STACK
PA
258
S5c-<
1877
Ex Libris
[ C. K. OGDEN
'th Introductions and Notes.
BY FRANCIS STORR, B.A.,
CHIEF MASTER OF MODERN SUBJECTS IN MERCHANT TAYLORS' SCHOOL, LAT*
SCHOLAR OF TRINITY COLLEGE, CAMBRIDGE, AND BELL
UNIVERSITY SCHOLAR.
Small 8v0.
THOMSON'S SEASONS: Winter.
With an Introduction to the Series, by the Rev. J. FRANCK BRIGHT, M.A.,
Fellow of University College, and Historical Lecturer in Balliol, New, and
University Colleges, Oxford, it.
COWPER'S TASK.
By FKANCIS STORR, B.A., Chief Master of Modem Subjects in Merchant
Taylors' School. 2*.
Part 1. (Book I. The Sofa ; Book II. The Timepiece.) gJ. Part II.
(Book I II. The Garden : Book IV. The Winter Evening.) ait. Part III.
(Book V. The Winter Morning Walk; Book VI. The Winter Walk at
Noon.) ox/.
SCOTT'S LAY OP THE LAST MINSTREL.
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WAVERLEY AND NOTES. 2*. 6tL
TWENTY OF BACON'S ESSAYS.
By FRANCIS STORR, B.A. it.
SIMPLE POEMS.
By W. E. MULLINS, M.A., Assistant-Master at Marlborougn College. W.
SELECTIONS FROM WORDSWORTH'S POEMS.
By H. H. TURNER, B.A., Scholar of Trinity College, Cam bridge, u
WORDSWORTH'S EXCURSION: The Wanderer.
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MILTON'S PARADISE LOST.
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BROWNE'S RELIGIO MEDICL
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GOLDSMITH'S TRAVELLER AND DESERTED VILLAGE.
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EXTRACTS FROM GOLDSMITH'S VICAR OF WAKEFIELD.
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POEMS SELECTED from the WORKS of ROBERT BURNS.
By A. M. BBI.L, M.A., Balliol College, Oxford, as.
MACAULAY'S ESSAYS:
MOORE'S LIFE OF BYRON. By FRANCIS STORR, B.A. ad.
BOSWELL'S LIFE OF JOHNSON. By FRANCIS STORR, B.A. orf.
HALLAM'S CONSTITUTIONAL HISTORY. By H. F. BOYD, JaU
Scholar of Brasenose College, Oxford, it.
SOUTHEY'S LIFE OF NELSON.
By W. E. MULLINS, M.A., Assistant-Master at Marlborough College.
** The General Introduction to the Series will be found in THOMSON'S Winter
ftftingtona Eontton >ior& (ZTamfariUgt
i
9at&emattcal Series
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2
KEY
GREEK PROSE COMPOSITION
BY A. SIDGWICK, M.A.
ASSISTANT-MASTER AT RUGBY, LATE FELLOW OF TRINITY COLLEGE, CAMBRIDGK
AND EDITOR OF "SCENES FROM GREEK PLAYS."
RIVINGTONS
WATERLOO PLACE, LONDON
ifotfc anfc
MDCCCLXXVII
NOTE.
IN preparing this Key, I have attempted in the
earlier exercises to be as literal as possible, in order to
do more good to those learners to whom the versions
are given as a model. This has been the easier to do, as
they were written with a view to being so translated.
In the later exercises, where the English is more
thoroughly idiomatic, it is plainly neither desirable nor
possible to be quite literal.
I have ventured to add a very few notes at the
end of the book, which perhaps may be of use to
some teachers, though of course to many they will be
superfluous.
I am well aware that there must be many errors
and oversights in 100 pages of Greek prose, written
in the scanty leisure of a somewhat engrossing pro-
fession. I can only appeal to the kindness of those
who may use the book to excuse such errors ; and
I shall be most grateful to any one who will be kind
enough to send me any criticisms that may occur to
him in using it.
1057589 A s '
EXERCISES.
PART I.
I.
'0 /3ao-iAeus TWK Bop/uavwv, yvovs TOV fJi.lv <f>6pov 6V di
TO 7rA?5$os jU,to) KO.T' eviavTov ytyvo/zevov, TO Se 7rA?J
pfvov, ev v(> et^e TOVS evoi/cowTas apifytetv, iVa TOUS l
eevpiav KoAaot. eveOvfj-ciro Se on, et TOVS ap^ovras /ceAtvoi
TOVS ev eKacrry TroAet dpiOfJ-elv, /zetoj TOV OVTOS apidfjLov aT
Aoiev, iVa Aa$oiev KAeTTTOVTes. ySouAevcra^ievos ou^ o,T6
TtAos e^jre TO^ Oebv eavry ovap elprjKevai 6Vt /xeyaA^ Tts voo-os
7rt TT)V vfj<rov TJ^oi' ^cAetf 8e TOVS Bo/tyieavovs, /cat Set^ciJ/ OTTWS
TO KO.KOV d.TTOTpTTOLV. SetV Se ^t(^)OS )U,ya (TL8f]pOyV TTOteiCT^at,
Kat eKao-Tov /xiav ^SeAov^v ire[j.irtiv TavTas Se ^wetAey/xevas ev'
36 ^wroieetv' 6o-Tts Se />t^ ire^m T^V ^SeAdv^v, TOVTOV T^
daveia-Oat. TravTes TOIVVV ol Bop/xeavoi Tas ySeAovas TW
7re/^i/'av, </>o^8ov/Aevoi 8?) TroAu /*^ Tt Ov/Jiovfj-evov TOV deov
Ka.1 ovVo) KaiTrcp K^>vyovTS ^ ^ave?v, ^vayKa^ovTO
TrAetova TOV <j>6pov TM ^SacrtAet aTroSowai, CTTCI l^evpc O7roo~ot
v fKaua-T TroAet e
II.
'0 8e TITOS cv(5oKt)ttos ^v Or)pevTri<s, cv /^eo"i7 Tjy
d)S 8e yijpao-KWV Ive^u/zetTO ws $au/zao-ia yeyove TO, ?/)ya, Seivov
<>CTO ecrto-^at ct ot avQpiDirot TOV oVo/xaTos lain-ou eTriAa^oiVTO.
a)O~T fii/3Xiov eTrotTjcraTO, cv (^ 6a.vfJuj.Ta TravTOta l^ye6TO. <XKOV-
o-avres 8e 01 aAAoi 6r}pevTal OTL TITOS vyypa<r)v yeypa^e, Kal
A
KEY TO GREEK PROSE COMPOSITION, [Part I.
dAafdva ovra, irpos TroAtv eire/i^av dvBpa TIVO OOTIS
f)rjv dyopda-fi, as ry dvayvawrei r)a-Orp-6/j.fvoi. 6 S
ayyeAos a/wi#rTaTos ST) MV ourws UTTO TOV /3i/3AiO7rwAov ei)jra-
TTfOri, wore di/Ti TOV dpyvpiov eSe^aro TTJV TITOU /iv ov, dAAa
'Ofj.r)pov aTToy/xi^v, ovSe 8pa^jjLrj<s d[a.v ovcrav. yKtav otv KOI
TOUS traipovs CTV%C TO ^3i/5Atov dvoi'^as OTTOV 7re/)t
^<riv 6 TroiTyT^s ort IKCIVOS fiovo? TO TOOI/ Sui'aTai
Ttvetv TOVS 8 aAAovs ou^ ofovs TC c'vai. 01 Sc Oypevral a>s
i/Kovcrai' ei50vs dvaTnjSwiTes Ij8oa>v Aeyovres TOUTO T< OVTI Ty TtV<j)
yeypd<f>0ai' ovSeva ya/> aAAov av TOO-OUTO ToA/ivJo-ai
III.
Neavtas TTOTC KCU irapOevos TI<S ff3ov\fv<rav <rvve\0eiv cis KaAov
TOTTOV, ov XifJLvrj ^v fv fif(roi<i opecri KfipevTj. 6 Of Kvva f^tav
fjifyav re Kal TTIOTOV e^get (rvv airnp ets TOV flp^p-ivov TOTTOV. KCU
OVTWS eiroOtt TT)V irapBfvov ifciv OXTTC TroAu ST) Trpia'iaiTcpov eis T^V
\LfUnjV d(f>lKCTO. dS fJMKpOV ~)(pOVOV I8l (MVCIV, (T(f>68pa. 6epfJLOV
OVTOS TOV i^Atou, 8o^ AoufQ-^ai. aTroSvo-cifici'OS ouv Kat <vAcur-
crv KeAc/xras TOV xvva eis T^V Xifjivrjv eTr^Brja-f. TtAos S aj
aAts aTrlAavo-e TOV V&ITOS, Kai ov Sia fiaKpov TTJV irapOevov Trpocr-
fooKrprf dc^i^eo-^at, eA#d>v TOI i/ictTta eirei/oaro dvaSl^ao-^at. 6
Se KV'WV ov*c eiSws TI'S CCTTI Sta TO yv/ivov eu/cu ov8 Trpoo-eA^eii' cia-
Kai TroAAa/as fj.drrjv KaAeo-as TOV Kvva, piywv TC Kai aTropwv TI
TTOIOI, TeAcvTtuv e?8e fj.aKpav Trpostofwav -njv TrdpOevov. tirei 8<
povievai avev ea-OfJTOS OVK eSvvaro, -^vayKaa-dr} ei's vStop sraAiv
Kai irfrpas oiria-dev diroKpvjrTeo-Oai. T) 8e TJKOWCI Kal TO
\UOVQV iSovcra (is aTroAwAoTa 8^ 7rtK/)d5s
IV.
*Hv TTOTC TIS 'A&jvcuos (or 'A^^vyo-i) 'Ia)vt'8js ovo/ia, oirra)
c5v T^V Sidroiav CUTTC ^MijSeTroTe /iTjSevi ^aAeTratvetv. 01
Part I.] EXERCISES.
(j>i\ot ovv wepl avrov Aeyeiv eioj#rav, OTI ei TIS TOV iroSa aurou
iraToir), wyyvu>fJLY]v av alrot ws e/wroSwv yevo/ievos. tv Se TTJ
avry Tro'Aei erj vvrjyopos, ov eSet TOV 'IwviSrjV TrapovTtav TWV
WV leTaetv 6 yap dSeA^os e</>evye, KOI 6 'Ia)vi87js jfv
ws 5e epapTvpei OTI ovSev ^StKrycre 6 dSeA<^>os, topyifav
XoiSop&v avrov 6 ^wv^yo/oos, iva Tjjy^u^ TI Aeywv TT/DOS
TOVS 8t/<a(7Tas e^eAey^^ct^ if'evSofj.apTvptov. 'AAAa <ucrei irpav-
raros Si) wi/ aiAiyo^oa T^S AoiSo/itas xai, O,TI fpoiro IKCIVOS,
dAr^^ws Kai ^(rv^cos aTre/cptveTO. cScrre o vvrjyopo<s yvous OTI
/zcmjv 7rovi avros e^aAeTratve, KCU cra/sSdviov yeAd<ras ?7re r<ji
[MLprvpovvTi., 'ATTIOIS av cu ^t'Ae* (roffxararov yap ere ovra tvpt,<rKw.
'0 S ov^ ^craov irpq.ws "rj Trpocrdev aTTtwv avTeiTre' Kdyuy' av TO '
auro lAeyov, <?/, ^rf/3t O-QU, et /AI) dXrjdrj Ajyetv w/xoaa.
,
V.
Tv/aavvos wv v^Aeijs TWV ITepatijv, TOVS
TOCTOUTOV ^8tKct cuo"Te crvaf3ov\.vcrdfjivoL KOI (3ia lAovTes
Is TO 8eo-MCOT^/3tov ?/3aAov. 6 8e /caiVep TOJV aAAwv ^>i'Awv
AeAti/ijuevos TricrTrjv p-evroi ct'x e yvvai/ca, I^TIS iroBovcra tSetv TOV
avSpa yrrja-e TOV tfrvXaKa eav ets TO Seo-fJ-WT-Qpiov eto-eA^eiv' 6 8e
O?TU>S w/xos ^v (To-T OVK i]j$eAe, Aeywv ou8e/ii
Tvpavvov. TcAevTcuv //evTOt eireta-Or], ISwv a>?
V, cooT /xtav rj/iepav crvv T(jJ dvSpi /xeveiv "00-6, <^>'
e/c TOU 8tcr/ia)T^/3iou TT/SO VVKTOS d/reA^eiv. a>o-T CTTtoixrTjs
WKTOS, 6 (]>v\a Tjvoiye T^V Ovpav LVO. e^ioi' rj 8e Ta^ews e
o-tywo-a, WCTTC /xeya e/cetvos fOavfj.a^c Ty 8e vcrrepaia ev
?KITO 6 Kav^d-nys, 7T7rAots KCKaAv/i/ievo? T^V Ke^aXrjv, a>s cr(f>6Spa
Si] vocrwv. 6 8e <uAa, yvovs Too-avTas rj/j.epa<s p.kvovra ) larpov
fj-fTeTTf/JL^aTO' os TOVS 7T^-Aovs Awras u/)e Kau^ctT^v /xev ou,
dAAa TT)V yivaiKa. OUTCO 8 Sia T//V TC Tex v/r ? 1 ' auT^s KUI TTICTTO-
e^e^vyev 6 Tvpavvos.
4 KEY TO GREEK PROSE COMPOSITION. [Part I.
VI.
'0 S Ttjuwv Iv $ SiTJycv Iv Tots "IvSois yo-OeTO KAeTrrovTas Ttvas
ru>v OLKfTwv reKfJL^piov 8e ovSfv craves Aa/3u>v OUK ySei Tiva
Kai cos Trdvras e^Tao"e Kai ovScv /iaAAov le{y> TOV
CTTCl aTT^/DVOWTO 7Ta7TS ^ 8/)CtCrat, TOlOv5c Tl ffJLTf])(a.Vrj-
<raro iva. fiddoi. Havras yap TOVS SovAovs ci's Seo-/ta)T^/3tov cn'y Act-
eras Kai xw/noras Ka^' Iva iKacrrov, xAaSovs ISuiKCv, ous iTTt/xeAws
cwre T7//Div, ws Sia TOVTWV IAeyx^ 7 ? o " o / jt f vov5 c " Tl truveiSeiev. ry
yap /cAcTTTOvrt TOI/ KAaSov 8aKTvAa> peifo yevryirecr^ai T^S VVKTOS.
01 8e aKouovrcs dvfiravovTO, 01 p.cv aAAoi /xTa TroAA^s eAnu'Sos Kai
papas' 6 8e /cAeTrr^s TraVav T^V VVKTO eyprjyopei rpep-wv re Kai
<f)vXa.crcr(av TOV KAaSov /x 1 ^ Xadoi at'^avo/xevos. fa)S Se wre^aivev
17 Itos, diropwv T<J) dy/3inrvtv, Kai vn-oTTTeixras /^^ /*ei'wv 8^ yevo-
6 KAaSos Karayvw eairrou, oSa^ SaKruAov direpprj^e TOV
wcrre fj.eTpovfj.evwv r<av KAdSwv, ws jSpaxyrepos ^v c
TOUTOV, paStws ^Aeyx^'?-
VII.
Oi Kp^res Kara T-^V Trapoi/iiav OVTOI TO ^euSecr^ai <^iAeiv Ae-
yoKrat wo"Te ei rtvt K/D^S irepiTv^wv ou ^>^cri re^K^Ktvat, ov Sei
7ra/3>)(rav 8e TTOTC ev (rrfj.iroa-i(p KprJTfS Svo
TOV Ire/oov viKav iffvSofievos. 6 fj.ev ovv e^f} fK Kpvjr^s Trore
fj.a.Kpa.v O.TTO ys IIXTTC /i^e Tptwv av i/ze/Dwv Karyecrai,
avSpa ISeiv Iv Kv/zao-i veovra. TOVS S o~v/x7rAeovras l
Kai OfXeiv Is vaw Seco-^ai. TOV Se OVK l^ Aeiv 1
irevre yap /xovov /tepus veiv, Ka rpiwv
OTTOI epxeTai. <5(TT atTCtv lAaidv TI SoGvat' ySe^fpey/xevos yap
i ^e'Aeiv TOVS Se SovTas aTTOTrAeGcrat.
Se 6 eTepos dvao-Tas ^aiptv !/3oa OTI TeAevTwv ei*pe TOV
avros yap efvat y I8oo-av TO lAaiov TOVTO 8e p.6vov fJ.ffJ^-
i, OTI (rairpov 1*7 TO lAatov' wo"T dAet^d/ie^os /88eAvpcoTaTa
Part I.] EXERCISES.
VIII.
'E^tvds TTore Iv aypcp Kt//,evos, Ixv^c Aaywv nva /3Aa^as, os
a(/>povTio-TU>s avVov iTrdVet. wcrre ^aAeTraivwi/ 6 Aayws, Kai
ySovAo'/^evos TOV l^tVov, ^pwra ei $eAet Spo/j.ov TreLpacrd
<TC TOV K^oaTowTa CTITOU yoiviKO. Sf^ffrOai. 6 8e e^tvos
d.TreX6(bv Kal TTJ aAd^w Ae^as TO Trpay/^a, -^Ke
ireipdo-ecrdat. ry Se vo-Tepaiy. vve\66vT<av 6? TOI/ eiprj^vov
TOTTOV KCU o/Jiov o.<^>opfi.(a^f.v<j)v^ ais 7r/30se8oKa ai/ Tts, 6 Aayws
p^Siws TOV e^ti'ot' Trapyei. Kat fJ,eTpiu><i Spa/xwi/ (f>(J'qcre(r0ai 8rj
(pero avev TTOVOV Is TO repfj-a. a<^)tKo/xevos' !A0tuv 8e Kat t8wv TOV
e^u'ov 7j'S^ avTov KaO^p-evov o-^e8ov e^eTrAayry ^av/u,a^wv. ov /u,^v
aAAa TOV CTITOV aTreSw/ce' r/Tvjo-e 8e TOV eYeyoov av@i<s CTTI TOIS
aurots Tretpav Aa/3etv. TOV Se $eAovTos, 6 Aayws, as IS
5e TOV
^>^ Swcretv,
6 8e Travv 6/xotav ai>T(p e
/cat vfj,/3fjvai, rrjv /zev e^>' erepy Tepfj-ari KadrjarOai.^ TOV 8e <
IX.
TTOTC o 'AAeavS/3os TOV SouAov* ws S^ ycrOtTO on
tcaiirep iroAAaKts /caAot'^evos ov Trapfir), es ra irpodvpa. twv eii/De
Ka^fijSovTa. /a.eAAwv Se eyeipeiv ypa^)?jv Ttva ct^Se ^a/^at
jv vewcrTt 6 Trats aveytyvwo^Ke' /3ovAo//,evos 8
oTrotds Tts ICTTIV 6 8o{!Aos, apas T^V SeATOv dveyvw. yvous
Ty p.i]rpl TOV TratSos yey/oa/z/xev7yv, I^TIS TOV TratSa ITT^ vet
d)S dpyvpiov Tre/jti/'avTa, Kat :ravv TTICTTOV CKeAevo-ev e?vat Sea-Trorrj
Too-ovV(j) Kat TotovTW, (T(j)68pa -ijo-dr) 6 /JacrtAevs, Kai tK/Dvi/'ev Is
TOV KoAjrov TOU iratSos T^V ypafyty /jteTa TrevT^KOVTa \pvvu>v
^crv^ws Se aveA^wv Is T^V avA^v, Kat fieydXy rfj
lyetpas Kat KaAea-as TOV TratSa, w? ^A^e T/SO/XWV Kai IKTTC-
6 KEY TO GREEK PROSE COMPOSITION. [Part I.
irXr)yfj.evo<s, oY opyrjs rjpeTO Sia ri ov irpoTepov wnj/cowf 6 Se
Ka.Taoap6eiv e(f>r) dvayiyvojo-Kioi/ 8eA.rov, d>s Se S^Awo-cu dXyOij
Aeywv e^eiAe T^V ypa(f>rjv. TO Se \pwrtov afJM ef}X6e, wore
$cu/iacravTa (rty^orai TOV TraiSa' 6 Se /3a(riAevs 6a.pcrt.lv t/ce
TroAAous yap svrv^crai
X.
e Tore TWV Kacnriwv ^peSvx^? TIS os CTriOvp-wv TWV TreAas
w Ka ' T^V xwpav eAeiv, Siei/o^craro u>s tV^v/aoraToi'
Troteiv TO a-Tpdrevfjia. wcrre 1/ceAcvcre TOUS Ao^ayous i's Tracras
TroAeis tovras ous /ieytcrrovs fvpoiev avS/aas (Xccrdai KCU <rrpa.Tv-
f.cr6a.i dvay/ca^civ. Aoxyos T6? TO/VVV iSwv irore ^wAov/syov
Barp,dfriov T(p fj-eyedei, Trap' eKtlvov e\6<av OrjKrjv /zeyaA^v vXivrjv
TTOICIV' TOV Se OITOUVTOS axpifttcrTepov e^yetcr^at OTTO
Troificrdai, 1o<ravTrjv, <f>i)o-i, UHTTC (re IvSov ai/
KOI /ACT' oA6yas ^KWV vjp,fpa<s KO.I ITOI/IOV cv/awv T^V
&T\fTXia^ev i8a)v OTI ^o-atov rriv 17 eKeAeixre' 6
'AAA' ouSa/iws, ?^>^, fai u>s Sr^Aw OOT^ eo"Tt li'Sov /cei'cro/iar Acywv
8e /xoyis TTWS es O'I]KT)V KarefiaXcv eavrov eirel 8t Ta^icrTa TOUTO
eyevtTO, /cAetcras 6 Ao^ayos T^V Q-f\Ki]v Kal jUO^Aw (riSrjptp
Kai TOVS Tcupoi>s o-yyKaAeo-as TOV /ieyav TOUTOV eis TO
d(j>iyfj.ev(av Se Kai avot^^ewr^s T^s ^K?;S VCK/DOS
XI.
8vo TaAavra irapa 'A
WTTepata air^crwv T/3t'a Savearat. ws Se Ta &x> OUK a7re8a)K
6 'AydOtav ft OUTW Ta^ews jrAeov aiTtr TrapdvTOS ^
TOU <f>iXov Ar]p.ay6pov, rfrxyvero alcrxp
cras ouv ISwKe TO dpyvptov, KCU woTrep o-/c(o7r
eavT(p TOV ArjfJLayopav. Kal ov Sia TroAAou ws yr-ijo-c TOV <J)tXov
Part I.] EXERCISES.
TOL\a.VTa, ?}pi/eiTO [J-rj TrAetoi' rpiwv 8eacr#<u. 6 8e
fl oimos VJTO <j>i\ov e^aTraraTai, diroptav {AevTOi Tt
iroiol dVyei tVa TO> A^/xayopa o-ty^8ovAevcraiTO* OUTOS Se Trpos
Eupi>o-#ev?7 1/ceAewe tovra TrpoviroicicrOat, ws d/xapTOVTa, Kai ai
ra T/oia aTroSouvai. 6 8e Evpvcr^evJjs ra^ew? aTreScoK
avrovs SiKfjv Xrji^o/J.ei'ov^, ci /AT) 6^eAo6, ITTCI Trapovros fJidprvpos
eSavetcr^r^ TO apyvpiov. rov 8e Aa/3ovros, "Aye 5>J, (17 6 A^/Aa-
yopas, 6/^OTj 7r/30(TtovTS oivdis TO. Tp'io. ToXavTO, cuT^crayiei/' iji/ Se
i, (is ovSevos (J-dprvpos
QvTd) Se ov fj.6vov TO Sdveioym aTrcoAecrei/ 6 Euoucr^eV^s dAAa
Kat ercpov TaAavTov.
XII.
'e 7TOT 7rpOS T7JV TTo'All' O~O^tO~TjJs TIS, OS
a,6 a,7rdvTO)v, 7rei O,TI epotTo T6S Swao~l
<^>tAoo"o^>os Se Tts 6K6i {wi', ovoyxaTi IltiiAos, Trpos IKCIVOI/ iwi'
rjpero TI OLV diroSoirj et TI oirra) ^aAeTrov IpotTO wo~T ^77 otoy T'
?vat dATj^ws d-n-oKpLvacrOai. 6 8e /^eya S^ (^povwv art Ty Te^rj
Svo TaAai/Ta v7rrxeTO 8w<T6tv. "A/cove TOtVuv, e^ry 6 IIwAos, Tt
^dpa/cos yap ei/ Tj] yy Trrj^^evTos, jMeye^os SeKa
6 2e o~o</)tOT'))s viroX.a(3<i)V, 'Avorrepw apa, e</7, e/cdurT^s iy//.epas ei/l
3r^^6 ytyvcTat ry Ty TrpOTepata. o 8e IIwAos o/ioAoywi/ ripf.ro
iroo-as apa rjjj.epa<s Befool, dvafifjvai, Trplv iir' a/cpov TOV
d<j)LKf(rdai.. o oe o"o^>to"T')]S TOD ooAov OUK
i7T SeKa i^/xepwv- SeTjo'eii' 7re:S^ Sexa Trry^ewv
OUV, e*^ O IIwAoS' (TKOTTfL ydp" OKTW rjfJLtptoV OKTU)
dva/jJds, as Swo p7r6 T^S r]^kpa.<i TeAi;T(oo"7js TTJS erar^s
eiri TO a.Kpov a<f>ifTa.i.
o of o'o^to'T^s, KatVep dyavaKTwt', aTroSous /xti'Toi TO, TaAavra
Trpos aAAijv TroAtv a:
8 KEY TO GREEK PROSE COMPOSITION. [Part I.
"
XIII.
'0 'AypiTTTra?, VTTO Ti/3r)piov KaraKpiOels, a>s XotSoprjOeis avrw
s irapa rats TrvAcus TOV fBao~iXeiov KaTeorrf. TW Se Kav-
P.O.TI TOV ^Aiov /3a/)w^ets Setvw ovrt, lyvco wo 81^175 av #avcov
et /*>) v8<ap Xdj3oL. iowv Se 0av/iao-rov, SovXov nva, yuer' d[j,<f>o-
/bews vSaros irapiovra, yrfi epv avrov TTICIV. TOV 8e
SOI'TOS TOV dfJL(f>opa, ws e;riev, 2a<^>ws wr$i, c<^/, OTI
TTOTC, (5 Qav(j.a(TT, ex Seo-/ia5v, /cat Trjs evi'otas crov OUK 7riArjo-o/xat.
$avovros 8e TOU TijSijpiou, 6 'AyptTnras, ou /xovov
TTjpiov VTTO KaAtyoXov, aXAa /cat ap^eiv atpe^eis TTJS '
7ov (TTiXaBeo-dai' /xeTaTre/i^a/ievos Se Kai aTroSwo-eti' <^>cto-/cwi/
Tl/ir)v TOV vSttTOS 07T6/3 SeSc/ACVOS Tl, TO/itttV ttUTOV TOV
ot/cov
XIV.
Trore T|V /3ao-iAevs os TroAAa Ixcov/^rovetv Tr/awtatTaTa TT/S
etci^ei eyepOfjvai. yrjpdo-KWV p.tvToi. wo~re voo-w KOU KOTT^
tv, ovx otos T* ^ /c TOV avTOfJidrov iyeipea-Oai- ws Se OVK
Travcrao-Oai rrovwv T Kat 7ri/ieAoi'/xvos TWV vrept T^V dp^rjv
ecus reXevrtprj, TOVS SovAovs eKcAevo-cv avrov lyei/aai. 7ret 8e gSei
OVTC avros t^eA^o-wv eyepdels avao-T^vai OVTC IKCU/OVS Ktv7yo-ov-
Tas avTov 6t opyi6jj.evov iSotev, rjireiXrjcrev TJ fj-fjv /coAao-etv avroi'S
T;V Trepa TOV TCTay/xevov xpovov KaOevSy. WO-TC eyepOeis irore VTTO
TOV SovXov, cSeTjcraTo oyxtKpov Tt eTt /ca^cvSetv vocreti/ ya/3 /<at
aTrtip'rjKeva.i. 6 8e SovAos OVK eta ev T(p Ae^et fj.Vfii>, dAAa /cai
X/ K< fToXfirjo-f TO. Bao-iXfia, o-KeXr) e^eA/cav. 'ATroKTCfw o-e, ^8oa 6
6 Se ToA/i^pw?, 'Eyeipov p.6vov, <f<>7, Tva /S^Toi/ /*
a9, Kai OVTCO
'.. ,
yovv e, e ee/305 va(rTa9, Kai OVTCO 7Tt(TTa) yevo-
TaAavrov <rot
Part I.] EXERCISES.
XV.
'0 fj.lv Evpvros, ri Is Kopivdov a^t/cero, Travra TOV
ffteptov Kai apyvpov irepl ov eyvto TOV 8f}p,ov 7rv0o/xevov, l<o/2e?TO
fj-dXa TOVS KopivOiovs, ctSws TroAAovs Aycrras ev rfj TroAci ovTas,
a*o-T TOiovSe TI ffJLrjxavTqo-aTO. TriOovs rtvag /xryaAov9 -J A - a/?a)v /cat
fioXvpSov KOI Xidtav e/tTrA^cras/Traponrwv ralv KopivOitavJ teal
' '*
\pVCTOV 7Tl<,Sjs TOV 'Apre/AtoS V(i)V /CttT(5 J tyU I,
OtP
TOU TO7TOU 7T7TOtPWS. ya/3 VaVTlOV TTan^WV OTt (frooiTO TOVS
Ayo-ras, Kai Sia TOUTO TOV XP vcr v TrapoL T)J ^e^i KaraOeiTO, iva
/xaAAov crw^otTO. TOV Sc AOITTOV \pixTov Is KOiXa. ^aAKa dyaA-
Xddpa dmKpvTTTf, airep (is TraAaia 87} Kai ovoevos aia ovTa
Oat a>s JAAocre TOV iraAatov
W(TT 01 KoptvOlOl TOUS^ITt^OVS ^>uAa(T(TOV, OTKOTTtlV
ei amav Ttva evpoiev axrre e7rr^etv* TOV 8e dAi^^ ^pucrov aa^a- 7P3? ^
AOJS of/caSc CKO/ueTO.
XVI.
'0 A7y/io^)(3v, os TraAat /t
cc^vye, rSc Trore <t'Aov SouAov i^>v e<riovTa, ov
TOV SCO-TTOTOV Is TOV o.ypov rjveyKe. o 8e A>7/io<wv ySei
fievov 7rt TIJ TrpOTfpaiy, irapa TO? ^>tA^) SeiTrv^o-as CTTI Tr}
eTSe. wore cure TO! SovAw, ei /i?) xpwov Soir) Ka.TY]yopri<riv avrov
OTI eKXeif/e. Tt Se, e^ 6 SoOAos, >jv SrjAw avTos /ACV ovSev KAei/'as,
o- 8e KAe^-avTa ; 6 Se A^/io^wov, 'Hv TOVTO Sp^is, ^, eyw TOV
/xev OTJV, !<i7 o SouAo?, OVK e/cAei/'a lyw. O-KOTTCI yap*
6 /cAeTTTtov d<f>aipfi TOV /*ev TI, alo-T krfpov KTrjfJM eTvai. eyw Se
TOU i^^uos ov^ -^cro-ov K-rij[J.d dpi TOV SCOTTOTOU* ^v apa (j>dy<a
KAcTTTW /xev ov, fj.f6i(rTr)[jLi 8e e/cei^ev Sev/oo* Kai 817 Kai ^v
a^petos etfif WO-TC TovSe lo-^twv TO SeaTroVov
10 KEY TO GREEK PROSE COMPOSITION. [Part I.
<to ?
TOO-Ot'T<>
6 8c &r)p.o<f>wv OVK ei8a>s rt diroKpivaiTO yeAao-as etTreSwKt TUV
XVII.
'0 Se Aapeios TTOTC etw^ws Trept T^V TroAtv icvat, " ns aStxa TTOU
7racr^e6, TT/JOS /^eya Sea-^T^piov y\0e. ctcriwv Se Trai^ras TOV?
8<r/za>Tas ctSe TriK/aorara oAo^vpo/icvovs, et irws i'8ui/ 6
Aojcrai, woTf Avd^vai. 6 8e Sie^iwi/ feat ajracriv t
jjptro Sta TI KaraKpideiev wore SeSecrdai. kal o [itv TOUS Si/ccurras
e^ 8ft)/DoSoK^cravTas \tev8ojs Kareyi/w/cei/ac lavrou- 6 Se TOV
p.a.frrvpa \fttv8ij fiaprvprjcrai' 6 8c erepos auros /iv avatrios t'j'ai
o/noios 8e c^ai ry o^-et TU SpdcravTi. TTCCVTC? Se ovSev aiov
irpocreiroiovvTO S(Spa.Kfvai TOV Tocravi~rjv SIKVJV SiSovai. reAos 8e
6 Aapetos avSpa Tiva t'Swv p.6vov KadijfJifvov a-KvOpwiruv TYJ o^et,
i'jpTO ri SeSerai' 6 8e ^/JVCTOV <^jy icXfipai. 'EK-t'-re ovv TOU
TOTTOV, <>i; 6 Aapctos a)S o-^erAia^wV THUS ya/3 ov Setvov i OUTOS
5 Toi^wpvx 05 ^TOI raJi/ 8iKai<av
wore 6 /xcv eXv6r) } ol 8e e/ievov
XVIII.
'0 TITOS 6 Orjpcvrrjs TrAavw/zevos TTOTC ev rg vAy, <Is
SevSpov -ijKovo-fv, aya/^Ae^as e'Sc apKTOV dfjurexovra TOIS
Troeri TO 8ev8/3ov ws auTi/ca dva/3r]a-6fJLfvov. TO 8e SevSpov
7JV WO-T /JtlJT TlTOV /t>/TC ToV dScA^OV ISeil' ToV 5/3KTOV /iy
TOT/TOVS. liTau^a 8c 6 TITOS i^rv^ws Trpocriiav Kal lAwv TWI/
X^Awv TOV ^/sa cKuXve p-^re d.va/3-fjvai fJ.rjre irdvv /aveicrftu.
dAA' ov8e auTos fied&rdai fSvva.ro, ato-^o/xevos lAdvTa av avruv
TOV dpKTOV wore eKcAcTxre TOV dScA^ov opa.fj.6vTa. oiKoOev TO TO^OV
<f>epft.v. /iivas S sroAuv xpovov (OCTTTC/) tv 8co - /zots, ws aTr
Part I.] EXERCISES. 11
fuedZcrdat. tj/j.eXXf, uSe irpofrtovTa TOV d8eX<j)6v. Kal rjpfTO TI
TOfrovrov airecTTi' 6 8c TOVS otKot e<f>r) Sfnrvovvras evpeiv (OCTTC
SetTTV^crat. 6 S TITOS, E^ov, f<pt), TWV xyXtov, tva djro-
' lya) yap l/iTmpoVepos ci/xt TOU TO^OV. Aa/?o/xevov Se TOU
v, TOT Si) o Ttros, Kayw, <^/, ofxaSe a;
/cat TOV apKTOV aVoKTevco.
XIX.
'Ev KopivOy efa TraTijp its /itTa vtoiv Svo?v, OO-TIS ftwpos wv
ocra /iei' o~vvf(3ovXevov Trept TWV Trat'Swv ot <^>povifiot TWV ^>i'Awv
ouSev eiroui, ^p^o-/xoAoyois Se /<at <f>evai TravTOtois aTravra eTra-
^To. 17X^6 8e TTOTC yepatos TIS ftavTts Trpos Koptv^ov, os ou Sta
ov TrpoeiTrev Iv TrdAet yevvjcreo-^at, TOVS p-v iraiSas
TOUS Se yepa6Tepovs ou. aTropwv Se Tt Trot^o-ai 6 TraTijp
TfXevrwv l/3ovXfvtrfv K7ro8a)i/ a7ro7re//,^at aurovs TO> KtvSvi/y cos
auros cuv. WQ-TC 'A#7jvae 7T/ii/'e irpos <f>iXov Seo/ievos
rpefaiv Kal iTTifieXficrOai ews yei/om> 6 O-O-/AOS. d<piKo-
jj.evoi oe 01 TraiSts Trp&TOv pev KOCT/XICOS IXOVTCS orSev aAAo eSpwv i;
o,Tt KeAevotvTO, ^av/ia{ovTS fiovov TOV OIKOV /cat TOI e/ce? Tpe<cyieva
^wa- TeAos 8e Trpos TraiSiav Tpa.ir6fj.fvoi TO. ev TO? o?/c<) Kai TO, ^wa
l/3Aa7TTOV evpr)cra.v yap T^V aiAovpov, xat TOV iridrjicov T^S
KepKOv l/cpe/xao-av, /cat TaAAa wo-avTws. (5o"Te TcA^r^wv eypa^e
Trpos TOV Koptv^tov 6 'A^vaios, OTI TOV jrap' e/cetvois o-er/zoy
av 01 r ' ra ^ a s TOIOVTOVS.
XX.
TIS 1]V AtOKA^S, OlITU) 7TV7/S (0V WOTC OVK e
^ Ot)A(^TO, Kttt Sia TOUTO TOV OIKOV 66(0^d)S WKTOS O.Vf(fyfJ.fVOV
d(f>vXa.KTOv eav. ^Sr^ yap TOUS ^>a>pas act 7rw0avo/zevovs
-os o-vvi'AeKTai Trptv eio-tevaf ovSe fiwpbv OVTWS ovSeva eo~o-
ax7T Trept K^>aA^s KivSweveiv n-Ao}v TOU
12 KEY TO GREEK PROSE COMPOSITION. [Part I.
CVCKtt. K6lVOS Se VVKTOS 7TOTC 7Tt TOU AI
TrvTa TrepiiovTa /cat Ipevvwvra, 7yv TTWS \pixrov ij TI/XIOV rt
fevpfj. criywvTa Se Kai vjcri'xov Kfip-evov TOV Aio/cAea
OI'K ijcrOero eypr/yopoTa. 6 (frwp' CKCIVOS S TOUTOV e^e cra
ov Swa^evov 8ta TOV (TKOTOV yvwvai i di'c^jKTai TO,
rcAos Se Travra^oG fj.a.rrjv ^rrjcras Setva rjp^fTO eirapacrOai TO>
AtofcAet, XdOpa p.fvroL <f>$eyy6fj.evo<s ) p.}] eyeipoiro' aKowas Se 6
AioxA^s, StwTra, <^j, <3 ^>t Ac- p/Se x a ^ 7r ^ l/ I? s /xijSa^ws* aAyw /tev
yap ei fj.rj8fva xpwov ofos T' ? evpetv. et 5e eyw 6 evrav^a wv
fj.r)8ev T^S ripfpas 8vva.jj.ai evpicrK&v, TTWS apa ^pi) oiecr^ai WKTOS
XXL
e TTOTC Boia>T(p ' Adrjvaios, irapa ry oS^) Ka.6i]fJi,tv<p KOI
(3a.Tpa.xov riva dBpovvrt. t6wv 8e TOVTOV Trpocrtovra Oavpaa-Tov
c^ emu TOV /3aT/3axov* /cai fTrrjptro el OeXoi f3aTpa,\wv dywva
TrapacrKeva^eiv, e(f>' (S TC e/ceij/os, OTTOTC/O^ ri TrAeio-TOV irySwr) o
fidrpaxos, TroAv A^CTOI dpyvpiov. 6 8e 'A^r/vaios ^eAetv e<^rj
et e/ceti/os (3drpa)^ov eavr<p <f>epot' eyyvs yap emu T^V XfawjV
<rvyxwp^o~avTos Sc /cat aTroixoftevov TOU cTepou, Aa/3a>v TOV
/3dTpa\ov o 'AOrjvalos Kal dvot^a? TO <rTOfJ.a Algous KaTex 66 '' ^S
TTe <f>aive(rOai, p,ev p,f)8ev /iei^w TOV Trportpov, irrj8S.v
ofov T' emu. TOU 8e iJ*covTos xai tov erepov /3drpa)^ov
rjp\eTO o dycov. TTIC^O/XCVOS o5v Ty X 61 / 3 '
^Siyo-e' eira 8e TOV TOV BOIWTOV eirieov. o 8e
eairrov a>s Trrj8rj(r6fj.fvos KCU irdary T\vr) )^prjcrdfjLevo<i
6T^ouv 8vi'aTO TO crwp,a Ktv^o-at. aTroi^ofj-fvov 8e TOV
o, TOV dpyvpiov, 6 Boiwros 6avp.do-a<$ T'L dpa Trda-^et 6
eTrapas f^rJTafc. 6 8e dvaTTpa/^/Aevos Kai TO o~To/xa dvot^as
/io-e 8r TOVS
Part I.] EXERCISES. 13
XXII.
'0 GeoSto/DO? ovTia cro<os T;V wore OTTOTe If (Ti'/iTTOcrt'^)
ouSeyos aAAov ij/cpouWo ot eoTiwvTes, dAAa Travres TO)
Aoy<j> /cat yeAam i^'Sovro. l^rjyetTO Se TTOTC Tre/at Javrou /cat <t'Aou
TIVOS, of7re/3 VVKTOS 8t' e/DTj/^ijs x^P as 'TTTreuovTes vrpos o^^ov nva
d<f>iKovTO e(f> M KV(f>(av KarecrT^. TrapiovTwv Se I^SoijAeTO (TKfipacr-
6ai 6 GeoSwpos et ve/<pos Tts OTCtr;, xat StacrKOTrwv e-irvdero eprjfj.ov
ovra. cu'cTTe iJyyeiAe TO> ^>t'Aft) TOV
TO Se oiKif]fj.a KCVUV eivai, r}v evos TIS
eyeAacre //,v aKowas, (rKWTTTetv Se /?ouAo/ieros TOV GeoScopov,
dvTct^cv wcnrep evOvfJiovfJievos ws aStKO6 8^ 01 avdpUTTOL, 'i2 <f)i\e,
<{>?], et St/catoi ijcrav 06 avdptoTTLVot, vo/xoi, Kai Travres wi/ a^tot
eicrt eTracr^ov, TTOU crv vvv ai/ Tjcr^a ; 6 S ^Hcrcrov ai/
l^>7^, i]i/. Ilavu /xei/ ovv, e</)7^ 6 (i'Aos, Set^as TOV KV^xa
ya/3 ou ; eAeyev 6 OeoSwpos' /AOVOS yefcp ai'
XXIII.
'0 $e/3Jjs eVet rjp^aro /?acrtAevwv, u>s OUTW Tracrt /JSeAvpos vjv 6
Trarrjp Sta TTJI' emopKiav nal ctTricrTt'av Stevoeiro avros yovv cr/coTreiv
OTTWS Tt/ATjcrerat ij dAij^eta. /cai eTretS^ 7TOTa//,os T'^v y?jv wpt^e,
e<^' (^ yu,ta /xovov ijv ycffrvpa, -tjv, ei TIS e/cewre ftovXoi.ro 7ropevefr$ai,
(Set Staftfjvai, Kv^xava. tKeAevae Trpos TTJ ye^upa /caTao-T'^crai, Kat
7Ti Siaf3a[r] Tts, epivrav Trtpl tavrov, O'CTTIS ecrTt, OTTO^CJ/
Kat TI /j.e\\(.t, Troirjcraf i Se TI iffevSws aTro/cptvoiTO, e/c
'Io/cA7js Se o ^>iAocro<^os Tavrr/ iraprjei, TOIS c^>tAot
ToiavTa a.iroKpivela'Ba.L wcrre airopeiv e/cetvovs o,Tt ^prJcrwvTat avr<p'
(rvvrjKoXovOovv Se ot c/>t'Aot 6av/j,dovT<s TI apa Ae^ot.
ouv Tt jaeAAot Spacrat Iv T?J TOU QepijTOS, a.iro6avf.lv Z(f)r)
iJTropoDV Totvvv <T<j)68pa. d/cowai'TS' ct
i', dXrjOrj /xeAAetv efvat TO, r>i, WQ-TC dvaiTtov
ct 8e /A'/;, ifstvofj tivai Kat atov TOV K
H KEY TO GREEK PROSE COMPOSITION. [Part I.
XXIV.
'0 8e <3?/3i7S vcos wv ITTCI act /xera KoXa/cwi/ Siijye TrdWas <>TO
T< Ki6apifiv TCXTOUTOV vixav tStrre /ti^Sc TOVS cAAoyi/jtous
eavraJ wrous ciVai. -TrvOop-fvo'S 8e TTOTC Toy 'Iwa^iov, os
dv0/owjr<j>i/ a/biOTOS 17^ Ka6apieiv, vrpos ri)v TroXiv lA^cii/ Siavooi'-
/zevov, /zeraTre/x^a/xci/os ly^tou T^V rex^v SiSacr/ceiv. TOUTO Se
ISpacre, OUK oio/zevos ?}(nra)v exeti/ov eivai, dA.A* Ti'a TT^V TC^J'^I'
uot. 6^ 8e dirAws ^vvtevai 7r/JooT7Oiov/ievos Trei/scurecr^ai
6 ^eas erov(j.fvov eKflvov .fva.s OVK
irapt(rop.vovs, KiOapifov viro iravriav <r(f>68pa. firrjvtiTO' yvovs 8<
TOV 'Itod^ioi' irepurTpafals rjpeTO TTOCTOV apa eircSeSwKc TT;
6 8c, 'fli/a^, ?^, fj.ov<TiK<av rpia. <rrl ycvrj' ol p.ev yap
TToAu 7TMTTaVTai, Ol 6 oAl'yOV, ttAAoi 81 OVS' OTIOVV CTV 8 OVTO)5
eVt/zfAws e/*AT^(7as UXTTC eK rpirov yevovs iirl TO Sevrepov dv^Sns.
XXV.
Tots 8e Ba^SuAwviots TroAAot T aAAoi Oavfiaa-Toi eurt vo/*oi,
Ha.\i<TTa. 8e 6 7T/3i ywatKwv. 6 8 TOiocrSe Tf.6f.LTai' lv IxcurTg
Kw/ty kopT^i ecrTiv aira TOV evtavrov, TT/JOS T^V ^uAAeyovrai Tratrai
ai yajieurOai fj.f\Xovo~ai Trapdevoi' vvei\fy[JifV(ov 85, dvacrras fv
/zecrcj) T.O o^A^) tajpv^ fKoo-Trjv ffa^fj? irtaXel' 6 8e oxAos del fieyas
eo-rlv I8elv iroOwv KOI dyopdfciv ras ywaiKas. wpwrov 8 17
KaXXurTr) TrwAeiTCU, eTTfira 8c r]Ti<s fJLTa Tav-rqv evTrpcTTccrrdTr).
