The Massachusetts harmony. : Being a new collection of psalm tunes, fuges [sic] and anthems,

i
.

ictus + ast {i

= Soo os
taba f5T Toi e9 9 1] 7 9 sided diy Li odlde

be Cf, Tt OEM fas “Y : WHOM, Y Te

Sy tr y)
-°

|

Ne MoM UE a la eo i a laa NE ion Mi Un oo ae en ar >
Nee : ) We < .

B.& ft, NMG

A New Coutecrion of

256 0 Me T. UN Es,

FUGES axro ANTHEMS,
: SN Bee Bit Be Oy EB. OD
; From the moft Approved A U T H fe) R S, Ancient and Modern.
ee | Br a LOVER or HARMONY.
a Pater eee Rar a

Pat PYED for, and Sold by JOHN NORMAN, at his Shop in Mirthall’s Line, near the Bofton Stone; where mw be had a new Collection of Tunes
ie ; fuitabie to bind up with Wat's Pkns and bymas; alfo, the Britih Grammar, French Gramm, Spelling Books, Pfalters, Primers, &c. 4

= ‘ r o Nes
my ser:
yee tee «Bi

[ASSACHUSETTS HARMONY.

~

|

(¥s..URT
fh Anterk
#At Sains

eine 35
pe beter
Tiyy Moa
te thefdaa

eet pookhcd
a

F
Fairfield
Falmouth
Funeral Thought.
G

Guilford
Grantham
eee
Hanover
Hartford

Norwich

Newbury

North Street
(@)

Old Hundred
IF

Putney
Poole
Philadelphia

ee a 2) ing Bool he

3
Springfield
Salem

South
Sutton
Stockbridge
Suffield
Sheffield
Savoy
St. Anns

Hatfield Plymouth St. James”
I aria! * ; _ $t. Hellens

ye fy
16 <a Hith

ve TeV Aye
Uhh. Deis
Bag Os

i

Ilington Parindon ‘ f St. Martins

\
| Jfic of Wight Pfalm’ 25 St. Matthews
Ww

Inith Ditto 122 - f
Infant Saviour Ditto © Wafhington

K : Ditto 33 Winchefter
Kingfbridge Ditto 136 - Wickham

L ~ Sere @ Ditto \ 46 Wantage

Landaft se Mgs ob eT oo MR, eel Oo & ace. Wells
Lydd SDs gar eo eee SS Windfor :
Lexington eae ee ao pie Lae AN: Ta EM
Little Se, : Rochwell Arife faine O Zion

—eteavrer bury
tr ppbrs Hymn
*Seoyethunt
(haideburch
A D
“Rickmanfworta. ; I will Sing ;
Moreton if, #60 1) Rineton Lift up your Heads
Morning Byma s) Sbid. 2 |-" Richmond. - oh Cee O Lord God of Ifrael
| Middletown 5 eerscpetiere | ics to hess The Beauty ef Ifael

Dalfion
rentich
Ve wsnark
Emagham

“M ilford 2

‘

v* The Clif on the Tenor, in the rsth Pfalm Tune, fhould 6% on the upEer line ast one.

