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UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN
'^-->/iO"cOi^.<:^!::s^
Lie I— 0-1096
CHARLES DILLINGHAM Presents
10NTG0MERY and STONE
AND
ITY Of lUINOI^
EL51E JANI5 -^^
in a New Mu5ica.l Comedy S48
he [ADY of rhe VlIPPER.
Book by
ANN CALDWELL
dr\d
LAURENCE MCCARTY
LyriC3 by
JAME5 O'DEA
i
f
^
M.WlT/AAUK 6 50N5_
NEW YORK CHICAGO 5AN FRANCI3C0 LONDON
4
r
CHARLES DILLINGHAM
PRESENTS
MONTGOMERYand STONE
and ELSIE JANIS
in a New Musical Comedy
leLADYofthegLIPPER
Book by
ANNA CALDWELL
and
LAURENCE H^ CARTY
Lyrics by
JAMES O'DEA
MUSIC BY
Victor Herbert
Price|2P=o,
net
M.WiTMARK (g> Sons,
NEW YORK -CHICAGO -SAN FRANCISCO • LONDON -PARIS
MELBOURNE-
( opiirt^M(HXIIt>ijl^WitmirkikSoiis- Entered at SUtionfrs Hall bindaning.
International Ctipyright Secured.
RIGHTS OF PERFORMANCE RESERVED.
J
MjI/^L—J^ Montgomery and Stone and Elsi
' ^ In a Musical Fantasy in Three Ac
CHARLES DILLINGHAM
Presents
iie Janis
Fantasy in Three Acts
THE LADY OF THE SLIPPER
Or A Modern Cinderella
Book by
ANNA CALDWELL ^y**^* ^ M"*"<= ^y
& LAWRENCE McCARTY J^MES o'DEA VICTOR HERBERT
CAST OF CHABACTERS
THE CROWN PRINCE MAXIMILIAN Doug-las Stevenson
PRINCE ULRICH, his brother Eug-ene Revere
CAPTAIN LADISLAW, aide-de-camp to MaximJliaii James G. Reaney
BARON von NIX, Cinderella's Father Charles Mason
ATZEL, the Baron's butler Vernon Castle
MO USER, the Baron's cat â– David Abrahams
ALBRECHT, a shoemaker Samuel Burbank
LOUIS, his assistant Harold Russell
JOSEPH, a miUiner Edg-ar L. Hay
MATTHLA.S, a furrier Ed. Randall
PUNKS \ i David C. Montg-omery
SPOOKS \ P''°'" 'h'' Cornfield ^ p^ed A.Stone
CINDERELLA Elsie Janis
DOLLBABLA. \ ( Lillian Lee
FREAKETTE j Cinderella's Step-Sisters j Queenie Vassar
ROMNEYA Allene Crater
THE FAIRY GODMOTHER Vivian Rushmore
VALERIE, maid at the Baron's , . . . Peg-g-y Wood
SOPHIA, Albrecht's wife Florence Williams
IRMA, Joseph's wife Edna Bates
CLARA, Louis' wife Helen Falconer
LUDOVICA, Matthias' wife . " Gladys Zell
MAIDA Lillian Rice
GRETCHEN Ang-ie Weimers
PREMIERE DANSEUSE Lydia Lopoukowa
Courtiers, Soldiers, Ladies-In-Waiting:, Oriental Women of the Harem, etc.
% -■—
SYNOPSIS OF SCENES
Act I —Scene 1 -Kitchen in the Castle of Baron von Nix
Scene 2 — On the way to the Palace
Act IT —Ballroom in the Palace of Prince Maximilian
Act III - Scene 1 - The Baron's Kitchen
Scene 2— Throne room of the Prince's Pala«e
Stag-ed by ' R. H. Burnside
Musiciil Director W. E. McQuinn
The Lady Of The Slipper
Contents
Act I
1. OVERTURE 5
2. OPENING CHORUS Tradesmen, their Wives and Assistants 12
3a FOND OF THE LADIES Atzel,with Sophia, Irma, Clara, Ludovica, 32
LMaida, Gretchen and Chorus J
3^ ROMNEYA MUSIC 36
4. MEOW! MEOW! MEOW! CindereUa and Mouser 37
5. LIKE A REAL, REAL MAN Cinderella, Punks and Spooks 44
6. THE GARDEN PARTY Punks and Spooks 50
7. GAMES OF HALLOWE'eN Cinderella and Kiddies 55
8. WITCHES BALLET Dancing- Girls 60
9. THE RIDE TO THE CASTLE (End of First Act ) 64
Actn
10. OPENING CHORUS (Bal Masque), introducing- French Quadrille ... by Dancing- Giils. 67
11. EJTTRANCE OF CINDERELLA (Princess of Far Away) Cinderella, the Prince 74
L and Choru,-, J
12. THEM WAS OUR CHILDHOOD DAYS Punks and Spooks 87
13. BALLET SUITE Ensemble 91
LLydia Lopoukowa and Corps de Ballet J
14. BAGDAD Punks and Chorus 99
15. MY RUSSIAN GIRLSKI 103
16. A LITTLE GIRL AT HOME Prince Maximilian and Cinderella l06
17. PUNCH BOWL GLIDE Spooks 109
18. FINALE ACT n (Brums of all Nations) Ill
Actni
Scene 1
•19. ENTR'ACTE 119
20. HARLEQUINADE Punks and Spooks 122
HARLEQUIN. ......" Lillian Rice
COLUMBINE Helen Falconer
CAT Mouser
POLICEMEN Georg-e Melville, Edg-ar L. Hay and Georg-e Phelps
21. OPENING CHORUS March, The Lady Of The Slipper. . . . Captain Ladislaw and Chorus 126
Scene 2
22. PUT YOUR BEST FOOT FORWARD, LITTLE GIRL. . , . The Prince, Court Ladies 141
Land Pag-esJ
23. FINALE ULTIMO (And They Lived Happily Ever Afterwards) 145
The Lady Of The Slipper
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The Lady Of The Slipper
NP2
12
Opening Chorus
ACT I.
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lay - ing,.
