reach im - mor-tal joysl
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Ye dying sons of men, Immerged in Bin and woe! _ Now mercy calls again, Its message is to you I. Ye perishing and guilt-y, come ! In mercy's arms there yet
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a. 'Tis like the dews that fill The cups of Hermon's flowers. Or Zion's I ropsofshoWera. When mingling odors breathe a lelorvrestson all th/eround
3- For there the Lord ( nmandsBl. ... i'o spend e- in love.
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( My feet shall never glide. And fall in fa - tal snares ; )
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That nev-er sleep, Shall Is - rael keep, When dangers rise.
, 1 H«il l ev - er-last-ing spring, Ce-les-tial fountain, had! Thy
L ] streams salvation i> in£ Thy waters nev - er [Omit ] fail ! Still they endure, And still they flow. A sovereign cure For all our woe.
i To i Lrsouroe of love Our souls this day would come, And .
2 j lCr from a-bove, Lord, call the nations [Omit 1 home : That Jew and Greek, With rapturous son ,..: .raise may speak On all their tongues.
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GUI' ©IV. EI. M.
From " National Psalmist."
v reS) the Redeemer rose, The Saviour left the dead, And o'er ou ermghead; In v, lards around Fall to the ground. And sink a - way.
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hellish fo, ierinehead:lnwild i > Ihe ground. And sink* ■ way.
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215
1. Let all the earth their voices raise, To sing the choicest psalm of praise, To sing and bless Jehovah's name : His glory let the Ley then know His wond
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2. He framed the globe; he built the sky; He made the shining worlds on high, And reigns complete in glory there: His beams are majesty and ligLt; His beauties
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to the nations show, And all his saving works proclaim.
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1. I '11 praise my Maker with my breath ; And when my voice is lost in death.
how divinely bright ! His temple, how di - vine - ly fair !
2. How blest the man whose hopes re- ly On Israel's God, he made the sky,
Praise shall employ my nobler powers ; My days of praise shall ne'er be past, While life, and thought, and being last, Or im-mor-tal - i - ty en-dures.
\ And earth, and seas, with all their train ; His truth forever stands secure; He saves th' oppressed, he feeds the poor, And none shall find his promise vain.
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W. B. 15. From"Psa.'
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alted on Lis throne; In loftiest songB of 6weetest praise, I would to cv - cr - last-in." days Make all his glories known, Make all his glo - ries known.
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\ Bow.aU resigned, beneath his rod, And bless his sparing power, X A joyspri
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\ And bleMedhewho«nitesto«ave,'Whohflal8th6hearth6 breaks; \ Perfect an 1 true in nil Lis ways, Whom heav'n adores, and earth obeys,mom heav'n adores, and earth obeys.
I. How calm and beautifull fee morn! ! lomb. Where once IheCrueffied was borne, And vailed in ruidnight gloom' O weep no more the Paviourslain ; The L~H isrisen, he live* again
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1 Looked thro1 the lone - ly garden's shade. On that dread ag - o - ny; \ The Lord of all a - bo ve, beneath, Was bowed with for -row nn-to death.
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I "Whenthia mor-tal - i - ty had power To thus o'er -shad- ow him; f Th a- he who gave man's breath might know The ve - rv depths of bu - man -woe
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I. Friend after f: lend departs: Who Lath not lost a i here of hearts That finds net here an end; Were this frail world our only ri jord_\ing,
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How pleased and blessed was I, To hear the people cry, ''Come, let us seek on.' God to-day I" Vcj. with achee ful zeal, We haste i >Zion'shi 1, An 1 there our v iws and bono s pay.
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pierced bod-y laid, Justice owns the ransom paid;J Bow the knee, and kiss the Son.Come and welcome, sin - ner, come, Come and welcome,
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Come and welcome,sin-ner, come.
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( His unchanging faithful-ness, J His unchanging faithfulness.
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2. He sustains thee by his hand, He enables thee to stand ; j Those whom Jesus once hath loved, )
] Fromhispraoearenevermovod. j From his grace are never moved.
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1. Soft - ly now the light of clay Fades up - en my sight a - way, Free from care, from la - bor free, Lord, I would com-mupe with thee.
2. S ion for us the light of d:iv Shall for - ev - e- piss a - way; Then, from sia and sor - row fee, Take us, Lord, to dwell with thee
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1. Rock of a - ges ! cleft for me, Let me hide my -self in thee; Let the wa - ter and the blood, From thy wound-ed side that flowed,
d. c. Be of sin the per -feet cure; Save me, Lord, and make me pure.
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2. Should my tears for ev - er flow, Should my zeal no languor know, This for sin could not a - tone; Thou must save, and thou a-loue :
D. c. In my hand no price I bring, Simply to thy cross I cling.
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1. To thy pas-tures, fair and large, Heavenly Shep-herd, lead thy charge; And my couch, ^vith tenderest care, 'Midst the spring - ins? grass pre-pare.
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1. To thy pastures, fair and large, Heavenly Shepherd! load tby charge; And my coach, with te:.dercstcare, Midst the spring -ii g p-j.-s pre-psre.
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3. Safe the dreary vale I tread, By tho shades of death o'crspread ; With thy rod and staff supplied, This my guard — and that my guide.
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Heavenly Father, sovereign Lord, Be thy glorious name a-dored; Lord, thy mercies nev - cr fail; Bail, ce - les - tial goodness, hail !
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1. Weary, as with closing eye, Oa my peaceful bed I lie, Father, may thy an -gels keep Watch a-rouud me while I sleep.
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2. Bare I thro' the day in aught. Sinned in word, or deed, or thought, Father, from thy ho - ly throne, Send a sav - ing pardon down.
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Brethren, -while we sojourn here, Fight we must, but should not fear ; ) ( Forward then with courage go.
Foes we have, but we've a Friend, One that loves us to the end. ) \ Long we shall not dwell below ; \ Soon the joyful news will come, " Child, your Father calls, come home 1
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| But of all the foes we meet, None so oft mislead our feet, ) j Yet let nothing spoil our peace, (
3- } None betray us in - to sin Like the foes that dwell within ; \ \ Christ shall also conquer these ; { Soon the joyful news will come, " Child, your Father calls, come home !"
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1. Come, saith Je - .sus' sa - cred voice, Come, and make my path your choice ; I will guide you to your home ;
Wea - ry pil- giinis, hith - er come.
2. Hith - er come ; for here is found Balm for ev - ery bleed-ing wound, Peace which ev - er shall en - dure, Best, e - ter - nal, sa - cred, sure.
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1. When shall we all meet again I When shall we all meet again ! Oft stall glowing hope expire, On. shall weaned love re - tire, Oft shall death and sorrow reign Ere we all shall meet a - gain.
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3. When the dreams of life are fled, When it? wasted lamps are dead. When in cold oblivion's shade Beauty,wealth, and fame are laid. Where immortal spirits reitm. Thither soar, to meet a - (ram
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1. Wlide with ceaseless course,thc sun Hasted thro' thp former year. Many souls their in r more to meet us here; Fixed in an e- ter-nal state.They have done with all below;
d. c. We a lit -He long-cr wait, But how lit -tie, none can know.
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1. Hark I the her - aid an - gels sing, Glo • ry to the new-born King, Peace on earth, and mer - cy mild, God and Bin - ners re- con-eiled.
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2. Bless -ed tears and dews that yet Lift us near-er un - to heaven! Let us still his praise re- peat, Who in mer - cy all hath given.
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Praise to God ! — immortal praise, For the love that crowns our days ; Bounteous source of ev'-ry joy, Let thy praise our tongues employ,
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1. Ho - ly Ghost, with light di-vine, Shine up -on this heart of miue ; j Chase the shades of night away; )
/ Turn the darkness in to day, f Turn the d
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2. Ho - ly Ghost, with power di-vine, Cleanse thi a guilt-y heart of mine; ( Long lias sin with - out con-trol, )
/Held do-ruin-ion o'er my soul, )H
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LITANY. 7*. Double.
I. A. Hagar.
1. Saviour, when in dust to thee, Low we bow th'adoring knee; When, repentant, to tLe skies, Scarce we lift our streaming eyes; 0, by all the pains ami woe. Suiie. ed once for man be-
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4. By thy deep expiring groan, By the sealed sepulchral stone, By thy triumph o'er the grave, By thy power from death to save; Mighty God, ascended Lord, To thy throce in
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( Ma l-y to the Saviour's tomb Hasted at the early dawn, ) ( For a while she lingering stood, )
1 Spice she bro't, and sweet perfume, Bui the Lord she loved had gone, j ) Filled with sorrow and surprise; )
-stored. Prince and Saviour, hear our cry, Elearour solemn lit-a-ny.
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j Peo - pie of the liv-ing God, I have sought the world around ; )
I Paths of sin and sorrow trod, Peace and Comfort now ere found; ("Now to you my spi.rit turns— Turns, a fu-gi- tive unblest ; Brethren, where your altarbums, 0, receive me in-.to rest.
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Melody of the 17th Oentcry — Harmonized by OOQ
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( To the gra-cioufl eye and heart Of our ev - _er - pres - ent Friend, j Je - 6us, hear our hum - ble prayer ; Ten - der Shep - herd of thy sheep !
D. 0. Let thy mer - cy and thy care All our souls in safe - ty keep.
" Heard this tune sung by a large congregation, at the St. Nicholai Church, Leipzig, Feb. 8, 1852. L. Mason.1' We heard it sung in the same church about every other Sunday from Octobe r,
1847, to March 1 849, and published it in the " Mendelssohn Collection." It appears to be the Oli> Hundredth^ Leipzig. The Germans usually sing the melody only, the male voices greatly predom-
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1. Gracious Spi-rit 1 Love Divine ! Lot thv lisrht with-in me shine ; All my guilty fears re - move, Fill me with thvheavenlv love, Fill me with thv heavenly love.
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2. Speak thy pardoning grace to me, Set the burdened sin-ner free; Lead me to the Lamb of God,
Wash me in his precious blood, Wash me in his precious blood.
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j Lo ! the conquering Lord be - hold ; Let the King of glo - ry in." j Hark ! th'an-gel
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who hath the vie - tory won, He, who saved a ru - ined world ; ) He, who God's pure word ful - filled,
Je - sua, the in - car - nate Word;
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sure, j 2. He, with all-commanding might, Filled the new-made world with light: For his mercies shall endure. Ever faithful, ever sure.
things living he doth fe< I; Hisfullhai
I For lus mercies shall endure, Ev-er faithful, ev - er sure, J 4. Hi
5, In the wasteful wilder-ness : For his mereiesshallen-dure. Ev-er faithful, ev-er tore.
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Let usthen, with joyiul mind. Praise the Lord, for he is kind: For his mercies shall endure, Ev-er faithful, ev • er sure
WESLEY.
* By omitting the Repeat.
7s. Double.
Hasting*. From the " Mendelssohn Coll.*
(They whotoil ii; i the deep. And in it and frail j
( O'er the migbt-y ocean eep, With the billows and the gale, \ Mark what wii erfoi ms,When he speaks, andunconfincd, Rush to battle all his storms, In the char-iots of the wind.
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1. Lord, we come be - fore thee now; At thy feet we hum- My bow; Oh! do not our suit dis - dain; Shall we seek thee, Lord, in vain!
j^L"-.l, i»n thee our souls de - pend, In com - pas - sion, dot? de- seend; Fill cur hearts with thv rich sxrncc. Tune our lips to sin;j <1it- praise
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[of this -world Are the kingdoms of his
„ ( He shall reign from pole to pole, With supreme, unbounded sway ; }
' ( He shall reign, when, like a scroll, Yonder heavens have passed away, f 4. Hallelujah 1 for the Lord God omnipotent shall reign : Hallelujah ! let the word Echo round the earth
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2. Should my tears for ev - er fl >w, Should my zeal no Ian - guor know, This for sin could not
d. c. In my hand no price I bring, Sim-ply to thv cross I cling.
tone", Thou must save, and thou a
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From Rev. Dr. IQalan.
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1. To thy pastures fair and large, Heavenly Shepherd, lead thy charge ; And my couch with tenderest care, Midst the springing grass prepare, Midst the springing gi
2. When I faint with summer's heat, Thou shalt guide my weary feet To the streams, that, still and slow, Thro' the verdant meadows flow, Thro' the ■ idowsflov.
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WATCHMA IV. 7s.
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1 . Watchman ! tell us of the night, What its signs of promise are. Traveler 1 o'er yon mountain's height. See that glory -beaming star 1 Traveler ! o'er yon mountain's height, See that, <tc.
2. Watchman ! does its beauteous ray Aught of joy or hope foretell S Traveler! yes; it brings the day, Promised day of Israel, Traveler! yes; it brings the day. Promised day oflsrael
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Higher yet that star ascends. —
Traveler ! blessedness and light,
Peace and truth, its course portends 1
4. Watchman 1 will its beams alone
Gild the sp A thdl gave them birth ?
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See it bursts o'er ail the earth.
5. Watchman ! tell us of the night,
For tho morning seems to dawn. —
Traveler ! darkness takes its fl
Doubt and terror are withdrawn.—
6. Watchman! let thy wanderings cease
lli<- thee to thy quiet hon e. —
Traveler! lo! the Prineo < f Peace,
Lo ! the Son of God is
SEAMAN'S SONG. 8s Sc 7«. Double.
233
J Tossed up - ou life's rag -' ing bil - low, Sweet it is, O Lord, to know, (^
Thou didst press a sail - or's pil - low, And canst feel a sail - or's woe. J Nev - er slumbering, nev - er sleep-iug, Though the night be dark and drear,
D. C.
Id. o. Thou the faith-ful watch art keep-iug, " All is well," thy con-staut cheer.
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~ \ Dark-ly though the storm-cloud's scowling O'er the sailor's anx-ious head, ) Thou canst calm the rag - ing o - cean, And it3 noise and tu -mult still,
d. c. Hush the tempest's -wild com - mo - tion, At the bid-ding of thy will.
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1. Lord, dis - miss us with thy bless-ing ; Fill our hearts with joy and peace ; j Let us each, thy love pos - sess-ing, Tri-umph in re - deem-ing grace. )
( Oh re-fresh us, Oh re-fresh us, Traveling thro' this wil - der-nesa. )
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" / Pain, and death, aud ni^ht, and an-gu:sh, En - ter not the world a - bove ! ^ While in dark-ness you are straying Lone - ly iu the deepening shade
d. o. Glo - ry's brightest beams are play - ing Round th' immor - tal Spi - rit's head
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1 Israel's Shepherd, guide me, feed me, Thro' my pihjrimage below, Andbesi lethe wa-ters lead me, "Where thy flock n . Jx>rd, thy guardian presence ev-er,
11. o. I have fouud thee, and would neve:-. Never wander from thee more.
SLOWLY, GENTLY
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Meekly kneeling, I implore ;
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Such a Guide my steps attend;
He '11 in every strait befriend thee.
He will guide me to the end."
BOLD and SPIRITED.
URIttGSTOWN.
FINE.
^ j On-ward, ouward, men of hcav-eu ! Bear the Gos-pel's ban - ner high ; )
( Rest not til) its light is giv - en, Star of ev - ery pa - gan sky. \
d. o. Bid the red- browed for-est ran-ger Hail it, ere he fades a - way.
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Send it where the pil-grim stranger Faults 'neath A - sia's scorching ray ;
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j ( Come, thou fount of ev - ery bless-ing ! Tune my heart to grateful lays ; \
( Streams of mer - cy, nev-er ceas - ing, Call for loud - est songs of praise, j Teach me some me - lo-dious measure, Sung by raptured saints a - bove ;
d. a Fill my soul with sa-cred pleas-ure, While I sing re - deeming love.
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1. Je - sus comes, his con-flict o -ver, Comes to claim his great re -ward: An-gels round the vic-tor hov - er, Crowding to be - hold their Lord.
2. Ton-der throne, for him e - reet - ed, Now becomes the vie -tor's seat; Lo, the man on earth re-ject-ed! An-gels -wor-ship at his feet.
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-■■■ims of mer - oy, ney - er ceasing, Call for ceaseless [Omit. - - -] songs of praise f Teach me some me - lo-dious measure, Sung by raptured saints a - bore
Fill my soul -with sa - cred pleasure. While I si ig re- [Omit. - - -] deeming love.
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1. Sister, thou wast mild and lovely, Gen-tle as the summer breeze, Pleasant as the air of evening When it floats among the ti e< -.
2. Peaceful be thr silent 6lumber, Peaceful in the grave 60 low ; Thou no more wilt join our number. Thou no more our songs shalt know.
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Dearest sister, tl on hast left us,
Here thy lo=s we deeply fed ;
But 'tis God that hath bereft us,
lie can all our sorrows heal
4.
Yet again we hope to meet thee.
When the day of life is fled,
Then in heaven, with joy to greet thee.
Where no farewell joy is shed.