4
a IT fe napa Dn inn aaa pee Suse
: 4
ithe Jul 3

. ery AN Wien ‘
1p RRSarOTD i aca a oleae aaa

P e E F A 4%, P.
ii 7 Motives which firft induc’d me to publith the following theets, were the repeated folicitations of many perfons, and a fincére defire to furnifh Schools with #
variety of plain Pfalm Tunes, and fuch as were particularly adapted to public focial Worthip. I hive felected mot of the Iuges and Anthems from different
European Publications, and {ome are entirely Original. I with’d to have added feveral other Anthems; but the propos’d fizz wou'd not admit of it. 4 hope
fone of thofe worthy Characters who have heretofore publifhed Books of this kind, wili be fo ungenerous as to brand mz with the appellation of pirate, or plagiary, be-
as I have fo high an opinion of their Knowledge in this Science, their judgment, and good talte, as to publifh fome of their Compofitions. If, { have any claim to
ruch, [ fhall be believed when I affert, that I did not undertake this Comilatioa from lucrative motives, but, as hinted before, with a defireto be ferviceable to fuck
hs with to gain fome k kaowledge’ in this divine Science. - I have endeavoured to fil the following pages with the works of the moft/approved Authors, both ancient and
godern, though it cannot be exoected that allthe good. pieces which they contain caa appear ia fo fmall a compafs as this ; doubtiefs there may be many in this, whicli
ithe jndicious ‘and curious may think might have been omitted, and their places filled wich thofe which are better. ?-I am very fenfible, that no publication of this kind
rill univerfally pleale ; becaufe thofe pieces which agreeably aff=é& the auricular Organs of fome, will not ftrike others in the fame manner
foic fouls, whom mufic’s charms could never-imove, arid who would not blufli co affert, that the grinding of knives entertained them as devceably as Handell’s organ. 4
ach I have nething to fay; but only that they are deprived of part of that pleafure and fatisfaction which {f° enjoy. I fhall seceive it ‘kindi ly ti of
hofe who miv difcover errors, if they woald judge candidly, ‘and~ hop2 to be believed wheni aflert, that I have meant well; aud had this collection been as
much better as fome may think it might have been, they fhould have been as fincerely welcome, The Epiror.
gs Soe ae ES a ME IN ee ;
NOME Toads (being given to the Engraver, who took them from wrong publications) will appear without the ufual Cliff on the Counter, ‘and (ome with double
) Bars, and two or ‘three with a C Clif on the Tenor, from the great Mr. Arnold, who always ufed the Cliff; But as the Counter may as eafily be fung without 2
ECiif, and the Tenor witha C, asa G Cliff, and thé trouble of erafiag would bz fo great, I pretume it will be excufed. Some difcords may be found in feveral pieces
ut “they are allowed when, properly covered, ‘and all parts move together ; and [ only with there may not more bemade in performing the pieces, than there realiy
in then. I maf coafefs, I don’t think it ‘abfolutely neceflacy to introduce difcords into the comp pfitioa of a tue, in order.to nave fome-difcovered in performing ir,
And { with Matters ia particular’ would attend to fuck perfois, aad choirs as they inftruct, aad obferve that they give the right found to Mi, in a natural fharp Key ; for” tis
ty feldom that [hear St. Hellens or 34th Pialm, &c.-fung right, and even by fuch perfons,, who would aot think you complim ented them too highly, if you teld them
izy had-a moit delicate ear, and could accurately diftiaguith between a concord and’ difcord, evea if they were then grating your ear with their Jargon. . Correétne's
been the principal object i in view, if I have failed in attempting to obtain it,» the indulg2nce of: the public,-and tae candor of teachers in particular, will plead in
fayoar. 1 ‘hall omit fuggeiting any rules re{fpecting compofition, left it might be too juttly obferved, that I had attempted what I did not fufficiently underftand.
- ORNAMENTS of MU SiC, 7m

And indeed there are fo:ine

N performing vocal Mufic, it is abfolutely neceffary, that the vgice thould be as clear as poffible, thatevery note fhould be founded clear and diftin®; the wor ds aad
Ren

. fyllables fhoald be pronounced plain and fall, except fuch, in which ave letters, which are not founded in common pronunciation, as in people, chofeny&c. . Accent
6 4 certaia force of th: voic2 upon particular parts of the bar, and i i agzuilhes; one mood from another, and without which there would be but one mood. Common
being divided into four equal parts; the firft and third are accented. Triple) Time into three equal parts, the firt and third likewife. Compound Time into fix;

firit and fourth are accented. Toe fir part of a Bar is always a accented, and more forcibly than the lait accented part. The fourth Mood of Common Time, an?
Moods of Triple, can but juft bz faid to have more than one accent ina Bac. The length of Notes fometimes an{wers, in fome meafure, for'force of voice, which: is
onin Triple Time; by this Notes of Syncodation are formed, which interfere with the proper Accent, and have it in the middle of the Note, The accent of th2

¢ fhould aay agree with emphatical Words and accented Syllables.

Of MOODS

Common Time is meafured by even Numbers, as 2, 4, 8, &c. each bar including fuch a Guantity of No ter,or Hels, as vail armonnt to a Semi
Fir breve, which is the Meafare Note, and is to be founded while you may diftinétly tell 1, 2, 3. & containing 1, 2) mat the hand down, and 3s 4
with it up. i

=

Second Has a Semibreve for the Meafure Note, and: beats after the fame manner, only half as quick again.