Trao-at Se wsavrws !a>s CTTI ras alo-)(pa<s Kai a/io/3<ous Kai efj.Tn']pov$
dtbiKvovvrai, a? ouSeis X tr ftovXerat. irepl p.fv yap TWV KaAAwr-
TWV tpiovo~LV ol irXovo-ioi, irepl of Ttav fiflov /cdAAos f\ov(rlav ol
eTTctSav 8e jrwA^craxrt ^uAAfyeis 6 \pvo-os dpi6(j.fiTai
yiyvcrat. aTro Se TOVTOV 8wpa 8i8ovo~i rats aur^/wiis, iva
Kai avrat ydpov TV^WTI. el yap TIS alcr^pav yvvaiKa avrrjv
lavr^s ei/CKa /x^ 0eAet X lv ^A 140 ? 8c /zcra TT/SOIKOS iJSews av Ad/3of
IxrTc reAos airao-ai a^8/^as i'purKOVO~i.
Part I.] EXERCISES. 15
XXVI.
*Hv Be TIS IId8tos os TraVtv OI'TW rr} re o-o<ta ijSov^v irdpecrxe,
Kal TO) epoTayievos 7rapdSoa dVoKpiVacr^ai, wore Aeyerai Trepi
avrou TroAAa KCU yeAota.
7repiTi>xwv Se <f>iX(j> jrore ev -n} TroAei, Trpos TT)V Katv^v oiKiav
yrrf(Tf.v fXOeiv, TJV VCOXTTI o)Ko8o/i>ycre, tW p.6vos fJ-ovu> (rvvStnrvoir).
SeiTrvrycravTcov 8e, ij^tou /xe^' lavrou ts VTrep^ov dva.f3rjvai' Se^etv
yap ftifiXia a e^oi TroAAou oi/ra a^ta. ava/3as Se 6 <^)tAos 8wr-
TTVOUS /iaAa e^KXtVero efvaf wcrre OavfJ-da-as TL 7rao"^6 rjpero avrov
6 IIa8tos t voo-t TO OTT}$OS - /xoAts yap OVTWS av Ka/xi/eiv et eu
l^oi. 6 8e o-KWTTTeii' avrov oio/^evos (Tra^vs yap '^i') ayavaKrwv
a.irtKpiva.TO on T^V oiKiav Set aiTiacrdai, OVTW irpocrdvTOVs ovros
ToC KAi/taKO? wore crxeSoi' dirodfrjo-Kfi rts dvapaivtav.
o Se ITaSios 'AAA' CTrtT^Ses, ^>^, OVTWS a)KoSo/x^r;, Ti/a ^aAe-
TTOS /iev ew; dva/Sfjvai, Ka.Ta/3f)vat 8e paSios' iraOwv yap o?Sa ort
r/f aTra^ TTJS ^/xepas dva^8oj, SKa/as
XXVII.
'0 8e IlaStos KaiVep aAAore paSt'ws <f>ep(av rr]v Ai^njv, o/itos
T^S ywaiKos iyv cr^>6Spa l^t'Aei ei's eo-^arov 8^ aAyos
;. ov8e TrapaOapcrvveiv oios T' iijv ovSet? TO>V yvwpi/xa>v,
wcrre aTraAAacrcreiv T^S Aumjs, Trpiv (f>iX.ov CTrw^eTo Trpos T^f TroAti/
o^ CK TraiSos e<^>iA. OIJTOS 8e TroAAa errj dTreSeS^p-^Kei'
8e Trpos TTJV TroAiv, /cat aKOvo"as ort re^i/vj/cev i] IlaStov
OVK ei5$i)s Trpos avrov (^ero 8etv tevai' t(f>o/3eiTO yap /IT) ^ei'ov
iSwv fj.iov o rXi^fji,u>v XVTTOITO. 7ret yu.ei'Tot 01 ^>t'Aoi roi) IlaStoi'
toira lKeto*e 8ia.\eyfo~0ai, TrpaSrov p-ev ayyeAov rre^^'as
ei ftoyXofAfvo) aura) et^ 1 6 8e avretTre on i^Sews av Se^otro.
wi/ Se Kat iSaiv^ws ot/crpws ex ei > ^opei Brj TL Ae'yof /3pa^v Se
crtcoTTTjcras apio-ra wero irapaOapo-vveiv pr] Trepi eTepwv AaAwv, dAA'
aurou TOV Trd^ovs aTrro/ievos. tpop-evov TOLVVV TTOTC TOVTO ejra^e,
o IIa8ios TroAu SaKpviov, Et p,e^pt ai'ptov, <^>^, ^ 17 oiKrpa, rpta-
ai/ ij/iepa? T;V
1 6 KEY TO GREEK PROSE COMPOSITION. [Part I.
XXVIII.
"AAAoTe Se 6 IldSios /zera $t'Aou oSotTropwv VUKTOS ei's TravSo-
KeiOV d(j>lKTO' KO.I yVOVTeS OU 7rA^/0? OV, CMT^A-^OV. CT(I) Se
OVTWV, etSev 6 IlaSios avSpa Troppw Ka6ijfj.evov } /cat erei *]6pr)<rev
eTri/^eAws, TO) <i'A<p 7rpocreA$o)V XdOpa rotate e^Tre' 'Opas, <3 c/>t'Ae,
IKCIVOV os yp6.<f>(av Ki KaOrjTai Kat cuvov iriv<av ; Mawvtov Ttva
ot/wu e^vai ov TraAat ev rrj irarpiSi tov eyiyvw<TKOV. 6 Se, 'ETrei
ow, "<^>^, <f>iXov KCU yvtftpt.fj.ov otfi eTvai, ri Srjra AaAwv evravOa
p-evfis, aAA' ou irpocreXQiov dcjTra^et (Ls dAr^^et <i'A<j> Trpocr^Kei ;
Ou 6av/j.d<a, o.TrtKpiva.TO 6 IlaStos, ci raura /xot Aeyeis' 17 v Se
, 6/noAoyrjo"eis cruxfapova eTvat. 'T(J> yap oWi ou o"a<^>ws
ei Matovtos orros for** OUTW 8c <pvcrei (frofiepos ICTTII/
CKCtVOS, KCU ttTJ^T^S TOU T/3OIS O/XlAtlV, OKTT ttl/ S^AoS yfVTjTat
evos TIS <3v dAAol /AI) K6vos, TCI IcT^axa S^ TTeiVcTai UTT' aw^uv^s
Kat ctTropias' OKTTC dfj.rjxa.vw ri Set Trotetv.
XXIX.
'Ev Se rg aurij TroAei TW IlaSi'cj) Newv Tts e^>/, ^ Tm'flovros'
larpov, 7Tt 4voo-, ISo^c tts St/ceAtav tevaf d>s Se ou/c eta /xovov
tevai 6 tarpos, <j>o[3ov(J.evo<s fj.rj voo*^o-
fj.T]8(va ooTts (irapK&reie, TOUS ^>t'Aovs ij^t'ov 6 Ne
7Tt 8e Trdvres ouK i^eAov, uis Ta TrpdypxvTa ^ Tos yvvat/cas ou^
otbt T' ovres aTToAwretv, 7^ Sta TOtavn/v Ttva atrtav, TeAos 8uirpd-
aro 6 Newv aio-T Srjpoa-iy, TrpoKrjpv^d^vai TQ TroAet, et TIS on;v
aurw i's StKcAtav ^eAot tevai Kai 7rtp,Acr^at, auros dpyvpiov re
airav /cat Ta eTTiT^Seta iropificr6ai, ocrtav 8ot es Tropetav. Taura &
Wv iroAAas Ifievev rjftepas, et Ttva TO dpyvpiov Trapao-Kevdfov
Jret^ot. ws Se ouSels irap^Xde, /xeAAovros ^Siy auTou
diroftaXflv /cat aAAy Ttvt Te^vy xp^cr&u, ctc^t/ceTO Trap'
avrov 6 IlaSios. tSwv 8 aurov 6 Newi> KatVep OUTTU) yvwpt/xov
orra rjo~6r), as dya^ov ecro/tevov fraipov' 6 Se 2u 8>;7rou ?, ec/)7y, 6
TrpoKrypi'^as traipov ^rjTetv. Ildvu ftev ou^, e^ ^atpwv 6 Newv.
*H/ca> Totvuv, d7TKptvaTO 6 IIciSios, aTrayyeAwv OT lycoye crvyye-
otos T' a/u.
Part I.] EXERCISES. 17
XXX.
Ot Be 0p^Kes ovT<a (TKX'rjpol AeyovTat Kal 8v<nrei6(.i<s fTvat ry
Stavoia, uxTTe cr^eSov dSwarov en/at OTIOVV Trewrat, KOLV TIS o-o<oS-
TaTa rt Aeyg' i/v Se TTOTC Qpp TIS ocrTrep /zovos <3v civeu vyyevan
OVTWS aKtVTjTWs Sirjytv, (otrre crKWTTTOvras Aeyetv TOVS f Tg iroAet
ovS' av et cretcr/ios yevotro ovSev av Spwrai irapa TO etw^os,
vo<ra>v Se TTOTC ovSe eiSws Tt 7ra(rxft TOV larpov
8 Kal iva a/zetvov StayvoiTj r>)j' vcxrov Ipo/nevov TI Ty
iy TV\OI. (fraywv, AwSeKa p.vpaiva<s aTreK/atvaro. ye/XaVa?
vSev Oavfia. f(}>r) t.Tva.1 el /caKW? l^
rocravras <^>aywv et yap ei/cocrtv c^ayev, aTro^avetv xv. St
craro Se 6 Qp$ OTI ov 8ta rairras t'ocret' TToAAaKts yap OVT(O
SdTTVfiv. ol^Ofj-fvov Se TOU larpov f^eXdwv etKocrt p.vpa.ivas
(raro Kat ^(ras Ic^aye 1 e?ra 8e ITT' 6po<f>r)V ava/3as /cat
eavrov aTTwAcro. OUTO> S ^xxvepws aTreSet^ev ofov T'
fir pa was (^ayovra fj.rj Sta rai/ras diro^aveiv.
XXXI.
"Ej^Tj Sc ev rg iroAet dv^p Tts, ovo/xa TaAtpdvT^s, os OUTCO cro^>os
w(TT et TTOTC ev (rv/iTroo-ty irapeirj iroXvv yeve<r#ai -ylAwTa, Kat
TOVS SewrvouvTas TOUTOV p-ovov ws e;rt TO TroAu d/cpoacr^at.
wv Se TTOTC es SetTrvov avSpa nva erpe dAd^ova /cat aypotKov
os avros /Aev /zovos r/ftovXeTO dyopevetv TOVS Se eTepovs o-to^rav.
OTrore Se TretpwTo Aeyetv 6 TaAtpdv-r^s 17 eTepos ocrTtcrouv, OUTOS
del vTToXafitov irf.pl eavrou TC e/cav^aTO Kal TOV TrAovTov Kal Tt3v
TTpoyovwv. TeAos 3e dyavaKTOvvTes aTravTes Trpos TOV TaAipdi/T7^v
/3XTrov, et irws cro^ov TI eijrot too-Te TOV d/xa^ij TOUTOV ijo-crw/zevov
o"o7rav. 6 Se ^Kove /zdvov, /xetStwv as T(jJ a.vQp(inr<p ^So/^evos.
eKttvos Se TroAi) ^8?j dAa^oveuo/xevos as eijyevijs eo-Tt, TeAevrwv T^V
fj.iiTpa. ejrrjvet, art TroAAy TWV ec/)' eavn/s KaAAwjTiy 117. TOUTO
U B
1 8 KEY TO GREEK PROSE COMPOSITION. [Parti.
Be TcxrovTO) dvaiSffrrepov ISo/cei eTvai TOIS Tra/ooimv, tTret auVos
(38eXvpbs 17 v TT) o^ef TrdvTtov Se o-ty<uVT<ov 6 TaAt/savT^s iJSecos
/xeiSiduras '0 TraTrjp TOIVVV, ?<??, T/Vo-ov TTOV /caAos T}V.
XXXII.
ITTIO^JMWV 6 TaAipdvTrys ore <ro<7T^s ns f^et
*I(ov, ocnrep cTri^yyeAXeTO Tracrav <^>tXocro^)6av oio's T' cu/ai
8i8a<rKiV (So-re Travres 01 TroXirai TrpoOvjjuas TOV? TrcuSas
Trap' avrov iva padoicv, TTO\V dpyvpiov acr/ilvws aTro
CTTCI 8e Sro CT^ eyevcro, ovSe cro^coTepoi eSoxovv 01 veaviat ytyveo 1 -
^at, /jiaAXov /iv ovv TOU re (rofacrrov /cara^/ooveiv /cat oAcywpetv
T^S ^>tAo(ro^)tas, reAos ot jroAtTcu, ^erayvovres 8^ TO OUTWS apap-
reiv, CO-KOTTOW OTTOS TOVTOv a7raA,Aayw(riv, (MTTe erepov evpt.iv
(TOfJMOTepOV TOUS TTttlSttS SlSttCTKetl/. ^J 8 TIS SlKfAoV TtVtt
yiyvaxr/ceiv ou TOCTOUTOV ei?/ TO /cAeos c5o-T6 KCU e 'Ao-tas ^ KOl/Ta 5
aKOvciV TOUTOV 8e 4s T^V TToAtv /ilAAetv Trapeivai, WO-TC ?o-(os av,
et Treip(pvTO } dvTi "Iwvos SiSdurKtiv av ireticrai. d^>iKo/nevos Se Kai
^fAe' Kai eSo^f TOIS TroAtVais TOUS Trarepas irpCtrov
fva eiStiev ei TOUS TraiSas Set Trefnrfiv irap' avrov. TCKTOU-
TOS 8e o^Aos ^vvfXeyr) wo"Te /ioyts cwrtevai' frrfiSr) 8e eAe^ev, TOTC
S^ 6 TaAipavn^s Tis av <^CTO, e<^>7/, OUTW Ta^ews 17/uas TOV dya^ov
"Iwva av iro6f.lv ;
XXXIII.
"AAAoTC 8c 6 TaAi/oavTi/s ri TOV ftacrtXeiov otKOV eK\rjdi], iva.
TOIV ySaoriAews Ovyarepoiv r)8ovr]v Trape^oi StaAeyo/xevos, dOvfiov-
craiv TTWS, d>s TedvTrjKoros KUVOS o c^)iAow. TWV 8e ry jtzV aicrxpa
^v, ^ ^ KaAAum;. 6 8 TaAipavr^s ovSa/iws T^ xaAy /u,ovov
dAAa Trcury P-^X -^ *XP*] TO ^ va dfJ.<j)OTfpaL Fo-ov i}o-^eiev,
firjScva <f>66vov yevea-Oai. TeAos 8e ^ alcr^pd, yvouVa auTov
evXaf3ovfJLVOV wcrre urov /z/>os avTy vep.eiv ToC SiaAoyov, Tva
Part I.] EXERCISES. ig
T6 avTov /ieiiwcra to atpaT^. <?;, ei 7recroi/iv yw TE
Kai 17 dSeXc^rj irapovTOS <rov es Trorafj-ov, iroTepav a> crw^etv 7Tip<>o ;
6 Se aTropwv /ecu fKarepav <J>e?j<s 7rpoo"/3A7ra>v TeAos Trpos eKCinqv
avTt7re, Fuvai, ov yap vetv OTicrTacrat ;
aAAore Se ^>t'Aos rts a vTrecr^eTO OVK IxTeAeo-as aTreAoyctro as
eAAetVovTos TOU xpovov. 6 Se TaAtpai'T^s otW&xi e<^)^ oo-ov
irav ai>T<>
XXXIV.
aAAore 5e a>|UoAoyijcr ry 'faXipavrrj </>t'Aos TIS wS KepS
TI a.fj.aprwv TV^OI. TOV 8e dav^d^eLV <^aV/covTOS et O{!TO>
ea-riv alcrre /cepSos dvri TOV Si/catos e?vai eAecr6tai, 6 <^>tAos ou
va.ro, 'AAA' ovv dvdyKrj 8rj ffiv. o Se TaAtpcxvT'Jjs OVK e<^rj
o"eo-$cu dvayKaiov e^vai.
erepos 8e at! <^t'Aos Trporepov aicr^icrTa 5^ {wy, e?ra vocr^cras
fiereTrefj-i^aTOy ws TTO^OJV iSeiv avrov. d</>6Kop;vcs Se e'yvco Seivo-
rara Tracr^ovra, Kai lAer/cras ^TTIWS TrpocretTre. 5 Se rcxrairrryv
>^ e^etv (icrTe ev"AiSov Soxetv e?vat, T^V rail/ ev raprapw
StSovs. o Se TrapefJi-vOfLTO, ot/crpov ^XXCTKWV rvai et e^Oacre
&r) ot^oyuevos Trpo TOU Kaipov' TroAAovs S ^>i'Aovs evpijcreiv rjSr/
dc^tyyuevovs, TOI'S re eYepovs ou Sta fiaKpov e^ecr^at" ctfievat yap
OTI ovSe ^avovres diroXetyoixnv dAA^Aovs ot' ye TOIOUTOI.
XXXV.
rots 8e ra /xeraAAa ev QpaKrj rlp:vovcrt TroAA?) ^)iAoTi/Aia Ka6e<r~
TTJK6 Kat (f>66vOS TTpOS dAA^AoVS, 7Tt O4 /XV ^(pVCTOV r)TOV<TlV Ol
e apyupov, Kat es Svo (rracrets, d>s eiTreiv, Stecrracriv, ovo^ta ITTW-
wfj.ov I^OVTCS IxaTepot, ot yu.ei' 'Apyvpot, ot Se Xpvo~ot. ^A^ Sf
?roT6 Trpos 'Apyvpovv Xpvo-ous Tts, ^>t'Aos T* cov TrpoTfpov Kai TO
/-iCTaAAov ITTI^V/XWV opai' et Iwfp'. ot 8fi Kat do~^va)S ei'ajv'
yap fj.eyd\r)v (j)Xej3a (a>s Alyovat)
20 KEY TO GREEK PROSE COMPOSITION. [Parti.
8r) MS CIKOS <povouv. (is 8e Trdti/ra eSetev 6 'Apyvpovs, ofos TC
Kat ocros cvprj/ilvos efy 6 apyvpos, paXa a-Kvdpwiros eyiyvero 6
XpWOUS. O 8c T(XrOVT(p /iaAAoV 7T/3l^a/3^? (Ol/ KCU ^So/ZVOS, 7761
Traira TOV TrAourov eireSei^ev, rjpero OTTWS X otI/ ^P 01 ' Xpiwot.
6 8 (T^ivws T^V Kj>a\r)V Ttva^as /xaAa a.6vfj.eiv f(f>^ TOVS 6K6.
Tore Sr) 6 'Apyvpovs, Aia rt ; <??, XdOpa eXirifiiDV diroKpiveiorOat.
OTI Sia TO nrjSeva ^puo-ov evpi'a-KCiv 8vva.<rdai. 6 8f 'A^Tiws yap,
$77, eyvwftev on T^5 X/ 3 ^ "^ T< ? ^ v T V /^TaAX^) tTrtKetrat cs
TroSwv (3dOos apyvpos, ov TroXX(f irovfp Sc^o
XXXVI.
.'0 Se TITOS, irepl ot 17877 eAe^a/xev, ev X<ap$ TeOpafJ.p.evo'S v/
KOI 6fjp[(j)v TravToiwv irA^pei, l//.7rpoTaTos eyiyvTO TOV
TOIS i^veo-ii
1 pveAAovo-av d<f>e6f)vai.
&v8pa 8e ov8eva e?8c, SIOTI 6 TO TO^OV l^wv 8fv8pov oirurQev fun~r)-
KCt, KAdtSotS T Kttl <f>vXXoiS KKpVfJLfJ.eVO?. yVOUS ToivVV fV Oi(f
Kiv8vv(p fcrTi, ov8e TOV ouxTov otos T' c5i/ avci) ao-7riSos dp,vvc(r8a.i,
fieydXy TTJ (f)(avy /3oiyo~as aTreiTre TO) o"To^a^oyji6v^) /i^ d^eivai. 6
8^ aKOixras Kat ^aAdcras TO TO^OV e^yei eKcldev ovirep fKCKevOff
yvous 8e ^evov oWa 6 TITOS rjpfro ri /*a#(ov apa SiavoetTat diro-
KTCtveti' lavrov ouSeTTWTTOTe yap iSwv ovSev Sr) dStK^o-ai. o 8i
/iev <??, aTTOKTetveiv 6e dvdy/c^v cffot' o?K00ev yap cA^wv
17 /x^v To^cixreiv ct Tiva ata^'o tSot eaurou Ty o^-ci'
o 8e ySpa^u Tt criyr) 7rpoo"/?Ae7T(ov TO IKCIVOU 7rpoo~awroVj dfaivai
TO fifXos' (3iov yap ov8ev /At'Aetv t l/cetVov ei)y awr^t(av.
XXXVII.
'0 TaAlpaVTTJS 7TOT6 (^)tA(J) TO) TTfptTl'XW, OS TCI /iV 5AAa
Saios ijv, del 8e Trpoo-fTroteiTO TOIS euyeveo-i yvupipos fivat, KOI yvovs
ovTa, 6v6fJ.o.Ti KaAeaas Ti Trao-^tiS (3 FepaSeuuv e^'j.
Parti.] EXERCISES. 21
6 8e ddvfieiv f<j>r) StoVt SetvoV TI Set TO.VTQ TIJ 'fjl^fpf Tro.Qf.lv.
epOyueVou Se IKZIVOV TI Scot 7ra0etv, KexXijcrdai l<^>?j Trpos SCITTVOV
Trapa TOV AuKeSat/xovos (BamXea, os eVtSij/xcDi/ rv^of fTra^drj Se
TotauTa etVat o-vfJLiroo-ia. yvovs Se 6 TaXtpai/T^s ^ev86[j.evov,
ovSe aAAov eVc/ca Ae^avra, ?y on Kav^acrdaL flovXeTat, Trepl TOV
arros. epvOpiatras 8e 6 FepaSet'wv ra^u aTTCKptvaro OT6
ovSe ot'oiro Is 8et7Tvov 7rapayev>'](recr6(U. 6 Se TaAtpai'T^s eVot/>ios
e<// etvcu TCO ecrrtwvTt wep aurou a7roAoyet(r#cu. Kat TOTE aTropwv
6 FepaSeicuv OTTWS TOU ^-evSovs aTraAAayjy OVK
dAAa u/ctuTTTaJV TrpooTroi^cracr^ai. 6 Se crepos "H t S^ yap
t^)7y ouSe yap eyar yeAotov S' w/x^v ecrecr^ai et
6/ioAoyetv 6'rt e
XXXVIII.
'0 'Iwvi'o?, (3ov\6[ievo<s oi/aav Kat TrapaSetcrov w
^o//.evos ^A^e Trporepov, ef TTOJS eAAtires Tt evpoi wcrre
TO TrpayfJLa. d^t/co^ievos Se /cat ejrtTV^wv TOV di/Spo? os T^s Trapa-
SetVov 7reyi/,eAtTo, iJpeTo et TrepttovTt e^eo'Tt TravTa 7rto"/co7retv.
TOU Se IWVTOS, ws TTCIVTO KaAaJs ex iv ^o Kt j Ka ' ^a T TOU ot/cov
Kat Ta e^w apia-ra e^atVeTo Sia)K^/xeva, TeAos r/pwra TOV Ta.fi.iav
OTTWS e'^ot Trepi $vypas TO ^wptoi/. 6 8e Aayws e^ Oavpacriovs
oo~ovs etvat, okrre o^rot TIS /^aSi^ot Trr/SwvTa's Kat Tpe^ovTas tSetv.
Se rjfrOels OT^peTO et wcraiJTWS X t T*pt opvuOutv, coVre Tots
i>;roptav efi'ai. TOU Se 8iicr)(ypio~aLHvov TOCTOVTOVS
f.lva.1 WCTTC /t^ tKava eft/at TO, SevSpa e^cr^at, VTTWTTTeve S?) /XT)
^euSeTat, t'va p.S.\Xov rt$vyu,j/ Tiyv TrapaSetcrov dyopa^etv.
roiwv TOV avTov TpoTrov oo-oi tTnraAeKTpuoves Ket
6 8e (3paxy Tt o-tWTT'/jcras OVK e^>^ TroAAovs, Ivto
et TIS CTrt/ieAws yc
22 KEY TO GREEK PROSE COMPOSITION. [Part I.
XXXIX.
Mawvios ev DtfceAias opea-iv oSonropwv, Tracrav p.ev rj/j-fpav iinreve,
VVKTO. 8f [JifTa. TWV SiKfAwv yewpywv 8if}ye. OVTOI S o-7rov8au
/AC I' fa)S 7Tl TO TToAv ISoKOW ?Vai $6/301 7T1X>VTS TC 7Tl/iAt3s aVTOV
Kat SiaAeyd/xevoi a>s av ot 5raia> tTTiTrjSfioi,' TOVTO Se yu,e/x^>eTO, OTI
TOV CTtTOV OV TO) ITTTTO) fSlSoV eKXcTTTOV. T7JV S aTTaT^V TO [AV
7T/3WTOV OUK yVO), OlO/ACVOS OTt 8^SoK TOV Q-ITOV 6 ITTTTO'S' 7Tt 8t
do-$ev^ ya-Oero yiyv6p.evov KOI Treivwrra, VTroTTTCixras TT)V alriav
ToidvSe TI ffj.f]"^ava.TO. Is TOV O-ITOV TOU TTTTTOU TTCVTE XiOovs f<re-
f rjSir) yap TOV ITTTTOV, ci TOV O-ITOV <f>dyoi, TOVS Ai^ow OVK av
WCTTC Aet^^vat av TOVTOUS aei ev Tg ^drvy el Se KAe^-TOi
6 ytw/oyds, /cai TOVS At^ovs affxtiprjcrovTa. oirep KO.L iyevero' ft
cvpot AeAet/ificvovs ovSeva ^e/i^)TO, ei 8c d<f>avurdeicv
opei TWV dv8/3<3v a>s TOV CTITOV xAe^avTCov' WO-TC <f>ofBov/j,evoi
avrov ws /nayov ovTa avrdv TC Kat TOV LTTTTOV eTravcravTO e^aTra-
XL.
'0 fiev ovv Ev^eviys, Ta T^S TrdAew? SIOIKWV Kat evSo/ci/zos
a TI}V T CTO^tav Kai TT)V dyoeT^v, eo-e/xvvveTO S>) /c
TOL<J>OV favrip 8rjfj,ocria oiKoSo/xetv. 7ret Se
O, IleStav /iCTeTrc/A^aTO TOV TroirjTrjv a>s (rvfji/3ov\v-
' Siavoeicr^at ya/3 TI, OTTC/O Ketv^)Ti/xi)v/tieyaAr;v Trpoa-d^froi.
ovv doTracrayLtevos o Evyuev^? /xeyav TG<OV e^>7^ ironr)(re(r6a.i
/xeAAeiv* \o.piv TOLVVV avry TrAet'o-T^v ("creo-dai, et eTriypa/z/xa
7rot7jo-ai, a)o-T fj.r]8ev eAAeiVetv /) ov TcAeiov yevea^ai TO
/xvij/xetov. o Se i^Sews av </>ij 7roi^o-ai, et irporepov e^et^ TOV
TOTTOV t'Setv, cSo-T ci'Sevai ei iKavds O-TI Ty rlx^J? atov liriypap.[j.a
cvpeiv. TOVTO 8e <^iy VTrozrTcuwv Si) /A^ a-ffjivoTepov tWai TO
fj,vrjfj,LOV ">] cucrT TToAtVov t^vai' t 8e TOUTO ylvoiTo, ovSev ypdfatv
iScuv Se KOI yvovs TO> OVTI Tvpdvvov di(aTepov ov, 'HSews /xev, e^,
Part I.] EXERCISES. 23
d^-u) croi TO e7riypap;/Aa' crou Se eVt WVTOS, oinrw Set 7reipcur0at,
rret TOIS 0ai/o{xrt Trporepov rJJs I/A^S Set re^nys' cru ovv r/ ecra> ai/
tva eu$us ap<o/iai, 17 /ii/xve ecus TeAevrvJo-ys, dS Tore e/^ou a
XLI.
ai/ TTOTC aAAot re TWI/ TroXtrwv Kat 6 GeoSw/aos ore
rjS TIS To/X7ravtos 7roA.Aots Tre/ai vo/iwv SteAeyero, OTTOJS re
rts ^vjcrei, Kat TI Set TOV <j>i\6cro(f>ov irepl avrtav <{>poveiv.
Se nji' TroAtv (is del TOIOUTOVS TidtfJievrjv otbi ai/ rots
TT AeiWi SoKtocri. TOUTO Se OVK e^)7^ crv^opov cTvai' TOVS /iev yap
o-o<oi>s det oAtyovs, TrAetovas Se TOVS dvo^rous, wo-re dvo^rovs Kat
TOVS v6fj.ovs yiyytadai. Sfiv Se fiaXXov rots fiev dAt'yots Tret^eo--
$ai, yalptiv Se Aeyetv TOUS TroAAous.
raura Se OI!TO> (ro^ws Kai irt^avtas fAeye, w(TTe iir-Qvovv avrov
o-^eSov aTravres ot Trapovres. o Se GeoSwpos dvao-ras ov/c e(f>r)
ravra <^povetv eKeti/^), TroAAovs Se efvat Kai aAAov? o?rtves Aoya>
yuev e7raivou(ri Ty Se 6Wt ou iret^ovrai. ^</>t^w/ie^a Totvw, e<?7
6 To/^Trdvtos' \fr)<j>icrd[j,voi Se jrdVres e<f>dvr)(rav o/
TrA^v 0eoSwpou. 6 Se au^ts dvacrras Kai /ietStacras
eavroi; yvci/Mp' TOVS yap oAtyovs (ro^WTepovs etvat TWV TroAAwi'.
XLIL
'0 Se Mawi'ios r^v pr/ToptK^v /SouAo/ievos /ia^etf Trpos CTO
Ttva 7jA$ei> os OT^yyeAAeTO StSacrKetv Svvairdai. (rvvevwprja-e Se
faKTTe Jv cu SiSdcTKr) TroXv OLTToSovvai dpyvptov ws Se ou/c
etSevat et eu e/xa^e et p:^ 2py<p Tretpw/tevos, ovSev Setv aT
Souvat ews StKa^o/zevos Aoy^> Tretcrat TOVS SiKaoTas. iji' Se
KpiVaxrt, ^LMjSev aTroSovvai.
eTTt TOvVots oSV fJLa.vOdv<j)V, ITTCI 7ravo-aTO, /*eTa \povov
Trpos avrov eKeti/ov Kat pwrOov atT^o^avros,
24 KEY TO GREEK PROSE COMPOSITION. [Part I.
a.TTKpiva.TO. u>s e Troa 7ripao-/vos o-o<io"ns TO pyvpiov
7r/3acrcro/ivos OVK ISe^aro, TeAos TT/DOS roiis StKacrras TrpocrcKaAeiro
avTov. cpuiTr)6el<s Se 6 Mawvios irorepov ov St/caiov (.trj TOV
<ro(icrn)v TOO-OVTOV 7rov?jo-avTa TOV \pva~ov Aa/?eiv, aTrc/cptVaTO
TotaSe' "2 l vv\(aprf(Ta.fav yap p.rj aTroSowat e/ie et /i^ Tmcrai/u TOVS
s. lav TOtvvv o^Aw T^V SIKTTJV, CK T^S crvvO^Kr]<s ov8v
Q)' cAwv 8e, TW vo/t(j) ouSev o^eiAiJcra). OTrorepov av ovv
ctTroAet TO apyvpiov 6
XLIIL
6 O-O<IO-T?)S aKOwas ayyeAov OTI 6 Evpn/iev^s, os
7*v /ecu tAAdyt/xos av>jp, TOV viov /icAAot Trey^Trctv i'va
ijcr^ets <?/ do*/ievws 8i8a^v. Kaiirep yap ei'Sws T^
yvvai/ca j0)/3OTaTr/v ovcrav, /cat 7rAio~T' av Trpdyfjuna Trapaa-\ov(rav
Sia TO TroAvTrpay/iovetv, l^t'Aei O/AODS TOCTOUTOV /cat Ti/ia TOV
Evpv/Jeviyv, (OOT6 %a[peiv fiaXXov ^ Avrreicr^ai. ov ya/3 jttdcp^fi,
e^>jy, fJLurOos avTt /xeyaAov KepSovs ; T)V yap a<j>pova yvvaina ave-
AaAovo-av, <ro<J><aTa.TOV <f>iXoa~6<}>ov dn-oAavao/iat. axrre
TOU TraiSos Kai Svo /i^vas //.a^dvTos, j3ape<a i s Zfapev aicr66-
ovT6 <f)L\ofj.a6rj ovra ovre iroveiv l^eAovTa tva (roffxarepos
ytvoiTO. dfjLaOea-Tfpov Sf TTOTC SOKOWTOS etvai i; wpOTt/oov, o
SiSacrKaAos dyava/cTwv 8^ OT6 OVTWS 7riA^o-/iO)v efj?, Kat VTTOTTTCV-
o~as ^ ovSe dvey/cw/cev a I8et /za^efv Gav/xd^w, e^>^, 4 OVTWS
s rri 6 vtos TOV o-ov TraTpos. 6 Se 'AXrjOij, 0^, Aeyets*
tt vtos.
XLIV.
*Hv TTOTe I/X7TO/30S Tts, os KaA^v T Kai TrAowt'av TrdpOtvov
tyr)fJ.c, avrijs /iv OVK dA6yov e/awv, fj-dXicna 8e TOV TrAot'TOV CTTI-
y^yaas 8 rJTTrjcre crvyx^petv, wo-Te TOV fj-eydXov
Part I.] EXERCISES. 25
IpcoTOS, et 6 Ire/Do? avYwv a.TroOavoi, TOV erepov lavrov J3idea-dai.
/cai ov Sia TroAAov fTepav iSwv Koprjv irXovcriav re ovcrav /cat /caA^v,
ai'Tl KlVr)S /3ovXeTO fX LV ' TTICTTOV TOIVVV Aa/?WV OepaTTOVTOL,
ilvo ^/tepas aTToS^/xwv a7rrrAe e/ceti'oj/ Trpos TT)V ywai/ca, ws
an-ayyet'Aete TOV avSpa, Iv (^ Trora/iov 8ia/?atvet, aTroAcoAoTcr /cai
dyiia TO IfJidriov l/ceAeve Sei^at, ws Ttov aAAwv aTravTW crvv T(p
tavovn d^ai'icr^evTcov. 17 8e yvoucra dpyvpiov rt ov8ap.ov ov,
cTrep Is TO l/xdnov a.TrKpv\f/e, ovSev dA^^es yeTO Aeyetv. crtywo-a
^e a ^>/3ovei, KCU A^KV^OV Xaj3oi<<ra. Irei CTTICV "Amdi, e^, T(j>
/)y;jn^) aTrayyeAcov a>s TrtfTTrj yvvrj <[>ap[j,a.K(p aTroAAi/rat, TC^V^KOTOS
TOU di'Spos. o Se TO) i/JLiropif rJKMv Bavovvav (f>app,d.K(p d-n">jyyei.\f
Kal OUTOS ST) T^V CTepav 6yrjfji. oiKa.Se 5e /ueTa T^S vv/t^s d(f>iy-
, 6vpao~i 8ea[j.evr) rj ywrj^ A^>es Taw^v, <?7, T^V irdpOevov,
ov/c TTI crot yvvij' ovSev yap aAAo eVtcv
XLV.
'0 Se ^6/317?, CTTCI fidXicrra <i'Aei TO Ta KaAa Oewpeiv, ayaA/m
iroteiv ACVKOV XiOov, a>s av /cdAAto-TOV 7roi7j(rai 6 o~o<a>-
TCUV dvS/DiacTOTroiwv' t'va 6e /cai TrAeov Koo-jaiyo-at, /c xpwov
eSe6 Tas x at/T(X 5 yXvfatv' SeSia>s Se /AI) ToX/j.iarr) TIS VUKTOS /3i^t Is
TO tepov eio-ireo-eiv, K^pv^d^vai 1/ceAevo-e, ci Tts /cai Sa/c-ruAov
a(/)eAoi TOU dydAjwaTos, fKKavdfvra. TOVS 6({>8aXp.ovs diroOaveiv.
/caTa^>/oovv]O-as Se TIS TOV ^ao-iAetov K^pvy/^aTos T^ Seureyoa vvKTi
ws KaTfo~Tfj TO ayaX/j,a ) eXadev aTrocrc^d^wi/ TOVS <vAa/cas Kai
Tas XP^ "" 5 X a ' Tas ^X wv dTTW^eTO' dAous ftevTOi /cai TT/DOS TOV
fiao-iXea dyo/xevos aTreAoy^o-aTO a>s ov Sei aTro^avetv' cio
yap tSeii/ jttovov ITTI^V/ZWJ' T^V XtOivrjv irdpOevov, ws 8 Tas
o"a? ovaas, /xe/iv^cr^at TOV dvSptavTOwotov,
a.1 x^iTai. WO-TC d^eAetv otccr^at Sen/ TavTas, Ijrei ov St
TO epyov TOV SrjfJLiovpyov Q-ffJLVorepov
26 KEY TO GREEK PROSE COMPOSITION. [Part I.
XLVI.
BacriAeus 8e TIS irapa TOV Trarpos Sa/cTuAiov iroXvTeXrj eSeaTo,
T^v 8uva/uv l^ovTa, too-re oo-Tts 7T/Di#aTO VTTO TrdvTcov
TifJ.a<rOai re /cat <f>i\i(r@ai. TOVTOV 8e /cai 01 irpoyovoi irporepov
O, TrapaoiSovTes eKacrros TW /^aAt(TTa lavrov tftiXovvri TWV
TOUTOV 8e 6 Trarrfp /xoyos StKaor^s, Sta TT)V /zeyaArjv Si)
v. roury 8e ry /3a<riA.i T/3is ^crai/ vtot, li/tore juev aTret-
TravTts, a>s 8 CTTI TO TroXv OVTWS eu ^lAovvres avrov wcrre
i fJ.rj oiov r' fTvai. yvovs roivvv tiriovTa. rov BOLVO.TOV,
<ro<f>6v riva SrjiJLiovpyov CKeAcvo-e Svo Sa/cTvAtous TTOI^O-CU r<p TT/OO-
rep^) OVTWS dx/3t/?ws eoiKoras (Sore Travras rg 6[j.oi6Tr]Ti l^aTrarTj-
^vat. TOUS 8e viovs Xddpa TrpocrKaXea-as iroXXd re <no<f>p6v(t)<i
Traprjvfi Koi Sa/crvAiov Iva CKOCTT^) TrcpieOrjKC. davovros Se TOU
Trarpos, avveA^ovres ot viot ^tiaxrav auros l/cao-ros Kpa.rf.lv, ws
TOV tepov SaKTvAiov KCKTTjftlvos. 7ret Sc OTryx ft) / De ' l/ o^^ Suvavro,
StKao-r^v Tiva <ro<j)ov yrrjcrav Siayvwvai TO Trpa.yfj.a- os Travra
aKowas TOtaSe eAe^e
Trept Tijs apX^ s */'C eT ' ^^ Sa/cTvAios oi5 T /iaAicrra
eTnOvft-ovvn SiSoTat, aAAa T^i TOV Trarfpa apurra <J>iXovvTi.
vvv ovv d^>ijo-(o v/xas, iJ'^ovTas TraAiv //era e/caTov ITTJ eirl TT)V
Kptcriv, OT yevvaia SpouravTes ^>avepov jreTrotrjKOTes ZcrecrOe, TI'STOV
XLVII.
'0 Se Aox 10 ? e/MrpoTaTos ??v TO^OTT/S, OKTTC
TCOV TroAiToiv "va To^y Trepl aOXov dywvi^b'.VTO, TT
TOVTO Se TOCTOUT^) 6avfj,a<TTQTepov ijv, 7ret
v TOV fTfpov o<frdaXp,6v' SiacrKOTrwv yap TTOTC oia-rov
aAAa Swiv
Part I.] EXERCISES. 27
Te/>(> o/totos e(f>aiveTO 6 6(f>daXfj.6<s } Kal
TOU TTpoVepOV. epl^COV Se' 7TOTC TTpOS XeOTptaV TIVO, Kai jU,oAlS
vtKTja-as, at$ts e<?j ireipacrOai 6eXeiv i(j>' yre ToV erepoj/ 6<
KCKXei.a-fj.fVov eci, at vt/c^o-as ^tAtas /zvas Seerat. 6 Se
crafMevov Tots d^^aAjuoi? vvv Ta^a Si) vtKTjVetv. 6 Se
av$ts o-yuiKpov Tt Trpoet^e, wcrTe eSet TOV Xeo-Tptav aTroSou^at. TI
Si) ; (17 dyavaKTWV, TTWS dpa ov^ yarcrov To^evets /ce/cAetcr/ievy
Tt t o eTcpa) o^)^aA/Aw ; 6 Se yeAdVas AIOTI TV<^)Aos et/xt, e^, TOJJTW.
XLVIII.
6 Tijpavvos TOV TOTTOV e^eAo/xei'os ov O6KoSo/xetv Set TO
/3a<Ti\eiov, e/3ov\ev<rev, eTret StKatos t'jdeXe (f>aive(r@ai KOL StKacr-
Tripiov /3aonAetov ev ry TroAet KarecrT^cre, /ai) dj/ayKa^etv TOVS
e^ovra? aTroSouvai rryv yiji 7 , dAAa St/caiy rp6ir(ij> dyopafeiv. tos
Se ctKos TJV TOUS yecopyous et etSetev wv>/(ro^evov TOV ru/oavvov
TrAetov af atrrjcrat 77 Trap' iStwrov, 6 ^SacriAevs eVecr/cDci<Ta.TO
eaurov ws ypa/ijaarea. ws Se woppw aTrei^e rij? TroAews TO
ai<7T //,i) yvwpt/^ov eiyai avTov TO?S evotKowcrt ov/c aV WCTO
fvpciv Trjv airaTrjv. OVTW Be /cat lyeveTO a>s eirt TO TroAv.
\ade yap TraVav T^V y^v dyopa^wi/ 7rAi)v d/xTreAwvos ftt/cpov,
fierpiov dpyvpcov. TOUTOV Se ovSevt rpoTTU) eireide TOV KeKTfjfjLevov
TrwAetv. aTreAoyetTO yap OTt TraAai o TC Trar^p efye Kal ot
Trpoyovot, WCTT dcre/3es SOKCIV etVat ^ei/y aTroSocr^at. ^aAfTrat'vwv
Se 6 ^epr^s, Tt Se av, e^, 8pdo-ais ct p;a$ots awov TOV Tupavvov
/3ov\6fJievov e/j-e XafBeiv TOV dp,7reAt3i/a, eya> Se
TreTTOt^ws ^8ta d^eAotjitt ; 6 Se yewpyos OvSev S^,
av 7rpo(TKaXoLfj.rjv yap av ere CTTI TO ^ep^Tos StKao-TTjptov, OTTOV
6 f3iaia Trpd^as dei SIKIJV SiSwcrt.
Se aKowra? OUTUS rlcrdrj 6 $ep^s WO-TC TO /3<t(riXeiov
28 KEY TO GREEK PROSE COMPOSITION. [Part I.
XLIX.
'Ei/ $ rjpxov oi Tlovperavol TT/S \wpas Travras ovra> o-c/>o6pa
eoTrov8aov Trpos dperr^v /cat <T(a(f>po(rvvr)v Tpairr#ai, wore ras
ywai/cas OVK efwv ri O-KTJV^S ^>av^vaf TOUTO yap CUTIOV cfvai TOU
re /cat ywai/cas ^oAAas Sia<J>9aprjvai. a/zeivov yap woiro
ci ai/Spes <aveiei/ ev TOIS TrapoiJcri ws /3acriAtiai Kai irdpOfvoi.
fve(TKeva.(r[j.evot, UXTTC yeXoiia yevea-dai TO. ^(av lAAoyi/xajv TTOI^-
[JLaXXov ^ aicr^vv^vai TT)V TroXtv Sta T^ atreySeiai/ ry TO
5-! o 8 /3a<riA.vs KapoXos CTTCI vtK^cras TOVS HovptTavovs
wpos ri)v iroXiv d<^t/CTO, ITTI TO Qcarpov yet ^ewp^crwv T^V Tpay^>-
Stav. xpovt^orrwv 8e TWV UTro/cptTwv dyava*cTwv 6 ^8ao-iAevs
fTrfjL\l/f Tiva 7revo-o/icvov TI yi'yveTai /cat TIVOS Ive/ca OVTTW 7rapto*t.
6 Se i^KOi' oVov CKa^j^TO 6 /?ao-iA.eus wro yeAwTos ftev TO irpu>TOV
/cwAuTO /i^ Ae'yetv 8uvacr#af ne/jL^aptvov Se J/cetvov /cat aTrct-
fJ.r)KfTi <f>\vapeiv dAAa o'l^yeur^ai TO Trpay/xa, w ySacrtAev,
, irapktrovrai eudvs oi VTro/cptTat' p.6vov yap p.evovo"tv Iws at' ij
^ 'ArTiydi'' 1 j TUV jrwywva a
Part II.] EXERCISES. 29
PART II.
L.
