MARY RUSSELL MITFORD
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THE BODLEY HEAD.
MARY RUSSELL
MITFORD
AND HER SURROUNDINGS
BY
CONSTANCE HILL
WITH ILLUSTRATIONS BY ELLEN
G. HILL AND REPRODUCTIONS
OF PORTRAITS
"There are few names which fall with
a pleasanter sound upon the ears of
those who adopt authors as friends than
the name of Mary Russell Mitford."
LONDON : JOHN LANE, THE BODLEV HEAD
NEW YORK : JOHN LANE COMPANY. MCMXX
The centre design in the binding represents
a French gold enamelled watch which be-
longed to Mrs. Mitford and -was inherited
by her daughter. The original is in fhf
possession of the Misses Lovejoy,
WILLIAM BRENDON AND SON, LTD., PRINTERS, PLYMOUTH, ENGLAND
PREFACE
THE more we study the life and character of
Mary Russell Mitford the more we become
attached to her, for we come under the influence
of a nature that seems to radiate peace and
good-will upon all who surround her.
' The pleasant compelled enjoyment of her
tales," writes Harriet Martineau, " is ascribable
no doubt to the flow of good spirits and kindli-
ness that lighted up and warmed everything
that her mind produced." And if we seek for
a further reason, surely it is to be found, as
another writer observes, " in their strong rural
flavour. They breathe the air of the hay-fields
and the scent of the hawthorn boughs. There
is nothing artificial about them, nothing of the
conventional pastoral. They are native and to
the manner born."
Here is an example that occurs in a letter to
a friend, written long before her printed works
appeared. Speaking of a walk in the Berkshire
meadows on a spring morning, she says : " Oh,
Mary Russell Mitford
how beautiful they were to-day, with all their
train of callow goslings, and frisking lambs, and
laughing children chasing the butterflies that
floated like animated flowers in the air ! ...
How full of fragrance and of melody ! It is
when walking in such scenes, listening to the
mingled notes of a thousand birds and inhaling
the mingled perfume of a thousand flowers that
I feel the real joy of existence."
Many writers have imitated Miss Mitford's
style since the " tales " of Our Village first
took the reading world by surprise nearly a
hundred years ago ; but none of those writers,
in my opinion, possess her potent charm, nor
do they possess her wonderful power of making
her readers see nature, as it were, through her
eyes and grasp the beauty and poetry of rural
life.
Mary as a child was shy and silent before
strangers, but withal very observant. Writing
of the impressions made upon her mind by some
of the French Emigre coteries with which she
had come in contact, she says : " In truth they
formed a motley group [whose] contrasts and
combinations were too ludicrous not to strike
irresistibly the fancy of an acute observing girl
whose perception of the ludicrous was rendered
vi
Preface
keener by the invincible shyness which con-
fined the enjoyment entirely to her own
breast/'
But is it not to the experiences gained by
such quiet, shy children as herself and Char-
lotte Bronte that we owe much of our know-
ledge of life and its surroundings ? It is the
listeners not the talkers that can hand down
this knowledge to us.
Miss Mitford's talents were varied, and we
owe to her pen some stirring dramas which
were performed with much eclat on the London
stage, and in which John Kemble and Macready
took the leading parts. The public were as-
tonished to learn that it was a gentle lady
living in a remote Berkshire village who was
thus moving the great London audiences.
A shrewd American critic of the day remarks :
" In all these plays there is strong, vigorous
writing — masculine in the free unhashed use
of language — but wholly womanly in its purity
from coarseness or licence and in the inter-
mixture of those incidental touches of softest
feeling and finest observation which are peculiar
to the gentler sex/'
It has been said of Miss Mitford by one who
knew her that " as a letter-writer she has
Mary Russell Mitford
rarely been surpassed, and that her correspond-
ence, so full as it is of point in allusions, so full
of anecdote and of recollections, will be con-
sidered among her finest writings/' Even her
hasty notes, we are told, " had a relish about
them quite their own." It is interesting to find
the views she herself entertained on the subject
of letter- writing as given in her Recollections of
a Literary Life. It runs as follows : " Such is
the reality and identity belonging to letters,
written at the moment and intended only for
the eye of a favourite friend, that probably any
genuine series of epistles were the writer ever
so little distinguished would . . . possess the
invaluable quality of individuality which so
often causes us to linger before an old portrait
of which we know no more than that it is a
Burgomaster by Rembrandt or a Venetian
Senator by Titian. The least skilful pen when
flowing from the fulness of the heart . . . shall
often paint with as faithful and life-like a touch
as either of those great masters."
Mary Russell Mitford's friends were numerous,
both here in England and on the other side of
the Atlantic, and her sympathies were as wide
as the great ocean that lies between us. She
writes in later life : "I love poetry and people
Preface
as well at sixty as I did at sixteen, and can never
be sufficiently grateful to God for having per-
mitted me to retain the two joy-giving faculties
of admiration and sympathy by which we are
enabled to escape from the consciousness of our
own infirmities into the great works of all ages
and the joys and sorrows of our immediate
friends."
This sunny nature which was unembittered
by severe trials speaks to us in all the stories of
Our Village, and it spread such a halo about
the scenes therein described that little Three
Mile Cross — the prototype of Our Village—
became in time a resort of pilgrims from far
and near, among whom were some of the finest
spirits of the age. All longed to gaze upon the
.cottage in which Mary Russell Mitford had
dwelt, and to sit in the small parlour whose
window looks down upon the village street,
where she had written the stories so dear to
her readers.
Happily the cottage itself, with the little
general shop on one side and the village inn on
the other, are still so much what they were in
her day that the long space of time that has
rolled by since her room was left vacant seems
to vanish, and as we enter the front door we
Mary Russell Mitford
almost expect to see the small figure of the
" lady of Our Village " coming down the narrow
stairs to welcome us.
*****
Before closing this Preface I would express
my gratitude to Lord Treowen, Mr. and Mrs.
Alfred Palmer, Mr. F. Cowslade, Mr. W. May,
the Misses Lovejoy, and Mr. J. J. Cooper, for
permission to reproduce valuable portraits and
relics, and for other kind help.
CONSTANCE HILL.
GROVE COTTAGE,
FROGNAL, HAMPSTEAD,
August, 1919.
CONTENTS
CHAPTER PAGE
i. AN AUTHOR'S BIRTHPLACE . . ... i
II. HAPPY MEMORIES ...... 9
III. VILLAGE NEIGHBOURS . . . . •" " X3
IV. EARLY LIFE IN READING . . . .22
V. LYME REGIS 2Q
VI. A STORMY COAST 40
VII. A FLIGHT . . . . . . .52
VIII. RETURN TO READING ..... 56
IX. THE SCHOOL IN HANS PLACE .... 66
X. A GLIMPSE OF OLD FRENCH SOCIETY . . 74
XI. THE GAY REALITIES OF MOLIERE ... 82
XII. RECOLLECTIONS OF OLD READING ... 92
XIII. A NORTHERN TOUR IOI
XIV. A ROYAL VISIT . . . . . . IIO
XV. PLAYS AND POETRY IIQ
XVI. A CHOSEN CORRESPONDENT . . . .126
XVII. THE MARCH OF MIND 134
XVIII. VERSATILITY AND PLAYFULNESS . . '144
XIX. FROM MANSION TO COTTAGE . . . . 156
XX. THREE MILE CROSS . . . . . l6l
XXI. THE NEW HOME . . . . . .179
XXII. A LOQUACIOUS VISITOR . . . . .190
XXIII. THE PUBLICATION OF " OUR VILLAGE" . . 203
XXIV. A COUNTRY-SIDE ROMANCE . . . .212
xi
Mary Russell Mitford
CHAPTER PAGE
XXV. A NEW PLAYWRIGHT . . . . .221
XXVI. " RIENZI " ....... 230
XXVII. FOREIGN NEIGHBOURS . . . . .24!
XXVIII. AGREEABLE JAUNTS ..... 250
XXIX. UFTON COURT ...... 260
XXX. A FURTHER GLANCE AT OUR VILLAGE . .271
XXXI. ECCENTRIC NEIGHBOURS . 283
XXXII. THE MAY-HOUSES ..... 2Q2
XXXIII. WALKS IN THE COUNTRY .... 302
XXXIV. A CENTRE OF INTEREST . . . -315
XXXV. A LONDON WELCOME . . . . .328
XXXVI. A BRAVE HEART ..... 339
XXXVII. FAREWELL TO THREE MILE CROSS . . 350
XXXVIII. SWALLOWFIELD 360
XXXIX. PEACEFUL CLOSING YEARS .... 372
Xll
ILLUSTRATIONS
PAGE
Portrait of Mary Russell Mitford. (By A. Burt, taken in
1836) ........ Frontispiece
Grove Cottage, Frognal, Hampstead . . . 'Preface x
The Mitfords' house in Broad Street, Alresford ... 3
Antique girandole
Mary Russell Mitford's birthplace . « . . . 1 1
Mary Russell Mitford at the age of four years. (After a
miniature} To face 16
The Cross-house . . . 21
Southampton Street, Reading . . . . . 24
The " Walk " by the sea, Lyme Regis . . . . *. 31
The Great House, Lyme Regis 35
Old ironwork 39
The panelled chamber 41
The drawing-room 47
Blackfriars Bridge in 1796 52
Dr. Mitford's house in the London Road, Reading To face 58
Antique ironwork ......... 65
Hans Place in 1798 69
Ceiling decoration (1714) . 81
A purse-bag 91
A skit on the " Pink of the mode "... To face 92
A quaint tea-set . . . . . . . . .100
Gosfield Hall To face no
Le Comte d'Artois (afterwards Charles X) . . To face 112
The Dining-room in the Deanery, Bocking . . . .115
Dr. Valpy's school To face 122
Country cottages .... .... 143
Bertram House ......... 147
Inlaid tea-caddy 160
The Mitforcls' cottage in Three Mile Cross .... 163
xiii
Mary Russell Mitford
PAGE
The village shop .... ... 169
The Swan Inn .173
A country wheelbarrow i?8
Miss Mitford's writing-parlour 181
The wheelwright's workshop . . . 185
Fragment of the Silchester Roman wall . . . .189
Where the curate lodged 193
The curate's parlour .197
An old Berkshire farm 213
Frith Street, Soho Square .225
Old houses in Great Queen Street . ... 233
A French bonbonniere 249
The West Gate, Southampton . . . . . .251
Pulteney Bridge, Bath 254
Arabella Fermor as a child. {After a picture in the possession
of Frederick Cowslade, Esq.} . . . . .259
The Porch, Ufton Court 261
Arabella Fermor, the " Belinda" of the " Rape of the Lock,"
afterwards Mrs. Perkins. {From a painting by W. ^ykes
in the possession of Lord Treoweri) . . To face 262
Francis Perkins. (By W. Sykes, from a painting also in the
possession of Lord Treovueri) . . . . To face 262
Belinda's parlour 265
The garden steps 267
A dandy of the period 291
An old shoeing forge 297
A bridge on the Loddon 303
In Aberleigh (Arborfield) Park . . . . . 307
Dr. Mitford. {From a painting by John Lucas in the possession
of W. May, hsq.) 1 o face 330
Ironwork in the balcony of Sergeant Talfourd's house . 338
Verses by M. R. Mitford written in a friend's album
(facsimile] To face 344
Old house near Swallowfield '355
A teapot which belonged to M. R. Mitford .... 359
M. R: Mitford's last home at Swallowfield .... 363
Swallowfield Church 380
xw
MARY RUSSELL MITFORD
CHAPTER I
AN AUTHOR'S BIRTHPLACE
IN a sunny corner of Hampshire there lies the
tiny historic town of Alresford on the gentle
slopes of a hill, at whose feet flows the little
river Arle which gives its name to the place.
" A town so small that but for an ancient
market very slenderly attended, nobody would
have dreamt of calling it anything but a village/'
And yet, oddly enough, in this same place great
dignity was united with rustic simplicity, for
the living of " Old " Alresford was one of the
richest in England, and was held by the Bishop
of Exeter in conjunction with his very poor see.
The Post Office was formerly installed in a
very small room with nothing but a letter-box
in the window; still, it had its importance,
being at the head of many others scattered over
the country-side.
Alresford was the birthplace of one who loved
nature as few have loved her, and whose writ-
ings " breathe the air of the hay-fields and the
scent of the hawthorn boughs," and seem to
Mary Russell Mitford
waft to us " the sweet breezes that blow over
ripened cornfields or daisied meadows."
The name of Mary Russell Mitford — the
author of Our Village — is dear to thousands of
readers, both English and American, for she
has enabled them to see nature with her eyes
and to enter into the very spirit of rural
life.
Alresford is built on the plan of the letter
T, at the top of which stands the old church ;
Broad Street being the perpendicular stem,
traversed by East Street and West Street,
which form the cross-bar.
Supposing that we are coming up from the
valley below where we have left behind us the
winding river with its old mill, we enter the
lower end of Broad Street — that picturesque
street with its raised footpaths on either side
bordered by trees, and its low, irregular houses,
dominated at the upper end by the grey tower
of the old church. That dignified looking house
on the right-hand side, with its hooded door-
way and its tall windows, belonged to Dr.
Mitford.
Here it was that the doctor started a prac-
tice soon after his marriage with Miss Russell,
the only child and heiress of the late Dr. Russell,
Rector of Ashe, and here, on the i6th December,
1787, Mary, also an only child, was born.
An Author's Birthplace
" A pleasant house in truth it was," she
writes. " The breakfast-room . . . was a lofty
and spacious apartment literally lined with
books, which, with its Turkey carpet, its glow-
ing fire, its sofas and its easy-chairs, seemed,
what indeed it was, a very nest of English com-
fort. The windows opened on a large old-
fashioned garden, full of old-fashioned flowers
—stocks, roses, honeysuckles and pinks ; and
that again led into a grassy orchard, abounding
with fruit trees. . . .
" What a playground was that orchard ! and
what playfellows were mine ! My maid Nancy
with her trim prettiness, my own dear father,
handsomest and cheerfullest of men, and the
great Newfoundland dog Coe, who used to lie
down at my feet as if to invite me to mount
him, and then to prance off with his burthen,
as if he enjoyed the fun as much as we did ! . . .
How well I remember my father's carrying me
round the orchard on his shoulder, holding fast
my little three-year-old feet, whilst the little
hands hung on to his pig-tail, which I called
my bridle ; hung so fast, and tugged so heartily,
that sometimes the ribbon would come off
between my fingers and send his hair floating
and the powder flying down his back ! . . .
Happy, happy days ! It is good to have the
memory of such a childhood ! '
5
Mary Russell Mitford
Miss Mitford writes on another occasion :—
" In common with many only children, I
learnt to read at a very early age. My
father would perch me on the breakfast-table
to exhibit my only accomplishment to some
admiring guest, who admired all the more
[from my being] a small puny child, gifted with
an affluence of curls [who] might have passed
for the twin sister of my own great doll. On
the table was I perched to read some Foxite
newspaper, Courier or Morning Chronicle, the
Whiggish oracles of the day. ... I read lead-
ing articles to please the company ; and my
dear mother recited ' The Children in the Wood '
to please me. This was my reward, and I looked
for my favourite ballad after every performance,
just as the piping bull-finch that hung in the
window looked for his lump of sugar after going
through ' God save the King/ The two cases
were exactly parallel/'
We have sat in the very room where this scene
took place. Little is changed there, and we
stepped from its windows " opening down to
the ground " into the garden. A narrow foot-
path, bordered by greensward, led to a small
flagged courtyard, flanked on one side by a
quaint old brew-house, with its red-tiled roof
and peaked windowed centre. Then, passing
through a wicket-gate, we found ourselves in
6
An Author's Birthplace
the " large old-fashioned garden/' itself gay
with flowers as of yore.
An adjoining house has arisen, since the Mit-
fords lived in their house more than a hundred
years ago, but this building has in its turn
grown old, so that it does not mar the character
of the place.
Beyond the garden lay the orchard, now used
as a tennis lawn, but still happily surrounded
by trees, through whose boughs peeps of the
sweet surrounding country can be seen. In-
deed Alresford is entirely encircled by the
country, and its three only streets — Broad
Street, East Street, and West Street — lead
straight into it. Miss Mitford, describing the
views on either side of their grounds, says that
to the south rose the " picturesque church with
its yews and lindens, and beyond it a down as
smooth as velvet, dotted with rich islands of
coppice, hazel, woodbine and hawthorn " ;
while down in the valley " gleamed a bright,
clear lakelet radiant with swans and water-
lilies, which the simple townsfolk were content
to call the ' Great Pond/ "
Dr. Mitford's house must indeed have been
a " pleasant home " for a child, with its garden
and orchard for a playground behind the house,
and, in front, its cheerful view of the village
street with its ever-changing scenes of passing
7
Mary Russell Mitford
horsemen and carts, or of herds of sheep and
cattle driven to market.
Here Mary first learnt, though unconsciously,
to enjoy the beauties of nature and to enter
into the simple pleasures of village life.
CHAPTER II
HAPPY MEMORIES
THE market of old days used to be held in an
open space where East Street and West Street
meet, near to the Bell Inn, whose gilded sign,
in the form of a bas-relief, is displayed over its
entrance.
Here we can fancy the little Mary being taken
to see the gay booths with their display of toys
or of ginger-bread, and the sheep or pigs in
pens.
Miss Mitf ord was warmly attached to the place
of her birth, and often alludes to it, but usually
under the pseudonym of " Cranley."
" One of the noisiest inhabitants/' she writes,
" of the small, irregular town of Cranley, in
which I had the honour to be born, was a certain
cobbler by name Jacob Giles. He lived exactly
over-right our house in a little appendage to the
baker's shop. ... At his half-hatch might he
be seen stitching and stitching, with the peculiar,
regular two-handed jerk proper to the art of
cobbling, from six in the morning to six at
9
Mary Russell Mitford
night. . . . There he sat with a dirty red
night-cap over his grizzled hair, a dingy waist-
coat and old blue coat, darned, patched and
ragged, and a greasy leathern apron. . . .
" The face belonging to this costume was
rough and weather-beaten, deeply lined and
deeply tinted of a right copper colour, with a
nose that would have done honour to Bardolph,
and a certain indescribable half-tipsy look, even
when sober. Nevertheless the face, ugly and
tipsy as it was, had its merits. . . . There was
good humour in the half-shut eye, the pursed-
up mouth and the whole jolly visage. . . .
There he sat in that small den, looking some-
thing like a thrush in a goldfinch's cage, and
singing with as much power and far wider range
— albeit his notes were hardly as melodious—
Jobson's songs in the ' Devil to Pay ' and ' A
cobbler there was, and he lived in a stall, which
served him for parlour, for kitchen and hall '
being his favourites.
" . . . Poor as he was Jacob Giles had always
something for those poorer than himself ; would
share his scanty dinner with a starving beggar,
and his last quid of tobacco with a crippled
sailor. The children came to him for nuts and
apples, for comical stories and droll songs ; the
very"™curs ofjthe street knew that they had a
friend in the poor/cobbler.
10
MARY RUSSELL MITFORD's
BIRTHPLACE
Happy Memories
" For my own part I can recollect Jacob Giles
as long as I can recollect anything. He made
the shoes for my first doll (pink I remember
they were) — a doll called Sophie, who had the
misfortune to break her neck by a fall from
the nursery window. Jacob Giles mended all
the shoes of the family, with whom he was a
universal favourite. ... He used to mimic
Punch for my amusement, and I once greatly
offended the real Punch by preferring the
cobbler's performance of the closing scene/'
Writing in after years, Miss Mitford remarks :
' Where my passion for plays began it is diffi-
cult to say. Perhaps at the little town of
Alresford, when I was somewhat short of four
years old, and was taken by my dear father to
see one of the greatest tragedies of the world
set forth in a barn. Even now I have a dim
recollection of a glimmering row of candles
dividing the end which was called the stage
from the part which did duty as pit and boxes,
of the black face and the spangled turban, of
my wondering admiration, and the breathless
interest of the rustic audience."
Among some of her happiest recollections of
early childhood were her rides on horseback
with her father. " This dear papa of mine,"
she writes, " whose gay and careless temper all
the professional etiquette of the world could
13
Mary Russell Mitford
never tame into the staid gravity proper to a
doctor of medicine, happened to be a capital
horseman, and abandoning the close carriage
almost wholly to my mother used to pay his
country visits on a favourite blood mare, whose
extreme docility and gentleness tempted him
into having a pad constructed, perched upon
which I might occasionally accompany him,
when the weather was favourable and the dis-
tance not too great.
" A groom, who had been bred up in my
grandfather's family, always attended us, and I
do think that both Brown Bess and George liked
to have me with them almost as well as my
father did. The old servant, proud, as grooms
always are, of a fleet and beautiful horse, was
almost as proud of my horsemanship, for I,
cowardly enough, Heaven knows, in after years,
was then too young and too ignorant for fear—
if it could have been possible to have any sense
of danger when strapped so tightly to my
father's saddle, and enclosed so fondly by his
strong and loving arm. Very delightful were
those rides across the breezy Hampshire downs
on a sunny summer morning ! '
CHAPTER III
VILLAGE NEIGHBOURS
IN one of Miss Mitford's tales entitled A
Country Barber she describes a humble neigh-
bour whose tiny shop adjoined their own
" handsome and commodious dwelling." This
tiny shop has long since disappeared, having
given place to the " adjoining house " already
mentioned.
" The barber's shop/' we are told, " consisted
of a low-browed cottage with a pole before it,
and a half -hatch always open, through which
was visible a little dusty hole where a few wigs,
on battered wooden blocks, were ranged round
a comfortable shaving chair. There was a
legend over the door in which ' William Skinner,
wig-maker, hairdresser, and barber ' was set
forth in yellow letters on a blue ground."
After speaking of her happy early recollec-
tions of " Will Skinner," Miss Mitford remarks :
" So agreeable indeed is the impression which
he has left in my memory that I cannot help
regretting the decline and extinction of a race
15
Mary Russell Mitford
which, besides figuring so notably in the old
novels and comedies, formed so genial a link
between the higher orders of society, supplying
to the rich the most familiar of followers and
most harmless of gossips/'
How vividly these words recall to our mind
Sir Walter Scott's old Caxon the barber and
familiar follower of Mr. Oldbuck, " who was
accustomed to bring to his patron each morning
along with the powder and pomatum his ver-
sion of the politics or the gossip of the neigh-
bourhood.
" ' Heeh, sirs ! ' he exclaims, ' nae wonder the
commons will be discontent, when they see
magistrates, and bailies, and deacons, and the
provost himsell wi' heads as bald and as bare
as one o' my blocks ! '
" It certainly was not Will Skinner's beauty/'
writes Mary Mitford, " that caught my fancy.
His person was hardly of the kind to win a
lady's favour, even although that lady were
only four years of age. . . . Good old man ! I
see him in my mind's eye at this moment : lean,
wrinkled, shabby, poor, slow of speech, and
ungainly of aspect, yet pleasant to look at and
delightful to recollect. It was the overflowing
kindness of his temper that rendered Will
Skinner so general a favourite. Poor he was
certainly and lonely, for he had been crossed
16
MARY RUSSELL MITFORD
From ft miniature
Village Neighbours
in love in his youth, and lived alone in his little
tenement, with no other companions than his
wig blocks and a tame starling. ' Pretty com-
pany ' he used to call them.
" His fortunes had at one time assumed a
more flourishing aspect when the Bishop of
Exeter and Rector of Alresford had employed
him to superintend the ' posting ' of his wig,
and had also promoted him to the posts of
sexton and of deputy parish clerk. But on the
death of the Bishop, and on the advent of the
French Revolution, when cropped heads came
into fashion and powder and hairdressing went
out, poor Will found himself nearly at his wit's
end. In this dilemma he resolved to turn his
hand to other employments, and, living in the
neighbourhood of a famous trout stream, he
applied himself to the construction of artificial
flies.
' This occupation he usually followed in his
territory the churchyard, a place . . . occupy-
ing a gentle eminence by the side of Cranley
Down — a down on which the cricketers of that
cricketing country used to muster two elevens
for practice, almost every fine evening, from
Easter to Michaelmas. Thither Will, who had
been a cricketer himself in his youth, and still
loved the wind of a ball, used to resort on
summer afternoons, perching himself on a large
c 17
Mary Russell Mitford
square raised monument, a spreading lime tree
above his head, Izaak Walton before him, and
his implements of trade at his side. There he
sat, now manufacturing a cannon-fly, and now
watching Tom Taylor's unparagoned bowling.
" On this spot our intimacy commenced. A
spoilt child and an only child, it was my delight
to escape from nurse and nursery and to follow
everywhere the dear papa, [even] to the cricket
ground, in spite of all remonstrance, causing
him no small perplexity as to how to bestow me
in safety during the game. Will and the
monument seemed to offer exactly the desired
refuge, and our good neighbour readily con-
sented to fill the post of deputy nursery-maid
for the time, assisted in his superintendence by
our very beautiful and sagacious black New-
foundland dog called Coe. . . .
" Poor dear old man, what a life I led him !
—now playing at bo-peep on one side of the
great monument and now on the other ; now
crawling away amongst the green graves ; now
gliding round before him, and laughing up in
his face as he sat. . . . How he would catch
me away from the very shadow of danger if a
ball came near ; and how often did he interrupt
his own labours to forward my amusement,
sliding from his perch to gather lime branches
to stick in Coe's collar, or to collect daisies,
18
Village Neighbours
buttercups, or ragged-robins to make what I
used to call daisy-beds for my doll."
Here is another pretty incident of the Aires-
ford life recorded by Miss Mitford.
" Before we left Hampshire/' she writes, " my
maid Nancy married a young farmer, and
nothing would serve her but I must be brides-
maid. And so it was settled.
" I remember the whole scene as if it were
yesterday ! How my father took me himself
to the churchyard gate, where the procession
was formed, and how I walked next to the young
couple hand-in-hand with the bridegroom's
man, no other than the village blacksmith, a
giant of six feet three, who might have served
as a model for Hercules. Much trouble had he
to stoop low enough to reach down to my hand,
and many were the rustic jokes passed upon the
disproportioned pair. . . .
" In this order, followed by the parents on
both sides, and a due number of uncles, aunts
and cousins, we entered the church, where I
held the glove with all the gravity and import-
ance proper to my office ; and so contagious is
emotion that when the bride cried, I could not
help crying for company. But it was a love-
match, and between smiles and blushes Nancy's
tears soon disappeared, and so did mine. The
happy husband helped his pretty wife into her
19
Mary Russell Mitford
own chaise-cart, my friend the blacksmith lifted
me in after her, and we drove gaily to the large,
comfortable farm-house where her future life
was to be spent.
" The bride was [soon] taken to survey her
new dominions by her proud bridegroom, and
the blacksmith, finding me, I suppose, easier to
carry than to lead, followed close upon their
steps with me in his arms.
11 Nothing could exceed the good nature of
my country beau ; he pointed out bantams and
pea-fowls, and took me to see a tame lamb and
a tall, staggering calf, born that morning ; but
for all that I do not think I should have sub-
mitted to the indignity of being carried if it
had not been for the chastening influence of a
little touch of fear. Entering the poultry yard
I had caught sight of a certain turkey-cock, who
erected that circular tail of his, and swelled out
his deep red comb and gills after a fashion
familiar to that truculent bird, but which up to
the present hour I am far from admiring. . . .
" [At last] we drew back to the hall, a large
square bricked apartment, with a beam across
the ceiling and a wide yawning chimney, where
many young people being assembled, and one
of them producing a fiddle, it was agreed to have
a country dance until dinner should be ready,
the bride and bridegroom leading off, and I
following with the bridegroom's man.
20
Village Neighbours
" Oh ! the blunders, the confusion, the merri-
ment of that country dance ! No two people
attempted the same figure ; few aimed at any
figure at all ; each went his own way ; many
stumbled, some fell, and everybody capered,
laughed and shouted at jonce ! '
CHAPTER IV
EARLY LIFE IN READING
TOWARDS the end of the year 1791, before
the little Mary had become quite four years
old, a change came over the fortunes of the
family.
Dr. Mitford, in spite of some really good
qualities, was of a careless and thoughtless dis-
position as regards money matters, and was,
unhappily, addicted to games of chance. " He
had the misfortune," writes his daughter, " to
be the best whist player in England," and like
the celebrated Mr. Micawber and so many of
his class, he had an unchanging faith in his own
" good luck," and felt confident that however
dark the horizon might be something would
turn up to his advantage. " Dr. Mitford,"
remarks a shrewd writer, " belonged to that
class of impecunious individuals who seem to
have been born insolvent."
He had come into possession of a large for-
tune on his marriage, for his bride-elect had
refused to have any ^settlement made concerning
22
Early Life in Reading
property under her own control, and this for-
tune had already nearly melted away.
In spite, however, of all his thoughtless ex-
travagance, from which both wife and child
suffered severely, they remained at all times
devoted to him. As she grew older Mary could
not shut her eyes to her father's faults ; but
she loved him in spite of them, dwelling con-
stantly in her writings upon his invariable kind-
ness to her as a child, which claimed, she con-
sidered, her lasting gratitude. " He possessed
indeed/' she remarks, " every manly and
generous quality, excepting that which is so
necessary in this workaday world — the homely
quality called prudence. "
On leaving Alresford, where many of their
valued possessions had to be sold, the little
family removed to a house in Southampton
Street, Reading, where the doctor hoped to
establish a practice. This street, which crosses
the river Kennet by a stone bridge, has still an
old-world appearance, with its modest-looking
dwelling-houses and its old-fashioned inns ;
while high above its roofs rises the spire of the
old church of St. Giles.
It is in connection with this very church that
we have a pleasant glimpse of the little Mary
from the pen of Mrs. Sherwood, then a young
girl living in Reading. " I remember," she
23
Mary Russell Mitford
writes, " once going to a church in the town,
which we did not usually attend, and being
SOUTHAMPTON STREET
taken into Mrs. Mitford's pew, where I saw the
young authoress, Miss Mitford, then about four
24
Early Life in Reading
years old. Miss Mitford was standing on the seat,
and so full of play that she set me on to laugh
in a way which made me thoroughly ashamed."
Writing of this same period in after life,
Mary Mitford says : " It is now about forty
years since I, a damsel scarcely so high as the
table on which I am writing, and somewhere
about four years old, first became an inhabitant
of Belford Regis " (her name for Reading),
" and really I remember a great deal not worth
remembering concerning the place, especially
our own garden and a certain dell on the Bristol
road to which I used to resort for primroses."
It was during this first residence in Reading,
when she was still a small child, that she saw
London for the first time.
" Business called my father thither in the
middle of July/' she writes, " and he suddenly
announced his intention of driving me up in his
gig (a high open carriage holding two persons),
unencumbered by any other companion, male
or female. George only, the old groom, was
sent forward with a spare horse over-night to
Maidenhead Bridge, and, the dear papa con-
forming to my nursery hours, we dined at Crau-
ford Bridge . . . and reached Hatchett's Hotel,
Piccadilly (the New White Horse Cellar of the
old stage-coaches), early in the afternoon. . . .
" I had enjoyed the drive past all expression,
25
Mary Russell Mitford
chattering all the way, and falling into no other
mistakes than those common to larger people
than myself of thinking that London began at
Brentford, and wondering in Piccadilly when the
crowd would go by ; and I was so little tired
when we arrived that, to lose no time, we
betook ourselves that night to the Haymarket
Theatre, the only one then open. I had been
at plays in the country, in a barn in Hampshire
. . . but the country play was nothing to the
London play — a lively comedy with the rich
caste of those days — one of the comedies that
George III enjoyed so heartily. I enjoyed it as
much as he, and laughed and clapped my hands
and danced on my father's knee, and almost
screamed with delight, so that a party in the
same box, who had begun by being half angry
at my restlessness, finished by being amused
with my amusement.
' The next day, my father, having an appoint-
ment at the Bank, took the opportunity of
showing me St. Paul's and the Tower.
"At St. Paul's I saw all the wonders of the
place, whispered in the whispering gallery, and
walked up the tottering wooden stairs, not into
the ball itself but to the circular balustrade of
the highest gallery beneath it. I have never
been there since, but I can still recall most
vividly that wonderful panorama ; the strange
26
Early Life in Reading
diminution produced by the distance, the toy-
like carriages and horses, and men and women
moving noiselessly through the toy-like streets.
. . . Looking back to that [scene] what strikes
me most is the small dimensions to which the
capital of England was then confined. When I
stood on the topmost gallery of St. Paul's I saw
a compact city spreading along the river, it
is true, from Billingsgate to Westminster, but
clearly defined to the north and to the south,
the West-End beginning at Hyde Park on the
one side and the Green Park on the other. Then
Belgravia was a series of pastures and Pad-
dington a village.
" We proceeded to the Tower, that place so
striking by force of contrast . . . the jewels
and the armoury glittering . . . amidst the
gloom of the old fortress and the stories of
great personages imprisoned, beheaded, buried
within its walls ; — a dreary thing it seemed to
be a queen ! But at night I went to Astley's,
and I forgot the sorrows of Lady Jane Grey and
Anne Boleyn in the wonders of the horseman-
ship and the tricks of the clown/'
Into the last day were crowded visits to the
Houses of Lords and Commons, to Westminster
Abbey, to Cox's Museum in Spring Gardens, to
the Leverian Museum in the Blackfriars Road,
and finally at night to the theatre once more,
27
Mary Russell Mitford
returning home on the morrow " without a
moment's weariness of mind or body."
About this time Lord Charles Murray- Aynsley,
a younger son oi the Duke of Athol, became
engaged to be married to a cousin of the Mitfords.
" Lord Charles, as fine a young man as one
should see in a summer's day, tall, well-made,
with handsome features . . . and charming
temper, had an infirmity which went nigh to
render all [his] good gifts of no avail ; a shyness,
a bashfulness, a timidity most painful to him-
self and distressing to all about him. . . . That
a man with such a temperament, who could
hardly summon courage to say ' How d'ye do ? '
should ever have wrought himself up to the
point of putting the great question was wonder-
ful. ... I myself, a child not five years old, one
day threw him into an agony of blushing by
running up to his chair in mistake for my papa.
Now I was a shy child, a very shy child, and as
soon as I arrived in front of his lordship and
found that I had been misled by a resemblance
of dress, by the blue coat and buff waistcoat, I
first of all crept under the table, and then flew
to hide my face in my mother's lap ; my poor
fellow-sufferer, too big for one place of refuge,
too old for the other, had nothing for it but to
run away, which, the door being luckily open,
he happily accomplished."
CHAPTER V
LYME REGIS
DR. MITFORD had been gradually establishing
a practice in Reading, where a remarkable cure
he had effected was already making his name
known, when, as his daughter tells us, he
resolved to remove to Lyme, " feeling with
characteristic sanguineness that in a fresh place
success would be certain."
Some of our readers will no doubt have
visited Lyme Regis — that quaint little seaport
situated on the steep slope of a hill, whose main
street seems, as Jane Austen has remarked, " to
be almost hurrying into the water. " They will
remember its harbour formed by the curved
stone piers of the old Cobb, from which can be
seen the pretty bay with its sandy beach bor-
dered by the Parade, or " Walk" as it used to
be called, which runs at the foot of a grassy
hillside. At the town end of this " Walk " are
to be seen some thatched cottages nestling
under the shelter of the hill, and beyond them
on a small promontory, jutting out into the sea,
29
Mary Russell Mitford
the old Assembly Rooms. A few miles east-
ward lies the sunny little bay of Charmouth,
with a grand chain of hills beyond it, rising from
the water's edge and terminating in the far
distance in the Bill of Portland.
Lyme Regis lies in the borderland of Dorset
and Devonshire, " but the character of the
scenery," writes Miss Mitford, " the boldness
of the coast, and the rich woodiness of the
inland views belong entirely to Devonshire-
beautiful Devonshire.
" Our habitation/' she continues, " although
situated not merely in the town but in the prin-
cipal street, had nothing in common with the
small and undistinguished houses on either side.
It was a very large, long-fronted stone mansion,
terminated at either end by massive iron gates,
the pillars of which were surmounted by spread
eagles. An old stone porch, with benches on
either side, projected from the centre, covered,
as was the whole front of the house, with
tall, spreading, wide-leafed myrtle, abounding
in blossom, with moss-roses, jessamine and
passion-flowers/ '
This old porch had its special historical associ-
ation, for here William Pitt as a child used
to play at marbles when his father the great
Lord Chatham rented the Great House. Un-
happily the porch has been altered and injured
30
-v a
Lyme Regis
since we visited Lyme some years ago. Other
changes have also been made at various periods,
notably a storey added in the northern or upper
end of the building ; but in spite of these
changes the Great House, as it is always called,
still dominates the little town like a feudal
castle of old amongst its vassals, its massive
walls manfully resisting modern innovations.
The illustration represents the house as it
appeared in Miss Mitford's day.
The southern portion of the building is of
the most ancient date. Its walls are of great
thickness. The Great House is full of traditions
of past history, and its gloomy vaults and
passages below ground must have witnessed
many a tragic scene at the time of the Mon-
mouth Rebellion. Here it was that Judge
Jeffreys took up his quarters for a time when
he came to stamp out the Rebellion and to
wreak the vengeance of James II upon the un-
happy followers of his rival. The owner of the
house in those days was a man named Jones—
the squire of Lyme — who aided and abetted
Jeffreys in all his awful tyranny, spying upon
the inhabitants and reporting every idle word
that might serve to incriminate them. The
memory of Jones is loathed to this day, and
tradition declares the house to be haunted by
his ghost.
p 33
Mary Russell Mitford
Happily the little girl, who came to live in
this weird old mansion, knew nothing of its
tragic history, and could laugh and play with
childish mirth above its sombre vaults. In her
Recollections, Mary Mitford speaks of the " large,
lofty rooms of the building, of its noble oaken
staircases, its marble hall, and its long galleries/'
and mentions " the book room," where her
grandfather Dr. Russell's fine library was
arranged. " Behind the building," she says,
" which extended round a paved quadrangle,
was the drawing-room, a splendid apartment
looking upon a little lawn surrounded by choice
evergreens," beyond which lay the spacious
gardens.
The drawing-room still bears traces of its
former dignity in its lofty ceiling and hand-
some dentil cornice, and also in its three tall
recessed windows, whose side panels end in fine
curled scrolls.
" My own nurseries/' she says, " were spacious
and airy, but the place which I most affected
was a dark panelled chamber on the first floor,
to which I descended through a private door by
half a dozen stairs, so steep that, still a very
small and puny child between eight and a half
and nine and a half, and unable to run down
them in the common way, I used to jump from
one step to the other."
34
THE GREAT HOUSE
Lyme Regjs
We have entered this small panelled room,
which is lighted by a narrow leaded window,
and as we looked upon the steps leading down
from the upper room we fancied we saw the
tiny figure jumping from step to step.
" This chamber," 'continues Miss Mitford,
" was filled with such fossils as were then known
. . . some the cherished products of my own
discoveries, and some broken for me by my
father's little hammer from portions of the
rocks that lay beneath the cliffs, under which
almost every day we used to wander hand-in-
hand."
Beyond " the little lawn, surrounded by
choice evergreens," there was " an old-fashioned
greenhouse and a filbert-tree walk, from which
again three detached gardens sloped abruptly
down to one of the clear, dancing rivulets of that
western country." These three gardens are
still to be seen. A part of them is well culti-
vated, and abounds in smooth lawns, majestic
trees and flowers of all kinds ; but that part
which belongs to the older portion of the man-
sion, deserted for many years, is left wild and
untended. It is, however, pathetically beauti-
ful in its mixture of garden flowers and showy
weeds. The high box-edgings to the borders
prove that great care was once taken of the
place, and the tall rose bushes which still
37
Mary Russell Mitford
abound stretch out their long branches of pink
and white blossoms as if to hide what is mean
and unsightly,
' In the steep declivity of the central garden/'
writes Mary, " which I was permitted to call
mine, was a grotto overarching a cool, sparkling
spring, never overflowing its small sandy basin,
which yet was always full/' " Years many and
long/' she adds, " have passed since I sat beside
that tiny fountain, and yet never have I for-
gotten the pleasure which I derived from
watching its clear crystal wave/'
1 The slopes on either side of the grotto,"
she says, " were carpeted with strawberries and
dotted with fruit trees. One drooping medlar,
beneath whose pendent branches I have often
hidden, I remember well."
This spring is known in that country-side by
the name of the " Lepers' Well." It is reached
by a steep flight of rugged stone steps from the
. terrace above, and is still surrounded by old
gnarled fruit trees, though the medlar seems to
have disappeared. Beyond a low hedge at the
foot of the grounds flows the little river Lym,
clear and sparkling as ever.
Lyme is full of traditions, and this little river,
at one spot, bears the name of " Jordan," so
called by a colony of Baptists who took refuge
in the neighbourhood during the seventeenth
38
Lyme Regis
century. It was in " Jordan " that they im-
mersed their converts, and the old Biblical
names given by them to the adjoining fields of
Jericho and Paradise still linger in that district.
" I used to disdain the [Devonshire] stream-
lets/' writes Mary, " with such scorn as a small
damsel fresh from the Thames and the Kennett
thinks herself privileged to display. ' They call
that a river here, papa ! Can't you jump me
over it ? ' quoth I in my sauciness. About a
month ago I heard a young lady from New
York talking in some such strain of Father
Thames. ' It's a pretty little stream,' said she,
' but to call it a river ! ' And I half expected
to hear a complete reproduction of my own
impertinence, and a request to be jumped from
one end to the other of Caver sham Bridge ! "
CHAPTER VI
A STORMY COAST
X
WRITING of her sojourn at Lyme Regis Miss
Mitford says :-
" That was my only opportunity of making
acquaintance with the mighty ocean in its
winter sublimity of tempest and storm ; and
partly perhaps from the striking and awful
nature of the impression [upon the mind of] a
lonely, musing, visionary child, the recollection
remains indelibly fixed in my memory, fresh
and vivid as if of yesterday. . . .
" Once my father took me from my bed at
midnight that I might see, from the highest
storey of our house, the grandeur and the glory
of the tempest ; the spray rising to the very tops
of the cliffs, pale and ghastly in the lightning,
and hear the roar of the sea, the moaning of the
wind, the roll of the thunder, and amongst them
all the fearful sound of the minute guns, telling
of death and danger on that iron-bound coast.
Then in the morning I have seen the cold bright
wintry sun shining gaily on the dancing sea,
40
A Stormy Coast
still stirred by the last breath of the tempest, and
on the floating spars and parted timbers of
the wreck. . . .
" My walks/' she writes, " were confined to
rambles on the shore with my maid, or still
more to my delight with my dear father, the
recollection of whose fond indulgence is con-
nected with every pleasure of my childhood. . . .
Sometimes we would go towards Charmouth,
with its sweeping bay, passing below church
and churchyard, perched high above us, and
already undermined by the tide. Another time
we bent our steps to the Pinny cliffs [that
stretch away] on the western side of the har-
bour ; the beautiful Pinny cliffs, where an old
landslip had deposited a farm-house, with its
outbuildings, its garden and its orchard, tossed
half-way down amongst the rocks, its look of
home and of comfort contrasting so strangely
with the dark rugged masses above, below and
around.
" My father, a dabbler in science, with his
hammer and basket was engaged in breaking
off fragments of rock, to search for curious spars
and fossil remains ; I in picking up shells and
sea- weed. . . . What enjoyment it was to feel
the pleasant sea-breeze, and see the sun dancing
on the waters, and wander as free as the sea-
bird over my head beneath those beetling cliffs !
43
Mary Russell Mitford
Now for a moment losing sight of the dear papa,
and now rejoining him with some delicate shell,
or brightly coloured sea-weed, or imperfect
coruna ammoris, enquiring into the success of
his graver labours, and comparing our dis-
coveries and treasures.
" What pleasure too to rest at the well-known
cottage, the general termination of our walk,
where old Simon the curiosity-monger picked
up a mongrel sort of livelihood by selling fossils
and petrifactions to one class of visitors, and
cakes and fruit and cream to another. His
scientific bargains were not without suspicion
of a little cheatery, as my companion used
laughingly to tell him . . . but the fruit and
curds were honest, as I can well avouch ; and
the legends of petrified sea-monsters, with
which they were seasoned, bones of the mam-
moth, and skeletons of the sea-serpent have
always been amongst the pleasantest of my
seaside recollections/'
Perhaps these " legends " had a tinge of
prophecy in them, as it was only fifteen years
later that Mary Anning, then a child of eleven
years old, discovered in the rocks of Lyme
Regis the gigantic fossil bones of the ichthyo-
saurus— a creature whose very jaw it seems
exceeded six feet in length, and whose existence
had hitherto been unknown. She also dis-
44
A Stormy Coast
covered later on the remains of the plesio-
saurus.1
Miss Anning kept a curiosity shop in a tiny
house which is still to be seen facing the upper
gates of the Great House. The King of Saxony,
who visited Lyme in 1844, thus describes the
place :—
" We had alighted from the carriage," he
writes, " and were proceeding along on foot
when we fell in with a shop in which the most
remarkable petrifactions and fossil remains—
the head of an ichthyosaurus, beautiful am-
monites, etc. — were exhibited in the window.
We entered and found a little shop and adjoin-
ing chamber completely filled with fossil pro-
ductions of the coast. ... I was anxious
[before leaving] to write down the address of
the place, and the woman who kept the shop
with a firm hand wrote her name ' Mary
Anning ' in my pocket-book, and added as
she returned the book into my hands : ' I am
well known throughout the whole of Europe.'
It is said that the King of Saxony paid a
second visit to the fossil shop, when he invited
Miss Anning to accompany him in his travelling
coach and four to the scene of the great landslip
at Pinny. On reaching a small farm-house on
1 The entire skeletons of these actual creatures are now to
be seen in the Natural History Museum at South Kensington;
45
Mary Russell Mitford
the hillside they quitted the coach to roam
about the fallen rocks. On their return they
found an old country woman seated in the
stately vehicle. She explained, with some con-
fusion, that she wanted to be able to boast
hereafter that she had sat for once in her life
in a royal coach ! The kindly monarch assured
her that he was in no way displeased, and he
handed her out of the coach with courtly polite-
ness.
Miss Mitford in one of her letters remarks :
" It is singular that the name of Mary Anning
crosses me often. One of my friend Mr.
Kenyon's graceful poems is addressed to her,
and Charmouth and Lyme are dear to me as
being full of my first recollections of the sea.
I should like of all things to go there again and
make acquaintance with Mary Aiming."
Here are a few stanzas of the poem alluded
to :-
" E'en poets shall by thee set store ;
For wonders feed the poet's wish ;
And is their mermaid wondrous more
Than thy half-lizard and half-fish ?
While Lyme's dark-headed urchins grow
Each in his turn to grey-haired men,
Yet, when grown old, this beach they walk,
Some pensive breeze their grey locks fanning,
Their sons shall love to hear them talk
Of many a feat of Mary Anning."
46
IN THE DRAWING-ROOM
A Stormy Coast
Writing of their residence in Lyme Mary
says : —
" My dear mother had three or four young
relations, misses in their teens, staying with her
and was sufficiently occupied in playing the
chaperone to the dull gaieties of the place. . . .
Of course I was too young to be admitted to the
society, such as it was ; but I had even then a
dim glimmering perception of its being anything
but exhilarating."
Sometimes the company assembled in the
Great House. " One incident that occurred
there," writes Miss Mitford — " a frightful danger
—a providential escape — I shall never forget.