Third J aig) Has the fame Meafure Note, and Sung as quick again as the firftand fecond, the hand once down, and once up in each Bar, which contzing

Common Time

two beats.

Fourth ; This has a Minim fora Meafure Note, and beat as ia the lat, only athird quicker

Triple Time is meaftred'by edd Numbers, as three Minims, three Crotchets, three Quavers, and in a Bar. This Mood contains three. Mi

Firf nims ina Bar; and fung in the line of two Seconds, two beats down,’ and one up.
\

Second Contains three Crotchets, or a pricked Minim in a Bar, and beat after the fame manner, but a third quicker.

Third Has three Quivers ina Bar, and’ Sunga third quicker than the zd——two beats in a Bar, the Hand twice as long down 2s up.
third F :

Fink ; 6 Contains fix Crotchetsin a Bar, three beat down, and three up, two beats ina Bay
; sie
6

+

Compound.

~ €ontains fix Quaversin each Bar, three beat down, and three up, in each Bar
Second 3 ‘ ;

{
L
f
:
i
L
|
t

0 Ne ee

Treble and Tenor

eG fol ,
F—-—— —— fa
E la
D (i)
v Bas fa
k —-——__ mi
A ¥ la
G Gd—- ——— fol
F Ye: fa
E ~ ooo la

Counter
(ae Soe tet aes LO]
F fa
E——~~--—-—— —-- ——-- Ja
D lh | Se | ¢ fol
aes,
B i See ml
2% Se SURED AOE: RES me oe a
G ‘ fo}
F -—- fa

Bafs,
FS EE SS ER la
G io]
1g. EE RI WIS % fa
E bd la

feldoin ufed but in

Line and is called

, {ror the Top, and,
ae cas sed, the 2 Ciitt,

This Chiff gs is
ufed on the Treble
and Tenor, and is
always on the Sev
cond.line fiom the
bottom. dries

This Clif aS Ts

Connter,and is plac-
ed on the middle

the C Cli iff,

This Clif 9: ufed
only 10 Baft, is fér
on ihe Second Line

Se OR ee we Do Re

)
|

Names “Notes Refts
Semibreve Q - eo
Minima 1 —a—.

Crotchet

Quaver
Simiquaver

Demifemiquaver

eb tt EY gy OPT

If there are neither Flats nde Sars on a Tune,
“Miis in B, But ifBbe flat Miis in——E.
If B & B be fat Mi isin A. TIfBE&A
be fat Mi isin ——D.\ If BEA & D be flat
Mi isin G. BEAD&G be flat Mi isin
—C. If BEADG &Che flat Mi is in F,
IfBEADGC&F be flat Miis in ——B,

If F be Sharp Mi is in F, If F &C betharp
Mi isin ——C.. if F C&G be tharp Miis in
—G. FC G&D be fharp Miis in D.

ifFCGD &A betharp Mi isin—-—~A. If

FCGDA&E be fharp Miis in

FCGDAE &B be flat Mi isin——B,

Be! Ae

The followite Scale will eafily difcover whe-
ther a Tune is oma flat, or tharp Key, if the third
fixth and feventh, are half a Tone higher, or
are major thirds, fixth and feventh it is on a Sharp
Key, if minor, then itis on a Flat Key. If the
laft Notéin the Bafs which is tke Key Note, is

immediately above Mi,

a Sharp Key, if below Mi, 9 Oe hae La,
the Tune ison a Flat Key.

usa PD Key,
Major-——-Mi—7th-—

Major-——La—6éth—-

} ————-Sol

———-Fa---———
Major -=—La—3d—~.
-Sol—————=

Pe ES fy Ree

|
|
|
|

confequently Fa, it is

Flat Key,

Minor——Sol—7th—

Minor-——~F4--————

==--]a--

PARES BUS ro ERE 2

Minor——Fa——3d--

—Mi-——

zo L3-ee

Pe or

aX Me Wwe
Sa” Ce eer Day

Character.

A Brace,

_A Stave

Ledger Line.

AC 10.

Explanation of the feveral Mufical. Characters,

‘

Shews how many Parts move together,
Divides the time equally ‘according to the Meafure Note,

Denotes that the ftrain is ended.
The five Lines on which the Mufic is written,

A Line added when the Notes afcend, or defcend above or below the Stave.

Set before a Note, finks it halfa Tone. © 4 < + Tie Lea

» Set beforea Note raifes it half a Tone,

Reduces a Note made Flat or Sharp to its primitive Sound.