'Ev MecroA^vy TJV TIS larpos TTO.VV eAAoyi/zos yevo/^evos, cirel
f^evptv OTTOJS apurra Bepairevoi, ei TIS Ttva party, vocrovvra. IT/DOS
avrov ayot. TOVS yap /ie/^voras </>T; TOVTOVS eivai oiVives ayav
aWepLot dVo^atvovTat ry Stavot^t, TT)V y^v aTroXiTroi'Tes Iv^ev lye-
vovro* et o5f eyyvs TT^S y>)s dvay/ca^otvro otxeiv, aTraAAay^vai av
n/s vocrov. fopvas roivw TTJV y>}v, et p-ev TIS piKpov ri /taivoiTO
fJ-fXP 1 v yovaTwv $a7TTev, 6 S TrAeov, ^XP L 0"nJ$ow TOVS 8e
TTUVV, TravTt T^) (rtofj.a.Tt, irXrjv /ce^aA^s. ar?)/3 8e Tts
ZfjL<f>p(av avOi<s yevo/tevos, as eT^xe TTOTC TT/DOS TOIS op^y/xacrt
/xevos, TrAovcrtov Tira efSe )UTa TroAAwi/ KWOJI/ tioi>Ta Kat
TTOVTWV, /cat orrAwv (riSrjpwv TroAirreAwv. epopevov 8e Trot tot, 'i2s
opvidas, f4 >r ]t aTTOKTevtav o 8e voo~wv aS^ts 7r>ypeTO 7rdo"ov apa
a^iat eto~t o'l'/wraorat at opviOes as evtairrov aVoKTetvei. 6 Se
OTI XiAtcov juvwv (3ovX6[j.fvos Se Trepl TOV TrAovrou
IS^Aov OTI ets SovAovs Kai Kwas Kat T?)V TWV opviOuiv
rjv ov p-eiov TT/>a/cwr)(iAtwv dvaAwrKot. 6 Se CTC/DOS fj.eya.Xrj
(jxavy 'ATreppe, l<^r/, cS Tav, Tva /i^ !vTav(?ot KdTopv^0y<; ak
LI.
Tt^as, 6 /3ao-iAeus TWV Mevtcov, TroAe/tov KaTayyetAas TOIS
IlaAtots Kat 0-TpaTfVfj.a. crvAAe^as, dyyeAovs Trpos TO ^pr/a-Ti/jpLOV
otTtves TrevcrovTat OTTWS o-v/x/3^o-eTa6 a SiavoetTai. 6 8e
aTTtK/atVaTO, oTTOTepois 6 o-T/)ar>yyos TroAcjat^) ^i^>ei dVo-
t, TOVTOVS vtK7jo-etv. ot fj-evroi IldAtot lAa^ov TOV
irporfpov KaTcxcrKOTrov Kcto" 7re/x^avTes, os KK/3v/i/xevos ev
30 KEY TO GREEK PROSE COMPOSITION. [Part II.
njs Trepas T/KOVCV acp ^pi^e TKOVTOS ou KCU rip
SeiavTOS, 7rap?7yyeA077 TOIS IlaAiois, as TOU /3ao-iAos Sei
/xlvovs /iovois TOIS o-TpaTiamxis fj-d^eardau es xeipas
eA0dvTWV, d>S TO /3ao-iAa>s dp/ia es ptuovs TOUS IlaX
aire^wpouj/ oCroi, as ciprjro, ovSe oiorrov a^>evres ovScvcu 8ouXos
O TIS TWl' MeVlWV OS 7T^g /ia^TO TIJV Ta^lV d7roA.l7T(t)V Kttl /40J/OS
eVi TOUS TroAe/w'ovs irpo(8paiJ.f reAos 8c OavfJiaa-Trjv aT
apfrrfv /ioyts KareKOTrrj. ol 5 o-TpaTiaJrai, o-vA5Tcs TOV
eiret TO Kpavos d</>iAov, TOV liOav dveyvoxrav, ws SouAov eveo"/cei > -
cur/ievov. WO-TC d^v/xouvTcs 01 IIciAioi KOI Ta^etos S (f>vyr]v KO.TO.-
LI I.
^av vioi' KaAov 8< vopifov TO dpyov
ctVai (TO yap TrA^os Sciv TTOVCIV) Tots Trawriv cAe^cv, arTts dpyo-
TCITOS 5^Awo~ai (5i/, TOVT^) 8taS(oo-v TTJV dp^iyv.
evrau^a 8 6 ytpaiVaTos OVK <^>T/ Aiffl-eio'^ai S^iv TOVS aAAovs
fj.a.Tr)v eA^t^ovras' avTOS yap o-a<ws /xAAv T^v dp^v Xrjif'fO'Oa.i.
r^XP 05 7"P TTOTC <3v, Kat TOVS SovAow Trvp aTrreiv KtAeucras,
Kadi<rai ourus fixrre ^>Aeyeiv T(J> Kav/naTi Tot <rKf\y dAA' o/zws,
/catVep <r(f>68pa o8ww/tvos, dpyoTepos c'vai ^ OKTTC KivTjo'ai,
6 Sc frepos Trap y vet /XT) Atav ireiroiOeva.1.' avros yap T< T'X
Tuxctv 7rapao"Tas ^ ou Kpe/xaTai TO ^i<^)os. Tu^g S< oxras, KOI
yvovs OUTWS dvaTrr)8r](r6fj.tvov uxrre ryv yaoTepa rpavfjiarurai^ trcr'
dpyias o/i(os TTO-uxd^iov TCTptaa-Oau
o 8f TptVos Trp^iws avTeirrev OTI SeSotxe /t^ aiyros o/xws apyoVaTos
eo-Tiv. axovo-as yap TWV aSeA^wv iroAAa Kai Seiva
IVa T^V dpxty Ad^Sotcv, xatVcp avros et'8a>s SetvoTepov av
6ai SwdfLevos, o/xcos Si' ouScv aAAo ^ dpyiav o-iawrTyo-eo-^ai.
TOT 6S) 6 ^SaO-lAcUS TOV TplTOV I^TJ 8IV ^SoO-lAcwai' TOV /*<V
yap VTT' dpyias TO o'KeAos, TOV Sf T^V yao-repa jSAaTrrtiv, TOUTW
Sc Trdvra TOV jSiov.
Part II.] EXERCISES. 31
LIII.
'0 IlaA^s ScvSpov fv T(J> dyp Ofls "va TOV Kapirov cwroAavcrai
Setvtos fiffv(r6r) 8r) <5v T/A7rtev. Ipwv yap KaXrjs Ttvos veavt'Sos,
firfl fyrjfifv aur^v, tvSai^ovcos ftev e p.fjvas per' avnjs St^yev 17
Se a.Trpo<rSoKriT(p fKTrXayeicra p,avia f exetvov TOU SevSpov dwriovcra
eKpe/j.a<rV eavri/jv. KO.I (JLrjv KCU ere/Da TIS yw?^, ^v fj.fr' l/cttvrjv
ly^/xev 6 avi)/3 8i;o ITTJ oSvpa/j-fVos, ry Sevrepalq. TO KaKoSaifj-ov
TOVTO Tra/Dtovcra SevSpov, TOV avrov rpoirov e/3idcra.TO eavrrjv.
ST) yaoyts e/cwAueTO 6 TATJ/MCOV /A^ Kai avros
avTO)v Se TeAos TWV <iA(ov TI)V AVTT
Aa^Swv, 'AAAa TO ye SevS/aov, 1^, ev^vs
/xav KaAy CTrt^et/Det Seiv OTTW? ao-^>aAeo-Te/
6e Tts TravTO aKovo-as, a.(f>pova. /cat CIVTOS l^wv ywato,
<^, 5 ^>i'Ae, ya^Se OVTW Tip-Lov SevSpov KaraKoi^ys' fj-aXXov 8e
/cAaSov /not Sys <5o~Te (frvreva-ai, 7roAA< apyvpi(p (re
8e o-uy^wp^o-as Kat TroAAovs KAdSovs KCIT' evtavTov
TrAowtos eyeveTO.
LIV.
Fopyovios 6 jSao-iAevs, Oavovo-rjS f/v ec^tAei ywaiKos, /cat
T^S fwifieXfias Tt Seo/jtevov TOV TraiSiov, TOTTTOV vKa erepav
yafif.lv fjSovXfvcrfv. ij 8e ws IKOS /A^ OTI e^)iAet TOV TraiSa dAA'
pifv. ravra 8f TroAAa CT^ <f>fp(av ftXP l ^ *'^/ 3
TOTC 8i) ^atpetv CITTCOV T^> Trarpl TroAAas <>7 \wyoas iSetv
/3ovXf(r6ai SxrTf o~o<os yfvfcrdai,' fl 8e laurou Scot, p.r)Sfv dAyetv
yap TOCTOVTOV WO-TC KaiVep aTrwv ai<rdf<T6ai Kat Ta^ews
etv. ot^o/ievos ovv Kat yevo/xevos iarpos KAedp^ov t/xdv-
0ave T^V Te^vrjv, os TWV <' eaurov o-o^)WTaTOS ^v. ovap Se TTOTC
t'Swv TOV Fopyovtov CTTI XfKTpov Kfi/j-fvov d.Kivi]Tov Kai (ixpov, cos
vcxrovvTa eyvw, TT) wrrepaia ev^us oTKaSe rrdAtv d<
32 KEY TO GREEK PROSE COMPOSITION. [Part II.
/co/ievos 8e ourws T$ OVTI cvpe voa-ovvra wore TOVS avrodtv iarpovi
fj.rj8ep.iav eATTtSa f^eiv iScov 8e e/cetvos TOV wov TOV <{>l\Ta.Tov
avCTvevcre. TeAos 8e ws T?} Te^vg avrov Icr'^vpo'S lyeveTO, TTJS
ywai/cos etre St' c^^pav eirc aAyei VOO-IJO-CUTTJS, ynj(rc TOV viov
Kat Tavrrjv iacrOau 6 8e aTre/cpi'varo rotaSe' "0,rt av TIS vocrcoj'
^ v "^ v T ' S Soreov av-nj 8e eyne aTreX^eiv iroOei. ravra 8
6 p.ev air^ero, ij 8e ov
LV.
Tov Se 'EpyoXeovra irdw /iev ITI/XWV ot o-vcrr/aaTew/ievoi, ws
Travu dya^ov ovra KCU 8t/catov /ie^vo-^evra Se, ota &) o~T/oaTiwrai,
ei rts fj.a\Xov krepov f^airaT^rj. yvovs Se e/cetvos
e? TTOTC ^vveiSetr) lavr<p d^^ovws TTWS
Tts, ocnrep avros re Ipm/sos wv TOV ITTI
TOT;S T aAAovs Tauro SiSa^as, KaAAto~Ta OUTW StevoetTo
TOV orpaTTfyov e^aTraT^crat, ^v wore p,eOv(r6fj. /cat /ieAeTWVTWv
TTore Tais K<aAcus TWV ITC/DWV, TOV o-T/aaTijyov OOTOS y<r&TO
7T/30CTlOVTa, /AT/)tWS S^AoVOTt SeSctTTVTJKOTa* W(TT TTCIVTOS 6KeAeVCT
7Ti K(j>aXr)<; crTavTas i^crv^iav ayeiv 6 Se 7retyo)nevos 6io-^t /cat
TOV TOI^OV e^eTrAay^, a>s dveo-T/Da/x/Aevwv 8?) TWI/
/cat o"tywv ee<vye. 6av/j.d(ravTC<s 8e Ty WTe/aata
ejrrjpovTO avrov et TI e?6e TWV Trapa TO eiw^os* TOU 8e ou <^ao-/covTos
/cat ayaa tpvOpido-avTos, ITTI /cc<^aA^s e<^a(rav TravTes m;/9tx$ai,
TOTC 81) Ni) TOV Ata, ^ 8' os, fiavOavd) yap- aveo-T/Da/x/ievovs 8
t8wv v/ias ava7rawo/>ivos dffy^oyLt^v, SetVas /A^ avros apa VTTO TOU
TrAetov Tt 7T7ra)K6vai e
LVI.
'ESlW/COV 7TOT6 'A/3/cdSa TlVa BotWTOt T/3t9, VTTOTJTCVOVTeS WS
apyvpiov /cAe^avTO. ou ^v 7/817 o-a^>a>s ovScts TOVTOV d8t/c^o-avTa,
7Tt Se ri<f>a.vi<r6i] TO apyvpiov /cat av^^/xcpov (XTT^CTO 6 'ApKas,
Part II.] EXERCISES. 33
TWV ereptav 8ovX<av TTO.VT<DV eTraiTiw/teVwv, ouSeis 8rj IjOeXev df
/3r)Teiv [Mr] OVK atrtov eTvau eA0ovT(ov Se ITT' otKtav TIVO, o5 eVi
rats dvpais eyeypaTTTO Tous 'ApKaSas eto-eA^eiv, <I>s TravoWetov Si)
ouo-av VTT' 'ApKaSos yKoSo/xij/ievoi/, TWV Botamov TIS, OvSev 8i,
e^, TTOppdiTepa) tevcu' S^Aov yap on 6 <wp fvdd8e irapa, TOIS
eavroiJ KCKpvTnaL. o 8e Sewepos, 'AAXa fi^v, ^/, ? ye i^yaas
WCTO SIWKCIV, ovSev fj.aX.Xov e^evyev ^ ravrqv TTJV ot/ctav ws
/AeAAovriov rj[Ji(av avrov ^rrfreiv. 6 Se T/OITOS vjroAa/3wv, Kat
ci'Sws ye, ec^r/, OUTO) cro^ous i^fias ovras wo-re TO.VTT] fj.rj
iroppwrepa) Stw/cetv, /ierayvovs e/xeA.Xev es avrr)v Tavrrjv
TOVTOV Se cro<toTaVou SOKOVVTOS efvai, eSo^e Tret^eo-^ai* wore etcr-
eA^ovres efiyrow. dAX' ovSev /xaAAov fevpov TOV avS/>a, eVei
ou^ oios T' wv erv^ev dvayvt3i/ai TO yey/sa/tjLtevov, Kat Sia TOVTO
ov/c
LVII.
H MaAwvtou Ttvos pvOov TOtovSe Aeyowtv 01 BOIWTOI,
os Kat avros BOIWTOS wv det Ixav^aTO ws TO)V cTepwv iroAu
K/3tcrcroves etev ot BotWTOi, eucre/3o{!vTes TC /iaAAov es TOVS ^eovs,
cat VTTO o-w^>/3ovos dAtyap^ias evSat/zoi/ws ^WVTCS.
6 Se ev VTJ? eTv^e TTOT TrAewv x 61 /^^ 170 ? 8e ^aAeTrov eTrtyevo-
/xevov, owTO) ySa^eta ijv 6/it^A^ CXTTC TOVS vauras e?rt Tpets ij/xepas
TOV i^'Atov ft^ 6/owvTas dyvoetv OTTOI <f>epovTat. TeAos Se Siappayti-
o-^s T^S vea>s aTrwAovTO /xev ot eTe/Dot aTravTes' avros 8e eTrt ^vAou
es y^v 8te<^vye. Kai TrpojTov /*ev oto/ievos prj/j.ov eivat
VT}O"O" o'^eSoi' TI eAiwetTO 6Vt ov fMera, TWV erepuv aTreOave'
twv Se Tt Kat evpwv Ttva IK KV^>O>VOS Kpefj.dfjifvov, 'HpaKAets,
<TJ, TWV BOIWTWV OVTOI ov^ ^cTQ-ov vo-e/3owcri. Kai ov 8ta TroAAou
aAAov Ttva etSe Trapa Tg 6S^> Kei^evov Kai ^Qvovra.' t'Swv 8e, T i2
^eot, e^r;, dAtyapx i/a > / SryTrov e^et 17 X^ a ^5 ^crepas Kai <f>povi-
p,<aTepav' BOIWTOV yap ov^eva TTCOTTOTC et'
c
34 KEY TO GREEK PROSE COMPOSITION. [Part II.
LVIII.
TOIS 8e Kopvevrais eirel liravcrdrj 77 ordo*is, Kparepfas p.ev d/zvvo-
\povov 8e ov TroAvv, dpTOTTwA^s TIS, ov"x fjKurra. -n/s ciri-
(3ovXrj<s fiere^wv, Sewras ^77 dAovs 6$ SIKJIV TOiovSe TI efnj^avTijcraTO
axrre e/c^uyetv. /caAecras yap TOV dspdirovra ewrev ort ^povov
Ttva KSij/x^(ro6' ^evovs Se nvas /teXXeiv a<iK<70ai (XTTOVTOS lairrov
Kai eTrayyeAAeo-^at TI ?repi TOV tiveiicr^at TO apTOTrwAioy f XOovrwv
Sc Setv TrpooTTOtewr^ai a>s avros CO-TIV 6 dproTrwAr^s, tva fir) O.TTO-
X.OLTO TO dpyvptov. oi^o/xevou 8e ou TroAui' xpovov I^KCI/ 6 ayyeAos
Trapa TOU jSao-tAews /iTa OTpaTKOTtSv Ttvwi', (r/ce^o/zevos Trepi TOU
TOTrwAov' elpr)p.evov 8c p.^ S^Aovv O,TI SiavoeiTa*,
p,6vOV Cl fe(TTl TO dpTOTTwAtOV iStlV, Tl tV VOJ C^Ct
ai. 6 Se OepajTbtv tirel ^we^wpjjo'ev epWTJj^eis ei 6 dpTO-
eort, eu^vs uyzoAoyei tti'ai, Kai Tpia ^81^ err) e/ca ^v.
6 St ayyeAos SvAAa/i/Javw o~ TOtwv, ^17, as o-wayxanjv, a/ta
TOIS (TTpaTtwTais etTrwv aTTOKTeii'at. ei/Taxj^a 8c 6 TA^/twv
O OTt ^evSoiTO' P.OVOV yap Oepa.TT<av elvai. 6 S cbrAaJs
STL el TOVTO d\r)6es .eir) TOO-OUTW /xaAAov Seoi aT
davelv ws TOVS ^SacriAews dyyeAovs Tretpaad/xevov e
LIX.
Ef>; TTore 'AOrjvrjcri Poxios Tts TrAovo-ios wv, os OIK!TT;V '^
AiTwAias /J-ereirefi^aro, irvOopsvos 8r) TOVS eKeWev OIKCTOS, naiirep
ov irdvv o-o</>ous 6Was, irpaous fJLevroi KO.I daT'ovs etWi, aioTe TOIS
eKeure fonCxri evois ei/cos e^vat dpecrKeiv. TOVTO 8 Trtpi TrAetovos
, 7ri TToAAovs 8^ evictv eldtOei' T^KOVTOS Se, Ta^ecus
o 'Polios, KGU aicr^d/tevos OTI ^aveto-^at p.eAA, TOV
AiTwAov fj.eTaTrep.\f/dfjLevo<i ypap.p.aTea KeAevo"ev dyayeii/' /iAAu>f
yap ^avetcr^at T?^ Sia^K^v ftovXecrOcu. iroieurOai. diritov Se 6
Part II.] EXERCISES. 35
SovAos <i>S rjTrj(r<j)v TOV ypa/i/mrea, eireiSr) evpev, lAe^e
o Ztvs OTWOI (rot TOV /3iov, (5 TTO.VTWV cro^coTare* o SecrjroT^s 'Pottos
eiTreiv eKeAfvcre, on /JovAerai, eVei ^avetv eaJvros crou /zeAAei, TTJV
SiaOrjKrjv <rov tirapKovvTOS Troiturdai.
yeAao-as Se 6 ypa/t/zaTevs /cai VTroo-^o/^evos 7} /A^V ra^ews irapa-
yevT^arfcrdat a<7jK TOV 8o{;Aov' eiret 8
;evat, au$is ^xwv 6 SouAos Kai TrpocrKwCiV avrov,
>/, 6 SecrTronjs e/te raTreivw? KeAevei o~ a
alreiv i Tt o-e fJ.a.Tr)V a^iwv krapa^a.' /ierayvovra Se
vKcrt Tra/aa. (Tou ax^eAet'as Seto-^ai, eTrei
LX.
^ev es Travra oVras rt's OVK o?S TOVS Geo-aaAous,
eav Se TIS aSiKcos Trei/sarai dpyvpiov a^>atpiv, Travrt rpoir(^ dp.v-
vecrdai Trpoaipovfj.evov<s //.aAAov ^ ave^eo~^at Kai VTTO
Se 0ecro-aAds TI'S Trore 7rt O^aii', irrjpav <e/3cuv fiaptlav
c'vaf Sta 8e KW/XY^S lovra yvovre? T/acts /cAen-rca, d)i
vv aJovro TrAo^rov Tjj Tr^p^t <}>epeiv, crwe^w/J^crai' dicrre S/ad/xw
s, Kat irepifj-evovres es vAijv rtva St' ^s eSet TrapeA&iv, ITTI-
6efj.evoi (rvXav. e^eixr/jievot //.evroi fjcrOovTO TOUTW, on ra^u WOVTO
v, ITTCI K/3aT/3ais dvrecrT^' ovSe eSui/avro avrov
?s ns ras ^etpas ovrw o-wroi'tos T^! ^wo-T^p
at. AajSd^TWV S T>)V Trrypav, "Ayere 8^,
TTJS /teyaAr^s T^sSe Aaas, VTTC/D ^s a^tov ^v OUTOJ K/aa-
itd\fa'6at. dt'oi^avres <5e f^e-irXdyrja-av, dpyvpiov p-tv JJLOVOV
Spa^fj.a.'s evpovres, AOITTOV 8e ovSev TrA^f i^uaTtcuv TraAatwi'.
6 Se KAeTTT^s "Eot/ccv, ^J, o-a^eo-Tara, OO-TIS OVTOJS vsre/) TTCVTC
oi/ras a/r
36 KEY TO GREEK PROSE COMPOSITION. [Part II.
LXI.
av irorf r)s TroAews a/j^ovres TOV 'IwvtSijv, Is Aoyous
T< Kidimi Ev/3tKo>, eiriOvfiovvrfS fifv irdXai TroAA^s X^
T^S 6/ClVOS ^PX f > KC " TOUTOV OlO/iCVOt 7TlCreiV aVTOV TJ7 (TO<f>l<j.
diroSoV&u. d<f>top(JLa.TO roiwv o 'Itovi'S^s ITTI AiOtmrias irapa-
or/ccva(ra/ivos irpwrov Kocrpav re iroXvv KOU Xapirpov, /cat ^t^>^ /cat
8?) KOI TTfTrAovs 7Tin-e /3a<riAeiov9 OVTW fieyaXoirpfTTfis oiras <3<rT
<ra</>araTa 8^ /icAXciv TOV fidpfBapov \aipetv opfovra.. d<piKo-
fievos 8e TT)V /^v lo-^ra ovc ISw/cc, c/caXei 8e TOV (BcuriXfa irpos
[t-eya. Tt SCITTVOV, cv <^ SITJ/COVOUV aury 8ouAoi irtvre Ty TC o^
KaAXioroi OVTCS /cai TOUTOHS TOVS ireTrAovs TTfptfBff3\rjiJ.evoi. rrj
8e voTcpai^ irpocrfXOwv auT^J o EV/H/COS ovap ec^Ty eA^ovTa oi TOV
TOVS TC SouAovs Souvai Kat TOVS ireTrAovs. 6 Sc Oavp.d^fiv
u T^> Aoy<{> <ra<^ws ?^>; OVTW yev^<rc(r^ai* /cai
vcrrepata aTravra ISwice. /cat ou TroAAais ij/zepais vo-repov rip
6 IwvtSr^s /cat latrr^) f5vap cnryx w / 3 ^"tti
av A 1 ^/ 30 ? /3ovAi^Tat irpofX6p.(vov.
Sc 6 Ev/3t/cos TOVTO c/>vj TO ovap, d>s OIOITO, ovx ffrcrov
TOV trepov 8ctv yeveo-^af Sous Se TIJV x ( ^/ 3al/ fXTrifav IC^TJ TOVS
^eovs prjKfTi ol ovfipara. c/>ivai e/cetvou yc eTrtS^/iouvTOS, etret
c/>avepos 8^ ecrrt TroAu croc/xoTepov o
LXII.
'0 /SacrtAei.'S ATJ/OIO-KOS, OTTOTC TrpoatXOoi CTT/aaTiwTT/s fiovXo-
/ivos ev TOIS c/>i'Aa^tv f-yypd(j>e<rOai, rpia TO.VTO. cito^et epcorav,
7roo-a en; ycyovws ?>; /cat TTOCTOV x/ 3O '' o ' ecrT/aaTcv/ievos, /cai ct
Traw dpfo-KOi o re /j.ur6os KOI rj StatTa. II epo~>/s 8c TIS veos TTOTC
crr/saTiwTijs d(f>iKtTO, 'EAAiyviori ou Svva/iievos Aeyav aKOixras S
a 6ot dTTOKpivecrdai, KCU irapa c^>iAov fiadiav o)ts 67reo"t ^prjcrdat,
), TavTa /xoyts TTWS /cat /xa/cpov /iAcTjo~as Tra/Deo-Ket'acrro
Part II.] EXERCISES. 37
wore epcoTuivTOS e/ceiVou avrenrtiv. os Se 6 Aijpur/cos
erv^ev e/jd/Ltevos GT ep et'ci#ei Seirrepov, 6
C)?) ov, AeyovTOS Se TOU /3ao-iAea>s IId<rov r/Svj
fj.eydX.rj ry (jxainj aireKpivaro OTI Trevre Kal finocriv err). 6 8f veov
avrov rg oi^et ovra f^eTrAayr^ /cat renews ^/Jtro Ilocra yap
yeyovas ; 6 6e Hevre, e<f>rj t (5 ^acriAev. evrau^a 5t yeAao--
Kat BvfMovfj.evo'S TI Ov/c oi8a, ^, Trorepov <rv /xaiVei ourw yeAota
</)Avapwv, 1} eyco, w SOKCIS fiev raura Aeyeiv, Aeyeis Se ou.
T/3tTov epcoracr^ai vofJ.i(DV, ovSev ovrt Se8tw5 ovre
'A/ic^ore/aa, I^TJ, <5 /3acri\ev. a>s Se e^eTrAay^cr
s, yvovs Tt ov KaAws X OV > <TTpa.Ti(aTr)<s wy^oAoyet ort ou
'EAA^vtcrrt Aeyeiv, wtrre <f>avepov eyeVero TO Trav.
LXIII.
'0 KovSaios ov^ ^(rcrov eAAoyi/ios 7^v eVet aypoiKov eavrov
c, fj Sid TTJV ev ry TroAe/xy Oavfjuurtav ey^Treipiav /cai re
Se TriKpa. TroAAaxis Aeywv, oAiyovs fievroi es opyrjv IKIVCI,
7rei SrjAos vyv O-KWTTTWV Tva yeAwei/ 01 Tra/Dovres* /cai 7ropevo/xei/os
Sia 2evrjs, as fireKrjpvKtvovTO TroAAoi eVaivovvres aurov ofa
^cre, ?'jSeTO Tracry T^X V V 7r tpwp.evo'S, ei Seivd aT
es aVopiav Karaorrycrai TOUS TrpecrySeis. /<ai aAAoi re
rives, r/yovfj^evov Bo^Aeov Travi' (ro<f)ov OVTO? /cai ay^ivov.
8e KOI ?rp6s TOV Koi/Saiov dyofMfvoi, rjiropovv 8r] alcr66-
p-evoi on criWTra /cai a/cii/rjTOS eVrr^Ke, ov5e Ke^dXrjv riva^as a A Ad
Seivdrara TOIS o/i/zatri Trarrraivajv. ovSei/ 8e Seicras 6 Bo^Aeds
dAAd ^aptevTws /ieiStacras, roiaSe Tr/Doo-eiTre TOV (rrparr^yov
5 KovSaie, e^, ov Sei Oavfj.a.(rai el OVTWS cxvSpeids ei/>i,
TIVWV IT/DOS o- TrapeXdtav' ei 8e T/Dicr/iV/ai'wv
v, ei/coTtos av (f>6(3ut I'j/j.idvij'S eyiyvd/irjv. TOVT<J> 6e
6 KovSatos wo~Te o"<^d5pa 8^ e'yeAao-e.
38 KEY TO GREEK PROSE COMPOSITION. [Part II.
LXIV.
'0 KovSatos, Trept o$ rjSg pot etpJiTai, o>s Sid re TTJV dypoiKiav
eVto-Ti/Aos rji/ Kai TT)V e? iroAe/xov Te^v^v, rots eTat'pois TTOTC e^Tj
OTI Hewrevwvi TIVI x a ^- 7ra ' /l/et j ov oiKetoTaTov efvai avry iravres
OJOVTO. TTv^o/^evos Se 6 Ileicrevwv ITTCI TT/OWTOV c^v Trapa
iJA^e T^a epoiro TI atTiarat 6 av^j/o, Kai (is IK TWV
aTroXoyoiTO. ovSev yap vvy8fi laiT^) dSi/c^cravrt ovSe TrpoSovri
Kivov. ewTeX^ofTa Se 6 KovScuos ftpaxv TI crtyy dOprjo-as, Trept-
O. IvravOa Se a>s vTreprjS6fjLvo<; l/36a 6 Iletcrei'wv,
O ' S ^ eo '' s 5>Tt l\f/ev8fTO 6 vvv 877 /toi Alywv
i o-ov* <avepos yap vui' e? OVK t\0pov e/*e Troiov/zevos. Kai
e /xev a/cowras 6 KovSaiog, airc/cptvaro Se SvcrKoAws, ovSev
TOV Irepov Trpocr^SAeTrtov, 5 8a.ip.6vie, H(j>r), TI /j-aOwv OVK
oiei e/xe o-e IxOpuv vo/ii^civ ; 6 Se, AIOTI, ^77, KaiVep TWV </>0oj'epwv
TroAAa Trept O-OTJ ^evSws AotSopov/ievwv, ovSet's TTW OUTWS dvatSws
tToAjtirjo-e \f/ev8ecr6ai wo-re fifracrTpa^evTa Aeyetv rots :roAe/uoi9
LXV.
C Q Se ^ept'Siys ore ^ui^yopos i}v TroAAaKts -^yava/cTei on ourws
dvaiSets e?ev at ex T}S iroAecos ywai/ces /cat TO, /3SAupa d/couo-at
emOvjioifv, wo-re et Trore rts ws Seivov dSi77(ras <euyoi, a.0p6a<s ev
TOIS SiKaoTijpiots ecrTTf)Kevai, ocr^) Setvorepd rts eyxaAot ToomT< t t>
icrvvporepov aKpoavOai Tro^owras. T^TWITO Se Kat TOVS SiKacrTas,
ret eov VO/A^) /xerao-Tijaat rot>s Trapovras, OVK T/^tAov
Kai Ta dVpeTreo-TaTa aKoue*v. reAos Se eret ^ept'S^s
ripfOn, es ira(ra.v S?) TrpocrSoKtaj' Kare'crTrjcrai/ Trdn-es rt apa /?ov-
Aevwi/ K(oAvo*et TO KaKoV. <S5e Se eyei/eTO. dyo/zei/ov yap TTOTC
7-pos avTov di/Spos ws Setva Spcxo-avTOS, Kat vo>jo-as TOV TOTTOV w?
yi'vaiKtUi/ ep.jreTrAi/ayiei/oi', e^e-tVviSes ^vAAeyeio-wv "va Ta
Part II.] EXERCISES. 39
alcr^pa. aKovcraiev, /zeydAy (jxavy Tracras e/ceAeve ras cnrouSatas
Cl7TO^W/3tV. dVlOWWl' <$ (OS TTCKTC, N{>V a/30, 1^ 6 SlKaOT^S, 7Tl
at cnrovSatat Tracrat ot^ovrai, ras atcr^oas TaVSe at VTroAetVovTat
01 <uAa/ces e/c/JaAovo-tv.
LXVI.
'0 'AA/3dvtos c/>ixra /u.ef TT/>OS i;i/ T^V Stai/otav, OTTOTC Se
eraipwv 6/itAoti^, ourw veavtKos cytyvero wcrre yS
o,rt ov/c ISpa. J3a8i<av Se TTOTC 'OAvfiTruKTi TrAiycrtov TOU
TroTap.ov /J-era erai/Dcuv T/3iwv iiy8/3tCTTtKWj/, avSpa TIVO. eiSe KaAov
lp.a.Tt.ov e^ovra /cat ry ^ea ^Sd/xevov, oi/ ySet /cva^ea oi^ra 'A.drjva.iov.
wcrre yeAoiov eSJ/cet ecrecr^at et TCWTOV TT/xxreA^wv OUTO) Trpoo-etVot
Travras TOUS a/couoi'Tas etSevat /cva<^>ea oWa* OUTW yap
Ivavriov 'EAA^i/wv at(r^w^(recr^at. TrpocreA^wv TOIVW
/cat /teya <^^eyyd/zevos eAotSopetro ort TO t/xdVtov o ^epet OVTW
ira^^es y^p e'l'at rotaura ato-^w^vat ev Tracrtv
6 Se /i^ ort ayava/crcSv aAA' ovSe cpv^ptao-as, ejret
v OMTOV TJdpet /cat c^tyyavc TOV t/iartov, Sxnrep TO
res Si) (TK^o/ivos, /cat TeAevrwi/ vTrecr^TO dvopOuxreiv lireiSrj
eXdvOave Se CVTOUT^) TO t/xaTtov yv^w a?rav dAtt-
<tov, WCTTC 6 veavtas ou^ OTTUS es aTroptav KaT(7TJjo - e TOV Kva<f>ea.
aAA' avros S^ ev aVao-i yeAwTa (i<^)Ato-/cave.
LXVII.
dy^tVous ^v 6 GeoSwpos, WO-TC TroAAovs Is SeiTrvov
/caAeo-at ov ^>tAtas /xaAAov eve/ca ^ tVa StaAcyo/xevov avTou ^S
Kat Trapa <^>t'Ay ^OTC Setirvwv avSpa TWO. eT8e ovria dAa^ova
/cat aypoi/cov OXTTC 7rao~tv eTra^^ yevecrdai,' ol Se erepot
6Wes afj,iXXa<r6at avrii) ijXirL^ov Brj AvTr^o-etv TOV GeoSwpov, ais
/xeyav dywva d^d/xevot. (is 8e dAa^ovewvTa Kat /cav^w^tevov
a 6 GedSwpos, /?apea>s S^ e^>epov, TOO~OVT^) /iaAAov
40 KEY TO GREEK PROSE COM 'POSITION. [Part II.
Oarfjid^ovTCS eirel awr^wrros tfv -rfj oif/ei, e/ceivov Se rjStcrav roiotVois
eyyeAav faXovvra. TAos Se Is TOUTO dvatoWas ?}/cev 6 dnyp,
wore TrapovTtov TO)V trv/wrortov KaAvrTpav ACVKTJV TJJ Kf>dXrj
ireptWfTO, Aey<ov TOVTO fiwOevai irouiv fj-era, Seiirvov. <rty^<ravros
& IKCIVOV ayavaKTUv 6 ^evos T//>CTO irortpov OVK evn-pfTr^s 5o/<t
e*vai 17 KaXvirr/xx* 6 GcoSwpos irpavrara Ilavv /iev 0^1*, e^q'
Travras Sc o?/xat (nry^wpeiv on icai ITI /naAAov av f}v
i /A^ Ke<f>dXr)v /idvov eKaAwrrcs aAAa /cat T^V o^tv.
LXVIII.
'0 Ev/xen/s vlos fc>v OVTWS vf3pumKo<s ?]v axrrc cf TI
nperpov fOvfwvro. KOI (3a8iovros irorf TT/OOS TOV Hupaiea p.tya-
1/ittTlOV, ^A0 ^vAoV/jyOS TtS
Sapcia ?}v, <5<TTe /ii) ofov T' eivai
iva p.dOoi ei TIS ffiiroStov ir) ) /3oa iwv TOIS Trapiowriv
tv\af3fia-6ai TTJV rcvKi)v /z^ apa TI irdOoiev. 6 8 Ev/tevrjs dva^tov
oio/xevos ctvai ei ^uAov/ay^) Set Trapa^wpeiv, ovScv r)v\aj3fiTO, o6ev
w(f3i] SKTTC irp<xr(3a.\ov(ra fj Kopv(f>rj TOV SevSpov rov i/wtTtov iroXv
71 a7re<rxr. SetvoTaTa 6c AvTrov/icvos 6 Ev/zevrjs eFAKe TOV avSpa
(irl TO 8iK(um^piov, KOI TOIS StKacrTats lo~^TAia^ ofa t^SiKrfrai
not SiKrjv diryrei. 6 6e ^vAon/syos <^>o/?a) 817 ^U'^VTJS yevo/ievos
O' yvovres S ws X ei * Si*ca<rrat OVK fffraurav
KoXd(TlV SlOTl K(0<^>OS CTTt. 6 Sc Kttt 7TWS, C^, KOJ<^)OS TTIV
os OVTTOTC CTravcTO 'EmroSwv ftodv, p.eiov Svolv ravpoiv
<#eyyofievos ; 01 Se, ^ESei TOIVW, l^wwrav, Trei^eo-^ai' /cat ev^us
aTreAixrav TOV v
LXIX.
'0 Ki'etos TWV Iv 'Atrip TroAewv ap^wv, 7rei Tas 8t*cas eS
SmyvaJvai as dvefapov ol CKI, iroArv earaivov "ptTO irdvra o~o^>
Part II.] EXERCISES. 41
re KOI St/caiws SiaKpivwv. ?jA$e Se TTOTC TT/>OS avTov 2/ivpvaia TIS
yvvrj, rjv yrtwvTO ws TOV avSpa /cat TOV vtov a7roKTtVao-av. ^ 8e
dA?7$<JS /tiv $77 /ca-nyyopetv, SiKaia. Se eivai iroifjarai, a>s avTt)
Setva wr' IKCIVIDV rj8iKi][j,evi]. -iralSa yap ov K Trporepov dv8po<$
Aa/3ovras <^app.a.K(f aTTOKTCivai- TOVTOV
fj-dprvpa 1 ; axjTe yur^Se TOVS KaT^yopowTa
p.rj ov^ OVTWS etvai. 6 8e Kveios r^iropei /J.ev TO TT^WTOV aSi/cov
/Liei' yap eSo/cei e^at ywatica aTTOKTetVetv rotavra r/SiKrjfjievrjv, 6 8e
vo/xos (ra<ws exeAeve, 6(ms (frovov K.O.TO.K puOeir) TOVTOV ra eo-^ara
iradtiv. /30/ivos o6v TOVS ypa/i/^areas et 6 vo/xos Sieyvw evros
TTOCTOV xpo^ov Set Suc^v Sovvai, 7rct ov8ev vrept TOV OTTOTC
evpe KeAei'cravTa, Odvarov fj.ev KaTeyvw CTTI 8e TO avro
8ta IKOTOV C'TUJV iva.
LXX.
Tov *"Avvi/?aAov <j)a<riv avSpiavra xpvcrovv IK TOV vea> T^S
"Hpas e^eAovra, rei OVK ySet Trorcpov aTras XP^ " ^ 5 CCTTI ^ TO
^(0 K^pVCr(0{JLVO<S ) 8lOTe/ilV. CVpOVTO. 8f TTO.VTO. ^plXTOVV OlKO.Sc
fiovXevcrai' TOVTO 8' av Trot^crai, cc /z^ aim) r) "Hpa ova/3
eKwAvo-e, aTretA^o-acra lav ^ aTroSy TV<Aov yevTjo-eo-^at
Ty cvt o(f>6aX[j.( < ITI pXeirei. TOV 8e, KatVep ov Traw ixrf(3rj
ovra 7zy>os TOVS ^eovs, ovrw /ievTOt K7rAay>}vai 8^ -ry o
/) fj,6vov TOV avSpiavTa dvop6wa-ai } dAAa /cat Trpos TOT/T^
Tg ^c^i dva^etvai Tva Traixrcie avr?)v T^S opy^s.
AeyeTai Se /cat 6 'A/itAxa/Dos Tas 2v/)aKovo-as iroXiopKuv Ofiav
t8tv Ttva /iop^v, ^Tts TrpoeiTrfv (is 7~y iwTe/)ata Iv Tg irdAct 8et7r-
v>jo"ot. afcoixras 8e TOTC /xev dveddpcrrjO'C ry Se t'O"Tpata, TOO*OVTOV
Iv Tp OTpaTOTreSy yevo/xevov Oopvfiov Sxrre TOVS or/aaTiwTas Is
fj.d\r]v dAAijAot? Tpcnreo-dai, yvovres ot SvpaKOCTtoi lAa^ov ft's TO
etVeA^ovTes /cat lAovTCS TOV o'T/aanyyov Is TJV iroXiv
. OVTW 8e direfSr) TO etp^/xevov.
42 KEY TO GREEK PROSE COMPOSITION. [Part II.
LXXI.
No/xos ^v TOIS Oi7/?cuois, firei TIS orpaTryyos Karao-Tai^, SwSeKa
/ACV pjras a/>xv, /icra Se TOVTO 8tv avVov KCU evrv^eo-Tara a
X/"7 V fl"/>dai/Ta, ovSc X-rj^avTos TTCO TOV TroAe/zov, of/caSe di/eA06vra
TTJV o-px*) v o.X\(f irapa.8ovvat.
'E7ra/xivwv8as Se TTOTC 6 eAAoyi/zos recrcrapas /iiji'as ^PX ^P 01
TOU elprjp.evov \povoV TJKOVTO. 8e eTn^Tt^vro aurov ot f^Opol (is
8e caurov tvavriov TU>V SiKacrrtov TOIOUTOV
/*aTt, ws TOV ^avarov OVK ev vroAci /taXAov SeStws r)
ore e/ia^CTO. KarcLKpivei fj,ev lfj.ov, <^>^, 6 vo/zos' ovS aTrapvovpai
fir] ov 8i/catos ervai aTroflavetv. d^tw Se raura p.6vov T$ rdffxf
firiypd(f)tv' 'ETra/ieii/wvSav a7rKTtvav 06 Qrjf3atoij SIOTI rjvay-
Kao-cv avrous o-v/i/xi^avras viKav TOVS AaKeSat^tovior^s, Trporepov
ov8e evavTiov ToX/iwi/ras e/i/3Ae7riV /cat Sm ap^orros txetvov
rrjv Aa/ceSai/iova CTroAiopKOW, ^ns tpfiaiov eTroteiro ei TOV ddva-
TCV t(f>vye.
Xegavra SI TOorovTW 9opvf3y (Tnjvovv ol irapovTfS, UXTTC Ta-
OVK ToA/rgcrav 01 Si/cacrTat.
LXXII.
'0 AoAtos, /siovos iv 0(T(7aAots wv opecruv, rci ovSei/ p.a\\ov
!<i'Aei TOV Orjptvfiv, TroAAa liraBe VTTO TWV c/c T^S KWfj.rjs, oiirfp
Aoyw /iev ^o~av <^>tAiKoi, OTTOTC Se fiovos e^toi, T^V oi/aav IcrcA-
^ovres O,TI erpotev rvAa>v. cTt/i(o/3ij^7j 8e TOt^iSc irore Tpoir<p'
(XTTOVTOS yap T^V oiKiav w? ciw^ecrav io-tovTS /cw/i^Tat Svo, ci
Actav tSoiev, ^av/iao-tws ws qcrOrjcra.v i\0vv evpovres inl T^S
ev Aexdvg WTTT^/ICVOV. TavTa 8 fjidpy(o<s ^aydvTes as
ei rt /cat aAAo irapfirj, l^irAdy7j<rav t'SovTes acrcrov
ei vewcTTi fxprjro. cvtfvs Se rcKfj.rjpdp.fvot as TO (frd
aTraAAayetev, SeSot-
Part II.] EXERCISES. 43
/cores wr) a7ro<?ov(i>cri' ra^ews ovv 6 /*ev (rairpov TI lAatov p-eydXy
evov XvjKvdtp eTTif, o 8e dXa e<aye Qav[j,a(Tiav oo"t]V KCU ovrfa iroXi)
tfjiovvres, <j>xpol /MCV KCU p,dXa dcrdevtis ^^OVTO, xaipovTes Se ort
e/c TOU <f>apfJLa.KOV drjOev ewri o-ecrtocr/ievot. e^iovres 3e Trepiervxcf
ry SecrTTory, os (f)iXiKws ao-Trao-a/zevos yr TOV crirovSaiov TOVTOV
l^f)vo<s /iTao - x e ' l/ > ^5 avros es SetTrvov ^/ccav* ot
aAts
LXXIII.
ews rjv Tts TTOTC, os ev eroupois eXeyero Trdu/Ttov d
efvcu. wcrre elwOevai iroXXovs et7r?v, 6 I
inVaTO TI rots $eois8wo~eiv Tj/a coc^cAetav rtva Xdj3oi, SiaTrpdarcrecrdat,
del XaflovTa wo-re a vTreo-^eTO l^aTrarav. SetVvou Se TTOTC yevo-
/xevov 6 /?ao-tXevs irapovros TOU Fp^vews, 7rei 567rvi;o-av ^yyeAAe
TO?? O-UjUTTOTCUS TTCpt ^iXoCTO^OV TOV O?d 7Ta^V, yVUtpifiOV OVTOS
Trporepov Tracrt TOIS Trapoucrt. eAeouvTWV 8J TTOVTWV eicrc^epetv
6 ^Sao-tAeus dpyvpiov TI iva w^eAoiei/ TOV SwrScu/zora'
8e TWV erepwv, dvao-Tas avTos o /?ao-tAeus
jrept T^i' TpaTre^ixv u>s o-vAAc^wv TO dpyvpiov Trapa TWV
s o
yap TOO-OITOJV Trapovrwv ou
SiSovai aAAo>s T KCU CIVTOU TOU
et iravTes eSoo-av, ^peTO TOV Fp^vea e" TI eSw/ce, a>s ovSi/
TWV 8e TrapovTWi/ TIS
TOVTOV StSovTa o-oi TOV fTTaTrjpa. el 8e /ZTJ, ov/c av
Kat eyw yap et^Sov, (/>; o j
LXXIV.
Tts /cvva e^e 1^ 'HTret'pov Ko/xwr^evTa, os aAAa TC o-o^)o
iyv, at Trpos otKiav Ttva twv Kpeas a'w$ei TW Sea-irorr) an-
</jop/xuv Tip crTO/xaTi ^acrTa^wv. iwv Se 7TOT lo-7repas Trapa
44. KEY TO GREEK PROSE COMPOSITION. [Part II.
, TO SCITTVOV uis TrpoYepov </>optuv, eiBe 8vo> Kvvas or
TOV TCI^OVS Trepi/zevovras, <Ls TOV ^opynov crvA^ev. yvovs &
eTraivov doTepos fcrecrdai TTJ apery ei rocrovrta Kpeioxrovas
Trpoyei ovSev <o/3ov/xevos. d(iKO/x,evov Se Trpos TO TCI^OS,
Sdryv TO) Kvre lir' aurov Kai /ztTa TOCTOVTOV dopvfiov axrre Sta
TToAAou d/cowrai es fj.d^r}v <ruVT)\8ov. KCU TrpaJrov /iv ws CIKOS
TOVTO /xaXTTa evXa/Seiro on-ws TOV </>o/>/iov <j>v\dfi' rd^a Se TOI'
SdVOTfpOV TWI/ 7Tt^/ZVO)V OVTWS ^TTCtyeTO VlK^Q-ttl WOT< oAl'yOV Tl
TOV (fropfjubv d<f>vXa.KTOV xaTcAiTre. yvovs Se 6 i^crortov TWV
ec^irro cij$us TOV Kpew? et Ka.Te<r9ioi tv $ TOV iroXefiiov 6 t
a77OKTtvei' 6 8e "^at'Swvos KVWV aio'^d/ievos d8vvaTOv oi/ a/ia /xcv
dfJivvea-Oai a/xa Se TO SCMTVOV <rw^v T^) 8eo-7roTg, xat Kpeura-ov
oto/tevos e'l/at TOV Sixatov <?X lv ftctAAov ^ TOUS dStKOVs, eTrei 6
6ecnron/s ov/c e'SvvoTO, auros TO Kpeas eve
LXXV.