" There was to be a ball at the rooms, and a
party of sixteen or eighteen persons, dressed for
the assembly, were sitting in the dining-room
at dessert. The ceiling was ornamented with a
rich running pattern of flowers in high relief, the
shape of the wreath corresponding pretty exactly
with the company arranged round the oval
table. Suddenly, without the slightest warn-
ing, all that part of the ceiling became detached
and fell down in large masses upon the table
and the floor. It seems even now all but
miraculous how such a catastrophe could occur
without danger to life or limb ; but the only
things damaged were the flowers and feathers
of the ladies and the fruits and wines of the
E 49
Mary Russell Mitford
dessert. I myself, caught instantly in my
father's arms, by whose side I was standing,
had scarcely even time to be frightened,
although after the danger was over our fair
visitors of course began to scream/'
Towards the end of their year's residence in
Lyme Regis the fortunes of the Mitford family
were once more clouded over.
" Nobody told me," writes Mary, "but I felt,
I knew, I had an interior conviction for which
I could not have accounted . . . that in spite
of the company, in spite of the gaiety, some-
thing was wrong. It was such a foreshowing
as makes the quicksilver in the barometer sink
whilst the weather is still bright and clear.
"And at last the change came. My father
went again to London and lost — I think, I have
always thought so — more money. . . . Then
one by one our visitors departed ; and my
father, who had returned in haste again, in
equal haste left home, after short interviews
with landlords, and lawyers, and auctioneers ;
and I knew — I can't tell how, but I did know —
that everything was to be parted with and every-
body paid.
" That same night two or three large chests
were carried away through the garden by
George and another old servant, and a day or
two after my mother and myself, with Mrs.
50
A Stormy Coast
Mosse, the good housekeeper who lived with
my grandfather, and the other maid-servant,
left Lyme in a hack-chaise."
After various delays, due partly to the break-
ing up of a camp between Bridport and Dor-
chester, the party pursued their journey in " a
sort of tilted cart without springs." " Doubt-
less," remarks Mary, " many a fine lady would
laugh at such a shift. But it was not as a tem-
porary discomfort that it came upon my poor
mother. It was her first touch of poverty. It
seemed like the final parting from all the
elegances and all the accommodations to which
she had been used. I shall never forget her
heart-broken look when she took her little girl
upon her lap in that jolting caravan, nor how
the tears stood in her eyes when we turned into
our miserable bedroom when we reached the
roadside alehouse where we were to pass the
night. The next day we resumed our journey,
and reached a dingy, comfortless lodging in one
of the suburbs beyond Westminster Bridge."
CHAPTER VII
A FLIGHT
THE (< comfortless lodging " mentioned by Miss
Mitford was on the Surrey side of Blackfriars
Bridge, where Dr. Mitford, it seems, was able to
find a refuge from his creditors within the rules
of the King's Bench.
" What my father's plans were," writes his
daughter in later years, " I do not exactly know ;
probably to gather together what disposable
money still remained after paying all debts from
the sale of books, plate and furniture at Lyme
and thence to proceed ... to practise in some
distant town. At all events London was the
best starting-place, and he could consult his
old fellow-pupil and life-long friend, Dr. Babing-
ton, then one of the physicians to Guy's Hos-
pital, and refresh his medical studies with ex-
periments and lectures. In the meanwhile his
spirits returned as buoyant as ever, and so, now
that fear had changed into certainty, did mine."
But at this time, when the prospects of the
family seemed to be irretrievably overclouded
52
A Flight
and when dire poverty stared them in the face,
an extraordinary event occurred to raise them
suddenly into affluence !
" In the intervals of his professional pursuits/'
writes Mary, " my father walked about London
with his little girl in his hand ; and one day (it
was my birthday, and I was ten years old) he
took me into a not very tempting-looking place
which was, as I speedily found, a lottery office.
An Irish lottery was upon the point of being
drawn, and he desired me to choose one out of
several bits of printed paper (I did not then
know their significance) that lay upon the
counter.
' Choose which number you like best/ said
the dear papa, ' and that shall be your birthday
present/
" I immediately selected one, and put it into
his hand : No. 2224.
' ' Ah/ said my father, examining it, ' you
must choose again. I want to buy a whole
ticket, and this is only a quarter. Choose again,
my pet.'
' No, dear papa, I like this one best/
' Here is the next number/ interposed the
lottery office keeper, ' No. 2223.'
' Ay/ said my father, ' that will do just as
well. Will it not, Mary ? We'll take that/
" ' No/ returned I obstinately, ' that won't
53
Mary Russell Mitford
do. This is my birthday you know, papa, and I
am ten years old. Cast up my number and you'll
find that makes ten. The other is only nine/'
' My father, superstitious like all speculators,
struck with my pertinacity and with the reason
I gave, resisted the attempt of the office keeper
to tempt me by different tickets, and we had
nearly left the shop without a purchase when the
clerk who had been examining different desks
and drawers, said to his principal :
" ' I think, sir, the matter may be managed
if the gentleman does not mind paying a few
shillings more. That ticket 2224 only came
yesterday, and we have still all the shares : one-
half, one-quarter, one-eighth, two-sixteenths.
It will be just the same if the young lady is set
upon it/
" The young lady was set upon it, and the
shares were purchased.
" The whole affair was a secret between us,
and my father, whenever he got me to himself,
talked over our future twenty thousand pounds
—just like Alnaschar over his basket of eggs.
" Meanwhile time passed on, and one Sunday
morning we were all preparing to go to church
when a face that I had forgotten, but my father
had not, made its appearance. It was the clerk
of the lottery office. An express had just arrived
from Dublin announcing that No. 2224 had been
54
A Flight
drawn a prize of twenty thousand pounds, and
he had hastened to communicate the good
news."
" Ah, me ! " writes Miss Mitford in later life.
" In less than twenty years what was left of the
produce of the ticket so strangely chosen ?
What ? except a Wedgwood dinner-service
that my father had had made to commemorate
the event, with the Irish harp within the border
on one side and his family crest on the other !
That fragile and perishable ware outlasted the
more perishable money/'
The writer of a graceful article entitled, " In
Miss Mitford's Country/' which appeared in a
magazine several years ago, saw at a friend's
house in Reading some odd pieces of this very
dinner-service. These consisted of " a tureen
of beautiful shape, two or three soup-plates and
a couple of butter-boats and stands in one, in
Wedgwood fashion." When handling the
china she observed " that the Mitford crest was
stamped on one side of the pieces while on the
opposite side appeared a harp bearing between
the strings the mystic number 2224."
She supposed this to be the Wedgwoods'
private number, and it was not until she came
upon the passage just quoted in Miss Mitford's
Recollections of a Literary Life that the mystery
was solved.
CHAPTER VIII
RETURN TO READING
AFTER the extraordinary event of the lottery
ticket the Mitfords were suddenly placed in a
position of opulence, and they joyfully quitted
their dingy London lodgings and returned once
more to Reading. The doctor had taken a new
red brick house in the London Road, a road
which in those days bordered the open country.
The house is still standing, and is probably
much as it was in the Mitfords' day. It has a
deep verandah in front, and behind stretches
a long piece of garden. A small room at the
back of the house is pointed out to visitors as
Dr. Mitford's dispensary. •
Mary Russell Mitford loved the old town of
Reading — Belford Regis, as she always calls it
in her stories — and the various descriptions of
the place, scattered throughout her writings,
make the Reading of her day to live again.
On one occasion she describes the view of the
town as seen from the jutting corner of Friar
Street, where she had taken shelter from a
56
Return to Reading
shower of rain. She speaks of " the fine church
tower of St. Nicholas,1 with its picturesque
piazza underneath " and its " old vicarage
house hard by, embowered in evergreens " ; of
" the old irregular shops in the market-place,
with the trees of the Forbury beyond just peep-
ing between them, with all their varieties of
light and shadow."
Another day, after mentioning " the huge
monastic ruins of the Abbey," with all its
monuments of ancient times, she goes on to
say " or for a modern scene what can surpass
the High Bridge on a sunshiny day ? The
bright river crowded with barges and small
craft ; the streets and wharfs and quays, all
alive with the busy and stirring population of
the country and the town — a combination of
light and motion."
Miss Mitford has described this same scene
as it appeared on a cold winter's evening in a
book written late in life entitled, Atherton and
other Stories, which we should like to quote here.
" From ... the High Bridge the Rennet now
showed like a mirror reflecting on its icy surface
into a peculiar broad and bluish shine, the arch
of lamps surmounting the graceful airy bridge
and the twinkling lights that glanced here and
there, from boat or barge or wharf, or from
1 St. Lawrence.
57
Mary Russell Mitford
some uncurtained window that overhung the
river."
But the chief beauty of the old town was to
be seen in summer time on a Saturday (market-
day) at noon. " The old market-place, always
picturesque from the irregular architecture of
the houses, and the beautiful Gothic church by
which it is terminated, is then all alive with the
busy hum of traffic. . . . Noise of every sort
is to be heard, from the heavy rumbling of so
many loaded waggons over the paved market-
place to the crash of crockery ware in the
narrow passage -of Princes Street. One of the
noisiest and prettiest places is the Piazza at
the end of St. Nicholas Church appropriated
by long usage to the female vendors of fruit
and vegetables/' The butter market was at
the back of the market proper, " where respect-
able farmers' wives and daughters sold eggs,
butter and poultry." Here too " straw-hats,
caps and ribbons were sold, also pet rabbits
and guinea-pigs, together with owls and linnets
in cages."
Among the odd characters who turned up on
the occasion of markets or fairs Miss Mitford
mentions a certain rat-catcher by name Sam
Page " whose own appearance was as venomous
as that of his retinue," and " told his calling
almost as plainly as the sharp heads of the
58
Return to Reading
ferrets which protruded from the pockets of his
dirty jean jacket, or the bunch of dead rats
with which he was wont to parade the streets
of B. on a market-day." But before he had
taken to this business, she says, he had tried
many other callings, amongst them those of " a
barrel-organ grinder, the manager of a celebrated
company of dancing dogs, and the leader of
a bear and a very accomplished monkey.
Suddenly he reappeared one day at B. fair as
showman of the Living Skeleton, and also a
performer [himself] in the Tragedy of the
Edinburgh Murders, as exhibited every half -hour
at the price of a penny to each person." Sam
confessed that he liked acting of all things,
especially tragedy ; <l it was such fun."
Of the period with which we are dealing
Mary writes : " I was a girl at the time — a very
young girl, and, what is more to the purpose, a
very shy one, so that I mixed in none of the
gaieties of the place ; but speaking from obser-
vation and recollection I can fairly say that I
never saw any society more innocently cheerful."
She tells us of " the old ladies and their tea
visits, the gentlemen and their whist club, and
the merry Christmas parties with their round
games and their social suppers, their mirth and
their jests."
And now for Mary herself : how did she strike
59
Mary Russell Mitford
the new acquaintances that her parents were
making ? One who knew her well tells us that
" she showed in her countenance, and in her
mild self-possession, that she was no ordinary
chiki ; and with her sweet smile, her gentle
temper, her animated conversation, her keen
enjoyment of life, and her incomparable voice
— " that excellent thing in woman ' —there
were few of the prettiest children of her age
who won so much love and admiration from
their friends young and old as little Mary
Mitford."
In one of Miss Mitford's tales entitled My
Godmothers there is an amusing account of a
stiff maiden lady of the old school by name
Mrs. Patience Wither (the " Mrs/' being given
her by brevet rank). " In point of fact/' writes
Mary, " she was not my godmother, having
stood only as proxy for her younger sister,
Mrs. Mary, my mother's intimate friend, then
falling into a lingering decline.
11 Mrs. Patience was very masculine in person,
tall, square, large-boned and remarkably up-
right. Her features were sufficiently regular,
and would not have been unpleasing but for the
keen, angry look of her light blue eye . . . and
her fiery, wiry red hair, to which age did no
good, — it would not turn grey. . . . She lived
in a large, tall, upright, stately house in the
60
Return to Reading
largest street of a large town. It was a grave
looking mansion, defended from the pavement
by iron palisades, a flight of steps before the
sober brown door, and every window curtained
and blinded by chintz and silk and muslin,
crossing and jostling each other. None of the
rooms could be seen from the street, nor the
street from any of the rooms — so complete was
the obscurity.
" On the death of her sister Mrs. Patience
. . . was pleased to lay claim to me in right of
inheritance, and succeeded to the title of my
godmother pretty much in the same way that
she succeeded to the possession of Flora, her
poor sister's favourite spaniel. I am afraid that
Flora proved the more grateful subject of the
two. I never saw Mrs. Patience but she took
possession of me for the purpose of lecturing
and documenting me on some subject or other,
—holding up my head, shutting the door,
working a sampler, making a shirt, learning the
pence table, or taking physic. . . .
" She was assiduous in presents to me at
home and at school ; sent me cakes with
cautions against over-eating, and needle-cases
with admonitions to use them ; she made over
to me her own juvenile library, consisting of a
large collection of unreadable books . . . nay,
she even rummaged out for me a pair of old
61
Mary Russell Mitford
battledores, curiously constructed of netted
pack-thread — the toys of her youth ! But
bribery is generally thrown away upon children,
especially on spoilt ones ; the godmother whom
I loved never gave me anything, and every
fresh present from Mrs. Patience seemed to me
a fresh grievance. I was obliged to make a call
and a curtsy, and to stammer out something
which passed for a speech, or, which was still
worse, to write a letter of thanks — a stiff, formal,
precise letter ! I would rather have gone with-
out cakes or needle-cases, books or battledores
to my dying day. Such was my ingratitude
from five to fifteen/'
One of the most prominent figures in the
Reading of those days was Dr. Valpy, head-
master of the Reading Grammar School. The
school consisted of a group of buildings " stand-
ing/' writes Miss Mitford, " in a nook of the
pleasant green called the Forbury, and parted
from the churchyard of St. Nicholas by a row
of tall old houses. It was in itself a pretty
object — at least I, who loved it almost as much
as if I had been of the sex that learns Greek and
Latin, thought so. ... There was a little court
before the door of the doctor's house with four
fir trees, and at one end a projecting bay
window belonging to a very long room [the
doctor's study] lined with a noble collection of
62
Return to Reading
books/' The Forbury was used as the boys'
playground.
Dr. Valpy was much reverenced by his fellow-
townsmen and greatly loved by his pupils, in
spite of the stern discipline of those days which
he considered it his duty to administer to cul-
prits. Among his pupils was Sergeant Talfourd,
who thus describes his character : " Envy,
hatred and malice were to him mere names-
like the figures of speech in a schoolboy's theme,
or the giants in a fairy-tale, phantoms which
never touched him with a sense of reality. . . .
His system of education was animated by a
portion of his own spirit : it was framed to
enkindle and to quicken the best affections."
Another contemporary who happened to be
of a cynical turn of mind remarks of Dr. Valpy :
" Had he been more supple in his principles or
less open in their avowal he might have risen
to the highest position in his sacred profession.
A mitre might have been the reward of sub-
serviency and the revenues of a diocese the
bribe of tergiversation and hypocrisy, [but] he
left to others such paths to preferment . . .
and lived in the enjoyment of an unblemished
reputation and a clear conscience."
On the further side of the Forbury stood a
large old-fashioned building adjoining the Abbey
Gateway and bearing the name of the Abbey
63
Mary Russell Mitford
School. It was a school for " young ladies " of
the ordinary type belonging to the eighteenth
century, but which, at the time we are writing
of, was gradually taking a higher position in
general estimation. Three authoresses of very
different degrees of fame were pupils in this
establishment, namely : Jane Austen for a short
time as a very young child, in about the year
1782, Miss Butt (afterwards Mrs. Sherwood) in
1790, and Mary Russell Mitford when the school
was removed to London in 1798.
The school had formerly been carried on
under the management of a Mrs. Latournelle, a
good-natured person but, as Mrs. Sherwood
tells us, " only fit for giving out clothes for the
wash, mending them, making tea and ordering
dinners/' But after a time she took as a partner
a young lady of talent and of excellent educa-
tion who at once made her mark felt.
What, however, caused the permanent suc-
cess of the school was the arrival in Reading of
a certain Monsieur St. Quintin, the son of a
nobleman in Alsace — a man of very superior
intellect — who had been secretary to the Comte
de Moustier, one of the last ambassadors from
Louis XVI to the Court of St. James. Having
lost all his property in the French Revolution,
he was thankful to accept the post of French
teacher in Dr. Valpy's school, and was soon
64
Return to Reading
afterwards recommended by the doctor as a
teacher of French in the Abbey School. In
course of time he married Mrs. Latournelle's
young partner, and they " soon so entirely
raised the credit of the seminary/' writes Mrs.
Sherwood, " that when I went there, there
were above sixty girls under their charge.
The style of M. St. Quintin's teaching," she
says, " was lively and interesting in the ex-
treme."
Dr. Mitford had been a warm friend to
M. St. Quintin ever since his arrival in Reading,
and there was much pleasant intercourse be-
tween the Mit fords and the St. Quintins. In
the summer of 1798 the school was transferred
to London, and Dr. and Mrs. Mitford, who had
then decided to send their little daughter to
school, were glad to place her under the friendly
care of M. and Madame St. Quintin.
CHAPTER IX
THE SCHOOL IN HANS PLACE
MONSIEUR and Madame St. Quintin, on remov-
ing the Abbey School from Reading to London,
established it in Hans Place, a small oblong
square of pleasant-looking houses with a garden
in the centre. It was almost surrounded by
fields, for London proper terminated in those
days with the double toll-gates at Hyde Park
Corner.
The school-house (No. 22) was one of the
largest in the place, and possessed a spacious
garden abounding in fine trees, smooth lawns
and gay flower-beds. Thither the little Mary
was sent on the reopening of the school after
the midsummer holidays of the year 1798.
Writing in later years she thus describes the
event :—
" It is now more than twenty years since
I, a petted child of ten years old, born and
bred in the country, and as shy as a hare, was
sent to that scene of bustle and confusion, a
London school. Oh, what a change it was !
66
The School in Hans Place
What a terrible change ! ... To leave my
own dear home for this strange new place and
these strange new people . . . and so many
of them ! . . . I shall never forget the misery
of the first two days, blushing to be looked at,
dreading to be spoken to, shrinking like a
sensitive plant from the touch, ashamed to
cry, and feeling as if I could never laugh
again.
" These disconsolate feelings are not astonish-
ing . . . the wonder is that they so soon passed
away. But everybody was good and kind. In
less than a week the poor wild bird was tamed.
I could look without fear on the bright, happy
faces ; listen without starting to the clear, high
voices, even though they talked in French ;
began to watch the ball and the battledore ;
and felt something like an inclination to join in
the sports. In short, I soon became an efficient
member of the commonwealth ; made a friend,
provided myself with a school-mother, a fine,
tall, blooming girl . . . under whose protection
I began to learn and unlearn, to acquire the
habits and enter into the views of my com-
panions, as well disposed to be idle as the best
of them."
M. St. Quintin taught the pupils French,
history and geography, also as much science as
he was master of or as he thought it requisite
67
Mary Russell Mitford
for a young lady to know. Madame St. Quintin
did but little teaching at this period, but used
to sit in the drawing-room with a book in her
hand to receive visitors. After M. St. Quintin
the mainstay of the school was the English
teacher, Miss Rowden, an accomplished young
lady of good birth, who was assisted by finishing
masters for Italian, music, dancing and drawing.
She was admired and loved by the whole school,
and especially by Mary Mitford, over whom she
exercised an excellent influence.
(( To fill up any nook of time/' writes Mary,
" which the common demands of the school
might leave vacant, we used to read together,
chiefly poetry. With her I first became ac-
quainted with Pope's Homer, Dryden's Virgil
and the Paradise Lost. She read capitally,
and was a most indulgent hearer of my remarks
and exclamations ; — suffered me to admire
Satan and detest Ulysses, and rail at the pious
^Eneas as long as I chose/'
The French teacher was a very different type
of womanhood. " She was a tall, majestic
woman," writes Mary, " between sixty and
seventy, made taller by yellow slippers with
long slender heels. . . . Her face was almost in-
visible, being concealed between a mannish kind
of neck-cloth and an enormous cap, whose wide,
flaunting strip hung over her cheeks and eyes ;
68
The School in Hans Place
—to say nothing of a huge pair of spectacles.
Madame, all Parisian though she was, had the
•• ..'..-" fsWj .N >\
HANS PLACE
fidgety neatness of a Dutch woman, and was
scandalized at our untidy habits. Four days
passed in distant murmurs . . . but this was
69
Mary Russell Mitford
only the gathering of the wind before the storm.
It was dancing day ; -we were all dressed and
assembled when Madame, provoked by some
indications of latent disorder, instituted, much
to our consternation, a general rummage through
the house for all things out of their places. The
collected mass was thrown together in one
stupendous pile in the middle of the schoolroom
—a pile that defies description or analysis. The
whole was to be apportioned amongst the dif-
ferent owners and then affixed to their persons !
. ". . Poor Madame ! Article after article was
held up to be owned in vain : not a soul would
claim such dangerous property. Nevertheless,
she did succeed by dint of lucky guesses, [and
soon] dictionaries were suspended from the
necks of the pupils en medaillon, shawls tied
round the waist en ceinture, and unbound music
pinned to the frock en queue . . . not one of
us but had three or four of these appendages ;
many had five or six. These preparations were
intended to meet the eye of Madame's country-
man, the French dancing master, who would
doubtless assist in supporting her authority. . . .
She did not know that before his arrival we
were to pass an hour in an exercise of another
kind, under the command of a drill-sergeant.
The man of scarlet was ushered in. It is im-
possible to say whether the professor of march-
70
The School in Hans Place
ing or the poor Frenchwoman looked most dis-
concerted. Madame began a very voluble ex-
planatory harangue ; but she was again unfor-
tunate— the sergeant did not understand French.
She attempted to translate : ' It is, Sare, que
ces dames, dat dese miss be des traineuses.'
This clear and intelligible sentence producing
no other visible effect than a shake of the head,
Madame desired the nearest culprit to tell ' ce
soldat la ' what she had said, which caused him
of the red coat to declare that ' it made his
blood boil to see so many free-born English
girls dominated over by their natural enemy/
Finally he insisted that we could not march
with such incumbrances, which declaration
being done into French all at once by half a
dozen eager tongues, the trappings were re-
moved and the experiment was ended/'
In spite of this comical exception, the general
system of education followed in Hans Place was
greatly superior to that of the ordinary board-
ing schools of the day, where all that could be
said of a young lady when her education was
finished was that she " played a little, sang a
little, talked a little indifferent French, painted
shells and roses, not particularly like nature,
danced admirably, and was the best player at
battledore and shuttle-cock, hunt-the-slipper
and blindman's-buff in her county."
71
Mary Russell Mitford
Dr. and Mrs. Mitford visited their little
daughter frequently during the period of her
school life — often taking lodgings in the neigh-
bourhood to be within easy reach. Mrs. Mitford
writes on one of these occasions to her husband :
" Mezza " (a pet name for Mary), " who has got
her little desk here, and her great dictionary, is
hard at her studies beside me. . . . Her little
spirits are all abroad to obtain the prize, some-
times hoping, sometimes desponding. It is as
well perhaps you are not here at present, as you
would be in as great a fidget on the occasion as
she herself is."
Whether Mary won this particular prize we
do not know, but that she did win prizes is
proved by the fact that two of them are care-
fully treasured by the descendants of some of
her friends. One of these is in our temporary
possession. It is a large volume entitled, Adam's
Geography, bound in calf, and ornamented with
elegant patterns in gilding. On the upper side
of the binding are the words :—
Prix
de
Bonne Conduite
qu'a obtenu
Mile. Midford
73
The School in Hans Place
while on the reverse side we read : —
Mrs. St. Quintin's
School
Hans Place
June I7th
1801.
The Mitfords' name used to be spelt with a
" d" at one time, but Dr. Mitford changed it
to a " t " a few years later than the period of
which we are writing.
There were three vacations in the year, the
breaking up for which was always preceded by
a festival. Before Easter and Christmas there
was usually a ballet " when the sides of the
schoolroom were fitted up with bowers, in which
the little girls who had to dance were seated,
and whence they issued at a signal from M.
Duval the dancing master, attired as sylphs or
shepherdesses, to skip or glide through the
mazy movements of a fancy dance to the music
of his kit. Or sometimes there would be a
dramatic performance, as when the same room
was converted into a theatre for the represen-
tation of Hannah More's Search after Happiness.
CHAPTER X
A GLIMPSE OF OLD FRENCH SOCIETY
DURING her school life Mary Mitford had an
opportunity of seeing many of the French
refugees of noble birth who had escaped from
their country in the commencement of the
Reign of Terror.
" M. St. Quintin," she tells us, " being a lively,
kind-hearted man, with a liberal hand and a
social temper, it was his delight to assemble as
many as he could of his poor countrymen and
countrywomen around his hospitable supper-
table."
" Something wonderful and admirable it
was," she writes, "to see how these dukes and
duchesses, marshals and marquises, chevaliers
and bishops bore up under their unparalleled
reverses ! How they laughed, and talked, and
squabbled, and flirted, constant to their high
heels, their rouge and their furbelows, to their
old liesons, their polished sarcasms and their
cherished rivalries ! They clung even to their
manages de convenance ; and the very habits
74
A Glimpse of Old French Society
which would most have offended our English
notions, if we had seen them in their splendid
hotels of the Faubourg St. Germain, won toler-
ance and pardon when mixed up with such
unaffected constancy and such cheerful resig-
nation."
There were supper parties also given to other
members of the French society by a cousin of
Mary Mitford's who had married an emigre of
high birth and who resided in Brunswick Square.
Mary often spent the interval between Saturday
afternoon and Monday morning with these
relatives. " Saturday was their regular French
day/' she writes, " when in the evening the
conversation, music, games, manners and
cookery were studiously and decidedly French.
Trictrac superseded chess or backgammon,
reversi took the place of whist, Gretry of Mozart,
Racine of Shakespeare; omelettes and salads,
champagne moussu, and eau sucre excluded
sandwiches, oysters and porter.
" At these suppers their little schoolgirl
visitor," she says, " assisted, though at first
rather in the French than the English sense of
the word. I was present indeed, but had as
little to do as possible either with speaking or
eating. . . . However, in less than three months
I became an efficient consumer of good things,
and said ' oui, monsieur/ and ' merci, madame/
75
Mary Russell Mitford
as often as a little girl of twelve years old ought
to say anything.
" I confess, however, that it took more time
to reconcile me to the party round the table
than to the viands with which it was covered.
In truth they formed a motley group, reminding
me now of a masquerade and then of a puppet
show. I shall attempt to sketch a few of them
as they then appeared to me, beginning, as
etiquette demands, with the duchess.
" She was a tall, meagre woman of a certain
age (that is to say on the wrong side of sixty).
Her face bore the remains of beauty, [but in-
jured by] a quantity of glaring rouge. Her
dress was always simple in its materials and
delicately clean. She meant the fashion to be
English, I believe, — at least she used often to
say, ' me voila mise a F Anglaise ' ; but as neither
herself nor her faithful femme de chambre could
or would condescend to seek for patterns from
les grosses bougeoises de ce Londres Id has they
constantly relapsed into the old French shapes.
. . . She used to relate the story of her escape
from France, and accounted herself the most
fortunate of women for having, in company
with her faithful femme de chambre, at last con-
trived to reach England with jewels enough
concealed about their persons to secure them a
modest competence. No small part of her good
76
A Glimpse of Old French Society
fortune was the vicinity of her old friend the
Marquis de L., a little thin, withered old man,
with a face puckered with wrinkles, and a pro-
digious volubility of tongue. This gentleman
had been madame's devoted beau for the last
forty years. . . . They could not exist without
an interchange of looks and sentiments, a
mental intelligence, a gentle gallantry on the
one side and a languishing listening on the other,
which long habit had rendered as necessary to
both as their snuff-box or their coffee.
" The next person in importance to the
duchess was Madame de V., sister to the mar-
quis. Her husband, who had acted in a diplo-
matic capacity in the stormy days preceding
the Revolution, still maintained his station at
the exiled court, and was at the moment of
which I write employed on a secret embassy to
an unnamed potentate. ... In the dearth of
Bourbon news this mysterious mission excited
a lively and animated curiosity amongst these
sprightly people.
' In person Madame de V. was quite a con-
trast to the duchess ; short, very crooked, with
the sharp, odd-looking face and keen eye that
so often accompany deformity. She [used]
a quantity of rouge and finery, mingling
[together] ribands, feathers and beads of all
the colours of the rainbow. She was on excel-
77
Mary Russell Mitford
lent terms with all who knew her, and was also
on the best terms with herself, in spite of the
looking-glass, whose testimony indeed was so
positively contradicted by certain couplets and
acrostics addressed to her by M. le Comte de C.,
and the chevalier des I., the poets of the party,
that to believe one uncivil dumb thing against
two witnesses of such undoubted honour would
have been a breach of politeness of which
madame was incapable.
" The Chevalier des I. was a handsome man,
tall, dark-visaged, and whiskered, with a look
rather of the new than of the old French school,
fierce and soldierly ; he was accomplished too,
played the flute, and wrote songs and enigmas.
His wife, the prettiest of women, was the
silliest Frenchwoman I ever encountered. She
never opened her lips without uttering some
betise. Her poor husband, himself not the
wisest of men, quite dreaded her speaking.
" It happened that the Abbe de Lille, the
celebrated French poet, and M. de Colonne, the
ex-minister, had promised one.Saturday to join
the party in Brunswick Square. They came :
and our chevalier [as a poet] could not miss so
fair an opportunity of display. Accordingly,
about half an hour before supper he put on a
look of distraction, strode hastily two or three
times up and down the room, slapped his fore-
78
A Glimpse of Old French Society
head, and muttered a line or two to himself,
then, calling hastily for pen and paper, began
writing with the illegible rapidity of one who
fears to lose a happy thought ; — in short, he
acted incomparably the whole agony of com-
position, and finally, with becoming diffidence,
presented the impromptu to our worthy host,
who immediately imparted it to the company.
It was heard with lively approbation. At last
the commerce of flattery ceased ; the author's
excuses, the ex-minister's and the great poet's
thanks, and the applause of the audience died
away.
"A pause [now] ensued which was broken
by Madame des I., who had witnessed the whole
scene with intense pleasure, and who exclaimed,
with tears standing in her beautiful eyes, ' How
glad I am they like the impromptu ! My poor
dear chevalier ! No tongue can tell what pains
it has cost him ! There he was all yesterday
evening writing, writing, — all the night long —
never went to bed — all to-day — only finished
just before we came. My poor dear chevalier !
Now he'll be satisfied/
"Be it recorded to the honour of French
politeness that finding it impossible to stop or
to out-talk her, the whole party pretended not
to hear, and never once alluded to this im-
promptu fait a loisir till the discomforted
79
Mary Russell Mitford
chevalier sneaked off with his pretty simpleton.
Then to be sure they did laugh. . . .
" The Comtess de C. would have been very
handsome but for one terrible drawback — she
squinted. I cannot abide those ' cross eyes/ as
the country people call them ; but the French
gentlemen did not seem to participate in my
antipathy, for the countess was regarded as the
beauty of the party. Agreeable she certainly
was, lively and witty. . . . She had an agree-
able little dog called Amour — a pug, the smallest
and ugliest of the species, who regularly after
supper used to jump out of a muff, where he had
lain perdu all the evening, and make the round
of the supper-table, begging cake and biscuits.
He and I established a great friendship, and he
would even venture; on hearing my voice, to
pop his poor little black nose out of his hiding-
place before the appointed time. It required
several repetitions of ft done from his mistress
to drive him back behind the scenes till she
gave him his cue.
" No uncommon object of her wit was the
mania of a young smooth-faced little abbe, the
politician par eminence, where all were poli-
ticians. M. 1'Abbe must have been an exceeding
bore to our English ministers, whom by his
own showing he pestered weekly with laboured
memorials, — plans for a rising in La Vendee,
80
A Glimpse of Old French Society
schemes for an invasion, proposals to destroy
the French fleet, offers to take Antwerp, and
plots for carrying off Buonaparte from the
opera-house and lodging him in the Tower of
London. Imagine the abduction, andjfancy
him carried off by the unassisted prowess and
dexterity of M. 1'Abbe ! "
*"™v- f Sitf^
~ >»""
CHAPTER XI
THE GAY REALITIES OF MOLIERE
DR. MITFORD had set his heart upon his
daughter's becoming an " accomplished musi-
cian/' in spite of her having, as she tells us,
" neither ear, nor taste, nor application/'
Her first music master in Hans Place failing to
bring about any improvement in her playing
upon the piano, she was removed from his
tuition and placed under that of a German
professor, " an impatient, irritable man of
genius," who, in his turn, soon summarily dis-
missed his pupil ! " Things being in this un-
promising state," she writes, " I began to enter-
tain some hope that my musical education would
be given up altogether. This time [however]
my father threw the blame upon the instrument,
and he now resolved that I should become a
great performer upon the harp.
" It happened that our school-house . . . was
so built that the principal reception-room was
connected with the entrance-hall by a long pas-
sage and two double doors. This room, fitted
82
The Gay Realities of Moli&re
up with nicely bound books, contained, amongst
other musical instruments, the harp upon
which I was sent to practise every morning.
I was sent alone, [and was] most comfortably
out of sight and hearing of every individual in
the house, the only means of approach being
through the two resounding green baize doors,
swinging to with a heavy bang the moment
they were let go. As the change from piano to
harp . . . had by no means worked a miracle,
I very shortly betook myself to the book-
shelves, and seeing a row of octavo volumes
lettered Theatre de Voltaire, I selected one of
them and had deposited it in front of the
music-stand and perched myself upon the stool
to read it in less time than an ordinary pupil
would have consumed in getting through the
first three bars of Ar Hyd y Nos.
" The play upon which I opened was Zaire.
There was a certain romance in the situation,
an interest in the story. ... So I got through
Zaire, and when I had finished Zaire I proceeded
to other plays — Mdipe, Merope, Algire, Maho-
met, plays well worth reading, but not so absorb-
ing as to prevent my giving due attention to
the warning doors, and putting the book in its
place, and striking the chords of Ar Hyd y Nos
as often as I heard a step approaching.
" But when the dramas of Voltaire were
83
Mary Russell Mitford
exhausted and I had recourse to some neigh-
bouring volumes the state of matters changed
at once. The new volumes contained the
comedies of Moliere, and once plunged into the
gay realities of this delightful world, all the
miseries of this globe of ours — harp, music-
books, practisings, and lessons — were forgotten.
... I never remembered that there was such
a thing as time ; I never heard the warning
doors ; the only tribulations that troubled me
were the tribulations of Sganarelle, the only
lessons I thought about — the lessons of the
' Bourgeois Gentilhomme/ So I was caught ;
caught in the very act of laughing till I cried
over the apostrophes of the angry father to the
galley, in which he is told his son has been
taken captive, ' Que diable allait-il faire dans
cette galere ! '
" Luckily, however, the person who dis-
covered my delinquency was one of my chief
spoilers — the husband of our good school mis-
tress. Accordingly when he could speak for
laughing, what he said sounded far more like
a compliment upon my relish for the comic
drama than a rebuke. I suppose that he spoke
to the same effect to my father. At all events
the issue of the affair was the dismissal of the
poor little harp mistress and a present of a
cheap edition of Moliere for my own reading/'
84
The Gay Realities of Moliere
And writing in after years Miss Mitford says :
" I have got the set still — twelve little foreign-
looking books, unbound, and covered with a
gay-looking pink paper, mottled with red, like
certain carnations/'
Miss Mitford tells us in the Introduction to
one of her works that her father had engaged
the English teacher Miss Rowden, of whom we
have already spoken, to act as a sort of private
tutor — a governess out of school hours to his
young daughter.
" At the time I was placed under her care,"
writes Mary, " her whole heart was in the drama,
especially as personified by John Kemble ; and I
am persuaded that she thought she could in no
way so well perform her duty as in taking me to
Drury Lane whenever his name was in the bills.
" It was a time of great actors — Jack Ban-
nister and Jack Johnstone, Fawcett and Emery,
Lewis and Munden, Mrs. Davenport, Miss Pope
and Mrs. Jordan (most exquisite of all) made
comedy a bright and living art, an art as full
as life itself of laughter and tears.
" My enthusiasm for the drama soon equalled
that of Miss Rowden. . . . There was of course
a great difference in kind between her pleasure
and mine ; hers was a critical, mine a childish
enjoyment ; she loved fine acting, I loved the
play."
85
Mary Russell Mitford
Writing in later years of her pleasure, however
imperfect then, in the acting of " the glorious
family of Kemble," she says : <( The fame of
John Kemble . . . has suffered not a little by
the contact with his great sister. Besides her
uncontested and incontestable power Mrs. Sid-
dons had one advantage not always allowed for
—she was a woman. The actress must always
be dearer than the actor, goes closer to the
heart, draws tenderer tears. . . . Add that the
tragedy in which they were best remembered
was one in which the heroine must always pre-
dominate, for Lady Macbeth is the moving
spirit of the play. But the characters of more
equality — Katherine and Wolsey, Hermione
and Leontes, Coriolanus and Volumnia, Hamlet
and the Queen — and surely John Kemble may
hold his own. How often have I seen them in
those plays ! What would I give to see again
those plays so acted ! '
In the year 1802, when Mary was fourteen
years of age, her thirst for knowledge was grow-
ing rapidly. Miss Rowden happened to be read-
ing Virgil, and Mary longed to be able to read
it also. " I have just taken a lesson in Latin/'
she writes to her mother, " but I shall in con-
sequence omit some of my other business. It
is so extremely like Italian that I think I shall
find it much easier than I expected."
86
The Gay Realities of Moliere
" I told you," she says in a letter to her
father, " that I had finished the Iliad, which I
admire beyond anything I ever read. I have
begun the ^Eneid, which I cannot say I admire
so much. Dry den is so fond of triplets and
Alexandrines that it is much heavier reading ;
. . . when I have finished it I shall read the
Odyssey. ... I am now reading that beautiful
opera of Metastasio, Themistocles, and when I
have finished that I shall read Tasso's Jerusalem
Delivered. His poetry is really heavenly."
Again she writes, " I went to the library the
other day with Miss Rowden and brought back
the first volume of Goldsmith's Animated Nature.
It is quite a lady's natural history, and ex-
tremely entertaining. . . . The only fault is its
length. There are eight volumes. But as I
read it to myself, and read pretty quick, I shall
soon get through it. I am likewise reading the
Odyssey, which I even prefer to the Iliad. I
think it beautiful beyond comparison."
Mrs. Mitford was staying in town in the
summer of 1802, and she writes to her husband :
" You would have laughed yesterday when
M. St. Quintin was reading Mary's English
composition, of which the subject was, ' The
advantage of a well-cultivated mind ' ; a word
struck him as needless to be inserted, and which
after objecting to it he was going to expunge.
87
Mary Russell Mitford
Mam Bonette (a pet name), in her pretty meek
way, urged the necessity of the word used.
Miss Rowden was then applied to. She and I
both asserted that the sentence would be in-
complete without it. St. Quint in, on a more
deliberate view of the subject, with all the
liberality which is so amiable a point in his
character, begged our daughter's pardon, and
the passage remained as it originally stood."
A young French girl, Mile. Rose, had
recently become an inmate of the schoolroom.
She was an orphan, and her venerable grand-
parents, who belonged to a noble Bretonne
family, were now dependent upon her for sup-
port. The three were to be seen occasionally
at M. St. Quintin's hospitable supper-parties,
and on such occasions Rose " always brought
with her some ingenious straw-plaiting to make
into fancy bonnets, which were then in vogue.
. . . She was a pallid, drooping creature, whose
dark eyes looked too large for her face." She
now brought her straw-plaiting into the school-
room and also assisted in teaching French to
the pupils.
" About this time a little girl named Betsy, of
a short, squat figure, plain in face and ill-
dressed and overdressed, appeared at the school,
brought by her father. They happened to arrive
at the same time with the French dancing
88
The Gay Realities of Moliere
master, a marquis of the ancien regime. I never
saw such a contrast between two men. The
Frenchman was slim, long and pale, and allow-
ing always for the dancing-master air, he might
be called elegant. The Englishman was the
beau-ideal of a John Bull, portentous in size,
broad and red of visage, and loud of tongue.
He did not stay five minutes, but that was time
enough to strike monsieur with horror . . .
especially when his first words conveyed an in-
junction to the lady of the house ' to take care
that no grinning Frenchman had the ordering
of his Betsy's feet. If she must learn to dance,
let her be taught by an honest Englishman/
" Poor Betsy ! there she sat, the tears
trickling down her cheeks, little comforted by
the kind notice of the governess and the English
teacher. I made some girlish advances towards
acquaintanceship which she was too shy or too
miserable to return. . . .
' For the present she seemed to have attached
herself to Mademoiselle Rose. She had crept
to the side of the young French woman and
watched her as she wove her straw plaits. She
had also attempted the simple art with some
discarded straws, and when mademoiselle had
so far roused herself as to show her the proper
way, she soon became an efficient assistant.
:t No intercourse took place between them.
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Mary Russell Mitford
Indeed none was possible since neither knew
a word of the other's language. Betsy was
silence personified, and poor Mile. Rose was
now more than ever dejected. An opportunity
of returning to France had opened to her and
to her grand-parents, and was passing away.
The expenses of the journey were beyond her
means. So she sighed over her straw-plaiting
and submitted.
" In the meantime the second Saturday after
the new pupil's coming to school arrived, and
with it a summons home to Betsy, who, for
the first time gathering courage to address our
good governess, asked ' if she might be trusted
with the bonnet Mile. Rose had just finished,
to show her aunt — she knew she would like to
buy that bonnet because mademoiselle had been
so good as to let her assist in plaiting it/ Our
good governess ordered the bonnet to be put
into the carriage, told her the price, called her
a good child, and took leave of her till Monday.
" Two hours after, Betsy and her father
reappeared in the schoolroom. ' Ma'amselle,'
said he, bawling as loud as he could with the
view evidently of making her understand him,
' Ma'amselle, I've no great love for the French,
whom I take to be our natural enemies. But
you're a good young woman ; you've been kind
to my Betsy, and have taught her to make
90
The Gay Realities of Moliere
your fal-lals. She says that she thinks you're
fretting because you can't manage to take your
grandfather and grandmother back to France
again ; so as you let her help you in that other
handiwork, why you must let her help you in
this.' Then throwing a heavy purse into her
lap and catching his little daughter up in his
arms he departed, leaving poor Mile. Rose too
much bewildered to speak or to comprehend
the happiness that had fallen upon her/'
CHAPTER XII
RECOLLECTIONS OF OLD READING
IN the spring of the year 1802 Dr. Mitford pur-
chased an old farm-house with its surrounding
fields amounting to about seventy acres, near
to the small village of Graseley, which lies about
three miles to the south of Reading. The house,
known as Graseley Court, had been built in the
days of Queen Elizabeth, and it possessed fine
rooms with ornamental panelling, oriel windows
and a great oaken staircase with massive balus-
trades. It had fallen out of repair, and the
doctor's first plan was to carry out such restora-
tions only as would make it a comfortable
dwelling-place for himself and his family. But
unfortunately he soon abandoned this plan and
determined to pull down the old house and to
build upon its site a new and spacious mansion.
Dr. Mitford had little appreciation of the
beauty he was destroying, nor did he foresee
the large sums of money that would be sunk in
this undertaking.
Mary's school life came to an end at the close
92
Recollections of Old Reading
of the year 1802, when she had just reached the
age of fifteen. Her connection, however, with
Hans Place was not over, for she paid happy
visits from time to time to the St. Quintins and
Miss Rowden, going to the London theatres,
hearing concerts, and seeing interesting society
under their auspices.
Her first introduction to the Reading gaieties
of a grown-up order was to be at the Race Ball
in August, 1803. • " At these balls/' we are told,
" it was the custom for the steward of the races
to dance with the young ladies who then came
out." After alluding to the distress felt by one
of her companions on having to dance with a
stranger on such an occasion, Mary writes in
1802 : "I think myself very fortunate that
Mr. Shaw Lefevre will be steward next year,
for by that time I shall hope to know him well
enough to render the undertaking of dancing
with him less disagreeable/'
" The public amusements of the town/' she
writes, " as I remember them at bonny fifteen
were sober enough. They were limited to an
annual visit from a respectable company of
actors, the theatre being very well conducted
and exceedingly ill-attended ; to biennial con-
certs . . . rather better patronized, to almost
weekly incursions from itinerant lecturers on
all the arts and sciences, and from prodigies of
93
Mary Russell Mitford
every kind, whether three-year-old fiddlers or
learned dogs/'
" The good town of Belford [Reading]/' she
tells us, ' was the paradise of ill-jointured
widows and portionless old-maids. They met
in the tableland of gentility, passing their morn-
ings in calls at each other's houses and their
evenings in small tea-parties, seasoned with a
rubber or a pool, and garnished with a little
quiet gossiping . . . which their habits re-
quired. The part of the town in which they
chiefly congregated, the lady's quarter, was one
hilly corner of the parish of St. Nicholas, a sort
of highland district, all made up of short Rows
and pigmy Places entirely uncontaminated by
the vulgarity of shops."
Miss Mitford has given us many a racy de-
scription of the type of small tradespeople of
the period. Here is one of them :—
" The greatest man in these parts (I use the
word in the sense of Louis-le-Gros, not Louis-
le-Grand) is our worthy neighbour Stephen
Lane, the grazier ex-butcher of Belford. Noth-
ing so big hath been seen since Lambert the
gaoler or the Durham ox.
" When he walks he overfills the pavement
and is more difficult to pass than a link of full-
dressed misses or a chain of becloaked dandies.
. . . Chairs crack under him, couches rock,
bolsters groan and floors tremble. . . .
94
Recollections of Old Reading
' Tailors, although he was a liberal and punc-
tual paymaster, dreaded his custom. It was
not only the quantity of material that he took,
and yet that cloth universally called 'broad'
was not broad enough for him ; it was not only
the stuff but the work — the sewing, stitching,
plaiting and button-holing without end. The
very shears grew weary of their labours."
For a contrast to this personage we have
" little Miss Philly Firkin the china woman/'
whose shop stood in a narrow twisting lane
called Oriel Street. This street was cribbed
and confined on one side by the remains of an
old monastic building, and after winding round
the churchyard of St. Stephens with an awk-
ward curve it finally abutted upon the market-
place. So popular was this " incommodious
avenue of shops " that nobody dreamt of visit-
ing Belford without desiring to purchase some-
thing there, so that " horse-people and foot-
people jostled upon its pavement/' whilst
" coaches and phaetons ran against each other
in the road." Of all the shops the prettiest and
most sought after was that of Miss Philly
Firkin.
" She herself was in appearance most fit to
be its inhabitant, being a trim, prim little
woman, whose dress hung about her in stiff,
regular folds, very like the drapery of a china
95
Mary Russell Mitford
shepherdess on a mantelpiece, and whose pink
and white complexion . . . had the same profes-
sional hue. Change her spruce cap for a wide-
brimmed hat and the damask napkin which she
flourished in wiping her wares for a china crook
and the figure in question might have passed
for a miniature of the mistress. In one respect
they differed. The china shepherdess was a
silent personage. Miss Philadelphia was not ;
on the contrary, she was reckoned to make . . .
as good a use of her tongue as any woman,
gentle or simple, in the whole town of Belford."
Miss Mitford describes another female shop-
keeper of those days, " a reduced gentlewoman
by name Mrs. Martin, who endeavoured to eke
out a small annuity by letting lodgings at eight
shillings a week, and by keeping a toyshop.
The whole stock (of the little shop) — fiddles,
drums, balls, dolls and shuttle-cocks — might be
easily appraised at under eight pounds, includ-
ing a stately rocking-horse, the poor widow's
cheval de bataille, which had occupied one side
of Mrs. Martin's shop from the time of her setting
up in business, and still continued to keep his
station, uncheapened by her thrifty customers."