Is drawn over or ‘underas many Nofes as are Sung'to one Syllable.

Set over any three Notes, fhews that they muft be fung in the time of two.

Shews the ftrain, from the note over which it is placed to a double bar, or clofe, is repeated.

At the right hand of a Note, makes it half as long again, as without it.

Shew that Note under figurer, is Sung before the Repeat, and under figure 2 after, but

if tied, both are Sung after the Repeat.

Shews the End of the Tune.

tg

Sharps, and tae eu lik

Gtion Of: Keys:
Flats and Sharps placed at the beginning of

OF Flate;

_ Tunes, regulate the Mi inthe Tranflations of

Keys. There are but two natural Keys in Mu-
fic, viz. C the Sharp, or cheerful, and A the
Flat and melancholly Key, and thefe are dil-
tinguithed as. may be feenin the Scale. No’
Tune can be formed on. any other Key than
thefe, without the addition of Flats or Sharps
at the beginning, which brings the progrefii+
ons of the other Keys to the fame effect as the
two natural Keys.. The reafon why the two

_ natural Keys. are fo'tranfpoled, is to bring the

feveral Tunes’ within the compafs of the hu-
man voice. Obferve that from mi tofa, and
la to fa, afcending, are but half notes, and fiom,
fa to la, and tato mi defvending.

ta

my : ‘
—s—sS ——-

‘N, B. Whenever you have found Mi, the |

Notes above are fa fol la, fa folla ; and bes
low, Ja fol fa, la fol fa, then Mi ag ain, whe®
ther Flats Si ar ps OF ae ia aia me

ee ar

fhe .\

—

Toning

a
iO
A

'
LQ
:
a
=

<3 awh

Se

ees |
Sa ao

fill the praifes of my God fall’

. ~ t i
AAAS SRS OR a =a BUSPAR 2 ee Ee ee ee Be
a

S ae
(ES ey ER SP aS SZ © REESE © RM ee We
T2GiS ST
ae Beane VE

Pfalm 34. By a ay

fi Re | ET mor BT Preeanems
fee ce os a em ga ec ee
f 22 a seas set Se wa a em a A a =
i —
Thro all the changing feenes of hfe In.trouble and.in Joy; S.
2 ae = La) ote = Seas vee
Pie ass Sao sieess ai

3 7 Ine]
oe cart

eee
eR NERS 7 AALS OK

T

SESS 8 NPUAEANN PRINS Ss Se Tuas

ee ee

J 2
ee Cee

RR DEP SEA TEL) ETT a

el oH

wo a

EME 2
Ye iy

ae,

Tattle Ni [ariboroagh

~~ = ~-_
“yy :

ee
Fe eRe anaes —— : | ~ S: iS “|

EMRE Se ES Be a Pere =o el ee ee Ai. 9 eee

jp —_—} —_} |_| __f Fe 2 Es 184 ee He 0 We Be 6 Ss OO 2 A a eT

PE SR (OZ Ce CR SS We ee OE nese Te ETE Cel WET
A oe Se! aL CT SN ARIA ce

~ Teachine he Ine afore ds wy sles fhou maker of ee frame +gh-would furvey life's naiow fpace. And learn - howfrail Tanr=>

‘ : Anns

EE
as ee
EPR eBES Oa ERC CS 6 CEA SB

My ca ora sportion ert any Love my ever aft tig all

on : ny e
(omnay_.aan a eT c aE OE EL 13
ome ass =e

Ambherit PM wis = = — _

ZS BSS : j
E 7S PE WEE PT) RE | eo EE 2 BN A PS 2 (el SA CE a ae Pea eT.
* ete ett ee Co te—#-8 4-4 eee eer ete ste ei t-O- B= Pe peat os Ss py
‘ rdd# SA TS8 Fie a A A a te ae a sc i A 3) ee PT a He a EE ST ao came ti Oe
! cca hee eee
Se MR Ge posses Sm Sa = = ye HG
5.5 Se Smet sm i fe wet cone nS ee "ot cc alas at oo camer 36
eS eeaena Se i Ss SE Sr Sea wae See = —| — to S23 2 eee Ea SS — 5 i
aS a a eae te
| Sa? So Ta a em conta Pi ae :
(7) OTE ES oe oe eee Ce
Hee eS tt OT [is i pee Fa
: os ee an ee °C: |
<= Sic ee See an a A Ww i a-& OD Ao oo eo a © RoG ri ae =F, SAM Rr oe 2?
a See SESS ete ee ee eo
tm bie ae BS 21 RSA Poa Le ST 0 eee ee ESS UE Ht TEE i i OL SER ae PE (LESS ao