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1. Happy soul, thy days are ending, All thy mourning days below ; Go, the augel guards at- tending, To the sight of Je -sus go. Waiting to receive thy spi-rit, Lo,the
dal seq. Shows the fullness of his merit. Reaches out the crown of love.
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2. For the joy he sets before thee, Bear a mornen-ta- ry pain ; Die, to live a life of glory ; Suffer, with thy Lord to reign : Struggle, thro' thy latest passion, To thy
dal 8eg. To his ut-termost sal - vation, To his ev- erlast- ing rest.
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I Gently, Lord, O, gently lead us, Thro' this lone-ly vale of tears ; )
) Thro' the changes thou'st decreed us, Till our last great change appears: J When temptations darts assail us, When in devious paths wo stray,
d. c. Let thy goodness nev-er fail us, Lead us in thy perfect way.
FINE.
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Glo - rious things of thee are spoken, Zi - on, ci - ty of our God ;
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( I will never, never leave thee, I will never thee for-sake, ) I Fear no evil, fear no evil, )
§ | I will guide, and save, and keep thee, For my [Omit - - - -] name and mercy's sake. ) } Only all my counsel take ; \ For I '11 never, never leave thee, I will never thee forsake.
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When the storm is raging round thee,
Call on Me in humble prayer;
I will fold my arms about, thee.
Guard thee with the tenderest care
In the trial, in the trial,
I will make thy pathway clear;
For I'll never, <fec.
3.
When thy sky above is glowing,
And around thee all is bright,
Pleasure, like a river, flowing,
All things tending to delight,
I '11 be with thee, I '11 be with thee,
I will guide thy steps aright;
For I '11 never, Ac.
When thy soul is dark, and clouded,
Filled with doubt, and grief, and care.
Through the mists by which 'tis shrouded,
1 will make a light appear,
And the banner, and the banner
Of my love I will uprear ;
For I '11 never, Ac.
6.
When thy feeble flame is dying.
And thy soul about to soar
To that land where pain and sighing
Shall be heard and known no more,
I will teach thee — I will teach thee
To rejoiee that life is o'er;
And I '11 never, &c.
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' \ God him - self s;iitb, thou shalt gath - er It a - gain some fu - tie d i v.
j Cast thy bread up - on the wa - ters, Tho' the waves seem dark to men ;
d. c. Sor-row shall be turned to laughter, When thou findest it a - gain.
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' ( Bounteous shall God 6end the har - rest, If thou sow'st with lib - oral hand. f.
d. c. Have full faith that God will ren - der Thee a - gain an hun-dred-fold.
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». c. Let thy good-ness never fail us, Lead us in thy perfect way.
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' l Here our will - ing foot-steps meet • ing, Ev - ery heart to heaven as « pires. j 2. From the fount of glo - ry beaiming, Light ce - les - tial che
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Gruidc me, 0 thou great Jehovah, Pilgrim through this barren land:
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( Let the fiery cloudy pillar Lead me all my journey through : \ Strong Deliverer, Strong Deliverer, Be thou still my strength and shield.
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i Welcome news to Zi - on bear - ing, Zi - on long in hos - tile lands. \
Mourn - ing cap - tive ! God him - self shall loose thy bands.
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Glorious things of thee are spoken, Zion, city of our God! Zi-on, ci-ty of our God!/
He, whose word can not be broken.Chose thee for hisown abode,Chose thee for, &c. \ On the Rock of ages founded,What can shake her sure repese? Wiih salvation's walls surrounderl, Slip can
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„ j Open, Lord, the crystal fountain. Whence the healing waters flow; ) [shield.
Letthe fi - ery cloudy pil - lar Lead me all my journey thro": ) Strong deliverer! Strong deliverer! Be thou still my strength and
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2. Suffering Son of man, be near me, In my sufferings to sus-tain ; By the sor-er griefs to cheer me, By thy more than mortal pain, By thy more than mortal pain.
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( Joy to find, in ev - ery 6ta-tion, Something still to do or bear: \ Think, what spi - rit dwells with - in thee ; Think, what Father's smiles are thine ;
d. a Think, what Je - bus did to win thee ; Child of heaven 1 canst thou re - pine ?
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Hark I ten thousand barpe and voices Sound the notes of praise ..-hove,
1 Jesus reigns, and heaven rejoices: Jesus reigus, the God of [Omit.. ] love, Jesus reigns, the God of love : f See ! he site on yonder throne, Jesus rules the world a
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I ' j Nothing from thy love shall sever Those -whom thou hast made thine
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Hark 1 ten thousand harps and voices Sound the notes of praise above, )
Jesus reigns, and heaven rejoices ; Jesus reigns, the God of love : j See 1 he sits on yonder throne ; Jesus rules the world a-lone.
d. o. Halle - lu-jah! Halle-lu-jah ! Halle - lu-jahl A - men.
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What is life ? 'tis but a vapor, Soon it van-ish-cs awav ; )
Life is but a dying taper ; 0, my soul, why wish to stay ? f Why not spread thy wings and fly Straight to yonder world of joy ? "Why not spread thy wings and fly Straight, Ac.
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I uow have founti , t For which I loag was sighing,
ow, ou my Saviour's faithful breast My w«ary head is lying :
d. c. I now am safe, by Jesus' power, From all that else would harm me.
( I uow have found ab I For which [long was sighing,)
( Now, ou my Saviour's faithful br< -;i^t My w«ary head is lying: ) This is the place where sin no more, And Death and Hell alarm
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" ( Henceforth all fear and doubt resign, — Confiding in my favor 1 )
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d. c. I'll fill thy spirit with my joy, The pledge of endless pleasures. [treasures ;
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From Jesus and his lore, who now.
By terrors to divide me,
My great and many sins would show ?—
His wounds from vengeance hide me •
My sins are great, — I '11 not despair,
Though conscience too arraigns me,
Nor doubt my Saviour's watchful care— ~
His arms of love sustains me.
I thank thee, God's beloved Son,
Thy boundless grace adoring,
Which brought thee from thy glorious throne,
Our peace with God restoring :
O make my heart a shrine, where peace
Shall keep her constant dwelling ; —
Where grateful praise shall never cease,
Abroad thy glories telling.
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1. Hast thou, 'midst life's empty noises, Heard the solemnsteps of time ? And the low mysterious voi - ces Of an - o - ther clime?
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Adapted also to the Hymn : '' Every day hath toil and trouble.'
For this hymn observe the ties in the third measure, and repeat the tune.
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d. Every day hath toil and trouble,
Every heart hath care ;
Meekly bear thine own full measure,
And thy brother's share.
*"ear not, shrink not, though the burden
Heavy to thee prove ;
God shall fill thy mouth with gladness,
And thy heart with love.
2. Patiently enduring, ever
Let thy spirit be
Bound, by links that can not sever,
To humanity.
Labor, wait ! thy Master perished
Ere His task was done ;
Count not lost thy fleeting moments —
Life hath but begun.
3 Labor 1 wait! though midnight shadowB
Gather round thee here,
3. Not to ease and aimless quiet,
Doth the inward answer tend ;
But to works of love and duty)
As our being's end.
4. Earnest toil, and strong endeavor
Of a spirit which within
Wrestles with familiar evil,
And besetting sin ;
6. And without, with tireless vigor,
Steady heart and purpose strong.
In the power of truth assaileth
Every form of wrong.
And the storm above thee lowering
Fill thy heart with fear —
Wait in hope! the morning dawnetb
When the uight is gone,
And a peaceful rest awaits thee
When thy work ; done.
KEWAIVEE. 8s. DoubEc.
3faricoma
. 245
( Weep not for a brother de-ceased, Our loss is his iu-fi nite gam ; )
\ A soul out of pri-son released, And freed from its bodily chain ; j
With songs let us follow his flight, And mount with his spirit above. Escaped to the mansions of light, And
0 ( Our brother the haven hath gained. Outfl viug the tempest and wind ; )
\ His rest he hath sooner obtained, And left his companions behind, f Still tossed on a sea of distress, Hard toiling to make the blest shore, Where all is assurance aud peace, And
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ANDREWS. 8s.
E. C. Howe.
lods-xl in the Eden of love.
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1. This God is the God we adore, Our faithful, unchangeable Friend, Whose love is as large as his power, And neither knows measure nor end.
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2. Tis Jesus, the first and the last.Whose spirit shall guide us safe home ; We'll praise him for all that is past, And trust him for all that's to come
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1.1. Encompassed by clouds of distress, Just ready all hooe to resign, I pant for the light of thy face, But fear it will never be mine. T M!lk at th? feet "B"lth m? load ;
I rgl'f? m. _rSu I _- I - I .._ ^ |<i ^.. , Ll All plaintive I pour out my song,
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Disheartened with waiting so long,
I sink at thy feet with my load ;
II plaintive I pour out my song,
And stretch forth my hands unto God.
24t
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. ( Iu - spir - er and hear-er of pi ay er, Thou Shepherd and Guardian of thin
• } My all to thy cov - e - nant care I, sleep-ing and wak - ing, re - sign : \ It thou art my shield and my sun, The night is no dark-ness to me •
d. c. And, fast as my mo-ments roll on, They bring me but near - er to thee.
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2 j Thy rninis-ter - ing spi - rits de-scend To watch while thy saints are a -sleep;)
( By day and by night they at -tend, The heirs of sal - va - tion to keep: " Br
n. c. And an - gels e - leet are sent down. To guard the redeemed of man -kind
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ight seraphs, despatched from the throne, Re - pair to their stations as-signed ;
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1. From whence doth this u - nion a - rise. That ha - tred is conquered by love ; It fas - tens our souls in such ties As na - ture nor time can re -move.
P E WAW KEE. '8s. Double.
1st time. 2d time.
D. t
. j To Je - sus the crown of my hope, My 6oul is in haste to be gone*; )
' ) 0, bear me ye cher - u-bim, up, And waft me a- [Omit ] -way to his throne ; \ My Saviour, whom absent I love, Whom, not having seen, I a - dore :
. 'Whose name is ex - alt - ed a - bove All glo - ry, do- [Omit J -min-ion and power.
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1?t TIME
Words by Ifliss M. S. Preston.
EVER NEAR.
Trio. (For Female Voices.)
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Sabbat1! holy!
For the lowly
Paint with flowers thy glittering Bod ;
For affliction's sous and daughters,
Bi'l thy mountains, woods, aud -waters,
Pray to God — our Father, God.
Weary mother,
Toiling brother ;
Sister — worn with anxious care ;
Grief-bowed sire, that life-long diest;
Child that in thy sleeping highest;
Come ye to the house . [ prayer.
Still God liveth!
Still he tfivotli
Whnt no man can take *!way;
And, oh Sabbath ! bringing glad
Unto hearts of weary sadness '
Still thou art our holy day.
£4& v
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WEBB. 7s & «•*.
«2. J. XVehtr.
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1. The morning light is breaking, lhedait.1 , The sons oi Co pen-i-ieu i breeze tha tidings from afar Of
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2. Rich dews of grace come o'er us, In many a gentle shower, And brighter scenes before us Are opening every hour: Each cry to heaven g i :, A-b( . era brings, And
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heavenly gales are blowing With peace upon their wings, i ; 2. The woodland hum is ringing The da yli ,'ht's gentle close ; May angels, round me singing, Thus 1 lj mn my last repose.
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Greek Melodt.
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, j Roll on, thou mighty ocean ! And as thy billows flow, )
I Rear mes-sen-gers of mer-cy To ev- ery land be - low. ) A-rise, ye gales and waft them Safe to their destined shore, That man may sit in darkness, And death's black shade no more.
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2 JO thou e-ter-nal Ruhr! Whoholdesl arm 1
| The tempests of the ocean, Protect them ail from barm. J Thy presence e'er be with them, Wherev-er they may be, Though far from us who love them. Still let them be with theft.
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. j Oh ! that the Lord's salvation Were out of Zi-on come, )
\ To heal his au-eient nation, To lead his outcasts home. £ How long the ho-ly ci - ty Shall heathen feet profane ? Re-turn, O Lord, in pity ; Rebuild her walls again.
„ ( Let fall thy rod of ter-ror, Thy saving grace im-part ; )
' \ Roll back the veil of er-ror, Release the fettered heart ; )
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Let Israel, home returning, Their lost Mes-si -ah see ; Give oil of joy for mourning, And bind the church to thee.
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CARSON.
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GENTLY.
7s & 6s.
For Jirst stanza, see TisiiE, bL<ow. 9 * '
P. J. Whipple.
D. C.
V*TT
F ISKE.
1st.
7s. & 6s.
2d.
The evening star has lighted
Her crystal lamp on high ;
So, when iu death benighted,
May hope illume the sky 1
0, on'the last bright morning,
May I in glory wake 1
In golden splendor dawning,
The morning's light shall break.
Abe. from a MS. of W. O. Fiske.
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j j The mel-loweve is glid - ing Se-rene-ly to the west; )
' I So, ev - ery care sub - Bid - ing, My [Omit ] soul would sink to rest. J The woodland hum is ring - ing The daylight's gentle close ;
d. o. May angels, round me sing - ing. Thus [Omit ] hymn my last re - pose.
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TIME IS WIXGL\C. 7s A fis. Peculiar.
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1 Life is but a winter's day, A journey
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t>» the tomb; ) Youth and vigor soon will flee, Blooming) beauty lose its charms; All that's mortal soon will be Enclosed in death's cold
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„ ( Time is winging us away To our e - ter- mil borne ; ]
' \ Life is but a winter's day, A journey to the tomb; ) But the Christian shall enjoy II ealtb and beauty soon above; Far beyond the world's alloy, Secure in Je- bus' love.
A ' C2_
\ Ili^e. my soul and stretch thy wings, Thy better portion trace; \
i Rise from all terrestrial things TVarda heav'nthv native place; ) Sun and moon and stars decav; Time shall soon this earth removi , Ki >e, DO] rB0ul,andbl8te away To seats prepared above-
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EXDOR. 7s & 6s. Peculiar.
:£=££
S. B. Harsh.
. I Lamb of God, whose bleeding love we now recall to mind; )
' ( Send the answer from above, And let us mercy find ; ) Thi
Think on us who think on thee; Every burdened soul release ; Oh! .emember Calvary, A.i . oid us go .ac<\
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(776,776.)
1. Jesus my God, my Saviour, In thy celestial favor Is my supreme delight; The more my woes oppress me, The more do thou possess me, With thy all heavenly might.
2. Whene'r my heart is broken. Before my grief is spoken, God pities my complaint: And though he might reject me, He kindly does protect mc, Lest all my courage faint.
3. Hj night thine arm attends me, And graciously defends me, And soft is my repose ; Thine eyes, that watch my keeping, Are never, never sleeping — I can not fear my foes
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4. By day thy hand shall lead me. Thy heavenly manna feed me Thro' all life's desert way ; Thy beam my path enlightens, And more and more it brightens Unto eternal day.
5. 0 Jesus, my sweet Saviour, Soon thy celestial favor Shall be my sole delight ; With seraphs I'll adore Thee, And cast my crown before thee, Around thy throne of light.
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1st. 2d. fine.
SpiaiTUAi, So.ves.
D. C.
1. Drooping souls, no longer mourn, Jesus still is precious ; If to Him you now return, Heaven will be propitious. Jesus now is passing by, Calling wanderers near
d. c. Drooping souls, you need not die; Go to him and . . hear him. [him ;
2. He has pardons, full and free, Drooping souls to gladden ; Still he cries — " Come unto me, Weary, heavy laden." Tho' your sins like mountains high. Rise, and reach
d. o. Soon as you on him rely, All shall be for - - - givea [to heaven,
3. Precious is the Saviour's name, Dear to all that lovo him; He to save the dying came ; Go to him and prove him. Wandering sinners, now return ; Contri'c souls, be-
d. c. Jesus calls you, cease to mourn ; Worship him ; re - - ceive him. [lieve him!
-£2. JL. -0L-0L .£2. -0--*- -£2. 0 j» D. C.
CECIX, or PHIIVAH. 7s & 6s.* (76,76.) Or 7 s, 6s & 4st by the ties.
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1. God is my strong sal-va - tion 1 What foe have I to fearf In darkness and tempta - tiou, Mv light, my help is near.
2. Tho' hosts en-camp a-round me, Firm to the fight I stand; What ter-ror can confound me, With God at my right hand?
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Place on the Lor x reliance,
My soul with jomage wait:
His truth be thine affiance,
When faint and desolate.
4.
His might thine heart shall strengthen ]
His love thy joy increase :
Merey thy days shall lengthen ;
" The Lord will give thee peaca."
* T7iit it the original form of this celebrated tune: tee a 0. 11. arrangement on p. 15
t See the hymn "Christ is my light and treasure."
25*
TnYATIRA.
1st. 2d
7s Sc 5s. [75,75.75,75.;
, ( Ouward speed thy conquei ing Sight : Angel; onward speed ; )
• \ Cu<t abroad thy radiant light, Bid the shades re - - - cede ; J Tread the idols in the dust, Heathen fanes destroy, Spread the gospel's holy trust, Spread the gospel's joy.