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Prince will cho.ose a
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grace with high, with high re - nown His roy-
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31
The Lady Of The Slipper
32
N9 3a
Fond Of The Ladies
Atzel with Sophia, Irma, Clara, Ludovica,
Maida, Gretchen and Chorus
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Reared in lux - u - ry's am - pie lap. Sel - dom ev - cr I
I've a man-ner that's sure to please. Spoon - ing with me is
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33
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Smart so- ci - e -ty's la - test tricks,
Long be -fore I could ev - er vote,
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Iii-ter-est and a - muse me,nix, And
I would shy at a pet- ti-coat,And
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as for ra - ces and pol - i - tics Tliey get a - long with - out me. Tlieres
I've been chos-en to play the goat For scores and scores of dear - ies. I
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on - iy one thing 'neath the sun can make me sit up peart, That's
should per- haps e - vade their traps, But just to please them all, A-
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us - u - al - ly ac - corn-pan -icd by Tlie rus - tie of a skirt, for
gain and a- gain I jol- ly them when - blig - ing-ly I fall, for
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34
REFRAIN
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I'm fond of the la . dies, the la . dies, the la - dies, bless 'em, I
Sepeat f for Da /ice _^ .
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love them all, The short and tall, And they all love me.
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I'm fond of the la - dies, the la - dies, and all the rest of 'em.
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Shy A- me - lia, Prol-ic-some Flo, Dain- ty De - lia, Af- fa-ble Joe,
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35
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Al-ber-ti - na, Nat-ty and neat, Love - ly Le - na, Mer - ry and sweet.
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Teas - ing Tes - sie and Sweet Lou-ise, Bon-nie Bes-sie and Mer-ce-des,
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Mar - ga - ri - ta and Ma - ry Ann, lin a reg- u - lar la - dies man,
The Lady Of The Slipper
N9 3b
36
Romneya Music
Maestoso l<ir^mu>'n(e
^H
The Lady Of The Slipper 37
Meow! Meow! Meow!
DUET
■^^ • T^ Cindy and Mouser
Allegro giocoso
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CINDY
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"Hey, did - die, did - die, the cat and the f id - die!' thus
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run-neth the an - cient rhyme. _
MOUSER
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Mee - OM', mee - ow, mee - owl
Mee-
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That
rhyme it was writ-ten when
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ow
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time?
you were a kit - ten, or long be -fore that
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ife
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ow, mee-ow, mee - ow!
Mee - ow - ow - owl-
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iiev-er was yetan- y mous-er I met con - nect-ed with fid-die or band, Ex-
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cept in the case of a string for a bass, or tre-ble,youun - der - stand And
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that's x^liy I laugh and mer.ri-ly chaff the dit-ty Ive quot - ed now, For
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40
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^ all that a cat knows of nius - ic and that is Mee - ow, mee - ow, mee -
J 7- J J'
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Mee - ov.-, mee - ow, mee
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Refrain
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owl.
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Mee
ow, mee - ow, mee - owl
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My, what a fiend - ish rowl
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Well, what's the mat-ter, now?
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I conld-n't sing an-y bet-ter thanthat, so screech- ing - ly high and so
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fierce - ly flat, I'd call my -self . a sick old cat.
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42
j^ll J ^J' J i
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call my - self a
ow, mee - ow, mee
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sick old cat, Mee - ow, mee - ow, mee - owl
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Mee - ow, mee - ow, mee - owl.
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Dance
Me no mosso.
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i The Lady Of T\w Slipper 44
Like A Real, Real Mar.
N9 5 TKio
Cindy, Puiiks and Spooks
Tempo di Marcia {nni7nafo)
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CINDY
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The man who's nev - er teen in love, ex - cites my sjnn - pa-
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PUNKS
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Then o'er us make a fuss..
SPOOKS
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For tliat's the case with
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I nev - er could quite uii - dt-r-stand how bueli a thing could
us.
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It's real - ly quite ri - die - u - lous to me.
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I al-ways try to
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real - ly quite ri - die - u - lous, we see..
s.
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real - ly quite ri - die - u - lous, we see.
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46
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p i r r r" 't ^^#
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rt'c - ti - f y such ei-roi's when I
can.
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That's ver - y sweet of
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If you will but as
you.
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Ex - treme - ly thought -ful, too!
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sist me in my art -ful lit - tie plan,
111 teach you how to
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lovp nil' like
P.-
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real. real
man.
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Like a
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Like a
poco ri't.
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real, real man,
poco rit.
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like a real, real
man!.
real, real man,
f ' ^P F I P
like a real, real
man!
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REFRAIN
Mcno mosso
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Kii5S,kiss, kihs! thr.t is Ics-son one, the first tiling we must do.
m
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Kiss, kiss, kiss! that is les-son one, the first thing we must do..
^
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Kiss, kiss, kiss! that is les-son one, the first thing we must d5^
Repeat for Dance
t
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p g-rnzioso
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48
i
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5
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Fol-lows next the siin-ple lit -tk- text, of liow to bill and coo;
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Fol- lows- next tlie sim-ple lit - tie text, of how to bill and eoo;
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Fol-lows next the sim-ple lit - tie text, of how to bill and coo;
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Smile, dear.smil*
smile, dear, all the while, re-grjd me if you can.
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Smile, dear, smile
smile,dear, all the while, x'e - gard me if you can
w=^
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As a
m
fe^E^feil
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Smile, dear, smile
^M
smile, dear, all the while, re - gard me if you can.
m
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k^ ll
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[^ J' ^'' J' J- ^J- \ ^^1' '^' J' J 1 , J^ ^
tim - id lit - tie dove, while learn- ing how to love. like a
(fl^-' > J' J- ^i- UJ^ i' '^' J' J ||i ^1
tim - id lit - tie dove,
while learn -ing how to love. like a
gptJi ''' ' ^' ^^^-
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^
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like a
^
tim - id lit - tie dove.
Wliil.
learn- ing how to
love.
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49
i
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W^
mail .
^m
real,
real
mail .
P
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real,
real
man .
man .
s.^
real,
real
man.
man .