When a certain Mr. Singleton, we are told,
was ordained curate of St. Nicholas after taking
his degrees at college with " respectable medi-
ocrity " he was attracted by the appearance of
96
Recollections of Old Reading
the rooms above the toyshop, " and there by
the advice of Dr. Grampound (the Rector) did
he place himself on his arrival at Belford. He
occupied the first floor, consisting of the sitting-
room — a pleasant apartment with one window
abutting on the High Bridge and the other on
the market-place, also a small chamber behind
with its tent-bed and dimity furniture/' And
there the curate continued " to live for full
thirty years with the selfsame spare, quiet,
decent landlady and her small serving maiden
Patty, a demure, civil damsel dwarfed as it
should seem by constant curtseying. . . . Ex-
cept for the clock of time, which, however im-
perceptibly, does still keep moving, everything
about the little toyshop was at a standstill.
The very tabby cat, which lay basking on the
hearth, might have passed for his progenitor of
happy memory, who took his station there the
night of Mr. Singleton's arrival ; and the self-
same hobby-horse still stood rocking opposite
the counter, the admiration of every urchin
who passed the door.
" There the rocking-horse remained, and
there remained Mr. Singleton, gradually ad-
vancing from a personable youth to a portly
middle-aged man/'
We have already mentioned the frequent
small fairs that were held in the market-place
H 97
Mary Russell Mitford
from time to time, but the chief event of the
year in such matters was the Reading Great Fair,
which took place regularly upon May Day. " It
was a scene of business as well as of pleasure/'
writes Mary Mitford, " being not only a great
market for horses and cattle, but one of the
principal marts for the celebrated cheese of the
great dairy counties. . . . Before the actual
fair day waggon after waggon, laden with the
round, hard, heavy merchandise, rumbled
slowly into the Forbury, where the great space
before the school-house was fairly covered with
stacks of Cheddar and North Wilts.
" Fancy the singular effect of piles of cheeses
several feet high extending over a whole large
cricket ground, and divided only by narrow
paths littered with straw, amongst which wan-
dered chapmen offering a taste of their wares
to their cautious customers, the country shop-
keepers (who poured in from every village
within twenty miles), and to the thrifty house-
wives of the town. . . . Fancy the effect of this
remarkable scene, surrounded by the usual
moving picture of a fair, the fine Gothic church
of St. Nicholas on one side, the old arch of the
Abbey and the abrupt eminence called Forbury
Hill, crowned with a grand clump of trees, on
the other. . . . When lighted up at night it
was, perhaps, still more fantastic and attractive,
98
Recollections of Old Reading
when the roars and howlings of the travelling
wild beasts used to mingle so grotesquely with
the drums, trumpets and fiddles of the dramatic
and equestrian exhibitions, and the laugh and
shout and song of the merry visitors."
In the year 1804 the building of the large new
house at Graseley was completed, and it re-
ceived the name of Bertram House, so called in
honour of the Mitfords' Norman ancestor, Sir
Robert Bertram. The doctor's usual extrava-
gance was shown in the style of its decorations
and furniture, which were little suited to his
small and modest family.
We have visited Bertram House. It is a
large square white building of little architec-
tural beauty, but there is beauty in a wide
verandah standing at the summit of a broad
flight of stone steps leading up to the entrance,
which is completely festooned by roses and
honeysuckles. The house faces spreading lawns
and gay flower-beds, whilst its approach from
the lane hard by is beneath an avenue of tall
limes. Fields stretch far away behind the
building, their " richly timbered hedgerows
edging into wild, rude and solemn fir planta-
tions/'
Here Mary Mitford passed sixteen years of
her life, and here she got to know and love not
only their own beautiful grounds but also
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Mary Russell Mitford
every turn of the surrounding shady lanes,
where the first violets and primroses were to
be found, and delighted in the wide expanse
of its neighbouring common gay with gorse
and broom. Many of her pastoral stories are
connected with this smiling country.
CHAPTER XIII
A NORTHERN TOUR
IN the autumn of the year 1806 Mary Mitford,
then eighteen years of age, was taken by her
father for a tour in the north of England with
a view of introducing her to his relations in
Northumberland. The head of the family was
Mitford of Mitford Castle, a fine old Saxon
edifice that stands on high ground above the
river Wansbeck at a point where two fords
meet, and from which circumstance the name
Mid-ford is derived.
Miss Mitford speaks in her Recollections of
" the massive ruins of the castle " as :< the
common ancestral home of our race and name,"
and tells us "of the wild and daring Wansbeck
almost girdling it as a moat."
The castle is about two miles distant from
Morpeth, and there is a quaint rhyme still
current in the north-country which runs as
follows : —
" Midford was Midford ere Morpeth was ane,
And still shall be Midford when Morpeth is gane."
101
Mary Russell Mitford
At the time of the Norman Conquest it ap-
pears that the castle and barony were in the
possession of a certain Robert de Mitford, whose
only child and heiress was a daughter named
Sibella. This daughter was given in marriage
by the Conqueror to one of his knights — Sir
Robert Bertram — who had fought in the battle
of Hastings. It seems that there is a curious
entry respecting this same knight in a contem-
porary document written in Norman French to
the effect that Sir Robert Bertram estoit tort
(crooked). One would like to know if the
Saxon maid was happy with her deformed
husband, but the old chronicles are of course
silent on that subject.1
It was on the 20th day of September (1806)
that Mary Mitford, together with her father and
her father's cousin, Mr. Nathaniel Ogle, who
possessed an estate in Northumberland, started
upon their northern tour. They travelled to
London by stage-coach, but performed the rest
of their journey in Mr. Ogle's private carriage.
Having changed horses at Waltham Cross and
again at Wade's Mill, they halted at Royston
for the first night, and then, continuing their
journey with various other baitings, reached
Little Harle Tower in Northumberland a few
days later.
1 See Memories, by Lord Redesdale, K.C.B., published 1915.
102
A Northern Tour
Little Harle Tower, which stands in a romantic
glen through which the Wansbeck flows, was
to be the headquarters of the Mitfords during
their tour. It was the property of Lord and
Lady Charles Murray Aynsley, Lord Charles
having taken the name of Aynsley on account
of a large property left to his wife by a relative
of that name. He was a son of the Duchess of
Athol. Perhaps the reader may remember his
appearance in an early chapter of this. work as
a very bashful young man. Lady Charles was
a first cousin of Dr. Mitford's.
Mary writes to her mother from Little Harle
Tower on September 28th : " I imagine Papa
has told you all our plans, which are extremely
pleasant. Lord and Lady Charles stay longer
in the country on purpose to receive us, and
have put off their visit to Alnwick Castle that
they may take us there, as well as to Lord
Grey's, Colonel Beaumont's and half a dozen
other places. . . . The post, which never goes
oftener than three times a week from hence,
will not allow our writing again till Wednesday,
when we go to Sir William Lorraine's, and hope
to get a frank from Colonel Beaumont whom we
are to meet there."
This was Mary Mitford's first introduction
into what is called high society, and the sim-
plicity of her ordinary life made her specially
enjoy her new experiences.
103
Mary Russell Mitford
The Beaumonts were people of large property,
and Mary describes the wonderful attire of
Mrs. Beaumont, who appeared at the Lor-
raines' dinner-party (although it was supposed
to be a small informal gathering) in a lavender
satin dress covered with Mechlin lace, and whose
jewels consisted of amethysts of priceless value
forming a waist-belt, a bandeau, a tiara, arm-
lets, bracelets, etc. etc. to match. Lady
Lorraine's dress was quite different. ' Her
ladyship is a small, delicate woman/' writes
Mary, " and she wore a plain cambric gown and
a small chip hat, without any sort of ornament
either on her head or neck/'
Mary made mental notes concerning many
of her new acquaintance. She describes a
certain Mr. M. as " an oddity from affectation."
" And I often think," she adds, " that no young
man affects singularity when he can distinguish
himself by something better."
Writing from Kirkley, Mr. Ogle's property,
on October 8th, Mary says : " We go to-morrow
to Alnwick and return the same night. I will
write you a long account of our stately visit
when I return to Morpeth."
Alnwick Castle was at that time the abode
of the Dowager Duchess of Athol, the mother
of Lord Charles Murray Aynsley. This same
Duchess was also (in her own right) Baroness
104
A Northern Tour
Strange and Lady of Man. Her husband, the
third Duke of Athol, had died some thirty years
before, and ever since his death she seems to
have enjoyed a position of ever -increasing
power and authority.
" To-morrow, " writes Mary, " is expected to
be a very full day at the Castle on account of
the Sessions Ball. The ladies — the married
ones I mean — go in court dresses without hoops,
and display their diamonds and finery upon the
occasion/
Mary had to make her preparations accord-
ingly. ' ( You would have been greatly amused,"
she writes, " at my having my hair cut by Lord
Charles's frisseur, who is by occupation a joiner,
and actually attended me with an apron covered
with glue and a rule in his hand instead of
scissors.
" Thursday morning we rose early. I wore
my ball dress, and Lady C. lent me a beautiful
necklace of Scotch pebbles very elegantly set,
with brooches and ornaments to match. My
dress was never the least discomposed during
the whole day, though we travelled thirty miles
of dreadful roads to the Castle. Lord Charles's
horses had been sent on to Framlington (eigh-
teen miles) the day before, and we took four
post horses from Cambo to that place. We set
out at eleven and reached Framlington by two.
Mary Russell Mitford
. . . We passed Netherwitten . . . and Swor-
land, the magnificent seat of the famous Alexan-
der Davison. I had likewise a good view of the
beautiful Roadly Craggs, by which the road
passes, and likewise over some of the moors.
" The entrance to Alnwick Castle is extremely
striking. After passing through three massive
gateways you alight and enter a most magnifi-
cent hall, lined with servants, who repeat your
name to those stationed on the stairs ; these
again re-echo the sound from one to the other,
till you find yourself in a most sumptuous
drawing-room of great size and, as I should
imagine, forty feet in height. This is at least
rather formidable, but the sweetness of the
Duchess soon did away every impression but
that of admiration. We arrived first, and Lady
Charles introduced me with particular distinc-
tion to the whole family ; and during the whole
day I was never for one instant unaccompanied
by one of the charming Lady Percys, and prin-
cipally by Lady Emily, the youngest and most
beautiful.
" We sat down sixty-five to dinner. ... The
dinner of course was served on plate, and the
middle of the table was decorated by a sump-
tuous plateau. I met Sir Charles Monck, my
cousin of Mitford, and several people I had
known at Little Harle. After dinner when the
106
A Northern Tour
Duchess found Lady Charles absolutely refused
to stay all night, she resolved at least that I
should see the Castle, and sent Lady Emily to
show me the library, chapel, state bedrooms,
etc,, and, thinking I was fond of dancing, she
persuaded Lady C. to go for an hour with her-
self and family to the Sessions Ball, which was
held that night.
" The Duchess is still a most lovely woman,
and dresses with particular elegance. She wore
a helmet of diamonds. The young ladies were
elegantly dressed in white and gold. The
news of Lord Percy's election arrived after
dinner.
" At nine we went to the ball given in the
town, and the room was so bad and the heat
so excessive that I determined, considering the
long journey we had to take, not to dance, and
refused my cousin Mitford of Mitford, Mr. Selby,
Mr. Alder, and half a dozen whose names I have
.forgotten. At half-past ten we took leave of
the Duchess and her amiable daughters and
commenced our journey homeward. . . .
" We went on very quietly for some time
when we suddenly discovered that we had come
about six miles out of our way. . . . This so
much delayed us that it was near seven o'clock
in the morning before we reached home [Mor-
pethj. Seventy miles, a splendid dinner and a
107
Mary Russell Mitford
ball all in one day ! Was not this a spirited
expedition ? '
Mary was well placed for enjoyment during
this tour. " My cousins/' she writes in later
life, " were acquainted, as it seemed to me, with
everyone of consequence in the county, and
were themselves two of the most popular per-
sons it contained, [so] as the young relative and
companion of this amiable couple, I saw the
country and its inhabitants to great advantage."
Mary mentions two younger sisters of Lady
Charles — Mary and Charlotte Mitford — cousins
of whom she became fond. They often accom-
panied the travellers in their visiting tours, as
did also the Aynsleys' only son, whom she speaks
of as her father's " dear godson, and the finest
boy you ever saw."
Writing from Morpeth, where her father's
uncle, old Mr. Mitford, and her cousins lived,
she speaks of a plan for a tour in the northern
part of the county arranged by Sir Charles and
Lady Aynsley for her entertainment. " WThen
I go back to Little Harle," she says, "we shall
set out for Admiral Roddam's upon the Cheviot
Hills, Lord Tankerville's and Lord Grey's. . . .
I am so happy in this opportunity of seeing the
Cheviot Hills." The tour proved a very pleasant
and interesting one. The party travelled in a
coach and four, the road sometimes taking them
108
A Northern Tour
across the summit of the Cheviots and " above
the clouds." They visited Fallerton and
Simonsburn and also Hexham — her father's
birthplace — finally halting at Alnwick.
At this time Mary was put into an awkward
position by her father suddenly quitting her
and returning in all haste to Reading in order to
further the Parliamentary election of Mr. Shaw
Lefevre, thus cancelling all his engagements
with their relatives and friends. She wrote to
urge his return, and finally he did so on the
3rd November, and towards the end of the
month both father and daughter returned home.
Late in life, recording the various events of
her tour in the north, Mary writes : " Years
many and changeful have gone by since I trod
those northern braes ; they at whose side I
stood lie under the green sod ; yet still as I
read of the Tyne or of the Wansbeck the bright
rivers sparkle before me, as if I had walked
beside them but yesterday. I still seem to
stand with my dear father under the grey walls
of that grand old abbey church at Hexham
whilst he points to the haunts of his boyhood.
Bright river Wansbeck ! How many pleasant
memories I owe to thy mere name ! '
CHAPTER XIV
A ROYAL VISIT
BEFORE quitting the pleasant society of Lord
and Lady Charles Aynsley we should like to
introduce an incident in connection with them
which took place in the month of February,
1808. This was no less an event than a visit
from the exiled King Louis XVIII and his
suite to Lord Charles and his wife at the
Deanery of Bocking.
Here we would explain that the post of Dean
in connection with Bocking Church, which is
not a cathedral, was of a curious nature. It
seems that by an old ecclesiastical ordinance
a set of clergymen were called the Archbishop
of Canterbury's " Peculiars/' and that his
Commissary and Head of the Peculiars in
Essex and Suffolk was constituted Dean of
Bocking, a post of such dignity that the Dean
was wholly independent of the Bishop of his
diocese.1
1 See History of the County of Essex, by Thos. Wright,
published 1836.
no
A Royal Visit
At the time of which we are writing the
French King was residing at Gosfield Hall, a
mansion lent to him by the Marquess of Buck-
ingham upon his arrival in England during the
previous month of November. There, we are
told, a mimic court was held in strict accordance
with Bourbon traditions ; and even the old
French custom of the King's dining in public
was preserved. On such occasions the inhabi-
tants of the surrounding neighbourhood were
permitted to pass in procession through the
long dining-room to witness the sight.
In spite, however, of their courtly ceremonies
the purses of these royal exiles do not seem to
have been very full, to judge by the following
story. It was told some years ago by an old
Essex woman who could remember when a
child seeing the King and his attendants out
walking. The King noticed the child and was
disposed to give her something, but the royal
pockets were searched in vain for a coin of any
kind. At last one of the suite produced a half-
penny. " I ought to ' have kept that half-
penny/' remarked the old dame.
The visit of Louis XVIII to the Bocking
Deanery, which took place on February i8th,
is described in a letter from Lady Charles
Aynsley to her cousin, Mrs. Mitford, to whom
she also sent a copy of the Chelmsford Chronicle
in
Mary Russell Mitford
of February 26th, which contained a paragraph
describing the event.
Fortunately the editors of the Chelmsford
Chronicle, which has existed for more than one
hundred and fifty years, have kept an unbroken
file of its numbers, so that we have been able
to study the very paragraph in question. Mrs.
Mitford incorporates the two accounts in a
letter to her husband, but where certain de-
tails in this newspaper are omitted, we have
introduced them between brackets.
In explanation of an allusion to a severe snow-
storm which it was feared might prevent the
royal visit from taking place, we would remark
that an examination of seyeral numbers of the
paper prove that the month of February, 1808,
was marked by a prevalence of violent gales of
wind and heavy falls of snow. A large number
of ships are reported to have foundered, sea-
walls were broken down in many places, and
the Margate pier totally destroyed. " From
the extraordinary falls of snow/' writes a jour-
nalist, " the usual communication between the
metropolis and the distant parts of the kingdom
has been nearly impracticable. The Ports-
mouth mail coach is reported to have lost its
way in the snowstorm, and many accidents to
passengers in other mail coaches are related."
"At Hatfield Peveral," states a writer,
112
],E COMTE D'ARTOIS
(AFTERWARDS CHARLES x)
A Royal Visit
"twenty sheep and lambs were buried in a
snow-drift, but were rescued owing to the
sagacity of the shepherd's dog." A solitary
sheep elsewhere " remained buried in the snow
for eight days. When at last dug out it was
discovered to be actually alive ! It had found
wurzels in the ground and had fed upon them."
Mrs. Mitford writes to her husband on
receiving Lady Charles Aynsley's letter from
Bocking : —
" Her ladyship has been in a very grand
bustle, as the King of France, Monsieur (the
Comte d'Artois), the Duke d'Angouleme, Duke
de Berry, Duke de Grammont and the Prince
de Conde, with all the nobles that composed His
Majesty's suite at Gosfield, dined at the Deanery
last Thursday. Mr. and Mrs. Pepper (Lady
Fitzgerald's daughter) were asked to meet him,
because she was brought up and educated at
the French Court in Louis XVFs reign ; General
and Mrs. Milner for the same reason, and
Colonel, Mrs. and Miss Burgoyne — all the party
quick at languages.
' The [snow] storms alarmed Lady C. not a
little, for it prevented the carrier going to town
in the first instance, and in the second she began
to fear the King might not be able to come,
after all the preparations made for him. The
Milners were so anxious about it that the
i 113
Mary Russell Mitford
General, who commands at Colchester, ordered
five hundred pioneers to clear the road from
that city to Bocking. On His Majesty's ap-
proach the Bocking bells proclaimed it, and on
driving up, the full military band which Lord
C. had engaged for -the occasion struck up
' God save the King ' in the entrance passage.
In His Majesty's coach were Monsieur [the
Comte d'Artois] and the Dukes d'Angouleme
and Berry. [They arrived a little before five
o'clock, and Lady Charles handed His Majesty
from his carriage into the drawing-room, and
introduced the illustrious guest to those friends
who were invited upon this interesting occasion.
His Majesty in the most affable and engaging
manner entered into conversation with every
individual present.]
"All stood," continues Mrs. Mitford, "till
dinner was announced, when our cousin handed
His Majesty — Lord C. walking before him with
a candle. The King sat at the top of the table
with Lady C. on his right and Lord C. on his
left. Mrs. Milner's and Mrs. Pepper's French
butlers were lent for the occasion. The bill of
fare was in French, and the King appeared
well pleased with his entertainment. [The
French nobility, who compose His Majesty's
suite, were in full dress and wore the insignia
of their respective orders.]
114
WHERE THE KING DINED
A Royal Visit
" The company were three hours at dinner,
and at eight the dessert was placed on the table
—claret and all kinds of French wine, fruit, etc.,
a beautiful cake at the top with ' Vive le Roi de
France ' baked round it, and the quarterings
of the French army in coloured pastry, which
had a novel and pretty effect. The three
youngest children then entered with white
satin military sashes over their shoulders (upon
which were) painted in bronze ' Vive le Roi de
France — Prospefite a Louis dix-huit.' Charles,
on being asked for a toast, immediately gave
' The King of France/ which was drunk with
the utmost sensibility by all present, and one
of the little girls came up to His Majesty and,
with great expression, spoke the lines in French,
composed for the occasion.
" Louis soon followed the ladies into the
drawing-room, when again all stood, and
Lady C. served her royal guest with coffee,
which being over, she told him that some of
the neighbouring families were come for a little
dance in the dining-room and that perhaps His
Majesty would be seated at cards. He good
humouredly said he would first go and pay his
respects in the next room, which was the thing
she wished ; therefore handed him in, his family
and nobles following, which was a fine sight for
those assembled, in all sixty-two. At the
117
Mary Russell Mitford
King's desire she introduced each person to him
by name, and, on the King's sitting down, the
band struck up, and Monsieur, who is supposed
to be the finest dancer in Europe, led off with
Lady C., who, spite of Lord Charles's horror
and her own fears for her lame ankle, hopped
down two country dances with him, and they
were followed by Charlotte and the Duke
d'Angouleme."
We have sat in the long dining-room at the
Deanery where these festivities took place
more than a hundred years ago. The room is
evidently little changed, and as we gazed
around, the whole scene seemed to rise before
our eyes. We saw the French guests in their
stars and orders sparkling under the lights of
the chandeliers, and it seemed almost as if an
echo of their bright racy talk reached our ears.
CHAPTER XV
PLAYS AND POETRY
MARY RUSSELL MITFORD had from early youth
been fond of writing verses upon subjects which
had taken her fancy. " No less than three
octavo volumes/' she writes, " had I perpe-
trated in two years. They had all the faults
incident to a young lady's verses, and one of
them had been deservedly castigated by the
Quarterly." Here she adds in later years the
following footnote : " This article was for-
tunate for the writer at a far more important
moment. Mr. Gifford himself, as I have been
given to understand, came to feel that however
well deserved the strictures might be, an attack
by his great review upon a girl's first book was
something like breaking a butterfly upon the
wheel. He made amends by a criticism in a
very different spirit on the first series of Our
Village, which was of much service to the work."
The first volume of poems was published in
the year 1810 and again with additions in 1811.
Two more volumes followed soon afterwards.
119
Mary Russell Mitford
In spite of some adverse criticism the poems
" had had their praises/' writes Miss Mitford,
" as what young lady's verses have not ? Large
impressions had gone rapidly off ; we had run
into a second edition. They had been pub-
lished in America — always so kind to me ! Two
or three of the shorter pieces had been thought
good enough to be stolen, and Mr. Coleridge had
prophesied of the larger one that the authoress
of ' Blanche ' would write a tragedy/'
Among the shorter poems was one upon the
death of Sir John Moore, written on February
7th, 1809, eight years before the appearance of
Wolfe's well-known poem. It does not equal
that poem in merit ; but the following lines,
which close the dirge, seem to us to bear the
true ring of poetry : —
" No tawdry 'scutcheons hang around thy tomb,
No hired mourners wave the sabled plume,
No statues rise to mark the sacred spot,
No pealing organ swells the solemn note.
A hurried grave thy soldiers' hands prepare —
Thy soldiers' hands the mournful burthen bear ;
The vaulted sky to earth's extremest verge
Thy canopy ; the cannon's roar thy dirge."
Mary was only twenty-one years of age when
she wrote these lines, and there is another poem
belonging to the same period that is worthy
of quotation entitled " Westminster Abbey/'
120
Plays and Poetry
When viewing the tombs in Poets' Corner she
writes :—
' The brightest union Genius wrought
Was Garrick's voice and Shakespeare's thought."
About this same time Miss Mitford wrote a
narrative poem entitled " Christina " which
had good success, especially in America, where
it passed through several editions.
Coleridge's prophecy that the author of
" Blanche " would write a tragedy was fulfilled
eventually, but in the meantime her taste for
the drama, stimulated when a school-girl by
Moliere's inimitable plays, was now being further
developed.
"Every third year," writes Mary, "a noble
form of tragedy, one with which women are
seldom brought in contact, fell in my way. Dr.
Valpy, the master of Reading School . . . had
wisely substituted the representation of one of
the stern Greek plays [given in the original
language] for the speeches and recitations for-
merly delivered before the heads of certain
colleges of Oxford at their triennial visitations.1
" Many of the old pupils will remember the
effect of these performances, complete in
scenery, dresses and decorations, and remark-
1 Dr. Valpy was thus the pioneer of an important move-
ment to be adopted in later years by our great Universities.
121
Mary Russell Mitford
able for the effect produced, not only on the
actors, but on an audience, of which a consider-
able portion was new alike to the language and
the subject. It is no offence to impute such
ignorance to the mayor and aldermen of that
day who in their furred gowns formed part of
the official visitors, or to the mammas and
sisters of the performers, who might plead the
privilege of sex for their want of learning.
:' For myself, as ignorant of Latin or of Greek
as the smuggest alderman or slimmest damsel
present, I had my own share in the pageant.
In spite of all remonstrance the dear Doctor
would insist on my writing the authorised
account of the play — the grand official critique
which filled I know not how many columns of
The Reading Mercury, and was sent east, west,
north and south wherever mammas and grand-
mammas were found. Of course it was neces-
sary to mention everybody and to commit all
the injustice which belongs to a forced equality
by praising some too little and some too much.
The too little was more frequent than the too
much, for the boys, as a body, did act marvel-
lously, especially those who filled the female
parts, making one understand how the ungentle
sex might have rendered the Desdemonas and
the Imogens in James's day. . . . One circum-
stance only a little injured the perfect grouping
122
Plays and Poetry
of the scene. The visitation occurred in October,
not long after the conclusion of the summer
holidays, and between cricket and boating and
the impossibility of wearing gloves . . . our
Helens and Antigones exhibited an assortment
of sunburnt fists that might have become a
tribe of Red Indians. . . . Sophocles is Sophocles
nevertheless ; and seldom can his power have
been more thoroughly felt than in these per-
formances at Reading School.
" The good Doctor," she continues, " full of
kindness, and far too learned for pedantry,
rewarded my compliance with his wishes in the
way I liked best, by helping me to enter into
the spirit of the mighty masters who dealt forth
these stern Tragedies of Destiny. He put into
my hands le Pere Brumoy's ' Theatre des
Grecs/ and other translations in homely French
prose, where the form and letter were set forth,
untroubled by vexatious attempts at English
verse — grand outlines for imagination to colour
and fill up."
In the month of May, 1809, Mary was staying
in Hans Place with her friend Miss Rowden,
who had become the Head of the school on the
retirement of Monsieur and Madame St. Quin-
tin ; these latter, however, still continued to
live in Hans Place although in a different
house. Mary went much into society with her
123
Mary Russell Mitford
kind friends, and greatly enjoyed frequent visits
to the theatre.
She writes on June 4th to her mother : "I
had not time to tell you [yesterday] how very
much I was gratified at the Opera House on
Friday evening. I dined at the St. Quintins',
and we proceeded to take possession of our very
excellent situation, a pit-box near the stage.
The house was crammed to suffocation. Young
is an admirable actor ; I greatly prefer him to
Kemble, whom I had before seen in the same
character (Zanga in The Revenge}. . . . Billing-
ton, Braham, Bianchi, Noldi, Bellamy and
Siboni sang after the play, and the amateurs
were highly gratified. But my delight was yet
to come. The dancing of Vestris is indeed per-
fection. The ' poetry of motion ' is exemplified
in every movement, and his Apollo-like form
excels any idea I had ever formed of manly
grace."
This grand performance, it seems, was for
Kelly's benefit. Kelly was a popular singer of
his day, and was also a composer of music. He
happened in addition to be a wine merchant,
and Sheridan called him " a composer of wine
and importer of music."
Besides visits to the Opera House and
theatres Mary describes expeditions to the
Royal Academy, then at Somerset House, to
124
Plays and Poetry
the Exhibition of Water Colours in Spring
Gardens, and to the Panorama, where she saw
" a most admirable representation of Grand
Cairo, taken from drawings by Lord Valentia."
She also gives full particulars of a grand ball
given in a mansion where five splendid rooms
opened into each other ; and there were up-
wards of three hundred people. " The chalked
floors and Grecian lamps/' she says, " gave it
the appearance of a fairy scene, which was still
further heightened by the beautiful exotics
which almost lined these superb apartments/'
It is curious to note that in those days
Bedlam was looked upon as one of the sights
of London, to which both foreigners and pro-
vincial visitors were taken as a matter of course.
In her last letter from town Mary says : " To-
morrow we go first to Bedlam, then to St.
James's Street to see the Court people, and
then I think I shall have had more than enough
of sights and dissipation/'
CHAPTER XVI
A CHOSEN CORRESPONDENT
AMONG the many names of well-known people
that occur in Miss Mitford's letters of this period
is that of Cobbett, to whom she had addressed
one of her early odes. He was an intimate
friend of her father's, and we are told that some
of his letters to the Doctor " are written enig-
matically and evidently with a view to secrecy,
whilst others, on the contrary, express his senti-
ments as openly as did the ' Porcupine/ ' In
these latter the violent denunciations of the
King and the Government, and indeed of all
persons in authority, comically recall to the
mind of the reader the admirable skit upon
Cobbett in the Rejected Addresses. His letters
to the Doctor usually conclude with the words,
" God bless you, and d the ministers ! '
Miss Mitford describes Cobbett as " a tall,
stout man, fair and sunburnt, with a bright
smile and an air compounded of the soldier and
the farmer, to which his habit of wearing an
eternal red waistcoat contributed not a little."
126
A Chosen Correspondent
Mary's attitude towards politics throughout her
life was naturally influenced by her surround-
ings ; but her admiration for Cobbett was
caused specially by his love of animals and
love of rural scenery, in which she so warmly
sympathised.
After a while an estrangement arose between
the two families through some misunderstand-
ing, but Mary continued to admire Cobbett's
Stirling qualities. Writing of him some years
later she remarks : " He was a sad tyrant, as
my friends the democrats sometimes are. Ser-
vants and labourers fled before him. And yet
with all his faults he was a man one could not
help liking. . . . The coarseness and violence
of his political writings and conversations
almost entirely disappeared in his family circle,
and were replaced by a kindness, a good humour
and an enjoyment in seeing and promoting the
happiness of others. ... He was always what
Johnson would have called ' a very pretty
hater ' ; but since his release from Newgate he
has been hatred itself. . . . [May] milder
thoughts attend him," she adds : " he has my
good wishes and so have his family/'
Another political name occurring in Miss
Mitford's correspondence is that of Sir Francis
Burdett, the well-known leader of reform and
exposer of abuses. Mary writes on March 28th,
127
Mary Russell Mitford
1810 : " If the House of Commons send Sir
Francis to the Tower I should not much like
anyone that I loved to be a party in it, for the
populace will not tamely submit to have their
idol torn from them, and especially for defend-
ing the rights and liberties of the subject. As
to Sir Francis himself, I don't think either he
or Cobbett would much mind it. They would
proclaim themselves martyrs in the cause of
liberty, and the ' Register ' would sell better
than ever/'
It was in the spring of this same year when
visiting London that Mary was first introduced
to Sir William Elford, a friend of her father's,
although totally opposed to him in politics.
Sir William belonged to an old Devonshire
family, and was Recorder for Plymouth, which
borough he had represented in Parliament for
many years. He was, moreover, a man of cul-
tivated tastes and of much refinement. His
interest in Miss Mitford seems to have com-
menced from the perusal of some of her early
verses shown to him by her father.
Describing their first acquaintance in later
years to a friend, Mary said : " Sir William had
taken a fancy to me, and I became his child-
correspondent. Few things contribute more to
that indirect after-education, which is worth
all the formal lessons of the schoolroom a thou-
128
A Chosen Correspondent
sand times told, than such good-humoured con-
descension from a clever man of the world to
a girl almost young enough to be his grand-
daughter. I owe much to that correspondence.
... Sir William's own letters were most charm-
ing— full of old-fashioned courtesy, of quaint
humour, and of pleasant and genial criticism on
literature and on art."1
Sometimes he would send Mary a few verses
he had written upon some congenial subject.
Amongst these occur the following lines, com-
posed after witnessing a performance of Mrs.
Siddons in the Plymouth theatre :—
" Her looks, her voice, her features so agree,
Uniting all in such fine harmony,
That from her voice the blind her looks declare,
And in her sparkling eyes the deaf may hear."
In one of his early letters to Mary he re-
marks : " Pray never refrain from writing much
because you want time and inclination^ to read
over what you have written. I would a thou-
sand times rather see what falls from your pen
naturally and spontaneously than the most
polished and beautiful composition that ever
went to the press, and so would you I doubt
not from your correspondents. . . . Pope's
maxim (if it is his) that ' easy writing is not
1 See Yesterdays with Authors, by James T. Fields.
K 129
Mary Russell Mitford
easily written ' is certainly true with respect
to what is intended for the world . . . but is
utterly false as applied to familiar writing, of
which his own letters — pretended to be warm
from the brain, but in reality polished and
revised on publication — are a striking proof.
Write away then, my dear, as fast as you can
drive your quill, and abuse Miss Seward as
much as you please/'
These words call to mind the same kind of
advice given by the good " Daddy " Crisp about
forty years earlier to the young Fanny Burney :
" Let this declaration serve once for all, that
there is no fault in an epistolary correspondence
like stiffness and study. Dash away whatever
comes uppermost ; the sudden sallies of imagi-
nation clap'd down on paper, just as they arise,
are worth folios, and have all the warmth and
merit of that sort of nonsense that is eloquent
in love/'
Crisp had greater powers as a critic than Sir
William Elford, but Sir William had qualities
that specially suited the case in question. He
supplied a channel through which Mary could
express and think out her views on all kinds of
topics, always secure of a kind and friendly
listener, and one whose judgment she valued.
Being an only child and with few intimate
female friends, this was a great boon, and we
130
A Chosen Correspondent
owe to their correspondence a fuller knowledge
of Mary's mind in its development from youth
to womanhood than we could have obtained
by any other means.
The allusion to Miss Seward, the " Swan of
Lichfield," by Sir William refers to the following
passage in one of Mary's letters : " Have you
seen Miss Seward's Letters ? The names of her
correspondents are tempting, but alas ! though
addressed to all the eminent literati of the last
half-century, all the epistles bear the signature
of Anna Seward. . . . Did she not owe some
of her fame, think you, to writing printed books
at a time when it was quite as much as most
women could do to read them ? . . . I was
always a little shocked at the sort of reputation
she bore in poetry. Sometimes affected, some-
times fade, sometimes pedantic and sometimes
tinselly, none of her works were ever simple,
graceful, or natural. Her letters . . . are
affected, sentimental and lackadaisical to the
highest degree. Who can read a page of Miss
Seward's writings on any subject without find-
ing her out at once [as] the pedantic coquette
and cold-hearted sensibility monger ? '
" Anna Seward," continues Miss Mitford,
" sees nothing to admire in Cowper's letters —
in letters (the playful ones of course I mean)
which would have immortalized him had the
131
Mary Russell Mitford
Task never been written, and which (much as I
admire the playful wit of the two illustrious
namesakes Lady M. W. and Mrs. Montagu) are
in my opinion the only perfect specimens of
epistolary composition in the English language.
. . . They have to me, at least, all the proper-
ties of grace ; a charm now here, now there ; a
witchery rather felt in its effect than perceived
in its cause/'
" The attraction of Horace Walpole's letters/'
she adds, " is very different, though almost
equally strong. The charm which lurks in them
is one for which we have no term, and our
Gallic neighbours seem to have engrossed both
the word and the quality. Elles sont piquantes
to the highest degree. If you read but a sen-
tence you feel yourself spellbound till you have
read the volume/'
On another occasion Mary discusses the merits
of Pope. She holds the same opinion as that
of Sir William respecting his letters " which/'
as she says, " affect to be unaffected and work
so hard to seem quite at their ease." " Pope
is," she remarks, " even in his poetry, of a
lower flight and a weaker grasp than his pre-
decessor [Dryden]. . . . They must be born
without an ear who can prefer the melodious
monotony of Pope to the stateliness, the ease,
the infinite variety of Dryden. I should as soon
132
A Chosen Correspondent
think of preferring the tinkling guitar to the
full-toned organ !
". . . In short, Pope is in the fullest sense of
the word a mannerist. When you have said
' The Dunciad,1 ' The Eloise ' and ' The Rape
of the Lock ' you can say nothing more but
' The Rape of the Lock/ ' The Dunciad ' and
' The Eloise/ I have some notion/' she adds,
" that you are of a different opinion, and I am
very glad of it ; I love to make you quarrel
with me. Nothing is so tiresome as acquies-
cence ; I would at any time give a dozen civil
Yes's for one spirited No, especially in corre-
spondence, which is exactly like a game of
shuttle-cock, and would be at an end in an in-
stant if both battledores struck the same way/'
In another letter, writing of her special
favourites amongst Shakespeare's plays, she
remarks: " And last, not least, Much Ado
About Nothing. The Beatrice of this play is
indeed my standard of female wit and almost
of female character ; nothing so lively, so clever,
so unaffected and so warm-hearted ever trod
this workaday world. Benedick is not quite
equal to her ; but this, in female eyes, is no
great sin. Shakespeare saw through nature,
and knew which sex to make the cleverest.
There's a challenge for you ! Will you take up
the glove ? '
CHAPTER XVII
THE MARCH OF MIND
IN the month of June, 1814, that memorable
period in our history, Mary Mitford was again
visiting her friends the St. Quintins in Hans
Place.
London was then swarming with crowned
heads, victorious generals and distinguished
foreigners of all kinds, to rejoice with us upon
the downfall of Napoleon.
Even the ultra- Whigs, to which Mary and her
family belonged, had long ceased to entertain
any hopes of him as a benefactor to the human
race, and she had declared to Sir William
Elford in 1812 that she " was no well-wisher
to Napoleon — the greatest enemy to democracy
that ever existed ."
On the i8th June Mary and her friends went
to the office of the Morning Chronicle (Mr.
Perry, the editor, being an intimate friend of
the Mitfords) to behold the grand procession of
royal personages to the Merchant Taylors Hall.
Writing on the following day to her mother, she
The March of Mind
says : " The Chronicle will tell you much more
of the procession than I can . . . suffice it to
say that we got there well and pleasantly, and
saw them all most clearly ; that the Emperor
and Duchess are much alike — she a pretty
woman, he a fine-looking man — both with fair
complexions and round Tartar faces — no ex-
pression of any sort except affability and good-
humour ; that the King of Prussia is a much
more interesting and intelligent-looking man,
though not so handsome ; and that the Regent
got notably hissed, in spite of his protecting
presence/' And writing a few days later she
says:
" Yesterday I went, as you know, to the
play with papa, and on our road thither had a
Very great pleasure in meeting Lord Wellington,
just arrived in London, and driving to his own
house in an open carriage and six. We had an
excellent sight of him, so excellent that I should
know him again anywhere ; and it was quite
refreshing after all those parading foreigners,
emperors, and so forth to see an honest English
hero, with a famous Mitford nose, looking quite
happy, without any affectation of bowing or
seeming affable. He is a very fine countenanced
man, tanned and weather-beaten, with good
dark eyes. . . . Very few of the populace knew
him, but the intelligence spread like wildfire,
Mary Russell Mitford
and Piccadilly looked like a hive of bees in
swarming time/'
Writing to Sir William Elford in July, 1815,
Mary apologises for not having sent him, as she
had proposed to do, a facsimile copy of Louis le
Desire s letter to Lady Charles Aynsley. " As
kings of France are come in fashion again/' she
remarks, " I hastened to repair my omission by
copying as well as I was able the aforesaid
epistle. ... I heard a great deal respecting
that very good but weak and bigoted man from
a French lady, Madame de Gourbillon, who was
one of the favourite attendants of his late wife.
His memory exceeds . even that of our own
venerable king. If you mention the slightest,
the least remarkable fact in natural history, in
the belles-lettres, in history, or anything he will
say, ' Ay, Buffon, or La Harpe, or Vertot speaks
of it (quoting the very words) in such a volume,
such a chapter, such a page and such a line/
He is always correct, even to a monosyllable ! '
This recalls to one's mind the old aphorism
applied to the Bourbons : " They forgot nothing
and they learnt nothing."
" Another fact," continues Mary, " which I
ascertained respecting the King of France is
that he is afraid of my friend la Lectrice de la
feue Reine as ever child was of its schoolmistress,
and really it is no impeachment to his courage,
136
The March of Mind
for I am not at all sure that Buonaparte himself
could stand against her. . . . Papa and she
regularly quarrelled once a day on the old
cause, ' France versus England/ varied occasion-
ally into ' French versus English/ for she very
reasonably used to attack Papa for his utter
want of French, in which, I believe, he scarcely
knows oui from non ; and he, with no less reason,
would retort on her want of English, she having
condescended to vegetate twelve years in this
island of fogs and roast beef without being able
at the end of that time to distinguish ' How do
you do ? ' from ' Very well, I thank you ! '
During Miss Mitford's stay in town in the
summer of 1814 she had an interesting and un-
looked-for experience of which mention is made
in the Morning Chronicle of June 25th.
The writer of the article remarks : " The
friends of the British and Foreign School Society
dined together yesterday at the Freemasons'
Tavern. The Marquis of Lansdowne took the
chair, supported by the Dukes of Kent and
Sussex, the Earls of Darnley and Eardley, and
several other eminent persons. The health of
the Chairman and Vice-Presidents was drunk,
and then that of the female members of the
Society. After this a poetical tribute of Miss
Mitford's was sung, and ' Thanks to Miss Mit-
ford ' was drunk with applause."
Mary Russell Mitford
The following lines occur in the poem :--
"The mental world was wrapt in night.
Oh, how the glorious dawn unfold
The brighter day that lurk'd behind ?
The march of armies may be told,
But not the march of mind."
Mary was present on the occasion, being
seated, together with her friends, in the gallery
of the hall. She writes to her mother : "I did
not believe my ears when Lord Lansdowne, with
his usual graceful eloquence, gave my health.
I did not even believe it when my old friend the
Duke of Kent, observing that Lord Lansdowne's
voice was not always strong enough to pene-
trate the depths of that immense assembly,
reiterated it with stentorian lungs. Still less
did I believe my ears when it was drunk with
' three times three/ a flourish of drums and
trumpets from the Duke of Kent's band, and
the unanimous thundering and continued
plaudits of five hundred people. I really thought
it must be [for] Mr. Whitbread, and though I
wondered how he could be ' fair and amiable '
I still thought it him till his health was really
drunk and he rose to make the beautiful speech
of which you have only a very faint outline in
the Chronicle." This speech was made a propos
138
The March of Mind
of a toast. " The Cause of Education through-
out the World," Mr. Whitbread remarking,
" Miss Mitford has designated it ' The March
of Mind/
Whilst " Mary Mitford was thus growing in
fame, her father, through his many specula-
tions, was frequently involved in money diffi-
culties. In the year 1811 it seems he was
actually detained in the debtors' prison, and
arrangements had to be made for the sale of
the pictures at Bertram House in order to obtain
money for his release. His wife, who in her
warm affection was almost too forbearing,
wrote to him : " I know you were disappointed
in the sale of the pictures ; but, my love, if we
have less wealth than we hoped, we shall not
have less affection ; these clouds may blow
over more happily than we expected/'
Again she writes : " As to the cause of our
present difficulties it avails not how they
originated. The only question is how they can
be most speedily and effectually put an end to.
I ask for no details which you do not voluntarily
choose to make. A forced confidence my whole
soul would revolt at/'
Mary writes to her father on the occasion
with the same self-sacrificing love, but, it seems
to us, with more judgment. She suggests that
they should let Bertram House, sell books, fur-
139
Mary Russell Mitford
niture, everything possible to clear their debts,
and then retire to some cottage in the country
or to humble lodgings in London. Then she
goes on to say : •" Where is the place in which,
whilst we are all spared to each other, we should
not be happy ? . . . Tell me if you approve
my scheme, and tell me, I implore you, my
most beloved father, the full extent of your
embarrassments. This is no time for false
delicacy on either side, I dread no evil but sus-
pense. . . . Whatever those embarrassments
may be, of one thing I am certain that the
world does not contain so proud, so happy, or
so fond a daughter. I would not exchange my
father, even though we toiled together for our
daily bread, for any man on earth, though he
could pour the gold of Peru into my lap."
Miss Mitford's biographers have justly cen-
sured her father's evil courses, some considering
him as altogether worthless ; but surely there
must have been many redeeming qualities in
one who called forth such love from such a
daughter ?
For the time being the crisis described was
averted ; but in 1814 Dr. Mitford was again in
great difficulties, caused by his speculations in
two enterprises that proved failures — one in
coal, the other in a new method for lighting and
heating houses, invented by the Marquis de
140
The March of Mind
Chavannes, a French refugee. In this latter
scheme the doctor actually invested £5000, and
when the crash came he lost more money in
carrying on a protracted law suit in the French
courts in the vain hope of forcing the penniless
nobleman to restore his lost property.
Mary, writing of her father's money losses in
later life, says : " He attempted to increase his
own resources by the aid of cards (he was un-
luckily one of the finest whist players in Eng-
land) or by that other terrible gambling, which
. . . even when called by its milder term of
speculation is that terrible thing gambling still."
Early in the year 1814 Mary Mitford received
a proof of the warm approval accorded to her
poems in America, which gave her heartfelt
pleasure.
Mrs. Mitford, writing of the event to her
husband, says :—
" With your letter and the newspaper this
morning arrived a small parcel for our darling,
directed to Miss Mary Russell Mitford. . . .
This little packet contained, — what do you
think ? No less than Narrative Poems on the
Female Character in the various Relations of
Life, by Mary Russell Mitford. Printed at
New York, and published by Eastburn, Kirk
& Co., No. 86 Broadway. The volume is a
small pocket size, well printed and elegantly
141
Mary Russell Mitford
bound, and the following is a copy of the letter
which accompanied it across the Atlantic :—
NEW YORK,
October 23, 1813.
MADAM,
We have the honour of transmitting to
you a copy of our second edition of your admir-
able Narrative Poems on the Female Character.
All who have hearts to feel and understandings
to discriminate must earnestly wish you health
and leisure to complete your plan.
We shall be gratified by a line acknowledging
the receipt of the copy through the medium of
our friends Messrs. Longman & Co. ...
We have the honour to be, madam,
Your most obedient servants,
EASTBURN, KIRK & Co.
Mary writes to her father on the receipt of
the parcel : " You will easily imagine that I
was flattered and pleased with my American
packet ; but even you can scarcely imagine
how much. I never was so vain of anything in
my whole life. Only think of their having
printed two editions (for the words ' second
edition ' are underscored in their letter) before
last October ! "
The recognition which she received in America
142
The March of Mind
so early in her career was never forgotten, and
she used to say in after life, " It takes ten years
to make a literary reputation in England, but
America is wiser and bolder and dares to say at
once, ' This is fine.' "
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CHAPTER XVIII
VERSATILITY AND PLAYFULNESS
IN a letter to Sir William Elford dated January,
1812, Mary remarks : "I have lived so little
with girls of my own age, and have been so
much accustomed to think papa my pleasantest
companion and mamma my best friend that . . .
I have escaped unscathed from all the charming
folly and delectable romance of female intimacy
and female confidence." Then going on to
speak of the usual school training of girls at that
period she remarks : " I must observe that in
this educating age everything is taught to
women except that which is perhaps worth all
the rest — the power and the habit of thinking.
Do not misunderstand me. ... I would only
wish that while everything is invented and in-
culcated that can serve to amuse, to occupy, or
adorn youth — youth which needs so little amuse-
ment or ornament ! — something should be in-
stilled that may add pleasure and respectability
to age."
About this time Sir William paid a visit to
144
Versatility and Playfulness
Bath. Mary writes : " What says Bath of
Rokeby? But Bath, I suppose, is, as to litera-
ture, politics and fashion, the echo of London.