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» Onward speed thy conquering flight ; Angel, onward haste ; )
\ Quickly ou each mountain's height Be thy standard . . placed ; \ Let the blissful tidings float Far o'er vale and hill, Till the sweetly echoing not« Ev-ery bo-som thrill.
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Peace to thee, 0 favored one,
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Min, or Soprano, or lioth.
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0 { Earthly joys to thee are dross, J [side — He will hear thy prayer.
"' ( Ear: ih gain is heavenly loss, ) Look upon the bleeding cross, View the Victim there : He that for thy sins hath died Bids thee in his love confide ; Trust in him, and none be-
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( Blest Redeemer, soothe my fears, Light me thro' the darksome way ; ) Break the shadows, Break the shadows, Ush-<
er in e - ter - rial day.
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( O - pen thou the crystal gate,
Bid my waiting scml as - pire ;
To thy praise attune my lyre ;
Then tri-umphant, then tri-umph-aut, I will join th' immortal choir:
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^ j Hark! from yonder mount arise Notes of sadness — Jesus dies f )
j Oa the cross the Lord of lords Love for guilty man re -cords; j
Sinner, sinner, Hear your dying Saviour's 'words,
Hear your dy - ing Saviour's "words.
„ { "Mortal, for your yuilt I die, — Ouilt that dared your God defy ; ^
' ( Blood for you I free- ly give ; Death I taste that you may live ; J Will you,
sinner, Free salvation now re - ceiv- ?
Free sal - va - tion
now re-ceive ?"
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\ Up,where blessed saints rejoice,Ransom'dnow,the spirit fiieth: ) j Full the song of triumph swelleth: J Freed from earth,and earthly failing, Lift for her no voice of wailing.
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tomb ; But Jesus summoned thee away ; Thy Saviour called thee home, Brother, thy Saviour called thee
1. Brother, thou art gone to rest
2. Brother, thou art gone to rest
We will
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3. Brother, thou art gone to rest ;
4. Brother, thou art gone to rest ;
6. Brother, thou art gone to rest :
Thy toils
Thy sins
And this
and cares are
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shall be our
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o'er ; And sorrow, pain, and suffering, now Shall ne'er distress thee more, Brother, shall ne'er distress thee more.
given; And saints in light have welcomed thee To >'■■; ;in ithejoysof heaven, Brother, to share the joys of heaven,
praver — That, when we reach our journey s end. Tin' glo-ry we may share, Brother, thy glo - ry we may share.
254
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1. ThTGod of harvest praise; In loud thanksgiving raise Hand, heart, and voice ; The vaileys smile and sing, Forests and mountains ring, The plains their tribute bi ine, The gVi rnmj
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j. The God of harvest praise ; Hands, hearts, and voices raise. With sweet accord ; From field to garner throng. Bearing vour sheaves along, And in vour harvest song Bless ye the Lord.
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1-4.
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1. To-day the Saviour calls, Te -wanderers come; O ye benighted souls, Why longer roam,
2. To-day the Saviour calls, O hear him now; Within these sacred walls To Jesus bow.
3. To-day the Saviour calls. For refuge flv; The storm of justice falls, And death is nigh.
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J Child of sin and sorrow. Filled with dismay, ) [there's room.-
( Wait not for to-morrow, Yield thee to-day ; \ Heaven bids thee come, While yet
n. c. Child of sin and sorrow, Hear and o-bey.
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A1IERU A. 6s & 4s.
(664.6664.;
National Hymn. Wobds bt S. F. Smith.
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1. My country, 'tis of thee, Sweet land of liberty, Of thee I siu^ : Land where my fath.vs died ; Land of the pilgrim's pride; From every mountain <■'■ room ring.
2. My native country! thee, Laud of the noble free, Thy name I love: I love thy rocks and ri'.ls, Thy woods and templed hills ; My heart with rapture t! :..at ab^vt.
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3. Let music swell the breeze, And ring from all the trees Sweet freedom's song : Let mortal tongues awake ; Let all that breathe partake ; Let rocks their silence break, The so«nd
[prolong.
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H E HI A IV S. 6s & 4s. (664,6364.)
Fbom "Thi Psalmodist.
Low-ly and sol-emn be Thy children's ory to thee, Father di-vine — A hymn of suppliant breath, Owning that life and death Alike are thine.
2. 0 Father, in that hour, When earth all helping power Shall disavow — When spear, and shield, and crown, In faintuess are cast down, Sustain us, thou.
3. By him who bowed to take The death-cup for our sake, The thorn, the rod — From whom his last dismay Was not to pass away, Aid us, 0 God.
4. While trembling o'er the grave, We call on thee to save, Father divine ; Hear, hear our suppliant breath ; Keep us, in lifo and death, Thine, only thine.
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C 1. My faith looks up to thee, Thou Lamb of Cal-va-ry, Saviour di - vine ; Now hear me while I pray ; Take all my guilt away ; 0, let me, from this day, Be wholly thine
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2. May thy rich grace impart Strength to my fainting heart ; My zeal inspire ; As thou hast died for me, O, may my love to thee, Pure, warm,
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iLowell Mason. By pesmissiost.
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{I'm but a stranger here, Heaven is my home ; )
Earth 's but a desert drear, Heaven is my home ; ) Danger and sorrow stand Bound me on every hand ; Heaven is my fatherland, Heaven is
[my home.
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2. What though the tempest rage,
Heaven is my home •.
Short is my pilgrimage.
Heaven is my home.
Time's cold and wintry blast
Soon will be overpast ;
I shall reach home at last ;
Heaven is my home.
3. There at my Saviour'R side,
Heaven is my home:
I shall be glorified,
Heaven is my home.
There are the good and blest,
Those I loved most and best,
There, too, I soon shall re*t;
Heaven is my home-
rW»JO ALKEORO.
ITALIAN HYUIV.
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6s & 4s. (664,6664.)
Gfardiui.
4— i
Come, tliou Al-migh-ty King, Help us thy name to sing ; Help ua to praise I Father all glo - rioua ; O'er all vie - to - ri-ous, Come and reign o-ver us, Ancient of days.
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(64.64.)
A. J. A.
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the Sa-viour calls,
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Je - sus bow.
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To-day the Saviour calls ,
For refuge fly ;
The storm of justice falls,
And death is nigh.
The Spirit calls to-day ;
Yield to his power ;
0, grieve him not away :
'Tis mercy's hour.
OSHKOSSI. 6s. Double.
1 . Flung to the heedless winds, Or on the waters cast, Their ashes shall be watched, And gathered at the last : And from the scattered dust, Around us and a - broad, Shall
2. Jesus hath now received Their lat-est living breath ; Yet vain is Satan's boast Of victory in their death : Still, still, tho' dead, they speak, And, triumph-tongued, proclaim To
RIPPLE. 6s.
spring a p'enteous seed Of witness - ea for God.
many a wakcn'.njr Ian 1 Tho one a - v;i:l-ing name.
(6666.)
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1. Come, wandering sheep, 0 come! I'll bind thee to my breast ; I'll bear thee to thy home. And lay thee down to rest.
2. I saw thee stray forlorn, And heard thee faintly cry, And on the tree of scorn For thee I deigned to die.
3. I shield thee from alarms, And wilt thou not be blest t I bear thee in my arms ; Thou, bear me in thv breast.
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WEIEUT SHAEX WE MEET ACiAlN. 6s & 5s. (65.65.G66,5.)
w.
15. B. 257
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1. Whoa shall wt meet again :— . Leetue'er to sev-eri V» lien will peace wreathe her chain Itouud us i
2. When shall love free-] v flow, Pui e as life's riv- er ? When shall sweet fi iendship glow Changeless for evei i
3. Up to that world of light Take us, dear Saviour; May we all there u-wte, Hap-py for _ ev - er :
4. Soon shall we meet a-gain-
ne all there
• Meet ne'er to Bev-er ; Soon will peace wreathe her chain Round us for ever :
Our hearts will ne'er re-pose, Safe from each blast that I
Where joys ce - les - tial thrill, Where bliss each heart shall fill,
Where kindred spi-rits dwell, There may our mu-sic swell,
Our hearts will then re-pose Se-cure from worldly woes ;
2rf 1. Farewell, my friends beloved, Time'passes swift-ly, Winn moments are improved Time passes sweetly :
H,J- 2. The woes of life we feel, Audits tempta-tions ; But let us no - bly fill Our proper stations:
3. But oh, what joys shall crown That happy meeting ; We'll bow be-fore thy throne, Each oth-er greeting ;
our few
In Jo - siis we are safe, When our few years are done,
Soldiers of Christ, hold fast, The war will soon be past,
Refreshed, a - gain we start, Though for a-while we part,
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ALLEGRO.
SHOUT OF JOY. 6s, 7s & 8s. (67,87,67,87.)
Iu this dark vale of woes — Nev-er — no, nev-er.
And fears of parting chill, Nev-er — no, nev-er.
And time our joys dis-pel, Nev-er — no, nev-er.
Our songs of praise shall close Nev-er — no, nev-cr.
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1. Hark ! hark ! a shout of joy ! The wortd, the world is call-ing 1 In east and west, in north and south. See
2. Trustj trust the faithful God ! His promise is un - fail - ing ; The prayer of faith can pierce the skies. Its
3. See ! see ! the cross is raised ; The crescent droops before it ; The pagan nations feel its power, And
4 Prayl pray! then, Christian, pray; Tho' faint, be yet pur-su - ing, And cease not, day by day, the prayer Of
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Be-fore the shining throne We'll meet in glo-ry.
When victory comes at last, We'll meet in glo-ry.
Yet always joined in heart, We'll meet in glo-ry.
utali's kingdom fallii g! Wake I wake 1 the church of God, And dis-sipate thy slumbers! Shake off thy deadly ap - a - thy. And
eath is all pre-vail-ing ; L< . k ! look ! the fields are white, And stay thy hand no longer ; Tho' Satan's mighty le-gions fight, The
Sata
breath is all pre-
pro3tratc ranks adore it ; Joy ! joy ! the Saviour reigns ! See proph-c-cy ful - fill-ing ; The hearts of stubborn Jews relent, In
live-ly faith re-new-iug; Soon, Boon your waiting eyes Shall see the heavens rending, And rich, and richer blessings still, Frc
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arm of Cod is stronger.
God's own time made willing.
God's bright throne descend-ing.
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TIILWAiKEE. 6s «fc 5s.
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J. E. KiiiMinan.
X In the hour of tii-al. Je-sus. \jray for mc, Lest, by base ue - ui - al, I depart from thee; ,. ...... ..... .-. Nor for fear or
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2. With its witebing pleasures. Would this vain v.-orld charm, Or its s..<li 1 treasures. Spread to work me harm; Bring to my 1 emembrauce S -ma - ne. Or in darker
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' j But now is risen through ( adless 'lavs To [Omit ] live and reign; j He lives and reigns on high. Who bought us with his blood,
d. c. Enthroned abov< eeteky, Our |Omit J Saviour God
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0 j The Son of God adore; Ye ransomed, spreadhis fame;
With joy and gladness, evermore Laud j Omit ] his great name; j Let every tongue confess That Jesus Christ is Lord,
d. c. Aud e"> e join to bless Th'in |_0mit ] carnate Word.
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Why that look of sadness ! Why that downeast eye ? Can no thought of gladness Lift thy soul on hicrh * O thou heir of heaven, Think of Jesus" love. While to thee is his grtce to prove.
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'l. Come a - way to the skies, Mybe-loy-ed! a - I'ise, Aud . , i the day thou w< t ooi-n ; On Lu ult-ing a - way, And, with singing, to
2. We have laid up our love. With our treasure, a-bove, Tho'our bodies con - tin - ue be - low ; The redeemed of the Lord — We re-niein-ber his word, Aud, with singing to
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pa - ra - dise go, And, with sing-ing, to pa - ra - dise go.
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1. Ah! tell me no more Of the worldling's \ : io store, The time for such trifling with me now is o'er.
2. A re - gion is found Where true riches a-bound, And songs of sal - va - tion for - ev - er resound.
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3. Then let us not stay In the tempter's dark way. But follow the Saviour to mansions of day.
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The same metre is sometimes marked lis $ Os.'. r 1\* i, 8s. FjOWflll TIlKOil. By PEB
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1. Be-hold how the Lord Has girt on his sword ; From conquest to conquest proceeds! IIow happy are they Who live in this day, And witness his won-dtr-ful deeds!
2. His word he sends forth. From south to the north : From east and from west it is heard : Tl e rebel is charmed ; The foe is disarmed ; No day like this dav lias appeared.
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The hymn* '• Rejoice in the Lord" — " Come let us ascend"—" How happy are they" — Come away to the skies"—" Be joyful in God"— and utiiers, may be suug to this tune
2G0 " THROUGH THE NIGHT AIR STEALING." Quartette. 5s, 6s & 7s. From the g«m«.
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1. Come, let us a - new, Our journey pur - sue, Roll round with the year, And nev - er stand still till the
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: From the depths I have sent up my cries, Hear the voice of my calling, 0 Lord ! Should offenses be marked by thine eyes,Who is he shall abide the reward
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1 . 1 would not live alway , I Rsi i k >fc to stay, Where storm after storm rises dark o'er the way ; The few lucid mornings that dawn on us here, Are followed by gloom, or beclouded by fear.
1 2. 1 would not live alway, i.o — welcome the tomb; Since Jesus liath lain there, I dread not its gloom; There, sweet be my rest, till he bid me arise, To hail him m triumph descending
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1. Come, saints, let us join in the praise of the Lamb, The theme most sublime of the an^c Is .ubove : They dwell with delight on the sound of his name, And gaze on his glories with
[wonder and love.
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[the skies.
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4. While here in the val - ley of con-flict I stay, O give me Bub-mis-aion, and strength a la jiLl my af-flie-tions to thee would I come, Re-
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6. What -e'er thou <ie - ni - est, O give me thy grace, The Spi - rit's sure witness, and smiles of thy face; En -due me with pa-tienee to wait at thy throne, And
6. I long, dear-est Lord, in thy beauties to shine; No more as an ex - ile in sor - row to pine; And in thy dear im - age a - rise from the tomb, V
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STAR OF THE EAST. Us & 10s. Double.
A&eanged from 7Ioz;iri.
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[lr ghtest and best of the sons of the morn ■ ing.Dawn on our darkness, and lend us thine aid; I
; '' f Star of the east, the ho- n- zon a - dorn - ing, Guide wh re the infant Ri leemer is laid, j 2. Cold, on ins cradle, the dew-drops are shining, I. o«v l . easts of the stall ;
I d. c. Angels adore him, in suimber re - cfin - ing, MaKer, and Monarch) and Saviour of all.
! %
"'o j Say, shall we yield him in costly de - vo - tion, Odors of Edom, and offerings divine J
( Gems of the mountain, and pearls of the ocean, Myrrh' froi
d. c. Richer, by far, is the heart's adur - a
m the forest, or go I from the mine J j 4. Vainly we offer each ample oblation, Vainly with gold would his faror se - cure ;
tion, — Dearer to God are tho prayers of the poor.
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AMEGRETTO.
AURORA. lis & 1©*.
Aeeanged feom 7;2oz:trt.
1. Brightest and best of the sods of the morning, Dawn on our darkness, and Ion J U3 thine aid ; Star of the East 1 the horizon adorning, Guide where our infant Redeemer is laid.
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2. Cold on his cradle the dew-drops are shining; Low lies his head with the beasts of the stall; Angels adore him, in slumber reclining, Maker, and Monarch viour of all.
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1. The Lord is great ! Ye hosts of hoiven adore him, And ye who tread this earthly ball; In ho - ly songs rejoice aloud before lum, And shout his praise who made you all.
2. The Lord is great! his majesty how glorious I Resound his praise from shore to shore; O'er sin, and death, and hell, now made victorious, He rules and reigns for ev-er-more.
3. The Lord is great 1 his rnercy how abounding ! Ye angels, strike your golden chords ! Oh praise our God I with voice andharp resounding. The King of kings and Lord of lords
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•1. Far, far beneath, the noise of tempests dieth, And silver waves shine ever peacefully, And no rude storm, bow fierce so e'er it flieth, Disturbs the sabbath of that deeper sea.
2. Hail to the brightness of Zion's glad morning ; Loi^ L>y the prophets of Israel fore-told j Hail to the millions from bondage returning ; Gentiles .and Jews the blest visipn b
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'} Joyofthe rl<;s-o - late, light of the stray-ing; Hope of the pea-i- lent, fadeless and pure, Here speaks the Comforter, I , Earth has no sorrow that heaven can not cure.
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2. The glo- ryl the glo- ry I a-rouud hi;n arc poured Mighty hosts of the an-gels that wait on the Lord; And the glo - ri-fied 6niuts aud the mart
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1. They have gone to the land where the patriarchs rest, Where the bones of the prophet* are laid; Where Die cho-sen of Is- rael the promise possessed. And Je - ho- vah his wonders displayed.