'Ev TOts'IvSots 1^ Bpa/iiwi' TI yevos, oiTTfp /xeya 8^ t<f>p6i>ovv
ori T^5 evyevffTTepoi efvai TOV 7rAiJ$ovs Kai txTKarepoi TTJV SiaiTav.
TOV Se ap^ovrds TTOTC eVt Ta exaTov e-n^ p-eAAovTOS d(f>iKe<r@ai t
o~vp;/3ovAewa/iVa>v cKeivtav (e^ei eyyvs ^v 17 ijp:epa), OTTWS apurra.
8ei TOV avopa TI/J.O.V, apierra Kai o-o<wTaTa e^etv So/covvra aTrav-
TWV, /zeyaAT/v foprr/v eSo^e iroirjo-afievovi otvov tepov iridov /xeyav
Bwpeurdai' oio/xevoi Se r]8tov ^aveur^ai Kai ^>iAiKwrepov TO Swpov
^v TrdvTes p^eTao-^wo-i, TOV iriOov e/3ovAevo-av Trap' eKeivw o-Tvjo-ai,
eis ov x* / 3 '? exao-Tov Seoi Tpv/3Aiov KaTa^eiv TOV oivov ovrw Se
ovriva CKao-Tos e^oi apio~Tov, TOVTOV TrifiTrXacrOat TOV iriOov.
jrapayevo/ievr/s Se T^S ij/tiepas, ^epovre? Ta rpv/3Xia f
7ri'$ov, TCTp^evrjs wo"Te Sf^ffrOat T^S Kopixfrfjs' eTrei
TOV Tridov eyeveTO 17 fopT^, eTre/z^ev 6 ap^wv Tiva rpvfiXio
o-ovra, wo~T irieii/ TOVS Sei7rvovvra9. TOVTOV Se dvoi^^evros vStup
e^>dv7j aAA' OI'K orpos. e-ei avros av Aa^eiv aleTO eKao~ros, ei
/uoros vScup SiSoiJ^.
Part II.] EXERCISES. 45
LXXVI.
Meyapevs TIS lAAoyi/ios wi/ T TC yeyei /cat 7rAovY(j>, ITTCI TWV
OVTWV TO, TToAAa dv^AoKrc, Is TOVTO d<uceTO Trevtas axrre TC^VT;
TravTota i}vayKaeTO xpfjcrdai, i'va p.r] VTIO TWV 8avravTwv irpdy-
^iwcre TOV Meya/3ea a o^et'Aoi djroSouvai, ouSe ISe^aro
ovSef, 7jvdy/ca(e reAos vyypa<}>r)v StSovat y w/ioAoyet jnev o^et'Aetv,
a:ro5oxriv Se ei'ros TOU eviauroii v^-ecreTO' ere! 8e TeAevTwvros TOV
6TOUS avis epe Ti]V vyypa<>r]v 7r/3O<T7rotetTO eKetvos u>S vocrwv
STJ^CV TO Se rpirov T^KOVTOS aTr^. OUTW Se act eytyi/TO,
irpofyacriv Trape^ovTOS TOU Meyapews ^
fj,ra AvTnjs ouScv fj,S.\\ov Sia Trjv vyypa(f)r]v fX wv >
fjV fJLfTO. TOCTOVTOV TTOVOV (KT^CTdTO, TfJ TTplV KTrjO'aO' 6<ll. TtAoS 8e,
7Tt VTrea")(TO avOis Ixetvos IVTOS dAtywi' ^/AC/DWV dn-oSwo'eiv, Setva
TTOiOV/ieVOS 6 CTKUTOTO/iOS OTt OUTWS (Xl'ttlS^S CTT6, O
!<>7, yu.^ ov Sixaiov ere eiVar eTrei 8 crairpa avT?) eort, a
vyypa(f>r)v av aiTOiryv, /36/3atoTepov y6ypafj.fj.evr]v. o Se OvSev
/3e/3atOT/30v' /cat a/m aTreScoKe TO d
LXXVI I.
'0 Se ITpoKAos fBovXevrr/'S tfv /3ao-iAea)s, evSo^os wi/ ev Ty 7roA
as dyxivoi'S TC Kat oibs avrocrxcSta^eiv ijv Tt Sey, KCU to-cos /cai
fiaXXov fTrel ai'o'X'o-Tos ifv TjJ o^et. TOT/T^) Se ^A^e TTOTC aAAos
TIS TroAmys, ovo/iaT6 Sw^os, os Kai a.i(ryiwv tfv l/<etvov,
yevo/zevos Setcr^at Ttvos e^ Trap* avrou. TroAAa yap ^
VTTO TOV, os T^V yvvai/ca lAa^e ^evSws atViw^evos, WO"TC iroAAovs
ireidfiv alcrxpa irepl avT^s So^d^eiv. WCTTC OVK e^ov vo/xy /coAct^eiv
/iovos /iovw Is x 6 '/ 3 " 5 lA^wv aTTOKTetvai* avros 8e KVJ' VO/JKJ) 7re/3i
K<aA?js KtvSuvevwv d^tovv TOV II/30KAov 0avaTov a
ews 7ra/DacT^o-ao-^ai. crvy^wpTjo-as Se Ixetros OVTCO
46 KEY TO GREEK PROSE COMPOSITION. [Part II.
oxrre dre\V(a / i TOV f3acri,Xea lj3ideTO TT/ t/ceret^ o-vyyvw-
fj.i]v ex eiv T $ dSiKrjaravTt' o-vyyvovs Se r^pero TOV IIpoKAov Sia TI
TOO-OVTOV 7TOVOV C\fl TTtpl TOV avS/Ott, 7Tl OVK lW$f OUTtoS V/i-
v^s dvai Tots KaKovpyovs. 6 8 f3ovXevn}S a.TTf.Kpiva.TO^Q, /5ao-iAeu,
et ya/o ofrros aTre^ave, ovSeis av ^v TWV viro crov d^o/ievwv aur^iajv
LXXVIII.
IIoXA.a /lev ^Siy Trepi IlaSiov XeAeKTat ota yeAwTOS a^ia
f T}V Se TIS Tryv IlaStK^v eireXOrj oo^/wpai yvwo~eTat Totoirrov
Tt d/cowov WCTTC ci 7ravTa o<ra yeXoia Aeyowrt Kai Spakriv 01
IlaSioi mipipTo TIS ypdfaiv, OVK av p^Siws TO fpyov C
ovs TIS irp<xr<f>epoi, dpviov vjrkp TOVTMV dvovra. ffape Se TTOTC
avroi'pyos TIS VCKW ov e<fyq errl T^5 aiyiaX^) cvpeiv Ty OaXda-cry
SrjXovori f(ve\6evTa. otecr^at 8e <f>[Xov eiva.t os TrAoty dv^x^ 7 ?
(is i\6vs 6r)pev(r(av o~a<es Se ovSev e^eiv etTretv, tVet yv/ivos e^^-
ve)(0r) avev Ke(j>dXr)s 6 V!KVS. atTeiv 8' ovv TO, vevojJLicrfjLeva vjrep
avrov OvcrtLvra Q6.irrf.iv. /cai a/ia TrapaSovs aTrw^eTO. 6 8
vov dpviov 6v<ras TO. aAAa lo-w^ TOU 6vfJLo.TO<5 f
vx?jo-a^evos 8e TaOra, ITTCI 8eiva Troiou/ityos eTr^
6 avTovpyos Ti ourws dSiKa 7r/Dcur(roi, SixatoTaTa /xev oSv l<^>jy
Spa/craf 8civ ya/D v;rp fiepovs dvOpdnrov /tepos TI 0wias Sovvat,
ocr<j) 8e TijuiajTaTOv dvOpwirov Ke<j>dXr), Tocrovr<p dpviov
GXTTC ^V dv6pU>TT(p cAAlTi^S ^ KC^dXlf, SlKdlOV eiVai KO.L
LXXIX.
O Mopios (TO^os /tev ov irdw ^v, OO-TCMI Be TroAAa eAeye ev
o-u/XTTOo-t'^), (Sore xaAeiv TroAAous KaiVep ou <iAouvTas. es SCITTVOV
tva pjiov SiaAeyoivTO oi TrapovTts Kal yeAuTi -^o-detcv. EwrTiaTO
8e TTQTt. Mopios Trapa <^>tAy, KexAi^/icvwv aAAtuv T /cat dvSpos TOV
Part II.] EXERCISES. 47
os o-e/^vos TTCOS ?]v KO.I crKv#pa>7ros, ovSe auTos iroXv e'Aeye, TOVTO Se
tTrex* 1 '/ 061 OTTCOS TOUS fJ-vOov Aeyon-as eeAeyei, ws S?) \f/ev8o-
S^Aoxrwv. ^yayaKTOW Se ol aAAot, ov Sta<epetj/ olo^vot
t \ffv8rj TO. Aeyo/Aeva, (rvjj-Trorov 8e eTvat, yeXoia Aeyetv reAos 8e
6 Moptos yvous TO Tr/Day^ta as Sta/cetrai yu,aAa o'TrovSa^wv (17 ' e / 3 'J
iSeiv OVOVTO., Kal lp.driov p.fv <f>opovvTa podov ^ow/xa cx oi/ ) fao~Tr)pa
8f /cepacrov. 6 Se 8iJcr/<oAos ''Pe^Set ovi/, <^>i/* Tt's yap OI!TCOS a/za^s
OXTTC ayvoe? TO /zei/ l^anov XCVKOV etVcu np tepet, TOV Se
ifXava 2v .tev ow
yap ry
ivr) 8e ry Kepao-<^). yeAwvTWi/ Se jrai/Tcai' Kap8ap.a
LXXX.
M.aXaf3pi(av eari Tt /3dp/3apov yevos, or TroAAa TC aAAa
So^a^ovo-t axrre p.r]8eva Trei^etv />i^ OVK dXrjOyj efvaf Kal Tas
TWV Oavovrutv ^ojots evoiKetv, aio"Te TravTas Seiv 1 ^wov ^>et8ecr^at yyi'
Kat vTTOTTTfvr] Ivetvat ^ ^eou ^X 7 ? 1 '} ^ T ^ l/ 4 > ^ tav TOV T ^ l/ Tedvij-
KOTWV. erv\ Se TTOTC "AyyAos Tts ejU,7ropos rj/j.pa<s rivets vrapa
TOIS MaAa^piots Staytov, os es vAr^v ITTI Orjpav l(av KaKJj rivl rv
opvidd TWO, VTTO TWV Ket Trepv/^r] Xov KaXov/J.evov,
oiovrai eveLvai. alcrdo/JLevoi, 8e TOVTO yevo/zcvov, eAovTes aTr^
T<JV ^evov a>s ^ey TW i'j8iK7jfj.fV(i) Ovcrovres. a>s Se eyvw Tt 8tavoo{!i/-
Tat Kat TOU evexa ayavaKTo{io~tj dy^ivovs wv TOtovSf Tt fj.ri'^a.va.ra.L tVa
aw^rjTai' atr^cras yap c5o~Te aVoAoyeto'^ai, e<^^ ev TrAot'y
TOV TraTepa aTToAecr^ai, Kat T^V ^ V 'X 7 ) V * s eyx^Aw
t'Swv o?v eyx^Avv ev 6aXdrra-y veovTa /cat virepde Trerofievov
[irjXov TTi6e(r6ai /xeAAovTa, atcrxpov oi'eo-^at et TT/V TOU TraTpos
ifwxijv Treptoi/'tTat aSt/cov/zev^v, Kat dVoKTetrai Toi' Trepvfj.rjXov.
ol Se 8t/<ao-Tat ov /xovov aTreAvaav aAAa Kat />teya Swpov
TT]S
48 KEY TO GREEK PROSE COMPOSITION! [Part II.
LXXXI.
*Hv 8e TTOTC AmoAos TIS 'Aios ovo/tari os <fvcrei pev irdvu
7riet/o)s tfv /cat xpyo-TOS, TOVTO Sc /ie/xTrros, on ovirore Sewrvov
p.fro(T\eiv e&vvaro wore p,rj ov TrAeov Trieiv ^
two re TO>V (TtTttuv Kat rrjs 6/xtXtas. irapiav 8e TTOTC ev Sei
TToAXwv /cat cro<a)j/ crvp,TroTwv wore ^Sovro SiaAeyo/xevoi xat
yeA.Wl'TCS, TO(70UTO fa)S l(00t CTTteV ttX7T OtKaSf f3a8i(J)V OV Tt
(ra<^ws ySei O,TI Troiei. ISet 8 ws Irv^ev 68$ tei/at Trap' fj SevSpa
7re<j>vKei TroXAa /cat /xeyaAa. Suo Se TO)V (TV/ATTOTWI/ or Sta TroAAou
oirurBev tovres c^av/xa^ov 8^ tSoires aurov d/5/5atws TC (3a8iovra
Kai rv\y Ttvi 7T/30S /leyaArjv 8/)w TrratcravTa. di/acrras 8e Kai
Kvifas raTretvws, x a / 3t ^ v/TW S ^s eiwdet p.eya.Xy (f>tavrj dAyeiv <^>r; ort
!Aa#e TOV av8pa Tv^as, eATrt^etv Se (rvyyvwcreo-^at VV/CTOS OWT^S.
aS^is 8e irpoiuv /cat ravroTra^wv awraurcos OTreAoyctTO. 7roAAa/s
8e ravro Spduras, iSovTwi/ e/cctvwv, ev ftecrg rg 6S$ d>s aT
KaOr)p,fvos "A/xetvoi/, 2<>7, avrou /xevetv p-^XP 1 ^ TOLVTCS ol
ovrot
LXXXII.
wv ^SacrtAews aAAwv re ?v/ca eAAoyijuos ^
Kttt on OVTO) cro^os ^v alcrrc et irore e^at^)V7^s es KivSvvov e\6ot,
det efjifj^avaro Tt wore K<^uyetv. KaO^evov Se TTOTC ITTI TOU
OLKOV, OTTOt T^S OTT|oas <^>otTa tva T$ \Wx et dvairvei5(rai, Xddpa
wv dveSpa/xe 717305 avroi' /cat jtieya y8o3v KaraTrr/Sav
e. 6 S KaiVe/3 etSws /ie^vora, rei iroAAdxts etSe
)'^) os eOfpaireve, o/i<os avros yepatre/aos wv ^ OKTTC /3i'a di
vat, -QfrBero OVK av K<^vywi/ et ^ 8oA^> c^aTraTai^ TOV
KaTaTTTjSav vv)(a>pr]o-6' evpyjo-eiv Se /xaAAov on-cos a/jtora
i, fl TTJV aiXovpov (>} TrapfKadrjro) irporepov KO.TO.-
6 Se aKowras ^o-^, /cat cAwi/ T^V aiXovpov Kareppi^f
Treo-oixra dveo'Tfj /cat aTrtS/aa/ie, ri TroAu Svi/avrat trfwrtiv ol
Part II.] EXERCISES.
49
atAovpoi wore fir) /3Aa7TTeo-$at. 'Aye 877, e<j>r) 6 0aip;ios,
t'va OUTW /caTa/3dAco/xev, wore vvv ye /ii) o?oV T' e?j/at
TOV Se rrpodvfjiovf^evov Spacrat /cat aaroi'^ofj.evov o
/catpa> e/cAeto-e T^V dvpav.
LXXXIII.
Ot 'HTreipwrai Kaimp eV opecrt ^wvres /cat TroAAa/cts j3dp/3apot
Aeyo/tevot {ITTO TWI/ TroAets OIKOWTCOV, (ftLXdvOpwiroi o/itos etcrt, wcrre
r/v TIS Trapa/zevg TroAAa e^et ^'KCOV ayyeAAeti/. TOVTWV 8e rtva
fj-erpiov TrAovrov KeKTfj^evov yrrja-e Treviys Tts TWV l/cei, ovo/^art
Tdpvos, rpiaKovra. /x,vas Savei(rat, et Se //.^, ev (f>vXa.Kfj Seiv yevecrdai
a>s OVK aTToStSovTO. 6 8e etSws ^evS^ re ovra TOV To/avov /cat
d/oyov O^K r/'^eAe, Sta TroAAas ^XXCTKWV /c/ov^tas acrt'as ov /JovAecr^at
8pai/ a airet. 6 Se Topvos ecr^erAta^e /cat Stii/a e^-otetro, ws
6avfJLa(TToi> ov et ^ei/ot? ^ev TroAAois Savet^et c/>i'A(j) Se /i^. 6 8e
aTre/cptyaro 6Vt et Savetcrat ras //.vas, eTret /catpos yevotro (XTTO-
Sowai, d^tot av IKCIVOS ftTjva eYepov Treptjuei/etv StaAtTroj/ra 8e
TOO~O{ITOV xpovov ouSe Tore eroijuov ecrecr^at, WCTTC
/j^Y/KeTi, c/>tAovs efvat dAAa f^Opovs yevecr^at. et Se TOUTO
e^et, ec/)^, Kpei<rcrov iroXv ^yovf^at, (j>ddcrai e^^pos yevo/ievos Trpti/
Tptd/covra p;vas (XTroAecrai.
LXXXIV.
'Ev Svpa/covo-ats dproTrwA^s TIS ?yv os /cAeos etX ev ^ s ""Aa/covv-
ras Oavfjiaa-Tovs Trotwv, wcrre 'Ap^tas TIS TTOI^T^S wv TWV avro&ev,
os Trept TravTOtwv 7rpayyu,aTcov cTrotei //.eAos TI o"weypa^ev ets TOVS
TrAa/cowras, do-TetoraTOV ov /cat Tots TroAmus TTCIVV apecrKov.
^'o-^r/ Se /cat 6 apTOirwAiys et VTTO 'Ap^iov vp-veirai, 7ret 8e ou TrdVu
avrti) TO, K0fj,\fa Tavra TO. e/c TOV /teAovs, Toiaimx eyary-
t'va 6 TTOWJT^S pvaAAov yeAotos yevotTO. 7rot^o-as yap
TrAa/cowTa apto-TOV, Seov CTTI (3i/3X<p OTTT^V, T$ 'Ap^tov /xeAet
D
50 KEY TO CREEK PROSE COMPOSITION. [Part II.
6 8f <ayd)v cr<f>68pa rjSero' CTTCI Se TeAeuraJv TO ea/urov yueAos evptv
VTTOKifj.vov, fJLiKpov TI Kal ^a.\iraLve' 7r/3ocreA#a>v oSv T< dpTO-
TrwA.77 KCU xpovov nva StaXeyo/icvos TJptro TI TTJV irotrjTiKrjv vfiptc
6 8 OuScis yap, c^>7y, a/ze^Mr/^Teiv Suvarai /*^ ou StKaia l/i
Trpaai' a~v ftev yap /xeAos eiri TOUS (fiovs TrAa/couvras erroi'eis, eyw
LXXXV.
AvSos TIS TroTe, ov KaTfAiTTCv 6 Tra-rijp OVK fyovTa oiroOev rpo-
f3ovXev<re Ayorwv TIVI A6x<> Jrpoo'xwpetv etSws ouv ev
irpoo-fXOwv ITTCI eSe^avro ere Tt ySovAo/xcvos ^A^e.
01 Se aurOofievoi avrov ur^vpov re 6Vra TW <rw/iTt xat dyx i/VOV1 '
{rvve^wpr^rav oxrTe Is T^V o*vvovo-tav 8exo"^' <ii' trporepov
<ro<f>fa<s Tt KAe^as SrjXuxry tTrtcrT^/iwv wi'. lAeyov o?v ye<apyov
Tiva Trapa T^V vAiyv ^8ovv waxewiv /^eAAeiv Tg wrepcuci ayeiv,
(So-re KaAws Tra/Dacrxeiv ci ^eAot T^V Te^ 1 ^? 1 ' <fxtvepia(rai. 'AvacrTas
oui/ TT/OW T^S v<rTepauL<s Kal Xa/3ibv fp,/3dSa Tiva KaA^v ^v OIKOI
Ty 6S tdrjKe y ievai 1/x.eAAev iy )8ovs* eai>rov fie Sev8pov
d/ro/cpv^as Taxews TOV yewpyov eiSe /tcTa T^S jSoos 77/300*-
e^a/ievos 8 T^V /ij8aSa KCI/ACVT/V /caTeAiTre ws
o^crav Kal ouSevos d^iav. 7rci8^ Se iraprjXOe, dvaXa/3(av 6
T^V ffj./3d8a Kal ffpaxyrepa 6o^5 8t' dypou Tpf\<av avdis
(v TTJ 68^>. 6 Se aypoiKO? iwv Kat T^V fTcpav fp./3dSa ISflv
oio/ievos, (XTreSpa/ic T^V irpoTepav evpr)(T(av' fv 8 TOUT^) aTrrjyaye
6 Maorpos T^I/ fiovv.
LXXXVI.
"AAAorc Se 6 MOO-T/JOS TTTTTOV KAI^as ex p.&rov TOV OTpaTOTreSov
TWV Aa/ceSai/ioviwv, dAors S two cnpaTKOTiov omves TOV iinrov
dveyvwcrav
Part II.] EXERCISES. 51
OUTW ToA/^pws e/cAei/'e /mAAov o/iws fdavpafev el IK p;rwv TO<TOV-
TWV dvSpwv rrjv Xeiav fSvvrjdr) a7ro<epe<7$at. wrecr^ero ouV TW
Maorpw TTJS ?7/uas TI dc^cretv ?}v S^Aoi OTTWS eSpao-e. 6 Se aTre-
Kpivaro epyw p^ov ^ Aoyots S^Awo-eiv, Kal ITTCI ^wyecrav e
OTTOU TO Trpay/M lyej/ero, 2KO7ret S^, e^* wSe i/ TOIS
e^oirov, evXafiovfj.evo'S wcrre Aa^etv TOUS (j>v\aKas fj,rj8e ^
yefyxu TOUS Ire/oovs. e/cet Se ^v 6 tTnros ov IjU.eAAoi' /cAe^cu,
8e Is TOVTO dyaywv TOU ret^ovs Kat p^Stws TTWS VTrepftas wSe aTre-
v. Tavra Se eiVwv a/xa re <' tWov ava7rrjS^(ras os
</)^ao-e aTroi^o/itvos ?r/3tv lAeiv rtva TWV
LXXXVII.
Ap/cros rts VTTO "Ii'Sov drjpevTOV TO^evdeis, eVet Sifppdyi] rj
. Trecrwv otKTpoTara (iSu/Dero, &cnrfp Av/cos Tretvwv. 6 8
Olf]p.VTr]<S /3eAOS ftV OVKfTL d^K TTpO(T\0<J)V 8e TOtttSe cAe^C'
^12 dpKTf icrdi Ka/cos wv dAAa ^ dvSpetos a>s TrpocrTroieF. t yap
rjcrOa, Kaprepuv av eSrjXovs ovSe e/cAaies ai/ KCU e^aAaKt^ov
oxTTrep ypavs* TroAe^uta /zev yap oicrda OVTOL ra ^/ierepa c^i/^, TOUS
8e Trapa crot TrpWTOV dStK^o'avTas' r/fj^wv Se urxypOT(p(i)i> yevo/^evwv,
Aav^dveis TreptTpe^wv T^V vA^v /cat TOUS \oLpovs /cAeTTTtov ra)s
S' av Kat vw xotpeta av TU^O'S ev yacrTpi t^wv. t /txev yap crv
s, KapTep7jo-as av tos dya^os dvr)p aTreOavov' <rv 8e (5 Vav
^ets /cat p,aAa/ct^o^evos TOUS
LXXXVIII.
'HTreipamjs 7rAouo"ta>TaTos //.ev wv TOU TrAot/rou
ou p,aAAov TWV eTepwv TotouTwv ctw^ws TOIS Treveo'Tepots
Souvat, lyvw TTOT 6Vt TWV dypot'/ccov Ttvt TWV fuo-dov eaury yewp-
52 KEY TO GREEK PROSE COMPOSITION. [Part II.
yovirwv Trais peXXot yevr$at. axrre <f>iXikov TI eSoKtt, SpdVeiv,
cirel TTCV^S rjv 6 dvyp xat TroAAovs c?x e vai8a^ T)V Trap' avrov
A$tuv eprjTai 7ra>s apa Trpdcrcret rj yvvrf. d<j>iKo/j.evov 8e StSi'/xovs
e<?7 yeyovevai 6 aypoi/cos ware a^-o/aeiv OTTO^CV TOCTOVTOVS Opei^r]
OVTW <^>avXov dpyvpiov /xe/itcr^w/tevos. 6 8e 'A^oAtos, 'AAA' 5
^>iAe, ^>iy, otKTeipw f*i/ o-e TToAu* fj.fp.vrj<TO fjievrot TOVS Oeovs,
OTTOTCLV TratSas av^pajTrots Sakri, SiSovras dei /cai OTTO^CV 0pf\fov(ri.
6pvXov<ri yap ravr^v n)v Trapot/uai/ Trept Trat'Scov 04 'HTrctpwrat.
Haw /xev ovi/, T^ 8' os, 5 fieyuTTf. 'AOoXie' SOKOVCTI /ACVTOI /iot ecr^
ore ayyeAov a<f>pova Tre/xTreiv, os d/xapravwv aAAocre /zev TOVS
iraiSas aAAoae 8e TTJV rpo<$>r)v c^epeu -yeAao-as 8e 6 'A$oAios T]/
iwrepata jSouv erre/i^e T^J av^ptuTT^), ws Trap' eavrov
LXXXIX.
2oAt/tavy TTOTC 'PtxapSov TOV ySacriAews, ei TTWS
TO icpov (rijfw. lAoi oVcp vn-o TWV MwvAa/ua>v caAw, ^yavdtKTet
e/ceivos yvovs Kai (ftavXov Ao^ov rwi' TroAe/iicov TroAu TrAeiovas TWV
Swa/zevov Ka.6urTa.vai. (3ovXfva-dp.evos ofiv
o-re <f>6f3ov wape^fiv rots TroAe/xtots. Is
<f>vyrjv yap TTOTC TpeTrovros TOU Pix^pSov //.era dAtywv TIVWV
TroAAous TWV MvcrvAa/uwv, Tre/i^as 6 SoAt/xavrjs ayyeAov ItfeAewe
KaAAtcrrov TTTTTOV StSovra rp /3ao-iAet, Aeyeiv rotaSe' 5 /3ao-iAeu,
Kawrep TroAep-tos wv 6 SoAtuavr/s a^^erai op;ws et ovrws dya^ov
aVSpa TTf^y 8ei 4v TOQ-OVTOIS TroAepuois tivai. Ae^avros 8e eSe^aro
TO 8a5pov e/ceivos, KAewas apxn xatpeiv Aeyetv TOV 2oAip;av^v Kai
\o.piv dvTaTToSovi/ai. UTTOTTTeucras Se p;^ SoAos TIS
Tiva T^) TTTTT^) fTTfdrjKf 6 Se yvovs 40^/xevov
Trpos TOV SecrTroTv^v ev^us dVeSpap-c. Kai e^aA
6 2oAip,dvr^s 7rei yo~^TO o^o^wTepov ovTa TOV /3ao~iAea ^ wore
Part II.] EXERCISES. 53
XC.
Ilepi Be Tt/xwvos TOV 'A.OrjvaLov TIS ovx lirvOeTO, os ovrw
r\v TTJV Sidvoiav axrre dei eKewre et^otra OTTOV [j.r)8evl /ie
(rwAAoyous aTravras KCU trv^dSovs TWI/ iroAiraji/ aT
vl 8e /tova) ISo/cet 6/uAav ffSe^dai, r^5 'AAxi^taSg'
cpop-evov Se TOD Sta rt ourw (j>iXfi avrov, OCTWV TroAAwv ev ry iroAei
a/zetvovwv, Si' avro f<>7 rorro dpecrKctv, on o^Se TroAAwv /caxtUv
TOtS 'A^VttlOlS diTiOV &TOfJ.VOV.
dAAore 8e p.6vo<s fj-era <i'Aou TIVOS Aeyo^evou SeiTrvwv, 7ret
apuTTd yv TO. re oi/'a Kai 6 oTvos, 7raivowTos CKCtvov Trdvra a>s
^8u ov OUTW rriao-$a^ Kai ^Siov av Tyv, <^iy, crou (XTTOI'TOS.
dAAore Se /xoi/ov Trapa da\d(rary d\u>[j.evov TJKWV TIS yvw/n/zos
O, Kai tjpero ei TI (3ov\oiTO 'AOrjvdfc (frfpearOai' 6 Se
Tos <5 OvSev jraVu, e^r;, ei /i^ r^v (n)v /ce^dAi^v wro
O-K7J1TTOV.
PART III.
XCI.
Ot 8e Trporepov ^vfj.p,a^oi ovres 2a/mTai /cat Aovxavoi
ISeavTO, ourc, Kaiirep w^eXetas Trap' aurou
oTroOfv dpyvpiov avrtp iropiowri, d/i7?x avot ^ ovres, ovSe ei
ov ws dA^^ws 6fjt,o<f>povovvTi. ovT(a TOLVVV airoptav
a)S ex Pijyiov irapa AOK/JOUS cts Tcxpavrov TrapeTrXei, Tret^wrtoi'
Tti/wv TWV 7T6/36 lavTov TO Hepcreffrovijs lepbv forvXrjo-e. iroXv 8c
dpyvpiov, kv rots KaTto) ot/c^/xacrt dvapiOfia rj&r} err) optapvyfj-fvov,
oirep ovSeis TTCO dvOpunrtav eSvvaro iSetv, Xa^Swv ia-edr]Kv es ras
vaus t'j'a eis Td/aavrov Kara 0aA.a(nrav KO[IIOI. ^et/iwvos Se yevo-
at v^es /AV a7rwA.oi/TO TO 8e dpyvpiov Is Ao/cpovs eflvc\6ri.
6 TLvppos a^^is s TOV T^S $eas vewv KeAewras
l^ixrev avry (is Travo-wv TOV x^Xov, d>s Se ov8afwv
<f>dvi) Seap,evr) TTJV dvcriav, aTTCKTeive /u,ev TOUS TrciVavTas o~vA^crai,
T/oets ovTas avSpas* e^errA^oxreTO Se /cat TOTC <^oj8ou/jtvos act /*>) 17
^?ea ITI opyifapfvi) StWKei, WQ-TC T^V crT/JaTiav ijoxrw/iev^i/ diro-
XCIL
'Ev 8 Tovry K <f>avXr)<s aiTtas yevo/ienys OTao-ews, p-tyuna. av
7 TroAts ei /A^ TU^^ TivJ eorw^r^. KeAewravTos yap TOU
v Ao^ov Iva TWV Iv 'Ocm'ois s TroAiv cA^eti', Ao^ayos
3>dpios, <p eiprjTO oTrAa 7ra/>a(rKvacrai, tva rj<rv\a.iTpov IKTE-
VVKTOS
Part III.] EXERCISES. 55
ras tt/xaas ewre d^e Is TO crrparoTreSov //.era TWV oVAwi/ ayeo-#ar
yvoVres Se ot (TTpanwrai on fj^rj^avaTat n ov8e SrjXoL oi5Sets TI
fiovXfVfTdl, O(T(p fiaXXoV (KpVTTT TOCrOVTO) VTTW1TTVOV Tl K.O.KOV.
ol fi^v yap TOUS SovXovs effracrav OTrXifccrOai, 7rt ry aTTOKretvat TOV
rvpavvov, TOVS Se Ao^ayovs awrovs TO, reXy vXXrj\f/ea-@a.t' ol Se
OVT<J>S f/JLe6ixr6r)<rav wcrre ovSev ^wievre? Travra ftaXXov erdpaa-a-ov.
reAo? Se 01 IK TWV Ao^wv TOWS KwAvovras aTroKreivavres /cat
Aa/?ovres ra 6V Aa es ra /?ao-tAeta 8p6fj.(a e^e
XCIII.
Se d.6vfj.ws TWV TroAtrwv Kat Suo-^epws StaKei/^evwi/, ot
Travres IK T^S TroAews ovres TrAijv rtvwv TWV Trept TOV
, OVK e^acrav ets T^V a/cpo7roAti/ ^eAeiv etcreA^ovres ra
iSetv KaOaipov/j-eva. on Se 6 ap^wv aurwv iTriKaAov/Aevwv
porjOrjcroiv, aAAa re TroAAa Kat otKtav irpocts rots iroAe/itois,
T^V lain^ou o-wrijpt'av ^poTtya^o-as wcrre TW S^/i^> kira.pKf.lv,
ovSev l^povrt^ov, ato-^/aoKepSeis S^ ovres Kat TOU KOIVOU
oAtywpoui'Tes. yvovs Se 6 ap^tav on 8vo"^fpaivovo~L } TWV O~TTOV-
Saiorepuv Ttvas lKeAevo-e (^reii/ OTTOQ-OI /SovXovrai, TWV iStcov
TravTWs a/xeAouvres, Trpo6v[JL<D<s lo-eA^ovres eavry uyKiv8wevetv,
Iv vy e^wv r^v jtxr) iKavot 5(rtv dfjivveo-dat,, IK TOW irXrjo-iov ^w/Dtwv
aAAovs fMTaTreft^curdai. irvOo^v^ ovv TroAAot It^atvovro TWV
jrepl NtKiav ^eAovres /^ev eiVeA^eti', TrpoTepov 8e elSevai a
TOV o-T/3ar^yov O,TI ^pjjo-erat lavTois* OXTTC eKKArjo-tas
7rao-ti/ l^ayyeAAerat oio) Iv KivSww etcrtv, iVa <^^ao-cocrt 817 Tre/ai
re Kai TWV ^pr^/xaTWi' ySovAc.vcrai'Tes Trptv Trapeivat TOVS
XCIV.
'0 Se AeKe/iJaAos aAAo rt /iTj^avarai rotovSe' Aoyyivov yap
A^) Xaf3(bv TWV irp(oT<av TWO. Pw/tatajv S^Aaxrat iKeAeaxre O,TI
56 KEY TO GREEK PROSE COMPOSITION. [Part III.
Siacoemu 6 crr/xmjyos' a>s 8e ov/c ^eXc, 6a.vfia.o-as e/ceivos u>s
avSpeids eori, KCU auros yevvatos a>v, TWV fj.ev Seoyiwv OTreAwe,
ofj.r]pov 8e Kare^cov elprjvrjv fjtywrev dvrt TOVTOU eVi /caAois
iroieicrdai. TOV Se T/aaiavou ovSev craves a.TroKpiva.p.fi'ov, ware (j.r)
TOV SeSe/xevov, yvov? 6 Aoyyivos aTropoiJVTa aurov
Stevoeiro CKOVCTICOS ^avwv Kai aTrcAev^epov Ttva a>s
Tpatavov 7re/x,^as, ws rt StaAAayy TWV crT/jarTjywv, Xddpa
e/ceAewev ctTreiv ort 8eot a>s TrpoOvfJiOTara StaTroAe/iiJcrai. aTreA^dv/-
TOS Se TOU ayyeAov (f)dpfJLaKov TI 7rapCTKvao-/j(.vos KareTriev. as
8e ya-$TO lyTraTiy/ievos 6 AeK/3aAos, aTroSovvat rj^iaxrc TOV avSpa,
a>s TOV Te^vewra dvTiSaxrwv o 5e Tpalavos 8e6vov 7roteiTO ei TOV
TOV ve/(/)o{3 avTa/xet^ei' WCTTC ^fJuipTev exeivos
xcv.
'Eiret Se T Tr
fiovXfj ei50vs eSo^e TOV Ilairtpiov av^is ijyefidva
dvojitao-^^vai ISet TOV rjyefMva VTTO TOV eTe/Dov TWV VTraTwv, ovSe
TOV Ma/3/aov ^8ei ouScis O,TI TTOTC Treirovdev, Trpeo-/3ei<s CTre/i^av es
'ET/30V/3l'aV 7T/DOS TOV ^d^SlOV, 0?TiVS d^tOXTOlXTtV (XUTOV TOUTO
8/oao-ai. 6 Sc T< HaTTipiy IX^POS eTvyxavev wv, l/ie/x,v^TO yap 8^
vw' l/cetvov TTOTe aTrapatT^Ttus xaAtn-atvovTOS o-^eSov aTroAdyutvos.
Siot TawTa TOtvvv Is T^V irpeo-fiftav TOVS TTCIVV ^SovAcvras
OlS TOVTCOV OVX i^O'O'OV TTCtO-OVTWV ttVTOV TOU T^S ^SouA^S
jtiaTOS, OXTTC c/ceivots /cuiTTCp StxT^epatvovTa /t^ dvTio-T^vai. 6 Se
rou TC ^(^tcr/taTOS dvayiyvaxTKO/xevov ^KOVC /cat TWV /?ovAevTwv
Trci0o-0ai' ovoev Se owe Adyy a.TroKpivd{j.evo<s OVTC o^et,
ev9v$ TOV o~we8piov, dvao"Tas Se /ieo^s VVKTO'S tuvo-
KaTa TO eico^os TOV Hcwri/tuov eTraivovvTWv Se avTov TWJ'
7rpeo-^8ea>v ws eS Sp^l T^? dpy^s OVTW KpaT^aas, o-tyg aS^i? r]/cove
Kai ouSev dvTeiTTtov
Part III.] EXERCISES. 57
XCVL
8e Ty fid^y, ^ Ma/oyapmj e^vye /^era TOV TratSos
els V\TIV Ttva, v y KpvTTTecrdai eireipaTO wo-re /x?) a7ro#aviv.
cncoreiv^s 8e oucnys r>Js VVKTOS, a>s Ararat 7rt#e/xevoi TOV x/ otX7 'ov
yvovcra OVTO> <T(j>68pa a/A<^>t(r/?^TOWTas avrovs TI'S TO
t, worre /^Tj/cert Karavoeti/ o,rt fy>, Aa/Joucra TOV
Kaipvv ets TTJV TuArjv Kare^vye. evTavda 8e eTreiSi) Tretvaxra Kac
a.Treip-r)Kvia TOQ-OVTOV eTrAavaTO WO-TC KOTTW ^o-o-w/iev?/ ^/xeAAc
a7roAr$at, Xrjarrrjv l^at^vrys eiSe /*Ta t<ovs Trpocriovra, Kal OVK
e^ovcra OTTCDS <j>vyot, e/JovAeixrci. a^iow awov oiKTeipai'
w/Doo'fA^ov'o-a /cat OTTWS ex l 8^Aoxrao-a, TOV TraiSa e<^)
avTip, Trarpos ovra ^acriAews. 6 Se ^av/xacras tos OTI Stiv^ irpdy-
/xi) /xovov d(f>et(rdai, wcrTt /ATjSev dSixetv dAAa xai
OVS TroAe/uovs KeoAvcrciv. TOVTOV o5v w^>eAovvTOs
/xev Tiva TroAw ev Tg vAy iCTW^eTO, TeAos Se evpowa Kaipov
ets FaAAi'av aTTtc^vye, inr<xr\op,evr] et TTOTC Bwafjav XafioL fj p-r^v
XCVII.
Twv Se o-T/oaTOTreSwv KaTa TO TOTC ftw^o? T/oets /x<xAto-Ta
6 Se o~T/)aT^yos Trpoo-^Aawe OTTCOS TOVS Pw/taious
yvovs Se irAeiovs TC yevojuevovs Kai eTt/Jws TTWS aAAo T6 IITTOTTTWS
TOVS fiev OTrAtTas dvTjyaye, lu-Treas 8e Tivas
TO yiyvo/xevov. TWV 8e Pw/xat'cov TT/OOS
Sia p.a.Kpov Trepiyfa-av ol tTnreis, a>s o-Ke^
TC 6 fjiei^ov apa yeyev^Tat, /cat a/xa. TOWS Stecnrap/xevovs
A^^o/xevot. TO?S 8e c5Se /iovov ISryAovYo TO Trpay^a' Aeyovo-t yap
TT)V era Any ya, T] IKCCO-T^ at t TI Seot Trpag
58 KEY TO GREEK PROSE COMPOSITION. [Part III.
815 Sc Trapa r$
Sxrre yvous 6 'AcrSpu/JaAos OTI afj,<f><o irdpeuriv ol o-TpaTrjyol ov8e
ofos T* &v uvivai OTTOS 877 6 Nepwv fKirf<J>evye TOV 'Avvi/3aAov,
dAAa Seiicras /M^ rot lo-^ara Tra^awi, Troppwre/DW wro^wpeiv e^Sov-
Aevo-f Kai ra Trvpa d.Trocr/3ffras TO o~TpaTt'U/ia a/xa
7ri TOU TrorafjLov dr
XCVIII.
'Es (frvyrjv o?v KaraoTavrcs 01 /lev as eKaoros otx^a rt 1801
ov ravra 8e ^vAtva ovra as Ivrt TO TroAv Ta^ccos T^TTTCTO'
01 8 es icpa, aAAoi 8c OVK oAiyot fiyovp.evtov icpewv TIVWV TOUS
/icyaAovs Trvpyovs KaTecrxov. Aoyos 8 v*v, a>s cip^Tai, OTI ^v TI
TOU TCIXOVS Ka6aipf6rj, 6 Oebs fJ-fya pevfw. eK^eas aTroAci TOUS
TToAc/ziovs. 01 8c Trei^o/ievoi, fioyis dvaoTrao-avTes TI TWV Ai^cov, as
KOVIS dAA' ovx v8<op aTreppei, ouSe efiorjOow Srj ovSev TOIS 8o-
fievots 01 ^eoi,,dveA7Tio'TOi o5v OVTCS s Tas ^vAivas eTraA^eis Tas
VTrep TOU icpou (ruveSpafiov. evrevdev 8e XiOovs /cai aKovTia KOI
Trup<f>6povs ourrous KaTappiTTTOvres TOVS TroAe/iiovs fTreiptavro a7r<o-
^eiv, OKTTe /i^ r)v fJLeydXrjv xAi/iaKa dva/J^vai- 17 Se 8ia IKOTOV xai
f*K(xri fidOptav c^r 5 aKpav TTJV Trvpa/ii'Sa dve<^>epe. 01 8e (is crio>;/<as
?X ol/Te S T ^5 Kwas (iAiywpow TOU Trupos, avaAa/3ovres Se TOUS diirTous
T^V 7raAiv ^av, OKTTC ^uAivr; ou<ra Ta^ews Ka.TeKa.v6r). o/os
8c ITI avTCi^ov 01 ru)^ev, ouSe e^ov 817 o-w^vat cvSoucriv ouSeis
fjOeXc irXyv Ivos fwvov ol fifv yap IK rijs
01 8c Trvpi /x7rpyo-^VTes TrdvTcs aTrw
XCIX.
Tovrtov 8 d(f>iKOfj.fv(av, -qyovjj^vov TOV Newvos, os ou
TWV Xiwv yv(afj.rjv T Kal dptTryv, fOdpo-ovv avdis oi o-TpaTia)Tai.
Part III.] EXERCISES. 59
6 8f cv$vs Trapayevo/tevos TOV Ni/aW eTreiQtv &v Sttvociro /xera-
o-Tavra p.eiovi ry oWa/xti T< o-TpaTO7reS<> TWV TroAe/xicov jrpoo-/?a-
Aeu/. OUTOS Se TOTC //.ey i^cru^a^etv $TO Seiv, Kai ^cro-wv Sr) wi/ 77
OXTTC e ta-ov /ia^ecr^ai, a>s /cai Trporepov SeS^Awrat, Teix to ""A tV ' 5
TO ^(iipiov KadfeTO a>s e/ceivovs, ^v ITTIOKTIV, V7ro8eo/j.vos. vvv
8e TroXv 8rj 7repie(7Tr/ TO Trpayyua' eTTiyevoyaevwv ya/3 TWV Xiwv /cat
dmxKTOWTOs Tovo~T/DaTou TWV Aa/ceSat/iovtcov ou/ceTt op,oi(as TJcrcrovfs
tf<rav. ^TrwTTaTO S S?) TOVS /ACV eTTiovTas /cav Sctt'os ^ 6 KIV-
Ol'vOS OVT(J) TTpoOv/JLOVS KO.I ToX/Ji^pOV^ (j)pOfJ.VOlS WCTT Kttt TToAv
TrAetovwv Kpa-njfrai.' ofs 8' civ Trapa yvwju^v TI? Trpoo-^SaAy TOUTOVS
ou^ ^Q-Q-OV CKTrAayevTas Kai o-^eSoi/ Tt TT/DIV o-vfJLfJii^ai, viKW/xevovs.
Aoywra/ievos Kairre/) euAa^s wv crvvf^prjcrev WCTT
. eSo^e Se ev^vs /xeTa Ta "Icr^/xta lirievai, as aarpoa-8o-
c.
'0 Se ayyeAov Trpos TroAtv Tre/x^as a ev val e^et ^yyeiAe,
Trporepov /ACV yap Sia, TWV Ktyu,tvia)v optov Tre/ji\l/e Trewo/zevov TC
TO, exeldev Kal TWV Ovpfipiiav Tivas ^v l'vt]Tai TrewrovTa WCTTC
avp.fjid'xovs crffiicrt, yevftrdai. 6 Se vo"Kvao~a5 tavTov 0)5 Troi^eva,
eiret avTo? TC Ty TvppTjvwv yAaxro-y I^/J^TO /cat SovAov eva
7rapeAa/3e (Lo-airrws \pw[i.vov, os ex TratSos a-vveredpairTO aiJTw,
Std T>}S Tvppryvt'Sos 8^ ^XP L Kap:epTrjs T^s Ovfj.(3pia<s (/caAowo-i 8e
Tepot Ka/ieptvov) d^tKCTO, Trepa TWV 'ATrevvivwv Trpos /?opeav
/ceijaev^s. ot Se do-juevws Se^d/xevoi dyyetAat i^^iow T$ o-Tpar^yw,
^v TrpotreXdy, Trav8r]fjLel Trpoa-^wpi/jcretv Kal 8ia /zijvos oAou Tropieiv
TO" 7riT7j8eia. T^KOVTOS oSv xai TOtairra aTrayyetAavTO?, a.vaOapa~if-
cras 6 ^df3io<s (f>6dcrai 8eiv yeTO irpd^avra a StavoetTat, UT
87) /zr) 17 /?ovA^, eav fieXXT/ja-y, aTreiTry /xiy TOiauTa T
KtvSwewat.