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Dance after Trio
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The Lady Of The Slipper
50
N9 6
The Garden Party
(Punks and Spooks)
Animato
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gar - den par - ty we at - tend - ed, not so long a - go,
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molto delicato
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friend- ly On - ion's strong ap-peal de - coyed us to the show, It
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51
UNIVEfiSITY OFjy.lNDia
LIBRARX'
f" i. J : J . . .IJ ., J' J' "I J Ji JT ^^
was the com- ing out af - fair of lit - tie I - ma Bean,
J?* lie filts^£ l!
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I - ma's com - ing out was quite the worst we've ev - er seen; While
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there we met a Mis - ter Beet who dared to Cau - li - flow'r, Young
â– 1^ ^^-^^^^ h. 1' > '";â– r 1 1' "r ^^
Mis -ter Beet was Pick- led, that's the rea - son he was Sour.
52
p- j' | ,A }'-i^~r -t^' M" P r ^
lit - tie Jor - sey Tu - ber vexed the Beet when, me oh mj-.' He
ff?i? ti^ti^^#r
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p' ji kj'- > ji ji ;â– J'' I ji h:- .'â–
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toe in the eye.
mashed that in - of - fen - sive Sweet Po
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Oh! Oh! that gar - den par - ty, all the guests were
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On - ion's, Pep
per
53
iE
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J'' J^ :'
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mom.
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mijit and Gar - lie d.iiiccii from iii.ght till
The
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Egg- - plants hatchod their eg-g-s tliat day, The
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Oys - ter - plants from Oys - ter - Bay, Heard tlie Sal - ad
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sing a bal lad to the ear of Corn.
V i^m -
i i i ir ry f I F r ria±id
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54
DANCE
^
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fyj (Xylophone - Solo)
m
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ii-
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The Lady Of The Slipper
55
NO 7
Games Of Hallow-e'en
Duo
Allegro vivo
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CINDY
BARON
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I know a day in the year that can beat alloth-er days for fun.
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Itliinki'm on to the day that you mean, Oc - to - ber thir - ty one!
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All Hal-low-een, I can see tliebright scene, kid-dies all gathered nigh, "With
loco
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bushels of doughnuts and sweetmggertoenuts,and lathers and slathers of pie._
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Gay Jack- o-lan-terns a- gleam in the gloom, each with a jol-ly grin,
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gai-ly we come a makingthiiigs hum and promptly the fun wouldbe - gin.
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58
Tempo diValselente.
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Hal -low - e'en!.
Hal- lowf- e'en!_
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Boys and girl-ies ad - ven- ture bound through Fol -ly - land se - rene.
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All the joys of the world we found in the games of Hal-low - e'en..
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The Lady Of The Slipper
60
N9 8
Witches Ballet
Moderate
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The Lady Of The Slipper ^4
The Ride To The Castle
N9 9 End of Act I
Allegro vivo
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(Whip)
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End of Act I
The Lady Of The Slipper
N9 10
Act II
Opening Chorus
Bal masque
Allegro brillante
.^^1
ENSEMBLE CHORUS
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bal mas-tiuc is a
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place they say that will
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68
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ad - die and mud - dlo one's
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sen - ses, For it's
there you'll meet the
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69
:
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dan cer:-
It is
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pal - pa - bly true to the
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is not much chance for an
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Pesante
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70
Tempo di Marcia
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bal mas - que.
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love and there's
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light and play.
and the
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fest the day,
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72
73
The Lady Of The Slipper
74
ACT II
N9 11
Entrance of Cinderella
and
Song
Princess of Far Away
Cinderella and Chorus
Allegro
3_: ' 3
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a tempo
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(Trumpets on stage).
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CAPTAIN LADISLAW /
A Prin-cess quite un - known, in
75
(|'-''i' r ^^ P'p P7' ^ ^ If V 1 ^
gold
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en char - i - ot but now has
en - tered through the
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Pal- ace gate;-
Then give to her, I
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76
ENSEMBLE
L'istesso tempo
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En - ttT, en - ter
la - fly fair and gra - cious,
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Wei - come,
Avel - come
Prin - cess from a - far.
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77
ph^' 'i J' l f^^^^
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will - ing - ly prof - ter,
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Prof - fer j'ou al - le - gi - ance,
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Stran - ger_
though you are.
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Lento espressivo
(Cinderella enters at back, comes down staircase slowly)
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Lento espressivo
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molto espress.
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(enraptured)
PRINCE pjp
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What won - drous
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grace,
what won -drous beau-ty
must hide be
s
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What won - drous grace,
what won- drous beau- ty
-VH'lt' ^ ^ F ^ ^
PP
K F F
79
m
^
hind
that mask of lace,- _
/
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My heart tells
must hide be - hind
that mask of lace.
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VPPrit.
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once and love her hid - den
face,
love her
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see at once and love her hid - den face, .
love her
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pej'dendosi
V1>P^,
The Lady Of The Slipper «1
Princess of Far Away
Cinderella, the Prince and Chorus
m
Allegro
CINDERELLA
J W S
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Moderato
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haps from a - far I've strayed;. A Prin-cess 1 may be
or
r' r r
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»iriid._ Per - haps I have dropped from the stars,.
I — 3 — I
â– -^M.,
82
rii.
^ ^^
Meno
^^
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I'm here, and my name let us
Meno
God-dess of V"e - nus or Mars,-.
j> ; J
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bent on
say
is Prin - cess of Far A
way,
*
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m
m
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Pill vivo
^
rit.
vM J' J' ^ ^' J' ;' ii i^
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whirl of the dance, of the dance.
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And grant me, yes grant me the
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Tempo di Valse
a tempo
Molto meno
83
f~^ — ( ^ t f 7> i f
W^
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on the breast
of the
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tide, .
With my love by my side;
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Just a chance
to en - trance
in the
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84
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T» W
Ian - guor- us dance,.
This a - lone is the
ffl
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r-
1
^oco rit.
r J I J ^ J I r J J u J j i P.J_J'i'i^-~ I
theme of each hope and each dream of the Prin-cess of Far A - way!.
fad:
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PPpoco rit.