2. To the land wherethe Saviour nf sinner'; once trod, Where he labored, and languished, and died;Where hetnumphed o'erdeath.and ascended to God. As he cap-tive cap-tiv - i - ty led.
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1. Go to the grave in all thy glorious prime, In tullae-tiv- i-tyofzeal; i Lord - appointment is the servant's hour.
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From Jesse's root, behold a branch arise, Whose sacred flower with fragrance fills the skies ; The s:ck and weak, the healing plant shall aid, From storms a shelter.and from heat n shade,
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What soft delight tho peaceful bosom warms. When nature, drest in all her vernal charms, Arouu.l the beauteous landscape smiles serene, auq. crowns witn every gift the lovely scene.
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1. 0 praise ye the Lord, prepare a new song, And let all his saints in full concert join; With voices u - nited, the anthem prolong, And show forth! in. music di-vine.
2. Let them his great name devoutly adore; In loud-swelling strains his praises express,"Who graciously opens his bountiful store, Their wants to relieve, an ! his children to bless
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1. O, praise ye the Lord, prepare your glad voice. His praise in the great assembly to sing ; In their great Creator let all men rejoice, And heirs of salva-tion be glad in their King.
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2. Let them his great name devoutly a-dore ; In loud-swelling strains his praises express, Who graciously opens his bountiful store, Their wants to relieve, and his children to bless.
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1. Head of the Church tri - umph-aut, We i - thee; Till thou ap - pear, thy mcm-bers here Shall sing like tho-c in
2. Thou dost conduct thy pco - pic Thro' tor - rents of temp - ta - tion ; Nor -will we fear, while thou art near^ The fire of trib - u
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By tl eak thro' them all, And sing the song of Mo- 6es.
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1. We are on our journey home, Where Christ our Lord is gone ; We shall mi ; throne, When he makeshis people one In the newJerusalemJnthe new.Inthe new Jerusalem.
2. We can see thai distant honie.Tho' < lou ! irise dark between ; Faith views thera lift ut dome, And a Iu I eskeen From the new Jerusalem.From the new,Fromthe new Jerusalem.
3. O glo - rv shin-ing far From the never setting Sun 1 0 lingmorni ; . . ! Our journey's almost done To the new Jerusalem, To the new, To the new Jerusalem.
4. 0 bo - lv, heavenly home! 0, rest eternal there I When shall the exiles coi cease from earthly care. In the new Jerusalem, In the new, In the new Jerusalem.
5 Our hearts an ' now Those mansions fair to see; O Lord, thv heavens bow, And raise us up with Thee To the new Jerusalem, To the new, To the new Jerusalem.
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1. Star of peace, to wand'rer8weary,Bright I thatsmile on me ; Cheer the iiilot's visions dreary, Far, far at sea,
2. Star of hope, gleam on the billow, Bin sighsfor thee ; Bless the sailoVs lonely pillow, Far, far at sea.
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Star divine, O safely guide him.
Bring the wanderer home to thee ;
Sore temptations long have tried him,
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Star of hope, gleam on the billow,
Bless the soul that sighs for thee;
Bless the sa'lor's lonely pillow,
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SAY A KIND WORD WHEN YOU <CAN. Sonj? for Contralto or Base.
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What were life with -out some one to cheer us With ft word, or a aile on our way, A friend wlio is faith -fill - ly near us, And
Each one of us owns to some fail - ing, Tho' some may have more than the rest, But there's uo good in need- less - ly rail - in g, I
0 say a kind word then, wheu-ev - er Twill make the heart cheer- ful and glad; But chief ly — for - get it, oh, nev- er, — To the
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THE A DYE NT. (A Double Inverse Palindrome.) Rev. W. H. H.ivcrgal, Worcester, Eng.^
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1. O nil ye works of God the Lord, 1 :'■ s ye m, and mar -ni - fv ev-er.
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2. O ve. the angels of the Levi. Bless ye the Lord,
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3. O all ye > ) ethe Lord,
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5. O ye. the servants of • <tc.
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1. Mor-tal, wea-ry with thy toil-ing, As tliro' earth's gay scenes we rove; List ! those voic - es, gen-tly call - ing To the
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2. All ajio - ry be to God on high, To him all praise is due
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The prom - ise is b< aled— The Saviour's revealed— And proves that the record is true.
3. Let joy a'-round like riv - ers flow ; Flow on, and 'still in - crease ; Spread o'er the glad earth, At Imman - u - el's birth— For hcav-en and earth are at |
HEAVENLY LOVE. Hymn Anfhcssi.
0 h>r a breeze of heavenly love To waft my soul a - way, a - way To the ce-lcs-tial world above, Where pleasures ne'er de -
0 for a breeze of heavenly love To waft my soul a - way,
To the ce-les-tial world above, Where pleasures ne'er de - cay.
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grief ap- pears in er-ery line, His coun-te-nance is all di-vine
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2. He bows beneath the sins of men,
He cries to God, and cries again,
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" My Father, can this cup remove !"
8. "When storms of sorrow round us sweep.
And scenes of anguish make us weep.
To sad Gethsemane
We'll look, ni! ■! pec the Saviour fiiere.
And him ;t him, io, prayer.
274
MAESTOSO.
THE LORD IS KING. Anthem.
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girded himself with strength, and girded himself with strength. The Lord is King, The Lord is King, The Lord is King, and hath put on glorious ap - par - el, The Lord hath
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1. Wilt thou not vis - it me? The plant be -side me feels thv iron - tie dew ; Each blade of in-ass I see, From thy deep earth its quicfrenhig rrrois - ture drew.
2. Wilt tbou not vis - it me? Thy morn- ine calls on me with eheer-ing tone ; And ev - erv hill and tree, Lend but one voice. lh<- voice of thee a - gain.
I need thy love, More than the flower the dew, <>r grass the rain;' Com?, like thv ho - lv dove, And let me in thy sight rejoice to lire a - gain.
r:ltvis-it me? Nor plant, nor tree, thine eve de- lights so well, As when from sin set free, Man's spi-rit comes with thuie in peace to dwell.
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put on glo-rious ap - par - cl, and gird - ed him-self with strength.
He hath made the round world bo
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Through thy pro-tect-ing care, Kept till the dawn-ing ; Taught to draw near in prayer, Heed we the warning ; O thou great One rn Three,
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, ( Burst, ye emerald gates.and bring To my rap-tured vi - sion, )
' | All th' ecstat-ic joss that spring Hound the bright e-ly-sian ; f Lo ! we lift our longing eyes, Break, ye intervening skies, Sons of righteousness arise, Ope the gates of Pa-ra-dise.
„ j Floods of ev - er - last-rag liu'ht Free-ly flash be - fore him ; )
' ( Myriads/with supreme delight, In-stant-ly a - dore him; J Angelic trumps resound his fame.Lutes of lucid gold proclaim All the music of hi9 name. Heaven e cho-ing the theme.
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278
S I X tt , g O HEAVE W S. Chorus.
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Sing, 0 heavens, and be joyful, be joyful, 0 earth,
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O LORD. MY UOI>, HEAR TBIOU. Introit.
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1!. No s >und, no bar - mo - ny so gay, Can art or mu - sio frame: No thoughts ean reach, no words can say The sweets of thy blest name.
3. Je - pus ! our hope when we re - pent, Sweet source of all our grace, Sole com-fort in our ban - ish - ment. Oh ! what when face to face !
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BLESSED ARE THE PEACEMAKERS. Introit.
MODERATO.— Gentle, hot very diitrnci.
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3. Just as I am — though tossed about
With many a conflict, many a doubt,
With fears 'within, and wars without —
O Lamb of God, I come I
4. Just as I am — thou wilt receive,
come 1 Wi't welcome, pardon, and relieve,
Because thv pr imise I believe —
0 I. o I ; -
they shall be call - ed the chil -dren of God the chil -dren of God,
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BLESSED ARE THE PEACEMAKERS. (Continued.)
May end here.
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- At the piece is complete without the Coda, we would not recommend that to be sung in public except by choirs well trained in chromatic intervals. The beauty of the whole Coda will depend chiejly en the
precision and exactness with which these are rendered by Soprano and Tenor.
IV E T T I E. 5s Ac 9s.
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2. Tis Jesus our friend,
On whom we depend,
For life and for all its rich blesskurs.
3. When trouble assails,
His love never fails.
He meets us with fweet consolation.
BUSSED ARE THE PEAOE-JIIKERS.
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When thine olive plants, increasing.
Pour their plenty o'er the plain.
Grateful thou shalt take the blessing,
But not Bearch the boughs again-.
This thy God ordains to bless
The widow and the fatherless.
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HOW BEAUTIFUL UPON THE MOUNTAINS. Anthem.
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HOW BEAUTIFUL, UPO^ THE MOUHfTAmS. (Continued.)
r T T T T >■ 1ST TIME. liD TIME. /
That bringeth good u - dings, good ti - dings, That bring-eth good ti - dings, good ti - dings, ti - dings of good. Thai pub-lish-eth sal - va - tioa that
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* T//c Bases may be divided — apart singing the words, (to large notes'), "Thy God reigneth," and another part the words, " How beautiful," <fcc, (to small notes).
WILL YOU CJO? 8s & 3s.
"Western Melody.
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1. We're traveling home to heaven a-bove, Will you go? will you- go?
2. We're going to see the bleeding Lamb, Will you go '. will you go ?
To sing ths Saviour's dy - ing love. Will you go ? will you go ?
In rapturous strains to praise his name, Will you go ? will you go?
Mil-lions have reach'd that
The crown of life -n >■
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HOW BEAUTIFUL IJPOIV THE JHOUXTAIXS.
(CoNTLWED.)
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1st time. 2d TIME.
Sing.
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WILL YOU CJO?
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"We're going to join the heavenly choir,
-» •» ■ * ' ~ i^ ■ r-|i ii^mi " Will you go ?
ii. i.j, -iii- j-. /-.j I^j "^v"- A, i ~.„ » .„ ' , To raise our voice and tune the lvre,
ylest a - bode, A - noint-ed kings and priests to God, And millions more are on the road, Will von go ? will you gol ...... .
there shall 'wear, The conqueror's palmsour hands shall bear. And all the joys of heaven well share, Wi i go ? ^r : t. *j omLol n-lidlv sin?
Ilosanna to their God and King,
And make the heavenly arches ring,
Will vou -- >'
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HOW BEAFTIFIX IPO^ THE IUOU\TAi;*S.
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PRAYER FOR PEACE. I Is. 10s & 9*. Russian Aie. Ajikanged by J. Zuadcl
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and licrrit - ning thy sword ; Show forth thy
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PRAYER FOR PEACE. (Concluded.)
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pi - ty on high where thou reign - est : Give to us peace in our time, 0
mer - cv, 0 save us from dan - get, Give to us peace in our time, O
Lord!
Lord !
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3. God, the all-merciful! earth hath forsaken
Thy ways all holy, and slighted thy word ;
But not thy wrath in its terror awaken,
Give to us pardon and peace, O Lord I
4. So will thy people with thankful devotion,
Praise Him who saved them from peril and sword ;
Shouting in chorus, from ocean to ocean,
Peace to the aitions, and p--.i=o to the Lord.
2SS " OUR WAITING EYES ARE UNTO THEE." (Prayer for Opening Public Worship.)
DEVOTIONAL.
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pray; help us to praise and hear thy word. Look down, O Lord, in mer - cy up - on us, and blot out all our transgressions.
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O, hear our prayer, forgive our sins, ac - cept and bless us for Je-sus' sake ; ac - cept and bless us for Je - sus' take. A
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The Lord bless thee and keep thee, The Lord make his face to shine upon thee and be gracious un - to thee, The Lord lift up his countenance upon thee, and give thee
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The Lord bless thee and keep thee, The Lord make his face to shine upon thee and be gracious un - to thee, The Lord lift up his countenance upon thoe, and give thee peace
The above beauhful little melody is believed by M. Leopold Haupt, a learned German cfGorlitz, to have been that simg by the Israelites in the " Blessing of Aaron " Numbers vi 24-2fi M
fTl.r " Teasmf°r th,* belief that he has discovered the key to the interpretation of th, Hebrew vowel points and-" accents," generally held by Hebraists to indwateZinfUeZn.ofthlvTce ,!„"Z £t
that these representing definite musical sounds, the melodies of the ancient Temple Wosship may now be restored.-Ei. See preface to ''Cong. Ch Music : Anthem" and Chants " L
A1VOTHER YEAR. 4s & 6s.
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few Who seemed life's toil to brave, Are hid from view, With - in the si - lent grave.
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3. Why am I spared
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Why have I shared
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4. From God alone
My mercies I receive;
To him alone
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ERE I SLEEP. 8s, 3s & 6s. (8,3,1,6.)
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8. Leave me not, but ev - er
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love me, Let thy peace-,
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Visit me with thy salvation-,
Let thy care,
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Around my habitation.
Thou, my rock, my guard, my tower,
Safely kuep,
While I sleep,
Me, with all thy power
290 AI*D IT SHALL COME TO PASS IN THE LAST DAYS. Anthem.*
ALLEGRETTO— Bold and Spirited. SUlTAHI.'-i FOa INDICATION, ORDINATION, AND THE ORDINARY OCCASIONS OF PUBLIC WORSHIP. IV. II. B.
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♦ Sung at the Closing Services of tho Broftdwaj Tabernacle Church, April 36, 1651.
AND IT SHALL COME TO PASS.
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AND IT SHALL COME TO PASS. (Continued.)
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pur-chased our par-dou; We 11 praise him a - gain,... when we pass o - ver Jor - dan, "We 11 praise him a - gain, when we pass o- ver Jor - dan. j
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CREATE I.\ .TIE A CLEA.\ HEART.
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Yes, each mistrustful doubt of thee,
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CREATE I.\ .HE A CJLEAM HEART. (Concluded.)
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0 thou who dwell'st in Hearn above, Thou God of grace and boundless lo . ToTheeour ofTring now we brin i us, 0 I. I, thy praise to sing,
O Thou who Jwell'st in neav'u above. Thou God of g-ace and boundless love, To Thee our offrings now we bring ; Help us, 0 Lord, thy praise to sing,
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Help us, O Lord, to hear thy word, And to us all thy peace afford. Help us, O Lord, to hear thy word, And to us all fiy peace aff.nl.
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1. Nearer, mv God, to Thee, Nearer to Thee ! E'en though it be a cross That raiseth me ; Still all my song shall be,— Nearer, my God, to Thee, Nearer to Thee !
2. Though like the wanderer The sun gone down, Darkness be over me, My rest a stone ; Yet in my dreams I'd be Nearer, my God, to Thee, — N-arer to Thee !
3. Tbere let the way appear, Steps unto heaven; All that Thou sendeat me, In mercy given; Angels to beckon me Nearer, my God, to Thee. — Nearer to Thee 1
4. Then with my waking thoughts. Bright with thv praise, Out of my stonv griefs, Buthel I'll raise ; S > by mv woes to be Nearer, my God, to Thee, — Nearer to Thee 1
6. Or if on joyful wkjg, Cleaving the skv, Sun, moon, and stars forgot, Upward I fly ; Still all my Bong shall bey — Nearer, my God, to Thee, — Nearer to Thee 1
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Weep not, my friends, weep not for me,
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My sins are pardoned. I am free ;
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There's not a cloud that doth arise,
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I soon shall mount the upper skies-
All is well.
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Tune, tune your harps, ye saints in glory,
All is well;
I will rehearse the pi easing storv,
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Bright angels have from glory come,
Thev're rouud my bed, they re in my room.
Thev wait to wait mv spirit home —
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Bow down thino ear, 0 Lord, and hear me, For I am poor, I am poor and needy, Bow down thine ear, 0 Lord, and hear me, For I am poor, I am
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SOFT and GENTLE.
DEATH OF A CHILD.
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1. Sa-viour, now re -ceive him To thy bo - som mild ;
2. Though his eye hath brightened Oft our wea-ry 'way,
3. Now let thought be-hold him In his an - gel rest,
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Kneel beside the sod.
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Then shall blaze earth's funeral pyre.
By and by. when he comes,
We shall shout above the fire,
By and by, when he comes.
Dame, so will I praise thee, 0 Lord, and glo-ri - fy thy name, so will I praise thee, O Lord, and glo-ri - fy thy name, so will I nr;
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BOW DOWTV TIIIXE EAR. (Concluded.)
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I Send km r.v light, amid th'encirclinggloom.And lead me on ; *
' \ The night is dark, and X am fir from home . Lt.-a<I thou me on ' j Keep thou my feet : I <lo not ask to see The distant srene ; one step enough for me.
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So long thv power hath blessed me. surely still
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ALLEGRO MOOEF.ATO.