Be that as it may, I am very happy that you
have arrived there, both because it brings us a
step nearer, and because it so comfortably rids
you of the horrors of solitude. ' 0, la Solitude
est une belle chose ; mais ilfaut avoir quelqu'une a
qui Von puisse dire,t La Solitude est une belle
chose I ' ... I most sincerely hope that we
shall meet this spring in London . . . and that
we shall have the pleasure of renewing (I might
almost say commencing) our personal acquaint-
ance. You will find just the same plain, awk-
ward, blushing thing whom you profess to re-
member. ... I talk to you with wonderful
boldness upon paper, and while we are seventy
miles distant ; but I doubt whether I shall say
three sentences to you when we meet, because
the ghosts of all my impertinent letters will
stare me in the face the moment I see you/'
A little later on Sir William paid a visit to
the Mitfords at Bertram House, and Mary
writes of him : " He is the kindest, cleverest,
warmest-hearted man in the world." Some of
her friends fancied that, in spite of the great
discrepancy in their ages, her partiality might
possibly lead to a union between the friends.
To their surmise Mary answers : "I shall not
Mary Russell Mitford
marry Sir William Elf or d, for which there is
a remarkably good reason, the aforesaid Sir
William having no sort of desire to marry me.
. . . He has an outrageous fancy for my letters,
and marrying a favourite correspondent would
be something like killing the goose with the
golden egg."
In one of Sir William's letters he had com-
plained of Miss Mitford's writing being some-
what illegible, to which she responds : " So, my
dear friend, you cannot make out my writing !
And my honoured father cannot help you !
Really this is too affronting ! The two persons
in all the world who have had the most of my
letters cannot read them ! Well, there is the
secret of your liking them so much. Obscurity
is sometimes a great charm. You just make
out my meaning and fill it up by the force of
your own imagination. The outline is mine,
the colouring your own. So much the better
for me."
Writing on a hot summer's day, she says :
" I have been solacing myself for this week past
' taking mine ease ' in a hay-cock left solely for
my accommodation, where Mossy and I repair
every morning to perform between us the opera-
tion of reading a good book, I turning the leaves
and he going to sleep over it. It is ... the
most delightful hay-cock in the world, in a snug
146
Versatility and Playfulness
little nook ; nothing visible but lawn and plan-
tation ; whilst breathing the odours of the firs,
•jf
BERTRAM HOUSE
whose fragrance this wet summer has been past
anything I could have conceived/'
Mossy was the name of her dog. Throughout
her life Mary Mitford was much attached to
Mary Russell Mitford
dogs, and she was generally accompanied in her
rambles by some special favourite. Sometimes
it was a beautiful greyhound — one of her father's
coursers that had been given to her.
She concludes one of her letters by remark-
ing : "I have nothing more to tell you, except
that I have taken a new pet — the most sagacious
donkey that ever lived. She lets nobody ride
her — follows me everywhere, even indoors when
she can — and is really a wonderful animal. Her
favourite caress is to have her ears stroked.
Shakespeare has noticed this in the Midsummer
Night's Dream when Titania tells Bottom that
she will give him musk-roses and ' stroke thy
fair, large ears, my gentle joy/
In this same letter Mary speaks of some of
the singers she had heard recently in London.
' I hope you like Braham's singing/' she says,
' though I know among your scientific musi-
cians it is a crime of Use majeste to say so ; but
he is the only singer I ever heard in my life who
conveyed to my very unmusical ears any idea
of the expression of which music is susceptible ;
no one else joins any sense to the sound. They
may talk of music as ' married to immortal
verse ' ; but if it were not for Braham they
would have been divorced long ago. . . .
Moore's singing has, indeed, great feeling ; but
then his singing is not much beyond a modu-
148
Versatility and Playfulness
lated sigh — though the most powerful sigh in
the world."
And speaking of the actors of the period, she
says : " Of all that I have seen nothing has
afforded me half so much delight as Miss O'Neil.
She broke my heart, and charmed me beyond
expression by showing me that I had a heart
to break, a fact I always before rather doubted,
having been till I saw her as impenetrable to
tragedy as Punch and his wife or any other
wooden-hearted biped. But she is irresistible.
, . . The manner in which she identifies herself
with the character exceeds all that I had before
conceived possible of theatrical illusion. You
never admire — you only weep."
In another letter she complains of Kemble's
always declaiming and never speaking in a
simple and natural manner. (( It does appear
to me," she says, " that no man can be a perfect
tragedian who is not likewise a good actor in
the higher branch of comedy. A statesman not
at the council board, and a hero when the battle
is safely ended, would, as it seems .to me, talk
and walk much in the same way as other people.
Even a tyrant does not always rave nor a lover
always whine. . . . That Shakespeare and all
the writers of Elizabeth's days were of my
opinion I am quite sure. Nothing is more re-
markable in their delightful dramas . . . than
149
Mary Russell Mitford
the sweet and natural tone of conversation
which sometimes relieves the terrible intensity
of their plots, like a flowery glade in a gloomy
forest, or a sunbeam streaming [across] a
winter sky/' She goes on to 'say : " I cannot
take leave of the drama without adding my
feeble tribute of regret for the secession of
Mrs. Siddons. Yet it was better that she should
quit the stage in undiminished splendour than
have remained to show the feeble twilight of so
glorious a day."
In a letter written during a severe winter we
find this description of a hoar-frost : " The
scene has been lovely beyond any winter piece
I ever beheld ; a world formed of something
much whiter than ivory — as white indeed as
snow— but carved with a delicacy, a lightness,
a precision to which the mossy, ungrateful,
tottering snow could never pretend. Rime was
the architect ; every tree, every shrub, every
blade of grass was clothed with its pure incrus-
tations, but so thinly, so delicately clothed that
every twig, every fibre, every ramification re-
mained perfect, alike indeed in colour, but dis-
playing in form to the fullest extent the endless,
infinite variety of Nature. It is a scene that
really defies description/'
Here is a playful letter to Sir William, written
in August, 1816 : " Pray, my dear friend, were
150
Versatility and Playfulness
you ever a bridesmaid ? I rather expect you
to say no, and I give you joy of your happy
ignorance, for I am just now in the very agonies
of the office, helping to buy and admire wedding
clothes. . . . The bride is a fair neighbour of
mine. . . . Her head is a perfect milliner's shop,
and she plans out her wardrobe much as Phidias
might have planned the Parthenon. . . . She
has had no sleep since the grand question of a
lace bonnet with a plume, or a lace veil without
one, for the grand occasion came into dis-
cussion."
Two months later Mary writes : "I have at
last safely disposed of my bride. . . . She had
accumulated on her person so much finery that
she looked as if by mistake she had put on two
wedding dresses instead of one [and having wept
copiously] was by many degrees the greatest
fright I ever saw in my life. Indeed between
crying and blushing brides, and bridesmaids too,
do generally look strange figures. I am sure we
did, though to confess the truth I really could
not cry, much as I wished to keep all my neigh-
bours in countenance, and was forced to hold
my handkerchief to my eyes and sigh in vain
for ' ce don de dames que Dieu ne m'a pas donne.' "
Mary Mitford always enjoyed writing to Sir
William upon literary matters, as the reader
knows, and comparing their respective opinions.
Mary Russell Mitford
" I am almost afraid to tell you/' she writes,
"how much I dislike Childe Harold. Not but
there are very many fine stanzas and powerful
descriptions ; but the sentiment is so strange,
so gloomy, so heartless, that it is impossible not
to feel a mixture of pity and disgust, which all
our admiration of the author's talents cannot
overcome. . . . Are you not rather sick — now
pray don't betray me — are you not rather sick
of being one of the hundred thousand confi-
dants of his lordship's mysterious and secret
sorrows ? . . . I would rather be the poorest
Greek whose fate he commiserates than Lord
Byron, if this poem be a true transcript of his
feelings."
In one of her letters she remarks : "I prefer
the French pulpit oratory to any other part of
their literature. ... I mean, of course, their old
preachers — Fenelon, Bourdaloue, Massillon and
Bossuet — especially the last, who approaches as
nearly to the unrivalled sublimity of the sacred
writings as any writer I have ever met with.
Oh ! what a contrast between him and our
dramatic sermonists Mesdames Hawkins and
Brompton ! I am convinced that people read
them for the story, to enjoy the stimulus of a
novel without the name. ... Ah ! they had
better take South and Blair and Seeker for
guides, and go for amusement to Miss Edge-
Versatility and Playfulness
worth and Miss Austen. By the way, how
delightful is her Emma, the best, I think, of all
her charming works."
" Have you read Pepys' Memoirs ? " she asks
on another occasion. " I am extremely diverted
with them, and prefer them to Evelyn's, all to
nothing. He was too precise and too gentle-
manly and too sensible by half ; wrote in full
dress, with an eye if not to the press, at least
to posthumous reputation. Now this man sets
down his thoughts in a most becoming deshabille
— does not care twopence for posterity, and
evidently thinks wisdom a very foolish thing.
I don't know when any book has amused me so
much. It is the very perfection of gossiping —
most relishing nonsense/'
Writing in 1819 she says : " Oh ! but the
oddest book I have met with is Madame de
Genlis's new novel Les Parvenus, an imitation
of Gil -Bias . . . while she sticks to that she is
very good ; her comic powers are really exceed-
ingly respectable — but she flies off at a tangent
to her old beaten path of sentimental vice and
fanatical piety, and sends her heroine to the
Holy Land as a Pilgrim in the nineteenth cen-
tury and then fixes her in a Spanish convent ! "
Now she writes with deep admiration of
Burns — " Burns the sweetest, the sublimest,
the most tricksy poet who has blest this nether
Mary Russell Mitford
world since the days of Shakespeare ! 1 am
just fresh from reading Dr. Carrie's four volumes
and Cromak's one, which comprise, I believe,
all that he ever wrote. . . . Have you lately
read Dr. Currie's work ? If you have not, pray
do, and tell me if you do not admire him — not
with the flimsy lackadaisical praise with which
certain gentle damsels bedaub his Mountain
Daisy and his Woodlark . . . but with the strong
and manly feeling which his fine and indignant
letters, his exquisite and original humour, his
inimitable pathos must awaken in such a mind
as yours. Ah, what have they to answer for
who let such a man perish ? I think there is no
poet whose works I have ever read who interests
me so strongly by the display of personal char-
acter contained in almost everything he wrote
(even in his songs) as Burns." After speaking
of " his versatility and his exhaustless imagina-
tion/' she says : " By the way, my dear Sir
William, does it not appear to you that versa-
tility is the true and rare characteristic of that
rare thing called genius — versatility and play-
fulness ? '
Writing to Sir William somewhat hurriedly
in March, 1817, Mary remarks : " Rather than
send the envelope blank I will fill it with the
translation of a pretty allegory of M. Arnault's,
the author of ' Germanicus.' You must not
Versatility and Playfulness
read it if you have read the French, because it
does not come near to its simplicity. If you
have not read the French you may read the
English. Be upon honour/'
Translation of M. Arnault's lines on his own
exile : —
' Torn rudely from thy parent bough,
Poor withered leaf, where roamest thou ?
I know not where ! A tempest broke
My only prop, the stately oak ;
And ever since in wearying change '
With each capricious wind I range ;
From wood to plain, from hilLto dale,
Borne sweeping on as sweeps the gale,
Without a struggle or a cry,
I go where all must go as I ;
I go where goes the self-same hour
A laurel leaf or rose's flower ! "
CHAPTER XIX
FROM MANSION TO COTTAGE
Miss MITFORD owed to her friendship with Sir
William Elford her first acquaintance with the
artist Haydon. Describing in later years to a
friend how this came about, she said : " An
amateur painter himself, painting interested
Sir William particularly, and he often spoke
much, and warmly, of the young man from
Plymouth, whose picture of the ' Judgement of
Solomon ' was then on exhibition in London.
' You must see it/ said he, ' even if you come
to town on purpose/
" It so happened/' continued Miss Mitford,
11 that I merely passed through London that
season . . . and I arrived at the exhibition in
company with a still younger friend so near the
period of closing that more punctual visitors
were moving out, and the doorkeeper actually
turned us and our money back. I persisted,
however, assuring him that I only wanted to
look at one picture, and promising not to detain
him long/ Whether my;entreaties would have
156'
From Mansion to Cottage
carried the point or not I cannot tell, but half
a crown did ; so we stood admiringly before
the ' Judgement of Solomon/ I am no great
judge of painting ; but that picture impressed
me then, as it does now, as excellent in composi-
tion, in colour, and in that great quality of tell-
ing a story which appeals at once to every mind.
Our delight was sincerely felt, and most enthu-
siastically expressed, as we kept gazing at the
picture, and [it] seemed to give much pleasure
to the only gentleman who remained in the
room — a young and very distinguished-looking
person, who had watched with evident amuse-
ment our negotiation with the doorkeeper. . . .
I soon surmised that we were seeing the painter
as well as his painting ; and when two or three
years afterwards a friend took me ... to view
the ' Entry into Jerusalem/ Haydon's next
great picture, then near its completion, I found
I had not been mistaken.
•
:< Hay don was at that period a remarkable
person to look at and listen to. ... His figure
was short, slight, elastic and vigorous ; his com-
plexion clear and healthful. . . . But how shall
I attempt to tell you," she adds, " of his brilliant
conversation, of his rapid energetic manner, of
his quick turns of thought as he flew from topic
to topic, dashing his brush here and there upon
the canvas ? . . . Among the studies I re-
Mary Russell Mitford
marked that day in his apartment was one of
a mother who had just lost her only child — a
most masterly rendering of an unspeakable
grief. A sonnet which I could not help writ-
ing on the sketch gave rise to our long corre-
spondence, and to a friendship which never
flagged/'
We have spoken in a recent chapter of the
Mitfords' great losses of money from time to
time. These were caused in part by the pro-
tracted lawsuit carried on by Dr. Mitford
against the Marquis de Chavannes. But the
main cause was the doctor's unhappy habits
of gambling and of speculation. He was " ever
seeking," we are told, " to augment his income
by some doubtful investment for which he had
the tip of some unscrupulous schemer to whose
class he fell an easy prey." The only remnant
.of the family property, once so large, which
Dr. Mitford was unable to touch was a sum of
I £3°°° left by Dr. Russell to his daughter and
Hier offspring. This sum, placed in the funds,
was happily held in trust by the Mitfords' fast
1 friend, the Rev. William Harness, and although
he was applied to from time to time by Mrs.
Mitford and her daughter to hand it over to the
-doctor when he was pressed by creditors, Mr.
Harness steadily refused to do so. Writing to
Miss Mitford some years later after the death
158
From Mansion to Cottage
of her mother, he says : " That £3000 I con-
sider as the sheet-anchor of your independence
. . . and while your father lives it shall never
stir from its present post in the funds ...
from whatever quarter the proposition may come •
[to hand it over to him]. I have but one black,
blank unqualified No for my answer. I do not
doubt Dr. Mitford's integrity, but I have not
the slightest confidence in his prudence ; and
I am fully satisfied that if these three thousand
and odd hundreds of pounds were placed at his
disposal to-day they would fly the way so many
other thousands have gone before them to-
morrow."1
In the spring of 1820 the family were forced
to quit Bertram House, at which period we are
told " the doctor must have been all but penni-
less," and there could have been " nothing
between the father and mother and hopeless
destitution but the genius and industry of the
daughter." Happily her courage and her affec-
tion never failed. But she could not quit the
house which had been her home for sixteen
years without sorrow. " It nearly broke my
heart," she writes. " What a tearing up of the
roots it was ! The trees and fields and sunny
hedgerows, however little distinguished by pic-
1 See Life and Friendships of Mary Russell Mitford, by
W. J. Roberts.
159
Mary Russell Mitford
turesque beauty, were to me as old friends.
Women have more of this natural feeling than
the stronger sex ; they are creatures of home
and habit, and ill brook transplanting,"
CHAPTER XX
THREE MILE CROSS
THE Mitfords had taken a cottage in Three Mile
Cross — a . small village about two miles from
Graseley, which they supposed at first would
be only a temporary abode, but which finally
proved to be their home for many years. Here
it was that Mary Russell Mitford, throwing her-
self into the life of her rustic surroundings, and
recognizing its poetry and its beauty, conceived
her plan of writing the tales of " Our Village."
These tales were destined to render little Three
Mile Cross classic ground, and to attract pil-
grims, even from the other side of the Atlantic,
to visit the prototype of " Our Village."
Mary writes to Sir William Elford early in
April, 1820 :—
" We have moved a mile nearer Reading — to
a little village street situate on the turnpike
road between Basingstoke and the aforesaid
illustrious and quarrelsome borough. Our resi-
dence is a cottage — no not a cottage, it does not
deserve the name--a messuage or tenement,
M 161
Mary Russell Mitford
such as a little farmer who had made twelve or
fourteen hundred pounds might retire to when
he left off business to live on his means. It con-
sists of a series of closets . . . which they call
parlours and kitchens and pantries, some of
them minus a corner which has been unnatur-
ally filched for a chimney ; others deficient in
half a side which has been truncated by the
shelving roof. . . . [But] we shall be greatly
benefited by the compression — though at pre-
sent the squeeze sits upon us as uneasily as
tight stays, and is almost as awkward looking.
" Nevertheless we are really getting very com-
fortable and falling into our old habits with all
imaginable ease. Papa has already amused
himself by committing a disorderly person, the
pest of the Cross. . . . Mamma has converted
an old dairy into a most commodious store-
house. I have stuffed the rooms with books and
the garden with flowers, and lost my only key.
Lucy has made a score of new acquaintances,
and picked up a few lovers ; and the great white
cat, after appearing exceedingly disconsolate
and out of his wits for a day or two, has given
full proof of resuming his old warlike and pre-
datory habits by being lost all the morning in a
large rat hole and stealing the milk for our tea
this afternoon."
Ten days later Mary writes to a female
162
irrc
THE MITFORDS' COTTAC-i:
Three Mile Cross
friend : " We are still at this cottage, which I
like very much. . . . Indeed I had taken root
completely till yesterday, when some neigh-
bours of ours (pigs, madam) got into my little
flower court and made havoc among my pinks
and swreet-peas, and a little loosened the fibres
of my affection. At the very same moment the
pump was announced to be dry, which, con-
sidering how much water we consume — I and
my flowers — is a sad affair." But she adds a
day or two afterwards : " I am all in love with
our cottage again : the cherries are ripe, and the
roses bloom, the water has come, and^the pigs
are gone ! '
The Mitfords' cottage is still to be seen stand-
ing in the long straggling street of low cottages,
divided by pretty gardens, with a wayside inn
on one side, on the other side a village shop,
and right opposite a cobbler's stall. No railway
has come to bring bustle and noise to that quiet
spot, so that the village still retains what Miss
Mitford has called its " trick of standing still, of
•remaining stationary, unchanged and unim-
proved in this most changeable and improving
world."
In the opening chapter of the first volume of
Our Village the writer says :—
' Will you walk with me through our village,
courteous reader ? The journey is not long.
165
Mary Russell Mitford
We will begin at the lower end, and proceed up
the hill.
" The tidy square red cottage1 on the right
hand with the long well-stocked garden by the
side of the road belongs to a retired publican
from a neighbouring town . . . one who piques
himself on independence and idleness . . . and
cries out for reform. He introduced into our
peaceful vicinage the rebellious innovation of
an illumination on the Queen's acquittal. Re-
monstrance and persuasion were in vain ; he
talked of liberty and broken windows — so we
all lighted up. Oh ! how he shone that night
with candles and laurel and white bows and
gold paper, and a transparency with a flaming
portrait of Her Majesty, hatted and feathered in
red ochre. He had no rival in the village that
we all acknowledged ; the very bonfire was less
splendid. . . .
lt Next to his house, though parted from it
by another long garden with a yew arbour at
the end, is the pretty dwelling of the shoemaker,
a pale, sickly-looking, black-haired man, the
very model of sober industry. There he sits in
his little shop from early morning till late at
night. An earthquake would hardly stir him ;
the illumination did not. He stuck immovably
1 This house, though unaltered in appearance, is now an
inn called " The Fox and Horn."
166
Three Mile Cross
to his last from the first lighting up through the
long blaze and the slow decay till his large
solitary candle was the only light in the place.
One cannot conceive anything more perfect
than the contempt which the man of trans-
parencies and the man of shoes must have felt
for each other on that evening. Our shoe-
maker is a man of substance, he employs three
journeymen, two lame and one a dwarf, so that
his shop looks like a hospital. ... He has only
one pretty daughter — a light, delicate, fair-
haired girl of fourteen, the champion, protec-
tress and playfellow of every brat under three
years old. ... A very attractive person is that
child-loving girl. . . .
" The first house on the opposite side of the
way is the blacksmith's, a gloomy dwelling,
where the sun never seems to shine, dark and
smoky within and without, like a forge. The
blacksmith is a high officer in our little state,
nothing less than a constable ; but alas ! alas !
when tumults arise and the constable is called
for he will commonly be found in the thickest
of the fray. . . .
" Next to this official dwelling is a spruce
little tenement, red, high and narrow, boasting,
one above another, three sash windows, the
only sash windows in the village. That slender
mansion has a fine, genteel look. The little
167
Mary Russell Mitford
parlour seems made for Hogarth's old maid
and her stunted foot-boy, for tea and card
parties ... for the rustle of faded silks and
the splendour of old china, for affected gen-
tility and real starvation. This should have
been its destiny, but fate has been unpropitious,
it belongs to a plump, merry, 'bustling dame
with four fat, rosy, noisy children, the very
essence of vulgarity and plenty.
" Then comes the village shop, like other
village shops, multifarious as a bazaar ; a re-
pository for bread, shoes, tea, cheese, tape,
ribands and bacon, for everything, in short,
except the one particular thing which you hap-
pen to want at the moment . . . and which
' they had yesterday and will have again to-
morrow/ . . . The people are civil and thriving
and frugal withal. They have let the upper
part of their house to two young women ...
who teach little children their ABC, and make
caps and gowns for their mammas — parcel
schoolmistress, parcel mantua maker. I believe
they find adorning the body a more profitable
vocation than adorning the mind/'
This little shop still exists, and it still bears
above its modest window the identical name of
Bromley, which it bore in Miss Mitford's day.
" Divided from the shop by a narrow yard,"
continues Miss Mitford, " and opposite the shoe-
168
THE VILLAGE SHOP
Three Mile Cross
maker's, is a habitation of whose inmates I
shall say nothing. A cottage — no — a miniature
house, with many additions, little odds and
ends of places, pantries, and what not ; all
angles and of a charming in-and-outness ; a
little bricked court before one half, a little
flower-yard before the other ; the walls old and
weather-stained, covered with hollyhocks, roses,
honeysuckles and a great apricot tree. The
casements are full of geraniums (ah, there is our
superb white cat peeping out from amongst
them !), the closets . . . full of contrivances
and corner cupboards ; and the little garden
behind full of common flowers, tulips, pinks,
larkspurs, peonies, stocks and carnations, with
an arbour of privet, not unlike a sentry-box,
where one lives in a delicious green light, and
looks out on the gayest of all gay flower-beds.
That house was built on purpose to show in
what an exceedingly small compass comfort
may be packed. Well, I will loiter there no
longer.
" The next tenement is a place of importance
—the Rose Inn ['The Swan'], a whitewashed
building, retired from the road behind its fine
swinging sign, with a little bow-window room
coming out on one side and forming with our
stable on the other a sort of open square, which
is the constant resort of carts, waggons and
171
Mary Russell Mitford
return chaises. There are two carts there now,
and mine host is serving them with beer in his
eternal red waistcoat. . . . He has a stirring wife,
a hopeful son and a daughter, the belle of the
village, not so pretty as the fair nymph of the
shoe shop, and less elegant, but ten times as
fine, all curl-papers in the morning, like a porcu-
pine, all curls in the afternoon, like a poodle,
with more flowers than curl-papers and more
lovers than curls. . . .
" In a line with the bow- window room is a
low garden wall belonging to a house under
repair; the white house opposite the collar-
maker's shop, with four lime trees before it and
a waggon load of bricks at the door. That
house is the plaything of a wealthy, whimsical
person who lives about a mile off. He has a
passion for bricks and mortar. . . . Our good
neighbour fancied that the limes shaded the
rooms and made them dark, so he had all the
leaves stripped from every tree. There they
stood, poor miserable skeletons, as bare as
Christmas under the glowing midsummer sun/'
Here we would remark that when paying our
first visit to Three Mile Cross many years ago
that house was unchanged, and the row of old
pollarded limes still stood as sentinels before it ;
but since then the house has been altered and
the trees have disappeared. We would also
172
Three Mile Cross
mention that the real name of the inn is the
" Swan," but in all her village tales Miss Mitford
calls it the " Rose." The " collar-maker's shop,"
on the opposite side of the road, a quaint little
edifice, is just as it was in appearance in the
writer's day.
11 Next door [to the house under repair]," con-
tinues Miss Mitford, " lives a carpenter, famed
ten miles round, and worthy all his fame, with
his excellent wife and their little daughter
Lizzie, the plaything and queen of the village,
a child of three years old, according to the
register, but six in size and strength and intel-
lect, in power and in self-will. She manages
everybody in the place, her schoolmistress in-
cluded . . . makes the lazy carry her, the silent
talk to her, the grave romp with her ; does any-
thing she pleases ; is absolutely irresistible. . . .
Together with a good deal of the character of
Napoleon she has something of his square,
sturdy, upright form . . . she has the imperial
attitudes too, and loves to stand with her hands
behind her, or folded over her breast, and some-
times when she has a little touch of shyness she
clasps them together on the top of her head,
pressing down her shining curls, and looking so
exquisitely pretty ! Yes, Lizzie is the queen of
the village ! She has but one rival in her
dominions, a certain white greyhound called
Mary Russell Mitford
Mayflower, much her friend, who resembles her
in beauty and strength, in playfulness and
almost in sagacity, and reigns over the animal
world as she over the human. They are both
coming with me, Lizzie and Lizzie's ' pretty May/
" We are now at the end of the street ; a
cross lane, a rope walk, shaded with limes and
oaks, and a cool, clear pond, overhung with
elms, lead us to the bottom of the hill. There
is still an house round the corner, ending in a
picturesque wheeler's shop. The dwelling-house
is more ambitious. Look at the fine flowered
window-blinds, the green door with the brass
knocker. . . . These are the curate's lodgings-
apartments his landlady would call them. He
lives with his own family four miles off, but
once or twice a week he comes to his neat little
parlour to write sermons, to marry or to bury
as the .case may require. Never were better
people than his host and hostess, and there is a
reflection of clerical importance about them,
since their connection with the Church, which is
quite edifying — a decorum, a gravity, a solemn
politeness. Oh, to see the worthy wheeler carry
the gown after his lodger on a Sunday, nicely
pinned up in his wife's best handkerchief ; or
to hear him rebuke a squalling child or a squab-
bling woman ! The curate is nothing to him.
He is fit to be perpetual churchwarden."
176
Three Mile Cross
We would remark here that the wheeler's
workshop is one of the most striking objects in
the village. Its great hatch doors are always
thrown wide open, revealing a dark interior in
vivid contrast with the sunshine overhead. Its
old thatched roof is illuminated by the golden
light, as are also the spreading branches of a
huge wistaria that cover its main wall as well
as the whole front of the adjoining dwelling-
house. The present wheelwright is the successor
of the very man whom Miss Mitford has just
described. It is pleasant to have a chat with
him about the village, as he has known every
corner of it ... also its inhabitants for many
a year. He showed us the curate's little parlour,
into which the front door opens, admitting a
pretty view of the " cool clear pond " on the
further side of the lane with its overhanging
trees.
Little Three Mile Cross does not boast a
church of its own, but it is in the parish of
Shinfield, and it was to Shinfield Church, distant
about two miles and a half, that the curate
repaired, accompanied by the <( wheeler " carry-
ing his gown.
On quitting the village Miss Mitford ex-
claims : " How pleasantly the road winds up
the hill between its broad green borders and
hedgerows, so thickly timbered ! . . . We are
x 177
Mary Russell Mitford
now on the eminence close to the Hill-house
and its beautiful garden." And looking back,
she describes "the view; the road winding
down the hill with a slight bend ... a waggon
slowly ascending, and a horseman passing it at
full trot, [while] further down are seen the
limes and the rope-walk, then the village, peep-
ing through the trees, whose clustering tops
hide all but the chimneys and various roofs of
the houses . . . [and in the distance] the
elegant town of B , with its fine old church
towers and spires, the whole view shut in by a
range of chalky hills ; and over every part of
the picture trees so profusely scattered that it
appears like a woodland scene, with glades and
villages intermixed."
CHAPTER XXI
THE NEW HOME
Miss MITFORD'S cottage in Three Mile Cross is
practically the same as it was in her day, the
chief alterations being that the windows to the
front of the house, which were formerly leaded
casement windows, have been enlarged and are
now sashed. Also that the window of a parlour
looking unto the back garden has been enlarged.
In former times, too, the red bricks of which the
house is built were exposed, but they are now
covered with plaster.
Curiously enough some early prints of the
cottage are very misleading. A limner at a
distance has evidently tried to make a pleasing
drawing from some very imperfect sketch done
on the spot, which did not reveal the fact that
the right-hand portion of the house recedes, and
that the front door is not in the middle but on
one side. Thus a report arose that the cottage
had been rebuilt in later years. But happily
we possess conclusive evidence to the contrary
given by a gentleman still living who passed his
179
Mary Russell Mitford
childhood in the cottage almost as an adopted
son of the household. When visiting the place
a few years ago he declared that the cottage
was unchanged, and recalled, as he passed from
room to room, his happy associations with each
spot.
The house is now used as a working man's
club, and the caretaker is ready to show the
place to any visitors desirous to see the home
of Miss Mitford.
Behind the house on part of the site of Miss
Mitford's garden there is a large edifice built
called the " Mitford Hall/' which is used as an
Institute for the working classes, and is a source
of much good to the neighbourhood. But hap-
pily it stands well back and cannot be seen by
the visitor who gazes at the cottage from the
village street, and who is glad to dwell only on
what is connected with Miss Mitford's residence
in the place.
In the sketch of the cottage given the reader
will observe that the windows have been drawn
as they were formerly and a few other small
alterations made.
The cottage consists of a ground floor with
one storey only above it. The casement window
in the receding portion of the cottage, just below
the shelving roof, belongs to Miss Mitford's
study, a quaint little room where at a small
180
The New Home
table she used to write her stories of village life,
The window looks down upon the " shoe-
THE WRITING PARLOUR
maker's *' little shop, with its pointed roof and
tiny window panes. It must be quite unchanged
181
Mary Russell Mitford
in appearance since Miss Mitford described it,
the sole alteration being in the business carried
on there, as it and the collar-maker's quaint
shop at the top of the village have exchanged
trades.
As she sat at that window Miss Mitford would
jot down all the incidents that occurred in the
village street below. " It is a pleasant, lively
scene this May morning/' she writes, " with the
sun shining so gaily on the irregular rustic
dwellings, intermixed with their pretty gardens ;
a cart and a waggon watering (it would be more
correct perhaps to say beering) at the ' Rose ' ;
Dame Wheeler with her basket and her brown
loaf just coming from the bakehouse ; the
nymph of the shoe shop feeding a large family
of goslings at the open door ; two or three
women in high gossip dawdling up the street ;
Charles North the gardener, with his blue apron
and a ladder on his shoulder, walking rapidly
by ; a cow and a donkey browsing the grass by
the wayside ; my white greyhound, Mayflower,
sitting majestically in front of her own stable ;
and ducks, chickens, pigs and children scattered
over all. ... Ah ! here is the post cart coming
up the road at its most respectable rumble, that
cart, or rather caravan, which so much resembles
a house upon wheels, or a show of the smaller
kind at a country fair. It is now crammed full
182
The New Home
of passengers, the driver just protruding his
head and hands out of the vehicle, and the sharp,
clever boy, who, in the occasional absence of his
father, officiates as deputy, perched like a
monkey on the roof."
" I have got exceedingly fond of this little
place," writes Mary to Sir William Elford ;
" could be content to live and die here. To be
sure the rooms are of the smallest ; I, in our
little parlour, look something like a blackbird
in a goldfinch's cage — but it is so snug and com-
fortable."
The projecting piece of building seen in the
sketch in the front of the cottage was appro-
priated by the doctor as his dispensary. It has
a door that opens into the little front court.
The bedrooms are on the first floor.
Mary's study window commands a pretty
view beyond the low peaked roofs of the shoe-
maker's shop and of its neighbouring cottages.
At the foot of a grassy slope can be seen a dark
line of tree tops. They form part of a magnifi-
cent avenue of elms that border a long stretch
of grass — one of the old drover's roads — extend-
ing for nearly two miles. " The effect of these
tall solemn trees," remarks Mary, " so equal in
height, so unbroken and so continuous, is quite
grand and imposing as twilight comes on,
especially when some slight bend in the lane
183
Mary Russell Mitford
gives to the outline almost the look of an amphi-
theatre. " This spot — Woodcock Lane as it is
called — was a favourite resort of Mary's, and
thither she often repaired when composing her
country sketches.
" In that very lane/' she writes one day, " am
I writing on this sultry June day, luxuriating
in the shade, the verdure, the fragrance of hay-
field and beanfield, and the absence of all noise
except the song of birds and that strange
mingling of many sounds, the whir of a thousand
forms of insect life, so often heard among the
general hush of a summer noon.
" . . . Here comes a procession of cows going
to milking, with an old attendant, still called
the cow-boy, who, although they have seen me
often enough, one should think, sitting beneath
a tree writing . . . with my dog Fanchon
nestled at my feet — still will start as if they
had never seen a woman before in their lives.
Back they start, and then they rush forward,
and then the old drover emits certain sounds
so horribly discordant that little Fanchon starts
up in a fright on her feet, deranging all the
economy of my extemporary desk and wellnigh
upsetting the inkstand. Very much frightened
is my pretty pet, the arrantest coward that ever
walked upon four legs ! And so she avenges
herself, as cowards are wont to do, by following
184
THE WHEELWRIGHT'S SHOP
The New Home
the cows at a safe distance as soon as they are
fairly passed, and beginning to bark amain
when they are nearly out of sight."
Mary delighted in the beauty of the country
that surrounds Three Mile Cross even from the
first moment of her arrival, but her delight
increased as she became more intimately ac-
quainted with its charms.
" This country is eminently flowery," she
writes. " Besides the variously tinted prim-
roses and violets in singular profusion we have
all sorts of orchises and arums ; the delicate
wood anemones ; the still more delicate wood
sorrel, with its lovely purple veins meandering
over the white drooping flower ; the field tulips
[or fritillary] with its rich checker-work of lilac
and crimson, and the sun shining through the
leaves as through old painted glass ; the ghostly
field star of Bethlehem [and] the wild lilies-of-
the-valley. . . . Yes, this is really a country of
flowers ! "
She revelled, too, in the wilder beauty of the
great commons in the neighbourhood " always
picturesque and romantic," she writes one day
in early summer, " and now peculiarly brilliant,
and glowing with the luxuriant orange flowers
of the furze . . . stretching around us like a
sea of gold, and loading the very air with its
rich almond odour."
187
Mary Russell Mitford
She loved the winding rivers that water her
part of the country ; the " pleasant and pas-
toral Kennet for silver eels renowned/' upon
whose bordering meadows the fritillary, both
purple and white, grow in profusion ; and the
changeful, beautiful Loddon " rising sometimes
level with its banks, so clear and smooth and
peaceful . . . and sometimes like a frisky,
tricksy watersprite much addicted to wander-
ing out of bounds/'
There is a fine old stone bridge that crosses
the Loddon about a mile beyond Shinfield, with
a small inn, " The George/' close by, a favourite
resort of fishermen. Standing on that bridge
one summer evening Miss Mitford watched the
setting sun descend over the water.
' What a sunset ! How golden ! how beau-
tiful ! " she exclaims. " The sun just disap-
pearing, and the narrow liny clouds, which a
few minutes ago lay like soft vapoury streaks
along the horizon, lighted up with a golden
splendour that the eye can scarcely endure. . . .
Another minute and the brilliant orb totally
disappears, and the sky above grows every
moment more varied and more beautiful as the
dazzling golden lines are mixed with glowing
red and gorgeous purple, dappled with small
dark specks and mingled with such a blue as
the egg of the hedge-sparrow. To look up at
188
The New Home
that glorious sky, and then to see that magnifi-
cent picture reflected in the clear and lovely
Loddon water is a pleasure never to be described
and never forgotten. My heart swells and my
eyes fill as I write of it and think of the im-
measurable majesty of nature and the unspeak-
able goodness of God who has spread an enjoy-
ment so pure, so peaceful and so intense before
the meanest and the lowest of His creatures/'
CHAPTER XXII
A LOQUACIOUS VISITOR
THERE is an amusing sketch in the first volume
of Our Village entitled " the Talking Lady/'
from which we should like to quote a few pas-
sages. Its scene is evidently laid in the Mitfords'
common sitting-room, whose two windows look
both front and back, and in which we have sat
many a time.
After alluding to a play written by Ben Jon-
son called The Silent Woman Miss Mitford re-
marks :—
" If the learned dramatist had happened to
fall in with such a specimen of female loquacity
as I have just parted with, he might perhaps
have given us a pendant to his picture in the
Talking Lady. Pity but he had ! He would
have done her justice, which I could not at any
time, least of all now. I am too much stunned ;
too much like one escaped from a belfry on a
coronation day. I am just resting from the
fatigue of four days' hard listening — four snowy,
sleety, rainy days, all of them too bad to admit
190
A Loquacious Visitor
the possibility that any petticoatecl thing, were
she as hardy as a Scotch fir, should stir out ;
four days chained by ' sad civility ' to that fire-
side once so quiet, and again — cheering thought !
— again I trust to be so, when the echo of
that visitor's incessant tongue shall have died
away.
" The visitor in question is a very excellent
and respectable elderly lady, upright in mind
and body, with a figure that does honour to
her dancing master, and a face exceedingly well
preserved. . . . She took us in the way from
London to the West of England, and being, as
she wrote, ' not quite well, not equal to much
company, prayed that no other guest might be
admitted so that she might have the pleasure
of our conversation all to herself ' (Ours ! as if
it were possible for any of us to slide in a word
edgewise !) ' and especially enjoy the gratifica-
tion of talking over old times with the master
of the house, her countryman/ Such was the
promise of her letter, and to the letter it has
been kept. All the news and scandal of a large
county forty years ago . . . and ever since has
she detailed with a minuteness . . . which
would excite the envy of a county historian, a
king-at-arms, or even a Scotch novelist. Her
knowledge is astonishing. ... It should seem
to listen to her as if at some time of her life she
191
Mary Russell Mitford
ust have listened herself ; and yet her country-
man declares ... no such event has occurred.
:< . . . Talking, sheer talking, is meat and
drink and sleep to her. She likes nothing else.
Eating is a sad interruption. . . . Walking ex-
hausts the breath that might be better em-
ployed. . . . Allude to some anecdote of the
neighbourhood, and she forthwith treats you
with as many parallel passages as are to be found
in an air with variations. . . . The very weather
is not a safe subject. Her memory is a perpetual
register of hard frosts and long droughts and
high winds and terrible storms, with all the evils
that followed in their train and all the personal
events connected with them. ... By this time
it rains, and she sits down to a pathetic see-saw
of conjectures on the chance of Mrs. Smith's
having set out for her daily walk, or the possi-
bility that Dr. Brown may have ventured to
visit his patients in his gig, and the certainty
that Lady Green's new housemaid would come
from London on the outside of the coach.
" With all this intolerable prosing she is
actually reckoned a pleasant woman ! Her
acquaintance in the great manufacturing town
where she usually resides is very large. . . .
Doubtless her associates deserve the old French
compliment, ' Us ont tous un grand talent pour
le silence.' ... It is the tete-Mete that kills, or
192
r TS&r. • &*<. ? <V.v . v- •#-%-
^•!- .^ .;/>•. f: ^ViiV-tU^-
^^f'J^x^C
.^Slja^ ',
>y..;v/
/ • >: 'fi&r*^^=^==^
I • \^ N >^-^-\t/^=—=~_ -- -
WHERE THE CURATE LODGP.D
A Loquacious Visitor
the small fireside circle of three or four where
only one can -speak and all the rest must seem
to listen — seem I did I say ? — must listen in
good earnest. . . . She has the eye of a hawk,
and detects a wandering glance, an incipient
yawn, the slightest movement of impatience.
The very needle must be quiet. ... I wonder
if she had married how many husbands she
would have talked to death. . . . Since the
decease of her last nephew she attempted to
form an establishment with a widow lady for
the sake, as they both ^aid, of the comfort of
society. But — strange miscalculation ! she was
a talker too ! They parted in a week.
..." And we have also parted. I am just
returned from escorting her to the coach, which
is to convey her two hundred miles westward ;
and I have still the murmur of her adieux re-
sounding in my ears like the indistinct hum of
the air on a frosty night. It was curious to see
how almost simultaneously these mournful
adieux shaded into cheerful salutations of her
new comrades, the passengers in the mail. Poor
souls ! Little does the civil young lad who made
way for her or the fat lady, his mamma, who
with pains and inconvenience made room for
her, or the grumpy gentleman in the opposite
corner who, after some dispute, was at length
won to admit her dressing-box — little do they
Mary Russell Mitforcl
suspect what is to befall them. Two hundred
miles ! And she never sleeps in a carriage !
Well, patience be with them . . . and to her
all happiness/'
In one of her stories entitled " Whitsun Eve,"
Mary Mitford describes her own garden and its
picturesque surroundings.
" The pride of my heart," she writes, " and
the delight of my eyes is my garden. Our house,
which is in dimensions very much like a bird-
cage, and might with almost equal convenience
be laid on a shelf, or hung up in a tree, would be
utterly unbearable in warm weather were it not
that we have a retreat out of doors — and a very
pleasant retreat it is. ...
" Fancy a small plot of ground with a pretty,
low, irregular cottage at one end ; a large
granary, divided from the dwelling by a little
court running along one side, and a long thatched
shed, open towards the garden, and supported
by wooden pillars on the other. The bottom is
bounded, half by an old wall and half by an old
paling, over which we see a pretty distance of
woody hills. The house, "granary, wall and pal-
ings are covered with vines, cherry trees, roses,
honeysuckles and jessamines, with great clusters
of tall hollyhocks running up between them.
. . . This is my garden ; and the long pillared
shed, the sort of rustic arcade, which runs along
196
.
m ;
** tint
A Loquacious Visitor
one side, parted from the flower-beds by a row
of rich geraniums, is our out-of-door drawing-
room.
:< I know nothing so pleasant as to sit there
on a summer afternoon, with the western sun
flickering through a great elder tree, and light-
ing up one gay parterre, where flowers and
flowering shrubs are set as thick as grass in a
field . . . where we may guess that there is
such a thing as mould but never see it. I know
nothing so pleasant as to sit in the shade of that
dark bower ... now catching a glimpse of the
little birds as they fly rapidly in and out of their
nests . . . now tracing the gay gambles of the
common butterflies as they sport around the
dahlias ; now watching that rarer moth which
the country people, fertile in pretty names, call
the bee-bird. . . .
' What a contrast from the quiet garden to
the lively street ! Saturday night is always a
time of stir and bustle in our village, and this is
Whitsun Eve, the pleasant est Saturday of all
the year, when London journeymen and servant
lads and lasses snatch a short holiday to visit
their families. . . . This village of ours is
swarming to-night like a hive of bees. ... I
must try to give some notion of the various
figures.
" First there is a group suited to Teniers, a
199
Mary Russell Mitford
cluster of out-of-door customers of the ' Rose/
old benchers of the inn, who sit round a table
smoking and drinking in high solemnity to the
sound of Timothy's fiddle. Next a mass of
eager boys, the combatants of Monday, who are
surrounding the shoemaker's shop where an in-
visible hole in their [cricket] ball is mending
by Master Kemp himself. . . . Farther down
the street is the pretty black-eyed girl, Sally
Wheeler, come home for a day's holiday from
B , escorted by a tall footman in a dashing
livery, whom she is trying to curtsy off before
her deaf grandmother sees him. I wonder
whether she will succeed ? '
In another early sketch of Our Village called
" Dr. Tubb," Mary Mitford writes :-
" On taking possession of our present abode
about four years ago we found our garden and
all the gardens of the straggling village street
in which it is situated filled, peopled, infested
by a beautiful flower which grew in such pro-
fusion and was so difficult to keep under that
(poor pretty thing !) instead of being admired
and cherished ... it was cut down, pulled up
and hoed out like a weed. I do not know the
name of this .elegant plant, nor have I met with
anyone who does ; we call it the Spicer, after
an old naval officer who once inhabited the
white house just above, and, according to tra-
200
A Loquacious Visitor
dition, first brought the seed from foreign
parts. . . .
I never saw anything prettier than a whole
bed of these spicers which had clothed the top
of a large heap of earth belonging to our little
mason by the roadside ; [they] grew as thick
and close as grass in a meadow, covered with
delicate red and white blossoms like a fairy
orchard."
It seems to us that this flower may have been
the American Balsam, which grows as rapidly
as any weed, and which we happened actually
to see, waving its pretty red and white blossoms
in Miss Mitford's garden some years ago. This
was long after her death, and when the cottage
and garden had fallen into humbler hands.
" I never passed the spicers," remarks Mary,
" without stopping to look at them, and I was
one day half shocked to see a man, his pockets
stuffed with the plants, two large bundles under
each arm, and still tugging away root and
branch. . . . This devastation did not, how-,
ever, proceed from disrespect, the spicer gatherer
being engaged in sniffing with visible satisfac-
tion the leaves and stalks. ' It has a fine veno-
mous smell/ quoth he in soliloquy, ' and will
certainly when stilled be good for something or
other.' This was my first sight of Dr. Tubb . . .
a quack of the highest and most extended repu-
201
Mary Russell Mitford
tation, inventor and compounder of medicines;
bleeder, shaver and physicker of man and
beast. . . .
" We have frequently met since, and are
now well acquainted, although the worthy
experimentalist considers me as a rival prac-
titioner, an interloper, and hates me accordingly.
He has very little cause, [for] my quackery,
being mostly of the cautious, preventive, safe-
guard, commonsense order, stands no chance
against the boldness and decision of his all-
promising ignorance. He says, Do ! I say, Do
not ! He deals in stimuli, I in sedatives ; I give
medicine, he gives cordial waters. Alack !
alack ! when could a dose of rhubarb, even
although reinforced by a dole of good broth,
compete with a draught of peppermint and a
licensed dram ? No ! no ! Dr. Tubb has no
cause to fear my practice/'
CHAPTER XXIII
THE PUBLICATION OF OUR VILLAGE
Miss MITFORD writes to Sir William Elford on
March 5th, 1824 : "In spite of your prognos-
tics, I think you will like Our Village. It will
be out in three weeks or a month. ... It is
exceedingly playful and lively, and I think you
will like it. Charles Lamb (the matchless ' Elia '
of the London Magazine*) says that nothing so
fresh and characteristic has appeared for a long
while. It is not over modest to say this ; but
who would not be proud of the praise of such a
proser ? "
Sir William Elford, in answering this letter,
expressed his opinion that the sketches of rural
life would have been better if written in the
form of letters.
" Your notion of letters pleases me much/'
replies Miss Mitford, " as I see plainly that it is
the result of the old prepossessions and partiali-
ties which do me so much honour and give me so
much pleasure. But it would never have done.
The sketches are too long, and necessarily too
203
Mary Russell Mitford
much connected for real correspondence. . . .
Besides, we are free and easy in these days, and
talk to the public as a friend. Read Elia, or the
Sketch Book, or Hazlitt's Table Talk, or any
popular book of the new school and you will
find that we have turned over the Johnsonian
periods and the Blair-ian formality, to keep
company with the wigs and hoops, the stiff
curtsys and low bows of our ancestors. Now
the public — the reading public — is, as I said
before, the correspondent and confidant of
everybody.