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a tempo
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en
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Just to swa}',
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t
just to
^^
pky
itnia.
like a
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85
^
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moon-beam of
May, .
on the breast .
of the
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chance
to en - trance
in a Ian - guor - us
""sn^
dance.
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to
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This a - lone is the theme of each hope and each
^^
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87
The Lady Of The Slipper
N9 12 Them Was Our Childhood D^ys
Punks and Spooks
Moderate
y-c-^
*-^T^p- ^p n ^ w
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I loved a lit - tie g-irl, we loved no
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P
oth-er,
Some day she'U be a hap- py bride and groom,
Her
n j-n
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par-ents are her fa-ther and her moth-er, And she keeps a bil- liard ta-ble in her
^*^f'- f f^
m
^rt
CT=^
88
t V i I J', i Jl ^
â– w w w ' '-»â–
^
room:
We nev- er shall for-g-et At-lan-tic Cit- y,
Where
i
55?
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^^^^
4 - J J - jy =j
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p- • p- j >H*
^ J! it J'. ^
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^ g^ ^ T
first we met this lit - tie maid- en siveet,
UTien she went to swim the roll- ers could- n't
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g ? i
f^f^
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i
t i t
m
hi Ji J^iJ- i'i^ >Ji J^^
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roll her,
For she had her roll - er skates up - on her feet.
^m
^^
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* ^ J J
#f
w
^3 ' 3^
T-crtrr-^TTl
REFRAIN
^('^ J ^ r KP 1? p'^^ff r ^^
^^
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f
Oh, Splash! Lis-ten to the wave.
She
I
a
r-n
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^
t;E:r^j^^^
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^^^^
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i
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89
' ^' ^^^^'-^^F-FF-F i 'T- P n
boug^ht a safe-ty ra-zor and she's learn -ing" how to shave.
i
^^^nhHrTYTi i ^r i *
±±
Some pec -pie like to spend their g-old-en child- hood
r— ? — I
In
ri^.
a tempo
f-F M "F
I — 1 I r>.
=fci
Y \T~^
^^
?=F
Thurs-day, Fri - day, Sat-ur-day nig-ht, Them was our child-hood
days! .
D.C.
^
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rit.
Rtfi^
i
r/ tempo
^
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ii
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90
DANCE
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The Lady Of The Slipper
N9 13
91
Ballet Suite
(\ct n^
â– Ensemble
Maestoso
1 — 3 — I
r. f:»rgir
J Jit £ f?l
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92
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Moderate arm pre moUo rulnfo
Pizzicato iPolka")
Meno mosso
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f r f f rff r
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poco a
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Tempo di Valse
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Allegro moderato
S
Finale
i^ n J J >T^ ^1 1 ^*^
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Jfeno i/iosso, niolto mnrcnfo
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The Lady Of The Slipper
NP 14
99
Bagdad
Punks and Chorus
VICTOK
\^mf^^n^ I ;, ^ ^ ^l \ ^ i
( Slave Salaams ) lenter Oirls)
/T\
^^
^
(Punks enters)
11 J J'
yi — ir I r
nz
^
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w
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7
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f
P
^^^y^^^^^v^^
100
fe^
s
P P i ' J'ii' Jmu' i J-'^j^jJ j-j-^ p r i r F
^
Tur-key, Chi a cam-el tall and jer-key You can joiir-ney thei'e and . see Just ]iow
i^i'\y ihj^ t,ip
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m
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r^=5
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m
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tet
S
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great it used to be7
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ss
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fct
i ji i I J' J' p M P p . ■^' •^' I ^' ^' F P I F ^^
Min-a - rets and temples, gaud-y rugs and car -pets real and shod-dy, Gay ba •
V i— J).
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poco rnf.
a fptnpo
P P I P J^ ^' ^J' I ^^ -' ' i ^^' ^
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zars that make you say, Dream-ing of a by - gone day.
^
^^^
m
s*
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1,^
r.. ^?
^
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poco rti
a tempo V^
^
^^^
CJ cJ
s
101
REFRAIN
rrp-rr
^^
i
^3^
'Life
waa fair and fine in Bag - dad.
m]U \ uuu \ u iiu\unu
fp ^ ^ > ^ ^ fp .
i
T if 1?
^^
Sip
^
^
^^
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^
5^
=^
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dan
cmg
girls
en - tran
cuig
And
^^
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f' I iji ;- i'
(^spoken)
^
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oh,
Ihose pink A - ra - biau nights. Ah!
(
102
*
m
Girl
PIP p p Jm J' j^
ies gay in silk -en trou - sers,.
»*
tf=*
^
^
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^
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P' pr l i P n i ip ^ t i ( J, .h i j^ ^^
No? No?
8
Suf -fragettes?
Biit tlie worn - an of the
1
^^
^^
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g
ff
s
i
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CJ 'CJ «E£B
s ^
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P J-. .K I J' J^ i' J' I J' P ^
P ^ P P P
har - cm kiiew ex - act - ly how to M'ear them In O - ri - en -taJ
m
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m
aijE^lEES
f
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J'^ ? -I
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J'^ i II
Bag - dad, long a - go."
The Lady Of The Slipper
N9 15
1Q3
My Russum Girlski
^-jr^ ^^J- p JM J 7 J ' |i' i' P-M-f^ ^^
m
%
^^
F
ii=
f
=F
J
is.-ki I can't ex-plain- o - vitch why tv -'ry-lliinp:llmts Rus-sian gets to
I M i
^m
^«=F
e
^
JEX^^cr^n^J .M J'i' n J' I
me
Ive got a Rus-sian sa-ble And on a Rub-sian
1^ J' J JiJil J'' J'P j' I ^^TT^
^
ta-ble Ive a Rus-sian sa-mo - vai- for Rus-sian , tea;
Ive a
104
p p J^ t j),, ; I J, J' ;^ J' ip J' ^ ^
^
rash -ill' liis - po - si-tion, that is why I used to rush
' M^ ii»
P§
^
tC.' *
:iy iy (dd^^
=^
^^
^^
to
H
^^
^^
^
E
i
P ^' ti''' ii
^
lit -tie Rus - sian girl -ski o'er the seas;
Her
J=
^ ^^ IjJ
gaa
^ y^=^
t
-#— f-
hn r r «r )
^^
^nig_J
* ^
T >A „l_j T • li - n ^1* Ti)
name I can't pro - iiounce-ski, I might as well a - uounce -ski, It's a
r«/.