BEAUTIFUL I1V ZIOHV
W. B. If.
How beautiful in Zion, how beautiful in Zi-on, Upon the mountain's brow, upun the mountain's brow; Incoming of the messenger, the coming of the messenger, To
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How beautiful in Zi-on, how beautiful in Zi -on, Upon the mountain's brow, upon the mountain's brow; The coming of the messenger, the coming of the messenger, To
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cheer the plains below, to cheer the plains below. Em-bas-sa-dor with pardon from an injured King of kings, Glad tidings of sal- vation, To a ruin el world he brings, How
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WE'LL TRUST. Hallelujah.
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HOW BEAUTIFUL. IN ZION. (Continued.)
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beautiful in Zi- on, Upon theiiiouulauia l„w,Thcc,.i„i,.g of the,,., . u^cr, To cheer th autifulin Z ' vThe
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HOW BEAUTIFUL 11% XIOlV. (Concluded.)
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Words by Hannah E. Bradbury, Ban-goe, Me. IT IS S, SS UfOT AFRAID.
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2. When the storm has died away, And the sun with cheering ray, Now illumes your prosperous way, Trust, oh, trust in Him who said — " It is I, be not afraid. It is L, be not afraid."
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3. Brother, far away from home, Restless as the wave's light foam, When temptations round you come. Pray for strength to Him who said — " It is I, be not afraid, It is I. be not, Ac
4. Brother, when death draweth near, And your spirit shrinks in fear From its portals damp and drear, Trust your soul to Him w ho said — " It is I. be not afraid, It is I. be not, <fcc.
■Words bt Rev. Charles Beecher.
THERE'S REST LV THE GRAVE.
1. There 's rest in the grave, Life's toils are all past, Night cometh at last : How calmly I rest In the sleep of the blest, Nor hear life's storm rave 0 er my green, grassy grave.
2. No rest in the grave — -Heaven's dawn purples fast.Morn's splendors are ca*t [.ike shafts thro' the gloom Of the dark, silent tomb; Heaven's fair bowers wave — No rest ml
3. Ari ■ from the grave ! Heaven's bright, burning throng Come ' : hing a a • ; They gird me about, And triump'mnt shout, As myriad palms v send from ;
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2. <> come, thon liv - ing Sa - viour. Come Jielp me now to love thee tru - Iy: Mo-thinks I hear the tram-] the 1
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1. Hail, sov'reign love, that formed the plan,To save rebclb'ous, sinful man ; Hail, matchless, free, eternal grace, That gave my soul a hiding-place, That gave my soul a hiding-place.
2. A - rainst the Godthatrules thesky, Ifought.with weaponsliftedhigh, I mad-ly ran the sin-ful race, Re-gardleaa of a hid-jug-place, Regardless of a hiding-place.
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2. What though the spicy breezes Blow soft o'er Ceylon's isle, Though every prospect pleases, And on - ly man is vile? In vain, with lavish kindness,
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WEIK.-V TTHE5 V»'OK^ SPIRIT. (Coim*uro.J
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Jesus lives 1 Jesus lives !
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2. Jesus lives! | I know full well.
Nought from him my l.< a t i an | sever;
Life nor death, nor powers of hell,
Jov nor grief; henci forth, for I ev« r:
God will pow( r and grace dispense,
This shall | be my | confidence.
j my confidence. 3 Jesus lives ! I henceforth is death
Entrance into life im | mortal ;
Calmlv I can yield my breath,
-ad the frowning | portal ;
Thou, when faileth fl< -1 • ■ • I -.use,
wilt | be my | c
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Bow-ing low at Ids throne, with the an - gels a - dyre, Bow-ing low at th the an - gels a - dore;
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3. Not upon us or ours the solemn
4. Godcallsour loved ones, but we lose not
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vi th, Our ' Pa- ther's | will 1 Calling to him t lie dear ones whom he. | lov - eth, Is
an- gel hath I e-- vil I wrought;. | The funeral anthem is a triad e - - - I van - gel ; The
fj What I He has | given;... | They live on earth in tho't and deed, as | tru - lv aa
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" JIORE SWEET THA?f ODORS," Charity Chant.
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j More sweet than odors which at [ j Soars charity's pure incense, borne
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2. It can the woes of others cure,
And bring its | own re- | ward ;|
For what we give unto the poor,
We lend un- | to the | Lord. |
3. When God looks from his throne abore,
No sight his I eye can | scan]
m on high. A men. So pleasing as the deed of love,
"Is" ^ ^ ZZ V^O, Z2 Which binds man | more to | man.|
t 4. And angels, when they dwell fecure.
Those deeds with | joy re- | cord;|
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HOLINESS BECOMETH THY HOUSE. Opening Piece.
Holiness becometh thy house, Holi-ness becometh thy house, 0 Lord, for ever, O Lord, for ever; Holiness becometh thine house, O Lord, for ever aid ev-er. A - men.
DAT OF WRATH,
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Day of wrath.that day of bn n
All shall melt to ashes turning. \U Y seers dis-
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Thou endured'sl i irth's spite and treaoo,
Nor me lose in | that dread | season. |
Seeking me thy worn feet hasted,
On the cross thy soul death tasted. |
Let such labor j not be | wast. i.
.._ ^ 4. I beseech thi ..■■lying,
1 " Heart as ashes, contrib
Care for me -when | I am | dying. J
On that awful day of -wai
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Spare the culprit, | God of [ glory I
\ESTOSO.
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AWAKE ! P5'T O^ THY KTREWJTH. Anthem. Is. li. 9, 11.
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A-wake ! a-wake I put on thy strength, 0 arm of the Lord; A-wake ! as in at days ; a-wake ! aa in the geu-er - a-tions of >>\<\ ; A-wake ! as in the au-cieDt
A-wake ! a-wake ! put on thy strength, 0 arm of the Lord; A-wake I as in the ancient days ; a-wake ! as in the gen-er - a-tions of old ; A-wake! as in the an-ciont
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1. Into the silent hind ! Ah ! who shall lead us thither ? ( Clouds in the eveningskymoredaikly I
I gather, And shattered wrecks lie thicker ) on the strand ! Who leads us with a gentle hand, ji Into the ) silent land, silent land.
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3. O land ! O si-lent land ! For all the broken-hearted, ) The mildest herald by our fate al- ) 1 Into the land of the great j
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AWAKE ! PITT ON THY STRENGTH ! (Continued.)
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All tl re ;il
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Is all 1 ask of | Christ to | give
Christ. w>en thou shalt call me hence
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Be '■ victory .j
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Sale in para- | Jim.- wuh ; IMC '
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liiEHOLD THE Li.TIB. Chant No. 7.
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1. Behold the Lamb ! be-hold the Lamb ! I O thou for sinners . . . .
2. Behold the Lamb ' be-hold the Lamb 1 Archangels — fold your
S. Behold the Lamb I be-hold the Lamb 1 Drop down, ye glorious
4. Behold the Lamb i !>e-hold the Lamb ! ! All hail — Eternal
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slain : I Let it not be in vain That
wiags — Seraphs — hush all your strings Of
— He dies — he die6 — he dies For
Word! Thou universal Lord — Purge. .
tlum hast
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lyres: I' The Victim, veiled ou earth, in love
lost ! Yetio! he lives — he lives — he lives-
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Thee, thee alone my refuse make,
Unveiled — enthroned — adored above — .
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Saints, wrapt in blissful | rest — |
Souls — waiting to be blest —
Oh ! | Lord how long ! |
Thou church on earth, o'erwhelmed with fears, |
Still in this vale of woe and tears, |
Swell the full | song.
|: Behold the Lamb! :|
■Worthy is he a | lone, |
To sit upon the throne
Of | God above ! |
One with the Ancient of all days —
One with the Paraclete in praise —
AH light— all I lave I
1/ til Ttnor sing Oct: highest notes m the last strain, let tht Alto also smg tiutrs, (A and F.)
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LORD OF JLY SALVATION. (Con-tinted.)
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Hall* - | lujah ! | Blessing, and glory,
in, aud t! _•. and
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328
BLESSED ARE THEY THAT MOUKV.
Blessed are they that mouru, Lk-soed are thej that i.iourn,
They shall be com - fort - ed.
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2. Hail, Je-susl all vie-to-rious Lord! Be Thou by all mankind a - dored ! For us didst Thou the fight maintain, And o'er our foes the victory eain, That
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BLESSED ABE THEY THAT .TIOL'BiV
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LET EVERY HEART. (Concluded./
chorcs. Vivace.
kind arc nil his ways, With songs and honors sounding loud, The Lord Jehovah praise.
kind are nil his ways, With solids and honors sounding loud, The Lord Jehovah praise. While the rocks and the rills, And the vales and the hills
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glorious an - them raise, Let earth »pro - long the grate - ful song, And the God of our fathers praise, And the God of our fathers praise.
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1. Ohl how happy are tin v. Who the Saviour obey, And have laid up their treasure ah. >v>- ! Tongue can never express The sweet comfort and peace Of a soul in its ear-li-est love.
2. It was heaven below My Redeemer 1 iknowl And the angels could do nothing mo :-e, Than to fallal bis feet. And the stor-y re-peat, And the L >ver of sinners adore.
WHEN TUB] LORD SHALL BUILD IP ZIOrV. Anthem. J. Colo. 331
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(AST THY BURDEJV ON THE LORD. Sentence.
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ADDITIONAL ANTHEMS, OPENING AND CLOSING PIECES, ETC.
In former editions of The Jubilee, the Cantata of " Esther, the Beautiful Queen," occupied the following forty pages. The
popularity of this Cantata as a concert piece, and the frequent requests that a collection of Cantatas might be issued in permanent form,
has suggested the publication of a " Book of Cantatas" for the use of Musical Societies, etc., consisting of the three following, viz. :
" Esther," "Daniel," and " Pilgrim Fathers." It being no longer necessary to republish "Esther" in The Jubilee, we are enabkd
to respond to the repeated calls for more Anthems, and have filled the space with such (mostly quite new) as we believe will commend
themselves to our choirs and the musical public generally.
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ALLEGRO MODERATO.
TRUST IN THE LORD, AIVD DO GOOD." (Opening or Closlng Piece.)
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LIFT TIIEVE EYES TO THE MOUNTAINS."
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AM.EURO MODKKATO. . _ A LITILt: MIIHI.K.
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"O LORD. I WILL PRAISE THEE." (Conttntjed.)
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ALLEGRO— Bold and Spirited.
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"THE LORD IS MERCIFUL A!\D GRACIOUS." Motet. (For Public Worship)
Noti. — Where short opening pieces ore desired, this Motet (extending to page 848) may be divided so as to make three such pieces; — one commencing here, and ending with pagi i mother colon
OB page 844 (" He hatli not dealt with us," Ac.), and ending on page 846, at the first double bar; — another commencing on page 845, first doublo bar, ("Like as a father,' > ami coneliKlfns on paze
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346
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"HE HATH NOT DEALT WITH US AFTER OUR SINS."
(THE LORD IS MERCIFUL — Continued.)
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(THE LORD IS MERCIFUL— Continued.)
^ PATHETIC— A liulc Slower nnd Softer
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(THE LORD IS MERCIFUL— Concludes.)
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MODERATO.
" THE LORD I* NIGH." (For Public Worship.)
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BLESSED IS HE WHO COMETH."
AV.I-EGRO.
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Ho-san-ua in the high-eat,
"STAIVD tIP FOR JESUS."*
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for Jc -bus! All who lead his host ! Crowned with the splendors of the Ho - ly Ghost ! Shrink from no foe. To no tempi -u-tiors yield.
for Je - sus ! \e of ov - ery name! All one inprayer,and all with praise a - flame ! For - got the sad ep-trao : the past,
for Je -sus! Lo! at God*8 rigM bond Je - sus him-self for us de - lights to standi Let saints aud sin - ners won-der .-.* bis grace:
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'-m^Essi n is nE wno oojieth." (Cowclcdid.)
349
est. Ho-san-na in the high - est, in tin- high - est, in the high - est, Ho-san-na in the high - est,
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"STAND IP FOR JESUS."
CHORUS.
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(Concluded.)
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Let Jews
the tri - umphs of this glo - rious field — \
con - sent in love and peace at last — >■ Stand up for Je - bus 1 Stand up for Je
and Gen - tiles blend, and all our race — )
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350
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ALLEGRO MODERATO.— With Animation
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And in his days shall the right - eous flourish, And his name shall en - dure, shall en -dure for ev - er,
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us, That we should be call - ed the sons of God,
that we should bo call - cd the sons of God
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BEnOLD, WHAT IWANI\ER OF LOVE." (Continued.)
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" HOLY, HOLY, HOLY LORD GOD OF SABAOTr -
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'•nOI/V, HOLY, 1101,1 LORD GOD OF SABVOTII." ( Comcltoeiw
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THE MOTHER'S LAMENT. Song, with (horns IIc'miioiinc
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1. You spot iu the churchyard, How and is the bloom That Bum -mer flings rouud it, In flowers und per-fume: It is tny dust, my darling, Q
2. The lii - ics boudineek-iy Thy bo - soul a- bove, But thou wilt uot pluck them, Sweet child of my LoYe: 1 sec. ( • ■ ■•■ wi] I ;
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life to each rose ;
low o'er thy bed.
'Tis be - cause thou hast with - ered, The
But I see not the ring - Iete That
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decked thy fair he ad ; But I see
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I hear the bee humming
Around thy bright grave :
Can he deem death is hidden
Where sweet flow'rets wave ?
From the white cloud above thee
The lark scatters song,
But I list for thy voice,
O, how long I O, how long 1
4.
Then come back, my darling,
And come back to-day,
For the soul of thy mother
Grows faint with delay.
The home of thy childhood
In order is set,
The couch and the chamber —
Why com'st thou not yet ?
Dear ehil ! ! thou wilt never
Return unto me.
But we part not for ever —
I tr<> onto th. e.
My Saviour stands smiliug
"With thee on his !.r a-t,
And in hi* compassion
My heart bhall find rest.
374 THE BLIND ORPHAN <U1I&L. Song, v&iCh Jlclodeon At •« osupaniiucnt .
Words by Coru«lia. Composed and re-arranged by Win. rf. Uradburv.
They toll me the earth is must Love-ly and fair, Be-decked with eweet blossoms thut i.™ J hath placed there ; O, would I could fleet- ine the
I've a sweet lit -tie bro-ther, with heart full of glee, Who lisps iu my ear,.. dear sis - ter Ma- rie; I clasp his light form iii my trembling em-
Melodeon Accompaniment. — Play eight measures Prelud
view, Me - thinks I should ev - er re - tain their bright hue. Then the glo - ri - ous
brace, And pray for one glimpse of his dear, sun- ny face: I.... feel his soft
sun with his man -tie of gold, And the sweet, silvery moon that such
ring - lets float o - vcr my cheek, When up to my neck he ... .
beau-ty un - fold. And the bright chain of stars that round them are twined; O when shall I see them, I 'm blind, O I'm blind; The bright chain of
climbeth to speak, With his soft lit - tie arms round ine lov - ing - ly twined; He whis-pers, dear sis - ter, are you blind, are you blind ; With his soft lit -tie
stars that round them are twined ; 0 when shall I . . see them, I 'm blind. 0 ! I 'm blind.
arms round me lov -ing - ly twined; He whispers, dear sis-tor, are you blind, are youbliud?
My father, dear father, I loved so to greet ;
And kind, gentle mother, whose voice was so sweet:
When they bore them away, and whispered, they 're dead
I wept that my spirit with theirs had not fled :
And while o'er these idols the warm tears did 6tart,
A voice whispered peace to the orphan's lone heart;
It breathed of a home where the IobI I should find.
And murmur no more, I 'm blind, 01 I'm blin \.:\
Note. — TU email nuke are chuflij for Ihe second stanza
Words by J. T. Swartz.
REC1TANDO.
3JO TEARS IN HEAVEN. Song, with Quartette or €horu«*
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I, " Poor b'*v, why weepest thou?" " My parents both are dea -1." hesuid ; "I have not where tolay my bf nd ; 0, I am lone and friendless now !
stricken one," said I, " weep not!" "Weep not I" in accent wild, he cried, "But yesterday my loved one died, And shall aho be bo soon £nr - got t"
Not friendless child ; aFriendonhigh Foryou bis pre - cious blood has given; Cheer up, and bid each tear be dry — " There are no t •
For -got -ten! Nol stilllet her love Sustain thy heart, with an- giuah riven; Strive thou to meet thy bride above, And dry your tears, your teai
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in heaven."
e id heaven.
MOD ERA TO- In a subdue:l and soothing style.
QUARTETTE or CHORUS. ,
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Not friendless child
For - pot - ten ! No !
a Friend on liiajh
still let her love
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tear?, your tears
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in heaTeu.
3. I saw a gentle mother weep.
As to her | throbbing heart she prest
An | infant, seemingly asleep.
On its kind | mother's shelt'rine brenst.
" Fair nne," said I, " pray, weep no more.'
Sobi . he, " The idol of my hope
I now am called to render up ;
My babe has reached death's gloomy shore."