oe. Richmon “Words by Rely ; ‘Si;

ys
ve <n Ne
lina es 22) ES 1 Fa BA OS a a ee —?s x:
ete oe le te ee i I ee too >—o— te te
: Baiew aa Sa ee ee a i was
) “ = z - S- 3 - aa ie + i
Bara ely eee SY = OP a ha aa > =o ? te
a i{—0 6 96-9 e+-+4 8 6-@ 16 (e-S 1e—-9 6-9 8 eee er ee S=SS2 52 Pee e see toes ee na
1? eeey, _T LN a RT OS | arn a Ge Ee 1eo a (a cig ;
SS ee Ue ae a 6 Se a SS ST RL A A A ON == rogs ae. SSA TH a PD

4 Mybeloved hhafte away fick of love fortheel languifh Fails myfoul at thy delay Feels adying'lc vere anguiih : S “quickly quickly Jefus comeOmake ty breatt % neti Ty

—er ser

W = —
Se a er ‘25-0 GE RSE ae De a ive mee . Li
7G tbe eee eo ea na Sra oe oe a ee a EY a oS = A toca Ho al
"sae aitomtom_ainan Fre Ea eo eS ee oo NE BS md
= ’
Y BC:
QS ms A 3 a
SCY A OE DC ee a ae) ee i] am rs :
~ Hy =a ees Eo oe! _ @ a} iH ith. we nwa y | 4 on oo At. - = +
tt ete tt aH ae. Soe et ome ae os oo. : skh = (om am a es Pa we St 7 - fio amet t.

mo : ae:

a5 2 PS A BP A ‘
s AD 0 AO). AM) ere
ce ee es Ba

Z

oe ae ee
— = =

Te _ J Te Sa
7 Eas 6 a ae a

isu ae ee it

? Bedford

f 2 a PE Se a) yas :
a! IS 2-7 Wl SS BO © AUS a OE: PE
Tl 0 ER A ME © EH a nn Wa 6 Fe a

27, 2 ar aaraa O
j awe 2 0 BENG PR '@) nae

emo eee te ea ie et a aoa @) |
PTS Leg ames +48, 208 CO oot ROE = A Lat Sn aN SD aS i >t
a os Bi D0 TON ee Owe |

Pros athe 2 EOE PE FOL A MU EM TL HE OR Care LS DA CA TRAE Te Tee 55 he eal
EPS SE ee Ge SE SS Se ee PE ee a Biren se eS CIRO AE U ij ee it f
4g -

14
a LIT? 4) am

aoe en ea ae

-_ ) = ~ . a 5
Ge ee ee ae en es ee Es ee ee ee > Sra Paco STS A A ESA CRRA SO SPR 4
: a

ie a : |

—

75 Sto eKbridge — Pf. 117

Let the Redeemers nazne be fang Thro ev ryland by: evry tonguclet the Redgcemers name be

7 “

= =o SSS GF ss
(EES CAERGEY e N . z RE TEN (AGS 227 ia! —<- — = 2 Se
| P— Aen ae Sa Oe ee ee = C= Ss (eee fg ee r REE LSS
C2 9 ae SS oe re RED GS 0 See Teas parE ES PORE ITT) ESTE RE a 2 —— i
Let the Creators p aife arife

ae ae oe eyed
Be a ee cae
x SS Se

1h ee es ee

}rom all that dwell below the fkies

=

ong
a Fo
Se ee

fa) » : - 4 = oe, .
sfing loud thanks to ouralmighty lang for we onr voices hich {heuldraie whenour falvationsrockwe pravle

sieeeS see teeters Perret

amma oe H

ai z
papier a) =! fee ied a
tt al 2 Garena

= a tsi

he

Mm

He feads his thowers of Bieings deeck He makes the gra fi [ COV i corm in valleys | ten,