^ j^' J'. ;> J-^ I i' > J^
E
^
^
cross bet-Meen a gar - gle and a
sneeze.
^
_1 ^
r
fe
-^m
rt^- fz
h 7
^
^
^
^
^
105
^
Meno mosso
^
£
^^
^
^^
5^
i
S
Mj' Rus - sian girl - ski she is a peail - ski,
My gen - tie
m
f'/j
f
j =^^ =^
5^ ^
tJ" JIJJ'^^'J
r
m
e
#
f
m
m
^
^'" t i' J: r^ T I M li^' P
p r J' I
Ni-liil-ist witli eyes of ba - bj- blue;
4 h "IrF f — p
s
tt g ti t!-^ t t ^
^
^
My su - gar
f
^
-//
f.
m
i
a
• i - ' U
r
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land of tlic Czar but there's iioucskl like youT
*=^
^S
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you.
fl
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^^
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s
1^
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4^
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E
i
/r\
2 The Lady Of The Slipper
106
I
N916
A Little Girl At Home
DUO
Cindy and Prince
^
Molto mo derate
r\
PRINCE
m
•> ^ J' I n
F ^P g ^ 1 '; g
A lit - tie g-irl at home I'd IDce to
That lit - tie g-irl at home I'd greet with
k^
CINDY
PRINCE
1'^ n J' J I, J } n->l J
J i 'J > J'U'
E
^m
f
E
have, I would, I swear, A lit - tie g-irl at home? What do you
kiss - es ev - 'ry nig-ht, You'd lin - g-er at the club, how-ev- er
mean?_
fond._
A
With
CINDY
V^^ F % F ^' ''P ^P F ^' I "g! ^P F ^'' J' â– ' J'
some - one like your dain - ty self, To
an - y oth - er g-irl I'm sure I'd
te
g'ive me greet- ing- there,
fail to find de - lig-ht.
k
Re -
Now
ffl
S
T^
107
PRINCE
te^
[^_^^uJ^LJ^^^4 4^^ ^-^H^ } ji J) ji J, } m
mem-ber I am o- ver sev-en - teen
how a-toutsome fas- ci - na- ting- blonde?.
Don't laug-h at my pre-ten-tions, dear, We
For blondes I nev- er cared, For with their
,^^
t
/>P
^
m
m
^
I^^V } > i'
s
Ji I } J'
all must dream at times,
all en - snar - ing- lures,
r^^'^^1
^
I'd hold her hand and think it g-rand To
I much pre - fer the sort of charms That
CINDY
PRINCE
'|i'i'^ g M' P I. â– ! ^-1 ' ' M^^^^-^
/f esprcsmvo
^
^
hear sweet wed- ding- chimes. Would you love her? Would I love her? As the
cor - res - pond to yours. Could you love me? Could I love you? I could,
rif. ^ Oi
sun- shine loves the foam. Or as flow 'rets Iwe the dawn, I'd love that lit - tie g-irl at home-
sun- shine
dear, and I
do, There is no one in this world Can take me from the side of you
te
REFRAIN
CINDY
log
w^
J- JU- i
iiujjjji
m
1 < !
i
WhenyouVe g-ot a
PRINCE >
lit - tie g-irl at home, be-lieve me,
Youve g«t some-thing"
rare.
^^
h. h h h h i =^
BPff
a
?
T^
^
^^
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^
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1^
e
fe
^^
P
f'. ;^ i! J ji
-^-^
k^
Some - thing" worth a
some-thing" more than all on earth, In
some one sweet and
fair.
r 11 ^' r- p
f! J 1 j. J! J^^n t'
i
^
fN^
W
i3S:
^M
is=^
JF^
a
^
Wi
Ijt
^
p
^
^
U- i i- J
te
i Ji Ji-Ji P
eyes that tempt you for a while, Muy
^
i
fe
Eyes that snule and
thrill you through and
vrr^
e
throug-h But youU
^
5=E5
^
?
P
ff V j:
f
fJF=iE
fefe
^
P
r^r -r"i , t-
te
^
^^
:^t
y
^^
#
Sr
ir-T
n
r\
^^
^
i^
g"irl at home says,
*=^^=^
te
nev - er roam "When that
37
love
you.
''' r r r ^- p
^
^^
P
^^
/7\
The Lady Of The Slipper
N9 17
109
Punch Bowl Glide
^â–
Molto moden^to
1 "ifi rf^-^
110
a tempo n . •
> 2-
^^
X-
Pm^ ^
a
^^
^
p
r^dr
ir«:=t
W^^
V
-^ P I ;
^
V
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^ â– ^.}^H^ - ^l
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fi=^
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The L'.uiy Of The. Slipper
N918
111
Finale 2iiJ Act
Drums of all Nations
Moderate
^ u PRINCE
r'' ^M yj^ J' ' j i I J i J i
Her name, good friends,
t.Cello Solgj
I knov; not,
^ ^' y h hiiJH i "- -|i^'^ N h^4^
Her name I can-not say.
A ra - di - ant
(with
ri7.oQ,n c>io pnmA tn mp She. dream like. uasscd a - way. But
dream she came to me
She, dream like, passed a - way.
love will sure-li
i
Animato c in tempo
irarmth) i^
^
f
aniniato
J. ^ I'
accel.
m
$
ly find her, X slip -per left be - hind ^^er. Shall te for me a
s
espress.
-^:
_^^
poco animato
Ptf^*> —
=^
/.A.
'^*y7 M
. accel.
^
111 7
112
tal-is-man and guide
(with growing intensify)
The maid whose foot it
fe
i
^^
^^^^^^^
^
S
gra-ces,
III dowr ^.vith my em - b
ra-ces.
And
1 1
1
i
•/ •/
^
t
-^ — ^
S
. deciso , n .