" Having thus made the best defence I can
against your criticism, I proceed to answer
your question, ' Are the characters and descrip-
tions true ? ' Yes ! yes ! yes ! As true as is
well possible. You, as a great landscape painter,
know that in painting a favourite scene you do
a little embellish, and can't help it ; you avail
yourself of happy accidents of atmosphere, and
if anything be ugly you strike it out, or if any-
thing be wanting you put it in. But still the
picture is a likeness ; and that this is a very
faithful one you will judge when I tell you that
a worthy neighbour of ours, a post-captain, who
has been in every quarter of the globe and is
equally distinguished for the sharp look-out
and the bonhomie of his profession, accused me
most seriously of carelessness in putting ' The
204
The Publication of Our Village
Rose ' for ' The Swan ' as the sign of our next-
door neighbour, and was no less disconcerted
at the misprint (as he called it) of B. for R. in
the name of our next town. A cela pres he
declares the picture to be exact."
Miss Mitford thus prefaces her work in the
first sketch entitled Om Village :—
" Of all situations for a constant residence
that which appears to me most delightful is a
little village far in the country ; a small neigh-
bourhood, not of fine mansions finely peopled,
but of cottages and cottage-like houses . . .
with inhabitants whose faces are as familiar to
us as the flowers in our garden ; a little world
of our own, close-packed and insulated like ants
in an anthill or bees in a hive, or sheep in a fold.
. . . [Where we] learn to know and to love the
people about us, with all their peculiarities, just
as we learn to know and to love the nooks and
turns of the shady lanes and sunny commons
that we pass every day.
" Even in books I like a confined locality, and
so do the critics when they talk of the unities.
Nothing is so tiresome as to be whirled half
over Europe at the chariot wheels of a hero, to
go to sleep at Vienna and awaken at Madrid ;
it produces a real fatigue, a weariness of spirit.
On the other hand nothing is so delightful as to
sit down in a country village in one of Miss
205
Mary Russell Mitford
Austen's delicious novels, quite sure before we
leave it to become intimate with every spot and
every person it contains ; or to ramble with
Mr. White over his own parish of Selborne and
form a friendship with the fields and coppices,
as well as with the birds, mice and squirrels who
inhabit them ; or to sail with Robinson Crusoe
to his island, and live there with him and his
goats and his man Friday ... or to be ship-
wrecked with Ferdinand on that other lovelier
island — the island of Prospero and Miranda,
and Calaban and Ariel, and nobody else . . ,
that is best of all. And a small neighbourhood
is as good in sober waking reality as in poetry
or prose ; a village neighbourhood such as this
Berkshire hamlet in which I write, a long,
straggling, winding street at the bottom of a
fine eminence, with a road through it, always
abounding in carts, horsemen and carriages, and
lately enlivened by a stage-coach from B—
to S— — , which passed through about ten days
ago, and will, I suppose, return some time or
other/'
Our Village soon made its mark, and towards
the end of June Miss Mitford was able {o write
to Sir William Elford, " It sells well, and has
been received by the literary world and reviewed
in all the literary papers better than I, for
modesty, dare to say/'
206
The Publication of Our Village
Seven months later she wrote to the same
friend, " The little prose volume has certainly
done its work and made an opening for a longer
effort. You would be diverted at some of the
instances I could tell you of its popularity.
Columbines and children have been named after
Mayflower1 ; stage-coachmen and post-boys
point out the localities ; schoolboys deny the
possibility of any woman's having written the
Cricket Match without schoolboy help ; and
such men as Lord Stowell (Sir William Scott, the
last relique, I believe, of the Literary Club) send
to me for a key. I mean to try three volumes of
tales next spring. . . . Heaven knows how I
shall succeed !
" Of course I shall copy as closely as I can
Nature and Miss Austen, keeping, like her, to
genteel country life, or rather going a little
lower perhaps, and I am afraid with more of
sentiment and less of humour. I do not intend
to commit these delinquencies, mind — I mean to
keep as playful as I can ; but I am afraid of
their happening in spite of me."
Before the first volume of Our Village had
been a year in the hands of the public it had
passed into three editions, and by 1826 a second
volume had made its appearance, whose success
was equally great. With the money gained
1 Her favourite greyhound.
207
Mary Russell Mitford
Mary was soon enabled to add to the comforts
of her small establishment. She writes to a
friend in the summer of 1824 : " We have a
pretty little pony-chaise and pony (oh ! how I
should like to drive you in it !), and my dear
father and mother have been out in it three or
four times, to my great delight ; I am sure it
will do them both so much good/'
Among the various letters of warm apprecia-
tion of Our Village received by Miss Mitford was
the following from Mrs. Hemans, written on
June 6th, 1827 :~
" I can hardly feel that I am addressing an
entire stranger in the author of Our Village,"
she writes, " and yet I know it is right and proper
that I should apologise for the liberty I am
taking. But really after having accompanied
you, as I have done again and again, in ' violet-
ing ' and seeking for wood-sorrel — after having
been with you to call upon Mrs. Allen in ' the
dell/ and becoming thoroughly acquainted with
May and Lizzie, I cannot but hope you will
kindly pardon my intrusion, and that my name
may be sufficiently known to you to plead my
cause. There are writers whose books we cannot
read without feeling as if we really had looked
with them upon the scenes they bring before us.
. . . Will you allow me to say that your writings
have this effect upon me, and that you have
208
The Publication of Our Village
taught me, in making me know and love your
' village ' so well, to wish for further knowledge
also of her who has so vividly impressed its
dingles and copses upon my imagination, and
peopled them so cheerily with healthful and
happy beings ? I believe if I could be personally
introduced to you that I should in less than five
minutes begin to enquire about Lucy and the
lilies-of-the-valley, and whether you had suc-
ceeded in peopling that ' shady border ' in your
own territories with those shy flowers."
Writing to her mother from London in
November, 1826," Mary says : " I hope that you
have by this time received the new number of
Blackwood1 in which I am very pleasantly
mentioned in the last article, the ' Noctes
Ambrosianae.' "
It was under this title, the reader may remem-
ber, that the celebrated " Christopher North "
(John Wilson) was bringing out a series of enter-
taining conversations on all sorts of subjects
supposed to be spoken by North himself and a
few fellow habitues of an old-fashioned Edin-
burgh inn. The character of the " Shepherd/'
it seems, was drawn from James Hogg the
" Ettrick Shepherd." This is the passage
alluded to by Miss Mitford — " Noctes Am-
brosianse."
1 Blackwood 's Edinburgh Magazine.
P 209
Mary Russell Mitford
' NOCTES AMBROSIAN^E "
A DIALOGUE BETWEEN THE SHEPHERD,
NORTH, AND TICKLER
SCENE— Ambrose's Hotel, Picardy Place, Paper Parlour
Tickler. Master Christopher North, there's
Miss Mitford, author of Our Village, an admir-
able person in all respects, of whom you have
never, to my recollection, taken any notice
in the Magazine. What is the meaning of
that? . . .
North. I am waiting for her second volume.
Miss Mitford has not, in my opinion, either the
pathos or humour of Washington Irving ; but
she excels him in vigorous conception of charac-
ter, and in the truth of her pictures of English
life and manners. Her writings breathe a sound,
pure and healthy morality, and are pervaded
by a genuine rural spirit — the spirit of merry
England. Every line bespeaks the lady.
Shepherd. I admire Miss Mitford just ex-
cessively. I dinna wunner at her being able to
write sae weel as she does about drawing-rooms
wi' sofas and settees, and about the fine folk in
them seein' themselves in lookin'-glasses frae
tap to tae ; but what puzzles the like o' me is
her pictures o' poachers and tinklers . . . and
210
The Publication of Our Village
o' huts and hovels without riggin' by the way-
side, and the cottages o' honest, puir men and
byres and barns. . . . And merry-makin's at
winter-ingles, and courtships aneath trees
atween lads and lasses as laigh in life as the
servants in her father's- ha'. That's the puzzle,
and that's the praise. But ae word explains a'
—Genius — Genius — wull a' the metaphizzians
in the warld ever expound that mysterious
monysyllable ?
Tickler. Monosyllable, James, did you say ?
Shepherd. Ay — monysyllable. Does na that
mean a word o' three syllables ?
North (in a later review). The young gentle-
men of England should be ashamed o' thirselves
fo' letten her name be Mitford. They should
marry her, whether she wull or no, for she
would mak boith a useful and agreeable wife.
Thet's the best creetishism on her warks.
CHAPTER XXIV
A COUNTRY-SIDE ROMANCE
THE framework of these stories — that is all that
concerns Miss Mitford herself, who figures not
only as the narrator but as an actor in the scenes
described — is, for the most part, she tells us,
strictly true. Thus in giving quotations from
her charming tales we are giving also passages
from her own daily life, and so we seem to see
her walking about the country lanes visiting the
cottages or farm-houses, and even to hear her
conversing with the villagers.
In a story entitled Patty's New Hat, Mary
Mitford writes :—
' Wandering about the meadows one morning
last May absorbed in the pastoral beauty of the
season and the scenery, I was overtaken by
a heavy shower, just as I passed old Mrs.
Matthew's great farm-house and forced to run
for shelter to her hospitable porch. A pleasant
shelter in good truth I found there. The green
pastures dotted with fine old trees stretching
all around ; the clear brook winding about
212
A Country-side Romance
them, turning and returning on its course, as if
loath to depart ... the village spire rising
amongst a cluster of cottages, all but the roofs
'/»/.«:.'.• >• •' Afc O x ' '
OLD BERKSHIRE FARM
and chimneys concealed by a grove of oaks ;
the woody background and the blue hills in the
distance, all so flowery and bowery in the
pleasant month of May. The porch, around
213
Mary Russell Mitford
which a honeysuckle in full bloom was wreath-
ing its sweet flowers . . . was alive and musical
with bees. It is hard to say which enjoyed the
sweet breath of the shower and the honeysuckle
most, the bees or I ; but the rain began to drive
so fast that at the end of five minutes I was not
sorry to be discovered by a little girl belonging to
the family, and ushered into the spacious kitchen,
with its ample dresser glittering with crockery
ware, and then finally conducted by Mrs. Mat-
thews herself into her own comfortable parlour.
u On my begging that I might cause no inter-
ruption she resumed her labours at a little table
[where she was] mending a fustian jacket
belonging to one of her sons. On the other side
of the little table sat her pretty granddaughter
Patty, a black-eyed young woman, with a bright
complexion, a neat, trim figure, and a general
air of gentility considerably above her station.
She was trimming a very smart straw hat with
pink ribands, trimming and untrimming, for
the bows were tied and untied, taken off and
put on, and taken off again, with a look of im-
patience and discontent, not common to a
damsel of seventeen when contemplating a new
piece of finery. The poor little lass was evidently
out of sorts. She sighed and quirked and
fidgeted and seemed ready to cry, whilst her
grandmother just glanced at her face under her
214
A Country-side Romance
spectacles, pursed up her mouth, and contrived
with some difficulty not to laugh. At last Patty
spoke.
" ' Now, grandmother, you will let me go to
Chapel Row revel this afternoon, won't you ? '
" ' Humph/ said Mrs. Matthews.
" ' It hardly rains at all, grandmother ! '
" ' Humph ! ' again said Mrs. Matthews, open-
ing the prodigious scissors with which she was
amputating, so to say, a button, and directing
the rounded end significantly to my wet shawl,
whilst the sharp point was reverted towards the
dripping honeysuckle. ' Humph ! '
' There's no dirt to signify ! '
11 Another ' Humph ! ' and another point to
the draggled tail of my white gown.
' At all events it's going to clear.'
" Two ' Humphs ! ' and two points, one to
the clouds and one to the barometer.
" ' It's only seven miles,' said Patty ; ' and
if the horses are wanted, I can walk.'
" ' Humph ! ' quoth Mrs. Matthews.
" ' My Aunt Ellis will be there, and my cousin
Mary.'
" ' Humph ! ' again said Mrs. Matthews.
" ' My cousin Mary will be so disappointed.'
" ' Humph ! '
" ' And I half promised my cousin William-
poor William ! '
215
Mary Russell Mitford
" ' Humph ! ' again.
" ' Poor William ! Oh, grandmother, do let
me go ! And I've got my new hat and all — just
such a hat as William likes ! Poor William !
You will let me go, grandmother ? '
" And receiving no answer but a very un-
equivocal ' Humph ! ' poor Patty threw down
her hat, fetched a deep sigh, and sat in a most
disconsolate attitude, snipping her pink riband
to pieces. Mrs. Matthews went on manfully
with her ' stitchery/ and for ten minutes there
was a dead pause. It was at last broken by my
little friend and introducer, Susan, who was
standing at the window, and exclaimed : ' Who
is this riding up the meadow all through the
rain ? Look ! — see ! — I do think — no, it can't
be — yes it is — it is certainly my cousin William
Ellis ! Look, grandmother ! '
" ' Humph ! ' said Mrs. Matthews.
" ' What can cousin William be coming for ? '
continued Susan.
" ' Humph ! ' quoth Mrs. Matthews.
" ' Oh, I know ! — I know ! ' screamed Susan,
clapping her hands and jumping for joy as she
saw the changed expression of Patty's counten-
ance,— the beaming delight, succeeded by a
pretty downcast shamefacedness as she turned
away from her grandmother's arch smile and
archer nod. ' I know ! I know ! ' shouted Susan.
216
A Country-side Romance
" ' Humph ! ' said Mrs. Matthews.
" ' For shame, Susan ! Pray don't, grand-
mother ! ' said Patty imploringly.
" ' For shame ! Why I did not say he was
coming to court Patty ! Did I, grandmother ? '
returned Susan.
" ' And I take this good lady to witness/
replied Mrs. Matthews, as Patty, gathering up
her hat and her scraps of riband, prepared to
make her escape. / I take you all to witness
that I have said nothing of any sort. Get along
with you, Patty ! ' added she, ' you have spoilt
your pink trimming, but I think you are likely
to want white ribands next, and if you put me
in mind, I'll buy them for you ! ' And smiling
in spite of herself the happy girl ran out of the
room/
In one of her tales Miss Mitford describes a
fog in her village and its surrounding neigh-
bourhood, contrasting it with a fog in London.
" A London fog/' she writes, " is a sad thing,
as every inhabitant of London knows full well :
dingy, dusky, dirty, damp ; an atmosphere
black as smoke and wet as steam, that wraps
round you like a blanket ; a cloud reaching
from earth to heaven ; ' a palpable obscure/
which not only turns day into night, but
threatens to extinguish the lamps and lanthorns
with which the poor street wanderers strive to
217
Mary Russell Mitford
illuminate their darkness. ... Of all detestable
things a London fog is the most detestable.
" Now a country fog is quite another matter.
. . . This last lovely autumn has given us more
foggy mornings, or rather more foggy days, than
I ever remember to have seen in Berkshire :
days beginning in a soft and vapoury mistiness,
enveloping the whole country in a veil, snowy,
fleecy, and light, as the smoke which one often
sees circling in the distance from some cottage
chimney, or as the still whiter clouds which
float around the moon, and finishing in sunsets
of a surprising richness and beauty when the
mist is lifted up from the earth and turned into
a canopy of unrivalled gorgeousness, purple,
rosy and golden. . . .
" It was in one of these days, early in Novem-
ber, that we set out about noon to pay a visit
to a friend at some distance. The fog was yet
on the earth, only some brightening in the
south-west gave token that it was likely to
clear away. As yet, however, the mist held
complete possession. We could not see the
shoemaker's shop across the road — no ! nor our
chaise when it drew up before our door ; were
fain to guess at our own laburnum tree, and
found the sign of The Rose invisible, even when
we ran against the sign-post. Our little maid, a
kind and careful lass, who, perceiving the dreari-
218
A Country-side Romance
ness of the weather, followed us across the court
with extra wraps, had wellnigh tied my veil
round her master's hat and enveloped me in his
bearskin, and my dog Mayflower, a white grey-
hound of the largest size, who had a mind to
give us the undesired honour of her company,
carried her point, in spite of the united efforts
of half a dozen active pursuers, simply because
the fog was so thick that nobody could see her.
It was a complete game at bo-peep.
" A misty world it was, and a watery ; and
I ... began to sigh and shiver and quake, as
much from dread of an overturn as from damp
and chilliness, whilst my careful driver and his
sagacious steed went on groping their way
through the woody lanes that lead to the Loddon.
Nothing but the fear of confessing my fear,
that feeling which makes so many cowards
brave, prevented me from begging to turn back
again. On, however, we went, the fog becoming
every moment heavier as we approached that
beautiful and brimming river. My companion,
nevertheless, continued to assure me that the
day would clear — nay, that it was already
clearing ; and I soon found that he was right.
As we left the river we seemed to leave the fog
. . . [and] it was curious to observe how object
after object glanced out of the vapour. First of
all the huge oak at the corner of Farmer Locke's
219
Mary Russell Mitford
field, which juts out into the lane like a crag into
the sea ... its head lost in the clouds ; then
Farmer Hewitt's great barn — the house, ricks
and stables still invisible ; then a gate and half
a cow, her head being projected over it in strong
relief, whilst the hinder part of her body re-
mained in the haze ; then more and more dis-
tinctly hedgerows, cottages, trees and fields,
until, as we reached the top of Barkham Hill,
the glorious sun broke forth, and the lovely
picture [of the valley] lay before our eyes in its
soft and calm beauty/'
This account of Mary and her father's ex-
pedition in a fog caught the fancy of two
authoresses. One — Miss Sedgwick — writes to
Mary from the other side of the Atlantic : " Tell
me anything of your noble father (long may he
live !) whom I have loved ever since you took
that ride with him in a one-horse chaise of a
misty morning. Do you remember ? '
The other — Mrs. Hemans — writes : "I hope
. . . that you were not the worse for that fog,
the very description of which almost took my
hair out of curl whilst reading it ! '
CHAPTER XXV
A NEW PLAYWRIGHT
MARY RUSSELL MITFORD'S love of the drama
was awakened in childhood, and at her school
in Hans Place it was much developed. " After
my return home/' she writes, " came days of
eager and solitary poring over the mighty
treasures of the printed drama, that finest
form of poetry which can never be lost. At
school I had been made acquainted, like other
schoolgirls, with Racine. Little did Madame
de Maintenon, proud queen of the left hand,
think when the gentle poet died of a courtly
frown, that she and St. Cyr would be best
remembered by ' Athalie ! '
As Mary grew up she longed to try her hand
at tragedy — that ambition of young writers —
but it was not until in later years when spurred
on by the necessity of earning money for the
support of her father and mother that she con-
ceived the idea of writing plays for the stage.
She had heard that occasionally large sums of
money were gained by the authors of successful
221
Mary Russell Mitford
dramas, and she was encouraged in her under-
taking by the recollection that when her poems
were first published Coleridge had prophesied
that the author of " Blanche " would write a
tragedy. "So," writes Mary, " I took heart of
grace and resolved to try a play."
Her first attempt, a comedy; was rejected by
the manager of a theatre. " Then, nothing
daunted/' she writes, " I tried tragedy, and pro-
duced five acts on the story of Fiesco. But just
as — conscious of the smallness of my means and
the greatness of my object — I was about to
relinquish the pursuit in despair, I met with a
critic so candid a friend, so kind, that, aided by
his encouragement, all difficulties seemed to
vanish. I speak/' she adds, " of the author of
Ion — Mr. Justice Talfourd — then a very young
man . . . Foscari was the result of this en-
couragement."
But before Foscari had appeared on the stage
her play of Julian, having been read and ap-
proved by Macready, was performed with that
celebrated actor as the principal character. It
was, happily, successful, and, greatly cheered
by this result and also by receiving no less than
£200 from the manager of Co vent Garden
theatre, Mary Mitford continued her dramatic
work.
But she had to go through many trials con-
222
A New Playwright
nee ted with it, which often affected her health.
The main cause of these trials were the unhappy
dissensions between Macready and Charles
Kemble, who both appear to have had hasty
tempers. Mary writes to Sir William Elford on
her return home from a hurried visit to London :
" My soul sickens within me when I think of the
turmoil and tumult I have undergone and am
[still] to undergo. ... I am tossed about
between Kemble and Macready like a cricket-
ball — affronting both parties and suspected by
both because I will not come to a deadly rupture
with either/'
But, happily, later on she had reason to think
differently about these great actors. She speaks
of Macready as " a most ardent and devoted
friend " ; and when, in the autumn of 1826,
Foscari was about to appear on the stage, she
says she feels " inclined to hate herself for her
mistrust of Charles Kemble." " There are no
words for his kindness/' she declares, " from
the beginning of this affair to the end/'
Miss Mitford, accompanied by her father,
went up to London for the first performance of
Foscari at Covent Garden theatre, which was
fixed for the 5th November. They lodged at
No. 45 Frith Street, Soho Square, whence Mary
wrote to her mother an account of the great
event. Outside her letter were the words,
223
Mary Russell Mitford
" Good news/' The letter is dated Saturday
night, November 5th : —
" I cannot suffer this parcel to go to you, my
dearest mother, without writing a few lines to
tell you of the complete success of my play. It
was received with rapturous applause [and]
without the slightest symptoms of disapproba-
tion from beginning to end. . . . William Har-
ness and Mr. Talfourd are both quite satisfied
with the whole affair, and my other friends are
half crazy. . . .
" I quite long to hear how you, my own
dearest darling, have borne the suspense and
anxiety consequent on this affair, which,
triumphantly as it has turned out, was certainly
a very nervous business. They expect the play
to run three times a week till Christmas. It was
so immense a house that you might have walked
over the heads in the pit ; and great numbers
were turned away, in spite of the wretched
weather. All the actors were good. . . . Mr.
Young gave out the tragedy amidst immense
applause/'
Mary herself was not present at this wonder-
ful scene. Writing in later years she remarks :
" I had not nerve enough to attend the first
representation of my tragedies. I sat still and
trembling in some quiet apartment near, and
thither some friend flew to set my heart at ease.
224
FRITH STREET, SOHO SQUARE
A New Playwright
Generally the messenger of good tidings was
poor Hay don, whose quick and ardent spirit
lent him wings on such an occasion, and who
had full sympathy with my love for a large
canvas, however indifferently filled."
When thanking Sir William Elford for his
congratulations upon the success of Foscari,
Miss Mitford says : " Hitherto the success has
been very brilliant. We can hardly expect it
to last. . . . But great good has been done if
(which Heaven avert) the tragedy stop not
to-night."
The agreement between the theatre and Miss
Mitford for Foscari, we are told, was £100 on the
third, the ninth, the fifteenth, and the twentieth
nights, while the copyright of the play
(together with a volume of Dramatic Sketches)
was sold to Whittaker for £150.
Miss Mitford had some new and strange ex-
periences connected with the performance of
her plays, and amongst these she has recorded
her first sight of a theatre by daylight.
" Td one accustomed to the imposing aspect
of a great theatre at night," she writes, " blazing
with light and beauty, no contrast can be greater
than to enter the same theatre at noontide.
Leaving daylight behind you, and stumbling as
best you may through dark passages and amidst
the inextricable labyrinth of scenery, [you are]
227
Mary Russell Mitford
too happy if you be not projected into the
orchestra or swallowed up by a trap-door. . . .
' When the eye becomes accustomed to the
darkness the contrasts are sufficiently amusing.
Solemn tragedians . . . hatted and great-
coated, skipping about, chatting and joking like
common mortals . . . tragic heroines saunter-
ing languidly through their parts in the closest
of bonnets and thickest of shawls ; untidy
ballet girls (there was a dance in Foscari} walk-
ing through their quadrille to the sound of a
solitary fiddle, striking up as if of its own
accord from amidst the tall stools and music-
desks of the orchestra, and piercing, one hardly
knew how, through the din that was going on
incessantly.
u Oh, that din ! Voices from every part,
above, below, around, and in every key, bawling,
shouting, screaming ; heavy weights rolling
here and falling there, bells ringing, one could
not tell why, and the ubiquitous call-boy every-
where ! . . .
" No end to the absurdities and discrepancies
of a rehearsal ! I contributed mj? full share to
the amount. . . . There is a gun in Julian,
and I, frightened by one when a child, ' hate
a gun like a hurt wild duck ' . . . and my first
address to Mr. Macready was an earnest en-
treaty that he would not suffer them to fire
228
A New Playwright
that gun at rehearsal. They did, nevertheless,
. . . but the smiling bow of the great tragedian
had spared me the worst part of that sort of
fright, the expectation. . . .
" Troubled and anxious though they were,"
she adds, " those were pleasant days, guns and
all, days of hope dashed with so much fear, and
of fear illumined with fitful rays of hope. And
in those rehearsals . . . where nobody is ever
found when he is wanted, and nobody ever
seems to know a syllable of his part . . . the
business must somehow have gone on, for at
night the scenes fall into the right places, the
proper actors come at the right times, speeches
are spoken in due order, and to the no small
astonishment of the novice, who had given her-
self up for lost, the play succeeds/'
CHAPTER XXVI
RIENZI
Miss MITFORD'S capacity of throwing herself
heart and soul into the widely varying subjects
upon which she was engaged was truly remark-
able. For whilst writing her playful or pathetic
stories of village life, breathing as they do the
calm and beauty of the surrounding country,
she was composing one after another her
stirring tragedies.
The finest of these is generally considered
to be Rienzi to which Miss Mitford had given
much time and thought. She wrote in August,
1824, to a female friend who had enquired
after her literary undertakings :—
" I write as usual for magazines, and (but
this is quite between ourselves) I have a tragedy
which will I may say certainly — as certainly
as we can speak of anything connected with the
theatre — be performed at Drury Lane next
season. It is the story of ' Rienzi/ the friend
of Petrarch ; the man who restored for a short
time the old republican government of Rome.
If you do not remember the story you will find
230
Rienzi
it very beautifully told in the last volume of
Gibbon, and still more graphically related in
L'Abbe de Sadi's Memoires pour la Vie de
Petrarque."
It was not, however, until four years later
that the play actually appeared upon the stage.
Its success was of vital importance to the little
household at Three Mile Cross, and Mary was
immersed in business of all sorts during the
months preceding its d6but. Still she had a
" heart at leisure " even then to sympathise
with her friends in their joys and sorrows. On
hearing that Haydon's important picture of
the year had just been purchased by the King,
she writes :—
. " A thousand and a thousand congratulations,
my dear friend, to you and your loveliest and
sweetest wife ! I always liked the King, God
bless him ! He is a gentleman — and now my
loyalty will be warmer than ever. . . . This
is fortune — fame you did not want — but this
fashion and fortune. Nothing in this world
could please me more — not even the production
of my own Rienzi. To see you in your place in
Art and Talfourd in his in Parliament are the
wishes next my heart, and I verily believe that
I shall live to see both. . . .
"God bless you, my dear friends! and God
save the King ! '
231
Mary Russell Mitford
Miss Mitford writes on Sept. 23rd, 1828, to
Sir William Elford :-
" My tragedy of Rienzi is to be produced at
Drury Lane Theatre on Saturday the nth of
October ; that is to say, next Saturday fort-
night.
" Mr. Young plays the hero, and has been
studying the part during the whole vacation ;
and a new actress makes her first appearance
in the part of the heroine. This is a very bold
and hazardous experiment, no new actress
having come out in a new play within the
memory of man ; but she is young, pretty,
unaffected, pleasant-voiced, with great sensi-
bility, and a singularly pure intonation — a
qualification which no .actress has possessed
since Mrs. Siddons. Stanfield is painting the
new scenes, one of which is an accurate repre-
sentation of Rienzi's house. This building
still exists in Rome. . . . They have got a
sketch which they sent for on purpose, and they
are hunting up costumes with equal care ;
so that it will be very splendidly brought out,
and I shall have little to fear, except from the
emptiness of London so early in the season/'
Miss Mitford's next letter to Sir William is
written from London after the first performance
of Rienzi. It is dated Oct. 5th, 1828, 5 Great
Queen Street, Lincoln's Inn, and is as follows :
232
IN GREAT QUEEN STREET
Rienzi
" Our success last night was very splendid
and we have every hope (in the theatrical world
there is no such word as ' certainty ') of making
a great hit. As far as things have hitherto gone
nothing can be better — nothing. Our new
actress is charming. . . . Mr. Young is also
admirable ; and, in short, it is a magnificent
performance throughout. God grant that its
prosperity may continue ! and these are not
words, of course, but a prayer from my inmost
soul, for on that hangs the comfort of those
far dearer to me than myself."
And a fortnight later she writes :—
" Hitherto the triumph has been most com-
plete and decisive — the houses crowded — and
the attention such as has not been known since
Mrs. Siddons. You might hear a pin drop in
the house. How long this run may continue
I cannot say, for London is absolutely empty ;
but even if the play were to stop to-night I
should be extremely thankful — more thankful
than I have words to tell ; the impression has
been so deep and so general."
Letters of congratulation from women of
mark poured in from all sides, but Mary missed
the sympathy of her intimate friend Lady
Franklin (wife of the Arctic explorer) who had
recently died. She remarks in the Introduction
to her Dramatic Works : —
235
Mary Russell Mitford
" When Rienzi, after a more than common
portion of adventures and misadventures, did
come out with a success rare in a woman's
life ... I missed the eager congratulations
from her . . . whose cheering prognostics had
so often spurred me on. ...
" No part of my success/' she adds, " was
more delightful than the pleasure which it
excited amongst the most eminent of my female
contemporaries. Maria Edgeworth, Joanna
Baillie, Felicia Hemans (and to two of them
I was at that time unknown) vied in the cor-
diality of their praises. Kindness met me on
every hand."
In a letter from Mrs. Trollope (a well-known
authoress of the day), who was then staying in
New York, she learns of Rienzi being performed
in that city. " It is here and here only/' writes
Mrs. Trollope, "that I have had an opportunity
of seeing Rienzi ; it is a noble tragedy, and not
even the bad acting of the Chatham Theatre
could spoil it. I never witnessed such a triumph
of powerful poetry over weak acting as in the
magnificent scene where Rienzi refuses pardon
to an Orsini/1
The play continued to draw large audiences
at Drury Lane, and ran for a hundred days, a
most unusual event in those times. Of the
printed play Miss Mitford writes : " It is
236
Rienzi
selling immensely, the first very large edition
having gone in three days/'
We have read Rienzi with deep interest.
The tragic scenes are very powerful, tension
being kept up throughout the whole action,
while the love passages are beautiful, tender
and truly pathetic. If we might venture upon
a criticism it is that there is an absence in the
play of all humour — a quality so conspicuous
in Miss Mitford's village stories. Perhaps it is
only Shakespeare who possesses the consummate
art of relieving the strain wrought upon the
mind by deep tragedy with a touch of humour.
It is certainly absent in some of the finest
French and German tragedies.
Miss Mitford's incessant work at this period,
coupled with much domestic anxiety (for her
mother's health was then failing), made her
possibly over anxious.
" I shall have hard work," she observes in a
letter to a friend, " to write up to my own
reputation, for certainly I am at present
greatly overrated." And alluding to the
triumph of Rienzi she says : —
" Dramatic success, after all, is not so delicious,
so glorious, so complete a gratification as in
our secret longings we all expect to find. It is
not satisfactory. It does not fill the heart. . . .
It is an intoxication. . . . Within four-and-
237
Mary Russell Mitford
twenty hours [of the performance of Rienzi]
I doubted if triumph there were, and more than
doubted if it were deserved. It is ill-success
that leads to self-assertion. Never in my life
was I so conscious of my dramatic short-
comings as on that day of imputed exaltation
and vainglory/'
But Mary's fame as a dramatic author was
growing in spite of her own modest estimate of
her powers, and in spite also of many a dis-
appointment that she had to endure. Her play
of Charles I, the subject of which was sug-
gested to her by Macready, was condemned by
the Licenser, "who saw a danger to the State
in permitting the trial of an English monarch
to be represented on the stage/' It was for-
bidden, therefore, at the two great houses
although it afterwards appeared at a minor
theatre.
The fate of another play, Inez de Castro, was
still more unfortunate, for after having been
rehearsed three times at the Lyceum Theatre,
apparently with the approval of all concerned,
it was suddenly withdrawn for some unknown
reason. Fanny Kemble, whom Miss Mitford
describes as " a girl of great ability/' was taking
the part of the heroine.
" Great at the moment were these anxieties
and tribulations," writes Miss Mitford in after
238
Rienzi
life, " but it is good to observe in one's own
mind and good to tell others how just as the
keenest physical pain is known to be soon
forgotten, so in mental vicissitudes time carries
away the bitter and leaves the sweet. The
vexations and the injuries fade into dim dis-
tance and the kindness and the benefits shine
vividly out."
An edition of her collected works was pub-
lished in Philadelphia in the year 1841, which
is prefaced by a short biography of the author
written by James Crissy. It is pleasant therein
to read his warm-hearted appreciation of her
literary genius. He speaks of Miss Mitford
as " a dramatist of no common power/' " In
all her plays/' he says, " there is strong,
vigorous writing — masculine in the free un-
hashed use of language, but wholly womanly
in its purity from coarseness or licence and
in its touches [of the] softest feeling and finest
observation/'
He goes on, however, to say : " But the claims
of Miss Mitford to swell the list of inventors
[of new styles in literature] rest upon yet firmer
grounds. They rest upon those exquisite
sketches by which she has created a school of
writing, homely but not vulgar, familiar but not
breeding contempt. . . . Wherein the small
events and the simple characters of rural life
239
Mary Russell Mitford
are made interesting by the truth and sprightli-
ness with which they are represented."
In the Introduction to her " Dramatic
Works/' Miss Mitford thus closes a detailed
account of the composition and production of
her plays: —
" So much for the Tragedies. There would
have been many more such but that the pressing-
necessity of earning money, and the uncertain-
ties and the delays of the drama, at moments
when delay or disappointment weighed upon
me like a sin, made it a duty to turn away from
the lofty steep of Tragic Poetry to the everyday
path of Village Stories/'
t
A propos of these words and knowing that
Miss Mitford's greatest power lay in the writing
of those very Village Stories, we would quote
the words of Tennyson :—
" Not once or twice in our fair island story
The path of duty was the way to glory/'
CHAPTER XXVII
FOREIGN NEIGHBOURS
" ONE of the prettiest dwellings in our neigh-
bourhood/' writes Miss Mitford in one of her
stories, "is the Lime Cottage at Burley-Hatch.
It consists of a low-browed habitation, so en-
tirely covered with jessamine, honeysuckle,
passion-flowers and china roses, as to resemble
a bower, and is placed in the centre of a large
garden. On either sicle of the neat gravel walk
which leads from the outer gate to the door of
the cottage stand the large and beautiful trees
to which it owes its name; spreading their
strong, broad shadow over the turf beneath,
and sending, on a summer afternoon, their
rich spring fragrance half across the irregular
village green. . . .
" Such is the habitation of Therese de G., an
emigree of distinction, whose aunt having
married an English officer, was luckily able to
afford her niece an asylum during the horrors
of the Revolution, and to secure to her a small
annuity and the Lime Cottage after her death.
R 241
Mary Russell Mitford
There she has lived for five-and-thirty years,
gradually losing sight of her few and distant
foreign connections, and finding all her happiness
in her pleasant home and her kind neighbours—
a standing lesson in cheerfulness and content-
ment.
"A very popular person is Mademoiselle
Therese — popular both with high and low ;
for the prejudice which the country people
almost universally entertain against foreigners
vanished directly before the charm of her
manners. . . . She is so kind to them too, so
liberal of the produce of her orchard and gar-
den and so full of resources in their difficulties.
Among the rich she is equally beloved. No
party is complete without the pleasant French
woman. Her conversation is not very power-
ful, not very brilliant — but then it is so good-
natured, so genuine, so constantly up and
alive; — to say nothing of the charm which it
derives from her language, which is alternately
the most graceful and purest French and the
most diverting and absurd broken English. . . .
" Her appearance betrays her country almost
as much as her speech. She is a French-looking
little personage with a slight, active figure,
exceedingly nimble and alert in every move-
ment; a round and darkly complexioned face,
somewhat faded and passee but still striking
242
Foreign Neighbours
from the laughing eyes. Nevertheless, in her
youth, she must have been pretty ; so pretty
that some of our young ladies, scandalised at
finding their favourite an old maid, have in-
vented sundry legends to excuse the solecism,
and talk of duels fought pour Vamour de ses
beaux yeux, and of a betrothed lover guillotined
in the Revolution. And the thing may have
been so ; although one meets everywhere with
old maids who have been pretty, and whose
lovers have not been guillotined. I rather
suspect our fair demoiselle of having been in
her youth a little of a flirt.
" Even during her residence at Burley-Hatch
hath not she indulged in divers very distant,
very discreet, very decorous, but still very
evident flirtations ? Did not Doctor Abdy,
the portly, ruddy schoolmaster of B. dangle
after her for three mortal years, holidays
excepted ? And did she not refuse him at
last ? And Mr. Foreclose, the thin, withered,
wrinkled city solicitor, a man, so to say, smoke-
dried, who comes down every year to Burley
for the air, did not he do suit and service to her
during four long vacations with the same ill-
success ? Was not Sir Thomas himself a little
smitten ? Nay, even now, does not the good
major, a halting veteran of seventy — but really
it is too bad to tell tales out of the parish — all
243
Mary Russell Mitford
that is certain is that Mademoiselle Therese
might have changed her name long before now
had she so chosen.
" Her household consists of her little maid
Betsy, a cherry-cheeked, blue-eyed country lass,
who with a fair unmeaning countenance, copies
the looks and gestures of her alert and vivacious
mistress, and of a fat lap-dog, called Fido, silky,
sleepy and sedate. . . .
" If everybody is delighted to receive this most
welcome visitor, so is everybody delighted to
accept her graceful invitations, and meet to
eat strawberries at Burley-Hatch.
"Oh, how pleasant are those summer after-
noons, sitting under the blossomed limes, with
the sun shedding a golden light through the
broad branches, the bees murmuring overhead,
roses and lilies all about us, and the choicest
fruit served up in wicker baskets of her own
making. . . . Those are pleasant meetings ;
nor are her little winter parties less agreeable,
when to two or three female friends assembled
round their coffee, she will tell thrilling stories
of that terrible Revolution, so fertile in great
crimes and great virtues. Or [relate] gayer
anecdotes of the brilliant days preceding that
convulsion, the days which Madame de Genlis
has described so well, when Paris was the
capital of pleasure, and amusement the business
244
Foreign Neighbours
of life ; illustrating her descriptions by a series
of spirited drawings of costumes and characters
done by herself, and always finishing by pro-
ducing a group of Louis Seize, Marie Antoinette,
the Dauphin, and Madame Elizabeth, as she
had last seen them at Versailles— the only
recollections that ever bring tears into her
smiling eyes.
" Madame Therese's loyalty to the Bourbons
was in truth a very real feeling. Her family
had been about the Court, and she had imbibed
an enthusiasm for the royal sufferers natural to
a young and warm heart — she loved the Bour-
bons and hated Napoleon with like ardour.
All her other French feelings had for some time
been a little modified. She was not quite so
sure as she had been that France was the only
country, and Paris the only city of the world ;
that Shakespeare was a barbarian, and Milton
no poet ; that the perfume of English limes
was nothing compared to French orange trees ;
that the sun never shone in England ; and that
sea-coal fires were bad things. . . . Her loyalty
to her legitimate king was, however, as strong
as ever, and that loyalty had nearly cost us our
dear mademoiselle.
" After the Restoration, she hastened, as fast
as steamboat and diligence could carry her, to
enjoy the delight of seeing once more the Bour-
245
Mary Russell Mitford
bons and the Tuileries ; took leave, between
smiles and tears, of her friends, and of Burley-
Hatch, carrying with her a branch of the lime-
tree, then in blossom, and commissioning her
old lover, Mr. Foreclose, to dispose of the cot-
tage : but in less than three months, luckily
before Mr. Foreclose had found a purchaser,
-mademoiselle came home again. She com-
plained of nobody ; but times were altered .
The house in which she was born was pulled
down ; her friends were scattered, her kindred
dead ; Madame (la Duchess d'Angouleme) did
not remember her . . . the King did not know
her again (poor man ! he had not seen her for
these thirty years) ; Paris was a new city ;
the French were a new people ; she missed the
sea-coal fires ; and for the stunted orange-trees
at the Tuileries, what were they compared
with the blossomed limes of Burley-Hatch I"1
Another foreign neighbour, described by
Miss Mitford, was an old French emigre who
came to reside in " the small town of Hazelby " ;
a pretty little place where everything seemed
at a standstill. . . . " It has not even a cheap
shop/' she remarks, " for female gear. . . . The
very literature of Hazelby is doled out at the
pastry-cook's, in a little one-windowed shop,
1 We think this place may have been intendedffor Burgh-
field Hatch.
246
Foreign Neighbours
kept by Matthew Wise. Tarts occupy one end
of the counter and reviews the other ; whilst
the shelves are parcelled out between books,
and dolls, and gingerbread. It is a question by
which of his trades poor Matthew gains least."
Here it was that the old emigre lodged "in a
low three-cornered room, over the little shop,
which Matthew Wise designated his ' first
floor/ ' Little was known of him, but that he
was a thin, pale, foreign-looking gentleman, who
shrugged his shoulders in speaking, took a great
deal of snuff, and made a remarkably low bow.
But it soon appeared from a written paper
placed in a conspicuous part of Matthew's
shop, that he was an Abbe, and that he would
do himself the honour of teaching French to
any of the nobility and gentry of Hazelby who
might think fit to employ him. Pupils dropped
in rather slowly. The curate's daughters, and
the attorney's son, and Miss Deane the milliner —
but she found the language difficult, and left
off, asserting that M. 1' Abbe's snuff made her
nervous. At last poor M. 1'Abbe fell ill, really
ill, dangerously ill, and Matthew Wise went in
all haste to summon Mr. Hallett (the apothe-
cary). ...
" Now Mr. Hallett was what is usually called
a rough diamond. He piqued himself on being
a plain downright Englishman [and] he had such
247
Mary Russell Mitford
an aversion to a Frenchman, in general, as a
cat has to a dog : and was wont to erect him-
self into an attitude of defiance and wrath at
the mere sight of the object of his antipathy.
He hated and despised the whole nation,
abhorred the language, and " would as lief,"
he assured Matthew, " have been called in to
a toad." He went, however, grew interested
in the case, which was difficult and complicated ;
exerted all his skill, and in about a month
accomplished a cure.
By this time he had also become interested
in his patient, whose piety, meekness, and re-
signation had won upon him in an extraordinary
degree. The disease was gone, but a languor
and lowness remained, which Mr. Hallett soon
traced to a less curable disorder, poverty. The
thought of the debt to himself evidently weighed
on the poor Abbe's spirits, and our good apothe-
cary at last determined to learn French purely
to liquidate his own long bill.
It was the drollest thing in the world to see
this pupil of fifty, whose habits were so entirely
unfitted for a learner, conning his task. . . .
He was a most unpromising scholar, shuffled
the syllables together in a manner that would
seem incredible, and stumbled at every step of
the pronunciation, against which his English
tongue rebelled amain. Every now and then
248
Foreign Neighbours
he solaced himself with a fluent volley of execra-
tions in his own language, which . the Abbe
understood well enough to return, after rather
a polite fashion, in French. It was a most
amusing scene. But the motive ! the generous
noble motive !
M. 1'Abbe after a few lessons detected this
delicate artifice, and, touched almost to tears,
insisted on dismissing his pupil, who, on his side,
declared that nothing should induce him to
abandon his studies. At last they came to a
compromise. The cherry-cheeked Margaret . . .
[who kept the doctor's house] took her uncle's
post as a learner, which she filled in a manner
much more satisfactory ; and the good old
Frenchman not only allowed Mr. Hallett to
administer gratis to his ailments, but partook
of his Sunday dinner as long as he lived.
CHAPTER XXVIII
AGREEABLE JAUNTS
MARY RUSSELL MITFORD visited Southampton
in the year 1812, and although only one of her
letters written at that time has been preserved
it gives us a vivid picture of her impressions of
the place. The letter is dated September 3rd.
" I have just returned from Southampton/1
she writes to Sir William Elford. " Have you
ever been at that lovely spot, which combines
all that is enchanting in wood and land and
water with all that is ' buxom, blythe and
debonair ' in society — that charming town,
which is not a watering-place only because it
is something better ? . . . Southampton has,
in my eyes, an attraction independent even, of
its scenery in the total absence of the vulgar
hurry of business or the chilly apathy of fashion.
It is indeed all life, all gaiety ; but it has an
airiness, an animation which might become the
capital of Fairyland. The very motion of its
playful waters, uncontaminated by commerce
or by war, seems in unison with the graceful
yachts that sail upon their bosom/'
250
<F
THE WEST GATE, SOUTHAMPTON
Agreeable Jaunts
She admired the ruins of Netley Abbey, and
writes in one of her poems :—
" Methinks that e'en from Netley's. gloom
To look upon the tide
Seems gazing from the shadowy tomb
On life and all its pride."
At a much later date Miss Mitford visited
Bath.
" Bath is a very elegant and classical-looking
city/' she writes, " standing upon a steep hill-
side, its regular white buildings rising terrace
above terrace, crescent above crescent, glitter-
ing in the sun, and charmingly varied by the
green trees of its park and gardens. . . . Very
pleasant is Bath to look at. But when con-
trasted with its old reputation as the favourite
resort of the noble and the fair ... it is im-
possible not to feel that the spirit has departed ;
that it is a city of memories, the very Pompeii
of watering-places/'
Again she writes : " A place full of associa-
tions is Bath. When we had fairly done with
the real people there were great fictions to fall
back upon, and I am not sure . . . that those
who never lived except in the writings of other
people — the heroes and heroines of Miss Austen,
for example — are not the more real of the two.
Her exquisite story of Persuasion absolutely
253
Mary Russell Mitford
haunted me. Whenever it rained I thought of
Anne Elliott meeting Captain Went worth, when
driven by a shower to take refuge in a shoe-shop.
~ .. ~f
PULTENEY BRIDGE
Whenever I got out of breath in climbing up-
hill I thought of that same charming Anne
Elliott, and of that ascent from the lower town
254
Agreeable Jaunts
to the upper, during which all her tribulations
ceased. And when at last by dint of trotting
up one street and down another I incurred the
unromantic calamity of a blister on the heel,
even that grievance became classical by the
recollection of the similar catastrophe which, in
consequence of her peregrinations with the
Admiral, had befallen dear Mrs. Croft."
Miss Mitford writes in one of her letters of a
u most agreeable jaunt to Richmond."
" God made the country and man made the
town ! ' "I wonder," she says, " in which of
the two divisions Cowper would place Rich-
mond. Every Londoner would laugh at the
rustic who should call it town, and with
foreigners it passes pretty generally for a
sample (the only one they see) of the rural
villages of England ; and yet it is no more like
the country, the real untrimmed genuine coun-
try, than a garden is like a field. Richmond is
Nature in a court dress, but still Nature — aye,
and very lovely nature too, gay and happy and
elegant as one of Charles the Second's beauties,
and with as little to remind one of the penalty
of labour, or poverty, or grief, or crime. To
the casual visitor (at least) Richmond appears
as a sort of fairyland, a piece of old Arcadia, a
holiday spot for ladies and gentlemen, where
they had a happy out-of-door life, like the gay
255
Mary Russell Mitford
folks in Watteau's pictures, and have nothing
to do with the workaday world. . . .
" Here is Richmond Park, where Jeanie
Deans and the Duke of Argyle met Queen
Caroline ; it has been improved, unluckily, and
the walk where the interview took place no
longer exists. To make some amends, however,
for this disappointment, [we are told that] in
removing some furniture from an old house in
the town three portraits were discovered in the
wainscot, George the Second, a staring likeness,
between Lady Suffolk and Queen Caroline.