60 KEY TO GREEK PROSE COMPOSITION. [Part III.
CI.
Twv Se'Pw/xatcov *cai Acmvtov OUTCDS evdvTtov eorpaTOTreScv/zlv
oi orpaTJjyoi u>s p.a.Xurra p.r)Ofva ei/cr^
e KCIT' avSpa TOIS TroAe/uots o~vp.ftaXf.lv. TOUTO 8 eiroir
tva JUT) eiK^ cru/iywavTes rapa^Oeiev, ejrei d/i<^>OTepoi o/xotoi 7y(rav
yXdxrcrr) re Kai oTrAots, KCU KTWS Kai jSovXo/xcvoi /tr^Kert TOIS
AaTivcus (ruyyevecrdai, iva p-rjre e/cctvos r^v vjrdp^ovcrav Svvap.iv
TTvdotVTO, p.7)T ol OT/>aTta>Tai XT}? 7r/3OTpas <iA.ias dvaynvTjo-^cvTCS
<f>povTiouv Trorepov ITT* d^td^pea) acrtot TroXe/ioucri. evrau^a 8c
TtVos MavAtos o TOU (TTpaTrjyov, TrpoKaXov/j-fvov Fe/iivov TOV
Toixr/caAavov, oAiywpwv TOU eiprjiAevov es ^eipas yevo/xevos cwreK-
TCIV. WS S CVtK^(T, T^KtoV f S TO (TTpaTOTrfSoV TO. CTKvAtt TTttpa TOV
irarepa KarfdrjKf 6 Sc diroTpfTrop-evos nal onryKaAecras es p.&rov TO
<TT/)aTO7re8ov TOUS orpaTtwras, TTOVTCUV 7rapovT<av exeAeuo-ev CITTOK-
Tivcu TOV vtaviav.
CII.
e TWV /3ovAevrwv ^aAtTrwrepov l/?oi5AovTO 7rpaar
Se Tts KaAetras TOUS Trpeo-jSei? TOJV n/)i<^pvaTt3v, otTtve?
<rvyyv(ap,r)v JJKOV aiTT^rovres, ^peTO Tt apa /cai a^no^s a^wi *vai
7ra#iv SoKowri' TWV 8e Ttvos oaroKpi.vap.kvov OTI TOiavra Sr) oia oi
IXevdcpoi d^tovvTes yev&rOai, Sewras o crTparrjyos p.rj ^aXeT
ITI /xaAAov Toiavra d/coixravTes, fat jSouAo/xevos irfipav el
Tepov Tt Aeowi, 'AAA' ly/iiv, <^>i/, ^v vuv o"(u^a)/iv,7roiav Set
elprjvr]v lATTt^eiv TO Aowrov Trpos v/wts ecrecrdai ;
oi 8e aA?j^ xai do-^KxA^ l<^ao-av, ^v ye l;ri KaAois o^i'/i^Soxri'
ei Sc /x^, ou Sid p.aKpov Xe\v<re<r6ai' Ivravda. oe ol p.ev avTiKpus
efaarav d^ccrTavai TOUS TOiauVa AeyovTas' oi Se irAetoves ovSev
TOIOUTOV evt^v/iouvro, /cat 6 crrpaTTjyos Trpos TOUS euyeveorciTOUs
TrepurTpa<jxl<i ofaep lyyus exd^^VTO, Trdvrcov axouovTiov e^ OTI oi
T?)S eXevOfpias ovT(o <r<fr68pa cTrt^u/iouvTes Sixatot S^ ewrt 'Pco/iatot
Part III.] EXERCISES. 61
cm.
Ot 8e 'Pwp-aioi, OUTW5 ev X 10 / ''*^ diretXr)p,p.vot wnrep KOI irpo-
repov 6 "J'Aa/iiVtos ev 6pao-vp.fv$ TravTdVao-iv p,ev rjo-atavTO, VVKTOS
8e eTrtyevo/ievr/s e(riadr)<Tav p.rj Trdvrts a7roAr$at. ov8e fj.l)v Trpbs
TO TrtStov dva^d)peiv fffiv, eTTfi r^v OTTicrdev oSbv y TO crrevov titr-
ijA^ov Kart)(ov ol TToAe/xiot, oKTTe ovoev aAAo eSwavro Spav ij
iv T^> crTeva) crTpa.TOTreSevo'dfjLfvoi, ov TroAv aTre^ovrfi oOev lyevero rf
rjcrtra, CKEI aveATrio-rot Tre/31/.ievetv TI (TV/A/J^o-crat. Kparovvres ot
ovru> ol 2a/<.vtTai TWV TroAe^tiwv ep-evov TJO-V^OI Kal avrol ews
crovres ei Try im/DaWo VTTC/D ra 0/317 fKtfjvyeiv evdev /cat
f^opp-ao-Oai /3tcuws eTrt^Vo^^Tas p^Siws KwAvov. ovSe
6^ Too-oi)TO6 ye ovres KCU ev o-rev<J) aTr/aoo-So/c^roi Trcpi
X tv 7ra/DK^ et ^ ftpa^yv rtva xpoi'ov. wcrre reAos
eavrows TOIS 2a/x,vtrais.
CIV.
Se TTOTC Aox^yov, ovTTep ws o*i;o-T/3aTewra/ievos apurTov
QVTO. rjoei. o-T/DaTiamjv, vw Si' dyo/aas ayo/xevov TT/OOS TO epyao-TTJ-
piov TWV 8aveio-avTO>v, Tax^s irpoo-TJXde, Kal /lapTvpopfvos a>s
8va Trao-xc'j awos aTroSovs TO dpyvpiov ie\vo-e TOV avSpa' ws 8e
TOVTO Spdo~a<s </)tATaTOS lyeveTO Tracrt e^yeTO TOta^Ta ITI Sta-
Trpdo-o-eo-dai" /cat S^oata Ta Ti/uwVaTa T^S ovcrtas 7rwA^o-as ou/c
(77 TToAt-n^v orSeva Trepto^ecr^at Sta TO SSavto-^a6 8eo-p.wTt]V
ycvo/ievov, ecos avTos ex^t OTW e/co-cixret. TOUTO Se VTroo-^op-evos
OUTO) Kai e^eTeAet uxrre Kal T6T/3a/coo~tots Saveticras AeyeTat /cat
TOKOV ovSeva 7Toaas Ta T
TOtavra Se w^eAijo'as Tracrtv a/xT/3tos <tAos eyeveTO, <5o~T /cat
8i']p,ov TraTrjp KeK\fjo-Oai /cat Trept TOV ot/cov TOV tv d/cpo7roAei det
o-vvayeipto-Oai.
62 KEY TO GREEK PROSE COMPOSITION. [Part III.
CV.
Ou fJLYjV dXXaL jroXXous y8r) wo/xravTas axrre aTroKTtivai
lavrov, ous OVK WCTO T /Jao-iXei u>s dA^^ws euvoiav l^eiv Toy S
, iravv dya0ov avSpa Kai irporepov irp6dvfj.ov ovra, os
t rtvt TVT CTT'
ourw Oapcrovvra
oua-dai SoKfiv KOI en diroKrevetv, KCU <f>avepov yevea-dai on
TroXXot ewrt /cat lre/)ot ^wo/ioo-avres aS^Xoi, ov^ T^O-CTOV Oapo-ovv-
TS' fTTCt 8c 8l7T/3a^aTO OKTTe KaTaKplOvjVOil, TOIOVTOS O/itoS T^)
re cr^/xaTi >cat TOIS Xoyois eSoKei efvat ofos av TIS TTCTTOI^WS p.r)8tv
irfuretrOat' axrre oto/xcvos CTT/DaTicoraJv Ttvas e^eXeiv /xeXXovras
avrov TOU KtvSvvov, d.Kpi/3f(TTaTa. eKeXftxre rypeiv TO Secr/AWT^ptov,
Kai <^>TjXa*cas t/cavou? aei Trapa/itveiv. yevo/iev^s Se T^S ^epas
OUS /tV (JJCTO TTWTTOTaTOVS efvai 7Tl T$ O/361 Ka.T<Trt)<TfV fvOd TjV 6
KU^XOV TOJV Se <^>vXaK(ov ^eyetpovrwv TOV avSpa TeOvrjKois ITTI
CVI.
Movos 6 MiKT^e/oios OVK l^>7^ SiapprjSrjv ovre avros Trporepov
ajroXci^civ TO o-TpdYev/Aa ovrc TWV lavrou oi5Seva, TT/HV d>s eiprjTO
es FaXXt'av o-/3(Xoiev. dvdy/c^v yap c?vai TOVTO /lev 8pao-ai
77MTTOV y OVTtt' d<^>6KO/iVOS S Kttl KaTOO*TdvTOS TOU
fjLOVO<s ws /3ao-iXea eX^wi' TrapaiT^(r(rdai WOTC aTreX^ftv, tus
TOU ap^ovTOS ^w^e/xevos, ct TI oocoflev 8eoi aTro^wpeiv e
T cat TOIS CTTpaTtwrais. ot Se dvTrov OTI vvv /tev otios T'
vvop-ws o,Tt dv /3ovXi^Tai wotciv ^v 8e v FaXXt'a Kara-
Xi)<f>0fj civ ov/cert 8wiyo-eo"^ai' 6 8e atTetv /iv l<^?j Setv lavrov,
IKCIVOV Se lourai' cra^cus 8 t8cvat, eVeiSai/ avros (KreXij TO
vfif3av ov8e IKCIVOV e^aTraTi^crovTa. ^v 8 Kat Tretparat ov8tv
Part III.] EXERCISES. 63
TrAeov eetv, ws eavrcj) TOWS trrpaTtwras oVot av aVt'y a
o-ovTas' tixTTe d^iovv aVayyetAat T< re /JacriAei Kai T< '
IVTOS Teoxra/oaKovra rf^pu>v ^|eii/, ei
Sta TroAAou 7ra/)mr$cu Kat TOVS
CVII.
'O 8e '0/D//.ovStos cra^ws ^817 tTnjyyei'AaTO ry ySacrtAct XdOpa
avros s 'AyyAtav lA^wv rots irpodvp.oi'i <ri>yyevr$ai' Kai ei jitfv
fS TV^OI fiejSovXeviAfvov, Oapcrvveiv re Kat TOWS aAAovs
Trpo<T')(<ap(.lv i fl Se jU^Trw Soai erot/xa efvat, /caTCUTKevcuretv
7]crv>(a^etv TWV Se ev TJJ X^/ 3 ? T " 7 e /?ao"iAews ^/OOVOWT
6'vTtv' OVK ev^vs Trcwrecr^ai.
6 Se 6eo-[j,odeT'r]<s OVK r/^eAe crvy^wpeti', oto/xevos avrov
CTTI TO, aSwara wp^a-dai, ovSe e^tov OTTWS TI aTr' avroG e
6 8e 'Op/xdvStos TOU /jiev KtvSuvov Kare^povei TO Tra.pa.Trav, as
Travrwv ToA/iWvrwv /nera ^av^cwrtas ocr^s acr<^aAeias es 'AyyAtav
eA$eiv Kat jaTjva SiaT/)t-^'ai/Tas ev ry TroAet ava^w/oetv, KatVep TOU
Kpo/xveAAoD ov^ ^Kwrra 8i) rore a/c/3i/3ws ^vAacro-ovTos. crvyx<o-
powvros 8e /3acriAea>s wcrre tevat avrov TO{;TO povov evXa/Sovvro //.r)
06vov Trape^oi Kat Aoyov TTOI a/Da aTroS^/xet' wcrre
a edpvXovv a>s jweAAet ST) ets Fep^avtav 7rAewecr$ai tVa
NeoS^/xov 05 eu Trpos ^8ao-tAea 8teKtro Svo Ao^ovs eKetV
CVIII.
Se KtvSwov /iev Aeyotxrt eveyeAao-c Kai t^pero TI apa <f)0/3ovv-
Tat crT/aaT^youvTos avTo Kat wrep avTtSv Kai aTro^avetv ^e-
AOVTOS. o Se NtKtas OVK dAoyws e^ TOU KtvSwov />ivryo-ao-^at
i. Tavry o~T/3aTtc3Tai, Kai rjcfy eva
64 KEY TO GREEK PROSE COMPOSITION. [Part III.
tv Tg TroAet irapewai' Sxrre rws aTrovros CKCIVOU f/>#dcrat av
aTToAcytevot irplv fiorjOetas TVXfiv /cat a/x,a e^yem) ofa v/3pi-
fowrt. 6 Se Trpos Travra aTreK/Dtvaro on 6 /SacrtAevs TWV oVAwv
Tocravnji/ l^ei evSetav wcrre \aj3fiv avdyKyv tivai. ol 8e a avrol
TOU a~(f>Tfpov dpyupiov (iv^o-avro raura Trpocr^Ketv TI eavrois
v 6 8e ovSev Trpcxrelxev, aAAa /3j8ovXewr^ai l^>r^ d/07ra(eiv.
aTToAtTTWV OUTOV 6 NlKl'dS KOI TToXAoUS fVptoV O~vXXcyVTa<i
travra ocra SteA-eyovro' 01 8 avrciTrov, ei eKeivos /xovov
crvyykvoiTO, KOI oaroOavflv eroi/iot ervai wore ^8' ortow XafBfiv
rbv crTpa.Trjy6v /cat S^ /cai dva^Savres auroi/ TC Kai TOV
KarajSaAovres f
CIX.
Kai T^J /iev ap\iv ov% ^Secr^at, CTra^^es Troiov/ievos* d^
8e TOTTTOU, e^eXecv rots rotaurqv TI/A^V ScSowrtv v^peretv,
(3apv TTOJS ^ TWV TrapovTcov rivt' eav Se TIS OVTWS lx w
Tr/aiv a/D^ovra irpoKrjpv^drjvaiy fv(pye<riav rjyT^a-ecrdai. ol Se Kowfj
tyacrav oi>x oVw? dp/ceti/ eairrois TOUTO dXXa i^Sov^v Trapex 64 "
[jLeyuTTrjv. 6 Se avretTrev on ci dATj^fs ?>/ oVep Aeyoicv d^tot
avrovs TrpoOvfJuas feat dTrpo^ourtcrTWs TWV T^S TroAews crweTTtAa-
{jf<rda.r AiTrapeiv S o-^oSpa, ct TI /x^ dpe<TKCi ^ avros ?} TO T^V
TroAiv Trapa TOU irepwiv apxovTos SiaSex&rOai, tvOvs o-at<3s
SijAwcrai, ws TOT /xev Acyovtri X^P LV TroXXrjv eureo-dai, wrrepov 8e
/teTa^eipio-avTi TO irpaypa fjv TIS OLVTurry KOI OTLOVV r/ TQ dpXO
dv6afj.LXXS.Tat., OVK dvcecrdar apxwv fj.fv yap OVK dKpijBoXoyr}-
crea-Oai, ocra 8e Ivvo/tov Kat 8i'/caiov fir) d^twcrai, ovSeva edcrctv
ol Be aTravTCS o/zoiws StKaiov ctvai eAeyov /cat Kr
aurot Se w^eA^creiv /zaAAov ^ T% c^ovcrta? TI dfaipeiv irfipd-
Part III.] EXERCISES. 65
ex.
Ilet/DW/iev^) Se TTO.VV ^aXeirov lyevero KaTe^ctv TO \wplov,
TWV vrepiecmjKOTtov TroAe/uwv et Se /x^ rg re apery d.rjcra"r]Tos
KCU ra re TGJV $(3v KCU TTJS TroAews Iv TOIS irpdrov
OVK av Too-auTa KivSweveiv V7rm/, 7T6 Travra cra^ws 7r/ooa8ev,
ovre veos wv en owe aweros. TO^S /^ev ya/3 4V ry TroAec y'Sr; TO
ous' i Se /cat
u Setv TOU /a^ ot'ous T* eu/ai TrAetocri /xa^o/Aevoi;s a/
vSe TOUS Tot STJ/XOV <j>povovvTa.<s o-T/mnwTas Sia TOO^OWOV aTre^ov
IKOS e?vat v Kaipip Tre/x^ai. ovSe lATTi'Sa S^ efvat
Tots ^vyKivSwewvo-t TrAijv lavrou' wore TOIS /xev tT
i, eTret ow/cerc Trept TrarpiSos SVVO.IVTO
yovv KaAws S TO crTpa,T6Vfj.a cruifecrOaL' Seiv Se eaiTov }
6p9ov<r6ai TI fv da-OevecrTaTrj TroAei Kaprepovvra (T(f>aXf)vai. '0 Se
Aa/xa^os KaiVe/3 Tot avTa SOKWV KivSwevetv, o-o^)tus /xe
O.TO aicTTe Aoyy povov o-TpaT^ywv eKetvo) TravTa e/)y<{)
\v e'etv TO
yovv
CXI.
'EvTau^a Se \povov Tiva ITTIO-XWV, ITTCI
fievos (f)6(3ov Trapeo-xe fi^ e;rt T^V TroAiv ST) e'A^y, KaTaAiTrwv Tt TOU
TTC^OV KCU TT}S TrapacrKevfjs e/ce6V(j) TrapirjKoXovOei' 6 Se yi/ot;s
Se Ixeivwv Icroppoiros eyeveTo TIS
(rvyypd\l/a<rt Ka6' eKao-TOV SeSTjAwTat. T<J) Se '
//.ev 6 o-T/Dcmjyos, TO Se crr^^eiov laAw, o WTC/DOV e
U Se SrjiAOV TroAAot Kat aya^ot otTre^avov /ecu fX^<f)d^(rav. KOL 6
lv Ni/aas s 0ecr7rtas d(^iKTO, o Se 'iTTTrtas es Kdptv^ov o^ev 6
KaTeSpa/xe T^V \wpav TroAAa Sywv /cat ySAaTTTtov.
TOV 'iTTTTtaV TWV OIKO^V, ^U,T7r^l^'aTO TOV
etVwv 7re/3t T^V TroAiv Ka6r)o-0ai' e;rei Se r^
66 KEY TO GREEK PROSE COMPOSITION. [Part III.
Traprjv 6 'Lnrias es 'EXewiva, eX0ovTes Trpfcr/Beis rives ij^iaxrav Is
(rvp-ftaa-iv e*X#eiv 6 Se TOV 0eov fp-apTvpero tf p,rjv a^0f(r0ai ?<'
o?s fTraOov, Kal fva TO, TTC/DI ei/^v^s irpaavoi es TroXtv e$eXeiv
as a curoucrt irvOecrOai Kal es Xoyovs e
CXII.
Tore Se (rvy/caXecras TOUS eatrrou, /cai SrjAoxras avrois o"^) irpay-
ILO.TI eirixeipova-i, o-a<^(os <^>^ eiSevat ort StKcuoi -yc Kai euc
OVTCS OVK av ovS* cirt ycvoiro <r</>aAeiev 5v yc aTra^
6^ai* ov Toiwv aTTO/cveiv /X.T) ov iravra er]yeurdai TOV KivSuvov, ov
T6 Suvavrai <^>evyciv, OXTT e7rtxc t p^o" a *'''"es ^v Seiva Tra^axri, avrot
7r/ooeXo/Avot ov/c av Si/catws TOV arpaTT^yov atTicwrao-^ai. 7r/ao-
v yap TotauTa IX^eiv CIKOS TOUS TroAe^u'ovs, /cat Ta
VTT* avrwv Tra^eiv a-^as, <5o-T /zijSev SeevoVepov /i^8e fvOvfj-rj-
(rcurOai p.rj8fva. ov yap ayava/cTtv Seiv ^v ouaas tSaxri ^Ae-
yovo-as, aAA' aurovs /xaAAov ^v 8eg Ka^aTTTCtv, ovSe 7)v TOUS lavrwv
Syoiyxevovs opuxri Kal favepws Tf/xvo/ilvous' avc
Kat TreivwvTas Ka Tra
ouSe /ii^v Toiaura Tra^owri <f>avtpav o"(OT^ptas eivai eXiriSa,
aXXa KtvSvveuetv TTOVTOS /xaXXov TO Tet^wr^a ^ TO \(opiov ^vXcwr-
crovTas, O7TC/3 aTei^io"Tov ov ws airo TOU dvOpwrrivov ei/cacrai OUK av
TOO-OOTWV ye TroXe/iicov /teXXovTwv eTrtevai.
CXIII.
Ilavra oZv ovrws ^arv^a^ovTa yvovs o S^yuos, ov5e KivSwov ITI
ovra p.^ rt, cr<f>aXepov yevoiTO, cr<f>6Spa 8rj TOV CTTpaTfjyov eiroOfi ets
2/coTiav ds Trporepov KaQrjcrdai. o Se ouSev 7ra/>' eKeivwv irpoo-Be-
7ri T^V TroXiv eiropfvero' wore ov^ e?^ov OTTCJS ITT'
jteTaire/i^a/ievoi avrov au^is aTTievat KeXewiev, /i^
o-uyyevo/zevot /i?y8e p,ur6bv Kal \apt.v aTroSovTes 5
rre/x^avres /xevToi ^tow TOUS fiev aXXous es SKOTIUV a
Part III.] EXERCISES.
avrbv Se Is Trjv jroAtv IA#etv ;ui) TrAeiovas Trei/TaKoai'wj/
ITTTTCWV 6 Se d<eis oVovs IKCIVOVS ^yeiTo vrpos TO, eKeure, avros
yet /*era oVAiTWV /cat ITTTTCWV u>s TrevTaKKr^tAtwv, TOIOVTOVS
ous jrwrrovs Icro/zevovs (ra<ws elSeit). a<^iKo/ievos Se
es 'EjSopaKov, TOV <&dpiov KareXa/Se Kare^ovra, os d(r/ieva)s eSe^aro,
a)S Sta TOUTO TOCTOVTOVS (rvAAe^avra Kat Aa/3ovra TO ^w/otov, iVa
/i^ (frOdfravTes e/cewre 01 TOV S^ov efnroS^v avT< yevoivTO 8t'
: AyyAias
CXIV.
IVovs Se fdavfj.a^e (j,ev 6 AafJ-/3epTrj<s, iSwv 8e TroAAw jrAetovas
6'vTas TOUS TToAe/ttovs, evret aTre^ajprycre TI T^S lavTOV (TT/oaTtas,
eTreyM^ev COCTTC es Aoyot'S !A$tv. Tretcras 5e,
) SQKCLV TOV 'Pt^apSov av^ts Ka6i<rTava.i, avros Se cu
' oo-wv Treidtiv Svvairo. 6 Se dvd^Tov /aev TOUTO oi/ /cat
eyvw, irporepov 8e aynetvov i^yov/tei/os TW
TTKTTOS irapefjitvev, ws Ta /?ao-tAews Si) ^povovvri.' OXTTC ov/c r/
TOV Aoyov 8ea<rdai. tKarepiav roivvv afiOis TroXepov Trapaa-Keva-
OVT<OV, ato-^o/>tevos 6 Aa/A/3epT>js eVepov Ao^ov d^>eo-TWTa TT/OOS
TOV TroAe/Aiov, <vy]j av JU.DVOV ^TO (no^vot a>s Ta^vM Sr) e'^wi/ TOI/
?7nrov. Trypwv Se exeti/os ouS' rjcrcrct) e'^wv TTTTTOV Kai awov, KaTa-
Aa^Swv l^wypei, TroAAa xai Setva fJLarrjv fj.apTvp6fj.fvov MTTC diro-
(frvyeiv.
cxv.
'0 S ^lAtTTTros OVK e^eAwv S^ TOIS Ki TrAeov crvyytyvecr^ai,
TrpoTpov fj,V ovTc AtV^ivrj owe aAAov ovSeva TTpe<rf3fVTr)v TT/OOS
etcreSe^CTO' So^av 8e 7refJ,<f>drjvat, TTJ MeyapeTy tTTicrToA^v
v, a>s t/cetvov /iev i^Sews Se^eTai, TOIS 6"e aAAois ovSev eirt-
Ti/xvjcrei. OTI 8e OUK avev /avSwou dc^tKCTO, o-ry/xeiov ITI Kai vuv
l^o/iev crvyy/aa^v Ttva 6avfj.ao-Trjv, rjv lypa^av TOJV TTC/DI A.lo-^[vrj
Ttves, T^> lavTOU eKaaTOS aifj.aTi xp77cra/vot. evTau^a yap
68 KEY TO GREEK PROSE COMPOSITION. [Part III.
iJyyv'tovTO ?j /wyv ewrep dyaOoi ye curt icat Trio-rot, -ijv TL ira.6rj
a.7ro8rjfj.(av 6 ayyeAos, StKrjv Xijif/ecrOai iKavrjv fire irapa. 3?iX<i>v8ov
eire aAAou OTOVOVV 5s av afrios yei^Tai. ofrros yap rots e/cet
Travros fiaXXov (38eXvpbs ^>aivcTO e'vai. wore ravr^v T^V
crvyyparf>r)v ypa^avrcs eTrra TWV TTCIKU TroXtrcuv, orrtve? va-repov
TT/s r^s TroAews crxeSov aTraj^es Xafnrpol lyci'ovTO, ?ra/3a
Aiorx'vov ywat/ca Kare^cvro, /xeAXovcrav 8^ as etxos
/iaAAov ry ye Totovnp rj TrfirvcrfJLfvrjv 6ap<rrj(ra.i.
CXVI.
Tavrrjv o5f TT^V crr/rarei'di/ iroAAo) ^(rcroves eyevovro ry
01 AaKcSat/zovtoi, oxrre T^V ^ye/zovi'av ovKfri r]iovv e^eiv
ToS /ieAAovros ^wayetr^at crrparev/iaTos, ovSc aAAws ovSa/iws
Trpwreveiv aAAa Trpfcrftet^ IK re AaKtSat/tovos irffj.if'avres KOI CK
Trourwv TWV ^v/z/ta^wv TrdAewv Is 'A#i/vas, l^eAeiv e^curav CKCIVOW;
vava.p-)(fiv e<f>' yre avrot Kara y^v <rTpa.Tr)y^crova-i. Tavrrjv 8*
TTJV ^vfifiaxTiv Kairrfp d.fji<f>oTGp(av aiav SoKovcrav eu/ai, TOIOVTWV
ye /cal TOO-OUTWV OVTWV, o/zoos OUK efie^avro, oiopxvoi TOUS eVi/Jaras
re Kai TOUS aAAoi>s TOVS CTTI vewv ouSevos odious eiVai TT/>OS TOVS
iTnreas re KO.I OTrAtras or Kara y^v ea-TparfVovro, Trarres fXevOfpoi
ovres fat TroAiTai 'A.6rjvaioi, VTTO AaKeSai/xovtois /zeAAovres eivcu.
o5v ware Kara ^poi/ov Siave^ie
e<^e^s ^yov/xevwv, akrre 7rairos
KGU TOU vavrtKou. ovTO) Se v/i/3avTes (fxivepoi ewri
fiaXXov TI TOU Kouvy ^v/z<^epoi/Tos iTri/jteAov/zevoi' TOVTO yap (TKOTTCIV
Te > OUTW Si' oA'yov 8eov crepcus av^* erepov Ady^> re
CXVII.
Tovs Se opviOas o dep<nrev<j)V T< (rTparrjy^ aTT^yyeiAev art OUTW
Trpo0v[j.(os (<r6ioicv OXTTC TWV (TLTiwv TL X 01 /* 01 ' Ka.rafta.Xf.iv' o;rep
8^ apicrTos otwvos. /leAAovri ou/ OT//zatVeiv TW (rrpo.TTt]yu> Trpocr-
Part III.] EXERCISES. 69
wv 6 IlaTrtpios ^euSws e<f>r) dyyfiAat TOV dvSpa'
TWV eVaipoov Ttvds, TOUS opvi6a<s fj.rj on TrpoOvfJiws <ayeiv
dAA' ovSe yeixracr<9ai 4$eAetv TOU ertTOV' 6 Se KaA<3s, </>?, liroirj<ras
Toirro ynoi aTrayyetAas' i 8 e^eucraro e/ceivo? TOUS ^eous avros
7;yyetAe yap yuot ws aptcrra e^etv ra lepd' wcrre evdvs
opare 8e v/Ats. </>?/ fKarovrap^als Ticri TOIS irapova-i,
OTTWS ev irpwry ra^ei /xa^oui'Tat otSrds re Kai ot (rvv avry. <rvvf/3r)
8e d/covrio) (3e/3Xr)[ji,vov TOV avSpa, irplv eKare/oovs Tratavwrai,
fC)Ta. aTrep TTD^d/ievos o (TT/oaT//yds, Oi ^eoi, (/;,
T7//.U/ TOI/ atrtov 8^ iTip-wpr/o-avTO. en 8k Alyovros,
T6s tfjnrpocrdev TTETo/xfvos fifya e^^fy^aro' 6 Se
, fio&V OTL Ol5S7TW7TOT Ol ^Ot ^>aVpWT/3OV S^Aok
CXVIII.
/CtCT d</)tKO/XVOt SftVa iTTacr^O/iEV WO aVffJLOV KOI
vSa-ros p.eyd\ov Kal ^aAfTroG. TroAv yap Tropeva-d/J-evoi OVK e'^ofj.fv
OTTOI KoifJ-w fj.e6a' EvpdvTfS Sfi ipdv Tt Iv TO 7rpoao~Tt'o) Kai KaAv/3as
rivets Kai otKias ^>avAas, ets rairras auAtcra/ifvoi Kat Kaipov
Aa/?dvTS TOUS vSov TrpovKaXeo~dfj.e9a IvSovvai. fTrel Se TOV
OVK yjOfXov TO Trpwrov Sf^ecr^ai dAAa rots robots Ic
l^ovres Tj/ufis yvwpt/xovs rivets KtVois Ao^ayovs,
SrjAwo-ovras on p-lpos TI p;ya T^? o-rpartas Trdpfo-ri.
vovTS Sf fJidXio~Ta TroXv k<fi ^fj.as /3aAAov,
d^VTas* VVKTOS yap oi5 7rpocnyKtv TrpOKa
TfAos Sf ^vve^utprjo-ev o ap^wv WO-TC 7rpo-^ts Suo
^ /xaAAov ei tKavoi o-p;v dvay/cd^Etv. Adywv 8e
TI)V vvKra yvo/^vwv 7rapeAa/3ov d/za ry <^ T^V
Aiv 7ri KaAots os vop.i^Ta.i. lyw Sf ToorouT<j) pov w/ioAoyi/cra
I SiaKocrtovs pvV /idAwrTa ff^ov oTrAtras, {jLfj^avas Se Kai KAt-
70 KEY TO GREEK PROSE COMPOSITION. [Part III.
CXIX.
O Se tv $ ra^u TTOpevfTai TOTC irpwrov eyvco OVTIVO. rpoirov
i/cos TOUS Mao-criAitoTas dfj,vvf(T0a.f TOVTWV Se OUTW x/jijo-t/ios 17
f3or)0fia, wore d<iKo^ievos eu$v? ?}iov 4s Aoyovs eAfeiv rots TrevTe-
KaiSe/ca 5v ^v 1} />XT ^oi'Ttuv 8e irpoOvfjuas ts TO o-T/aaroTreSov,
ry fiovXrj /xaAAov T^ e/c r^s TroAews irfiOecrdcu ^ iSiomj
yevfcrdai' ol 8e n-pos l/carepov l<^acrav SieoTavai SOKCIV
ip TToAlV, TOUS /AV 7T/3OS KcU(Tapa, TOVS 8c TTpOS IIo/i7rlOV X ( UV
e airrot a.fj.^orepoi's Tro\\.rjv d<^)iAovTS ou8 iKavoi OJ/TCS TOIOVTOVS
as Siayvwvai, oiecrOaL Sfiv dfjujxtrepovs 6/xouos e^cii-
776 e TOX l " ra OTOl aTTy^OVTO, -KaTttyO/ifl/OV TOV
es TOV Ai/ieva /nera TWV vewv wpo^i'/icus 01 TroAiTcu
vra/3Xo VTa)I/ f^ y^/ 3 v aAAwv, Kat es
i Trpodvfj.ovfJ.fvoi, fiovov <rTpa.Tr)yov OVK eT^ov ovSeva.
cxx.
'0 Of ILxrrov/iios, a>$ TTUVTU avTtf) Trapfo-KevacTTO TOI
eiriOeo-Oai, roiov8f av rpoirov fo-ffj-vvvfTO. 6 /xev ya/o
ev T^ 2a/tvtTiKy, (is efpTjTcu, 7}yoi'/xevos, KO/AIVIOV 7roAto/3Ki,
TWV 'Pw/iai'wv TTporepov lAovrcoi/ Kai KaTdKawai/Twv ot 2
TraAtv fTet^icrav. CITTOVTOS 8e 4/cctvov wrox>|0iv 6 <$>a.f3io$ rrj
/3ovXy f<j)f) ravra ireidfcrOai' fir' avro yap TOVTO $ fTTi\fipfl,
Oai,. a>s 8 /cat Trp&Tftfi<s Trapa. TTJS
> IIocrTOv/jua> yn^ o
o~dai, aTTfKpivaro favrov flvai (rrpaTrjyov ye 6Wos ry (3ovh.fi
eTTtTao-cretv, aAA' OUK e/cetva)!/ eavr^J. ot Se ai trporfpov /zoAis
av olo/jifvoL ovrws avOaofj ovra dvaTret^eiv, ou fifvroi OUTCUS v/3/Dt
airoKpivfifrOai TrpotrfooKWV firel 8f ovSev avrots ftprjro
ryv Ta firf(TTaXfj.fva airayyeiAai, ovSe ?^ov OTTWS TOJ o~T/3aT7y<
Part III.] EXERCISES. 71
d.Tret,Ooifv, dwryccrav ovSev eri 7rpdavTS. 6 8e s TO KO/AIVIOV
e;(c6pei, cos TOV <&d/3iov dVayKacrcov yvous Se ot^Sev evavTioT^uevov
aimiv oiKaSe d^eTTe/x^e, Kai dfj.<poTep(av avros ?jpx e T ^ v OT/OCITCU-
//.GITCOV.
CXXL
Kat ov Sta TroAAou TT/JOS TOV wov Trepicrrpa^ets os
o,rt /ceAeixrei cos atSouynevos 8^ ^u,aAa, ouro) Trpocret/re* Et TO,
StSo/xeva Tocravra ovra SteSe^ov 7roAA.i)v av X"P tv ^ e6 '
oVy Se y^aAAov, ocrrts 7ra/Da tovTos TOU Trarpos exevcricas
TrapeAa^Ses. Tavrrjv Se KatVep TOcravTrjv oScrav djroSeSocr^at
aTracrav, lav (JLOVOV TOV<$ dp^ofj-evovs ra Seovra T/3a$S, rotaura
a/D^wv tocrre a vwi Spw i-jraivov dAAa ^ ^-oyov aia
(TV Se &cnrep ^'p^w oww /cat StareAet, vcre/?(3s Kat
Kat IVVO/AWS Siaytov, Kat TO fj-eyunov TO, TWV ^ecov
Kal Tavra 8pu>vri Sotev o-ot vtov ot #ot', ^Ttvt y)j/3acrK(ov Kat
vocrt^) appaxrrtov T^V dpxfy Sw^cret evvota roiavry TrapaSovvai as
Kat lyw crotl TOtawa 8e Ae^as, cos CKCIVOS KAatcov Trpos TroSas
^/ieAAe Trecrcov Sticrxv/aietcr^ai, 6Vt Tracry re)(yy Stavoetrat TOIOVTOV
7raT/3os a^tos yeveir^ai, apas 7rcrx /*Tfll TroAAcov SaKpiJCov acr7rao-
ftevos* ciVa 8e aTretp^Kcos Kat t9ai;/^ao-tcos cos compos yevo/^evos s
T^V e'Spav KaTKAtvTO, Kat TOV 8rj[j.ov e/^^SAeTrcov cr/xtKpa Ty c^covg
WS C^cous ov^ a?ra^ /zovov ev^a
CXXII.
*0 8e /?ao"tAvs, ?va Aavc^avot Sr) Seivos cov 7rpoSorjs,
TTOtetTO cos c^avepa ylyove crvvco/zocrta Tts TCOV Euyevcov, COCTTC
awov KaTaAa^Sftv, Kai 84' acrc^xxAetav dvayKacr^vai TotavTa
KoAa^ety. Kal TOV ^eveAwi/a TOV ev 'AyyAta Trpo^evovvra Tre/ii/'as
srapa TTJV ^SacrtAetav e^ovtriav TrapacrKevacrci/ievov Ta
72 KEY TO GREEK PROSE COMPOSITION. [Part III.
veoxrrl yeyfvrjfjifva fr)yei<rdai. 6 Se OTrovSatos re wv KOI dya-
vaKTtov ST) on OVTU ayptoi Kal aartfrroi efidvrjcrav ol Trcpl TOV
/3ao-iXea, ovSe aTrw/cvei /AT) ov/c awr^pov <f)dcrKtv TO raXXi/coi'
KeKA^cr^ai' dvdyKTj Se 6/1(0? ^v irfiOecrdat Kal as fiptjTO airo-
Xoyfur6ai. ol 8e "AyyXot iravres Totourtj) rpoTra) ISe^ovro auroi',
a>s a^tov ySr^ ov TWV (.KtiOev yevop-iviav, Kal OVTW crtfjivol etfraivovro
wore fj.r)8fv av Beivorepov Xfyfffdai. irdi>T(av yap TJJ o^ei (TKv0p(0-
wovvrwv, /cat trtyg bxnrepel VVKTOS l^>' aTravro ra
wv, dv8/3wv re KCU ywaiKWi' eKarepwo-e
os cure d.oTrao[JLevov ovrc euvot'ji 7r/)<xr/3A.rovTos i's avr^
CXXIII.
C H 8 "EXicro-a, TruOofifvr) rd re aXXa /cat OTI ravra dp.<f>i<r(3T)-
Tetrai, TO 77y>ay/za ^CTO (ra^fcrrepov /caTO/a^wo-fiv T^5 /"
tXTTi'Sos' wo-T6 So^av aTravra <j>avcpa yej/ecr^at, TOVS
CKtXeve Trpos TroXtv ^KOVTUS /3ovXeuo-0at, as Sta TOO-QVTOV (3pa8v-
rtpov Trpda-a-ovras. IXOova-i Se TWJ/ Trava; Ttvas /SovXeuTwv irpoo-e-
OrjKev wore crv/tTTpdo-creiv. 17 8c Mapi'a dyvooucra TOtaura XdOpa
Stavoovfj.evr)v, Kal oiofj.evr) 7} Sewravra TOV Mopaiov ^ atcrxw#VTa
(XTTOKV^o-ctv In fJLTjSfv 8civov avrrjs KaTrjyopeiv, ySecrOai tcfr-r] OTI
dXXoVe TTOI fif.6La-Ta.cri. TTJV i^raariv, <5s ovSevt av /xaXXov fTTirpc-
il/a<ra r) TT/ 'EXto-cry, Ty r/Siy /*eXXowy Trapeivai Kal irurKe\f/ao-0ai.
o$v aWis ev rfj TroXet T^S e^cTacrews, 01 r^s Mapi'as
ovSv /x,aXXov TOU Trpiv a7rrxov^"o tocrTe /i^ ov Trapayiy-
cxxrv.
8e TOUTO fidXta-ra f<f>r] ecrecrOai avrois, T^
irpoa-)((ap't)(r<jxri fj-dxi/JLOi avSpes, ous irporepov tSft ITTI vtwv c?vat.
ovSe yap i f<T(aOrj TO vairriKov ovSev av \prpraa-dai ITTI ravrrjv y
Part HI.] EXERCISES. 73
rrfv o-TpaTciav firel Karopdova-t p,V ovSev vewv o<eAos, o-<aAei>Tas
8e ov8' av f(f)iKe<rdat ) Sta TOO-OVTOV Iv rots dvtoTepco aVovTas. 6Y o
5AAo Tl O"KO7TOWTaS Kat (fivyfjs T Kat TWV TOtOVTtoV (US 61KOS
avSpas dyaflovs Kara^povovvTas Seiv fpyov y eire^fLprjfrav IK-
reAecrat, ws <r(fxiXepov fJiev ov TO ^erayvcovat TOIS a;ra^ Trot Tr/ao-
v 8e eavrots re KCU T(J) o-r/Darr/yw WOTTC/) Kat irporepov
apa-ucri, o-a^eo-Tara KaropOdxreiv avros /^i/ yap
f3e/3ovXev(r6ai, ews av awg ets TIS aAAos* TOVS S' Ire/
^v Tts SeiAos wv /^i) ideXy o-uyKivSwevwv T^S 8o
TOVTOVS vr/ Aia ^p^vai T^V p.6vr]V ZTI 7rapov(rav vavv lo-/3ai'Tas
oucaSe op/j-afrdaL, iVa TOIS fKtLcre dyyeiAaxri ws TOV T crTpaTrjyov
KOI TOVS (TTpOLTLfaTaS 7T/3o8eSco/CaCTt, Kttl O"^>aS aVTOVS 7Te/3tjU,VOKrt
^v T^V Aeiav K
cxxv.
Se TWV ye^VjOwv, fTrefiifev 6 o-Tpar^yos TT/JOS
ayyeAov Ttva, os iropa) Tivt TWV Kara) Sia/3as TJ)V
<f>opav Is r^v TroAiv /caTTjyyetAe. KrjpvKa 8e eKewr
TOVS ev Ty p-Q-Xfl Te^vijKOTas Is TroAiv l^>' apa^wv
e6a\fav, CIKOO-I fJidXia-Ta 6'vTas to-^vjoous /cat Kaprepovs ai/Spas'
Tg Se icrx^' OTC TrAeio-Tov eSet o^Sev 8^ ISuvavTO ^p^cr^at, as
l/cctnjv T^V rjfJLfpav TIJ TroAet TrapaKaOrjfJLevwv, OVTW S^ TCX e'^w
^>o/?oij/xevot Kai evSov Sva-Ov/jiovvre's re xal Seiva Trocovfievoi TTO.VV
txov. TOIS 8e TroAtVats ot TO, ^ao-tAews ^povouvTts TI)V
cTryTttovTO ws iTTiKivSwov fcrofji-fvrjv TOV yap ap^ovTa
TWV JavTOv Ixeio-e KaTa^>vyovTas T^V TrdAiv d.(f>vXaKTOv Ka.ra-
eiv. ITTCI Se 6 crTpaTTyyos Stapp^Sijv aTrecTre /z^Seva TWV l/<et
TOU ^ooptov WKTept^etv, //.>y Kai TOVTO aAoi'i/, lAotSopOTjj'TO
ot TroAiTat TO?S Iv Ty aKpoTroAei a7rao"f 6 8e dAiywpaiv otix
cr^eTAid{bvcr6 o-i)V Tcp ^ecj> TIJV TC TroAiv Kat TO a
74 KEY TO GREEK PROSE COMPOSITION. [Part III.
CXXVI.
"AAAa 8e e/ii/^avaro 6 vrrarcs tva TijSe (pavepov ytvoiTO TO
jrpayp,a* ei-pwv yap Ttvas TWV o-u/zTrpao-o-dirtov TOIS IK TJ)S TrdAeios
ypa.fip.ara. e^ovras, ret aVeyvw raura, o~vXXt)(f>di]vai
TOVS avSpas Kai \<apls IKOOTOV Trpos TTJV fiovXrjv *^'/A.ey^e
5v aurol ^7T/t7rov, Sei'as a/ia a avroi f<r<j>pdyiov
ol 8c fiovXevral Kpv<f>fj e^ra^ov TO. e-yKA^/naTa,
ofa eS^Aaxrav 01 a~uvwfj.oTai. ISiy. yap VTTO rovrtov O,TI
CKOO-TOV eSei irpd<r(reiv ep,r)vveTO, TOV /xev aTro/CTCivetv TOV VTrarov,
TOV 5 TO KOIVOV (rvXav, Te/30v 8 efJLTrpija-ai, rrjv Tr6X.iv a/xa icai
TO. oTj/iewx lAeyeTO Ta (rvy/cet/itva, /cat oVws Se^o-oi Siave/ieiv T^V
Aetav. 7rei Se e^eAeyx^^ 1 '^? KaTfKpidrjfrav, irpos TOV Srjfiov
dyopfvwv ovSev TKfj,rjpiov irapel^e rfjs 7ri/3ovA^s, TOUTO /xovov
ws <f>avepoi eiVt T$ KaTiAiviy cn'/XTrpatrcrovTCs T^ KOLVQ
CXXVII.
8c TravTa ^v Kat aTropos o 'AvTamos, WOTC cvvovs
wrorTVTO e'vai KCU wrws /cai TI (rvp.7rpdcr(rciv TOIS TroXe/JLiois ovs
ISct Karourrpfi/'ao-Oai. ol Sf vrrap^oi ITVXOV vpodvfWL ovres Kai
(rvvcTOi OXTTC o-(o^o-0at TI)V TToAiTeiav 6 /xv yap MfreAAos ITTCI-
yd/xevos /xcTa /xvptaiv Kal TrevTaKicrxiAiwv crrparidyrdv^ Kat Utx^vov
(cat Ou/i/3ptav /caTe^wv <f>v\do~o-(av re Ta Trpos /3op(av TOV opovs,
!i/ aTa^ia ovras TOUS Ixet cjreo-^e. /cat ev Bpvrrt^) Kat '
Ata ravao-Tavras Ttvas a^SovAeos Kat /XCT' ovSc/ita?