P-^ ^ I k t . L L L â– I ^ f sempre a tempo I 3^
fer f^^^^' y ^' I ^- -•'' ''J I ,^ r r r P^
she a-lone shall be my cho-sen bride
Then call out the drums, sound the a-
^^
â– ?/? a tempo
< 1^' 7 JM h
^
1
^W
j ' 7 h •/ J ^
^
II 3
larmi
V \[ H-P ^'. '^'i t''' ^' M
«-
n? I r-^y""! ITTT^
Find me that maid-en, that maid-en of charm!
^
^â– #
i
^
i
^
sy
^^
^
113
^^
1 ^~~3 I TT"
S
« #
T~3 n I 3 I : ^ , ', :^ :i U 3 I
Search ye all Klng-doms.com-rades and chums bring her back to me , To the beat of the
LADISLAW
r • ^ ^- pif p ^ p ip-p p
■+^ — #
UiJj I'v ii i!'
driuns. The drums! thedrums ! wit h c on-quer-in g vic-to-ry comes!
a tempo _ f^" IHy— 1 HTH H^l Pm HTn I .v I I -y ir^IJUJ
^ « iciiipu g I '> lid
^
i
?
^^jp{ff|ii-^ ^
//>
//>
^
^^
I
SE
[>iipFf pup
^ I
5 1 I 3 J
p=^^^f=^F^
Hark to the roll of them, Thrill . to the soul of t hem, the
I 3 1 I s 1 I 3 1 I 3 1 I 3 I I 3 I I 3 1 I 5—1
i
t=£
^^
drums. .
sfz
s
jimi i
pes ante
^
rif. i- /^
fcic
^^^^^^
Hal-lo! What ho! the
5-
r:\
^
fifjz pesante yjz
r^
r^
/ h '^ -£
^
:a
feii:
114
Tempo di Marcia
te
*
m
drums!
J 3" "I • f •
iA^Brass) I— ^ — I
^^
l^fe
*• *
S
I ^ I
»
(Snare
Drum in Orchestra)
m^
DRUMS OF THE CROWN PRINCE
(Drums on Stige)
(Bass Drumi
5~i_rTD_
115
DRUMS OF LEIPSIC
T~~i r~?~T
I a ' I F"! I .? I I F
^
i^ i r Lf
J^ (2 Trumpets)
rfe
^^
/[^^-TTHLJIZIil
^
.? -11. 'i
m
WW
in:
I ,? I r^~i rT~r i ^ i i ,? i i .y i r~?
^^
M
Fl^^~7
<— <
V
m
-#.-#• "T.
DRLTMS OF NAPOLEON
S
R^^
fi^
f^^
-^^=^
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sR
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ii
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i f., fr^
-#â– *••■»â–
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■»• ■»•
UV 7
U6
DRUMS OF HIGHLANDERS
\i
fe^
[^m
r-n^ :
i
/
w&
m^^m
'f-
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m
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J2.-
123
./
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m^
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f
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i f ^ui^iZf
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Tf 1 ^
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•^■==— /^=— if
^^
/==—
^
^
±±
u
&
tf
fcfe
Meno
INDIAN DRUMS
n
Meno
^ ^ ^-r i^^ ^^
«€
^
^^
7 7^7
/
r
t^^^^^r 5^
l8
! : M
i
-f
S
f
lEI
Tf
^
aj
h
â– "i^r^
T
J^
r
^^
117
Poco Aniniato
KIDS WITH TOY DRFMS
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(Snare Drums)
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GRAND ENSEMBLE
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The Lady Of The Slipper
N9 19
119
Entr'Act
VICTOR HERBERT
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The Lady Of The Slipper
122
N9 20
Harlequinade
Tempo di Polka molto moderato
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The Lady Of The Slipper
N9 21
126
Openinp^ Chorus
Introducing- The Lady Of The Slipper
ACT lU
Allegro brillante
1
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GIRLS
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Bar -on von Nix, Bar -on von Nix, Soon, with tlie suite of the
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Beat of the Drum tells us tlicy come,
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Leav-ing each sin - gle maid strick - en and dumb. Toss-ing their heads and
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champ -ing the bit.
Won - der - ing whom the slip- per will fit,
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Each lit - tie maid's in a shiv - er of Iren - zy know- ing that soon with
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128
i h ^â– ^' ^ ^' J h
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loy - al - est friends, lie,
^
he — our Prince will grace tlie scene.
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Seek-ing his "girl of the slip - per" as Queen.
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(Enter Ihf Prircu's Guard)
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129
(Enter Cpt. Ladislaw)
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March Song (The Lady of .the Slipper)
^CAPTAIN LADISLAW
tf^'i^ryj J' i p > .1; j' l ^j.. ii^'- m
f^
Sol- diers whove sensed the thrill of vie- - to - ry, Huz - zah!
i y
f
Huz
sah!
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130
C.L.
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He -roes iii no sense con-tra - die - to - ry, We are!
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We
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are!
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131
C'.L.
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mis-sion here to - d.i
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day wont wea - rj' us.
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Prince we now pur - sue One whom he wants to woo
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Our
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quest IS for that one mj's-te - ri - ous she! sLe! bhc!
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she!
she!
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Oil, the la - dy of the slip-per,
IS a
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of the slij3-per
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reg-'lra* rip, rip, rip -per
And to find her since she has
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133
charmed the Prince, We have veii-tured ev - ry - where
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ven-tured ev - 'ry-where.
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He - ros line of du - ty leads to Youth and Beau - ty.
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Sure is this, well find that miss, The La-dy, of the Slipper, fairl
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134
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1.1 - dy of the
slip - per
IS a
reg' - lar rip, rip,
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charmed the Prince, We have
rip - per. And to
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tind her since she has
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135
^^
leads to
Youth and Beau - ty. Sure is this, well
find that miss, The
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fair.
LAEISLAW announcing
His Highness, Prince Maximilian
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(Enter Prince Max )
■*■■± E: :•: ±:
^ -^ -g. — rg.^
PRINCE (speakingthrough
music) If there be any
etc. etc. and try on the
slipper, for whom
- soever etc. etc.
share with me the throne
136
BARON withDOLLBABlA and FliEAKETTE
have entered they come down.