The paintings were the worst of that bad era,
but the position of the three and the recollection
of Jeanie Deans was irresistible ; those pictures
ought never to be separated/'
" The principal charm of this smiling land-
scape/' she continues, " is the river, the beau-
tiful river. Brimming to its very banks of
meadow or of garden ; clear, pure and calm as
the bright sky which is reflected in clearer
brightness from its bosom/' As her boat glides
along its smooth surface amid scenes of ever-
changing beauty and interest, Miss Mitford's
thoughts turn to Sir Joshua Reynolds. " His
villa is here/' she exclaims, " rich in remem-
brances of Johnson and Boswell and Goldsmith
and Burke ; here again the elegant house of
Owen Cambridge ; close by the celebrated villa
256
Agreeable Jaunts
of Pope, where one seems to see again Swift
and Gay, St. John and Arbuthnot. A stone's-
throw off the still more celebrated Gothic toy-
shop, Strawberry Hill, which we all know so
well from the minute and vivid descriptions of
its master, the most amusing of letter-writers,
the most fashionable of antiquaries, the most
learned of petit-mattres, the cynical, finical,
delightful Horace Walpole."
Then Miss Mitford tells us of " the landing at
Hampton Court, the palace of the cartoons and
of the ' Rape of the Lock/ and lastly of her
coming home with her mind full of the divine
Raphael . . . strangely chequered and inter-
sected by vivid images of the fair Belinda, and
of that inimitable game at ombre which will
live longer than any painting, and can only die
with the language."
Here we would venture to give some passages
from the " Rape of the Lock " for the benefit
of those who may not as yet have made the
acquaintance of the " fair Belinda." This
poem, so full of wit and fairy fancy, was written
by Pope to commemorate an event which had
actually occurred. It happened when a party
of noble friends had met together in a stately
room in Hampton Court Palace and were
gathered around a table prepared for a game
at ombre.
s 257
Mary Russell Mitford
The heroine Belinda (whose real name was
Arabella Fermor), famous for her beauty and
for her " sprightly mind," was wooed by a
certain young Lord Petre, who ardently desired
to possess one of " the shining ringlets " that
decked " her smooth ivory neck/* Meanwhile
invisible sylphs and sprites, aware that some
" dire disaster " threatens to befall the uncon-
scious Belinda, hover protectingly about her.
Even the very cards take part in the drama,
giving omens alternately of good or of evil. At
last Belinda wins the game and rejoices, but
all too soon it seems in her triumph.
The cards removed
" the board with cups and spoons is crowned,
The berries crackle and the mill turns round,
but coffee alas !
Sent up in vapours to the Baron's brain,
New stratagems, the radiant Lock to gain.
. . . Just then Clarissa drew, with tempting grace,
A two-edged weapon from her shining case.
He takes the gift with reverence and extends
The little engine on his ringers' ends ;
This just behind Belinda's neck he spread
As o'er the fragrant steams she bends her head.
Swift to the Lock a thousand sprites repair,
A thousand wings by turns blow back the hair ;
The peer now spreads the glittering forfex wide
To enclose the Lock ; now joins it to divide,
258
Agreeable jaunts
. . . The meeting points the sacred hair dissever
From the fair head, for ever and for ever !
The Lock, obtained with guilt and kept with pain,
In every place is sought, but sought in vain :
With such a prize no mortal must be blest,
So Heaven decrees : with Heaven who can contest ?
. . . Then cease, bright nymph ! to mourn thy ravished
hair
Which adds new glory to the shining sphere !
Not all the tresses that fair heads can boast
Shall draw such envy as the Lock you lost.
For after all the murders of your eye,
When after millions slain, yourself shall die.
. . . This Lock the Muse shall consecrate to fame,
And 'midst the stars inscribe Belinda's name."
CHAPTER XXIX
UFTON COURT
ONE of the most striking buildings in the
beautiful county of Berkshire often visited by
Miss Mitford is Ufton Court, a stately manor-
house of considerable extent " that stands on
the summit of a steep acclivity looking over a
rich and fertile valley to a range of wooded
hills."
The court is approached by a double avenue
of oaks, on emerging from which the fine old
Elizabethan mansion is seen rising beyond its
smooth-spreading lawns and shady trees. It
is surmounted " by more gable ends than a lazy
man would care to count on a sunny day/' and
by tall clustered chimneys. Its long fagade is
flanked by two projecting wings, and in the
centre is a large porch, forming the letter E in
the true Elizabethan style. The entrance door
of solid oak studded with great nails might
well have resisted an ancient battering-ram.
In the northern wing of Ufton Court we come
once more upon associations with the name of
260
THE
ARABELLA FKRMOK (MRS. PERKINS)
By W. Sykes
FRANCIS PERKINS
By W. Sykes
Ufton Court
Arabella Fermor — the " fair Belinda " of the
" Rape of the Lock." Here it was that she came
to live upon her marriage in 1715 with Mr.
Francis Perkins, a member of an ancient
Roman Catholic family. Mr. Perkins in honour
of his bride had the rooms in this wing newly
decorated in the elegant style of the early
eighteenth century. The ceiling of the larger
room, which is still called Belinda's Parlour, is
adorned with mouldings of graceful design,
while the small panelling on the walls was re-
placed by the tall decorated panels then just
come into fashion. In the same way a lofty
window was introduced to shed light upon the
whole.
We learn from an old list of the furniture of
Ufton Court that in a small room near to
Belinda's Parlour there stood formerly a harp-
sichord and an ombre table, the latter singularly
suggestive of the heroine of the " Rape of the
Lock/'1
Two fine portraits exist of Mr. and Mrs.
Perkins, which probably hung in Belinda's
room. They are both signed with the name of
W. Sykes, an artist who flourished in the early
part of the eighteenth century. That of Mrs.
Perkins must have been painted before her
marriage, as her maiden name is inscribed upon
1 See The History of Ufton Court, by H. Mary Sharp.
263
Mary Russell Mitford
the picture, together with two lines from the
" Rape of the Lock," thus :-
Mrs. Arabella Fermor
" On her white breast a sparkling cross she wore,
Which Jews might kiss and Infidels adore."
The lady's dress is of a soft greenish blue
colour so often seen in portraits of that period.
The only engravings which exist of these por-
traits were taken from copies of them made by
Gardner, but they are not satisfactory, and it
is to the kindness of the present owner of the
original pictures that we are indebted for per-
mission to reproduce them in this work.
Mary Russell Mitford has written much of
Ufton Court. She delighted in wandering about
the old rambling mansion. " It retained strong
marks of former stateliness," she writes, " in
the fine proportion of the lofty and spacious
apartments, the rich mouldings of the ceilings,
the carved chimney-pieces and panelled walls ;
while the fragments of stained glass in the
windows of the great gallery, the relics of
mouldering tapestry that fluttered against the
walls, and above all the secret chamber con-
structed for a priest's hiding-place in the days
of Protestant persecution conspired to give
Mrs. Radcliffe-like Castle of Udolpho sort of
romance to the manor-house/'
264
Ufton Court
" The priest's hiding-place/' she continues,
was discovered early in the nineteenth cen-
BELINDA'S PARLOUR
tury. A narrow ladder led down into this
gloomy resort, and at the bottom was found a
265
Mary Russell Mitford
crucifix. As many as a dozen carefully masked
openings into dark hiding-places have been dis-
covered in this storey ; no doubt they were
connected one with the other, although the
clue to the labyrinth is wanting/'
A broad terrace walk lies behind the Court,
and from this terrace a flight of stone steps of
quaint construction leads down to a beautiful
walled garden. Here we can imagine Belinda
and her friends enjoying the delights of a summer
evening and surveying the wide view which
lies beyond the garden of sloping fields to a
wooded valley watered by a rushing stream.
A pathway of the softest turf leads from the
foot of the steps across the garden to the pillars
of a former gateway surmounted by stone balls
and flanked by two ancient gnarled yews,
which stand like sentinels to guard the en-
trance. In the centre of the garden the turf
widens to a circular piece of lawn, upon which
stands an old sundial. It is surrounded by gay
flowers of all sorts, and is partly enclosed by a
rustic fence, forming a fairy garden as it were
within the great garden.
Beyond the main boundary wall the green-
sward slopes down abruptly to a chain of fish
ponds. These must have been kept neat and
trim when fish, so much needed for a Roman
Catholic household, was difficult to obtain
266
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x --,0 .--..' .•/•V»»:^>JSrAr>! ^ "
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- '^r^^raiF. i-^Tnci^^
THE GARDEN STEPS
Ufton Court
beyond the precincts of the Court. But the
ponds are beautiful in their neglected condition,
with their luxuriant growth of water plants,
their surrounding trees, whose branches are
reflected below, and the occasional glimpse of
a moorhen skimming past.
Miss Mitford speaks of there being "on the
lawn in front of the mansion some magnificent
elms, splendid both in size and form, and one
gigantic broad-browed oak — the real oak of the
English forest — that must have seen many cen-
turies." Its upper boughs have now gone, but
its huge trunk and lower foliage still remain.
It is of this oak that a poetess of the day
wrote :—
" Triumphant o'er the tooth of time
And o'er the woodman's blade,
Yon oak still rears its head sublime
And spreads its ample shade."
A propos of Ufton Court, with its ingeniously
contrived hiding-places for unhappy refugees,
Miss Mitford writes : "I am indebted to my
friend Mrs. Hughes for the account of another
hiding-place in which the interest is ensured
by that charm of charms — an unsolved and
insoluble mystery."
On some alterations being projected in a large
mansion in Scotland belonging to the late Sir
George Warrender, the architect, after examin-
269
Mary Russell Mitford
ing and, so to say, studying the house, declared
that there was a space in the centre for which
there was no accounting, and that there must
certainly be a concealed chamber. Neither
master nor servants had ever heard of such a
thing, and the assertion was treated with some
scorn. The architect, however, persisted, and
at last proved by the sure test of measurement
. . . that the space he had spoken of did exist,
and as no entrance of any sort could be dis-
covered from the surrounding rooms it was
resolved to make an incision in the wall. A
large and lofty apartment was disclosed, richly
and completely furnished as a bed-chamber ; a
large four-post bed, spread with blankets, coun-
terpanes, and the finest sheets was prepared for
instant occupation. The very wax lights in
the candlesticks stood ready for lighting. The
room was heavily hung and carpeted as if to
deaden sound, and was of course perfectly dark.
No token was found to indicate the intended
occupant, for it did not appear to have been
used, and the general conjecture was that the
refuge had been prepared for some unfortunate
Jacobite in the '15, who had either fallen into
the hands of the Government or had escaped
from the kingdom.
CHAPTER XXX
A FURTHER GLANCE AT OUR VILLAGE
Miss MITFORD writes in 1830 :—
" Our village continues to stand pretty much
where it did, and has undergone as little change
in the last two years as any hamlet of its inches
in the county. ... I have hinted that it had
a trick of standing still, of remaining stationary,
unchanged and unimproved in this most change-
able and improving world. . . . There it stands,
the same long straggling street of pretty cottages
divided by pretty gardens, wholly unchanged
in size or appearance, unincreased and un-
diminished by a single brick.
" Ah, the in-and-out cottage ! the dear, dear
home ! ... No changes there ! except that
the white kitten who sits purring at the window
under the great myrtle has succeeded to his
lamented grandfather, our beautiful Persian cat.
I cannot find an alteration. To be sure, yes-
terday evening a slight misfortune happened to
our goodly tenement, occasioned by the un-
lucky diligence which, under the conduct of a
271
Mary Russell Mitford
sleepy coachman and a restive horse, contrived
to knock down and demolish the wall of our
court, and fairly to drive through the front
garden, thereby destroying sundry curious
stocks, carnations and geraniums. It is a mercy
that the unruly steed was content with batter-
ing the wall. . . . There was quite din enough
without any addition. The three insides (ladies)
squalling from the interior of that commodious
vehicle ; the outsides (gentlemen) swearing on
the roof ; the coachman still half asleep, but
unconsciously blowing his horn ; we in the
house screaming and scolding ; the passers-by
shouting and hallooing ; May, who little brooked
such an invasion of her territories, barking in
her tremendous lion note, and putting down the
other noises like a clap of thunder. The passen-
gers, coachman, horses and spectators all righted
at last, and no harm done but to my flowers
and to the wall. May, however, stands bewail-
ing the ruins, for that low wall was her favourite
haunt ; she used to parade backwards and for-
wards on the top of it as if to show herself, just
after the manner of a peacock on the top of a
house. But the wall is to be rebuilt to-morrow
with old weather-stained bricks — no patch-
work ! exactly in the same form ; May herself
will not find out the difference, so that in the
way of alteration this little misfortune will pass
272
A Further Glance at Our Village
for nothing. Neither have we any improve-
ments worth calling such, except that the
wheeler's green door has been retouched out of
the same pot (as I judge from the tint) with
which he furbished up our new-old pony-chaise ;
that the shop window of our neighbour, the
universal dealer Bromley's, hath been beautified,
and his name and calling splendidly set forth in
yellow letters on a black ground ; and that our
landlord of the ' Rose '-has hoisted a new sign
of unparalleled splendour."
Miss Mitford happened to possess an " his-
toric staff " which she greatly valued, and
which had been handed down from one relative
to another from its former owner — that Duchess
of Athol and Lady of Man of whom mention
has been made in an earlier chapter.
At the period we are writing of Miss Mitford
used the staff rather as an ornament than other-
wise, being then, as she says, " the best walker
of her years for a dozen miles round " ; but in
later life she was glad of its support. " Now
this staff/' she writes, " one of the oldest friends
I have in the world, is pretty nearly as well
known as myself in our Berkshire village."
One day the stick was not to be found in its
usual place in the hall, " it was missing, was
gone, was lost ! '; A great search was made for
it^far and wide. " Really, ma'am," quoth her
T 273
Mary Russell Mitford
faithful maid, " there is some comfort in the
interest the people take in the stick ! If it were
anything alive — the pony, or Fanchon, or our-
selves— they could not be more sorry. Master
Brent, ma'am, at the top of the street, he
promises to speak to everybody, so does William
Wheeler, who goes everywhere, and Mrs. Brom-
ley at the shop ; and the carrier and the post-
man. I daresay the whole parish knows it by
this time ! I have not been outside the gate
to-day, but a dozen people have asked me if we
had heard of our stick ! '
The bustle of the village and the anxiety of
Mary were, however, soon to be allayed. "At
ten o'clock one evening a rustling of the front
door latch was heard, together with a pattering
of little feet, then the little feet advanced into
the house and some little tongues gained
courage to tell their good news — the stick was
found !
An intimate friend of Miss Mitford's, a certain
Miss James, of Binfield Park, had been staying
for a short time at the inn hard by, on which
occasion Mary addressed the following lines to
her : —
" The village inn ! The wood-fire burning bright,
The solitary taper's flickering light !
The lowly couch ! the casement swinging free !
My noblest friend, was this a place for thee ?
274
A Further Glance at Our Village
Yet in that humble room, from all apart,
We poured forth mind for mind and heart for heart,
Ranging from idlest words and tales of mirth
To the deep mysteries of heaven and earth.
No fitting place ; yet (inconsistent strain
And selfish) come, I prythee ! come again."
In a story entitled The Black Velvet Bag Miss
Mitford has given an amusing account of some
of her shopping experiences in " Belford Regis/'
her name for Reading, where the various pur-
chases for the small household of Three Mile
Cross were usually made.
" Last Friday fortnight," she writes, " was
one of those anomalies in the weather with
which we English people are visited for our
sins ; a day of intolerable wind and insupport-
able dust, an equinoctial gale out of season, a
piece of March unnaturally foisted into the very
heart of May. ... On that day did I set forth
to the good town of B— - on the feminine
errand called shopping. I am a true daughter
of Eve, a dear lover of bargains and bright
colours, and, knowing this, have generally been
wise enough to keep as much as I can out of
temptation. At last a sort of necessity arose
for some slight purchases. The shopping was
inevitable, and I undertook the whole concern
at once, most heroically resolving to spend just
275
Mary Russell Mitford
so much and no more, and half comforting
myself that I had a full morning's work of
indispensables and should have no time for
extraneous extravagances.
" There was to be sure a prodigious accumu-
lation of errands and wants. The evening before
they had been set down in great form on a slip
of paper headed thus — ' things wanted/ To
how many and various catalogues that title
would apply — from him who wants a blue
riband to him who wants bread and cheese !
My list was astounding. It was written in
double columns in an invisible hand. ... In
good open printing it would have cut a respect-
able figure as a catalogue and filled a decent
number of pages — a priced catalogue too, for
as I had a given sum to carry to market I amused
myself with calculating the proper and probable
cost of every article, in which process I most
egregiously cheated the shop-keeper and myself
by copying with the credulity of hope from the
puffs of newspapers, and expecting to buy fine
solid wearable goods at advertising prices. In
this way I stretched my money a good deal
further than it would go, and swelled my cata-
logue, so that at last, in spite of compression,
I had no room for another word, and was
obliged to crowd several small but important
articles such as cotton, laces, pins, needles,
276
A Further Glance at Our Village
shoe-strings, etc., into that very irregular and
disorderly store-house — that place where most
things deposited are lost — my memory, by
courtesy so called.
" The written list was safely consigned, with
a well-filled purse, to my usual repository, a
black velvet bag, and the next morning I and
my bag, with its nicely balanced contents of
wants and money, were safely convoyed in a
little open carriage to the good town of B— — .
There I dismounted and began to bargain most
vigorously, visiting the cheapest shops, cheapen-
ing the cheapest articles, yet wisely buying the
strongest and the best, a little astonished at
first to find everything so much dearer than I
had set it down, yet soon reconciled to this
misfortune by the magical influence which
shopping possesses over a woman's fancy — all
the sooner reconciled as the monetary list lay
unlocked at and unthought of in its grave
receptacle, the black velvet bag.
" On I went with an air of cheerful business,
of happy importance, till my money began to
wax small. Certain small aberrations had
occurred, too, in my economy. One article that
had happened, by rare accident, to be below
my calculation, and indeed below any calcula-
tion— calico at ninepence, fine, thick, strong,
wide calico at ninepence absolutely enchanted
277
Mary Russell Mitford
me and I took the whole piece ; then after buy-
ing M. [material for] a gown according to order,
I saw one that I liked better and bought that
too. Then I fell in love, was actually captivated
by a sky-blue sash and handkerchief, — not the
poor, thin greeny colour which usually passes
under that dishonoured name, but the rich full
tint of the noonday sky, and a cap riband
really pink that might have vied with the inside
leaves of a moss-rose. Then in hunting after
cheapness I got into obscure shops where, not
finding what I asked for, I was fain to take
something that they had, purely to make a
compensation for the trouble of lugging out
drawers and answering questions. Lastly I was
fairly coaxed into some articles by the irresisti-
bility of the sellers, [in one case] by the fluent
impudence of a lying shopman who, under cover
of a well-darkened window, affirmed on his
honour that his brown satin was a perfect match
to my green pattern, and forced the said satin
down my throat accordingly. With these helps
my money melted all too fast ; at half -past five
my purse was entirely empty, and as shopping
with an empty purse has by no means the relish
of shopping with a full one I was quite willing
and ready to go home to dinner, pleased as a
child with my purchases and wholly unsuspect-
ing the sins of omission, the errands unper-
278
A Further Glance at Our Village
formed, which were the natural result of my
unconsulted memoranda and my treacherous
memory.
" Home I returned a happy and proud
woman, wise in my own conceit, a thrifty
fashion-monger, laden like a pedlar, with huge
packages in stout brown holland tied up with
whipcord, and genteel little parcels papered
and pack-threaded in shopman-like style. At
last we were safely stowed in the pony-chaise,
which had much ado to hold us, my little black
bag as usual in my lap. When we ascended the
steep hill out of B— - a sudden puff of wind
took at once my cottage-bonnet and my large
cloak, blew the bonnet off my head so that it
hung behind me, suspended by the riband, and
fairly snapped the string of the cloak, which
flew away much in the style of John Gilpin's
renowned in story. My companion, pitying my
plight, exerted himself manfully to regain the
fly-away garments, shoved the head into the
bonnet, or the bonnet over the head (I do not
know which phrase best describes the manoeuvre) ,
with one hand and recovered the refractory
cloak with the other. It was wonderful what a
tug he was forced to give before that obstinate
cloak could be brought round ; it was swelled
with the wind like a bladder, animated, so to
say, like a living thing, and threatened to carry
279
Mary Russell Mitford
pony and chaise and riders and packages back-
ward down the hill, as if it had been a sail of a
ship. At last the contumacious garment was
mastered. We righted, and by dint of sitting
sideways and turning my back on my kind
comrade, I got home without any further damage
than the loss of my bag, which, though not
missed before the chaise had been unladen, had
undoubtedly gone by the board in the gale, and
I lamented my trusty companion without in the
least foreseeing the use it would probably be of
to my reputation.
" Immediately after dinner I produced my
purchases. They were much admired, and the
quantity when spread out in our little room
being altogether dazzling, and the quality satis-
factory, the cheapness was never doubted.
Nobody calculated, and the bills being really
lost in the lost bag, and the particular prices
just as much lost in memory (the ninepenny
calico was the only article whose cost occurred
to me), I passed, without telling anything like
a fib, merely by a discreet silence, for the best
and thriftiest bargainer that ever went shopping.
After some time spent very pleasantly in ad-
miration on one side and display on the other
we were interrupted by the demand for some
of the little articles which I had forgotten.
" ' The sewing-silk, please, ma'am/
280
A Further Glance at Our Village
" ' Sewing-silk ! I don't know — look about/
" Ah ! she might look long enough ! no sew-
ing-silk was there. ' Very strange/
" Presently came other enquiries. ' Where's
the tape ? ' ' The tape ! '
" ' Yes, my dear ; and the needles, pins,
cotton, stay-laces, boot-laces/
" ' The bobbin, the ferret, shirt buttons, shoe-
strings ? ' quoth she of the sewing-silk, taking
up the cry, and forthwith began a search. . . .
At last she suddenly desisted from her rummage.
" ' Without doubt, ma'am, they are in the
reticule, and all lost/ said she in a very pathetic
tone.
" ' Really/ said I, a little conscious stricken,
' I don't recollect, perhaps I might forget/
" ' But you never could forget so many
things ; besides, you wrote them down/
" ' I don't know. I am not sure/ But I was
not listened to ; Harriet's conjecture had been
metamorphosed into a certainty ; all my sins
of omission were stowed in the reticule, and
before bed-time the little black bag held for-
gotten things enough to fill a sack.
" Never was reticule so lamented by all but
its owner ; a boy was immediately dispatched
to look for it, and on his returning empty-
handed there was even a talk of having it cried.
My care, on the other hand, was all directed to
281
Mary Russell Mitford
prevent its being found. I had had the good
luck to lose it in a suburb of B- — renowned
for filching, and I remembered that the street
was at that moment full of people ... so I
went to bed in the comfortable assurance that
it was gone for ever.
tf But there is nothing certain in this world—
not even a thief's dishonesty. Two old women,
who had pounced at once on my valuable pro-
perty, quarrelled about the plunder, and one
of them in a fit of resentment at being cheated
of her share went to the mayor of B and
informed against her companion. The mayor,
an intelligent and active magistrate, immediately
took the disputed bag and all its contents into
his own possession, and as he is also a man of
great politeness he restored it as soon as possible
to the right owner. The very first thing that
saluted my eyes when I awoke in the morning
was a note from Mr. Mayor with a sealed packet.
The fatal truth was visible. There it lay, that
identical black bag, with its name-tickets, its
cambric handkerchief, its unconsulted list and
its thirteen bills. ... I had recovered my reti-
cule and lost my reputation ! '
CHAPTER XXXI
ECCENTRIC NEIGHBOURS
MARY RUSSELL MITFORD had strong likes and
dislikes. Her American friend Mr. James T.
Fields, who knew her well, remarks :* " She
loathed mere dandies, and there were no
epithets too hot for her contempt in that direc-
tion. Old beaux she heartily despised, and
speaking of one whom she had known, I remem-
ber she quoted with a fine scorn this appro-
priate passage from Dickens : ' Ancient, dan-
dified men, those crippled invalides from the
campaign of vanity, where the only powder was
hair-powder and the only bullets fancy balls/
In one of her stories we come upon such a
character — Mr. Thompson as she calls him — a
gentleman who had just arrived from London,
and whom she met at the house of a friend.
" Mr. Thompson was a gentleman of about—
Pshaw ! nothing is so impolite as to go guessing
how many, years a man may have lived in this
most excellent world, especially when it is per-
1 See Yesterdays with Authors.
283
Mary Russell Mitford
fectly clear from his dress and demeanour that
the register of his birth is the last document
relating to himself which he would care to see
produced.
" Mr. Thompson then was a gentleman of no
particular age, not quite so young as he had
been, but still in very tolerable preservation,
being pretty exactly that which is understood
by the phrase an Old Beau."
And then, after describing the very artificial
appearance of his physiognomy, she goes on to
say : " Altogether it was a head calculated to
convey a very favourable impression of the
different artists employed in getting it up."
A very different personage to the Old Beau
is described by Miss Mitford in a tale entitled
An Admiral on Shore.
Admiral Floyd, for so she calls him, had
recently come with his wife to reside in the
neighbourhood, and it was when paying a call
upon them in their new home — a fine old
mansion standing in beautiful grounds, known
"as the White House at Hannonby — that she
first made bis acquaintance.
" I had been proceeding to call on our new
neighbours," writes Miss Mitford, " when a very
unaccountable noise induced me to pause at the
entrance ; a moment's observation explained
the nature of the sound. The Admiral was
284
Eccentric Neighbours
shooting wasps with a pocket pistol. . . . There
under the shade of tall elms sat the veteran, a
little old withered man, very like a pocket pistol
himself, brown, succinct, grave and fiery. He
wore an old-fashioned naval uniform of blue,
faced with white, which set off his mahogany
countenance, drawn into a thousand deep
wrinkles. ... At his side stood a very tall,
masculine, large-boned, middle-aged woman,
something like a man in petticoats, whose face,
in spite of a quantity of rouge and a small por-
tion of modest assurance, might still be called
handsome, and could never be mistaken for
belonging to other than an Irish woman. . . .
A younger lady was watching them at a little
distance apparently as much amused as myself.
On her advancing to meet me the pistol was
put down and the Admiral joined us. We were
acquainted in a moment, and before the end of
my visit he had shown me all over his house and
told me the whole history of his life and adven-
tures.
" At twelve years old he was sent to sea, and
had remained there ever since till now, when
an unlucky promotion had sent him ashore and
seemed likely to keep him there. I never saw
a man so unaffectedly displeased with his own
title.
" Being, however, on land, his first object was
285
Mary Russell Mitford
to make his residence as much like a man-of-war
as possible, or rather as much like that beau-
ideal of a habitation, his last frigate, the Mer-
maiden, in which he had by different prizes
made above sixty thousand pounds. By that
standard his calculations were regulated. All
the furniture of the White House at Hannonby
was adapted to the proportions of His Majesty's
ship the Mer maiden. The great drawing-room
was fitted up exactly on the model of her cabin,
and the whole of that spacious and commodious
mansion made to resemble as much as possible
that wonderfully inconvenient abode, the inside
of a ship ; everything crammed into the smallest
possible compass, space most unnecessarily
economized and contrivances devised for all
those matters which need no contriving at all.
He victualled the house as for an East India
voyage, served out the provisions in rations,
and swung the whole family in hammocks.
" It will easily be believed that these innova-
tions in a small village in a Midland county,
where nineteen-twentieths of the inhabitants
had never seen a piece of water larger than
Hannonby great pond, occasioned no small
commotion. The poor Admiral had his own
troubles ; at first every living thing about the
place rebelled — there was a general mutiny ;
the very cocks and hens, whom he had crammed
286
Eccentric Neighbours
up in coops in the poultry yard, screamed aloud
for liberty ; and the pigs, ducks and geese,
equally prisoners, squeaked and gabbled for
water ; the cows lowed in their stall ; the sheep
bleated in their pens ; the whole livestock of
Hannonby was in durance.
" The most unmanageable of these com-
plainers were, of course, the servants ; with the
men, after a little while, he got on tolerably,
sternness and grog (the wind and sun of the
fable) conquered them. His staunchest oppo-
nents were of the other sex, the whole tribe of
housemaids and kitchenmaids abhorred him to
a woman, and plagued and thwarted him every
hour of the day. He, on his part, returned their
aversion with interest ; talked of female stu-
pidity., female awkwardness and female dirt,
and threatened to compound an household of
the crew of the Mermaiden that should shame
all the twirlers of mops and brandishers of
brooms in the county.
" Especially he used to vaunt the abilities of
, a certain Bill Jones as the best laundress, semp-
stress, cook and housemaid in the navy ; him
he was determined to procure to keep his re-
fractory household in some order ; accordingly
he wrote to desire his presence, and Bill, unable
to resist the summons of his old commander,
arrived accordingly. . . .
287
Mary Russell Mitford
" The dreaded major-domo turned out to be
a smart young sailor of four or five-and-twenty,
with an arch smile, a bright, merry eye and a
most knowing nod, b,y no means insensible to
female objurgation or indifferent to female
charms. The women of the house, particularly
the pretty ones, soon perceived their power,
and as the Admirable Crichton of His Majesty's
ship the Mermaiden had amongst his other
accomplishments the address completely to
govern his master, all was soon in the smoothest
track possible. . . . Under his wise direction
and discreet patronage a peace was patched up
between the Admiral and his rebellious hand-
maids.
" Soothed, guided and humoured by his
trusty adherent, and influenced perhaps by the
force of example and the effect of the land
breeze which he had never breathed so long
before, our worthy veteran soon began to show
symptoms of a man of this world. He took to
gardening and farming, for which Bill Jones
had also a taste, set free his prisoners in the
basse-cour to the unutterable glorification and
crowing of cock and hen and gabbling of goose
and turkey, and enlarged his own walk from
pacing backwards and forwards in the dining-
room, followed by his old shipmates, a New-
foundland dog and a tame goat, into a stroll
288
Eccentric Neighbours
round his own grounds, to the great delight of
those faithful attendants.
" . . . Amongst the country people he soon
became popular. They liked the testy little
gentleman, who dispensed his beer and grog so
bountifully, and talked to them so freely. He
would have his own way to be sure, but then
he paid for it ; besides, he entered into their
tastes and amusements, promoted May-games,
revels and other country sports, patronized
dancing dogs and monkeys and bespoke plays
in barns. Above all he had an exceeding par-
tiality for vagrants, strollers, gipsies and such
like persons, listened to their tales with a
delightful simplicity of belief, pitied them,
relieved them, fought their battles at the bench
and the vestry, and got into two or three
scrapes with constables and magistrates by the
activity of his protection.
" Only one counterfeit sailor with a sham
wooden leg he found out at a question and, by
aid of Bill Jones, ducked in the horse-pond for
an impostor, till the unlucky wretch, a thorough
landlubber, was nearly drowned, an adventure
which turned out the luckiest of his life, he
having carried his case to an attorney, who
forced the Admiral to pay fifty pounds for the
exploit.
" Our good veteran was equally popular
u 289
Mary Russell Mitford
amongst the gentry of the neighbourhood. His
own hospitality was irresistible, and his frank-
ness and simplicity, mixed with a sort of petu-
lant vivacity, combined to make him a most
welcome relief to the dullness of a country dinner
party. He enjoyed society extremely, and even
had a spare bed erected for company, moved
thereto by an accident which befell the fat
rector of Kinton, who, having unfortunately
consented to sleep at Hannonby one wet night,
had alarmed the whole house, and nearly broken
his own neck by a fall from his hammock. . . .
His reading was none of the most extensive :
Robinson Crusoe, the Naval Chronicle, Southey's
admirable Life of Nelson and Smollett's novels
formed the greater part of his library, and for
other books he cared little.
" For the rest he was a most kind and excel-
lent person, although a little testy and not a
little absolute, and a capital disciplinarian,
although addicted to the reverse sins of making
other people tipsy whilst he kept himself sober,
and of sending forth oaths in volleys whilst he
suffered none other to swear. He had besides
a few prejudices incident to his condition — loved
his country to the point of hating all the rest
of the world, especially the French, and regarded
his own profession with a pride which made
him intolerant of every other. To the army he
290
Eccentric Neighbours
had an intense and growing hatred, much
augmented since victory upon victory had de-
prived him of the comfortable feeling of scorn.
The battle of Waterloo fairly posed him. ' To
be sure to have drubbed the French was a fine
thing — a very fine thing — no denying that !
but why not have fought out the quarrel by
sea ? ' "
CHAPTER XXXII
THE MAY-HOUSES
Miss MITFORD delighted in all the simple
pleasures of country life, and entered into them
with the enthusiasm of youth.
On a certain morning in spring-time she and
her father set out in their pony-chaise to attend
the " Maying " at Bramley.
" Never was a day more congenial to a happy
purpose," she writes. " It was a day made for
country weddings and dances on the green — a
day of dazzling light, of ardent sunshine falling
on hedgerows and meadows fresh with spring
showers. . . . We passed through the well-
known and beautiful scenery of W- -1 Park
and the pretty village of M 2 with a feeling
of new admiration, as if we had never before
felt their charms. ... On we passed gaily and
happily as far as we knew our way, perhaps a
little further, for the place of our destination
was new to both of us, when we had the luck,
good or bad, to meet with a director in the
1 Wokefield Park. 2 Mortimer.
292
The May-Houses
person of the butcher of M— — . He soon gave
us the customary and unintelligible directions
as to lanes and turnings, first to the right, then
to the left, etc. ...
" On we went, twisting and turning through
a labyrinth of lanes . . . till we came suddenly
on a solitary farm-house which had one solitary
inmate, a smiling, middle-aged woman, who
came to us and offered her services with the
most alert civility.
" All her boys and girls were gone to the May-
ing, she said, and she remained to keep house.
" ' The Maying ! We are near Bramley then ?
Is there no carriage road ? Where are we ? '
" ' At Silchester, close to the walls, only half
a mile from the church.'
" ' At Silchester ! ' and in ten minutes we
had said a thankful farewell to our kind infor-
mant, had retraced our steps a little, had turned
up another lane, and found ourselves &t the foot
of that commanding spot which antiquaries call
the amphitheatre, close under the walls of the
Roman city."
Miss Mitford has written the following lines
on this striking scene : —
" Firm as rocks thy ruins stand
And hem around thy fertile land ;
That land where once a city fair
Flourished and pour'd her thousands there :
293
Mary Russell Mitford
Where now the waving cornfields glow
And trace thy wide streets as they grow.
Ah ! chronicle of ages gone,
Thou dwellest in thy pride alone."
" Under the walls," she continues, " I [met]
an old acquaintance, the schoolmaster of Sil-
chester, who happened to be there in his full
glory, playing the part of cicerone to a party
of ladies, and explaining far more than he knows,
or than anyone knows of streets and gates and
sites of temples, which, by the way, the worthy
pedagogue usually calls parish churches. I
never was so glad to see him in my life, never
thought he could have spoken with so much
sense and eloquence as were comprised in the
two words ' straight forward/ by which he
answered our enquiry as to the road to Bramley.
" And forward we went by a way beautiful
beyond description, and left the venerable walls
behind us. ... But I must loiter on the road
no longer. Our various -delays of a broken
bridge — a bog — another wrong turning— and a
meeting with a loaded waggon in a lane too
narrow to pass — all this must remain untold.
" At last we reached a large farm-house at
Bramley ; another mile remained to the Green,
but that was impassable. Nobody thinks of
riding at Bramley. . . . We must walk, but
the appearance of gay crowds of rustics, all
294
The May-Houses
passing along one path, gave assurance that
this time we should not lose our way. . . .
Cross two fields more and up a quiet lane and
we are at the Maying, announced afar off by
the merry sound of music and the merrier
clatter of childish voices. Here we are at the
Green, a little turfy spot where three roads
meet, close, shut in by hedgerows, with a pretty
white cottage and its long slip of a garden at
one angle. ... In the midst grows a superb
horse-chestnut in the full glory of its flowery
pyramids, and from the trunk of this chestnut
the May-houses commence. They are covered
alleys built of green boughs, decorated with
garlands and great bunches of flowers — the
gayest that blow — lilacs, guelder roses, peonies,
tulips, stocks — hanging down like chandeliers
among the dancers ; for of dancers, gay, dark-
eyed young girls in straw bonnets and white
gowns, and their lovers in their Sunday attire,
the May-houses were full. The girls had mostly
the look of extreme youth, and danced well and
quietly like ladies — too much so. ... Outside
was the fun. It is the outside, the upper
gallery of the world that has that good thing.
There were children laughing, eating, trying to
cheat and being cheated round an ancient and
practised vender of oranges and ginger-bread ;
and on the other side of the tree lay a merry
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Mary Russell Mitford
group of old men. . . . That group would have
suited Teniers ; it smoked and drank a little,
but it laughed a great deal more. There were
. * . young mothers strolling about with in-
fants in their arms, and ragged boys peeping
through the boughs at the dancers, and the
bright sun shining gloriously on all this innocent
happiness. Oh, what a pretty sight it was—
worth losing our way for ! '
We hear of another Maying which took place
in a neighbouring hamlet of " Our Village/'
which Miss Mitford calls Whitley Wood, into
which narrative is interwoven an amusing
account of the love affairs of mine host of the
" Rose " —the village inn hard by the Mit fords'
cottage..
" Landlord Sims, the master of the revels,"
writes Miss Mitford, "and our very good neigh-
bour, is a portly, bustling man of five-and-forty
or thereabout, with a hale, jovial visage, a merry
eye, a pleasant smile and a general air of good-
fellowship. . . . There is not a better com-
panion or a more judicious listener in the
county. . . . No one can wonder at Master
Sim's popularity.
" After his good wife's death this popularity
began to extend itself in a remarkable manner
amongst the females of the neighbourhood.
[His] Betsy and Letty were good little girls,
2Q6
The May-Houses
quick, civil and active, yet, poor things, what
could such young girls know of a house like the
' Rose ' ? All would go to rack and ruin without
the eye of a mistress ! Master Sims must look
out for a wife. So thought the whole female
world, and apparently Master Sims began to
think so himself.
OLD SHOEING FORGE
' The first fair one to whom his attention was
directed was a rosy, pretty widow, a pastry-cook
of the next town who arrived in our village on
a visit to her cousin the baker for the purpose
of giving confectionery lessons to his wife.
Nothing was ever so hot as that courtship.
During the week that the lady of pie-crust
207
Mary Russell Mitford
stayed, her lover almost lived in the oven. . . .
It would be a most suitable match, as all the
parish agreed. . . . And when our landlord
carried her back to B in his new-painted
green cart all the village agreed that they were
gone to be married, and the ringers were just
setting up a peal when Master Sims returned
alone, single, crestfallen, dejected ; the bells
stopped of themselves, and we heard no more
of the pretty pastry-cook. For three months
after that rebuff mine host, albeit not addicted
to assertions, testified an equal dislike to women
and tartlets, widows and plum-cake. . . .
" The fit, however, wore off in time, and he
began again to follow the advice of his neigh-
bours and to look out for a wife, up street and
down street. . . . The down-street lady was a
widow also, the portly, comely relict of our
drunken village blacksmith, who began to find
her shop, her journeymen and her eight children
. . . rather more than a lone woman could
manage, and to sigh for a helpmate to ease her
of her cares. . . . Master Sims was the coad-
jutor on whom she had inwardly pitched, and
accordingly she threw out broad hints to that
effect every time she encountered him . . . and
Mr. Sims was far too gallant and too much in
the habit of assenting to listen unmoved . . .
and the whispers and smiles and hand-pressings
298
The May-Houses
were becoming very tender. . . . This was his
down-street flame.
" The rival lady was Miss Lydia Day, the
carpenter's sister, a slim, upright maiden, not
remarkable for beauty and not quite so young
as she had been, who, on inheriting a small
annuity from the mistress with whom she had
spent the best of her days, retired to her native
village to live on her means. A genteel, demure,
quiet personage was Miss Lydia Day, much
addicted to snuff and green tea, and not averse
to a little gentle scandal — for the rest a good
sort of woman and un tres bon parti for Master
Sims, who . . . made love to her whenever she
came into his head. . . . Remiss as he was, he
had no lack of encouragement to complain of —
for she . . . put on her best silk, and her best
simper, and lighted up her faded complexion
into something approaching a blush whenever
he came to visit her. And this was Master Sims'
up-street love.
" So stood affairs at the ' Rose ' when the
day of the Maying arrived, and the double
flirtation . . . proved on this occasion ex-
tremely useful. Each of the ladies contributed
her aid to the festival, Miss Lydia by tying up
sentimental garlands for the May-house . . .
the widow by giving her whole bevy of boys
and girls a holiday and turning them loose in
299
Mary Russell Mitford
the neighbourhood to collect flowers as they
could. Very useful auxiliaries were these eight
foragers ; they scoured the country far and near
—irresistible mendicants, pardonable thieves !
' ... By the time a cricket match [which
opened proceedings] was over the world began
to be gay at Whitley Wood. Carts and gigs and
horses and carriages and people of all sorts
arrived from all quarters. . . . Fiddlers, ballad-
singers, cake, baskets — Punch — Master Frost
crying cherries — a Frenchman with dancing
dogs — a Bavarian woman selling brooms — half
a dozen stalls with fruit and frippery — and
twenty noisy games of quoits and bowls and
ninepins gave to the assemblage the bustle,
clatter and gaiety of a Dutch fair. Plenty of
eating in the booths . . . and landlord Sims
bustling everywhere, assisted by the little light-
footed maidens, his daughters, all smiles and
curtsies, and by a pretty black-eyed young
woman — name unknown — with whom, even in
the midst of his hurry, he found time, as it
seemed to me, for a little philandering. What
would the widow and Miss Lydia have said ?
But they remained in happy ignorance — the
one drinking tea in most decorous primness in
a distant marquee, the other in full chase after
the most unlucky of all her urchins.
" Meanwhile the band struck up in the May-
300
The May-Houses
house, and the dance, after a little dinner, was
fairly set afloat — an honest English country
dance — with ladies and gentlemen at the top
and country lads and lassies at the bottom ; a
happy mixture of cordial kindness on the one
hand and pleased respect on the other. It was
droll though to see the beplumed and beflowered
French hats, the silks and the furbelows sailing
and rustling amidst the straw bonnets and
cotton gowns of the humbler dancers.
" Well ! the dance finished, the sun went
down, and we departed. The Maying is over,
the booths carried away and the May-house
demolished. Everything has fallen into its old
position except the love affairs of landlord Sims.
The pretty lass with the black eyes, who first
made her appearance at Whitley Wood, is
actually staying at the Rose Inn on a visit to
his daughters, and the village talk goes that
she is to be the mistress of that thriving hostelry
and the wife of its master. . . . Nobody knows
exactly who the black-eyed damsel may be — but
she's young and pretty and civil and modest,
and without intending to depreciate the merits
of either of her competitors, I cannot help
thinking that our good neighbour has shown
his taste."
CHAPTER XXXIII
WALKS IN THE COUNTRY
THE above title is given to many a delightful
ramble to which Mary Russell Mitford takes
her readers.
Writing one day in the month of June, she
exclaims: " What a glowing, glorious day!
Summer in its richest prime, noon in its most
sparkling brightness, little white clouds dappling
the deep blue sky, and the sun, now partially
veiled and now bursting through them with an
intensity of light. . . . We are going to drive
to the old house at Aberleigh, to spend a morn-
ing under the shade of those balmy firs and
amongst those luxuriant rose trees and by the
side of that brimming Loddon river.
" ' Do not expect us before six o'clock/ said
I as I left the house.
" ' Six at soonest/ added my charming com-
panion, and off we drove in our little pony-
chaise drawn by an old mare, and with the good-
humoured urchin, Henry's successor, who takes
care of horse and chaise, and cow and garden
for our charioteer.
302
Walks in the Country
" My comrade . . . Emily is a person whom
it is a privilege to know. She is quite like a
creation of the older poets, and might pass for
one of Shakespeare's or Fletcher's women
BRIDGE ON THE LODDON
stepped into life ; just as tender, as playful, as
gentle and as kind. . . .
" But here we are at the bridge ! Here we
must alight ! ' This is the Loddon, Emily. Is
303
Mary Russell Mitford
it not a beautiful river ? rising level with its
banks, so clear and smooth and peaceful . . .
bearing on its pellucid stream the snowy water-
lily, the purest of flowers, which sits enthroned
on its own cool leaves looking chastity itself,
like the lady in Comus. . . . We must dis-
mount here and leave Richard to take care of
our equipage under the shade of these trees
whilst we walk up to the house. See, there it
is ! We must cross this stile, there is no other
way now.
" And crossing the stile we were immediately
... in full view of the Great House, a beautiful
structure of James the First time, whose glass-
less windows and dilapidated doors form a
melancholy contrast with the strength and en-
tireness of the rich and massive front. The
story of that ruin — for such it is — is always to
me singularly affecting. It is that of the decay
of an ancient and distinguished family gradually
reduced from the highest wealth and station to
actual poverty. . . . But here we are in the
smooth, grassy ride on the top of a steep turfy
slope descending to the river, crowned with
enormous firs and limes of equal growth, looking
across the winding waters into a sweet, peaceful
landscape of quiet meadows, shut in by distant
woods. What a fragrance is in the air from
the balmy fir trees and the blossomed limes !
304
Walks in the Country
What an intensity of odour ! And what a mur-
mur of bees in the lime trees ! And what a
pleasant sound it is ! the pleasantest of busy
sounds, that which comes associated with all
that is good and beautiful — industry and fore-
cast, and sunshine and flowers.
" Emily exclaimed in admiration as we stood
under the deep, strong, leafy shadow and still
more . . . when roses, really trees, almost in-
tercepted our passage.
" ' On, Emily ! farther yet ! Force your way
by that jessamine — it will yield ; I will take
care of this stubborn white rose bough/ . . .
After we won our way through that strait, at
some expense of veils and flounces, she stopped
to contemplate and admire the tall, graceful
shrub whose long, thorny stems, spreading in
every direction, had opposed our progress, and
now waved those delicate clusters over our
heads. . . . ' What an exquisite fragrance ! '
she exclaimed, * and what a beautiful ^flower !
so pale and white and tender, and the petals
thin and smooth as silk ! What rose is it ? '
" ' Don't you know ? Did you never see it
before? It is rare now, I believe, and seems
rarer than it is because it only blossoms in very
hot summers ; but this, Emily, is the musk-rose
— that very musk-rose of which Titania talks,
and which is worthy of Shakespeare and of her/ '
x 305
Mary Russell Mitford
Having reached some steps that led to a
square summer-house, formerly a banqueting-
hall with a boat-house beneath it, they were
soon close to the old mansion. " But it looked
sad and desolate/' remarks Miss Mitford, " and
the entrance, choked with brambles and nettles,
seemed almost to repel our steps."
Later on a halt was made on the further side
of the river for " Emily " to take a sketch, and
this entailed " a delicious walk, when the sun,
having gone in, a reviving coolness seemed to
breathe over the water," and, lastly, a drive
home amid the lengthening shadows. So ended
their pleasant jaunt.
The old house known now as Arborfield
House was rebuilt some years after Miss Mit-
ford knew it. The style is, of course, quite
modern, but the beautiful grounds, with their
magnificent trees and the river winding through
them, remain unchanged, together with the
luxuriant flower gardens, but which are now
carefully tended. We have wandered through
those grounds and have seen the poplars and
acacias and firs gracefully blending their foliage
together as she has described them.