= eit Ho alu =f < i o_o te =

Bunker Inf a Sapphick Ode

ag Ee & a
aE A — a OT EI
el

ign

the fove re

God

/
La
=
1.
s
| Preerecsaat! i fa

ia ar aaa
SRP 5 SL eh

1H Ol &
on
we (ite Bll
a att
i Waa Mine
mit (iE IRIS
at H 5
Kt UE
. rp bl &
HH il
8 is
QU) lier Sa
tH Jely cul ms
alll ait
nit DY dt) bl E
i Saat ants
D tH ; iE
GH rs na) ‘il Be
iS ait iil a
stall Hi A fi | cial
a Rl « i E
Re? lll, IBN

sgied TERNS Oo Os Ge

Po
1 Per

b.
2a RS

| Inisway How he
=

-

mas
no-y

a

Ho Va

i
4

. (ss 2
El ie WES ii A ae OM ENG

SE, 1S A A Rc ma

,

eee a oe eg ee
ttt Oa ee z

— ______— Be AE Bes eT : -—
Mii Se a Gta eee ——+ ts 4 - = al

pa yee er ep

i ea et

one NE a TT i ore
es Jad A SR ES 0 —
eat ma Teal | ‘0 DL) SE 1 PS ee

Y . | if | 7 A
eg OL; fies at

a

Ls 7 eT

=e aes 5-4 eS 5 2 (Ry L3
AO Pe a Se

high this Thot’ ohn ios th all Fin That

7 ~ RA ATOMS oa
) RERRARS M2 = ERE TC SB OR 2

ay i
me roar tr oe

i osc nm ek OA a
DPS SCD RO tO 2 ee OE
ae Me A se OR I
Sle 2.5 Be: “Sd ANSE oe a ee ge ee
FS ne

4s.

Lord we come before fhee now at feet we —bumbh bowOh do not our fuit .df.~demthall we feck the Lord im’ “am
: ; : ye " j

- =e ee |

eo ae Vata |

ee Oe — UZ i = o

e our
|

aka ‘on: Fe ion foe de pend | in compaffion now defcend Fill curhearts with thy afch wage Tan

es ee es CURES PNG. 6 Seema Yh

| Goes pg tr om oa oe Wa aa a im wa om ime. ere et Oe ee
,

2. Oe a fe COR OAL ALA Lage Le) a)

SA ae aE a Va
Sn EH ane DG a am en om
a Ee ST aS STS | ED LD 1 a a
Sree srs ow Gs Lam WAL EN DS a

= Ez ae mee =
Diaz, AS OSEAN 0 LID Bs ERA BD BA Be = a] eanealiooenens oe a RS Ba aaa ee Sa eS
are Lee DAN eR BORA eM anawame nema Se Se ae me eae ie ed a &

i; PERE BES Se a ET ee me a GE SH SS A EES Ce ee ee a
Se Se eee eee. = cee en orm ca races eae Ser See oman ow a ee a I =: =a
CA 8 a a i A es ee TS SS

(e-S—

2-2 ee a
2h Se 0 Oe Be es

———- +} are - en Be ee
Pt) —} Te. EES OS WREST Pas EN ota
Sao he meee fu ee Oe Eat CI

S

an
es 7 Ge inh zs ie TEA
a ae tt ttt
er ue

| ee Ge =
Sa_.--vours Saviours birth on that au fpi_-cious morn

[40S & a eeSoy |
ett: angels. fing

Oo AA DE ee eT
el i EG Sr) aD ge:
We wellmayiimi tafe now he apelin is born nowhe egvaun is born

: ) a:
; om a REY (es eee Te a
_— ee at PEE! | RE TD ee
e—-4 2 a Tes wean a ewes
Fe ae ry a SEY | DT ET)

Tate

1..-tate the mirth wewellmayi-;-~ymfate
; eof Oe

nes —_ _
: WAS 28 a FP 2
—— He ee

Wewellmayiméate their mirth we wellmay 1..mi.... tate . now he agam is born now he again

nee Sea

ooo

Poe

Se

See

jd me ore zara:
EES at

wnand g oryfhone a; 5 3 phe Angel of the of thel, otd.came dov down and. malades fhone

‘ fe

eet creel ‘= Y. 7) GSS Qa Sa
ES GST 721 7 a PZ SS ca ora a a RS

CRT Seti CER MES 1 RP EA a (SD 0 TART OR

Seen In CRI a EG =

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ay ORG ES SITE

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