Piu animato
(BARON introduces them)
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B.\RON
(| j) > i^ > J' I P p ^ I j^ ^ ;^ J' ^' ^^
Two- lit - tie daugh-ters here you see, Flow- ers.
of my old an
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DOLLB.
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ces - tral tree, Blush - ing ro - ses
Oh, Pa
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B.\RON
DOLLB.
B.\RON
J' J' i'
t
No - bo - dy knows How shy we i^are
Each of them has a
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137
:^^^^
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novel .
^
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foot, i think, Dim -pled and dain-ty cute and pink,_ Tliun_
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Piu Mosbo
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put.
those feet on trial do, The pro - po - si -tion is up to
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Allegro ap:itato
^
DOLLBABIA
^
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you.
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Pa
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pa, how can you
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fp
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FRE.\KETTE
^
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^
be so crude, Pa
pa,
Pa
pa,.
Your
f| iiiTJ^
^
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^
jp
fp
m
/-
^
138
d 'T r V p ^
^
ac - tions I should call most rude
i
BARON
^ ^ ^ l>3^
^
Ha! Ha!
-T —
Ha
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fi
f^
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fp
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ha.
lin real
ly quite hys
ter - ic - al, my
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rea - sons al - most fled.
But slip us the slip- per, come
i
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f r t r f r
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rit.
#:
^
on, come on, for Gods sake go a
head!
3
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re/. — -
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ife
/
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139
Tempo di Marcia
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s "il e I \-:
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^
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^^
m
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slip - per
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^^
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f: 1^ h* » -i- »
iff
^
^
^^
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find her since She has
charmed the Prince We have
ven - tured ev - ry
^^
140
i y Ij 1 1. J y ^
The Lady Of The Slipper
141
N9 22 Put Your Best Foot For\\ar I, Little Girl
^J^U^^W
'>lt /3j|J JhJ ^
(GIRLS)
*
^^1 ^ ? f ^^J^^Jl
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na - ture ex - po
- so,
"1
Nor
should you class it as a pic - ture
142
0>^'^' li'tJri^ J'' j'^J' J-: I J'pji J'^J' J. ^
show; — Rath-er, let us here con-fess,this seem-ing state of near un-dress Is
P i'.m
S^
i^itt^
iiU^ i tij-
^^
ff/are.
P
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P jl J> j. ^^
P ^ P
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it^
due to that which ev - 'ry one should know._
We've
^
f
^
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tl^'^'P "P F P M P 'P I ^^^ 'PPM' P ^^
come to try a slip - per on the girl whose foot 'twill fit up - on, The
i
^
^
P
"XT"
^
^
i^
ii
I* "P »P ^P 8^' «;- J- i' >
reign - ing Prince she'll mar - ry in a
trice,
* i ^ l i p
This
143
^ ^^H^"^-l^ p p MP I P " i N' P r '^n
dem-on - stra-tion, then, you see, is noth-ing more than it should be, '.Ve
on - ly stnve to fol - low this ad
ad - vice :
n
$
m
m
^
j S^
^
REFRAIN
jhw-j J J J I f lip mW r h r r i' r p
^s
"Put your best foot for -ward, lit - tie girl, lit -tie girl, lit -tie girltake a
^
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Bzrze
^^
^-^^^
^^
i
I'^j' J'' III
# — (►
M' I I i iJ' J'
chance,— For an an - kle, shin and a trim lit - tie limb will
144
^
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E
4-^^^
^
m
jet you man-y a glance 5.
Put your best foot
'Nji^i
^
tj^Lj^ir
*=*
1*
i
^^
^
! 4^ F ijz^
^
^
for the sure - foot - ed
for - ward, lit - tie girl, it's a lure
i
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John,_ If you win in the game with the slip -per of fame, try it
*HJ ii 'J ^P4^^^ ^' i i-H h
s
i^
is
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^
i
^
^
1.
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I
on, try it on, try it on.
on-
f i n \ n
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a
ttf r-
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^
J^^l *? T -/It
^^
B */ *[^-y J'"!^ ^
J"he Lady of the Slipper
145
N9 23
Finale Ultimo
p
Allegro
(Prince disconsolately)
,/^
jTin I llf 7 hr, J' g
fT PUffi
ff='=
^
^
Vain is the search, I've lost her!
lost my radiant
^*TTi^ -7 t^-t
5/5.;
-t.J,T K
sA
(Noise behind Scene
^^
dBeam.
r~Ti i~F~i ry-i nyn i 3 ' ryi H?
-i ^~T^ I p r-jn
i ^n j ^^'^rM
15
P 7 t|J J jp 7 BS
S
BARON
f^"P> P- p p I
Hold on there! Wait awhile!
'~7^ T^./TT^. â– s
^)'.% P%k0 k%kf%f^mf w^
Â¥-rir-HH- t
^^
*/&
146
PRINCE
W3
1 I 8 I
^j); i)Jr±3i'r p ^
r P P P" lU-' ^
an-oth-er ap-pli- cant please.
Yes, andwyiomay shebe?_
CINDERELL.A
:i
spinster your highness, a spinster, that's me Allegro
Me no /Ts « /<?»?/;
co//rt voce
m
r\
Allep:ro (Pointing derisively at Cinderella)
ENSEMBLE AND CHORUS , , ,
PRINCi ^
Ha! Ha! Ha! Ha! Ha Ha Ha Ha!
Ha Ha Ha Ha Ha Ha Ha Ha Ha!
Hold!_
^ ^ip<>P P r P P P r I ^ ^P P P P P P P P
fe
Ha! Ha! Ha! Ha! Ha Ha Ha Ha! Ha Ha Ha Ha Ha Ha Ha Ha Ha!
,' 3 I
3~^ I S 1 I ?~1
• y.t'^ffrr' T'T'T I ,^PT'T^fP^ #^
^
T
Ha!Ha!Ha!Ha!Ha Ha Ha Ha!
r-3-
Ha Ha H a Ha H a Ha Ha H a Ha!
147
1 f. Moderate espressivo
^
ENSEM BLE A ND CHORr?
f- y
3E
1=
£
_^Z\i
^^
P'yv P
Ah!_
(Prince puts on Slipper ^
(Prince Leads Cinderella to chair) ^:]
Ah!.