Tonne mother, yield no more to grief,
Nor b»- by passion's tempest driven,
But find in these sweet words relief,
"There are no tears, no tears in hej
4. Poor traveler o'er life's troubled wave —
Cast down by I enef. o'erwhelmed by care-
There | is an arm above can savb
Then yield nol [ thou to fell despair. I!
Look 0| ■ I, mourners, look above '
What ...ough the thunders cello loud ;
The son shines bright beyond the cloud.
Then trust to thy Redeemer's love.
Whene'er thy lot in life be cast.
• 'er of toll cr woe be given—
Be fi-m— remember to the laat.
" There are no :. ^rs, iio tears in heaven-"
»j|l) Words bt ITIrs. Dana.
SLOW and EXPRESSIVE.
SKE.-tR .TOY P2MYER. Sacred Song.
Musio bt W. B. IJ.
r<
< Hear my prayer, my heavenly Fa-ther, Let my cry come un - to thee; )
\ For my soul is full of trou-ble, 0 be mer-ci- ful to me. \ 0 my heart ia full of trou-ble. And my cheer-ful - ness baa fled, Hear my
(Like a spar - row sit - ting lone - ly, All the cloud -y win-ter's day, )
\ I am watch -ing ev - cry hour, For the sun's re-viv-ing ray. J In a
coun - try, dark and bar - ren, O how long have I to roam ; I am
A little Faster.
prayer, my heavenly Father, Raise up my drooping head; O, when ihall I be sing-ing, My voice with music ring-lug, While my soul her way is winging, To my
wan - d'ring thro' the wilderness, Acd longing for my home. 0, when shall I, <tc.
heavenly, heavenly home ; While my soul her way is winging, To my heavenly, heavenly home, my heavenly home, my heavenly home, To my heavenly, heavenly home.
Words bt Rev. Dr. Bethuue.
SPRIGHTLY.
THE ORIGIN OF SOIVG.
#
1. Man first learned song in Par- a - dis.e, From the bright an - gels o'er him siug - ing; And in our home be - yond the skies. Glad
2. Then, let me sing while yet I may, Like him God loved, the sweet-tongued Psalm-ist, Who found in harp and ho - ly lay The
-Ik-
on - thems are for ev - er ring - ing God lends his ear, well pleased to hear The songs that cheer his chil-dren's sor - row , The day shall break, and
charm that keeps the spir - it calm - est , For sad - ly here I need the cheer, While sin - ful fear with pleasure blendeth ; O ! how I long to
we will wake, Where love will make un - fad - ing mor - row, Where love, where love, where love will make, will make un - fad • ing mor - row.
join the throng Who sing the song that nev - er end - eth, Who sing the song, the song, Who sing the song that nev - er end - eth.
QUARTETTE or CHORUS.
God lends his ear, well pleased to hear The songs that cheer his children's sorrow ; The day shall break, and we will wake Where love will make un-fad - ing mor-s^w.
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For sad - ly here I need the cheer, While sin - ful fear x< -ith pleasure blendeth; 0! how I long to join the throng Who sing the song that nev - er end- eth.
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ATH SOIXOOXji PIEOSS
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we're taught to read How Christ for Bin - ners groan'd and bled, How Christ for tin - Sera groan'd at I
we sing and pray, And learn to love the Sabbath day, And learn to love the Bab
our days are o'er, We'll meet in heaven to part no more, We'll meet in heaven to part no
there; 'I • • . t> nefa me there tliat
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shall greet, And oh ! what joy 'twill be to meet, And
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oh ! what joy 'twill be to meet
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!. haven a- bovc. In heaven a- hove, to part no more,
1 love to go, I love t> go, I love to go to Sab - bath- school
In heaven a - bove, In heaven a - bove, [n heaven a - bove to part no more.
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1. Jr-sui we love to meet, On this thy holy day. We worship'round thy seat. On this thy holy il:iy ; Thou tender heavenly Friend, To tin-- our prayers ascend O'er our young spirits bend On this thy h»ly day.
2. We care not trifle now, On this thv holy day. In silent awe we bow. On this thy holy day ; Check every wandering thought, And let us all be taught. To serve thee as wo ought. On this thy holy day.
4. We listen V> thy word, On this thy hulv day," Bless all that we havo heard, On this thy ho'iy day ; Go with us when we part. And to each youthful heart Thy saving grace Impart, On this thy holy day.
378
GLADLY
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FfiOM BEADBUEr'S "S. S. Choie."
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are pro-vid - iug, Some the in- font mind are guid - ing, Filled -with ho - ly fear, Filled with ho - ly
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DIALOGUE
SO^'G
3. Gladly meeting.
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Let us all iiaile in heart.
While the throne we're all addressing.
Aril our sinful Brays confessing,
Let us seek a heavenly blessing
Ere we hence depart.
4. Gladly meetine,
Kin lly grl I
As 1 ith shall return,
May our minds by study brighten,
May our aspirations heighten,
And may grace our souls enlighten,
le we strive to learn.
'. Teachers, tell ua why you toil, Why on us your hours bestow? Children, 'tis to us a joy, You the way of life to show, You the way of life to nhrw.
2. Does no oth-er cause iu - duce ; Is our good your oa - ly aim? Children, for your souls we toil ; And the blest Redeemer's name, Ani] Re - deem - er's n?me.
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Scholars.
Teachers.
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3. Little fruits your effort? crown,
1 et, dear Teachers, labor
God dispensing showers around,
.May refresh our barren ground.
S. 4. May we all, our Teachers dear,
Recompense your pious care.
T. Children uow for Heaven prepare;
May we reign together there.
Taught and teachers would unite
Their warm tribute with delight,
For our Superintendents now
At the throne of grace we bow,
There our fervent prayer as'ends
For rich blessings on our friends ;
Safe in God may all abide —
Sweet the refuge there to aide.
T-H E
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WEEK WE
SPEXD.
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1. All the week we spend Pull of childish bliss, Every changing scene Brinssitshapninoss ; Yet on rjovs would not be full, Had we not the Sabbath School. Yef oar joys would not be fall, Had we not. A
2. Lovely is the dawn Of 1 ichi ■ [joveliestthemorn Ofthe Sabbathday; Then ouryouthfulheartsarefullOfthepreciousSabbathschool, Them til hearts are 0 reciousAe.
3. To -sed news isbroucht : Tidingsofthe worle ] , t;G ■ :' I : How we love the Sabb Bowwe. Ac.
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i i' No. 1. — Single.
Talus.
SELECTION I.— The Lord's Prayer.
1. Our Father who art in heaven, hallowed | be thy | Dame:
2. Thy kingdom eome ; Thy will be done, on | earth, as it | is in | heaven.
3 Give us this day our | daily | bread;
4. And forgive us our trespasses, as wo forgive | them that | trespass a- | gainst us.
6. And lead US not into temptation, but deliver | us from I evil ;
6. For thine is the kingdom, and the power, and the | glory,, .for- | ever,, .and | ever.
SELECTION n.— For Children.
Psalm 108; 17, 18.
I The mercy of the Lord is from everlasting to everlasting, upon them that fear him,
and his righteousness unto | children's | children:
2. To such as keep his covenant, and to those that remember his com- | mandments to |
do j them.
.Mark 10: 14.
1 Suffer little children to come unto me, and for- | bid them | not :
2. For of | such, .is the | kingdom, .of | heaven.
Isaiah 44 : 8, 4.
1 I will put my spirit upon thy seed, and my blessing up- | on thine | offspring :
2. And they shall spring up as among the grass, us | willows, .by the | water- |
courses.
Isaiah 40 : 11.
1. He shall feed his flock like a shepherd; He shall gather the lambs with his arms,
and carry them | in his | bosom,
2. And shall gently lead | those that | are with | young.
Acts 2: 30,
1. For the promise is unto you, and | to your | children ;
2. And to all that are afar off, even as many as the | Lord our | God shall | call
SELECTION m.— For Baptisms.
Matt. 28: 19,20.
1. Go ye, and teach id' ..ations. baptizing them in the name of the Father, and of the
Son, and of the ) Holy | Ghost ■
3. Teaching them to observe nil things whatsoever I have commanded you , and lo, I
am with you alway. | even, .to the | end. .of the | world. J A- | men.
SELECTION TV.— For Opening or Closing Service.
INVITATIONS.
Matt. 11 : 28.
1. Come unto me all yp that labor and are | heavy | laden.
2. Gome unto me all ye that labor an 1 are heavy laden, and | I will | give you | rest.
:379
3. Take my yoke upon you, and learn of ma ; for I urn meek and | lowly, .in I heart;
1. And ye shall find | rest un- | toy OUT | -
r my yoke is easy, and my | burdi D..i tight,
6. For my yoke is | . asy,. .ami my | burden, .is | light
Psalm 61 : 17.
1. The sacrifice* of God are a | broken j pint
2. A broken and ite heart, O | God, thou | wilt not. .da- 1 spise,
22 : 1 7.
1. And the Spirit and the Bride | let him that I heareth. .-"av, I Come ;
2. And let him thai is athirft, oo hoeoever will, let him take the I wuter of
| life— | freely.
First Part
CHANT No. 2. — Triple Chant. — Gloria in- Excelstb.
8«( OHO Part.
SELECTION V.— Gloria in Excelsis.
TO THE FIRST PART OF THE CHANT
1. Glory be to | God on | high, J and on earth | peace, good | will towards | men.
2. We praise thee, we 1 we | -n ■ -hip | theejwe glorify thee, we give thanks to
thee | for thy | great — | glory.
TO TnE SECOND PART.
3. O Lord God, | Heavenly | King, | God the | Father | Al— } nrighl
4. O Lord, the only-begotten Son, | .lesus | Christ. | O Lord God, Lamb of God, | Son. .
of the | Fa — j ther!
TO THE THIRD PART.
5. That takeft away the | sins, .of the | world. ' have merev up- | on — | us.
Bi Thou that takest awav the
1. Thou that takest awav the
sins. ...f the
sins, .of the
world, J have mercy up-
orld. J Re- | ceive our
on — us.
prayer.
a that sitt. -: .; the right hand of | God the | Father, |bave mercy up- | on — | us.
TO TnE FIRST TART.
9. For thou i i— | holy, H Thou | only I art the | Lord.
10. Thou onlv, 0 Christ, with the | Holy | Ghost, | art most hi the | glory, .ofj God
the | Father. [ A- | men.
380
CHANT No. 8.— Single.
SELECTION VI. — For Opening or Closing Service, or for Funeral Occasions.
Psalm 90: 12.
1. Lord, tbou hast been our dwelling place iu | all gene- | rations.
2. Before the mountains were brought forth, or ever Thou haust formed the earth and
the world, even from everlasting to ever- | lasting, | Thou art J God.
3. Thou turnrst man to destruction ; and sayest, Return ye | chil. .dren of | men.
4. For a thousand years in thy sight are but as yesterday when it is past, and | as a |
watch.. iu the | night.
6. Thou oarriest them away as with a flood; they are as sheep: in the morning they
are like grass which | growetb | up.
6. In the morning it flourisheth, and groweth up; in the evening it is cut | down, cut \
down and | withereth.
7. For we arc consumed by thine anger, and by thy | wrath, .ate we | troubled.
8. Thou hast set our iniquities before Thee, our secret sins in the | light of | thy — |
countenance.
9. For all our days are passed away in Thy wrath; we spend our years as a | tale. .
that is | told.
10. The days of our years are threescore years and ten ; and if by reason of strength
they be fourscore years, yet is their strength labor and sorrow: for it is soon cut |
off. . and we | fly a- | way,
11. Who knoweth the power of thine anger? Even according to thy fear, [so is..
thy | wrath
12. So teach us to number our days, that we may ap- | ply our | hearts, .unto | wisdorn
CHANT No. 4.— Single.
f=^=
SELECTION VTJ.— For Opening or Closing Service.
Rev. 4 : 8 & 11, and 5, 10 & 13.
1. Hily, holy, holy, | Lord. .God Al- | mighty. || which was, and | is, and j is to [ e<fme.
2. Thou art worthy, O Lord, to receive glory, and | honor., and | power; [for Thou
hast created all things, and for thy pleasure they | are and | were ere- | ated.
3. "Worthy is the Lamb | that was | slain, || to receive power, and riches, and wisdom,
and strength; and | honor, . .and | glory,, .and j blessing.
4. Blessing, and horn and I glory,, .and | power, J be unto Him that sittoth upon the
throne, and u to I he | Lamb, for- | ever, .and J ever. | Amen
CHANT No. 6.— "O give thanks."
Solo, or "emichorus. Chorus to every vertt
''O give thanks unto the Lord, for he is good : For his mer - cy en - dur - eth for tv ■ or.
0 give thanks unto the God of gods, For his mer-cy en-dur-eth for ev-er A-men.
Psalm 136.
1. 0 give thanks unto the Lord, for he is good ;
2 O give thanks unto the God of gods ;
3. O give thanks unto the Lord of lords ;
4. To him who alone docth great wonders ;
5. To him that by wisdom made the heavens;
6. To him that stretched out the earth above the
7. To him that made great lights ;
8. The sun to rule by day ; the moon and stars
9. Who remembered us in our low estate ;
10. And hath redeemed us from our enemies;
11. Who giveth food to all flesh ;
12.0 give thanks unto the God of heaven ;
Cho. For his mercy
Cho. For his mercy
Cho. For his mercy
Cho. For his mercy
Cho. For his mercy
waters ;
Cho. For his mercy
Cho. For his mercy
to rule by night ;
Cho. For his mercy
Cho. For his mercy
Cho. For his mercy
Cho. For his mercy
Cho. For his mercy
en dure th for ever,
endureth for ever,
endureth for ever,
endureth for eve
endureth for eve:.
endureth for ever,
endureth for ever.
endureth for ever,
endureth for ever,
endureth for ever,
endureth for ever,
endureth for ever.
Amen.
CHANT No. 6.
P
4 i-4
==T
«=*
La IfeJ 3^pl
=fc::
t £
•m -!*- . fZ>.
SELECTION Vin.
" Tliy rvill be done n
'Thy will be | done !"| Iu devious way
The hurrying streams of | life may | run ;J
Yet still our grateful hearts shall sav, I
"Thy will be | done!'1
'Thy will be | done!"] If o'er us shine
A -laddening and a | prosperous | sun,]
This prayer will make it more divine — |
" Thy will be | done I"
"Thy will be | done!" | Tho' shrouded o'er
Our | path with | gloom.l one comfort— one
Is ours: — to breathe, while we adore, |
"Thy will be ( done I"
Bowring.
Close by repeating the first two meaM:
done."
Thy »i£ l»j
ALPHABETICAL INDEX CF TUNES.
eotaiar Sow. ■.'•it
tSaStia. ...... .....m
Adelpba 142
Adra. 9ri
Agawan 117
Alena. 1 T<
Aletta. 289
Alice, 244
Allda 287
All Saints 71
Ai'.'s Well 800
America 264
AmtiiTst 218
Amsterdam 250
Andrews. 245
Angelo 1^
Another Year 289
Apheka 180
Arcadia 167
Armstrong 181
Arno 254
Arpad 156
■ shua 181
ishur 60
isnwell. 18
Athena :i
Atlanu 195
Aurora. 268
Autumn
Ava 254
Avsh 168
Avon 1ST
Azinon 169
Azel 197
Ariel 817
Babcock 99
Baca. 77
Badea, 192
Baden 8o ;
Balerma 141 ',
Bangor 139:
Barby 181
Baron 17.)
Sava. CI
Beach 95
Bella. 199
Bellevlllo 254
Benevento 226
Rcnlnda 2.v;
Benjamin
Borilh 115
■ n 100
ltciilab 70
Beverly. 1-6
Beaek 2 16
Billing's Hebron i'.'7
Billow ,2C9
Bineuampton
Bleadnn 68.
Btooinfield Chant 1 ■_•
Bom 77
Jodwell 59 1
Robme 22?