Ta^ews es i^rvx i ' av ^evro' cirei 8c ^et/xwv ^v, ct 6 KaTiAtvas TOVS
Trept^aAAovras cSvvaTO eK^vyetv, TOUS 'iTaAovs av dir&rTrjcrt Kat
Ta ejrtT^Scia KaTeo-KevcuraTO WOTC TOV eTrtycvo/zevov evtavrou
TToAe/ieti/. aAAa cv "^awrdAats civ CTTCI 5^Aow yevo/xevous lyva)
TOUS o~uva)/xdras Kai i^a'O'^p.evovs, T^V IIto~ropiK^v 8ia(3d<s, ct TTOJS
es raAAtav d^>tKOtTO, d>s TO op^ T/fc^* V3rep/3aAeiv, TOV Me
e^pev IvavTtou/ievov.
Part III.] EXERCISES. 75
CXXVIII.
'0 fiev ovv Eu/Dv/xeSwv Seiva Troiov/zevos OTI 17 /v X^/ 301 Te/ivrrai,
a-rpartwrai Sc rives /t*^ cm co^eAovcriv dAAd Kai Sgovcrt rot /UK/DO,
ravra ^pia oO(.v JJLOVOV eATris tfv Tropic<rdat TO. eTTiT^Seia, TWV Se
Qfpfjiayopov (rvXr)crdvT(i)V TIVO.S TWV eairrou irpotreXOiov rji(a(re
dTroSovval re Kai Karacrxetv TOV? avSpas /i^Sv Xr^i^frOai. rov
Bf ^OUTKOVTOS on TTtpt eXevdepias [j.a)^6fj.evo<s eXevdepos d^toi e?vat
ra Travra, ws TroAAa di/TetTrovre? lAotSo/aowro, 6 Qeppayopa.? ry
eKeAcvcre S^Awcrat rjv Tt dSt/c^rat. dyavaxrouvTOS 8e TOV
?, 7rei ev <pa.vepw ravra eytyvero, 6 (rrpaT^yos xat
avros TroAAa Tra6wv VTT' 4/ceivoi', j3apew<s efapev el rj TroAis
/3Aa/37ycreTai, /cat TOO-OVTOVS Is ovSev dvaAwcrov(rt o re riyov
aVei/Dos cov, cai 01 aAAoi a.Trei6ovvTe<s Kai ev dra^ia oi'res. axrre
(rvvejSovXevovTO dfjL<f}OTpoi o/toicus Trp60v/j.oi 6Wes Is TO KOIVOV, ci
TTWS p.rj'^avrjv evpoiev' Kai Trpfcrf3vrt)v tTri T^V TrdAiv eT
irjcHo v Trpd<T(rovTa TI roiaura Si' Sv ^yueAAov 01 ev reAei a
etre a^toi S^ etcri eire Kai ou* TOVTOV o5v eKciOev
SrjAwcrovra TOV Qeppayopav oTa SiaTrpdcrcreTai, wroTrTeueiv TC avrov
COV Tlv (TTJaTlttV KClKMTTa
CXXIX.
Kai TOUS /*ev 'IcTTravous eXaOe yevo/xevov TOUTO, TrdvTwv
7r/3ao"o-ovT(oV 6 Se crTpar^yos ovSe Ka^evSwv ^/xeAAe
KaTaXr/(f>Orjvat,. Aa/iTT/sas Se Tu^y o-A7jv^s OWTJS eTrei o^e ?jv TOU
Oepovs TWV <f>vXdi<(av TIS TroAAous i8wv 'IvSovs 8ia fiaxpov tr^icrt
TrpocriovTas, ev^vs e/x^vvcre TO Tr/aay/wu 01 8e (TT/DaTiwTai cuSovTes
J>s eiprjrai, irapa TOIS oVAois, TWV ITTTTCOV TrArjcriov SeSe/tefwv Kai
7ra/>O-Kvaoyxevfc>v, Ta)(v aTravTes Ta orrAa dveXafiov. IvravOa. 8e
6 (rrparrjyos iSwv TOVS "IvSovs evAa/3ws TO TreSiov Sia^Sai'vovras,
g Kf(f)dXy TOV (TITOV ^ eTTCKpUTTTeTO (US CTTt TO
yvy, ovSa^ws 7^Aev ev Tcp r^i-)(i(r[JLa.rL irepip.tvf.iv, dAAd
76 KEY TO GREEK PROSE COMPOSITION. [Part III.
TOIS TroAe/jUOis iiriOecrOai virb TO opos d(f)iyfj,evoi<s. ot Be
XdOpa. KCU /SpaSews eTTtovTes ouSe cKet^cv ot'S' OTIOW d/cot'oi'Tes
7rdWas $OJTO VTTV^) KeKoifj.f}o-6at' ITTCI Se Ta^wra Is TO KaTavrts
d<tKovTO, peydXr) ffxovrj ol 'loTravoi apavTes TOV Traiai/a ia
7ra.vcrTpa.Tiy. 4^>atvovTO TOU TCt^iV/Aaros l^o/D/Aw/itvot Kai TOU
fKTreirXrjyp.fvoi.<s CTr
cxxx.
TOI'VW Tapao-cro/xevos o Bi/?uAos fat aTropwv, lirei 8ry-
rivas Treicras irapa. T<p 8rjp.<p KwXvetv TO Trpay/xa owStv
/xaAAov ov8' OUTWS 7r/xro-V, oliavifccrOai irpocnroiov[j.fvos TO
Xoarov TOV tviavrov ocriov eTvat ex^pv^ev. ws 8e our' Ivvo/xov OUTC
(TvvqOcs ^v OVTC 8^ 6<Ttov v T^ TOtoTrr^ Srj/jLocria. ovoev 7rpacu,
eooKfi eivai 6 TOV fvOvpiov oAtytopwi/, KatVep
OVTOS' TOU 8e Srjpav OVTO) 6vp.ovfj.tvov OKTT Kat
KaTa^povetv, ISo^e ptjTQ r)fj.epci TO ifijfao'p.a, es T^v 1/c/cA 1 ^-
cri'av eio"<epeiv. a.9poot, 8c eu>0ev Is dyopav <rvva.yeip6fi.evoi iva fj.rj
Ttav T6/o<ov e^TrAews yevotTo, ^KOITOS o/xws TOW Bi/3t'Aov xat av
T^> KcuVapi ToXfj.r)p(iJ<s kva.vTiovfj.evov es T^V arcay TOU
evOev or)p.-rjyopeiv ^/ieAAe
AoiSopeiv 7re^tp6, ev@e<a<s
Tas pdjSSovs avrov TC *cai TOVS o"v-ovTas eT
CXXXI.
Twv 8e 8?;jLtdp^(ov Svo TO /xev StdSij/ia tKeAeixrav IK TOU o~T(f>(ivov
irepiaipeiv, TOV oe TrepidevTa TOUTO T^ dvSpiavri o-vAAa^Setv yvous
Se 6 Kaiaap TroAAa KCU Setva lAotSopetTO aurots OTt ets opy?)v 8^
avT^) TO 7rA?7$os 7rapo^vvovo-iv, d)S Tvpdi'i/^) KeKA^cr^ai ITTI^U-
fjiovvTi' Kai aTTCiTrwv /Z^KCTI Sr]fj.ap^eiv KOI lK/?aAwv T^S jCJovA^s
(oVep l^v T^> ye TI M 1 "0) oAo^i'paa^at a/xa AeyeTai (is Sciva
Part III.] EXERCISES. 77
i, ovTiva <vcr (jiiXdvOpwTrov ovTa rj ro.va.VTia Set TrpoVo-etv
W fj v/3ptofievov ave\t<Tdai. Kat OUTOJ (^atrtv ayava.KTf.lv
avrov rots Taivra Ipyacrap.ei'ois, oxrre /cai TOV Trarepa y^iwcre TOV
TOV KareTtou lcoo-ao-$at rot' vtov, ws awos ^v Tret^ryrat TO?V
(Ttpotv tKavrjv Tpo^v irape^wv. 6 8e yepwv paov av (f>r] avTov
Travras TOUS TraiSas dcfreXeiv r) eva ireicrat e^wcracr^at a>s
aiov OVTO. VTTO Trarpos Tpe<f>e<r6ai.
CXXXII.
oSv TOIIS vean'as erpe^ev o 2e/?ao-TO?, a
e^wv TrpiV ye avSpes yevoivro 01 viSets' wcrre r/^iov avTOVS
re /cat TJ] TroAei Travra VTrypfTfLV, Kat Is /3apj3dp(ov p.96pia
/cat ra TroppcuraTW ^wpta tocrre /x,^ rats ot'/co6 i^Sovats
<ra<^ci>s /Jiev yap 1)87^ 6Vt aTrovres ju,ev <^>tAot av
yevotvro ry TrArj^et //.aAAoi/ TJ eyyv^ev crwStatTWVTes' Ti/3epiov
/x^v rotvw Is Ilavvcovtav eire^e TOVS e/cewre 7rai/a(rravTas Kara-
<7Tpe^6/jievos, TOV Se Apowov es FaAAtav ra rr^s PX^5 avrou Is
TroAiv TT]KOVTOS Stot/cTjcrcov. ra Se e^vrj ra Trepa TWV 'AATrwv jSapews
tT6 (frfpovra ocra erao-o-oj/ ot l/c TIJS jroAews reAetv, l^eracrews li/
AovySi)vw yevoynerrjs TOU re 7rA?j^ovs Kat TWV xp^aVtov, /cat
TrAe/'ovos Sta TOVTO ra^ei/ros TOIJ <^opov, zroAAw 8^ p.aXXov ws
ctKos IS^cr^epatvei/. TWV Se Fep/Aavwv T^powrwv Kat Trporepov r^v
Katpov AaySwcrt, rore Se TrapacrKeva^o/iei/wv wo-re TOV 'Piyvov 8ta-
t.. TrpoetTrtv 6 Apowos ocrrts TricrTo? et>^ TW fiacriXel Travras Iv
j3wfj.ov Karao-TJjcrat.
CXXXIII.
ovra TO, Trpay/xara fj
TJJ Trept ap^s fiX?7 Tors ea^Toi? j3o'iXevcrd[j.evos Tt
jravras crtveKaAeue* ovSe pa?(ov 8i) v^v Is ri<Ti:
omves roAjuy re KCU op"/]} ><^povS yevo/zei'oi TT)V TroAtv Iri ofov
78 KEY TO GREEK PROSE COMPOSITION. [Part III.
re e/?owv o-wetv ovSe avt. \TriSa Setv eiVcu TOV a
eri eto-iv ot o-TpaTttoTar (oe^eAiJo'eiv yap T]V A"? aOvp-rja-Q Sxne.
TravTa /caTop^dxrat. 6 8 eTnjvet pev r^s cwotas, /cAatwv Se ov
TOO-OVTOV <^KI O.LOV o-w^vai. TOV yap woXe/iov, ws OVK
^p^aro, OUTWS ovSe afrtos SOKCCV ^SovAecr^ai TOU
ovSe /i^v cure Tt/icopias firidvfJLfiv ovre Trapayxv^ias, Kai TO WTO
nys dpcT^s vo(JLieiv TK/x^piov, oVt ficAAwv (XTTO^aveiv
TOiairra 8f TrapaKeXcucra/ievos fS TT^V
y8ov 8e ou 8ta fj.aKpov aKovo~as eirei es TO o~TpaT6VeSov
TI Trpaua-(rotv' yvous 5e a7TOKTetviv aTretAouvTas TOUS
ijv TIS a;rivai eTri^eipy^ /cat TOVS
TraAiv aTriJA^e. Svo 8 /x^aipas p,T(nrefj.if/dp.evo<i KOI vretpav
7roirjo"a/ivos OTrorepa eo-Ttv 6vrepa Kal ravnjv irpoeAo/xcvos axrre
ctp' eavrov rfrv^w^ KaTaxei/ievos TO TeAcvratov e
CXXXIV.
Tov Se as /iaATTa TauTa irpd^avra /ieTeTre/i^aTO 6 Tvpavvos,
ITI dyvoouvra OTI <^>avpos yeyenjTat, /cat Trap' laurov Ka^wras
v, aTretTrwv /ATJ V7roAa/3etv' Trapecr/ceuao-TO yap aur^> airavTa,
dfi /cat ^vyypa^at et TI Trepi TWV pveywrTWV jiieAAot Aeyetv.
o5v ota cvepyerrjo-ev avrov, KatVep e\0pbv ovra /cat
TraTpos e\0pov yeyovora' (r<a(ra.<s yap p.rj daveiv Kat TrAovrov 88a>-
Kevat /cat Tipvas, WQ-TC /cat tepea /caTaaT^o-ai TroAAwv TWV Trep?
lavTov Trpof Ao/xevos. 2i> 8c TocrauTa, ^T/, w^eA^/jtevos c?ra
aTTOKTCtvat p* Stavoct; 6 8 /cat TrpoVepov Swr^cpatvwv TOTC ST^
OVKCTI iJveo-^eTO o-tco7rwv dAAd Stto-^vptVaTO ^ p^v p^r^Sev Totouror
ext/3ovAe{xraf 6 Se Tvpavvos, 'AAAa vrreo-^ov yap, $17, p.r)8es
wv dvrepeiv KOI ap:a ^o-v^ws Stc^yet Ta Trepi TOUS ^uve-
aTravra, /cat TtAevrwv e-jr^pero TI apa /3ovAop;vos
StavootTO' IIws yap, ?^>^, ap^etv av 7/^toi^, OO*TIS ov8
a^tov ovSev StaTrpcuraei ;
Part III.] EXERCISES. 79
cxxxv.
Ot 8 'OAAdvSioi ev T0iovr(i) KivSvva) 7re/3teiA^jLtjuei/oi Kara TV^IJV
Ttva fcrwOrja-av. TOV yap ap^ovros 6^at<^v>js TeAevrwvTOS 01
o-T/oaTtwTcu Swxe/oa''voi/Tes re Sta purdov evSetav, /cat draKTOvvres
d)S ovSevos ^yoiyjieVov, /?iaiws l/ravao-Tavres Travra eYdpaorcrov.
TTOpdovvres yap Kal (rvAwvres Maa-T/ot^tov /cat 'AvTepirr/v TOUS
CVOlKOWTCtS 7Tt TToAu aTTCKTCtVOV, TttS TpaS TToAdS TCt aVTtt
Spdo-etv aTreiAowres* wcrre Travres 7rAi)v Av^tTroAeco? Koivfj vy-
^cop7JcravTS wo-re aAA^Aots a/tweiv TOV re 'Opayytov /cai TOVS
*OAAavStot)S eTrt /3or]6eLa eTT^yovro. KCU vve/3r) wcrre
Trot^uacr^ai, !<' yre e/cacrroi TOI;S aAAo^uAovs
fK/3aXeiv, KOL IXevOepot &(nrfp TO dp^aiov yevecr^ai.
roivvv KaTao-Tas o 'Iwavv^s, vo^os wv KCU ^tAtTTTrov dSeA</)os, eTret
6S Al>t7ToAlV d<^)lKTO, TOV //,6V 8r}fJLOV OVTW TTl^tO"^U,6VOV e/3
TOUS 8e e Icr7ravoL>s Tots x 10 / 3 ' 01 ? Steo-7rapyu,vous, OJO-TC ou^ iKavos a>v
a yrovv vvexu>pti. /cat eKTreo-ovTWV CKetvwv TeAos
t Tt ISoKei 6 SiJ/xos Tijs
CXXXVI.
'0 8e KopTrjs, /IT) oTt ^yavd/CTei CTTI T^> (3iai(p rf Kal CIIJTOS
Toiaura dvTcAeye, dAAa jueT/atws /xaAAov ovSev I<^TJ ^Q-Q-OV dfXeiv
rj irapa ra elprjfjitva Tt Spacrai. Kal awos /xev ^'Stov av avrov
fj.fv<av /cepSos Trapa TWV f3ap(3dpu}V Trpoa-Kraa-Oai' 7ret S aAAcos
6Kivots 8o/cet ^uyxw/D>jcras dirievai KeAewretv, aio-jre /cat BovXovrai.
KOL TTJ vtrrepaia fKi^pv^ev eTot/iovs e^at TrdvTas ets Tas va{;s
(jkrre CTTI Kv^Sy^s TrAet?.
S Se ev TroAA^ S^ 6opvj3<j) rjo-av' ol fjitv yap Trporepov
WQ-TC zrAetv, jtt6Ta/3aAovTs wcnrep tcu$acrtv ot pjiov TVYOV-
TCS wv l^>tevTat, TOTC S^ Setvov ITTOIOUVTO, ot Se (^t'Aot TOV KO/OTOU
p.eydXr] Trj <f>wvrj fa-^erXia^ov^ KOL ddpooi Trepl rrjv (TKr)vr)v yevo-
Kal irpoSeSocrdai 0do-KOVTes iJ^tOMrav dvaOecrdai a iKij
8o KEY TO GREEK PROSE COMPOSITION. [Part III.
%K civ /Acv yap 1 T$ oVotKtav Karaor^crat tjv tKavoi Sxri ra rrcpi
n)v xwpav, vvv 8e fia.v6a.vuv 6Vt OVK t 6 ap^wv. diovV Se
aAAovs, TTjv yr)v Kvpuarepows 6Was KTrja-axrOai, a>s OVK CKCIVOV
oucrav dAAa rots ot/cot e^tvpedflcrav, Sxnf. cwroiKiav Setv KaraoT^rrai
g ra TOVTOJV ^vAa^ovcrtv, dXAa /A^ fj.a.Trjv KepSaivovras 8MTpi/3eiv
f oiKaSe aTriecai, ov IK TO)V Tra/^ovrcov ovSei/ cuc
CXXXVII.
8e trporepov /xr/^avi^v rtva Stavoov/xcvos Tore 81) fj3ov\ewe
irpa^at. 6iSa>s yap ocra fj.ev avros re Kai 01 cforoiKOi vewcrri
fTrpacra-ov, /ii) (rwcTraivovi/TOS TO ^atriAews, Travra av aKvpa
yevo/ieva, TOV 8e ^cXacrKtov, ws yueya Trap' ficeivy Swa/^evov, ^v
aVocrrdvTa yvy, ovSev av aAAo 8ia7rpaayu,evov ^ wcrre Aa^ovra
ev v$ ?x vavs
otra re Kal ofa fev
rjv Svv^rat tTratvecrat. Kat /i^v Kat euvowrrepov
o, roiavra Swp^o-d/ievos <3<rTe /zcyaAa <f>avfjvai out
<L<f>eX.-r)(re. KOivoAoyT/ora/ievos ouv TOIS Aoxayois avrovs re CTTfiOe
TO eavrwv /xepos /it^etvat, Kai roiavra TOV? avSpas air^crat, ws
TrpoOvfiov^vov raura TOV o-Tpar^yov, Kat avrov ev TOIS Trpwrov
TO laVTOV 7TpOVTOS, OV^ ^O-Q-OV OV TOV f3axri\f.l TTpOO^KOVTOS.
CKao-TOv /-lev yap oAiyov TI fieOievTa. Koivy p-eya. TL Swpov eiVowreiv
Kat a^tov Ktvov y Swpovvrat. Kai TavTa vvv evSovTas etKos cu/at
TOJV TC yevo/xevwv crvyyvoS/ii^s Tv^etv Kat TO AOITTOV X<ipiv KaTa-
Oeo-Oai, Kai IVeiTa TroAv TrAeiw 7riKT^o-eo"^ai, acr</>aAu>s TOV
fKfWev TrAovrov
CXXXVIII.
'0 8e TravTa Trpa^as 6Va Trpos T^V TrdAiv ISei Kai ovScv (Si
Aa/?wv, ovrw Trap' oAiyov oyu,a>s I^TO, axrre /t^ OTTWS
Part III.] EXERCISES. 8r
dAA' eTi Kai /zaAAov TTpovOv[J,eiro. eVeiTa ow TW '
/i?ao-iAei eTnjyyeAAeTO, ws ev ry eKeivov irdXat 17877 /ToiKa>v, wcrre
SeuVepov avrov fjyeiro, a> Set vTrrjpereiv. Kat Sta Travra ev TroAAr;
eATrt'Si ?]V Trapa TOVTOV TJ/CWV, ws avrov />tev ToXprjpov re ovra Kat
Tijs vavTiK^s OVK dve7rt(TTry//,ova, /cai jtieya S^ <f>povovvTO, CTTI ry
/3or)0(iv rots T^S" y^s ra di/evpera epewoxTt, TOVS 8e e
vewi/ ot'Sevos ^crcrov l[j.7reipovs ovras, Kat TyKicrra av C
T^) drj^es ri Kiv8i>vei'etv. TOIS 8e eSo/cet, et8o(riv aurov Te^viy a/xa
Kat apery Siac^opov 6Wa, oi're dvo^rov ov8ev etKos eTvat Scavoet-
i, ovre vTroirrevefrdai. ws KUKCOS cr^tcrt <j)povovvra- Sxrre acr/xevws
awou 6 /3acriAei's.
CXXXIX.
Maraia Se aTretpaivev ovra mal 6Trt,Kiv8vva a eypaifsev 6 BeAevs,
d>s TO ^SacrtAtKov KaOaipovvra' rovr<p Be OCTTIS Kai Aoy<y ITTI-
Xei.poiri, <f>avepov 8elv TroXep-iov i/o//.tetv. TO yap yu,^ lav ^prjcrOai
rfj ^8ao-iAeta e^ovcriy, ri oia^epei, e<jf>^, TOV dwapveia-Oai ya^Se emu
jSacrtAeiav ; eKetvots Se, KaiVep o~a^>cos etSoo*tv OTI OUTW <iAav-
^paiTTos ecrTiv wo-Te etKOTWs vfipi^ew TOUS dpxopevovs, dvorjrov
fjievroL es Tvpavvov? do~eAyeo-Tepdv TI veavievecrdai. . Seiv yap TOV
Trept TOV Aayw pvOov fJLvrjfJLOveveiv, 6o-T6S elprj/jLevov Trdvra rd
Kepd(T(f>opa eKTrecreiv Trapa TOU ^Sao-tAews ev^ews aTrw^eTO /X.T) /cepa
8^ dvTi WTOJV SoKoirj (fropeiv. TOJ 8e fj,vd(a a7reo~^//,atve SI^TTOU,
OO~TIS Ta rouavra KOL aKovcrai eOeXoi firj e7rtTt//.tiiv, yu^Se TOUTOV
e^w etVai TOV KivSwov. WCTTC ev\af3f]reov, e^ifj, ^ el OVTWS eVi
TroAvTrpay/iovotev, eKeivr) rrjv eavrfjs Svva/itv <f>vXd(T(rov(ra, ITTCI oi'a
Te eo-Ti TOVS IXevBepovs eivat d^tovvTas KaTaSovAwo-ai Kat a ai/
7rpdo-o"etv, o/Aota Bpacrrj rQ FaAAias rvpavvw /cat (TO Aeyo-
T^V dp^rjv e^eXevOepoi /zTjKeri eTrirpoTreve<r6ai.
CXL.
Kat ot /xev vrrep TWV dp^ovrwv AeyovTes o-c/ioSpa e/ceAevov
aTTOKTetvat, ot Se e e'vavT.tas ov^ ?}o-o-ov dvTeAeyov, a>s et/cos ST)
F
82 KEY TO GREEK PROSE COMPOSITION. [Part III.
?}V TOV ye Sij/iov pr) ediXeiv Kvpiav eivcu Trepl davdrov rrjv fBovXrjv
ov yap evvofj.ov eTvcu el p,rj <f)fvyew l/ceivofs ^ SeS&rOat. /cat 01
ju,ev UTTOWTTCVOVTO a>s 8uc}>6apfj.evoi 77 OVKCTI Tricrrot ovres, 6 Se Karwv
UTT/) TWV dXiywv, ore TroAe/itot eicriv O6
TroAirat, 7ret TO?S ?roAe/>ti
<rovT9 ari/toi eyevovro. Kai avros yc o KIKC^WV aT
l TO eTTir^Setov /AaAAov o"KO7ro{5vT6S. TtAos Se eSo^e yu,^ <^>et-
T$ Se (TTpaTtiy^ roXpav irpo0vfj,ovfji,cv(f) arviryvecrev %
CXLI.
S' ov^ ^o-(rov 17 Mapta TTJV xpurw,
Tt)(yy Kal (jLrjxavfj ^prjcrapfvi) $ "EAto-tra /ioAis TTWS CTreurf TOIS
e/ifieveiv. ou yap ^ eAey^eiv, T}V /x^ KeXevy KO.I
exeivr), dAAa dTroXoyovpfvrjv povov ws <^>i'
a>s a (rvKO<f>avTOV(TLv ol jroAe/xioi Travra p
^v Se )u,^ Travv Tret^g, aAAa avri) yow TrpoOvfJLrjfrea-Oai WCTTC p-erpiov
TI o-v/A^vat, w? ovn-ore Siavoovpevrj es StK^v TOVS diroo-Tavras
T^V ap^oTxrav irpcKTKaAtio-^ai, aAAa /taAAov avroi's
irept <3v ISpacrav. l^ret Se TOtavra evrrpeTrws 7rayyeAAo-
CTreicre, (rvvc)(w/3>/(rev 17 Mapta axrre
omves TT/OOS TOWS KC6v^s StKaoras a
CXLII.
8e TOV Kwcepwvos oAiya jitev dvTi7rev 6
Atvas Seiva 8e o/xcos aTreiAwy ITTCI Se dire^wp^o-c, e7rio-To
Tre/x^as Trpos TOVS Trdvv TIVCIS TWI> TroAiTWi/, rrpos Mao-o-tAtav
eV vw e^eiv IKWV ^euyeii'. TW Se KaTiAy ov ot/ceioTaTov
7] ei/o/xi^cv r] vop-ilfw Trpoo-eTroutTO, ^avepws ^^ eS^Ao'^' OTI TUV
TO, Icr^aTa dvay/cd^Ta6 ftovXevvai, ov8f
Part III.] EXERCISES. 83
TOVS p.ev KaKovs TI/XW/ACVOVS Ka Q-PX*) V 7riTerpa/i-
avTos 8e Sia aSiKov inro^iav airwdovfAevos' crvveXovTi 8e
i/, 17877 f3e(3ov\evcr@ai vewTepi^eii/ TO. 7rpdy//,aTa. TOVTO yap
817X05 T^V Siavoov/zevos, evrei Aoy<) ye TjTreiAei ws Trpoo-Tar^s TWV
KOI TaAatTrwpov/Aevwi/ e(rd/Aevos TWV eV TC ry TrdAei Kai
'lTa\6^. 'Apperiov Se d<f>iKO[j.evos Kal Travra ws (TTpaTrjybs
Is TO MaAAi'ov orTparoTreSov TTMTTOU OVTOS Trpocryci' OUTOS
yap 7rpOK7re/i<^)^ets ws <^avepws ^877 aTroor^craji/ TO, ^cupta
dypoi/covs Trpodv[Ji,ij)<i e
CXLIII.
Tavra Sc iKOuo-avTes, ot 'LrTravot TOV /xev Napiov OTJ
VTTWTTTevov o>s irpoStSovTa Ta Trpay^taTa' 6 8e KoAv/x,^8os cra<f)(a<s
yvovs ou Kaipov ovra. d/cpi/?ws e'^eTaVai Ta 7T7rpay/x,eva
TroAAwv Ao^aywv avTov TC crvXXafBeiv Kal TOIS
fmOefj.ei'OV Si'/oyv Aa/3e?v TWJ/ aTro^avovTWV, ovBapi
8etv yap <^>iAov Ttra TrpocrdecrOai TWV avTo^ev wo-Te
aTroiKtav KaTao-TJo'ai, /cat ^ //.aV^v aKatpw y8ta
avayKaovTas TOVS /?ap^8apovs Kowfj ri eTrifiovXcvew iv
^877 KtvSvvw yveo-0ai. dvw^>eAes yap oto/^evos SIKYJV Aa/5eiv
^877 eVa^ev, ei5Aa^8eiTO /xaAAov 6Vws TOU AOITTOV
creTai, Kai ^lopiov IAd/*evos eiriTrjSeioTepov Kal vyietvoTfpov TOU
NcoSavou, Iv /xeyaAo) /caTao~Tas 7re8t(^) Trapa, Xip-evi ov p,iKptjj TOV
TOTTOV ws s TroAtv Trepteypa^e, TravTas epyd^eo-^at dvay/cd^wv d>s
irao"iv 6/xotws 8eov do-^aActas. Kai ov 8td vroAAov KOIVJJ TTOVOVVTCS
Tas TC otKtas Kai Ta Tfi\i) es TOUTO /ieTeapi^bv wcrTe dtrtpaXr}
CXLIV.
'0 Se OVK ^yvoet ev o?y 87) KivSww eo"Tt, yvovs Kat irporepov Si
ayvoiav Kai (f>6/3ov SixrKoAaivovTas TOVS avSpas, Kai
jueAAovo"iv aTrei^eiv. ov8ap.a)s
84 KEY TO GREEK PROSE COMPOSITION. [Part III.
aAAa ovSev irpocreiroifiTO o-wievai &v p.r]^av(avTO^ TJJ fj,ev Siavoia
$opv/3ov/jivos rrj Se o^et TTOLVV ev^vxos civ, u>o~7r/3ei ^So/itvos re
f(j> ois Karwpddxre Kai irepiyevrprtuQai ireiroiOtas. aAAore p.ev
yap TTWTQ Tf\vy ddnrevoiv irape/j,v6eiTO^ aAAore 8e e?T6 TO pei^ov
Sie^iwv orov irXovrov T Kai So^s fJLf\Xovcri Tvy^dvetv TOUS
TOIOVTWV fTTidvfMvvras Ijret^e' TTt 8e ore /cat avay/ca^eiv firfiparo
T$ A.oy^, aTretA^tras oia Ti/iw/a^treTcu 6 ru/3avvo9, ^v TOV re Otuv
e;ri}(t/)(uv /jieyaAvveiv Kat T>)V tavTtav 86av K/aeiVcrw aTravTwv
a7ro8eiai ovrws /iaXa/cto-^evTWV eKetvwv o-^aA^oreTau roiavra
8 Ae^as OVK oAiyov TI ITTCI^CV avrovs Kai aTrer/aeTrei', Kaiirep vavras
ovras /cat OTCIKTOVS, axrre /AI) ort wv (3i.a.^(r6ai ^/icAAov
dAAa Kat a>s TrpoTfpov avTtp crwewrovro.
CXLV.
Karayd/xevos 8 Is Ao/it-yywva oKTWKai'ScKa vaug
ye/iowas iJS^ Kat otKaSe jMeAAoixras aVorrActv, wo-re
evOvs eSiyAuxrev OTTOI re w/a/xryrat Kat r^v vp.(f>opav 8t'
aAAocre rpairkfrBai. yrr^cre TOLVVV t^etvat s TOV At/xeva
tva T^V TC vavi/ ^icraAAa^ai TTCI/S^TO, Kat a/xa ao-^aA^s ct^, a>s
Sia TroAAa o-^/ttfa etSws (^weros yap ^v Kai e/xTretpos TWV TOIOVTWV)
^aAeTTov /xeAAovra j(i/ia>va yev^trecr^ai. 8t' avro 8e TOVTO
irapf/vei ^/tepas Ttvas Tre/ot/xevetv Trptv ras vavs ^>' 'loTravtas
K7T/i^at. 6 Se ovre a jjTrjcTev eta owe ots ^vve^SovAevorcv CTret-
^ero' wore o KdAv/x/?os, KatVep auros cvpwv re Kat KT^cra/ivos
T^V XW/MIV, ouSe eTTt^S^vat ^Suvaro, ev $ Travras av ISet /xr/Se evov
aTrtucrat. 6 8e a/a^wv, ev KaipQ 8rj vou^tTOv/xevos, Seov a>s /xaAwrra
TOV vouv, a>s /xatvo/tevov avrou (iAtyw/o^o-cv, o(rTts
SijBev irpoeartLV irpcxreiroifiTO a ftrjSeis Svvatro a
CXLVI.
Kai ry /u,ev TrputTy ^/xe/aa yaA^v^s owrjs oAtyov TI Trpoyei, ry
e Stvre/aaia ras XAcuptaSas aVoK/oityavTes TroAAoi TWV vavralv
Part III.] EXERCISES. 85
Trporepov dBvuovvTes Kal e.KTreir\riyp.kvoi. <' oi(p 8rj CTT*-
, KOTrr6fj.voi Kal SeSaKpvufvoi OVKCTI <^>ao"av TT)J> yyv
o\l/e<rdai. 6 8 Trapefj.vdeiTO Aeywv cra^ws Karo/a^tixretv, Kat
vs ivcnrep &p/j,r)VTai Qa.vp.a.<riov ocrov TOV irXovrov
OUTO> 8e Sta ^Spa^eos yvovs dOvfJiovs ovras, ya-Oero
TroAAats 8^ aTTOptats irepiTriVTWj/, ov [lovov ocra dvdyKrj eif) TraOfiv
TOIO.VTO. Treipw/Aevous, dAAa KCU Siort a/ia^eis et<ri KUI SetAoi ot
too-re oi5^ ?^r<rov I/XTTCI/DOV Set yeveor^at TOU -njs
ap^etv TWV dvOpdwrtav } vavriK^s T TC^VT^S /cai ape-njs, ei
a Stavoeirat e^evpeiv l/creAla-at /zeAAet.
PART IV.
(i.) RHETORICAL.
CXLVII.
Kai eya> yap, <3 avSpes, wpos eu^u^ovs Tivas
ovSev Sia <j)6f3ov Trpdoxrowriv, dAAa xaiTrep eyvwKoVes TOV KivSuvov
eoriv 1877, TO p*v Av/xatvo/icvov rrjv SidVoiav Kai ycAotov aTro-
<aivov TOV e^ovTa ovSe tKavov cpyov ovScvos ap^eiv TO Se trepov
dAAoiov TOUT^) yap Trpoopwv TIS Ta /leAAovTa KaKa Kai /tcTp^<ras,
o?S y^e^' OOT^S ur\vo<s evavricixrtTat, Kai TO C'KCIV irapa/SdAAei Ty
^ viKcur^ai, oirorepov 7rAei'a> l^ci KOKO, wo"T, ^v
TeAevraiv T7O"OTjo~r^ai, dcr<f>dXeia.v TrurrrfV iv
. TOIOVTOS oc oo/jos ws cyto oofaCtt)
awr^uvT^v C7ri<^>pi T^> iretdofjievut. el 8 Tts Trepi Toiaura
<f>TfKTiV avSpa es <^>opov Tp7reo"^ai, TTWS ov <f>va.Kiei , 01 Te y a p
vuv fj.rj8ev Trpoo-rrotou/wvoi ScStevat, cTreiSav ev KivSuva) p-eAAoxrcv
efvai TrpwTOt CKTrAay^rovrai, Kai Toiavrr) del we^VKev iy Sta
p:aKpou dpeTiJ. 6Va yap Tots *I/3epvtots o~i>V^top^o"ajaev o~^8ov
aTravra Sia <f>6(3ov TrerrpaKTai.
CXLVIII.
*ETI 8c ev rfj via eKKA^o-ia diropiav Aeyovo'iv ecrco'^ai TO>V
c7n)VTt3v Kai <j>povifJMv dvSpaiv TrdvTas yap /jieTpiovs Kai <f>avX.ov<s
aipfdifaea-Oa.i, cxrre rrjv TroAiTCiav aio-^vv^vai. TO Se SiKaiws
Kai irpoOvfj.to'S Kai aTro fierpias SaTrdvi/s 7roAiTeveo"^ai, airnj, 5
avSpes, 17 dpwmj TTOV o-vveo-ts, >}$ o-a^)(3s o'Sa TOVTOVS ov^ ^crcrov
80
Part IV.] EXERCISES. 87
TWV TrpoTepwv evTropyyo-ovTas. ^ /*^ v y"/ 3 ^KK\ffruit, ov pr
8?i/A?iyopias rriv dycov, e<' oWep c^Aos o~uAAeyeTat TOJJ/ pr
aKpoao-ofj.evo'S &cnrep TWV ev Oedrpo) \6p(av el 8e /AT) OTJTWS
dAAa ev orifjup Set Srjfurjyopiav emu, a>s /cooy-iov Ttva e^ dva
7FpOCTKt)u,VOV, TTWS OVK a6 V ye Siy/iO) Vp^(TO/J.eV ', TTO.VTO, JO.
Mr/x.ev ra re o-w/^aros Trept Kai T^S Stavotas oyaotws OTTOV 7
SetoraTa e^ei Ivrav^a TrAetarov yiyvo/teva' wnrep yap r}v ftadeiav
//,6V Kat 7ri;Kvr)v y^v fvpys cvravOa Spvs otSa av^avo/ttvas, T)V Se
^Oa/jidXrjv Kal vypdv, KArj^pas Kai treas, OVTW Kat Iv lAeu^epa
TroAet Kat Sv^/iO) (}>v(rei ytyverat 17 prjToptKrj, Kat evTavda del
TrAetcrrov Kat d<f)0ovu>TaTOV
CXLIX.
Nvv STJ, ore Travro^ev Kai IK TrdV^s yJs o\edpos eKCtvots eT
/tarat, otVep //.aTT^v rots vewrepifovcriv evavrtovvrat, ore TWV f
fjTreipu) Tvpavvi8(av f) (7e/jtvoTaT^ tr^eSov Tnxpovrwv TJ/IWV l^wArjs
yeyevr^rat, ore 6 TCTrapaKovra ^SacrtAewv TWV ^>e^s eKyovos
<^>evya)i' Trap' ^//.iv cv TW /3acrtAet^) aKAews KeKev^ev, ore Travra ra
dp^ata opoi/jiev avarpeTroyueva, Kai /xeydAas TroAets StoAAv//,va?,
ore rj ^yueTepa Trarpis TT)V TraAat aperrjv ert crw^et, Kai <f>v\dcrcrovo'iv
ITI ot dvOputiroL TO. TrarpoOev fj.vvip.ela. p.era Trodov rtvos l
ov ovSels oiSe irocrov \povov en Trapa/^ei/et, vvv apa !v Tr}8e
aK/^y Kai Katpw TOU crw^ecr^ai, (TVjU/?ouAa TrapaKaAetre /AT) (
Kai (rracrtv, /ir^Se TO /^eya <^>povetv tTri T<^ Tavra dei Kai
TToAireveo-^at, dAAa TO ^VVCTOV, Kai Ta TraAat Trpdy/^aTa, Kai ri)v
Ta5v TrpoTepw fivfip^v^ Kai Ta a"r)fj.eia rov 9a.vfia.(rLov TOVTOV Kai
SeivoTttTOV Katpou. Kai d^tcos i^rj^i^ecrde 8>v TT^vSe TT)V eKK\f^<ria.v
iifMels re TrpoVepov TyAvrt'^Te, Kai 01 evretTa dei /Aj/7?yu,ovixrowt, Kai TI)V
TroAtv Seivoti e^eo-TWTos KivSvvov ews TI e^e&rw dvopdovTe. eWe
yap, <3 Zev Kai 0eoi, /ATiSeis TWV TOV VO/JLOV TovSe aTro^^t^o/xevwv,
T^V apa diro\f'r]<j>ir)<rOe, pr/TroTe TT)V if/rjffrov p.drrjv /AeTayvotr?, TOVS
vd/x.ovs tSwv AeAv//,evoi>s, crvy^eo/ievas Tas Ta^ets, (rvXu>fj.eva TO.
, Kai rrdvTa Ta aV$ow7rtva dvaTerpafj.fj.eva.
88 KEY TO GREEK PROSE COMPOSITION. [Part IV.
CL.
Ei yap /zeya TO do-<aAa>s a TIS l^et KeKTTjcr^ai, ei Sia TOVTO
TrdvTa rdXXa 8i^>Krjrai^ /cat e/c TOVTOV CTrto-Trjya^ re TraVa eyevtTo
*ai ep,7ropia, Kai irdvO' o<ra epyd^ovTai } (J<eAovvTai 01
7rdv$' oVa TWV Trap' a>Kav<>
/AT) Seti' ws KT^/ara ovra l/cetva o-e/3r$ai a ovSe TO TrapaTrav
fjund ecm. ei yap TO. aSixws ev Ty TrdAei Ka^ecrTtyKOTa, Tva
O-W^TC WQ-TC /xi) /iicrou/xei/a UTTO TOI! S^/iov Sia^>^ap^vat, Sia TOUTO
tos KT^fj-ara OVTO. d^iovre Sta^vAa^at, irws OTJ Trpoo^ooKav avay/crj
TO KTij^ara oi>x ^O-Q-OV CKetvwi/ /iicrefcr^ai ; TOVS yap Ta 8id(f>opa
ofJiov crvfj./j.iyvvvTa.S) iva crvvap-^OTepa o-w^Tat, evAa^tto-^ai Sei
/i^ o-vva/A<oT6pa 8ia<f>6aprj. Aeyoi'TCS yap ws ovSa/xxDs a
4crT4 /t^ eav TOVS TTttw TWV TToAiTWv TOWS j3ov\VTo.g
Ta Kr-fifjja.ro. aTroo-TeprJo-ai, opare p-Yf TOVS a/xa^eis *ai d^
ws TOVTO ov^ ^cro-ov exctvov SiKaiov. ori 8f ov
i^o/xai TOVTOV Acywv TOV KivSvvov, craffifa-rara IS
oo-a OVTOI vvv 81
CLI.
OVTW Sid TO fTTiOvfif.iv Tives e^aTraTwvTai, Kav avTOi
5v yap ^iwcrev OVTC fJLfOkfrrrjKfv o 8rjfJ.o$ ovre pr)
Trdvra yap aKovo-as oaa irepi TOVTOV Ttves eSi/jMr/ydp^o-av, TOVTO
JJ.QVOV lvOv/j.ovp.a.1, OTI 01 ToiavTa TO Sevrepov ^pvAovvTcs OVTC TOV
Kaipov (rvviewriv e^> 5 y Sei TroAiTtveo-^at OVTC TOV 8rjfJi,ov o^ ap^eiv
aiovViv WO-TC TrdvTa Ta Trepi TOVTOV Aeyo/zeva Ka^' v TOVTO
evj7raTT7/x,voi Aeyovo-i, vo/ii{bvTS ocra /coivg Trepi TOV VG//.OV
f6opv/3fi 6 STJ/AOS Trapdvoidv Tiva ?vai, xai e^ai
S^TTOTC yeyovoTa a?^is ov (3pa8vrepov d<f>a.vi<r6fvra aT
Kai TavYa VO/XI^OVTCS Trpoo-SoKWO-i 8^ev p,Tao-T^vai //.eAAetv TOV
, TOVTO dei TC ^TOVVTS Kai CITC opwo-i TI eiT aKOVo
Part IV.] EXERCISES.
yevofj-evov iravro. TOVTOV oTj/xeta VTrovoovvres. /cat p.r]v Kai
fjioi SoKova-iv o/zoioi etVcu T$ i>?ro 'OpaTiov Aeyo/xei/(>, os tiri rats
O'X^GUS Ket/xevos TOW TTOTa.fj.ov del TTOTC Trpoo-Soxa TO {JSwp eAAtTrov
Trapa.^(apy'j(Tfiv, ovre d(f)dovov /cat fiaOeiav etSws oixrav T?)V Kpijvrjv
odev ewp[j.r)Tai, ovre at'Siov peov Kai pevcro/Jievov. OVTW /cat ot'Se
pvpias 8r)
CLII.
'Eyw 8e Kara, ye TOUTO ouSev Trepl airrov TOV Trpay/^aTOS a
T< ^ evavTtov Ae^aVTt. e/ceti/os fJ-ev yap oteTat ov Sta
TToAAou etKos e?vat Kaipbv Trapayev^o-eo-Oat ore /?tatws
Tovs aTaKTOTJVTas KaTacr^etv, /cat TravTas TOVS TOIS
e? ^povovvras dvdyKrj eWat fiorjOeiv, lyw 8e r/8rj vofj.i^(a Trapetvat.
ov yu.^v dAAa aSt/ca eiraOov ol (rv/x.//,a^ot, TotavTa ^tev OTJV OXTTC
eyo) OUK av Tots ap^ovo-i Trpoo-e^wp^ara el p.rj Stavoov/xevovs ^8>?
TO aStKov avop^wcrat. TOiairra 8e e/cctvwv Tra^ovTWV /cat Seov
d,vop6ovv, Sta TavTa olecrde Seiv TO TrafTcov dSiKWTaTOV /xe^etvat,
/cat TOVS /xv vo/iovs Trepiopav VTTO fiiatov o^Aov 7rpO7rr)Xa.Kio-
?, ot/ctas Syov/xevas /cat /cato/xevas, TOVS i^crv^a^ovTas TWV
o"<^a{byu,lvovs ; cxAAa v?) Ata d8t/co)S Stave/ifTai TO, tepa.
rt Se, ^v /cdya) 6fj.oXoyw ; TT-OJ? w^eAt^tov eo~T6 Trept TWV iepwv
TOTC d^(^)to-^Ttv OTC ovSe TWV /3e/3rj\wv ovSev dcr^aAes ; etra Se
tyofiov TreipacrBe Trape^etv /cat TOVS <frov(i) Kai Ayo~Teta Kai Trvpi
^pwyaevovs TraCo-at KwAi'eTe, ws ijv ^ta^ecr^at eTrtx^tpw^ev o-ToVeto?
81) yev7y(ro/xev7j9. 7}p,ets Se es TOUTO TJKOfj.ev WCTTC TOV TOIOVTOV
CLIII.
"Eo-Ttv ovv e/j.7rooieiv TO Trpay/xa, ICTTI Trpos /3tav Trpa^af eo
8e Kai jueTO, (f>6vov, o /xi) yevotTO <3 Zeu Kat $eor KwAvo-at 8e OVK
ov yap /xaT^v es TOCTOVTO rerdpaKTai 6 Sry/xos ou8' eTri
90 KEY TO GREEK PROSE COMPOSITION. [Part IV.
nxrourov xpovov, 6Vov evravda Itopd/ca/iev. tT yap eipjjvjjv
dyovTwv eiTe o-TacriaovTa>v, ctrc ewvros TOU vo/zov etTC /cat ou,
CITE TreurdvTwv TT)V l/cKArjo-tav C?T /3iao/ivwv, Travra^y yovv Set
yevr$ai TO Trpay/ia. arrep o5v ov/c ICTTI KuAvo-at, raura ^eXoir'
av OTTOS KaXtos !et Starao-o-civ, xat aicrTrep Iv TroXei rots 7rvA.a$
dvoi^are TOIS virep ra rei\rj /teAXoixriv eTreiOTn^S^O'eo-^ai. raura
S 7roJo-ao-iv U/AIV ws TO irpocrOev ourws Tt xal vvv tcnai rrjv
eTraiveiv, a>s, oo-a /iev VTTO \povov /ecu TU^S tiraOfv
TO, av^pwrriva, /cav o-o<^)WTaTa g /cat wr^vpoTaTa, TOITTWV
d^tot d^wos emu, o^ev 8e a7raXAay)jo-eTai TOU KCIKOU
7ro/3ic?Tai. OKTTC 7roXA.a i^S^ /cat KaXa
Ktti TOVTO CTl KClXXtOV Kttt XafJOTpOTepOV fv8oKLfJ.rj<Tei^ OTt
a 6Va y8t^ ^pw/tcvot /ecu <^>OKJ) ^Towrtv 01 aXAot, eo-#' OTC
t fjidi-qv {T;TOVVTCS, Tavra ^/xets eup^xa/tev,
TroXtreiav iiravopdovvrfs-
CUV.