Miss Mitford had a decided liking for gipsies,
and they often figure in her village stories.
" There is nothing under the sun/' she writes,
" that harmonizes so well with nature, especi-
306
IN ABERLEIGH PARK
Walks in the Country
ally in her woodland recesses, as that picturesque
people who are, so to say, the wild genus—
the pheasants and roebucks of the human
race/1
In one of these tales, after describing a spot of
singularly wild beauty some miles distant from
her home, where a dark deep pool lay beneath
the shade of great trees, she says : —
" In this lovely place I first saw our gipsies.
They had pitched their little tent under one of
the oak trees. . , . The party consisted only of
four — an old crone in a tattered red cloak and
black bonnet who was stooping over a kettle
of which the contents were probably as savoury
as that of Meg Merrilees, renowned in story ; a
pretty black-eyed girl at work under the trees ;
a sunburnt urchin of eight or nine, collecting
sticks and dead leaves to feed their out-of-door
fire ; and a slender lad two or three years older,
who lay basking in the sun, with a couple of
shabby dogs of the sort called mongrel in all
the joy of idleness, whilst a grave, patient
donkey stood grazing hard by. It was a pretty
picture, with its soft autumnal sky, its rich
woodiness, its sunshine, its verdure, the light
smoke curling from the fire, and the group
disposed around so harmless poor outcasts !
and so happy — a beautiful picture ! I stood
gazing at it till I was half ashamed to look
309
Mary Russell Mitford
longer, and came away half afraid that they
should depart before I could see them again.
" This fear I soon found to be groundless.
The old gipsy was a celebrated fortune-teller.
. . . The whole village rang with the predic-
tions of this modern Cassandra. ... I myself
could not help admiring the real cleverness, the
genuine gipsy tact with which she adapted her
foretellings to the age, the habits and the known
desires and circumstances of her clients.
" To our little pet Lizzie, for instance, a
damsel of seven, she predicted a fairing ; to Ben
Kirby, a youth of thirteen, head batter of the
boys, a new cricket ball ; to Ben's sister Lucy,
a girl some three years his senior, a pink top-
knot ; whilst for Miss Sophia Matthews, an
old-maidish schoolmistress . . . she foresaw
one handsome husband ; and for the smart
widow Simmons two, etc. etc.
" No wonder that all the world — that is to
say all our world — were crazy to have their
fortunes told — to enjoy the pleasure of hearing
from such undoubted authority that what they
wished to be should be. Amongst the most
eager to take a peep into futurity was our
pretty maid Harriet ; although her desire took
the not unusual form of disclamation, ' nothing
should induce her to have her fortune told,
nothing upon earth ! ' ' She never thought of
310
Walks in the Country
the gipsy, not she ! ' and to prove the fact she said
so at least twenty times a day. Now Harriet's
fortune seemed told already ; her destiny was
fixed. She, the belle of the village, was engaged,
as everybody knows, to our village beau Joel
Brent ; they were only waiting for a little
more money to marry. . . . But Harriet, besides
being a beauty, was a coquette, and her affec-
tions for her betrothed did not interfere with
certain flirtations which came like Isabella
' by the by/ and occasionally cast a shadow of
coolness between the lovers. There had prob-
ably been a little fracas in the present instance,
for she [remarked] ' that none but fools believed
in gipsies ; that Joel had had his fortune told
and wanted to treat her to a prophecy, but she
was not such a simpleton.'
" About half an hour after the delivery of
this speech I happened, when tying up a
chrysanthemum, to go to our wood yard for a
stick of proper dimensions and there, enclosed
between the faggot pile and the coal shed, stood
the gipsy in the very act of palmistry, conning
the lines of fate in Harriet's hand. . . . She was
listening too intently to see me, but the fortune-
teller did, and stopped so suddenly that her
attention was awakened and the intruder dis-
covered.
' Harriet at first meditated a denial. She
Mary Russell Mitford
called up a pretty unconcerned look, answered
my silence (for I never spoke a word) by mutter-
ing something about ' coals for the parlour/
and catching up my new-painted green water-
ing-pot instead of the coal-scuttle began filling
it with all her might . . . [while making] divers
signs to the gipsy to decamp. The old sybil,
however, budged not a foot, influenced probably
by two reasons, one the hope of securing a
customer in the new-comer, whose appearance
is generally, I am afraid, the very reverse of
dignified, rather merry than wise, the other a
genuine fear of passing through the yard gate
on the outside of which a much more imposing
person, my greyhound Mayflower, who has a
sort of beadle instinct anent drunkards and
pilferers and disorderly persons of all sorts,
stood barking most furiously.
" . . . But the fair consulter of destiny, who
had by this time recovered from the shame of
her detection, extricated us from our dilemma
by smuggling the old woman away through the
house.
" Of course, Harriet was exposed to some
raillery and a good deal of questioning about
her future fate, as to which she preserved an
obstinate but evidently satisfied silence. At
the end of three days, however, [the prescribed
period] when all the family except herself had
312
Walks in the Country
forgotten the story, our pretty soubrette, half
bursting with the long retention, took the
opportunity of lacing on my new half-boots to
reveal the prophecy. ' She was to see within
the week, and this was Saturday, the young
man, the real young man, whom she was to
marry.'
" ' Why, Harriet, you know, poor Joel/
" ' Joel indeed ! the gipsy said that the young
man, the real young man, was to ride up to the
house dressed in a dark great-coat (and Joe)
never wore a great-coat in his life — all the
world knew that he wore smock-frocks and
jackets) and mounted on a white horse — and
where should Joel get a white horse ? '
" ' Had this real young man made his appear-
ance yet ? '
" ' No ; there had not been a white horse
past the place since Tuesday ; so it must cer-
tainly be to-day/
" A good look-out did Harriet keep for white
horses during this fateful Saturday, and plenty
did she see. It was the market day at B ,
and team after team came by with one, two and
three white horses ; cart after cart and gig
after gig, each with a white steed ; Colonel
M 's carriage, with its prancing pair — but
still no horseman. At length one appeared, but
he had a great-coat whiter than the animal he
313
Mary Russell Mitford
rode ; another, but he was old farmer Lewing-
ton, a married man ; a third, but he was little
Lord L— — , a schoolboy on his Arabian pony.
Besides, they all passed the house. . . .
:t At last, just at dusk, just as Harriet, making
believe to close our casement shutters, was
taking her last peep up the road something
white appeared in the distance coming leisurely
down the hill. Was it really a horse ? Was it
not rather Titus Strong's cow driving home to
milking ? A minute or two dissipated that
fear ; it certainly was a horse, and as certainly
it had a dark rider. Very slowly he descended
the hill, pausing most provokingly at the end
of the village, as if about to turn up the Vicarage
lane. He came on, however, and after another
short stop at the ' Rose/ rode full up to our
little gate, and catching Harriet's hand as she
was opening the wicket, displayed to the half-
pleased, half-angry damsel the smiling, trium-
phant face of her own Joel Brent, equipped in
a new great-coat and mounted on his master's
newly purchased market nag. Oh, Joel ! Joel !
The gipsy ! the gipsy ! "
CHAPTER XXXIV
A CENTRE OF INTEREST
As Mary Russell Mitford's fame as a writer
began to spread wider and wider her cottage
became a centre of interest and attraction to
all those who had learnt to love her works.
Her chief biographer1 — a contemporary — writes :
" In the summer time when she gave straw-
berry parties, the road leading to the cottage
was crowded with the carriages of all the rank
.and fashion in the county. By example as
well as precept she ' brightened the path along
which she dwelt/ Her kindly nature did not
exhaust itself in a girlish enthusiasm for pets and
flowers, but went forth to meet her fellow-men
and women whose virtues seemed to expand
and whose faults to vanish at her approach."
Her conversation had a peculiar charm, con-
sidered by some "to be even better than her
books," delivered, as it was, by a " voice beau-
tiful as a chime of bells."
It was in the year 1847 that Miss Mitford
1 Rev. A. G. L'Estrange.
315
Mary Russell Mitford
first made the acquaintance of Mr. James T.
Fields — a distinguished American — both author
and publisher — whose " bright, genial, vivacious
letters JJ and " spirited lectures on ' Charles
Lamb/ ' Longfellow/ and others " are highly
spoken of by contemporaries.
Mr. Fields writes in his interesting book
entitled Yesterday with Authors :—
" It was a fortunate hour for me when kind-
hearted John Kenyon said, as I was leaving
his hospitable door in London one summer
midnight : ' you must know my friend Miss
Mitford. She lives directly in the line of your
route to Oxford, and you must call with my
card and make her acquaintance/ The day
selected for my call at her cottage door happened
to be a perfect one in which to begin an ac-
quaintance with the lady of ' Our Village/ She
was then living at Three Mile Cross ... on
the high road between Basingstoke and Reading
[where] the village street contained the public-
house and several small shops near-by. There
was also close at hand the village pond full of
ducks and geese, and I noticed several young
rogues on their way to school were occupied in
worrying their feathered friends. The windows
of the cottage were filled with flowers, and
cowslips and violets were plentifully scattered
about the little garden. I remember the room
316
A Centre of Interest
into which I was shown was sanded, and a quaint
old clock behind the door was marking off the
hour in small but loud pieces. The cheerful
lady called to me from the head of the stairs to
come up into her sitting-room. I sat down by
the open window to converse with her, and it
was pleasant to see how the village children, as
they went by, stopped to bow and curtsy.
One curly-headed urchin made bold to take off
his well-worn cap, and waited to be recognized
as ' little Johnny/ ' No great scholar/ said
the kind-hearted lady to me, ' but a sad rogue
among our flock of geese. Only yesterday the
young marauder was detected by my maid
with a plump gosling stuffed half-way into his
pocket ! ' While she was thus discoursing of >
Johnny's peccadilloes, the little fellow looked up
with a knowing expression, and very soon
caught in his cap a gingerbread dog which she
threw to him from the window. ' I wish he
loved his book as well as he relishes sweet cakes/
she sighed, as the boy kicked up his heels and
disappeared down the lane. . . .
"From that day our friendship continued,
and during other visits to England I saw her
frequently, driving about the country with her
in her pony-chaise and spending many happy
hours in the new cottage which she afterwards
occupied at Swallowfield.
317
Mary Russell Mitford
" . . . She was always cheerful and her talk
is delightful to remember. From girlhood she
had known and been intimate with most of the
prominent writers of her time, and her observa-
tions and reminiscences were so shrewd and
pertinent that I have scarcely known her equal.
" When she talked of Munden and Bannister
and Fawcett and Emery, those delightful old
actors for whom she had such an exquisite
relish, she said they had made comedy to her
a living art full of laughter and tears. How
often have I heard her describe John Kemble,
Mrs. Siddons, Miss O'Neil and Edmund Kean, as
they were wont to electrify the town in her
girlhood ! With what gusto she reproduced
Elliston, who was one of her prime favourites,
and tried to make me, through her representa-
tion of him, feel what a spirit there was in the
man. . . .
" I well remember, one autumn evening, when
half a dozen friends were sitting in her library
after dinner, talking with her of Tom Taylor's
life of Haydon, then lately published, how
graphically she described to us the eccentric
painter whose genius she was among the fore-
most to recognize. The flavour of her discourse
I cannot reproduce ; but I was too much
interested in what she was saying to forget
the main incidents she drew for our edification
318
A Centre of Interest
during those pleasant hours now far away in
the past."
William Howett had paid a visit to the
cottage at Three Mile Cross in the late summer
of 1835, which he described in an article that
appeared in the Athenceum. As he drove from
Reading he says : —
" The sound of the sheep bells came pleasantly
from the pastures where the eye ranged over
wide level fields cleared of their corn and all the
wayside was hung with such heavy and jetty
clusters of blackberries as scarcely ever were
seen in another place. . . . And now I came to
the sweetest lanes branching off right and left
under trees that met across them and lo!
' Three Mile Cross ! ' ' But which is Miss
Mitford's cottage ? ' That was the question
I asked of two women that stood in the street.
' Oh, sir, you've passed it. It is where that green
bush hangs over the wall/ I knocked and who
came but Ben Kirby and no other, and who
quickly presented herself but Mary Russell
Mitford ! The very person that every reader
must suppose her to be, the sunny-spirited,
cordial-hearted, frank, kind, unaffected, genuine,
English lady.
" We had known each other before, though we
had never seen each other, and we shook hands
as old true friends should do ; and in the next
319
Mary Russell Mitford
moment passed through that ' nut-shell of a
house ' (her own true expression) into a perfect
paradise of flowers, and flowering fragrance.
We passed along the garden into the conserva-
tory, and found her father Dr. Mitford, the
worthy magistrate, and two accomplished ladies
her friends.
" Now, if anyone should ask me to describe
more particularly this place what can I say
but that it is most graphically described by
the writer herself ? Has she not told you that
her garden is her great delight ? Has she not
told you that in summer she and her honoured
father live principally in the conservatory
(a ' rural arcade ' as she calls it) and is it
not so ? And is it not a sweet summer abode
with that glowing, odorous bee-haunted garden
all lying before it ?
1 ' As we drove [later] along those umbrageous
lanes, and crossed the sweet pastoral Loddon,
she stayed her pony phaeton [at times] to ad-
mire some goodly house, or picturesque par-
sonage, [and I noticed that] every rustic face
we met brightened into smiles, and for every
one she had a counter smile, or a kind passing
word. Everything you see of her only shows
how truly she has spread the vitality of her
heart over her pages, and everything you see
of the country with what accuracy she sketches."
320
A Centre of Interest
"Mary was much pleased and touched by
this graceful and warm-hearted account by
Mr. Howett of his visit to Three Mile Cross,
and she wrote to him on the subject.
In his answer, written at Nottingham, after
expressing his great satisfaction at her pleasure,
he goes on to say : " I shall send you a paper
to-morrow containing the account of the great
cricket match played here between Sussex and
Nottingham. . . . We wished you had been
there — a more animated sight of the kind you
never saw. . . .
" I could not help seeing what a wide differ-
ence twenty years has produced in the character
of the English population. What a contrast
in this play to bull-baiting and cock-fighting !
So orderly, so manly, so generous in its char-
acter. ... A sport that has no drawback of
cruelty or vulgarity in it, but has every recom-
mendation of skill, taste, health and generous
rivalry. You, dear Miss Mitford/' he continues,
" have done a great deal to promote this better
spirit, and you could not have done more had
you been haranguing Parliament, and bringing
in bills for the purpose."
There are many letters extant from Mary
Howett to Miss Mitford, and we should like to
give the following written in February, 1836 :
" This new edition of Our Village I have been
Y 321
Mary Russell Mitford
coveting ever since I saw the advertisement
of it, and I will tell you why. It is one of those
cheerful, spirited works, full of fair pictures
of humanity which, especially when there are
children who love reading, and being read to,
becomes a household book, turned to again
and again, and remembered and talked of
with affection. So it is by our fireside, it is a
work our little daughter has read and loves to
read, and which our little son Alfred, a most in-
domitable young gentleman, likes especially. . . .
He is as yet a bad reader and therefore he is
read to ; and his cry is ' Read me the Copse ! '
or ' Read me the Nutting/ or a ' Ramble into
the Country I '
" Such, dear Miss Mitford, being the case
when I saw the new edition advertised, I began
to cast in my mind whether or not we could
buy it, for perhaps you know that literary
people, though makers of books, are not ex-
clusive buyers thereof, you may think then what
was my delight — and the delight of us all —
when a parcel came in, the string was cut, and
behold it contained no other than those long-
coveted and favourite volumes ! Thank you,
therefore, dearest Miss Mitford ; you have con-
ferred a benefit upon our fireside which will
make you even more beloved than formerly,
for now we shall always have you at hand."
322
A Centre of Interest
Miss Mitford held communion either person-
ally or by correspondence with several warm-
hearted Americans, besides her friend Mr.
James T. Fields.
George Ticknor, the celebrated author of
The History of Spanish Literature, and a partner
in Mr. Fields' publishing firm, when on a visit
to England in 1835, made a pilgrimage with
his family to Three Mile Cross. He writes in
his diary of this visit :—
" We found Miss Mitford living literally in
a cottage neither ornee nor poetical, except
inasmuch as it had a small garden, crowded
with the richest and most beautiful profusion of
flowers. She has the simplest and kindest
manners, and entertained us for two hours
with the most animated conversation, and a
great variety of anecdote, without any of the
pretensions of an author by profession, and
without any of the stiffness that generally
belongs to single ladies of her age and reputa-
tion."
Writing to her afterwards he says : " We
shall none of us ever forget the truly delightful
evening we spent in your cottage at ' Our
Village/ "
Daniel Webster, the orator and patriot so
greatly valued in the United States, also made
his appearance in Three Mile Cross, together
323
Mary Russell Mitford
with some members of his family, in their
transit from Oxford to Windsor.
" My local position between these two points
of attraction/' writes Mary, " has often pro-
cured for me the gratification of seeing my
American friends when making that journey ;
but during this visit a little circumstance
occurred so characteristic, so graceful, and so
gracious that I cannot resist the temptation
of relating it.
" Walking in my cottage garden we talked
naturally of the roses and pinks that sur-
rounded us, and of the different indigenous
flowers of our island and of the United States.
. . . We spoke of the primrose and the cowslip
immortalized by. Shakespeare and by Milton ;
and the sweet-scented violets, both white and
purple of our hedgerows and our lanes ; that
known as the violet [yellow] being, I suspect,
the little wild pansy (viola tricolor) renowned
as the love-in-idleness of Shakespeare's famous
compliment to Queen Elizabeth. ... I "ex-
pressed an interest in two flowers known to me
only by the vivid descriptions of Miss Mar-
tineau ; the scarlet lily of New York and of
the Canadian woods, and the original gentian
of Niagara. I observed that our illustrious
guest made some remark to one of the ladies
of his party ; but I little expected that so soon
324
A Centre of Interest
after his return as seeds of these plants could be
procured, I should receive a packet of each,
signed and directed by his own hand. How
much pleasure these little kindnesses give !
And how many such have come to me from
over the same wide ocean ! '
On New Year's Day, 1830, Mrs. Mitford died
after a short illness. An affecting account of
her last hours was written by her daughter, in
which she says : " No human being was ever
so devoted to her duties — so just, so pious, so
charitable, so true, so feminine, so generous. . . .
Never thinking of herself, the most devoted
wife and the most faithful friend. She died in
a good old age, universally beloved and re-
spected/'
Mrs. Mitford was buried in Shinfield Church —
the parish church of Three Mile Cross and the
other surrounding villages where the Mitfords
used to worship. We have visited the place,
which does not seem to have changed much
since Miss Mitford described it in one of her
village stories.
She speaks of " the tower of the old village
church fancifully ornamented with brick-work,
and of the churchyard planted with broad
flowering limes and funereal yew-trees, also
of a short avenue of magnificent oaks leading
up to the church.
3*5
Mary Russell Mitford
' It stands," she says, " amidst a labyrinth
of green lanes running through a hilly and
richly wooded country whose valleys are
threaded by the silver Loddon."
In the month of June of this same year Mary
received an interesting letter from the American
authoress, Miss Sedgwick, whose works, especi-
ally those for children, were much read in this
country some years ago.
" You cannot," she remarks, " be ignorant
that your books are re-printed and widely
circulated on this side of the Atlantic, but . . .
it is probably difficult for you to realize that
your name has penetrated beyond our maritime
cities, and is familiar and honoured and loved
through many a village circle, and to the borders
of the lonely depths of unpierced woods — that
we venerate 'Mrs. Mosse' and are lovers of
' Sweet Cousin Mary ' . . . and, in short, that
your pictures have wrought on our affections
like realities.
" ... My niece, a child of nine years old,
who is sitting by me, not satisfied with re-
questing that her love may be sent to Miss
Mitford, has boldly aspired to the honour of
addressing a postscript to her, and I ... not
forgetting who has allowed us a precedent for
spoiling children, have consented to her wishes.
Forgive us both, dear Miss Mitford."
326
A Centre of Interest
In her little letter the child asks after the
various characters in, the stories that have
taken her fancy, not forgetting the pretty
greyhound Mayflower.
Miss Mitford responds in the following way :—
" My dear young friend,
" I am very much obliged to you for your
kind enquiries respecting the people in my
book. It is much to be asked about by a little
lady on the other side of the Atlantic, and we
are very proud of it accordingly. ' May ' was
a real greyhound, and everything told of her
was literally true ; but alas ! she is no more. . . .
' Harriet ' and ' Joel ' are not married yet ;
you shall have the very latest intelligence of her.
I am expecting two or three friends to dinner
and she is making an apple-tart and custards —
which I wish with all my heart that you and
your dear aunt were coming to partake of. The
rest of the people are all doing well in their
several ways, and I am always, my dear little
girl,
" Most sincerely yours,
" M. R. MITFORD."
CHAPTER XXXV
A LONDON WELCOME
IN the spring of 1836 Miss Mitford paid a short
visit to London. She stayed in the house of
her fathers old friend Sergeant Talfourd, No. 56
Russell Square. Her stories were so well known
by this time, and so universally admired, that
she received quite an ovation from the literary
world. Dinners and receptions were given in
her honour, and she had the pleasure of meeting
many a writer whose works she valued highly
but whose personality was hitherto unknown
to her.
Amongst these was the poet Wordsworth.
Writing to her father on May 26th she says :—
" Mr. Wordsworth, Mr. Landor and Mr.
White dined here. I like Mr. Wordsworth of
all things ; he is a most venerable-looking old
man, delightfully mild and placid, and most
kind to me " ; and again she writes : " You
cannot imagine how very very kindly Mr.
Wordsworth speaks of my poor works. You
who know what I think of him can imagine
328
A London Welcome
how much I am gratified by his praise." Speak-
ing of the other guests, she says :—
''Mr. Landor is a very striking-looking person,
and exceedingly clever. Also we had a Mr.
Browning, a young poet (author of Paracelsus),
and Mr. Proctor and Mr. Chorley, and quanti-
ties more of poets, etc. . . . Mr. Willis has
sailed for America. Mr. Moore and Miss Edge-
worth are not in town. . . .
" There was a curious affair to-night. All
the Sergeants went to the play in a body [to
see Sergeant Talfourd's Ion}. Lord Grey and
his family were in a private box just opposite
to us, and the house was filled with people of
that class, and the pit crammed with gentlemen.
Very very gratifying was it not ? '
Writing to her father on May 3ist Miss Mit-
ford says : —
" At seven William [Harness] came to take
me to Lord Dacre's. It is a small house, with a
round table that only holds eight. The com-
pany was William, Mrs. Joanna [Baillie], Mrs.
Sullivan (Lady Dacre's daughter, the authoress),
Lord and Lady Dacre, a famous talker called
Bobus Smith (otherwise the great Bobus) and
my old friend Mr. Young the actor, who was
delighted to see me, and very attentive and kind
indeed. But how kind they were ail ! ...
' In the evening we had about fifty people,
329
Mary Russell Mitford
amongst others, Edwin Landseer, who invited
himself to come and paint Dash. He is a charm-
ing person ; recollected me instantly, and talked
to me for two whole hours. . . . You may
imagine that I was very gracious to the best
dog painter that ever lived, who asked my
leave to paint Dash. . . . Edwin Landseer says
that it is the most beautiful and rarest race of
dogs in existence — the dogs who have most in-
tellect and most countenance. Stanfield had
talked to him of his intention to paint my
country, and then Edwin Landseer resolved to
paint my dog. . . .
" Edwin Landseer has a fine Newfoundland
dog whom he has often painted, and who is
content to maintain his posture as long as his
master keeps his palette in his hand, however
long that may be ; but the moment the palette
is laid down off darts Neptune and will sit no
more that day. . . .
" It is very odd that Mr. Knight should want
to paint me. Mr. Lucas will make the most
charming picture of all — of you.
" I told you, my dearest father, that Mr.
Kenyon was to take me to the giraffes and the
Diorama, with both of which I was delighted.
A sweet young woman whom we called for in
Gloucester Place went with us — a Miss Barrett
— who reads Greek as I do French, and has
330
DR. MITFORD
A London Welcome
published some translations from ^Eschylus and
some most striking poems. She is a delightful
young creature, shy and timid and modest.
Nothing but her desire to see me got her out
at all, but now she is coming to us to-morrow
night also."
Again she writes of her on further acquaint-
ance : " Miss Barrett has translated the most
difficult of the Greek plays (the Prometheus
Bound}. If she be spared to the world you will
see her passing all women and most men as a
narrative and dramatic poet. Our sweet Miss
Barrett ! — to think of virtue and genius is to
think of her. . . . She is so sweet and gentle
and so pretty that one looks at her as if she
were some bright flower."
The two corresponded afterwards, and their
letters are full of interest. We should like to
quote a passage from one of Miss Barrett's upon
the Greek drama. " The (Edipus is wonderful,"
she writes, " the sublime truth which pierces
through to your soul like lightning seems to
me to be the humiliating effect of guilt, even
when unconsciously incurred. The abasement,
the self-abasement, of the proud, high-minded
King before the mean mediocre Creon, not
because he is wretched, not because he is blind,
but because he is criminal, appears to me a
wonderful andjnost^affecting conception. And
331
Mary Russell Mitford
there is Euripides with his abandon to the
pathetic, and ^Eschylus who sheds tears like a
strong man and moves you to more because
you know that his struggle is to restrain them."
Miss Mitford writes to her friend in October
of this year (1836) :—
" I have just read your delightful ballad.1
My earliest book was Percy's Reliques, the de-
light of my childhood, and after them came
Scott's Minstrelsy of the Borders, the favourite
of my youth, so that I am prepared to love
ballads, although perhaps a little biassed in
favour of great directness and simplicity by the
earnest plainness of my old pet. Do read
Tennyson's Ladye of Shalott. You will be
charmed with its spirit and picturesqueness.
" Are you a great reader of the old English
drama ? I am — preferring it to every other
sort of reading ; of course, admitting and re-
gretting the grossness of the age, but that from
habit one skips without a thought, just as I
should over so much Greek or Hebrew which I
knew that I could not comprehend. Have you
read Victor Hugo's plays ? . . . and his Notre
Dame ? I admit the bad taste of these, the
excess, but the power and the pathos are to me
indescribably great. And then he has broken
through the conventional phrases and made the
1 " The Romaunt of the Page."
332
A London Welcome
French a new language. He has accomplished
this partly by going back to the old fountains,
Froissart, etc. Again these old chronicles are
great books of mine/'
Mary Russell Mitford's letters written to in-
timate friends were at all times a true reflection
of her mind and nature, and it is interesting to
learn from a passage in her Recollections of a
Literary Life what her opinion was of the value
of letters, " provided they are truthful and
spontaneous/' " Such is the reality and identity
belonging to letters written at the moment,"
she writes, " and intended only for the eye of a
favourite friend, that it is probable that any
genuine series of epistles, were the writer ever
so little distinguished, would possess the in-
valuable quality of individuality, a quality
which so often causes us to linger before an old
portrait of which we know no more than it is
a Burgomaster by Rembrandt or a Venetian
Senator by Titian. The least skilful pen when
flowing from the fullness of the heart, and un-
troubled by any misgivings of after publication,
shall often paint with as faithful and life-like a
touch as either of these great masters."
Writing to Miss Barrett of her country
rambles in the autumn of 1836 she says : " I
was this afternoon for an hour on Heckfield
Heath, a common dotted with cottages and a
333
Mary Russell Mitford
large piece of water backed by woody hills ; the
nearer portion of the ground a forest of oak
and birch and hawthorn and holly and fern,
intersected by grassy glades. . . . On an open
space just large enough for the purpose a
cricket match was going on, — the older people
sitting on benches, the younger ones lying about
under the trees ; and a party of boys just seen
glancing backward and forward in a sunny glade,
where they were engaged in an equally merry
and far more noisy game. Well, there we stood,
Ben and I and Dash, watching and enjoying
the enjoyments we witnessed. And I thought
if I had no pecuniary anxiety, if my dear father
were stronger and our dear friend well1 I should
be the happiest creature in the world, so strong
was the influence of that happy scene/'
The pecuniary anxiety here referred to had
been growing greater and greater. The literary
earnings of the devoted daughter seem to have
melted away in the father's speculations. At
last she was urged by her valued friend William
Harness to apply to Government for a pension —
an application which was strongly supported by
influential friends. Her petition, dated May,
1837, t° Lord Melbourne concludes with these
words : "I am emboldened to take this step
1 Miss Barrett's health was causing much anxiety to her
friends.
334
A London Welcome
by the sight of my father's white hairs and the
certainty that such another winter as the last
would take from me all power of literary exer-
tion and send those white hairs with sorrow to
the grave."
On the 3ist May Miss Mitford writes to her
friend Miss Jephson :—
" I cannot suffer one four-and-twenty hours
to pass, my own dearest Emily, without telling
you what I am sure will give you so much
pleasure, that I had to-day an announcement
from Lord Melbourne of a pension of £100 a
year. The sum is small, but that cannot be
considered derogatory, which was the amount
given by ,Sir Robert Peel to Mrs. Hemans and
Mrs. Somerville, and it is a great comfort to
have something to look forward to as a cer-
tainty, however small, in sickness or old age.
. . . But the real gratification of this trans-
action has been the kindness, the warmth of
heart, the cordiality and the delicacy of every
human being connected with the circumstances.
It originated with dear William Harness and
that most kind and zealous friend, Lady Dacre ;
and the manner in which it was taken up by
the Duke of Devonshire, Lord and Lady
Holland, Lord and Lady Radnor, Lord Palmer-
ston and many others, some of whom I had
never even seen, has been such as to make
335
Mary Russell Mitford
this one of the most pleasurable events of my
life. . . .
" Is not this very honourable to the kind
feelings of our aristocracy ? I always knew
that I had as a writer a strong hold in that
quarter ; that they turned with disgust from
the trash called fashionable novels to the
common life of Miss Austen, the Irish tales of
Miss Edgeworth, and my humble village stories ;
but I did not suspect the strong personal in-
terest which these stories had excited, and I am
intensely grateful for it."
Miss Mitford was further cheered in her out-
look upon life by an offer to edit an important
publication called Finden's Tableaux, a large
quarto work illustrated by fine steel engravings
from the works of the leading artists of the day,
and handsomely bound in leather elaborately
ornamented — a style then much in vogue.
She gladly accepted the offer and was soon
applying to Miss Barrett, her " Sweet Love,"
for a contribution in the shape of a poem. The
poem was supplied, bearing the title of " A
Romance of the Ganges," and was followed in
course of time by many others.
This offer was followed in September, 1836,
by a commission from the editors of Chambers'
Edinburgh Journal. " It is one of the signs of
the times," writes Miss Mitford, " that a periodi-
336
A London Welcome
cal selling for threepence halfpenny should en-
gage so high-priced a writer as myself ; but they
have a circulation of 200,000 or 300,000." This
was her passing comment on the transaction,
but it was to be of far more lasting importance
than she anticipated, resulting as it did in a close
friendship with William Chambers, and in a
scheme of collaboration in which she took a
prominent part.1
Mr. William Chambers paid a visit to Three
Mile Cross in 1847, when he and Miss Mitford
and the latter's warm friend, Mr. Lovejoy, of
Reading, talked over a scheme for forming
Rural Libraries.
It was on the 3ist March, 1836, that Pickwick
first made its appearance, electrifying the read-
ing world. It came out in monthly numbers,
price one shilling. Of the first number, it seems,
400 copies were printed, but by the time it had
reached the fifteenth number no less than
40,000 were issued !
Miss Mitford writes to her friend Miss Jephson
in June, 1837 :~
" So you never heard of the Pickwick Papers P
Well! ... It is fun. London life — but with-
out anything unpleasant ; a lady might read it
all aloud; and it is so graphic, so individual
1 See Life and Friendships of Mary Russell Mitford, by
W. J. Roberts.
z 337
Mary Russell Mitford
and so true that you could curtsy to all the
people as you met them in the street. . . .
All the boys and girls talk his fun — the boys in
the streets ; and yet they who are of the highest
taste like it the most. Sir Benjamin Brodie
takes it to read in his carriage between patient
and patient, and Lord Denman studies Pickwick
on the bench whilst the jury are deliberating.
" Do take some means to borrow the Pickwick
Papers. It seems like not having heard of
Hogarth, whom he resembles greatly, except
that he takes a far more cheerful view, a
Shakespearian view, of humanity. It is rather
fragmentary except the trial, which is as com-
plete and perfect as any bit of comic writing
in the English language. You must read the
Pickwick Papers."
CHAPTER XXXVI
A BRAVE HEART
Two new works by Mary Russell Mitford had
been recently published — Belford Regis and
Country Stones. Belford Regis, as -the reader
may remember, was her pseudonym for the good
town of Reading.
She writes in June, 1835, to Sir William
Elford : <( I thank you very much, my ever dear
and kind friend, for your kind letter, and I
rejoice that you like my book. It has been
most favourably received and is, I find, reckoned
my best ; although when one considers that
Our Village has passed through fourteen large
editions in England and nearly as many in
America, one can hardly expect an increase of
popularity and has only to hope for an equal
success for any future production."
There was a still further proof of the popu-
larity of Our Village at this time, as Miss Mitford
learnt from a friend travelling in Spain that he
had come across a copy of the work translated
into Spanish.
339
Mary Russell Mitford
Country Stories appeared two years later.
She dedicated the work to her valued friend,
the Rev. William Harness, " whose old heredi-
tary friendship/' she writes, " has been the
pride and pleasure of her happiest hours, her
consolation in the sorrows and her support in
the difficulties of life."
It was to him that she opened her heart on
religious matters more than to anyone else,
and it is interesting to learn from their corre-
spondence her opinions upon such matters as
the question of Church Reform, then beginning
to be discussed.
After receiving a volume of Sermons by the
Rev. William Harness, she writes :—
" It is a very able and conciliatory plea for
the Church. My opinion (if an insignificant
woman may presume to give one) is that certain
reforms ought to be ; that very gross cases of
pluralities should be abolished . . . that some
few of the clergy are too rich, and that a great
many are too poor. But although not holding
all her doctrines, I heartily agree with you that,
as an establishment, the Church ought to re-
main ; for to say nothing of the frightful pre-
cedent of sweeping away property, which would
not stop there, the country would be overrun
with fanatics. . . . But the Church must be
(as many of her members are) wisely tolerant.
340
A Brave Heart
Bishops must not wage war with theatres, nor
rectors with a Sunday evening game of cricket."
Happily reforms in such matters were soon
to be brought forward by Charles Kingsley and
many others. Charles Kingsley, when he was
made Rector of Eversley, was a neighbour of
Miss Mitford's and became in time her fast
friend.
During the year 1842 Dr. Mitford's health
rapidly declined and his devoted daughter was
nearly worn out by her constant attendance
upon him. He had a strange notion which he
held pertinaciously that all outdoor exercise
was bad for her, while, in fact, her short strolls
in her garden or in the neighbouring fields was
the only change that could keep her from break-
ing down. When after some hours spent in
weary watching she had seen her father fall
asleep, she would steal out of the house with
Dash for a companion for a scamper round the
meadows. " How grateful I am,'* she writes
at this time, " to that great gracious Providence
who makes the most intense enjoyment the
cheapest and the commonest."
Dr. Mitford died on the nth day of December.
He was buried by his wife in Shinfield Church,
being followed by an imposing procession of
neighbours and friends. We cannot help think-
ing/that ., this was more to show sympathy and
Mary Russell Mitford
respect for Miss Mitford than from special
respect to him.
That she loved her father dearly in spite of all
his faults is very certain, and that she was
not blind to these faults is also certain. But
she looked upon them at all times very much in
the same way as she did when a young girl on
hearing of his money losses. " Poor Papa ! '
she would exclaim, " I am so sorry for him.
I wish he would deal with honest people."
A beautiful expression of a dying mother
to her children has been handed down in our
family, " Cover each other's faults/' she said,
" with a mantle of love." Miss Mitford did this
and perhaps sometimes unwisely, but her life
was the happier for it. She never knew the
misery of condemning the conduct of her
father.
" But her father was not the only person
whom Miss Mitford egregiously overestimated,
and unconsciously flattered," writes Mrs. Tindal.
" She looked upon her friends through rose-
coloured spectacles, she exaggerated their good
gifts and multiplied their graces ; she hoped
and believed great things of them."
Dr. Mitford had continued to squander the
small means of the household to the last, and
so powerless was his daughter to prevent this
(without giving him great pain) that she re-
342
A Brave Heart
marks in a letter to one with whom she was
intimate : " I have to provide for expenses
over which I have no more control than my own
dog Dash/'
When the true state of affairs became known
Miss Mitford was faced with a list of liabilities
amounting to nearly £1000, but her determina-
tion was at once taken that all the creditors
should have complete satisfaction. " Every-
body shall be paid/' she exclaimed, " if I have
to sell the gown off my back, or pledge my
little pension/'
But this could never be allowed. Her friends
and admirers were eager to show their desire
to help one who, by her beautiful writings and
unselfish life, had done so much for the good of
humanity. Miss Mitford was astonished and
touched by the letters she received. " I only
pray God," she writes, " that I may deserve
half that has been said of me."
Money was subscribed on all sides, and by
the month of March following nearly the whole
thousand pounds had already been handed
over to her, whilst in addition to this some
hundreds of pounds were promised. Many, too,
were the acts of kind and unostentatious atten-
tion that were showered upon her and which
went straight to her heart. Conspicuous among
these was the welcome act of her friend Mr.
343
Mary Russell Mitford
George Lovejoy, the well-known bookseller of
Reading, in supplying her with books. He was
a man of considerable learning, and his library
was noted from its earliest days for its fine
collection of foreign works, which made it
especially valuable to Miss Mitford, whose love
of French literature was so marked.
Writing to a friend who had offered to lend
her some books she explains that she has already
seen them. " I have at this moment/' she
writes, " eight sets of books belonging to Mr.
Lovejoy. I have every periodical within a week,
often getting them literally the day before
publication/'
About this time a source of happiness came
into Mary Mitford's life in the shape of a little
child of two years old, the son of her attached
servant K , whom she soon looked upon as
a son of the household, and who as time went on
became her constant little companion in her
strolls about the country.
A few years later Mary was suffering from
an attack of lameness and she had recourse for
help to that same " historic staff " whose loss
had caused so much bustle and excitement in
the village of Three Mile Cross.
" Long before little Henry could open the
outer door, there he would stand/' she writes,
" the stick in one hand, and, if it were summer,
344
A Brave Heart
a flower in the other, waiting for my going out,
the pretty Saxon boy with his upright figure,
his golden hair, his eyes like two stars, and his
bright intelligent smile.'*
Woodcock lane was a chosen resort where
Mary, her servant " the hemmer of flowers,"
little Henry and the dogs would proceed to a
certain green hillock " redolent of wild thyme
and a thousand fairy flowers, delicious in its
coolness, its fragrance and its repose." Here
whilst Mary sat on the turf with pen in hand
and paper on knee jotting down her thoughts,
she would still keep an eye on the child who was
gathering flowers hard by. "Do not gather
them all, Henry/' she would say, " because
some one who has not so many pretty flowers
at home as we have may come this way and
would like to gather some."
Miss Mitford's many visitors from far and
near had all a kindly word for the little lad —
Mr. Fields especially was much interested in
him.
In the month of January, 1847, when the
first volume of Modern Painters was just
published, Mary Mitford wrote to a friend :
" Have you read an English Graduate's Letters
on Art P The author, Mr. Ruskin, was here
last week and is certainly the most charming
person I have ever known." In her Recollections
345
Mary Russell Mitford
of a Literary Life Miss Mitford speaks with ad-
miration of his " boldness " in demolishing old
idols and setting up new! ''Often," she re-
marks, "he was right, though sometimes wrong,
but always striking, always eloquent, always
true to his own convictions. . . . Many passages
of Modern Painters are really poems in their
tenderness, their sentiment and their grandeur.
" But the greatest triumph of Mr. Ruskin,"
she remarks, " is that long series of cloud
pictures, unparalleled, I suppose, in any lan-
guage, whether painted or written." Here
follows a long quotation of which we would
give two passages.
"It is a strange thing," writes the author,
" how little, in general, people know about the
sky. It is the part of creation in which Nature
has done more for the sake of pleasing man,
more for the sole and evident purpose of talking
to him, and teaching him than in any other of
his works ; and it is just the part in which we
least attend to her. . . . The noblest scenes
of the earth can be seen and known but by few ;
it is not intended that man should live always
in the midst of them ; he injures them by his
presence, he ceases to feel them if he be always
with them ; but the sky is for all ; bright as it
is, it is not ' too bright nor good for human
nature's daily food/ It is fitted in all its
346
A Brave Heart
functions for the perpetual comfort, and exalt-
ing of the heart, for the soothing it and purifying
it from its dross and dust."
The acquaintance with Mr. Ruskin soon
ripened into a warm friendship, which was the
cause of much happiness to Miss Mitford during
the last years of her life. His attentions to her
when she was unwell were unremitting either
in the way of interesting books to entertain her
or of delicacies of the table to tempt her ap-
petite. On one occasion when she was confined
to her bed from the effects of a fall, he writes
to her : " I do indeed sympathize most deeply
in the sorrow (it may without exaggeration be
so called) which your present privation must
cause you, especially coming in the time of
spring — your favourite season. . . . After all
though your feet are in the stocks, you have the
Silas spirit, and the doors will open in the mid-
darkness/'
After an important event in his life had
occurred in 1848, he writes: "Two months ago
I was each day on the point of writing to you
to ask for your sympathy — the kindest and
keenest sympathy that, I think, ever filled
the breadth and depth of an unselfish heart."
And then alluding to the Revolution of 1848
he says : " I should be very happy just now
but for these wild storm clouds bursting on my
347
Mary Russell Mitfbrd
dear Italy and my fair France. My occupation
gone and all my earthly treasures . . . perished
amidst ' the tumult of the people and the
imagining of vain things/ ... I begin to feel
that . . . these are not times for watching
clouds or dreaming over quiet waters, that
some serious work is to be done, and that the
time for endurance has come rather than for
meditation, and for hope rather than for
happiness. Happy those whose hope, without
this severe and tearful rending away of all the
props and stability of earthly enjoyments,
has been fixed ' where the wicked cease from
troubling/ Mine has not ; it was based on
' those pillars of the earth ' which are aston-
ished at His reproof/'1
Mary Mitford continued her intimate corre-
spondence with Miss Barrett after the latter's
marriage with Robert Browning — which was a
source of much happiness to both. She warmly
admired Mrs. Barrett Browning's poems, as we
have already seen, but Browning's poems were
not equally intelligible or attractive to her, and
in a letter to a friend she thus quaintly criticizes
his style and writing : " I am just reading
Robert Browning's Poems," she says, " there
is much more in them than I thought to find. . . .
He ought to be forced to write journey-work
1 See Cook's Life of Ruskin.
348
A Brave Heart
for his daily bread (say for the Times) which
would make him write clearly/'
In the summer of 1847 Hans Andersen was
in England. " He is the lion of London this
year," writes Miss Mitford. " Dukes, princes,
and ministers are all disputing for an hour of
his company, and Mr. Boner (his best trans-
lator) says that he is quite unspoilt, as simple
as a child and with as much poetry in his every-
day doings as in his prose. . . . Mr. Boner
sent me the other day for dear Patty Lovejoy's
album (she is a sweet little girl of eleven years
old) an autograph of Spohr's and one of Ander-
sen's. The latter is so pretty that I must
transcribe it for you.
" ( How blue are the mountains ! How blue
the sea and the sky ! It is the expression of
love in three different languages.
H. C. Andersen.'
London, July i6th, 1847."
The Mr. Boner alluded to was a valued friend
of Miss Mitford's with whom she corresponded
much during the later years of her life.
CHAPTER XXXVII
FAREWELL TO THREE MILE CROSS
WRITING to her American friend Mr. Fields in
December, 1848, after a sharp attack of illness,
Miss Mitford says : " But I have many allevia-
tions [to my sufferings] in the general kindness
of the neighbourhood, the particular goodness
of many admirable friends, the affectionate
attention of a most attached and affectionate
old servant, and above all in my continued
interest in books and delight in reading. I love
poetry and people as well at sixty as I did at
sixteen, and can never be sufficiently grateful
to God for having permitted me to retain the
two joy-giving faculties of admiration and
sympathy, by which we are enabled to escape
from the consciousness of our own infirmities
into the great works of all ages and the joys
and sorrows of our immediate friends/' Much
as she loved reading, however, Miss Mitford did
justice to another source of comfort for women
that is open to all, namely needle-work, " that
most effectual sedative, that grand soother and
35o
Farewell to Three Mile Cross
composer of woman's distress," as she truly
styles it.
" Is American literature," she asks Mr. Fields,
" rich in native biography ? Just have the
goodness to mention to me any lives of Ameri-
cans, whether illustrious or not, that are graphic,
minute and outspoken. I delight in French
memoirs and English lives, especially such as
are either autobiography or made out by diaries
and letters ; and America, a young country,
with manners as picturesque and unhackneyed
as the scenery, ought to be full of such works."
And again she writes later on : "I have been
reading the autobiographies of Lamartine and
Chateaubriand. . . . What strange beings these
Frenchmen are ! Here is M. de Lamartine at
sixty, poet, orator, historian and statesman,
writing the stories of two ladies — one of them
married — who died for love of him ! Think if
Mr. Macaulay should announce himself a lady-
killer, and put the details not merely into a
book but into a feuilleton ! '
Writing to Mrs. Barrett Browning (then in
Italy) in March, 1850, she says : " My Country
Stories are just coming out, to my great con-
tentment, in the ' Parlour Library ' for a shilling,
or perhaps ninepence — that being the price of
Miss Austen's novels. I delight in this, and
have no sympathy with your bemoanings over
Mary Russell Mitford
American editions. Think of the American
editions of my prose. Our Village has been re-
printed in twenty or thirty places, and Belford
Regis in almost as many ; and I like it. So do
you, say what you may."
And writing to the same friend a year later,
when Miss Mitford's health was improving, she
says : " You will wonder to hear that I have
again taken pen in hand. It reminds me of
Benedick's speech — ' When I said I should die
a bachelor I never thought to live to be married/
but it is our friend Henry Chorley's fault."
And writing to Mr. Fields on the same subject,
she says : " After eight years' absolute cessation
of composition, Henry Chorley, of the Athe-
naeum, coaxed me last summer into writing for
a lady's journal which he is editing for Messrs.
Bradbury & Evans, certain Readings of Poetry,
old and new, which will, I suppose, form two or
three separate volumes when collected. . . .
One pleasure will be the doing what justice I
can to certain American poets — Mr. Whittier,
for instance, whose ' Massachusetts to Virginia '
is amongst the finest things ever written . . .
and I foresee that day by day our literature will
become more mingled with rich, bright novelties
from America, not reflections of European
brightness but gems all coloured with your own
skies and woods and waters. . . .
35*
Farewell to Three Mile Cross
" I shall cause my book to be immediately
forwarded to you, but I don't think it will be
ready for a twelvemonth. There is a good deal
in it of my own prose, and it takes a wider range
than usual of poetry, including much that has
never appeared in any of the specimen books."
This work ultimately bore the title of Recol-
lections of a Literary Life. It forms delightful
reading, for the author has blended with her
own recollections of the poets or of the places
they have immortalized many interesting ex-
periences of her own life given in her best style
of writing. It is a truly remarkable work when
we consider how much its author was suffering
from impaired health during the period of its
composition.
The years 1849-50 were years of sudden
changes and convulsions in the political world
of the Continent, and a whiff of the general ex-
citement penetrated even to little Three Mile
Cross !