Bnnnbw H9 ,
K->wdoin Square i07
.......... 911
Bower 166
Boyle 198
Roylatou MM
Braden 176
Bradford 108
Bradnor 16S
Braiierd 190
Brattle atreot 169
Bridgewater lo"
Britton, 92
Broosa 164
Brothers 88
Brown 119
Burder 129
Burford 146
Butler 280
Byefield 161
Caddo 152
Ca.lv 71
Caldwell 104
Calm 219
Calno 115
Cambridge l7o
Oano 77
Cana 259
Canandaigua 807
Cappadoc-ia 217
Captivity (L. M.) .... 71
Captivity (lis.) 261
Carmelhill 21S
Carmi 69
Carpns -7
Carrie 191
Carroll
Carson 249
Ceclx 251
Cesarea 2 -54
Cevlon 15s
Chamberlin, 220
Cbamounix 118 |
Chapman. 116
Charlotte 207
Cuarran 75
Chelmsford 162
Chenango 180 I
Chenaniah 57 I
Cherokee 280
China 146
Christian's 81eep 112
Christmas Hymn 226
Clarendon 187
ClarKsville 2'>9
Clavtonville 189
Cos 2>i2
Come Home 226
Come.yc disconsolate 264
Confession 177
Converse 171
Cooperetown 210
Corfu v>b
Cornelia. .221
Cornet 3u9
Coronation 184
Cortland 189
Coventry 114
Cowper 156
Cramer 152
Cranbrook 176
Cremona 1 !7
Cross and Crown 148
Oroton 242
Croydon 136
Crystal Lake 181
Cushi 62
Cyprus 76
Dallas 222
Dalston 220
Darwell -.'11
Davis 206
Death of a child 808
Deborah 113
Delight 267
Denholin 105
Denkmul 158
Dennis 178
Departing 75
Devizes 12S
Dor lit
Doro 259
Dothan 92
Doubleday 121
Dover *<4
Downieville 171
Dresden 84
DutBeld 28S
Luke street 98
Dumbarton 108
Dundee 136
Dunlap 155
Eagle Eock 104
ICaston 275
Eden 88
Ddmeston 116
Effineham so
Kglati 144
Efah 113
Elhanan 261
Elida 81
Elim 199
Elm Grove 89
Elon 74
Endor 250
Enon 266
Erastus 117
Ere I sleep 289
Ball 114
Esther 188
Ettie 294
Eunice 172
Euphrata 124
Evan 160
Evarts 142
Evelyn 231
Evening Hymn 105
Evening Prayer 244
Expostulation 265
Ezbon 165
Falrton 287
Farmlngton 123
P. -dcraT street 68
Fisk 249
Flagg 1-7
Fleming 159
Flora 151
Foord 99
Forest 107
Fountain
Fowler
Fragrance 182
Franklin 7
' Franklin Square I9fl
rick
Freeport 200
Fulda. IS
Fulton 225
Oabriel 210
Galena 108
Galesburg 75
Gallagher 215
Uazn S3
Gatchell 127
G orgetown 61
German; 96
Gertrude- 221
Gcther 186
GilbertsvlIIc 90
Gilbert. 208
Gilead 86
Gillet L81
Gilmer 62
Golden Hill 204
Goodoll 161
Gorton 199
Goshen 26S
Grannis 227
Gratitude . . 90
Greely 179
Greene. 296
Greenville 239
Griggsto wn 285
Griswold 241
Grove 151
Grow 198
Guyon 214
Hadyn 166
Hadassah 264
Haddain '.'u-
Hail tothebrightness.264
Hamburg 91
Happiness.
Harding 190
Harmony Chant. .
Harper
Hartel 109
Harvest 254
Harvey's Chant 120
Harwell 243 '
Harwich 210
Hastings 141
Hattie .
Haven
Hazel Grove IT-''
lliizelwood 198
Head of the Church. 263
Heber 115
Hebron -I
Helena 111
1 1 rmain.
II. 11. ion 288
Henry
11 Tbsl 232
Hereford 164
Hermes 35
Hesperus 178
Hiding Place fl) 811
ID lug Place (21 Ml
Highland
Hlllsboro 129
Hodeeta
Ho lister
Hopewell 190
Hosford
Howard. 16S
Howell 2 1
Hndson 124
Hulsen
Hutton 185
Iosco 88
Isadoro 243
[scab 68
Italian Hymn 256
Italy loo
It is I, be not afrai-l
Ittai 60
Jaffra 162
Jayne 18s
Jeddo 148
Jennie 212
Jesu dulcis memoriee.279
Joram 68
Jordan (Billings') ...122
Jordan (Jones') 143
Judd. 79
Judson 152
Just as I am 2S0
Kadesb 74
Kedron's Waters 272
Kewanee 245
Koni-rstrasse 180
Koningsburg 157
CingdomsibThrones.l 10
Kirk wood. 177
Ki-b
Laban 204
Lacey 156
Lak« Pleasant 121
Lake street 72
Lamb 316
La Mfra 126
Lampard 1 19
Lands
Lanesboro 118
Lanslngburg 258
La Prarie 150 1
Laorol Hill
Lawn
I«-ad thou me
Learning. ......
. ito
it 124
Light. 4 1-1
I.ilv 128
Lind
i «
■ nrllle
Linu 214
Lischer 212
Litany 23d
Marlborougi,
Lonls, 172
Loving Kindness. . ..101
ell 07
Ladlla
Luther 2.^2
Luton in]
Lydda los
207
Lystra lis
Macau 62
Madan 116
Magnolia Isy
Mahalelh 122
Maloa 66
123
Manly
Manoah 89
Marcus 67
Maria 14S
Marie 199
Marlow 165
Martvn 22s
Marvin 191
Mason 88
Mattltuck ..165
McOabe 86
Mear 164
Medfleld 121
Memphis 162
Men-Ion 106
Menona 171
Merdln 276
Merlin 147
Meroe 79
Merrill 2-29
Mi^ah 78
Miklotii 140
Millennium Song 248
Millington 248
Mills.. 188
Milwaukee
Minnehaha 231
Minnesota. 24o
Minni
M'riam 120
Mlrma 193
Missionary Hrmn. . .812
Mlzar .195
MontnontL
Moravian . .. 127
Mornlntrton.. . .
. I 1 99
Ml !•■ 188
Mount Bethel
157
Mount Mop.-
1 Zion 7-.'
Uount Zoar
Ml \ 286
.'ine
Mush:
Musing
nl 169
■ Nashville
, Nazareth -2
P tO Thee. .
•N.-i.o 176
Nettle 281
.N.tUeton
189
Neweonrt 215
U
Newland 7;j
New Haven 866
New Hope
New Hundred 95
New Vernon 98 I
Northwood
Norvill.-
' Norwalk 1 74
Notting Hill 142
Nuremburg 227
Oak. 255 i
Oatlands 140
Oberlin
/Ocean Hill 195
O cease, my wander-
6onl
0 happv thev
Okonta 256 '
Old Hundred 105
Ulean 109
Oleo 64
I Olive
Olive's Brow 102
Olmute 197:
Omar 206
Om Ida.
Oneonta
Ophir 219
O praise yo the Lot
Oriel
158
Oriole 173
Orland
.-ton 36
Oshkosb
Osman
Otsego Lake. . .
• Our journey borne
OITO
lsa
.. tf
<>zankee . .
149
..241
••0?
!,e
. 26.",
Pal. -trina
Palona ...
.149
. 76
-
19.'
a
.. 9f
. 171
Is5
..222
Peoria
..184
-on
188
24f
Phurah
..15(
I'buvab
..251
vri
Pilgrim
..284
'a Ilvmn (DM) 99
Hvmn (7s.
.224
,108
r for Peace . .
..2s6
177
Quito
112
167
.240
1"2
K.-tr.-at
Binge
..170
Blpple
.256
.147
Biyer
..817
189
Kiv. rslde
.188
P.ivingUjn
.218
.186
Pock.
61
127
Bock Island
.262
Po'-kingbam . ..
.106
md
. 88
Eock of Age*
.822
168
Bolland
. 66
Komberg
.168
Pose
.128
in
286
Bothwet
85
144
Ilowlev
Rural mn.
.859
v>;
T.hbatUB
■
a,
•1
UtiMi
.1*
4&lmla
4atterlec
-*aurin 156
Savanuah 266
Schneider 204
Bcriroepple 1 19 I
Soudder 183
Scudo 185
Seaman's Son? 233
Seasons 79
Secret Prayer 14.")
Sheffield.. 180
Shelter Island 133
Shorm 81
Sherman 108
106
Shilol 94
Shlrland 1*2
Sboul of.lciT
ANTHEMS, CHORUSES, OPENING INP CLOSING PIECES, CHANTS. FT!''
Sicily 233
Bldmoath 318
Bllrerton Ul
Silver Spring 88
Silver Stream 181
Silver street 191
Sinclair 192
81ng Praises 329
Sinner, come 278
Slators 221
Slade 78
Smltbville 205
Solon 153
Soplde 2(10
Sparta 96
Spring 225
Sprlngvale 66
Star of tba East . 288
Slate street 204
Steeie 65
Stephens 186
Stillwater 28
Stillingfleet 174
Stockwell 234
Stonefield SO
Stow 206
Strong T8
St Ambrose 154
St. Ann's 183
St Edmonds TO
St John's 170
St Martins 120
St. Nlcolai 228
8t T lomas 1S8
802
Sunset 248
Surrey 93
Sutherland VI
Swanwlck 169
Sweet n&llelujah Si
Taberah 101
Tamworth 241
Tarsus 149
Thatcher 187
Thasted 162
Terah 11--
The Better Land .... 7s
The Burden 107
The Call 158
The Chariot 205
- 147
The Little Grave.... 175
The Lord is gren
Tlie L.>rd my Shep-
herd Is..... 200
The Promise 288
There's rest in the
Brave 308
The Sacred Stream.. Ill
The Sacred Tie 110
The Voice of Free
Grace 292
The Wanderer 201
Tbroueh the night air
stealing 260
Tbyatrra 252
Time is winging. 250
Tioga 194
Titus 258
Toplady 222
Tribunal 151
Truro 69
I'rmnnd 82S
Teal 178
Ulla. 147
rnoml 274
Union. 246
Crsint 22J>
Utica 251
Uxbrldge :. 97
Verdure 120
Volk 72
Violot 223
Wahnatah 214
Ward "9
Wardwell 59
Wareham 145
Warrington 57
Watchman 282
I Webb 243
Wells 75
Wclton ST
Wesley 280
West Point 208
Whitney 184
Wiilard 126
Willow Creek 244
Willow Grove 140
Will you got 284
Wilson 112
Wilton 245
Winchester 106
Windham 79
Windsor 142
Winslow 219
Winter 14H
Wirth 160
Woodland 180
, Woodstock. 125
Woodlawn !*»
Woodman. ..." 16*1
; Woodside 194
Woodwortn 67
Worthing. 287
Yates 238
Yuba 243
Zabonl 194
Zadoc 281
Zaliuon 63
Zebulon 213
Zelek &•
Zepho
Zephyr 5C
Zethan 22"
Zlon 241'
Zoba
^ANTHEMS, CHORUSES, OPENING AND CLOSING PIECES, CHANTS, ETC.
A.VjCiLKMS & OPENING PIECES.
And il shall come to pass 290
a » akc put on thy strength
Heboid what manner of love 366
Beloved 11 our heart condemn us.. . . 360
Benedlcite Anthom 8t;9
Blessed is bu who coineth 84S
are the peacemakers 280
Blessed are they that mourn 823
tie our'God 270
Bow down iliine ear
( ast thy burden on the Lord :> ; I
Come unto me all ye that labor 299
Create in me a clean heart 294
Ever near 247
Great is the Lord 309
God will arise "54
Heavenly Love : 272
Heavenly Best 271
Hebrew Morning Hymn 277
He shall come down like rain 350
Holln -- beoometb thy house 121
Holy, Holy, Holy, Lord God of Sa-
ba..tb' 870
Uow beautiful in Zion
How beautiful upon the mountains. 28 I
If we confess our sins 359
I'll wash Diy bands in Innocency... 314
Invocation.'. 297
I will praise thee, O Lord 29$
I will extol Thee 840
Lei every heart 829
Lift thine eyes to the mountains 384
Lord of my salvation 325
Loud through the world proclaim... 3i9
(» Lord, ray Go .. hear Tbou 27'.'
<> Lord. 1 will praise Thee
Our waiting eyes 288
l'rai»» and Thanksgiving 357
Prayer for opening or closing Public,
Worship
Sabbath holy 247
Sing, i » Ueavena 21 -
Stand up for Jesus . 84s
Teach me thy way 362
I he Advent 269
The Ascension 209
The Lord bless thee 289
The Lord i-. Kin;; J74
The Lord is merciful and gracious. . 342
Tne Lord is nigh 846
The Love of God
Trust in the Lord. Ac 888
Wake the sons of jubilee 312
We will rejoice in the Lord 300
When the Lord shall build up Zion. 831
When the worn spirit 316
CHANTS FOR OPENING OR
CLOSING SERVICE.
Angel's Visits 319
At the cross 828
Behold the Lamb 828
Come unto me all ve that labor :;79
i iav of wral h 821
Glory be to God 879
Go ve. and teacli all nations 879
iah 826
Holy, holy, holy, Lord God Almighty SMt
Jesus lives 313
Lord, thou hast been our dwelling.. 330
More sweet than odors 820
O give thanks unto the Lord 830
Our Father who art in heaven 379
The merev of the Lord 879
The Silent Land 8'.'2
Thy will be dono
SONGS.
Hear my Prayer "76
No tears in Heaven :>75
The Blind Orphan Girl 374
ici Lan it 378
':76
Say a kind word when you can 209
SABBATH-SCHOOL PIECES.
All the week we spend 87S
Dialogue Sons 3T3
Gladly meeting
Holy Day 877
The' Sabbath School 87i
SI GING-CLaSS music.
C7LEES AND MELODIES.
All the day I'm sir::;;i,g 15
Away w 1 sorrow 31
Chromatic Song Exercises 81, 32
Come join witn merry roundelay. . . 19
Escape from the City'. 39
Evening Prayer 17
Flag of our I'nion 43
Goals ever good 40
Let H6 love one another 25
Morning Walks 41
Music Spoken 11
My Heart's Horn.' 25
My own Native Land 26
Noontide 20
O wipe away that tear 82
Peaceful slumbering 14
Pleasant Weather 28
Practical Exercises in Articulation 54. 55
Scale Songs 9—11
Silver Lay 12
Singing Exercises for Articulation 55, 56
Sing we rejoicing S
Sleep well 45
d Sweet 48
Solfeggio 83
Dvnamlcs 21
Song of Intervals 16
Stormy Night Song 42
Summer Evening 29
• the Bummer 40
'Che Angel Ever Near 13
Fai in. 1 - Song 30
The Hunter's Prize 88
l be Mountain Boy 33
much that gives pleasure. .. 29
»b-ride 27
Th.- Wanderer's Farewell 84
The Widow and Fatherless 24
The Wood 8
Trancadillo 46
Twilight 44
sercises and Solfeggios .. .52, 58
Whom shall we let in I 47
Yes or No 41
ROUNDS.
Bells are ringing 13
l>rin_' the song-book 24
Come, join with me 83
Day is breaking 27
Diligence.. 28
Going a-Maying 26
Good-night 47
Hard Winter.. 2S
Helen and Mary 2S
If your voices are tuned 22
Keep thy heart 83
MiDd your own business B8
On rapid wings 2S
Our bonnv boat 2^
Poor Robin Redbreast 22
The Cuckoo . . 20
Those evening bells 23
'lis humdrum 44
SHORT PIECES FOR
Opening or Closing WorsbiD.
All's Well * 3rtft
Another Year 23»
At the Cross '. . .
Behold the Lamb 824
Belleville
Catiandaigua 807
Cast thy burden &.1
Come home 226
Come, ye disconsolate 264
Cornet 809
Ettie — " A helpless sinner" 294
Freeport — •■ Hail happy day" 26C
Hail to the Brightness 264
Head of the Cburch 2i'-3
Heavenly i'.est 271
Hebrew Morning Hymn. 277
Hiding Place 811
It is I. be not afraid 80'-
Jesus lives! 1 Chant) 818
Just as I am
Lamb 816
Lead thou me on 805
More sweet than odors BSD
Nearer to Thee W
Oak 255
Oneida 252
Our -lournev Home 26S
Sabbath Holy 247
Saco— " We shall see a light" 304
The Lord bless thee 2~9
The Lord is great 268
The Promise 283
There's rest in the grave 80S
Tl„ Mlent Land 829
Titus 25S
Dnaml 274
Uliea 25:
We'll trust Hallelujah 8W
When shad wo meet again? 257
! W1U yougo?.. .. 9M
METRICAL I JN D K A .
L. Ml.
Ada,
All Saints
Aahur
Ashwoll
Alliens
Babeock
Raca
'laden
.lava.
Beach
Bergen
Reulah,
Blvmlon
Bloomfleld Chant.
Bodwell
Bridge wafer
Urlctnu
Brothers
[well
Cano
Captivity
Carroll
i'tiarran
Chenaniah
•'hrisiian'n Bleep.
«. ->«i:i
Cyprus, . .
Denholm
Departing
Dotuan
Duke street
I >um barton
Eagle Bonk
Eden
Bffingham
Blidit
Elm Grove
F. enlng Hymn. . .
t ederal street
Pnoril
rorest
Kulda
Galena.
Galesbtug
Gaza.
Georgetown
German;
Uilbomvtllc. . . .
Gilead
S-ilmer
ode
Hamburg
Harmony Chant. . .
Harper
I I artel
Ilt-hron
Uorinns
kii.Hog I'Uuv. . .