OlO/iCU S TOVS OTTOvSaiOVS TWV TToAtTWV, OVS ftOVOVS d^l(3
Trafleiv, owe evveftfj ravra irpa.TTf.iv ovre T^ cro(f)i<f. Kai TTJ
/M7rctptci TTpCKny/covra, orTives (TV fjufjfpeiv pev o>?
yowri TTJ TroAa TO Tracriv l^etvat Tra/3/or^o'ici xpijo-$cu, OTav Se
d8i/c(os XP^vrai, dyavaKToCori *cai 8etvov Troioui^rai. OO-TIS y
wv av avOptonroi ye KaTacr/cevd^oKriv aTra^aTravTa e
crBai^ aXoya 8rj Trpoa"8oKwv TOVS ^eous T^> OVTI aiTictTat TTJ
TrdvTtov TUX9 /ie/i^>o/ievos. OUTW Se Kat ovroi, a;rep OVK ev
oiovTat, TavTa } avroi ^evSws TrXdo-o-otxri ^ fjuxpa. OVTO. p.eyaXa
irpoa~7roiovvrai elvat. ol yap fjfj.fTepoi vofwi et Ttves aAAoi
o-tu Covert TOVS TroXiTas, ou fjiovov TOUS crtafiacri /cat xpr){JM<n,v dSt/cou-
dXXa /cat edv TIS Aoyy Trap' eTepwv TI Trdo^xy. oo-Tts yap
dtaxriv vrr' aXAov v(3pifTai. f) dSiKeiTat,
ctveiv eav 8e vrro pa^v/z,ias ^ d/xeXetas ^
TOIS voyuots <ru>e(rdai, oSros OVTC lavT^) Ta St/cata Trpdcrcret
Part IV.] EXERCISES. 91
OVTC TOIS erepots TO. SedvTa' ei 8e rives avd^Tot 6Wes p^ TTUTTOVS
vop,towt TOUS St/cacrras etvat /cat TOU /*ev VTTO TWV ofioiwv Kpidfjvai
aVexdpevot /JiaioTepdv TTOOS SI/CTJV Aap,/3dVetv TretpaWai, TOVTOVS
Tt's av d.fjL<f>t<T/3r)Toir) fj,rj ov^ lavrois i\6iovs eTvat rf e/cetvots ovs
CLV.
"Hv Se Karop^cocras /cai TreiV^s wo-re e/cetvov <f>vyeiv, oirep crvvat-
r>]s /SovXrjs p^Stws av yevotro, TTWS cATrt^et?, TOO-OT/TWV
oi <f>i\oi ovTCS aci 7ravTa StaTrpa^ovrat wcrre
v, TOVTO arros KcoAwat ^ ^u.7ro8t^etv ; dSwarov )U*v ovv
Icrrai, oijSe cTTroDSa^ovTwv OUTW /ecu <f)iXovvTU>v avrov aTravrtuv
ovSeTTore av /caraq-^at^S. ^v 8 TWV <avepws avr(
TOVS fieyto-TOVs Treip^ ex/^ciAAetv, aAAo rt TrAeiovas e^
e^ovras Kai evavrtov/Aevons j /caTewrt yap STJTTOV Sta
eos, /cat TOVTO p-ovov StaTrpa^ei, wo-re olya^ov /c/?aAwv Kaxov
i. TTWS yap ov/c et/cos Trapo^w^ijvat, VTTO TWV Kara-
yovrwv 8t^>^ap/ivov T^V <^>TXTIV, /cat rots rocraura w
/x^ ^eAetv, r)v crw^pov^, IvavTtovo-^ai ; et Se vo/xi/^ws fT
aTTO/crei'vetv, firapKovvTOs TOV orrpaT^yov, ovSe TOVTO ofov re'
yap 8ia TO v//,as //.ev 8i,f((>6a.pdai avros 8e TrAoixrios
CLVI.
!/0tvoi yu,ev e/xoi TjTTtcrTovv, Seav TrwrTeveiv, eya Se croi
Travra 7re7roi'$eiv, Sta raura avros TC aVoAdyMevos /cai TOVS tfti
aTroAecras, p;e/t<o/>iai o^aws Travros /iaAAov IfiMVTtp, O'O-TIS
ere e/c T^S o"airrou eK7reo~dvTa Ip.e av 8uvao~^at ev Ty ep,y o^akrai.
Kai eyw p:ev ws ao"a<^^s /cat do-Ta^p^Tos ^ ^X 7 ? "Ats ^8^ p;ep:a-
^/cws owe v(3pi6v 7TO) evrv^wv OVTC SixrT^^^o-as ddvpyad),
vn)v paStws av, ^v ^eAy, p,eTa/3aAo{xrav ^aptVao"^af ei
92 KEY TO GREEK PROSE COMPOSITION. [Part IV.
8f ^,77, dAAa Ka/c?) o&ra StareAei, Trap' ovSev 8r) vo/u<3, as <a{!Adv
Tt ov ev roiavry TroAet Stayeiv 6Voi> T/TTOVOS TrotovvTai TOI>S v6fj,ov<i
r} <5v av firidvfj.fi o 8etva. et yap f \fcrOat, ee7, fKfivr) p.oi av CITJ
Trar/ot's, OTTOV acT^ttAtos 8vvaifj.rjv rd re ^p^/mra X tv Ka ' T0 ^5
s, dAA' ov^ avTTj, Iv $ ra /iev pq.8i(a<s a^atpeirai, ot 8e ra
(raxrovTes /taAirrra SCO/ACVOV /^l JyKaTaAi7rov(ri. TOIS
yap (robots re /cai aya^ots ^Siov aei a7rou(rtv axoveiv 6'cra Trao-^ei
iy TroAts ^ Trapovcriv cwropaV, Kai /caAAtoi/ eAeu^epws aTrocrr^vai r)
CLVII.
Tavry Se, S avS/oes, Trpocrf^cTf OVTOS yap Trepi KAwSiou
dywvos rouSe, ITTCI eAeu^epos 6 ^v/^os, *at a av /3ov\r)(r6e ev6v-
fjiftcrOai, ey^wpet wcrTrep KO.I opwcriv alcrOdvefrOai^ OVTW Kal vvv Tt
Siavota aTrep /xeAAw Aeyetv ei/voeire. TiOere roivvv I/AC dvaTret-
dovra v/x,as rovrovt UTroAtxrat, e^)' ^re TOV KAwStov dva/?iwvat.
Sia TI OTJV (fxtvepoi fcrrc rfj o\f/ci SeSoiKorcs ; Trota 8^ ^aivros av
CKCIVOV f.Traa")(f.Te oirtves re^vewra TOO-OUTOV Sei^atvere, ry Siavota
/AOVOV evOvfj.ovfj.fvoL ; Kal fi\v 8^ ei avros o iTIo/XTreros, dpT>Jv re
/cat rv^v Toiavnfjv f\(av axrre ois e7r^(etp^(rc /x^Seva aAAov
ToA/x,^(ra6, OVTO? ci eXftrOat, Svvairo r) TOV KAwSiov e^eTa^etv TTWS
apa aTTwAero, v} avrov c veKpwv dvacrr^crai, Trorepov v oiecrOe
atpeurBat ; lyw p-ev ofopxt, Kawrep ^Aovra /cara (jbtAiav dvacrTTj-
crat, dAAa T^S TrarpiSos o/xws av <povTibvTa dTroKVTyo-ai. Ka6f}(T&f
roivvv e/ceivy Te$veam rt/^wpovvres, ov i e^et'^ OVK av I(J)TC dva-
jSiwvat, Kat vo/t^) TOV <f>6vov TOIOVT< f^eTa^eTe, ov ei e/ceivov a/ia
2<5ei ^toov ycveo-^ai, o8' av kdf.fif.6a. TO TrapaTrav.
CLVIII.
"Ap\ovTOS 8e TOU KAwStou TroAA^v lvo/At{eT avdyKTjv efvai
^ Tt vea)Tepio-0>7, ^v p.^ waTOS yfvrjTai l/cetvos 6
Part IV.] EXERCISES. 93
fj.6vos ofos re wv apery re /cat Svvd/xet /caTao-x^"- TWV 8' ev T\]
TroAei TrdvTiov es TOV MtAwva O-KOTTOWTWV, Tt's ou/c av ev6vs e^eipo-
TOV^(TCV, OOTIS OUTCU CaUTOV T (j>6/3<3V O.V CtTTeAwe Kttl T7]l> TToAlV
TOU cr^aT07) KtvSvvov ; vvv 6e Kivov aTroAo/ievov, O?TOS ovSe
fjieydXa TTOVOJV ry Trporepov wros ^atvrot. Trporepov yap 6av-
cuSoKt/xwv, KCU TrAetov act Ka^' rj[j,epav ocro) TOIS KAwStavot?
T^V vjSpiv, davovroi TOV KAwStov Iv ovSevt ert Aoyy
wv e^atvero. vyaets /tev yap TOCTOWTOV wc^eAetb-^e, wcrre yu^Seva ert
TWV TToAlTalv <o/3et<T$CU, TO; Sf MtA(OV6 T(^)St (XTToAwAe K'ttt KaipOS
TIS TOU dyaOog ^>av?^vat, /cat (friXoi ol cr7rov8aovTes rre/at avrov,
/cat d(fiop/jLrj TOV Sia Travros eu/cAe^? yeveo-^ai. WVTO? yutv ovv
TOV KAwStov, ovSas T^/AeAAe T^Se Trepi T^S dp\rj<i a/i^wr/^TjTeiv,
i 8e TedvrjKOTOs dfJL(f>ur/3rjTovcriv' WCTTC 6 MtAcov ^avovTOS TOV
p.r) OTI w^eAryTat dAAa aTt^vws Ka/ctov Sta/cetrat TOU
CLIX.
8e, <3 KcmAtva, a>s o-iWTrwo-t Kat ^o-v^ot etcriv ot
TroTC/aov ci? Tis Tt3v (3ov\evTu>v fir) OTI dyavaKTct aAAa
Kat OTIOUV Aeyetv e$eAei; TTOTE/DOV aTre/o ortywi/Tes 8iapprj8r]v Aeyowi
Sei eTt fjidXXov S^Awo-at ; ci Sc Tocavra TW XP 7 / " 7 "*?
W 2eo-Tw, ^ T$ aya^y Ma/3K<p Ma/3KeAA(p, TraAat
S^ 7ravao-TavTs av l/^ot 01 fBovXevTal j3iai<a$ av I^/JWVTO T<J>
VTraT^) ev aiJT(> TOVT^) T^J ve<J!, /cat Si/caia>s ye Trpdo~o~oi>T<s. Trtpi
8c CTOV, (5 KaTtAtva, o'waivovo't TTOU o~iyc3vTes, ^(Tiixa^ovTes
\(/^(f>io-fJLa TTOiovvrai, ovSev AeyovTC? o-vy^wpetv 6)U,oAoyovo-t. ovSe
p.r]V OVTOL /iovov, wv TO /tev a^i'ayia Ti[J.f)o-at irpocnroiei T^S Se
o~ctmy/3ias dAtywpeis, dAAa Kat ot'Se ot dya^ot /cat o~7rov8aiot
tTT^ets, /cat aAAot eAAoyi/xoi TroAtTai, or7re/o T^V ecroSov T^S (BovXrjs
(j>vXdo-o-ov<ri' ovs IBflv o-ol erjv oVoi Trapetcri, /cat et'Sevat ota
<f>povovo~i, /cat /i^v Kat d/coi5eiv ov Std fiaKpov auToi's ^ya
/3owvTa?, TrdAat VTT' l/iov /ioyts KO>Avo/>tevovs /^ es ^ei/aas (rot
94 KEY TO GREEK PROSE COMPOSITION. [Part IV.
Kai /3ia e7ri0r0ai. KatVoi TOVTOVS aVai/ras eyyvwyiiai ij
Is avVds ras TrvAas ere TrpoTre/i^eiv, ^v p-ovov efleAys ravnjs
TTJS TroAccos (ifvai r}v TOO-OVTOV ^8?^ ^povov eVi/3ovAevcis dVoA-
Avvai.
CLX.
Tg TroAci TOIWV o-e/iVQTaTa TOVTO /iapTVpo/te'vy, Kai Tracri TOIS
Tavrd /ie/z(o/ievois, ev /^pa^e? OVTOJS aVoKpivov/iai, ws ei
pciv /laAAov aJo/i^v IKEIVOV aTTOKTeivai, ov8' av eAd^icrrov
TOV fiiaiov avSpa av efao-a 7rcpiycvr^ai. ei yap 01 TrpoVepov
ovres *<ai d^ituTaTOi TroAiTai, TOV 2aTVpvivov, TOVS
S, TOV ^AaKKOV, TToAAoVS TpOVS aTTOKTlVVVVTCS, OV^
OTTWS ^o"X uvav cavrovs dAAd /ieywrrov KAcos eKTT^avro, ov 8^ /i^
TOIS reiTa yevw/zai Toxrrovi TOV fj.iai<f>ovov aTro-
ei cra.(f)fcrTara ^cAAov, dAA' di TTCT
oo~a TIS Si' dperrjv (frdoveirai KAeos /xaAAov ^ $>6ovov Set
ewri 8e Kai TWV ^SovAevrwv Ivioi, ctrives TOVS /xeAAovTas
^ ov^ opawriv, ^ opwvres ov SOKOVCTIV, dAAd SetAws
TOVT<J) /iev eATTi'Sa Trape^ovo-iv, TOIS 8c o^vvw/iOTais oAiywpovvres
njv 8vva/iiv av^dvovo^iv. ovVot 8e T<J) d^iw/iaTi ov Trapd TOIS
d8iKots p-ovov /teya SvvavTat, dAAd Kai Trapd TOIS ev?y^eo-iv, Kai
O'a^ws av, ei Trap' c/xov ovroo-i a^ia ciraOtv &v I8pao"ev, /3i'as Kai
vySpews av e/iov KaTTjyopow.
CLXI.
Aeyovo-i 8e Tives, (5 avSpes 'Pw/iaioi, OTI eyw 8) Tovrovi t^e/3a Aov*
dAAd /t^v i TI Aoycj) ofos T 5 ?^v, OVK av diroKvoirjv pr) ov Kai
TOtVovs K/?aAeiv. dAAd vr) Ata ovrco <^>o^8epos TIS ?}v Kai /xeTpios,
OKTTC AeyovTOS TOV VTrdVov OVK iJvrxeTO' ^>evyetv 8e e/xov KeAei>
o-avros ev^vs Trei^o/ievos dirtf^eTO. 'E^^es 8e OTC Trapd TOO-OVTOV
p.r) OIKOI VTTO TOVTWV dVoflaveiv es Aios o-vyKaAecras T^V
Part IV.] EXERCISES. 95
/3ovA?)v TrdvTa e^vwcr d<tKO/ievov 8e TOVTOVI Tt's Trpoo-etTre TWV
e/cet; rt's rfrird^ro ; oAws Se, TroVe/aov TroAtr^v airrov ciT
fjievov IvofJLifov, /cat ov p.aXXov TroAe/ziov /ziapamiTOV ; l^fc
yovv ot vTrarevcravTes /ii) TOIOVT^ 7rapaKa@fj(r8ai, Tracrav T^V
fKeWev ZSpav epr)/j.ovvTes. evravda, Se yw, 6 ^Siaios ap^ w i / ) o eye
S?) Aoyw TOVS TroAtras l/c/JaAAwi', 'qpofj.rjv TOUTOV, et rots VVKTOS
Tra^a Ma/DK<^ (rvAAeyeicrt Tra/jeyevero. eTret 8e 6 irarrajv dv^pWTrwv
avcuSrraTos CKTrAayet? TW rotaura eavr^i cruveiSefcu ovSev avretTrev,
TOTC 8i) rot? ftov\VTai<s exacrra St^y^(ra^v ocra re fKtivrj rfj
VVKTt fTTpd^Or]^ KOI OTTOV ttTJTOS ^V, Kttl Tt Tg VCTTfpaiy.
yevecr^at, KCU TOV Jrai/ra 7roA/AOV OTTCOS
CLXII.
o^v, w av8ps, Setvou OVTOS TOU Kaipov Kal &v lyw
ep-vrmaL TTCIVTWV Ka-Kia-rov rjv 8e irore KareA^oxTt,
Seivore/Dos eo-rat TroAAw KGU KaKtwv. Ka.Tia.cri p*v yap evavriov-
/tev^s Tracr^s r^s TroAew?, oyucx^povoixr^s ws ovSeTrowrore Trporepov
irepl ovSevos TWV ij/ieTepwV Trpay/xarajv, ovSe -nyviKauTa, ore ot
'IcTTTttVOt 7T7rAOV, T) 7Tt Tg ttVTtTTe/DaV ttKT^ e(TT/OaTO7rcSeVVTO 04
FaAAot. /cartao-t 8e raura Kare^etv /?/3ovAeu/>ievoi, aTrep u>s
aSiKa. OVTO. 6 STJ/XOS /ca^eAetv f\frr)<f>UTTa.u KOL /careA^ovTe? o
fj,6vov Ko.Ot&Ta.va.i Svi^crovrat TJV oVa Travres l/?ouAeixra/xv
KaTaTTarwcrtv a-^aAevre? Se, ijv apa (r<^>aAa5o-6v, Trcwrav MTOJS r>)v
TToAtretav ^/xwv (rwaTroAovcriv. TOIOWTOV 8e TOV KtvSvvov, ^v
T^ TroAet Trfpiecrrdvai (fxiivrjTai, r^iv Kal Seov &nai KOI TrpocriJKOv
TOV (friXdvOpiinrov I^/AWV /?ao-tAea, OTTCOS XP^ cwraAAay^vai, vou^e-
T^o-ai, feat oo-a Ivvojaw? ^^(^teiTat 6 S^/xos TOIS St/caiw? ap^ovcri
KOivuxracrOai. KOLV yap trepoi ^>avAot OVTCS /cai avo^Tot avOpwiroi.
SiaTrpao-o-o/xevoi Tg TroAet AV/^VWVTCU, dAAa v/ias o/iws
apery Kal crofyia Kal <rvvecrei iKavovs O"o/xevovs Sia-
96 KEY TO GREEK PROSE COMPOSITION. [Part IV.
(2. )-PL ATONIC.
CLXIII.
TOV 8e crvyypaffrfa Set TWV TroAe/uKwv rt eir'urrrjfiova 6Wa, TW^
oVAwv T6 /cat p.^-)(avwv^ Ka ' iroXcpav crweivai as 8taTXTTTat,
dAAa firj TOtovrov TWO. eivai oTos 810. TravTos olicovpiov TrdWa Trap*
aAAwv ftaOeiv. TO Se p-fyurTOV, eAtu^epos Icrrw TT)V Stavotav,
/xiyre (X.iriwv p-ijre (f>o/3ov[i.fvos fj.r)8fva, iva fir) o/xota irdOy TOIS
dSiKOts SiKacrrcus, ornves Trpos TO lairrois <rvp.(f>pov aTroXvowi T
Kai Ka.ra.Kpivov(Tiv' aXXa ovrc TWV Travu dvSpwv ovSeva \pr)
ovr' ouv TWV S^cuv, oret d//,a^ovs yc emxi, c? TI /i^
drre/?^, TOT/TOV TOV er)yovp.evov e7raiTiS.(rdai. CKTOI yap
es TTW efTe rjTTrjOrja-av CITC ec^vyov, ou /ICVTOI OUTOS
ouT xaTeStxrc Tas vavs ovre JStw/cev ct yap t/cavos ye ?}v, evavTta
Tots yevo/xevois o-vyypa^as, Kat Keiva CTavop^ovv, paSiws TTOU av
6 GouKvStS^s Ta TC TWV 'E7ri7roAajj/ TeL^i(rfj,aTa Trj ypa<f)i8i p-ovov
Xpr)<rd[j.evos av KadelXev, /cai TraVas ai/ Tas 'Ep/xo/cpciTOvs vaus
^avwrev, Kai /iv)v Kat TOV? 'A.6rjvaiovs irepi Traaav T^V 2t/ceAtav
TrAeoi'Tas av irporjyev fakrTe T^V TC 'iTaAtav aira(rav /caTao-Tpe-
ifsa(T0ai Kal TO TOU 'A\Kif3id8ov KTeArai' dAA' erret ou^ ofos T'
TTt TOV Sat/iova dvaTrcio'ai wo-Te dvaOea-dai TO ycvop-fvov, //.aAAov
TTOV Trpoarj/cei d/cpi^8ws Ta <rvp.(3dvTa Si
CLXIV.
'Eyw Se, dirot\ofj.evov TOV 'AAa/3iaSov, TrpoTtpov /iev yap 'Q(J'X V ~
vop,r)v Tt Aeyeiv, vvv Se irpos TOV 2acpdTT/ oo-ov oi5 xAaiaiv p.eTa-
o-Tpa<^>i's, us Seiva, <^jv, 5 2a>*cpaTS, Tavra !Aeas* TTWS 8' OTJX
ato-\t'vei avSpos ot'ou e/zov OVTW T^J Aoyy KaTa<^povwV) xav o-ou
vcoirepos ST^ to /cat ^cro-ov Setvos T< SiaAeyea^at ; CTTCI olcrdd ye
Part IV.] EXERCISES. 97
7TOV Ip-e, (OS I^OV JJ.OI OlKOl Iv 'PoSto TrAoUTTJCTaVTt Ktti ffMTTOpOV TOV
l;riKA?7pov, <os 6 TraTiijp //.ot StevoeiTO, dyayo//,ev<), ouYeos d/3poSiatTU>s
Sidyeiv, (XTTO TroAAwv vewv re /ecu Ipyao-njpiwv ras
), o/itos 8e dvri TOV TrAovVov T^V dArJ^etav Tr
TI TTI/ (ro<i'av, TOIS
Trvra ra
ct 'ITTTTIOV re Kat IIwAov a.Kpoup.'rjv KOI Yopjiov KOI
IT/jwrayd/oov, Kat 87) cat crou TO TeAevTaiov, 5 dvatSeo-TaTe* ovScvos
yap IK veov fTriOvfjifo Kai e<ie/^at /^aAAov ^ TI}? dA^^eias, ofo Tts
, ovSe yevvaioVepoi/ ov(5ev ^yovp.a.1 TOV yvwvai TO
Kat yvovTa dcrKetv.
CLXV.
Ata Se TO eATTi'^etv TOiavTa TC iravTa. ti^eAouvTat ot o.v6p(anroi
Kai OU^ T^KtCTTa TOUTO, OTl IKOVOV (TTl KtoAvClV /Xi) TCI TTapOVTO.
dyada irepl TrAetovos 7roie?o-$ai. TIS yap OVK aKTjKoev TOV //.eyav
KaiVapa, eTret TrdvTa Ta ovTa Swpeas SieStoKe Tots <t'Aois, epop.fvov
TOV TI apa eavT< vTroAetVft, dvTeiTreiv OTI eATTt'Sa. <wrei yap
wv Ta juev do-<^>aAt3s VTrdp^ovTa ovSa/xou vo/
t Se ^V/AW aAAov TIVOS l^>tTO, 5v ewpa TtfitwTepov.
eo"^' o,Tt fjadf.lv irov Kao~TOS ^>' cai/rov Svvd-
Tos vov^eT^crw. oVa 8e Trcpi TOU Teux olis AeyeTai
T^S IlavSwpas, aTrep Iv TOIS /3ap/3dpois, ws ciKd^ova-i Ttves TWV
o-o</>wv, 1/iv^oAoyovvTO StaSeSey^evot TOV Trept TWV TrpwTwv dvOpw-
TTWV Aoyov, as KOT' dp^i)v -tjp-apTOV^ Tawa ovv AeyovTes l8>jAaxrav
d^AiwTaTOV i^yov/ievot TOV irapovra /3tov, ^v /ii) lArrts Trpoo-fj.
ws yap Ta r)(aTa KaKa a7roo~^jaatvovTes, TO) Trpoyov^) (fxicrl TT)V
IlavSwpav, KOTO ye TOV TWV TrdAai Jepewv Aoyov, /xeya Tt
8wp7jo-ao"0at. TOU 8e dvot^avTOS, l^eA^eiv ev^us TrdvTa TG\
Kai KaKa TO, dv^pcinrtva, aTiva ouScis TTCD TrpoVepov (Trade, rrjv Se
IA7Ti'8a Tews evSov /iTa Too-ouTtov TC Kai TOIOVTWV l
TO)V TpO)V a7rO7TTO//.VO)V OV O"WaKoAoU^O"at, dAAa
98 KEY TO GREEK PROSE COMPOSITION. [Part IV.
CLXVI.
Kai [irjv Toifj.6s dpi, f<f>r) 6 /?oo-iAeus' opas yap, as dp/idrrer
Kttl SfJM TTpOS TO CVOTTTpOV fJTf(TTpd<pr), d)OTT6/3ei TJJV f(r6fJTa. aU0lS
Siacrxc^dp-evos. ot 8c depatrovrfs ots eiprjro o~vpfj.a e
eaipetv ri Trpoo-TTOtrjo-a/xevoi
p.fTf<apov ^e/Dovres, ovSc eroA/iwv 5^ <f>avfpol c?vai ov8ev Travv
opwvres. (irofMTTtvcv oSv V7TO /caAAum}) (TTtyacr/iaTt 6
TO 8e TrA^os v Tais 68ots Kai ir' OIKLWV <rvveL\eyp.evov
Travrwv KaAAwrTa <f>opci TO. fyiaTia, TO TC <rvp[j.a ^au/iafovTcs KCU
TO apfiorreiv coSe aTravTou TO firfS^v tSciv TO Trapcwrav ovScis S^
oyci, ws ^ ctj8eXTe/30S av So^as efvat r) TTC/DI T^V Te^vr^v
s, OXTTC /xTjScTrowroTe /laAAov lTraiveicr8ai TWV /?ao-iAeov
(<T8r)p,a.T(av jJLrjSev. TeAo? Se TratStov TI iSov 'AA.Aa yv/ivos, <^>^,
e/cetvos' o Sc Trarrjp VTroAa/?a>v 'AxoveTe S^, l</>j;, (frhvapovvros TOV
VrjTTlOV TOV&1. UTTCtTTOlTeS 8e T< TT\TJ(TIOV (KaO'TO'S TO TOU TTCuSl'oi',
TeAeirrwvTes e/3oa)v ajravrcs OTI FV/AVOS O-TI. CKTrAayeis S< o
/3ao-tAeus a>s AcyoKTWv 8^ TI, (VfdvjjieiTO o/xcos OTI TTfpaivetv 8ei TO.
TTj<5 TTO/ITT^S' Ot St ^CpCtTTOVTCS Tt (TffJLVOTepOV /3a8t^OV TOU ITpOCrdtV,
TO fropfJM. TO fiirjSafjLOV 877 Trapov
CLXVII.
'0 St Xafiwv KOI T<p (Tfp<j) yepovri, Sovs '
diroi'xov, *cai cvrv^oi^s' TravTa yap X e6S- ^ Ka * 7r ^ s > ^^
TOUTOV yap TOV Ka.Xap.ov 8Ka SapeiKtSi' ^s a^tov c?vai ; Ei 8e
/i^, avreiTrev 6 ap^wv, ovScts /AOV avawr^rjTOTepos' yvtixrecr^c yap
ci ovx iKavds ci/it Kat Treurav i^v Scy T^V TroAtTCiav StotKeiv.
eiTrwv Se, TOV Ka.Xafj.ov tKtXevo-e TrapdvTtov aTravrwv 8ia6pav<rai'
TOVTOV 8f ytvo/ievov ^TTfo~ov 8rj ot SapeiKoi. 6avp,ao~avTS 8e ot
Ka^ftevot, Kai a>s SdAwva TOV ap^ovra eTratvouvres, firrjpovTO TTUJS
apa rJKafcv evetvat TOVS SapetKovs T^> KaAap.^. 6 8e
/tev 6^ OTI cKetvos rfViKa o/zoVat ^yweAAe TOV Ka.Xap.ov T^5
Part IV.] EXERCISES. 99
v, Kai dftocras fj /A^V TO apyvpiov es rots
is Trape\a/3ev. TOVTO 8f yvovTi ol
OTI eKeicre apa ey/ceirai TO apyvpiov. K Se TOUTWV 8ti
TTfpl TWV d/DXOVTtoV, OTl VtOT /A
r/yovfj.fvov TOV deov d/3^a5s av St/ca^otev.
CLXVIII.
Ilpoayei 8e aAAa T TroAAa TOUS av^/3W7rovs, WCTTC
Tats Tex vat ? T Kai 7rmj/icus aiVives /xaAicrTa Trap'
evSoKi/^oixriv, Kai ov^ ^ftOTO TO So^rys f(f>ie(rdai, (ftva-et
fyyevopevov OTrep rfj p*v VTTfp/3o\fj ^p-Tnov av eir;,
ws 8e ov Set KaTaTraixrat. 01 TC yap irporepov TrAetcrTa ev TOIS
fTraivovfuevoi, TOVTO So/cowt o-(f>68pa depaTTfveiv, KOL o
v, cro^)WTaTos TC wv /cat ei/ TOIS Tr/DWTOv TI)V TrarpiSa. w
virfp(f>v(a<s ws fTrfdvfj.ei TOV /cAeous, Kai TOV AuKKetov
del eireiBfv okrre TO, TOTC <rvyypa.<$>ovra a/cpijSws o-7roi>Saeiv
Ta lavTW apxovTt Trerr/aay^eva, Kat ju,^v Kat 8ta Ta^o^S irepa.i-
ve^v t'va {'wv eri TTJS Sd^rjs aTroAaixry TTJS CTreiTa Tt^vewTi p.e\\ova"r)<;
yevecr^ai. Kai TO /ACV TOiawa <^>iAoTi/ito-^ai fj,eya\oOvfj.ov 817
eo-Tf TO Se ayav /ie^TTTOv, 6'o-Tts oi5Se aTrw/cvei ^ ou Tret^etv TOV
(rvyypd<f>ovTa TO aK/Di/3es d^>evTa TWV Acyo/ilvcov TOJ CTratvw /cat
7re/)a TrpojSfjvai TOV OVTOS. TO awd 8e (Trade So^s Trept IIAtvios
6 vewT/)os, <r<a(f>pQvvvr)v /xevTOi /cat aiSw TrAeiova cb
CLXIX.
OvSets lyft^eo-^Tiycre TTOJ jur) ou Trao-iv e^elvai Ayo-Tas TroXffj.(p
KO.V {H.T]T TrO.pOLKW(TL [M^Tf dStKcScriV. TTOTepOV 8ta TO
,iav avTOis KaOeo-Ttivai oiKrjcriv ; dAA' ev eKeivoi T$ TroXe/JHj}
<5 IIo/iTretos TOUS Ayo-Tas KaTeo-T/ae^aTO, /leywrTov TOVTO Kai
vSoKiyu.T^o'as, TroAeis TC KaTtx oi/ ' Ayo~Tai Kai
OVK dAiya Kai Tijs KiAiKias 7ri TroAv, u>o~Trep Kai 01 v{!v
KaTa(f)vyrjV Kai fSpav KaTecrKevao-/xei'oi ewrt TT)V 'AAyepiav. ovSe
ioo KEY TO GREEK PROSE COMPOSITION. [Part IV.
yap ot OrjpfS ^oxrov aypiot ei'Aeovs ye evot/covvTes. dAAa Sta TOVT'
wrws, OTI wcrTre/3 ve^fXij eViKpe/iaTat 6 KiVSvvos, aS^Aos <5v OTHJ
cTrwr/ci^ei, oxrre 7racrtv 6/iotcDS TTpocrrjKfiv ', evAoydv y' av eh)
TOVTO, eAAeiTTei jUeVTOl Tt, OvSe /i^V AeyOVQ-l TOVTO U)S 776 TO TToAv'
TO yap dAry^9 /cat 7rao-iv 6/ioAoyov/x.evov CKCIVO o?/xa6 ?vat, OTI
KoivJ ciVt Trai/Tcov TroAeyMtot dv^/owTrcov, oxrre TrdvTas eTTWTpaTcvetv
Set, ou KaTa TO IKOWTT^ fj.aXX.ov <j>o(3fpov rj Kara TO KOivfj a7rao-i
(rvp.(fipov wnrep yap flo-i vojjup Tives oTrovSat yeypa/x/xevai CTTI
T^> 6KOOTTOVS TOVS IttVTWV TifJidipfUrdai TToAe/ilOVS, OWTO) Kai <^UCTl
Tts a.Trao-1 KaOeo-rrjKev aypaTTTOs o-ww/xocrta 7rt TOVS Koivy TroAe-
TT/SOS TOUTOVS TOIVVI/ fixnrep ov8ev 8i 7roAe//,ov
KaTayyetAat, OUTWS ouSe ty/cA^/xa 7rt^>/Deiv TOVS dSi-
Kov/xevovs' Ta ya/3 ToiavTa TrdvTa ^>vVet iwcxp^ct TT/)OS yc TOVS
CLXX.
oSv ov^ 6/Aovoov/zev, aKO7ra)/xv OTTOS ai/ apia-ra. TOVTO
TI)V yap dp^i)v TT/OOS TOV a/a^ovTos <^>gs civat. ^ ov ;
A. <^>^)iit yd/o.
^>. Kai KOKOV OVTO? ;
A. vravv ye.
$. ot 8e dp^6fj.vot Kal OVTWS o/3$a>s av TTOIOICV Trei^a/a^ovi'Tes ;
A. 0etov yap TO K/aaTos.
3>. Ot TToAAot OVV TOV !l/OS eVCKtt KttKOV dStKOlVT' ttV, OvVoS Sf
/ /xovos av to^>eAoiTO, Kat TOVTO ITTI ^>t'Aots ovVi Tots ^eots.
A. Trdvv ye, ws TOV K/DUTOVS 6(66ev SoOevros.
^. TgSe Se o-KoVef *A/o' otov TC dya^ovs ovTas TOVS 0eovs eTrt-
Ovp-eiv TOV eva /ca/cov TOVS TroAAovs /5Ad^at, CITC dya^ovs ovras
etre KOKOVS, Kai TOVTO yaipovra. ;
A. iJKurra' f)v yap Tt tfravfj d/xa/3TOv, OTTOIOV av >y TO a/xap-
Scxret.
. TOVS /xevToi ^eovs, et ye aTreiTrov /i^ dvTto~T^vat, TOVS TroAAovs
Part IV.] EXERCISES. 101
A. ro)?.
3>. oi'Se ovv dyadol 6Wes TOVS dya$ovs Ka/ca>v TV^CIV /JovAovTar
yap TOJV iroAAwv dya9oi' TOVTO Se
A. eoiKe yd/3.
CLXXI.
rt TOtvvv Ata MeviTrrrov TOV <tAocro<ov av$ts es ovpavov dpd-
/xevov, i'va ^apt^oiTO avr^), dvpiSa irapa. Oprjvei /cetjU,V7jv dvoi^at.
ap^etcr^s Se ravrijs roioirrov dopvfiov Kal ftorjv ^avao-T)vai,
wo-re 6avfj.dcravTa e/ceivov rt TOVTO IO-T/V epiorav TOV 8e m
vaa-dai Tas ev^as efvai Tas aTro TWV dv9pu>7T(av. TOV 8e
oyywv o-f/i/xc/Aiy/xevwv, cixrre jj.6vov Atos wTa
tvai, TroAAovs o/zajs a/cowat TrAovTov /cat TifJ-r^v Kal [J,aKpov
fiiov erepovs frepq. yAwcro-y Kai <^>wvij ovo/xa^ovTas.
Se TOV Trpwrov 6opv(3ov, avewy/iev^s tVt T^S BvpuSo^ eVeiTa
/zaAAov Kai 8iaKKpi[j.evas e^eA^etv Tas <$oyyas. Seiv^i/ Se Ttv'
etvou ^v Trptarrjv aKOVcrai ev^v, 'AOrjvrjOev ws Ata f
p,ei<a yeve&Oai T^> ev^o/ieva) Kat T^V cro^iav /cat TOV
dvayvovTa 8e TTJV ^XOI/TJV TOV MCVITTTTOV, TOV <^>tAov et'Sevat ev^d-
TOV
CLXXIL
Se aAAov Ttva vewo~Tt vavv ye/xuravTa, Ty Att ev^o/
^v cTrt/xeAov/xevos TrAovTOV e^u,7rAeav /caTaydy^,
dpyvpovv dva^o-etv. TOV Se ovSe/xtav 8>) T^Se
Ta STa CTrt/xeAeo-TC/Dov Kadevra (fxavrjs aKovo-at TIVO? Setva,
Trotov/xevov ota VTT' 'E<^eo-tas TOV X 7 ?/ 3015 TreTrov^ev, /cat O'KTOV
atTovvTos. TOV Se <do~Ktv o~7rovSatov ?vat TOV
v, TToAAa dvp-idfjiara Swprjfrdfjitvov dvd' 3>v ev
Kova-ecrdai. VTroAa/3etv 8e K TOVTOV
oo~ovs avSpas, VTre/a Tvpdvvov TrapovTos ev^o/xevovs olxrTe TTCIVT'
dyaBa Xafieiv. TavYa Se yAto~xpws Kat AtTrapws Trp
102 KEY TO GREEK PROSE COMPOSITION. [Part IV.
av6is \Jsi6vpi(rfj.aa-i oYxi/cpots TOVS aurous
T<p Alt dyava/cTouWas et dpyos /ceirai 6 /cepawos wore TOIOVT<)
OITI v}v Irt c^etvar 0au/xdovros Sc TOU MevtTnrov, oimo 6vfj.ov(rdai
TOV Ata ^euSo/xevots TOIS dvOptaTrois wore ra /!' a7ro</>wrwi'Ta ra
crepa di
CLXXIII.
Ou /x^v TOVS <ro<fx>v<s fJLfj,<f>o[juii on Tous TrAowiovs Ounrevowi
T Kttt V7TI]pTlV TTpOaipOVVTO.1. KaA(JS y/3 O AlOyV7y
7TOT6 Kttt O-KW7TTOVTOS TtVOS, Altt Tl TOIS TrAoiXTtOlS
dolfv ol c/>tXoo-oc/>ot, dAA' ou TOIS <tA.oo-oc/>ois ot TrXoixrot,
/cat a/xa 8pifj.e(a<s TTWS, OTI 01 /xev CTrtcrTavrat OTOV
tj oi 8 ov. u)o~airro)s 8e 6 "AVTITTTTOS, CTTCI Atovwiov Tt
oi5S Aoyou TV^WV 7rpoo-7reo-' 6 Sc CTTUT^V /cat Sous
Aoyov e^apiVaTO' o-TrovSa^wv 8e TIS Trept c/>tXoo-o<^>tas CTTfTip-rjare
rtf 'ApwrrtTnr^) et ourws ya-^yve TTJV c/>iA.oo-o<i'av WOTC t6Ya Tt
CLXXIV.
4. 'O/xoAoyets ouV dSuvaTos eti/at VTroXa^Setv OTTWS TWV ato-^^Twv
Tt VTra.px<eiv olov TC, /x^ v ^v^y ov. TJ ou ;
FA. 6/ioAoyw yap.
4*. 6/xws 8c aTrep ov8f viroXaf3fiv otos T* e* Taura Siib-xvpi^ei
d\-r)9f) ewai.
FA. aAA' ovv dp.r)\avta ri Set evvoeiv ecrTt Se a t/xTroSwv !TI
/xoi VTrap^tf aAAo TI Ta Troppw a^ovTa o-ac/wDs 8vva.fJ.ai opav, oTov
TTJV a-\r]vr)v KOU TO. ao-rpa Sta tia/cpou oiTa aur$avo/*0a ; TOUTO
8c T^ aUrOrjo-ei TTOV etid^o/xev.
$. ou/covv /cat /ca0i56'a>v TOtauTa ovap ytyvaxr/ccis ;
FA. Tran; ttev o5v.
4>. <f>atvTai 8e iravra. ojaoiws iroppta aVetvai, ^ ou ;
FA. c^HXiveTat yap.
Part IV.] EXERCfSES. 103
TO. 6Vap <avevTa Sid TOUTO voptfieis ^wpis etVat
Tt}?
FA.
4>. OVK av op$ws a/Da u7roAd/3ots TO. ala-$rjTa e^co ctvat -njs
s, Kav TOtavVa Soicy e^at 7} rySe TTWS al<rd(a/j.eda avrwv.
FA.
CLXXV.
2. &/> vw, Tr/aos Aoyov o"e aTTa eptop.a.1' oiSa yap a
fj.vov a-f /oaSiws xat V7r/Docr7jyo/Dws. "AAAo Tt, w IIe7t(rTpaTe,
evSaifjiovecrrepov creavrfo eSo/cets 8iaKMr^at, (JTrore ^dpiv el8w<s rots
^eois TroAv rt $wras rvy^avots ;
II. ou yap cwre^Tys eifit, 5 2oAo>v, dAAa TroAAa ^Svy roiavra
avrots 0ixra a6 evSaifiovfCTTepos eyevofnjv.
2. TTOTCpOV SeO/iVOlS T^S ^VCTlttS ;
II. ov8c yd/3 ST^TTOV TWV ye /3poTei<av ovSevos' 8id Se TOUTO ^v
evSat/na)v, on aTrep ZpaOov Seiv Trpa^at, ravra eirpaiTcrov.
2. evcre/3ws yap eAe^a?, a <i'Ae, Kai orovSattos a/^ta /cat cvAoyws,
ov yap eSeovro TTJS Ovcrias ol Oeoi' TTCUS yap, o?rtves irdvra. eSocrav,
OUTOI /cat OTOUOUV av Seotvro ; Seorrat Se ot 'A^T/vaiot, dvay/catws
Ttvo5 Kat cvSews Trpos O-QU l^ovres, avrou Si) TOVTOU Aeyw 6Vcp <ri;
d(f)fXwv fJLfra. ovSe/tta? SaTrav^s av (X7ro8otT/s. w/ioAoyeis yovv
ev8ai/j.ovecrTepo<s del ycvecr^at, OTTOTC TOIS ^eots TI dva^et^s, e^ov
aury Kar' ot/ctav ^prjcrdar urdi. roivvv /xrjSev ^(ro~ov rotouros
o-o/xevos i]v a;rep oTrecrTepT/o-as TOIS TroAtVats aT
ov Tavra /xovov, T^V Kaipos y, cra^)f(rra.ra. /zeAAovTcov a
dAAd Kai Kai TO. ^pr//xaTa crvA^O"at /cat 8^ Kat aTT
NOTES AND ALTERNATIVE VERSIONS
AND CORRIGENDA.
PART I.
Ex. line
1. 9. diroTpfrrowv is oblique delib. 10. The ordinary conditional air.
&v might be used, but the other is more idiomatic.
1 1. f-WTciKtiv is governed by Set?, 0ace?<r0at orat. obliq.
15. irXtvovo, T&V ej>dpov] Tertiary predicate, 'their tribute more,' lit.
2. 5- YfyP a< j> ] Vivid, 31. Comp. 148.
ii. dvotgas] Literal word for 'opened:' perhaps better say ave-
Xi'fas, 'unrolled,' as a classical book was a roll.
14. rip Tiroi] Observe the reg. usage of dative after perf. pass.
4. 2. Read irpoos for -irpavs, which seems not to occur masc. sing.
15. dv ^.e^oy] 'I would have been saying' literally, because the
supposition is excluded.
5. I. w|AJs is a better word than v^Xe^s, which seems to be only
poetical.
3. TWV . . . 4>CXv] Observe the gen. of separation, used idiom-
atically after XeXet/^voj.
7. TcXevrwv] 156.
7. 2. ofl 4>Tjtri is found even after d, the ot) really belonging to the
dependent verb, so that oti fyqai = ' he denies. '
4. If 7reipu|j.6voi . . . \Jmj86[j.evos is felt to be too harsh, say r<f>
\f/evdf<rdat. virepj3a\eiv.
10. 10. fjo-o-wv] Perhaps t\a,<r<rwv would be a better word, as ij<T<rwi>
rather means ' inferior. '
11. 3. k9av\Mlv . . . cl] 32.
7. |xf| . . . S#-acr6cu] 130.
12. 2. firel . . . Svvao-Oai.] Inf., because it is part of the pretence, and
so oblique. See 38.
105
io6 NOTES.
Ex. line
15. 8. iropd rig 6t$\ It would perhaps be rather neater to use the
pregnant construction, irapa rty Oeav, implying motion to the
temple.
18. 4. After rJiv Apxrov should be read ir\ty rdv \ri\(av.
19. 4. oil 8tol iroXXov] Observe that adverbs of time tend to come early
in the sentence.
8. at Athens must be translated by to Athens, since it must qualify
the verb and not (as in English) the substantive.
22. 4. Perhaps wj instead of otirep would be a little easier ; and in that
case it would be all orat. obliq. afterwards.
ii. ^<rav] For the facts exclude the supposition.
23. I. pcuri\Viv is commoner, so that the statement about apxtffOai in
1 68 is misleading.
25. 2. KeiTai is more usual than rtOeirai.
29. I. r<p IlaSup] Dat. ace. to the regular usage of 6 01/7-6$.
33. 10. Observe ov yap vciv ; the yap implies the answer, so that the
point is capable of being delicately given in Greek.
34. 6. wv] Observe the present participle, regularly used of past time
(as the tense expresses only extension, and does not define the
time) with an adverb (here irpbrepov) to fix the period.
38. 12. (if) \|/v8T<u] The pres. ind. is much the most dramatic and vivid
tense to use here, cf. 192 (a).