Mary Mitford writes to an American friend :
' We have here one of the Silvio Pellico exiles
—Count Carpinetta — whose story is quite a
romance. He is just returned from Turin,
where he was received with enthusiasm, might
have been returned as Deputy for two places,
and did recover some of his property confis-
cated years ago by the Austrians. It does one's
2 A 353
Mary Russell Mitford
heart good to see a piece of poetical justice
transferred to real life/'
As a rule Miss Mitford's judgment, both of
books and of character, was singularly sane,
but there were some exceptions, her admiration
of Louis Napoleon being one of " her most
potent crazes/' as a warm friend styled it.
She believed that his becoming Emperor would
work much good for France, but had she lived
long enough to become acquainted with his
real character and to witness its baleful influ-
ence upon the nation we feel sure she would have
changed her opinion.
Among the many visitors from all parts to
Three Mile Cross who were desirous to see the
author of Our Village there was a certain Dr.
Spencer T. Hall, who had been giving lectures
on scientific subjects at Reading. He recorded
his pleasant experiences in an article published
in a newspaper of the day of which we have a
copy before us. After describing Miss Mitford's
cottage by the roadside he goes on to say : "A
good garden at the back of the house produced
some of the finest geraniums and strawberries
in the kingdom ; and with presents of these
to her London or country friends she could
gracefully, and to them very agreeably, repay
their occasional presents of new books and
game, for no woman stood higher in the estima-
354
Farewell to Three Mile Cross
tion of some of the ' county families ' than did
that cottage peeress, on whom they continued
their calls and compliments just as in more
showy if not more happy days. In a corner at
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OLD HOUSE NEAR SWALLOWFIELD
the end of the garden there was a rustic summer-
house, and this was where our little party took
tea, to which the hostess, by her quiet, un-
affected conversation, added a charm that will
be more easily understood than I can otherwise
355
Mary Russell Mitford
describe it when I say that it was rich and
piquant as her village stories or that pleasant
gossip to be found in the volume she afterwards
published under the title of Recollections of a
Literary Life, and with which I trust the whole
country for its own sake is now familiar/'
The reader may remember mention being
made earlier in this work of the wheelwright's
picturesque workshop in the village of Three
Mile Cross, which stands at the turn of Church
Lane near to the village pond.
Writing to a friend in November, 1850, Mary
Mitford remarks : " Just now I have been
much interested in a painting that has been
going on in the corner of our village street — the
inside of an old wheelwright's shop — a large
barn-like place open to the roof, full of detail,
with the light admitted through the half of
hatch doors, and spreading upwards. It is a
fine subject, and finely treated. The artist is
one not yet much known of the name of
Pasmore. ... It is capitally peopled too — with
children picking up chips and watching an old
man sharpening a saw and peeping in through
windows, stretching up to look through them."
For some years past the cottage at Three
Mile Cross had been gradually getting into
decay, so that at last Miss Mitford was obliged
to contemplate a change of abode. " My poor
356
Farewell to Three Mile Cross
cottage is falling about my ears," she writes to
a friend in April, 1850. V We were compelled
to move my little pony from his stable to the
chaise house because there were in the stable
three large holes big enough for me to escape
through. Then came a windy night and blew
the roof from the chaise house, and truly the
cottage proper, where we two-legged creatures
dwell, is in little better condition ; the walls
seem to be mouldering from the bottom,
crumbling as it were like an old cheese, and
whether anything can be done with it is doubt-
ful. Besides which as it belongs to Chancery
wards there is a further doubt whether the
master will do what may be done. . . . Yet I
cling to it — to the green lanes — to the commons,
the copses, the old trees — every bit of the old
country. It is only a person brought up in the
midst ol woods and fields in one country place
who can understand that strong local attach-
ment."
The move, however, was inevitable, but in
the meantime a cottage in the neighbourhood
had been found that would suit Miss Mitford's
requirements, and thither her chief belongings,
consisting of a library of some thousands of
volumes and of much furniture, was carted and
the removal accomplished in the month of
September (1851).
357
Mary Russell Mitford
" It was grief to go/' she writes ; " there I
had toiled and striven and tasted as deeply of
bitter anxiety, of fear and of hope as often falls
to the lot of woman. There in the fullness of
age I had lost those whose love had made my
home sweet and precious. . . . Friends many
and kind ; strangers, whose mere names were
an honour, had come to that bright garden and
that garden room. There Mr. Justice Talfourd
had brought the delightful gaiety of his brilliant
youth, and poor Haydon had talked more vivid
pictures than he ever painted. The illustrious
of the last century— Mrs. Opie, Miss Porter,
Mr. Gary — had mingled there with poets, still
in their earliest dawn. It was a heart-tug to
leave that garden/'
When she was finishing the last series of stories
for Our Village, Miss Mitford had addressed
some lines of farewell to the spot that she loved
so dearly, and we would give them here.
" Sorry as I am/' she writes, " to part from a
locality which has become almost identified
with myself, this volume must and shall be the
last.
" Farewell, then, my beloved village ! The
long straggling street, gay and bright in this
sunny, windy April morning, full of all imple-
ments of dirt and noise — men, women, children,
cows, horses, waggons, carts, pigs, dogs, geese
358
Farewell to Three Mile Cross
and chickens, busy, merry, stirring little world,
farewell ! Farewell to the breezy common, with
its islands of cottages and cottage gardens, its
oaken avenues populous with rooks ; its clear
waters fringed with gorse, where lambs are
straying ; its cricket ground where children
already linger, anticipating their summer
revelry ; its pretty boundary of field and wood-
land and distant farms ; and latest and best of
its ornaments, the dear and pleasant mansion
where dwell the neighbours of neighbours, the
friends of friends ; farewell to ye all ! Ye will
easily dispense with me, but what I shall do
without you I cannot imagine. Mine own dear
village, farewell ! "
CHAPTER XXXVIII
SWALLOWFIELD
THE (i flitting " was accomplished in September,
1851. " I was compelled to move from the
dear old house/' writes Miss Mitford ; " not
very far ; not much further than Cowper when
he migrated from Olney to Weston and with
quite as happy an effect.
" I walked from the one cottage to the other
in an Autumn evening when the vagrant birds
whose habit of assembling here for their annual
departure gives, I suppose, its name of Swallow-
field to the village, were circling and twittering
over my head.
" Here I am now in this prettiest village, in
the snuggest and cosiest of all snug cabins ; a
trim cottage garden divided by a hawthorn
hedge from a little field guarded by grand old
trees ; a cheerful glimpse of the high road in
front, just to hint that there is such a thing
as the peopled world; and on either side the
, woody lanes that form the distinc-
tive character of English scenery. Very lovely
Swallowfield
is my favourite lane, leading along a gentle
declivity to the valley of the Loddon, by pastoral
water meadows studded with willow pollards,
past picturesque farm-houses and quaint old
mills, the beautiful river glancing here and
there like molten silver/'
Again she writes : " I am charmed with my
new cottage. ... It stands under the shadow
of superb old trees, oak and elm, upon a scrap
of common which catches every breeze and I
see the coolest of waters from my window. "
We have visited Swallowfield Cottage, have
been into its various rooms and have wandered
about its pretty garden. No wonder that Miss
Mitford felt it to be a sweet and peaceful home
to retire to ! The front court is now a pretty
piece of garden with a small lawn and with
borders of flowers on either side of the path
which leads to the front door from the garden
gate. The house has been enlarged in recent
years by the addition of a small wing on the
left-hand side, while two shallow bay-windows
have also been introduced — but it is still a
cottage in appearance.
On the right-hand side there still rises the tall
acacia tree with the syringa bush by its side of
which Miss Mitford speaks. " So you do not
write out of doors," she writes to a literary
friend. " I do, and am writing at this moment
361
Mary Russell Mitford
at a corner of the house under a beautiful acacia
tree with as many snowy tassels as leaves. It
is waving its world of fragrance over my head
mingled with the orange-like odours of a syringa
bush. I have a love of sweet smells that amounts
to a passion/'
The larger garden at the back as well as the
small front garden are kept up with reverent
care by their present owner ; so that they seem
to suggest the presence of their flower-loving
mistress.
Wild flowers, too, so dear to. her heart, were
to be seen just beyond her garden fence. " Have
you the white wild hyacinth [in your parts] ? '
she asks a friend. " It makes a charming variety
amongst its blue sisters and is amongst the
purest of white flowers — all so pure. A bank
close to my little field is rich in both. Have you
fritillaries ? They are beautiful in our water
meadows, looking like painted glass/'
Miss Mitford's many friends both English and
American were soon visiting her in her new
home.
" I have often been with her/' writes Mr.
Fields, " among the wooded lanes of her pretty
country, listening to the nightingales, and on
such occasions she would discourse so elo-
quently of the sights and sounds about us that
her talk seemed to me ' far above singing/ . . .
362
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THE LAST HOME
Swallowfield
She knew all the literature of rural life and her
memory was stored with delightful eulogies of
forests and meadows. When she repeated or
read aloud the poetry she loved, her accents
were ' like flowers' voices, if they could speak/
"... One day we drove along the valley of
the Loddon and she pointed out the Duke of
Wellington's seat of Strathfieldsaye. . . . But
the mansion most dear to her in that neigh-
bourhood was the residence of her tried friends
the Russells of Swallowfield Park. It is indeed
a beautiful old place, full of historical and
literary associations, for there Lord Clarendon
wrote his story of the Great Rebellion. Miss
Mitford never ceased to be thankful that her
declining years were passing in the society of
such neighbours as the Russells. . . . She fre-
quently told me that their affectionate kindness
had helped her over the dark places of life more
than once, when without their succour she must
have dropped by the way."
Among the many friends who hurried to
Swallowfield to pay their respects to Miss Mit-
ford was a young writer in whom she was much
interested — James Payn. In his Literary Re-
collections he calls her " the dear little old lady,
looking like & venerable fairy, with bright
sparkling eyes, a clear incisive voice, and a
laugh that carried you away with it."
365
Mary Russell Mitford
Mary Mitford's mind, in spite of advancing
years, was ever open to new ideas and new im-
pressions, so that she gladly hailed the arrival
of works just published in America.
She writes to Mr. Fields, who on leaving
England had proceeded to Italy, to thank him
for sending her an illustrated edition of Long-
fellow's Poems together with a copy of the
Golden Legend : " I hope I shall be only one
among the multitude who think this the greatest
and best thing he has done yet, so racy, so
full of character, of what the French call
local colour, so in its best and highest sense,
original. ... Then those charming volumes of
De Quincey and Sprague and Grace Greenwood,
and dear Mr. Hawthorne and the two new poets,
who if also young poets will be fresh glories for
America. How can I thank you enough for all
these enjoyments ? I have fallen in with Mr.
Kingsley, and a most charming person he is ...
you must know Mr. Kingsley. He is very
young too, really young, for it is characteristic
of our ' young poets ' that they generally turn
out middle-aged and very often elderly."
And again writing to Mr. Fields she says :
" I was delighted with Dr. Holmes's poems for
their individuality. How charming a person
he must be ! And how truly the portrait re-
presents the mind, the lofty brow full of thought,
366 '
Swallowfield
and the wrinkle of humour in the eye ! (Be-
tween ourselves I always have a little doubt of
genius when there is no humour ; certainly in
the very highest poetry the two go together —
Scott, Shakespeare, Fletcher, Burns.) Another
charming thing in Dr. Holmes is that every
succeeding poem is better than the last. . . .
And I like him all the better for being a phy-
sician— the one truly noble profession. There
are noble men in all professions, but in medicine
only are the great mass, almost the whole,
generous, liberal, self-denying, living to advance
science and to help mankind.
" I rejoice to hear of another romance by
the author of The Scarlet Letter. That is a real
work of genius/'
On receiving The House of Seven Gables a little
later on, she apologizes to Mr. Fields for a delay
in thanking him for his kind gift saying that
she delayed doing so until she had read the
book twice. " At sixty-five," she remarks,
" life gets too short to allow us to read every
book once and again ; but it is not so with Mr.
Hawthorne, the first time one sketches them
(to borrow Dr. Holmes's excellent word) and
cannot put them down for the vivid interest ;
the next one lingers over the beauty with a
calmer enjoyment. Very beautiful this book
is ! "
367
Mary Russell Mitford
Later on she writes to Mr. Fields of Whittier :
" He sent me a charming poem on Burns, full of
tenderness and humanity and the indulgence
which the wise and good can so well afford, and
which only the wisest and best can show to
their erring brethren/'
She writes early in January, 1852, of her
Recollections of a Literary Life : " My book is
out at last, hurried through the press in a fort-
night— a process which half killed me and has
left the volumes no doubt full of errata, — and
you, I mean your House, have not got it. I am
keeping a copy for you personally. People say
that they like it. I think you will, because it
will remind you of this pretty country and of
an old Englishwoman who loves you well/'
And later on she writes to Mr. Fields :
" Thank you for telling me about the kind
American reception of my book. ... I do
assure you that to be heartily greeted by my
kinsmen across the Atlantic is very precious
to me."
Miss Mitford writes to her friend Mrs. Hoare
on the subject of Jane Austen's works : " Your
admiration of Jane Austen is so far from being
a ' heresy,' that I never met any high literary
people in my life who did not prefer her to any
female prose writer. . . . For my own part I
delight in her." And again writing of truth in
368
Swallowfield
works of fiction she says : " The greatest fictions
of the world are the truest. Look at the Vicar
of Wake field, look at the Simple Story, look at
Scott, look at Jane Austen, greater because
truer than all/' In the same letter she re-
marks :—
" Yes, I ought to have liked Shelley better.
But I have a love of clearness — a perfect
hatred of all that is vague and obscure — and I
still think with the grand exception of the 'Cenci '
and of a few shorter poems, that there was
rather the making of a great poet, if he had
been spared, than the actual accomplishment of
any great work. It was an immense promise/'
" If you have command of French books/'
she writes to another friend, " read Saint
Beuve's Causeries du Lundi — charming volumes,
full of variety and attractive in every way/'
During the late autumn of 1852 Miss Mitford
was busy writing an Introduction to a complete
edition of her Dramatic Works which her
publishers were preparing to bring out. A
propos of this undertaking she writes : " For
my own part I am convinced that without pains
there will be no really good writing. ... I am
still so difficult to satisfy that I have written
a long preface to the Dramatic Works three
times over, many parts far more than three
times."
2 B 369
Mary Russell Mitford
This Introduction forms very interesting
reading, giving as it does an account of her own
experiences, together with many shrewd and
clever remarks and criticisms. We have quoted
several passages in our chapters upon the pro-
duction of the plays.
The work was dedicated to Mr. Bennock, a
warm friend and a patron of Art and Letters,
who had first suggested the idea to the author
of gathering together all her plays in this way
and editing them.
On the 24th December of this same year Miss
Mitford had a severe accident from an overturn
of her pony-chaise in Swallowfield Park. She
was thrown violently down on the hard gravel
road and was much bruised and shaken although
no bones were actually broken. In spite of her
sufferings she indites a letter to her friend Miss
Jephson in which she says : "I am writing to
you at this moment with my left arm bound
tightly to my body and no power of raising
either foot from the ground. . . . The muscular
power of the lower limbs seem completely
gone. ... So much for the bad ; now for the
consolation. Nobody else was hurt, nobody to
blame ; the two parts of me that are quite
uninjured are my head and my right hand.
K. is safe in bed and Sam is really everything
in the way of help that a man can be, lifting
370
Swallowfield
me about, and directing a stupid old nurse and
a giddy young maid with surprising foresight
and sagacity. I need not tell you how kind
everybody is ; poor Lady Russell comes every
day through mud and rain and wind. . . .
Everybody comes to me, everybody writes to
me, everybody sends me books.
" Mr. Bentley has done me good by giving
me something to think of in writing no less than
three pressing applications for a second series
of Recollections, and, although I am forbidden
anything like literary composition, and even
most letter writing, yet it is something to plan
and consider over. I shall (if it please God to
grant me health and strength to accomplish this
object) introduce several chapters on French
literature, and am at this moment in full chase
of all Casimir Delavigne's ballads."
Miss Jephson writes to a mutual friend when
sending on this letter to him : ' ' Dear Miss Mitf ord !
She is like lavender, the sweeter the more it is
bruised. How wonderful are her spirits and
energy after such an accident ! . . . I am glad
she is thinking of a second series of Recollections.
She cannot be idle ; it would be death to her."
CHAPTER XXXIX
PEACEFUL CLOSING YEARS
THE winter of 1852-3 was unusually cold, and
Miss Mitford suffered much from rheumatism
supervening upon the effects of her accident.
For many months she was entirely confined to
her room. She writes to her friend Mr. Fields
in March : " Here I am at Easter still a close
prisoner from the consequences of the accident
that took place before Christmas. . . . But
when fine weather — warm, genial, sunny weather
— comes I will get down in some way or other,
and trust myself to that which never hurts
anyone, the honest open air. Spring, and even
the approach of spring, has upon me something
the effect that England has upon you. It sets
me dreaming — I see leafy hedges in my dreams
and flowery banks, and then I long to make the
vision a reality/'
She writes again to Mr. Fields in the month
of June : "I am in somewhat better trim,
although the getting out of doors and into the
pony-chaise, from which Mr. May hoped such
372
Peaceful Closing Years
great things, has hardly answered his expecta-
tions. ... I am still unable to stand or walk
unless supported by Sam's strong hands. How-
ever I am in as good spirits as ever, and just at
this moment most comfortably seated under
the acacia tree at the corner of my house — the
beautiful acacia, literally loaded with snowy
chains — the flowering trees this summer — lilacs,
laburnums, rhododendrons, azalias — have been
one mass of blossoms, and none as graceful as
this waving acacia. ... On one side a syringa
. . . a jar of roses on the table before me —
fresh-gathered roses, the pride of Sam's heart ;
and little Fanchon at my feet, too idle to eat
the biscuits with which I am trying to tempt
her — biscuits from Boston, sent to me by Mrs.
Sparks, whose kindness is really indefatigable,
and which Fanchon ought to like upon that
principle if upon no other, but you know her
laziness of old. Well, that is a picture of
Swallowfield Cottage at this moment."
Among the many gifts from admiring readers
of the Recollections of a Literary Life that
arrived at Swallowfield were choice plants for
the garden. No less than twelve climbing roses
for the front of her house appeared from the
Hertfordshire nurseries, also two seedlings called
in honour of her the " Miss Mitford " and the
" Swallowfield."
373
Mary Russell Mitford
Mary Mitford writes to Mr. Fields :—
" Never, my dear friend, did I expect to like
so well a man who came in your place as I do
like Mr. Ticknor. ... It is delightful to hear
him talk of you, and to feel that sort of elder
brotherhood which a senior partner must exer-
cise is in such hands. He was very kind to
little Harry, and Harry likes him next to you.
He came here on Saturday with the dear
Bennocks, and the Kingsleys met him. Mr.
Hawthorne was to have come but could not
leave Liverpool so soon, so that is a pleasure
to come.
" Mr. Ticknor will tell you -that all is arranged
for printing with Colburn's successors, Hurst
and Blackett, two separate works, the plays
and dramatic scenes forming one, the stories to
be headed by a long tale, of which I have always
had the idea in my head to form almost a novel.
God grant me strength to do myself and my
publishers justice in that story ! '
The title of the new book was Atherton and
other Stones. They are as fresh and bright in
style as if the author were in perfect health, and
yet it was, as she writes to Mr. Fields, " in the
midst of the terrible cough, which did not
allow me to lie down in bed, and a weakness
difficult to describe, that I finished Atherton."
In her short Preface Miss Mitford mentions
374
Peaceful Closing Years
the adverse circumstances under which the com-
position had been carried on, and expresses her
thankfulness to the merciful Providence for
" enabling me still to live by the mind, and not
only to enjoy the never-wearying delight of
reading the thoughts of others, but even to
light up a sick chamber and brighten a wintry
sky by recalling the sweet and sunny valley
which formed one of the most cherished haunts
of my happier years/' And then she closes this,
her last work, with the words: "And now,
gentle reader, health and farewell.
M. R. MITFORD.
SWALLOWFIELD,
March) 1854."
Atherton was dedicated to her valued friend
Lady Russell, and was published in three
volumes during the month of April. It was
also published shortly afterwards in America.
She writes to Mr. Fields on May 2nd : " Long
before this time you will, I hope, have received
the sheets of Atherton. It has met with an
enthusiastic reception from the English press,
and certainly the friends who have written to
me on the subject seem to prefer the tale which
fills the first volume to anything that I have
done. I hope you will like it. I am sure you
will not detect in it the gloom of a sick chamber,"
375
Mary Russell Mitford
And writing to an English friend also in May
she says : " Thank you for your kindness in
liking Atherton. It has been a great comfort to
me to find it so indulgently, so very warmly,
received. Mr. Mudie told Mr. Hurst that the
demand was so great that he was obliged to
have four hundred copies in circulation/'
In this same letter she says : "I am sitting
now at my open window, not high enough to
see out, but inhaling the soft summer breezes,
with an exquisite jar of roses on the window-sill
and a huge sheaf of fresh-gathered meadow-
sweet giving its almondy fragrance from out-
side ; looking on blue sky and green waving
trees, with a bit of road and some cottages in the
distance, and [hearing] K— -'s little girl's merry
voice calling Fanchon in the court. . . . An
avalanche of kindness has come from America,
where, as in Paris, my book has been reprinted.
Letters to me or for me addressed through my
friend Mr. Fields have arrived, I think, from
almost every man of note in the States — Haw-
thorne, Longfellow, Holmes, etc. etc. And one
lady, Mrs. Sparkes, wife of Jared Sparks, Presi-
dent of Harvard University, Cambridge, gravely
invites me, with man-servant and maid-servant,
pony and Fanchon, to go and take up my abode
with them for two or three years, an unlimited
hospitality which seems to English ears astound-
376
Peaceful Closing Years
ing. Cambridge is close to Boston, where most of
the literary men of America live, and if I were not
such a helpless creature really one would be
tempted to go and thank all these warm-hearted
people for their extraordinary kindness/'
And writing in August she says : " I do not
think there is an authoress of name who has
not sent me messages full of the kindest interest.
It is one of the highest mercies by which this
visitation has been softened that I can still give
my thoughts and time and love and sympathy,
not merely to dear friends, but to books and
flowers and the common doings of this workaday
world/'
A lady friend on one occasion had remon-
strated with Mary Mitford for what she con-
sidered a misplaced enthusiasm. " Ah, my dear
friend ! " she responds, " do not lecture me for
loving and admiring ! It is the last green branch
in the old tree, the lingering touch of life and
youth."
A propos of a tendency of hers to extoll at
times some modern poem that had taken her
fancy as being superior to the great poems of
old, Mr. Fields quotes a saying of Pascal's that
" the heart has reasons that reason does not
know." " Miss Mitford," he says, " was a
charming exemplification of this wise saying/'
During the autumn of 1854 Mary's condition
377
Mary Russell Mitford
had been rapidly growing worse, though her
letters show that her bright spirit was not
broken by her continued sufferings and in-
creased weakness, nor her mind in any way
clouded. Her last letter to Mr. Fields was
written on December 23rd, 1854, only eighteen
days before she died. In it she says : " God
bless you, my dear friend ! May He send to
both of you health and happiness and length of
days and so much of this world's goods as is
needful to prevent anxiety and insure comfort.
I have known many rich people in my time,
and the result has convinced me that with
great wealth some deep black shadow is as sure
to walk as it is to follow the bright sunshine.
So I never pray for more than the blessed enough
for those whom I love best."
On January ist, 1855, nine days only before
her death, she wrote the following letter to a
friend : "It has pleased Providence to pre-
serve to me my calmness of mind and clearness
of intellect, and also my powers of reading by
day and by night, and which is still more my
love of poetry and literature, my cheerfulness
and my enjoyment of little things. This very
day not only my common pensioners the dear
robins, but a saucy troop of sparrows and a
little shining bird of passage whose name I
forget, have all been pecking at once at their
378
Peaceful Closing Years
tray of bread-crumbs outside the window.
Poor, pretty things ! How much delight there
is in these common objects if people would
learn to enjoy them ; and I really think that
the feeling for these simple pleasures is in-
creasing with the increase of education."
The end came on January loth and was in
accordance with her sweet life. As she lay with
her hand in that of her dear friend Lady Russell
she expired so quietly that the actual moment
of her departure was not realized. " The
features of her face in death," we are told, " un-
disturbed by any trace of the cares and trials
she had endured, were overspread by an ex-
pression of intense repose and peace and charity
such as no living face had ever known."
In the introduction to her Dramatic Works
Miss Mitford remarks that she " hopes the plays
will be as mercifully dealt with as if they were
published by her executor, and that the hand
that wrote them were laid in peaceful rest where
the sun glances through the great elms in the
beautiful churchyard of Swallowfield." And
there she lies in the heart of the country she so
dearly loved and amidst the sights and sounds
that she most cherished.
We would close this book with the words of a
friend and contemporary author who knew Miss
Mitford well.
379
Mary Russell Mitford
" Pleasant is the memory because happy was
the life, kindly the nature and genial the heart
of Mary Russell Mitford. She had her trials
and she bore them well ; trusting and ever
faithful to the Nature she loved ; sending forth
from her poor cottage at Three Mile Cross —
from its leaden casement and narrow door —
floods of light and sunshine that have cheered
and brightened the uttermost parts of the
earth."
rx<P
• •••*>•. **w .•-.. <j
Al /-%;...-
J^,,.,:
INDEX
Abbey School, Reading, its
interesting associations, 63-
65
Alresford, Hants, birthplace
of Mary Russell Mitford,
description of, 1-2 ; Broad
Street, Dr. Mitford's house
in, 5
Andersen, Hans, his visit to
England, his words in an
album, 349
Anning, Mary, an inhabitant
of Lyme Regis, discovers
the gigantic fossil bones of
the Ichthyosaurus, receives
a visit from the King of
Saxony, Kenyon's verses
upon her, 44-46
Athol, Dowager Duchess of,
M. R. M. visits her at Aln-
wick Castle, 1806, descrip-
tion of, 104-7
Austen, Jane, M. R. M.'s
admiration of, 253-255,
368-369
Aynsley, Lord CharlesJMurray,
son of the Dowager Duchess
of Athol, visited by M. R. M.
in Northumberland in 1806,
103-105 ; receives visit from
Louis XVIII, in Bocking
Deanery, in-ii8
Aynsley, Lady, wife of the
above, first cousin of Dr.
Mitford, is visited by
M. R. M. in Northumber-
land in 1806, at Little Harle
Tower, takes her to Aln-
wick Castle, 103-107 ; de-
scribes visit from Louis
XVIII in Bocking Deanery
in letter to Mrs. Mitford,
111-118
Baillie, Joanna, meets M. R.
M. in society, 329
Barrett, Miss Elizabeth. See
under Mrs. Barrett Brown-
ing
Bath, M. R. M.'s visit to,
252-255
Belford Regis, by M. R. M.,
published 1835, 339
Bonar, Charles, translator of
Hans Andersen's works,
friend of M. R. M., 349
Browning, Robert, meets M.
R. M., 329 ; his marriage,
348
Browning, Mrs. Barrett, first
meets M. R. M. before her
marriage, 1836, their inter-
esting correspondence, 330-
334 ; her marriage, her
correspondence with M.
R. M., 348
Chorley, Henry, meets M.
R. M. in London, 329 ;
381
Index
persuades her to resume
literary work, 352
Cobbett, William, friend of
Dr. Mitford, 126-127
Country Stories, published
1835, 339-340
Cowper, William, his letters,
131-132
E
Elford, Sir William, his in-
fluence on M. R. M., their
interesting correspondence,
128-133 ; his views upon
Our Village, 203-205
Exeter, Bishop of, i
Fermor, Arabella (the " Be-
linda " of " The Rape of the
Lock"), marries Mr. Perkins
and lives at Ufton Court,
257-264
Fields, James T., American
publisher and author, de-
scribes first visit to M. R.
M. at Three Mile Cross, her
surroundings and interest-
ing conversation, 316-319 ;
M. R. M.'s letters to him,
350-1 ; describes his visit
to her at Swallowfield,
362-365 ; her letters to
him, 368, 372, 376-378
Foscari, M. R. M.'s tragedy
of, performed at Covent
Garden, 5th November,
1826, 223-227
H
Hall, Dr. Spencer T., his visit
to Three Mile Cross, 354-
356
Harness, Rev. William, valued
friend of the Mitfords, his
wise guardianship of a
bequest of Dr. Russell, his
views on Dr. Mitford 's
conduct, 158-159 ; meets
M. R. M. in London, 329 ;
M. R. M.'s letter to him on
Church Reforms, 340-341
Hawthorne, Nathaniel, pub-
lication of The Scarlet Letter,
House of Seven Gables, etc.,
etc., M. R. M.'s interest in
them, 367
Hay don, Benjamin Robert,
his picture the " Judgment
of Solomon, ' ' becomes friend
of M. R. M., described by
M. R. M., 318-319 ; his
Life by Tom Taylor, 318
Hemans, Mrs., letter to M.
R. M., on publication of
Our Village, 208-209, 220
Holmes, Dr. (Oliver Wendell),
M. R. M.'s admiration of
his poems and personality,
366-367
Howett, Mrs. (Mary), au-
thoress, letter to M. R. M.
on Our Village, 321-322
Howett, William, author, de-
scribes visit to M. R. M.
at Three Mile Cross, letter
to M. R. M., 319-321
J
Jephson, Miss, letters to her
from M. R. M., 335-336,
370-371
K
Kenyon, John, friend of the
Mitfords, his lines on Mary
Anning, 46 ; his words on
M. R. M. to James T.
Fields, 316
Index
Kingsley, Charles, 341 ; de-
scribed by M. R. M., 366
Landor, Walter Savage, meets
M. R. M. in London, 228,
229
Landseer, Edwin, offers to
paint M. R. M.'s dog, 330
Lansdowne, Lord, proposes
M. R. M.'s health at meet-
ing, 137-139
Longfellow, Henry Wads-
worth, M. R. M.'s words
on his poems and the
Golden Legend, 366
Louis XVIII and court at
Gosfield Hall, his visit to
Bocking Deanery described
by Lady Charles Aynsley,
1 10-1 1 8 ; his remarkable
memory, 136, 137
Lyme Regis, removal of Mit-
fords to, in 1795, the Great
House described by M. R.
M., its association with the
Monmouth Rebellion, 29-
39-
M
Macready, William Charles,
takes leading role in Foscari,
222-224
Mitford, Dr., marriage and
birth of child, 2 ; his
gambling, loss of fortune,
starts practice in Reading,
22, 23 ; removal to Lyme
Regis, 29-50 ; further
losses, flight to London to
debtors' Sanctuary, wins
prize in lottery, 52-56 ;
builds Bertram House, 92 ;
further losses, 139-141 ;
obliged to leave Bertram
House, settles at Three
Mile Cross, 158-162 ; wit-
nesses performance of Fos-
cari, 221 ; portrait by
Lucas, 330 ; illness and
death, confusion of his
affairs, 341-343
Mitford, Mrs., ne'e Russell,
only child and heiress of
Dr. Russell, Rector of
Ashe, marriage with Dr.
Mitford, birth of her only
daughter, Mary, in 1787,
home in Alresford, 2-8 ;
visits her daughter in Hans
Place, 72 ; another visit,
87, 88 ; letter on Louis
XVIII's visit to Bocking,
113-118 ; her death, New
Year's Day, 1830 ; buried
in Shinfield churchyard ,
her daughter's tribute, 325-
326
Mitford, Mary Russell, born
at Alresford, Hants, Decem-
ber 1 6th, 1787, 2 ; early
recollections of her home
in Broad Street, precocious
power of reading, 5-8 ;
their village neighbours, at
a rustic wedding, 9-21 ;
removal of family to Read-
ing, 1791, her early recol-
lections of the town, 22-
25 ; a flying visit to Lon-
don, 25-28 ; removal of
family to Lyme Regis,
I795, her recollections of
the Great House, etc., 29-
39 ; rambles on the shore,
40-44 ; sudden loss of
fortune, flight to London,
49-51 ; family takes refuge
in debtors' Sanctuary, a
lottery ticket bought, turns
383
Index
up a prize, 52-55 ; sent to
a school in Hans Place, her
recollections of it, 64-73 ;
amusing account of old
French Society, 74-81 ;
interest in French drama,
visits to the theatre, great
actors of the day, Miss
Rowden's inspiring influ-
ence, 82-88 ; an incident
of school life, 88-91 ; leaves
school, 1802, recollections
of old Reading, 92-99 ;
removal of family to Ber-
tram House, 99-100 ; her
visit to Northumberland
with her father, guests of
Lord and Lady Murray
Aynsley, visits to Am wick
Castle, Morpeth and Cheviot
Hills, returns home, 104-
109 ; early poems pub-
lished in 1810— n, success-
ful, 119-121 ; describes
performances of " Greek
tragedies," by Dr. Valpy's
pupils, 121-123 ; short
visit to London, 123-125 ;
writes of Cobbett and Sir
Francis Burdett, 126-128 ;
introduced to Sir William
Elford, becomes his chosen
correspondent, their inter-
esting letters, 128-133 >' in
London in June, 1814,
witnesses the assemblage
of Crowned Heads on the
fall of Napoleon, sees the
Duke of Wellington, 134-
137 ; an ovation to M. R.
M. at a public meeting,
I37~I39 ; more loss of
money owing to her father's
gambling, 139-140 ; flat-
tering recognition by
American publishers, 141-
143 ; Sir William Elford's
visit to Bertram House,
their correspondence re-
sumed, writes of singers
and actors of the day, and
distinguished writers, 144-
155 ; Hay don's " Judgment
of Solomon," describes the
artist, 156-158 ; further
losses of property, forced
to quit Bertram House, the
family settle in Three Mile
Cross, M. R. M.'s detailed
account of their cottage
and the village, 161-178 ;
describes village scenes,
and a sunset over the
Loddon, 182-189 ; The
Talking Lady, 190-196 ;
describes her garden, a
quack doctor, 196-202 ;
publication of Our Village,
the opening paragraph,
letters received about it,
its early success, 203-211 ;
Patty's New Hat, 212-217 ;
a fog in the country, Mrs.
Heman's words, 217-220 ;
tries hand at tragedy,
Foscari and Julian ap-
proved by Macready,
Foscari performed at
Co vent Garden Theatre,
1826, M. R. M. present
and describes its success,
221-229 ; writes Rienzi,
produced at Drury Lane
Theatre, its great success,
M. R. M. in town, letters
of congratulation, per-
formed in New York,
tribute from James Crissy,
230-240 ; her stories of
two Emigres neighbours,
384
Index
241-249 ; describes visits
to Southampton, Bath,
Richmond Park, and
Hampton Court, 250-259 ;
writes of Ufton Court and
its associations, 264-270 ;
writes of Three Mile Cross
in 1830, The Black Velvet
Bag, 271-282 ; stories of
eccentric neighbours, 283-
291 ; attends country May-
ings and visits Silchester,
292-301 ; a trip to Aber-
leigh (Arborfield) on the
Loddon, 302-306 ; stories
of gipsies, 306-314 ; her
friendship with James T.
Fields, his visit to Three
Mile Cross, also visits from
William Howett, George
Ticknor, and Daniel Web-
ster, 315-325 ; words on
her mother's death, letter
to a child, 325-327 ; stays
with Sergeant Talfourd,
receives warm welcome
from leading writers, cor-
respondence with Miss Bar-
rett (afterwards Mrs. Bar-
rett Browning), 328-334 ;
pecuniary anxieties, re-
ceives pension, undertakes
fresh literary work, 334-
337 ', writes on first ap-
pearance of Pickwick, 337-
338 ; publication of Bel-
ford Regis, and Country
Stories, Our Village, trans-
lated into Spanish, 339-
340 ; writes to William
Harness on Church re-
forms, 340-341 ; death of
her father, 1842, resolves
to pay all his debts but
whole sum subscribed by
2 c 385
friends, receives constant
supply of books from Mr.
George Love joy, little
Henry, adopted child of
the family, 34J-345 '> her
interest in Modern Painters
and friendship for Ruskm,
her words on Browning's
poems, Hans Andersen in
London, 345-349 ; letters
to Mr. Fields, Country
Stories republished, com-
mencing her Recollections
of a Literary Life, an
Italian exile in Three Mile
Cross, her views on Louis
Napoleon, receives a visit
from Dr. Spencer Hall,
decides to leave Three M le
Cross, her farewell to the
village, 350-359 ; settles
at Swallowfield, describes
her cottage and garden,
visits from Mr. Fields,
Mr. James Payne and
others, her affection for
the Russells of Swallow-
field Park, 360-365 ; her
interest on works of Long-
fellow, Hawthorne, O. W.
Holmes, and Whittier, 366-
368 ; Recollections of a
Literary Life published, its
success in America, her
admiration of Jane Aus-
ten's works, her remarks on
Shelley and on Saint Beuve,
writes introduction to her
dramatic works, 368-370 ;
her severe accident, her
courage, cheerful letters to
Mr. Fields, kind attentions
from far and near, visits
from Mr. Ticknor, writes
Atherton and Other Stories,
Index
dedicated to Lady Russell,
its great success, 370-376 ;
her last illness, her delight
in beauty of nature to the
end, her last letter to Mr.
Fields, her death, January
ist, 1855, buried in Swal-
lowfield churchyard, 376-
380
Molie're, M. R. M.'s early
delight in his comedies,
84-85
" Monsieur " (Le Conte d'
Artois) visits Lord and
Lady Aynsley in Bocking
Deanery, 114-118
N
North, Christopher (John
Wilson,), his amusing scene
in the " Noctes Ambrosi-
anae " upon the publica-
tion of Our Village, 209-
211
Our Village, publication of,
March, 1824, its success,
etc. (see under Mary Rus-
sell Mitford), 203-211
Pepys (Samuel), M. R. M.
on his " Memoirs," 153
Pickwick, publication of, 31
March, 1836, its great
success, 337-338
Pope (Alexander), M. R.
M.'s early remarks on him
as a letter writer and poet,
132-133 ; quotation from
Rape of the Lock, 258-259 ;
its heroine Belinda, 260-
263
R
Racine, his " Athalie," 221
Reading (" Belford Regis "),
removal of Mitford family
to, 1791, 22-23 ; M. R. M.'s
early recollections of, 25,
56-59, 63-65 ; shopping
adventures, 271-282
Recollections of a Literary
Life, by M. R. M., 352 ;
published in January, 1852,
its success in America, 368
Rienzi, M. R. M.'s tragedy
of, performed at Drury
Lane, October 4, 1828,
232-235 (see under Mary
Russell Mitford)
Rowden, Miss, a teacher in
the school in Hans Place,
her inspiring influence on
M. R. M., 68, 85-88
Russell, Dr., Rector of Ashe,
his daughter marries Dr.
Mitford, 2
Russell, Lady, of Swallow-
field Park, 365, 371 ; M.
R. M.'s Atherton dedicated
to her, 375
St. Quintin, M., arrival in
Reading, becomes head of
Abbey School, marries the
English teacher, removes
School to Hans Place,
London, 1798, M. R. M.
becomes their pupil, 64-
68 ; his hospitality to
emigres, 74-91
Sedgwick, American author-
ess, her letters to M. R. M.,
220, 326-327
Seward, Anna, " Swan of
Lichfield," M. R. M.'s early
386
Index
strictures on her writing,
130-132
Shakespeare, William, M. R.
M.'s early appreciation of
Much Ado About Nothing,
133
Shelley (Percy Bysshe), M.
R. M. on his poems, 369
Sherwood, Mrs. (ne'e Butt),
sees M. R. M. when a child,
23-25 i ner recollections of
Abbey School, Reading,
64-65
Swallowfield, M. R. M. re-
siding at, 360-380
Swallowfield Park, abode of
the Russell family, 365
Talfourd Sergeant, author of
Ion, present at perform-
ance of Foscari, 222-224 •
M. R. M. at his house in
London, interesting society,
328-330
Three Mile Cross, prototype of
Our Village, description of,
156-183 (see under Mary
Russell Mitford)
Ticknor, George (American
author and publisher), de-
scribes visit to M. R. M. at
Three Mile Cross in 1835,
323 ; visits her at Swallow-
field, 374
Trollope, Mrs. (authoress),
describes performance of
Rienzi in New York, 236
U
Ufton Court (in Berkshire),
description of, 260-269
V
Valpy, Dr., headmaster of
Reading Grammar School,
man of great influence, 62-
65; introduces acting of
Greek tragedy in original
language, described by M.
R. M., 121-123
Voltaire, M. R. M. reading
his tragedies at school, 83
W
Walpole (Horace), M. R. M.'s
admiration for his letters,
132 ; her words upon him,
257
Webster, Daniel (American
statesman and author), his
visit to Three Mile Cross
described by M. R. M.,
323-325
Whittier (John Greenleaf),
M. R. M.'s admiration of
his " Massachusetts to Vir-
ginia," 352, and of his
poem on Burns, 368
Wordsworth, William, his per-
sonality described by M.
R. M., 328-329
Young, Charles Mayne, per-
forms leading r61e in Rienzi,
232-235
387
BY THE SAME AUTHOR
MARIA EDGEWORTH AND HER CIRCLE IN
THE DAYS OF BONAPARTE AND BOURBON.
With numerous Illustrations by ELLEN G. HILL. Demy
8vo, 2 is. net
Morning Post, — " The accomplished authoress of The House in St. Martin's
Street, of Juniper Hall, and of a remarkable volume on Jane Austen, has now
given to the reading world a very animated portrait of Maria Edgeworth, in
the middle years of her long life, when she was already famous and about to
make the acquaintance of Sir Walter Scott. . . . Endlessly interesting are
the letters contained in Miss Hill's book."
Sunday Times. — " Wherever the writer of this book transports us she
keeps us entertained by gossip about famous people and events which never
tires, because it is delivered with such high spirits and enthusiasm."
Daily Graphic. — " How fascinating are the pictures of social Paris in 1802
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JOHN LANE, THE BODLEY HEAD, VIGO ST., W. 1
BY THE SAME AUTHOR
THE HOUSE IN ST. MARTIN'S STREET: Being
Chronicles of the Burney Family. By CONSTANCE HILL,
Author of Jane Austen: Her Homes and Her Friends,
Juniper Hall, Maria Edgeivorth and Her Circle in the
Days of Bonaparte and Bourbon. With numerous Illustra-
tions by ELLEN G. HILL, and Portraits, &c., reproduced
from Contemporary Prints. Demy 8vo, price 55. net.
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subject the most charming part of the Burney story, namely, the lovely and
pleasant family life in St. Martin's Street."
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Burneys, and every fresh record which comes to light only confirms her judg-
ment. Miss Constance Hill writes of the happy little household with all her
wonted grace, and the book abounds in quotations from diaries and other
documents, hitherto unpublished, and is further enriched with charming
illustrations."
MR. CLEMENT SHORTER in The Sphere. — " A charming, an indispensable
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more vividly interesting than it was before."
World. — " This valuable and very interesting work . . . charmingly illus-
trated. . . . Those interested in this stirring period of history and the famous
folk who were Fanny Burney's friends should not fail to add The House in
St. Martin's Street to their collection of books."
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. . . This is a tempting book for quotation, for there are no dull pages in it."
JUNIPER HALL: A Rendezvous of certain Illus-
trious Personages during the French Revolution, including
Alexander D'Arblay and Fanny Burney. By CONSTANCE
HILL. With numerous Illustrations by ELLEN G. HILL,
and Reproductions from various Contemporary Portraits.
Crown 8vo, $s. net.
Times. — " This book makes another on the long and seductive list of books
that takes up history just where history proper leaves off. . . . We have given
but a faint idea of the freshness, the innocent gaiety of its pages ; we can give
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Daily Telegraph. — " One of the most charming volumes published within
recent years. . . . Miss Hill has drawn a really idyllic and graphic picture
. . . capitally illustrated by authentic portraits."
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time."
JANE AUSTEN: HER HOMES AND HER
FRIENDS. By CONSTANCE HILL. With numerous
Illustrations by ELLEN G. HILL, together with Photo-
gravure Portraits. Crown 8vo, price 55. net.
THE STORY OF THE PRINCESS DES URSINS
IN SPAIN (CAMARERA MAJOR). By CONSTANCE
HILL. With Twelve Illustrations and a Photogravure
Frontispiece. New Edition. Crown 8vo, price 5$. net
JOHN LANE, THE BODLEY HEAD, VIGO ST., W. J
THE SAME AUTHOR
FANNY BURNEY
AT THE COURT OF
QUEEN CHARLOTTE.
With Illustrations by ELLEN G. HILL.
Demy %vo, i6j. net.
Pall Mall Gazette.—" For the collection and collation of much fresh matter
Miss Hill with her pen and Miss Ellen with her pencil have taken infinite
pains."
Times. — " One of the most entertaining books of the season. . . . For
such delightful pilgrims in this vale of tears as Fanny Burney can one ever
be too grateful ? "
British Weekly.—" Miss Hill has made a thoroughly charming volume.
There are some plenty illustrations which' add to the pleasure of the book.
Miss Hill is once more to be congratulated upon the skill and sympathy with
which she has done her work."
Westminster Gazette.—" Miss Hill tells the story of Fanny Burney's five
years in office, as Keeper of the Robes, with all the grace and charm that
distinguish her previous volumes."
Observer. — " This latest book shows the same nice learning and the same
gentle distinction. This entertaining and instructive volume."
Sketch. — " Of scores of such entertaining things is Miss Hill's Fanny
Burney, a book which all should read and read again."
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for everything that concerns Miss Fanny is of considerable interest . The value
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portraits and by the delightful drawings scattered throughout the volume by
Miss Ellen Hill."
Standard. — " Lively and fascinating book. . . . The greatest compliment
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not merely with Fanny Burney, but with nearly everybody then at Windsor>
from George III and Queen Charlotte down to all who danced attendance at
the Court."
JOHN LANE, THE BODLEY HEAD, VIGO ST., W. 1
TALES RETAILED OF CELEBRI-
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Sir W. H. D'Oyly, who has spent a great many years in the Indian Civil
Service, retails in this volume a series of amusing stories of men and things.
Always bright and witty, he makes what he has seen and heard live again
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during the latter part of last century.
ABRAHAM LINCOLN: The Practical
Mystic. By FRANCIS GRIERSON, author of
"The Valley of Shadows," "Illusions and
Realities of the War," etc. With an Introduc-
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Abraham Lincoln, the greatest practical mystic the world has known for
nineteen hundred years, is the one man whose life and example ought to be
clearly set before the English-speaking peoples at this supreme climax in
the history of civilization.
The careful study given by Mr. Grierson to the life of Lincoln, which
resulted in the writing of The Valley of Shadows, will be equally apparent in
this present volume, which depicts faithfully the spiritual atmosphere in
which Lincoln lived and moved, thought and worked.
THE RECOLLECTIONS OF LADY
GEORGIAN A PEEL. By her daughter ETHEL
PEEL. With numerous Illustrations. Demy
8vo, i6s. net.
Lady Georgiana Peel is a daughter of Lord John Russell, and her recol-
lections date back to the forties when she entered Society as a girl.
She writes most entertainingly and with intimate knowledge of many
matters of great historical and social interest — of Queen Victoria's marriage,
of the Duke of Wellington, of Lord Macaulay, of John Bright, and of many
other personalities and events of that time.
PATRON AND PLACE-HUNTER.
A Study of George Bubb Dodington, Lord
Melcombe. By LLOYD SANDERS. With 16
Illustrations. Demy 8vo, 165-. net.
A fascinating biography of one of the most interesting personalities of the
eighteenth century.
JOHN LANE, THE BODLEY HEAD, VIGO ST., W. 1
Hill, Constance
5023 Mary Russell Mitford
H5
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