.. 96
.. 74
. Ml
08
.. 71
.. 99
.. 77
. I i
SI
93
..100
. 77
. 59
.107
. 82
. 39
. 71
.1"4
. ::
. 71
53
.112
02
. 82
98
. 108
.104
. sa
. so
."81
S9
. 68
. 99
.in;
. 92
.108
. TS
. <i
. 61
. 96
. 9
52
, 9(1
. 91
. 98
.10!)
g<
86
.104
Hiding Place
Iosco
[scab
Ittal
Joratn
Kadesh
King lolu-.fcTlirones
Lak< treel
Hill
to
I.'" ing Kin
Lo« ell
Lydda
Macah
M .los
Man. 'ail
Marcus
Mason
McCabe
M.i.iI.iu,
Mi. ill
Monmouth
Mount Zton
Mount Zoar
Nazareth
Neba
New Hundred. . .
N'euh'tid
New v. rnou
Oberlln
i 'lean
Old Humlred
i iflve's Brow
Oriei
Orlaud
- ...'i
Owens
Ina.
Park street.
Paulina
Pie; el a Hymn
Portugal . .'
Qnlto
Retreat
Bock.
Buckingham
I ind
Bolland
tale
Rothwell
Sabbatus
Seasons
Sherm
Bherman
Bhlloh
.811
VI
88
i\ .
79
74
llo
:.-
!l09
94
. 94
.101
. 67
.101
. 108
. G2
. 66
. 99
. C7
!'sii
G
■ 79
• 7S
. 84
. T2
. 8s
. -j
. 78
97
. 7:<
93
. 9.-.
.109
64
105
102
97
92
XL
98
30
70
95
99
108
112
-
106
ga
6(1
in
85
IM
T.i
SI
loa
9i
Bboel
Silver Spring
Sparta
Spring; ale
St Edmunds
Steele
Stillwater
Btonel eld
Strong
Hallelujah
Taberah
i be Burden
The Sacred Stream .
The Sacred Tie. . . .
Truro
Oxbridge
I'rmund
Volk
Ward
Wardwell
Warrington
Wells
tVelton
Wilson
Winchester ,
Windham
Wood worth
Zalinon
Zelek
Zephyr
Zona
.106
38
7s
. OH
!. ,
7.i
. 65
. 94
...
,.:
■ 84
.101
.107
.111
.110
. 69
. 97
.828
72
'. 89
B9
57
77.
-7
112
106
70
H7
6:;
tin
58
70
L. M. Double or 6 lines.
Dresden
El. ui
Learning
Salome..
I.. M. Doaole.
Cariui
' arpua
Italy
Music
Olive
Th.- Better Land...
<■-.»
. 87
,10U
. 7:!
. 59
. 7-
C. M.
Adario i.v.i
Adelpha 14J
Agawain 117
Angolo US
Arcadia 167
g 181
185
Avon 167
Azmon 169
Baierma " '*
Bangor
Barby
Beritb
Bingbatnpton . . .
Bowdoln Square.
Brown
Burder.
1
Bower
Br idford
Bradnor
Brattle street
Broosa
Burford
Caddo
i c
Cambridge
China
Coventry
Cowper
Chapman
Chelmsford
Corfu
Coronation
Cremona
Cross and Crown .
Clarendon
Croydon
Doborah
Denkmal
Devizes
Dor
Doubleday
Dundee .'
Dunlap ."
Edmeston
Bglah
Elab
Erastus
Esli
F.uphrata
Evan
Evart?
H/iXin
Barmington
i
Fountain
Powlet
Fragrance.
,!in
Oehazl
(. tell
Grove
llarv.y's Cbant
Hastings
Haven
Hazel Grove
H.I."
Helena
Henry
Hereford
HHbboro'
...138
...18)
. . . I 17.
...181
.. .'.7
..119
. .129
.161
II :
..169
..169
. .164
. . I 4(1
. 132
..115
..170
..146
.114
. . 156
..116
. . 1 25
..184
..117
..149
..187
..118
..128
..111
.121
..186
.116
.144
.11.;
.117
.114
.121
1 12
.123
.174
6
.151
.17.7
.127
17.1
.126
.141
.170
.150
.115
.1!!
.168
164
.139
Howard
Hudson
Jaffra
Jayne
Fi 0
Jesu dulcls u
Jordan
I'C.ii.in • burg
1 I.
La Mlra
boro1
La Prairie
I.au 11
■ am
Lil;
tivllle
Luctlia
I.vstra
Madan
Mahaleth
Maria
Mallow
Mattituck
Mear
Medfleld
Memphis
Mill
Mi.l.. ii
Merloni
Morris Cbant
Mount Elon
Musing
Naomi
Neva
Newell
Sew Hope
Sotting Hill
ids
Lake
1'alona
Peoria
I'.l. i bo o'
Pliuvah
Pickering
Randolph
Kinge
in ■ vi bank
eater
Ruckford.
Rockwell
Romberg
Rose
ria
lei
Schroepple
Siuddei
Hondo.
,l',s
124
162
188
148
..17.7
.126
.118
.134
Mi
.
.118
.122
.149
li
.160
.164
.12
.162
.1 12
.120
.189
.157
.137
.189
.16:5
.142 I
.140
■
: 19
. i i
.12 ;
l .".'
.167
I7li
;
12 i
127
168
-
15
i •
182
185
I Secret Prayer
. d
I Stream
i ion
-' \ tnbrose
Fohn'i
31 Martin's
Sb ;.i. D
■ Ick.
i all
The Croat
Tribunal
I I
Willard
Grove
or
Wlith
V\ oodlawn
Woodman.
Woodstock.
.145
..188
.141
.171
169
.162
.117
.151
.147
.140
.142
.125
C. M. Double.
Apheka
Arpad
Avail
Cbambunix.
■
Fleming
Jordan
Lake Pleasant
Merlin
Miklotb
Moravian
Mount Bethel
1 >. iiap,:'- tfe:
i *
Rowena.
Saurin
Tarsus
Verdure.
S. M.
Atlsnd
Azel •
Baron
Bella.
Benjamin
- Hobrou
Boyle
BovlstOO
Braden
Bralnerd
■
HlgO
mvllle
i oi
-ion
. I .
•
Dennis
D r
DownieviUe
-
Eunice
•.are. . . .
■ Hill
Gorton
Harding
llattie
voo-l
run
Hopewell
Hutton
Kirkwood
Bonigstrasae
Lands
Light
Marlborough.
Lottie
[.••in-
Lullier
Magnolia
Manly
Marie
Menona
Minna
MiZBT
Mornington
Mount Hope
. ..
Norwalk
ocean Hill
O cease, my wander
ing Krai..
Olmulz
Oriole
Pale-tlna
Penitence
Probation ...
Riverside.
. .7.".
..196
..191
..202
..177
.178
.17s
.204
171
.199
.172
.19
.204
Jo-
.173
.I'M
. 1 85
.177
.180
.
18
.172
169
.181
. 198
.188
'7n
,174
196
107
!-'
Saluda
Mi r
d
Shlrland.. ...
-
••et.
Ueet.
"inaa. . . .
Thatch.
■rd my
ben! .
U eel Point...
Whltiu
198
204
1*»
189
191
a
*>4
174
Ie7
194
»c ...175
Shi p-
2"0
178
203
;
194
l'J4
'Jul
S. £1. Double
Alena i . •.
1-7
Greely 179
i'aUor 106
I'earne i nS
The Wanderer. 2*1)
H. M.
Ainberet
Roweu
(,'barlotte
Clarksvillc
Cooperatown
Darwell
Guyon
lla.'ldan;
,'i
Llntz
Minni
Omar
Rlvliigton
Sniltbville .
Sophie
Stow
-liilieiland
Wabnatah
Zebulon
..911
..807
..209
..210
..211
..2o6
..208
-
.SI0
..818
.209
.214
. .818
.8) 7
,.2«>5
-
.2a*.
.207
.214
21S
1. P. K.
-
' nni«iulli
JM
METRICAL INDEX
Nisbvlllo 2!6
C. P. M.
217
% 81'
i . - 'bill
Ga 21.'.
uw
C. H.M.
K ;on 21!>
-
Oi.bir 219
S. P. M.
beiHn, -
■Q
»3. 6s. & lie
Don 259
Petaluina 260
6a ft 9s.
Wl
6a
Kipple 256
•raises
6s. Double
Oahkoab 266
6s ft 4s.
68, 8a, & 4a
Muscatine. .
.253
6s & Ss.
Cana ..
Happiness.
■
6s ft 10s
Dnami.
ra
Toplady 2*1
zXe.: W
7s. Double.
Henevento 226
Bohme
kee 380
Come Home
Littnv
Martyn
Merrill 229
Minnehaiia 2?1
oath
StNlcoUl
. 280
7s & 4s.
America.
251
S. H. M.
Zvlhan
3s & la.
Sinner, come 278
4s & '-'S.
Another Year 2*1
53.
Th-.e's rem In
j.'"ave - . .
5= ft Gs.
CauM. .
.259
.267
is. is. & 7s.
Phrough th« night air
,>V/.i ...860
-
...255
.803
Avno. . .
aYva
Harveat
Hemans.
'. dian llvmn. . .
toTboe..
N'.-w Haven. ..
< >ak
Okonta
• s & 5s.
Death of a chiM —
gburg
Milwaukee." 258
When shall we meet
again - 57
6s ft 5s Peculiar.
Easton 75
6s ft 7s.
Our journey home. .268
6ft, 73, & 83.
Shout of Jot 257
<>3tnan
Titus
258
7s fit 5s.
Adelaide
\ 882
AJice 284
Uutler 2*1
Christmas Hymn
Evening Prayer .
Fulton
Gertrude 221
Grnnnis
■ •
Uendon
-
Nor\ illc 227 Oneida 252
I
Pease 222 : 7s & 6s
Players Hymn....
Sisters 221 Caison M9
Spring be 251
7s & 6a. Unusual.
KaralHlll 251
Baoo
Ltica 251
7s. 6s, & 48.
Cecix
Pbuvah 251
7s, 6s, & 7a
M - In 276
7s, 6s, ft £s.
Belleville
7s & 8s.
ida
Hen : Of tin
Thyatira 2i
73 ft 5s. 8 lines
L'rsin;
Violet
Watchman.
!".282
7s. 6 lines
Aletta
Cherokee 2*1
Cornelia.
281
Ion
ird.. 22fi
It 1> I, t.e. not afrsi :
| Rock of Ages
Ftek 249
Millennium Song 24>
Missionary Hymn. . .812
Ozaokee 2-49
Pbuvab
Webb
73 & 6a. Peculiar.
Amsterdam 25o
Endor 250
Time Is winging 250
Bs.
Andrews..
I'DiOIL.. .
8s. Bouble.
Kewanee 245
twkee
Princeton 246
3s & 3s.
Airs Well 800
Will you go? 884
8s. 3s, ft 6s.
Ere I sleep 289
Lauib 316
8s ft 4s.
Ulv r 817
Crmund 8"S
8e, 5a, 7a, * 6a
Ettie 894
83 ft 63.
•lust as I am 2-
Kedron'a Waters ....272
8s, 6s. & 4s.
Succor So2
8s, 6s, & 53.
Highland 271
82 k 7s.
Herbet- 258
Hulseti 288
Lind 242
Mi Vernon
Pilgrim
Bicilv
Stoekwell
Worthing 287
8s ft 7s. 6 lines.
Isadore 243
Millingiou 248
8s ft 7s. Double.
Alida 287
Autumn 289
I sarea 2=54
Croton 24.'
eld
Fairton 287
. ille
Grissstown 285
G .™lu 241
Harwell 848
Nettleton 2S5
Northwood. 285
Seaman's Hong.
Tie Promise
8s 4c 7a Pec. Double.
Abidi:.r- . .244
8s, 7s, ft 4a.
Billow
Howell
ita.
Palermo 241
Beeves
288;
Tamworth 241 1
Zion -''
8s, 7s, & 5s.
Willow Creek 244
.■■ft..-
I.vons 267
o prai*e ye the Lord.86'1
lis.
Captivity 261
•.i'.ation 201
Frederick 2«i
Goshen 261
Bock Island 269
ilB ft 88
The Lord la great. . . 268
lis & 10s.
26s
807
Aurora.
Canandalgua
i oroajedJaeonmiateSCJ
Hada««a"n »■*
H si) to the brightness.264
8s, 7s, ft 6a
Yuba .212 lis & 10a Double.
■ if the East. US
8s, 7s, & 7s.
lis, 10s, ft 9a
Pravcr for Peace .
Isadore 348
Millington
M
9b.
Elhanan 261
10s
12a
The chariot 265
The V., ice of Free
Grace *»
12s ft 9s.
Delieht 867
Enon -266 ...
Freeport 266 Palestine »68
Savsnnab 26fi 02b ft Ha.
10s ft 4s.
Lead thou me on .
..806
The Voice of Fre*^
Once W
■1
p
WM. 15. UK Vl)l?l RY73
s i r*izi ^ i on- i * i v x > r < )Rrn:s,
With full Iron frame, O' '" improvement.
Received IKi Go/./ liidal it "air af Am. Institute. 1S63
No. ill Broome streei, for. of Crosby, one block east of Broadway.
For iiumv v> an tlie subscriber has been engaged in the manufacture of Piano Fortes,
but not nntil the commencement of the year 1863, was he in a position to make such
improvements as he bad long desired to make. A perfectly even, full round, rich,
and, at the same time, brilliant toned Piano-forte is indeed a luxury, but 6uch an one
as many families can now afford. With regard to the superiority of his Nkw Scalk
Piano-fortes, he need onlv refer to the unanimous opinions of the musical profession
of New York, in which it will be seen that almost every renowned musician and
pianist of the city unqualifiedly endorses his instruments ; if more is needed, the fact,
; unprecedented in" the history of the trade, cf receiving skven fiust prize medals from
Fairs, within four weeks, may be added. They are ns follows : viz.. New Jer-
ktfl Fair, a Gold Medal ; New York State Fair ; Ohio State Fair : Illinois State
Fuir ; Pennsylvania State Fair ; Indiana State Fnir ; Fair of the American Institute,
at the Academy of Music. New York city. 2~ot\\ of Sept., 18G3, a Gold Medal. Judges
MASON & HAMLIN'S
CABINET ORGANS.
ONE
to
TWELVE
Stops.
at the Am. Institute. 1K68, Oottaehalk berg. Beanus, Francis H, Brown
THE MOST EMINENT PIANISTS OF NEW YORK,
Snch a. GOTTBUHAIK. WM. I .A SON, MILLS, HARRY BAHDERSON. MOIl-
PATT'SO*, TI.VM, NASH. FRADEL JIUNDEL, HAGEN, RE AMES,
INI, ..nl a Iar -e number of Others 1 ■avc, after repeated trials, given such en-
menta ns the fo1 lowing :
'.c.l, with much care. Mr. Win. B. Br;. Ibury's New Scale Piano-Cortes, and it la
i.owrr, viirity, richness, equality 'f tone, aucl thorough workmanship, Mr. Brad-
• brilliancy and BEAtmrui singing quality of tone mo
,.i:ir>. Plauo-lbrte combining lo.maoy o( these qualities easeu-
M "
Scale Piano-fortes, and
(dally remarked their thorough work-,
in»n- . ill r . of their tone.*' L. II. (loTTtciuLK.
N'.B — >-nd for a ( utaiuing full p: • ieulora. I
$95
to
$600
each.
These new instruments are to smaller Churches. Vestries, Sabbath School
rooms, halls and private houses, what the large pipe organs are to large
churches and halls. They are a very great improvement upon everything of
the harmoneum or melodcon kind.
Every choir, congregation, Sabbath school, may now, for a very moderate
price, have a really satisfactory instrument Every lover of organ music may
have an organ in his own house without greit cost^.
The Cabinet Organs are reccommended in the strongest terms by the most
eminent musicians in the country generally. Among those who have given
written testimony to their superiority to everything of thoir class, and guat
desirability, are the well-known composers, DR. LOWELL MASON. WM. B.
BRADBURY, GEORGE F. ROOT, GEORGE JAMES WEBB, THOMAS HAS
TINGS ; the distinguished pianists, GOTTSCHALK (who has determined to
use them at all his concerts), WILLIAM MASON, 6. B. MILLS, HARRY
SANDERSON, MAURICE S'RAKOSCH, etc.; with more than one hundred
and fifty of the most distinguished organists in the country, snch ns MORGAN,
ZUNDEL. CUTLEK. WELS. SMITZ. BRAUN, BERG, MOSENTH A L. etc., of
New York, WILLCOX, TUCKERMAN, ZERRAHN, WOODWARD, etc., of
Boston, and the most prominent organists of the principal cities, generally.
Sec illustrated catalogues (sent free to any address,) for particulars respect-
ing these instruments, and this testimony, which is believed to be the str"
and most conclusive which any manufacturers have ever yet b< i to pro-
as to the mc-cs of their instruments.
Warerooms, Nos. 5 and 7 Morcer St., New York, and No. 271 Washii
S'., Boston. Address MASON" BROTHERS, NEW YORK, or MAS-
H \MI.IN. BOSTON.,
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