40. 6. [wXXtiv takes pres. fut. and aorist inf. equally.
8. ^ ov] 132.
42. 7. Before jiavOdvwv is omitted by an oversight Zva. tviavrbv.
PART II.
58. 10. elpti(j.evov] 164.
59. iwro-yv^vra] Ace., because the verb understood is not 'he says
that, ' in which case, by inf. attraction, it would
but ' he bids me say that'
60. 8. irpi|j^vovTS S iSXrjv] Not iv C\]7, for the construction is preg-
nant, 'going to a wood and waiting there.'
ii. irplv . . . IBTjo-cv] 81.
NOTES. 107
Ex. line
66. 3. ovSiv 8,n OVK] 151.
67. 2. (iciXXov] Usually where we say 'not so much,' the Greeks
(with their wonted delicacy of statement) say ofl fj.a\\ov, 'not
more.' So ot>x tfKurra for 'principally,' etc.
72. 15. 8i)0v suggests that they thought it -was poison.
74. 9. ^m]8drr]v . . . <rvvfj\0ov] The dual and plural are constantly
found together : in fact, the dual is only a form of the plural,
and a dual noun is found often with a plural verb.
75. 5. Perhaps it is better to say simply Apurrov Kal ffotyurarov elvat.
76. 5- 6<t>CXoi] 36.
83. n. SioXunJvTo, . . . &r<r6ai] This change to ace. inf. is common
as the orat. obliq. proceeds, though usually after a full stop
or colon. We might read dia\nruv . . . ^roi/tos ZITOITO.
87. 5- fjo-Oa, e8t|Xovs] 35 (3). Supposition excluded by facts.
90. 2. |Ml8vl] 128.
PART III.
95. 5. 'To Fabius in Etruria' must be ' ... to Etruria,' as both
clauses have to be grouped round the verb.
103. 6. 88v by a not uncommon attraction for tKeWfv o5, which may
be put instead if preferred.
104. 5- F r ^ Tl ^ might be a little clearer to read ZTI. /j.a\\ov.
105. 10. olos &v TIS] Of course the verb etr; is readily understood from
flva.i.
106. 12. cos . . . aKoXovOVjo-ovras] This idiomatic use of us with the
ace. (instead of gen. abs.) should be observed, which occurs
when there is a notion of orat. obliq. (supposing, knowing,
asserting).
107. 1 6. Perhaps for 8 irpbs p. 8iKeiTO use the simpler &v etivow 6vra
fjirtffTavTO Ty /JctcriXe?.
108. 8. ' It was vain to argue.' This means ' they did argue . . . and
the man did not listen,' and so I have translated.
io8 NOTES.
Ex. line
109. 4. dpxovra] I mean 'before a general was proclaimed,' not
' before he was proclaimed general, ' which would be ti.p-x.wv.
The other is a more delicate way of saying it.
10. ws . . . forr8(u] 38.
110. 7- Sciv roS fifj] The idiomatic redundant JM), in accordance with
the principle of 130.
113. 9. ret lKi<r] Observe this device.
116. The last sentence being so extremely idiomatic in the English
is of necessity much recast.
117. The last word iir-geaav I have ventured to insert for the sake
of the directness so much desired in Greek.
118. 10. If this sudden oratio obliqua is thought harsh (though I believe
ft is natural) insert ?<paffKOi> after
119. 5. IK rfjs ir<5Xws] As so often where we say 'in the city.'
121. ' God bless you ! God bless you ! ' The repetition is un-
natural in Greek, and so is" best given by ovx #n-a, or some
such turn.
124. i. f>Tj is inserted to make clear the oratio obliqua.
127. 4. <rr (T(&|o-6ai . . .] Some such device as this is necessary,
for the English idiom, 'fortunately,' 'unfortunately,' is
entirely foreign to Greek.
128. 1 6. TOVTOV oSv] otv is common in this resumptive usage.
130. IO. gjAirXews is given in Liddell and Scott as having two termina-
tions, though TrX^wj makes ?rX^a in fern. Is this true ? I
have, however, assumed it.
II. TOV agrees with lepov, as usual.
' respect or fear ' has been accidentally omitted. Insert after
irapex&povv, efre vir' alSovs etre Kal QofiotifJievoi.
132. 5. dir<JvTcs |tiv has no 5^ to answer ; but this is natural, as the
/j.d\\ov clause is substituted.
13. ISvo-x^pcuvtv is strictly in agreement with tffvq : but really
(being so far off) a Greek would probably have written the
plural.
NOTES. 109
Ex. line
134. 9. ical irpdrepov a. ] I have ventured to insert here ' the uneasy
auditor,' as the more natural place. If this is thought
harsh, insert in line 5, after oZv, dvcrxepxlvovros 6',uws ticftvov.
135. 8. The second c&ore sounds clumsy. Read eirl r(f.
II. The note suggests ffirovdaei.i> for ' pursue.' But it is neater as
done in the version.
136. 12. dvaOlorSai] Metaph. from draughts, ' to take back a move. '
139. 9- irapd TOV |3a<riX.&os] irapb, 'from the side of,' 'from the house
of, ' gives the notion of the court, ' the king's surroundings. '
9. &r<riv] 191.
1 6. e^cXevOcpoi is subj.
140. 3. irepl 0a.vd.Tov] I have put this rather than what the note
recommends, to avoid repeating dnroKTeivai.
144. 3. |i&Xov<riv] 192 (a).
PART IV.
163. 8. tvai] To express the oblique, 38.
1 8. ava0'<r6ai] See Ex. 136. Note.
164. 4. av8pJ>S ofov qxov] 153.
165. 1 1. ' The tradition of the fall of man ' is translated at some length ;
but, not being a Greek idea, the technical theological terms
have to be interpreted.
167. 5- A ov\ ticaviJs l|ii] In spite of 127, d may have ov after it
wherever the el is not really conditional, but as here, e.g. =
' whether.'
1 3. IKCIO-C yKiTai] Pregn. constr. , ' has been put into that. '
169, 8. l\Js seems the more accurate form.
172. 7. dvO' v, with inf., 38.
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Harvard College, U.S. : the Grammar and High Schools of Canada :
Melbourne University, Australia : the other Colonies : and some of the
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OPINIONS OF TUTORS AND SCHOOLMASTERS.
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books will haw a thorough and accurate
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treat." H. A. Morgan, M.A., Tutor of
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ELEMENTARY ALGEBRA.
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subject, but is not open to the standing to simpler treatises, and it includes the
reproach of most English mathematical elementary principles of Determinants,
treatises for students, a minimum of teach- This chapter especially will be read with
ing and a maximum of problems. The satisfaction by earnest students, and the
hard work and considerable thought which mode of exposition will certainly have the
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intending candidates to read carefully easily do) the method of this book, and
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rr.etic is one of the most valuable of the Committee, there will be fewer failures at
series. It explains and illustrates the Uni- the next examination." Extract front
tary Method, showing how the elementary Letter of Dr, J. A. McLellan, Senior
principles of pure science, without being High School Inspector for Canada, to the
disguised in multitudinous perplexing " Toronto Mail" November 22, 1876.
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A Year s Botany.
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CONTENTS.
General Description of Flowers Flowers with Simple Pistils Flowers with Com-
pound Pistils Flowers with Apocarpous Fruits Flowers with Syncarpous Fruits
Stamens and Morphology of Branches Fertilisation Seeds Early Growth and Food
of Plants Wood, Stems, and Roots Leaves Classification Umbellates, Composites,
Spurges, and Pines Some Monocotyledonous Families Orchids Appendix of Technical
Terms Index.
" One and only one English book do I facts only ; but is the expression of the
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ingtons). That happily does not teach April 13, 1876.
An Easy Introduction to Chemistry.
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Edited by the Rev. ARTHUR RIGG, M.A., late Principal of The Col-
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Easy Latin Stories for Beginners.
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Selections from Livy, Books VIII.
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1 8 MESSRS. RIVING TON'S [GREEK.
GREEK
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labours of philologists during the last with the works in ordinary use, which have
twenty-five years. Mr. Abbott's great never attained anything like the standard
merit is that he has ; and a comparison reached by Dr. Donaldson, will really sur-
between his book and the Rvdimenta of prise the teacher." Athemzum.
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GREEK.] EDUCATIONAL LIST. 19
Selections from Lucian.
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20 MESSRS. RIVING TOWS [GREEK.
SCENES FROM GREEK PL A YS
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The Anabasis of Xenophon.
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\Specitntn Page, No. I.]
308 HENRY VI. [1429
these too far apart, and the intercourse of the defenders with an army
of relief under the Count of Clermont at Blois was not broken off.
Early in the following year, this army hoped to raise the siege by
falling on a large body of provisions coming to the besiegers from
Batue of tiia Paris under Sir John Fastolf. The attack was made at
Herringi. Rouvray, but Fastolf had made careful preparations.
The waggons were arranged in a square, and, with the stakes of the
archers, formed a fortification on which the disorderly attack of the
French made but little impression. Broken in the assault, they fell
an easy prey to the English, as they advanced beyond their lines.
The skirmish is known by the name of the Battle of the Herrings.
"This victory, which deprived the besieged of hope of external succour,
seemed to render the capture of the city certain.
Already at the French King's court at Chinon there was talk of a
Danger of hasty withdrawal to Dauphine, Spain, or even Scotland ;
orieam. when suddenly there arose one of those strange effects
of enthusiasm which sometimes set all calculation at defiance.
In Domremi, a village belonging to the duchy of Bar, the inhabi-
tants of which, though in the midst of Lorraine, a province under
Burgundian influence, were of patriotic views, lived a village maiden
called Joan of Arc. The period was one of great mental excitement ;
as in other times of wide prevailing misery, prophecies and mystical
preachings were current. Joan of Arc's mind was particularly
susceptible to such influences, and from the time she
was thirteen years old, she had fancied that she heard
voices, and had even seen forms, sometimes of the Archangel Michael,
sometimes of St. Catherine and St. Margaret, who called her to
the assistance of the Dauphin. She persuaded herself that she was des-
tined to fulfil an old prophecy which said that the kingdom, destroyed
by a woman meaning, as she thought, Queen Isabella, should be
saved by a maiden of Lorraine. The burning of Domremi in the
summer of 1428 by a troop of Burgundians at length gave a practical
form to her imaginations, and early in the following year she suc-
ceeded in persuading Robert of Baudricourt to send her, armed and
accompanied by a herald, to Chinon. She there, as it is said by the
wonderful knowledge she displayed, convinced the court of the truth
of her mission. At all events, it was thought wise to take advantage
of the infectious enthusiasm she displayed, and in April she was
intrusted with an army of 6000 or 7000 men, which was to march up
the river from Blois to the relief of Orleans. When she appeared
npon the scene of war, she supplied exactly that element of success
[BRIGHT'S ENGLISH HISTORY See Page i.]
[Specimen fagt, No. 2.J
M A TEAR'S BOTANY.
of all of them open by two slits turned towards the centre of the
flower. Their stalks have expanded and joined together, so as
to form a thin sheath round the central column (fig. 1 2). The dust-
spikes are so variable in length
in this fiower, that it may not be
possible to see that one short one
Fig. 12. comes between two long ones,
Dust-spikes of gorse (enlarged), though this OUght to be the case.
The seed-organ is in the form of a longish rounded pod, with
a curved neck, stretching out beyond the dust-spikes. The top
of it is sticky, and if you look at a bush of gorse, you will see
it projecting beyond the keel in most of the fully-blown flowers,
because the neck has become more curved than in fig. 12. Cut
open the pod ; it contains only one cavity (not, as that of the
wall-flower, two separated by a thin partition), and the grains
are suspended by shors cords from the top
(fig. 13). These grains may be plainly seen in S^*tffi2jg'\5)
the -seed-organ of even a young flower. It is ^"^"^s^
evident that they are the most important part &e- 13 -
of the plant, as upon them depends its diffu-
sion and multiplication. "We have already seen how carefully
their well-being is considered in the matter of their perfection,
how even insects are pressed into tiieir service for this purpose I
Xov let us glance again at our flower, and see how wonderfully
contrivance is heaped upon contrivance for their protection I
First (see fig. 10, p. 14), we have the outer covering, so covered
with hairs, that it is as good for keeping out rain as a waterproof
cloak ; in the buttercup, when you pressed the bud, it separated
into five leaves ; here there are five leaves, just the same, but
they are so tightly joined that you may press till the whole bud
is bent without making them separate at all, and when the bud
is older, they only separate into two, and continue to enfold the
flower to a certain extent till it fades. When the flower pushes
back its waterproof cloak, it has the additional shelter of the bifi
[A YEAR'S BOTANY^ Page 13.] j,
{.Specimen Page, No. 3.]
The Writings of Bentham 149
struction, and at last, after nearly twenty years of alternate
hopes and fears, of tedious negotiations, official evasions,
and sterile Parliamentary debates, it was effectually extin-
guished by the adverse report of a Parliamentary Com-
mittee, followed by the erection of the present Millbank
Penitentiary at a vastly greater expense and on a totally
different system.
Transportation. In the meantime the common gaols
were relieved in a makeshift fashion by working gangs of
prisoners in hulks at the seaports; but the resource mainly
relied on for getting rid of more dangerous criminals was
the old one of transportation, Botany Bay having suc-
ceeded to America. As at first employed, there was no
mistake as to the reality of the punishment; the mis-
fortune was that the worst elements in the real were not
so made known as to form any part of the apparent
punishment. If the judge, in sentencing the convict,
had thought fit to explain, for the warning of would-be
offenders, exactly what was going to be done with their
associate, the sentence would have been something of
this sort-: " You shall first be kept, for days or months
as it may happen, in a common gaol, or in the hulks, in
company with other criminals better or worse than your-
self, with nothing to do, and every facility for mutual
instruction in wickedness. You shall then be taken on
board ship with similar associates of both sexes, crammed
down between decks, under such circumstances that
about one in ten of you will probably die in the course
of the six months' voyage. If you survive the voyage
you will either be employed as a slave in some public
works, or let out as a slave to some of the few free
settlers whom we have induced to go out there. In
either case you will be under very little regular inspection,
and will have every opportunity of indulging those natural
[WILSON'S ENGLISH LAW See Page 3.]
{Specimen Page* No > 4-J
Relation to the Barbarians of the East 203
wealth into the treasury. Churches remained open day
and night, and frequent addresses kept up the enthusiasm
to a high pitch. It was (for the moment) a genuine
"revival" or reawakening of the whole Eoman world.
The occasion, too, appeared favourahle. Italy was quiet,
and the Exarchate at peace with its neighbours. Clotaire
the Frank was no enemy to Heraclius, and in common
with his clergy (being orthodox and not Arian) might be
expected to sympathise in so holy a cause.
Treachery of the Avars A.D. 616. In one quarter
only was there room for fear. The Avars were on the
Danube, and the turbulence of the Avars was only equalled
by their perfidy. Already, in A.D. 610, they had fallen
suddenly on North Italy, and pillaged and harassed those
same Lombards whom they had before helped to destroy
the Gepidse. Previous to an absence, therefore, of years
from his capital, it was essential for the Emperor to sound
their intentions, and, if possible, to secure their neutrality.
His ambassadors were welcomed with apparent cordiality,
and an interview was arranged between the Chagan and
Heraclius. The place was to be Heraclea. At the appointed
time the Emperor set out from Selymbria to meet the
Khan, decked with Imperial crown and mantle to honour
the occasion. The escort was a handful of soldiers; but
there was an immense cortege of high officials and of the
fashionable world of Constantinople, and the whole
country side was there to see. Presently some terrified
peasants were seen making their way hurriedly towards
Heraclius. They urged him to flee for his life; for armed
Avars had been seen in small bodies, and might even now
be between him and the capital. Heraclius knew too
much to hesitate. He threw off his robes and fled, and
but just in time. The Chagan had laid a deep plot. A
large mass of men had been told off in small detachments
[CuRTEis' ROMAN EMPIRE^ Page 3.] D 2
[Specimen Page, No. 5.]
44 COWPER'S TASK.
I say the pulpit (in the sober use
Of its legitimate peculiar pow'rs)
Must stand acknowledged, while the world shall stand,
The most important and effectual guard,
'Support and ornament of virtue's cause.
There stands the messenger of truth : there stands
The legate of the skies ; his theme divine,
His office sacred, his credentials clear.
By him, the violated law speaks out 34.0
Its thunders, and by him, in strains as sweet
As angels use, the Gospel whispers peace.
He stablishes the strong, restores the weak,
Reclaims the wand'rer, binds the broken heart,
And, arm'd himself in panoply complete
Of heav'nly temper, furnishes with arms
Bright as his own, and trains, by ev'ry rule
'Of holy discipline, to glorious war,
The sacramental host of God's elect
Are all such teachers? would to heav'n all were ! 350
But hark the Doctor's voice fast wedged between
Two empirics he stands, and with swoln cheeks
Inspires the news, his trumpet Keener far
Than aii invective is his bold harangue,
While through that public organ of report
He hails the clergy ; and, defying shame,
Announces to the world his own and theirs.
He teaches those to read, whom schools dismissal,
And colleges, untaught ; sells accent, tone,
And emphasis in score," and gives to pray'r 360
Th' adagio and andante it demands.
He grinds divinity of other days
Down into modern use ; transforms old print
To zigzag manuscript, and cheats the eyes
Of gall'ry critics by a thousand arts.
Are there who purchase of the Doctor's ware?
Oh name it not in Gath ! it cannot be,
That grave and learned Clerks should need such aid.
He doubtless is in sport, and does but droll,
Assuming thus a rank unknown before, 37
Grand caterer and dry-nurse of the church.
I venerate the man whose heart is warm,
Whose hands are pure, whose doctrine and whose life.
[COWPER'S TASK See Page 6.]
[Specimen Page, No. 6.]
NOTES TO THE TIMEPIECE. 87
getfer as with a close seal The flakes of his flesh are
joined together : they are firm in themselves ; they cannot be
moved."
Hobbes, in his famous book to which he gave the title Levia-
than, symbolised thereby the force of civil society, which he
made the foundation of all right.
315-325 Cowper's limitation of the province of satire that it
is fitted to laugh at foibles, not to subdue vices is on the whole
well-founded. But we cannot forget Juvenal's famous "facit
indignatio versum," or Pope's no less famous
" Yes, I am proud : I must be proud to see
Men not afraid of God, afraid of me :
Safe from the bar, the pulpit, and the throne,
Yet touched and shamed by ridicule alone."
326-372 The pulpit, not satire, is the proper corrector of sin.
A description of the true preacher and his office, followed by one of
the false preacher, ' ' the reverend advertiser of engraved sermons. "
330 Strutting and vapouring. Cf. Macbeth, v. 5-
" Life 's but a walking shadow, a poor player,
That struts and frets his hour upon the stage,
And then is heard no more ; it is a tale
Told by an idiot, full of sound and fury,
Signifying nothing."
" And what in real value 's wanting,
Supply with vapouring and ranting." HUDIBRAS.
331 Proselyte, irgi/rfauros, a new comer, a convert to Judaism.
338 His theme divine. Nominative absolute.
343 Stablishes. Notice the complete revolution the word has
made stabilire, etablir, establish, stablish ; cf. state, &c.
346 Of heavenly temper. Cf. Par. Lost, i. 284, " his ponder-
ous shield etherkl temper." See note on Winter Morning Walk,
1. 664.
349 Sacramental. Used in the Latin sense. Sacramentum was
the oath of allegiance of a Roman soldier. The word in its
Christian sense was first applied to baptism the vow to serve
faithfully under the banner of the cross. See Browne on the Thirty-
nine Articles, p. 576-
350 Would to heaven. A confusion between ' ' would God " and
" I pray to heaven. "
351 A picture from the life of a certain Dr Trusler, who seems
to have combined the trades of preacher, teacher of elocution,
writer of sermons, and literary hack.
352 Empirics, Ipviigixot, one who trusts solely to experience or
practice instead of rule, hence a quack. The accent is the same
as in Milton (an exception to the rule. See note on Sofa, L 52).
[COWPER'S TASK See Page 6.]
[Specimen Page, No. 7.]
Practice.
'57
thus : if the articles had cost i each, the total cost
would have been ^"2478 ;
.-. as they cost of i each, the cost will be i ^- s -, or .413.
The process may be written thus :
3^. $d. is of i I ,2478 = cost of the articles at \ each.
^413 = cost at y. A/d. . . .
Ex. (2). Find the cost of 2897 articles at 2. izs. pu-".
each.
2 is 2 x i I 2897 . 0.0 = cost at i each.
i or. is | o
2s. is | of ioj.
8</. is j of 2s.
id. is | of 8<
5794 . 0.0= ^2 ....
1448 . 10 o = ior
289 14 o = 2s
96 . 1 1 . 4 = 8d. . . . .
12 . 1.5= i</.....
^7640 . 16 . 9 = 2. i2s.gfi.Qzch.
NOTE. A shorter method would be to take the parts
thus:
lay. = | of i ; 2s. 6d. = of iar. ; 3^. = ^ of 2J. 6</.
Ex. (3). Find the cost of 425 articles at 2. 18$. $d.
each.
Since 2. i8s. $d. is the difference between ^3 and
is. %d. (which is ^ ^ l }i tne shortest course is to find
the cost at ^3 each, and to subtract from it the cost at
is. %d. each, thus :
' - r
425 . 0.0 = cost at ,1 each.
T. M. is-^of^i 1275. 0.0= ^3----
35 . 8.4= is. %d. each.
.1239 .11.8= 2. i8s. 40". each.
[J. HAMBLIN SMITH'S ARITHMETIC See Page 10.]
{.Specimen Page, No. 8.J
Book L] "PROPOSITION XLI. 67
PROPOSITION XLT, THEOREM.
If a parallelogram and a triangle be upon the same base, and
between the same parallels, the parallelogram is double of the
triangle.
^4. D "El
Let the O ABCD and the A EEC be on the same base BO
and between the same ||s AE, BC.
Then must O ABCD be double of A EBC.
Join A C.
Then A ABG= A EBG, v they are on the same base and
between the same ||s ; I. 37.
and O ABCD is double of A ABC, v AC is a diagonal of
ABCD ; I. 34.
.-. 7 ABCD is double of A EBC.
Q. E. D.
Ex. 1. If from a point, without a parallelogram, there be
drawn two straight lines to the extremities of the two opposite
sides, between which, when produced, the point does not lie,
the difference of the triangles thus formed is equal to half the
parallelogram.
Ex. 2. The two triangles, formed by drawing straight lines
from any point within a parallelogram to the extremities of
its opposite sides, axe together half of the parallelogram.
[J. HAM-BLIN SMITH'S GEOMETRY See Page 1 1.]
[Specimen Page, No. g.J
CARBONIC ANHYDRIDE.
S3"
fcometimes carbonic anhydride is produced in wells, and, being
BO much heavier than air, it remains at the bottom. If a man
goes down into such a well, he will have no difficulty at first,
because the air is good ; but when he is near the bottom, where
the gas has accumulated, he will gasp for breath and fall; and if
anyone, not understanding the cause of his trouble, goes down to
assist him, he too will fall senseless, and both will quickly die..
The way to ascertain whether carbonic anhydride has accumu-
lated at the bottom of a well is to let a light down into it. If it
goes out, or even burns very dimly, there is enough of the gas
to make the descent perilous. A man going down a well shoxild
always take a candle with him, which he should hold a consider-
able distance below his mouth. If the light burns dimly, he
should at once stop, before his mouth gets any lower and he
takes some of the gas into his lungs.
When this gas is in a well or pit, of course it must be ex-
pelled before a man can descend. There are several expedients
for doing this. One is to let a bucket down frequently, turning
it upside down, away from the
mouth of the well, every time it
is brought up, a plan which will
remind you of the experiment
represented in Fig. 24.
But a better way is to let down
a bundle of burning straw or shav-
ings, so as to heat the gas. Now
heated bodies expand, gases very
much more than solids or liquids,
and, in expanding, the weight of a
certain volume, say of a gallon,
becomes lessened. So that if we can
heat the carbonic anhydride enough
to make a gallon of it weigh less than a gallon of air, it will
rise out of the well just as hydrogen gas would do. Fig. 25
shows how you may perform this experiment upon a small scale.
[EASY INTRODUCTION TO CHEMISTRY Se: Page 13.]
1U.J
For Latin Prose Historical. 1 7
DISASTROUS RETREAT OF THE ENGLISH FROM CABUL.
IT took two days of disorder, suffering, and death to carry the
army, now an army no more to the jaws of the fatal pass.
Akbar Khan, who appeared like the Greeks' dread marshal from
the spirit-land at intervals upon the route, here demanded four
fresh hostages. The demand was acquiesced in. Madly along the
narrow defile crowded the undistinguishable host,-whose diminished
numbers were still too numerous for speed : on every side rang the
war-cry of the barbarians : on every side plundered and butchered
the mountaineers : on every side, palsied with fatigue, terror, and
cold, the soldiers dropped down to rise no more. The next day,
in spite of all remonstrance, the general halted his army, expecting
in vain provisions from Akbar Khan. That day the ladies, the
children, and the married officers were given up. The march was
resumed. By the following night not more than one-fourth of the
original number survived. Even the haste which might once havo
saved now added nothing to the chances of life. In the middle of
the pass a barrier was prepared. There twelve officers died sword
in hand. A handful of the bravest or the strongest only reached
the further side alive : as men hurry for life, they hurried on
their way, but were surrounded and cut to pieces, all save a few
that had yet escaped. Six officers better mounted or more fortu-
nate than the rest, reached a spot within sixteen miles of the goal ;
but into the town itself rode painfully on a jaded steed, with tho
stump of a broken sword in his hand, but one.
LIVY, xxi. c. 25, 7-10. xxxv. c. 30. xxiii. c. 24.
C/ESAR, BeU; Gall. v. c. 35-37.
DEFEAT OF CHARLES THE BOLD AND MASSACRE OF HIS
TROOPS AT MORAT.
IN such a predicament braver soldiers might well have ceased
to struggle. The poor wretches, Italians and Savoyards, six
thousand or more in number, threw away their arms and made
[SARGENT AND DALLIN'S MATERIALS AND MODELS .$><? Page 16.]
[Specimen Page, No. n.J
II.
ARIADNE'S LAMENT.
Madam, 'twas Ariadne passioning
For Theseus' perjury and nnjust flight.
Two GENTLEMEN OF VERONA, IV. 4, 173.
ARGUMENT.
ARIADNE tells the story of her first -waking, to find herself abandoned by
Theseus and left on an unknown island, exposed to a host of
dangers. (HEROIDES, x.)
The story is beautifully told by Catullus, in the " Epithalamium Pelei
et Thetidos:" it also forms one of the episodes in Chaucer's " Legende of
Goode Women: 1
Iwoke before it was day to find myself alone, no trace of my companions
to be seen. In vain I fdt and called for Theseus; the echoes alone gave
me answer.
QUAE legis, ex illo, Theseu, tibi litore mitto,
Unde tuam sine me vela tulere ratem :
In quo me somnusque meus male prodidit et tu,
Per facinus somnis insidiate meis. 107
Tempus erat, vitrea quo primum terra pruina 112
Spargitur et tectae fronde queruntur aves :
Incertum vigilans, a somno languida, movi 97
Thesea prensuras semisupina manus :
Nullus erat, referoque manus, iterumque retempto,
10 Perque torum moveo brachia : nullus erat.
Excussere metus somnum : conterrita surgo,
Membraque sunt viduo praecipitata toro. 123
Protinus adductis sonuerunt pectora palmis, 111
Utque erat e somno turbida, rapta coma est
Luna fuit : specto, siquid nisi litora cernam ;
Quod videant, oculi nil nisi litus habent. 150
Nunc hue, nunc illuc,et utroque sine ordine curro;
Alta puellares tardat arena pedes.
Interea toto clamanti litore " Theseu ! " 121
20 Heddebant nomen concava saxa tuum,
Et queries ego te, toties locus ipse vocabat :
Ipse locus miserae ferre volebat opem. 1063
[TAYLOR'S OVID See Page 16.]
\Speci>nen Page, No. 12.]
STORIES FROM OVID.
174. Ptmica poma, pomegranates.
1 78. Taenarrun, at the southern extremity of Peloponnesus, was one
of the numerous descents to Tartarus. Cf. Virgil, Georg.
IV. 467 :
Taenarias etiam fauces, alta ostia Ditis.
1 79. Factura fait. This periphrasis for fecisset is to be noted ; it is
the one from which the oblique forms are all constructed,
e.g. , facturam fitisse, or factura Juisset.
183. Cessatis, one of a goodly number of intransitive verbs of the
first conjugation which have a passive participle. Cf. crratas,
above, 139, clamata, 35. So Horace, regnata Phalanto rura
(Odes, II. 6, 12); triumphatae gentes (Virgil).
II. IV.
ARIADNE.
THIS and the two following extracts, though taken from different
works, form a definite sequence. Ariadne, daughter of Minos, king of
Crete, has helped Theseus to conquer the Minotaur, by giving him a
clew to the maze in which the monster was hid, and, being in love with
him, has fled in his company. They put in for the night to the island of
Dia, and Theseus on the next morning treacherously sails away, leaving
the poor girl alone. The first extract is part of an epistle which she is
supposed to write on the day when she discovers his perfidy.
The name Dia, which belonged properly to a small island off the
north coast of Crete, was also a poetical name for Naxos, one of the
largest of the Cyclades. It may have been this fact which led to the
further legend which is recounted in the next extract, how Ariadne,
lorn of Theseus, becomes the bride of Bacchus ; for Naxos was the
home of the Bacchic worship. As the completion of the legend she is
raised to share in Bacchus' divine honours, and as the Cretan Crown
becomes one of the signs of the heavens.
II.
ARIADNE'S LAMENT,
i. Hlo, sc. Diae.
4. Per facinus, criminally.
5. Describing apparently the early dawn, or the hour that precedes
it, when the night is at its coldest, and the birds, half-awake,
begin to stir in their nests. Pruina hints that it is autumn.
7. A beautifully descriptive line But half-awake, with all the
languor of sleep still on me.
A somno = after, as the result of.
8. Semisupina, on m? side, lit., half on my back, describes the
motion of a person thus groping about on waking. Cf.
Chaucer :
Ryght in the dawetiynge awaketh shee,
And gropeth in the bed, and fonde ryghte noghte.
[TAYLOR'S OVID See Page 16.]
[Specimen Page, No. 13.]
55-87] AENEIDOS, LIB. XL
55 haec mea raagna fides? at non, Euandre, pudendis
volneribus pulsum aspicies, nee sospite dirum
optabis nato funus pater, ei mihi, quantum
praesidium Ausonia, et quantum tu perdis, lule !
Haec ubi deflevit, tolli miserabile corpus
60 imperat, et toto lectos ex agmine mittit
mille viros, qui supremum comitentur honorem,
intersintque patris lacrimis, solacia luctus
exigua ingentis, misero set debita patri. ,
haut segnes alii crates et molle feretrum
65 arbuteis texunt virgis et vimine querno,
extructosque toros obtentu frondis inumbrant.
hie iuvenem agresti sublimem stramine ponunt;
qualem virgineo demessum pollice florem
seu mollis violae, seu languentis hyacinthi,
70 cui neque fulgor adhuc, nee dum sua forma recessit;
non iam mater alit tellus, viresque ministrat.
tune geminas vestes auroque ostroque rigentis
extulit Aeneas, quas illi laeta laborum
ipsa suis quondam manibus Sidonia Dido
75 fecerat, et tenui telas discreverat auro.
harum unam iuveni supremum maestus honorem
induit, arsurasque comas obnubit amictu ;
multaque praeterea Laurentis praemia pugnae
aggerat, et longo praedam iubet ordine duci.
80 addit equos et tela, quibus spoliaverat hostem.
vinxerat et post terga manus, quos mitteret umbris
inferias, caeso sparsuros sanguine flammam ;
indutosque iubet truncos hostilibus armis
ipsos ferre duces, inimicaque nomina figi.
85 ducitur infelix aevo confectus Acoetes,
pectora nunc foedans pugnis, nunc unguibus ora;
sternitur et toto proiectus corpore terrae.
[STORR'S VERGIL See Page i6.J
{Specimen Page, No. 14.]
50-7 1 j BOOK XL
Comp. Gear. ii. 80, Nee longuni ternpus et . . . exiit . . , arbos, C.
But as these are the only two instances of the construction adduced it is
perhaps safer to take et = even.
51 nil lam, etc.] The father is making vows to heaven in his son's
behalf, but the son is gone where vows are neither made nor paid.
55 haec mea magna fides] 'Is this the end ol all my promises?'
Magna may be taken as 'solemn,' or 'boastful.'
pudendis volnerious] All his wounds are on his breast.
56 dlrum optabis funus = morti devovebis. Compare the meaning of
dirae, xii. 845.
59-99] A description of the funeral rites. Aeneas bids his last farewell.
59 Haec ubi deflevlt] 'His moan thus made.' De in composition has
two opposite meanings : (i) cessation from or removal of the fundamental
ideas, as in decresco, dedoceo, etc. ; (2) (as here) in intensifying, as debetto,
d emir or, desaevio.
61 honorem] Honos is used by V. for (i) a sacrifice, iii. 118; (2) a
hymn, Gear. ii. 393 ; (3) beauty, Aen. x. 24 ; (4) the ' leafy honours ' of
trees, Gear. ii. 404 ; (5) funeral rites, vi. 333, and here. See below, /. 76.
63 solatia] In apposition to the whole sentence ; whether it is nom. or
ace. depends on how we resolve the principal sentence ; here, though
solatia applies to the whole sentence, its construction probably depends on
the last clause, which we may paraphrase, ut praesentes (ri> fureiycu) suit
solatia ; therefore it is nom.
64 crates et molle feretrum] The bier of pliant osier : cf. /. 22.
66] Cf. Statius, Theb. vi. 55, torus et puerile feretrum.
obtentu frondls] 'A leafy canopy.' C. understands 'a layer of leaves.
67 agresti stramine] 'The rude litter.'
68] Cf. ix. 435 ; //. viii. 306,
/j.r/K<av &' ws ere'pwcre Koprj fi<i\ev t ^7 ti>c KJ)Ty
Kapitta /SpiOoficVi} 1/OTiJjcri re eiopiyjjoii''
us erepwcr' T^xvcre xapr) mjAijiu flapwdev.
' Even as a flower,
Poppy or hyacinth, on its broken stem
Languidly raises its encumbered head.' MILMAN.
69 languentis hyacinth!] The rhythm is Greek. The ' drooping hya-
cinth ' is probably the Lilium Martagon or Turk's-cap lily, ' the sanguine
ilower inscribed with woe. '
70] 'That hath not yet lost its gloss nor all its native loveliness.' Re-
cessit must apply to both clauses. ' If we suppose the two parts of the
line to contain a contrast, the following line will lose much of its force, *
C. Compare the well-known lines from the Giaour, ' He who hath bent
him o'er the dead,' etc.
71] Contrast the force of neque adhuc, nee dum, and non iam ; 'the
brightness not all gone,' ' the lines where beauty lingers,' and ' the support
and nurture of mother earth cut off once and for all.'
[STORR'S VERGIL See Page 16.]
^Specimen Page, No. !$.]
34-42] The Meal in Simons House. 89
36. iva <j>dyy] In modern Greek, which properly speaking
has no infinitive, the sense of the infinitive is expressed by vd
(iva) with subjunctive (as in this passage), e.g. firiOvpu va
vpd<t>y, 'I wish him to write;' see Corfe's Modern Greek
Grammar, p. 78. This extension of the force of Iva. to oblique
petition, and even to consecutive clauses, may be partly due to
the influence of the Latin ut; cf. ch. xvi. 27, t/xorw ovv, jrdrep,
iva Tre/zi/^s : see note on ch. iv. 3.
The following incident is recorded by St. Luke alone.
Simon the Pharisee is not to be identified with Simon the
leper, Matt, xxvi., Mark xiv. 3.
dvfK\i 8rj] The Jews had adopted the Roman, or rather Greek,
fashion of reclining at meals a sign of advancing luxury and of
Hellenism, in which however even the Pharisee acquiesces.
37. ywrj] There is no proof that this woman was Mary
Magdalene. But mediaeval art has identified the two, and
great pictures have almost disarmed argument in this as in
other incidents of the gospel narrative.
38. dAa/3ao-T/3ov] The neuter sing, is Hellenistic. The
classical form is aA.a/2ao-T/>os with a heteroclite plural aAa-
/3ao-T/ja, hence probably the late sing. dXd^aa-rpov. The
grammarian stage of a language loves uniformity, Herod.
iii. 20 ; Theocr. xv. 114 :
trrao-a irapa TOVS TroSas avrou] This would be possible from
the arrangement of the triclinium.
39. lyi'voxr/cev av] ' Would (all the while) have been recog-
nising.'
40. x/ 3ew< t ^ TCU ] -A- ^te word; the form varies between
Xpew<etAeTai and x/oco^etAerai.
41. Srjvdpia] The denarius was a silver coin originally
containing ten ases (deni), afterwards, when the weight of
the as was reduced, sixteen ases. Its equivalent modern
value is reckoned at 7^d. But such calculations are mis-
leading ; it is more to the point to regard the denarius as
an average day's pay for a labourer.
42. /XT) IXOVTWI/] Because he saw tJiat thev had net.
c^apicrarol C v. 21.
[CARR'S NOTES ON THE GREEK TESTAMENT .Si* Page 23.]
INDEX
HISTORY . . .
ENGLISH . . .
MATHEMATICS
SCIENCE . . .
MISCELLANEOUS
PAGE i
ABBOTT (E.), Selections from Lucian 19 '
Elements of Greek Accidence 18 i
and Mansfield's Primer of
Greek Accidence
Alford (Dean), Greek Testament .
Anson (W. R.), Age of Chatham .
Age of Pitt
Aristophanes, by W. C. Green .
Scenes from, by Arthur
Sidgwick
Aristotle's Ethics, by Edward Moore
by J. E. T. Rogers
Arnold (T. K.), Cornelius Nepos .
Crusius' Homeric Lexicon
Demosthenes ....
Eclogae Ovidianse . . .
English-Greek Lexicon .
First French Book .
First German Book . .
First Greek Book . . .
^-^^ First Hebrew Book. . .
First Verse Book . . .
Greek Accidence . . .
Greek Prose Composition .
Henry's First Latin Book.
Homer for Beginners . .
Homer's Iliad ....
Latin Prose Composition .
Madvig's Greek Syntax .
Sophocles
23
4
4
24, 26
20
BAKER'S (W.) Manual of Devotion
for School-boys 28
Barrett (W. A.), Chorister's Guide . 31
Bennett (G. L.), Easy Latin Stories 14
Bigg (Ch.), Exercises in Latin Prose 14
Thucydides .... 25, 26
Blunt (J. H.), Household Theology 28
Keys to Christian Knowledge :
The Holy Bible.The Prayer Book,
Church History. (Ancient and
Modern), Church Catechism . . 29
Bowen (E.), Napoleon's Campaigns 30
Bridge (C.), French Literature . . 4
Bright (J. Franck), English History i
Hist, of French Revolution . 4
Browning (Oscar), Great Rebellion. 4
Historical Handbooks . 2-4
Building Construction, Notes on . 13
CALVERT (E.), Selections from Livy is
Carr (A.), Notes on Greek Testament 23
Companion to the Old Testament . 28
Cornelius Nepos, by T. K. Arnold . iS
Crake (A.D.), History of the Church 5
Creighton (M.), Historical Bio-
graphies 5
PAGE
LATIN 14
GREEK 18
CATENA CLASSICORUM . . 26
DIVINITY ' . . 27
.... 30
PAGE
Crusius' Homeric Lexicon, by T. K.
Arnold 21
Curteis (A.M.), The Roman Empire ' 3
DAVYS (Bishop), Hist, of England 5
Demosthenes, by T. K. Arnold . . 22
by G. H. Heslop . 22, 26
by Arthur Holmes . 22, 26
ENGLISH SCHOOL CLASSICS, edited
by Francis Storr 6, 7
Euclid, by J. Hamblin Smith . . n
Euripides, Scenes from, by Arthur
Sidgwick 20
FIRMAN (F. B.), and Sanderson (L.),
Zeugma iS
Foster (George Carey), Electricity 12
Sound . 12
Fradersdorff (J. W.) English-Greek
Lexicon 25
GANTILLON (P. G. F.), Classical Ex-
amination Papers 16, 22
Gedge (J. W.), Young Churchman's
Companion to the Prayer Book . 28
Gepp (C. G.), Latin Elegiac Verse . 15
Girdlestone (W. H.), Arithmetic . n
Goolden (W. T.), and Rigg (A.),
Chemistry 13
Goulburn (Dean), Manual of Con-
firmation 29
Greek Testament, by Dean Alford 23
by Chr. Wordsworth 23
Green (W. C.), Aristophanes . . 24, 26
Grenfell's (E. F.) First German Exer-
cises 30
Gross (E. J.), Algebra, Part n. . . 10
Kinematics and Kinetics . . 10
HERODOTUS (Stories from), by J.
Surtees Phillpotts 19
by H. G. Woods . . 24, 26
Heslop (G. H.), Demosthenes . . 22, 26
Historical Biographies, edited by M.
Creighton 5
Historical Handbooks, edited by
Oscar Browning 2-4
Holmes (Arthur), Demosthenes . 22, 26
Rules for Latin Pronunciation 14
Homer for Beginners, by T. K.
Arnold 21
Homer's Iliad, by T. K. Arnold . 21
by S. H Reynolds. 21, 26
Books l.-iv., by A.
Sidgwick 21
Book vi., by J. S.
Phillpotts 20
Horace, by J. M. Marshall . . .17, 26
INDEX.
PAGE
lOPHON 19
Isocrates, by J. E. Sandys . . .22, 26
JEBB (R. C.), Sophocles . . . . 24, 26
Supremacy of Athens 4
Juvenal, by G. A. Simcox . . . 17, 26
KEYS TO CHRISTIAN KNOWLEDGE 29
Kitchener (F. E.), Botany for Class
Teaching 12
(F. A.), a Year's Botany 13
LA FONTAINE'S FABLES, by P.
Bowden-Smith 30
Latham (R. G.) Dictionary of the
English Language 8
Laun( Henri Van), French Selections 31
Laverty's (W. H.), Astronomy . . 12
Livy, Selections from, by R. Saward
and E. Calvert 15
Lucian, by Evelyn Abbott ... 19
MADVIG'S GREEK SYNTAX, by T. K.
Arnold 23
Mansfield (E. D.), Latin Sentence
Construction 14
Manuals of Religious Instruction . 27
Marshall (J. M.) Horace . . . . 17, 26
Moberly (Charles E.), Shakspere . 8
Arrian's Alexander the
Great in the Punjaub .... 19
Xenophon's Memorabilia,
Book i so
Moore (Edward), Aristotle's Ethics. 25
NORRIS (J. P.), Key to the Gospels 29
to the Acts . 29
Instruction
Manuals of Religious
- Rudiments of Theology
-Easy Lessons to Candi-
dates for Confirmation .
29
OVID, Stories from, by R.W.Taylor 16
Ovidianae Eclogx, by T. K. Arnold 16
PAPILLON (T. L.), Terence . . .17, 26
Pearson (Charles), English History
in the XlVth Century .... 2
Pelham (H. F.), The Roman Revo-
lution 4
Phillpotts (J. Surtees), Stories from
Herodotus ....... 19
Shakspere's Tempest. . 8
Homer's Iliad, Book vi. 20
Pretor (A.), Persii Satirae . . .17, 26
REID (J. S.), History of Roman
Political Institutions .... 4
Reynolds (S. H.), Homer's Iliad . 21, 26
Richardson (G.), Conic Sections . n
Rigg (A.), and Goolden (W. T.),
Introduction to Chemistry . . 13
Science Class-books. . 12
Rivington's Mathematical Series . 9
Rogers (J. E. T.), Aristotle's Ethics 25
STE. BEUVE'S Marechal de Villars,
byH. W.Eve 30
Sanderson (L.), and Firman (F. B.),
Zeugma . 18
Sandys (J. E.), Isocrates . .. . 22, 26
Sargent (J. Y.) and Dallin (T. F.),
Materials and Models, &c. . . 16
Sargent ( J .Y.) Latin Version of (60)
Selected Pieces 16
Saward (R.), Selections from Livy . 15
Science Class Books 12
Shakspere's As You Like It, Mac-
beth, Hamlet, and King Lear, by
C. E. Moberly 8
Coriolanus, by R. Whitelaw 8
Tempest, by J. S. Phillpotts 8
Merchant of Venice, by R.W.
Taylor 8
Sidgwick (Arthur), Scenes from
Greek Plays 20
Greek Prose Composition . 1 8
- Homer's Iliad, Books l.-iv. . 21
Simcox (G. A.), Tuvenal . . . . 17, 26
, Juv
Thu
cydides .
Simcox (W. H.), Tacitus .
Smith (J. H.), Arithmetic
Key to Arithmetic .
Elementary Algebra .
Key to Algebra . .
Enunciations .
Exercises on Algebra.
Hydrostatics ...
Geometry ....
Statics
Trigonometry . . .
Key to Trigonometry
Latin Grammar
25, 20
17, 26
English Grammar
(P. Bowden), La Fontaine's
Fables
(Philip V.), History of English
Institutions , ,
(R. Prowde), Latin Prose Ex-
ercises
Sophocles, by T. K. Arnold .
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by R. C. Jebb . . .24, 26
Storr (F.), English School Classics 6, 7
Greek Verbs . . 18
Vergil's Aeneid,
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TACITUS, by W. H. Simcox . . .17, 36
Taylor (R. W.), Stories from Ovid . 16
Merchant of Venice . . 8
Anabasis of Xenophon. . 21
Terence, by T. L. Papillon ... 17, 26
Thiers' Campaigns of Napoleon, by
E. E. Bowen 30
Thucydides, by C. Bigg .... 25, 26
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VECQUERAY (J. W. J.), First Ger- ,
man Accidence 30
Vergil's Aeneid, Books xi. xn., by
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WAY OF LIFE 29
Whitelaw (Robert), Coriolanus . . 8
Willert (F.), Reign of Lewis XI. . 2
Wilson (R. K.), History of Modern
English Law 3
Woods (H. G.), Herodotus . . .24, 26
Wordsworth (Bp.), Greek Testament 23
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XENOPHON'S Memorabilia, Book I.,
by C. E. Moterly ..-,.. 20
YouNG(SirG.),History of the United
States 4
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