Be-
^^^^^E
s
mu
jfy
.^-j I g I
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I 3 I
poco ticcel.
hold the la - dy of the slip-per.
j ^'i f Y iiY^'i ^
Meno
E^
=£
hold the la - dy of the slip-per.
tt-#-' -* -ff -ft h-^ -*â– (Dialogue )
148
^
Meno mosso
ENSEMBLE
^ i j> >^j)
^
that is les - son one the first thing we must
Kiss, kiss, kiss!
^ ^ l *^ J * ^
P i^p P ^p r >~^r~T
Kiss, kiss, kiss!
that is les - son one the first thing we must
^
h j. } i't ' r-^ ^
3!
Kiss, kiss, kiss!
(Repeat for Dance)
that is les - son one the first thing we must
3!
i
^^^â– :
^
^
^
* g •
jt> grazioso
[^>^<K H
qzioso
^
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i
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^^
Fol - lows next the sim-ple lit -tie text, of
^^ = 5
^
P P J bj
^
Pol - lows next the sim-ple lit - tie text, of
^
Y
^
#
Fol - lows next the sim-ple lit -tie text, of
^ >LJLJ-C
J. ^rj J ' \
fc
^
^
149
7' J iiJ i ' P
m^
rsi
->^^^
smile.dear, all thewhile, re - gard me if you can..
As a
M f r ^p ^ > p ly ^
i
jt^jtjt
smile,dear,all the while, re - gard me if you can
As a
£
^5
^^
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sniile,dear,all the while, re - gard me if you can..
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As a
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tim - id lit - tie dove,
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while learn- ing how to love, like a
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tim - id lit - tie dove,
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while learn- ing how to love, like
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tim - id lit - tie dove.
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t
while learn- ing how to love, like a
150
Moderate espressivo
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ng; rare,
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Whenyou've got a lit-tlegirl at home.believe me you've got something
^ r- > I J.' , \^ h V I r^^^' I r r r r
4 - hjl •! • V^-»-
lit - tie girl athomt
Whenyou'vegot a lit-tlegirl athome,believemeyou'vegot something rare..
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Whenyou'vegot a lit-tlegirl athome.believemeyou'vegotsomething rare,.
Moderate espressivo ^.^ — '
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r
Some- thing worth a something,morethan all on earth. In some-onesweet and far,-
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s
Some -thing -worth a something,morethan all on earth. In some-onesweet and fair,-
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p
Some- thing worth a something.morethaiiall on earth. In some-onesweet and fair
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Eyes thatsmile and eyes that tempt you for awhile,May thrill you through and through, _ But you'll
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Eyes thatsmile and eyes that tempt you for awhile,Maythrillyou through and through — But you'll
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Eyes thatsmile and eyes that te mpt you for awhile,May thrill you through and through,, Butvou'U
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151
Tempo di Valse lento
nev-er roam when that girl at home says "I love you'l.
Just to sway^.
nev-er roam when that girl at home says "l love you
Justto sway^-
r
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nev-er roam when that girl at home says "I love you'l
--,, Tempo di Valse lento
Justto sway^.
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_ just to play-
like a moon -beam of Majv-
On the
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like a moon-beam of May,-
On thei
just to play-
like a moon-beam of May,_
On the
breast_
of the tide, withmy love by my side
P^
Just a
breast.
[ ^t^-iU
.withmy loyeJ)y my side,,
of the tide, withmy love by my side,.
Just a
Just a
152
II ^''1.^ , 1. I J
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-<9-=-
chance.
to en -trance in a lan-guor-us dance,.
This a -
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This a
chance.
to en -trance in a lan-guor-us dance,.
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ffi
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chance.
to en -trance in a lan-guor-us dance,.
This a
lone is the themeofeach hope and each dream of the Princessof Far — A
i ^'i> J r k^ r J I J r ''^ i r r ^r i ^r r r f'rn
lone is the themeofeach hope and each dream of the Princessof Far — A-
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lone is the themeofeach hope and each dream of the Princessof Far — A-
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way.
Musical Comedies and Comic Operas
by
VICTOR HERBERT
THS I,ADY OF THB SI,IPPER
Book by Anna Caldwell Lyrics by James O'Dea
NAUGHTY MARIETTA
Book and Lyrics by Rida Johnson Young
THE RED MIlvI,
Book and Lyrics by Henry Blossom
BABES IN TOYLAND
Book and Lyrics by Glen MacDonough
THE FORTUNE TEIvI,ER
Book and Lyric by Harry B. Smith
THE SINGING GIRI,
Book and Lyrics by Harry B. Smith
SWEET SIXTEEN
Book and Lyrics by George V. Hobart
THE TATTOOED MAN
Book and Lyrics by Harry B. Smith
THE VICEROY
Book and Lyrics by Harry B Smith
MISS CAMII,I,E
Book and Lyrics by George V. Hobart
WONDERI/AND
Book and Lyrics by Glen JIacDonough
THE ENCHANTRESS
Book and Lyrics by Fred. De Gresac
and Harrv B. Smith
MI^LE. ROSITA
Book and Lyrics by Joseph Herbert
and Harry B. Smith
MISS DOLI/Y DOI,LARS
Book and Lyrics by Harry B. Smith
THE AMEER
Book and Lyrics by Fred. Rankin & Kirk LaShelle
MI,I,E. MODISTE
Book and Lyrics by Henry Blossom
BABETTE
Book and Lyrics by Harry B. Smith
OI,D DUTCH
Hook adapted from the German by Edgar Smith
J^yrics by George \'. Hobart
CYRANO DE BERGERAC
Book and Lyrics by Harry B. Smith
THE PRIMA DONNA
Rook and Lyrics by Henry Blossom
IT HAPPENED IN NORDIvAND
Book and Lyrics by Glen MacDonough
Complete Catalog giving all the individual Vocal and Instrumental numbers from above
productions sent FREE upon request.
45
M. WITMARK & SONS
Witmark Building, 144-146 West 37th Street, New York
Chicago London Paris
